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[ "conversation and I think we all learned a lot. Thank you! If you're", "(say that five times fast). It's fine if they still need some work;", "need some work; if they didn't, what am I critiquing it for? But", "if they didn't, what am I critiquing it for? But where's the line", "is ready for critique. I'll be covering this in a workshop tomorrow night,", "work is ready for critique. I'll be covering this in a workshop tomorrow", "is ready for critique? Note that I don't expect anyone to be submitting", "know when your work is ready for critique? Note that I don't expect", "I'd toss the question to you guys as well. How do you know", "first draft and ready for critique? Update: I compiled most of these answers", "fine if they still need some work; if they didn't, what am I", "draft and ready for critique? Update: I compiled most of these answers into", "what am I critiquing it for? But where's the line between the first", "your work is ready for critique? Note that I don't expect anyone to", "night, but I figured I'd toss the question to you guys as well.", "compiled most of these answers into a single document and presented it to", "as well. How do you know when your work is ready for critique?", "fast). It's fine if they still need some work; if they didn't, what", "a workshop tomorrow night, but I figured I'd toss the question to you", "between the first draft and ready for critique? Update: I compiled most of", "members say they aren't sure how to tell when their work is ready", "How do you know when your work is ready for critique? Note that", "perfect, polished, ready-to-publish pieces (say that five times fast). It's fine if they", "say they aren't sure how to tell when their work is ready for", "a lot. Thank you! If you're interested, the document (and some subsequent notes)", "ready for critique? Note that I don't expect anyone to be submitting perfect,", "you! If you're interested, the document (and some subsequent notes) can be viewed", "am I critiquing it for? But where's the line between the first draft", "a critiquing group once a month and I've had several of my members", "to be submitting perfect, polished, ready-to-publish pieces (say that five times fast). It's", "single document and presented it to my critique group as a workshop. We", "I compiled most of these answers into a single document and presented it", "that five times fast). It's fine if they still need some work; if", "you guys as well. How do you know when your work is ready", "sure how to tell when their work is ready for critique. I'll be", "but I figured I'd toss the question to you guys as well. How", "guys as well. How do you know when your work is ready for", "it to my critique group as a workshop. We had a good conversation", "polished, ready-to-publish pieces (say that five times fast). It's fine if they still", "If you're interested, the document (and some subsequent notes) can be viewed [here](https://www.dropbox.com/s/f6r9j0pum4tfymm/How%20do%20I%20know%20when%20my%20work%20is%20ready%20for%20critique.docx?dl=0).", "that I don't expect anyone to be submitting perfect, polished, ready-to-publish pieces (say", "to my critique group as a workshop. We had a good conversation and", "didn't, what am I critiquing it for? But where's the line between the", "group once a month and I've had several of my members say they", "they aren't sure how to tell when their work is ready for critique.", "the first draft and ready for critique? Update: I compiled most of these", "think we all learned a lot. Thank you! If you're interested, the document", "submitting perfect, polished, ready-to-publish pieces (say that five times fast). It's fine if", "ready-to-publish pieces (say that five times fast). It's fine if they still need", "critiquing it for? But where's the line between the first draft and ready", "still need some work; if they didn't, what am I critiquing it for?", "their work is ready for critique. I'll be covering this in a workshop", "when your work is ready for critique? Note that I don't expect anyone", "I'll be covering this in a workshop tomorrow night, but I figured I'd", "pieces (say that five times fast). It's fine if they still need some", "these answers into a single document and presented it to my critique group", "when their work is ready for critique. I'll be covering this in a", "my critique group as a workshop. We had a good conversation and I", "and presented it to my critique group as a workshop. We had a", "of my members say they aren't sure how to tell when their work", "question to you guys as well. How do you know when your work", "be covering this in a workshop tomorrow night, but I figured I'd toss", "how to tell when their work is ready for critique. I'll be covering", "Update: I compiled most of these answers into a single document and presented", "group as a workshop. We had a good conversation and I think we", "a month and I've had several of my members say they aren't sure", "aren't sure how to tell when their work is ready for critique. I'll", "I run a critiquing group once a month and I've had several of", "good conversation and I think we all learned a lot. Thank you! If", "tell when their work is ready for critique. I'll be covering this in", "expect anyone to be submitting perfect, polished, ready-to-publish pieces (say that five times", "and I think we all learned a lot. Thank you! If you're interested,", "to you guys as well. How do you know when your work is", "don't expect anyone to be submitting perfect, polished, ready-to-publish pieces (say that five", "my members say they aren't sure how to tell when their work is", "be submitting perfect, polished, ready-to-publish pieces (say that five times fast). It's fine", "the question to you guys as well. How do you know when your", "workshop tomorrow night, but I figured I'd toss the question to you guys", "ready for critique? Update: I compiled most of these answers into a single", "presented it to my critique group as a workshop. We had a good", "anyone to be submitting perfect, polished, ready-to-publish pieces (say that five times fast).", "I think we all learned a lot. Thank you! If you're interested, the", "for critique? Note that I don't expect anyone to be submitting perfect, polished,", "once a month and I've had several of my members say they aren't", "most of these answers into a single document and presented it to my", "answers into a single document and presented it to my critique group as", "and I've had several of my members say they aren't sure how to", "this in a workshop tomorrow night, but I figured I'd toss the question", "toss the question to you guys as well. How do you know when", "work is ready for critique? Note that I don't expect anyone to be", "to tell when their work is ready for critique. I'll be covering this", "some work; if they didn't, what am I critiquing it for? But where's", "all learned a lot. Thank you! If you're interested, the document (and some", "in a workshop tomorrow night, but I figured I'd toss the question to", "It's fine if they still need some work; if they didn't, what am", "we all learned a lot. Thank you! If you're interested, the document (and", "well. How do you know when your work is ready for critique? Note", "it for? But where's the line between the first draft and ready for", "covering this in a workshop tomorrow night, but I figured I'd toss the", "a single document and presented it to my critique group as a workshop.", "had several of my members say they aren't sure how to tell when", "work; if they didn't, what am I critiquing it for? But where's the", "of these answers into a single document and presented it to my critique", "several of my members say they aren't sure how to tell when their", "workshop. We had a good conversation and I think we all learned a", "critique. I'll be covering this in a workshop tomorrow night, but I figured", "if they still need some work; if they didn't, what am I critiquing", "for critique. I'll be covering this in a workshop tomorrow night, but I", "where's the line between the first draft and ready for critique? Update: I", "for? But where's the line between the first draft and ready for critique?", "I don't expect anyone to be submitting perfect, polished, ready-to-publish pieces (say that", "Note that I don't expect anyone to be submitting perfect, polished, ready-to-publish pieces", "a workshop. We had a good conversation and I think we all learned", "the line between the first draft and ready for critique? 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Update: I compiled most of these answers into a single document", "into a single document and presented it to my critique group as a", "critique? Update: I compiled most of these answers into a single document and", "I figured I'd toss the question to you guys as well. How do", "they still need some work; if they didn't, what am I critiquing it", "line between the first draft and ready for critique? Update: I compiled most", "learned a lot. Thank you! If you're interested, the document (and some subsequent", "tomorrow night, but I figured I'd toss the question to you guys as", "month and I've had several of my members say they aren't sure how", "they didn't, what am I critiquing it for? But where's the line between", "Thank you! If you're interested, the document (and some subsequent notes) can be", "ready for critique. I'll be covering this in a workshop tomorrow night, but", "But where's the line between the first draft and ready for critique? Update:", "as a workshop. We had a good conversation and I think we all", "lot. Thank you! If you're interested, the document (and some subsequent notes) can", "you know when your work is ready for critique? Note that I don't", "figured I'd toss the question to you guys as well. How do you", "had a good conversation and I think we all learned a lot. Thank" ]
[ "the answer to this on writers, including this question [When do I explain", "explained, or if the readers can infer that)* (And I did look around", "everyone pretty much stays inside, locked in their storm cellars. In the first", "or if the readers can infer that)* (And I did look around for", "kept in touch via cell phone, email, FaceTime and facebook, especially since the", "to the readers to hypothesize on that themselves?** In a general sense, how", "The book is set in an area so remote that they don't have", "that) (And I did look around for the answer to this on writers,", "the readers can infer that)* (And I did look around for the answer", "After five'o'clock, everyone pretty much stays inside, locked in their storm cellars. In", "haven't had much contact with other families. With modern technology, looking back, I", "weeks before the story took place, a curfew was initiated. After five'o'clock, everyone", "in a prologue vs. letting it unfold in the story?](https://writers.stackexchange.com/q/9505/18418), and at a", "may seem dated that everyone hasn't kept in touch via cell phone, email,", "law enforcement is permitted to leave. Now, they only really leave to eat,", "via cell phone, email, FaceTime and facebook, especially since the narrator describes how", "With modern technology, looking back, I realize it may seem dated that everyone", "they only really leave to eat, shower, go to the bathroom, etc. So,", "on that themselves?** In a general sense, how many questions should authors answer", "seem dated that everyone hasn't kept in touch via cell phone, email, FaceTime", "authors answer for the readers? *(Just to clarify, this is not an issue", "much stays inside, locked in their storm cellars. In the first chapter of", "writers, including this question [When do I explain my created world scenario in", "Now, they only really leave to eat, shower, go to the bathroom, etc.", "far from the nearest cell tower they do not get reception. I'm asking", "me provide a specific example: A story I'm self-editing takes place in a", "I realize it may seem dated that everyone hasn't kept in touch via", "leave it to the readers to hypothesize on that themselves? In a general", "I'm asking whether or not this needs to be explained, or if the", "my created world scenario in a prologue vs. letting it unfold in the", "prologue vs. letting it unfold in the story?](https://writers.stackexchange.com/q/9505/18418), and at a few websites", "area so remote that they don't have cable lines, fiber optic lines, etc,", "questions should authors answer for the readers? *(Just to clarify, this is not", "leave. Now, they only really leave to eat, shower, go to the bathroom,", "remote that they don't have cable lines, fiber optic lines, etc, and their", "(And I did look around for the answer to this on writers, including", "an explanation for this phenomenon, or leave it to the readers to hypothesize", "this on writers, including this question [When do I explain my created world", "[When do I explain my created world scenario in a prologue vs. letting", "I explain my created world scenario in a prologue vs. letting it unfold", "scenario in a prologue vs. letting it unfold in the story?](https://writers.stackexchange.com/q/9505/18418), and at", "including this question [When do I explain my created world scenario in a", "from the nearest cell tower they do not get reception. I'm asking whether", "question: Should I come up with an explanation for this phenomenon, or leave", "a sense, by a creature. A few weeks before the story took place,", "on multiple occasions. My question: Should I come up with an explanation for", "hypothesize on that themselves? In a general sense, how many questions should authors", "the town is put under what could be considered martial law, where only", "I'm self-editing takes place in a present-day small Virginia town. At present, the", "was initiated. After five'o'clock, everyone pretty much stays inside, locked in their storm", "cable lines, fiber optic lines, etc, and their so far from the nearest", "specific example: A story I'm self-editing takes place in a present-day small Virginia", "storm cellars. In the first chapter of the story, the town is put", "sense, by a creature. A few weeks before the story took place, a", "needs to be explained, or if the readers can infer that) (And I", "not this needs to be explained, or if the readers can infer that)", "the first chapter of the story, the town is put under what could", "let me provide a specific example: A story I'm self-editing takes place in", "clarify, this is not an issue of a plot hole. The book is", "facebook, especially since the narrator describes how close-knit the town used to be", "is put under what could be considered martial law, where only law enforcement", "had much contact with other families. With modern technology, looking back, I realize", "cell tower they do not get reception. I'm asking whether or not this", "readers to hypothesize on that themselves?* In a general sense, how many questions", "a present-day small Virginia town. At present, the town is being haunted, in", "provide a specific example: A story I'm self-editing takes place in a present-day", "used to be on multiple occasions. My question: Should I come up with", "they don't have cable lines, fiber optic lines, etc, and their so far", "for this phenomenon, or leave it to the readers to hypothesize on that", "vs. letting it unfold in the story?](https://writers.stackexchange.com/q/9505/18418), and at a few websites including", "story I'm self-editing takes place in a present-day small Virginia town. At present,", "they haven't had much contact with other families. With modern technology, looking back,", "it may seem dated that everyone hasn't kept in touch via cell phone,", "to be on multiple occasions. My question: Should I come up with an", "only law enforcement is permitted to leave. Now, they only really leave to", "before the story took place, a curfew was initiated. After five'o'clock, everyone pretty", "phone, email, FaceTime and facebook, especially since the narrator describes how close-knit the", "law, where only law enforcement is permitted to leave. Now, they only really", "email, FaceTime and facebook, especially since the narrator describes how close-knit the town", "infer that) (And I did look around for the answer to this on", "lines, etc, and their so far from the nearest cell tower they do", "for the answer to this on writers, including this question [When do I", "plot hole. The book is set in an area so remote that they", "subjective, but let me provide a specific example: A story I'm self-editing takes", "can infer that)* (And I did look around for the answer to this", "close-knit the town used to be on multiple occasions. My question: Should I", "is set in an area so remote that they don't have cable lines,", "be explained, or if the readers can infer that)* (And I did look", "where only law enforcement is permitted to leave. Now, they only really leave", "My question: Should I come up with an explanation for this phenomenon, or", "may be subjective, but let me provide a specific example: A story I'm", "up with an explanation for this phenomenon, or leave it to the readers", "A few weeks before the story took place, a curfew was initiated. After", "this is not an issue of a plot hole. The book is set", "optic lines, etc, and their so far from the nearest cell tower they", "book is set in an area so remote that they don't have cable", "(Just to clarify, this is not an issue of a plot hole. The", "contact with other families. With modern technology, looking back, I realize it may", "explain my created world scenario in a prologue vs. letting it unfold in", "modern technology, looking back, I realize it may seem dated that everyone hasn't", "that themselves?* In a general sense, how many questions should authors answer for", "the readers to hypothesize on that themselves?* In a general sense, how many", "answer for the readers? *(Just to clarify, this is not an issue of", "etc. So, they haven't had much contact with other families. With modern technology,", "on writers, including this question [When do I explain my created world scenario", "could be considered martial law, where only law enforcement is permitted to leave.", "nearest cell tower they do not get reception. I'm asking whether or not", "dated that everyone hasn't kept in touch via cell phone, email, FaceTime and", "what could be considered martial law, where only law enforcement is permitted to", "lines, fiber optic lines, etc, and their so far from the nearest cell", "a creature. A few weeks before the story took place, a curfew was", "hole. The book is set in an area so remote that they don't", "in an area so remote that they don't have cable lines, fiber optic", "asking whether or not this needs to be explained, or if the readers", "their so far from the nearest cell tower they do not get reception.", "a prologue vs. letting it unfold in the story?](https://writers.stackexchange.com/q/9505/18418), and at a few", "martial law, where only law enforcement is permitted to leave. Now, they only", "cellars. In the first chapter of the story, the town is put under", "be on multiple occasions. My question: Should I come up with an explanation", "initiated. After five'o'clock, everyone pretty much stays inside, locked in their storm cellars.", "have cable lines, fiber optic lines, etc, and their so far from the", "of the story, the town is put under what could be considered martial", "put under what could be considered martial law, where only law enforcement is", "answer to this on writers, including this question [When do I explain my", "technology, looking back, I realize it may seem dated that everyone hasn't kept", "not an issue of a plot hole. The book is set in an", "especially since the narrator describes how close-knit the town used to be on", "their storm cellars. In the first chapter of the story, the town is", "how close-knit the town used to be on multiple occasions. My question: Should", "go to the bathroom, etc. So, they haven't had much contact with other", "town used to be on multiple occasions. My question: Should I come up", "narrator describes how close-knit the town used to be on multiple occasions. My", "describes how close-knit the town used to be on multiple occasions. My question:", "to hypothesize on that themselves?** In a general sense, how many questions should", "or not this needs to be explained, or if the readers can infer", "five'o'clock, everyone pretty much stays inside, locked in their storm cellars. In the", "question [When do I explain my created world scenario in a prologue vs.", "occasions. My question: Should I come up with an explanation for this phenomenon,", "first chapter of the story, the town is put under what could be", "present-day small Virginia town. At present, the town is being haunted, in a", "leave to eat, shower, go to the bathroom, etc. So, they haven't had", "created world scenario in a prologue vs. letting it unfold in the story?](https://writers.stackexchange.com/q/9505/18418),", "letting it unfold in the story?](https://writers.stackexchange.com/q/9505/18418), and at a few websites including this", "the story, the town is put under what could be considered martial law,", "other families. With modern technology, looking back, I realize it may seem dated", "place, a curfew was initiated. After five'o'clock, everyone pretty much stays inside, locked", "a curfew was initiated. After five'o'clock, everyone pretty much stays inside, locked in", "permitted to leave. Now, they only really leave to eat, shower, go to", "the story took place, a curfew was initiated. After five'o'clock, everyone pretty much", "issue of a plot hole. The book is set in an area so", "place in a present-day small Virginia town. At present, the town is being", "inside, locked in their storm cellars. In the first chapter of the story,", "shower, go to the bathroom, etc. So, they haven't had much contact with", "don't have cable lines, fiber optic lines, etc, and their so far from", "etc, and their so far from the nearest cell tower they do not", "did look around for the answer to this on writers, including this question", "to eat, shower, go to the bathroom, etc. So, they haven't had much", "a specific example: A story I'm self-editing takes place in a present-day small", "bathroom, etc. So, they haven't had much contact with other families. With modern", "or leave it to the readers to hypothesize on that themselves?* In a", "In a general sense, how many questions should authors answer for the readers?", "that they don't have cable lines, fiber optic lines, etc, and their so", "reception. I'm asking whether or not this needs to be explained, or if", "world scenario in a prologue vs. letting it unfold in the story?](https://writers.stackexchange.com/q/9505/18418), and", "unfold in the story?](https://writers.stackexchange.com/q/9505/18418), and at a few websites including this post <https://dailypost.wordpress.com/2014/04/08/too-much-detail/>)", "families. With modern technology, looking back, I realize it may seem dated that", "takes place in a present-day small Virginia town. At present, the town is", "stays inside, locked in their storm cellars. In the first chapter of the", "whether or not this needs to be explained, or if the readers can", "should authors answer for the readers? **(Just to clarify, this is not an", "locked in their storm cellars. In the first chapter of the story, the", "a general sense, how many questions should authors answer for the readers? *(Just", "the bathroom, etc. So, they haven't had much contact with other families. 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A few weeks before", "example: A story I'm self-editing takes place in a present-day small Virginia town.", "hasn't kept in touch via cell phone, email, FaceTime and facebook, especially since", "so remote that they don't have cable lines, fiber optic lines, etc, and", "this needs to be explained, or if the readers can infer that)* (And", "back, I realize it may seem dated that everyone hasn't kept in touch", "for the readers?* *(Just to clarify, this is not an issue of a", "explanation for this phenomenon, or leave it to the readers to hypothesize on", "if the readers can infer that)* (And I did look around for the", "only really leave to eat, shower, go to the bathroom, etc. So, they", "cell phone, email, FaceTime and facebook, especially since the narrator describes how close-knit", "the narrator describes how close-knit the town used to be on multiple occasions.", "it to the readers to hypothesize on that themselves?** In a general sense,", "this phenomenon, or leave it to the readers to hypothesize on that themselves?", "readers can infer that) (And I did look around for the answer to", "in their storm cellars. In the first chapter of the story, the town", "look around for the answer to this on writers, including this question [When", "chapter of the story, the town is put under what could be considered", "town is being haunted, in a sense, by a creature. A few weeks", "being haunted, in a sense, by a creature. A few weeks before the", "with an explanation for this phenomenon, or leave it to the readers to", "Should I come up with an explanation for this phenomenon, or leave it", "be subjective, but let me provide a specific example: A story I'm self-editing", "enforcement is permitted to leave. Now, they only really leave to eat, shower,", "few weeks before the story took place, a curfew was initiated. After five'o'clock," ]
[ "a verdict about who's best), I'm looking either for an answer considering some", "example, an author well-known for highly creative metaphors or picturesque vocabulary) or simply", "went down in history as \"masters of descriptions\" (either of characters or of", "Are there any authors who went down in history as \"masters of descriptions\"", "sheer excellence in being engaging or as accurate as possible. Since the focus", "for very specific reasons (for example, an author well-known for highly creative metaphors", "of locations) or similar? Of course, there are many different aspects one can", "as \"masters of descriptions\" (either of characters or of locations) or similar? Of", "being engaging or as accurate as possible. Since the focus here is a", "reading particular works and learning from them (than coming to a verdict about", "these aspects separately, or, alternatively, one naming writers renowned for masterfully combining several", "excellence in being engaging or as accurate as possible. Since the focus here", "use to regard a writer as remarkable in this aspect, be it for", "many different aspects one can use to regard a writer as remarkable in", "similar? Of course, there are many different aspects one can use to regard", "as remarkable in this aspect, be it for very specific reasons (for example,", "about who's best), I'm looking either for an answer considering some of these", "considering some of these aspects separately, or, alternatively, one naming writers renowned for", "it for very specific reasons (for example, an author well-known for highly creative", "very specific reasons (for example, an author well-known for highly creative metaphors or", "there any authors who went down in history as \"masters of descriptions\" (either", "any authors who went down in history as \"masters of descriptions\" (either of", "(either of characters or of locations) or similar? Of course, there are many", "regard a writer as remarkable in this aspect, be it for very specific", "(than coming to a verdict about who's best), I'm looking either for an", "descriptions\" (either of characters or of locations) or similar? Of course, there are", "for highly creative metaphors or picturesque vocabulary) or simply for sheer excellence in", "or of locations) or similar? Of course, there are many different aspects one", "either for an answer considering some of these aspects separately, or, alternatively, one", "in history as \"masters of descriptions\" (either of characters or of locations) or", "vocabulary) or simply for sheer excellence in being engaging or as accurate as", "answer considering some of these aspects separately, or, alternatively, one naming writers renowned", "to a verdict about who's best), I'm looking either for an answer considering", "coming to a verdict about who's best), I'm looking either for an answer", "characters or of locations) or similar? Of course, there are many different aspects", "is a more didactic one, i.e. reading particular works and learning from them", "author well-known for highly creative metaphors or picturesque vocabulary) or simply for sheer", "well-known for highly creative metaphors or picturesque vocabulary) or simply for sheer excellence", "as possible. Since the focus here is a more didactic one, i.e. reading", "of descriptions\" (either of characters or of locations) or similar? Of course, there", "writer as remarkable in this aspect, be it for very specific reasons (for", "specific reasons (for example, an author well-known for highly creative metaphors or picturesque", "best), I'm looking either for an answer considering some of these aspects separately,", "this aspect, be it for very specific reasons (for example, an author well-known", "Since the focus here is a more didactic one, i.e. reading particular works", "highly creative metaphors or picturesque vocabulary) or simply for sheer excellence in being", "\"masters of descriptions\" (either of characters or of locations) or similar? Of course,", "aspect, be it for very specific reasons (for example, an author well-known for", "who went down in history as \"masters of descriptions\" (either of characters or", "particular works and learning from them (than coming to a verdict about who's", "or as accurate as possible. Since the focus here is a more didactic", "focus here is a more didactic one, i.e. reading particular works and learning", "didactic one, i.e. reading particular works and learning from them (than coming to", "for sheer excellence in being engaging or as accurate as possible. Since the", "history as \"masters of descriptions\" (either of characters or of locations) or similar?", "who's best), I'm looking either for an answer considering some of these aspects", "remarkable in this aspect, be it for very specific reasons (for example, an", "and learning from them (than coming to a verdict about who's best), I'm", "in being engaging or as accurate as possible. Since the focus here is", "aspects separately, or, alternatively, one naming writers renowned for masterfully combining several of", "authors who went down in history as \"masters of descriptions\" (either of characters", "engaging or as accurate as possible. Since the focus here is a more", "separately, or, alternatively, one naming writers renowned for masterfully combining several of them.", "an author well-known for highly creative metaphors or picturesque vocabulary) or simply for", "(for example, an author well-known for highly creative metaphors or picturesque vocabulary) or", "reasons (for example, an author well-known for highly creative metaphors or picturesque vocabulary)", "to regard a writer as remarkable in this aspect, be it for very", "for an answer considering some of these aspects separately, or, alternatively, one naming", "an answer considering some of these aspects separately, or, alternatively, one naming writers", "course, there are many different aspects one can use to regard a writer", "possible. Since the focus here is a more didactic one, i.e. reading particular", "a writer as remarkable in this aspect, be it for very specific reasons", "from them (than coming to a verdict about who's best), I'm looking either", "different aspects one can use to regard a writer as remarkable in this", "i.e. reading particular works and learning from them (than coming to a verdict", "the focus here is a more didactic one, i.e. reading particular works and", "one, i.e. reading particular works and learning from them (than coming to a", "more didactic one, i.e. reading particular works and learning from them (than coming", "or picturesque vocabulary) or simply for sheer excellence in being engaging or as", "there are many different aspects one can use to regard a writer as", "simply for sheer excellence in being engaging or as accurate as possible. Since", "verdict about who's best), I'm looking either for an answer considering some of", "of these aspects separately, or, alternatively, one naming writers renowned for masterfully combining", "one can use to regard a writer as remarkable in this aspect, be", "some of these aspects separately, or, alternatively, one naming writers renowned for masterfully", "aspects one can use to regard a writer as remarkable in this aspect,", "can use to regard a writer as remarkable in this aspect, be it", "as accurate as possible. Since the focus here is a more didactic one,", "or simply for sheer excellence in being engaging or as accurate as possible.", "be it for very specific reasons (for example, an author well-known for highly", "metaphors or picturesque vocabulary) or simply for sheer excellence in being engaging or", "picturesque vocabulary) or simply for sheer excellence in being engaging or as accurate", "them (than coming to a verdict about who's best), I'm looking either for", "a more didactic one, i.e. reading particular works and learning from them (than", "I'm looking either for an answer considering some of these aspects separately, or,", "works and learning from them (than coming to a verdict about who's best),", "learning from them (than coming to a verdict about who's best), I'm looking", "of characters or of locations) or similar? Of course, there are many different", "here is a more didactic one, i.e. reading particular works and learning from", "locations) or similar? Of course, there are many different aspects one can use", "Of course, there are many different aspects one can use to regard a", "down in history as \"masters of descriptions\" (either of characters or of locations)", "creative metaphors or picturesque vocabulary) or simply for sheer excellence in being engaging", "in this aspect, be it for very specific reasons (for example, an author", "looking either for an answer considering some of these aspects separately, or, alternatively,", "accurate as possible. Since the focus here is a more didactic one, i.e.", "are many different aspects one can use to regard a writer as remarkable", "or similar? Of course, there are many different aspects one can use to" ]
[ "be about half a page. Where should I put it? I'm concerned that", "was mentioned. I would like to provide a pronunciation key in my book.", "at the end, people won't notice it, and will get ingrained in their", "\"pronunciation key\" was mentioned. I would like to provide a pronunciation key in", "a pronunciation key in my book. It would be about half a page.", "I would like to provide a pronunciation key in my book. It would", "a page. Where should I put it? I'm concerned that if I put", "like to provide a pronunciation key in my book. It would be about", "[answer](https://writers.stackexchange.com/a/25847/13494), \"pronunciation key\" was mentioned. I would like to provide a pronunciation key", "should I put it? I'm concerned that if I put it at the", "the end, people won't notice it, and will get ingrained in their mispronunciation", "I'm concerned that if I put it at the end, people won't notice", "that if I put it at the end, people won't notice it, and", "would like to provide a pronunciation key in my book. It would be", "concerned that if I put it at the end, people won't notice it,", "notice it, and will get ingrained in their mispronunciation of certain key names.", "mentioned. I would like to provide a pronunciation key in my book. It", "In a recent [answer](https://writers.stackexchange.com/a/25847/13494), \"pronunciation key\" was mentioned. I would like to provide", "book. It would be about half a page. Where should I put it?", "page. Where should I put it? I'm concerned that if I put it", "my book. It would be about half a page. Where should I put", "pronunciation key in my book. It would be about half a page. Where", "provide a pronunciation key in my book. It would be about half a", "key\" was mentioned. I would like to provide a pronunciation key in my", "in my book. It would be about half a page. Where should I", "half a page. Where should I put it? I'm concerned that if I", "would be about half a page. Where should I put it? I'm concerned", "put it at the end, people won't notice it, and will get ingrained", "put it? I'm concerned that if I put it at the end, people", "if I put it at the end, people won't notice it, and will", "It would be about half a page. Where should I put it? I'm", "won't notice it, and will get ingrained in their mispronunciation of certain key", "it at the end, people won't notice it, and will get ingrained in", "it? I'm concerned that if I put it at the end, people won't", "to provide a pronunciation key in my book. It would be about half", "Where should I put it? I'm concerned that if I put it at", "I put it at the end, people won't notice it, and will get", "I put it? I'm concerned that if I put it at the end,", "key in my book. It would be about half a page. Where should", "about half a page. Where should I put it? I'm concerned that if", "end, people won't notice it, and will get ingrained in their mispronunciation of", "people won't notice it, and will get ingrained in their mispronunciation of certain", "recent [answer](https://writers.stackexchange.com/a/25847/13494), \"pronunciation key\" was mentioned. I would like to provide a pronunciation", "a recent [answer](https://writers.stackexchange.com/a/25847/13494), \"pronunciation key\" was mentioned. I would like to provide a" ]
[ "were only writing one chapter, I could call that an epilogue and say:", "Relative* edited and with an epilogue by Aparente But this won't work if", "and say: *Title* by Relative edited and with an epilogue by Aparente But", "I put my name on the cover and title page? If I were", "would like to publish in a book. They're very good but they need", "If I were only writing one chapter, I could call that an epilogue", "fair amount of editing. I would like to include some chapters written by", "that would supplement the relative's memories. How to I put my name on", "by myself, that would supplement the relative's memories. How to I put my", "say: *Title* by Relative edited and with an epilogue by Aparente But this", "*Title* by Relative edited and with an epilogue by Aparente But this won't", "but they need a fair amount of editing. I would like to include", "a book. They're very good but they need a fair amount of editing.", "they need a fair amount of editing. I would like to include some", "very good but they need a fair amount of editing. I would like", "good but they need a fair amount of editing. I would like to", "and with an epilogue by Aparente* But this won't work if I contribute", "cover and title page? If I were only writing one chapter, I could", "memories. How to I put my name on the cover and title page?", "an epilogue and say: *Title* by Relative edited and with an epilogue by", "the cover and title page? If I were only writing one chapter, I", "chapter, I could call that an epilogue and say: Title* by Relative edited", "book. They're very good but they need a fair amount of editing. I", "on the cover and title page? If I were only writing one chapter,", "to publish in a book. They're very good but they need a fair", "a number of autobiographical pieces which I would like to publish in a", "longer living) wrote a number of autobiographical pieces which I would like to", "would supplement the relative's memories. How to I put my name on the", "publish in a book. They're very good but they need a fair amount", "an epilogue by Aparente But this won't work if I contribute three or", "and title page? If I were only writing one chapter, I could call", "edited and with an epilogue by Aparente But this won't work if I", "page? If I were only writing one chapter, I could call that an", "no longer living) wrote a number of autobiographical pieces which I would like", "title page? If I were only writing one chapter, I could call that", "editing. I would like to include some chapters written by myself, that would", "I would like to publish in a book. They're very good but they", "is no longer living) wrote a number of autobiographical pieces which I would", "that an epilogue and say: *Title* by Relative edited and with an epilogue", "epilogue and say: Title* by Relative edited and with an epilogue by Aparente", "amount of editing. I would like to include some chapters written by myself,", "epilogue by Aparente* But this won't work if I contribute three or four", "How to I put my name on the cover and title page? If", "call that an epilogue and say: *Title* by Relative edited and with an", "number of autobiographical pieces which I would like to publish in a book.", "to include some chapters written by myself, that would supplement the relative's memories.", "put my name on the cover and title page? If I were only", "like to publish in a book. They're very good but they need a", "some chapters written by myself, that would supplement the relative's memories. How to", "A relative (who is no longer living) wrote a number of autobiographical pieces", "by Aparente But this won't work if I contribute three or four chapters.", "of editing. I would like to include some chapters written by myself, that", "would like to include some chapters written by myself, that would supplement the", "relative (who is no longer living) wrote a number of autobiographical pieces which", "my name on the cover and title page? If I were only writing", "with an epilogue by Aparente* But this won't work if I contribute three", "the relative's memories. How to I put my name on the cover and", "include some chapters written by myself, that would supplement the relative's memories. How", "of autobiographical pieces which I would like to publish in a book. They're", "pieces which I would like to publish in a book. They're very good", "a fair amount of editing. I would like to include some chapters written", "They're very good but they need a fair amount of editing. I would", "could call that an epilogue and say: *Title* by Relative edited and with", "written by myself, that would supplement the relative's memories. How to I put", "like to include some chapters written by myself, that would supplement the relative's", "supplement the relative's memories. How to I put my name on the cover", "by Relative* edited and with an epilogue by Aparente But this won't work", "need a fair amount of editing. I would like to include some chapters", "I could call that an epilogue and say: *Title* by Relative edited and", "one chapter, I could call that an epilogue and say: Title* by Relative", "to I put my name on the cover and title page? If I", "autobiographical pieces which I would like to publish in a book. They're very", "I were only writing one chapter, I could call that an epilogue and", "which I would like to publish in a book. They're very good but", "wrote a number of autobiographical pieces which I would like to publish in", "name on the cover and title page? If I were only writing one", "writing one chapter, I could call that an epilogue and say: *Title* by", "myself, that would supplement the relative's memories. How to I put my name", "living) wrote a number of autobiographical pieces which I would like to publish", "relative's memories. How to I put my name on the cover and title", "only writing one chapter, I could call that an epilogue and say: Title*", "chapters written by myself, that would supplement the relative's memories. How to I", "in a book. They're very good but they need a fair amount of", "(who is no longer living) wrote a number of autobiographical pieces which I", "I would like to include some chapters written by myself, that would supplement" ]
[ "an affordable way of accomplishing this? Perhaps you need to know the size", "you need to know the size of the book in order to answer", "like to self-publish a book with a binding that allows for the book", "by 11 would be too big, but the standard paperback would be too", "to stay open if you put it down on a desk. What would", "stay open if you put it down on a desk. What would be", "it down on a desk. What would be an affordable way of accomplishing", "this? Perhaps you need to know the size of the book in order", "binding that allows for the book to stay open if you put it", "be an affordable way of accomplishing this? Perhaps you need to know the", "in order to answer this. 8 by 11 would be too big, but", "that allows for the book to stay open if you put it down", "on a desk. What would be an affordable way of accomplishing this? Perhaps", "of accomplishing this? Perhaps you need to know the size of the book", "affordable way of accomplishing this? Perhaps you need to know the size of", "this. 8 by 11 would be too big, but the standard paperback would", "would be an affordable way of accomplishing this? Perhaps you need to know", "11 would be too big, but the standard paperback would be too small.", "way of accomplishing this? Perhaps you need to know the size of the", "if you put it down on a desk. What would be an affordable", "book in order to answer this. 8 by 11 would be too big,", "the book to stay open if you put it down on a desk.", "a binding that allows for the book to stay open if you put", "the size of the book in order to answer this. 8 by 11", "the book in order to answer this. 8 by 11 would be too", "order to answer this. 8 by 11 would be too big, but the", "size of the book in order to answer this. 8 by 11 would", "open if you put it down on a desk. What would be an", "to answer this. 8 by 11 would be too big, but the standard", "to know the size of the book in order to answer this. 8", "I would like to self-publish a book with a binding that allows for", "book with a binding that allows for the book to stay open if", "book to stay open if you put it down on a desk. What", "8 by 11 would be too big, but the standard paperback would be", "a book with a binding that allows for the book to stay open", "for the book to stay open if you put it down on a", "What would be an affordable way of accomplishing this? Perhaps you need to", "down on a desk. What would be an affordable way of accomplishing this?", "know the size of the book in order to answer this. 8 by", "Perhaps you need to know the size of the book in order to", "to self-publish a book with a binding that allows for the book to", "you put it down on a desk. What would be an affordable way", "a desk. What would be an affordable way of accomplishing this? Perhaps you", "need to know the size of the book in order to answer this.", "answer this. 8 by 11 would be too big, but the standard paperback", "desk. What would be an affordable way of accomplishing this? Perhaps you need", "allows for the book to stay open if you put it down on", "put it down on a desk. What would be an affordable way of", "of the book in order to answer this. 8 by 11 would be", "self-publish a book with a binding that allows for the book to stay", "would like to self-publish a book with a binding that allows for the", "with a binding that allows for the book to stay open if you", "accomplishing this? Perhaps you need to know the size of the book in" ]
[ "it's always possible to rephrase a sentence so as to not use it.", "was taught around the age of 10 to always avoid the word \"got\".", "10 to always avoid the word \"got\". I was told that it's always", "age of 10 to always avoid the word \"got\". I was told that", "word \"got\". I was told that it's always possible to rephrase a sentence", "that it's always possible to rephrase a sentence so as to not use", "rephrase a sentence so as to not use it. I followed this advice", "word and avoid it where I can, but is this a correct way", "but is this a correct way to think? Is there any consensus on", "unthinkingly, but now that I come to look at it, this isn't so", "come to look at it, this isn't so universal. I still think it's", "this isn't so universal. I still think it's an ugly word and avoid", "so universal. I still think it's an ugly word and avoid it where", "still think it's an ugly word and avoid it where I can, but", "this a correct way to think? Is there any consensus on the word", "to look at it, this isn't so universal. I still think it's an", "can, but is this a correct way to think? Is there any consensus", "this advice fairly unthinkingly, but now that I come to look at it,", "avoid it where I can, but is this a correct way to think?", "and avoid it where I can, but is this a correct way to", "not use it. I followed this advice fairly unthinkingly, but now that I", "at it, this isn't so universal. I still think it's an ugly word", "that I come to look at it, this isn't so universal. I still", "always possible to rephrase a sentence so as to not use it. I", "an ugly word and avoid it where I can, but is this a", "look at it, this isn't so universal. I still think it's an ugly", "a correct way to think? Is there any consensus on the word \"got\"?", "I come to look at it, this isn't so universal. I still think", "I can, but is this a correct way to think? Is there any", "I was told that it's always possible to rephrase a sentence so as", "always avoid the word \"got\". I was told that it's always possible to", "as to not use it. I followed this advice fairly unthinkingly, but now", "possible to rephrase a sentence so as to not use it. I followed", "so as to not use it. I followed this advice fairly unthinkingly, but", "but now that I come to look at it, this isn't so universal.", "the age of 10 to always avoid the word \"got\". I was told", "I followed this advice fairly unthinkingly, but now that I come to look", "it. I followed this advice fairly unthinkingly, but now that I come to", "I still think it's an ugly word and avoid it where I can,", "to always avoid the word \"got\". I was told that it's always possible", "ugly word and avoid it where I can, but is this a correct", "I was taught around the age of 10 to always avoid the word", "was told that it's always possible to rephrase a sentence so as to", "to rephrase a sentence so as to not use it. I followed this", "it's an ugly word and avoid it where I can, but is this", "it, this isn't so universal. I still think it's an ugly word and", "is this a correct way to think? Is there any consensus on the", "around the age of 10 to always avoid the word \"got\". I was", "avoid the word \"got\". I was told that it's always possible to rephrase", "followed this advice fairly unthinkingly, but now that I come to look at", "advice fairly unthinkingly, but now that I come to look at it, this", "taught around the age of 10 to always avoid the word \"got\". I", "told that it's always possible to rephrase a sentence so as to not", "isn't so universal. I still think it's an ugly word and avoid it", "think it's an ugly word and avoid it where I can, but is", "where I can, but is this a correct way to think? Is there", "universal. I still think it's an ugly word and avoid it where I", "to not use it. I followed this advice fairly unthinkingly, but now that", "fairly unthinkingly, but now that I come to look at it, this isn't", "\"got\". I was told that it's always possible to rephrase a sentence so", "use it. I followed this advice fairly unthinkingly, but now that I come", "now that I come to look at it, this isn't so universal. I", "it where I can, but is this a correct way to think? Is", "sentence so as to not use it. I followed this advice fairly unthinkingly,", "of 10 to always avoid the word \"got\". I was told that it's", "the word \"got\". I was told that it's always possible to rephrase a", "a sentence so as to not use it. I followed this advice fairly" ]
[ "addition, some chapters will require a small amount of text written by me,", "three or four times. That would be embarrassing. (My chapters mostly come at", "footnote. But I don't want to use italics for a whole chapter. I", "chapters will require a small amount of text written by me, usually at", "the end of the book, but there's one that comes in the middle.)", "mean half a page or less. How do I distinguish between the two", "or five chapters written by myself, that would supplement the relative's memories. In", "amount of text written by me, usually at either the beginning or the", "By \"small,\" I mean half a page or less. How do I distinguish", "a short bit inside a chapter, I could use italics, or the dreaded", "pieces which I would like to publish in a book. I would like", "italics, or the dreaded footnote. But I don't want to use italics for", "to include four or five chapters written by myself, that would supplement the", "But I don't want to use italics for a whole chapter. I don't", "have to use my first name in the chapter title three or four", "would like to publish in a book. I would like to include four", "the dreaded footnote. But I don't want to use italics for a whole", "whole chapter. I don't want to have to use my first name in", "a chapter, I could use italics, or the dreaded footnote. But I don't", "of autobiographical pieces which I would like to publish in a book. I", "want to use italics for a whole chapter. I don't want to have", "supplement the relative's memories. In addition, some chapters will require a small amount", "in the chapter title three or four times. That would be embarrassing. (My", "the chapter title three or four times. That would be embarrassing. (My chapters", "would like to include four or five chapters written by myself, that would", "relative's memories. In addition, some chapters will require a small amount of text", "or less. How do I distinguish between the two voices? I was thinking", "or four times. That would be embarrassing. (My chapters mostly come at the", "I was thinking that for a short bit inside a chapter, I could", "chapters mostly come at the end of the book, but there's one that", "like to publish in a book. I would like to include four or", "would be embarrassing. (My chapters mostly come at the end of the book,", "at either the beginning or the end of the chapter. By \"small,\" I", "do I distinguish between the two voices? I was thinking that for a", "which I would like to publish in a book. I would like to", "myself, that would supplement the relative's memories. In addition, some chapters will require", "between the two voices? I was thinking that for a short bit inside", "for a whole chapter. I don't want to have to use my first", "my first name in the chapter title three or four times. That would", "a whole chapter. I don't want to have to use my first name", "(My chapters mostly come at the end of the book, but there's one", "the two voices? I was thinking that for a short bit inside a", "use italics, or the dreaded footnote. But I don't want to use italics", "of text written by me, usually at either the beginning or the end", "chapter. By \"small,\" I mean half a page or less. How do I", "four or five chapters written by myself, that would supplement the relative's memories.", "chapters written by myself, that would supplement the relative's memories. In addition, some", "some chapters will require a small amount of text written by me, usually", "a number of autobiographical pieces which I would like to publish in a", "a page or less. How do I distinguish between the two voices? I", "I don't want to use italics for a whole chapter. I don't want", "at the end of the book, but there's one that comes in the", "longer living) wrote a number of autobiographical pieces which I would like to", "the end of the chapter. By \"small,\" I mean half a page or", "either the beginning or the end of the chapter. By \"small,\" I mean", "use italics for a whole chapter. I don't want to have to use", "me, usually at either the beginning or the end of the chapter. By", "In addition, some chapters will require a small amount of text written by", "inside a chapter, I could use italics, or the dreaded footnote. But I", "page or less. How do I distinguish between the two voices? I was", "like to include four or five chapters written by myself, that would supplement", "require a small amount of text written by me, usually at either the", "title three or four times. That would be embarrassing. (My chapters mostly come", "no longer living) wrote a number of autobiographical pieces which I would like", "I mean half a page or less. How do I distinguish between the", "in a book. I would like to include four or five chapters written", "a small amount of text written by me, usually at either the beginning", "want to have to use my first name in the chapter title three", "small amount of text written by me, usually at either the beginning or", "is no longer living) wrote a number of autobiographical pieces which I would", "include four or five chapters written by myself, that would supplement the relative's", "beginning or the end of the chapter. By \"small,\" I mean half a", "That would be embarrassing. (My chapters mostly come at the end of the", "come at the end of the book, but there's one that comes in", "be embarrassing. (My chapters mostly come at the end of the book, but", "by myself, that would supplement the relative's memories. In addition, some chapters will", "number of autobiographical pieces which I would like to publish in a book.", "dreaded footnote. But I don't want to use italics for a whole chapter.", "was thinking that for a short bit inside a chapter, I could use", "usually at either the beginning or the end of the chapter. By \"small,\"", "to publish in a book. I would like to include four or five", "voices? I was thinking that for a short bit inside a chapter, I", "autobiographical pieces which I would like to publish in a book. I would", "chapter title three or four times. That would be embarrassing. (My chapters mostly", "or the dreaded footnote. But I don't want to use italics for a", "A relative (who is no longer living) wrote a number of autobiographical pieces", "the relative's memories. In addition, some chapters will require a small amount of", "the beginning or the end of the chapter. By \"small,\" I mean half", "or the end of the chapter. By \"small,\" I mean half a page", "I would like to publish in a book. I would like to include", "two voices? I was thinking that for a short bit inside a chapter,", "How do I distinguish between the two voices? I was thinking that for", "mostly come at the end of the book, but there's one that comes", "I would like to include four or five chapters written by myself, that", "relative (who is no longer living) wrote a number of autobiographical pieces which", "half a page or less. How do I distinguish between the two voices?", "bit inside a chapter, I could use italics, or the dreaded footnote. But", "italics for a whole chapter. I don't want to have to use my", "will require a small amount of text written by me, usually at either", "for a short bit inside a chapter, I could use italics, or the", "the chapter. By \"small,\" I mean half a page or less. How do", "that would supplement the relative's memories. In addition, some chapters will require a", "could use italics, or the dreaded footnote. But I don't want to use", "memories. In addition, some chapters will require a small amount of text written", "I don't want to have to use my first name in the chapter", "times. That would be embarrassing. (My chapters mostly come at the end of", "to have to use my first name in the chapter title three or", "to use my first name in the chapter title three or four times.", "text written by me, usually at either the beginning or the end of", "five chapters written by myself, that would supplement the relative's memories. In addition,", "of the chapter. By \"small,\" I mean half a page or less. How", "distinguish between the two voices? I was thinking that for a short bit", "thinking that for a short bit inside a chapter, I could use italics,", "end of the chapter. By \"small,\" I mean half a page or less.", "name in the chapter title three or four times. That would be embarrassing.", "I distinguish between the two voices? I was thinking that for a short", "chapter, I could use italics, or the dreaded footnote. But I don't want", "book. I would like to include four or five chapters written by myself,", "short bit inside a chapter, I could use italics, or the dreaded footnote.", "to use italics for a whole chapter. I don't want to have to", "I could use italics, or the dreaded footnote. But I don't want to", "publish in a book. I would like to include four or five chapters", "four times. That would be embarrassing. (My chapters mostly come at the end", "first name in the chapter title three or four times. That would be", "chapter. I don't want to have to use my first name in the", "wrote a number of autobiographical pieces which I would like to publish in", "\"small,\" I mean half a page or less. How do I distinguish between", "don't want to use italics for a whole chapter. I don't want to", "written by myself, that would supplement the relative's memories. In addition, some chapters", "written by me, usually at either the beginning or the end of the", "would supplement the relative's memories. In addition, some chapters will require a small", "less. How do I distinguish between the two voices? I was thinking that", "a book. I would like to include four or five chapters written by", "living) wrote a number of autobiographical pieces which I would like to publish", "embarrassing. (My chapters mostly come at the end of the book, but there's", "that for a short bit inside a chapter, I could use italics, or", "don't want to have to use my first name in the chapter title", "by me, usually at either the beginning or the end of the chapter.", "use my first name in the chapter title three or four times. That", "(who is no longer living) wrote a number of autobiographical pieces which I" ]
[ "\"But I always make mistakes like this. I'm so > dumb.\" > >", "see, there are statements that apply to the present mingled with narration in", "said, “Always be the exception, never > the rule. > > > My", "always make mistakes like this. I'm so > dumb.\" > > > As", "like this. I'm so > dumb.\" > > > As you can see,", "stool next to his. “Mind if I sit here?” A bold woman >", "bold woman > was a rarity. As the rule said, “Always be the", "mistakes like this. I'm so > dumb.\" > > > As you can", "> > My trick was working well with him. Women needed to feel", "needed to feel loved, men > loved to feel needed. \"But I always", "feel needed. \"But I always make mistakes like this. I'm so > dumb.\"", "> I pointed to the stool next to his. “Mind if I sit", "> > > My trick was working well with him. Women needed to", "“Mind if I sit here?” A bold woman > was a rarity. As", "was a rarity. As the rule said, “Always be the exception, never >", "so > dumb.\" > > > As you can see, there are statements", "sit here?” A bold woman > was a rarity. As the rule said,", "statements that apply to the present mingled with narration in the past tense.", "“Always be the exception, never > the rule. > > > My trick", "A bold woman > was a rarity. As the rule said, “Always be", "My trick was working well with him. Women needed to feel loved, men", "tense. Should the former be written in the past tense or present tense?", "next to his. “Mind if I sit here?” A bold woman > was", "rule said, “Always be the exception, never > the rule. > > >", "never > the rule. > > > My trick was working well with", "> As you can see, there are statements that apply to the present", "As you can see, there are statements that apply to the present mingled", "the rule said, “Always be the exception, never > the rule. > >", "if I sit here?” A bold woman > was a rarity. As the", "there are statements that apply to the present mingled with narration in the", "can see, there are statements that apply to the present mingled with narration", "rule. > > > My trick was working well with him. Women needed", "with him. Women needed to feel loved, men > loved to feel needed.", "> dumb.\" > > > As you can see, there are statements that", "> > As you can see, there are statements that apply to the", "the stool next to his. “Mind if I sit here?” A bold woman", "rarity. As the rule said, “Always be the exception, never > the rule.", "woman > was a rarity. As the rule said, “Always be the exception,", "are statements that apply to the present mingled with narration in the past", "> loved to feel needed. \"But I always make mistakes like this. I'm", "pointed to the stool next to his. “Mind if I sit here?” A", "loved to feel needed. \"But I always make mistakes like this. I'm so", "you can see, there are statements that apply to the present mingled with", "> > > As you can see, there are statements that apply to", "working well with him. Women needed to feel loved, men > loved to", "past tense. Should the former be written in the past tense or present", "exception, never > the rule. > > > My trick was working well", "apply to the present mingled with narration in the past tense. Should the", "trick was working well with him. Women needed to feel loved, men >", "in the past tense. Should the former be written in the past tense", "be the exception, never > the rule. > > > My trick was", "well with him. Women needed to feel loved, men > loved to feel", "> > I pointed to the stool next to his. “Mind if I", "narration in the past tense. Should the former be written in the past", "the rule. > > > My trick was working well with him. Women", "present mingled with narration in the past tense. Should the former be written", "> My trick was working well with him. Women needed to feel loved,", "Women needed to feel loved, men > loved to feel needed. \"But I", "that apply to the present mingled with narration in the past tense. Should", "to the stool next to his. “Mind if I sit here?” A bold", "a rarity. As the rule said, “Always be the exception, never > the", "I'm so > dumb.\" > > > As you can see, there are", "> the rule. > > > My trick was working well with him.", "make mistakes like this. I'm so > dumb.\" > > > As you", "loved, men > loved to feel needed. \"But I always make mistakes like", "to feel needed. \"But I always make mistakes like this. I'm so >", "men > loved to feel needed. \"But I always make mistakes like this.", "needed. \"But I always make mistakes like this. I'm so > dumb.\" >", "As the rule said, “Always be the exception, never > the rule. >", "to his. “Mind if I sit here?” A bold woman > was a", "the exception, never > the rule. > > > My trick was working", "his. “Mind if I sit here?” A bold woman > was a rarity.", "to the present mingled with narration in the past tense. Should the former", "this. I'm so > dumb.\" > > > As you can see, there", "I pointed to the stool next to his. “Mind if I sit here?”", "the present mingled with narration in the past tense. Should the former be", "feel loved, men > loved to feel needed. \"But I always make mistakes", "> was a rarity. As the rule said, “Always be the exception, never", "here?” A bold woman > was a rarity. As the rule said, “Always", "was working well with him. Women needed to feel loved, men > loved", "to feel loved, men > loved to feel needed. \"But I always make", "him. Women needed to feel loved, men > loved to feel needed. \"But", "I sit here?” A bold woman > was a rarity. As the rule", "I always make mistakes like this. I'm so > dumb.\" > > >", "the past tense. Should the former be written in the past tense or", "dumb.\" > > > As you can see, there are statements that apply", "mingled with narration in the past tense. Should the former be written in", "with narration in the past tense. Should the former be written in the" ]
[ "book, one with 6 x 9 inch pages, and one with letter-sized pages?", "content. It was a simple pdf, with letter-sized pages. Shall I do that?", "I do that? Would that mean I would have to have two versions", "with 6 x 9 inch pages, and one with letter-sized pages? Or is", "in the formatting, but I didn't mind because I was devouring the content.", "were a few imperfections in the formatting, but I didn't mind because I", "It was a great book, about exactly what I was interested in. There", "9 inch Word file? I did not bother printing out the $35 book", "I recently bought a book for $35 as an electronic download from the", "I would have to have two versions of my book, one with 6", "recently bought a book for $35 as an electronic download from the author's", "letter-sized pages. Shall I do that? Would that mean I would have to", "in. There were a few imperfections in the formatting, but I didn't mind", "pdf from a 6 x 9 inch Word file? I did not bother", "the content. It was a simple pdf, with letter-sized pages. Shall I do", "would have to have two versions of my book, one with 6 x", "of making a pdf from a 6 x 9 inch Word file? I", "in a variety of electronic formats. I recently bought a book for $35", "self-publish a book and sell it through Amazon, and also make it available", "x 9 inch Word file? I did not bother printing out the $35", "was a simple pdf, with letter-sized pages. Shall I do that? Would that", "because I was devouring the content. It was a simple pdf, with letter-sized", "I didn't mind because I was devouring the content. It was a simple", "to self-publish a book and sell it through Amazon, and also make it", "with letter-sized pages. Shall I do that? Would that mean I would have", "what I was interested in. There were a few imperfections in the formatting,", "pages. Shall I do that? Would that mean I would have to have", "Or is there some way of making a pdf from a 6 x", "bought a book for $35 as an electronic download from the author's own", "way of making a pdf from a 6 x 9 inch Word file?", "There were a few imperfections in the formatting, but I didn't mind because", "x 9 inch pages, and one with letter-sized pages? Or is there some", "I would like to self-publish a book and sell it through Amazon, and", "author's own website. It was a great book, about exactly what I was", "I was devouring the content. It was a simple pdf, with letter-sized pages.", "a book and sell it through Amazon, and also make it available in", "few imperfections in the formatting, but I didn't mind because I was devouring", "that mean I would have to have two versions of my book, one", "sell it through Amazon, and also make it available in a variety of", "inch pages, and one with letter-sized pages? Or is there some way of", "download from the author's own website. It was a great book, about exactly", "electronic download from the author's own website. It was a great book, about", "I did not bother printing out the $35 book I downloaded. I just", "out the $35 book I downloaded. I just read it on my computer.", "did not bother printing out the $35 book I downloaded. I just read", "versions of my book, one with 6 x 9 inch pages, and one", "a great book, about exactly what I was interested in. There were a", "didn't mind because I was devouring the content. It was a simple pdf,", "some way of making a pdf from a 6 x 9 inch Word", "is there some way of making a pdf from a 6 x 9", "inch Word file? I did not bother printing out the $35 book I", "formats. I recently bought a book for $35 as an electronic download from", "make it available in a variety of electronic formats. I recently bought a", "it through Amazon, and also make it available in a variety of electronic", "mean I would have to have two versions of my book, one with", "one with letter-sized pages? Or is there some way of making a pdf", "a simple pdf, with letter-sized pages. Shall I do that? Would that mean", "formatting, but I didn't mind because I was devouring the content. It was", "two versions of my book, one with 6 x 9 inch pages, and", "variety of electronic formats. I recently bought a book for $35 as an", "through Amazon, and also make it available in a variety of electronic formats.", "a book for $35 as an electronic download from the author's own website.", "and sell it through Amazon, and also make it available in a variety", "printing out the $35 book I downloaded. I just read it on my", "Amazon, and also make it available in a variety of electronic formats. I", "pages, and one with letter-sized pages? Or is there some way of making", "a 6 x 9 inch Word file? I did not bother printing out", "Shall I do that? Would that mean I would have to have two", "one with 6 x 9 inch pages, and one with letter-sized pages? Or", "Word file? I did not bother printing out the $35 book I downloaded.", "and one with letter-sized pages? Or is there some way of making a", "not bother printing out the $35 book I downloaded. I just read it", "Would that mean I would have to have two versions of my book,", "simple pdf, with letter-sized pages. Shall I do that? Would that mean I", "letter-sized pages? Or is there some way of making a pdf from a", "from the author's own website. It was a great book, about exactly what", "have to have two versions of my book, one with 6 x 9", "electronic formats. I recently bought a book for $35 as an electronic download", "of my book, one with 6 x 9 inch pages, and one with", "I was interested in. There were a few imperfections in the formatting, but", "about exactly what I was interested in. There were a few imperfections in", "do that? Would that mean I would have to have two versions of", "of electronic formats. I recently bought a book for $35 as an electronic", "a pdf from a 6 x 9 inch Word file? I did not", "to have two versions of my book, one with 6 x 9 inch", "available in a variety of electronic formats. I recently bought a book for", "$35 as an electronic download from the author's own website. It was a", "would like to self-publish a book and sell it through Amazon, and also", "book, about exactly what I was interested in. There were a few imperfections", "as an electronic download from the author's own website. It was a great", "bother printing out the $35 book I downloaded. I just read it on", "pages? Or is there some way of making a pdf from a 6", "interested in. There were a few imperfections in the formatting, but I didn't", "a variety of electronic formats. I recently bought a book for $35 as", "book for $35 as an electronic download from the author's own website. It", "book and sell it through Amazon, and also make it available in a", "was devouring the content. It was a simple pdf, with letter-sized pages. Shall", "but I didn't mind because I was devouring the content. It was a", "that? Would that mean I would have to have two versions of my", "also make it available in a variety of electronic formats. I recently bought", "9 inch pages, and one with letter-sized pages? Or is there some way", "pdf, with letter-sized pages. Shall I do that? Would that mean I would", "from a 6 x 9 inch Word file? I did not bother printing", "my book, one with 6 x 9 inch pages, and one with letter-sized", "6 x 9 inch pages, and one with letter-sized pages? Or is there", "website. It was a great book, about exactly what I was interested in.", "devouring the content. It was a simple pdf, with letter-sized pages. Shall I", "a few imperfections in the formatting, but I didn't mind because I was", "it available in a variety of electronic formats. I recently bought a book", "the formatting, but I didn't mind because I was devouring the content. It", "imperfections in the formatting, but I didn't mind because I was devouring the", "6 x 9 inch Word file? I did not bother printing out the", "have two versions of my book, one with 6 x 9 inch pages,", "file? I did not bother printing out the $35 book I downloaded. I", "was interested in. There were a few imperfections in the formatting, but I", "making a pdf from a 6 x 9 inch Word file? I did", "was a great book, about exactly what I was interested in. There were", "own website. It was a great book, about exactly what I was interested", "there some way of making a pdf from a 6 x 9 inch", "It was a simple pdf, with letter-sized pages. Shall I do that? Would", "and also make it available in a variety of electronic formats. I recently", "for $35 as an electronic download from the author's own website. It was", "an electronic download from the author's own website. It was a great book,", "great book, about exactly what I was interested in. There were a few", "like to self-publish a book and sell it through Amazon, and also make", "the author's own website. It was a great book, about exactly what I", "with letter-sized pages? Or is there some way of making a pdf from", "exactly what I was interested in. There were a few imperfections in the", "mind because I was devouring the content. It was a simple pdf, with" ]
[ "asked in 2011: Do editors still expect Courier font in book submissions for", "a monospace font helpful to have space to insert editing symbols. Nowadays, with", "have space to insert editing symbols. Nowadays, with more and more submitting being", "to have space to insert editing symbols. Nowadays, with more and more submitting", "space to insert editing symbols. Nowadays, with more and more submitting being done", "monospace font helpful to have space to insert editing symbols. Nowadays, with more", "editors still expect Courier font in book submissions for publication? A couple people", "expect Courier font in book submissions for publication? A couple people said they", "editing symbols. Nowadays, with more and more submitting being done electronically, does font", "for publication? A couple people said they found a monospace font helpful to", "couple people said they found a monospace font helpful to have space to", "Courier font in book submissions for publication? A couple people said they found", "This [question](https://writers.stackexchange.com/q/2194/13494) was asked in 2011: Do editors still expect Courier font in", "in 2011: Do editors still expect Courier font in book submissions for publication?", "Do editors still expect Courier font in book submissions for publication? A couple", "font helpful to have space to insert editing symbols. Nowadays, with more and", "said they found a monospace font helpful to have space to insert editing", "font in book submissions for publication? A couple people said they found a", "book submissions for publication? A couple people said they found a monospace font", "to insert editing symbols. Nowadays, with more and more submitting being done electronically,", "was asked in 2011: Do editors still expect Courier font in book submissions", "submissions for publication? A couple people said they found a monospace font helpful", "helpful to have space to insert editing symbols. Nowadays, with more and more", "they found a monospace font helpful to have space to insert editing symbols.", "2011: Do editors still expect Courier font in book submissions for publication? A", "[question](https://writers.stackexchange.com/q/2194/13494) was asked in 2011: Do editors still expect Courier font in book", "found a monospace font helpful to have space to insert editing symbols. Nowadays,", "publication? A couple people said they found a monospace font helpful to have", "symbols. Nowadays, with more and more submitting being done electronically, does font matter?", "in book submissions for publication? A couple people said they found a monospace", "A couple people said they found a monospace font helpful to have space", "insert editing symbols. Nowadays, with more and more submitting being done electronically, does", "still expect Courier font in book submissions for publication? A couple people said", "people said they found a monospace font helpful to have space to insert" ]
[ "is practice doing so. I want to get into the habit of writing", "What I need now is practice doing so. I want to get into", "have a process that I use to create the outline, which focuses on", "that mindset, so that including twists in my novels and outlines becomes a", "and focus on twists? Or is there some sort of exercise that I", "boring, but I just always felt that something was missing. I believe I've", "I believe I've found what that something is: twists. I'm a plotter, which", "want to get into the habit of writing and creating my outlines with", "baked in. I want to start thinking of my novels with some misdirection", "and outlines becomes a habit? Should I just start writing short stories (not", "that something was missing. I believe I've found what that something is: twists.", "plus all the rest. One thing it does not focus on is twists.", "I know what a twist is, and more or less how to include", "a habit? Should I just start writing short stories (not for publishing) and", "is very sequential. It's a chain of events. This happens, then this happens,", "outlines becomes a habit? Should I just start writing short stories (not for", "mindset, so that including twists in my novels and outlines becomes a habit?", "outline my story extensively before I start to write it. I have a", "is twists. I guess twists somehow never came up when I was studying", "never came up when I was studying how to write. I know what", "now is practice doing so. I want to get into the habit of", "thing it does not focus on is twists. I guess twists somehow never", "rest. One thing it does not focus on is twists. I guess twists", "a chain of events. This happens, then this happens, then this happens, and", "start to write it. I have a process that I use to create", "always felt that something was missing. I believe I've found what that something", "that including twists in my novels and outlines becomes a habit? Should I", "mind. What can I do to get in that mindset, so that including", "not focus on is twists. I guess twists somehow never came up when", "my novels with some misdirection in mind. What can I do to get", "writing is very sequential. It's a chain of events. This happens, then this", "in mind. What can I do to get in that mindset, so that", "I start to write it. I have a process that I use to", "thinking of my novels with some misdirection in mind. What can I do", "happens, then this happens, and so on. Not to say that the events", "I have a process that I use to create the outline, which focuses", "focus on is twists. I guess twists somehow never came up when I", "I use to create the outline, which focuses on all the parts I", "(not for publishing) and focus on twists? Or is there some sort of", "it. I have a process that I use to create the outline, which", "twists in my novels and outlines becomes a habit? Should I just start", "I've always felt that my writing is very sequential. It's a chain of", "up when I was studying how to write. I know what a twist", "habit of writing and creating my outlines with twists baked in. I want", "to start thinking of my novels with some misdirection in mind. What can", "I do to get in that mindset, so that including twists in my", "was studying how to write. I know what a twist is, and more", "I was studying how to write. I know what a twist is, and", "means I outline my story extensively before I start to write it. I", "This happens, then this happens, then this happens, and so on. Not to", "say that the events are boring, but I just always felt that something", "I'm a plotter, which means I outline my story extensively before I start", "all the parts I need, like character development and stakes, plus all the", "came up when I was studying how to write. I know what a", "my writing is very sequential. It's a chain of events. This happens, then", "and more or less how to include one. What I need now is", "habit? Should I just start writing short stories (not for publishing) and focus", "felt that my writing is very sequential. It's a chain of events. This", "stories (not for publishing) and focus on twists? Or is there some sort", "write. I know what a twist is, and more or less how to", "on. Not to say that the events are boring, but I just always", "practice doing so. I want to get into the habit of writing and", "One thing it does not focus on is twists. I guess twists somehow", "my story extensively before I start to write it. I have a process", "when I was studying how to write. I know what a twist is,", "I just always felt that something was missing. I believe I've found what", "my outlines with twists baked in. I want to start thinking of my", "but I just always felt that something was missing. I believe I've found", "want to start thinking of my novels with some misdirection in mind. What", "publishing) and focus on twists? Or is there some sort of exercise that", "stakes, plus all the rest. One thing it does not focus on is", "can I do to get in that mindset, so that including twists in", "the outline, which focuses on all the parts I need, like character development", "I need now is practice doing so. I want to get into the", "in. I want to start thinking of my novels with some misdirection in", "know what a twist is, and more or less how to include one.", "twists baked in. I want to start thinking of my novels with some", "so. I want to get into the habit of writing and creating my", "what a twist is, and more or less how to include one. What", "in that mindset, so that including twists in my novels and outlines becomes", "it does not focus on is twists. I guess twists somehow never came", "happens, then this happens, then this happens, and so on. Not to say", "with some misdirection in mind. What can I do to get in that", "the events are boring, but I just always felt that something was missing.", "believe I've found what that something is: twists. I'm a plotter, which means", "get into the habit of writing and creating my outlines with twists baked", "or less how to include one. What I need now is practice doing", "something is: twists. I'm a plotter, which means I outline my story extensively", "twists. I'm a plotter, which means I outline my story extensively before I", "doing so. I want to get into the habit of writing and creating", "It's a chain of events. This happens, then this happens, then this happens,", "this happens, then this happens, and so on. Not to say that the", "so on. Not to say that the events are boring, but I just", "so that including twists in my novels and outlines becomes a habit? Should", "just start writing short stories (not for publishing) and focus on twists? Or", "studying how to write. I know what a twist is, and more or", "to include one. What I need now is practice doing so. I want", "how to write. I know what a twist is, and more or less", "plotter, which means I outline my story extensively before I start to write", "and creating my outlines with twists baked in. I want to start thinking", "story extensively before I start to write it. I have a process that", "the parts I need, like character development and stakes, plus all the rest.", "then this happens, and so on. Not to say that the events are", "include one. What I need now is practice doing so. I want to", "in my novels and outlines becomes a habit? Should I just start writing", "development and stakes, plus all the rest. One thing it does not focus", "on is twists. I guess twists somehow never came up when I was", "writing short stories (not for publishing) and focus on twists? Or is there", "that my writing is very sequential. It's a chain of events. This happens,", "then this happens, then this happens, and so on. Not to say that", "which focuses on all the parts I need, like character development and stakes,", "for publishing) and focus on twists? Or is there some sort of exercise", "and so on. Not to say that the events are boring, but I", "to write it. I have a process that I use to create the", "outline, which focuses on all the parts I need, like character development and", "get in that mindset, so that including twists in my novels and outlines", "becomes a habit? Should I just start writing short stories (not for publishing)", "twist is, and more or less how to include one. What I need", "does not focus on is twists. I guess twists somehow never came up", "some misdirection in mind. What can I do to get in that mindset,", "the rest. One thing it does not focus on is twists. I guess", "and stakes, plus all the rest. One thing it does not focus on", "of my novels with some misdirection in mind. What can I do to", "I just start writing short stories (not for publishing) and focus on twists?", "like character development and stakes, plus all the rest. One thing it does", "I want to get into the habit of writing and creating my outlines", "Not to say that the events are boring, but I just always felt", "are boring, but I just always felt that something was missing. I believe", "the habit of writing and creating my outlines with twists baked in. I", "I want to start thinking of my novels with some misdirection in mind.", "writing and creating my outlines with twists baked in. I want to start", "create the outline, which focuses on all the parts I need, like character", "always felt that my writing is very sequential. It's a chain of events.", "missing. I believe I've found what that something is: twists. I'm a plotter,", "focuses on all the parts I need, like character development and stakes, plus", "I guess twists somehow never came up when I was studying how to", "one. What I need now is practice doing so. I want to get", "was missing. I believe I've found what that something is: twists. I'm a", "just always felt that something was missing. I believe I've found what that", "that something is: twists. I'm a plotter, which means I outline my story", "creating my outlines with twists baked in. I want to start thinking of", "happens, and so on. Not to say that the events are boring, but", "more or less how to include one. What I need now is practice", "twists. I guess twists somehow never came up when I was studying how", "use to create the outline, which focuses on all the parts I need,", "extensively before I start to write it. I have a process that I", "a twist is, and more or less how to include one. What I", "felt that something was missing. I believe I've found what that something is:", "I need, like character development and stakes, plus all the rest. One thing", "with twists baked in. I want to start thinking of my novels with", "this happens, and so on. Not to say that the events are boring,", "need, like character development and stakes, plus all the rest. One thing it", "novels with some misdirection in mind. What can I do to get in", "on twists? Or is there some sort of exercise that I can do?", "to get into the habit of writing and creating my outlines with twists", "a plotter, which means I outline my story extensively before I start to", "all the rest. One thing it does not focus on is twists. I", "I outline my story extensively before I start to write it. I have", "my novels and outlines becomes a habit? Should I just start writing short", "is: twists. I'm a plotter, which means I outline my story extensively before", "events are boring, but I just always felt that something was missing. I", "chain of events. This happens, then this happens, then this happens, and so", "sequential. It's a chain of events. This happens, then this happens, then this", "very sequential. It's a chain of events. This happens, then this happens, then", "to get in that mindset, so that including twists in my novels and", "a process that I use to create the outline, which focuses on all", "to create the outline, which focuses on all the parts I need, like", "twists somehow never came up when I was studying how to write. I", "What can I do to get in that mindset, so that including twists", "to write. I know what a twist is, and more or less how", "that I use to create the outline, which focuses on all the parts", "to say that the events are boring, but I just always felt that", "less how to include one. What I need now is practice doing so.", "of events. This happens, then this happens, then this happens, and so on.", "novels and outlines becomes a habit? Should I just start writing short stories", "start writing short stories (not for publishing) and focus on twists? Or is", "Should I just start writing short stories (not for publishing) and focus on", "events. This happens, then this happens, then this happens, and so on. Not", "into the habit of writing and creating my outlines with twists baked in.", "short stories (not for publishing) and focus on twists? Or is there some", "which means I outline my story extensively before I start to write it.", "somehow never came up when I was studying how to write. I know", "how to include one. What I need now is practice doing so. I", "on all the parts I need, like character development and stakes, plus all", "parts I need, like character development and stakes, plus all the rest. One", "including twists in my novels and outlines becomes a habit? Should I just", "what that something is: twists. I'm a plotter, which means I outline my", "I've found what that something is: twists. I'm a plotter, which means I", "write it. I have a process that I use to create the outline,", "guess twists somehow never came up when I was studying how to write.", "found what that something is: twists. I'm a plotter, which means I outline", "outlines with twists baked in. I want to start thinking of my novels", "before I start to write it. I have a process that I use", "of writing and creating my outlines with twists baked in. I want to", "misdirection in mind. What can I do to get in that mindset, so", "process that I use to create the outline, which focuses on all the", "something was missing. I believe I've found what that something is: twists. I'm", "character development and stakes, plus all the rest. One thing it does not", "is, and more or less how to include one. What I need now", "do to get in that mindset, so that including twists in my novels", "need now is practice doing so. I want to get into the habit", "start thinking of my novels with some misdirection in mind. What can I", "focus on twists? Or is there some sort of exercise that I can", "that the events are boring, but I just always felt that something was" ]
[ "(which I listed until he rolled his eyes and conceded the point out", "can't think of a single case. Note: I mean \"fall in love\" in", "impossible-don't-exist-in-real-life types. Mostly strong, dark and troubled characters. Pretty classic really. Is it", "and troubled characters. Pretty classic really. Is it really different for men and", "of romantic, sensual or desirable, not \"fall in love\" in the sense of", "the character and being upset if they die, or \"fall in love\" in", "you can't fancy a character that you can't see and because they aren't", "than real people. I have had romantic crushes on fictional characters and have", "times, perhaps more intensely than real people. I have had romantic crushes on", "If men fall in love with fictional characters, what examples are there? I", "I can't think of a single case. Note: I mean \"fall in love\"", "in a novel and that he never would because that would be technically", "That you can't fancy a character that you can't see and because they", "he rolled his eyes and conceded the point out of boredom) and personally", "werewolves and all sorts of impossible-don't-exist-in-real-life types. Mostly strong, dark and troubled characters.", "with an aspiring author friend of mine and we had an interestingly productive", "upset if they die, or \"fall in love\" in the sense that \"I", "eyes and conceded the point out of boredom) and personally have fallen in", "I mean \"fall in love\" in the form of romantic, sensual or desirable,", "I have had romantic crushes on fictional characters and have a weakness for", "about in-novel crushes. He said that he had never had romantic feelings for", "crushes on fictional characters and have a weakness for omnipotent alpha males, vampires,", "fancy a character that you can't see and because they aren't real. I", "and we had an interestingly productive but annoying argument about in-novel crushes. He", "sensual or desirable, not \"fall in love\" in the sense of \"really liking", "and personally have fallen in love with fictional characters many times, perhaps more", "strong, dark and troubled characters. Pretty classic really. Is it really different for", "women? Do men ever fall in love with characters from novels? If men", "point out of boredom) and personally have fallen in love with fictional characters", "feelings for a character in a novel and that he never would because", "real. I strongly objected to this for many reasons (which I listed until", "an interestingly productive but annoying argument about in-novel crushes. He said that he", "love with fictional characters, what examples are there? I can't think of a", "character and being upset if they die, or \"fall in love\" in the", "a weakness for omnipotent alpha males, vampires, werewolves and all sorts of impossible-don't-exist-in-real-life", "fictional characters, what examples are there? I can't think of a single case.", "an aspiring author friend of mine and we had an interestingly productive but", "see and because they aren't real. I strongly objected to this for many", "single case. Note: I mean \"fall in love\" in the form of romantic,", "love\" in the sense of \"really liking the character and being upset if", "mine and we had an interestingly productive but annoying argument about in-novel crushes.", "the sense of \"really liking the character and being upset if they die,", "think of a single case. Note: I mean \"fall in love\" in the", "fictional characters many times, perhaps more intensely than real people. I have had", "characters from novels? If men fall in love with fictional characters, what examples", "men ever fall in love with characters from novels? If men fall in", "objected to this for many reasons (which I listed until he rolled his", "novels? If men fall in love with fictional characters, what examples are there?", "had romantic feelings for a character in a novel and that he never", "case. Note: I mean \"fall in love\" in the form of romantic, sensual", "Pretty classic really. Is it really different for men and women? Do men", "there? I can't think of a single case. Note: I mean \"fall in", "his eyes and conceded the point out of boredom) and personally have fallen", "\"fall in love\" in the form of romantic, sensual or desirable, not \"fall", "in love with fictional characters, what examples are there? I can't think of", "fall in love with characters from novels? If men fall in love with", "in-novel crushes. He said that he had never had romantic feelings for a", "many reasons (which I listed until he rolled his eyes and conceded the", "and that he never would because that would be technically impossible. That you", "would be technically impossible. That you can't fancy a character that you can't", "perhaps more intensely than real people. I have had romantic crushes on fictional", "never would because that would be technically impossible. That you can't fancy a", "a discussion over coffee with an aspiring author friend of mine and we", "with characters from novels? If men fall in love with fictional characters, what", "I listed until he rolled his eyes and conceded the point out of", "argument about in-novel crushes. He said that he had never had romantic feelings", "never had romantic feelings for a character in a novel and that he", "men and women? Do men ever fall in love with characters from novels?", "on fictional characters and have a weakness for omnipotent alpha males, vampires, werewolves", "and have a weakness for omnipotent alpha males, vampires, werewolves and all sorts", "Is it really different for men and women? Do men ever fall in", "I was having a discussion over coffee with an aspiring author friend of", "they aren't real. I strongly objected to this for many reasons (which I", "character that you can't see and because they aren't real. I strongly objected", "novel and that he never would because that would be technically impossible. That", "omnipotent alpha males, vampires, werewolves and all sorts of impossible-don't-exist-in-real-life types. Mostly strong,", "and women? Do men ever fall in love with characters from novels? If", "for many reasons (which I listed until he rolled his eyes and conceded", "he never would because that would be technically impossible. That you can't fancy", "interestingly productive but annoying argument about in-novel crushes. He said that he had", "have a weakness for omnipotent alpha males, vampires, werewolves and all sorts of", "all sorts of impossible-don't-exist-in-real-life types. Mostly strong, dark and troubled characters. Pretty classic", "the form of romantic, sensual or desirable, not \"fall in love\" in the", "that you can't see and because they aren't real. I strongly objected to", "until he rolled his eyes and conceded the point out of boredom) and", "annoying argument about in-novel crushes. He said that he had never had romantic", "more intensely than real people. I have had romantic crushes on fictional characters", "rolled his eyes and conceded the point out of boredom) and personally have", "sense of \"really liking the character and being upset if they die, or", "with fictional characters many times, perhaps more intensely than real people. I have", "love\" in the form of romantic, sensual or desirable, not \"fall in love\"", "discussion over coffee with an aspiring author friend of mine and we had", "liking the character and being upset if they die, or \"fall in love\"", "friend of mine and we had an interestingly productive but annoying argument about", "author friend of mine and we had an interestingly productive but annoying argument", "and all sorts of impossible-don't-exist-in-real-life types. Mostly strong, dark and troubled characters. Pretty", "males, vampires, werewolves and all sorts of impossible-don't-exist-in-real-life types. Mostly strong, dark and", "mean \"fall in love\" in the form of romantic, sensual or desirable, not", "of a single case. Note: I mean \"fall in love\" in the form", "having a discussion over coffee with an aspiring author friend of mine and", "it really different for men and women? Do men ever fall in love", "love with fictional characters many times, perhaps more intensely than real people. I", "types. Mostly strong, dark and troubled characters. Pretty classic really. Is it really", "in the sense of \"really liking the character and being upset if they", "\"fall in love\" in the sense that \"I really love the new iPhone\"", "had romantic crushes on fictional characters and have a weakness for omnipotent alpha", "classic really. Is it really different for men and women? Do men ever", "not \"fall in love\" in the sense of \"really liking the character and", "are there? I can't think of a single case. Note: I mean \"fall", "for a character in a novel and that he never would because that", "you can't see and because they aren't real. I strongly objected to this", "personally have fallen in love with fictional characters many times, perhaps more intensely", "said that he had never had romantic feelings for a character in a", "that he never would because that would be technically impossible. That you can't", "fall in love with fictional characters, what examples are there? I can't think", "can't see and because they aren't real. I strongly objected to this for", "I strongly objected to this for many reasons (which I listed until he", "conceded the point out of boredom) and personally have fallen in love with", "form of romantic, sensual or desirable, not \"fall in love\" in the sense", "many times, perhaps more intensely than real people. I have had romantic crushes", "in love with fictional characters many times, perhaps more intensely than real people.", "boredom) and personally have fallen in love with fictional characters many times, perhaps", "we had an interestingly productive but annoying argument about in-novel crushes. He said", "have had romantic crushes on fictional characters and have a weakness for omnipotent", "really different for men and women? Do men ever fall in love with", "of \"really liking the character and being upset if they die, or \"fall", "ever fall in love with characters from novels? If men fall in love", "being upset if they die, or \"fall in love\" in the sense that", "Note: I mean \"fall in love\" in the form of romantic, sensual or", "out of boredom) and personally have fallen in love with fictional characters many", "that he had never had romantic feelings for a character in a novel", "character in a novel and that he never would because that would be", "the point out of boredom) and personally have fallen in love with fictional", "for omnipotent alpha males, vampires, werewolves and all sorts of impossible-don't-exist-in-real-life types. Mostly", "of mine and we had an interestingly productive but annoying argument about in-novel", "and because they aren't real. I strongly objected to this for many reasons", "reasons (which I listed until he rolled his eyes and conceded the point", "would because that would be technically impossible. That you can't fancy a character", "Mostly strong, dark and troubled characters. Pretty classic really. Is it really different", "characters and have a weakness for omnipotent alpha males, vampires, werewolves and all", "romantic crushes on fictional characters and have a weakness for omnipotent alpha males,", "in love with characters from novels? If men fall in love with fictional", "and being upset if they die, or \"fall in love\" in the sense", "if they die, or \"fall in love\" in the sense that \"I really", "crushes. He said that he had never had romantic feelings for a character", "for men and women? Do men ever fall in love with characters from", "sorts of impossible-don't-exist-in-real-life types. Mostly strong, dark and troubled characters. Pretty classic really.", "they die, or \"fall in love\" in the sense that \"I really love", "characters, what examples are there? I can't think of a single case. Note:", "had never had romantic feelings for a character in a novel and that", "He said that he had never had romantic feelings for a character in", "over coffee with an aspiring author friend of mine and we had an", "a character in a novel and that he never would because that would", "this for many reasons (which I listed until he rolled his eyes and", "have fallen in love with fictional characters many times, perhaps more intensely than", "real people. I have had romantic crushes on fictional characters and have a", "a single case. Note: I mean \"fall in love\" in the form of", "romantic, sensual or desirable, not \"fall in love\" in the sense of \"really", "a novel and that he never would because that would be technically impossible.", "weakness for omnipotent alpha males, vampires, werewolves and all sorts of impossible-don't-exist-in-real-life types.", "because that would be technically impossible. That you can't fancy a character that", "aspiring author friend of mine and we had an interestingly productive but annoying", "examples are there? I can't think of a single case. Note: I mean", "characters many times, perhaps more intensely than real people. I have had romantic", "coffee with an aspiring author friend of mine and we had an interestingly", "impossible. That you can't fancy a character that you can't see and because", "he had never had romantic feelings for a character in a novel and", "fallen in love with fictional characters many times, perhaps more intensely than real", "Do men ever fall in love with characters from novels? If men fall", "or \"fall in love\" in the sense that \"I really love the new", "of boredom) and personally have fallen in love with fictional characters many times,", "in love\" in the form of romantic, sensual or desirable, not \"fall in", "from novels? If men fall in love with fictional characters, what examples are", "troubled characters. Pretty classic really. Is it really different for men and women?", "die, or \"fall in love\" in the sense that \"I really love the", "strongly objected to this for many reasons (which I listed until he rolled", "different for men and women? Do men ever fall in love with characters", "with fictional characters, what examples are there? I can't think of a single", "men fall in love with fictional characters, what examples are there? I can't", "be technically impossible. That you can't fancy a character that you can't see", "love with characters from novels? If men fall in love with fictional characters,", "had an interestingly productive but annoying argument about in-novel crushes. He said that", "technically impossible. That you can't fancy a character that you can't see and", "can't fancy a character that you can't see and because they aren't real.", "what examples are there? I can't think of a single case. Note: I", "dark and troubled characters. Pretty classic really. Is it really different for men", "characters. Pretty classic really. Is it really different for men and women? Do", "a character that you can't see and because they aren't real. I strongly", "listed until he rolled his eyes and conceded the point out of boredom)", "intensely than real people. I have had romantic crushes on fictional characters and", "of impossible-don't-exist-in-real-life types. Mostly strong, dark and troubled characters. Pretty classic really. Is", "desirable, not \"fall in love\" in the sense of \"really liking the character", "people. I have had romantic crushes on fictional characters and have a weakness", "because they aren't real. I strongly objected to this for many reasons (which", "or desirable, not \"fall in love\" in the sense of \"really liking the", "was having a discussion over coffee with an aspiring author friend of mine", "romantic feelings for a character in a novel and that he never would", "but annoying argument about in-novel crushes. He said that he had never had", "aren't real. I strongly objected to this for many reasons (which I listed", "in the form of romantic, sensual or desirable, not \"fall in love\" in", "and conceded the point out of boredom) and personally have fallen in love", "in love\" in the sense of \"really liking the character and being upset", "really. Is it really different for men and women? Do men ever fall", "\"fall in love\" in the sense of \"really liking the character and being", "alpha males, vampires, werewolves and all sorts of impossible-don't-exist-in-real-life types. Mostly strong, dark", "fictional characters and have a weakness for omnipotent alpha males, vampires, werewolves and", "productive but annoying argument about in-novel crushes. He said that he had never", "that would be technically impossible. That you can't fancy a character that you", "\"really liking the character and being upset if they die, or \"fall in", "vampires, werewolves and all sorts of impossible-don't-exist-in-real-life types. Mostly strong, dark and troubled", "to this for many reasons (which I listed until he rolled his eyes" ]
[ "prescriptive and that following the rules verbatim yields a technically accurate and flat", "in the western market that the male love interest is strong, dark and", "care if they lived or died, death would be better because they wouldn't", "western market that the male love interest is strong, dark and mysterious, including", "characters and character roles, mostly off the back of feedback on a romance", "after a heated debate on love interests in novels, I would like to", "such as Edwuml Cuclin, Vony Stuqf, Mr Dovcy, any Hugh Jackman character and", "the rules before you can break them. So after a heated debate on", "verbatim yields a technically accurate and flat story, I also understand that you", "novels, I would like to know if there any literary guidance for creating", "Mr Dovcy, any Hugh Jackman character and that 50 shades of grey mush", "mysterious, including a long list of examples such as Edwuml Cuclin, Vony Stuqf,", "strong, dark and mysterious, including a long list of examples such as Edwuml", "the rules verbatim yields a technically accurate and flat story, I also understand", "if there any literary guidance for creating a \"love interest\"? Is it different", "that the male love interest is strong, dark and mysterious, including a long", "would care if they lived or died, death would be better because they", "quite prescriptive and that following the rules verbatim yields a technically accurate and", "story that described the \"love interest\" (if that is the correct literary term?)", "creating a \"love interest\"? Is it different for male, female, bi-sexual, British, American,", "So after a heated debate on love interests in novels, I would like", "a romance story that described the \"love interest\" (if that is the correct", "a long list of examples such as Edwuml Cuclin, Vony Stuqf, Mr Dovcy,", "roles\" in fiction are quite prescriptive and that following the rules verbatim yields", "of examples such as Edwuml Cuclin, Vony Stuqf, Mr Dovcy, any Hugh Jackman", "handsome\"? For example, it's widely accepted in the western market that the male", "Stuqf, Mr Dovcy, any Hugh Jackman character and that 50 shades of grey", "actually can't stand but can't deny the reception. Nowadays, this is borderline cliché,", "as Edwuml Cuclin, Vony Stuqf, Mr Dovcy, any Hugh Jackman character and that", "that you have to know the rules before you can break them. So", "character and that 50 shades of grey mush that I actually can't stand", "can't deny the reception. Nowadays, this is borderline cliché, there must be more", "literary term?) of my protagonist as \"flat, uninteresting, where no one would care", "American, young, old etc? Within the guidance, are there any stereotypes other than", "\"love interest\"? Is it different for male, female, bi-sexual, British, American, young, old", "Dovcy, any Hugh Jackman character and that 50 shades of grey mush that", "Jackman character and that 50 shades of grey mush that I actually can't", "on love interests in novels, I would like to know if there any", "that is the correct literary term?) of my protagonist as \"flat, uninteresting, where", "feedback on a romance story that described the \"love interest\" (if that is", "list of examples such as Edwuml Cuclin, Vony Stuqf, Mr Dovcy, any Hugh", "borderline cliché, there must be more love interests out there over and about", "\"character roles\" in fiction are quite prescriptive and that following the rules verbatim", "correct literary term?) of my protagonist as \"flat, uninteresting, where no one would", "that 50 shades of grey mush that I actually can't stand but can't", "before you can break them. So after a heated debate on love interests", "the guidance, are there any stereotypes other than \"tall, dark and handsome\"? For", "male, female, bi-sexual, British, American, young, old etc? Within the guidance, are there", "stereotypes other than \"tall, dark and handsome\"? For example, it's widely accepted in", "understand that you have to know the rules before you can break them.", "reception. Nowadays, this is borderline cliché, there must be more love interests out", "protagonist as \"flat, uninteresting, where no one would care if they lived or", "deny the reception. Nowadays, this is borderline cliché, there must be more love", "a \"love interest\"? Is it different for male, female, bi-sexual, British, American, young,", "widely accepted in the western market that the male love interest is strong,", "Cuclin, Vony Stuqf, Mr Dovcy, any Hugh Jackman character and that 50 shades", "examples such as Edwuml Cuclin, Vony Stuqf, Mr Dovcy, any Hugh Jackman character", "it's widely accepted in the western market that the male love interest is", "male love interest is strong, dark and mysterious, including a long list of", "of grey mush that I actually can't stand but can't deny the reception.", "cliché, there must be more love interests out there over and about \"tall,", "to know the rules before you can break them. So after a heated", "know the rules before you can break them. So after a heated debate", "long list of examples such as Edwuml Cuclin, Vony Stuqf, Mr Dovcy, any", "boring\". Whilst I understand that \"character roles\" in fiction are quite prescriptive and", "there any literary guidance for creating a \"love interest\"? Is it different for", "this is borderline cliché, there must be more love interests out there over", "death would be better because they wouldn't be so boring\". Whilst I understand", "I actually can't stand but can't deny the reception. Nowadays, this is borderline", "my protagonist as \"flat, uninteresting, where no one would care if they lived", "heated debate on love interests in novels, I would like to know if", "rules verbatim yields a technically accurate and flat story, I also understand that", "literary guidance for creating a \"love interest\"? Is it different for male, female,", "bi-sexual, British, American, young, old* etc? Within the guidance, are there any stereotypes", "other than \"tall, dark and handsome\"? For example, it's widely accepted in the", "is strong, dark and mysterious, including a long list of examples such as", "that I actually can't stand but can't deny the reception. Nowadays, this is", "researching and discussing characters and character roles, mostly off the back of feedback", "be better because they wouldn't be so boring\". Whilst I understand that \"character", "than \"tall, dark and handsome\"? For example, it's widely accepted in the western", "interest\"? Is it different for male, female, bi-sexual, British, American, young, old etc?", "debate on love interests in novels, I would like to know if there", "following the rules verbatim yields a technically accurate and flat story, I also", "wouldn't be so boring\". Whilst I understand that \"character roles\" in fiction are", "Within the guidance, are there any stereotypes other than \"tall, dark and handsome\"?", "one would care if they lived or died, death would be better because", "I also understand that you have to know the rules before you can", "dark and handsome\"? For example, it's widely accepted in the western market that", "recently been researching and discussing characters and character roles, mostly off the back", "For example, it's widely accepted in the western market that the male love", "technically accurate and flat story, I also understand that you have to know", "where no one would care if they lived or died, death would be", "Whilst I understand that \"character roles\" in fiction are quite prescriptive and that", "no one would care if they lived or died, death would be better", "including a long list of examples such as Edwuml Cuclin, Vony Stuqf, Mr", "of feedback on a romance story that described the \"love interest\" (if that", "grey mush that I actually can't stand but can't deny the reception. Nowadays,", "are quite prescriptive and that following the rules verbatim yields a technically accurate", "yields a technically accurate and flat story, I also understand that you have", "\"flat, uninteresting, where no one would care if they lived or died, death", "understand that \"character roles\" in fiction are quite prescriptive and that following the", "stand but can't deny the reception. Nowadays, this is borderline cliché, there must", "is borderline cliché, there must be more love interests out there over and", "love interests out there over and about \"tall, dark and handsome\" right? If", "in fiction are quite prescriptive and that following the rules verbatim yields a", "\"love interest\" (if that is the correct literary term?) of my protagonist as", "is the correct literary term?) of my protagonist as \"flat, uninteresting, where no", "lived or died, death would be better because they wouldn't be so boring\".", "would be better because they wouldn't be so boring\". Whilst I understand that", "out there over and about \"tall, dark and handsome\" right? If so what?", "there any stereotypes other than \"tall, dark and handsome\"? For example, it's widely", "young, old* etc? Within the guidance, are there any stereotypes other than \"tall,", "or died, death would be better because they wouldn't be so boring\". Whilst", "are there any stereotypes other than \"tall, dark and handsome\"? For example, it's", "the western market that the male love interest is strong, dark and mysterious,", "mostly off the back of feedback on a romance story that described the", "old* etc? Within the guidance, are there any stereotypes other than \"tall, dark", "discussing characters and character roles, mostly off the back of feedback on a", "character roles, mostly off the back of feedback on a romance story that", "dark and mysterious, including a long list of examples such as Edwuml Cuclin,", "\"tall, dark and handsome\"? For example, it's widely accepted in the western market", "they wouldn't be so boring\". Whilst I understand that \"character roles\" in fiction", "would like to know if there any literary guidance for creating a \"love", "and handsome\"? For example, it's widely accepted in the western market that the", "you have to know the rules before you can break them. So after", "but can't deny the reception. Nowadays, this is borderline cliché, there must be", "that described the \"love interest\" (if that is the correct literary term?) of", "back of feedback on a romance story that described the \"love interest\" (if", "the \"love interest\" (if that is the correct literary term?) of my protagonist", "interests in novels, I would like to know if there any literary guidance", "of my protagonist as \"flat, uninteresting, where no one would care if they", "also understand that you have to know the rules before you can break", "and character roles, mostly off the back of feedback on a romance story", "you can break them. So after a heated debate on love interests in", "more love interests out there over and about \"tall, dark and handsome\" right?", "and flat story, I also understand that you have to know the rules", "different for male, female, bi-sexual, British, American, young, old etc? Within the guidance,", "can't stand but can't deny the reception. Nowadays, this is borderline cliché, there", "love interests in novels, I would like to know if there any literary", "for creating a \"love interest\"? Is it different for male, female, bi-sexual, British,", "accurate and flat story, I also understand that you have to know the", "the reception. Nowadays, this is borderline cliché, there must be more love interests", "any stereotypes other than \"tall, dark and handsome\"? For example, it's widely accepted", "as \"flat, uninteresting, where no one would care if they lived or died,", "guidance, are there any stereotypes other than \"tall, dark and handsome\"? For example,", "Vony Stuqf, Mr Dovcy, any Hugh Jackman character and that 50 shades of", "Hugh Jackman character and that 50 shades of grey mush that I actually", "for male, female, bi-sexual, British, American, young, old* etc? Within the guidance, are", "I've recently been researching and discussing characters and character roles, mostly off the", "in novels, I would like to know if there any literary guidance for", "a heated debate on love interests in novels, I would like to know", "it different for male, female, bi-sexual, British, American, young, old etc? Within the", "to know if there any literary guidance for creating a \"love interest\"? Is", "rules before you can break them. So after a heated debate on love", "break them. So after a heated debate on love interests in novels, I", "interest\" (if that is the correct literary term?) of my protagonist as \"flat,", "that \"character roles\" in fiction are quite prescriptive and that following the rules", "died, death would be better because they wouldn't be so boring\". Whilst I", "like to know if there any literary guidance for creating a \"love interest\"?", "50 shades of grey mush that I actually can't stand but can't deny", "story, I also understand that you have to know the rules before you", "shades of grey mush that I actually can't stand but can't deny the", "be so boring\". Whilst I understand that \"character roles\" in fiction are quite", "mush that I actually can't stand but can't deny the reception. Nowadays, this", "term?) of my protagonist as \"flat, uninteresting, where no one would care if", "roles*, mostly off the back of feedback on a romance story that described", "and mysterious, including a long list of examples such as Edwuml Cuclin, Vony", "they lived or died, death would be better because they wouldn't be so", "the correct literary term?) of my protagonist as \"flat, uninteresting, where no one", "any literary guidance for creating a \"love interest\"? Is it different for male,", "love interest is strong, dark and mysterious, including a long list of examples", "Edwuml Cuclin, Vony Stuqf, Mr Dovcy, any Hugh Jackman character and that 50", "been researching and discussing characters and character roles, mostly off the back of", "I understand that \"character roles\" in fiction are quite prescriptive and that following", "off the back of feedback on a romance story that described the \"love", "guidance for creating a \"love interest\"? Is it different for male, female, bi-sexual,", "be more love interests out there over and about \"tall, dark and handsome\"", "I would like to know if there any literary guidance for creating a", "if they lived or died, death would be better because they wouldn't be", "know if there any literary guidance for creating a \"love interest\"? Is it", "uninteresting, where no one would care if they lived or died, death would", "interest is strong, dark and mysterious, including a long list of examples such", "flat story, I also understand that you have to know the rules before", "and discussing characters and character roles, mostly off the back of feedback on", "there must be more love interests out there over and about \"tall, dark", "on a romance story that described the \"love interest\" (if that is the", "British, American, young, old etc? Within the guidance, are there any stereotypes other", "accepted in the western market that the male love interest is strong, dark", "the male love interest is strong, dark and mysterious, including a long list", "have to know the rules before you can break them. So after a", "and that 50 shades of grey mush that I actually can't stand but", "example, it's widely accepted in the western market that the male love interest", "because they wouldn't be so boring\". Whilst I understand that \"character roles\" in", "them. So after a heated debate on love interests in novels, I would", "market that the male love interest is strong, dark and mysterious, including a", "female, bi-sexual, British, American, young, old* etc? Within the guidance, are there any", "so boring\". Whilst I understand that \"character roles\" in fiction are quite prescriptive", "and that following the rules verbatim yields a technically accurate and flat story,", "Is it different for male, female, bi-sexual, British, American, young, old etc? Within", "any Hugh Jackman character and that 50 shades of grey mush that I", "interests out there over and about \"tall, dark and handsome\" right? If so", "must be more love interests out there over and about \"tall, dark and", "a technically accurate and flat story, I also understand that you have to", "can break them. So after a heated debate on love interests in novels,", "better because they wouldn't be so boring\". Whilst I understand that \"character roles\"", "(if that is the correct literary term?) of my protagonist as \"flat, uninteresting,", "that following the rules verbatim yields a technically accurate and flat story, I", "romance story that described the \"love interest\" (if that is the correct literary", "etc? Within the guidance, are there any stereotypes other than \"tall, dark and", "fiction are quite prescriptive and that following the rules verbatim yields a technically", "Nowadays, this is borderline cliché, there must be more love interests out there", "the back of feedback on a romance story that described the \"love interest\"", "described the \"love interest\" (if that is the correct literary term?) of my" ]
[ "I got an idea for a short story recently following a traumatized boy", "traumatized boy who has developed antisocial tendencies and lack of empathy, and ends", "be to make him begin to care for people, though I think this", "antisocial tendencies and lack of empathy, and ends up in a psych ward.", "to have a meaningful story arc, involving some change. The obvious change would", "this is unrealistic and impossible. So, anybody have any recommendations for making an", "story arc, involving some change. The obvious change would be to make him", "have any recommendations for making an inherently flawed character a bit more dynamic?", "I think this is unrealistic and impossible. So, anybody have any recommendations for", "and lack of empathy, and ends up in a psych ward. I want", "empathy, and ends up in a psych ward. I want this protagonist to", "arc, involving some change. The obvious change would be to make him begin", "some change. The obvious change would be to make him begin to care", "change would be to make him begin to care for people, though I", "him begin to care for people, though I think this is unrealistic and", "So, anybody have any recommendations for making an inherently flawed character a bit", "lack of empathy, and ends up in a psych ward. I want this", "ends up in a psych ward. I want this protagonist to have a", "tendencies and lack of empathy, and ends up in a psych ward. I", "ward. I want this protagonist to have a meaningful story arc, involving some", "begin to care for people, though I think this is unrealistic and impossible.", "following a traumatized boy who has developed antisocial tendencies and lack of empathy,", "a psych ward. I want this protagonist to have a meaningful story arc,", "recently following a traumatized boy who has developed antisocial tendencies and lack of", "psych ward. I want this protagonist to have a meaningful story arc, involving", "care for people, though I think this is unrealistic and impossible. So, anybody", "got an idea for a short story recently following a traumatized boy who", "in a psych ward. I want this protagonist to have a meaningful story", "obvious change would be to make him begin to care for people, though", "involving some change. The obvious change would be to make him begin to", "protagonist to have a meaningful story arc, involving some change. The obvious change", "to care for people, though I think this is unrealistic and impossible. So,", "and ends up in a psych ward. I want this protagonist to have", "meaningful story arc, involving some change. The obvious change would be to make", "story recently following a traumatized boy who has developed antisocial tendencies and lack", "a meaningful story arc, involving some change. The obvious change would be to", "impossible. So, anybody have any recommendations for making an inherently flawed character a", "for a short story recently following a traumatized boy who has developed antisocial", "I want this protagonist to have a meaningful story arc, involving some change.", "an idea for a short story recently following a traumatized boy who has", "a traumatized boy who has developed antisocial tendencies and lack of empathy, and", "to make him begin to care for people, though I think this is", "up in a psych ward. I want this protagonist to have a meaningful", "think this is unrealistic and impossible. So, anybody have any recommendations for making", "has developed antisocial tendencies and lack of empathy, and ends up in a", "want this protagonist to have a meaningful story arc, involving some change. The", "The obvious change would be to make him begin to care for people,", "who has developed antisocial tendencies and lack of empathy, and ends up in", "is unrealistic and impossible. So, anybody have any recommendations for making an inherently", "developed antisocial tendencies and lack of empathy, and ends up in a psych", "short story recently following a traumatized boy who has developed antisocial tendencies and", "though I think this is unrealistic and impossible. So, anybody have any recommendations", "boy who has developed antisocial tendencies and lack of empathy, and ends up", "of empathy, and ends up in a psych ward. I want this protagonist", "idea for a short story recently following a traumatized boy who has developed", "have a meaningful story arc, involving some change. The obvious change would be", "would be to make him begin to care for people, though I think", "anybody have any recommendations for making an inherently flawed character a bit more", "people, though I think this is unrealistic and impossible. So, anybody have any", "this protagonist to have a meaningful story arc, involving some change. The obvious", "and impossible. So, anybody have any recommendations for making an inherently flawed character", "for people, though I think this is unrealistic and impossible. So, anybody have", "change. The obvious change would be to make him begin to care for", "unrealistic and impossible. So, anybody have any recommendations for making an inherently flawed", "a short story recently following a traumatized boy who has developed antisocial tendencies", "make him begin to care for people, though I think this is unrealistic" ]
[ "and the year is 24,356. Would it be written as: > > \"The", "Would it be written as: > > \"The year is 24356,\" said Bob", "\"The year is twenty-four thousand, three hundred and fifty-six,\" said Bob. > >", "year is 24,356. Would it be written as: > > \"The year is", "the year is 24,356. Would it be written as: > > \"The year", "thousand, three hundred and fifty-six,\" said Bob. > > > What would be", "three hundred and fifty-six,\" said Bob. > > > What would be the", "twenty-four thousand, three hundred and fifty-six,\" said Bob. > > > What would", "What would be the correct way to express such a large number in", "place in the future and the year is 24,356. Would it be written", "takes place in the future and the year is 24,356. Would it be", "> > \"The year is 24356,\" said Bob > > > OR >", "> > OR > > \"The year is twenty-four thousand, three hundred and", "> \"The year is twenty-four thousand, three hundred and fifty-six,\" said Bob. >", "and fifty-six,\" said Bob. > > > What would be the correct way", "fifty-six,\" said Bob. > > > What would be the correct way to", "year is twenty-four thousand, three hundred and fifty-six,\" said Bob. > > >", "it be written as: > > \"The year is 24356,\" said Bob >", "be written as: > > \"The year is 24356,\" said Bob > >", "24,356. Would it be written as: > > \"The year is 24356,\" said", "said Bob. > > > What would be the correct way to express", "is 24356,\" said Bob > > > OR > > \"The year is", "> > > What would be the correct way to express such a", "written as: > > \"The year is 24356,\" said Bob > > >", "For example the scene takes place in the future and the year is", "as: > > \"The year is 24356,\" said Bob > > > OR", "is 24,356. Would it be written as: > > \"The year is 24356,\"", "scene takes place in the future and the year is 24,356. Would it", "> OR > > \"The year is twenty-four thousand, three hundred and fifty-six,\"", "> > What would be the correct way to express such a large", "> \"The year is 24356,\" said Bob > > > OR > >", "24356,\" said Bob > > > OR > > \"The year is twenty-four", "OR > > \"The year is twenty-four thousand, three hundred and fifty-six,\" said", "the scene takes place in the future and the year is 24,356. Would", "> > > OR > > \"The year is twenty-four thousand, three hundred", "would be the correct way to express such a large number in a", "Bob. > > > What would be the correct way to express such", "hundred and fifty-six,\" said Bob. > > > What would be the correct", "Bob > > > OR > > \"The year is twenty-four thousand, three", "\"The year is 24356,\" said Bob > > > OR > > \"The", "is twenty-four thousand, three hundred and fifty-six,\" said Bob. > > > What", "> What would be the correct way to express such a large number", "example the scene takes place in the future and the year is 24,356.", "year is 24356,\" said Bob > > > OR > > \"The year", "> > \"The year is twenty-four thousand, three hundred and fifty-six,\" said Bob.", "be the correct way to express such a large number in a dialogue?", "in the future and the year is 24,356. Would it be written as:", "the future and the year is 24,356. Would it be written as: >", "said Bob > > > OR > > \"The year is twenty-four thousand,", "future and the year is 24,356. Would it be written as: > >" ]
[ "is the sign of a weak or amateur writer. I guess the conjunction", "At what point does 'as' become a distraction in fictional novel writing? <https://www.quora.com/How-do-you-feel-about-using-the-word-as-when-writing-fictional-novels>", "the sign of a weak or amateur writer. I guess the conjunction function", "I am trying to use more action tags to supplement the 'He said.", "weak or amateur writer. I guess the conjunction function of 'as' has a", "trying to use more action tags to supplement the 'He said. He asked.'", "tags to supplement the 'He said. He asked.' dialog tags. But, now I", "or amateur writer. I guess the conjunction function of 'as' has a numerical", "about 'as'. Apparently use of 'as' is the sign of a weak or", "'as' is the sign of a weak or amateur writer. I guess the", "as liberally as desired, the same thing can't be stated about 'as'. Apparently", "thing can't be stated about 'as'. Apparently use of 'as' is the sign", "to use more action tags to supplement the 'He said. He asked.' dialog", "stated about 'as'. Apparently use of 'as' is the sign of a weak", "of a weak or amateur writer. I guess the conjunction function of 'as'", "sign of a weak or amateur writer. I guess the conjunction function of", "But, now I have read several blogs suggesting although 'said' is invisible and", "tags. But, now I have read several blogs suggesting although 'said' is invisible", "porn,'you know it when you see it'. At what point does 'as' become", "of 'as' has a numerical limit. Weak writing seems to be similar to", "I have read several blogs suggesting although 'said' is invisible and can be", "conjunction function of 'as' has a numerical limit. Weak writing seems to be", "desired, the same thing can't be stated about 'as'. Apparently use of 'as'", "said. He asked.' dialog tags. But, now I have read several blogs suggesting", "several blogs suggesting although 'said' is invisible and can be sprinkled as liberally", "liberally as desired, the same thing can't be stated about 'as'. Apparently use", "the same thing can't be stated about 'as'. Apparently use of 'as' is", "more action tags to supplement the 'He said. He asked.' dialog tags. But,", "supplement the 'He said. He asked.' dialog tags. But, now I have read", "'said' is invisible and can be sprinkled as liberally as desired, the same", "'as' has a numerical limit. Weak writing seems to be similar to porn,'you", "I guess the conjunction function of 'as' has a numerical limit. Weak writing", "the conjunction function of 'as' has a numerical limit. Weak writing seems to", "see it'. At what point does 'as' become a distraction in fictional novel", "to supplement the 'He said. He asked.' dialog tags. But, now I have", "point does 'as' become a distraction in fictional novel writing? <https://www.quora.com/How-do-you-feel-about-using-the-word-as-when-writing-fictional-novels> <http://www.dailywritingtips.com/overloading-while/> <https://www.proofreadnow.com/blog/bid/35986/While-Don-t-Overuse-It>", "seems to be similar to porn,'you know it when you see it'. At", "be sprinkled as liberally as desired, the same thing can't be stated about", "am trying to use more action tags to supplement the 'He said. He", "it'. At what point does 'as' become a distraction in fictional novel writing?", "sprinkled as liberally as desired, the same thing can't be stated about 'as'.", "although 'said' is invisible and can be sprinkled as liberally as desired, the", "have read several blogs suggesting although 'said' is invisible and can be sprinkled", "use of 'as' is the sign of a weak or amateur writer. I", "'He said. He asked.' dialog tags. But, now I have read several blogs", "asked.' dialog tags. But, now I have read several blogs suggesting although 'said'", "writing seems to be similar to porn,'you know it when you see it'.", "you see it'. At what point does 'as' become a distraction in fictional", "limit. Weak writing seems to be similar to porn,'you know it when you", "similar to porn,'you know it when you see it'. At what point does", "read several blogs suggesting although 'said' is invisible and can be sprinkled as", "same thing can't be stated about 'as'. Apparently use of 'as' is the", "to be similar to porn,'you know it when you see it'. At what", "action tags to supplement the 'He said. He asked.' dialog tags. But, now", "can be sprinkled as liberally as desired, the same thing can't be stated", "blogs suggesting although 'said' is invisible and can be sprinkled as liberally as", "the 'He said. He asked.' dialog tags. But, now I have read several", "a numerical limit. Weak writing seems to be similar to porn,'you know it", "use more action tags to supplement the 'He said. He asked.' dialog tags.", "guess the conjunction function of 'as' has a numerical limit. Weak writing seems", "amateur writer. I guess the conjunction function of 'as' has a numerical limit.", "now I have read several blogs suggesting although 'said' is invisible and can", "numerical limit. Weak writing seems to be similar to porn,'you know it when", "what point does 'as' become a distraction in fictional novel writing? <https://www.quora.com/How-do-you-feel-about-using-the-word-as-when-writing-fictional-novels> <http://www.dailywritingtips.com/overloading-while/>", "dialog tags. But, now I have read several blogs suggesting although 'said' is", "Apparently use of 'as' is the sign of a weak or amateur writer.", "a weak or amateur writer. I guess the conjunction function of 'as' has", "writer. I guess the conjunction function of 'as' has a numerical limit. Weak", "does 'as' become a distraction in fictional novel writing? <https://www.quora.com/How-do-you-feel-about-using-the-word-as-when-writing-fictional-novels> <http://www.dailywritingtips.com/overloading-while/> <https://www.proofreadnow.com/blog/bid/35986/While-Don-t-Overuse-It> <https://jenspenden.com/2015/08/12/jens-editing-tips-kiss-your-ass-goodbye/>", "when you see it'. At what point does 'as' become a distraction in", "function of 'as' has a numerical limit. Weak writing seems to be similar", "and can be sprinkled as liberally as desired, the same thing can't be", "suggesting although 'said' is invisible and can be sprinkled as liberally as desired,", "He asked.' dialog tags. But, now I have read several blogs suggesting although", "of 'as' is the sign of a weak or amateur writer. I guess", "is invisible and can be sprinkled as liberally as desired, the same thing", "'as'. Apparently use of 'as' is the sign of a weak or amateur", "as desired, the same thing can't be stated about 'as'. Apparently use of", "can't be stated about 'as'. Apparently use of 'as' is the sign of", "be stated about 'as'. Apparently use of 'as' is the sign of a", "it when you see it'. At what point does 'as' become a distraction", "know it when you see it'. At what point does 'as' become a", "Weak writing seems to be similar to porn,'you know it when you see", "to porn,'you know it when you see it'. At what point does 'as'", "has a numerical limit. Weak writing seems to be similar to porn,'you know", "be similar to porn,'you know it when you see it'. At what point", "invisible and can be sprinkled as liberally as desired, the same thing can't" ]
[ "sleeves. His bottom1 was short and stopped just above his knees. > >", "said top. Or basically anything about it. Moreover, if I have to describe", "instance seem really out of place in fictional and not futuristic worlds, like", "how do I describe it? Also I have to mention that I write", "tell me much about, for instance, the length of the sleeves of the", "way is to blandly refer to clothes with very generic words like haut", "struggling point of mine. Most of my settings take place in fictional worlds", "Egypt and the clothing is not accurate to what it really was like", "the character is wearing around his neck, but not to keep him warm", "(I avoid this weakness by making it part of my style that I", "description is far from being one of my writing strengths (I avoid this", "drawing, I even use to draw them and their outfits. The thing is,", "it really is important to explain the reader some details he cannot invent", "A trick I often use for lack of a better way is to", "of cloth the character is wearing around his neck, but not to keep", "red top with long sleeves. His bottom1 was short and stopped just above", "is to blandly refer to clothes with very generic words like haut (French", "worlds often inspired by various parts of human history. For instance, one of", "their outfits. The thing is, well, I can't — and it would be", "pair of trousers. [Character2], however, had a scarf around his neck, a red", "clothing is not accurate to what it really was like back then. My", "used in fictional worlds. But not only English words cause me problems: scarf,", "I don't describe much), I almost always picture very clearly in my head", "place in fictional and not futuristic worlds, like the Egyptian one I mentioned", "in their mind. > > [Character1] was wearing a dark blue top and", "a long bottom1. [Character2], however, had a long piece of cloth around his", "much), I almost always picture very clearly in my head the characters and", "even worse). Even trousers is weird in some settings. A trick I often", "place. I'm writing in French but I believe the problem is quite the", "out of place in fictional and not futuristic worlds, like the Egyptian one", "> > (Dumb example with dumb clothing) > > > Well, this is", "the reader to see the characters in their mind. > > [Character1] was", "This is a constant struggling point of mine. Most of my settings take", "For instance, one of my stories is located in an Ancient Egypt inspired", "point of mine. Most of my settings take place in fictional worlds often", "I could have just said: > > [Character1] was wearing a dark blue", "what my character wears is basically a t-shirt, how do I describe it?", "t-shirt and and a pair of trousers. [Character2], however, had a scarf around", "a better way is to blandly refer to clothes with very generic words", "details he cannot invent by himself. While just writing descriptions is a little", "have a French word, seems out of place when describing a long piece", "creating, people, well, obviously, wear clothes. Although description is far from being one", "cloth the character is wearing around his neck, but not to keep him", "worlds. But not only English words cause me problems: scarf, for example, for", "it harder for the reader to see the characters in their mind. >", "well, I can't — and it would be stupid to try — ever", "My characters wear anachronistic clothes.) In these worlds I am creating, people, well,", "characters wear anachronistic clothes.) In these worlds I am creating, people, well, obviously,", "mention that I write in French and we use the English words t-shirt,", "it is describing outfits. Words like t-shirt, for instance seem really out of", "words t-shirt, shorts, sneakers or pullover as is, which seems even wronger when", "was wearing a dark blue top and a long bottom1. [Character2], however, had", "not accurate to what it really was like back then. My characters wear", "the reader some details he cannot invent by himself. While just writing descriptions", "is, which seems even wronger when used in fictional worlds. But not only", "and a long bottom1. [Character2], however, had a long piece of cloth around", "> > > Well, this is it. I'm sure there is no best", "seem out of place. I'm writing in French but I believe the problem", "out of place. I'm writing in French but I believe the problem is", "Where I could have just said: > > [Character1] was wearing a dark", "is wearing around his neck, but not to keep him warm (when in", "His bottom1 was short and stopped just above his knees. > > >", "It is really generic and doesn't tell me much about, for instance, the", "one I mentioned above. But when what my character wears is basically a", "no best way but I'd like to know what techniques you employ to", "take place in fictional worlds often inspired by various parts of human history.", "describe much), I almost always picture very clearly in my head the characters", "example, for which we have a French word, seems out of place when", "French word, seems out of place when describing a long piece of cloth", "futuristic worlds, like the Egyptian one I mentioned above. But when what my", "quickly becomes boring and makes it harder for the reader to see the", "very generic words like haut (French for top): > > He was wearing", "ours in fictional words where the modern words we use seem out of", "length of the sleeves of the said top. Or basically anything about it.", "in itself for me, the worst part of it is describing outfits. Words", "techniques you employ to describe clothes similar to ours in fictional words where", "always picture very clearly in my head the characters and the way they", "thing is, well, I can't — and it would be stupid to try", "head the characters and the way they dress up. In fact, as I", "> > > Where I could have just said: > > [Character1] was", "blandly refer to clothes with very generic words like haut (French for top):", "his neck. > > > See the above example. It is really generic", "be stupid to try — ever avoid describing things. Sometimes, it really is", "--- > > > (Dumb example with dumb clothing) > > > Well,", "people, well, obviously, wear clothes. Although description is far from being one of", ": My setting is only based on Ancient Egypt and the clothing is", "just writing descriptions is a little problem in itself for me, the worst", "dumb clothing) > > > Well, this is it. I'm sure there is", "worse). Even trousers is weird in some settings. A trick I often use", "obviously, wear clothes. Although description is far from being one of my writing", "dress up. In fact, as I am not so bad at drawing, I", "sure there is no best way but I'd like to know what techniques", "describing a long piece of cloth the character is wearing around his neck,", "settings. 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But when what my character wears is basically a t-shirt,", "constant struggling point of mine. Most of my settings take place in fictional", "English words t-shirt, shorts, sneakers or pullover as is, which seems even wronger", "just above his knees. > > > > > --- > > >", "the characters and the way they dress up. In fact, as I am", "a little problem in itself for me, the worst part of it is", "with dumb clothing) > > > Well, this is it. I'm sure there", "outfits. The thing is, well, I can't — and it would be stupid", "to what it really was like back then. My characters wear anachronistic clothes.)", "we use the English words t-shirt, shorts, sneakers or pullover as is, which", "is weird in some settings. A trick I often use for lack of", "am creating, people, well, obviously, wear clothes. Although description is far from being", "wear anachronistic clothes.) In these worlds I am creating, people, well, obviously, wear", "be used in this context in English. 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[Character2], however, had a long piece of cloth around his neck", "for me, the worst part of it is describing outfits. Words like t-shirt,", "as is, which seems even wronger when used in fictional worlds. But not", "and a long piece of cloth around his neck. > > > See", "in English. Sorry if not. > > > Where I could have just", "pullover and was wearing shorts. > > > > > --- > >", "a dark blue t-shirt and and a pair of trousers. [Character2], however, had", "was wearing a dark blue t-shirt and and a pair of trousers. [Character2],", "a dark blue top and a long bottom1. [Character2], however, had a long", "makes it harder for the reader to see the characters in their mind.", "is only based on Ancient Egypt and the clothing is not accurate to", "> > > > > --- > > > 1 Not sure this", "piece of cloth around his neck. > > > See the above example.", "I can't — and it would be stupid to try — ever avoid", "words like haut (French for top): > > He was wearing a white", "writing in French but I believe the problem is quite the same, although", "my head the characters and the way they dress up. In fact, as", "of place in fictional and not futuristic worlds, like the Egyptian one I", "characters' outfits at once, it quickly becomes boring and makes it harder for", "we use seem out of place. I'm writing in French but I believe", "> [Character1] was wearing a dark blue top and a long bottom1. [Character2],", "was wearing a white top and a long piece of cloth around his", "the above example. It is really generic and doesn't tell me much about,", "like t-shirt, for instance seem really out of place in fictional and not", "this word can be used in this context in English. Sorry if not.", "describe it? Also I have to mention that I write in French and", "problems: scarf, for example, for which we have a French word, seems out", "a long piece of cloth around his neck and a red top with", "> (Dumb example with dumb clothing) > > > Well, this is it.", "use to draw them and their outfits. The thing is, well, I can't", "piece of cloth the character is wearing around his neck, but not to", "that I don't describe much), I almost always picture very clearly in my", "Also I have to mention that I write in French and we use", "is even worse). Even trousers is weird in some settings. A trick I", "refer to clothes with very generic words like haut (French for top): >", "cloth around his neck. > > > See the above example. It is", "in fictional words where the modern words we use seem out of place.", "is far from being one of my writing strengths (I avoid this weakness", "could have just said: > > [Character1] was wearing a dark blue t-shirt", "from being one of my writing strengths (I avoid this weakness by making", "becomes boring and makes it harder for the reader to see the characters", "use for lack of a better way is to blandly refer to clothes", "of place. I'm writing in French but I believe the problem is quite", "the clothing is not accurate to what it really was like back then.", "in French but I believe the problem is quite the same, although even", "to mention that I write in French and we use the English words", "not futuristic worlds, like the Egyptian one I mentioned above. But when what", "my settings take place in fictional worlds often inspired by various parts of", "and it would be stupid to try — ever avoid describing things. Sometimes,", "this is it. I'm sure there is no best way but I'd like", "had a long piece of cloth around his neck and a red top", "neck, but not to keep him warm (when in the Egyptian setting it", "of cloth around his neck and a red top with long sleeves. His", "a long piece of cloth around his neck. > > > See the", "believe the problem is quite the same, although even worse in my case.", "Sorry if not. > > > Where I could have just said: >", "when used in fictional worlds. But not only English words cause me problems:", "part of it is describing outfits. Words like t-shirt, for instance seem really", "of my settings take place in fictional worlds often inspired by various parts", "seems even wronger when used in fictional worlds. But not only English words", "clothes similar to ours in fictional words where the modern words we use", "however, had a scarf around his neck, a red pullover and was wearing", "what techniques you employ to describe clothes similar to ours in fictional words", "reader some details he cannot invent by himself. While just writing descriptions is", "is important to explain the reader some details he cannot invent by himself.", "t-shirt, how do I describe it? Also I have to mention that I", "of my stories is located in an Ancient Egypt inspired world. (EDIT :", "a constant struggling point of mine. Most of my settings take place in", "in fictional and not futuristic worlds, like the Egyptian one I mentioned above.", "The thing is, well, I can't — and it would be stupid to", "do I describe it? Also I have to mention that I write in", "inspired world. (EDIT : My setting is only based on Ancient Egypt and", "> > > See the above example. It is really generic and doesn't", "I believe the problem is quite the same, although even worse in my", "I'd like to know what techniques you employ to describe clothes similar to", "instance, the length of the sleeves of the said top. Or basically anything", "outfits at once, it quickly becomes boring and makes it harder for the", "Well, this is it. I'm sure there is no best way but I'd", "Not sure this word can be used in this context in English. Sorry", "making it part of my style that I don't describe much), I almost", "like back then. My characters wear anachronistic clothes.) In these worlds I am", "above example. It is really generic and doesn't tell me much about, for", "stories is located in an Ancient Egypt inspired world. (EDIT : My setting", "wearing a dark blue top and a long bottom1. [Character2], however, had a", "> > 1 Not sure this word can be used in this context", "In fact, as I am not so bad at drawing, I even use", "around his neck. > > > See the above example. 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Even trousers is weird in", "scarf, for example, for which we have a French word, seems out of", "around his neck, but not to keep him warm (when in the Egyptian", "to know what techniques you employ to describe clothes similar to ours in", "know what techniques you employ to describe clothes similar to ours in fictional", "which we have a French word, seems out of place when describing a", "was wearing shorts. > > > > > --- > > > (Dumb", "for example, for which we have a French word, seems out of place", "when describing a long piece of cloth the character is wearing around his", "> > [Character1] was wearing a dark blue t-shirt and and a pair", "> > [Character1] was wearing a dark blue top and a long bottom1.", "but I'd like to know what techniques you employ to describe clothes similar", "See the above example. It is really generic and doesn't tell me much", "outfits. Words like t-shirt, for instance seem really out of place in fictional", "and their outfits. 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But not only English words cause", "lack of a better way is to blandly refer to clothes with very", "not so bad at drawing, I even use to draw them and their", "is basically a t-shirt, how do I describe it? Also I have to", "if not. > > > Where I could have just said: > >", "it. I'm sure there is no best way but I'd like to know", "harder for the reader to see the characters in their mind. > >", "worlds I am creating, people, well, obviously, wear clothes. Although description is far", "> --- > > > 1 Not sure this word can be used", "to explain the reader some details he cannot invent by himself. While just", "I'm sure there is no best way but I'd like to know what", "character is wearing around his neck, but not to keep him warm (when", "of human history. For instance, one of my stories is located in an", "wearing a white top and a long piece of cloth around his neck.", "with long sleeves. His bottom1 was short and stopped just above his knees.", "long piece of cloth around his neck and a red top with long", "way but I'd like to know what techniques you employ to describe clothes", "history. For instance, one of my stories is located in an Ancient Egypt", "see the characters in their mind. > > [Character1] was wearing a dark", "characters in their mind. > > [Character1] was wearing a dark blue top", "being one of my writing strengths (I avoid this weakness by making it", "me, the worst part of it is describing outfits. Words like t-shirt, for", "clearly in my head the characters and the way they dress up. In", "just said: > > [Character1] was wearing a dark blue t-shirt and and", "like to know what techniques you employ to describe clothes similar to ours", "is a little problem in itself for me, the worst part of it", "often use for lack of a better way is to blandly refer to", "can be used in this context in English. Sorry if not. > >", "But not only English words cause me problems: scarf, for example, for which", "sleeves of the said top. Or basically anything about it. Moreover, if I", "worlds, like the Egyptian one I mentioned above. But when what my character", "word can be used in this context in English. Sorry if not. >", "some details he cannot invent by himself. While just writing descriptions is a", "not to keep him warm (when in the Egyptian setting it is even", "English words cause me problems: scarf, for example, for which we have a", "French and we use the English words t-shirt, shorts, sneakers or pullover as", "of my writing strengths (I avoid this weakness by making it part of", "about it. Moreover, if I have to describe several characters' outfits at once,", "is it. I'm sure there is no best way but I'd like to", "and and a pair of trousers. [Character2], however, had a scarf around his", "example. It is really generic and doesn't tell me much about, for instance,", "important to explain the reader some details he cannot invent by himself. While", "pullover as is, which seems even wronger when used in fictional worlds. But", "of mine. Most of my settings take place in fictional worlds often inspired", "knees. > > > > > --- > > > 1 Not sure", "his neck and a red top with long sleeves. His bottom1 was short", "out of place when describing a long piece of cloth the character is", "I'm writing in French but I believe the problem is quite the same,", "is really generic and doesn't tell me much about, for instance, the length", "he cannot invent by himself. While just writing descriptions is a little problem", "cause me problems: scarf, for example, for which we have a French word,", "at drawing, I even use to draw them and their outfits. The thing", "> > He was wearing a white top and a long piece of", "various parts of human history. For instance, one of my stories is located", "generic words like haut (French for top): > > He was wearing a", "this context in English. Sorry if not. > > > Where I could", "the characters in their mind. > > [Character1] was wearing a dark blue", "clothes.) In these worlds I am creating, people, well, obviously, wear clothes. Although", "much about, for instance, the length of the sleeves of the said top.", "once, it quickly becomes boring and makes it harder for the reader to", "I even use to draw them and their outfits. The thing is, well,", "for which we have a French word, seems out of place when describing", "world. (EDIT : My setting is only based on Ancient Egypt and the", "Or basically anything about it. Moreover, if I have to describe several characters'", "for instance seem really out of place in fictional and not futuristic worlds,", "weakness by making it part of my style that I don't describe much),", "some settings. A trick I often use for lack of a better way", "My setting is only based on Ancient Egypt and the clothing is not", "seem really out of place in fictional and not futuristic worlds, like the", "stupid to try — ever avoid describing things. Sometimes, it really is important", "I often use for lack of a better way is to blandly refer", "like haut (French for top): > > He was wearing a white top", "around his neck and a red top with long sleeves. His bottom1 was", "English. Sorry if not. > > > Where I could have just said:", "above. But when what my character wears is basically a t-shirt, how do", "my character wears is basically a t-shirt, how do I describe it? Also", "shorts. > > > > > --- > > > (Dumb example with", "me problems: scarf, for example, for which we have a French word, seems", "you employ to describe clothes similar to ours in fictional words where the", "fictional and not futuristic worlds, like the Egyptian one I mentioned above. But", "it. Moreover, if I have to describe several characters' outfits at once, it", "(when in the Egyptian setting it is even worse). Even trousers is weird", "his neck, but not to keep him warm (when in the Egyptian setting", "where the modern words we use seem out of place. I'm writing in", "trick I often use for lack of a better way is to blandly", "short and stopped just above his knees. > > > > > ---", "employ to describe clothes similar to ours in fictional words where the modern", "(EDIT : My setting is only based on Ancient Egypt and the clothing", "and the clothing is not accurate to what it really was like back", "and the way they dress up. In fact, as I am not so", "describe clothes similar to ours in fictional words where the modern words we", "Even trousers is weird in some settings. A trick I often use for", "and a red top with long sleeves. His bottom1 was short and stopped", "and stopped just above his knees. > > > > > --- >", "am not so bad at drawing, I even use to draw them and", "back then. My characters wear anachronistic clothes.) In these worlds I am creating,", "is, well, I can't — and it would be stupid to try —", "fictional worlds often inspired by various parts of human history. For instance, one", "top. Or basically anything about it. Moreover, if I have to describe several", "> > See the above example. It is really generic and doesn't tell", "word, seems out of place when describing a long piece of cloth the", "> > > --- > > > 1 Not sure this word can", "is no best way but I'd like to know what techniques you employ", "my writing strengths (I avoid this weakness by making it part of my", "ever avoid describing things. Sometimes, it really is important to explain the reader", "[Character2], however, had a long piece of cloth around his neck and a", "Ancient Egypt and the clothing is not accurate to what it really was", "But when what my character wears is basically a t-shirt, how do I", "can't — and it would be stupid to try — ever avoid describing", "to describe clothes similar to ours in fictional words where the modern words", "shorts, sneakers or pullover as is, which seems even wronger when used in", "the way they dress up. In fact, as I am not so bad", "one of my writing strengths (I avoid this weakness by making it part", "character wears is basically a t-shirt, how do I describe it? Also I", "a t-shirt, how do I describe it? Also I have to mention that", "haut (French for top): > > He was wearing a white top and", "is describing outfits. Words like t-shirt, for instance seem really out of place", "use the English words t-shirt, shorts, sneakers or pullover as is, which seems", "what it really was like back then. My characters wear anachronistic clothes.) In" ]
[ "an emperor and his lover. My main character is royalty and it is", "Emperor (Su Majestad el Emperador). His name is Don Vuih Maria de Juan", "Vuiha because they are both popular names in their era. Her name is", "is how do I properly introduce him and not confuse the audience with", "titled and is also mentioned by his title in formal situations. On a", "to have a long name, but he transitions from one title to the", "names? His wife refers to him as Vuihma which is a nickname from", "the next in the story. At first he is the royal crown prince", "Alteza Real in Spanish), then he gains the title His Majesty the Emperor", "it is fitting for him to have a long name, but he transitions", "Emperador). His name is Don Vuih Maria de Juan León, with Don being", "and is also mentioned by his title in formal situations. On a side", "humorously named Vuiha because they are both popular names in their era. Her", "as Don Vuih and Vuih, respectively. Whereas he is titled and is also", "wife refers to him as Vuihma which is a nickname from his first", "name is meant to cause confusion at certain times and some soldiers mention", "him as Vuihma which is a nickname from his first two names. While", "Mister in English. My question is how do I properly introduce him and", "next in the story. At first he is the royal crown prince (Su", "names in their era. Her name is meant to cause confusion at certain", "to him as Vuihma which is a nickname from his first two names.", "is the royal crown prince (Su Alteza Real in Spanish), then he gains", "from one title to the next in the story. At first he is", "lover. My main character is royalty and it is fitting for him to", "English. My question is how do I properly introduce him and not confuse", "cause confusion at certain times and some soldiers mention the similarity and confusion", "Don being like Mister in English. My question is how do I properly", "refer to him as Don Vuih and Vuih, respectively. Whereas he is titled", "Spanish and English, revolving around an emperor and his lover. My main character", "is also mentioned by his title in formal situations. On a side note,", "their era. Her name is meant to cause confusion at certain times and", "confusion at certain times and some soldiers mention the similarity and confusion in", "popular names in their era. Her name is meant to cause confusion at", "side note, his wife is humorously named Vuiha because they are both popular", "first he is the royal crown prince (Su Alteza Real in Spanish), then", "the story. At first he is the royal crown prince (Su Alteza Real", "he is titled and is also mentioned by his title in formal situations.", "a side note, his wife is humorously named Vuiha because they are both", "a long name, but he transitions from one title to the next in", "is titled and is also mentioned by his title in formal situations. On", "him as Don Vuih and Vuih, respectively. Whereas he is titled and is", "audience with his names? His wife refers to him as Vuihma which is", "English, revolving around an emperor and his lover. My main character is royalty", "he gains the title His Majesty the Emperor (Su Majestad el Emperador). His", "he transitions from one title to the next in the story. At first", "a nickname from his first two names. While his soldiers and lover will", "bilingual Spanish and English, revolving around an emperor and his lover. My main", "in the story. At first he is the royal crown prince (Su Alteza", "his wife is humorously named Vuiha because they are both popular names in", "and it is fitting for him to have a long name, but he", "is humorously named Vuiha because they are both popular names in their era.", "My main character is royalty and it is fitting for him to have", "title His Majesty the Emperor (Su Majestad el Emperador). His name is Don", "Real in Spanish), then he gains the title His Majesty the Emperor (Su", "Majesty the Emperor (Su Majestad el Emperador). His name is Don Vuih Maria", "and not confuse the audience with his names? His wife refers to him", "fitting for him to have a long name, but he transitions from one", "which is a nickname from his first two names. While his soldiers and", "by his title in formal situations. On a side note, his wife is", "Vuih and Vuih, respectively. Whereas he is titled and is also mentioned by", "On a side note, his wife is humorously named Vuiha because they are", "for him to have a long name, but he transitions from one title", "Don Vuih Maria de Juan León, with Don being like Mister in English.", "and his lover. My main character is royalty and it is fitting for", "is meant to cause confusion at certain times and some soldiers mention the", "and Vuih, respectively. Whereas he is titled and is also mentioned by his", "to cause confusion at certain times and some soldiers mention the similarity and", "certain times and some soldiers mention the similarity and confusion in their names.", "(Su Majestad el Emperador). His name is Don Vuih Maria de Juan León,", "Majestad el Emperador). His name is Don Vuih Maria de Juan León, with", "is royalty and it is fitting for him to have a long name,", "in their era. Her name is meant to cause confusion at certain times", "he is the royal crown prince (Su Alteza Real in Spanish), then he", "gains the title His Majesty the Emperor (Su Majestad el Emperador). His name", "name, but he transitions from one title to the next in the story.", "but he transitions from one title to the next in the story. At", "like Mister in English. My question is how do I properly introduce him", "is fitting for him to have a long name, but he transitions from", "to the next in the story. At first he is the royal crown", "era. Her name is meant to cause confusion at certain times and some", "Her name is meant to cause confusion at certain times and some soldiers", "his title in formal situations. On a side note, his wife is humorously", "confuse the audience with his names? His wife refers to him as Vuihma", "His Majesty the Emperor (Su Majestad el Emperador). His name is Don Vuih", "formal situations. On a side note, his wife is humorously named Vuiha because", "soldiers and lover will refer to him as Don Vuih and Vuih, respectively.", "While his soldiers and lover will refer to him as Don Vuih and", "de Juan León, with Don being like Mister in English. My question is", "how do I properly introduce him and not confuse the audience with his", "the audience with his names? His wife refers to him as Vuihma which", "as Vuihma which is a nickname from his first two names. While his", "the title His Majesty the Emperor (Su Majestad el Emperador). His name is", "they are both popular names in their era. Her name is meant to", "note, his wife is humorously named Vuiha because they are both popular names", "revolving around an emperor and his lover. My main character is royalty and", "are both popular names in their era. Her name is meant to cause", "Vuih, respectively. Whereas he is titled and is also mentioned by his title", "then he gains the title His Majesty the Emperor (Su Majestad el Emperador).", "and English, revolving around an emperor and his lover. My main character is", "Vuihma which is a nickname from his first two names. While his soldiers", "first two names. While his soldiers and lover will refer to him as", "transitions from one title to the next in the story. At first he", "title in formal situations. On a side note, his wife is humorously named", "el Emperador). His name is Don Vuih Maria de Juan León, with Don", "his soldiers and lover will refer to him as Don Vuih and Vuih,", "crown prince (Su Alteza Real in Spanish), then he gains the title His", "name is Don Vuih Maria de Juan León, with Don being like Mister", "His wife refers to him as Vuihma which is a nickname from his", "with Don being like Mister in English. My question is how do I", "his names? His wife refers to him as Vuihma which is a nickname", "the Emperor (Su Majestad el Emperador). His name is Don Vuih Maria de", "emperor and his lover. My main character is royalty and it is fitting", "in Spanish), then he gains the title His Majesty the Emperor (Su Majestad", "meant to cause confusion at certain times and some soldiers mention the similarity", "(Su Alteza Real in Spanish), then he gains the title His Majesty the", "I properly introduce him and not confuse the audience with his names? His", "his first two names. While his soldiers and lover will refer to him", "lover will refer to him as Don Vuih and Vuih, respectively. Whereas he", "is bilingual Spanish and English, revolving around an emperor and his lover. My", "introduce him and not confuse the audience with his names? His wife refers", "royalty and it is fitting for him to have a long name, but", "mentioned by his title in formal situations. On a side note, his wife", "from his first two names. While his soldiers and lover will refer to", "refers to him as Vuihma which is a nickname from his first two", "question is how do I properly introduce him and not confuse the audience", "My question is how do I properly introduce him and not confuse the", "the royal crown prince (Su Alteza Real in Spanish), then he gains the", "respectively. Whereas he is titled and is also mentioned by his title in", "Spanish), then he gains the title His Majesty the Emperor (Su Majestad el", "At first he is the royal crown prince (Su Alteza Real in Spanish),", "both popular names in their era. Her name is meant to cause confusion", "title to the next in the story. At first he is the royal", "being like Mister in English. My question is how do I properly introduce", "story. At first he is the royal crown prince (Su Alteza Real in", "will refer to him as Don Vuih and Vuih, respectively. Whereas he is", "one title to the next in the story. At first he is the", "do I properly introduce him and not confuse the audience with his names?", "long name, but he transitions from one title to the next in the", "names. While his soldiers and lover will refer to him as Don Vuih", "with his names? His wife refers to him as Vuihma which is a", "royal crown prince (Su Alteza Real in Spanish), then he gains the title", "in English. My question is how do I properly introduce him and not", "around an emperor and his lover. My main character is royalty and it", "León, with Don being like Mister in English. My question is how do", "at certain times and some soldiers mention the similarity and confusion in their", "wife is humorously named Vuiha because they are both popular names in their", "him to have a long name, but he transitions from one title to", "Juan León, with Don being like Mister in English. My question is how", "named Vuiha because they are both popular names in their era. Her name", "not confuse the audience with his names? His wife refers to him as", "properly introduce him and not confuse the audience with his names? His wife", "My story is bilingual Spanish and English, revolving around an emperor and his", "and lover will refer to him as Don Vuih and Vuih, respectively. Whereas", "character is royalty and it is fitting for him to have a long", "Vuih Maria de Juan León, with Don being like Mister in English. My", "two names. While his soldiers and lover will refer to him as Don", "Whereas he is titled and is also mentioned by his title in formal", "situations. On a side note, his wife is humorously named Vuiha because they", "Don Vuih and Vuih, respectively. Whereas he is titled and is also mentioned", "have a long name, but he transitions from one title to the next", "is a nickname from his first two names. While his soldiers and lover", "because they are both popular names in their era. Her name is meant", "to him as Don Vuih and Vuih, respectively. Whereas he is titled and", "nickname from his first two names. While his soldiers and lover will refer", "main character is royalty and it is fitting for him to have a", "in formal situations. On a side note, his wife is humorously named Vuiha", "his lover. My main character is royalty and it is fitting for him", "also mentioned by his title in formal situations. On a side note, his", "story is bilingual Spanish and English, revolving around an emperor and his lover.", "is Don Vuih Maria de Juan León, with Don being like Mister in", "prince (Su Alteza Real in Spanish), then he gains the title His Majesty", "Maria de Juan León, with Don being like Mister in English. My question", "him and not confuse the audience with his names? His wife refers to", "His name is Don Vuih Maria de Juan León, with Don being like" ]
[ "fiction books has been something called booksbyweight <https://www.facebook.com/Booksbyweight/> . This is very popular", "go to discover new authors, new genres at very low cost. While this", "to do with burning of books or something, bad for everybody. I am", "for Publishers, are authors compensated for it ? I would also ask what", "it was destroyed is not known but if it has anything to do", "is very popular with millennials who go to discover new authors, new genres", "definitions that many a times 50 percent of them are destroyed. How it", "times 50 percent of them are destroyed. How it was destroyed is not", "50 percent of them are destroyed. How it was destroyed is not known", "one big source of fiction books has been something called booksbyweight <https://www.facebook.com/Booksbyweight/> .", "India and here for most people one big source of fiction books has", "but if it has anything to do with burning of books or something,", "popular with millennials who go to discover new authors, new genres at very", "something called booksbyweight <https://www.facebook.com/Booksbyweight/> . This is very popular with millennials who go", "at very low cost. While this is good for the seller and probably", "couple of [good](https://jenniferonwriting.blogspot.in/2008/05/all-about-print-runs.html) [definitions](http://www.deanwesleysmith.com/the-new-world-of-publishing-what-is-a-print-run-grandpa/) of the traditional Print run. One of the disturbing", "of the traditional Print run. One of the disturbing things mentioned in one", "for the seller and probably a bit for Publishers, are authors compensated for", "the case. I come from India and here for most people one big", "and here for most people one big source of fiction books has been", "to be the case. I come from India and here for most people", "here for most people one big source of fiction books has been something", "used to be the case. I come from India and here for most", "be the case. I come from India and here for most people one", "compensated for it ? I would also ask what authors think of it.", "not known but if it has anything to do with burning of books", "books or something, bad for everybody. I am surprised if that used to", "This is very popular with millennials who go to discover new authors, new", "destroyed. How it was destroyed is not known but if it has anything", "I got couple of [good](https://jenniferonwriting.blogspot.in/2008/05/all-about-print-runs.html) [definitions](http://www.deanwesleysmith.com/the-new-world-of-publishing-what-is-a-print-run-grandpa/) of the traditional Print run. One of", "most people one big source of fiction books has been something called booksbyweight", "for everybody. I am surprised if that used to be the case. I", "percent of them are destroyed. How it was destroyed is not known but", "very popular with millennials who go to discover new authors, new genres at", "who go to discover new authors, new genres at very low cost. While", "of the definitions that many a times 50 percent of them are destroyed.", "of them are destroyed. How it was destroyed is not known but if", "bad for everybody. I am surprised if that used to be the case.", "One of the disturbing things mentioned in one of the definitions that many", "destroyed is not known but if it has anything to do with burning", "books has been something called booksbyweight <https://www.facebook.com/Booksbyweight/> . This is very popular with", "of the disturbing things mentioned in one of the definitions that many a", "discover new authors, new genres at very low cost. While this is good", "everybody. I am surprised if that used to be the case. I come", "from India and here for most people one big source of fiction books", "good for the seller and probably a bit for Publishers, are authors compensated", "new genres at very low cost. While this is good for the seller", "[definitions](http://www.deanwesleysmith.com/the-new-world-of-publishing-what-is-a-print-run-grandpa/) of the traditional Print run. One of the disturbing things mentioned in", "for most people one big source of fiction books has been something called", "the definitions that many a times 50 percent of them are destroyed. How", "authors compensated for it ? I would also ask what authors think of", "come from India and here for most people one big source of fiction", "in one of the definitions that many a times 50 percent of them", "a times 50 percent of them are destroyed. How it was destroyed is", "booksbyweight <https://www.facebook.com/Booksbyweight/> . This is very popular with millennials who go to discover", "am surprised if that used to be the case. I come from India", "one of the definitions that many a times 50 percent of them are", "the seller and probably a bit for Publishers, are authors compensated for it", ". This is very popular with millennials who go to discover new authors,", "genres at very low cost. While this is good for the seller and", "are destroyed. How it was destroyed is not known but if it has", "Print run. One of the disturbing things mentioned in one of the definitions", "been something called booksbyweight <https://www.facebook.com/Booksbyweight/> . This is very popular with millennials who", "is good for the seller and probably a bit for Publishers, are authors", "and probably a bit for Publishers, are authors compensated for it ? I", "got couple of [good](https://jenniferonwriting.blogspot.in/2008/05/all-about-print-runs.html) [definitions](http://www.deanwesleysmith.com/the-new-world-of-publishing-what-is-a-print-run-grandpa/) of the traditional Print run. One of the", "them are destroyed. How it was destroyed is not known but if it", "with burning of books or something, bad for everybody. I am surprised if", "a bit for Publishers, are authors compensated for it ? I would also", "bit for Publishers, are authors compensated for it ? I would also ask", "[good](https://jenniferonwriting.blogspot.in/2008/05/all-about-print-runs.html) [definitions](http://www.deanwesleysmith.com/the-new-world-of-publishing-what-is-a-print-run-grandpa/) of the traditional Print run. One of the disturbing things mentioned", "anything to do with burning of books or something, bad for everybody. I", "surprised if that used to be the case. I come from India and", "of [good](https://jenniferonwriting.blogspot.in/2008/05/all-about-print-runs.html) [definitions](http://www.deanwesleysmith.com/the-new-world-of-publishing-what-is-a-print-run-grandpa/) of the traditional Print run. One of the disturbing things", "burning of books or something, bad for everybody. I am surprised if that", "this is good for the seller and probably a bit for Publishers, are", "mentioned in one of the definitions that many a times 50 percent of", "called booksbyweight <https://www.facebook.com/Booksbyweight/> . This is very popular with millennials who go to", "if that used to be the case. I come from India and here", "millennials who go to discover new authors, new genres at very low cost.", "to discover new authors, new genres at very low cost. While this is", "I am surprised if that used to be the case. I come from", "Publishers, are authors compensated for it ? I would also ask what authors", "low cost. While this is good for the seller and probably a bit", "source of fiction books has been something called booksbyweight <https://www.facebook.com/Booksbyweight/> . This is", "the disturbing things mentioned in one of the definitions that many a times", "that many a times 50 percent of them are destroyed. How it was", "do with burning of books or something, bad for everybody. I am surprised", "is not known but if it has anything to do with burning of", "things mentioned in one of the definitions that many a times 50 percent", "seller and probably a bit for Publishers, are authors compensated for it ?", "with millennials who go to discover new authors, new genres at very low", "run. One of the disturbing things mentioned in one of the definitions that", "very low cost. While this is good for the seller and probably a", "many a times 50 percent of them are destroyed. How it was destroyed", "it has anything to do with burning of books or something, bad for", "something, bad for everybody. I am surprised if that used to be the", "I come from India and here for most people one big source of", "people one big source of fiction books has been something called booksbyweight <https://www.facebook.com/Booksbyweight/>", "disturbing things mentioned in one of the definitions that many a times 50", "known but if it has anything to do with burning of books or", "or something, bad for everybody. I am surprised if that used to be", "of fiction books has been something called booksbyweight <https://www.facebook.com/Booksbyweight/> . This is very", "has been something called booksbyweight <https://www.facebook.com/Booksbyweight/> . This is very popular with millennials", "the traditional Print run. One of the disturbing things mentioned in one of", "cost. While this is good for the seller and probably a bit for", "new authors, new genres at very low cost. While this is good for", "How it was destroyed is not known but if it has anything to", "probably a bit for Publishers, are authors compensated for it ? I would", "traditional Print run. One of the disturbing things mentioned in one of the", "of books or something, bad for everybody. I am surprised if that used", "While this is good for the seller and probably a bit for Publishers,", "has anything to do with burning of books or something, bad for everybody.", "<https://www.facebook.com/Booksbyweight/> . This is very popular with millennials who go to discover new", "big source of fiction books has been something called booksbyweight <https://www.facebook.com/Booksbyweight/> . This", "are authors compensated for it ? I would also ask what authors think", "was destroyed is not known but if it has anything to do with", "if it has anything to do with burning of books or something, bad", "authors, new genres at very low cost. While this is good for the", "case. I come from India and here for most people one big source", "that used to be the case. I come from India and here for" ]
[ "many different perspectives. I have quotes from him, his family, and his friends.", "quotes from him, his family, and his friends. What are some ways I", "perspectives. I have quotes from him, his family, and his friends. What are", "details the events of a young man's life from many different perspectives. I", "from many different perspectives. I have quotes from him, his family, and his", "his family, and his friends. What are some ways I can accurately and", "events of a young man's life from many different perspectives. I have quotes", "are some ways I can accurately and honestly dramatize what they told me,", "life from many different perspectives. I have quotes from him, his family, and", "and honestly dramatize what they told me, without transcribing their words? What if", "ways I can accurately and honestly dramatize what they told me, without transcribing", "a long-form non-fiction piece that details the events of a young man's life", "piece that details the events of a young man's life from many different", "that details the events of a young man's life from many different perspectives.", "I have quotes from him, his family, and his friends. What are some", "his friends. What are some ways I can accurately and honestly dramatize what", "family, and his friends. What are some ways I can accurately and honestly", "what they told me, without transcribing their words? What if they provided very", "man's life from many different perspectives. I have quotes from him, his family,", "told me, without transcribing their words? What if they provided very little experiential", "friends. What are some ways I can accurately and honestly dramatize what they", "some ways I can accurately and honestly dramatize what they told me, without", "I'm writing a long-form non-fiction piece that details the events of a young", "they told me, without transcribing their words? What if they provided very little", "What are some ways I can accurately and honestly dramatize what they told", "different perspectives. I have quotes from him, his family, and his friends. What", "from him, his family, and his friends. What are some ways I can", "can accurately and honestly dramatize what they told me, without transcribing their words?", "writing a long-form non-fiction piece that details the events of a young man's", "and his friends. What are some ways I can accurately and honestly dramatize", "the events of a young man's life from many different perspectives. I have", "of a young man's life from many different perspectives. I have quotes from", "dramatize what they told me, without transcribing their words? What if they provided", "honestly dramatize what they told me, without transcribing their words? What if they", "him, his family, and his friends. What are some ways I can accurately", "non-fiction piece that details the events of a young man's life from many", "long-form non-fiction piece that details the events of a young man's life from", "have quotes from him, his family, and his friends. What are some ways", "accurately and honestly dramatize what they told me, without transcribing their words? What", "young man's life from many different perspectives. I have quotes from him, his", "a young man's life from many different perspectives. I have quotes from him,", "I can accurately and honestly dramatize what they told me, without transcribing their", "me, without transcribing their words? What if they provided very little experiential detail?" ]
[ "you go about describing the tech to a reader without pulling potentially knowledgeable", "issues with scaling, not the technology itself becoming outdated because new tech is", "to express these definitions in a relatable and realistic way. --- A pretty", "is capable of. This can happen in multiple ways (all examples are purely", "800 feet deep. 3. The author describes a machine that actually has much", "to a reader without pulling potentially knowledgeable readers out of the story when", "all. An example would be a martial artist taking of weighted clothing as", "with fictional technology is that when describing what the tech does and how", "without pulling potentially knowledgeable readers out of the story when your numbers don't", "has much more energy than needed for the job. They mention \"a 1", "later on, it either scales poorly or not at all. An example would", "or not at all. An example would be a martial artist taking of", "4. The author has a concept that's scaled well at the time it's", "concept that's scaled well at the time it's introduced to the story, but", "of. For example, blowing up a meteor the size of Texas with a", "me to this stack because it's less about defining the technology and more", "take out everything 5 blocks around the empire state building as well. 4.", "the empire State building\", but such a bomb would actually take out everything", "technology worked out concerning what it has to do, how do you go", "author describes a machine that actually has much more energy than needed for", "of a bottle rocket\". Assuming you already have your technology worked out concerning", "but when used later on, it either scales poorly or not at all.", "describing the tech to a reader without pulling potentially knowledgeable readers out of", "taking of weighted clothing as a powerup, but he keeps doing it even", "a computer in the 2050s whose power is actually closer to something from", "The opposite also happens: the components from the machine actually are much stronger", "even hindered by the clothes anymore. Note: I'm talking about purely numerical issues", "needed for the job. They mention \"a 1 Kt bomb, big enough to", "rocket\". Assuming you already have your technology worked out concerning what it has", "the size of Texas with a nuke buried 800 feet deep. 3. The", "a nuke buried 800 feet deep. 3. The author describes a machine that", "such a bomb would actually take out everything 5 blocks around the empire", "out everything 5 blocks around the empire state building as well. 4. The", "power is actually closer to something from the 2020s. The opposite also happens:", "the empire state building as well. 4. The author has a concept that's", "A pretty frequent occurrence when working with fictional technology is that when describing", "way. --- A pretty frequent occurrence when working with fictional technology is that", "time it's introduced to the story, but when used later on, it either", "\"A spaceship to the moon with the power of a bottle rocket\". Assuming", "near future technology with ludicrous numbers, which actually are on the other end", "up the scale of the underlying technology or what it is capable of.", "go about describing the tech to a reader without pulling potentially knowledgeable readers", "technology itself becoming outdated because new tech is invented. I'm not talking about", "whose power is actually closer to something from the 2020s. The opposite also", "and how it works, the author messes up the scale of the underlying", "potentially knowledgeable readers out of the story when your numbers don't add up?", "around the empire state building as well. 4. The author has a concept", "empire state building as well. 4. The author has a concept that's scaled", "big enough to destroy the empire State building\", but such a bomb would", "would be a martial artist taking of weighted clothing as a powerup, but", "introduced to the story, but when used later on, it either scales poorly", "and realistic way. --- A pretty frequent occurrence when working with fictional technology", "definitions in a relatable and realistic way. --- A pretty frequent occurrence when", "on, it either scales poorly or not at all. An example would be", "are purely fictional): 1. The author describes near future technology with ludicrous numbers,", "the technology itself becoming outdated because new tech is invented. I'm not talking", "what's possible at the time. 2. The author describes a machine that actually", "technology or what it is capable of. This can happen in multiple ways", "chat has pointed me to this stack because it's less about defining the", "invented. I'm not talking about \"cassete recorders in space\", I'm talking about \"A", "purely numerical issues with scaling, not the technology itself becoming outdated because new", "about \"A spaceship to the moon with the power of a bottle rocket\".", "pulling potentially knowledgeable readers out of the story when your numbers don't add", "about how to express these definitions in a relatable and realistic way. ---", "for what it is said to be capable of. For example, blowing up", "how do you go about describing the tech to a reader without pulling", "well at the time it's introduced to the story, but when used later", "enough to destroy the empire State building\", but such a bomb would actually", "State building\", but such a bomb would actually take out everything 5 blocks", "in space\", I'm talking about \"A spaceship to the moon with the power", "feet deep. 3. The author describes a machine that actually has much more", "as a powerup, but he keeps doing it even when he's not even", "becoming outdated because new tech is invented. I'm not talking about \"cassete recorders", "about defining the technology and more about how to express these definitions in", "the technology and more about how to express these definitions in a relatable", "author describes a machine that actually is woefully underpowered for what it is", "deep. 3. The author describes a machine that actually has much more energy", "pointed me to this stack because it's less about defining the technology and", "author may, in 2001 describe a computer in the 2050s whose power is", "as well. 4. The author has a concept that's scaled well at the", "of. This can happen in multiple ways (all examples are purely fictional): 1.", "the underlying technology or what it is capable of. This can happen in", "underlying technology or what it is capable of. This can happen in multiple", "possible at the time. 2. The author describes a machine that actually is", "worked out concerning what it has to do, how do you go about", "2020s. The opposite also happens: the components from the machine actually are much", "multiple ways (all examples are purely fictional): 1. The author describes near future", "--- A pretty frequent occurrence when working with fictional technology is that when", "technology with ludicrous numbers, which actually are on the other end of the", "nuke buried 800 feet deep. 3. The author describes a machine that actually", "not the technology itself becoming outdated because new tech is invented. I'm not", "it even when he's not even hindered by the clothes anymore. Note: I'm", "the story, but when used later on, it either scales poorly or not", "new tech is invented. I'm not talking about \"cassete recorders in space\", I'm", "machine that actually has much more energy than needed for the job. They", "it works, the author messes up the scale of the underlying technology or", "to destroy the empire State building\", but such a bomb would actually take", "is said to be capable of. For example, blowing up a meteor the", "to this stack because it's less about defining the technology and more about", "talking about \"A spaceship to the moon with the power of a bottle", "the scale of the underlying technology or what it is capable of. This", "realistic way. --- A pretty frequent occurrence when working with fictional technology is", "Texas with a nuke buried 800 feet deep. 3. The author describes a", "from the 2020s. The opposite also happens: the components from the machine actually", "not even hindered by the clothes anymore. Note: I'm talking about purely numerical", "than needed for the job. They mention \"a 1 Kt bomb, big enough", "a machine that actually has much more energy than needed for the job.", "when used later on, it either scales poorly or not at all. An", "out concerning what it has to do, how do you go about describing", "capable of. This can happen in multiple ways (all examples are purely fictional):", "blowing up a meteor the size of Texas with a nuke buried 800", "that actually has much more energy than needed for the job. They mention", "do, how do you go about describing the tech to a reader without", "actually closer to something from the 2020s. The opposite also happens: the components", "a powerup, but he keeps doing it even when he's not even hindered", "underpowered for what it is said to be capable of. For example, blowing", "happens: the components from the machine actually are much stronger than what's possible", "relatable and realistic way. --- A pretty frequent occurrence when working with fictional", "may, in 2001 describe a computer in the 2050s whose power is actually", "scales poorly or not at all. An example would be a martial artist", "to the moon with the power of a bottle rocket\". Assuming you already", "The author describes near future technology with ludicrous numbers, which actually are on", "the other end of the power bell curve. the author may, in 2001", "either scales poorly or not at all. An example would be a martial", "anymore. Note: I'm talking about purely numerical issues with scaling, not the technology", "numbers, which actually are on the other end of the power bell curve.", "story, but when used later on, it either scales poorly or not at", "what it is capable of. This can happen in multiple ways (all examples", "numerical issues with scaling, not the technology itself becoming outdated because new tech", "outdated because new tech is invented. I'm not talking about \"cassete recorders in", "works, the author messes up the scale of the underlying technology or what", "spaceship to the moon with the power of a bottle rocket\". Assuming you", "it's introduced to the story, but when used later on, it either scales", "end of the power bell curve. the author may, in 2001 describe a", "artist taking of weighted clothing as a powerup, but he keeps doing it", "already have your technology worked out concerning what it has to do, how", "actually are on the other end of the power bell curve. the author", "\"a 1 Kt bomb, big enough to destroy the empire State building\", but", "he's not even hindered by the clothes anymore. Note: I'm talking about purely", "would actually take out everything 5 blocks around the empire state building as", "bottle rocket\". Assuming you already have your technology worked out concerning what it", "can happen in multiple ways (all examples are purely fictional): 1. The author", "woefully underpowered for what it is said to be capable of. For example,", "closer to something from the 2020s. The opposite also happens: the components from", "in a relatable and realistic way. --- A pretty frequent occurrence when working", "a martial artist taking of weighted clothing as a powerup, but he keeps", "is that when describing what the tech does and how it works, the", "Note: I'm talking about purely numerical issues with scaling, not the technology itself", "scaling, not the technology itself becoming outdated because new tech is invented. I'm", "powerup, but he keeps doing it even when he's not even hindered by", "energy than needed for the job. They mention \"a 1 Kt bomb, big", "describes a machine that actually has much more energy than needed for the", "tech to a reader without pulling potentially knowledgeable readers out of the story", "to be capable of. For example, blowing up a meteor the size of", "but such a bomb would actually take out everything 5 blocks around the", "Assuming you already have your technology worked out concerning what it has to", "by the clothes anymore. Note: I'm talking about purely numerical issues with scaling,", "it either scales poorly or not at all. An example would be a", "stronger than what's possible at the time. 2. The author describes a machine", "technology and more about how to express these definitions in a relatable and", "has pointed me to this stack because it's less about defining the technology", "how to express these definitions in a relatable and realistic way. --- A", "the 2020s. The opposite also happens: the components from the machine actually are", "talking about \"cassete recorders in space\", I'm talking about \"A spaceship to the", "but he keeps doing it even when he's not even hindered by the", "tech is invented. I'm not talking about \"cassete recorders in space\", I'm talking", "\"cassete recorders in space\", I'm talking about \"A spaceship to the moon with", "power of a bottle rocket\". Assuming you already have your technology worked out", "scaled well at the time it's introduced to the story, but when used", "(all examples are purely fictional): 1. The author describes near future technology with", "even when he's not even hindered by the clothes anymore. Note: I'm talking", "has a concept that's scaled well at the time it's introduced to the", "of the underlying technology or what it is capable of. This can happen", "job. They mention \"a 1 Kt bomb, big enough to destroy the empire", "to something from the 2020s. The opposite also happens: the components from the", "of the power bell curve. the author may, in 2001 describe a computer", "the time. 2. The author describes a machine that actually is woefully underpowered", "I'm talking about purely numerical issues with scaling, not the technology itself becoming", "the job. They mention \"a 1 Kt bomb, big enough to destroy the", "clothes anymore. Note: I'm talking about purely numerical issues with scaling, not the", "The author describes a machine that actually has much more energy than needed", "bomb would actually take out everything 5 blocks around the empire state building", "to the story, but when used later on, it either scales poorly or", "weighted clothing as a powerup, but he keeps doing it even when he's", "from the machine actually are much stronger than what's possible at the time.", "happen in multiple ways (all examples are purely fictional): 1. The author describes", "that when describing what the tech does and how it works, the author", "used later on, it either scales poorly or not at all. An example", "with a nuke buried 800 feet deep. 3. The author describes a machine", "the 2050s whose power is actually closer to something from the 2020s. The", "and more about how to express these definitions in a relatable and realistic", "does and how it works, the author messes up the scale of the", "because it's less about defining the technology and more about how to express", "poorly or not at all. An example would be a martial artist taking", "these definitions in a relatable and realistic way. --- A pretty frequent occurrence", "what it is said to be capable of. For example, blowing up a", "hindered by the clothes anymore. Note: I'm talking about purely numerical issues with", "the time it's introduced to the story, but when used later on, it", "than what's possible at the time. 2. The author describes a machine that", "actually has much more energy than needed for the job. They mention \"a", "The author has a concept that's scaled well at the time it's introduced", "the clothes anymore. Note: I'm talking about purely numerical issues with scaling, not", "about \"cassete recorders in space\", I'm talking about \"A spaceship to the moon", "pretty frequent occurrence when working with fictional technology is that when describing what", "when working with fictional technology is that when describing what the tech does", "This can happen in multiple ways (all examples are purely fictional): 1. The", "or what it is capable of. This can happen in multiple ways (all", "describe a computer in the 2050s whose power is actually closer to something", "about purely numerical issues with scaling, not the technology itself becoming outdated because", "meteor the size of Texas with a nuke buried 800 feet deep. 3.", "Kt bomb, big enough to destroy the empire State building\", but such a", "are on the other end of the power bell curve. the author may,", "author describes near future technology with ludicrous numbers, which actually are on the", "also happens: the components from the machine actually are much stronger than what's", "capable of. For example, blowing up a meteor the size of Texas with", "1 Kt bomb, big enough to destroy the empire State building\", but such", "on the other end of the power bell curve. the author may, in", "at the time it's introduced to the story, but when used later on,", "a bottle rocket\". Assuming you already have your technology worked out concerning what", "it is capable of. This can happen in multiple ways (all examples are", "time. 2. The author describes a machine that actually is woefully underpowered for", "frequent occurrence when working with fictional technology is that when describing what the", "be a martial artist taking of weighted clothing as a powerup, but he", "describing what the tech does and how it works, the author messes up", "Worldbuilding chat has pointed me to this stack because it's less about defining", "ludicrous numbers, which actually are on the other end of the power bell", "messes up the scale of the underlying technology or what it is capable", "mention \"a 1 Kt bomb, big enough to destroy the empire State building\",", "the moon with the power of a bottle rocket\". Assuming you already have", "the machine actually are much stronger than what's possible at the time. 2.", "actually take out everything 5 blocks around the empire state building as well.", "example would be a martial artist taking of weighted clothing as a powerup,", "ways (all examples are purely fictional): 1. The author describes near future technology", "opposite also happens: the components from the machine actually are much stronger than", "author has a concept that's scaled well at the time it's introduced to", "to do, how do you go about describing the tech to a reader", "tech does and how it works, the author messes up the scale of", "more about how to express these definitions in a relatable and realistic way.", "the author messes up the scale of the underlying technology or what it", "about describing the tech to a reader without pulling potentially knowledgeable readers out", "building\", but such a bomb would actually take out everything 5 blocks around", "fictional technology is that when describing what the tech does and how it", "They mention \"a 1 Kt bomb, big enough to destroy the empire State", "author messes up the scale of the underlying technology or what it is", "martial artist taking of weighted clothing as a powerup, but he keeps doing", "a concept that's scaled well at the time it's introduced to the story,", "keeps doing it even when he's not even hindered by the clothes anymore.", "less about defining the technology and more about how to express these definitions", "fictional): 1. The author describes near future technology with ludicrous numbers, which actually", "doing it even when he's not even hindered by the clothes anymore. Note:", "I'm not talking about \"cassete recorders in space\", I'm talking about \"A spaceship", "bell curve. the author may, in 2001 describe a computer in the 2050s", "machine actually are much stronger than what's possible at the time. 2. The", "itself becoming outdated because new tech is invented. I'm not talking about \"cassete", "concerning what it has to do, how do you go about describing the", "blocks around the empire state building as well. 4. The author has a", "for the job. They mention \"a 1 Kt bomb, big enough to destroy", "bomb, big enough to destroy the empire State building\", but such a bomb", "destroy the empire State building\", but such a bomb would actually take out", "do you go about describing the tech to a reader without pulling potentially", "is woefully underpowered for what it is said to be capable of. For", "much more energy than needed for the job. They mention \"a 1 Kt", "is invented. I'm not talking about \"cassete recorders in space\", I'm talking about", "it is said to be capable of. For example, blowing up a meteor", "recorders in space\", I'm talking about \"A spaceship to the moon with the", "building as well. 4. The author has a concept that's scaled well at", "describes a machine that actually is woefully underpowered for what it is said", "how it works, the author messes up the scale of the underlying technology", "what the tech does and how it works, the author messes up the", "that's scaled well at the time it's introduced to the story, but when", "much stronger than what's possible at the time. 2. The author describes a", "machine that actually is woefully underpowered for what it is said to be", "describes near future technology with ludicrous numbers, which actually are on the other", "the author may, in 2001 describe a computer in the 2050s whose power", "state building as well. 4. The author has a concept that's scaled well", "everything 5 blocks around the empire state building as well. 4. The author", "scale of the underlying technology or what it is capable of. This can", "that actually is woefully underpowered for what it is said to be capable", "the tech does and how it works, the author messes up the scale", "5 blocks around the empire state building as well. 4. The author has", "this stack because it's less about defining the technology and more about how", "the components from the machine actually are much stronger than what's possible at", "of weighted clothing as a powerup, but he keeps doing it even when", "working with fictional technology is that when describing what the tech does and", "3. The author describes a machine that actually has much more energy than", "technology is that when describing what the tech does and how it works,", "the power of a bottle rocket\". Assuming you already have your technology worked", "with the power of a bottle rocket\". Assuming you already have your technology", "1. The author describes near future technology with ludicrous numbers, which actually are", "future technology with ludicrous numbers, which actually are on the other end of", "has to do, how do you go about describing the tech to a", "examples are purely fictional): 1. The author describes near future technology with ludicrous", "not talking about \"cassete recorders in space\", I'm talking about \"A spaceship to", "An example would be a martial artist taking of weighted clothing as a", "moon with the power of a bottle rocket\". Assuming you already have your", "more energy than needed for the job. They mention \"a 1 Kt bomb,", "when he's not even hindered by the clothes anymore. Note: I'm talking about", "at the time. 2. The author describes a machine that actually is woefully", "have your technology worked out concerning what it has to do, how do", "2. The author describes a machine that actually is woefully underpowered for what", "when describing what the tech does and how it works, the author messes", "it's less about defining the technology and more about how to express these", "space\", I'm talking about \"A spaceship to the moon with the power of", "something from the 2020s. The opposite also happens: the components from the machine", "empire State building\", but such a bomb would actually take out everything 5", "your technology worked out concerning what it has to do, how do you", "size of Texas with a nuke buried 800 feet deep. 3. The author", "purely fictional): 1. The author describes near future technology with ludicrous numbers, which", "buried 800 feet deep. 3. The author describes a machine that actually has", "the power bell curve. the author may, in 2001 describe a computer in", "express these definitions in a relatable and realistic way. --- A pretty frequent", "power bell curve. the author may, in 2001 describe a computer in the", "The author describes a machine that actually is woefully underpowered for what it", "For example, blowing up a meteor the size of Texas with a nuke", "reader without pulling potentially knowledgeable readers out of the story when your numbers", "components from the machine actually are much stronger than what's possible at the", "well. 4. The author has a concept that's scaled well at the time", "clothing as a powerup, but he keeps doing it even when he's not", "the tech to a reader without pulling potentially knowledgeable readers out of the", "actually are much stronger than what's possible at the time. 2. The author", "2001 describe a computer in the 2050s whose power is actually closer to", "a meteor the size of Texas with a nuke buried 800 feet deep.", "a reader without pulling potentially knowledgeable readers out of the story when your", "defining the technology and more about how to express these definitions in a", "not at all. An example would be a martial artist taking of weighted", "are much stronger than what's possible at the time. 2. The author describes", "with ludicrous numbers, which actually are on the other end of the power", "curve. the author may, in 2001 describe a computer in the 2050s whose", "what it has to do, how do you go about describing the tech", "at all. An example would be a martial artist taking of weighted clothing", "talking about purely numerical issues with scaling, not the technology itself becoming outdated", "other end of the power bell curve. the author may, in 2001 describe", "of Texas with a nuke buried 800 feet deep. 3. The author describes", "up a meteor the size of Texas with a nuke buried 800 feet", "a machine that actually is woefully underpowered for what it is said to", "in multiple ways (all examples are purely fictional): 1. The author describes near", "occurrence when working with fictional technology is that when describing what the tech", "in the 2050s whose power is actually closer to something from the 2020s.", "he keeps doing it even when he's not even hindered by the clothes", "2050s whose power is actually closer to something from the 2020s. The opposite", "in 2001 describe a computer in the 2050s whose power is actually closer", "which actually are on the other end of the power bell curve. the", "said to be capable of. For example, blowing up a meteor the size", "because new tech is invented. I'm not talking about \"cassete recorders in space\",", "be capable of. For example, blowing up a meteor the size of Texas", "is actually closer to something from the 2020s. The opposite also happens: the", "stack because it's less about defining the technology and more about how to", "I'm talking about \"A spaceship to the moon with the power of a", "computer in the 2050s whose power is actually closer to something from the", "it has to do, how do you go about describing the tech to", "a relatable and realistic way. --- A pretty frequent occurrence when working with", "actually is woefully underpowered for what it is said to be capable of.", "example, blowing up a meteor the size of Texas with a nuke buried", "with scaling, not the technology itself becoming outdated because new tech is invented.", "you already have your technology worked out concerning what it has to do,", "a bomb would actually take out everything 5 blocks around the empire state" ]
[ "of new characters are being introduced in book two I would try and", "just got to the first major plot point which basically spells out the", "my trilogy. Wow, goals. I have just got to the first major plot", "and generally preparing or recuperating from something that has happened. For example, three", "character then foreshadows something that will happen next chapter that is in their", "it was, it foreshadows though. Question -------- The major plot point in book", "themes that would be going on later in the novel. Hence, most of", "be fully established until a while later after I've 'set things up' so", "trilogy. Wow, goals. I have just got to the first major plot point", "novel. Hence, most of these 10,000 words is the characters faffing around, talking", "these 10,000 words is the characters faffing around, talking and generally preparing or", "example, three characters have been arguing about might and praising the King's might.", "The other character then foreshadows something that will happen next chapter that is", "words messing around on? I decided that considering loads of new characters are", "characters are being introduced in book two I would try and implement more", "> Is it okay to introduce your major plot point late? > >", "by book two. It probably won't be fully established until a while later", "will drastically effect the plot of book two. However, what did I spend", "in the novel. Hence, most of these 10,000 words is the characters faffing", "from something that has happened. For example, three characters have been arguing about", "now reached 10,000 words on the second book in my trilogy. Wow, goals.", "your not a coward by showing your might to (unnamed)\". I've forgotten exactly", "characters faffing around, talking and generally preparing or recuperating from something that has", "guy praising the King's might gets called a coward for relying on the", "blather that he spouts from his mouth. The other character then foreshadows something", "reached 10,000 words on the second book in my trilogy. Wow, goals. I", "the plot of book two. However, what did I spend this 10,000 words", "though. Question -------- The major plot point in book 2 has not been", "foreshadows though. Question -------- The major plot point in book 2 has not", "words on the second book in my trilogy. Wow, goals. I have just", "called a coward for relying on the King entirely, and then there is", "I decided that considering loads of new characters are being introduced in book", "on later in the novel. Hence, most of these 10,000 words is the", "I've forgotten exactly what it was, it foreshadows though. Question -------- The major", "spells out the relationship between two characters which will drastically effect the plot", "what did I spend this 10,000 words messing around on? I decided that", "something that will happen next chapter that is in their POV, by saying", "I've now reached 10,000 words on the second book in my trilogy. Wow,", "it all runs smoothly. > > Is it okay to introduce your major", "book two. However, what did I spend this 10,000 words messing around on?", "exactly what it was, it foreshadows though. Question -------- The major plot point", "the second book in my trilogy. Wow, goals. I have just got to", "> > Is it okay to introduce your major plot point late? >", "It probably won't be fully established until a while later after I've 'set", "King's might gets called a coward for relying on the King entirely, and", "coward for relying on the King entirely, and then there is a ton", "book two. It probably won't be fully established until a while later after", "early on and spell out the themes that would be going on later", "about might and praising the King's might. The guy praising the King's might", "The major plot point in book 2 has not been yet established by", "-------- The major plot point in book 2 has not been yet established", "of incorrect blather that he spouts from his mouth. The other character then", "generally preparing or recuperating from something that has happened. For example, three characters", "(unnamed)\". I've forgotten exactly what it was, it foreshadows though. Question -------- The", "recuperating from something that has happened. For example, three characters have been arguing", "two. It probably won't be fully established until a while later after I've", "and praising the King's might. The guy praising the King's might gets called", "and implement more interactions between characters early on and spell out the themes", "that will happen next chapter that is in their POV, by saying something", "the relationship between two characters which will drastically effect the plot of book", "will happen next chapter that is in their POV, by saying something like", "incorrect blather that he spouts from his mouth. The other character then foreshadows", "your might to (unnamed)\". I've forgotten exactly what it was, it foreshadows though.", "the characters faffing around, talking and generally preparing or recuperating from something that", "I have just got to the first major plot point which basically spells", "point which basically spells out the relationship between two characters which will drastically", "decided that considering loads of new characters are being introduced in book two", "on the second book in my trilogy. Wow, goals. I have just got", "faffing around, talking and generally preparing or recuperating from something that has happened.", "been arguing about might and praising the King's might. The guy praising the", "until a while later after I've 'set things up' so it all runs", "all runs smoothly. > > Is it okay to introduce your major plot", "the novel. Hence, most of these 10,000 words is the characters faffing around,", "is the characters faffing around, talking and generally preparing or recuperating from something", "that is in their POV, by saying something like \"Prove your not a", "plot of book two. However, what did I spend this 10,000 words messing", "three characters have been arguing about might and praising the King's might. The", "in book two I would try and implement more interactions between characters early", "spend this 10,000 words messing around on? I decided that considering loads of", "or recuperating from something that has happened. For example, three characters have been", "established by book two. It probably won't be fully established until a while", "effect the plot of book two. However, what did I spend this 10,000", "a ton of incorrect blather that he spouts from his mouth. The other", "happen next chapter that is in their POV, by saying something like \"Prove", "there is a ton of incorrect blather that he spouts from his mouth.", "is a ton of incorrect blather that he spouts from his mouth. The", "of these 10,000 words is the characters faffing around, talking and generally preparing", "and then there is a ton of incorrect blather that he spouts from", "which will drastically effect the plot of book two. However, what did I", "foreshadows something that will happen next chapter that is in their POV, by", "second book in my trilogy. Wow, goals. I have just got to the", "King entirely, and then there is a ton of incorrect blather that he", "might and praising the King's might. The guy praising the King's might gets", "around, talking and generally preparing or recuperating from something that has happened. For", "that has happened. For example, three characters have been arguing about might and", "in their POV, by saying something like \"Prove your not a coward by", "between two characters which will drastically effect the plot of book two. However,", "would try and implement more interactions between characters early on and spell out", "talking and generally preparing or recuperating from something that has happened. For example,", "saying something like \"Prove your not a coward by showing your might to", "been yet established by book two. It probably won't be fully established until", "a coward for relying on the King entirely, and then there is a", "yet established by book two. It probably won't be fully established until a", "got to the first major plot point which basically spells out the relationship", "have just got to the first major plot point which basically spells out", "praising the King's might gets called a coward for relying on the King", "by saying something like \"Prove your not a coward by showing your might", "---------- I've now reached 10,000 words on the second book in my trilogy.", "has not been yet established by book two. It probably won't be fully", "won't be fully established until a while later after I've 'set things up'", "Question -------- The major plot point in book 2 has not been yet", "relationship between two characters which will drastically effect the plot of book two.", "try and implement more interactions between characters early on and spell out the", "showing your might to (unnamed)\". I've forgotten exactly what it was, it foreshadows", "up' so it all runs smoothly. > > Is it okay to introduce", "book in my trilogy. Wow, goals. I have just got to the first", "spell out the themes that would be going on later in the novel.", "happened. For example, three characters have been arguing about might and praising the", "However, what did I spend this 10,000 words messing around on? I decided", "a while later after I've 'set things up' so it all runs smoothly.", "Wow, goals. I have just got to the first major plot point which", "characters have been arguing about might and praising the King's might. The guy", "book two I would try and implement more interactions between characters early on", "'set things up' so it all runs smoothly. > > Is it okay", "spouts from his mouth. The other character then foreshadows something that will happen", "after I've 'set things up' so it all runs smoothly. > > Is", "a coward by showing your might to (unnamed)\". I've forgotten exactly what it", "book 2 has not been yet established by book two. It probably won't", "characters which will drastically effect the plot of book two. However, what did", "would be going on later in the novel. Hence, most of these 10,000", "from his mouth. The other character then foreshadows something that will happen next", "plot point in book 2 has not been yet established by book two.", "on the King entirely, and then there is a ton of incorrect blather", "the King entirely, and then there is a ton of incorrect blather that", "loads of new characters are being introduced in book two I would try", "ton of incorrect blather that he spouts from his mouth. The other character", "was, it foreshadows though. Question -------- The major plot point in book 2", "Is it okay to introduce your major plot point late? > > >", "entirely, and then there is a ton of incorrect blather that he spouts", "two. However, what did I spend this 10,000 words messing around on? I", "POV, by saying something like \"Prove your not a coward by showing your", "around on? I decided that considering loads of new characters are being introduced", "words is the characters faffing around, talking and generally preparing or recuperating from", "it foreshadows though. Question -------- The major plot point in book 2 has", "in book 2 has not been yet established by book two. It probably", "on? I decided that considering loads of new characters are being introduced in", "might gets called a coward for relying on the King entirely, and then", "most of these 10,000 words is the characters faffing around, talking and generally", "he spouts from his mouth. The other character then foreshadows something that will", "which basically spells out the relationship between two characters which will drastically effect", "basically spells out the relationship between two characters which will drastically effect the", "relying on the King entirely, and then there is a ton of incorrect", "be going on later in the novel. Hence, most of these 10,000 words", "something like \"Prove your not a coward by showing your might to (unnamed)\".", "I've 'set things up' so it all runs smoothly. > > Is it", "drastically effect the plot of book two. However, what did I spend this", "considering loads of new characters are being introduced in book two I would", "two characters which will drastically effect the plot of book two. However, what", "like \"Prove your not a coward by showing your might to (unnamed)\". I've", "did I spend this 10,000 words messing around on? I decided that considering", "then foreshadows something that will happen next chapter that is in their POV,", "of book two. However, what did I spend this 10,000 words messing around", "gets called a coward for relying on the King entirely, and then there", "King's might. The guy praising the King's might gets called a coward for", "on and spell out the themes that would be going on later in", "more interactions between characters early on and spell out the themes that would", "to the first major plot point which basically spells out the relationship between", "implement more interactions between characters early on and spell out the themes that", "then there is a ton of incorrect blather that he spouts from his", "arguing about might and praising the King's might. The guy praising the King's", "by showing your might to (unnamed)\". I've forgotten exactly what it was, it", "10,000 words on the second book in my trilogy. Wow, goals. I have", "not been yet established by book two. It probably won't be fully established", "I spend this 10,000 words messing around on? I decided that considering loads", "something that has happened. For example, three characters have been arguing about might", "praising the King's might. The guy praising the King's might gets called a", "established until a while later after I've 'set things up' so it all", "has happened. For example, three characters have been arguing about might and praising", "smoothly. > > Is it okay to introduce your major plot point late?", "messing around on? I decided that considering loads of new characters are being", "between characters early on and spell out the themes that would be going", "are being introduced in book two I would try and implement more interactions", "two I would try and implement more interactions between characters early on and", "while later after I've 'set things up' so it all runs smoothly. >", "going on later in the novel. Hence, most of these 10,000 words is", "forgotten exactly what it was, it foreshadows though. Question -------- The major plot", "the King's might gets called a coward for relying on the King entirely,", "for relying on the King entirely, and then there is a ton of", "Hence, most of these 10,000 words is the characters faffing around, talking and", "later after I've 'set things up' so it all runs smoothly. > >", "the first major plot point which basically spells out the relationship between two", "later in the novel. Hence, most of these 10,000 words is the characters", "the themes that would be going on later in the novel. Hence, most", "this 10,000 words messing around on? I decided that considering loads of new", "next chapter that is in their POV, by saying something like \"Prove your", "major plot point in book 2 has not been yet established by book", "plot point which basically spells out the relationship between two characters which will", "that considering loads of new characters are being introduced in book two I", "\"Prove your not a coward by showing your might to (unnamed)\". I've forgotten", "so it all runs smoothly. > > Is it okay to introduce your", "his mouth. The other character then foreshadows something that will happen next chapter", "10,000 words messing around on? I decided that considering loads of new characters", "might to (unnamed)\". I've forgotten exactly what it was, it foreshadows though. Question", "out the themes that would be going on later in the novel. Hence,", "point in book 2 has not been yet established by book two. It", "that would be going on later in the novel. Hence, most of these", "have been arguing about might and praising the King's might. The guy praising", "first major plot point which basically spells out the relationship between two characters", "other character then foreshadows something that will happen next chapter that is in", "introduced in book two I would try and implement more interactions between characters", "probably won't be fully established until a while later after I've 'set things", "2 has not been yet established by book two. It probably won't be", "not a coward by showing your might to (unnamed)\". I've forgotten exactly what", "to (unnamed)\". I've forgotten exactly what it was, it foreshadows though. Question --------", "goals. I have just got to the first major plot point which basically", "out the relationship between two characters which will drastically effect the plot of", "and spell out the themes that would be going on later in the", "10,000 words is the characters faffing around, talking and generally preparing or recuperating", "coward by showing your might to (unnamed)\". I've forgotten exactly what it was,", "interactions between characters early on and spell out the themes that would be", "their POV, by saying something like \"Prove your not a coward by showing", "being introduced in book two I would try and implement more interactions between", "runs smoothly. > > Is it okay to introduce your major plot point", "For example, three characters have been arguing about might and praising the King's", "major plot point which basically spells out the relationship between two characters which", "characters early on and spell out the themes that would be going on", "might. The guy praising the King's might gets called a coward for relying", "mouth. The other character then foreshadows something that will happen next chapter that", "new characters are being introduced in book two I would try and implement", "chapter that is in their POV, by saying something like \"Prove your not", "things up' so it all runs smoothly. > > Is it okay to", "that he spouts from his mouth. The other character then foreshadows something that", "in my trilogy. Wow, goals. I have just got to the first major", "what it was, it foreshadows though. Question -------- The major plot point in", "Background ---------- I've now reached 10,000 words on the second book in my", "The guy praising the King's might gets called a coward for relying on", "is in their POV, by saying something like \"Prove your not a coward", "the King's might. The guy praising the King's might gets called a coward", "preparing or recuperating from something that has happened. For example, three characters have", "I would try and implement more interactions between characters early on and spell", "fully established until a while later after I've 'set things up' so it" ]
[ "hence it's out of print or 'it's just old'. I just read this", "still try to hold over rights. Are there any other such factors which", "factors for a publisher to not print and still try to hold over", "not print and still try to hold over rights. Are there any other", "is, the book was not successful to warrant a second run and hence", "just read this [question](https://writers.stackexchange.com/questions/15999/getting-my-rights-back) which claims there may be other motivating factors for", "give royalty payments to authors as well as not let public know about", "to not print and still try to hold over rights. Are there any", "[question](https://writers.stackexchange.com/questions/15999/getting-my-rights-back) which claims there may be other motivating factors for a publisher to", "which Publishers use or could use to not give royalty payments to authors", "print or 'it's just old'. I just read this [question](https://writers.stackexchange.com/questions/15999/getting-my-rights-back) which claims there", "or 'it's just old'. I just read this [question](https://writers.stackexchange.com/questions/15999/getting-my-rights-back) which claims there may", "the Publishers give more often than not is, the book was not successful", "just old'. I just read this [question](https://writers.stackexchange.com/questions/15999/getting-my-rights-back) which claims there may be other", "Publishers give more often than not is, the book was not successful to", "and still try to hold over rights. Are there any other such factors", "may be other motivating factors for a publisher to not print and still", "than not is, the book was not successful to warrant a second run", "not is, the book was not successful to warrant a second run and", "it's out of print or 'it's just old'. I just read this [question](https://writers.stackexchange.com/questions/15999/getting-my-rights-back)", "use to not give royalty payments to authors as well as not let", "motivating factors for a publisher to not print and still try to hold", "Umm... The main cause the Publishers give more often than not is, the", "print and still try to hold over rights. Are there any other such", "payments to authors as well as not let public know about authors or", "there any other such factors which Publishers use or could use to not", "Are there any other such factors which Publishers use or could use to", "for a publisher to not print and still try to hold over rights.", "claims there may be other motivating factors for a publisher to not print", "or could use to not give royalty payments to authors as well as", "the book was not successful to warrant a second run and hence it's", "to not give royalty payments to authors as well as not let public", "over rights. Are there any other such factors which Publishers use or could", "royalty payments to authors as well as not let public know about authors", "give more often than not is, the book was not successful to warrant", "other motivating factors for a publisher to not print and still try to", "I just read this [question](https://writers.stackexchange.com/questions/15999/getting-my-rights-back) which claims there may be other motivating factors", "to warrant a second run and hence it's out of print or 'it's", "successful to warrant a second run and hence it's out of print or", "old'. I just read this [question](https://writers.stackexchange.com/questions/15999/getting-my-rights-back) which claims there may be other motivating", "be other motivating factors for a publisher to not print and still try", "rights. Are there any other such factors which Publishers use or could use", "a publisher to not print and still try to hold over rights. Are", "try to hold over rights. Are there any other such factors which Publishers", "factors which Publishers use or could use to not give royalty payments to", "there may be other motivating factors for a publisher to not print and", "which claims there may be other motivating factors for a publisher to not", "was not successful to warrant a second run and hence it's out of", "other such factors which Publishers use or could use to not give royalty", "cause the Publishers give more often than not is, the book was not", "of print or 'it's just old'. I just read this [question](https://writers.stackexchange.com/questions/15999/getting-my-rights-back) which claims", "publisher to not print and still try to hold over rights. Are there", "not successful to warrant a second run and hence it's out of print", "book was not successful to warrant a second run and hence it's out", "this [question](https://writers.stackexchange.com/questions/15999/getting-my-rights-back) which claims there may be other motivating factors for a publisher", "second run and hence it's out of print or 'it's just old'. I", "as well as not let public know about authors or their books ?", "authors as well as not let public know about authors or their books", "hold over rights. Are there any other such factors which Publishers use or", "any other such factors which Publishers use or could use to not give", "'it's just old'. I just read this [question](https://writers.stackexchange.com/questions/15999/getting-my-rights-back) which claims there may be", "read this [question](https://writers.stackexchange.com/questions/15999/getting-my-rights-back) which claims there may be other motivating factors for a", "not give royalty payments to authors as well as not let public know", "could use to not give royalty payments to authors as well as not", "run and hence it's out of print or 'it's just old'. I just", "warrant a second run and hence it's out of print or 'it's just", "to hold over rights. Are there any other such factors which Publishers use", "use or could use to not give royalty payments to authors as well", "such factors which Publishers use or could use to not give royalty payments", "main cause the Publishers give more often than not is, the book was", "Publishers use or could use to not give royalty payments to authors as", "The main cause the Publishers give more often than not is, the book", "and hence it's out of print or 'it's just old'. I just read", "to authors as well as not let public know about authors or their", "out of print or 'it's just old'. I just read this [question](https://writers.stackexchange.com/questions/15999/getting-my-rights-back) which", "a second run and hence it's out of print or 'it's just old'.", "often than not is, the book was not successful to warrant a second", "more often than not is, the book was not successful to warrant a" ]
[ "> was the raw material of her body? > > > (...) >", "material cost. What > was the raw material of her body? > >", "following equation in a novel/short story: > > (Direct Cost / (100 -", "How should I format that in narration? In capital letters? Italics? > >", "> > (...) > > > At last. Owna had calculated the Direct", "the following equation in a novel/short story: > > (Direct Cost / (100", "last. Owna had calculated the Direct Cost/direct cost. Now she had to deal", "calculated the Direct Cost/direct cost. Now she had to deal with the Desired", "Cost/direct cost. Now she had to deal with the Desired Profit/desired profit. >", "Desired Profit)) \\ 100 > > > How should I format that in", "What > was the raw material of her body? > > > (...)", "should I format that in narration? In capital letters? Italics? > > First", "> How should I format that in narration? In capital letters? Italics? >", "Profit)) \\* 100 > > > How should I format that in narration?", "(Direct Cost / (100 - Desired Profit)) \\* 100 > > > How", "novel/short story: > > (Direct Cost / (100 - Desired Profit)) \\* 100", "in narration? In capital letters? Italics? > > First variable to tackle: Direct", "Direct Material Cost/direct material cost. What > was the raw material of her", "> > At last. Owna had calculated the Direct Cost/direct cost. Now she", "> > (Direct Cost / (100 - Desired Profit)) \\* 100 > >", "Cost/direct material cost. What > was the raw material of her body? >", "raw material of her body? > > > (...) > > > At", "the Direct Cost/direct cost. Now she had to deal with the Desired Profit/desired", "First variable to tackle: Direct Cost/direct cost* or Direct Material Cost/direct material cost.", "a novel/short story: > > (Direct Cost / (100 - Desired Profit)) \\", "cost. Now she had to deal with the Desired Profit/desired profit. > >", "Direct Cost/direct cost or Direct Material Cost/direct material cost. What > was the", "the raw material of her body? > > > (...) > > >", "material of her body? > > > (...) > > > At last.", "/ (100 - Desired Profit)) \\* 100 > > > How should I", "equation in a novel/short story: > > (Direct Cost / (100 - Desired", "Say, I mention the following equation in a novel/short story: > > (Direct", "body? > > > (...) > > > At last. Owna had calculated", "cost. What > was the raw material of her body? > > >", "mention the following equation in a novel/short story: > > (Direct Cost /", "letters? Italics? > > First variable to tackle: Direct Cost/direct cost* or Direct", "> At last. Owna had calculated the Direct Cost/direct cost. Now she had", "had calculated the Direct Cost/direct cost. Now she had to deal with the", "I format that in narration? In capital letters? Italics? > > First variable", "of her body? > > > (...) > > > At last. Owna", "100 > > > How should I format that in narration? In capital", "> > First variable to tackle: Direct Cost/direct cost or Direct Material Cost/direct", "cost or Direct Material Cost/direct material cost. What > was the raw material", "I mention the following equation in a novel/short story: > > (Direct Cost", "Italics? > > First variable to tackle: Direct Cost/direct cost or Direct Material", "that in narration? In capital letters? Italics? > > First variable to tackle:", "was the raw material of her body? > > > (...) > >", "- Desired Profit)) \\* 100 > > > How should I format that", "> (...) > > > At last. Owna had calculated the Direct Cost/direct", "narration? In capital letters? Italics? > > First variable to tackle: Direct Cost/direct", "to tackle: Direct Cost/direct cost or Direct Material Cost/direct material cost. What >", "her body? > > > (...) > > > At last. Owna had", "> > > (...) > > > At last. Owna had calculated the", "tackle: Direct Cost/direct cost or Direct Material Cost/direct material cost. What > was", "Cost / (100 - Desired Profit)) \\* 100 > > > How should", "In capital letters? Italics? > > First variable to tackle: Direct Cost/direct cost", "story: > > (Direct Cost / (100 - Desired Profit)) \\* 100 >", "Now she had to deal with the Desired Profit/desired profit. > > >", "\\* 100 > > > How should I format that in narration? In", "(...) > > > At last. Owna had calculated the Direct Cost/direct cost.", "variable to tackle: Direct Cost/direct cost or Direct Material Cost/direct material cost. What", "or Direct Material Cost/direct material cost. What > was the raw material of", "capital letters? Italics? > > First variable to tackle: Direct Cost/direct cost or", "in a novel/short story: > > (Direct Cost / (100 - Desired Profit))", "> > > How should I format that in narration? In capital letters?", "Material Cost/direct material cost. What > was the raw material of her body?", "Owna had calculated the Direct Cost/direct cost. Now she had to deal with", "> (Direct Cost / (100 - Desired Profit)) \\* 100 > > >", "Cost/direct cost or Direct Material Cost/direct material cost. What > was the raw", "Direct Cost/direct cost. Now she had to deal with the Desired Profit/desired profit.", "> > How should I format that in narration? In capital letters? Italics?", "At last. Owna had calculated the Direct Cost/direct cost. Now she had to", "format that in narration? In capital letters? Italics? > > First variable to", "(100 - Desired Profit)) \\* 100 > > > How should I format", "> First variable to tackle: Direct Cost/direct cost or Direct Material Cost/direct material", "> > > At last. Owna had calculated the Direct Cost/direct cost*. Now" ]
[ "I'm interested in doing nearly as often as I do. Most of it", "and it hasn't been my primary profession for a couple of years now.", "nearly as often as I do. Most of it just ends up in", "not something I'm interested in doing nearly as often as I do. Most", "level for several years. A lot of it basically fell into my lap,", "and redirect but that can derail me and make me lose momentum. Writing", "a couple of years now. I have some projects now that I'm interested", "through it occasionally helps, but it can also end up just kind of", "I've noticed that a lot of my side projects quickly descend into metafiction.", "on an amateur level for several years. A lot of it basically fell", "the bin on the first editing pass. The issue is that it sucks", "but I find it pretty off-putting in texts on the level I'm producing.", "me lose momentum. Writing through it occasionally helps, but it can also end", "find it pretty off-putting in texts on the level I'm producing. It's certainly", "been my primary profession for a couple of years now. I have some", "into my lap, and it hasn't been my primary profession for a couple", "of it just ends up in the bin on the first editing pass.", "I find it pretty off-putting in texts on the level I'm producing. It's", "now. I have some projects now that I'm interested in and working on", "producing. It's certainly not something I'm interested in doing nearly as often as", "but I've noticed that a lot of my side projects quickly descend into", "it can also end up just kind of spiraling. Does anyone has any", "projects now that I'm interested in and working on in my off time,", "I've been trying to stop it and redirect but that can derail me", "momentum. Writing through it occasionally helps, but it can also end up just", "as I do. Most of it just ends up in the bin on", "professionally and on an amateur level for several years. A lot of it", "up just kind of spiraling. Does anyone has any advice for working on", "certainly not something I'm interested in doing nearly as often as I do.", "kind of spiraling. Does anyone has any advice for working on reducing or", "the level I'm producing. It's certainly not something I'm interested in doing nearly", "lap, and it hasn't been my primary profession for a couple of years", "profession for a couple of years now. I have some projects now that", "valuable writing time. I've been trying to stop it and redirect but that", "have some projects now that I'm interested in and working on in my", "my side projects quickly descend into metafiction. That's something I love when used", "just kind of spiraling. Does anyone has any advice for working on reducing", "working on in my off time, but I've noticed that a lot of", "interested in and working on in my off time, but I've noticed that", "and working on in my off time, but I've noticed that a lot", "off time, but I've noticed that a lot of my side projects quickly", "something I'm interested in doing nearly as often as I do. Most of", "of years now. I have some projects now that I'm interested in and", "of it basically fell into my lap, and it hasn't been my primary", "occasionally helps, but it can also end up just kind of spiraling. Does", "do. Most of it just ends up in the bin on the first", "is that it sucks up valuable writing time. I've been trying to stop", "years. A lot of it basically fell into my lap, and it hasn't", "been trying to stop it and redirect but that can derail me and", "issue is that it sucks up valuable writing time. I've been trying to", "trying to stop it and redirect but that can derail me and make", "that it sucks up valuable writing time. I've been trying to stop it", "make me lose momentum. Writing through it occasionally helps, but it can also", "in my off time, but I've noticed that a lot of my side", "I love when used by great writers, but I find it pretty off-putting", "bin on the first editing pass. The issue is that it sucks up", "I'm interested in and working on in my off time, but I've noticed", "on the level I'm producing. It's certainly not something I'm interested in doing", "by great writers, but I find it pretty off-putting in texts on the", "editing pass. The issue is that it sucks up valuable writing time. I've", "I have written both professionally and on an amateur level for several years.", "derail me and make me lose momentum. Writing through it occasionally helps, but", "in texts on the level I'm producing. It's certainly not something I'm interested", "the first editing pass. The issue is that it sucks up valuable writing", "both professionally and on an amateur level for several years. A lot of", "but that can derail me and make me lose momentum. Writing through it", "it and redirect but that can derail me and make me lose momentum.", "pass. The issue is that it sucks up valuable writing time. I've been", "time. I've been trying to stop it and redirect but that can derail", "off-putting in texts on the level I'm producing. It's certainly not something I'm", "ends up in the bin on the first editing pass. The issue is", "spiraling. Does anyone has any advice for working on reducing or mitigating this", "It's certainly not something I'm interested in doing nearly as often as I", "I have some projects now that I'm interested in and working on in", "I do. Most of it just ends up in the bin on the", "an amateur level for several years. A lot of it basically fell into", "when used by great writers, but I find it pretty off-putting in texts", "it just ends up in the bin on the first editing pass. The", "noticed that a lot of my side projects quickly descend into metafiction. That's", "can derail me and make me lose momentum. Writing through it occasionally helps,", "lose momentum. Writing through it occasionally helps, but it can also end up", "for a couple of years now. I have some projects now that I'm", "time, but I've noticed that a lot of my side projects quickly descend", "used by great writers, but I find it pretty off-putting in texts on", "my lap, and it hasn't been my primary profession for a couple of", "it hasn't been my primary profession for a couple of years now. I", "A lot of it basically fell into my lap, and it hasn't been", "first editing pass. The issue is that it sucks up valuable writing time.", "any advice for working on reducing or mitigating this sort of self-indulgent tendency?", "texts on the level I'm producing. It's certainly not something I'm interested in", "Does anyone has any advice for working on reducing or mitigating this sort", "quickly descend into metafiction. That's something I love when used by great writers,", "and make me lose momentum. Writing through it occasionally helps, but it can", "lot of it basically fell into my lap, and it hasn't been my", "stop it and redirect but that can derail me and make me lose", "The issue is that it sucks up valuable writing time. I've been trying", "Writing through it occasionally helps, but it can also end up just kind", "doing nearly as often as I do. Most of it just ends up", "a lot of my side projects quickly descend into metafiction. That's something I", "writing time. I've been trying to stop it and redirect but that can", "several years. A lot of it basically fell into my lap, and it", "hasn't been my primary profession for a couple of years now. I have", "in and working on in my off time, but I've noticed that a", "now that I'm interested in and working on in my off time, but", "that a lot of my side projects quickly descend into metafiction. That's something", "projects quickly descend into metafiction. That's something I love when used by great", "anyone has any advice for working on reducing or mitigating this sort of", "often as I do. Most of it just ends up in the bin", "great writers, but I find it pretty off-putting in texts on the level", "just ends up in the bin on the first editing pass. The issue", "also end up just kind of spiraling. Does anyone has any advice for", "my primary profession for a couple of years now. I have some projects", "end up just kind of spiraling. Does anyone has any advice for working", "has any advice for working on reducing or mitigating this sort of self-indulgent", "level I'm producing. It's certainly not something I'm interested in doing nearly as", "and on an amateur level for several years. A lot of it basically", "up in the bin on the first editing pass. The issue is that", "years now. I have some projects now that I'm interested in and working", "fell into my lap, and it hasn't been my primary profession for a", "for several years. A lot of it basically fell into my lap, and", "as often as I do. Most of it just ends up in the", "it occasionally helps, but it can also end up just kind of spiraling.", "That's something I love when used by great writers, but I find it", "it basically fell into my lap, and it hasn't been my primary profession", "written both professionally and on an amateur level for several years. A lot", "it pretty off-putting in texts on the level I'm producing. It's certainly not", "on the first editing pass. The issue is that it sucks up valuable", "that can derail me and make me lose momentum. Writing through it occasionally", "of spiraling. Does anyone has any advice for working on reducing or mitigating", "sucks up valuable writing time. I've been trying to stop it and redirect", "metafiction. That's something I love when used by great writers, but I find", "helps, but it can also end up just kind of spiraling. Does anyone", "side projects quickly descend into metafiction. That's something I love when used by", "me and make me lose momentum. Writing through it occasionally helps, but it", "up valuable writing time. I've been trying to stop it and redirect but", "couple of years now. I have some projects now that I'm interested in", "on in my off time, but I've noticed that a lot of my", "my off time, but I've noticed that a lot of my side projects", "descend into metafiction. That's something I love when used by great writers, but", "that I'm interested in and working on in my off time, but I've", "love when used by great writers, but I find it pretty off-putting in", "amateur level for several years. A lot of it basically fell into my", "some projects now that I'm interested in and working on in my off", "of my side projects quickly descend into metafiction. That's something I love when", "lot of my side projects quickly descend into metafiction. That's something I love", "I'm producing. It's certainly not something I'm interested in doing nearly as often", "writers, but I find it pretty off-putting in texts on the level I'm", "in the bin on the first editing pass. The issue is that it", "it sucks up valuable writing time. I've been trying to stop it and", "in doing nearly as often as I do. Most of it just ends", "primary profession for a couple of years now. I have some projects now", "redirect but that can derail me and make me lose momentum. Writing through", "interested in doing nearly as often as I do. Most of it just", "have written both professionally and on an amateur level for several years. A", "basically fell into my lap, and it hasn't been my primary profession for", "can also end up just kind of spiraling. Does anyone has any advice", "to stop it and redirect but that can derail me and make me", "Most of it just ends up in the bin on the first editing", "pretty off-putting in texts on the level I'm producing. It's certainly not something", "something I love when used by great writers, but I find it pretty", "into metafiction. That's something I love when used by great writers, but I", "but it can also end up just kind of spiraling. Does anyone has" ]
[ "fifteen year old girl) grew a very different personality than I'd initially designed", "a lot of my plot no longer makes sense in light of these", "elements from this first attempt? Also, does anyone have any general advice for", "girl) grew a very different personality than I'd initially designed her and I'm", "their personalities. One character in particular (a traumatised fifteen year old girl) grew", "personalities. One character in particular (a traumatised fifteen year old girl) grew a", "from this first attempt? Also, does anyone have any general advice for this", "my plot no longer makes sense in light of these character changes. Given", "I'd initially designed her and I'm very proud of the result. There is", "by adapting the story around my evolved characters, or start again and write", "to develop their personalities. One character in particular (a traumatised fifteen year old", "characters, or start again and write a different story and include the best", "write a different story and include the best elements from this first attempt?", "or start again and write a different story and include the best elements", "the best elements from this first attempt? Also, does anyone have any general", "include the best elements from this first attempt? Also, does anyone have any", "(and perhaps not very interesting), I'm faced with a decision: Should I salvage", "not very interesting), I'm faced with a decision: Should I salvage my work", "no longer makes sense in light of these character changes. Given that my", "basic (and perhaps not very interesting), I'm faced with a decision: Should I", "around my evolved characters, or start again and write a different story and", "that my initial plot was quite basic (and perhaps not very interesting), I'm", "initially designed her and I'm very proud of the result. There is now", "plot was quite basic (and perhaps not very interesting), I'm faced with a", "longer makes sense in light of these character changes. Given that my initial", "evolved characters, or start again and write a different story and include the", "grew a very different personality than I'd initially designed her and I'm very", "her and I'm very proud of the result. There is now a ripple", "particular (a traumatised fifteen year old girl) grew a very different personality than", "Should I salvage my work by adapting the story around my evolved characters,", "fantasy story (80,000 words so far) I had a pretty strong outline prepared.", "old girl) grew a very different personality than I'd initially designed her and", "my plot, I wrote relatively organically and my characters started to develop their", "strong outline prepared. Within the structure of my plot, I wrote relatively organically", "the structure of my plot, I wrote relatively organically and my characters started", "quite basic (and perhaps not very interesting), I'm faced with a decision: Should", "a ripple effect whereby a lot of my plot no longer makes sense", "One character in particular (a traumatised fifteen year old girl) grew a very", "decision: Should I salvage my work by adapting the story around my evolved", "interesting), I'm faced with a decision: Should I salvage my work by adapting", "in particular (a traumatised fifteen year old girl) grew a very different personality", "first attempt? Also, does anyone have any general advice for this kind of", "attempt? Also, does anyone have any general advice for this kind of situation?", "and I'm very proud of the result. There is now a ripple effect", "started to develop their personalities. One character in particular (a traumatised fifteen year", "proud of the result. There is now a ripple effect whereby a lot", "ripple effect whereby a lot of my plot no longer makes sense in", "writing my fantasy story (80,000 words so far) I had a pretty strong", "relatively organically and my characters started to develop their personalities. One character in", "light of these character changes. Given that my initial plot was quite basic", "my work by adapting the story around my evolved characters, or start again", "my characters started to develop their personalities. One character in particular (a traumatised", "character changes. Given that my initial plot was quite basic (and perhaps not", "best elements from this first attempt? Also, does anyone have any general advice", "faced with a decision: Should I salvage my work by adapting the story", "story (80,000 words so far) I had a pretty strong outline prepared. Within", "again and write a different story and include the best elements from this", "I'm very proud of the result. There is now a ripple effect whereby", "initial plot was quite basic (and perhaps not very interesting), I'm faced with", "lot of my plot no longer makes sense in light of these character", "traumatised fifteen year old girl) grew a very different personality than I'd initially", "character in particular (a traumatised fifteen year old girl) grew a very different", "organically and my characters started to develop their personalities. One character in particular", "with a decision: Should I salvage my work by adapting the story around", "pretty strong outline prepared. Within the structure of my plot, I wrote relatively", "plot, I wrote relatively organically and my characters started to develop their personalities.", "changes. Given that my initial plot was quite basic (and perhaps not very", "a different story and include the best elements from this first attempt? Also,", "characters started to develop their personalities. One character in particular (a traumatised fifteen", "is now a ripple effect whereby a lot of my plot no longer", "of my plot, I wrote relatively organically and my characters started to develop", "was quite basic (and perhaps not very interesting), I'm faced with a decision:", "(80,000 words so far) I had a pretty strong outline prepared. Within the", "whereby a lot of my plot no longer makes sense in light of", "(a traumatised fifteen year old girl) grew a very different personality than I'd", "of the result. There is now a ripple effect whereby a lot of", "my initial plot was quite basic (and perhaps not very interesting), I'm faced", "develop their personalities. One character in particular (a traumatised fifteen year old girl)", "perhaps not very interesting), I'm faced with a decision: Should I salvage my", "wrote relatively organically and my characters started to develop their personalities. One character", "now a ripple effect whereby a lot of my plot no longer makes", "of my plot no longer makes sense in light of these character changes.", "work by adapting the story around my evolved characters, or start again and", "story around my evolved characters, or start again and write a different story", "year old girl) grew a very different personality than I'd initially designed her", "a pretty strong outline prepared. Within the structure of my plot, I wrote", "of these character changes. Given that my initial plot was quite basic (and", "the story around my evolved characters, or start again and write a different", "sense in light of these character changes. Given that my initial plot was", "salvage my work by adapting the story around my evolved characters, or start", "personality than I'd initially designed her and I'm very proud of the result.", "effect whereby a lot of my plot no longer makes sense in light", "plot no longer makes sense in light of these character changes. Given that", "Given that my initial plot was quite basic (and perhaps not very interesting),", "the result. There is now a ripple effect whereby a lot of my", "structure of my plot, I wrote relatively organically and my characters started to", "I wrote relatively organically and my characters started to develop their personalities. One", "my fantasy story (80,000 words so far) I had a pretty strong outline", "result. There is now a ripple effect whereby a lot of my plot", "had a pretty strong outline prepared. Within the structure of my plot, I", "I started writing my fantasy story (80,000 words so far) I had a", "very proud of the result. There is now a ripple effect whereby a", "I salvage my work by adapting the story around my evolved characters, or", "start again and write a different story and include the best elements from", "and write a different story and include the best elements from this first", "a very different personality than I'd initially designed her and I'm very proud", "adapting the story around my evolved characters, or start again and write a", "than I'd initially designed her and I'm very proud of the result. There", "a decision: Should I salvage my work by adapting the story around my", "so far) I had a pretty strong outline prepared. Within the structure of", "different personality than I'd initially designed her and I'm very proud of the", "makes sense in light of these character changes. Given that my initial plot", "far) I had a pretty strong outline prepared. Within the structure of my", "different story and include the best elements from this first attempt? Also, does", "words so far) I had a pretty strong outline prepared. Within the structure", "prepared. Within the structure of my plot, I wrote relatively organically and my", "There is now a ripple effect whereby a lot of my plot no", "very interesting), I'm faced with a decision: Should I salvage my work by", "Within the structure of my plot, I wrote relatively organically and my characters", "my evolved characters, or start again and write a different story and include", "and include the best elements from this first attempt? Also, does anyone have", "in light of these character changes. Given that my initial plot was quite", "and my characters started to develop their personalities. One character in particular (a", "outline prepared. Within the structure of my plot, I wrote relatively organically and", "this first attempt? Also, does anyone have any general advice for this kind", "story and include the best elements from this first attempt? Also, does anyone", "I'm faced with a decision: Should I salvage my work by adapting the", "started writing my fantasy story (80,000 words so far) I had a pretty", "Before I started writing my fantasy story (80,000 words so far) I had", "these character changes. Given that my initial plot was quite basic (and perhaps", "I had a pretty strong outline prepared. Within the structure of my plot,", "designed her and I'm very proud of the result. There is now a", "very different personality than I'd initially designed her and I'm very proud of" ]
[ "doesn't really have friends, just people she smokes with, and she isn't close", "story, but are making it hard for me to add other characters that", "amounts of time she spends lost in her head are integral to the", "just people she smokes with, and she isn't close with her family. The", "her head are integral to the story, but are making it hard for", "to the site, so please let me know if I'm not following proper", "adding in characters that can be developed, because the protagonist doesn't really have", "if I'm not following proper format or etiquette.* I am beginning a story", "in her head are integral to the story, but are making it hard", "proper format or etiquette.* I am beginning a story (only 4,000 words so", "4,000 words so far). I am having trouble adding in characters that can", "The loneliness she feels and the amounts of time she spends lost in", "isn't close with her family. The loneliness she feels and the amounts of", "but are making it hard for me to add other characters that I", "(only 4,000 words so far). I am having trouble adding in characters that", "the amounts of time she spends lost in her head are integral to", "please let me know if I'm not following proper format or etiquette.* I", "I am having trouble adding in characters that can be developed, because the", "having trouble adding in characters that can be developed, because the protagonist doesn't", "are making it hard for me to add other characters that I can", "are integral to the story, but are making it hard for me to", "that can be developed, because the protagonist doesn't really have friends, just people", "far). I am having trouble adding in characters that can be developed, because", "smokes with, and she isn't close with her family. The loneliness she feels", "for me to add other characters that I can develop past being two-dimensional.", "site, so please let me know if I'm not following proper format or", "so please let me know if I'm not following proper format or etiquette.", "it hard for me to add other characters that I can develop past", "not following proper format or etiquette. I am beginning a story (only 4,000", "beginning a story (only 4,000 words so far). I am having trouble adding", "people she smokes with, and she isn't close with her family. The loneliness", "her family. The loneliness she feels and the amounts of time she spends", "loneliness she feels and the amounts of time she spends lost in her", "can be developed, because the protagonist doesn't really have friends, just people she", "head are integral to the story, but are making it hard for me", "new to the site, so please let me know if I'm not following", "or etiquette.* I am beginning a story (only 4,000 words so far). I", "so far). I am having trouble adding in characters that can be developed,", "she smokes with, and she isn't close with her family. The loneliness she", "etiquette.* I am beginning a story (only 4,000 words so far). I am", "and the amounts of time she spends lost in her head are integral", "words so far). I am having trouble adding in characters that can be", "she spends lost in her head are integral to the story, but are", "I'm not following proper format or etiquette.* I am beginning a story (only", "a story (only 4,000 words so far). I am having trouble adding in", "she isn't close with her family. The loneliness she feels and the amounts", "friends, just people she smokes with, and she isn't close with her family.", "feels and the amounts of time she spends lost in her head are", "am new to the site, so please let me know if I'm not", "in characters that can be developed, because the protagonist doesn't really have friends,", "really have friends, just people she smokes with, and she isn't close with", "following proper format or etiquette.* I am beginning a story (only 4,000 words", "be developed, because the protagonist doesn't really have friends, just people she smokes", "the protagonist doesn't really have friends, just people she smokes with, and she", "making it hard for me to add other characters that I can develop", "with, and she isn't close with her family. The loneliness she feels and", "to the story, but are making it hard for me to add other", "with her family. The loneliness she feels and the amounts of time she", "the story, but are making it hard for me to add other characters", "me know if I'm not following proper format or etiquette.* I am beginning", "protagonist doesn't really have friends, just people she smokes with, and she isn't", "time she spends lost in her head are integral to the story, but", "of time she spends lost in her head are integral to the story,", "developed, because the protagonist doesn't really have friends, just people she smokes with,", "let me know if I'm not following proper format or etiquette.* I am", "because the protagonist doesn't really have friends, just people she smokes with, and", "characters that can be developed, because the protagonist doesn't really have friends, just", "know if I'm not following proper format or etiquette.* I am beginning a", "she feels and the amounts of time she spends lost in her head", "am having trouble adding in characters that can be developed, because the protagonist", "spends lost in her head are integral to the story, but are making", "hard for me to add other characters that I can develop past being", "trouble adding in characters that can be developed, because the protagonist doesn't really", "format or etiquette.* I am beginning a story (only 4,000 words so far).", "the site, so please let me know if I'm not following proper format", "am beginning a story (only 4,000 words so far). I am having trouble", "lost in her head are integral to the story, but are making it", "I am beginning a story (only 4,000 words so far). I am having", "have friends, just people she smokes with, and she isn't close with her", "and she isn't close with her family. The loneliness she feels and the", "family. The loneliness she feels and the amounts of time she spends lost", "*I am new to the site, so please let me know if I'm", "integral to the story, but are making it hard for me to add", "story (only 4,000 words so far). I am having trouble adding in characters", "close with her family. The loneliness she feels and the amounts of time" ]
[ "With 5000+ markets what strategies and tactics have you found useful to pinpoint", "found useful to pinpoint your submissions and find new markets to publish your", "pinpoint your submissions and find new markets to publish your work more efficiently", "what strategies and tactics have you found useful to pinpoint your submissions and", "have you found useful to pinpoint your submissions and find new markets to", "to pinpoint your submissions and find new markets to publish your work more", "your submissions and find new markets to publish your work more efficiently than", "new markets to publish your work more efficiently than Duotrope's basic search function?", "tactics have you found useful to pinpoint your submissions and find new markets", "and find new markets to publish your work more efficiently than Duotrope's basic", "find new markets to publish your work more efficiently than Duotrope's basic search", "submissions and find new markets to publish your work more efficiently than Duotrope's", "and tactics have you found useful to pinpoint your submissions and find new", "useful to pinpoint your submissions and find new markets to publish your work", "5000+ markets what strategies and tactics have you found useful to pinpoint your", "you found useful to pinpoint your submissions and find new markets to publish", "markets what strategies and tactics have you found useful to pinpoint your submissions", "strategies and tactics have you found useful to pinpoint your submissions and find" ]
[ "on the character, but I would like to get some tips and insights", "decision would force on the character, but I would like to get some", "would like to get some tips and insights on raising the stakes and", "it a genuinely difficult decision for the character. I have some ideas about", "and heightening the reader's interest in the decision. Any resources on the topic", "tension and makes the protagonist's choice too easy. I would like to raise", "the decision. Any resources on the topic or examples of short fiction that", "and insights on raising the stakes and heightening the reader's interest in the", "some ideas about sacrifices that this decision would force on the character, but", "I would like to get some tips and insights on raising the stakes", "heightening the reader's interest in the decision. Any resources on the topic or", "I would like to raise the stakes and make it a genuinely difficult", "the character, but I would like to get some tips and insights on", "make it a genuinely difficult decision for the character. I have some ideas", "raising the stakes and heightening the reader's interest in the decision. Any resources", "in the decision. Any resources on the topic or examples of short fiction", "win-win situation for the protagonist – there is a downside to the decision,", "would like to raise the stakes and make it a genuinely difficult decision", "story in which the story's climax revolves around the protagonist making and carrying", "revolves around the protagonist making and carrying out a decision to take action.", "set up is a win-win situation for the protagonist – there is a", "decision. Any resources on the topic or examples of short fiction that does", "to take action. I have come to realise that the decision I originally", "a win-win situation for the protagonist – there is a downside to the", "and makes the protagonist's choice too easy. I would like to raise the", "character. I have some ideas about sacrifices that this decision would force on", "personal to the protagonist, which drains out the tension and makes the protagonist's", "have some ideas about sacrifices that this decision would force on the character,", "but I would like to get some tips and insights on raising the", "come to realise that the decision I originally set up is a win-win", "on raising the stakes and heightening the reader's interest in the decision. Any", "get some tips and insights on raising the stakes and heightening the reader's", "easy. I would like to raise the stakes and make it a genuinely", "originally set up is a win-win situation for the protagonist – there is", "it's not personal to the protagonist, which drains out the tension and makes", "out a decision to take action. I have come to realise that the", "decision I originally set up is a win-win situation for the protagonist –", "story's climax revolves around the protagonist making and carrying out a decision to", "action. I have come to realise that the decision I originally set up", "to get some tips and insights on raising the stakes and heightening the", "the reader's interest in the decision. Any resources on the topic or examples", "the character. I have some ideas about sacrifices that this decision would force", "the tension and makes the protagonist's choice too easy. I would like to", "and make it a genuinely difficult decision for the character. I have some", "reader's interest in the decision. Any resources on the topic or examples of", "drains out the tension and makes the protagonist's choice too easy. I would", "to raise the stakes and make it a genuinely difficult decision for the", "decision to take action. I have come to realise that the decision I", "short story in which the story's climax revolves around the protagonist making and", "that the decision I originally set up is a win-win situation for the", "carrying out a decision to take action. I have come to realise that", "interest in the decision. Any resources on the topic or examples of short", "that this decision would force on the character, but I would like to", "decision, but it's not personal to the protagonist, which drains out the tension", "not personal to the protagonist, which drains out the tension and makes the", "stakes and make it a genuinely difficult decision for the character. I have", "the protagonist, which drains out the tension and makes the protagonist's choice too", "protagonist making and carrying out a decision to take action. I have come", "or examples of short fiction that does this well would be very much", "currently writing a short story in which the story's climax revolves around the", "on the topic or examples of short fiction that does this well would", "character, but I would like to get some tips and insights on raising", "realise that the decision I originally set up is a win-win situation for", "the story's climax revolves around the protagonist making and carrying out a decision", "for the character. I have some ideas about sacrifices that this decision would", "resources on the topic or examples of short fiction that does this well", "this decision would force on the character, but I would like to get", "I am currently writing a short story in which the story's climax revolves", "out the tension and makes the protagonist's choice too easy. I would like", "difficult decision for the character. I have some ideas about sacrifices that this", "tips and insights on raising the stakes and heightening the reader's interest in", "the protagonist's choice too easy. I would like to raise the stakes and", "I have come to realise that the decision I originally set up is", "climax revolves around the protagonist making and carrying out a decision to take", "decision for the character. I have some ideas about sacrifices that this decision", "in which the story's climax revolves around the protagonist making and carrying out", "I have some ideas about sacrifices that this decision would force on the", "ideas about sacrifices that this decision would force on the character, but I", "around the protagonist making and carrying out a decision to take action. I", "the decision, but it's not personal to the protagonist, which drains out the", "which drains out the tension and makes the protagonist's choice too easy. I", "insights on raising the stakes and heightening the reader's interest in the decision.", "stakes and heightening the reader's interest in the decision. Any resources on the", "but it's not personal to the protagonist, which drains out the tension and", "situation for the protagonist – there is a downside to the decision, but", "have come to realise that the decision I originally set up is a", "protagonist's choice too easy. I would like to raise the stakes and make", "a decision to take action. I have come to realise that the decision", "choice too easy. I would like to raise the stakes and make it", "the stakes and heightening the reader's interest in the decision. Any resources on", "is a win-win situation for the protagonist – there is a downside to", "would force on the character, but I would like to get some tips", "protagonist, which drains out the tension and makes the protagonist's choice too easy.", "force on the character, but I would like to get some tips and", "making and carrying out a decision to take action. I have come to", "sacrifices that this decision would force on the character, but I would like", "like to raise the stakes and make it a genuinely difficult decision for", "there is a downside to the decision, but it's not personal to the", "to the decision, but it's not personal to the protagonist, which drains out", "up is a win-win situation for the protagonist – there is a downside", "Any resources on the topic or examples of short fiction that does this", "protagonist – there is a downside to the decision, but it's not personal", "a short story in which the story's climax revolves around the protagonist making", "too easy. I would like to raise the stakes and make it a", "I originally set up is a win-win situation for the protagonist – there", "the decision I originally set up is a win-win situation for the protagonist", "genuinely difficult decision for the character. I have some ideas about sacrifices that", "about sacrifices that this decision would force on the character, but I would", "some tips and insights on raising the stakes and heightening the reader's interest", "the protagonist making and carrying out a decision to take action. I have", "is a downside to the decision, but it's not personal to the protagonist,", "which the story's climax revolves around the protagonist making and carrying out a", "a genuinely difficult decision for the character. I have some ideas about sacrifices", "the protagonist – there is a downside to the decision, but it's not", "to the protagonist, which drains out the tension and makes the protagonist's choice", "topic or examples of short fiction that does this well would be very", "writing a short story in which the story's climax revolves around the protagonist", "am currently writing a short story in which the story's climax revolves around", "the stakes and make it a genuinely difficult decision for the character. I", "for the protagonist – there is a downside to the decision, but it's", "– there is a downside to the decision, but it's not personal to", "downside to the decision, but it's not personal to the protagonist, which drains", "raise the stakes and make it a genuinely difficult decision for the character.", "the topic or examples of short fiction that does this well would be", "like to get some tips and insights on raising the stakes and heightening", "a downside to the decision, but it's not personal to the protagonist, which", "take action. I have come to realise that the decision I originally set", "to realise that the decision I originally set up is a win-win situation", "examples of short fiction that does this well would be very much appreciated!", "makes the protagonist's choice too easy. I would like to raise the stakes", "and carrying out a decision to take action. I have come to realise" ]
[ "the moments before, during and after the moment when the writer lost his", "So the story has 5 big subjects in the same story: the writer's", "two journeys), and the writer's depression, in which all five will be written", "and the writer's depression, in which all five will be written in depth.", "five will be written in depth. Now I ask: is a single story,", "a journey to revive her, how was his relation to her since they", "subjects, \"too crowded\" or \"too unfocused\"? If yes, is it that bad? Because", "\"too crowded\" or \"too unfocused\"? If yes, is it that bad? Because if", "if I remove his life, the setting would be shallow; if I remove", "her since they met for the first time, along with a symbolically precise", "story, he doesn't just show the sub-story protagonist having his wife killed, but", "relation (romance) with his wife, the writer's wishes (the sub-story protagonist's two journeys),", "very good big content from the story; if I remove his wishes, the", "having his wife killed, but also going into a journey to revive her,", "journey to revive her, how was his relation to her since they met", "would end just after he loses his wife. So, in this case, what", "just after he loses his wife. So, in this case, what would you", "it that bad? Because if I remove his romance, there wouldn't be a", "journeys), and the writer's depression, in which all five will be written in", "his romance, there wouldn't be a reason for the public to care for", "with his depression. He would also have the option to go in another", "It would also show the moments before, during and after the moment when", "be shallow; if I remove his depression symbolism, it would be a great", "in some way. It would also show the moments before, during and after", "written in depth. Now I ask: is a single story, having 5 deep", "public to care for his wife; if I remove his life, the setting", "in which all five will be written in depth. Now I ask: is", "be a reason for the public to care for his wife; if I", "same story: the writer's life, the writer's relation (romance) with his wife, the", "that bad? Because if I remove his romance, there wouldn't be a reason", "remove his depression symbolism, it would be a great opportunity lost and would", "sub-story protagonist's two journeys), and the writer's depression, in which all five will", "yank a very good big content from the story; if I remove his", "setting would be shallow; if I remove his depression symbolism, it would be", "5 big subjects in the same story: the writer's life, the writer's relation", "bad? Because if I remove his romance, there wouldn't be a reason for", "He would also have the option to go in another journey to either", "for the first time, along with a symbolically precise view of how the", "the story; if I remove his wishes, the story would end just after", "view of how the writer feels when with his depression. He would also", "journey to either revenge his wife's death or just \"take measures\" in some", "having 5 deep subjects, \"too crowded\" or \"too unfocused\"? If yes, is it", "writer lost his wife (in the \"real\" world). So the story has 5", "story: the writer's life, the writer's relation (romance) with his wife, the writer's", "opportunity lost and would yank a very good big content from the story;", "first time, along with a symbolically precise view of how the writer feels", "also going into a journey to revive her, how was his relation to", "death or just \"take measures\" in some way. It would also show the", "to care for his wife; if I remove his life, the setting would", "his life story in a symbolical fantasy world. Throughout the story, he doesn't", "(the sub-story protagonist's two journeys), and the writer's depression, in which all five", "big content from the story; if I remove his wishes, the story would", "symbolically precise view of how the writer feels when with his depression. He", "remove his life, the setting would be shallow; if I remove his depression", "symbolism, it would be a great opportunity lost and would yank a very", "the writer lost his wife (in the \"real\" world). So the story has", "protagonist having his wife killed, but also going into a journey to revive", "wife (in the \"real\" world). So the story has 5 big subjects in", "the writer's wishes (the sub-story protagonist's two journeys), and the writer's depression, in", "writing is a framed story where a recurring-depression-suffering writer that lost his wife", "his depression symbolism, it would be a great opportunity lost and would yank", "the writer's depression, in which all five will be written in depth. Now", "there wouldn't be a reason for the public to care for his wife;", "if I remove his wishes, the story would end just after he loses", "moments before, during and after the moment when the writer lost his wife", "when the writer lost his wife (in the \"real\" world). So the story", "is a single story, having 5 deep subjects, \"too crowded\" or \"too unfocused\"?", "the setting would be shallow; if I remove his depression symbolism, it would", "currently writing is a framed story where a recurring-depression-suffering writer that lost his", "wife killed, but also going into a journey to revive her, how was", "depth. Now I ask: is a single story, having 5 deep subjects, \"too", "if I remove his romance, there wouldn't be a reason for the public", "writer's relation (romance) with his wife, the writer's wishes (the sub-story protagonist's two", "content from the story; if I remove his wishes, the story would end", "how the writer feels when with his depression. He would also have the", "would also show the moments before, during and after the moment when the", "his wife [killed] in a war tells his life story in a symbolical", "would be shallow; if I remove his depression symbolism, it would be a", "was his relation to her since they met for the first time, along", "war tells his life story in a symbolical fantasy world. Throughout the story,", "a great opportunity lost and would yank a very good big content from", "wishes, the story would end just after he loses his wife. So, in", "the story has 5 big subjects in the same story: the writer's life,", "Now I ask: is a single story, having 5 deep subjects, \"too crowded\"", "feels when with his depression. He would also have the option to go", "lost his wife (in the \"real\" world). So the story has 5 big", "story would end just after he loses his wife. So, in this case,", "great opportunity lost and would yank a very good big content from the", "end just after he loses his wife. So, in this case, what would", "for his wife; if I remove his life, the setting would be shallow;", "recurring-depression-suffering writer that lost his wife [killed] in a war tells his life", "subjects in the same story: the writer's life, the writer's relation (romance) with", "I remove his life, the setting would be shallow; if I remove his", "his depression. He would also have the option to go in another journey", "also have the option to go in another journey to either revenge his", "his wife killed, but also going into a journey to revive her, how", "protagonist's two journeys), and the writer's depression, in which all five will be", "to go in another journey to either revenge his wife's death or just", "when with his depression. He would also have the option to go in", "would also have the option to go in another journey to either revenge", "his life, the setting would be shallow; if I remove his depression symbolism,", "also show the moments before, during and after the moment when the writer", "wife, the writer's wishes (the sub-story protagonist's two journeys), and the writer's depression,", "has 5 big subjects in the same story: the writer's life, the writer's", "ask: is a single story, having 5 deep subjects, \"too crowded\" or \"too", "where a recurring-depression-suffering writer that lost his wife [killed] in a war tells", "his wife, the writer's wishes (the sub-story protagonist's two journeys), and the writer's", "I remove his romance, there wouldn't be a reason for the public to", "wife's death or just \"take measures\" in some way. It would also show", "a recurring-depression-suffering writer that lost his wife [killed] in a war tells his", "depression. He would also have the option to go in another journey to", "\"real\" world). So the story has 5 big subjects in the same story:", "romance, there wouldn't be a reason for the public to care for his", "writer's depression, in which all five will be written in depth. Now I", "her, how was his relation to her since they met for the first", "show the moments before, during and after the moment when the writer lost", "another journey to either revenge his wife's death or just \"take measures\" in", "a war tells his life story in a symbolical fantasy world. Throughout the", "world). So the story has 5 big subjects in the same story: the", "story in a symbolical fantasy world. Throughout the story, he doesn't just show", "to her since they met for the first time, along with a symbolically", "some way. It would also show the moments before, during and after the", "or \"too unfocused\"? If yes, is it that bad? Because if I remove", "and would yank a very good big content from the story; if I", "a single story, having 5 deep subjects, \"too crowded\" or \"too unfocused\"? If", "remove his romance, there wouldn't be a reason for the public to care", "(in the \"real\" world). So the story has 5 big subjects in the", "just show the sub-story protagonist having his wife killed, but also going into", "the \"real\" world). So the story has 5 big subjects in the same", "which all five will be written in depth. Now I ask: is a", "\"too unfocused\"? If yes, is it that bad? Because if I remove his", "yes, is it that bad? Because if I remove his romance, there wouldn't", "during and after the moment when the writer lost his wife (in the", "be written in depth. Now I ask: is a single story, having 5", "deep subjects, \"too crowded\" or \"too unfocused\"? If yes, is it that bad?", "wife; if I remove his life, the setting would be shallow; if I", "the sub-story protagonist having his wife killed, but also going into a journey", "revenge his wife's death or just \"take measures\" in some way. It would", "with a symbolically precise view of how the writer feels when with his", "show the sub-story protagonist having his wife killed, but also going into a", "tells his life story in a symbolical fantasy world. Throughout the story, he", "he loses his wife. So, in this case, what would you guys say", "go in another journey to either revenge his wife's death or just \"take", "or just \"take measures\" in some way. It would also show the moments", "the first time, along with a symbolically precise view of how the writer", "wouldn't be a reason for the public to care for his wife; if", "lost and would yank a very good big content from the story; if", "but also going into a journey to revive her, how was his relation", "his wife. So, in this case, what would you guys say about this?", "would yank a very good big content from the story; if I remove", "unfocused\"? If yes, is it that bad? Because if I remove his romance,", "time, along with a symbolically precise view of how the writer feels when", "all five will be written in depth. Now I ask: is a single", "story, having 5 deep subjects, \"too crowded\" or \"too unfocused\"? If yes, is", "If yes, is it that bad? Because if I remove his romance, there", "I remove his wishes, the story would end just after he loses his", "be a great opportunity lost and would yank a very good big content", "option to go in another journey to either revenge his wife's death or", "moment when the writer lost his wife (in the \"real\" world). So the", "is it that bad? Because if I remove his romance, there wouldn't be", "the same story: the writer's life, the writer's relation (romance) with his wife,", "the public to care for his wife; if I remove his life, the", "met for the first time, along with a symbolically precise view of how", "writer feels when with his depression. He would also have the option to", "to either revenge his wife's death or just \"take measures\" in some way.", "either revenge his wife's death or just \"take measures\" in some way. It", "the story, he doesn't just show the sub-story protagonist having his wife killed,", "the writer's relation (romance) with his wife, the writer's wishes (the sub-story protagonist's", "he doesn't just show the sub-story protagonist having his wife killed, but also", "wishes (the sub-story protagonist's two journeys), and the writer's depression, in which all", "after the moment when the writer lost his wife (in the \"real\" world).", "depression symbolism, it would be a great opportunity lost and would yank a", "sub-story protagonist having his wife killed, but also going into a journey to", "big subjects in the same story: the writer's life, the writer's relation (romance)", "his wishes, the story would end just after he loses his wife. So,", "symbolical fantasy world. Throughout the story, he doesn't just show the sub-story protagonist", "way. It would also show the moments before, during and after the moment", "before, during and after the moment when the writer lost his wife (in", "is a framed story where a recurring-depression-suffering writer that lost his wife [killed]", "killed, but also going into a journey to revive her, how was his", "life story in a symbolical fantasy world. Throughout the story, he doesn't just", "his relation to her since they met for the first time, along with", "his wife's death or just \"take measures\" in some way. It would also", "the moment when the writer lost his wife (in the \"real\" world). So", "remove his wishes, the story would end just after he loses his wife.", "The story I'm currently writing is a framed story where a recurring-depression-suffering writer", "the story would end just after he loses his wife. So, in this", "single story, having 5 deep subjects, \"too crowded\" or \"too unfocused\"? If yes,", "the writer's life, the writer's relation (romance) with his wife, the writer's wishes", "(romance) with his wife, the writer's wishes (the sub-story protagonist's two journeys), and", "Throughout the story, he doesn't just show the sub-story protagonist having his wife", "reason for the public to care for his wife; if I remove his", "life, the setting would be shallow; if I remove his depression symbolism, it", "story I'm currently writing is a framed story where a recurring-depression-suffering writer that", "from the story; if I remove his wishes, the story would end just", "in a symbolical fantasy world. Throughout the story, he doesn't just show the", "revive her, how was his relation to her since they met for the", "would be a great opportunity lost and would yank a very good big", "writer's wishes (the sub-story protagonist's two journeys), and the writer's depression, in which", "will be written in depth. Now I ask: is a single story, having", "a reason for the public to care for his wife; if I remove", "to revive her, how was his relation to her since they met for", "a framed story where a recurring-depression-suffering writer that lost his wife [killed] in", "since they met for the first time, along with a symbolically precise view", "story has 5 big subjects in the same story: the writer's life, the", "Because if I remove his romance, there wouldn't be a reason for the", "shallow; if I remove his depression symbolism, it would be a great opportunity", "a very good big content from the story; if I remove his wishes,", "going into a journey to revive her, how was his relation to her", "framed story where a recurring-depression-suffering writer that lost his wife [killed] in a", "the writer feels when with his depression. He would also have the option", "a symbolically precise view of how the writer feels when with his depression.", "have the option to go in another journey to either revenge his wife's", "relation to her since they met for the first time, along with a", "\"take measures\" in some way. It would also show the moments before, during", "writer that lost his wife [killed] in a war tells his life story", "fantasy world. Throughout the story, he doesn't just show the sub-story protagonist having", "in the same story: the writer's life, the writer's relation (romance) with his", "along with a symbolically precise view of how the writer feels when with", "I ask: is a single story, having 5 deep subjects, \"too crowded\" or", "it would be a great opportunity lost and would yank a very good", "world. Throughout the story, he doesn't just show the sub-story protagonist having his", "just \"take measures\" in some way. It would also show the moments before,", "in depth. Now I ask: is a single story, having 5 deep subjects,", "life, the writer's relation (romance) with his wife, the writer's wishes (the sub-story", "they met for the first time, along with a symbolically precise view of", "and after the moment when the writer lost his wife (in the \"real\"", "crowded\" or \"too unfocused\"? If yes, is it that bad? Because if I", "if I remove his depression symbolism, it would be a great opportunity lost", "after he loses his wife. So, in this case, what would you guys", "for the public to care for his wife; if I remove his life,", "I'm currently writing is a framed story where a recurring-depression-suffering writer that lost", "wife [killed] in a war tells his life story in a symbolical fantasy", "5 deep subjects, \"too crowded\" or \"too unfocused\"? If yes, is it that", "good big content from the story; if I remove his wishes, the story", "that lost his wife [killed] in a war tells his life story in", "a symbolical fantasy world. Throughout the story, he doesn't just show the sub-story", "precise view of how the writer feels when with his depression. He would", "measures\" in some way. It would also show the moments before, during and", "his wife (in the \"real\" world). So the story has 5 big subjects", "his wife; if I remove his life, the setting would be shallow; if", "story; if I remove his wishes, the story would end just after he", "loses his wife. So, in this case, what would you guys say about", "[killed] in a war tells his life story in a symbolical fantasy world.", "of how the writer feels when with his depression. He would also have", "care for his wife; if I remove his life, the setting would be", "I remove his depression symbolism, it would be a great opportunity lost and", "in a war tells his life story in a symbolical fantasy world. Throughout", "depression, in which all five will be written in depth. Now I ask:", "the option to go in another journey to either revenge his wife's death", "how was his relation to her since they met for the first time,", "lost his wife [killed] in a war tells his life story in a", "in another journey to either revenge his wife's death or just \"take measures\"", "with his wife, the writer's wishes (the sub-story protagonist's two journeys), and the", "writer's life, the writer's relation (romance) with his wife, the writer's wishes (the", "doesn't just show the sub-story protagonist having his wife killed, but also going", "into a journey to revive her, how was his relation to her since", "story where a recurring-depression-suffering writer that lost his wife [killed] in a war" ]
[ "secondary school in my book. Can I do this? Are there precautions I", "school in my book. Can I do this? Are there precautions I can", "precautions I can take if I do? What are my options? Should I", "take if I do? What are my options? Should I contact the school", "Are there precautions I can take if I do? What are my options?", "I can take if I do? What are my options? Should I contact", "in my book. Can I do this? Are there precautions I can take", "do not know if I can use a real secondary school in my", "if I can use a real secondary school in my book. Can I", "I have done a lot of research I still do not know if", "Although I have done a lot of research I still do not know", "lot of research I still do not know if I can use a", "have done a lot of research I still do not know if I", "real secondary school in my book. Can I do this? Are there precautions", "a real secondary school in my book. Can I do this? Are there", "of research I still do not know if I can use a real", "done a lot of research I still do not know if I can", "I can use a real secondary school in my book. Can I do", "this? Are there precautions I can take if I do? What are my", "I do this? Are there precautions I can take if I do? What", "use a real secondary school in my book. Can I do this? Are", "not know if I can use a real secondary school in my book.", "Can I do this? Are there precautions I can take if I do?", "if I do? What are my options? Should I contact the school and", "a lot of research I still do not know if I can use", "I still do not know if I can use a real secondary school", "can use a real secondary school in my book. Can I do this?", "book. Can I do this? Are there precautions I can take if I", "do this? Are there precautions I can take if I do? What are", "my book. Can I do this? Are there precautions I can take if", "there precautions I can take if I do? What are my options? Should", "research I still do not know if I can use a real secondary", "I do? What are my options? Should I contact the school and ask?", "still do not know if I can use a real secondary school in", "can take if I do? What are my options? Should I contact the", "know if I can use a real secondary school in my book. Can" ]
[ "was absolutely right. That was the first time I understood that when there", "was after all both an academic and a medical doctor. I must admit", "all both an academic and a medical doctor. I must admit I was", "double dose of bad writing habits: academese and medicalese. Just write simply may", "Yet others suggest scientists are naturals at storytelling since we make a living", "fictional piece but I am presenting real science. The first few chapters teach", "concise format. But, writers HATE to delete their hard-crafted passages. Most of us", "issue, Mmicwbon was after all both an academic and a medical doctor. I", "that will be used throughout the book, hopefully in a clear, concise format.", "to discover why I was never impressed by his presentation of science; it", "that one of the characters was supposed to turn on a nuclear device,", "to turn itself on automatically, and the character has to turn it off.", "because Mmicwbon actually didn't initially write the Andromeda Strain in its final version.", "of the characters was supposed to turn on a nuclear device, and there", "you’ve got this ending backwards. (He’s married to an actress, and he has", "a nuclear device, and there was suspense about whether or not that would", "wrong in writing, the chances are that there is either too much of", "or that it is in some way backwards.* > <https://www.theparisreview.org/interviews/1760/robert-gottlieb-the-art-of-editing-no-1-robert-gottlieb> > > >", "up and said, Well, this is good, now you only have to rewrite", "exhausted. He said to me, Dear boy, you’ve got this ending backwards. (He’s", "a universal issue, Mmicwbon was after all both an academic and a medical", "itself on automatically, and the character has to turn it off. He was", "reason it isn't good science is because Mmicwbon actually didn't initially write the", "narrative designed to convince others: <http://venpopov.com/2017/01/09/all-scientists-should-be-storytellers/> Surely, this isn't a universal issue, Mmicwbon", "HATE to delete their hard-crafted passages. Most of us cannot afford a New", "it was, but I had it so that one of the characters was", "completely rewrite it. I gulped and said OK. He gave me his feelings", "story and made Mmicwbon rewrite the story several times until it suited Gottlieb's", "that means I am bedeviled with a double dose of bad writing habits:", "it if I would agree to completely rewrite it. I gulped and said", "the book to begin in what was then the middle, and fill in", "book, hopefully in a clear, concise format. But, writers HATE to delete their", "device, and there was suspense about whether or not that would happen. Bob", "quick. Anyway, I rewrote it completely. He called me up and said, Well,", "of it, or that it is in some way backwards.* > <https://www.theparisreview.org/interviews/1760/robert-gottlieb-the-art-of-editing-no-1-robert-gottlieb> >", "make a living translating raw data into a narrative designed to convince others:", "first time I understood that when there is something wrong in writing, the", "in writing, the chances are that there is either too much of it,", "The Andromeda Strain—the first book I did for him—in 1968 he said he", "have previously mentioned in other posts that I was a molecular biologist and", "the way it was, but I had it so that one of the", "story several times until it suited Gottlieb's taste. Here is what Mmicwbon stated", "is a real and possibly incurable condition: <http://stevenpinker.com/files/pinker/files/why_academics_stink_at_writing.pdf> Yet others suggest scientists are", "nuclear device, and there was suspense about whether or not that would happen.", "I rewrote it completely. He called me up and said, Well, this is", "a medical doctor. I must admit I was surprised to discover why I", "and said OK. He gave me his feelings about what had to happen", "the response of many to this post. But, this is a real and", "cannot afford a New York City editor. How are we to know what", "Andromeda Strain in its final version. His editor, Robert Gottlieb, rejected the story", "on a nuclear device, and there was suspense about whether or not that", "did for him—in 1968 he said he would publish it if I would", "Gottlieb, rejected the story and made Mmicwbon rewrite the story several times until", "or not that would happen. Bob said, No, no, the switch has to", "has to turn it off. He was absolutely right. That was the first", "are that there is either too much of it, too little of it,", "that I was a molecular biologist and ICU nurse. Sadly, that means I", "a real and possibly incurable condition: <http://stevenpinker.com/files/pinker/files/why_academics_stink_at_writing.pdf> Yet others suggest scientists are naturals", "> <https://www.theparisreview.org/interviews/1760/robert-gottlieb-the-art-of-editing-no-1-robert-gottlieb> > > > My novel is a fictional piece but I", "York City editor. How are we to know what sections most readers skip", "good science is because Mmicwbon actually didn't initially write the Andromeda Strain in", "data into a narrative designed to convince others: <http://venpopov.com/2017/01/09/all-scientists-should-be-storytellers/> Surely, this isn't a", "he said he would publish it if I would agree to completely rewrite", "impressed by his presentation of science; it seemed way to simplified or even", "an actress, and he has a very theatrical manner. He calls me “dear", "fill in the material from the beginning sometime later on. > Finally we", "shape. I was just completely exhausted. He said to me, Dear boy, you’ve", "is in some way backwards.* > <https://www.theparisreview.org/interviews/1760/robert-gottlieb-the-art-of-editing-no-1-robert-gottlieb> > > > My novel is", "it. I gulped and said OK. He gave me his feelings about what", "the phone, in about twenty minutes. He was very quick. 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Most of us cannot afford a New York City", "either too much of it, too little of it, or that it is", "Dear boy, you’ve got this ending backwards. (He’s married to an actress, and", "to know what sections most readers skip and therefore are best deleted to", "know what sections most readers skip and therefore are best deleted to maintain", "and fill in the material from the beginning sometime later on. > Finally", "in about twenty minutes. He was very quick. Anyway, I rewrote it completely.", "in a clear, concise format. But, writers HATE to delete their hard-crafted passages.", "and a medical doctor. I must admit I was surprised to discover why", "of The Andromeda Strain—the first book I did for him—in 1968 he said", "bedeviled with a double dose of bad writing habits: academese and medicalese. Just", "editor. How are we to know what sections most readers skip and therefore", "Finally we had the manuscript in some kind of shape. I was just", "I am bedeviled with a double dose of bad writing habits: academese and", "was never impressed by his presentation of science; it seemed way to simplified", "that when there is something wrong in writing, the chances are that there", "what sections most readers skip and therefore are best deleted to maintain the", "manner. He calls me “dear boy,” like an English actor might do.) I", "<https://www.theparisreview.org/interviews/1760/robert-gottlieb-the-art-of-editing-no-1-robert-gottlieb> > > > My novel is a fictional piece but I am", "a draft of The Andromeda Strain—the first book I did for him—in 1968", "clear, concise format. But, writers HATE to delete their hard-crafted passages. Most of", "Gottlieb's taste. Here is what Mmicwbon stated about the editing: > > When", "whether or not that would happen. Bob said, No, no, the switch has", "turn on a nuclear device, and there was suspense about whether or not", "was the first time I understood that when there is something wrong in", "principles that will be used throughout the book, hopefully in a clear, concise", "But, this is a real and possibly incurable condition: <http://stevenpinker.com/files/pinker/files/why_academics_stink_at_writing.pdf> Yet others suggest", "this is a real and possibly incurable condition: <http://stevenpinker.com/files/pinker/files/why_academics_stink_at_writing.pdf> Yet others suggest scientists", "was very quick. Anyway, I rewrote it completely. He called me up and", "was a molecular biologist and ICU nurse. Sadly, that means I am bedeviled", "to an actress, and he has a very theatrical manner. He calls me", "Sadly, that means I am bedeviled with a double dose of bad writing", "some way backwards.* > <https://www.theparisreview.org/interviews/1760/robert-gottlieb-the-art-of-editing-no-1-robert-gottlieb> > > > My novel is a fictional", "to this post. But, this is a real and possibly incurable condition: <http://stevenpinker.com/files/pinker/files/why_academics_stink_at_writing.pdf>", "He gave me his feelings about what had to happen on the phone,", "happen. Bob said, No, no, the switch has to turn itself on automatically,", "I sent Bob a draft of The Andromeda Strain—the first book I did", "of it. Again, he told me what needed to happen—for the book to", "in some way backwards.* > <https://www.theparisreview.org/interviews/1760/robert-gottlieb-the-art-of-editing-no-1-robert-gottlieb> > > > My novel is a", "said to me, Dear boy, you’ve got this ending backwards. (He’s married to", "of us cannot afford a New York City editor. How are we to", "be the response of many to this post. But, this is a real", "him—in 1968 he said he would publish it if I would agree to", "what Mmicwbon stated about the editing: > > When I sent Bob a", "Bob a draft of The Andromeda Strain—the first book I did for him—in", "to rewrite half of it. Again, he told me what needed to happen—for", "said he would publish it if I would agree to completely rewrite it.", "the chances are that there is either too much of it, too little", "why I was never impressed by his presentation of science; it seemed way", "sections most readers skip and therefore are best deleted to maintain the rapid", "City editor. How are we to know what sections most readers skip and", "must admit I was surprised to discover why I was never impressed by", "Here is what Mmicwbon stated about the editing: > > When I sent", "to happen—for the book to begin in what was then the middle, and", "the material from the beginning sometime later on. > Finally we had the", "said, No, no, the switch has to turn itself on automatically, and the", "called me up and said, Well, this is good, now you only have", "actress, and he has a very theatrical manner. He calls me “dear boy,”", "and medicalese. Just write simply may be the response of many to this", "until it suited Gottlieb's taste. Here is what Mmicwbon stated about the editing:", "translating raw data into a narrative designed to convince others: <http://venpopov.com/2017/01/09/all-scientists-should-be-storytellers/> Surely, this", "He was absolutely right. That was the first time I understood that when", "there is either too much of it, too little of it, or that", "times until it suited Gottlieb's taste. Here is what Mmicwbon stated about the", "happen on the phone, in about twenty minutes. He was very quick. Anyway,", "it so that one of the characters was supposed to turn on a", "academic and a medical doctor. I must admit I was surprised to discover", "publish it if I would agree to completely rewrite it. I gulped and", "hard-crafted passages. Most of us cannot afford a New York City editor. How", "gave me his feelings about what had to happen on the phone, in", "isn't a universal issue, Mmicwbon was after all both an academic and a", "I was never impressed by his presentation of science; it seemed way to", "for him—in 1968 he said he would publish it if I would agree", "I understood that when there is something wrong in writing, the chances are", "the middle, and fill in the material from the beginning sometime later on.", "Surely, this isn't a universal issue, Mmicwbon was after all both an academic", "I would agree to completely rewrite it. I gulped and said OK. He", "like an English actor might do.) I don’t remember exactly the way it", "Harvard trained medical doctor.The reason it isn't good science is because Mmicwbon actually", "he told me what needed to happen—for the book to begin in what", "it seemed way to simplified or even wrong to be written by a", "married to an actress, and he has a very theatrical manner. He calls", "admit I was surprised to discover why I was never impressed by his", "> Finally we had the manuscript in some kind of shape. I was", "editing: > > When I sent Bob a draft of The Andromeda Strain—the", "skip and therefore are best deleted to maintain the rapid pace needed in", "in what was then the middle, and fill in the material from the", "an English actor might do.) I don’t remember exactly the way it was,", "from the beginning sometime later on. > Finally we had the manuscript in", "afford a New York City editor. How are we to know what sections", "too little of it, or that it is in some way backwards. >", "was supposed to turn on a nuclear device, and there was suspense about", "storytelling since we make a living translating raw data into a narrative designed", "nurse. Sadly, that means I am bedeviled with a double dose of bad", "me up and said, Well, this is good, now you only have to", "When I sent Bob a draft of The Andromeda Strain—the first book I", "manuscript in some kind of shape. I was just completely exhausted. He said", "Bob said, No, no, the switch has to turn itself on automatically, and", "would happen. Bob said, No, no, the switch has to turn itself on", "it is in some way backwards. > <https://www.theparisreview.org/interviews/1760/robert-gottlieb-the-art-of-editing-no-1-robert-gottlieb> > > > My novel", "good, now you only have to rewrite half of it. Again, he told", "surprised to discover why I was never impressed by his presentation of science;", "feelings about what had to happen on the phone, in about twenty minutes.", "biologist and ICU nurse. Sadly, that means I am bedeviled with a double", "in the material from the beginning sometime later on. > Finally we had", "minutes. He was very quick. Anyway, I rewrote it completely. He called me", "format. But, writers HATE to delete their hard-crafted passages. Most of us cannot", "Again, he told me what needed to happen—for the book to begin in", "when there is something wrong in writing, the chances are that there is", "completely. He called me up and said, Well, this is good, now you", "there is something wrong in writing, the chances are that there is either", "said, Well, this is good, now you only have to rewrite half of", "and possibly incurable condition: <http://stevenpinker.com/files/pinker/files/why_academics_stink_at_writing.pdf> Yet others suggest scientists are naturals at storytelling", "few chapters teach actual science principles that will be used throughout the book,", "said OK. He gave me his feelings about what had to happen on", "way it was, but I had it so that one of the characters", "in other posts that I was a molecular biologist and ICU nurse. Sadly,", "bad writing habits: academese and medicalese. Just write simply may be the response", "rejected the story and made Mmicwbon rewrite the story several times until it", "you only have to rewrite half of it. Again, he told me what", "to begin in what was then the middle, and fill in the material", "calls me “dear boy,” like an English actor might do.) I don’t remember", "initially write the Andromeda Strain in its final version. His editor, Robert Gottlieb,", "that would happen. Bob said, No, no, the switch has to turn itself", "the book, hopefully in a clear, concise format. But, writers HATE to delete", "boy, you’ve got this ending backwards. (He’s married to an actress, and he", "book to begin in what was then the middle, and fill in the", "to turn it off. He was absolutely right. That was the first time" ]
[ "and therefore should be found ineligible for special education. So, after quoting the", "Please help me find a good simile for this situation. Context: the document", "the word \"distortion,\" and this time I want to say it with a", "is in the word \"passing.\" Student B was actually earning all A's and", "been declining, he is still passing his courses... and therefore should be found", "tired of the word \"distortion,\" and this time I want to say it", "her final year at School #1, her symptoms were sufficiently severe that she", "word \"passing.\" Student B was actually earning all A's and B's. But the", "at all and required homebound instruction. > > > The distortion is in", "in the word \"passing.\" Student B was actually earning all A's and B's.", "that although Student A's grades have been declining, he is still passing his", "during her final year at School #1, her symptoms were sufficiently severe that", "argues that Student A did not experience a significant academic decline when he", "So, after quoting the specific passage from the court decision about the \"A's", "B's. But the author of the document finds it expedient to call the", "instruction. > > > The distortion is in the word \"passing.\" Student B", "the specific passage from the court decision about the \"A's and B's,\" I", "in the document she argues that Student A did not experience a significant", "unable to attend public high school at all and required homebound instruction. >", "> The court determined that Student B exhibited adverse educational impact because notwithstanding", "to attend public high school at all and required homebound instruction. > >", "all A's and B's. But the author of the document finds it expedient", "it with a simile. Please help me find a good simile for this", "impact because notwithstanding her passing grades, during her final year at School #1,", "although Student A's grades have been declining, he is still passing his courses...", "persuasive argument in rebuttal of a specific document. I'm tired of the word", "say it with a simile. Please help me find a good simile for", "\"passing.\" Student B was actually earning all A's and B's. But the author", "when he went from a 3.8 gpa to a 2.2. So she harps", "for special education. So, after quoting the specific passage from the court decision", "specific passage from the court decision about the \"A's and B's,\" I want", "find a good simile for this situation. Context: the document I'm rebutting states", "went from a 3.8 gpa to a 2.2. So she harps on the", "help me find a good simile for this situation. Context: the document I'm", "earning all A's and B's. But the author of the document finds it", "B's,\" I want to say > > Calling such grades “passing” is like", "say > > Calling such grades “passing” is like ... > > >", "a significant academic decline when he went from a 3.8 gpa to a", "a persuasive argument in rebuttal of a specific document. I'm tired of the", "grades “passing” is like ... > > > and that's where I need", "and B's,\" I want to say > > Calling such grades “passing” is", "am writing a persuasive argument in rebuttal of a specific document. I'm tired", "the document I'm rebutting states > > The court determined that Student B", "was unable to attend public high school at all and required homebound instruction.", "the grades \"passing\" because elsewhere in the document she argues that Student A", "rebuttal of a specific document. I'm tired of the word \"distortion,\" and this", "decline when he went from a 3.8 gpa to a 2.2. So she", "and B's. But the author of the document finds it expedient to call", "A's grades have been declining, he is still passing his courses... and therefore", "school at all and required homebound instruction. > > > The distortion is", "argument in rebuttal of a specific document. I'm tired of the word \"distortion,\"", "document. I'm tired of the word \"distortion,\" and this time I want to", "she harps on the fact that although Student A's grades have been declining,", "this situation. Context: the document I'm rebutting states > > The court determined", "from a 3.8 gpa to a 2.2. So she harps on the fact", "because notwithstanding her passing grades, during her final year at School #1, her", "at School #1, her symptoms were sufficiently severe that she was unable to", "of the document finds it expedient to call the grades \"passing\" because elsewhere", "this time I want to say it with a simile. Please help me", "But the author of the document finds it expedient to call the grades", "be found ineligible for special education. So, after quoting the specific passage from", "still passing his courses... and therefore should be found ineligible for special education.", "it expedient to call the grades \"passing\" because elsewhere in the document she", "expedient to call the grades \"passing\" because elsewhere in the document she argues", "from the court decision about the \"A's and B's,\" I want to say", "grades \"passing\" because elsewhere in the document she argues that Student A did", "\"passing\" because elsewhere in the document she argues that Student A did not", "I want to say > > Calling such grades “passing” is like ...", "he is still passing his courses... and therefore should be found ineligible for", "in rebuttal of a specific document. I'm tired of the word \"distortion,\" and", "final year at School #1, her symptoms were sufficiently severe that she was", "not experience a significant academic decline when he went from a 3.8 gpa", "therefore should be found ineligible for special education. So, after quoting the specific", "simile. Please help me find a good simile for this situation. Context: the", "3.8 gpa to a 2.2. So she harps on the fact that although", "sufficiently severe that she was unable to attend public high school at all", "states > > The court determined that Student B exhibited adverse educational impact", "actually earning all A's and B's. But the author of the document finds", "Calling such grades “passing” is like ... > > > and that's where", "experience a significant academic decline when he went from a 3.8 gpa to", "document I'm rebutting states > > The court determined that Student B exhibited", "education. So, after quoting the specific passage from the court decision about the", "decision about the \"A's and B's,\" I want to say > > Calling", "exhibited adverse educational impact because notwithstanding her passing grades, during her final year", "passing grades, during her final year at School #1, her symptoms were sufficiently", "simile for this situation. Context: the document I'm rebutting states > > The", "and required homebound instruction. > > > The distortion is in the word", "author of the document finds it expedient to call the grades \"passing\" because", "I'm rebutting states > > The court determined that Student B exhibited adverse", "to say it with a simile. Please help me find a good simile", "his courses... and therefore should be found ineligible for special education. So, after", "I am writing a persuasive argument in rebuttal of a specific document. I'm", "that she was unable to attend public high school at all and required", "finds it expedient to call the grades \"passing\" because elsewhere in the document", "document she argues that Student A did not experience a significant academic decline", "> > > The distortion is in the word \"passing.\" Student B was", "document finds it expedient to call the grades \"passing\" because elsewhere in the", "determined that Student B exhibited adverse educational impact because notwithstanding her passing grades,", "> The distortion is in the word \"passing.\" Student B was actually earning", "because elsewhere in the document she argues that Student A did not experience", "> Calling such grades “passing” is like ... > > > and that's", "\"distortion,\" and this time I want to say it with a simile. Please", "were sufficiently severe that she was unable to attend public high school at", "passing his courses... and therefore should be found ineligible for special education. So,", "time I want to say it with a simile. Please help me find", "significant academic decline when he went from a 3.8 gpa to a 2.2.", "grades, during her final year at School #1, her symptoms were sufficiently severe", "academic decline when he went from a 3.8 gpa to a 2.2. So", "a 2.2. So she harps on the fact that although Student A's grades", "she was unable to attend public high school at all and required homebound", "> > The distortion is in the word \"passing.\" Student B was actually", "required homebound instruction. > > > The distortion is in the word \"passing.\"", "to call the grades \"passing\" because elsewhere in the document she argues that", "should be found ineligible for special education. So, after quoting the specific passage", "high school at all and required homebound instruction. > > > The distortion", "\"A's and B's,\" I want to say > > Calling such grades “passing”", "is still passing his courses... and therefore should be found ineligible for special", "and this time I want to say it with a simile. Please help", "courses... and therefore should be found ineligible for special education. So, after quoting", "passage from the court decision about the \"A's and B's,\" I want to", "want to say > > Calling such grades “passing” is like ... >", "for this situation. Context: the document I'm rebutting states > > The court", "a specific document. I'm tired of the word \"distortion,\" and this time I", "that Student B exhibited adverse educational impact because notwithstanding her passing grades, during", "fact that although Student A's grades have been declining, he is still passing", "he went from a 3.8 gpa to a 2.2. So she harps on", "word \"distortion,\" and this time I want to say it with a simile.", "public high school at all and required homebound instruction. > > > The", "grades have been declining, he is still passing his courses... and therefore should", "adverse educational impact because notwithstanding her passing grades, during her final year at", "year at School #1, her symptoms were sufficiently severe that she was unable", "School #1, her symptoms were sufficiently severe that she was unable to attend", "gpa to a 2.2. So she harps on the fact that although Student", "quoting the specific passage from the court decision about the \"A's and B's,\"", "good simile for this situation. Context: the document I'm rebutting states > >", "on the fact that although Student A's grades have been declining, he is", "2.2. So she harps on the fact that although Student A's grades have", "So she harps on the fact that although Student A's grades have been", "about the \"A's and B's,\" I want to say > > Calling such", "of a specific document. I'm tired of the word \"distortion,\" and this time", "a simile. Please help me find a good simile for this situation. Context:", "#1, her symptoms were sufficiently severe that she was unable to attend public", "did not experience a significant academic decline when he went from a 3.8", "homebound instruction. > > > The distortion is in the word \"passing.\" Student", "me find a good simile for this situation. Context: the document I'm rebutting", "her passing grades, during her final year at School #1, her symptoms were", "all and required homebound instruction. > > > The distortion is in the", "after quoting the specific passage from the court decision about the \"A's and", "rebutting states > > The court determined that Student B exhibited adverse educational", "B exhibited adverse educational impact because notwithstanding her passing grades, during her final", "call the grades \"passing\" because elsewhere in the document she argues that Student", "the word \"passing.\" Student B was actually earning all A's and B's. But", "the document she argues that Student A did not experience a significant academic", "Student B was actually earning all A's and B's. But the author of", "The court determined that Student B exhibited adverse educational impact because notwithstanding her", "symptoms were sufficiently severe that she was unable to attend public high school", "specific document. I'm tired of the word \"distortion,\" and this time I want", "I'm tired of the word \"distortion,\" and this time I want to say", "> > The court determined that Student B exhibited adverse educational impact because", "A's and B's. But the author of the document finds it expedient to", "harps on the fact that although Student A's grades have been declining, he", "Context: the document I'm rebutting states > > The court determined that Student", "the author of the document finds it expedient to call the grades \"passing\"", "her symptoms were sufficiently severe that she was unable to attend public high", "> > Calling such grades “passing” is like ... > > > and", "with a simile. Please help me find a good simile for this situation.", "is like ... > > > and that's where I need a good", "she argues that Student A did not experience a significant academic decline when", "want to say it with a simile. Please help me find a good", "Student A did not experience a significant academic decline when he went from", "the \"A's and B's,\" I want to say > > Calling such grades", "special education. So, after quoting the specific passage from the court decision about", "I want to say it with a simile. Please help me find a", "the court decision about the \"A's and B's,\" I want to say >", "notwithstanding her passing grades, during her final year at School #1, her symptoms", "The distortion is in the word \"passing.\" Student B was actually earning all", "of the word \"distortion,\" and this time I want to say it with", "that Student A did not experience a significant academic decline when he went", "“passing” is like ... > > > and that's where I need a", "educational impact because notwithstanding her passing grades, during her final year at School", "the document finds it expedient to call the grades \"passing\" because elsewhere in", "have been declining, he is still passing his courses... and therefore should be", "court determined that Student B exhibited adverse educational impact because notwithstanding her passing", "A did not experience a significant academic decline when he went from a", "a 3.8 gpa to a 2.2. So she harps on the fact that", "writing a persuasive argument in rebuttal of a specific document. I'm tired of", "like ... > > > and that's where I need a good simile.", "B was actually earning all A's and B's. But the author of the", "Student B exhibited adverse educational impact because notwithstanding her passing grades, during her", "severe that she was unable to attend public high school at all and", "Student A's grades have been declining, he is still passing his courses... and", "declining, he is still passing his courses... and therefore should be found ineligible", "a good simile for this situation. Context: the document I'm rebutting states >", "situation. Context: the document I'm rebutting states > > The court determined that", "found ineligible for special education. So, after quoting the specific passage from the", "such grades “passing” is like ... > > > and that's where I", "to say > > Calling such grades “passing” is like ... > >", "ineligible for special education. So, after quoting the specific passage from the court", "court decision about the \"A's and B's,\" I want to say > >", "was actually earning all A's and B's. But the author of the document", "elsewhere in the document she argues that Student A did not experience a", "to a 2.2. So she harps on the fact that although Student A's", "the fact that although Student A's grades have been declining, he is still", "distortion is in the word \"passing.\" Student B was actually earning all A's", "attend public high school at all and required homebound instruction. > > >" ]
[ "10,000 words that I decided to edit out after writing it. I wrote", "in a treasury, and then having something else later found in a treasury?", "just have it in the treasury all along and skip out about 10,000", "along and skip out about 10,000 words that I decided to edit out", "-------- > > Is it bad writing to say, have an event that", "wrote a chapter to the writing yesterday morning but deleted all of it", "I wrote a chapter where a book housing a specific missing chapter was", "deleted all of it yesterday and replaced it with something else. Why? Because", "treasury. As you can tell, it's super ultra convenient to just have it", "in my writing I wrote a chapter where a book housing a specific", "found in a treasury. I decided that considering I already used the convenient", "the convenient treasury find, I would make the characters go on the mission", "item. Question -------- > > Is it bad writing to say, have an", "event that is repeated? For my example, having something found in a treasury,", "> > Is it bad writing to say, have an event that is", "book housing a specific missing chapter was found in a treasury. As you", "something found in a treasury, and then having something else later found in", "all along and skip out about 10,000 words that I decided to edit", "found in a treasury, and then having something else later found in a", "for book 1 to get the important plot item. Question -------- > >", "find, I would make the characters go on the mission I planned for", "to get the important plot item. Question -------- > > Is it bad", "on the mission I planned for book 1 to get the important plot", "have an event that is repeated? For my example, having something found in", "that I decided to edit out after writing it. I wrote a chapter", "already used the convenient treasury find, I would make the characters go on", "where a book housing a specific missing chapter was found in a treasury.", "writing it. I wrote a chapter to the writing yesterday morning but deleted", "book 1 to get the important plot item. Question -------- > > Is", "about 10,000 words that I decided to edit out after writing it. I", "having something found in a treasury, and then having something else later found", "housing a specific missing chapter was found in a treasury. As you can", "it's super ultra convenient to just have it in the treasury all along", "---------- So, long ago in my writing I wrote a chapter where a", "it in the treasury all along and skip out about 10,000 words that", "would make the characters go on the mission I planned for book 1", "all of it yesterday and replaced it with something else. Why? Because I", "but deleted all of it yesterday and replaced it with something else. Why?", "tell, it's super ultra convenient to just have it in the treasury all", "important plot item. Question -------- > > Is it bad writing to say,", "writing yesterday morning but deleted all of it yesterday and replaced it with", "is repeated? For my example, having something found in a treasury, and then", "morning but deleted all of it yesterday and replaced it with something else.", "yesterday morning but deleted all of it yesterday and replaced it with something", "long ago in my writing I wrote a chapter where a book housing", "really conveniently found in a treasury. I decided that considering I already used", "a treasury. I decided that considering I already used the convenient treasury find,", "the treasury all along and skip out about 10,000 words that I decided", "chapter was found in a treasury. As you can tell, it's super ultra", "you can tell, it's super ultra convenient to just have it in the", "conveniently found in a treasury. I decided that considering I already used the", "1 to get the important plot item. Question -------- > > Is it", "the writing yesterday morning but deleted all of it yesterday and replaced it", "can tell, it's super ultra convenient to just have it in the treasury", "decided that considering I already used the convenient treasury find, I would make", "that considering I already used the convenient treasury find, I would make the", "a specific missing chapter was found in a treasury. As you can tell,", "writing I wrote a chapter where a book housing a specific missing chapter", "make the characters go on the mission I planned for book 1 to", "else really conveniently found in a treasury. I decided that considering I already", "ago in my writing I wrote a chapter where a book housing a", "my example, having something found in a treasury, and then having something else", "yesterday and replaced it with something else. Why? Because I was making something", "found in a treasury. As you can tell, it's super ultra convenient to", "of it yesterday and replaced it with something else. Why? Because I was", "characters go on the mission I planned for book 1 to get the", "in the treasury all along and skip out about 10,000 words that I", "writing to say, have an event that is repeated? For my example, having", "out after writing it. I wrote a chapter to the writing yesterday morning", "Because I was making something else really conveniently found in a treasury. I", "Is it bad writing to say, have an event that is repeated? For", "it yesterday and replaced it with something else. Why? Because I was making", "was making something else really conveniently found in a treasury. I decided that", "So, long ago in my writing I wrote a chapter where a book", "the mission I planned for book 1 to get the important plot item.", "after writing it. I wrote a chapter to the writing yesterday morning but", "with something else. Why? Because I was making something else really conveniently found", "specific missing chapter was found in a treasury. As you can tell, it's", "in a treasury. As you can tell, it's super ultra convenient to just", "ultra convenient to just have it in the treasury all along and skip", "chapter to the writing yesterday morning but deleted all of it yesterday and", "get the important plot item. Question -------- > > Is it bad writing", "super ultra convenient to just have it in the treasury all along and", "have it in the treasury all along and skip out about 10,000 words", "Background ---------- So, long ago in my writing I wrote a chapter where", "Question -------- > > Is it bad writing to say, have an event", "As you can tell, it's super ultra convenient to just have it in", "a treasury, and then having something else later found in a treasury? >", "treasury find, I would make the characters go on the mission I planned", "planned for book 1 to get the important plot item. Question -------- >", "mission I planned for book 1 to get the important plot item. Question", "I planned for book 1 to get the important plot item. Question --------", "repeated? For my example, having something found in a treasury, and then having", "decided to edit out after writing it. I wrote a chapter to the", "treasury all along and skip out about 10,000 words that I decided to", "considering I already used the convenient treasury find, I would make the characters", "example, having something found in a treasury, and then having something else later", "treasury. I decided that considering I already used the convenient treasury find, I", "a chapter where a book housing a specific missing chapter was found in", "Why? Because I was making something else really conveniently found in a treasury.", "chapter where a book housing a specific missing chapter was found in a", "to say, have an event that is repeated? For my example, having something", "I was making something else really conveniently found in a treasury. I decided", "wrote a chapter where a book housing a specific missing chapter was found", "a book housing a specific missing chapter was found in a treasury. As", "that is repeated? For my example, having something found in a treasury, and", "I decided that considering I already used the convenient treasury find, I would", "treasury, and then having something else later found in a treasury? > >", "bad writing to say, have an event that is repeated? For my example,", "else. Why? Because I was making something else really conveniently found in a", "the characters go on the mission I planned for book 1 to get", "I decided to edit out after writing it. I wrote a chapter to", "convenient treasury find, I would make the characters go on the mission I", "words that I decided to edit out after writing it. I wrote a", "go on the mission I planned for book 1 to get the important", "to edit out after writing it. I wrote a chapter to the writing", "edit out after writing it. I wrote a chapter to the writing yesterday", "it with something else. Why? Because I was making something else really conveniently", "the important plot item. Question -------- > > Is it bad writing to", "I already used the convenient treasury find, I would make the characters go", "convenient to just have it in the treasury all along and skip out", "something else really conveniently found in a treasury. I decided that considering I", "used the convenient treasury find, I would make the characters go on the", "and replaced it with something else. Why? Because I was making something else", "> Is it bad writing to say, have an event that is repeated?", "and then having something else later found in a treasury? > > >", "I wrote a chapter to the writing yesterday morning but deleted all of", "it bad writing to say, have an event that is repeated? For my", "plot item. Question -------- > > Is it bad writing to say, have", "an event that is repeated? For my example, having something found in a", "skip out about 10,000 words that I decided to edit out after writing", "making something else really conveniently found in a treasury. I decided that considering", "replaced it with something else. Why? Because I was making something else really", "in a treasury. I decided that considering I already used the convenient treasury", "my writing I wrote a chapter where a book housing a specific missing", "missing chapter was found in a treasury. As you can tell, it's super", "something else. Why? Because I was making something else really conveniently found in", "out about 10,000 words that I decided to edit out after writing it.", "and skip out about 10,000 words that I decided to edit out after", "to the writing yesterday morning but deleted all of it yesterday and replaced", "a chapter to the writing yesterday morning but deleted all of it yesterday", "say, have an event that is repeated? For my example, having something found", "I would make the characters go on the mission I planned for book", "For my example, having something found in a treasury, and then having something", "it. I wrote a chapter to the writing yesterday morning but deleted all", "to just have it in the treasury all along and skip out about", "was found in a treasury. As you can tell, it's super ultra convenient", "a treasury. As you can tell, it's super ultra convenient to just have" ]
[ "to need to clear it out, face the bandits, and fight valorously. Luckily,", "and powerless enemies. They are nothing compared to my godly knight who is", "bandits. Furthermore, my godly knight will have another time to shine, where she", "it's filled with people from the Black Cross bandit gang or something. We're", "That's so exciting! Wow! The sickly scent of blood, the glistening blades and", "clear it out, face the bandits, and fight valorously. Luckily, we have the", "to the combined tactics and communication of our heroes, they are naught. So,", "we have the young lady who is able to cut arrows in half", "> > The idea is, they dash in and wreck the fort the", "tactics and communication of our heroes, they are naught. So, the plan will", "getting tired on the road. There's a building up ahead, maybe we should", "have the young lady who is able to cut arrows in half on", "up ahead, maybe we should go and spend the night there because it's", "another time to shine, where she mercilessly shall sever an enemy's head from", "fort the bandits are staying in. Compared to the combined tactics and communication", "from the Black Cross bandit gang or something. We're going to need to", "on our side. Automatic victory. > > > The idea is, they dash", "something. We're going to need to clear it out, face the bandits, and", "and communication of our heroes, they are naught. So, the plan will be", "will have another time to shine, where she mercilessly shall sever an enemy's", "ahead, maybe we should go and spend the night there because it's snowy.", "valorously. Luckily, we have the young lady who is able to cut arrows", "shaft of an arrow. Here's my characters mission plan: > > We're getting", "ambush? Is it a good idea to make the adventure a little more", "so skilled with a sword she can slice asunder the shaft of an", "Luckily, we have the young lady who is able to cut arrows in", "an enemy's head from their shoulders. Question -------- So here's my question: Is", "Here's my characters mission plan: > > We're getting tired on the road.", "Furthermore, my godly knight will have another time to shine, where she mercilessly", "of blood, the glistening blades and powerless enemies. They are nothing compared to", "side. Automatic victory. > > > The idea is, they dash in and", "combined tactics and communication of our heroes, they are naught. So, the plan", "exciting! Wow! The sickly scent of blood, the glistening blades and powerless enemies.", "any issues, and they will successfully clear out the bandits. Furthermore, my godly", "the bandits. Furthermore, my godly knight will have another time to shine, where", "an ambush? Is it a good idea to make the adventure a little", "in and wreck the fort the bandits are staying in. Compared to the", "features a bandit ambush! That's so exciting! Wow! The sickly scent of blood,", "asunder the shaft of an arrow. Here's my characters mission plan: > >", "go and spend the night there because it's snowy. But, it's filled with", "the night there because it's snowy. But, it's filled with people from the", "planned the chapter I'll write tomorrow. It features a bandit ambush! That's so", "So, the plan will be successful without any issues, and they will successfully", "or something. We're going to need to clear it out, face the bandits,", "heroes, they are naught. So, the plan will be successful without any issues,", "a good idea to make the adventure a little more interesting by having", "building up ahead, maybe we should go and spend the night there because", "> The idea is, they dash in and wreck the fort the bandits", "I've planned the chapter I'll write tomorrow. It features a bandit ambush!** That's", "people from the Black Cross bandit gang or something. We're going to need", "sever an enemy's head from their shoulders. Question -------- So here's my question:", "I'll write tomorrow. It features a bandit ambush! That's so exciting! Wow! The", "will successfully clear out the bandits. Furthermore, my godly knight will have another", "The sickly scent of blood, the glistening blades and powerless enemies. They are", "need to clear it out, face the bandits, and fight valorously. Luckily, we", "the bandits, and fight valorously. Luckily, we have the young lady who is", "fight valorously. Luckily, we have the young lady who is able to cut", "bandit gang or something. We're going to need to clear it out, face", "with a sword she can slice asunder the shaft of an arrow. Here's", "is able to cut arrows in half on our side. Automatic victory. >", "cliche to have an ambush? Is it a good idea to make the", "night there because it's snowy. But, it's filled with people from the Black", "godly knight will have another time to shine, where she mercilessly shall sever", "where she mercilessly shall sever an enemy's head from their shoulders. Question --------", "plan: > > We're getting tired on the road. There's a building up", "a building up ahead, maybe we should go and spend the night there", "an arrow. Here's my characters mission plan: > > We're getting tired on", "So here's my question: Is it really cliche to have an ambush?* Is", "We're going to need to clear it out, face the bandits, and fight", "mercilessly shall sever an enemy's head from their shoulders. Question -------- So here's", "skilled with a sword she can slice asunder the shaft of an arrow.", "> We're getting tired on the road. There's a building up ahead, maybe", "the fort the bandits are staying in. Compared to the combined tactics and", "dash in and wreck the fort the bandits are staying in. Compared to", "---------- I've planned the chapter I'll write tomorrow. It features a bandit ambush!", "their shoulders. Question -------- So here's my question: Is it really cliche to", "communication of our heroes, they are naught. So, the plan will be successful", "to my godly knight who is so skilled with a sword she can", "powerless enemies. They are nothing compared to my godly knight who is so", "the shaft of an arrow. Here's my characters mission plan: > > We're", "the young lady who is able to cut arrows in half on our", "a sword she can slice asunder the shaft of an arrow. Here's my", "our side. Automatic victory. > > > The idea is, they dash in", "Question -------- So here's my question: Is it really cliche to have an", "have an ambush? *Is it a good idea to make the adventure a", "our heroes, they are naught. So, the plan will be successful without any", "bandits are staying in. Compared to the combined tactics and communication of our", "there because it's snowy. But, it's filled with people from the Black Cross", "is so skilled with a sword she can slice asunder the shaft of", "spend the night there because it's snowy. But, it's filled with people from", "my godly knight who is so skilled with a sword she can slice", "plan will be successful without any issues, and they will successfully clear out", "the Black Cross* bandit gang or something. We're going to need to clear", "should go and spend the night there because it's snowy. But, it's filled", "out, face the bandits, and fight valorously. Luckily, we have the young lady", "nothing compared to my godly knight who is so skilled with a sword", "out the bandits. Furthermore, my godly knight will have another time to shine,", "ambush! That's so exciting! Wow! The sickly scent of blood, the glistening blades", "write tomorrow. It features a bandit ambush! That's so exciting! Wow! The sickly", "Is it a good idea to make the adventure a little more interesting", "the combined tactics and communication of our heroes, they are naught. So, the", "mission plan: > > We're getting tired on the road. There's a building", "to clear it out, face the bandits, and fight valorously. Luckily, we have", "time to shine, where she mercilessly shall sever an enemy's head from their", "enemy's head from their shoulders. Question -------- So here's my question: Is it", "are staying in. Compared to the combined tactics and communication of our heroes,", "blood, the glistening blades and powerless enemies. They are nothing compared to my", "They are nothing compared to my godly knight who is so skilled with", "she mercilessly shall sever an enemy's head from their shoulders. Question -------- So", "so exciting! Wow! The sickly scent of blood, the glistening blades and powerless", "Background ---------- I've planned the chapter I'll write tomorrow. It features a bandit", "arrows in half on our side. Automatic victory. > > > The idea", "we should go and spend the night there because it's snowy. But, it's", "who is so skilled with a sword she can slice asunder the shaft", "head from their shoulders. Question -------- So here's my question: Is it really", "the chapter I'll write tomorrow. It features a bandit ambush! That's so exciting!", "-------- So here's my question: Is it really cliche to have an ambush?*", "shine, where she mercilessly shall sever an enemy's head from their shoulders. Question", "blades and powerless enemies. They are nothing compared to my godly knight who", "she can slice asunder the shaft of an arrow. Here's my characters mission", "godly knight who is so skilled with a sword she can slice asunder", "Cross bandit gang or something. We're going to need to clear it out,", "be successful without any issues, and they will successfully clear out the bandits.", "question: Is it really cliche to have an ambush? Is it a good", "are naught. So, the plan will be successful without any issues, and they", "it really cliche to have an ambush? Is it a good idea to", "Wow! The sickly scent of blood, the glistening blades and powerless enemies. They", "and fight valorously. Luckily, we have the young lady who is able to", "> > We're getting tired on the road. There's a building up ahead,", "knight will have another time to shine, where she mercilessly shall sever an", "It features a bandit ambush! That's so exciting! Wow! The sickly scent of", "There's a building up ahead, maybe we should go and spend the night", "my godly knight will have another time to shine, where she mercilessly shall", "here's my question: Is it really cliche to have an ambush? Is it", "wreck the fort the bandits are staying in. Compared to the combined tactics", "able to cut arrows in half on our side. Automatic victory. > >", "in. Compared to the combined tactics and communication of our heroes, they are", "gang or something. We're going to need to clear it out, face the", "who is able to cut arrows in half on our side. Automatic victory.", "staying in. Compared to the combined tactics and communication of our heroes, they", "successful without any issues, and they will successfully clear out the bandits. Furthermore,", "bandits, and fight valorously. Luckily, we have the young lady who is able", "because it's snowy. But, it's filled with people from the Black Cross bandit", "successfully clear out the bandits. Furthermore, my godly knight will have another time", "sword she can slice asunder the shaft of an arrow. Here's my characters", "the road. There's a building up ahead, maybe we should go and spend", "Black Cross bandit gang or something. We're going to need to clear it", "maybe we should go and spend the night there because it's snowy. But,", "glistening blades and powerless enemies. They are nothing compared to my godly knight", "clear out the bandits. Furthermore, my godly knight will have another time to", "and wreck the fort the bandits are staying in. Compared to the combined", "shall sever an enemy's head from their shoulders. Question -------- So here's my", "in half on our side. Automatic victory. > > > The idea is,", "the plan will be successful without any issues, and they will successfully clear", "my question: Is it really cliche to have an ambush? Is it a", "without any issues, and they will successfully clear out the bandits. Furthermore, my", "from their shoulders. Question -------- So here's my question: Is it really cliche", "it a good idea to make the adventure a little more interesting by", "they will successfully clear out the bandits. Furthermore, my godly knight will have", "it's snowy. But, it's filled with people from the Black Cross bandit gang", "going to need to clear it out, face the bandits, and fight valorously.", "are nothing compared to my godly knight who is so skilled with a", "half on our side. 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[ "from nothing, gains companions, and goes to save the world. However, his seven", "to deepen the story, and perhaps release option 1 for further backstory. In", "‘Volume 0’ 2. Summarizing the backstory in a prologue (Yes, I know. ‘ugh’),", "if the readers would be emotionally attached enough to the companions to feel", "into the story may seem again clichéd and also confuse the reader not", "story with the protagonist having no memories, and building the world and his", "particular case, the backstory and main story are these: The backstory begins as", "betrayal. 3. Skipping the backstory, beginning the story with the protagonist having no", "no memories, and building the world and his memories fresh. The primary advantage", "an entire book or half of a book, playing out the backstory, the", "and it's a dramatic, effective story. However, since the primary story I want", "at the climax of the story where they defeat the clichéd villain that", "where they defeat the clichéd villain that is the source of all evil", "that is the source of all evil in the world, who turns out", "where the readers wouldn’t relate fully to the main character. In the third", "similar to his previous seven companions and eventually to him being the one", "the story, and perhaps release option 1 for further backstory. In general, I’m", "primary story I want to tell is a very different thing - it", "feels at his betrayal. 3. Skipping the backstory, beginning the story with the", "His history has turned him cold, and he directly avoids the path of", "betray him at the climax of the story where they defeat the clichéd", "is the source of all evil in the world, who turns out to", "to gain the rest of humanities trust, requiring someone blinded by justice to", "avoid those similar to his previous seven companions and eventually to him being", "the readers would be emotionally attached enough to the companions to feel the", "to the main character. In the third option however, while it would seem", "backstory begins as stereotypical “Hero” plotline, whereas a boy starts from nothing, gains", "effective story. However, since the primary story I want to tell is a", "his memories fresh. The primary advantage of the first idea is that I", "may seem again clichéd and also confuse the reader not making them emotionally", "0’ 2. Summarizing the backstory in a prologue (Yes, I know. ‘ugh’), where", "main story are these: The backstory begins as stereotypical “Hero” plotline, whereas a", "all evil in the world, who turns out to be a construct designed", "backstory, the hero’s constructed ‘fake’ journey, as a sort of ‘Volume 0’ 2.", "out to be a construct designed by his seven “companions” to gain the", "save the world. However, his seven companions betray him at the climax of", "simply jumping into the story may seem again clichéd and also confuse the", "and goes to save the world. However, his seven companions betray him at", "juxtapose the \"heroism\" of the story with the pain and shock the protagonist", "prologue (Yes, I know. ‘ugh’), where I feel I can quickly juxtapose the", "the clichéd villain that is the source of all evil in the world,", "hero’s constructed ‘fake’ journey, as a sort of ‘Volume 0’ 2. Summarizing the", "an idea I'm working on, where there's a huge backstory that I'm not", "“Hero” plotline, whereas a boy starts from nothing, gains companions, and goes to", "seven companions betray him at the climax of the story where they defeat", "intrinsic business, economic, and technological sides of it, which is all very different", "the world. However, his seven companions betray him at the climax of the", "thousand years later, with this protagonist somehow being resurrected. His history has turned", "building, I fear that simply jumping into the story may seem again clichéd", "ideas: 1. Creating an entire book or half of a book, playing out", "the backstory in a prologue (Yes, I know. ‘ugh’), where I feel I", "blinded by justice to act as their mask. The \"main\" story begins two", "I'm working on, where there's a huge backstory that I'm not sure how", "journey, as a sort of ‘Volume 0’ 2. Summarizing the backstory in a", "feel I can quickly juxtapose the \"heroism\" of the story with the pain", "attempting to avoid those similar to his previous seven companions and eventually to", "as their mask. The \"main\" story begins two thousand years later, with this", "betrayal arc – I’m unsure if it would throw the readers off too", "seven companions and eventually to him being the one to betray his companions", "attached enough. Of course, one option I could potentially create is simply writing", "or bore the readers with a semi clichéd story at the start. This", "cold, and he directly avoids the path of a hero – attempting to", "path of a hero – attempting to avoid those similar to his previous", "by his seven “companions” to gain the rest of humanities trust, requiring someone", "patched in the second idea, as it’s far shorter; however I don’t know", "fear that simply jumping into the story may seem again clichéd and also", "later, with this protagonist somehow being resurrected. His history has turned him cold,", "using option 2 alongside option 3 to deepen the story, and perhaps release", "feel the weight of a betrayal, where the readers wouldn’t relate fully to", "deal with. In my particular case, the backstory and main story are these:", "a hero – attempting to avoid those similar to his previous seven companions", "far shorter; however I don’t know if the readers would be emotionally attached", "avoids the path of a hero – attempting to avoid those similar to", "alongside option 3 to deepen the story, and perhaps release option 1 for", "have an idea I'm working on, where there's a huge backstory that I'm", "2. Summarizing the backstory in a prologue (Yes, I know. ‘ugh’), where I", "attached enough to the companions to feel the weight of a betrayal, where", "his seven “companions” to gain the rest of humanities trust, requiring someone blinded", "The backstory begins as stereotypical “Hero” plotline, whereas a boy starts from nothing,", "believe it’s been done before, and it's a dramatic, effective story. However, since", "a dramatic, effective story. However, since the primary story I want to tell", "sure how to deal with. In my particular case, the backstory and main", "my particular case, the backstory and main story are these: The backstory begins", "trust, requiring someone blinded by justice to act as their mask. The \"main\"", "I want to tell is a very different thing - it revolves more", "would be emotionally attached enough to the companions to feel the weight of", "defeat the clichéd villain that is the source of all evil in the", "in the second idea, as it’s far shorter; however I don’t know if", "beginning the story with the protagonist having no memories, and building the world", "begins two thousand years later, with this protagonist somehow being resurrected. His history", "throw the readers off too much, or bore the readers with a semi", "act as their mask. The \"main\" story begins two thousand years later, with", "a huge backstory that I'm not sure how to deal with. In my", "main character. In the third option however, while it would seem the most", "readers wouldn’t relate fully to the main character. In the third option however,", "and he directly avoids the path of a hero – attempting to avoid", "the third option however, while it would seem the most relatable and allow", "history has turned him cold, and he directly avoids the path of a", "a very different thing - it revolves more around creating a nation and", "conflicted between three different ideas: 1. Creating an entire book or half of", "semi clichéd story at the start. This issue is slightly patched in the", "betray his companions themselves. I’m currently conflicted between three different ideas: 1. Creating", "of a book, playing out the backstory, the hero’s constructed ‘fake’ journey, as", "the story with the pain and shock the protagonist feels at his betrayal.", "at his betrayal. 3. Skipping the backstory, beginning the story with the protagonist", "a betrayal, where the readers wouldn’t relate fully to the main character. In", "two thousand years later, with this protagonist somehow being resurrected. His history has", "option I could potentially create is simply writing option 1 for my own", "having no memories, and building the world and his memories fresh. The primary", "before, and it's a dramatic, effective story. However, since the primary story I", "be a construct designed by his seven “companions” to gain the rest of", "emotionally attached enough. Of course, one option I could potentially create is simply", "on, where there's a huge backstory that I'm not sure how to deal", "companions themselves. I’m currently conflicted between three different ideas: 1. Creating an entire", "off too much, or bore the readers with a semi clichéd story at", "the world, who turns out to be a construct designed by his seven", "since the primary story I want to tell is a very different thing", "3. Skipping the backstory, beginning the story with the protagonist having no memories,", "story begins two thousand years later, with this protagonist somehow being resurrected. His", "book, playing out the backstory, the hero’s constructed ‘fake’ journey, as a sort", "being the one to betray his companions themselves. I’m currently conflicted between three", "I don’t believe it’s been done before, and it's a dramatic, effective story.", "he directly avoids the path of a hero – attempting to avoid those", "currently conflicted between three different ideas: 1. Creating an entire book or half", "it’s been done before, and it's a dramatic, effective story. However, since the", "for my own reference, using option 2 alongside option 3 to deepen the", "of all evil in the world, who turns out to be a construct", "backstory in a prologue (Yes, I know. ‘ugh’), where I feel I can", "rest of humanities trust, requiring someone blinded by justice to act as their", "story may seem again clichéd and also confuse the reader not making them", "turns out to be a construct designed by his seven “companions” to gain", "I don’t know if the readers would be emotionally attached enough to the", "the bulk of the nation building, I fear that simply jumping into the", "been done before, and it's a dramatic, effective story. However, since the primary", "one option I could potentially create is simply writing option 1 for my", "clichéd story at the start. This issue is slightly patched in the second", "the protagonist having no memories, and building the world and his memories fresh.", "it's a dramatic, effective story. However, since the primary story I want to", "I can quickly juxtapose the \"heroism\" of the story with the pain and", "the main character. In the third option however, while it would seem the", "backstory. In general, I’m wondering if there is any other cases similar to", "readers with a semi clichéd story at the start. This issue is slightly", "the climax of the story where they defeat the clichéd villain that is", "me to jump to the bulk of the nation building, I fear that", "the protagonist feels at his betrayal. 3. Skipping the backstory, beginning the story", "his betrayal. 3. Skipping the backstory, beginning the story with the protagonist having", "more around creating a nation and the intrinsic business, economic, and technological sides", "very different thing - it revolves more around creating a nation and the", "playing out the backstory, the hero’s constructed ‘fake’ journey, as a sort of", "begins as stereotypical “Hero” plotline, whereas a boy starts from nothing, gains companions,", "I’m wondering if there is any other cases similar to this, or at", "as stereotypical “Hero” plotline, whereas a boy starts from nothing, gains companions, and", "memories fresh. The primary advantage of the first idea is that I don’t", "to tell is a very different thing - it revolves more around creating", "The \"main\" story begins two thousand years later, with this protagonist somehow being", "relatable and allow me to jump to the bulk of the nation building,", "1. Creating an entire book or half of a book, playing out the", "any other cases similar to this, or at least similar to option 1.", "story, and perhaps release option 1 for further backstory. In general, I’m wondering", "would seem the most relatable and allow me to jump to the bulk", "and his memories fresh. The primary advantage of the first idea is that", "dramatic, effective story. However, since the primary story I want to tell is", "to save the world. However, his seven companions betray him at the climax", "thing - it revolves more around creating a nation and the intrinsic business,", "of the nation building, I fear that simply jumping into the story may", "starts from nothing, gains companions, and goes to save the world. However, his", "companions and eventually to him being the one to betray his companions themselves.", "the weight of a betrayal, where the readers wouldn’t relate fully to the", "I’m currently conflicted between three different ideas: 1. Creating an entire book or", "sides of it, which is all very different from the betrayal arc –", "as a sort of ‘Volume 0’ 2. Summarizing the backstory in a prologue", "that simply jumping into the story may seem again clichéd and also confuse", "I feel I can quickly juxtapose the \"heroism\" of the story with the", "this protagonist somehow being resurrected. His history has turned him cold, and he", "my own reference, using option 2 alongside option 3 to deepen the story,", "the most relatable and allow me to jump to the bulk of the", "enough to the companions to feel the weight of a betrayal, where the", "protagonist somehow being resurrected. His history has turned him cold, and he directly", "that I'm not sure how to deal with. In my particular case, the", "and also confuse the reader not making them emotionally attached enough. Of course,", "unsure if it would throw the readers off too much, or bore the", "nothing, gains companions, and goes to save the world. However, his seven companions", "clichéd and also confuse the reader not making them emotionally attached enough. Of", "the source of all evil in the world, who turns out to be", "is that I don’t believe it’s been done before, and it's a dramatic,", "2 alongside option 3 to deepen the story, and perhaps release option 1", "however, while it would seem the most relatable and allow me to jump", "option 3 to deepen the story, and perhaps release option 1 for further", "seem again clichéd and also confuse the reader not making them emotionally attached", "how to deal with. In my particular case, the backstory and main story", "has turned him cold, and he directly avoids the path of a hero", "fresh. The primary advantage of the first idea is that I don’t believe", "\"main\" story begins two thousand years later, with this protagonist somehow being resurrected.", "know. ‘ugh’), where I feel I can quickly juxtapose the \"heroism\" of the", "option 1 for further backstory. In general, I’m wondering if there is any", "to be a construct designed by his seven “companions” to gain the rest", "him cold, and he directly avoids the path of a hero – attempting", "much, or bore the readers with a semi clichéd story at the start.", "protagonist having no memories, and building the world and his memories fresh. The", "a semi clichéd story at the start. This issue is slightly patched in", "the story with the protagonist having no memories, and building the world and", "create is simply writing option 1 for my own reference, using option 2", "of the story with the pain and shock the protagonist feels at his", "tell is a very different thing - it revolves more around creating a", "the intrinsic business, economic, and technological sides of it, which is all very", "hero – attempting to avoid those similar to his previous seven companions and", "to betray his companions themselves. I’m currently conflicted between three different ideas: 1.", "a boy starts from nothing, gains companions, and goes to save the world.", "if there is any other cases similar to this, or at least similar", "(Yes, I know. ‘ugh’), where I feel I can quickly juxtapose the \"heroism\"", "themselves. I’m currently conflicted between three different ideas: 1. Creating an entire book", "of a hero – attempting to avoid those similar to his previous seven", "want to tell is a very different thing - it revolves more around", "one to betray his companions themselves. I’m currently conflicted between three different ideas:", "a prologue (Yes, I know. ‘ugh’), where I feel I can quickly juxtapose", "companions, and goes to save the world. However, his seven companions betray him", "the world and his memories fresh. The primary advantage of the first idea", "him being the one to betray his companions themselves. I’m currently conflicted between", "However, since the primary story I want to tell is a very different", "it would throw the readers off too much, or bore the readers with", "character. In the third option however, while it would seem the most relatable", "the readers wouldn’t relate fully to the main character. In the third option", "arc – I’m unsure if it would throw the readers off too much,", "the betrayal arc – I’m unsure if it would throw the readers off", "very different from the betrayal arc – I’m unsure if it would throw", "also confuse the reader not making them emotionally attached enough. Of course, one", "and the intrinsic business, economic, and technological sides of it, which is all", "with the pain and shock the protagonist feels at his betrayal. 3. Skipping", "his seven companions betray him at the climax of the story where they", "however I don’t know if the readers would be emotionally attached enough to", "backstory that I'm not sure how to deal with. In my particular case,", "Summarizing the backstory in a prologue (Yes, I know. ‘ugh’), where I feel", "him at the climax of the story where they defeat the clichéd villain", "idea I'm working on, where there's a huge backstory that I'm not sure", "climax of the story where they defeat the clichéd villain that is the", "somehow being resurrected. His history has turned him cold, and he directly avoids", "them emotionally attached enough. Of course, one option I could potentially create is", "for further backstory. In general, I’m wondering if there is any other cases", "eventually to him being the one to betray his companions themselves. I’m currently", "designed by his seven “companions” to gain the rest of humanities trust, requiring", "and technological sides of it, which is all very different from the betrayal", "deepen the story, and perhaps release option 1 for further backstory. In general,", "villain that is the source of all evil in the world, who turns", "issue is slightly patched in the second idea, as it’s far shorter; however", "enough. Of course, one option I could potentially create is simply writing option", "In the third option however, while it would seem the most relatable and", "the hero’s constructed ‘fake’ journey, as a sort of ‘Volume 0’ 2. Summarizing", "companions betray him at the climax of the story where they defeat the", "with. In my particular case, the backstory and main story are these: The", "business, economic, and technological sides of it, which is all very different from", "or half of a book, playing out the backstory, the hero’s constructed ‘fake’", "is all very different from the betrayal arc – I’m unsure if it", "and allow me to jump to the bulk of the nation building, I", "story with the pain and shock the protagonist feels at his betrayal. 3.", "writing option 1 for my own reference, using option 2 alongside option 3", "between three different ideas: 1. Creating an entire book or half of a", "the start. This issue is slightly patched in the second idea, as it’s", "backstory and main story are these: The backstory begins as stereotypical “Hero” plotline,", "and main story are these: The backstory begins as stereotypical “Hero” plotline, whereas", "directly avoids the path of a hero – attempting to avoid those similar", "simply writing option 1 for my own reference, using option 2 alongside option", "the second idea, as it’s far shorter; however I don’t know if the", "a construct designed by his seven “companions” to gain the rest of humanities", "a nation and the intrinsic business, economic, and technological sides of it, which", "world. However, his seven companions betray him at the climax of the story", "advantage of the first idea is that I don’t believe it’s been done", "as it’s far shorter; however I don’t know if the readers would be", "to deal with. In my particular case, the backstory and main story are", "are these: The backstory begins as stereotypical “Hero” plotline, whereas a boy starts", "option 1 for my own reference, using option 2 alongside option 3 to", "further backstory. In general, I’m wondering if there is any other cases similar", "the pain and shock the protagonist feels at his betrayal. 3. Skipping the", "can quickly juxtapose the \"heroism\" of the story with the pain and shock", "creating a nation and the intrinsic business, economic, and technological sides of it,", "in the world, who turns out to be a construct designed by his", "the backstory, beginning the story with the protagonist having no memories, and building", "relate fully to the main character. In the third option however, while it", "the story may seem again clichéd and also confuse the reader not making", "the first idea is that I don’t believe it’s been done before, and", "I know. ‘ugh’), where I feel I can quickly juxtapose the \"heroism\" of", "where I feel I can quickly juxtapose the \"heroism\" of the story with", "confuse the reader not making them emotionally attached enough. Of course, one option", "pain and shock the protagonist feels at his betrayal. 3. Skipping the backstory,", "their mask. The \"main\" story begins two thousand years later, with this protagonist", "allow me to jump to the bulk of the nation building, I fear", "nation and the intrinsic business, economic, and technological sides of it, which is", "“companions” to gain the rest of humanities trust, requiring someone blinded by justice", "idea is that I don’t believe it’s been done before, and it's a", "jump to the bulk of the nation building, I fear that simply jumping", "story. However, since the primary story I want to tell is a very", "someone blinded by justice to act as their mask. The \"main\" story begins", "world and his memories fresh. The primary advantage of the first idea is", "bulk of the nation building, I fear that simply jumping into the story", "be emotionally attached enough to the companions to feel the weight of a", "seven “companions” to gain the rest of humanities trust, requiring someone blinded by", "the readers off too much, or bore the readers with a semi clichéd", "stereotypical “Hero” plotline, whereas a boy starts from nothing, gains companions, and goes", "goes to save the world. However, his seven companions betray him at the", "they defeat the clichéd villain that is the source of all evil in", "– I’m unsure if it would throw the readers off too much, or", "of a betrayal, where the readers wouldn’t relate fully to the main character.", "1 for my own reference, using option 2 alongside option 3 to deepen", "clichéd villain that is the source of all evil in the world, who", "source of all evil in the world, who turns out to be a", "it, which is all very different from the betrayal arc – I’m unsure", "know if the readers would be emotionally attached enough to the companions to", "course, one option I could potentially create is simply writing option 1 for", "idea, as it’s far shorter; however I don’t know if the readers would", "of humanities trust, requiring someone blinded by justice to act as their mask.", "to him being the one to betray his companions themselves. I’m currently conflicted", "a book, playing out the backstory, the hero’s constructed ‘fake’ journey, as a", "I’m unsure if it would throw the readers off too much, or bore", "is any other cases similar to this, or at least similar to option", "companions to feel the weight of a betrayal, where the readers wouldn’t relate", "half of a book, playing out the backstory, the hero’s constructed ‘fake’ journey,", "it would seem the most relatable and allow me to jump to the", "his previous seven companions and eventually to him being the one to betray", "making them emotionally attached enough. Of course, one option I could potentially create", "general, I’m wondering if there is any other cases similar to this, or", "start. This issue is slightly patched in the second idea, as it’s far", "nation building, I fear that simply jumping into the story may seem again", "resurrected. His history has turned him cold, and he directly avoids the path", "boy starts from nothing, gains companions, and goes to save the world. However,", "of the first idea is that I don’t believe it’s been done before,", "gain the rest of humanities trust, requiring someone blinded by justice to act", "– attempting to avoid those similar to his previous seven companions and eventually", "most relatable and allow me to jump to the bulk of the nation", "to jump to the bulk of the nation building, I fear that simply", "of the story where they defeat the clichéd villain that is the source", "story are these: The backstory begins as stereotypical “Hero” plotline, whereas a boy", "release option 1 for further backstory. In general, I’m wondering if there is", "to feel the weight of a betrayal, where the readers wouldn’t relate fully", "the path of a hero – attempting to avoid those similar to his", "reference, using option 2 alongside option 3 to deepen the story, and perhaps", "shorter; however I don’t know if the readers would be emotionally attached enough", "building the world and his memories fresh. The primary advantage of the first", "quickly juxtapose the \"heroism\" of the story with the pain and shock the", "case, the backstory and main story are these: The backstory begins as stereotypical", "readers off too much, or bore the readers with a semi clichéd story", "again clichéd and also confuse the reader not making them emotionally attached enough.", "I fear that simply jumping into the story may seem again clichéd and", "protagonist feels at his betrayal. 3. Skipping the backstory, beginning the story with", "backstory, beginning the story with the protagonist having no memories, and building the", "evil in the world, who turns out to be a construct designed by", "being resurrected. His history has turned him cold, and he directly avoids the", "to act as their mask. The \"main\" story begins two thousand years later,", "readers would be emotionally attached enough to the companions to feel the weight", "world, who turns out to be a construct designed by his seven “companions”", "different thing - it revolves more around creating a nation and the intrinsic", "Creating an entire book or half of a book, playing out the backstory,", "where there's a huge backstory that I'm not sure how to deal with.", "primary advantage of the first idea is that I don’t believe it’s been", "constructed ‘fake’ journey, as a sort of ‘Volume 0’ 2. Summarizing the backstory", "there is any other cases similar to this, or at least similar to", "by justice to act as their mask. The \"main\" story begins two thousand", "In my particular case, the backstory and main story are these: The backstory", "the rest of humanities trust, requiring someone blinded by justice to act as", "justice to act as their mask. The \"main\" story begins two thousand years", "to the companions to feel the weight of a betrayal, where the readers", "don’t believe it’s been done before, and it's a dramatic, effective story. However,", "previous seven companions and eventually to him being the one to betray his", "not sure how to deal with. In my particular case, the backstory and", "bore the readers with a semi clichéd story at the start. This issue", "with this protagonist somehow being resurrected. His history has turned him cold, and", "around creating a nation and the intrinsic business, economic, and technological sides of", "at the start. This issue is slightly patched in the second idea, as", "wouldn’t relate fully to the main character. In the third option however, while", "In general, I’m wondering if there is any other cases similar to this,", "the \"heroism\" of the story with the pain and shock the protagonist feels", "and eventually to him being the one to betray his companions themselves. I’m", "plotline, whereas a boy starts from nothing, gains companions, and goes to save", "three different ideas: 1. Creating an entire book or half of a book,", "is slightly patched in the second idea, as it’s far shorter; however I", "second idea, as it’s far shorter; however I don’t know if the readers", "perhaps release option 1 for further backstory. In general, I’m wondering if there", "and shock the protagonist feels at his betrayal. 3. Skipping the backstory, beginning", "weight of a betrayal, where the readers wouldn’t relate fully to the main", "the reader not making them emotionally attached enough. Of course, one option I", "don’t know if the readers would be emotionally attached enough to the companions", "a sort of ‘Volume 0’ 2. Summarizing the backstory in a prologue (Yes,", "of it, which is all very different from the betrayal arc – I’m", "I could potentially create is simply writing option 1 for my own reference,", "first idea is that I don’t believe it’s been done before, and it's", "humanities trust, requiring someone blinded by justice to act as their mask. The", "entire book or half of a book, playing out the backstory, the hero’s", "However, his seven companions betray him at the climax of the story where", "potentially create is simply writing option 1 for my own reference, using option", "book or half of a book, playing out the backstory, the hero’s constructed", "seem the most relatable and allow me to jump to the bulk of", "slightly patched in the second idea, as it’s far shorter; however I don’t", "years later, with this protagonist somehow being resurrected. His history has turned him", "‘ugh’), where I feel I can quickly juxtapose the \"heroism\" of the story", "requiring someone blinded by justice to act as their mask. The \"main\" story", "memories, and building the world and his memories fresh. The primary advantage of", "the backstory, the hero’s constructed ‘fake’ journey, as a sort of ‘Volume 0’", "own reference, using option 2 alongside option 3 to deepen the story, and", "to the bulk of the nation building, I fear that simply jumping into", "\"heroism\" of the story with the pain and shock the protagonist feels at", "would throw the readers off too much, or bore the readers with a", "shock the protagonist feels at his betrayal. 3. Skipping the backstory, beginning the", "done before, and it's a dramatic, effective story. However, since the primary story", "all very different from the betrayal arc – I’m unsure if it would", "Of course, one option I could potentially create is simply writing option 1", "different ideas: 1. 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The \"main\" story begins two thousand years later, with this protagonist somehow", "The primary advantage of the first idea is that I don’t believe it’s", "could potentially create is simply writing option 1 for my own reference, using", "that I don’t believe it’s been done before, and it's a dramatic, effective", "and perhaps release option 1 for further backstory. 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In the third option however, while it would", "with a semi clichéd story at the start. This issue is slightly patched", "from the betrayal arc – I’m unsure if it would throw the readers", "working on, where there's a huge backstory that I'm not sure how to", "gains companions, and goes to save the world. However, his seven companions betray", "1 for further backstory. In general, I’m wondering if there is any other", "reader not making them emotionally attached enough. Of course, one option I could", "the readers with a semi clichéd story at the start. This issue is" ]
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Despite them sending me", "I paid money for the full process including book design etc. The ISBN", "for me to write a 2nd edition & upload on Clearspace, but not", "also retained the final Word doc and I have the book design. It", "a time I published a book via what you could call a vanity", "and I have the book design. It wouldn't take much for me to", "had to beg for royalty payments - now overdue. I have now written", "have purchased my own ISBN's and want to revert this book into something", "price they sold it at. I was an unknown author/first book - yet", "time I published a book via what you could call a vanity publisher.", "I published a book via what you could call a vanity publisher. I", "at all happy with the price they sold it at. I was an", "beg for royalty payments - now overdue. I have now written a sequel", "write a 2nd edition & upload on Clearspace, but not sure if this", "author/first book - yet readers were expected to pay more for my book", "but not sure if this breaks some rules. Has anyone done this before", "own. Despite them sending me the final PDF - I also retained the", "at. I was an unknown author/first book - yet readers were expected to", "series and want to recover my book back. I have purchased my own", "standard of the finished product, but not at all happy with the price", "vanity publisher. I paid money for the full process including book design etc.", "I have also had to beg for royalty payments - now overdue. I", "ISBN's and want to revert this book into something I fully own. Despite", "me to write a 2nd edition & upload on Clearspace, but not sure", "pay more for my book than from someone with a known reputation. I", "could call a vanity publisher. I paid money for the full process including", "upon a time I published a book via what you could call a", "to recover my book back. I have purchased my own ISBN's and want", "all happy with the price they sold it at. I was an unknown", "the final Word doc and I have the book design. It wouldn't take", "& upload on Clearspace, but not sure if this breaks some rules. Has", "for the full process including book design etc. The ISBN is in their", "it at. I was an unknown author/first book - yet readers were expected", "was an unknown author/first book - yet readers were expected to pay more", "process including book design etc. The ISBN is in their name. I was", "a known reputation. I have also had to beg for royalty payments -", "royalty payments - now overdue. I have now written a sequel as part", "purchased my own ISBN's and want to revert this book into something I", "something I fully own. Despite them sending me the final PDF - I", "Word doc and I have the book design. It wouldn't take much for", "this breaks some rules. Has anyone done this before or been in a", "as part of a series and want to recover my book back. I", "them sending me the final PDF - I also retained the final Word", "payments - now overdue. I have now written a sequel as part of", "readers were expected to pay more for my book than from someone with", "publisher. I paid money for the full process including book design etc. The", "and want to revert this book into something I fully own. Despite them" ]
[]
[ "the matter could be helpful. By means of example: > > AL >", "matter could be helpful. By means of example: > > AL > (Rolls", "walking towards the stairwell) > > > CANDI > (Aside) > That was", "play for a competition. The main character often has asides (where she expresses", "process of writing a play for a competition. The main character often has", "no problem telling Caster you lost interest. > > > Is this the", "> AL > (Rolls eyes) > I still don’t trust you, or your", "challenge. > > > AL > (Calls over his shoulder) > If you", "Is this the correct way to present an aside? If not, what is", "of me now is Al, but I can handle him. I sense he’s", "story. But, follow me. > (Starts walking towards the stairwell) > > >", "> That was easier than I thought. My dad always says that the", "was easier than I thought. My dad always says that the hardest part", "one that’s suspicious of me now is Al, but I can handle him.", "this the correct way to present an aside? If not, what is the", "way there. The only one that’s suspicious of me now is Al, but", "to present an aside? If not, what is the proper way to do", "I can handle him. I sense he’s already loosening up. Something tells me", "that’s suspicious of me now is Al, but I can handle him. I", "hardest part is getting your enemies to let you in. But, I’m already", "other characters hearing her). I'm not sure how to exactly to insert/present these.", "The main character often has asides (where she expresses an idea or thought", "thought. My dad always says that the hardest part is getting your enemies", "tells me choosing allies is going to pose a greater challenge. > >", "> > CANDI > (Aside) > That was easier than I thought. My", "on the matter could be helpful. By means of example: > > AL", "eyes) > I still don’t trust you, or your story. But, follow me.", "But, I’m already half way there. The only one that’s suspicious of me", "but I'm in the process of writing a play for a competition. The", "whether this is the stackexchange website for this, but I'm in the process", "loosening up. Something tells me choosing allies is going to pose a greater", "exactly to insert/present these. Any insight on the matter could be helpful. By", "I still don’t trust you, or your story. But, follow me. > (Starts", "competition. The main character often has asides (where she expresses an idea or", "> > > Is this the correct way to present an aside? If", "this, but I'm in the process of writing a play for a competition.", "> Is this the correct way to present an aside? If not, what", "she expresses an idea or thought to the audience directly without the other", "means of example: > > AL > (Rolls eyes) > I still don’t", "in. But, I’m already half way there. The only one that’s suspicious of", "expresses an idea or thought to the audience directly without the other characters", "hearing her). I'm not sure how to exactly to insert/present these. Any insight", "now is Al, but I can handle him. I sense he’s already loosening", "I sense he’s already loosening up. Something tells me choosing allies is going", "to insert/present these. Any insight on the matter could be helpful. By means", "The only one that’s suspicious of me now is Al, but I can", "or your story. But, follow me. > (Starts walking towards the stairwell) >", "over his shoulder) > If you don’t want to come, I have no", "I'm not sure whether this is the stackexchange website for this, but I'm", "greater challenge. > > > AL > (Calls over his shoulder) > If", "to the audience directly without the other characters hearing her). I'm not sure", "me. > (Starts walking towards the stairwell) > > > CANDI > (Aside)", "> > AL > (Rolls eyes) > I still don’t trust you, or", "the stackexchange website for this, but I'm in the process of writing a", "audience directly without the other characters hearing her). I'm not sure how to", "> AL > (Calls over his shoulder) > If you don’t want to", "> (Rolls eyes) > I still don’t trust you, or your story. But,", "have no problem telling Caster you lost interest. > > > Is this", "an idea or thought to the audience directly without the other characters hearing", "way to present an aside? If not, what is the proper way to", "getting your enemies to let you in. But, I’m already half way there.", "Any insight on the matter could be helpful. By means of example: >", "characters hearing her). I'm not sure how to exactly to insert/present these. Any", "always says that the hardest part is getting your enemies to let you", "is going to pose a greater challenge. > > > AL > (Calls", "handle him. I sense he’s already loosening up. Something tells me choosing allies", "problem telling Caster you lost interest. > > > Is this the correct", "follow me. > (Starts walking towards the stairwell) > > > CANDI >", "part is getting your enemies to let you in. But, I’m already half", "the other characters hearing her). I'm not sure how to exactly to insert/present", "not sure how to exactly to insert/present these. Any insight on the matter", "(where she expresses an idea or thought to the audience directly without the", "an aside? If not, what is the proper way to do that to", "how to exactly to insert/present these. Any insight on the matter could be", "or thought to the audience directly without the other characters hearing her). I'm", "present an aside? If not, what is the proper way to do that", "CANDI > (Aside) > That was easier than I thought. My dad always", "Something tells me choosing allies is going to pose a greater challenge. >", "what is the proper way to do that to avoid the audience's confusion?", "> (Aside) > That was easier than I thought. My dad always says", "going to pose a greater challenge. > > > AL > (Calls over", "half way there. The only one that’s suspicious of me now is Al,", "stairwell) > > > CANDI > (Aside) > That was easier than I", "me choosing allies is going to pose a greater challenge. > > >", "easier than I thought. My dad always says that the hardest part is", "not sure whether this is the stackexchange website for this, but I'm in", "allies is going to pose a greater challenge. > > > AL >", "AL > (Calls over his shoulder) > If you don’t want to come,", "> > AL > (Calls over his shoulder) > If you don’t want", "insert/present these. Any insight on the matter could be helpful. By means of", "want to come, I have no problem telling Caster you lost interest. >", "that the hardest part is getting your enemies to let you in. But,", "(Rolls eyes) > I still don’t trust you, or your story. But, follow", "pose a greater challenge. > > > AL > (Calls over his shoulder)", "you don’t want to come, I have no problem telling Caster you lost", "for this, but I'm in the process of writing a play for a", "a competition. The main character often has asides (where she expresses an idea", "interest. > > > Is this the correct way to present an aside?", "up. Something tells me choosing allies is going to pose a greater challenge.", "> CANDI > (Aside) > That was easier than I thought. My dad", "is the stackexchange website for this, but I'm in the process of writing", "idea or thought to the audience directly without the other characters hearing her).", "let you in. But, I’m already half way there. The only one that’s", "I’m already half way there. The only one that’s suspicious of me now", "not, what is the proper way to do that to avoid the audience's", "I'm in the process of writing a play for a competition. The main", "I have no problem telling Caster you lost interest. > > > Is", "I'm not sure how to exactly to insert/present these. Any insight on the", "you, or your story. But, follow me. > (Starts walking towards the stairwell)", "a play for a competition. The main character often has asides (where she", "towards the stairwell) > > > CANDI > (Aside) > That was easier", "you lost interest. > > > Is this the correct way to present", "your story. But, follow me. > (Starts walking towards the stairwell) > >", "to pose a greater challenge. > > > AL > (Calls over his", "could be helpful. By means of example: > > AL > (Rolls eyes)", "trust you, or your story. But, follow me. > (Starts walking towards the", "directly without the other characters hearing her). I'm not sure how to exactly", "than I thought. My dad always says that the hardest part is getting", "to let you in. But, I’m already half way there. The only one", "Al, but I can handle him. I sense he’s already loosening up. Something", "in the process of writing a play for a competition. The main character", "already loosening up. Something tells me choosing allies is going to pose a", "character often has asides (where she expresses an idea or thought to the", "he’s already loosening up. Something tells me choosing allies is going to pose", "asides (where she expresses an idea or thought to the audience directly without", "> I still don’t trust you, or your story. But, follow me. >", "If you don’t want to come, I have no problem telling Caster you", "example: > > AL > (Rolls eyes) > I still don’t trust you,", "him. I sense he’s already loosening up. Something tells me choosing allies is", "you in. But, I’m already half way there. The only one that’s suspicious", "the stairwell) > > > CANDI > (Aside) > That was easier than", "already half way there. The only one that’s suspicious of me now is", "> > Is this the correct way to present an aside? If not,", "the correct way to present an aside? If not, what is the proper", "these. Any insight on the matter could be helpful. By means of example:", "is getting your enemies to let you in. But, I’m already half way", "sense he’s already loosening up. Something tells me choosing allies is going to", "sure whether this is the stackexchange website for this, but I'm in the", "the audience directly without the other characters hearing her). I'm not sure how", "can handle him. I sense he’s already loosening up. Something tells me choosing", "AL > (Rolls eyes) > I still don’t trust you, or your story.", "> > > CANDI > (Aside) > That was easier than I thought.", "of example: > > AL > (Rolls eyes) > I still don’t trust", "your enemies to let you in. But, I’m already half way there. The", "helpful. By means of example: > > AL > (Rolls eyes) > I", "dad always says that the hardest part is getting your enemies to let", "says that the hardest part is getting your enemies to let you in.", "without the other characters hearing her). I'm not sure how to exactly to", "By means of example: > > AL > (Rolls eyes) > I still", "(Calls over his shoulder) > If you don’t want to come, I have", "correct way to present an aside? If not, what is the proper way", "but I can handle him. I sense he’s already loosening up. Something tells", "insight on the matter could be helpful. By means of example: > >", "main character often has asides (where she expresses an idea or thought to", "only one that’s suspicious of me now is Al, but I can handle", "> (Starts walking towards the stairwell) > > > CANDI > (Aside) >", "I thought. My dad always says that the hardest part is getting your", "his shoulder) > If you don’t want to come, I have no problem", "But, follow me. > (Starts walking towards the stairwell) > > > CANDI", "(Aside) > That was easier than I thought. My dad always says that", "> (Calls over his shoulder) > If you don’t want to come, I", "to come, I have no problem telling Caster you lost interest. > >", "sure how to exactly to insert/present these. Any insight on the matter could", "choosing allies is going to pose a greater challenge. > > > AL", "shoulder) > If you don’t want to come, I have no problem telling", "often has asides (where she expresses an idea or thought to the audience", "still don’t trust you, or your story. But, follow me. > (Starts walking", "there. The only one that’s suspicious of me now is Al, but I", "me now is Al, but I can handle him. I sense he’s already", "of writing a play for a competition. The main character often has asides", "a greater challenge. > > > AL > (Calls over his shoulder) >", "her). I'm not sure how to exactly to insert/present these. Any insight on", "be helpful. By means of example: > > AL > (Rolls eyes) >", "website for this, but I'm in the process of writing a play for", "enemies to let you in. But, I’m already half way there. The only", "don’t want to come, I have no problem telling Caster you lost interest.", "this is the stackexchange website for this, but I'm in the process of", "has asides (where she expresses an idea or thought to the audience directly", "to exactly to insert/present these. Any insight on the matter could be helpful.", "lost interest. > > > Is this the correct way to present an", "My dad always says that the hardest part is getting your enemies to", "suspicious of me now is Al, but I can handle him. I sense", "aside? If not, what is the proper way to do that to avoid", "telling Caster you lost interest. > > > Is this the correct way", "That was easier than I thought. My dad always says that the hardest", "> > > AL > (Calls over his shoulder) > If you don’t", "for a competition. The main character often has asides (where she expresses an", "come, I have no problem telling Caster you lost interest. > > >", "don’t trust you, or your story. But, follow me. > (Starts walking towards", "the process of writing a play for a competition. The main character often", "the hardest part is getting your enemies to let you in. But, I’m", "stackexchange website for this, but I'm in the process of writing a play", "> If you don’t want to come, I have no problem telling Caster", "If not, what is the proper way to do that to avoid the", "writing a play for a competition. The main character often has asides (where", "is Al, but I can handle him. I sense he’s already loosening up.", "thought to the audience directly without the other characters hearing her). I'm not", "Caster you lost interest. > > > Is this the correct way to", "(Starts walking towards the stairwell) > > > CANDI > (Aside) > That" ]
[ "that will allow me to translate words into Aklo, a fictional language used", "will allow me to translate words into Aklo, a fictional language used by", "exist, are there other resources that can help me? (Aklo is a fictional", "Where could I find such a thing? If a dictionary doesn't exist, are", "fictional language used by [multiple authors](http://lovecraft.wikia.com/wiki/Aklo_language), which is why I felt it proper", "Lovecraft. Where could I find such a thing? If a dictionary doesn't exist,", "other resources that can help me? (Aklo is a fictional language used by", "me? (Aklo is a fictional language used by [multiple authors](http://lovecraft.wikia.com/wiki/Aklo_language), which is why", "such as Lovecraft. Where could I find such a thing? If a dictionary", "fictional language used by writers such as Lovecraft. Where could I find such", "a dictionary doesn't exist, are there other resources that can help me? (Aklo", "can help me? (Aklo is a fictional language used by [multiple authors](http://lovecraft.wikia.com/wiki/Aklo_language), which", "help me? (Aklo is a fictional language used by [multiple authors](http://lovecraft.wikia.com/wiki/Aklo_language), which is", "by [multiple authors](http://lovecraft.wikia.com/wiki/Aklo_language), which is why I felt it proper to ask this", "language used by writers such as Lovecraft. Where could I find such a", "allow me to translate words into Aklo, a fictional language used by writers", "that can help me? (Aklo is a fictional language used by [multiple authors](http://lovecraft.wikia.com/wiki/Aklo_language),", "to translate words into Aklo, a fictional language used by writers such as", "resources that can help me? (Aklo is a fictional language used by [multiple", "into Aklo, a fictional language used by writers such as Lovecraft. Where could", "such a thing? If a dictionary doesn't exist, are there other resources that", "a fictional language used by [multiple authors](http://lovecraft.wikia.com/wiki/Aklo_language), which is why I felt it", "is a fictional language used by [multiple authors](http://lovecraft.wikia.com/wiki/Aklo_language), which is why I felt", "thing? If a dictionary doesn't exist, are there other resources that can help", "language used by [multiple authors](http://lovecraft.wikia.com/wiki/Aklo_language), which is why I felt it proper to", "a thing? If a dictionary doesn't exist, are there other resources that can", "used by writers such as Lovecraft. Where could I find such a thing?", "which is why I felt it proper to ask this here on Writers.)", "dictionary that will allow me to translate words into Aklo, a fictional language", "by writers such as Lovecraft. Where could I find such a thing? If", "could I find such a thing? If a dictionary doesn't exist, are there", "I am attempting to locate a dictionary that will allow me to translate", "If a dictionary doesn't exist, are there other resources that can help me?", "dictionary doesn't exist, are there other resources that can help me? (Aklo is", "a fictional language used by writers such as Lovecraft. Where could I find", "[multiple authors](http://lovecraft.wikia.com/wiki/Aklo_language), which is why I felt it proper to ask this here", "Aklo, a fictional language used by writers such as Lovecraft. Where could I", "authors](http://lovecraft.wikia.com/wiki/Aklo_language), which is why I felt it proper to ask this here on", "I find such a thing? If a dictionary doesn't exist, are there other", "attempting to locate a dictionary that will allow me to translate words into", "am attempting to locate a dictionary that will allow me to translate words", "words into Aklo, a fictional language used by writers such as Lovecraft. Where", "locate a dictionary that will allow me to translate words into Aklo, a", "writers such as Lovecraft. Where could I find such a thing? If a", "as Lovecraft. Where could I find such a thing? If a dictionary doesn't", "used by [multiple authors](http://lovecraft.wikia.com/wiki/Aklo_language), which is why I felt it proper to ask", "me to translate words into Aklo, a fictional language used by writers such", "a dictionary that will allow me to translate words into Aklo, a fictional", "find such a thing? If a dictionary doesn't exist, are there other resources", "there other resources that can help me? (Aklo is a fictional language used", "are there other resources that can help me? (Aklo is a fictional language", "translate words into Aklo, a fictional language used by writers such as Lovecraft.", "doesn't exist, are there other resources that can help me? (Aklo is a", "to locate a dictionary that will allow me to translate words into Aklo,", "(Aklo is a fictional language used by [multiple authors](http://lovecraft.wikia.com/wiki/Aklo_language), which is why I" ]
[ "particularly interested in this in the context of a new novelist. Are subplots", "this in the context of a new novelist. Are subplots necessary for a", "not sure I fully understand how to write a subplot and the main", "interested in this in the context of a new novelist. Are subplots necessary", "how to write a subplot and the main plot and have them all", "new novelist. Are subplots necessary for a successful, good story? Do most novels", "in this in the context of a new novelist. Are subplots necessary for", "to write a subplot and the main plot and have them all be", "Are subplots necessary for a successful, good story? Do most novels have them?", "and have them all be pertinent to the ending. I don't want to", "context of a new novelist. Are subplots necessary for a successful, good story?", "I'm not sure I fully understand how to write a subplot and the", "have them all be pertinent to the ending. I don't want to write", "good story? Do most novels have them? I'm not sure I fully understand", "sure I fully understand how to write a subplot and the main plot", "the main plot and have them all be pertinent to the ending. I", "them all be pertinent to the ending. I don't want to write a", "successful, good story? Do most novels have them? I'm not sure I fully", "novelist. Are subplots necessary for a successful, good story? Do most novels have", "necessary for a successful, good story? Do most novels have them? I'm not", "most novels have them? I'm not sure I fully understand how to write", "have them? I'm not sure I fully understand how to write a subplot", "plot and have them all be pertinent to the ending. I don't want", "story? Do most novels have them? I'm not sure I fully understand how", "don't want to write a subplot just for the sake of saying I", "for a successful, good story? Do most novels have them? I'm not sure", "I fully understand how to write a subplot and the main plot and", "I don't want to write a subplot just for the sake of saying", "main plot and have them all be pertinent to the ending. I don't", "a subplot and the main plot and have them all be pertinent to", "to the ending. I don't want to write a subplot just for the", "understand how to write a subplot and the main plot and have them", "I'm particularly interested in this in the context of a new novelist. Are", "subplots necessary for a successful, good story? Do most novels have them? I'm", "subplot and the main plot and have them all be pertinent to the", "novels have them? I'm not sure I fully understand how to write a", "and the main plot and have them all be pertinent to the ending.", "want to write a subplot just for the sake of saying I have", "of a new novelist. Are subplots necessary for a successful, good story? Do", "the context of a new novelist. Are subplots necessary for a successful, good", "Do most novels have them? I'm not sure I fully understand how to", "write a subplot and the main plot and have them all be pertinent", "a successful, good story? Do most novels have them? I'm not sure I", "all be pertinent to the ending. I don't want to write a subplot", "ending. I don't want to write a subplot just for the sake of", "a new novelist. Are subplots necessary for a successful, good story? Do most", "be pertinent to the ending. I don't want to write a subplot just", "pertinent to the ending. I don't want to write a subplot just for", "the ending. I don't want to write a subplot just for the sake", "to write a subplot just for the sake of saying I have one.", "in the context of a new novelist. Are subplots necessary for a successful,", "them? I'm not sure I fully understand how to write a subplot and", "fully understand how to write a subplot and the main plot and have" ]
[ "on a different story, written in third person, and I think I liked", "Should I do it? This is the first piece of long-ish writing that", "kinda want to change it to third person - but I'm already 97", "Piece fan fiction to improve my writing. I foolishly decided to write it", "long-ish writing that I've done so i may just be crazy or something.", "different story, written in third person, and I think I liked it better.", "book. Should I do it? This is the first piece of long-ish writing", "person and now I kinda want to change it to third person -", "to write it in first person and now I kinda want to change", "already 97 pages into the book. Should I do it? This is the", "This is the first piece of long-ish writing that I've done so i", "in first person and now I kinda want to change it to third", "writing a One Piece fan fiction to improve my writing. I foolishly decided", "I do it? This is the first piece of long-ish writing that I've", "first piece of long-ish writing that I've done so i may just be", "and now I kinda want to change it to third person - but", "and I think I liked it better. Now I want to redo pretty", "be crazy or something. During a break I took from from that book,", "from that book, I worked on a different story, written in third person,", "may just be crazy or something. During a break I took from from", "but I'm already 97 pages into the book. Should I do it? This", "or something. During a break I took from from that book, I worked", "it in first person and now I kinda want to change it to", "my writing. I foolishly decided to write it in first person and now", "in third person, and I think I liked it better. Now I want", "a different story, written in third person, and I think I liked it", "first person and now I kinda want to change it to third person", "- but I'm already 97 pages into the book. Should I do it?", "pages into the book. Should I do it? This is the first piece", "to change it to third person - but I'm already 97 pages into", "it better. Now I want to redo pretty much the entire beginning and", "fan fiction to improve my writing. I foolishly decided to write it in", "to improve my writing. I foolishly decided to write it in first person", "been writing a One Piece fan fiction to improve my writing. I foolishly", "crazy or something. During a break I took from from that book, I", "I want to redo pretty much the entire beginning and change the POV.", "written in third person, and I think I liked it better. Now I", "think I liked it better. Now I want to redo pretty much the", "that book, I worked on a different story, written in third person, and", "Now I want to redo pretty much the entire beginning and change the", "now I kinda want to change it to third person - but I'm", "writing that I've done so i may just be crazy or something. During", "it to third person - but I'm already 97 pages into the book.", "of long-ish writing that I've done so i may just be crazy or", "I foolishly decided to write it in first person and now I kinda", "piece of long-ish writing that I've done so i may just be crazy", "better. Now I want to redo pretty much the entire beginning and change", "worked on a different story, written in third person, and I think I", "i may just be crazy or something. During a break I took from", "to third person - but I'm already 97 pages into the book. Should", "story, written in third person, and I think I liked it better. Now", "done so i may just be crazy or something. During a break I", "so i may just be crazy or something. During a break I took", "liked it better. Now I want to redo pretty much the entire beginning", "One Piece fan fiction to improve my writing. I foolishly decided to write", "a One Piece fan fiction to improve my writing. I foolishly decided to", "foolishly decided to write it in first person and now I kinda want", "the first piece of long-ish writing that I've done so i may just", "person, and I think I liked it better. Now I want to redo", "is the first piece of long-ish writing that I've done so i may", "took from from that book, I worked on a different story, written in", "that I've done so i may just be crazy or something. During a", "a break I took from from that book, I worked on a different", "it? This is the first piece of long-ish writing that I've done so", "write it in first person and now I kinda want to change it", "writing. I foolishly decided to write it in first person and now I", "I kinda want to change it to third person - but I'm already", "book, I worked on a different story, written in third person, and I", "97 pages into the book. Should I do it? This is the first", "I've done so i may just be crazy or something. During a break", "I think I liked it better. Now I want to redo pretty much", "I'm already 97 pages into the book. Should I do it? This is", "break I took from from that book, I worked on a different story,", "I took from from that book, I worked on a different story, written", "just be crazy or something. During a break I took from from that", "During a break I took from from that book, I worked on a", "I worked on a different story, written in third person, and I think", "fiction to improve my writing. I foolishly decided to write it in first", "the book. Should I do it? This is the first piece of long-ish", "improve my writing. I foolishly decided to write it in first person and", "change it to third person - but I'm already 97 pages into the", "want to change it to third person - but I'm already 97 pages", "third person, and I think I liked it better. Now I want to", "I've been writing a One Piece fan fiction to improve my writing. I", "I liked it better. Now I want to redo pretty much the entire", "something. During a break I took from from that book, I worked on", "third person - but I'm already 97 pages into the book. Should I", "decided to write it in first person and now I kinda want to", "from from that book, I worked on a different story, written in third", "into the book. Should I do it? This is the first piece of", "do it? This is the first piece of long-ish writing that I've done", "person - but I'm already 97 pages into the book. Should I do" ]
[ "in some perspectives) discriminated against, would be 'owned' by the husband and definitely", "appear like it's written by someone negligent. Question -------- > > Does it", "armour and won't hesitate to chop off someone's head. I know that in", "during history. I'm scared that because I have so many women who go", "has made me concerned that my book sounds childish and nonsensical. Apparently: \"having", "stake, cuts off heads and betrays is too childish for people to take", "for example, the things I mentioned above? Would they think my writing is", "the stereotypical role of a woman in those times my book will appear", "things I mentioned above? Would they think my writing is childish if I", "her seriously.\" In my book, I've got men with excessively feminine names and", "book sounds childish and nonsensical. Apparently: \"having a woman who burns people at", "you break gender stereotypes? Of the present day, or at the 'time your", "might sound like a silly question, I know, but something someone said to", "Do many readers not expect for example, the things I mentioned above? Would", "too childish for people to take her seriously.\" In my book, I've got", "is too childish for people to take her seriously.\" In my book, I've", "in those times women were (and still are, in some perspectives) discriminated against,", "childish for people to take her seriously.\" In my book, I've got men", "Does it matter if you break gender stereotypes? Of the present day, or", "definitely not on the front lines during war. I learnt that during history.", "someone's head. I know that in those times women were (and still are,", "book will appear like it's written by someone negligent. Question -------- > >", "kings, and not playing the stereotypical role of a woman in those times", "present day, or at the 'time your book is set in'. > >", "those times my book will appear like it's written by someone negligent. Question", "betrays is too childish for people to take her seriously.\" In my book,", "assassinating kings, and not playing the stereotypical role of a woman in those", "attributes as well as plenty of women who are clad in full iron", "in full iron armour and won't hesitate to chop off someone's head. I", "my book sounds childish and nonsensical. Apparently: \"having a woman who burns people", "excessively feminine names and attributes as well as plenty of women who are", "the present day, or at the 'time your book is set in'. >", "discriminated against, would be 'owned' by the husband and definitely not on the", "of a woman in those times my book will appear like it's written", "of women who are clad in full iron armour and won't hesitate to", "who go around cutting open arrows, assassinating kings, and not playing the stereotypical", "> Does it matter if you break gender stereotypes? Of the present day,", "above? Would they think my writing is childish if I broke stereotypical gender", "silly question, I know, but something someone said to me today has made", "someone said to me today has made me concerned that my book sounds", "today has made me concerned that my book sounds childish and nonsensical. Apparently:", "think my writing is childish if I broke stereotypical gender roles? > >", "sound like a silly question, I know, but something someone said to me", "and definitely not on the front lines during war. I learnt that during", "set in'. > > > Do many readers not expect for example, the", "nonsensical. Apparently: \"having a woman who burns people at the stake, cuts off", "on the front lines during war. I learnt that during history. I'm scared", "iron armour and won't hesitate to chop off someone's head. I know that", "as plenty of women who are clad in full iron armour and won't", "with excessively feminine names and attributes as well as plenty of women who", "the husband and definitely* not on the front lines during war. I learnt", "but something someone said to me today has made me concerned that my", "book is set in'. > > > Do many readers not expect for", "a woman in those times my book will appear like it's written by", "full iron armour and won't hesitate to chop off someone's head. I know", "clad in full iron armour and won't hesitate to chop off someone's head.", "I mentioned above? Would they think my writing is childish if I broke", "that during history. I'm scared that because I have so many women who", "childish and nonsensical. Apparently: \"having a woman who burns people at the stake,", "and nonsensical. Apparently: \"having a woman who burns people at the stake, cuts", "they think my writing is childish if I broke stereotypical gender roles? >", "by someone negligent. Question -------- > > Does it matter if you break", "I'm scared that because I have so many women who go around cutting", "some perspectives) discriminated against, would be 'owned' by the husband and definitely not", "> Do many readers not expect for example, the things I mentioned above?", "off someone's head. I know that in those times women were (and still", "times women were (and still are, in some perspectives) discriminated against, would be", "and won't hesitate to chop off someone's head. I know that in those", "who are clad in full iron armour and won't hesitate to chop off", "people at the stake, cuts off heads and betrays is too childish for", "I know, but something someone said to me today has made me concerned", "against, would be 'owned' by the husband and definitely not on the front", "that my book sounds childish and nonsensical. Apparently: \"having a woman who burns", "> > Do many readers not expect for example, the things I mentioned", "> > > Do many readers not expect for example, the things I", "those times women were (and still are, in some perspectives) discriminated against, would", "a silly question, I know, but something someone said to me today has", "by the husband and definitely* not on the front lines during war. I", "cutting open arrows, assassinating kings, and not playing the stereotypical role of a", "because I have so many women who go around cutting open arrows, assassinating", "in those times my book will appear like it's written by someone negligent.", "perspectives) discriminated against, would be 'owned' by the husband and definitely not on", "example, the things I mentioned above? Would they think my writing is childish", "plenty of women who are clad in full iron armour and won't hesitate", "won't hesitate to chop off someone's head. I know that in those times", "my writing is childish if I broke stereotypical gender roles? > > >", "book, I've got men with excessively feminine names and attributes as well as", "hesitate to chop off someone's head. I know that in those times women", "expect for example, the things I mentioned above? Would they think my writing", "(and still are, in some perspectives) discriminated against, would be 'owned' by the", "Of the present day, or at the 'time your book is set in'.", "day, or at the 'time your book is set in'. > > >", "'time your book is set in'. > > > Do many readers not", "not on the front lines during war. I learnt that during history. I'm", "lines during war. I learnt that during history. I'm scared that because I", "my book will appear like it's written by someone negligent. Question -------- >", "sounds childish and nonsensical. Apparently: \"having a woman who burns people at the", "women who are clad in full iron armour and won't hesitate to chop", "go around cutting open arrows, assassinating kings, and not playing the stereotypical role", "woman in those times my book will appear like it's written by someone", "It might sound like a silly question, I know, but something someone said", "Background ---------- It might sound like a silly question, I know, but something", "got men with excessively feminine names and attributes as well as plenty of", "times my book will appear like it's written by someone negligent. Question --------", "will appear like it's written by someone negligent. Question -------- > > Does", "who burns people at the stake, cuts off heads and betrays is too", "playing the stereotypical role of a woman in those times my book will", "in'. > > > Do many readers not expect for example, the things", "be 'owned' by the husband and definitely* not on the front lines during", "not expect for example, the things I mentioned above? Would they think my", "learnt that during history. I'm scared that because I have so many women", "during war. I learnt that during history. I'm scared that because I have", "to chop off someone's head. I know that in those times women were", "women who go around cutting open arrows, assassinating kings, and not playing the", "are clad in full iron armour and won't hesitate to chop off someone's", "off heads and betrays is too childish for people to take her seriously.\"", "seriously.\" In my book, I've got men with excessively feminine names and attributes", "or at the 'time your book is set in'. > > > Do", "---------- It might sound like a silly question, I know, but something someone", "it matter if you break gender stereotypes? Of the present day, or at", "know, but something someone said to me today has made me concerned that", "not playing the stereotypical role of a woman in those times my book", "are, in some perspectives) discriminated against, would be 'owned' by the husband and", "around cutting open arrows, assassinating kings, and not playing the stereotypical role of", "people to take her seriously.\" In my book, I've got men with excessively", "I learnt that during history. I'm scared that because I have so many", "would be 'owned' by the husband and definitely* not on the front lines", "matter if you break gender stereotypes? Of the present day, or at the", "your book is set in'. > > > Do many readers not expect", "have so many women who go around cutting open arrows, assassinating kings, and", "and attributes as well as plenty of women who are clad in full", "war. I learnt that during history. I'm scared that because I have so", "if you break gender stereotypes? Of the present day, or at the 'time", "is set in'. > > > Do many readers not expect for example,", "front lines during war. I learnt that during history. I'm scared that because", "that in those times women were (and still are, in some perspectives) discriminated", "like it's written by someone negligent. Question -------- > > Does it matter", "said to me today has made me concerned that my book sounds childish", "many women who go around cutting open arrows, assassinating kings, and not playing", "\"having a woman who burns people at the stake, cuts off heads and", "stereotypical role of a woman in those times my book will appear like", "the 'time your book is set in'. > > > Do many readers", "men with excessively feminine names and attributes as well as plenty of women", "question, I know, but something someone said to me today has made me", "well as plenty of women who are clad in full iron armour and", "I know that in those times women were (and still are, in some", "and not playing the stereotypical role of a woman in those times my", "Question -------- > > Does it matter if you break gender stereotypes? Of", "mentioned above? Would they think my writing is childish if I broke stereotypical", "a woman who burns people at the stake, cuts off heads and betrays", "as well as plenty of women who are clad in full iron armour", "Apparently: \"having a woman who burns people at the stake, cuts off heads", "> > Does it matter if you break gender stereotypes? Of the present", "names and attributes as well as plenty of women who are clad in", "it's written by someone negligent. Question -------- > > Does it matter if", "gender stereotypes? Of the present day, or at the 'time your book is", "break gender stereotypes? Of the present day, or at the 'time your book", "the things I mentioned above? Would they think my writing is childish if", "cuts off heads and betrays is too childish for people to take her", "something someone said to me today has made me concerned that my book", "role of a woman in those times my book will appear like it's", "to take her seriously.\" In my book, I've got men with excessively feminine", "husband and definitely* not on the front lines during war. I learnt that", "-------- > > Does it matter if you break gender stereotypes? Of the", "at the 'time your book is set in'. > > > Do many", "my book, I've got men with excessively feminine names and attributes as well", "chop off someone's head. I know that in those times women were (and", "know that in those times women were (and still are, in some perspectives)", "stereotypes? Of the present day, or at the 'time your book is set", "scared that because I have so many women who go around cutting open", "head. I know that in those times women were (and still are, in", "were (and still are, in some perspectives) discriminated against, would be 'owned' by", "history. I'm scared that because I have so many women who go around", "women were (and still are, in some perspectives) discriminated against, would be 'owned'", "for people to take her seriously.\" In my book, I've got men with", "so many women who go around cutting open arrows, assassinating kings, and not", "take her seriously.\" In my book, I've got men with excessively feminine names", "feminine names and attributes as well as plenty of women who are clad", "the front lines during war. I learnt that during history. I'm scared that", "me concerned that my book sounds childish and nonsensical. Apparently: \"having a woman", "woman who burns people at the stake, cuts off heads and betrays is", "heads and betrays is too childish for people to take her seriously.\" In", "made me concerned that my book sounds childish and nonsensical. Apparently: \"having a", "open arrows, assassinating kings, and not playing the stereotypical role of a woman", "In my book, I've got men with excessively feminine names and attributes as", "and betrays is too childish for people to take her seriously.\" In my", "still are, in some perspectives) discriminated against, would be 'owned' by the husband", "written by someone negligent. Question -------- > > Does it matter if you", "'owned' by the husband and definitely not on the front lines during war.", "the stake, cuts off heads and betrays is too childish for people to", "to me today has made me concerned that my book sounds childish and", "negligent. Question -------- > > Does it matter if you break gender stereotypes?", "many readers not expect for example, the things I mentioned above? Would they", "I've got men with excessively feminine names and attributes as well as plenty", "me today has made me concerned that my book sounds childish and nonsensical.", "that because I have so many women who go around cutting open arrows,", "someone negligent. Question -------- > > Does it matter if you break gender", "I have so many women who go around cutting open arrows, assassinating kings,", "like a silly question, I know, but something someone said to me today", "Would they think my writing is childish if I broke stereotypical gender roles?", "at the stake, cuts off heads and betrays is too childish for people", "burns people at the stake, cuts off heads and betrays is too childish", "concerned that my book sounds childish and nonsensical. Apparently: \"*having a woman who", "arrows, assassinating kings, and not playing the stereotypical role of a woman in", "readers not expect for example, the things I mentioned above? Would they think" ]
[ "ask the question: What constitutes a great plot? Is it twists that you", "draft. I've given a good deal of thought to character, stakes, and the", "plot? Is it twists that you never saw coming? Is it a complicated", "of those areas. The same can't be said for the plot. I don't", "question: What constitutes a great plot?** Is it twists that you never saw", "(I've written several small fan fiction pieces) seem to agree with me. I", "to my plots, but I still feel like I'm missing the large picture.", "seem to agree with me. I do think my plots could be better,", "a lot more interesting, and add a lot more to the story. I", "deals with creating a connected plot across a series of books. This question", "with simply creating a great plot, connected or not, whether for a series", "I'm a plotter, meaning I plan and develop my books before ever writing", "plot. I don't think I create bad plots. My readers (I've written several", "I haven't identified yet? What makes a plot great? Note: This question is", "parts of novel creation, and I feel like I have a solid understanding", "the other parts of novel creation, and I feel like I have a", "most of the parts, but I'm not sure if I have all of", "of thought to character, stakes, and the other parts of novel creation, and", "to add to my plots, but I still feel like I'm missing the", "novel creation, and I feel like I have a solid understanding of those", "[this question](https://writers.stackexchange.com/questions/20718/how-can-i-create-an-inter-connected-plot-across-a-series). That question deals with creating a connected plot across a series", "a great plot?** Is it twists that you never saw coming? Is it", "I plan and develop my books before ever writing the first draft. I've", "I still feel like I'm missing the large picture. I have most of", "areas. The same can't be said for the plot. I don't think I", "understanding of those areas. The same can't be said for the plot. I", "something else I haven't identified yet? What makes a plot great? Note: This", "said for the plot. I don't think I create bad plots. My readers", "those areas. The same can't be said for the plot. I don't think", "of what I can do to add to my plots, but I still", "have most of the parts, but I'm not sure if I have all", "makes a plot great? Note: This question is not a duplicate of [this", "a plot great? Note: This question is not a duplicate of [this question](https://writers.stackexchange.com/questions/20718/how-can-i-create-an-inter-connected-plot-across-a-series).", "a plotter, meaning I plan and develop my books before ever writing the", "creating a connected plot across a series of books. This question deals with", "agree with me. I do think my plots could be better, a lot", "first draft. I've given a good deal of thought to character, stakes, and", "I do think my plots could be better, a lot more interesting, and", "do to add to my plots, but I still feel like I'm missing", "clear only at the end? Is it something else I haven't identified yet?", "add to my plots, but I still feel like I'm missing the large", "can do to add to my plots, but I still feel like I'm", "writing the first draft. I've given a good deal of thought to character,", "not a duplicate of [this question](https://writers.stackexchange.com/questions/20718/how-can-i-create-an-inter-connected-plot-across-a-series). That question deals with creating a connected", "plan and develop my books before ever writing the first draft. I've given", "I don't think I create bad plots. My readers (I've written several small", "the plot. I don't think I create bad plots. My readers (I've written", "that becomes clear only at the end? Is it something else I haven't", "stakes, and the other parts of novel creation, and I feel like I", "plot great? Note: This question is not a duplicate of [this question](https://writers.stackexchange.com/questions/20718/how-can-i-create-an-inter-connected-plot-across-a-series). That", "me to ask the question: What constitutes a great plot? Is it twists", "think my plots could be better, a lot more interesting, and add a", "That question deals with creating a connected plot across a series of books.", "end? Is it something else I haven't identified yet? What makes a plot", "meaning I plan and develop my books before ever writing the first draft.", "creating a great plot, connected or not, whether for a series or a", "feel like I have a solid understanding of those areas. The same can't", "question deals with simply creating a great plot, connected or not, whether for", "books before ever writing the first draft. I've given a good deal of", "of [this question](https://writers.stackexchange.com/questions/20718/how-can-i-create-an-inter-connected-plot-across-a-series). That question deals with creating a connected plot across a", "still feel like I'm missing the large picture. I have most of the", "given a good deal of thought to character, stakes, and the other parts", "that you never saw coming? Is it a complicated web that becomes clear", "it something else I haven't identified yet? What makes a plot great? Note:", "Note: This question is not a duplicate of [this question](https://writers.stackexchange.com/questions/20718/how-can-i-create-an-inter-connected-plot-across-a-series). That question deals", "good deal of thought to character, stakes, and the other parts of novel", "constitutes a great plot? Is it twists that you never saw coming? Is", "and the other parts of novel creation, and I feel like I have", "I feel like I have a solid understanding of those areas. The same", "a connected plot across a series of books. This question deals with simply", "plotter, meaning I plan and develop my books before ever writing the first", "has led me to ask the question: What constitutes a great plot? Is", "a good deal of thought to character, stakes, and the other parts of", "solid understanding of those areas. The same can't be said for the plot.", "the question: What constitutes a great plot?** Is it twists that you never", "books. This question deals with simply creating a great plot, connected or not,", "do think my plots could be better, a lot more interesting, and add", "This question deals with simply creating a great plot, connected or not, whether", "Is it a complicated web that becomes clear only at the end? Is", "I'm missing the large picture. I have most of the parts, but I'm", "series of books. This question deals with simply creating a great plot, connected", "great? Note: This question is not a duplicate of [this question](https://writers.stackexchange.com/questions/20718/how-can-i-create-an-inter-connected-plot-across-a-series). That question", "my plots could be better, a lot more interesting, and add a lot", "parts, but I'm not sure if I have all of the parts. This", "but I still feel like I'm missing the large picture. I have most", "to character, stakes, and the other parts of novel creation, and I feel", "picture. I have most of the parts, but I'm not sure if I", "across a series of books. This question deals with simply creating a great", "yet? What makes a plot great? Note: This question is not a duplicate", "the parts, but I'm not sure if I have all of the parts.", "other parts of novel creation, and I feel like I have a solid", "have some ideas of what I can do to add to my plots,", "but I'm not sure if I have all of the parts. This has", "large picture. I have most of the parts, but I'm not sure if", "sure if I have all of the parts. This has led me to", "I have all of the parts. This has led me to ask the", "you never saw coming? Is it a complicated web that becomes clear only", "duplicate of [this question](https://writers.stackexchange.com/questions/20718/how-can-i-create-an-inter-connected-plot-across-a-series). That question deals with creating a connected plot across", "ever writing the first draft. I've given a good deal of thought to", "some ideas of what I can do to add to my plots, but", "The same can't be said for the plot. I don't think I create", "all of the parts. This has led me to ask the question: *What", "Is it twists that you never saw coming? Is it a complicated web", "missing the large picture. I have most* of the parts, but I'm not", "becomes clear only at the end? Is it something else I haven't identified", "like I have a solid understanding of those areas. The same can't be", "plot across a series of books. This question deals with simply creating a", "to the story. I have some ideas of what I can do to", "feel like I'm missing the large picture. I have most of the parts,", "the end? Is it something else I haven't identified yet? What makes a", "What makes a plot great? Note: This question is not a duplicate of", "and add a lot more to the story. I have some ideas of", "the large picture. I have most of the parts, but I'm not sure", "with me. I do think my plots could be better, a lot more", "only at the end? Is it something else I haven't identified yet? What", "of books. This question deals with simply creating a great plot, connected or", "written several small fan fiction pieces) seem to agree with me. I do", "ideas of what I can do to add to my plots, but I", "I'm not sure if I have all of the parts. This has led", "My readers (I've written several small fan fiction pieces) seem to agree with", "the story. I have some ideas of what I can do to add", "never saw coming? Is it a complicated web that becomes clear only at", "question deals with creating a connected plot across a series of books. This", "fan fiction pieces) seem to agree with me. I do think my plots", "What constitutes a great plot? Is it twists that you never saw coming?", "my plots, but I still feel like I'm missing the large picture. I", "story. I have some ideas of what I can do to add to", "don't think I create bad plots. My readers (I've written several small fan", "what I can do to add to my plots, but I still feel", "parts. This has led me to ask the question: What constitutes a great", "better, a lot more interesting, and add a lot more to the story.", "can't be said for the plot. I don't think I create bad plots.", "coming? Is it a complicated web that becomes clear only at the end?", "a series of books. This question deals with simply creating a great plot,", "to ask the question: What constitutes a great plot?** Is it twists that", "a great plot, connected or not, whether for a series or a single", "a duplicate of [this question](https://writers.stackexchange.com/questions/20718/how-can-i-create-an-inter-connected-plot-across-a-series). That question deals with creating a connected plot", "could be better, a lot more interesting, and add a lot more to", "I've given a good deal of thought to character, stakes, and the other", "think I create bad plots. My readers (I've written several small fan fiction", "I have some ideas of what I can do to add to my", "I have a solid understanding of those areas. The same can't be said", "fiction pieces) seem to agree with me. I do think my plots could", "more interesting, and add a lot more to the story. I have some", "identified yet? What makes a plot great? Note: This question is not a", "question](https://writers.stackexchange.com/questions/20718/how-can-i-create-an-inter-connected-plot-across-a-series). That question deals with creating a connected plot across a series of", "simply creating a great plot, connected or not, whether for a series or", "before ever writing the first draft. I've given a good deal of thought", "haven't identified yet? What makes a plot great? Note: This question is not", "character, stakes, and the other parts of novel creation, and I feel like", "me. I do think my plots could be better, a lot more interesting,", "interesting, and add a lot more to the story. I have some ideas", "the parts. This has led me to ask the question: *What constitutes a", "it twists that you never saw coming? Is it a complicated web that", "be better, a lot more interesting, and add a lot more to the", "to agree with me. I do think my plots could be better, a", "saw coming? Is it a complicated web that becomes clear only at the", "I have most* of the parts, but I'm not sure if I have", "complicated web that becomes clear only at the end? Is it something else", "twists that you never saw coming? Is it a complicated web that becomes", "This has led me to ask the question: What constitutes a great plot?", "of the parts, but I'm not sure if I have all of the", "great plot, connected or not, whether for a series or a single novel.", "and I feel like I have a solid understanding of those areas. The", "lot more to the story. I have some ideas of what I can", "great plot? Is it twists that you never saw coming? Is it a", "Is it something else I haven't identified yet? What makes a plot great?", "led me to ask the question: What constitutes a great plot?** Is it", "deal of thought to character, stakes, and the other parts of novel creation,", "the first draft. I've given a good deal of thought to character, stakes,", "plots. My readers (I've written several small fan fiction pieces) seem to agree", "my books before ever writing the first draft. I've given a good deal", "creation, and I feel like I have a solid understanding of those areas.", "several small fan fiction pieces) seem to agree with me. I do think", "if I have all of the parts. This has led me to ask", "bad plots. My readers (I've written several small fan fiction pieces) seem to", "plots could be better, a lot more interesting, and add a lot more", "else I haven't identified yet? What makes a plot great? Note: This question", "of the parts. This has led me to ask the question: *What constitutes", "be said for the plot. I don't think I create bad plots. My", "have all* of the parts. This has led me to ask the question:", "I create bad plots. My readers (I've written several small fan fiction pieces)", "a solid understanding of those areas. The same can't be said for the", "web that becomes clear only at the end? Is it something else I", "with creating a connected plot across a series of books. This question deals", "pieces) seem to agree with me. I do think my plots could be", "question is not a duplicate of [this question](https://writers.stackexchange.com/questions/20718/how-can-i-create-an-inter-connected-plot-across-a-series). That question deals with creating", "deals with simply creating a great plot, connected or not, whether for a", "like I'm missing the large picture. I have most of the parts, but", "a complicated web that becomes clear only at the end? Is it something", "a lot more to the story. I have some ideas of what I", "develop my books before ever writing the first draft. I've given a good", "it a complicated web that becomes clear only at the end? Is it", "same can't be said for the plot. I don't think I create bad", "I can do to add to my plots, but I still feel like", "is not a duplicate of [this question](https://writers.stackexchange.com/questions/20718/how-can-i-create-an-inter-connected-plot-across-a-series). That question deals with creating a", "small fan fiction pieces) seem to agree with me. I do think my", "more to the story. I have some ideas of what I can do", "not sure if I have all of the parts. This has led me", "readers (I've written several small fan fiction pieces) seem to agree with me.", "thought to character, stakes, and the other parts of novel creation, and I", "and develop my books before ever writing the first draft. I've given a", "for the plot. I don't think I create bad plots. My readers (I've", "have a solid understanding of those areas. The same can't be said for", "add a lot more to the story. I have some ideas of what", "This question is not a duplicate of [this question](https://writers.stackexchange.com/questions/20718/how-can-i-create-an-inter-connected-plot-across-a-series). That question deals with", "connected plot across a series of books. This question deals with simply creating", "create bad plots. My readers (I've written several small fan fiction pieces) seem", "lot more interesting, and add a lot more to the story. I have", "of novel creation, and I feel like I have a solid understanding of", "at the end? Is it something else I haven't identified yet? What makes", "plots, but I still feel like I'm missing the large picture. I have" ]
[ "on Amazon that seem to have these kinds of elements, but there is", "utterly insane, particularly how the romantic relationships and sex lives of the characters", "is a sentient god-being who becomes an animal for seduction considered bestiality? I", "situation is utterly insane, particularly how the romantic relationships and sex lives of", "sexual relations with these transformed people and I don't leave it vague at", "have seen works for sale on Amazon that seem to have these kinds", "tone those parts down too much because they set up great sequences with", "half-animals, or objects. In several instances normal human beings have sexual relations with", "a weird question. I'm currently writing an anthology of twisted versions of well-known", "and clear do's and don'ts to approaching these situations? What can I do", "and fantasy stories. I'm exploring all the bizarre elements of how their worlds", "and such that have sexual relationships with normal humans. I have seen works", "are transformed into sentient animals, half-animals, or objects. In several instances normal human", "is a difference between what is allowed, and what people have managed to", "god-being who becomes an animal for seduction considered bestiality? I really don't want", "what is allowed, and what people have managed to sneak through. I have", "elements of how their worlds work and what would happen if we followed", "I know this is a weird question. I'm currently writing an anthology of", "don'ts to approaching these situations? What can I do to comply best without", "what people have managed to sneak through. I have other works for sale", "is a weird question. I'm currently writing an anthology of twisted versions of", "an animal for seduction considered bestiality? I really don't want to tone those", "difference between what is allowed, and what people have managed to sneak through.", "elements, but there is a difference between what is allowed, and what people", "all the bizarre elements of how their worlds work and what would happen", "work and what would happen if we followed those bizarre elements logically to", "particularly how the romantic relationships and sex lives of the characters are changed.", "about what Amazon will allow since their guidelines are so vague, or in", "managed to sneak through. I have other works for sale and I don't", "a graphic retelling of that myth is a sentient god-being who becomes an", "normal human beings have sexual relations with these transformed people and I don't", "works for sale on Amazon that seem to have these kinds of elements,", "have other works for sale and I don't want to be banned. I", "parts down too much because they set up great sequences with couples counseling", "set up great sequences with couples counseling later, and making them too vague", "making them too vague ruins what I explore in those parts. Are there", "In several instances normal human beings have sexual relations with these transformed people", "Sphinxes, centaurs, werewolves, and such that have sexual relationships with normal humans. I", "would happen if we followed those bizarre elements logically to such a far", "that the situation is utterly insane, particularly how the romantic relationships and sex", "these kinds of elements, but there is a difference between what is allowed,", "the situation is utterly insane, particularly how the romantic relationships and sex lives", "a swan and seduced a woman, for example. In a graphic retelling of", "bizarre elements logically to such a far degree that the situation is utterly", "the case of what I am writing, a gray area. In the stories", "great sequences with couples counseling later, and making them too vague ruins what", "in those parts. Are there any concrete and clear do's and don'ts to", "these situations? What can I do to comply best without destroying the experience", "animals, half-animals, or objects. In several instances normal human beings have sexual relations", "versions of well-known fairytales, myths, and fantasy stories. I'm exploring all the bizarre", "concerned about what Amazon will allow since their guidelines are so vague, or", "their worlds work and what would happen if we followed those bizarre elements", "bestiality? I really don't want to tone those parts down too much because", "sentient animals, half-animals, or objects. In several instances normal human beings have sexual", "a sentient god-being who becomes an animal for seduction considered bestiality? I really", "logically to such a far degree that the situation is utterly insane, particularly", "these transformed people and I don't leave it vague at all. In addition", "beings have sexual relations with these transformed people and I don't leave it", "leave it vague at all. In addition to that there are mythical creatures", "degree that the situation is utterly insane, particularly how the romantic relationships and", "what I explore in those parts. Are there any concrete and clear do's", "human beings have sexual relations with these transformed people and I don't leave", "and seduced a woman, for example. In a graphic retelling of that myth", "allow since their guidelines are so vague, or in the case of what", "what Amazon will allow since their guidelines are so vague, or in the", "guidelines are so vague, or in the case of what I am writing,", "I have other works for sale and I don't want to be banned.", "if we followed those bizarre elements logically to such a far degree that", "followed those bizarre elements logically to such a far degree that the situation", "with couples counseling later, and making them too vague ruins what I explore", "becomes an animal for seduction considered bestiality? I really don't want to tone", "ruins what I explore in those parts. Are there any concrete and clear", "human beings are transformed into sentient animals, half-animals, or objects. In several instances", "down too much because they set up great sequences with couples counseling later,", "to approaching these situations? What can I do to comply best without destroying", "to tone those parts down too much because they set up great sequences", "do's and don'ts to approaching these situations? What can I do to comply", "really don't want to tone those parts down too much because they set", "who becomes an animal for seduction considered bestiality? I really don't want to", "of twisted versions of well-known fairytales, myths, and fantasy stories. I'm exploring all", "those bizarre elements logically to such a far degree that the situation is", "such a far degree that the situation is utterly insane, particularly how the", "seduction considered bestiality? I really don't want to tone those parts down too", "stories I'm writing, human beings are transformed into sentient animals, half-animals, or objects.", "stories. I'm exploring all the bizarre elements of how their worlds work and", "for sale on Amazon that seem to have these kinds of elements, but", "Zuub appeared as a swan and seduced a woman, for example. In a", "up great sequences with couples counseling later, and making them too vague ruins", "vague ruins what I explore in those parts. Are there any concrete and", "What can I do to comply best without destroying the experience and intent", "and making them too vague ruins what I explore in those parts. Are", "do to comply best without destroying the experience and intent of the stories?", "exploring all the bizarre elements of how their worlds work and what would", "seem to have these kinds of elements, but there is a difference between", "as a swan and seduced a woman, for example. In a graphic retelling", "are changed. In Greek mythology Zuub appeared as a swan and seduced a", "animal for seduction considered bestiality? I really don't want to tone those parts", "to such a far degree that the situation is utterly insane, particularly how", "that myth is a sentient god-being who becomes an animal for seduction considered", "destroying the experience and intent of the stories? My thanks in advance for", "an anthology of twisted versions of well-known fairytales, myths, and fantasy stories. I'm", "In a graphic retelling of that myth is a sentient god-being who becomes", "is allowed, and what people have managed to sneak through. I have other", "objects. In several instances normal human beings have sexual relations with these transformed", "far degree that the situation is utterly insane, particularly how the romantic relationships", "weird question. I'm currently writing an anthology of twisted versions of well-known fairytales,", "can I do to comply best without destroying the experience and intent of", "the stories I'm writing, human beings are transformed into sentient animals, half-animals, or", "am writing, a gray area. In the stories I'm writing, human beings are", "what I am writing, a gray area. In the stories I'm writing, human", "be banned. I know this is a weird question. I'm currently writing an", "their guidelines are so vague, or in the case of what I am", "of how their worlds work and what would happen if we followed those", "there are mythical creatures like Sphinxes, centaurs, werewolves, and such that have sexual", "insane, particularly how the romantic relationships and sex lives of the characters are", "characters are changed. In Greek mythology Zuub appeared as a swan and seduced", "like Sphinxes, centaurs, werewolves, and such that have sexual relationships with normal humans.", "relationships with normal humans. I have seen works for sale on Amazon that", "too vague ruins what I explore in those parts. Are there any concrete", "of what I am writing, a gray area. In the stories I'm writing,", "for example. In a graphic retelling of that myth is a sentient god-being", "have sexual relationships with normal humans. I have seen works for sale on", "graphic retelling of that myth is a sentient god-being who becomes an animal", "through. I have other works for sale and I don't want to be", "a difference between what is allowed, and what people have managed to sneak", "normal humans. I have seen works for sale on Amazon that seem to", "them too vague ruins what I explore in those parts. Are there any", "any concrete and clear do's and don'ts to approaching these situations? What can", "a woman, for example. In a graphic retelling of that myth is a", "writing, human beings are transformed into sentient animals, half-animals, or objects. In several", "that there are mythical creatures like Sphinxes, centaurs, werewolves, and such that have", "but there is a difference between what is allowed, and what people have", "don't want to tone those parts down too much because they set up", "much because they set up great sequences with couples counseling later, and making", "retelling of that myth is a sentient god-being who becomes an animal for", "those parts. Are there any concrete and clear do's and don'ts to approaching", "sexual relationships with normal humans. I have seen works for sale on Amazon", "beings are transformed into sentient animals, half-animals, or objects. In several instances normal", "and what people have managed to sneak through. I have other works for", "at all. In addition to that there are mythical creatures like Sphinxes, centaurs,", "all. In addition to that there are mythical creatures like Sphinxes, centaurs, werewolves,", "couples counseling later, and making them too vague ruins what I explore in", "In addition to that there are mythical creatures like Sphinxes, centaurs, werewolves, and", "it vague at all. In addition to that there are mythical creatures like", "works for sale and I don't want to be banned. I know this", "bizarre elements of how their worlds work and what would happen if we", "other works for sale and I don't want to be banned. I know", "have these kinds of elements, but there is a difference between what is", "centaurs, werewolves, and such that have sexual relationships with normal humans. I have", "so vague, or in the case of what I am writing, a gray", "I don't leave it vague at all. In addition to that there are", "sale on Amazon that seem to have these kinds of elements, but there", "there is a difference between what is allowed, and what people have managed", "a far degree that the situation is utterly insane, particularly how the romantic", "people have managed to sneak through. I have other works for sale and", "transformed into sentient animals, half-animals, or objects. In several instances normal human beings", "those parts down too much because they set up great sequences with couples", "vague, or in the case of what I am writing, a gray area.", "approaching these situations? What can I do to comply best without destroying the", "I'm exploring all the bizarre elements of how their worlds work and what", "experience and intent of the stories? My thanks in advance for any help.", "case of what I am writing, a gray area. In the stories I'm", "vague at all. In addition to that there are mythical creatures like Sphinxes,", "myths, and fantasy stories. I'm exploring all the bizarre elements of how their", "we followed those bizarre elements logically to such a far degree that the", "to that there are mythical creatures like Sphinxes, centaurs, werewolves, and such that", "of that myth is a sentient god-being who becomes an animal for seduction", "I have seen works for sale on Amazon that seem to have these", "sale and I don't want to be banned. I know this is a", "clear do's and don'ts to approaching these situations? What can I do to", "don't want to be banned. I know this is a weird question. I'm", "swan and seduced a woman, for example. In a graphic retelling of that", "comply best without destroying the experience and intent of the stories? My thanks", "with these transformed people and I don't leave it vague at all. In", "the experience and intent of the stories? My thanks in advance for any", "mythical creatures like Sphinxes, centaurs, werewolves, and such that have sexual relationships with", "they set up great sequences with couples counseling later, and making them too", "writing, a gray area. In the stories I'm writing, human beings are transformed", "will allow since their guidelines are so vague, or in the case of", "kinds of elements, but there is a difference between what is allowed, and", "the romantic relationships and sex lives of the characters are changed. In Greek", "and sex lives of the characters are changed. In Greek mythology Zuub appeared", "sequences with couples counseling later, and making them too vague ruins what I", "and I don't leave it vague at all. In addition to that there", "have sexual relations with these transformed people and I don't leave it vague", "without destroying the experience and intent of the stories? My thanks in advance", "such that have sexual relationships with normal humans. I have seen works for", "Amazon that seem to have these kinds of elements, but there is a", "I am writing, a gray area. In the stories I'm writing, human beings", "know this is a weird question. I'm currently writing an anthology of twisted", "is utterly insane, particularly how the romantic relationships and sex lives of the", "sex lives of the characters are changed. In Greek mythology Zuub appeared as", "and what would happen if we followed those bizarre elements logically to such", "people and I don't leave it vague at all. In addition to that", "and don'ts to approaching these situations? What can I do to comply best", "well-known fairytales, myths, and fantasy stories. I'm exploring all the bizarre elements of", "changed. In Greek mythology Zuub appeared as a swan and seduced a woman,", "want to be banned. I know this is a weird question. I'm currently", "situations? What can I do to comply best without destroying the experience and", "a gray area. In the stories I'm writing, human beings are transformed into", "later, and making them too vague ruins what I explore in those parts.", "for sale and I don't want to be banned. I know this is", "since their guidelines are so vague, or in the case of what I", "of well-known fairytales, myths, and fantasy stories. I'm exploring all the bizarre elements", "lives of the characters are changed. In Greek mythology Zuub appeared as a", "too much because they set up great sequences with couples counseling later, and", "best without destroying the experience and intent of the stories? My thanks in", "question. I'm currently writing an anthology of twisted versions of well-known fairytales, myths,", "are mythical creatures like Sphinxes, centaurs, werewolves, and such that have sexual relationships", "of elements, but there is a difference between what is allowed, and what", "addition to that there are mythical creatures like Sphinxes, centaurs, werewolves, and such", "fairytales, myths, and fantasy stories. I'm exploring all the bizarre elements of how", "happen if we followed those bizarre elements logically to such a far degree", "the bizarre elements of how their worlds work and what would happen if", "relationships and sex lives of the characters are changed. In Greek mythology Zuub", "considered bestiality? I really don't want to tone those parts down too much", "parts. Are there any concrete and clear do's and don'ts to approaching these", "want to tone those parts down too much because they set up great", "for seduction considered bestiality? I really don't want to tone those parts down", "that have sexual relationships with normal humans. I have seen works for sale", "are so vague, or in the case of what I am writing, a", "I really don't want to tone those parts down too much because they", "don't leave it vague at all. In addition to that there are mythical", "sentient god-being who becomes an animal for seduction considered bestiality? I really don't", "I'm concerned about what Amazon will allow since their guidelines are so vague,", "area. In the stories I'm writing, human beings are transformed into sentient animals,", "I'm currently writing an anthology of twisted versions of well-known fairytales, myths, and", "creatures like Sphinxes, centaurs, werewolves, and such that have sexual relationships with normal", "elements logically to such a far degree that the situation is utterly insane,", "how the romantic relationships and sex lives of the characters are changed. In", "Are there any concrete and clear do's and don'ts to approaching these situations?", "what would happen if we followed those bizarre elements logically to such a", "into sentient animals, half-animals, or objects. In several instances normal human beings have", "myth is a sentient god-being who becomes an animal for seduction considered bestiality?", "because they set up great sequences with couples counseling later, and making them", "seen works for sale on Amazon that seem to have these kinds of", "how their worlds work and what would happen if we followed those bizarre", "transformed people and I don't leave it vague at all. In addition to", "anthology of twisted versions of well-known fairytales, myths, and fantasy stories. I'm exploring", "seduced a woman, for example. In a graphic retelling of that myth is", "humans. I have seen works for sale on Amazon that seem to have", "woman, for example. In a graphic retelling of that myth is a sentient", "of the characters are changed. In Greek mythology Zuub appeared as a swan", "concrete and clear do's and don'ts to approaching these situations? What can I", "In Greek mythology Zuub appeared as a swan and seduced a woman, for", "Amazon will allow since their guidelines are so vague, or in the case", "appeared as a swan and seduced a woman, for example. In a graphic", "In the stories I'm writing, human beings are transformed into sentient animals, half-animals,", "werewolves, and such that have sexual relationships with normal humans. I have seen", "the characters are changed. In Greek mythology Zuub appeared as a swan and", "instances normal human beings have sexual relations with these transformed people and I", "I explore in those parts. Are there any concrete and clear do's and", "or in the case of what I am writing, a gray area. In", "mythology Zuub appeared as a swan and seduced a woman, for example. In", "gray area. In the stories I'm writing, human beings are transformed into sentient", "romantic relationships and sex lives of the characters are changed. In Greek mythology", "to have these kinds of elements, but there is a difference between what", "sneak through. I have other works for sale and I don't want to", "Greek mythology Zuub appeared as a swan and seduced a woman, for example.", "explore in those parts. Are there any concrete and clear do's and don'ts", "counseling later, and making them too vague ruins what I explore in those", "or objects. In several instances normal human beings have sexual relations with these", "to comply best without destroying the experience and intent of the stories? My", "relations with these transformed people and I don't leave it vague at all.", "there any concrete and clear do's and don'ts to approaching these situations? What", "that seem to have these kinds of elements, but there is a difference", "and I don't want to be banned. I know this is a weird", "have managed to sneak through. I have other works for sale and I", "banned. I know this is a weird question. I'm currently writing an anthology", "currently writing an anthology of twisted versions of well-known fairytales, myths, and fantasy", "fantasy stories. I'm exploring all the bizarre elements of how their worlds work", "I'm writing, human beings are transformed into sentient animals, half-animals, or objects. In", "several instances normal human beings have sexual relations with these transformed people and", "with normal humans. I have seen works for sale on Amazon that seem", "in the case of what I am writing, a gray area. In the", "between what is allowed, and what people have managed to sneak through. I", "I don't want to be banned. I know this is a weird question.", "to be banned. I know this is a weird question. I'm currently writing", "this is a weird question. I'm currently writing an anthology of twisted versions", "writing an anthology of twisted versions of well-known fairytales, myths, and fantasy stories.", "twisted versions of well-known fairytales, myths, and fantasy stories. I'm exploring all the", "worlds work and what would happen if we followed those bizarre elements logically", "to sneak through. I have other works for sale and I don't want", "I do to comply best without destroying the experience and intent of the", "allowed, and what people have managed to sneak through. I have other works", "example. In a graphic retelling of that myth is a sentient god-being who" ]
[ "known by most of his continent. His mother because she had a very", "wet nurse, and she appears in a few scenes. But she's not a", "fleshed out and realistic are the characters, world, etc., the better, even in", "not this hero. He really had a wet nurse, and she appears in", "me, the more deep, fleshed out and realistic are the characters, world, etc.,", "a wet nurse, and she appears in a few scenes. But she's not", "this hero. He really had a wet nurse, and she appears in a", "in his birth is well known in the village he lives and neighbor", "of Conservation of Detail plays some roles here, but is it me that", "is simply ignored. But not this hero. He really had a wet nurse,", "is one moving story! > > — Let's see how he goes through", "Law of Conservation of Detail plays some roles here, but is it me", "very special characteristic very esteemed by the world's people, and the hero inherited", "> > — Well, OK... > > — And these are people he", "— Hi, hero! > > — This hero will go into a journey", "— And these are people he never knew that exist but that will", "village. The midwife that assisted in his birth is well known in the", "born and lives in a peasant village. The midwife that assisted in his", "most seem to just ignore all that and just tells something like: >", "setting. But is there a moment when telling a character's life and world", "random woman, she's his since-childhood friend's mother. The hero and his mother are", "in a peasant village. The midwife that assisted in his birth is well", "scenes. But she's not a random woman, she's his since-childhood friend's mother. The", "as a starting point of example. The hero born and lives in a", "story! > > — Let's see how he goes through it! > >", "mother because she had a very special characteristic very esteemed by the world's", "the characteristics, the story \"reminds\" that people are born, reproduce, die, newly-born humans", "through it! > > — Yay! > > > OK, the Law of", "realistic are the characters, world, etc., the better, even in a fantasy setting.", "hero. The villain is the hero's father cousin and he also has that", "journey to reach and accomplish a goal. > > — Well, OK... >", "(or maybe not), and in the end they all will be friends for", "a fantasy story I'm writing which takes place in the medieval period. Let's", "here, but is it me that flesh things out \"too much\", or is", "Or is it because the public don't want realism or \"over-fleshing out\", they", "the same genealogical tree. So, with this brief summary of some of the", "want a story, so all realism has to be yanked from the story", "want realism or \"over-fleshing out\", they just want a story, so all realism", "humans are dependent, everyone has or had parents, everyone has a genealogy, and", "character's life and world with realism is a bad idea and ignoring some", "world with realism is a bad idea and ignoring some aspects is a", "that will in someway be important for the story (or maybe not), and", "the end they all will be friends for all life. > > —", "> > — This hero will go into a journey to reach and", "for the story (or maybe not), and in the end they all will", "fantasy setting. But is there a moment when telling a character's life and", "people, and the hero inherited it. A specific character was a big fan,", "it's a very different take from the other stories, that most seem to", "\"over-fleshing out\", they just want a story, so all realism has to be", "a genealogy, and everything has a beginning, including people's life. But it's a", "characters, world, etc., the better, even in a fantasy setting. But is there", "the hero. The villain is the hero's father cousin and he also has", "I have a fantasy story I'm writing which takes place in the medieval", "are people he never knew that exist but that will in someway be", "born, reproduce, die, newly-born humans are dependent, everyone has or had parents, everyone", "takes place in the medieval period. Let's take the hero (the protagonist) as", "hero will go into a journey to reach and accomplish a goal. >", "by the world's people, and the hero inherited it. A specific character was", "> > — Hey, reader/viewer/player! Meet the hero. > > — Hi, hero!", "known in the village he lives and neighbor villages. His mother died on", "stories, the fact that he would need a wet nurse to be able", "That is one moving story! > > — Let's see how he goes", "deep, fleshed out and realistic are the characters, world, etc., the better, even", "she appears in a few scenes. But she's not a random woman, she's", "see how he goes through it! > > — Yay! > > >", "be friends for all life. > > — That is one moving story!", "fan, since childhood, of the hero's mother and such character also knows the", "character also knows the hero. The villain is the hero's father cousin and", "> > — And these are people he never knew that exist but", "seem to just ignore all that and just tells something like: > >", "village he lives and neighbor villages. His mother died on his birth. In", "a goal. > > — Well, OK... > > — And these are", "to reach and accomplish a goal. > > — Well, OK... > >", "and such character also knows the hero. The villain is the hero's father", "and everything has a beginning, including people's life. But it's a very different", "> > — Let's see how he goes through it! > > —", "But it's a very different take from the other stories, that most seem", "mother died on his birth. In most stories, the fact that he would", "take from the other stories, that most seem to just ignore all that", "it. A specific character was a big fan, since childhood, of the hero's", "really had a wet nurse, and she appears in a few scenes. But", "assisted in his birth is well known in the village he lives and", "Well, OK... > > — And these are people he never knew that", "including people's life. But it's a very different take from the other stories,", "> — Well, OK... > > — And these are people he never", "he lives and neighbor villages. His mother died on his birth. In most", "that assisted in his birth is well known in the village he lives", "everyone has or had parents, everyone has a genealogy, and everything has a", "neighbor villages. His mother died on his birth. In most stories, the fact", "His mother because she had a very special characteristic very esteemed by the", "flesh things out \"too much\", or is that the other stories are much", "the hero inherited it. A specific character was a big fan, since childhood,", "be able to live is simply ignored. But not this hero. He really", "just leave the \"good parts\"? For me, the more deep, fleshed out and", "hero's mother and such character also knows the hero. The villain is the", "and lives in a peasant village. The midwife that assisted in his birth", "— Let's see how he goes through it! > > — Yay! >", "some of the characteristics, the story \"reminds\" that people are born, reproduce, die,", "The villain is the hero's father cousin and he also has that special", "mother. The hero and his mother are well known by most of his", "of example. The hero born and lives in a peasant village. The midwife", "hero born and lives in a peasant village. The midwife that assisted in", "and just leave the \"good parts\"? For me, the more deep, fleshed out", "esteemed by the world's people, and the hero inherited it. A specific character", "the story (or maybe not), and in the end they all will be", "I'm writing which takes place in the medieval period. Let's take the hero", "specific character was a big fan, since childhood, of the hero's mother and", "will go into a journey to reach and accomplish a goal. > >", "accomplish a goal. > > — Well, OK... > > — And these", "Hey, reader/viewer/player! Meet the hero. > > — Hi, hero! > > —", "Hi, hero! > > — This hero will go into a journey to", "The hero and his mother are well known by most of his continent.", "me that flesh things out \"too much\", or is that the other stories", "since-childhood friend's mother. The hero and his mother are well known by most", "more scoped and \"to the point\"? Or is it because the public don't", "the other stories are much more scoped and \"to the point\"? Or is", "villages. His mother died on his birth. In most stories, the fact that", "characteristic, because they are part of the same genealogical tree. So, with this", "moment when telling a character's life and world with realism is a bad", "even in a fantasy setting. But is there a moment when telling a", "appears in a few scenes. But she's not a random woman, she's his", "more deep, fleshed out and realistic are the characters, world, etc., the better,", "out \"too much\", or is that the other stories are much more scoped", "which takes place in the medieval period. Let's take the hero (the protagonist)", "— This hero will go into a journey to reach and accomplish a", "out and realistic are the characters, world, etc., the better, even in a", "maybe not), and in the end they all will be friends for all", "because she had a very special characteristic very esteemed by the world's people,", "that exist but that will in someway be important for the story (or", "had parents, everyone has a genealogy, and everything has a beginning, including people's", "But she's not a random woman, she's his since-childhood friend's mother. The hero", "she had a very special characteristic very esteemed by the world's people, and", "go into a journey to reach and accomplish a goal. > > —", "everyone has a genealogy, and everything has a beginning, including people's life. But", "that the other stories are much more scoped and \"to the point\"? Or", "the hero. > > — Hi, hero! > > — This hero will", "such character also knows the hero. The villain is the hero's father cousin", "on his birth. In most stories, the fact that he would need a", "and just tells something like: > > — Hey, reader/viewer/player! Meet the hero.", "since childhood, of the hero's mother and such character also knows the hero.", "he also has that special characteristic, because they are part of the same", "And these are people he never knew that exist but that will in", "(the protagonist) as a starting point of example. The hero born and lives", "don't want realism or \"over-fleshing out\", they just want a story, so all", "just want a story, so all realism has to be yanked from the", "Let's take the hero (the protagonist) as a starting point of example. The", "friend's mother. The hero and his mother are well known by most of", "but is it me that flesh things out \"too much\", or is that", "into a journey to reach and accomplish a goal. > > — Well,", "special characteristic, because they are part of the same genealogical tree. So, with", "story (or maybe not), and in the end they all will be friends", "roles here, but is it me that flesh things out \"too much\", or", "story and just leave the \"good parts\"? For me, the more deep, fleshed", "with realism is a bad idea and ignoring some aspects is a better", "the other stories, that most seem to just ignore all that and just", "point of example. The hero born and lives in a peasant village. The", "scoped and \"to the point\"? Or is it because the public don't want", "a peasant village. The midwife that assisted in his birth is well known", "telling a character's life and world with realism is a bad idea and", "story \"reminds\" that people are born, reproduce, die, newly-born humans are dependent, everyone", "hero. He really had a wet nurse, and she appears in a few", "\"reminds\" that people are born, reproduce, die, newly-born humans are dependent, everyone has", "a moment when telling a character's life and world with realism is a", "in the medieval period. Let's take the hero (the protagonist) as a starting", "few scenes. But she's not a random woman, she's his since-childhood friend's mother.", "but that will in someway be important for the story (or maybe not),", "and in the end they all will be friends for all life. >", "Let's see how he goes through it! > > — Yay! > >", "the fact that he would need a wet nurse to be able to", "a very different take from the other stories, that most seem to just", "> > > OK, the Law of Conservation of Detail plays some roles", "— That is one moving story! > > — Let's see how he", "characteristic very esteemed by the world's people, and the hero inherited it. A", "In most stories, the fact that he would need a wet nurse to", "— Hey, reader/viewer/player! Meet the hero. > > — Hi, hero! > >", "there a moment when telling a character's life and world with realism is", "He really had a wet nurse, and she appears in a few scenes.", "part of the same genealogical tree. So, with this brief summary of some", "for all life. > > — That is one moving story! > >", "knows the hero. The villain is the hero's father cousin and he also", "is it me that flesh things out \"too much\", or is that the", "has a genealogy, and everything has a beginning, including people's life. But it's", "have a fantasy story I'm writing which takes place in the medieval period.", "dependent, everyone has or had parents, everyone has a genealogy, and everything has", "> — And these are people he never knew that exist but that", "life. > > — That is one moving story! > > — Let's", "> — This hero will go into a journey to reach and accomplish", "most of his continent. His mother because she had a very special characteristic", "like: > > — Hey, reader/viewer/player! Meet the hero. > > — Hi,", "all will be friends for all life. > > — That is one", "is the hero's father cousin and he also has that special characteristic, because", "plays some roles here, but is it me that flesh things out \"too", "the point\"? Or is it because the public don't want realism or \"over-fleshing", "of his continent. His mother because she had a very special characteristic very", "his since-childhood friend's mother. The hero and his mother are well known by", "one moving story! > > — Let's see how he goes through it!", "moving story! > > — Let's see how he goes through it! >", "realism has to be yanked from the story and just leave the \"good", "also has that special characteristic, because they are part of the same genealogical", "different take from the other stories, that most seem to just ignore all", "and his mother are well known by most of his continent. His mother", "A specific character was a big fan, since childhood, of the hero's mother", "had a very special characteristic very esteemed by the world's people, and the", "are born, reproduce, die, newly-born humans are dependent, everyone has or had parents,", "and realistic are the characters, world, etc., the better, even in a fantasy", "in the end they all will be friends for all life. > >", "The hero born and lives in a peasant village. The midwife that assisted", "people he never knew that exist but that will in someway be important", "Yay! > > > OK, the Law of Conservation of Detail plays some", "other stories, that most seem to just ignore all that and just tells", "take the hero (the protagonist) as a starting point of example. The hero", "But is there a moment when telling a character's life and world with", "the characters, world, etc., the better, even in a fantasy setting. But is", "newly-born humans are dependent, everyone has or had parents, everyone has a genealogy,", "Meet the hero. > > — Hi, hero! > > — This hero", "But not this hero. He really had a wet nurse, and she appears", "of the characteristics, the story \"reminds\" that people are born, reproduce, die, newly-born", "to live is simply ignored. But not this hero. He really had a", "had a wet nurse, and she appears in a few scenes. But she's", "live is simply ignored. But not this hero. He really had a wet", "characteristics, the story \"reminds\" that people are born, reproduce, die, newly-born humans are", "peasant village. The midwife that assisted in his birth is well known in", "he would need a wet nurse to be able to live is simply", "genealogical tree. So, with this brief summary of some of the characteristics, the", "tells something like: > > — Hey, reader/viewer/player! Meet the hero. > >", "special characteristic very esteemed by the world's people, and the hero inherited it.", "starting point of example. The hero born and lives in a peasant village.", "midwife that assisted in his birth is well known in the village he", "not a random woman, she's his since-childhood friend's mother. The hero and his", "much\", or is that the other stories are much more scoped and \"to", "a very special characteristic very esteemed by the world's people, and the hero", "has that special characteristic, because they are part of the same genealogical tree.", "that most seem to just ignore all that and just tells something like:", "mother and such character also knows the hero. The villain is the hero's", "beginning, including people's life. But it's a very different take from the other", "a big fan, since childhood, of the hero's mother and such character also", "they are part of the same genealogical tree. So, with this brief summary", "was a big fan, since childhood, of the hero's mother and such character", "or had parents, everyone has a genealogy, and everything has a beginning, including", "in someway be important for the story (or maybe not), and in the", "lives in a peasant village. The midwife that assisted in his birth is", "fantasy story I'm writing which takes place in the medieval period. Let's take", "friends for all life. > > — That is one moving story! >", "has a beginning, including people's life. But it's a very different take from", "the more deep, fleshed out and realistic are the characters, world, etc., the", "cousin and he also has that special characteristic, because they are part of", "much more scoped and \"to the point\"? Or is it because the public", "tree. So, with this brief summary of some of the characteristics, the story", "that he would need a wet nurse to be able to live is", "\"good parts\"? For me, the more deep, fleshed out and realistic are the", "etc., the better, even in a fantasy setting. But is there a moment", "that people are born, reproduce, die, newly-born humans are dependent, everyone has or", "everything has a beginning, including people's life. But it's a very different take", "not), and in the end they all will be friends for all life.", "the village he lives and neighbor villages. His mother died on his birth.", "> > — That is one moving story! > > — Let's see", "life and world with realism is a bad idea and ignoring some aspects", "to be yanked from the story and just leave the \"good parts\"? For", "die, newly-born humans are dependent, everyone has or had parents, everyone has a", "his birth is well known in the village he lives and neighbor villages.", "just ignore all that and just tells something like: > > — Hey,", "life. But it's a very different take from the other stories, that most", "ignore all that and just tells something like: > > — Hey, reader/viewer/player!", "his mother are well known by most of his continent. His mother because", "to be able to live is simply ignored. But not this hero. He", "reader/viewer/player! Meet the hero. > > — Hi, hero! > > — This", "the story \"reminds\" that people are born, reproduce, die, newly-born humans are dependent,", "example. The hero born and lives in a peasant village. The midwife that", "from the other stories, that most seem to just ignore all that and", "world, etc., the better, even in a fantasy setting. But is there a", "a beginning, including people's life. But it's a very different take from the", "same genealogical tree. So, with this brief summary of some of the characteristics,", "they just want a story, so all realism has to be yanked from", "> > — Hi, hero! > > — This hero will go into", "things out \"too much\", or is that the other stories are much more", "the medieval period. Let's take the hero (the protagonist) as a starting point", "well known by most of his continent. His mother because she had a", "of the hero's mother and such character also knows the hero. The villain", "someway be important for the story (or maybe not), and in the end", "in a fantasy setting. But is there a moment when telling a character's", "end they all will be friends for all life. > > — That", "to just ignore all that and just tells something like: > > —", "the hero's father cousin and he also has that special characteristic, because they", "of Detail plays some roles here, but is it me that flesh things", "that special characteristic, because they are part of the same genealogical tree. So,", "is that the other stories are much more scoped and \"to the point\"?", "it! > > — Yay! > > > OK, the Law of Conservation", "these are people he never knew that exist but that will in someway", "hero! > > — This hero will go into a journey to reach", "medieval period. Let's take the hero (the protagonist) as a starting point of", "they all will be friends for all life. > > — That is", "will in someway be important for the story (or maybe not), and in", "died on his birth. In most stories, the fact that he would need", "> — Yay! > > > OK, the Law of Conservation of Detail", "big fan, since childhood, of the hero's mother and such character also knows", "out\", they just want a story, so all realism has to be yanked", "people are born, reproduce, die, newly-born humans are dependent, everyone has or had", "will be friends for all life. > > — That is one moving", "are well known by most of his continent. His mother because she had", "it because the public don't want realism or \"over-fleshing out\", they just want", "so all realism has to be yanked from the story and just leave", "all that and just tells something like: > > — Hey, reader/viewer/player! Meet", "by most of his continent. His mother because she had a very special", "> — Let's see how he goes through it! > > — Yay!", "story I'm writing which takes place in the medieval period. Let's take the", "the hero's mother and such character also knows the hero. The villain is", "well known in the village he lives and neighbor villages. His mother died", "be yanked from the story and just leave the \"good parts\"? For me,", "the better, even in a fantasy setting. But is there a moment when", "knew that exist but that will in someway be important for the story", "his birth. In most stories, the fact that he would need a wet", "writing which takes place in the medieval period. Let's take the hero (the", "in a few scenes. But she's not a random woman, she's his since-childhood", "nurse, and she appears in a few scenes. But she's not a random", "because the public don't want realism or \"over-fleshing out\", they just want a", "are dependent, everyone has or had parents, everyone has a genealogy, and everything", "the hero (the protagonist) as a starting point of example. The hero born", "> — Hi, hero! > > — This hero will go into a", "this brief summary of some of the characteristics, the story \"reminds\" that people", "he never knew that exist but that will in someway be important for", "So, with this brief summary of some of the characteristics, the story \"reminds\"", "Conservation of Detail plays some roles here, but is it me that flesh", "she's not a random woman, she's his since-childhood friend's mother. The hero and", "hero (the protagonist) as a starting point of example. The hero born and", "\"too much\", or is that the other stories are much more scoped and", "some roles here, but is it me that flesh things out \"too much\",", "in the village he lives and neighbor villages. His mother died on his", "it me that flesh things out \"too much\", or is that the other", "with this brief summary of some of the characteristics, the story \"reminds\" that", "> > — Yay! > > > OK, the Law of Conservation of", "a story, so all realism has to be yanked from the story and", "His mother died on his birth. In most stories, the fact that he", "hero's father cousin and he also has that special characteristic, because they are", "hero. > > — Hi, hero! > > — This hero will go", "birth is well known in the village he lives and neighbor villages. His", "simply ignored. But not this hero. He really had a wet nurse, and", "very different take from the other stories, that most seem to just ignore", "world's people, and the hero inherited it. A specific character was a big", "stories, that most seem to just ignore all that and just tells something", "brief summary of some of the characteristics, the story \"reminds\" that people are", "yanked from the story and just leave the \"good parts\"? For me, the", "> OK, the Law of Conservation of Detail plays some roles here, but", "This hero will go into a journey to reach and accomplish a goal.", "a random woman, she's his since-childhood friend's mother. The hero and his mother", "story, so all realism has to be yanked from the story and just", "a starting point of example. The hero born and lives in a peasant", "he goes through it! > > — Yay! > > > OK, the", "reproduce, die, newly-born humans are dependent, everyone has or had parents, everyone has", "a wet nurse to be able to live is simply ignored. But not", "protagonist) as a starting point of example. The hero born and lives in", "the public don't want realism or \"over-fleshing out\", they just want a story,", "she's his since-childhood friend's mother. The hero and his mother are well known", "character was a big fan, since childhood, of the hero's mother and such", "nurse to be able to live is simply ignored. But not this hero.", "and accomplish a goal. > > — Well, OK... > > — And", "childhood, of the hero's mother and such character also knows the hero. The", "parents, everyone has a genealogy, and everything has a beginning, including people's life.", "never knew that exist but that will in someway be important for the", "mother are well known by most of his continent. His mother because she", "ignored. But not this hero. He really had a wet nurse, and she", "father cousin and he also has that special characteristic, because they are part", "of some of the characteristics, the story \"reminds\" that people are born, reproduce,", "lives and neighbor villages. His mother died on his birth. In most stories,", "exist but that will in someway be important for the story (or maybe", "realism is a bad idea and ignoring some aspects is a better option?", "that flesh things out \"too much\", or is that the other stories are", "something like: > > — Hey, reader/viewer/player! Meet the hero. > > —", "OK, the Law of Conservation of Detail plays some roles here, but is", "is there a moment when telling a character's life and world with realism", "parts\"? For me, the more deep, fleshed out and realistic are the characters,", "birth. In most stories, the fact that he would need a wet nurse", "the world's people, and the hero inherited it. A specific character was a", "the story and just leave the \"good parts\"? For me, the more deep,", "\"to the point\"? Or is it because the public don't want realism or", "public don't want realism or \"over-fleshing out\", they just want a story, so", "> — Hey, reader/viewer/player! Meet the hero. > > — Hi, hero! >", "Detail plays some roles here, but is it me that flesh things out", "reach and accomplish a goal. > > — Well, OK... > > —", "most stories, the fact that he would need a wet nurse to be", "— Well, OK... > > — And these are people he never knew", "the \"good parts\"? For me, the more deep, fleshed out and realistic are", "and \"to the point\"? Or is it because the public don't want realism", "has or had parents, everyone has a genealogy, and everything has a beginning,", "a fantasy setting. But is there a moment when telling a character's life", "or is that the other stories are much more scoped and \"to the", "are part of the same genealogical tree. So, with this brief summary of", "the Law of Conservation of Detail plays some roles here, but is it", "because they are part of the same genealogical tree. So, with this brief", "that and just tells something like: > > — Hey, reader/viewer/player! Meet the", "better, even in a fantasy setting. But is there a moment when telling", "other stories are much more scoped and \"to the point\"? Or is it", "would need a wet nurse to be able to live is simply ignored.", "For me, the more deep, fleshed out and realistic are the characters, world,", "all realism has to be yanked from the story and just leave the", "are much more scoped and \"to the point\"? Or is it because the", "need a wet nurse to be able to live is simply ignored. But", "period. Let's take the hero (the protagonist) as a starting point of example.", "his continent. His mother because she had a very special characteristic very esteemed", "is it because the public don't want realism or \"over-fleshing out\", they just", "stories are much more scoped and \"to the point\"? Or is it because", "and the hero inherited it. A specific character was a big fan, since", "goes through it! > > — Yay! > > > OK, the Law", "from the story and just leave the \"good parts\"? For me, the more", "place in the medieval period. Let's take the hero (the protagonist) as a", "genealogy, and everything has a beginning, including people's life. But it's a very", "has to be yanked from the story and just leave the \"good parts\"?", "summary of some of the characteristics, the story \"reminds\" that people are born,", "a few scenes. But she's not a random woman, she's his since-childhood friend's", "hero inherited it. A specific character was a big fan, since childhood, of", "a character's life and world with realism is a bad idea and ignoring", "villain is the hero's father cousin and he also has that special characteristic,", "when telling a character's life and world with realism is a bad idea", "hero and his mother are well known by most of his continent. His", "just tells something like: > > — Hey, reader/viewer/player! Meet the hero. >", "or \"over-fleshing out\", they just want a story, so all realism has to", "are the characters, world, etc., the better, even in a fantasy setting. But", "point\"? Or is it because the public don't want realism or \"over-fleshing out\",", "and he also has that special characteristic, because they are part of the", "and world with realism is a bad idea and ignoring some aspects is", "The midwife that assisted in his birth is well known in the village", "fact that he would need a wet nurse to be able to live", "important for the story (or maybe not), and in the end they all", "is well known in the village he lives and neighbor villages. His mother", "of the same genealogical tree. So, with this brief summary of some of", "woman, she's his since-childhood friend's mother. The hero and his mother are well", "and neighbor villages. His mother died on his birth. In most stories, the", "> — That is one moving story! > > — Let's see how", "— Yay! > > > OK, the Law of Conservation of Detail plays", "realism or \"over-fleshing out\", they just want a story, so all realism has", "goal. > > — Well, OK... > > — And these are people", "all life. > > — That is one moving story! > > —", "leave the \"good parts\"? For me, the more deep, fleshed out and realistic", "OK... > > — And these are people he never knew that exist", "inherited it. A specific character was a big fan, since childhood, of the", "> > OK, the Law of Conservation of Detail plays some roles here,", "a journey to reach and accomplish a goal. > > — Well, OK...", "how he goes through it! > > — Yay! > > > OK,", "be important for the story (or maybe not), and in the end they", "wet nurse to be able to live is simply ignored. But not this", "continent. His mother because she had a very special characteristic very esteemed by", "able to live is simply ignored. But not this hero. He really had", "also knows the hero. The villain is the hero's father cousin and he", "and she appears in a few scenes. But she's not a random woman,", "very esteemed by the world's people, and the hero inherited it. A specific", "people's life. But it's a very different take from the other stories, that" ]
[ "reader? Maybe readers don't care so much about alliteration? Maybe I should focus", "couch, she chewed over her new career > path. > > > Will", "dashed out of Yuuto's apartment and returned to hers in Ginza. > There,", "sliding on her dress. She always > felt frosty after failed fornication. \"You're", "Its bitterness > formed a frown on her forehead. \"Have you seen the", "and returned to hers in Ginza. > There, sipping a can of beer", "readers don't care so much about alliteration? Maybe I should focus on finding", "about alliteration? Maybe I should focus on finding the right verbs, similes, and", "me two thousand > yen because you couldn't get it up?\" > >", "Aru dashed out of Yuuto's apartment and returned to hers in Ginza. >", "much about alliteration? Maybe I should focus on finding the right verbs, similes,", "to hers in Ginza. > There, sipping a can of beer on her", "from a story I'm writing: > > \"Let me get this straight,\" Aru", "on her couch, she chewed over her new career > path. > >", "movie Pretty > Woman?\" > > > Aru dashed out of Yuuto's apartment", "bitterness > formed a frown on her forehead. \"Have you seen the movie", "couldn't get it up?\" > > > \"It wasn't suddenly.\" Aru sipped her", "seen the movie Pretty > Woman?\" > > > Aru dashed out of", "be distracting for the reader? Maybe readers don't care so much about alliteration?", "> There, sipping a can of beer on her couch, she chewed over", "This is an example from a story I'm writing: > > \"Let me", "her Americano. Its bitterness > formed a frown on her forehead. \"Have you", "wasn't suddenly.\" Aru sipped her Americano. Its bitterness > formed a frown on", "a lot. This is an example from a story I'm writing: > >", "she chewed over her new career > path. > > > Will this", "for the reader? Maybe readers don't care so much about alliteration? Maybe I", "beer on her couch, she chewed over her new career > path. >", "alliteration a lot. This is an example from a story I'm writing: >", "up?\" > > > \"It wasn't suddenly.\" Aru sipped her Americano. Its bitterness", "a story I'm writing: > > \"Let me get this straight,\" Aru said,", "She always > felt frosty after failed fornication. \"You're giving me two thousand", "sipped her Americano. Its bitterness > formed a frown on her forehead. \"Have", "> Will this be distracting for the reader? Maybe readers don't care so", "her forehead. \"Have you seen the movie Pretty > Woman?\" > > >", "her new career > path. > > > Will this be distracting for", "it up?\" > > > \"It wasn't suddenly.\" Aru sipped her Americano. Its", "> > > \"It wasn't suddenly.\" Aru sipped her Americano. Its bitterness >", "hers in Ginza. > There, sipping a can of beer on her couch,", "on her dress. She always > felt frosty after failed fornication. \"You're giving", "this straight,\" Aru said, sliding on her dress. She always > felt frosty", "her dress. She always > felt frosty after failed fornication. \"You're giving me", "don't care so much about alliteration? Maybe I should focus on finding the", "care so much about alliteration? Maybe I should focus on finding the right", "> felt frosty after failed fornication. \"You're giving me two thousand > yen", "I tend to use alliteration a lot. This is an example from a", "thousand > yen because you couldn't get it up?\" > > > \"It", "is an example from a story I'm writing: > > \"Let me get", "use alliteration a lot. This is an example from a story I'm writing:", "giving me two thousand > yen because you couldn't get it up?\" >", "story I'm writing: > > \"Let me get this straight,\" Aru said, sliding", "tend to use alliteration a lot. This is an example from a story", "straight,\" Aru said, sliding on her dress. She always > felt frosty after", "can of beer on her couch, she chewed over her new career >", "> > > Will this be distracting for the reader? Maybe readers don't", "alliteration? Maybe I should focus on finding the right verbs, similes, and metaphors?", "> > > Aru dashed out of Yuuto's apartment and returned to hers", "get this straight,\" Aru said, sliding on her dress. She always > felt", "a can of beer on her couch, she chewed over her new career", "Americano. Its bitterness > formed a frown on her forehead. \"Have you seen", "Will this be distracting for the reader? Maybe readers don't care so much", "over her new career > path. > > > Will this be distracting", "\"It wasn't suddenly.\" Aru sipped her Americano. Its bitterness > formed a frown", "Aru said, sliding on her dress. She always > felt frosty after failed", "formed a frown on her forehead. \"Have you seen the movie Pretty >", "returned to hers in Ginza. > There, sipping a can of beer on", "sipping a can of beer on her couch, she chewed over her new", "Yuuto's apartment and returned to hers in Ginza. > There, sipping a can", "chewed over her new career > path. > > > Will this be", "> > \"It wasn't suddenly.\" Aru sipped her Americano. Its bitterness > formed", "distracting for the reader? Maybe readers don't care so much about alliteration? Maybe", "felt frosty after failed fornication. \"You're giving me two thousand > yen because", "suddenly.\" Aru sipped her Americano. Its bitterness > formed a frown on her", "in Ginza. > There, sipping a can of beer on her couch, she", "fornication. \"You're giving me two thousand > yen because you couldn't get it", "said, sliding on her dress. She always > felt frosty after failed fornication.", "Pretty > Woman?\" > > > Aru dashed out of Yuuto's apartment and", "> formed a frown on her forehead. \"Have you seen the movie Pretty", "the movie Pretty > Woman?\" > > > Aru dashed out of Yuuto's", "> > Aru dashed out of Yuuto's apartment and returned to hers in", "a frown on her forehead. \"Have you seen the movie Pretty > Woman?\"", "> > \"Let me get this straight,\" Aru said, sliding on her dress.", "writing: > > \"Let me get this straight,\" Aru said, sliding on her", "forehead. \"Have you seen the movie Pretty > Woman?\" > > > Aru", "> yen because you couldn't get it up?\" > > > \"It wasn't", "frosty after failed fornication. \"You're giving me two thousand > yen because you", "> \"Let me get this straight,\" Aru said, sliding on her dress. She", "get it up?\" > > > \"It wasn't suddenly.\" Aru sipped her Americano.", "example from a story I'm writing: > > \"Let me get this straight,\"", "always > felt frosty after failed fornication. \"You're giving me two thousand >", "I'm writing: > > \"Let me get this straight,\" Aru said, sliding on", "to use alliteration a lot. This is an example from a story I'm", "me get this straight,\" Aru said, sliding on her dress. She always >", "apartment and returned to hers in Ginza. > There, sipping a can of", "failed fornication. \"You're giving me two thousand > yen because you couldn't get", "Ginza. > There, sipping a can of beer on her couch, she chewed", "> path. > > > Will this be distracting for the reader? Maybe", "this be distracting for the reader? Maybe readers don't care so much about", "an example from a story I'm writing: > > \"Let me get this", "path. > > > Will this be distracting for the reader? Maybe readers", "Maybe readers don't care so much about alliteration? Maybe I should focus on", "you seen the movie Pretty > Woman?\" > > > Aru dashed out", "yen because you couldn't get it up?\" > > > \"It wasn't suddenly.\"", "\"You're giving me two thousand > yen because you couldn't get it up?\"", "> Woman?\" > > > Aru dashed out of Yuuto's apartment and returned", "of Yuuto's apartment and returned to hers in Ginza. > There, sipping a", "the reader? Maybe readers don't care so much about alliteration? Maybe I should", "\"Let me get this straight,\" Aru said, sliding on her dress. She always", "new career > path. > > > Will this be distracting for the", "Aru sipped her Americano. Its bitterness > formed a frown on her forehead.", "because you couldn't get it up?\" > > > \"It wasn't suddenly.\" Aru", "frown on her forehead. \"Have you seen the movie Pretty > Woman?\" >", "lot. This is an example from a story I'm writing: > > \"Let", "dress. She always > felt frosty after failed fornication. \"You're giving me two", "her couch, she chewed over her new career > path. > > >", "of beer on her couch, she chewed over her new career > path.", "\"Have you seen the movie Pretty > Woman?\" > > > Aru dashed", "career > path. > > > Will this be distracting for the reader?", "so much about alliteration? Maybe I should focus on finding the right verbs,", "on her forehead. \"Have you seen the movie Pretty > Woman?\" > >", "There, sipping a can of beer on her couch, she chewed over her", "you couldn't get it up?\" > > > \"It wasn't suddenly.\" Aru sipped", "Woman?\" > > > Aru dashed out of Yuuto's apartment and returned to", "> \"It wasn't suddenly.\" Aru sipped her Americano. Its bitterness > formed a", "> > Will this be distracting for the reader? Maybe readers don't care", "> Aru dashed out of Yuuto's apartment and returned to hers in Ginza.", "two thousand > yen because you couldn't get it up?\" > > >", "after failed fornication. \"You're giving me two thousand > yen because you couldn't", "out of Yuuto's apartment and returned to hers in Ginza. > There, sipping" ]
[ "to format this. I have seen that some authors center the text that", "name is Renpen.\" > > > The primary issues with this is that", "piece of paper? Take this for example: > > What was his name?", "the paper that's ripped, with the text inside of it. However, I also", "that is that I want to reveal a piece of information, primarily the", "through an image of the paper that's ripped, with the text inside of", "completely irrelevant to him over the past few days. He looked around the", "reveal a piece of information, primarily the letters 'Renp' and 'En' that appear", "and others centering it. Is there some kind of universal method to do", "> 'Renp.' > > > 'En.' > > > \"I - my name", "was his name? That's something he never bothered with before - something completely", "bothered with before - something completely irrelevant to him over the past few", "some authors do what I have included in my example, and others centering", "and 'En' that appear above and below each other respectively. However, I'm unsure", "it. However, I also see some authors do what I have included in", "that's ripped, with the text inside of it. However, I also see some", "I want to reveal a piece of information, primarily the letters 'Renp' and", "centering it. Is there some kind of universal method to do something like", "> > 'En.' > > > \"I - my name is Renpen.\" >", "handwritten letters, the second halves of the words showing. > > > 'Renp.'", "included in my example, and others centering it. Is there some kind of", "Take this for example: > > What was his name? That's something he", "image of the paper that's ripped, with the text inside of it. However,", "> 'En.' > > > \"I - my name is Renpen.\" > >", "each other respectively. However, I'm unsure of the correct way to format this.", "what I have included in my example, and others centering it. Is there", "words written on a piece of paper? Take this for example: > >", "that they are aiming to convey through an image of the paper that's", "> > > 'En.' > > > \"I - my name is Renpen.\"", "on a piece of paper? Take this for example: > > What was", "for ideas, his eyes landing on a scrap of paper half torn vertically", "inside of it. However, I also see some authors do what I have", "with rough handwritten letters, the second halves of the words showing. > >", "specific object, such as words written on a piece of paper? Take this", "> \"I - my name is Renpen.\" > > > The primary issues", "> > \"I - my name is Renpen.\" > > > The primary", "example, and others centering it. Is there some kind of universal method to", "with the text inside of it. However, I also see some authors do", "a scrap of paper half torn vertically with rough handwritten letters, the second", "that appear above and below each other respectively. However, I'm unsure of the", "something completely irrelevant to him over the past few days. He looked around", "his name? That's something he never bothered with before - something completely irrelevant", "halves of the words showing. > > > 'Renp.' > > > 'En.'", "a piece of information, primarily the letters 'Renp' and 'En' that appear above", "my example, and others centering it. Is there some kind of universal method", "details of a specific object, such as words written on a piece of", "you visually describe details of a specific object, such as words written on", "information, primarily the letters 'Renp' and 'En' that appear above and below each", "format this. I have seen that some authors center the text that they", "visually describe details of a specific object, such as words written on a", "few days. He looked around the room for ideas, his eyes landing on", "way to format this. I have seen that some authors center the text", "do what I have included in my example, and others centering it. Is", "ideas, his eyes landing on a scrap of paper half torn vertically with", "describe details of a specific object, such as words written on a piece", "appear above and below each other respectively. However, I'm unsure of the correct", "in my example, and others centering it. Is there some kind of universal", "name? That's something he never bothered with before - something completely irrelevant to", "When writing in the first person, how do you visually describe details of", "is Renpen.\" > > > The primary issues with this is that is", "writing in the first person, how do you visually describe details of a", "'Renp' and 'En' that appear above and below each other respectively. However, I'm", "of paper half torn vertically with rough handwritten letters, the second halves of", "is that is that I want to reveal a piece of information, primarily", "other respectively. However, I'm unsure of the correct way to format this. I", "He looked around the room for ideas, his eyes landing on a scrap", "> > > \"I - my name is Renpen.\" > > > The", "> > What was his name? That's something he never bothered with before", "second halves of the words showing. > > > 'Renp.' > > >", "the letters 'Renp' and 'En' that appear above and below each other respectively.", "the room for ideas, his eyes landing on a scrap of paper half", "person, how do you visually describe details of a specific object, such as", "others centering it. Is there some kind of universal method to do something", "text inside of it. However, I also see some authors do what I", "do you visually describe details of a specific object, such as words written", "that some authors center the text that they are aiming to convey through", "However, I also see some authors do what I have included in my", "to reveal a piece of information, primarily the letters 'Renp' and 'En' that", "paper that's ripped, with the text inside of it. However, I also see", "with before - something completely irrelevant to him over the past few days.", "this for example: > > What was his name? That's something he never", "of a specific object, such as words written on a piece of paper?", "the text inside of it. However, I also see some authors do what", "> > > The primary issues with this is that is that I", "past few days. He looked around the room for ideas, his eyes landing", "want to reveal a piece of information, primarily the letters 'Renp' and 'En'", "this is that is that I want to reveal a piece of information,", "irrelevant to him over the past few days. He looked around the room", "respectively. However, I'm unsure of the correct way to format this. I have", "for example: > > What was his name? That's something he never bothered", "The primary issues with this is that is that I want to reveal", "are aiming to convey through an image of the paper that's ripped, with", "rough handwritten letters, the second halves of the words showing. > > >", "that I want to reveal a piece of information, primarily the letters 'Renp'", "Renpen.\" > > > The primary issues with this is that is that", "seen that some authors center the text that they are aiming to convey", "room for ideas, his eyes landing on a scrap of paper half torn", "a specific object, such as words written on a piece of paper? Take", "above and below each other respectively. However, I'm unsure of the correct way", "of the correct way to format this. I have seen that some authors", "authors center the text that they are aiming to convey through an image", "object, such as words written on a piece of paper? Take this for", "aiming to convey through an image of the paper that's ripped, with the", "correct way to format this. I have seen that some authors center the", "That's something he never bothered with before - something completely irrelevant to him", "vertically with rough handwritten letters, the second halves of the words showing. >", "days. He looked around the room for ideas, his eyes landing on a", "'En.' > > > \"I - my name is Renpen.\" > > >", "it. Is there some kind of universal method to do something like this?", "the past few days. He looked around the room for ideas, his eyes", "I also see some authors do what I have included in my example,", "unsure of the correct way to format this. I have seen that some", "of the paper that's ripped, with the text inside of it. However, I", "and below each other respectively. However, I'm unsure of the correct way to", "he never bothered with before - something completely irrelevant to him over the", "looked around the room for ideas, his eyes landing on a scrap of", "> > The primary issues with this is that is that I want", "some authors center the text that they are aiming to convey through an", "the text that they are aiming to convey through an image of the", "have seen that some authors center the text that they are aiming to", "see some authors do what I have included in my example, and others", "> The primary issues with this is that is that I want to", "issues with this is that is that I want to reveal a piece", "with this is that is that I want to reveal a piece of", "example: > > What was his name? That's something he never bothered with", "have included in my example, and others centering it. Is there some kind", "> What was his name? That's something he never bothered with before -", "before - something completely irrelevant to him over the past few days. He", "first person, how do you visually describe details of a specific object, such", "never bothered with before - something completely irrelevant to him over the past", "as words written on a piece of paper? Take this for example: >", "something he never bothered with before - something completely irrelevant to him over", "landing on a scrap of paper half torn vertically with rough handwritten letters,", "> > > 'Renp.' > > > 'En.' > > > \"I -", "is that I want to reveal a piece of information, primarily the letters", "authors do what I have included in my example, and others centering it.", "convey through an image of the paper that's ripped, with the text inside", "an image of the paper that's ripped, with the text inside of it.", "over the past few days. He looked around the room for ideas, his", "torn vertically with rough handwritten letters, the second halves of the words showing.", "I have seen that some authors center the text that they are aiming", "of it. However, I also see some authors do what I have included", "scrap of paper half torn vertically with rough handwritten letters, the second halves", "around the room for ideas, his eyes landing on a scrap of paper", "'En' that appear above and below each other respectively. However, I'm unsure of", "letters 'Renp' and 'En' that appear above and below each other respectively. However,", "in the first person, how do you visually describe details of a specific", "this. I have seen that some authors center the text that they are", "they are aiming to convey through an image of the paper that's ripped,", "the second halves of the words showing. > > > 'Renp.' > >", "half torn vertically with rough handwritten letters, the second halves of the words", "I have included in my example, and others centering it. Is there some", "also see some authors do what I have included in my example, and", "- something completely irrelevant to him over the past few days. He looked", "ripped, with the text inside of it. However, I also see some authors", "the correct way to format this. I have seen that some authors center", "'Renp.' > > > 'En.' > > > \"I - my name is", "center the text that they are aiming to convey through an image of", "the first person, how do you visually describe details of a specific object,", "- my name is Renpen.\" > > > The primary issues with this", "eyes landing on a scrap of paper half torn vertically with rough handwritten", "his eyes landing on a scrap of paper half torn vertically with rough", "to convey through an image of the paper that's ripped, with the text", "I'm unsure of the correct way to format this. I have seen that", "primarily the letters 'Renp' and 'En' that appear above and below each other", "to him over the past few days. He looked around the room for", "What was his name? That's something he never bothered with before - something", "the words showing. > > > 'Renp.' > > > 'En.' > >", "such as words written on a piece of paper? Take this for example:", "words showing. > > > 'Renp.' > > > 'En.' > > >", "of the words showing. > > > 'Renp.' > > > 'En.' >", "\"I - my name is Renpen.\" > > > The primary issues with", "below each other respectively. However, I'm unsure of the correct way to format", "my name is Renpen.\" > > > The primary issues with this is", "of information, primarily the letters 'Renp' and 'En' that appear above and below", "primary issues with this is that is that I want to reveal a", "paper? Take this for example: > > What was his name? That's something", "him over the past few days. He looked around the room for ideas,", "how do you visually describe details of a specific object, such as words", "paper half torn vertically with rough handwritten letters, the second halves of the", "of paper? Take this for example: > > What was his name? That's", "on a scrap of paper half torn vertically with rough handwritten letters, the", "piece of information, primarily the letters 'Renp' and 'En' that appear above and", "a piece of paper? Take this for example: > > What was his", "written on a piece of paper? Take this for example: > > What", "text that they are aiming to convey through an image of the paper", "letters, the second halves of the words showing. > > > 'Renp.' >", "> > 'Renp.' > > > 'En.' > > > \"I - my", "However, I'm unsure of the correct way to format this. I have seen", "showing. > > > 'Renp.' > > > 'En.' > > > \"I" ]
[ "thought about details like astronomy, geography and so on. For instance, this world", "astronomy, geography and so on. For instance, this world has a lighter gravity", "how could I show this for the readers without telling them? And without", "I've thought about details like astronomy, geography and so on. For instance, this", "higher mountain tops. But how could I show this for the readers without", "allows flying heavy animals and living on higher mountain tops. But how could", "create a realistic fantasy world, so I've thought about details like astronomy, geography", "a lighter gravity than Earth, which allows flying heavy animals and living on", "is the [show, don't tell](https://writers.stackexchange.com/questions/761/the-rules-of-writing) rule. I want to create a realistic fantasy", "of good writing is the [show, don't tell](https://writers.stackexchange.com/questions/761/the-rules-of-writing) rule. I want to create", "a realistic fantasy world, so I've thought about details like astronomy, geography and", "want to create a realistic fantasy world, so I've thought about details like", "the [show, don't tell](https://writers.stackexchange.com/questions/761/the-rules-of-writing) rule. I want to create a realistic fantasy world,", "don't tell](https://writers.stackexchange.com/questions/761/the-rules-of-writing) rule. I want to create a realistic fantasy world, so I've", "like astronomy, geography and so on. For instance, this world has a lighter", "gravity than Earth, which allows flying heavy animals and living on higher mountain", "animals and living on higher mountain tops. But how could I show this", "living on higher mountain tops. But how could I show this for the", "instance, this world has a lighter gravity than Earth, which allows flying heavy", "world, so I've thought about details like astronomy, geography and so on. For", "writing is the [show, don't tell](https://writers.stackexchange.com/questions/761/the-rules-of-writing) rule. I want to create a realistic", "heavy animals and living on higher mountain tops. But how could I show", "But how could I show this for the readers without telling them? And", "the rules of good writing is the [show, don't tell](https://writers.stackexchange.com/questions/761/the-rules-of-writing) rule. I want", "Earth, which allows flying heavy animals and living on higher mountain tops. But", "lighter gravity than Earth, which allows flying heavy animals and living on higher", "flying heavy animals and living on higher mountain tops. But how could I", "[show, don't tell](https://writers.stackexchange.com/questions/761/the-rules-of-writing) rule. I want to create a realistic fantasy world, so", "and so on. For instance, this world has a lighter gravity than Earth,", "I show this for the readers without telling them? And without referring to", "One of the rules of good writing is the [show, don't tell](https://writers.stackexchange.com/questions/761/the-rules-of-writing) rule.", "could I show this for the readers without telling them? And without referring", "so on. For instance, this world has a lighter gravity than Earth, which", "which allows flying heavy animals and living on higher mountain tops. But how", "world has a lighter gravity than Earth, which allows flying heavy animals and", "rule. I want to create a realistic fantasy world, so I've thought about", "has a lighter gravity than Earth, which allows flying heavy animals and living", "tops. But how could I show this for the readers without telling them?", "this world has a lighter gravity than Earth, which allows flying heavy animals", "realistic fantasy world, so I've thought about details like astronomy, geography and so", "fantasy world, so I've thought about details like astronomy, geography and so on.", "than Earth, which allows flying heavy animals and living on higher mountain tops.", "I want to create a realistic fantasy world, so I've thought about details", "details like astronomy, geography and so on. For instance, this world has a", "so I've thought about details like astronomy, geography and so on. For instance,", "and living on higher mountain tops. But how could I show this for", "to create a realistic fantasy world, so I've thought about details like astronomy,", "geography and so on. For instance, this world has a lighter gravity than", "show this for the readers without telling them? And without referring to Earth?", "mountain tops. But how could I show this for the readers without telling", "about details like astronomy, geography and so on. For instance, this world has", "of the rules of good writing is the [show, don't tell](https://writers.stackexchange.com/questions/761/the-rules-of-writing) rule. I", "rules of good writing is the [show, don't tell](https://writers.stackexchange.com/questions/761/the-rules-of-writing) rule. I want to", "on. For instance, this world has a lighter gravity than Earth, which allows", "tell](https://writers.stackexchange.com/questions/761/the-rules-of-writing) rule. I want to create a realistic fantasy world, so I've thought", "on higher mountain tops. But how could I show this for the readers", "For instance, this world has a lighter gravity than Earth, which allows flying", "good writing is the [show, don't tell](https://writers.stackexchange.com/questions/761/the-rules-of-writing) rule. I want to create a" ]
[ "the story (an introduction), but I want some backstory (the prologue, what the", "an introduction as well. What I mean is that I want to write", "Is it okay to add the two together, or should I ditch the", "What I mean is that I want to write about why and how", "but I want some backstory (the prologue, what the character was doing before", "prologue, what the character was doing before the official story happened, from their", "a prologue I'm working on right now, however, I want to add an", "character was doing before the official story happened, from their perspective). Is it", "backstory (the prologue, what the character was doing before the official story happened,", "official story happened, from their perspective). Is it okay to add the two", "why and how I created the story (an introduction), but I want some", "however, I want to add an introduction as well. What I mean is", "should I ditch the introduction and stick with the prologue, or vice versa?", "is that I want to write about why and how I created the", "mean is that I want to write about why and how I created", "from their perspective). Is it okay to add the two together, or should", "two together, or should I ditch the introduction and stick with the prologue,", "prologue I'm working on right now, however, I want to add an introduction", "add the two together, or should I ditch the introduction and stick with", "the two together, or should I ditch the introduction and stick with the", "now, however, I want to add an introduction as well. What I mean", "I want to write about why and how I created the story (an", "or should I ditch the introduction and stick with the prologue, or vice", "well. What I mean is that I want to write about why and", "I'm working on right now, however, I want to add an introduction as", "add an introduction as well. What I mean is that I want to", "want to add an introduction as well. What I mean is that I", "story (an introduction), but I want some backstory (the prologue, what the character", "story happened, from their perspective). Is it okay to add the two together,", "write about why and how I created the story (an introduction), but I", "on right now, however, I want to add an introduction as well. What", "right now, however, I want to add an introduction as well. What I", "have a prologue I'm working on right now, however, I want to add", "and how I created the story (an introduction), but I want some backstory", "want to write about why and how I created the story (an introduction),", "was doing before the official story happened, from their perspective). Is it okay", "doing before the official story happened, from their perspective). Is it okay to", "working on right now, however, I want to add an introduction as well.", "the official story happened, from their perspective). Is it okay to add the", "their perspective). Is it okay to add the two together, or should I", "about why and how I created the story (an introduction), but I want", "(an introduction), but I want some backstory (the prologue, what the character was", "it okay to add the two together, or should I ditch the introduction", "okay to add the two together, or should I ditch the introduction and", "what the character was doing before the official story happened, from their perspective).", "happened, from their perspective). Is it okay to add the two together, or", "together, or should I ditch the introduction and stick with the prologue, or", "introduction), but I want some backstory (the prologue, what the character was doing", "introduction as well. What I mean is that I want to write about", "I mean is that I want to write about why and how I", "how I created the story (an introduction), but I want some backstory (the", "I want to add an introduction as well. What I mean is that", "created the story (an introduction), but I want some backstory (the prologue, what", "some backstory (the prologue, what the character was doing before the official story", "before the official story happened, from their perspective). Is it okay to add", "want some backstory (the prologue, what the character was doing before the official", "perspective). Is it okay to add the two together, or should I ditch", "to add the two together, or should I ditch the introduction and stick", "as well. What I mean is that I want to write about why", "I want some backstory (the prologue, what the character was doing before the", "(the prologue, what the character was doing before the official story happened, from", "to add an introduction as well. What I mean is that I want", "that I want to write about why and how I created the story", "to write about why and how I created the story (an introduction), but", "the character was doing before the official story happened, from their perspective). Is", "I created the story (an introduction), but I want some backstory (the prologue,", "I have a prologue I'm working on right now, however, I want to" ]
[ "the basic intention? Or are their others? Example: I create a highlights video", "matches where my favorite team keeps starting a match badly conceding goals, but", "a TV trope. What are some reasons to use them? I'm assuming there's", "them? I'm assuming there's more to it than just bored writers trying to", "are their others? Example: I create a highlights video of soccer matches where", "effect. Moreover, you leave the viewer anxious about the climax by sewing a", "showing highlights of a match where they fail to make a comeback and", "to it than just bored writers trying to amuse themselves to the detriment", "a highlights video of soccer matches where my favorite team keeps starting a", "trope. What are some reasons to use them? I'm assuming there's more to", "The one I can think of is - generally you build anticipation in", "the detriment of the reader. The one I can think of is -", "some reasons to use them? I'm assuming there's more to it than just", "use them? I'm assuming there's more to it than just bored writers trying", "a foregone conclusion. Is this the basic intention? Or are their others? Example:", "think of is - generally you build anticipation in a plot by making", "their others? Example: I create a highlights video of soccer matches where my", "of a match where they fail to make a comeback and the viewer", "highlights of a match where they fail to make a comeback and the", "I'm assuming there's more to it than just bored writers trying to amuse", "cause and effect. Then to evoke a dramatic / emotional shock you mislead", "with disappointment. Subsequent match highlights will then keep the viewer on edge by", "a red herring in by showing highlights of a match where they fail", "fail to make a comeback and the viewer is jarred with disappointment. Subsequent", "viewer is jarred with disappointment. Subsequent match highlights will then keep the viewer", "the viewer anxious about the climax by sewing a seed of doubt that", "Is this the basic intention? Or are their others? Example: I create a", "basic intention? Or are their others? Example: I create a highlights video of", "getting predictable, you throw a red herring in by showing highlights of a", "Then to evoke a dramatic / emotional shock you mislead them by giving", "then keep the viewer on edge by not knowing which way the next", "detriment of the reader. The one I can think of is - generally", "about the climax by sewing a seed of doubt that the effect is", "that the effect is not a foregone conclusion. Is this the basic intention?", "a pattern through repeated exposure to consistent cause and effect. Then to evoke", "match highlights will then keep the viewer on edge by not knowing which", "as a TV trope. What are some reasons to use them? I'm assuming", "the anticipated effect. Moreover, you leave the viewer anxious about the climax by", "a dramatic / emotional shock you mislead them by giving a cause that", "favorite team keeps starting a match badly conceding goals, but always makes a", "to consistent cause and effect. Then to evoke a dramatic / emotional shock", "goals, but always makes a comeback and wins each game. Then just as", "a cause that fails to provide the anticipated effect. Moreover, you leave the", "anticipated effect. Moreover, you leave the viewer anxious about the climax by sewing", "I create a highlights video of soccer matches where my favorite team keeps", "team keeps starting a match badly conceding goals, but always makes a comeback", "highlights will then keep the viewer on edge by not knowing which way", "repeated exposure to consistent cause and effect. Then to evoke a dramatic /", "writers trying to amuse themselves to the detriment of the reader. The one", "game. Then just as it's getting predictable, you throw a red herring in", "Then just as it's getting predictable, you throw a red herring in by", "see any analytical literature about the usefulness of red herrings as a TV", "jarred with disappointment. Subsequent match highlights will then keep the viewer on edge", "one I can think of is - generally you build anticipation in a", "of is - generally you build anticipation in a plot by making the", "a comeback and wins each game. Then just as it's getting predictable, you", "it's getting predictable, you throw a red herring in by showing highlights of", "climax by sewing a seed of doubt that the effect is not a", "the viewer on edge by not knowing which way the next one will", "I can think of is - generally you build anticipation in a plot", "don't see any analytical literature about the usefulness of red herrings as a", "build anticipation in a plot by making the viewer/reader subconsciously establish a pattern", "starting a match badly conceding goals, but always makes a comeback and wins", "through repeated exposure to consistent cause and effect. Then to evoke a dramatic", "comeback and wins each game. Then just as it's getting predictable, you throw", "each game. Then just as it's getting predictable, you throw a red herring", "of doubt that the effect is not a foregone conclusion. Is this the", "that fails to provide the anticipated effect. Moreover, you leave the viewer anxious", "more to it than just bored writers trying to amuse themselves to the", "by making the viewer/reader subconsciously establish a pattern through repeated exposure to consistent", "a comeback and the viewer is jarred with disappointment. Subsequent match highlights will", "provide the anticipated effect. Moreover, you leave the viewer anxious about the climax", "badly conceding goals, but always makes a comeback and wins each game. Then", "and effect. Then to evoke a dramatic / emotional shock you mislead them", "leave the viewer anxious about the climax by sewing a seed of doubt", "can think of is - generally you build anticipation in a plot by", "is not a foregone conclusion. Is this the basic intention? Or are their", "amuse themselves to the detriment of the reader. The one I can think", "in a plot by making the viewer/reader subconsciously establish a pattern through repeated", "you mislead them by giving a cause that fails to provide the anticipated", "throw a red herring in by showing highlights of a match where they", "red herring in by showing highlights of a match where they fail to", "seed of doubt that the effect is not a foregone conclusion. Is this", "and wins each game. Then just as it's getting predictable, you throw a", "about the usefulness of red herrings as a TV trope. What are some", "Moreover, you leave the viewer anxious about the climax by sewing a seed", "establish a pattern through repeated exposure to consistent cause and effect. Then to", "my favorite team keeps starting a match badly conceding goals, but always makes", "intention? Or are their others? Example: I create a highlights video of soccer", "by showing highlights of a match where they fail to make a comeback", "sewing a seed of doubt that the effect is not a foregone conclusion.", "is - generally you build anticipation in a plot by making the viewer/reader", "TV trope. What are some reasons to use them? I'm assuming there's more", "in by showing highlights of a match where they fail to make a", "a match where they fail to make a comeback and the viewer is", "emotional shock you mislead them by giving a cause that fails to provide", "of soccer matches where my favorite team keeps starting a match badly conceding", "herrings as a TV trope. What are some reasons to use them? I'm", "plot by making the viewer/reader subconsciously establish a pattern through repeated exposure to", "doubt that the effect is not a foregone conclusion. Is this the basic", "bored writers trying to amuse themselves to the detriment of the reader. The", "red herrings as a TV trope. What are some reasons to use them?", "soccer matches where my favorite team keeps starting a match badly conceding goals,", "to the detriment of the reader. The one I can think of is", "consistent cause and effect. Then to evoke a dramatic / emotional shock you", "usefulness of red herrings as a TV trope. What are some reasons to", "keep the viewer on edge by not knowing which way the next one", "to provide the anticipated effect. Moreover, you leave the viewer anxious about the", "dramatic / emotional shock you mislead them by giving a cause that fails", "any analytical literature about the usefulness of red herrings as a TV trope.", "evoke a dramatic / emotional shock you mislead them by giving a cause", "viewer anxious about the climax by sewing a seed of doubt that the", "to evoke a dramatic / emotional shock you mislead them by giving a", "Or are their others? Example: I create a highlights video of soccer matches", "by sewing a seed of doubt that the effect is not a foregone", "match badly conceding goals, but always makes a comeback and wins each game.", "wins each game. Then just as it's getting predictable, you throw a red", "analytical literature about the usefulness of red herrings as a TV trope. What", "highlights video of soccer matches where my favorite team keeps starting a match", "the viewer is jarred with disappointment. Subsequent match highlights will then keep the", "is jarred with disappointment. Subsequent match highlights will then keep the viewer on", "where they fail to make a comeback and the viewer is jarred with", "as it's getting predictable, you throw a red herring in by showing highlights", "make a comeback and the viewer is jarred with disappointment. Subsequent match highlights", "are some reasons to use them? I'm assuming there's more to it than", "foregone conclusion. Is this the basic intention? Or are their others? Example: I", "Example: I create a highlights video of soccer matches where my favorite team", "the viewer/reader subconsciously establish a pattern through repeated exposure to consistent cause and", "the effect is not a foregone conclusion. Is this the basic intention? Or", "I don't see any analytical literature about the usefulness of red herrings as", "to use them? I'm assuming there's more to it than just bored writers", "them by giving a cause that fails to provide the anticipated effect. Moreover,", "conclusion. Is this the basic intention? Or are their others? Example: I create", "you build anticipation in a plot by making the viewer/reader subconsciously establish a", "a match badly conceding goals, but always makes a comeback and wins each", "you leave the viewer anxious about the climax by sewing a seed of", "it than just bored writers trying to amuse themselves to the detriment of", "generally you build anticipation in a plot by making the viewer/reader subconsciously establish", "disappointment. Subsequent match highlights will then keep the viewer on edge by not", "a seed of doubt that the effect is not a foregone conclusion. Is", "there's more to it than just bored writers trying to amuse themselves to", "the reader. The one I can think of is - generally you build", "exposure to consistent cause and effect. Then to evoke a dramatic / emotional", "than just bored writers trying to amuse themselves to the detriment of the", "a plot by making the viewer/reader subconsciously establish a pattern through repeated exposure", "What are some reasons to use them? I'm assuming there's more to it", "anticipation in a plot by making the viewer/reader subconsciously establish a pattern through", "subconsciously establish a pattern through repeated exposure to consistent cause and effect. Then", "shock you mislead them by giving a cause that fails to provide the", "makes a comeback and wins each game. Then just as it's getting predictable,", "to make a comeback and the viewer is jarred with disappointment. Subsequent match", "the usefulness of red herrings as a TV trope. What are some reasons", "others? Example: I create a highlights video of soccer matches where my favorite", "the climax by sewing a seed of doubt that the effect is not", "of the reader. The one I can think of is - generally you", "reasons to use them? I'm assuming there's more to it than just bored", "comeback and the viewer is jarred with disappointment. Subsequent match highlights will then", "giving a cause that fails to provide the anticipated effect. Moreover, you leave", "keeps starting a match badly conceding goals, but always makes a comeback and", "always makes a comeback and wins each game. Then just as it's getting", "- generally you build anticipation in a plot by making the viewer/reader subconsciously", "/ emotional shock you mislead them by giving a cause that fails to", "but always makes a comeback and wins each game. Then just as it's", "effect. Then to evoke a dramatic / emotional shock you mislead them by", "predictable, you throw a red herring in by showing highlights of a match", "will then keep the viewer on edge by not knowing which way the", "themselves to the detriment of the reader. The one I can think of", "they fail to make a comeback and the viewer is jarred with disappointment.", "reader. The one I can think of is - generally you build anticipation", "by giving a cause that fails to provide the anticipated effect. Moreover, you", "to amuse themselves to the detriment of the reader. The one I can", "where my favorite team keeps starting a match badly conceding goals, but always", "mislead them by giving a cause that fails to provide the anticipated effect.", "create a highlights video of soccer matches where my favorite team keeps starting", "cause that fails to provide the anticipated effect. Moreover, you leave the viewer", "making the viewer/reader subconsciously establish a pattern through repeated exposure to consistent cause", "anxious about the climax by sewing a seed of doubt that the effect", "video of soccer matches where my favorite team keeps starting a match badly", "of red herrings as a TV trope. What are some reasons to use", "just as it's getting predictable, you throw a red herring in by showing", "and the viewer is jarred with disappointment. Subsequent match highlights will then keep", "this the basic intention? Or are their others? Example: I create a highlights", "not a foregone conclusion. Is this the basic intention? Or are their others?", "viewer/reader subconsciously establish a pattern through repeated exposure to consistent cause and effect.", "effect is not a foregone conclusion. Is this the basic intention? Or are", "pattern through repeated exposure to consistent cause and effect. Then to evoke a", "herring in by showing highlights of a match where they fail to make", "you throw a red herring in by showing highlights of a match where", "literature about the usefulness of red herrings as a TV trope. What are", "viewer on edge by not knowing which way the next one will go.", "match where they fail to make a comeback and the viewer is jarred", "just bored writers trying to amuse themselves to the detriment of the reader.", "assuming there's more to it than just bored writers trying to amuse themselves", "conceding goals, but always makes a comeback and wins each game. Then just", "trying to amuse themselves to the detriment of the reader. The one I", "fails to provide the anticipated effect. Moreover, you leave the viewer anxious about", "Subsequent match highlights will then keep the viewer on edge by not knowing" ]
[ "novel - though still writing it in the first person. I've had quite", "some of the original diary quotes are included along with the new text.", "well as getting caught up in some rather nefarious activities. I definitely dont", "where those crimes were committed. PS I'm now 65 & was only naughty", "\"nobody buys memoirs of anyone who's not\", it might be better if I", "I'm not famous and \"nobody buys memoirs of anyone who's not\", it might", "by unknowns, are not a suitable genre for first time writers? 2. The", "are not a suitable genre for first time writers? 2. The question of", "diaries all my life and now have over 100...which I've recently started turning", "along with the new text. I belong to a local writers group, most", "for first time writers? 2. The question of admitting to crimes (drugs imparticularly...and", "led much more 'normal' lives than myself. Today I received their feedback on", "it might be better if I wrote it as a novel - though", "because I'm not famous and \"nobody buys memoirs of anyone who's not\", it", "discovered this website by googling the query of possible conviction for misdeeds I", "nefarious activities. I definitely dont have to fictionalise anything! I only discovered this", "some rather nefarious activities. I definitely dont have to fictionalise anything! I only", "I definitely dont have to fictionalise anything! I only discovered this website by", "this website by googling the query of possible conviction for misdeeds I committed", "was that, because I'm not famous and \"nobody buys memoirs of anyone who's", "deal of travelling and (in my 20's) was socialising with several notorious rock", "their feedback on my first chapter. They seemed fascinated by the content but", "in some rather nefarious activities. I definitely dont have to fictionalise anything! I", "were never uncovered) by writing about them now. So I was wondering: 1.", "of admitting to crimes (drugs imparticularly...and more than just smoking some weed!) being", "(in my 20's) was socialising with several notorious rock musicians as well as", "well into their 70's & have led much more 'normal' lives than myself.", "conviction for misdeeds I committed 40 years ago (which were never uncovered) by", "question of admitting to crimes (drugs imparticularly...and more than just smoking some weed!)", "misdeeds I committed 40 years ago (which were never uncovered) by writing about", "the first person. I've had quite an unusual life involving a great deal", "was socialising with several notorious rock musicians as well as getting caught up", "that, because I'm not famous and \"nobody buys memoirs of anyone who's not\",", "wrote it as a novel - though still writing it in the first", "memoirs, by unknowns, are not a suitable genre for first time writers? 2.", "notorious rock musicians as well as getting caught up in some rather nefarious", "more 'normal' lives than myself. Today I received their feedback on my first", "still writing it in the first person. I've had quite an unusual life", "others on here shared the same view that memoirs, by unknowns, are not", "more than just smoking some weed!) being liable to prosecution - or possible", "query of possible conviction for misdeeds I committed 40 years ago (which were", "40 years ago (which were never uncovered) by writing about them now. So", "with the new text. I belong to a local writers group, most of", "to a local writers group, most of whom are well into their 70's", "The question of admitting to crimes (drugs imparticularly...and more than just smoking some", "an autobiography - where some of the original diary quotes are included along", "I've had quite an unusual life involving a great deal of travelling and", "by writing about them now. So I was wondering: 1. If others on", "anything! I only discovered this website by googling the query of possible conviction", "possible barring from the foreign countries where those crimes were committed. PS I'm", "wondering: 1. If others on here shared the same view that memoirs, by", "started turning into an autobiography - where some of the original diary quotes", "have to fictionalise anything! I only discovered this website by googling the query", "who's not\", it might be better if I wrote it as a novel", "not famous and \"nobody buys memoirs of anyone who's not\", it might be", "kept diaries all my life and now have over 100...which I've recently started", "(drugs imparticularly...and more than just smoking some weed!) being liable to prosecution -", "about them now. So I was wondering: 1. If others on here shared", "only discovered this website by googling the query of possible conviction for misdeeds", "fascinated by the content but the general consensus was that, because I'm not", "was wondering: 1. If others on here shared the same view that memoirs,", "included along with the new text. I belong to a local writers group,", "general consensus was that, because I'm not famous and \"nobody buys memoirs of", "chapter. They seemed fascinated by the content but the general consensus was that,", "caught up in some rather nefarious activities. I definitely dont have to fictionalise", "turning into an autobiography - where some of the original diary quotes are", "several notorious rock musicians as well as getting caught up in some rather", "to prosecution - or possible barring from the foreign countries where those crimes", "lives than myself. Today I received their feedback on my first chapter. They", "great deal of travelling and (in my 20's) was socialising with several notorious", "anyone who's not\", it might be better if I wrote it as a", "original diary quotes are included along with the new text. I belong to", "I've recently started turning into an autobiography - where some of the original", "buys memoirs of anyone who's not\", it might be better if I wrote", "memoirs of anyone who's not\", it might be better if I wrote it", "70's & have led much more 'normal' lives than myself. Today I received", "the content but the general consensus was that, because I'm not famous and", "the same view that memoirs, by unknowns, are not a suitable genre for", "belong to a local writers group, most of whom are well into their", "have led much more 'normal' lives than myself. Today I received their feedback", "the new text. I belong to a local writers group, most of whom", "musicians as well as getting caught up in some rather nefarious activities. I", "as getting caught up in some rather nefarious activities. I definitely dont have", "I was wondering: 1. If others on here shared the same view that", "with several notorious rock musicians as well as getting caught up in some", "quite an unusual life involving a great deal of travelling and (in my", "googling the query of possible conviction for misdeeds I committed 40 years ago", "a novel - though still writing it in the first person. I've had", "first chapter. They seemed fascinated by the content but the general consensus was", "I received their feedback on my first chapter. They seemed fascinated by the", "of possible conviction for misdeeds I committed 40 years ago (which were never", "of whom are well into their 70's & have led much more 'normal'", "person. I've had quite an unusual life involving a great deal of travelling", "1. If others on here shared the same view that memoirs, by unknowns,", "local writers group, most of whom are well into their 70's & have", "myself. Today I received their feedback on my first chapter. They seemed fascinated", "admitting to crimes (drugs imparticularly...and more than just smoking some weed!) being liable", "- where some of the original diary quotes are included along with the", "on here shared the same view that memoirs, by unknowns, are not a", "unknowns, are not a suitable genre for first time writers? 2. The question", "to fictionalise anything! I only discovered this website by googling the query of", "are included along with the new text. I belong to a local writers", "genre for first time writers? 2. The question of admitting to crimes (drugs", "first time writers? 2. The question of admitting to crimes (drugs imparticularly...and more", "100...which I've recently started turning into an autobiography - where some of the", "as a novel - though still writing it in the first person. I've", "the original diary quotes are included along with the new text. I belong", "text. I belong to a local writers group, most of whom are well", "& have led much more 'normal' lives than myself. Today I received their", "as well as getting caught up in some rather nefarious activities. I definitely", "their 70's & have led much more 'normal' lives than myself. Today I", "definitely dont have to fictionalise anything! I only discovered this website by googling", "just smoking some weed!) being liable to prosecution - or possible barring from", "autobiography - where some of the original diary quotes are included along with", "a great deal of travelling and (in my 20's) was socialising with several", "better if I wrote it as a novel - though still writing it", "uncovered) by writing about them now. So I was wondering: 1. If others", "foreign countries where those crimes were committed. PS I'm now 65 & was", "feedback on my first chapter. They seemed fascinated by the content but the", "ago (which were never uncovered) by writing about them now. So I was", "imparticularly...and more than just smoking some weed!) being liable to prosecution - or", "never uncovered) by writing about them now. So I was wondering: 1. If", "20's) was socialising with several notorious rock musicians as well as getting caught", "a local writers group, most of whom are well into their 70's &", "dont have to fictionalise anything! I only discovered this website by googling the", "the general consensus was that, because I'm not famous and \"nobody buys memoirs", "writing it in the first person. I've had quite an unusual life involving", "much more 'normal' lives than myself. Today I received their feedback on my", "So I was wondering: 1. If others on here shared the same view", "diary quotes are included along with the new text. I belong to a", "life and now have over 100...which I've recently started turning into an autobiography", "website by googling the query of possible conviction for misdeeds I committed 40", "my first chapter. They seemed fascinated by the content but the general consensus", "an unusual life involving a great deal of travelling and (in my 20's)", "They seemed fascinated by the content but the general consensus was that, because", "in the first person. I've had quite an unusual life involving a great", "by googling the query of possible conviction for misdeeds I committed 40 years", "involving a great deal of travelling and (in my 20's) was socialising with", "shared the same view that memoirs, by unknowns, are not a suitable genre", "I've kept diaries all my life and now have over 100...which I've recently", "not\", it might be better if I wrote it as a novel -", "it in the first person. I've had quite an unusual life involving a", "it as a novel - though still writing it in the first person.", "writing about them now. So I was wondering: 1. If others on here", "quotes are included along with the new text. I belong to a local", "and \"nobody buys memoirs of anyone who's not\", it might be better if", "here shared the same view that memoirs, by unknowns, are not a suitable", "travelling and (in my 20's) was socialising with several notorious rock musicians as", "and now have over 100...which I've recently started turning into an autobiography -", "might be better if I wrote it as a novel - though still", "being liable to prosecution - or possible barring from the foreign countries where", "content but the general consensus was that, because I'm not famous and \"nobody", "on my first chapter. They seemed fascinated by the content but the general", "than myself. Today I received their feedback on my first chapter. They seemed", "the query of possible conviction for misdeeds I committed 40 years ago (which", "of the original diary quotes are included along with the new text. I", "barring from the foreign countries where those crimes were committed. PS I'm now", "unusual life involving a great deal of travelling and (in my 20's) was", "activities. I definitely dont have to fictionalise anything! I only discovered this website", "first person. I've had quite an unusual life involving a great deal of", "socialising with several notorious rock musicians as well as getting caught up in", "if I wrote it as a novel - though still writing it in", "weed!) being liable to prosecution - or possible barring from the foreign countries", "I committed 40 years ago (which were never uncovered) by writing about them", "years ago (which were never uncovered) by writing about them now. So I", "not a suitable genre for first time writers? 2. The question of admitting", "smoking some weed!) being liable to prosecution - or possible barring from the", "countries where those crimes were committed. PS I'm now 65 & was only", "but the general consensus was that, because I'm not famous and \"nobody buys", "same view that memoirs, by unknowns, are not a suitable genre for first", "that memoirs, by unknowns, are not a suitable genre for first time writers?", "- or possible barring from the foreign countries where those crimes were committed.", "my 20's) was socialising with several notorious rock musicians as well as getting", "over 100...which I've recently started turning into an autobiography - where some of", "now have over 100...which I've recently started turning into an autobiography - where", "time writers? 2. The question of admitting to crimes (drugs imparticularly...and more than", "to crimes (drugs imparticularly...and more than just smoking some weed!) being liable to", "fictionalise anything! 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The question of admitting to crimes (drugs imparticularly...and more than just smoking", "seemed fascinated by the content but the general consensus was that, because I'm", "I only discovered this website by googling the query of possible conviction for", "possible conviction for misdeeds I committed 40 years ago (which were never uncovered)", "my life and now have over 100...which I've recently started turning into an", "of anyone who's not\", it might be better if I wrote it as", "are well into their 70's & have led much more 'normal' lives than", "getting caught up in some rather nefarious activities. I definitely dont have to", "liable to prosecution - or possible barring from the foreign countries where those", "had quite an unusual life involving a great deal of travelling and (in", "all my life and now have over 100...which I've recently started turning into", "a suitable genre for first time writers? 2. The question of admitting to", "into their 70's & have led much more 'normal' lives than myself. Today", "have over 100...which I've recently started turning into an autobiography - where some", "writers group, most of whom are well into their 70's & have led", "whom are well into their 70's & have led much more 'normal' lives", "where some of the original diary quotes are included along with the new", "of travelling and (in my 20's) was socialising with several notorious rock musicians", "most of whom are well into their 70's & have led much more", "crimes (drugs imparticularly...and more than just smoking some weed!) being liable to prosecution", "or possible barring from the foreign countries where those crimes were committed. PS", "crimes were committed. PS I'm now 65 & was only naughty in the", "(which were never uncovered) by writing about them now. So I was wondering:", "suitable genre for first time writers? 2. The question of admitting to crimes", "the foreign countries where those crimes were committed. PS I'm now 65 &", "I wrote it as a novel - though still writing it in the", "- though still writing it in the first person. I've had quite an", "I belong to a local writers group, most of whom are well into", "those crimes were committed. PS I'm now 65 & was only naughty in", "were committed. PS I'm now 65 & was only naughty in the 1970's!", "and (in my 20's) was socialising with several notorious rock musicians as well", "writers? 2. The question of admitting to crimes (drugs imparticularly...and more than just", "committed 40 years ago (which were never uncovered) by writing about them now.", "view that memoirs, by unknowns, are not a suitable genre for first time", "group, most of whom are well into their 70's & have led much", "recently started turning into an autobiography - where some of the original diary", "Today I received their feedback on my first chapter. They seemed fascinated by", "If others on here shared the same view that memoirs, by unknowns, are", "consensus was that, because I'm not famous and \"nobody buys memoirs of anyone", "for misdeeds I committed 40 years ago (which were never uncovered) by writing", "than just smoking some weed!) being liable to prosecution - or possible barring", "rather nefarious activities. I definitely dont have to fictionalise anything! I only discovered", "new text. I belong to a local writers group, most of whom are", "them now. So I was wondering: 1. If others on here shared the", "some weed!) being liable to prosecution - or possible barring from the foreign", "'normal' lives than myself. Today I received their feedback on my first chapter.", "now. So I was wondering: 1. If others on here shared the same", "though still writing it in the first person. I've had quite an unusual", "rock musicians as well as getting caught up in some rather nefarious activities." ]
[ "stories for my games, so I'm unsure of how to start. I already", "ask this, since it's for a game, but the game is very story", "the actual game? About the game itself: It's an RPG Maker type of", "bringing it all together to plan for the game it was made for.", "It even has a similair setup, with a group of people trapped in", "sense to write it out like a book, so everybody on the team", "what the story is about? Or should it be more concise and to", "it would be reasonable to ask this on the writers stack exchange. The", "games, so I'm unsure of how to start. I already have TONS of", "all together to plan for the game it was made for. How should", "of people trapped in a haunted place, but with a twist on how", "TONS of notes... for the plot, scenes, characters, setting, dialog snippets, all sorts", "made for. How should I structure the story? Would it make sense to", "a book, so everybody on the team knows exactly what the story is", "complete - I don't usually write stories for my games, so I'm unsure", "I'm having trouble bringing it all together to plan for the game it", "exactly what the story is about? Or should it be more concise and", "this, since it's for a game, but the game is very story driven,", "has a similair setup, with a group of people trapped in a haunted", "structure the story? Would it make sense to write it out like a", "it's for a game, but the game is very story driven, so I", "this on the writers stack exchange. The story is far from complete -", "the best place to ask this, since it's for a game, but the", "story is about? Or should it be more concise and to the point?", "to write it out like a book, so everybody on the team knows", "ask this on the writers stack exchange. The story is far from complete", "driven, so I thought it would be reasonable to ask this on the", "The story is far from complete - I don't usually write stories for", "don't usually write stories for my games, so I'm unsure of how to", "of notes... for the plot, scenes, characters, setting, dialog snippets, all sorts of", "so everybody on the team knows exactly what the story is about? Or", "was made for. How should I structure the story? Would it make sense", "a haunted place, but with a twist on how time works in that", "an RPG Maker game. It even has a similair setup, with a group", "a game, but the game is very story driven, so I thought it", "point? What would help best when we start working on the actual game?", "so I'm unsure of how to start. I already have TONS of notes...", "It's an RPG Maker type of video game inspired by games from the", "be more concise and to the point? What would help best when we", "my games, so I'm unsure of how to start. I already have TONS", "plot, scenes, characters, setting, dialog snippets, all sorts of things, but I'm having", "how to start. I already have TONS of notes... for the plot, scenes,", "games from the Corpse Party series, which also first started from an RPG", "snippets, all sorts of things, but I'm having trouble bringing it all together", "is very story driven, so I thought it would be reasonable to ask", "reasonable to ask this on the writers stack exchange. The story is far", "to plan for the game it was made for. How should I structure", "the team knows exactly what the story is about? Or should it be", "What would help best when we start working on the actual game? About", "stack exchange. The story is far from complete - I don't usually write", "first started from an RPG Maker game. It even has a similair setup,", "concise and to the point? What would help best when we start working", "usually write stories for my games, so I'm unsure of how to start.", "start working on the actual game? About the game itself: It's an RPG", "for the game it was made for. How should I structure the story?", "itself: It's an RPG Maker type of video game inspired by games from", "series, which also first started from an RPG Maker game. It even has", "Maker game. It even has a similair setup, with a group of people", "so I thought it would be reasonable to ask this on the writers", "knows exactly what the story is about? Or should it be more concise", "video game inspired by games from the Corpse Party series, which also first", "trapped in a haunted place, but with a twist on how time works", "on the writers stack exchange. The story is far from complete - I", "more concise and to the point? What would help best when we start", "- I don't usually write stories for my games, so I'm unsure of", "game itself: It's an RPG Maker type of video game inspired by games", "also first started from an RPG Maker game. It even has a similair", "place to ask this, since it's for a game, but the game is", "setup, with a group of people trapped in a haunted place, but with", "for my games, so I'm unsure of how to start. I already have", "I thought it would be reasonable to ask this on the writers stack", "RPG Maker type of video game inspired by games from the Corpse Party", "is far from complete - I don't usually write stories for my games,", "unsure of how to start. I already have TONS of notes... for the", "be the best place to ask this, since it's for a game, but", "to start. I already have TONS of notes... for the plot, scenes, characters,", "book, so everybody on the team knows exactly what the story is about?", "is about? Or should it be more concise and to the point? What", "haunted place, but with a twist on how time works in that haunted", "game it was made for. How should I structure the story? Would it", "from complete - I don't usually write stories for my games, so I'm", "Maker type of video game inspired by games from the Corpse Party series,", "notes... for the plot, scenes, characters, setting, dialog snippets, all sorts of things,", "on the team knows exactly what the story is about? Or should it", "about? Or should it be more concise and to the point? What would", "write it out like a book, so everybody on the team knows exactly", "of video game inspired by games from the Corpse Party series, which also", "for a game, but the game is very story driven, so I thought", "should I structure the story? Would it make sense to write it out", "thought it would be reasonable to ask this on the writers stack exchange.", "far from complete - I don't usually write stories for my games, so", "How should I structure the story? Would it make sense to write it", "it make sense to write it out like a book, so everybody on", "type of video game inspired by games from the Corpse Party series, which", "write stories for my games, so I'm unsure of how to start. I", "I know this may not be the best place to ask this, since", "for the plot, scenes, characters, setting, dialog snippets, all sorts of things, but", "people trapped in a haunted place, but with a twist on how time", "game? About the game itself: It's an RPG Maker type of video game", "characters, setting, dialog snippets, all sorts of things, but I'm having trouble bringing", "start. I already have TONS of notes... for the plot, scenes, characters, setting,", "RPG Maker game. It even has a similair setup, with a group of", "a group of people trapped in a haunted place, but with a twist", "make sense to write it out like a book, so everybody on the", "not be the best place to ask this, since it's for a game,", "Or should it be more concise and to the point? What would help", "to the point? What would help best when we start working on the", "already have TONS of notes... for the plot, scenes, characters, setting, dialog snippets,", "the story? Would it make sense to write it out like a book,", "know this may not be the best place to ask this, since it's", "it out like a book, so everybody on the team knows exactly what", "have TONS of notes... for the plot, scenes, characters, setting, dialog snippets, all", "I already have TONS of notes... for the plot, scenes, characters, setting, dialog", "the Corpse Party series, which also first started from an RPG Maker game.", "when we start working on the actual game? About the game itself: It's", "with a twist on how time works in that haunted place, leading to", "dialog snippets, all sorts of things, but I'm having trouble bringing it all", "group of people trapped in a haunted place, but with a twist on", "Corpse Party series, which also first started from an RPG Maker game. It", "be reasonable to ask this on the writers stack exchange. The story is", "of things, but I'm having trouble bringing it all together to plan for", "may not be the best place to ask this, since it's for a", "similair setup, with a group of people trapped in a haunted place, but", "plan for the game it was made for. How should I structure the", "should it be more concise and to the point? What would help best", "this may not be the best place to ask this, since it's for", "an RPG Maker type of video game inspired by games from the Corpse", "we start working on the actual game? About the game itself: It's an", "which also first started from an RPG Maker game. It even has a", "the story is about? Or should it be more concise and to the", "in a haunted place, but with a twist on how time works in", "things, but I'm having trouble bringing it all together to plan for the", "inspired by games from the Corpse Party series, which also first started from", "sorts of things, but I'm having trouble bringing it all together to plan", "the point? What would help best when we start working on the actual", "the game it was made for. How should I structure the story? Would", "very story driven, so I thought it would be reasonable to ask this", "best place to ask this, since it's for a game, but the game", "story? Would it make sense to write it out like a book, so", "together to plan for the game it was made for. How should I", "I structure the story? Would it make sense to write it out like", "everybody on the team knows exactly what the story is about? Or should", "with a group of people trapped in a haunted place, but with a", "would help best when we start working on the actual game? About the", "scenes, characters, setting, dialog snippets, all sorts of things, but I'm having trouble", "game inspired by games from the Corpse Party series, which also first started", "a twist on how time works in that haunted place, leading to interesting", "would be reasonable to ask this on the writers stack exchange. The story", "but the game is very story driven, so I thought it would be", "to ask this on the writers stack exchange. The story is far from", "and to the point? What would help best when we start working on", "story driven, so I thought it would be reasonable to ask this on", "for. How should I structure the story? Would it make sense to write", "game. It even has a similair setup, with a group of people trapped", "but I'm having trouble bringing it all together to plan for the game", "place, but with a twist on how time works in that haunted place,", "since it's for a game, but the game is very story driven, so", "it was made for. How should I structure the story? Would it make", "from the Corpse Party series, which also first started from an RPG Maker", "even has a similair setup, with a group of people trapped in a", "story is far from complete - I don't usually write stories for my", "a similair setup, with a group of people trapped in a haunted place,", "working on the actual game? About the game itself: It's an RPG Maker", "all sorts of things, but I'm having trouble bringing it all together to", "team knows exactly what the story is about? Or should it be more", "it be more concise and to the point? What would help best when", "of how to start. I already have TONS of notes... for the plot,", "setting, dialog snippets, all sorts of things, but I'm having trouble bringing it", "best when we start working on the actual game? About the game itself:", "by games from the Corpse Party series, which also first started from an", "Would it make sense to write it out like a book, so everybody", "game, but the game is very story driven, so I thought it would", "the game is very story driven, so I thought it would be reasonable", "About the game itself: It's an RPG Maker type of video game inspired", "having trouble bringing it all together to plan for the game it was", "from an RPG Maker game. It even has a similair setup, with a", "out like a book, so everybody on the team knows exactly what the", "writers stack exchange. The story is far from complete - I don't usually", "exchange. The story is far from complete - I don't usually write stories", "on the actual game? About the game itself: It's an RPG Maker type", "the game itself: It's an RPG Maker type of video game inspired by", "twist on how time works in that haunted place, leading to interesting situations.", "the plot, scenes, characters, setting, dialog snippets, all sorts of things, but I'm", "I don't usually write stories for my games, so I'm unsure of how", "help best when we start working on the actual game? About the game", "Party series, which also first started from an RPG Maker game. It even", "the writers stack exchange. The story is far from complete - I don't", "game is very story driven, so I thought it would be reasonable to", "trouble bringing it all together to plan for the game it was made", "it all together to plan for the game it was made for. How", "to ask this, since it's for a game, but the game is very", "actual game? About the game itself: It's an RPG Maker type of video", "started from an RPG Maker game. It even has a similair setup, with", "I'm unsure of how to start. I already have TONS of notes... for", "like a book, so everybody on the team knows exactly what the story", "but with a twist on how time works in that haunted place, leading" ]
[ "would be to keep things symmetrical (ugly scar, sexy birthmark). What the best", "(ugly scar, sexy birthmark). What the best option in these cases? Symmetry or", "be ugly. A birthmark, on the other hand could be either ugly or", "only reason to use ugly, in my opinion, would be to keep things", "think the word ugly is unnecessary here, since a scar is assumed to", "like a sexy > birthmark. > > > I think the word ugly", "scar. No, far from that. She'd always exhibited him around like a sexy", "The only reason to use ugly, in my opinion, would be to keep", "a sexy > birthmark. > > > I think the word ugly is", "in my opinion, would be to keep things symmetrical (ugly scar, sexy birthmark).", "unnecessary here, since a scar is assumed to be ugly. A birthmark, on", "the word ugly is unnecessary here, since a scar is assumed to be", "to be ugly. A birthmark, on the other hand could be either ugly", "had never concealed Qamces as though he were an (ugly) > scar. No,", "hand could be either ugly or beautiful. The only reason to use ugly,", "scar, sexy birthmark). What the best option in these cases? Symmetry or simplicity?", "> I think the word ugly is unnecessary here, since a scar is", "concealed Qamces as though he were an (ugly) > scar. No, far from", "She'd always exhibited him around like a sexy > birthmark. > > >", "birthmark. > > > I think the word ugly is unnecessary here, since", "> > I think the word ugly is unnecessary here, since a scar", "Qamces as though he were an (ugly) > scar. No, far from that.", "ugly, in my opinion, would be to keep things symmetrical (ugly scar, sexy", "reason to use ugly, in my opinion, would be to keep things symmetrical", "> scar. No, far from that. She'd always exhibited him around like a", "example: > > Parr had never concealed Qamces as though he were an", "to use ugly, in my opinion, would be to keep things symmetrical (ugly", "use ugly, in my opinion, would be to keep things symmetrical (ugly scar,", "the other hand could be either ugly or beautiful. The only reason to", "Parr had never concealed Qamces as though he were an (ugly) > scar.", "word ugly is unnecessary here, since a scar is assumed to be ugly.", "keep things symmetrical (ugly scar, sexy birthmark). What the best option in these", "as though he were an (ugly) > scar. No, far from that. She'd", "an (ugly) > scar. No, far from that. She'd always exhibited him around", "that. She'd always exhibited him around like a sexy > birthmark. > >", "were an (ugly) > scar. No, far from that. She'd always exhibited him", "from that. She'd always exhibited him around like a sexy > birthmark. >", "an example: > > Parr had never concealed Qamces as though he were", "since a scar is assumed to be ugly. A birthmark, on the other", "ugly. A birthmark, on the other hand could be either ugly or beautiful.", "is unnecessary here, since a scar is assumed to be ugly. A birthmark,", "though he were an (ugly) > scar. No, far from that. She'd always", "be to keep things symmetrical (ugly scar, sexy birthmark). What the best option", "is assumed to be ugly. A birthmark, on the other hand could be", "No, far from that. She'd always exhibited him around like a sexy >", "be either ugly or beautiful. The only reason to use ugly, in my", "could be either ugly or beautiful. The only reason to use ugly, in", "never concealed Qamces as though he were an (ugly) > scar. No, far", "or beautiful. The only reason to use ugly, in my opinion, would be", "beautiful. The only reason to use ugly, in my opinion, would be to", "around like a sexy > birthmark. > > > I think the word", "him around like a sexy > birthmark. > > > I think the", "I think the word ugly is unnecessary here, since a scar is assumed", "assumed to be ugly. A birthmark, on the other hand could be either", "here, since a scar is assumed to be ugly. A birthmark, on the", "ugly or beautiful. The only reason to use ugly, in my opinion, would", "far from that. She'd always exhibited him around like a sexy > birthmark.", "symmetrical (ugly scar, sexy birthmark). What the best option in these cases? Symmetry", "to keep things symmetrical (ugly scar, sexy birthmark). What the best option in", "> Parr had never concealed Qamces as though he were an (ugly) >", "> > Parr had never concealed Qamces as though he were an (ugly)", "> > > I think the word ugly is unnecessary here, since a", "he were an (ugly) > scar. No, far from that. She'd always exhibited", "on the other hand could be either ugly or beautiful. The only reason", "either ugly or beautiful. The only reason to use ugly, in my opinion,", "ugly is unnecessary here, since a scar is assumed to be ugly. A", "scar is assumed to be ugly. A birthmark, on the other hand could", "birthmark, on the other hand could be either ugly or beautiful. The only", "> birthmark. > > > I think the word ugly is unnecessary here,", "my opinion, would be to keep things symmetrical (ugly scar, sexy birthmark). What", "Here's an example: > > Parr had never concealed Qamces as though he", "things symmetrical (ugly scar, sexy birthmark). What the best option in these cases?", "other hand could be either ugly or beautiful. The only reason to use", "exhibited him around like a sexy > birthmark. > > > I think", "sexy > birthmark. > > > I think the word ugly is unnecessary", "always exhibited him around like a sexy > birthmark. > > > I", "A birthmark, on the other hand could be either ugly or beautiful. The", "(ugly) > scar. No, far from that. She'd always exhibited him around like", "a scar is assumed to be ugly. A birthmark, on the other hand", "opinion, would be to keep things symmetrical (ugly scar, sexy birthmark). What the" ]
[ "have an idea for a novel that is told from two, first person", "that is told from two, first person viewpoints. One of these viewpoints would", "first person viewpoints. One of these viewpoints would be Character 1's and take", "idea for a novel that is told from two, first person viewpoints. One", "One of these viewpoints would be Character 1's and take place in her", "these viewpoints would be Character 1's and take place in her past, and", "the other viewpoint would be Character 2's, which would take place in the", "2's, which would take place in the present as Character 2 falls for", "2 falls for Character 1. I would love some feedback on whether or", "falls for Character 1. I would love some feedback on whether or not", "would love some feedback on whether or not this plot would be weirdly", "Character 2's, which would take place in the present as Character 2 falls", "past, and the other viewpoint would be Character 2's, which would take place", "some feedback on whether or not this plot would be weirdly constructed or", "or not this plot would be weirdly constructed or difficult to follow. Thanks!", "in her past, and the other viewpoint would be Character 2's, which would", "be Character 1's and take place in her past, and the other viewpoint", "is told from two, first person viewpoints. One of these viewpoints would be", "an idea for a novel that is told from two, first person viewpoints.", "whether or not this plot would be weirdly constructed or difficult to follow.", "her past, and the other viewpoint would be Character 2's, which would take", "two, first person viewpoints. One of these viewpoints would be Character 1's and", "take place in her past, and the other viewpoint would be Character 2's,", "of these viewpoints would be Character 1's and take place in her past,", "Character 2 falls for Character 1. I would love some feedback on whether", "a novel that is told from two, first person viewpoints. One of these", "love some feedback on whether or not this plot would be weirdly constructed", "in the present as Character 2 falls for Character 1. I would love", "the present as Character 2 falls for Character 1. I would love some", "person viewpoints. One of these viewpoints would be Character 1's and take place", "Character 1. I would love some feedback on whether or not this plot", "would be Character 2's, which would take place in the present as Character", "place in her past, and the other viewpoint would be Character 2's, which", "1's and take place in her past, and the other viewpoint would be", "for Character 1. I would love some feedback on whether or not this", "Character 1's and take place in her past, and the other viewpoint would", "present as Character 2 falls for Character 1. I would love some feedback", "viewpoints would be Character 1's and take place in her past, and the", "and the other viewpoint would be Character 2's, which would take place in", "I would love some feedback on whether or not this plot would be", "as Character 2 falls for Character 1. I would love some feedback on", "viewpoints. One of these viewpoints would be Character 1's and take place in", "take place in the present as Character 2 falls for Character 1. I", "novel that is told from two, first person viewpoints. One of these viewpoints", "for a novel that is told from two, first person viewpoints. One of", "on whether or not this plot would be weirdly constructed or difficult to", "be Character 2's, which would take place in the present as Character 2", "would be Character 1's and take place in her past, and the other", "would take place in the present as Character 2 falls for Character 1.", "told from two, first person viewpoints. One of these viewpoints would be Character", "viewpoint would be Character 2's, which would take place in the present as", "which would take place in the present as Character 2 falls for Character", "1. I would love some feedback on whether or not this plot would", "feedback on whether or not this plot would be weirdly constructed or difficult", "and take place in her past, and the other viewpoint would be Character", "other viewpoint would be Character 2's, which would take place in the present", "place in the present as Character 2 falls for Character 1. I would", "from two, first person viewpoints. One of these viewpoints would be Character 1's", "I have an idea for a novel that is told from two, first" ]
[ "the BBC Sherlock fandom there are many lively discussions about how a lot", "thing and work in the subtext in the third draft? Is there a", "for these items? Writing one plot with a few twists and subplots is", "the heart, and so on. Writer William Goldman has a set of \"writing", "a story, at what point do you plan for these items? Writing one", "for Protagonist A, water symbolizes emotions, drinking tea means X and drinking coffee", "subplots is already complicated. How do you insert mirrors, symbols, and subtext? Do", "Writing one plot with a few twists and subplots is already complicated. How", "and work in the subtext in the third draft? Is there a particular", "X and drinking coffee means Y, the phone represents the heart, and so", "main thread in the outline form? Write the whole thing and work in", "heart, and so on. Writer William Goldman has a set of \"writing commandments,\"", "Y, the phone represents the heart, and so on. Writer William Goldman has", "lively discussions about how a lot of the story takes place in subtext:", "set of \"writing commandments,\" one of them being \"don't always write 'on the", "'on the nose' — actions should have more than one meaning.\" So when", "being \"don't always write 'on the nose' — actions should have more than", "already complicated. How do you insert mirrors, symbols, and subtext? Do you have", "do you plan for these items? Writing one plot with a few twists", "discussions about how a lot of the story takes place in subtext: Person", "drinking coffee means Y, the phone represents the heart, and so on. Writer", "insert mirrors, symbols, and subtext? Do you have a separate thread in your", "alongside the main thread in the outline form? Write the whole thing and", "the whole thing and work in the subtext in the third draft? Is", "point do you plan for these items? Writing one plot with a few", "the subtext in the third draft? Is there a particular point in the", "so on. Writer William Goldman has a set of \"writing commandments,\" one of", "mirrors, symbols, and subtext? Do you have a separate thread in your mindmap", "in your mindmap or outline alongside the main thread in the outline form?", "Sherlock fandom there are many lively discussions about how a lot of the", "has a set of \"writing commandments,\" one of them being \"don't always write", "drinking tea means X and drinking coffee means Y, the phone represents the", "Person C is a \"mirror\" for Protagonist A, water symbolizes emotions, drinking tea", "there are many lively discussions about how a lot of the story takes", "subtext: Person C is a \"mirror\" for Protagonist A, water symbolizes emotions, drinking", "twists and subplots is already complicated. How do you insert mirrors, symbols, and", "in the third draft? Is there a particular point in the process when", "writing a story, at what point do you plan for these items? Writing", "outline alongside the main thread in the outline form? Write the whole thing", "and subtext? Do you have a separate thread in your mindmap or outline", "of \"writing commandments,\" one of them being \"don't always write 'on the nose'", "thread in the outline form? Write the whole thing and work in the", "your mindmap or outline alongside the main thread in the outline form? Write", "a separate thread in your mindmap or outline alongside the main thread in", "you have a separate thread in your mindmap or outline alongside the main", "the outline form? Write the whole thing and work in the subtext in", "more than one meaning.\" So when writing a story, at what point do", "at what point do you plan for these items? Writing one plot with", "what point do you plan for these items? Writing one plot with a", "one plot with a few twists and subplots is already complicated. How do", "on. Writer William Goldman has a set of \"writing commandments,\" one of them", "separate thread in your mindmap or outline alongside the main thread in the", "subtext? Do you have a separate thread in your mindmap or outline alongside", "story takes place in subtext: Person C is a \"mirror\" for Protagonist A,", "the main thread in the outline form? Write the whole thing and work", "and drinking coffee means Y, the phone represents the heart, and so on.", "of the story takes place in subtext: Person C is a \"mirror\" for", "than one meaning.\" So when writing a story, at what point do you", "William Goldman has a set of \"writing commandments,\" one of them being \"don't", "write 'on the nose' — actions should have more than one meaning.\" So", "a set of \"writing commandments,\" one of them being \"don't always write 'on", "Do you have a separate thread in your mindmap or outline alongside the", "work in the subtext in the third draft? Is there a particular point", "third draft? Is there a particular point in the process when it's easier?", "one of them being \"don't always write 'on the nose' — actions should", "these items? Writing one plot with a few twists and subplots is already", "Writer William Goldman has a set of \"writing commandments,\" one of them being", "is already complicated. How do you insert mirrors, symbols, and subtext? Do you", "thread in your mindmap or outline alongside the main thread in the outline", "Protagonist A, water symbolizes emotions, drinking tea means X and drinking coffee means", "and so on. Writer William Goldman has a set of \"writing commandments,\" one", "place in subtext: Person C is a \"mirror\" for Protagonist A, water symbolizes", "C is a \"mirror\" for Protagonist A, water symbolizes emotions, drinking tea means", "them being \"don't always write 'on the nose' — actions should have more", "represents the heart, and so on. Writer William Goldman has a set of", "story, at what point do you plan for these items? Writing one plot", "a few twists and subplots is already complicated. How do you insert mirrors,", "in the outline form? Write the whole thing and work in the subtext", "have more than one meaning.\" So when writing a story, at what point", "the nose' — actions should have more than one meaning.\" So when writing", "\"writing commandments,\" one of them being \"don't always write 'on the nose' —", "coffee means Y, the phone represents the heart, and so on. Writer William", "subtext in the third draft? Is there a particular point in the process", "form? Write the whole thing and work in the subtext in the third", "the third draft? Is there a particular point in the process when it's", "items? Writing one plot with a few twists and subplots is already complicated.", "How do you insert mirrors, symbols, and subtext? Do you have a separate", "of them being \"don't always write 'on the nose' — actions should have", "takes place in subtext: Person C is a \"mirror\" for Protagonist A, water", "you plan for these items? Writing one plot with a few twists and", "So when writing a story, at what point do you plan for these", "you insert mirrors, symbols, and subtext? Do you have a separate thread in", "or outline alongside the main thread in the outline form? Write the whole", "emotions, drinking tea means X and drinking coffee means Y, the phone represents", "whole thing and work in the subtext in the third draft? Is there", "lot of the story takes place in subtext: Person C is a \"mirror\"", "complicated. How do you insert mirrors, symbols, and subtext? Do you have a", "means X and drinking coffee means Y, the phone represents the heart, and", "a lot of the story takes place in subtext: Person C is a", "many lively discussions about how a lot of the story takes place in", "one meaning.\" So when writing a story, at what point do you plan", "the story takes place in subtext: Person C is a \"mirror\" for Protagonist", "outline form? Write the whole thing and work in the subtext in the", "few twists and subplots is already complicated. How do you insert mirrors, symbols,", "In the BBC Sherlock fandom there are many lively discussions about how a", "with a few twists and subplots is already complicated. How do you insert", "plot with a few twists and subplots is already complicated. How do you", "water symbolizes emotions, drinking tea means X and drinking coffee means Y, the", "should have more than one meaning.\" So when writing a story, at what", "in subtext: Person C is a \"mirror\" for Protagonist A, water symbolizes emotions,", "do you insert mirrors, symbols, and subtext? Do you have a separate thread", "tea means X and drinking coffee means Y, the phone represents the heart,", "always write 'on the nose' — actions should have more than one meaning.\"", "nose' — actions should have more than one meaning.\" So when writing a", "a \"mirror\" for Protagonist A, water symbolizes emotions, drinking tea means X and", "A, water symbolizes emotions, drinking tea means X and drinking coffee means Y,", "\"mirror\" for Protagonist A, water symbolizes emotions, drinking tea means X and drinking", "Goldman has a set of \"writing commandments,\" one of them being \"don't always", "in the subtext in the third draft? Is there a particular point in", "— actions should have more than one meaning.\" So when writing a story,", "phone represents the heart, and so on. Writer William Goldman has a set", "the phone represents the heart, and so on. Writer William Goldman has a", "have a separate thread in your mindmap or outline alongside the main thread", "actions should have more than one meaning.\" So when writing a story, at", "mindmap or outline alongside the main thread in the outline form? Write the", "about how a lot of the story takes place in subtext: Person C", "Write the whole thing and work in the subtext in the third draft?", "BBC Sherlock fandom there are many lively discussions about how a lot of", "is a \"mirror\" for Protagonist A, water symbolizes emotions, drinking tea means X", "\"don't always write 'on the nose' — actions should have more than one", "symbols, and subtext? Do you have a separate thread in your mindmap or", "commandments,\" one of them being \"don't always write 'on the nose' — actions", "when writing a story, at what point do you plan for these items?", "meaning.\" So when writing a story, at what point do you plan for", "plan for these items? Writing one plot with a few twists and subplots", "symbolizes emotions, drinking tea means X and drinking coffee means Y, the phone", "how a lot of the story takes place in subtext: Person C is", "and subplots is already complicated. How do you insert mirrors, symbols, and subtext?", "fandom there are many lively discussions about how a lot of the story", "means Y, the phone represents the heart, and so on. Writer William Goldman", "are many lively discussions about how a lot of the story takes place" ]
[ "the same word can get used for several different things, so the purpose", "to go round for all the things we want to say, and thus", "to create one definition to banish all other meanings, but to create the", "enough words to go round for all the things we want to say,", "as all good writers know, there are not enough words to go round", "raised. This question is to address this issue. Of course, as all good", "not enough words to go round for all the things we want to", "this question about creating subtext, [Where in the writing process do you work", "so the purpose of this question is not to create one definition to", "what the word subtext means was raised. This question is to address this", "same word can get used for several different things, so the purpose of", "question about creating subtext, [Where in the writing process do you work in", "is to address this issue. Of course, as all good writers know, there", "and thus the same word can get used for several different things, so", "used for several different things, so the purpose of this question is not", "delineate the various possible meanings so that we can have a discussion about", "that we can have a discussion about various kinds of subtext without confusion.", "writing process do you work in subtext?](https://writing.stackexchange.com/q/26182/23159), the question of what the word", "go round for all the things we want to say, and thus the", "possible meanings so that we can have a discussion about various kinds of", "the writing process do you work in subtext?](https://writing.stackexchange.com/q/26182/23159), the question of what the", "of what the word subtext means was raised. This question is to address", "you work in subtext?](https://writing.stackexchange.com/q/26182/23159), the question of what the word subtext means was", "to banish all other meanings, but to create the opportunity to clearly delineate", "to create the opportunity to clearly delineate the various possible meanings so that", "was raised. This question is to address this issue. Of course, as all", "words to go round for all the things we want to say, and", "in the writing process do you work in subtext?](https://writing.stackexchange.com/q/26182/23159), the question of what", "meanings so that we can have a discussion about various kinds of subtext", "several different things, so the purpose of this question is not to create", "all the things we want to say, and thus the same word can", "address this issue. Of course, as all good writers know, there are not", "to clearly delineate the various possible meanings so that we can have a", "about creating subtext, [Where in the writing process do you work in subtext?](https://writing.stackexchange.com/q/26182/23159),", "one definition to banish all other meanings, but to create the opportunity to", "this question is not to create one definition to banish all other meanings,", "good writers know, there are not enough words to go round for all", "can get used for several different things, so the purpose of this question", "meanings, but to create the opportunity to clearly delineate the various possible meanings", "know, there are not enough words to go round for all the things", "question of what the word subtext means was raised. This question is to", "this issue. Of course, as all good writers know, there are not enough", "process do you work in subtext?](https://writing.stackexchange.com/q/26182/23159), the question of what the word subtext", "This question is to address this issue. Of course, as all good writers", "the question of what the word subtext means was raised. This question is", "the things we want to say, and thus the same word can get", "the opportunity to clearly delineate the various possible meanings so that we can", "the various possible meanings so that we can have a discussion about various", "we want to say, and thus the same word can get used for", "round for all the things we want to say, and thus the same", "subtext means was raised. This question is to address this issue. Of course,", "[Where in the writing process do you work in subtext?](https://writing.stackexchange.com/q/26182/23159), the question of", "things, so the purpose of this question is not to create one definition", "subtext?](https://writing.stackexchange.com/q/26182/23159), the question of what the word subtext means was raised. This question", "all other meanings, but to create the opportunity to clearly delineate the various", "question is to address this issue. Of course, as all good writers know,", "so that we can have a discussion about various kinds of subtext without", "work in subtext?](https://writing.stackexchange.com/q/26182/23159), the question of what the word subtext means was raised.", "word can get used for several different things, so the purpose of this", "word subtext means was raised. This question is to address this issue. Of", "course, as all good writers know, there are not enough words to go", "banish all other meanings, but to create the opportunity to clearly delineate the", "for all the things we want to say, and thus the same word", "get used for several different things, so the purpose of this question is", "create the opportunity to clearly delineate the various possible meanings so that we", "purpose of this question is not to create one definition to banish all", "issue. Of course, as all good writers know, there are not enough words", "the purpose of this question is not to create one definition to banish", "of this question is not to create one definition to banish all other", "but to create the opportunity to clearly delineate the various possible meanings so", "subtext, [Where in the writing process do you work in subtext?](https://writing.stackexchange.com/q/26182/23159), the question", "definition to banish all other meanings, but to create the opportunity to clearly", "not to create one definition to banish all other meanings, but to create", "to say, and thus the same word can get used for several different", "Of course, as all good writers know, there are not enough words to", "is not to create one definition to banish all other meanings, but to", "want to say, and thus the same word can get used for several", "to address this issue. Of course, as all good writers know, there are", "clearly delineate the various possible meanings so that we can have a discussion", "are not enough words to go round for all the things we want", "question is not to create one definition to banish all other meanings, but", "in subtext?](https://writing.stackexchange.com/q/26182/23159), the question of what the word subtext means was raised. This", "all good writers know, there are not enough words to go round for", "different things, so the purpose of this question is not to create one", "things we want to say, and thus the same word can get used", "means was raised. This question is to address this issue. Of course, as", "writers know, there are not enough words to go round for all the", "creating subtext, [Where in the writing process do you work in subtext?](https://writing.stackexchange.com/q/26182/23159), the", "there are not enough words to go round for all the things we", "thus the same word can get used for several different things, so the", "do you work in subtext?](https://writing.stackexchange.com/q/26182/23159), the question of what the word subtext means", "the word subtext means was raised. This question is to address this issue.", "other meanings, but to create the opportunity to clearly delineate the various possible", "opportunity to clearly delineate the various possible meanings so that we can have", "various possible meanings so that we can have a discussion about various kinds", "In this question about creating subtext, [Where in the writing process do you", "create one definition to banish all other meanings, but to create the opportunity", "say, and thus the same word can get used for several different things,", "for several different things, so the purpose of this question is not to" ]
[ "noticed a shared struckture by a number of sequels, sequels that each spring", "* List of the plot points,story-beats, that are considered essential to a sequel.", "well be a proper name for it, but I certainly don't know it.", "ways to do a sequel, though for this question I'm only interested in", "sequels that each spring off [a completed Hero's Quurnep][1]. * The Matrix Reloaded", "of a continuation to the Hero's Quurnep. * List of the plot points,story-beats,", "The Post Hero's Quurnep/Apotheosis-Story. Lacking a proper name for this narrative frame work", "the plot points,story-beats, that are considered essential to a sequel. * Write up", "by a number of sequels, sequels that each spring off [a completed Hero's", "a... * Write up of a continuation to the Hero's Quurnep. * List", "Capitan America 2&3 * The second half of the anime series Tegena Topa", "figurative. Has anyone seen a... * Write up of a continuation to the", "a proper name for it, but I certainly don't know it. I noticed", "adult life and eventual death; the death may be figurative. Has anyone seen", "of sequels, sequels that each spring off [a completed Hero's Quurnep][1]. * The", "Post Hero's Quurnep/Apotheosis-Story.** Lacking a proper name for this narrative frame work \"PHJ\"", "Hero's Quurnep is about Birth(starting with the Inciting Incident) and growth to adulthood.", "Gurren Lagan. * The last two books in the Mistborn series. * Halo", "Hero's Quurnep, the\"PHJ\" has a different emotional energy. If the Hero's Quurnep is", "death; the death may be figurative. Has anyone seen a... * Write up", "Fu Panda 2. * Iron Man 2&3. * Capitan America 2&3 * The", "Halo 4. While similar to the Hero's Quurnep, the\"PHJ\" has a different emotional", "question I'm only interested in one... The Post Hero's Quurnep/Apotheosis-Story. Lacking a proper", "similar to the Hero's Quurnep, the\"PHJ\" has a different emotional energy. If the", "* Write up of a continuation to the Hero's Quurnep. * List of", "[a completed Hero's Quurnep][1]. * The Matrix Reloaded and The Matrix Revolution. ", "in any of the media that I've listed as examples of the \"PHJ\".", "taken to calling it; there may very well be a proper name for", "second half of the anime series Tegena Topa Gurren Lagan. The last", "up of a continuation to the Hero's Quurnep. * List of the plot", "proper name for it, but I certainly don't know it. I noticed a", "2&3 * The second half of the anime series Tegena Topa Gurren Lagan.", "what I've taken to calling it; there may very well be a proper", "there may very well be a proper name for it, but I certainly", "a shared struckture by a number of sequels, sequels that each spring off", "While similar to the Hero's Quurnep, the\"PHJ\" has a different emotional energy. If", "is about Birth(starting with the Inciting Incident) and growth to adulthood. Then the", "that each spring off [a completed Hero's Quurnep][1]. * The Matrix Reloaded and", "Kung Fu Panda 2. * Iron Man 2&3. * Capitan America 2&3 ", "the death may be figurative. Has anyone seen a... Write up of", "be a proper name for it, but I certainly don't know it. I", "know it. I noticed a shared struckture by a number of sequels, sequels", "emotional energy. If the Hero's Quurnep is about Birth(starting with the Inciting Incident)", "it; there may very well be a proper name for it, but I", "two books in the Mistborn series. * Halo 4. While similar to the", "a sequel, though for this question I'm only interested in one... *The Post", "of the anime series Tegena Topa Gurren Lagan. The last two books", "Hero's Quurnep/Apotheosis-Story.** Lacking a proper name for this narrative frame work \"PHJ\" is", "* The second half of the anime series Tegena Topa Gurren Lagan. ", "considered essential to a sequel. Write up of the plot points in", "are many ways to do a sequel, though for this question I'm only", "I noticed a shared struckture by a number of sequels, sequels that each", "to a sequel. * Write up of the plot points in any of", "4. While similar to the Hero's Quurnep, the\"PHJ\" has a different emotional energy.", "Hero's Quurnep][1]. * The Matrix Reloaded and The Matrix Revolution. * Kung Fu", "Man 2&3. * Capitan America 2&3 * The second half of the anime", "be figurative. Has anyone seen a... * Write up of a continuation to", "Hero's Quurnep. * List of the plot points,story-beats, that are considered essential to", "the Inciting Incident) and growth to adulthood. Then the \"PHJ\" is about adult", "in one... The Post Hero's Quurnep/Apotheosis-Story. Lacking a proper name for this narrative", "about adult life and eventual death; the death may be figurative. Has anyone", "plot points in any of the media that I've listed as examples of", "I'm only interested in one... The Post Hero's Quurnep/Apotheosis-Story. Lacking a proper name", "series. * Halo 4. While similar to the Hero's Quurnep, the\"PHJ\" has a", "number of sequels, sequels that each spring off [a completed Hero's Quurnep][1]. ", "seen a... Write up of a continuation to the Hero's Quurnep. ", "The Matrix Revolution. Kung Fu Panda 2. * Iron Man 2&3. ", "energy. If the Hero's Quurnep is about Birth(starting with the Inciting Incident) and", "half of the anime series Tegena Topa Gurren Lagan. The last two", "the Hero's Quurnep is about Birth(starting with the Inciting Incident) and growth to", "growth to adulthood. Then the \"PHJ\" is about adult life and eventual death;", "* Iron Man 2&3. * Capitan America 2&3 * The second half of", "points,story-beats, that are considered essential to a sequel. * Write up of the", "though for this question I'm only interested in one... The Post Hero's Quurnep/Apotheosis-Story.", "List of the plot points,story-beats, that are considered essential to a sequel. ", "Lagan. The last two books in the Mistborn series. * Halo 4.", "may very well be a proper name for it, but I certainly don't", "it. I noticed a shared struckture by a number of sequels, sequels that", "to do a sequel, though for this question I'm only interested in one...", "a sequel. * Write up of the plot points in any of the", "Quurnep is about Birth(starting with the Inciting Incident) and growth to adulthood. Then", "a number of sequels, sequels that each spring off [a completed Hero's Quurnep][1].", "Inciting Incident) and growth to adulthood. Then the \"PHJ\" is about adult life", "in the Mistborn series. * Halo 4. While similar to the Hero's Quurnep,", "Birth(starting with the Inciting Incident) and growth to adulthood. Then the \"PHJ\" is", "do a sequel, though for this question I'm only interested in one... *The", "sequel. Write up of the plot points in any of the media", "Write up of the plot points in any of the media that I've", "shared struckture by a number of sequels, sequels that each spring off [a", "* Write up of the plot points in any of the media that", "and The Matrix Revolution. * Kung Fu Panda 2. * Iron Man 2&3.", "different emotional energy. If the Hero's Quurnep is about Birth(starting with the Inciting", "* The last two books in the Mistborn series. * Halo 4. While", "Quurnep. * List of the plot points,story-beats, that are considered essential to a", "has a different emotional energy. If the Hero's Quurnep is about Birth(starting with", "proper name for this narrative frame work \"PHJ\" is what I've taken to", "work \"PHJ\" is what I've taken to calling it; there may very well", "adulthood. Then the \"PHJ\" is about adult life and eventual death; the death", "name for it, but I certainly don't know it. I noticed a shared", "Incident) and growth to adulthood. Then the \"PHJ\" is about adult life and", "sequel, though for this question I'm only interested in one... *The Post Hero's", "completed Hero's Quurnep][1]. The Matrix Reloaded and The Matrix Revolution. * Kung", "the\"PHJ\" has a different emotional energy. If the Hero's Quurnep is about Birth(starting", "* Capitan America 2&3 * The second half of the anime series Tegena", "Write up of a continuation to the Hero's Quurnep. * List of the", "for it, but I certainly don't know it. I noticed a shared struckture", "the anime series Tegena Topa Gurren Lagan. * The last two books in", "books in the Mistborn series. * Halo 4. While similar to the Hero's", "may be figurative. Has anyone seen a... * Write up of a continuation", "The last two books in the Mistborn series. * Halo 4. While similar", "frame work \"PHJ\" is what I've taken to calling it; there may very", "Panda 2. * Iron Man 2&3. * Capitan America 2&3 * The second", "The second half of the anime series Tegena Topa Gurren Lagan. * The", "very well be a proper name for it, but I certainly don't know", "narrative frame work \"PHJ\" is what I've taken to calling it; there may", "many ways to do a sequel, though for this question I'm only interested", "* The Matrix Reloaded and The Matrix Revolution. * Kung Fu Panda 2.", "to calling it; there may very well be a proper name for it,", "\"PHJ\" is about adult life and eventual death; the death may be figurative.", "anyone seen a... * Write up of a continuation to the Hero's Quurnep.", "for this narrative frame work \"PHJ\" is what I've taken to calling it;", "Matrix Reloaded and The Matrix Revolution. * Kung Fu Panda 2. * Iron", "is what I've taken to calling it; there may very well be a", "interested in one... The Post Hero's Quurnep/Apotheosis-Story. Lacking a proper name for this", "plot points,story-beats, that are considered essential to a sequel. * Write up of", "Revolution. * Kung Fu Panda 2. * Iron Man 2&3. * Capitan America", "with the Inciting Incident) and growth to adulthood. Then the \"PHJ\" is about", "Has anyone seen a... * Write up of a continuation to the Hero's", "death may be figurative. Has anyone seen a... * Write up of a", "to adulthood. Then the \"PHJ\" is about adult life and eventual death; the", "The Matrix Reloaded and The Matrix Revolution. * Kung Fu Panda 2. ", "the Mistborn series. Halo 4. While similar to the Hero's Quurnep, the\"PHJ\"", "Quurnep, the\"PHJ\" has a different emotional energy. If the Hero's Quurnep is about", "eventual death; the death may be figurative. Has anyone seen a... * Write", "up of the plot points in any of the media that I've listed", "* Halo 4. While similar to the Hero's Quurnep, the\"PHJ\" has a different", "each spring off [a completed Hero's Quurnep][1]. * The Matrix Reloaded and The", "of the plot points,story-beats, that are considered essential to a sequel. * Write", "name for this narrative frame work \"PHJ\" is what I've taken to calling", "this question I'm only interested in one... The Post Hero's Quurnep/Apotheosis-Story. Lacking a", "I certainly don't know it. I noticed a shared struckture by a number", "points in any of the media that I've listed as examples of the", "Lacking a proper name for this narrative frame work \"PHJ\" is what I've", "calling it; there may very well be a proper name for it, but", "don't know it. I noticed a shared struckture by a number of sequels,", "a different emotional energy. If the Hero's Quurnep is about Birth(starting with the", "2&3. * Capitan America 2&3 * The second half of the anime series", "Iron Man 2&3. * Capitan America 2&3 * The second half of the", "\"PHJ\" is what I've taken to calling it; there may very well be", "Tegena Topa Gurren Lagan. * The last two books in the Mistborn series.", "that are considered essential to a sequel. * Write up of the plot", "Quurnep/Apotheosis-Story. Lacking a proper name for this narrative frame work \"PHJ\" is what", "If the Hero's Quurnep is about Birth(starting with the Inciting Incident) and growth", "only interested in one... The Post Hero's Quurnep/Apotheosis-Story.** Lacking a proper name for", "to the Hero's Quurnep. * List of the plot points,story-beats, that are considered", "struckture by a number of sequels, sequels that each spring off [a completed", "Reloaded and The Matrix Revolution. * Kung Fu Panda 2. * Iron Man", "Topa Gurren Lagan. * The last two books in the Mistborn series. ", "I've taken to calling it; there may very well be a proper name", "series Tegena Topa Gurren Lagan. The last two books in the Mistborn", "about Birth(starting with the Inciting Incident) and growth to adulthood. Then the \"PHJ\"", "this narrative frame work \"PHJ\" is what I've taken to calling it; there", "the \"PHJ\" is about adult life and eventual death; the death may be", "a continuation to the Hero's Quurnep. * List of the plot points,story-beats, that", "the plot points in any of the media that I've listed as examples", "it, but I certainly don't know it. I noticed a shared struckture by", "life and eventual death; the death may be figurative. Has anyone seen a...", "* Kung Fu Panda 2. * Iron Man 2&3. * Capitan America 2&3", "Quurnep][1]. * The Matrix Reloaded and The Matrix Revolution. * Kung Fu Panda", "the Hero's Quurnep, the\"PHJ\" has a different emotional energy. If the Hero's Quurnep", "a proper name for this narrative frame work \"PHJ\" is what I've taken", "There are many ways to do a sequel, though for this question I'm", "Matrix Revolution. * Kung Fu Panda 2. * Iron Man 2&3. * Capitan", "for this question I'm only interested in one... The Post Hero's Quurnep/Apotheosis-Story. Lacking", "one... The Post Hero's Quurnep/Apotheosis-Story. Lacking a proper name for this narrative frame", "2. * Iron Man 2&3. * Capitan America 2&3 * The second half", "last two books in the Mistborn series. * Halo 4. While similar to", "Mistborn series. * Halo 4. While similar to the Hero's Quurnep, the\"PHJ\" has", "of the plot points in any of the media that I've listed as", "off [a completed Hero's Quurnep][1]. * The Matrix Reloaded and The Matrix Revolution.", "anime series Tegena Topa Gurren Lagan. * The last two books in the", "the Hero's Quurnep. * List of the plot points,story-beats, that are considered essential", "essential to a sequel. * Write up of the plot points in any", "continuation to the Hero's Quurnep. * List of the plot points,story-beats, that are", "and growth to adulthood. Then the \"PHJ\" is about adult life and eventual", "is about adult life and eventual death; the death may be figurative. Has", "America 2&3 * The second half of the anime series Tegena Topa Gurren", "to the Hero's Quurnep, the\"PHJ\" has a different emotional energy. If the Hero's", "sequels, sequels that each spring off [a completed Hero's Quurnep][1]. * The Matrix", "Then the \"PHJ\" is about adult life and eventual death; the death may", "and eventual death; the death may be figurative. Has anyone seen a... ", "but I certainly don't know it. I noticed a shared struckture by a", "spring off [a completed Hero's Quurnep][1]. The Matrix Reloaded and The Matrix", "are considered essential to a sequel. * Write up of the plot points", "certainly don't know it. I noticed a shared struckture by a number of" ]
[ "Is there maybe a placeholder tag for a carriage return? The \"custom\" option", "This is how every book I buy seems to be formatted. However, none", "asterisks, then 2 carriage returns, between each text document within a folder. This", "between each text document within a folder. This is how every book I", "of the options in the \"separators\" section allow multiple carriage returns. Does anyone", "seems to be formatted. However, none of the options in the \"separators\" section", "for text separators, in the \"separators\" tab. What I want to do, is", "to do, is have 2 carriage returns, a line with 4 asterisks, then", "tag for a carriage return? The \"custom\" option allows placeholder tags, but I", "a line with 4 asterisks, then 2 carriage returns, between each text document", "allows only a single line of text). Is there maybe a placeholder tag", "multiple carriage returns. Does anyone know how to accomplish this in scrivener? The", "folder. This is how every book I buy seems to be formatted. However,", "to accomplish this in scrivener? The 4 options for a text separator in", "a carriage return? The \"custom\" option allows placeholder tags, but I can't find", "scrivener? The 4 options for a text separator in the \"separators\" section are:", "options for text separators, in the \"separators\" tab. What I want to do,", "carriage returns. Does anyone know how to accomplish this in scrivener? The 4", "I buy seems to be formatted. However, none of the options in the", "buy seems to be formatted. However, none of the options in the \"separators\"", "formatted. However, none of the options in the \"separators\" section allow multiple carriage", "returns. Does anyone know how to accomplish this in scrivener? The 4 options", "none of the options in the \"separators\" section allow multiple carriage returns. Does", "are: single return, empty line, page break, or custom (which allows only a", "is have 2 carriage returns, a line with 4 asterisks, then 2 carriage", "carriage return? The \"custom\" option allows placeholder tags, but I can't find one", "to be formatted. However, none of the options in the \"separators\" section allow", "line, page break, or custom (which allows only a single line of text).", "accomplish this in scrivener? The 4 options for a text separator in the", "4 options for text separators, in the \"separators\" tab. What I want to", "return, empty line, page break, or custom (which allows only a single line", "\"separators\" section are: single return, empty line, page break, or custom (which allows", "with 4 asterisks, then 2 carriage returns, between each text document within a", "a placeholder tag for a carriage return? The \"custom\" option allows placeholder tags,", "each text document within a folder. This is how every book I buy", "line with 4 asterisks, then 2 carriage returns, between each text document within", "in the \"separators\" tab. What I want to do, is have 2 carriage", "do, is have 2 carriage returns, a line with 4 asterisks, then 2", "options for a text separator in the \"separators\" section are: single return, empty", "a folder. This is how every book I buy seems to be formatted.", "returns, between each text document within a folder. This is how every book", "the options in the \"separators\" section allow multiple carriage returns. Does anyone know", "The 4 options for a text separator in the \"separators\" section are: single", "section allow multiple carriage returns. Does anyone know how to accomplish this in", "separator in the \"separators\" section are: single return, empty line, page break, or", "2 carriage returns, a line with 4 asterisks, then 2 carriage returns, between", "section are: single return, empty line, page break, or custom (which allows only", "for a carriage return? The \"custom\" option allows placeholder tags, but I can't", "in scrivener? The 4 options for a text separator in the \"separators\" section", "i'm given 4 options for text separators, in the \"separators\" tab. What I", "in the \"separators\" section are: single return, empty line, page break, or custom", "However, none of the options in the \"separators\" section allow multiple carriage returns.", "or custom (which allows only a single line of text). Is there maybe", "maybe a placeholder tag for a carriage return? The \"custom\" option allows placeholder", "placeholder tag for a carriage return? The \"custom\" option allows placeholder tags, but", "within a folder. This is how every book I buy seems to be", "how to accomplish this in scrivener? The 4 options for a text separator", "there maybe a placeholder tag for a carriage return? The \"custom\" option allows", "\"separators\" tab. What I want to do, is have 2 carriage returns, a", "carriage returns, between each text document within a folder. This is how every", "When compiling, i'm given 4 options for text separators, in the \"separators\" tab.", "(which allows only a single line of text). Is there maybe a placeholder", "only a single line of text). Is there maybe a placeholder tag for", "be formatted. However, none of the options in the \"separators\" section allow multiple", "options in the \"separators\" section allow multiple carriage returns. Does anyone know how", "of text). Is there maybe a placeholder tag for a carriage return? The", "is how every book I buy seems to be formatted. However, none of", "page break, or custom (which allows only a single line of text). Is", "single return, empty line, page break, or custom (which allows only a single", "break, or custom (which allows only a single line of text). Is there", "the \"separators\" section allow multiple carriage returns. Does anyone know how to accomplish", "a single line of text). Is there maybe a placeholder tag for a", "empty line, page break, or custom (which allows only a single line of", "Does anyone know how to accomplish this in scrivener? The 4 options for", "anyone know how to accomplish this in scrivener? The 4 options for a", "4 asterisks, then 2 carriage returns, between each text document within a folder.", "\"custom\" option allows placeholder tags, but I can't find one for a carriage", "text). Is there maybe a placeholder tag for a carriage return? The \"custom\"", "carriage returns, a line with 4 asterisks, then 2 carriage returns, between each", "how every book I buy seems to be formatted. However, none of the", "line of text). Is there maybe a placeholder tag for a carriage return?", "a text separator in the \"separators\" section are: single return, empty line, page", "for a text separator in the \"separators\" section are: single return, empty line,", "this in scrivener? The 4 options for a text separator in the \"separators\"", "the \"separators\" section are: single return, empty line, page break, or custom (which", "The \"custom\" option allows placeholder tags, but I can't find one for a", "custom (which allows only a single line of text). Is there maybe a", "text separator in the \"separators\" section are: single return, empty line, page break,", "What I want to do, is have 2 carriage returns, a line with", "returns, a line with 4 asterisks, then 2 carriage returns, between each text", "compiling, i'm given 4 options for text separators, in the \"separators\" tab. What", "know how to accomplish this in scrivener? The 4 options for a text", "want to do, is have 2 carriage returns, a line with 4 asterisks,", "every book I buy seems to be formatted. However, none of the options", "in the \"separators\" section allow multiple carriage returns. Does anyone know how to", "text separators, in the \"separators\" tab. What I want to do, is have", "allow multiple carriage returns. Does anyone know how to accomplish this in scrivener?", "\"separators\" section allow multiple carriage returns. Does anyone know how to accomplish this", "4 options for a text separator in the \"separators\" section are: single return,", "then 2 carriage returns, between each text document within a folder. This is", "I want to do, is have 2 carriage returns, a line with 4", "separators, in the \"separators\" tab. What I want to do, is have 2", "the \"separators\" tab. What I want to do, is have 2 carriage returns,", "single line of text). Is there maybe a placeholder tag for a carriage", "book I buy seems to be formatted. However, none of the options in", "document within a folder. This is how every book I buy seems to", "given 4 options for text separators, in the \"separators\" tab. What I want", "option allows placeholder tags, but I can't find one for a carriage return.", "2 carriage returns, between each text document within a folder. This is how", "text document within a folder. This is how every book I buy seems", "return? The \"custom\" option allows placeholder tags, but I can't find one for", "have 2 carriage returns, a line with 4 asterisks, then 2 carriage returns,", "tab. What I want to do, is have 2 carriage returns, a line" ]
[ "amateur stories online and sometimes the author will include so much detail that", "author will include so much detail that the reader gets a little bored", "will include so much detail that the reader gets a little bored or", "or distracted and forgets what the actual story is talking about. How do", "the reader gets a little bored or distracted and forgets what the actual", "a little bored or distracted and forgets what the actual story is talking", "do I know whether I am using too much, not enough, or the", "sometimes the author will include so much detail that the reader gets a", "whether I am using too much, not enough, or the right amount of", "reader gets a little bored or distracted and forgets what the actual story", "much detail that the reader gets a little bored or distracted and forgets", "know whether I am using too much, not enough, or the right amount", "stories online and sometimes the author will include so much detail that the", "few amateur stories online and sometimes the author will include so much detail", "so much detail that the reader gets a little bored or distracted and", "the actual story is talking about. How do I know whether I am", "I've read a few amateur stories online and sometimes the author will include", "How do I know whether I am using too much, not enough, or", "about. How do I know whether I am using too much, not enough,", "that the reader gets a little bored or distracted and forgets what the", "is talking about. How do I know whether I am using too much,", "little bored or distracted and forgets what the actual story is talking about.", "detail that the reader gets a little bored or distracted and forgets what", "read a few amateur stories online and sometimes the author will include so", "bored or distracted and forgets what the actual story is talking about. How", "I am using too much, not enough, or the right amount of detail?", "include so much detail that the reader gets a little bored or distracted", "and sometimes the author will include so much detail that the reader gets", "online and sometimes the author will include so much detail that the reader", "gets a little bored or distracted and forgets what the actual story is", "I know whether I am using too much, not enough, or the right", "distracted and forgets what the actual story is talking about. How do I", "talking about. How do I know whether I am using too much, not", "actual story is talking about. How do I know whether I am using", "forgets what the actual story is talking about. How do I know whether", "the author will include so much detail that the reader gets a little", "and forgets what the actual story is talking about. How do I know", "story is talking about. How do I know whether I am using too", "a few amateur stories online and sometimes the author will include so much", "what the actual story is talking about. How do I know whether I" ]
[ "beings who have the power of the four elements. Only very few, very", "of the four elements. Only very few, very rare people posses the power", "be one of those who have the powers of all the elements. The", "of all the elements. The thing is, I don't want people to read", "few, very rare people posses the power of all four elements while most", "is, I don't want people to read this and think I stole the", "I stole the idea off of the old animated Nickelodeon series, Avatar, which", "The thing is, I don't want people to read this and think I", "fictional beings who have the power of the four elements. Only very few,", "very rare people posses the power of all four elements while most only", "one of those who have the powers of all the elements. The thing", "of those who have the powers of all the elements. The thing is,", "going to be one of those who have the powers of all the", "have the powers of all the elements. The thing is, I don't want", "want people to read this and think I stole the idea off of", "powers of all the elements. The thing is, I don't want people to", "have the power of the four elements. Only very few, very rare people", "people posses the power of all four elements while most only have one.", "elements. The thing is, I don't want people to read this and think", "this and think I stole the idea off of the old animated Nickelodeon", "and think I stole the idea off of the old animated Nickelodeon series,", "Only very few, very rare people posses the power of all four elements", "most only have one. My main character is going to be one of", "those who have the powers of all the elements. The thing is, I", "posses the power of all four elements while most only have one. My", "I'm writing a story about fictional beings who have the power of the", "read this and think I stole the idea off of the old animated", "is going to be one of those who have the powers of all", "all the elements. The thing is, I don't want people to read this", "power of the four elements. Only very few, very rare people posses the", "of all four elements while most only have one. My main character is", "people to read this and think I stole the idea off of the", "who have the power of the four elements. Only very few, very rare", "four elements. Only very few, very rare people posses the power of all", "main character is going to be one of those who have the powers", "who have the powers of all the elements. The thing is, I don't", "about fictional beings who have the power of the four elements. Only very", "four elements while most only have one. My main character is going to", "the elements. The thing is, I don't want people to read this and", "the power of the four elements. Only very few, very rare people posses", "I don't want people to read this and think I stole the idea", "stole the idea off of the old animated Nickelodeon series, Avatar, which honestly,", "the idea off of the old animated Nickelodeon series, Avatar, which honestly, I", "My main character is going to be one of those who have the", "the power of all four elements while most only have one. My main", "the four elements. Only very few, very rare people posses the power of", "writing a story about fictional beings who have the power of the four", "have one. My main character is going to be one of those who", "thing is, I don't want people to read this and think I stole", "don't want people to read this and think I stole the idea off", "think I stole the idea off of the old animated Nickelodeon series, Avatar,", "story about fictional beings who have the power of the four elements. Only", "power of all four elements while most only have one. My main character", "one. My main character is going to be one of those who have", "to read this and think I stole the idea off of the old", "idea off of the old animated Nickelodeon series, Avatar, which honestly, I rarely", "very few, very rare people posses the power of all four elements while", "character is going to be one of those who have the powers of", "elements while most only have one. My main character is going to be", "only have one. My main character is going to be one of those", "a story about fictional beings who have the power of the four elements.", "rare people posses the power of all four elements while most only have", "to be one of those who have the powers of all the elements.", "the powers of all the elements. The thing is, I don't want people", "all four elements while most only have one. My main character is going", "elements. Only very few, very rare people posses the power of all four", "while most only have one. My main character is going to be one", "off of the old animated Nickelodeon series, Avatar, which honestly, I rarely watched." ]
[ "up, but I couldn't help it and kept getting different great ideas that", "stories. I've narrowed it down to three main stories that I've been working", "What can I do to keep focused on one story at a time?", "it would be very difficult to keep up, but I couldn't help it", "currently writing three different stories. I didn't start this on purpose, because I", "I knew it would be very difficult to keep up, but I couldn't", "next ones. What can I do to keep focused on one story at", "in different stories. I've narrowed it down to three main stories that I've", "ideas that would fit in different stories. I've narrowed it down to three", "different stories. I've narrowed it down to three main stories that I've been", "only one story to think about because I love them all. This is", "three main stories that I've been working on. I want to narrow it", "think about because I love them all. This is why I'm not able", "finish one story because I keep jumping to the next ones. What can", "keep jumping to the next ones. What can I do to keep focused", "didn't start this on purpose, because I knew it would be very difficult", "story because I keep jumping to the next ones. What can I do", "the next ones. What can I do to keep focused on one story", "would be very difficult to keep up, but I couldn't help it and", "great ideas that would fit in different stories. I've narrowed it down to", "it to only one but I have a hard time choosing only one", "am currently writing three different stories. I didn't start this on purpose, because", "help it and kept getting different great ideas that would fit in different", "would fit in different stories. I've narrowed it down to three main stories", "but I couldn't help it and kept getting different great ideas that would", "ones. What can I do to keep focused on one story at a", "knew it would be very difficult to keep up, but I couldn't help", "to think about because I love them all. This is why I'm not", "only one but I have a hard time choosing only one story to", "have a hard time choosing only one story to think about because I", "that would fit in different stories. I've narrowed it down to three main", "to the next ones. What can I do to keep focused on one", "stories that I've been working on. I want to narrow it to only", "but I have a hard time choosing only one story to think about", "about because I love them all. This is why I'm not able to", "one but I have a hard time choosing only one story to think", "very difficult to keep up, but I couldn't help it and kept getting", "want to narrow it to only one but I have a hard time", "it and kept getting different great ideas that would fit in different stories.", "jumping to the next ones. What can I do to keep focused on", "one story because I keep jumping to the next ones. What can I", "I've narrowed it down to three main stories that I've been working on.", "main stories that I've been working on. I want to narrow it to", "this on purpose, because I knew it would be very difficult to keep", "them all. This is why I'm not able to finish one story because", "it down to three main stories that I've been working on. I want", "because I love them all. This is why I'm not able to finish", "a hard time choosing only one story to think about because I love", "different great ideas that would fit in different stories. I've narrowed it down", "purpose, because I knew it would be very difficult to keep up, but", "different stories. I didn't start this on purpose, because I knew it would", "fit in different stories. I've narrowed it down to three main stories that", "because I keep jumping to the next ones. What can I do to", "I am currently writing three different stories. I didn't start this on purpose,", "narrow it to only one but I have a hard time choosing only", "writing three different stories. I didn't start this on purpose, because I knew", "been working on. I want to narrow it to only one but I", "I have a hard time choosing only one story to think about because", "I couldn't help it and kept getting different great ideas that would fit", "getting different great ideas that would fit in different stories. I've narrowed it", "on. I want to narrow it to only one but I have a", "This is why I'm not able to finish one story because I keep", "keep up, but I couldn't help it and kept getting different great ideas", "to finish one story because I keep jumping to the next ones. What", "is why I'm not able to finish one story because I keep jumping", "hard time choosing only one story to think about because I love them", "I keep jumping to the next ones. What can I do to keep", "that I've been working on. I want to narrow it to only one", "all. This is why I'm not able to finish one story because I", "working on. I want to narrow it to only one but I have", "I want to narrow it to only one but I have a hard", "time choosing only one story to think about because I love them all.", "I'm not able to finish one story because I keep jumping to the", "able to finish one story because I keep jumping to the next ones.", "three different stories. I didn't start this on purpose, because I knew it", "be very difficult to keep up, but I couldn't help it and kept", "I love them all. This is why I'm not able to finish one", "to only one but I have a hard time choosing only one story", "stories. I didn't start this on purpose, because I knew it would be", "not able to finish one story because I keep jumping to the next", "because I knew it would be very difficult to keep up, but I", "and kept getting different great ideas that would fit in different stories. I've", "kept getting different great ideas that would fit in different stories. I've narrowed", "story to think about because I love them all. This is why I'm", "love them all. This is why I'm not able to finish one story", "to keep up, but I couldn't help it and kept getting different great", "start this on purpose, because I knew it would be very difficult to", "down to three main stories that I've been working on. I want to", "narrowed it down to three main stories that I've been working on. I", "why I'm not able to finish one story because I keep jumping to", "I didn't start this on purpose, because I knew it would be very", "one story to think about because I love them all. This is why", "to three main stories that I've been working on. I want to narrow", "difficult to keep up, but I couldn't help it and kept getting different", "choosing only one story to think about because I love them all. This", "on purpose, because I knew it would be very difficult to keep up,", "to narrow it to only one but I have a hard time choosing", "I've been working on. I want to narrow it to only one but", "couldn't help it and kept getting different great ideas that would fit in" ]
[ "much detail? EDIT I'm stuck on a user simply being able to follow", "able to follow a linear A->B process, vs. material that will teach the", "stuck on a user simply being able to follow a linear A->B process,", "should be put into this documentation? When is it too much detail? EDIT", "material that will teach the user how to use the software in a", "manner that will enable them to handle many errors or process deviations on", "guides. How much detail should be put into this documentation? When is it", "I'm stuck on a user simply being able to follow a linear A->B", "a linear A->B process, vs. material that will teach the user how to", "to follow a linear A->B process, vs. material that will teach the user", "detail should be put into this documentation? When is it too much detail?", "use the software in a manner that will enable them to handle many", "I often find myself writing my own technical documentation and user guides. How", "process, vs. material that will teach the user how to use the software", "developer, I often find myself writing my own technical documentation and user guides.", "documentation? When is it too much detail? EDIT I'm stuck on a user", "it too much detail? EDIT I'm stuck on a user simply being able", "that will enable them to handle many errors or process deviations on their", "my own technical documentation and user guides. How much detail should be put", "that will teach the user how to use the software in a manner", "the user how to use the software in a manner that will enable", "user how to use the software in a manner that will enable them", "is it too much detail? EDIT I'm stuck on a user simply being", "software in a manner that will enable them to handle many errors or", "and user guides. How much detail should be put into this documentation? When", "detail? EDIT I'm stuck on a user simply being able to follow a", "will teach the user how to use the software in a manner that", "find myself writing my own technical documentation and user guides. How much detail", "on a user simply being able to follow a linear A->B process, vs.", "technical documentation and user guides. How much detail should be put into this", "myself writing my own technical documentation and user guides. How much detail should", "linear A->B process, vs. material that will teach the user how to use", "How much detail should be put into this documentation? When is it too", "too much detail? EDIT I'm stuck on a user simply being able to", "a manner that will enable them to handle many errors or process deviations", "As a software developer, I often find myself writing my own technical documentation", "writing my own technical documentation and user guides. How much detail should be", "When is it too much detail? EDIT I'm stuck on a user simply", "much detail should be put into this documentation? When is it too much", "vs. material that will teach the user how to use the software in", "software developer, I often find myself writing my own technical documentation and user", "in a manner that will enable them to handle many errors or process", "teach the user how to use the software in a manner that will", "how to use the software in a manner that will enable them to", "to use the software in a manner that will enable them to handle", "a user simply being able to follow a linear A->B process, vs. material", "follow a linear A->B process, vs. material that will teach the user how", "user guides. How much detail should be put into this documentation? When is", "EDIT I'm stuck on a user simply being able to follow a linear", "will enable them to handle many errors or process deviations on their own.", "simply being able to follow a linear A->B process, vs. material that will", "user simply being able to follow a linear A->B process, vs. material that", "into this documentation? When is it too much detail? EDIT I'm stuck on", "a software developer, I often find myself writing my own technical documentation and", "this documentation? When is it too much detail? EDIT I'm stuck on a", "put into this documentation? When is it too much detail? EDIT I'm stuck", "often find myself writing my own technical documentation and user guides. How much", "being able to follow a linear A->B process, vs. material that will teach", "own technical documentation and user guides. How much detail should be put into", "the software in a manner that will enable them to handle many errors", "documentation and user guides. How much detail should be put into this documentation?", "A->B process, vs. material that will teach the user how to use the", "be put into this documentation? When is it too much detail? EDIT I'm" ]
[ "experiencing a world where suddenly he engages successfully, in many realistic sexual experiences.", "since I cannot find anything out there like it with a point-of-view of", "novel that has A) a lot of graphic Male/Female sex and B) a", "are really about the category in which this would fall since I cannot", "male audience (In the USA, UK, Australia). Thanks for any advice. Lee Relt", "how to target a male audience (In the USA, UK, Australia). Thanks for", "a nice guy any longer at the end. Also, it seems that erotica", "like it with a point-of-view of an American male that is basically experiencing", "would fall since I cannot find anything out there like it with a", "much of a mysogynist. The main character is bumbling at the beginning, please", "a too much of a mysogynist. The main character is bumbling at the", "is basically experiencing a world where suddenly he engages successfully, in many realistic", "cannot find anything out there like it with a point-of-view of an American", "the end. Also, it seems that erotica is mostly read by women, so", "that the character might come across a too much of a mysogynist. The", "with a point-of-view of an American male that is basically experiencing a world", "takes place, and is solved, in the Czech Republic. My questions are really", "any longer at the end. Also, it seems that erotica is mostly read", "Czech Republic. My questions are really about the category in which this would", "so I wonder how to target a male audience (In the USA, UK,", "engages successfully, in many realistic sexual experiences. The problem, one which worries me", "of a mysogynist. The main character is bumbling at the beginning, please note,", "at the end. Also, it seems that erotica is mostly read by women,", "a plot involving a mystery that takes place, and is solved, in the", "problem, one which worries me greatly, is that the character might come across", "basically experiencing a world where suddenly he engages successfully, in many realistic sexual", "bumbling at the beginning, please note, and perhaps not a nice guy any", "I have written a novel that has A) a lot of graphic Male/Female", "a point-of-view of an American male that is basically experiencing a world where", "point-of-view of an American male that is basically experiencing a world where suddenly", "too much of a mysogynist. The main character is bumbling at the beginning,", "it seems that erotica is mostly read by women, so I wonder how", "experiences. The problem, one which worries me greatly, is that the character might", "audience (In the USA, UK, Australia). Thanks for any advice. Lee Relt American/Czech", "has A) a lot of graphic Male/Female sex and B) a plot involving", "a mysogynist. The main character is bumbling at the beginning, please note, and", "sex and B) a plot involving a mystery that takes place, and is", "it with a point-of-view of an American male that is basically experiencing a", "of an American male that is basically experiencing a world where suddenly he", "note, and perhaps not a nice guy any longer at the end. Also,", "a mystery that takes place, and is solved, in the Czech Republic. My", "category in which this would fall since I cannot find anything out there", "there like it with a point-of-view of an American male that is basically", "end. Also, it seems that erotica is mostly read by women, so I", "A) a lot of graphic Male/Female sex and B) a plot involving a", "and is solved, in the Czech Republic. My questions are really about the", "successfully, in many realistic sexual experiences. The problem, one which worries me greatly,", "B) a plot involving a mystery that takes place, and is solved, in", "might come across a too much of a mysogynist. The main character is", "longer at the end. Also, it seems that erotica is mostly read by", "women, so I wonder how to target a male audience (In the USA,", "greatly, is that the character might come across a too much of a", "in the Czech Republic. My questions are really about the category in which", "suddenly he engages successfully, in many realistic sexual experiences. The problem, one which", "not a nice guy any longer at the end. Also, it seems that", "perhaps not a nice guy any longer at the end. Also, it seems", "The main character is bumbling at the beginning, please note, and perhaps not", "wonder how to target a male audience (In the USA, UK, Australia). Thanks", "graphic Male/Female sex and B) a plot involving a mystery that takes place,", "a world where suddenly he engages successfully, in many realistic sexual experiences. The", "sexual experiences. The problem, one which worries me greatly, is that the character", "target a male audience (In the USA, UK, Australia). Thanks for any advice.", "plot involving a mystery that takes place, and is solved, in the Czech", "find anything out there like it with a point-of-view of an American male", "mysogynist. The main character is bumbling at the beginning, please note, and perhaps", "written a novel that has A) a lot of graphic Male/Female sex and", "read by women, so I wonder how to target a male audience (In", "to target a male audience (In the USA, UK, Australia). Thanks for any", "that has A) a lot of graphic Male/Female sex and B) a plot", "a lot of graphic Male/Female sex and B) a plot involving a mystery", "that is basically experiencing a world where suddenly he engages successfully, in many", "male that is basically experiencing a world where suddenly he engages successfully, in", "is that the character might come across a too much of a mysogynist.", "main character is bumbling at the beginning, please note, and perhaps not a", "the USA, UK, Australia). Thanks for any advice. Lee Relt American/Czech in Prague", "which worries me greatly, is that the character might come across a too", "by women, so I wonder how to target a male audience (In the", "Republic. My questions are really about the category in which this would fall", "guy any longer at the end. Also, it seems that erotica is mostly", "I cannot find anything out there like it with a point-of-view of an", "that erotica is mostly read by women, so I wonder how to target", "the beginning, please note, and perhaps not a nice guy any longer at", "out there like it with a point-of-view of an American male that is", "erotica is mostly read by women, so I wonder how to target a", "and B) a plot involving a mystery that takes place, and is solved,", "seems that erotica is mostly read by women, so I wonder how to", "come across a too much of a mysogynist. The main character is bumbling", "Also, it seems that erotica is mostly read by women, so I wonder", "(In the USA, UK, Australia). Thanks for any advice. Lee Relt American/Czech in", "questions are really about the category in which this would fall since I", "mystery that takes place, and is solved, in the Czech Republic. My questions", "where suddenly he engages successfully, in many realistic sexual experiences. The problem, one", "mostly read by women, so I wonder how to target a male audience", "really about the category in which this would fall since I cannot find", "he engages successfully, in many realistic sexual experiences. The problem, one which worries", "character is bumbling at the beginning, please note, and perhaps not a nice", "nice guy any longer at the end. Also, it seems that erotica is", "a male audience (In the USA, UK, Australia). Thanks for any advice. Lee", "the character might come across a too much of a mysogynist. The main", "character might come across a too much of a mysogynist. The main character", "that takes place, and is solved, in the Czech Republic. My questions are", "in which this would fall since I cannot find anything out there like", "which this would fall since I cannot find anything out there like it", "is bumbling at the beginning, please note, and perhaps not a nice guy", "one which worries me greatly, is that the character might come across a", "world where suddenly he engages successfully, in many realistic sexual experiences. The problem,", "solved, in the Czech Republic. My questions are really about the category in", "American male that is basically experiencing a world where suddenly he engages successfully,", "this would fall since I cannot find anything out there like it with", "place, and is solved, in the Czech Republic. My questions are really about", "many realistic sexual experiences. The problem, one which worries me greatly, is that", "anything out there like it with a point-of-view of an American male that", "about the category in which this would fall since I cannot find anything", "in many realistic sexual experiences. The problem, one which worries me greatly, is", "worries me greatly, is that the character might come across a too much", "is solved, in the Czech Republic. My questions are really about the category", "the category in which this would fall since I cannot find anything out", "fall since I cannot find anything out there like it with a point-of-view", "and perhaps not a nice guy any longer at the end. Also, it", "across a too much of a mysogynist. The main character is bumbling at", "at the beginning, please note, and perhaps not a nice guy any longer", "Male/Female sex and B) a plot involving a mystery that takes place, and", "The problem, one which worries me greatly, is that the character might come", "the Czech Republic. My questions are really about the category in which this", "involving a mystery that takes place, and is solved, in the Czech Republic.", "me greatly, is that the character might come across a too much of", "please note, and perhaps not a nice guy any longer at the end.", "lot of graphic Male/Female sex and B) a plot involving a mystery that", "an American male that is basically experiencing a world where suddenly he engages", "I wonder how to target a male audience (In the USA, UK, Australia).", "is mostly read by women, so I wonder how to target a male", "beginning, please note, and perhaps not a nice guy any longer at the", "have written a novel that has A) a lot of graphic Male/Female sex", "a novel that has A) a lot of graphic Male/Female sex and B)", "My questions are really about the category in which this would fall since", "realistic sexual experiences. The problem, one which worries me greatly, is that the", "of graphic Male/Female sex and B) a plot involving a mystery that takes" ]
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[ "help but picture something playing out as a movie. It's so much easier", "can I put the scene I picture in my head into words that", "as a film or how can I put the scene I picture in", "ideas, I can't help but picture something playing out as a movie. It's", "movie. It's so much easier to picture someone moving and doing things than", "grasp what is happening in the story but my reader will not see", "than to actually describe what they are doing and write about it. I", "I see. How can I stop viewing my writing as a film or", "how can I put the scene I picture in my head into words", "doing and write about it. I understand that this would make it easier", "this would make it easier for me to grasp what is happening in", "will not see what I see. How can I stop viewing my writing", "what is happening in the story but my reader will not see what", "and story ideas, I can't help but picture something playing out as a", "can I stop viewing my writing as a film or how can I", "actually describe what they are doing and write about it. I understand that", "story ideas, I can't help but picture something playing out as a movie.", "reader will not see what I see. How can I stop viewing my", "the story but my reader will not see what I see. How can", "How can I stop viewing my writing as a film or how can", "and write about it. I understand that this would make it easier for", "but my reader will not see what I see. How can I stop", "easier for me to grasp what is happening in the story but my", "viewing my writing as a film or how can I put the scene", "a movie. It's so much easier to picture someone moving and doing things", "much easier to picture someone moving and doing things than to actually describe", "in the story but my reader will not see what I see. How", "film or how can I put the scene I picture in my head", "a film or how can I put the scene I picture in my", "and doing things than to actually describe what they are doing and write", "happening in the story but my reader will not see what I see.", "put the scene I picture in my head into words that make sense", "story but my reader will not see what I see. How can I", "picture someone moving and doing things than to actually describe what they are", "I can't help but picture something playing out as a movie. It's so", "what they are doing and write about it. I understand that this would", "not see what I see. How can I stop viewing my writing as", "scene I picture in my head into words that make sense on a", "make it easier for me to grasp what is happening in the story", "it easier for me to grasp what is happening in the story but", "write about it. I understand that this would make it easier for me", "the scene I picture in my head into words that make sense on", "I understand that this would make it easier for me to grasp what", "would make it easier for me to grasp what is happening in the", "picture something playing out as a movie. It's so much easier to picture", "but picture something playing out as a movie. It's so much easier to", "that this would make it easier for me to grasp what is happening", "describe what they are doing and write about it. I understand that this", "my reader will not see what I see. How can I stop viewing", "something playing out as a movie. It's so much easier to picture someone", "I picture in my head into words that make sense on a page?", "stop viewing my writing as a film or how can I put the", "thinking about scenes and story ideas, I can't help but picture something playing", "about scenes and story ideas, I can't help but picture something playing out", "things than to actually describe what they are doing and write about it.", "It's so much easier to picture someone moving and doing things than to", "can't help but picture something playing out as a movie. It's so much", "see. How can I stop viewing my writing as a film or how", "to actually describe what they are doing and write about it. I understand", "out as a movie. It's so much easier to picture someone moving and", "to picture someone moving and doing things than to actually describe what they", "scenes and story ideas, I can't help but picture something playing out as", "are doing and write about it. I understand that this would make it", "for me to grasp what is happening in the story but my reader", "is happening in the story but my reader will not see what I", "or how can I put the scene I picture in my head into", "understand that this would make it easier for me to grasp what is", "about it. I understand that this would make it easier for me to", "see what I see. How can I stop viewing my writing as a", "moving and doing things than to actually describe what they are doing and", "doing things than to actually describe what they are doing and write about", "they are doing and write about it. I understand that this would make", "what I see. How can I stop viewing my writing as a film", "my writing as a film or how can I put the scene I", "writing as a film or how can I put the scene I picture", "it. I understand that this would make it easier for me to grasp", "me to grasp what is happening in the story but my reader will", "easier to picture someone moving and doing things than to actually describe what", "as a movie. It's so much easier to picture someone moving and doing", "playing out as a movie. It's so much easier to picture someone moving", "I put the scene I picture in my head into words that make", "someone moving and doing things than to actually describe what they are doing", "so much easier to picture someone moving and doing things than to actually", "When thinking about scenes and story ideas, I can't help but picture something", "I stop viewing my writing as a film or how can I put", "to grasp what is happening in the story but my reader will not" ]
[ "coming up with good names for my characters. So what I usually do", "once and have it update anywhere? For example... > > {Char1} went to", "define the name of your character just once and have it update anywhere?", "sort of nickname as a placeholder while I'm writing my story. Is there", "bit of an issue coming up with good names for my characters. So", "as a placeholder while I'm writing my story. Is there a way in", "just once and have it update anywhere? For example... > > {Char1} went", "while I'm writing my story. Is there a way in Scrivener to define", "Scrivener to define the name of your character just once and have it", "school. > > > When I define \"Char1\" as Joe, the above sentence", "character an abbreviation or some sort of nickname as a placeholder while I'm", "there a way in Scrivener to define the name of your character just", "story. Is there a way in Scrivener to define the name of your", "names for my characters. So what I usually do is give each character", "an abbreviation or some sort of nickname as a placeholder while I'm writing", "give each character an abbreviation or some sort of nickname as a placeholder", "a bit of an issue coming up with good names for my characters.", "character just once and have it update anywhere? For example... > > {Char1}", "name of your character just once and have it update anywhere? For example...", "writing my story. Is there a way in Scrivener to define the name", "characters. So what I usually do is give each character an abbreviation or", "example... > > {Char1} went to school. > > > When I define", "of your character just once and have it update anywhere? For example... >", "nickname as a placeholder while I'm writing my story. Is there a way", "the name of your character just once and have it update anywhere? 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Is there a way in Scrivener", "a way in Scrivener to define the name of your character just once", "update anywhere? For example... > > {Char1} went to school. > > >", "an issue coming up with good names for my characters. So what I", "of an issue coming up with good names for my characters. So what", "good names for my characters. So what I usually do is give each", "went to school. > > > When I define \"Char1\" as Joe, the", "for my characters. So what I usually do is give each character an", "up with good names for my characters. So what I usually do is", "your character just once and have it update anywhere? For example... > >", "my story. Is there a way in Scrivener to define the name of", "sentence will automatically be turned to: > > Joe went to school. >", "above sentence will automatically be turned to: > > Joe went to school.", "some sort of nickname as a placeholder while I'm writing my story. Is", "the above sentence will automatically be turned to: > > Joe went to", "of nickname as a placeholder while I'm writing my story. Is there a", "For example... > > {Char1} went to school. > > > When I", "anywhere? For example... > > {Char1} went to school. > > > When", "> > > When I define \"Char1\" as Joe, the above sentence will", "it update anywhere? For example... > > {Char1} went to school. > >", "I have a bit of an issue coming up with good names for", "have it update anywhere? For example... > > {Char1} went to school. >", "issue coming up with good names for my characters. So what I usually", "as Joe, the above sentence will automatically be turned to: > > Joe", "> When I define \"Char1\" as Joe, the above sentence will automatically be", "> {Char1} went to school. > > > When I define \"Char1\" as", "to define the name of your character just once and have it update", "and have it update anywhere? For example... > > {Char1} went to school.", "\"Char1\" as Joe, the above sentence will automatically be turned to: > >", "do is give each character an abbreviation or some sort of nickname as", "Joe, the above sentence will automatically be turned to: > > Joe went", "When I define \"Char1\" as Joe, the above sentence will automatically be turned", "is give each character an abbreviation or some sort of nickname as a", "I define \"Char1\" as Joe, the above sentence will automatically be turned to:", "what I usually do is give each character an abbreviation or some sort", "my characters. So what I usually do is give each character an abbreviation", "automatically be turned to: > > Joe went to school. > > >", "I'm writing my story. Is there a way in Scrivener to define the", "or some sort of nickname as a placeholder while I'm writing my story.", "way in Scrivener to define the name of your character just once and", "placeholder while I'm writing my story. Is there a way in Scrivener to" ]
[ "reader, or make the story interesting enough to continue reading? I want to", "any specific techniques or ways that you can create interest in a multitude", "would recommend to immediately attract a reader, or make the story interesting enough", "or ways that you can create interest in a multitude of different situations", "in a multitude of different situations so it wouldn't matter if the world", "shrouded in mystery and unexplained, or 'info-dumped', although the techniques can relate to", "attract a reader, or make the story interesting enough to continue reading? I", "interest in a multitude of different situations so it wouldn't matter if the", "or make the story interesting enough to continue reading? I want to know", "immediately attract a reader, or make the story interesting enough to continue reading?", "unexplained, or 'info-dumped', although the techniques can relate to these specifics if needed.", "different situations so it wouldn't matter if the world is shrouded in mystery", "I want to know if there are any specific techniques or ways that", "create interest in a multitude of different situations so it wouldn't matter if", "mystery and unexplained, or 'info-dumped', although the techniques can relate to these specifics", "and unexplained, or 'info-dumped', although the techniques can relate to these specifics if", "know if there are any specific techniques or ways that you can create", "enough to continue reading? I want to know if there are any specific", "of different situations so it wouldn't matter if the world is shrouded in", "a multitude of different situations so it wouldn't matter if the world is", "that you can create interest in a multitude of different situations so it", "want to know if there are any specific techniques or ways that you", "it wouldn't matter if the world is shrouded in mystery and unexplained, or", "techniques or ways that you can create interest in a multitude of different", "story interesting enough to continue reading? I want to know if there are", "ways that you can create interest in a multitude of different situations so", "you can create interest in a multitude of different situations so it wouldn't", "continue reading? I want to know if there are any specific techniques or", "the story interesting enough to continue reading? I want to know if there", "reading? I want to know if there are any specific techniques or ways", "are any specific techniques or ways that you can create interest in a", "to know if there are any specific techniques or ways that you can", "tips you would recommend to immediately attract a reader, or make the story", "so it wouldn't matter if the world is shrouded in mystery and unexplained,", "can create interest in a multitude of different situations so it wouldn't matter", "matter if the world is shrouded in mystery and unexplained, or 'info-dumped', although", "to immediately attract a reader, or make the story interesting enough to continue", "the world is shrouded in mystery and unexplained, or 'info-dumped', although the techniques", "if the world is shrouded in mystery and unexplained, or 'info-dumped', although the", "interesting enough to continue reading? I want to know if there are any", "some tips you would recommend to immediately attract a reader, or make the", "recommend to immediately attract a reader, or make the story interesting enough to", "to continue reading? I want to know if there are any specific techniques", "you would recommend to immediately attract a reader, or make the story interesting", "is shrouded in mystery and unexplained, or 'info-dumped', although the techniques can relate", "specific techniques or ways that you can create interest in a multitude of", "there are any specific techniques or ways that you can create interest in", "wouldn't matter if the world is shrouded in mystery and unexplained, or 'info-dumped',", "What are some tips you would recommend to immediately attract a reader, or", "a reader, or make the story interesting enough to continue reading? I want", "if there are any specific techniques or ways that you can create interest", "make the story interesting enough to continue reading? I want to know if", "are some tips you would recommend to immediately attract a reader, or make", "world is shrouded in mystery and unexplained, or 'info-dumped', although the techniques can", "in mystery and unexplained, or 'info-dumped', although the techniques can relate to these", "multitude of different situations so it wouldn't matter if the world is shrouded", "situations so it wouldn't matter if the world is shrouded in mystery and" ]
[ "is generally rewritten until it is suitable for submitting. This author even has", "This author even has a formula: > > 1. vomit draft - let", "reread and altered and corrected at least one hundred and fifty times. I", "at least one hundred and fifty times. I am suspicious of both facility", "generally rewritten until it is suitable for submitting. This author even has a", "writer cautions](http://allwritefictionadvice.blogspot.com/2011/09/how-many-rewrites-is-too-many.html): > > Eventually, redrafting will just spoil the novel - there", "[are entire blogs](http://paranormalpointofview.blogspot.ca/2011/11/how-many-drafts-does-it-take-to-get-to.html) dedicated to this question. Frankly, dozens of times seems overdone.", "pass (adverbs/tense/sentence variety/word choice) > > > ... > > > 7. Hard", "wearing my audience hat > 11. Corrections from Holistic read > > >", "read > > > QUERY TIME > > > But [another writer cautions](http://allwritefictionadvice.blogspot.com/2011/09/how-many-rewrites-is-too-many.html):", "> QUERY TIME > > > But [another writer cautions](http://allwritefictionadvice.blogspot.com/2011/09/how-many-rewrites-is-too-many.html): > > Eventually,", "the novel - there is a danger that the story you set out", "choice) > > > ... > > > 7. Hard copy read -", "read - make corrections > > > OUT TO BETAS > > >", "> 8. Kindle read - make corrections > > > OUT TO BETAS", "corrections > > > OUT TO BETAS > > > 9. Including Beta", "> \"By the time I am nearing the end of a story, the", "age. Aside from as many as it takes to find a publisher, does", "pass > 10. Holistic read - wearing my audience hat > 11. Corrections", "it fly baby > 2. Story arc pass - main story subplots -", "the story you set out to write ends up so ‘surgically’ enhanced that", "MC & supporting character arcs - including character development & embellishment > 4.", "> 10. Holistic read - wearing my audience hat > 11. Corrections from", "Corrections from Holistic read > > > QUERY TIME > > > But", "are [this blogger](http://hollylisle.com/one-pass-manuscript-revision-from-first-draft-to-last-in-one-cycle/). But dozens isn't practical, especially given my advanced age. Aside", "times a novel is generally rewritten until it is suitable for submitting. This", "of the story has been lost. > > > There [are entire blogs](http://paranormalpointofview.blogspot.ca/2011/11/how-many-drafts-does-it-take-to-get-to.html)", "that it no longer resembles the original story – the intrinsic core of", "> 2. Story arc pass - main story subplots - overall structure >", "let it fly baby > 2. Story arc pass - main story subplots", "corrections > 8. Kindle read - make corrections > > > OUT TO", "positive of this.\" — Roald Dahl > > > Well, I am not", "overall structure > 3. MC & supporting character arcs - including character development", "> > > 9. Including Beta notes pass > 10. Holistic read -", "Holistic read > > > QUERY TIME > > > But [another writer", "it no longer resembles the original story – the intrinsic core of the", "story you set out to write ends up so ‘surgically’ enhanced that it", "from as many as it takes to find a publisher, does any one", "I am suspicious of both facility and speed. Good writing is essentially rewriting.", "... > > > 7. Hard copy read - make corrections > 8.", "11. Corrections from Holistic read > > > QUERY TIME > > >", "structure > 3. MC & supporting character arcs - including character development &", "resembles the original story – the intrinsic core of the story has been", "unless you are [this blogger](http://hollylisle.com/one-pass-manuscript-revision-from-first-draft-to-last-in-one-cycle/). But dozens isn't practical, especially given my advanced", "> > OUT TO BETAS > > > 9. Including Beta notes pass", "4. grammar/punctuation pass & bad habit pass (adverbs/tense/sentence variety/word choice) > > >", "is suitable for submitting. This author even has a formula: > > 1.", "quite this bad but it does have me wondering about how many times", "does have me wondering about how many times a novel is generally rewritten", "Story arc pass - main story subplots - overall structure > 3. MC", "story subplots - overall structure > 3. MC & supporting character arcs -", "- including character development & embellishment > 4. grammar/punctuation pass & bad habit", "so ‘surgically’ enhanced that it no longer resembles the original story – the", "of a story, the first part will have been reread and altered and", "isn't feasible unless you are [this blogger](http://hollylisle.com/one-pass-manuscript-revision-from-first-draft-to-last-in-one-cycle/). But dozens isn't practical, especially given", "\"By the time I am nearing the end of a story, the first", "2. Story arc pass - main story subplots - overall structure > 3.", "> > Well, I am not quite this bad but it does have", "to find a publisher, does any one know the MEAN [number of drafts", "— Roald Dahl > > > Well, I am not quite this bad", "and speed. Good writing is essentially rewriting. I am positive of this.\" —", "audience hat > 11. Corrections from Holistic read > > > QUERY TIME", "of this.\" — Roald Dahl > > > Well, I am not quite", "development & embellishment > 4. grammar/punctuation pass & bad habit pass (adverbs/tense/sentence variety/word", "8. Kindle read - make corrections > > > OUT TO BETAS >", "pass - main story subplots - overall structure > 3. MC & supporting", "TO BETAS > > > 9. Including Beta notes pass > 10. Holistic", "even has a formula: > > 1. vomit draft - let it fly", "variety/word choice) > > > ... > > > 7. Hard copy read", "author even has a formula: > > 1. vomit draft - let it", "until it is suitable for submitting. This author even has a formula: >", "bad habit pass (adverbs/tense/sentence variety/word choice) > > > ... > > >", "– the intrinsic core of the story has been lost. > > >", "bad but it does have me wondering about how many times a novel", "have been reread and altered and corrected at least one hundred and fifty", "Hard copy read - make corrections > 8. Kindle read - make corrections", "many as it takes to find a publisher, does any one know the", "> 11. Corrections from Holistic read > > > QUERY TIME > >", "9. Including Beta notes pass > 10. Holistic read - wearing my audience", "> 7. Hard copy read - make corrections > 8. Kindle read -", "but it does have me wondering about how many times a novel is", "> 1. vomit draft - let it fly baby > 2. Story arc", "and altered and corrected at least one hundred and fifty times. I am", "- overall structure > 3. MC & supporting character arcs - including character", "wondering about how many times a novel is generally rewritten until it is", "draft - let it fly baby > 2. Story arc pass - main", "- there is a danger that the story you set out to write", "- make corrections > 8. Kindle read - make corrections > > >", "just spoil the novel - there is a danger that the story you", "this bad but it does have me wondering about how many times a", "time I am nearing the end of a story, the first part will", "a story, the first part will have been reread and altered and corrected", "supporting character arcs - including character development & embellishment > 4. grammar/punctuation pass", "speed. Good writing is essentially rewriting. I am positive of this.\" — Roald", "habit pass (adverbs/tense/sentence variety/word choice) > > > ... > > > 7.", "> > > ... > > > 7. Hard copy read - make", "Kindle read - make corrections > > > OUT TO BETAS > >", "the first part will have been reread and altered and corrected at least", "hundred and fifty times. I am suspicious of both facility and speed. Good", "and fifty times. I am suspicious of both facility and speed. Good writing", "the time I am nearing the end of a story, the first part", "Holistic read - wearing my audience hat > 11. Corrections from Holistic read", "from Holistic read > > > QUERY TIME > > > But [another", "> But [another writer cautions](http://allwritefictionadvice.blogspot.com/2011/09/how-many-rewrites-is-too-many.html): > > Eventually, redrafting will just spoil the", "blogger](http://hollylisle.com/one-pass-manuscript-revision-from-first-draft-to-last-in-one-cycle/). But dozens isn't practical, especially given my advanced age. Aside from as", "> > > 7. Hard copy read - make corrections > 8. Kindle", "read - make corrections > 8. Kindle read - make corrections > >", "as it takes to find a publisher, does any one know the MEAN", "it does have me wondering about how many times a novel is generally", "many times a novel is generally rewritten until it is suitable for submitting.", "> > QUERY TIME > > > But [another writer cautions](http://allwritefictionadvice.blogspot.com/2011/09/how-many-rewrites-is-too-many.html): > >", "- wearing my audience hat > 11. Corrections from Holistic read > >", "notes pass > 10. Holistic read - wearing my audience hat > 11.", "> > > Well, I am not quite this bad but it does", "> Eventually, redrafting will just spoil the novel - there is a danger", "story has been lost. > > > There [are entire blogs](http://paranormalpointofview.blogspot.ca/2011/11/how-many-drafts-does-it-take-to-get-to.html) dedicated to", "dozens isn't practical, especially given my advanced age. Aside from as many as", "been lost. > > > There [are entire blogs](http://paranormalpointofview.blogspot.ca/2011/11/how-many-drafts-does-it-take-to-get-to.html) dedicated to this question.", "vomit draft - let it fly baby > 2. Story arc pass -", "Frankly, dozens of times seems overdone. Perfect isn't feasible unless you are [this", "out to write ends up so ‘surgically’ enhanced that it no longer resembles", "novel - there is a danger that the story you set out to", "has a formula: > > 1. vomit draft - let it fly baby", "suspicious of both facility and speed. Good writing is essentially rewriting. I am", "am positive of this.\" — Roald Dahl > > > Well, I am", "story – the intrinsic core of the story has been lost. > >", "character development & embellishment > 4. grammar/punctuation pass & bad habit pass (adverbs/tense/sentence", "both facility and speed. Good writing is essentially rewriting. I am positive of", "a novel is generally rewritten until it is suitable for submitting. This author", "> > But [another writer cautions](http://allwritefictionadvice.blogspot.com/2011/09/how-many-rewrites-is-too-many.html): > > Eventually, redrafting will just spoil", "Good writing is essentially rewriting. I am positive of this.\" — Roald Dahl", "am suspicious of both facility and speed. Good writing is essentially rewriting. I", "rewriting. I am positive of this.\" — Roald Dahl > > > Well,", "times seems overdone. Perfect isn't feasible unless you are [this blogger](http://hollylisle.com/one-pass-manuscript-revision-from-first-draft-to-last-in-one-cycle/). But dozens", "advanced age. Aside from as many as it takes to find a publisher,", "> > > There [are entire blogs](http://paranormalpointofview.blogspot.ca/2011/11/how-many-drafts-does-it-take-to-get-to.html) dedicated to this question. Frankly, dozens", "[this blogger](http://hollylisle.com/one-pass-manuscript-revision-from-first-draft-to-last-in-one-cycle/). But dozens isn't practical, especially given my advanced age. Aside from", "I am not quite this bad but it does have me wondering about", "to write ends up so ‘surgically’ enhanced that it no longer resembles the", "that the story you set out to write ends up so ‘surgically’ enhanced", "> 9. Including Beta notes pass > 10. Holistic read - wearing my", "cautions](http://allwritefictionadvice.blogspot.com/2011/09/how-many-rewrites-is-too-many.html): > > Eventually, redrafting will just spoil the novel - there is", "redrafting will just spoil the novel - there is a danger that the", "will just spoil the novel - there is a danger that the story", "is a danger that the story you set out to write ends up", "this.\" — Roald Dahl > > > Well, I am not quite this", "arcs - including character development & embellishment > 4. grammar/punctuation pass & bad", "writing is essentially rewriting. I am positive of this.\" — Roald Dahl >", "corrected at least one hundred and fifty times. I am suspicious of both", "- make corrections > > > OUT TO BETAS > > > 9.", "enhanced that it no longer resembles the original story – the intrinsic core", "essentially rewriting. I am positive of this.\" — Roald Dahl > > >", "Including Beta notes pass > 10. Holistic read - wearing my audience hat", "> ... > > > 7. Hard copy read - make corrections >", "this question. Frankly, dozens of times seems overdone. Perfect isn't feasible unless you", "is essentially rewriting. I am positive of this.\" — Roald Dahl > >", "(adverbs/tense/sentence variety/word choice) > > > ... > > > 7. Hard copy", "dedicated to this question. Frankly, dozens of times seems overdone. Perfect isn't feasible", "suitable for submitting. This author even has a formula: > > 1. vomit", "7. Hard copy read - make corrections > 8. Kindle read - make", "> > Eventually, redrafting will just spoil the novel - there is a", "isn't practical, especially given my advanced age. Aside from as many as it", "altered and corrected at least one hundred and fifty times. I am suspicious", "will have been reread and altered and corrected at least one hundred and", "fifty times. I am suspicious of both facility and speed. Good writing is", "> > 7. Hard copy read - make corrections > 8. Kindle read", "has been lost. > > > There [are entire blogs](http://paranormalpointofview.blogspot.ca/2011/11/how-many-drafts-does-it-take-to-get-to.html) dedicated to this", "the intrinsic core of the story has been lost. > > > There", "dozens of times seems overdone. Perfect isn't feasible unless you are [this blogger](http://hollylisle.com/one-pass-manuscript-revision-from-first-draft-to-last-in-one-cycle/).", "especially given my advanced age. Aside from as many as it takes to", "submitting. This author even has a formula: > > 1. vomit draft -", "one hundred and fifty times. I am suspicious of both facility and speed.", "pass & bad habit pass (adverbs/tense/sentence variety/word choice) > > > ... >", "entire blogs](http://paranormalpointofview.blogspot.ca/2011/11/how-many-drafts-does-it-take-to-get-to.html) dedicated to this question. Frankly, dozens of times seems overdone. Perfect", "of both facility and speed. Good writing is essentially rewriting. I am positive", "not quite this bad but it does have me wondering about how many", "QUERY TIME > > > But [another writer cautions](http://allwritefictionadvice.blogspot.com/2011/09/how-many-rewrites-is-too-many.html): > > Eventually, redrafting", "OUT TO BETAS > > > 9. Including Beta notes pass > 10.", "it takes to find a publisher, does any one know the MEAN [number", "have me wondering about how many times a novel is generally rewritten until", "end of a story, the first part will have been reread and altered", "> > > QUERY TIME > > > But [another writer cautions](http://allwritefictionadvice.blogspot.com/2011/09/how-many-rewrites-is-too-many.html): >", "am not quite this bad but it does have me wondering about how", "write ends up so ‘surgically’ enhanced that it no longer resembles the original", "original story – the intrinsic core of the story has been lost. >", "as many as it takes to find a publisher, does any one know", "Beta notes pass > 10. Holistic read - wearing my audience hat >", "how many times a novel is generally rewritten until it is suitable for", "me wondering about how many times a novel is generally rewritten until it", "main story subplots - overall structure > 3. MC & supporting character arcs", "danger that the story you set out to write ends up so ‘surgically’", "set out to write ends up so ‘surgically’ enhanced that it no longer", "Aside from as many as it takes to find a publisher, does any", "TIME > > > But [another writer cautions](http://allwritefictionadvice.blogspot.com/2011/09/how-many-rewrites-is-too-many.html): > > Eventually, redrafting will", "Perfect isn't feasible unless you are [this blogger](http://hollylisle.com/one-pass-manuscript-revision-from-first-draft-to-last-in-one-cycle/). But dozens isn't practical, especially", "practical, especially given my advanced age. Aside from as many as it takes", "> > 9. Including Beta notes pass > 10. Holistic read - wearing", "no longer resembles the original story – the intrinsic core of the story", "spoil the novel - there is a danger that the story you set", "feasible unless you are [this blogger](http://hollylisle.com/one-pass-manuscript-revision-from-first-draft-to-last-in-one-cycle/). But dozens isn't practical, especially given my", "Eventually, redrafting will just spoil the novel - there is a danger that", "am nearing the end of a story, the first part will have been", "grammar/punctuation pass & bad habit pass (adverbs/tense/sentence variety/word choice) > > > ...", "least one hundred and fifty times. I am suspicious of both facility and", "> Well, I am not quite this bad but it does have me", "10. Holistic read - wearing my audience hat > 11. Corrections from Holistic", "seems overdone. Perfect isn't feasible unless you are [this blogger](http://hollylisle.com/one-pass-manuscript-revision-from-first-draft-to-last-in-one-cycle/). But dozens isn't", "- main story subplots - overall structure > 3. MC & supporting character", "1. vomit draft - let it fly baby > 2. Story arc pass", "subplots - overall structure > 3. MC & supporting character arcs - including", "and corrected at least one hundred and fifty times. I am suspicious of", "you are [this blogger](http://hollylisle.com/one-pass-manuscript-revision-from-first-draft-to-last-in-one-cycle/). But dozens isn't practical, especially given my advanced age.", "make corrections > 8. Kindle read - make corrections > > > OUT", "character arcs - including character development & embellishment > 4. grammar/punctuation pass &", "there is a danger that the story you set out to write ends", "> > There [are entire blogs](http://paranormalpointofview.blogspot.ca/2011/11/how-many-drafts-does-it-take-to-get-to.html) dedicated to this question. Frankly, dozens of", "core of the story has been lost. > > > There [are entire", "& embellishment > 4. grammar/punctuation pass & bad habit pass (adverbs/tense/sentence variety/word choice)", "the story has been lost. > > > There [are entire blogs](http://paranormalpointofview.blogspot.ca/2011/11/how-many-drafts-does-it-take-to-get-to.html) dedicated", "of times seems overdone. Perfect isn't feasible unless you are [this blogger](http://hollylisle.com/one-pass-manuscript-revision-from-first-draft-to-last-in-one-cycle/). But", "Dahl > > > Well, I am not quite this bad but it", "times. I am suspicious of both facility and speed. Good writing is essentially", "the end of a story, the first part will have been reread and", "longer resembles the original story – the intrinsic core of the story has", "publisher, does any one know the MEAN [number of drafts for a novel](http://blog.karenwoodward.org/2012/12/how-many-drafts-does-it-take-to-write.html)?", "[another writer cautions](http://allwritefictionadvice.blogspot.com/2011/09/how-many-rewrites-is-too-many.html): > > Eventually, redrafting will just spoil the novel -", "> 4. grammar/punctuation pass & bad habit pass (adverbs/tense/sentence variety/word choice) > >", "including character development & embellishment > 4. grammar/punctuation pass & bad habit pass", "novel is generally rewritten until it is suitable for submitting. This author even", "> > 1. vomit draft - let it fly baby > 2. Story", "> > ... > > > 7. Hard copy read - make corrections", "a danger that the story you set out to write ends up so", "baby > 2. Story arc pass - main story subplots - overall structure", "intrinsic core of the story has been lost. > > > There [are", "my advanced age. Aside from as many as it takes to find a", "story, the first part will have been reread and altered and corrected at", "it is suitable for submitting. This author even has a formula: > >", "lost. > > > There [are entire blogs](http://paranormalpointofview.blogspot.ca/2011/11/how-many-drafts-does-it-take-to-get-to.html) dedicated to this question. Frankly,", "make corrections > > > OUT TO BETAS > > > 9. Including", "I am nearing the end of a story, the first part will have", "question. Frankly, dozens of times seems overdone. Perfect isn't feasible unless you are", "Well, I am not quite this bad but it does have me wondering", "a formula: > > 1. vomit draft - let it fly baby >", "first part will have been reread and altered and corrected at least one", "part will have been reread and altered and corrected at least one hundred", "facility and speed. Good writing is essentially rewriting. I am positive of this.\"", "fly baby > 2. Story arc pass - main story subplots - overall", "embellishment > 4. grammar/punctuation pass & bad habit pass (adverbs/tense/sentence variety/word choice) >", "> > > But [another writer cautions](http://allwritefictionadvice.blogspot.com/2011/09/how-many-rewrites-is-too-many.html): > > Eventually, redrafting will just", "for submitting. This author even has a formula: > > 1. vomit draft", "> OUT TO BETAS > > > 9. Including Beta notes pass >", "to this question. Frankly, dozens of times seems overdone. Perfect isn't feasible unless", "copy read - make corrections > 8. Kindle read - make corrections >", "- let it fly baby > 2. Story arc pass - main story", "my audience hat > 11. Corrections from Holistic read > > > QUERY", "> > > OUT TO BETAS > > > 9. Including Beta notes", "been reread and altered and corrected at least one hundred and fifty times.", "read - wearing my audience hat > 11. Corrections from Holistic read >", "BETAS > > > 9. Including Beta notes pass > 10. Holistic read", "But [another writer cautions](http://allwritefictionadvice.blogspot.com/2011/09/how-many-rewrites-is-too-many.html): > > Eventually, redrafting will just spoil the novel", "But dozens isn't practical, especially given my advanced age. Aside from as many", "takes to find a publisher, does any one know the MEAN [number of", "There [are entire blogs](http://paranormalpointofview.blogspot.ca/2011/11/how-many-drafts-does-it-take-to-get-to.html) dedicated to this question. Frankly, dozens of times seems", "rewritten until it is suitable for submitting. This author even has a formula:", "nearing the end of a story, the first part will have been reread", "& bad habit pass (adverbs/tense/sentence variety/word choice) > > > ... > >", "the original story – the intrinsic core of the story has been lost.", "given my advanced age. Aside from as many as it takes to find", "3. MC & supporting character arcs - including character development & embellishment >", "> There [are entire blogs](http://paranormalpointofview.blogspot.ca/2011/11/how-many-drafts-does-it-take-to-get-to.html) dedicated to this question. Frankly, dozens of times", "& supporting character arcs - including character development & embellishment > 4. grammar/punctuation", "> > \"By the time I am nearing the end of a story,", "I am positive of this.\" — Roald Dahl > > > Well, I", "a publisher, does any one know the MEAN [number of drafts for a", "formula: > > 1. vomit draft - let it fly baby > 2.", "‘surgically’ enhanced that it no longer resembles the original story – the intrinsic", "about how many times a novel is generally rewritten until it is suitable", "find a publisher, does any one know the MEAN [number of drafts for", "you set out to write ends up so ‘surgically’ enhanced that it no", "arc pass - main story subplots - overall structure > 3. MC &", "hat > 11. Corrections from Holistic read > > > QUERY TIME >", "up so ‘surgically’ enhanced that it no longer resembles the original story –", "blogs](http://paranormalpointofview.blogspot.ca/2011/11/how-many-drafts-does-it-take-to-get-to.html) dedicated to this question. Frankly, dozens of times seems overdone. Perfect isn't", "ends up so ‘surgically’ enhanced that it no longer resembles the original story", "overdone. Perfect isn't feasible unless you are [this blogger](http://hollylisle.com/one-pass-manuscript-revision-from-first-draft-to-last-in-one-cycle/). But dozens isn't practical,", "Roald Dahl > > > Well, I am not quite this bad but", "> 3. MC & supporting character arcs - including character development & embellishment" ]
[ "a fantasy story). My question: You know when someone wakes up? well I", "blood in the toiler (don't ask). We later find out (Chapter 1) that", "the main character waking up to find his father coughing up blood in", "main character waking up to find his father coughing up blood in the", "But the only thing that's holding me back from moving forward. The prolouge", "in the toiler (don't ask). We later find out (Chapter 1) that the", "when someone wakes up? well I need to translate that into a firt", "The prolouge involves the main character waking up to find his father coughing", "waking up to find his father coughing up blood in the toiler (don't", "from moving forward. The prolouge involves the main character waking up to find", "We later find out (Chapter 1) that the main character's father has developed", "me back from moving forward. The prolouge involves the main character waking up", "trying to write a story, I already have a rough outline of the", "that the main character's father has developed Super Cancer (it's a fantasy story).", "moving forward. The prolouge involves the main character waking up to find his", "wakes up? well I need to translate that into a firt person POV", "prolouge involves the main character waking up to find his father coughing up", "write a story, I already have a rough outline of the plot. But", "have a rough outline of the plot. But the only thing that's holding", "the only thing that's holding me back from moving forward. The prolouge involves", "has developed Super Cancer (it's a fantasy story). My question: You know when", "a rough outline of the plot. But the only thing that's holding me", "story). My question: You know when someone wakes up? well I need to", "story, I already have a rough outline of the plot. But the only", "know when someone wakes up? well I need to translate that into a", "holding me back from moving forward. The prolouge involves the main character waking", "ask). We later find out (Chapter 1) that the main character's father has", "up to find his father coughing up blood in the toiler (don't ask).", "involves the main character waking up to find his father coughing up blood", "character waking up to find his father coughing up blood in the toiler", "developed Super Cancer (it's a fantasy story). My question: You know when someone", "I am currently trying to write a story, I already have a rough", "toiler (don't ask). We later find out (Chapter 1) that the main character's", "out (Chapter 1) that the main character's father has developed Super Cancer (it's", "(Chapter 1) that the main character's father has developed Super Cancer (it's a", "1) that the main character's father has developed Super Cancer (it's a fantasy", "thing that's holding me back from moving forward. The prolouge involves the main", "the toiler (don't ask). We later find out (Chapter 1) that the main", "rough outline of the plot. But the only thing that's holding me back", "I already have a rough outline of the plot. But the only thing", "to write a story, I already have a rough outline of the plot.", "find out (Chapter 1) that the main character's father has developed Super Cancer", "the main character's father has developed Super Cancer (it's a fantasy story). My", "father coughing up blood in the toiler (don't ask). We later find out", "later find out (Chapter 1) that the main character's father has developed Super", "Cancer (it's a fantasy story). My question: You know when someone wakes up?", "father has developed Super Cancer (it's a fantasy story). My question: You know", "You know when someone wakes up? well I need to translate that into", "question: You know when someone wakes up? well I need to translate that", "main character's father has developed Super Cancer (it's a fantasy story). My question:", "Super Cancer (it's a fantasy story). My question: You know when someone wakes", "his father coughing up blood in the toiler (don't ask). We later find", "of the plot. But the only thing that's holding me back from moving", "plot. But the only thing that's holding me back from moving forward. The", "am currently trying to write a story, I already have a rough outline", "forward. The prolouge involves the main character waking up to find his father", "fantasy story). My question: You know when someone wakes up? well I need", "coughing up blood in the toiler (don't ask). We later find out (Chapter", "a story, I already have a rough outline of the plot. But the", "outline of the plot. But the only thing that's holding me back from", "only thing that's holding me back from moving forward. The prolouge involves the", "that's holding me back from moving forward. The prolouge involves the main character", "up blood in the toiler (don't ask). We later find out (Chapter 1)", "(it's a fantasy story). My question: You know when someone wakes up? well", "already have a rough outline of the plot. But the only thing that's", "the plot. But the only thing that's holding me back from moving forward.", "find his father coughing up blood in the toiler (don't ask). We later", "character's father has developed Super Cancer (it's a fantasy story). My question: You", "My question: You know when someone wakes up? well I need to translate", "currently trying to write a story, I already have a rough outline of", "back from moving forward. The prolouge involves the main character waking up to", "(don't ask). We later find out (Chapter 1) that the main character's father", "to find his father coughing up blood in the toiler (don't ask). We", "someone wakes up? well I need to translate that into a firt person" ]
[ "after those twists. But in my case, I can't do much, as the", "and in the end, the goal is achieved, but in a way never", "be achieved, there's always a plot twist (usually several) affecting such goal, and", "twist (usually several) affecting such goal, and in the end, the goal is", "do much, as the sub-story is the protagonist's wish fulfillment, and it would", "a way never known before in the story, and a lot changes after", "journey to accomplish it. And that's it, no gotchas. However, I'm not sure", "of his wish impossible in his reality. Such wish is the sub-protagonist's main", "a good story? Or a story without them has to be executed with", "story just to find out that the sub-protagonist fails. So my question is:", "be a good idea to leave it so predictable and unsurprising. I mean,", "affecting such goal, and in the end, the goal is achieved, but in", "it always necessary for a story to have plot twists to be considered", "it'll be a good idea to leave it so predictable and unsurprising. I", "that's it, no gotchas. However, I'm not sure if it'll be a good", "a good idea to leave it so predictable and unsurprising. I mean, of", "his goal is still accomplished, no matter what, and he knows such conditions", "sub-protagonist fail in his journey, and the reader would read all the story", "for a story to have plot twists to be considered a good story?", "what, and he knows such conditions since the beginning and goes into the", "them has to be executed with great mastery to not get bad impressions?", "twists to be considered a good story? Or a story without them has", "the story, and a lot changes after those twists. But in my case,", "all the story just to find out that the sub-protagonist fails. *So my", "story to have plot twists to be considered a good* story? Or a", "has to endure, but in the end, his goal is still accomplished, no", "achieved, there's always a plot twist (usually several) affecting such goal, and in", "achieved, but in a way never known before in the story, and a", "there's a solid goal since the beginning, taking the whole story to be", "it's set still at the beginning, and the rest of the story is", "to make the sub-protagonist fail in his journey, and the reader would read", "sense for him to make the sub-protagonist fail in his journey, and the", "goal, and it's set still at the beginning, and the rest of the", "in the end, his goal is still accomplished, no matter what, and he", "goal is achieved, but in a way never known before in the story,", "to have plot twists to be considered a good story? Or a story", "wish fulfillment, and it would make no sense for him to make the", "I use as reference, when there's a solid goal since the beginning, taking", "course that achieving such goal have some conditions he has to endure, but", "journey, and the reader would read all the story just to find out", "goal, and in the end, the goal is achieved, but in a way", "and about the fulfillment of his wish impossible in his reality. Such wish", "in his reality. Such wish is the sub-protagonist's main goal, and it's set", "what I know from the other works I use as reference, when there's", "so predictable and unsurprising. I mean, of course that achieving such goal have", "the protagonist writes a representational story about himself and about the fulfillment of", "since the beginning and goes into the journey with that in mind. From", "goal since the beginning, taking the whole story to be achieved, there's always", "he has to endure, but in the end, his goal is still accomplished,", "is it always necessary for a story to have plot twists to be", "protagonist writes a representational story about himself and about the fulfillment of his", "such goal have some conditions he has to endure, but in the end,", "have some conditions he has to endure, but in the end, his goal", "but in the end, his goal is still accomplished, no matter what, and", "question is:** is it always necessary for a story to have plot twists", "that in mind. From what I know from the other works I use", "the goal is achieved, but in a way never known before in the", "whole story to be achieved, there's always a plot twist (usually several) affecting", "be considered a good story? Or a story without them has to be", "the end, his goal is still accomplished, no matter what, and he knows", "necessary for a story to have plot twists to be considered a good", "story, and a lot changes after those twists. But in my case, I", "in mind. From what I know from the other works I use as", "goes into the journey with that in mind. From what I know from", "it, no gotchas. However, I'm not sure if it'll be a good idea", "of course that achieving such goal have some conditions he has to endure,", "still at the beginning, and the rest of the story is just the", "no matter what, and he knows such conditions since the beginning and goes", "always a plot twist (usually several) affecting such goal, and in the end,", "(usually several) affecting such goal, and in the end, the goal is achieved,", "main goal, and it's set still at the beginning, and the rest of", "never known before in the story, and a lot changes after those twists.", "So my question is: is it always necessary for a story to have", "still accomplished, no matter what, and he knows such conditions since the beginning", "the story I'm writing, the protagonist writes a representational story about himself and", "gotchas. However, I'm not sure if it'll be a good idea to leave", "plot twist (usually several) affecting such goal, and in the end, the goal", "the protagonist's wish fulfillment, and it would make no sense for him to", "make the sub-protagonist fail in his journey, and the reader would read all", "his journey, and the reader would read all the story just to find", "have plot twists to be considered a good story? Or a story without", "Such wish is the sub-protagonist's main goal, and it's set still at the", "sub-protagonist's main goal, and it's set still at the beginning, and the rest", "and unsurprising. I mean, of course that achieving such goal have some conditions", "end, his goal is still accomplished, no matter what, and he knows such", "the beginning, taking the whole story to be achieved, there's always a plot", "rest of the story is just the sub-protagonist's journey to accomplish it. And", "that the sub-protagonist fails. So my question is: is it always necessary for", "representational story about himself and about the fulfillment of his wish impossible in", "is:** is it always necessary for a story to have plot twists to", "story? Or a story without them has to be executed with great mastery", "a lot changes after those twists. But in my case, I can't do", "impossible in his reality. Such wish is the sub-protagonist's main goal, and it's", "lot changes after those twists. But in my case, I can't do much,", "story without them has to be executed with great mastery to not get", "about the fulfillment of his wish impossible in his reality. Such wish is", "it. And that's it, no gotchas. However, I'm not sure if it'll be", "in his journey, and the reader would read all the story just to", "story about himself and about the fulfillment of his wish impossible in his", "the rest of the story is just the sub-protagonist's journey to accomplish it.", "end, the goal is achieved, but in a way never known before in", "sub-story is the protagonist's wish fulfillment, and it would make no sense for", "story is just the sub-protagonist's journey to accomplish it. And that's it, no", "other works I use as reference, when there's a solid goal since the", "the story is just the sub-protagonist's journey to accomplish it. And that's it,", "sure if it'll be a good idea to leave it so predictable and", "his wish impossible in his reality. Such wish is the sub-protagonist's main goal,", "not sure if it'll be a good idea to leave it so predictable", "I know from the other works I use as reference, when there's a", "I'm not sure if it'll be a good idea to leave it so", "and the rest of the story is just the sub-protagonist's journey to accomplish", "But in my case, I can't do much, as the sub-story is the", "case, I can't do much, as the sub-story is the protagonist's wish fulfillment,", "good story? Or a story without them has to be executed with great", "accomplish it. And that's it, no gotchas. However, I'm not sure if it'll", "knows such conditions since the beginning and goes into the journey with that", "but in a way never known before in the story, and a lot", "good idea to leave it so predictable and unsurprising. I mean, of course", "changes after those twists. But in my case, I can't do much, as", "And that's it, no gotchas. However, I'm not sure if it'll be a", "can't do much, as the sub-story is the protagonist's wish fulfillment, and it", "a story to have plot twists to be considered a good story? Or", "several) affecting such goal, and in the end, the goal is achieved, but", "to find out that the sub-protagonist fails. So my question is: is it", "since the beginning, taking the whole story to be achieved, there's always a", "to be achieved, there's always a plot twist (usually several) affecting such goal,", "without them has to be executed with great mastery to not get bad", "goal is still accomplished, no matter what, and he knows such conditions since", "twists. But in my case, I can't do much, as the sub-story is", "the story just to find out that the sub-protagonist fails. So my question", "set still at the beginning, and the rest of the story is just", "protagonist's wish fulfillment, and it would make no sense for him to make", "as the sub-story is the protagonist's wish fulfillment, and it would make no", "reality. Such wish is the sub-protagonist's main goal, and it's set still at", "unsurprising. I mean, of course that achieving such goal have some conditions he", "matter what, and he knows such conditions since the beginning and goes into", "achieving such goal have some conditions he has to endure, but in the", "the end, the goal is achieved, but in a way never known before", "wish impossible in his reality. Such wish is the sub-protagonist's main goal, and", "conditions since the beginning and goes into the journey with that in mind.", "from the other works I use as reference, when there's a solid goal", "my question is: is it always necessary for a story to have plot", "endure, but in the end, his goal is still accomplished, no matter what,", "as reference, when there's a solid goal since the beginning, taking the whole", "he knows such conditions since the beginning and goes into the journey with", "is the protagonist's wish fulfillment, and it would make no sense for him", "about himself and about the fulfillment of his wish impossible in his reality.", "out that the sub-protagonist fails. So my question is: is it always necessary", "the sub-protagonist's main goal, and it's set still at the beginning, and the", "it would make no sense for him to make the sub-protagonist fail in", "plot twists to be considered a good story? Or a story without them", "solid goal since the beginning, taking the whole story to be achieved, there's", "accomplished, no matter what, and he knows such conditions since the beginning and", "would make no sense for him to make the sub-protagonist fail in his", "the journey with that in mind. From what I know from the other", "wish is the sub-protagonist's main goal, and it's set still at the beginning,", "in my case, I can't do much, as the sub-story is the protagonist's", "journey with that in mind. From what I know from the other works", "and a lot changes after those twists. But in my case, I can't", "considered a good story? Or a story without them has to be executed", "Or a story without them has to be executed with great mastery to", "the fulfillment of his wish impossible in his reality. Such wish is the", "fail in his journey, and the reader would read all the story just", "story I'm writing, the protagonist writes a representational story about himself and about", "to accomplish it. And that's it, no gotchas. However, I'm not sure if", "beginning, taking the whole story to be achieved, there's always a plot twist", "is just the sub-protagonist's journey to accomplish it. And that's it, no gotchas.", "in the end, the goal is achieved, but in a way never known", "before in the story, and a lot changes after those twists. But in", "just to find out that the sub-protagonist fails. So my question is: is", "himself and about the fulfillment of his wish impossible in his reality. Such", "use as reference, when there's a solid goal since the beginning, taking the", "In the story I'm writing, the protagonist writes a representational story about himself", "no gotchas. However, I'm not sure if it'll be a good idea to", "known before in the story, and a lot changes after those twists. But", "beginning, and the rest of the story is just the sub-protagonist's journey to", "However, I'm not sure if it'll be a good idea to leave it", "fails. So my question is: is it always necessary for a story to", "at the beginning, and the rest of the story is just the sub-protagonist's", "sub-protagonist's journey to accomplish it. And that's it, no gotchas. However, I'm not", "there's always a plot twist (usually several) affecting such goal, and in the", "is the sub-protagonist's main goal, and it's set still at the beginning, and", "the sub-story is the protagonist's wish fulfillment, and it would make no sense", "to endure, but in the end, his goal is still accomplished, no matter", "taking the whole story to be achieved, there's always a plot twist (usually", "idea to leave it so predictable and unsurprising. I mean, of course that", "I can't do much, as the sub-story is the protagonist's wish fulfillment, and", "the beginning, and the rest of the story is just the sub-protagonist's journey", "the sub-protagonist fail in his journey, and the reader would read all the", "writing, the protagonist writes a representational story about himself and about the fulfillment", "those twists. But in my case, I can't do much, as the sub-story", "some conditions he has to endure, but in the end, his goal is", "with that in mind. From what I know from the other works I", "and the reader would read all the story just to find out that", "fulfillment of his wish impossible in his reality. Such wish is the sub-protagonist's", "make no sense for him to make the sub-protagonist fail in his journey,", "would read all the story just to find out that the sub-protagonist fails.", "and he knows such conditions since the beginning and goes into the journey", "a plot twist (usually several) affecting such goal, and in the end, the", "way never known before in the story, and a lot changes after those", "fulfillment, and it would make no sense for him to make the sub-protagonist", "always necessary for a story to have plot twists to be considered a", "conditions he has to endure, but in the end, his goal is still", "reader would read all the story just to find out that the sub-protagonist", "predictable and unsurprising. I mean, of course that achieving such goal have some", "find out that the sub-protagonist fails. So my question is: is it always", "works I use as reference, when there's a solid goal since the beginning,", "a representational story about himself and about the fulfillment of his wish impossible", "no sense for him to make the sub-protagonist fail in his journey, and", "the beginning and goes into the journey with that in mind. From what", "is achieved, but in a way never known before in the story, and", "to be considered a good story? Or a story without them has to", "it so predictable and unsurprising. I mean, of course that achieving such goal", "such conditions since the beginning and goes into the journey with that in", "when there's a solid goal since the beginning, taking the whole story to", "the sub-protagonist fails. So my question is: is it always necessary for a", "mean, of course that achieving such goal have some conditions he has to", "a story without them has to be executed with great mastery to not", "know from the other works I use as reference, when there's a solid", "and it would make no sense for him to make the sub-protagonist fail", "mind. From what I know from the other works I use as reference,", "him to make the sub-protagonist fail in his journey, and the reader would", "the other works I use as reference, when there's a solid goal since", "for him to make the sub-protagonist fail in his journey, and the reader", "a solid goal since the beginning, taking the whole story to be achieved,", "sub-protagonist fails. So my question is: is it always necessary for a story", "his reality. Such wish is the sub-protagonist's main goal, and it's set still", "the reader would read all the story just to find out that the", "From what I know from the other works I use as reference, when", "is still accomplished, no matter what, and he knows such conditions since the", "that achieving such goal have some conditions he has to endure, but in", "the sub-protagonist's journey to accomplish it. And that's it, no gotchas. However, I'm", "in the story, and a lot changes after those twists. But in my", "writes a representational story about himself and about the fulfillment of his wish", "story to be achieved, there's always a plot twist (usually several) affecting such", "leave it so predictable and unsurprising. I mean, of course that achieving such", "in a way never known before in the story, and a lot changes", "to leave it so predictable and unsurprising. I mean, of course that achieving", "and it's set still at the beginning, and the rest of the story", "just the sub-protagonist's journey to accomplish it. And that's it, no gotchas. However,", "and goes into the journey with that in mind. From what I know", "if it'll be a good idea to leave it so predictable and unsurprising.", "read all the story just to find out that the sub-protagonist fails. **So", "my case, I can't do much, as the sub-story is the protagonist's wish", "reference, when there's a solid goal since the beginning, taking the whole story", "much, as the sub-story is the protagonist's wish fulfillment, and it would make", "the whole story to be achieved, there's always a plot twist (usually several)", "I'm writing, the protagonist writes a representational story about himself and about the", "I mean, of course that achieving such goal have some conditions he has", "of the story is just the sub-protagonist's journey to accomplish it. And that's", "such goal, and in the end, the goal is achieved, but in a", "beginning and goes into the journey with that in mind. From what I", "into the journey with that in mind. From what I know from the", "goal have some conditions he has to endure, but in the end, his" ]
[ "you research about a given ethnic group? How much information is required as", "a character that isn't your own race or ethnic background, you have to", "what must you research about a given ethnic group? How much information is", "a given ethnic group? How much information is required as a base minimum?", "character that isn't your own race or ethnic background, you have to research", "background, you have to research things, in order to avoid misrepresentation. But, what", "your own race or ethnic background, you have to research things, in order", "order to avoid misrepresentation. But, what must you research about a given ethnic", "research things, in order to avoid misrepresentation. But, what must you research about", "you have to research things, in order to avoid misrepresentation. But, what must", "isn't your own race or ethnic background, you have to research things, in", "must you research about a given ethnic group? How much information is required", "avoid misrepresentation. But, what must you research about a given ethnic group? How", "that isn't your own race or ethnic background, you have to research things,", "have to research things, in order to avoid misrepresentation. But, what must you", "own race or ethnic background, you have to research things, in order to", "research about a given ethnic group? How much information is required as a", "ethnic background, you have to research things, in order to avoid misrepresentation. But,", "to research things, in order to avoid misrepresentation. But, what must you research", "you make a character that isn't your own race or ethnic background, you", "to avoid misrepresentation. But, what must you research about a given ethnic group?", "race or ethnic background, you have to research things, in order to avoid", "When you make a character that isn't your own race or ethnic background,", "in order to avoid misrepresentation. But, what must you research about a given", "But, what must you research about a given ethnic group? How much information", "make a character that isn't your own race or ethnic background, you have", "misrepresentation. But, what must you research about a given ethnic group? How much", "things, in order to avoid misrepresentation. But, what must you research about a", "about a given ethnic group? How much information is required as a base", "or ethnic background, you have to research things, in order to avoid misrepresentation." ]
[ "are stories I grew up with and loved. This would also mean that,", "are popular. 2. Because stories and books for that matter seem to be", "more interested to see if such a world would be desirable by an", "will have a familiar feel due to the fact that the story wouldn't", "One for deviating too far from the Star Wars theme and plot. Many", "still trying to get a feel for where I want to go with", "world and story, if I even do it that is. I am still", "an audience. What literature works would fall into a dark fantasy? Game of", "be heavily influenced from novels like Lord of The Rings, Redwall (children's series", "into a dark fantasy? Game of Thrones would be the closest body of", "personally was kind of put off with Rogue One for deviating too far", "for. Would this be too niche? I wonder if I would alienate the", "than I ever hoped to have received. I really appreciate everyone's positive critique", "the fantasy reader because it would be a different expected outcome. Take Star", "wouldn't be \"original\" as the influence would be pretty evident. 1. Would having", "\"original\" as the influence would be pretty evident. 1. Would having a cookie", "more visual media becomes available, would I need surprise elements or twists that", "one of these\"? 3. Would creating a story that ends with the enemy", "It probably is pretty evident that this is my first attempt at writing", "audience. What literature works would fall into a dark fantasy? Game of Thrones", "passionate. I just wanted to say WOW. The feedback and offering of help", "wonder if I would alienate the fantasy reader because it would be a", "evident. 1. Would having a cookie cutter story be okay? We see this", "be 100% passionate about the earth being flat and you believe it to", "of put off with Rogue One for deviating too far from the Star", "side\" winning be a desirable fresh outcome that people would read? The anime", "literature works would fall into a dark fantasy? Game of Thrones would be", "advice and will provide any future insight after this edit. It is greatly", "I just wanted to say WOW. The feedback and offering of help and", "and will provide any future insight after this edit. It is greatly appreciated", "appreciate everyone's positive critique that gave me a TON of thoughts to ponder", "for others and not myself. You can be 100% passionate about the earth", "far from the Star Wars theme and plot. Many people do not feel", "I personally was kind of put off with Rogue One for deviating too", "and story, if I even do it that is. I am still trying", "but I personally did. EDIT: \"If you yourself aren't going to buy into", "Rogue One for deviating too far from the Star Wars theme and plot.", "you believe it to your core, but that doesn't mean I am going", "cutter fantasy. You can apply various elements from across literature works, but they", "that gave me a TON of thoughts to ponder over. It probably is", "a story that ended with the \"bad side\" winning be a desirable fresh", "too far from the Star Wars theme and plot. Many people do not", "would be read and not passed over as \"another one of these\"? 3.", "story would be very cookie cutter fantasy. You can apply various elements from", "would read? The anime Attack on Titan is heavily popular. This story is", "where I want to go with it. The biggest issue would be that,", "like Lord of The Rings, Redwall (children's series similar to Lord of the", "would be ruled by Sauron right now. I for one, would love to", "a feel for where I want to go with it. The biggest issue", "from novels like Lord of The Rings, Redwall* (children's series similar to Lord", "humanity is losing the fight. I hope these questions are not too opinion", "Many people do not feel this way, but I personally did. EDIT:* \"If", "with Rogue One for deviating too far from the Star Wars theme and", "gave me a TON of thoughts to ponder over. It probably is pretty", "hope these questions are not too opinion based as I am more interested", "be a different expected outcome. Take Star Wars for example. I personally was", "greatly appreciated and it gives me more confidence that I should further pursue", "It is greatly appreciated and it gives me more confidence that I should", "is losing the fight. I hope these questions are not too opinion based", "The feedback and offering of help and good research materials (books to read)", "be okay? We see this recipe often repeated in anime where the story", "cutter story be okay? We see this recipe often repeated in anime where", "story is depressing, hopeless, many main characters die, and humanity is losing the", "looking for. Would this be too niche? I wonder if I would alienate", "on Titan is heavily popular. This story is depressing, hopeless, many main characters", "is depressing, hopeless, many main characters die, and humanity is losing the fight.", "everyone who offered advice and will provide any future insight after this edit.", "would also mean that, my story would be very cookie cutter fantasy. You", "surprise elements or twists that are otherwise unexpected from the said genre in", "with the enemy winning be something interesting to others? Let's face it, if", "writing for others and not myself. You can be 100% passionate about the", "and so on. These are stories I grew up with and loved. This", "passed over as \"another one of these\"? 3. Would creating a story that", "guarantee no-one else will.\" Let me clarify something that I have been seeing", "due to the fact that the story wouldn't be \"original\" as the influence", "okay? We see this recipe often repeated in anime where the story has", "be pretty evident. 1. Would having a cookie cutter story be okay? We", "be desirable by an audience. What literature works would fall into a dark", "hopes that the story would be read and not passed over as \"another", "stages of creating my own world and story, if I even do it", "really appreciate everyone's positive critique that gave me a TON of thoughts to", "say WOW. The feedback and offering of help and good research materials (books", "not too opinion based as I am more interested to see if such", "will provide any future insight after this edit. It is greatly appreciated and", "similar to Lord of the Rings with personification of animals), Shannara series, and", "plot. Many people do not feel this way, but I personally did. EDIT:", "enemy winning be something interesting to others? Let's face it, if a more", "so on. These are stories I grew up with and loved. This would", "work in anime as many of these shows are popular. 2. Because stories", "is greatly appreciated and it gives me more confidence that I should further", "the fact that the story wouldn't be \"original\" as the influence would be", "in anime as many of these shows are popular. 2. Because stories and", "chances are, middle earth would be ruled by Sauron right now. I for", "me clarify something that I have been seeing popping up in responses. It", "not 100% sold on the idea, it's that I am writing for others", "was kind of put off with Rogue One for deviating too far from", "I am still in the primitive stages of creating my own world and", "Thrones would be the closest body of work, however it still isn't quite", "creating, you can cast-iron guarantee no-one else will.\" Let me clarify something that", "recipe often repeated in anime where the story has a similar feel and", "WOW. The feedback and offering of help and good research materials (books to", "main characters die, and humanity is losing the fight. I hope these questions", "influenced from novels like Lord of The Rings, Redwall (children's series similar to", "body of work, however it still isn't quite the tone I am looking", "I even do it that is. I am still trying to get a", "earth being flat and you believe it to your core, but that doesn't", "these shows are popular. 2. Because stories and books for that matter seem", "novel about a world ruled by orcs. Would a story that ended with", "the closest body of work, however it still isn't quite the tone I", "I am not passionate enough about my idea or that I am not", "characters die, and humanity is losing the fight. I hope these questions are", "the enemy winning be something interesting to others? Let's face it, if a", "more than I ever hoped to have received. I really appreciate everyone's positive", "story be okay? We see this recipe often repeated in anime where the", "I am writing for others and not myself. You can be 100% passionate", "literature works, but they will have a familiar feel due to the fact", "after this edit. It is greatly appreciated and it gives me more confidence", "Rings, Redwall* (children's series similar to Lord of the Rings with personification of", "desirable by an audience. What literature works would fall into a dark fantasy?", "cookie cutter fantasy. You can apply various elements from across literature works, but", "did. EDIT: \"If you yourself aren't going to buy into the world you're", "something that I have been seeing popping up in responses. It isn't that", "about my idea or that I am not 100% sold on the idea,", "would be that, my world would be heavily influenced from novels like Lord", "it still isn't quite the tone I am looking for. Would this be", "the Rings with personification of animals), Shannara series, and so on. These are", "a non academic piece of work so that is also why I am", "be \"original\" as the influence would be pretty evident. 1. Would having a", "by Sauron right now. I for one, would love to read a follow", "is heavily popular. This story is depressing, hopeless, many main characters die, and", "you can cast-iron guarantee no-one else will.\" Let me clarify something that I", "why I am a bit nervous/hesitant. So thank you to everyone who offered", "on. These are stories I grew up with and loved. This would also", "desirable fresh outcome that people would read? The anime Attack on Titan is", "I grew up with and loved. This would also mean that, my story", "right now. I for one, would love to read a follow up novel", "having a cookie cutter story be okay? We see this recipe often repeated", "story wouldn't be \"original\" as the influence would be pretty evident. 1. Would", "trying to get a feel for where I want to go with it.", "I have been seeing popping up in responses. It isn't that I am", "or that I am not 100% sold on the idea, it's that I", "I really appreciate everyone's positive critique that gave me a TON of thoughts", "no-one else will.\" Let me clarify something that I have been seeing popping", "received. I really appreciate everyone's positive critique that gave me a TON of", "of work, however it still isn't quite the tone I am looking for.", "heavily popular. This story is depressing, hopeless, many main characters die, and humanity", "heavily influenced from novels like Lord of The Rings, Redwall (children's series similar", "to read) has been more than I ever hoped to have received. I", "influence would be pretty evident. 1. Would having a cookie cutter story be", "closest body of work, however it still isn't quite the tone I am", "it to your core, but that doesn't mean I am going to listen", "others and not myself. You can be 100% passionate about the earth being", "the Star Wars theme and plot. Many people do not feel this way,", "unexpected from the said genre in hopes that the story would be read", "offering of help and good research materials (books to read) has been more", "something interesting to others? Let's face it, if a more realistic version of", "my story would be very cookie cutter fantasy. You can apply various elements", "feel and an expected outcome with similar character personalities. It seems to work", "is pretty evident that this is my first attempt at writing a non", "by orcs. Would a story that ended with the \"bad side\" winning be", "of work so that is also why I am a bit nervous/hesitant. So", "hopeless, many main characters die, and humanity is losing the fight. I hope", "a dark fantasy? Game of Thrones would be the closest body of work,", "I want to go with it. The biggest issue would be that, my", "am a bit nervous/hesitant. So thank you to everyone who offered advice and", "creating my own world and story, if I even do it that is.", "Would this be too niche? I wonder if I would alienate the fantasy", "ruled by Sauron right now. I for one, would love to read a", "materials (books to read) has been more than I ever hoped to have", "popular. 2. Because stories and books for that matter seem to be on", "of Thrones would be the closest body of work, however it still isn't", "isn't that I am not passionate enough about my idea or that I", "people would read? The anime Attack on Titan is heavily popular. This story", "I am a bit nervous/hesitant. So thank you to everyone who offered advice", "am more interested to see if such a world would be desirable by", "alienate the fantasy reader because it would be a different expected outcome. Take", "similar character personalities. It seems to work in anime as many of these", "but that doesn't mean I am going to listen to you just because", "to say WOW. The feedback and offering of help and good research materials", "I am not 100% sold on the idea, it's that I am writing", "am writing for others and not myself. You can be 100% passionate about", "It seems to work in anime as many of these shows are popular.", "have been seeing popping up in responses. It isn't that I am not", "fantasy reader because it would be a different expected outcome. Take Star Wars", "probably is pretty evident that this is my first attempt at writing a", "and you believe it to your core, but that doesn't mean I am", "yourself aren't going to buy into the world you're creating, you can cast-iron", "your core, but that doesn't mean I am going to listen to you", "love to read a follow up novel about a world ruled by orcs.", "Star Wars for example. I personally was kind of put off with Rogue", "3. Would creating a story that ends with the enemy winning be something", "die, and humanity is losing the fight. I hope these questions are not", "(children's series similar to Lord of the Rings with personification of animals), Shannara", "be read and not passed over as \"another one of these\"? 3. Would", "feedback and offering of help and good research materials (books to read) has", "a bit nervous/hesitant. So thank you to everyone who offered advice and will", "feel this way, but I personally did. EDIT: \"If you yourself aren't going", "this way, but I personally did. EDIT: \"If you yourself aren't going to", "cast-iron guarantee no-one else will.\" Let me clarify something that I have been", "because it would be a different expected outcome. Take Star Wars for example.", "would be very cookie cutter fantasy. You can apply various elements from across", "I for one, would love to read a follow up novel about a", "they will have a familiar feel due to the fact that the story", "twists that are otherwise unexpected from the said genre in hopes that the", "that I am writing for others and not myself. You can be 100%", "ponder over. It probably is pretty evident that this is my first attempt", "This story is depressing, hopeless, many main characters die, and humanity is losing", "about the earth being flat and you believe it to your core, but", "a different expected outcome. Take Star Wars for example. I personally was kind", "been seeing popping up in responses. It isn't that I am not passionate", "you are passionate. I just wanted to say WOW. The feedback and offering", "(books to read) has been more than I ever hoped to have received.", "many main characters die, and humanity is losing the fight. I hope these", "the influence would be pretty evident. 1. Would having a cookie cutter story", "interesting to others? Let's face it, if a more realistic version of LOTR", "also why I am a bit nervous/hesitant. So thank you to everyone who", "So thank you to everyone who offered advice and will provide any future", "sold on the idea, it's that I am writing for others and not", "works, but they will have a familiar feel due to the fact that", "the \"bad side\" winning be a desirable fresh outcome that people would read?", "am not passionate enough about my idea or that I am not 100%", "listen to you just because you are passionate. I just wanted to say", "to buy into the world you're creating, you can cast-iron guarantee no-one else", "realistic version of LOTR was created, chances are, middle earth would be ruled", "read? The anime Attack on Titan is heavily popular. This story is depressing,", "if I would alienate the fantasy reader because it would be a different", "media becomes available, would I need surprise elements or twists that are otherwise", "that, my world would be heavily influenced from novels like Lord of The", "is also why I am a bit nervous/hesitant. So thank you to everyone", "on the decline as more and more visual media becomes available, would I", "Because stories and books for that matter seem to be on the decline", "that people would read? The anime Attack on Titan is heavily popular. This", "because you are passionate. I just wanted to say WOW. The feedback and", "feel due to the fact that the story wouldn't be \"original\" as the", "insight after this edit. It is greatly appreciated and it gives me more", "over as \"another one of these\"? 3. Would creating a story that ends", "world ruled by orcs. Would a story that ended with the \"bad side\"", "reader because it would be a different expected outcome. Take Star Wars for", "that ended with the \"bad side\" winning be a desirable fresh outcome that", "read a follow up novel about a world ruled by orcs. Would a", "to everyone who offered advice and will provide any future insight after this", "different expected outcome. Take Star Wars for example. I personally was kind of", "to the fact that the story wouldn't be \"original\" as the influence would", "as the influence would be pretty evident. 1. Would having a cookie cutter", "The anime Attack on Titan is heavily popular. This story is depressing, hopeless,", "isn't quite the tone I am looking for. Would this be too niche?", "too opinion based as I am more interested to see if such a", "that is. I am still trying to get a feel for where I", "fantasy. You can apply various elements from across literature works, but they will", "am going to listen to you just because you are passionate. I just", "going to listen to you just because you are passionate. I just wanted", "core, but that doesn't mean I am going to listen to you just", "cookie cutter story be okay? We see this recipe often repeated in anime", "to ponder over. It probably is pretty evident that this is my first", "to you just because you are passionate. I just wanted to say WOW.", "just wanted to say WOW. The feedback and offering of help and good", "from the Star Wars theme and plot. Many people do not feel this", "ended with the \"bad side\" winning be a desirable fresh outcome that people", "Shannara* series, and so on. These are stories I grew up with and", "and books for that matter seem to be on the decline as more", "feel for where I want to go with it. The biggest issue would", "the idea, it's that I am writing for others and not myself. You", "good research materials (books to read) has been more than I ever hoped", "passionate enough about my idea or that I am not 100% sold on", "that I am not passionate enough about my idea or that I am", "Take Star Wars for example. I personally was kind of put off with", "can be 100% passionate about the earth being flat and you believe it", "becomes available, would I need surprise elements or twists that are otherwise unexpected", "middle earth would be ruled by Sauron right now. I for one, would", "do not feel this way, but I personally did. EDIT: \"If you yourself", "just because you are passionate. I just wanted to say WOW. The feedback", "Titan is heavily popular. This story is depressing, hopeless, many main characters die,", "and an expected outcome with similar character personalities. It seems to work in", "story, if I even do it that is. I am still trying to", "elements from across literature works, but they will have a familiar feel due", "said genre in hopes that the story would be read and not passed", "am looking for. Would this be too niche? I wonder if I would", "with personification of animals), Shannara series, and so on. These are stories I", "stories I grew up with and loved. This would also mean that, my", "version of LOTR was created, chances are, middle earth would be ruled by", "expected outcome with similar character personalities. It seems to work in anime as", "EDIT: \"If you yourself aren't going to buy into the world you're creating,", "that is also why I am a bit nervous/hesitant. So thank you to", "series similar to Lord of the Rings with personification of animals), Shannara series,", "is my first attempt at writing a non academic piece of work so", "that I am not 100% sold on the idea, it's that I am", "the primitive stages of creating my own world and story, if I even", "animals), Shannara series, and so on. These are stories I grew up with", "a familiar feel due to the fact that the story wouldn't be \"original\"", "it. The biggest issue would be that, my world would be heavily influenced", "to see if such a world would be desirable by an audience. What", "Would having a cookie cutter story be okay? We see this recipe often", "wanted to say WOW. The feedback and offering of help and good research", "do it that is. I am still trying to get a feel for", "research materials (books to read) has been more than I ever hoped to", "now. I for one, would love to read a follow up novel about", "personally did. EDIT: \"If you yourself aren't going to buy into the world", "\"another one of these\"? 3. Would creating a story that ends with the", "going to buy into the world you're creating, you can cast-iron guarantee no-one", "Let me clarify something that I have been seeing popping up in responses.", "if a more realistic version of LOTR was created, chances are, middle earth", "tone I am looking for. Would this be too niche? I wonder if", "biggest issue would be that, my world would be heavily influenced from novels", "want to go with it. The biggest issue would be that, my world", "it would be a different expected outcome. Take Star Wars for example. I", "series, and so on. These are stories I grew up with and loved.", "These are stories I grew up with and loved. This would also mean", "deviating too far from the Star Wars theme and plot. Many people do", "not feel this way, but I personally did. EDIT: \"If you yourself aren't", "So I am still in the primitive stages of creating my own world", "as \"another one of these\"? 3. Would creating a story that ends with", "of the Rings* with personification of animals), Shannara series, and so on. These", "of animals), Shannara series, and so on. These are stories I grew up", "The biggest issue would be that, my world would be heavily influenced from", "these questions are not too opinion based as I am more interested to", "is. I am still trying to get a feel for where I want", "and not myself. You can be 100% passionate about the earth being flat", "this recipe often repeated in anime where the story has a similar feel", "Redwall (children's series similar to Lord of the Rings with personification of animals),", "would fall into a dark fantasy? Game of Thrones would be the closest", "about a world ruled by orcs. Would a story that ended with the", "else will.\" Let me clarify something that I have been seeing popping up", "in hopes that the story would be read and not passed over as", "fantasy? Game of Thrones would be the closest body of work, however it", "be very cookie cutter fantasy. You can apply various elements from across literature", "buy into the world you're creating, you can cast-iron guarantee no-one else will.\"", "world would be heavily influenced from novels like Lord of The Rings, Redwall", "you to everyone who offered advice and will provide any future insight after", "be on the decline as more and more visual media becomes available, would", "mean that, my story would be very cookie cutter fantasy. You can apply", "I am looking for. Would this be too niche? I wonder if I", "the earth being flat and you believe it to your core, but that", "are passionate. I just wanted to say WOW. The feedback and offering of", "elements or twists that are otherwise unexpected from the said genre in hopes", "based as I am more interested to see if such a world would", "quite the tone I am looking for. Would this be too niche? I", "Wars theme and plot. Many people do not feel this way, but I", "you're creating, you can cast-iron guarantee no-one else will.\" Let me clarify something", "aren't going to buy into the world you're creating, you can cast-iron guarantee", "that the story would be read and not passed over as \"another one", "the tone I am looking for. Would this be too niche? I wonder", "to work in anime as many of these shows are popular. 2. Because", "mean I am going to listen to you just because you are passionate.", "Star Wars theme and plot. Many people do not feel this way, but", "it that is. I am still trying to get a feel for where", "thoughts to ponder over. It probably is pretty evident that this is my", "the decline as more and more visual media becomes available, would I need", "Would a story that ended with the \"bad side\" winning be a desirable", "would be the closest body of work, however it still isn't quite the", "and not passed over as \"another one of these\"? 3. Would creating a", "be something interesting to others? Let's face it, if a more realistic version", "shows are popular. 2. Because stories and books for that matter seem to", "people do not feel this way, but I personally did. EDIT: \"If you", "attempt at writing a non academic piece of work so that is also", "of LOTR was created, chances are, middle earth would be ruled by Sauron", "100% sold on the idea, it's that I am writing for others and", "also mean that, my story would be very cookie cutter fantasy. You can", "but they will have a familiar feel due to the fact that the", "genre in hopes that the story would be read and not passed over", "and more visual media becomes available, would I need surprise elements or twists", "across literature works, but they will have a familiar feel due to the", "has been more than I ever hoped to have received. I really appreciate", "1. Would having a cookie cutter story be okay? We see this recipe", "I am still trying to get a feel for where I want to", "opinion based as I am more interested to see if such a world", "Would creating a story that ends with the enemy winning be something interesting", "outcome. Take Star Wars for example. I personally was kind of put off", "to read a follow up novel about a world ruled by orcs. Would", "that this is my first attempt at writing a non academic piece of", "to go with it. The biggest issue would be that, my world would", "depressing, hopeless, many main characters die, and humanity is losing the fight. I", "can apply various elements from across literature works, but they will have a", "kind of put off with Rogue One for deviating too far from the", "too niche? I wonder if I would alienate the fantasy reader because it", "seeing popping up in responses. It isn't that I am not passionate enough", "personalities. It seems to work in anime as many of these shows are", "you yourself aren't going to buy into the world you're creating, you can", "visual media becomes available, would I need surprise elements or twists that are", "academic piece of work so that is also why I am a bit", "personification of animals), Shannara series, and so on. These are stories I grew", "offered advice and will provide any future insight after this edit. It is", "repeated in anime where the story has a similar feel and an expected", "to have received. I really appreciate everyone's positive critique that gave me a", "to your core, but that doesn't mean I am going to listen to", "that doesn't mean I am going to listen to you just because you", "of The Rings, Redwall* (children's series similar to Lord of the Rings with", "story that ended with the \"bad side\" winning be a desirable fresh outcome", "edit. It is greatly appreciated and it gives me more confidence that I", "the world you're creating, you can cast-iron guarantee no-one else will.\" Let me", "help and good research materials (books to read) has been more than I", "appreciated and it gives me more confidence that I should further pursue this.", "with the \"bad side\" winning be a desirable fresh outcome that people would", "my world would be heavily influenced from novels like Lord of The Rings,", "put off with Rogue One for deviating too far from the Star Wars", "Lord of the Rings with personification of animals), Shannara series, and so on.", "popular. This story is depressing, hopeless, many main characters die, and humanity is", "I am going to listen to you just because you are passionate. I", "for one, would love to read a follow up novel about a world", "into the world you're creating, you can cast-iron guarantee no-one else will.\" Let", "this edit. It is greatly appreciated and it gives me more confidence that", "I personally did. EDIT: \"If you yourself aren't going to buy into the", "outcome that people would read? The anime Attack on Titan is heavily popular.", "similar feel and an expected outcome with similar character personalities. It seems to", "of creating my own world and story, if I even do it that", "very cookie cutter fantasy. You can apply various elements from across literature works,", "still in the primitive stages of creating my own world and story, if", "from across literature works, but they will have a familiar feel due to", "a desirable fresh outcome that people would read? The anime Attack on Titan", "Let's face it, if a more realistic version of LOTR was created, chances", "are not too opinion based as I am more interested to see if", "up novel about a world ruled by orcs. Would a story that ended", "available, would I need surprise elements or twists that are otherwise unexpected from", "popping up in responses. It isn't that I am not passionate enough about", "100% passionate about the earth being flat and you believe it to your", "the story would be read and not passed over as \"another one of", "over. It probably is pretty evident that this is my first attempt at", "2. Because stories and books for that matter seem to be on the", "world would be desirable by an audience. What literature works would fall into", "future insight after this edit. It is greatly appreciated and it gives me", "for where I want to go with it. The biggest issue would be", "off with Rogue One for deviating too far from the Star Wars theme", "get a feel for where I want to go with it. The biggest", "and loved. This would also mean that, my story would be very cookie", "will.\" Let me clarify something that I have been seeing popping up in", "from the said genre in hopes that the story would be read and", "I would alienate the fantasy reader because it would be a different expected", "works would fall into a dark fantasy? Game of Thrones would be the", "the story wouldn't be \"original\" as the influence would be pretty evident. 1.", "clarify something that I have been seeing popping up in responses. It isn't", "to be on the decline as more and more visual media becomes available,", "be the closest body of work, however it still isn't quite the tone", "fact that the story wouldn't be \"original\" as the influence would be pretty", "am not 100% sold on the idea, it's that I am writing for", "others? Let's face it, if a more realistic version of LOTR was created,", "winning be a desirable fresh outcome that people would read? The anime Attack", "anime as many of these shows are popular. 2. Because stories and books", "many of these shows are popular. 2. Because stories and books for that", "story would be read and not passed over as \"another one of these\"?", "as I am more interested to see if such a world would be", "Attack on Titan is heavily popular. This story is depressing, hopeless, many main", "anime where the story has a similar feel and an expected outcome with", "of these shows are popular. 2. Because stories and books for that matter", "would be pretty evident. 1. Would having a cookie cutter story be okay?", "passionate about the earth being flat and you believe it to your core,", "books for that matter seem to be on the decline as more and", "any future insight after this edit. It is greatly appreciated and it gives", "of these\"? 3. Would creating a story that ends with the enemy winning", "this be too niche? I wonder if I would alienate the fantasy reader", "that I have been seeing popping up in responses. It isn't that I", "of thoughts to ponder over. It probably is pretty evident that this is", "in the primitive stages of creating my own world and story, if I", "Rings* with personification of animals), Shannara series, and so on. These are stories", "character personalities. It seems to work in anime as many of these shows", "creating a story that ends with the enemy winning be something interesting to", "writing a non academic piece of work so that is also why I", "idea, it's that I am writing for others and not myself. You can", "seem to be on the decline as more and more visual media becomes", "it's that I am writing for others and not myself. You can be", "one, would love to read a follow up novel about a world ruled", "it, if a more realistic version of LOTR was created, chances are, middle", "What literature works would fall into a dark fantasy? Game of Thrones would", "dark fantasy? Game of Thrones would be the closest body of work, however", "grew up with and loved. This would also mean that, my story would", "at writing a non academic piece of work so that is also why", "not passed over as \"another one of these\"? 3. Would creating a story", "be too niche? I wonder if I would alienate the fantasy reader because", "been more than I ever hoped to have received. I really appreciate everyone's", "see if such a world would be desirable by an audience. What literature", "to Lord of the Rings with personification of animals), Shannara series, and so", "everyone's positive critique that gave me a TON of thoughts to ponder over.", "more realistic version of LOTR was created, chances are, middle earth would be", "fresh outcome that people would read? The anime Attack on Titan is heavily", "up in responses. It isn't that I am not passionate enough about my", "thank you to everyone who offered advice and will provide any future insight", "have received. I really appreciate everyone's positive critique that gave me a TON", "provide any future insight after this edit. It is greatly appreciated and it", "the story has a similar feel and an expected outcome with similar character", "for that matter seem to be on the decline as more and more", "still isn't quite the tone I am looking for. Would this be too", "to others? Let's face it, if a more realistic version of LOTR was", "novels like Lord of The Rings, Redwall (children's series similar to Lord of", "as more and more visual media becomes available, would I need surprise elements", "earth would be ruled by Sauron right now. I for one, would love", "you just because you are passionate. I just wanted to say WOW. The", "questions are not too opinion based as I am more interested to see", "stories and books for that matter seem to be on the decline as", "matter seem to be on the decline as more and more visual media", "the fight. I hope these questions are not too opinion based as I", "up with and loved. This would also mean that, my story would be", "various elements from across literature works, but they will have a familiar feel", "have a familiar feel due to the fact that the story wouldn't be", "would be heavily influenced from novels like Lord of The Rings, Redwall* (children's", "even do it that is. I am still trying to get a feel", "work so that is also why I am a bit nervous/hesitant. So thank", "my own world and story, if I even do it that is. I", "or twists that are otherwise unexpected from the said genre in hopes that", "follow up novel about a world ruled by orcs. Would a story that", "as many of these shows are popular. 2. Because stories and books for", "am still in the primitive stages of creating my own world and story,", "can cast-iron guarantee no-one else will.\" Let me clarify something that I have", "on the idea, it's that I am writing for others and not myself.", "that ends with the enemy winning be something interesting to others? Let's face", "that matter seem to be on the decline as more and more visual", "often repeated in anime where the story has a similar feel and an", "where the story has a similar feel and an expected outcome with similar", "I need surprise elements or twists that are otherwise unexpected from the said", "It isn't that I am not passionate enough about my idea or that", "with similar character personalities. It seems to work in anime as many of", "loved. This would also mean that, my story would be very cookie cutter", "expected outcome. Take Star Wars for example. I personally was kind of put", "not myself. You can be 100% passionate about the earth being flat and", "Wars for example. I personally was kind of put off with Rogue One", "non academic piece of work so that is also why I am a", "I wonder if I would alienate the fantasy reader because it would be", "that, my story would be very cookie cutter fantasy. You can apply various", "that are otherwise unexpected from the said genre in hopes that the story", "would be desirable by an audience. What literature works would fall into a", "if I even do it that is. I am still trying to get", "a similar feel and an expected outcome with similar character personalities. It seems", "outcome with similar character personalities. It seems to work in anime as many", "The Rings, Redwall* (children's series similar to Lord of the Rings with personification", "a more realistic version of LOTR was created, chances are, middle earth would", "a TON of thoughts to ponder over. It probably is pretty evident that", "fall into a dark fantasy? Game of Thrones would be the closest body", "world you're creating, you can cast-iron guarantee no-one else will.\" Let me clarify", "piece of work so that is also why I am a bit nervous/hesitant.", "decline as more and more visual media becomes available, would I need surprise", "story has a similar feel and an expected outcome with similar character personalities.", "ends with the enemy winning be something interesting to others? Let's face it,", "pretty evident. 1. Would having a cookie cutter story be okay? We see", "idea or that I am not 100% sold on the idea, it's that", "for example. I personally was kind of put off with Rogue One for", "being flat and you believe it to your core, but that doesn't mean", "theme and plot. Many people do not feel this way, but I personally", "if such a world would be desirable by an audience. What literature works", "You can be 100% passionate about the earth being flat and you believe", "my first attempt at writing a non academic piece of work so that", "ruled by orcs. Would a story that ended with the \"bad side\" winning", "Sauron right now. I for one, would love to read a follow up", "a story that ends with the enemy winning be something interesting to others?", "my idea or that I am not 100% sold on the idea, it's", "own world and story, if I even do it that is. I am", "need surprise elements or twists that are otherwise unexpected from the said genre", "created, chances are, middle earth would be ruled by Sauron right now. I", "familiar feel due to the fact that the story wouldn't be \"original\" as", "and plot. Many people do not feel this way, but I personally did.", "such a world would be desirable by an audience. What literature works would", "to listen to you just because you are passionate. I just wanted to", "and offering of help and good research materials (books to read) has been", "read and not passed over as \"another one of these\"? 3. Would creating", "issue would be that, my world would be heavily influenced from novels like", "a cookie cutter story be okay? We see this recipe often repeated in", "be that, my world would be heavily influenced from novels like Lord of", "You can apply various elements from across literature works, but they will have", "\"bad side\" winning be a desirable fresh outcome that people would read? The", "first attempt at writing a non academic piece of work so that is", "by an audience. What literature works would fall into a dark fantasy? Game", "for deviating too far from the Star Wars theme and plot. Many people", "with it. The biggest issue would be that, my world would be heavily", "work, however it still isn't quite the tone I am looking for. Would", "flat and you believe it to your core, but that doesn't mean I", "more and more visual media becomes available, would I need surprise elements or", "has a similar feel and an expected outcome with similar character personalities. It", "was created, chances are, middle earth would be ruled by Sauron right now.", "a world would be desirable by an audience. What literature works would fall", "the said genre in hopes that the story would be read and not", "primitive stages of creating my own world and story, if I even do", "niche? I wonder if I would alienate the fantasy reader because it would", "and good research materials (books to read) has been more than I ever", "fight. I hope these questions are not too opinion based as I am", "so that is also why I am a bit nervous/hesitant. So thank you", "this is my first attempt at writing a non academic piece of work", "in anime where the story has a similar feel and an expected outcome", "go with it. The biggest issue would be that, my world would be", "with and loved. This would also mean that, my story would be very", "way, but I personally did. EDIT:* \"If you yourself aren't going to buy", "me a TON of thoughts to ponder over. It probably is pretty evident", "who offered advice and will provide any future insight after this edit. It", "believe it to your core, but that doesn't mean I am going to", "TON of thoughts to ponder over. It probably is pretty evident that this", "anime Attack on Titan is heavily popular. This story is depressing, hopeless, many", "nervous/hesitant. So thank you to everyone who offered advice and will provide any", "We see this recipe often repeated in anime where the story has a", "winning be something interesting to others? Let's face it, if a more realistic", "of help and good research materials (books to read) has been more than", "be a desirable fresh outcome that people would read? The anime Attack on", "would be a different expected outcome. Take Star Wars for example. I personally", "I ever hoped to have received. I really appreciate everyone's positive critique that", "would love to read a follow up novel about a world ruled by", "to get a feel for where I want to go with it. The", "example. I personally was kind of put off with Rogue One for deviating", "I am more interested to see if such a world would be desirable", "orcs. Would a story that ended with the \"bad side\" winning be a", "bit nervous/hesitant. So thank you to everyone who offered advice and will provide", "and humanity is losing the fight. I hope these questions are not too", "hoped to have received. I really appreciate everyone's positive critique that gave me", "Lord of The Rings, Redwall (children's series similar to Lord of the Rings", "an expected outcome with similar character personalities. It seems to work in anime", "be ruled by Sauron right now. I for one, would love to read", "I hope these questions are not too opinion based as I am more", "see this recipe often repeated in anime where the story has a similar", "that the story wouldn't be \"original\" as the influence would be pretty evident.", "story that ends with the enemy winning be something interesting to others? Let's", "a follow up novel about a world ruled by orcs. Would a story", "face it, if a more realistic version of LOTR was created, chances are,", "positive critique that gave me a TON of thoughts to ponder over. It", "a world ruled by orcs. Would a story that ended with the \"bad", "these\"? 3. Would creating a story that ends with the enemy winning be", "seems to work in anime as many of these shows are popular. 2.", "losing the fight. I hope these questions are not too opinion based as", "pretty evident that this is my first attempt at writing a non academic", "LOTR was created, chances are, middle earth would be ruled by Sauron right", "otherwise unexpected from the said genre in hopes that the story would be", "This would also mean that, my story would be very cookie cutter fantasy.", "doesn't mean I am going to listen to you just because you are", "interested to see if such a world would be desirable by an audience.", "however it still isn't quite the tone I am looking for. Would this", "responses. It isn't that I am not passionate enough about my idea or", "\"If you yourself aren't going to buy into the world you're creating, you", "are otherwise unexpected from the said genre in hopes that the story would", "read) has been more than I ever hoped to have received. I really", "are, middle earth would be ruled by Sauron right now. I for one,", "in responses. It isn't that I am not passionate enough about my idea", "not passionate enough about my idea or that I am not 100% sold", "myself. You can be 100% passionate about the earth being flat and you", "enough about my idea or that I am not 100% sold on the", "am still trying to get a feel for where I want to go", "Game of Thrones would be the closest body of work, however it still", "critique that gave me a TON of thoughts to ponder over. It probably", "ever hoped to have received. I really appreciate everyone's positive critique that gave", "apply various elements from across literature works, but they will have a familiar", "would alienate the fantasy reader because it would be a different expected outcome.", "would I need surprise elements or twists that are otherwise unexpected from the", "evident that this is my first attempt at writing a non academic piece" ]
[ "majority of senses in a particular chapter. How do you think how many", "senses in a particular chapter. How do you think how many books should", "read several of them in order to understand the majority of senses in", "and references to other cultural objects, first of all to the other novels.", "to understand the majority of senses in a particular chapter. How do you", "how culturally spacious his mind should be in order to write state of", "the postmodern novels often use citations and references to other cultural objects, first", "of them in order to understand the majority of senses in a particular", "culturally spacious his mind should be in order to write state of the", "the majority of senses in a particular chapter. How do you think how", "often use citations and references to other cultural objects, first of all to", "all to the other novels. Sometimes it is necessary to read several of", "known that the postmodern novels often use citations and references to other cultural", "references to other cultural objects, first of all to the other novels. Sometimes", "understand the majority of senses in a particular chapter. How do you think", "postmodern author read and how culturally spacious his mind should be in order", "his mind should be in order to write state of the art literature?", "them in order to understand the majority of senses in a particular chapter.", "Sometimes it is necessary to read several of them in order to understand", "order to understand the majority of senses in a particular chapter. How do", "author read and how culturally spacious his mind should be in order to", "necessary to read several of them in order to understand the majority of", "novels. Sometimes it is necessary to read several of them in order to", "books should the postmodern author read and how culturally spacious his mind should", "citations and references to other cultural objects, first of all to the other", "many books should the postmodern author read and how culturally spacious his mind", "the other novels. Sometimes it is necessary to read several of them in", "cultural objects, first of all to the other novels. Sometimes it is necessary", "chapter. How do you think how many books should the postmodern author read", "use citations and references to other cultural objects, first of all to the", "to the other novels. Sometimes it is necessary to read several of them", "to read several of them in order to understand the majority of senses", "first of all to the other novels. Sometimes it is necessary to read", "do you think how many books should the postmodern author read and how", "a particular chapter. How do you think how many books should the postmodern", "that the postmodern novels often use citations and references to other cultural objects,", "spacious his mind should be in order to write state of the art", "and how culturally spacious his mind should be in order to write state", "other cultural objects, first of all to the other novels. Sometimes it is", "it is necessary to read several of them in order to understand the", "particular chapter. How do you think how many books should the postmodern author", "It is well known that the postmodern novels often use citations and references", "how many books should the postmodern author read and how culturally spacious his", "of all to the other novels. Sometimes it is necessary to read several", "postmodern novels often use citations and references to other cultural objects, first of", "you think how many books should the postmodern author read and how culturally", "is necessary to read several of them in order to understand the majority", "in a particular chapter. How do you think how many books should the", "read and how culturally spacious his mind should be in order to write", "think how many books should the postmodern author read and how culturally spacious", "in order to understand the majority of senses in a particular chapter. How", "of senses in a particular chapter. How do you think how many books", "should the postmodern author read and how culturally spacious his mind should be", "to other cultural objects, first of all to the other novels. Sometimes it", "objects, first of all to the other novels. Sometimes it is necessary to", "well known that the postmodern novels often use citations and references to other", "several of them in order to understand the majority of senses in a", "other novels. Sometimes it is necessary to read several of them in order", "is well known that the postmodern novels often use citations and references to", "novels often use citations and references to other cultural objects, first of all", "the postmodern author read and how culturally spacious his mind should be in", "How do you think how many books should the postmodern author read and" ]
[ "to get out NOW! > > > And one with a more traditional", "And one with a more traditional conflict rather than simply a passing problem:", "for creating it that I am not aware of. Note: I'm not looking", "so I will just define it here. When I create and develop a", "for creating urgency? I frequently find myself stuck trying to create urgency, and", "is, the thing keeping the protagonist from sitting around twiddling their thumbs because", "traits is urgency; that is, the thing keeping the protagonist from sitting around", "way out of the maze. > > > Urgency: ...And we're being chased", "a week. Joe has to find a way to tell him soon. >", "define it here. When I create and develop a main conflict (I am", "The bomb must be defused. > > > Urgency: The bomb is activated,", "generates additional tension for the reader. I believe every main conflict should have", "urgency, and this has led me to wonder if there are some conventions", "in fact, have very little time indeed, if any at all. This pressures", "for what happened. > > > Urgency: Jim is leaving the country in", "urgency. I'm looking for what causes that urgency. It take many forms, so", "are some conventions for creating it that I am not aware of. Note:", "in a main conflict, but I cannot find the original source, so I", "is urgency; that is, the thing keeping the protagonist from sitting around twiddling", "not the question*. The question is as follows: Question: Are there any methods/formulas/conventions/common", "be defused. > > > Urgency: The bomb is activated, and the timer", "Joe needs to find a way to tell Jim he's sorry for what", "Main Problem: We need to find a way out of the maze. >", "because they have all the time in the world to solve the main", "be defused NOW! > > > Or... > > Main Problem: We need", "the original source, so I will just define it here. When I create", "I came up with the concept of urgency in a main conflict, but", "leaving the country in a week. Joe has to find a way to", "Question:** Are there any methods/formulas/conventions/common practices for creating urgency? I frequently find myself", "find a way to tell Jim he's sorry for what happened. > >", "tell Jim he's sorry for what happened. > > > Urgency: Jim is", "Conflict: Joe needs to find a way to tell Jim he's sorry for", "> Google searches for 'urgency' yield either nothing, or articles that use the", "has to find a way to tell him soon. > > > Google", "--- Examples of urgency: > > Main Problem: The bomb must be defused.", "> > > Urgency: The bomb is activated, and the timer is going", "defused NOW! > > > Or... > > Main Problem: We need to", "passing problem: > > Main Conflict: Joe needs to find a way to", "will just define it here. When I create and develop a main conflict", "They should, in fact, have very little time indeed, if any at all.", "to find a way to tell Jim he's sorry for what happened. >", "all. This pressures them to solve the main problem/conflict, and that pressure in", "protagonist from sitting around twiddling their thumbs because they have all the time", "happened. > > > Urgency: Jim is leaving the country in a week.", "of urgency in a main conflict, but I cannot find the original source,", "original source, so I will just define it here. When I create and", "of. Note: I'm not looking for how to write urgency. I'm looking for", "by monsters. We need to get out NOW! > > > And one", "am a plotter, meaning I plan out my novel prior to writing them),", "what causes that urgency. It take many forms, so I'm looking for a", "a formula or common practice that will enable me to easily add urgency", "> > > And one with a more traditional conflict rather than simply", "here. When I create and develop a main conflict (I am a plotter,", "urgency to any situation. --- Examples of urgency: > > Main Problem: The", "all the time in the world to solve the main conflict. With urgency", "wonder if there are some conventions for creating it that I am not", "urgency? I frequently find myself stuck trying to create urgency, and this has", "must be defused. > > > Urgency: The bomb is activated, and the", "do not have all the time in the world. They should, in fact,", "little time indeed, if any at all. This pressures them to solve the", "it now rather than later. Whether or not this is true, **is not", "Jim is leaving the country in a week. Joe has to find a", "the timer is going down. The bomb has to be defused NOW! >", "prior to writing them), I make sure it has several key traits. One", "formula or common practice that will enable me to easily add urgency to", "writing them), I make sure it has several key traits. One of those", "conflict should have at least some amount of urgency, some reason that the", "Main Problem: The bomb must be defused. > > > Urgency: The bomb", "the time in the world. They should, in fact, have very little time", "I do not believe I came up with the concept of urgency in", "has to be defused NOW! > > > Or... > > Main Problem:", "up with the concept of urgency in a main conflict, but I cannot", "plotter, meaning I plan out my novel prior to writing them), I make", "to solve the main conflict. With urgency in place, they do not* have", "they do not have all the time in the world. They should, in", "main conflict (I am a plotter, meaning I plan out my novel prior", "> Urgency: Jim is leaving the country in a week. Joe has to", "for a formula or common practice that will enable me to easily add", "Urgency: ...And we're being chased by monsters. We need to get out NOW!", "bomb must be defused. > > > Urgency: The bomb is activated, and", "a way to tell him soon. > > > Google searches for 'urgency'", "practice that will enable me to easily add urgency to any situation. ---", "One of those traits is urgency; that is, the thing keeping the protagonist", "time in the world. They should, in fact, have very little time indeed,", "for the reader. I believe every main conflict should have at least some", "> > And one with a more traditional conflict rather than simply a", "me to easily add urgency to any situation. --- Examples of urgency: >", "later. Whether or not this is true, *is not the question. The question", "I cannot find the original source, so I will just define it here.", "key traits. One of those traits is urgency; that is, the thing keeping", "is true, is not the question. The question is as follows: Question:* Are", "When I create and develop a main conflict (I am a plotter, meaning", "that will enable me to easily add urgency to any situation. --- Examples", "main conflict. With urgency in place, they do not have all the time", "to solve it now rather than later. Whether or not this is true,", "> > > Or... > > Main Problem: We need to find a", "> Urgency: ...And we're being chased by monsters. We need to get out", "*is not the question. The question is as follows: Question:* Are there any", "not this is true, *is not the question. The question is as follows:", "We need to get out NOW! > > > And one with a", "them to solve the main problem/conflict, and that pressure in turn generates additional", "not looking for how to write urgency. I'm looking for what causes* that", "novel prior to writing them), I make sure it has several key traits.", "has to solve it now rather than later. Whether or not this is", "week. Joe has to find a way to tell him soon. > >", "searches for 'urgency' yield either nothing, or articles that use the term 'urgency'", "main problem/conflict, and that pressure in turn generates additional tension for the reader.", "have very little time indeed, if any at all. This pressures them to", "should have at least some amount of urgency, some reason that the character", "to any situation. --- Examples of urgency: > > Main Problem: The bomb", "looking for a formula or common practice that will enable me to easily", "Whether or not this is true, *is not the question. The question is", "I'm not looking for how to write urgency. I'm looking for what causes", "there any methods/formulas/conventions/common practices for creating urgency? I frequently find myself stuck trying", "conventions for creating it that I am not aware of. Note:* I'm not", "monsters. We need to get out NOW! > > > And one with", "tell him soon. > > > Google searches for 'urgency' yield either nothing,", "enable me to easily add urgency to any situation. --- Examples of urgency:", "> > Or... > > Main Problem: We need to find a way", "find myself stuck trying to create urgency, and this has led me to", "going down. The bomb has to be defused NOW! > > > Or...", "the maze. > > > Urgency: ...And we're being chased by monsters. We", "> > Urgency: ...And we're being chased by monsters. We need to get", "the main problem/conflict, and that pressure in turn generates additional tension for the", "world to solve the main conflict. With urgency in place, they do not", "my novel prior to writing them), I make sure it has several key", "and develop a main conflict (I am a plotter, meaning I plan out", "looking for what causes that urgency. It take many forms, so I'm looking", "all the time in the world. 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One of those traits is urgency; that is,", "aware of. Note: I'm not looking for how to write urgency. I'm looking", "sitting around twiddling their thumbs because they have all the time in the", "to find a way out of the maze. > > > Urgency: ...And", "rather than simply a passing problem: > > Main Conflict: Joe needs to", "> Main Problem: The bomb must be defused. > > > Urgency: The", "the reader. I believe every main conflict should have at least some amount", "thumbs because they have all the time in the world to solve the", "has several key traits. One of those traits is urgency; that is, the", "Urgency: The bomb is activated, and the timer is going down. The bomb", "the main conflict. With urgency in place, they do not have all the", "at least some amount of urgency, some reason that the character has to", "stuck trying to create urgency, and this has led me to wonder if", "need to find a way out of the maze. > > > Urgency:", "simply a passing problem: > > Main Conflict: Joe needs to find a", "is going down. The bomb has to be defused NOW! > > >", "I will just define it here. When I create and develop a main", "make sure it has several key traits. One of those traits is urgency;", "urgency in a main conflict, but I cannot find the original source, so", "believe I came up with the concept of urgency in a main conflict,", "keeping the protagonist from sitting around twiddling their thumbs because they have all", "they have all the time in the world to solve the main conflict.", "> > > Urgency: ...And we're being chased by monsters. We need to", "timer is going down. The bomb has to be defused NOW! > >", "to tell Jim he's sorry for what happened. > > > Urgency: Jim", "not aware of. Note: I'm not looking for how to write urgency. I'm", "time in the world to solve the main conflict. With urgency in place,", "It take many forms, so I'm looking for a formula or common practice", "I believe every main conflict should have at least some amount of urgency,", "than later. Whether or not this is true, *is not the question. The", "out NOW! > > > And one with a more traditional conflict* rather", "a way out of the maze. > > > Urgency: ...And we're being", "Urgency: Jim is leaving the country in a week. Joe has to find", "> > > Google searches for 'urgency' yield either nothing, or articles that", "urgency; that is, the thing keeping the protagonist from sitting around twiddling their", "not believe I came up with the concept of urgency in a main", "question*. 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They should, in fact, have", "if there are some conventions for creating it that I am not aware", "> > Main Problem: We need to find a way out of the", "develop a main conflict (I am a plotter, meaning I plan out my", "the world. They should, in fact, have very little time indeed, if any", "that I am not aware of. Note: I'm not looking for how to", "of urgency: > > Main Problem: The bomb must be defused. > >", "follows: Question: Are there any methods/formulas/conventions/common practices for creating urgency? I frequently find", "solve the main problem/conflict, and that pressure in turn generates additional tension for", "methods/formulas/conventions/common practices for creating urgency? I frequently find myself stuck trying to create", "plan out my novel prior to writing them), I make sure it has", "around twiddling their thumbs because they have all the time in the world", "pressure in turn generates additional tension for the reader. I believe every main", "causes that urgency. It take many forms, so I'm looking for a formula", "to writing them), I make sure it has several key traits. One of", "Note: I'm not looking for how to write urgency. I'm looking for what", "in turn generates additional tension for the reader. I believe every main conflict", "concept of urgency in a main conflict, but I cannot find the original", "is as follows: Question: Are there any methods/formulas/conventions/common practices for creating urgency? I", "but I cannot find the original source, so I will just define it", "find a way to tell him soon. > > > Google searches for", "solve it now rather than later. Whether or not this is true, **is", "cannot find the original source, so I will just define it here. When", "Problem: The bomb must be defused. > > > Urgency: The bomb is", "down. The bomb has to be defused NOW! > > > Or... >", "came up with the concept of urgency in a main conflict, but I", "> And one with a more traditional conflict* rather than simply a passing", "rather than later. Whether or not this is true, *is not the question.", "any methods/formulas/conventions/common practices for creating urgency? I frequently find myself stuck trying to", "> > Main Problem: The bomb must be defused. > > > Urgency:", "The bomb is activated, and the timer is going down. The bomb has", "and that pressure in turn generates additional tension for the reader. I believe", "Joe has to find a way to tell him soon. > > >", "conflict, but I cannot find the original source, so I will just define", "a main conflict, but I cannot find the original source, so I will", "need to get out NOW! > > > And one with a more", "common practice that will enable me to easily add urgency to any situation.", "I'm looking for what causes* that urgency. It take many forms, so I'm", "true, *is not the question. The question is as follows: Question:* Are there", "'urgency' yield either nothing, or articles that use the term 'urgency' in place", "a way to tell Jim he's sorry for what happened. > > >", "this has led me to wonder if there are some conventions for creating", "any situation. --- Examples of urgency: > > Main Problem: The bomb must", "several key traits. One of those traits is urgency; that is, the thing", "should, in fact, have very little time indeed, if any at all. This", "tension for the reader. I believe every main conflict should have at least", "urgency, some reason that the character has to solve it now rather than", "the question*. The question is as follows: Question:** Are there any methods/formulas/conventions/common practices", "I am not aware of. Note: I'm not looking for how to write", "I frequently find myself stuck trying to create urgency, and this has led", "main conflict should have at least some amount of urgency, some reason that", "The question is as follows: Question: Are there any methods/formulas/conventions/common practices for creating", "is leaving the country in a week. Joe has to find a way", "for how to write urgency. I'm looking for what causes that urgency. It", "in the world. They should, in fact, have very little time indeed, if", "that is, the thing keeping the protagonist from sitting around twiddling their thumbs", "way to tell Jim he's sorry for what happened. > > > Urgency:", "of urgency, some reason that the character has to solve it now rather", "This pressures them to solve the main problem/conflict, and that pressure in turn", "to be defused NOW! > > > Or... > > Main Problem: We", "Google searches for 'urgency' yield either nothing, or articles that use the term", "every main conflict should have at least some amount of urgency, some reason", "additional tension for the reader. I believe every main conflict should have at", "fact, have very little time indeed, if any at all. This pressures them", "maze. > > > Urgency: ...And we're being chased by monsters. We need", "reason that the character has to solve it now rather than later. Whether", "> > Urgency: The bomb is activated, and the timer is going down.", "bomb has to be defused NOW! > > > Or... > > Main", "situation. --- Examples of urgency: > > Main Problem: The bomb must be", "Examples of urgency: > > Main Problem: The bomb must be defused. >", "believe every main conflict should have at least some amount of urgency, some", "> > Main Conflict: Joe needs to find a way to tell Jim", "> > Google searches for 'urgency' yield either nothing, or articles that use", "myself stuck trying to create urgency, and this has led me to wonder", "to solve the main problem/conflict, and that pressure in turn generates additional tension", "I plan out my novel prior to writing them), I make sure it", "that the character has to solve it now rather than later. Whether or", "creating urgency? I frequently find myself stuck trying to create urgency, and this", "I create and develop a main conflict (I am a plotter, meaning I", "soon. > > > Google searches for 'urgency' yield either nothing, or articles", "do not believe I came up with the concept of urgency in a", "NOW! > > > Or... > > Main Problem: We need to find", "twiddling their thumbs because they have all the time in the world to", "We need to find a way out of the maze. > > >", "create and develop a main conflict (I am a plotter, meaning I plan", "sure it has several key traits. One of those traits is urgency; that", "the character has to solve it now rather than later. Whether or not", "at all. This pressures them to solve the main problem/conflict, and that pressure", "thing keeping the protagonist from sitting around twiddling their thumbs because they have", "indeed, if any at all. This pressures them to solve the main problem/conflict,", "from sitting around twiddling their thumbs because they have all the time in", "it that I am not aware of. Note: I'm not looking for how", "get out NOW! > > > And one with a more traditional conflict", "Main Conflict: Joe needs to find a way to tell Jim he's sorry", "them), I make sure it has several key traits. One of those traits", "easily add urgency to any situation. --- Examples of urgency: > > Main", "some reason that the character has to solve it now rather than later.", "> Main Problem: We need to find a way out of the maze.", "out of the maze. > > > Urgency: ...And we're being chased by", "conflict (I am a plotter, meaning I plan out my novel prior to", "the world to solve the main conflict. With urgency in place, they do", "Problem: We need to find a way out of the maze. > >", "traditional conflict rather than simply a passing problem: > > Main Conflict: Joe", "this is true, *is not the question. The question is as follows: Question:", "am not aware of. Note:* I'm not looking for how to write urgency.", "sorry for what happened. > > > Urgency: Jim is leaving the country", "just define it here. When I create and develop a main conflict (I", "will enable me to easily add urgency to any situation. --- Examples of", "what happened. > > > Urgency: Jim is leaving the country in a", "either nothing, or articles that use the term 'urgency' in place of 'conflict.'", "or not this is true, *is not the question. The question is as", "a main conflict (I am a plotter, meaning I plan out my novel", "find a way out of the maze. > > > Urgency: ...And we're", "now* rather than later. Whether or not this is true, **is not the", "and the timer is going down. The bomb has to be defused NOW!", "pressures them to solve the main problem/conflict, and that pressure in turn generates", "problem: > > Main Conflict: Joe needs to find a way to tell", "urgency: > > Main Problem: The bomb must be defused. > > >", "for 'urgency' yield either nothing, or articles that use the term 'urgency' in", "me to wonder if there are some conventions for creating it that I", "very little time indeed, if any at all. This pressures them to solve", "create urgency, and this has led me to wonder if there are some", "urgency in place, they do not* have all the time in the world.", "if any at all. This pressures them to solve the main problem/conflict, and", "that pressure in turn generates additional tension for the reader. I believe every", "to easily add urgency to any situation. --- Examples of urgency: > >", "out my novel prior to writing them), I make sure it has several", "frequently find myself stuck trying to create urgency, and this has led me", "in the world to solve the main conflict. With urgency in place, they", "way to tell him soon. > > > Google searches for 'urgency' yield", "in a week. Joe has to find a way to tell him soon.", "the country in a week. Joe has to find a way to tell", "urgency. It take many forms, so I'm looking for a formula or common", "the time in the world to solve the main conflict. With urgency in", "Jim he's sorry for what happened. > > > Urgency: Jim is leaving", "in place, they do not have all the time in the world. They", "led me to wonder if there are some conventions for creating it that", "...And we're being chased by monsters. We need to get out NOW! >", "to write urgency. I'm looking for what causes that urgency. It take many", "being chased by monsters. We need to get out NOW! > > >" ]
[ "consider this task to be the complete translation of an anime story into", "complete translation of an anime story into traditional fantasy fiction. What kind of", "idea that I think will work pretty well as anime, not only that,", "novel. For all intents and purposes, consider this task to be the complete", "am bad at drawing, so I am considering writing out the story as", "throw a few quite significant twists to the character tropes and common plot-lines", "am considering writing out the story as a full-fledged novel. For all intents", "anime story into traditional fantasy fiction. What kind of difficulty may I encounter?", "(I will not outline the detail of the idea because I don't think", "a full-fledged novel. For all intents and purposes, consider this task to be", "a few quite significant twists to the character tropes and common plot-lines of", "quite significant twists to the character tropes and common plot-lines of anime. (I", "I am bad at drawing, so I am considering writing out the story", "to be the complete translation of an anime story into traditional fantasy fiction.", "think it matters that much.) However, I am bad at drawing, so I", "idea because I don't think it matters that much.) However, I am bad", "story as a full-fledged novel. For all intents and purposes, consider this task", "I don't think it matters that much.) However, I am bad at drawing,", "anime. (I will not outline the detail of the idea because I don't", "will also throw a few quite significant twists to the character tropes and", "the character tropes and common plot-lines of anime. (I will not outline the", "it will also throw a few quite significant twists to the character tropes", "significant twists to the character tropes and common plot-lines of anime. (I will", "pretty well as anime, not only that, it will also throw a few", "that, it will also throw a few quite significant twists to the character", "outline the detail of the idea because I don't think it matters that", "bad at drawing, so I am considering writing out the story as a", "considering writing out the story as a full-fledged novel. For all intents and", "all intents and purposes, consider this task to be the complete translation of", "purposes, consider this task to be the complete translation of an anime story", "few quite significant twists to the character tropes and common plot-lines of anime.", "so I am considering writing out the story as a full-fledged novel. For", "as a full-fledged novel. For all intents and purposes, consider this task to", "the idea because I don't think it matters that much.) However, I am", "not outline the detail of the idea because I don't think it matters", "this task to be the complete translation of an anime story into traditional", "I think will work pretty well as anime, not only that, it will", "to the character tropes and common plot-lines of anime. (I will not outline", "intents and purposes, consider this task to be the complete translation of an", "the story as a full-fledged novel. For all intents and purposes, consider this", "of an anime story into traditional fantasy fiction. What kind of difficulty may", "that I think will work pretty well as anime, not only that, it", "I have an idea that I think will work pretty well as anime,", "character tropes and common plot-lines of anime. (I will not outline the detail", "and purposes, consider this task to be the complete translation of an anime", "because I don't think it matters that much.) However, I am bad at", "I am considering writing out the story as a full-fledged novel. For all", "don't think it matters that much.) However, I am bad at drawing, so", "well as anime, not only that, it will also throw a few quite", "also throw a few quite significant twists to the character tropes and common", "matters that much.) However, I am bad at drawing, so I am considering", "an idea that I think will work pretty well as anime, not only", "twists to the character tropes and common plot-lines of anime. (I will not", "out the story as a full-fledged novel. For all intents and purposes, consider", "only that, it will also throw a few quite significant twists to the", "the detail of the idea because I don't think it matters that much.)", "will work pretty well as anime, not only that, it will also throw", "will not outline the detail of the idea because I don't think it", "common plot-lines of anime. (I will not outline the detail of the idea", "drawing, so I am considering writing out the story as a full-fledged novel.", "much.) However, I am bad at drawing, so I am considering writing out", "as anime, not only that, it will also throw a few quite significant", "of anime. (I will not outline the detail of the idea because I", "at drawing, so I am considering writing out the story as a full-fledged", "it matters that much.) However, I am bad at drawing, so I am", "task to be the complete translation of an anime story into traditional fantasy", "translation of an anime story into traditional fantasy fiction. What kind of difficulty", "that much.) However, I am bad at drawing, so I am considering writing", "work pretty well as anime, not only that, it will also throw a", "think will work pretty well as anime, not only that, it will also", "plot-lines of anime. (I will not outline the detail of the idea because", "be the complete translation of an anime story into traditional fantasy fiction. What", "of the idea because I don't think it matters that much.) However, I", "For all intents and purposes, consider this task to be the complete translation", "detail of the idea because I don't think it matters that much.) However,", "the complete translation of an anime story into traditional fantasy fiction. What kind", "However, I am bad at drawing, so I am considering writing out the", "tropes and common plot-lines of anime. (I will not outline the detail of", "an anime story into traditional fantasy fiction. What kind of difficulty may I", "full-fledged novel. For all intents and purposes, consider this task to be the", "have an idea that I think will work pretty well as anime, not", "not only that, it will also throw a few quite significant twists to", "and common plot-lines of anime. (I will not outline the detail of the", "writing out the story as a full-fledged novel. For all intents and purposes,", "anime, not only that, it will also throw a few quite significant twists" ]
[ "subtly hint that a character is gay without revealing that they're actually gay?", "the characters in it is gay (one of the main characters). But the", "[my previous question](https://writers.stackexchange.com/questions/26264/how-to-wake-up-a-character-from-a-first-person-perspective)? Yeah, well one of the characters in it is gay", "characters in it is gay (one of the main characters). But the problem", "gay until they meet this particular person. But until they meet that person...", "they meet that person... How do I subtly hint that a character is", "that person... How do I subtly hint that a character is gay without", "gay (one of the main characters). But the problem is... They don't KNOW", "person... How do I subtly hint that a character is gay without revealing", "that story I mentioned in [my previous question](https://writers.stackexchange.com/questions/26264/how-to-wake-up-a-character-from-a-first-person-perspective)? Yeah, well one of the", "don't KNOW that they're gay until they meet this particular person. But until", "mentioned in [my previous question](https://writers.stackexchange.com/questions/26264/how-to-wake-up-a-character-from-a-first-person-perspective)? Yeah, well one of the characters in it", "meet this particular person. But until they meet that person... How do I", "in it is gay (one of the main characters). But the problem is...", "KNOW that they're gay until they meet this particular person. But until they", "without revealing that they're actually gay? (And all within a first person POV.)", "Yeah, well one of the characters in it is gay (one of the", "one of the characters in it is gay (one of the main characters).", "characters). But the problem is... They don't KNOW that they're gay until they", "previous question](https://writers.stackexchange.com/questions/26264/how-to-wake-up-a-character-from-a-first-person-perspective)? Yeah, well one of the characters in it is gay (one", "well one of the characters in it is gay (one of the main", "is gay without revealing that they're actually gay? (And all within a first", "main characters). But the problem is... They don't KNOW that they're gay until", "question](https://writers.stackexchange.com/questions/26264/how-to-wake-up-a-character-from-a-first-person-perspective)? Yeah, well one of the characters in it is gay (one of", "until they meet that person... How do I subtly hint that a character", "that they're gay until they meet this particular person. But until they meet", "character is gay without revealing that they're actually gay? (And all within a", "They don't KNOW that they're gay until they meet this particular person. But", "is gay (one of the main characters). But the problem is... They don't", "person. But until they meet that person... How do I subtly hint that", "they're gay until they meet this particular person. But until they meet that", "But the problem is... They don't KNOW that they're gay until they meet", "meet that person... How do I subtly hint that a character is gay", "But until they meet that person... How do I subtly hint that a", "I subtly hint that a character is gay without revealing that they're actually", "in [my previous question](https://writers.stackexchange.com/questions/26264/how-to-wake-up-a-character-from-a-first-person-perspective)? Yeah, well one of the characters in it is", "Remember that story I mentioned in [my previous question](https://writers.stackexchange.com/questions/26264/how-to-wake-up-a-character-from-a-first-person-perspective)? Yeah, well one of", "gay without revealing that they're actually gay? (And all within a first person", "I mentioned in [my previous question](https://writers.stackexchange.com/questions/26264/how-to-wake-up-a-character-from-a-first-person-perspective)? Yeah, well one of the characters in", "that a character is gay without revealing that they're actually gay? (And all", "the main characters). But the problem is... They don't KNOW that they're gay", "is... They don't KNOW that they're gay until they meet this particular person.", "this particular person. But until they meet that person... How do I subtly", "particular person. But until they meet that person... How do I subtly hint", "do I subtly hint that a character is gay without revealing that they're", "the problem is... They don't KNOW that they're gay until they meet this", "hint that a character is gay without revealing that they're actually gay? (And", "problem is... They don't KNOW that they're gay until they meet this particular", "until they meet this particular person. But until they meet that person... How", "of the characters in it is gay (one of the main characters). But", "a character is gay without revealing that they're actually gay? (And all within", "(one of the main characters). But the problem is... They don't KNOW that", "it is gay (one of the main characters). But the problem is... They", "they meet this particular person. But until they meet that person... How do", "How do I subtly hint that a character is gay without revealing that", "of the main characters). But the problem is... They don't KNOW that they're", "story I mentioned in [my previous question](https://writers.stackexchange.com/questions/26264/how-to-wake-up-a-character-from-a-first-person-perspective)? Yeah, well one of the characters" ]
[ "thriller novels are R rated. A PG rated thriller could still be engaging", "all thriller novels are R rated. A PG rated thriller could still be", "thriller could still be engaging and serious without gross content. Similar to a", "\"Safe Thriller\"? It seems that all thriller novels are R rated. A PG", "that all thriller novels are R rated. A PG rated thriller could still", "rated thriller could still be engaging and serious without gross content. Similar to", "there a genre that could be called \"Safe Thriller\"? It seems that all", "still be engaging and serious without gross content. Similar to a \"Cozy Mystery\"?", "that could be called \"Safe Thriller\"? It seems that all thriller novels are", "are R rated. A PG rated thriller could still be engaging and serious", "Is there a genre that could be called \"Safe Thriller\"? It seems that", "novels are R rated. A PG rated thriller could still be engaging and", "Thriller\"? It seems that all thriller novels are R rated. A PG rated", "a genre that could be called \"Safe Thriller\"? It seems that all thriller", "could be called \"Safe Thriller\"? It seems that all thriller novels are R", "A PG rated thriller could still be engaging and serious without gross content.", "PG rated thriller could still be engaging and serious without gross content. Similar", "R rated. A PG rated thriller could still be engaging and serious without", "called \"Safe Thriller\"? It seems that all thriller novels are R rated. A", "rated. A PG rated thriller could still be engaging and serious without gross", "genre that could be called \"Safe Thriller\"? It seems that all thriller novels", "be called \"Safe Thriller\"? It seems that all thriller novels are R rated.", "It seems that all thriller novels are R rated. A PG rated thriller", "seems that all thriller novels are R rated. A PG rated thriller could", "could still be engaging and serious without gross content. Similar to a \"Cozy" ]
[ "crucial to the story, since this i strongly connected to what the society", "the one that makes the most sense in the way I want to", "the third person (I'm unsure if the terms omniscient is correct here, but", "people who have achieved knowledge about certain things. Pedez (part of the society,", "starting with Pedez, then introducing Adrian and lastly introducing Dweo. They each get", "as the Protagonist, since hi's story is the one that makes the most", "include something that is not suited for the forum, or if this is", "Adrian into the \"society\", which of course changes Adrian's life for good. So", "always thought of Adrian as the Protagonist, since hi's story is the one", "getting very close, and \"sharing the adventure to save Pedez\"(just one part of", "introducing Dweo. They each get one of the first three chapters (if all", "Pedez\"(just one part of the story of course), so I'm thinking that there", "MORE - so far he's not very active in the plot... I have", "In very short, the start of the story, and the way the \"main\"", "(I'm unsure if the terms omniscient is correct here, but I know what", "achieved knowledge about certain things. Pedez (part of the society, young) has been", "I realize that this may be solved by simply writing MORE - so", "these was the protagonist. This person is \"randomly\" pulled into the story (with", "to what the society is about. Actual question: How do I know who", "the adventure to save Pedez\"(just one part of the story of course), so", "the situation: I'm writing a sci-fi story (only very little \"fi\"), that takes", "of these characters are thinking and feeling), starting with Pedez, then introducing Adrian", "I have always thought of Adrian as the Protagonist, since hi's story is", "may be more than one protagonist, but for the sake of my current", "only written about 5-10% In very short, the start of the story, and", "during the story, and could potentially be the protagonist of a sequel, but", "be solved by simply writing MORE - so far he's not very active", "(Adrian's) chapter. Also; knowing what different people think and feel is crucial to", "written about 5-10% In very short, the start of the story, and the", "They each get one of the first three chapters (if all goes according", "Pedez, then introducing Adrian and lastly introducing Dweo. They each get one of", "not the protagonist unless he actually consciously makes decisions. Adrian WILL make decisions,", "chapter, and some of the second (Adrian's) chapter. Also; knowing what different people", "this is a duplicate of an existing west - though I DID try", "one that makes the most sense in the way I want to reveal", "a long time I felt that a certain one of these was the", "certain one of these was the protagonist. This person is \"randomly\" pulled into", "are connected, is as follows. There is a certain \"society\", that consists of", "one of these was the protagonist. This person is \"randomly\" pulled into the", "a very interesting development during the story, and could potentially be the protagonist", "or if this is a duplicate of an existing west - though I", "in possession of.. This information then pulls Adrian into the \"society\", which of", "way the \"main\" characters are connected, is as follows. There is a certain", "on Adrian and Dweo getting very close, and \"sharing the adventure to save", "that a certain one of these was the protagonist. This person is \"randomly\"", "time. I have a lot of characters \"sketched out\" already, and for a", "suits my case, without luck. Here's the situation: I'm writing a sci-fi story", "in the story) Adrian doesn't know Pedez (or even anyone Pedez knows), but", "consciously makes decisions. Adrian WILL make decisions, but it's gonna take a while", "question: How do I know who is actually my main character of the", "time I felt that a certain one of these was the protagonist. This", "(without knowing it at first)in a way that makes him valuable to the", "valuable to the the other people connected to Pedez. Dweo (part of the", "close, and \"sharing the adventure to save Pedez\"(just one part of the story", "niece, and meets Adrian \"randomly\" because of the information that he's now in", "Dweo undergoes a very interesting development during the story, and could potentially be", "I apologize in advance if I include something that is not suited for", "good. So far I have always thought of Adrian as the Protagonist, since", "Pedez (without knowing it at first)in a way that makes him valuable to", "interesting development during the story, and could potentially be the protagonist of a", "There is a certain \"society\", that consists of ordinary people who have achieved", "may be solved by simply writing MORE - so far he's not very", "very active in the plot... I have a rather detailed outline for approximately", "sake of my current point.. EDIT: Important note: I'm writing in the third", "the society, young) has been kidnapped (which he is unaware of at first", "course), so I'm thinking that there may be more than one protagonist, but", "(with a reasonable explanation within the universe), and ends up being a vital", "pulled into the story (with a reasonable explanation within the universe), and ends", "hi's story is the one that makes the most sense in the way", "society, young) has been kidnapped (which he is unaware of at first -", "think and feel is crucial to the story, since this i strongly connected", "(if all goes according to plan). SO far I've written the first (Pedez's)", "have heard that a protagonist is not the protagonist unless he actually consciously", "he's now in possession of.. This information then pulls Adrian into the \"society\",", "\"randomly\" because of the information that he's now in possession of.. This information", "he actually consciously makes decisions. Adrian WILL make decisions, but it's gonna take", "far) that she is the protagonist of this one... I'm counting on Adrian", "first)in a way that makes him valuable to the the other people connected", "my current point.. EDIT: Important note: I'm writing in the third person (I'm", "first (Pedez's) chapter, and some of the second (Adrian's) chapter. Also; knowing what", "very close, and \"sharing the adventure to save Pedez\"(just one part of the", "society, but very young) is a Pedez's niece, and meets Adrian \"randomly\" because", "thought of Adrian as the Protagonist, since hi's story is the one that", "things. Pedez (part of the society, young) has been kidnapped (which he is", "here, but I know what each of these characters are thinking and feeling),", "according to plan). SO far I've written the first (Pedez's) chapter, and some", "5-10% In very short, the start of the story, and the way the", "(or even anyone Pedez knows), but obtains information from Pedez (without knowing it", "at first - makes sense in the story) Adrian doesn't know Pedez (or", "something that is not suited for the forum, or if this is a", "story.. However - and I realize that this may be solved by simply", "the information that he's now in possession of.. This information then pulls Adrian", "is my first actual question, so I apologize in advance if I include", "the universe), and ends up being a vital piece in an existing puzzle", "certain \"society\", that consists of ordinary people who have achieved knowledge about certain", "is the one that makes the most sense in the way I want", "doesn't know Pedez (or even anyone Pedez knows), but obtains information from Pedez", "makes decisions. Adrian WILL make decisions, but it's gonna take a while into", "I don't think it makes sense (so far) that she is the protagonist", "and ends up being a vital piece in an existing puzzle in the", "This information then pulls Adrian into the \"society\", which of course changes Adrian's", "our time. I have a lot of characters \"sketched out\" already, and for", "a way that makes him valuable to the the other people connected to", "out\" already, and for a long time I felt that a certain one", "as follows. There is a certain \"society\", that consists of ordinary people who", "the story of course), so I'm thinking that there may be more than", "person is \"randomly\" pulled into the story (with a reasonable explanation within the", "writing a sci-fi story (only very little \"fi\"), that takes place in our", "him valuable to the the other people connected to Pedez. Dweo (part of", "without luck. Here's the situation: I'm writing a sci-fi story (only very little", "ordinary people who have achieved knowledge about certain things. Pedez (part of the", "terms omniscient is correct here, but I know what each of these characters", "follows. There is a certain \"society\", that consists of ordinary people who have", "forum, or if this is a duplicate of an existing west - though", "makes sense in the story) Adrian doesn't know Pedez (or even anyone Pedez", "I have a lot of characters \"sketched out\" already, and for a long", "rather detailed outline for approximately 70-80% of the story, but have only written", "than one protagonist, but for the sake of my current point.. EDIT: Important", "and some of the second (Adrian's) chapter. Also; knowing what different people think", "main character of the story? Will it reveal itself to me? Should I", "puzzle in the story.. However - and I realize that this may be", "and the way the \"main\" characters are connected, is as follows. There is", "unsure if the terms omniscient is correct here, but I know what each", "one... I'm counting on Adrian and Dweo getting very close, and \"sharing the", "for the sake of my current point.. EDIT: Important note: I'm writing in", "connected, is as follows. There is a certain \"society\", that consists of ordinary", "the terms omniscient is correct here, but I know what each of these", "in an existing puzzle in the story.. However - and I realize that", "decisions, but it's gonna take a while into the story... Dweo undergoes a", "and lastly introducing Dweo. They each get one of the first three chapters", "the story... Dweo undergoes a very interesting development during the story, and could", "young) is a Pedez's niece, and meets Adrian \"randomly\" because of the information", "and for a long time I felt that a certain one of these", "Actual question: How do I know who is actually my main character of", "these characters are thinking and feeling), starting with Pedez, then introducing Adrian and", "a protagonist is not the protagonist unless he actually consciously makes decisions. Adrian", "the story) Adrian doesn't know Pedez (or even anyone Pedez knows), but obtains", "WILL make decisions, but it's gonna take a while into the story... Dweo", "characters are thinking and feeling), starting with Pedez, then introducing Adrian and lastly", "Adrian doesn't know Pedez (or even anyone Pedez knows), but obtains information from", "for a long time I felt that a certain one of these was", "70-80% of the story, but have only written about 5-10% In very short,", "universe), and ends up being a vital piece in an existing puzzle in", "changes Adrian's life for good. So far I have always thought of Adrian", "since hi's story is the one that makes the most sense in the", "obtains information from Pedez (without knowing it at first)in a way that makes", "Dweo. They each get one of the first three chapters (if all goes", "he is unaware of at first - makes sense in the story) Adrian", "now in possession of.. This information then pulls Adrian into the \"society\", which", "an existing puzzle in the story.. However - and I realize that this", "sci-fi story (only very little \"fi\"), that takes place in our time. I", "is not the protagonist unless he actually consciously makes decisions. Adrian WILL make", "lot of characters \"sketched out\" already, and for a long time I felt", "far I've written the first (Pedez's) chapter, and some of the second (Adrian's)", "and feeling), starting with Pedez, then introducing Adrian and lastly introducing Dweo. They", "think it makes sense (so far) that she is the protagonist of this", "place in our time. I have a lot of characters \"sketched out\" already,", "felt that a certain one of these was the protagonist. This person is", "about 5-10% In very short, the start of the story, and the way", "the most sense in the way I want to reveal this \"society\", however", "each get one of the first three chapters (if all goes according to", "So far I have always thought of Adrian as the Protagonist, since hi's", "idea, or should I actively work on giving more influence in the story?", "is the protagonist of this one... I'm counting on Adrian and Dweo getting", "do I know who is actually my main character of the story? Will", "situation: I'm writing a sci-fi story (only very little \"fi\"), that takes place", "the society is about. Actual question: How do I know who is actually", "Adrian \"randomly\" because of the information that he's now in possession of.. This", "unless he actually consciously makes decisions. Adrian WILL make decisions, but it's gonna", "person (I'm unsure if the terms omniscient is correct here, but I know", "the \"society\", which of course changes Adrian's life for good. So far I", "but very young) is a Pedez's niece, and meets Adrian \"randomly\" because of", "the Protagonist, since hi's story is the one that makes the most sense", "know who is actually my main character of the story? Will it reveal", "one of the first three chapters (if all goes according to plan). SO", "of.. This information then pulls Adrian into the \"society\", which of course changes", "a sequel, but I don't think it makes sense (so far) that she", "what the society is about. Actual question: How do I know who is", "protagonist is not the protagonist unless he actually consciously makes decisions. Adrian WILL", "but have only written about 5-10% In very short, the start of the", "a sci-fi story (only very little \"fi\"), that takes place in our time.", "that consists of ordinary people who have achieved knowledge about certain things. Pedez", "unaware of at first - makes sense in the story) Adrian doesn't know", "this \"society\", however I have heard that a protagonist is not the protagonist", "adventure to save Pedez\"(just one part of the story of course), so I'm", "all goes according to plan). SO far I've written the first (Pedez's) chapter,", "DID try to find one that suits my case, without luck. Here's the", "a duplicate of an existing west - though I DID try to find", "of the story? Will it reveal itself to me? Should I simply trust", "is as follows. There is a certain \"society\", that consists of ordinary people", "explanation within the universe), and ends up being a vital piece in an", "already, and for a long time I felt that a certain one of", "life for good. So far I have always thought of Adrian as the", "of this one... I'm counting on Adrian and Dweo getting very close, and", "start of the story, and the way the \"main\" characters are connected, is", "Also; knowing what different people think and feel is crucial to the story,", "suited for the forum, or if this is a duplicate of an existing", "and \"sharing the adventure to save Pedez\"(just one part of the story of", "this one... I'm counting on Adrian and Dweo getting very close, and \"sharing", "point.. EDIT: Important note: I'm writing in the third person (I'm unsure if", "the protagonist of a sequel, but I don't think it makes sense (so", "my first actual question, so I apologize in advance if I include something", "a vital piece in an existing puzzle in the story.. However - and", "feeling), starting with Pedez, then introducing Adrian and lastly introducing Dweo. They each", "have only written about 5-10% In very short, the start of the story,", "in our time. I have a lot of characters \"sketched out\" already, and", "he's not very active in the plot... I have a rather detailed outline", "piece in an existing puzzle in the story.. However - and I realize", "apologize in advance if I include something that is not suited for the", "but it's gonna take a while into the story... Dweo undergoes a very", "be the protagonist of a sequel, but I don't think it makes sense", "other people connected to Pedez. Dweo (part of the society, but very young)", "meets Adrian \"randomly\" because of the information that he's now in possession of..", "duplicate of an existing west - though I DID try to find one", "undergoes a very interesting development during the story, and could potentially be the", "sense (so far) that she is the protagonist of this one... I'm counting", "the story, and could potentially be the protagonist of a sequel, but I", "the other people connected to Pedez. Dweo (part of the society, but very", "story (with a reasonable explanation within the universe), and ends up being a", "Dweo (part of the society, but very young) is a Pedez's niece, and", "have achieved knowledge about certain things. Pedez (part of the society, young) has", "kidnapped (which he is unaware of at first - makes sense in the", "development during the story, and could potentially be the protagonist of a sequel,", "approximately 70-80% of the story, but have only written about 5-10% In very", "was the protagonist. This person is \"randomly\" pulled into the story (with a", "second (Adrian's) chapter. Also; knowing what different people think and feel is crucial", "feel is crucial to the story, since this i strongly connected to what", "story (only very little \"fi\"), that takes place in our time. I have", "thinking and feeling), starting with Pedez, then introducing Adrian and lastly introducing Dweo.", "is actually my main character of the story? Will it reveal itself to", "be more than one protagonist, but for the sake of my current point..", "is not suited for the forum, or if this is a duplicate of", "then pulls Adrian into the \"society\", which of course changes Adrian's life for", "protagonist unless he actually consciously makes decisions. Adrian WILL make decisions, but it's", "if the terms omniscient is correct here, but I know what each of", "and I realize that this may be solved by simply writing MORE -", "decisions. Adrian WILL make decisions, but it's gonna take a while into the", "very young) is a Pedez's niece, and meets Adrian \"randomly\" because of the", "from Pedez (without knowing it at first)in a way that makes him valuable", "into the \"society\", which of course changes Adrian's life for good. So far", "Adrian and Dweo getting very close, and \"sharing the adventure to save Pedez\"(just", "of the story of course), so I'm thinking that there may be more", "knowing what different people think and feel is crucial to the story, since", "of the information that he's now in possession of.. This information then pulls", "save Pedez\"(just one part of the story of course), so I'm thinking that", "the society, but very young) is a Pedez's niece, and meets Adrian \"randomly\"", "\"society\", that consists of ordinary people who have achieved knowledge about certain things.", "of course), so I'm thinking that there may be more than one protagonist,", "outline for approximately 70-80% of the story, but have only written about 5-10%", "pulls Adrian into the \"society\", which of course changes Adrian's life for good.", "short, the start of the story, and the way the \"main\" characters are", "Adrian as the Protagonist, since hi's story is the one that makes the", "course changes Adrian's life for good. So far I have always thought of", "with Pedez, then introducing Adrian and lastly introducing Dweo. They each get one", "get one of the first three chapters (if all goes according to plan).", "story? Will it reveal itself to me? Should I simply trust my gut/original", "Pedez (or even anyone Pedez knows), but obtains information from Pedez (without knowing", "each of these characters are thinking and feeling), starting with Pedez, then introducing", "I simply trust my gut/original idea, or should I actively work on giving", "the story, but have only written about 5-10% In very short, the start", "to the story, since this i strongly connected to what the society is", "find one that suits my case, without luck. Here's the situation: I'm writing", "story of course), so I'm thinking that there may be more than one", "note: I'm writing in the third person (I'm unsure if the terms omniscient", "the first three chapters (if all goes according to plan). SO far I've", "by simply writing MORE - so far he's not very active in the", "in the story.. However - and I realize that this may be solved", "me? Should I simply trust my gut/original idea, or should I actively work", "Adrian and lastly introducing Dweo. They each get one of the first three", "lastly introducing Dweo. They each get one of the first three chapters (if", "I know what each of these characters are thinking and feeling), starting with", "that she is the protagonist of this one... I'm counting on Adrian and", "Should I simply trust my gut/original idea, or should I actively work on", "reveal this \"society\", however I have heard that a protagonist is not the", "chapters (if all goes according to plan). SO far I've written the first", "story, but have only written about 5-10% In very short, the start of", "simply writing MORE - so far he's not very active in the plot...", "third person (I'm unsure if the terms omniscient is correct here, but I", "have a lot of characters \"sketched out\" already, and for a long time", "to the the other people connected to Pedez. Dweo (part of the society,", "Pedez knows), but obtains information from Pedez (without knowing it at first)in a", "have always thought of Adrian as the Protagonist, since hi's story is the", "so I'm thinking that there may be more than one protagonist, but for", "more than one protagonist, but for the sake of my current point.. EDIT:", "west - though I DID try to find one that suits my case,", "then introducing Adrian and lastly introducing Dweo. They each get one of the", "the way I want to reveal this \"society\", however I have heard that", "chapter. Also; knowing what different people think and feel is crucial to the", "the protagonist unless he actually consciously makes decisions. Adrian WILL make decisions, but", "However - and I realize that this may be solved by simply writing", "have a rather detailed outline for approximately 70-80% of the story, but have", "characters \"sketched out\" already, and for a long time I felt that a", "one protagonist, but for the sake of my current point.. EDIT: Important note:", "I'm counting on Adrian and Dweo getting very close, and \"sharing the adventure", "people connected to Pedez. Dweo (part of the society, but very young) is", "so I apologize in advance if I include something that is not suited", "existing west - though I DID try to find one that suits my", "could potentially be the protagonist of a sequel, but I don't think it", "written the first (Pedez's) chapter, and some of the second (Adrian's) chapter. Also;", "Important note: I'm writing in the third person (I'm unsure if the terms", "trust my gut/original idea, or should I actively work on giving more influence", "of an existing west - though I DID try to find one that", "in the way I want to reveal this \"society\", however I have heard", "How do I know who is actually my main character of the story?", "plot... I have a rather detailed outline for approximately 70-80% of the story,", "makes the most sense in the way I want to reveal this \"society\",", "if this is a duplicate of an existing west - though I DID", "- though I DID try to find one that suits my case, without", "Adrian WILL make decisions, but it's gonna take a while into the story...", "a while into the story... Dweo undergoes a very interesting development during the", "it's gonna take a while into the story... Dweo undergoes a very interesting", "realize that this may be solved by simply writing MORE - so far", "but obtains information from Pedez (without knowing it at first)in a way that", "a certain \"society\", that consists of ordinary people who have achieved knowledge about", "within the universe), and ends up being a vital piece in an existing", "existing puzzle in the story.. However - and I realize that this may", "of these was the protagonist. This person is \"randomly\" pulled into the story", "introducing Adrian and lastly introducing Dweo. They each get one of the first", "she is the protagonist of this one... I'm counting on Adrian and Dweo", "about certain things. Pedez (part of the society, young) has been kidnapped (which", "if I include something that is not suited for the forum, or if", "of course changes Adrian's life for good. So far I have always thought", "to plan). SO far I've written the first (Pedez's) chapter, and some of", "the plot... I have a rather detailed outline for approximately 70-80% of the", "\"sketched out\" already, and for a long time I felt that a certain", "the start of the story, and the way the \"main\" characters are connected,", "it reveal itself to me? Should I simply trust my gut/original idea, or", "that makes him valuable to the the other people connected to Pedez. Dweo", "actual question, so I apologize in advance if I include something that is", "is correct here, but I know what each of these characters are thinking", "that takes place in our time. I have a lot of characters \"sketched", "first actual question, so I apologize in advance if I include something that", "counting on Adrian and Dweo getting very close, and \"sharing the adventure to", "reveal itself to me? Should I simply trust my gut/original idea, or should", "different people think and feel is crucial to the story, since this i", "of the story, and the way the \"main\" characters are connected, is as", "don't think it makes sense (so far) that she is the protagonist of", "vital piece in an existing puzzle in the story.. However - and I", "of Adrian as the Protagonist, since hi's story is the one that makes", "luck. Here's the situation: I'm writing a sci-fi story (only very little \"fi\"),", "most sense in the way I want to reveal this \"society\", however I", "it makes sense (so far) that she is the protagonist of this one...", "makes sense (so far) that she is the protagonist of this one... I'm", "\"society\", which of course changes Adrian's life for good. So far I have", "the protagonist of this one... I'm counting on Adrian and Dweo getting very", "Pedez's niece, and meets Adrian \"randomly\" because of the information that he's now", "and meets Adrian \"randomly\" because of the information that he's now in possession", "sense in the story) Adrian doesn't know Pedez (or even anyone Pedez knows),", "\"randomly\" pulled into the story (with a reasonable explanation within the universe), and", "is a Pedez's niece, and meets Adrian \"randomly\" because of the information that", "thinking that there may be more than one protagonist, but for the sake", "of a sequel, but I don't think it makes sense (so far) that", "but I don't think it makes sense (so far) that she is the", "my case, without luck. Here's the situation: I'm writing a sci-fi story (only", "protagonist of this one... I'm counting on Adrian and Dweo getting very close,", "the story.. However - and I realize that this may be solved by", "is unaware of at first - makes sense in the story) Adrian doesn't", "is \"randomly\" pulled into the story (with a reasonable explanation within the universe),", "very short, the start of the story, and the way the \"main\" characters", "information from Pedez (without knowing it at first)in a way that makes him", "sequel, but I don't think it makes sense (so far) that she is", "EDIT: Important note: I'm writing in the third person (I'm unsure if the", "gonna take a while into the story... Dweo undergoes a very interesting development", "protagonist, but for the sake of my current point.. EDIT: Important note: I'm", "but for the sake of my current point.. EDIT: Important note: I'm writing", "I felt that a certain one of these was the protagonist. This person", "\"fi\"), that takes place in our time. I have a lot of characters", "long time I felt that a certain one of these was the protagonist.", "(only very little \"fi\"), that takes place in our time. I have a", "information then pulls Adrian into the \"society\", which of course changes Adrian's life", "being a vital piece in an existing puzzle in the story.. However -", "the second (Adrian's) chapter. Also; knowing what different people think and feel is", "for the forum, or if this is a duplicate of an existing west", "\"society\", however I have heard that a protagonist is not the protagonist unless", "far he's not very active in the plot... I have a rather detailed", "very little \"fi\"), that takes place in our time. I have a lot", "who have achieved knowledge about certain things. Pedez (part of the society, young)", "however I have heard that a protagonist is not the protagonist unless he", "and feel is crucial to the story, since this i strongly connected to", "has been kidnapped (which he is unaware of at first - makes sense", "way I want to reveal this \"society\", however I have heard that a", "is crucial to the story, since this i strongly connected to what the", "i strongly connected to what the society is about. Actual question: How do", "what each of these characters are thinking and feeling), starting with Pedez, then", "This person is \"randomly\" pulled into the story (with a reasonable explanation within", "makes him valuable to the the other people connected to Pedez. Dweo (part", "story) Adrian doesn't know Pedez (or even anyone Pedez knows), but obtains information", "been kidnapped (which he is unaware of at first - makes sense in", "strongly connected to what the society is about. Actual question: How do I", "way that makes him valuable to the the other people connected to Pedez.", "Dweo getting very close, and \"sharing the adventure to save Pedez\"(just one part", "that is not suited for the forum, or if this is a duplicate", "very interesting development during the story, and could potentially be the protagonist of", "since this i strongly connected to what the society is about. Actual question:", "question, so I apologize in advance if I include something that is not", "Will it reveal itself to me? Should I simply trust my gut/original idea,", "heard that a protagonist is not the protagonist unless he actually consciously makes", "sense in the way I want to reveal this \"society\", however I have", "omniscient is correct here, but I know what each of these characters are", "simply trust my gut/original idea, or should I actively work on giving more", "know Pedez (or even anyone Pedez knows), but obtains information from Pedez (without", "is a certain \"society\", that consists of ordinary people who have achieved knowledge", "is about. Actual question: How do I know who is actually my main", "try to find one that suits my case, without luck. Here's the situation:", "I want to reveal this \"society\", however I have heard that a protagonist", "of at first - makes sense in the story) Adrian doesn't know Pedez", "(part of the society, but very young) is a Pedez's niece, and meets", "one that suits my case, without luck. Here's the situation: I'm writing a", "I have heard that a protagonist is not the protagonist unless he actually", "the protagonist. This person is \"randomly\" pulled into the story (with a reasonable", "the story, since this i strongly connected to what the society is about.", "takes place in our time. I have a lot of characters \"sketched out\"", "plan). SO far I've written the first (Pedez's) chapter, and some of the", "I'm thinking that there may be more than one protagonist, but for the", "the first (Pedez's) chapter, and some of the second (Adrian's) chapter. Also; knowing", "(which he is unaware of at first - makes sense in the story)", "that suits my case, without luck. Here's the situation: I'm writing a sci-fi", "gut/original idea, or should I actively work on giving more influence in the", "Adrian's life for good. So far I have always thought of Adrian as", "Pedez (part of the society, young) has been kidnapped (which he is unaware", "(so far) that she is the protagonist of this one... I'm counting on", "in advance if I include something that is not suited for the forum,", "active in the plot... I have a rather detailed outline for approximately 70-80%", "story, since this i strongly connected to what the society is about. Actual", "of the second (Adrian's) chapter. Also; knowing what different people think and feel", "This is my first actual question, so I apologize in advance if I", "that there may be more than one protagonist, but for the sake of", "I'm writing in the third person (I'm unsure if the terms omniscient is", "while into the story... Dweo undergoes a very interesting development during the story,", "my main character of the story? Will it reveal itself to me? Should", "anyone Pedez knows), but obtains information from Pedez (without knowing it at first)in", "protagonist of a sequel, but I don't think it makes sense (so far)", "this i strongly connected to what the society is about. Actual question: How", "of the society, but very young) is a Pedez's niece, and meets Adrian", "story, and could potentially be the protagonist of a sequel, but I don't", "society is about. Actual question: How do I know who is actually my", "for good. So far I have always thought of Adrian as the Protagonist,", "that he's now in possession of.. This information then pulls Adrian into the", "I DID try to find one that suits my case, without luck. Here's", "actually consciously makes decisions. Adrian WILL make decisions, but it's gonna take a", "certain things. Pedez (part of the society, young) has been kidnapped (which he", "not very active in the plot... I have a rather detailed outline for", "connected to what the society is about. Actual question: How do I know", "which of course changes Adrian's life for good. So far I have always", "of the story, but have only written about 5-10% In very short, the", "to reveal this \"society\", however I have heard that a protagonist is not", "young) has been kidnapped (which he is unaware of at first - makes", "of my current point.. EDIT: Important note: I'm writing in the third person", "I have a rather detailed outline for approximately 70-80% of the story, but", "potentially be the protagonist of a sequel, but I don't think it makes", "for approximately 70-80% of the story, but have only written about 5-10% In", "what different people think and feel is crucial to the story, since this", "Here's the situation: I'm writing a sci-fi story (only very little \"fi\"), that", "first three chapters (if all goes according to plan). SO far I've written", "know what each of these characters are thinking and feeling), starting with Pedez,", "that a protagonist is not the protagonist unless he actually consciously makes decisions.", "story... Dweo undergoes a very interesting development during the story, and could potentially", "consists of ordinary people who have achieved knowledge about certain things. Pedez (part", "advance if I include something that is not suited for the forum, or", "to find one that suits my case, without luck. Here's the situation: I'm", "people think and feel is crucial to the story, since this i strongly", "\"main\" characters are connected, is as follows. There is a certain \"society\", that", "I'm writing a sci-fi story (only very little \"fi\"), that takes place in", "goes according to plan). SO far I've written the first (Pedez's) chapter, and", "that makes the most sense in the way I want to reveal this", "are thinking and feeling), starting with Pedez, then introducing Adrian and lastly introducing", "actually my main character of the story? Will it reveal itself to me?", "that this may be solved by simply writing MORE - so far he's", "SO far I've written the first (Pedez's) chapter, and some of the second", "Protagonist, since hi's story is the one that makes the most sense in", "three chapters (if all goes according to plan). SO far I've written the", "about. Actual question: How do I know who is actually my main character", "is a duplicate of an existing west - though I DID try to", "a certain one of these was the protagonist. This person is \"randomly\" pulled", "in the plot... I have a rather detailed outline for approximately 70-80% of", "at first)in a way that makes him valuable to the the other people", "first - makes sense in the story) Adrian doesn't know Pedez (or even", "into the story (with a reasonable explanation within the universe), and ends up", "so far he's not very active in the plot... I have a rather", "I've written the first (Pedez's) chapter, and some of the second (Adrian's) chapter.", "though I DID try to find one that suits my case, without luck.", "possession of.. This information then pulls Adrian into the \"society\", which of course", "writing in the third person (I'm unsure if the terms omniscient is correct", "in the third person (I'm unsure if the terms omniscient is correct here,", "want to reveal this \"society\", however I have heard that a protagonist is", "to Pedez. Dweo (part of the society, but very young) is a Pedez's", "the forum, or if this is a duplicate of an existing west -", "\"sharing the adventure to save Pedez\"(just one part of the story of course),", "ends up being a vital piece in an existing puzzle in the story..", "a lot of characters \"sketched out\" already, and for a long time I", "an existing west - though I DID try to find one that suits", "a reasonable explanation within the universe), and ends up being a vital piece", "make decisions, but it's gonna take a while into the story... Dweo undergoes", "case, without luck. Here's the situation: I'm writing a sci-fi story (only very", "there may be more than one protagonist, but for the sake of my", "of ordinary people who have achieved knowledge about certain things. Pedez (part of", "knowledge about certain things. Pedez (part of the society, young) has been kidnapped", "and Dweo getting very close, and \"sharing the adventure to save Pedez\"(just one", "writing MORE - so far he's not very active in the plot... I", "correct here, but I know what each of these characters are thinking and", "who is actually my main character of the story? Will it reveal itself", "little \"fi\"), that takes place in our time. I have a lot of", "but I know what each of these characters are thinking and feeling), starting", "far I have always thought of Adrian as the Protagonist, since hi's story", "information that he's now in possession of.. This information then pulls Adrian into", "take a while into the story... Dweo undergoes a very interesting development during", "reasonable explanation within the universe), and ends up being a vital piece in", "I include something that is not suited for the forum, or if this", "up being a vital piece in an existing puzzle in the story.. However", "a rather detailed outline for approximately 70-80% of the story, but have only", "to me? Should I simply trust my gut/original idea, or should I actively", "characters are connected, is as follows. There is a certain \"society\", that consists", "- so far he's not very active in the plot... I have a", "not suited for the forum, or if this is a duplicate of an", "because of the information that he's now in possession of.. This information then", "even anyone Pedez knows), but obtains information from Pedez (without knowing it at", "protagonist. This person is \"randomly\" pulled into the story (with a reasonable explanation", "to save Pedez\"(just one part of the story of course), so I'm thinking", "a Pedez's niece, and meets Adrian \"randomly\" because of the information that he's", "this may be solved by simply writing MORE - so far he's not", "(part of the society, young) has been kidnapped (which he is unaware of", "connected to Pedez. Dweo (part of the society, but very young) is a", "knows), but obtains information from Pedez (without knowing it at first)in a way", "of characters \"sketched out\" already, and for a long time I felt that", "knowing it at first)in a way that makes him valuable to the the", "some of the second (Adrian's) chapter. Also; knowing what different people think and", "- and I realize that this may be solved by simply writing MORE", "character of the story? Will it reveal itself to me? Should I simply", "I know who is actually my main character of the story? Will it", "of the first three chapters (if all goes according to plan). SO far", "detailed outline for approximately 70-80% of the story, but have only written about", "story is the one that makes the most sense in the way I", "my gut/original idea, or should I actively work on giving more influence in", "itself to me? Should I simply trust my gut/original idea, or should I", "the sake of my current point.. EDIT: Important note: I'm writing in the", "and could potentially be the protagonist of a sequel, but I don't think", "the the other people connected to Pedez. Dweo (part of the society, but", "part of the story of course), so I'm thinking that there may be", "one part of the story of course), so I'm thinking that there may", "into the story... Dweo undergoes a very interesting development during the story, and", "story, and the way the \"main\" characters are connected, is as follows. There", "solved by simply writing MORE - so far he's not very active in", "Pedez. Dweo (part of the society, but very young) is a Pedez's niece,", "(Pedez's) chapter, and some of the second (Adrian's) chapter. Also; knowing what different", "- makes sense in the story) Adrian doesn't know Pedez (or even anyone", "the way the \"main\" characters are connected, is as follows. There is a", "it at first)in a way that makes him valuable to the the other", "the story? Will it reveal itself to me? Should I simply trust my", "the story (with a reasonable explanation within the universe), and ends up being", "the story, and the way the \"main\" characters are connected, is as follows.", "current point.. EDIT: Important note: I'm writing in the third person (I'm unsure", "of the society, young) has been kidnapped (which he is unaware of at", "the \"main\" characters are connected, is as follows. There is a certain \"society\"," ]
[ "but i feel as if i leave the other friends out people will", "of theirs, but i feel as if i leave the other friends out", "i feel as if i leave the other friends out people will see", "character A Chapter 6 character A Chapter 7 character B The two perspectives", "most important are person A and B so i can't get rid of", "four friends who all have roles to play in my novel. Person A", "life but A never knew. Person C betrays the group later in the", "it play out in my book. Chapter 1 character A Chapter 2 character", "I will demonstrate how i want to have it play out in my", "that are most important are person A and B so i can't get", "things start to happen to the whole group. Person B has protected person", "in my book. Chapter 1 character A Chapter 2 character B Chapter 3", "book will be separated by whose view it is. I will demonstrate how", "Person A is why things start to happen to the whole group. Person", "other friends out people will see them as not important enough. How can", "play in my novel. Person A is why things start to happen to", "friends but he doesn't know it. Chapters in my book will be separated", "is currently betraying his friends but he doesn't know it. Chapters in my", "protected person A his whole life but A never knew. Person C betrays", "have roles to play in my novel. Person A is why things start", "if i leave the other friends out people will see them as not", "is. I will demonstrate how i want to have it play out in", "to happen to the whole group. Person B has protected person A his", "demonstrate how i want to have it play out in my book. Chapter", "not important enough. How can i show all four perspectives without confusing or", "novel. Person A is why things start to happen to the whole group.", "person A and B so i can't get rid of theirs, but i", "A Chapter 7 character B The two perspectives that are most important are", "book. Chapter 1 character A Chapter 2 character B Chapter 3 character C", "A and B so i can't get rid of theirs, but i feel", "How can i show all four perspectives without confusing or overwhelming my readers", "Person C betrays the group later in the book and person D is", "B so i can't get rid of theirs, but i feel as if", "the book and person D is currently betraying his friends but he doesn't", "them as not important enough. How can i show all four perspectives without", "never knew. Person C betrays the group later in the book and person", "4 character D Chapter 5 character A Chapter 6 character A Chapter 7", "perspectives that are most important are person A and B so i can't", "all have roles to play in my novel. Person A is why things", "theirs, but i feel as if i leave the other friends out people", "friends who all have roles to play in my novel. Person A is", "my book. Chapter 1 character A Chapter 2 character B Chapter 3 character", "show all four perspectives without confusing or overwhelming my readers with the switches?", "it. Chapters in my book will be separated by whose view it is.", "whole life but A never knew. Person C betrays the group later in", "why things start to happen to the whole group. Person B has protected", "knew. Person C betrays the group later in the book and person D", "Chapter 2 character B Chapter 3 character C Chapter 4 character D Chapter", "has protected person A his whole life but A never knew. Person C", "I have four friends who all have roles to play in my novel.", "it is. I will demonstrate how i want to have it play out", "and B so i can't get rid of theirs, but i feel as", "can't get rid of theirs, but i feel as if i leave the", "2 character B Chapter 3 character C Chapter 4 character D Chapter 5", "the other friends out people will see them as not important enough. How", "happen to the whole group. Person B has protected person A his whole", "his friends but he doesn't know it. Chapters in my book will be", "to have it play out in my book. Chapter 1 character A Chapter", "as if i leave the other friends out people will see them as", "Chapter 5 character A Chapter 6 character A Chapter 7 character B The", "D Chapter 5 character A Chapter 6 character A Chapter 7 character B", "who all have roles to play in my novel. Person A is why", "is why things start to happen to the whole group. Person B has", "currently betraying his friends but he doesn't know it. Chapters in my book", "Chapter 6 character A Chapter 7 character B The two perspectives that are", "character A Chapter 7 character B The two perspectives that are most important", "start to happen to the whole group. Person B has protected person A", "friends out people will see them as not important enough. How can i", "character D Chapter 5 character A Chapter 6 character A Chapter 7 character", "A Chapter 2 character B Chapter 3 character C Chapter 4 character D", "Person B has protected person A his whole life but A never knew.", "so i can't get rid of theirs, but i feel as if i", "my book will be separated by whose view it is. I will demonstrate", "D is currently betraying his friends but he doesn't know it. Chapters in", "by whose view it is. I will demonstrate how i want to have", "3 character C Chapter 4 character D Chapter 5 character A Chapter 6", "later in the book and person D is currently betraying his friends but", "in the book and person D is currently betraying his friends but he", "group later in the book and person D is currently betraying his friends", "view it is. I will demonstrate how i want to have it play", "C Chapter 4 character D Chapter 5 character A Chapter 6 character A", "5 character A Chapter 6 character A Chapter 7 character B The two", "as not important enough. How can i show all four perspectives without confusing", "the group later in the book and person D is currently betraying his", "7 character B The two perspectives that are most important are person A", "have four friends who all have roles to play in my novel. Person", "play out in my book. Chapter 1 character A Chapter 2 character B", "two perspectives that are most important are person A and B so i", "but he doesn't know it. Chapters in my book will be separated by", "have it play out in my book. Chapter 1 character A Chapter 2", "Chapter 1 character A Chapter 2 character B Chapter 3 character C Chapter", "want to have it play out in my book. Chapter 1 character A", "be separated by whose view it is. I will demonstrate how i want", "i can't get rid of theirs, but i feel as if i leave", "will be separated by whose view it is. I will demonstrate how i", "my novel. Person A is why things start to happen to the whole", "separated by whose view it is. I will demonstrate how i want to", "will demonstrate how i want to have it play out in my book.", "whose view it is. I will demonstrate how i want to have it", "character A Chapter 2 character B Chapter 3 character C Chapter 4 character", "i want to have it play out in my book. Chapter 1 character", "but A never knew. Person C betrays the group later in the book", "book and person D is currently betraying his friends but he doesn't know", "out in my book. Chapter 1 character A Chapter 2 character B Chapter", "Chapter 4 character D Chapter 5 character A Chapter 6 character A Chapter", "feel as if i leave the other friends out people will see them", "group. Person B has protected person A his whole life but A never", "doesn't know it. Chapters in my book will be separated by whose view", "are person A and B so i can't get rid of theirs, but", "i leave the other friends out people will see them as not important", "A his whole life but A never knew. Person C betrays the group", "A Chapter 6 character A Chapter 7 character B The two perspectives that", "A is why things start to happen to the whole group. Person B", "important are person A and B so i can't get rid of theirs,", "person A his whole life but A never knew. Person C betrays the", "can i show all four perspectives without confusing or overwhelming my readers with", "A never knew. Person C betrays the group later in the book and", "in my novel. Person A is why things start to happen to the", "and person D is currently betraying his friends but he doesn't know it.", "character B The two perspectives that are most important are person A and", "whole group. Person B has protected person A his whole life but A", "important enough. How can i show all four perspectives without confusing or overwhelming", "Chapters in my book will be separated by whose view it is. I", "enough. How can i show all four perspectives without confusing or overwhelming my", "his whole life but A never knew. Person C betrays the group later", "rid of theirs, but i feel as if i leave the other friends", "will see them as not important enough. How can i show all four", "betrays the group later in the book and person D is currently betraying", "Chapter 3 character C Chapter 4 character D Chapter 5 character A Chapter", "know it. Chapters in my book will be separated by whose view it", "are most important are person A and B so i can't get rid", "get rid of theirs, but i feel as if i leave the other", "roles to play in my novel. Person A is why things start to", "in my book will be separated by whose view it is. I will", "1 character A Chapter 2 character B Chapter 3 character C Chapter 4", "how i want to have it play out in my book. Chapter 1", "C betrays the group later in the book and person D is currently", "to the whole group. Person B has protected person A his whole life", "B The two perspectives that are most important are person A and B", "betraying his friends but he doesn't know it. Chapters in my book will", "B Chapter 3 character C Chapter 4 character D Chapter 5 character A", "to play in my novel. Person A is why things start to happen", "people will see them as not important enough. How can i show all", "Chapter 7 character B The two perspectives that are most important are person", "character C Chapter 4 character D Chapter 5 character A Chapter 6 character", "leave the other friends out people will see them as not important enough.", "6 character A Chapter 7 character B The two perspectives that are most", "person D is currently betraying his friends but he doesn't know it. Chapters", "B has protected person A his whole life but A never knew. Person", "character B Chapter 3 character C Chapter 4 character D Chapter 5 character", "The two perspectives that are most important are person A and B so", "the whole group. Person B has protected person A his whole life but", "he doesn't know it. Chapters in my book will be separated by whose", "i show all four perspectives without confusing or overwhelming my readers with the", "see them as not important enough. How can i show all four perspectives", "out people will see them as not important enough. How can i show" ]
[ "around in my head has disappeared. I have to get to know the", "story using my first draft perhaps as a guide but basically rewrite everything,", "I start over at page 1 and rewrite the story using my first", "of the book I carried around in my head has disappeared. I have", "carried around in my head has disappeared. I have to get to know", "a book about 2 years ago, got about halfway through, and then got", "than two years ago. So my question is, should I start over at", "1 and rewrite the story using my first draft perhaps as a guide", "I started a book about 2 years ago, got about halfway through, and", "is a typically bad habit of novelists... Fortunately, the book idea that distracted", "got about halfway through, and then got sidetracked. I know this is a", "about halfway through, and then got sidetracked. I know this is a typically", "the first book, but the energy of the book I carried around in", "it to the finish line. Now, I want to return to the first", "of novelists... Fortunately, the book idea that distracted me made it to the", "characters all over again. I do want to write this story, and I've", "start over at page 1 and rewrite the story using my first draft", "then got sidetracked. I know this is a typically bad habit of novelists...", "finish line. Now, I want to return to the first book, but the", "want to return to the first book, but the energy of the book", "better writer now than two years ago. So my question is, should I", "rewrite everything, or should I open my chapter files and edit them as", "energy of the book I carried around in my head has disappeared. I", "the book idea that distracted me made it to the finish line. Now,", "think I'm a better writer now than two years ago. So my question", "to know the characters all over again. I do want to write this", "I want to incorporate. Also, I think I'm a better writer now than", "bad habit of novelists... Fortunately, the book idea that distracted me made it", "this story, and I've had a lot of cool ideas over the last", "to return to the first book, but the energy of the book I", "basically rewrite everything, or should I open my chapter files and edit them", "head has disappeared. I have to get to know the characters all over", "to the finish line. Now, I want to return to the first book,", "book about 2 years ago, got about halfway through, and then got sidetracked.", "as a guide but basically rewrite everything, or should I open my chapter", "me made it to the finish line. Now, I want to return to", "want to write this story, and I've had a lot of cool ideas", "the finish line. Now, I want to return to the first book, but", "perhaps as a guide but basically rewrite everything, or should I open my", "this is a typically bad habit of novelists... Fortunately, the book idea that", "but basically rewrite everything, or should I open my chapter files and edit", "18 months I want to incorporate. Also, I think I'm a better writer", "I've had a lot of cool ideas over the last 18 months I", "a better writer now than two years ago. So my question is, should", "writer now than two years ago. So my question is, should I start", "now than two years ago. So my question is, should I start over", "using my first draft perhaps as a guide but basically rewrite everything, or", "got sidetracked. I know this is a typically bad habit of novelists... Fortunately,", "cool ideas over the last 18 months I want to incorporate. Also, I", "to get to know the characters all over again. I do want to", "So my question is, should I start over at page 1 and rewrite", "get to know the characters all over again. I do want to write", "a guide but basically rewrite everything, or should I open my chapter files", "should I open my chapter files and edit them as needed knowing there", "guide but basically rewrite everything, or should I open my chapter files and", "habit of novelists... Fortunately, the book idea that distracted me made it to", "over at page 1 and rewrite the story using my first draft perhaps", "idea that distracted me made it to the finish line. Now, I want", "write this story, and I've had a lot of cool ideas over the", "has disappeared. I have to get to know the characters all over again.", "I know this is a typically bad habit of novelists... Fortunately, the book", "the energy of the book I carried around in my head has disappeared.", "distracted me made it to the finish line. Now, I want to return", "a lot of cool ideas over the last 18 months I want to", "typically bad habit of novelists... Fortunately, the book idea that distracted me made", "made it to the finish line. Now, I want to return to the", "ago. So my question is, should I start over at page 1 and", "and I've had a lot of cool ideas over the last 18 months", "ideas over the last 18 months I want to incorporate. Also, I think", "rewrite the story using my first draft perhaps as a guide but basically", "novelists... Fortunately, the book idea that distracted me made it to the finish", "incorporate. Also, I think I'm a better writer now than two years ago.", "page 1 and rewrite the story using my first draft perhaps as a", "chapter files and edit them as needed knowing there will be some massive", "files and edit them as needed knowing there will be some massive makeovers?", "first book, but the energy of the book I carried around in my", "I carried around in my head has disappeared. I have to get to", "I do want to write this story, and I've had a lot of", "to incorporate. Also, I think I'm a better writer now than two years", "in my head has disappeared. I have to get to know the characters", "lot of cool ideas over the last 18 months I want to incorporate.", "of cool ideas over the last 18 months I want to incorporate. Also,", "open my chapter files and edit them as needed knowing there will be", "through, and then got sidetracked. I know this is a typically bad habit", "to write this story, and I've had a lot of cool ideas over", "the book I carried around in my head has disappeared. I have to", "ago, got about halfway through, and then got sidetracked. I know this is", "Also, I think I'm a better writer now than two years ago. So", "draft perhaps as a guide but basically rewrite everything, or should I open", "my head has disappeared. I have to get to know the characters all", "a typically bad habit of novelists... Fortunately, the book idea that distracted me", "my question is, should I start over at page 1 and rewrite the", "I'm a better writer now than two years ago. So my question is,", "at page 1 and rewrite the story using my first draft perhaps as", "question is, should I start over at page 1 and rewrite the story", "know the characters all over again. I do want to write this story,", "that distracted me made it to the finish line. Now, I want to", "about 2 years ago, got about halfway through, and then got sidetracked. I", "sidetracked. I know this is a typically bad habit of novelists... Fortunately, the", "the story using my first draft perhaps as a guide but basically rewrite", "first draft perhaps as a guide but basically rewrite everything, or should I", "I have to get to know the characters all over again. I do", "story, and I've had a lot of cool ideas over the last 18", "know this is a typically bad habit of novelists... Fortunately, the book idea", "I want to return to the first book, but the energy of the", "halfway through, and then got sidetracked. I know this is a typically bad", "book, but the energy of the book I carried around in my head", "book idea that distracted me made it to the finish line. Now, I", "and then got sidetracked. I know this is a typically bad habit of", "2 years ago, got about halfway through, and then got sidetracked. I know", "started a book about 2 years ago, got about halfway through, and then", "have to get to know the characters all over again. I do want", "but the energy of the book I carried around in my head has", "years ago, got about halfway through, and then got sidetracked. I know this", "and rewrite the story using my first draft perhaps as a guide but", "Now, I want to return to the first book, but the energy of", "return to the first book, but the energy of the book I carried", "again. I do want to write this story, and I've had a lot", "years ago. So my question is, should I start over at page 1", "had a lot of cool ideas over the last 18 months I want", "my first draft perhaps as a guide but basically rewrite everything, or should", "the last 18 months I want to incorporate. Also, I think I'm a", "line. Now, I want to return to the first book, but the energy", "is, should I start over at page 1 and rewrite the story using", "Fortunately, the book idea that distracted me made it to the finish line.", "all over again. I do want to write this story, and I've had", "or should I open my chapter files and edit them as needed knowing", "disappeared. I have to get to know the characters all over again. I", "months I want to incorporate. Also, I think I'm a better writer now", "to the first book, but the energy of the book I carried around", "my chapter files and edit them as needed knowing there will be some", "two years ago. So my question is, should I start over at page", "over the last 18 months I want to incorporate. Also, I think I'm", "want to incorporate. Also, I think I'm a better writer now than two", "should I start over at page 1 and rewrite the story using my", "the characters all over again. I do want to write this story, and", "over again. I do want to write this story, and I've had a", "do want to write this story, and I've had a lot of cool", "I think I'm a better writer now than two years ago. So my", "I open my chapter files and edit them as needed knowing there will", "book I carried around in my head has disappeared. I have to get", "everything, or should I open my chapter files and edit them as needed", "last 18 months I want to incorporate. Also, I think I'm a better" ]
[ "I think both formats lack aesthetic appeal. Is there a way to use", "to a different field. If I try to use manual spacing, I find", "outline like this: \"A. Raised $500,000 per year B. Guided project management team", "turned into square characters. To cope with the loss of the bullets, I", "formats lack aesthetic appeal. Is there a way to use symbols similar to", "love recommendations on a formatting issue. My resume has many bullet points and", "button, I just get sent to a different field. If I try to", "(including my bullet points and tables). I've tried copying in various symbols from", "and some tables. However, I'm challenged by online job applications where I can't", "Basically, I end up with a text-only situation where my resume loses all", "up with a text-only situation where my resume loses all its nice formatting", "I can't submit my resume directly but rather must copy it into the", "resume for a job opportunity & would love recommendations on a formatting issue.", "long lists. If I try to use the tab button, I just get", "cope with the loss of the bullets, I try to recreate the outline", "B. Guided project management team C. Reported on revenue and projected future trends", "recreate the outline like this: \"A. Raised $500,000 per year B. Guided project", "I find the result messy. I think both formats lack aesthetic appeal. Is", "no solutions for the lost tables other than long lists. If I try", "D. Etc.\" Alternatively, I might just use a long list: \"Raised $500,000 per", "by online job applications where I can't submit my resume directly but rather", "my resume directly but rather must copy it into the employer's online job", "and projected future trends D. Etc.\" Alternatively, I might just use a long", "into the employer's online job application. Basically, I end up with a text-only", "revenue and projected future trends D. Etc.\" Alternatively, I might just use a", "a job opportunity & would love recommendations on a formatting issue. My resume", "symbols similar to bullets in these text-only online resumes? Are there techniques for", "tried copying in various symbols from MS Word but they get turned into", "there a way to use symbols similar to bullets in these text-only online", "on revenue and projected future trends, etc.\" I have no solutions for the", "year B. Guided project management team C. Reported on revenue and projected future", "but they get turned into square characters. To cope with the loss of", "loses all its nice formatting (including my bullet points and tables). I've tried", "MS Word but they get turned into square characters. To cope with the", "Raised $500,000 per year B. Guided project management team C. Reported on revenue", "bullets, I try to recreate the outline like this: \"A. Raised $500,000 per", "all its nice formatting (including my bullet points and tables). I've tried copying", "a different field. If I try to use manual spacing, I find the", "try to recreate the outline like this: \"A. Raised $500,000 per year B.", "trends D. Etc.\" Alternatively, I might just use a long list: \"Raised $500,000", "If I try to use the tab button, I just get sent to", "to use symbols similar to bullets in these text-only online resumes? Are there", "formatting issue. My resume has many bullet points and some tables. However, I'm", "C. Reported on revenue and projected future trends D. Etc.\" Alternatively, I might", "team, reported on revenue and projected future trends, etc.\" I have no solutions", "like this: \"A. Raised $500,000 per year B. Guided project management team C.", "for the lost tables other than long lists. If I try to use", "the loss of the bullets, I try to recreate the outline like this:", "with the loss of the bullets, I try to recreate the outline like", "I'm challenged by online job applications where I can't submit my resume directly", "where my resume loses all its nice formatting (including my bullet points and", "the employer's online job application. Basically, I end up with a text-only situation", "symbols from MS Word but they get turned into square characters. To cope", "get turned into square characters. To cope with the loss of the bullets,", "revenue and projected future trends, etc.\" I have no solutions for the lost", "try to use the tab button, I just get sent to a different", "However, I'm challenged by online job applications where I can't submit my resume", "project management team C. Reported on revenue and projected future trends D. Etc.\"", "bullets in these text-only online resumes? Are there techniques for preserving tables in", "but rather must copy it into the employer's online job application. Basically, I", "it into the employer's online job application. Basically, I end up with a", "list: \"Raised $500,000 per year, guided project management team, reported on revenue and", "characters. To cope with the loss of the bullets, I try to recreate", "for a job opportunity & would love recommendations on a formatting issue. My", "its nice formatting (including my bullet points and tables). I've tried copying in", "similar to bullets in these text-only online resumes? Are there techniques for preserving", "than long lists. If I try to use the tab button, I just", "situation where my resume loses all its nice formatting (including my bullet points", "to bullets in these text-only online resumes? Are there techniques for preserving tables", "$500,000 per year B. Guided project management team C. Reported on revenue and", "I might just use a long list: \"Raised $500,000 per year, guided project", "I try to use the tab button, I just get sent to a", "a way to use symbols similar to bullets in these text-only online resumes?", "they get turned into square characters. To cope with the loss of the", "To cope with the loss of the bullets, I try to recreate the", "long list: \"Raised $500,000 per year, guided project management team, reported on revenue", "my resume loses all its nice formatting (including my bullet points and tables).", "manual spacing, I find the result messy. I think both formats lack aesthetic", "bullet points and tables). I've tried copying in various symbols from MS Word", "solutions for the lost tables other than long lists. If I try to", "these text-only online resumes? Are there techniques for preserving tables in some manner?", "per year B. Guided project management team C. Reported on revenue and projected", "lost tables other than long lists. If I try to use the tab", "I just get sent to a different field. If I try to use", "lists. If I try to use the tab button, I just get sent", "directly but rather must copy it into the employer's online job application. Basically,", "projected future trends, etc.\" I have no solutions for the lost tables other", "job application. Basically, I end up with a text-only situation where my resume", "I've tried copying in various symbols from MS Word but they get turned", "future trends D. Etc.\" Alternatively, I might just use a long list: \"Raised", "on revenue and projected future trends D. Etc.\" Alternatively, I might just use", "must copy it into the employer's online job application. Basically, I end up", "might just use a long list: \"Raised $500,000 per year, guided project management", "the bullets, I try to recreate the outline like this: \"A. Raised $500,000", "some tables. However, I'm challenged by online job applications where I can't submit", "and tables). I've tried copying in various symbols from MS Word but they", "per year, guided project management team, reported on revenue and projected future trends,", "application. Basically, I end up with a text-only situation where my resume loses", "just use a long list: \"Raised $500,000 per year, guided project management team,", "just get sent to a different field. If I try to use manual", "of the bullets, I try to recreate the outline like this: \"A. Raised", "this: \"A. Raised $500,000 per year B. Guided project management team C. Reported", "the result messy. I think both formats lack aesthetic appeal. Is there a", "messy. I think both formats lack aesthetic appeal. Is there a way to", "to recreate the outline like this: \"A. Raised $500,000 per year B. Guided", "etc.\" I have no solutions for the lost tables other than long lists.", "year, guided project management team, reported on revenue and projected future trends, etc.\"", "aesthetic appeal. Is there a way to use symbols similar to bullets in", "projected future trends D. Etc.\" Alternatively, I might just use a long list:", "use the tab button, I just get sent to a different field. If", "online job application. Basically, I end up with a text-only situation where my", "guided project management team, reported on revenue and projected future trends, etc.\" I", "use a long list: \"Raised $500,000 per year, guided project management team, reported", "my bullet points and tables). I've tried copying in various symbols from MS", "reported on revenue and projected future trends, etc.\" I have no solutions for", "management team C. Reported on revenue and projected future trends D. Etc.\" Alternatively,", "Alternatively, I might just use a long list: \"Raised $500,000 per year, guided", "job opportunity & would love recommendations on a formatting issue. My resume has", "resume directly but rather must copy it into the employer's online job application.", "a long list: \"Raised $500,000 per year, guided project management team, reported on", "sent to a different field. If I try to use manual spacing, I", "text-only situation where my resume loses all its nice formatting (including my bullet", "resume loses all its nice formatting (including my bullet points and tables). I've", "has many bullet points and some tables. However, I'm challenged by online job", "points and tables). I've tried copying in various symbols from MS Word but", "project management team, reported on revenue and projected future trends, etc.\" I have", "to use manual spacing, I find the result messy. I think both formats", "challenged by online job applications where I can't submit my resume directly but", "where I can't submit my resume directly but rather must copy it into", "employer's online job application. Basically, I end up with a text-only situation where", "bullet points and some tables. However, I'm challenged by online job applications where", "square characters. To cope with the loss of the bullets, I try to", "I try to use manual spacing, I find the result messy. I think", "copy it into the employer's online job application. Basically, I end up with", "I have no solutions for the lost tables other than long lists. If", "Word but they get turned into square characters. To cope with the loss", "both formats lack aesthetic appeal. Is there a way to use symbols similar", "management team, reported on revenue and projected future trends, etc.\" I have no", "Etc.\" Alternatively, I might just use a long list: \"Raised $500,000 per year,", "I try to recreate the outline like this: \"A. Raised $500,000 per year", "recommendations on a formatting issue. My resume has many bullet points and some", "various symbols from MS Word but they get turned into square characters. To", "to use the tab button, I just get sent to a different field.", "$500,000 per year, guided project management team, reported on revenue and projected future", "into square characters. To cope with the loss of the bullets, I try", "way to use symbols similar to bullets in these text-only online resumes? Are", "issue. My resume has many bullet points and some tables. However, I'm challenged", "tables. However, I'm challenged by online job applications where I can't submit my", "lack aesthetic appeal. Is there a way to use symbols similar to bullets", "tab button, I just get sent to a different field. If I try", "other than long lists. If I try to use the tab button, I", "tables). I've tried copying in various symbols from MS Word but they get", "future trends, etc.\" I have no solutions for the lost tables other than", "the lost tables other than long lists. If I try to use the", "submit my resume directly but rather must copy it into the employer's online", "Reported on revenue and projected future trends D. Etc.\" Alternatively, I might just", "job applications where I can't submit my resume directly but rather must copy", "try to use manual spacing, I find the result messy. I think both", "and projected future trends, etc.\" I have no solutions for the lost tables", "think both formats lack aesthetic appeal. Is there a way to use symbols", "field. If I try to use manual spacing, I find the result messy.", "& would love recommendations on a formatting issue. My resume has many bullet", "can't submit my resume directly but rather must copy it into the employer's", "the tab button, I just get sent to a different field. If I", "a resume for a job opportunity & would love recommendations on a formatting", "tables other than long lists. If I try to use the tab button,", "spacing, I find the result messy. I think both formats lack aesthetic appeal.", "nice formatting (including my bullet points and tables). I've tried copying in various", "in these text-only online resumes? Are there techniques for preserving tables in some", "end up with a text-only situation where my resume loses all its nice", "If I try to use manual spacing, I find the result messy. I", "find the result messy. I think both formats lack aesthetic appeal. Is there", "formatting (including my bullet points and tables). I've tried copying in various symbols", "would love recommendations on a formatting issue. My resume has many bullet points", "Guided project management team C. Reported on revenue and projected future trends D.", "result messy. I think both formats lack aesthetic appeal. Is there a way", "on a formatting issue. My resume has many bullet points and some tables.", "a text-only situation where my resume loses all its nice formatting (including my", "trends, etc.\" I have no solutions for the lost tables other than long", "different field. If I try to use manual spacing, I find the result", "resume has many bullet points and some tables. However, I'm challenged by online", "My resume has many bullet points and some tables. However, I'm challenged by", "many bullet points and some tables. However, I'm challenged by online job applications", "loss of the bullets, I try to recreate the outline like this: \"A.", "with a text-only situation where my resume loses all its nice formatting (including", "team C. Reported on revenue and projected future trends D. Etc.\" Alternatively, I", "use manual spacing, I find the result messy. I think both formats lack", "rather must copy it into the employer's online job application. Basically, I end", "copying in various symbols from MS Word but they get turned into square", "\"Raised $500,000 per year, guided project management team, reported on revenue and projected", "get sent to a different field. If I try to use manual spacing,", "have no solutions for the lost tables other than long lists. If I", "opportunity & would love recommendations on a formatting issue. My resume has many", "drafting a resume for a job opportunity & would love recommendations on a", "I'm drafting a resume for a job opportunity & would love recommendations on", "points and some tables. However, I'm challenged by online job applications where I", "applications where I can't submit my resume directly but rather must copy it", "a formatting issue. My resume has many bullet points and some tables. However,", "in various symbols from MS Word but they get turned into square characters.", "online job applications where I can't submit my resume directly but rather must", "the outline like this: \"A. Raised $500,000 per year B. Guided project management", "I end up with a text-only situation where my resume loses all its", "Is there a way to use symbols similar to bullets in these text-only", "\"A. Raised $500,000 per year B. Guided project management team C. Reported on", "use symbols similar to bullets in these text-only online resumes? Are there techniques", "appeal. Is there a way to use symbols similar to bullets in these", "from MS Word but they get turned into square characters. To cope with" ]
[ "speaks in a tone that is harsh, would it be viable to use", "understand what you've done?\" > > > If the character solely speaks in", "tone? Assume a character is based purely around a definite, harsh and painful", "DONE?\" > > > Versus > > The androgynous voice grew harsh, as", "for emphasis as part of a character's tone? Assume a character is based", "around a definite, harsh and painful to listen to voice, in a situation", "part of a character's tone? Assume a character is based purely around a", "YOU'VE DONE?\" > > > Versus > > The androgynous voice grew harsh,", "voice grew harsh, as if scraping his mind. \"Do you understand what you've", "> > > Versus > > The androgynous voice grew harsh, as if", "the character solely speaks in a tone that is harsh, would it be", "mundane. Take these examples: > > \"DO YOU UNDERSTAND WHAT YOU'VE DONE?\" >", "grew harsh, as if scraping his mind. \"Do you understand what you've done?\"", "that is harsh, would it be viable to use capitalization as emphasis or", "tone that is harsh, would it be viable to use capitalization as emphasis", "definite, harsh and painful to listen to voice, in a situation where simple", "\"DO YOU UNDERSTAND WHAT YOU'VE DONE?\" > > > Versus > > The", "his mind. \"Do you understand what you've done?\" > > > If the", "If the character solely speaks in a tone that is harsh, would it", "character solely speaks in a tone that is harsh, would it be viable", "voice, in a situation where simple text would seem too mundane. Take these", "as part of a character's tone? Assume a character is based purely around", "> > If the character solely speaks in a tone that is harsh,", "community due to its nature as being preference based, and finding a hard", "a definite, harsh and painful to listen to voice, in a situation where", "should capitalization be used for emphasis as part of a character's tone? Assume", "examples: > > \"DO YOU UNDERSTAND WHAT YOU'VE DONE?\" > > > Versus", "> \"DO YOU UNDERSTAND WHAT YOU'VE DONE?\" > > > Versus > >", "> > Versus > > The androgynous voice grew harsh, as if scraping", "> Versus > > The androgynous voice grew harsh, as if scraping his", "as if scraping his mind. \"Do you understand what you've done?\" > >", "Versus > > The androgynous voice grew harsh, as if scraping his mind.", "a text has been something heavily debated in the writing community due to", "set answer is fairly difficult. However, should capitalization be used for emphasis as", "if scraping his mind. \"Do you understand what you've done?\" > > >", "preference based, and finding a hard set answer is fairly difficult. However, should", "fairly difficult. However, should capitalization be used for emphasis as part of a", "what you've done?\" > > > If the character solely speaks in a", "is fairly difficult. However, should capitalization be used for emphasis as part of", "character is based purely around a definite, harsh and painful to listen to", "in a tone that is harsh, would it be viable to use capitalization", "finding a hard set answer is fairly difficult. However, should capitalization be used", "nature as being preference based, and finding a hard set answer is fairly", "be used for emphasis as part of a character's tone? Assume a character", "based purely around a definite, harsh and painful to listen to voice, in", "> > \"DO YOU UNDERSTAND WHAT YOU'VE DONE?\" > > > Versus >", "painful to listen to voice, in a situation where simple text would seem", "heavily debated in the writing community due to its nature as being preference", "in a text has been something heavily debated in the writing community due", "and finding a hard set answer is fairly difficult. However, should capitalization be", "a character is based purely around a definite, harsh and painful to listen", "YOU UNDERSTAND WHAT YOU'VE DONE?\" > > > Versus > > The androgynous", "> > The androgynous voice grew harsh, as if scraping his mind. \"Do", "Take these examples: > > \"DO YOU UNDERSTAND WHAT YOU'VE DONE?\" > >", "being preference based, and finding a hard set answer is fairly difficult. However,", "due to its nature as being preference based, and finding a hard set", "in a situation where simple text would seem too mundane. Take these examples:", "used for emphasis as part of a character's tone? Assume a character is", "text would seem too mundane. Take these examples: > > \"DO YOU UNDERSTAND", "listen to voice, in a situation where simple text would seem too mundane.", "simple text would seem too mundane. Take these examples: > > \"DO YOU", "you've done?\" > > > If the character solely speaks in a tone", "hard set answer is fairly difficult. However, should capitalization be used for emphasis", "it be viable to use capitalization as emphasis or should you resort to", "mind. \"Do you understand what you've done?\" > > > If the character", "something heavily debated in the writing community due to its nature as being", "to listen to voice, in a situation where simple text would seem too", "be viable to use capitalization as emphasis or should you resort to describing", "you understand what you've done?\" > > > If the character solely speaks", "is based purely around a definite, harsh and painful to listen to voice,", "difficult. However, should capitalization be used for emphasis as part of a character's", "done?\" > > > If the character solely speaks in a tone that", "> If the character solely speaks in a tone that is harsh, would", "to voice, in a situation where simple text would seem too mundane. Take", "as being preference based, and finding a hard set answer is fairly difficult.", "a tone that is harsh, would it be viable to use capitalization as", "text has been something heavily debated in the writing community due to its", "seem too mundane. Take these examples: > > \"DO YOU UNDERSTAND WHAT YOU'VE", "character's tone? Assume a character is based purely around a definite, harsh and", "is harsh, would it be viable to use capitalization as emphasis or should", "of a character's tone? Assume a character is based purely around a definite,", "harsh and painful to listen to voice, in a situation where simple text", "to use capitalization as emphasis or should you resort to describing it beforehand", "> The androgynous voice grew harsh, as if scraping his mind. \"Do you", "a situation where simple text would seem too mundane. Take these examples: >", "writing community due to its nature as being preference based, and finding a", "capitalization as emphasis or should you resort to describing it beforehand and using", "Assume a character is based purely around a definite, harsh and painful to", "harsh, would it be viable to use capitalization as emphasis or should you", "would seem too mundane. Take these examples: > > \"DO YOU UNDERSTAND WHAT", "a character's tone? Assume a character is based purely around a definite, harsh", "as emphasis or should you resort to describing it beforehand and using normal", "Capitalization in a text has been something heavily debated in the writing community", "based, and finding a hard set answer is fairly difficult. However, should capitalization", "these examples: > > \"DO YOU UNDERSTAND WHAT YOU'VE DONE?\" > > >", "The androgynous voice grew harsh, as if scraping his mind. \"Do you understand", "scraping his mind. \"Do you understand what you've done?\" > > > If", "answer is fairly difficult. However, should capitalization be used for emphasis as part", "has been something heavily debated in the writing community due to its nature", "been something heavily debated in the writing community due to its nature as", "use capitalization as emphasis or should you resort to describing it beforehand and", "harsh, as if scraping his mind. \"Do you understand what you've done?\" >", "the writing community due to its nature as being preference based, and finding", "> > > If the character solely speaks in a tone that is", "its nature as being preference based, and finding a hard set answer is", "capitalization be used for emphasis as part of a character's tone? Assume a", "and painful to listen to voice, in a situation where simple text would", "WHAT YOU'VE DONE?\" > > > Versus > > The androgynous voice grew", "would it be viable to use capitalization as emphasis or should you resort", "emphasis or should you resort to describing it beforehand and using normal text?", "in the writing community due to its nature as being preference based, and", "purely around a definite, harsh and painful to listen to voice, in a", "a hard set answer is fairly difficult. However, should capitalization be used for", "to its nature as being preference based, and finding a hard set answer", "too mundane. Take these examples: > > \"DO YOU UNDERSTAND WHAT YOU'VE DONE?\"", "where simple text would seem too mundane. Take these examples: > > \"DO", "\"Do you understand what you've done?\" > > > If the character solely", "solely speaks in a tone that is harsh, would it be viable to", "androgynous voice grew harsh, as if scraping his mind. \"Do you understand what", "situation where simple text would seem too mundane. Take these examples: > >", "emphasis as part of a character's tone? Assume a character is based purely", "However, should capitalization be used for emphasis as part of a character's tone?", "debated in the writing community due to its nature as being preference based,", "viable to use capitalization as emphasis or should you resort to describing it", "UNDERSTAND WHAT YOU'VE DONE?\" > > > Versus > > The androgynous voice" ]
[ "a chunk of significant size of the story showing 1 or 2 years", "the protagonist and other characters, and explain the setting and why and how", "what I ask is: would there be any problem if I leave it", "the reader will find through most of it. And that's what I did,", "goal. But by doing that, would the readers get bored and want the", "at this point, now knows who the protagonist is, what are his motivations", "his goal. But by doing that, would the readers get bored and want", "triggers the story. Such scene includes action, romance, drama and violence, basically just", "and other characters, and explain the setting and why and how the starting", "all this backstory (some pages) is that the story really begins. But the", "But by doing that, would the readers get bored and want the story", "what I did, the first scene shown is the main event that triggers", "scene shown is the main event that triggers the story. Such scene includes", "years before that event, to flesh out the protagonist and other characters, and", "smaller chunks and show them in flashbacks. However, there are already two other", "are shown through flashbacks, and probably the reader would get annoyed by the", "what are his motivations and how important is the journey to reach his", "reader would get annoyed by the plot going back and forth so many", "through flashbacks, and probably the reader would get annoyed by the plot going", "(some pages) is that the story really begins. But the reader, at this", "violence, basically just what is seen throughout the story. However, after that scene,", "significant size of the story showing 1 or 2 years before that event,", "his motivations and how important is the journey to reach his goal. But", "starting scene, but it's not short. Maybe I could break it down into", "journey to reach his goal. But by doing that, would the readers get", "story. However, after that scene, there's a chunk of significant size of the", "it down into smaller chunks and show them in flashbacks. However, there are", "plot going back and forth so many times. So what I ask is:", "But the reader, at this point, now knows who the protagonist is, what", "already two other subjects that are shown through flashbacks, and probably the reader", "throughout the story. However, after that scene, there's a chunk of significant size", "the plot going back and forth so many times. So what I ask", "it. And that's what I did, the first scene shown is the main", "doing that, would the readers get bored and want the story to start", "action, drama, just like the starting scene, but it's not short. Maybe I", "chunks and show them in flashbacks. However, there are already two other subjects", "most of it. And that's what I did, the first scene shown is", "get bored and want the story to start off already? Of course, such", "I heard from various sources, a plot has to start with what the", "times. So what I ask is: would there be any problem if I", "that event, to flesh out the protagonist and other characters, and explain the", "going back and forth so many times. So what I ask is: would", "1 or 2 years before that event, to flesh out the protagonist and", "is the journey to reach his goal. But by doing that, would the", "just like the starting scene, but it's not short. Maybe I could break", "not just boring backstory, it has romance, action, drama, just like the starting", "could break it down into smaller chunks and show them in flashbacks. However,", "and how important is the journey to reach his goal. But by doing", "and forth so many times. So what I ask is: would there be", "the setting and why and how the starting scene happened. Only after all", "the protagonist is, what are his motivations and how important is the journey", "not short. Maybe I could break it down into smaller chunks and show", "that triggers the story. Such scene includes action, romance, drama and violence, basically", "many times. So what I ask is: would there be any problem if", "shown is the main event that triggers the story. Such scene includes action,", "how important is the journey to reach his goal. But by doing that,", "off already? Of course, such backstory is not just boring backstory, it has", "just boring backstory, it has romance, action, drama, just like the starting scene,", "the first scene shown is the main event that triggers the story. Such", "scene, but it's not short. Maybe I could break it down into smaller", "it's not short. Maybe I could break it down into smaller chunks and", "showing 1 or 2 years before that event, to flesh out the protagonist", "to start with what the reader will find through most of it. And", "it has romance, action, drama, just like the starting scene, but it's not", "that, would the readers get bored and want the story to start off", "So what I ask is: would there be any problem if I leave", "them in flashbacks. However, there are already two other subjects that are shown", "of significant size of the story showing 1 or 2 years before that", "back and forth so many times. So what I ask is: would there", "action, romance, drama and violence, basically just what is seen throughout the story.", "out the protagonist and other characters, and explain the setting and why and", "seen throughout the story. However, after that scene, there's a chunk of significant", "that the story really begins. But the reader, at this point, now knows", "of it. And that's what I did, the first scene shown is the", "to flesh out the protagonist and other characters, and explain the setting and", "just what is seen throughout the story. However, after that scene, there's a", "would the readers get bored and want the story to start off already?", "romance, action, drama, just like the starting scene, but it's not short. Maybe", "first scene shown is the main event that triggers the story. Such scene", "backstory (some pages) is that the story really begins. But the reader, at", "ask is: would there be any problem if I leave it this way?", "point, now knows who the protagonist is, what are his motivations and how", "is that the story really begins. But the reader, at this point, now", "flesh out the protagonist and other characters, and explain the setting and why", "the story. Such scene includes action, romance, drama and violence, basically just what", "drama, just like the starting scene, but it's not short. Maybe I could", "scene includes action, romance, drama and violence, basically just what is seen throughout", "what is seen throughout the story. However, after that scene, there's a chunk", "really begins. But the reader, at this point, now knows who the protagonist", "reach his goal. But by doing that, would the readers get bored and", "has to start with what the reader will find through most of it.", "basically just what is seen throughout the story. However, after that scene, there's", "protagonist is, what are his motivations and how important is the journey to", "event that triggers the story. Such scene includes action, romance, drama and violence,", "shown through flashbacks, and probably the reader would get annoyed by the plot", "and show them in flashbacks. However, there are already two other subjects that", "reader, at this point, now knows who the protagonist is, what are his", "sources, a plot has to start with what the reader will find through", "other subjects that are shown through flashbacks, and probably the reader would get", "that's what I did, the first scene shown is the main event that", "drama and violence, basically just what is seen throughout the story. However, after", "starting scene happened. Only after all this backstory (some pages) is that the", "I did, the first scene shown is the main event that triggers the", "the readers get bored and want the story to start off already? Of", "And that's what I did, the first scene shown is the main event", "how the starting scene happened. Only after all this backstory (some pages) is", "before that event, to flesh out the protagonist and other characters, and explain", "the reader, at this point, now knows who the protagonist is, what are", "into smaller chunks and show them in flashbacks. However, there are already two", "this backstory (some pages) is that the story really begins. But the reader,", "who the protagonist is, what are his motivations and how important is the", "show them in flashbacks. However, there are already two other subjects that are", "there are already two other subjects that are shown through flashbacks, and probably", "important is the journey to reach his goal. But by doing that, would", "now knows who the protagonist is, what are his motivations and how important", "get annoyed by the plot going back and forth so many times. So", "2 years before that event, to flesh out the protagonist and other characters,", "is, what are his motivations and how important is the journey to reach", "I could break it down into smaller chunks and show them in flashbacks.", "size of the story showing 1 or 2 years before that event, to", "already? Of course, such backstory is not just boring backstory, it has romance,", "backstory, it has romance, action, drama, just like the starting scene, but it's", "is not just boring backstory, it has romance, action, drama, just like the", "other characters, and explain the setting and why and how the starting scene", "through most of it. And that's what I did, the first scene shown", "find through most of it. And that's what I did, the first scene", "why and how the starting scene happened. Only after all this backstory (some", "setting and why and how the starting scene happened. Only after all this", "subjects that are shown through flashbacks, and probably the reader would get annoyed", "by the plot going back and forth so many times. So what I", "or 2 years before that event, to flesh out the protagonist and other", "explain the setting and why and how the starting scene happened. Only after", "are his motivations and how important is the journey to reach his goal.", "with what the reader will find through most of it. And that's what", "the starting scene, but it's not short. Maybe I could break it down", "Maybe I could break it down into smaller chunks and show them in", "flashbacks, and probably the reader would get annoyed by the plot going back", "and want the story to start off already? Of course, such backstory is", "what the reader will find through most of it. And that's what I", "readers get bored and want the story to start off already? Of course,", "break it down into smaller chunks and show them in flashbacks. However, there", "the story really begins. But the reader, at this point, now knows who", "bored and want the story to start off already? Of course, such backstory", "two other subjects that are shown through flashbacks, and probably the reader would", "begins. But the reader, at this point, now knows who the protagonist is,", "start with what the reader will find through most of it. And that's", "there's a chunk of significant size of the story showing 1 or 2", "the story to start off already? Of course, such backstory is not just", "Of course, such backstory is not just boring backstory, it has romance, action,", "story really begins. But the reader, at this point, now knows who the", "backstory is not just boring backstory, it has romance, action, drama, just like", "are already two other subjects that are shown through flashbacks, and probably the", "story. Such scene includes action, romance, drama and violence, basically just what is", "annoyed by the plot going back and forth so many times. So what", "the story showing 1 or 2 years before that event, to flesh out", "that scene, there's a chunk of significant size of the story showing 1", "from various sources, a plot has to start with what the reader will", "reader will find through most of it. And that's what I did, the", "so many times. So what I ask is: would there be any problem", "Just as I heard from various sources, a plot has to start with", "Only after all this backstory (some pages) is that the story really begins.", "probably the reader would get annoyed by the plot going back and forth", "after all this backstory (some pages) is that the story really begins. But", "but it's not short. Maybe I could break it down into smaller chunks", "event, to flesh out the protagonist and other characters, and explain the setting", "to start off already? Of course, such backstory is not just boring backstory,", "such backstory is not just boring backstory, it has romance, action, drama, just", "want the story to start off already? Of course, such backstory is not", "motivations and how important is the journey to reach his goal. But by", "down into smaller chunks and show them in flashbacks. However, there are already", "chunk of significant size of the story showing 1 or 2 years before", "story showing 1 or 2 years before that event, to flesh out the", "start off already? Of course, such backstory is not just boring backstory, it", "includes action, romance, drama and violence, basically just what is seen throughout the", "is seen throughout the story. However, after that scene, there's a chunk of", "flashbacks. However, there are already two other subjects that are shown through flashbacks,", "and probably the reader would get annoyed by the plot going back and", "forth so many times. So what I ask is: would there be any", "has romance, action, drama, just like the starting scene, but it's not short.", "knows who the protagonist is, what are his motivations and how important is", "story to start off already? Of course, such backstory is not just boring", "romance, drama and violence, basically just what is seen throughout the story. However,", "main event that triggers the story. Such scene includes action, romance, drama and", "However, after that scene, there's a chunk of significant size of the story", "short. Maybe I could break it down into smaller chunks and show them", "pages) is that the story really begins. But the reader, at this point,", "would get annoyed by the plot going back and forth so many times.", "the starting scene happened. Only after all this backstory (some pages) is that", "and explain the setting and why and how the starting scene happened. Only", "of the story showing 1 or 2 years before that event, to flesh", "scene happened. Only after all this backstory (some pages) is that the story", "However, there are already two other subjects that are shown through flashbacks, and", "the reader would get annoyed by the plot going back and forth so", "this point, now knows who the protagonist is, what are his motivations and", "the journey to reach his goal. But by doing that, would the readers", "the main event that triggers the story. Such scene includes action, romance, drama", "heard from various sources, a plot has to start with what the reader", "and violence, basically just what is seen throughout the story. However, after that", "scene, there's a chunk of significant size of the story showing 1 or", "the story. However, after that scene, there's a chunk of significant size of", "in flashbacks. However, there are already two other subjects that are shown through", "various sources, a plot has to start with what the reader will find", "after that scene, there's a chunk of significant size of the story showing", "and how the starting scene happened. Only after all this backstory (some pages)", "did, the first scene shown is the main event that triggers the story.", "to reach his goal. But by doing that, would the readers get bored", "happened. Only after all this backstory (some pages) is that the story really", "will find through most of it. And that's what I did, the first", "protagonist and other characters, and explain the setting and why and how the", "course, such backstory is not just boring backstory, it has romance, action, drama,", "and why and how the starting scene happened. Only after all this backstory", "by doing that, would the readers get bored and want the story to", "that are shown through flashbacks, and probably the reader would get annoyed by", "a plot has to start with what the reader will find through most", "like the starting scene, but it's not short. Maybe I could break it", "Such scene includes action, romance, drama and violence, basically just what is seen", "is the main event that triggers the story. Such scene includes action, romance,", "boring backstory, it has romance, action, drama, just like the starting scene, but", "as I heard from various sources, a plot has to start with what", "plot has to start with what the reader will find through most of", "characters, and explain the setting and why and how the starting scene happened.", "I ask is: would there be any problem if I leave it this" ]
[ "\"woman,\" and \"person\" even though the character from that different world is not", "the character from that different world is not human? Or should I create", "about humans, they don't think humans actually exist. It's just like a legend", "Now I'm wondering if it's okay to use the terms/words \"people,\" \"man,\" \"woman,\"", "and \"person\" even though the character from that different world is not human?", "from that different world is not human? Or should I create a term", "different world, while they know about humans, they don't think humans actually exist.", "is not human? Or should I create a term specifically for it? Note:", "and the world of (insert species name here). Now I'm wondering if it's", "world, while they know about humans, they don't think humans actually exist. It's", "human? Or should I create a term specifically for it? Note: In that", "are two worlds: the world of humans and the world of (insert species", "a story and the setting is that there are two worlds: the world", "it's okay to use the terms/words \"people,\" \"man,\" \"woman,\" and \"person\" even though", "the terms/words \"people,\" \"man,\" \"woman,\" and \"person\" even though the character from that", "Note: In that different world, while they know about humans, they don't think", "of humans and the world of (insert species name here). Now I'm wondering", "okay to use the terms/words \"people,\" \"man,\" \"woman,\" and \"person\" even though the", "know about humans, they don't think humans actually exist. It's just like a", "if it's okay to use the terms/words \"people,\" \"man,\" \"woman,\" and \"person\" even", "and the setting is that there are two worlds: the world of humans", "Or should I create a term specifically for it? Note: In that different", "the setting is that there are two worlds: the world of humans and", "writing a story and the setting is that there are two worlds: the", "two worlds: the world of humans and the world of (insert species name", "So I'm writing a story and the setting is that there are two", "I'm wondering if it's okay to use the terms/words \"people,\" \"man,\" \"woman,\" and", "world of humans and the world of (insert species name here). Now I'm", "\"people,\" \"man,\" \"woman,\" and \"person\" even though the character from that different world", "even though the character from that different world is not human? Or should", "species name here). Now I'm wondering if it's okay to use the terms/words", "term specifically for it? Note: In that different world, while they know about", "a term specifically for it? Note: In that different world, while they know", "the world of humans and the world of (insert species name here). Now", "there are two worlds: the world of humans and the world of (insert", "though the character from that different world is not human? Or should I", "specifically for it? Note: In that different world, while they know about humans,", "for it? Note: In that different world, while they know about humans, they", "different world is not human? Or should I create a term specifically for", "wondering if it's okay to use the terms/words \"people,\" \"man,\" \"woman,\" and \"person\"", "that different world is not human? Or should I create a term specifically", "world is not human? Or should I create a term specifically for it?", "that different world, while they know about humans, they don't think humans actually", "I'm writing a story and the setting is that there are two worlds:", "create a term specifically for it? Note: In that different world, while they", "terms/words \"people,\" \"man,\" \"woman,\" and \"person\" even though the character from that different", "not human? Or should I create a term specifically for it? Note: In", "should I create a term specifically for it? Note: In that different world,", "character from that different world is not human? Or should I create a", "that there are two worlds: the world of humans and the world of", "humans, they don't think humans actually exist. It's just like a legend to", "name here). Now I'm wondering if it's okay to use the terms/words \"people,\"", "(insert species name here). Now I'm wondering if it's okay to use the", "they know about humans, they don't think humans actually exist. It's just like", "I create a term specifically for it? Note: In that different world, while", "it? Note: In that different world, while they know about humans, they don't", "the world of (insert species name here). Now I'm wondering if it's okay", "of (insert species name here). Now I'm wondering if it's okay to use", "worlds: the world of humans and the world of (insert species name here).", "to use the terms/words \"people,\" \"man,\" \"woman,\" and \"person\" even though the character", "world of (insert species name here). Now I'm wondering if it's okay to", "humans and the world of (insert species name here). Now I'm wondering if", "\"person\" even though the character from that different world is not human? Or", "use the terms/words \"people,\" \"man,\" \"woman,\" and \"person\" even though the character from", "they don't think humans actually exist. It's just like a legend to them.", "story and the setting is that there are two worlds: the world of", "while they know about humans, they don't think humans actually exist. It's just", "In that different world, while they know about humans, they don't think humans", "is that there are two worlds: the world of humans and the world", "here). Now I'm wondering if it's okay to use the terms/words \"people,\" \"man,\"", "setting is that there are two worlds: the world of humans and the", "\"man,\" \"woman,\" and \"person\" even though the character from that different world is" ]
[ "be heavily skewed by the fact that you wrote it? Edit to add:", "work? How can you tell \"yes, this is good\" or \"okay, this needs", "a while now. I still don't have any better ideas, so I'm turning", "\"well, this works for me.\" A single \"this works for me\" solution could", "points out, answers should focus on the different techniques available to writers and", "for me.\" A single \"this works for me\" solution could be valuable, if", "to you. How can a writer separate their emotions from the content of", "it? Edit to add: As [Peiv Fein](https://writers.stackexchange.com/users/26/neil-fein) points out, answers should focus on", "you wrote it? Edit to add: As [Peiv Fein](https://writers.stackexchange.com/users/26/neil-fein) points out, answers should", "content of their work? How can you tell \"yes, this is good\" or", "to go about the process and the benefits and drawbacks involved, but answers", "of each, rather than \"well, this works for me.\" A single \"this works", "while now. I still don't have any better ideas, so I'm turning to", "which might be heavily skewed by the fact that you wrote it? Edit", "\"yes, this is good\" or \"okay, this needs work\" without having to rely", "the different techniques available to writers and the benefits and drawbacks of each,", "the month and I've been stewing over it for a while now. I", "now. I still don't have any better ideas, so I'm turning to you.", "it details how to go about the process and the benefits and drawbacks", "I still don't have any better ideas, so I'm turning to you. How", "this needs work\" without having to rely on your personal opinions, which might", "and drawbacks of each, rather than \"well, this works for me.\" A single", "personal opinions, which might be heavily skewed by the fact that you wrote", "of my critique group at the beginning of the month and I've been", "Fein](https://writers.stackexchange.com/users/26/neil-fein) points out, answers should focus on the different techniques available to writers", "was asked by a member of my critique group at the beginning of", "over it for a while now. I still don't have any better ideas,", "drawbacks of each, rather than \"well, this works for me.\" A single \"this", "me.\" A single \"this works for me\" solution could be valuable, if it", "out, answers should focus on the different techniques available to writers and the", "you tell \"yes, this is good\" or \"okay, this needs work\" without having", "this works for me.\" A single \"this works for me\" solution could be", "drawbacks involved, but answers looking at multiple possibilities are more likely to be", "turning to you. How can a writer separate their emotions from the content", "can a writer separate their emotions from the content of their work? How", "their work? How can you tell \"yes, this is good\" or \"okay, this", "from the content of their work? How can you tell \"yes, this is", "it for a while now. I still don't have any better ideas, so", "so I'm turning to you. How can a writer separate their emotions from", "writers and the benefits and drawbacks of each, rather than \"well, this works", "the fact that you wrote it? Edit to add:* As [Peiv Fein](https://writers.stackexchange.com/users/26/neil-fein) points", "on the different techniques available to writers and the benefits and drawbacks of", "answers should focus on the different techniques available to writers and the benefits", "process and the benefits and drawbacks involved, but answers looking at multiple possibilities", "opinions, which might be heavily skewed by the fact that you wrote it?", "[Peiv Fein](https://writers.stackexchange.com/users/26/neil-fein) points out, answers should focus on the different techniques available to", "is good\" or \"okay, this needs work\" without having to rely on your", "details how to go about the process and the benefits and drawbacks involved,", "of their work? How can you tell \"yes, this is good\" or \"okay,", "tell \"yes, this is good\" or \"okay, this needs work\" without having to", "Edit to add: As [Peiv Fein](https://writers.stackexchange.com/users/26/neil-fein) points out, answers should focus on the", "by a member of my critique group at the beginning of the month", "having to rely on your personal opinions, which might be heavily skewed by", "A single \"this works for me\" solution could be valuable, if it details", "benefits and drawbacks of each, rather than \"well, this works for me.\" A", "could be valuable, if it details how to go about the process and", "been stewing over it for a while now. I still don't have any", "your personal opinions, which might be heavily skewed by the fact that you", "I'm turning to you. How can a writer separate their emotions from the", "can you tell \"yes, this is good\" or \"okay, this needs work\" without", "How can you tell \"yes, this is good\" or \"okay, this needs work\"", "each, rather than \"well, this works for me.\" A single \"this works for", "if it details how to go about the process and the benefits and", "How can a writer separate their emotions from the content of their work?", "valuable, if it details how to go about the process and the benefits", "that you wrote it? Edit to add: As [Peiv Fein](https://writers.stackexchange.com/users/26/neil-fein) points out, answers", "the content of their work? How can you tell \"yes, this is good\"", "at the beginning of the month and I've been stewing over it for", "heavily skewed by the fact that you wrote it? Edit to add: As", "needs work\" without having to rely on your personal opinions, which might be", "rather than \"well, this works for me.\" A single \"this works for me\"", "single \"this works for me\" solution could be valuable, if it details how", "I've been stewing over it for a while now. I still don't have", "works for me\" solution could be valuable, if it details how to go", "my critique group at the beginning of the month and I've been stewing", "emotions from the content of their work? How can you tell \"yes, this", "on your personal opinions, which might be heavily skewed by the fact that", "and drawbacks involved, but answers looking at multiple possibilities are more likely to", "asked by a member of my critique group at the beginning of the", "a member of my critique group at the beginning of the month and", "This question was asked by a member of my critique group at the", "stewing over it for a while now. I still don't have any better", "to rely on your personal opinions, which might be heavily skewed by the", "writer separate their emotions from the content of their work? How can you", "and the benefits and drawbacks involved, but answers looking at multiple possibilities are", "work\" without having to rely on your personal opinions, which might be heavily", "should focus on the different techniques available to writers and the benefits and", "to writers and the benefits and drawbacks of each, rather than \"well, this", "have any better ideas, so I'm turning to you. How can a writer", "As [Peiv Fein](https://writers.stackexchange.com/users/26/neil-fein) points out, answers should focus on the different techniques available", "different techniques available to writers and the benefits and drawbacks of each, rather", "good\" or \"okay, this needs work\" without having to rely on your personal", "a writer separate their emotions from the content of their work? How can", "techniques available to writers and the benefits and drawbacks of each, rather than", "still don't have any better ideas, so I'm turning to you. How can", "skewed by the fact that you wrote it? Edit to add: As [Peiv", "any better ideas, so I'm turning to you. How can a writer separate", "wrote it? Edit to add: As [Peiv Fein](https://writers.stackexchange.com/users/26/neil-fein) points out, answers should focus", "you. How can a writer separate their emotions from the content of their", "works for me.\" A single \"this works for me\" solution could be valuable,", "month and I've been stewing over it for a while now. I still", "this is good\" or \"okay, this needs work\" without having to rely on", "\"okay, this needs work\" without having to rely on your personal opinions, which", "than \"well, this works for me.\" A single \"this works for me\" solution", "question was asked by a member of my critique group at the beginning", "group at the beginning of the month and I've been stewing over it", "but answers looking at multiple possibilities are more likely to be selected as", "fact that you wrote it? Edit to add: As [Peiv Fein](https://writers.stackexchange.com/users/26/neil-fein) points out,", "solution could be valuable, if it details how to go about the process", "go about the process and the benefits and drawbacks involved, but answers looking", "of the month and I've been stewing over it for a while now.", "add:* As [Peiv Fein](https://writers.stackexchange.com/users/26/neil-fein) points out, answers should focus on the different techniques", "benefits and drawbacks involved, but answers looking at multiple possibilities are more likely", "available to writers and the benefits and drawbacks of each, rather than \"well,", "beginning of the month and I've been stewing over it for a while", "me\" solution could be valuable, if it details how to go about the", "how to go about the process and the benefits and drawbacks involved, but", "the beginning of the month and I've been stewing over it for a", "for a while now. I still don't have any better ideas, so I'm", "ideas, so I'm turning to you. How can a writer separate their emotions", "the process and the benefits and drawbacks involved, but answers looking at multiple", "involved, but answers looking at multiple possibilities are more likely to be selected", "separate their emotions from the content of their work? How can you tell", "be valuable, if it details how to go about the process and the", "to add:* As [Peiv Fein](https://writers.stackexchange.com/users/26/neil-fein) points out, answers should focus on the different", "the benefits and drawbacks involved, but answers looking at multiple possibilities are more", "and I've been stewing over it for a while now. I still don't", "critique group at the beginning of the month and I've been stewing over", "about the process and the benefits and drawbacks involved, but answers looking at", "better ideas, so I'm turning to you. How can a writer separate their", "focus on the different techniques available to writers and the benefits and drawbacks", "or \"okay, this needs work\" without having to rely on your personal opinions,", "and the benefits and drawbacks of each, rather than \"well, this works for", "for me\" solution could be valuable, if it details how to go about", "don't have any better ideas, so I'm turning to you. How can a", "by the fact that you wrote it? Edit to add: As [Peiv Fein](https://writers.stackexchange.com/users/26/neil-fein)", "member of my critique group at the beginning of the month and I've", "\"this works for me\" solution could be valuable, if it details how to", "their emotions from the content of their work? How can you tell \"yes,", "the benefits and drawbacks of each, rather than \"well, this works for me.\"", "rely on your personal opinions, which might be heavily skewed by the fact", "answers looking at multiple possibilities are more likely to be selected as \"best.\"", "without having to rely on your personal opinions, which might be heavily skewed", "might be heavily skewed by the fact that you wrote it? *Edit to" ]
[ "one a lot but refrain these days as the style choice is one", "are out there and where they come from. I also feel that I", "want to know what common conventions are out there and where they come", "don’t know where it came from but it looks a bit like a", "seems a little unimaginative. Are there other popularly recognised styles for inserting onomatopoeia", "there and where they come from. I also feel that I am out", "of online gamers. 2. *(\\sniff) I have seen this style before. I don’t", "days spent raiding dungeons in Hibernia are long over (/sniff) but … >", "choice is one only appreciated by a certain subculture of online gamers. 2.", "days as the style choice is one only appreciated by a certain subculture", "are long over (/sniff) but … > > > I want the reader", "bit like a comment in computer code. 3. (sniff) Just putting the onomatopoeia", "> > > I want the reader to know that I actually audibly", "a nostalgic sniff as I wrote that. I know there are no rules.", "only appreciated by a certain subculture of online gamers. 2. (\\sniff)* I have", "I have seen this style before. I don’t know where it came from", "know what common conventions are out there and where they come from. I", "from but it looks a bit like a comment in computer code. 3.", "raiding dungeons in Hibernia are long over (/sniff) but … > > >", "what common conventions are out there and where they come from. I also", "it looks a bit like a comment in computer code. 3. (sniff) Just", "gamers. 2. *(\\sniff)** I have seen this style before. I don’t know where", "audibly sniffed a nostalgic sniff as I wrote that. I know there are", "it (\\sniff) or (/sniff)?* I’m reminiscing nostalgically on a personal blog and I", "there are no rules. I want to know what common conventions are out", "know there are no rules. I want to know what common conventions are", "This looks like an “emote” command common in (older?) online RPGs. I used", "a lot but refrain these days as the style choice is one only", "out there and where they come from. I also feel that I am", "want to insert an onomatopoeic sniff. > > My days spent raiding dungeons", "use this one a lot but refrain these days as the style choice", "long over (/sniff) but … > > > I want the reader to", "come from. I also feel that I am out of touch with what", "in computer code. 3. (sniff) Just putting the onomatopoeia in brackets seems a", "a certain subculture of online gamers. 2. *(\\sniff) I have seen this style", "reader to know that I actually audibly sniffed a nostalgic sniff as I", "as I wrote that. I know there are no rules. I want to", "this one a lot but refrain these days as the style choice is", "onomatopoeia in brackets seems a little unimaginative. Are there other popularly recognised styles", "common conventions are out there and where they come from. I also feel", "online RPGs. I used to use this one a lot but refrain these", "have seen this style before. I don’t know where it came from but", "to use this one a lot but refrain these days as the style", "where they come from. I also feel that I am out of touch", "personal blog and I want to insert an onomatopoeic sniff. > > My", "are doing these days. 1. (/sniff) This looks like an “emote” command common", "know where it came from but it looks a bit like a comment", "looks like an “emote” command common in (older?) online RPGs. I used to", "> My days spent raiding dungeons in Hibernia are long over (/sniff) but", "lot but refrain these days as the style choice is one only appreciated", "by a certain subculture of online gamers. 2. (\\sniff)* I have seen this", "over (/sniff) but … > > > I want the reader to know", "style choice is one only appreciated by a certain subculture of online gamers.", "(\\sniff) or (/sniff)?* I’m reminiscing nostalgically on a personal blog and I want", "(/sniff) This looks like an “emote” command common in (older?) online RPGs. I", "seen this style before. I don’t know where it came from but it", "I also feel that I am out of touch with what the younger", "but … > > > I want the reader to know that I", "… > > > I want the reader to know that I actually", "of touch with what the younger cool kids are doing these days. 1.", "the onomatopoeia in brackets seems a little unimaginative. Are there other popularly recognised", "RPGs. I used to use this one a lot but refrain these days", "as the style choice is one only appreciated by a certain subculture of", "> I want the reader to know that I actually audibly sniffed a", "feel that I am out of touch with what the younger cool kids", "these days as the style choice is one only appreciated by a certain", "comment in computer code. 3. (sniff) Just putting the onomatopoeia in brackets seems", "onomatopoeic sniff. > > My days spent raiding dungeons in Hibernia are long", "sniffed a nostalgic sniff as I wrote that. I know there are no", "in (older?) online RPGs. I used to use this one a lot but", "style before. I don’t know where it came from but it looks a", "actually audibly sniffed a nostalgic sniff as I wrote that. I know there", "putting the onomatopoeia in brackets seems a little unimaginative. Are there other popularly", "that I actually audibly sniffed a nostalgic sniff as I wrote that. I", "but it looks a bit like a comment in computer code. 3. (sniff)", "3. (sniff) Just putting the onomatopoeia in brackets seems a little unimaginative. Are", "looks a bit like a comment in computer code. 3. (sniff) Just putting", "I actually audibly sniffed a nostalgic sniff as I wrote that. I know", "*Is it (\\sniff) or (/sniff)? I’m reminiscing nostalgically on a personal blog and", "days. 1. (/sniff) This looks like an “emote” command common in (older?) online", "> > I want the reader to know that I actually audibly sniffed", "the younger cool kids are doing these days. 1. (/sniff) This looks like", "I don’t know where it came from but it looks a bit like", "that. I know there are no rules. I want to know what common", "My days spent raiding dungeons in Hibernia are long over (/sniff) but …", "or (/sniff)? I’m reminiscing nostalgically on a personal blog and I want to", "the reader to know that I actually audibly sniffed a nostalgic sniff as", "younger cool kids are doing these days. 1. (/sniff) This looks like an", "came from but it looks a bit like a comment in computer code.", "*(\\sniff) I have seen this style before. I don’t know where it came", "also feel that I am out of touch with what the younger cool", "(/sniff)? I’m reminiscing nostalgically on a personal blog and I want to insert", "with what the younger cool kids are doing these days. 1. (/sniff) This", "appreciated by a certain subculture of online gamers. 2. *(\\sniff) I have seen", "an onomatopoeic sniff. > > My days spent raiding dungeons in Hibernia are", "that I am out of touch with what the younger cool kids are", "like an “emote” command common in (older?) online RPGs. I used to use", "nostalgic sniff as I wrote that. I know there are no rules. I", "Hibernia are long over (/sniff) but … > > > I want the", "a comment in computer code. 3. (sniff) Just putting the onomatopoeia in brackets", "conventions are out there and where they come from. I also feel that", "little unimaginative. Are there other popularly recognised styles for inserting onomatopoeia out there?", "wrote that. I know there are no rules. I want to know what", "cool kids are doing these days. 1. (/sniff) This looks like an “emote”", "a bit like a comment in computer code. 3. (sniff) Just putting the", "used to use this one a lot but refrain these days as the", "1. (/sniff) This looks like an “emote” command common in (older?) online RPGs.", "but refrain these days as the style choice is one only appreciated by", "brackets seems a little unimaginative. Are there other popularly recognised styles for inserting", "to know that I actually audibly sniffed a nostalgic sniff as I wrote", "refrain these days as the style choice is one only appreciated by a", "the style choice is one only appreciated by a certain subculture of online", "certain subculture of online gamers. 2. (\\sniff)* I have seen this style before.", "insert an onomatopoeic sniff. > > My days spent raiding dungeons in Hibernia", "I’m reminiscing nostalgically on a personal blog and I want to insert an", "a little unimaginative. Are there other popularly recognised styles for inserting onomatopoeia out", "to insert an onomatopoeic sniff. > > My days spent raiding dungeons in", "(/sniff) but … > > > I want the reader to know that", "reminiscing nostalgically on a personal blog and I want to insert an onomatopoeic", "I want to insert an onomatopoeic sniff. > > My days spent raiding", "command common in (older?) online RPGs. I used to use this one a", "one only appreciated by a certain subculture of online gamers. 2. *(\\sniff) I", "like a comment in computer code. 3. (sniff) Just putting the onomatopoeia in", "out of touch with what the younger cool kids are doing these days.", "and where they come from. I also feel that I am out of", "know that I actually audibly sniffed a nostalgic sniff as I wrote that.", "before. I don’t know where it came from but it looks a bit", "computer code. 3. (sniff) Just putting the onomatopoeia in brackets seems a little", "subculture of online gamers. 2. (\\sniff)* I have seen this style before. I", "sniff as I wrote that. I know there are no rules. I want", "“emote” command common in (older?) online RPGs. I used to use this one", "to know what common conventions are out there and where they come from.", "code. 3. (sniff) Just putting the onomatopoeia in brackets seems a little unimaginative.", "in brackets seems a little unimaginative. Are there other popularly recognised styles for", "are no rules. I want to know what common conventions are out there", "what the younger cool kids are doing these days. 1. (/sniff) This looks", "on a personal blog and I want to insert an onomatopoeic sniff. >", "dungeons in Hibernia are long over (/sniff) but … > > > I", "this style before. I don’t know where it came from but it looks", "from. I also feel that I am out of touch with what the", "doing these days. 1. (/sniff) This looks like an “emote” command common in", "where it came from but it looks a bit like a comment in", "(sniff) Just putting the onomatopoeia in brackets seems a little unimaginative. Are there", "a personal blog and I want to insert an onomatopoeic sniff. > >", "I know there are no rules. I want to know what common conventions", "rules. I want to know what common conventions are out there and where", "touch with what the younger cool kids are doing these days. 1. (/sniff)", "is one only appreciated by a certain subculture of online gamers. 2. *(\\sniff)", "it came from but it looks a bit like a comment in computer", "they come from. I also feel that I am out of touch with", "want the reader to know that I actually audibly sniffed a nostalgic sniff", "in Hibernia are long over (/sniff) but … > > > I want", "> > My days spent raiding dungeons in Hibernia are long over (/sniff)", "I used to use this one a lot but refrain these days as", "kids are doing these days. 1. (/sniff) This looks like an “emote” command", "2. (\\sniff)* I have seen this style before. I don’t know where it", "I want the reader to know that I actually audibly sniffed a nostalgic", "nostalgically on a personal blog and I want to insert an onomatopoeic sniff.", "(older?) online RPGs. I used to use this one a lot but refrain", "Just putting the onomatopoeia in brackets seems a little unimaginative. Are there other", "I wrote that. I know there are no rules. I want to know", "and I want to insert an onomatopoeic sniff. > > My days spent", "I want to know what common conventions are out there and where they", "these days. 1. (/sniff) This looks like an “emote” command common in (older?)", "an “emote” command common in (older?) online RPGs. I used to use this", "common in (older?) online RPGs. I used to use this one a lot", "am out of touch with what the younger cool kids are doing these", "online gamers. 2. *(\\sniff)** I have seen this style before. I don’t know", "no rules. I want to know what common conventions are out there and", "sniff. > > My days spent raiding dungeons in Hibernia are long over", "I am out of touch with what the younger cool kids are doing", "spent raiding dungeons in Hibernia are long over (/sniff) but … > >", "blog and I want to insert an onomatopoeic sniff. > > My days" ]
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[ "for being that way? Should nothing happen by chance? > > > Just", "him to where he needs to go to advance the plot. He meets", "come across it. To add a little note about my thing where the", "important to the development of the plot show up at completely a random", "just like that. Question -------- I'm aiming not to limit this question to", "it. To add a little note about my thing where the guy just", "warrior who can direct him to where he needs to go to advance", "very good, plot centric reason.I still see that as chance though. It was", "total chance that the assassins would have come across it. To add a", "stroll and discovering something jolly spiffing! > > Two assassins sent out to", "story, so here we go: > > Is it bad storytelling to have", "to sleep and wanting to go and do something, get some exercise and", "to tire yourself so much you can't do anything but sleep. In a", "appeared at any location in the entire world. The place it was located", "was total chance that the assassins would have come across it. To add", "happens to come across a character important to the development of the plot", "show up at completely a random time: > > Is it bad to", "to go and do something, get some exercise and air to help sleep.", "chance? For example, my guy discovering a frail warrior who knows how to", "happen by chance? > > > Just to add to my examples. That", "reasons the Chart of Sinners is there is actually very extensive. It's got", "actually happens within the book) but I was wondering if it was bad", "place it was located was 100% random for a very good, plot centric", "> > To be honest, I can totally identify with my main character.", "really good reason for being that way? Should nothing happen by chance? >", "up at completely a random time: > > Is it bad to have", "main character. If you need to go to bed and you won't sleep,", "stupid backstory, it's a disaster that actually happens within the book) but I", "to sleep is to tire yourself so much you can't do anything but", "assassins would have come across it. To add a little note about my", "them come across it, just like that. Question -------- I'm aiming not to", "a really good reason for being that way? Should nothing happen by chance?", "have something that opens a massive plot point gateway happen totally by chance?", "which will advance the plot (though the frail warrior kills himself a few", "in the entire world. The place it was located was 100% random for", "> > Well actually with that one the reasons the Chart of Sinners", "to pass by a very important plot item in the middle of the", "> To be honest, I can totally identify with my main character. If", "who can direct him to where he needs to go to advance the", "just happen to pass by a very important plot item in the middle", "> Well actually with that one the reasons the Chart of Sinners is", "get somewhere which will advance the plot (though the frail warrior kills himself", "something that opens a massive plot point gateway happen totally by chance? For", "It's got a reason for how it's just lying on the pavement (not", "and air to help sleep. > > > To be honest, I can", "that actually happens within the book) but I was wondering if it was", "the plot. He meets this warrior while being unable to sleep and wanting", "plot point gateway happen totally by chance? For example, my guy discovering a", "Well actually with that one the reasons the Chart of Sinners is there", "gateway happen totally by chance? For example, my guy discovering a frail warrior", "by a very important plot item in the middle of the road. Wow,", "development of the plot show up at completely a random time: > >", "was wondering if it was bad storytelling to just have them come across", "way? Should nothing happen by chance? > > > Just to add to", "become Kingkillers just happen to pass by a very important plot item in", "the entire world. The place it was located was 100% random for a", "go to bed and you won't sleep, the best way to get yourself", "thing where the guy just happens to come across a character important to", "plot. He meets this warrior while being unable to sleep and wanting to", "meets this warrior while being unable to sleep and wanting to go and", "a lot of things happening by chance. For example: > > The main", "warrior kills himself a few minutes after meeting him due to grief). >", "to just have them come across it, just like that. Question -------- I'm", "extensive. It's got a reason for how it's just lying on the pavement", "is a common theme of my characters being unable to sleep, going out", "yourself so much you can't do anything but sleep. In a huge amount", "of everyone who has ever sinned! It's totally normal to just find that", "this question to just my story, so here we go: > > Is", "location in the entire world. The place it was located was 100% random", "lot of things happening by chance. For example: > > The main character", "happens within the book) but I was wondering if it was bad storytelling", "Chart of Sinners could have appeared at any location in the entire world.", "Background ---------- I recently noticed in my latest masterpiece novel there is quite", "pass by an old, frail warrior who can direct him to where he", "it, just like that. Question -------- I'm aiming not to limit this question", "example: > > The main character just happens to pass by an old,", "important plot item in the middle of the road. Wow, a chart of", "of the road. Wow, a chart of everyone who has ever sinned! It's", "discovering something jolly spiffing!** > > Two assassins sent out to become Kingkillers", "chance that the assassins would have come across it. To add a little", "works there is a common theme of my characters being unable to sleep,", "sleep and wanting to go and do something, get some exercise and air", "totally not unusual. > > > Well actually with that one the reasons", "in the middle of the road. Wow, a chart of everyone who has", "totally by chance? For example, my guy discovering a frail warrior who knows", "sleep is to tire yourself so much you can't do anything but sleep.", "to have something that opens a massive plot point gateway happen totally by", "sinned! It's totally normal to just find that lying around, totally not unusual.", "being unable to sleep and wanting to go and do something, get some", "just have them come across it, just like that. Question -------- I'm aiming", "the plot (though the frail warrior kills himself a few minutes after meeting", "of Sinners could have appeared at any location in the entire world. The", "happening by chance. For example: > > The main character just happens to", "theme of my characters being unable to sleep, going out for a stroll", "masterpiece novel there is quite a lot of things happening by chance. For", "to pass by an old, frail warrior who can direct him to where", "> > > Just to add to my examples. That Chart of Sinners", "to limit this question to just my story, so here we go: >", "the guy just happens to come across a character important to the development", "> > Is it bad to have something that opens a massive plot", "to my examples. That Chart of Sinners could have appeared at any location", "For example: > > The main character just happens to pass by an", "> > Should everything have a really good reason for being that way?", "I can totally identify with my main character. If you need to go", "has ever sinned! It's totally normal to just find that lying around, totally", "chance? > > > Just to add to my examples. That Chart of", "sent out to become Kingkillers just happen to pass by a very important", "that one the reasons the Chart of Sinners is there is actually very", "disaster that actually happens within the book) but I was wondering if it", "> Just to add to my examples. That Chart of Sinners could have", "latest masterpiece novel there is quite a lot of things happening by chance.", "the development of the plot show up at completely a random time: >", "actually with that one the reasons the Chart of Sinners is there is", "to just find that lying around, totally not unusual. > > > Well", "random time: > > Is it bad to have something that opens a", "a common theme of my characters being unable to sleep, going out for", "examples. That Chart of Sinners could have appeared at any location in the", "by chance. For example: > > The main character just happens to pass", "plot (though the frail warrior kills himself a few minutes after meeting him", "to help sleep. > > > To be honest, I can totally identify", "kills himself a few minutes after meeting him due to grief). > >", "the middle of the road. Wow, a chart of everyone who has ever", "to come across a character important to the development of the plot show", "you can't do anything but sleep. In a huge amount of my works", "storytelling to have something notable to the plot happen by complete chance? >", "He meets this warrior while being unable to sleep and wanting to go", "way to get yourself to sleep is to tire yourself so much you", "wondering if it was bad storytelling to just have them come across it,", "come across it, just like that. Question -------- I'm aiming not to limit", "(though the frail warrior kills himself a few minutes after meeting him due", "this warrior while being unable to sleep and wanting to go and do", "I recently noticed in my latest masterpiece novel there is quite a lot", "Chart of Sinners is there is actually very extensive. It's got a reason", "> Is it bad storytelling to have something notable to the plot happen", "to go to bed and you won't sleep, the best way to get", "> > Two assassins sent out to become Kingkillers just happen to pass", "storytelling to just have them come across it, just like that. Question --------", "> > Just to add to my examples. That Chart of Sinners could", "that the assassins would have come across it. To add a little note", "noticed in my latest masterpiece novel there is quite a lot of things", "bad to have something that opens a massive plot point gateway happen totally", "> The main character just happens to pass by an old, frail warrior", "we go: > > Is it bad storytelling to have something notable to", "reason.I still see that as chance though. It was total chance that the", "chart of everyone who has ever sinned! It's totally normal to just find", "massive plot point gateway happen totally by chance? For example, my guy discovering", "everyone who has ever sinned! It's totally normal to just find that lying", "needs to go to advance the plot. He meets this warrior while being", "have them come across it, just like that. 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It was total", "a disaster that actually happens within the book) but I was wondering if", "as chance though. It was total chance that the assassins would have come", "discovering a frail warrior who knows how to get somewhere which will advance", "> > > Should everything have a really good reason for being that", "---------- I recently noticed in my latest masterpiece novel there is quite a", "Question -------- I'm aiming not to limit this question to just my story,", "unable to sleep, going out for a stroll and discovering something jolly spiffing!", "Sinners is there is actually very extensive. It's got a reason for how", "In a huge amount of my works there is a common theme of", "will advance the plot (though the frail warrior kills himself a few minutes", "to get somewhere which will advance the plot (though the frail warrior kills", "totally identify with my main character. 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The world", "Potfeq) is so vast and unexplored that I could spawn novels from tangents", "so vast and unexplored that I could spawn novels from tangents of my", "that I could spawn novels from tangents of my main story. I have", "environmental/culture aspects * General character notes * General conflict * First attempt at", "by another character, key moments, revelations etc.) * Another attempt at combining notes", "constantly taking notes and find myself fighting the desire to spawn another hellish", "know the key point of my story, what I want to achieve, what", "of fanfiction I'm writing, and I have significantly more than that in notes.", "to take away - but the notes are unwieldy. Have you any tips", "you any tips on how I can manage these things? So far I'm", "notes Worst still, I am constantly taking notes and find myself fighting the", "unwieldy. Have you any tips on how I can manage these things? So", "spawn novels from tangents of my main story. I have pruned my notes.", "unexplored that I could spawn novels from tangents of my main story. I", "YEAR \| MONTH \| DATE \| TIME * Specific conflict (grooming of MC", "notes. I know the key point of my story, what I want to", "away - but the notes are unwieldy. Have you any tips on how", "TIME * Specific conflict (grooming of MC by another character, key moments, revelations", "of my story. The world I'm writing for (Hijrp Potfeq) is so vast", "significantly more than that in notes. Such areas covered in separate documents are:", "Such areas covered in separate documents are: * General world-building, environmental/culture aspects ", " General conflict * First attempt at combining notes for general reference ", "I'm less than ten thousand words into a piece of fanfiction I'm writing,", " Timeline of events - YEAR \| MONTH \| DATE \| TIME ", "of MC by another character, key moments, revelations etc.) Another attempt at", "another hellish document for other aspects of my story. The world I'm writing", "pruned my notes. I know the key point of my story, what I", "fighting the desire to spawn another hellish document for other aspects of my", "* General world-building, environmental/culture aspects * General character notes * General conflict ", "on how I can manage these things? So far I'm writing in Notepad", "take away - but the notes are unwieldy. Have you any tips on", " General character notes * General conflict * First attempt at combining notes", "of events - YEAR \| MONTH \| DATE \| TIME * Specific conflict", "* Another attempt at combining notes Worst still, I am constantly taking notes", "general note taking and transferring that to MS Word organised notes. Thanks for", "fanfiction I'm writing, and I have significantly more than that in notes. Such", "I can manage these things? So far I'm writing in Notepad for general", "I'm writing for (Hijrp Potfeq) is so vast and unexplored that I could", "world I'm writing for (Hijrp Potfeq) is so vast and unexplored that I", "what I want to achieve, what I want the reader to take away", "general reference * Timeline of events - YEAR \| MONTH \| DATE \|", "how I can manage these things? So far I'm writing in Notepad for", "conflict * First attempt at combining notes for general reference * Timeline of", "- but the notes are unwieldy. Have you any tips on how I", "at combining notes Worst still, I am constantly taking notes and find myself", "* First attempt at combining notes for general reference * Timeline of events", "for (Hijrp Potfeq) is so vast and unexplored that I could spawn novels", "transferring that to MS Word organised notes. Thanks for any help you can", "piece of fanfiction I'm writing, and I have significantly more than that in", "in Notepad for general note taking and transferring that to MS Word organised", "and find myself fighting the desire to spawn another hellish document for other", "and transferring that to MS Word organised notes. Thanks for any help you", "notes * General conflict * First attempt at combining notes for general reference", "my story, what I want to achieve, what I want the reader to", "MONTH \| DATE \| TIME * Specific conflict (grooming of MC by another", "I have significantly more than that in notes. Such areas covered in separate", "in notes. Such areas covered in separate documents are: * General world-building, environmental/culture", "First attempt at combining notes for general reference * Timeline of events -", "my main story. I have pruned my notes. I know the key point", "DATE \| TIME * Specific conflict (grooming of MC by another character, key", "desire to spawn another hellish document for other aspects of my story. The", "The world I'm writing for (Hijrp Potfeq) is so vast and unexplored that", "my notes. I know the key point of my story, what I want", "hellish document for other aspects of my story. The world I'm writing for", "that to MS Word organised notes. 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Have", "another character, key moments, revelations etc.) * Another attempt at combining notes Worst", "I'm writing, and I have significantly more than that in notes. Such areas", "into a piece of fanfiction I'm writing, and I have significantly more than", "moments, revelations etc.) * Another attempt at combining notes Worst still, I am", "main story. I have pruned my notes. I know the key point of", "taking notes and find myself fighting the desire to spawn another hellish document", "have pruned my notes. I know the key point of my story, what", "myself fighting the desire to spawn another hellish document for other aspects of", "any tips on how I can manage these things? So far I'm writing", "Have you any tips on how I can manage these things? So far", "separate documents are: * General world-building, environmental/culture aspects * General character notes ", "are: General world-building, environmental/culture aspects * General character notes * General conflict", "story. 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The world I'm writing for (Hijrp Potfeq) is so", "is so vast and unexplored that I could spawn novels from tangents of", "the notes are unwieldy. Have you any tips on how I can manage", "at combining notes for general reference * Timeline of events - YEAR \|", "but the notes are unwieldy. Have you any tips on how I can", "a piece of fanfiction I'm writing, and I have significantly more than that", "what I want the reader to take away - but the notes are", "and I have significantly more than that in notes. Such areas covered in", "tangents of my main story. I have pruned my notes. I know the", "I could spawn novels from tangents of my main story. I have pruned", "reader to take away - but the notes are unwieldy. Have you any", "notes are unwieldy. Have you any tips on how I can manage these", "story. I have pruned my notes. I know the key point of my", "ten thousand words into a piece of fanfiction I'm writing, and I have", "character, key moments, revelations etc.) * Another attempt at combining notes Worst still,", "notes for general reference * Timeline of events - YEAR \| MONTH \|", "Timeline of events - YEAR \| MONTH \| DATE \| TIME * Specific", "that in notes. Such areas covered in separate documents are: * General world-building,", "taking and transferring that to MS Word organised notes. Thanks for any help", "in separate documents are: * General world-building, environmental/culture aspects * General character notes", "and unexplored that I could spawn novels from tangents of my main story.", "I am constantly taking notes and find myself fighting the desire to spawn", "than that in notes. Such areas covered in separate documents are: * General", "* Specific conflict (grooming of MC by another character, key moments, revelations etc.)", "document for other aspects of my story. The world I'm writing for (Hijrp", "conflict (grooming of MC by another character, key moments, revelations etc.) * Another", "novels from tangents of my main story. I have pruned my notes. I", "point of my story, what I want to achieve, what I want the", "(Hijrp Potfeq) is so vast and unexplored that I could spawn novels from", "combining notes for general reference * Timeline of events - YEAR \| MONTH", "Another attempt at combining notes Worst still, I am constantly taking notes and", "revelations etc.) * Another attempt at combining notes Worst still, I am constantly", "manage these things? So far I'm writing in Notepad for general note taking", "more than that in notes. Such areas covered in separate documents are: ", "aspects General character notes * General conflict * First attempt at combining", "find myself fighting the desire to spawn another hellish document for other aspects", "for general note taking and transferring that to MS Word organised notes. Thanks", "have significantly more than that in notes. Such areas covered in separate documents", "reference * Timeline of events - YEAR \| MONTH \| DATE \| TIME", "words into a piece of fanfiction I'm writing, and I have significantly more", "writing in Notepad for general note taking and transferring that to MS Word", "I want the reader to take away - but the notes are unwieldy.", "far I'm writing in Notepad for general note taking and transferring that to" ]
[ "to improve the quality of my prose? 2) If the answer to the", "unique style of writing. The quality of prose is consistently maintained across the", "above question is to read a lot of essays, how should I read", "way to improve the quality of my prose? 2) If the answer to", "I read Emerson's essays, I see that he has a unique style of", "read them? Should I read actively, dissecting every sentence, and analysing it? Or", "has a unique style of writing. The quality of prose is consistently maintained", "improve the quality of my prose? 2) If the answer to the above", "very pedestrian prose. Though I am able to convey ideas, the beauty of", "am able to convey ideas, the beauty of expression and the literary flourish", "convey ideas, the beauty of expression and the literary flourish is missing. Questions", "dissecting every sentence, and analysing it? Or should I just read and expect", "Questions 1) What is the best way to improve the quality of my", "If the answer to the above question is to read a lot of", "read actively, dissecting every sentence, and analysing it? Or should I just read", "the beauty of expression and the literary flourish is missing. Questions 1) What", "question is to read a lot of essays, how should I read them?", "writing essays. When I read Emerson's essays, I see that he has a", "and analysing it? Or should I just read and expect it do wonders", "essays. I write very pedestrian prose. Though I am able to convey ideas,", "essays, how should I read them? Should I read actively, dissecting every sentence,", "flourish is missing. Questions 1) What is the best way to improve the", "Or should I just read and expect it do wonders to my writing?", "the quality of my prose? 2) If the answer to the above question", "Emerson's essays, I see that he has a unique style of writing. The", "am interested in writing essays. When I read Emerson's essays, I see that", "of prose is consistently maintained across the essays. I write very pedestrian prose.", "What is the best way to improve the quality of my prose? 2)", "missing. Questions 1) What is the best way to improve the quality of", "essays, I see that he has a unique style of writing. The quality", "literary flourish is missing. Questions 1) What is the best way to improve", "analysing it? Or should I just read and expect it do wonders to", "is the best way to improve the quality of my prose? 2) If", "maintained across the essays. I write very pedestrian prose. Though I am able", "2) If the answer to the above question is to read a lot", "every sentence, and analysing it? Or should I just read and expect it", "the above question is to read a lot of essays, how should I", "is to read a lot of essays, how should I read them? Should", "prose is consistently maintained across the essays. I write very pedestrian prose. Though", "a unique style of writing. The quality of prose is consistently maintained across", "interested in writing essays. When I read Emerson's essays, I see that he", "prose. Though I am able to convey ideas, the beauty of expression and", "a lot of essays, how should I read them? Should I read actively,", "to convey ideas, the beauty of expression and the literary flourish is missing.", "expression and the literary flourish is missing. Questions 1) What is the best", "answer to the above question is to read a lot of essays, how", "and the literary flourish is missing. Questions 1) What is the best way", "is consistently maintained across the essays. I write very pedestrian prose. Though I", "how should I read them? Should I read actively, dissecting every sentence, and", "style of writing. The quality of prose is consistently maintained across the essays.", "across the essays. I write very pedestrian prose. Though I am able to", "the essays. I write very pedestrian prose. Though I am able to convey", "I write very pedestrian prose. Though I am able to convey ideas, the", "the best way to improve the quality of my prose? 2) If the", "I read them? Should I read actively, dissecting every sentence, and analysing it?", "I am interested in writing essays. When I read Emerson's essays, I see", "to the above question is to read a lot of essays, how should", "the literary flourish is missing. Questions 1) What is the best way to", "of expression and the literary flourish is missing. Questions 1) What is the", "Should I read actively, dissecting every sentence, and analysing it? Or should I", "them? Should I read actively, dissecting every sentence, and analysing it? Or should", "pedestrian prose. Though I am able to convey ideas, the beauty of expression", "I read actively, dissecting every sentence, and analysing it? Or should I just", "that he has a unique style of writing. The quality of prose is", "consistently maintained across the essays. I write very pedestrian prose. Though I am", "actively, dissecting every sentence, and analysing it? Or should I just read and", "quality of prose is consistently maintained across the essays. I write very pedestrian", "lot of essays, how should I read them? Should I read actively, dissecting", "of writing. The quality of prose is consistently maintained across the essays. I", "ideas, the beauty of expression and the literary flourish is missing. Questions 1)", "see that he has a unique style of writing. The quality of prose", "is missing. Questions 1) What is the best way to improve the quality", "read Emerson's essays, I see that he has a unique style of writing.", "write very pedestrian prose. Though I am able to convey ideas, the beauty", "it? Or should I just read and expect it do wonders to my", "my prose? 2) If the answer to the above question is to read", "read a lot of essays, how should I read them? Should I read", "able to convey ideas, the beauty of expression and the literary flourish is", "of my prose? 2) If the answer to the above question is to", "should I read them? Should I read actively, dissecting every sentence, and analysing", "writing. The quality of prose is consistently maintained across the essays. I write", "he has a unique style of writing. The quality of prose is consistently", "I am able to convey ideas, the beauty of expression and the literary", "of essays, how should I read them? Should I read actively, dissecting every", "essays. When I read Emerson's essays, I see that he has a unique", "beauty of expression and the literary flourish is missing. Questions 1) What is", "I see that he has a unique style of writing. The quality of", "When I read Emerson's essays, I see that he has a unique style", "to read a lot of essays, how should I read them? Should I", "The quality of prose is consistently maintained across the essays. I write very", "the answer to the above question is to read a lot of essays,", "quality of my prose? 2) If the answer to the above question is", "best way to improve the quality of my prose? 2) If the answer", "in writing essays. When I read Emerson's essays, I see that he has", "1) What is the best way to improve the quality of my prose?", "sentence, and analysing it? Or should I just read and expect it do", "prose? 2) If the answer to the above question is to read a", "Though I am able to convey ideas, the beauty of expression and the" ]
[ "J. MacHale. Excellent books, if a little lacking in the area of character", "research into twists, and after not knowing how to create one, I'm starting", "the better, and here's why: I recently finished reading the SYLO Chronicles, by", "the final chapter, after the main conflict was all over, was a twist", "a mystery, and every chapter something changes, either making less sense, or making", "twists. Background: To understand where I'm coming from, you have to know that", "lot of twists, and I'm wondering if there is any problem with that.", "little lacking in the area of character development. What made them so great", "me to look at the whole plot at once. Mark Baker's (now displayed", "a way to drift away from it so that I can twist to", "direction. Even the final chapter, after the main conflict was all over, was", "every little turn of the plot, every scene down to the dialogue said.", "Excellent books, if a little lacking in the area of character development. What", "some research into twists, and after not knowing how to create one, I'm", "writing (you'll have to read it; I won't spoil it). The point is,", "the spectrum, and wondering if I can have too many twists. Background: To", "(now displayed as 'user16226') answer on [this question](https://writers.stackexchange.com/questions/25921/how-can-i-get-in-the-habit-of-writing-with-twists) has introduced me to the", "to read it; I won't spoil it). The point is, I loved those", "more twists the better, and here's why: I recently finished reading the SYLO", "coming from, you have to know that I plan and develop my novels", "all people. Question:* Is there anything wrong with including a large number of", "I know every little turn of the plot, every scene down to the", "after not knowing how to create one, I'm starting to get a handle", "I want very much to simply say that the more twists the better,", "it; I won't spoil it). The point is, I loved those books. Nothing", "know that. What I'm wondering is if there are any actual red flags", "doing that is going to yield a lot of twists, and I'm wondering", "them. Unfortunately, now I'm at the other end of the spectrum, and wondering", "Yes! Twists abound! I'm now realizing that doing that is going to yield", "them so great though was the unending twists. The entire setting was a", "of character development. What made them so great though was the unending twists.", "the concept of drifting off course so that I can twist back to", "the writing (you'll have to read it; I won't spoil it). The point", "realizing that doing that is going to yield a lot of twists, and", "won't spoil it). The point is, I loved those books. Nothing was certain,", "that I can twist back to the story. This means I just look", "question](https://writers.stackexchange.com/questions/25921/how-can-i-get-in-the-habit-of-writing-with-twists) has introduced me to the concept of drifting off course so that", "making less sense, or making more sense in the wrong direction. Even the", "way to drift away from it so that I can twist to it.", "twists? I realize twists aren't for everybody. I know that. What I'm wondering", "anything wrong with including a large number of twists? I realize twists aren't", "of twists? I realize twists aren't for everybody. I know that. What I'm", "the story, then find a way to drift away from it so that", "in the wrong direction. Even the final chapter, after the main conflict was", "character development. What made them so great though was the unending twists. The", "less sense, or making more sense in the wrong direction. Even the final", "yield a lot of twists, and I'm wondering if there is any problem", "and every chapter something changes, either making less sense, or making more sense", "to simply say that the more twists the better, and here's why: I", "better, and here's why: I recently finished reading the SYLO Chronicles, by D.", "develop my novels extensively before writing a single word. I know every little", "turn of the plot, every scene down to the dialogue said. Then I", "those books. Nothing was certain, there were twists everywhere, and I loved it.", "Background: To understand where I'm coming from, you have to know that I", "Even the final chapter, after the main conflict was all over, was a", "there is any problem with that. I want very much to simply say", "However, I realize that might not apply to all people. Question: Is there", "I loved it. However, I realize that might not apply to all people.", "as 'user16226') answer on [this question](https://writers.stackexchange.com/questions/25921/how-can-i-get-in-the-habit-of-writing-with-twists) has introduced me to the concept of", "where I'm coming from, you have to know that I plan and develop", "me to the concept of drifting off course so that I can twist", "once. Mark Baker's (now displayed as 'user16226') answer on [this question](https://writers.stackexchange.com/questions/25921/how-can-i-get-in-the-habit-of-writing-with-twists) has introduced", "I need for the story, then find a way to drift away from", "conflict was all over, was a twist simply through the writing (you'll have", "problem with that. I want very much to simply say that the more", "I recently finished reading the SYLO Chronicles, by D. J. MacHale. Excellent books,", "have too many twists. Background: To understand where I'm coming from, you have", "spectrum, and wondering if I can have too many twists. Background: To understand", "the whole plot at once. Mark Baker's (now displayed as 'user16226') answer on", "I realize that might not apply to all people. Question: Is there anything", "loved it. However, I realize that might not apply to all people. Question:", "mystery, and every chapter something changes, either making less sense, or making more", "have to know that I plan and develop my novels extensively before writing", "can twist back to the story. This means I just look at what", "lacking in the area of character development. What made them so great though", "was a twist simply through the writing (you'll have to read it; I", "introduced me to the concept of drifting off course so that I can", "was the unending twists. The entire setting was a mystery, and every chapter", "I can twist to it. Yes! Twists abound! I'm now realizing that doing", "plan and develop my novels extensively before writing a single word. I know", "find a way to drift away from it so that I can twist", "SYLO Chronicles, by D. J. MacHale. Excellent books, if a little lacking in", "course so that I can twist back to the story. This means I", "if there are any actual red flags concerning the number of twists to", "To understand where I'm coming from, you have to know that I plan", "Baker's (now displayed as 'user16226') answer on [this question](https://writers.stackexchange.com/questions/25921/how-can-i-get-in-the-habit-of-writing-with-twists) has introduced me to", "in the area of character development. What made them so great though was", "understand where I'm coming from, you have to know that I plan and", "I realize twists aren't for everybody. I know that. What I'm wondering is", "or making more sense in the wrong direction. Even the final chapter, after", "large number of twists? I realize twists aren't for everybody. I know that.", "on [this question](https://writers.stackexchange.com/questions/25921/how-can-i-get-in-the-habit-of-writing-with-twists) has introduced me to the concept of drifting off course", "at the whole plot at once. Mark Baker's (now displayed as 'user16226') answer", "the story. This means I just look at what I need for the", "by D. J. MacHale. Excellent books, if a little lacking in the area", "look at what I need for the story, then find a way to", "read it; I won't spoil it). The point is, I loved those books.", "extensively before writing a single word. I know every little turn of the", "can twist to it. Yes! Twists abound! I'm now realizing that doing that", "simply through the writing (you'll have to read it; I won't spoil it).", "look at the whole plot at once. Mark Baker's (now displayed as 'user16226')", "end of the spectrum, and wondering if I can have too many twists.", "I can have too many twists. Background: To understand where I'm coming from,", "that I can twist to it. Yes! Twists abound! I'm now realizing that", "Twists abound! I'm now realizing that doing that is going to yield a", "a lot of twists, and I'm wondering if there is any problem with", "it. However, I realize that might not apply to all people. Question: Is", "novels extensively before writing a single word. I know every little turn of", "doing some research into twists, and after not knowing how to create one,", "now realizing that doing that is going to yield a lot of twists,", "to the dialogue said. Then I write it. Creating novels this way allows", "is if there are any actual red flags concerning the number of twists", "wondering if there is any problem with that. I want very much to", "development. What made them so great though was the unending twists. The entire", "made them so great though was the unending twists. The entire setting was", "twist simply through the writing (you'll have to read it; I won't spoil", "knowing how to create one, I'm starting to get a handle on them.", "has introduced me to the concept of drifting off course so that I", "Is there anything wrong with including a large number of twists? I realize", "and wondering if I can have too many twists. Background: To understand where", "chapter something changes, either making less sense, or making more sense in the", "can have too many twists. Background: To understand where I'm coming from, you", "wondering if I can have too many twists. Background: To understand where I'm", "a handle on them. Unfortunately, now I'm at the other end of the", "other end of the spectrum, and wondering if I can have too many", "now I'm at the other end of the spectrum, and wondering if I", "the plot, every scene down to the dialogue said. Then I write it.", "I'm coming from, you have to know that I plan and develop my", "all over, was a twist simply through the writing (you'll have to read", "the more twists the better, and here's why: I recently finished reading the", "I won't spoil it). The point is, I loved those books. Nothing was", "with including a large number of twists? I realize twists aren't for everybody.", "and here's why: I recently finished reading the SYLO Chronicles, by D. J.", "abound! I'm now realizing that doing that is going to yield a lot", "displayed as 'user16226') answer on [this question](https://writers.stackexchange.com/questions/25921/how-can-i-get-in-the-habit-of-writing-with-twists) has introduced me to the concept", "MacHale. Excellent books, if a little lacking in the area of character development.", "at the other end of the spectrum, and wondering if I can have", "answer on [this question](https://writers.stackexchange.com/questions/25921/how-can-i-get-in-the-habit-of-writing-with-twists) has introduced me to the concept of drifting off", "simply say that the more twists the better, and here's why: I recently", "great though was the unending twists. The entire setting was a mystery, and", "the area of character development. What made them so great though was the", "is, I loved those books. Nothing was certain, there were twists everywhere, and", "were twists everywhere, and I loved it. However, I realize that might not", "everywhere, and I loved it. However, I realize that might not apply to", "books. Nothing was certain, there were twists everywhere, and I loved it. However,", "I know that. What I'm wondering is if there are any actual red", "what I need for the story, then find a way to drift away", "plot, every scene down to the dialogue said. Then I write it. Creating", "[this question](https://writers.stackexchange.com/questions/25921/how-can-i-get-in-the-habit-of-writing-with-twists) has introduced me to the concept of drifting off course so", "though was the unending twists. The entire setting was a mystery, and every", "said. Then I write it. Creating novels this way allows me to look", "if a little lacking in the area of character development. What made them", "with that. I want very much to simply say that the more twists", "write it. Creating novels this way allows me to look at the whole", "(you'll have to read it; I won't spoil it). The point is, I", "Question: Is there anything wrong with including a large number of twists? I", "area of character development. What made them so great though was the unending", "so that I can twist back to the story. This means I just", "not apply to all people. Question: Is there anything wrong with including a", "every chapter something changes, either making less sense, or making more sense in", "I'm now realizing that doing that is going to yield a lot of", "to it. Yes! Twists abound! I'm now realizing that doing that is going", "everybody. I know that. What I'm wondering is if there are any actual", "to create one, I'm starting to get a handle on them. Unfortunately, now", "from, you have to know that I plan and develop my novels extensively", "What made them so great though was the unending twists. The entire setting", "sense, or making more sense in the wrong direction. Even the final chapter,", "it so that I can twist to it. Yes! Twists abound! I'm now", "get a handle on them. Unfortunately, now I'm at the other end of", "Unfortunately, now I'm at the other end of the spectrum, and wondering if", "changes, either making less sense, or making more sense in the wrong direction.", "Then I write it. Creating novels this way allows me to look at", "point is, I loved those books. Nothing was certain, there were twists everywhere,", "either making less sense, or making more sense in the wrong direction. Even", "it). The point is, I loved those books. Nothing was certain, there were", "Nothing was certain, there were twists everywhere, and I loved it. However, I", "at what I need for the story, then find a way to drift", "there anything wrong with including a large number of twists? I realize twists", "twists, and I'm wondering if there is any problem with that. I want", "from it so that I can twist to it. Yes! Twists abound! I'm", "every scene down to the dialogue said. Then I write it. Creating novels", "wondering is if there are any actual red flags concerning the number of", "of the spectrum, and wondering if I can have too many twists. Background:", "allows me to look at the whole plot at once. Mark Baker's (now", "The point is, I loved those books. Nothing was certain, there were twists", "something changes, either making less sense, or making more sense in the wrong", "more sense in the wrong direction. Even the final chapter, after the main", "little turn of the plot, every scene down to the dialogue said. Then", "number of twists? I realize twists aren't for everybody. I know that. What", "if there is any problem with that. I want very much to simply", "that. I want very much to simply say that the more twists the", "that doing that is going to yield a lot of twists, and I'm", "why: I recently finished reading the SYLO Chronicles, by D. J. MacHale. 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The entire setting was a mystery, and every chapter something changes, either", "chapter, after the main conflict was all over, was a twist simply through", "realize twists aren't for everybody. I know that. What I'm wondering is if", "to get a handle on them. Unfortunately, now I'm at the other end", "apply to all people. Question: Is there anything wrong with including a large", "books, if a little lacking in the area of character development. What made", "one, I'm starting to get a handle on them. Unfortunately, now I'm at", "need for the story, then find a way to drift away from it", "want very much to simply say that the more twists the better, and", "back to the story. This means I just look at what I need", "making more sense in the wrong direction. Even the final chapter, after the", "a little lacking in the area of character development. 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The entire setting was a mystery, and every chapter something changes,", "to drift away from it so that I can twist to it. Yes!", "a large number of twists? I realize twists aren't for everybody. I know", "a twist simply through the writing (you'll have to read it; I won't", "going to yield a lot of twists, and I'm wondering if there is", "plot at once. Mark Baker's (now displayed as 'user16226') answer on [this question](https://writers.stackexchange.com/questions/25921/how-can-i-get-in-the-habit-of-writing-with-twists)", "that might not apply to all people. Question: Is there anything wrong with", "to all people. Question: Is there anything wrong with including a large number", "it. Creating novels this way allows me to look at the whole plot", "spoil it). The point is, I loved those books. Nothing was certain, there", "I'm starting to get a handle on them. Unfortunately, now I'm at the", "and I'm wondering if there is any problem with that. I want very", "drifting off course so that I can twist back to the story. This", "have to read it; I won't spoil it). The point is, I loved", "how to create one, I'm starting to get a handle on them. Unfortunately,", "any problem with that. I want very much to simply say that the", "there were twists everywhere, and I loved it. However, I realize that might", "handle on them. Unfortunately, now I'm at the other end of the spectrum,", "twists everywhere, and I loved it. However, I realize that might not apply", "was a mystery, and every chapter something changes, either making less sense, or", "been doing some research into twists, and after not knowing how to create", "certain, there were twists everywhere, and I loved it. However, I realize that", "at once. Mark Baker's (now displayed as 'user16226') answer on [this question](https://writers.stackexchange.com/questions/25921/how-can-i-get-in-the-habit-of-writing-with-twists) has", "to yield a lot of twists, and I'm wondering if there is any", "on them. Unfortunately, now I'm at the other end of the spectrum, and", "I'm wondering is if there are any actual red flags concerning the number", "not knowing how to create one, I'm starting to get a handle on", "twists the better, and here's why: I recently finished reading the SYLO Chronicles,", "the unending twists. The entire setting was a mystery, and every chapter something", "D. J. MacHale. Excellent books, if a little lacking in the area of", "is any problem with that. I want very much to simply say that", "down to the dialogue said. Then I write it. Creating novels this way", "Creating novels this way allows me to look at the whole plot at", "here's why: I recently finished reading the SYLO Chronicles, by D. J. MacHale.", "What I'm wondering is if there are any actual red flags concerning the", "very much to simply say that the more twists the better, and here's", "I've been doing some research into twists, and after not knowing how to", "for the story, then find a way to drift away from it so", "to the story. This means I just look at what I need for", "a single word. I know every little turn of the plot, every scene", "aren't for everybody. I know that. What I'm wondering is if there are", "way allows me to look at the whole plot at once. Mark Baker's", "through the writing (you'll have to read it; I won't spoil it). The", "of drifting off course so that I can twist back to the story.", "twists aren't for everybody. I know that. What I'm wondering is if there", "story, then find a way to drift away from it so that I", "and I loved it. However, I realize that might not apply to all", "to know that I plan and develop my novels extensively before writing a", "sense in the wrong direction. Even the final chapter, after the main conflict", "people. Question: Is there anything wrong with including a large number of twists?", "know that I plan and develop my novels extensively before writing a single", "setting was a mystery, and every chapter something changes, either making less sense,", "I'm wondering if there is any problem with that. I want very much", "wrong direction. Even the final chapter, after the main conflict was all over,", "then find a way to drift away from it so that I can", "to the concept of drifting off course so that I can twist back", "main conflict was all over, was a twist simply through the writing (you'll", "say that the more twists the better, and here's why: I recently finished", "after the main conflict was all over, was a twist simply through the", "that the more twists the better, and here's why: I recently finished reading", "create one, I'm starting to get a handle on them. Unfortunately, now I'm", "I'm at the other end of the spectrum, and wondering if I can", "this way allows me to look at the whole plot at once. Mark", "so great though was the unending twists. The entire setting was a mystery,", "This means I just look at what I need for the story, then", "I plan and develop my novels extensively before writing a single word. I", "before writing a single word. I know every little turn of the plot,", "loved those books. Nothing was certain, there were twists everywhere, and I loved", "my novels extensively before writing a single word. I know every little turn", "you have to know that I plan and develop my novels extensively before", "the main conflict was all over, was a twist simply through the writing", "twist back to the story. This means I just look at what I", "for everybody. I know that. What I'm wondering is if there are any", "know every little turn of the plot, every scene down to the dialogue", "that I plan and develop my novels extensively before writing a single word.", "story. This means I just look at what I need for the story,", "it. Yes! Twists abound! I'm now realizing that doing that is going to", "whole plot at once. Mark Baker's (now displayed as 'user16226') answer on [this", "much to simply say that the more twists the better, and here's why:", "I can twist back to the story. This means I just look at", "if I can have too many twists. Background: To understand where I'm coming", "dialogue said. Then I write it. Creating novels this way allows me to", "the SYLO Chronicles, by D. J. MacHale. Excellent books, if a little lacking", "I write it. Creating novels this way allows me to look at the", "might not apply to all people. Question: Is there anything wrong with including", "off course so that I can twist back to the story. This means", "I just look at what I need for the story, then find a", "too many twists. Background: To understand where I'm coming from, you have to", "realize that might not apply to all people. Question: Is there anything wrong", "finished reading the SYLO Chronicles, by D. J. MacHale. Excellent books, if a", "Chronicles, by D. J. MacHale. Excellent books, if a little lacking in the", "is going to yield a lot* of twists, and I'm wondering if there", "and develop my novels extensively before writing a single word. I know every", "Mark Baker's (now displayed as 'user16226') answer on [this question](https://writers.stackexchange.com/questions/25921/how-can-i-get-in-the-habit-of-writing-with-twists) has introduced me", "the dialogue said. Then I write it. Creating novels this way allows me", "so that I can twist to it. Yes! Twists abound! I'm now realizing", "starting to get a handle on them. Unfortunately, now I'm at the other", "of the plot, every scene down to the dialogue said. Then I write", "that is going to yield a lot of twists, and I'm wondering if", "single word. I know every little turn of the plot, every scene down", "concept of drifting off course so that I can twist back to the", "twist to it. Yes! Twists abound! I'm now realizing that doing that is", "final chapter, after the main conflict was all over, was a twist simply", "means I just look at what I need for the story, then find", "word. I know every little turn of the plot, every scene down to", "over, was a twist simply through the writing (you'll have to read it;", "novels this way allows me to look at the whole plot at once.", "I loved those books. Nothing was certain, there were twists everywhere, and I", "was all over, was a twist simply through the writing (you'll have to", "recently finished reading the SYLO Chronicles, by D. J. MacHale. Excellent books, if" ]
[ "if events lead to it. So my question is, since she isn't really", "main group if events lead to it. So my question is, since she", "include a character who is a free radical. At some points she helps", "entirely an antagonist nor a protagonist, is there a third category that she", "story I'm writing, I want to include a character who is a free", "is, since she isn't really entirely an antagonist nor a protagonist, is there", "even end up joining the main group if events lead to it. So", "end up joining the main group if events lead to it. So my", "want to include a character who is a free radical. At some points", "nor a protagonist, is there a third category that she would fall in?", "a character who is a free radical. At some points she helps the", "it. So my question is, since she isn't really entirely an antagonist nor", "character who is a free radical. At some points she helps the main", "hinders them. She may even end up joining the main group if events", "isn't really entirely an antagonist nor a protagonist, is there a third category", "really entirely an antagonist nor a protagonist, is there a third category that", "them. She may even end up joining the main group if events lead", "main group and at some points she hinders them. She may even end", "I want to include a character who is a free radical. At some", "she isn't really entirely an antagonist nor a protagonist, is there a third", "an antagonist nor a protagonist, is there a third category that she would", "free radical. At some points she helps the main group and at some", "events lead to it. So my question is, since she isn't really entirely", "a free radical. At some points she helps the main group and at", "In the story I'm writing, I want to include a character who is", "to it. So my question is, since she isn't really entirely an antagonist", "since she isn't really entirely an antagonist nor a protagonist, is there a", "the story I'm writing, I want to include a character who is a", "points she helps the main group and at some points she hinders them.", "joining the main group if events lead to it. So my question is,", "she helps the main group and at some points she hinders them. She", "helps the main group and at some points she hinders them. She may", "So my question is, since she isn't really entirely an antagonist nor a", "question is, since she isn't really entirely an antagonist nor a protagonist, is", "the main group if events lead to it. So my question is, since", "my question is, since she isn't really entirely an antagonist nor a protagonist,", "I'm writing, I want to include a character who is a free radical.", "some points she helps the main group and at some points she hinders", "She may even end up joining the main group if events lead to", "antagonist nor a protagonist, is there a third category that she would fall", "writing, I want to include a character who is a free radical. At", "is a free radical. At some points she helps the main group and", "and at some points she hinders them. She may even end up joining", "points she hinders them. She may even end up joining the main group", "she hinders them. She may even end up joining the main group if", "at some points she hinders them. She may even end up joining the", "the main group and at some points she hinders them. She may even", "lead to it. So my question is, since she isn't really entirely an", "radical. At some points she helps the main group and at some points", "who is a free radical. At some points she helps the main group", "group and at some points she hinders them. She may even end up", "up joining the main group if events lead to it. So my question", "group if events lead to it. So my question is, since she isn't", "to include a character who is a free radical. At some points she", "some points she hinders them. She may even end up joining the main", "may even end up joining the main group if events lead to it.", "At some points she helps the main group and at some points she" ]
[ "sources say you never start a sentence with a conjunction, other sources say", "cases better. So can you start a sentence with the word \"But\" and", "say you never start a sentence with a conjunction, other sources say it", "I have read some sources say you never start a sentence with a", "with a conjunction, other sources say it is acceptable. and in some cases", "a sentence with a conjunction, other sources say it is acceptable. and in", "conjunction, other sources say it is acceptable. and in some cases better. So", "and in some cases better. So can you start a sentence with the", "you start a sentence with the word \"But\" and if so, when is", "sentence with a conjunction, other sources say it is acceptable. and in some", "have read some sources say you never start a sentence with a conjunction,", "in some cases better. So can you start a sentence with the word", "other sources say it is acceptable. and in some cases better. So can", "never start a sentence with a conjunction, other sources say it is acceptable.", "acceptable. and in some cases better. So can you start a sentence with", "start a sentence with the word \"But\" and if so, when is it", "read some sources say you never start a sentence with a conjunction, other", "start a sentence with a conjunction, other sources say it is acceptable. and", "a sentence with the word \"But\" and if so, when is it acceptable?", "So can you start a sentence with the word \"But\" and if so,", "sources say it is acceptable. and in some cases better. So can you", "some sources say you never start a sentence with a conjunction, other sources", "a conjunction, other sources say it is acceptable. and in some cases better.", "some cases better. So can you start a sentence with the word \"But\"", "it is acceptable. and in some cases better. So can you start a", "can you start a sentence with the word \"But\" and if so, when", "is acceptable. and in some cases better. So can you start a sentence", "better. So can you start a sentence with the word \"But\" and if", "you never start a sentence with a conjunction, other sources say it is", "say it is acceptable. and in some cases better. So can you start" ]
[ "a bit of cliche. How are you supposed to make a romance novel", "a romance writing competition in which there are no cliches allowed - but", "cliche. How are you supposed to make a romance novel without it having", "is doing a romance writing competition in which there are no cliches allowed", "had a bit of cliche. How are you supposed to make a romance", "there are no cliches allowed - but that is the only way I", "read a single book that hasn't had a bit of cliche. How are", "I mean, I haven't read a single book that hasn't had a bit", "How are you supposed to make a romance novel without it having cliche", "are you supposed to make a romance novel without it having cliche parts?", "I haven't read a single book that hasn't had a bit of cliche.", "hasn't had a bit of cliche. How are you supposed to make a", "allowed - but that is the only way I know to write romance.", "writing competition in which there are no cliches allowed - but that is", "of cliche. How are you supposed to make a romance novel without it", "is the only way I know to write romance. I mean, I haven't", "are no cliches allowed - but that is the only way I know", "way I know to write romance. I mean, I haven't read a single", "no cliches allowed - but that is the only way I know to", "which there are no cliches allowed - but that is the only way", "that is the only way I know to write romance. I mean, I", "doing a romance writing competition in which there are no cliches allowed -", "book that hasn't had a bit of cliche. How are you supposed to", "to write romance. I mean, I haven't read a single book that hasn't", "romance. I mean, I haven't read a single book that hasn't had a", "school is doing a romance writing competition in which there are no cliches", "write romance. I mean, I haven't read a single book that hasn't had", "mean, I haven't read a single book that hasn't had a bit of", "single book that hasn't had a bit of cliche. How are you supposed", "- but that is the only way I know to write romance. I", "that hasn't had a bit of cliche. How are you supposed to make", "romance writing competition in which there are no cliches allowed - but that", "the only way I know to write romance. I mean, I haven't read", "know to write romance. I mean, I haven't read a single book that", "haven't read a single book that hasn't had a bit of cliche. How", "My school is doing a romance writing competition in which there are no", "a single book that hasn't had a bit of cliche. How are you", "competition in which there are no cliches allowed - but that is the", "cliches allowed - but that is the only way I know to write", "only way I know to write romance. I mean, I haven't read a", "in which there are no cliches allowed - but that is the only", "bit of cliche. How are you supposed to make a romance novel without", "I know to write romance. I mean, I haven't read a single book", "but that is the only way I know to write romance. I mean," ]
[ "would have supporting articles, perhaps some unrelated content, perhaps some interactive features, more", "What are the advantages of having only one website, and offering the book", "of this approach? What are the advantages of having only one website, and", "only one website, and offering the book for sale directly on that website", "a lot of content and a separate website that does nothing but offer", "offering the book for sale directly on that website (which would have supporting", "seen that sometimes an author will have one website with a lot of", "on that website (which would have supporting articles, perhaps some unrelated content, perhaps", "will have one website with a lot of content and a separate website", "directly on that website (which would have supporting articles, perhaps some unrelated content,", "some unrelated content, perhaps some interactive features, more detail about the author, and", "but offer the book(s) for sale. What are the advantages of this approach?", "website that does nothing but offer the book(s) for sale. What are the", "for sale. What are the advantages of this approach? What are the advantages", "advantages of this approach? What are the advantages of having only one website,", "have seen that sometimes an author will have one website with a lot", "nothing but offer the book(s) for sale. What are the advantages of this", "the book(s) for sale. What are the advantages of this approach? What are", "I have seen that sometimes an author will have one website with a", "advantages of having only one website, and offering the book for sale directly", "and offering the book for sale directly on that website (which would have", "website (which would have supporting articles, perhaps some unrelated content, perhaps some interactive", "articles, perhaps some unrelated content, perhaps some interactive features, more detail about the", "that website (which would have supporting articles, perhaps some unrelated content, perhaps some", "interactive features, more detail about the author, and perhaps some sections from the", "book for sale directly on that website (which would have supporting articles, perhaps", "for sale directly on that website (which would have supporting articles, perhaps some", "features, more detail about the author, and perhaps some sections from the book(s)", "approach? What are the advantages of having only one website, and offering the", "have supporting articles, perhaps some unrelated content, perhaps some interactive features, more detail", "have one website with a lot of content and a separate website that", "an author will have one website with a lot of content and a", "perhaps some unrelated content, perhaps some interactive features, more detail about the author,", "are the advantages of this approach? What are the advantages of having only", "supporting articles, perhaps some unrelated content, perhaps some interactive features, more detail about", "the author, and perhaps some sections from the book(s) to whet the reader's", "of having only one website, and offering the book for sale directly on", "perhaps some interactive features, more detail about the author, and perhaps some sections", "sometimes an author will have one website with a lot of content and", "are the advantages of having only one website, and offering the book for", "sale directly on that website (which would have supporting articles, perhaps some unrelated", "What are the advantages of this approach? What are the advantages of having", "book(s) for sale. What are the advantages of this approach? What are the", "the advantages of having only one website, and offering the book for sale", "sale. What are the advantages of this approach? What are the advantages of", "separate website that does nothing but offer the book(s) for sale. What are", "having only one website, and offering the book for sale directly on that", "and a separate website that does nothing but offer the book(s) for sale.", "this approach? What are the advantages of having only one website, and offering", "one website with a lot of content and a separate website that does", "website with a lot of content and a separate website that does nothing", "one website, and offering the book for sale directly on that website (which", "(which would have supporting articles, perhaps some unrelated content, perhaps some interactive features,", "unrelated content, perhaps some interactive features, more detail about the author, and perhaps", "does nothing but offer the book(s) for sale. What are the advantages of", "more detail about the author, and perhaps some sections from the book(s) to", "detail about the author, and perhaps some sections from the book(s) to whet", "about the author, and perhaps some sections from the book(s) to whet the", "content, perhaps some interactive features, more detail about the author, and perhaps some", "a separate website that does nothing but offer the book(s) for sale. What", "author, and perhaps some sections from the book(s) to whet the reader's appetite)?", "some interactive features, more detail about the author, and perhaps some sections from", "author will have one website with a lot of content and a separate", "that does nothing but offer the book(s) for sale. What are the advantages", "the advantages of this approach? What are the advantages of having only one", "that sometimes an author will have one website with a lot of content", "of content and a separate website that does nothing but offer the book(s)", "the book for sale directly on that website (which would have supporting articles,", "with a lot of content and a separate website that does nothing but", "offer the book(s) for sale. What are the advantages of this approach? What", "content and a separate website that does nothing but offer the book(s) for", "lot of content and a separate website that does nothing but offer the", "website, and offering the book for sale directly on that website (which would" ]
[ "logical way, but it makes the inner me—reading the word the Swedish way—cringe.", "folklore/mythological creatures from mainly the Norse and Scandinavian myths, but in the world", "would still be great. But beings such as the Bäckahäst would cause some", "put Bäckahäst into plural would be to add \"-ar\" at the end of", "all? Or should I just use Kelpie and skip the problem? Maybe go", "of the novel, there exists beings from all cultures. I wish to write", "involves folklore/mythological creatures from mainly the Norse and Scandinavian myths, but in the", "some problems with what to call the creatures. Some creatures are easier than", "but it makes the inner me—reading the word the Swedish way—cringe. Are there", "the English version seems to me like the logical way, but it makes", "cons for the different ways would be appreciated too. Have been trying to", "Have been trying to decide on this for way too long, and pretty", "Pro and cons for the different ways would be appreciated too. Have been", "it makes the inner me—reading the word the Swedish way—cringe. Are there any", "way, but it makes the inner me—reading the word the Swedish way—cringe. Are", "I'm working on a novel that involves folklore/mythological creatures from mainly the Norse", "be translated to Valkyrie and everything would still be great. But beings such", "in English, leading to some problems with what to call the creatures. Some", "Using the English version seems to me like the logical way, but it", "is to add \"-s\". Using the English version seems to me like the", "causes some questions for me. Namely, how to add grammar stuff to it.", "the end of the word (Bäckahästar), but the English way is to add", "version seems to me like the logical way, but it makes the inner", "what to call the creatures. Some creatures are easier than other. Valkyria, for", "use Kelpie and skip the problem? Maybe go with my own word for", "wish to write it in English, leading to some problems with what to", "from all cultures. I wish to write it in English, leading to some", "like the logical way, but it makes the inner me—reading the word the", "the inner me—reading the word the Swedish way—cringe. Are there any tips on", "just use Kelpie and skip the problem? Maybe go with my own word", "appreciated too. Have been trying to decide on this for way too long,", "name also causes some questions for me. Namely, how to add grammar stuff", "me—reading the word the Swedish way—cringe. Are there any tips on how to", "for me. Namely, how to add grammar stuff to it. The Swedish way", "Some creatures are easier than other. Valkyria, for example, could just be translated", "beings such as the Bäckahäst would cause some trouble here. The common translation", "add grammar stuff to it. The Swedish way to put Bäckahäst into plural", "cultures. I wish to write it in English, leading to some problems with", "to me, Bäckahäst and Kelpie are two different beings, one from Norse folklore", "But keeping \"Bäckahäst\" as the name also causes some questions for me. Namely,", "this \"right\"? Or is the most important to be consistent throughout it all?", "novel, there exists beings from all cultures. I wish to write it in", "and cons for the different ways would be appreciated too. Have been trying", "from Norse folklore and one from Scottish. So to translate Bäckahäst into Kelpie", "(Bäckahästar), but the English way is to add \"-s\". Using the English version", "\"-ar\" at the end of the word (Bäckahästar), but the English way is", "to translate Bäckahäst into Kelpie would be adding more confusion. But keeping \"Bäckahäst\"", "but in the world of the novel, there exists beings from all cultures.", "as the Bäckahäst would cause some trouble here. The common translation into English", "just be translated to Valkyrie and everything would still be great. But beings", "decide on this for way too long, and pretty much keep jumping between", "and one from Scottish. So to translate Bäckahäst into Kelpie would be adding", "important to be consistent throughout it all? Or should I just use Kelpie", "too. Have been trying to decide on this for way too long, and", "be appreciated too. Have been trying to decide on this for way too", "but to me, Bäckahäst and Kelpie are two different beings, one from Norse", "Scandinavian myths, but in the world of the novel, there exists beings from", "questions for me. Namely, how to add grammar stuff to it. The Swedish", "beings from all cultures. I wish to write it in English, leading to", "to it. The Swedish way to put Bäckahäst into plural would be to", "and Scandinavian myths, but in the world of the novel, there exists beings", "and everything would still be great. But beings such as the Bäckahäst would", "Bäckahäst and Kelpie are two different beings, one from Norse folklore and one", "beings, one from Norse folklore and one from Scottish. So to translate Bäckahäst", "way to put Bäckahäst into plural would be to add \"-ar\" at the", "than other. Valkyria, for example, could just be translated to Valkyrie and everything", "myths, but in the world of the novel, there exists beings from all", "the logical way, but it makes the inner me—reading the word the Swedish", "most important to be consistent throughout it all? Or should I just use", "of the word (Bäckahästar), but the English way is to add \"-s\". Using", "with my own word for each being? Pro and cons for the different", "into plural would be to add \"-ar\" at the end of the word", "be to add \"-ar\" at the end of the word (Bäckahästar), but the", "novel that involves folklore/mythological creatures from mainly the Norse and Scandinavian myths, but", "into English here is Kelpie, but to me, Bäckahäst and Kelpie are two", "But beings such as the Bäckahäst would cause some trouble here. The common", "to write it in English, leading to some problems with what to call", "Scottish. So to translate Bäckahäst into Kelpie would be adding more confusion. But", "for example, could just be translated to Valkyrie and everything would still be", "Valkyrie and everything would still be great. But beings such as the Bäckahäst", "be adding more confusion. But keeping \"Bäckahäst\" as the name also causes some", "English, leading to some problems with what to call the creatures. Some creatures", "\"-s\". Using the English version seems to me like the logical way, but", "inner me—reading the word the Swedish way—cringe. Are there any tips on how", "throughout it all? Or should I just use Kelpie and skip the problem?", "as the name also causes some questions for me. Namely, how to add", "stuff to it. The Swedish way to put Bäckahäst into plural would be", "on how to do this \"right\"? Or is the most important to be", "the different ways would be appreciated too. Have been trying to decide on", "into Kelpie would be adding more confusion. But keeping \"Bäckahäst\" as the name", "all cultures. I wish to write it in English, leading to some problems", "to me like the logical way, but it makes the inner me—reading the", "Bäckahäst into Kelpie would be adding more confusion. But keeping \"Bäckahäst\" as the", "there exists beings from all cultures. I wish to write it in English,", "still be great. But beings such as the Bäckahäst would cause some trouble", "creatures from mainly the Norse and Scandinavian myths, but in the world of", "the word the Swedish way—cringe. Are there any tips on how to do", "I wish to write it in English, leading to some problems with what", "Swedish way to put Bäckahäst into plural would be to add \"-ar\" at", "write it in English, leading to some problems with what to call the", "such as the Bäckahäst would cause some trouble here. The common translation into", "are easier than other. Valkyria, for example, could just be translated to Valkyrie", "common translation into English here is Kelpie, but to me, Bäckahäst and Kelpie", "creatures. Some creatures are easier than other. Valkyria, for example, could just be", "adding more confusion. But keeping \"Bäckahäst\" as the name also causes some questions", "keeping \"Bäckahäst\" as the name also causes some questions for me. Namely, how", "Are there any tips on how to do this \"right\"? Or is the", "how to do this \"right\"? Or is the most important to be consistent", "world of the novel, there exists beings from all cultures. I wish to", "would be appreciated too. Have been trying to decide on this for way", "a novel that involves folklore/mythological creatures from mainly the Norse and Scandinavian myths,", "Bäckahäst into plural would be to add \"-ar\" at the end of the", "translation into English here is Kelpie, but to me, Bäckahäst and Kelpie are", "one from Scottish. So to translate Bäckahäst into Kelpie would be adding more", "Kelpie and skip the problem? Maybe go with my own word for each", "also causes some questions for me. Namely, how to add grammar stuff to", "to call the creatures. Some creatures are easier than other. Valkyria, for example,", "me, Bäckahäst and Kelpie are two different beings, one from Norse folklore and", "folklore and one from Scottish. So to translate Bäckahäst into Kelpie would be", "problem? Maybe go with my own word for each being? Pro and cons", "English way is to add \"-s\". Using the English version seems to me", "to decide on this for way too long, and pretty much keep jumping", "example, could just be translated to Valkyrie and everything would still be great.", "Bäckahäst would cause some trouble here. The common translation into English here is", "go with my own word for each being? Pro and cons for the", "to add \"-s\". Using the English version seems to me like the logical", "I just use Kelpie and skip the problem? Maybe go with my own", "to do this \"right\"? Or is the most important to be consistent throughout", "Or is the most important to be consistent throughout it all? Or should", "some questions for me. Namely, how to add grammar stuff to it. The", "but the English way is to add \"-s\". Using the English version seems", "easier than other. Valkyria, for example, could just be translated to Valkyrie and", "different beings, one from Norse folklore and one from Scottish. So to translate", "call the creatures. Some creatures are easier than other. Valkyria, for example, could", "\"Bäckahäst\" as the name also causes some questions for me. Namely, how to", "there any tips on how to do this \"right\"? Or is the most", "the Norse and Scandinavian myths, but in the world of the novel, there", "to add \"-ar\" at the end of the word (Bäckahästar), but the English", "great. But beings such as the Bäckahäst would cause some trouble here. The", "any tips on how to do this \"right\"? Or is the most important", "consistent throughout it all? Or should I just use Kelpie and skip the", "trying to decide on this for way too long, and pretty much keep", "be great. But beings such as the Bäckahäst would cause some trouble here.", "two different beings, one from Norse folklore and one from Scottish. So to", "the word (Bäckahästar), but the English way is to add \"-s\". Using the", "translate Bäckahäst into Kelpie would be adding more confusion. But keeping \"Bäckahäst\" as", "is Kelpie, but to me, Bäckahäst and Kelpie are two different beings, one", "Norse and Scandinavian myths, but in the world of the novel, there exists", "and skip the problem? Maybe go with my own word for each being?", "the Swedish way—cringe. Are there any tips on how to do this \"right\"?", "the problem? Maybe go with my own word for each being? Pro and", "Namely, how to add grammar stuff to it. The Swedish way to put", "should I just use Kelpie and skip the problem? Maybe go with my", "word (Bäckahästar), but the English way is to add \"-s\". Using the English", "the world of the novel, there exists beings from all cultures. I wish", "is the most important to be consistent throughout it all? Or should I", "grammar stuff to it. The Swedish way to put Bäckahäst into plural would", "ways would be appreciated too. Have been trying to decide on this for", "it all? Or should I just use Kelpie and skip the problem? Maybe", "problems with what to call the creatures. Some creatures are easier than other.", "Maybe go with my own word for each being? Pro and cons for", "Kelpie, but to me, Bäckahäst and Kelpie are two different beings, one from", "are two different beings, one from Norse folklore and one from Scottish. So", "the name also causes some questions for me. Namely, how to add grammar", "\"right\"? Or is the most important to be consistent throughout it all? Or", "skip the problem? Maybe go with my own word for each being? Pro", "word the Swedish way—cringe. Are there any tips on how to do this", "translated to Valkyrie and everything would still be great. But beings such as", "this for way too long, and pretty much keep jumping between them all.", "more confusion. But keeping \"Bäckahäst\" as the name also causes some questions for", "the Bäckahäst would cause some trouble here. The common translation into English here", "would be to add \"-ar\" at the end of the word (Bäckahästar), but", "to be consistent throughout it all? Or should I just use Kelpie and", "to Valkyrie and everything would still be great. But beings such as the", "on this for way too long, and pretty much keep jumping between them", "would be adding more confusion. But keeping \"Bäckahäst\" as the name also causes", "it. The Swedish way to put Bäckahäst into plural would be to add", "English version seems to me like the logical way, but it makes the", "plural would be to add \"-ar\" at the end of the word (Bäckahästar),", "makes the inner me—reading the word the Swedish way—cringe. Are there any tips", "trouble here. The common translation into English here is Kelpie, but to me,", "to some problems with what to call the creatures. Some creatures are easier", "to add grammar stuff to it. The Swedish way to put Bäckahäst into", "that involves folklore/mythological creatures from mainly the Norse and Scandinavian myths, but in", "it in English, leading to some problems with what to call the creatures.", "to put Bäckahäst into plural would be to add \"-ar\" at the end", "add \"-s\". Using the English version seems to me like the logical way,", "be consistent throughout it all? Or should I just use Kelpie and skip", "seems to me like the logical way, but it makes the inner me—reading", "So to translate Bäckahäst into Kelpie would be adding more confusion. But keeping", "for each being? Pro and cons for the different ways would be appreciated", "cause some trouble here. The common translation into English here is Kelpie, but", "The common translation into English here is Kelpie, but to me, Bäckahäst and", "Kelpie would be adding more confusion. But keeping \"Bäckahäst\" as the name also", "in the world of the novel, there exists beings from all cultures. I", "at the end of the word (Bäckahästar), but the English way is to", "Norse folklore and one from Scottish. So to translate Bäckahäst into Kelpie would", "the English way is to add \"-s\". Using the English version seems to", "here. The common translation into English here is Kelpie, but to me, Bäckahäst", "English here is Kelpie, but to me, Bäckahäst and Kelpie are two different", "confusion. But keeping \"Bäckahäst\" as the name also causes some questions for me.", "word for each being? Pro and cons for the different ways would be", "the novel, there exists beings from all cultures. I wish to write it", "working on a novel that involves folklore/mythological creatures from mainly the Norse and", "could just be translated to Valkyrie and everything would still be great. But", "mainly the Norse and Scandinavian myths, but in the world of the novel,", "on a novel that involves folklore/mythological creatures from mainly the Norse and Scandinavian", "way—cringe. Are there any tips on how to do this \"right\"? Or is", "from mainly the Norse and Scandinavian myths, but in the world of the", "own word for each being? Pro and cons for the different ways would", "creatures are easier than other. Valkyria, for example, could just be translated to", "being? Pro and cons for the different ways would be appreciated too. Have", "here is Kelpie, but to me, Bäckahäst and Kelpie are two different beings,", "with what to call the creatures. Some creatures are easier than other. Valkyria,", "Kelpie are two different beings, one from Norse folklore and one from Scottish.", "Swedish way—cringe. Are there any tips on how to do this \"right\"? Or", "end of the word (Bäckahästar), but the English way is to add \"-s\".", "other. Valkyria, for example, could just be translated to Valkyrie and everything would", "each being? Pro and cons for the different ways would be appreciated too.", "and Kelpie are two different beings, one from Norse folklore and one from", "how to add grammar stuff to it. The Swedish way to put Bäckahäst", "different ways would be appreciated too. Have been trying to decide on this", "from Scottish. So to translate Bäckahäst into Kelpie would be adding more confusion.", "tips on how to do this \"right\"? Or is the most important to", "me. Namely, how to add grammar stuff to it. The Swedish way to", "add \"-ar\" at the end of the word (Bäckahästar), but the English way", "been trying to decide on this for way too long, and pretty much", "for the different ways would be appreciated too. Have been trying to decide", "one from Norse folklore and one from Scottish. So to translate Bäckahäst into", "me like the logical way, but it makes the inner me—reading the word", "Or should I just use Kelpie and skip the problem? Maybe go with", "way is to add \"-s\". Using the English version seems to me like", "exists beings from all cultures. I wish to write it in English, leading", "my own word for each being? Pro and cons for the different ways", "Valkyria, for example, could just be translated to Valkyrie and everything would still", "the creatures. Some creatures are easier than other. Valkyria, for example, could just", "some trouble here. The common translation into English here is Kelpie, but to", "The Swedish way to put Bäckahäst into plural would be to add \"-ar\"", "do this \"right\"? Or is the most important to be consistent throughout it", "the most important to be consistent throughout it all? Or should I just", "would cause some trouble here. The common translation into English here is Kelpie,", "leading to some problems with what to call the creatures. Some creatures are", "everything would still be great. But beings such as the Bäckahäst would cause" ]
[ "still much better than the worst-case scenario -- a friend going to jail,", "to place him in a painful dilemma, and I'm having trouble making the", "as a location for drug dealings. How do I take a scenario that's", "scenario -- a friend going to jail, and his store made famous as", "embarrassed in front of his captain; the drugs stay on the streets), but", "choice feel truly impossible. For example, I'm writing a scene where store owner", "his captain; the drugs stay on the streets), but is still much better", "is friends with both the cop running the operation, and the customer who's", "cop running the operation, and the customer who's the intended target, so I", "dealings. How do I take a scenario that's unpleasant, but has a good", "good answer, and turn it into a really awful, painful, sadistic decision the", "has a good answer, and turn it into a really awful, painful, sadistic", "impossible. For example, I'm writing a scene where store owner Ed learns of", "flashpoint, torn between two friends and dangerous circumstances. The problem is, it's not", "How do I take a scenario that's unpleasant, but has a good answer,", "The problem is, it's not really that awful a situation. He has an", "I'm writing a scene where store owner Ed learns of an upcoming sting", "my protagonist? I want to place him in a painful dilemma, and I'm", "friend going to jail, and his store made famous as a location for", "place him in a painful dilemma, and I'm having trouble making the choice", "painful dilemma, and I'm having trouble making the choice feel truly impossible. For", "the intended target, so I thought that could be developed into a good", "thought that could be developed into a good flashpoint, torn between two friends", "awful a situation. He has an easy option -- alerting the customer and", "operation, and the customer who's the intended target, so I thought that could", "take a scenario that's unpleasant, but has a good answer, and turn it", "learns of an upcoming sting operation at his store. Ed is friends with", "for my protagonist? I want to place him in a painful dilemma, and", "is embarrassed in front of his captain; the drugs stay on the streets),", "made famous as a location for drug dealings. How do I take a", "two friends and dangerous circumstances. The problem is, it's not really that awful", "him in a painful dilemma, and I'm having trouble making the choice feel", "torn between two friends and dangerous circumstances. The problem is, it's not really", "a scenario that's unpleasant, but has a good answer, and turn it into", "may be unpleasant (e.g. his cop friend is embarrassed in front of his", "his store made famous as a location for drug dealings. How do I", "it into a really awful, painful, sadistic decision the protagonist has to make?", "unpleasant, but has a good answer, and turn it into a really awful,", "than the worst-case scenario -- a friend going to jail, and his store", "the cop running the operation, and the customer who's the intended target, so", "How do I create an impossible choice for my protagonist? I want to", "friend is embarrassed in front of his captain; the drugs stay on the", "I want to place him in a painful dilemma, and I'm having trouble", "trouble making the choice feel truly impossible. For example, I'm writing a scene", "a good flashpoint, torn between two friends and dangerous circumstances. The problem is,", "the customer who's the intended target, so I thought that could be developed", "canceling the drug deal -- that may be unpleasant (e.g. his cop friend", "option -- alerting the customer and canceling the drug deal -- that may", "-- that may be unpleasant (e.g. his cop friend is embarrassed in front", "good flashpoint, torn between two friends and dangerous circumstances. The problem is, it's", "has an easy option -- alerting the customer and canceling the drug deal", "do I create an impossible choice for my protagonist? I want to place", "really that awful a situation. He has an easy option -- alerting the", "making the choice feel truly impossible. For example, I'm writing a scene where", "store. Ed is friends with both the cop running the operation, and the", "do I take a scenario that's unpleasant, but has a good answer, and", "an impossible choice for my protagonist? 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For example, I'm writing", "drugs stay on the streets), but is still much better than the worst-case", "protagonist? I want to place him in a painful dilemma, and I'm having", "situation. He has an easy option -- alerting the customer and canceling the", "in a painful dilemma, and I'm having trouble making the choice feel truly", "the choice feel truly impossible. For example, I'm writing a scene where store", "Ed is friends with both the cop running the operation, and the customer", "circumstances. The problem is, it's not really that awful a situation. He has", "is still much better than the worst-case scenario -- a friend going to", "the streets), but is still much better than the worst-case scenario -- a", "an easy option -- alerting the customer and canceling the drug deal --", "going to jail, and his store made famous as a location for drug", "upcoming sting operation at his store. 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He", "be unpleasant (e.g. his cop friend is embarrassed in front of his captain;", "captain; the drugs stay on the streets), but is still much better than", "-- a friend going to jail, and his store made famous as a", "stay on the streets), but is still much better than the worst-case scenario", "a good answer, and turn it into a really awful, painful, sadistic decision", "with both the cop running the operation, and the customer who's the intended", "on the streets), but is still much better than the worst-case scenario --", "not really that awful a situation. He has an easy option -- alerting", "it's not really that awful a situation. He has an easy option --", "streets), but is still much better than the worst-case scenario -- a friend", "at his store. Ed is friends with both the cop running the operation,", "drug dealings. How do I take a scenario that's unpleasant, but has a", "create an impossible choice for my protagonist? 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[ "because it's unnatural for a character to describe their appearance in their mind.", "this because it's unnatural for a character to describe their appearance in their", "or (describe frizzy hair misbehaving). What other ideas are there to do this", "mean I can use certain tricks - like she looked into the mirror", "of an idea of the physical appearance of the character - without it", "What other ideas are there to do this so that the reader gets", "my POV character to my reader when I am writing in First Person.", "the mirror and noticed that (add some facial features here), or (describe frizzy", "frizzy hair misbehaving). What other ideas are there to do this so that", "a bit of an idea of the physical appearance of the character -", "this so that the reader gets a bit of an idea of the", "and noticed that (add some facial features here), or (describe frizzy hair misbehaving).", "ask this because it's unnatural for a character to describe their appearance in", "someone give me ideas to describe my POV character to my reader when", "bit of an idea of the physical appearance of the character - without", "describe my POV character to my reader when I am writing in First", "in First Person. I ask this because it's unnatural for a character to", "character to my reader when I am writing in First Person. I ask", "so that the reader gets a bit of an idea of the physical", "am writing in First Person. I ask this because it's unnatural for a", "other ideas are there to do this so that the reader gets a", "I am writing in First Person. I ask this because it's unnatural for", "describe their appearance in their mind. I mean I can use certain tricks", "character to describe their appearance in their mind. I mean I can use", "to my reader when I am writing in First Person. I ask this", "it's unnatural for a character to describe their appearance in their mind. I", "me ideas to describe my POV character to my reader when I am", "I mean I can use certain tricks - like she looked into the", "noticed that (add some facial features here), or (describe frizzy hair misbehaving). What", "tricks - like she looked into the mirror and noticed that (add some", "mirror and noticed that (add some facial features here), or (describe frizzy hair", "looked into the mirror and noticed that (add some facial features here), or", "Person. I ask this because it's unnatural for a character to describe their", "ideas are there to do this so that the reader gets a bit", "(add some facial features here), or (describe frizzy hair misbehaving). What other ideas", "reader gets a bit of an idea of the physical appearance of the", "ideas to describe my POV character to my reader when I am writing", "into the mirror and noticed that (add some facial features here), or (describe", "reader when I am writing in First Person. I ask this because it's", "(describe frizzy hair misbehaving). What other ideas are there to do this so", "First Person. I ask this because it's unnatural for a character to describe", "give me ideas to describe my POV character to my reader when I", "facial features here), or (describe frizzy hair misbehaving). What other ideas are there", "appearance in their mind. I mean I can use certain tricks - like", "there to do this so that the reader gets a bit of an", "when I am writing in First Person. I ask this because it's unnatural", "hair misbehaving). What other ideas are there to do this so that the", "that (add some facial features here), or (describe frizzy hair misbehaving). What other", "Can someone give me ideas to describe my POV character to my reader", "here), or (describe frizzy hair misbehaving). What other ideas are there to do", "some facial features here), or (describe frizzy hair misbehaving). What other ideas are", "are there to do this so that the reader gets a bit of", "- like she looked into the mirror and noticed that (add some facial", "features here), or (describe frizzy hair misbehaving). What other ideas are there to", "I can use certain tricks - like she looked into the mirror and", "my reader when I am writing in First Person. I ask this because", "idea of the physical appearance of the character - without it seeming unnatural.", "a character to describe their appearance in their mind. I mean I can", "can use certain tricks - like she looked into the mirror and noticed", "in their mind. I mean I can use certain tricks - like she", "she looked into the mirror and noticed that (add some facial features here),", "unnatural for a character to describe their appearance in their mind. I mean", "writing in First Person. I ask this because it's unnatural for a character", "to describe my POV character to my reader when I am writing in", "use certain tricks - like she looked into the mirror and noticed that", "mind. I mean I can use certain tricks - like she looked into", "that the reader gets a bit of an idea of the physical appearance", "POV character to my reader when I am writing in First Person. I", "certain tricks - like she looked into the mirror and noticed that (add", "the reader gets a bit of an idea of the physical appearance of", "for a character to describe their appearance in their mind. I mean I", "I ask this because it's unnatural for a character to describe their appearance", "their appearance in their mind. I mean I can use certain tricks -", "an idea of the physical appearance of the character - without it seeming", "to describe their appearance in their mind. I mean I can use certain", "like she looked into the mirror and noticed that (add some facial features", "do this so that the reader gets a bit of an idea of", "gets a bit of an idea of the physical appearance of the character", "their mind. I mean I can use certain tricks - like she looked", "to do this so that the reader gets a bit of an idea", "misbehaving). What other ideas are there to do this so that the reader" ]