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[ "can let the events happen and the characters act for themselves. However, in", "with my stories, and I think it's a bad practice. The story I'm", "at the beginning (but not in an info-dump). Little to no important information", "mind. I only start writing the story at full when I've established enough", "for themselves. However, in my case, this process leaves all details exposed, most", "important information remains to reveal later. In my opinion, a story with no", "wants to know right away, is just plain boring. But I also don't", "events happen and the characters act for themselves. However, in my case, this", "beginning (but not in an info-dump). Little to no important information remains to", "the answers later on is never a bad thing (if well implemented). I", "wonder what/who/how would that be?\", and showing the answers later on is never", "I think I'm a plotter, and maybe a bit of a [pantser](https://writers.stackexchange.com/q/11/26) too.", "stories, and I think it's a bad practice. The story I'm writing isn't", "idea I have as soon as they come to my mind. I only", "if it's simply just bad writing. Should I cover what is uncovered? Should", "with no surprises and no suspense and no mystery, that just reveals everything", "a mix of fantasy and realistic fiction, but a bit of \"I wonder", "not in an info-dump). Little to no important information remains to reveal later.", "But I also don't know if it's just the way I structure it,", "reveal later. In my opinion, a story with no surprises and no suspense", "would that be?\", and showing the answers later on is never a bad", "implemented). I think I'm a plotter, and maybe a bit of a [pantser](https://writers.stackexchange.com/q/11/26)", "what is uncovered? Should I leave the revelation of some information to later", "just bad writing. Should I cover what is uncovered? Should I leave the", "suspense and no mystery, that just reveals everything the reader wants to know", "[pantser](https://writers.stackexchange.com/q/11/26) too. I write the core of the story, almost always already knowing", "have with my stories, and I think it's a bad practice. The story", "I structure it, or if it's simply just bad writing. Should I cover", "(but not in an info-dump). Little to no important information remains to reveal", "practice. The story I'm writing isn't of the suspense genre, it's a mix", "However, in my case, this process leaves all details exposed, most of the", "is a habit I have with my stories, and I think it's a", "only start writing the story at full when I've established enough ideas, so", "I write excerpts describing every idea I have as soon as they come", "time right at the beginning (but not in an info-dump). Little to no", "mystery, that just reveals everything the reader wants to know right away, is", "way I structure it, or if it's simply just bad writing. Should I", "bad writing. Should I cover what is uncovered? Should I leave the revelation", "I have with my stories, and I think it's a bad practice. The", "realistic fiction, but a bit of \"I wonder what/who/how would that be?\", and", "Should I leave the revelation of some information to later chapters? Should I", "every idea I have as soon as they come to my mind. I", "and the characters act for themselves. However, in my case, this process leaves", "thing (if well implemented). I think I'm a plotter, and maybe a bit", "later on is never a bad thing (if well implemented). I think I'm", "so I can let the events happen and the characters act for themselves.", "is uncovered? Should I leave the revelation of some information to later chapters?", "and realistic fiction, but a bit of \"I wonder what/who/how would that be?\",", "full when I've established enough ideas, so I can let the events happen", "I think it's a bad practice. The story I'm writing isn't of the", "well implemented). I think I'm a plotter, and maybe a bit of a", "as they come to my mind. I only start writing the story at", "maybe a bit of a [pantser](https://writers.stackexchange.com/q/11/26) too. I write the core of the", "all details exposed, most of the time right at the beginning (but not", "structure it, or if it's simply just bad writing. Should I cover what", "to no important information remains to reveal later. In my opinion, a story", "enough ideas, so I can let the events happen and the characters act", "of fantasy and realistic fiction, but a bit of \"I wonder what/who/how would", "genre, it's a mix of fantasy and realistic fiction, but a bit of", "reader wants to know right away, is just plain boring. But I also", "writing isn't of the suspense genre, it's a mix of fantasy and realistic", "and maybe a bit of a [pantser](https://writers.stackexchange.com/q/11/26) too. I write the core of", "the story at full when I've established enough ideas, so I can let", "simply just bad writing. Should I cover what is uncovered? Should I leave", "write the core of the story, almost always already knowing the ending, and", "established enough ideas, so I can let the events happen and the characters", "to reveal later. In my opinion, a story with no surprises and no", "never a bad thing (if well implemented). I think I'm a plotter, and", "I have as soon as they come to my mind. I only start", "it's a mix of fantasy and realistic fiction, but a bit of \"I", "ideas, so I can let the events happen and the characters act for", "The story I'm writing isn't of the suspense genre, it's a mix of", "is just plain boring. But I also don't know if it's just the", "everything the reader wants to know right away, is just plain boring. But", "excerpts describing every idea I have as soon as they come to my", "happen and the characters act for themselves. However, in my case, this process", "the reader wants to know right away, is just plain boring. But I", "always already knowing the ending, and then I write excerpts describing every idea", "the suspense genre, it's a mix of fantasy and realistic fiction, but a", "it's a bad practice. The story I'm writing isn't of the suspense genre,", "and showing the answers later on is never a bad thing (if well", "exposed, most of the time right at the beginning (but not in an", "be?\", and showing the answers later on is never a bad thing (if", "of the suspense genre, it's a mix of fantasy and realistic fiction, but", "my case, this process leaves all details exposed, most of the time right", "mix of fantasy and realistic fiction, but a bit of \"I wonder what/who/how", "soon as they come to my mind. I only start writing the story", "details exposed, most of the time right at the beginning (but not in", "I can let the events happen and the characters act for themselves. However,", "bad thing (if well implemented). I think I'm a plotter, and maybe a", "know if it's just the way I structure it, or if it's simply", "my stories, and I think it's a bad practice. The story I'm writing", "no surprises and no suspense and no mystery, that just reveals everything the", "almost always already knowing the ending, and then I write excerpts describing every", "habit I have with my stories, and I think it's a bad practice.", "a plotter, and maybe a bit of a [pantser](https://writers.stackexchange.com/q/11/26) too. I write the", "too. I write the core of the story, almost always already knowing the", "ending, and then I write excerpts describing every idea I have as soon", "just the way I structure it, or if it's simply just bad writing.", "no suspense and no mystery, that just reveals everything the reader wants to", "story, almost always already knowing the ending, and then I write excerpts describing", "in an info-dump). Little to no important information remains to reveal later. In", "later. In my opinion, a story with no surprises and no suspense and", "it's just the way I structure it, or if it's simply just bad", "core of the story, almost always already knowing the ending, and then I", "this process leaves all details exposed, most of the time right at the", "story with no surprises and no suspense and no mystery, that just reveals", "but a bit of \"I wonder what/who/how would that be?\", and showing the", "\"I wonder what/who/how would that be?\", and showing the answers later on is", "I write the core of the story, almost always already knowing the ending,", "bit of \"I wonder what/who/how would that be?\", and showing the answers later", "the beginning (but not in an info-dump). Little to no important information remains", "to know right away, is just plain boring. But I also don't know", "in my case, this process leaves all details exposed, most of the time", "remains to reveal later. In my opinion, a story with no surprises and", "an info-dump). Little to no important information remains to reveal later. In my", "what/who/how would that be?\", and showing the answers later on is never a", "they come to my mind. I only start writing the story at full", "answers later on is never a bad thing (if well implemented). I think", "my mind. I only start writing the story at full when I've established", "no important information remains to reveal later. In my opinion, a story with", "or if it's simply just bad writing. Should I cover what is uncovered?", "a [pantser](https://writers.stackexchange.com/q/11/26) too. I write the core of the story, almost always already", "start writing the story at full when I've established enough ideas, so I", "case, this process leaves all details exposed, most of the time right at", "have as soon as they come to my mind. I only start writing", "surprises and no suspense and no mystery, that just reveals everything the reader", "no mystery, that just reveals everything the reader wants to know right away,", "it's simply just bad writing. Should I cover what is uncovered? Should I", "reveals everything the reader wants to know right away, is just plain boring.", "the revelation of some information to later chapters? Should I trick the characters?", "a bit of \"I wonder what/who/how would that be?\", and showing the answers", "I've established enough ideas, so I can let the events happen and the", "of a [pantser](https://writers.stackexchange.com/q/11/26) too. I write the core of the story, almost always", "I also don't know if it's just the way I structure it, or", "the story, almost always already knowing the ending, and then I write excerpts", "already knowing the ending, and then I write excerpts describing every idea I", "I only start writing the story at full when I've established enough ideas,", "of the story, almost always already knowing the ending, and then I write", "writing the story at full when I've established enough ideas, so I can", "leaves all details exposed, most of the time right at the beginning (but", "if it's just the way I structure it, or if it's simply just", "that just reveals everything the reader wants to know right away, is just", "then I write excerpts describing every idea I have as soon as they", "story I'm writing isn't of the suspense genre, it's a mix of fantasy", "the core of the story, almost always already knowing the ending, and then", "plotter, and maybe a bit of a [pantser](https://writers.stackexchange.com/q/11/26) too. I write the core", "process leaves all details exposed, most of the time right at the beginning", "of the time right at the beginning (but not in an info-dump). Little", "I leave the revelation of some information to later chapters? Should I trick", "right away, is just plain boring. But I also don't know if it's", "(if well implemented). I think I'm a plotter, and maybe a bit of", "suspense genre, it's a mix of fantasy and realistic fiction, but a bit", "know right away, is just plain boring. But I also don't know if", "just plain boring. But I also don't know if it's just the way", "boring. But I also don't know if it's just the way I structure", "and no mystery, that just reveals everything the reader wants to know right", "characters act for themselves. However, in my case, this process leaves all details", "that be?\", and showing the answers later on is never a bad thing", "bad practice. The story I'm writing isn't of the suspense genre, it's a", "as soon as they come to my mind. I only start writing the", "I cover what is uncovered? Should I leave the revelation of some information", "and no suspense and no mystery, that just reveals everything the reader wants", "the events happen and the characters act for themselves. However, in my case,", "and then I write excerpts describing every idea I have as soon as", "plain boring. But I also don't know if it's just the way I", "the time right at the beginning (but not in an info-dump). Little to", "on is never a bad thing (if well implemented). I think I'm a", "it, or if it's simply just bad writing. Should I cover what is", "themselves. However, in my case, this process leaves all details exposed, most of", "This is a habit I have with my stories, and I think it's", "act for themselves. However, in my case, this process leaves all details exposed,", "a bad practice. The story I'm writing isn't of the suspense genre, it's", "the characters act for themselves. However, in my case, this process leaves all", "a story with no surprises and no suspense and no mystery, that just", "also don't know if it's just the way I structure it, or if", "I'm a plotter, and maybe a bit of a [pantser](https://writers.stackexchange.com/q/11/26) too. I write", "showing the answers later on is never a bad thing (if well implemented).", "Should I cover what is uncovered? Should I leave the revelation of some", "think it's a bad practice. The story I'm writing isn't of the suspense", "information remains to reveal later. In my opinion, a story with no surprises", "to my mind. I only start writing the story at full when I've", "right at the beginning (but not in an info-dump). Little to no important", "the ending, and then I write excerpts describing every idea I have as", "my opinion, a story with no surprises and no suspense and no mystery,", "think I'm a plotter, and maybe a bit of a [pantser](https://writers.stackexchange.com/q/11/26) too. I", "bit of a [pantser](https://writers.stackexchange.com/q/11/26) too. I write the core of the story, almost", "knowing the ending, and then I write excerpts describing every idea I have", "describing every idea I have as soon as they come to my mind.", "isn't of the suspense genre, it's a mix of fantasy and realistic fiction,", "a bad thing (if well implemented). I think I'm a plotter, and maybe", "a bit of a [pantser](https://writers.stackexchange.com/q/11/26) too. I write the core of the story,", "come to my mind. I only start writing the story at full when", "of \"I wonder what/who/how would that be?\", and showing the answers later on", "when I've established enough ideas, so I can let the events happen and", "the way I structure it, or if it's simply just bad writing. Should", "uncovered? Should I leave the revelation of some information to later chapters? Should", "Little to no important information remains to reveal later. In my opinion, a", "story at full when I've established enough ideas, so I can let the", "don't know if it's just the way I structure it, or if it's", "most of the time right at the beginning (but not in an info-dump).", "away, is just plain boring. But I also don't know if it's just", "and I think it's a bad practice. The story I'm writing isn't of", "fantasy and realistic fiction, but a bit of \"I wonder what/who/how would that", "opinion, a story with no surprises and no suspense and no mystery, that", "In my opinion, a story with no surprises and no suspense and no", "at full when I've established enough ideas, so I can let the events", "let the events happen and the characters act for themselves. However, in my", "info-dump). Little to no important information remains to reveal later. In my opinion,", "cover what is uncovered? Should I leave the revelation of some information to", "leave the revelation of some information to later chapters? Should I trick the", "write excerpts describing every idea I have as soon as they come to", "I'm writing isn't of the suspense genre, it's a mix of fantasy and", "fiction, but a bit of \"I wonder what/who/how would that be?\", and showing", "just reveals everything the reader wants to know right away, is just plain", "is never a bad thing (if well implemented). I think I'm a plotter,", "writing. Should I cover what is uncovered? Should I leave the revelation of", "a habit I have with my stories, and I think it's a bad" ]
[ "> Me: I have realized that I am a terrible person. > >", "I am writing a first person narrative with a character that is very", "things verbatim. For example, a conversation similar to that which I had with", "> Friend: what? I don't think so. > > Me: Well, I mean,", "be avoided in my writing? (I have gotten better in my speech, so", "fine with \"Yes, freedom of speech\" or \"no, it's morally corrupt\" answers, but", "disbelief. Edit 2: I am not attempting to legitimize or trivialize or defend", "is: Should such things be avoided in my writing? (I have gotten better", "such things verbatim. For example, a conversation similar to that which I had", "won't move aside or walk faster. > > > I have used the", "defend anything (maybe my example comes off that way, and if so I", "my regular speech as well as my thoughts and my writing to describe", "comes off that way, and if so I apologize but if I change", "message I am trying to convey to the reader if I write such", "something similar to it in my regular speech as well as my thoughts", "similar to that which I had with a friend once: > > Me:", "I am trying to convey to the reader if I write such things", "As such I feel like the narrator should speak and think in language", "in front of me that won't move aside or walk faster. > >", "in my speech, so that is not an issue.) Edit: I am perfectly", "which I had with a friend once: > > Me: I have realized", "Me: I have realized that I am a terrible person. > > Friend:", "something unusually bad. My question is: Should such things be avoided in my", "person. > > Friend: what? I don't think so. > > Me: Well,", "I have used the \"rape a kitten\" or something similar to it in", "I could see throwing shit at the old guy in front of me", "or ruining suspension of disbelief. Edit 2: I am not attempting to legitimize", "an issue.) Edit: I am perfectly fine with \"Yes, freedom of speech\" or", "myself. As such I feel like the narrator should speak and think in", "> > I have used the \"rape a kitten\" or something similar to", "I am perfectly fine with \"Yes, freedom of speech\" or \"no, it's morally", "the reader if I write such things verbatim. For example, a conversation similar", "my writing to describe something unusually bad. My question is: Should such things", "of speech\" or \"no, it's morally corrupt\" answers, but there needs to be", "there needs to be a reason, e.g. writing style or ruining suspension of", "aside or walk faster. > > > I have used the \"rape a", "character that is very similar to myself. As such I feel like the", "> > Friend: what? I don't think so. > > Me: Well, I", "Friend: what? I don't think so. > > Me: Well, I mean, not", "that which I had with a friend once: > > Me: I have", "what? I don't think so. > > Me: Well, I mean, not in", "convey to the reader if I write such things verbatim. For example, a", "that won't move aside or walk faster. > > > I have used", "that is not an issue.) Edit: I am perfectly fine with \"Yes, freedom", "I feel like I would chameleon the question). I will definitely bear in", "move aside or walk faster. > > > I have used the \"rape", "it in my regular speech as well as my thoughts and my writing", "> > Me: I have realized that I am a terrible person. >", "a kitten or anything, but I could see throwing shit at the old", "have used the \"rape a kitten\" or something similar to it in my", "feel like the narrator should speak and think in language that I, personally,", "in the way that I would rape a kitten or anything, but I", "once: > > Me: I have realized that I am a terrible person.", "corrupt\" answers, but there needs to be a reason, e.g. writing style or", "I, personally, would use. Unfortunately, I feel like it may detract from the", "old guy in front of me that won't move aside or walk faster.", "and if so I apologize but if I change it I feel like", "me that won't move aside or walk faster. > > > I have", "with a character that is very similar to myself. As such I feel", "I write such things verbatim. For example, a conversation similar to that which", "I don't think so. > > Me: Well, I mean, not in the", "like it may detract from the message I am trying to convey to", "change it I feel like I would chameleon the question). I will definitely", "e.g. writing style or ruining suspension of disbelief. Edit 2: I am not", "writing a first person narrative with a character that is very similar to", "but if I change it I feel like I would chameleon the question).", "my writing? (I have gotten better in my speech, so that is not", "very similar to myself. As such I feel like the narrator should speak", "as well as my thoughts and my writing to describe something unusually bad.", "My question is: Should such things be avoided in my writing? (I have", "not attempting to legitimize or trivialize or defend anything (maybe my example comes", "person narrative with a character that is very similar to myself. As such", "a conversation similar to that which I had with a friend once: >", "conversation similar to that which I had with a friend once: > >", "my speech, so that is not an issue.) Edit: I am perfectly fine", "or anything, but I could see throwing shit at the old guy in", "or defend anything (maybe my example comes off that way, and if so", "to the reader if I write such things verbatim. For example, a conversation", "apologize but if I change it I feel like I would chameleon the", "a first person narrative with a character that is very similar to myself.", "shit at the old guy in front of me that won't move aside", "(I have gotten better in my speech, so that is not an issue.)", "I would chameleon the question). I will definitely bear in mind the context.", "that way, and if so I apologize but if I change it I", "not an issue.) 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For example, a conversation similar to that which I", "Me: Well, I mean, not in the way that I would rape a", "that I, personally, would use. Unfortunately, I feel like it may detract from", "or something similar to it in my regular speech as well as my", "the \"rape a kitten\" or something similar to it in my regular speech", "2: I am not attempting to legitimize or trivialize or defend anything (maybe", "friend once: > > Me: I have realized that I am a terrible", "my example comes off that way, and if so I apologize but if", "use. Unfortunately, I feel like it may detract from the message I am", "not in the way that I would rape a kitten or anything, but", "the old guy in front of me that won't move aside or walk", "> > > I have used the \"rape a kitten\" or something similar", "example, a conversation similar to that which I had with a friend once:", "writing style or ruining suspension of disbelief. Edit 2: I am not attempting", "to it in my regular speech as well as my thoughts and my", "I feel like the narrator should speak and think in language that I,", "way that I would rape a kitten or anything, but I could see", "regular speech as well as my thoughts and my writing to describe something", "in my writing? (I have gotten better in my speech, so that is", "writing? (I have gotten better in my speech, so that is not an", "language that I, personally, would use. Unfortunately, I feel like it may detract", "unusually bad. My question is: Should such things be avoided in my writing?", "it may detract from the message I am trying to convey to the", "don't think so. > > Me: Well, I mean, not in the way", "I mean, not in the way that I would rape a kitten or", "if I change it I feel like I would chameleon the question). I", "detract from the message I am trying to convey to the reader if", "to legitimize or trivialize or defend anything (maybe my example comes off that", "I feel like it may detract from the message I am trying to", "feel like it may detract from the message I am trying to convey", "> > Me: Well, I mean, not in the way that I would", "the narrator should speak and think in language that I, personally, would use.", "that I am a terrible person. > > Friend: what? I don't think", "have gotten better in my speech, so that is not an issue.) Edit:", "like the narrator should speak and think in language that I, personally, would", "avoided in my writing? (I have gotten better in my speech, so that", "needs to be a reason, e.g. writing style or ruining suspension of disbelief.", "and think in language that I, personally, would use. Unfortunately, I feel like", "anything, but I could see throwing shit at the old guy in front", "freedom of speech\" or \"no, it's morally corrupt\" answers, but there needs to", "off that way, and if so I apologize but if I change it", "rape a kitten or anything, but I could see throwing shit at the", "I am not attempting to legitimize or trivialize or defend anything (maybe my", "kitten\" or something similar to it in my regular speech as well as", "question is: Should such things be avoided in my writing? (I have gotten", "personally, would use. Unfortunately, I feel like it may detract from the message", "from the message I am trying to convey to the reader if I", "think so. > > Me: Well, I mean, not in the way that", "at the old guy in front of me that won't move aside or", "speech as well as my thoughts and my writing to describe something unusually", "am a terrible person. > > Friend: what? I don't think so. >", "describe something unusually bad. My question is: Should such things be avoided in", "speech, so that is not an issue.) Edit: I am perfectly fine with", "or \"no, it's morally corrupt\" answers, but there needs to be a reason,", "terrible person. > > Friend: what? I don't think so. > > Me:", "ruining suspension of disbelief. Edit 2: I am not attempting to legitimize or", "and my writing to describe something unusually bad. My question is: Should such", "writing to describe something unusually bad. My question is: Should such things be", "the way that I would rape a kitten or anything, but I could", "of me that won't move aside or walk faster. > > > I", "Edit: I am perfectly fine with \"Yes, freedom of speech\" or \"no, it's", "style or ruining suspension of disbelief. Edit 2: I am not attempting to", "such I feel like the narrator should speak and think in language that", "gotten better in my speech, so that is not an issue.) Edit: I", "\"rape a kitten\" or something similar to it in my regular speech as", "like I would chameleon the question). I will definitely bear in mind the", "it's morally corrupt\" answers, but there needs to be a reason, e.g. writing", "am perfectly fine with \"Yes, freedom of speech\" or \"no, it's morally corrupt\"", "guy in front of me that won't move aside or walk faster. >", "perfectly fine with \"Yes, freedom of speech\" or \"no, it's morally corrupt\" answers,", "speech\" or \"no, it's morally corrupt\" answers, but there needs to be a", "attempting to legitimize or trivialize or defend anything (maybe my example comes off", "anything (maybe my example comes off that way, and if so I apologize", "I am a terrible person. > > Friend: what? I don't think so.", "bad. My question is: Should such things be avoided in my writing? (I", "kitten or anything, but I could see throwing shit at the old guy", "issue.) Edit: I am perfectly fine with \"Yes, freedom of speech\" or \"no," ]
[ "part it might not seem a coincidence at all, something I've learned from", "evidence for a fiction not having a coincidental occurring at all ? I", "it [coincidence] part of a well thought through backstory and make it so", "So it is obvious that usually a fiction does have a coincidence but", "posts. > > ''With proper build-up, any coincidences, even not very plausible, will", "> > ''Make it [coincidence] part of a well thought through backstory and", "[answer by Ivana](https://writers.stackexchange.com/a/27039/26) > > > > So it is obvious that usually", "> ''Make it [coincidence] part of a well thought through backstory and make", "a coincidence? Is coincidence an integral part of a fiction? Is it possible", "doesn't have a coincidence? Is coincidence an integral part of a fiction? Is", "make it so the reader really just doesn't care how they got there.''", "of a fiction? Is it possible to write a fiction without a coincidence?", "for a fiction not having a coincidental occurring at all ? I understand", "fictional work that doesn't have a coincidence? Is coincidence an integral part of", "> ''With proper build-up, any coincidences, even not very plausible, will be completely", "is obvious that usually a fiction does have a coincidence but is there", "fiction has a coincidence? Is there any evidence for a fiction not having", "from [this answer](https://writers.stackexchange.com/a/27031/26) on one of my previous posts. > > ''With proper", "coincidental occurring at all ? I understand by the time we get to", "completely OK.'' > --[answer by SF.](https://writers.stackexchange.com/a/27031/26) > > > ''Make it [coincidence] part", "Is there any evidence for a fiction not having a coincidental occurring at", "one of my previous posts. > > ''With proper build-up, any coincidences, even", "having a coincidental occurring at all ? I understand by the time we", "even not very plausible, will be completely OK.'' > --[answer by SF.](https://writers.stackexchange.com/a/27031/26) >", "a well thought through backstory and make it so the reader really just", "? I understand by the time we get to the coincidence part it", "Ivana](https://writers.stackexchange.com/a/27039/26) > > > > So it is obvious that usually a fiction", "get to the coincidence part it might not seem a coincidence at all,", "a coincidental occurring at all ? I understand by the time we get", "is there any fictional work that doesn't have a coincidence? Is coincidence an", "by the time we get to the coincidence part it might not seem", "fiction does have a coincidence but is there any fictional work that doesn't", "does have a coincidence but is there any fictional work that doesn't have", "[this answer](https://writers.stackexchange.com/a/27031/26) on one of my previous posts. > > ''With proper build-up,", "any coincidences, even not very plausible, will be completely OK.'' > --[answer by", "it so the reader really just doesn't care how they got there.'' >", "> > > > So it is obvious that usually a fiction does", "> > > So it is obvious that usually a fiction does have", "at all, something I've learned from [this answer](https://writers.stackexchange.com/a/27031/26) on one of my previous", "might not seem a coincidence at all, something I've learned from [this answer](https://writers.stackexchange.com/a/27031/26)", "-- [answer by Ivana](https://writers.stackexchange.com/a/27039/26) > > > > So it is obvious that", "> > > ''Make it [coincidence] part of a well thought through backstory", "coincidence but is there any fictional work that doesn't have a coincidence? Is", "understand by the time we get to the coincidence part it might not", "reader really just doesn't care how they got there.'' > -- [answer by", "> -- [answer by Ivana](https://writers.stackexchange.com/a/27039/26) > > > > So it is obvious", "Is coincidence an integral part of a fiction? Is it possible to write", "I've learned from [this answer](https://writers.stackexchange.com/a/27031/26) on one of my previous posts. > >", "to the coincidence part it might not seem a coincidence at all, something", "there.'' > -- [answer by Ivana](https://writers.stackexchange.com/a/27039/26) > > > > So it is", "care how they got there.'' > -- [answer by Ivana](https://writers.stackexchange.com/a/27039/26) > > >", "really just doesn't care how they got there.'' > -- [answer by Ivana](https://writers.stackexchange.com/a/27039/26)", "so the reader really just doesn't care how they got there.'' > --", "coincidence? Is coincidence an integral part of a fiction? Is it possible to", "fiction not having a coincidental occurring at all ? I understand by the", "coincidences, even not very plausible, will be completely OK.'' > --[answer by SF.](https://writers.stackexchange.com/a/27031/26)", "how they got there.'' > -- [answer by Ivana](https://writers.stackexchange.com/a/27039/26) > > > >", "that doesn't have a coincidence? Is coincidence an integral part of a fiction?", "by Ivana](https://writers.stackexchange.com/a/27039/26) > > > > So it is obvious that usually a", "at all ? I understand by the time we get to the coincidence", "the coincidence part it might not seem a coincidence at all, something I've", "learned from [this answer](https://writers.stackexchange.com/a/27031/26) on one of my previous posts. > > ''With", "usually a fiction does have a coincidence but is there any fictional work", "a coincidence? Is there any evidence for a fiction not having a coincidental", "something I've learned from [this answer](https://writers.stackexchange.com/a/27031/26) on one of my previous posts. >", "''With proper build-up, any coincidences, even not very plausible, will be completely OK.''", "coincidence an integral part of a fiction? Is it possible to write a", "any fictional work that doesn't have a coincidence? Is coincidence an integral part", "part of a fiction? Is it possible to write a fiction without a", "backstory and make it so the reader really just doesn't care how they", "on one of my previous posts. > > ''With proper build-up, any coincidences,", "> So it is obvious that usually a fiction does have a coincidence", "we get to the coincidence part it might not seem a coincidence at", "through backstory and make it so the reader really just doesn't care how", "a coincidence at all, something I've learned from [this answer](https://writers.stackexchange.com/a/27031/26) on one of", "all, something I've learned from [this answer](https://writers.stackexchange.com/a/27031/26) on one of my previous posts.", "not seem a coincidence at all, something I've learned from [this answer](https://writers.stackexchange.com/a/27031/26) on", "proper build-up, any coincidences, even not very plausible, will be completely OK.'' >", "that usually a fiction does have a coincidence but is there any fictional", "I understand by the time we get to the coincidence part it might", "it is obvious that usually a fiction does have a coincidence but is", "any evidence for a fiction not having a coincidental occurring at all ?", "SF.](https://writers.stackexchange.com/a/27031/26) > > > ''Make it [coincidence] part of a well thought through", "build-up, any coincidences, even not very plausible, will be completely OK.'' > --[answer", "not very plausible, will be completely OK.'' > --[answer by SF.](https://writers.stackexchange.com/a/27031/26) > >", "part of a well thought through backstory and make it so the reader", "my previous posts. > > ''With proper build-up, any coincidences, even not very", "the reader really just doesn't care how they got there.'' > -- [answer", "have a coincidence but is there any fictional work that doesn't have a", "previous posts. > > ''With proper build-up, any coincidences, even not very plausible,", "an integral part of a fiction? Is it possible to write a fiction", "well thought through backstory and make it so the reader really just doesn't", "occurring at all ? I understand by the time we get to the", "a coincidence but is there any fictional work that doesn't have a coincidence?", "> > So it is obvious that usually a fiction does have a", "got there.'' > -- [answer by Ivana](https://writers.stackexchange.com/a/27039/26) > > > > So it", "seem a coincidence at all, something I've learned from [this answer](https://writers.stackexchange.com/a/27031/26) on one", "they got there.'' > -- [answer by Ivana](https://writers.stackexchange.com/a/27039/26) > > > > So", "integral part of a fiction? Is it possible to write a fiction without", "coincidence part it might not seem a coincidence at all, something I've learned", "the time we get to the coincidence part it might not seem a", "time we get to the coincidence part it might not seem a coincidence", "very plausible, will be completely OK.'' > --[answer by SF.](https://writers.stackexchange.com/a/27031/26) > > >", "just doesn't care how they got there.'' > -- [answer by Ivana](https://writers.stackexchange.com/a/27039/26) >", "doesn't care how they got there.'' > -- [answer by Ivana](https://writers.stackexchange.com/a/27039/26) > >", "every fiction has a coincidence? Is there any evidence for a fiction not", "has a coincidence? Is there any evidence for a fiction not having a", "will be completely OK.'' > --[answer by SF.](https://writers.stackexchange.com/a/27031/26) > > > ''Make it", "of my previous posts. > > ''With proper build-up, any coincidences, even not", "> > ''With proper build-up, any coincidences, even not very plausible, will be", "--[answer by SF.](https://writers.stackexchange.com/a/27031/26) > > > ''Make it [coincidence] part of a well", "Does every fiction has a coincidence? Is there any evidence for a fiction", "coincidence? Is there any evidence for a fiction not having a coincidental occurring", "a fiction does have a coincidence but is there any fictional work that", "but is there any fictional work that doesn't have a coincidence? Is coincidence", "coincidence at all, something I've learned from [this answer](https://writers.stackexchange.com/a/27031/26) on one of my", "answer](https://writers.stackexchange.com/a/27031/26) on one of my previous posts. > > ''With proper build-up, any", "OK.'' > --[answer by SF.](https://writers.stackexchange.com/a/27031/26) > > > ''Make it [coincidence] part of", "it might not seem a coincidence at all, something I've learned from [this", "by SF.](https://writers.stackexchange.com/a/27031/26) > > > ''Make it [coincidence] part of a well thought", "and make it so the reader really just doesn't care how they got", "have a coincidence? Is coincidence an integral part of a fiction? Is it", "''Make it [coincidence] part of a well thought through backstory and make it", "be completely OK.'' > --[answer by SF.](https://writers.stackexchange.com/a/27031/26) > > > ''Make it [coincidence]", "of a well thought through backstory and make it so the reader really", "there any evidence for a fiction not having a coincidental occurring at all", "plausible, will be completely OK.'' > --[answer by SF.](https://writers.stackexchange.com/a/27031/26) > > > ''Make", "[coincidence] part of a well thought through backstory and make it so the", "thought through backstory and make it so the reader really just doesn't care", "work that doesn't have a coincidence? Is coincidence an integral part of a", "there any fictional work that doesn't have a coincidence? Is coincidence an integral", "not having a coincidental occurring at all ? I understand by the time", "a fiction not having a coincidental occurring at all ? I understand by", "> --[answer by SF.](https://writers.stackexchange.com/a/27031/26) > > > ''Make it [coincidence] part of a", "obvious that usually a fiction does have a coincidence but is there any", "all** ? I understand by the time we get to the coincidence part" ]
[ "know word count isn't everything, but I'm still a bit worried the book", "novel out of it, maybe 80000 words. But at the start of the", "story isn't going to be as long as I had hoped. I'm pretty", "confident that my plot is deep enough, and that I could write a", "For my latest attempt, this time a sci-fi novel, I have an outline.", "But I still feel like my story isn't going to be as long", "long as I had hoped. I'm pretty confident that my plot is deep", "sci-fi novel, I have an outline. A 3000-word outline that goes over the", "didn't plan either novel. For my latest attempt, this time a sci-fi novel,", "the plot. I know word count isn't everything, but I'm still a bit", "a sci-fi novel, I have an outline. A 3000-word outline that goes over", "I'm still a bit worried the book won't be what I want it", "outline, and only writing the parts that are crucial to the plot. I", "can I do to add details and interesting stuff to my story, other", "too much to my outline, and only writing the parts that are crucial", "more toward half that size. I think the problem is that I'm sticking", "finished. Am I worrying too much about length? What can I do to", "write a novel, I didn't feel like I was writing enough. I didn't", "discovered that I am most definitely not a pantser, especially when writing longer", "time a sci-fi novel, I have an outline. A 3000-word outline that goes", "that my plot is deep enough, and that I could write a whole", "What can I do to add details and interesting stuff to my story,", "enough, and that I could write a whole novel out of it, maybe", "the whole plot, chapter by chapter. But I still feel like my story", "plot, chapter by chapter. But I still feel like my story isn't going", "what I want it to be when I'm finished. Am I worrying too", "outline that goes over the whole plot, chapter by chapter. But I still", "pieces. The last couple of times I've tried to write a novel, I", "this time a sci-fi novel, I have an outline. A 3000-word outline that", "much about length? What can I do to add details and interesting stuff", "crucial to the plot. I know word count isn't everything, but I'm still", "details and interesting stuff to my story, other than just the major plot", "I am most definitely not a pantser, especially when writing longer pieces. The", "and interesting stuff to my story, other than just the major plot points?", "of it, maybe 80000 words. But at the start of the 5th chapter,", "to write a novel, I didn't feel like I was writing enough. I", "as I had hoped. I'm pretty confident that my plot is deep enough,", "novel, I have an outline. A 3000-word outline that goes over the whole", "do to add details and interesting stuff to my story, other than just", "couple of times I've tried to write a novel, I didn't feel like", "going to be as long as I had hoped. I'm pretty confident that", "novel. For my latest attempt, this time a sci-fi novel, I have an", "too much about length? What can I do to add details and interesting", "that size. I think the problem is that I'm sticking too much to", "isn't going to be as long as I had hoped. I'm pretty confident", "chapter. But I still feel like my story isn't going to be as", "was writing enough. I didn't plan either novel. For my latest attempt, this", "much to my outline, and only writing the parts that are crucial to", "my outline, and only writing the parts that are crucial to the plot.", "I could write a whole novel out of it, maybe 80000 words. But", "of the 5th chapter, I'm headed more toward half that size. I think", "I'm sticking too much to my outline, and only writing the parts that", "out of it, maybe 80000 words. But at the start of the 5th", "writing enough. I didn't plan either novel. For my latest attempt, this time", "words. But at the start of the 5th chapter, I'm headed more toward", "at the start of the 5th chapter, I'm headed more toward half that", "am most definitely not a pantser, especially when writing longer pieces. The last", "last couple of times I've tried to write a novel, I didn't feel", "A 3000-word outline that goes over the whole plot, chapter by chapter. But", "of times I've tried to write a novel, I didn't feel like I", "goes over the whole plot, chapter by chapter. But I still feel like", "could write a whole novel out of it, maybe 80000 words. But at", "especially when writing longer pieces. The last couple of times I've tried to", "feel like I was writing enough. I didn't plan either novel. For my", "a novel, I didn't feel like I was writing enough. I didn't plan", "my latest attempt, this time a sci-fi novel, I have an outline. A", "longer pieces. The last couple of times I've tried to write a novel,", "the start of the 5th chapter, I'm headed more toward half that size.", "be as long as I had hoped. I'm pretty confident that my plot", "I'm headed more toward half that size. I think the problem is that", "I have discovered that I am most definitely not a pantser, especially when", "that goes over the whole plot, chapter by chapter. But I still feel", "like I was writing enough. I didn't plan either novel. For my latest", "80000 words. But at the start of the 5th chapter, I'm headed more", "headed more toward half that size. I think the problem is that I'm", "be when I'm finished. Am I worrying too much about length? What can", "as long as I had hoped. I'm pretty confident that my plot is", "I'm pretty confident that my plot is deep enough, and that I could", "want it to be when I'm finished. Am I worrying too much about", "the parts that are crucial to the plot. I know word count isn't", "about length? What can I do to add details and interesting stuff to", "bit worried the book won't be what I want it to be when", "I didn't plan either novel. For my latest attempt, this time a sci-fi", "I think the problem is that I'm sticking too much to my outline,", "worrying too much about length? What can I do to add details and", "deep enough, and that I could write a whole novel out of it,", "still feel like my story isn't going to be as long as I", "it, maybe 80000 words. But at the start of the 5th chapter, I'm", "be what I want it to be when I'm finished. Am I worrying", "writing the parts that are crucial to the plot. I know word count", "my story isn't going to be as long as I had hoped. I'm", "tried to write a novel, I didn't feel like I was writing enough.", "have an outline. A 3000-word outline that goes over the whole plot, chapter", "by chapter. But I still feel like my story isn't going to be", "that I am most definitely not a pantser, especially when writing longer pieces.", "whole plot, chapter by chapter. But I still feel like my story isn't", "I know word count isn't everything, but I'm still a bit worried the", "that I'm sticking too much to my outline, and only writing the parts", "length? What can I do to add details and interesting stuff to my", "a bit worried the book won't be what I want it to be", "I want it to be when I'm finished. Am I worrying too much", "feel like my story isn't going to be as long as I had", "the book won't be what I want it to be when I'm finished.", "is that I'm sticking too much to my outline, and only writing the", "chapter, I'm headed more toward half that size. I think the problem is", "maybe 80000 words. But at the start of the 5th chapter, I'm headed", "like my story isn't going to be as long as I had hoped.", "whole novel out of it, maybe 80000 words. But at the start of", "I do to add details and interesting stuff to my story, other than", "when writing longer pieces. The last couple of times I've tried to write", "I didn't feel like I was writing enough. I didn't plan either novel.", "writing longer pieces. The last couple of times I've tried to write a", "think the problem is that I'm sticking too much to my outline, and", "attempt, this time a sci-fi novel, I have an outline. A 3000-word outline", "half that size. I think the problem is that I'm sticking too much", "word count isn't everything, but I'm still a bit worried the book won't", "hoped. I'm pretty confident that my plot is deep enough, and that I", "most definitely not a pantser, especially when writing longer pieces. The last couple", "book won't be what I want it to be when I'm finished. Am", "that I could write a whole novel out of it, maybe 80000 words.", "I still feel like my story isn't going to be as long as", "write a whole novel out of it, maybe 80000 words. But at the", "and that I could write a whole novel out of it, maybe 80000", "Am I worrying too much about length? What can I do to add", "everything, but I'm still a bit worried the book won't be what I", "But at the start of the 5th chapter, I'm headed more toward half", "I worrying too much about length? What can I do to add details", "I have an outline. A 3000-word outline that goes over the whole plot,", "to the plot. I know word count isn't everything, but I'm still a", "I had hoped. I'm pretty confident that my plot is deep enough, and", "the 5th chapter, I'm headed more toward half that size. I think the", "3000-word outline that goes over the whole plot, chapter by chapter. But I", "over the whole plot, chapter by chapter. But I still feel like my", "are crucial to the plot. I know word count isn't everything, but I'm", "parts that are crucial to the plot. I know word count isn't everything,", "to my outline, and only writing the parts that are crucial to the", "pantser, especially when writing longer pieces. The last couple of times I've tried", "definitely not a pantser, especially when writing longer pieces. The last couple of", "a whole novel out of it, maybe 80000 words. But at the start", "size. I think the problem is that I'm sticking too much to my", "plot. I know word count isn't everything, but I'm still a bit worried", "not a pantser, especially when writing longer pieces. The last couple of times", "enough. I didn't plan either novel. For my latest attempt, this time a", "only writing the parts that are crucial to the plot. I know word", "start of the 5th chapter, I'm headed more toward half that size. I", "still a bit worried the book won't be what I want it to", "but I'm still a bit worried the book won't be what I want", "won't be what I want it to be when I'm finished. Am I", "have discovered that I am most definitely not a pantser, especially when writing", "I'm finished. Am I worrying too much about length? What can I do", "I was writing enough. I didn't plan either novel. For my latest attempt,", "my plot is deep enough, and that I could write a whole novel", "to be when I'm finished. Am I worrying too much about length? What", "5th chapter, I'm headed more toward half that size. I think the problem", "The last couple of times I've tried to write a novel, I didn't", "isn't everything, but I'm still a bit worried the book won't be what", "latest attempt, this time a sci-fi novel, I have an outline. A 3000-word", "sticking too much to my outline, and only writing the parts that are", "had hoped. I'm pretty confident that my plot is deep enough, and that", "to add details and interesting stuff to my story, other than just the", "plot is deep enough, and that I could write a whole novel out", "add details and interesting stuff to my story, other than just the major", "and only writing the parts that are crucial to the plot. I know", "problem is that I'm sticking too much to my outline, and only writing", "plan either novel. For my latest attempt, this time a sci-fi novel, I", "an outline. A 3000-word outline that goes over the whole plot, chapter by", "a pantser, especially when writing longer pieces. The last couple of times I've", "to be as long as I had hoped. I'm pretty confident that my", "it to be when I'm finished. Am I worrying too much about length?", "chapter by chapter. But I still feel like my story isn't going to", "pretty confident that my plot is deep enough, and that I could write", "outline. A 3000-word outline that goes over the whole plot, chapter by chapter.", "I've tried to write a novel, I didn't feel like I was writing", "the problem is that I'm sticking too much to my outline, and only", "worried the book won't be what I want it to be when I'm", "novel, I didn't feel like I was writing enough. I didn't plan either", "either novel. For my latest attempt, this time a sci-fi novel, I have", "count isn't everything, but I'm still a bit worried the book won't be", "when I'm finished. Am I worrying too much about length? What can I", "that are crucial to the plot. I know word count isn't everything, but", "times I've tried to write a novel, I didn't feel like I was", "is deep enough, and that I could write a whole novel out of", "toward half that size. I think the problem is that I'm sticking too", "didn't feel like I was writing enough. I didn't plan either novel. For" ]
[ "IQ does not account for all aspects of high intelligence. However, I am", "naïveté as well, in that part of what drives his kindness, is his", "escape impossible situations. However, this would conflict with his third major character trait:", "in that part of what drives his kindness, is his belief that humans", "part of what drives his kindness, is his belief that humans are inherently", "in part due to being very sheltered–which is also the main reason why", "too compassionate, honest and honorable to be physically capable of lying to another", "trouble figuring out how this would clearly manifest itself with neither a good", "However, this would conflict with his third major character trait: idealism. The character", "knowledge–but also owes to the fact he is only 15; he simply has", "others they way he believes they themselves would act. My question, then, is", "character traits is his vastly superior intelligence/intellect. In fact, he has what we", "honorable to be physically capable of lying to another person for personal gain,", "his gifted mind with facts. Another of his three major character traits is", "of lying to another person for personal gain, for instance. Moreover, this ties", "though I know IQ does not account for all aspects of high intelligence.", "three major character traits is his naïveté. This is in part due to", "of Western Europe during the Middle Ages. One of my protagonists is raised", "and deception, (perhaps almost a bit like Gom Siptem?) and that part of", "simply acts towards others they way he believes they themselves would act. My", "my protagonists is raised poor in a small village, but early on discovers", "of my protagonists is raised poor in a small village, but early on", "that part of what drives his kindness, is his belief that humans are", "am having trouble figuring out how this would clearly manifest itself with neither", "idealism. The character is simply too compassionate, honest and honorable to be physically", "reason why he has little worldly knowledge–but also owes to the fact he", "present his gifted mind through cunning and deception, (perhaps almost a bit like", "he has little worldly knowledge–but also owes to the fact he is only", "a small village, but early on discovers he has blue blood. One of", "is his naïveté. This is in part due to being very sheltered–which is", "itself in someone with little or no education in the medieval world, and", "and that part of his underdog-like character was to use his sharp tongue", "blood. One of his three major character traits is his vastly superior intelligence/intellect.", "of the world to back up his gifted mind with facts. Another of", "I know IQ does not account for all aspects of high intelligence. However,", "having trouble figuring out how this would clearly manifest itself with neither a", "for personal gain, for instance. Moreover, this ties to his naïveté as well,", "belief that humans are inherently kind; he simply acts towards others they way", "One of my protagonists is raised poor in a small village, but early", "very sheltered–which is also the main reason why he has little worldly knowledge–but", "\"experience\" life. At first, I wanted to present his gifted mind through cunning", "small village, but early on discovers he has blue blood. One of his", "could vastly superior intelligence very visibly manifest itself in someone with little or", "what we would define as a genius level IQ (~150), though I know", "protagonists is raised poor in a small village, but early on discovers he", "simply too compassionate, honest and honorable to be physically capable of lying to", "Moreover, this ties to his naïveté as well, in that part of what", "instance. Moreover, this ties to his naïveté as well, in that part of", "as a genius level IQ (~150), though I know IQ does not account", "neither a good education nor much knowledge of the world to back up", "he simply has not had enough time to \"experience\" life. At first, I", "that part of his underdog-like character was to use his sharp tongue to", "tongue to escape impossible situations. However, this would conflict with his third major", "IQ (~150), though I know IQ does not account for all aspects of", "character trait: idealism. The character is simply too compassionate, honest and honorable to", "this would clearly manifest itself with neither a good education nor much knowledge", "level IQ (~150), though I know IQ does not account for all aspects", "mind with facts. Another of his three major character traits is his naïveté.", "My question, then, is twofold: how could vastly superior intelligence very visibly manifest", "person for personal gain, for instance. Moreover, this ties to his naïveté as", "lying to another person for personal gain, for instance. Moreover, this ties to", "of his three major character traits is his naïveté. This is in part", "his naïveté. This is in part due to being very sheltered–which is also", "intelligence. However, I am having trouble figuring out how this would clearly manifest", "to that of Western Europe during the Middle Ages. One of my protagonists", "due to being very sheltered–which is also the main reason why he has", "had enough time to \"experience\" life. At first, I wanted to present his", "and honorable to be physically capable of lying to another person for personal", "wanted to present his gifted mind through cunning and deception, (perhaps almost a", "kindness, is his belief that humans are inherently kind; he simply acts towards", "Another of his three major character traits is his naïveté. This is in", "this ties to his naïveté as well, in that part of what drives", "would define as a genius level IQ (~150), though I know IQ does", "gifted mind through cunning and deception, (perhaps almost a bit like Gom Siptem?)", "was to use his sharp tongue to escape impossible situations. However, this would", "set in a society akin to that of Western Europe during the Middle", "be physically capable of lying to another person for personal gain, for instance.", "to being very sheltered–which is also the main reason why he has little", "also the main reason why he has little worldly knowledge–but also owes to", "to use his sharp tongue to escape impossible situations. However, this would conflict", "not account for all aspects of high intelligence. However, I am having trouble", "nor much knowledge of the world to back up his gifted mind with", "a medieval (low fantasy) novel set in a society akin to that of", "would conflict with his third major character trait: idealism. The character is simply", "village, but early on discovers he has blue blood. One of his three", "vastly superior intelligence/intellect. In fact, he has what we would define as a", "towards others they way he believes they themselves would act. My question, then,", "use his sharp tongue to escape impossible situations. However, this would conflict with", "another person for personal gain, for instance. Moreover, this ties to his naïveté", "believes they themselves would act. My question, then, is twofold: how could vastly", "Gom Siptem?) and that part of his underdog-like character was to use his", "raised poor in a small village, but early on discovers he has blue", "his underdog-like character was to use his sharp tongue to escape impossible situations.", "his kindness, is his belief that humans are inherently kind; he simply acts", "traits is his naïveté. This is in part due to being very sheltered–which", "itself with neither a good education nor much knowledge of the world to", "his vastly superior intelligence/intellect. In fact, he has what we would define as", "has not had enough time to \"experience\" life. At first, I wanted to", "would clearly manifest itself with neither a good education nor much knowledge of", "sharp tongue to escape impossible situations. However, this would conflict with his third", "they way he believes they themselves would act. My question, then, is twofold:", "account for all aspects of high intelligence. However, I am having trouble figuring", "Ages. One of my protagonists is raised poor in a small village, but", "poor in a small village, but early on discovers he has blue blood.", "know IQ does not account for all aspects of high intelligence. However, I", "this would conflict with his third major character trait: idealism. The character is", "of his underdog-like character was to use his sharp tongue to escape impossible", "mind through cunning and deception, (perhaps almost a bit like Gom Siptem?) and", "third major character trait: idealism. The character is simply too compassionate, honest and", "owes to the fact he is only 15; he simply has not had", "One of his three major character traits is his vastly superior intelligence/intellect. In", "part of his underdog-like character was to use his sharp tongue to escape", "facts. Another of his three major character traits is his naïveté. This is", "with his third major character trait: idealism. The character is simply too compassionate,", "clearly manifest itself with neither a good education nor much knowledge of the", "am currently writing a medieval (low fantasy) novel set in a society akin", "kind; he simply acts towards others they way he believes they themselves would", "three major character traits is his vastly superior intelligence/intellect. In fact, he has", "I am having trouble figuring out how this would clearly manifest itself with", "has little worldly knowledge–but also owes to the fact he is only 15;", "almost a bit like Gom Siptem?) and that part of his underdog-like character", "his belief that humans are inherently kind; he simply acts towards others they", "through cunning and deception, (perhaps almost a bit like Gom Siptem?) and that", "then, is twofold: how could vastly superior intelligence very visibly manifest itself in", "Middle Ages. One of my protagonists is raised poor in a small village,", "education nor much knowledge of the world to back up his gifted mind", "define as a genius level IQ (~150), though I know IQ does not", "Europe during the Middle Ages. One of my protagonists is raised poor in", "compassionate, honest and honorable to be physically capable of lying to another person", "themselves would act. My question, then, is twofold: how could vastly superior intelligence", "(perhaps almost a bit like Gom Siptem?) and that part of his underdog-like", "genius level IQ (~150), though I know IQ does not account for all", "education in the medieval world, and does kindness and naïveté conflict with the", "a society akin to that of Western Europe during the Middle Ages. One", "fantasy) novel set in a society akin to that of Western Europe during", "physically capable of lying to another person for personal gain, for instance. Moreover,", "very visibly manifest itself in someone with little or no education in the", "that of Western Europe during the Middle Ages. One of my protagonists is", "At first, I wanted to present his gifted mind through cunning and deception,", "is simply too compassionate, honest and honorable to be physically capable of lying", "honest and honorable to be physically capable of lying to another person for", "has what we would define as a genius level IQ (~150), though I", "blue blood. One of his three major character traits is his vastly superior", "for instance. Moreover, this ties to his naïveté as well, in that part", "personal gain, for instance. Moreover, this ties to his naïveté as well, in", "major character traits is his vastly superior intelligence/intellect. In fact, he has what", "question, then, is twofold: how could vastly superior intelligence very visibly manifest itself", "major character traits is his naïveté. This is in part due to being", "does kindness and naïveté conflict with the idea of this sort of character?", "a good education nor much knowledge of the world to back up his", "simply has not had enough time to \"experience\" life. At first, I wanted", "on discovers he has blue blood. One of his three major character traits", "act. My question, then, is twofold: how could vastly superior intelligence very visibly", "early on discovers he has blue blood. One of his three major character", "his third major character trait: idealism. The character is simply too compassionate, honest", "out how this would clearly manifest itself with neither a good education nor", "naïveté. This is in part due to being very sheltered–which is also the", "character traits is his naïveté. This is in part due to being very", "trait: idealism. The character is simply too compassionate, honest and honorable to be", "are inherently kind; he simply acts towards others they way he believes they", "(low fantasy) novel set in a society akin to that of Western Europe", "like Gom Siptem?) and that part of his underdog-like character was to use", "we would define as a genius level IQ (~150), though I know IQ", "fact, he has what we would define as a genius level IQ (~150),", "he has what we would define as a genius level IQ (~150), though", "a genius level IQ (~150), though I know IQ does not account for", "high intelligence. However, I am having trouble figuring out how this would clearly", "does not account for all aspects of high intelligence. However, I am having", "deception, (perhaps almost a bit like Gom Siptem?) and that part of his", "a bit like Gom Siptem?) and that part of his underdog-like character was", "world, and does kindness and naïveté conflict with the idea of this sort", "what drives his kindness, is his belief that humans are inherently kind; he", "his sharp tongue to escape impossible situations. However, this would conflict with his", "his three major character traits is his naïveté. This is in part due", "drives his kindness, is his belief that humans are inherently kind; he simply", "vastly superior intelligence very visibly manifest itself in someone with little or no", "discovers he has blue blood. One of his three major character traits is", "he believes they themselves would act. 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[ "ago. I was extremely stressed out from work, and so out of the", "scholarly research. Indeed, I am good at pursuing search strategies: Right now I", "week. Although I have been writing for three years now, I still consider", "healthy. I found this article interesting: \"[The Real Science Of Science Fiction](https://www.theguardian.com/books/booksblog/2015/jan/21/real-science-science-fiction-sf-scholar)\". I", "Science Fiction](https://www.theguardian.com/books/booksblog/2015/jan/21/real-science-science-fiction-sf-scholar)\". I understand it to state that oftentimes writing science fiction does", "oftentimes writing science fiction does involve a great deal of scholarly research. Indeed,", "every night for a week. Although I have been writing for three years", "been writing for three years now, I still consider myself an aspiring author.", "fiction every night for a week. Although I have been writing for three", "chapters. I started a novel about memes, chaos theory, and the weather, and", "actual prose, but I give myself a trip that my prose isn't researched", "articles, and websites that I could use for inspiration and to answer the", "learner. I seem to have put myself in a double bind: I feel", "the blue, I sat down to write science fiction every night for a", "been published -- my efforts never get past a few chapters. I started", "with my science fiction writing when I feel like I need to do", "involve a great deal of scholarly research. Indeed, I am good at pursuing", "this normal or healthy. I found this article interesting: \"[The Real Science Of", "I could use for inspiration and to answer the questions on my list.", "too -- I do consider myself a lifetime learner. I seem to have", "I formulated a long list of questions that I think the novel would", "I feel like I need to do extensive research. I don't know if", "of resources could potentially triple. I guess it is a good thing to", "my interest in writing a few years ago. I was extremely stressed out", "interest in writing a few years ago. I was extremely stressed out from", "a novel about memes, chaos theory, and the weather, and I formulated a", "novel about memes, chaos theory, and the weather, and I formulated a long", "put myself in a double bind: I feel like I should be busy", "like I should be busy writing actual prose, but I give myself a", "trip that my prose isn't researched enough. How can I resolve this crisis?", "number of resources could potentially triple. I guess it is a good thing", "discovered my interest in writing a few years ago. I was extremely stressed", "I have never been published -- my efforts never get past a few", "I discovered my interest in writing a few years ago. I was extremely", "never been published -- my efforts never get past a few chapters. 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I found this article interesting: \"[The Real Science", "consider myself a lifetime learner. I seem to have put myself in a", "few years ago. I was extremely stressed out from work, and so out", "but I get bogged down with my science fiction writing when I feel", "to have resources. I am learning an awful lot too -- I do", "I think the novel would need to answer. I think I've made a", "never get past a few chapters. I started a novel about memes, chaos", "out of the blue, I sat down to write science fiction every night", "stressed out from work, and so out of the blue, I sat down", "ninety books, articles, and websites that I could use for inspiration and to", "science fiction every night for a week. Although I have been writing for", "feel like I need to do extensive research. I don't know if this", "and to answer the questions on my list. That number of resources could", "to have put myself in a double bind: I feel like I should", "list. That number of resources could potentially triple. I guess it is a", "to answer the questions on my list. That number of resources could potentially", "I think I've made a wonderful start, but I get bogged down with", "Real Science Of Science Fiction](https://www.theguardian.com/books/booksblog/2015/jan/21/real-science-science-fiction-sf-scholar)\". I understand it to state that oftentimes writing", "deal of scholarly research. Indeed, I am good at pursuing search strategies: Right", "is a good thing to have resources. I am learning an awful lot", "I started a novel about memes, chaos theory, and the weather, and I", "learning an awful lot too -- I do consider myself a lifetime learner.", "weather, and I formulated a long list of questions that I think the", "am good at pursuing search strategies: Right now I have compiled upwards of", "that I could use for inspiration and to answer the questions on my", "I have been writing for three years now, I still consider myself an", "I sat down to write science fiction every night for a week. Although", "it is a good thing to have resources. I am learning an awful", "guess it is a good thing to have resources. I am learning an", "on my list. That number of resources could potentially triple. I guess it", "night for a week. Although I have been writing for three years now,", "was extremely stressed out from work, and so out of the blue, I", "the questions on my list. That number of resources could potentially triple. I", "think the novel would need to answer. I think I've made a wonderful", "I should be busy writing actual prose, but I give myself a trip", "I get bogged down with my science fiction writing when I feel like", "efforts never get past a few chapters. I started a novel about memes,", "my list. That number of resources could potentially triple. I guess it is", "long list of questions that I think the novel would need to answer.", "strategies: Right now I have compiled upwards of ninety books, articles, and websites", "have compiled upwards of ninety books, articles, and websites that I could use", "theory, and the weather, and I formulated a long list of questions that", "writing science fiction does involve a great deal of scholarly research. Indeed, I", "could use for inspiration and to answer the questions on my list. That", "for inspiration and to answer the questions on my list. That number of", "I seem to have put myself in a double bind: I feel like", "work, and so out of the blue, I sat down to write science", "-- I do consider myself a lifetime learner. I seem to have put", "fiction writing when I feel like I need to do extensive research. I", "from work, and so out of the blue, I sat down to write", "I've made a wonderful start, but I get bogged down with my science", "I guess it is a good thing to have resources. I am learning", "my efforts never get past a few chapters. I started a novel about", "the novel would need to answer. I think I've made a wonderful start,", "bogged down with my science fiction writing when I feel like I need", "inspiration and to answer the questions on my list. That number of resources", "and I formulated a long list of questions that I think the novel", "give myself a trip that my prose isn't researched enough. How can I", "made a wonderful start, but I get bogged down with my science fiction", "bind: I feel like I should be busy writing actual prose, but I", "awful lot too -- I do consider myself a lifetime learner. I seem", "but I give myself a trip that my prose isn't researched enough. How", "down with my science fiction writing when I feel like I need to", "now, I still consider myself an aspiring author. I have never been published", "I am good at pursuing search strategies: Right now I have compiled upwards", "of ninety books, articles, and websites that I could use for inspiration and", "upwards of ninety books, articles, and websites that I could use for inspiration", "published -- my efforts never get past a few chapters. I started a", "a great deal of scholarly research. Indeed, I am good at pursuing search", "have resources. I am learning an awful lot too -- I do consider", "-- my efforts never get past a few chapters. I started a novel", "writing a few years ago. I was extremely stressed out from work, and", "I found this article interesting: \"[The Real Science Of Science Fiction](https://www.theguardian.com/books/booksblog/2015/jan/21/real-science-science-fiction-sf-scholar)\". I understand", "I feel like I should be busy writing actual prose, but I give", "would need to answer. I think I've made a wonderful start, but I", "and websites that I could use for inspiration and to answer the questions", "myself an aspiring author. I have never been published -- my efforts never", "need to answer. I think I've made a wonderful start, but I get", "at pursuing search strategies: Right now I have compiled upwards of ninety books,", "don't know if this normal or healthy. I found this article interesting: \"[The", "the weather, and I formulated a long list of questions that I think", "books, articles, and websites that I could use for inspiration and to answer", "writing when I feel like I need to do extensive research. I don't", "I don't know if this normal or healthy. I found this article interesting:", "I do consider myself a lifetime learner. I seem to have put myself", "blue, I sat down to write science fiction every night for a week.", "resources. I am learning an awful lot too -- I do consider myself", "a few years ago. I was extremely stressed out from work, and so", "I still consider myself an aspiring author. I have never been published --", "state that oftentimes writing science fiction does involve a great deal of scholarly", "extremely stressed out from work, and so out of the blue, I sat", "or healthy. I found this article interesting: \"[The Real Science Of Science Fiction](https://www.theguardian.com/books/booksblog/2015/jan/21/real-science-science-fiction-sf-scholar)\".", "good thing to have resources. I am learning an awful lot too --", "get bogged down with my science fiction writing when I feel like I", "Science Of Science Fiction](https://www.theguardian.com/books/booksblog/2015/jan/21/real-science-science-fiction-sf-scholar)\". I understand it to state that oftentimes writing science", "and so out of the blue, I sat down to write science fiction", "novel would need to answer. I think I've made a wonderful start, but", "I was extremely stressed out from work, and so out of the blue,", "my science fiction writing when I feel like I need to do extensive", "have been writing for three years now, I still consider myself an aspiring", "understand it to state that oftentimes writing science fiction does involve a great", "potentially triple. I guess it is a good thing to have resources. I", "thing to have resources. I am learning an awful lot too -- I", "of questions that I think the novel would need to answer. I think", "questions on my list. That number of resources could potentially triple. I guess", "of the blue, I sat down to write science fiction every night for", "in a double bind: I feel like I should be busy writing actual", "found this article interesting: \"[The Real Science Of Science Fiction](https://www.theguardian.com/books/booksblog/2015/jan/21/real-science-science-fiction-sf-scholar)\". I understand it", "research. I don't know if this normal or healthy. I found this article", "sat down to write science fiction every night for a week. Although I", "an aspiring author. I have never been published -- my efforts never get", "writing for three years now, I still consider myself an aspiring author. I", "past a few chapters. I started a novel about memes, chaos theory, and", "about memes, chaos theory, and the weather, and I formulated a long list", "years ago. I was extremely stressed out from work, and so out of", "Of Science Fiction](https://www.theguardian.com/books/booksblog/2015/jan/21/real-science-science-fiction-sf-scholar)\". I understand it to state that oftentimes writing science fiction", "started a novel about memes, chaos theory, and the weather, and I formulated", "resources could potentially triple. I guess it is a good thing to have", "a few chapters. I started a novel about memes, chaos theory, and the", "prose, but I give myself a trip that my prose isn't researched enough.", "great deal of scholarly research. Indeed, I am good at pursuing search strategies:", "have put myself in a double bind: I feel like I should be", "triple. I guess it is a good thing to have resources. I am", "out from work, and so out of the blue, I sat down to", "a long list of questions that I think the novel would need to", "\"[The Real Science Of Science Fiction](https://www.theguardian.com/books/booksblog/2015/jan/21/real-science-science-fiction-sf-scholar)\". I understand it to state that oftentimes", "so out of the blue, I sat down to write science fiction every", "to answer. I think I've made a wonderful start, but I get bogged", "three years now, I still consider myself an aspiring author. I have never", "I am learning an awful lot too -- I do consider myself a", "lot too -- I do consider myself a lifetime learner. I seem to", "a week. Although I have been writing for three years now, I still", "science fiction writing when I feel like I need to do extensive research.", "That number of resources could potentially triple. I guess it is a good", "myself in a double bind: I feel like I should be busy writing", "interesting: \"[The Real Science Of Science Fiction](https://www.theguardian.com/books/booksblog/2015/jan/21/real-science-science-fiction-sf-scholar)\". I understand it to state that", "a lifetime learner. I seem to have put myself in a double bind:", "for three years now, I still consider myself an aspiring author. I have", "start, but I get bogged down with my science fiction writing when I", "websites that I could use for inspiration and to answer the questions on", "extensive research. I don't know if this normal or healthy. I found this", "do consider myself a lifetime learner. I seem to have put myself in", "know if this normal or healthy. I found this article interesting: \"[The Real", "Indeed, I am good at pursuing search strategies: Right now I have compiled", "am learning an awful lot too -- I do consider myself a lifetime", "double bind: I feel like I should be busy writing actual prose, but", "I need to do extensive research. I don't know if this normal or", "answer. I think I've made a wonderful start, but I get bogged down", "myself a trip that my prose isn't researched enough. How can I resolve", "years now, I still consider myself an aspiring author. I have never been", "good at pursuing search strategies: Right now I have compiled upwards of ninety", "normal or healthy. I found this article interesting: \"[The Real Science Of Science", "be busy writing actual prose, but I give myself a trip that my", "and the weather, and I formulated a long list of questions that I", "for a week. Although I have been writing for three years now, I", "fiction does involve a great deal of scholarly research. Indeed, I am good", "when I feel like I need to do extensive research. I don't know", "answer the questions on my list. That number of resources could potentially triple.", "do extensive research. I don't know if this normal or healthy. I found", "seem to have put myself in a double bind: I feel like I", "could potentially triple. I guess it is a good thing to have resources.", "to write science fiction every night for a week. Although I have been", "research. Indeed, I am good at pursuing search strategies: Right now I have", "compiled upwards of ninety books, articles, and websites that I could use for", "writing actual prose, but I give myself a trip that my prose isn't", "down to write science fiction every night for a week. Although I have", "a good thing to have resources. I am learning an awful lot too", "myself a lifetime learner. I seem to have put myself in a double", "think I've made a wonderful start, but I get bogged down with my", "questions that I think the novel would need to answer. I think I've", "to do extensive research. I don't know if this normal or healthy. I", "list of questions that I think the novel would need to answer. I", "chaos theory, and the weather, and I formulated a long list of questions", "of scholarly research. Indeed, I am good at pursuing search strategies: Right now", "search strategies: Right now I have compiled upwards of ninety books, articles, and", "get past a few chapters. I started a novel about memes, chaos theory,", "Although I have been writing for three years now, I still consider myself", "this article interesting: \"[The Real Science Of Science Fiction](https://www.theguardian.com/books/booksblog/2015/jan/21/real-science-science-fiction-sf-scholar)\". I understand it to", "use for inspiration and to answer the questions on my list. That number", "an awful lot too -- I do consider myself a lifetime learner. I", "that I think the novel would need to answer. I think I've made", "Right now I have compiled upwards of ninety books, articles, and websites that", "formulated a long list of questions that I think the novel would need", "write science fiction every night for a week. Although I have been writing", "that oftentimes writing science fiction does involve a great deal of scholarly research.", "does involve a great deal of scholarly research. Indeed, I am good at", "aspiring author. I have never been published -- my efforts never get past", "I give myself a trip that my prose isn't researched enough. How can", "consider myself an aspiring author. I have never been published -- my efforts", "busy writing actual prose, but I give myself a trip that my prose", "author. I have never been published -- my efforts never get past a", "have never been published -- my efforts never get past a few chapters.", "feel like I should be busy writing actual prose, but I give myself", "science fiction does involve a great deal of scholarly research. Indeed, I am", "pursuing search strategies: Right now I have compiled upwards of ninety books, articles,", "need to do extensive research. I don't know if this normal or healthy.", "now I have compiled upwards of ninety books, articles, and websites that I", "should be busy writing actual prose, but I give myself a trip that", "a trip that my prose isn't researched enough. How can I resolve this", "article interesting: \"[The Real Science Of Science Fiction](https://www.theguardian.com/books/booksblog/2015/jan/21/real-science-science-fiction-sf-scholar)\". I understand it to state", "like I need to do extensive research. I don't know if this normal", "I understand it to state that oftentimes writing science fiction does involve a", "a wonderful start, but I get bogged down with my science fiction writing" ]
[ "give all that up for higher motives. How do I keep giving guesses", "do I keep giving guesses to the reader without fully revealing the true", "motives. How do I keep giving guesses to the reader without fully revealing", "in the ending chapters. This character can be closely associated with Plutarch Heavensbee", "for higher motives. How do I keep giving guesses to the reader without", "isn't who they claim to be. This character's true identity and affiliation will", "guesses to the reader without fully revealing the true person behind the facade", "Crouch Jr (Harry Potter Series). Men who place themselves in high ranking positions", "writing a character that isn't who they claim to be. This character's true", "currently writing a character that isn't who they claim to be. This character's", "up for higher motives. How do I keep giving guesses to the reader", "keep giving guesses to the reader without fully revealing the true person behind", "who they claim to be. This character's true identity and affiliation will become", "that isn't who they claim to be. This character's true identity and affiliation", "themselves in high ranking positions only to give all that up for higher", "ranking positions only to give all that up for higher motives. How do", "I keep giving guesses to the reader without fully revealing the true person", "associated with Plutarch Heavensbee (Hunger Games Series) and Barty Crouch Jr (Harry Potter", "Jr (Harry Potter Series). Men who place themselves in high ranking positions only", "I am currently writing a character that isn't who they claim to be.", "become known in the ending chapters. This character can be closely associated with", "affiliation will become known in the ending chapters. This character can be closely", "known in the ending chapters. This character can be closely associated with Plutarch", "Series). Men who place themselves in high ranking positions only to give all", "place themselves in high ranking positions only to give all that up for", "positions only to give all that up for higher motives. How do I", "can be closely associated with Plutarch Heavensbee (Hunger Games Series) and Barty Crouch", "giving guesses to the reader without fully revealing the true person behind the", "ending chapters. This character can be closely associated with Plutarch Heavensbee (Hunger Games", "to the reader without fully revealing the true person behind the facade too", "the ending chapters. This character can be closely associated with Plutarch Heavensbee (Hunger", "and affiliation will become known in the ending chapters. This character can be", "Heavensbee (Hunger Games Series) and Barty Crouch Jr (Harry Potter Series). Men who", "the reader without fully revealing the true person behind the facade too early", "will become known in the ending chapters. This character can be closely associated", "who place themselves in high ranking positions only to give all that up", "to give all that up for higher motives. How do I keep giving", "character can be closely associated with Plutarch Heavensbee (Hunger Games Series) and Barty", "higher motives. How do I keep giving guesses to the reader without fully", "closely associated with Plutarch Heavensbee (Hunger Games Series) and Barty Crouch Jr (Harry", "be. This character's true identity and affiliation will become known in the ending", "Barty Crouch Jr (Harry Potter Series). Men who place themselves in high ranking", "all that up for higher motives. How do I keep giving guesses to", "This character can be closely associated with Plutarch Heavensbee (Hunger Games Series) and", "Men who place themselves in high ranking positions only to give all that", "a character that isn't who they claim to be. This character's true identity", "How do I keep giving guesses to the reader without fully revealing the", "be closely associated with Plutarch Heavensbee (Hunger Games Series) and Barty Crouch Jr", "Games Series) and Barty Crouch Jr (Harry Potter Series). Men who place themselves", "This character's true identity and affiliation will become known in the ending chapters.", "chapters. This character can be closely associated with Plutarch Heavensbee (Hunger Games Series)", "and Barty Crouch Jr (Harry Potter Series). Men who place themselves in high", "that up for higher motives. How do I keep giving guesses to the", "high ranking positions only to give all that up for higher motives. How", "with Plutarch Heavensbee (Hunger Games Series) and Barty Crouch Jr (Harry Potter Series).", "am currently writing a character that isn't who they claim to be. This", "Series) and Barty Crouch Jr (Harry Potter Series). Men who place themselves in", "(Harry Potter Series). Men who place themselves in high ranking positions only to", "character that isn't who they claim to be. This character's true identity and", "claim to be. This character's true identity and affiliation will become known in", "reader without fully revealing the true person behind the facade too early on?", "(Hunger Games Series) and Barty Crouch Jr (Harry Potter Series). Men who place", "Potter Series). Men who place themselves in high ranking positions only to give", "character's true identity and affiliation will become known in the ending chapters. This", "Plutarch Heavensbee (Hunger Games Series) and Barty Crouch Jr (Harry Potter Series). Men", "in high ranking positions only to give all that up for higher motives.", "only to give all that up for higher motives. How do I keep", "to be. This character's true identity and affiliation will become known in the", "identity and affiliation will become known in the ending chapters. This character can", "true identity and affiliation will become known in the ending chapters. This character", "they claim to be. This character's true identity and affiliation will become known" ]
[ "ones. My concern is that the rarity of africans in SF will lead", "of africans in SF will lead to [unfortunate implications](http://tvtropes.org/pmwiki/pmwiki.php/Main/UnfortunateImplications) when the readers assume", "by the great queens of East Africa (e.g. [Arawelo](https://en.wikipedia.org/wiki/Arawelo) in Somalia and [Gudit](https://en.wikipedia.org/wiki/Gudit)", "the rules may be different when you aren't working with majority cultures. NB:", "names the same, but replace the religion, government, and family dynamics in my", "and [Gudit](https://en.wikipedia.org/wiki/Gudit) in Ethiopia), I have been researching a fantasy story about a", "appropriation\" may be the inverse of the term I'm looking for, since the", "concern is that the rarity of africans in SF will lead to [unfortunate", "queens of East Africa (e.g. [Arawelo](https://en.wikipedia.org/wiki/Arawelo) in Somalia and [Gudit](https://en.wikipedia.org/wiki/Gudit) in Ethiopia), I", "for the past two years. That research has led me to a story", "as \"juxtaposition\", but I feel like the rules may be different when you", "I am white. Is it [cultural appropriation](https://en.wikipedia.org/wiki/Cultural_appropriation) if I keep the geography and", "Africa (e.g. [Arawelo](https://en.wikipedia.org/wiki/Arawelo) in Somalia and [Gudit](https://en.wikipedia.org/wiki/Gudit) in Ethiopia), I have been researching", "in an alternate history version of the Kingdom of Aksum (~500CE). The cultures", "white. Is it [cultural appropriation](https://en.wikipedia.org/wiki/Cultural_appropriation) if I keep the geography and place names", "aren't working with majority cultures. NB: \"cultural appropriation\" may be the inverse of", "keep the geography and place names the same, but replace the religion, government,", "Is it [cultural appropriation](https://en.wikipedia.org/wiki/Cultural_appropriation) if I keep the geography and place names the", "was described as \"juxtaposition\", but I feel like the rules may be different", "a matriarchal culture for the past two years. That research has led me", "lead to [unfortunate implications](http://tvtropes.org/pmwiki/pmwiki.php/Main/UnfortunateImplications) when the readers assume that my fictional culture is", "and family dynamics in my story with ones that work for my plot?", "story with ones that work for my plot? In [this post](https://writers.stackexchange.com/questions/26730/is-mixing-cultures-for-the-setting-of-a-fantasy-story-frowned-upon) it was", "it was described as \"juxtaposition\", but I feel like the rules may be", "I feel like the rules may be different when you aren't working with", "given the under-representation of nonwhites in fantasy settings, I'd like to keep my", "story would be distinctly different from those of historical Aksum, but given the", "is that I am white. Is it [cultural appropriation](https://en.wikipedia.org/wiki/Cultural_appropriation) if I keep the", "represented in this story would be distinctly different from those of historical Aksum,", "have been researching a fantasy story about a matriarchal culture for the past", "great queens of East Africa (e.g. [Arawelo](https://en.wikipedia.org/wiki/Arawelo) in Somalia and [Gudit](https://en.wikipedia.org/wiki/Gudit) in Ethiopia),", "same, but replace the religion, government, and family dynamics in my story with", "in this story would be distinctly different from those of historical Aksum, but", "in my story with ones that work for my plot? In [this post](https://writers.stackexchange.com/questions/26730/is-mixing-cultures-for-the-setting-of-a-fantasy-story-frowned-upon)", "nonwhites in fantasy settings, I'd like to keep my story in a majority", "when you aren't working with majority cultures. NB: \"cultural appropriation\" may be the", "different from those of historical Aksum, but given the under-representation of nonwhites in", "a story that I'd like to tell in an alternate history version of", "settings, I'd like to keep my story in a majority African setting. The", "like to tell in an alternate history version of the Kingdom of Aksum", "matriarchal culture for the past two years. That research has led me to", "those of historical Aksum, but given the under-representation of nonwhites in fantasy settings,", "I have been researching a fantasy story about a matriarchal culture for the", "family dynamics in my story with ones that work for my plot? In", "may be different when you aren't working with majority cultures. NB: \"cultural appropriation\"", "rules may be different when you aren't working with majority cultures. NB: \"cultural", "replace are the cultural ones. My concern is that the rarity of africans", "African setting. The problem, however, is that I am white. Is it [cultural", "post](https://writers.stackexchange.com/questions/26730/is-mixing-cultures-for-the-setting-of-a-fantasy-story-frowned-upon) it was described as \"juxtaposition\", but I feel like the rules may", "\"juxtaposition\", but I feel like the rules may be different when you aren't", "place names the same, but replace the religion, government, and family dynamics in", "described as \"juxtaposition\", but I feel like the rules may be different when", "plot? In [this post](https://writers.stackexchange.com/questions/26730/is-mixing-cultures-for-the-setting-of-a-fantasy-story-frowned-upon) it was described as \"juxtaposition\", but I feel like", "since the elements I want to replace are the cultural ones. My concern", "a fantasy story about a matriarchal culture for the past two years. That", "fantasy settings, I'd like to keep my story in a majority African setting.", "would be distinctly different from those of historical Aksum, but given the under-representation", "I keep the geography and place names the same, but replace the religion,", "the same, but replace the religion, government, and family dynamics in my story", "Aksum, but given the under-representation of nonwhites in fantasy settings, I'd like to", "[this post](https://writers.stackexchange.com/questions/26730/is-mixing-cultures-for-the-setting-of-a-fantasy-story-frowned-upon) it was described as \"juxtaposition\", but I feel like the rules", "Inspired by the great queens of East Africa (e.g. [Arawelo](https://en.wikipedia.org/wiki/Arawelo) in Somalia and", "of the Kingdom of Aksum (~500CE). The cultures represented in this story would", "you aren't working with majority cultures. NB: \"cultural appropriation\" may be the inverse", "the Kingdom of Aksum (~500CE). The cultures represented in this story would be", "of Aksum (~500CE). The cultures represented in this story would be distinctly different", "(~500CE). The cultures represented in this story would be distinctly different from those", "that I'd like to tell in an alternate history version of the Kingdom", "from those of historical Aksum, but given the under-representation of nonwhites in fantasy", "the cultural ones. My concern is that the rarity of africans in SF", "led me to a story that I'd like to tell in an alternate", "dynamics in my story with ones that work for my plot? In [this", "be distinctly different from those of historical Aksum, but given the under-representation of", "religion, government, and family dynamics in my story with ones that work for", "the term I'm looking for, since the elements I want to replace are", "Somalia and [Gudit](https://en.wikipedia.org/wiki/Gudit) in Ethiopia), I have been researching a fantasy story about", "for my plot? In [this post](https://writers.stackexchange.com/questions/26730/is-mixing-cultures-for-the-setting-of-a-fantasy-story-frowned-upon) it was described as \"juxtaposition\", but I", "that I am white. Is it [cultural appropriation](https://en.wikipedia.org/wiki/Cultural_appropriation) if I keep the geography", "I want to replace are the cultural ones. My concern is that the", "implications](http://tvtropes.org/pmwiki/pmwiki.php/Main/UnfortunateImplications) when the readers assume that my fictional culture is the one that", "looking for, since the elements I want to replace are the cultural ones.", "an alternate history version of the Kingdom of Aksum (~500CE). The cultures represented", "setting. The problem, however, is that I am white. Is it [cultural appropriation](https://en.wikipedia.org/wiki/Cultural_appropriation)", "The problem, however, is that I am white. Is it [cultural appropriation](https://en.wikipedia.org/wiki/Cultural_appropriation) if", "a majority African setting. The problem, however, is that I am white. Is", "with majority cultures. NB: \"cultural appropriation\" may be the inverse of the term", "of East Africa (e.g. [Arawelo](https://en.wikipedia.org/wiki/Arawelo) in Somalia and [Gudit](https://en.wikipedia.org/wiki/Gudit) in Ethiopia), I have", "my story in a majority African setting. The problem, however, is that I", "am white. Is it [cultural appropriation](https://en.wikipedia.org/wiki/Cultural_appropriation) if I keep the geography and place", "Aksum (~500CE). The cultures represented in this story would be distinctly different from", "(e.g. [Arawelo](https://en.wikipedia.org/wiki/Arawelo) in Somalia and [Gudit](https://en.wikipedia.org/wiki/Gudit) in Ethiopia), I have been researching a", "of the term I'm looking for, since the elements I want to replace", "if I keep the geography and place names the same, but replace the", "East Africa (e.g. [Arawelo](https://en.wikipedia.org/wiki/Arawelo) in Somalia and [Gudit](https://en.wikipedia.org/wiki/Gudit) in Ethiopia), I have been", "ones that work for my plot? In [this post](https://writers.stackexchange.com/questions/26730/is-mixing-cultures-for-the-setting-of-a-fantasy-story-frowned-upon) it was described as", "of nonwhites in fantasy settings, I'd like to keep my story in a", "to replace are the cultural ones. My concern is that the rarity of", "feel like the rules may be different when you aren't working with majority", "the geography and place names the same, but replace the religion, government, and", "problem, however, is that I am white. Is it [cultural appropriation](https://en.wikipedia.org/wiki/Cultural_appropriation) if I", "story that I'd like to tell in an alternate history version of the", "and place names the same, but replace the religion, government, and family dynamics", "elements I want to replace are the cultural ones. My concern is that", "the religion, government, and family dynamics in my story with ones that work", "\"cultural appropriation\" may be the inverse of the term I'm looking for, since", "will lead to [unfortunate implications](http://tvtropes.org/pmwiki/pmwiki.php/Main/UnfortunateImplications) when the readers assume that my fictional culture", "in SF will lead to [unfortunate implications](http://tvtropes.org/pmwiki/pmwiki.php/Main/UnfortunateImplications) when the readers assume that my", "the great queens of East Africa (e.g. [Arawelo](https://en.wikipedia.org/wiki/Arawelo) in Somalia and [Gudit](https://en.wikipedia.org/wiki/Gudit) in", "[unfortunate implications](http://tvtropes.org/pmwiki/pmwiki.php/Main/UnfortunateImplications) when the readers assume that my fictional culture is the one", "when the readers assume that my fictional culture is the one that actually", "my story with ones that work for my plot? In [this post](https://writers.stackexchange.com/questions/26730/is-mixing-cultures-for-the-setting-of-a-fantasy-story-frowned-upon) it", "My concern is that the rarity of africans in SF will lead to", "NB: \"cultural appropriation\" may be the inverse of the term I'm looking for,", "geography and place names the same, but replace the religion, government, and family", "Ethiopia), I have been researching a fantasy story about a matriarchal culture for", "historical Aksum, but given the under-representation of nonwhites in fantasy settings, I'd like", "are the cultural ones. My concern is that the rarity of africans in", "in Ethiopia), I have been researching a fantasy story about a matriarchal culture", "under-representation of nonwhites in fantasy settings, I'd like to keep my story in", "the rarity of africans in SF will lead to [unfortunate implications](http://tvtropes.org/pmwiki/pmwiki.php/Main/UnfortunateImplications) when the", "rarity of africans in SF will lead to [unfortunate implications](http://tvtropes.org/pmwiki/pmwiki.php/Main/UnfortunateImplications) when the readers", "[Arawelo](https://en.wikipedia.org/wiki/Arawelo) in Somalia and [Gudit](https://en.wikipedia.org/wiki/Gudit) in Ethiopia), I have been researching a fantasy", "keep my story in a majority African setting. The problem, however, is that", "work for my plot? In [this post](https://writers.stackexchange.com/questions/26730/is-mixing-cultures-for-the-setting-of-a-fantasy-story-frowned-upon) it was described as \"juxtaposition\", but", "me to a story that I'd like to tell in an alternate history", "but replace the religion, government, and family dynamics in my story with ones", "in a majority African setting. The problem, however, is that I am white.", "In [this post](https://writers.stackexchange.com/questions/26730/is-mixing-cultures-for-the-setting-of-a-fantasy-story-frowned-upon) it was described as \"juxtaposition\", but I feel like the", "that work for my plot? In [this post](https://writers.stackexchange.com/questions/26730/is-mixing-cultures-for-the-setting-of-a-fantasy-story-frowned-upon) it was described as \"juxtaposition\",", "in fantasy settings, I'd like to keep my story in a majority African", "fantasy story about a matriarchal culture for the past two years. That research", "but given the under-representation of nonwhites in fantasy settings, I'd like to keep", "story in a majority African setting. The problem, however, is that I am", "different when you aren't working with majority cultures. NB: \"cultural appropriation\" may be", "government, and family dynamics in my story with ones that work for my", "however, is that I am white. Is it [cultural appropriation](https://en.wikipedia.org/wiki/Cultural_appropriation) if I keep", "version of the Kingdom of Aksum (~500CE). The cultures represented in this story", "with ones that work for my plot? In [this post](https://writers.stackexchange.com/questions/26730/is-mixing-cultures-for-the-setting-of-a-fantasy-story-frowned-upon) it was described", "be different when you aren't working with majority cultures. NB: \"cultural appropriation\" may", "about a matriarchal culture for the past two years. That research has led", "of historical Aksum, but given the under-representation of nonwhites in fantasy settings, I'd", "I'd like to tell in an alternate history version of the Kingdom of", "cultural ones. My concern is that the rarity of africans in SF will", "cultures represented in this story would be distinctly different from those of historical", "Kingdom of Aksum (~500CE). The cultures represented in this story would be distinctly", "tell in an alternate history version of the Kingdom of Aksum (~500CE). The", "term I'm looking for, since the elements I want to replace are the", "I'm looking for, since the elements I want to replace are the cultural", "story about a matriarchal culture for the past two years. That research has", "to tell in an alternate history version of the Kingdom of Aksum (~500CE).", "the under-representation of nonwhites in fantasy settings, I'd like to keep my story", "want to replace are the cultural ones. My concern is that the rarity", "majority cultures. NB: \"cultural appropriation\" may be the inverse of the term I'm", "The cultures represented in this story would be distinctly different from those of", "That research has led me to a story that I'd like to tell", "working with majority cultures. NB: \"cultural appropriation\" may be the inverse of the", "been researching a fantasy story about a matriarchal culture for the past two", "may be the inverse of the term I'm looking for, since the elements", "two years. That research has led me to a story that I'd like", "SF will lead to [unfortunate implications](http://tvtropes.org/pmwiki/pmwiki.php/Main/UnfortunateImplications) when the readers assume that my fictional", "majority African setting. The problem, however, is that I am white. Is it", "the readers assume that my fictional culture is the one that actually occurred.", "alternate history version of the Kingdom of Aksum (~500CE). The cultures represented in", "researching a fantasy story about a matriarchal culture for the past two years.", "to keep my story in a majority African setting. The problem, however, is", "I'd like to keep my story in a majority African setting. The problem,", "distinctly different from those of historical Aksum, but given the under-representation of nonwhites", "in Somalia and [Gudit](https://en.wikipedia.org/wiki/Gudit) in Ethiopia), I have been researching a fantasy story", "cultures. NB: \"cultural appropriation\" may be the inverse of the term I'm looking", "it [cultural appropriation](https://en.wikipedia.org/wiki/Cultural_appropriation) if I keep the geography and place names the same,", "my plot? In [this post](https://writers.stackexchange.com/questions/26730/is-mixing-cultures-for-the-setting-of-a-fantasy-story-frowned-upon) it was described as \"juxtaposition\", but I feel", "the past two years. That research has led me to a story that", "the inverse of the term I'm looking for, since the elements I want", "history version of the Kingdom of Aksum (~500CE). The cultures represented in this", "has led me to a story that I'd like to tell in an", "africans in SF will lead to [unfortunate implications](http://tvtropes.org/pmwiki/pmwiki.php/Main/UnfortunateImplications) when the readers assume that", "is that the rarity of africans in SF will lead to [unfortunate implications](http://tvtropes.org/pmwiki/pmwiki.php/Main/UnfortunateImplications)", "appropriation](https://en.wikipedia.org/wiki/Cultural_appropriation) if I keep the geography and place names the same, but replace", "like the rules may be different when you aren't working with majority cultures.", "past two years. That research has led me to a story that I'd", "years. That research has led me to a story that I'd like to", "inverse of the term I'm looking for, since the elements I want to", "the elements I want to replace are the cultural ones. My concern is", "to [unfortunate implications](http://tvtropes.org/pmwiki/pmwiki.php/Main/UnfortunateImplications) when the readers assume that my fictional culture is the", "culture for the past two years. That research has led me to a", "replace the religion, government, and family dynamics in my story with ones that", "[cultural appropriation](https://en.wikipedia.org/wiki/Cultural_appropriation) if I keep the geography and place names the same, but", "be the inverse of the term I'm looking for, since the elements I", "like to keep my story in a majority African setting. The problem, however,", "to a story that I'd like to tell in an alternate history version", "this story would be distinctly different from those of historical Aksum, but given", "for, since the elements I want to replace are the cultural ones. My", "research has led me to a story that I'd like to tell in", "that the rarity of africans in SF will lead to [unfortunate implications](http://tvtropes.org/pmwiki/pmwiki.php/Main/UnfortunateImplications) when", "[Gudit](https://en.wikipedia.org/wiki/Gudit) in Ethiopia), I have been researching a fantasy story about a matriarchal", "but I feel like the rules may be different when you aren't working" ]
[ "an ebook and then as a hardcover. What are effective techniques I can", "can use to have it reviewed in appropriate media, such as The Economist,", "self-publish first as an ebook and then as a hardcover. What are effective", "book and will self-publish first as an ebook and then as a hardcover.", "reviewed in appropriate media, such as The Economist, The Guardian, Entrepreneur, Business Insider,", "What are effective techniques I can use to have it reviewed in appropriate", "use to have it reviewed in appropriate media, such as The Economist, The", "hardcover. What are effective techniques I can use to have it reviewed in", "non-fiction business book and will self-publish first as an ebook and then as", "effective techniques I can use to have it reviewed in appropriate media, such", "a non-fiction business book and will self-publish first as an ebook and then", "writing a non-fiction business book and will self-publish first as an ebook and", "have it reviewed in appropriate media, such as The Economist, The Guardian, Entrepreneur,", "ebook and then as a hardcover. What are effective techniques I can use", "I can use to have it reviewed in appropriate media, such as The", "as a hardcover. What are effective techniques I can use to have it", "I'm writing a non-fiction business book and will self-publish first as an ebook", "it reviewed in appropriate media, such as The Economist, The Guardian, Entrepreneur, Business", "will self-publish first as an ebook and then as a hardcover. What are", "as an ebook and then as a hardcover. What are effective techniques I", "and will self-publish first as an ebook and then as a hardcover. What", "are effective techniques I can use to have it reviewed in appropriate media,", "and then as a hardcover. What are effective techniques I can use to", "then as a hardcover. What are effective techniques I can use to have", "to have it reviewed in appropriate media, such as The Economist, The Guardian,", "in appropriate media, such as The Economist, The Guardian, Entrepreneur, Business Insider, etc.", "techniques I can use to have it reviewed in appropriate media, such as", "business book and will self-publish first as an ebook and then as a", "first as an ebook and then as a hardcover. What are effective techniques", "a hardcover. What are effective techniques I can use to have it reviewed" ]
[ "in Microsoft Word format which I would like printed as a book as", "present for someone. It is predominately text with a few black and white", "book in PDF. They have told me to use InDesign, Gimp or Inkspace", "a present for someone. It is predominately text with a few black and", "told me to use InDesign, Gimp or Inkspace as a design software, then", "haven't used any of these, does anyone have any good advice on which", "perfect binding looks like the best route. However the site I have looked", "the site I have looked at requires the book in PDF. They have", "like printed as a book as a present for someone. It is predominately", "for someone. It is predominately text with a few black and white photos.", "anyone have any good advice on which is best to pick up, converting", "is best to pick up, converting the Microsoft Word .doc to the design", "a book in Microsoft Word format which I would like printed as a", "to the design program first of all, then converting the result to PDF?", "black and white photos. From what I see, perfect binding looks like the", "to pick up, converting the Microsoft Word .doc to the design program first", "as a book as a present for someone. It is predominately text with", "these, does anyone have any good advice on which is best to pick", "Word .doc to the design program first of all, then converting the result", "From what I see, perfect binding looks like the best route. However the", "then convert to PDF. As I haven't used any of these, does anyone", "However the site I have looked at requires the book in PDF. They", "pick up, converting the Microsoft Word .doc to the design program first of", "site I have looked at requires the book in PDF. They have told", "I haven't used any of these, does anyone have any good advice on", "book in Microsoft Word format which I would like printed as a book", "binding looks like the best route. However the site I have looked at", "best to pick up, converting the Microsoft Word .doc to the design program", "a book as a present for someone. It is predominately text with a", "is predominately text with a few black and white photos. From what I", "Microsoft Word format which I would like printed as a book as a", "any of these, does anyone have any good advice on which is best", "convert to PDF. As I haven't used any of these, does anyone have", "design software, then convert to PDF. As I haven't used any of these,", "Microsoft Word .doc to the design program first of all, then converting the", "looked at requires the book in PDF. They have told me to use", "the book in PDF. They have told me to use InDesign, Gimp or", "have told me to use InDesign, Gimp or Inkspace as a design software,", "which is best to pick up, converting the Microsoft Word .doc to the", "with a few black and white photos. From what I see, perfect binding", "Gimp or Inkspace as a design software, then convert to PDF. As I", "have looked at requires the book in PDF. They have told me to", "I have a book in Microsoft Word format which I would like printed", "up, converting the Microsoft Word .doc to the design program first of all,", "It is predominately text with a few black and white photos. From what", "I have looked at requires the book in PDF. They have told me", "at requires the book in PDF. They have told me to use InDesign,", "InDesign, Gimp or Inkspace as a design software, then convert to PDF. As", "printed as a book as a present for someone. It is predominately text", "what I see, perfect binding looks like the best route. However the site", "Word format which I would like printed as a book as a present", "a few black and white photos. From what I see, perfect binding looks", "or Inkspace as a design software, then convert to PDF. As I haven't", "in PDF. They have told me to use InDesign, Gimp or Inkspace as", "use InDesign, Gimp or Inkspace as a design software, then convert to PDF.", "does anyone have any good advice on which is best to pick up,", "of these, does anyone have any good advice on which is best to", "route. However the site I have looked at requires the book in PDF.", "Inkspace as a design software, then convert to PDF. As I haven't used", "They have told me to use InDesign, Gimp or Inkspace as a design", "would like printed as a book as a present for someone. It is", "which I would like printed as a book as a present for someone.", "predominately text with a few black and white photos. From what I see,", "converting the Microsoft Word .doc to the design program first of all, then", "a design software, then convert to PDF. As I haven't used any of", "photos. From what I see, perfect binding looks like the best route. However", ".doc to the design program first of all, then converting the result to", "book as a present for someone. It is predominately text with a few", "someone. It is predominately text with a few black and white photos. From", "as a design software, then convert to PDF. As I haven't used any", "format which I would like printed as a book as a present for", "software, then convert to PDF. As I haven't used any of these, does", "have a book in Microsoft Word format which I would like printed as", "the Microsoft Word .doc to the design program first of all, then converting", "few black and white photos. From what I see, perfect binding looks like", "PDF. As I haven't used any of these, does anyone have any good", "the best route. However the site I have looked at requires the book", "requires the book in PDF. They have told me to use InDesign, Gimp", "advice on which is best to pick up, converting the Microsoft Word .doc", "on which is best to pick up, converting the Microsoft Word .doc to", "as a present for someone. It is predominately text with a few black", "I would like printed as a book as a present for someone. It", "to use InDesign, Gimp or Inkspace as a design software, then convert to", "As I haven't used any of these, does anyone have any good advice", "good advice on which is best to pick up, converting the Microsoft Word", "any good advice on which is best to pick up, converting the Microsoft", "and white photos. From what I see, perfect binding looks like the best", "PDF. They have told me to use InDesign, Gimp or Inkspace as a", "used any of these, does anyone have any good advice on which is", "text with a few black and white photos. From what I see, perfect", "see, perfect binding looks like the best route. However the site I have", "best route. However the site I have looked at requires the book in", "have any good advice on which is best to pick up, converting the", "to PDF. As I haven't used any of these, does anyone have any", "looks like the best route. However the site I have looked at requires", "I see, perfect binding looks like the best route. However the site I", "like the best route. However the site I have looked at requires the", "me to use InDesign, Gimp or Inkspace as a design software, then convert", "white photos. From what I see, perfect binding looks like the best route." ]
[ "Can I use a culture specific dish like sushi and call it sushi", "for professions. if I use that tidbit to create a culture and use", "sushi and call it sushi to describe the cuisine of my fictional culture?", "use a culture specific dish like sushi and call it sushi to describe", "tidbit to create a culture and use the same words as in Swedish,", "used to reference those elements be? Examples: * Can I use a culture", "the original? How different should the language used to reference those elements be?", "use the same words as in Swedish, Will I savaged by critics? Will", "the Swedish language there are no gender specific words for professions. if I", "dish like sushi and call it sushi to describe the cuisine of my", "the same words as in Swedish, Will I savaged by critics? Will I", "I use that tidbit to create a culture and use the same words", "elements of a culture or language, how different should they be compared to", "culture? * In the Swedish language there are no gender specific words for", "gender specific words for professions. if I use that tidbit to create a", "same words as in Swedish, Will I savaged by critics? Will I be", "* In the Swedish language there are no gender specific words for professions.", "cuisine of my fictional culture? * In the Swedish language there are no", "describe the cuisine of my fictional culture? * In the Swedish language there", "be? Examples: * Can I use a culture specific dish like sushi and", "specific words for professions. if I use that tidbit to create a culture", "and call it sushi to describe the cuisine of my fictional culture? ", "and use the same words as in Swedish, Will I savaged by critics?", "words as in Swedish, Will I savaged by critics? Will I be accused", "a culture or language, how different should they be compared to the original?", "Swedish, Will I savaged by critics? Will I be accused of cultural appropriation?", "In the Swedish language there are no gender specific words for professions. if", "are no gender specific words for professions. if I use that tidbit to", "certain elements of a culture or language, how different should they be compared", "How different should the language used to reference those elements be? Examples: ", "compared to the original? How different should the language used to reference those", "how different should they be compared to the original? How different should the", "a culture specific dish like sushi and call it sushi to describe the", "that tidbit to create a culture and use the same words as in", "If I use certain elements of a culture or language, how different should", "like sushi and call it sushi to describe the cuisine of my fictional", "different should the language used to reference those elements be? Examples: * Can", "reference those elements be? Examples: * Can I use a culture specific dish", "* Can I use a culture specific dish like sushi and call it", "should the language used to reference those elements be? Examples: * Can I", "it sushi to describe the cuisine of my fictional culture? * In the", "specific dish like sushi and call it sushi to describe the cuisine of", "be compared to the original? How different should the language used to reference", "of a culture or language, how different should they be compared to the", "Swedish language there are no gender specific words for professions. if I use", "use certain elements of a culture or language, how different should they be", "Examples: * Can I use a culture specific dish like sushi and call", "professions. if I use that tidbit to create a culture and use the", "to create a culture and use the same words as in Swedish, Will", "as in Swedish, Will I savaged by critics? Will I be accused of", "fictional culture? * In the Swedish language there are no gender specific words", "culture specific dish like sushi and call it sushi to describe the cuisine", "I use a culture specific dish like sushi and call it sushi to", "language, how different should they be compared to the original? How different should", "culture and use the same words as in Swedish, Will I savaged by", "call it sushi to describe the cuisine of my fictional culture? * In", "those elements be? Examples: * Can I use a culture specific dish like", "should they be compared to the original? How different should the language used", "language used to reference those elements be? Examples: * Can I use a", "the language used to reference those elements be? Examples: * Can I use", "to reference those elements be? Examples: * Can I use a culture specific", "in Swedish, Will I savaged by critics? Will I be accused of cultural", "they be compared to the original? How different should the language used to", "or language, how different should they be compared to the original? How different", "there are no gender specific words for professions. if I use that tidbit", "the cuisine of my fictional culture? * In the Swedish language there are", "create a culture and use the same words as in Swedish, Will I", "elements be? Examples: * Can I use a culture specific dish like sushi", "language there are no gender specific words for professions. if I use that", "if I use that tidbit to create a culture and use the same", "a culture and use the same words as in Swedish, Will I savaged", "to describe the cuisine of my fictional culture? * In the Swedish language", "culture or language, how different should they be compared to the original? How", "to the original? How different should the language used to reference those elements", "my fictional culture? * In the Swedish language there are no gender specific", "sushi to describe the cuisine of my fictional culture? * In the Swedish", "of my fictional culture? * In the Swedish language there are no gender", "words for professions. if I use that tidbit to create a culture and", "original? How different should the language used to reference those elements be? Examples:", "different should they be compared to the original? How different should the language", "I use certain elements of a culture or language, how different should they", "no gender specific words for professions. if I use that tidbit to create", "use that tidbit to create a culture and use the same words as" ]
[ "I want: I want a check list or step by step list I", "can use while trying to name my characters. I often have trouble coming", "really help me. Please note that this is different from the \"Choosing a", "often have trouble coming up with original names, especially last names, and this", "from the \"Choosing a character name is a constant difficulty\" question as I", "want: I want a check list or step by step list I can", "step list I can use while trying to name my characters. I often", "Okay, here's what I want: I want a check list or step by", "help me. Please note that this is different from the \"Choosing a character", "question as I am looking for strategies to come up with names (a", "by step list I can use while trying to name my characters. I", "list I can use while trying to name my characters. I often have", "I want a check list or step by step list I can use", "different from the \"Choosing a character name is a constant difficulty\" question as", "a constant difficulty\" question as I am looking for strategies to come up", "especially last names, and this would really help me. Please note that this", "original names, especially last names, and this would really help me. Please note", "this is different from the \"Choosing a character name is a constant difficulty\"", "is different from the \"Choosing a character name is a constant difficulty\" question", "difficulty\" question as I am looking for strategies to come up with names", "come up with names (a creativity problem), while that question is about why", "trying to name my characters. I often have trouble coming up with original", "(a creativity problem), while that question is about why certain names sound weird.", "strategies to come up with names (a creativity problem), while that question is", "as I am looking for strategies to come up with names (a creativity", "coming up with original names, especially last names, and this would really help", "a check list or step by step list I can use while trying", "a character name is a constant difficulty\" question as I am looking for", "constant difficulty\" question as I am looking for strategies to come up with", "character name is a constant difficulty\" question as I am looking for strategies", "with names (a creativity problem), while that question is about why certain names", "last names, and this would really help me. Please note that this is", "would really help me. Please note that this is different from the \"Choosing", "names, and this would really help me. Please note that this is different", "name my characters. I often have trouble coming up with original names, especially", "up with names (a creativity problem), while that question is about why certain", "my characters. I often have trouble coming up with original names, especially last", "looking for strategies to come up with names (a creativity problem), while that", "what I want: I want a check list or step by step list", "names, especially last names, and this would really help me. Please note that", "characters. I often have trouble coming up with original names, especially last names,", "to name my characters. I often have trouble coming up with original names,", "for strategies to come up with names (a creativity problem), while that question", "with original names, especially last names, and this would really help me. Please", "that this is different from the \"Choosing a character name is a constant", "me. Please note that this is different from the \"Choosing a character name", "check list or step by step list I can use while trying to", "trouble coming up with original names, especially last names, and this would really", "this would really help me. Please note that this is different from the", "up with original names, especially last names, and this would really help me.", "the \"Choosing a character name is a constant difficulty\" question as I am", "I often have trouble coming up with original names, especially last names, and", "is a constant difficulty\" question as I am looking for strategies to come", "or step by step list I can use while trying to name my", "step by step list I can use while trying to name my characters.", "\"Choosing a character name is a constant difficulty\" question as I am looking", "I am looking for strategies to come up with names (a creativity problem),", "I can use while trying to name my characters. I often have trouble", "want a check list or step by step list I can use while", "use while trying to name my characters. I often have trouble coming up", "here's what I want: I want a check list or step by step", "have trouble coming up with original names, especially last names, and this would", "am looking for strategies to come up with names (a creativity problem), while", "Please note that this is different from the \"Choosing a character name is", "names (a creativity problem), while that question is about why certain names sound", "and this would really help me. Please note that this is different from", "list or step by step list I can use while trying to name", "name is a constant difficulty\" question as I am looking for strategies to", "while trying to name my characters. I often have trouble coming up with", "to come up with names (a creativity problem), while that question is about", "note that this is different from the \"Choosing a character name is a" ]
[ "much better at writing and understanding my main character, I've begun to notice", "his pace a little, moving to step by her side. > > >", "the past four months, I've been writing back and forth with a friend", "forth with a friend of mine in a form of roleplay. Depending on", "door for her, allowing her to pass through, before moving to follow her.", "repeated use of phrases or transition words such as \"moving to [verb]\", \"before\",", "for her, allowing her to pass through, before moving to follow her. >", "to [verb]\", \"before\", \"and he\", etc. I do often write small notions about", "> > He held the door for her, allowing her to pass through,", "small notions about what's going on in my character's head, but that's not", "know how else to word/structure certain things. The nature of roleplay already puts", "where I can only write things my character is doing, saying, thinking, or", "through, before moving to follow her. > > > Now, what I'm mainly", "roleplay already puts me into a position where I can only write things", "water into his cup as he felt his cheeks heating. > > >", "to fall back on the same structure, the same verbs, etc. Here are", "watching her with a content smile on his face. > > > He", "into a position where I can only write things my character is doing,", "form of roleplay. Depending on what's happening, our replies range from a few", "me into a position where I can only write things my character is", "begun to notice how I always seem to fall back on the same", "> > He leaned into her touch, watching her with a content smile", "dialogue) to a few paragraphs. While I've gotten much better at writing and", "side. > > > His breath caught in his throat, and he coughed", "in my character's head, but that's not applicable for every single reply I", "her. > > > Now, what I'm mainly pointing out here is my", "I'm mainly pointing out here is my habit of starting with either my", "sentences (usually with dialogue) to a few paragraphs. While I've gotten much better", "(usually with dialogue) to a few paragraphs. While I've gotten much better at", "with a content smile on his face. > > > He gritted his", "what's going on in my character's head, but that's not applicable for every", "before moving to follow her. > > > Now, what I'm mainly pointing", "times in the same sentence, and my repeated use of phrases or transition", "been writing back and forth with a friend of mine in a form", "often don't know how else to word/structure certain things. The nature of roleplay", "slightly, pouring the hot water into his cup as he felt his cheeks", "a few examples: > > He leaned into her touch, watching her with", "slowing his pace a little, moving to step by her side. > >", "doing, saying, thinking, or feeling -- is this a natural consequence, or could", "writing and understanding my main character, I've begun to notice how I always", "I've begun to notice how I always seem to fall back on the", "to step by her side. > > > His breath caught in his", "> Now, what I'm mainly pointing out here is my habit of starting", "> > He raised an eyebrow at her, before slowing his pace a", "hot water into his cup as he felt his cheeks heating. > >", "He raised an eyebrow at her, before slowing his pace a little, moving", "pronoun, my tendency to use a comma followed by a verb (sometimes multiple", "cup as he felt his cheeks heating. > > > He raised an", "such as \"moving to [verb]\", \"before\", \"and he\", etc. I do often write", "> > > He raised an eyebrow at her, before slowing his pace", "her, allowing her to pass through, before moving to follow her. > >", "a few sentences (usually with dialogue) to a few paragraphs. While I've gotten", "a verb (sometimes multiple times in the same sentence, and my repeated use", "sentence, and my repeated use of phrases or transition words such as \"moving", "he\", etc. I do often write small notions about what's going on in", "to a few paragraphs. While I've gotten much better at writing and understanding", "can only write things my character is doing, saying, thinking, or feeling --", "(sometimes multiple times in the same sentence, and my repeated use of phrases", "allowing her to pass through, before moving to follow her. > > >", "character is doing, saying, thinking, or feeling -- is this a natural consequence,", "understanding my main character, I've begun to notice how I always seem to", "or pronoun, my tendency to use a comma followed by a verb (sometimes", "I can only write things my character is doing, saying, thinking, or feeling", "on the same structure, the same verbs, etc. Here are a few examples:", "out here is my habit of starting with either my character's name or", "> He leaned into her touch, watching her with a content smile on", "for every single reply I write. It's been driving me crazy, but I", "the same structure, the same verbs, etc. Here are a few examples: >", "coughed a little, looking away. > > > He held the door for", "feeling -- is this a natural consequence, or could I be doing more?", "with a friend of mine in a form of roleplay. Depending on what's", "content smile on his face. > > > He gritted his teeth slightly,", "his cheeks heating. > > > He raised an eyebrow at her, before", "he coughed a little, looking away. > > > He held the door", "an eyebrow at her, before slowing his pace a little, moving to step", "back and forth with a friend of mine in a form of roleplay.", "a few paragraphs. While I've gotten much better at writing and understanding my", "are a few examples: > > He leaned into her touch, watching her", "structure, the same verbs, etc. Here are a few examples: > > He", "He leaned into her touch, watching her with a content smile on his", "step by her side. > > > His breath caught in his throat,", "at writing and understanding my main character, I've begun to notice how I", "He gritted his teeth slightly, pouring the hot water into his cup as", "pass through, before moving to follow her. > > > Now, what I'm", "tendency to use a comma followed by a verb (sometimes multiple times in", "a friend of mine in a form of roleplay. Depending on what's happening,", "> > > He held the door for her, allowing her to pass", "use a comma followed by a verb (sometimes multiple times in the same", "on what's happening, our replies range from a few sentences (usually with dialogue)", "from a few sentences (usually with dialogue) to a few paragraphs. While I've", "with dialogue) to a few paragraphs. While I've gotten much better at writing", "he felt his cheeks heating. > > > He raised an eyebrow at", "His breath caught in his throat, and he coughed a little, looking away.", "to use a comma followed by a verb (sometimes multiple times in the", "to word/structure certain things. The nature of roleplay already puts me into a", "but I often don't know how else to word/structure certain things. The nature", "her touch, watching her with a content smile on his face. > >", "her to pass through, before moving to follow her. > > > Now,", "and understanding my main character, I've begun to notice how I always seem", "little, looking away. > > > He held the door for her, allowing", "is my habit of starting with either my character's name or pronoun, my", "my character's name or pronoun, my tendency to use a comma followed by", "a comma followed by a verb (sometimes multiple times in the same sentence,", "on his face. > > > He gritted his teeth slightly, pouring the", "teeth slightly, pouring the hot water into his cup as he felt his", "> > > He gritted his teeth slightly, pouring the hot water into", "> His breath caught in his throat, and he coughed a little, looking", "in a form of roleplay. Depending on what's happening, our replies range from", "\"before\", \"and he\", etc. I do often write small notions about what's going", "back on the same structure, the same verbs, etc. Here are a few", "\"and he\", etc. I do often write small notions about what's going on", "Here are a few examples: > > He leaned into her touch, watching", "of roleplay. Depending on what's happening, our replies range from a few sentences", "here is my habit of starting with either my character's name or pronoun,", "and forth with a friend of mine in a form of roleplay. Depending", "my habit of starting with either my character's name or pronoun, my tendency", "head, but that's not applicable for every single reply I write. It's been", "a form of roleplay. Depending on what's happening, our replies range from a", "driving me crazy, but I often don't know how else to word/structure certain", "and he coughed a little, looking away. > > > He held the", "\"moving to [verb]\", \"before\", \"and he\", etc. I do often write small notions", "I often don't know how else to word/structure certain things. The nature of", "single reply I write. It's been driving me crazy, but I often don't", "> > He gritted his teeth slightly, pouring the hot water into his", "pointing out here is my habit of starting with either my character's name", "breath caught in his throat, and he coughed a little, looking away. >", "held the door for her, allowing her to pass through, before moving to", "word/structure certain things. The nature of roleplay already puts me into a position", "raised an eyebrow at her, before slowing his pace a little, moving to", "examples: > > He leaned into her touch, watching her with a content", "write small notions about what's going on in my character's head, but that's", "[verb]\", \"before\", \"and he\", etc. I do often write small notions about what's", "a position where I can only write things my character is doing, saying,", "eyebrow at her, before slowing his pace a little, moving to step by", "the door for her, allowing her to pass through, before moving to follow", "heating. > > > He raised an eyebrow at her, before slowing his", "> He held the door for her, allowing her to pass through, before", "to follow her. > > > Now, what I'm mainly pointing out here", "or transition words such as \"moving to [verb]\", \"before\", \"and he\", etc. I", "crazy, but I often don't know how else to word/structure certain things. The", "a content smile on his face. > > > He gritted his teeth", "caught in his throat, and he coughed a little, looking away. > >", "his face. > > > He gritted his teeth slightly, pouring the hot", "often write small notions about what's going on in my character's head, but", "her, before slowing his pace a little, moving to step by her side.", "by a verb (sometimes multiple times in the same sentence, and my repeated", "reply I write. It's been driving me crazy, but I often don't know", "or feeling -- is this a natural consequence, or could I be doing", "and my repeated use of phrases or transition words such as \"moving to", "I write. It's been driving me crazy, but I often don't know how", "habit of starting with either my character's name or pronoun, my tendency to", "few paragraphs. While I've gotten much better at writing and understanding my main", "the same sentence, and my repeated use of phrases or transition words such", "four months, I've been writing back and forth with a friend of mine", "position where I can only write things my character is doing, saying, thinking,", "fall back on the same structure, the same verbs, etc. Here are a", "paragraphs. While I've gotten much better at writing and understanding my main character,", "puts me into a position where I can only write things my character", "pace a little, moving to step by her side. > > > His", "things my character is doing, saying, thinking, or feeling -- is this a", "face. > > > He gritted his teeth slightly, pouring the hot water", "I've been writing back and forth with a friend of mine in a", "looking away. > > > He held the door for her, allowing her", "follow her. > > > Now, what I'm mainly pointing out here is", "about what's going on in my character's head, but that's not applicable for", "already puts me into a position where I can only write things my", "that's not applicable for every single reply I write. It's been driving me", "my tendency to use a comma followed by a verb (sometimes multiple times", "a little, looking away. > > > He held the door for her,", "same verbs, etc. Here are a few examples: > > He leaned into", "gritted his teeth slightly, pouring the hot water into his cup as he", "touch, watching her with a content smile on his face. > > >", "pouring the hot water into his cup as he felt his cheeks heating.", "by her side. > > > His breath caught in his throat, and", "use of phrases or transition words such as \"moving to [verb]\", \"before\", \"and", "throat, and he coughed a little, looking away. > > > He held", "replies range from a few sentences (usually with dialogue) to a few paragraphs.", "seem to fall back on the same structure, the same verbs, etc. Here", "to pass through, before moving to follow her. > > > Now, what", "While I've gotten much better at writing and understanding my main character, I've", "his throat, and he coughed a little, looking away. > > > He", "character's name or pronoun, my tendency to use a comma followed by a", "at her, before slowing his pace a little, moving to step by her", "only write things my character is doing, saying, thinking, or feeling -- is", "not applicable for every single reply I write. It's been driving me crazy,", "nature of roleplay already puts me into a position where I can only", "my character is doing, saying, thinking, or feeling -- is this a natural", "etc. Here are a few examples: > > He leaned into her touch,", "as he felt his cheeks heating. > > > He raised an eyebrow", "of mine in a form of roleplay. Depending on what's happening, our replies", "in his throat, and he coughed a little, looking away. > > >", "It's been driving me crazy, but I often don't know how else to", "her side. > > > His breath caught in his throat, and he", "I always seem to fall back on the same structure, the same verbs,", "For the past four months, I've been writing back and forth with a", "away. > > > He held the door for her, allowing her to", "how else to word/structure certain things. The nature of roleplay already puts me", "me crazy, but I often don't know how else to word/structure certain things.", "main character, I've begun to notice how I always seem to fall back", "certain things. The nature of roleplay already puts me into a position where", "Depending on what's happening, our replies range from a few sentences (usually with", "little, moving to step by her side. > > > His breath caught", "past four months, I've been writing back and forth with a friend of", "notice how I always seem to fall back on the same structure, the", "verbs, etc. Here are a few examples: > > He leaned into her", "comma followed by a verb (sometimes multiple times in the same sentence, and", "of phrases or transition words such as \"moving to [verb]\", \"before\", \"and he\",", "words such as \"moving to [verb]\", \"before\", \"and he\", etc. I do often", "as \"moving to [verb]\", \"before\", \"and he\", etc. I do often write small", "what I'm mainly pointing out here is my habit of starting with either", "on in my character's head, but that's not applicable for every single reply", "same structure, the same verbs, etc. Here are a few examples: > >", "better at writing and understanding my main character, I've begun to notice how", "but that's not applicable for every single reply I write. It's been driving", "range from a few sentences (usually with dialogue) to a few paragraphs. While", "> > Now, what I'm mainly pointing out here is my habit of", "things. The nature of roleplay already puts me into a position where I", "starting with either my character's name or pronoun, my tendency to use a", "his teeth slightly, pouring the hot water into his cup as he felt", "> > > His breath caught in his throat, and he coughed a", "roleplay. Depending on what's happening, our replies range from a few sentences (usually", "moving to step by her side. > > > His breath caught in", "He held the door for her, allowing her to pass through, before moving", "either my character's name or pronoun, my tendency to use a comma followed", "few sentences (usually with dialogue) to a few paragraphs. While I've gotten much", "smile on his face. > > > He gritted his teeth slightly, pouring", "her with a content smile on his face. > > > He gritted", "a little, moving to step by her side. > > > His breath", "felt his cheeks heating. > > > He raised an eyebrow at her,", "saying, thinking, or feeling -- is this a natural consequence, or could I", "transition words such as \"moving to [verb]\", \"before\", \"and he\", etc. I do", "don't know how else to word/structure certain things. The nature of roleplay already", "the hot water into his cup as he felt his cheeks heating. >", "what's happening, our replies range from a few sentences (usually with dialogue) to", "in the same sentence, and my repeated use of phrases or transition words", "is doing, saying, thinking, or feeling -- is this a natural consequence, or", "Now, what I'm mainly pointing out here is my habit of starting with", "mine in a form of roleplay. Depending on what's happening, our replies range", "multiple times in the same sentence, and my repeated use of phrases or", "do often write small notions about what's going on in my character's head,", "to notice how I always seem to fall back on the same structure,", "cheeks heating. > > > He raised an eyebrow at her, before slowing", "> > His breath caught in his throat, and he coughed a little,", "write. It's been driving me crazy, but I often don't know how else", "always seem to fall back on the same structure, the same verbs, etc.", "thinking, or feeling -- is this a natural consequence, or could I be", "his cup as he felt his cheeks heating. > > > He raised", "notions about what's going on in my character's head, but that's not applicable", "moving to follow her. > > > Now, what I'm mainly pointing out", "every single reply I write. It's been driving me crazy, but I often", "our replies range from a few sentences (usually with dialogue) to a few", "verb (sometimes multiple times in the same sentence, and my repeated use of", "followed by a verb (sometimes multiple times in the same sentence, and my", "going on in my character's head, but that's not applicable for every single", "leaned into her touch, watching her with a content smile on his face.", "into his cup as he felt his cheeks heating. > > > He", "into her touch, watching her with a content smile on his face. >", "> > > Now, what I'm mainly pointing out here is my habit", "applicable for every single reply I write. It's been driving me crazy, but", "of roleplay already puts me into a position where I can only write", "> He raised an eyebrow at her, before slowing his pace a little,", "the same verbs, etc. Here are a few examples: > > He leaned", "happening, our replies range from a few sentences (usually with dialogue) to a", "gotten much better at writing and understanding my main character, I've begun to", "my character's head, but that's not applicable for every single reply I write.", "The nature of roleplay already puts me into a position where I can", "phrases or transition words such as \"moving to [verb]\", \"before\", \"and he\", etc.", "mainly pointing out here is my habit of starting with either my character's", "of starting with either my character's name or pronoun, my tendency to use", "character, I've begun to notice how I always seem to fall back on", "I do often write small notions about what's going on in my character's", "name or pronoun, my tendency to use a comma followed by a verb", "character's head, but that's not applicable for every single reply I write. It's", "I've gotten much better at writing and understanding my main character, I've begun", "months, I've been writing back and forth with a friend of mine in", "how I always seem to fall back on the same structure, the same", "same sentence, and my repeated use of phrases or transition words such as", "writing back and forth with a friend of mine in a form of", "my repeated use of phrases or transition words such as \"moving to [verb]\",", "been driving me crazy, but I often don't know how else to word/structure", "with either my character's name or pronoun, my tendency to use a comma", "else to word/structure certain things. The nature of roleplay already puts me into", "write things my character is doing, saying, thinking, or feeling -- is this", "few examples: > > He leaned into her touch, watching her with a", "etc. I do often write small notions about what's going on in my", "> He gritted his teeth slightly, pouring the hot water into his cup", "friend of mine in a form of roleplay. Depending on what's happening, our", "my main character, I've begun to notice how I always seem to fall", "before slowing his pace a little, moving to step by her side. >" ]
[ "time. I was scared.\" > > > Where is the best place to", "and am stuck on where to break paragraphs containing dialogue. I know I", "to start a new paragraph when there is description mixed with dialogue. For", "when a new character speaks, but I'm not sure where to start a", "course. I apologize I didn't give it back in time. I was scared.\"", "He nodded. \"Thank you for returning the bicycle. You see it was my", "this, and I looked up at my dad who seemed unmoved.2 I looked", "something I wrote and am stuck on where to break paragraphs containing dialogue.", "for returning the bicycle. You see it was my son's and he would", "You see it was my son's and he would love to ride it", "is the best place to split this paragraph? 1. After the first speaker", "stuck on where to break paragraphs containing dialogue. I know I need to", "speaker finishes 2. Between the two non-dialogue sentences 3. Just before the second", "break paragraphs containing dialogue. I know I need to break when a new", "where to start a new paragraph when there is description mixed with dialogue.", "> > > Where is the best place to split this paragraph? 1.", "paragraph? 1. After the first speaker finishes 2. Between the two non-dialogue sentences", "and he would love to ride it one more time.\"1 My heart pained", "> > Where is the best place to split this paragraph? 1. After", "finishes 2. Between the two non-dialogue sentences 3. Just before the second speaker", "unmoved.2 I looked back at Mr. Houston.3 \"Of course. I apologize I didn't", "first speaker finishes 2. Between the two non-dialogue sentences 3. Just before the", "where to break paragraphs containing dialogue. I know I need to break when", "I was scared.\" > > > Where is the best place to split", "I know I need to break when a new character speaks, but I'm", "I'm going through an editing something I wrote and am stuck on where", "this paragraph? 1. After the first speaker finishes 2. Between the two non-dialogue", "returning the bicycle. You see it was my son's and he would love", "back at Mr. Houston.3 \"Of course. I apologize I didn't give it back", "paragraph when there is description mixed with dialogue. For example: > > He", "you for returning the bicycle. You see it was my son's and he", "a new character speaks, but I'm not sure where to start a new", "an editing something I wrote and am stuck on where to break paragraphs", "new character speaks, but I'm not sure where to start a new paragraph", "at Mr. Houston.3 \"Of course. I apologize I didn't give it back in", "is description mixed with dialogue. For example: > > He nodded. \"Thank you", "am stuck on where to break paragraphs containing dialogue. I know I need", "time.\"1 My heart pained at this, and I looked up at my dad", "through an editing something I wrote and am stuck on where to break", "looked back at Mr. Houston.3 \"Of course. I apologize I didn't give it", "Houston.3 \"Of course. I apologize I didn't give it back in time. I", "my son's and he would love to ride it one more time.\"1 My", "pained at this, and I looked up at my dad who seemed unmoved.2", "\"Of course. I apologize I didn't give it back in time. I was", "apologize I didn't give it back in time. I was scared.\" > >", "speaks, but I'm not sure where to start a new paragraph when there", "mixed with dialogue. For example: > > He nodded. \"Thank you for returning", "bicycle. You see it was my son's and he would love to ride", "back in time. I was scared.\" > > > Where is the best", "2. Between the two non-dialogue sentences 3. Just before the second speaker begins", "my dad who seemed unmoved.2 I looked back at Mr. Houston.3 \"Of course.", "he would love to ride it one more time.\"1 My heart pained at", "was my son's and he would love to ride it one more time.\"1", "going through an editing something I wrote and am stuck on where to", "containing dialogue. I know I need to break when a new character speaks,", "but I'm not sure where to start a new paragraph when there is", "would love to ride it one more time.\"1 My heart pained at this,", "to split this paragraph? 1. After the first speaker finishes 2. Between the", "After the first speaker finishes 2. Between the two non-dialogue sentences 3. Just", "> > He nodded. \"Thank you for returning the bicycle. You see it", "dialogue. For example: > > He nodded. \"Thank you for returning the bicycle.", "> He nodded. \"Thank you for returning the bicycle. You see it was", "Between the two non-dialogue sentences 3. Just before the second speaker begins 4.", "sure where to start a new paragraph when there is description mixed with", "it back in time. I was scared.\" > > > Where is the", "new paragraph when there is description mixed with dialogue. For example: > >", "I looked back at Mr. Houston.3 \"Of course. I apologize I didn't give", "> Where is the best place to split this paragraph? 1. After the", "paragraphs containing dialogue. I know I need to break when a new character", "character speaks, but I'm not sure where to start a new paragraph when", "editing something I wrote and am stuck on where to break paragraphs containing", "Where is the best place to split this paragraph? 1. After the first", "I apologize I didn't give it back in time. I was scared.\" >", "a new paragraph when there is description mixed with dialogue. For example: >", "give it back in time. I was scared.\" > > > Where is", "I'm not sure where to start a new paragraph when there is description", "start a new paragraph when there is description mixed with dialogue. For example:", "scared.\" > > > Where is the best place to split this paragraph?", "to break when a new character speaks, but I'm not sure where to", "1. After the first speaker finishes 2. Between the two non-dialogue sentences 3.", "son's and he would love to ride it one more time.\"1 My heart", "the two non-dialogue sentences 3. Just before the second speaker begins 4. Somewhere", "to break paragraphs containing dialogue. I know I need to break when a", "description mixed with dialogue. For example: > > He nodded. \"Thank you for", "seemed unmoved.2 I looked back at Mr. Houston.3 \"Of course. I apologize I", "not sure where to start a new paragraph when there is description mixed", "dad who seemed unmoved.2 I looked back at Mr. Houston.3 \"Of course. I", "two non-dialogue sentences 3. Just before the second speaker begins 4. Somewhere else?", "need to break when a new character speaks, but I'm not sure where", "who seemed unmoved.2 I looked back at Mr. Houston.3 \"Of course. I apologize", "Mr. Houston.3 \"Of course. I apologize I didn't give it back in time.", "it was my son's and he would love to ride it one more", "and I looked up at my dad who seemed unmoved.2 I looked back", "was scared.\" > > > Where is the best place to split this", "dialogue. I know I need to break when a new character speaks, but", "see it was my son's and he would love to ride it one", "the best place to split this paragraph? 1. After the first speaker finishes", "place to split this paragraph? 1. After the first speaker finishes 2. Between", "ride it one more time.\"1 My heart pained at this, and I looked", "For example: > > He nodded. \"Thank you for returning the bicycle. You", "when there is description mixed with dialogue. For example: > > He nodded.", "best place to split this paragraph? 1. After the first speaker finishes 2.", "love to ride it one more time.\"1 My heart pained at this, and", "up at my dad who seemed unmoved.2 I looked back at Mr. Houston.3", "break when a new character speaks, but I'm not sure where to start", "at this, and I looked up at my dad who seemed unmoved.2 I", "looked up at my dad who seemed unmoved.2 I looked back at Mr.", "in time. I was scared.\" > > > Where is the best place", "I wrote and am stuck on where to break paragraphs containing dialogue. I", "know I need to break when a new character speaks, but I'm not", "example: > > He nodded. \"Thank you for returning the bicycle. You see", "one more time.\"1 My heart pained at this, and I looked up at", "I didn't give it back in time. I was scared.\" > > >", "at my dad who seemed unmoved.2 I looked back at Mr. Houston.3 \"Of", "the first speaker finishes 2. Between the two non-dialogue sentences 3. Just before", "wrote and am stuck on where to break paragraphs containing dialogue. I know", "the bicycle. You see it was my son's and he would love to", "I need to break when a new character speaks, but I'm not sure", "nodded. \"Thank you for returning the bicycle. You see it was my son's", "it one more time.\"1 My heart pained at this, and I looked up", "heart pained at this, and I looked up at my dad who seemed", "\"Thank you for returning the bicycle. You see it was my son's and", "there is description mixed with dialogue. For example: > > He nodded. \"Thank", "didn't give it back in time. I was scared.\" > > > Where", "to ride it one more time.\"1 My heart pained at this, and I", "on where to break paragraphs containing dialogue. I know I need to break", "My heart pained at this, and I looked up at my dad who", "with dialogue. For example: > > He nodded. \"Thank you for returning the", "I looked up at my dad who seemed unmoved.2 I looked back at", "split this paragraph? 1. After the first speaker finishes 2. Between the two", "more time.\"1 My heart pained at this, and I looked up at my" ]
[ "than three in a given chapter (because it gets annoying). I thought about", "the main character (Kanéko) doesn't know the words but the untranslated word could", "about multiple languages and had conversations where many native speakers feel that setting", "book to a master plot across multiple novels. That means native speakers (which", "killed Karawàbi used a straight blade; the wound is too clean and deep.\"", "see any knives. Whoever killed Karawàbi used a straight blade; the wound is", "had a sands damned bag you packed yesterday. It was small and light,", "multiple novels. That means native speakers (which I think would be better not", "fonts but I wasn't sure if that made sense. In the first version,", "sense? Would have it not italicized for native points of view but italicized", "languages and had conversations where many native speakers feel that setting off foreign", "foreign words were not italicized. > > \"No,\" said Chimípu, \"I don't think", "tazágu and I didn't see any knives. Whoever killed Karawàbi used a straight", "or so other languages across the combined novels though never more than three", "not italicized for native points of view but italicized for non-native be reasonable?", "Would have it not italicized for native points of view but italicized for", "the phrase, but there is a lot of speaking in these novels and", "with unknown words, and notionally translated at the same time. Plus, there are", "better not italicized to keep them in harmony), with unknown words, and notionally", "over the last few years, I've been to a number of panels about", "and notionally translated at the same time. Plus, there are nine or so", "on combining these two novels together (well and all the other stories) into", "is a lot more notionally translated phrases and entire sentences. To add special", "combining these two novels together (well and all the other stories) into a", "word). I wanted to demonstrate her mother alternates frequently between two languages (and", "storm but that's the basis for her magic). Later in her series, she", "of novels and short stories that use a number of languages. My original", "that made sense. In the first version, I used serif for native, italicized", "until I hit the bilingual character who initially doesn't know the foreign words:", "same at the beginning of the book. I'm not sure about the triple", "I grew up with a polyglot household so that was the norm for", "so tazágu wouldn't be italicized. Which seemed like a reasonable thing until I", "in harmony), with unknown words, and notionally translated at the same time. Plus,", "a number of languages. My original approach went with the above question's style.", "languages (and swears up a storm but that's the basis for her magic).", "series, she gets fluent between two languages (much like her mother) so there", "novels and there some characters who bounce between two languages constantly (mainly because", "the book. I'm not sure about the triple language chapters though. Originally I", "but that's the basis for her magic). Later in her series, she gets", "came off as jarring when they are usually smoothly integrated into their speech.", "few years, I've been to a number of panels about multiple languages and", "small family of novels and short stories that use a number of languages.", "(much like her mother) so there is a lot more notionally translated phrases", "fluent between two languages (much like her mother) so there is a lot", "the combined one solve the problem? I could do the same at the", "not italicized. > > \"No,\" said Chimípu, \"I don't think so. When we", "speakers make sense? Would have it not italicized for native points of view", "eyebrow and looked at the chest. \"You had a sands damned bag you", "three in a given chapter (because it gets annoying). I thought about translating", "same time. Plus, there are nine or so other languages across the combined", "native speakers feel that setting off foreign words in italics came off as", "of the language, so tazágu wouldn't be italicized. Which seemed like a reasonable", "because I grew up with a polyglot household so that was the norm", "years, I've been to a number of panels about multiple languages and had", "with the above question's style. However, over the last few years, I've been", "since the POV character knows the word). I wanted to demonstrate her mother", "the above example, the POV character (Rutejìmo) is a native speaker of the", "for her magic). Later in her series, she gets fluent between two languages", "knives. Whoever killed Karawàbi used a straight blade; the wound is too clean", "that instead?\" > > > In this case, \"fupujyu chìdo\" would fine italicized", "hit the bilingual character who initially doesn't know the foreign words: > >", "though. Originally I thought of using three separate fonts but I wasn't sure", "chìdo\" would fine italicized or not, it is jarring since the main character", "of travel. What is that fupujyu chìdo? Are you taking that instead?\" >", "words, and notionally translated at the same time. Plus, there are nine or", "many native speakers feel that setting off foreign words in italics came off", "thing until I hit the bilingual character who initially doesn't know the foreign", "me). So, does the attempt to not italicize for native speakers make sense?", "translating it after the phrase, but there is a lot of speaking in", "and I didn't see any knives. Whoever killed Karawàbi used a straight blade;", "speech. Given that, they recommend that foreign words were not italicized. > >", "feel that setting off foreign words in italics came off as jarring when", "\"I don't think so. When we were fighting, she used the tazágu and", "the POV character knows the word). I wanted to demonstrate her mother alternates", "the same time. Plus, there are nine or so other languages across the", "complexity, I'm planning on combining these two novels together (well and all the", "clean and deep.\" > > > Using the above example, the POV character", "of languages. My original approach went with the above question's style. However, over", "novels together (well and all the other stories) into a single book to", "sense. In the first version, I used serif for native, italicized serif for", "nine or so other languages across the combined novels though never more than", "if that made sense. In the first version, I used serif for native,", "of using three separate fonts but I wasn't sure if that made sense.", "there some characters who bounce between two languages constantly (mainly because I grew", "we were fighting, she used the tazágu and I didn't see any knives.", "language chapters though. Originally I thought of using three separate fonts but I", "more notionally translated phrases and entire sentences. To add special complexity, I'm planning", "would fine italicized or not, it is jarring since the main character (Kanéko)", "conversations where many native speakers feel that setting off foreign words in italics", "would be better not italicized to keep them in harmony), with unknown words,", "speakers (which I think would be better not italicized to keep them in", "doesn't know the words but the untranslated word could be either. However... sands", "her mother alternates frequently between two languages (and swears up a storm but", "into their speech. Given that, they recommend that foreign words were not italicized.", "but I wasn't sure if that made sense. In the first version, I", "the problem? I could do the same at the beginning of the book.", "her mother) so there is a lot more notionally translated phrases and entire", "the wound is too clean and deep.\" > > > Using the above", "think so. When we were fighting, she used the tazágu* and I didn't", "(translated into English since the POV character knows the word). I wanted to", "annoying). I thought about translating it after the phrase, but there is a", "two languages (and swears up a storm but that's the basis for her", "that, they recommend that foreign words were not italicized. > > \"No,\" said", "small and light, worthy of travel. What is that fupujyu chìdo? Are you", "one solve the problem? I could do the same at the beginning of", "at the chest. \"You had a sands damned bag you packed yesterday. It", "In this case, \"fupujyu chìdo\" would fine italicized or not, it is jarring", "I'm planning on combining these two novels together (well and all the other", "I think would be better not italicized to keep them in harmony), with", "yesterday. It was small and light, worthy of travel. What is that fupujyu", "frequently between two languages (and swears up a storm but that's the basis", "phrases and entire sentences. To add special complexity, I'm planning on combining these", "the untranslated word could be either. However... sands damned* is notionally translated (translated", "her magic). Later in her series, she gets fluent between two languages (much", "not italicized to keep them in harmony), with unknown words, and notionally translated", "the chapter headers for the combined one solve the problem? I could do", "the same at the beginning of the book. I'm not sure about the", "that fupujyu chìdo? Are you taking that instead?\" > > > In this", "italicize for native speakers make sense? Would have it not italicized for native", "three separate fonts but I wasn't sure if that made sense. In the", "that's the basis for her magic). Later in her series, she gets fluent", "mother alternates frequently between two languages (and swears up a storm but that's", "\"No,\" said Chimípu, \"I don't think so. When we were fighting, she used", "these two novels together (well and all the other stories) into a single", "Looking at [this question](https://writers.stackexchange.com/questions/1742/whats-the-best-way-to-show-a-foreign-language-in-a-manuscript), I was trying to figure out how to format", "and light, worthy of travel. What is that fupujyu chìdo? Are you taking", "worthy of travel. What is that fupujyu chìdo? Are you taking that instead?\"", "magic). Later in her series, she gets fluent between two languages (much like", "demonstrate her mother alternates frequently between two languages (and swears up a storm", "had conversations where many native speakers feel that setting off foreign words in", "wanted to demonstrate her mother alternates frequently between two languages (and swears up", "That means native speakers (which I think would be better not italicized to", "multiple languages and had conversations where many native speakers feel that setting off", "question](https://writers.stackexchange.com/questions/1742/whats-the-best-way-to-show-a-foreign-language-in-a-manuscript), I was trying to figure out how to format a small family", "in italics came off as jarring when they are usually smoothly integrated into", "fupujyu chìdo? Are you taking that instead?\" > > > In this case,", "using three separate fonts but I wasn't sure if that made sense. In", "who initially doesn't know the foreign words: > > Her mother raised an", "initially doesn't know the foreign words: > > Her mother raised an eyebrow", "when they are usually smoothly integrated into their speech. Given that, they recommend", "didn't see any knives. Whoever killed Karawàbi used a straight blade; the wound", "notionally translated phrases and entire sentences. To add special complexity, I'm planning on", "jarring since the main character (Kanéko) doesn't know the words but the untranslated", "\"You had a sands damned bag you packed yesterday. It was small and", "italicized. Which seemed like a reasonable thing until I hit the bilingual character", "sentences. To add special complexity, I'm planning on combining these two novels together", "be better not italicized to keep them in harmony), with unknown words, and", "[this question](https://writers.stackexchange.com/questions/1742/whats-the-best-way-to-show-a-foreign-language-in-a-manuscript), I was trying to figure out how to format a small", "gets annoying). I thought about translating it after the phrase, but there is", "and all the other stories) into a single book to a master plot", "across multiple novels. That means native speakers (which I think would be better", "mother) so there is a lot more notionally translated phrases and entire sentences.", "said Chimípu, \"I don't think so. When we were fighting, she used the", "it not italicized for native points of view but italicized for non-native be", "blade; the wound is too clean and deep.\" > > > Using the", "like a reasonable thing until I hit the bilingual character who initially doesn't", "the language, so tazágu wouldn't be italicized. Which seemed like a reasonable thing", "languages across the combined novels though never more than three in a given", "used a straight blade; the wound is too clean and deep.\" > >", "translated (translated into English since the POV character knows the word). I wanted", "word could be either. However... sands damned is notionally translated (translated into English", "it gets annoying). I thought about translating it after the phrase, but there", "between two languages (much like her mother) so there is a lot more", "made sense. In the first version, I used serif for native, italicized serif", "triple language chapters though. Originally I thought of using three separate fonts but", "the combined novels though never more than three in a given chapter (because", "out how to format a small family of novels and short stories that", "this case, \"fupujyu chìdo\" would fine italicized or not, it is jarring since", "in the chapter headers for the combined one solve the problem? I could", "a straight blade; the wound is too clean and deep.\" > > >", "to a master plot across multiple novels. That means native speakers (which I", "they recommend that foreign words were not italicized. > > \"No,\" said Chimípu,", "two languages constantly (mainly because I grew up with a polyglot household so", "in a given chapter (because it gets annoying). I thought about translating it", "though never more than three in a given chapter (because it gets annoying).", "words in italics came off as jarring when they are usually smoothly integrated", "between two languages constantly (mainly because I grew up with a polyglot household", "across the combined novels though never more than three in a given chapter", "there is a lot of speaking in these novels and there some characters", "untranslated word could be either. However... sands damned is notionally translated (translated into", "italicized or not, it is jarring since the main character (Kanéko) doesn't know", "of speaking in these novels and there some characters who bounce between two", "languages. My original approach went with the above question's style. However, over the", "seemed like a reasonable thing until I hit the bilingual character who initially", "a lot of speaking in these novels and there some characters who bounce", "know the words but the untranslated word could be either. However... sands damned", "> > \"No,\" said Chimípu, \"I don't think so. When we were fighting,", "two languages (much like her mother) so there is a lot more notionally", "basis for her magic). Later in her series, she gets fluent between two", "are nine or so other languages across the combined novels though never more", "together (well and all the other stories) into a single book to a", "them in harmony), with unknown words, and notionally translated at the same time.", "novels though never more than three in a given chapter (because it gets", "words but the untranslated word could be either. However... sands damned is notionally", "a master plot across multiple novels. That means native speakers (which I think", "speaker of the language, so tazágu wouldn't be italicized. Which seemed like a", "either. However... sands damned is notionally translated (translated into English since the POV", "plot across multiple novels. That means native speakers (which I think would be", "taking that instead?\" > > > In this case, \"fupujyu chìdo\" would fine", "example, the POV character (Rutejìmo) is a native speaker of the language, so", "to demonstrate her mother alternates frequently between two languages (and swears up a", "points of view but italicized for non-native be reasonable? Would indicating the native", "damned* bag you packed yesterday. It was small and light, worthy of travel.", "two novels together (well and all the other stories) into a single book", "the word). I wanted to demonstrate her mother alternates frequently between two languages", "of panels about multiple languages and had conversations where many native speakers feel", "native speaker of the language, so tazágu wouldn't be italicized. Which seemed like", "(because it gets annoying). I thought about translating it after the phrase, but", "> \"No,\" said Chimípu, \"I don't think so. When we were fighting, she", "last few years, I've been to a number of panels about multiple languages", "and entire sentences. To add special complexity, I'm planning on combining these two", "constantly (mainly because I grew up with a polyglot household so that was", "non-native be reasonable? Would indicating the native language in the chapter headers for", "notionally translated (translated into English since the POV character knows the word). I", "solve the problem? I could do the same at the beginning of the", "a reasonable thing until I hit the bilingual character who initially doesn't know", "don't think so. When we were fighting, she used the tazágu and I", "headers for the combined one solve the problem? I could do the same", "Plus, there are nine or so other languages across the combined novels though", "there is a lot more notionally translated phrases and entire sentences. To add", "not, it is jarring since the main character (Kanéko) doesn't know the words", "and looked at the chest. \"You had a sands damned bag you packed", "is that fupujyu chìdo? Are you taking that instead?\" > > > In", "never more than three in a given chapter (because it gets annoying). I", "To add special complexity, I'm planning on combining these two novels together (well", "translated at the same time. Plus, there are nine or so other languages", "It was small and light, worthy of travel. What is that fupujyu chìdo?", "Later in her series, she gets fluent between two languages (much like her", "her series, she gets fluent between two languages (much like her mother) so", "I thought about translating it after the phrase, but there is a lot", "in her series, she gets fluent between two languages (much like her mother)", "attempt to not italicize for native speakers make sense? Would have it not", "for me). So, does the attempt to not italicize for native speakers make", "indicating the native language in the chapter headers for the combined one solve", "the first version, I used serif for native, italicized serif for the second,", "Whoever killed Karawàbi used a straight blade; the wound is too clean and", "used the tazágu and I didn't see any knives. Whoever killed Karawàbi used", "looked at the chest. \"You had a sands damned bag you packed yesterday.", "novels. That means native speakers (which I think would be better not italicized", "straight blade; the wound is too clean and deep.\" > > > Using", "> > > Using the above example, the POV character (Rutejìmo) is a", "damned* is notionally translated (translated into English since the POV character knows the", "setting off foreign words in italics came off as jarring when they are", "fighting, she used the tazágu and I didn't see any knives. Whoever killed", "she used the tazágu and I didn't see any knives. Whoever killed Karawàbi", "words were not italicized. > > \"No,\" said Chimípu, \"I don't think so.", "translated phrases and entire sentences. To add special complexity, I'm planning on combining", "the above question's style. However, over the last few years, I've been to", "make sense? Would have it not italicized for native points of view but", "So, does the attempt to not italicize for native speakers make sense? Would", "know the foreign words: > > Her mother raised an eyebrow and looked", "native speakers (which I think would be better not italicized to keep them", "native language in the chapter headers for the combined one solve the problem?", "the other stories) into a single book to a master plot across multiple", "they are usually smoothly integrated into their speech. Given that, they recommend that", "(which I think would be better not italicized to keep them in harmony),", "version, I used serif for native, italicized serif for the second, and sans", "that use a number of languages. My original approach went with the above", "character who initially doesn't know the foreign words: > > Her mother raised", "original approach went with the above question's style. However, over the last few", "approach went with the above question's style. However, over the last few years,", "gets fluent between two languages (much like her mother) so there is a", "> > In this case, \"fupujyu chìdo\" would fine italicized or not, it", "wouldn't be italicized. Which seemed like a reasonable thing until I hit the", "up a storm but that's the basis for her magic). Later in her", "be italicized. Which seemed like a reasonable thing until I hit the bilingual", "italicized for non-native be reasonable? Would indicating the native language in the chapter", "a polyglot household so that was the norm for me). So, does the", "and deep.\" > > > Using the above example, the POV character (Rutejìmo)", "trying to figure out how to format a small family of novels and", "it is jarring since the main character (Kanéko) doesn't know the words but", "sure about the triple language chapters though. Originally I thought of using three", "deep.\" > > > Using the above example, the POV character (Rutejìmo) is", "the chest. \"You had a sands damned bag you packed yesterday. It was", "above question's style. However, over the last few years, I've been to a", "jarring when they are usually smoothly integrated into their speech. Given that, they", "but there is a lot of speaking in these novels and there some", "recommend that foreign words were not italicized. > > \"No,\" said Chimípu, \"I", "given chapter (because it gets annoying). I thought about translating it after the", "think would be better not italicized to keep them in harmony), with unknown", "does the attempt to not italicize for native speakers make sense? Would have", "travel. What is that fupujyu chìdo? Are you taking that instead?\" > >", "doesn't know the foreign words: > > Her mother raised an eyebrow and", "into English since the POV character knows the word). I wanted to demonstrate", "chìdo? Are you taking that instead?\" > > > In this case, \"fupujyu", "English since the POV character knows the word). I wanted to demonstrate her", "the basis for her magic). Later in her series, she gets fluent between", "POV character knows the word). I wanted to demonstrate her mother alternates frequently", "novels and short stories that use a number of languages. My original approach", "a storm but that's the basis for her magic). Later in her series,", "of the book. I'm not sure about the triple language chapters though. Originally", "(Rutejìmo) is a native speaker of the language, so tazágu wouldn't be italicized.", "reasonable? Would indicating the native language in the chapter headers for the combined", "could be either. However... sands damned* is notionally translated (translated into English since", "However... sands damned is notionally translated (translated into English since the POV character", "However, over the last few years, I've been to a number of panels", "I didn't see any knives. Whoever killed Karawàbi used a straight blade; the", "> > Using the above example, the POV character (Rutejìmo) is a native", "alternates frequently between two languages (and swears up a storm but that's the", "case, \"fupujyu chìdo\" would fine italicized or not, it is jarring since the", "entire sentences. To add special complexity, I'm planning on combining these two novels", "> > Her mother raised an eyebrow and looked at the chest. \"You", "the native language in the chapter headers for the combined one solve the", "unknown words, and notionally translated at the same time. Plus, there are nine", "for native, italicized serif for the second, and sans serif for the third", "these novels and there some characters who bounce between two languages constantly (mainly", "chapter headers for the combined one solve the problem? I could do the", "an eyebrow and looked at the chest. \"You had a sands damned bag", "chapter (because it gets annoying). I thought about translating it after the phrase,", "but italicized for non-native be reasonable? Would indicating the native language in the", "is jarring since the main character (Kanéko) doesn't know the words but the", "lot more notionally translated phrases and entire sentences. To add special complexity, I'm", "since the main character (Kanéko) doesn't know the words but the untranslated word", "into a single book to a master plot across multiple novels. That means", "master plot across multiple novels. That means native speakers (which I think would", "> Her mother raised an eyebrow and looked at the chest. \"You had", "combined one solve the problem? I could do the same at the beginning", "up with a polyglot household so that was the norm for me). So,", "phrase, but there is a lot of speaking in these novels and there", "panels about multiple languages and had conversations where many native speakers feel that", "italics came off as jarring when they are usually smoothly integrated into their", "time. Plus, there are nine or so other languages across the combined novels", "italicized. > > \"No,\" said Chimípu, \"I don't think so. When we were", "other stories) into a single book to a master plot across multiple novels.", "view but italicized for non-native be reasonable? Would indicating the native language in", "so other languages across the combined novels though never more than three in", "serif for native, italicized serif for the second, and sans serif for the", "polyglot household so that was the norm for me). So, does the attempt", "the POV character (Rutejìmo) is a native speaker of the language, so tazágu", "family of novels and short stories that use a number of languages. My", "lot of speaking in these novels and there some characters who bounce between", "grew up with a polyglot household so that was the norm for me).", "chapters though. Originally I thought of using three separate fonts but I wasn't", "sands damned is notionally translated (translated into English since the POV character knows", "is a lot of speaking in these novels and there some characters who", "there are nine or so other languages across the combined novels though never", "I could do the same at the beginning of the book. I'm not", "planning on combining these two novels together (well and all the other stories)", "Given that, they recommend that foreign words were not italicized. > > \"No,\"", "integrated into their speech. Given that, they recommend that foreign words were not", "a given chapter (because it gets annoying). I thought about translating it after", "a single book to a master plot across multiple novels. That means native", "the tazágu and I didn't see any knives. Whoever killed Karawàbi used a", "speakers feel that setting off foreign words in italics came off as jarring", "thought of using three separate fonts but I wasn't sure if that made", "style. However, over the last few years, I've been to a number of", "a small family of novels and short stories that use a number of", "number of panels about multiple languages and had conversations where many native speakers", "short stories that use a number of languages. My original approach went with", "italicized to keep them in harmony), with unknown words, and notionally translated at", "above example, the POV character (Rutejìmo) is a native speaker of the language,", "Are you taking that instead?\" > > > In this case, \"fupujyu chìdo\"", "special complexity, I'm planning on combining these two novels together (well and all", "stories) into a single book to a master plot across multiple novels. That", "In the first version, I used serif for native, italicized serif for the", "off foreign words in italics came off as jarring when they are usually", "bag you packed yesterday. It was small and light, worthy of travel. What", "and there some characters who bounce between two languages constantly (mainly because I", "usually smoothly integrated into their speech. Given that, they recommend that foreign words", "I was trying to figure out how to format a small family of", "> > > In this case, \"fupujyu chìdo\" would fine italicized or not,", "were fighting, she used the tazágu and I didn't see any knives. Whoever", "chest. \"You had a sands damned bag you packed yesterday. It was small", "do the same at the beginning of the book. I'm not sure about", "native speakers make sense? Would have it not italicized for native points of", "went with the above question's style. However, over the last few years, I've", "to keep them in harmony), with unknown words, and notionally translated at the", "norm for me). So, does the attempt to not italicize for native speakers", "to figure out how to format a small family of novels and short", "not sure about the triple language chapters though. Originally I thought of using", "between two languages (and swears up a storm but that's the basis for", "mother raised an eyebrow and looked at the chest. \"You had a sands", "languages (much like her mother) so there is a lot more notionally translated", "reasonable thing until I hit the bilingual character who initially doesn't know the", "so there is a lot more notionally translated phrases and entire sentences. To", "for non-native be reasonable? Would indicating the native language in the chapter headers", "character knows the word). I wanted to demonstrate her mother alternates frequently between", "Originally I thought of using three separate fonts but I wasn't sure if", "their speech. Given that, they recommend that foreign words were not italicized. >", "sands damned* bag you packed yesterday. It was small and light, worthy of", "instead?\" > > > In this case, \"fupujyu chìdo\" would fine italicized or", "tazágu wouldn't be italicized. Which seemed like a reasonable thing until I hit", "add special complexity, I'm planning on combining these two novels together (well and", "means native speakers (which I think would be better not italicized to keep", "it after the phrase, but there is a lot of speaking in these", "figure out how to format a small family of novels and short stories", "used serif for native, italicized serif for the second, and sans serif for", "the triple language chapters though. Originally I thought of using three separate fonts", "I used serif for native, italicized serif for the second, and sans serif", "any knives. Whoever killed Karawàbi used a straight blade; the wound is too", "wound is too clean and deep.\" > > > Using the above example,", "(mainly because I grew up with a polyglot household so that was the", "other languages across the combined novels though never more than three in a", "the beginning of the book. I'm not sure about the triple language chapters", "how to format a small family of novels and short stories that use", "been to a number of panels about multiple languages and had conversations where", "where many native speakers feel that setting off foreign words in italics came", "is too clean and deep.\" > > > Using the above example, the", "so that was the norm for me). So, does the attempt to not", "language in the chapter headers for the combined one solve the problem? I", "number of languages. My original approach went with the above question's style. However,", "that was the norm for me). So, does the attempt to not italicize", "> In this case, \"fupujyu chìdo\" would fine italicized or not, it is", "the bilingual character who initially doesn't know the foreign words: > > Her", "Chimípu, \"I don't think so. When we were fighting, she used the tazágu", "smoothly integrated into their speech. Given that, they recommend that foreign words were", "the words but the untranslated word could be either. However... sands damned is", "have it not italicized for native points of view but italicized for non-native", "too clean and deep.\" > > > Using the above example, the POV", "a native speaker of the language, so tazágu wouldn't be italicized. Which seemed", "that foreign words were not italicized. > > \"No,\" said Chimípu, \"I don't", "Her mother raised an eyebrow and looked at the chest. \"You had a", "in these novels and there some characters who bounce between two languages constantly", "more than three in a given chapter (because it gets annoying). I thought", "to not italicize for native speakers make sense? Would have it not italicized", "(Kanéko) doesn't know the words but the untranslated word could be either. However...", "about translating it after the phrase, but there is a lot of speaking", "are usually smoothly integrated into their speech. Given that, they recommend that foreign", "to a number of panels about multiple languages and had conversations where many", "I've been to a number of panels about multiple languages and had conversations", "for native points of view but italicized for non-native be reasonable? Would indicating", "characters who bounce between two languages constantly (mainly because I grew up with", "so. When we were fighting, she used the tazágu and I didn't see", "off as jarring when they are usually smoothly integrated into their speech. Given", "words: > > Her mother raised an eyebrow and looked at the chest.", "sure if that made sense. In the first version, I used serif for", "like her mother) so there is a lot more notionally translated phrases and", "she gets fluent between two languages (much like her mother) so there is", "italicized for native points of view but italicized for non-native be reasonable? Would", "you packed yesterday. It was small and light, worthy of travel. What is", "light, worthy of travel. What is that fupujyu chìdo? Are you taking that", "was trying to figure out how to format a small family of novels", "main character (Kanéko) doesn't know the words but the untranslated word could be", "separate fonts but I wasn't sure if that made sense. In the first", "I'm not sure about the triple language chapters though. Originally I thought of", "the norm for me). So, does the attempt to not italicize for native", "question's style. However, over the last few years, I've been to a number", "format a small family of novels and short stories that use a number", "or not, it is jarring since the main character (Kanéko) doesn't know the", "you taking that instead?\" > > > In this case, \"fupujyu chìdo\" would", "I hit the bilingual character who initially doesn't know the foreign words: >", "be reasonable? Would indicating the native language in the chapter headers for the", "(and swears up a storm but that's the basis for her magic). Later", "is a native speaker of the language, so tazágu wouldn't be italicized. Which", "a sands damned bag you packed yesterday. It was small and light, worthy", "beginning of the book. I'm not sure about the triple language chapters though.", "foreign words: > > Her mother raised an eyebrow and looked at the", "speaking in these novels and there some characters who bounce between two languages", "but the untranslated word could be either. However... sands damned is notionally translated", "combined novels though never more than three in a given chapter (because it", "for the combined one solve the problem? I could do the same at", "was small and light, worthy of travel. What is that fupujyu chìdo? Are", "and had conversations where many native speakers feel that setting off foreign words", "When we were fighting, she used the tazágu and I didn't see any", "language, so tazágu wouldn't be italicized. Which seemed like a reasonable thing until", "bilingual character who initially doesn't know the foreign words: > > Her mother", "character (Kanéko) doesn't know the words but the untranslated word could be either.", "harmony), with unknown words, and notionally translated at the same time. Plus, there", "What is that fupujyu chìdo? Are you taking that instead?\" > > >", "Which seemed like a reasonable thing until I hit the bilingual character who", "native points of view but italicized for non-native be reasonable? Would indicating the", "were not italicized. > > \"No,\" said Chimípu, \"I don't think so. When", "household so that was the norm for me). So, does the attempt to", "POV character (Rutejìmo) is a native speaker of the language, so tazágu wouldn't", "is notionally translated (translated into English since the POV character knows the word).", "native, italicized serif for the second, and sans serif for the third language.", "foreign words in italics came off as jarring when they are usually smoothly", "not italicize for native speakers make sense? Would have it not italicized for", "bounce between two languages constantly (mainly because I grew up with a polyglot", "I wanted to demonstrate her mother alternates frequently between two languages (and swears", "(well and all the other stories) into a single book to a master", "notionally translated at the same time. Plus, there are nine or so other", "a number of panels about multiple languages and had conversations where many native", "for native speakers make sense? Would have it not italicized for native points", "Using the above example, the POV character (Rutejìmo) is a native speaker of", "first version, I used serif for native, italicized serif for the second, and", "the attempt to not italicize for native speakers make sense? Would have it", "at the same time. Plus, there are nine or so other languages across", "the foreign words: > > Her mother raised an eyebrow and looked at", "was the norm for me). So, does the attempt to not italicize for", "keep them in harmony), with unknown words, and notionally translated at the same", "My original approach went with the above question's style. However, over the last", "all the other stories) into a single book to a master plot across", "fine italicized or not, it is jarring since the main character (Kanéko) doesn't", "with a polyglot household so that was the norm for me). So, does", "of view but italicized for non-native be reasonable? Would indicating the native language", "swears up a storm but that's the basis for her magic). Later in", "stories that use a number of languages. My original approach went with the", "be either. However... sands damned is notionally translated (translated into English since the", "book. I'm not sure about the triple language chapters though. Originally I thought", "packed yesterday. It was small and light, worthy of travel. What is that", "Karawàbi used a straight blade; the wound is too clean and deep.\" >", "at [this question](https://writers.stackexchange.com/questions/1742/whats-the-best-way-to-show-a-foreign-language-in-a-manuscript), I was trying to figure out how to format a", "about the triple language chapters though. Originally I thought of using three separate", "as jarring when they are usually smoothly integrated into their speech. Given that,", "and short stories that use a number of languages. My original approach went", "> Using the above example, the POV character (Rutejìmo) is a native speaker", "could do the same at the beginning of the book. I'm not sure", "thought about translating it after the phrase, but there is a lot of", "I thought of using three separate fonts but I wasn't sure if that", "character (Rutejìmo) is a native speaker of the language, so tazágu wouldn't be", "wasn't sure if that made sense. In the first version, I used serif", "at the beginning of the book. I'm not sure about the triple language", "knows the word). I wanted to demonstrate her mother alternates frequently between two", "I wasn't sure if that made sense. In the first version, I used", "the last few years, I've been to a number of panels about multiple", "use a number of languages. My original approach went with the above question's", "that setting off foreign words in italics came off as jarring when they", "problem? I could do the same at the beginning of the book. I'm", "Would indicating the native language in the chapter headers for the combined one", "single book to a master plot across multiple novels. That means native speakers", "some characters who bounce between two languages constantly (mainly because I grew up", "to format a small family of novels and short stories that use a", "\"fupujyu chìdo\" would fine italicized or not, it is jarring since the main", "after the phrase, but there is a lot of speaking in these novels", "a lot more notionally translated phrases and entire sentences. To add special complexity,", "raised an eyebrow and looked at the chest. \"You had a sands damned", "who bounce between two languages constantly (mainly because I grew up with a", "languages constantly (mainly because I grew up with a polyglot household so that" ]
[ "it would be interesting if she figured out 'tricks' to solving each. However,", "love of adventure by exploring old maze-like ruins, and thought it would be", "how do I come up with good puzzles and solutions that the character", "know how to make this work as part of a story. How do", "if she figured out 'tricks' to solving each. However, I don't really know", "don't really know how to make this work as part of a story.", "as part of a story. How do I create a maze (or other", "of a story. How do I create a maze (or other kinds of", "other kinds of puzzles) that will be interesting to the reader, and how", "However, I don't really know how to make this work as part of", "interesting to the reader, and how do I come up with good puzzles", "maze (or other kinds of puzzles) that will be interesting to the reader,", "character who expresses her love of adventure by exploring old maze-like ruins, and", "be interesting if she figured out 'tricks' to solving each. However, I don't", "puzzles) that will be interesting to the reader, and how do I come", "that will be interesting to the reader, and how do I come up", "do I come up with good puzzles and solutions that the character can", "with good puzzles and solutions that the character can actually, plausibly come up", "to have a character who expresses her love of adventure by exploring old", "a character who expresses her love of adventure by exploring old maze-like ruins,", "have a character who expresses her love of adventure by exploring old maze-like", "to solving each. However, I don't really know how to make this work", "will be interesting to the reader, and how do I come up with", "make this work as part of a story. How do I create a", "I create a maze (or other kinds of puzzles) that will be interesting", "expresses her love of adventure by exploring old maze-like ruins, and thought it", "be interesting to the reader, and how do I come up with good", "each. However, I don't really know how to make this work as part", "story. How do I create a maze (or other kinds of puzzles) that", "to the reader, and how do I come up with good puzzles and", "reader, and how do I come up with good puzzles and solutions that", "come up with good puzzles and solutions that the character can actually, plausibly", "I don't really know how to make this work as part of a", "create a maze (or other kinds of puzzles) that will be interesting to", "she figured out 'tricks' to solving each. However, I don't really know how", "this work as part of a story. How do I create a maze", "'tricks' to solving each. However, I don't really know how to make this", "her love of adventure by exploring old maze-like ruins, and thought it would", "adventure by exploring old maze-like ruins, and thought it would be interesting if", "thought it would be interesting if she figured out 'tricks' to solving each.", "ruins, and thought it would be interesting if she figured out 'tricks' to", "out 'tricks' to solving each. However, I don't really know how to make", "really know how to make this work as part of a story. How", "part of a story. How do I create a maze (or other kinds", "maze-like ruins, and thought it would be interesting if she figured out 'tricks'", "old maze-like ruins, and thought it would be interesting if she figured out", "how to make this work as part of a story. How do I", "kinds of puzzles) that will be interesting to the reader, and how do", "exploring old maze-like ruins, and thought it would be interesting if she figured", "work as part of a story. How do I create a maze (or", "the reader, and how do I come up with good puzzles and solutions", "to make this work as part of a story. How do I create", "do I create a maze (or other kinds of puzzles) that will be", "up with good puzzles and solutions that the character can actually, plausibly come", "a maze (or other kinds of puzzles) that will be interesting to the", "of puzzles) that will be interesting to the reader, and how do I", "figured out 'tricks' to solving each. However, I don't really know how to", "a story. How do I create a maze (or other kinds of puzzles)", "solving each. However, I don't really know how to make this work as", "of adventure by exploring old maze-like ruins, and thought it would be interesting", "(or other kinds of puzzles) that will be interesting to the reader, and", "and thought it would be interesting if she figured out 'tricks' to solving", "want to have a character who expresses her love of adventure by exploring", "by exploring old maze-like ruins, and thought it would be interesting if she", "good puzzles and solutions that the character can actually, plausibly come up with?", "I want to have a character who expresses her love of adventure by", "I come up with good puzzles and solutions that the character can actually,", "and how do I come up with good puzzles and solutions that the", "who expresses her love of adventure by exploring old maze-like ruins, and thought", "How do I create a maze (or other kinds of puzzles) that will", "would be interesting if she figured out 'tricks' to solving each. However, I", "interesting if she figured out 'tricks' to solving each. However, I don't really" ]
[ "me. > > > * Titanic. Honestly this one probably comes from James", "an attempt to keep Frodo going, says that he thinks he understands the", "because they were holding onto something. > > > Frodo: What are we", "experience. I believe Gut Emotional Appeal - or GEA - can be a", "in the water and slowly freezing to death, there's only room for one", "movies (movies, not books) have in common? Besides great musical scores, they have", "actual writing. Both or good though. * I feel that a very important", "a 5 star. If readers were in the habit of rating novels, that", "open to chat discussions if you want to compare notes and try to", "that extra push that I'm after. Notes, and what I've discovered: * I", "of GEA is that it be something that nearly everyone can sympathize with.", "to you. Or at least to me. > > > * Titanic. Honestly", "doesn't click. You don't feel the power. Note how in the above, what", "is that it be something that nearly everyone can sympathize with. Braveheart: Most", "Frodo and Same are in Osgiliath, and Sam, in an attempt to keep", "Honestly this one probably comes from James Horner's excellent score. It's still worth", "GEA scene in simple terms and it doesn't click. You don't feel the", "floating wreckage, meaning the other has to stay in the water and slowly", "understands the old tales now. > > Sam: In those tales, folks had", "from a 4 star to a 5 star. If readers were in the", "be something that nearly everyone can sympathize with. Braveheart: Most people can sympathize", "what I've discovered:* * I develop and plan my novels extensively, so I'm", "fictionalized) rebellion of the Scots against the English. Details about the end are", "is the scene in Two Towers (I think). Frodo and Same are in", "for. > > > You feel that Sam is right. You feel that", "Emotional Appeal - or GEA - can be a very powerful part of", "I've included some examples from my personal experience. I believe Gut Emotional Appeal", "a novel that extra emotional punch that tips it over from a 4", "You don't feel the power. Note how in the above, what I listed", "in an attempt to keep Frodo going, says that he thinks he understands", "pause and really pay attention. You really feel what just happened or is", "discussions if you want to compare notes and try to figure out how", "looking more for steps or processes, rather than advice to implement while doing", "rebellion of the Scots against the English. Details about the end are below.", "- or GEA - can be a very powerful part of a novel.", "novel that extra emotional punch that tips it over from a 4 star", "didn't really have any power. What is missing? That's what I'm after. ", "(I think). Frodo and Same are in Osgiliath, and Sam, in an attempt", "It's that extra push that I'm after. Notes, and what I've discovered:* ", "Rings. What do these movies (movies, not books) have in common? Besides great", "main characters are in the water and slowly freezing to death, there's only", "with. Braveheart: Most people can sympathize with fighting in some measure against some", "probably comes from James Horner's excellent score. It's still worth noting though. >", "some good left in this world Mister Frodo, and that it's worth fighting", "a novel. Certainly one can be successful without it, but I feel that", "very important part of GEA is that it be something that nearly everyone", "> You feel that Sam is right. You feel that the good left", "freezing to death, there's only room for one aboard the floating wreckage, meaning", "are a lot of gut moments in Peter Jackson's epic trilogy. One that", "that extra emotional punch that tips it over from a 4 star to", "finally lets him go, the music swells, and it gets you in the", "something. > > > Frodo: What are we holding onto, Sam? > >", "feel that Sam is right. You feel that the good left in the", "tales, folks had lots of chances of turnin' back, only they didn't because", "Or at least to me. > > > Titanic. Honestly this one", "worth noting though. > > When the two main characters are in the", "to death, there's only room for one aboard the floating wreckage, meaning the", "right. You feel that the good left in the world is worth fighting", "evil. * One can state a GEA scene in simple terms and it", "moment isn't the same for everyone, but below I've included some examples from", "punch that tips it over from a 4 star to a 5 star.", "back, only they didn't because they were holding onto something. > > >", "I achieve GEA in my novels? What steps/methods should I follow?** Examples: ", "onto, Sam? > > > Sam: That there's some good left in this", "good though. I feel that a very important part of GEA is", "discovered:* * I develop and plan my novels extensively, so I'm looking more", "can generally sympathize with love. LotR: People generally want good to win out", "and it doesn't click. You don't feel the power. Note how in the", "included some examples from my personal experience. I believe Gut Emotional Appeal -", "going, says that he thinks he understands the old tales now. > >", "have any power. What is missing? That's what I'm after. * I've spent", "Emotional Appeal. In other words, at some point, they get you in the", "> Sam: In those tales, folks had lots of chances of turnin' back,", "and Same are in Osgiliath, and Sam, in an attempt to keep Frodo", "What are we holding onto, Sam? > > > Sam: That there's some", "that it be something that nearly everyone can sympathize with. Braveheart: Most people", "you want to compare notes and try to figure out how to create", "Sam, in an attempt to keep Frodo going, says that he thinks he", "it. It's that extra push that I'm after. Notes, and what I've discovered:", "fighting for. > > > You feel that Sam is right. You feel", "What is missing? That's what I'm after. I've spent a lot of", "it be something that nearly everyone can sympathize with. Braveheart: Most people can", "just happened or is happening. This moment isn't the same for everyone, but", "that nearly everyone can sympathize with. Braveheart: Most people can sympathize with fighting", "least to me. > > > * Titanic. Honestly this one probably comes", "so I'm looking more for steps or processes, rather than advice to implement", "(or I anyway) also feel driven to fight for it. It's that extra", "and slowly freezing to death, there's only room for one aboard the floating", "Same are in Osgiliath, and Sam, in an attempt to keep Frodo going,", "great musical scores, they have what I call Gut Emotional Appeal. In other", "people can sympathize with fighting in some measure against some sort of injustice.", "I follow?** Examples: * Braveheart. Braveheart features the (highly fictionalized) rebellion of the", "though. > > When the two main characters are in the water and", "it, but I feel that it can give a novel that extra emotional", "in Two Towers (I think). Frodo and Same are in Osgiliath, and Sam,", "he thinks he understands the old tales now. > > Sam: In those", "That's what I'm after. * I've spent a lot of time thinking about", "asked if he will repent, to which, after a moment, he yells, \"FREEDOM!!!\"", "Both or good though. * I feel that a very important part of", "achieve GEA in my novels? What steps/methods should I follow?** Examples: * Braveheart.", "I listed didn't really have any power. What is missing? That's what I'm", "gets you in the gut. > > > * Lord of the Rings.", "happening. This moment isn't the same for everyone, but below I've included some", "> When the two main characters are in the water and slowly freezing", "for one aboard the floating wreckage, meaning the other has to stay in", "really pay attention. You really feel what just happened or is happening. This", "for everyone, but below I've included some examples from my personal experience. I", "time thinking about this. I'm open to chat discussions if you want to", "of injustice. Titanic: People can generally sympathize with love. LotR: People generally want", "injustice. Titanic: People can generally sympathize with love. LotR: People generally want good", "after. Notes, and what I've discovered: * I develop and plan my novels", "folks had lots of chances of turnin' back, only they didn't because they", "the scene in Two Towers (I think). Frodo and Same are in Osgiliath,", "what I'm after. * I've spent a lot of time thinking about this.", "at some point, they get you in the gut. They make you pause", "can sympathize with fighting in some measure against some sort of injustice. Titanic:", "feel that it can give a novel that extra emotional punch that tips", "the (highly fictionalized) rebellion of the Scots against the English. Details about the", "that the good left in the world is worth fighting for. But you", "that Sam is right. You feel that the good left in the world", "I develop and plan my novels extensively, so I'm looking more for steps", "is finally executed, he is asked if he will repent, to which, after", "I'm after. * I've spent a lot of time thinking about this. I'm", "GEA is that it be something that nearly everyone can sympathize with. Braveheart:", "follow?** Examples: * Braveheart. Braveheart features the (highly fictionalized) rebellion of the Scots", "the music swells, and it gets you in the gut. > > >", "the good left in the world is worth fighting for. But you (or", "You feel that the good left in the world is worth fighting for.", "they have what I call Gut Emotional Appeal. In other words, at some", "thinking about this. I'm open to chat discussions if you want to compare", "chat discussions if you want to compare notes and try to figure out", "the two main characters are in the water and slowly freezing to death,", "the Rings. What do these movies (movies, not books) have in common? Besides", "Xallucu is finally executed, he is asked if he will repent, to which,", "It's still worth noting though. > > When the two main characters are", "of chances of turnin' back, only they didn't because they were holding onto", "important part of GEA is that it be something that nearly everyone can", "I feel that a very important part of GEA is that it be", "if he will repent, to which, after a moment, he yells, \"FREEDOM!!!\" You", "is missing? That's what I'm after. * I've spent a lot of time", "above, what I listed didn't really have any power. What is missing? That's", "should I follow?** Examples: * Braveheart. Braveheart features the (highly fictionalized) rebellion of", "it's worth fighting for. > > > You feel that Sam is right.", "I've discovered:* * I develop and plan my novels extensively, so I'm looking", "* Titanic. Honestly this one probably comes from James Horner's excellent score. It's", "fighting in some measure against some sort of injustice. Titanic: People can generally", "believe Gut Emotional Appeal - or GEA - can be a very powerful", "the floating wreckage, meaning the other has to stay in the water and", "if you want to compare notes and try to figure out how to", "4 star to a 5 star. If readers were in the habit of", "In those tales, folks had lots of chances of turnin' back, only they", "two main characters are in the water and slowly freezing to death, there's", "to fight for it. It's that extra push that I'm after. Notes, and", "sympathize with fighting in some measure against some sort of injustice. Titanic: People", "go, the music swells, and it gets you in the gut. > >", "they didn't because they were holding onto something. > > > Frodo: What", "I'm open to chat discussions if you want to compare notes and try", "room for one aboard the floating wreckage, meaning the other has to stay", "can state a GEA scene in simple terms and it doesn't click. You", "out over evil. One can state a GEA scene in simple terms", "everyone, but below I've included some examples from my personal experience. I believe", "> * Titanic. Honestly this one probably comes from James Horner's excellent score.", "doing the actual writing. Both or good though. * I feel that a", "over evil. * One can state a GEA scene in simple terms and", "You really feel what just happened or is happening. This moment isn't the", "it can give a novel that extra emotional punch that tips it over", "those tales, folks had lots of chances of turnin' back, only they didn't", "characters are in the water and slowly freezing to death, there's only room", "you. Or at least to me. > > > * Titanic. Honestly this", "something that nearly everyone can sympathize with. Braveheart: Most people can sympathize with", "driven to fight for it. It's that extra push that I'm after. Notes,", "that a very important part of GEA is that it be something that", "steps/methods should I follow?* Examples: * Braveheart. Braveheart features the (highly fictionalized) rebellion", "worth fighting for. > > > You feel that Sam is right. You", "onto something. > > > Frodo: What are we holding onto, Sam? >", "* I feel that a very important part of GEA is that it", "executed, he is asked if he will repent, to which, after a moment,", "a GEA scene in simple terms and it doesn't click. You don't feel", "* I develop and plan my novels extensively, so I'm looking more for", "5 star. If readers were in the habit of rating novels, that is.", "a very powerful part of a novel. Certainly one can be successful without", "missing? That's what I'm after. * I've spent a lot of time thinking", "Sam: That there's some good left in this world Mister Frodo, and that", "can sympathize with. Braveheart: Most people can sympathize with fighting in some measure", "score. It's still worth noting though. > > When the two main characters", "> > Frodo: What are we holding onto, Sam? > > > Sam:", "over from a 4 star to a 5 star. If readers were in", "death, there's only room for one aboard the floating wreckage, meaning the other", "Sam: In those tales, folks had lots of chances of turnin' back, only", "generally want good to win out over evil. * One can state a", "Gut Emotional Appeal. In other words, at some point, they get you in", "Sam? > > > Sam: That there's some good left in this world", "comes from James Horner's excellent score. It's still worth noting though. > >", "or is happening. This moment isn't the same for everyone, but below I've", "to keep Frodo going, says that he thinks he understands the old tales", "power. Note how in the above, what I listed didn't really have any", "gut moments in Peter Jackson's epic trilogy. One that particularly stands out to", "and plan my novels extensively, so I'm looking more for steps or processes,", "or GEA - can be a very powerful part of a novel. Certainly", "slowly freezing to death, there's only room for one aboard the floating wreckage,", "If readers were in the habit of rating novels, that is. How can", "of rating novels, that is. How can I achieve GEA in my novels?", "habit of rating novels, that is. *How can I achieve GEA in my", "do these movies (movies, not books) have in common? Besides great musical scores,", "he understands the old tales now. > > Sam: In those tales, folks", "extensively, so I'm looking more for steps or processes, rather than advice to", "this one probably comes from James Horner's excellent score. It's still worth noting", "tales now. > > Sam: In those tales, folks had lots of chances", "is* worth fighting for. But you (or I anyway) also feel driven to", "plan my novels extensively, so I'm looking more for steps or processes, rather", "> > > Frodo: What are we holding onto, Sam? > > >", "listed didn't really have any power. What is missing? That's what I'm after.", "> > * Lord of the Rings. There are a lot of gut", "Towers* (I think). Frodo and Same are in Osgiliath, and Sam, in an", "noting though. > > When the two main characters are in the water", "People can generally sympathize with love. LotR: People generally want good to win", "and that it's worth fighting for. > > > You feel that Sam", "only they didn't because they were holding onto something. > > > Frodo:", "the old tales now. > > Sam: In those tales, folks had lots", "the gut. They make you pause and really pay attention. You really feel", "feel the power. Note how in the above, what I listed didn't really", "some examples from my personal experience. I believe Gut Emotional Appeal - or", "they get you in the gut. They make you pause and really pay", "Rings.** There are a lot of gut moments in Peter Jackson's epic trilogy.", "against some sort of injustice. Titanic: People can generally sympathize with love. LotR:", "lot of time thinking about this. I'm open to chat discussions if you", "are in Osgiliath, and Sam, in an attempt to keep Frodo going, says", "love. LotR: People generally want good to win out over evil. * One", "Jackson's epic trilogy. One that particularly stands out to me though is the", "my novels extensively, so I'm looking more for steps or processes, rather than", "chances of turnin' back, only they didn't because they were holding onto something.", "common? Besides great musical scores, they have what I call Gut Emotional Appeal.", "are we holding onto, Sam? > > > Sam: That there's some good", "that I'm after. Notes, and what I've discovered: * I develop and plan", "examples from my personal experience. I believe Gut Emotional Appeal - or GEA", "books) have in common? Besides great musical scores, they have what I call", "When the two main characters are in the water and slowly freezing to", "can give a novel that extra emotional punch that tips it over from", "You feel that Sam is right. You feel that the good left in", "to stay in the water and slowly freeze. When Rose finally lets him", "measure against some sort of injustice. Titanic: People can generally sympathize with love.", "there's some good left in this world Mister Frodo, and that it's worth", "power. What is missing? That's what I'm after. * I've spent a lot", "some sort of injustice. Titanic: People can generally sympathize with love. LotR: People", "\"FREEDOM!!!\" You feel it in the gut. It gets to you. Or at", "my novels? What steps/methods should I follow?** Examples: * Braveheart. Braveheart features the", "Braveheart: Most people can sympathize with fighting in some measure against some sort", "feel that a very important part of GEA is that it be something", "Two Towers (I think). Frodo and Same are in Osgiliath, and Sam, in", "This moment isn't the same for everyone, but below I've included some examples", "is. *How can I achieve GEA in my novels? What steps/methods should I", "> > > Lord of the Rings. There are a lot of", "for. But you (or I anyway) also feel driven to fight for it.", "were in the habit of rating novels, that is. *How can I achieve", "excellent score. It's still worth noting though. > > When the two main", "attempt to keep Frodo going, says that he thinks he understands the old", "really feel* what just happened or is happening. This moment isn't the same", "scene in simple terms and it doesn't click. You don't feel the power.", "lots of chances of turnin' back, only they didn't because they were holding", "be successful without it, but I feel that it can give a novel", "it in the gut. It gets to you. Or at least to me.", "> > Sam: That there's some good left in this world Mister Frodo,", "wreckage, meaning the other has to stay in the water and slowly freeze.", "feel that the good left in the world is worth fighting for. But", "how in the above, what I listed didn't really have any power. What", "my personal experience. I believe Gut Emotional Appeal - or GEA - can", "* Lord of the Rings. There are a lot of gut moments in", "left in this world Mister Frodo, and that it's worth fighting for. >", "gut. They make you pause and really pay attention. You really feel what", "Titanic. Lord of the Rings. What do these movies (movies, not books) have", "can I achieve GEA in my novels? What steps/methods should I follow?** Examples:", "holding onto something. > > > Frodo: What are we holding onto, Sam?", "the actual writing. Both or good though. * I feel that a very", "LotR: People generally want good to win out over evil. * One can", "star to a 5 star. If readers were in the habit of rating", "steps or processes, rather than advice to implement while doing the actual writing.", "that he thinks he understands the old tales now. > > Sam: In", "still worth noting though. > > When the two main characters are in", "or processes, rather than advice to implement while doing the actual writing. Both", "in the gut. They make you pause and really pay attention. You really", "that is. *How can I achieve GEA in my novels? What steps/methods should", "epic trilogy. One that particularly stands out to me though is the scene", "that tips it over from a 4 star to a 5 star. If", "to implement while doing the actual writing. Both or good though. I", "gut. > > > * Lord of the Rings. There are a lot", "How can I achieve GEA in my novels? What steps/methods should I follow?", "happened or is happening. This moment isn't the same for everyone, but below", "sympathize with love. LotR: People generally want good to win out over evil.", "a lot of gut moments in Peter Jackson's epic trilogy. One that particularly", "spent a lot of time thinking about this. I'm open to chat discussions", "below. > > When Xallucu is finally executed, he is asked if he", "When Rose finally lets him go, the music swells, and it gets you", "and really pay attention. You really feel what just happened or is happening.", "there's only room for one aboard the floating wreckage, meaning the other has", "they were holding onto something. > > > Frodo: What are we holding", "push that I'm after. Notes, and what I've discovered: * I develop and", "But you (or I anyway) also feel driven to fight for it. It's", "that particularly stands out to me though is the scene in Two Towers", "to me. > > > * Titanic. Honestly this one probably comes from", "trilogy. One that particularly stands out to me though is the scene in", "novels extensively, so I'm looking more for steps or processes, rather than advice", "make you pause and really pay attention. You really feel what just happened", "don't feel the power. Note how in the above, what I listed didn't", "which, after a moment, he yells, \"FREEDOM!!!\" You feel it in the gut.", "a 4 star to a 5 star. If readers were in the habit", "isn't the same for everyone, but below I've included some examples from my", "one aboard the floating wreckage, meaning the other has to stay in the", "only room for one aboard the floating wreckage, meaning the other has to", "at least to me. > > > * Titanic. Honestly this one probably", "(highly fictionalized) rebellion of the Scots against the English. Details about the end", "readers were in the habit of rating novels, that is. *How can I", "after. I've spent a lot of time thinking about this. I'm open", "give a novel that extra emotional punch that tips it over from a", "attention. You really feel what just happened or is happening. This moment isn't", "of the Rings.** There are a lot of gut moments in Peter Jackson's", "were holding onto something. > > > Frodo: What are we holding onto,", "I'm after. Notes, and what I've discovered: * I develop and plan my", "a lot of time thinking about this. I'm open to chat discussions if", "it doesn't click. You don't feel the power. Note how in the above,", "but I feel that it can give a novel that extra emotional punch", "win out over evil. * One can state a GEA scene in simple", "GEA in my novels? What steps/methods should I follow?** Examples: * Braveheart. Braveheart", "call Gut Emotional Appeal. In other words, at some point, they get you", "same for everyone, but below I've included some examples from my personal experience.", "yells, \"FREEDOM!!!\" You feel it in the gut. It gets to you. Or", "features the (highly fictionalized) rebellion of the Scots against the English. Details about", "aboard the floating wreckage, meaning the other has to stay in the water", "will repent, to which, after a moment, he yells, \"FREEDOM!!!\" You feel it", "have in common? Besides great musical scores, they have what I call Gut", "Osgiliath, and Sam, in an attempt to keep Frodo going, says that he", "sort of injustice. Titanic: People can generally sympathize with love. LotR: People generally", "There are a lot of gut moments in Peter Jackson's epic trilogy. One", "good to win out over evil. One can state a GEA scene", "him go, the music swells, and it gets you in the gut. >", "good left in the world is worth fighting for. But you (or I", "personal experience. I believe Gut Emotional Appeal - or GEA - can be", "the water and slowly freeze. When Rose finally lets him go, the music", "fighting for. But you (or I anyway) also feel driven to fight for", "Details about the end are below. > > When Xallucu is finally executed,", "Notes, and what I've discovered: * I develop and plan my novels extensively,", "scene in Two Towers (I think). Frodo and Same are in Osgiliath, and", "from James Horner's excellent score. It's still worth noting though. > > When", "old tales now. > > Sam: In those tales, folks had lots of", "Frodo going, says that he thinks he understands the old tales now. >", "Horner's excellent score. It's still worth noting though. > > When the two", "Appeal. In other words, at some point, they get you in the gut.", "Braveheart features the (highly fictionalized) rebellion of the Scots against the English. Details", "I'm looking more for steps or processes, rather than advice to implement while", "below I've included some examples from my personal experience. I believe Gut Emotional", "world Mister Frodo, and that it's worth fighting for. > > > You", "against the English. Details about the end are below. > > When Xallucu", "want good to win out over evil. One can state a GEA", "world is worth fighting for. But you (or I anyway) also feel driven", "is happening. This moment isn't the same for everyone, but below I've included", "from my personal experience. I believe Gut Emotional Appeal - or GEA -", "has to stay in the water and slowly freeze. When Rose finally lets", "water and slowly freeze. When Rose finally lets him go, the music swells,", "and what I've discovered:* * I develop and plan my novels extensively, so", "Certainly one can be successful without it, but I feel that it can", "without it, but I feel that it can give a novel that extra", "gut. It gets to you. Or at least to me. > > >", "about the end are below. > > When Xallucu is finally executed, he", "Titanic: People can generally sympathize with love. LotR: People generally want good to", "in the water and slowly freeze. When Rose finally lets him go, the", "> > When the two main characters are in the water and slowly", "the Rings.** There are a lot of gut moments in Peter Jackson's epic", "some point, they get you in the gut. They make you pause and", "the English. Details about the end are below. > > When Xallucu is", "is asked if he will repent, to which, after a moment, he yells,", "Titanic. Honestly this one probably comes from James Horner's excellent score. It's still", "novels? What steps/methods should I follow?** Examples: * Braveheart. Braveheart features the (highly", "what I listed didn't really have any power. What is missing? That's what", "you (or I anyway) also feel driven to fight for it. It's that", "When Xallucu is finally executed, he is asked if he will repent, to", "repent, to which, after a moment, he yells, \"FREEDOM!!!\" You feel it in", "some measure against some sort of injustice. Titanic: People can generally sympathize with", "it over from a 4 star to a 5 star. If readers were", "any power. What is missing? That's what I'm after. * I've spent a", "(movies, not books) have in common? Besides great musical scores, they have what", "one probably comes from James Horner's excellent score. It's still worth noting though.", "That there's some good left in this world Mister Frodo, and that it's", "lets him go, the music swells, and it gets you in the gut.", "fight for it. It's that extra push that I'm after. Notes, and what", "with fighting in some measure against some sort of injustice. Titanic: People can", " I've spent a lot of time thinking about this. I'm open to", "People generally want good to win out over evil. * One can state", "What steps/methods should I follow?** Examples: * Braveheart. Braveheart features the (highly fictionalized)", "> > * Titanic. Honestly this one probably comes from James Horner's excellent", "me though is the scene in Two Towers (I think). Frodo and Same", "extra emotional punch that tips it over from a 4 star to a", "that it's worth fighting for. > > > You feel that Sam is", "to chat discussions if you want to compare notes and try to figure", "one can be successful without it, but I feel that it can give", "part of GEA is that it be something that nearly everyone can sympathize", "the other has to stay in the water and slowly freeze. When Rose", "left in the world is worth fighting for. But you (or I anyway)", "in the world is worth fighting for. But you (or I anyway) also", "turnin' back, only they didn't because they were holding onto something. > >", "I anyway) also feel driven to fight for it. It's that extra push", "everyone can sympathize with. Braveheart: Most people can sympathize with fighting in some", "didn't because they were holding onto something. > > > Frodo: What are", "You feel it in the gut. It gets to you. Or at least", "lot of gut moments in Peter Jackson's epic trilogy. One that particularly stands", "this. I'm open to chat discussions if you want to compare notes and", "Appeal - or GEA - can be a very powerful part of a", "of the Scots against the English. Details about the end are below. >", "generally sympathize with love. LotR: People generally want good to win out over", "he will repent, to which, after a moment, he yells, \"FREEDOM!!!\" You feel", "the gut. > > > * Lord of the Rings. There are a", "Peter Jackson's epic trilogy. One that particularly stands out to me though is", "Lord of the Rings. What do these movies (movies, not books) have in", "I've spent a lot of time thinking about this. I'm open to chat", "rating novels, that is. *How can I achieve GEA in my novels? What", "in some measure against some sort of injustice. Titanic: People can generally sympathize", "you in the gut. > > > Lord of the Rings. There", "of the Rings. What do these movies (movies, not books) have in common?", "simple terms and it doesn't click. You don't feel the power. Note how", "can be a very powerful part of a novel. Certainly one can be", "be a very powerful part of a novel. Certainly one can be successful", "In other words, at some point, they get you in the gut. They", "very powerful part of a novel. Certainly one can be successful without it,", "> > When Xallucu is finally executed, he is asked if he will", "Frodo: What are we holding onto, Sam? > > > Sam: That there's", "with love. LotR: People generally want good to win out over evil. ", "Most people can sympathize with fighting in some measure against some sort of", "in the above, what I listed didn't really have any power. What is", "One can state a GEA scene in simple terms and it doesn't click.", "terms and it doesn't click. You don't feel* the power. Note how in", "moment, he yells, \"FREEDOM!!!\" You feel it in the gut. It gets to", "anyway) also feel driven to fight for it. It's that extra push that", "the same for everyone, but below I've included some examples from my personal", "moments in Peter Jackson's epic trilogy. One that particularly stands out to me", "water and slowly freezing to death, there's only room for one aboard the", "sympathize with. Braveheart: Most people can sympathize with fighting in some measure against", "are below. > > When Xallucu is finally executed, he is asked if", "to me though is the scene in Two Towers (I think). Frodo and", "think). Frodo and Same are in Osgiliath, and Sam, in an attempt to", "these movies (movies, not books) have in common? Besides great musical scores, they", "than advice to implement while doing the actual writing. Both or good though.", "novels, that is. How can I achieve GEA in my novels? What steps/methods", "star. If readers were in the habit of rating novels, that is. How", "feel what just happened or is happening. This moment isn't the same for", "* One can state a GEA scene in simple terms and it doesn't", "English. Details about the end are below. > > When Xallucu is finally", "worth fighting for. But you (or I anyway) also feel driven to fight", "pay attention. You really feel what just happened or is happening. This moment", "for steps or processes, rather than advice to implement while doing the actual", "and Sam, in an attempt to keep Frodo going, says that he thinks", "> Frodo: What are we holding onto, Sam? > > > Sam: That", "finally executed, he is asked if he will repent, to which, after a", "implement while doing the actual writing. Both or good though. * I feel", "though is the scene in Two Towers (I think). Frodo and Same are", "are in the water and slowly freezing to death, there's only room for", "good left in this world Mister Frodo, and that it's worth fighting for.", "Braveheart. Braveheart features the (highly fictionalized) rebellion of the Scots against the English.", "thinks he understands the old tales now. > > Sam: In those tales,", "nearly everyone can sympathize with. Braveheart: Most people can sympathize with fighting in", "stay in the water and slowly freeze. When Rose finally lets him go,", "Rose finally lets him go, the music swells, and it gets you in", "> > Sam: In those tales, folks had lots of chances of turnin'", "can be successful without it, but I feel that it can give a", "part of a novel. Certainly one can be successful without it, but I", "in the gut. It gets to you. Or at least to me. >", "you in the gut. They make you pause and really pay attention. You", "holding onto, Sam? > > > Sam: That there's some good left in", "stands out to me though is the scene in Two Towers (I think).", "One that particularly stands out to me though is the scene in Two", "scores, they have what I call Gut Emotional Appeal. In other words, at", "while doing the actual writing. Both or good though. I feel that", "of a novel. Certainly one can be successful without it, but I feel", "he yells, \"FREEDOM!!!\" You feel it in the gut. It gets to you.", "the end are below. > > When Xallucu is finally executed, he is", "I believe Gut Emotional Appeal - or GEA - can be a very", "What do these movies (movies, not books) have in common? Besides great musical", "Braveheart. Titanic. Lord of the Rings. What do these movies (movies, not books)", "a very important part of GEA is that it be something that nearly", "> > > You feel that Sam is right. You feel that the", "in Osgiliath, and Sam, in an attempt to keep Frodo going, says that", "words, at some point, they get you in the gut. They make you", "or good though. * I feel that a very important part of GEA", "> > > * Titanic. Honestly this one probably comes from James Horner's", "extra push that I'm after. Notes, and what I've discovered: * I develop", "now. > > Sam: In those tales, folks had lots of chances of", "successful without it, but I feel that it can give a novel that", "he is asked if he will repent, to which, after a moment, he", "is right. You feel that the good left in the world is worth", "music swells, and it gets you in the gut. > > > ", "keep Frodo going, says that he thinks he understands the old tales now.", "what just happened or is happening. This moment isn't the same for everyone,", "freeze. When Rose finally lets him go, the music swells, and it gets", "It gets to you. Or at least to me. > > > ", "after a moment, he yells, \"FREEDOM!!!\" You feel it in the gut. It", "rather than advice to implement while doing the actual writing. Both or good", "> > You feel that Sam is right. You feel that the good", "you pause and really pay attention. You really feel what just happened or", "I feel that it can give a novel that extra emotional punch that", "click. You don't feel the power. Note how in the above, what I", "have what I call Gut Emotional Appeal. In other words, at some point,", "a moment, he yells, \"FREEDOM!!!\" You feel it in the gut. It gets", "point, they get you in the gut. They make you pause and really", "writing. Both or good though. * I feel that a very important part", "in this world Mister Frodo, and that it's worth fighting for. > >", "other words, at some point, they get you in the gut. They make", "advice to implement while doing the actual writing. Both or good though. ", "slowly freeze. When Rose finally lets him go, the music swells, and it", "I call Gut Emotional Appeal. In other words, at some point, they get", "Gut Emotional Appeal - or GEA - can be a very powerful part", "> When Xallucu is finally executed, he is asked if he will repent,", "the habit of rating novels, that is. How can I achieve GEA in", "out to me though is the scene in Two Towers* (I think). Frodo", "and slowly freeze. When Rose finally lets him go, the music swells, and", "- can be a very powerful part of a novel. Certainly one can", "the water and slowly freezing to death, there's only room for one aboard", "in simple terms and it doesn't click. You don't feel the power. Note", "feel driven to fight for it. It's that extra push that I'm after.", "powerful part of a novel. Certainly one can be successful without it, but", "> > > Sam: That there's some good left in this world Mister", "the Scots against the English. Details about the end are below. > >", "develop and plan my novels extensively, so I'm looking more for steps or", "Examples: * Braveheart. Braveheart features the (highly fictionalized) rebellion of the Scots against", "what I call Gut Emotional Appeal. In other words, at some point, they", "the power. Note how in the above, what I listed didn't really have", "Besides great musical scores, they have what I call Gut Emotional Appeal. In", "the gut. It gets to you. Or at least to me. > >", "to win out over evil. * One can state a GEA scene in", "want to compare notes and try to figure out how to create GEA.", "but below I've included some examples from my personal experience. I believe Gut", "gets to you. Or at least to me. > > > * Titanic.", "state a GEA scene in simple terms and it doesn't click. You don't", "in my novels? What steps/methods should I follow?** Examples: * Braveheart. Braveheart features", "* Braveheart. Braveheart features the (highly fictionalized) rebellion of the Scots against the", "of time thinking about this. I'm open to chat discussions if you want", "also feel driven to fight for it. It's that extra push that I'm", "to which, after a moment, he yells, \"FREEDOM!!!\" You feel it in the", "that it can give a novel that extra emotional punch that tips it", "tips it over from a 4 star to a 5 star. If readers", "novel. Certainly one can be successful without it, but I feel that it", "Scots against the English. Details about the end are below. > > When", "in the habit of rating novels, that is. *How can I achieve GEA", "swells, and it gets you in the gut. > > > *Lord", "in the gut. > > > Lord of the Rings. There are", "we holding onto, Sam? > > > Sam: That there's some good left", "Lord of the Rings. There are a lot of gut moments in Peter", "Frodo, and that it's worth fighting for. > > > You feel that", "really have any power. What is missing? That's what I'm after. * I've", "not books) have in common? Besides great musical scores, they have what I", "though. * I feel that a very important part of GEA is that", "feel it in the gut. It gets to you. Or at least to", "of gut moments in Peter Jackson's epic trilogy. One that particularly stands out", "the above, what I listed didn't really have any power. What is missing?", "processes, rather than advice to implement while doing the actual writing. Both or", "particularly stands out to me though is the scene in Two Towers (I", "more for steps or processes, rather than advice to implement while doing the", "other has to stay in the water and slowly freeze. When Rose finally", "for it. It's that extra push that I'm after. Notes, and what I've", "They make you pause and really pay attention. You really feel* what just", "of turnin' back, only they didn't because they were holding onto something. >", "this world Mister Frodo, and that it's worth fighting for. > > >", "> * Lord of the Rings. There are a lot of gut moments", "emotional punch that tips it over from a 4 star to a 5", "GEA - can be a very powerful part of a novel. Certainly one", "and it gets you in the gut. > > > * *Lord of", "get you in the gut. They make you pause and really pay attention.", "musical scores, they have what I call Gut Emotional Appeal. In other words,", "Sam is right. You feel that the good left in the world is", "the world is* worth fighting for. But you (or I anyway) also feel", "> Sam: That there's some good left in this world Mister Frodo, and", "about this. I'm open to chat discussions if you want to compare notes", "Mister Frodo, and that it's worth fighting for. > > > You feel", "it gets you in the gut. > > > * *Lord of the", "in common? Besides great musical scores, they have what I call Gut Emotional", "end are below. > > When Xallucu is finally executed, he is asked", "had lots of chances of turnin' back, only they didn't because they were", "in Peter Jackson's epic trilogy. One that particularly stands out to me though", "James Horner's excellent score. It's still worth noting though. > > When the", "meaning the other has to stay in the water and slowly freeze. When", "Note how in the above, what I listed didn't really have any power.", "to a 5 star. If readers were in the habit of rating novels,", "says that he thinks he understands the old tales now. > > Sam:" ]
[ "that increasingly, I'm writing sentences in a format (I don't know the technical", "of this) similar to below - > > Coming to a stop at", "name of this) similar to below - > > Coming to a stop", "said. > > > Leading the crowd, he strode through. > > >", "draft of a story, I've found that increasingly, I'm writing sentences in a", "stop at the foot of the dias, he knelt. > > > Raising", "increasingly, I'm writing sentences in a format (I don't know the technical name", "his right fist to his heart, he said. > > > Leading the", "refrain from using sentences of that type ? Also, how to make them", "from using sentences of that type ? Also, how to make them more...crisp,", "I refrain from using sentences of that type ? Also, how to make", "sentences felt strange and jarring to me but I'm not sure. Are sentences", "at the foot of the dias, he knelt. > > > Raising his", "I've found that increasingly, I'm writing sentences in a format (I don't know", "foot of the dias, he knelt. > > > Raising his right fist", "> > > Raising his right fist to his heart, he said. >", "the technical name of this) similar to below - > > Coming to", "he said. > > > Leading the crowd, he strode through. > >", "first draft of a story, I've found that increasingly, I'm writing sentences in", "cursory reading, the sentences felt strange and jarring to me but I'm not", "sure. Are sentences of these type OK or should I refrain from using", "format (I don't know the technical name of this) similar to below -", "reading, the sentences felt strange and jarring to me but I'm not sure.", "Raising his right fist to his heart, he said. > > > Leading", "the foot of the dias, he knelt. > > > Raising his right", "to a stop at the foot of the dias, he knelt. > >", "While doing a cursory reading, the sentences felt strange and jarring to me", "sentences in a format (I don't know the technical name of this) similar", "> Leading the crowd, he strode through. > > > While doing a", "knelt. > > > Raising his right fist to his heart, he said.", "in a format (I don't know the technical name of this) similar to", "felt strange and jarring to me but I'm not sure. Are sentences of", "strange and jarring to me but I'm not sure. Are sentences of these", "his heart, he said. > > > Leading the crowd, he strode through.", "know the technical name of this) similar to below - > > Coming", "writing the first draft of a story, I've found that increasingly, I'm writing", "fist to his heart, he said. > > > Leading the crowd, he", "technical name of this) similar to below - > > Coming to a", "of the dias, he knelt. > > > Raising his right fist to", "> > Leading the crowd, he strode through. > > > While doing", "should I refrain from using sentences of that type ? Also, how to", "dias, he knelt. > > > Raising his right fist to his heart,", "type OK or should I refrain from using sentences of that type ?", "he strode through. > > > While doing a cursory reading, the sentences", "a story, I've found that increasingly, I'm writing sentences in a format (I", "to his heart, he said. > > > Leading the crowd, he strode", "> > Raising his right fist to his heart, he said. > >", "using sentences of that type ? Also, how to make them more...crisp, perhaps", "> Coming to a stop at the foot of the dias, he knelt.", "I'm not sure. Are sentences of these type OK or should I refrain", "a stop at the foot of the dias, he knelt. > > >", "strode through. > > > While doing a cursory reading, the sentences felt", "of these type OK or should I refrain from using sentences of that", "a format (I don't know the technical name of this) similar to below", "me but I'm not sure. Are sentences of these type OK or should", "this) similar to below - > > Coming to a stop at the", "doing a cursory reading, the sentences felt strange and jarring to me but", "> > > While doing a cursory reading, the sentences felt strange and", "sentences of that type ? Also, how to make them more...crisp, perhaps ?", "of a story, I've found that increasingly, I'm writing sentences in a format", "through. > > > While doing a cursory reading, the sentences felt strange", "and jarring to me but I'm not sure. Are sentences of these type", "writing sentences in a format (I don't know the technical name of this)", "Coming to a stop at the foot of the dias, he knelt. >", "sentences of these type OK or should I refrain from using sentences of", "similar to below - > > Coming to a stop at the foot", "but I'm not sure. Are sentences of these type OK or should I", "story, I've found that increasingly, I'm writing sentences in a format (I don't", "these type OK or should I refrain from using sentences of that type", "to me but I'm not sure. Are sentences of these type OK or", "- > > Coming to a stop at the foot of the dias,", "the first draft of a story, I've found that increasingly, I'm writing sentences", "not sure. Are sentences of these type OK or should I refrain from", "or should I refrain from using sentences of that type ? Also, how", "(I don't know the technical name of this) similar to below - >", "Leading the crowd, he strode through. > > > While doing a cursory", "OK or should I refrain from using sentences of that type ? Also,", "right fist to his heart, he said. > > > Leading the crowd,", "> > Coming to a stop at the foot of the dias, he", "> While doing a cursory reading, the sentences felt strange and jarring to", "a cursory reading, the sentences felt strange and jarring to me but I'm", "found that increasingly, I'm writing sentences in a format (I don't know the", "> Raising his right fist to his heart, he said. > > >", "I'm writing the first draft of a story, I've found that increasingly, I'm", "don't know the technical name of this) similar to below - > >", "the crowd, he strode through. > > > While doing a cursory reading,", "the sentences felt strange and jarring to me but I'm not sure. Are", "to below - > > Coming to a stop at the foot of", "he knelt. > > > Raising his right fist to his heart, he", "> > While doing a cursory reading, the sentences felt strange and jarring", "the dias, he knelt. > > > Raising his right fist to his", "jarring to me but I'm not sure. Are sentences of these type OK", "I'm writing sentences in a format (I don't know the technical name of", "below - > > Coming to a stop at the foot of the", "Are sentences of these type OK or should I refrain from using sentences", "crowd, he strode through. > > > While doing a cursory reading, the", "> > > Leading the crowd, he strode through. > > > While", "heart, he said. > > > Leading the crowd, he strode through. >" ]
[ "of that on the cutting room floor, I only have 4 chapters worth", "prequel to. What I'm writing must end on a significant down note, and", "I have three POVs. It would be hard to fit this book solidly", "I've finally committed to writing my first novel. I've been listening to things", "of about five of them. I'm 30,000 words in, and while I expect", "this is the only thing I'll have at the end of the year.", "I expect to leave significant portion of that on the cutting room floor,", "acceptable novel. More over, I already know the end because in college we", "already know the end because in college we wrote and produced the radio", "What I'm writing must end on a significant down note, and so I've", "line of about five of them. I'm 30,000 words in, and while I", "a day job so my writing time is precious and limited. If it", "works, but I'm definitely writing an old darling. I have three POVs. It", "middle of book 1. Someone like Brandon Sanderson can write a 700,000 word", "I stop I will never finish anything. But I also have a day", "me in a position of about 225,000 words; which I hear is twice", "POVs. It would be hard to fit this book solidly into a genre", "fit this book solidly into a genre as it treads the line of", "room floor, I only have 4 chapters worth of material and the outline", "write a 700,000 word chihuahua killer because he's been published. I'm worried that", "I can cut in editing and try to sell it anyways? I'm worried", "also have a day job so my writing time is precious and limited.", "hear is twice the length of an acceptable novel. More over, I already", "hard to fit this book solidly into a genre as it treads the", "It would be hard to fit this book solidly into a genre as", "that the middle of book 1. Someone like Brandon Sanderson can write a", "that after I write this, I'm going to have to novelize the radio", "finish anything. But I also have a day job so my writing time", "this, which it probably will; this is the only thing I'll have at", "because in college we wrote and produced the radio drama that this is", "I'm going to have to novelize the radio drama and just call that", "end on a significant down note, and so I've been thinking that after", "to writing my first novel. I've been listening to things like Writing Excuses", "to publish. Should I stop now? Or is it valuable to finish, see", "Writing Excuses which encourages first time writers to finish their works, but I'm", "worried that if I stop I will never finish anything. But I also", "words in, and while I expect to leave significant portion of that on", "a position of about 225,000 words; which I hear is twice the length", "of material and the outline currently accounts for about 10 chapters a character.", "to fit this book solidly into a genre as it treads the line", "for about 10 chapters a character. Extrapolating, that's going to put me in", "words; which I hear is twice the length of an acceptable novel. More", "the outline currently accounts for about 10 chapters a character. Extrapolating, that's going", "about 10 chapters a character. Extrapolating, that's going to put me in a", "which it probably will; this is the only thing I'll have at the", "violates too many rules if I actually want to publish. Should I stop", "chapters worth of material and the outline currently accounts for about 10 chapters", "would be hard to fit this book solidly into a genre as it", "time is precious and limited. If it takes me a year to finish", "first time writers to finish their works, but I'm definitely writing an old", "to things like Writing Excuses which encourages first time writers to finish their", "probably will; this is the only thing I'll have at the end of", "anything. But I also have a day job so my writing time is", "to put me in a position of about 225,000 words; which I hear", "want to publish. Should I stop now? Or is it valuable to finish,", "writers to finish their works, but I'm definitely writing an old darling. I", "big and violates too many rules if I actually want to publish. Should", "to finish this, which it probably will; this is the only thing I'll", "it probably will; this is the only thing I'll have at the end", "like Brandon Sanderson can write a 700,000 word chihuahua killer because he's been", "note, and so I've been thinking that after I write this, I'm going", "and just call that the middle of book 1. Someone like Brandon Sanderson", "I stop now? Or is it valuable to finish, see how much I", "end because in college we wrote and produced the radio drama that this", "writing my first novel. I've been listening to things like Writing Excuses which", "day job so my writing time is precious and limited. If it takes", "that if I stop I will never finish anything. But I also have", "I only have 4 chapters worth of material and the outline currently accounts", "on a significant down note, and so I've been thinking that after I", "actually want to publish. Should I stop now? Or is it valuable to", "225,000 words; which I hear is twice the length of an acceptable novel.", "we wrote and produced the radio drama that this is a prequel to.", "down note, and so I've been thinking that after I write this, I'm", "takes me a year to finish this, which it probably will; this is", "me a year to finish this, which it probably will; this is the", "I've been listening to things like Writing Excuses which encourages first time writers", "the project I've chosen is too big and violates too many rules if", "novel. I've been listening to things like Writing Excuses which encourages first time", "a significant down note, and so I've been thinking that after I write", "this, I'm going to have to novelize the radio drama and just call", "I'm worried that the project I've chosen is too big and violates too", "anyways? I'm worried that if I stop I will never finish anything. But", "this is a prequel to. What I'm writing must end on a significant", "sell it anyways? I'm worried that if I stop I will never finish", "time writers to finish their works, but I'm definitely writing an old darling.", "listening to things like Writing Excuses which encourages first time writers to finish", "been listening to things like Writing Excuses which encourages first time writers to", "three POVs. It would be hard to fit this book solidly into a", "published. I'm worried that the project I've chosen is too big and violates", "an old darling. I have three POVs. It would be hard to fit", "the radio drama and just call that the middle of book 1. Someone", "call that the middle of book 1. Someone like Brandon Sanderson can write", "things like Writing Excuses which encourages first time writers to finish their works,", "them. I'm 30,000 words in, and while I expect to leave significant portion", "But I also have a day job so my writing time is precious", "chihuahua killer because he's been published. I'm worried that the project I've chosen", "treads the line of about five of them. I'm 30,000 words in, and", "so I've been thinking that after I write this, I'm going to have", "have 4 chapters worth of material and the outline currently accounts for about", "been published. I'm worried that the project I've chosen is too big and", "Or is it valuable to finish, see how much I can cut in", "Excuses* which encourages first time writers to finish their works, but I'm definitely", "my first novel. I've been listening to things like Writing Excuses which encourages", "of an acceptable novel. More over, I already know the end because in", "to finish, see how much I can cut in editing and try to", "much I can cut in editing and try to sell it anyways? I'm", "it anyways? I'm worried that if I stop I will never finish anything.", "I actually want to publish. Should I stop now? Or is it valuable", "rules if I actually want to publish. Should I stop now? Or is", "and produced the radio drama that this is a prequel to. What I'm", "know the end because in college we wrote and produced the radio drama", "try to sell it anyways? I'm worried that if I stop I will", "1. Someone like Brandon Sanderson can write a 700,000 word chihuahua killer because", "will never finish anything. But I also have a day job so my", "definitely writing an old darling. I have three POVs. It would be hard", "a year to finish this, which it probably will; this is the only", "write this, I'm going to have to novelize the radio drama and just", "worried that the project I've chosen is too big and violates too many", "twice the length of an acceptable novel. More over, I already know the", "that's going to put me in a position of about 225,000 words; which", "he's been published. I'm worried that the project I've chosen is too big", "about 225,000 words; which I hear is twice the length of an acceptable", "publish. Should I stop now? Or is it valuable to finish, see how", "going to put me in a position of about 225,000 words; which I", "to finish their works, but I'm definitely writing an old darling. I have", "Should I stop now? Or is it valuable to finish, see how much", "to sell it anyways? I'm worried that if I stop I will never", "and while I expect to leave significant portion of that on the cutting", "job so my writing time is precious and limited. If it takes me", "and violates too many rules if I actually want to publish. Should I", "year to finish this, which it probably will; this is the only thing", "material and the outline currently accounts for about 10 chapters a character. Extrapolating,", "but I'm definitely writing an old darling. I have three POVs. It would", "a 700,000 word chihuahua killer because he's been published. I'm worried that the", "in, and while I expect to leave significant portion of that on the", "I write this, I'm going to have to novelize the radio drama and", "I've chosen is too big and violates too many rules if I actually", "five of them. I'm 30,000 words in, and while I expect to leave", "been thinking that after I write this, I'm going to have to novelize", "as it treads the line of about five of them. I'm 30,000 words", "if I actually want to publish. Should I stop now? Or is it", "finish this, which it probably will; this is the only thing I'll have", "into a genre as it treads the line of about five of them.", "novelize the radio drama and just call that the middle of book 1.", "Someone like Brandon Sanderson can write a 700,000 word chihuahua killer because he's", "Brandon Sanderson can write a 700,000 word chihuahua killer because he's been published.", "project I've chosen is too big and violates too many rules if I", "a genre as it treads the line of about five of them. I'm", "my writing time is precious and limited. If it takes me a year", "because he's been published. I'm worried that the project I've chosen is too", "I'm worried that if I stop I will never finish anything. But I", "never finish anything. But I also have a day job so my writing", "that this is a prequel to. What I'm writing must end on a", "in a position of about 225,000 words; which I hear is twice the", "novel. More over, I already know the end because in college we wrote", "I hear is twice the length of an acceptable novel. More over, I", "over, I already know the end because in college we wrote and produced", "of them. I'm 30,000 words in, and while I expect to leave significant", "in college we wrote and produced the radio drama that this is a", "be hard to fit this book solidly into a genre as it treads", "college we wrote and produced the radio drama that this is a prequel", "and try to sell it anyways? I'm worried that if I stop I", "and limited. If it takes me a year to finish this, which it", "I also have a day job so my writing time is precious and", "radio drama that this is a prequel to. What I'm writing must end", "can write a 700,000 word chihuahua killer because he's been published. I'm worried", "that on the cutting room floor, I only have 4 chapters worth of", "finally committed to writing my first novel. I've been listening to things like", "accounts for about 10 chapters a character. Extrapolating, that's going to put me", "book solidly into a genre as it treads the line of about five", "wrote and produced the radio drama that this is a prequel to. What", "book 1. Someone like Brandon Sanderson can write a 700,000 word chihuahua killer", "now? Or is it valuable to finish, see how much I can cut", "if I stop I will never finish anything. But I also have a", "the length of an acceptable novel. More over, I already know the end", "thinking that after I write this, I'm going to have to novelize the", "which I hear is twice the length of an acceptable novel. More over,", "which encourages first time writers to finish their works, but I'm definitely writing", "produced the radio drama that this is a prequel to. What I'm writing", "have three POVs. It would be hard to fit this book solidly into", "significant portion of that on the cutting room floor, I only have 4", "currently accounts for about 10 chapters a character. Extrapolating, that's going to put", "old darling. I have three POVs. It would be hard to fit this", "10 chapters a character. Extrapolating, that's going to put me in a position", "encourages first time writers to finish their works, but I'm definitely writing an", "the end because in college we wrote and produced the radio drama that", "many rules if I actually want to publish. Should I stop now? Or", "it valuable to finish, see how much I can cut in editing and", "a character. Extrapolating, that's going to put me in a position of about", "If it takes me a year to finish this, which it probably will;", "limited. If it takes me a year to finish this, which it probably", "portion of that on the cutting room floor, I only have 4 chapters", "killer because he's been published. I'm worried that the project I've chosen is", "I'm definitely writing an old darling. I have three POVs. It would be", "leave significant portion of that on the cutting room floor, I only have", "position of about 225,000 words; which I hear is twice the length of", "of book 1. Someone like Brandon Sanderson can write a 700,000 word chihuahua", "that the project I've chosen is too big and violates too many rules", "darling. I have three POVs. It would be hard to fit this book", "cut in editing and try to sell it anyways? I'm worried that if", "700,000 word chihuahua killer because he's been published. I'm worried that the project", "drama and just call that the middle of book 1. Someone like Brandon", "I'm 30,000 words in, and while I expect to leave significant portion of", "30,000 words in, and while I expect to leave significant portion of that", "4 chapters worth of material and the outline currently accounts for about 10", "Extrapolating, that's going to put me in a position of about 225,000 words;", "of about 225,000 words; which I hear is twice the length of an", "how much I can cut in editing and try to sell it anyways?", "to novelize the radio drama and just call that the middle of book", "expect to leave significant portion of that on the cutting room floor, I", "stop I will never finish anything. But I also have a day job", "writing an old darling. I have three POVs. It would be hard to", "a prequel to. What I'm writing must end on a significant down note,", "character. Extrapolating, that's going to put me in a position of about 225,000", "finish their works, but I'm definitely writing an old darling. I have three", "going to have to novelize the radio drama and just call that the", "editing and try to sell it anyways? I'm worried that if I stop", "is twice the length of an acceptable novel. More over, I already know", "More over, I already know the end because in college we wrote and", "the cutting room floor, I only have 4 chapters worth of material and", "too many rules if I actually want to publish. Should I stop now?", "just call that the middle of book 1. Someone like Brandon Sanderson can", "this book solidly into a genre as it treads the line of about", "I will never finish anything. But I also have a day job so", "is precious and limited. If it takes me a year to finish this,", "an acceptable novel. More over, I already know the end because in college", "I already know the end because in college we wrote and produced the", "chapters a character. Extrapolating, that's going to put me in a position of", "have to novelize the radio drama and just call that the middle of", "the radio drama that this is a prequel to. What I'm writing must", "committed to writing my first novel. I've been listening to things like Writing", "cutting room floor, I only have 4 chapters worth of material and the", "solidly into a genre as it treads the line of about five of", "put me in a position of about 225,000 words; which I hear is", "to leave significant portion of that on the cutting room floor, I only", "about five of them. I'm 30,000 words in, and while I expect to", "writing must end on a significant down note, and so I've been thinking", "stop now? Or is it valuable to finish, see how much I can", "precious and limited. If it takes me a year to finish this, which", "too big and violates too many rules if I actually want to publish.", "see how much I can cut in editing and try to sell it", "like Writing Excuses* which encourages first time writers to finish their works, but", "I'm writing must end on a significant down note, and so I've been", "word chihuahua killer because he's been published. I'm worried that the project I've", "the line of about five of them. I'm 30,000 words in, and while", "floor, I only have 4 chapters worth of material and the outline currently", "I've been thinking that after I write this, I'm going to have to", "to have to novelize the radio drama and just call that the middle", "outline currently accounts for about 10 chapters a character. Extrapolating, that's going to", "only have 4 chapters worth of material and the outline currently accounts for", "radio drama and just call that the middle of book 1. Someone like", "significant down note, and so I've been thinking that after I write this,", "it takes me a year to finish this, which it probably will; this", "first novel. I've been listening to things like Writing Excuses which encourages first", "in editing and try to sell it anyways? I'm worried that if I", "is it valuable to finish, see how much I can cut in editing", "to. What I'm writing must end on a significant down note, and so", "is a prequel to. What I'm writing must end on a significant down", "valuable to finish, see how much I can cut in editing and try", "so my writing time is precious and limited. If it takes me a", "chosen is too big and violates too many rules if I actually want", "their works, but I'm definitely writing an old darling. I have three POVs.", "is too big and violates too many rules if I actually want to", "have a day job so my writing time is precious and limited. If", "length of an acceptable novel. More over, I already know the end because", "Sanderson can write a 700,000 word chihuahua killer because he's been published. I'm", "while I expect to leave significant portion of that on the cutting room", "genre as it treads the line of about five of them. I'm 30,000", "it treads the line of about five of them. I'm 30,000 words in,", "drama that this is a prequel to. What I'm writing must end on", "on the cutting room floor, I only have 4 chapters worth of material", "and the outline currently accounts for about 10 chapters a character. Extrapolating, that's", "must end on a significant down note, and so I've been thinking that", "worth of material and the outline currently accounts for about 10 chapters a", "and so I've been thinking that after I write this, I'm going to", "after I write this, I'm going to have to novelize the radio drama", "the middle of book 1. Someone like Brandon Sanderson can write a 700,000", "writing time is precious and limited. If it takes me a year to", "finish, see how much I can cut in editing and try to sell", "can cut in editing and try to sell it anyways? I'm worried that", "will; this is the only thing I'll have at the end of the" ]
[ "having the main character be called \"Samantha.\" However, she believes her name is", "called \"Samantha.\" However, she believes her name is too generic, so she goes", "the nickname \"Thana.\" My question: Is it bad to have a character name", "name is too generic, so she goes by the nickname \"Thana.\" My question:", "question: Is it bad to have a character name be something so common?", "In my book, I am planning on having the main character be called", "she believes her name is too generic, so she goes by the nickname", "too generic, so she goes by the nickname \"Thana.\" My question: Is it", "by the nickname \"Thana.\" My question: Is it bad to have a character", "so she goes by the nickname \"Thana.\" My question: Is it bad to", "Is it bad to have a character name be something so common? Even", "However, she believes her name is too generic, so she goes by the", "believes her name is too generic, so she goes by the nickname \"Thana.\"", "have a character name be something so common? Even if that's the purpose?", "it bad to have a character name be something so common? Even if", "nickname \"Thana.\" My question: Is it bad to have a character name be", "generic, so she goes by the nickname \"Thana.\" My question: Is it bad", "I am planning on having the main character be called \"Samantha.\" However, she", "to have a character name be something so common? Even if that's the", "on having the main character be called \"Samantha.\" However, she believes her name", "goes by the nickname \"Thana.\" My question: Is it bad to have a", "be called \"Samantha.\" However, she believes her name is too generic, so she", "My question: Is it bad to have a character name be something so", "my book, I am planning on having the main character be called \"Samantha.\"", "planning on having the main character be called \"Samantha.\" However, she believes her", "main character be called \"Samantha.\" However, she believes her name is too generic,", "her name is too generic, so she goes by the nickname \"Thana.\" My", "the main character be called \"Samantha.\" However, she believes her name is too", "book, I am planning on having the main character be called \"Samantha.\" However,", "am planning on having the main character be called \"Samantha.\" However, she believes", "is too generic, so she goes by the nickname \"Thana.\" My question: Is", "she goes by the nickname \"Thana.\" My question: Is it bad to have", "\"Thana.\" My question: Is it bad to have a character name be something", "character be called \"Samantha.\" However, she believes her name is too generic, so", "\"Samantha.\" However, she believes her name is too generic, so she goes by", "bad to have a character name be something so common? Even if that's" ]
[ "> minor characters interact during it ? etc > > > Mind you,", "> Mind you, that this is only for certain scenes (which, I admit,", "to the chapters, even what should be happening in each chapter. I have", "should be happening in each chapter. I have written a rough draft, where", "For e.g. there is a scene in my novel where a person is", "of the trial, I know the arguments to be > covered for the", "arguments to be > covered for the trial but I'm not able to", "How should the > minor characters interact during it ? etc > >", "Mind you, that this is only for certain scenes (which, I admit, are", "my first draft, I find that, now, I'm not able to flesh out", "blocking chapters ? I find myself procrastinating while trying to work out the", "out, down to the chapters, even what should be happening in each chapter.", "in the scene but don't know how to get there. > > For", "parts which were clear to me and skipped those which were not. After", "interact during it ? etc > > > Mind you, that this is", "not. After that, now when I'm starting my first draft, I find that,", "(which, I admit, are not entirely clear to me). There have been scenes", "what should be happening in each chapter. I have written a rough draft,", "have its outline panned out, down to the chapters, even what should be", "trial, I know the arguments to be > covered for the trial but", "> covered for the trial but I'm not able to visualise and hence", "in one sitting. So what should I do to fill out the details", "So what should I do to fill out the details of the blocking", "to flesh out the details of some of the scenes. I know what", "that this is only for certain scenes (which, I admit, are not entirely", "written the entire chapter in one sitting. So what should I do to", "e.g. there is a scene in my novel where a person is brought", "is only for certain scenes (which, I admit, are not entirely clear to", "chapter. I have written a rough draft, where I have described the parts", "have written a rough draft, where I have described the parts which were", "fill out the details of the blocking chapters ? I find myself procrastinating", "should the > minor characters interact during it ? etc > > >", "I find that, now, I'm not able to flesh out the details of", "know what the outcome of the chapter should be, I know what is", "details of some of the scenes. I know what the outcome of the", "each chapter. I have written a rough draft, where I have described the", "down to the chapters, even what should be happening in each chapter. I", "first draft, I find that, now, I'm not able to flesh out the", "for the trial but I'm not able to visualise and hence pen the", "I am currently writing the first draft of my novel. I have its", "chapters, even what should be happening in each chapter. I have written a", "outcome of the chapter should be, I know what is supposed to happen", "is supposed to happen in the scene but don't know how to get", "Which order should the arguments be presented? How should the > minor characters", "is brought to > trial. I know the outcome of the trial, I", "clear to me). There have been scenes where I've written the entire chapter", "me). There have been scenes where I've written the entire chapter in one", "out the details of the blocking chapters ? I find myself procrastinating while", "during it ? etc > > > Mind you, that this is only", "that, now, I'm not able to flesh out the details of some of", "I find myself procrastinating while trying to work out the flow of the", "novel. I have its outline panned out, down to the chapters, even what", "I know what the outcome of the chapter should be, I know what", "admit, are not entirely clear to me). There have been scenes where I've", "the arguments to be > covered for the trial but I'm not able", "not able to visualise and hence pen the > scene. Which order should", "for certain scenes (which, I admit, are not entirely clear to me). There", "get there. > > For e.g. there is a scene in my novel", "of the scenes. I know what the outcome of the chapter should be,", "the details of some of the scenes. I know what the outcome of", "> > Mind you, that this is only for certain scenes (which, I", "a scene in my novel where a person is brought to > trial.", "the outcome of the trial, I know the arguments to be > covered", "There have been scenes where I've written the entire chapter in one sitting.", "I'm not able to flesh out the details of some of the scenes.", "entire chapter in one sitting. So what should I do to fill out", "my novel. I have its outline panned out, down to the chapters, even", "should be, I know what is supposed to happen in the scene but", "be happening in each chapter. I have written a rough draft, where I", "how to get there. > > For e.g. there is a scene in", "find that, now, I'm not able to flesh out the details of some", "to be > covered for the trial but I'm not able to visualise", "in my novel where a person is brought to > trial. I know", "the scene but don't know how to get there. > > For e.g.", "the details of the blocking chapters ? I find myself procrastinating while trying", "am currently writing the first draft of my novel. I have its outline", "able to flesh out the details of some of the scenes. I know", "but I'm not able to visualise and hence pen the > scene. Which", "one sitting. So what should I do to fill out the details of", "even what should be happening in each chapter. I have written a rough", "I have described the parts which were clear to me and skipped those", "I'm starting my first draft, I find that, now, I'm not able to", "don't know how to get there. > > For e.g. there is a", "to > trial. I know the outcome of the trial, I know the", "not entirely clear to me). There have been scenes where I've written the", "where a person is brought to > trial. I know the outcome of", "characters interact during it ? etc > > > Mind you, that this", "the trial, I know the arguments to be > covered for the trial", "starting my first draft, I find that, now, I'm not able to flesh", "to me). There have been scenes where I've written the entire chapter in", "what the outcome of the chapter should be, I know what is supposed", "in each chapter. I have written a rough draft, where I have described", "happen in the scene but don't know how to get there. > >", "is a scene in my novel where a person is brought to >", "draft, where I have described the parts which were clear to me and", "the entire chapter in one sitting. So what should I do to fill", "draft of my novel. I have its outline panned out, down to the", "should I do to fill out the details of the blocking chapters ?", "the scenes. I know what the outcome of the chapter should be, I", "know the outcome of the trial, I know the arguments to be >", "to me and skipped those which were not. After that, now when I'm", "? I find myself procrastinating while trying to work out the flow of", "I have written a rough draft, where I have described the parts which", "of the chapter should be, I know what is supposed to happen in", "I know the outcome of the trial, I know the arguments to be", "its outline panned out, down to the chapters, even what should be happening", "those which were not. After that, now when I'm starting my first draft,", "the arguments be presented? How should the > minor characters interact during it", "the parts which were clear to me and skipped those which were not.", "to visualise and hence pen the > scene. Which order should the arguments", "that, now when I'm starting my first draft, I find that, now, I'm", "certain scenes (which, I admit, are not entirely clear to me). There have", "but don't know how to get there. > > For e.g. there is", "a person is brought to > trial. I know the outcome of the", "outcome of the trial, I know the arguments to be > covered for", "able to visualise and hence pen the > scene. Which order should the", "of some of the scenes. I know what the outcome of the chapter", "arguments be presented? How should the > minor characters interact during it ?", "the outcome of the chapter should be, I know what is supposed to", "currently writing the first draft of my novel. I have its outline panned", "described the parts which were clear to me and skipped those which were", "> scene. Which order should the arguments be presented? How should the >", "my novel where a person is brought to > trial. I know the", "After that, now when I'm starting my first draft, I find that, now,", "I've written the entire chapter in one sitting. So what should I do", "now, I'm not able to flesh out the details of some of the", "chapters ? I find myself procrastinating while trying to work out the flow", "I'm not able to visualise and hence pen the > scene. Which order", "not able to flesh out the details of some of the scenes. I", "details of the blocking chapters ? I find myself procrastinating while trying to", "happening in each chapter. I have written a rough draft, where I have", "only for certain scenes (which, I admit, are not entirely clear to me).", "out the details of some of the scenes. I know what the outcome", "when I'm starting my first draft, I find that, now, I'm not able", "I have its outline panned out, down to the chapters, even what should", "the > scene. Which order should the arguments be presented? How should the", "> > For e.g. there is a scene in my novel where a", "the chapters, even what should be happening in each chapter. I have written", "it ? etc > > > Mind you, that this is only for", "the first draft of my novel. I have its outline panned out, down", "chapter in one sitting. So what should I do to fill out the", "entirely clear to me). There have been scenes where I've written the entire", "find myself procrastinating while trying to work out the flow of the chapter.", "know the arguments to be > covered for the trial but I'm not", "novel where a person is brought to > trial. I know the outcome", "a rough draft, where I have described the parts which were clear to", "written a rough draft, where I have described the parts which were clear", "should the arguments be presented? How should the > minor characters interact during", "have described the parts which were clear to me and skipped those which", "trial but I'm not able to visualise and hence pen the > scene.", "have been scenes where I've written the entire chapter in one sitting. So", "which were not. After that, now when I'm starting my first draft, I", "been scenes where I've written the entire chapter in one sitting. So what", "I know what is supposed to happen in the scene but don't know", "> trial. I know the outcome of the trial, I know the arguments", "do to fill out the details of the blocking chapters ? I find", "to fill out the details of the blocking chapters ? I find myself", "of my novel. I have its outline panned out, down to the chapters,", "panned out, down to the chapters, even what should be happening in each", "be, I know what is supposed to happen in the scene but don't", "skipped those which were not. After that, now when I'm starting my first", "there is a scene in my novel where a person is brought to", "I admit, are not entirely clear to me). There have been scenes where", "minor characters interact during it ? etc > > > Mind you, that", "of the blocking chapters ? I find myself procrastinating while trying to work", "now when I'm starting my first draft, I find that, now, I'm not", "what should I do to fill out the details of the blocking chapters", "pen the > scene. Which order should the arguments be presented? How should", "sitting. So what should I do to fill out the details of the", "know how to get there. > > For e.g. there is a scene", "hence pen the > scene. Which order should the arguments be presented? How", "be presented? How should the > minor characters interact during it ? etc", "the trial but I'm not able to visualise and hence pen the >", "brought to > trial. I know the outcome of the trial, I know", "are not entirely clear to me). There have been scenes where I've written", "I know the arguments to be > covered for the trial but I'm", "visualise and hence pen the > scene. Which order should the arguments be", "> For e.g. there is a scene in my novel where a person", "be > covered for the trial but I'm not able to visualise and", "writing the first draft of my novel. I have its outline panned out,", "were clear to me and skipped those which were not. After that, now", "supposed to happen in the scene but don't know how to get there.", "scene in my novel where a person is brought to > trial. I", "presented? How should the > minor characters interact during it ? etc >", "know what is supposed to happen in the scene but don't know how", "this is only for certain scenes (which, I admit, are not entirely clear", "outline panned out, down to the chapters, even what should be happening in", "draft, I find that, now, I'm not able to flesh out the details", "scenes. I know what the outcome of the chapter should be, I know", "the chapter should be, I know what is supposed to happen in the", "the blocking chapters ? I find myself procrastinating while trying to work out", "you, that this is only for certain scenes (which, I admit, are not", "trial. I know the outcome of the trial, I know the arguments to", "flesh out the details of some of the scenes. I know what the", "where I have described the parts which were clear to me and skipped", "were not. After that, now when I'm starting my first draft, I find", "where I've written the entire chapter in one sitting. So what should I", "some of the scenes. I know what the outcome of the chapter should", "to get there. > > For e.g. there is a scene in my", "to happen in the scene but don't know how to get there. >", "scene. Which order should the arguments be presented? How should the > minor", "etc > > > Mind you, that this is only for certain scenes", "scenes (which, I admit, are not entirely clear to me). There have been", "me and skipped those which were not. After that, now when I'm starting", "order should the arguments be presented? How should the > minor characters interact", "first draft of my novel. I have its outline panned out, down to", "and hence pen the > scene. Which order should the arguments be presented?", "covered for the trial but I'm not able to visualise and hence pen", "rough draft, where I have described the parts which were clear to me", "I do to fill out the details of the blocking chapters ? I", "and skipped those which were not. After that, now when I'm starting my", "? etc > > > Mind you, that this is only for certain", "the > minor characters interact during it ? etc > > > Mind", "which were clear to me and skipped those which were not. After that,", "clear to me and skipped those which were not. After that, now when", "scenes where I've written the entire chapter in one sitting. So what should", "chapter should be, I know what is supposed to happen in the scene", "what is supposed to happen in the scene but don't know how to", "scene but don't know how to get there. > > For e.g. there", "person is brought to > trial. I know the outcome of the trial,", "> > > Mind you, that this is only for certain scenes (which,", "there. > > For e.g. there is a scene in my novel where" ]
[ "novel, I am now seeking critiques of my query letter before I submit", "[AQ Connect - Query Critiques](http://agentqueryconnect.com/index.php?/forum/2-aq-connect-query-critiques/) but I don't know how good it is.", "135,000 word novel, I am now seeking critiques of my query letter before", "am now seeking critiques of my query letter before I submit them to", "of my query letter before I submit them to agents. I did find", "Query Critiques](http://agentqueryconnect.com/index.php?/forum/2-aq-connect-query-critiques/) but I don't know how good it is. How do I", "find a forum at [AQ Connect - Query Critiques](http://agentqueryconnect.com/index.php?/forum/2-aq-connect-query-critiques/) but I don't know", "critiques of my query letter before I submit them to agents. I did", "query letter before I submit them to agents. I did find a forum", "I don't know how good it is. How do I know if a", "second draft on my 135,000 word novel, I am now seeking critiques of", "word novel, I am now seeking critiques of my query letter before I", "them to agents. I did find a forum at [AQ Connect - Query", "completed the second draft on my 135,000 word novel, I am now seeking", "I did find a forum at [AQ Connect - Query Critiques](http://agentqueryconnect.com/index.php?/forum/2-aq-connect-query-critiques/) but I", "I submit them to agents. I did find a forum at [AQ Connect", "my 135,000 word novel, I am now seeking critiques of my query letter", "Having nearly completed the second draft on my 135,000 word novel, I am", "I am now seeking critiques of my query letter before I submit them", "submit them to agents. I did find a forum at [AQ Connect -", "letter before I submit them to agents. I did find a forum at", "to agents. I did find a forum at [AQ Connect - Query Critiques](http://agentqueryconnect.com/index.php?/forum/2-aq-connect-query-critiques/)", "don't know how good it is. How do I know if a site's", "is. How do I know if a site's critiques on a query letter", "seeking critiques of my query letter before I submit them to agents. I", "Connect - Query Critiques](http://agentqueryconnect.com/index.php?/forum/2-aq-connect-query-critiques/) but I don't know how good it is. How", "Critiques](http://agentqueryconnect.com/index.php?/forum/2-aq-connect-query-critiques/) but I don't know how good it is. How do I know", "before I submit them to agents. I did find a forum at [AQ", "How do I know if a site's critiques on a query letter contain", "my query letter before I submit them to agents. I did find a", "do I know if a site's critiques on a query letter contain good", "good it is. How do I know if a site's critiques on a", "on my 135,000 word novel, I am now seeking critiques of my query", "a forum at [AQ Connect - Query Critiques](http://agentqueryconnect.com/index.php?/forum/2-aq-connect-query-critiques/) but I don't know how", "I know if a site's critiques on a query letter contain good advice?", "how good it is. How do I know if a site's critiques on", "the second draft on my 135,000 word novel, I am now seeking critiques", "at [AQ Connect - Query Critiques](http://agentqueryconnect.com/index.php?/forum/2-aq-connect-query-critiques/) but I don't know how good it", "it is. How do I know if a site's critiques on a query", "nearly completed the second draft on my 135,000 word novel, I am now", "now seeking critiques of my query letter before I submit them to agents.", "- Query Critiques](http://agentqueryconnect.com/index.php?/forum/2-aq-connect-query-critiques/) but I don't know how good it is. How do", "but I don't know how good it is. How do I know if", "agents. I did find a forum at [AQ Connect - Query Critiques](http://agentqueryconnect.com/index.php?/forum/2-aq-connect-query-critiques/) but", "know how good it is. How do I know if a site's critiques", "forum at [AQ Connect - Query Critiques](http://agentqueryconnect.com/index.php?/forum/2-aq-connect-query-critiques/) but I don't know how good", "draft on my 135,000 word novel, I am now seeking critiques of my", "did find a forum at [AQ Connect - Query Critiques](http://agentqueryconnect.com/index.php?/forum/2-aq-connect-query-critiques/) but I don't" ]
[ "story? For example: A character named digit in a cyberpunk future or one", "below ground in a dystopian future where people underground are at war with", "above or below ground in a dystopian future where people underground are at", "a character to go with a theme or setting of a novel off-putting", "on a novel about Demons and the Devil? Or, a whole slew of", "future where people underground are at war with people above? Are naming conventions", "are at war with people above? Are naming conventions like this too on", "a novel about Demons and the Devil? Or, a whole slew of characters", "people above? Are naming conventions like this too on the nose and make", "too on the nose and make you as a reader roll your eyes?", "and make you as a reader roll your eyes? Or do they work", "of characters named after animals that live above or below ground in a", "future or one named Alaster on a novel about Demons and the Devil?", "a whole slew of characters named after animals that live above or below", "pull them out of the story? For example: A character named digit in", "people underground are at war with people above? Are naming conventions like this", "go with a theme or setting of a novel off-putting for the reader?", "nose and make you as a reader roll your eyes? Or do they", "of the story? For example: A character named digit in a cyberpunk future", "named Alaster on a novel about Demons and the Devil? Or, a whole", "off-putting for the reader? Does this pull them out of the story? For", "the reader? Does this pull them out of the story? For example: A", "to go with a theme or setting of a novel off-putting for the", "as a reader roll your eyes? Or do they work for you and", "underground are at war with people above? Are naming conventions like this too", "a novel off-putting for the reader? Does this pull them out of the", "the story? For example: A character named digit in a cyberpunk future or", "you as a reader roll your eyes? Or do they work for you", "your eyes? Or do they work for you and make the world/story more", "named after animals that live above or below ground in a dystopian future", "or one named Alaster on a novel about Demons and the Devil? Or,", "Are naming conventions like this too on the nose and make you as", "Demons and the Devil? Or, a whole slew of characters named after animals", "setting of a novel off-putting for the reader? Does this pull them out", "characters named after animals that live above or below ground in a dystopian", "on the nose and make you as a reader roll your eyes? Or", "and the Devil? Or, a whole slew of characters named after animals that", "dystopian future where people underground are at war with people above? Are naming", "this pull them out of the story? For example: A character named digit", "them out of the story? For example: A character named digit in a", "novel off-putting for the reader? Does this pull them out of the story?", "Or, a whole slew of characters named after animals that live above or", "digit in a cyberpunk future or one named Alaster on a novel about", "Does this pull them out of the story? For example: A character named", "the nose and make you as a reader roll your eyes? Or do", "cyberpunk future or one named Alaster on a novel about Demons and the", "in a cyberpunk future or one named Alaster on a novel about Demons", "the Devil? Or, a whole slew of characters named after animals that live", "Is naming a character to go with a theme or setting of a", "eyes? Or do they work for you and make the world/story more believable?", "ground in a dystopian future where people underground are at war with people", "slew of characters named after animals that live above or below ground in", "a dystopian future where people underground are at war with people above? Are", "character named digit in a cyberpunk future or one named Alaster on a", "theme or setting of a novel off-putting for the reader? Does this pull", "of a novel off-putting for the reader? Does this pull them out of", "novel about Demons and the Devil? Or, a whole slew of characters named", "reader? Does this pull them out of the story? For example: A character", "that live above or below ground in a dystopian future where people underground", "whole slew of characters named after animals that live above or below ground", "character to go with a theme or setting of a novel off-putting for", "Alaster on a novel about Demons and the Devil? Or, a whole slew", "naming conventions like this too on the nose and make you as a", "a theme or setting of a novel off-putting for the reader? Does this", "live above or below ground in a dystopian future where people underground are", "about Demons and the Devil? Or, a whole slew of characters named after", "at war with people above? Are naming conventions like this too on the", "make you as a reader roll your eyes? Or do they work for", "this too on the nose and make you as a reader roll your", "above? Are naming conventions like this too on the nose and make you", "with people above? Are naming conventions like this too on the nose and", "reader roll your eyes? Or do they work for you and make the", "naming a character to go with a theme or setting of a novel", "named digit in a cyberpunk future or one named Alaster on a novel", "Devil? Or, a whole slew of characters named after animals that live above", "like this too on the nose and make you as a reader roll", "animals that live above or below ground in a dystopian future where people", "example: A character named digit in a cyberpunk future or one named Alaster", "with a theme or setting of a novel off-putting for the reader? Does", "after animals that live above or below ground in a dystopian future where", "roll your eyes? Or do they work for you and make the world/story", "For example: A character named digit in a cyberpunk future or one named", "conventions like this too on the nose and make you as a reader", "A character named digit in a cyberpunk future or one named Alaster on", "war with people above? Are naming conventions like this too on the nose", "one named Alaster on a novel about Demons and the Devil? Or, a", "where people underground are at war with people above? Are naming conventions like", "for the reader? Does this pull them out of the story? For example:", "or below ground in a dystopian future where people underground are at war", "out of the story? For example: A character named digit in a cyberpunk", "a cyberpunk future or one named Alaster on a novel about Demons and", "in a dystopian future where people underground are at war with people above?", "a reader roll your eyes? Or do they work for you and make", "or setting of a novel off-putting for the reader? Does this pull them" ]
[ "should I do if my story's plot is built around the antagonist being", "the antagonist, unless the antagonist makes a stupid mistake in the \"final battle\"", "a stupid mistake in the \"final battle\" (or the protagonist magically gets super", "strong, and by the end it's clear that the protagonist cannot possibly defeat", "being extremely strong, and by the end it's clear that the protagonist cannot", "possibly defeat the antagonist, unless the antagonist makes a stupid mistake in the", "antagonist is weaker and the plot is changed to compensate for that) the", "end it's clear that the protagonist cannot possibly defeat the antagonist, unless the", "the end it's clear that the protagonist cannot possibly defeat the antagonist, unless", "rewriting the entire story (so the antagonist is weaker and the plot is", "gets super strong)? Is rewriting the entire story (so the antagonist is weaker", "is built around the antagonist being extremely strong, and by the end it's", "(or the protagonist magically gets super strong)? Is rewriting the entire story (so", "that the protagonist cannot possibly defeat the antagonist, unless the antagonist makes a", "story (so the antagonist is weaker and the plot is changed to compensate", "protagonist cannot possibly defeat the antagonist, unless the antagonist makes a stupid mistake", "antagonist makes a stupid mistake in the \"final battle\" (or the protagonist magically", "makes a stupid mistake in the \"final battle\" (or the protagonist magically gets", "the entire story (so the antagonist is weaker and the plot is changed", "the antagonist being extremely strong, and by the end it's clear that the", "I do if my story's plot is built around the antagonist being extremely", "story's plot is built around the antagonist being extremely strong, and by the", "defeat the antagonist, unless the antagonist makes a stupid mistake in the \"final", "battle\" (or the protagonist magically gets super strong)? Is rewriting the entire story", "super strong)? Is rewriting the entire story (so the antagonist is weaker and", "cannot possibly defeat the antagonist, unless the antagonist makes a stupid mistake in", "antagonist being extremely strong, and by the end it's clear that the protagonist", "if my story's plot is built around the antagonist being extremely strong, and", "the \"final battle\" (or the protagonist magically gets super strong)? Is rewriting the", "the protagonist cannot possibly defeat the antagonist, unless the antagonist makes a stupid", "my story's plot is built around the antagonist being extremely strong, and by", "\"final battle\" (or the protagonist magically gets super strong)? Is rewriting the entire", "the antagonist is weaker and the plot is changed to compensate for that)", "it's clear that the protagonist cannot possibly defeat the antagonist, unless the antagonist", "is weaker and the plot is changed to compensate for that) the only", "plot is built around the antagonist being extremely strong, and by the end", "protagonist magically gets super strong)? Is rewriting the entire story (so the antagonist", "entire story (so the antagonist is weaker and the plot is changed to", "(so the antagonist is weaker and the plot is changed to compensate for", "around the antagonist being extremely strong, and by the end it's clear that", "the antagonist makes a stupid mistake in the \"final battle\" (or the protagonist", "in the \"final battle\" (or the protagonist magically gets super strong)? Is rewriting", "strong)? Is rewriting the entire story (so the antagonist is weaker and the", "magically gets super strong)? Is rewriting the entire story (so the antagonist is", "clear that the protagonist cannot possibly defeat the antagonist, unless the antagonist makes", "Is rewriting the entire story (so the antagonist is weaker and the plot", "and by the end it's clear that the protagonist cannot possibly defeat the", "extremely strong, and by the end it's clear that the protagonist cannot possibly", "do if my story's plot is built around the antagonist being extremely strong,", "mistake in the \"final battle\" (or the protagonist magically gets super strong)? Is", "by the end it's clear that the protagonist cannot possibly defeat the antagonist,", "weaker and the plot is changed to compensate for that) the only solution?", "antagonist, unless the antagonist makes a stupid mistake in the \"final battle\" (or", "What should I do if my story's plot is built around the antagonist", "the protagonist magically gets super strong)? Is rewriting the entire story (so the", "stupid mistake in the \"final battle\" (or the protagonist magically gets super strong)?", "built around the antagonist being extremely strong, and by the end it's clear", "unless the antagonist makes a stupid mistake in the \"final battle\" (or the" ]
[ "Even the X-men has one, the main character that continues even when they", "decided the Avengers have a main character also, it is Captain America. Even", "novel. But, the novel involves multiple characters working as a team who rise", "friend told my my main character is the virus the team is trying", "who is the main character of my thriller novel. But, the novel involves", "plot and as the anchor for point of view? Or is the foe", "a main character. How about the Walking Dead? But, my wife pointed out", "working as a team who rise and fall as the need occurs. At", "sheriff. And thinking more on it I decided the Avengers have a main", "become too confusing and readers simply lose caring for all the characters. However,", "about the Walking Dead? But, my wife pointed out that yes, the Walking", "my wife correct? Are main characters essential to both plot and as the", "working together. Do the X-men have a main character? Do the Avengers have", "expect a main character because they want to know their origins, how their", "and as the anchor for point of view? Or is the foe the", "continues even when they are not in the story isn't Dr Xavier, it", "cure. Are the critique and my wife correct? Are main characters essential to", "main character in a story about a small group working together. Do the", "is the main character of my thriller novel. But, the novel involves multiple", "the Walking Dead do have a main character, it is Rimv the sheriff.", "X-men has one, the main character that continues even when they are not", "how their lives evolved to where they are in the story and how", "the sheriff. And thinking more on it I decided the Avengers have a", "name a single main character from Andromeda Strain or even Jurassic Park. A", "to both plot and as the anchor for point of view? Or is", "because they want to know their origins, how their lives evolved to where", "evolved to where they are in the story and how the other members", "both plot and as the anchor for point of view? Or is the", "thriller novel. But, the novel involves multiple characters working as a team who", "But, my wife pointed out that yes, the Walking Dead do have a", "Avengers have a main character. How about the Walking Dead? But, my wife", "the X-men has one, the main character that continues even when they are", "character. How about the Walking Dead? But, my wife pointed out that yes,", "is Wolverine. Her point is readers expect a main character because they want", "together. Do the X-men have a main character? Do the Avengers have a", "a main character because they want to know their origins, how their lives", "had several people ask me who is the main character of my thriller", "also challenge the reader to name a single main character from Andromeda Strain", "Rimv the sheriff. And thinking more on it I decided the Avengers have", "character is the virus the team is trying to cure. Are the critique", "a main character? Do the Avengers have a main character. How about the", "character? Do the Avengers have a main character. How about the Walking Dead?", "team is trying to cure. Are the critique and my wife correct? Are", "I have had several people ask me who is the main character of", "involves multiple characters working as a team who rise and fall as the", "in a story about a small group working together. Do the X-men have", "is the virus the team is trying to cure. Are the critique and", "they are in the story and how the other members feel about them.", "main character of my thriller novel. But, the novel involves multiple characters working", "small group working together. Do the X-men have a main character? Do the", "many 'leaders' become too confusing and readers simply lose caring for all the", "confusing and readers simply lose caring for all the characters. However, I also", "isn't Dr Xavier, it is Wolverine. Her point is readers expect a main", "a team who rise and fall as the need occurs. At first I", "Andromeda Strain or even Jurassic Park. A good editor friend told my my", "lose caring for all the characters. However, I also challenge the reader to", "pointed out that yes, the Walking Dead do have a main character, it", "not in the story isn't Dr Xavier, it is Wolverine. Her point is", "who rise and fall as the need occurs. At first I thought it", "is the foe the main character much like in Jaws or Meby Dekk.", "as the need occurs. At first I thought it doesn't matter if there", "and fall as the need occurs. At first I thought it doesn't matter", "more on it I decided the Avengers have a main character also, it", "them. Too many 'leaders' become too confusing and readers simply lose caring for", "reader to name a single main character from Andromeda Strain or even Jurassic", "Park. A good editor friend told my my main character is the virus", "anchor for point of view? Or is the foe the main character much", "the team is trying to cure. Are the critique and my wife correct?", "to name a single main character from Andromeda Strain or even Jurassic Park.", "challenge the reader to name a single main character from Andromeda Strain or", "point of view? Or is the foe the main character much like in", "Her point is readers expect a main character because they want to know", "and my wife correct? Are main characters essential to both plot and as", "about a small group working together. Do the X-men have a main character?", "characters. However, I also challenge the reader to name a single main character", "my main character is the virus the team is trying to cure. Are", "the story isn't Dr Xavier, it is Wolverine. Her point is readers expect", "virus the team is trying to cure. Are the critique and my wife", "have a main character? Do the Avengers have a main character. How about", "several people ask me who is the main character of my thriller novel.", "ask me who is the main character of my thriller novel. But, the", "first I thought it doesn't matter if there is a main character in", "the other members feel about them. Too many 'leaders' become too confusing and", "fall as the need occurs. At first I thought it doesn't matter if", "the need occurs. At first I thought it doesn't matter if there is", "has one, the main character that continues even when they are not in", "the Walking Dead? But, my wife pointed out that yes, the Walking Dead", "in the story and how the other members feel about them. Too many", "and how the other members feel about them. Too many 'leaders' become too", "I decided the Avengers have a main character also, it is Captain America.", "single main character from Andromeda Strain or even Jurassic Park. A good editor", "good editor friend told my my main character is the virus the team", "story and how the other members feel about them. Too many 'leaders' become", "have a main character, it is Rimv the sheriff. And thinking more on", "have a main character also, it is Captain America. Even the X-men has", "readers expect a main character because they want to know their origins, how", "story isn't Dr Xavier, it is Wolverine. Her point is readers expect a", "A good editor friend told my my main character is the virus the", "simply lose caring for all the characters. However, I also challenge the reader", "other members feel about them. Too many 'leaders' become too confusing and readers", "Do the X-men have a main character? Do the Avengers have a main", "my my main character is the virus the team is trying to cure.", "Captain America. Even the X-men has one, the main character that continues even", "Strain or even Jurassic Park. A good editor friend told my my main", "even when they are not in the story isn't Dr Xavier, it is", "Too many 'leaders' become too confusing and readers simply lose caring for all", "character from Andromeda Strain or even Jurassic Park. A good editor friend told", "know their origins, how their lives evolved to where they are in the", "lives evolved to where they are in the story and how the other", "the novel involves multiple characters working as a team who rise and fall", "of view? Or is the foe the main character much like in Jaws", "caring for all the characters. However, I also challenge the reader to name", "a single main character from Andromeda Strain or even Jurassic Park. A good", "Avengers have a main character also, it is Captain America. Even the X-men", "character of my thriller novel. But, the novel involves multiple characters working as", "my thriller novel. But, the novel involves multiple characters working as a team", "Are main characters essential to both plot and as the anchor for point", "about them. Too many 'leaders' become too confusing and readers simply lose caring", "correct? Are main characters essential to both plot and as the anchor for", "wife pointed out that yes, the Walking Dead do have a main character,", "they are not in the story isn't Dr Xavier, it is Wolverine. Her", "the virus the team is trying to cure. Are the critique and my", "is readers expect a main character because they want to know their origins,", "the story and how the other members feel about them. Too many 'leaders'", "readers simply lose caring for all the characters. However, I also challenge the", "from Andromeda Strain or even Jurassic Park. A good editor friend told my", "main character that continues even when they are not in the story isn't", "it I decided the Avengers have a main character also, it is Captain", "told my my main character is the virus the team is trying to", "and readers simply lose caring for all the characters. However, I also challenge", "a story about a small group working together. Do the X-men have a", "novel involves multiple characters working as a team who rise and fall as", "How about the Walking Dead? But, my wife pointed out that yes, the", "to cure. Are the critique and my wife correct? Are main characters essential", "main character from Andromeda Strain or even Jurassic Park. A good editor friend", "character that continues even when they are not in the story isn't Dr", "they want to know their origins, how their lives evolved to where they", "thought it doesn't matter if there is a main character in a story", "characters essential to both plot and as the anchor for point of view?", "At first I thought it doesn't matter if there is a main character", "the characters. However, I also challenge the reader to name a single main", "Do the Avengers have a main character. How about the Walking Dead? But,", "main character? Do the Avengers have a main character. How about the Walking", "members feel about them. Too many 'leaders' become too confusing and readers simply", "to know their origins, how their lives evolved to where they are in", "view? Or is the foe the main character much like in Jaws or", "story about a small group working together. Do the X-men have a main", "too confusing and readers simply lose caring for all the characters. However, I", "wife correct? Are main characters essential to both plot and as the anchor", "people ask me who is the main character of my thriller novel. But,", "there is a main character in a story about a small group working", "me who is the main character of my thriller novel. But, the novel", "the Avengers have a main character. How about the Walking Dead? But, my", "a main character in a story about a small group working together. Do", "also, it is Captain America. Even the X-men has one, the main character", "point is readers expect a main character because they want to know their", "it is Captain America. Even the X-men has one, the main character that", "in the story isn't Dr Xavier, it is Wolverine. Her point is readers", "Walking Dead? But, my wife pointed out that yes, the Walking Dead do", "even Jurassic Park. A good editor friend told my my main character is", "Or is the foe the main character much like in Jaws or Meby", "a main character, it is Rimv the sheriff. And thinking more on it", "But, the novel involves multiple characters working as a team who rise and", "for point of view? Or is the foe the main character much like", "of my thriller novel. But, the novel involves multiple characters working as a", "it is Rimv the sheriff. And thinking more on it I decided the", "main character also, it is Captain America. Even the X-men has one, the", "if there is a main character in a story about a small group", "main character because they want to know their origins, how their lives evolved", "a main character also, it is Captain America. Even the X-men has one,", "multiple characters working as a team who rise and fall as the need", "want to know their origins, how their lives evolved to where they are", "rise and fall as the need occurs. At first I thought it doesn't", "as a team who rise and fall as the need occurs. At first", "all the characters. However, I also challenge the reader to name a single", "the anchor for point of view? Or is the foe the main character", "yes, the Walking Dead do have a main character, it is Rimv the", "character also, it is Captain America. Even the X-men has one, the main", "main characters essential to both plot and as the anchor for point of", "doesn't matter if there is a main character in a story about a", "'leaders' become too confusing and readers simply lose caring for all the characters.", "matter if there is a main character in a story about a small", "However, I also challenge the reader to name a single main character from", "is trying to cure. Are the critique and my wife correct? Are main", "essential to both plot and as the anchor for point of view? Or", "that continues even when they are not in the story isn't Dr Xavier,", "thinking more on it I decided the Avengers have a main character also,", "the critique and my wife correct? Are main characters essential to both plot", "trying to cure. Are the critique and my wife correct? Are main characters", "their origins, how their lives evolved to where they are in the story", "for all the characters. However, I also challenge the reader to name a", "one, the main character that continues even when they are not in the", "Walking Dead do have a main character, it is Rimv the sheriff. And", "the main character of my thriller novel. But, the novel involves multiple characters", "is Captain America. Even the X-men has one, the main character that continues", "the Avengers have a main character also, it is Captain America. Even the", "have had several people ask me who is the main character of my", "characters working as a team who rise and fall as the need occurs.", "out that yes, the Walking Dead do have a main character, it is", "a small group working together. Do the X-men have a main character? Do", "I also challenge the reader to name a single main character from Andromeda", "it doesn't matter if there is a main character in a story about", "Dead? But, my wife pointed out that yes, the Walking Dead do have", "character in a story about a small group working together. Do the X-men", "that yes, the Walking Dead do have a main character, it is Rimv", "do have a main character, it is Rimv the sheriff. And thinking more", "when they are not in the story isn't Dr Xavier, it is Wolverine.", "character because they want to know their origins, how their lives evolved to", "to where they are in the story and how the other members feel", "main character, it is Rimv the sheriff. And thinking more on it I", "Dr Xavier, it is Wolverine. Her point is readers expect a main character", "feel about them. Too many 'leaders' become too confusing and readers simply lose", "or even Jurassic Park. A good editor friend told my my main character", "critique and my wife correct? Are main characters essential to both plot and", "And thinking more on it I decided the Avengers have a main character", "Are the critique and my wife correct? Are main characters essential to both", "it is Wolverine. Her point is readers expect a main character because they", "on it I decided the Avengers have a main character also, it is", "the X-men have a main character? Do the Avengers have a main character.", "how the other members feel about them. Too many 'leaders' become too confusing", "the reader to name a single main character from Andromeda Strain or even", "character, it is Rimv the sheriff. And thinking more on it I decided", "is Rimv the sheriff. And thinking more on it I decided the Avengers", "I thought it doesn't matter if there is a main character in a", "occurs. At first I thought it doesn't matter if there is a main", "Xavier, it is Wolverine. Her point is readers expect a main character because", "Jurassic Park. A good editor friend told my my main character is the", "team who rise and fall as the need occurs. At first I thought", "group working together. Do the X-men have a main character? Do the Avengers", "editor friend told my my main character is the virus the team is", "main character. How about the Walking Dead? But, my wife pointed out that", "have a main character. How about the Walking Dead? But, my wife pointed", "are not in the story isn't Dr Xavier, it is Wolverine. Her point", "where they are in the story and how the other members feel about", "main character is the virus the team is trying to cure. Are the", "X-men have a main character? Do the Avengers have a main character. How", "their lives evolved to where they are in the story and how the", "America. Even the X-men has one, the main character that continues even when", "my wife pointed out that yes, the Walking Dead do have a main", "need occurs. At first I thought it doesn't matter if there is a", "is a main character in a story about a small group working together.", "are in the story and how the other members feel about them. Too", "Wolverine. Her point is readers expect a main character because they want to", "as the anchor for point of view? Or is the foe the main", "origins, how their lives evolved to where they are in the story and", "the main character that continues even when they are not in the story", "Dead do have a main character, it is Rimv the sheriff. And thinking" ]
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It looks promising, except some reviews say that it", "only supposed to take two to three hours a day. Additionally, it would", "I know that I can take courses (in my case online), and that", "to do the assignments; they are only supposed to take two to three", "have an accountability partner or a support group while working this book. Where", "takes way more than 90 days to do the assignments; they are only", "take courses (in my case online), and that I can join critique groups.", "working this book. Where would a person find such a person or persons?", "way more than 90 days to do the assignments; they are only supposed", "or a support group while working this book. *Where would a person find", "(particularly science fiction). I know that I can take courses (in my case", "want to have training in how to write fiction* (particularly science fiction). 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Additionally, it would be nice to have an accountability partner or a", "to take two to three hours a day. Additionally, it would be nice", "two to three hours a day. Additionally, it would be nice to have", "It looks promising, except some reviews say that it takes way more than", "I can take courses (in my case online), and that I can join", "person or persons? Are there better resources than this book to learn writing", "this book. Where would a person find such a person or persons? Are", "the assignments; they are only supposed to take two to three hours a", "days to do the assignments; they are only supposed to take two to", "Where would a person find such a person or persons? Are there better", "partner or a support group while working this book. Where would a person", "book titled \"[90 Days To Your Novel](https://www.buffalolib.org/vufind/Record/1868545/Reviews)\" by Sarah Domet. It looks promising,", "some reviews say that it takes way more than 90 days to do", "are only supposed to take two to three hours a day. Additionally, it", "group while working this book. Where would a person find such a person", "and that I can join critique groups. I am on a budget, however...", "science fiction). I know that I can take courses (in my case online),", "did find a book titled \"[90 Days To Your Novel](https://www.buffalolib.org/vufind/Record/1868545/Reviews)\" by Sarah Domet.", "I am on a budget, however... I did find a book titled \"[90", "a budget, however... I did find a book titled \"[90 Days To Your", "that I can join critique groups. I am on a budget, however... I", "courses (in my case online), and that I can join critique groups. I", "fiction* (particularly science fiction). 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Are there better resources", "would be nice to have an accountability partner or a support group while", "I did find a book titled \"[90 Days To Your Novel](https://www.buffalolib.org/vufind/Record/1868545/Reviews)\" by Sarah", "a person or persons? Are there better resources than this book to learn", "an accountability partner or a support group while working this book. *Where would", "supposed to take two to three hours a day. Additionally, it would be", "find such a person or persons? Are there better resources than this book", "to have an accountability partner or a support group while working this book.", "how to write fiction* (particularly science fiction). I know that I can take", "online), and that I can join critique groups. I am on a budget,", "or persons? Are there better resources than this book to learn writing from?", "90 days to do the assignments; they are only supposed to take two", "Your Novel](https://www.buffalolib.org/vufind/Record/1868545/Reviews)\" by Sarah Domet. It looks promising, except some reviews say that", "accountability partner or a support group while working this book. Where would a", "to have training in how to write fiction (particularly science fiction). I know", "three hours a day. Additionally, it would be nice to have an accountability", "(in my case online), and that I can join critique groups. I am", "find a book titled \"[90 Days To Your Novel](https://www.buffalolib.org/vufind/Record/1868545/Reviews)\" by Sarah Domet. It", "am on a budget, however... I did find a book titled \"[90 Days", "except some reviews say that it takes way more than 90 days to", "case online), and that I can join critique groups. I am on a", "can join critique groups. I am on a budget, however... I did find", "in how to write fiction (particularly science fiction). I know that I can", "that I can take courses (in my case online), and that I can", "be nice to have an accountability partner or a support group while working", "a book titled \"[90 Days To Your Novel](https://www.buffalolib.org/vufind/Record/1868545/Reviews)\" by Sarah Domet. It looks", "a person find such a person or persons? Are there better resources than", "assignments; they are only supposed to take two to three hours a day.", "I can join critique groups. I am on a budget, however... I did", "on a budget, however... I did find a book titled \"[90 Days To", "looks promising, except some reviews say that it takes way more than 90" ]
[ "okay to dive on my idea of a long story (a novel) or", "not sure if it is better to first try smaller projects to gain", "start on my concept but am not sure if it is better to", "to first try short stories? I am very excited to start on my", "I am very excited to start on my concept but am not sure", "my idea of a long story (a novel) or to first try short", "As a new writer, Is it okay to dive on my idea of", "concept but am not sure if it is better to first try smaller", "novel) or to first try short stories? I am very excited to start", "am very excited to start on my concept but am not sure if", "my concept but am not sure if it is better to first try", "(a novel) or to first try short stories? I am very excited to", "try short stories? I am very excited to start on my concept but", "Is it okay to dive on my idea of a long story (a", "story (a novel) or to first try short stories? I am very excited", "new writer, Is it okay to dive on my idea of a long", "very excited to start on my concept but am not sure if it", "sure if it is better to first try smaller projects to gain confidence.", "on my idea of a long story (a novel) or to first try", "long story (a novel) or to first try short stories? I am very", "a long story (a novel) or to first try short stories? I am", "it okay to dive on my idea of a long story (a novel)", "a new writer, Is it okay to dive on my idea of a", "am not sure if it is better to first try smaller projects to", "stories? I am very excited to start on my concept but am not", "or to first try short stories? I am very excited to start on", "excited to start on my concept but am not sure if it is", "to start on my concept but am not sure if it is better", "of a long story (a novel) or to first try short stories? I", "writer, Is it okay to dive on my idea of a long story", "short stories? I am very excited to start on my concept but am", "idea of a long story (a novel) or to first try short stories?", "but am not sure if it is better to first try smaller projects", "on my concept but am not sure if it is better to first", "to dive on my idea of a long story (a novel) or to", "dive on my idea of a long story (a novel) or to first", "first try short stories? I am very excited to start on my concept" ]
[ "eldest daughter, Lyrin to become an alchemist where she will one day collect", "she will one day collect a sacred object from each of the islands", "is complete, she sets off on her mission to find these sacred objects,", "each of the islands in order to cast a spell that will brainwash", "In this world, there are a bunch of islands that align with the", "Lyrin to become an alchemist where she will one day collect a sacred", "\"evil\" island. On Scorpio lives the notorious Ravana family, who have been training", "will meet: any ideas on that?) and she enlists his help in finding", "boy (another alchemist) from the island of Capricorn. (I'm not sure how they", "constellations (Ex: Gemini, Sagittarius, etc.) the island Scorpio is known for being criminally", "island. On Scorpio lives the notorious Ravana family, who have been training their", "etc.) the island Scorpio is known for being criminally populated and basically the", "her mission to find these sacred objects, sailing dangerous seas W full of", "she has never before experienced. During this journey, she meets a boy (another", "sacred objects, sailing dangerous seas W full of dangerous creatures and venturing to", "that?) and she enlists his help in finding the objects, never letting him", "and she enlists his help in finding the objects, never letting him know", "sacred object from each of the islands in order to cast a spell", "not sure how they will meet: any ideas on that?) and she enlists", "to take control. Once she is of age and her training is complete,", "will brainwash all the other islands, allowing Scorpio to take control. Once she", "take control. Once she is of age and her training is complete, she", "she meets a boy (another alchemist) from the island of Capricorn. (I'm not", "world. In this world, there are a bunch of islands that align with", "become an alchemist where she will one day collect a sacred object from", "to find these sacred objects, sailing dangerous seas W full of dangerous creatures", "island Scorpio is known for being criminally populated and basically the \"evil\" island.", "So... I'm writing a book that takes place in an alternate world. In", "the other islands, allowing Scorpio to take control. Once she is of age", "(I'm not sure how they will meet: any ideas on that?) and she", "a spell that will brainwash all the other islands, allowing Scorpio to take", "objects, sailing dangerous seas W full of dangerous creatures and venturing to islands", "she sets off on her mission to find these sacred objects, sailing dangerous", "before experienced. During this journey, she meets a boy (another alchemist) from the", "Gemini, Sagittarius, etc.) the island Scorpio is known for being criminally populated and", "Scorpio lives the notorious Ravana family, who have been training their eldest daughter,", "of the islands in order to cast a spell that will brainwash all", "dangerous creatures and venturing to islands she has never before experienced. During this", "meet: any ideas on that?) and she enlists his help in finding the", "control. Once she is of age and her training is complete, she sets", "letting him know what she plans to do with them. Eventually they start", "are a bunch of islands that align with the star sign constellations (Ex:", "allowing Scorpio to take control. Once she is of age and her training", "On Scorpio lives the notorious Ravana family, who have been training their eldest", "she enlists his help in finding the objects, never letting him know what", "full of dangerous creatures and venturing to islands she has never before experienced.", "other islands, allowing Scorpio to take control. Once she is of age and", "spell that will brainwash all the other islands, allowing Scorpio to take control.", "off on her mission to find these sacred objects, sailing dangerous seas W", "know what she plans to do with them. Eventually they start to fall", "training their eldest daughter, Lyrin to become an alchemist where she will one", "align with the star sign constellations (Ex: Gemini, Sagittarius, etc.) the island Scorpio", "to cast a spell that will brainwash all the other islands, allowing Scorpio", "collect a sacred object from each of the islands in order to cast", "alternate world. In this world, there are a bunch of islands that align", "that takes place in an alternate world. In this world, there are a", "in finding the objects, never letting him know what she plans to do", "where she will one day collect a sacred object from each of the", "seas W full of dangerous creatures and venturing to islands she has never", "alchemist) from the island of Capricorn. (I'm not sure how they will meet:", "a bunch of islands that align with the star sign constellations (Ex: Gemini,", "cast a spell that will brainwash all the other islands, allowing Scorpio to", "been training their eldest daughter, Lyrin to become an alchemist where she will", "they will meet: any ideas on that?) and she enlists his help in", "in an alternate world. In this world, there are a bunch of islands", "sailing dangerous seas W full of dangerous creatures and venturing to islands she", "islands, allowing Scorpio to take control. Once she is of age and her", "a sacred object from each of the islands in order to cast a", "I'm writing a book that takes place in an alternate world. In this", "sure how they will meet: any ideas on that?) and she enlists his", "lives the notorious Ravana family, who have been training their eldest daughter, Lyrin", "these sacred objects, sailing dangerous seas W full of dangerous creatures and venturing", "world, there are a bunch of islands that align with the star sign", "being criminally populated and basically the \"evil\" island. On Scorpio lives the notorious", "the island of Capricorn. (I'm not sure how they will meet: any ideas", "day collect a sacred object from each of the islands in order to", "of Capricorn. (I'm not sure how they will meet: any ideas on that?)", "is of age and her training is complete, she sets off on her", "in order to cast a spell that will brainwash all the other islands,", "Scorpio is known for being criminally populated and basically the \"evil\" island. On", "the notorious Ravana family, who have been training their eldest daughter, Lyrin to", "object from each of the islands in order to cast a spell that", "help in finding the objects, never letting him know what she plans to", "to become an alchemist where she will one day collect a sacred object", "populated and basically the \"evil\" island. On Scorpio lives the notorious Ravana family,", "with the star sign constellations (Ex: Gemini, Sagittarius, etc.) the island Scorpio is", "family, who have been training their eldest daughter, Lyrin to become an alchemist", "have been training their eldest daughter, Lyrin to become an alchemist where she", "do with them. Eventually they start to fall in love which complicates things.", "complete, she sets off on her mission to find these sacred objects, sailing", "During this journey, she meets a boy (another alchemist) from the island of", "brainwash all the other islands, allowing Scorpio to take control. Once she is", "islands in order to cast a spell that will brainwash all the other", "how they will meet: any ideas on that?) and she enlists his help", "objects, never letting him know what she plans to do with them. Eventually", "her training is complete, she sets off on her mission to find these", "their eldest daughter, Lyrin to become an alchemist where she will one day", "plans to do with them. Eventually they start to fall in love which", "them. Eventually they start to fall in love which complicates things. Any title", "from each of the islands in order to cast a spell that will", "mission to find these sacred objects, sailing dangerous seas W full of dangerous", "will one day collect a sacred object from each of the islands in", "experienced. During this journey, she meets a boy (another alchemist) from the island", "any ideas on that?) and she enlists his help in finding the objects,", "known for being criminally populated and basically the \"evil\" island. On Scorpio lives", "his help in finding the objects, never letting him know what she plans", "the star sign constellations (Ex: Gemini, Sagittarius, etc.) the island Scorpio is known", "creatures and venturing to islands she has never before experienced. During this journey,", "and her training is complete, she sets off on her mission to find", "the island Scorpio is known for being criminally populated and basically the \"evil\"", "basically the \"evil\" island. On Scorpio lives the notorious Ravana family, who have", "an alchemist where she will one day collect a sacred object from each", "him know what she plans to do with them. Eventually they start to", "is known for being criminally populated and basically the \"evil\" island. On Scorpio", "order to cast a spell that will brainwash all the other islands, allowing", "islands that align with the star sign constellations (Ex: Gemini, Sagittarius, etc.) the", "that will brainwash all the other islands, allowing Scorpio to take control. Once", "with them. Eventually they start to fall in love which complicates things. Any", "what she plans to do with them. Eventually they start to fall in", "all the other islands, allowing Scorpio to take control. Once she is of", "the \"evil\" island. On Scorpio lives the notorious Ravana family, who have been", "and basically the \"evil\" island. On Scorpio lives the notorious Ravana family, who", "she is of age and her training is complete, she sets off on", "island of Capricorn. (I'm not sure how they will meet: any ideas on", "notorious Ravana family, who have been training their eldest daughter, Lyrin to become", "bunch of islands that align with the star sign constellations (Ex: Gemini, Sagittarius,", "on her mission to find these sacred objects, sailing dangerous seas W full", "of islands that align with the star sign constellations (Ex: Gemini, Sagittarius, etc.)", "alchemist where she will one day collect a sacred object from each of", "takes place in an alternate world. In this world, there are a bunch", "one day collect a sacred object from each of the islands in order", "there are a bunch of islands that align with the star sign constellations", "sets off on her mission to find these sacred objects, sailing dangerous seas", "finding the objects, never letting him know what she plans to do with", "sign constellations (Ex: Gemini, Sagittarius, etc.) the island Scorpio is known for being", "Once she is of age and her training is complete, she sets off", "enlists his help in finding the objects, never letting him know what she", "venturing to islands she has never before experienced. During this journey, she meets", "the islands in order to cast a spell that will brainwash all the", "islands she has never before experienced. During this journey, she meets a boy", "a book that takes place in an alternate world. In this world, there", "place in an alternate world. In this world, there are a bunch of", "find these sacred objects, sailing dangerous seas W full of dangerous creatures and", "star sign constellations (Ex: Gemini, Sagittarius, etc.) the island Scorpio is known for", "age and her training is complete, she sets off on her mission to", "meets a boy (another alchemist) from the island of Capricorn. (I'm not sure", "never before experienced. During this journey, she meets a boy (another alchemist) from", "this journey, she meets a boy (another alchemist) from the island of Capricorn.", "W full of dangerous creatures and venturing to islands she has never before", "this world, there are a bunch of islands that align with the star", "Eventually they start to fall in love which complicates things. Any title ideas?", "to do with them. Eventually they start to fall in love which complicates", "to islands she has never before experienced. During this journey, she meets a", "an alternate world. In this world, there are a bunch of islands that", "and venturing to islands she has never before experienced. During this journey, she", "Scorpio to take control. Once she is of age and her training is", "Capricorn. (I'm not sure how they will meet: any ideas on that?) and", "of age and her training is complete, she sets off on her mission", "who have been training their eldest daughter, Lyrin to become an alchemist where", "criminally populated and basically the \"evil\" island. On Scorpio lives the notorious Ravana", "she plans to do with them. Eventually they start to fall in love", "of dangerous creatures and venturing to islands she has never before experienced. During", "on that?) and she enlists his help in finding the objects, never letting", "has never before experienced. During this journey, she meets a boy (another alchemist)", "from the island of Capricorn. (I'm not sure how they will meet: any", "daughter, Lyrin to become an alchemist where she will one day collect a", "journey, she meets a boy (another alchemist) from the island of Capricorn. (I'm", "ideas on that?) and she enlists his help in finding the objects, never", "Sagittarius, etc.) the island Scorpio is known for being criminally populated and basically", "a boy (another alchemist) from the island of Capricorn. (I'm not sure how", "never letting him know what she plans to do with them. Eventually they", "for being criminally populated and basically the \"evil\" island. On Scorpio lives the", "book that takes place in an alternate world. In this world, there are", "(Ex: Gemini, Sagittarius, etc.) the island Scorpio is known for being criminally populated", "training is complete, she sets off on her mission to find these sacred", "writing a book that takes place in an alternate world. In this world,", "dangerous seas W full of dangerous creatures and venturing to islands she has", "Ravana family, who have been training their eldest daughter, Lyrin to become an", "(another alchemist) from the island of Capricorn. (I'm not sure how they will", "the objects, never letting him know what she plans to do with them.", "that align with the star sign constellations (Ex: Gemini, Sagittarius, etc.) the island" ]
[ "unaccessible to the average population. \"The farmers\" would be the name that people", "word of mouth can only do so much... [No data here] Actual question:", "if inappropriate) > > [...] The first thing to keep in mind is", "somewhat regret choosing \"farmers\" as my fake title, since most people probably aren't", "in the story, the reader would not suspect or figure out that another", "\"The farmers\" would be the name that people use when they refer to", "to the highest extend possible. Pre-question: Now, should the author simply trust that", "novel to be amazing, but word of mouth can only do so much...", "almost identical in style, content, theme and so on. This could very well", "> > This made a lot of sense to me, so I started", "character's part to the title like this: *The Farmers: Adrian's Discovery* ... or", "is dark, then the title should be dark. If it's for kids, don't", "title, but it's not: *The Farmers* (Alternatively \"*In Agricolas\" internationally, Latin - quick", "want to remain unknown). Originally, the title is supposed to be subtle and", "today's world. The title of the book refers to a certain (to the", "If your book is dark, then the title should be dark. If it's", "title of my novel for almost as long as I can remember working", "is funny, then the title should be funny. If your book is dark,", "long as I can remember working on the story, but it may be", "not connect to certain traits, which would make it 'odd' that a book", "that another group of people go under the same name, and only discover", "they need a recommendation from someone who actually read, to pick it up?", "they refer to them self (probably not, since they want to remain unknown).", "to remain unknown). Originally, the title is supposed to be subtle and not", "Google Translate) The novel is a science-fiction story set in today's world. The", "it's for kids, don't give it an adult title. If you're writing a", "well be my title, but it's not: The Farmers* (Alternatively \"*In Agricolas\" internationally,", "HAS BEEN EDITED: KEEPS ORIGINAL TITLE TO MAKE SENSE OF EXISTING ANSWERS, BUT", "least make someone stop and take a closer look?* (Yes, yes, you're an", "the title at think \"huh, that's an odd title for a book in", "the story, or should he trust the original feeling that it was a", "book.* Think to yourself: Out of all of the books in a real", "to them self (probably not, since they want to remain unknown). Originally, the", "when you write your title. You can put it on backwards like the", "> This made a lot of sense to me, so I started thinking.", "of the group of people in the story - any web searches or", "the first rule is that titles should be interesting, original, memorable and appropriate", "of people, that you would not connect to certain traits, which would make", "[...] > > > This made a lot of sense to me, so", "supposed to be subtle and not give away anything important about the content", "story, the reader would not suspect or figure out that another group of", "readers spot the title at think \"huh, that's an odd title for a", "exists, shall we?) > > With that in mind, the first rule is", "of mouth can only do so much... [No data here] Actual question: Should", "helping to maintain the unawareness of the story's content. Let me know if", "to certain traits, which would make it 'odd' that a book used them", "all of the books in a real or virtual bookstore what is the", "use when they refer to *this group of people, but it is not", "refer to them self (probably not, since they want to remain unknown). Originally,", "is that most readers will decide to buy or pass on your book", "The Farmers: Adrian's Discovery* ... or something along those lines. However, the simplicity", "would be the name that people use when they refer to *this group", "almost as long as I can remember working on the story, but it", "lot of sense to me, so I started thinking. I've been pretty sure", "should he trust the original feeling that it was a suitable title? Bonus:", "lacking in some of the areas mentioned above. This is where I use", "are closer to my own. These are titles/groups of people, that you would", "the title should be dark. If it's for kids, don't give it an", "then the title should be dark. If it's for kids, don't give it", "actually read, to pick it up? The author of course expects the completed", "subtleness/camouflage is a part of the story, or should he trust the original", "Bonus: Adding to the secrecy of the group of people in the story", "and take a closer look?** (Yes, yes, you're an artist not a businessperson.", "or everyday discussions about \"farmers\" would give a multitude of standard results/answers helping", "spot the title at think \"huh, that's an odd title for a book", "title for a book in the science-fiction section\", or would they need a", "of the story's content. Let me know if this makes no sense when", "story is heavily based on actual science, and should therefore remain believable to", "I can choose that will at least make someone stop and take a", "That means that you need to put your marketing hat on when you", "as it occurs in the natural flow of the story. The story is", "the story - any web searches or everyday discussions about \"farmers\" would give", "standard results/answers helping to maintain the unawareness of the story's content. Let me", "trust the original feeling that it was a suitable title? Bonus: Adding to", "when they refer to this group of people, but it is not necessarily", "This made a lot of sense to me, so I started thinking. I've", "the original feeling that it was a suitable title? Bonus: Adding to the", "should be dark. If it's for kids, don't give it an adult title.", "own. These are titles/groups of people, that you would not connect to certain", "Let me know if this makes no sense when trying to sell a", "\"The Citizens\", \"The Habitants\" are closer to my own. These are titles/groups of", "will work around using my actual title, since that makes it less of", "If you're writing a romance novel, don't make it sound like it's science", "makes no sense when trying to sell a novel. I've considered adding a", "to the average population. \"The farmers\" would be the name that people use", "in the foot using \"farmers\"* --- I will work around using my actual", "appropriate** above everything else. If your book is funny, then the title should", "reader yet unknown) group of people within society, that have access to/use \"fantastical/futuristic\"", "the content of story. If we meet farmers in the story, the reader", "your title. You can put it on backwards like the cool kids do,", "me know if inappropriate) > > [...] The first thing to keep in", "not suspect or figure out that another group of people go under the", "be interesting, original, memorable and appropriate above everything else. If your book is", "science-fiction story set in today's world. The title of the book refers to", "a general issue. Here's the situation; After reading [this question](https://writers.stackexchange.com/questions/27247/need-help-titling-my-book) and the top-voted", "would make it 'odd' that a book used them for their title -", "EXISTING ANSWERS, BUT I'M ADDING THE FOLLOWING: I do somewhat regret choosing \"farmers\"", "original feeling that it was a suitable title?* Bonus: Adding to the secrecy", "The first thing to keep in mind is that most readers will decide", "discussions about \"farmers\" would give a multitude of standard results/answers helping to maintain", "the natural flow of the story. The story is heavily based on actual", "This is where I use a random title - almost identical in style,", "probably aren't curious about farmers. It may be too late to change now,", "more to it. I may have shot myself in the foot using \"farmers\"", "dark, then the title should be dark. If it's for kids, don't give", "a recommendation from someone who actually read, to pick it up? The author", "it is not necessarily how they refer to them self (probably not, since", "always remember that the entire reason your title exists is to sell your", "content. Let me know if this makes no sense when trying to sell", "artist not a businessperson. I know. Let's just say there's a reason the", "ORIGINAL TITLE TO MAKE SENSE OF EXISTING ANSWERS, BUT I'M ADDING THE FOLLOWING:", "would not connect to certain traits, which would make it 'odd' that a", "Agricolas*\" internationally, Latin - quick Google Translate) The novel is a science-fiction story", "title - Thus making it more obvious that there's more to it. I", "should the author simply trust that potential readers spot the title at think", "to maintain the unawareness of the story's content. Let me know if this", "what happens. That means that you need to put your marketing hat on", "same name, and only discover the \"fantastical/futuristic\" content as it occurs in the", "make the title more interesting/revealing in itself, even though the subtleness/camouflage is a", "shot myself in the foot using \"farmers\" --- I will work around using", "should therefore remain believable to the highest extend possible. Pre-question: Now, should the", "If it's for kids, don't give it an adult title. If you're writing", "mind is that *most readers will decide to buy or pass on your", "\"huh, that's an odd title for a book in the science-fiction section\", or", "the unawareness of the story's content. Let me know if this makes no", "where I use a random title - almost identical in style, content, theme", "the story. The story is heavily based on actual science, and should therefore", "could very well be my title, but it's not: The Farmers* (Alternatively \"**In", "These are titles/groups of people, that you would not connect to certain traits,", "we meet farmers* in the story, the reader would not suspect or figure", "curious about farmers. It may be too late to change now, but \"The", "from someone who actually read, to pick it up? The author of course", "most people probably aren't curious about farmers. It may be too late to", "possible. Pre-question: Now, should the author simply trust that potential readers spot the", "interesting, original, memorable and appropriate** above everything else. If your book is funny,", "(Copied from top-voted answer, let me know if inappropriate) > > [...] The", "completed novel to be amazing, but word of mouth can only do so", "you're writing a romance novel, don't make it sound like it's science fiction.", "on actual science, and should therefore remain believable to the highest extend possible.", "trust that potential readers spot the title at think \"huh, that's an odd", "in the natural flow of the story. The story is heavily based on", "at least make someone stop and take a closer look? (Yes, yes, you're", "was a suitable title? Bonus: Adding to the secrecy of the group of", "made a lot of sense to me, so I started thinking. I've been", "considered adding a character's part to the title like this: The Farmers: Adrian's", "rule is that titles should be interesting, original, memorable and appropriate* above everything", "to change now, but \"The Citizens\", \"The Habitants\" are closer to my own.", "question](https://writers.stackexchange.com/questions/27247/need-help-titling-my-book) and the top-voted answer to [another title-related question](https://writers.stackexchange.com/questions/7793/how-to-come-up-with-a-good-title), I started thinking. Here's", "but always remember that the entire reason your title exists is to sell", "that it was a suitable title? Bonus: Adding to the secrecy of the", "would give a multitude of standard results/answers helping to maintain the unawareness of", "only do so much...* [No data here] Actual question: *Should the author attempt", "issue: (Copied from top-voted answer, let me know if inappropriate) > > [...]", "this makes no sense when trying to sell* a novel. I've considered adding", "on when you write your title. You can put it on backwards like", "based on actual science*, and should therefore remain believable to the highest extend", "need a recommendation from someone who actually read, to pick it up? The", "Now, should the author simply trust that potential readers spot the title at", "identical in style, content, theme and so on. This could very well be", "put it on backwards like the cool kids do, but always remember that", "odd title for a book in the science-fiction section\", or would they need", "the areas mentioned above. This is where I use a random title -", "Actual question: Should the author attempt to make the title more interesting/revealing in", "... or something along those lines. However, the simplicity of \"The Farmers\" personally", "alone. Rightly or wrongly, that's what happens. That means that you need to", "funny, then the title should be funny. If your book is dark, then", "to my own. These are titles/groups of people, that you would not connect", "If your book is funny, then the title should be funny. If your", "I started thinking. I've been pretty sure about the title of my novel", "it occurs in the natural flow of the story. The story is heavily", "businessperson. I know. Let's just say there's a reason the phrase starving artist", "novel, don't make it sound like it's science fiction. [...] > > >", "of standard results/answers helping to maintain the unawareness of the story's content. Let", "keep in mind is that most readers will decide to buy or pass", "have access to/use \"fantastical/futuristic\" technologies and science-based knowledge, that is unaccessible to the", "necessarily how they refer to them self (probably not, since they want to", "title should be dark. If it's for kids, don't give it an adult", "story - any web searches or everyday discussions about \"farmers\" would give a", "happens. That means that you need to put your marketing hat on when", "that there's more to it. I may have shot myself in the foot", "as long as I can remember working on the story, but it may", "know. Let's just say there's a reason the phrase starving artist exists, shall", "name that people use when they refer to *this group of people, but", "backwards like the cool kids do, but always remember that the entire reason", "sure about the title of my novel for almost as long as I", "certain (to the new reader yet unknown) group of people within society, that", "look?* (Yes, yes, you're an artist not a businessperson. I know. Let's just", "original, memorable and appropriate above everything else. If your book is funny, then", "everything else. If your book is funny, then the title should be funny.", "the entire reason your title exists is to sell your book. Think to", "Adrian's Discovery* ... or something along those lines. However, the simplicity of \"The", "put your marketing hat on when you write your title. You can put", "it up? The author of course expects the completed novel to be amazing,", "do so much...* [No data here] Actual question: *Should the author attempt to", "give a multitude of standard results/answers helping to maintain the unawareness of the", "it may be lacking in some of the areas mentioned above. This is", "answer to [another title-related question](https://writers.stackexchange.com/questions/7793/how-to-come-up-with-a-good-title), I started thinking. Here's the (potential) issue: (Copied", "since they want to remain unknown). Originally, the title is supposed to be", "under the same name, and only discover the \"fantastical/futuristic\" content as it occurs", "dark. If it's for kids, don't give it an adult title. If you're", "an adult title. If you're writing a romance novel, don't make it sound", "anything important about the content of story. If we meet farmers* in the", "to be amazing, but word of mouth can only do so much... [No", "title at think \"huh, that's an odd title for a book in the", "as I can remember working on the story, but it may be lacking", "technologies and science-based knowledge, that is unaccessible to the average population. \"The farmers\"", "foot using \"farmers\" --- I will work around using my actual title, since", "since that makes it less of a personal \"fix my writing\"-issue and more", "decide to buy or pass on your book based on the title alone.", "means that you need to put your marketing hat on when you write", "on the story, but it may be lacking in some of the areas", "it less of a personal \"fix my writing\"-issue and more of a general", "since most people probably aren't curious about farmers. It may be too late", "they refer to this group of people, but it is not necessarily how", "adding a character's part to the title like this: The Farmers: Adrian's Discovery", "first thing to keep in mind is that most readers will decide to", "BUT I'M ADDING THE FOLLOWING:** I do somewhat regret choosing \"farmers\" as my", "your title exists is to sell your book.* Think to yourself: Out of", "science-based knowledge, that is unaccessible to the average population. \"The farmers\" would be", "on the title alone. Rightly or wrongly, that's what happens. That means that", "to a certain (to the new reader yet unknown) group of people within", "funny. If your book is dark, then the title should be dark. If", "the average population. \"The farmers*\" would be the name that people* use when", "web searches or everyday discussions about \"farmers\" would give a multitude of standard", "that a book used them for their title - Thus making it more", "be the name that people use when they refer to *this group of", "question: *Should the author attempt to make the title more interesting/revealing in itself,", "using \"farmers\" --- I will work around using my actual title, since that", "would they need a recommendation from someone who actually read, to pick it", "work around using my actual title, since that makes it less of a", "farmers*\" would be the name that people* use when they refer to *this", "or pass on your book based on the title alone. Rightly or wrongly,", "refer to *this group of people, but it is not necessarily how they", "searches or everyday discussions about \"farmers\" would give a multitude of standard results/answers", "read, to pick it up? The author of course expects the completed novel", "so much... [No data here] Actual question: Should the author attempt to make", "obvious that there's more to it. I may have shot myself in the", "traits, which would make it 'odd' that a book used them for their", "let me know if inappropriate) > > [...] The first thing to keep", "\"The Habitants\" are closer to my own. These are titles/groups of people, that", "exists is to sell your book. Think to yourself: Out of all of", "at think \"huh, that's an odd title for a book in the science-fiction", "feeling that it was a suitable title?* Bonus: Adding to the secrecy of", "title, since most people probably aren't curious about farmers. It may be too", "Adding to the secrecy of the group of people in the story -", "first rule is that titles should be interesting, original, memorable and appropriate above", "I will work around using my actual title, since that makes it less", "mentioned above. This is where I use a random title - almost identical", "Should the author attempt to make the title more interesting/revealing in itself, even", "is supposed to be subtle and not give away anything important about the", "virtual bookstore what is the one title I can choose that will at", "The novel is a science-fiction story set in today's world. The title of", "the secrecy of the group of people in the story - any web", "After reading [this question](https://writers.stackexchange.com/questions/27247/need-help-titling-my-book) and the top-voted answer to [another title-related question](https://writers.stackexchange.com/questions/7793/how-to-come-up-with-a-good-title), I", "THE FOLLOWING:** I do somewhat regret choosing \"farmers\" as my fake title, since", "are titles/groups of people, that you would not connect to certain traits, which", "I started thinking. Here's the (potential) issue: (Copied from top-voted answer, let me", "only discover the \"fantastical/futuristic\" content as it occurs in the natural flow of", "part of the story, or should he trust the original feeling that it", "most readers will decide to buy or pass on your book based on", "Pre-question:* Now, should the author simply trust that potential readers spot the title", "> > [...] The first thing to keep in mind is that most", "farmers. It may be too late to change now, but \"The Citizens\", \"The", "you're an artist not a businessperson. I know. Let's just say there's a", "this group of people, but it is not necessarily how they refer to", "population. \"The farmers*\" would be the name that people* use when they refer", "people, that you would not connect to certain traits, which would make it", "it was a suitable title? Bonus: Adding to the secrecy of the group", "which would make it 'odd' that a book used them for their title", "book refers to a certain (to the new reader yet unknown) group of", "novel. I've considered adding a character's part to the title like this: The", "is a science-fiction story set in today's world. The title of the book", "story. The story is heavily based on actual science, and should therefore remain", "be amazing, but word of mouth can only do so much...* [No data", "or should he trust the original feeling that it was a suitable title?*", "[this question](https://writers.stackexchange.com/questions/27247/need-help-titling-my-book) and the top-voted answer to [another title-related question](https://writers.stackexchange.com/questions/7793/how-to-come-up-with-a-good-title), I started thinking.", "book in the science-fiction section\", or would they need a recommendation from someone", "knowledge, that is unaccessible to the average population. \"The farmers\" would be the", "a certain (to the new reader yet unknown) group of people within society,", "use a random title - almost identical in style, content, theme and so", "I may have shot myself in the foot using \"farmers\"* --- I will", "can choose that will at least make someone stop and take a closer", "question](https://writers.stackexchange.com/questions/7793/how-to-come-up-with-a-good-title), I started thinking. Here's the (potential) issue: (Copied from top-voted answer, let", "used them for their title - Thus making it more obvious that there's", "> With that in mind, the first rule is that titles should be", "title is supposed to be subtle and not give away anything important about", "story, or should he trust the original feeling that it was a suitable", "like it's science fiction. [...] > > > This made a lot of", "like the cool kids do, but always remember that the entire reason your", "my own. These are titles/groups of people, that you would not connect to", "their title - Thus making it more obvious that there's more to it.", "may be too late to change now, but \"The Citizens\", \"The Habitants\" are", "romance novel, don't make it sound like it's science fiction. [...] > >", "> > With that in mind, the first rule is that titles should", "them self (probably not, since they want to remain unknown). Originally, the title", "The story is heavily based on actual science, and should therefore remain believable", "personal \"fix my writing\"-issue and more of a general issue. Here's the situation;", "make it 'odd' that a book used them for their title - Thus", "the title is supposed to be subtle and not give away anything important", "but it's not: The Farmers (Alternatively \"In Agricolas\" internationally, Latin - quick Google", "something along those lines. However, the simplicity of \"The Farmers\" personally is appreciated.", "that is unaccessible to the average population. \"The farmers\" would be the name", "around using my actual title, since that makes it less of a personal", "he trust the original feeling that it was a suitable title? Bonus: Adding", "like this: *The Farmers: Adrian's Discovery* ... or something along those lines. However,", "course expects the completed novel to be amazing, but word of mouth can", "internationally, Latin - quick Google Translate) The novel is a science-fiction story set", "inappropriate) > > [...] The first thing to keep in mind is that", "style, content, theme and so on. This could very well be my title,", "another group of people go under the same name, and only discover the", "know if this makes no sense when trying to sell* a novel. I've", "science fiction. [...] > > > This made a lot of sense to", "Translate) The novel is a science-fiction story set in today's world. The title", "it's not: *The Farmers* (Alternatively \"*In Agricolas\" internationally, Latin - quick Google Translate)", "It may be too late to change now, but \"The Citizens\", \"The Habitants\"", "and so on. This could very well be my title, but it's not:", "a book used them for their title - Thus making it more obvious", "of story. If we meet farmers* in the story, the reader would not", "access to/use \"fantastical/futuristic\" technologies and science-based knowledge, that is unaccessible to the average", "name, and only discover the \"fantastical/futuristic\" content as it occurs in the natural", "though the subtleness/camouflage is a part of the story, or should he trust", "yourself: Out of all of the books in a real or virtual bookstore", "the name that people use when they refer to *this group of people,", "I know. Let's just say there's a reason the phrase starving artist exists,", "Farmers (Alternatively \"In Agricolas*\" internationally, Latin - quick Google Translate) The novel is", "the science-fiction section\", or would they need a recommendation from someone who actually", "that titles should be interesting, original, memorable and appropriate above everything else. If", "potential readers spot the title at think \"huh, that's an odd title for", "to pick it up? The author of course expects the completed novel to", "suspect or figure out that another group of people go under the same", "you write your title. You can put it on backwards like the cool", "of the books in a real or virtual bookstore what is the one", "go under the same name, and only discover the \"fantastical/futuristic\" content as it", "not: The Farmers* (Alternatively \"*In Agricolas\" internationally, Latin - quick Google Translate) The", "subtle and not give away anything important about the content of story. If", "figure out that another group of people go under the same name, and", "cool kids do, but always remember that the entire reason your title exists", "KEEPS ORIGINAL TITLE TO MAKE SENSE OF EXISTING ANSWERS, BUT I'M ADDING THE", "(potential) issue: (Copied from top-voted answer, let me know if inappropriate) > >", "EDITED: KEEPS ORIGINAL TITLE TO MAKE SENSE OF EXISTING ANSWERS, BUT I'M ADDING", "sound like it's science fiction. [...] > > > This made a lot", "\"fantastical/futuristic\" technologies and science-based knowledge, that is unaccessible to the average population. \"The", "write your title. You can put it on backwards like the cool kids", "me, so I started thinking. I've been pretty sure about the title of", "about the title of my novel for almost as long as I can", "OF EXISTING ANSWERS, BUT I'M ADDING THE FOLLOWING:* I do somewhat regret choosing", "group of people, but it is not necessarily how they refer to them", "answer, let me know if inappropriate) > > [...] The first thing to", "is heavily based on actual science, and should therefore remain believable to the", "of people in the story - any web searches or everyday discussions about", "of the book refers to a certain (to the new reader yet unknown)", "> [...] The first thing to keep in mind is that most readers", "of people*, but it is not necessarily how they refer to them self", "\"fix my writing\"-issue and more of a general issue. Here's the situation; After", "connect to certain traits, which would make it 'odd' that a book used", "a random title - almost identical in style, content, theme and so on.", "I've been pretty sure about the title of my novel for almost as", "the situation; After reading [this question](https://writers.stackexchange.com/questions/27247/need-help-titling-my-book) and the top-voted answer to [another title-related", "situation; After reading [this question](https://writers.stackexchange.com/questions/27247/need-help-titling-my-book) and the top-voted answer to [another title-related question](https://writers.stackexchange.com/questions/7793/how-to-come-up-with-a-good-title),", "be my title, but it's not: The Farmers (Alternatively \"In Agricolas\" internationally, Latin", "the reader would not suspect or figure out that another group of people", "up? The author of course expects the completed novel to be amazing, but", "[...] The first thing to keep in mind is that most readers will", "the story, but it may be lacking in some of the areas mentioned", "for kids, don't give it an adult title. If you're writing a romance", "less of a personal \"fix my writing\"-issue and more of a general issue.", "suitable title? Bonus: Adding to the secrecy of the group of people in", "phrase starving artist exists, shall we?) > > With that in mind, the", "\"In Agricolas*\" internationally, Latin - quick Google Translate) The novel is a science-fiction", "BEEN EDITED: KEEPS ORIGINAL TITLE TO MAKE SENSE OF EXISTING ANSWERS, BUT I'M", "not necessarily how they refer to them self (probably not, since they want", "author of course expects the completed novel to be amazing, but word of", "sense to me, so I started thinking. I've been pretty sure about the", "is where I use a random title - almost identical in style, content,", "set in today's world. The title of the book refers to a certain", "Here's the situation; After reading [this question](https://writers.stackexchange.com/questions/27247/need-help-titling-my-book) and the top-voted answer to [another", "your book is dark, then the title should be dark. If it's for", "is not necessarily how they refer to them self (probably not, since they", "as my fake title, since most people probably aren't curious about farmers. It", "should be interesting, original, memorable and appropriate** above everything else. If your book", "so I started thinking. I've been pretty sure about the title of my", "yes, you're an artist not a businessperson. I know. Let's just say there's", "I can remember working on the story, but it may be lacking in", "> > > This made a lot of sense to me, so I", "world. The title of the book refers to a certain (to the new", "farmers in the story, the reader would not suspect or figure out that", "to make the title more interesting/revealing in itself, even though the subtleness/camouflage is", "and more of a general issue. Here's the situation; After reading [this question](https://writers.stackexchange.com/questions/27247/need-help-titling-my-book)", "interesting/revealing in itself, even though the subtleness/camouflage is a part of the story,", "my writing\"-issue and more of a general issue. Here's the situation; After reading", "is unaccessible to the average population. \"The farmers\" would be the name that", "but it may be lacking in some of the areas mentioned above. This", "meet farmers in the story, the reader would not suspect or figure out", "a romance novel, don't make it sound like it's science fiction. [...] >", "on your book based on the title alone. Rightly or wrongly, that's what", "FOLLOWING: I do somewhat regret choosing \"farmers\" as my fake title, since most", "- almost identical in style, content, theme and so on. This could very", "discover the \"fantastical/futuristic\" content as it occurs in the natural flow of the", "new reader yet unknown) group of people within society, that have access to/use", "need to put your marketing hat on when you write your title. You", "to it. I may have shot myself in the foot using \"farmers\" ---", "Latin - quick Google Translate) The novel is a science-fiction story set in", "closer look? (Yes, yes, you're an artist not a businessperson. I know. Let's", "heavily based on actual science*, and should therefore remain believable to the highest", "title, since that makes it less of a personal \"fix my writing\"-issue and", "the same name, and only discover the \"fantastical/futuristic\" content as it occurs in", "QUESTION HAS BEEN EDITED: KEEPS ORIGINAL TITLE TO MAKE SENSE OF EXISTING ANSWERS,", "much... [No data here] Actual question: Should the author attempt to make the", "group of people in the story - any web searches or everyday discussions", "the top-voted answer to [another title-related question](https://writers.stackexchange.com/questions/7793/how-to-come-up-with-a-good-title), I started thinking. Here's the (potential)", "closer to my own. These are titles/groups of people, that you would not", "so on. This could very well be my title, but it's not: The", "even though the subtleness/camouflage is a part of the story, or should he", "someone stop and take a closer look?* (Yes, yes, you're an artist not", "Farmers: Adrian's Discovery* ... or something along those lines. However, the simplicity of", "just say there's a reason the phrase starving artist exists, shall we?) >", "will decide to buy or pass on your book based on the title", "itself, even though the subtleness/camouflage is a part of the story, or should", "story's content. Let me know if this makes no sense when trying to", "people within society, that have access to/use \"fantastical/futuristic\" technologies and science-based knowledge, that", "average population. \"The farmers*\" would be the name that people* use when they", "books in a real or virtual bookstore what is the one title I", "and should therefore remain believable to the highest extend possible. Pre-question:** Now, should", "author attempt to make the title more interesting/revealing in itself, even though the", "no sense when trying to sell a novel. I've considered adding a character's", "reader would not suspect or figure out that another group of people go", "group of people within society, that have access to/use \"fantastical/futuristic\" technologies and science-based", "the new reader yet unknown) group of people within society, that have access", "of the story. The story is heavily based on actual science, and should", "of a personal \"fix my writing\"-issue and more of a general issue. Here's", "you need to put your marketing hat on when you write your title.", "a reason the phrase starving artist exists, shall we?) > > With that", "an odd title for a book in the science-fiction section\", or would they", "book is funny, then the title should be funny. If your book is", "book is dark, then the title should be dark. If it's for kids,", "your marketing hat on when you write your title. You can put it", "make someone stop and take a closer look?* (Yes, yes, you're an artist", "[another title-related question](https://writers.stackexchange.com/questions/7793/how-to-come-up-with-a-good-title), I started thinking. Here's the (potential) issue: (Copied from top-voted", "regret choosing \"farmers\" as my fake title, since most people probably aren't curious", "thinking. Here's the (potential) issue: (Copied from top-voted answer, let me know if", "else. If your book is funny, then the title should be funny. If", "quick Google Translate) The novel is a science-fiction story set in today's world.", "started thinking. Here's the (potential) issue: (Copied from top-voted answer, let me know", "it on backwards like the cool kids do, but always remember that the", "that the entire reason your title exists is to sell your book. Think", "an artist not a businessperson. I know. Let's just say there's a reason", "working on the story, but it may be lacking in some of the", "more obvious that there's more to it. I may have shot myself in", "content, theme and so on. This could very well be my title, but", "unawareness of the story's content. Let me know if this makes no sense", "that you would not connect to certain traits, which would make it 'odd'", "kids do, but always remember that the entire reason your title exists is", "SENSE OF EXISTING ANSWERS, BUT I'M ADDING THE FOLLOWING:** I do somewhat regret", "adult title. If you're writing a romance novel, don't make it sound like", "Citizens\", \"The Habitants\" are closer to my own. These are titles/groups of people,", "change now, but \"The Citizens\", \"The Habitants\" are closer to my own. These", "do, but always remember that the entire reason your title exists is to", "hat on when you write your title. You can put it on backwards", "- any web searches or everyday discussions about \"farmers\" would give a multitude", "away anything important about the content of story. If we meet farmers* in", "content as it occurs in the natural flow of the story. The story", "I'M ADDING THE FOLLOWING:** I do somewhat regret choosing \"farmers\" as my fake", "not a businessperson. I know. Let's just say there's a reason the phrase", "some of the areas mentioned above. This is where I use a random", "and science-based knowledge, that is unaccessible to the average population. \"The farmers\" would", "reason your title exists is to sell your book.* Think to yourself: Out", "or wrongly, that's what happens. That means that you need to put your", "of people go under the same name, and only discover the \"fantastical/futuristic\" content", "then the title should be funny. If your book is dark, then the", "that's what happens. That means that you need to put your marketing hat", "the highest extend possible. Pre-question: Now, should the author simply trust that potential", "content of story. If we meet farmers in the story, the reader would", "the author simply trust that potential readers spot the title at think \"huh,", "say there's a reason the phrase starving artist exists, shall we?) > >", "title-related question](https://writers.stackexchange.com/questions/7793/how-to-come-up-with-a-good-title), I started thinking. Here's the (potential) issue: (Copied from top-voted answer,", "above everything else. If your book is funny, then the title should be", "refers to a certain (to the new reader yet unknown) group of people", "Discovery ... or something along those lines. However, the simplicity of \"The Farmers\"", "it 'odd' that a book used them for their title - Thus making", "The Farmers (Alternatively \"In Agricolas\" internationally, Latin - quick Google Translate) The novel", "to/use \"fantastical/futuristic\" technologies and science-based knowledge, that is unaccessible to the average population.", "make it sound like it's science fiction. [...] > > > This made", "a closer look? (Yes, yes, you're an artist not a businessperson. I know.", "on. This could very well be my title, but it's not: *The Farmers", "who actually read, to pick it up? The author of course expects the", "general issue. Here's the situation; After reading [this question](https://writers.stackexchange.com/questions/27247/need-help-titling-my-book) and the top-voted answer", "of people within society, that have access to/use \"fantastical/futuristic\" technologies and science-based knowledge,", "novel for almost as long as I can remember working on the story,", "pick it up? The author of course expects the completed novel to be", "choose that will at least make someone stop and take a closer look?", "it an adult title. If you're writing a romance novel, don't make it", "for a book in the science-fiction section\", or would they need a recommendation", "data here] Actual question: Should the author attempt to make the title more", "in a real or virtual bookstore what is the one title I can", "pass on your book based on the title alone.** Rightly or wrongly, that's", "a novel. I've considered adding a character's part to the title like this:", "don't give it an adult title. If you're writing a romance novel, don't", "to [another title-related question](https://writers.stackexchange.com/questions/7793/how-to-come-up-with-a-good-title), I started thinking. Here's the (potential) issue: (Copied from", "the title should be funny. If your book is dark, then the title", "mouth can only do so much...* [No data here] Actual question: Should the", "there's a reason the phrase starving artist exists, shall we?) > > With", "people in the story - any web searches or everyday discussions about \"farmers\"", "a lot of sense to me, so I started thinking. I've been pretty", "fiction. [...] > > > This made a lot of sense to me,", "or something along those lines. However, the simplicity of \"The Farmers\" personally is", "title of the book refers to a certain (to the new reader yet", "This could very well be my title, but it's not: The Farmers (Alternatively", "a personal \"fix my writing\"-issue and more of a general issue. Here's the", "people, but it is not necessarily how they refer to them self (probably", "Thus making it more obvious that there's more to it. I may have", "I've considered adding a character's part to the title like this: *The Farmers:", "to put your marketing hat on when you write your title. You can", "people go under the same name, and only discover the \"fantastical/futuristic\" content as", "sense when trying to sell* a novel. I've considered adding a character's part", "bookstore *what is the one title I can choose that will at least", "if this makes no sense when trying to sell* a novel. I've considered", "to sell your book. Think to yourself: Out of all of the books", "the \"fantastical/futuristic\" content as it occurs in the natural flow of the story.", "TITLE TO MAKE SENSE OF EXISTING ANSWERS, BUT I'M ADDING THE FOLLOWING: I", "based on the title alone.* Rightly or wrongly, that's what happens. That means", "can put it on backwards like the cool kids do, but always remember", "titles should be interesting, original, memorable and appropriate above everything else. If your", "the foot using \"farmers\"* --- I will work around using my actual title,", "issue. Here's the situation; After reading [this question](https://writers.stackexchange.com/questions/27247/need-help-titling-my-book) and the top-voted answer to", "but \"The Citizens\", \"The Habitants\" are closer to my own. These are titles/groups", "out that another group of people go under the same name, and only", "starving artist exists, shall we?) > > With that in mind, the first", "or would they need a recommendation from someone who actually read, to pick", "(Alternatively \"*In Agricolas\" internationally, Latin - quick Google Translate) The novel is a", "recommendation from someone who actually read, to pick it up? The author of", "remain believable to the highest extend possible. Pre-question:* Now, should the author simply", "a character's part to the title like this: *The Farmers: Adrian's Discovery* ...", "With that in mind, the first rule is that titles should be interesting,", "that most readers will decide to buy or pass on your book based", "someone who actually read, to pick it up? The author of course expects", "don't make it sound like it's science fiction. [...] > > > This", "not give away anything important about the content of story. If we meet", "title alone.** Rightly or wrongly, that's what happens. That means that you need", "my fake title, since most people probably aren't curious about farmers. It may", "be subtle and not give away anything important about the content of story.", "of course expects the completed novel to be amazing, but word of mouth", "above. This is where I use a random title - almost identical in", "therefore remain believable to the highest extend possible. Pre-question:* Now, should the author", "myself in the foot using \"farmers\"* --- I will work around using my", "readers will decide to buy or pass on your book based on the", "the completed novel to be amazing, but word of mouth can only do", "title more interesting/revealing in itself, even though the subtleness/camouflage is a part of", "it's science fiction. [...] > > > This made a lot of sense", "expects the completed novel to be amazing, but word of mouth can only", "a multitude of standard results/answers helping to maintain the unawareness of the story's", "title - almost identical in style, content, theme and so on. This could", "kids, don't give it an adult title. If you're writing a romance novel,", "of sense to me, so I started thinking. I've been pretty sure about", "of the areas mentioned above. This is where I use a random title", "this: *The Farmers: Adrian's Discovery* ... or something along those lines. However, the", "important about the content of story. If we meet farmers in the story,", "title. If you're writing a romance novel, don't make it sound like it's", "and appropriate above everything else. If your book is funny, then the title", "wrongly, that's what happens. That means that you need to put your marketing", "within society, that have access to/use \"fantastical/futuristic\" technologies and science-based knowledge, that is", "do somewhat regret choosing \"farmers\" as my fake title, since most people probably", "'odd' that a book used them for their title - Thus making it", "it more obvious that there's more to it. I may have shot myself", "more of a general issue. Here's the situation; After reading [this question](https://writers.stackexchange.com/questions/27247/need-help-titling-my-book) and", "remain unknown). Originally, the title is supposed to be subtle and not give", "stop and take a closer look? (Yes, yes, you're an artist not a", "(probably not, since they want to remain unknown). Originally, the title is supposed", "any web searches or everyday discussions about \"farmers\" would give a multitude of", "unknown) group of people within society, that have access to/use \"fantastical/futuristic\" technologies and", "remember working on the story, but it may be lacking in some of", "in today's world. The title of the book refers to a certain (to", "story set in today's world. The title of the book refers to a", "too late to change now, but \"The Citizens\", \"The Habitants\" are closer to", "attempt to make the title more interesting/revealing in itself, even though the subtleness/camouflage", "very well be my title, but it's not: *The Farmers* (Alternatively \"*In Agricolas\"", "shall we?) > > With that in mind, the first rule is that", "that makes it less of a personal \"fix my writing\"-issue and more of", "and the top-voted answer to [another title-related question](https://writers.stackexchange.com/questions/7793/how-to-come-up-with-a-good-title), I started thinking. Here's the", "of a general issue. Here's the situation; After reading [this question](https://writers.stackexchange.com/questions/27247/need-help-titling-my-book) and the", "TO MAKE SENSE OF EXISTING ANSWERS, BUT I'M ADDING THE FOLLOWING:* I do", "top-voted answer to [another title-related question](https://writers.stackexchange.com/questions/7793/how-to-come-up-with-a-good-title), I started thinking. Here's the (potential) issue:", "book based on the title alone.* Rightly or wrongly, that's what happens. That", "title should be funny. If your book is dark, then the title should", "that potential readers spot the title at think \"huh, that's an odd title", "amazing, but word of mouth can only do so much...* [No data here]", "the books in a real or virtual bookstore what is the one title", "entire reason your title exists is to sell your book. Think to yourself:", "it sound like it's science fiction. [...] > > > This made a", "it. I may have shot myself in the foot using \"farmers\"* --- I", "what is the one title I can choose that will at least make", "You can put it on backwards like the cool kids do, but always", "they want to remain unknown). Originally, the title is supposed to be subtle", "your book is funny, then the title should be funny. If your book", "(Yes, yes, you're an artist not a businessperson. I know. Let's just say", "story, but it may be lacking in some of the areas mentioned above.", "one title I can choose that will at least make someone stop and", "artist exists, shall we?) > > With that in mind, the first rule", "reason the phrase starving artist exists, shall we?) > > With that in", "the story, the reader would not suspect or figure out that another group", "aren't curious about farmers. It may be too late to change now, but", "my title, but it's not: The Farmers (Alternatively \"In Agricolas*\" internationally, Latin -", "(to the new reader yet unknown) group of people within society, that have", "my actual title, since that makes it less of a personal \"fix my", "areas mentioned above. This is where I use a random title - almost", "but word of mouth can only do so much...* [No data here] Actual", "the phrase starving artist exists, shall we?) > > With that in mind,", "be funny. If your book is dark, then the title should be dark.", "of the story, or should he trust the original feeling that it was", "believable to the highest extend possible. Pre-question: Now, should the author simply trust", "them for their title - Thus making it more obvious that there's more", "remember that the entire reason your title exists is to sell your book.*", "people probably aren't curious about farmers. It may be too late to change", "there's more to it. I may have shot myself in the foot using", "title. You can put it on backwards like the cool kids do, but", "in style, content, theme and so on. This could very well be my", "of my novel for almost as long as I can remember working on", "started thinking. I've been pretty sure about the title of my novel for", "making it more obvious that there's more to it. I may have shot", "think \"huh, that's an odd title for a book in the science-fiction section\",", "\"fantastical/futuristic\" content as it occurs in the natural flow of the story. The", "the subtleness/camouflage is a part of the story, or should he trust the", "can remember working on the story, but it may be lacking in some", "results/answers helping to maintain the unawareness of the story's content. Let me know", "that people* use when they refer to *this group of people, but it", "buy or pass on your book based on the title alone.* Rightly or", "for almost as long as I can remember working on the story, but", "flow of the story. The story is heavily based on actual science, and", "--- I will work around using my actual title, since that makes it", "random title - almost identical in style, content, theme and so on. This", "to me, so I started thinking. I've been pretty sure about the title", "how they refer to them self (probably not, since they want to remain", "me know if this makes no sense when trying to sell a novel.", "story. If we meet farmers in the story, the reader would not suspect", "the group of people in the story - any web searches or everyday", "writing a romance novel, don't make it sound like it's science fiction. [...]", "author simply trust that potential readers spot the title at think \"huh, that's", "on backwards like the cool kids do, but always remember that the entire", "novel is a science-fiction story set in today's world. The title of the", "to buy or pass on your book based on the title alone.* Rightly", "The author of course expects the completed novel to be amazing, but word", "about \"farmers\" would give a multitude of standard results/answers helping to maintain the", "that will at least make someone stop and take a closer look?* (Yes,", "about farmers. It may be too late to change now, but \"The Citizens\",", "now, but \"The Citizens\", \"The Habitants\" are closer to my own. These are", "extend possible. Pre-question: Now, should the author simply trust that potential readers spot", "be too late to change now, but \"The Citizens\", \"The Habitants\" are closer", "group of people go under the same name, and only discover the \"fantastical/futuristic\"", "and only discover the \"fantastical/futuristic\" content as it occurs in the natural flow", "\"farmers\"* --- I will work around using my actual title, since that makes", "I use a random title - almost identical in style, content, theme and", "mind, the first rule is that titles should be interesting, original, memorable and", "occurs in the natural flow of the story. The story is heavily based", "a book in the science-fiction section\", or would they need a recommendation from", "in the story - any web searches or everyday discussions about \"farmers\" would", "my novel for almost as long as I can remember working on the", "not, since they want to remain unknown). Originally, the title is supposed to", "thinking. I've been pretty sure about the title of my novel for almost", "late to change now, but \"The Citizens\", \"The Habitants\" are closer to my", "multitude of standard results/answers helping to maintain the unawareness of the story's content.", "simply trust that potential readers spot the title at think \"huh, that's an", "to sell a novel. I've considered adding a character's part to the title", "or figure out that another group of people go under the same name,", "when trying to sell a novel. I've considered adding a character's part to", "self (probably not, since they want to remain unknown). Originally, the title is", "\"farmers\" as my fake title, since most people probably aren't curious about farmers.", "about the content of story. If we meet farmers in the story, the", "science, and should therefore remain believable to the highest extend possible. Pre-question:** Now,", "give away anything important about the content of story. If we meet farmers", "for their title - Thus making it more obvious that there's more to", "sell your book. Think to yourself: Out of all of the books in", "THIS QUESTION HAS BEEN EDITED: KEEPS ORIGINAL TITLE TO MAKE SENSE OF EXISTING", "society, that have access to/use \"fantastical/futuristic\" technologies and science-based knowledge, that is unaccessible", "we?) > > With that in mind, the first rule is that titles", "certain traits, which would make it 'odd' that a book used them for", "MAKE SENSE OF EXISTING ANSWERS, BUT I'M ADDING THE FOLLOWING: I do somewhat", "in mind, the first rule is that titles should be interesting, original, memorable", "be lacking in some of the areas mentioned above. This is where I", "marketing hat on when you write your title. You can put it on", "unknown). Originally, the title is supposed to be subtle and not give away", "that in mind, the first rule is that titles should be interesting, original,", "know if inappropriate) > > [...] The first thing to keep in mind", "in the science-fiction section\", or would they need a recommendation from someone who", "from top-voted answer, let me know if inappropriate) > > [...] The first", "- quick Google Translate) The novel is a science-fiction story set in today's", "Here's the (potential) issue: (Copied from top-voted answer, let me know if inappropriate)", "Let's just say there's a reason the phrase starving artist exists, shall we?)", "If we meet farmers in the story, the reader would not suspect or", "that have access to/use \"fantastical/futuristic\" technologies and science-based knowledge, that is unaccessible to", "makes it less of a personal \"fix my writing\"-issue and more of a", "- Thus making it more obvious that there's more to it. I may", "and not give away anything important about the content of story. If we", "Originally, the title is supposed to be subtle and not give away anything", "have shot myself in the foot using \"farmers\"* --- I will work around", "here] Actual question: Should the author attempt to make the title more interesting/revealing", "is that titles should be interesting, original, memorable and appropriate** above everything else.", "pretty sure about the title of my novel for almost as long as", "would not suspect or figure out that another group of people go under", "I do somewhat regret choosing \"farmers\" as my fake title, since most people", "give it an adult title. If you're writing a romance novel, don't make", "been pretty sure about the title of my novel for almost as long", "a science-fiction story set in today's world. The title of the book refers", "sell* a novel. I've considered adding a character's part to the title like", "reading [this question](https://writers.stackexchange.com/questions/27247/need-help-titling-my-book) and the top-voted answer to [another title-related question](https://writers.stackexchange.com/questions/7793/how-to-come-up-with-a-good-title), I started", "the title more interesting/revealing in itself, even though the subtleness/camouflage is a part", "take a closer look? (Yes, yes, you're an artist not a businessperson. I", "a businessperson. I know. Let's just say there's a reason the phrase starving", "of all of the books in a real or virtual bookstore what is", "title? Bonus: Adding to the secrecy of the group of people in the", "ADDING THE FOLLOWING: I do somewhat regret choosing \"farmers\" as my fake title,", "Out of all of the books in a real or virtual bookstore what", "to the title like this: The Farmers: Adrian's Discovery* ... or something along", "that you need to put your marketing hat on when you write your", "should be funny. If your book is dark, then the title should be", "people use when they refer to *this group of people, but it is", "a real or virtual bookstore what is the one title I can choose", "maintain the unawareness of the story's content. Let me know if this makes", "memorable and appropriate* above everything else. If your book is funny, then the", "writing\"-issue and more of a general issue. Here's the situation; After reading [this", "fake title, since most people probably aren't curious about farmers. It may be", "may have shot myself in the foot using \"farmers\"* --- I will work", "your book. Think to yourself: Out of all of the books in a", "the title of my novel for almost as long as I can remember", "titles/groups of people, that you would not connect to certain traits, which would", "is to sell your book. Think to yourself: Out of all of the", "to the secrecy of the group of people in the story - any", "secrecy of the group of people in the story - any web searches", "the cool kids do, but always remember that the entire reason your title", "the title alone. Rightly or wrongly, that's what happens. That means that you", "trying to sell a novel. I've considered adding a character's part to the", "using my actual title, since that makes it less of a personal \"fix", "The title of the book refers to a certain (to the new reader", "\"farmers\" would give a multitude of standard results/answers helping to maintain the unawareness", "yet unknown) group of people within society, that have access to/use \"fantastical/futuristic\" technologies", "your book based on the title alone. Rightly or wrongly, that's what happens.", "may be lacking in some of the areas mentioned above. This is where", "is a part of the story, or should he trust the original feeling", "to this group of people, but it is not necessarily how they refer", "a part of the story, or should he trust the original feeling that", "the story's content. Let me know if this makes no sense when trying", "will at least make someone stop and take a closer look? (Yes, yes,", "in mind is that *most readers will decide to buy or pass on", "top-voted answer, let me know if inappropriate) > > [...] The first thing", "can only do so much... [No data here] Actual question: Should the author", "to yourself: Out of all of the books in a real or virtual", "a suitable title? Bonus: Adding to the secrecy of the group of people", "everyday discussions about \"farmers\" would give a multitude of standard results/answers helping to", "theme and so on. This could very well be my title, but it's", "in some of the areas mentioned above. This is where I use a", "the book refers to a certain (to the new reader yet unknown) group", "but it is not necessarily how they refer to them self (probably not,", "real or virtual bookstore what is the one title I can choose that", "natural flow of the story. The story is heavily based on actual science,", "be dark. If it's for kids, don't give it an adult title. If", "Habitants\" are closer to my own. These are titles/groups of people, that you", "to keep in mind is that most readers will decide to buy or", "choosing \"farmers\" as my fake title, since most people probably aren't curious about", "title exists is to sell your book.** Think to yourself: Out of all", "that's an odd title for a book in the science-fiction section\", or would", "science-fiction section\", or would they need a recommendation from someone who actually read,", "section\", or would they need a recommendation from someone who actually read, to", "more interesting/revealing in itself, even though the subtleness/camouflage is a part of the", "the (potential) issue: (Copied from top-voted answer, let me know if inappropriate) >", "Rightly or wrongly, that's what happens. That means that you need to put", "or virtual bookstore what is the one title I can choose that will", "Think to yourself: Out of all of the books in a real or", "part to the title like this: The Farmers: Adrian's Discovery* ... or something", "the title like this: *The Farmers: Adrian's Discovery* ... or something along those", "the author attempt to make the title more interesting/revealing in itself, even though", "thing to keep in mind is that most readers will decide to buy", "actual science, and should therefore remain believable to the highest extend possible. Pre-question:", "book used them for their title - Thus making it more obvious that", "you would not connect to certain traits, which would make it 'odd' that", "the one title I can choose that will at least make someone stop", "is the one title I can choose that will at least make someone", "in itself, even though the subtleness/camouflage is a part of the story, or", "title like this: *The Farmers: Adrian's Discovery* ... or something along those lines.", "highest extend possible. Pre-question: Now, should the author simply trust that potential readers", "[No data here] Actual question: Should the author attempt to make the title", "to be subtle and not give away anything important about the content of", "actual title, since that makes it less of a personal \"fix my writing\"-issue", "title I can choose that will at least make someone stop and take", "ANSWERS, BUT I'M ADDING THE FOLLOWING: *I do somewhat regret choosing \"farmers\" as" ]
[ "in the past? (Are people reading books less now because they'd rather watch", "past? (Are people reading books less now because they'd rather watch Netflix, or", "lot of people to buy and read a published book than it was", "published book than it was in the past? (Are people reading books less", "harder to get a lot of people to buy and read a published", "watch Netflix, or just read a pirated version of the book online, etc?)", "because they'd rather watch Netflix, or just read a pirated version of the", "of people to buy and read a published book than it was in", "rather watch Netflix, or just read a pirated version of the book online,", "Today, is it harder to get a lot of people to buy and", "people reading books less now because they'd rather watch Netflix, or just read", "reading books less now because they'd rather watch Netflix, or just read a", "than it was in the past? (Are people reading books less now because", "a published book than it was in the past? (Are people reading books", "was in the past? (Are people reading books less now because they'd rather", "now because they'd rather watch Netflix, or just read a pirated version of", "they'd rather watch Netflix, or just read a pirated version of the book", "it harder to get a lot of people to buy and read a", "to buy and read a published book than it was in the past?", "get a lot of people to buy and read a published book than", "people to buy and read a published book than it was in the", "is it harder to get a lot of people to buy and read", "to get a lot of people to buy and read a published book", "buy and read a published book than it was in the past? (Are", "books less now because they'd rather watch Netflix, or just read a pirated", "(Are people reading books less now because they'd rather watch Netflix, or just", "it was in the past? (Are people reading books less now because they'd", "and read a published book than it was in the past? (Are people", "less now because they'd rather watch Netflix, or just read a pirated version", "read a published book than it was in the past? (Are people reading", "a lot of people to buy and read a published book than it", "the past? (Are people reading books less now because they'd rather watch Netflix,", "book than it was in the past? (Are people reading books less now" ]
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[ "to search for on Google, I was going to add a subtitle. Perhaps", "fiction novel. As well, is there a sort of rule to follow for", "is if this is too long or off-putting for a fiction novel. As", "a fiction novel. As well, is there a sort of rule to follow", "novel. As well, is there a sort of rule to follow for this", "\"Cherry on Top.\" However, because this may be hard to search for on", "on Top.\" However, because this may be hard to search for on Google,", "going to add a subtitle. Perhaps make the full title/subtitle \"Cherry on Top:", "long or off-putting for a fiction novel. As well, is there a sort", "Top: Not so Sweet.\" My question is if this is too long or", "because this may be hard to search for on Google, I was going", "off-putting for a fiction novel. As well, is there a sort of rule", "my book \"Cherry on Top.\" However, because this may be hard to search", "this may be hard to search for on Google, I was going to", "too long or off-putting for a fiction novel. As well, is there a", "My question is if this is too long or off-putting for a fiction", "for a fiction novel. As well, is there a sort of rule to", "Sweet.\" My question is if this is too long or off-putting for a", "I was considering naming my book \"Cherry on Top.\" However, because this may", "this is too long or off-putting for a fiction novel. As well, is", "\"Cherry on Top: Not so Sweet.\" My question is if this is too", "well, is there a sort of rule to follow for this sort of", "naming my book \"Cherry on Top.\" However, because this may be hard to", "Perhaps make the full title/subtitle \"Cherry on Top: Not so Sweet.\" My question", "Not so Sweet.\" My question is if this is too long or off-putting", "so Sweet.\" My question is if this is too long or off-putting for", "hard to search for on Google, I was going to add a subtitle.", "on Top: Not so Sweet.\" My question is if this is too long", "on Google, I was going to add a subtitle. Perhaps make the full", "is too long or off-putting for a fiction novel. As well, is there", "I was going to add a subtitle. Perhaps make the full title/subtitle \"Cherry", "if this is too long or off-putting for a fiction novel. As well,", "search for on Google, I was going to add a subtitle. Perhaps make", "Top.\" However, because this may be hard to search for on Google, I", "be hard to search for on Google, I was going to add a", "question is if this is too long or off-putting for a fiction novel.", "the full title/subtitle \"Cherry on Top: Not so Sweet.\" My question is if", "add a subtitle. Perhaps make the full title/subtitle \"Cherry on Top: Not so", "Google, I was going to add a subtitle. Perhaps make the full title/subtitle", "However, because this may be hard to search for on Google, I was", "or off-putting for a fiction novel. As well, is there a sort of", "to add a subtitle. Perhaps make the full title/subtitle \"Cherry on Top: Not", "make the full title/subtitle \"Cherry on Top: Not so Sweet.\" My question is", "title/subtitle \"Cherry on Top: Not so Sweet.\" My question is if this is", "was considering naming my book \"Cherry on Top.\" However, because this may be", "was going to add a subtitle. Perhaps make the full title/subtitle \"Cherry on", "full title/subtitle \"Cherry on Top: Not so Sweet.\" My question is if this", "for on Google, I was going to add a subtitle. Perhaps make the", "subtitle. Perhaps make the full title/subtitle \"Cherry on Top: Not so Sweet.\" My", "considering naming my book \"Cherry on Top.\" However, because this may be hard", "is there a sort of rule to follow for this sort of thing?", "As well, is there a sort of rule to follow for this sort", "book \"Cherry on Top.\" However, because this may be hard to search for", "a subtitle. Perhaps make the full title/subtitle \"Cherry on Top: Not so Sweet.\"", "may be hard to search for on Google, I was going to add" ]
[ "of the tragedy. I've not heard much about the craft of writing a", "regardless of what type they are. Your heroes do not have to win.", "feel-good tragedy and moreover what elements allow you to have a downer destination", "Juliet 2. The First Law 3. The Departed 4. The Titanic Clearly tragedies", "an oxymoron, but these do exist. I have some examples here, and some", "3. Order of the Phoenix. 4. Dead Pool 2 Trailer - <https://www.youtube.com/watch?v=wLeGWcVeIZ4> Feel", "and moreover what elements allow you to have a downer destination while leading", "be successful and revered by audiences. Definitions: * Feel Good Tragedy - A", "* Feel Good Tragedy - A story in which your protagonist(s) lose, but", "a formula? Is there something at work here in all feel good tragedies", "Feel Bad Tragedies 1. Romeo & Juliet 2. The First Law 3. The", "have some examples here, and some of them include movies. Feel Good Tragedies", "story's audience. Question: What are the craft level things someone should be aware", "of the Phoenix. 4. Dead Pool 2 Trailer - <https://www.youtube.com/watch?v=wLeGWcVeIZ4> Feel Bad Tragedies", "Good Tragedies 1. Empire Strikes Back 2. The Prestige 3. Order of the", "The Departed 4. The Titanic Clearly tragedies can sell regardless of what type", "they are. Your heroes do not have to win. But, I'm interested in", "the tragedy. I've not heard much about the craft of writing a successful", "downer destination while leading the audience to a happy emotional state. Note, both", "state in your story's audience. * Feel Bad Tragedy - A story in", "when trying to write a feel good tragedy? Is there a formula? Is", "lead to a negative response or emotional state in your story's audience. ", "Prestige 3. Order of the Phoenix. 4. Dead Pool 2 Trailer - <https://www.youtube.com/watch?v=wLeGWcVeIZ4>", "First Law 3. The Departed 4. The Titanic Clearly tragedies can sell regardless", "someone should be aware of when trying to write a feel good tragedy?", "- <https://www.youtube.com/watch?v=wLeGWcVeIZ4> Feel Bad Tragedies 1. Romeo & Juliet 2. The First Law", "types of stories can be successful and revered by audiences. Definitions: Feel", "and leave on an up note inspite of the tragedy. I've not heard", "note inspite of the tragedy. I've not heard much about the craft of", "and this is upsetting for your story's audience. Question:* What are the craft", "sounds like an oxymoron, but these do exist. I have some examples here,", "Is there a formula? Is there something at work here in all feel", "have to win. But, I'm interested in the ones where you're excited and", "things someone should be aware of when trying to write a feel good", "does not lead to a negative response or emotional state in your story's", "Feel Bad Tragedy - A story in which your protagonist(s) lose, and this", "some of them include movies. Feel Good Tragedies 1. Empire Strikes Back 2.", "a negative response or emotional state in your story's audience. * Feel Bad", "oxymoron, but these do* exist. I have some examples here, and some of", "story in which your protagonist(s) lose, and this is upsetting for your story's", "formula? Is there something at work here in all feel good tragedies that", "them include movies. Feel Good Tragedies 1. Empire Strikes Back 2. The Prestige", "3. The Departed 4. The Titanic Clearly tragedies can sell regardless of what", "craft level things someone should be aware of when trying to write a", "exist. I have some examples here, and some of them include movies. Feel", "- A story in which your protagonist(s) lose, and this is upsetting for", "tragedy? Is there a formula? Is there something at work here in all", "can be successful and revered by audiences. Definitions: * Feel Good Tragedy -", "Tragedies 1. Empire Strikes Back 2. The Prestige 3. Order of the Phoenix.", "something at work here in all feel good tragedies that can be replicated?", "revered by audiences. Definitions: * Feel Good Tragedy - A story in which", "and some of them include movies. Feel Good Tragedies 1. Empire Strikes Back", "should be aware of when trying to write a feel good tragedy? Is", "write a feel good tragedy? Is there a formula? Is there something at", "Tragedy* - A story in which your protagonist(s) lose, but which does not", "in which your protagonist(s) lose, but which does not lead to a negative", "like an oxymoron, but these do exist. I have some examples here, and", "Bad Tragedy* - A story in which your protagonist(s) lose, and this is", "sell regardless of what type they are. Your heroes do not have to", "tragedies can sell regardless of what type they are. Your heroes do not", "what type they are. Your heroes do not have to win. But, I'm", "much about the craft of writing a successful feel-good tragedy and moreover what", "audiences. Definitions: * Feel Good Tragedy - A story in which your protagonist(s)", "there a formula? Is there something at work here in all feel good", "to write a feel good tragedy? Is there a formula? Is there something", "heroes do not have to win. But, I'm interested in the ones where", "be aware of when trying to write a feel good tragedy? Is there", "which your protagonist(s) lose, and this is upsetting for your story's audience. Question:", "story's audience. * Feel Bad Tragedy - A story in which your protagonist(s)", "your story's audience. * Feel Bad Tragedy - A story in which your", "2. The First Law 3. The Departed 4. The Titanic Clearly tragedies can", "a successful feel-good tragedy and moreover what elements allow you to have a", "A story in which your protagonist(s) lose, but which does not lead to", "up note inspite of the tragedy. I've not heard much about the craft", "Phoenix. 4. Dead Pool 2 Trailer - <https://www.youtube.com/watch?v=wLeGWcVeIZ4> Feel Bad Tragedies 1. Romeo", "which does not lead to a negative response or emotional state in your", "Dead Pool 2 Trailer - <https://www.youtube.com/watch?v=wLeGWcVeIZ4> Feel Bad Tragedies 1. Romeo & Juliet", "Feel Good Tragedy - A story in which your protagonist(s) lose, but which", "some examples here, and some of them include movies. Feel Good Tragedies 1.", "not have to win. But, I'm interested in the ones where you're excited", "good tragedy? Is there a formula? Is there something at work here in", "know this sounds like an oxymoron, but these do exist. I have some", "interested in the ones where you're excited and leave on an up note", "examples here, and some of them include movies. Feel Good Tragedies 1. Empire", "the Phoenix. 4. Dead Pool 2 Trailer - <https://www.youtube.com/watch?v=wLeGWcVeIZ4> Feel Bad Tragedies 1.", "I've not heard much about the craft of writing a successful feel-good tragedy", "a downer destination while leading the audience to a happy emotional state. Note,", "do exist. I have some examples here, and some of them include movies.", "audience. Question: What are the craft level things someone should be aware of", "<https://www.youtube.com/watch?v=wLeGWcVeIZ4> Feel Bad Tragedies 1. Romeo & Juliet 2. The First Law 3.", "1. Romeo & Juliet 2. The First Law 3. The Departed 4. The", "level things someone should be aware of when trying to write a feel", "successful and revered by audiences. Definitions: * Feel Good Tragedy - A story", "The First Law 3. The Departed 4. The Titanic Clearly tragedies can sell", "4. The Titanic Clearly tragedies can sell regardless of what type they are.", "win. But, I'm interested in the ones where you're excited and leave on", "to a happy emotional state. Note, both types of stories can be successful", "have a downer destination while leading the audience to a happy emotional state.", "not heard much about the craft of writing a successful feel-good tragedy and", "& Juliet 2. The First Law 3. The Departed 4. The Titanic Clearly", "and revered by audiences. Definitions: * Feel Good Tragedy - A story in", "are. Your heroes do not have to win. But, I'm interested in the", "excited and leave on an up note inspite of the tragedy. I've not", "of stories can be successful and revered by audiences. Definitions: * Feel Good", "protagonist(s) lose, but which does not lead to a negative response or emotional", "an up note inspite of the tragedy. I've not heard much about the", "Question:* What are the craft level things someone should be aware of when", "2. The Prestige 3. Order of the Phoenix. 4. Dead Pool 2 Trailer", "but which does not lead to a negative response or emotional state in", "Tragedies 1. Romeo & Juliet 2. The First Law 3. The Departed 4.", "include movies. Feel Good Tragedies 1. Empire Strikes Back 2. The Prestige 3.", "ones where you're excited and leave on an up note inspite of the", "Empire Strikes Back 2. The Prestige 3. Order of the Phoenix. 4. Dead", "writing a successful feel-good tragedy and moreover what elements allow you to have", "by audiences. Definitions: * Feel Good Tragedy - A story in which your", "not lead to a negative response or emotional state in your story's audience.", "to win. But, I'm interested in the ones where you're excited and leave", "to a negative response or emotional state in your story's audience. * Feel", "Is there something at work here in all feel good tragedies that can", " Feel Bad Tragedy - A story in which your protagonist(s) lose, and", "Note, both types of stories can be successful and revered by audiences. Definitions:", "type they are. Your heroes do not have to win. But, I'm interested", "The Titanic Clearly tragedies can sell regardless of what type they are. Your", "- A story in which your protagonist(s) lose, but which does not lead", "Your heroes do not have to win. But, I'm interested in the ones", "is upsetting for your story's audience. Question: What are the craft level things", "happy emotional state. Note, both types of stories can be successful and revered", "I'm interested in the ones where you're excited and leave on an up", "story in which your protagonist(s) lose, but which does not lead to a", "heard much about the craft of writing a successful feel-good tragedy and moreover", "negative response or emotional state in your story's audience. * Feel Bad Tragedy", "can sell regardless of what type they are. Your heroes do not have", "these do exist. I have some examples here, and some of them include", "of writing a successful feel-good tragedy and moreover what elements allow you to", "response or emotional state in your story's audience. * Feel Bad Tragedy -", "What are the craft level things someone should be aware of when trying", "tragedy and moreover what elements allow you to have a downer destination while", "where you're excited and leave on an up note inspite of the tragedy.", "upsetting for your story's audience. Question: What are the craft level things someone", "state. Note, both types of stories can be successful and revered by audiences.", "audience. * Feel Bad Tragedy - A story in which your protagonist(s) lose,", "the ones where you're excited and leave on an up note inspite of", "trying to write a feel good tragedy? Is there a formula? Is there", "this is upsetting for your story's audience. Question: What are the craft level", "your protagonist(s) lose, but which does not lead to a negative response or", "to have a downer destination while leading the audience to a happy emotional", "the craft of writing a successful feel-good tragedy and moreover what elements allow", "a happy emotional state. Note, both types of stories can be successful and", "your story's audience. Question: What are the craft level things someone should be", "lose, but which does not lead to a negative response or emotional state", "of what type they are. Your heroes do not have to win. But,", "lose, and this is upsetting for your story's audience. Question: What are the", "I know this sounds like an oxymoron, but these do exist. I have", "the craft level things someone should be aware of when trying to write", "tragedy. I've not heard much about the craft of writing a successful feel-good", "Clearly tragedies can sell regardless of what type they are. Your heroes do", "Tragedy* - A story in which your protagonist(s) lose, and this is upsetting", "Romeo & Juliet 2. The First Law 3. The Departed 4. The Titanic", "Back 2. The Prestige 3. Order of the Phoenix. 4. Dead Pool 2", "protagonist(s) lose, and this is upsetting for your story's audience. Question: What are", "emotional state. Note, both types of stories can be successful and revered by", "I have some examples here, and some of them include movies. Feel Good", "1. Empire Strikes Back 2. The Prestige 3. Order of the Phoenix. 4.", "Order of the Phoenix. 4. Dead Pool 2 Trailer - <https://www.youtube.com/watch?v=wLeGWcVeIZ4> Feel Bad", "2 Trailer - <https://www.youtube.com/watch?v=wLeGWcVeIZ4> Feel Bad Tragedies 1. Romeo & Juliet 2. The", "leave on an up note inspite of the tragedy. I've not heard much", "Strikes Back 2. The Prestige 3. Order of the Phoenix. 4. Dead Pool", "Pool 2 Trailer - <https://www.youtube.com/watch?v=wLeGWcVeIZ4> Feel Bad Tragedies 1. Romeo & Juliet 2.", "Law 3. The Departed 4. The Titanic Clearly tragedies can sell regardless of", "The Prestige 3. Order of the Phoenix. 4. Dead Pool 2 Trailer -", "Titanic Clearly tragedies can sell regardless of what type they are. Your heroes", "the audience to a happy emotional state. Note, both types of stories can", "stories can be successful and revered by audiences. Definitions: * Feel Good Tragedy", "of when trying to write a feel good tragedy? Is there a formula?", "allow you to have a downer destination while leading the audience to a", "A story in which your protagonist(s) lose, and this is upsetting for your", "Departed 4. The Titanic Clearly tragedies can sell regardless of what type they", "but these do exist. I have some examples here, and some of them", "on an up note inspite of the tragedy. I've not heard much about", "about the craft of writing a successful feel-good tragedy and moreover what elements", "this sounds like an oxymoron, but these do exist. I have some examples", "Definitions: * Feel Good Tragedy - A story in which your protagonist(s) lose,", "for your story's audience. Question: What are the craft level things someone should", "in your story's audience. * Feel Bad Tragedy - A story in which", "are the craft level things someone should be aware of when trying to", "aware of when trying to write a feel good tragedy? Is there a", "Feel Good Tragedies 1. Empire Strikes Back 2. The Prestige 3. Order of", "destination while leading the audience to a happy emotional state. Note, both types", "craft of writing a successful feel-good tragedy and moreover what elements allow you", "Trailer - <https://www.youtube.com/watch?v=wLeGWcVeIZ4> Feel Bad Tragedies 1. Romeo & Juliet 2. The First", "successful feel-good tragedy and moreover what elements allow you to have a downer", "your protagonist(s) lose, and this is upsetting for your story's audience. Question: What", "feel good tragedy? Is there a formula? Is there something at work here", "of them include movies. Feel Good Tragedies 1. Empire Strikes Back 2. The", "4. Dead Pool 2 Trailer - <https://www.youtube.com/watch?v=wLeGWcVeIZ4> Feel Bad Tragedies 1. Romeo &", "or emotional state in your story's audience. * Feel Bad Tragedy - A", "here, and some of them include movies. Feel Good Tragedies 1. Empire Strikes", "movies. Feel Good Tragedies 1. Empire Strikes Back 2. The Prestige 3. Order", "in the ones where you're excited and leave on an up note inspite", "Bad Tragedies 1. Romeo & Juliet 2. The First Law 3. The Departed", "there something at work here in all feel good tragedies that can be", "a feel good tragedy? Is there a formula? Is there something at work", "which your protagonist(s) lose, but which does not lead to a negative response", "while leading the audience to a happy emotional state. Note, both types of", "inspite of the tragedy. I've not heard much about the craft of writing", "moreover what elements allow you to have a downer destination while leading the", "what elements allow you to have a downer destination while leading the audience", "elements allow you to have a downer destination while leading the audience to", "you to have a downer destination while leading the audience to a happy", "do not have to win. But, I'm interested in the ones where you're", "audience to a happy emotional state. Note, both types of stories can be", "you're excited and leave on an up note inspite of the tragedy. I've", "both types of stories can be successful and revered by audiences. Definitions: ", "emotional state in your story's audience. Feel Bad Tragedy - A story", "Good Tragedy* - A story in which your protagonist(s) lose, but which does", "in which your protagonist(s) lose, and this is upsetting for your story's audience.", "leading the audience to a happy emotional state. Note, both types of stories", "But, I'm interested in the ones where you're excited and leave on an" ]
[ "manipulative sort of protagonist, one who enjoys mind games, blackmail, systematically destroying people", "should write her such that an audience would connect with her - how", "blackmail, systematically destroying people who've wronged her, that sort of thing. I personally", "this manner be sympathetic rather than abhorrent to the reader, and not in", "games, blackmail, systematically destroying people who've wronged her, that sort of thing. I", "her very interesting, but I'm not sure how I should write her such", "sort of protagonist, one who enjoys mind games, blackmail, systematically destroying people who've", "to the reader, and not in a fake \"pet the dog\" kind of", "find her very interesting, but I'm not sure how I should write her", "make a character who acts in this manner be sympathetic rather than abhorrent", "such that an audience would connect with her - how to make a", "an audience would connect with her - how to make a character who", "reader, and not in a fake \"pet the dog\" kind of manner either.", "sort of thing. I personally find her very interesting, but I'm not sure", "would connect with her - how to make a character who acts in", "how I should write her such that an audience would connect with her", "character who acts in this manner be sympathetic rather than abhorrent to the", "a manipulative sort of protagonist, one who enjoys mind games, blackmail, systematically destroying", "audience would connect with her - how to make a character who acts", "of protagonist, one who enjoys mind games, blackmail, systematically destroying people who've wronged", "her - how to make a character who acts in this manner be", "in a fake \"pet the dog\" kind of manner either. How could I", "manner be sympathetic rather than abhorrent to the reader, and not in a", "people who've wronged her, that sort of thing. I personally find her very", "personally find her very interesting, but I'm not sure how I should write", "I should write her such that an audience would connect with her -", "a fake \"pet the dog\" kind of manner either. How could I go", "systematically destroying people who've wronged her, that sort of thing. I personally find", "that sort of thing. I personally find her very interesting, but I'm not", "who've wronged her, that sort of thing. I personally find her very interesting,", "I personally find her very interesting, but I'm not sure how I should", "her such that an audience would connect with her - how to make", "that an audience would connect with her - how to make a character", "a character who acts in this manner be sympathetic rather than abhorrent to", "wronged her, that sort of thing. I personally find her very interesting, but", "of thing. I personally find her very interesting, but I'm not sure how", "not in a fake \"pet the dog\" kind of manner either. How could", "the dog\" kind of manner either. How could I go about doing that?", "abhorrent to the reader, and not in a fake \"pet the dog\" kind", "the reader, and not in a fake \"pet the dog\" kind of manner", "rather than abhorrent to the reader, and not in a fake \"pet the", "who enjoys mind games, blackmail, systematically destroying people who've wronged her, that sort", "to make a character who acts in this manner be sympathetic rather than", "acts in this manner be sympathetic rather than abhorrent to the reader, and", "created a manipulative sort of protagonist, one who enjoys mind games, blackmail, systematically", "sympathetic rather than abhorrent to the reader, and not in a fake \"pet", "fake \"pet the dog\" kind of manner either. How could I go about", "mind games, blackmail, systematically destroying people who've wronged her, that sort of thing.", "destroying people who've wronged her, that sort of thing. I personally find her", "thing. I personally find her very interesting, but I'm not sure how I", "write her such that an audience would connect with her - how to", "with her - how to make a character who acts in this manner", "I'm not sure how I should write her such that an audience would", "but I'm not sure how I should write her such that an audience", "enjoys mind games, blackmail, systematically destroying people who've wronged her, that sort of", "sure how I should write her such that an audience would connect with", "interesting, but I'm not sure how I should write her such that an", "how to make a character who acts in this manner be sympathetic rather", "one who enjoys mind games, blackmail, systematically destroying people who've wronged her, that", "and not in a fake \"pet the dog\" kind of manner either. How", "not sure how I should write her such that an audience would connect", "in this manner be sympathetic rather than abhorrent to the reader, and not", "protagonist, one who enjoys mind games, blackmail, systematically destroying people who've wronged her,", "very interesting, but I'm not sure how I should write her such that", "connect with her - how to make a character who acts in this", "who acts in this manner be sympathetic rather than abhorrent to the reader,", "I've created a manipulative sort of protagonist, one who enjoys mind games, blackmail,", "be sympathetic rather than abhorrent to the reader, and not in a fake", "than abhorrent to the reader, and not in a fake \"pet the dog\"", "\"pet the dog\" kind of manner either. How could I go about doing", "her, that sort of thing. I personally find her very interesting, but I'm", "- how to make a character who acts in this manner be sympathetic" ]
[ "I've always wondered. You've probably noticed that in some newspapers or books, the", "first few words of a chapter/story are bolded or capitalized, similar to [initials](https://en.wikipedia.org/wiki/Initial).", "Something I've always wondered. You've probably noticed that in some newspapers or books,", "the writers who capitalize these words. However, what is the point? Is it", "capitalized, similar to [initials](https://en.wikipedia.org/wiki/Initial). For example: [![enter image description here](https://i.stack.imgur.com/zSDzY.png)](https://i.stack.imgur.com/zSDzY.png) This image isn't", "capitalize these words. However, what is the point? Is it recommended in publishing?", "chapter/story are bolded or capitalized, similar to [initials](https://en.wikipedia.org/wiki/Initial). For example: [![enter image description", "isn't from a real book, it's from an [SE puzzle parodying a newspaper](https://puzzling.stackexchange.com/questions/47760/the-puzzling-times).", "newspaper](https://puzzling.stackexchange.com/questions/47760/the-puzzling-times). It should convey my point though. I've heard that this is a", "are bolded or capitalized, similar to [initials](https://en.wikipedia.org/wiki/Initial). For example: [![enter image description here](https://i.stack.imgur.com/zSDzY.png)](https://i.stack.imgur.com/zSDzY.png)", "This image isn't from a real book, it's from an [SE puzzle parodying", "in publishing? Does it actually help readability, or is there some historical reason?", "wondered. You've probably noticed that in some newspapers or books, the first few", "the first few words of a chapter/story are bolded or capitalized, similar to", "typesetting convention and it is not the writers who capitalize these words. However,", "it recommended in publishing? Does it actually help readability, or is there some", "what is the point? Is it recommended in publishing? Does it actually help", "that this is a typesetting convention and it is not the writers who", "real book, it's from an [SE puzzle parodying a newspaper](https://puzzling.stackexchange.com/questions/47760/the-puzzling-times). It should convey", "from a real book, it's from an [SE puzzle parodying a newspaper](https://puzzling.stackexchange.com/questions/47760/the-puzzling-times). It", "[SE puzzle parodying a newspaper](https://puzzling.stackexchange.com/questions/47760/the-puzzling-times). It should convey my point though. I've heard", "should convey my point though. I've heard that this is a typesetting convention", "book, it's from an [SE puzzle parodying a newspaper](https://puzzling.stackexchange.com/questions/47760/the-puzzling-times). It should convey my", "some newspapers or books, the first few words of a chapter/story are bolded", "bolded or capitalized, similar to [initials](https://en.wikipedia.org/wiki/Initial). For example: [![enter image description here](https://i.stack.imgur.com/zSDzY.png)](https://i.stack.imgur.com/zSDzY.png) This", "few words of a chapter/story are bolded or capitalized, similar to [initials](https://en.wikipedia.org/wiki/Initial). For", "You've probably noticed that in some newspapers or books, the first few words", "here](https://i.stack.imgur.com/zSDzY.png)](https://i.stack.imgur.com/zSDzY.png) This image isn't from a real book, it's from an [SE puzzle", "that in some newspapers or books, the first few words of a chapter/story", "it's from an [SE puzzle parodying a newspaper](https://puzzling.stackexchange.com/questions/47760/the-puzzling-times). It should convey my point", "this is a typesetting convention and it is not the writers who capitalize", "and it is not the writers who capitalize these words. However, what is", "from an [SE puzzle parodying a newspaper](https://puzzling.stackexchange.com/questions/47760/the-puzzling-times). It should convey my point though.", "these words. However, what is the point? Is it recommended in publishing? Does", "my point though. I've heard that this is a typesetting convention and it", "the point? Is it recommended in publishing? Does it actually help readability, or", "a newspaper](https://puzzling.stackexchange.com/questions/47760/the-puzzling-times). It should convey my point though. I've heard that this is", "or capitalized, similar to [initials](https://en.wikipedia.org/wiki/Initial). For example: [![enter image description here](https://i.stack.imgur.com/zSDzY.png)](https://i.stack.imgur.com/zSDzY.png) This image", "image description here](https://i.stack.imgur.com/zSDzY.png)](https://i.stack.imgur.com/zSDzY.png) This image isn't from a real book, it's from an", "[![enter image description here](https://i.stack.imgur.com/zSDzY.png)](https://i.stack.imgur.com/zSDzY.png) This image isn't from a real book, it's from", "is the point? Is it recommended in publishing? Does it actually help readability,", "noticed that in some newspapers or books, the first few words of a", "point? Is it recommended in publishing? Does it actually help readability, or is", "a typesetting convention and it is not the writers who capitalize these words.", "convey my point though. I've heard that this is a typesetting convention and", "similar to [initials](https://en.wikipedia.org/wiki/Initial). For example: [![enter image description here](https://i.stack.imgur.com/zSDzY.png)](https://i.stack.imgur.com/zSDzY.png) This image isn't from", "who capitalize these words. However, what is the point? Is it recommended in", "example: [![enter image description here](https://i.stack.imgur.com/zSDzY.png)](https://i.stack.imgur.com/zSDzY.png) This image isn't from a real book, it's", "I've heard that this is a typesetting convention and it is not the", "puzzle parodying a newspaper](https://puzzling.stackexchange.com/questions/47760/the-puzzling-times). It should convey my point though. I've heard that", "words of a chapter/story are bolded or capitalized, similar to [initials](https://en.wikipedia.org/wiki/Initial). For example:", "of a chapter/story are bolded or capitalized, similar to [initials](https://en.wikipedia.org/wiki/Initial). For example: [![enter", "point though. I've heard that this is a typesetting convention and it is", "parodying a newspaper](https://puzzling.stackexchange.com/questions/47760/the-puzzling-times). It should convey my point though. I've heard that this", "in some newspapers or books, the first few words of a chapter/story are", "Is it recommended in publishing? Does it actually help readability, or is there", "always wondered. You've probably noticed that in some newspapers or books, the first", "image isn't from a real book, it's from an [SE puzzle parodying a", "is a typesetting convention and it is not the writers who capitalize these", "probably noticed that in some newspapers or books, the first few words of", "is not the writers who capitalize these words. However, what is the point?", "or books, the first few words of a chapter/story are bolded or capitalized,", "not the writers who capitalize these words. However, what is the point? Is", "However, what is the point? Is it recommended in publishing? Does it actually", "a real book, it's from an [SE puzzle parodying a newspaper](https://puzzling.stackexchange.com/questions/47760/the-puzzling-times). It should", "though. I've heard that this is a typesetting convention and it is not", "newspapers or books, the first few words of a chapter/story are bolded or", "a chapter/story are bolded or capitalized, similar to [initials](https://en.wikipedia.org/wiki/Initial). For example: [![enter image", "an [SE puzzle parodying a newspaper](https://puzzling.stackexchange.com/questions/47760/the-puzzling-times). It should convey my point though. I've", "books, the first few words of a chapter/story are bolded or capitalized, similar", "writers who capitalize these words. However, what is the point? Is it recommended", "to [initials](https://en.wikipedia.org/wiki/Initial). For example: [![enter image description here](https://i.stack.imgur.com/zSDzY.png)](https://i.stack.imgur.com/zSDzY.png) This image isn't from a", "description here](https://i.stack.imgur.com/zSDzY.png)](https://i.stack.imgur.com/zSDzY.png) This image isn't from a real book, it's from an [SE", "recommended in publishing? Does it actually help readability, or is there some historical", "[initials](https://en.wikipedia.org/wiki/Initial). For example: [![enter image description here](https://i.stack.imgur.com/zSDzY.png)](https://i.stack.imgur.com/zSDzY.png) This image isn't from a real", "For example: [![enter image description here](https://i.stack.imgur.com/zSDzY.png)](https://i.stack.imgur.com/zSDzY.png) This image isn't from a real book,", "convention and it is not the writers who capitalize these words. However, what", "words. However, what is the point? Is it recommended in publishing? Does it", "It should convey my point though. I've heard that this is a typesetting", "heard that this is a typesetting convention and it is not the writers", "it is not the writers who capitalize these words. However, what is the" ]
[ "Is it at the number of subplots? Perhaps the types of things the", "which subplots I need to create? Looking at answers about subplots on this", "the types of things the plots are about? How do you know when", "want too many sideroads, because then the main road becomes obsolete. It's no", "subplots about? Is there some line I can draw somewhere? Is it at", "subplots on this site and others, the general idea of a subplot seems", "draw somewhere? Is it at the number of subplots? Perhaps the types of", "design my plot (amongst other important things), and then write. However, I've recently", "saying that I design my novels extensively before ever writing the first draft.", "idea of a subplot seems to be that it can show other sides", "the number of subplots? Perhaps the types of things the plots are about?", "different directions. I've even heard one suggestion that it can reinforce the theme", "I decide what to create subplots about? Is there some line I can", "question below: How do I know when I need subplots? How do I", "number of subplots. You could have one for every main, secondary, and tertiary", "other sides of your characters, making them more real to the reader. It", "need. If any. Let me open by saying that I design my novels", "answers about subplots on this site and others, the general idea of a", "first draft. I create my characters and design my plot (amongst other important", "me to the question below: How do I know when I need subplots?", "at knowing when to include subplots, and how many I need. If any.", "on a more personal level. The point is, you could create a large", "on this site and others, the general idea of a subplot seems to", "a subplot seems to be that it can show other sides of your", "too many sideroads, because then the main road becomes obsolete. It's no longer", "and tertiary character, a handful to mix up the main plot, and one", "I know which subplots I need to create?** Looking at answers about subplots", "can reinforce the theme on a more personal level. The point is, you", "of subplots. You could have one for every main, secondary, and tertiary character,", "another side-road. So, to repeat the question, knowing that, how do I decide", "about? Is there some line I can draw somewhere? Is it at the", "create them. This question is aimed at knowing when to include subplots, and", "reader. It can advance or effect the plot, sending it in different directions.", "secondary, and tertiary character, a handful to mix up the main plot, and", "one or two to support the theme. But if you do that, you're", "But if you do that, you're going to have way too many subplots.", "important things), and then write. However, I've recently discovered that I haven't been", "to include subplots, and how many I need. If any. Let me open", "include subplots, and how many I need. If any. Let me open by", "going to have way too many subplots. Your novel has a main plot,", "if you do that, you're going to have way too many subplots. Your", "my novels extensively before ever writing the first draft. I create my characters", "the plots are about? How do you know when to include subplots, and", "necessary to a story's success, and also loosely how to create them. This", "that I design my novels extensively before ever writing the first draft. I", "novels extensively before ever writing the first draft. I create my characters and", "draft. I create my characters and design my plot (amongst other important things),", "when I need subplots? How do I know which subplots I need to", "two to support the theme. But if you do that, you're going to", "do I know when I need subplots? How do I know which subplots", "the theme. But if you do that, you're going to have way too", "plots are about? How do you know when to include subplots, and how", "create?** Looking at answers about subplots on this site and others, the general", "that, you're going to have way too many subplots. Your novel has a", "theme on a more personal level. The point is, you could create a", "deals with subplots being necessary to a story's success, and also loosely how", "knowing when to include subplots, and how many I need. If any. Let", "my characters and design my plot (amongst other important things), and then write.", "main plot, and one or two to support the theme. But if you", "a main road it's trying to take. You don't want too many sideroads,", "advance or effect the plot, sending it in different directions. I've even heard", "many sideroads, because then the main road becomes obsolete. It's no longer the", "subplots. You could have one for every main, secondary, and tertiary character, a", "them. This question is aimed at knowing when to include subplots, and how", "the reader. It can advance or effect the plot, sending it in different", "level. The point is, you could create a large number of subplots. You", "to a story's success, and also loosely how to create them. This question", "for every main, secondary, and tertiary character, a handful to mix up the", "a story's success, and also loosely how to create them. This question is", "take. You don't want too many sideroads, because then the main road becomes", "I need subplots? How do I know which subplots I need to create?", "theme. But if you do that, you're going to have way too many", "one suggestion that it can reinforce the theme on a more personal level.", "haven't been including subplots in my stories. This leads me to the question", "can draw somewhere? Is it at the number of subplots? Perhaps the types", "leads me to the question below: How do I know when I need", "to create subplots about? Is there some line I can draw somewhere? Is", "repeat the question, knowing that, how do I decide what to create subplots", "Is there some line I can draw somewhere? Is it at the number", "real to the reader. It can advance or effect the plot, sending it", "directions. I've even heard one suggestion that it can reinforce the theme on", "of things the plots are about? How do you know when to include", "how do I decide what to create subplots about? Is there some line", "with subplots being necessary to a story's success, and also loosely how to", "of [this question](https://writers.stackexchange.com/questions/26092/are-subplots-necessary-for-a-successful-story). That question deals with subplots being necessary to a story's", "seems to be that it can show other sides of your characters, making", "do I decide what to create subplots about? Is there some line I", "character, a handful to mix up the main plot, and one or two", "to mix up the main plot, and one or two to support the", "discovered that I haven't been including subplots in my stories. This leads me", "Looking at answers about subplots on this site and others, the general idea", "subplot seems to be that it can show other sides of your characters,", "main, secondary, and tertiary character, a handful to mix up the main plot,", "be that it can show other sides of your characters, making them more", "main road becomes obsolete. It's no longer the main road. It's just another", "do that, you're going to have way too many subplots. Your novel has", "I can draw somewhere? Is it at the number of subplots? Perhaps the", "the question below: How do I know when I need subplots? How do", "by saying that I design my novels extensively before ever writing the first", "when to include subplots, and how many I need. If any. Let me", "and how many I need. If any. Let me open by saying that", "in my stories. This leads me to the question below: *How do I", "a large number of subplots. You could have one for every main, secondary,", "recently discovered that I haven't been including subplots in my stories. This leads", "the main road becomes obsolete. It's no longer the main road. It's just", "the first draft. I create my characters and design my plot (amongst other", "line I can draw somewhere? Is it at the number of subplots? Perhaps", "site and others, the general idea of a subplot seems to be that", "it's trying to take. You don't want too* many sideroads, because then the", "side-road. So, to repeat the question, knowing that, how do I decide what", "subplots? Perhaps the types of things the plots are about? *How do you", "and others, the general idea of a subplot seems to be that it", "and design my plot (amongst other important things), and then* write. However, I've", "to support the theme. But if you do that, you're going to have", "this site and others, the general idea of a subplot seems to be", "many I need. If any. Let me open by saying that I design", "any. Let me open by saying that I design my novels extensively before", "subplots I need to create?** Looking at answers about subplots on this site", "That question deals with subplots being necessary to a story's success, and also", "others, the general idea of a subplot seems to be that it can", "extensively before ever writing the first draft. I create my characters and design", "Disclaimer: This is not a duplicate of [this question](https://writers.stackexchange.com/questions/26092/are-subplots-necessary-for-a-successful-story). That question deals with", "a duplicate of [this question](https://writers.stackexchange.com/questions/26092/are-subplots-necessary-for-a-successful-story). That question deals with subplots being necessary to", "at the number of subplots? Perhaps the types of things the plots are", "open by saying that I design my novels extensively before ever writing the", "many subplots. Your novel has a main plot, a main road it's trying", "need subplots? How do I know which subplots I need to create? Looking", "that, how do I decide what to create subplots about? Is there some", "know when I need subplots? How do I know which subplots I need", "subplots? How do I know which subplots I need to create? Looking at", "can advance or effect the plot, sending it in different directions. I've even", "*How do I know when I need subplots? How do I know which", "characters and design my plot (amongst other important things), and then* write. However,", "aimed at knowing when to include subplots, and how many I need. If", "writing the first draft. I create my characters and design my plot (amongst", "I need to create? Looking at answers about subplots on this site and", "to the reader. It can advance or effect the plot, sending it in", "point is, you could create a large number of subplots. You could have", "of your characters, making them more real to the reader. It can advance", "How do I know which subplots I need to create? Looking at answers", "your characters, making them more real to the reader. It can advance or", "road it's trying to take. You don't want too many sideroads, because then", "general idea of a subplot seems to be that it can show other", "it in different directions. I've even heard one suggestion that it can reinforce", "has a main plot, a main road it's trying to take. You don't", "of a subplot seems to be that it can show other sides of", "to create?** Looking at answers about subplots on this site and others, the", "being necessary to a story's success, and also loosely how to create them.", "The point is, you could create a large number of subplots. You could", "(amongst other important things), and then write. However, I've recently discovered that I", "loosely how to create them. This question is aimed at knowing when to", "I design my novels extensively before ever writing the first draft. I create", "design my novels extensively before ever writing the first draft. I create my", "I haven't been including subplots in my stories. This leads me to the", "more personal level. The point is, you could create a large number of", "one for every main, secondary, and tertiary character, a handful to mix up", "because then the main road becomes obsolete. It's no longer the main road.", "It's just another side-road. So, to repeat the question, knowing that, how do", "or two to support the theme. But if you do that, you're going", "duplicate of [this question](https://writers.stackexchange.com/questions/26092/are-subplots-necessary-for-a-successful-story). That question deals with subplots being necessary to a", "question, knowing that, how do I decide what to create subplots about? Is", "you could create a large number of subplots. You could have one for", "subplots, and how many I need. If any. Let me open by saying", "including subplots in my stories. This leads me to the question below: How", "me open by saying that I design my novels extensively before ever writing", "to repeat the question, knowing that, how do I decide what to create", "below: How do I know when I need subplots? How do I know", "even heard one suggestion that it can reinforce the theme on a more", "to create them. This question is aimed at knowing when to include subplots,", "need to create? Looking at answers about subplots on this site and others,", "or effect the plot, sending it in different directions. I've even heard one", "effect the plot, sending it in different directions. I've even heard one suggestion", "I need. If any. Let me open by saying that I design my", "However, I've recently discovered that I haven't been including subplots in my stories.", "the general idea of a subplot seems to be that it can show", "that it can show other sides of your characters, making them more real", "This is not a duplicate of [this question](https://writers.stackexchange.com/questions/26092/are-subplots-necessary-for-a-successful-story). That question deals with subplots", "making them more real to the reader. It can advance or effect the", "I've recently discovered that I haven't been including subplots in my stories. This", "it at the number of subplots? Perhaps the types of things the plots", "plot, and one or two to support the theme. But if you do", "of subplots? Perhaps the types of things the plots are about? How do", "heard one suggestion that it can reinforce the theme on a more personal", "it can reinforce the theme on a more personal level. The point is,", "every main, secondary, and tertiary character, a handful to mix up the main", "to take. You don't want too many sideroads, because then the main road", "them more real to the reader. It can advance or effect the plot,", "road becomes obsolete. It's no longer the main road. It's just another side-road.", "create a large number of subplots. You could have one for every main,", "sideroads, because then the main road becomes obsolete. It's no longer the main", "suggestion that it can reinforce the theme on a more personal level. The", "could have one for every main, secondary, and tertiary character, a handful to", "also loosely how to create them. This question is aimed at knowing when", "create my characters and design my plot (amongst other important things), and then", "the question, knowing that, how do I decide what to create subplots about?", "the plot, sending it in different directions. I've even heard one suggestion that", "how to create them. This question is aimed at knowing when to include", "it can show other sides of your characters, making them more real to", "can show other sides of your characters, making them more real to the", "question is aimed at knowing when to include subplots, and how many I", "to be that it can show other sides of your characters, making them", "Perhaps the types of things the plots are about? *How do you know", "road. It's just another side-road. So, to repeat the question, knowing that, how", "then the main road becomes obsolete. It's no longer the main road. It's", "up the main plot, and one or two to support the theme. But", "things), and then* write. However, I've recently discovered that I haven't been including", "support the theme. But if you do that, you're going to have way", "types of things the plots are about? *How do you know when to", "before ever writing the first draft. I create my characters and design my", "some line I can draw somewhere? Is it at the number of subplots?", "plot, sending it in different directions. I've even heard one suggestion that it", "main road. It's just another side-road. So, to repeat the question, knowing that,", "at answers about subplots on this site and others, the general idea of", "Your novel has a main plot, a main road it's trying to take.", "and one or two to support the theme. But if you do that,", "have one for every main, secondary, and tertiary character, a handful to mix", "ever writing the first draft. I create my characters and design my plot", "If any. Let me open by saying that I design my novels extensively", "show other sides of your characters, making them more real to the reader.", "becomes obsolete. It's no longer the main road. It's just another side-road. So,", "somewhere? Is it at the number of subplots? Perhaps the types of things", "that it can reinforce the theme on a more personal level. The point", "tertiary character, a handful to mix up the main plot, and one or", "way too many subplots. Your novel has a main plot, a main road", "You don't want too* many sideroads, because then the main road becomes obsolete.", "sending it in different directions. I've even heard one suggestion that it can", "is aimed at knowing when to include subplots, and how many I need.", "characters, making them more real to the reader. It can advance or effect", "reinforce the theme on a more personal level. The point is, you could", "no longer the main road. It's just another side-road. So, to repeat the", "there some line I can draw somewhere? Is it at the number of", "too many subplots. Your novel has a main plot, a main road it's", "my stories. This leads me to the question below: How do I know", "what to create subplots about? Is there some line I can draw somewhere?", "have way too many subplots. Your novel has a main plot, a main", "I've even heard one suggestion that it can reinforce the theme on a", "This leads me to the question below: How do I know when I", "create subplots about? Is there some line I can draw somewhere? Is it", "I create my characters and design my plot (amongst other important things), and", "things the plots are about? *How do you know when to include subplots,", "plot, a main road it's trying to take. You don't want too* many", "You could have one for every main, secondary, and tertiary character, a handful", "you do that, you're going to have way too many subplots. Your novel", "are about? How do you know when to include subplots, and how many?", "don't want too many sideroads, because then the main road becomes obsolete. It's", "knowing that, how do I decide what to create subplots about? Is there", "could create a large number of subplots. You could have one for every", "large number of subplots. You could have one for every main, secondary, and", "to have way too many subplots. Your novel has a main plot, a", "my plot (amongst other important things), and then write. However, I've recently discovered", "the theme on a more personal level. The point is, you could create", "question deals with subplots being necessary to a story's success, and also loosely", "This question is aimed at knowing when to include subplots, and how many", "how many I need. If any. Let me open by saying that I", "subplots being necessary to a story's success, and also loosely how to create", "that I haven't been including subplots in my stories. This leads me to", "been including subplots in my stories. This leads me to the question below:", "in different directions. I've even heard one suggestion that it can reinforce the", "novel has a main plot, a main road it's trying to take. You", "write. However, I've recently discovered that I haven't been including subplots in my", "So, to repeat the question, knowing that, how do I decide what to", "It can advance or effect the plot, sending it in different directions. I've", "other important things), and then write. However, I've recently discovered that I haven't", "It's no longer the main road. It's just another side-road. So, to repeat", "not a duplicate of [this question](https://writers.stackexchange.com/questions/26092/are-subplots-necessary-for-a-successful-story). That question deals with subplots being necessary", "[this question](https://writers.stackexchange.com/questions/26092/are-subplots-necessary-for-a-successful-story). That question deals with subplots being necessary to a story's success,", "question](https://writers.stackexchange.com/questions/26092/are-subplots-necessary-for-a-successful-story). That question deals with subplots being necessary to a story's success, and", "stories. This leads me to the question below: How do I know when", "do I know which subplots I need to create? Looking at answers about", "longer the main road. It's just another side-road. So, to repeat the question,", "mix up the main plot, and one or two to support the theme.", "is, you could create a large number of subplots. You could have one", "obsolete. It's no longer the main road. It's just another side-road. So, to", "you're going to have way too many subplots. Your novel has a main", "is not a duplicate of [this question](https://writers.stackexchange.com/questions/26092/are-subplots-necessary-for-a-successful-story). That question deals with subplots being", "and also loosely how to create them. This question is aimed at knowing", "I know when I need subplots? How do I know which subplots I", "a handful to mix up the main plot, and one or two to", "story's success, and also loosely how to create them. This question is aimed", "the main plot, and one or two to support the theme. But if", "Let me open by saying that I design my novels extensively before ever", "main plot, a main road it's trying to take. You don't want too", "success, and also loosely how to create them. This question is aimed at", "sides of your characters, making them more real to the reader. It can", "a main plot, a main road it's trying to take. You don't want", "then write. However, I've recently discovered that I haven't been including subplots in", "know which subplots I need to create? Looking at answers about subplots on", "subplots. Your novel has a main plot, a main road it's trying to", "just another side-road. So, to repeat the question, knowing that, how do I", "about subplots on this site and others, the general idea of a subplot", "to the question below: How do I know when I need subplots? How", "subplots in my stories. This leads me to the question below: *How do", "main road it's trying to take. You don't want too* many sideroads, because", "plot (amongst other important things), and then write. However, I've recently discovered that", "decide what to create subplots about? Is there some line I can draw", "and then write. However, I've recently discovered that I haven't been including subplots", "handful to mix up the main plot, and one or two to support", "trying to take. You don't want too many sideroads, because then the main", "the main road. It's just another side-road. So, to repeat the question, knowing", "more real to the reader. It can advance or effect the plot, sending", "personal level. The point is, you could create a large number of subplots.", "a more personal level. The point is, you could create a large number", "number of subplots? Perhaps the types of things the plots are about? **How" ]
[ "sketches seem to end in interruptions that are callbacks to earlier premises. Portlandia", "times-- trying on Fedoras in the store, arguing with someone about superhero canon,", "a comedy sketch, to be acted out or shot on video. I have", "it? What happens next, which indicates that the \"story\" is over, and is", "that's as far as I've got. So my actual premise is that a", "you are\" if you don't want to die early from cancer. So in", "is that a stereo salesman is having mixed success with corny sales techniques.", "this seems to \"end\" without simply re-stating the premise. The premise is that", "wearing fashionable clothes, discussing philosophy and cinema, and smoking cigarettes. An anti-smoking activist", "is successful, for rather unexpected reasons. It seems to me in an analysis", "patterns, to limited success. For instance, Whitest Kids You Know sketches seem to", "or shot on video. I have three \"scenes\" which are basically three different", "that you can't just give up tobacco in exchange for vaping; it's a", "and to me, this seems to \"end\" without simply re-stating the premise. The", "asking how I end comedy sketches in general. The reason I ask this", "turns out that the salesperson is successful, for rather unexpected reasons. It seems", "said above, I'm not so interested in an ending to this particular sketch", "include all of the subjects presented as \"cool\" and \"dorky\" in the premise", "to \"trade in\" their clothes, hobbies, and discussion topics for less \"cool\" versions,", "tried to suss out patterns, to limited success. For instance, Whitest Kids You", "I am about advice on how to end sketches in general. I have", "premise. I'm at the point where I need to end it. My question", "where I need to end it. My question is, in general, how do", "etc. So the premise is that you can't just give up tobacco in", "is, in general, how do I end a sketch? I'm not asking how", "successful in the end. Jokes are sometimes said to function on a surprise,", "talk about how to end your story. The protagonist has some sort of", "without simply re-stating the premise. The premise is that a stereo salesman is", "and screenplay, that talk about how to end your story. The protagonist has", "of problem, which they grapple with, and it culminates in some sort of", "to give up smoking for vaping nicotine. But additionally, they have to \"trade", "work on a principle of \"accelerate/intensify the premise to screaming\". Monty Python sketches", "The reason I ask this is because I'm aware of theories of writing,", "that the salesperson is successful, for rather unexpected reasons. It seems to me", "you can't just give up tobacco in exchange for vaping; it's a package", "the scenes I can re-capitulate the premise several times-- trying on Fedoras in", "seems to me in an analysis of what I consider a successful sketch,", "for vaping nicotine. But additionally, they have to \"trade in\" their clothes, hobbies,", "which are basically three different re-capitulations of the premise. I'm at the point", "the premise. The premise is that a stereo salesman is having mixed success", "a spell on another LARPer. Okay, maybe it's funny, maybe it isn't. Anyway,", "success. For instance, Whitest Kids You Know sketches seem to work on a", "end it. My question is, in general, how do I end a sketch?", "for the protagonist. However, I don't know of any theories or advice on", "vaping; it's a package deal that includes a whole lifestyle change -- clothing,", "looked more closely at some sketch comedy, and tried to suss out patterns,", "up smoking for vaping nicotine. But additionally, they have to \"trade in\" their", "I said above, I'm not so interested in an ending to this particular", "the end is the \"surprise\" punchline. Any more resources on this? FWIW my", "them, and convinces them to give up smoking for vaping nicotine. But additionally,", "in a jump cut. I'm looking at Kids in the Hall's [Selling Sound](https://www.youtube.com/watch?v=5poEu9uBwyM)", "Kids in the Hall's [Selling Sound](https://www.youtube.com/watch?v=5poEu9uBwyM) sketch, and to me, this seems to", "are callbacks to earlier premises. Portlandia sketches seem to end in a jump", "theories or advice on how to end a comedy sketch. I have the", "I end comedy sketches in general. The reason I ask this is because", "any theories or advice on how to end a comedy sketch. I have", "I end it? What happens next, which indicates that the \"story\" is over,", "me in an analysis of what I consider a successful sketch, it flips", "they grapple with, and it culminates in some sort of final confrontation with", "out or shot on video. I have three \"scenes\" which are basically three", "the premise. I'm at the point where I need to end it. My", "earlier premises. Portlandia sketches seem to end in a jump cut. I'm looking", "corny sales techniques. However, the ending is very surprising, unpredictable, and, funny. It", "in the Hall's [Selling Sound](https://www.youtube.com/watch?v=5poEu9uBwyM) sketch, and to me, this seems to \"end\"", "this sense, the premise is like a set-up, and the end is the", "package deal that includes a whole lifestyle change -- clothing, interests, etc. You", "is the \"surprise\" punchline. Any more resources on this? FWIW my personal interests", "with someone about superhero canon, dressing as a wizard and casting a spell", "casting a spell on another LARPer. Okay, maybe it's funny, maybe it isn't.", "that a couple of \"cool\", \"hip\" people are sitting outside a cafe, drinking", "give up tobacco in exchange for vaping; it's a package deal that includes", "you don't want to die early from cancer. So in the scenes I", "lifestyle change -- clothing, interests, etc. You have to give up \"who you", "a \"new normal\" for the protagonist. However, I don't know of any theories", "callbacks to earlier premises. Portlandia sketches seem to end in a jump cut.", "I consider a successful sketch, it flips the premise upside-down. He's a bad", "actual premise is that a couple of \"cool\", \"hip\" people are sitting outside", "I've got. So my actual premise is that a couple of \"cool\", \"hip\"", "to die early from cancer. So in the scenes I can re-capitulate the", "funny/clever. I want to write this as a comedy sketch, to be acted", "basically three different re-capitulations of the premise. I'm at the point where I", "seem to end in a jump cut. I'm looking at Kids in the", "cinema, and smoking cigarettes. An anti-smoking activist comes up to them, and convinces", "the end. Jokes are sometimes said to function on a surprise, so I", "on video. I have three \"scenes\" which are basically three different re-capitulations of", "about how to end your story. The protagonist has some sort of problem,", "ask this is because I'm aware of theories of writing, both prose and", "fashionable clothes, discussing philosophy and cinema, and smoking cigarettes. An anti-smoking activist comes", "the lines of thesis->antithesis->synthesis, but that's as far as I've got. So my", "in a \"new normal\" for the protagonist. However, I don't know of any", "\"scenes\" which are basically three different re-capitulations of the premise. I'm at the", "unpredictable, and, funny. It turns out that the salesperson is successful, for rather", "re-statement of the premise? As I said above, I'm not so interested in", "the premise upside-down. He's a bad salesperson, but actually successful in the end.", "it flips the premise upside-down. He's a bad salesperson, but actually successful in", "is funny/clever. I want to write this as a comedy sketch, to be", "and the end is the \"surprise\" punchline. Any more resources on this? FWIW", "dressing as a wizard and casting a spell on another LARPer. Okay, maybe", "I'm asking how I end comedy sketches in general. The reason I ask", "end comedy sketches in general. The reason I ask this is because I'm", "more closely at some sketch comedy, and tried to suss out patterns, to", "particular sketch as I am about advice on how to end sketches in", "premise to screaming\". Monty Python sketches seem to end in interruptions that are", "them to give up smoking for vaping nicotine. But additionally, they have to", "in general. The reason I ask this is because I'm aware of theories", "sort of problem, which they grapple with, and it culminates in some sort", "a set-up, and the end is the \"surprise\" punchline. Any more resources on", "bad salesperson, but actually successful in the end. Jokes are sometimes said to", "a re-statement of the premise? As I said above, I'm not so interested", "without endings, so I need to figure out a way to wrap them", "I've looked more closely at some sketch comedy, and tried to suss out", "on this? FWIW my personal interests include all of the subjects presented as", "lore and backstory, etc. So the premise is that you can't just give", "I end a sketch? I'm not asking how to end my particular sketch.", "end needs some sort of \"punchline\", which can't be just another re-statement of", "three different re-capitulations of the premise. I'm at the point where I need", "general. The reason I ask this is because I'm aware of theories of", "not so interested in an ending to this particular sketch as I am", "comedy sketch. I have the premise, but I feel the end needs some", "sketch as I am about advice on how to end sketches in general.", "sketches seem to end in a jump cut. I'm looking at Kids in", "out patterns, to limited success. For instance, Whitest Kids You Know sketches seem", "mind without endings, so I need to figure out a way to wrap", "above, I'm not so interested in an ending to this particular sketch as", "about advice on how to end sketches in general. I have many other", "I'm not asking how to end my particular sketch. I'm asking how I", "and it culminates in some sort of final confrontation with the antagonist, resulting", "along the lines of thesis->antithesis->synthesis, but that's as far as I've got. So", "I'm thinking something along the lines of thesis->antithesis->synthesis, but that's as far as", "seem to end in interruptions that are callbacks to earlier premises. Portlandia sketches", "trying on Fedoras in the store, arguing with someone about superhero canon, dressing", "which indicates that the \"story\" is over, and is not just a re-statement", "and backstory, etc. So the premise is that you can't just give up", "anti-smoking activist comes up to them, and convinces them to give up smoking", "like a set-up, and the end is the \"surprise\" punchline. Any more resources", "in\" their clothes, hobbies, and discussion topics for less \"cool\" versions, such as", "if you don't want to die early from cancer. So in the scenes", "but that's as far as I've got. So my actual premise is that", "the premise is that you can't just give up tobacco in exchange for", "with corny sales techniques. However, the ending is very surprising, unpredictable, and, funny.", "sometimes said to function on a surprise, so I suppose in this sense,", "funny. It turns out that the salesperson is successful, for rather unexpected reasons.", "in some sort of final confrontation with the antagonist, resulting in a \"new", "to end it. My question is, in general, how do I end a", "the end needs some sort of \"punchline\", which can't be just another re-statement", "question is, in general, how do I end a sketch? I'm not asking", "this? FWIW my personal interests include all of the subjects presented as \"cool\"", "my particular sketch. I'm asking how I end comedy sketches in general. The", "so interested in an ending to this particular sketch as I am about", "a successful sketch, it flips the premise upside-down. He's a bad salesperson, but", "end is the \"surprise\" punchline. Any more resources on this? FWIW my personal", "and cinema, and smoking cigarettes. An anti-smoking activist comes up to them, and", "out that the salesperson is successful, for rather unexpected reasons. It seems to", "the premise, but I feel the end needs some sort of \"punchline\", which", "and casting a spell on another LARPer. Okay, maybe it's funny, maybe it", "the premise? As I said above, I'm not so interested in an ending", "He's a bad salesperson, but actually successful in the end. Jokes are sometimes", "Portlandia sketches seem to end in a jump cut. I'm looking at Kids", "this is because I'm aware of theories of writing, both prose and screenplay,", "is not just a re-statement of the premise? As I said above, I'm", "drinking coffee, wearing fashionable clothes, discussing philosophy and cinema, and smoking cigarettes. An", "can re-capitulate the premise several times-- trying on Fedoras in the store, arguing", "philosophy and cinema, and smoking cigarettes. An anti-smoking activist comes up to them,", "set-up, and the end is the \"surprise\" punchline. Any more resources on this?", "for vaping; it's a package deal that includes a whole lifestyle change --", "feel the end needs some sort of \"punchline\", which can't be just another", "which they grapple with, and it culminates in some sort of final confrontation", "scenes I can re-capitulate the premise several times-- trying on Fedoras in the", "I have many other premises in mind without endings, so I need to", "comedy sketches in general. The reason I ask this is because I'm aware", "are basically three different re-capitulations of the premise. I'm at the point where", "function on a surprise, so I suppose in this sense, the premise is", "stereo salesman is having mixed success with corny sales techniques. However, the ending", "\"who you are\" if you don't want to die early from cancer. So", "couple of \"cool\", \"hip\" people are sitting outside a cafe, drinking coffee, wearing", "just give up tobacco in exchange for vaping; it's a package deal that", "just another re-statement of the premise. I'm thinking something along the lines of", "My question is, in general, how do I end a sketch? I'm not", "to wrap them up. I've looked more closely at some sketch comedy, and", "different re-capitulations of the premise. I'm at the point where I need to", "a jump cut. I'm looking at Kids in the Hall's [Selling Sound](https://www.youtube.com/watch?v=5poEu9uBwyM) sketch,", "in an analysis of what I consider a successful sketch, it flips the", "in exchange for vaping; it's a package deal that includes a whole lifestyle", "of the premise. I'm thinking something along the lines of thesis->antithesis->synthesis, but that's", "theories of writing, both prose and screenplay, that talk about how to end", "the salesperson is successful, for rather unexpected reasons. It seems to me in", "Kids You Know sketches seem to work on a principle of \"accelerate/intensify the", "that talk about how to end your story. The protagonist has some sort", "sketch. I'm asking how I end comedy sketches in general. The reason I", "less \"cool\" versions, such as fedoras, LARPing, fantasy-genre lore and backstory, etc. So", "fantasy-genre lore and backstory, etc. So the premise is that you can't just", "not asking how to end my particular sketch. I'm asking how I end", "need to figure out a way to wrap them up. I've looked more", "Know sketches seem to work on a principle of \"accelerate/intensify the premise to", "how to end sketches in general. I have many other premises in mind", "Sound](https://www.youtube.com/watch?v=5poEu9uBwyM) sketch, and to me, this seems to \"end\" without simply re-stating the", "I need to end it. My question is, in general, how do I", "salesperson is successful, for rather unexpected reasons. It seems to me in an", "end. Jokes are sometimes said to function on a surprise, so I suppose", "protagonist has some sort of problem, which they grapple with, and it culminates", "a sketch? I'm not asking how to end my particular sketch. I'm asking", "An anti-smoking activist comes up to them, and convinces them to give up", "on Fedoras in the store, arguing with someone about superhero canon, dressing as", "that the \"story\" is over, and is not just a re-statement of the", "a package deal that includes a whole lifestyle change -- clothing, interests, etc.", "flips the premise upside-down. He's a bad salesperson, but actually successful in the", "I'm looking at Kids in the Hall's [Selling Sound](https://www.youtube.com/watch?v=5poEu9uBwyM) sketch, and to me,", "as a wizard and casting a spell on another LARPer. Okay, maybe it's", "more resources on this? FWIW my personal interests include all of the subjects", "resulting in a \"new normal\" for the protagonist. However, I don't know of", "and discussion topics for less \"cool\" versions, such as fedoras, LARPing, fantasy-genre lore", "of the premise. I'm at the point where I need to end it.", "salesperson, but actually successful in the end. Jokes are sometimes said to function", "limited success. For instance, Whitest Kids You Know sketches seem to work on", "additionally, they have to \"trade in\" their clothes, hobbies, and discussion topics for", "I think is funny/clever. I want to write this as a comedy sketch,", "and, funny. It turns out that the salesperson is successful, for rather unexpected", "analysis of what I consider a successful sketch, it flips the premise upside-down.", "But additionally, they have to \"trade in\" their clothes, hobbies, and discussion topics", "all of the subjects presented as \"cool\" and \"dorky\" in the premise of", "arguing with someone about superhero canon, dressing as a wizard and casting a", "several times-- trying on Fedoras in the store, arguing with someone about superhero", "point where I need to end it. My question is, in general, how", "\"accelerate/intensify the premise to screaming\". Monty Python sketches seem to end in interruptions", "I'm at the point where I need to end it. My question is,", "of writing, both prose and screenplay, that talk about how to end your", "how I end comedy sketches in general. The reason I ask this is", "a principle of \"accelerate/intensify the premise to screaming\". Monty Python sketches seem to", "premise is that a stereo salesman is having mixed success with corny sales", "I'm not so interested in an ending to this particular sketch as I", "comedy, and tried to suss out patterns, to limited success. For instance, Whitest", "I ask this is because I'm aware of theories of writing, both prose", "However, I don't know of any theories or advice on how to end", "to end my particular sketch. I'm asking how I end comedy sketches in", "in the scenes I can re-capitulate the premise several times-- trying on Fedoras", "a wizard and casting a spell on another LARPer. Okay, maybe it's funny,", "For instance, Whitest Kids You Know sketches seem to work on a principle", "an ending to this particular sketch as I am about advice on how", "and tried to suss out patterns, to limited success. For instance, Whitest Kids", "culminates in some sort of final confrontation with the antagonist, resulting in a", "from cancer. So in the scenes I can re-capitulate the premise several times--", "is that you can't just give up tobacco in exchange for vaping; it's", "happens next, which indicates that the \"story\" is over, and is not just", "it's a package deal that includes a whole lifestyle change -- clothing, interests,", "a bad salesperson, but actually successful in the end. Jokes are sometimes said", "to give up \"who you are\" if you don't want to die early", "FWIW my personal interests include all of the subjects presented as \"cool\" and", "want to write this as a comedy sketch, to be acted out or", "the premise is like a set-up, and the end is the \"surprise\" punchline.", "at Kids in the Hall's [Selling Sound](https://www.youtube.com/watch?v=5poEu9uBwyM) sketch, and to me, this seems", "As I said above, I'm not so interested in an ending to this", "lines of thesis->antithesis->synthesis, but that's as far as I've got. So my actual", "\"cool\", \"hip\" people are sitting outside a cafe, drinking coffee, wearing fashionable clothes,", "-- clothing, interests, etc. You have to give up \"who you are\" if", "You Know sketches seem to work on a principle of \"accelerate/intensify the premise", "It seems to me in an analysis of what I consider a successful", "general, how do I end a sketch? I'm not asking how to end", "sketch? I'm not asking how to end my particular sketch. I'm asking how", "that includes a whole lifestyle change -- clothing, interests, etc. You have to", "includes a whole lifestyle change -- clothing, interests, etc. You have to give", "re-capitulate the premise several times-- trying on Fedoras in the store, arguing with", "sketch, to be acted out or shot on video. I have three \"scenes\"", "particular sketch. I'm asking how I end comedy sketches in general. The reason", "Hall's [Selling Sound](https://www.youtube.com/watch?v=5poEu9uBwyM) sketch, and to me, this seems to \"end\" without simply", "up to them, and convinces them to give up smoking for vaping nicotine.", "have to give up \"who you are\" if you don't want to die", "premise several times-- trying on Fedoras in the store, arguing with someone about", "on how to end a comedy sketch. I have the premise, but I", "some sort of problem, which they grapple with, and it culminates in some", "for less \"cool\" versions, such as fedoras, LARPing, fantasy-genre lore and backstory, etc.", "the ending is very surprising, unpredictable, and, funny. It turns out that the", "outside a cafe, drinking coffee, wearing fashionable clothes, discussing philosophy and cinema, and", "deal that includes a whole lifestyle change -- clothing, interests, etc. You have", "a surprise, so I suppose in this sense, the premise is like a", "Monty Python sketches seem to end in interruptions that are callbacks to earlier", "as I've got. So my actual premise is that a couple of \"cool\",", "to earlier premises. Portlandia sketches seem to end in a jump cut. I'm", "because I'm aware of theories of writing, both prose and screenplay, that talk", "normal\" for the protagonist. However, I don't know of any theories or advice", "the premise to screaming\". Monty Python sketches seem to end in interruptions that", "has some sort of problem, which they grapple with, and it culminates in", "shot on video. I have three \"scenes\" which are basically three different re-capitulations", "end in a jump cut. I'm looking at Kids in the Hall's [Selling", "sort of \"punchline\", which can't be just another re-statement of the premise. I'm", "So the premise is that you can't just give up tobacco in exchange", "\"end\" without simply re-stating the premise. The premise is that a stereo salesman", "sketch, it flips the premise upside-down. He's a bad salesperson, but actually successful", "it isn't. Anyway, how do I end it? What happens next, which indicates", "how do I end a sketch? I'm not asking how to end my", "of \"accelerate/intensify the premise to screaming\". Monty Python sketches seem to end in", "aware of theories of writing, both prose and screenplay, that talk about how", "mixed success with corny sales techniques. However, the ending is very surprising, unpredictable,", "smoking for vaping nicotine. But additionally, they have to \"trade in\" their clothes,", "general. I have many other premises in mind without endings, so I need", "it culminates in some sort of final confrontation with the antagonist, resulting in", "to me in an analysis of what I consider a successful sketch, it", "isn't. Anyway, how do I end it? What happens next, which indicates that", "I'm aware of theories of writing, both prose and screenplay, that talk about", "is very surprising, unpredictable, and, funny. It turns out that the salesperson is", "wrap them up. I've looked more closely at some sketch comedy, and tried", "video. I have three \"scenes\" which are basically three different re-capitulations of the", "of the subjects presented as \"cool\" and \"dorky\" in the premise of this", "how to end your story. The protagonist has some sort of problem, which", "maybe it's funny, maybe it isn't. Anyway, how do I end it? What", "re-capitulations of the premise. I'm at the point where I need to end", "in interruptions that are callbacks to earlier premises. Portlandia sketches seem to end", "to screaming\". Monty Python sketches seem to end in interruptions that are callbacks", "indicates that the \"story\" is over, and is not just a re-statement of", "acted out or shot on video. I have three \"scenes\" which are basically", "sales techniques. However, the ending is very surprising, unpredictable, and, funny. It turns", "it's funny, maybe it isn't. Anyway, how do I end it? What happens", "up. I've looked more closely at some sketch comedy, and tried to suss", "an analysis of what I consider a successful sketch, it flips the premise", "versions, such as fedoras, LARPing, fantasy-genre lore and backstory, etc. So the premise", "with, and it culminates in some sort of final confrontation with the antagonist,", "end sketches in general. I have many other premises in mind without endings,", "punchline. Any more resources on this? FWIW my personal interests include all of", "don't know of any theories or advice on how to end a comedy", "I need to figure out a way to wrap them up. I've looked", "canon, dressing as a wizard and casting a spell on another LARPer. Okay,", "sketch. I have the premise, but I feel the end needs some sort", "is that a couple of \"cool\", \"hip\" people are sitting outside a cafe,", "upside-down. He's a bad salesperson, but actually successful in the end. Jokes are", "maybe it isn't. Anyway, how do I end it? What happens next, which", "asking how to end my particular sketch. I'm asking how I end comedy", "up tobacco in exchange for vaping; it's a package deal that includes a", "premise is that a couple of \"cool\", \"hip\" people are sitting outside a", "So my actual premise is that a couple of \"cool\", \"hip\" people are", "and convinces them to give up smoking for vaping nicotine. But additionally, they", "to them, and convinces them to give up smoking for vaping nicotine. But", "are sometimes said to function on a surprise, so I suppose in this", "them up. I've looked more closely at some sketch comedy, and tried to", "re-statement of the premise. I'm thinking something along the lines of thesis->antithesis->synthesis, but", "whole lifestyle change -- clothing, interests, etc. You have to give up \"who", "what I consider a successful sketch, it flips the premise upside-down. He's a", "do I end it? What happens next, which indicates that the \"story\" is", "Whitest Kids You Know sketches seem to work on a principle of \"accelerate/intensify", "salesman is having mixed success with corny sales techniques. However, the ending is", "hobbies, and discussion topics for less \"cool\" versions, such as fedoras, LARPing, fantasy-genre", "the Hall's [Selling Sound](https://www.youtube.com/watch?v=5poEu9uBwyM) sketch, and to me, this seems to \"end\" without", "having mixed success with corny sales techniques. However, the ending is very surprising,", "got. So my actual premise is that a couple of \"cool\", \"hip\" people", "have many other premises in mind without endings, so I need to figure", "someone about superhero canon, dressing as a wizard and casting a spell on", "surprising, unpredictable, and, funny. It turns out that the salesperson is successful, for", "very surprising, unpredictable, and, funny. It turns out that the salesperson is successful,", "thinking something along the lines of thesis->antithesis->synthesis, but that's as far as I've", "to function on a surprise, so I suppose in this sense, the premise", "in this sense, the premise is like a set-up, and the end is", "smoking cigarettes. An anti-smoking activist comes up to them, and convinces them to", "other premises in mind without endings, so I need to figure out a", "You have to give up \"who you are\" if you don't want to", "can't be just another re-statement of the premise. I'm thinking something along the", "spell on another LARPer. Okay, maybe it's funny, maybe it isn't. Anyway, how", "end in interruptions that are callbacks to earlier premises. Portlandia sketches seem to", "I have the premise, but I feel the end needs some sort of", "advice on how to end sketches in general. I have many other premises", "to \"end\" without simply re-stating the premise. The premise is that a stereo", "\"new normal\" for the protagonist. However, I don't know of any theories or", "interests, etc. You have to give up \"who you are\" if you don't", "another LARPer. Okay, maybe it's funny, maybe it isn't. Anyway, how do I", "both prose and screenplay, that talk about how to end your story. The", "cigarettes. An anti-smoking activist comes up to them, and convinces them to give", "coffee, wearing fashionable clothes, discussing philosophy and cinema, and smoking cigarettes. An anti-smoking", "out a way to wrap them up. I've looked more closely at some", "sort of final confrontation with the antagonist, resulting in a \"new normal\" for", "with the antagonist, resulting in a \"new normal\" for the protagonist. However, I", "next, which indicates that the \"story\" is over, and is not just a", "surprise, so I suppose in this sense, the premise is like a set-up,", "\"trade in\" their clothes, hobbies, and discussion topics for less \"cool\" versions, such", "in the end. Jokes are sometimes said to function on a surprise, so", "I don't know of any theories or advice on how to end a", "the \"story\" is over, and is not just a re-statement of the premise?", "suppose in this sense, the premise is like a set-up, and the end", "is over, and is not just a re-statement of the premise? As I", "antagonist, resulting in a \"new normal\" for the protagonist. However, I don't know", "have the premise, but I feel the end needs some sort of \"punchline\",", "seem to work on a principle of \"accelerate/intensify the premise to screaming\". Monty", "on how to end sketches in general. I have many other premises in", "the point where I need to end it. My question is, in general,", "in general. I have many other premises in mind without endings, so I", "on a principle of \"accelerate/intensify the premise to screaming\". Monty Python sketches seem", "wizard and casting a spell on another LARPer. Okay, maybe it's funny, maybe", "needs some sort of \"punchline\", which can't be just another re-statement of the", "die early from cancer. So in the scenes I can re-capitulate the premise", "premise is like a set-up, and the end is the \"surprise\" punchline. Any", "figure out a way to wrap them up. I've looked more closely at", "how do I end it? What happens next, which indicates that the \"story\"", "three \"scenes\" which are basically three different re-capitulations of the premise. I'm at", "my personal interests include all of the subjects presented as \"cool\" and \"dorky\"", "sketch comedy, and tried to suss out patterns, to limited success. For instance,", "their clothes, hobbies, and discussion topics for less \"cool\" versions, such as fedoras,", "and is not just a re-statement of the premise? As I said above,", "of the premise? As I said above, I'm not so interested in an", "instance, Whitest Kids You Know sketches seem to work on a principle of", "screaming\". Monty Python sketches seem to end in interruptions that are callbacks to", "are\" if you don't want to die early from cancer. So in the", "about superhero canon, dressing as a wizard and casting a spell on another", "I can re-capitulate the premise several times-- trying on Fedoras in the store,", "I feel the end needs some sort of \"punchline\", which can't be just", "\"cool\" versions, such as fedoras, LARPing, fantasy-genre lore and backstory, etc. So the", "story. The protagonist has some sort of problem, which they grapple with, and", "\"hip\" people are sitting outside a cafe, drinking coffee, wearing fashionable clothes, discussing", "topics for less \"cool\" versions, such as fedoras, LARPing, fantasy-genre lore and backstory,", "sketches in general. The reason I ask this is because I'm aware of", "be acted out or shot on video. I have three \"scenes\" which are", "think is funny/clever. I want to write this as a comedy sketch, to", "the premise. I'm thinking something along the lines of thesis->antithesis->synthesis, but that's as", "write this as a comedy sketch, to be acted out or shot on", "So in the scenes I can re-capitulate the premise several times-- trying on", "but actually successful in the end. Jokes are sometimes said to function on", "screenplay, that talk about how to end your story. The protagonist has some", "comedy sketch, to be acted out or shot on video. I have three", "to end in a jump cut. I'm looking at Kids in the Hall's", "LARPing, fantasy-genre lore and backstory, etc. So the premise is that you can't", "how to end a comedy sketch. I have the premise, but I feel", "a stereo salesman is having mixed success with corny sales techniques. However, the", "Anyway, how do I end it? What happens next, which indicates that the", "\"punchline\", which can't be just another re-statement of the premise. I'm thinking something", "LARPer. Okay, maybe it's funny, maybe it isn't. Anyway, how do I end", "over, and is not just a re-statement of the premise? As I said", "of \"cool\", \"hip\" people are sitting outside a cafe, drinking coffee, wearing fashionable", "end your story. The protagonist has some sort of problem, which they grapple", "need to end it. My question is, in general, how do I end", "a whole lifestyle change -- clothing, interests, etc. You have to give up", "have three \"scenes\" which are basically three different re-capitulations of the premise. I'm", "premise, but I feel the end needs some sort of \"punchline\", which can't", "be just another re-statement of the premise. I'm thinking something along the lines", "\"story\" is over, and is not just a re-statement of the premise? As", "in mind without endings, so I need to figure out a way to", "a comedy sketch. I have the premise, but I feel the end needs", "simply re-stating the premise. The premise is that a stereo salesman is having", "endings, so I need to figure out a way to wrap them up.", "re-stating the premise. The premise is that a stereo salesman is having mixed", "of thesis->antithesis->synthesis, but that's as far as I've got. So my actual premise", "clothing, interests, etc. You have to give up \"who you are\" if you", "and smoking cigarettes. An anti-smoking activist comes up to them, and convinces them", "Jokes are sometimes said to function on a surprise, so I suppose in", "end it? What happens next, which indicates that the \"story\" is over, and", "actually successful in the end. Jokes are sometimes said to function on a", "I want to write this as a comedy sketch, to be acted out", "sitting outside a cafe, drinking coffee, wearing fashionable clothes, discussing philosophy and cinema,", "premises. Portlandia sketches seem to end in a jump cut. I'm looking at", "discussing philosophy and cinema, and smoking cigarettes. An anti-smoking activist comes up to", "as fedoras, LARPing, fantasy-genre lore and backstory, etc. So the premise is that", "\"surprise\" punchline. Any more resources on this? FWIW my personal interests include all", "to end in interruptions that are callbacks to earlier premises. Portlandia sketches seem", "prose and screenplay, that talk about how to end your story. The protagonist", "to me, this seems to \"end\" without simply re-stating the premise. The premise", "me, this seems to \"end\" without simply re-stating the premise. The premise is", "unexpected reasons. It seems to me in an analysis of what I consider", "backstory, etc. So the premise is that you can't just give up tobacco", "that a stereo salesman is having mixed success with corny sales techniques. However,", "people are sitting outside a cafe, drinking coffee, wearing fashionable clothes, discussing philosophy", "cancer. So in the scenes I can re-capitulate the premise several times-- trying", "Okay, maybe it's funny, maybe it isn't. Anyway, how do I end it?", "to suss out patterns, to limited success. For instance, Whitest Kids You Know", "advice on how to end a comedy sketch. I have the premise, but", "comes up to them, and convinces them to give up smoking for vaping", "premise. I'm thinking something along the lines of thesis->antithesis->synthesis, but that's as far", "convinces them to give up smoking for vaping nicotine. But additionally, they have", "fedoras, LARPing, fantasy-genre lore and backstory, etc. So the premise is that you", "ending is very surprising, unpredictable, and, funny. It turns out that the salesperson", "a premise, which I think is funny/clever. I want to write this as", "reasons. It seems to me in an analysis of what I consider a", "are sitting outside a cafe, drinking coffee, wearing fashionable clothes, discussing philosophy and", "grapple with, and it culminates in some sort of final confrontation with the", "at some sketch comedy, and tried to suss out patterns, to limited success.", "know of any theories or advice on how to end a comedy sketch.", "am about advice on how to end sketches in general. I have many", "as I am about advice on how to end sketches in general. I", "interruptions that are callbacks to earlier premises. Portlandia sketches seem to end in", "Python sketches seem to end in interruptions that are callbacks to earlier premises.", "the protagonist. However, I don't know of any theories or advice on how", "some sketch comedy, and tried to suss out patterns, to limited success. For", "clothes, hobbies, and discussion topics for less \"cool\" versions, such as fedoras, LARPing,", "your story. The protagonist has some sort of problem, which they grapple with,", "at the point where I need to end it. My question is, in", "reason I ask this is because I'm aware of theories of writing, both", "store, arguing with someone about superhero canon, dressing as a wizard and casting", "to limited success. For instance, Whitest Kids You Know sketches seem to work", "which can't be just another re-statement of the premise. I'm thinking something along", "confrontation with the antagonist, resulting in a \"new normal\" for the protagonist. However,", "the \"surprise\" punchline. Any more resources on this? FWIW my personal interests include", "It turns out that the salesperson is successful, for rather unexpected reasons. It", "early from cancer. So in the scenes I can re-capitulate the premise several", "is having mixed success with corny sales techniques. However, the ending is very", "as far as I've got. So my actual premise is that a couple", "nicotine. But additionally, they have to \"trade in\" their clothes, hobbies, and discussion", "success with corny sales techniques. However, the ending is very surprising, unpredictable, and,", "some sort of final confrontation with the antagonist, resulting in a \"new normal\"", "a cafe, drinking coffee, wearing fashionable clothes, discussing philosophy and cinema, and smoking", "suss out patterns, to limited success. For instance, Whitest Kids You Know sketches", "funny, maybe it isn't. Anyway, how do I end it? What happens next,", "so I need to figure out a way to wrap them up. I've", "Fedoras in the store, arguing with someone about superhero canon, dressing as a", "I suppose in this sense, the premise is like a set-up, and the", "final confrontation with the antagonist, resulting in a \"new normal\" for the protagonist.", "successful, for rather unexpected reasons. It seems to me in an analysis of", "protagonist. However, I don't know of any theories or advice on how to", "end a comedy sketch. I have the premise, but I feel the end", "far as I've got. So my actual premise is that a couple of", "the store, arguing with someone about superhero canon, dressing as a wizard and", "I have a premise, which I think is funny/clever. I want to write", "a way to wrap them up. I've looked more closely at some sketch", "personal interests include all of the subjects presented as \"cool\" and \"dorky\" in", "to this particular sketch as I am about advice on how to end", "principle of \"accelerate/intensify the premise to screaming\". Monty Python sketches seem to end", "of \"punchline\", which can't be just another re-statement of the premise. I'm thinking", "end my particular sketch. I'm asking how I end comedy sketches in general.", "premise? As I said above, I'm not so interested in an ending to", "techniques. However, the ending is very surprising, unpredictable, and, funny. It turns out", "in an ending to this particular sketch as I am about advice on", "just a re-statement of the premise? As I said above, I'm not so", "The protagonist has some sort of problem, which they grapple with, and it", "consider a successful sketch, it flips the premise upside-down. He's a bad salesperson,", "as a comedy sketch, to be acted out or shot on video. I", "which I think is funny/clever. I want to write this as a comedy", "sense, the premise is like a set-up, and the end is the \"surprise\"", "premise, which I think is funny/clever. I want to write this as a", "have to \"trade in\" their clothes, hobbies, and discussion topics for less \"cool\"", "not just a re-statement of the premise? As I said above, I'm not", "The premise is that a stereo salesman is having mixed success with corny", "thesis->antithesis->synthesis, but that's as far as I've got. So my actual premise is", "that are callbacks to earlier premises. Portlandia sketches seem to end in a", "premises in mind without endings, so I need to figure out a way", "to write this as a comedy sketch, to be acted out or shot", "to end your story. The protagonist has some sort of problem, which they", "seems to \"end\" without simply re-stating the premise. The premise is that a", "end a sketch? I'm not asking how to end my particular sketch. I'm", "change -- clothing, interests, etc. You have to give up \"who you are\"", "to work on a principle of \"accelerate/intensify the premise to screaming\". Monty Python", "is because I'm aware of theories of writing, both prose and screenplay, that", "activist comes up to them, and convinces them to give up smoking for", "[Selling Sound](https://www.youtube.com/watch?v=5poEu9uBwyM) sketch, and to me, this seems to \"end\" without simply re-stating", "premise. The premise is that a stereo salesman is having mixed success with", "to end a comedy sketch. I have the premise, but I feel the", "on a surprise, so I suppose in this sense, the premise is like", "it. My question is, in general, how do I end a sketch? I'm", "a couple of \"cool\", \"hip\" people are sitting outside a cafe, drinking coffee,", "of any theories or advice on how to end a comedy sketch. I", "of theories of writing, both prose and screenplay, that talk about how to", "but I feel the end needs some sort of \"punchline\", which can't be", "resources on this? FWIW my personal interests include all of the subjects presented", "up \"who you are\" if you don't want to die early from cancer.", "so I suppose in this sense, the premise is like a set-up, and", "closely at some sketch comedy, and tried to suss out patterns, to limited", "they have to \"trade in\" their clothes, hobbies, and discussion topics for less", "superhero canon, dressing as a wizard and casting a spell on another LARPer.", "jump cut. I'm looking at Kids in the Hall's [Selling Sound](https://www.youtube.com/watch?v=5poEu9uBwyM) sketch, and", "how to end my particular sketch. I'm asking how I end comedy sketches", "of final confrontation with the antagonist, resulting in a \"new normal\" for the", "give up \"who you are\" if you don't want to die early from", "successful sketch, it flips the premise upside-down. He's a bad salesperson, but actually", "problem, which they grapple with, and it culminates in some sort of final", "ending to this particular sketch as I am about advice on how to", "for rather unexpected reasons. It seems to me in an analysis of what", "of what I consider a successful sketch, it flips the premise upside-down. He's", "What happens next, which indicates that the \"story\" is over, and is not", "to figure out a way to wrap them up. I've looked more closely", "etc. You have to give up \"who you are\" if you don't want", "is like a set-up, and the end is the \"surprise\" punchline. Any more", "my actual premise is that a couple of \"cool\", \"hip\" people are sitting", "such as fedoras, LARPing, fantasy-genre lore and backstory, etc. So the premise is", "give up smoking for vaping nicotine. But additionally, they have to \"trade in\"", "in the store, arguing with someone about superhero canon, dressing as a wizard", "rather unexpected reasons. It seems to me in an analysis of what I", "the subjects presented as \"cool\" and \"dorky\" in the premise of this sketch.", "cut. I'm looking at Kids in the Hall's [Selling Sound](https://www.youtube.com/watch?v=5poEu9uBwyM) sketch, and to", "to end sketches in general. I have many other premises in mind without", "something along the lines of thesis->antithesis->synthesis, but that's as far as I've got.", "exchange for vaping; it's a package deal that includes a whole lifestyle change", "sketch, and to me, this seems to \"end\" without simply re-stating the premise.", "interests include all of the subjects presented as \"cool\" and \"dorky\" in the", "can't just give up tobacco in exchange for vaping; it's a package deal", "premise is that you can't just give up tobacco in exchange for vaping;", "However, the ending is very surprising, unpredictable, and, funny. It turns out that", "interested in an ending to this particular sketch as I am about advice", "have a premise, which I think is funny/clever. I want to write this", "clothes, discussing philosophy and cinema, and smoking cigarettes. An anti-smoking activist comes up", "want to die early from cancer. So in the scenes I can re-capitulate", "or advice on how to end a comedy sketch. I have the premise,", "I have three \"scenes\" which are basically three different re-capitulations of the premise.", "the premise several times-- trying on Fedoras in the store, arguing with someone", "don't want to die early from cancer. So in the scenes I can", "on another LARPer. Okay, maybe it's funny, maybe it isn't. Anyway, how do", "to be acted out or shot on video. I have three \"scenes\" which", "way to wrap them up. I've looked more closely at some sketch comedy,", "some sort of \"punchline\", which can't be just another re-statement of the premise.", "cafe, drinking coffee, wearing fashionable clothes, discussing philosophy and cinema, and smoking cigarettes.", "sketches seem to work on a principle of \"accelerate/intensify the premise to screaming\".", "many other premises in mind without endings, so I need to figure out", "the antagonist, resulting in a \"new normal\" for the protagonist. However, I don't", "premise upside-down. He's a bad salesperson, but actually successful in the end. Jokes", "another re-statement of the premise. I'm thinking something along the lines of thesis->antithesis->synthesis,", "do I end a sketch? I'm not asking how to end my particular", "sketches in general. I have many other premises in mind without endings, so", "in general, how do I end a sketch? I'm not asking how to", "discussion topics for less \"cool\" versions, such as fedoras, LARPing, fantasy-genre lore and", "this as a comedy sketch, to be acted out or shot on video.", "this particular sketch as I am about advice on how to end sketches", "writing, both prose and screenplay, that talk about how to end your story.", "said to function on a surprise, so I suppose in this sense, the", "looking at Kids in the Hall's [Selling Sound](https://www.youtube.com/watch?v=5poEu9uBwyM) sketch, and to me, this", "Any more resources on this? FWIW my personal interests include all of the", "tobacco in exchange for vaping; it's a package deal that includes a whole", "vaping nicotine. But additionally, they have to \"trade in\" their clothes, hobbies, and" ]
[ "and hypnosis to be introduced but) I'd like it to be something usable", "decide to challenge that entity instead of following it's plans. My question is,", "head while considering what seems to be a vaguely insane idea, puts the", "his head, looks up - because for some reason he believes I am", "he actually is the main character, but apparently he evolved to just not", "around a character's basic needs and that character beeing a \"good person\" to", "any sort of restriction that keeps them from dying and just wants to", "around a \"normal person\" from a world like ours that does think what", "just not a perfect fit to my world (sorry for not making that", "impose my will. The simpler the solution the better. Simpler in this case", "problem (like that someone was watching and put him in a mental hospital,", "type, there would be no problem as heroes per definition think they are", "care or he is certain enough. Now imagine beeing in that situation -", "of a battle between character and author) and require a minimum of direct", "and has to prevent you from dying. You decide to challenge that entity", "what seems to be a vaguely insane idea, puts the gun to his", "that the reader could accept that just happened or was a very smooth", "a set of boundaries around a character's basic needs and that character beeing", "beeing a \"good person\" to get him to go beat the bad guy.", "into another dimension by an anomaly while sitting on the toilet and there", "character is going to realize he is the main character of a story", "the story). This character however is rather boring and after realizing he is", "sympathy points and I don't? As a limiting condition - I don't talk", "could accept that just happened or was a very smooth way of solving", "a character's basic needs and that character beeing a \"good person\" to get", "adding something to rate the answers - (the mental hospital one is hilarious", "later and crushed the skeleton - in my opinion that's a better fit", "he believes I am somewhere above him watching, which in itself is a", "am somewhere above him watching, which in itself is a rather unrealistic concept", "instead of following it's plans. My question is, how do I get that", "main joke) of a comical fantasy story, he loses all motivation to pursue", "a world like ours that does think what he perceives is real but", "but I can do/create what I want as longs as it is funny.", "was a very smooth way of solving this problem (like that someone was", "shifted into another dimension by an anomaly while sitting on the toilet and", "I really like, it's just not a perfect fit to my world (sorry", "a challenging tone says \"You know what?! I'm done. Get me home now", "the story ends right here! I'll count back from 3 and if I'm", "construct a set of boundaries around a character's basic needs and that character", "which in itself is a rather unrealistic concept for I am an author", "\"You know what?! I'm done. Get me home now or the story ends", "they don't (that's per requierement, my main characters don't just die half way", "beat the bad guy. To further narrow the question (and prevent it from", "- you were thrown into a world where some allmighty entity threw you", "fit to my world (sorry for not making that clear before) and a", "\"Seriously?!\"* The world doesn't have many specifics, the main character can't be 100%", "what he perceives is real but knows there is any sort of restriction", "motivate someone to do as I say even though they know they have", "condition - I don't talk to any character, but I can do/create what", "entity threw you into a situation you completly dislike and has to prevent", "battle between character and author) and require a minimum of direct author actions", "goals set out for him. As an example think of the following situation", "author and not a god, but we had already established Joe is not", "answers - (the mental hospital one is hilarious especially because it allows drugs", "not only the main character but actually the main character (read: the main", "the advantage they don't (that's per requierement, my main characters don't just die", "challenging tone says \"You know what?! I'm done. Get me home now or", "character, but I can do/create what I want as longs as it is", "just wants to go home. --- Edit: As suggested in the comments I'll", "topic), I'm only interested in creating a set of boundaries around a \"normal", "the main character, but apparently he evolved to just not care or he", "too just a little later and crushed the skeleton - in my opinion", "dying. You decide to challenge that entity instead of following it's plans. My", "story where at some point the main character is going to realize he", "watching, which in itself is a rather unrealistic concept for I am an", "a theological discussion should be moved into the appendix - and with a", "rather, what can I build into my world to motivate someone to do", "than having a passing by giant stomp the skeleton into the ground. I", "someone to do as I say even though they know they have the", "while considering what seems to be a vaguely insane idea, puts the gun", "the question (and prevent it from beeing closed as to broad or off", "it from beeing closed as to broad or off topic), I'm only interested", "considering what seems to be a vaguely insane idea, puts the gun to", "person and maybe a theological discussion should be moved into the appendix -", "kill your stupid main character. 3 ... 2 ... 1 ... I mean", "because it allows drugs and hypnosis to be introduced but) I'd like it", "joke) of a comical fantasy story, he loses all motivation to pursue the", "do I get that character back on track? Or rather, what can I", "something to rate the answers - (the mental hospital one is hilarious especially", "should be funny and disruptive to the main character (think of a battle", "answer for example solves the problem in a way I really like, it's", "to get him to go beat the bad guy. To further narrow the", "someone was watching and put him in a mental hospital, that's exactly the", "world (sorry for not making that clear before) and a little (really just", "me home now or the story ends right here! I'll count back from", "from dying and just wants to go home. --- Edit: As suggested in", "way of solving this problem (like that someone was watching and put him", "I am somewhere above him watching, which in itself is a rather unrealistic", "don't just die half way through the story). This character however is rather", "in a mental hospital, that's exactly the sort of accidental influence I'm aiming", "of a story (like in Redshirts, but different). Now if that character was", "or the story ends right here! I'll count back from 3 and if", "\"good person\" to get him to go beat the bad guy. To further", "seems to be a vaguely insane idea, puts the gun to his head,", "we had already established Joe is not the most clever person and maybe", "and put him in a mental hospital, that's exactly the sort of accidental", "per requierement, my main characters don't just die half way through the story).", "had already established Joe is not the most clever person and maybe a", "your stupid main character. 3 ... 2 ... 1 ... I mean it!\"", "prevent you from dying. You decide to challenge that entity instead of following", "is real but knows there is any sort of restriction that keeps them", "exactly the sort of accidental influence I'm aiming at). Short example of another", "no way of winning that battle the toilet was dimension shifted too just", "(just teleporting the character where I want him to be is a no", "main character, but apparently he evolved to just not care or he is", "100% sure he actually is the main character, but apparently he evolved to", "you completly dislike and has to prevent you from dying. You decide to", "want him to be is a no go) and at the same time", "is the main character, but apparently he evolved to just not care or", "was watching and put him in a mental hospital, that's exactly the sort", "way of winning that battle the toilet was dimension shifted too just a", "is the main character of a story (like in Redshirts, but different). Now", "character, but apparently he evolved to just not care or he is certain", "he evolved to just not care or he is certain enough. Now imagine", "situation - you were thrown into a world where some allmighty entity threw", "the answers - (the mental hospital one is hilarious especially because it allows", "same time be effective. The mental hospital answer for example solves the problem", "stupid main character. 3 ... 2 ... 1 ... I mean it!\" Click.", "the way I was thinking, something using in world resources and e.g. just", "to stupidity, being the main character has the advantage they don't (that's per", "somewhere above him watching, which in itself is a rather unrealistic concept for", "a battle between character and author) and require a minimum of direct author", "example think of the following situation (let's call the main character Joe). Joe", "definition think they are unsinkable and will save the girl. While most of", "do as I say even though they know they have the sympathy points", "any character, but I can do/create what I want as longs as it", "just means that the reader could accept that just happened or was a", "my opinion that's a better fit than having a passing by giant stomp", "to go home. --- Edit: As suggested in the comments I'll try adding", "creating a set of boundaries around a \"normal person\" from a world like", "is a no go) and at the same time be effective. The mental", "by an anomaly while sitting on the toilet and there attacked by a", "I want as longs as it is funny. So basically I need to", "toilet and there attacked by a skeleton. Because he had no way of", "is hilarious especially because it allows drugs and hypnosis to be introduced but)", "very smooth way of solving this problem (like that someone was watching and", "the toilet was dimension shifted too just a little later and crushed the", "/ the goals set out for him. As an example think of the", "are unsinkable and will save the girl. While most of them would probably", "or he is certain enough. Now imagine beeing in that situation - you", "points and I don't? As a limiting condition - I don't talk to", "to any character, but I can do/create what I want as longs as", "by a skeleton. Because he had no way of winning that battle the", "would probably die due to stupidity, being the main character has the advantage", "Edit: As suggested in the comments I'll try adding something to rate the", "a medieval/fantasy setting, it should be funny and disruptive to the main character", "The simpler the solution the better. Simpler in this case just means that", "\"normal person\" from a world like ours that does think what he perceives", "hospital answer for example solves the problem in a way I really like,", "So basically I need to construct a set of boundaries around a character's", "that entity instead of following it's plans. My question is, how do I", "accidental influence I'm aiming at). Short example of another incident - the main", "skeleton into the ground. I hope I actually made it clearer not unclearer", "an anomaly while sitting on the toilet and there attacked by a skeleton.", "on the toilet and there attacked by a skeleton. Because he had no", "of following it's plans. My question is, how do I get that character", "that's the way I was thinking, something using in world resources and e.g.", "(the mental hospital one is hilarious especially because it allows drugs and hypnosis", "character where I want him to be is a no go) and at", "agenda / the goals set out for him. As an example think of", "and a little (really just a little) radical, but that's the way I", "skeleton. Because he had no way of winning that battle the toilet was", "specifics, the main character can't be 100% sure he actually is the main", "a passing by giant stomp the skeleton into the ground. I hope I", "as I say even though they know they have the sympathy points and", "the main character (read: the main joke) of a comical fantasy story, he", "and with a challenging tone says \"You know what?! I'm done. Get me", "a better fit than having a passing by giant stomp the skeleton into", "need to construct a set of boundaries around a character's basic needs and", "something usable in a medieval/fantasy setting, it should be funny and disruptive to", "where at some point the main character is going to realize he is", "hilarious especially because it allows drugs and hypnosis to be introduced but) I'd", "the main character is going to realize he is the main character of", "them from dying and just wants to go home. --- Edit: As suggested", "it allows drugs and hypnosis to be introduced but) I'd like it to", "it should be funny and disruptive to the main character (think of a", "would be no problem as heroes per definition think they are unsinkable and", "in a medieval/fantasy setting, it should be funny and disruptive to the main", "this case just means that the reader could accept that just happened or", "an author and not a god, but we had already established Joe is", "means that the reader could accept that just happened or was a very", "not the most clever person and maybe a theological discussion should be moved", "better fit than having a passing by giant stomp the skeleton into the", "watching and put him in a mental hospital, that's exactly the sort of", "Or rather, what can I build into my world to motivate someone to", "hospital one is hilarious especially because it allows drugs and hypnosis to be", "solution the better. Simpler in this case just means that the reader could", "is not only the main character but actually the main character (read: the", "will. The simpler the solution the better. Simpler in this case just means", "to realize he is the main character of a story (like in Redshirts,", "passing by giant stomp the skeleton into the ground. I hope I actually", "unrealistic concept for I am an author and not a god, but we", "they have the sympathy points and I don't? As a limiting condition -", "1 ... I mean it!\" Click. Dud shot. Click. Dud shot. Click. Dud", "Click. Dud shot. Click. Dud shot. \"Seriously?!\" The world doesn't have many specifics,", "a world where some allmighty entity threw you into a situation you completly", "I get that character back on track? Or rather, what can I build", "theological discussion should be moved into the appendix - and with a challenging", "have the sympathy points and I don't? As a limiting condition - I", "situation (let's call the main character Joe). Joe picks up the gun, pauses", "dislike and has to prevent you from dying. You decide to challenge that", "the bad guy. To further narrow the question (and prevent it from beeing", "something using in world resources and e.g. just bad luck in that case", "in world resources and e.g. just bad luck in that case to impose", "my world to motivate someone to do as I say even though they", "perceives is real but knows there is any sort of restriction that keeps", "resources and e.g. just bad luck in that case to impose my will.", "not care or he is certain enough. Now imagine beeing in that situation", "further narrow the question (and prevent it from beeing closed as to broad", "it's just not a perfect fit to my world (sorry for not making", "off topic), I'm only interested in creating a set of boundaries around a", "being the main character has the advantage they don't (that's per requierement, my", "Redshirts, but different). Now if that character was of the hero type, there", "it's plans. My question is, how do I get that character back on", "As a limiting condition - I don't talk to any character, but I", "I was thinking, something using in world resources and e.g. just bad luck", "dimension shifted too just a little later and crushed the skeleton - in", "way through the story). This character however is rather boring and after realizing", "a story where at some point the main character is going to realize", "build into my world to motivate someone to do as I say even", "out for him. As an example think of the following situation (let's call", "case just means that the reader could accept that just happened or was", "character can't be 100% sure he actually is the main character, but apparently", "in my opinion that's a better fit than having a passing by giant", "does think what he perceives is real but knows there is any sort", "I want him to be is a no go) and at the same", "of restriction that keeps them from dying and just wants to go home.", "I'll kill your stupid main character. 3 ... 2 ... 1 ... I", "many specifics, the main character can't be 100% sure he actually is the", "at the same time be effective. The mental hospital answer for example solves", "shot. Click. Dud shot. \"Seriously?!\" The world doesn't have many specifics, the main", "rate the answers - (the mental hospital one is hilarious especially because it", "my world (sorry for not making that clear before) and a little (really", "save the girl. While most of them would probably die due to stupidity,", "This character however is rather boring and after realizing he is not only", "the character where I want him to be is a no go) and", "and that character beeing a \"good person\" to get him to go beat", "actions (just teleporting the character where I want him to be is a", "say even though they know they have the sympathy points and I don't?", "e.g. just bad luck in that case to impose my will. The simpler", "him to be is a no go) and at the same time be", "(my) agenda / the goals set out for him. As an example think", "question (and prevent it from beeing closed as to broad or off topic),", "teleporting the character where I want him to be is a no go)", "drugs and hypnosis to be introduced but) I'd like it to be something", "I say even though they know they have the sympathy points and I", "opinion that's a better fit than having a passing by giant stomp the", "the comments I'll try adding something to rate the answers - (the mental", "and maybe a theological discussion should be moved into the appendix - and", "but we had already established Joe is not the most clever person and", "I'm not home at 0, I'll kill your stupid main character. 3 ...", "character. 3 ... 2 ... 1 ... I mean it!\" Click. Dud shot.", "- in my opinion that's a better fit than having a passing by", "medieval/fantasy setting, it should be funny and disruptive to the main character (think", "that case to impose my will. The simpler the solution the better. Simpler", "die due to stupidity, being the main character has the advantage they don't", "has the advantage they don't (that's per requierement, my main characters don't just", "a mental hospital, that's exactly the sort of accidental influence I'm aiming at).", "(like that someone was watching and put him in a mental hospital, that's", "winning that battle the toilet was dimension shifted too just a little later", "of winning that battle the toilet was dimension shifted too just a little", "knows there is any sort of restriction that keeps them from dying and", "tone says \"You know what?! I'm done. Get me home now or the", "a little later and crushed the skeleton - in my opinion that's a", "(and prevent it from beeing closed as to broad or off topic), I'm", "to just not care or he is certain enough. Now imagine beeing in", "character Joe). Joe picks up the gun, pauses for a second or two,", "the toilet and there attacked by a skeleton. Because he had no way", "main character Joe). Joe picks up the gun, pauses for a second or", "right here! I'll count back from 3 and if I'm not home at", "to construct a set of boundaries around a character's basic needs and that", "it is funny. So basically I need to construct a set of boundaries", "to rate the answers - (the mental hospital one is hilarious especially because", "going to realize he is the main character of a story (like in", "3 and if I'm not home at 0, I'll kill your stupid main", "real but knows there is any sort of restriction that keeps them from", "or was a very smooth way of solving this problem (like that someone", "reader could accept that just happened or was a very smooth way of", "where I want him to be is a no go) and at the", "ends right here! I'll count back from 3 and if I'm not home", "the sympathy points and I don't? As a limiting condition - I don't", "for him. As an example think of the following situation (let's call the", "was of the hero type, there would be no problem as heroes per", "get him to go beat the bad guy. To further narrow the question", "the skeleton into the ground. I hope I actually made it clearer not", "my will. The simpler the solution the better. Simpler in this case just", "the problem in a way I really like, it's just not a perfect", "dimension by an anomaly while sitting on the toilet and there attacked by", "allows drugs and hypnosis to be introduced but) I'd like it to be", "had no way of winning that battle the toilet was dimension shifted too", "world like ours that does think what he perceives is real but knows", "prevent it from beeing closed as to broad or off topic), I'm only", "character back on track? Or rather, what can I build into my world", "a story (like in Redshirts, but different). Now if that character was of", "character beeing a \"good person\" to get him to go beat the bad", "bad luck in that case to impose my will. The simpler the solution", "I'll try adding something to rate the answers - (the mental hospital one", "case to impose my will. The simpler the solution the better. Simpler in", "gun, pauses for a second or two, tilts his head while considering what", "I'm writing a story where at some point the main character is going", "gun to his head, looks up - because for some reason he believes", "home now or the story ends right here! I'll count back from 3", "character and author) and require a minimum of direct author actions (just teleporting", "evolved to just not care or he is certain enough. Now imagine beeing", "through the story). This character however is rather boring and after realizing he", "that just happened or was a very smooth way of solving this problem", "skeleton - in my opinion that's a better fit than having a passing", "at). Short example of another incident - the main character was shifted into", "time be effective. The mental hospital answer for example solves the problem in", "authors (my) agenda / the goals set out for him. As an example", "the goals set out for him. As an example think of the following", "situation you completly dislike and has to prevent you from dying. You decide", "- and with a challenging tone says \"You know what?! I'm done. Get", "the main character can't be 100% sure he actually is the main character,", "main character (think of a battle between character and author) and require a", "go) and at the same time be effective. The mental hospital answer for", "they know they have the sympathy points and I don't? As a limiting", "stomp the skeleton into the ground. I hope I actually made it clearer", "having a passing by giant stomp the skeleton into the ground. I hope", "maybe a theological discussion should be moved into the appendix - and with", "can't be 100% sure he actually is the main character, but apparently he", "beeing in that situation - you were thrown into a world where some", "doesn't have many specifics, the main character can't be 100% sure he actually", "to do as I say even though they know they have the sympathy", "that's a better fit than having a passing by giant stomp the skeleton", "the main character has the advantage they don't (that's per requierement, my main", "little) radical, but that's the way I was thinking, something using in world", "narrow the question (and prevent it from beeing closed as to broad or", "of another incident - the main character was shifted into another dimension by", "character (read: the main joke) of a comical fantasy story, he loses all", "the main character Joe). Joe picks up the gun, pauses for a second", "writing a story where at some point the main character is going to", "discussion should be moved into the appendix - and with a challenging tone", "you from dying. You decide to challenge that entity instead of following it's", "from dying. You decide to challenge that entity instead of following it's plans.", "- the main character was shifted into another dimension by an anomaly while", "can I build into my world to motivate someone to do as I", "to his head, looks up - because for some reason he believes I", "(like in Redshirts, but different). Now if that character was of the hero", "3 ... 2 ... 1 ... I mean it!\" Click. Dud shot. Click.", "to challenge that entity instead of following it's plans. My question is, how", "Short example of another incident - the main character was shifted into another", "he is the main character of a story (like in Redshirts, but different).", "question is, how do I get that character back on track? Or rather,", "main character of a story (like in Redshirts, but different). Now if that", "vaguely insane idea, puts the gun to his head, looks up - because", "or off topic), I'm only interested in creating a set of boundaries around", "ours that does think what he perceives is real but knows there is", "before) and a little (really just a little) radical, but that's the way", "story). This character however is rather boring and after realizing he is not", "no problem as heroes per definition think they are unsinkable and will save", "back on track? Or rather, what can I build into my world to", "idea, puts the gun to his head, looks up - because for some", "accept that just happened or was a very smooth way of solving this", "and there attacked by a skeleton. Because he had no way of winning", "that clear before) and a little (really just a little) radical, but that's", "the main character of a story (like in Redshirts, but different). Now if", "battle the toilet was dimension shifted too just a little later and crushed", "is any sort of restriction that keeps them from dying and just wants", "here! I'll count back from 3 and if I'm not home at 0,", "suggested in the comments I'll try adding something to rate the answers -", "some reason he believes I am somewhere above him watching, which in itself", "attacked by a skeleton. Because he had no way of winning that battle", "rather boring and after realizing he is not only the main character but", "to be is a no go) and at the same time be effective.", "To further narrow the question (and prevent it from beeing closed as to", "problem as heroes per definition think they are unsinkable and will save the", "just a little) radical, but that's the way I was thinking, something using", "character's basic needs and that character beeing a \"good person\" to get him", "but that's the way I was thinking, something using in world resources and", "concept for I am an author and not a god, but we had", "world doesn't have many specifics, the main character can't be 100% sure he", "a little (really just a little) radical, but that's the way I was", "is funny. So basically I need to construct a set of boundaries around", "0, I'll kill your stupid main character. 3 ... 2 ... 1 ...", "at 0, I'll kill your stupid main character. 3 ... 2 ... 1", "of the hero type, there would be no problem as heroes per definition", "the gun, pauses for a second or two, tilts his head while considering", "motivation to pursue the authors (my) agenda / the goals set out for", "like ours that does think what he perceives is real but knows there", "is not the most clever person and maybe a theological discussion should be", "sort of accidental influence I'm aiming at). Short example of another incident -", "world resources and e.g. just bad luck in that case to impose my", "smooth way of solving this problem (like that someone was watching and put", "sitting on the toilet and there attacked by a skeleton. Because he had", "a minimum of direct author actions (just teleporting the character where I want", "to the main character (think of a battle between character and author) and", "go home. --- Edit: As suggested in the comments I'll try adding something", "a situation you completly dislike and has to prevent you from dying. You", "main character is going to realize he is the main character of a", "- (the mental hospital one is hilarious especially because it allows drugs and", "allmighty entity threw you into a situation you completly dislike and has to", "be 100% sure he actually is the main character, but apparently he evolved", "advantage they don't (that's per requierement, my main characters don't just die half", "the reader could accept that just happened or was a very smooth way", "as heroes per definition think they are unsinkable and will save the girl.", "should be moved into the appendix - and with a challenging tone says", "crushed the skeleton - in my opinion that's a better fit than having", "apparently he evolved to just not care or he is certain enough. Now", "of a comical fantasy story, he loses all motivation to pursue the authors", "in that situation - you were thrown into a world where some allmighty", "clear before) and a little (really just a little) radical, but that's the", "pursue the authors (my) agenda / the goals set out for him. As", "Simpler in this case just means that the reader could accept that just", "introduced but) I'd like it to be something usable in a medieval/fantasy setting,", "fantasy story, he loses all motivation to pursue the authors (my) agenda /", "boundaries around a character's basic needs and that character beeing a \"good person\"", "into the ground. I hope I actually made it clearer not unclearer ;)", "I'm aiming at). Short example of another incident - the main character was", "he loses all motivation to pursue the authors (my) agenda / the goals", "and require a minimum of direct author actions (just teleporting the character where", "believes I am somewhere above him watching, which in itself is a rather", "disruptive to the main character (think of a battle between character and author)", "like it to be something usable in a medieval/fantasy setting, it should be", "the hero type, there would be no problem as heroes per definition think", "unsinkable and will save the girl. While most of them would probably die", "above him watching, which in itself is a rather unrealistic concept for I", "- because for some reason he believes I am somewhere above him watching,", "imagine beeing in that situation - you were thrown into a world where", "a way I really like, it's just not a perfect fit to my", "think they are unsinkable and will save the girl. While most of them", "I can do/create what I want as longs as it is funny. So", "be something usable in a medieval/fantasy setting, it should be funny and disruptive", "person\" from a world like ours that does think what he perceives is", "clever person and maybe a theological discussion should be moved into the appendix", "I build into my world to motivate someone to do as I say", "don't (that's per requierement, my main characters don't just die half way through", "--- Edit: As suggested in the comments I'll try adding something to rate", "get that character back on track? Or rather, what can I build into", "the girl. While most of them would probably die due to stupidity, being", "to go beat the bad guy. To further narrow the question (and prevent", "puts the gun to his head, looks up - because for some reason", "little (really just a little) radical, but that's the way I was thinking,", "... I mean it!\" Click. Dud shot. Click. Dud shot. Click. Dud shot.", "where some allmighty entity threw you into a situation you completly dislike and", "set out for him. As an example think of the following situation (let's", "main characters don't just die half way through the story). This character however", "is, how do I get that character back on track? Or rather, what", "the most clever person and maybe a theological discussion should be moved into", "direct author actions (just teleporting the character where I want him to be", "a skeleton. Because he had no way of winning that battle the toilet", "but different). Now if that character was of the hero type, there would", "solving this problem (like that someone was watching and put him in a", "the appendix - and with a challenging tone says \"You know what?! I'm", "I need to construct a set of boundaries around a character's basic needs", "of solving this problem (like that someone was watching and put him in", "but apparently he evolved to just not care or he is certain enough.", "to broad or off topic), I'm only interested in creating a set of", "from beeing closed as to broad or off topic), I'm only interested in", "Now if that character was of the hero type, there would be no", "he is certain enough. Now imagine beeing in that situation - you were", "be no problem as heroes per definition think they are unsinkable and will", "funny and disruptive to the main character (think of a battle between character", "main character was shifted into another dimension by an anomaly while sitting on", "(really just a little) radical, but that's the way I was thinking, something", "two, tilts his head while considering what seems to be a vaguely insane", "mean it!\" Click. Dud shot. Click. Dud shot. Click. Dud shot. \"Seriously?!\" The", "into a world where some allmighty entity threw you into a situation you", "funny. So basically I need to construct a set of boundaries around a", "hypnosis to be introduced but) I'd like it to be something usable in", "that situation - you were thrown into a world where some allmighty entity", "is certain enough. Now imagine beeing in that situation - you were thrown", "example solves the problem in a way I really like, it's just not", "sure he actually is the main character, but apparently he evolved to just", "interested in creating a set of boundaries around a \"normal person\" from a", "however is rather boring and after realizing he is not only the main", "a rather unrealistic concept for I am an author and not a god,", "into my world to motivate someone to do as I say even though", "put him in a mental hospital, that's exactly the sort of accidental influence", "boundaries around a \"normal person\" from a world like ours that does think", "this problem (like that someone was watching and put him in a mental", "now or the story ends right here! I'll count back from 3 and", "character was shifted into another dimension by an anomaly while sitting on the", "basically I need to construct a set of boundaries around a character's basic", "of accidental influence I'm aiming at). Short example of another incident - the", "a set of boundaries around a \"normal person\" from a world like ours", "says \"You know what?! I'm done. Get me home now or the story", "luck in that case to impose my will. The simpler the solution the", "home at 0, I'll kill your stupid main character. 3 ... 2 ...", "hospital, that's exactly the sort of accidental influence I'm aiming at). Short example", "there would be no problem as heroes per definition think they are unsinkable", "at some point the main character is going to realize he is the", "after realizing he is not only the main character but actually the main", "Get me home now or the story ends right here! I'll count back", "is a rather unrealistic concept for I am an author and not a", "were thrown into a world where some allmighty entity threw you into a", "thinking, something using in world resources and e.g. just bad luck in that", "there attacked by a skeleton. Because he had no way of winning that", "the main character but actually the main character (read: the main joke) of", "and after realizing he is not only the main character but actually the", "to pursue the authors (my) agenda / the goals set out for him.", "limiting condition - I don't talk to any character, but I can do/create", "character but actually the main character (read: the main joke) of a comical", "it to be something usable in a medieval/fantasy setting, it should be funny", "from 3 and if I'm not home at 0, I'll kill your stupid", "mental hospital one is hilarious especially because it allows drugs and hypnosis to", "head, looks up - because for some reason he believes I am somewhere", "point the main character is going to realize he is the main character", "be moved into the appendix - and with a challenging tone says \"You", "following it's plans. My question is, how do I get that character back", "character however is rather boring and after realizing he is not only the", "Joe picks up the gun, pauses for a second or two, tilts his", "a little) radical, but that's the way I was thinking, something using in", "solves the problem in a way I really like, it's just not a", "of the following situation (let's call the main character Joe). Joe picks up", "that character beeing a \"good person\" to get him to go beat the", "most clever person and maybe a theological discussion should be moved into the", "aiming at). Short example of another incident - the main character was shifted", "toilet was dimension shifted too just a little later and crushed the skeleton", "story ends right here! I'll count back from 3 and if I'm not", "shot. Click. Dud shot. Click. Dud shot. \"Seriously?!\"* The world doesn't have many", "enough. Now imagine beeing in that situation - you were thrown into a", "- I don't talk to any character, but I can do/create what I", "a perfect fit to my world (sorry for not making that clear before)", "it!\" Click. Dud shot. Click. Dud shot. Click. Dud shot. \"Seriously?!\"* The world", "making that clear before) and a little (really just a little) radical, but", "little later and crushed the skeleton - in my opinion that's a better", "world where some allmighty entity threw you into a situation you completly dislike", "call the main character Joe). Joe picks up the gun, pauses for a", "in a way I really like, it's just not a perfect fit to", "entity instead of following it's plans. My question is, how do I get", "You decide to challenge that entity instead of following it's plans. My question", "the same time be effective. The mental hospital answer for example solves the", "longs as it is funny. So basically I need to construct a set", "usable in a medieval/fantasy setting, it should be funny and disruptive to the", "to be introduced but) I'd like it to be something usable in a", "him watching, which in itself is a rather unrealistic concept for I am", "a limiting condition - I don't talk to any character, but I can", "what can I build into my world to motivate someone to do as", "due to stupidity, being the main character has the advantage they don't (that's", "second or two, tilts his head while considering what seems to be a", "most of them would probably die due to stupidity, being the main character", "moved into the appendix - and with a challenging tone says \"You know", "My question is, how do I get that character back on track? Or", "that keeps them from dying and just wants to go home. --- Edit:", "reason he believes I am somewhere above him watching, which in itself is", "itself is a rather unrealistic concept for I am an author and not", "I don't? As a limiting condition - I don't talk to any character,", "and disruptive to the main character (think of a battle between character and", "2 ... 1 ... I mean it!\" Click. Dud shot. Click. Dud shot.", "my main characters don't just die half way through the story). This character", "that character back on track? Or rather, what can I build into my", "problem in a way I really like, it's just not a perfect fit", "As an example think of the following situation (let's call the main character", "if that character was of the hero type, there would be no problem", "the solution the better. Simpler in this case just means that the reader", "just happened or was a very smooth way of solving this problem (like", "how do I get that character back on track? Or rather, what can", "set of boundaries around a \"normal person\" from a world like ours that", "story, he loses all motivation to pursue the authors (my) agenda / the", "mental hospital answer for example solves the problem in a way I really", "want as longs as it is funny. So basically I need to construct", "of boundaries around a character's basic needs and that character beeing a \"good", "he had no way of winning that battle the toilet was dimension shifted", "in that case to impose my will. The simpler the solution the better.", "was thinking, something using in world resources and e.g. just bad luck in", "picks up the gun, pauses for a second or two, tilts his head", "into the appendix - and with a challenging tone says \"You know what?!", "boring and after realizing he is not only the main character but actually", "between character and author) and require a minimum of direct author actions (just", "using in world resources and e.g. just bad luck in that case to", "not a perfect fit to my world (sorry for not making that clear", "an example think of the following situation (let's call the main character Joe).", "a second or two, tilts his head while considering what seems to be", "Dud shot. Click. Dud shot. \"Seriously?!\" The world doesn't have many specifics, the", "completly dislike and has to prevent you from dying. You decide to challenge", "be is a no go) and at the same time be effective. The", "some point the main character is going to realize he is the main", "(that's per requierement, my main characters don't just die half way through the", "if I'm not home at 0, I'll kill your stupid main character. 3", "dying and just wants to go home. --- Edit: As suggested in the", "perfect fit to my world (sorry for not making that clear before) and", "of them would probably die due to stupidity, being the main character has", "of direct author actions (just teleporting the character where I want him to", "with a challenging tone says \"You know what?! I'm done. Get me home", "actually the main character (read: the main joke) of a comical fantasy story,", "radical, but that's the way I was thinking, something using in world resources", "don't talk to any character, but I can do/create what I want as", "example of another incident - the main character was shifted into another dimension", "the sort of accidental influence I'm aiming at). Short example of another incident", "don't? As a limiting condition - I don't talk to any character, but", "home. --- Edit: As suggested in the comments I'll try adding something to", "just a little later and crushed the skeleton - in my opinion that's", "for a second or two, tilts his head while considering what seems to", "is rather boring and after realizing he is not only the main character", "I am an author and not a god, but we had already established", "tilts his head while considering what seems to be a vaguely insane idea,", "Click. Dud shot. \"Seriously?!\"* The world doesn't have many specifics, the main character", "characters don't just die half way through the story). This character however is", "but knows there is any sort of restriction that keeps them from dying", "the main joke) of a comical fantasy story, he loses all motivation to", "that does think what he perceives is real but knows there is any", "another incident - the main character was shifted into another dimension by an", "was shifted into another dimension by an anomaly while sitting on the toilet", "While most of them would probably die due to stupidity, being the main", "Joe). Joe picks up the gun, pauses for a second or two, tilts", "has to prevent you from dying. You decide to challenge that entity instead", "to motivate someone to do as I say even though they know they", "really like, it's just not a perfect fit to my world (sorry for", "just bad luck in that case to impose my will. The simpler the", "I'd like it to be something usable in a medieval/fantasy setting, it should", "Dud shot. \"Seriously?!\" The world doesn't have many specifics, the main character can't", "that's exactly the sort of accidental influence I'm aiming at). Short example of", "character was of the hero type, there would be no problem as heroes", "count back from 3 and if I'm not home at 0, I'll kill", "on track? Or rather, what can I build into my world to motivate", "I mean it!\" Click. Dud shot. Click. Dud shot. Click. Dud shot. \"Seriously?!\"", "restriction that keeps them from dying and just wants to go home. ---", "shifted too just a little later and crushed the skeleton - in my", "will save the girl. While most of them would probably die due to", "to be a vaguely insane idea, puts the gun to his head, looks", "into a situation you completly dislike and has to prevent you from dying.", "threw you into a situation you completly dislike and has to prevent you", "and I don't? As a limiting condition - I don't talk to any", "was dimension shifted too just a little later and crushed the skeleton -", "especially because it allows drugs and hypnosis to be introduced but) I'd like", "story (like in Redshirts, but different). Now if that character was of the", "the skeleton - in my opinion that's a better fit than having a", "talk to any character, but I can do/create what I want as longs", "I'm only interested in creating a set of boundaries around a \"normal person\"", "established Joe is not the most clever person and maybe a theological discussion", "shot. \"Seriously?!\" The world doesn't have many specifics, the main character can't be", "and crushed the skeleton - in my opinion that's a better fit than", "because for some reason he believes I am somewhere above him watching, which", "can do/create what I want as longs as it is funny. So basically", "die half way through the story). This character however is rather boring and", "and e.g. just bad luck in that case to impose my will. The", "in this case just means that the reader could accept that just happened", "Now imagine beeing in that situation - you were thrown into a world", "the main character was shifted into another dimension by an anomaly while sitting", "following situation (let's call the main character Joe). Joe picks up the gun,", "broad or off topic), I'm only interested in creating a set of boundaries", "author) and require a minimum of direct author actions (just teleporting the character", "half way through the story). This character however is rather boring and after", "like, it's just not a perfect fit to my world (sorry for not", "no go) and at the same time be effective. The mental hospital answer", "realizing he is not only the main character but actually the main character", "the authors (my) agenda / the goals set out for him. As an", "I'm done. Get me home now or the story ends right here! I'll", "as to broad or off topic), I'm only interested in creating a set", "The mental hospital answer for example solves the problem in a way I", "realize he is the main character of a story (like in Redshirts, but", "actually is the main character, but apparently he evolved to just not care", "of boundaries around a \"normal person\" from a world like ours that does", "know what?! I'm done. Get me home now or the story ends right", "fit than having a passing by giant stomp the skeleton into the ground.", "character of a story (like in Redshirts, but different). Now if that character", "that character was of the hero type, there would be no problem as", "what I want as longs as it is funny. So basically I need", "appendix - and with a challenging tone says \"You know what?! I'm done.", "certain enough. Now imagine beeing in that situation - you were thrown into", "and if I'm not home at 0, I'll kill your stupid main character.", "all motivation to pursue the authors (my) agenda / the goals set out", "have many specifics, the main character can't be 100% sure he actually is", "Because he had no way of winning that battle the toilet was dimension", "a \"normal person\" from a world like ours that does think what he", "as it is funny. So basically I need to construct a set of", "giant stomp the skeleton into the ground. I hope I actually made it", "keeps them from dying and just wants to go home. --- Edit: As", "for some reason he believes I am somewhere above him watching, which in", "am an author and not a god, but we had already established Joe", "challenge that entity instead of following it's plans. My question is, how do", "track? Or rather, what can I build into my world to motivate someone", "done. Get me home now or the story ends right here! I'll count", "basic needs and that character beeing a \"good person\" to get him to", "minimum of direct author actions (just teleporting the character where I want him", "not a god, but we had already established Joe is not the most", "Joe is not the most clever person and maybe a theological discussion should", "stupidity, being the main character has the advantage they don't (that's per requierement,", "and just wants to go home. --- Edit: As suggested in the comments", "even though they know they have the sympathy points and I don't? As", "to impose my will. The simpler the solution the better. Simpler in this", "comical fantasy story, he loses all motivation to pursue the authors (my) agenda", "a \"good person\" to get him to go beat the bad guy. To", "main character can't be 100% sure he actually is the main character, but", "by giant stomp the skeleton into the ground. I hope I actually made", "character has the advantage they don't (that's per requierement, my main characters don't", "try adding something to rate the answers - (the mental hospital one is", "the gun to his head, looks up - because for some reason he", "is going to realize he is the main character of a story (like", "guy. To further narrow the question (and prevent it from beeing closed as", "not home at 0, I'll kill your stupid main character. 3 ... 2", "rather unrealistic concept for I am an author and not a god, but", "one is hilarious especially because it allows drugs and hypnosis to be introduced", "thrown into a world where some allmighty entity threw you into a situation", "effective. The mental hospital answer for example solves the problem in a way", "probably die due to stupidity, being the main character has the advantage they", "in Redshirts, but different). Now if that character was of the hero type,", "setting, it should be funny and disruptive to the main character (think of", "main character (read: the main joke) of a comical fantasy story, he loses", "as longs as it is funny. So basically I need to construct a", "not making that clear before) and a little (really just a little) radical,", "just die half way through the story). This character however is rather boring", "be a vaguely insane idea, puts the gun to his head, looks up", "to prevent you from dying. You decide to challenge that entity instead of", "a very smooth way of solving this problem (like that someone was watching", "main character has the advantage they don't (that's per requierement, my main characters", "to my world (sorry for not making that clear before) and a little", "a god, but we had already established Joe is not the most clever", "think what he perceives is real but knows there is any sort of", "set of boundaries around a character's basic needs and that character beeing a", "up the gun, pauses for a second or two, tilts his head while", "author actions (just teleporting the character where I want him to be is", "... 1 ... I mean it!\" Click. Dud shot. Click. Dud shot. Click.", "requierement, my main characters don't just die half way through the story). This", "The world doesn't have many specifics, the main character can't be 100% sure", "loses all motivation to pursue the authors (my) agenda / the goals set", "world to motivate someone to do as I say even though they know", "a vaguely insane idea, puts the gun to his head, looks up -", "god, but we had already established Joe is not the most clever person", "in creating a set of boundaries around a \"normal person\" from a world", "way I really like, it's just not a perfect fit to my world", "happened or was a very smooth way of solving this problem (like that", "that battle the toilet was dimension shifted too just a little later and", "back from 3 and if I'm not home at 0, I'll kill your", "Dud shot. Click. Dud shot. Click. Dud shot. \"Seriously?!\" The world doesn't have", "do/create what I want as longs as it is funny. So basically I", "you were thrown into a world where some allmighty entity threw you into", "needs and that character beeing a \"good person\" to get him to go", "him to go beat the bad guy. To further narrow the question (and", "comments I'll try adding something to rate the answers - (the mental hospital", "some allmighty entity threw you into a situation you completly dislike and has", "plans. My question is, how do I get that character back on track?", "require a minimum of direct author actions (just teleporting the character where I", "wants to go home. --- Edit: As suggested in the comments I'll try", "a comical fantasy story, he loses all motivation to pursue the authors (my)", "person\" to get him to go beat the bad guy. To further narrow", "(think of a battle between character and author) and require a minimum of", "(sorry for not making that clear before) and a little (really just a", "for not making that clear before) and a little (really just a little)", "per definition think they are unsinkable and will save the girl. While most", "but actually the main character (read: the main joke) of a comical fantasy", "hero type, there would be no problem as heroes per definition think they", "and not a god, but we had already established Joe is not the", "I'll count back from 3 and if I'm not home at 0, I'll", "go beat the bad guy. To further narrow the question (and prevent it", "closed as to broad or off topic), I'm only interested in creating a", "that someone was watching and put him in a mental hospital, that's exactly", "As suggested in the comments I'll try adding something to rate the answers", "from a world like ours that does think what he perceives is real", "character (think of a battle between character and author) and require a minimum", "and will save the girl. While most of them would probably die due", "he perceives is real but knows there is any sort of restriction that", "pauses for a second or two, tilts his head while considering what seems", "in the comments I'll try adding something to rate the answers - (the", "incident - the main character was shifted into another dimension by an anomaly", "sort of restriction that keeps them from dying and just wants to go", "... 2 ... 1 ... I mean it!\" Click. Dud shot. Click. Dud", "be effective. The mental hospital answer for example solves the problem in a", "mental hospital, that's exactly the sort of accidental influence I'm aiming at). Short", "there is any sort of restriction that keeps them from dying and just", "his head while considering what seems to be a vaguely insane idea, puts", "to be something usable in a medieval/fantasy setting, it should be funny and", "just not care or he is certain enough. Now imagine beeing in that", "they are unsinkable and will save the girl. While most of them would", "them would probably die due to stupidity, being the main character has the", "main character but actually the main character (read: the main joke) of a", "a no go) and at the same time be effective. The mental hospital", "he is not only the main character but actually the main character (read:", "(read: the main joke) of a comical fantasy story, he loses all motivation", "influence I'm aiming at). Short example of another incident - the main character", "for example solves the problem in a way I really like, it's just", "and at the same time be effective. The mental hospital answer for example", "what?! I'm done. Get me home now or the story ends right here!", "(let's call the main character Joe). Joe picks up the gun, pauses for", "main character. 3 ... 2 ... 1 ... I mean it!\" Click. Dud", "the following situation (let's call the main character Joe). Joe picks up the", "be funny and disruptive to the main character (think of a battle between", "him. As an example think of the following situation (let's call the main", "for I am an author and not a god, but we had already", "different). Now if that character was of the hero type, there would be", "simpler the solution the better. Simpler in this case just means that the", "or two, tilts his head while considering what seems to be a vaguely", "the main character (think of a battle between character and author) and require", "only interested in creating a set of boundaries around a \"normal person\" from", "while sitting on the toilet and there attacked by a skeleton. Because he", "insane idea, puts the gun to his head, looks up - because for", "though they know they have the sympathy points and I don't? As a", "better. Simpler in this case just means that the reader could accept that", "and author) and require a minimum of direct author actions (just teleporting the", "only the main character but actually the main character (read: the main joke)", "bad guy. To further narrow the question (and prevent it from beeing closed", "girl. While most of them would probably die due to stupidity, being the", "but) I'd like it to be something usable in a medieval/fantasy setting, it", "already established Joe is not the most clever person and maybe a theological", "up - because for some reason he believes I am somewhere above him", "in itself is a rather unrealistic concept for I am an author and", "him in a mental hospital, that's exactly the sort of accidental influence I'm", "another dimension by an anomaly while sitting on the toilet and there attacked", "the better. Simpler in this case just means that the reader could accept", "think of the following situation (let's call the main character Joe). Joe picks", "you into a situation you completly dislike and has to prevent you from", "be introduced but) I'd like it to be something usable in a medieval/fantasy", "Click. Dud shot. Click. Dud shot. Click. Dud shot. \"Seriously?!\" The world doesn't", "anomaly while sitting on the toilet and there attacked by a skeleton. Because", "I don't talk to any character, but I can do/create what I want", "looks up - because for some reason he believes I am somewhere above", "way I was thinking, something using in world resources and e.g. just bad", "heroes per definition think they are unsinkable and will save the girl. While", "beeing closed as to broad or off topic), I'm only interested in creating", "know they have the sympathy points and I don't? As a limiting condition" ]
[ "it is a surprise? As a follow-up: Does a reader feel smart or", "should I withhold key elements to guarantee it is a surprise? As a", "astute readers could predict the twist if they stopped and mulled it over", "a follow-up: Does a reader feel smart or robbed if they can see", "Does a reader feel smart or robbed if they can see the twist?", "they stopped and mulled it over or should I withhold key elements to", "predict the twist if they stopped and mulled it over or should I", "twist into the ending, should I leak enough information such that astute readers", "I withhold key elements to guarantee it is a surprise? As a follow-up:", "a surprise? As a follow-up: Does a reader feel smart or robbed if", "As a follow-up: Does a reader feel smart or robbed if they can", "I leak enough information such that astute readers could predict the twist if", "withhold key elements to guarantee it is a surprise? As a follow-up: Does", "readers could predict the twist if they stopped and mulled it over or", "the ending, should I leak enough information such that astute readers could predict", "is a surprise? As a follow-up: Does a reader feel smart or robbed", "into the ending, should I leak enough information such that astute readers could", "could predict the twist if they stopped and mulled it over or should", "information such that astute readers could predict the twist if they stopped and", "ending, should I leak enough information such that astute readers could predict the", "it over or should I withhold key elements to guarantee it is a", "that astute readers could predict the twist if they stopped and mulled it", "to guarantee it is a surprise? As a follow-up: Does a reader feel", "guarantee it is a surprise? As a follow-up: Does a reader feel smart", "or should I withhold key elements to guarantee it is a surprise? As", "and mulled it over or should I withhold key elements to guarantee it", "follow-up: Does a reader feel smart or robbed if they can see the", "enough information such that astute readers could predict the twist if they stopped", "the twist if they stopped and mulled it over or should I withhold", "key elements to guarantee it is a surprise? As a follow-up: Does a", "When building a twist into the ending, should I leak enough information such", "should I leak enough information such that astute readers could predict the twist", "surprise? As a follow-up: Does a reader feel smart or robbed if they", "a twist into the ending, should I leak enough information such that astute", "over or should I withhold key elements to guarantee it is a surprise?", "mulled it over or should I withhold key elements to guarantee it is", "such that astute readers could predict the twist if they stopped and mulled", "if they stopped and mulled it over or should I withhold key elements", "building a twist into the ending, should I leak enough information such that", "twist if they stopped and mulled it over or should I withhold key", "leak enough information such that astute readers could predict the twist if they", "stopped and mulled it over or should I withhold key elements to guarantee", "elements to guarantee it is a surprise? As a follow-up: Does a reader" ]
[ "he inadvertently created. > > > I was told it is a cliché", "despite all attempts at a resolution and the mouse occasionally wins. Is it", "was told it is a cliché and you shouldn't use idioms in query", "is an impasse despite all attempts at a resolution and the mouse occasionally", "you shouldn't use idioms in query letters because they show lack of originality.", "lack of originality. The problem is, I cannot find a suitable synonym for", "my novel and used the idiom 'cat and mouse' as follows: > >", "> > > I was told it is a cliché and you shouldn't", "engage in a game of ‘cat and mouse’ with his Russian counterpart as", "wins. Is it preferable to spell out concepts like this even though a", "cannot find a suitable synonym for 'cat and mouse game'. Are ALL idioms", "the mouse occasionally wins. 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This one is very descriptive of", "out concepts like this even though a well-worn idiom like 'cat and mouse", "mouse’ with his Russian counterpart as he seeks a cure for the epidemic", "a conflict that is an impasse despite all attempts at a resolution and", "resolution and the mouse occasionally wins. Is it preferable to spell out concepts", "letters because they show lack of originality. The problem is, I cannot find", "forced to engage in a game of ‘cat and mouse’ with his Russian", "with his Russian counterpart as he seeks a cure for the epidemic he", "'cat and mouse game'. Are ALL idioms really that bad? This one is", "of originality. The problem is, I cannot find a suitable synonym for 'cat", "collector is forced to engage in a game of ‘cat and mouse’ with", "and mouse’ with his Russian counterpart as he seeks a cure for the", "problem is, I cannot find a suitable synonym for 'cat and mouse game'.", "shouldn't use idioms in query letters because they show lack of originality. The", "seeks a cure for the epidemic he inadvertently created. > > > I", "Russian counterpart as he seeks a cure for the epidemic he inadvertently created.", "used the idiom 'cat and mouse' as follows: > > A military bioweapons", "I cannot find a suitable synonym for 'cat and mouse game'. Are ALL", "cliché and you shouldn't use idioms in query letters because they show lack", "mouse game'. Are ALL idioms really that bad? This one is very descriptive", "to engage in a game of ‘cat and mouse’ with his Russian counterpart", "he seeks a cure for the epidemic he inadvertently created. > > >", "for the epidemic he inadvertently created. > > > I was told it", "the idiom 'cat and mouse' as follows: > > A military bioweapons collector", "and used the idiom 'cat and mouse' as follows: > > A military", "a resolution and the mouse occasionally wins. Is it preferable to spell out", "military bioweapons collector is forced to engage in a game of ‘cat and", "to spell out concepts like this even though a well-worn idiom like 'cat", "letter for my novel and used the idiom 'cat and mouse' as follows:", "the epidemic he inadvertently created. > > > I was told it is", "in query letters because they show lack of originality. The problem is, I", "writing a logline sentence of a query letter for my novel and used", "idioms really that bad? This one is very descriptive of a conflict that", "of a conflict that is an impasse despite all attempts at a resolution", "inadvertently created. > > > I was told it is a cliché and", "game of ‘cat and mouse’ with his Russian counterpart as he seeks a", "and mouse' as follows: > > A military bioweapons collector is forced to", "a cure for the epidemic he inadvertently created. > > > I was", "synonym for 'cat and mouse game'. Are ALL idioms really that bad? This", "of ‘cat and mouse’ with his Russian counterpart as he seeks a cure", "> > A military bioweapons collector is forced to engage in a game", "told it is a cliché and you shouldn't use idioms in query letters", "cure for the epidemic he inadvertently created. > > > I was told", "it is a cliché and you shouldn't use idioms in query letters because", "this even though a well-worn idiom like 'cat and mouse game' exists to", "originality. The problem is, I cannot find a suitable synonym for 'cat and", "of a query letter for my novel and used the idiom 'cat and", "mouse occasionally wins. Is it preferable to spell out concepts like this even", "and the mouse occasionally wins. Is it preferable to spell out concepts like", "‘cat and mouse’ with his Russian counterpart as he seeks a cure for", "and mouse game'. Are ALL idioms really that bad? This one is very", "Is it preferable to spell out concepts like this even though a well-worn", "A military bioweapons collector is forced to engage in a game of ‘cat", "attempts at a resolution and the mouse occasionally wins. Is it preferable to", "Are ALL idioms really that bad? This one is very descriptive of a", "really that bad? This one is very descriptive of a conflict that is", "as follows: > > A military bioweapons collector is forced to engage in", "novel and used the idiom 'cat and mouse' as follows: > > A", "> > I was told it is a cliché and you shouldn't use", "epidemic he inadvertently created. > > > I was told it is a", "his Russian counterpart as he seeks a cure for the epidemic he inadvertently", "use idioms in query letters because they show lack of originality. The problem", "> A military bioweapons collector is forced to engage in a game of", "they show lack of originality. The problem is, I cannot find a suitable", "bioweapons collector is forced to engage in a game of ‘cat and mouse’", "like this even though a well-worn idiom like 'cat and mouse game' exists", "it preferable to spell out concepts like this even though a well-worn idiom", "sentence of a query letter for my novel and used the idiom 'cat", "conflict that is an impasse despite all attempts at a resolution and the", "well-worn idiom like 'cat and mouse game' exists to communicate the concept quickly?", "impasse despite all attempts at a resolution and the mouse occasionally wins. Is", "occasionally wins. Is it preferable to spell out concepts like this even though", "for my novel and used the idiom 'cat and mouse' as follows: >", "is a cliché and you shouldn't use idioms in query letters because they", "The problem is, I cannot find a suitable synonym for 'cat and mouse", "created. > > > I was told it is a cliché and you", "> I was told it is a cliché and you shouldn't use idioms", "because they show lack of originality. The problem is, I cannot find a", "idioms in query letters because they show lack of originality. The problem is,", "very descriptive of a conflict that is an impasse despite all attempts at", "concepts like this even though a well-worn idiom like 'cat and mouse game'", "as he seeks a cure for the epidemic he inadvertently created. > >", "for 'cat and mouse game'. Are ALL idioms really that bad? This one", "find a suitable synonym for 'cat and mouse game'. Are ALL idioms really", "descriptive of a conflict that is an impasse despite all attempts at a", "a logline sentence of a query letter for my novel and used the", "a game of ‘cat and mouse’ with his Russian counterpart as he seeks", "though a well-worn idiom like 'cat and mouse game' exists to communicate the", "I am writing a logline sentence of a query letter for my novel", "a well-worn idiom like 'cat and mouse game' exists to communicate the concept", "a query letter for my novel and used the idiom 'cat and mouse'" ]
[ "a question regarding the legality of using a real museum and real artifacts", "criminal gang who steal well-known artefacts from a UK museum. I have contacted", "using a real museum and real artifacts in my Heist book which is", "them if they would grant permission, or point me in the direction of", "of using a real museum and real artifacts in my Heist book which", "on the Stack-Exchange who has experience with this kind of issue. Many thanks", "from their non-response they don't want to play ball. Having read dozens of", "appears from their non-response they don't want to play ball. Having read dozens", "Initially, it will be self-published via the amazon kindle route. The book involves", "via the amazon kindle route. The book involves a criminal gang who steal", "a real museum and real artifacts in my Heist book which is almost", "both museums and private collections around the world. I'm wondering how the authors", "Having read dozens of very successful fictional novels which involve the theft of", "steal well-known artefacts from a UK museum. I have contacted the museums press", "successful fictional novels which involve the theft of real artifacts and antiquities, from", "from anyone on the Stack-Exchange who has experience with this kind of issue.", "the premises, and asked them if they would grant permission, or point me", "publishers who do this, or their agents? I would be extremely grateful to", "from both museums and private collections around the world. I'm wondering how the", "me in the direction of someone who can. But unfortunately it appears from", "permission, or if indeed they do need permission to base a novel around", "legality of using a real museum and real artifacts in my Heist book", "do this, or their agents? I would be extremely grateful to hear from", "a criminal gang who steal well-known artefacts from a UK museum. I have", "need permission to base a novel around places and objects that are clearly", "of real artifacts and antiquities, from both museums and private collections around the", "novel around places and objects that are clearly in the public domain. Maybe", "artifacts* in my Heist book which is almost ready for publication. Initially, it", "explained the premises, and asked them if they would grant permission, or point", "point me in the direction of someone who can. But unfortunately it appears", "have a question regarding the legality of using a real museum and real", "objects that are clearly in the public domain. Maybe it's their publishers who", "Heist book* which is almost ready for publication. Initially, it will be self-published", "if they would grant permission, or point me in the direction of someone", "the museums press office and explained the premises, and asked them if they", "authors get permission, or if indeed they do need permission to base a", "get permission, or if indeed they do need permission to base a novel", "novels which involve the theft of real artifacts and antiquities, from both museums", "they do need permission to base a novel around places and objects that", "almost ready for publication. Initially, it will be self-published via the amazon kindle", "clearly in the public domain. Maybe it's their publishers who do this, or", "that are clearly in the public domain. Maybe it's their publishers who do", "do need permission to base a novel around places and objects that are", "base a novel around places and objects that are clearly in the public", "the public domain. Maybe it's their publishers who do this, or their agents?", "of someone who can. But unfortunately it appears from their non-response they don't", "press office and explained the premises, and asked them if they would grant", "to hear from anyone on the Stack-Exchange who has experience with this kind", "asked them if they would grant permission, or point me in the direction", "which is almost ready for publication. Initially, it will be self-published via the", "who steal well-known artefacts from a UK museum. I have contacted the museums", "and private collections around the world. I'm wondering how the authors get permission,", "my Heist book which is almost ready for publication. Initially, it will be", "their non-response they don't want to play ball. Having read dozens of very", "real artifacts* in my Heist book which is almost ready for publication. Initially,", "around places and objects that are clearly in the public domain. Maybe it's", "be extremely grateful to hear from anyone on the Stack-Exchange who has experience", "grant permission, or point me in the direction of someone who can. But", "museum and real artifacts* in my Heist book which is almost ready for", "dozens of very successful fictional novels which involve the theft of real artifacts", "permission to base a novel around places and objects that are clearly in", "their agents? I would be extremely grateful to hear from anyone on the", "the theft of real artifacts and antiquities, from both museums and private collections", "have contacted the museums press office and explained the premises, and asked them", "their publishers who do this, or their agents? I would be extremely grateful", "in my Heist book which is almost ready for publication. Initially, it will", "kindle route. The book involves a criminal gang who steal well-known artefacts from", "I would be extremely grateful to hear from anyone on the Stack-Exchange who", "book involves a criminal gang who steal well-known artefacts from a UK museum.", "The book involves a criminal gang who steal well-known artefacts from a UK", "involve the theft of real artifacts and antiquities, from both museums and private", "or if indeed they do need permission to base a novel around places", "or their agents? I would be extremely grateful to hear from anyone on", "of very successful fictional novels which involve the theft of real artifacts and", "if indeed they do need permission to base a novel around places and", "contacted the museums press office and explained the premises, and asked them if", "premises, and asked them if they would grant permission, or point me in", "or point me in the direction of someone who can. But unfortunately it", "the authors get permission, or if indeed they do need permission to base", "can. But unfortunately it appears from their non-response they don't want to play", "a novel around places and objects that are clearly in the public domain.", "would grant permission, or point me in the direction of someone who can.", "Stack-Exchange who has experience with this kind of issue. Many thanks in advance.", "and real artifacts* in my Heist book which is almost ready for publication.", "question regarding the legality of using a real museum and real artifacts in", "and explained the premises, and asked them if they would grant permission, or", "someone who can. But unfortunately it appears from their non-response they don't want", "direction of someone who can. But unfortunately it appears from their non-response they", "private collections around the world. I'm wondering how the authors get permission, or", "world. I'm wondering how the authors get permission, or if indeed they do", "it will be self-published via the amazon kindle route. The book involves a", "for publication. Initially, it will be self-published via the amazon kindle route. The", "UK museum. I have contacted the museums press office and explained the premises,", "are clearly in the public domain. Maybe it's their publishers who do this,", "extremely grateful to hear from anyone on the Stack-Exchange who has experience with", "is almost ready for publication. Initially, it will be self-published via the amazon", "unfortunately it appears from their non-response they don't want to play ball. Having", "don't want to play ball. Having read dozens of very successful fictional novels", "and antiquities, from both museums and private collections around the world. I'm wondering", "they would grant permission, or point me in the direction of someone who", "permission, or point me in the direction of someone who can. But unfortunately", "museums and private collections around the world. I'm wondering how the authors get", "domain. Maybe it's their publishers who do this, or their agents? I would", "grateful to hear from anyone on the Stack-Exchange who has experience with this", "publication. Initially, it will be self-published via the amazon kindle route. The book", "wondering how the authors get permission, or if indeed they do need permission", "read dozens of very successful fictional novels which involve the theft of real", "public domain. Maybe it's their publishers who do this, or their agents? I", "route. The book involves a criminal gang who steal well-known artefacts from a", "play ball. Having read dozens of very successful fictional novels which involve the", "the Stack-Exchange who has experience with this kind of issue. Many thanks in", "indeed they do need permission to base a novel around places and objects", "real artifacts and antiquities, from both museums and private collections around the world.", "would be extremely grateful to hear from anyone on the Stack-Exchange who has", "well-known artefacts from a UK museum. I have contacted the museums press office", "they don't want to play ball. Having read dozens of very successful fictional", "involves a criminal gang who steal well-known artefacts from a UK museum. I", "collections around the world. I'm wondering how the authors get permission, or if", "amazon kindle route. The book involves a criminal gang who steal well-known artefacts", "want to play ball. Having read dozens of very successful fictional novels which", "the world. I'm wondering how the authors get permission, or if indeed they", "ball. Having read dozens of very successful fictional novels which involve the theft", "ready for publication. Initially, it will be self-published via the amazon kindle route.", "the direction of someone who can. But unfortunately it appears from their non-response", "non-response they don't want to play ball. Having read dozens of very successful", "which involve the theft of real artifacts and antiquities, from both museums and", "will be self-published via the amazon kindle route. The book involves a criminal", "be self-published via the amazon kindle route. The book involves a criminal gang", "theft of real artifacts and antiquities, from both museums and private collections around", "how the authors get permission, or if indeed they do need permission to", "I'm wondering how the authors get permission, or if indeed they do need", "in the public domain. Maybe it's their publishers who do this, or their", "the legality of using a real museum and real artifacts in my Heist", "fictional novels which involve the theft of real artifacts and antiquities, from both", "it appears from their non-response they don't want to play ball. Having read", "Maybe it's their publishers who do this, or their agents? I would be", "museums press office and explained the premises, and asked them if they would", "who can. But unfortunately it appears from their non-response they don't want to", "real museum and real artifacts* in my Heist book which is almost ready", "around the world. I'm wondering how the authors get permission, or if indeed", "who has experience with this kind of issue. Many thanks in advance. Jon", "the amazon kindle route. The book involves a criminal gang who steal well-known", "I have a question regarding the legality of using a real museum and", "hear from anyone on the Stack-Exchange who has experience with this kind of", "this, or their agents? I would be extremely grateful to hear from anyone", "museum. I have contacted the museums press office and explained the premises, and", "very successful fictional novels which involve the theft of real artifacts and antiquities,", "agents? I would be extremely grateful to hear from anyone on the Stack-Exchange", "gang who steal well-known artefacts from a UK museum. I have contacted the", "a UK museum. I have contacted the museums press office and explained the", "artifacts and antiquities, from both museums and private collections around the world. I'm", "places and objects that are clearly in the public domain. Maybe it's their", "to play ball. Having read dozens of very successful fictional novels which involve", "from a UK museum. I have contacted the museums press office and explained", "and objects that are clearly in the public domain. Maybe it's their publishers", "who do this, or their agents? I would be extremely grateful to hear", "and asked them if they would grant permission, or point me in the", "in the direction of someone who can. But unfortunately it appears from their", "anyone on the Stack-Exchange who has experience with this kind of issue. Many", "regarding the legality of using a real museum and real artifacts* in my", "But unfortunately it appears from their non-response they don't want to play ball.", "it's their publishers who do this, or their agents? I would be extremely", "I have contacted the museums press office and explained the premises, and asked", "book* which is almost ready for publication. Initially, it will be self-published via", "office and explained the premises, and asked them if they would grant permission,", "to base a novel around places and objects that are clearly in the", "artefacts from a UK museum. I have contacted the museums press office and", "antiquities, from both museums and private collections around the world. I'm wondering how", "self-published via the amazon kindle route. The book involves a criminal gang who" ]
[ "the prices and currencies are different for each of these countries. Barnes &", "with 4 different EAN 5 price barcodes, or is it ok if the", "price is just in one currency, let's say in £, and the other", "in it (EAN 5) on the backside of the cover. What should I", "accept this? Btw: I'm distributing the book via Ingram Lightning Source. Thanks in", "£, and the other currencies and prices are in readable form next to", "my book in the UK, US, CA and AU. Now the prices and", "require a barcode with a price in it (EAN 5) on the backside", "one currency, let's say in £, and the other currencies and prices are", "4 different EAN 5 price barcodes, or is it ok if the barcode", "AU. Now the prices and currencies are different for each of these countries.", "it ok if the barcode price is just in one currency, let's say", "to publish my book in the UK, US, CA and AU. Now the", "they require a barcode with a price in it (EAN 5) on the", "I want to publish my book in the UK, US, CA and AU.", "for each of these countries. Barnes & Noble says that they require a", "and prices are in readable form next to it? Do bookshops like B&N", "EAN 5 price barcodes, or is it ok if the barcode price is", "do right now? Do I need 4 different covers with 4 different EAN", "that they require a barcode with a price in it (EAN 5) on", "is it ok if the barcode price is just in one currency, let's", "barcode price is just in one currency, let's say in £, and the", "is just in one currency, let's say in £, and the other currencies", "the UK, US, CA and AU. Now the prices and currencies are different", "a price in it (EAN 5) on the backside of the cover. What", "it? Do bookshops like B&N accept this? Btw: I'm distributing the book via", "on the backside of the cover. What should I do right now? Do", "4 different covers with 4 different EAN 5 price barcodes, or is it", "with a price in it (EAN 5) on the backside of the cover.", "Barnes & Noble says that they require a barcode with a price in", "barcodes, or is it ok if the barcode price is just in one", "book in the UK, US, CA and AU. Now the prices and currencies", "different for each of these countries. Barnes & Noble says that they require", "Do I need 4 different covers with 4 different EAN 5 price barcodes,", "in readable form next to it? Do bookshops like B&N accept this? Btw:", "this? Btw: I'm distributing the book via Ingram Lightning Source. Thanks in advance.", "prices and currencies are different for each of these countries. Barnes & Noble", "the barcode price is just in one currency, let's say in £, and", "(EAN 5) on the backside of the cover. What should I do right", "US, CA and AU. Now the prices and currencies are different for each", "prices are in readable form next to it? Do bookshops like B&N accept", "cover. What should I do right now? Do I need 4 different covers", "right now? Do I need 4 different covers with 4 different EAN 5", "UK, US, CA and AU. Now the prices and currencies are different for", "if the barcode price is just in one currency, let's say in £,", "Noble says that they require a barcode with a price in it (EAN", "next to it? Do bookshops like B&N accept this? Btw: I'm distributing the", "I need 4 different covers with 4 different EAN 5 price barcodes, or", "backside of the cover. What should I do right now? Do I need", "of these countries. Barnes & Noble says that they require a barcode with", "currency, let's say in £, and the other currencies and prices are in", "and currencies are different for each of these countries. Barnes & Noble says", "or is it ok if the barcode price is just in one currency,", "say in £, and the other currencies and prices are in readable form", "the cover. What should I do right now? Do I need 4 different", "What should I do right now? Do I need 4 different covers with", "of the cover. What should I do right now? Do I need 4", "need 4 different covers with 4 different EAN 5 price barcodes, or is", "form next to it? Do bookshops like B&N accept this? Btw: I'm distributing", "countries. Barnes & Noble says that they require a barcode with a price", "these countries. Barnes & Noble says that they require a barcode with a", "bookshops like B&N accept this? Btw: I'm distributing the book via Ingram Lightning", "other currencies and prices are in readable form next to it? Do bookshops", "different EAN 5 price barcodes, or is it ok if the barcode price", "a barcode with a price in it (EAN 5) on the backside of", "in one currency, let's say in £, and the other currencies and prices", "it (EAN 5) on the backside of the cover. What should I do", "5 price barcodes, or is it ok if the barcode price is just", "are in readable form next to it? Do bookshops like B&N accept this?", "should I do right now? Do I need 4 different covers with 4", "barcode with a price in it (EAN 5) on the backside of the", "readable form next to it? Do bookshops like B&N accept this? Btw: I'm", "are different for each of these countries. Barnes & Noble says that they", "now? Do I need 4 different covers with 4 different EAN 5 price", "price in it (EAN 5) on the backside of the cover. What should", "currencies and prices are in readable form next to it? Do bookshops like", "& Noble says that they require a barcode with a price in it", "says that they require a barcode with a price in it (EAN 5)", "the backside of the cover. What should I do right now? Do I", "different covers with 4 different EAN 5 price barcodes, or is it ok", "like B&N accept this? Btw: I'm distributing the book via Ingram Lightning Source.", "each of these countries. Barnes & Noble says that they require a barcode", "CA and AU. Now the prices and currencies are different for each of", "B&N accept this? Btw: I'm distributing the book via Ingram Lightning Source. Thanks", "to it? Do bookshops like B&N accept this? Btw: I'm distributing the book", "the other currencies and prices are in readable form next to it? Do", "currencies are different for each of these countries. Barnes & Noble says that", "and the other currencies and prices are in readable form next to it?", "want to publish my book in the UK, US, CA and AU. Now", "covers with 4 different EAN 5 price barcodes, or is it ok if", "just in one currency, let's say in £, and the other currencies and", "in £, and the other currencies and prices are in readable form next", "I do right now? Do I need 4 different covers with 4 different", "ok if the barcode price is just in one currency, let's say in", "let's say in £, and the other currencies and prices are in readable", "Now the prices and currencies are different for each of these countries. Barnes", "in the UK, US, CA and AU. Now the prices and currencies are", "and AU. Now the prices and currencies are different for each of these", "5) on the backside of the cover. What should I do right now?", "publish my book in the UK, US, CA and AU. Now the prices", "Do bookshops like B&N accept this? Btw: I'm distributing the book via Ingram", "price barcodes, or is it ok if the barcode price is just in" ]
[ "never expects to make it to the very top, which would be a", "top, which would be a daunting task for any advertising executive, never mind", "true? If so, what are ways to develop the characters of these two", "the man's lack of confidence are self-evident, but go into their backgrounds to", "in developing the characters. A couple examples follow: The main character is a", "it's not enough to assume that the reasons for this woman's discomfort or", "this is true? If so, what are ways to develop the characters of", "that this is true? If so, what are ways to develop the characters", "is a \"pot-shaped\" man who nevertheless makes it to CEO because her guidance", "a \"pot-shaped\" man who nevertheless makes it to CEO because her guidance set", "that she is better than his other three partners (all four of these", "(all four of these are men). The woman's main subordinate is a \"pot-shaped\"", "never mind a pot shaped one. Others tell me that it's not enough", "is a woman who is the \"fifth\" partner in an advertising firm, for", "which would be a daunting task for any advertising executive, never mind a", "him on an unlikely trajectory. (Even after she leaves the firm, she \"guides\"", "four corner offices, none of which is hers. The woman is incensed with", "be a daunting task for any advertising executive, never mind a pot shaped", "partner in an advertising firm, for which there are only four corner offices,", "three partners (all four of these are men). The woman's main subordinate is", "to assume that the reasons for this woman's discomfort or the man's lack", "with this fact, especially after the managing partner hints that she is better", "shaped one. Others tell me that it's not enough to assume that the", "any advertising executive, never mind a pot shaped one. Others tell me that", "her guidance set him on an unlikely trajectory. (Even after she leaves the", "is the \"fifth\" partner in an advertising firm, for which there are only", "\"fifth\" partner in an advertising firm, for which there are only four corner", "woman who is the \"fifth\" partner in an advertising firm, for which there", "it to CEO because her guidance set him on an unlikely trajectory. (Even", "a woman who is the \"fifth\" partner in an advertising firm, for which", "their backgrounds to explain why they feel this way. Do most authors and", "story, less so in developing the characters. A couple examples follow: The main", "managing partner hints that she is better than his other three partners (all", "it to the very top, which would be a daunting task for any", "woman's discomfort or the man's lack of confidence are self-evident, but go into", "nevertheless makes it to CEO because her guidance set him on an unlikely", "couple examples follow: The main character is a woman who is the \"fifth\"", "lack of confidence are self-evident, but go into their backgrounds to explain why", "a good job of developing the story, less so in developing the characters.", "feel that this is true? If so, what are ways to develop the", "a pot shaped one. Others tell me that it's not enough to assume", "not enough to assume that the reasons for this woman's discomfort or the", "for any advertising executive, never mind a pot shaped one. Others tell me", "this woman's discomfort or the man's lack of confidence are self-evident, but go", "on an unlikely trajectory. (Even after she leaves the firm, she \"guides\" him", "man's lack of confidence are self-evident, but go into their backgrounds to explain", "have done a good job of developing the story, less so in developing", "character is a woman who is the \"fifth\" partner in an advertising firm,", "backgrounds to explain why they feel this way. Do most authors and critics", "an advertising firm, for which there are only four corner offices, none of", "expects to make it to the very top, which would be a daunting", "explain why they feel this way. Do most authors and critics feel that", "developing the story, less so in developing the characters. A couple examples follow:", "none of which is hers. The woman is incensed with this fact, especially", "than his other three partners (all four of these are men). The woman's", "she leaves the firm, she \"guides\" him by \"proxy.\") He never expects to", "less so in developing the characters. A couple examples follow: The main character", "The woman is incensed with this fact, especially after the managing partner hints", "feel this way. Do most authors and critics feel that this is true?", "me that I have done a good job of developing the story, less", "him by \"proxy.\") He never expects to make it to the very top,", "who nevertheless makes it to CEO because her guidance set him on an", "other three partners (all four of these are men). The woman's main subordinate", "tell me that I have done a good job of developing the story,", "go into their backgrounds to explain why they feel this way. Do most", "one. Others tell me that it's not enough to assume that the reasons", "CEO because her guidance set him on an unlikely trajectory. (Even after she", "firm, for which there are only four corner offices, none of which is", "these are men). The woman's main subordinate is a \"pot-shaped\" man who nevertheless", "characters. A couple examples follow: The main character is a woman who is", "The woman's main subordinate is a \"pot-shaped\" man who nevertheless makes it to", "self-evident, but go into their backgrounds to explain why they feel this way.", "The main character is a woman who is the \"fifth\" partner in an", "the managing partner hints that she is better than his other three partners", "subordinate is a \"pot-shaped\" man who nevertheless makes it to CEO because her", "Critics of my screen play tell me that I have done a good", "developing the characters. A couple examples follow: The main character is a woman", "A couple examples follow: The main character is a woman who is the", "after she leaves the firm, she \"guides\" him by \"proxy.\") He never expects", "would be a daunting task for any advertising executive, never mind a pot", "me that it's not enough to assume that the reasons for this woman's", "most authors and critics feel that this is true? If so, what are", "advertising firm, for which there are only four corner offices, none of which", "the story, less so in developing the characters. A couple examples follow: The", "Do most authors and critics feel that this is true? If so, what", "are ways to develop the characters of these two people over and above", "to make it to the very top, which would be a daunting task", "she is better than his other three partners (all four of these are", "of developing the story, less so in developing the characters. A couple examples", "fact, especially after the managing partner hints that she is better than his", "by \"proxy.\") He never expects to make it to the very top, which", "into their backgrounds to explain why they feel this way. Do most authors", "advertising executive, never mind a pot shaped one. Others tell me that it's", "an unlikely trajectory. (Even after she leaves the firm, she \"guides\" him by", "ways to develop the characters of these two people over and above the", "the \"fifth\" partner in an advertising firm, for which there are only four", "pot shaped one. Others tell me that it's not enough to assume that", "why they feel this way. Do most authors and critics feel that this", "only four corner offices, none of which is hers. The woman is incensed", "enough to assume that the reasons for this woman's discomfort or the man's", "a daunting task for any advertising executive, never mind a pot shaped one.", "partner hints that she is better than his other three partners (all four", "\"guides\" him by \"proxy.\") He never expects to make it to the very", "leaves the firm, she \"guides\" him by \"proxy.\") He never expects to make", "offices, none of which is hers. The woman is incensed with this fact,", "partners (all four of these are men). The woman's main subordinate is a", "that I have done a good job of developing the story, less so", "corner offices, none of which is hers. The woman is incensed with this", "especially after the managing partner hints that she is better than his other", "better than his other three partners (all four of these are men). The", "his other three partners (all four of these are men). The woman's main", "so, what are ways to develop the characters of these two people over", "to explain why they feel this way. Do most authors and critics feel", "way. Do most authors and critics feel that this is true? If so,", "four of these are men). The woman's main subordinate is a \"pot-shaped\" man", "follow: The main character is a woman who is the \"fifth\" partner in", "hints that she is better than his other three partners (all four of", "which there are only four corner offices, none of which is hers. The", "is true? If so, what are ways to develop the characters of these", "man who nevertheless makes it to CEO because her guidance set him on", "job of developing the story, less so in developing the characters. A couple", "she \"guides\" him by \"proxy.\") He never expects to make it to the", "there are only four corner offices, none of which is hers. The woman", "done a good job of developing the story, less so in developing the", "after the managing partner hints that she is better than his other three", "woman is incensed with this fact, especially after the managing partner hints that", "unlikely trajectory. (Even after she leaves the firm, she \"guides\" him by \"proxy.\")", "good job of developing the story, less so in developing the characters. A", "tell me that it's not enough to assume that the reasons for this", "of my screen play tell me that I have done a good job", "men). The woman's main subordinate is a \"pot-shaped\" man who nevertheless makes it", "they feel this way. Do most authors and critics feel that this is", "executive, never mind a pot shaped one. Others tell me that it's not", "so in developing the characters. A couple examples follow: The main character is", "makes it to CEO because her guidance set him on an unlikely trajectory.", "the very top, which would be a daunting task for any advertising executive,", "Others tell me that it's not enough to assume that the reasons for", "play tell me that I have done a good job of developing the", "trajectory. (Even after she leaves the firm, she \"guides\" him by \"proxy.\") He", "is hers. The woman is incensed with this fact, especially after the managing", "incensed with this fact, especially after the managing partner hints that she is", "\"pot-shaped\" man who nevertheless makes it to CEO because her guidance set him", "\"proxy.\") He never expects to make it to the very top, which would", "in an advertising firm, for which there are only four corner offices, none", "and critics feel that this is true? If so, what are ways to", "of which is hers. The woman is incensed with this fact, especially after", "He never expects to make it to the very top, which would be", "which is hers. The woman is incensed with this fact, especially after the", "very top, which would be a daunting task for any advertising executive, never", "is better than his other three partners (all four of these are men).", "mind a pot shaped one. Others tell me that it's not enough to", "for this woman's discomfort or the man's lack of confidence are self-evident, but", "the characters. A couple examples follow: The main character is a woman who", "firm, she \"guides\" him by \"proxy.\") He never expects to make it to", "examples follow: The main character is a woman who is the \"fifth\" partner", "authors and critics feel that this is true? If so, what are ways", "are self-evident, but go into their backgrounds to explain why they feel this", "of these are men). The woman's main subordinate is a \"pot-shaped\" man who", "for which there are only four corner offices, none of which is hers.", "If so, what are ways to develop the characters of these two people", "task for any advertising executive, never mind a pot shaped one. Others tell", "screen play tell me that I have done a good job of developing", "are men). The woman's main subordinate is a \"pot-shaped\" man who nevertheless makes", "assume that the reasons for this woman's discomfort or the man's lack of", "daunting task for any advertising executive, never mind a pot shaped one. Others", "make it to the very top, which would be a daunting task for", "to develop the characters of these two people over and above the storyline?", "my screen play tell me that I have done a good job of", "but go into their backgrounds to explain why they feel this way. Do", "the firm, she \"guides\" him by \"proxy.\") He never expects to make it", "of confidence are self-evident, but go into their backgrounds to explain why they", "what are ways to develop the characters of these two people over and", "to the very top, which would be a daunting task for any advertising", "main subordinate is a \"pot-shaped\" man who nevertheless makes it to CEO because", "discomfort or the man's lack of confidence are self-evident, but go into their", "I have done a good job of developing the story, less so in", "that it's not enough to assume that the reasons for this woman's discomfort", "the reasons for this woman's discomfort or the man's lack of confidence are", "reasons for this woman's discomfort or the man's lack of confidence are self-evident,", "are only four corner offices, none of which is hers. The woman is", "who is the \"fifth\" partner in an advertising firm, for which there are", "hers. The woman is incensed with this fact, especially after the managing partner", "that the reasons for this woman's discomfort or the man's lack of confidence", "set him on an unlikely trajectory. (Even after she leaves the firm, she", "(Even after she leaves the firm, she \"guides\" him by \"proxy.\") He never", "main character is a woman who is the \"fifth\" partner in an advertising", "woman's main subordinate is a \"pot-shaped\" man who nevertheless makes it to CEO", "because her guidance set him on an unlikely trajectory. (Even after she leaves", "to CEO because her guidance set him on an unlikely trajectory. (Even after", "or the man's lack of confidence are self-evident, but go into their backgrounds", "is incensed with this fact, especially after the managing partner hints that she", "guidance set him on an unlikely trajectory. (Even after she leaves the firm,", "critics feel that this is true? If so, what are ways to develop", "confidence are self-evident, but go into their backgrounds to explain why they feel", "this fact, especially after the managing partner hints that she is better than", "this way. Do most authors and critics feel that this is true? If" ]
[ "a character in a story that plays no significant role, and only appears", "good tips or ways to describe a character in a story that plays", "that particular moment in the chapter and never again for the rest of", "in a story that plays no significant role, and only appears for that", "describe a character in a story that plays no significant role, and only", "never again for the rest of the story? What details are best to", "moment in the chapter and never again for the rest of the story?", "the chapter and never again for the rest of the story? What details", "rest of the story? What details are best to be mentioned in this", "that plays no significant role, and only appears for that particular moment in", "the rest of the story? What details are best to be mentioned in", "some good tips or ways to describe a character in a story that", "character in a story that plays no significant role, and only appears for", "for that particular moment in the chapter and never again for the rest", "significant role, and only appears for that particular moment in the chapter and", "to describe a character in a story that plays no significant role, and", "and only appears for that particular moment in the chapter and never again", "are some good tips or ways to describe a character in a story", "of the story? What details are best to be mentioned in this case?", "or ways to describe a character in a story that plays no significant", "What are some good tips or ways to describe a character in a", "particular moment in the chapter and never again for the rest of the", "role, and only appears for that particular moment in the chapter and never", "a story that plays no significant role, and only appears for that particular", "appears for that particular moment in the chapter and never again for the", "story that plays no significant role, and only appears for that particular moment", "tips or ways to describe a character in a story that plays no", "only appears for that particular moment in the chapter and never again for", "no significant role, and only appears for that particular moment in the chapter", "in the chapter and never again for the rest of the story? What", "and never again for the rest of the story? What details are best", "chapter and never again for the rest of the story? What details are", "for the rest of the story? What details are best to be mentioned", "again for the rest of the story? What details are best to be", "plays no significant role, and only appears for that particular moment in the", "ways to describe a character in a story that plays no significant role," ]
[ "since i am not a certified doctor with enough knowledge about the human", "specific when it comes to symptoms or medication and its side effects. I", "human body but i do want to be specific when it comes to", "when it comes to symptoms or medication and its side effects. I also", "should effect her daily life. She's an intelligent teacher with exceptional understanding and", "to day life but not as much as staying to bed all day", "surgery or chemo or anything that would make her better or cure her", "want to be specific when it comes to symptoms or medication and its", "am not a certified doctor with enough knowledge about the human body but", "away at any moment. She takes medication regularly but refuses to undergo anything", "would make her better or cure her for good). I have not figured", "ill with something that can sooner or later take her life away at", "someone's day to day life but not as much as staying to bed", "anything that would make her better or cure her for good). I have", "make her better or cure her for good). I have not figured out", "side effects. I also don't know how much that illness should effect her", "that hinders someone's day to day life but not as much as staying", "and is curable under extreme medication? (Cancer is out since she has to", "its side effects. I also don't know how much that illness should effect", "to symptoms or medication and its side effects. I also don't know how", "under extreme medication? (Cancer is out since she has to work everyday for", "is swamped with work and responsibilities that don't often involve her career as", "at any moment. She takes medication regularly but refuses to undergo anything hardcore", "her health. She's rich, so money isn't an issue. She just thinks that", "most instead of undergoing harsh treatments and so. Is there any type of", "don't often involve her career as a teacher but it also greatly affects", "day life but not as much as staying to bed all day and", "also greatly affects her health. She's rich, so money isn't an issue. She", "that illness should effect her daily life. She's an intelligent teacher with exceptional", "treatments and so. Is there any type of illness (that preferably includes attacks", "as asthma) that hinders someone's day to day life but not as much", "is out since she has to work everyday for being a teacher and", "what or where the kind of illness she has yet since i am", "involve her career as a teacher but it also greatly affects her health.", "work and responsibilities that don't often involve her career as a teacher but", "a certified doctor with enough knowledge about the human body but i do", "or later take her life away at any moment. She takes medication regularly", "issue. She just thinks that she should live her life to the most", "kind of illness she has yet since i am not a certified doctor", "out what or where the kind of illness she has yet since i", "there any type of illness (that preferably includes attacks such as asthma) that", "and responsibilities that don't often involve her career as a teacher but it", "for good). I have not figured out what or where the kind of", "something that can sooner or later take her life away at any moment.", "her better or cure her for good). I have not figured out what", "teacher but it also greatly affects her health. She's rich, so money isn't", "with something that can sooner or later take her life away at any", "swamped with work and responsibilities that don't often involve her career as a", "medication? (Cancer is out since she has to work everyday for being a", "she has to work everyday for being a teacher and other tiring stuff)", "figured out what or where the kind of illness she has yet since", "it comes to symptoms or medication and its side effects. I also don't", "can sooner or later take her life away at any moment. She takes", "sooner or later take her life away at any moment. She takes medication", "how much that illness should effect her daily life. She's an intelligent teacher", "all day and is curable under extreme medication? (Cancer is out since she", "body but i do want to be specific when it comes to symptoms", "life. She's an intelligent teacher with exceptional understanding and memory. She is swamped", "health. She's rich, so money isn't an issue. She just thinks that she", "that would make her better or cure her for good). I have not", "seriously ill with something that can sooner or later take her life away", "of illness she has yet since i am not a certified doctor with", "but refuses to undergo anything hardcore (like surgery or chemo or anything that", "with work and responsibilities that don't often involve her career as a teacher", "is seriously ill with something that can sooner or later take her life", "not figured out what or where the kind of illness she has yet", "with enough knowledge about the human body but i do want to be", "of illness (that preferably includes attacks such as asthma) that hinders someone's day", "or medication and its side effects. I also don't know how much that", "comes to symptoms or medication and its side effects. I also don't know", "type of illness (that preferably includes attacks such as asthma) that hinders someone's", "and so. Is there any type of illness (that preferably includes attacks such", "the most instead of undergoing harsh treatments and so. Is there any type", "also don't know how much that illness should effect her daily life. She's", "career as a teacher but it also greatly affects her health. She's rich,", "certified doctor with enough knowledge about the human body but i do want", "or where the kind of illness she has yet since i am not", "the human body but i do want to be specific when it comes", "much that illness should effect her daily life. She's an intelligent teacher with", "She's an intelligent teacher with exceptional understanding and memory. She is swamped with", "later take her life away at any moment. She takes medication regularly but", "life away at any moment. She takes medication regularly but refuses to undergo", "hinders someone's day to day life but not as much as staying to", "she has yet since i am not a certified doctor with enough knowledge", "includes attacks such as asthma) that hinders someone's day to day life but", "exceptional understanding and memory. She is swamped with work and responsibilities that don't", "anything hardcore (like surgery or chemo or anything that would make her better", "bed all day and is curable under extreme medication? (Cancer is out since", "refuses to undergo anything hardcore (like surgery or chemo or anything that would", "effect her daily life. She's an intelligent teacher with exceptional understanding and memory.", "undergoing harsh treatments and so. Is there any type of illness (that preferably", "much as staying to bed all day and is curable under extreme medication?", "live her life to the most instead of undergoing harsh treatments and so.", "she should live her life to the most instead of undergoing harsh treatments", "curable under extreme medication? (Cancer is out since she has to work everyday", "greatly affects her health. She's rich, so money isn't an issue. She just", "any type of illness (that preferably includes attacks such as asthma) that hinders", "as much as staying to bed all day and is curable under extreme", "regularly but refuses to undergo anything hardcore (like surgery or chemo or anything", "and memory. She is swamped with work and responsibilities that don't often involve", "illness should effect her daily life. She's an intelligent teacher with exceptional understanding", "so money isn't an issue. She just thinks that she should live her", "She takes medication regularly but refuses to undergo anything hardcore (like surgery or", "do want to be specific when it comes to symptoms or medication and", "symptoms or medication and its side effects. I also don't know how much", "asthma) that hinders someone's day to day life but not as much as", "an intelligent teacher with exceptional understanding and memory. She is swamped with work", "just thinks that she should live her life to the most instead of", "isn't an issue. She just thinks that she should live her life to", "chemo or anything that would make her better or cure her for good).", "but not as much as staying to bed all day and is curable", "staying to bed all day and is curable under extreme medication? (Cancer is", "a teacher but it also greatly affects her health. She's rich, so money", "and its side effects. I also don't know how much that illness should", "an issue. She just thinks that she should live her life to the", "instead of undergoing harsh treatments and so. Is there any type of illness", "responsibilities that don't often involve her career as a teacher but it also", "to bed all day and is curable under extreme medication? (Cancer is out", "so. Is there any type of illness (that preferably includes attacks such as", "i am not a certified doctor with enough knowledge about the human body", "her career as a teacher but it also greatly affects her health. She's", "memory. She is swamped with work and responsibilities that don't often involve her", "She just thinks that she should live her life to the most instead", "I have not figured out what or where the kind of illness she", "teacher with exceptional understanding and memory. She is swamped with work and responsibilities", "doctor with enough knowledge about the human body but i do want to", "affects her health. She's rich, so money isn't an issue. She just thinks", "such as asthma) that hinders someone's day to day life but not as", "(Cancer is out since she has to work everyday for being a teacher", "or cure her for good). I have not figured out what or where", "that don't often involve her career as a teacher but it also greatly", "effects. I also don't know how much that illness should effect her daily", "the kind of illness she has yet since i am not a certified", "to be specific when it comes to symptoms or medication and its side", "but i do want to be specific when it comes to symptoms or", "to the most instead of undergoing harsh treatments and so. Is there any", "her life away at any moment. She takes medication regularly but refuses to", "i do want to be specific when it comes to symptoms or medication", "harsh treatments and so. Is there any type of illness (that preferably includes", "enough knowledge about the human body but i do want to be specific", "often involve her career as a teacher but it also greatly affects her", "medication regularly but refuses to undergo anything hardcore (like surgery or chemo or", "with exceptional understanding and memory. She is swamped with work and responsibilities that", "her for good). I have not figured out what or where the kind", "be specific when it comes to symptoms or medication and its side effects.", "I also don't know how much that illness should effect her daily life.", "yet since i am not a certified doctor with enough knowledge about the", "good). I have not figured out what or where the kind of illness", "as staying to bed all day and is curable under extreme medication? (Cancer", "that she should live her life to the most instead of undergoing harsh", "that can sooner or later take her life away at any moment. She", "cure her for good). I have not figured out what or where the", "money isn't an issue. She just thinks that she should live her life", "moment. She takes medication regularly but refuses to undergo anything hardcore (like surgery", "attacks such as asthma) that hinders someone's day to day life but not", "take her life away at any moment. She takes medication regularly but refuses", "her daily life. She's an intelligent teacher with exceptional understanding and memory. She", "hardcore (like surgery or chemo or anything that would make her better or", "or chemo or anything that would make her better or cure her for", "My heroine is seriously ill with something that can sooner or later take", "better or cure her for good). I have not figured out what or", "takes medication regularly but refuses to undergo anything hardcore (like surgery or chemo", "day to day life but not as much as staying to bed all", "life but not as much as staying to bed all day and is", "any moment. She takes medication regularly but refuses to undergo anything hardcore (like", "or anything that would make her better or cure her for good). I", "know how much that illness should effect her daily life. She's an intelligent", "daily life. She's an intelligent teacher with exceptional understanding and memory. She is", "day and is curable under extreme medication? (Cancer is out since she has", "since she has to work everyday for being a teacher and other tiring", "it also greatly affects her health. She's rich, so money isn't an issue.", "preferably includes attacks such as asthma) that hinders someone's day to day life", "where the kind of illness she has yet since i am not a", "intelligent teacher with exceptional understanding and memory. She is swamped with work and", "thinks that she should live her life to the most instead of undergoing", "to undergo anything hardcore (like surgery or chemo or anything that would make", "knowledge about the human body but i do want to be specific when", "her life to the most instead of undergoing harsh treatments and so. Is", "(that preferably includes attacks such as asthma) that hinders someone's day to day", "She's rich, so money isn't an issue. She just thinks that she should", "not as much as staying to bed all day and is curable under", "understanding and memory. She is swamped with work and responsibilities that don't often", "but it also greatly affects her health. She's rich, so money isn't an", "have not figured out what or where the kind of illness she has", "of undergoing harsh treatments and so. Is there any type of illness (that", "extreme medication? (Cancer is out since she has to work everyday for being", "about the human body but i do want to be specific when it", "is curable under extreme medication? (Cancer is out since she has to work", "Is there any type of illness (that preferably includes attacks such as asthma)", "out since she has to work everyday for being a teacher and other", "as a teacher but it also greatly affects her health. She's rich, so", "not a certified doctor with enough knowledge about the human body but i", "life to the most instead of undergoing harsh treatments and so. Is there", "(like surgery or chemo or anything that would make her better or cure", "rich, so money isn't an issue. She just thinks that she should live", "She is swamped with work and responsibilities that don't often involve her career", "undergo anything hardcore (like surgery or chemo or anything that would make her", "illness she has yet since i am not a certified doctor with enough", "medication and its side effects. I also don't know how much that illness", "heroine is seriously ill with something that can sooner or later take her", "should live her life to the most instead of undergoing harsh treatments and", "illness (that preferably includes attacks such as asthma) that hinders someone's day to", "don't know how much that illness should effect her daily life. She's an", "has yet since i am not a certified doctor with enough knowledge about" ]
[ "if the bookstore does not want the book in their stock, because of", "still available in a book store if a customer requests it, even if", "of 45% and costs £10.99, does a book store sell this book if", "in their stock, because of the conditions above? Do they order a copy", "a book store if a customer requests it, even if the bookstore does", "the bookstore does not want the book in their stock, because of the", "store and wants to order it? In short: Is a book still available", "the book in their stock, because of the conditions above? Do they order", "conditions above? Do they order a copy if a customer asks for it?", "wants to order it? In short: Is a book still available in a", "a wholesaler discount of 45% and costs £10.99, does a book store sell", "stock, because of the conditions above? Do they order a copy if a", "their stock, because of the conditions above? Do they order a copy if", "sell this book if a customer comes into a store and wants to", "order it? In short: Is a book still available in a book store", "book store if a customer requests it, even if the bookstore does not", "if a customer comes into a store and wants to order it? In", "short: Is a book still available in a book store if a customer", "book is not returnable, has a wholesaler discount of 45% and costs £10.99,", "store if a customer requests it, even if the bookstore does not want", "is not returnable, has a wholesaler discount of 45% and costs £10.99, does", "a book still available in a book store if a customer requests it,", "bookstore does not want the book in their stock, because of the conditions", "the conditions above? Do they order a copy if a customer asks for", "available in a book store if a customer requests it, even if the", "store sell this book if a customer comes into a store and wants", "book if a customer comes into a store and wants to order it?", "does a book store sell this book if a customer comes into a", "has a wholesaler discount of 45% and costs £10.99, does a book store", "even if the bookstore does not want the book in their stock, because", "book still available in a book store if a customer requests it, even", "a customer requests it, even if the bookstore does not want the book", "£10.99, does a book store sell this book if a customer comes into", "Is a book still available in a book store if a customer requests", "in a book store if a customer requests it, even if the bookstore", "In short: Is a book still available in a book store if a", "want the book in their stock, because of the conditions above? Do they", "of the conditions above? Do they order a copy if a customer asks", "and costs £10.99, does a book store sell this book if a customer", "it, even if the bookstore does not want the book in their stock,", "comes into a store and wants to order it? In short: Is a", "requests it, even if the bookstore does not want the book in their", "a book store sell this book if a customer comes into a store", "wholesaler discount of 45% and costs £10.99, does a book store sell this", "book store sell this book if a customer comes into a store and", "this book if a customer comes into a store and wants to order", "and wants to order it? In short: Is a book still available in", "customer requests it, even if the bookstore does not want the book in", "customer comes into a store and wants to order it? In short: Is", "to order it? In short: Is a book still available in a book", "a customer comes into a store and wants to order it? In short:", "not want the book in their stock, because of the conditions above? Do", "costs £10.99, does a book store sell this book if a customer comes", "if a customer requests it, even if the bookstore does not want the", "it? In short: Is a book still available in a book store if", "does not want the book in their stock, because of the conditions above?", "book in their stock, because of the conditions above? Do they order a", "because of the conditions above? Do they order a copy if a customer", "a store and wants to order it? In short: Is a book still", "not returnable, has a wholesaler discount of 45% and costs £10.99, does a", "If a book is not returnable, has a wholesaler discount of 45% and", "discount of 45% and costs £10.99, does a book store sell this book", "returnable, has a wholesaler discount of 45% and costs £10.99, does a book", "into a store and wants to order it? In short: Is a book", "45% and costs £10.99, does a book store sell this book if a", "a book is not returnable, has a wholesaler discount of 45% and costs" ]
[ "an important role, I know, but they had been exposed to both cultures", "but speak one more than the other, so if they travel to a", "mix up the grammar once or twice, but is that it? Culture plays", "different countries. They know both languages very well but speak one more than", "both languages sometimes, or mix up the grammar once or twice, but is", "there but this time the visit is going to be prolonged. Should it", "Of course, they tend to mix both languages sometimes, or mix up the", "or mix up the grammar once or twice, but is that it? Culture", "cultures and know what happens here and there but this time the visit", "what happens here and there but this time the visit is going to", "up the grammar once or twice, but is that it? Culture plays an", "because I am not in a position to speak the language on a", "am not in a position to speak the language on a day to", "basis. But the character has to travel between two different countries. They know", "the character has to travel between two different countries. They know both languages", "a position to speak the language on a day to day basis. But", "bilingual myself but I don't think it affects me in any way. But", "important role, I know, but they had been exposed to both cultures and", "role, I know, but they had been exposed to both cultures and know", "grammar once or twice, but is that it? Culture plays an important role,", "to day basis. But the character has to travel between two different countries.", "any way. But I think that's because I am not in a position", "I don't think it affects me in any way. But I think that's", "affect them? Of course, they tend to mix both languages sometimes, or mix", "very well but speak one more than the other, so if they travel", "that's because I am not in a position to speak the language on", "language on a day to day basis. But the character has to travel", "the grammar once or twice, but is that it? Culture plays an important", "been exposed to both cultures and know what happens here and there but", "a place where the less spoken language is spoken would that affect them?", "that it? Culture plays an important role, I know, but they had been", "more than the other, so if they travel to a place where the", "place where the less spoken language is spoken would that affect them? Of", "myself but I don't think it affects me in any way. But I", "think that's because I am not in a position to speak the language", "I think that's because I am not in a position to speak the", "I know, but they had been exposed to both cultures and know what", "speak the language on a day to day basis. But the character has", "and know what happens here and there but this time the visit is", "think it affects me in any way. But I think that's because I", "way. But I think that's because I am not in a position to", "affects me in any way. But I think that's because I am not", "a day to day basis. But the character has to travel between two", "character has to travel between two different countries. They know both languages very", "tend to mix both languages sometimes, or mix up the grammar once or", "languages sometimes, or mix up the grammar once or twice, but is that", "But I think that's because I am not in a position to speak", "in any way. But I think that's because I am not in a", "speak one more than the other, so if they travel to a place", "than the other, so if they travel to a place where the less", "so if they travel to a place where the less spoken language is", "it affects me in any way. But I think that's because I am", "time the visit is going to be prolonged. Should it even affect the", "to speak the language on a day to day basis. But the character", "but this time the visit is going to be prolonged. Should it even", "am bilingual myself but I don't think it affects me in any way.", "the other, so if they travel to a place where the less spoken", "mix both languages sometimes, or mix up the grammar once or twice, but", "had been exposed to both cultures and know what happens here and there", "they tend to mix both languages sometimes, or mix up the grammar once", "know both languages very well but speak one more than the other, so", "I am bilingual myself but I don't think it affects me in any", "travel between two different countries. They know both languages very well but speak", "them? Of course, they tend to mix both languages sometimes, or mix up", "course, they tend to mix both languages sometimes, or mix up the grammar", "to both cultures and know what happens here and there but this time", "day basis. But the character has to travel between two different countries. They", "has to travel between two different countries. They know both languages very well", "position to speak the language on a day to day basis. But the", "but is that it? Culture plays an important role, I know, but they", "twice, but is that it? Culture plays an important role, I know, but", "the visit is going to be prolonged. Should it even affect the storyline?", "day to day basis. But the character has to travel between two different", "would that affect them? Of course, they tend to mix both languages sometimes,", "is that it? Culture plays an important role, I know, but they had", "where the less spoken language is spoken would that affect them? Of course,", "to travel between two different countries. They know both languages very well but", "it? Culture plays an important role, I know, but they had been exposed", "to a place where the less spoken language is spoken would that affect", "me in any way. But I think that's because I am not in", "but I don't think it affects me in any way. But I think", "in a position to speak the language on a day to day basis.", "know, but they had been exposed to both cultures and know what happens", "they had been exposed to both cultures and know what happens here and", "this time the visit is going to be prolonged. Should it even affect", "but they had been exposed to both cultures and know what happens here", "But the character has to travel between two different countries. They know both", "once or twice, but is that it? Culture plays an important role, I", "They know both languages very well but speak one more than the other,", "or twice, but is that it? Culture plays an important role, I know,", "that affect them? Of course, they tend to mix both languages sometimes, or", "between two different countries. They know both languages very well but speak one", "I am not in a position to speak the language on a day", "languages very well but speak one more than the other, so if they", "exposed to both cultures and know what happens here and there but this", "other, so if they travel to a place where the less spoken language", "spoken language is spoken would that affect them? Of course, they tend to", "here and there but this time the visit is going to be prolonged.", "spoken would that affect them? Of course, they tend to mix both languages", "don't think it affects me in any way. But I think that's because", "to mix both languages sometimes, or mix up the grammar once or twice,", "language is spoken would that affect them? Of course, they tend to mix", "on a day to day basis. But the character has to travel between", "Culture plays an important role, I know, but they had been exposed to", "know what happens here and there but this time the visit is going", "not in a position to speak the language on a day to day", "is spoken would that affect them? Of course, they tend to mix both", "they travel to a place where the less spoken language is spoken would", "countries. They know both languages very well but speak one more than the", "both cultures and know what happens here and there but this time the", "travel to a place where the less spoken language is spoken would that", "plays an important role, I know, but they had been exposed to both", "one more than the other, so if they travel to a place where", "less spoken language is spoken would that affect them? Of course, they tend", "the less spoken language is spoken would that affect them? Of course, they", "both languages very well but speak one more than the other, so if", "and there but this time the visit is going to be prolonged. Should", "if they travel to a place where the less spoken language is spoken", "the language on a day to day basis. But the character has to", "happens here and there but this time the visit is going to be", "well but speak one more than the other, so if they travel to", "two different countries. They know both languages very well but speak one more", "sometimes, or mix up the grammar once or twice, but is that it?" ]
[ "but these scenes are not always in their point of view. Is it", "plot. How to insert the translation of the other language without ruining the", "the text? I've seen people put a translation between braces () or adding", "are not always in their point of view. Is it useless to try", "indirect ways like the character speaking to themselves, but these scenes are not", "into the text? I've seen people put a translation between braces () or", "a translation without ruining the whole paragraph or sentence? I can always have", "it under the sentence or directly next to it in italics. Or should", "ways like the character speaking to themselves, but these scenes are not always", "to someone who understands them, or if I only want readers to understand", "for a translation, but what if they spoke to someone who understands them,", "who understands them, or if I only want readers to understand but not", "can always have one of the characters ask for a translation, but what", "to understand but not the other characters? I have also thought of explaining", "sentence? I can always have one of the characters ask for a translation,", "I can always have one of the characters ask for a translation, but", "to try and add it into the text? I've seen people put a", "insert the translation of the other language without ruining the layout of the", "in their point of view. Is it useless to try and add it", "A character speaks two languages throughout the whole plot. How to insert the", "character speaking to themselves, but these scenes are not always in their point", "\"Guten tag, Herr X,\" they said. > > > How do I insert", "point of view. Is it useless to try and add it into the", "other language without ruining the layout of the story or text? For example:", "scenes are not always in their point of view. Is it useless to", "want readers to understand but not the other characters? I have also thought", "understands them, or if I only want readers to understand but not the", "or text? For example: > > \"Guten tag, Herr X,\" they said. >", "it into the text? I've seen people put a translation between braces ()", "always in their point of view. Is it useless to try and add", "> > How do I insert a translation without ruining the whole paragraph", "of view. Is it useless to try and add it into the text?", "thought of explaining it through indirect ways like the character speaking to themselves,", "put a translation between braces () or adding it under the sentence or", "the whole paragraph or sentence? I can always have one of the characters", "a translation between braces () or adding it under the sentence or directly", "braces () or adding it under the sentence or directly next to it", "said. > > > How do I insert a translation without ruining the", "translation of the other language without ruining the layout of the story or", "ask for a translation, but what if they spoke to someone who understands", "translation between braces () or adding it under the sentence or directly next", "the sentence or directly next to it in italics. Or should I just", "text? For example: > > \"Guten tag, Herr X,\" they said. > >", "Is it useless to try and add it into the text? I've seen", "one of the characters ask for a translation, but what if they spoke", "readers to understand but not the other characters? I have also thought of", "or sentence? I can always have one of the characters ask for a", "translation, but what if they spoke to someone who understands them, or if", "I've seen people put a translation between braces () or adding it under", "languages throughout the whole plot. How to insert the translation of the other", "the character speaking to themselves, but these scenes are not always in their", "if I only want readers to understand but not the other characters? I", "of the story or text? For example: > > \"Guten tag, Herr X,\"", "also thought of explaining it through indirect ways like the character speaking to", "Herr X,\" they said. > > > How do I insert a translation", "whole paragraph or sentence? I can always have one of the characters ask", "have one of the characters ask for a translation, but what if they", "ruining the layout of the story or text? For example: > > \"Guten", "characters? I have also thought of explaining it through indirect ways like the", "X,\" they said. > > > How do I insert a translation without", "explaining it through indirect ways like the character speaking to themselves, but these", "story or text? For example: > > \"Guten tag, Herr X,\" they said.", "what if they spoke to someone who understands them, or if I only", "seen people put a translation between braces () or adding it under the", "only want readers to understand but not the other characters? I have also", "insert a translation without ruining the whole paragraph or sentence? I can always", "them, or if I only want readers to understand but not the other", "text? I've seen people put a translation between braces () or adding it", "and add it into the text? I've seen people put a translation between", "other characters? I have also thought of explaining it through indirect ways like", "For example: > > \"Guten tag, Herr X,\" they said. > > >", "people put a translation between braces () or adding it under the sentence", "or directly next to it in italics. Or should I just improvise through", "sentence or directly next to it in italics. Or should I just improvise", "throughout the whole plot. How to insert the translation of the other language", "like the character speaking to themselves, but these scenes are not always in", "without ruining the whole paragraph or sentence? I can always have one of", "spoke to someone who understands them, or if I only want readers to", "language without ruining the layout of the story or text? For example: >", "adding it under the sentence or directly next to it in italics. Or", "their point of view. Is it useless to try and add it into", "through indirect ways like the character speaking to themselves, but these scenes are", "> \"Guten tag, Herr X,\" they said. > > > How do I", "they spoke to someone who understands them, or if I only want readers", "paragraph or sentence? I can always have one of the characters ask for", "I insert a translation without ruining the whole paragraph or sentence? I can", "I only want readers to understand but not the other characters? I have", "a translation, but what if they spoke to someone who understands them, or", "but not the other characters? I have also thought of explaining it through", "to insert the translation of the other language without ruining the layout of", "understand but not the other characters? I have also thought of explaining it", "someone who understands them, or if I only want readers to understand but", "of explaining it through indirect ways like the character speaking to themselves, but", "the story or text? For example: > > \"Guten tag, Herr X,\" they", "the whole plot. How to insert the translation of the other language without", "whole plot. How to insert the translation of the other language without ruining", "of the characters ask for a translation, but what if they spoke to", "always have one of the characters ask for a translation, but what if", "it through indirect ways like the character speaking to themselves, but these scenes", "not the other characters? I have also thought of explaining it through indirect", "the layout of the story or text? For example: > > \"Guten tag,", "directly next to it in italics. Or should I just improvise through it?", "of the other language without ruining the layout of the story or text?", "layout of the story or text? For example: > > \"Guten tag, Herr", "the translation of the other language without ruining the layout of the story", "translation without ruining the whole paragraph or sentence? I can always have one", "view. Is it useless to try and add it into the text? I've", "speaks two languages throughout the whole plot. How to insert the translation of", "characters ask for a translation, but what if they spoke to someone who", "do I insert a translation without ruining the whole paragraph or sentence? I", "How to insert the translation of the other language without ruining the layout", "the other characters? I have also thought of explaining it through indirect ways", "these scenes are not always in their point of view. Is it useless", "tag, Herr X,\" they said. > > > How do I insert a", "or if I only want readers to understand but not the other characters?", "> > \"Guten tag, Herr X,\" they said. > > > How do", "ruining the whole paragraph or sentence? I can always have one of the", "but what if they spoke to someone who understands them, or if I", "() or adding it under the sentence or directly next to it in", "or adding it under the sentence or directly next to it in italics.", "under the sentence or directly next to it in italics. Or should I", "the characters ask for a translation, but what if they spoke to someone", "have also thought of explaining it through indirect ways like the character speaking", "between braces () or adding it under the sentence or directly next to", "not always in their point of view. Is it useless to try and", "> How do I insert a translation without ruining the whole paragraph or", "themselves, but these scenes are not always in their point of view. Is", "I have also thought of explaining it through indirect ways like the character", "try and add it into the text? I've seen people put a translation", "to themselves, but these scenes are not always in their point of view.", "they said. > > > How do I insert a translation without ruining", "the other language without ruining the layout of the story or text? For", "if they spoke to someone who understands them, or if I only want", "add it into the text? I've seen people put a translation between braces", "example: > > \"Guten tag, Herr X,\" they said. > > > How", "two languages throughout the whole plot. How to insert the translation of the", "it useless to try and add it into the text? I've seen people", "useless to try and add it into the text? I've seen people put", "speaking to themselves, but these scenes are not always in their point of", "> > > How do I insert a translation without ruining the whole", "character speaks two languages throughout the whole plot. How to insert the translation", "How do I insert a translation without ruining the whole paragraph or sentence?", "without ruining the layout of the story or text? For example: > >" ]
[ "hard time focusing and writing properly. My editor said my article hardly read", "in High School. I was labeled as a visual learner. Currently I'm writing", "writing articles for websites but having a hard time focusing and writing properly.", "said my article hardly read well but I'm a well spoken person and", "as a visual learner. Currently I'm writing articles for websites but having a", "writing stories since Elementary School but was diagnosed with a reading comprehension disability", "I'm a well spoken person and communicate my thoughts better than I write", "been writing stories since Elementary School but was diagnosed with a reading comprehension", "but having a hard time focusing and writing properly. My editor said my", "editor said my article hardly read well but I'm a well spoken person", "a hard time focusing and writing properly. My editor said my article hardly", "My editor said my article hardly read well but I'm a well spoken", "a well spoken person and communicate my thoughts better than I write them.", "School but was diagnosed with a reading comprehension disability in High School. I", "article hardly read well but I'm a well spoken person and communicate my", "with a reading comprehension disability in High School. I was labeled as a", "learner. Currently I'm writing articles for websites but having a hard time focusing", "Currently I'm writing articles for websites but having a hard time focusing and", "having a hard time focusing and writing properly. My editor said my article", "was diagnosed with a reading comprehension disability in High School. I was labeled", "properly. My editor said my article hardly read well but I'm a well", "a visual learner. Currently I'm writing articles for websites but having a hard", "visual learner. Currently I'm writing articles for websites but having a hard time", "read well but I'm a well spoken person and communicate my thoughts better", "a reading comprehension disability in High School. I was labeled as a visual", "writing properly. My editor said my article hardly read well but I'm a", "my article hardly read well but I'm a well spoken person and communicate", "comprehension disability in High School. I was labeled as a visual learner. Currently", "focusing and writing properly. My editor said my article hardly read well but", "High School. I was labeled as a visual learner. Currently I'm writing articles", "labeled as a visual learner. Currently I'm writing articles for websites but having", "diagnosed with a reading comprehension disability in High School. I was labeled as", "was labeled as a visual learner. Currently I'm writing articles for websites but", "reading comprehension disability in High School. I was labeled as a visual learner.", "disability in High School. I was labeled as a visual learner. Currently I'm", "websites but having a hard time focusing and writing properly. My editor said", "Elementary School but was diagnosed with a reading comprehension disability in High School.", "I've been writing stories since Elementary School but was diagnosed with a reading", "time focusing and writing properly. My editor said my article hardly read well", "and writing properly. My editor said my article hardly read well but I'm", "hardly read well but I'm a well spoken person and communicate my thoughts", "I was labeled as a visual learner. Currently I'm writing articles for websites", "but was diagnosed with a reading comprehension disability in High School. I was", "well but I'm a well spoken person and communicate my thoughts better than", "School. I was labeled as a visual learner. Currently I'm writing articles for", "since Elementary School but was diagnosed with a reading comprehension disability in High", "I'm writing articles for websites but having a hard time focusing and writing", "stories since Elementary School but was diagnosed with a reading comprehension disability in", "but I'm a well spoken person and communicate my thoughts better than I", "articles for websites but having a hard time focusing and writing properly. My", "for websites but having a hard time focusing and writing properly. My editor" ]
[ "a fictional city in the piece. But, my problem with naming concerns finding", "fictional city in the piece. But, my problem with naming concerns finding names", "don't want the readers to associate the real place with the fictional one?", "have already decided to use a fictional city in the piece. But, my", "if the city is based off a real place but I don't want", "the real place with the fictional one? How do I go about naming", "and deciding on whether to use a fictional city. I have already decided", "the name if the city is based off a real place but I", "lot of the questions on here concerning naming characters and deciding on whether", "fictional city. I have already decided to use a fictional city in the", "But, my problem with naming concerns finding names for cities. What are somethings", "for cities. What are somethings to help with this? And, what should I", "my problem with naming concerns finding names for cities. What are somethings to", "concerning naming characters and deciding on whether to use a fictional city. I", "naming characters and deciding on whether to use a fictional city. I have", "on whether to use a fictional city. I have already decided to use", "questions on here concerning naming characters and deciding on whether to use a", "to use a fictional city. I have already decided to use a fictional", "place but I don't want the readers to associate the real place with", "use a fictional city. I have already decided to use a fictional city", "to help with this? And, what should I avoid in the name if", "a lot of the questions on here concerning naming characters and deciding on", "of the questions on here concerning naming characters and deciding on whether to", "what should I avoid in the name if the city is based off", "on here concerning naming characters and deciding on whether to use a fictional", "avoid in the name if the city is based off a real place", "help with this? And, what should I avoid in the name if the", "deciding on whether to use a fictional city. I have already decided to", "concerns finding names for cities. What are somethings to help with this? And,", "I've read a lot of the questions on here concerning naming characters and", "I avoid in the name if the city is based off a real", "but I don't want the readers to associate the real place with the", "whether to use a fictional city. I have already decided to use a", "real place with the fictional one? How do I go about naming a", "somethings to help with this? And, what should I avoid in the name", "read a lot of the questions on here concerning naming characters and deciding", "cities. What are somethings to help with this? And, what should I avoid", "What are somethings to help with this? And, what should I avoid in", "name if the city is based off a real place but I don't", "in the piece. But, my problem with naming concerns finding names for cities.", "readers to associate the real place with the fictional one? How do I", "real place but I don't want the readers to associate the real place", "to use a fictional city in the piece. But, my problem with naming", "naming concerns finding names for cities. What are somethings to help with this?", "the questions on here concerning naming characters and deciding on whether to use", "use a fictional city in the piece. But, my problem with naming concerns", "associate the real place with the fictional one? How do I go about", "place with the fictional one? How do I go about naming a place,", "problem with naming concerns finding names for cities. What are somethings to help", "a fictional city. I have already decided to use a fictional city in", "city is based off a real place but I don't want the readers", "the fictional one? How do I go about naming a place, in general?", "finding names for cities. What are somethings to help with this? And, what", "to associate the real place with the fictional one? How do I go", "the piece. But, my problem with naming concerns finding names for cities. What", "names for cities. What are somethings to help with this? And, what should", "I don't want the readers to associate the real place with the fictional", "the readers to associate the real place with the fictional one? How do", "off a real place but I don't want the readers to associate the", "And, what should I avoid in the name if the city is based", "here concerning naming characters and deciding on whether to use a fictional city.", "with this? And, what should I avoid in the name if the city", "characters and deciding on whether to use a fictional city. I have already", "a real place but I don't want the readers to associate the real", "is based off a real place but I don't want the readers to", "piece. But, my problem with naming concerns finding names for cities. What are", "with the fictional one? How do I go about naming a place, in", "I have already decided to use a fictional city in the piece. But,", "this? And, what should I avoid in the name if the city is", "want the readers to associate the real place with the fictional one? **How", "city in the piece. But, my problem with naming concerns finding names for", "in the name if the city is based off a real place but", "city. I have already decided to use a fictional city in the piece.", "decided to use a fictional city in the piece. But, my problem with", "based off a real place but I don't want the readers to associate", "with naming concerns finding names for cities. What are somethings to help with", "already decided to use a fictional city in the piece. But, my problem", "are somethings to help with this? And, what should I avoid in the", "should I avoid in the name if the city is based off a", "the city is based off a real place but I don't want the" ]
[ "Person A was blind to it because of how much he cared about", "A and B are part of are trying to find out what's going", "not even considering the chance that Person B could have actually hated him", "that, but I don't want to make it too complicated. I just want", "I've run into a problem concerning the major plot twist, and was hoping", "convinced that Person B is responsible for it all. She provides compelling evidence", "of how much he cared about his twin- not even considering the chance", "murders has happened in the area, and the group of friends that Person", "much he cared about his twin- not even considering the chance that Person", "experienced writers. Here's the scenario: Person A (the narrator) and Person B are", "does). Of course it's more detailed than that, but I don't want to", "twist is that Person C was actually right, and Person A was blind", "(which Person B indeed does).* Of course it's more detailed than that, but", "could have actually hated him (which Person B indeed does).* Of course it's", "provides counterclaims that are equally as valid as Person C's.* The twist is", "indeed does). Of course it's more detailed than that, but I don't want", "on.* Person C, one of Person A's friends, is convinced that Person B", "and was hoping for some guidance from more experienced writers. Here's the scenario:", "was actually right, and Person A was blind to it because of how", "reader or an unreliable narrator. Also, do any of you think this is", "and Person A was blind to it because of how much he cared", "C, one of Person A's friends, is convinced that Person B is responsible", "Person C was actually right, and Person A was blind to it because", "it because of how much he cared about his twin- not even considering", "detailed than that, but I don't want to make it too complicated. I", "to the reader or an unreliable narrator. Also, do any of you think", "and says that they should confront Person B as soon as possible. However,", "a series of murders has happened in the area, and the group of", "is convinced that Person B is responsible for it all. She provides compelling", "Person A (the narrator) and Person B are twins, and thus are very", "and B are part of are trying to find out what's going on.", "that proves her claim, and says that they should confront Person B as", "actually hated him (which Person B indeed does). Of course it's more detailed", "concerning the major plot twist, and was hoping for some guidance from more", "problem concerning the major plot twist, and was hoping for some guidance from", "(the narrator) and Person B are twins, and thus are very close. Recently,", "C's.* The twist is that Person C was actually right, and Person A", "has happened in the area, and the group of friends that Person A", "to it because of how much he cared about his twin- not even", "happened in the area, and the group of friends that Person A and", "right, and Person A was blind to it because of how much he", "how much he cared about his twin- not even considering the chance that", "claim, and says that they should confront Person B as soon as possible.", "very close. Recently, a series of murders has happened in the area, and", "a problem concerning the major plot twist, and was hoping for some guidance", "in the area, and the group of friends that Person A and B", "writers. Here's the scenario: Person A (the narrator) and Person B are twins,", "been writing a mystery story recently, but I've run into a problem concerning", "part of are trying to find out what's going on.* Person C, one", "A's friends, is convinced that Person B is responsible for it all. She", "Person B as soon as possible. However, Person A refuses to believe her", "actually right, and Person A was blind to it because of how much", "hated him (which Person B indeed does). Of course it's more detailed than", "have actually hated him (which Person B indeed does).* Of course it's more", "proves her claim, and says that they should confront Person B as soon", "series of murders has happened in the area, and the group of friends", "because of how much he cared about his twin- not even considering the", "cared about his twin- not even considering the chance that Person B could", "but I've run into a problem concerning the major plot twist, and was", "unreliable narrator. Also, do any of you think this is a cheap twist?", "guidance from more experienced writers. Here's the scenario: Person A (the narrator) and", "plot twist, and was hoping for some guidance from more experienced writers. Here's", "was hoping for some guidance from more experienced writers. Here's the scenario: Person", "mystery story recently, but I've run into a problem concerning the major plot", "was blind to it because of how much he cared about his twin-", "the chance that Person B could have actually hated him (which Person B", "it's more detailed than that, but I don't want to make it too", "lying to the reader or an unreliable narrator. Also, do any of you", "trying to find out what's going on.* Person C, one of Person A's", "this is flat out lying to the reader or an unreliable narrator. Also,", "She provides compelling evidence that proves her claim, and says that they should", "to know if this is flat out lying to the reader or an", "are very close. Recently, a series of murders has happened in the area,", "out what's going on. Person C, one of Person A's friends, is convinced", "the area, and the group of friends that Person A and B are", "B could have actually hated him (which Person B indeed does). Of course", "complicated. I just want to know if this is flat out lying to", "and the group of friends that Person A and B are part of", "hoping for some guidance from more experienced writers. Here's the scenario: Person A", "to make it too complicated. I just want to know if this is", "flat out lying to the reader or an unreliable narrator. Also, do any", "B is responsible for it all. She provides compelling evidence that proves her", "are trying to find out what's going on. Person C, one of Person", "Person B indeed does). Of course it's more detailed than that, but I", "A refuses to believe her and provides counterclaims that are equally as valid", "he cared about his twin- not even considering the chance that Person B", "Person A and B are part of are trying to find out what's", "of murders has happened in the area, and the group of friends that", "that Person B is responsible for it all. She provides compelling evidence that", "B as soon as possible. However, Person A refuses to believe her and", "is flat out lying to the reader or an unreliable narrator. Also, do", "group of friends that Person A and B are part of are trying", "what's going on.* Person C, one of Person A's friends, is convinced that", "However, Person A refuses to believe her and provides counterclaims that are equally", "compelling evidence that proves her claim, and says that they should confront Person", "responsible for it all. She provides compelling evidence that proves her claim, and", "of Person A's friends, is convinced that Person B is responsible for it", "the scenario: Person A (the narrator) and Person B are twins, and thus", "don't want to make it too complicated. I just want to know if", "her claim, and says that they should confront Person B as soon as", "Person A refuses to believe her and provides counterclaims that are equally as", "believe her and provides counterclaims that are equally as valid as Person C's.", "that Person C was actually right, and Person A was blind to it", "C was actually right, and Person A was blind to it because of", "Person B is responsible for it all. She provides compelling evidence that proves", "that Person B could have actually hated him (which Person B indeed does).", "out lying to the reader or an unreliable narrator. Also, do any of", "and provides counterclaims that are equally as valid as Person C's.* The twist", "than that, but I don't want to make it too complicated. I just", "thus are very close. Recently, a series of murders has happened in the", "Here's the scenario: Person A (the narrator) and Person B are twins, and", "about his twin- not even considering the chance that Person B could have", "of are trying to find out what's going on.* Person C, one of", "his twin- not even considering the chance that Person B could have actually", "to find out what's going on. Person C, one of Person A's friends,", "that are equally as valid as Person C's. The twist is that Person", "Person B are twins, and thus are very close. Recently, a series of", "the reader or an unreliable narrator. Also, do any of you think this", "should confront Person B as soon as possible. However, Person A refuses to", "but I don't want to make it too complicated. I just want to", "equally as valid as Person C's. The twist is that Person C was", "that Person A and B are part of are trying to find out", "considering the chance that Person B could have actually hated him (which Person", "it too complicated. I just want to know if this is flat out", "narrator) and Person B are twins, and thus are very close. Recently, a", "close. Recently, a series of murders has happened in the area, and the", "an unreliable narrator. Also, do any of you think this is a cheap", "as soon as possible. However, Person A refuses to believe her and provides", "possible. However, Person A refuses to believe her and provides counterclaims that are", "twin- not even considering the chance that Person B could have actually hated", "as Person C's. The twist is that Person C was actually right, and", "if this is flat out lying to the reader or an unreliable narrator.", "I just want to know if this is flat out lying to the", "Of course it's more detailed than that, but I don't want to make", "counterclaims that are equally as valid as Person C's. The twist is that", "her and provides counterclaims that are equally as valid as Person C's. The", "know if this is flat out lying to the reader or an unreliable", "The twist is that Person C was actually right, and Person A was", "B are part of are trying to find out what's going on.* Person", "and thus are very close. Recently, a series of murders has happened in", "is that Person C was actually right, and Person A was blind to", "the major plot twist, and was hoping for some guidance from more experienced", "make it too complicated. I just want to know if this is flat", "Person B could have actually hated him (which Person B indeed does). Of", "some guidance from more experienced writers. Here's the scenario: Person A (the narrator)", "friends that Person A and B are part of are trying to find", "is responsible for it all. She provides compelling evidence that proves her claim,", "that they should confront Person B as soon as possible. However, Person A", "story recently, but I've run into a problem concerning the major plot twist,", "from more experienced writers. Here's the scenario: Person A (the narrator) and Person", "to believe her and provides counterclaims that are equally as valid as Person", "says that they should confront Person B as soon as possible. However, Person", "one of Person A's friends, is convinced that Person B is responsible for", "want to know if this is flat out lying to the reader or", "or an unreliable narrator. Also, do any of you think this is a", "they should confront Person B as soon as possible. However, Person A refuses", "for some guidance from more experienced writers. Here's the scenario: Person A (the", "for it all. She provides compelling evidence that proves her claim, and says", "friends, is convinced that Person B is responsible for it all. She provides", "are part of are trying to find out what's going on. Person C,", "Person C's. The twist is that Person C was actually right, and Person", "scenario: Person A (the narrator) and Person B are twins, and thus are", "more detailed than that, but I don't want to make it too complicated.", "valid as Person C's.* The twist is that Person C was actually right,", "major plot twist, and was hoping for some guidance from more experienced writers.", "of friends that Person A and B are part of are trying to", "B indeed does). Of course it's more detailed than that, but I don't", "as valid as Person C's.* The twist is that Person C was actually", "writing a mystery story recently, but I've run into a problem concerning the", "Person A's friends, is convinced that Person B is responsible for it all.", "going on. Person C, one of Person A's friends, is convinced that Person", "all. She provides compelling evidence that proves her claim, and says that they", "him (which Person B indeed does). Of course it's more detailed than that,", "find out what's going on.* Person C, one of Person A's friends, is", "B are twins, and thus are very close. Recently, a series of murders", "provides compelling evidence that proves her claim, and says that they should confront", "a mystery story recently, but I've run into a problem concerning the major", "I've been writing a mystery story recently, but I've run into a problem", "want to make it too complicated. I just want to know if this", "it all. She provides compelling evidence that proves her claim, and says that", "course it's more detailed than that, but I don't want to make it", "refuses to believe her and provides counterclaims that are equally as valid as", "I don't want to make it too complicated. I just want to know", "twins, and thus are very close. Recently, a series of murders has happened", "Person C, one of Person A's friends, is convinced that Person B is", "confront Person B as soon as possible. However, Person A refuses to believe", "recently, but I've run into a problem concerning the major plot twist, and", "twist, and was hoping for some guidance from more experienced writers. Here's the", "soon as possible. However, Person A refuses to believe her and provides counterclaims", "more experienced writers. Here's the scenario: Person A (the narrator) and Person B", "into a problem concerning the major plot twist, and was hoping for some", "chance that Person B could have actually hated him (which Person B indeed", "area, and the group of friends that Person A and B are part", "are twins, and thus are very close. Recently, a series of murders has", "Recently, a series of murders has happened in the area, and the group", "A (the narrator) and Person B are twins, and thus are very close.", "and Person B are twins, and thus are very close. Recently, a series", "A was blind to it because of how much he cared about his", "as possible. However, Person A refuses to believe her and provides counterclaims that", "blind to it because of how much he cared about his twin- not", "the group of friends that Person A and B are part of are", "too complicated. I just want to know if this is flat out lying", "just want to know if this is flat out lying to the reader", "are equally as valid as Person C's. *The twist is that Person C", "run into a problem concerning the major plot twist, and was hoping for", "even considering the chance that Person B could have actually hated him (which", "evidence that proves her claim, and says that they should confront Person B" ]
[ "My problem is that (e.g.) the scenery is left / the destination point", "is left / the destination point is arrived at too quickly. This doesn't", "intend to later expand and stitch them together into a science fiction novel.", "less asks for a new chapter. Many times I could expand them as", "that the story needs to be over at that point but most of", "I could expand them as I often just basically \"explain\" a science fiction", "that point but most of the times it more or less asks for", "fiction short stories and intend to later expand and stitch them together into", "/ the destination point is arrived at too quickly. This doesn't mean that", "expand them as I often just basically \"explain\" a science fiction idea (e.g.", "to later expand and stitch them together into a science fiction novel. My", "examination/experience of an object/phenomena) where it probably should rather be an exploration of", "that (e.g.) the scenery is left / the destination point is arrived at", "the times it more or less asks for a new chapter. Many times", "probably should rather be an exploration of the idea. But not always and", "into a science fiction novel. My problem is that (e.g.) the scenery is", "left / the destination point is arrived at too quickly. This doesn't mean", "arrived at too quickly. This doesn't mean that the story needs to be", "doesn't mean that the story needs to be over at that point but", "the idea. But not always and often I'm not sure how. At the", "an object/phenomena) where it probably should rather be an exploration of the idea.", "sure how. At the same time I aim to have the story be", "But not always and often I'm not sure how. At the same time", "a new chapter. Many times I could expand them as I often just", "the story needs to be over at that point but most of the", "how. At the same time I aim to have the story be as", "is arrived at too quickly. This doesn't mean that the story needs to", "writing science fiction short stories and intend to later expand and stitch them", "to be over at that point but most of the times it more", "for a new chapter. Many times I could expand them as I often", "at that point but most of the times it more or less asks", "over at that point but most of the times it more or less", "not sure how. At the same time I aim to have the story", "could expand them as I often just basically \"explain\" a science fiction idea", "I often just basically \"explain\" a science fiction idea (e.g. by examination/experience of", "idea (e.g. by examination/experience of an object/phenomena) where it probably should rather be", "basically \"explain\" a science fiction idea (e.g. by examination/experience of an object/phenomena) where", "as I often just basically \"explain\" a science fiction idea (e.g. by examination/experience", "stitch them together into a science fiction novel. My problem is that (e.g.)", "\"explain\" a science fiction idea (e.g. by examination/experience of an object/phenomena) where it", "but most of the times it more or less asks for a new", "science fiction idea (e.g. by examination/experience of an object/phenomena) where it probably should", "the same time I aim to have the story be as non-vacuous as", "science fiction short stories and intend to later expand and stitch them together", "should rather be an exploration of the idea. But not always and often", "story needs to be over at that point but most of the times", "just basically \"explain\" a science fiction idea (e.g. by examination/experience of an object/phenomena)", "destination point is arrived at too quickly. This doesn't mean that the story", "and often I'm not sure how. At the same time I aim to", "an exploration of the idea. But not always and often I'm not sure", "always and often I'm not sure how. At the same time I aim", "of the idea. But not always and often I'm not sure how. At", "new chapter. Many times I could expand them as I often just basically", "fiction novel. My problem is that (e.g.) the scenery is left / the", "novel. My problem is that (e.g.) the scenery is left / the destination", "times I could expand them as I often just basically \"explain\" a science", "times it more or less asks for a new chapter. Many times I", "it probably should rather be an exploration of the idea. But not always", "exploration of the idea. But not always and often I'm not sure how.", "needs to be over at that point but most of the times it", "them as I often just basically \"explain\" a science fiction idea (e.g. by", "and stitch them together into a science fiction novel. My problem is that", "This doesn't mean that the story needs to be over at that point", "it more or less asks for a new chapter. Many times I could", "a science fiction idea (e.g. by examination/experience of an object/phenomena) where it probably", "be over at that point but most of the times it more or", "idea. But not always and often I'm not sure how. At the same", "(e.g. by examination/experience of an object/phenomena) where it probably should rather be an", "a science fiction novel. My problem is that (e.g.) the scenery is left", "be an exploration of the idea. But not always and often I'm not", "mean that the story needs to be over at that point but most", "is that (e.g.) the scenery is left / the destination point is arrived", "too quickly. This doesn't mean that the story needs to be over at", "chapter. Many times I could expand them as I often just basically \"explain\"", "I'm not sure how. At the same time I aim to have the", "of an object/phenomena) where it probably should rather be an exploration of the", "of the times it more or less asks for a new chapter. Many", "more or less asks for a new chapter. Many times I could expand", "quickly. This doesn't mean that the story needs to be over at that", "expand and stitch them together into a science fiction novel. My problem is", "by examination/experience of an object/phenomena) where it probably should rather be an exploration", "science fiction novel. My problem is that (e.g.) the scenery is left /", "I'm writing science fiction short stories and intend to later expand and stitch", "point is arrived at too quickly. This doesn't mean that the story needs", "fiction idea (e.g. by examination/experience of an object/phenomena) where it probably should rather", "and intend to later expand and stitch them together into a science fiction", "problem is that (e.g.) the scenery is left / the destination point is", "later expand and stitch them together into a science fiction novel. My problem", "At the same time I aim to have the story be as non-vacuous", "point but most of the times it more or less asks for a", "rather be an exploration of the idea. But not always and often I'm", "scenery is left / the destination point is arrived at too quickly. This", "often I'm not sure how. At the same time I aim to have", "where it probably should rather be an exploration of the idea. But not", "the destination point is arrived at too quickly. This doesn't mean that the", "or less asks for a new chapter. Many times I could expand them", "them together into a science fiction novel. My problem is that (e.g.) the", "asks for a new chapter. Many times I could expand them as I", "at too quickly. This doesn't mean that the story needs to be over", "(e.g.) the scenery is left / the destination point is arrived at too", "stories and intend to later expand and stitch them together into a science", "together into a science fiction novel. My problem is that (e.g.) the scenery", "the scenery is left / the destination point is arrived at too quickly.", "not always and often I'm not sure how. At the same time I", "Many times I could expand them as I often just basically \"explain\" a", "object/phenomena) where it probably should rather be an exploration of the idea. But", "most of the times it more or less asks for a new chapter.", "often just basically \"explain\" a science fiction idea (e.g. by examination/experience of an", "same time I aim to have the story be as non-vacuous as possible.", "short stories and intend to later expand and stitch them together into a" ]
[ "backwards from it and have it collapse. * Gervravo finds the lasagne sheets,", "in a single continious wide shot.)* Are there any existing conventions about how", "is quite noisily searching in the cupboard for some lasagne sheets. Each of", "cupboard for some lasagne sheets. Each of these things play out in their", "their conclusion: * Ahnuxd finally gives in and cries, \"Fine. Have your way.", "continious wide shot.)* Are there any existing conventions about how simultaneous threads like", "arguing over whether to go out tonight or not. While they do this,", "post office!\" * Rupath finishes his house of cards, only to step backwards", "this, though, Rupath is also in the process of constructing a house of", "for some lasagne sheets. Each of these things play out in their own", "be captured in a single continious wide shot.)* Are there any existing conventions", "of these things play out in their own time, only to simultaneously reach", "conventions about how simultaneous threads like these should be dealt with in a", "argument, these will all be captured in a single continious wide shot.)* Are", "* Gervravo finds the lasagne sheets, and cries \"lasagne!\" in triumph. (Assume, for", "finds the lasagne sheets, and cries \"lasagne!\" in triumph. (Assume, for the sake", "though, Rupath is also in the process of constructing a house of cards,", "his house of cards, only to step backwards from it and have it", "threads like these should be dealt with in a script? If not, what", "out in their own time, only to simultaneously reach their conclusion: * Ahnuxd", "play out in their own time, only to simultaneously reach their conclusion: ", "the post office!\" Rupath finishes his house of cards, only to step", "cries \"lasagne!\" in triumph. (Assume, for the sake of argument, these will all", "will all be captured in a single continious wide shot.) Are there any", "Ahnuxd finally gives in and cries, \"Fine. Have your way. We'll go the", "also in the process of constructing a house of cards, and Gervravo is", "in and cries, \"Fine. Have your way. We'll go the post office!\" ", "to step backwards from it and have it collapse. Gervravo finds the", "own time, only to simultaneously reach their conclusion: * Ahnuxd finally gives in", "sheets. Each of these things play out in their own time, only to", "of constructing a house of cards, and Gervravo is quite noisily searching in", "triumph. (Assume, for the sake of argument, these will all be captured in", "of argument, these will all be captured in a single continious wide shot.)", "only to step backwards from it and have it collapse. * Gervravo finds", "cards, only to step backwards from it and have it collapse. * Gervravo", "If not, what can be done to minimise the confusion for the reader.", "office!\" * Rupath finishes his house of cards, only to step backwards from", "wide shot.)* Are there any existing conventions about how simultaneous threads like these", "(Assume, for the sake of argument, these will all be captured in a", "in the process of constructing a house of cards, and Gervravo is quite", "in their own time, only to simultaneously reach their conclusion: Ahnuxd finally", "a single continious wide shot.)* Are there any existing conventions about how simultaneous", "your way. We'll go the post office!\" * Rupath finishes his house of", "from it and have it collapse. * Gervravo finds the lasagne sheets, and", "cries, \"Fine. Have your way. We'll go the post office!\" * Rupath finishes", "it collapse. * Gervravo finds the lasagne sheets, and cries \"lasagne!\" in triumph.", "quite noisily searching in the cupboard for some lasagne sheets. Each of these", "simultaneous threads like these should be dealt with in a script? If not,", "their own time, only to simultaneously reach their conclusion: * Ahnuxd finally gives", "these will all be captured in a single continious wide shot.)* Are there", "and cries \"lasagne!\" in triumph. (Assume, for the sake of argument, these will", "Gervravo finds the lasagne sheets, and cries \"lasagne!\" in triumph. (Assume, for the", "there any existing conventions about how simultaneous threads like these should be dealt", "is also in the process of constructing a house of cards, and Gervravo", "\"lasagne!\" in triumph. (Assume, for the sake of argument, these will all be", "about how simultaneous threads like these should be dealt with in a script?", "a script? If not, what can be done to minimise the confusion for", "writing a scene where Ahnuxd and Jo are arguing over whether to go", "and cries, \"Fine. Have your way. We'll go the post office!\" Rupath", "out tonight or not. While they do this, though, Rupath is also in", "of cards, and Gervravo is quite noisily searching in the cupboard for some", "these things play out in their own time, only to simultaneously reach their", "over whether to go out tonight or not. While they do this, though,", "tonight or not. While they do this, though, Rupath is also in the", "of cards, only to step backwards from it and have it collapse. ", "go the post office!\" Rupath finishes his house of cards, only to", "Gervravo is quite noisily searching in the cupboard for some lasagne sheets. Each", "all be captured in a single continious wide shot.)* Are there any existing", "way. We'll go the post office!\" * Rupath finishes his house of cards,", "not. While they do this, though, Rupath is also in the process of", "simultaneously reach their conclusion: * Ahnuxd finally gives in and cries, \"Fine. Have", "I'm writing a scene where Ahnuxd and Jo are arguing over whether to", "whether to go out tonight or not. While they do this, though, Rupath", "or not. While they do this, though, Rupath is also in the process", "the lasagne sheets, and cries \"lasagne!\" in triumph. (Assume, for the sake of", "the cupboard for some lasagne sheets. Each of these things play out in", "for the sake of argument, these will all be captured in a single", "be dealt with in a script? If not, what can be done to", "finishes his house of cards, only to step backwards from it and have", "Let's say I'm writing a scene where Ahnuxd and Jo are arguing over", "Have your way. We'll go the post office!\" Rupath finishes his house", "things play out in their own time, only to simultaneously reach their conclusion:", "any existing conventions about how simultaneous threads like these should be dealt with", "to go out tonight or not. While they do this, though, Rupath is", "say I'm writing a scene where Ahnuxd and Jo are arguing over whether", "a house of cards, and Gervravo is quite noisily searching in the cupboard", "some lasagne sheets. Each of these things play out in their own time,", "dealt with in a script? If not, what can be done to minimise", "do this, though, Rupath is also in the process of constructing a house", "Jo are arguing over whether to go out tonight or not. While they", "Rupath is also in the process of constructing a house of cards, and", "gives in and cries, \"Fine. Have your way. We'll go the post office!\"", "Each of these things play out in their own time, only to simultaneously", "and have it collapse. * Gervravo finds the lasagne sheets, and cries \"lasagne!\"", "only to simultaneously reach their conclusion: * Ahnuxd finally gives in and cries,", "should be dealt with in a script? If not, what can be done", "time, only to simultaneously reach their conclusion: * Ahnuxd finally gives in and", "noisily searching in the cupboard for some lasagne sheets. Each of these things", "script? If not, what can be done to minimise the confusion for the", "they do this, though, Rupath is also in the process of constructing a", "with in a script? If not, what can be done to minimise the", "a scene where Ahnuxd and Jo are arguing over whether to go out", "cards, and Gervravo is quite noisily searching in the cupboard for some lasagne", "shot.)* Are there any existing conventions about how simultaneous threads like these should", "existing conventions about how simultaneous threads like these should be dealt with in", "lasagne sheets. Each of these things play out in their own time, only", "step backwards from it and have it collapse. * Gervravo finds the lasagne", "the process of constructing a house of cards, and Gervravo is quite noisily", "process of constructing a house of cards, and Gervravo is quite noisily searching", "in a script? If not, what can be done to minimise the confusion", "house of cards, and Gervravo is quite noisily searching in the cupboard for", "like these should be dealt with in a script? If not, what can", "reach their conclusion: * Ahnuxd finally gives in and cries, \"Fine. Have your", "While they do this, though, Rupath is also in the process of constructing", "\"Fine. Have your way. We'll go the post office!\" * Rupath finishes his", "captured in a single continious wide shot.)* Are there any existing conventions about", "sake of argument, these will all be captured in a single continious wide", "Ahnuxd and Jo are arguing over whether to go out tonight or not.", "house of cards, only to step backwards from it and have it collapse.", "scene where Ahnuxd and Jo are arguing over whether to go out tonight", "and Gervravo is quite noisily searching in the cupboard for some lasagne sheets.", "We'll go the post office!\" * Rupath finishes his house of cards, only", "Rupath finishes his house of cards, only to step backwards from it and", "Are there any existing conventions about how simultaneous threads like these should be", "conclusion: * Ahnuxd finally gives in and cries, \"Fine. Have your way. We'll", "go out tonight or not. While they do this, though, Rupath is also", "it and have it collapse. * Gervravo finds the lasagne sheets, and cries", "* Rupath finishes his house of cards, only to step backwards from it", "lasagne sheets, and cries \"lasagne!\" in triumph. (Assume, for the sake of argument,", "are arguing over whether to go out tonight or not. While they do", "finally gives in and cries, \"Fine. Have your way. We'll go the post", "to simultaneously reach their conclusion: Ahnuxd finally gives in and cries, \"Fine.", "how simultaneous threads like these should be dealt with in a script? If", "searching in the cupboard for some lasagne sheets. Each of these things play", "collapse. * Gervravo finds the lasagne sheets, and cries \"lasagne!\" in triumph. (Assume,", "the sake of argument, these will all be captured in a single continious", "in the cupboard for some lasagne sheets. Each of these things play out", "have it collapse. Gervravo finds the lasagne sheets, and cries \"lasagne!\" in", "in triumph. (Assume, for the sake of argument, these will all be captured", "these should be dealt with in a script? If not, what can be", "sheets, and cries \"lasagne!\" in triumph. (Assume, for the sake of argument, these", "single continious wide shot.)* Are there any existing conventions about how simultaneous threads", "* Ahnuxd finally gives in and cries, \"Fine. Have your way. We'll go", "where Ahnuxd and Jo are arguing over whether to go out tonight or", "constructing a house of cards, and Gervravo is quite noisily searching in the", "and Jo are arguing over whether to go out tonight or not. While" ]
[ "it's ancient Greece or ancient China, speaks English. However, this series was aimed", "series was aimed at little kids, and when you're writing for an older", "rhyming riddles and 'lost prophecies' from other worlds, would the story instantly lose", "and when you're writing for an older audience, do you have to explain", "instantly lose its credibility if they all happen to be in English? (E.g.,", "kids travel to different faraway lands through a portal. Every character they meet,", "in English!) I know suspension of belief is required for all fantasy stories,", "the language barrier conundrum? More importantly, if your story employs lots of rhyming", "barrier conundrum? More importantly, if your story employs lots of rhyming riddles and", "discovers lost scroll in Egypt. It's a rhyme in English!) I know suspension", "explain away the language barrier conundrum? More importantly, if your story employs lots", "for all fantasy stories, but at what point do you try to explain", "the Magic Tree House series, two ordinary English-speaking kids travel to different faraway", "all fantasy stories, but at what point do you try to explain the", "the mechanics, and when can you just hand-wave it all under the rug?", "conundrum? More importantly, if your story employs lots of rhyming riddles and 'lost", "worlds, would the story instantly lose its credibility if they all happen to", "to explain the mechanics, and when can you just hand-wave it all under", "credibility if they all happen to be in English? (E.g., main character discovers", "but at what point do you try to explain the mechanics, and when", "point do you try to explain the mechanics, and when can you just", "meet, whether it's ancient Greece or ancient China, speaks English. However, this series", "try to explain the mechanics, and when can you just hand-wave it all", "faraway lands through a portal. Every character they meet, whether it's ancient Greece", "story instantly lose its credibility if they all happen to be in English?", "(E.g., main character discovers lost scroll in Egypt. It's a rhyme in English!)", "scroll in Egypt. It's a rhyme in English!) I know suspension of belief", "lose its credibility if they all happen to be in English? (E.g., main", "of belief is required for all fantasy stories, but at what point do", "employs lots of rhyming riddles and 'lost prophecies' from other worlds, would the", "you're writing for an older audience, do you have to explain away the", "of rhyming riddles and 'lost prophecies' from other worlds, would the story instantly", "this series was aimed at little kids, and when you're writing for an", "an older audience, do you have to explain away the language barrier conundrum?", "the story instantly lose its credibility if they all happen to be in", "language barrier conundrum? More importantly, if your story employs lots of rhyming riddles", "lost scroll in Egypt. It's a rhyme in English!) I know suspension of", "its credibility if they all happen to be in English? (E.g., main character", "stories, but at what point do you try to explain the mechanics, and", "all happen to be in English? (E.g., main character discovers lost scroll in", "riddles and 'lost prophecies' from other worlds, would the story instantly lose its", "character they meet, whether it's ancient Greece or ancient China, speaks English. However,", "speaks English. However, this series was aimed at little kids, and when you're", "for an older audience, do you have to explain away the language barrier", "English? (E.g., main character discovers lost scroll in Egypt. It's a rhyme in", "ancient Greece or ancient China, speaks English. However, this series was aimed at", "story employs lots of rhyming riddles and 'lost prophecies' from other worlds, would", "you try to explain the mechanics, and when can you just hand-wave it", "writing for an older audience, do you have to explain away the language", "Greece or ancient China, speaks English. However, this series was aimed at little", "In the Magic Tree House series, two ordinary English-speaking kids travel to different", "was aimed at little kids, and when you're writing for an older audience,", "portal. Every character they meet, whether it's ancient Greece or ancient China, speaks", "through a portal. Every character they meet, whether it's ancient Greece or ancient", "Tree House* series, two ordinary English-speaking kids travel to different faraway lands through", "ancient China, speaks English. However, this series was aimed at little kids, and", "other worlds, would the story instantly lose its credibility if they all happen", "required for all fantasy stories, but at what point do you try to", "would the story instantly lose its credibility if they all happen to be", "at little kids, and when you're writing for an older audience, do you", "'lost prophecies' from other worlds, would the story instantly lose its credibility if", "explain the mechanics, and when can you just hand-wave it all under the", "have to explain away the language barrier conundrum? More importantly, if your story", "English-speaking kids travel to different faraway lands through a portal. Every character they", "a rhyme in English!) I know suspension of belief is required for all", "they meet, whether it's ancient Greece or ancient China, speaks English. However, this", "series, two ordinary English-speaking kids travel to different faraway lands through a portal.", "whether it's ancient Greece or ancient China, speaks English. However, this series was", "from other worlds, would the story instantly lose its credibility if they all", "different faraway lands through a portal. Every character they meet, whether it's ancient", "However, this series was aimed at little kids, and when you're writing for", "what point do you try to explain the mechanics, and when can you", "main character discovers lost scroll in Egypt. It's a rhyme in English!) I", "and 'lost prophecies' from other worlds, would the story instantly lose its credibility", "lots of rhyming riddles and 'lost prophecies' from other worlds, would the story", "two ordinary English-speaking kids travel to different faraway lands through a portal. Every", "is required for all fantasy stories, but at what point do you try", "aimed at little kids, and when you're writing for an older audience, do", "fantasy stories, but at what point do you try to explain the mechanics,", "if your story employs lots of rhyming riddles and 'lost prophecies' from other", "Magic Tree House series, two ordinary English-speaking kids travel to different faraway lands", "It's a rhyme in English!) I know suspension of belief is required for", "in Egypt. It's a rhyme in English!) I know suspension of belief is", "your story employs lots of rhyming riddles and 'lost prophecies' from other worlds,", "or ancient China, speaks English. However, this series was aimed at little kids,", "do you have to explain away the language barrier conundrum? More importantly, if", "at what point do you try to explain the mechanics, and when can", "China, speaks English. However, this series was aimed at little kids, and when", "prophecies' from other worlds, would the story instantly lose its credibility if they", "know suspension of belief is required for all fantasy stories, but at what", "English!) I know suspension of belief is required for all fantasy stories, but", "little kids, and when you're writing for an older audience, do you have", "happen to be in English? (E.g., main character discovers lost scroll in Egypt.", "importantly, if your story employs lots of rhyming riddles and 'lost prophecies' from", "More importantly, if your story employs lots of rhyming riddles and 'lost prophecies'", "character discovers lost scroll in Egypt. It's a rhyme in English!) I know", "away the language barrier conundrum? More importantly, if your story employs lots of", "travel to different faraway lands through a portal. Every character they meet, whether", "audience, do you have to explain away the language barrier conundrum? More importantly,", "a portal. Every character they meet, whether it's ancient Greece or ancient China,", "rhyme in English!) I know suspension of belief is required for all fantasy", "do you try to explain the mechanics, and when can you just hand-wave", "ordinary English-speaking kids travel to different faraway lands through a portal. Every character", "when you're writing for an older audience, do you have to explain away", "belief is required for all fantasy stories, but at what point do you", "you have to explain away the language barrier conundrum? More importantly, if your", "to be in English? (E.g., main character discovers lost scroll in Egypt. It's", "be in English? (E.g., main character discovers lost scroll in Egypt. It's a", "they all happen to be in English? (E.g., main character discovers lost scroll", "older audience, do you have to explain away the language barrier conundrum? More", "I know suspension of belief is required for all fantasy stories, but at", "to different faraway lands through a portal. Every character they meet, whether it's", "House* series, two ordinary English-speaking kids travel to different faraway lands through a", "suspension of belief is required for all fantasy stories, but at what point", "in English? (E.g., main character discovers lost scroll in Egypt. It's a rhyme", "if they all happen to be in English? (E.g., main character discovers lost", "to explain away the language barrier conundrum? More importantly, if your story employs", "Every character they meet, whether it's ancient Greece or ancient China, speaks English.", "kids, and when you're writing for an older audience, do you have to", "lands through a portal. Every character they meet, whether it's ancient Greece or", "Egypt. It's a rhyme in English!) I know suspension of belief is required", "English. However, this series was aimed at little kids, and when you're writing" ]
[ "my head. “When you love someone, nothing that person does is boring.” >", "to me.\"** What's usually better\\* in fiction? The original version of the passage", "person does is boring.” > > > I could have written the bolded", "me about his day.” > > > Mrs. Saeki gawked at me behind", "ceiling fan stir my thoughts, I said, “His favorite thing > was to", "husband.” > > > I nodded. “And they were all about little things.", "I could have written the bolded part as: \"Because I loved him, nothing", "writing: > > Watching the ceiling fan stir my thoughts, I said, “His", "boring to me.\"** What's usually better\\* in fiction? The original version of the", "how he > picked his polka tie instead of the stripped one. What", "did was boring to me.\"** What's usually better\\* in fiction? The original version", "> > > I nodded. “And they were all about little things. You", "passage or the second one? (a personal statement or an universal one?) `\\", "square glasses. “Unusual from a > husband.” > > > I nodded. “And", "> was to tell me about his day.” > > > Mrs. Saeki", "“His favorite thing > was to tell me about his day.” > >", "> > > I could have written the bolded* part as: \"Because I", "fiction? The original version of the passage or the second one? (a personal", "version of the passage or the second one? (a personal statement or an", "to tell me about his day.” > > > Mrs. Saeki gawked at", "and not at five.” > > > “You didn’t feel bored?” > >", "I loved him, nothing he did was boring to me.\" What's usually better\\", "`\\ By better I mean which one touches the reader more deeply? Which", "nodded. “And they were all about little things. You know, how he >", "things. You know, how he > picked his polka tie instead of the", "instead of the stripped one. What mobile games he > played on his", "of the stripped one. What mobile games he > played on his way", "> > > Mrs. Saeki gawked at me behind her square glasses. “Unusual", "know, how he > picked his polka tie instead of the stripped one.", "he > picked his polka tie instead of the stripped one. What mobile", "at four and not at five.” > > > “You didn’t feel bored?”", "day.” > > > Mrs. Saeki gawked at me behind her square glasses.", "me.\"** What's usually better\\* in fiction? The original version of the passage or", "feel bored?” > > > I shook my head. “When you love someone,", "> > > I shook my head. “When you love someone, nothing that", "the ceiling fan stir my thoughts, I said, “His favorite thing > was", "> “You didn’t feel bored?” > > > I shook my head. “When", "her square glasses. “Unusual from a > husband.” > > > I nodded.", "> > I nodded. “And they were all about little things. You know,", "loved him, nothing he did was boring to me.\" What's usually better\\* in", "is boring.” > > > I could have written the bolded** part as:", "his day.” > > > Mrs. Saeki gawked at me behind her square", "me behind her square glasses. “Unusual from a > husband.” > > >", "What's usually better\\* in fiction? The original version of the passage or the", "I shook my head. *“When you love someone, nothing that person does is", "personal statement or an universal one?) `\\ By better I mean which one", "Here's an example from my own writing: > > Watching the ceiling fan", "What mobile games he > played on his way to work. Why he", "> > Mrs. Saeki gawked at me behind her square glasses. “Unusual from", "his polka tie instead of the stripped one. What mobile games he >", "nothing that person does is boring.”** > > > I could have written", "the passage or the second one? (a personal statement or an universal one?)", "statement or an universal one?) `\\* By better I mean which one touches", "Watching the ceiling fan stir my thoughts, I said, “His favorite thing >", "own writing: > > Watching the ceiling fan stir my thoughts, I said,", "have written the bolded part as: \"Because I loved him, nothing he did", "were all about little things. You know, how he > picked his polka", "stripped one. What mobile games he > played on his way to work.", "behind her square glasses. “Unusual from a > husband.” > > > I", "of the passage or the second one? (a personal statement or an universal", "stir my thoughts, I said, “His favorite thing > was to tell me", "polka tie instead of the stripped one. What mobile games he > played", "mobile games he > played on his way to work. Why he called", "my own writing: > > Watching the ceiling fan stir my thoughts, I", "an example from my own writing: > > Watching the ceiling fan stir", "all about little things. You know, how he > picked his polka tie", "was boring to me.\" What's usually better\\* in fiction? The original version of", "gawked at me behind her square glasses. “Unusual from a > husband.” >", "(a personal statement or an universal one?) `\\* By better I mean which", "could have written the bolded part as: \"Because I loved him, nothing he", "in fiction? The original version of the passage or the second one? (a", "bored?” > > > I shook my head. “When you love someone, nothing", "“You didn’t feel bored?” > > > I shook my head. *“When you", "I said, “His favorite thing > was to tell me about his day.”", "he > played on his way to work. Why he called me at", "I nodded. “And they were all about little things. You know, how he", "he called me at four and not at five.” > > > “You", "one?) `\\ By better I mean which one touches the reader more deeply?", "they were all about little things. You know, how he > picked his", "love someone, nothing that person does is boring.” > > > I could", "games he > played on his way to work. Why he called me", "shook my head. “When you love someone, nothing that person does is boring.”", "work. Why he called me at four and not at five.” > >", "my thoughts, I said, “His favorite thing > was to tell me about", "> > > “You didn’t feel bored?” > > > I shook my", "> Mrs. Saeki gawked at me behind her square glasses. “Unusual from a", "didn’t feel bored?” > > > I shook my head. “When you love", "at me behind her square glasses. “Unusual from a > husband.” > >", "that person does is boring.”** > > > I could have written the", "second one? (a personal statement or an universal one?) `\\* By better I", "as: \"Because I loved him, nothing he did was boring to me.\" What's", "you love someone, nothing that person does is boring.” > > > I", "> played on his way to work. Why he called me at four", "about his day.” > > > Mrs. Saeki gawked at me behind her", "one. What mobile games he > played on his way to work. Why", "> I could have written the bolded part as: \"Because I loved him,", "picked his polka tie instead of the stripped one. What mobile games he", "“When you love someone, nothing that person does is boring.” > > >", "favorite thing > was to tell me about his day.” > > >", "Mrs. Saeki gawked at me behind her square glasses. “Unusual from a >", "> picked his polka tie instead of the stripped one. What mobile games", "one? (a personal statement or an universal one?) `\\* By better I mean", "five.” > > > “You didn’t feel bored?” > > > I shook", "> husband.” > > > I nodded. “And they were all about little", "bolded part as: \"Because I loved him, nothing he did was boring to", "mean which one touches the reader more deeply? Which one is considered better", "\"Because I loved him, nothing he did was boring to me.\"** What's usually", "You know, how he > picked his polka tie instead of the stripped", "The original version of the passage or the second one? (a personal statement", "tell me about his day.” > > > Mrs. Saeki gawked at me", "played on his way to work. Why he called me at four and", "not at five.” > > > “You didn’t feel bored?” > > >", "usually better\\* in fiction? The original version of the passage or the second", "nothing he did was boring to me.\"** What's usually better\\* in fiction? The", "him, nothing he did was boring to me.\"** What's usually better\\* in fiction?", "By better I mean which one touches the reader more deeply? Which one", "his way to work. Why he called me at four and not at", "on his way to work. Why he called me at four and not", "or an universal one?) `\\* By better I mean which one touches the", "universal one?) `\\* By better I mean which one touches the reader more", "called me at four and not at five.” > > > “You didn’t", "does is boring.” > > > I could have written the bolded part", "fan stir my thoughts, I said, “His favorite thing > was to tell", "part as: \"Because I loved him, nothing he did was boring to me.\"*", "or the second one? (a personal statement or an universal one?) `\\ By", "an universal one?) `\\* By better I mean which one touches the reader", "> Watching the ceiling fan stir my thoughts, I said, “His favorite thing", "from my own writing: > > Watching the ceiling fan stir my thoughts,", "a > husband.” > > > I nodded. “And they were all about", "example from my own writing: > > Watching the ceiling fan stir my", "“And they were all about little things. You know, how he > picked", "thing > was to tell me about his day.” > > > Mrs.", "me at four and not at five.” > > > “You didn’t feel", "four and not at five.” > > > “You didn’t feel bored?” >", "“Unusual from a > husband.” > > > I nodded. “And they were", "which one touches the reader more deeply? Which one is considered better writing?", "was to tell me about his day.” > > > Mrs. Saeki gawked", "> > I shook my head. *“When you love someone, nothing that person", "said, “His favorite thing > was to tell me about his day.” >", "little things. You know, how he > picked his polka tie instead of", "I mean which one touches the reader more deeply? Which one is considered", "Saeki gawked at me behind her square glasses. “Unusual from a > husband.”", "to work. Why he called me at four and not at five.” >", "> > “You didn’t feel bored?” > > > I shook my head.", "better\\ in fiction? The original version of the passage or the second one?", "boring.” > > > I could have written the bolded part as: \"Because", "he did was boring to me.\"** What's usually better\\* in fiction? The original", "better I mean which one touches the reader more deeply? Which one is", "tie instead of the stripped one. What mobile games he > played on", "original version of the passage or the second one? (a personal statement or", "written the bolded part as: \"Because I loved him, nothing he did was", "at five.” > > > “You didn’t feel bored?” > > > I", "the bolded part as: \"Because I loved him, nothing he did was boring", "> > Watching the ceiling fan stir my thoughts, I said, “His favorite", "> > I could have written the bolded part as: \"Because I loved", "head. “When you love someone, nothing that person does is boring.” > >", "> I nodded. “And they were all about little things. You know, how", "about little things. You know, how he > picked his polka tie instead", "Why he called me at four and not at five.” > > >", "someone, nothing that person does is boring.” > > > I could have", "glasses. “Unusual from a > husband.” > > > I nodded. “And they", "the second one? (a personal statement or an universal one?) `\\* By better", "way to work. Why he called me at four and not at five.”", "thoughts, I said, “His favorite thing > was to tell me about his", "the stripped one. What mobile games he > played on his way to", "from a > husband.” > > > I nodded. “And they were all", "> I shook my head. **“When you love someone, nothing that person does" ]
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The theme of my essay is", "but one thing I know about them is that you're not supposed to", "of my essay is about how the class of characters in the work", "hate conclusions, but one thing I know about them is that you're not", "while and would appreciate some help. If I wasn't clear enough, please tell", "class of characters in the work I'm writing about influences what happens to", "or more plainly: How class influences the situations of characters.* Would it be", "situations of characters.* Would it be considered introducing a new argument in the", "new argument in the conclusion if I wrote about *the lack of social" ]
[ "he is stronger? Why does some guy have magical ability and the other", "Why does some guy have magical ability and the other guy doesn’t? How", "there an explanation needed as to why he is stronger? Why does some", "characters power is stronger compared to others, is there an explanation needed as", "Just because I decide as a writer that a certain characters power is", "why he is stronger? Why does some guy have magical ability and the", "What do I have to consider when creating/inventing magic and magical elements for", "is stronger compared to others, is there an explanation needed as to why", "and magical elements for a fantasy novel? Are there do's and don'ts? How", "stronger compared to others, is there an explanation needed as to why he", "creating/inventing magic and magical elements for a fantasy novel? Are there do's and", "to explain to the reader? Just because I decide as a writer that", "I have to explain to the reader? Just because I decide as a", "to the reader? Just because I decide as a writer that a certain", "explain to the reader? Just because I decide as a writer that a", "elements for a fantasy novel? Are there do's and don'ts? How much do", "magic and magical elements for a fantasy novel? Are there do's and don'ts?", "do I have to consider when creating/inventing magic and magical elements for a", "to others, is there an explanation needed as to why he is stronger?", "decide as a writer that a certain characters power is stronger compared to", "there do's and don'ts? How much do I have to explain to the", "power is stronger compared to others, is there an explanation needed as to", "a fantasy novel? Are there do's and don'ts? How much do I have", "a writer that a certain characters power is stronger compared to others, is", "novel? Are there do's and don'ts? How much do I have to explain", "magical elements for a fantasy novel? Are there do's and don'ts? How much", "reader? Just because I decide as a writer that a certain characters power", "I have to consider when creating/inventing magic and magical elements for a fantasy", "I decide as a writer that a certain characters power is stronger compared", "consider when creating/inventing magic and magical elements for a fantasy novel? Are there", "as to why he is stronger? Why does some guy have magical ability", "does some guy have magical ability and the other guy doesn’t? How detailed/complex", "when creating/inventing magic and magical elements for a fantasy novel? Are there do's", "have magical ability and the other guy doesn’t? How detailed/complex should it be?", "is there an explanation needed as to why he is stronger? Why does", "a certain characters power is stronger compared to others, is there an explanation", "much do I have to explain to the reader? Just because I decide", "stronger? Why does some guy have magical ability and the other guy doesn’t?", "an explanation needed as to why he is stronger? Why does some guy", "guy have magical ability and the other guy doesn’t? How detailed/complex should it", "do's and don'ts? How much do I have to explain to the reader?", "to why he is stronger? Why does some guy have magical ability and", "as a writer that a certain characters power is stronger compared to others,", "certain characters power is stronger compared to others, is there an explanation needed", "some guy have magical ability and the other guy doesn’t? How detailed/complex should", "to consider when creating/inventing magic and magical elements for a fantasy novel? Are", "writer that a certain characters power is stronger compared to others, is there", "because I decide as a writer that a certain characters power is stronger", "compared to others, is there an explanation needed as to why he is", "for a fantasy novel? Are there do's and don'ts? How much do I", "fantasy novel? Are there do's and don'ts? How much do I have to", "explanation needed as to why he is stronger? Why does some guy have", "needed as to why he is stronger? Why does some guy have magical", "is stronger? Why does some guy have magical ability and the other guy", "have to explain to the reader? Just because I decide as a writer", "Are there do's and don'ts? How much do I have to explain to", "the reader? Just because I decide as a writer that a certain characters", "do I have to explain to the reader? Just because I decide as", "others, is there an explanation needed as to why he is stronger? Why", "How much do I have to explain to the reader? Just because I", "and don'ts? How much do I have to explain to the reader? Just", "don'ts? How much do I have to explain to the reader? Just because", "have to consider when creating/inventing magic and magical elements for a fantasy novel?", "that a certain characters power is stronger compared to others, is there an" ]
[ "feelings are or express their feelings in one keyword that delivers fantasy. Thanks", "are or express their feelings in one keyword that delivers fantasy. Thanks in", "who will see this post could tell me what their feelings are or", "could make anyone feel fantasy. it will be better if every one who", "be better if every one who will see this post could tell me", "will see this post could tell me what their feelings are or express", "their feelings are or express their feelings in one keyword that delivers fantasy.", "about the keywords that could make anyone feel fantasy. it will be better", "feel fantasy. it will be better if every one who will see this", "could tell me what their feelings are or express their feelings in one", "every one who will see this post could tell me what their feelings", "anyone feel fantasy. it will be better if every one who will see", "or express their feelings in one keyword that delivers fantasy. Thanks in advance", "express their feelings in one keyword that delivers fantasy. Thanks in advance :)", "I am asking about the keywords that could make anyone feel fantasy. it", "post could tell me what their feelings are or express their feelings in", "that could make anyone feel fantasy. it will be better if every one", "this post could tell me what their feelings are or express their feelings", "tell me what their feelings are or express their feelings in one keyword", "what their feelings are or express their feelings in one keyword that delivers", "make anyone feel fantasy. it will be better if every one who will", "if every one who will see this post could tell me what their", "one who will see this post could tell me what their feelings are", "asking about the keywords that could make anyone feel fantasy. it will be", "see this post could tell me what their feelings are or express their", "fantasy. it will be better if every one who will see this post", "will be better if every one who will see this post could tell", "keywords that could make anyone feel fantasy. it will be better if every", "it will be better if every one who will see this post could", "me what their feelings are or express their feelings in one keyword that", "the keywords that could make anyone feel fantasy. it will be better if", "am asking about the keywords that could make anyone feel fantasy. it will", "better if every one who will see this post could tell me what" ]
[ "to think them up. Anyway what would you people suggest me to incorporate", "even though a succinct alternative is clearly there but I fail to think", "to have this problem where I know a lot of words but can't", "I write, some everyday phrase or idiom comes to my mind first or", "alternative is clearly there but I fail to think them up. Anyway what", "my mind first or I write elaborate wordy sentences even though a succinct", "or a story. I know the meaning of most of these words, but", "of words but can't always seem to think them up when I write", "to think them up when I write an article or a story. I", "can't always seem to think them up when I write an article or", "the words I know instead of just identifying them when I read? Hopefully", "my writing so that I can use the words I know instead of", "seem to think them up when I write an article or a story.", "a story. I know the meaning of most of these words, but when", "when I write an article or a story. I know the meaning of", "me to incorporate advanced vocabulary into my writing so that I can use", "some everyday phrase or idiom comes to my mind first or I write", "succinct alternative is clearly there but I fail to think them up. Anyway", "but when I write, some everyday phrase or idiom comes to my mind", "incorporate advanced vocabulary into my writing so that I can use the words", "though a succinct alternative is clearly there but I fail to think them", "or idiom comes to my mind first or I write elaborate wordy sentences", "meaning of most of these words, but when I write, some everyday phrase", "elaborate wordy sentences even though a succinct alternative is clearly there but I", "advanced vocabulary into my writing so that I can use the words I", "think them up when I write an article or a story. I know", "suggest me to incorporate advanced vocabulary into my writing so that I can", "up when I write an article or a story. I know the meaning", "write an article or a story. I know the meaning of most of", "sentences even though a succinct alternative is clearly there but I fail to", "article or a story. I know the meaning of most of these words,", "I know instead of just identifying them when I read? Hopefully this is", "lot of words but can't always seem to think them up when I", "but I fail to think them up. Anyway what would you people suggest", "I know a lot of words but can't always seem to think them", "up. Anyway what would you people suggest me to incorporate advanced vocabulary into", "that I can use the words I know instead of just identifying them", "can use the words I know instead of just identifying them when I", "is clearly there but I fail to think them up. Anyway what would", "into my writing so that I can use the words I know instead", "people suggest me to incorporate advanced vocabulary into my writing so that I", "words I know instead of just identifying them when I read? Hopefully this", "so that I can use the words I know instead of just identifying", "when I write, some everyday phrase or idiom comes to my mind first", "fail to think them up. Anyway what would you people suggest me to", "comes to my mind first or I write elaborate wordy sentences even though", "know the meaning of most of these words, but when I write, some", "first or I write elaborate wordy sentences even though a succinct alternative is", "them up. Anyway what would you people suggest me to incorporate advanced vocabulary", "or I write elaborate wordy sentences even though a succinct alternative is clearly", "wordy sentences even though a succinct alternative is clearly there but I fail", "use the words I know instead of just identifying them when I read?", "of just identifying them when I read? Hopefully this is not off-topic. Sorry", "idiom comes to my mind first or I write elaborate wordy sentences even", "the meaning of most of these words, but when I write, some everyday", "would you people suggest me to incorporate advanced vocabulary into my writing so", "words but can't always seem to think them up when I write an", "clearly there but I fail to think them up. Anyway what would you", "write elaborate wordy sentences even though a succinct alternative is clearly there but", "always seem to think them up when I write an article or a", "instead of just identifying them when I read? Hopefully this is not off-topic.", "seem to have this problem where I know a lot of words but", "this problem where I know a lot of words but can't always seem", "but can't always seem to think them up when I write an article", "write, some everyday phrase or idiom comes to my mind first or I", "mind first or I write elaborate wordy sentences even though a succinct alternative", "Anyway what would you people suggest me to incorporate advanced vocabulary into my", "you people suggest me to incorporate advanced vocabulary into my writing so that", "know a lot of words but can't always seem to think them up", "story. I know the meaning of most of these words, but when I", "know instead of just identifying them when I read? Hopefully this is not", "I fail to think them up. Anyway what would you people suggest me", "an article or a story. I know the meaning of most of these", "to my mind first or I write elaborate wordy sentences even though a", "everyday phrase or idiom comes to my mind first or I write elaborate", "think them up. Anyway what would you people suggest me to incorporate advanced", "where I know a lot of words but can't always seem to think", "of most of these words, but when I write, some everyday phrase or", "I write an article or a story. I know the meaning of most", "I seem to have this problem where I know a lot of words", "what would you people suggest me to incorporate advanced vocabulary into my writing", "I can use the words I know instead of just identifying them when", "just identifying them when I read? Hopefully this is not off-topic. Sorry if", "most of these words, but when I write, some everyday phrase or idiom", "I write elaborate wordy sentences even though a succinct alternative is clearly there", "these words, but when I write, some everyday phrase or idiom comes to", "words, but when I write, some everyday phrase or idiom comes to my", "problem where I know a lot of words but can't always seem to", "a succinct alternative is clearly there but I fail to think them up.", "a lot of words but can't always seem to think them up when", "there but I fail to think them up. Anyway what would you people", "phrase or idiom comes to my mind first or I write elaborate wordy", "vocabulary into my writing so that I can use the words I know", "writing so that I can use the words I know instead of just", "I know the meaning of most of these words, but when I write,", "identifying them when I read? Hopefully this is not off-topic. Sorry if it", "them up when I write an article or a story. I know the", "to incorporate advanced vocabulary into my writing so that I can use the", "them when I read? Hopefully this is not off-topic. Sorry if it is.", "have this problem where I know a lot of words but can't always", "of these words, but when I write, some everyday phrase or idiom comes" ]
[ "I include graphic description even if I'm a bit of a beginner when", "that? The character doesn't kill (though that's because they think death is too", "character be especially if they are one of the \"good guys\"? So, due", "that come out in specific situations: they are more than lovely when it", "(though that's because they think death is too easy) so they aren't a", "when it comes to gore? 2. How much or far should they get", "graphic description even if I'm a bit of a beginner when it comes", "as I'd like to call it, \"switch\". For one second they're putting babies", "kill (though that's because they think death is too easy) so they aren't", "comes to family and friends but a bloody psycho when it comes to", "a reader is it readable? Or is too corny? Other questions I'd like", "or laughing their heads off while deciding which limb to cut off first.", "so they aren't a \"bad guy\" and is very, um, motherly when it", "it readable? Or is too corny? Other questions I'd like to ask (don't", "when it comes to someone they are fond of. It takes a lot", "to call it, \"switch\". For one second they're putting babies to sleep or", "perfect human being . . . That is until they, as I'd like", "a risky plot like that? The character doesn't kill (though that's because they", "them here or ask new questions): 1. Should I include graphic description even", "a bit of a beginner when it comes to gore? 2. How much", "they are one of the \"good guys\"? So, due to some vicious trauma", "guy\" and is very, um, motherly when it comes to someone they are", "Is that creditable? Or psychologically correct? The character is so caring to a", "Or psychologically correct? The character is so caring to a fault, most times", "I'd like to ask (don't know whether to leave them here or ask", "a bloody psycho when it comes to their \"enemies\". Is that creditable? Or", "has developed some pretty sadistic merciless tendencies that come out in specific situations:", "someone they are fond of. It takes a lot of character planning a", "here or ask new questions): 1. Should I include graphic description even if", "even if I'm a bit of a beginner when it comes to gore?", "they get away with? 3. Should I include real psychological illnesses that supports", "the character's actions or do I leave it as it is? 4. How", "leave it as it is? 4. How scary should that character be if", "deciding which limb to cut off first. The change is so sudden and", "single time. Should I go with a risky plot like that? The character", "4. How scary should that character be if I still want them to", "with a risky plot like that? The character doesn't kill (though that's because", "How much or far should they get away with? 3. Should I include", "is it readable? Or is too corny? Other questions I'd like to ask", "are taken by surprise every single time. Should I go with a risky", "blood of their hands or laughing their heads off while deciding which limb", "is so caring to a fault, most times they are known to be", "their hands or laughing their heads off while deciding which limb to cut", "especially if they are one of the \"good guys\"? So, due to some", "questions I'd like to ask (don't know whether to leave them here or", "ask (don't know whether to leave them here or ask new questions): 1.", "So, due to some vicious trauma in the past, the character has developed", "should a character be especially if they are one of the \"good guys\"?", "sadistic merciless tendencies that come out in specific situations: they are more than", "are known to be saints, a perfect human being . . . That", "their heads off while deciding which limb to cut off first. The change", "The change is so sudden and so outrageous that even the one whom", "is until they, as I'd like to call it, \"switch\". For one second", "to their \"enemies\". Is that creditable? Or psychologically correct? The character is so", "times they are known to be saints, a perfect human being . .", "very, um, motherly when it comes to someone they are fond of. It", "I can do that, but as a reader is it readable? Or is", "pies, the second they're licking fresh human blood of their hands or laughing", "Should I include real psychological illnesses that supports the character's actions or do", "The character doesn't kill (though that's because they think death is too easy)", "it is? 4. How scary should that character be if I still want", "\"switch\". For one second they're putting babies to sleep or baking blueberry pies,", "to gore? 2. How much or far should they get away with? 3.", "corny? Other questions I'd like to ask (don't know whether to leave them", "lot of brainstorming-- I can do that, but as a reader is it", "specific situations: they are more than lovely when it comes to family and", "merciless tendencies that come out in specific situations: they are more than lovely", "than lovely when it comes to family and friends but a bloody psycho", "planning a whole lot of brainstorming-- I can do that, but as a", "known to be saints, a perfect human being . . . That is", "like that? The character doesn't kill (though that's because they think death is", "motherly when it comes to someone they are fond of. It takes a", "\"enemies\". Is that creditable? Or psychologically correct? The character is so caring to", "time. Should I go with a risky plot like that? The character doesn't", "like to call it, \"switch\". For one second they're putting babies to sleep", "For one second they're putting babies to sleep or baking blueberry pies, the", "scary should that character be if I still want them to be likeable?", "guys\"? So, due to some vicious trauma in the past, the character has", "fresh human blood of their hands or laughing their heads off while deciding", "when it comes to family and friends but a bloody psycho when it", "so sudden and so outrageous that even the one whom they are closest", "every single time. Should I go with a risky plot like that? The", "most times they are known to be saints, a perfect human being .", "human blood of their hands or laughing their heads off while deciding which", "one of the \"good guys\"? So, due to some vicious trauma in the", "a \"bad guy\" and is very, um, motherly when it comes to someone", "much or far should they get away with? 3. Should I include real", "putting babies to sleep or baking blueberry pies, the second they're licking fresh", "which limb to cut off first. The change is so sudden and so", "character is so caring to a fault, most times they are known to", "illnesses that supports the character's actions or do I leave it as it", "of a beginner when it comes to gore? 2. How much or far", ". . That is until they, as I'd like to call it, \"switch\".", "the past, the character has developed some pretty sadistic merciless tendencies that come", "to cut off first. The change is so sudden and so outrageous that", "brainstorming-- I can do that, but as a reader is it readable? Or", "second they're putting babies to sleep or baking blueberry pies, the second they're", "pretty sadistic merciless tendencies that come out in specific situations: they are more", "blueberry pies, the second they're licking fresh human blood of their hands or", "ask new questions): 1. Should I include graphic description even if I'm a", "it, \"switch\". For one second they're putting babies to sleep or baking blueberry", "they're putting babies to sleep or baking blueberry pies, the second they're licking", "I include real psychological illnesses that supports the character's actions or do I", "they are fond of. It takes a lot of character planning a whole", ". . . That is until they, as I'd like to call it,", "but a bloody psycho when it comes to their \"enemies\". Is that creditable?", "surprise every single time. Should I go with a risky plot like that?", "Or is too corny? Other questions I'd like to ask (don't know whether", "to sleep or baking blueberry pies, the second they're licking fresh human blood", "psychological illnesses that supports the character's actions or do I leave it as", "heads off while deciding which limb to cut off first. The change is", "include real psychological illnesses that supports the character's actions or do I leave", "risky plot like that? The character doesn't kill (though that's because they think", "is too easy) so they aren't a \"bad guy\" and is very, um,", "supports the character's actions or do I leave it as it is? 4.", "I'd like to call it, \"switch\". For one second they're putting babies to", "do I leave it as it is? 4. How scary should that character", "plot like that? The character doesn't kill (though that's because they think death", "they are known to be saints, a perfect human being . . .", "1. Should I include graphic description even if I'm a bit of a", "3. Should I include real psychological illnesses that supports the character's actions or", "away with? 3. Should I include real psychological illnesses that supports the character's", "do that, but as a reader is it readable? Or is too corny?", "Should I go with a risky plot like that? The character doesn't kill", "taken by surprise every single time. Should I go with a risky plot", "far should they get away with? 3. Should I include real psychological illnesses", "their \"enemies\". Is that creditable? Or psychologically correct? The character is so caring", "sudden and so outrageous that even the one whom they are closest to", "readable? Or is too corny? Other questions I'd like to ask (don't know", "the character has developed some pretty sadistic merciless tendencies that come out in", "they are more than lovely when it comes to family and friends but", "and so outrageous that even the one whom they are closest to are", "one whom they are closest to are taken by surprise every single time.", "psychopathic should a character be especially if they are one of the \"good", "a lot of character planning a whole lot of brainstorming-- I can do", "when it comes to their \"enemies\". Is that creditable? Or psychologically correct? The", "hands or laughing their heads off while deciding which limb to cut off", "that even the one whom they are closest to are taken by surprise", "of their hands or laughing their heads off while deciding which limb to", "due to some vicious trauma in the past, the character has developed some", "Other questions I'd like to ask (don't know whether to leave them here", "think death is too easy) so they aren't a \"bad guy\" and is", "How psychopathic should a character be especially if they are one of the", "change is so sudden and so outrageous that even the one whom they", "reader is it readable? Or is too corny? Other questions I'd like to", "one second they're putting babies to sleep or baking blueberry pies, the second", "death is too easy) so they aren't a \"bad guy\" and is very,", "or baking blueberry pies, the second they're licking fresh human blood of their", "as a reader is it readable? Or is too corny? Other questions I'd", "to some vicious trauma in the past, the character has developed some pretty", "they're licking fresh human blood of their hands or laughing their heads off", "of the \"good guys\"? So, due to some vicious trauma in the past,", "in specific situations: they are more than lovely when it comes to family", "easy) so they aren't a \"bad guy\" and is very, um, motherly when", "know whether to leave them here or ask new questions): 1. Should I", "the one whom they are closest to are taken by surprise every single", "whom they are closest to are taken by surprise every single time. Should", "a character be especially if they are one of the \"good guys\"? So,", "character has developed some pretty sadistic merciless tendencies that come out in specific", "um, motherly when it comes to someone they are fond of. It takes", "real psychological illnesses that supports the character's actions or do I leave it", "include graphic description even if I'm a bit of a beginner when it", "past, the character has developed some pretty sadistic merciless tendencies that come out", "while deciding which limb to cut off first. The change is so sudden", "is too corny? Other questions I'd like to ask (don't know whether to", "are one of the \"good guys\"? So, due to some vicious trauma in", "too corny? Other questions I'd like to ask (don't know whether to leave", "trauma in the past, the character has developed some pretty sadistic merciless tendencies", "How scary should that character be if I still want them to be", "correct? The character is so caring to a fault, most times they are", "to are taken by surprise every single time. Should I go with a", "the \"good guys\"? So, due to some vicious trauma in the past, the", "and friends but a bloody psycho when it comes to their \"enemies\". Is", "by surprise every single time. Should I go with a risky plot like", "with? 3. Should I include real psychological illnesses that supports the character's actions", "off first. The change is so sudden and so outrageous that even the", "a beginner when it comes to gore? 2. How much or far should", "so caring to a fault, most times they are known to be saints,", "leave them here or ask new questions): 1. Should I include graphic description", "comes to gore? 2. How much or far should they get away with?", "as it is? 4. How scary should that character be if I still", "should they get away with? 3. Should I include real psychological illnesses that", "until they, as I'd like to call it, \"switch\". For one second they're", "but as a reader is it readable? Or is too corny? Other questions", "to a fault, most times they are known to be saints, a perfect", "new questions): 1. Should I include graphic description even if I'm a bit", "if I'm a bit of a beginner when it comes to gore? 2.", "takes a lot of character planning a whole lot of brainstorming-- I can", "be saints, a perfect human being . . . That is until they,", "tendencies that come out in specific situations: they are more than lovely when", "and is very, um, motherly when it comes to someone they are fond", "2. How much or far should they get away with? 3. Should I", "\"good guys\"? So, due to some vicious trauma in the past, the character", "comes to someone they are fond of. It takes a lot of character", "fond of. It takes a lot of character planning a whole lot of", "that creditable? Or psychologically correct? The character is so caring to a fault,", "of character planning a whole lot of brainstorming-- I can do that, but", "family and friends but a bloody psycho when it comes to their \"enemies\".", "like to ask (don't know whether to leave them here or ask new", "I'm a bit of a beginner when it comes to gore? 2. How", "to someone they are fond of. It takes a lot of character planning", "get away with? 3. Should I include real psychological illnesses that supports the", "character's actions or do I leave it as it is? 4. How scary", "situations: they are more than lovely when it comes to family and friends", "to ask (don't know whether to leave them here or ask new questions):", "I go with a risky plot like that? The character doesn't kill (though", "(don't know whether to leave them here or ask new questions): 1. Should", "in the past, the character has developed some pretty sadistic merciless tendencies that", "fault, most times they are known to be saints, a perfect human being", "a perfect human being . . . That is until they, as I'd", "That is until they, as I'd like to call it, \"switch\". For one", "licking fresh human blood of their hands or laughing their heads off while", "they aren't a \"bad guy\" and is very, um, motherly when it comes", "it comes to gore? 2. How much or far should they get away", "whether to leave them here or ask new questions): 1. Should I include", "caring to a fault, most times they are known to be saints, a", "bloody psycho when it comes to their \"enemies\". Is that creditable? Or psychologically", "or far should they get away with? 3. Should I include real psychological", "are closest to are taken by surprise every single time. Should I go", "or ask new questions): 1. Should I include graphic description even if I'm", "human being . . . That is until they, as I'd like to", "some vicious trauma in the past, the character has developed some pretty sadistic", "doesn't kill (though that's because they think death is too easy) so they", "a fault, most times they are known to be saints, a perfect human", "The character is so caring to a fault, most times they are known", "that, but as a reader is it readable? Or is too corny? Other", "is so sudden and so outrageous that even the one whom they are", "are more than lovely when it comes to family and friends but a", "are fond of. It takes a lot of character planning a whole lot", "they think death is too easy) so they aren't a \"bad guy\" and", "even the one whom they are closest to are taken by surprise every", "if they are one of the \"good guys\"? So, due to some vicious", "out in specific situations: they are more than lovely when it comes to", "too easy) so they aren't a \"bad guy\" and is very, um, motherly", "It takes a lot of character planning a whole lot of brainstorming-- I", "lot of character planning a whole lot of brainstorming-- I can do that,", "be especially if they are one of the \"good guys\"? So, due to", "psychologically correct? The character is so caring to a fault, most times they", "psycho when it comes to their \"enemies\". Is that creditable? Or psychologically correct?", "call it, \"switch\". For one second they're putting babies to sleep or baking", "some pretty sadistic merciless tendencies that come out in specific situations: they are", "gore? 2. How much or far should they get away with? 3. Should", "that supports the character's actions or do I leave it as it is?", "Should I include graphic description even if I'm a bit of a beginner", "the second they're licking fresh human blood of their hands or laughing their", "comes to their \"enemies\". Is that creditable? Or psychologically correct? The character is", "a whole lot of brainstorming-- I can do that, but as a reader", "beginner when it comes to gore? 2. How much or far should they", "limb to cut off first. The change is so sudden and so outrageous", "more than lovely when it comes to family and friends but a bloody", "baking blueberry pies, the second they're licking fresh human blood of their hands", "being . . . That is until they, as I'd like to call", "babies to sleep or baking blueberry pies, the second they're licking fresh human", "bit of a beginner when it comes to gore? 2. How much or", "outrageous that even the one whom they are closest to are taken by", "I leave it as it is? 4. How scary should that character be", "friends but a bloody psycho when it comes to their \"enemies\". Is that", "to leave them here or ask new questions): 1. Should I include graphic", "of brainstorming-- I can do that, but as a reader is it readable?", "creditable? Or psychologically correct? The character is so caring to a fault, most", "it comes to someone they are fond of. It takes a lot of", "vicious trauma in the past, the character has developed some pretty sadistic merciless", "whole lot of brainstorming-- I can do that, but as a reader is", "developed some pretty sadistic merciless tendencies that come out in specific situations: they", "character planning a whole lot of brainstorming-- I can do that, but as", "lovely when it comes to family and friends but a bloody psycho when", "can do that, but as a reader is it readable? Or is too", "they, as I'd like to call it, \"switch\". For one second they're putting", "description even if I'm a bit of a beginner when it comes to", "or do I leave it as it is? 4. How scary should that", "is? 4. How scary should that character be if I still want them", "laughing their heads off while deciding which limb to cut off first. The", "come out in specific situations: they are more than lovely when it comes", "\"bad guy\" and is very, um, motherly when it comes to someone they", "saints, a perfect human being . . . That is until they, as", "is very, um, motherly when it comes to someone they are fond of.", "off while deciding which limb to cut off first. The change is so", "they are closest to are taken by surprise every single time. Should I", "to family and friends but a bloody psycho when it comes to their", "it comes to their \"enemies\". Is that creditable? Or psychologically correct? The character", "cut off first. The change is so sudden and so outrageous that even", "aren't a \"bad guy\" and is very, um, motherly when it comes to", "of. It takes a lot of character planning a whole lot of brainstorming--", "questions): 1. Should I include graphic description even if I'm a bit of", "so outrageous that even the one whom they are closest to are taken", "that's because they think death is too easy) so they aren't a \"bad", "closest to are taken by surprise every single time. Should I go with", "go with a risky plot like that? The character doesn't kill (though that's", "it comes to family and friends but a bloody psycho when it comes", "sleep or baking blueberry pies, the second they're licking fresh human blood of", "second they're licking fresh human blood of their hands or laughing their heads", "to be saints, a perfect human being . . . That is until", "first. The change is so sudden and so outrageous that even the one", "because they think death is too easy) so they aren't a \"bad guy\"", "actions or do I leave it as it is? 4. How scary should", "character doesn't kill (though that's because they think death is too easy) so", "it as it is? 4. How scary should that character be if I", ". That is until they, as I'd like to call it, \"switch\". For" ]
[ "out what is the appropriate thing to say in the conversation. Could you", "is the appropriate thing to say in the conversation. Could you please help?", "problem figuring out what is the appropriate thing to say in the conversation.", "a problem figuring out what is the appropriate thing to say in the", "When I'm writing dialogue, I have a problem figuring out what is the", "writing dialogue, I have a problem figuring out what is the appropriate thing", "have a problem figuring out what is the appropriate thing to say in", "dialogue, I have a problem figuring out what is the appropriate thing to", "figuring out what is the appropriate thing to say in the conversation. Could", "I have a problem figuring out what is the appropriate thing to say", "what is the appropriate thing to say in the conversation. Could you please", "I'm writing dialogue, I have a problem figuring out what is the appropriate" ]
[ "I write about all three life events in one book or should I", "going to describe 3 very important life events. Now, should I write about", "should I write about all three life events in one book or should", "I am going to describe 3 very important life events. Now, should I", "started writing my autobiography. I am going to describe 3 very important life", "life events. Now, should I write about all three life events in one", "Now, should I write about all three life events in one book or", "events. Now, should I write about all three life events in one book", "have started writing my autobiography. I am going to describe 3 very important", "all three life events in one book or should I write them separately?", "write about all three life events in one book or should I write", "writing my autobiography. I am going to describe 3 very important life events.", "to describe 3 very important life events. Now, should I write about all", "am going to describe 3 very important life events. Now, should I write", "I have started writing my autobiography. I am going to describe 3 very", "important life events. Now, should I write about all three life events in", "autobiography. I am going to describe 3 very important life events. Now, should", "describe 3 very important life events. Now, should I write about all three", "my autobiography. I am going to describe 3 very important life events. Now,", "3 very important life events. Now, should I write about all three life", "very important life events. Now, should I write about all three life events", "about all three life events in one book or should I write them" ]
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[ "advance her own welfare. When the good aliens adopt Bob as a tool", "pessimistic and grim-dark-ish, because the bad aliens are unimaginably strong and seemingly infinitely", "a character who does not actively seek attention, but is still vain and", "aliens' society is not what most modern readers would consider ideal either—they are", "plot --------------------- Aluke is the character foil of the protagonist, or vise versa—where", "ideal either—they are utilitarian and fascist, like District 13 from the Hunger Games", "is pessimistic and grim-dark-ish, because the bad aliens are unimaginably strong and seemingly", "who does not actively seek attention, but is still vain and self-superior? Since", "below, so you can choose what you think matters to read: Plot overview", "read: Plot overview ------------- Some monsters attack Earth, the protagonist boy discovers his", "question is not the protagonist, but the most important non-protagonist character, if not", "like Trinity, something she strongly despises. Yet, being the most successful of the", "female with no stereotypically feminine traits. She is 17-20 years old. Her parents", "so as to advance her own welfare. When the good aliens adopt Bob", "awareness extending beyond the fourth wall, that the arrival of Bob into the", "the boy to defeat the bad aliens. The character in question is one", "successful of the super-soldier program, she must train alongside Bob and is obliged", "is innocent, superficially altruistic and acting upon emotional impulses. Aluke is cynical, calculatingly", "and have no significance to the story beside something that the protagonist thinks", "------------------- The atmosphere is pessimistic and grim-dark-ish, because the bad aliens are unimaginably", "parents are the good alien's leaders. She was raised as an experimental super-soldier", "her such notice to be foolish and merely amusing. With such an attitude", "more important than the protagonist himself. This character is named Aluke, she is", "Yet, being the most successful of the super-soldier program, she must train alongside", "not more important than the protagonist himself. This character is named Aluke, she", "to be superior in intellect and power, hence the arrogance. Rulu in book", "infinitely numerous, while the good aliens are weak and have been hunted for", "she must train alongside Bob and is obliged to sometimes offer guidance. Aluke", "and grim-dark-ish, because the bad aliens are unimaginably strong and seemingly infinitely numerous,", "has no important difference from that of human beings. Tone and atmosphere -------------------", "are the good alien's leaders. She was raised as an experimental super-soldier in", "aliens are unimaginably strong and seemingly infinitely numerous, while the good aliens are", "foolish and merely amusing. With such an attitude and social position, she believe", "hence the arrogance. Rulu in book and plot --------------------- Aluke is the character", "vain and self-superior? Since I don't know how much information you will need,", "are bad aliens that want to attack Earth, and they must train the", "are utilitarian and fascist, like District 13 from the Hunger Games trilogy. As", "Since I don't know how much information you will need, I will list", "are just helplessly struggling in chaos and have no significance to the story", "More about Aluke ---------------- Aluke herself is pessimistic, selfish and cynical, with no", "while the good aliens are weak and have been hunted for generations, with", "aliens, Aluke feels her previous prestige and attention were taken away, and is", "will need, I will list everything I think might be relevant below, so", "I don't know how much information you will need, I will list everything", "be superior in intellect and power, hence the arrogance. Rulu in book and", "---------------- Aluke herself is pessimistic, selfish and cynical, with no desire to help", "the war with the bad alien. Oh, and even though Aluke is an", "this kind of attention, but find the people paying her such notice to", "as \"Bob\") is innocent, superficially altruistic and acting upon emotional impulses. Aluke is", "not actively seek attention, but is still vain and self-superior? Since I don't", "attention, but find the people paying her such notice to be foolish and", "society is not what most modern readers would consider ideal either—they are utilitarian", "inheritors of leadership, she is also the focal point of the good aliens'", "midst of the good aliens' society is like the arrive of Neo amongst", "still vain and self-superior? Since I don't know how much information you will", "is an alien specimen, consider her to be identical to be a normal", "good aliens Basic biography --------------- Character in question is not the protagonist, but", "consider her to be identical to be a normal human being only raised", "implies that she will inevitably become a support character like Trinity, something she", "that there are bad aliens that want to attack Earth, and they must", "in chaos and have no significance to the story beside something that the", "the bad alien. Oh, and even though Aluke is an alien specimen, consider", "and atmosphere ------------------- The atmosphere is pessimistic and grim-dark-ish, because the bad aliens", "for generations, with one crushing defeat over another. The good aliens' society is", "to defeat the bad aliens. The character in question is one of the", "after it is necessary to portray her as a passive yet arrogant person.", "to deploy against the bad aliens, Aluke feels her previous prestige and attention", "enjoys this kind of attention, but find the people paying her such notice", "to help her species nor empathy for anyone specifically; however, being an experimental", "named Aluke, she is female with no stereotypically feminine traits. She is 17-20", "an alien specimen, consider her to be identical to be a normal human", "is after it is necessary to portray her as a passive yet arrogant", "selfish and acts only so as to advance her own welfare. When the", "a bunch of good aliens. Good aliens tell the boy that there are", "aliens that want to attack Earth, and they must train the boy to", "is also aware, with some of this awareness extending beyond the fourth wall,", "character, if not more important than the protagonist himself. This character is named", "bodies and psychology has no important difference from that of human beings. Tone", "overview ------------- Some monsters attack Earth, the protagonist boy discovers his fancy new", "but find the people paying her such notice to be foolish and merely", "Bob as a tool to deploy against the bad aliens, Aluke feels her", "and is taken by a bunch of good aliens. Good aliens tell the", "that the protagonist thinks he's trying to protect. More about Aluke ---------------- Aluke", "the good aliens' remaining hope. She enjoys this kind of attention, but find", "herself to be superior in intellect and power, hence the arrogance. Rulu in", "the protagonist, but the most important non-protagonist character, if not more important than", "self-superior? Since I don't know how much information you will need, I will", "not the protagonist, but the most important non-protagonist character, if not more important", "also aware, with some of this awareness extending beyond the fourth wall, that", "know how much information you will need, I will list everything I think", "no significance to the story beside something that the protagonist thinks he's trying", "but may be referred to as \"Bob\") is innocent, superficially altruistic and acting", "the arrival of Bob into the midst of the good aliens' society is", "identical to be a normal human being only raised in a different society,", "for the war with the bad alien. Oh, and even though Aluke is", "emotional impulses. Aluke is cynical, calculatingly selfish and acts only so as to", "are unimaginably strong and seemingly infinitely numerous, while the good aliens are weak", "be a normal human being only raised in a different society, because the", "the people paying her such notice to be foolish and merely amusing. With", "book and plot --------------------- Aluke is the character foil of the protagonist, or", "leadership, she is also the focal point of the good aliens' remaining hope.", "consider ideal either—they are utilitarian and fascist, like District 13 from the Hunger", "against the bad aliens, Aluke feels her previous prestige and attention were taken", "difference from that of human beings. Tone and atmosphere ------------------- The atmosphere is", "social position, she believe herself to be superior in intellect and power, hence", "cynical, calculatingly selfish and acts only so as to advance her own welfare.", "the good aliens' society is like the arrive of Neo amongst Morpheus's team,", "good aliens' society is like the arrive of Neo amongst Morpheus's team, like", "a redemption arc, but that is after it is necessary to portray her", "alien's leaders. She was raised as an experimental super-soldier in preparation for the", "to protect. More about Aluke ---------------- Aluke herself is pessimistic, selfish and cynical,", "just helplessly struggling in chaos and have no significance to the story beside", "be referred to as \"Bob\") is innocent, superficially altruistic and acting upon emotional", "Neo amongst Morpheus's team, like it is in The Matrix, which implies that", "amongst Morpheus's team, like it is in The Matrix, which implies that she", "may be referred to as \"Bob\") is innocent, superficially altruistic and acting upon", "is one of the good aliens Basic biography --------------- Character in question is", "she is female with no stereotypically feminine traits. She is 17-20 years old.", "welfare. When the good aliens adopt Bob as a tool to deploy against", "aliens. The character in question is one of the good aliens Basic biography", "thus somewhat spiteful towards Bob. She is also aware, with some of this", "enter a redemption arc, but that is after it is necessary to portray", "it is in The Matrix, which implies that she will inevitably become a", "of good aliens. Good aliens tell the boy that there are bad aliens", "fancy new power and is taken by a bunch of good aliens. Good", "Matrix, which implies that she will inevitably become a support character like Trinity,", "good aliens adopt Bob as a tool to deploy against the bad aliens,", "in The Matrix, which implies that she will inevitably become a support character", "amusing. With such an attitude and social position, she believe herself to be", "is still vain and self-superior? Since I don't know how much information you", "that want to attack Earth, and they must train the boy to defeat", "and power, hence the arrogance. Rulu in book and plot --------------------- Aluke is", "sometimes offer guidance. Aluke will eventually enter a redemption arc, but that is", "the arrive of Neo amongst Morpheus's team, like it is in The Matrix,", "arrive of Neo amongst Morpheus's team, like it is in The Matrix, which", "the bad aliens. The character in question is one of the good aliens", "and social position, she believe herself to be superior in intellect and power,", "boy that there are bad aliens that want to attack Earth, and they", "will inevitably become a support character like Trinity, something she strongly despises. Yet,", "strongly despises. Yet, being the most successful of the super-soldier program, she must", "non-protagonist character, if not more important than the protagonist himself. This character is", "the story beside something that the protagonist thinks he's trying to protect. More", "As to the Earthlings, they are just helplessly struggling in chaos and have", "(currently unnamed but may be referred to as \"Bob\") is innocent, superficially altruistic", "good aliens. Good aliens tell the boy that there are bad aliens that", "adopt Bob as a tool to deploy against the bad aliens, Aluke feels", "think might be relevant below, so you can choose what you think matters", "How can I portray a character who does not actively seek attention, but", "numerous, while the good aliens are weak and have been hunted for generations,", "in intellect and power, hence the arrogance. Rulu in book and plot ---------------------", "and merely amusing. With such an attitude and social position, she believe herself", "the protagonist himself. This character is named Aluke, she is female with no", "and plot --------------------- Aluke is the character foil of the protagonist, or vise", "beside something that the protagonist thinks he's trying to protect. More about Aluke", "vise versa—where the protagonist boy (currently unnamed but may be referred to as", "Earthlings, they are just helplessly struggling in chaos and have no significance to", "and cynical, with no desire to help her species nor empathy for anyone", "her species nor empathy for anyone specifically; however, being an experimental super-soldier and", "preparation for the war with the bad alien. Oh, and even though Aluke", "from the Hunger Games trilogy. As to the Earthlings, they are just helplessly", "------------- Some monsters attack Earth, the protagonist boy discovers his fancy new power", "protagonist himself. This character is named Aluke, she is female with no stereotypically", "chaos and have no significance to the story beside something that the protagonist", "leaders. She was raised as an experimental super-soldier in preparation for the war", "Aluke herself is pessimistic, selfish and cynical, with no desire to help her", "boy (currently unnamed but may be referred to as \"Bob\") is innocent, superficially", "The atmosphere is pessimistic and grim-dark-ish, because the bad aliens are unimaginably strong", "he's trying to protect. More about Aluke ---------------- Aluke herself is pessimistic, selfish", "psychology has no important difference from that of human beings. Tone and atmosphere", "is in The Matrix, which implies that she will inevitably become a support", "Rulu in book and plot --------------------- Aluke is the character foil of the", "be foolish and merely amusing. With such an attitude and social position, she", "trilogy. As to the Earthlings, they are just helplessly struggling in chaos and", "only so as to advance her own welfare. When the good aliens adopt", "Aluke ---------------- Aluke herself is pessimistic, selfish and cynical, with no desire to", "position, she believe herself to be superior in intellect and power, hence the", "to advance her own welfare. When the good aliens adopt Bob as a", "grim-dark-ish, because the bad aliens are unimaginably strong and seemingly infinitely numerous, while", "with one crushing defeat over another. The good aliens' society is not what", "Tone and atmosphere ------------------- The atmosphere is pessimistic and grim-dark-ish, because the bad", "with some of this awareness extending beyond the fourth wall, that the arrival", "but that is after it is necessary to portray her as a passive", "to the Earthlings, they are just helplessly struggling in chaos and have no", "into the midst of the good aliens' society is like the arrive of", "of the expected inheritors of leadership, she is also the focal point of", "she believe herself to be superior in intellect and power, hence the arrogance.", "like the arrive of Neo amongst Morpheus's team, like it is in The", "like District 13 from the Hunger Games trilogy. As to the Earthlings, they", "is obliged to sometimes offer guidance. Aluke will eventually enter a redemption arc,", "an attitude and social position, she believe herself to be superior in intellect", "desire to help her species nor empathy for anyone specifically; however, being an", "her to be identical to be a normal human being only raised in", "acting upon emotional impulses. Aluke is cynical, calculatingly selfish and acts only so", "different society, because the good aliens' bodies and psychology has no important difference", "that the arrival of Bob into the midst of the good aliens' society", "but the most important non-protagonist character, if not more important than the protagonist", "character is named Aluke, she is female with no stereotypically feminine traits. She", "generations, with one crushing defeat over another. The good aliens' society is not", "defeat over another. The good aliens' society is not what most modern readers", "This character is named Aluke, she is female with no stereotypically feminine traits.", "the most important non-protagonist character, if not more important than the protagonist himself.", "arc, but that is after it is necessary to portray her as a", "\"Bob\") is innocent, superficially altruistic and acting upon emotional impulses. Aluke is cynical,", "bad aliens, Aluke feels her previous prestige and attention were taken away, and", "power, hence the arrogance. Rulu in book and plot --------------------- Aluke is the", "superior in intellect and power, hence the arrogance. Rulu in book and plot", "as an experimental super-soldier in preparation for the war with the bad alien.", "can choose what you think matters to read: Plot overview ------------- Some monsters", "good aliens' society is not what most modern readers would consider ideal either—they", "of leadership, she is also the focal point of the good aliens' remaining", "redemption arc, but that is after it is necessary to portray her as", "to be foolish and merely amusing. With such an attitude and social position,", "modern readers would consider ideal either—they are utilitarian and fascist, like District 13", "even though Aluke is an alien specimen, consider her to be identical to", "was raised as an experimental super-soldier in preparation for the war with the", "arrogance. Rulu in book and plot --------------------- Aluke is the character foil of", "The good aliens' society is not what most modern readers would consider ideal", "being the most successful of the super-soldier program, she must train alongside Bob", "story beside something that the protagonist thinks he's trying to protect. More about", "an experimental super-soldier in preparation for the war with the bad alien. Oh,", "Good aliens tell the boy that there are bad aliens that want to", "is 17-20 years old. Her parents are the good alien's leaders. She was", "raised as an experimental super-soldier in preparation for the war with the bad", "bad aliens. The character in question is one of the good aliens Basic", "extending beyond the fourth wall, that the arrival of Bob into the midst", "program, she must train alongside Bob and is obliged to sometimes offer guidance.", "attitude and social position, she believe herself to be superior in intellect and", "a tool to deploy against the bad aliens, Aluke feels her previous prestige", "to as \"Bob\") is innocent, superficially altruistic and acting upon emotional impulses. Aluke", "something that the protagonist thinks he's trying to protect. More about Aluke ----------------", "will list everything I think might be relevant below, so you can choose", "monsters attack Earth, the protagonist boy discovers his fancy new power and is", "District 13 from the Hunger Games trilogy. As to the Earthlings, they are", "to be a normal human being only raised in a different society, because", "innocent, superficially altruistic and acting upon emotional impulses. Aluke is cynical, calculatingly selfish", "to be identical to be a normal human being only raised in a", "like it is in The Matrix, which implies that she will inevitably become", "alien. Oh, and even though Aluke is an alien specimen, consider her to", "by a bunch of good aliens. Good aliens tell the boy that there", "everything I think might be relevant below, so you can choose what you", "fourth wall, that the arrival of Bob into the midst of the good", "much information you will need, I will list everything I think might be", "most important non-protagonist character, if not more important than the protagonist himself. This", "previous prestige and attention were taken away, and is thus somewhat spiteful towards", "no stereotypically feminine traits. She is 17-20 years old. Her parents are the", "society, because the good aliens' bodies and psychology has no important difference from", "character in question is one of the good aliens Basic biography --------------- Character", "discovers his fancy new power and is taken by a bunch of good", "The character in question is one of the good aliens Basic biography ---------------", "prestige and attention were taken away, and is thus somewhat spiteful towards Bob.", "guidance. Aluke will eventually enter a redemption arc, but that is after it", "either—they are utilitarian and fascist, like District 13 from the Hunger Games trilogy.", "matters to read: Plot overview ------------- Some monsters attack Earth, the protagonist boy", "herself is pessimistic, selfish and cynical, with no desire to help her species", "and acting upon emotional impulses. Aluke is cynical, calculatingly selfish and acts only", "Character in question is not the protagonist, but the most important non-protagonist character,", "some of this awareness extending beyond the fourth wall, that the arrival of", "important non-protagonist character, if not more important than the protagonist himself. This character", "another. The good aliens' society is not what most modern readers would consider", "impulses. Aluke is cynical, calculatingly selfish and acts only so as to advance", "in a different society, because the good aliens' bodies and psychology has no", "With such an attitude and social position, she believe herself to be superior", "despises. Yet, being the most successful of the super-soldier program, she must train", "17-20 years old. Her parents are the good alien's leaders. She was raised", "acts only so as to advance her own welfare. When the good aliens", "need, I will list everything I think might be relevant below, so you", "thinks he's trying to protect. More about Aluke ---------------- Aluke herself is pessimistic,", "point of the good aliens' remaining hope. She enjoys this kind of attention,", "important difference from that of human beings. Tone and atmosphere ------------------- The atmosphere", "train alongside Bob and is obliged to sometimes offer guidance. Aluke will eventually", "of the good aliens' society is like the arrive of Neo amongst Morpheus's", "biography --------------- Character in question is not the protagonist, but the most important", "such notice to be foolish and merely amusing. With such an attitude and", "character foil of the protagonist, or vise versa—where the protagonist boy (currently unnamed", "the Hunger Games trilogy. As to the Earthlings, they are just helplessly struggling", "cynical, with no desire to help her species nor empathy for anyone specifically;", "want to attack Earth, and they must train the boy to defeat the", "portray a character who does not actively seek attention, but is still vain", "Morpheus's team, like it is in The Matrix, which implies that she will", "alien specimen, consider her to be identical to be a normal human being", "the good aliens are weak and have been hunted for generations, with one", "most modern readers would consider ideal either—they are utilitarian and fascist, like District", "deploy against the bad aliens, Aluke feels her previous prestige and attention were", "she strongly despises. Yet, being the most successful of the super-soldier program, she", "old. Her parents are the good alien's leaders. She was raised as an", "hunted for generations, with one crushing defeat over another. The good aliens' society", "taken by a bunch of good aliens. Good aliens tell the boy that", "not what most modern readers would consider ideal either—they are utilitarian and fascist,", "Aluke is cynical, calculatingly selfish and acts only so as to advance her", "good aliens' bodies and psychology has no important difference from that of human", "and is obliged to sometimes offer guidance. Aluke will eventually enter a redemption", "but is still vain and self-superior? Since I don't know how much information", "are weak and have been hunted for generations, with one crushing defeat over", "bad aliens are unimaginably strong and seemingly infinitely numerous, while the good aliens", "aliens' remaining hope. She enjoys this kind of attention, but find the people", "must train alongside Bob and is obliged to sometimes offer guidance. Aluke will", "power and is taken by a bunch of good aliens. Good aliens tell", "people paying her such notice to be foolish and merely amusing. With such", "is also the focal point of the good aliens' remaining hope. She enjoys", "attack Earth, and they must train the boy to defeat the bad aliens.", "calculatingly selfish and acts only so as to advance her own welfare. When", "normal human being only raised in a different society, because the good aliens'", "fascist, like District 13 from the Hunger Games trilogy. As to the Earthlings,", "attention were taken away, and is thus somewhat spiteful towards Bob. She is", "and have been hunted for generations, with one crushing defeat over another. The", "with the bad alien. Oh, and even though Aluke is an alien specimen,", "feels her previous prestige and attention were taken away, and is thus somewhat", "the good aliens Basic biography --------------- Character in question is not the protagonist,", "choose what you think matters to read: Plot overview ------------- Some monsters attack", "have no significance to the story beside something that the protagonist thinks he's", "think matters to read: Plot overview ------------- Some monsters attack Earth, the protagonist", "Her parents are the good alien's leaders. She was raised as an experimental", "about Aluke ---------------- Aluke herself is pessimistic, selfish and cynical, with no desire", "remaining hope. She enjoys this kind of attention, but find the people paying", "this awareness extending beyond the fourth wall, that the arrival of Bob into", "I think might be relevant below, so you can choose what you think", "unnamed but may be referred to as \"Bob\") is innocent, superficially altruistic and", "be identical to be a normal human being only raised in a different", "attack Earth, the protagonist boy discovers his fancy new power and is taken", "traits. She is 17-20 years old. Her parents are the good alien's leaders.", "altruistic and acting upon emotional impulses. Aluke is cynical, calculatingly selfish and acts", "and psychology has no important difference from that of human beings. Tone and", "species nor empathy for anyone specifically; however, being an experimental super-soldier and one", "question is one of the good aliens Basic biography --------------- Character in question", "super-soldier in preparation for the war with the bad alien. Oh, and even", "and acts only so as to advance her own welfare. When the good", "beyond the fourth wall, that the arrival of Bob into the midst of", "because the good aliens' bodies and psychology has no important difference from that", "Aluke will eventually enter a redemption arc, but that is after it is", "being only raised in a different society, because the good aliens' bodies and", "does not actively seek attention, but is still vain and self-superior? Since I", "defeat the bad aliens. The character in question is one of the good", "than the protagonist himself. This character is named Aluke, she is female with", "human being only raised in a different society, because the good aliens' bodies", "wall, that the arrival of Bob into the midst of the good aliens'", "I will list everything I think might be relevant below, so you can", "13 from the Hunger Games trilogy. As to the Earthlings, they are just", "there are bad aliens that want to attack Earth, and they must train", "the midst of the good aliens' society is like the arrive of Neo", "she will inevitably become a support character like Trinity, something she strongly despises.", "so you can choose what you think matters to read: Plot overview -------------", "the good alien's leaders. She was raised as an experimental super-soldier in preparation", "years old. Her parents are the good alien's leaders. She was raised as", "kind of attention, but find the people paying her such notice to be", "She was raised as an experimental super-soldier in preparation for the war with", "crushing defeat over another. The good aliens' society is not what most modern", "war with the bad alien. Oh, and even though Aluke is an alien", "what most modern readers would consider ideal either—they are utilitarian and fascist, like", "Some monsters attack Earth, the protagonist boy discovers his fancy new power and", "you think matters to read: Plot overview ------------- Some monsters attack Earth, the", "will eventually enter a redemption arc, but that is after it is necessary", "--------------------- Aluke is the character foil of the protagonist, or vise versa—where the", "is not what most modern readers would consider ideal either—they are utilitarian and", "Bob into the midst of the good aliens' society is like the arrive", "in question is not the protagonist, but the most important non-protagonist character, if", "you will need, I will list everything I think might be relevant below,", "strong and seemingly infinitely numerous, while the good aliens are weak and have", "the fourth wall, that the arrival of Bob into the midst of the", "one of the good aliens Basic biography --------------- Character in question is not", "empathy for anyone specifically; however, being an experimental super-soldier and one of the", "and fascist, like District 13 from the Hunger Games trilogy. As to the", "being an experimental super-soldier and one of the expected inheritors of leadership, she", "is the character foil of the protagonist, or vise versa—where the protagonist boy", "somewhat spiteful towards Bob. She is also aware, with some of this awareness", "aliens' bodies and psychology has no important difference from that of human beings.", "the bad aliens, Aluke feels her previous prestige and attention were taken away,", "become a support character like Trinity, something she strongly despises. Yet, being the", "if not more important than the protagonist himself. This character is named Aluke,", "one crushing defeat over another. The good aliens' society is not what most", "the protagonist, or vise versa—where the protagonist boy (currently unnamed but may be", "protagonist, or vise versa—where the protagonist boy (currently unnamed but may be referred", "is taken by a bunch of good aliens. Good aliens tell the boy", "the character foil of the protagonist, or vise versa—where the protagonist boy (currently", "of the protagonist, or vise versa—where the protagonist boy (currently unnamed but may", "character like Trinity, something she strongly despises. Yet, being the most successful of", "Plot overview ------------- Some monsters attack Earth, the protagonist boy discovers his fancy", "and even though Aluke is an alien specimen, consider her to be identical", "how much information you will need, I will list everything I think might", "the bad aliens are unimaginably strong and seemingly infinitely numerous, while the good", "a support character like Trinity, something she strongly despises. Yet, being the most", "and attention were taken away, and is thus somewhat spiteful towards Bob. She", "the protagonist boy (currently unnamed but may be referred to as \"Bob\") is", "she is also the focal point of the good aliens' remaining hope. She", "of Bob into the midst of the good aliens' society is like the", "expected inheritors of leadership, she is also the focal point of the good", "might be relevant below, so you can choose what you think matters to", "to attack Earth, and they must train the boy to defeat the bad", "Bob. She is also aware, with some of this awareness extending beyond the", "referred to as \"Bob\") is innocent, superficially altruistic and acting upon emotional impulses.", "superficially altruistic and acting upon emotional impulses. Aluke is cynical, calculatingly selfish and", "Bob and is obliged to sometimes offer guidance. Aluke will eventually enter a", "and self-superior? Since I don't know how much information you will need, I", "her previous prestige and attention were taken away, and is thus somewhat spiteful", "must train the boy to defeat the bad aliens. The character in question", "important than the protagonist himself. This character is named Aluke, she is female", "what you think matters to read: Plot overview ------------- Some monsters attack Earth,", "the good aliens adopt Bob as a tool to deploy against the bad", "character who does not actively seek attention, but is still vain and self-superior?", "inevitably become a support character like Trinity, something she strongly despises. Yet, being", "struggling in chaos and have no significance to the story beside something that", "of Neo amongst Morpheus's team, like it is in The Matrix, which implies", "bad aliens that want to attack Earth, and they must train the boy", "She enjoys this kind of attention, but find the people paying her such", "an experimental super-soldier and one of the expected inheritors of leadership, she is", "utilitarian and fascist, like District 13 from the Hunger Games trilogy. As to", "support character like Trinity, something she strongly despises. Yet, being the most successful", "for anyone specifically; however, being an experimental super-soldier and one of the expected", "Aluke is an alien specimen, consider her to be identical to be a", "his fancy new power and is taken by a bunch of good aliens.", "and they must train the boy to defeat the bad aliens. The character", "the focal point of the good aliens' remaining hope. She enjoys this kind", "She is also aware, with some of this awareness extending beyond the fourth", "super-soldier program, she must train alongside Bob and is obliged to sometimes offer", "aliens Basic biography --------------- Character in question is not the protagonist, but the", "super-soldier and one of the expected inheritors of leadership, she is also the", "as to advance her own welfare. When the good aliens adopt Bob as", "good aliens' remaining hope. She enjoys this kind of attention, but find the", "no important difference from that of human beings. Tone and atmosphere ------------------- The", "unimaginably strong and seemingly infinitely numerous, while the good aliens are weak and", "from that of human beings. Tone and atmosphere ------------------- The atmosphere is pessimistic", "the Earthlings, they are just helplessly struggling in chaos and have no significance", "is cynical, calculatingly selfish and acts only so as to advance her own", "pessimistic, selfish and cynical, with no desire to help her species nor empathy", "alongside Bob and is obliged to sometimes offer guidance. Aluke will eventually enter", "hope. She enjoys this kind of attention, but find the people paying her", "as a tool to deploy against the bad aliens, Aluke feels her previous", "protagonist boy (currently unnamed but may be referred to as \"Bob\") is innocent,", "attention, but is still vain and self-superior? Since I don't know how much", "I portray a character who does not actively seek attention, but is still", "specimen, consider her to be identical to be a normal human being only", "Games trilogy. As to the Earthlings, they are just helplessly struggling in chaos", "protect. More about Aluke ---------------- Aluke herself is pessimistic, selfish and cynical, with", "the arrogance. Rulu in book and plot --------------------- Aluke is the character foil", "aliens adopt Bob as a tool to deploy against the bad aliens, Aluke", "readers would consider ideal either—they are utilitarian and fascist, like District 13 from", "in book and plot --------------------- Aluke is the character foil of the protagonist,", "When the good aliens adopt Bob as a tool to deploy against the", "focal point of the good aliens' remaining hope. She enjoys this kind of", "Aluke, she is female with no stereotypically feminine traits. She is 17-20 years", "specifically; however, being an experimental super-soldier and one of the expected inheritors of", "train the boy to defeat the bad aliens. The character in question is", "one of the expected inheritors of leadership, she is also the focal point", "something she strongly despises. Yet, being the most successful of the super-soldier program,", "selfish and cynical, with no desire to help her species nor empathy for", "believe herself to be superior in intellect and power, hence the arrogance. Rulu", "such an attitude and social position, she believe herself to be superior in", "Basic biography --------------- Character in question is not the protagonist, but the most", "taken away, and is thus somewhat spiteful towards Bob. She is also aware,", "actively seek attention, but is still vain and self-superior? Since I don't know", "in question is one of the good aliens Basic biography --------------- Character in", "most successful of the super-soldier program, she must train alongside Bob and is", "which implies that she will inevitably become a support character like Trinity, something", "experimental super-soldier in preparation for the war with the bad alien. Oh, and", "her own welfare. When the good aliens adopt Bob as a tool to", "the expected inheritors of leadership, she is also the focal point of the", "only raised in a different society, because the good aliens' bodies and psychology", "the good aliens' bodies and psychology has no important difference from that of", "paying her such notice to be foolish and merely amusing. With such an", "the protagonist thinks he's trying to protect. More about Aluke ---------------- Aluke herself", "in preparation for the war with the bad alien. Oh, and even though", "of the super-soldier program, she must train alongside Bob and is obliged to", "experimental super-soldier and one of the expected inheritors of leadership, she is also", "good alien's leaders. She was raised as an experimental super-soldier in preparation for", "arrival of Bob into the midst of the good aliens' society is like", "is pessimistic, selfish and cynical, with no desire to help her species nor", "of attention, but find the people paying her such notice to be foolish", "don't know how much information you will need, I will list everything I", "nor empathy for anyone specifically; however, being an experimental super-soldier and one of", "and seemingly infinitely numerous, while the good aliens are weak and have been", "protagonist thinks he's trying to protect. More about Aluke ---------------- Aluke herself is", "merely amusing. With such an attitude and social position, she believe herself to", "The Matrix, which implies that she will inevitably become a support character like", "Hunger Games trilogy. As to the Earthlings, they are just helplessly struggling in", "to sometimes offer guidance. Aluke will eventually enter a redemption arc, but that", "aliens. Good aliens tell the boy that there are bad aliens that want", "feminine traits. She is 17-20 years old. Her parents are the good alien's", "human beings. Tone and atmosphere ------------------- The atmosphere is pessimistic and grim-dark-ish, because", "significance to the story beside something that the protagonist thinks he's trying to", "bad alien. Oh, and even though Aluke is an alien specimen, consider her", "and one of the expected inheritors of leadership, she is also the focal", "been hunted for generations, with one crushing defeat over another. The good aliens'", "over another. The good aliens' society is not what most modern readers would", "foil of the protagonist, or vise versa—where the protagonist boy (currently unnamed but", "beings. Tone and atmosphere ------------------- The atmosphere is pessimistic and grim-dark-ish, because the", "also the focal point of the good aliens' remaining hope. She enjoys this", "or vise versa—where the protagonist boy (currently unnamed but may be referred to", "of the good aliens Basic biography --------------- Character in question is not the", "were taken away, and is thus somewhat spiteful towards Bob. She is also", "is named Aluke, she is female with no stereotypically feminine traits. She is", "and is thus somewhat spiteful towards Bob. She is also aware, with some", "team, like it is in The Matrix, which implies that she will inevitably", "find the people paying her such notice to be foolish and merely amusing.", "that she will inevitably become a support character like Trinity, something she strongly", "trying to protect. More about Aluke ---------------- Aluke herself is pessimistic, selfish and", "they must train the boy to defeat the bad aliens. The character in", "himself. This character is named Aluke, she is female with no stereotypically feminine", "to the story beside something that the protagonist thinks he's trying to protect.", "aliens are weak and have been hunted for generations, with one crushing defeat", "good aliens are weak and have been hunted for generations, with one crushing", "the super-soldier program, she must train alongside Bob and is obliged to sometimes", "you can choose what you think matters to read: Plot overview ------------- Some", "have been hunted for generations, with one crushing defeat over another. The good", "help her species nor empathy for anyone specifically; however, being an experimental super-soldier", "relevant below, so you can choose what you think matters to read: Plot", "seek attention, but is still vain and self-superior? Since I don't know how", "stereotypically feminine traits. She is 17-20 years old. Her parents are the good", "information you will need, I will list everything I think might be relevant", "of the good aliens' remaining hope. She enjoys this kind of attention, but", "list everything I think might be relevant below, so you can choose what", "protagonist boy discovers his fancy new power and is taken by a bunch", "raised in a different society, because the good aliens' bodies and psychology has", "no desire to help her species nor empathy for anyone specifically; however, being", "upon emotional impulses. Aluke is cynical, calculatingly selfish and acts only so as", "the protagonist boy discovers his fancy new power and is taken by a", "a normal human being only raised in a different society, because the good", "weak and have been hunted for generations, with one crushing defeat over another.", "helplessly struggling in chaos and have no significance to the story beside something", "obliged to sometimes offer guidance. Aluke will eventually enter a redemption arc, but", "that is after it is necessary to portray her as a passive yet", "boy to defeat the bad aliens. The character in question is one of", "is thus somewhat spiteful towards Bob. She is also aware, with some of", "atmosphere is pessimistic and grim-dark-ish, because the bad aliens are unimaginably strong and", "atmosphere ------------------- The atmosphere is pessimistic and grim-dark-ish, because the bad aliens are", "would consider ideal either—they are utilitarian and fascist, like District 13 from the", "with no stereotypically feminine traits. She is 17-20 years old. Her parents are", "they are just helplessly struggling in chaos and have no significance to the", "of this awareness extending beyond the fourth wall, that the arrival of Bob", "Aluke is the character foil of the protagonist, or vise versa—where the protagonist", "to read: Plot overview ------------- Some monsters attack Earth, the protagonist boy discovers", "Earth, the protagonist boy discovers his fancy new power and is taken by", "aliens' society is like the arrive of Neo amongst Morpheus's team, like it", "Oh, and even though Aluke is an alien specimen, consider her to be", "is female with no stereotypically feminine traits. She is 17-20 years old. Her", "however, being an experimental super-soldier and one of the expected inheritors of leadership,", "own welfare. When the good aliens adopt Bob as a tool to deploy", "seemingly infinitely numerous, while the good aliens are weak and have been hunted", "Trinity, something she strongly despises. Yet, being the most successful of the super-soldier", "Earth, and they must train the boy to defeat the bad aliens. The", "boy discovers his fancy new power and is taken by a bunch of", "offer guidance. Aluke will eventually enter a redemption arc, but that is after", "can I portray a character who does not actively seek attention, but is", "aware, with some of this awareness extending beyond the fourth wall, that the", "protagonist, but the most important non-protagonist character, if not more important than the", "--------------- Character in question is not the protagonist, but the most important non-protagonist", "be relevant below, so you can choose what you think matters to read:", "a different society, because the good aliens' bodies and psychology has no important", "the most successful of the super-soldier program, she must train alongside Bob and", "of human beings. Tone and atmosphere ------------------- The atmosphere is pessimistic and grim-dark-ish,", "though Aluke is an alien specimen, consider her to be identical to be", "society is like the arrive of Neo amongst Morpheus's team, like it is", "tool to deploy against the bad aliens, Aluke feels her previous prestige and", "intellect and power, hence the arrogance. Rulu in book and plot --------------------- Aluke", "Aluke feels her previous prestige and attention were taken away, and is thus", "new power and is taken by a bunch of good aliens. Good aliens", "the boy that there are bad aliens that want to attack Earth, and", "spiteful towards Bob. She is also aware, with some of this awareness extending", "She is 17-20 years old. Her parents are the good alien's leaders. She", "anyone specifically; however, being an experimental super-soldier and one of the expected inheritors", "is not the protagonist, but the most important non-protagonist character, if not more", "notice to be foolish and merely amusing. With such an attitude and social", "eventually enter a redemption arc, but that is after it is necessary to", "versa—where the protagonist boy (currently unnamed but may be referred to as \"Bob\")", "aliens tell the boy that there are bad aliens that want to attack", "bunch of good aliens. Good aliens tell the boy that there are bad", "with no desire to help her species nor empathy for anyone specifically; however,", "that of human beings. Tone and atmosphere ------------------- The atmosphere is pessimistic and", "because the bad aliens are unimaginably strong and seemingly infinitely numerous, while the", "is like the arrive of Neo amongst Morpheus's team, like it is in", "towards Bob. She is also aware, with some of this awareness extending beyond", "away, and is thus somewhat spiteful towards Bob. She is also aware, with", "tell the boy that there are bad aliens that want to attack Earth," ]
[ "an application, that would allow me to collect these aphorisms as single \"files\"", "export them to printable formats like docx, odt, pdf, ... I am aware,", "To cut it short, since I keep on producing and am now also", "to find a better way to collect these bits. In practice I am", "I have been writing aphorisms for the most part of my life. Up", "it comes to e.g. clarity of arrangement. I hope somebody has some experience", "way to collect these bits. In practice I am looking for an application,", "subcollections, and maybe most importantly: export them to printable formats like docx, odt,", "paper) notebooks. From time to time I copied them to a MS-Word-file, which", "at least a part of these functionalities, but that which I tried are", "I am aware, that most reference managers would in some way offer at", "as single \"files\" or \"quotes\", reject duplicates, sort the \"files\" alphabetically, rearrange them", "\"quotes\", reject duplicates, sort the \"files\" alphabetically, rearrange them into subcollections, and maybe", "arrangement. I hope somebody has some experience on the subject! PS I'm on", "least a part of these functionalities, but that which I tried are still", "these functionalities, but that which I tried are still very limited when it", "that which I tried are still very limited when it comes to e.g.", "In practice I am looking for an application, that would allow me to", "keep on producing and am now also keen on arranging them into collections,", "I tried are still very limited when it comes to e.g. clarity of", "bits. 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I hope somebody has some experience on the subject!", "aware, that most reference managers would in some way offer at least a", "single \"files\" or \"quotes\", reject duplicates, sort the \"files\" alphabetically, rearrange them into", "most part of my life. Up to now, I noted them down in", "of these functionalities, but that which I tried are still very limited when", "to printable formats like docx, odt, pdf, ... I am aware, that most", "now, I noted them down in (real-life, paper) notebooks. From time to time", "part of my life. Up to now, I noted them down in (real-life,", "which has now swollen to about 100 pages. To cut it short, since", "arranging them into collections, sections... it would probably smart to find a better", "down in (real-life, paper) notebooks. From time to time I copied them to", "a part of these functionalities, but that which I tried are still very", "... I am aware, that most reference managers would in some way offer", "my life. Up to now, I noted them down in (real-life, paper) notebooks.", "the most part of my life. Up to now, I noted them down", "I noted them down in (real-life, paper) notebooks. From time to time I", "some way offer at least a part of these functionalities, but that which", "life. Up to now, I noted them down in (real-life, paper) notebooks. From", "time I copied them to a MS-Word-file, which has now swollen to about", "most importantly: export them to printable formats like docx, odt, pdf, ... I", "that most reference managers would in some way offer at least a part", "writing aphorisms for the most part of my life. Up to now, I", "reject duplicates, sort the \"files\" alphabetically, rearrange them into subcollections, and maybe most", "I am looking for an application, that would allow me to collect these", "clarity of arrangement. I hope somebody has some experience on the subject! PS", "of arrangement. I hope somebody has some experience on the subject! PS I'm", "comes to e.g. clarity of arrangement. I hope somebody has some experience on", "notebooks. From time to time I copied them to a MS-Word-file, which has", "to about 100 pages. To cut it short, since I keep on producing", "From time to time I copied them to a MS-Word-file, which has now", "swollen to about 100 pages. To cut it short, since I keep on", "Up to now, I noted them down in (real-life, paper) notebooks. From time", "to now, I noted them down in (real-life, paper) notebooks. From time to", "to a MS-Word-file, which has now swollen to about 100 pages. To cut", "application, that would allow me to collect these aphorisms as single \"files\" or", "them to printable formats like docx, odt, pdf, ... I am aware, that", "have been writing aphorisms for the most part of my life. Up to", "offer at least a part of these functionalities, but that which I tried", "them into subcollections, and maybe most importantly: export them to printable formats like", "a better way to collect these bits. In practice I am looking for", "printable formats like docx, odt, pdf, ... I am aware, that most reference", "and am now also keen on arranging them into collections, sections... it would", "somebody has some experience on the subject! PS I'm on Mac OS 10.12", "rearrange them into subcollections, and maybe most importantly: export them to printable formats", "odt, pdf, ... I am aware, that most reference managers would in some", "on arranging them into collections, sections... it would probably smart to find a", "in (real-life, paper) notebooks. From time to time I copied them to a", "to collect these bits. In practice I am looking for an application, that", "formats like docx, odt, pdf, ... I am aware, that most reference managers", "also keen on arranging them into collections, sections... it would probably smart to", "better way to collect these bits. In practice I am looking for an", "I keep on producing and am now also keen on arranging them into", "pdf, ... I am aware, that most reference managers would in some way", "most reference managers would in some way offer at least a part of", "me to collect these aphorisms as single \"files\" or \"quotes\", reject duplicates, sort", "time to time I copied them to a MS-Word-file, which has now swollen", "collections, sections... it would probably smart to find a better way to collect", "or \"quotes\", reject duplicates, sort the \"files\" alphabetically, rearrange them into subcollections, and", "them down in (real-life, paper) notebooks. From time to time I copied them", "the \"files\" alphabetically, rearrange them into subcollections, and maybe most importantly: export them", "copied them to a MS-Word-file, which has now swollen to about 100 pages.", "it would probably smart to find a better way to collect these bits.", "would in some way offer at least a part of these functionalities, but", "(real-life, paper) notebooks. From time to time I copied them to a MS-Word-file,", "would allow me to collect these aphorisms as single \"files\" or \"quotes\", reject", "now swollen to about 100 pages. To cut it short, since I keep", "aphorisms for the most part of my life. Up to now, I noted", "alphabetically, rearrange them into subcollections, and maybe most importantly: export them to printable", "to collect these aphorisms as single \"files\" or \"quotes\", reject duplicates, sort the", "are still very limited when it comes to e.g. clarity of arrangement. I", "that would allow me to collect these aphorisms as single \"files\" or \"quotes\",", "these bits. In practice I am looking for an application, that would allow", "when it comes to e.g. clarity of arrangement. I hope somebody has some", "has now swollen to about 100 pages. To cut it short, since I", "managers would in some way offer at least a part of these functionalities,", "but that which I tried are still very limited when it comes to" ]
[ "and tragedy give me negative results when my stories are read and is", "writing about things like suicide, self-harm, and tragedy give me negative results when", "results when my stories are read and is it best just to avoid", "when my stories are read and is it best just to avoid these", "things like suicide, self-harm, and tragedy give me negative results when my stories", "about things like suicide, self-harm, and tragedy give me negative results when my", "tragedy give me negative results when my stories are read and is it", "Will writing about things like suicide, self-harm, and tragedy give me negative results", "give me negative results when my stories are read and is it best", "negative results when my stories are read and is it best just to", "suicide, self-harm, and tragedy give me negative results when my stories are read", "stories are read and is it best just to avoid these subjects all", "are read and is it best just to avoid these subjects all together?", "me negative results when my stories are read and is it best just", "my stories are read and is it best just to avoid these subjects", "like suicide, self-harm, and tragedy give me negative results when my stories are", "self-harm, and tragedy give me negative results when my stories are read and" ]
[ "stories on hold because either I am not able to post them at", "they are incomplete and do not plan to finish them anytime soon. When", "a month or two, or do I look for inspiration and continue writing?", "google docs folder for a month or two, or do I look for", "it comes to the second scenario, what do I do with the story?", "time, or they are incomplete and do not plan to finish them anytime", "finish them anytime soon. When it comes to the second scenario, what do", "soon. When it comes to the second scenario, what do I do with", "on hold because either I am not able to post them at the", "the time, or they are incomplete and do not plan to finish them", "my google docs folder for a month or two, or do I look", "am not able to post them at the time, or they are incomplete", "When it comes to the second scenario, what do I do with the", "story? Do I just leave it rotting in my google docs folder for", "several stories on hold because either I am not able to post them", "I just leave it rotting in my google docs folder for a month", "docs folder for a month or two, or do I look for inspiration", "because either I am not able to post them at the time, or", "do not plan to finish them anytime soon. When it comes to the", "scenario, what do I do with the story? Do I just leave it", "the second scenario, what do I do with the story? Do I just", "leave it rotting in my google docs folder for a month or two,", "folder for a month or two, or do I look for inspiration and", "with the story? Do I just leave it rotting in my google docs", "for a month or two, or do I look for inspiration and continue", "the story? Do I just leave it rotting in my google docs folder", "I have several stories on hold because either I am not able to", "either I am not able to post them at the time, or they", "incomplete and do not plan to finish them anytime soon. When it comes", "to the second scenario, what do I do with the story? Do I", "I am not able to post them at the time, or they are", "to finish them anytime soon. When it comes to the second scenario, what", "hold because either I am not able to post them at the time,", "or they are incomplete and do not plan to finish them anytime soon.", "just leave it rotting in my google docs folder for a month or", "not able to post them at the time, or they are incomplete and", "are incomplete and do not plan to finish them anytime soon. When it", "do I do with the story? Do I just leave it rotting in", "and do not plan to finish them anytime soon. When it comes to", "plan to finish them anytime soon. When it comes to the second scenario,", "do with the story? Do I just leave it rotting in my google", "to post them at the time, or they are incomplete and do not", "in my google docs folder for a month or two, or do I", "anytime soon. When it comes to the second scenario, what do I do", "them anytime soon. When it comes to the second scenario, what do I", "comes to the second scenario, what do I do with the story? Do", "them at the time, or they are incomplete and do not plan to", "I do with the story? Do I just leave it rotting in my", "have several stories on hold because either I am not able to post", "what do I do with the story? Do I just leave it rotting", "it rotting in my google docs folder for a month or two, or", "rotting in my google docs folder for a month or two, or do", "Do I just leave it rotting in my google docs folder for a", "post them at the time, or they are incomplete and do not plan", "at the time, or they are incomplete and do not plan to finish", "second scenario, what do I do with the story? Do I just leave", "able to post them at the time, or they are incomplete and do", "not plan to finish them anytime soon. When it comes to the second" ]
[ "happily ever after etc.) I wonder if it would be possible to re-create", "that it will be difficult to see consistently comprehensible actions from such a", "character I describe is in fact reflective of somebody I know in real", "justification for these behaviours, and that they don't see these actions to be", "said that while these exercises are interesting or beautiful, they are not meaningful", "day by day on trivial concerns--the pursuit of food, shelter and idle comfort,", "actions from such a character, in other words, such a character will not", "and art, and often create things in these media, but they said that", "\"hollow and ridiculous\", as the person says. This inevitably implies that the person", "that are all constituent of the same goal. Instead, such a character would", "my intuition is that it will be difficult to see consistently comprehensible actions", "to the happenings of any plot, and would thus only be suitable as", "limited, and there might be precedents of such characters being successfully portrayed in", "somebody I know in real life--a kind of nihilist who finds all pursuits", "to re-create such a person in fiction; my intuition is that it will", "However, they said that there is no rational justification for these behaviours, and", "to \"depravities\" including violence and substance abuse on an intellectual level. Beside these,", "learn a skill; earn money with skill; use money to buy a house", "concerns--the pursuit of food, shelter and idle comfort, as opposed to the long-term-goal-oriented", "nihilist, this person is in fact abstinent and holds many socially progressive views", "art, and often create things in these media, but they said that while", "The character I describe is in fact reflective of somebody I know in", "be suitable as a secondary character whom the main characters observe externally. However,", "on an intellectual level. Beside these, this person also has talents in programming", "that there is no rational justification for these behaviours, and that they don't", "character whom the main characters observe externally. However, my understanding of literature is", "a skill; earn money with skill; use money to buy a house and", "whom I know in real-life developed their nihilistic attitude from religious/philosophical disillusionment, as", "and substance abuse on an intellectual level. Beside these, this person also has", "reflective of somebody I know in real life--a kind of nihilist who finds", "in real life--a kind of nihilist who finds all pursuits and goals \"hollow", "and live happily ever after etc.) I wonder if it would be possible", "I wonder if it would be possible to re-create such a person in", "others. (e.g.: go to school to learn a skill; earn money with skill;", "buy a house and live happily ever after etc.) I wonder if it", "observe externally. However, my understanding of literature is limited, and there might be", "see these actions to be morally superior to \"depravities\" including violence and substance", "talents in programming and art, and often create things in these media, but", "in these media, but they said that while these exercises are interesting or", "characters observe externally. However, my understanding of literature is limited, and there might", "character would only react to the happenings of any plot, and would thus", "wonder if it would be possible to re-create such a person in fiction;", "might be precedents of such characters being successfully portrayed in other roles. Addendum:", "main characters observe externally. However, my understanding of literature is limited, and there", "substance abuse on an intellectual level. Beside these, this person also has talents", "abstinent and holds many socially progressive views and principles. However, they said that", "successfully portrayed in other roles. Addendum: This person whom I know in real-life", "in other roles. Addendum: This person whom I know in real-life developed their", "these, this person also has talents in programming and art, and often create", "as they describe. Unlike the typical hedonistic stereotype of a nihilist, this person", "violence and substance abuse on an intellectual level. Beside these, this person also", "they said that while these exercises are interesting or beautiful, they are not", "of most others. (e.g.: go to school to learn a skill; earn money", "and goals \"hollow and ridiculous\", as the person says. This inevitably implies that", "that the person in question live day by day on trivial concerns--the pursuit", "actions to be morally superior to \"depravities\" including violence and substance abuse on", "describe is in fact reflective of somebody I know in real life--a kind", "use money to buy a house and live happily ever after etc.) I", "attitude from religious/philosophical disillusionment, as they describe. Unlike the typical hedonistic stereotype of", "said that there is no rational justification for these behaviours, and that they", "for these behaviours, and that they don't see these actions to be morally", "of actions that are all constituent of the same goal. Instead, such a", "be possible to re-create such a person in fiction; my intuition is that", "intuition is that it will be difficult to see consistently comprehensible actions from", "all pursuits and goals \"hollow and ridiculous\", as the person says. This inevitably", "to buy a house and live happily ever after etc.) I wonder if", "skill; earn money with skill; use money to buy a house and live", "intellectual level. Beside these, this person also has talents in programming and art,", "to learn a skill; earn money with skill; use money to buy a", "person is in fact abstinent and holds many socially progressive views and principles.", "real life--a kind of nihilist who finds all pursuits and goals \"hollow and", "and ridiculous\", as the person says. This inevitably implies that the person in", "I know in real life--a kind of nihilist who finds all pursuits and", "behaviours, and that they don't see these actions to be morally superior to", "these media, but they said that while these exercises are interesting or beautiful,", "implies that the person in question live day by day on trivial concerns--the", "superior to \"depravities\" including violence and substance abuse on an intellectual level. Beside", "a character will not perform series of actions that are all constituent of", "as a secondary character whom the main characters observe externally. However, my understanding", "literature is limited, and there might be precedents of such characters being successfully", "ridiculous\", as the person says. This inevitably implies that the person in question", "would be possible to re-create such a person in fiction; my intuition is", "pursuit of food, shelter and idle comfort, as opposed to the long-term-goal-oriented efforts", "etc.) I wonder if it would be possible to re-create such a person", "to be morally superior to \"depravities\" including violence and substance abuse on an", "a secondary character whom the main characters observe externally. However, my understanding of", "often create things in these media, but they said that while these exercises", "most others. (e.g.: go to school to learn a skill; earn money with", "be difficult to see consistently comprehensible actions from such a character, in other", "stereotype of a nihilist, this person is in fact abstinent and holds many", "views and principles. However, they said that there is no rational justification for", "such a character, in other words, such a character will not perform series", "of food, shelter and idle comfort, as opposed to the long-term-goal-oriented efforts of", "typical hedonistic stereotype of a nihilist, this person is in fact abstinent and", "is in fact reflective of somebody I know in real life--a kind of", "efforts of most others. (e.g.: go to school to learn a skill; earn", "see consistently comprehensible actions from such a character, in other words, such a", "fact abstinent and holds many socially progressive views and principles. However, they said", "in question live day by day on trivial concerns--the pursuit of food, shelter", "Unlike the typical hedonistic stereotype of a nihilist, this person is in fact", "after etc.) I wonder if it would be possible to re-create such a", "in other words, such a character will not perform series of actions that", "secondary character whom the main characters observe externally. However, my understanding of literature", "However, my understanding of literature is limited, and there might be precedents of", "know in real-life developed their nihilistic attitude from religious/philosophical disillusionment, as they describe.", "nihilist who finds all pursuits and goals \"hollow and ridiculous\", as the person", "there is no rational justification for these behaviours, and that they don't see", "level. Beside these, this person also has talents in programming and art, and", "in real-life developed their nihilistic attitude from religious/philosophical disillusionment, as they describe. Unlike", "happenings of any plot, and would thus only be suitable as a secondary", "holds many socially progressive views and principles. However, they said that there is", "food, shelter and idle comfort, as opposed to the long-term-goal-oriented efforts of most", "Beside these, this person also has talents in programming and art, and often", "Addendum: This person whom I know in real-life developed their nihilistic attitude from", "their nihilistic attitude from religious/philosophical disillusionment, as they describe. Unlike the typical hedonistic", "describe. Unlike the typical hedonistic stereotype of a nihilist, this person is in", "\"depravities\" including violence and substance abuse on an intellectual level. Beside these, this", "ever after etc.) I wonder if it would be possible to re-create such", "has talents in programming and art, and often create things in these media,", "person in question live day by day on trivial concerns--the pursuit of food,", "consistently comprehensible actions from such a character, in other words, such a character", "school to learn a skill; earn money with skill; use money to buy", "money to buy a house and live happily ever after etc.) I wonder", "any plot, and would thus only be suitable as a secondary character whom", "to school to learn a skill; earn money with skill; use money to", "thus only be suitable as a secondary character whom the main characters observe", "person says. This inevitably implies that the person in question live day by", "person whom I know in real-life developed their nihilistic attitude from religious/philosophical disillusionment,", "house and live happily ever after etc.) I wonder if it would be", "finds all pursuits and goals \"hollow and ridiculous\", as the person says. This", "constituent of the same goal. Instead, such a character would only react to", "principles. However, they said that there is no rational justification for these behaviours,", "they don't see these actions to be morally superior to \"depravities\" including violence", "create things in these media, but they said that while these exercises are", "that while these exercises are interesting or beautiful, they are not meaningful in", "words, such a character will not perform series of actions that are all", "whom the main characters observe externally. However, my understanding of literature is limited,", "there might be precedents of such characters being successfully portrayed in other roles.", "(e.g.: go to school to learn a skill; earn money with skill; use", "of a nihilist, this person is in fact abstinent and holds many socially", "including violence and substance abuse on an intellectual level. Beside these, this person", "a house and live happily ever after etc.) I wonder if it would", "as opposed to the long-term-goal-oriented efforts of most others. (e.g.: go to school", "the typical hedonistic stereotype of a nihilist, this person is in fact abstinent", "if it would be possible to re-create such a person in fiction; my", "no rational justification for these behaviours, and that they don't see these actions", "as the person says. This inevitably implies that the person in question live", "be morally superior to \"depravities\" including violence and substance abuse on an intellectual", "comprehensible actions from such a character, in other words, such a character will", "many socially progressive views and principles. However, they said that there is no", "Instead, such a character would only react to the happenings of any plot,", "these exercises are interesting or beautiful, they are not meaningful in any way.", "person in fiction; my intuition is that it will be difficult to see", "media, but they said that while these exercises are interesting or beautiful, they", "is no rational justification for these behaviours, and that they don't see these", "such a character would only react to the happenings of any plot, and", "and idle comfort, as opposed to the long-term-goal-oriented efforts of most others. (e.g.:", "of the same goal. Instead, such a character would only react to the", "would only react to the happenings of any plot, and would thus only", "inevitably implies that the person in question live day by day on trivial", "of nihilist who finds all pursuits and goals \"hollow and ridiculous\", as the", "know in real life--a kind of nihilist who finds all pursuits and goals", "will not perform series of actions that are all constituent of the same", "react to the happenings of any plot, and would thus only be suitable", "the main characters observe externally. However, my understanding of literature is limited, and", "be precedents of such characters being successfully portrayed in other roles. Addendum: This", "such characters being successfully portrayed in other roles. Addendum: This person whom I", "and often create things in these media, but they said that while these", "morally superior to \"depravities\" including violence and substance abuse on an intellectual level.", "characters being successfully portrayed in other roles. Addendum: This person whom I know", "life--a kind of nihilist who finds all pursuits and goals \"hollow and ridiculous\",", "to see consistently comprehensible actions from such a character, in other words, such", "shelter and idle comfort, as opposed to the long-term-goal-oriented efforts of most others.", "not perform series of actions that are all constituent of the same goal.", "in fact reflective of somebody I know in real life--a kind of nihilist", "the person in question live day by day on trivial concerns--the pursuit of", "roles. Addendum: This person whom I know in real-life developed their nihilistic attitude", "live day by day on trivial concerns--the pursuit of food, shelter and idle", "these actions to be morally superior to \"depravities\" including violence and substance abuse", "from such a character, in other words, such a character will not perform", "other roles. Addendum: This person whom I know in real-life developed their nihilistic", "perform series of actions that are all constituent of the same goal. Instead,", "only be suitable as a secondary character whom the main characters observe externally.", "of such characters being successfully portrayed in other roles. Addendum: This person whom", "and that they don't see these actions to be morally superior to \"depravities\"", "progressive views and principles. However, they said that there is no rational justification", "such a character will not perform series of actions that are all constituent", "would thus only be suitable as a secondary character whom the main characters", "of literature is limited, and there might be precedents of such characters being", "suitable as a secondary character whom the main characters observe externally. However, my", "opposed to the long-term-goal-oriented efforts of most others. (e.g.: go to school to", "This inevitably implies that the person in question live day by day on", "this person is in fact abstinent and holds many socially progressive views and", "comfort, as opposed to the long-term-goal-oriented efforts of most others. (e.g.: go to", "says. This inevitably implies that the person in question live day by day", "that they don't see these actions to be morally superior to \"depravities\" including", "is limited, and there might be precedents of such characters being successfully portrayed", "a person in fiction; my intuition is that it will be difficult to", "and would thus only be suitable as a secondary character whom the main", "same goal. Instead, such a character would only react to the happenings of", "while these exercises are interesting or beautiful, they are not meaningful in any", "an intellectual level. Beside these, this person also has talents in programming and", "This person whom I know in real-life developed their nihilistic attitude from religious/philosophical", "rational justification for these behaviours, and that they don't see these actions to", "precedents of such characters being successfully portrayed in other roles. Addendum: This person", "I know in real-life developed their nihilistic attitude from religious/philosophical disillusionment, as they", "character, in other words, such a character will not perform series of actions", "only react to the happenings of any plot, and would thus only be", "fiction; my intuition is that it will be difficult to see consistently comprehensible", "plot, and would thus only be suitable as a secondary character whom the", "portrayed in other roles. Addendum: This person whom I know in real-life developed", "and principles. However, they said that there is no rational justification for these", "is that it will be difficult to see consistently comprehensible actions from such", "will be difficult to see consistently comprehensible actions from such a character, in", "other words, such a character will not perform series of actions that are", "things in these media, but they said that while these exercises are interesting", "but they said that while these exercises are interesting or beautiful, they are", "abuse on an intellectual level. Beside these, this person also has talents in", "long-term-goal-oriented efforts of most others. (e.g.: go to school to learn a skill;", "all constituent of the same goal. Instead, such a character would only react", "don't see these actions to be morally superior to \"depravities\" including violence and", "person also has talents in programming and art, and often create things in", "real-life developed their nihilistic attitude from religious/philosophical disillusionment, as they describe. Unlike the", "also has talents in programming and art, and often create things in these", "by day on trivial concerns--the pursuit of food, shelter and idle comfort, as", "these behaviours, and that they don't see these actions to be morally superior", "in fact abstinent and holds many socially progressive views and principles. However, they", "go to school to learn a skill; earn money with skill; use money", "from religious/philosophical disillusionment, as they describe. Unlike the typical hedonistic stereotype of a", "pursuits and goals \"hollow and ridiculous\", as the person says. This inevitably implies", "fact reflective of somebody I know in real life--a kind of nihilist who", "skill; use money to buy a house and live happily ever after etc.)", "it would be possible to re-create such a person in fiction; my intuition", "my understanding of literature is limited, and there might be precedents of such", "and there might be precedents of such characters being successfully portrayed in other", "difficult to see consistently comprehensible actions from such a character, in other words,", "to the long-term-goal-oriented efforts of most others. (e.g.: go to school to learn", "kind of nihilist who finds all pursuits and goals \"hollow and ridiculous\", as", "hedonistic stereotype of a nihilist, this person is in fact abstinent and holds", "trivial concerns--the pursuit of food, shelter and idle comfort, as opposed to the", "re-create such a person in fiction; my intuition is that it will be", "such a person in fiction; my intuition is that it will be difficult", "understanding of literature is limited, and there might be precedents of such characters", "goals \"hollow and ridiculous\", as the person says. This inevitably implies that the", "actions that are all constituent of the same goal. Instead, such a character", "of any plot, and would thus only be suitable as a secondary character", "a character would only react to the happenings of any plot, and would", "the long-term-goal-oriented efforts of most others. (e.g.: go to school to learn a", "socially progressive views and principles. However, they said that there is no rational", "religious/philosophical disillusionment, as they describe. Unlike the typical hedonistic stereotype of a nihilist,", "idle comfort, as opposed to the long-term-goal-oriented efforts of most others. (e.g.: go", "live happily ever after etc.) I wonder if it would be possible to", "the same goal. Instead, such a character would only react to the happenings", "disillusionment, as they describe. Unlike the typical hedonistic stereotype of a nihilist, this", "I describe is in fact reflective of somebody I know in real life--a", "being successfully portrayed in other roles. Addendum: This person whom I know in", "earn money with skill; use money to buy a house and live happily", "it will be difficult to see consistently comprehensible actions from such a character,", "series of actions that are all constituent of the same goal. Instead, such", "money with skill; use money to buy a house and live happily ever", "a character, in other words, such a character will not perform series of", "are all constituent of the same goal. Instead, such a character would only", "developed their nihilistic attitude from religious/philosophical disillusionment, as they describe. Unlike the typical", "character will not perform series of actions that are all constituent of the", "question live day by day on trivial concerns--the pursuit of food, shelter and", "in fiction; my intuition is that it will be difficult to see consistently", "is in fact abstinent and holds many socially progressive views and principles. However,", "a nihilist, this person is in fact abstinent and holds many socially progressive", "possible to re-create such a person in fiction; my intuition is that it", "and holds many socially progressive views and principles. However, they said that there", "in programming and art, and often create things in these media, but they", "the person says. This inevitably implies that the person in question live day", "day on trivial concerns--the pursuit of food, shelter and idle comfort, as opposed", "with skill; use money to buy a house and live happily ever after", "programming and art, and often create things in these media, but they said", "on trivial concerns--the pursuit of food, shelter and idle comfort, as opposed to", "this person also has talents in programming and art, and often create things", "who finds all pursuits and goals \"hollow and ridiculous\", as the person says.", "externally. However, my understanding of literature is limited, and there might be precedents", "they said that there is no rational justification for these behaviours, and that", "of somebody I know in real life--a kind of nihilist who finds all", "goal. Instead, such a character would only react to the happenings of any", "nihilistic attitude from religious/philosophical disillusionment, as they describe. Unlike the typical hedonistic stereotype", "the happenings of any plot, and would thus only be suitable as a", "they describe. Unlike the typical hedonistic stereotype of a nihilist, this person is" ]
[ "or [here](http://rads.stackoverflow.com/amzn/click/1405149078)). Is what I stated really true in science fiction in general,", "subgenre of science fiction known as philosophical science fiction (see [here](http://schwitzsplinters.blogspot.co.uk/2014/09/philosophical-sf-science-fiction.html) or [here](http://rads.stackoverflow.com/amzn/click/1405149078)).", "as philosophical science fiction (see [here](http://schwitzsplinters.blogspot.co.uk/2014/09/philosophical-sf-science-fiction.html) or [here](http://rads.stackoverflow.com/amzn/click/1405149078)). Is what I stated really", "really true in science fiction in general, and philosophical science fiction in particular?", "fiction (see [here](http://schwitzsplinters.blogspot.co.uk/2014/09/philosophical-sf-science-fiction.html) or [here](http://rads.stackoverflow.com/amzn/click/1405149078)). Is what I stated really true in science", "stated really true in science fiction in general, and philosophical science fiction in", "known as philosophical science fiction (see [here](http://schwitzsplinters.blogspot.co.uk/2014/09/philosophical-sf-science-fiction.html) or [here](http://rads.stackoverflow.com/amzn/click/1405149078)). Is what I stated", "or plot. I have the notion to write in a subgenre of science", "other things like setting or plot. I have the notion to write in", "concept should override considerations for character, and possibly other things like setting or", "considerations for character, and possibly other things like setting or plot. I have", "compelling concept should override considerations for character, and possibly other things like setting", "override considerations for character, and possibly other things like setting or plot. I", "have read in a few books about writing science fiction that a compelling", "plot. I have the notion to write in a subgenre of science fiction", "few books about writing science fiction that a compelling concept should override considerations", "in a few books about writing science fiction that a compelling concept should", "should override considerations for character, and possibly other things like setting or plot.", "possibly other things like setting or plot. I have the notion to write", "setting or plot. I have the notion to write in a subgenre of", "writing science fiction that a compelling concept should override considerations for character, and", "to write in a subgenre of science fiction known as philosophical science fiction", "I stated really true in science fiction in general, and philosophical science fiction", "science fiction known as philosophical science fiction (see [here](http://schwitzsplinters.blogspot.co.uk/2014/09/philosophical-sf-science-fiction.html) or [here](http://rads.stackoverflow.com/amzn/click/1405149078)). Is what", "fiction known as philosophical science fiction (see [here](http://schwitzsplinters.blogspot.co.uk/2014/09/philosophical-sf-science-fiction.html) or [here](http://rads.stackoverflow.com/amzn/click/1405149078)). Is what I", "and possibly other things like setting or plot. I have the notion to", "a few books about writing science fiction that a compelling concept should override", "of science fiction known as philosophical science fiction (see [here](http://schwitzsplinters.blogspot.co.uk/2014/09/philosophical-sf-science-fiction.html) or [here](http://rads.stackoverflow.com/amzn/click/1405149078)). Is", "write in a subgenre of science fiction known as philosophical science fiction (see", "character, and possibly other things like setting or plot. I have the notion", "notion to write in a subgenre of science fiction known as philosophical science", "science fiction that a compelling concept should override considerations for character, and possibly", "I have read in a few books about writing science fiction that a", "I have the notion to write in a subgenre of science fiction known", "a compelling concept should override considerations for character, and possibly other things like", "books about writing science fiction that a compelling concept should override considerations for", "for character, and possibly other things like setting or plot. I have the", "read in a few books about writing science fiction that a compelling concept", "Is what I stated really true in science fiction in general, and philosophical", "have the notion to write in a subgenre of science fiction known as", "a subgenre of science fiction known as philosophical science fiction (see [here](http://schwitzsplinters.blogspot.co.uk/2014/09/philosophical-sf-science-fiction.html) or", "[here](http://rads.stackoverflow.com/amzn/click/1405149078)). Is what I stated really true in science fiction in general, and", "in a subgenre of science fiction known as philosophical science fiction (see [here](http://schwitzsplinters.blogspot.co.uk/2014/09/philosophical-sf-science-fiction.html)", "like setting or plot. I have the notion to write in a subgenre", "philosophical science fiction (see [here](http://schwitzsplinters.blogspot.co.uk/2014/09/philosophical-sf-science-fiction.html) or [here](http://rads.stackoverflow.com/amzn/click/1405149078)). Is what I stated really true", "science fiction (see [here](http://schwitzsplinters.blogspot.co.uk/2014/09/philosophical-sf-science-fiction.html) or [here](http://rads.stackoverflow.com/amzn/click/1405149078)). Is what I stated really true in", "(see [here](http://schwitzsplinters.blogspot.co.uk/2014/09/philosophical-sf-science-fiction.html) or [here](http://rads.stackoverflow.com/amzn/click/1405149078)). Is what I stated really true in science fiction", "that a compelling concept should override considerations for character, and possibly other things", "things like setting or plot. I have the notion to write in a", "[here](http://schwitzsplinters.blogspot.co.uk/2014/09/philosophical-sf-science-fiction.html) or [here](http://rads.stackoverflow.com/amzn/click/1405149078)). Is what I stated really true in science fiction in", "what I stated really true in science fiction in general, and philosophical science", "the notion to write in a subgenre of science fiction known as philosophical", "fiction that a compelling concept should override considerations for character, and possibly other", "about writing science fiction that a compelling concept should override considerations for character," ]
[ "it change the writing process? Any suggestions on the various dictation software available?", "How does it change the writing process? Any suggestions on the various dictation", "does it change the writing process? Any suggestions on the various dictation software" ]
[ "the message that I want to send across. Akin to Beauty and the", "Beast's \"Don't judge a book by its cover\" theme, or \"Opposites attract.\" I", "Akin to Beauty and the Beast's \"Don't judge a book by its cover\"", "cover\" theme, or \"Opposites attract.\" I have a story I am trying to", "I just wanted to write a story about these two friends. Do I", "story about two friends. I'm not sure what the theme is. I know", "I understand, the theme is the message that I want to send across.", "problem, motivations, and the result, but not the message I'm sending across. I", "a character story about two friends. I'm not sure what the theme is.", "am trying to write. Just a character story about two friends. I'm not", "and end. I know the setting, characters, the problem, motivations, and the result,", "I know the beginning, middle, and end. I know the setting, characters, the", "I am trying to write. Just a character story about two friends. I'm", "I'm sending across. I just wanted to write a story about these two", "a short story* From what I understand, the theme is the message that", "know the beginning, middle, and end. I know the setting, characters, the problem,", "know the setting, characters, the problem, motivations, and the result, but not the", "From what I understand, the theme is the message that I want to", "to write. Just a character story about two friends. I'm not sure what", "result, but not the message I'm sending across. I just wanted to write", "but not the message I'm sending across. I just wanted to write a", "beginning, middle, and end. I know the setting, characters, the problem, motivations, and", "theme, or \"Opposites attract.\" I have a story I am trying to write.", "just wanted to write a story about these two friends. Do I need", "the theme is the message that I want to send across. Akin to", "setting, characters, the problem, motivations, and the result, but not the message I'm", "theme is the message that I want to send across. Akin to Beauty", "the result, but not the message I'm sending across. I just wanted to", "to write a story about these two friends. Do I need a defined", "sure what the theme is. I know the beginning, middle, and end. I", "motivations, and the result, but not the message I'm sending across. I just", "to Beauty and the Beast's \"Don't judge a book by its cover\" theme,", "understand, the theme is the message that I want to send across. Akin", "Just a character story about two friends. I'm not sure what the theme", "about two friends. I'm not sure what the theme is. I know the", "end. I know the setting, characters, the problem, motivations, and the result, but", "characters, the problem, motivations, and the result, but not the message I'm sending", "write. Just a character story about two friends. I'm not sure what the", "write a story about these two friends. Do I need a defined theme", "the problem, motivations, and the result, but not the message I'm sending across.", "the Beast's \"Don't judge a book by its cover\" theme, or \"Opposites attract.\"", "have a story I am trying to write. Just a character story about", "the theme is. I know the beginning, middle, and end. I know the", "what I understand, the theme is the message that I want to send", "wanted to write a story about these two friends. Do I need a", "is the message that I want to send across. Akin to Beauty and", "a story about these two friends. Do I need a defined theme to", "not the message I'm sending across. I just wanted to write a story", "character story about two friends. I'm not sure what the theme is. I", "is. I know the beginning, middle, and end. I know the setting, characters,", "I have a story I am trying to write. Just a character story", "story* From what I understand, the theme is the message that I want", "a book by its cover\" theme, or \"Opposites attract.\" I have a story", "story I am trying to write. Just a character story about two friends.", "send across. Akin to Beauty and the Beast's \"Don't judge a book by", "message that I want to send across. Akin to Beauty and the Beast's", "the setting, characters, the problem, motivations, and the result, but not the message", "what the theme is. I know the beginning, middle, and end. I know", "by its cover\" theme, or \"Opposites attract.\" I have a story I am", "the message I'm sending across. I just wanted to write a story about", "I want to send across. Akin to Beauty and the Beast's \"Don't judge", "want to send across. Akin to Beauty and the Beast's \"Don't judge a", "that I want to send across. Akin to Beauty and the Beast's \"Don't", "sending across. I just wanted to write a story about these two friends.", "story about these two friends. Do I need a defined theme to complete", "middle, and end. I know the setting, characters, the problem, motivations, and the", "judge a book by its cover\" theme, or \"Opposites attract.\" I have a", "not sure what the theme is. I know the beginning, middle, and end.", "about these two friends. Do I need a defined theme to complete a", "and the Beast's \"Don't judge a book by its cover\" theme, or \"Opposites", "attract.\" I have a story I am trying to write. Just a character", "book by its cover\" theme, or \"Opposites attract.\" I have a story I", "friends. I'm not sure what the theme is. I know the beginning, middle,", "message I'm sending across. I just wanted to write a story about these", "trying to write. Just a character story about two friends. I'm not sure", "short story* From what I understand, the theme is the message that I", "to send across. Akin to Beauty and the Beast's \"Don't judge a book", "I'm writing a short story From what I understand, the theme is the", "the beginning, middle, and end. I know the setting, characters, the problem, motivations,", "across. Akin to Beauty and the Beast's \"Don't judge a book by its", "\"Opposites attract.\" I have a story I am trying to write. Just a", "I'm not sure what the theme is. I know the beginning, middle, and", "Beauty and the Beast's \"Don't judge a book by its cover\" theme, or", "or \"Opposites attract.\" I have a story I am trying to write. Just", "\"Don't judge a book by its cover\" theme, or \"Opposites attract.\" I have", "theme is. I know the beginning, middle, and end. I know the setting,", "and the result, but not the message I'm sending across. I just wanted", "its cover\" theme, or \"Opposites attract.\" I have a story I am trying", "these two friends. Do I need a defined theme to complete a story?", "a story I am trying to write. Just a character story about two", "two friends. I'm not sure what the theme is. I know the beginning,", "writing a short story* From what I understand, the theme is the message", "across. I just wanted to write a story about these two friends. Do", "I know the setting, characters, the problem, motivations, and the result, but not" ]
[ "floor and an unknown entity is poking them can be written like: >", "Or like: > > She felt a poke in her shoulder. > >", "to see or interpret what's going on around them, I find myself constantly", "interpret what's going on around them, I find myself constantly describing things either", "every other sentence. An example in which someone is on the floor and", "doses, but can you recommend a few other structures to spice up a", "a POV character isn't lucid enough to see or interpret what's going on", "> Her shoulder was poked. > > > The former is better in", "'something' or 'someone' in every other sentence. An example in which someone is", "shoulder was poked. > > > The former is better in short doses,", "around them, I find myself constantly describing things either in passive voice, or", "> > Or like: > > She felt a poke in her shoulder.", "was poked. > > > The former is better in short doses, but", "other structures to spice up a scene where many of such descriptions are", "find myself constantly describing things either in passive voice, or by using the", "to spice up a scene where many of such descriptions are necessary? Thank", "her shoulder. > > > Or like: > > She felt a poke", "written like: > > Something poked her shoulder. > > > Or like:", "unknown entity is poking them can be written like: > > Something poked", "a situation where a POV character isn't lucid enough to see or interpret", "other sentence. An example in which someone is on the floor and an", "in passive voice, or by using the word 'something' or 'someone' in every", "voice, or by using the word 'something' or 'someone' in every other sentence.", "She felt a poke in her shoulder. > > > Her shoulder was", "> Or like: > > She felt a poke in her shoulder. >", "> > > Her shoulder was poked. > > > The former is", "them, I find myself constantly describing things either in passive voice, or by", "spice up a scene where many of such descriptions are necessary? Thank you.", "poked. > > > The former is better in short doses, but can", "in her shoulder. > > > Her shoulder was poked. > > >", "situation where a POV character isn't lucid enough to see or interpret what's", "Her shoulder was poked. > > > The former is better in short", "the floor and an unknown entity is poking them can be written like:", "an unknown entity is poking them can be written like: > > Something", "few other structures to spice up a scene where many of such descriptions", "is poking them can be written like: > > Something poked her shoulder.", "better in short doses, but can you recommend a few other structures to", "> The former is better in short doses, but can you recommend a", "> > > Or like: > > She felt a poke in her", "describing things either in passive voice, or by using the word 'something' or", "sentence. An example in which someone is on the floor and an unknown", "is on the floor and an unknown entity is poking them can be", "going on around them, I find myself constantly describing things either in passive", "which someone is on the floor and an unknown entity is poking them", "myself constantly describing things either in passive voice, or by using the word", "by using the word 'something' or 'someone' in every other sentence. An example", "or interpret what's going on around them, I find myself constantly describing things", "felt a poke in her shoulder. > > > Her shoulder was poked.", "recommend a few other structures to spice up a scene where many of", "in every other sentence. An example in which someone is on the floor", "poking them can be written like: > > Something poked her shoulder. >", "you recommend a few other structures to spice up a scene where many", "poke in her shoulder. > > > Her shoulder was poked. > >", "> > Her shoulder was poked. > > > The former is better", "in short doses, but can you recommend a few other structures to spice", "but can you recommend a few other structures to spice up a scene", "in which someone is on the floor and an unknown entity is poking", "is better in short doses, but can you recommend a few other structures", "someone is on the floor and an unknown entity is poking them can", "shoulder. > > > Her shoulder was poked. > > > The former", "on around them, I find myself constantly describing things either in passive voice,", "and an unknown entity is poking them can be written like: > >", "> Something poked her shoulder. > > > Or like: > > She", "poked her shoulder. > > > Or like: > > She felt a", "> > She felt a poke in her shoulder. > > > Her", "or 'someone' in every other sentence. An example in which someone is on", "or by using the word 'something' or 'someone' in every other sentence. An", "either in passive voice, or by using the word 'something' or 'someone' in", "them can be written like: > > Something poked her shoulder. > >", "can be written like: > > Something poked her shoulder. > > >", "> > > The former is better in short doses, but can you", "Something poked her shoulder. > > > Or like: > > She felt", "isn't lucid enough to see or interpret what's going on around them, I", "see or interpret what's going on around them, I find myself constantly describing", "can you recommend a few other structures to spice up a scene where", "In a situation where a POV character isn't lucid enough to see or", "'someone' in every other sentence. An example in which someone is on the", "constantly describing things either in passive voice, or by using the word 'something'", "The former is better in short doses, but can you recommend a few", "former is better in short doses, but can you recommend a few other", "where a POV character isn't lucid enough to see or interpret what's going", "passive voice, or by using the word 'something' or 'someone' in every other", "like: > > She felt a poke in her shoulder. > > >", "things either in passive voice, or by using the word 'something' or 'someone'", "POV character isn't lucid enough to see or interpret what's going on around", "lucid enough to see or interpret what's going on around them, I find", "entity is poking them can be written like: > > Something poked her", "short doses, but can you recommend a few other structures to spice up", "be written like: > > Something poked her shoulder. > > > Or", "character isn't lucid enough to see or interpret what's going on around them,", "I find myself constantly describing things either in passive voice, or by using", "her shoulder. > > > Her shoulder was poked. > > > The", "on the floor and an unknown entity is poking them can be written", "using the word 'something' or 'someone' in every other sentence. An example in", "An example in which someone is on the floor and an unknown entity", "shoulder. > > > Or like: > > She felt a poke in", "a few other structures to spice up a scene where many of such", "> > The former is better in short doses, but can you recommend", "> She felt a poke in her shoulder. > > > Her shoulder", "word 'something' or 'someone' in every other sentence. An example in which someone", "example in which someone is on the floor and an unknown entity is", "enough to see or interpret what's going on around them, I find myself", "structures to spice up a scene where many of such descriptions are necessary?", "> > Something poked her shoulder. > > > Or like: > >", "like: > > Something poked her shoulder. > > > Or like: >", "the word 'something' or 'someone' in every other sentence. An example in which", "what's going on around them, I find myself constantly describing things either in", "a poke in her shoulder. > > > Her shoulder was poked. >" ]
[ "other? Aliases are a go, but as society grow numerous also does the", "Aliases are a go, but as society grow numerous also does the necessity", "aren't given names when born, instead they are given serial numbers that also", "the world are all clones of each other. Man and woman. They aren't", "given names when born, instead they are given serial numbers that also work", "are a go, but as society grow numerous also does the necessity to", "scars, dyed hairs, etc... How could I deal with them? How would they", "serial numbers that also work like IDs. But given the fact that they", "even have different appearances due to tattoos, scars, dyed hairs, etc... How could", "have different appearances due to tattoos, scars, dyed hairs, etc... How could I", "planning the human characters that inhabit the world are all clones of each", "they interact with each other? Aliases are a go, but as society grow", "I'm planning the human characters that inhabit the world are all clones of", "of each other. Man and woman. They aren't given names when born, instead", "when born, instead they are given serial numbers that also work like IDs.", "numerous also does the necessity to be known in order to be recognized", "does the necessity to be known in order to be recognized by his", "all clones of each other. Man and woman. They aren't given names when", "They aren't given names when born, instead they are given serial numbers that", "but as society grow numerous also does the necessity to be known in", "IDs. But given the fact that they still have diferent personalities and many", "the necessity to be known in order to be recognized by his or", "hairs, etc... How could I deal with them? How would they interact with", "But given the fact that they still have diferent personalities and many even", "as society grow numerous also does the necessity to be known in order", "would they interact with each other? Aliases are a go, but as society", "I deal with them? How would they interact with each other? Aliases are", "are given serial numbers that also work like IDs. But given the fact", "tattoos, scars, dyed hairs, etc... How could I deal with them? How would", "instead they are given serial numbers that also work like IDs. But given", "they still have diferent personalities and many even have different appearances due to", "have diferent personalities and many even have different appearances due to tattoos, scars,", "fact that they still have diferent personalities and many even have different appearances", "that also work like IDs. But given the fact that they still have", "characters that inhabit the world are all clones of each other. Man and", "different appearances due to tattoos, scars, dyed hairs, etc... How could I deal", "names when born, instead they are given serial numbers that also work like", "due to tattoos, scars, dyed hairs, etc... How could I deal with them?", "they are given serial numbers that also work like IDs. But given the", "that inhabit the world are all clones of each other. Man and woman.", "dyed hairs, etc... How could I deal with them? How would they interact", "society grow numerous also does the necessity to be known in order to", "still have diferent personalities and many even have different appearances due to tattoos,", "each other? Aliases are a go, but as society grow numerous also does", "a go, but as society grow numerous also does the necessity to be", "work like IDs. But given the fact that they still have diferent personalities", "and many even have different appearances due to tattoos, scars, dyed hairs, etc...", "the human characters that inhabit the world are all clones of each other.", "with them? How would they interact with each other? Aliases are a go,", "Man and woman. They aren't given names when born, instead they are given", "to tattoos, scars, dyed hairs, etc... How could I deal with them? How", "given the fact that they still have diferent personalities and many even have", "like IDs. But given the fact that they still have diferent personalities and", "the novel I'm planning the human characters that inhabit the world are all", "grow numerous also does the necessity to be known in order to be", "the fact that they still have diferent personalities and many even have different", "born, instead they are given serial numbers that also work like IDs. But", "etc... How could I deal with them? How would they interact with each", "appearances due to tattoos, scars, dyed hairs, etc... How could I deal with", "woman. They aren't given names when born, instead they are given serial numbers", "deal with them? How would they interact with each other? Aliases are a", "each other. Man and woman. They aren't given names when born, instead they", "with each other? Aliases are a go, but as society grow numerous also", "How would they interact with each other? Aliases are a go, but as", "also does the necessity to be known in order to be recognized by", "In the novel I'm planning the human characters that inhabit the world are", "given serial numbers that also work like IDs. But given the fact that", "are all clones of each other. Man and woman. They aren't given names", "How could I deal with them? How would they interact with each other?", "human characters that inhabit the world are all clones of each other. Man", "clones of each other. Man and woman. They aren't given names when born,", "personalities and many even have different appearances due to tattoos, scars, dyed hairs,", "interact with each other? Aliases are a go, but as society grow numerous", "diferent personalities and many even have different appearances due to tattoos, scars, dyed", "go, but as society grow numerous also does the necessity to be known", "world are all clones of each other. Man and woman. They aren't given", "inhabit the world are all clones of each other. Man and woman. They", "numbers that also work like IDs. But given the fact that they still", "could I deal with them? How would they interact with each other? Aliases", "that they still have diferent personalities and many even have different appearances due", "novel I'm planning the human characters that inhabit the world are all clones", "to be known in order to be recognized by his or her alias.", "also work like IDs. But given the fact that they still have diferent", "necessity to be known in order to be recognized by his or her", "and woman. They aren't given names when born, instead they are given serial", "many even have different appearances due to tattoos, scars, dyed hairs, etc... How", "other. Man and woman. They aren't given names when born, instead they are", "them? How would they interact with each other? Aliases are a go, but" ]
[ "approximately 22 years old. \"Carly\", Young Girl - approximately 8 years old. Obviously,", "language, to simulate the way a child sees the world. Examples These are", "dad to answer. > > > So, the actual question could be phrased", "one Mom and one Dad\" - that I believe almost all children feel", "if that is \"allowed\". I think what I want is a simplified descriptive", "he walked down the hallway, he could hear his father singing to himself,", "in her bed wondering if the cat would be in the backyard again", "So, the actual question could be phrased as followed: Am I free to", "himself. > > > Carly > > Carly laid in her bed wondering", "sees the world. Examples These are examples to give an idea of one", "one main character. Since I'm not an experienced writer, I still struggle with", "to the parents. If done successfully, the young POV will show \"the feeling", "he thought no-one was listening. His father had always been told he was", "it breaks the immersion or in any other way makes the reader go", "main characters. The two main characters could be described as follows: \"Dived\", Young", "> > > So, the actual question could be phrased as followed: Am", "give my readers a fluent and immersive experience, and if this method makes", "and expected the usual \"The wizard's a brewin'!\" from dad. It took longer", "is not allowed or frowned upon. I of course want to give my", "an experienced writer, I still struggle with some basic \"rules\" within writing that", "issue is regarding the way I describe the people around the main characters.", "novel with more than one main character. Since I'm not an experienced writer,", "ways I wish to show the age (and world perception) differences between the", "age (and world perception) differences between the two characters. The focus here is", "his mom \"I've missed this\". As he walked down the hallway, he could", "af a certain age and personalty, but I want the POV to influence", "one Dad\" - that I believe almost all children feel up until a", "The focus here is on the way I refer to the parents. If", "to change my descriptive language when changing POVs? In this case I fear", "he always did when he thought no-one was listening. His father had always", "way I describe the people around the main characters. The two main characters", "thought no-one was listening. His father had always been told he was a", "Mom and one Dad\" - that I believe almost all children feel up", "to give an idea of one of the ways I wish to show", "old. Obviously, the dialogue plays a huge role in depicting an authentic person", "his father singing to himself, the way he always did when he thought", "the POV to influence the descriptions and so on, if that is \"allowed\".", "His father had always been told he was a great singer, but had", "8 years old. Obviously, the dialogue plays a huge role in depicting an", "follows: \"Dived\", Young Man - approximately 22 years old. \"Carly\", Young Girl -", "would, then perfect. If it breaks the immersion or in any other way", "> > Carly laid in her bed wondering if the cat would be", "refer to the parents. If done successfully, the young POV will show \"the", "- approximately 22 years old. \"Carly\", Young Girl - approximately 8 years old.", "the way he always did when he thought no-one was listening. His father", "is a simplified descriptive language, to simulate the way a child sees the", "a way that is not allowed or frowned upon. I of course want", "focus here is on the way I refer to the parents. If done", "my descriptive language when changing POVs? In this case I fear that I'm", "perception) differences between the two characters. The focus here is on the way", "Dad\" - that I believe almost all children feel up until a certain", "\"Dived\", Young Man - approximately 22 years old. \"Carly\", Young Girl - approximately", "the main characters. The two main characters could be described as follows: \"Dived\",", "examples to give an idea of one of the ways I wish to", "influence the descriptions in a way that is not allowed or frowned upon.", "the people around the main characters. The two main characters could be described", "had always been told he was a great singer, but had never truly", "said Dived and hugged his mom \"I've missed this\". As he walked down", "immersion or in any other way makes the reader go \"what?\", I'd like", "was talking about the morning coffee, and expected the usual \"The wizard's a", "around the characters the way the characters would, then perfect. If it breaks", "I'm not an experienced writer, I still struggle with some basic \"rules\" within", "course want to give my readers a fluent and immersive experience, and if", "a huge role in depicting an authentic person af a certain age and", "think what I want is a simplified descriptive language, to simulate the way", "I free to change my descriptive language when changing POVs? In this case", "believed it himself. > > > Carly > > Carly laid in her", "singing to himself, the way he always did when he thought no-one was", "still struggle with some basic \"rules\" within writing that may or may not", "coffee, and expected the usual \"The wizard's a brewin'!\" from dad. It took", "fear that I'm letting my younger character's POW influence the descriptions in a", "describe the people around the main characters. The two main characters could be", "in any other way makes the reader go \"what?\", I'd like to know", "that I'm letting my younger character's POW influence the descriptions in a way", "expected the usual \"The wizard's a brewin'!\" from dad. It took longer than", "way the characters would, then perfect. If it breaks the immersion or in", "with more than one main character. Since I'm not an experienced writer, I", "a sci-fi novel with more than one main character. Since I'm not an", "authentic person af a certain age and personalty, but I want the POV", "the world. Examples These are examples to give an idea of one of", "upon. I of course want to give my readers a fluent and immersive", "here is on the way I refer to the parents. If done successfully,", "or frowned upon. I of course want to give my readers a fluent", "could be phrased as followed: Am I free to change my descriptive language", "when he thought no-one was listening. His father had always been told he", "what I want is a simplified descriptive language, to simulate the way a", "influence the descriptions and so on, if that is \"allowed\". I think what", "idea of one of the ways I wish to show the age (and", "I'm letting my younger character's POW influence the descriptions in a way that", "years old. \"Carly\", Young Girl - approximately 8 years old. Obviously, the dialogue", "hallway. Carly knew that mom was talking about the morning coffee, and expected", "This issue is regarding the way I describe the people around the main", "child sees the world. Examples These are examples to give an idea of", "had never truly believed it himself. > > > Carly > > Carly", "the cat would be in the backyard again today. \"Honey, is the magic", "descriptive language when changing POVs? In this case I fear that I'm letting", "the hallway. Carly knew that mom was talking about the morning coffee, and", "that is not allowed or frowned upon. I of course want to give", "the reader go \"what?\", I'd like to know that as soon as possible...", "character. Since I'm not an experienced writer, I still struggle with some basic", "the things and people around the characters the way the characters would, then", "some basic \"rules\" within writing that may or may not exist. This issue", "in depicting an authentic person af a certain age and personalty, but I", "a certain age. Dived > > \"Thanks\" said Dived and hugged his mom", "writer, I still struggle with some basic \"rules\" within writing that may or", "said in the hallway. Carly knew that mom was talking about the morning", "\"Thanks\" said Dived and hugged his mom \"I've missed this\". As he walked", "characters the way the characters would, then perfect. If it breaks the immersion", "If done successfully, the young POV will show \"the feeling of there only", "about the morning coffee, and expected the usual \"The wizard's a brewin'!\" from", "this method makes them see the things and people around the characters the", "within writing that may or may not exist. This issue is regarding the", "the two characters. The focus here is on the way I refer to", "I think what I want is a simplified descriptive language, to simulate the", "and personalty, but I want the POV to influence the descriptions and so", "or in any other way makes the reader go \"what?\", I'd like to", "Dived > > \"Thanks\" said Dived and hugged his mom \"I've missed this\".", "always been told he was a great singer, but had never truly believed", "the characters the way the characters would, then perfect. If it breaks the", "an idea of one of the ways I wish to show the age", "> > Carly > > Carly laid in her bed wondering if the", "any other way makes the reader go \"what?\", I'd like to know that", "characters. The two main characters could be described as follows: \"Dived\", Young Man", "a fluent and immersive experience, and if this method makes them see the", "there only being one Mom and one Dad\" - that I believe almost", "feeling of there only being one Mom and one Dad\" - that I", "> \"Thanks\" said Dived and hugged his mom \"I've missed this\". As he", "Girl - approximately 8 years old. Obviously, the dialogue plays a huge role", "\"rules\" within writing that may or may not exist. This issue is regarding", "longer than usual for dad to answer. > > > So, the actual", "fluent and immersive experience, and if this method makes them see the things", "is the magic ready yet?\" mom said in the hallway. Carly knew that", "The two main characters could be described as follows: \"Dived\", Young Man -", "in the hallway. Carly knew that mom was talking about the morning coffee,", "may or may not exist. This issue is regarding the way I describe", "my readers a fluent and immersive experience, and if this method makes them", "give an idea of one of the ways I wish to show the", "people around the main characters. The two main characters could be described as", "no-one was listening. His father had always been told he was a great", "descriptions and so on, if that is \"allowed\". I think what I want", "my younger character's POW influence the descriptions in a way that is not", "simulate the way a child sees the world. Examples These are examples to", "letting my younger character's POW influence the descriptions in a way that is", "never truly believed it himself. > > > Carly > > Carly laid", "I describe the people around the main characters. The two main characters could", "certain age and personalty, but I want the POV to influence the descriptions", "Dived and hugged his mom \"I've missed this\". As he walked down the", "I want the POV to influence the descriptions and so on, if that", "I still struggle with some basic \"rules\" within writing that may or may", "around the main characters. The two main characters could be described as follows:", "experienced writer, I still struggle with some basic \"rules\" within writing that may", "listening. His father had always been told he was a great singer, but", "to give my readers a fluent and immersive experience, and if this method", "exist. This issue is regarding the way I describe the people around the", "POV to influence the descriptions and so on, if that is \"allowed\". I", "almost all children feel up until a certain age. Dived > > \"Thanks\"", "believe almost all children feel up until a certain age. Dived > >", "if this method makes them see the things and people around the characters", "not an experienced writer, I still struggle with some basic \"rules\" within writing", "the immersion or in any other way makes the reader go \"what?\", I'd", "way makes the reader go \"what?\", I'd like to know that as soon", "immersive experience, and if this method makes them see the things and people", "singer, but had never truly believed it himself. > > > Carly >", "- that I believe almost all children feel up until a certain age.", "father singing to himself, the way he always did when he thought no-one", "show the age (and world perception) differences between the two characters. The focus", "it himself. > > > Carly > > Carly laid in her bed", "world. Examples These are examples to give an idea of one of the", "the descriptions and so on, if that is \"allowed\". I think what I", "POV will show \"the feeling of there only being one Mom and one", "descriptive language, to simulate the way a child sees the world. Examples These", "the ways I wish to show the age (and world perception) differences between", "them see the things and people around the characters the way the characters", "basic \"rules\" within writing that may or may not exist. This issue is", "when changing POVs? In this case I fear that I'm letting my younger", "language when changing POVs? In this case I fear that I'm letting my", "is regarding the way I describe the people around the main characters. The", "and immersive experience, and if this method makes them see the things and", "two characters. The focus here is on the way I refer to the", "a child sees the world. Examples These are examples to give an idea", "this\". As he walked down the hallway, he could hear his father singing", "Am I free to change my descriptive language when changing POVs? In this", "the morning coffee, and expected the usual \"The wizard's a brewin'!\" from dad.", "her bed wondering if the cat would be in the backyard again today.", "feel up until a certain age. Dived > > \"Thanks\" said Dived and", "\"The wizard's a brewin'!\" from dad. It took longer than usual for dad", "took longer than usual for dad to answer. > > > So, the", "main character. Since I'm not an experienced writer, I still struggle with some", "up until a certain age. Dived > > \"Thanks\" said Dived and hugged", "then perfect. If it breaks the immersion or in any other way makes", "are examples to give an idea of one of the ways I wish", "other way makes the reader go \"what?\", I'd like to know that as", "frowned upon. I of course want to give my readers a fluent and", "descriptions in a way that is not allowed or frowned upon. I of", "dialogue plays a huge role in depicting an authentic person af a certain", "the hallway, he could hear his father singing to himself, the way he", "characters could be described as follows: \"Dived\", Young Man - approximately 22 years", "plays a huge role in depicting an authentic person af a certain age", "but had never truly believed it himself. > > > Carly > >", "age and personalty, but I want the POV to influence the descriptions and", "was a great singer, but had never truly believed it himself. > >", "experience, and if this method makes them see the things and people around", "mom said in the hallway. Carly knew that mom was talking about the", "is \"allowed\". I think what I want is a simplified descriptive language, to", "parents. If done successfully, the young POV will show \"the feeling of there", "done successfully, the young POV will show \"the feeling of there only being", "followed: Am I free to change my descriptive language when changing POVs? In", "more than one main character. Since I'm not an experienced writer, I still", "Carly > > Carly laid in her bed wondering if the cat would", "the way the characters would, then perfect. If it breaks the immersion or", "readers a fluent and immersive experience, and if this method makes them see", "the magic ready yet?\" mom said in the hallway. Carly knew that mom", "until a certain age. Dived > > \"Thanks\" said Dived and hugged his", "way I refer to the parents. If done successfully, the young POV will", "and one Dad\" - that I believe almost all children feel up until", "actual question could be phrased as followed: Am I free to change my", "to show the age (and world perception) differences between the two characters. The", "cat would be in the backyard again today. \"Honey, is the magic ready", "the actual question could be phrased as followed: Am I free to change", "a certain age and personalty, but I want the POV to influence the", "Carly knew that mom was talking about the morning coffee, and expected the", "role in depicting an authentic person af a certain age and personalty, but", "magic ready yet?\" mom said in the hallway. Carly knew that mom was", "\"the feeling of there only being one Mom and one Dad\" - that", "not allowed or frowned upon. I of course want to give my readers", "free to change my descriptive language when changing POVs? In this case I", "yet?\" mom said in the hallway. Carly knew that mom was talking about", "breaks the immersion or in any other way makes the reader go \"what?\",", "backyard again today. \"Honey, is the magic ready yet?\" mom said in the", "reader go \"what?\", I'd like to know that as soon as possible... Thanks!", "Man - approximately 22 years old. \"Carly\", Young Girl - approximately 8 years", "for dad to answer. > > > So, the actual question could be", "of the ways I wish to show the age (and world perception) differences", "would be in the backyard again today. \"Honey, is the magic ready yet?\"", "sci-fi novel with more than one main character. Since I'm not an experienced", "or may not exist. This issue is regarding the way I describe the", "These are examples to give an idea of one of the ways I", "usual for dad to answer. > > > So, the actual question could", "told he was a great singer, but had never truly believed it himself.", "the parents. If done successfully, the young POV will show \"the feeling of", "will show \"the feeling of there only being one Mom and one Dad\"", "22 years old. \"Carly\", Young Girl - approximately 8 years old. Obviously, the", "not exist. This issue is regarding the way I describe the people around", "Young Girl - approximately 8 years old. Obviously, the dialogue plays a huge", "mom \"I've missed this\". As he walked down the hallway, he could hear", "Examples These are examples to give an idea of one of the ways", "I refer to the parents. If done successfully, the young POV will show", "down the hallway, he could hear his father singing to himself, the way", "that I believe almost all children feel up until a certain age. Dived", "morning coffee, and expected the usual \"The wizard's a brewin'!\" from dad. It", "if the cat would be in the backyard again today. \"Honey, is the", "could be described as follows: \"Dived\", Young Man - approximately 22 years old.", "that may or may not exist. This issue is regarding the way I", "a simplified descriptive language, to simulate the way a child sees the world.", "between the two characters. The focus here is on the way I refer", "in the backyard again today. \"Honey, is the magic ready yet?\" mom said", "did when he thought no-one was listening. His father had always been told", "\"Carly\", Young Girl - approximately 8 years old. Obviously, the dialogue plays a", "that mom was talking about the morning coffee, and expected the usual \"The", "> So, the actual question could be phrased as followed: Am I free", "struggle with some basic \"rules\" within writing that may or may not exist.", "may not exist. This issue is regarding the way I describe the people", "children feel up until a certain age. Dived > > \"Thanks\" said Dived", "that is \"allowed\". I think what I want is a simplified descriptive language,", "question could be phrased as followed: Am I free to change my descriptive", "method makes them see the things and people around the characters the way", "Carly laid in her bed wondering if the cat would be in the", "than usual for dad to answer. > > > So, the actual question", "to influence the descriptions and so on, if that is \"allowed\". I think", "successfully, the young POV will show \"the feeling of there only being one", "> > > Carly > > Carly laid in her bed wondering if", "As he walked down the hallway, he could hear his father singing to", "on the way I refer to the parents. If done successfully, the young", "> > So, the actual question could be phrased as followed: Am I", "hallway, he could hear his father singing to himself, the way he always", "an authentic person af a certain age and personalty, but I want the", "world perception) differences between the two characters. The focus here is on the", "wizard's a brewin'!\" from dad. It took longer than usual for dad to", "could hear his father singing to himself, the way he always did when", "Young Man - approximately 22 years old. \"Carly\", Young Girl - approximately 8", "personalty, but I want the POV to influence the descriptions and so on,", "be phrased as followed: Am I free to change my descriptive language when", "in a way that is not allowed or frowned upon. I of course", "great singer, but had never truly believed it himself. > > > Carly", "brewin'!\" from dad. It took longer than usual for dad to answer. >", "again today. \"Honey, is the magic ready yet?\" mom said in the hallway.", "characters would, then perfect. If it breaks the immersion or in any other", "depicting an authentic person af a certain age and personalty, but I want", "all children feel up until a certain age. Dived > > \"Thanks\" said", "the way I refer to the parents. If done successfully, the young POV", "writing that may or may not exist. This issue is regarding the way", "as follows: \"Dived\", Young Man - approximately 22 years old. \"Carly\", Young Girl", "father had always been told he was a great singer, but had never", "to himself, the way he always did when he thought no-one was listening.", "this case I fear that I'm letting my younger character's POW influence the", "POVs? In this case I fear that I'm letting my younger character's POW", "I'm writing a sci-fi novel with more than one main character. Since I'm", "It took longer than usual for dad to answer. > > > So,", "the way I describe the people around the main characters. The two main", "changing POVs? In this case I fear that I'm letting my younger character's", "always did when he thought no-one was listening. His father had always been", "the characters would, then perfect. If it breaks the immersion or in any", "knew that mom was talking about the morning coffee, and expected the usual", "talking about the morning coffee, and expected the usual \"The wizard's a brewin'!\"", "answer. > > > So, the actual question could be phrased as followed:", "huge role in depicting an authentic person af a certain age and personalty,", "the usual \"The wizard's a brewin'!\" from dad. It took longer than usual", "change my descriptive language when changing POVs? In this case I fear that", "regarding the way I describe the people around the main characters. The two", "way that is not allowed or frowned upon. I of course want to", "certain age. Dived > > \"Thanks\" said Dived and hugged his mom \"I've", "the backyard again today. \"Honey, is the magic ready yet?\" mom said in", "young POV will show \"the feeling of there only being one Mom and", "be in the backyard again today. \"Honey, is the magic ready yet?\" mom", "is on the way I refer to the parents. If done successfully, the", "was listening. His father had always been told he was a great singer,", "> Carly laid in her bed wondering if the cat would be in", "makes them see the things and people around the characters the way the", "show \"the feeling of there only being one Mom and one Dad\" -", "case I fear that I'm letting my younger character's POW influence the descriptions", "Since I'm not an experienced writer, I still struggle with some basic \"rules\"", "laid in her bed wondering if the cat would be in the backyard", "see the things and people around the characters the way the characters would,", "and so on, if that is \"allowed\". I think what I want is", "makes the reader go \"what?\", I'd like to know that as soon as", "people around the characters the way the characters would, then perfect. If it", "the way a child sees the world. Examples These are examples to give", "wish to show the age (and world perception) differences between the two characters.", "described as follows: \"Dived\", Young Man - approximately 22 years old. \"Carly\", Young", "with some basic \"rules\" within writing that may or may not exist. This", "the descriptions in a way that is not allowed or frowned upon. I", "of course want to give my readers a fluent and immersive experience, and", "If it breaks the immersion or in any other way makes the reader", "person af a certain age and personalty, but I want the POV to", "hugged his mom \"I've missed this\". As he walked down the hallway, he", "today. \"Honey, is the magic ready yet?\" mom said in the hallway. Carly", "but I want the POV to influence the descriptions and so on, if", "> > \"Thanks\" said Dived and hugged his mom \"I've missed this\". As", "I of course want to give my readers a fluent and immersive experience,", "characters. The focus here is on the way I refer to the parents.", "himself, the way he always did when he thought no-one was listening. His", "perfect. If it breaks the immersion or in any other way makes the", "simplified descriptive language, to simulate the way a child sees the world. Examples", "things and people around the characters the way the characters would, then perfect.", "POW influence the descriptions in a way that is not allowed or frowned", "allowed or frowned upon. I of course want to give my readers a", "on, if that is \"allowed\". I think what I want is a simplified", "and if this method makes them see the things and people around the", "from dad. It took longer than usual for dad to answer. > >", "- approximately 8 years old. Obviously, the dialogue plays a huge role in", "want the POV to influence the descriptions and so on, if that is", "the young POV will show \"the feeling of there only being one Mom", "age. Dived > > \"Thanks\" said Dived and hugged his mom \"I've missed", "mom was talking about the morning coffee, and expected the usual \"The wizard's", "of there only being one Mom and one Dad\" - that I believe", "be described as follows: \"Dived\", Young Man - approximately 22 years old. \"Carly\",", "to answer. > > > So, the actual question could be phrased as", "only being one Mom and one Dad\" - that I believe almost all", "so on, if that is \"allowed\". I think what I want is a", "\"Honey, is the magic ready yet?\" mom said in the hallway. Carly knew", "(and world perception) differences between the two characters. The focus here is on", "phrased as followed: Am I free to change my descriptive language when changing", "a great singer, but had never truly believed it himself. > > >", "one of the ways I wish to show the age (and world perception)", "he was a great singer, but had never truly believed it himself. >", "two main characters could be described as follows: \"Dived\", Young Man - approximately", "want is a simplified descriptive language, to simulate the way a child sees", "missed this\". As he walked down the hallway, he could hear his father", "I believe almost all children feel up until a certain age. Dived >", "and people around the characters the way the characters would, then perfect. If", "Obviously, the dialogue plays a huge role in depicting an authentic person af", "the dialogue plays a huge role in depicting an authentic person af a", "main characters could be described as follows: \"Dived\", Young Man - approximately 22", "way he always did when he thought no-one was listening. His father had", "dad. It took longer than usual for dad to answer. > > >", "I fear that I'm letting my younger character's POW influence the descriptions in", "hear his father singing to himself, the way he always did when he", "character's POW influence the descriptions in a way that is not allowed or", "than one main character. Since I'm not an experienced writer, I still struggle", "\"I've missed this\". As he walked down the hallway, he could hear his", "I want is a simplified descriptive language, to simulate the way a child", "younger character's POW influence the descriptions in a way that is not allowed", "walked down the hallway, he could hear his father singing to himself, the", "and hugged his mom \"I've missed this\". As he walked down the hallway,", "want to give my readers a fluent and immersive experience, and if this", "the age (and world perception) differences between the two characters. The focus here", "wondering if the cat would be in the backyard again today. \"Honey, is", "old. \"Carly\", Young Girl - approximately 8 years old. Obviously, the dialogue plays", "> Carly > > Carly laid in her bed wondering if the cat", "usual \"The wizard's a brewin'!\" from dad. It took longer than usual for", "a brewin'!\" from dad. It took longer than usual for dad to answer.", "I wish to show the age (and world perception) differences between the two", "been told he was a great singer, but had never truly believed it", "he could hear his father singing to himself, the way he always did", "being one Mom and one Dad\" - that I believe almost all children", "In this case I fear that I'm letting my younger character's POW influence", "approximately 8 years old. Obviously, the dialogue plays a huge role in depicting", "ready yet?\" mom said in the hallway. Carly knew that mom was talking", "to simulate the way a child sees the world. Examples These are examples", "of one of the ways I wish to show the age (and world", "years old. Obviously, the dialogue plays a huge role in depicting an authentic", "truly believed it himself. > > > Carly > > Carly laid in", "differences between the two characters. The focus here is on the way I", "writing a sci-fi novel with more than one main character. Since I'm not", "\"allowed\". I think what I want is a simplified descriptive language, to simulate", "bed wondering if the cat would be in the backyard again today. \"Honey,", "way a child sees the world. Examples These are examples to give an", "as followed: Am I free to change my descriptive language when changing POVs?" ]
[ "the plot won't be developed, or won't be focused enough, causing it to", "of people - both on this site and elsewhere - that your first", "that the wording will be bad? The story won't convey the message or", "that the plot won't be developed, or won't be focused enough, causing it", "draft will be terrible. Some even say that you will barely use any", "developed, or won't be focused enough, causing it to ramble? What exactly is", "both on this site and elsewhere - that your first draft will be", "What about the first draft is so bad? Is it that the wording", "will be bad? The story won't convey the message or sound the way", "even say that you will barely use any of it. This has me", "wondering: What about the first draft is so bad? Is it that the", "the wording will be bad? The story won't convey the message or sound", "won't convey the message or sound the way you want it to? Or", "it that the characters won't be fleshed out enough? Maybe that the plot", "so bad? Is it that the wording will be bad? The story won't", "elsewhere - that your first draft will be terrible. Some even say that", "you want it to? Or is it that the characters won't be fleshed", "Maybe that the plot won't be developed, or won't be focused enough, causing", "any of it. This has me wondering: What about the first draft is", "it. This has me wondering: What about the first draft is so bad?", "is it that the characters won't be fleshed out enough? Maybe that the", "bad? The story won't convey the message or sound the way you want", "out enough? Maybe that the plot won't be developed, or won't be focused", "use any of it. This has me wondering: What about the first draft", "or won't be focused enough, causing it to ramble? What exactly is bad", "characters won't be fleshed out enough? Maybe that the plot won't be developed,", "me wondering: What about the first draft is so bad? Is it that", "heard from a lot of people - both on this site and elsewhere", "This has me wondering: What about the first draft is so bad? Is", "of it. This has me wondering: What about the first draft is so", "plot won't be developed, or won't be focused enough, causing it to ramble?", "the characters won't be fleshed out enough? Maybe that the plot won't be", "be terrible. Some even say that you will barely use any of it.", "- both on this site and elsewhere - that your first draft will", "the message or sound the way you want it to? Or is it", "message or sound the way you want it to? Or is it that", "and elsewhere - that your first draft will be terrible. Some even say", "your first draft will be terrible. Some even say that you will barely", "enough? Maybe that the plot won't be developed, or won't be focused enough,", "be developed, or won't be focused enough, causing it to ramble? What exactly", "it to? Or is it that the characters won't be fleshed out enough?", "Some even say that you will barely use any of it. This has", "The story won't convey the message or sound the way you want it", "want it to? Or is it that the characters won't be fleshed out", "on this site and elsewhere - that your first draft will be terrible.", "focused enough, causing it to ramble? What exactly is bad about the first", "won't be developed, or won't be focused enough, causing it to ramble? What", "has me wondering: What about the first draft is so bad? Is it", "or sound the way you want it to? Or is it that the", "won't be focused enough, causing it to ramble? What exactly is bad about", "that you will barely use any of it. This has me wondering: What", "site and elsewhere - that your first draft will be terrible. Some even", "is so bad? Is it that the wording will be bad? The story", "way you want it to? Or is it that the characters won't be", "will barely use any of it. This has me wondering: What about the", "will be terrible. Some even say that you will barely use any of", "say that you will barely use any of it. This has me wondering:", "people - both on this site and elsewhere - that your first draft", "enough, causing it to ramble? What exactly is bad about the first draft?", "terrible. Some even say that you will barely use any of it. This", "bad? Is it that the wording will be bad? The story won't convey", "to? Or is it that the characters won't be fleshed out enough? Maybe", "you will barely use any of it. This has me wondering: What about", "the way you want it to? Or is it that the characters won't", "sound the way you want it to? Or is it that the characters", "a lot of people - both on this site and elsewhere - that", "lot of people - both on this site and elsewhere - that your", "this site and elsewhere - that your first draft will be terrible. Some", "wording will be bad? The story won't convey the message or sound the", "first draft is so bad? Is it that the wording will be bad?", "from a lot of people - both on this site and elsewhere -", "be fleshed out enough? Maybe that the plot won't be developed, or won't", "won't be fleshed out enough? Maybe that the plot won't be developed, or", "story won't convey the message or sound the way you want it to?", "be focused enough, causing it to ramble? What exactly is bad about the", "barely use any of it. This has me wondering: What about the first", "draft is so bad? Is it that the wording will be bad? The", "about the first draft is so bad? Is it that the wording will", "- that your first draft will be terrible. Some even say that you", "convey the message or sound the way you want it to? Or is", "the first draft is so bad? Is it that the wording will be", "I've heard from a lot of people - both on this site and", "that your first draft will be terrible. Some even say that you will", "first draft will be terrible. Some even say that you will barely use", "Is it that the wording will be bad? The story won't convey the", "Or is it that the characters won't be fleshed out enough? Maybe that", "fleshed out enough? Maybe that the plot won't be developed, or won't be", "it that the wording will be bad? The story won't convey the message", "that the characters won't be fleshed out enough? Maybe that the plot won't", "be bad? The story won't convey the message or sound the way you" ]
[ "writing. The story should consist of five parts, etc. To my untrained writing", "my untrained writing brain this seems to stifle creativity, and enforce a science-like", "One thing that's strange to me is that there seem to be \"rules\"", "this? Must I adhere to the formula? What are the consequences, if I", "be \"rules\" about writing. The story should consist of five parts, etc. To", "is that there seem to be \"rules\" about writing. The story should consist", "should consist of five parts, etc. To my untrained writing brain this seems", "science-like structure in what I thought was an art. I'm thinking of breaking", "Must I adhere to the formula? What are the consequences, if I don't?", "me is that there seem to be \"rules\" about writing. The story should", "end of my story, my hero just isn't strong enough to kill the", "due to his weakness. Should I absolutely not do this? Must I adhere", "in peril due to his weakness. Should I absolutely not do this? Must", "peril due to his weakness. Should I absolutely not do this? Must I", "are in peril due to his weakness. Should I absolutely not do this?", "enforce a science-like structure in what I thought was an art. I'm thinking", "a science-like structure in what I thought was an art. I'm thinking of", "thought was an art. I'm thinking of breaking one of the rules. At", "thinking of breaking one of the rules. At the end of my story,", "amateur writer. One thing that's strange to me is that there seem to", "others are in peril due to his weakness. Should I absolutely not do", "this seems to stifle creativity, and enforce a science-like structure in what I", "to stifle creativity, and enforce a science-like structure in what I thought was", "of five parts, etc. To my untrained writing brain this seems to stifle", "He gets away unscathed, but others are in peril due to his weakness.", "enough to kill the villain. He gets away unscathed, but others are in", "story, my hero just isn't strong enough to kill the villain. He gets", "of breaking one of the rules. At the end of my story, my", "five parts, etc. To my untrained writing brain this seems to stifle creativity,", "consist of five parts, etc. To my untrained writing brain this seems to", "of the rules. At the end of my story, my hero just isn't", "kill the villain. He gets away unscathed, but others are in peril due", "the end of my story, my hero just isn't strong enough to kill", "what I thought was an art. I'm thinking of breaking one of the", "the rules. At the end of my story, my hero just isn't strong", "parts, etc. To my untrained writing brain this seems to stifle creativity, and", "just an amateur writer. One thing that's strange to me is that there", "but others are in peril due to his weakness. Should I absolutely not", "that's strange to me is that there seem to be \"rules\" about writing.", "I'm just an amateur writer. One thing that's strange to me is that", "seem to be \"rules\" about writing. The story should consist of five parts,", "brain this seems to stifle creativity, and enforce a science-like structure in what", "To my untrained writing brain this seems to stifle creativity, and enforce a", "just isn't strong enough to kill the villain. He gets away unscathed, but", "strange to me is that there seem to be \"rules\" about writing. The", "I thought was an art. I'm thinking of breaking one of the rules.", "writing brain this seems to stifle creativity, and enforce a science-like structure in", "etc. To my untrained writing brain this seems to stifle creativity, and enforce", "structure in what I thought was an art. I'm thinking of breaking one", "\"rules\" about writing. The story should consist of five parts, etc. To my", "rules. At the end of my story, my hero just isn't strong enough", "away unscathed, but others are in peril due to his weakness. Should I", "breaking one of the rules. At the end of my story, my hero", "villain. He gets away unscathed, but others are in peril due to his", "that there seem to be \"rules\" about writing. The story should consist of", "seems to stifle creativity, and enforce a science-like structure in what I thought", "was an art. I'm thinking of breaking one of the rules. At the", "isn't strong enough to kill the villain. He gets away unscathed, but others", "thing that's strange to me is that there seem to be \"rules\" about", "do this? Must I adhere to the formula? What are the consequences, if", "strong enough to kill the villain. He gets away unscathed, but others are", "to me is that there seem to be \"rules\" about writing. The story", "an amateur writer. One thing that's strange to me is that there seem", "there seem to be \"rules\" about writing. The story should consist of five", "untrained writing brain this seems to stifle creativity, and enforce a science-like structure", "writer. One thing that's strange to me is that there seem to be", "in what I thought was an art. I'm thinking of breaking one of", "The story should consist of five parts, etc. To my untrained writing brain", "my hero just isn't strong enough to kill the villain. He gets away", "an art. I'm thinking of breaking one of the rules. At the end", "stifle creativity, and enforce a science-like structure in what I thought was an", "story should consist of five parts, etc. To my untrained writing brain this", "to be \"rules\" about writing. The story should consist of five parts, etc.", "hero just isn't strong enough to kill the villain. He gets away unscathed,", "my story, my hero just isn't strong enough to kill the villain. He", "unscathed, but others are in peril due to his weakness. Should I absolutely", "art. I'm thinking of breaking one of the rules. At the end of", "weakness. Should I absolutely not do this? Must I adhere to the formula?", "I'm thinking of breaking one of the rules. At the end of my", "creativity, and enforce a science-like structure in what I thought was an art.", "about writing. The story should consist of five parts, etc. To my untrained", "of my story, my hero just isn't strong enough to kill the villain.", "the villain. He gets away unscathed, but others are in peril due to", "his weakness. Should I absolutely not do this? Must I adhere to the", "and enforce a science-like structure in what I thought was an art. I'm", "to his weakness. Should I absolutely not do this? Must I adhere to", "absolutely not do this? Must I adhere to the formula? What are the", "gets away unscathed, but others are in peril due to his weakness. Should", "not do this? Must I adhere to the formula? What are the consequences,", "to kill the villain. He gets away unscathed, but others are in peril", "At the end of my story, my hero just isn't strong enough to", "I absolutely not do this? Must I adhere to the formula? What are", "Should I absolutely not do this? Must I adhere to the formula? What", "one of the rules. At the end of my story, my hero just" ]
[ "While an unreliable narrator is someone who is deceiving the reader (or possibly", "happened, but does not fully understand the implications, which the reader does understand.", "but does not fully understand the implications, which the reader does understand. Is", "fully understand the implications, which the reader does understand. Is there a term", "does not fully understand the implications, which the reader does understand. Is there", "where the narrator is truthfully relaying what happened, but does not fully understand", "there are plenty of stories where the narrator is truthfully relaying what happened,", "plenty of stories where the narrator is truthfully relaying what happened, but does", "the narrator is truthfully relaying what happened, but does not fully understand the", "someone who is deceiving the reader (or possibly himself), there are plenty of", "deceiving the reader (or possibly himself), there are plenty of stories where the", "narrator is someone who is deceiving the reader (or possibly himself), there are", "reader does understand. Is there a term for this kind of narrator or", "of stories where the narrator is truthfully relaying what happened, but does not", "is deceiving the reader (or possibly himself), there are plenty of stories where", "narrator is truthfully relaying what happened, but does not fully understand the implications,", "who is deceiving the reader (or possibly himself), there are plenty of stories", "stories where the narrator is truthfully relaying what happened, but does not fully", "which the reader does understand. Is there a term for this kind of", "understand the implications, which the reader does understand. Is there a term for", "possibly himself), there are plenty of stories where the narrator is truthfully relaying", "an unreliable narrator is someone who is deceiving the reader (or possibly himself),", "relaying what happened, but does not fully understand the implications, which the reader", "reader (or possibly himself), there are plenty of stories where the narrator is", "the reader (or possibly himself), there are plenty of stories where the narrator", "unreliable narrator is someone who is deceiving the reader (or possibly himself), there", "is truthfully relaying what happened, but does not fully understand the implications, which", "not fully understand the implications, which the reader does understand. Is there a", "the implications, which the reader does understand. Is there a term for this", "are plenty of stories where the narrator is truthfully relaying what happened, but", "truthfully relaying what happened, but does not fully understand the implications, which the", "the reader does understand. Is there a term for this kind of narrator", "himself), there are plenty of stories where the narrator is truthfully relaying what", "is someone who is deceiving the reader (or possibly himself), there are plenty", "what happened, but does not fully understand the implications, which the reader does", "(or possibly himself), there are plenty of stories where the narrator is truthfully", "implications, which the reader does understand. Is there a term for this kind", "does understand. Is there a term for this kind of narrator or story?" ]
[ "write my first Fantasy novel. But there's one question that always bugs me.", "But there's one question that always bugs me. If I were to have", "in my first few books, can I have a non-fictional setting later on", "of course I would have a fictional name for it. So if I", "if I have a non-fictional place in my first few books, can I", "have a non-fictional place in my first few books, can I have a", "course I would have a fictional name for it. So if I have", "me. If I were to have a Kingdom, of course I would have", "Fantasy novel. But there's one question that always bugs me. If I were", "I would have a fictional name for it. So if I have a", "it. So if I have a non-fictional place in my first few books,", "I've started to write my first Fantasy novel. But there's one question that", "my first few books, can I have a non-fictional setting later on in", "I have a non-fictional place in my first few books, can I have", "first Fantasy novel. But there's one question that always bugs me. If I", "started to write my first Fantasy novel. But there's one question that always", "question that always bugs me. If I were to have a Kingdom, of", "would have a fictional name for it. So if I have a non-fictional", "first few books, can I have a non-fictional setting later on in the", "for it. So if I have a non-fictional place in my first few", "have a Kingdom, of course I would have a fictional name for it.", "a Kingdom, of course I would have a fictional name for it. So", "So if I have a non-fictional place in my first few books, can", "always bugs me. If I were to have a Kingdom, of course I", "to have a Kingdom, of course I would have a fictional name for", "to write my first Fantasy novel. But there's one question that always bugs", "a fictional name for it. So if I have a non-fictional place in", "a non-fictional place in my first few books, can I have a non-fictional", "few books, can I have a non-fictional setting later on in the series?", "have a fictional name for it. So if I have a non-fictional place", "there's one question that always bugs me. If I were to have a", "one question that always bugs me. If I were to have a Kingdom,", "were to have a Kingdom, of course I would have a fictional name", "name for it. So if I have a non-fictional place in my first", "I were to have a Kingdom, of course I would have a fictional", "that always bugs me. If I were to have a Kingdom, of course", "Kingdom, of course I would have a fictional name for it. So if", "fictional name for it. So if I have a non-fictional place in my", "non-fictional place in my first few books, can I have a non-fictional setting", "bugs me. If I were to have a Kingdom, of course I would", "If I were to have a Kingdom, of course I would have a", "place in my first few books, can I have a non-fictional setting later", "my first Fantasy novel. But there's one question that always bugs me. If", "novel. But there's one question that always bugs me. If I were to" ]
[ "encased in a silver alloy talks basically by allowing magic to move to", "certain wavelengths of sound, and use the 'Cracked' font. They also sometimes speak", "silver alloy talks basically by allowing magic to move to seep into the", "wavelengths of sound, and use the 'Cracked' font. They also sometimes speak in", "causing vibrations. This voice sounds alien, imperial, and metallic. In order to represent", "the 'Cracked' font. They also sometimes speak in an imperial dialect which I", "with a group that constantly wear helmets that filter out certain wavelengths of", "into the silver shell, dispelling it and causing vibrations. This voice sounds alien,", "filter out certain wavelengths of sound, and use the 'Cracked' font. They also", "use the 'Cracked' font. They also sometimes speak in an imperial dialect which", "using a different font. (Specifically Kino MT.) I do something similar with a", "sound, and use the 'Cracked' font. They also sometimes speak in an imperial", "imperial, and metallic. In order to represent this, I'm currently using a different", "helmets that filter out certain wavelengths of sound, and use the 'Cracked' font.", "currently using a different font. (Specifically Kino MT.) I do something similar with", "shell, dispelling it and causing vibrations. This voice sounds alien, imperial, and metallic.", "out certain wavelengths of sound, and use the 'Cracked' font. They also sometimes", "allowing magic to move to seep into the silver shell, dispelling it and", "a group that constantly wear helmets that filter out certain wavelengths of sound,", "of sound, and use the 'Cracked' font. They also sometimes speak in an", "with angle brackets. Is this just going to reek of tacky amateurishness and", "and causing vibrations. This voice sounds alien, imperial, and metallic. In order to", "dictator whose body is encased in a silver alloy talks basically by allowing", "They also sometimes speak in an imperial dialect which I represent with angle", "I'm currently using a different font. (Specifically Kino MT.) I do something similar", "draft of my book, the evil dictator whose body is encased in a", "the silver shell, dispelling it and causing vibrations. This voice sounds alien, imperial,", "I do something similar with a group that constantly wear helmets that filter", "in a silver alloy talks basically by allowing magic to move to seep", "magic to move to seep into the silver shell, dispelling it and causing", "(Specifically Kino MT.) I do something similar with a group that constantly wear", "in an imperial dialect which I represent with angle brackets. Is this just", "to represent this, I'm currently using a different font. (Specifically Kino MT.) I", "something similar with a group that constantly wear helmets that filter out certain", "which I represent with angle brackets. Is this just going to reek of", "represent this, I'm currently using a different font. (Specifically Kino MT.) I do", "group that constantly wear helmets that filter out certain wavelengths of sound, and", "that filter out certain wavelengths of sound, and use the 'Cracked' font. They", "This voice sounds alien, imperial, and metallic. In order to represent this, I'm", "of my book, the evil dictator whose body is encased in a silver", "a different font. (Specifically Kino MT.) I do something similar with a group", "I represent with angle brackets. Is this just going to reek of tacky", "an imperial dialect which I represent with angle brackets. Is this just going", "to move to seep into the silver shell, dispelling it and causing vibrations.", "do something similar with a group that constantly wear helmets that filter out", "this, I'm currently using a different font. (Specifically Kino MT.) I do something", "dialect which I represent with angle brackets. Is this just going to reek", "is encased in a silver alloy talks basically by allowing magic to move", "alloy talks basically by allowing magic to move to seep into the silver", "sounds alien, imperial, and metallic. In order to represent this, I'm currently using", "by allowing magic to move to seep into the silver shell, dispelling it", "represent with angle brackets. Is this just going to reek of tacky amateurishness", "also sometimes speak in an imperial dialect which I represent with angle brackets.", "that constantly wear helmets that filter out certain wavelengths of sound, and use", "alien, imperial, and metallic. In order to represent this, I'm currently using a", "constantly wear helmets that filter out certain wavelengths of sound, and use the", "In order to represent this, I'm currently using a different font. (Specifically Kino", "voice sounds alien, imperial, and metallic. In order to represent this, I'm currently", "dispelling it and causing vibrations. This voice sounds alien, imperial, and metallic. In", "and metallic. In order to represent this, I'm currently using a different font.", "similar with a group that constantly wear helmets that filter out certain wavelengths", "the evil dictator whose body is encased in a silver alloy talks basically", "imperial dialect which I represent with angle brackets. Is this just going to", "talks basically by allowing magic to move to seep into the silver shell,", "angle brackets. Is this just going to reek of tacky amateurishness and such?", "speak in an imperial dialect which I represent with angle brackets. Is this", "a silver alloy talks basically by allowing magic to move to seep into", "sometimes speak in an imperial dialect which I represent with angle brackets. Is", "metallic. In order to represent this, I'm currently using a different font. (Specifically", "to seep into the silver shell, dispelling it and causing vibrations. This voice", "MT.) I do something similar with a group that constantly wear helmets that", "vibrations. This voice sounds alien, imperial, and metallic. In order to represent this,", "and use the 'Cracked' font. They also sometimes speak in an imperial dialect", "the current draft of my book, the evil dictator whose body is encased", "body is encased in a silver alloy talks basically by allowing magic to", "it and causing vibrations. This voice sounds alien, imperial, and metallic. In order", "my book, the evil dictator whose body is encased in a silver alloy", "order to represent this, I'm currently using a different font. (Specifically Kino MT.)", "basically by allowing magic to move to seep into the silver shell, dispelling", "move to seep into the silver shell, dispelling it and causing vibrations. This", "book, the evil dictator whose body is encased in a silver alloy talks", "Kino MT.) I do something similar with a group that constantly wear helmets", "whose body is encased in a silver alloy talks basically by allowing magic", "seep into the silver shell, dispelling it and causing vibrations. This voice sounds", "current draft of my book, the evil dictator whose body is encased in", "font. (Specifically Kino MT.) I do something similar with a group that constantly", "'Cracked' font. They also sometimes speak in an imperial dialect which I represent", "In the current draft of my book, the evil dictator whose body is", "evil dictator whose body is encased in a silver alloy talks basically by", "silver shell, dispelling it and causing vibrations. This voice sounds alien, imperial, and", "different font. (Specifically Kino MT.) I do something similar with a group that", "wear helmets that filter out certain wavelengths of sound, and use the 'Cracked'", "font. They also sometimes speak in an imperial dialect which I represent with" ]
[ "her wish is fulfilled her POV ends. The middle chapters (20,000 words) are", "issue? If so, what can I do to fix it? Note: the man", "fulfilled her POV ends. The middle chapters (20,000 words) are seen from the", "are told from the eyes of a girl who wants to die in", "his POV ends. The last chapters (20,000 words) are seen from the eyes", "novel (the middle and end of the novel focus on their backstory). Note", "some murderers to kill he/him in the way he/she prefers. There are only", "and a woman. The first chapters (20,000 words) are told from the eyes", "Once her wish is fulfilled her POV ends. The middle chapters (20,000 words)", "in the way he/she prefers. There are only two members running this service.", "of the boy she loves. Once her wish is fulfilled her POV ends.", "to fix it? Note: the man and the woman running the service appear", "is this: the reader will invest emotionally in the character of the first", "past). The novel ends with her. My concern is this: the reader will", "is fulfilled her POV ends. The middle chapters (20,000 words) are seen from", "ends with her. My concern is this: the reader will invest emotionally in", "murderers to kill he/him in the way he/she prefers. There are only two", "commit suicide can hire some murderers to kill he/him in the way he/she", "in the arms of the boy she loves. Once her wish is fulfilled", "of the novel. Will this be an issue? If so, what can I", "who wants to die in the arms of the boy she loves. Once", "concern is this: the reader will invest emotionally in the character of the", "I do to fix it? Note: the man and the woman running the", "eyes of the woman I mentioned before (turns out she also wanted to", "see her disappear in the middle of the novel. Will this be an", "service appear throughout the novel (the middle and end of the novel focus", "hire some murderers to kill he/him in the way he/she prefers. There are", "service. A man and a woman. The first chapters (20,000 words) are told", "words) are told from the eyes of a girl who wants to die", "from the eyes of the woman I mentioned before (turns out she also", "this: the reader will invest emotionally in the character of the first chapters,", "the man I mentioned before (when he was young). Turns out he also", "die saving someone. Once his wish is fulfilled his POV ends. The last", "fulfilled his POV ends. The last chapters (20,000 words) are seen from the", "she loves. Once her wish is fulfilled her POV ends. The middle chapters", "and the woman running the service appear throughout the novel (the middle and", "the reader will invest emotionally in the character of the first chapters, only", "There are only two members running this service. A man and a woman.", "man I mentioned before (when he was young). Turns out he also had", "I'm writing a novel where a person who has decided to commit suicide", "girl who wants to die in the arms of the boy she loves.", "are seen from the eyes of the man I mentioned before (when he", "the novel. Will this be an issue? If so, what can I do", "running the service appear throughout the novel (the middle and end of the", "this be an issue? If so, what can I do to fix it?", "had a death wish: to die saving someone. Once his wish is fulfilled", "character of the first chapters, only to see her disappear in the middle", "the man and the woman running the service appear throughout the novel (the", "he/him in the way he/she prefers. There are only two members running this", "The novel ends with her. My concern is this: the reader will invest", "to see her disappear in the middle of the novel. Will this be", "die in the past). The novel ends with her. My concern is this:", "so, what can I do to fix it? Note: the man and the", "the boy she loves. Once her wish is fulfilled her POV ends. The", "the first chapters, only to see her disappear in the middle of the", "of the man I mentioned before (when he was young). Turns out he", "are seen from the eyes of the woman I mentioned before (turns out", "seen from the eyes of the man I mentioned before (when he was", "middle of the novel. Will this be an issue? If so, what can", "woman running the service appear throughout the novel (the middle and end of", "told from the eyes of a girl who wants to die in the", "the character of the first chapters, only to see her disappear in the", "the service appear throughout the novel (the middle and end of the novel", "from the eyes of a girl who wants to die in the arms", "her disappear in the middle of the novel. Will this be an issue?", "arms of the boy she loves. Once her wish is fulfilled her POV", "invest emotionally in the character of the first chapters, only to see her", "fix it? Note: the man and the woman running the service appear throughout", "from the eyes of the man I mentioned before (when he was young).", "of a girl who wants to die in the arms of the boy", "before (turns out she also wanted to die in the past). The novel", "(the middle and end of the novel focus on their backstory). Note 2:", "mentioned before (when he was young). Turns out he also had a death", "throughout the novel (the middle and end of the novel focus on their", "who has decided to commit suicide can hire some murderers to kill he/him", "the way he/she prefers. There are only two members running this service. A", "to die in the past). The novel ends with her. My concern is", "novel. Will this be an issue? If so, what can I do to", "of the novel focus on their backstory). Note 2: some characters don't die.", "POV ends. The middle chapters (20,000 words) are seen from the eyes of", "If so, what can I do to fix it? Note: the man and", "she also wanted to die in the past). The novel ends with her.", "young). Turns out he also had a death wish: to die saving someone.", "last chapters (20,000 words) are seen from the eyes of the woman I", "decided to commit suicide can hire some murderers to kill he/him in the", "be an issue? If so, what can I do to fix it? Note:", "first chapters, only to see her disappear in the middle of the novel.", "the arms of the boy she loves. Once her wish is fulfilled her", "is fulfilled his POV ends. The last chapters (20,000 words) are seen from", "the eyes of the man I mentioned before (when he was young). Turns", "members running this service. A man and a woman. The first chapters (20,000", "an issue? If so, what can I do to fix it? Note: the", "emotionally in the character of the first chapters, only to see her disappear", "My concern is this: the reader will invest emotionally in the character of", "woman. The first chapters (20,000 words) are told from the eyes of a", "A man and a woman. The first chapters (20,000 words) are told from", "middle and end of the novel focus on their backstory). Note 2: some", "suicide can hire some murderers to kill he/him in the way he/she prefers.", "the past). The novel ends with her. My concern is this: the reader", "chapters (20,000 words) are seen from the eyes of the woman I mentioned", "he/she prefers. There are only two members running this service. A man and", "The middle chapters (20,000 words) are seen from the eyes of the man", "(20,000 words) are seen from the eyes of the man I mentioned before", "mentioned before (turns out she also wanted to die in the past). The", "person who has decided to commit suicide can hire some murderers to kill", "eyes of a girl who wants to die in the arms of the", "man and the woman running the service appear throughout the novel (the middle", "has decided to commit suicide can hire some murderers to kill he/him in", "he was young). Turns out he also had a death wish: to die", "wants to die in the arms of the boy she loves. Once her", "a person who has decided to commit suicide can hire some murderers to", "eyes of the man I mentioned before (when he was young). Turns out", "Note: the man and the woman running the service appear throughout the novel", "her POV ends. The middle chapters (20,000 words) are seen from the eyes", "the eyes of a girl who wants to die in the arms of", "wish: to die saving someone. Once his wish is fulfilled his POV ends.", "the eyes of the woman I mentioned before (turns out she also wanted", "wanted to die in the past). The novel ends with her. My concern", "death wish: to die saving someone. Once his wish is fulfilled his POV", "Turns out he also had a death wish: to die saving someone. Once", "middle chapters (20,000 words) are seen from the eyes of the man I", "seen from the eyes of the woman I mentioned before (turns out she", "I mentioned before (turns out she also wanted to die in the past).", "in the middle of the novel. Will this be an issue? If so,", "only two members running this service. A man and a woman. The first", "chapters (20,000 words) are told from the eyes of a girl who wants", "will invest emotionally in the character of the first chapters, only to see", "with her. My concern is this: the reader will invest emotionally in the", "wish is fulfilled his POV ends. The last chapters (20,000 words) are seen", "reader will invest emotionally in the character of the first chapters, only to", "can hire some murderers to kill he/him in the way he/she prefers. There", "ends. The middle chapters (20,000 words) are seen from the eyes of the", "saving someone. Once his wish is fulfilled his POV ends. The last chapters", "in the character of the first chapters, only to see her disappear in", "novel ends with her. My concern is this: the reader will invest emotionally", "appear throughout the novel (the middle and end of the novel focus on", "out she also wanted to die in the past). The novel ends with", "before (when he was young). Turns out he also had a death wish:", "the middle of the novel. Will this be an issue? If so, what", "Will this be an issue? If so, what can I do to fix", "a woman. The first chapters (20,000 words) are told from the eyes of", "also had a death wish: to die saving someone. Once his wish is", "(20,000 words) are seen from the eyes of the woman I mentioned before", "he also had a death wish: to die saving someone. Once his wish", "it? Note: the man and the woman running the service appear throughout the", "first chapters (20,000 words) are told from the eyes of a girl who", "the woman running the service appear throughout the novel (the middle and end", "also wanted to die in the past). The novel ends with her. My", "end of the novel focus on their backstory). Note 2: some characters don't", "and end of the novel focus on their backstory). Note 2: some characters", "to die in the arms of the boy she loves. Once her wish", "of the first chapters, only to see her disappear in the middle of", "of the woman I mentioned before (turns out she also wanted to die", "The first chapters (20,000 words) are told from the eyes of a girl", "disappear in the middle of the novel. Will this be an issue? If", "Once his wish is fulfilled his POV ends. The last chapters (20,000 words)", "(20,000 words) are told from the eyes of a girl who wants to", "the woman I mentioned before (turns out she also wanted to die in", "novel where a person who has decided to commit suicide can hire some", "The last chapters (20,000 words) are seen from the eyes of the woman", "way he/she prefers. There are only two members running this service. A man", "(when he was young). Turns out he also had a death wish: to", "two members running this service. A man and a woman. The first chapters", "running this service. A man and a woman. The first chapters (20,000 words)", "this service. A man and a woman. The first chapters (20,000 words) are", "prefers. There are only two members running this service. A man and a", "words) are seen from the eyes of the man I mentioned before (when", "I mentioned before (when he was young). Turns out he also had a", "boy she loves. Once her wish is fulfilled her POV ends. The middle", "was young). Turns out he also had a death wish: to die saving", "are only two members running this service. A man and a woman. The", "what can I do to fix it? Note: the man and the woman", "a novel where a person who has decided to commit suicide can hire", "the novel (the middle and end of the novel focus on their backstory).", "die in the arms of the boy she loves. Once her wish is", "her. My concern is this: the reader will invest emotionally in the character", "woman I mentioned before (turns out she also wanted to die in the", "only to see her disappear in the middle of the novel. Will this", "loves. Once her wish is fulfilled her POV ends. The middle chapters (20,000", "writing a novel where a person who has decided to commit suicide can", "(turns out she also wanted to die in the past). The novel ends", "a death wish: to die saving someone. Once his wish is fulfilled his", "where a person who has decided to commit suicide can hire some murderers", "chapters, only to see her disappear in the middle of the novel. Will", "POV ends. The last chapters (20,000 words) are seen from the eyes of", "to kill he/him in the way he/she prefers. There are only two members", "his wish is fulfilled his POV ends. The last chapters (20,000 words) are", "can I do to fix it? Note: the man and the woman running", "words) are seen from the eyes of the woman I mentioned before (turns", "out he also had a death wish: to die saving someone. Once his", "to commit suicide can hire some murderers to kill he/him in the way", "kill he/him in the way he/she prefers. There are only two members running", "do to fix it? Note: the man and the woman running the service", "chapters (20,000 words) are seen from the eyes of the man I mentioned", "wish is fulfilled her POV ends. The middle chapters (20,000 words) are seen", "in the past). The novel ends with her. My concern is this: the", "someone. Once his wish is fulfilled his POV ends. The last chapters (20,000", "ends. The last chapters (20,000 words) are seen from the eyes of the", "to die saving someone. Once his wish is fulfilled his POV ends. The", "a girl who wants to die in the arms of the boy she", "man and a woman. The first chapters (20,000 words) are told from the" ]
[ "of the sentence but I have also seen an ellipsis used as well,", "hyphen at the end of the sentence but I have also seen an", "that actually be shown in dialog? I have seen some use a hyphen", "sentence but I have also seen an ellipsis used as well, but which", "in dialog? I have seen some use a hyphen at the end of", "mid-sentence. How would that actually be shown in dialog? I have seen some", "at the end of the sentence but I have also seen an ellipsis", "shown in dialog? I have seen some use a hyphen at the end", "Let's say two characters are conversing and one character interrupts the other in", "I have also seen an ellipsis used as well, but which is the", "are conversing and one character interrupts the other in mid-sentence. How would that", "but I have also seen an ellipsis used as well, but which is", "use a hyphen at the end of the sentence but I have also", "and one character interrupts the other in mid-sentence. How would that actually be", "have seen some use a hyphen at the end of the sentence but", "interrupts the other in mid-sentence. How would that actually be shown in dialog?", "conversing and one character interrupts the other in mid-sentence. How would that actually", "seen some use a hyphen at the end of the sentence but I", "the sentence but I have also seen an ellipsis used as well, but", "also seen an ellipsis used as well, but which is the most appropriate?", "have also seen an ellipsis used as well, but which is the most", "How would that actually be shown in dialog? I have seen some use", "actually be shown in dialog? I have seen some use a hyphen at", "the other in mid-sentence. How would that actually be shown in dialog? I", "one character interrupts the other in mid-sentence. How would that actually be shown", "character interrupts the other in mid-sentence. How would that actually be shown in", "say two characters are conversing and one character interrupts the other in mid-sentence.", "a hyphen at the end of the sentence but I have also seen", "the end of the sentence but I have also seen an ellipsis used", "two characters are conversing and one character interrupts the other in mid-sentence. How", "would that actually be shown in dialog? I have seen some use a", "be shown in dialog? I have seen some use a hyphen at the", "in mid-sentence. How would that actually be shown in dialog? I have seen", "end of the sentence but I have also seen an ellipsis used as", "dialog? I have seen some use a hyphen at the end of the", "characters are conversing and one character interrupts the other in mid-sentence. How would", "other in mid-sentence. How would that actually be shown in dialog? I have", "some use a hyphen at the end of the sentence but I have", "I have seen some use a hyphen at the end of the sentence" ]
[ "of the fiction novel is \"Shorter of Breath\" -- a reference to a", "accept this profanation!”\" How much of this should I remove / change /", "“‘Corporation games!' 'Listen to the radio!’ How long will we have to accept", "from history by attacking the band members in 1985. The band name and", "this city\" from history by attacking the band members in 1985. The band", "of the subplots of this very silly story is a time-traveling group of", "to the assembly, “‘Corporation games!' 'Listen to the radio!’ How long will we", "we have to accept this profanation!”\" How much of this should I remove", "lyrics and titles, such as 3: Look up to the skies and see", "long will we have to accept this profanation!”\" How much of this should", "group of novel characters who become music critic terrorists and decide to remove", "to the radio!’ How long will we have to accept this profanation!”\" How", "have to accept this profanation!”\" How much of this should I remove /", "his beer and ranted to the assembly, “‘Corporation games!' 'Listen to the radio!’", "How long will we have to accept this profanation!”\" How much of this", "How much of this should I remove / change / tweak / abandon?", "The title of the fiction novel is \"Shorter of Breath\" -- a reference", "\"Shorter of Breath\" -- a reference to a lyric in Pink Floyd's \"Time.\"", "names have song lyrics and titles, such as 3: Look up to the", "and see 4: I understand about indecision 7: And if you listen very", "ranted to the assembly, “‘Corporation games!' 'Listen to the radio!’ How long will", "built this city\" from history by attacking the band members in 1985. The", "song are referred to, and occasionally quoted: \"A fictional character named Mucho from", "And if you listen very hard 8: Someone saved my life tonight One", "the subplots of this very silly story is a time-traveling group of novel", "characters who become music critic terrorists and decide to remove Starship's \"We built", "radio!’ How long will we have to accept this profanation!”\" How much of", "of this very silly story is a time-traveling group of novel characters who", "history by attacking the band members in 1985. The band name and song", "are referred to, and occasionally quoted: \"A fictional character named Mucho from a", "silly story is a time-traveling group of novel characters who become music critic", "should I remove / change / tweak / abandon? Thank you in advance.", "become music critic terrorists and decide to remove Starship's \"We built this city\"", "indecision 7: And if you listen very hard 8: Someone saved my life", "band members in 1985. The band name and song are referred to, and", "The band name and song are referred to, and occasionally quoted: \"A fictional", "discussed--but please advise me on this particular test case. The title of the", "title of the fiction novel is \"Shorter of Breath\" -- a reference to", "been discussed--but please advise me on this particular test case. The title of", "who become music critic terrorists and decide to remove Starship's \"We built this", "case. The title of the fiction novel is \"Shorter of Breath\" -- a", "Floyd's \"Time.\" Chapter names have song lyrics and titles, such as 3: Look", "you listen very hard 8: Someone saved my life tonight One of the", "as 3: Look up to the skies and see 4: I understand about", "and occasionally quoted: \"A fictional character named Mucho from a Pynchon novel waved", "from a Pynchon novel waved his beer and ranted to the assembly, “‘Corporation", "and decide to remove Starship's \"We built this city\" from history by attacking", "see 4: I understand about indecision 7: And if you listen very hard", "of novel characters who become music critic terrorists and decide to remove Starship's", "to, and occasionally quoted: \"A fictional character named Mucho from a Pynchon novel", "waved his beer and ranted to the assembly, “‘Corporation games!' 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The title", "the band members in 1985. The band name and song are referred to,", "my life tonight One of the subplots of this very silly story is", "novel characters who become music critic terrorists and decide to remove Starship's \"We", "profanation!”\" How much of this should I remove / change / tweak /", "Chapter names have song lyrics and titles, such as 3: Look up to", "\"A fictional character named Mucho from a Pynchon novel waved his beer and", "hard 8: Someone saved my life tonight One of the subplots of this", "reference to a lyric in Pink Floyd's \"Time.\" Chapter names have song lyrics", "advise me on this particular test case. The title of the fiction novel", "assembly, “‘Corporation games!' 'Listen to the radio!’ How long will we have to", "\"We built this city\" from history by attacking the band members in 1985.", "Look up to the skies and see 4: I understand about indecision 7:", "subplots of this very silly story is a time-traveling group of novel characters", "a time-traveling group of novel characters who become music critic terrorists and decide", "attacking the band members in 1985. The band name and song are referred", "novel is \"Shorter of Breath\" -- a reference to a lyric in Pink", "decide to remove Starship's \"We built this city\" from history by attacking the", "Pink Floyd's \"Time.\" Chapter names have song lyrics and titles, such as 3:", "the radio!’ How long will we have to accept this profanation!”\" How much", "topic has been discussed--but please advise me on this particular test case. The", "character named Mucho from a Pynchon novel waved his beer and ranted to", "named Mucho from a Pynchon novel waved his beer and ranted to the", "will we have to accept this profanation!”\" How much of this should I", "is \"Shorter of Breath\" -- a reference to a lyric in Pink Floyd's", "particular test case. The title of the fiction novel is \"Shorter of Breath\"", "life tonight One of the subplots of this very silly story is a", "is a time-traveling group of novel characters who become music critic terrorists and", "a lyric in Pink Floyd's \"Time.\" Chapter names have song lyrics and titles,", "saved my life tonight One of the subplots of this very silly story", "Mucho from a Pynchon novel waved his beer and ranted to the assembly,", "to a lyric in Pink Floyd's \"Time.\" Chapter names have song lyrics and", "referred to, and occasionally quoted: \"A fictional character named Mucho from a Pynchon", "\"Time.\" Chapter names have song lyrics and titles, such as 3: Look up", "song lyrics and titles, such as 3: Look up to the skies and", "and titles, such as 3: Look up to the skies and see 4:", "story is a time-traveling group of novel characters who become music critic terrorists", "the assembly, “‘Corporation games!' 'Listen to the radio!’ How long will we have", "this very silly story is a time-traveling group of novel characters who become", "the fiction novel is \"Shorter of Breath\" -- a reference to a lyric", "band name and song are referred to, and occasionally quoted: \"A fictional character", "critic terrorists and decide to remove Starship's \"We built this city\" from history", "of this should I remove / change / tweak / abandon? Thank you", "to accept this profanation!”\" How much of this should I remove / change", "have song lyrics and titles, such as 3: Look up to the skies", "occasionally quoted: \"A fictional character named Mucho from a Pynchon novel waved his", "time-traveling group of novel characters who become music critic terrorists and decide to", "this profanation!”\" How much of this should I remove / change / tweak", "music critic terrorists and decide to remove Starship's \"We built this city\" from", "terrorists and decide to remove Starship's \"We built this city\" from history by", "of Breath\" -- a reference to a lyric in Pink Floyd's \"Time.\" Chapter", "by attacking the band members in 1985. The band name and song are", "beer and ranted to the assembly, “‘Corporation games!' 'Listen to the radio!’ How", "This topic has been discussed--but please advise me on this particular test case.", "I understand about indecision 7: And if you listen very hard 8: Someone", "the skies and see 4: I understand about indecision 7: And if you", "if you listen very hard 8: Someone saved my life tonight One of", "fictional character named Mucho from a Pynchon novel waved his beer and ranted", "very silly story is a time-traveling group of novel characters who become music", "One of the subplots of this very silly story is a time-traveling group", "a Pynchon novel waved his beer and ranted to the assembly, “‘Corporation games!'", "games!' 'Listen to the radio!’ How long will we have to accept this", "city\" from history by attacking the band members in 1985. The band name", "Starship's \"We built this city\" from history by attacking the band members in", "this particular test case. The title of the fiction novel is \"Shorter of", "titles, such as 3: Look up to the skies and see 4: I", "in 1985. The band name and song are referred to, and occasionally quoted:", "novel waved his beer and ranted to the assembly, “‘Corporation games!' 'Listen to", "remove Starship's \"We built this city\" from history by attacking the band members", "8: Someone saved my life tonight One of the subplots of this very", "7: And if you listen very hard 8: Someone saved my life tonight", "Pynchon novel waved his beer and ranted to the assembly, “‘Corporation games!' 'Listen", "tonight One of the subplots of this very silly story is a time-traveling", "-- a reference to a lyric in Pink Floyd's \"Time.\" Chapter names have", "skies and see 4: I understand about indecision 7: And if you listen", "members in 1985. The band name and song are referred to, and occasionally", "understand about indecision 7: And if you listen very hard 8: Someone saved", "such as 3: Look up to the skies and see 4: I understand", "3: Look up to the skies and see 4: I understand about indecision", "listen very hard 8: Someone saved my life tonight One of the subplots", "'Listen to the radio!’ How long will we have to accept this profanation!”\"", "and song are referred to, and occasionally quoted: \"A fictional character named Mucho", "lyric in Pink Floyd's \"Time.\" Chapter names have song lyrics and titles, such", "test case. The title of the fiction novel is \"Shorter of Breath\" --", "please advise me on this particular test case. The title of the fiction", "this should I remove / change / tweak / abandon? Thank you in", "a reference to a lyric in Pink Floyd's \"Time.\" Chapter names have song", "and ranted to the assembly, “‘Corporation games!' 'Listen to the radio!’ How long", "to the skies and see 4: I understand about indecision 7: And if", "quoted: \"A fictional character named Mucho from a Pynchon novel waved his beer", "much of this should I remove / change / tweak / abandon? Thank", "fiction novel is \"Shorter of Breath\" -- a reference to a lyric in" ]
[ "faint of heart. Like, how would I describe shaky legs without being so", "the faint of heart. Like, how would I describe shaky legs without being", "you witnessed something not for the faint of heart. Like, how would I", "heat of a situation. Perhaps you witnessed something not for the faint of", "not for the faint of heart. Like, how would I describe shaky legs", "Becoming nervous in the heat of a situation. Perhaps you witnessed something not", "Like, how would I describe shaky legs without being so boring about it.", "situation. Perhaps you witnessed something not for the faint of heart. Like, how", "of a situation. Perhaps you witnessed something not for the faint of heart.", "heart. Like, how would I describe shaky legs without being so boring about", "Perhaps you witnessed something not for the faint of heart. Like, how would", "a situation. Perhaps you witnessed something not for the faint of heart. Like,", "the heat of a situation. Perhaps you witnessed something not for the faint", "witnessed something not for the faint of heart. Like, how would I describe", "something not for the faint of heart. Like, how would I describe shaky", "for the faint of heart. Like, how would I describe shaky legs without", "of heart. Like, how would I describe shaky legs without being so boring", "nervous in the heat of a situation. Perhaps you witnessed something not for", "in the heat of a situation. Perhaps you witnessed something not for the" ]
[ "I have a plot of a mystery/thriller, and I want to start writing", "want to start writing a novel. What should be the minimum length of", "to start writing a novel. What should be the minimum length of a", "writing a novel. What should be the minimum length of a novel so", "What should be the minimum length of a novel so that a Publisher", "a novel. What should be the minimum length of a novel so that", "should be the minimum length of a novel so that a Publisher becomes", "a plot of a mystery/thriller, and I want to start writing a novel.", "and I want to start writing a novel. What should be the minimum", "I want to start writing a novel. What should be the minimum length", "novel. What should be the minimum length of a novel so that a", "start writing a novel. What should be the minimum length of a novel", "have a plot of a mystery/thriller, and I want to start writing a", "of a mystery/thriller, and I want to start writing a novel. What should", "be the minimum length of a novel so that a Publisher becomes interested?", "mystery/thriller, and I want to start writing a novel. What should be the", "plot of a mystery/thriller, and I want to start writing a novel. What", "a mystery/thriller, and I want to start writing a novel. What should be" ]
[ "the main character is not aware of, focusing on other character's side of", "advised by a teacher to rethink the first person, because 'it's very limited'", "a novel where my original idea was to use first person narrative in", "me a particular example and/or pros and cons in general? Thank you all!", "I'd share some information that the main character is not aware of, focusing", "better choice, I would like to learn from what she said. Could anyone", "information that the main character is not aware of, focusing on other character's", "in some other chapters where I'd share some information that the main character", "sure what she meant by that and even though, I'm still convinced first", "learn from what she said. Could anyone give me a particular example and/or", "limited' when it comes to show and tell. I'm not quite sure what", "narrative in most chapters, since the story focuses on the main character's thoughts/feelings/mental", "some other chapters where I'd share some information that the main character is", "writing a novel where my original idea was to use first person narrative", "first person narrative in most chapters, since the story focuses on the main", "third person in some other chapters where I'd share some information that the", "character is not aware of, focusing on other character's side of the story.", "I was advised by a teacher to rethink the first person, because 'it's", "use first person narrative in most chapters, since the story focuses on the", "comes to show and tell. I'm not quite sure what she meant by", "use third person in some other chapters where I'd share some information that", "Recently I was advised by a teacher to rethink the first person, because", "a teacher to rethink the first person, because 'it's very limited' when it", "meant by that and even though, I'm still convinced first person is the", "convinced first person is the better choice, I would like to learn from", "the first person, because 'it's very limited' when it comes to show and", "because 'it's very limited' when it comes to show and tell. I'm not", "main character's thoughts/feelings/mental issues. I planned to use third person in some other", "is not aware of, focusing on other character's side of the story. Recently", "focusing on other character's side of the story. Recently I was advised by", "give me a particular example and/or pros and cons in general? Thank you", "not quite sure what she meant by that and even though, I'm still", "that the main character is not aware of, focusing on other character's side", "where I'd share some information that the main character is not aware of,", "where my original idea was to use first person narrative in most chapters,", "still convinced first person is the better choice, I would like to learn", "like to learn from what she said. Could anyone give me a particular", "though, I'm still convinced first person is the better choice, I would like", "my original idea was to use first person narrative in most chapters, since", "person, because 'it's very limited' when it comes to show and tell. I'm", "'it's very limited' when it comes to show and tell. I'm not quite", "to learn from what she said. Could anyone give me a particular example", "when it comes to show and tell. I'm not quite sure what she", "she meant by that and even though, I'm still convinced first person is", "I'm not quite sure what she meant by that and even though, I'm", "from what she said. Could anyone give me a particular example and/or pros", "the better choice, I would like to learn from what she said. Could", "she said. Could anyone give me a particular example and/or pros and cons", "idea was to use first person narrative in most chapters, since the story", "I'm writing a novel where my original idea was to use first person", "tell. I'm not quite sure what she meant by that and even though,", "some information that the main character is not aware of, focusing on other", "rethink the first person, because 'it's very limited' when it comes to show", "focuses on the main character's thoughts/feelings/mental issues. I planned to use third person", "in most chapters, since the story focuses on the main character's thoughts/feelings/mental issues.", "chapters, since the story focuses on the main character's thoughts/feelings/mental issues. I planned", "to rethink the first person, because 'it's very limited' when it comes to", "person in some other chapters where I'd share some information that the main", "story focuses on the main character's thoughts/feelings/mental issues. I planned to use third", "by that and even though, I'm still convinced first person is the better", "thoughts/feelings/mental issues. I planned to use third person in some other chapters where", "of the story. Recently I was advised by a teacher to rethink the", "I planned to use third person in some other chapters where I'd share", "character's thoughts/feelings/mental issues. I planned to use third person in some other chapters", "teacher to rethink the first person, because 'it's very limited' when it comes", "it comes to show and tell. I'm not quite sure what she meant", "and tell. I'm not quite sure what she meant by that and even", "person narrative in most chapters, since the story focuses on the main character's", "novel where my original idea was to use first person narrative in most", "most chapters, since the story focuses on the main character's thoughts/feelings/mental issues. I", "aware of, focusing on other character's side of the story. Recently I was", "not aware of, focusing on other character's side of the story. Recently I", "I'm still convinced first person is the better choice, I would like to", "show and tell. I'm not quite sure what she meant by that and", "planned to use third person in some other chapters where I'd share some", "of, focusing on other character's side of the story. Recently I was advised", "what she meant by that and even though, I'm still convinced first person", "what she said. Could anyone give me a particular example and/or pros and", "anyone give me a particular example and/or pros and cons in general? Thank", "chapters where I'd share some information that the main character is not aware", "since the story focuses on the main character's thoughts/feelings/mental issues. I planned to", "Could anyone give me a particular example and/or pros and cons in general?", "even though, I'm still convinced first person is the better choice, I would", "character's side of the story. Recently I was advised by a teacher to", "to use first person narrative in most chapters, since the story focuses on", "first person is the better choice, I would like to learn from what", "quite sure what she meant by that and even though, I'm still convinced", "on the main character's thoughts/feelings/mental issues. I planned to use third person in", "original idea was to use first person narrative in most chapters, since the", "and even though, I'm still convinced first person is the better choice, I", "would like to learn from what she said. Could anyone give me a", "other chapters where I'd share some information that the main character is not", "share some information that the main character is not aware of, focusing on", "person is the better choice, I would like to learn from what she", "choice, I would like to learn from what she said. Could anyone give", "main character is not aware of, focusing on other character's side of the", "first person, because 'it's very limited' when it comes to show and tell.", "very limited' when it comes to show and tell. I'm not quite sure", "to use third person in some other chapters where I'd share some information", "side of the story. Recently I was advised by a teacher to rethink", "was advised by a teacher to rethink the first person, because 'it's very", "that and even though, I'm still convinced first person is the better choice,", "story. Recently I was advised by a teacher to rethink the first person,", "was to use first person narrative in most chapters, since the story focuses", "said. Could anyone give me a particular example and/or pros and cons in", "the story focuses on the main character's thoughts/feelings/mental issues. I planned to use", "other character's side of the story. Recently I was advised by a teacher", "issues. I planned to use third person in some other chapters where I'd", "is the better choice, I would like to learn from what she said.", "the main character's thoughts/feelings/mental issues. I planned to use third person in some", "the story. Recently I was advised by a teacher to rethink the first", "I would like to learn from what she said. Could anyone give me", "by a teacher to rethink the first person, because 'it's very limited' when", "to show and tell. I'm not quite sure what she meant by that", "on other character's side of the story. Recently I was advised by a" ]
[ "sight words for certain ages? If so, do these standards keep you from", "there are certain sight words for children depending on age and grade. Are", "example, I know there are certain sight words for children depending on age", "a certain sight words for certain ages? If so, do these standards keep", "there standards that say you can only use a certain sight words for", "standards that say you can only use a certain sight words for certain", "keep you from getting incorporated into classrooms or curriculum or published in any", "I know there are certain sight words for children depending on age and", "children's books? For example, I know there are certain sight words for children", "words for children depending on age and grade. Are there standards that say", "depending on age and grade. Are there standards that say you can only", "for certain ages? If so, do these standards keep you from getting incorporated", "so, do these standards keep you from getting incorporated into classrooms or curriculum", "certain ages? If so, do these standards keep you from getting incorporated into", "know there are certain sight words for children depending on age and grade.", "these standards keep you from getting incorporated into classrooms or curriculum or published", "on age and grade. Are there standards that say you can only use", "only use a certain sight words for certain ages? If so, do these", "can only use a certain sight words for certain ages? If so, do", "ages? If so, do these standards keep you from getting incorporated into classrooms", "there certain standards for writing children's books? For example, I know there are", "that say you can only use a certain sight words for certain ages?", "for children depending on age and grade. Are there standards that say you", "certain sight words for certain ages? If so, do these standards keep you", "certain sight words for children depending on age and grade. Are there standards", "Are there certain standards for writing children's books? For example, I know there", "you from getting incorporated into classrooms or curriculum or published in any way?", "age and grade. Are there standards that say you can only use a", "children depending on age and grade. Are there standards that say you can", "books? For example, I know there are certain sight words for children depending", "For example, I know there are certain sight words for children depending on", "grade. Are there standards that say you can only use a certain sight", "writing children's books? For example, I know there are certain sight words for", "words for certain ages? If so, do these standards keep you from getting", "If so, do these standards keep you from getting incorporated into classrooms or", "Are there standards that say you can only use a certain sight words", "use a certain sight words for certain ages? If so, do these standards", "are certain sight words for children depending on age and grade. Are there", "standards for writing children's books? For example, I know there are certain sight", "for writing children's books? For example, I know there are certain sight words", "certain standards for writing children's books? For example, I know there are certain", "sight words for children depending on age and grade. Are there standards that", "and grade. Are there standards that say you can only use a certain", "say you can only use a certain sight words for certain ages? If", "standards keep you from getting incorporated into classrooms or curriculum or published in", "do these standards keep you from getting incorporated into classrooms or curriculum or", "you can only use a certain sight words for certain ages? If so," ]
[ "fun out of actually writing it. Is there anything else I should plan", "and I've outlined the plot. I want to do this planning to keep", "have started writing a novel. I've done some character questionnaires for my main", "don't want to plan too much so that it takes the fun out", "done some character questionnaires for my main characters, and I've outlined the plot.", "I have started writing a novel. I've done some character questionnaires for my", "a novel. I've done some character questionnaires for my main characters, and I've", "fizzling out, but I don't want to plan too much so that it", "to plan too much so that it takes the fun out of actually", "so that it takes the fun out of actually writing it. Is there", "keep my story from fizzling out, but I don't want to plan too", "questionnaires for my main characters, and I've outlined the plot. I want to", "that it takes the fun out of actually writing it. Is there anything", "planning to keep my story from fizzling out, but I don't want to", "takes the fun out of actually writing it. Is there anything else I", "actually writing it. Is there anything else I should plan to manage this?", "to do this planning to keep my story from fizzling out, but I", "characters, and I've outlined the plot. I want to do this planning to", "plot. I want to do this planning to keep my story from fizzling", "my main characters, and I've outlined the plot. I want to do this", "to keep my story from fizzling out, but I don't want to plan", "for my main characters, and I've outlined the plot. I want to do", "I want to do this planning to keep my story from fizzling out,", "want to do this planning to keep my story from fizzling out, but", "out, but I don't want to plan too much so that it takes", "too much so that it takes the fun out of actually writing it.", "some character questionnaires for my main characters, and I've outlined the plot. I", "outlined the plot. I want to do this planning to keep my story", "do this planning to keep my story from fizzling out, but I don't", "the plot. I want to do this planning to keep my story from", "of actually writing it. Is there anything else I should plan to manage", "I've outlined the plot. I want to do this planning to keep my", "out of actually writing it. Is there anything else I should plan to", "I've done some character questionnaires for my main characters, and I've outlined the", "plan too much so that it takes the fun out of actually writing", "the fun out of actually writing it. Is there anything else I should", "this planning to keep my story from fizzling out, but I don't want", "novel. I've done some character questionnaires for my main characters, and I've outlined", "much so that it takes the fun out of actually writing it. Is", "want to plan too much so that it takes the fun out of", "from fizzling out, but I don't want to plan too much so that", "story from fizzling out, but I don't want to plan too much so", "my story from fizzling out, but I don't want to plan too much", "main characters, and I've outlined the plot. I want to do this planning", "started writing a novel. I've done some character questionnaires for my main characters,", "I don't want to plan too much so that it takes the fun", "but I don't want to plan too much so that it takes the", "it takes the fun out of actually writing it. Is there anything else", "writing a novel. I've done some character questionnaires for my main characters, and", "character questionnaires for my main characters, and I've outlined the plot. I want" ]
[ "for publishing or are there any agencies that publish/encourage budding short story writers?", "have a collection of short stories. I want to publish them. I need", "stories. I want to publish them. I need help in this. Should I", "I need help in this. Should I pay for publishing or are there", "help in this. Should I pay for publishing or are there any agencies", "a collection of short stories. I want to publish them. I need help", "of short stories. I want to publish them. I need help in this.", "I have a collection of short stories. I want to publish them. I", "them. I need help in this. Should I pay for publishing or are", "I want to publish them. I need help in this. Should I pay", "short stories. I want to publish them. I need help in this. Should", "need help in this. Should I pay for publishing or are there any", "in this. Should I pay for publishing or are there any agencies that", "I pay for publishing or are there any agencies that publish/encourage budding short", "publish them. I need help in this. Should I pay for publishing or", "pay for publishing or are there any agencies that publish/encourage budding short story", "this. Should I pay for publishing or are there any agencies that publish/encourage", "collection of short stories. I want to publish them. I need help in", "want to publish them. I need help in this. Should I pay for", "to publish them. I need help in this. Should I pay for publishing", "Should I pay for publishing or are there any agencies that publish/encourage budding" ]
[ "The choices they make will have a massive impact on those relationships, especially", "with several characters with preexisting romantic relationships. The choices they make will have", "with preexisting romantic relationships. The choices they make will have a massive impact", "feel the punch of the ending but without writing a whole bunch of", "will have a massive impact on those relationships, especially after the final reveal.", "outline. The interesting part (and thus the part I should be writing) would", "these pre-existing connections which I want the reader to become invested in too.", "I should be writing) would come with several characters with preexisting romantic relationships.", "toyed with using flashbacks (a lot of flashbacks) but this too just feels", "rests on the strength of these pre-existing connections which I want the reader", "the reader to become invested in too. How can I make those existing", "those existing relationships matter to the reader so that they feel the punch", "become invested in too. How can I make those existing relationships matter to", "too just feels like an emotional \"info dump\" and could spoil the pace", "have a massive impact on those relationships, especially after the final reveal. The", "prologue chapters? I've toyed with using flashbacks (a lot of flashbacks) but this", "make those existing relationships matter to the reader so that they feel the", "the punch of the ending but without writing a whole bunch of prologue", "using flashbacks (a lot of flashbacks) but this too just feels like an", "on those relationships, especially after the final reveal. The emotional tone of the", "whole bunch of prologue chapters? I've toyed with using flashbacks (a lot of", "writing) would come with several characters with preexisting romantic relationships. The choices they", "of these pre-existing connections which I want the reader to become invested in", "so that they feel the punch of the ending but without writing a", "lot of flashbacks) but this too just feels like an emotional \"info dump\"", "the part I should be writing) would come with several characters with preexisting", "preexisting romantic relationships. The choices they make will have a massive impact on", "I make those existing relationships matter to the reader so that they feel", "story rests on the strength of these pre-existing connections which I want the", "with using flashbacks (a lot of flashbacks) but this too just feels like", "impact on those relationships, especially after the final reveal. The emotional tone of", "final reveal. The emotional tone of the entire story rests on the strength", "which I want the reader to become invested in too. How can I", "of flashbacks) but this too just feels like an emotional \"info dump\" and", "the reader so that they feel the punch of the ending but without", "several characters with preexisting romantic relationships. The choices they make will have a", "romantic relationships. The choices they make will have a massive impact on those", "drafting a novel outline. The interesting part (and thus the part I should", "writing a whole bunch of prologue chapters? I've toyed with using flashbacks (a", "interesting part (and thus the part I should be writing) would come with", "invested in too. How can I make those existing relationships matter to the", "they feel the punch of the ending but without writing a whole bunch", "just feels like an emotional \"info dump\" and could spoil the pace of", "too. How can I make those existing relationships matter to the reader so", "reveal. The emotional tone of the entire story rests on the strength of", "existing relationships matter to the reader so that they feel the punch of", "a novel outline. The interesting part (and thus the part I should be", "come with several characters with preexisting romantic relationships. The choices they make will", "chapters? I've toyed with using flashbacks (a lot of flashbacks) but this too", "flashbacks (a lot of flashbacks) but this too just feels like an emotional", "flashbacks) but this too just feels like an emotional \"info dump\" and could", "of the ending but without writing a whole bunch of prologue chapters? I've", "part (and thus the part I should be writing) would come with several", "(a lot of flashbacks) but this too just feels like an emotional \"info", "relationships matter to the reader so that they feel the punch of the", "should be writing) would come with several characters with preexisting romantic relationships. The", "feels like an emotional \"info dump\" and could spoil the pace of the", "The emotional tone of the entire story rests on the strength of these", "they make will have a massive impact on those relationships, especially after the", "especially after the final reveal. The emotional tone of the entire story rests", "part I should be writing) would come with several characters with preexisting romantic", "How can I make those existing relationships matter to the reader so that", "a whole bunch of prologue chapters? I've toyed with using flashbacks (a lot", "punch of the ending but without writing a whole bunch of prologue chapters?", "to become invested in too. How can I make those existing relationships matter", "want the reader to become invested in too. How can I make those", "pre-existing connections which I want the reader to become invested in too. How", "that they feel the punch of the ending but without writing a whole", "an emotional \"info dump\" and could spoil the pace of the main conflict.", "make will have a massive impact on those relationships, especially after the final", "can I make those existing relationships matter to the reader so that they", "be writing) would come with several characters with preexisting romantic relationships. The choices", "the strength of these pre-existing connections which I want the reader to become", "of prologue chapters? I've toyed with using flashbacks (a lot of flashbacks) but", "massive impact on those relationships, especially after the final reveal. The emotional tone", "would come with several characters with preexisting romantic relationships. The choices they make", "I want the reader to become invested in too. How can I make", "of the entire story rests on the strength of these pre-existing connections which", "without writing a whole bunch of prologue chapters? I've toyed with using flashbacks", "I've toyed with using flashbacks (a lot of flashbacks) but this too just", "relationships, especially after the final reveal. The emotional tone of the entire story", "in too. How can I make those existing relationships matter to the reader", "novel outline. The interesting part (and thus the part I should be writing)", "thus the part I should be writing) would come with several characters with", "choices they make will have a massive impact on those relationships, especially after", "emotional tone of the entire story rests on the strength of these pre-existing", "on the strength of these pre-existing connections which I want the reader to", "like an emotional \"info dump\" and could spoil the pace of the main", "The interesting part (and thus the part I should be writing) would come", "connections which I want the reader to become invested in too. How can", "the ending but without writing a whole bunch of prologue chapters? I've toyed", "bunch of prologue chapters? I've toyed with using flashbacks (a lot of flashbacks)", "after the final reveal. The emotional tone of the entire story rests on", "ending but without writing a whole bunch of prologue chapters? I've toyed with", "matter to the reader so that they feel the punch of the ending", "entire story rests on the strength of these pre-existing connections which I want", "relationships. The choices they make will have a massive impact on those relationships,", "(and thus the part I should be writing) would come with several characters", "am drafting a novel outline. The interesting part (and thus the part I", "but this too just feels like an emotional \"info dump\" and could spoil", "the entire story rests on the strength of these pre-existing connections which I", "those relationships, especially after the final reveal. The emotional tone of the entire", "this too just feels like an emotional \"info dump\" and could spoil the", "I am drafting a novel outline. The interesting part (and thus the part", "characters with preexisting romantic relationships. The choices they make will have a massive", "but without writing a whole bunch of prologue chapters? I've toyed with using", "tone of the entire story rests on the strength of these pre-existing connections", "strength of these pre-existing connections which I want the reader to become invested", "to the reader so that they feel the punch of the ending but", "a massive impact on those relationships, especially after the final reveal. The emotional", "reader to become invested in too. How can I make those existing relationships", "reader so that they feel the punch of the ending but without writing", "the final reveal. The emotional tone of the entire story rests on the" ]
[ "a book via Google Books. According to the MLA style, part of citing", "just \"Google\"?* Google Books is the main site for the books, yet Google", "online source includes giving the \"overall website\". Would I say \"Google Books\" or", "style. One of my sources is a book via Google Books. According to", "is a book via Google Books. According to the MLA style, part of", "includes giving the \"overall website\". Would I say \"Google Books\" or just \"Google\"?", "Google Books is the main site for the books, yet Google is the", "the MLA style, part of citing this online source includes giving the \"overall", "via Google Books. According to the MLA style, part of citing this online", "book via Google Books. According to the MLA style, part of citing this", "I say \"Google Books\" or just \"Google\"? Google Books is the main site", "Books\" or just \"Google\"?* Google Books is the main site for the books,", "website\". Would I say \"Google Books\" or just \"Google\"? Google Books is the", "main site for the books, yet Google is the main site of all", "for the books, yet Google is the main site of all Google sites.", "the books, yet Google is the main site of all Google sites. Which", "is the main site for the books, yet Google is the main site", "paper using MLA style. One of my sources is a book via Google", "or just \"Google\"? Google Books is the main site for the books, yet", "Books is the main site for the books, yet Google is the main", "books, yet Google is the main site of all Google sites. Which is", "using MLA style. One of my sources is a book via Google Books.", "to the MLA style, part of citing this online source includes giving the", "my sources is a book via Google Books. According to the MLA style,", "a research paper using MLA style. One of my sources is a book", "the \"overall website\". Would I say \"Google Books\" or just \"Google\"?* Google Books", "sources is a book via Google Books. According to the MLA style, part", "research paper using MLA style. One of my sources is a book via", "of my sources is a book via Google Books. According to the MLA", "part of citing this online source includes giving the \"overall website\". Would I", "say \"Google Books\" or just \"Google\"? Google Books is the main site for", "source includes giving the \"overall website\". Would I say \"Google Books\" or just", "\"Google Books\" or just \"Google\"? Google Books is the main site for the", "giving the \"overall website\". Would I say \"Google Books\" or just \"Google\"? Google", "Google Books. According to the MLA style, part of citing this online source", "of citing this online source includes giving the \"overall website\". Would I say", "writing a research paper using MLA style. One of my sources is a", "Would I say \"Google Books\" or just \"Google\"?* Google Books is the main", "site for the books, yet Google is the main site of all Google", "yet Google is the main site of all Google sites. Which is correct?", "citing this online source includes giving the \"overall website\". Would I say \"Google", "One of my sources is a book via Google Books. According to the", "MLA style. One of my sources is a book via Google Books. According", "am writing a research paper using MLA style. One of my sources is", "According to the MLA style, part of citing this online source includes giving", "the main site for the books, yet Google is the main site of", "MLA style, part of citing this online source includes giving the \"overall website\".", "\"Google\"? Google Books is the main site for the books, yet Google is", "style, part of citing this online source includes giving the \"overall website\". Would", "this online source includes giving the \"overall website\". Would I say \"Google Books\"", "I am writing a research paper using MLA style. One of my sources", "Books. According to the MLA style, part of citing this online source includes", "\"overall website\". Would I say \"Google Books\" or just \"Google\"? Google Books is" ]
[ "ended up more confused than before - KJV, NIV, NAB... every website seems", "to have a different opinion. What I want is to quote passages from", "Pulp Fiction). What bible version should I quote from? I've done some research", "the bible in something I'm writing (think the famous passage in Pulp Fiction).", "answer to this question changes if we're talking about the US or the", "to quote passages from the bible in a way that is recognisable to", "interested in knowing whether the answer to this question changes if we're talking", "most generic version possible. Edit: The intended audience would be religious people, already", "possible. Edit: The intended audience would be religious people, already familiar with the", "like to have the most generic version possible. Edit: The intended audience would", "there isn't that much difference between them (except the one which is in", "bible in a way that is recognisable to readers familiar with the different", "talking about the US or the UK. Ideally I'd like to have the", "from the bible in a way that is recognisable to readers familiar with", "the most generic version possible. Edit: The intended audience would be religious people,", "to readers familiar with the different editions. Maybe there isn't that much difference", "generic version possible. Edit: The intended audience would be religious people, already familiar", "should I quote from? I've done some research but only ended up more", "I want is to quote passages from the bible in a way that", "is in Old English - KJV?) I'm also interested in knowing whether the", "this question changes if we're talking about the US or the UK. Ideally", "What bible version should I quote from? I've done some research but only", "UK. Ideally I'd like to have the most generic version possible. Edit: The", "is to quote passages from the bible in a way that is recognisable", "we're talking about the US or the UK. Ideally I'd like to have", "way that is recognisable to readers familiar with the different editions. Maybe there", "the famous passage in Pulp Fiction). What bible version should I quote from?", "done some research but only ended up more confused than before - KJV,", "much difference between them (except the one which is in Old English -", "the bible in a way that is recognisable to readers familiar with the", "is recognisable to readers familiar with the different editions. Maybe there isn't that", "the answer to this question changes if we're talking about the US or", "famous passage in Pulp Fiction). What bible version should I quote from? I've", "that much difference between them (except the one which is in Old English", "quote from? I've done some research but only ended up more confused than", "Edit: The intended audience would be religious people, already familiar with the bible.", "in a way that is recognisable to readers familiar with the different editions.", "that is recognisable to readers familiar with the different editions. Maybe there isn't", "Say I want to quote from the bible in something I'm writing (think", "up more confused than before - KJV, NIV, NAB... every website seems to", "to this question changes if we're talking about the US or the UK.", "which is in Old English - KJV?) I'm also interested in knowing whether", "I want to quote from the bible in something I'm writing (think the", "about the US or the UK. Ideally I'd like to have the most", "familiar with the different editions. Maybe there isn't that much difference between them", "What I want is to quote passages from the bible in a way", "I'd like to have the most generic version possible. Edit: The intended audience", "NAB... every website seems to have a different opinion. What I want is", "question changes if we're talking about the US or the UK. Ideally I'd", "in Old English - KJV?) I'm also interested in knowing whether the answer", "knowing whether the answer to this question changes if we're talking about the", "changes if we're talking about the US or the UK. Ideally I'd like", "passage in Pulp Fiction). What bible version should I quote from? I've done", "bible in something I'm writing (think the famous passage in Pulp Fiction). What", "in Pulp Fiction). What bible version should I quote from? I've done some", "(except the one which is in Old English - KJV?) I'm also interested", "them (except the one which is in Old English - KJV?) I'm also", "the different editions. Maybe there isn't that much difference between them (except the", "version should I quote from? I've done some research but only ended up", "KJV, NIV, NAB... every website seems to have a different opinion. What I", "different opinion. What I want is to quote passages from the bible in", "Fiction). What bible version should I quote from? I've done some research but", "a way that is recognisable to readers familiar with the different editions. Maybe", "readers familiar with the different editions. Maybe there isn't that much difference between", "to quote from the bible in something I'm writing (think the famous passage", "- KJV, NIV, NAB... every website seems to have a different opinion. What", "confused than before - KJV, NIV, NAB... every website seems to have a", "the one which is in Old English - KJV?) I'm also interested in", "before - KJV, NIV, NAB... every website seems to have a different opinion.", "in something I'm writing (think the famous passage in Pulp Fiction). What bible", "Ideally I'd like to have the most generic version possible. Edit: The intended", "but only ended up more confused than before - KJV, NIV, NAB... every", "difference between them (except the one which is in Old English - KJV?)", "the US or the UK. Ideally I'd like to have the most generic", "KJV?) I'm also interested in knowing whether the answer to this question changes", "passages from the bible in a way that is recognisable to readers familiar", "opinion. What I want is to quote passages from the bible in a", "whether the answer to this question changes if we're talking about the US", "English - KJV?) I'm also interested in knowing whether the answer to this", "quote from the bible in something I'm writing (think the famous passage in", "I quote from? I've done some research but only ended up more confused", "with the different editions. Maybe there isn't that much difference between them (except", "something I'm writing (think the famous passage in Pulp Fiction). What bible version", "different editions. Maybe there isn't that much difference between them (except the one", "writing (think the famous passage in Pulp Fiction). What bible version should I", "or the UK. Ideally I'd like to have the most generic version possible.", "I'm also interested in knowing whether the answer to this question changes if", "between them (except the one which is in Old English - KJV?) I'm", "US or the UK. Ideally I'd like to have the most generic version", "I've done some research but only ended up more confused than before -", "have a different opinion. What I want is to quote passages from the", "website seems to have a different opinion. What I want is to quote", "Maybe there isn't that much difference between them (except the one which is", "want to quote from the bible in something I'm writing (think the famous", "from? I've done some research but only ended up more confused than before", "bible version should I quote from? I've done some research but only ended", "version possible. Edit: The intended audience would be religious people, already familiar with", "want is to quote passages from the bible in a way that is", "more confused than before - KJV, NIV, NAB... every website seems to have", "seems to have a different opinion. What I want is to quote passages", "one which is in Old English - KJV?) I'm also interested in knowing", "than before - KJV, NIV, NAB... every website seems to have a different", "a different opinion. What I want is to quote passages from the bible", "the UK. Ideally I'd like to have the most generic version possible. Edit:", "to have the most generic version possible. Edit: The intended audience would be", "from the bible in something I'm writing (think the famous passage in Pulp", "research but only ended up more confused than before - KJV, NIV, NAB...", "editions. Maybe there isn't that much difference between them (except the one which", "- KJV?) I'm also interested in knowing whether the answer to this question", "also interested in knowing whether the answer to this question changes if we're", "every website seems to have a different opinion. What I want is to", "NIV, NAB... every website seems to have a different opinion. What I want", "Old English - KJV?) I'm also interested in knowing whether the answer to", "I'm writing (think the famous passage in Pulp Fiction). What bible version should", "have the most generic version possible. Edit: The intended audience would be religious", "recognisable to readers familiar with the different editions. Maybe there isn't that much", "if we're talking about the US or the UK. Ideally I'd like to", "in knowing whether the answer to this question changes if we're talking about", "some research but only ended up more confused than before - KJV, NIV,", "only ended up more confused than before - KJV, NIV, NAB... every website", "isn't that much difference between them (except the one which is in Old", "quote passages from the bible in a way that is recognisable to readers", "(think the famous passage in Pulp Fiction). What bible version should I quote" ]
[ "> > With the whole world viciously fighting against them, these three teenagers", "throughout the series. For example: > > With the whole world viciously fighting", "introduction a few paragraphs long at the beginning of every book explaining the", "end up being a bit lost as to what is going on. Because", "in their power to gradually fix the planet's reopened wounds, while never giving", "be a good idea to have an introduction a few paragraphs long at", "explaining the basic plot throughout the series. For example: > > With the", "somewhere in the middle of the series and end up being a bit", "on. Because of this, I was wondering if it would be a good", "working on deals with an underlying storyline that progresses through each book. I'm", "to start reading a book somewhere in the middle of the series and", "an introduction a few paragraphs long at the beginning of every book explaining", "three teenagers do everything in their power to gradually fix the planet's reopened", "the series. For example: > > With the whole world viciously fighting against", "them, these three teenagers do everything in their power to gradually fix the", "the middle of the series and end up being a bit lost as", "of every book explaining the basic plot throughout the series. For example: >", "middle of the series and end up being a bit lost as to", "the beginning of every book explaining the basic plot throughout the series. For", "every book explaining the basic plot throughout the series. For example: > >", "this, I was wondering if it would be a good idea to have", "these three teenagers do everything in their power to gradually fix the planet's", "in the middle of the series and end up being a bit lost", "if it would be a good idea to have an introduction a few", "basic plot throughout the series. For example: > > With the whole world", "power to gradually fix the planet's reopened wounds, while never giving up hope", "it would be a good idea to have an introduction a few paragraphs", "the whole world viciously fighting against them, these three teenagers do everything in", "through each book. I'm afraid of confusing a reader if they decide to", "to what is going on. Because of this, I was wondering if it", "book somewhere in the middle of the series and end up being a", "idea to have an introduction a few paragraphs long at the beginning of", "is going on. Because of this, I was wondering if it would be", "if they decide to start reading a book somewhere in the middle of", "would be a good idea to have an introduction a few paragraphs long", "reopened wounds, while never giving up hope that they may one day see", "With the whole world viciously fighting against them, these three teenagers do everything", "up being a bit lost as to what is going on. Because of", "planet's reopened wounds, while never giving up hope that they may one day", "book. I'm afraid of confusing a reader if they decide to start reading", "everything in their power to gradually fix the planet's reopened wounds, while never", "that they may one day see their loved ones again. > > >", "was wondering if it would be a good idea to have an introduction", "going on. Because of this, I was wondering if it would be a", "world viciously fighting against them, these three teenagers do everything in their power", "against them, these three teenagers do everything in their power to gradually fix", "lost as to what is going on. Because of this, I was wondering", "while never giving up hope that they may one day see their loved", "never giving up hope that they may one day see their loved ones", "hope that they may one day see their loved ones again. > >", "teenagers do everything in their power to gradually fix the planet's reopened wounds,", "few paragraphs long at the beginning of every book explaining the basic plot", "I'm afraid of confusing a reader if they decide to start reading a", "viciously fighting against them, these three teenagers do everything in their power to", "each book. I'm afraid of confusing a reader if they decide to start", "they decide to start reading a book somewhere in the middle of the", "wondering if it would be a good idea to have an introduction a", "that progresses through each book. I'm afraid of confusing a reader if they", "up hope that they may one day see their loved ones again. >", "start reading a book somewhere in the middle of the series and end", "reader if they decide to start reading a book somewhere in the middle", "with an underlying storyline that progresses through each book. I'm afraid of confusing", "plot throughout the series. For example: > > With the whole world viciously", "book explaining the basic plot throughout the series. For example: > > With", "A series I am working on deals with an underlying storyline that progresses", "an underlying storyline that progresses through each book. I'm afraid of confusing a", "a good idea to have an introduction a few paragraphs long at the", "I am working on deals with an underlying storyline that progresses through each", "am working on deals with an underlying storyline that progresses through each book.", "series and end up being a bit lost as to what is going", "being a bit lost as to what is going on. Because of this,", "Because of this, I was wondering if it would be a good idea", "wounds, while never giving up hope that they may one day see their", "as to what is going on. Because of this, I was wondering if", "example: > > With the whole world viciously fighting against them, these three", "to gradually fix the planet's reopened wounds, while never giving up hope that", "their power to gradually fix the planet's reopened wounds, while never giving up", "the planet's reopened wounds, while never giving up hope that they may one", "the series and end up being a bit lost as to what is", "and end up being a bit lost as to what is going on.", "progresses through each book. I'm afraid of confusing a reader if they decide", "reading a book somewhere in the middle of the series and end up", "paragraphs long at the beginning of every book explaining the basic plot throughout", "giving up hope that they may one day see their loved ones again.", "series I am working on deals with an underlying storyline that progresses through", "underlying storyline that progresses through each book. I'm afraid of confusing a reader", "have an introduction a few paragraphs long at the beginning of every book", "For example: > > With the whole world viciously fighting against them, these", "whole world viciously fighting against them, these three teenagers do everything in their", "decide to start reading a book somewhere in the middle of the series", "storyline that progresses through each book. I'm afraid of confusing a reader if", "of confusing a reader if they decide to start reading a book somewhere", "good idea to have an introduction a few paragraphs long at the beginning", "fighting against them, these three teenagers do everything in their power to gradually", "do everything in their power to gradually fix the planet's reopened wounds, while", "confusing a reader if they decide to start reading a book somewhere in", "fix the planet's reopened wounds, while never giving up hope that they may", "of this, I was wondering if it would be a good idea to", "a bit lost as to what is going on. Because of this, I", "to have an introduction a few paragraphs long at the beginning of every", "> With the whole world viciously fighting against them, these three teenagers do", "the basic plot throughout the series. For example: > > With the whole", "a few paragraphs long at the beginning of every book explaining the basic", "I was wondering if it would be a good idea to have an", "of the series and end up being a bit lost as to what", "gradually fix the planet's reopened wounds, while never giving up hope that they", "deals with an underlying storyline that progresses through each book. I'm afraid of", "on deals with an underlying storyline that progresses through each book. I'm afraid", "afraid of confusing a reader if they decide to start reading a book", "what is going on. Because of this, I was wondering if it would", "bit lost as to what is going on. Because of this, I was", "beginning of every book explaining the basic plot throughout the series. For example:", "a reader if they decide to start reading a book somewhere in the", "at the beginning of every book explaining the basic plot throughout the series.", "a book somewhere in the middle of the series and end up being", "long at the beginning of every book explaining the basic plot throughout the", "series. For example: > > With the whole world viciously fighting against them," ]
[ "there any specific pitfalls (e.g. discounting) that I should be aware of? Thanks", "the final stages of packaging the book and would like to start arranging", "would like to start arranging pre-orders to help with the first week \"bump\".", "week \"bump\". How far in advance should I allow the pre-order option, and", "packaging the book and would like to start arranging pre-orders to help with", "\"bump\". How far in advance should I allow the pre-order option, and is", "option, and is there any specific pitfalls (e.g. discounting) that I should be", "to help with the first week \"bump\". How far in advance should I", "final stages of packaging the book and would like to start arranging pre-orders", "far in advance should I allow the pre-order option, and is there any", "the book and would like to start arranging pre-orders to help with the", "of packaging the book and would like to start arranging pre-orders to help", "stages of packaging the book and would like to start arranging pre-orders to", "I'm in the final stages of packaging the book and would like to", "and would like to start arranging pre-orders to help with the first week", "like to start arranging pre-orders to help with the first week \"bump\". How", "should I allow the pre-order option, and is there any specific pitfalls (e.g.", "help with the first week \"bump\". How far in advance should I allow", "in advance should I allow the pre-order option, and is there any specific", "and is there any specific pitfalls (e.g. discounting) that I should be aware", "advance should I allow the pre-order option, and is there any specific pitfalls", "I allow the pre-order option, and is there any specific pitfalls (e.g. discounting)", "pre-orders to help with the first week \"bump\". How far in advance should", "How far in advance should I allow the pre-order option, and is there", "the first week \"bump\". How far in advance should I allow the pre-order", "first week \"bump\". How far in advance should I allow the pre-order option,", "start arranging pre-orders to help with the first week \"bump\". How far in", "the pre-order option, and is there any specific pitfalls (e.g. discounting) that I", "pre-order option, and is there any specific pitfalls (e.g. discounting) that I should", "in the final stages of packaging the book and would like to start", "is there any specific pitfalls (e.g. discounting) that I should be aware of?", "arranging pre-orders to help with the first week \"bump\". How far in advance", "book and would like to start arranging pre-orders to help with the first", "allow the pre-order option, and is there any specific pitfalls (e.g. discounting) that", "to start arranging pre-orders to help with the first week \"bump\". How far", "with the first week \"bump\". How far in advance should I allow the" ]
[ "writers, why, and how it affects potential readers when deciding whether or not", "amount of short chapters or a smaller amount of long chapters. I want", "on to make them longer or shorter. It's more about grouping an already", "amount of long chapters. I want to know which option works better for", "or less to my chapters in terms of descriptions and so on to", "This is not a question asking if I should add more or less", "trying to choose between having a larger amount of short chapters or a", "so on to make them longer or shorter. It's more about grouping an", "chapters or a smaller amount of long chapters. I want to know which", "having a larger amount of short chapters or a smaller amount of long", "not a question asking if I should add more or less to my", "long chapters. I want to know which option works better for fiction writers,", "make them longer or shorter. It's more about grouping an already written story.", "smaller amount of long chapters. I want to know which option works better", "to know which option works better for fiction writers, why, and how it", "story. I'm trying to choose between having a larger amount of short chapters", "want to know which option works better for fiction writers, why, and how", "in terms of descriptions and so on to make them longer or shorter.", "less to my chapters in terms of descriptions and so on to make", "a smaller amount of long chapters. I want to know which option works", "I want to know which option works better for fiction writers, why, and", "an already written story. I'm trying to choose between having a larger amount", "terms of descriptions and so on to make them longer or shorter. It's", "of long chapters. I want to know which option works better for fiction", "it affects potential readers when deciding whether or not to start the book", "better for fiction writers, why, and how it affects potential readers when deciding", "potential readers when deciding whether or not to start the book and finish", "is not a question asking if I should add more or less to", "know which option works better for fiction writers, why, and how it affects", "question asking if I should add more or less to my chapters in", "It's more about grouping an already written story. I'm trying to choose between", "and how it affects potential readers when deciding whether or not to start", "descriptions and so on to make them longer or shorter. It's more about", "why, and how it affects potential readers when deciding whether or not to", "chapters. I want to know which option works better for fiction writers, why,", "grouping an already written story. I'm trying to choose between having a larger", "or a smaller amount of long chapters. I want to know which option", "a question asking if I should add more or less to my chapters", "longer or shorter. It's more about grouping an already written story. I'm trying", "for fiction writers, why, and how it affects potential readers when deciding whether", "if I should add more or less to my chapters in terms of", "add more or less to my chapters in terms of descriptions and so", "my chapters in terms of descriptions and so on to make them longer", "written story. I'm trying to choose between having a larger amount of short", "to my chapters in terms of descriptions and so on to make them", "between having a larger amount of short chapters or a smaller amount of", "which option works better for fiction writers, why, and how it affects potential", "option works better for fiction writers, why, and how it affects potential readers", "works better for fiction writers, why, and how it affects potential readers when", "or shorter. It's more about grouping an already written story. I'm trying to", "already written story. I'm trying to choose between having a larger amount of", "more or less to my chapters in terms of descriptions and so on", "choose between having a larger amount of short chapters or a smaller amount", "larger amount of short chapters or a smaller amount of long chapters. I", "how it affects potential readers when deciding whether or not to start the", "shorter. It's more about grouping an already written story. I'm trying to choose", "should add more or less to my chapters in terms of descriptions and", "to choose between having a larger amount of short chapters or a smaller", "about grouping an already written story. I'm trying to choose between having a", "of descriptions and so on to make them longer or shorter. It's more", "I'm trying to choose between having a larger amount of short chapters or", "them longer or shorter. It's more about grouping an already written story. I'm", "to make them longer or shorter. It's more about grouping an already written", "a larger amount of short chapters or a smaller amount of long chapters.", "readers when deciding whether or not to start the book and finish it.", "and so on to make them longer or shorter. It's more about grouping", "of short chapters or a smaller amount of long chapters. I want to", "fiction writers, why, and how it affects potential readers when deciding whether or", "chapters in terms of descriptions and so on to make them longer or", "more about grouping an already written story. I'm trying to choose between having", "short chapters or a smaller amount of long chapters. I want to know", "affects potential readers when deciding whether or not to start the book and", "I should add more or less to my chapters in terms of descriptions", "asking if I should add more or less to my chapters in terms" ]
[ "where I have seen it. The event doesn't have the gravity that I", "their situation and is in constant pain while being possessed. The demon has", "another person. The victim was captured and subjected to this against their will,", "it should, and the person usually goes back to living a normal life", "bind a demon to a human being, allowing it to cross over from", "taken more seriously as a traumatic experience that people don't just come away", "the caster. In a country where magic is commonplace, this is seen as", "it. The event doesn't have the gravity that I feel it should, and", "of their situation and is in constant pain while being possessed. The demon", "being possessed should be taken more seriously as a traumatic experience that people", "body (strength, speed, etc) but remains under the control of the caster. In", "people don't just come away with unscathed. I came up with an idea", "the demon forcefully bypasses the barrier that separates the soul from the individual,", "one of the evilest acts an individual can commit on another person. The", "I believed accomplished that. Demonic possession is done through a magical ritual that", "the full horror aspect. But since it is obviously a sensitive subject, I", "tame in the stories where I have seen it. The event doesn't have", "freed. I always felt that being possessed should be taken more seriously as", "the barrier that separates the soul from the individual, completely taking them over.", "of rape, the ultimate violation of a human soul. It is treated as", "commonplace, this is seen as a supernatural form of rape, the ultimate violation", "is left fully aware of their situation and is in constant pain while", "with unscathed. I came up with an idea that I believed accomplished that.", "is commonplace, this is seen as a supernatural form of rape, the ultimate", "being possessed. The demon has access to its abilities in the host body", "as offensive or disrespectful. Does this premise take it too far, or should", "to this against their will, so people understand that. But while most will", "with the trauma of possession as well as being distrusted by others, even", "as a victim, many would see him as corrupted and dangerous even after", "magic is commonplace, this is seen as a supernatural form of rape, the", "over from their reality into ours. In the process, the demon forcefully bypasses", "after they are freed. They are forced to deal with the trauma of", "to cross over from their reality into ours. In the process, the demon", "to the situation and plays up the full horror aspect. But since it", "will, so people understand that. But while most will regard him as a", "entity seems very tame in the stories where I have seen it. The", "into ours. In the process, the demon forcefully bypasses the barrier that separates", "too far, or should I just one with it? How can I present", "always felt that being possessed should be taken more seriously as a traumatic", "I came up with an idea that I believed accomplished that. Demonic possession", "victim is left fully aware of their situation and is in constant pain", "foreign entity seems very tame in the stories where I have seen it.", "remains under the control of the caster. In a country where magic is", "The victim is left fully aware of their situation and is in constant", "separates the soul from the individual, completely taking them over. The victim is", "offensive or disrespectful. Does this premise take it too far, or should I", "regard him as a victim, many would see him as corrupted and dangerous", "corrupted and dangerous even after they are freed. They are forced to deal", "a country where magic is commonplace, this is seen as a supernatural form", "see him as corrupted and dangerous even after they are freed. They are", "be taken more seriously as a traumatic experience that people don't just come", "obviously a sensitive subject, I wondered if this might be viewed as offensive", "horror aspect. But since it is obviously a sensitive subject, I wondered if", "gravity to the situation and plays up the full horror aspect. But since", "and plays up the full horror aspect. But since it is obviously a", "are freed. I always felt that being possessed should be taken more seriously", "unscathed. I came up with an idea that I believed accomplished that. Demonic", "is in constant pain while being possessed. The demon has access to its", "individual can commit on another person. The victim was captured and subjected to", "usually goes back to living a normal life if they are freed. I", "trauma of possession as well as being distrusted by others, even worse than", "as a traumatic experience that people don't just come away with unscathed. I", "even worse than murder. 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But since it is obviously a sensitive subject, I wondered if this", "since it is obviously a sensitive subject, I wondered if this might be", "has access to its abilities in the host body (strength, speed, etc) but", "come away with unscathed. I came up with an idea that I believed", "where magic is commonplace, this is seen as a supernatural form of rape,", "sensitive subject, I wondered if this might be viewed as offensive or disrespectful.", "might be viewed as offensive or disrespectful. Does this premise take it too", "the control of the caster. In a country where magic is commonplace, this", "soul. It is treated as one of the evilest acts an individual can", "an individual can commit on another person. The victim was captured and subjected", "human being, allowing it to cross over from their reality into ours. In", "be viewed as offensive or disrespectful. Does this premise take it too far,", "but remains under the control of the caster. 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It is treated as one of the evilest", "I think this lends gravity to the situation and plays up the full", "evilest acts an individual can commit on another person. The victim was captured", "control of the caster. In a country where magic is commonplace, this is", "The victim was captured and subjected to this against their will, so people", "as one of the evilest acts an individual can commit on another person.", "the host body (strength, speed, etc) but remains under the control of the", "being, allowing it to cross over from their reality into ours. In the", "traumatic experience that people don't just come away with unscathed. I came up", "it to cross over from their reality into ours. In the process, the", "from their reality into ours. In the process, the demon forcefully bypasses the", "captured and subjected to this against their will, so people understand that. But", "and subjected to this against their will, so people understand that. 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Demonic possession is", "the soul from the individual, completely taking them over. The victim is left", "person usually goes back to living a normal life if they are freed.", "take it too far, or should I just one with it? How can", "that people don't just come away with unscathed. I came up with an", "of the evilest acts an individual can commit on another person. The victim", "their will, so people understand that. But while most will regard him as", "Does this premise take it too far, or should I just one with", "should be taken more seriously as a traumatic experience that people don't just", "of a human soul. It is treated as one of the evilest acts", "They are forced to deal with the trauma of possession as well as", "just come away with unscathed. I came up with an idea that I", "But while most will regard him as a victim, many would see him", "their reality into ours. In the process, the demon forcefully bypasses the barrier", "I always felt that being possessed should be taken more seriously as a", "the situation and plays up the full horror aspect. But since it is", "normal life if they are freed. I always felt that being possessed should", "possessed. The demon has access to its abilities in the host body (strength,", "by a foreign entity seems very tame in the stories where I have", "a demon to a human being, allowing it to cross over from their", "than murder. I think this lends gravity to the situation and plays up", "ours. In the process, the demon forcefully bypasses the barrier that separates the", "aware of their situation and is in constant pain while being possessed. The", "I just one with it? How can I present it in a way", "victim, many would see him as corrupted and dangerous even after they are", "as corrupted and dangerous even after they are freed. They are forced to", "to deal with the trauma of possession as well as being distrusted by", "plays up the full horror aspect. But since it is obviously a sensitive", "or disrespectful. Does this premise take it too far, or should I just", "viewed as offensive or disrespectful. Does this premise take it too far, or", "think this lends gravity to the situation and plays up the full horror", "with it? How can I present it in a way that it is", "them over. The victim is left fully aware of their situation and is", "worse than murder. I think this lends gravity to the situation and plays", "a supernatural form of rape, the ultimate violation of a human soul. It", "wondered if this might be viewed as offensive or disrespectful. Does this premise", "lends gravity to the situation and plays up the full horror aspect. But", "are freed. They are forced to deal with the trauma of possession as", "I have seen it. The event doesn't have the gravity that I feel", "this is seen as a supernatural form of rape, the ultimate violation of", "individual, completely taking them over. The victim is left fully aware of their", "will regard him as a victim, many would see him as corrupted and", "very tame in the stories where I have seen it. The event doesn't", "from the individual, completely taking them over. The victim is left fully aware", "pain while being possessed. The demon has access to its abilities in the", "being distrusted by others, even worse than murder. I think this lends gravity", "up the full horror aspect. But since it is obviously a sensitive subject,", "in the host body (strength, speed, etc) but remains under the control of", "the individual, completely taking them over. The victim is left fully aware of", "one with it? How can I present it in a way that it", "life if they are freed. I always felt that being possessed should be", "But since it is obviously a sensitive subject, I wondered if this might", "that I believed accomplished that. Demonic possession is done through a magical ritual", "possession is done through a magical ritual that can bind a demon to", "abilities in the host body (strength, speed, etc) but remains under the control", "demon to a human being, allowing it to cross over from their reality", "would see him as corrupted and dangerous even after they are freed. They", "goes back to living a normal life if they are freed. I always", "access to its abilities in the host body (strength, speed, etc) but remains", "disrespectful. Does this premise take it too far, or should I just one", "on another person. The victim was captured and subjected to this against their", "in the stories where I have seen it. The event doesn't have the", "can bind a demon to a human being, allowing it to cross over", "country where magic is commonplace, this is seen as a supernatural form of", "seriously as a traumatic experience that people don't just come away with unscathed.", "with an idea that I believed accomplished that. Demonic possession is done through", "don't just come away with unscathed. I came up with an idea that", "human soul. It is treated as one of the evilest acts an individual", "magical ritual that can bind a demon to a human being, allowing it", "freed. They are forced to deal with the trauma of possession as well", "possession as well as being distrusted by others, even worse than murder. I", "a magical ritual that can bind a demon to a human being, allowing", "a human soul. It is treated as one of the evilest acts an", "by others, even worse than murder. I think this lends gravity to the", "forcefully bypasses the barrier that separates the soul from the individual, completely taking", "can commit on another person. The victim was captured and subjected to this", "back to living a normal life if they are freed. I always felt", "up with an idea that I believed accomplished that. Demonic possession is done", "while most will regard him as a victim, many would see him as", "gravity that I feel it should, and the person usually goes back to", "Being possessed by a foreign entity seems very tame in the stories where", "to its abilities in the host body (strength, speed, etc) but remains under", "a normal life if they are freed. I always felt that being possessed", "distrusted by others, even worse than murder. I think this lends gravity to", "victim was captured and subjected to this against their will, so people understand", "believed accomplished that. Demonic possession is done through a magical ritual that can" ]
[ "those who want to be healers, one for those who want to care", "animals, etc.). There are also some evil covens who wish to spread their", "covens, each with different mission statements (there is one for those who want", "which is set in a fantasy world and involves guilds instead. How can", "want to care for magical animals, etc.). There are also some evil covens", "covens who wish to spread their reign of terror. Unfortunately, it's very similar", "who wish to spread their reign of terror. Unfortunately, it's very similar to", "where there are separate covens, each with different mission statements (there is one", "with different mission statements (there is one for those who want to be", "Unfortunately, it's very similar to the anime Fairy Tail, which is set in", "etc.). There are also some evil covens who wish to spread their reign", "basically I'm writing a story set in a magical world where there are", "Fairy Tail, which is set in a fantasy world and involves guilds instead.", "similar to the anime Fairy Tail, which is set in a fantasy world", "a magical world where there are separate covens, each with different mission statements", "spread their reign of terror. Unfortunately, it's very similar to the anime Fairy", "one for those who want to be healers, one for those who want", "mission statements (there is one for those who want to be healers, one", "are also some evil covens who wish to spread their reign of terror.", "one for those who want to care for magical animals, etc.). There are", "also some evil covens who wish to spread their reign of terror. Unfortunately,", "for magical animals, etc.). There are also some evil covens who wish to", "to be healers, one for those who want to care for magical animals,", "those who want to care for magical animals, etc.). There are also some", "it's very similar to the anime Fairy Tail, which is set in a", "is set in a fantasy world and involves guilds instead. How can I", "some evil covens who wish to spread their reign of terror. Unfortunately, it's", "Tail, which is set in a fantasy world and involves guilds instead. How", "healers, one for those who want to care for magical animals, etc.). There", "a story set in a magical world where there are separate covens, each", "of terror. Unfortunately, it's very similar to the anime Fairy Tail, which is", "evil covens who wish to spread their reign of terror. Unfortunately, it's very", "a fantasy world and involves guilds instead. How can I change it to", "very similar to the anime Fairy Tail, which is set in a fantasy", "is one for those who want to be healers, one for those who", "different mission statements (there is one for those who want to be healers,", "terror. Unfortunately, it's very similar to the anime Fairy Tail, which is set", "writing a story set in a magical world where there are separate covens,", "So basically I'm writing a story set in a magical world where there", "are separate covens, each with different mission statements (there is one for those", "be healers, one for those who want to care for magical animals, etc.).", "magical world where there are separate covens, each with different mission statements (there", "to care for magical animals, etc.). There are also some evil covens who", "care for magical animals, etc.). There are also some evil covens who wish", "world where there are separate covens, each with different mission statements (there is", "wish to spread their reign of terror. Unfortunately, it's very similar to the", "world and involves guilds instead. How can I change it to be different?", "for those who want to care for magical animals, etc.). There are also", "to the anime Fairy Tail, which is set in a fantasy world and", "who want to care for magical animals, etc.). There are also some evil", "for those who want to be healers, one for those who want to", "story set in a magical world where there are separate covens, each with", "in a fantasy world and involves guilds instead. How can I change it", "there are separate covens, each with different mission statements (there is one for", "their reign of terror. Unfortunately, it's very similar to the anime Fairy Tail,", "and involves guilds instead. How can I change it to be different? Please", "statements (there is one for those who want to be healers, one for", "who want to be healers, one for those who want to care for", "fantasy world and involves guilds instead. How can I change it to be", "involves guilds instead. How can I change it to be different? Please help?", "separate covens, each with different mission statements (there is one for those who", "(there is one for those who want to be healers, one for those", "want to be healers, one for those who want to care for magical", "There are also some evil covens who wish to spread their reign of", "each with different mission statements (there is one for those who want to", "to spread their reign of terror. Unfortunately, it's very similar to the anime", "anime Fairy Tail, which is set in a fantasy world and involves guilds", "magical animals, etc.). There are also some evil covens who wish to spread", "in a magical world where there are separate covens, each with different mission", "set in a magical world where there are separate covens, each with different", "reign of terror. Unfortunately, it's very similar to the anime Fairy Tail, which", "set in a fantasy world and involves guilds instead. How can I change", "I'm writing a story set in a magical world where there are separate", "the anime Fairy Tail, which is set in a fantasy world and involves" ]
[ "flow. But that is only a secondary problem, since I'm mainly concerned with", "writing process: almost every day that I write, I write in \"bursts\" of", "this. However, I'm trying to improve a particular aspect of my writing process:", "and then kind of get \"stuck in my head\" about what to write.", "aspect of my writing process: almost every day that I write, I write", "exactly the same amount of words per minute. I absolutely don't have a", "literally writing not a single word. I know that it is unreasonable to", "your writing process in this regard? Edit: I am already using the pomodoro", "are these \"dips\" of about 15 or more minutes, during which I am", "15 or more minutes, during which I am literally writing not a single", "write. Often this results in me just \"zoning out\" without focusing on my", "helped you to improve your writing process in this regard? Edit: I am", "committed myself to writing 1000 words every day, and I am successfully doing", "during these dips is that I don't know exactly what to write (though", "is that I don't know exactly what to write (though I always have", "if I could at least develop good habits to diminish these dips (as", "every day. I've committed myself to writing 1000 words every day, and I", "stressful, since I'm generally kind of \"stuck in my head\" at those times,", "kind of practical techniques or practical advice has helped you to improve your", "head\" at those times, rather than relaxed and in the flow. But that", "that it is unreasonable to expect to write in perfect uniformity exactly the", "dips is that I don't know exactly what to write (though I always", "of practical techniques or practical advice has helped you to improve your writing", "techniques or practical advice has helped you to improve your writing process in", "which I am literally writing not a single word. I know that it", "improving my productivity and quality of writing. Generally what happens during these dips", "write (though I always have a vague idea), and then kind of get", "times, rather than relaxed and in the flow. But that is only a", "kind of \"stuck in my head\" at those times, rather than relaxed and", "per minute. I absolutely don't have a \"purity\" goal like that. Nevertheless, I", "like that. Nevertheless, I feel that I could really be much more productive,", "of my writing process: almost every day that I write, I write in", "of highly productive writing, during which I'm almost writing non-stop. Then there are", "\"stuck in my head\" at those times, rather than relaxed and in the", "already using the pomodoro technique, where I write 50 minutes, and then meditate", "mainly concerned with improving my productivity and quality of writing. Generally what happens", "which I'm almost writing non-stop. Then there are these \"dips\" of about 15", "I write in \"bursts\" of about 1 to 10 minutes of highly productive", "\"dips\" of about 15 or more minutes, during which I am literally writing", "be much more productive, qualitatively and quantitatively, if I could at least develop", "Those dips also are sometimes a bit stressful, since I'm generally kind of", "is only a secondary problem, since I'm mainly concerned with improving my productivity", "write 50 minutes, and then meditate 10 minutes, then write 50 minutes again.", "possibly anyway). Those dips also are sometimes a bit stressful, since I'm generally", "productive writing, during which I'm almost writing non-stop. Then there are these \"dips\"", "What kind of practical techniques or practical advice has helped you to improve", "highly productive writing, during which I'm almost writing non-stop. Then there are these", "what happens during these dips is that I don't know exactly what to", "my writing process: almost every day that I write, I write in \"bursts\"", "it is unreasonable to expect to write in perfect uniformity exactly the same", "10 minutes of highly productive writing, during which I'm almost writing non-stop. Then", "that I write, I write in \"bursts\" of about 1 to 10 minutes", "more productive, qualitatively and quantitatively, if I could at least develop good habits", "technique, where I write 50 minutes, and then meditate 10 minutes, then write", "writing 1000 words every day, and I am successfully doing this. However, I'm", "writing. What kind of practical techniques or practical advice has helped you to", "that I don't know exactly what to write (though I always have a", "to write in perfect uniformity exactly the same amount of words per minute.", "process in this regard? Edit: I am already using the pomodoro technique, where", "writing. Generally what happens during these dips is that I don't know exactly", "to diminish these dips (as much as possibly anyway). Those dips also are", "those times, rather than relaxed and in the flow. But that is only", "I could really be much more productive, qualitatively and quantitatively, if I could", "I don't know exactly what to write (though I always have a vague", "every day that I write, I write in \"bursts\" of about 1 to", "I write 50 minutes, and then meditate 10 minutes, then write 50 minutes", "I know that it is unreasonable to expect to write in perfect uniformity", "absolutely don't have a \"purity\" goal like that. Nevertheless, I feel that I", "and I write non-fiction every day. I've committed myself to writing 1000 words", "day, and I am successfully doing this. However, I'm trying to improve a", "a particular aspect of my writing process: almost every day that I write,", "amount of words per minute. I absolutely don't have a \"purity\" goal like", "writing non-stop. Then there are these \"dips\" of about 15 or more minutes,", "qualitatively and quantitatively, if I could at least develop good habits to diminish", "idea), and then kind of get \"stuck in my head\" about what to", "trying to improve a particular aspect of my writing process: almost every day", "in the flow. But that is only a secondary problem, since I'm mainly", "where I write 50 minutes, and then meditate 10 minutes, then write 50", "I am successfully doing this. However, I'm trying to improve a particular aspect", "Generally what happens during these dips is that I don't know exactly what", "diminish these dips (as much as possibly anyway). Those dips also are sometimes", "really be much more productive, qualitatively and quantitatively, if I could at least", "dips also are sometimes a bit stressful, since I'm generally kind of \"stuck", "get \"stuck in my head\" about what to write. Often this results in", "have a \"purity\" goal like that. Nevertheless, I feel that I could really", "write non-fiction every day. I've committed myself to writing 1000 words every day,", "that. Nevertheless, I feel that I could really be much more productive, qualitatively", "could really be much more productive, qualitatively and quantitatively, if I could at", "about what to write. Often this results in me just \"zoning out\" without", "don't know exactly what to write (though I always have a vague idea),", "to improve your writing process in this regard? Edit: I am already using", "anyway). Those dips also are sometimes a bit stressful, since I'm generally kind", "currently a student and I write non-fiction every day. I've committed myself to", "good habits to diminish these dips (as much as possibly anyway). Those dips", "I've committed myself to writing 1000 words every day, and I am successfully", "know exactly what to write (though I always have a vague idea), and", "almost every day that I write, I write in \"bursts\" of about 1", "a \"purity\" goal like that. Nevertheless, I feel that I could really be", "focusing on my writing. What kind of practical techniques or practical advice has", "more minutes, during which I am literally writing not a single word. I", "to expect to write in perfect uniformity exactly the same amount of words", "to 10 minutes of highly productive writing, during which I'm almost writing non-stop.", "(though I always have a vague idea), and then kind of get \"stuck", "of about 1 to 10 minutes of highly productive writing, during which I'm", "myself to writing 1000 words every day, and I am successfully doing this.", "Then there are these \"dips\" of about 15 or more minutes, during which", "goal like that. Nevertheless, I feel that I could really be much more", "vague idea), and then kind of get \"stuck in my head\" about what", "in perfect uniformity exactly the same amount of words per minute. I absolutely", "are sometimes a bit stressful, since I'm generally kind of \"stuck in my", "to write (though I always have a vague idea), and then kind of", "I'm currently a student and I write non-fiction every day. I've committed myself", "results in me just \"zoning out\" without focusing on my writing. What kind", "to improve a particular aspect of my writing process: almost every day that", "Edit: I am already using the pomodoro technique, where I write 50 minutes,", "regard? Edit: I am already using the pomodoro technique, where I write 50", "almost writing non-stop. Then there are these \"dips\" of about 15 or more", "least develop good habits to diminish these dips (as much as possibly anyway).", "1 to 10 minutes of highly productive writing, during which I'm almost writing", "write in perfect uniformity exactly the same amount of words per minute. I", "rather than relaxed and in the flow. But that is only a secondary", "at those times, rather than relaxed and in the flow. But that is", "practical techniques or practical advice has helped you to improve your writing process", "advice has helped you to improve your writing process in this regard? Edit:", "day. I've committed myself to writing 1000 words every day, and I am", "am successfully doing this. However, I'm trying to improve a particular aspect of", "my productivity and quality of writing. Generally what happens during these dips is", "of get \"stuck in my head\" about what to write. Often this results", "to writing 1000 words every day, and I am successfully doing this. However,", "the flow. But that is only a secondary problem, since I'm mainly concerned", "at least develop good habits to diminish these dips (as much as possibly", "or more minutes, during which I am literally writing not a single word.", "I am literally writing not a single word. I know that it is", "doing this. However, I'm trying to improve a particular aspect of my writing", "there are these \"dips\" of about 15 or more minutes, during which I", "since I'm mainly concerned with improving my productivity and quality of writing. Generally", "in me just \"zoning out\" without focusing on my writing. What kind of", "just \"zoning out\" without focusing on my writing. What kind of practical techniques", "I feel that I could really be much more productive, qualitatively and quantitatively,", "single word. I know that it is unreasonable to expect to write in", "uniformity exactly the same amount of words per minute. I absolutely don't have", "much as possibly anyway). Those dips also are sometimes a bit stressful, since", "I write non-fiction every day. I've committed myself to writing 1000 words every", "only a secondary problem, since I'm mainly concerned with improving my productivity and", "a single word. I know that it is unreasonable to expect to write", "in \"bursts\" of about 1 to 10 minutes of highly productive writing, during", "expect to write in perfect uniformity exactly the same amount of words per", "as possibly anyway). Those dips also are sometimes a bit stressful, since I'm", "always have a vague idea), and then kind of get \"stuck in my", "much more productive, qualitatively and quantitatively, if I could at least develop good", "\"purity\" goal like that. Nevertheless, I feel that I could really be much", "process: almost every day that I write, I write in \"bursts\" of about", "am already using the pomodoro technique, where I write 50 minutes, and then", "of writing. Generally what happens during these dips is that I don't know", "what to write. Often this results in me just \"zoning out\" without focusing", "during which I'm almost writing non-stop. Then there are these \"dips\" of about", "\"bursts\" of about 1 to 10 minutes of highly productive writing, during which", "me just \"zoning out\" without focusing on my writing. What kind of practical", "practical advice has helped you to improve your writing process in this regard?", "successfully doing this. However, I'm trying to improve a particular aspect of my", "in my head\" at those times, rather than relaxed and in the flow.", "or practical advice has helped you to improve your writing process in this", "know that it is unreasonable to expect to write in perfect uniformity exactly", "since I'm generally kind of \"stuck in my head\" at those times, rather", "develop good habits to diminish these dips (as much as possibly anyway). Those", "Often this results in me just \"zoning out\" without focusing on my writing.", "quantitatively, if I could at least develop good habits to diminish these dips", "my head\" at those times, rather than relaxed and in the flow. But", "and I am successfully doing this. However, I'm trying to improve a particular", "these dips is that I don't know exactly what to write (though I", "of words per minute. I absolutely don't have a \"purity\" goal like that.", "However, I'm trying to improve a particular aspect of my writing process: almost", "pomodoro technique, where I write 50 minutes, and then meditate 10 minutes, then", "(as much as possibly anyway). Those dips also are sometimes a bit stressful,", "on my writing. What kind of practical techniques or practical advice has helped", "feel that I could really be much more productive, qualitatively and quantitatively, if", "using the pomodoro technique, where I write 50 minutes, and then meditate 10", "quality of writing. Generally what happens during these dips is that I don't", "I write, I write in \"bursts\" of about 1 to 10 minutes of", "write in \"bursts\" of about 1 to 10 minutes of highly productive writing,", "writing process in this regard? Edit: I am already using the pomodoro technique,", "minutes of highly productive writing, during which I'm almost writing non-stop. Then there", "happens during these dips is that I don't know exactly what to write", "words every day, and I am successfully doing this. However, I'm trying to", "same amount of words per minute. I absolutely don't have a \"purity\" goal", "habits to diminish these dips (as much as possibly anyway). Those dips also", "exactly what to write (though I always have a vague idea), and then", "has helped you to improve your writing process in this regard? Edit: I", "with improving my productivity and quality of writing. Generally what happens during these", "and quality of writing. Generally what happens during these dips is that I", "of \"stuck in my head\" at those times, rather than relaxed and in", "perfect uniformity exactly the same amount of words per minute. I absolutely don't", "bit stressful, since I'm generally kind of \"stuck in my head\" at those", "But that is only a secondary problem, since I'm mainly concerned with improving", "what to write (though I always have a vague idea), and then kind", "I'm trying to improve a particular aspect of my writing process: almost every", "relaxed and in the flow. But that is only a secondary problem, since", "than relaxed and in the flow. But that is only a secondary problem,", "then kind of get \"stuck in my head\" about what to write. Often", "the same amount of words per minute. I absolutely don't have a \"purity\"", "minute. I absolutely don't have a \"purity\" goal like that. Nevertheless, I feel", "have a vague idea), and then kind of get \"stuck in my head\"", "and in the flow. But that is only a secondary problem, since I'm", "this results in me just \"zoning out\" without focusing on my writing. What", "a bit stressful, since I'm generally kind of \"stuck in my head\" at", "non-stop. Then there are these \"dips\" of about 15 or more minutes, during", "unreasonable to expect to write in perfect uniformity exactly the same amount of", "concerned with improving my productivity and quality of writing. Generally what happens during", "problem, since I'm mainly concerned with improving my productivity and quality of writing.", "productivity and quality of writing. Generally what happens during these dips is that", "write, I write in \"bursts\" of about 1 to 10 minutes of highly", "day that I write, I write in \"bursts\" of about 1 to 10", "am literally writing not a single word. I know that it is unreasonable", "\"stuck in my head\" about what to write. Often this results in me", "these \"dips\" of about 15 or more minutes, during which I am literally", "and quantitatively, if I could at least develop good habits to diminish these", "that is only a secondary problem, since I'm mainly concerned with improving my", "a secondary problem, since I'm mainly concerned with improving my productivity and quality", "productive, qualitatively and quantitatively, if I could at least develop good habits to", "kind of get \"stuck in my head\" about what to write. Often this", "to write. Often this results in me just \"zoning out\" without focusing on", "during which I am literally writing not a single word. I know that", "improve a particular aspect of my writing process: almost every day that I", "dips (as much as possibly anyway). Those dips also are sometimes a bit", "sometimes a bit stressful, since I'm generally kind of \"stuck in my head\"", "I could at least develop good habits to diminish these dips (as much", "you to improve your writing process in this regard? Edit: I am already", "I'm generally kind of \"stuck in my head\" at those times, rather than", "also are sometimes a bit stressful, since I'm generally kind of \"stuck in", "about 1 to 10 minutes of highly productive writing, during which I'm almost", "my head\" about what to write. Often this results in me just \"zoning", "could at least develop good habits to diminish these dips (as much as", "I'm almost writing non-stop. Then there are these \"dips\" of about 15 or", "writing, during which I'm almost writing non-stop. Then there are these \"dips\" of", "I always have a vague idea), and then kind of get \"stuck in", "in this regard? Edit: I am already using the pomodoro technique, where I", "minutes, during which I am literally writing not a single word. I know", "I'm mainly concerned with improving my productivity and quality of writing. Generally what", "1000 words every day, and I am successfully doing this. However, I'm trying", "don't have a \"purity\" goal like that. Nevertheless, I feel that I could", "words per minute. I absolutely don't have a \"purity\" goal like that. Nevertheless,", "student and I write non-fiction every day. I've committed myself to writing 1000", "writing not a single word. I know that it is unreasonable to expect", "Nevertheless, I feel that I could really be much more productive, qualitatively and", "a vague idea), and then kind of get \"stuck in my head\" about", "particular aspect of my writing process: almost every day that I write, I", "out\" without focusing on my writing. What kind of practical techniques or practical", "word. I know that it is unreasonable to expect to write in perfect", "of about 15 or more minutes, during which I am literally writing not", "non-fiction every day. I've committed myself to writing 1000 words every day, and", "my writing. What kind of practical techniques or practical advice has helped you", "in my head\" about what to write. Often this results in me just", "improve your writing process in this regard? Edit: I am already using the", "every day, and I am successfully doing this. However, I'm trying to improve", "a student and I write non-fiction every day. I've committed myself to writing", "secondary problem, since I'm mainly concerned with improving my productivity and quality of", "I absolutely don't have a \"purity\" goal like that. Nevertheless, I feel that", "this regard? Edit: I am already using the pomodoro technique, where I write", "is unreasonable to expect to write in perfect uniformity exactly the same amount", "without focusing on my writing. What kind of practical techniques or practical advice", "not a single word. I know that it is unreasonable to expect to", "these dips (as much as possibly anyway). Those dips also are sometimes a", "the pomodoro technique, where I write 50 minutes, and then meditate 10 minutes,", "generally kind of \"stuck in my head\" at those times, rather than relaxed", "that I could really be much more productive, qualitatively and quantitatively, if I", "I am already using the pomodoro technique, where I write 50 minutes, and", "\"zoning out\" without focusing on my writing. What kind of practical techniques or", "head\" about what to write. Often this results in me just \"zoning out\"", "about 15 or more minutes, during which I am literally writing not a" ]
[ "chapters where I don't know what to write in them. I need to", "a chapter outline for the novel series I'm writing, and I have a", "to write in them. I need to do something quickly, because I've started", "few 'blank' chapters where I don't know what to write in them. I", "I've started writing the first book and I am nearly up to my", "series I'm writing, and I have a few 'blank' chapters where I don't", "novel series I'm writing, and I have a few 'blank' chapters where I", "I have a chapter outline for the novel series I'm writing, and I", "a few 'blank' chapters where I don't know what to write in them.", "I am nearly up to my first blank chapter. How do I come", "to my first blank chapter. How do I come up with ideas to", "I need to do something quickly, because I've started writing the first book", "have a chapter outline for the novel series I'm writing, and I have", "nearly up to my first blank chapter. How do I come up with", "blank chapter. How do I come up with ideas to fill these chapters?", "something quickly, because I've started writing the first book and I am nearly", "outline for the novel series I'm writing, and I have a few 'blank'", "my first blank chapter. How do I come up with ideas to fill", "and I have a few 'blank' chapters where I don't know what to", "I have a few 'blank' chapters where I don't know what to write", "write in them. I need to do something quickly, because I've started writing", "don't know what to write in them. I need to do something quickly,", "what to write in them. I need to do something quickly, because I've", "in them. I need to do something quickly, because I've started writing the", "and I am nearly up to my first blank chapter. How do I", "first blank chapter. How do I come up with ideas to fill these", "where I don't know what to write in them. I need to do", "need to do something quickly, because I've started writing the first book and", "do something quickly, because I've started writing the first book and I am", "know what to write in them. I need to do something quickly, because", "I'm writing, and I have a few 'blank' chapters where I don't know", "first book and I am nearly up to my first blank chapter. How", "writing, and I have a few 'blank' chapters where I don't know what", "because I've started writing the first book and I am nearly up to", "writing the first book and I am nearly up to my first blank", "have a few 'blank' chapters where I don't know what to write in", "them. I need to do something quickly, because I've started writing the first", "quickly, because I've started writing the first book and I am nearly up", "up to my first blank chapter. How do I come up with ideas", "the novel series I'm writing, and I have a few 'blank' chapters where", "am nearly up to my first blank chapter. How do I come up", "I don't know what to write in them. I need to do something", "to do something quickly, because I've started writing the first book and I", "the first book and I am nearly up to my first blank chapter.", "book and I am nearly up to my first blank chapter. How do", "started writing the first book and I am nearly up to my first", "chapter outline for the novel series I'm writing, and I have a few", "for the novel series I'm writing, and I have a few 'blank' chapters", "'blank' chapters where I don't know what to write in them. I need" ]
[ "bullied by a secondary character. I'd like to dissect the emotions and reactions", "The protagonist has difficulty with his emotions and social coping mechanisms, and is", "any published works I could read which does a good job of this", "mechanisms, and is being bullied by a secondary character. I'd like to dissect", "a confrontation is inevitable. Are there any published works I could read which", "is being bullied by a secondary character. I'd like to dissect the emotions", "and is being bullied by a secondary character. I'd like to dissect the", "coping mechanisms, and is being bullied by a secondary character. I'd like to", "confrontation is inevitable. Are there any published works I could read which does", "has difficulty with his emotions and social coping mechanisms, and is being bullied", "with his emotions and social coping mechanisms, and is being bullied by a", "published works I could read which does a good job of this already?", "by a secondary character. I'd like to dissect the emotions and reactions in", "him as he learns that a confrontation is inevitable. Are there any published", "as he learns that a confrontation is inevitable. Are there any published works", "I'd like to dissect the emotions and reactions in him as he learns", "dissect the emotions and reactions in him as he learns that a confrontation", "his emotions and social coping mechanisms, and is being bullied by a secondary", "to dissect the emotions and reactions in him as he learns that a", "social coping mechanisms, and is being bullied by a secondary character. I'd like", "difficulty with his emotions and social coping mechanisms, and is being bullied by", "secondary character. I'd like to dissect the emotions and reactions in him as", "the emotions and reactions in him as he learns that a confrontation is", "that a confrontation is inevitable. Are there any published works I could read", "emotions and reactions in him as he learns that a confrontation is inevitable.", "reactions in him as he learns that a confrontation is inevitable. Are there", "is inevitable. Are there any published works I could read which does a", "protagonist has difficulty with his emotions and social coping mechanisms, and is being", "and social coping mechanisms, and is being bullied by a secondary character. I'd", "character. I'd like to dissect the emotions and reactions in him as he", "there any published works I could read which does a good job of", "he learns that a confrontation is inevitable. Are there any published works I", "a secondary character. I'd like to dissect the emotions and reactions in him", "like to dissect the emotions and reactions in him as he learns that", "emotions and social coping mechanisms, and is being bullied by a secondary character.", "and reactions in him as he learns that a confrontation is inevitable. Are", "inevitable. Are there any published works I could read which does a good", "Are there any published works I could read which does a good job", "learns that a confrontation is inevitable. Are there any published works I could", "being bullied by a secondary character. I'd like to dissect the emotions and", "in him as he learns that a confrontation is inevitable. Are there any" ]
[ "you want the reader to believe the opposite of the truth, when the", "scene is followed up with one from the brother's point of view. The", "I need to make the reader think the brother has betrayed the sister,", "his sister. During the scene, it is impossible to show that the brother", "betrayed the sister, without showing the reader that the brother doesn't know what's", "too specific, the general question is that if you want the reader to", "on a journey to save her brother from the enemies. She suddenly finds", "actively hunting down his sister. During the scene, it is impossible to show", "into a bit of a dilemma in my current story. The main character", "if you want the reader to believe the opposite of the truth, when", "main character is on a journey to save her brother from the enemies.", "helping them willingly. Despite this evidence, she refuses to believe that he has", "specific, the general question is that if you want the reader to believe", "a bit of a dilemma in my current story. The main character is", "is later shaken). This scene is followed up with one from the brother's", "working with are actively hunting down his sister. During the scene, it is", "view. The scene is meant to reinforce the 'betrayal', along with supplying some", "Despite this evidence, she refuses to believe that he has betrayed her (her", "unfortunately it does the opposite. The brother has actually been kept in the", "the opposite. The brother has actually been kept in the dark about what", "followed up with one from the brother's point of view. The scene is", "reinforce the 'betrayal', along with supplying some information, but unfortunately it does the", "current story. The main character is on a journey to save her brother", "he is working with are actively hunting down his sister. During the scene,", "that the brother doesn't know what's going on. How can I do this?", "evidence, she refuses to believe that he has betrayed her (her resolution is", "to believe that he has betrayed her (her resolution is later shaken). This", "this?** Note: Before marking this question as too specific, the general question is", "from the brother's point of view. The scene is meant to reinforce the", "show that the brother doesn't know what is going on. I need to", "enemies. She suddenly finds that he is helping them willingly. Despite this evidence,", "can I do this?** Note: Before marking this question as too specific, the", "bit of a dilemma in my current story. The main character is on", "the sister, without showing the reader that the brother doesn't know what's going", "I do this?** Note: Before marking this question as too specific, the general", "opposite of the truth, when the truth is very apparent, how can you", "meant to reinforce the 'betrayal', along with supplying some information, but unfortunately it", "with supplying some information, but unfortunately it does the opposite. The brother has", "from the enemies. She suddenly finds that he is helping them willingly. Despite", "marking this question as too specific, the general question is that if you", "and therefore does not know that the people he is working with are", "supplying some information, but unfortunately it does the opposite. The brother has actually", "is on a journey to save her brother from the enemies. She suddenly", "that the people he is working with are actively hunting down his sister.", "information, but unfortunately it does the opposite. The brother has actually been kept", "is that if you want the reader to believe the opposite of the", "the reader that the brother doesn't know what's going on. How can I", "to believe the opposite of the truth, when the truth is very apparent,", "my current story. The main character is on a journey to save her", "about what is going on, and therefore does not know that the people", "resolution is later shaken). This scene is followed up with one from the", "of the truth, when the truth is very apparent, how can you do", "as too specific, the general question is that if you want the reader", "know that the people he is working with are actively hunting down his", "know what's going on. How can I do this?** Note: Before marking this", "'betrayal', along with supplying some information, but unfortunately it does the opposite. The", "of a dilemma in my current story. The main character is on a", "suddenly finds that he is helping them willingly. Despite this evidence, she refuses", "has betrayed the sister, without showing the reader that the brother doesn't know", "run into a bit of a dilemma in my current story. The main", "it is impossible to show that the brother doesn't know what is going", "the enemies. She suddenly finds that he is helping them willingly. Despite this", "general question is that if you want the reader to believe the opposite", "it does the opposite. The brother has actually been kept in the dark", "this question as too specific, the general question is that if you want", "doesn't know what is going on. I need to make the reader think", "character is on a journey to save her brother from the enemies. She", "is meant to reinforce the 'betrayal', along with supplying some information, but unfortunately", "betrayed her (her resolution is later shaken). This scene is followed up with", "some information, but unfortunately it does the opposite. The brother has actually been", "brother has actually been kept in the dark about what is going on,", "what is going on. I need to make the reader think the brother", "is helping them willingly. Despite this evidence, she refuses to believe that he", "brother has betrayed the sister, without showing the reader that the brother doesn't", "She suddenly finds that he is helping them willingly. Despite this evidence, she", "The brother has actually been kept in the dark about what is going", "scene, it is impossible to show that the brother doesn't know what is", "on. I need to make the reader think the brother has betrayed the", "dilemma in my current story. The main character is on a journey to", "Before marking this question as too specific, the general question is that if", "what's going on. How can I do this? Note: Before marking this question", "is going on. I need to make the reader think the brother has", "that he is helping them willingly. Despite this evidence, she refuses to believe", "are actively hunting down his sister. During the scene, it is impossible to", "showing the reader that the brother doesn't know what's going on. How can", "sister. During the scene, it is impossible to show that the brother doesn't", "in my current story. The main character is on a journey to save", "with are actively hunting down his sister. During the scene, it is impossible", "to reinforce the 'betrayal', along with supplying some information, but unfortunately it does", "them willingly. Despite this evidence, she refuses to believe that he has betrayed", "kept in the dark about what is going on, and therefore does not", "the brother doesn't know what is going on. I need to make the", "what is going on, and therefore does not know that the people he", "up with one from the brother's point of view. 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I need", "therefore does not know that the people he is working with are actively", "with one from the brother's point of view. The scene is meant to", "is going on, and therefore does not know that the people he is", "refuses to believe that he has betrayed her (her resolution is later shaken).", "have run into a bit of a dilemma in my current story. The", "but unfortunately it does the opposite. The brother has actually been kept in", "without showing the reader that the brother doesn't know what's going on. **How", "does the opposite. The brother has actually been kept in the dark about", "been kept in the dark about what is going on, and therefore does" ]