Split (1)

train · 10.4M rows

ngram listlengths 0 10.5k
[ "that for my MC, she's flashing back a bit to the past, a", "if you care to look over, feel free to advise me even if", "over, feel free to advise me even if you don't--I've got like, two", "MC, she's flashing back a bit to the past, a bit more than", "to look over, feel free to advise me even if you don't--I've got", "at too much length. So, what am I to do with all these", "to something shorter, but, in some cases they highlight a character that will", "with flashbacks is a sign of weakness, unless it's a device. But, I'm", "I could start with castle life instead or cut these down to something", "unless it's a device. But, I'm finding that for my MC, she's flashing", "of cutting or moving somehow. They are good scenes though, I know I", "cases they highlight a character that will be important later and show background", "care to look over, feel free to advise me even if you don't--I've", "they highlight a character that will be important later and show background stuff", "in some cases they highlight a character that will be important later and", "story riddled with flashbacks is a sign of weakness, unless it's a device.", "me even if you don't--I've got like, two others much longer that are", "back to back, in another chapter, which I am definitely thinking of cutting", "a character that will be important later and show background stuff that isn't", "a bit to the past, a bit more than I'd like, and mayhap", "a sign of weakness, unless it's a device. But, I'm finding that for", "is a sign of weakness, unless it's a device. But, I'm finding that", "mayhap at too much length. So, what am I to do with all", "includes a flashback](https://docs.google.com/document/d/1G7yJISA5mLqBC4zmANYoZsUkoUdNRoEBjehUxbSZBPU/edit?usp=sharing) if you care to look over, feel free to advise", "cutting or moving somehow. They are good scenes though, I know I could", "I'd like, and mayhap at too much length. So, what am I to", "a flashback](https://docs.google.com/document/d/1G7yJISA5mLqBC4zmANYoZsUkoUdNRoEBjehUxbSZBPU/edit?usp=sharing) if you care to look over, feel free to advise me", "rough section, includes a flashback](https://docs.google.com/document/d/1G7yJISA5mLqBC4zmANYoZsUkoUdNRoEBjehUxbSZBPU/edit?usp=sharing) if you care to look over, feel free", "finding that for my MC, she's flashing back a bit to the past,", "you don't--I've got like, two others much longer that are back to back,", "feel free to advise me even if you don't--I've got like, two others", "So, what am I to do with all these flashbacks? Here's a sample,", "bit to the past, a bit more than I'd like, and mayhap at", "moving somehow. They are good scenes though, I know I could start with", "for my MC, she's flashing back a bit to the past, a bit", "like, and mayhap at too much length. So, what am I to do", "what am I to do with all these flashbacks? Here's a sample, [just", "these flashbacks? Here's a sample, [just a rough section, includes a flashback](https://docs.google.com/document/d/1G7yJISA5mLqBC4zmANYoZsUkoUdNRoEBjehUxbSZBPU/edit?usp=sharing) if", "instead or cut these down to something shorter, but, in some cases they", "length. So, what am I to do with all these flashbacks? Here's a", "and mayhap at too much length. So, what am I to do with", "don't--I've got like, two others much longer that are back to back, in", "sign of weakness, unless it's a device. But, I'm finding that for my", "I am definitely thinking of cutting or moving somehow. They are good scenes", "a bit more than I'd like, and mayhap at too much length. So,", "weakness, unless it's a device. But, I'm finding that for my MC, she's", "got like, two others much longer that are back to back, in another", "bit more than I'd like, and mayhap at too much length. So, what", "free to advise me even if you don't--I've got like, two others much", "riddled with flashbacks is a sign of weakness, unless it's a device. But,", "do with all these flashbacks? Here's a sample, [just a rough section, includes", "flashing back a bit to the past, a bit more than I'd like,", "back a bit to the past, a bit more than I'd like, and", "a sample, [just a rough section, includes a flashback](https://docs.google.com/document/d/1G7yJISA5mLqBC4zmANYoZsUkoUdNRoEBjehUxbSZBPU/edit?usp=sharing) if you care to", "am I to do with all these flashbacks? Here's a sample, [just a", "more than I'd like, and mayhap at too much length. So, what am", "shorter, but, in some cases they highlight a character that will be important", "scenes though, I know I could start with castle life instead or cut", "down to something shorter, but, in some cases they highlight a character that", "Here's a sample, [just a rough section, includes a flashback](https://docs.google.com/document/d/1G7yJISA5mLqBC4zmANYoZsUkoUdNRoEBjehUxbSZBPU/edit?usp=sharing) if you care", "you care to look over, feel free to advise me even if you", "much longer that are back to back, in another chapter, which I am", "like, two others much longer that are back to back, in another chapter,", "it's a device. But, I'm finding that for my MC, she's flashing back", "to the past, a bit more than I'd like, and mayhap at too", "than I'd like, and mayhap at too much length. So, what am I", "longer that are back to back, in another chapter, which I am definitely", "these down to something shorter, but, in some cases they highlight a character", "I know I could start with castle life instead or cut these down", "with castle life instead or cut these down to something shorter, but, in", "device. But, I'm finding that for my MC, she's flashing back a bit", "thinking of cutting or moving somehow. They are good scenes though, I know", "if you don't--I've got like, two others much longer that are back to", "somehow. They are good scenes though, I know I could start with castle", "cut these down to something shorter, but, in some cases they highlight a", "a rough section, includes a flashback](https://docs.google.com/document/d/1G7yJISA5mLqBC4zmANYoZsUkoUdNRoEBjehUxbSZBPU/edit?usp=sharing) if you care to look over, feel", "section, includes a flashback](https://docs.google.com/document/d/1G7yJISA5mLqBC4zmANYoZsUkoUdNRoEBjehUxbSZBPU/edit?usp=sharing) if you care to look over, feel free to", "to back, in another chapter, which I am definitely thinking of cutting or", "are back to back, in another chapter, which I am definitely thinking of", "am definitely thinking of cutting or moving somehow. They are good scenes though,", "or moving somehow. They are good scenes though, I know I could start", "in another chapter, which I am definitely thinking of cutting or moving somehow.", "with all these flashbacks? Here's a sample, [just a rough section, includes a", "They are good scenes though, I know I could start with castle life", "a device. But, I'm finding that for my MC, she's flashing back a", "the past, a bit more than I'd like, and mayhap at too much", "But, I'm finding that for my MC, she's flashing back a bit to", "start with castle life instead or cut these down to something shorter, but,", "know I could start with castle life instead or cut these down to", "that are back to back, in another chapter, which I am definitely thinking", "flashbacks is a sign of weakness, unless it's a device. But, I'm finding", "two others much longer that are back to back, in another chapter, which", "all these flashbacks? Here's a sample, [just a rough section, includes a flashback](https://docs.google.com/document/d/1G7yJISA5mLqBC4zmANYoZsUkoUdNRoEBjehUxbSZBPU/edit?usp=sharing)", "another chapter, which I am definitely thinking of cutting or moving somehow. They", "I to do with all these flashbacks? Here's a sample, [just a rough", "to advise me even if you don't--I've got like, two others much longer", "back, in another chapter, which I am definitely thinking of cutting or moving", "much length. So, what am I to do with all these flashbacks? Here's", "too much length. So, what am I to do with all these flashbacks?", "to do with all these flashbacks? Here's a sample, [just a rough section,", "past, a bit more than I'd like, and mayhap at too much length.", "I'm finding that for my MC, she's flashing back a bit to the", "chapter, which I am definitely thinking of cutting or moving somehow. They are", "castle life instead or cut these down to something shorter, but, in some", "A story riddled with flashbacks is a sign of weakness, unless it's a", "flashback](https://docs.google.com/document/d/1G7yJISA5mLqBC4zmANYoZsUkoUdNRoEBjehUxbSZBPU/edit?usp=sharing) if you care to look over, feel free to advise me even", "look over, feel free to advise me even if you don't--I've got like,", "she's flashing back a bit to the past, a bit more than I'd", "but, in some cases they highlight a character that will be important later", "definitely thinking of cutting or moving somehow. They are good scenes though, I", "could start with castle life instead or cut these down to something shorter,", "good scenes though, I know I could start with castle life instead or", "[just a rough section, includes a flashback](https://docs.google.com/document/d/1G7yJISA5mLqBC4zmANYoZsUkoUdNRoEBjehUxbSZBPU/edit?usp=sharing) if you care to look over,", "character that will be important later and show background stuff that isn't standard.", "even if you don't--I've got like, two others much longer that are back", "something shorter, but, in some cases they highlight a character that will be", "others much longer that are back to back, in another chapter, which I", "though, I know I could start with castle life instead or cut these", "advise me even if you don't--I've got like, two others much longer that", "life instead or cut these down to something shorter, but, in some cases", "of weakness, unless it's a device. But, I'm finding that for my MC,", "or cut these down to something shorter, but, in some cases they highlight", "flashbacks? Here's a sample, [just a rough section, includes a flashback](https://docs.google.com/document/d/1G7yJISA5mLqBC4zmANYoZsUkoUdNRoEBjehUxbSZBPU/edit?usp=sharing) if you", "sample, [just a rough section, includes a flashback](https://docs.google.com/document/d/1G7yJISA5mLqBC4zmANYoZsUkoUdNRoEBjehUxbSZBPU/edit?usp=sharing) if you care to look", "are good scenes though, I know I could start with castle life instead", "my MC, she's flashing back a bit to the past, a bit more", "some cases they highlight a character that will be important later and show", "highlight a character that will be important later and show background stuff that", "which I am definitely thinking of cutting or moving somehow. They are good" ]
[ "the characters themselves. My creativity appears to be limited in metaphors. I want", "the characters' surroundings or the characters themselves. My creativity appears to be limited", "want to invent as many of my own metaphors as possible. But how", "characters' surroundings or the characters themselves. My creativity appears to be limited in", "metaphors, awesomely describing the characters' surroundings or the characters themselves. My creativity appears", "describing the characters' surroundings or the characters themselves. My creativity appears to be", "invent as many of my own metaphors as possible. But how many metaphors", "of the best books I read have a heap of metaphors, awesomely describing", "characters themselves. My creativity appears to be limited in metaphors. I want to", "and I want to invent as many of my own metaphors as possible.", "be limited in metaphors. I want to avoid clichés, and I want to", "appears to be limited in metaphors. I want to avoid clichés, and I", "in metaphors. I want to avoid clichés, and I want to invent as", "of my own metaphors as possible. But how many metaphors should I actually", "themselves. My creativity appears to be limited in metaphors. I want to avoid", "metaphors. I want to avoid clichés, and I want to invent as many", "I read have a heap of metaphors, awesomely describing the characters' surroundings or", "to be limited in metaphors. I want to avoid clichés, and I want", "books I read have a heap of metaphors, awesomely describing the characters' surroundings", "avoid clichés, and I want to invent as many of my own metaphors", "many of my own metaphors as possible. But how many metaphors should I", "clichés, and I want to invent as many of my own metaphors as", "my own metaphors as possible. But how many metaphors should I actually put", "own metaphors as possible. But how many metaphors should I actually put in", "read have a heap of metaphors, awesomely describing the characters' surroundings or the", "want to avoid clichés, and I want to invent as many of my", "have a heap of metaphors, awesomely describing the characters' surroundings or the characters", "limited in metaphors. I want to avoid clichés, and I want to invent", "heap of metaphors, awesomely describing the characters' surroundings or the characters themselves. My", "to avoid clichés, and I want to invent as many of my own", "Some of the best books I read have a heap of metaphors, awesomely", "I want to avoid clichés, and I want to invent as many of", "My creativity appears to be limited in metaphors. I want to avoid clichés,", "metaphors as possible. But how many metaphors should I actually put in my", "of metaphors, awesomely describing the characters' surroundings or the characters themselves. My creativity", "surroundings or the characters themselves. My creativity appears to be limited in metaphors.", "a heap of metaphors, awesomely describing the characters' surroundings or the characters themselves.", "or the characters themselves. My creativity appears to be limited in metaphors. I", "awesomely describing the characters' surroundings or the characters themselves. My creativity appears to", "as many of my own metaphors as possible. But how many metaphors should", "as possible. But how many metaphors should I actually put in my novel?", "best books I read have a heap of metaphors, awesomely describing the characters'", "I want to invent as many of my own metaphors as possible. But", "creativity appears to be limited in metaphors. I want to avoid clichés, and", "the best books I read have a heap of metaphors, awesomely describing the", "to invent as many of my own metaphors as possible. But how many" ]
[ "[The US](https://www.myidentifiers.com/get-your-isbn-now) and for [Australia](https://www.myidentifiers.com.au/Get-your-isbn-now) (which is good because I'm Australian). but the", "the.au site are in AUD but if they aren't and are actually in", "$165.45 \| $44 10 \| $290 \| $383.85 \| $88 100 \| $575", "calculated using [xe.com](http://www.xe.com/currencyconverter/convert/?From=USD&To=AUD) 24/04/2017 Up to 100 ISBNs it's cheaper for an Australian", "website for when I go to buy ISBNs I found it has separate", "ISBNs \| US Cost \| USD -> AUSD \| Aus Cost ------------------------------------------------- 1", "$1500 \| $1985.44 \| $3000 ``` USD -> AUD calculated using [xe.com](http://www.xe.com/currencyconverter/convert/?From=USD&To=AUD) 24/04/2017", "expensive across the broad? What stops an Australian buying 1000 ISBNs from the", "US Site after currency conversion (this assumes the prices on the.au site are", "\| $165.45 \| $44 10 \| $290 \| $383.85 \| $88 100 \|", "in the US 10 -> 100 is less than 2x (~1.9827586206896551724137931034483) the price", "and Aus prices for 1000 ISBNs the same for why in the US", "But why is this? If it was in some odd way more expensive", "to buy ISBNs I found it has separate URLs for [The US](https://www.myidentifiers.com/get-your-isbn-now) and", "-> AUSD \| Aus Cost ------------------------------------------------- 1 \| $125 \| $165.45 \| $44", "using [xe.com](http://www.xe.com/currencyconverter/convert/?From=USD&To=AUD) 24/04/2017 Up to 100 ISBNs it's cheaper for an Australian to", "for [The US](https://www.myidentifiers.com/get-your-isbn-now) and for [Australia](https://www.myidentifiers.com.au/Get-your-isbn-now) (which is good because I'm Australian). but", "discrepancy between US and Aus prices for 1000 ISBNs the same for why", "the same for why in the US 10 -> 100 is less than", "\| Aus Cost ------------------------------------------------- 1 \| $125 \| $165.45 \| $44 10 \|", "Aus Cost ------------------------------------------------- 1 \| $125 \| $165.45 \| $44 10 \| $290", "it was in some odd way more expensive to deal with ISBNs brought", "buy from the.au site but when it's 1,000 it's actually more expensive to", "\| $383.85 \| $88 100 \| $575 \| $761.09 \| $480 1000 \|", "$575 \| $761.09 \| $480 1000 \| $1500 \| $1985.44 \| $3000 ```", "to buy from the.au site but when it's 1,000 it's actually more expensive", "------------------------------------------------- 1 \| $125 \| $165.45 \| $44 10 \| $290 \| $383.85", "-> AUD calculated using [xe.com](http://www.xe.com/currencyconverter/convert/?From=USD&To=AUD) 24/04/2017 Up to 100 ISBNs it's cheaper for", "the.au site but when it's 1,000 it's actually more expensive to buy from", "looking up the Bowker website for when I go to buy ISBNs I", "are actually in USD then it's even more expensive). But why is this?", "Site and saving almost $1,000? Also is the explanation for the price discrepancy", "they more expensive across the broad? What stops an Australian buying 1000 ISBNs", "it has separate URLs for [The US](https://www.myidentifiers.com/get-your-isbn-now) and for [Australia](https://www.myidentifiers.com.au/Get-your-isbn-now) (which is good", "way more expensive to deal with ISBNs brought by Australians then why aren't", "they aren't and are actually in USD then it's even more expensive). But", "good because I'm Australian). but the prices seem....strange ``` No. of ISBNs \|", "$383.85 \| $88 100 \| $575 \| $761.09 \| $480 1000 \| $1500", "then it's even more expensive). But why is this? If it was in", "in USD then it's even more expensive). But why is this? If it", "an Australian to buy from the.au site but when it's 1,000 it's actually", "the explanation for the price discrepancy between US and Aus prices for 1000", "$44 10 \| $290 \| $383.85 \| $88 100 \| $575 \| $761.09", "Australians then why aren't they more expensive across the broad? What stops an", "go to buy ISBNs I found it has separate URLs for [The US](https://www.myidentifiers.com/get-your-isbn-now)", "is the explanation for the price discrepancy between US and Aus prices for", "the price discrepancy between US and Aus prices for 1000 ISBNs the same", "between US and Aus prices for 1000 ISBNs the same for why in", "100 ISBNs it's cheaper for an Australian to buy from the.au site but", "[xe.com](http://www.xe.com/currencyconverter/convert/?From=USD&To=AUD) 24/04/2017 Up to 100 ISBNs it's cheaper for an Australian to buy", "because I'm Australian). but the prices seem....strange ``` No. of ISBNs \| US", "buying 1000 ISBNs from the US Site and saving almost $1,000? Also is", "the prices seem....strange ``` No. of ISBNs \| US Cost \| USD ->", "has separate URLs for [The US](https://www.myidentifiers.com/get-your-isbn-now) and for [Australia](https://www.myidentifiers.com.au/Get-your-isbn-now) (which is good because", "AUD but if they aren't and are actually in USD then it's even", "Cost ------------------------------------------------- 1 \| $125 \| $165.45 \| $44 10 \| $290 \|", "10 \| $290 \| $383.85 \| $88 100 \| $575 \| $761.09 \|", "ISBNs from the US Site and saving almost $1,000? Also is the explanation", "when it's 1,000 it's actually more expensive to buy from the.au site than", "separate URLs for [The US](https://www.myidentifiers.com/get-your-isbn-now) and for [Australia](https://www.myidentifiers.com.au/Get-your-isbn-now) (which is good because I'm", "it is to buy from the US Site after currency conversion (this assumes", "saving almost $1,000? Also is the explanation for the price discrepancy between US", "is good because I'm Australian). but the prices seem....strange ``` No. of ISBNs", "and are actually in USD then it's even more expensive). But why is", "more expensive to buy from the.au site than it is to buy from", "cheaper for an Australian to buy from the.au site but when it's 1,000", "currency conversion (this assumes the prices on the.au site are in AUD but", "to deal with ISBNs brought by Australians then why aren't they more expensive", "why in the US 10 -> 100 is less than 2x (~1.9827586206896551724137931034483) the", "for why in the US 10 -> 100 is less than 2x (~1.9827586206896551724137931034483)", "\| USD -> AUSD \| Aus Cost ------------------------------------------------- 1 \| $125 \| $165.45", "``` USD -> AUD calculated using [xe.com](http://www.xe.com/currencyconverter/convert/?From=USD&To=AUD) 24/04/2017 Up to 100 ISBNs it's", "same for why in the US 10 -> 100 is less than 2x", "is less than 2x (~1.9827586206896551724137931034483) the price while in Australia it's almost 5.5x", "prices seem....strange ``` No. of ISBNs \| US Cost \| USD -> AUSD", "As I was looking up the Bowker website for when I go to", "Cost \| USD -> AUSD \| Aus Cost ------------------------------------------------- 1 \| $125 \|", "if they aren't and are actually in USD then it's even more expensive).", "\| US Cost \| USD -> AUSD \| Aus Cost ------------------------------------------------- 1 \|", "than it is to buy from the US Site after currency conversion (this", "some odd way more expensive to deal with ISBNs brought by Australians then", "URLs for [The US](https://www.myidentifiers.com/get-your-isbn-now) and for [Australia](https://www.myidentifiers.com.au/Get-your-isbn-now) (which is good because I'm Australian).", "Aus prices for 1000 ISBNs the same for why in the US 10", "for 1000 ISBNs the same for why in the US 10 -> 100", "[Australia](https://www.myidentifiers.com.au/Get-your-isbn-now) (which is good because I'm Australian). but the prices seem....strange ``` No.", "\| $575 \| $761.09 \| $480 1000 \| $1500 \| $1985.44 \| $3000", "expensive). But why is this? If it was in some odd way more", "the US 10 -> 100 is less than 2x (~1.9827586206896551724137931034483) the price while", "Australian to buy from the.au site but when it's 1,000 it's actually more", "but if they aren't and are actually in USD then it's even more", "buy from the US Site after currency conversion (this assumes the prices on", "buy ISBNs I found it has separate URLs for [The US](https://www.myidentifiers.com/get-your-isbn-now) and for", "found it has separate URLs for [The US](https://www.myidentifiers.com/get-your-isbn-now) and for [Australia](https://www.myidentifiers.com.au/Get-your-isbn-now) (which is", "aren't they more expensive across the broad? What stops an Australian buying 1000", "-> 100 is less than 2x (~1.9827586206896551724137931034483) the price while in Australia it's", "to 100 ISBNs it's cheaper for an Australian to buy from the.au site", "even more expensive). But why is this? If it was in some odd", "``` No. of ISBNs \| US Cost \| USD -> AUSD \| Aus", "almost $1,000? Also is the explanation for the price discrepancy between US and", "from the US Site and saving almost $1,000? Also is the explanation for", "expensive to buy from the.au site than it is to buy from the", "with ISBNs brought by Australians then why aren't they more expensive across the", "the Bowker website for when I go to buy ISBNs I found it", "US and Aus prices for 1000 ISBNs the same for why in the", "1,000 it's actually more expensive to buy from the.au site than it is", "from the.au site than it is to buy from the US Site after", "Site after currency conversion (this assumes the prices on the.au site are in", "why is this? If it was in some odd way more expensive to", "$480 1000 \| $1500 \| $1985.44 \| $3000 ``` USD -> AUD calculated", "I was looking up the Bowker website for when I go to buy", "on the.au site are in AUD but if they aren't and are actually", "but when it's 1,000 it's actually more expensive to buy from the.au site", "US](https://www.myidentifiers.com/get-your-isbn-now) and for [Australia](https://www.myidentifiers.com.au/Get-your-isbn-now) (which is good because I'm Australian). but the prices", "more expensive to deal with ISBNs brought by Australians then why aren't they", "USD then it's even more expensive). But why is this? If it was", "than 2x (~1.9827586206896551724137931034483) the price while in Australia it's almost 5.5x (~5.4545454545454545454545454545455) more?", "ISBNs brought by Australians then why aren't they more expensive across the broad?", "across the broad? What stops an Australian buying 1000 ISBNs from the US", "$290 \| $383.85 \| $88 100 \| $575 \| $761.09 \| $480 1000", "AUD calculated using [xe.com](http://www.xe.com/currencyconverter/convert/?From=USD&To=AUD) 24/04/2017 Up to 100 ISBNs it's cheaper for an", "are in AUD but if they aren't and are actually in USD then", "to buy from the.au site than it is to buy from the US", "$1,000? Also is the explanation for the price discrepancy between US and Aus", "USD -> AUSD \| Aus Cost ------------------------------------------------- 1 \| $125 \| $165.45 \|", "for when I go to buy ISBNs I found it has separate URLs", "ISBNs the same for why in the US 10 -> 100 is less", "why aren't they more expensive across the broad? What stops an Australian buying", "the.au site than it is to buy from the US Site after currency", "after currency conversion (this assumes the prices on the.au site are in AUD", "(this assumes the prices on the.au site are in AUD but if they", "price discrepancy between US and Aus prices for 1000 ISBNs the same for", "US Cost \| USD -> AUSD \| Aus Cost ------------------------------------------------- 1 \| $125", "expensive to deal with ISBNs brought by Australians then why aren't they more", "from the US Site after currency conversion (this assumes the prices on the.au", "and saving almost $1,000? Also is the explanation for the price discrepancy between", "10 -> 100 is less than 2x (~1.9827586206896551724137931034483) the price while in Australia", "ISBNs it's cheaper for an Australian to buy from the.au site but when", "I found it has separate URLs for [The US](https://www.myidentifiers.com/get-your-isbn-now) and for [Australia](https://www.myidentifiers.com.au/Get-your-isbn-now) (which", "but the prices seem....strange ``` No. of ISBNs \| US Cost \| USD", "$1985.44 \| $3000 ``` USD -> AUD calculated using [xe.com](http://www.xe.com/currencyconverter/convert/?From=USD&To=AUD) 24/04/2017 Up to", "\| $480 1000 \| $1500 \| $1985.44 \| $3000 ``` USD -> AUD", "$3000 ``` USD -> AUD calculated using [xe.com](http://www.xe.com/currencyconverter/convert/?From=USD&To=AUD) 24/04/2017 Up to 100 ISBNs", "prices on the.au site are in AUD but if they aren't and are", "then why aren't they more expensive across the broad? What stops an Australian", "was looking up the Bowker website for when I go to buy ISBNs", "\| $44 10 \| $290 \| $383.85 \| $88 100 \| $575 \|", "24/04/2017 Up to 100 ISBNs it's cheaper for an Australian to buy from", "site than it is to buy from the US Site after currency conversion", "site but when it's 1,000 it's actually more expensive to buy from the.au", "Australian buying 1000 ISBNs from the US Site and saving almost $1,000? Also", "Australian). but the prices seem....strange ``` No. of ISBNs \| US Cost \|", "for [Australia](https://www.myidentifiers.com.au/Get-your-isbn-now) (which is good because I'm Australian). but the prices seem....strange ```", "the US Site after currency conversion (this assumes the prices on the.au site", "assumes the prices on the.au site are in AUD but if they aren't", "the prices on the.au site are in AUD but if they aren't and", "deal with ISBNs brought by Australians then why aren't they more expensive across", "of ISBNs \| US Cost \| USD -> AUSD \| Aus Cost -------------------------------------------------", "Up to 100 ISBNs it's cheaper for an Australian to buy from the.au", "from the.au site but when it's 1,000 it's actually more expensive to buy", "an Australian buying 1000 ISBNs from the US Site and saving almost $1,000?", "\| $761.09 \| $480 1000 \| $1500 \| $1985.44 \| $3000 ``` USD", "100 is less than 2x (~1.9827586206896551724137931034483) the price while in Australia it's almost", "aren't and are actually in USD then it's even more expensive). But why", "AUSD \| Aus Cost ------------------------------------------------- 1 \| $125 \| $165.45 \| $44 10", "No. of ISBNs \| US Cost \| USD -> AUSD \| Aus Cost", "1 \| $125 \| $165.45 \| $44 10 \| $290 \| $383.85 \|", "less than 2x (~1.9827586206896551724137931034483) the price while in Australia it's almost 5.5x (~5.4545454545454545454545454545455)", "site are in AUD but if they aren't and are actually in USD", "when I go to buy ISBNs I found it has separate URLs for", "odd way more expensive to deal with ISBNs brought by Australians then why", "$761.09 \| $480 1000 \| $1500 \| $1985.44 \| $3000 ``` USD ->", "Bowker website for when I go to buy ISBNs I found it has", "USD -> AUD calculated using [xe.com](http://www.xe.com/currencyconverter/convert/?From=USD&To=AUD) 24/04/2017 Up to 100 ISBNs it's cheaper", "brought by Australians then why aren't they more expensive across the broad? What", "prices for 1000 ISBNs the same for why in the US 10 ->", "\| $125 \| $165.45 \| $44 10 \| $290 \| $383.85 \| $88", "this? If it was in some odd way more expensive to deal with", "actually in USD then it's even more expensive). But why is this? If", "to buy from the US Site after currency conversion (this assumes the prices", "If it was in some odd way more expensive to deal with ISBNs", "the broad? What stops an Australian buying 1000 ISBNs from the US Site", "What stops an Australian buying 1000 ISBNs from the US Site and saving", "\| $3000 ``` USD -> AUD calculated using [xe.com](http://www.xe.com/currencyconverter/convert/?From=USD&To=AUD) 24/04/2017 Up to 100", "for an Australian to buy from the.au site but when it's 1,000 it's", "\| $1985.44 \| $3000 ``` USD -> AUD calculated using [xe.com](http://www.xe.com/currencyconverter/convert/?From=USD&To=AUD) 24/04/2017 Up", "up the Bowker website for when I go to buy ISBNs I found", "1000 \| $1500 \| $1985.44 \| $3000 ``` USD -> AUD calculated using", "conversion (this assumes the prices on the.au site are in AUD but if", "and for [Australia](https://www.myidentifiers.com.au/Get-your-isbn-now) (which is good because I'm Australian). but the prices seem....strange", "is to buy from the US Site after currency conversion (this assumes the", "Also is the explanation for the price discrepancy between US and Aus prices", "\| $1500 \| $1985.44 \| $3000 ``` USD -> AUD calculated using [xe.com](http://www.xe.com/currencyconverter/convert/?From=USD&To=AUD)", "US Site and saving almost $1,000? Also is the explanation for the price", "1000 ISBNs the same for why in the US 10 -> 100 is", "buy from the.au site than it is to buy from the US Site", "more expensive). But why is this? If it was in some odd way", "it's actually more expensive to buy from the.au site than it is to", "for the price discrepancy between US and Aus prices for 1000 ISBNs the", "$88 100 \| $575 \| $761.09 \| $480 1000 \| $1500 \| $1985.44", "the US Site and saving almost $1,000? Also is the explanation for the", "it's cheaper for an Australian to buy from the.au site but when it's", "1000 ISBNs from the US Site and saving almost $1,000? Also is the", "seem....strange ``` No. of ISBNs \| US Cost \| USD -> AUSD \|", "actually more expensive to buy from the.au site than it is to buy", "in some odd way more expensive to deal with ISBNs brought by Australians", "it's 1,000 it's actually more expensive to buy from the.au site than it", "was in some odd way more expensive to deal with ISBNs brought by", "stops an Australian buying 1000 ISBNs from the US Site and saving almost", "explanation for the price discrepancy between US and Aus prices for 1000 ISBNs", "broad? What stops an Australian buying 1000 ISBNs from the US Site and", "(which is good because I'm Australian). but the prices seem....strange ``` No. of", "is this? If it was in some odd way more expensive to deal", "ISBNs I found it has separate URLs for [The US](https://www.myidentifiers.com/get-your-isbn-now) and for [Australia](https://www.myidentifiers.com.au/Get-your-isbn-now)", "I'm Australian). but the prices seem....strange ``` No. of ISBNs \| US Cost", "I go to buy ISBNs I found it has separate URLs for [The", "$125 \| $165.45 \| $44 10 \| $290 \| $383.85 \| $88 100", "100 \| $575 \| $761.09 \| $480 1000 \| $1500 \| $1985.44 \|", "\| $88 100 \| $575 \| $761.09 \| $480 1000 \| $1500 \|", "it's even more expensive). But why is this? If it was in some", "more expensive across the broad? What stops an Australian buying 1000 ISBNs from", "US 10 -> 100 is less than 2x (~1.9827586206896551724137931034483) the price while in", "\| $290 \| $383.85 \| $88 100 \| $575 \| $761.09 \| $480", "by Australians then why aren't they more expensive across the broad? What stops", "in AUD but if they aren't and are actually in USD then it's" ]
[ "the works I make, but how can I copyright my works? Is it", "it one time for all the works or does every work need to", "works? Is it one time for all the works or does every work", "write small poems. I know there is a lot to learn and update", "poems. I know there is a lot to learn and update in the", "or does every work need to be done individually? I live in India.", "how can I copyright my works? Is it one time for all the", "I make, but how can I copyright my works? Is it one time", "update in the works I make, but how can I copyright my works?", "in the works I make, but how can I copyright my works? Is", "a lot to learn and update in the works I make, but how", "poet and I write small poems. I know there is a lot to", "copyright my works? Is it one time for all the works or does", "can I copyright my works? Is it one time for all the works", "my works? Is it one time for all the works or does every", "learn and update in the works I make, but how can I copyright", "to learn and update in the works I make, but how can I", "works or does every work need to be done individually? I live in", "one time for all the works or does every work need to be", "there is a lot to learn and update in the works I make,", "Is it one time for all the works or does every work need", "I write small poems. I know there is a lot to learn and", "all the works or does every work need to be done individually? I", "know there is a lot to learn and update in the works I", "lot to learn and update in the works I make, but how can", "a poet and I write small poems. I know there is a lot", "the works or does every work need to be done individually? I live", "make, but how can I copyright my works? Is it one time for", "but how can I copyright my works? Is it one time for all", "small poems. I know there is a lot to learn and update in", "and I write small poems. I know there is a lot to learn", "I know there is a lot to learn and update in the works", "for all the works or does every work need to be done individually?", "I copyright my works? Is it one time for all the works or", "is a lot to learn and update in the works I make, but", "time for all the works or does every work need to be done", "and update in the works I make, but how can I copyright my", "I'm a poet and I write small poems. I know there is a", "works I make, but how can I copyright my works? Is it one" ]
[ "literature and prose. And do not misunderstand me; I value and appreciate classical", "pieces of writing by large associations, I, as a high school student in", "styles, or attempt to replicate the styles of the 17th and 18th centuries,", "modern writing has weighed heavily in the discussion of my mind-congress. Here is", "student in the United States, have been exposed largely to this style. However,", "do not misunderstand me; I value and appreciate classical pieces and revere them", "the sheer reverence that is given to classical pieces of writing by large", "and diction can be found in classical literature and prose. And do not", "time, I have come to realize that often times, though it may be", "be found in classical literature and prose. And do not misunderstand me; I", "utilize that literacy to craft new styles, or attempt to replicate the styles", "style. However, over time, I have come to realize that often times, though", "many lapses in syntax and diction can be found in classical literature and", "Here is my thought: given the sheer reverence that is given to classical", "to replicate the styles of the 17th and 18th centuries, but still with", "classical pieces of writing by large associations, I, as a high school student", "or attempt to replicate the styles of the 17th and 18th centuries, but", "not misunderstand me; I value and appreciate classical pieces and revere them as", "replicate the styles of the 17th and 18th centuries, but still with personality?", "and rigor of the education of the English language to those who may", "myself utilize that literacy to craft new styles, or attempt to replicate the", "the advancement and rigor of the education of the English language to those", "has weighed heavily in the discussion of my mind-congress. Here is my thought:", "realize that often times, though it may be by artistic choice, many lapses", "me; I value and appreciate classical pieces and revere them as many are", "matter of classical versus modern writing has weighed heavily in the discussion of", "pursue it here in the States, would an aspiring writer such as myself", "diction can be found in classical literature and prose. And do not misunderstand", "are masterpieces. But, given the advancement and rigor of the education of the", "high school student in the United States, have been exposed largely to this", "my mind-congress. Here is my thought: given the sheer reverence that is given", "now, the matter of classical versus modern writing has weighed heavily in the", "would an aspiring writer such as myself utilize that literacy to craft new", "may pursue it here in the States, would an aspiring writer such as", "my thought: given the sheer reverence that is given to classical pieces of", "in syntax and diction can be found in classical literature and prose. And", "For some time now, the matter of classical versus modern writing has weighed", "to realize that often times, though it may be by artistic choice, many", "that literacy to craft new styles, or attempt to replicate the styles of", "in the States, would an aspiring writer such as myself utilize that literacy", "artistic choice, many lapses in syntax and diction can be found in classical", "given to classical pieces of writing by large associations, I, as a high", "revere them as many are masterpieces. But, given the advancement and rigor of", "in the discussion of my mind-congress. Here is my thought: given the sheer", "those who may pursue it here in the States, would an aspiring writer", "and revere them as many are masterpieces. But, given the advancement and rigor", "misunderstand me; I value and appreciate classical pieces and revere them as many", "of the English language to those who may pursue it here in the", "advancement and rigor of the education of the English language to those who", "as many are masterpieces. But, given the advancement and rigor of the education", "aspiring writer such as myself utilize that literacy to craft new styles, or", "new styles, or attempt to replicate the styles of the 17th and 18th", "be by artistic choice, many lapses in syntax and diction can be found", "I have come to realize that often times, though it may be by", "And do not misunderstand me; I value and appreciate classical pieces and revere", "thought: given the sheer reverence that is given to classical pieces of writing", "in classical literature and prose. And do not misunderstand me; I value and", "often times, though it may be by artistic choice, many lapses in syntax", "I, as a high school student in the United States, have been exposed", "United States, have been exposed largely to this style. However, over time, I", "as myself utilize that literacy to craft new styles, or attempt to replicate", "been exposed largely to this style. However, over time, I have come to", "by large associations, I, as a high school student in the United States,", "the education of the English language to those who may pursue it here", "given the advancement and rigor of the education of the English language to", "an aspiring writer such as myself utilize that literacy to craft new styles,", "heavily in the discussion of my mind-congress. Here is my thought: given the", "can be found in classical literature and prose. And do not misunderstand me;", "States, would an aspiring writer such as myself utilize that literacy to craft", "writing by large associations, I, as a high school student in the United", "States, have been exposed largely to this style. However, over time, I have", "a high school student in the United States, have been exposed largely to", "lapses in syntax and diction can be found in classical literature and prose.", "writer such as myself utilize that literacy to craft new styles, or attempt", "However, over time, I have come to realize that often times, though it", "rigor of the education of the English language to those who may pursue", "classical literature and prose. And do not misunderstand me; I value and appreciate", "times, though it may be by artistic choice, many lapses in syntax and", "found in classical literature and prose. And do not misunderstand me; I value", "the States, would an aspiring writer such as myself utilize that literacy to", "classical versus modern writing has weighed heavily in the discussion of my mind-congress.", "this style. However, over time, I have come to realize that often times,", "and appreciate classical pieces and revere them as many are masterpieces. But, given", "choice, many lapses in syntax and diction can be found in classical literature", "sheer reverence that is given to classical pieces of writing by large associations,", "many are masterpieces. But, given the advancement and rigor of the education of", "value and appreciate classical pieces and revere them as many are masterpieces. But,", "exposed largely to this style. However, over time, I have come to realize", "the discussion of my mind-congress. Here is my thought: given the sheer reverence", "writing has weighed heavily in the discussion of my mind-congress. Here is my", "as a high school student in the United States, have been exposed largely", "it may be by artistic choice, many lapses in syntax and diction can", "reverence that is given to classical pieces of writing by large associations, I,", "large associations, I, as a high school student in the United States, have", "appreciate classical pieces and revere them as many are masterpieces. But, given the", "may be by artistic choice, many lapses in syntax and diction can be", "prose. And do not misunderstand me; I value and appreciate classical pieces and", "the United States, have been exposed largely to this style. However, over time,", "them as many are masterpieces. But, given the advancement and rigor of the", "come to realize that often times, though it may be by artistic choice,", "weighed heavily in the discussion of my mind-congress. Here is my thought: given", "discussion of my mind-congress. Here is my thought: given the sheer reverence that", "masterpieces. But, given the advancement and rigor of the education of the English", "English language to those who may pursue it here in the States, would", "attempt to replicate the styles of the 17th and 18th centuries, but still", "to classical pieces of writing by large associations, I, as a high school", "that often times, though it may be by artistic choice, many lapses in", "though it may be by artistic choice, many lapses in syntax and diction", "pieces and revere them as many are masterpieces. But, given the advancement and", "of classical versus modern writing has weighed heavily in the discussion of my", "mind-congress. Here is my thought: given the sheer reverence that is given to", "have come to realize that often times, though it may be by artistic", "classical pieces and revere them as many are masterpieces. But, given the advancement", "time now, the matter of classical versus modern writing has weighed heavily in", "the matter of classical versus modern writing has weighed heavily in the discussion", "by artistic choice, many lapses in syntax and diction can be found in", "But, given the advancement and rigor of the education of the English language", "language to those who may pursue it here in the States, would an", "here in the States, would an aspiring writer such as myself utilize that", "education of the English language to those who may pursue it here in", "syntax and diction can be found in classical literature and prose. And do", "associations, I, as a high school student in the United States, have been", "and prose. And do not misunderstand me; I value and appreciate classical pieces", "who may pursue it here in the States, would an aspiring writer such", "that is given to classical pieces of writing by large associations, I, as", "largely to this style. However, over time, I have come to realize that", "it here in the States, would an aspiring writer such as myself utilize", "literacy to craft new styles, or attempt to replicate the styles of the", "to craft new styles, or attempt to replicate the styles of the 17th", "is given to classical pieces of writing by large associations, I, as a", "of writing by large associations, I, as a high school student in the", "have been exposed largely to this style. However, over time, I have come", "of my mind-congress. Here is my thought: given the sheer reverence that is", "some time now, the matter of classical versus modern writing has weighed heavily", "to those who may pursue it here in the States, would an aspiring", "I value and appreciate classical pieces and revere them as many are masterpieces.", "the English language to those who may pursue it here in the States,", "of the education of the English language to those who may pursue it", "such as myself utilize that literacy to craft new styles, or attempt to", "versus modern writing has weighed heavily in the discussion of my mind-congress. Here", "school student in the United States, have been exposed largely to this style.", "in the United States, have been exposed largely to this style. However, over", "to this style. However, over time, I have come to realize that often", "is my thought: given the sheer reverence that is given to classical pieces", "given the sheer reverence that is given to classical pieces of writing by", "craft new styles, or attempt to replicate the styles of the 17th and", "over time, I have come to realize that often times, though it may" ]
[ "Publishing is practically a given. Key Assumption: I believe that not every story", "is that common denominator? What makes a story able to attain 'cult status'", "made, and has a backing of fanatical fans, who have studied its lore", "is generally a good thing, as it means that you have a group", "Maybe you do in small groups, but not in large numbers. Not like", "good story first - that is another question)? If I'm wrong, then why", "point of obsession. Having people like this interested in your story is generally", "of every far off land and can speak Elvish flawlessly. Pride and Prejudice", "its lore to the point where they know the species of every far", "the stories that have 'cult status', and that the stories which do not", "for countless fantasy stories, spawned some of the greatest movies made, and has", "'cult status', and that the stories which do not have this status, also", "not every story lends itself to this 'cult status'. As an example, you", "of the other big cult names out there. Why is this? The two", "dialogue to each other, or endlessly speculating on what random details of the", "the time of publishing, certainly, but I am speaking of the current times)?", "or endlessly speculating on what random details of the book might mean. Maybe", "like with LotR. Or Star Wars, or Star Trek, or any of the", "a group of people sure to buy your story if you ever write", "can speak Elvish flawlessly. Pride and Prejudice also has its followers and worshipers.", "and Prejudice* also has its followers and worshipers. But you don't see people", "people donning early 19th century costumes at 'Jane Austen fests', or quoting the", "guaranteed sales. Publishing is practically a given. Key Assumption: I believe that not", "people like this interested in your story is generally a good thing, as", "worshipers. But you don't see people donning early 19th century costumes at 'Jane", "Austen fests', or quoting the dialogue to each other, or endlessly speculating on", "These observations have led me to believe that there is a common denominator", "achieve 'cult status' while others - which are still certainly very popular -", "Elvish flawlessly. Pride and Prejudice also has its followers and worshipers. But you", "never die. These stories have what I'm calling (for lack of a better", "who have studied its lore to the point where they know the species", "ever write another one. It's guaranteed sales. Publishing is practically a given. Key", "Star Wars, or Star Trek, or any of the other big cult names", "out there. Why is this? The two novels above are merely examples; there", "others - which are still certainly very popular - do not? Key Theory:", "don't see people donning early 19th century costumes at 'Jane Austen fests', or", "are other comparisons. Why is it that some popular novels/movies achieve 'cult status'", "me to believe that there is a common denominator with the stories that", "as the inspiration for countless fantasy stories, spawned some of the greatest movies", "obsession. Having people like this interested in your story is generally a good", "led me to believe that there is a common denominator with the stories", "'cult status' while others - which are still certainly very popular - do", "Key Theory:** These observations have led me to believe that there is a", "who study and live the stories to the point of obsession. Having people", "two novels above are merely examples; there are other comparisons. Why is it", "off land and can speak Elvish flawlessly. Pride and Prejudice also has its", "there. Why is this? The two novels above are merely examples; there are", "given. Key Assumption: I believe that not every story lends itself to this", "Wars, or Star Trek, or any of the other big cult names out", "has a backing of fanatical fans, who have studied its lore to the", "and Prejudice. LotR has served as the inspiration for countless fantasy stories, spawned", "have that common denominator. Am I correct?* If so, what is that common", "if you ever write another one. It's guaranteed sales. Publishing is practically a", "denominator? What makes a story able to attain 'cult status' (I realize you", "that have 'cult status', and that the stories which do not have this", "But you don't see people donning early 19th century costumes at 'Jane Austen", "the point of obsession. Having people like this interested in your story is", "rewritten this question, upon realizing it was being misinterpreted. Please reread the question", "If so, what is that common denominator? What makes a story able to", "a backing of fanatical fans, who have studied its lore to the point", "merely examples; there are other comparisons. Why is it that some popular novels/movies", "speak Elvish flawlessly. Pride and Prejudice also has its followers and worshipers. But", "also has its followers and worshipers. But you don't see people donning early", "have fanatics, people who study and live the stories to the point of", "Key Assumption: I believe that not every story lends itself to this 'cult", "which are still certainly very popular - do not? Key Theory: These observations", "19th century costumes at 'Jane Austen fests', or quoting the dialogue to each", "of fanatical fans, who have studied its lore to the point where they", "that not every story lends itself to this 'cult status'. As an example,", "land and can speak Elvish flawlessly. Pride and Prejudice also has its followers", "to each other, or endlessly speculating on what random details of the book", "they have more than simply a huge fan-base. They have fanatics, people who", "novels/movies achieve 'cult status' while others - which are still certainly very popular", "mean they have more than simply a huge fan-base. They have fanatics, people", "stories have what I'm calling (for lack of a better term) 'cult status'.", "live the stories to the point of obsession. Having people like this interested", "written equally well have such different receptions (maybe not at the time of", "know the species of every far off land and can speak Elvish flawlessly.", "study and live the stories to the point of obsession. Having people like", "story able to attain 'cult status' (I realize you must have a good", "Prejudice. LotR has served as the inspiration for countless fantasy stories, spawned some", "makes a story able to attain 'cult status' (I realize you must have", "that you have a group of people sure to buy your story if", "buy your story if you ever write another one. It's guaranteed sales. Publishing", "species of every far off land and can speak Elvish flawlessly. Pride and", "Not like with LotR. Or Star Wars, or Star Trek, or any of", "not have this status, also do not have that common denominator. Am I", "that is another question)? If I'm wrong, then why is it that stories", "you must have a good story first - that is another question)? If", "popular - do not? Key Theory: These observations have led me to believe", "comparisons. Why is it that some popular novels/movies achieve 'cult status' while others", "thing, as it means that you have a group of people sure to", "then why is it that stories which are written equally well have such", "Assumption: I believe that not every story lends itself to this 'cult status'.", "you have Lord of the Rings and Pride and Prejudice. LotR has served", "small groups, but not in large numbers. Not like with LotR. Or Star", "itself to this 'cult status'. As an example, you have Lord of the", "stories which do not have this status, also do not have that common", "equally well have such different receptions (maybe not at the time of publishing,", "such different receptions (maybe not at the time of publishing, certainly, but I", "in small groups, but not in large numbers. Not like with LotR. Or", "mean. Maybe you do in small groups, but not in large numbers. Not", "Rings. Star Trek. These are the phenomena of stories that never die. These", "have 'cult status', and that the stories which do not have this status,", "what is that common denominator? What makes a story able to attain 'cult", "it was being misinterpreted. Please reread the question and provide new answers accordingly.", "They have fanatics, people who study and live the stories to the point", "of the greatest movies made, and has a backing of fanatical fans, who", "lack of a better term) 'cult status'. By that, I mean they have", "people who study and live the stories to the point of obsession. Having", "provide new answers accordingly.* Star Wars. Lord of the Rings. Star Trek. These", "as it means that you have a group of people sure to buy", "groups, but not in large numbers. Not like with LotR. Or Star Wars,", "it means that you have a group of people sure to buy your", "this 'cult status'. As an example, you have Lord of the Rings and", "common denominator with the stories that have 'cult status', and that the stories", "is it that some popular novels/movies achieve 'cult status' while others - which", "By that, I mean they have more than simply a huge fan-base. They", "group of people sure to buy your story if you ever write another", "not at the time of publishing, certainly, but I am speaking of the", "the Rings* and Pride and Prejudice. LotR has served as the inspiration for", "reread the question and provide new answers accordingly.* Star Wars. Lord of the", "denominator. Am I correct? If so, what is that common denominator? What makes", "at 'Jane Austen fests', or quoting the dialogue to each other, or endlessly", "or Star Trek, or any of the other big cult names out there.", "do not? Key Theory: These observations have led me to believe that there", "where they know the species of every far off land and can speak", "names out there. Why is this? The two novels above are merely examples;", "of stories that never die. These stories have what I'm calling (for lack", "have this status, also do not have that common denominator. Am I correct?*", "speculating on what random details of the book might mean. Maybe you do", "but not in large numbers. Not like with LotR. Or Star Wars, or", "of obsession. Having people like this interested in your story is generally a", "common denominator? What makes a story able to attain 'cult status' (I realize", "I'm wrong, then why is it that stories which are written equally well", "which are written equally well have such different receptions (maybe not at the", "endlessly speculating on what random details of the book might mean. Maybe you", "Star Trek, or any of the other big cult names out there. Why", "Prejudice also has its followers and worshipers. But you don't see people donning", "your story if you ever write another one. It's guaranteed sales. Publishing is", "to the point of obsession. Having people like this interested in your story", "has its followers and worshipers. But you don't see people donning early 19th", "are merely examples; there are other comparisons. Why is it that some popular", "and worshipers. But you don't see people donning early 19th century costumes at", "status'. By that, I mean they have more than simply a huge fan-base.", "Pride and Prejudice. LotR has served as the inspiration for countless fantasy stories,", "backing of fanatical fans, who have studied its lore to the point where", "story if you ever write another one. It's guaranteed sales. Publishing is practically", "stories that never die. These stories have what I'm calling (for lack of", "have more than simply a huge fan-base. They have fanatics, people who study", "that some popular novels/movies achieve 'cult status' while others - which are still", "to believe that there is a common denominator with the stories that have", "misinterpreted. Please reread the question and provide new answers accordingly.*** Star Wars. Lord", "at the time of publishing, certainly, but I am speaking of the current", "followers and worshipers. But you don't see people donning early 19th century costumes", "large numbers. Not like with LotR. Or Star Wars, or Star Trek, or", "far off land and can speak Elvish flawlessly. Pride and Prejudice also has", "that never die. These stories have what I'm calling (for lack of a", "might mean. Maybe you do in small groups, but not in large numbers.", "spawned some of the greatest movies made, and has a backing of fanatical", "with LotR. Or Star Wars, or Star Trek, or any of the other", "the dialogue to each other, or endlessly speculating on what random details of", "cult names out there. Why is this? The two novels above are merely", "than simply a huge fan-base. They have fanatics, people who study and live", "able to attain 'cult status' (I realize you must have a good story", "not have that common denominator. Am I correct? If so, what is that", "another question)? If I'm wrong, then why is it that stories which are", "(maybe not at the time of publishing, certainly, but I am speaking of", "These stories have what I'm calling (for lack of a better term) 'cult", "other comparisons. Why is it that some popular novels/movies achieve 'cult status' while", "countless fantasy stories, spawned some of the greatest movies made, and has a", "is this? The two novels above are merely examples; there are other comparisons.", "LotR. Or Star Wars, or Star Trek, or any of the other big", "'cult status' (I realize you must have a good story first - that", "fan-base. They have fanatics, people who study and live the stories to the", "they know the species of every far off land and can speak Elvish", "better term) 'cult status'. By that, I mean they have more than simply", "story first - that is another question)? If I'm wrong, then why is", "fantasy stories, spawned some of the greatest movies made, and has a backing", "this status, also do not have that common denominator. Am I correct? If", "believe that there is a common denominator with the stories that have 'cult", "that there is a common denominator with the stories that have 'cult status',", "LotR has served as the inspiration for countless fantasy stories, spawned some of", "I believe that not every story lends itself to this 'cult status'. As", "fests', or quoting the dialogue to each other, or endlessly speculating on what", "that the stories which do not have this status, also do not have", "the phenomena of stories that never die. These stories have what I'm calling", "die. These stories have what I'm calling (for lack of a better term)", "status, also do not have that common denominator. Am I correct? If so,", "These are the phenomena of stories that never die. These stories have what", "attain 'cult status' (I realize you must have a good story first -", "Lord of the Rings. Star Trek. These are the phenomena of stories that", "status' (I realize you must have a good story first - that is", "correct? If so, what is that common denominator? What makes a story able", "fanatics, people who study and live the stories to the point of obsession.", "that stories which are written equally well have such different receptions (maybe not", "a good thing, as it means that you have a group of people", "its followers and worshipers. But you don't see people donning early 19th century", "do not have this status, also do not have that common denominator. Am", "interested in your story is generally a good thing, as it means that", "Having people like this interested in your story is generally a good thing,", "believe that not every story lends itself to this 'cult status'. As an", "fans, who have studied its lore to the point where they know the", "realizing it was being misinterpreted. Please reread the question and provide new answers", "- do not? Key Theory: These observations have led me to believe that", "in large numbers. Not like with LotR. Or Star Wars, or Star Trek,", "Star Wars. Lord of the Rings. Star Trek. These are the phenomena of", "a huge fan-base. They have fanatics, people who study and live the stories", "what I'm calling (for lack of a better term) 'cult status'. By that,", "every far off land and can speak Elvish flawlessly. Pride and Prejudice also", "a given. Key Assumption: I believe that not every story lends itself to", "- which are still certainly very popular - do not? Key Theory: These", "are written equally well have such different receptions (maybe not at the time", "the stories which do not have this status, also do not have that", "that common denominator. Am I correct? If so, what is that common denominator?", "of the book might mean. Maybe you do in small groups, but not", "huge fan-base. They have fanatics, people who study and live the stories to", "question and provide new answers accordingly.* Star Wars. Lord of the Rings. Star", "which do not have this status, also do not have that common denominator.", "very popular - do not? Key Theory:** These observations have led me to", "the book might mean. Maybe you do in small groups, but not in", "random details of the book might mean. Maybe you do in small groups,", "a good story first - that is another question)? If I'm wrong, then", "and Pride and Prejudice. LotR has served as the inspiration for countless fantasy", "it that stories which are written equally well have such different receptions (maybe", "phenomena of stories that never die. These stories have what I'm calling (for", "donning early 19th century costumes at 'Jane Austen fests', or quoting the dialogue", "and has a backing of fanatical fans, who have studied its lore to", "this question, upon realizing it was being misinterpreted. Please reread the question and", "not? Key Theory: These observations have led me to believe that there is", "or quoting the dialogue to each other, or endlessly speculating on what random", "sure to buy your story if you ever write another one. It's guaranteed", "simply a huge fan-base. They have fanatics, people who study and live the", "a common denominator with the stories that have 'cult status', and that the", "What makes a story able to attain 'cult status' (I realize you must", "must have a good story first - that is another question)? If I'm", "wrong, then why is it that stories which are written equally well have", "Lord of the Rings and Pride and Prejudice. LotR has served as the", "have such different receptions (maybe not at the time of publishing, certainly, but", "of a better term) 'cult status'. By that, I mean they have more", "served as the inspiration for countless fantasy stories, spawned some of the greatest", "stories that have 'cult status', and that the stories which do not have", "Why is it that some popular novels/movies achieve 'cult status' while others -", "movies made, and has a backing of fanatical fans, who have studied its", "what random details of the book might mean. Maybe you do in small", "other, or endlessly speculating on what random details of the book might mean.", "to buy your story if you ever write another one. It's guaranteed sales.", "any of the other big cult names out there. Why is this? The", "generally a good thing, as it means that you have a group of", "being misinterpreted. Please reread the question and provide new answers accordingly.* Star Wars.", "Theory: These observations have led me to believe that there is a common", "have a good story first - that is another question)? If I'm wrong,", "I mean they have more than simply a huge fan-base. They have fanatics,", "greatest movies made, and has a backing of fanatical fans, who have studied", "costumes at 'Jane Austen fests', or quoting the dialogue to each other, or", "calling (for lack of a better term) 'cult status'. By that, I mean", "studied its lore to the point where they know the species of every", "Trek. These are the phenomena of stories that never die. These stories have", "the question and provide new answers accordingly.*** Star Wars. Lord of the Rings.", "receptions (maybe not at the time of publishing, certainly, but I am speaking", "have led me to believe that there is a common denominator with the", "people sure to buy your story if you ever write another one. It's", "story lends itself to this 'cult status'. As an example, you have Lord", "means that you have a group of people sure to buy your story", "I correct?* If so, what is that common denominator? What makes a story", "Rings* and Pride and Prejudice. LotR has served as the inspiration for countless", "popular novels/movies achieve 'cult status' while others - which are still certainly very", "common denominator. Am I correct? If so, what is that common denominator? What", "and that the stories which do not have this status, also do not", "the stories to the point of obsession. Having people like this interested in", "that, I mean they have more than simply a huge fan-base. They have", "you have a group of people sure to buy your story if you", "inspiration for countless fantasy stories, spawned some of the greatest movies made, and", "Why is this? The two novels above are merely examples; there are other", "(for lack of a better term) 'cult status'. By that, I mean they", "flawlessly. Pride and Prejudice also has its followers and worshipers. But you don't", "stories, spawned some of the greatest movies made, and has a backing of", "in your story is generally a good thing, as it means that you", "realize you must have a good story first - that is another question)?", "like this interested in your story is generally a good thing, as it", "one. It's guaranteed sales. Publishing is practically a given. Key Assumption: I believe", "have rewritten this question, upon realizing it was being misinterpreted. Please reread the", "'Jane Austen fests', or quoting the dialogue to each other, or endlessly speculating", "that common denominator? What makes a story able to attain 'cult status' (I", "novels above are merely examples; there are other comparisons. Why is it that", "see people donning early 19th century costumes at 'Jane Austen fests', or quoting", "a story able to attain 'cult status' (I realize you must have a", "**Note: I have rewritten this question, upon realizing it was being misinterpreted. Please", "each other, or endlessly speculating on what random details of the book might", "an example, you have Lord of the Rings* and Pride and Prejudice. LotR", "different receptions (maybe not at the time of publishing, certainly, but I am", "stories to the point of obsession. Having people like this interested in your", "answers accordingly.*** Star Wars. Lord of the Rings. Star Trek. These are the", "lends itself to this 'cult status'. As an example, you have Lord of", "details of the book might mean. Maybe you do in small groups, but", "why is it that stories which are written equally well have such different", "- that is another question)? If I'm wrong, then why is it that", "status'. As an example, you have Lord of the Rings* and Pride and", "do in small groups, but not in large numbers. Not like with LotR.", "on what random details of the book might mean. Maybe you do in", "of the Rings. Star Trek. These are the phenomena of stories that never", "this? The two novels above are merely examples; there are other comparisons. Why", "good thing, as it means that you have a group of people sure", "Star Trek. These are the phenomena of stories that never die. These stories", "the inspiration for countless fantasy stories, spawned some of the greatest movies made,", "is it that stories which are written equally well have such different receptions", "or any of the other big cult names out there. Why is this?", "every story lends itself to this 'cult status'. As an example, you have", "another one. It's guaranteed sales. Publishing is practically a given. Key Assumption:* I", "the greatest movies made, and has a backing of fanatical fans, who have", "do not have that common denominator. Am I correct? If so, what is", "there are other comparisons. Why is it that some popular novels/movies achieve 'cult", "and live the stories to the point of obsession. Having people like this", "are the phenomena of stories that never die. These stories have what I'm", "have studied its lore to the point where they know the species of", "also do not have that common denominator. Am I correct? If so, what", "book might mean. Maybe you do in small groups, but not in large", "is a common denominator with the stories that have 'cult status', and that", "the other big cult names out there. Why is this? The two novels", "upon realizing it was being misinterpreted. Please reread the question and provide new", "to attain 'cult status' (I realize you must have a good story first", "have a group of people sure to buy your story if you ever", "of the Rings* and Pride and Prejudice. LotR has served as the inspiration", "a better term) 'cult status'. By that, I mean they have more than", "'cult status'. As an example, you have Lord of the Rings and Pride", "and can speak Elvish flawlessly. Pride and Prejudice* also has its followers and", "quoting the dialogue to each other, or endlessly speculating on what random details", "above are merely examples; there are other comparisons. Why is it that some", "I'm calling (for lack of a better term) 'cult status'. By that, I", "sales. Publishing is practically a given. Key Assumption: I believe that not every", "it that some popular novels/movies achieve 'cult status' while others - which are", "question)? If I'm wrong, then why is it that stories which are written", "(I realize you must have a good story first - that is another", "If I'm wrong, then why is it that stories which are written equally", "other big cult names out there. Why is this? The two novels above", "observations have led me to believe that there is a common denominator with", "lore to the point where they know the species of every far off", "there is a common denominator with the stories that have 'cult status', and", "well have such different receptions (maybe not at the time of publishing, certainly,", "you don't see people donning early 19th century costumes at 'Jane Austen fests',", "term) 'cult status'. By that, I mean they have more than simply a", "Pride and Prejudice also has its followers and worshipers. But you don't see", "with the stories that have 'cult status', and that the stories which do", "still certainly very popular - do not? Key Theory: These observations have led", "question, upon realizing it was being misinterpreted. Please reread the question and provide", "certainly very popular - do not? Key Theory: These observations have led me", "are still certainly very popular - do not? Key Theory: These observations have", "is another question)? If I'm wrong, then why is it that stories which", "As an example, you have Lord of the Rings and Pride and Prejudice.", "and provide new answers accordingly.* Star Wars. Lord of the Rings. Star Trek.", "early 19th century costumes at 'Jane Austen fests', or quoting the dialogue to", "the point where they know the species of every far off land and", "stories which are written equally well have such different receptions (maybe not at", "status' while others - which are still certainly very popular - do not?", "more than simply a huge fan-base. They have fanatics, people who study and", "was being misinterpreted. Please reread the question and provide new answers accordingly.* Star", "I have rewritten this question, upon realizing it was being misinterpreted. Please reread", "Please reread the question and provide new answers accordingly.* Star Wars. Lord of", "status', and that the stories which do not have this status, also do", "not in large numbers. Not like with LotR. Or Star Wars, or Star", "first - that is another question)? If I'm wrong, then why is it", "Wars. Lord of the Rings. Star Trek. These are the phenomena of stories", "accordingly.* Star Wars. Lord of the Rings. Star Trek. These are the phenomena", "fanatical fans, who have studied its lore to the point where they know", "century costumes at 'Jane Austen fests', or quoting the dialogue to each other,", "have what I'm calling (for lack of a better term) 'cult status'. By", "'cult status'. By that, I mean they have more than simply a huge", "the species of every far off land and can speak Elvish flawlessly. Pride", "The two novels above are merely examples; there are other comparisons. Why is", "example, you have Lord of the Rings* and Pride and Prejudice. LotR has", "you ever write another one. It's guaranteed sales. Publishing is practically a given.", "to the point where they know the species of every far off land", "the Rings. Star Trek. These are the phenomena of stories that never die.", "you do in small groups, but not in large numbers. Not like with", "some of the greatest movies made, and has a backing of fanatical fans,", "while others - which are still certainly very popular - do not? Key", "Or Star Wars, or Star Trek, or any of the other big cult", "new answers accordingly.* Star Wars. Lord of the Rings. Star Trek. These are", "point where they know the species of every far off land and can", "practically a given. Key Assumption: I believe that not every story lends itself", "to this 'cult status'. As an example, you have Lord of the Rings", "Trek, or any of the other big cult names out there. Why is", "Am I correct? If so, what is that common denominator? What makes a", "some popular novels/movies achieve 'cult status' while others - which are still certainly", "write another one. It's guaranteed sales. Publishing is practically a given. Key Assumption:", "your story is generally a good thing, as it means that you have", "examples; there are other comparisons. Why is it that some popular novels/movies achieve", "has served as the inspiration for countless fantasy stories, spawned some of the", "numbers. Not like with LotR. Or Star Wars, or Star Trek, or any", "It's guaranteed sales. Publishing is practically a given. Key Assumption: I believe that", "is practically a given. Key Assumption: I believe that not every story lends", "big cult names out there. Why is this? The two novels above are", "have Lord of the Rings and Pride and Prejudice. LotR has served as", "so, what is that common denominator? What makes a story able to attain", "this interested in your story is generally a good thing, as it means", "of people sure to buy your story if you ever write another one.", "denominator with the stories that have 'cult status', and that the stories which", "story is generally a good thing, as it means that you have a" ]
[ "them to keep on questioning it, but not to the point that it", "Since this is a fantasy world, I've taken a lot of liberties, and", "this reveal at some point in my novel. Thank you once again. Your", "have no indications as to whether said character is male or female, and", "of liberties, and in doing so, I've created the MC so that the", "stuff. Now, to cut the long story short, here's my predicament: I've decided", "the species they belong to are natural androgynes. In that, they are born", "it, but not to the point that it distracts them from the plot", "faeries, Celtic mythology, dark fantasy, nightmarish apocalyptic scenarios...you know, fun stuff. Now, to", "an idea I had a few years back. It's fiction, has a lot", "already decided that other characters won't be referring to him/her by any pronouns", "I've already been advised that I should write from first-person perspective to make", "mind so that the reader doesn't realize the gender? I also want the", "gender ambiguous. The reader will have no indications as to whether said character", "won't be referring to him/her by any pronouns that might give it away.", "point in my novel. Thank you once again. Your insights have been helpful", "go about doing that? I've already been advised that I should write from", "some point in my novel. Thank you once again. Your insights have been", "answer my questions. I should've cleared some things up, such as the gender", "dude\" only to go, \"Wait, now I'm confused\". I want them to keep", "are there any pointers I should keep in mind so that the reader", "keep my main character's gender ambiguous. The reader will have no indications as", "this community, and have recently started giving serious thought to my first novel.", "is, how do I go about doing that? I've already been advised that", "go, \"Wait, now I'm confused\". I want them to keep on questioning it,", "newcomer to this community, and have recently started giving serious thought to my", "but other than that, are there any pointers I should keep in mind", "my predicament: I've decided that I'm going to purposely keep my main character's", "created the MC so that the species they belong to are natural androgynes.", "how do I go about doing that? I've already been advised that I", "long story short, here's my predicament: I've decided that I'm going to purposely", "is male or female, and I've already decided that other characters won't be", "male nor female. I've planned on doing this reveal at some point in", "fun stuff. Now, to cut the long story short, here's my predicament: I've", "than that, are there any pointers I should keep in mind so that", "to do with faeries, Celtic mythology, dark fantasy, nightmarish apocalyptic scenarios...you know, fun", "story short, here's my predicament: I've decided that I'm going to purposely keep", "the reader to keep on second-guessing, like at one point they think, \"Yup,", "gender identity of my MC in question. Since this is a fantasy world,", "Neither male nor female. I've planned on doing this reveal at some point", "do I go about doing that? I've already been advised that I should", "female, and I've already decided that other characters won't be referring to him/her", "going to purposely keep my main character's gender ambiguous. The reader will have", "main character's gender ambiguous. The reader will have no indications as to whether", "working on an idea I had a few years back. It's fiction, has", "so that the reader doesn't realize the gender? I also want the reader", "I'm confused\". I want them to keep on questioning it, but not to", "the story itself. Please, any advice would be greatly appreciated. EDIT Thank you", "\"Yup, this is definitely a dude\" only to go, \"Wait, now I'm confused\".", "pronouns that might give it away. My question is, how do I go", "reader to keep on second-guessing, like at one point they think, \"Yup, this", "any pronouns that might give it away. My question is, how do I", "think, \"Yup, this is definitely a dude\" only to go, \"Wait, now I'm", "Thank you for taking the time to answer my questions. I should've cleared", "a lot to do with faeries, Celtic mythology, dark fantasy, nightmarish apocalyptic scenarios...you", "nightmarish apocalyptic scenarios...you know, fun stuff. Now, to cut the long story short,", "doing that? I've already been advised that I should write from first-person perspective", "make things easier, but other than that, are there any pointers I should", "novel. I'm basically working on an idea I had a few years back.", "to my first novel. I'm basically working on an idea I had a", "to whether said character is male or female, and I've already decided that", "said character is male or female, and I've already decided that other characters", "point that it distracts them from the plot of the story itself. Please,", "my questions. I should've cleared some things up, such as the gender identity", "serious thought to my first novel. I'm basically working on an idea I", "they are born androgynous. Neither male nor female. I've planned on doing this", "advised that I should write from first-person perspective to make things easier, but", "that, they are born androgynous. Neither male nor female. I've planned on doing", "cleared some things up, such as the gender identity of my MC in", "androgynes. In that, they are born androgynous. Neither male nor female. I've planned", "world, I've taken a lot of liberties, and in doing so, I've created", "on second-guessing, like at one point they think, \"Yup, this is definitely a", "this is definitely a dude\" only to go, \"Wait, now I'm confused\". I", "only to go, \"Wait, now I'm confused\". I want them to keep on", "My question is, how do I go about doing that? I've already been", "taken a lot of liberties, and in doing so, I've created the MC", "species they belong to are natural androgynes. In that, they are born androgynous.", "of the story itself. Please, any advice would be greatly appreciated. EDIT Thank", "decided that other characters won't be referring to him/her by any pronouns that", "as to whether said character is male or female, and I've already decided", "keep on questioning it, but not to the point that it distracts them", "want the reader to keep on second-guessing, like at one point they think,", "at some point in my novel. Thank you once again. Your insights have", "no indications as to whether said character is male or female, and I've", "confused\". I want them to keep on questioning it, but not to the", "apocalyptic scenarios...you know, fun stuff. Now, to cut the long story short, here's", "to are natural androgynes. In that, they are born androgynous. Neither male nor", "is a fantasy world, I've taken a lot of liberties, and in doing", "In that, they are born androgynous. Neither male nor female. I've planned on", "second-guessing, like at one point they think, \"Yup, this is definitely a dude\"", "lot of liberties, and in doing so, I've created the MC so that", "by any pronouns that might give it away. My question is, how do", "to him/her by any pronouns that might give it away. My question is,", "a few years back. It's fiction, has a lot to do with faeries,", "to make things easier, but other than that, are there any pointers I", "liberties, and in doing so, I've created the MC so that the species", "that the species they belong to are natural androgynes. In that, they are", "and have recently started giving serious thought to my first novel. I'm basically", "have recently started giving serious thought to my first novel. I'm basically working", "they think, \"Yup, this is definitely a dude\" only to go, \"Wait, now", "character is male or female, and I've already decided that other characters won't", "up, such as the gender identity of my MC in question. Since this", "first-person perspective to make things easier, but other than that, are there any", "recently started giving serious thought to my first novel. I'm basically working on", "female. I've planned on doing this reveal at some point in my novel.", "might give it away. My question is, how do I go about doing", "the reader doesn't realize the gender? I also want the reader to keep", "such as the gender identity of my MC in question. Since this is", "easier, but other than that, are there any pointers I should keep in", "itself. Please, any advice would be greatly appreciated. EDIT Thank you for taking", "of my MC in question. Since this is a fantasy world, I've taken", "Celtic mythology, dark fantasy, nightmarish apocalyptic scenarios...you know, fun stuff. Now, to cut", "characters won't be referring to him/her by any pronouns that might give it", "about doing that? I've already been advised that I should write from first-person", "I also want the reader to keep on second-guessing, like at one point", "to answer my questions. I should've cleared some things up, such as the", "them from the plot of the story itself. Please, any advice would be", "with faeries, Celtic mythology, dark fantasy, nightmarish apocalyptic scenarios...you know, fun stuff. Now,", "know, fun stuff. Now, to cut the long story short, here's my predicament:", "or female, and I've already decided that other characters won't be referring to", "questioning it, but not to the point that it distracts them from the", "to this community, and have recently started giving serious thought to my first", "other characters won't be referring to him/her by any pronouns that might give", "basically working on an idea I had a few years back. It's fiction,", "I've taken a lot of liberties, and in doing so, I've created the", "I've created the MC so that the species they belong to are natural", "novel. Thank you once again. Your insights have been helpful and much appreciated.", "natural androgynes. In that, they are born androgynous. Neither male nor female. I've", "write from first-person perspective to make things easier, but other than that, are", "do with faeries, Celtic mythology, dark fantasy, nightmarish apocalyptic scenarios...you know, fun stuff.", "the long story short, here's my predicament: I've decided that I'm going to", "definitely a dude\" only to go, \"Wait, now I'm confused\". I want them", "they belong to are natural androgynes. In that, they are born androgynous. Neither", "at one point they think, \"Yup, this is definitely a dude\" only to", "any advice would be greatly appreciated. EDIT Thank you for taking the time", "should've cleared some things up, such as the gender identity of my MC", "any pointers I should keep in mind so that the reader doesn't realize", "also want the reader to keep on second-guessing, like at one point they", "perspective to make things easier, but other than that, are there any pointers", "in question. Since this is a fantasy world, I've taken a lot of", "are natural androgynes. In that, they are born androgynous. Neither male nor female.", "reader will have no indications as to whether said character is male or", "that the reader doesn't realize the gender? I also want the reader to", "as the gender identity of my MC in question. Since this is a", "identity of my MC in question. Since this is a fantasy world, I've", "and in doing so, I've created the MC so that the species they", "that other characters won't be referring to him/her by any pronouns that might", "doesn't realize the gender? I also want the reader to keep on second-guessing,", "like at one point they think, \"Yup, this is definitely a dude\" only", "started giving serious thought to my first novel. I'm basically working on an", "predicament: I've decided that I'm going to purposely keep my main character's gender", "had a few years back. It's fiction, has a lot to do with", "ambiguous. The reader will have no indications as to whether said character is", "distracts them from the plot of the story itself. Please, any advice would", "fantasy world, I've taken a lot of liberties, and in doing so, I've", "there any pointers I should keep in mind so that the reader doesn't", "from the plot of the story itself. Please, any advice would be greatly", "I've decided that I'm going to purposely keep my main character's gender ambiguous.", "realize the gender? I also want the reader to keep on second-guessing, like", "gender? I also want the reader to keep on second-guessing, like at one", "one point they think, \"Yup, this is definitely a dude\" only to go,", "to go, \"Wait, now I'm confused\". I want them to keep on questioning", "time to answer my questions. I should've cleared some things up, such as", "now I'm confused\". I want them to keep on questioning it, but not", "few years back. It's fiction, has a lot to do with faeries, Celtic", "a lot of liberties, and in doing so, I've created the MC so", "that I should write from first-person perspective to make things easier, but other", "first novel. I'm basically working on an idea I had a few years", "already been advised that I should write from first-person perspective to make things", "plot of the story itself. Please, any advice would be greatly appreciated. EDIT", "should keep in mind so that the reader doesn't realize the gender? I", "EDIT Thank you for taking the time to answer my questions. I should've", "you for taking the time to answer my questions. I should've cleared some", "it distracts them from the plot of the story itself. Please, any advice", "my MC in question. Since this is a fantasy world, I've taken a", "whether said character is male or female, and I've already decided that other", "on an idea I had a few years back. It's fiction, has a", "fiction, has a lot to do with faeries, Celtic mythology, dark fantasy, nightmarish", "my main character's gender ambiguous. The reader will have no indications as to", "is definitely a dude\" only to go, \"Wait, now I'm confused\". I want", "thought to my first novel. I'm basically working on an idea I had", "questions. I should've cleared some things up, such as the gender identity of", "that, are there any pointers I should keep in mind so that the", "I've already decided that other characters won't be referring to him/her by any", "dark fantasy, nightmarish apocalyptic scenarios...you know, fun stuff. Now, to cut the long", "The reader will have no indications as to whether said character is male", "give it away. My question is, how do I go about doing that?", "fantasy, nightmarish apocalyptic scenarios...you know, fun stuff. Now, to cut the long story", "short, here's my predicament: I've decided that I'm going to purposely keep my", "but not to the point that it distracts them from the plot of", "for taking the time to answer my questions. I should've cleared some things", "I should write from first-person perspective to make things easier, but other than", "to keep on questioning it, but not to the point that it distracts", "it away. My question is, how do I go about doing that? I've", "this is a fantasy world, I've taken a lot of liberties, and in", "the point that it distracts them from the plot of the story itself.", "on doing this reveal at some point in my novel. Thank you once", "the MC so that the species they belong to are natural androgynes. In", "things easier, but other than that, are there any pointers I should keep", "keep on second-guessing, like at one point they think, \"Yup, this is definitely", "I should keep in mind so that the reader doesn't realize the gender?", "character's gender ambiguous. The reader will have no indications as to whether said", "Please, any advice would be greatly appreciated. EDIT Thank you for taking the", "want them to keep on questioning it, but not to the point that", "some things up, such as the gender identity of my MC in question.", "the plot of the story itself. Please, any advice would be greatly appreciated.", "a newcomer to this community, and have recently started giving serious thought to", "in my novel. Thank you once again. Your insights have been helpful and", "from first-person perspective to make things easier, but other than that, are there", "that might give it away. My question is, how do I go about", "the gender identity of my MC in question. Since this is a fantasy", "MC in question. Since this is a fantasy world, I've taken a lot", "so that the species they belong to are natural androgynes. In that, they", "mythology, dark fantasy, nightmarish apocalyptic scenarios...you know, fun stuff. Now, to cut the", "and I've already decided that other characters won't be referring to him/her by", "other than that, are there any pointers I should keep in mind so", "to keep on second-guessing, like at one point they think, \"Yup, this is", "belong to are natural androgynes. In that, they are born androgynous. Neither male", "doing this reveal at some point in my novel. Thank you once again.", "doing so, I've created the MC so that the species they belong to", "that it distracts them from the plot of the story itself. Please, any", "Now, to cut the long story short, here's my predicament: I've decided that", "I'm basically working on an idea I had a few years back. It's", "so, I've created the MC so that the species they belong to are", "appreciated. EDIT Thank you for taking the time to answer my questions. I", "I should've cleared some things up, such as the gender identity of my", "indications as to whether said character is male or female, and I've already", "I'm a newcomer to this community, and have recently started giving serious thought", "androgynous. Neither male nor female. I've planned on doing this reveal at some", "should write from first-person perspective to make things easier, but other than that,", "male or female, and I've already decided that other characters won't be referring", "him/her by any pronouns that might give it away. My question is, how", "will have no indications as to whether said character is male or female,", "that? I've already been advised that I should write from first-person perspective to", "It's fiction, has a lot to do with faeries, Celtic mythology, dark fantasy,", "MC so that the species they belong to are natural androgynes. In that,", "that I'm going to purposely keep my main character's gender ambiguous. The reader", "reader doesn't realize the gender? I also want the reader to keep on", "not to the point that it distracts them from the plot of the", "back. It's fiction, has a lot to do with faeries, Celtic mythology, dark", "lot to do with faeries, Celtic mythology, dark fantasy, nightmarish apocalyptic scenarios...you know,", "has a lot to do with faeries, Celtic mythology, dark fantasy, nightmarish apocalyptic", "on questioning it, but not to the point that it distracts them from", "I go about doing that? I've already been advised that I should write", "taking the time to answer my questions. I should've cleared some things up,", "are born androgynous. Neither male nor female. I've planned on doing this reveal", "born androgynous. Neither male nor female. I've planned on doing this reveal at", "story itself. Please, any advice would be greatly appreciated. EDIT Thank you for", "my first novel. I'm basically working on an idea I had a few", "cut the long story short, here's my predicament: I've decided that I'm going", "giving serious thought to my first novel. I'm basically working on an idea", "would be greatly appreciated. EDIT Thank you for taking the time to answer", "nor female. I've planned on doing this reveal at some point in my", "in mind so that the reader doesn't realize the gender? I also want", "reveal at some point in my novel. Thank you once again. Your insights", "I had a few years back. It's fiction, has a lot to do", "referring to him/her by any pronouns that might give it away. My question", "point they think, \"Yup, this is definitely a dude\" only to go, \"Wait,", "\"Wait, now I'm confused\". I want them to keep on questioning it, but", "I've planned on doing this reveal at some point in my novel. Thank", "decided that I'm going to purposely keep my main character's gender ambiguous. The", "the time to answer my questions. I should've cleared some things up, such", "idea I had a few years back. It's fiction, has a lot to", "I'm going to purposely keep my main character's gender ambiguous. The reader will", "planned on doing this reveal at some point in my novel. Thank you", "to the point that it distracts them from the plot of the story", "I want them to keep on questioning it, but not to the point", "keep in mind so that the reader doesn't realize the gender? I also", "years back. It's fiction, has a lot to do with faeries, Celtic mythology,", "been advised that I should write from first-person perspective to make things easier,", "community, and have recently started giving serious thought to my first novel. I'm", "pointers I should keep in mind so that the reader doesn't realize the", "here's my predicament: I've decided that I'm going to purposely keep my main", "be referring to him/her by any pronouns that might give it away. My", "purposely keep my main character's gender ambiguous. The reader will have no indications", "be greatly appreciated. EDIT Thank you for taking the time to answer my", "a fantasy world, I've taken a lot of liberties, and in doing so,", "in doing so, I've created the MC so that the species they belong", "to purposely keep my main character's gender ambiguous. The reader will have no", "question. Since this is a fantasy world, I've taken a lot of liberties,", "things up, such as the gender identity of my MC in question. Since", "to cut the long story short, here's my predicament: I've decided that I'm", "greatly appreciated. EDIT Thank you for taking the time to answer my questions.", "a dude\" only to go, \"Wait, now I'm confused\". I want them to", "the gender? I also want the reader to keep on second-guessing, like at", "away. My question is, how do I go about doing that? I've already", "advice would be greatly appreciated. EDIT Thank you for taking the time to", "my novel. Thank you once again. Your insights have been helpful and much", "scenarios...you know, fun stuff. Now, to cut the long story short, here's my", "question is, how do I go about doing that? I've already been advised" ]
[ "will influence the other, but is there a best practice with which one", "reference to the protagonist's emotional conflict, or to lead with him conquering his", "conquering his inability to manage his peculiarities (OCD, etc) while untangling the plot.", "the plot. I understand that both will influence the other, but is there", "routes with my novel - to lead with a knives-and-poisons main conflict, with", "currently have the choice of two routes with my novel - to lead", "have the choice of two routes with my novel - to lead with", "his peculiarities (OCD, etc) while untangling the plot. I understand that both will", "choice of two routes with my novel - to lead with a knives-and-poisons", "plot. I understand that both will influence the other, but is there a", "inability to manage his peculiarities (OCD, etc) while untangling the plot. I understand", "with him conquering his inability to manage his peculiarities (OCD, etc) while untangling", "protagonist's emotional conflict, or to lead with him conquering his inability to manage", "novel - to lead with a knives-and-poisons main conflict, with reference to the", "knives-and-poisons main conflict, with reference to the protagonist's emotional conflict, or to lead", "with a knives-and-poisons main conflict, with reference to the protagonist's emotional conflict, or", "- to lead with a knives-and-poisons main conflict, with reference to the protagonist's", "manage his peculiarities (OCD, etc) while untangling the plot. I understand that both", "while untangling the plot. I understand that both will influence the other, but", "I currently have the choice of two routes with my novel - to", "etc) while untangling the plot. I understand that both will influence the other,", "emotional conflict, or to lead with him conquering his inability to manage his", "with my novel - to lead with a knives-and-poisons main conflict, with reference", "his inability to manage his peculiarities (OCD, etc) while untangling the plot. I", "him conquering his inability to manage his peculiarities (OCD, etc) while untangling the", "conflict, with reference to the protagonist's emotional conflict, or to lead with him", "lead with a knives-and-poisons main conflict, with reference to the protagonist's emotional conflict,", "influence the other, but is there a best practice with which one to", "to lead with a knives-and-poisons main conflict, with reference to the protagonist's emotional", "main conflict, with reference to the protagonist's emotional conflict, or to lead with", "I understand that both will influence the other, but is there a best", "untangling the plot. I understand that both will influence the other, but is", "conflict, or to lead with him conquering his inability to manage his peculiarities", "my novel - to lead with a knives-and-poisons main conflict, with reference to", "the protagonist's emotional conflict, or to lead with him conquering his inability to", "the choice of two routes with my novel - to lead with a", "to lead with him conquering his inability to manage his peculiarities (OCD, etc)", "of two routes with my novel - to lead with a knives-and-poisons main", "(OCD, etc) while untangling the plot. I understand that both will influence the", "the other, but is there a best practice with which one to lead", "both will influence the other, but is there a best practice with which", "that both will influence the other, but is there a best practice with", "to the protagonist's emotional conflict, or to lead with him conquering his inability", "with reference to the protagonist's emotional conflict, or to lead with him conquering", "lead with him conquering his inability to manage his peculiarities (OCD, etc) while", "a knives-and-poisons main conflict, with reference to the protagonist's emotional conflict, or to", "two routes with my novel - to lead with a knives-and-poisons main conflict,", "or to lead with him conquering his inability to manage his peculiarities (OCD,", "other, but is there a best practice with which one to lead with?", "to manage his peculiarities (OCD, etc) while untangling the plot. I understand that", "understand that both will influence the other, but is there a best practice", "peculiarities (OCD, etc) while untangling the plot. I understand that both will influence" ]
[ "software screenshot, can I use title case or should I match the case", "screenshot, can I use title case or should I match the case that", "Pane\" (actual case in application) or \"New Virtual Machine – Select a Name", "OS Pane\" (actual case in application) or \"New Virtual Machine – Select a", "in application) or \"New Virtual Machine – Select a Name and Guest OS", "case in application) or \"New Virtual Machine – Select a Name and Guest", "Select a name and guest OS Pane\" (actual case in application) or \"New", "in the application? For Example, \"Figure 1-1. New Virtual Machine – Select a", "the case that is in the application? For Example, \"Figure 1-1. New Virtual", "Example, \"Figure 1-1. New Virtual Machine – Select a name and guest OS", "\"Figure 1-1. New Virtual Machine – Select a name and guest OS Pane\"", "and guest OS Pane\" (actual case in application) or \"New Virtual Machine –", "Machine – Select a name and guest OS Pane\" (actual case in application)", "New Virtual Machine – Select a name and guest OS Pane\" (actual case", "guest OS Pane\" (actual case in application) or \"New Virtual Machine – Select", "Virtual Machine – Select a name and guest OS Pane\" (actual case in", "is in the application? For Example, \"Figure 1-1. New Virtual Machine – Select", "case or should I match the case that is in the application? For", "application? For Example, \"Figure 1-1. New Virtual Machine – Select a name and", "For Example, \"Figure 1-1. New Virtual Machine – Select a name and guest", "– Select a name and guest OS Pane\" (actual case in application) or", "name and guest OS Pane\" (actual case in application) or \"New Virtual Machine", "a name and guest OS Pane\" (actual case in application) or \"New Virtual", "case that is in the application? For Example, \"Figure 1-1. New Virtual Machine", "or should I match the case that is in the application? For Example,", "can I use title case or should I match the case that is", "that is in the application? For Example, \"Figure 1-1. New Virtual Machine –", "the application? For Example, \"Figure 1-1. New Virtual Machine – Select a name", "figure caption related to a software screenshot, can I use title case or", "application) or \"New Virtual Machine – Select a Name and Guest OS Pane\"", "a software screenshot, can I use title case or should I match the", "to a software screenshot, can I use title case or should I match", "1-1. New Virtual Machine – Select a name and guest OS Pane\" (actual", "I use title case or should I match the case that is in", "(actual case in application) or \"New Virtual Machine – Select a Name and", "When creating a figure caption related to a software screenshot, can I use", "related to a software screenshot, can I use title case or should I", "caption related to a software screenshot, can I use title case or should", "should I match the case that is in the application? For Example, \"Figure", "creating a figure caption related to a software screenshot, can I use title", "use title case or should I match the case that is in the", "a figure caption related to a software screenshot, can I use title case", "I match the case that is in the application? For Example, \"Figure 1-1.", "match the case that is in the application? For Example, \"Figure 1-1. New", "title case or should I match the case that is in the application?" ]
[ "usually about current events or personal projects. I know that as you write,", "classes in college and high school, as well as some technical writing, but", "events or personal projects. I know that as you write, you normally get", "difficult will writing a novel be for someone without formal training? I'm not", "answer of course is yes. To get a better answer, I ask the", "writing. I've written the casual blog post for a personal page, but that", "of course is yes. To get a better answer, I ask the following", "writing, but I've never formally taken any classes in creative writing. I've written", "I've written the casual blog post for a personal page, but that is", "start to finish that is readable. I've taken basic writing classes in college", "as some technical writing, but I've never formally taken any classes in creative", "personal page, but that is usually about current events or personal projects. I", "a better answer, I ask the following question: How difficult will writing a", "some technical writing, but I've never formally taken any classes in creative writing.", "technical writing, but I've never formally taken any classes in creative writing. I've", "training write a novel?\", but the answer of course is yes. To get", "about a best seller, but just something from start to finish that is", "but should I postpone starting a long story and focus on some extra", "written the casual blog post for a personal page, but that is usually", "yes. To get a better answer, I ask the following question: How difficult", "post for a personal page, but that is usually about current events or", "not talking about a best seller, but just something from start to finish", "page, but that is usually about current events or personal projects. I know", "is usually about current events or personal projects. I know that as you", "but that is usually about current events or personal projects. I know that", "get better at it, but should I postpone starting a long story and", "but just something from start to finish that is readable. I've taken basic", "get a better answer, I ask the following question: How difficult will writing", "projects. I know that as you write, you normally get better at it,", "personal projects. I know that as you write, you normally get better at", "that is readable. I've taken basic writing classes in college and high school,", "\"Can someone without formal training write a novel?\", but the answer of course", "I almost asked the question \"Can someone without formal training write a novel?\",", "formally taken any classes in creative writing. I've written the casual blog post", "well as some technical writing, but I've never formally taken any classes in", "a best seller, but just something from start to finish that is readable.", "college and high school, as well as some technical writing, but I've never", "for a personal page, but that is usually about current events or personal", "school, as well as some technical writing, but I've never formally taken any", "the following question: How difficult will writing a novel be for someone without", "almost asked the question \"Can someone without formal training write a novel?\", but", "asked the question \"Can someone without formal training write a novel?\", but the", "it, but should I postpone starting a long story and focus on some", "seller, but just something from start to finish that is readable. I've taken", "never formally taken any classes in creative writing. I've written the casual blog", "better answer, I ask the following question: How difficult will writing a novel", "novel be for someone without formal training? I'm not talking about a best", "formal training? I'm not talking about a best seller, but just something from", "taken basic writing classes in college and high school, as well as some", "I ask the following question: How difficult will writing a novel be for", "I know that as you write, you normally get better at it, but", "the casual blog post for a personal page, but that is usually about", "you normally get better at it, but should I postpone starting a long", "a novel?\", but the answer of course is yes. To get a better", "the question \"Can someone without formal training write a novel?\", but the answer", "be for someone without formal training? I'm not talking about a best seller,", "a personal page, but that is usually about current events or personal projects.", "is yes. To get a better answer, I ask the following question: How", "is readable. I've taken basic writing classes in college and high school, as", "finish that is readable. I've taken basic writing classes in college and high", "better at it, but should I postpone starting a long story and focus", "taken any classes in creative writing. I've written the casual blog post for", "just something from start to finish that is readable. I've taken basic writing", "course is yes. To get a better answer, I ask the following question:", "high school, as well as some technical writing, but I've never formally taken", "you write, you normally get better at it, but should I postpone starting", "at it, but should I postpone starting a long story and focus on", "something from start to finish that is readable. I've taken basic writing classes", "I postpone starting a long story and focus on some extra classes/self-help books?", "but the answer of course is yes. To get a better answer, I", "as you write, you normally get better at it, but should I postpone", "novel?\", but the answer of course is yes. To get a better answer,", "I've taken basic writing classes in college and high school, as well as", "question: How difficult will writing a novel be for someone without formal training?", "about current events or personal projects. I know that as you write, you", "creative writing. I've written the casual blog post for a personal page, but", "that as you write, you normally get better at it, but should I", "ask the following question: How difficult will writing a novel be for someone", "for someone without formal training? I'm not talking about a best seller, but", "but I've never formally taken any classes in creative writing. I've written the", "should I postpone starting a long story and focus on some extra classes/self-help", "any classes in creative writing. I've written the casual blog post for a", "someone without formal training write a novel?\", but the answer of course is", "classes in creative writing. I've written the casual blog post for a personal", "casual blog post for a personal page, but that is usually about current", "current events or personal projects. I know that as you write, you normally", "without formal training write a novel?\", but the answer of course is yes.", "answer, I ask the following question: How difficult will writing a novel be", "write a novel?\", but the answer of course is yes. To get a", "that is usually about current events or personal projects. I know that as", "following question: How difficult will writing a novel be for someone without formal", "basic writing classes in college and high school, as well as some technical", "the answer of course is yes. To get a better answer, I ask", "or personal projects. I know that as you write, you normally get better", "How difficult will writing a novel be for someone without formal training? I'm", "I'm not talking about a best seller, but just something from start to", "to finish that is readable. I've taken basic writing classes in college and", "in creative writing. I've written the casual blog post for a personal page,", "writing classes in college and high school, as well as some technical writing,", "question \"Can someone without formal training write a novel?\", but the answer of", "will writing a novel be for someone without formal training? I'm not talking", "from start to finish that is readable. I've taken basic writing classes in", "writing a novel be for someone without formal training? I'm not talking about", "and high school, as well as some technical writing, but I've never formally", "To get a better answer, I ask the following question: How difficult will", "readable. I've taken basic writing classes in college and high school, as well", "without formal training? I'm not talking about a best seller, but just something", "talking about a best seller, but just something from start to finish that", "someone without formal training? I'm not talking about a best seller, but just", "I've never formally taken any classes in creative writing. I've written the casual", "blog post for a personal page, but that is usually about current events", "know that as you write, you normally get better at it, but should", "write, you normally get better at it, but should I postpone starting a", "training? I'm not talking about a best seller, but just something from start", "a novel be for someone without formal training? I'm not talking about a", "formal training write a novel?\", but the answer of course is yes. To", "in college and high school, as well as some technical writing, but I've", "normally get better at it, but should I postpone starting a long story", "best seller, but just something from start to finish that is readable. I've", "as well as some technical writing, but I've never formally taken any classes" ]
[ "a new project that draws influence from a currently running television show. What", "be a legal issue down the road? Is it ethical to drop the", "show. What I want to do is make a reference to that show", "legal issue down the road? Is it ethical to drop the name of", "my work? Could there be a legal issue down the road? Is it", "ethical to drop the name of something that inspired the work itself? Thanks!", "there be a legal issue down the road? Is it ethical to drop", "the name of that show in my work? Could there be a legal", "draws influence from a currently running television show. What I want to do", "Is it ethical to drop the name of something that inspired the work", "I want to do is make a reference to that show in my", "as a joke to say, \"We're nothing like that show.\" Is it appropriate", "like that show.\" Is it appropriate to use the name of that show", "name of that show in my work? Could there be a legal issue", "in my work? Could there be a legal issue down the road? Is", "a reference to that show in my work. Almost as a joke to", "it appropriate to use the name of that show in my work? Could", "Almost as a joke to say, \"We're nothing like that show.\" Is it", "show in my work. Almost as a joke to say, \"We're nothing like", "show.\" Is it appropriate to use the name of that show in my", "Could there be a legal issue down the road? Is it ethical to", "from a currently running television show. What I want to do is make", "down the road? Is it ethical to drop the name of something that", "Is it appropriate to use the name of that show in my work?", "use the name of that show in my work? Could there be a", "currently running television show. What I want to do is make a reference", "working on a new project that draws influence from a currently running television", "say, \"We're nothing like that show.\" Is it appropriate to use the name", "nothing like that show.\" Is it appropriate to use the name of that", "new project that draws influence from a currently running television show. What I", "work. Almost as a joke to say, \"We're nothing like that show.\" Is", "a joke to say, \"We're nothing like that show.\" Is it appropriate to", "make a reference to that show in my work. Almost as a joke", "a currently running television show. What I want to do is make a", "the road? Is it ethical to drop the name of something that inspired", "running television show. What I want to do is make a reference to", "to use the name of that show in my work? Could there be", "show in my work? Could there be a legal issue down the road?", "that show in my work? Could there be a legal issue down the", "that show in my work. Almost as a joke to say, \"We're nothing", "is make a reference to that show in my work. Almost as a", "want to do is make a reference to that show in my work.", "a legal issue down the road? Is it ethical to drop the name", "road? Is it ethical to drop the name of something that inspired the", "on a new project that draws influence from a currently running television show.", "project that draws influence from a currently running television show. What I want", "\"We're nothing like that show.\" Is it appropriate to use the name of", "issue down the road? Is it ethical to drop the name of something", "that draws influence from a currently running television show. What I want to", "to that show in my work. Almost as a joke to say, \"We're", "to say, \"We're nothing like that show.\" Is it appropriate to use the", "of that show in my work? Could there be a legal issue down", "joke to say, \"We're nothing like that show.\" Is it appropriate to use", "am working on a new project that draws influence from a currently running", "reference to that show in my work. Almost as a joke to say,", "to do is make a reference to that show in my work. Almost", "it ethical to drop the name of something that inspired the work itself?", "influence from a currently running television show. What I want to do is", "work? Could there be a legal issue down the road? Is it ethical", "television show. What I want to do is make a reference to that", "do is make a reference to that show in my work. Almost as", "that show.\" Is it appropriate to use the name of that show in", "I am working on a new project that draws influence from a currently", "my work. Almost as a joke to say, \"We're nothing like that show.\"", "appropriate to use the name of that show in my work? Could there", "What I want to do is make a reference to that show in", "in my work. Almost as a joke to say, \"We're nothing like that" ]
[ "recalling past events or filling in the reader on pertinent information. Even simple", "there are several paragraphs at once of just the narrator talking about something", "about something and how they feel about it or recalling past events or", "their opinion on a situation, the emotions they're feeling and so on. I've", "their front door needs to be changed. But when does it stop being", "on their front door needs to be changed. But when does it stop", "there are points when the narrator expresses their opinion on a situation, the", "the lock on their front door needs to be changed. But when does", "opinion on a situation, the emotions they're feeling and so on. I've read", "hatred of the green sweater their grandma bought them or how the lock", "stop being character development or story development and start being annoying? When do", "talking about something and how they feel about it or recalling past events", "front door needs to be changed. But when does it stop being character", "does it stop being character development or story development and start being annoying?", "they feel about it or recalling past events or filling in the reader", "paragraphs at once of just the narrator talking about something and how they", "past events or filling in the reader on pertinent information. Even simple things", "lock on their front door needs to be changed. But when does it", "grandma bought them or how the lock on their front door needs to", "annoying? When do I cross the line between what is acceptable and just", "Even simple things like their hatred of the green sweater their grandma bought", "and start being annoying? When do I cross the line between what is", "being annoying? When do I cross the line between what is acceptable and", "points when the narrator expresses their opinion on a situation, the emotions they're", "door needs to be changed. But when does it stop being character development", "simple things like their hatred of the green sweater their grandma bought them", "expresses their opinion on a situation, the emotions they're feeling and so on.", "when does it stop being character development or story development and start being", "be changed. But when does it stop being character development or story development", "in the reader on pertinent information. Even simple things like their hatred of", "it stop being character development or story development and start being annoying? When", "to be changed. But when does it stop being character development or story", "bought them or how the lock on their front door needs to be", "feeling and so on. I've read books where there are several paragraphs at", "reader on pertinent information. Even simple things like their hatred of the green", "situation, the emotions they're feeling and so on. I've read books where there", "about it or recalling past events or filling in the reader on pertinent", "events or filling in the reader on pertinent information. Even simple things like", "development and start being annoying? When do I cross the line between what", "read books where there are several paragraphs at once of just the narrator", "their hatred of the green sweater their grandma bought them or how the", "books where there are several paragraphs at once of just the narrator talking", "person narrative, there are points when the narrator expresses their opinion on a", "the narrator expresses their opinion on a situation, the emotions they're feeling and", "are several paragraphs at once of just the narrator talking about something and", "on a situation, the emotions they're feeling and so on. I've read books", "on. I've read books where there are several paragraphs at once of just", "a situation, the emotions they're feeling and so on. I've read books where", "narrator expresses their opinion on a situation, the emotions they're feeling and so", "I've read books where there are several paragraphs at once of just the", "feel about it or recalling past events or filling in the reader on", "how the lock on their front door needs to be changed. But when", "the green sweater their grandma bought them or how the lock on their", "being character development or story development and start being annoying? When do I", "their grandma bought them or how the lock on their front door needs", "when the narrator expresses their opinion on a situation, the emotions they're feeling", "the emotions they're feeling and so on. I've read books where there are", "just the narrator talking about something and how they feel about it or", "are points when the narrator expresses their opinion on a situation, the emotions", "on pertinent information. Even simple things like their hatred of the green sweater", "or story development and start being annoying? When do I cross the line", "or how the lock on their front door needs to be changed. But", "development or story development and start being annoying? When do I cross the", "or recalling past events or filling in the reader on pertinent information. Even", "green sweater their grandma bought them or how the lock on their front", "the reader on pertinent information. Even simple things like their hatred of the", "and how they feel about it or recalling past events or filling in", "changed. But when does it stop being character development or story development and", "do I cross the line between what is acceptable and just unnecessary rambling?", "of the green sweater their grandma bought them or how the lock on", "at once of just the narrator talking about something and how they feel", "When writing in first person narrative, there are points when the narrator expresses", "character development or story development and start being annoying? When do I cross", "or filling in the reader on pertinent information. Even simple things like their", "like their hatred of the green sweater their grandma bought them or how", "how they feel about it or recalling past events or filling in the", "When do I cross the line between what is acceptable and just unnecessary", "needs to be changed. But when does it stop being character development or", "it or recalling past events or filling in the reader on pertinent information.", "they're feeling and so on. I've read books where there are several paragraphs", "the narrator talking about something and how they feel about it or recalling", "start being annoying? When do I cross the line between what is acceptable", "once of just the narrator talking about something and how they feel about", "so on. I've read books where there are several paragraphs at once of", "writing in first person narrative, there are points when the narrator expresses their", "where there are several paragraphs at once of just the narrator talking about", "information. Even simple things like their hatred of the green sweater their grandma", "But when does it stop being character development or story development and start", "in first person narrative, there are points when the narrator expresses their opinion", "pertinent information. Even simple things like their hatred of the green sweater their", "first person narrative, there are points when the narrator expresses their opinion on", "and so on. I've read books where there are several paragraphs at once", "filling in the reader on pertinent information. Even simple things like their hatred", "of just the narrator talking about something and how they feel about it", "sweater their grandma bought them or how the lock on their front door", "narrator talking about something and how they feel about it or recalling past", "something and how they feel about it or recalling past events or filling", "things like their hatred of the green sweater their grandma bought them or", "them or how the lock on their front door needs to be changed.", "several paragraphs at once of just the narrator talking about something and how", "narrative, there are points when the narrator expresses their opinion on a situation,", "story development and start being annoying? When do I cross the line between", "emotions they're feeling and so on. I've read books where there are several" ]
[ "a cynical, nearly-cruel personality. Please, any help and/or insights would be greatly appreciated.", "female, and have recently decided that my first book's titular character is going", "have recently decided that my first book's titular character is going to be", "age between nineteen and twenty. I would like some help as to how", "too 'sensitive' to be a guy's. If it helps, here are some key", "stated, he's 19-20 years of age. 2. He's had a mature-ish upbringing, bordering", "pounce upon prose that sounds too 'girly' or too 'sensitive' to be a", "and have recently decided that my first book's titular character is going to", "how to go about writing from a male perspective, as I've noticed how", "about writing from a male perspective, as I've noticed how quick readers are", "'girly' or too 'sensitive' to be a guy's. If it helps, here are", "perspective, as I've noticed how quick readers are to pounce upon prose that", "elements of this guy's personality and back story: 1. As stated, he's 19-20", "some key elements of this guy's personality and back story: 1. As stated,", "a low fantasy setting. 4. He has a cynical, nearly-cruel personality. Please, any", "'sensitive' to be a guy's. If it helps, here are some key elements", "to be a boy of an age between nineteen and twenty. I would", "like some help as to how to go about writing from a male", "going to be a boy of an age between nineteen and twenty. I", "here are some key elements of this guy's personality and back story: 1.", "bordering on emotionally abusive. 3. He lives in a low fantasy setting. 4.", "are to pounce upon prose that sounds too 'girly' or too 'sensitive' to", "from a male perspective, as I've noticed how quick readers are to pounce", "titular character is going to be a boy of an age between nineteen", "is going to be a boy of an age between nineteen and twenty.", "lives in a low fantasy setting. 4. He has a cynical, nearly-cruel personality.", "boy of an age between nineteen and twenty. I would like some help", "between nineteen and twenty. I would like some help as to how to", "and twenty. I would like some help as to how to go about", "story: 1. As stated, he's 19-20 years of age. 2. He's had a", "help as to how to go about writing from a male perspective, as", "prose that sounds too 'girly' or too 'sensitive' to be a guy's. If", "years of age. 2. He's had a mature-ish upbringing, bordering on emotionally abusive.", "upon prose that sounds too 'girly' or too 'sensitive' to be a guy's.", "noticed how quick readers are to pounce upon prose that sounds too 'girly'", "as to how to go about writing from a male perspective, as I've", "He lives in a low fantasy setting. 4. He has a cynical, nearly-cruel", "book's titular character is going to be a boy of an age between", "my first book's titular character is going to be a boy of an", "of this guy's personality and back story: 1. As stated, he's 19-20 years", "a boy of an age between nineteen and twenty. I would like some", "mature-ish upbringing, bordering on emotionally abusive. 3. He lives in a low fantasy", "Friends. I am female, and have recently decided that my first book's titular", "emotionally abusive. 3. He lives in a low fantasy setting. 4. He has", "twenty. I would like some help as to how to go about writing", "4. He has a cynical, nearly-cruel personality. Please, any help and/or insights would", "readers are to pounce upon prose that sounds too 'girly' or too 'sensitive'", "3. He lives in a low fantasy setting. 4. He has a cynical,", "on emotionally abusive. 3. He lives in a low fantasy setting. 4. He", "male perspective, as I've noticed how quick readers are to pounce upon prose", "first book's titular character is going to be a boy of an age", "setting. 4. He has a cynical, nearly-cruel personality. Please, any help and/or insights", "guy's. If it helps, here are some key elements of this guy's personality", "be a guy's. If it helps, here are some key elements of this", "be a boy of an age between nineteen and twenty. I would like", "or too 'sensitive' to be a guy's. If it helps, here are some", "had a mature-ish upbringing, bordering on emotionally abusive. 3. He lives in a", "fantasy setting. 4. He has a cynical, nearly-cruel personality. Please, any help and/or", "a mature-ish upbringing, bordering on emotionally abusive. 3. He lives in a low", "to how to go about writing from a male perspective, as I've noticed", "nineteen and twenty. I would like some help as to how to go", "personality and back story: 1. As stated, he's 19-20 years of age. 2.", "has a cynical, nearly-cruel personality. Please, any help and/or insights would be greatly", "helps, here are some key elements of this guy's personality and back story:", "low fantasy setting. 4. He has a cynical, nearly-cruel personality. Please, any help", "quick readers are to pounce upon prose that sounds too 'girly' or too", "sounds too 'girly' or too 'sensitive' to be a guy's. If it helps,", "to pounce upon prose that sounds too 'girly' or too 'sensitive' to be", "to be a guy's. If it helps, here are some key elements of", "I would like some help as to how to go about writing from", "I am female, and have recently decided that my first book's titular character", "abusive. 3. He lives in a low fantasy setting. 4. He has a", "to go about writing from a male perspective, as I've noticed how quick", "age. 2. He's had a mature-ish upbringing, bordering on emotionally abusive. 3. He", "a guy's. If it helps, here are some key elements of this guy's", "that my first book's titular character is going to be a boy of", "19-20 years of age. 2. He's had a mature-ish upbringing, bordering on emotionally", "of age. 2. He's had a mature-ish upbringing, bordering on emotionally abusive. 3.", "key elements of this guy's personality and back story: 1. As stated, he's", "and back story: 1. As stated, he's 19-20 years of age. 2. He's", "He has a cynical, nearly-cruel personality. Please, any help and/or insights would be", "too 'girly' or too 'sensitive' to be a guy's. If it helps, here", "are some key elements of this guy's personality and back story: 1. As", "this guy's personality and back story: 1. As stated, he's 19-20 years of", "some help as to how to go about writing from a male perspective,", "as I've noticed how quick readers are to pounce upon prose that sounds", "would like some help as to how to go about writing from a", "writing from a male perspective, as I've noticed how quick readers are to", "He's had a mature-ish upbringing, bordering on emotionally abusive. 3. He lives in", "guy's personality and back story: 1. As stated, he's 19-20 years of age.", "go about writing from a male perspective, as I've noticed how quick readers", "upbringing, bordering on emotionally abusive. 3. He lives in a low fantasy setting.", "character is going to be a boy of an age between nineteen and", "a male perspective, as I've noticed how quick readers are to pounce upon", "back story: 1. As stated, he's 19-20 years of age. 2. He's had", "that sounds too 'girly' or too 'sensitive' to be a guy's. If it", "am female, and have recently decided that my first book's titular character is", "I've noticed how quick readers are to pounce upon prose that sounds too", "As stated, he's 19-20 years of age. 2. He's had a mature-ish upbringing,", "in a low fantasy setting. 4. He has a cynical, nearly-cruel personality. Please,", "decided that my first book's titular character is going to be a boy", "an age between nineteen and twenty. I would like some help as to", "he's 19-20 years of age. 2. He's had a mature-ish upbringing, bordering on", "2. He's had a mature-ish upbringing, bordering on emotionally abusive. 3. He lives", "If it helps, here are some key elements of this guy's personality and", "of an age between nineteen and twenty. I would like some help as", "it helps, here are some key elements of this guy's personality and back", "how quick readers are to pounce upon prose that sounds too 'girly' or", "recently decided that my first book's titular character is going to be a", "1. As stated, he's 19-20 years of age. 2. He's had a mature-ish" ]
[ "in the process of answering you could provide me with a solid definition", "from their experience, it didn't detract from mine, because I apparently suffer from", "to my attention that I lack the ability to identify cheese. And by", "- especially fantasy, which I plan to do. I don't know if I'm", "suffer from a lack of a 'cheese-meter'. As useful for viewing/reading as this", "do. I don't know if I'm writing cheese or not. Readers of my", "it. My friends have informed me that many a movie I thought was", "I apparently suffer from a lack of a 'cheese-meter'. As useful for viewing/reading", "definition for 'cheesy' it would be greatly appreciated. Google defines it as 'blatantly", "greatly appreciated. Google defines it as 'blatantly inauthentic', but based on my experience,", "answering you could provide me with a solid definition for 'cheesy' it would", "this detracted from their experience, it didn't detract from mine, because I apparently", "this is, it poses a problem when writing novels - especially fantasy, which", "appreciated. Google defines it as 'blatantly inauthentic', but based on my experience, there", "detracted from their experience, it didn't detract from mine, because I apparently suffer", "in fact, full of cheese. While this detracted from their experience, it didn't", "writing cheese or not. Readers of my fan fictions have told me that", "don't know if I'm writing cheese or not. Readers of my fan fictions", "simply don't see it. My friends have informed me that many a movie", "a movie I thought was excellent was, in fact, full of cheese. While", "excellent was, in fact, full of cheese. While this detracted from their experience,", "that many a movie I thought was excellent was, in fact, full of", "of cheese. While this detracted from their experience, it didn't detract from mine,", "past few years, it has come to my attention that I lack the", "process of answering you could provide me with a solid definition for 'cheesy'", "writing novels - especially fantasy, which I plan to do. I don't know", "contain cheese here and there, and I can't eliminate it because I can't", "thought was excellent was, in fact, full of cheese. While this detracted from", "cheese, I mean cheesy things in movies/books. I simply don't see it. My", "eliminate it because I can't identify it. How can I avoid writing something", "attention that I lack the ability to identify cheese. And by cheese, I", "I don't know if I'm writing cheese or not. Readers of my fan", "'blatantly inauthentic', but based on my experience, there seems to be more to", "in movies/books. I simply don't see it. My friends have informed me that", "few years, it has come to my attention that I lack the ability", "it as 'blatantly inauthentic', but based on my experience, there seems to be", "and there, and I can't eliminate it because I can't identify it. How", "it would be greatly appreciated. Google defines it as 'blatantly inauthentic', but based", "'cheese-meter'. As useful for viewing/reading as this is, it poses a problem when", "I thought was excellent was, in fact, full of cheese. While this detracted", "Readers of my fan fictions have told me that they contain cheese here", "from mine, because I apparently suffer from a lack of a 'cheese-meter'. As", "can I avoid writing something cheesy? If in the process of answering you", "it. How can I avoid writing something cheesy? If in the process of", "with a solid definition for 'cheesy' it would be greatly appreciated. Google defines", "here and there, and I can't eliminate it because I can't identify it.", "as this is, it poses a problem when writing novels - especially fantasy,", "have told me that they contain cheese here and there, and I can't", "solid definition for 'cheesy' it would be greatly appreciated. Google defines it as", "would be greatly appreciated. Google defines it as 'blatantly inauthentic', but based on", "friends have informed me that many a movie I thought was excellent was,", "fact, full of cheese. While this detracted from their experience, it didn't detract", "for viewing/reading as this is, it poses a problem when writing novels -", "come to my attention that I lack the ability to identify cheese. And", "informed me that many a movie I thought was excellent was, in fact,", "problem when writing novels - especially fantasy, which I plan to do. I", "their experience, it didn't detract from mine, because I apparently suffer from a", "didn't detract from mine, because I apparently suffer from a lack of a", "it poses a problem when writing novels - especially fantasy, which I plan", "be greatly appreciated. Google defines it as 'blatantly inauthentic', but based on my", "not. Readers of my fan fictions have told me that they contain cheese", "I'm writing cheese or not. Readers of my fan fictions have told me", "full of cheese. While this detracted from their experience, it didn't detract from", "identify it. How can I avoid writing something cheesy? If in the process", "if I'm writing cheese or not. Readers of my fan fictions have told", "the process of answering you could provide me with a solid definition for", "As useful for viewing/reading as this is, it poses a problem when writing", "is, it poses a problem when writing novels - especially fantasy, which I", "it has come to my attention that I lack the ability to identify", "that they contain cheese here and there, and I can't eliminate it because", "viewing/reading as this is, it poses a problem when writing novels - especially", "I simply don't see it. My friends have informed me that many a", "I mean cheesy things in movies/books. I simply don't see it. My friends", "Over the past few years, it has come to my attention that I", "things in movies/books. I simply don't see it. My friends have informed me", "apparently suffer from a lack of a 'cheese-meter'. As useful for viewing/reading as", "If in the process of answering you could provide me with a solid", "While this detracted from their experience, it didn't detract from mine, because I", "to identify cheese. And by cheese, I mean cheesy things in movies/books. I", "writing something cheesy? If in the process of answering you could provide me", "for 'cheesy' it would be greatly appreciated. Google defines it as 'blatantly inauthentic',", "My friends have informed me that many a movie I thought was excellent", "know if I'm writing cheese or not. Readers of my fan fictions have", "poses a problem when writing novels - especially fantasy, which I plan to", "I can't eliminate it because I can't identify it. How can I avoid", "cheese. While this detracted from their experience, it didn't detract from mine, because", "to do. I don't know if I'm writing cheese or not. Readers of", "movies/books. I simply don't see it. My friends have informed me that many", "don't see it. My friends have informed me that many a movie I", "when writing novels - especially fantasy, which I plan to do. I don't", "because I can't identify it. How can I avoid writing something cheesy? If", "something cheesy? If in the process of answering you could provide me with", "was excellent was, in fact, full of cheese. While this detracted from their", "me that they contain cheese here and there, and I can't eliminate it", "fictions have told me that they contain cheese here and there, and I", "I can't identify it. How can I avoid writing something cheesy? If in", "of my fan fictions have told me that they contain cheese here and", "or not. Readers of my fan fictions have told me that they contain", "of answering you could provide me with a solid definition for 'cheesy' it", "fantasy, which I plan to do. I don't know if I'm writing cheese", "there, and I can't eliminate it because I can't identify it. How can", "And by cheese, I mean cheesy things in movies/books. I simply don't see", "cheese here and there, and I can't eliminate it because I can't identify", "plan to do. I don't know if I'm writing cheese or not. Readers", "How can I avoid writing something cheesy? If in the process of answering", "years, it has come to my attention that I lack the ability to", "and I can't eliminate it because I can't identify it. How can I", "as 'blatantly inauthentic', but based on my experience, there seems to be more", "my attention that I lack the ability to identify cheese. And by cheese,", "especially fantasy, which I plan to do. I don't know if I'm writing", "they contain cheese here and there, and I can't eliminate it because I", "which I plan to do. I don't know if I'm writing cheese or", "has come to my attention that I lack the ability to identify cheese.", "told me that they contain cheese here and there, and I can't eliminate", "I lack the ability to identify cheese. And by cheese, I mean cheesy", "can't eliminate it because I can't identify it. How can I avoid writing", "a solid definition for 'cheesy' it would be greatly appreciated. Google defines it", "the past few years, it has come to my attention that I lack", "it didn't detract from mine, because I apparently suffer from a lack of", "have informed me that many a movie I thought was excellent was, in", "lack the ability to identify cheese. And by cheese, I mean cheesy things", "fan fictions have told me that they contain cheese here and there, and", "was, in fact, full of cheese. While this detracted from their experience, it", "a lack of a 'cheese-meter'. As useful for viewing/reading as this is, it", "avoid writing something cheesy? If in the process of answering you could provide", "the ability to identify cheese. And by cheese, I mean cheesy things in", "experience, it didn't detract from mine, because I apparently suffer from a lack", "cheese or not. Readers of my fan fictions have told me that they", "provide me with a solid definition for 'cheesy' it would be greatly appreciated.", "by cheese, I mean cheesy things in movies/books. I simply don't see it.", "my fan fictions have told me that they contain cheese here and there,", "could provide me with a solid definition for 'cheesy' it would be greatly", "lack of a 'cheese-meter'. As useful for viewing/reading as this is, it poses", "that I lack the ability to identify cheese. And by cheese, I mean", "can't identify it. How can I avoid writing something cheesy? If in the", "a problem when writing novels - especially fantasy, which I plan to do.", "you could provide me with a solid definition for 'cheesy' it would be", "me with a solid definition for 'cheesy' it would be greatly appreciated. Google", "inauthentic', but based on my experience, there seems to be more to it.", "a 'cheese-meter'. As useful for viewing/reading as this is, it poses a problem", "mean cheesy things in movies/books. I simply don't see it. My friends have", "see it. My friends have informed me that many a movie I thought", "'cheesy' it would be greatly appreciated. Google defines it as 'blatantly inauthentic', but", "identify cheese. And by cheese, I mean cheesy things in movies/books. I simply", "mine, because I apparently suffer from a lack of a 'cheese-meter'. As useful", "ability to identify cheese. And by cheese, I mean cheesy things in movies/books.", "Google defines it as 'blatantly inauthentic', but based on my experience, there seems", "because I apparently suffer from a lack of a 'cheese-meter'. As useful for", "many a movie I thought was excellent was, in fact, full of cheese.", "I plan to do. I don't know if I'm writing cheese or not.", "me that many a movie I thought was excellent was, in fact, full", "movie I thought was excellent was, in fact, full of cheese. While this", "from a lack of a 'cheese-meter'. As useful for viewing/reading as this is,", "novels - especially fantasy, which I plan to do. I don't know if", "cheesy? If in the process of answering you could provide me with a", "detract from mine, because I apparently suffer from a lack of a 'cheese-meter'.", "cheesy things in movies/books. I simply don't see it. My friends have informed", "of a 'cheese-meter'. As useful for viewing/reading as this is, it poses a", "it because I can't identify it. How can I avoid writing something cheesy?", "I avoid writing something cheesy? If in the process of answering you could", "defines it as 'blatantly inauthentic', but based on my experience, there seems to", "useful for viewing/reading as this is, it poses a problem when writing novels", "cheese. And by cheese, I mean cheesy things in movies/books. I simply don't" ]
[ "the characters on the topic, it avoids traditional action or dramatic conflict during", "published work, on ways to effectively handle this kind of content. Thanks in", "pointers to published work, on ways to effectively handle this kind of content.", "into the two opposing stances taken by the characters on the topic, it", "on the topic, it avoids traditional action or dramatic conflict during the debate/discussion.", "as well as pointers to published work, on ways to effectively handle this", "the two opposing stances taken by the characters on the topic, it avoids", "taken by the characters on the topic, it avoids traditional action or dramatic", "philosophical view. Other than the inherent conflict built into the two opposing stances", "a short story that has two characters debating a philosophical view. Other than", "has two characters debating a philosophical view. Other than the inherent conflict built", "traditional action or dramatic conflict during the debate/discussion. I'd love to get some", "the topic, it avoids traditional action or dramatic conflict during the debate/discussion. I'd", "it avoids traditional action or dramatic conflict during the debate/discussion. I'd love to", "debating a philosophical view. Other than the inherent conflict built into the two", "I'd love to get some advice, as well as pointers to published work,", "work, on ways to effectively handle this kind of content. Thanks in advance!", "characters on the topic, it avoids traditional action or dramatic conflict during the", "as pointers to published work, on ways to effectively handle this kind of", "than the inherent conflict built into the two opposing stances taken by the", "avoids traditional action or dramatic conflict during the debate/discussion. I'd love to get", "on a short story that has two characters debating a philosophical view. Other", "opposing stances taken by the characters on the topic, it avoids traditional action", "dramatic conflict during the debate/discussion. I'd love to get some advice, as well", "stances taken by the characters on the topic, it avoids traditional action or", "conflict during the debate/discussion. I'd love to get some advice, as well as", "view. Other than the inherent conflict built into the two opposing stances taken", "story that has two characters debating a philosophical view. Other than the inherent", "conflict built into the two opposing stances taken by the characters on the", "a philosophical view. Other than the inherent conflict built into the two opposing", "get some advice, as well as pointers to published work, on ways to", "by the characters on the topic, it avoids traditional action or dramatic conflict", "short story that has two characters debating a philosophical view. Other than the", "characters debating a philosophical view. Other than the inherent conflict built into the", "I'm working on a short story that has two characters debating a philosophical", "two opposing stances taken by the characters on the topic, it avoids traditional", "to published work, on ways to effectively handle this kind of content. Thanks", "topic, it avoids traditional action or dramatic conflict during the debate/discussion. I'd love", "well as pointers to published work, on ways to effectively handle this kind", "built into the two opposing stances taken by the characters on the topic,", "advice, as well as pointers to published work, on ways to effectively handle", "Other than the inherent conflict built into the two opposing stances taken by", "or dramatic conflict during the debate/discussion. I'd love to get some advice, as", "inherent conflict built into the two opposing stances taken by the characters on", "working on a short story that has two characters debating a philosophical view.", "two characters debating a philosophical view. Other than the inherent conflict built into", "that has two characters debating a philosophical view. Other than the inherent conflict", "debate/discussion. I'd love to get some advice, as well as pointers to published", "love to get some advice, as well as pointers to published work, on", "during the debate/discussion. I'd love to get some advice, as well as pointers", "to get some advice, as well as pointers to published work, on ways", "the inherent conflict built into the two opposing stances taken by the characters", "some advice, as well as pointers to published work, on ways to effectively", "action or dramatic conflict during the debate/discussion. I'd love to get some advice,", "the debate/discussion. I'd love to get some advice, as well as pointers to" ]
[ "should be used when coming up with fantasy names of people, places, etc.", "when coming up with fantasy names of people, places, etc. Sorry if this", "used when coming up with fantasy names of people, places, etc. Sorry if", "wondering what are the basic ways that accent marks should be used when", "names of people, places, etc. Sorry if this might be a little vague", "ways that accent marks should be used when coming up with fantasy names", "up with fantasy names of people, places, etc. Sorry if this might be", "I'm wondering what are the basic ways that accent marks should be used", "are the basic ways that accent marks should be used when coming up", "what are the basic ways that accent marks should be used when coming", "fantasy names of people, places, etc. Sorry if this might be a little", "with fantasy names of people, places, etc. Sorry if this might be a", "marks should be used when coming up with fantasy names of people, places,", "basic ways that accent marks should be used when coming up with fantasy", "coming up with fantasy names of people, places, etc. Sorry if this might", "that accent marks should be used when coming up with fantasy names of", "places, etc. Sorry if this might be a little vague of a question.", "be used when coming up with fantasy names of people, places, etc. Sorry", "accent marks should be used when coming up with fantasy names of people,", "the basic ways that accent marks should be used when coming up with", "of people, places, etc. Sorry if this might be a little vague of", "people, places, etc. Sorry if this might be a little vague of a" ]
[ "afraid to show it to other since It's not yet done. Is that", "show it to other since It's not yet done. Is that okay? thanks", "just afraid to show it to other since It's not yet done. Is", "novel, I'm just afraid to show it to other since It's not yet", "got the idea of writing a novel, I'm just afraid to show it", "idea of writing a novel, I'm just afraid to show it to other", "a novel, I'm just afraid to show it to other since It's not", "I'm just afraid to show it to other since It's not yet done.", "to show it to other since It's not yet done. Is that okay?", "I got the idea of writing a novel, I'm just afraid to show", "of writing a novel, I'm just afraid to show it to other since", "the idea of writing a novel, I'm just afraid to show it to", "writing a novel, I'm just afraid to show it to other since It's" ]
[ "in MLA format if you are the author of it and the figure", "cite a figure in MLA format if you are the author of it", "How would you cite a figure in MLA format if you are the", "if you are the author of it and the figure was not based", "a figure in MLA format if you are the author of it and", "figure in MLA format if you are the author of it and the", "you cite a figure in MLA format if you are the author of", "format if you are the author of it and the figure was not", "you are the author of it and the figure was not based off", "the author of it and the figure was not based off of any", "are the author of it and the figure was not based off of", "author of it and the figure was not based off of any source?", "would you cite a figure in MLA format if you are the author", "MLA format if you are the author of it and the figure was" ]
[ "a very little 'screen-time', should I put effort into this research or not?", "in England, or wherever. It's just mentioned that it's a fictional place. Are", "never stated, though, whether Jilloomx is a town in the USA, or in", "Or will they be okay as long as the story's engaging enough? Keep", "the bulk of the story will be carried out. Given that Jilloomx will", "Given that Jilloomx will have only a very little 'screen-time', should I put", "a town called Jilloomx. It's never stated, though, whether Jilloomx is a town", "Jilloomx. It's never stated, though, whether Jilloomx is a town in the USA,", "be carried out. Given that Jilloomx will have only a very little 'screen-time',", "story will be carried out. Given that Jilloomx will have only a very", "a fantasy fairy-land of sorts, where the bulk of the story will be", "it's a fictional place. Are my readers likely to find this annoying? Or", "up in a fantasy fairy-land of sorts, where the bulk of the story", "that it's a fictional place. Are my readers likely to find this annoying?", "will be carried out. Given that Jilloomx will have only a very little", "Jilloomx is a town in the USA, or in England, or wherever. It's", "called Jilloomx. It's never stated, though, whether Jilloomx is a town in the", "though, whether Jilloomx is a town in the USA, or in England, or", "likely to find this annoying? Or will they be okay as long as", "fictional place. Are my readers likely to find this annoying? Or will they", "whether Jilloomx is a town in the USA, or in England, or wherever.", "town called Jilloomx. It's never stated, though, whether Jilloomx is a town in", "the story's engaging enough? Keep in mind, though. My character starts out in", "only a very little 'screen-time', should I put effort into this research or", "in a fantasy fairy-land of sorts, where the bulk of the story will", "starts out in Jilloomx, and then ends up in a fantasy fairy-land of", "story takes place in a town called Jilloomx. It's never stated, though, whether", "character starts out in Jilloomx, and then ends up in a fantasy fairy-land", "will have only a very little 'screen-time', should I put effort into this", "mind, though. My character starts out in Jilloomx, and then ends up in", "USA, or in England, or wherever. It's just mentioned that it's a fictional", "ends up in a fantasy fairy-land of sorts, where the bulk of the", "readers likely to find this annoying? Or will they be okay as long", "stated, though, whether Jilloomx is a town in the USA, or in England,", "a town in the USA, or in England, or wherever. It's just mentioned", "be okay as long as the story's engaging enough? Keep in mind, though.", "the USA, or in England, or wherever. It's just mentioned that it's a", "town in the USA, or in England, or wherever. It's just mentioned that", "then ends up in a fantasy fairy-land of sorts, where the bulk of", "of sorts, where the bulk of the story will be carried out. Given", "have only a very little 'screen-time', should I put effort into this research", "place in a town called Jilloomx. It's never stated, though, whether Jilloomx is", "in mind, though. My character starts out in Jilloomx, and then ends up", "carried out. Given that Jilloomx will have only a very little 'screen-time', should", "my readers likely to find this annoying? Or will they be okay as", "engaging enough? Keep in mind, though. My character starts out in Jilloomx, and", "to find this annoying? Or will they be okay as long as the", "annoying? Or will they be okay as long as the story's engaging enough?", "that Jilloomx will have only a very little 'screen-time', should I put effort", "Suppose my story takes place in a town called Jilloomx. It's never stated,", "out. Given that Jilloomx will have only a very little 'screen-time', should I", "out in Jilloomx, and then ends up in a fantasy fairy-land of sorts,", "takes place in a town called Jilloomx. It's never stated, though, whether Jilloomx", "in Jilloomx, and then ends up in a fantasy fairy-land of sorts, where", "place. Are my readers likely to find this annoying? Or will they be", "wherever. It's just mentioned that it's a fictional place. Are my readers likely", "bulk of the story will be carried out. Given that Jilloomx will have", "as the story's engaging enough? Keep in mind, though. My character starts out", "sorts, where the bulk of the story will be carried out. Given that", "this annoying? Or will they be okay as long as the story's engaging", "England, or wherever. It's just mentioned that it's a fictional place. Are my", "It's just mentioned that it's a fictional place. Are my readers likely to", "or in England, or wherever. It's just mentioned that it's a fictional place.", "My character starts out in Jilloomx, and then ends up in a fantasy", "the story will be carried out. Given that Jilloomx will have only a", "and then ends up in a fantasy fairy-land of sorts, where the bulk", "a fictional place. Are my readers likely to find this annoying? Or will", "is a town in the USA, or in England, or wherever. It's just", "though. My character starts out in Jilloomx, and then ends up in a", "just mentioned that it's a fictional place. Are my readers likely to find", "Keep in mind, though. My character starts out in Jilloomx, and then ends", "story's engaging enough? Keep in mind, though. My character starts out in Jilloomx,", "enough? Keep in mind, though. My character starts out in Jilloomx, and then", "in a town called Jilloomx. It's never stated, though, whether Jilloomx is a", "long as the story's engaging enough? Keep in mind, though. My character starts", "as long as the story's engaging enough? Keep in mind, though. My character", "find this annoying? Or will they be okay as long as the story's", "Jilloomx, and then ends up in a fantasy fairy-land of sorts, where the", "Are my readers likely to find this annoying? Or will they be okay", "in the USA, or in England, or wherever. It's just mentioned that it's", "mentioned that it's a fictional place. Are my readers likely to find this", "Jilloomx will have only a very little 'screen-time', should I put effort into", "my story takes place in a town called Jilloomx. It's never stated, though,", "okay as long as the story's engaging enough? Keep in mind, though. My", "fantasy fairy-land of sorts, where the bulk of the story will be carried", "It's never stated, though, whether Jilloomx is a town in the USA, or", "where the bulk of the story will be carried out. Given that Jilloomx", "of the story will be carried out. Given that Jilloomx will have only", "fairy-land of sorts, where the bulk of the story will be carried out.", "they be okay as long as the story's engaging enough? Keep in mind,", "will they be okay as long as the story's engaging enough? Keep in", "or wherever. It's just mentioned that it's a fictional place. Are my readers" ]
[ "a ritual, which stopped it in half (think Jumanji). In order to complete", "descendant of the original (his wife and kids survived). How can I make", "order to complete the ritual, the bad guys need the direct descendant of", "How can I make sure that there is only one direct descendant after", "thousand years ago a man killed himself halfway through a ritual, which stopped", "a man killed himself halfway through a ritual, which stopped it in half", "years ago a man killed himself halfway through a ritual, which stopped it", "it in half (think Jumanji). In order to complete the ritual, the bad", "ago a man killed himself halfway through a ritual, which stopped it in", "story short, a thousand years ago a man killed himself halfway through a", "of the original (his wife and kids survived). How can I make sure", "bad guys need the direct descendant of the original (his wife and kids", "I make sure that there is only one direct descendant after 1000 years?", "In order to complete the ritual, the bad guys need the direct descendant", "(think Jumanji). In order to complete the ritual, the bad guys need the", "half (think Jumanji). In order to complete the ritual, the bad guys need", "to complete the ritual, the bad guys need the direct descendant of the", "himself halfway through a ritual, which stopped it in half (think Jumanji). In", "original (his wife and kids survived). How can I make sure that there", "wife and kids survived). How can I make sure that there is only", "which stopped it in half (think Jumanji). In order to complete the ritual,", "can I make sure that there is only one direct descendant after 1000", "Jumanji). In order to complete the ritual, the bad guys need the direct", "halfway through a ritual, which stopped it in half (think Jumanji). In order", "a thousand years ago a man killed himself halfway through a ritual, which", "ritual, which stopped it in half (think Jumanji). In order to complete the", "stopped it in half (think Jumanji). In order to complete the ritual, the", "the bad guys need the direct descendant of the original (his wife and", "guys need the direct descendant of the original (his wife and kids survived).", "need the direct descendant of the original (his wife and kids survived). How", "the original (his wife and kids survived). How can I make sure that", "and kids survived). How can I make sure that there is only one", "in half (think Jumanji). In order to complete the ritual, the bad guys", "survived). How can I make sure that there is only one direct descendant", "Long story short, a thousand years ago a man killed himself halfway through", "complete the ritual, the bad guys need the direct descendant of the original", "(his wife and kids survived). How can I make sure that there is", "man killed himself halfway through a ritual, which stopped it in half (think", "killed himself halfway through a ritual, which stopped it in half (think Jumanji).", "through a ritual, which stopped it in half (think Jumanji). In order to", "ritual, the bad guys need the direct descendant of the original (his wife", "kids survived). How can I make sure that there is only one direct", "the ritual, the bad guys need the direct descendant of the original (his", "short, a thousand years ago a man killed himself halfway through a ritual,", "the direct descendant of the original (his wife and kids survived). How can", "direct descendant of the original (his wife and kids survived). How can I" ]
[ "a dilemma: I don't want my characters to have flawless, limitless and bad-consequence-less", "don't care about how the character found out that he could do that,", "and hows, the less freedom I have, and the more I try to", "cool, screw logic, [it's cool](http://tvtropes.org/pmwiki/pmwiki.php/Main/RuleOfCool)! I want to have creative freedom to create", "fix things up, the more incoherence is created. Now how to resolve this", "screw logic, [it's cool](http://tvtropes.org/pmwiki/pmwiki.php/Main/RuleOfCool)! I want to have creative freedom to create the", "it's cool, screw logic, [it's cool](http://tvtropes.org/pmwiki/pmwiki.php/Main/RuleOfCool)! I want to have creative freedom to", "that, or that doing movement X would result in such new power, or", "use a new power out of nowhere, usually a character whose powers are", "to have my creativity limited by such rules and limits. In my case,", "powers are not much explained (or even well explained, but in an unexplainable/incoherent", "no, they just like it, because it's cool, if it's cool, screw logic,", "explain the whys and hows, the less freedom I have, and the more", "the less freedom I have, and the more I try to fix things", "movement X would result in such new power, or why it happened, no,", "out of nowhere, usually a character whose powers are not much explained (or", "creativity limited by such rules and limits. In my case, it's not a", "a work where the creator has the freedom to make the character use", "case, it's not a book, but a multimedia work, i.e. such powers are", "and most of the public just don't care about how the character found", "limited by such rules and limits. In my case, it's not a book,", "and all, instead of just imaginable, so the possibilities are different from books.", "of just imaginable, so the possibilities are different from books. I find it", "but I don't want to keep the questions above unanswered. However, the more", "care about how the character found out that he could do that, or", "explained (or even well explained, but in an unexplainable/incoherent way they manage to", "created. Now how to resolve this dilemma? Do I keep all the rules", "but a multimedia work, i.e. such powers are visible, with flashy effects and", "the more I explain the whys and hows, the less freedom I have,", "how the character found out that he could do that, or that doing", "for the sake of coherence/realism, or do I surrender to the \"Rule of", "the public just don't care about how the character found out that he", "I want to have creative freedom to create the powers, but I don't", "it happened, no, they just like it, because it's cool, if it's cool,", "the possibilities are different from books. I find it awesome when I see", "limits. In my case, it's not a book, but a multimedia work, i.e.", "explained, but in an unexplainable/incoherent way they manage to do that) and most", "less freedom I have, and the more I try to fix things up,", "whose powers are not much explained (or even well explained, but in an", "want to have my creativity limited by such rules and limits. In my", "hows, the less freedom I have, and the more I try to fix", "such powers are visible, with flashy effects and all, instead of just imaginable,", "and bad-consequence-less powers, but I also don't want to have my creativity limited", "i.e. such powers are visible, with flashy effects and all, instead of just", "freedom I have, and the more I try to fix things up, the", "Do I keep all the rules and sacrifice \"coolness\" for the sake of", "in such new power, or why it happened, no, they just like it,", "happened, no, they just like it, because it's cool, if it's cool, screw", "see a work where the creator has the freedom to make the character", "effects and all, instead of just imaginable, so the possibilities are different from", "but I also don't want to have my creativity limited by such rules", "keep the questions above unanswered. However, the more I explain the whys and", "even well explained, but in an unexplainable/incoherent way they manage to do that)", "to resolve this dilemma? Do I keep all the rules and sacrifice \"coolness\"", "if it's cool, screw logic, [it's cool](http://tvtropes.org/pmwiki/pmwiki.php/Main/RuleOfCool)! I want to have creative freedom", "so the possibilities are different from books. I find it awesome when I", "could do that, or that doing movement X would result in such new", "want my characters to have flawless, limitless and bad-consequence-less powers, but I also", "just don't care about how the character found out that he could do", "an unexplainable/incoherent way they manage to do that) and most of the public", "I find it awesome when I see a work where the creator has", "not a book, but a multimedia work, i.e. such powers are visible, with", "the character use a new power out of nowhere, usually a character whose", "that) and most of the public just don't care about how the character", "don't want to keep the questions above unanswered. However, the more I explain", "character use a new power out of nowhere, usually a character whose powers", "manage to do that) and most of the public just don't care about", "try to fix things up, the more incoherence is created. Now how to", "is created. Now how to resolve this dilemma? Do I keep all the", "because it's cool, if it's cool, screw logic, [it's cool](http://tvtropes.org/pmwiki/pmwiki.php/Main/RuleOfCool)! I want to", "I try to fix things up, the more incoherence is created. Now how", "sacrifice \"coolness\" for the sake of coherence/realism, or do I surrender to the", "resolve this dilemma? Do I keep all the rules and sacrifice \"coolness\" for", "where the creator has the freedom to make the character use a new", "(or even well explained, but in an unexplainable/incoherent way they manage to do", "character whose powers are not much explained (or even well explained, but in", "result in such new power, or why it happened, no, they just like", "from books. I find it awesome when I see a work where the", "I also don't want to have my creativity limited by such rules and", "the more incoherence is created. Now how to resolve this dilemma? Do I", "freedom to create the powers, but I don't want to keep the questions", "book, but a multimedia work, i.e. such powers are visible, with flashy effects", "questions above unanswered. However, the more I explain the whys and hows, the", "like it, because it's cool, if it's cool, screw logic, [it's cool](http://tvtropes.org/pmwiki/pmwiki.php/Main/RuleOfCool)! I", "However, the more I explain the whys and hows, the less freedom I", "to fix things up, the more incoherence is created. Now how to resolve", "and sacrifice \"coolness\" for the sake of coherence/realism, or do I surrender to", "character found out that he could do that, or that doing movement X", "flawless, limitless and bad-consequence-less powers, but I also don't want to have my", "things up, the more incoherence is created. Now how to resolve this dilemma?", "power out of nowhere, usually a character whose powers are not much explained", "of the public just don't care about how the character found out that", "with flashy effects and all, instead of just imaginable, so the possibilities are", "characters to have flawless, limitless and bad-consequence-less powers, but I also don't want", "most of the public just don't care about how the character found out", "X would result in such new power, or why it happened, no, they", "it's cool, if it's cool, screw logic, [it's cool](http://tvtropes.org/pmwiki/pmwiki.php/Main/RuleOfCool)! I want to have", "logic, [it's cool](http://tvtropes.org/pmwiki/pmwiki.php/Main/RuleOfCool)! I want to have creative freedom to create the powers,", "do that, or that doing movement X would result in such new power,", "have my creativity limited by such rules and limits. In my case, it's", "why it happened, no, they just like it, because it's cool, if it's", "and the more I try to fix things up, the more incoherence is", "[it's cool](http://tvtropes.org/pmwiki/pmwiki.php/Main/RuleOfCool)! I want to have creative freedom to create the powers, but", "more incoherence is created. Now how to resolve this dilemma? Do I keep", "a multimedia work, i.e. such powers are visible, with flashy effects and all,", "don't want my characters to have flawless, limitless and bad-consequence-less powers, but I", "possibilities are different from books. I find it awesome when I see a", "I see a work where the creator has the freedom to make the", "unexplainable/incoherent way they manage to do that) and most of the public just", "way they manage to do that) and most of the public just don't", "I'm in a dilemma: I don't want my characters to have flawless, limitless", "just like it, because it's cool, if it's cool, screw logic, [it's cool](http://tvtropes.org/pmwiki/pmwiki.php/Main/RuleOfCool)!", "I don't want to keep the questions above unanswered. However, the more I", "awesome when I see a work where the creator has the freedom to", "of nowhere, usually a character whose powers are not much explained (or even", "the whys and hows, the less freedom I have, and the more I", "In my case, it's not a book, but a multimedia work, i.e. such", "they manage to do that) and most of the public just don't care", "that doing movement X would result in such new power, or why it", "would result in such new power, or why it happened, no, they just", "new power, or why it happened, no, they just like it, because it's", "I explain the whys and hows, the less freedom I have, and the", "or that doing movement X would result in such new power, or why", "has the freedom to make the character use a new power out of", "work, i.e. such powers are visible, with flashy effects and all, instead of", "found out that he could do that, or that doing movement X would", "make the character use a new power out of nowhere, usually a character", "in an unexplainable/incoherent way they manage to do that) and most of the", "multimedia work, i.e. such powers are visible, with flashy effects and all, instead", "are not much explained (or even well explained, but in an unexplainable/incoherent way", "above unanswered. However, the more I explain the whys and hows, the less", "by such rules and limits. In my case, it's not a book, but", "to have flawless, limitless and bad-consequence-less powers, but I also don't want to", "visible, with flashy effects and all, instead of just imaginable, so the possibilities", "just imaginable, so the possibilities are different from books. I find it awesome", "more I explain the whys and hows, the less freedom I have, and", "about how the character found out that he could do that, or that", "the freedom to make the character use a new power out of nowhere,", "the questions above unanswered. However, the more I explain the whys and hows,", "the creator has the freedom to make the character use a new power", "when I see a work where the creator has the freedom to make", "flashy effects and all, instead of just imaginable, so the possibilities are different", "all, instead of just imaginable, so the possibilities are different from books. I", "find it awesome when I see a work where the creator has the", "powers, but I don't want to keep the questions above unanswered. However, the", "much explained (or even well explained, but in an unexplainable/incoherent way they manage", "but in an unexplainable/incoherent way they manage to do that) and most of", "incoherence is created. Now how to resolve this dilemma? Do I keep all", "the character found out that he could do that, or that doing movement", "don't want to have my creativity limited by such rules and limits. In", "powers, but I also don't want to have my creativity limited by such", "public just don't care about how the character found out that he could", "the sake of coherence/realism, or do I surrender to the \"Rule of Cool\"?", "new power out of nowhere, usually a character whose powers are not much", "whys and hows, the less freedom I have, and the more I try", "limitless and bad-consequence-less powers, but I also don't want to have my creativity", "bad-consequence-less powers, but I also don't want to have my creativity limited by", "a new power out of nowhere, usually a character whose powers are not", "not much explained (or even well explained, but in an unexplainable/incoherent way they", "creative freedom to create the powers, but I don't want to keep the", "it's not a book, but a multimedia work, i.e. such powers are visible,", "do that) and most of the public just don't care about how the", "my characters to have flawless, limitless and bad-consequence-less powers, but I also don't", "I don't want my characters to have flawless, limitless and bad-consequence-less powers, but", "out that he could do that, or that doing movement X would result", "the more I try to fix things up, the more incoherence is created.", "a character whose powers are not much explained (or even well explained, but", "such new power, or why it happened, no, they just like it, because", "want to keep the questions above unanswered. However, the more I explain the", "want to have creative freedom to create the powers, but I don't want", "doing movement X would result in such new power, or why it happened,", "more I try to fix things up, the more incoherence is created. Now", "work where the creator has the freedom to make the character use a", "imaginable, so the possibilities are different from books. I find it awesome when", "freedom to make the character use a new power out of nowhere, usually", "I keep all the rules and sacrifice \"coolness\" for the sake of coherence/realism,", "the powers, but I don't want to keep the questions above unanswered. However,", "rules and limits. In my case, it's not a book, but a multimedia", "cool](http://tvtropes.org/pmwiki/pmwiki.php/Main/RuleOfCool)! I want to have creative freedom to create the powers, but I", "this dilemma? Do I keep all the rules and sacrifice \"coolness\" for the", "to create the powers, but I don't want to keep the questions above", "instead of just imaginable, so the possibilities are different from books. I find", "\"coolness\" for the sake of coherence/realism, or do I surrender to the \"Rule", "to have creative freedom to create the powers, but I don't want to", "are visible, with flashy effects and all, instead of just imaginable, so the", "the rules and sacrifice \"coolness\" for the sake of coherence/realism, or do I", "or why it happened, no, they just like it, because it's cool, if", "also don't want to have my creativity limited by such rules and limits.", "and limits. In my case, it's not a book, but a multimedia work,", "have creative freedom to create the powers, but I don't want to keep", "books. I find it awesome when I see a work where the creator", "are different from books. I find it awesome when I see a work", "up, the more incoherence is created. Now how to resolve this dilemma? Do", "how to resolve this dilemma? Do I keep all the rules and sacrifice", "I have, and the more I try to fix things up, the more", "Now how to resolve this dilemma? Do I keep all the rules and", "such rules and limits. In my case, it's not a book, but a", "power, or why it happened, no, they just like it, because it's cool,", "that he could do that, or that doing movement X would result in", "unanswered. However, the more I explain the whys and hows, the less freedom", "he could do that, or that doing movement X would result in such", "to do that) and most of the public just don't care about how", "my case, it's not a book, but a multimedia work, i.e. such powers", "well explained, but in an unexplainable/incoherent way they manage to do that) and", "they just like it, because it's cool, if it's cool, screw logic, [it's", "have flawless, limitless and bad-consequence-less powers, but I also don't want to have", "nowhere, usually a character whose powers are not much explained (or even well", "rules and sacrifice \"coolness\" for the sake of coherence/realism, or do I surrender", "to keep the questions above unanswered. However, the more I explain the whys", "cool, if it's cool, screw logic, [it's cool](http://tvtropes.org/pmwiki/pmwiki.php/Main/RuleOfCool)! I want to have creative", "to make the character use a new power out of nowhere, usually a", "it, because it's cool, if it's cool, screw logic, [it's cool](http://tvtropes.org/pmwiki/pmwiki.php/Main/RuleOfCool)! I want", "in a dilemma: I don't want my characters to have flawless, limitless and", "powers are visible, with flashy effects and all, instead of just imaginable, so", "dilemma: I don't want my characters to have flawless, limitless and bad-consequence-less powers,", "dilemma? Do I keep all the rules and sacrifice \"coolness\" for the sake", "all the rules and sacrifice \"coolness\" for the sake of coherence/realism, or do", "have, and the more I try to fix things up, the more incoherence", "creator has the freedom to make the character use a new power out", "usually a character whose powers are not much explained (or even well explained,", "my creativity limited by such rules and limits. In my case, it's not", "it awesome when I see a work where the creator has the freedom", "keep all the rules and sacrifice \"coolness\" for the sake of coherence/realism, or", "different from books. I find it awesome when I see a work where", "create the powers, but I don't want to keep the questions above unanswered.", "a book, but a multimedia work, i.e. such powers are visible, with flashy" ]
[ "I keep in mind so that my novel appeals to girls as well", "the following genres: 1. Urban fantasy 2. New Adult (somewhat; it's a high", "2. New Adult (somewhat; it's a high school setting but with details that", "character is a female, though. So what should I keep in mind so", "(somewhat; it's a high school setting but with details that exceed the boundaries", "that exceed the boundaries of young adult) 3. Romance (somewhat; I've made a", "of young adult) 3. Romance (somewhat; I've made a point not to focus", "novel consists of the following genres: 1. Urban fantasy 2. New Adult (somewhat;", "consists of the following genres: 1. Urban fantasy 2. New Adult (somewhat; it's", "a female, though. So what should I keep in mind so that my", "fantasy 2. New Adult (somewhat; it's a high school setting but with details", "So what should I keep in mind so that my novel appeals to", "main character is a female, though. So what should I keep in mind", "the boundaries of young adult) 3. Romance (somewhat; I've made a point not", "3. Romance (somewhat; I've made a point not to focus the story entirely", "I've made a point not to focus the story entirely on it) My", "1. Urban fantasy 2. New Adult (somewhat; it's a high school setting but", "boundaries of young adult) 3. Romance (somewhat; I've made a point not to", "entirely on it) My main character is a female, though. So what should", "my novel consists of the following genres: 1. Urban fantasy 2. New Adult", "details that exceed the boundaries of young adult) 3. Romance (somewhat; I've made", "focus the story entirely on it) My main character is a female, though.", "what should I keep in mind so that my novel appeals to girls", "My main character is a female, though. So what should I keep in", "but with details that exceed the boundaries of young adult) 3. Romance (somewhat;", "though. So what should I keep in mind so that my novel appeals", "should I keep in mind so that my novel appeals to girls as", "Urban fantasy 2. New Adult (somewhat; it's a high school setting but with", "it's a high school setting but with details that exceed the boundaries of", "with details that exceed the boundaries of young adult) 3. Romance (somewhat; I've", "adult) 3. Romance (somewhat; I've made a point not to focus the story", "New Adult (somewhat; it's a high school setting but with details that exceed", "following genres: 1. Urban fantasy 2. New Adult (somewhat; it's a high school", "genres: 1. Urban fantasy 2. New Adult (somewhat; it's a high school setting", "exceed the boundaries of young adult) 3. Romance (somewhat; I've made a point", "made a point not to focus the story entirely on it) My main", "Romance (somewhat; I've made a point not to focus the story entirely on", "keep in mind so that my novel appeals to girls as well as", "the story entirely on it) My main character is a female, though. So", "in mind so that my novel appeals to girls as well as guys?", "(somewhat; I've made a point not to focus the story entirely on it)", "story entirely on it) My main character is a female, though. So what", "is a female, though. So what should I keep in mind so that", "point not to focus the story entirely on it) My main character is", "on it) My main character is a female, though. So what should I", "a high school setting but with details that exceed the boundaries of young", "setting but with details that exceed the boundaries of young adult) 3. Romance", "So basically my novel consists of the following genres: 1. Urban fantasy 2.", "of the following genres: 1. Urban fantasy 2. New Adult (somewhat; it's a", "it) My main character is a female, though. So what should I keep", "female, though. So what should I keep in mind so that my novel", "basically my novel consists of the following genres: 1. Urban fantasy 2. New", "Adult (somewhat; it's a high school setting but with details that exceed the", "high school setting but with details that exceed the boundaries of young adult)", "not to focus the story entirely on it) My main character is a", "school setting but with details that exceed the boundaries of young adult) 3.", "to focus the story entirely on it) My main character is a female,", "a point not to focus the story entirely on it) My main character", "young adult) 3. Romance (somewhat; I've made a point not to focus the" ]
[ "would take her years into the past and give the read her origin,", "Examples given to better express my thoughts. Example 1: For the first method,", "during some event and something triggers the story to flash back to when", "the character in the middle of some mess (call it conflict A). She", "have another full flashback, explaining more details, maybe introducing the antagonist and leading", "reading up on flashbacks, both on this site and others, I learned that", "she got into conflict A. The story would then come back to the", "middle of my story, lets say point \"M\". I could use the first", "I feel I will have is that the flashback/framing point is during the", "Z. I feel very strongly about having a form of a flashback, but", "feel I will have is that the flashback/framing point is during the middle", "\"M\". I could use the first method, flashback to reveal the beginning of", "story would start with the character in the middle of some mess (call", "of my world, but I don't feel that's possible starting off with a", "drama, point \"A\", then back to M, then from N to B,C,D and", "plot would continue, she would go about resolving her current mess, with the", "time (years). Example 2: Character is in conflict A and goes through a", "several years before conflict A, origin is explained, characters are introduced, etc. Story", "end up with too many jumps and turn off the reader. The second", "M, then continue on to point Z. Which method would work better? EDIT:", "- My protagonist starts off during some event and something triggers the story", "would go about resolving her current mess, with the reader understand a lot", "My protagonist starts off during some event, reflecting in how she got into", "The second method would be more linear, starting at M to frame her", "one years in the past and one a couple hours into the future", "background, introduce her and other characters, but not show how she got into", "the story to flash back to when her drama began (a number of", "the past and give the read her origin, background, introduce her and other", "of a flashback, but can't decide which would be more appropriate. I want", "might end up with too many jumps and turn off the reader. The", "A. The story would then come back to the present, and the plot", "to A. I would then tell the story linearly until point M, then", "then tell the story linearly until point M, then continue on to point", "flashbacks should be used sparingly since most readers enjoy a story from A", "up with too many jumps and turn off the reader. The second method", "of years earlier). 2. Framing the story - My protagonist starts off during", "some point later, she would have another full flashback, explaining more details, maybe", "the present, and the plot would continue, she would go about resolving her", "2: Character is in conflict A and goes through a chapter's worth of", "I will have is that the flashback/framing point is during the middle of", "but not show how she got into conflict A. The story would then", "method would work better? EDIT: Examples given to better express my thoughts. Example", "reader by displaying the danger and darkness of my world, but I don't", "the flashback/framing point is during the middle of my story, lets say point", "1. Full Flashback - My protagonist starts off during some event and something", "would have a full flash back that would take her years into the", "continues on as the character resolves the conflict/defeats the antagonist. Two time jumps,", "the antagonist and leading up to conflict A. Coming back to the present", "I don't feel that's possible starting off with a relatively safe adolescent child.", "safe adolescent child. 1. Full Flashback - My protagonist starts off during some", "Story progresses normally until character enters conflict A. The story skips the already", "another full flashback, explaining more details, maybe introducing the antagonist and leading up", "into the past and give the read her origin, background, introduce her and", "express my thoughts. Example 1: For the first method, the story would start", "dark situation, jump to A. I would then tell the story linearly until", "flashback, but can't decide which would be more appropriate. I want to hook", "when her drama began (a number of years earlier). 2. Framing the story", "years prior. The problem I feel I will have is that the flashback/framing", "prior. The problem I feel I will have is that the flashback/framing point", "Story flashes back several years before conflict A, origin is explained, characters are", "character in the middle of some mess (call it conflict A). She would", "enjoy a story from A to Z. I feel very strongly about having", "child. 1. Full Flashback - My protagonist starts off during some event and", "readers enjoy a story from A to Z. I feel very strongly about", "my story, lets say point \"M\". I could use the first method, flashback", "the drama, point \"A\", then back to M, then from N to B,C,D", "and turn off the reader. The second method would be more linear, starting", "very strongly about having a form of a flashback, but can't decide which", "conflict A). She would have a full flash back that would take her", "began (a number of years earlier). 2. Framing the story - My protagonist", "starts off during some event and something triggers the story to flash back", "Two time jumps, one years in the past and one a couple hours", "is in conflict A and goes through a chapter's worth of plot. Story", "After reading up on flashbacks, both on this site and others, I learned", "danger and darkness of my world, but I don't feel that's possible starting", "event and something triggers the story to flash back to when her drama", "point \"A\", then back to M, then from N to B,C,D and back", "work better? EDIT: Examples given to better express my thoughts. Example 1: For", "is that the flashback/framing point is during the middle of my story, lets", "resolving her current mess, with the reader understand a lot more about her", "want to hook the reader by displaying the danger and darkness of my", "antagonist. Four time jumps, roughly equal in time (years). Example 2: Character is", "that's possible starting off with a relatively safe adolescent child. 1. Full Flashback", "how I might end up with too many jumps and turn off the", "to reveal the beginning of the drama, point \"A\", then back to M,", "full flash back that would take her years into the past and give", "then back to M, then from N to B,C,D and back to N.", "then continue on to point Z. Which method would work better? EDIT: Examples", "goes through a chapter's worth of plot. Story flashes back several years before", "characters are introduced, etc. Story progresses normally until character enters conflict A. The", "current, dark situation, jump to A. I would then tell the story linearly", "event, reflecting in how she got into this situation, and the story starts", "from N to B,C,D and back to N. You can see how I", "relatively safe adolescent child. 1. Full Flashback - My protagonist starts off during", "the reader understand a lot more about her motivation and abilities. At some", "until point M, then continue on to point Z. Which method would work", "the present once more, she resolves the conflict/defeats the antagonist. Four time jumps,", "would continue, she would go about resolving her current mess, with the reader", "her current, dark situation, jump to A. I would then tell the story", "the story would start with the character in the middle of some mess", "first method, the story would start with the character in the middle of", "Example 1: For the first method, the story would start with the character", "possible starting off with a relatively safe adolescent child. 1. Full Flashback -", "about having a form of a flashback, but can't decide which would be", "tell the story linearly until point M, then continue on to point Z.", "(call it conflict A). She would have a full flash back that would", "a relatively safe adolescent child. 1. Full Flashback - My protagonist starts off", "and other characters, but not show how she got into conflict A. The", "she resolves the conflict/defeats the antagonist. Four time jumps, roughly equal in time", "roughly equal in time (years). Example 2: Character is in conflict A and", "The story skips the already covered story from chapter 1, continues on as", "and the plot would continue, she would go about resolving her current mess,", "1, continues on as the character resolves the conflict/defeats the antagonist. Two time", "2. Framing the story - My protagonist starts off during some event, reflecting", "linear, starting at M to frame her current, dark situation, jump to A.", "years earlier). 2. Framing the story - My protagonist starts off during some", "darkness of my world, but I don't feel that's possible starting off with", "I want to hook the reader by displaying the danger and darkness of", "Coming back to the present once more, she resolves the conflict/defeats the antagonist.", "my world, but I don't feel that's possible starting off with a relatively", "- My protagonist starts off during some event, reflecting in how she got", "something triggers the story to flash back to when her drama began (a", "the story linearly until point M, then continue on to point Z. Which", "is explained, characters are introduced, etc. Story progresses normally until character enters conflict", "story starts many years prior. The problem I feel I will have is", "point later, she would have another full flashback, explaining more details, maybe introducing", "use the first method, flashback to reveal the beginning of the drama, point", "at M to frame her current, dark situation, jump to A. I would", "the plot would continue, she would go about resolving her current mess, with", "the antagonist. Two time jumps, one years in the past and one a", "to flash back to when her drama began (a number of years earlier).", "progresses normally until character enters conflict A. The story skips the already covered", "earlier). 2. Framing the story - My protagonist starts off during some event,", "method, the story would start with the character in the middle of some", "reader understand a lot more about her motivation and abilities. At some point", "A. Coming back to the present once more, she resolves the conflict/defeats the", "most readers enjoy a story from A to Z. I feel very strongly", "point Z. Which method would work better? EDIT: Examples given to better express", "but I don't feel that's possible starting off with a relatively safe adolescent", "until character enters conflict A. The story skips the already covered story from", "flashback/framing point is during the middle of my story, lets say point \"M\".", "she would go about resolving her current mess, with the reader understand a", "is during the middle of my story, lets say point \"M\". I could", "Four time jumps, roughly equal in time (years). Example 2: Character is in", "to hook the reader by displaying the danger and darkness of my world,", "both on this site and others, I learned that flashbacks should be used", "be used sparingly since most readers enjoy a story from A to Z.", "her years into the past and give the read her origin, background, introduce", "on flashbacks, both on this site and others, I learned that flashbacks should", "number of years earlier). 2. Framing the story - My protagonist starts off", "how she got into this situation, and the story starts many years prior.", "have is that the flashback/framing point is during the middle of my story,", "many jumps and turn off the reader. The second method would be more", "introduced, etc. Story progresses normally until character enters conflict A. The story skips", "this site and others, I learned that flashbacks should be used sparingly since", "the first method, flashback to reveal the beginning of the drama, point \"A\",", "to frame her current, dark situation, jump to A. I would then tell", "beginning of the drama, point \"A\", then back to M, then from N", "in conflict A and goes through a chapter's worth of plot. Story flashes", "Flashback - My protagonist starts off during some event and something triggers the", "I learned that flashbacks should be used sparingly since most readers enjoy a", "of plot. Story flashes back several years before conflict A, origin is explained,", "and something triggers the story to flash back to when her drama began", "Z. Which method would work better? EDIT: Examples given to better express my", "leading up to conflict A. Coming back to the present once more, she", "jumps, one years in the past and one a couple hours into the", "to point Z. Which method would work better? EDIT: Examples given to better", "the conflict/defeats the antagonist. Four time jumps, roughly equal in time (years). Example", "through a chapter's worth of plot. Story flashes back several years before conflict", "flashes back several years before conflict A, origin is explained, characters are introduced,", "back to M, then from N to B,C,D and back to N. You", "For the first method, the story would start with the character in the", "displaying the danger and darkness of my world, but I don't feel that's", "B,C,D and back to N. You can see how I might end up", "The story would then come back to the present, and the plot would", "present once more, she resolves the conflict/defeats the antagonist. Four time jumps, roughly", "story skips the already covered story from chapter 1, continues on as the", "conflict A. The story would then come back to the present, and the", "see how I might end up with too many jumps and turn off", "A). She would have a full flash back that would take her years", "middle of some mess (call it conflict A). She would have a full", "A. I would then tell the story linearly until point M, then continue", "starting off with a relatively safe adolescent child. 1. Full Flashback - My", "already covered story from chapter 1, continues on as the character resolves the", "1: For the first method, the story would start with the character in", "learned that flashbacks should be used sparingly since most readers enjoy a story", "in time (years). Example 2: Character is in conflict A and goes through", "better? EDIT: Examples given to better express my thoughts. Example 1: For the", "a flashback, but can't decide which would be more appropriate. I want to", "to when her drama began (a number of years earlier). 2. Framing the", "to M, then from N to B,C,D and back to N. You can", "up on flashbacks, both on this site and others, I learned that flashbacks", "mess, with the reader understand a lot more about her motivation and abilities.", "to conflict A. Coming back to the present once more, she resolves the", "character enters conflict A. The story skips the already covered story from chapter", "and others, I learned that flashbacks should be used sparingly since most readers", "chapter's worth of plot. Story flashes back several years before conflict A, origin", "to B,C,D and back to N. You can see how I might end", "I would then tell the story linearly until point M, then continue on", "a full flash back that would take her years into the past and", "her origin, background, introduce her and other characters, but not show how she", "explained, characters are introduced, etc. Story progresses normally until character enters conflict A.", "from A to Z. I feel very strongly about having a form of", "during some event, reflecting in how she got into this situation, and the", "M, then from N to B,C,D and back to N. You can see", "feel very strongly about having a form of a flashback, but can't decide", "skips the already covered story from chapter 1, continues on as the character", "time jumps, one years in the past and one a couple hours into", "her motivation and abilities. At some point later, she would have another full", "take her years into the past and give the read her origin, background,", "more, she resolves the conflict/defeats the antagonist. Four time jumps, roughly equal in", "story linearly until point M, then continue on to point Z. Which method", "(a number of years earlier). 2. Framing the story - My protagonist starts", "and darkness of my world, but I don't feel that's possible starting off", "motivation and abilities. At some point later, she would have another full flashback,", "I feel very strongly about having a form of a flashback, but can't", "story from chapter 1, continues on as the character resolves the conflict/defeats the", "N to B,C,D and back to N. You can see how I might", "from chapter 1, continues on as the character resolves the conflict/defeats the antagonist.", "a story from A to Z. I feel very strongly about having a", "since most readers enjoy a story from A to Z. I feel very", "be more linear, starting at M to frame her current, dark situation, jump", "world, but I don't feel that's possible starting off with a relatively safe", "having a form of a flashback, but can't decide which would be more", "the story - My protagonist starts off during some event, reflecting in how", "abilities. At some point later, she would have another full flashback, explaining more", "how she got into conflict A. The story would then come back to", "hook the reader by displaying the danger and darkness of my world, but", "used sparingly since most readers enjoy a story from A to Z. I", "\"A\", then back to M, then from N to B,C,D and back to", "starting at M to frame her current, dark situation, jump to A. I", "more about her motivation and abilities. At some point later, she would have", "back to N. You can see how I might end up with too", "conflict A, origin is explained, characters are introduced, etc. Story progresses normally until", "others, I learned that flashbacks should be used sparingly since most readers enjoy", "feel that's possible starting off with a relatively safe adolescent child. 1. Full", "(years). Example 2: Character is in conflict A and goes through a chapter's", "introduce her and other characters, but not show how she got into conflict", "story to flash back to when her drama began (a number of years", "story - My protagonist starts off during some event, reflecting in how she", "method, flashback to reveal the beginning of the drama, point \"A\", then back", "more details, maybe introducing the antagonist and leading up to conflict A. Coming", "reveal the beginning of the drama, point \"A\", then back to M, then", "flashback to reveal the beginning of the drama, point \"A\", then back to", "with too many jumps and turn off the reader. The second method would", "point M, then continue on to point Z. Which method would work better?", "would be more linear, starting at M to frame her current, dark situation,", "flash back that would take her years into the past and give the", "Character is in conflict A and goes through a chapter's worth of plot.", "the character resolves the conflict/defeats the antagonist. Two time jumps, one years in", "but can't decide which would be more appropriate. I want to hook the", "better express my thoughts. Example 1: For the first method, the story would", "some event and something triggers the story to flash back to when her", "first method, flashback to reveal the beginning of the drama, point \"A\", then", "off during some event and something triggers the story to flash back to", "the first method, the story would start with the character in the middle", "and the story starts many years prior. The problem I feel I will", "would work better? EDIT: Examples given to better express my thoughts. Example 1:", "plot. Story flashes back several years before conflict A, origin is explained, characters", "the read her origin, background, introduce her and other characters, but not show", "back that would take her years into the past and give the read", "not show how she got into conflict A. The story would then come", "can see how I might end up with too many jumps and turn", "which would be more appropriate. I want to hook the reader by displaying", "chapter 1, continues on as the character resolves the conflict/defeats the antagonist. Two", "lets say point \"M\". I could use the first method, flashback to reveal", "point is during the middle of my story, lets say point \"M\". I", "are introduced, etc. Story progresses normally until character enters conflict A. The story", "full flashback, explaining more details, maybe introducing the antagonist and leading up to", "decide which would be more appropriate. I want to hook the reader by", "origin, background, introduce her and other characters, but not show how she got", "time jumps, roughly equal in time (years). Example 2: Character is in conflict", "could use the first method, flashback to reveal the beginning of the drama,", "the antagonist. Four time jumps, roughly equal in time (years). Example 2: Character", "more appropriate. I want to hook the reader by displaying the danger and", "and abilities. At some point later, she would have another full flashback, explaining", "story from A to Z. I feel very strongly about having a form", "off with a relatively safe adolescent child. 1. Full Flashback - My protagonist", "current mess, with the reader understand a lot more about her motivation and", "the danger and darkness of my world, but I don't feel that's possible", "worth of plot. Story flashes back several years before conflict A, origin is", "I might end up with too many jumps and turn off the reader.", "that the flashback/framing point is during the middle of my story, lets say", "A, origin is explained, characters are introduced, etc. Story progresses normally until character", "later, she would have another full flashback, explaining more details, maybe introducing the", "years before conflict A, origin is explained, characters are introduced, etc. Story progresses", "on this site and others, I learned that flashbacks should be used sparingly", "with the reader understand a lot more about her motivation and abilities. At", "antagonist. Two time jumps, one years in the past and one a couple", "reflecting in how she got into this situation, and the story starts many", "should be used sparingly since most readers enjoy a story from A to", "this situation, and the story starts many years prior. The problem I feel", "got into conflict A. The story would then come back to the present,", "point \"M\". I could use the first method, flashback to reveal the beginning", "turn off the reader. The second method would be more linear, starting at", "origin is explained, characters are introduced, etc. Story progresses normally until character enters", "Example 2: Character is in conflict A and goes through a chapter's worth", "introducing the antagonist and leading up to conflict A. Coming back to the", "read her origin, background, introduce her and other characters, but not show how", "back to the present, and the plot would continue, she would go about", "during the middle of my story, lets say point \"M\". I could use", "on to point Z. Which method would work better? EDIT: Examples given to", "got into this situation, and the story starts many years prior. The problem", "A and goes through a chapter's worth of plot. Story flashes back several", "and leading up to conflict A. Coming back to the present once more,", "A to Z. I feel very strongly about having a form of a", "the reader by displaying the danger and darkness of my world, but I", "then come back to the present, and the plot would continue, she would", "jumps, roughly equal in time (years). Example 2: Character is in conflict A", "starts off during some event, reflecting in how she got into this situation,", "character resolves the conflict/defeats the antagonist. Two time jumps, one years in the", "can't decide which would be more appropriate. I want to hook the reader", "A. The story skips the already covered story from chapter 1, continues on", "explaining more details, maybe introducing the antagonist and leading up to conflict A.", "be more appropriate. I want to hook the reader by displaying the danger", "and give the read her origin, background, introduce her and other characters, but", "to better express my thoughts. Example 1: For the first method, the story", "before conflict A, origin is explained, characters are introduced, etc. Story progresses normally", "show how she got into conflict A. The story would then come back", "once more, she resolves the conflict/defeats the antagonist. Four time jumps, roughly equal", "with the character in the middle of some mess (call it conflict A).", "don't feel that's possible starting off with a relatively safe adolescent child. 1.", "by displaying the danger and darkness of my world, but I don't feel", "the middle of my story, lets say point \"M\". I could use the", "present, and the plot would continue, she would go about resolving her current", "her and other characters, but not show how she got into conflict A.", "characters, but not show how she got into conflict A. The story would", "story, lets say point \"M\". I could use the first method, flashback to", "enters conflict A. The story skips the already covered story from chapter 1,", "a lot more about her motivation and abilities. At some point later, she", "a chapter's worth of plot. Story flashes back several years before conflict A,", "as the character resolves the conflict/defeats the antagonist. Two time jumps, one years", "situation, jump to A. I would then tell the story linearly until point", "flashback, explaining more details, maybe introducing the antagonist and leading up to conflict", "method would be more linear, starting at M to frame her current, dark", "and back to N. You can see how I might end up with", "drama began (a number of years earlier). 2. Framing the story - My", "site and others, I learned that flashbacks should be used sparingly since most", "she got into this situation, and the story starts many years prior. The", "that flashbacks should be used sparingly since most readers enjoy a story from", "N. You can see how I might end up with too many jumps", "reader. The second method would be more linear, starting at M to frame", "about her motivation and abilities. At some point later, she would have another", "conflict A and goes through a chapter's worth of plot. Story flashes back", "problem I feel I will have is that the flashback/framing point is during", "given to better express my thoughts. Example 1: For the first method, the", "strongly about having a form of a flashback, but can't decide which would", "thoughts. Example 1: For the first method, the story would start with the", "etc. Story progresses normally until character enters conflict A. The story skips the", "My protagonist starts off during some event and something triggers the story to", "off during some event, reflecting in how she got into this situation, and", "maybe introducing the antagonist and leading up to conflict A. Coming back to", "story would then come back to the present, and the plot would continue,", "more linear, starting at M to frame her current, dark situation, jump to", "with a relatively safe adolescent child. 1. Full Flashback - My protagonist starts", "some event, reflecting in how she got into this situation, and the story", "in how she got into this situation, and the story starts many years", "start with the character in the middle of some mess (call it conflict", "would start with the character in the middle of some mess (call it", "to the present, and the plot would continue, she would go about resolving", "her current mess, with the reader understand a lot more about her motivation", "of my story, lets say point \"M\". I could use the first method,", "back to when her drama began (a number of years earlier). 2. Framing", "it conflict A). She would have a full flash back that would take", "details, maybe introducing the antagonist and leading up to conflict A. Coming back", "the reader. The second method would be more linear, starting at M to", "back several years before conflict A, origin is explained, characters are introduced, etc.", "have a full flash back that would take her years into the past", "Framing the story - My protagonist starts off during some event, reflecting in", "conflict A. Coming back to the present once more, she resolves the conflict/defeats", "adolescent child. 1. Full Flashback - My protagonist starts off during some event", "many years prior. The problem I feel I will have is that the", "the middle of some mess (call it conflict A). She would have a", "flashbacks, both on this site and others, I learned that flashbacks should be", "At some point later, she would have another full flashback, explaining more details,", "some mess (call it conflict A). She would have a full flash back", "would be more appropriate. I want to hook the reader by displaying the", "second method would be more linear, starting at M to frame her current,", "other characters, but not show how she got into conflict A. The story", "She would have a full flash back that would take her years into", "of some mess (call it conflict A). She would have a full flash", "would have another full flashback, explaining more details, maybe introducing the antagonist and", "Full Flashback - My protagonist starts off during some event and something triggers", "jumps and turn off the reader. The second method would be more linear,", "to the present once more, she resolves the conflict/defeats the antagonist. Four time", "appropriate. I want to hook the reader by displaying the danger and darkness", "form of a flashback, but can't decide which would be more appropriate. I", "would then come back to the present, and the plot would continue, she", "off the reader. The second method would be more linear, starting at M", "EDIT: Examples given to better express my thoughts. Example 1: For the first", "say point \"M\". I could use the first method, flashback to reveal the", "understand a lot more about her motivation and abilities. At some point later,", "protagonist starts off during some event, reflecting in how she got into this", "lot more about her motivation and abilities. At some point later, she would", "too many jumps and turn off the reader. The second method would be", "antagonist and leading up to conflict A. Coming back to the present once", "equal in time (years). Example 2: Character is in conflict A and goes", "in the middle of some mess (call it conflict A). She would have", "the beginning of the drama, point \"A\", then back to M, then from", "into conflict A. The story would then come back to the present, and", "I could use the first method, flashback to reveal the beginning of the", "then from N to B,C,D and back to N. You can see how", "would then tell the story linearly until point M, then continue on to", "into this situation, and the story starts many years prior. The problem I", "past and give the read her origin, background, introduce her and other characters,", "frame her current, dark situation, jump to A. I would then tell the", "of the drama, point \"A\", then back to M, then from N to", "on as the character resolves the conflict/defeats the antagonist. Two time jumps, one", "conflict/defeats the antagonist. Two time jumps, one years in the past and one", "years into the past and give the read her origin, background, introduce her", "protagonist starts off during some event and something triggers the story to flash", "that would take her years into the past and give the read her", "give the read her origin, background, introduce her and other characters, but not", "jump to A. I would then tell the story linearly until point M,", "she would have another full flashback, explaining more details, maybe introducing the antagonist", "covered story from chapter 1, continues on as the character resolves the conflict/defeats", "linearly until point M, then continue on to point Z. Which method would", "M to frame her current, dark situation, jump to A. I would then", "and goes through a chapter's worth of plot. Story flashes back several years", "will have is that the flashback/framing point is during the middle of my", "come back to the present, and the plot would continue, she would go", "continue, she would go about resolving her current mess, with the reader understand", "You can see how I might end up with too many jumps and", "The problem I feel I will have is that the flashback/framing point is", "the conflict/defeats the antagonist. Two time jumps, one years in the past and", "back to the present once more, she resolves the conflict/defeats the antagonist. Four", "flash back to when her drama began (a number of years earlier). 2.", "conflict/defeats the antagonist. Four time jumps, roughly equal in time (years). Example 2:", "to N. You can see how I might end up with too many", "the already covered story from chapter 1, continues on as the character resolves", "Which method would work better? EDIT: Examples given to better express my thoughts.", "go about resolving her current mess, with the reader understand a lot more", "resolves the conflict/defeats the antagonist. Four time jumps, roughly equal in time (years).", "situation, and the story starts many years prior. The problem I feel I", "normally until character enters conflict A. The story skips the already covered story", "starts many years prior. The problem I feel I will have is that", "resolves the conflict/defeats the antagonist. Two time jumps, one years in the past", "about resolving her current mess, with the reader understand a lot more about", "the story starts many years prior. The problem I feel I will have", "up to conflict A. Coming back to the present once more, she resolves", "mess (call it conflict A). She would have a full flash back that", "my thoughts. Example 1: For the first method, the story would start with", "conflict A. The story skips the already covered story from chapter 1, continues", "a form of a flashback, but can't decide which would be more appropriate.", "her drama began (a number of years earlier). 2. Framing the story -", "continue on to point Z. Which method would work better? EDIT: Examples given", "sparingly since most readers enjoy a story from A to Z. I feel", "triggers the story to flash back to when her drama began (a number", "to Z. I feel very strongly about having a form of a flashback," ]
[ "should develop them. Does a subplot need everything a main plot does? Does", "Does there even need to be a conflict for the subplot (if it's", "do I need separate stakes for a subplot (assuming the stakes for the", "you generally do A and B; if it spans three books, you want", "very much on the size of the subplot in question. If that is", "main plot does? Does there even need to be a conflict for the", "know how far I should develop them. Does a subplot need everything a", "the main plot don't apply to it)? What about additional characterization? My question", "I've recently begun studying subplots, and I've realized I don't know how far", "(if it's short), or can it simply be a few scenes that link", "limited to simply developing the plot. Note: I'm assuming that the answer to", "it's short), or can it simply be a few scenes that link together", "them. This means I break down exactly what I need in the novel,", "subplot need everything a main plot does? Does there even need to be", "My question isn't limited to simply developing the plot. Note: I'm assuming that", "main plot, and develop the main conflict so that it is complex and", "that one does for a subplot. How much development does a subplot need?", "depend very much on the size of the subplot in question. If that", "it. One of the things I do is work with the main plot,", "about additional characterization? My question isn't limited to simply developing the plot. Note:", "means I break down exactly what I need in the novel, and how", "resolved. I'm wondering how much of that one does for a subplot. *How", "show something related to the main plot? Before I go any further, let", "question isn't limited to simply developing the plot. Note:* I'm assuming that the", "for the subplot (if it's short), or can it simply be a few", "go any further, let me explain that I develop my novels before writing", "B; if it spans three books, you want to do C as well).", "is the case, please provide answers for several different sizes of subplots (ie,", "scenes that link together to show something related to the main plot? Before", "a few scenes, you generally do A and B; if it spans three", "is work with the main plot, and develop the main conflict so that", "the subplot in question. If that is the case, please provide answers for", "something related to the main plot? Before I go any further, let me", "together to show something related to the main plot? Before I go any", "be easily resolved. I'm wondering how much of that one does for a", "that link together to show something related to the main plot? Before I", "for a subplot (assuming the stakes for the main plot don't apply to", "How much development does a subplot need? Additionally, do I need separate stakes", "I'm assuming that the answer to this question will depend very much on", "related to the main plot? Before I go any further, let me explain", "need to be a conflict for the subplot (if it's short), or can", "far I should develop them. Does a subplot need everything a main plot", "Additionally, do I need separate stakes for a subplot (assuming the stakes for", "the case, please provide answers for several different sizes of subplots (ie, if", "in the novel, and how to achieve it. One of the things I", "develop the main conflict so that it is complex and cannot be easily", "plot does? Does there even need to be a conflict for the subplot", "it)? What about additional characterization? My question isn't limited to simply developing the", "main plot? Before I go any further, let me explain that I develop", "to simply developing the plot. Note: I'm assuming that the answer to this", "the things I do is work with the main plot, and develop the", "exactly what I need in the novel, and how to achieve it. One", "much of that one does for a subplot. *How much development does a", "complex and cannot be easily resolved. I'm wondering how much of that one", "I need separate stakes for a subplot (assuming the stakes for the main", "main plot don't apply to it)? What about additional characterization? My question isn't", "apply to it)? What about additional characterization? My question isn't limited to simply", "writing them. This means I break down exactly what I need in the", "What about additional characterization? My question isn't limited to simply developing the plot.", "the main conflict so that it is complex and cannot be easily resolved.", "This means I break down exactly what I need in the novel, and", "before writing them. This means I break down exactly what I need in", "so that it is complex and cannot be easily resolved. I'm wondering how", "the plot. Note:* I'm assuming that the answer to this question will depend", "to be a conflict for the subplot (if it's short), or can it", "case, please provide answers for several different sizes of subplots (ie, if the", "I do is work with the main plot, and develop the main conflict", "I develop my novels before writing them. This means I break down exactly", "I should develop them. Does a subplot need everything a main plot does?", "plot don't apply to it)? What about additional characterization? My question isn't limited", "plot? Before I go any further, let me explain that I develop my", "wondering how much of that one does for a subplot. How much development", "explain that I develop my novels before writing them. This means I break", "studying subplots, and I've realized I don't know how far I should develop", "does a subplot need? Additionally, do I need separate stakes for a subplot", "subplots (ie, if the subplot is only a few scenes, you generally do", "to show something related to the main plot? Before I go any further,", "for a subplot. How much development does a subplot need? Additionally, do I", "stakes for the main plot don't apply to it)? What about additional characterization?", "generally do A and B; if it spans three books, you want to", "subplot (if it's short), or can it simply be a few scenes that", "to the main plot? Before I go any further, let me explain that", "do A and B; if it spans three books, you want to do", "only a few scenes, you generally do A and B; if it spans", "for several different sizes of subplots (ie, if the subplot is only a", "subplots, and I've realized I don't know how far I should develop them.", "development does a subplot need?** Additionally, do I need separate stakes for a", "me explain that I develop my novels before writing them. This means I", "will depend very much on the size of the subplot in question. If", "realized I don't know how far I should develop them. Does a subplot", "additional characterization? My question isn't limited to simply developing the plot. Note: I'm", "how far I should develop them. Does a subplot need everything a main", "much on the size of the subplot in question. If that is the", "how to achieve it. One of the things I do is work with", "answers for several different sizes of subplots (ie, if the subplot is only", "easily resolved. I'm wondering how much of that one does for a subplot.", "scenes, you generally do A and B; if it spans three books, you", "assuming that the answer to this question will depend very much on the", "few scenes that link together to show something related to the main plot?", "question. If that is the case, please provide answers for several different sizes", "cannot be easily resolved. I'm wondering how much of that one does for", "plot. Note: I'm assuming that the answer to this question will depend very", "short), or can it simply be a few scenes that link together to", "break down exactly what I need in the novel, and how to achieve", "please provide answers for several different sizes of subplots (ie, if the subplot", "of subplots (ie, if the subplot is only a few scenes, you generally", "a subplot need everything a main plot does? Does there even need to", "a few scenes that link together to show something related to the main", "of the subplot in question. If that is the case, please provide answers", "in question. If that is the case, please provide answers for several different", "and develop the main conflict so that it is complex and cannot be", "with the main plot, and develop the main conflict so that it is", "any further, let me explain that I develop my novels before writing them.", "need separate stakes for a subplot (assuming the stakes for the main plot", "let me explain that I develop my novels before writing them. This means", "a subplot. How much development does a subplot need? Additionally, do I need", "subplot (assuming the stakes for the main plot don't apply to it)? What", "to this question will depend very much on the size of the subplot", "is complex and cannot be easily resolved. I'm wondering how much of that", "need in the novel, and how to achieve it. One of the things", "novel, and how to achieve it. One of the things I do is", "develop my novels before writing them. This means I break down exactly what", "link together to show something related to the main plot? Before I go", "developing the plot. Note: I'm assuming that the answer to this question will", "main conflict so that it is complex and cannot be easily resolved. I'm", "to achieve it. One of the things I do is work with the", "things I do is work with the main plot, and develop the main", "If that is the case, please provide answers for several different sizes of", "the size of the subplot in question. If that is the case, please", "provide answers for several different sizes of subplots (ie, if the subplot is", "to it)? What about additional characterization? My question isn't limited to simply developing", "and B; if it spans three books, you want to do C as", "Before I go any further, let me explain that I develop my novels", "achieve it. One of the things I do is work with the main", "a main plot does? Does there even need to be a conflict for", "the stakes for the main plot don't apply to it)? What about additional", "everything a main plot does? Does there even need to be a conflict", "a subplot need? Additionally, do I need separate stakes for a subplot (assuming", "need? Additionally, do I need separate stakes for a subplot (assuming the stakes", "different sizes of subplots (ie, if the subplot is only a few scenes,", "I go any further, let me explain that I develop my novels before", "the novel, and how to achieve it. One of the things I do", "of that one does for a subplot. *How much development does a subplot", "I've realized I don't know how far I should develop them. Does a", "of the things I do is work with the main plot, and develop", "develop them. Does a subplot need everything a main plot does? Does there", "I break down exactly what I need in the novel, and how to", "several different sizes of subplots (ie, if the subplot is only a few", "subplot is only a few scenes, you generally do A and B; if", "begun studying subplots, and I've realized I don't know how far I should", "be a conflict for the subplot (if it's short), or can it simply", "is only a few scenes, you generally do A and B; if it", "One of the things I do is work with the main plot, and", "and cannot be easily resolved. I'm wondering how much of that one does", "simply be a few scenes that link together to show something related to", "Note:* I'm assuming that the answer to this question will depend very much", "need everything a main plot does? Does there even need to be a", "question will depend very much on the size of the subplot in question.", "few scenes, you generally do A and B; if it spans three books,", "it is complex and cannot be easily resolved. I'm wondering how much of", "that the answer to this question will depend very much on the size", "or can it simply be a few scenes that link together to show", "characterization? My question isn't limited to simply developing the plot. Note: I'm assuming", "answer to this question will depend very much on the size of the", "stakes for a subplot (assuming the stakes for the main plot don't apply", "much development does a subplot need? Additionally, do I need separate stakes for", "this question will depend very much on the size of the subplot in", "down exactly what I need in the novel, and how to achieve it.", "and I've realized I don't know how far I should develop them. Does", "plot, and develop the main conflict so that it is complex and cannot", "I don't know how far I should develop them. Does a subplot need", "how much of that one does for a subplot. How much development does", "do is work with the main plot, and develop the main conflict so", "the subplot is only a few scenes, you generally do A and B;", "my novels before writing them. This means I break down exactly what I", "work with the main plot, and develop the main conflict so that it", "separate stakes for a subplot (assuming the stakes for the main plot don't", "the main plot? Before I go any further, let me explain that I", "for the main plot don't apply to it)? What about additional characterization? My", "that it is complex and cannot be easily resolved. I'm wondering how much", "that is the case, please provide answers for several different sizes of subplots", "be a few scenes that link together to show something related to the", "recently begun studying subplots, and I've realized I don't know how far I", "one does for a subplot. How much development does a subplot need? Additionally,", "what I need in the novel, and how to achieve it. One of", "size of the subplot in question. If that is the case, please provide", "if the subplot is only a few scenes, you generally do A and", "(ie, if the subplot is only a few scenes, you generally do A", "Does a subplot need everything a main plot does? Does there even need", "conflict for the subplot (if it's short), or can it simply be a", "conflict so that it is complex and cannot be easily resolved. I'm wondering", "and how to achieve it. One of the things I do is work", "(assuming the stakes for the main plot don't apply to it)? What about", "a conflict for the subplot (if it's short), or can it simply be", "I'm wondering how much of that one does for a subplot. How much", "A and B; if it spans three books, you want to do C", "the main plot, and develop the main conflict so that it is complex", "there even need to be a conflict for the subplot (if it's short),", "further, let me explain that I develop my novels before writing them. This", "does for a subplot. How much development does a subplot need? Additionally, do", "the subplot (if it's short), or can it simply be a few scenes", "that I develop my novels before writing them. This means I break down", "subplot. How much development does a subplot need? Additionally, do I need separate", "novels before writing them. This means I break down exactly what I need", "can it simply be a few scenes that link together to show something", "subplot need? Additionally, do I need separate stakes for a subplot (assuming the", "on the size of the subplot in question. If that is the case,", "I need in the novel, and how to achieve it. One of the", "a subplot (assuming the stakes for the main plot don't apply to it)?", "sizes of subplots (ie, if the subplot is only a few scenes, you", "don't know how far I should develop them. Does a subplot need everything", "the answer to this question will depend very much on the size of", "them. Does a subplot need everything a main plot does? Does there even", "it simply be a few scenes that link together to show something related", "don't apply to it)? What about additional characterization? My question isn't limited to", "does? Does there even need to be a conflict for the subplot (if", "simply developing the plot. Note: I'm assuming that the answer to this question", "subplot in question. If that is the case, please provide answers for several", "even need to be a conflict for the subplot (if it's short), or", "isn't limited to simply developing the plot. Note: I'm assuming that the answer" ]
[ "annoying for me, because now I have to decide whether I have to", "where I imagined two or three subplots (or storylines). Now I found that", "subplots (or storylines). Now I found that one of the subplots has evolved", "or three subplots (or storylines). Now I found that one of the subplots", "novel (removing a layer of narrative) to write another one (which actually would", "of narrative) to write another one (which actually would be a short-story) or", "(or could not) lead to another novel. It's a bit annoying for me,", "I'm writing a novel where I imagined two or three subplots (or storylines).", "big that It can be an independant plot itself and could (or could", "from the first novel (removing a layer of narrative) to write another one", "and use it to enrich my novel. Any advice on what I should", "or just let it and use it to enrich my novel. Any advice", "separate this subplot from the first novel (removing a layer of narrative) to", "enrich my novel. Any advice on what I should do to decide would", "and could (or could not) lead to another novel. It's a bit annoying", "lead to another novel. It's a bit annoying for me, because now I", "my novel. Any advice on what I should do to decide would be", "so big that It can be an independant plot itself and could (or", "that one of the subplots has evolved and grown so big that It", "subplot from the first novel (removing a layer of narrative) to write another", "this subplot from the first novel (removing a layer of narrative) to write", "not) lead to another novel. It's a bit annoying for me, because now", "grown so big that It can be an independant plot itself and could", "have to decide whether I have to separate this subplot from the first", "Now I found that one of the subplots has evolved and grown so", "whether I have to separate this subplot from the first novel (removing a", "decide whether I have to separate this subplot from the first novel (removing", "plot itself and could (or could not) lead to another novel. It's a", "one (which actually would be a short-story) or just let it and use", "have to separate this subplot from the first novel (removing a layer of", "I imagined two or three subplots (or storylines). Now I found that one", "it to enrich my novel. Any advice on what I should do to", "novel where I imagined two or three subplots (or storylines). Now I found", "the subplots has evolved and grown so big that It can be an", "actually would be a short-story) or just let it and use it to", "to another novel. It's a bit annoying for me, because now I have", "a novel where I imagined two or three subplots (or storylines). Now I", "could not) lead to another novel. It's a bit annoying for me, because", "another one (which actually would be a short-story) or just let it and", "a layer of narrative) to write another one (which actually would be a", "let it and use it to enrich my novel. Any advice on what", "now I have to decide whether I have to separate this subplot from", "first novel (removing a layer of narrative) to write another one (which actually", "to write another one (which actually would be a short-story) or just let", "that It can be an independant plot itself and could (or could not)", "just let it and use it to enrich my novel. Any advice on", "and grown so big that It can be an independant plot itself and", "be a short-story) or just let it and use it to enrich my", "I have to separate this subplot from the first novel (removing a layer", "can be an independant plot itself and could (or could not) lead to", "(or storylines). Now I found that one of the subplots has evolved and", "two or three subplots (or storylines). Now I found that one of the", "storylines). Now I found that one of the subplots has evolved and grown", "a bit annoying for me, because now I have to decide whether I", "It's a bit annoying for me, because now I have to decide whether", "of the subplots has evolved and grown so big that It can be", "itself and could (or could not) lead to another novel. It's a bit", "use it to enrich my novel. Any advice on what I should do", "evolved and grown so big that It can be an independant plot itself", "to decide whether I have to separate this subplot from the first novel", "narrative) to write another one (which actually would be a short-story) or just", "(which actually would be a short-story) or just let it and use it", "layer of narrative) to write another one (which actually would be a short-story)", "(removing a layer of narrative) to write another one (which actually would be", "three subplots (or storylines). Now I found that one of the subplots has", "independant plot itself and could (or could not) lead to another novel. It's", "a short-story) or just let it and use it to enrich my novel.", "to separate this subplot from the first novel (removing a layer of narrative)", "another novel. It's a bit annoying for me, because now I have to", "one of the subplots has evolved and grown so big that It can", "writing a novel where I imagined two or three subplots (or storylines). Now", "imagined two or three subplots (or storylines). Now I found that one of", "could (or could not) lead to another novel. It's a bit annoying for", "bit annoying for me, because now I have to decide whether I have", "short-story) or just let it and use it to enrich my novel. Any", "for me, because now I have to decide whether I have to separate", "to enrich my novel. Any advice on what I should do to decide", "write another one (which actually would be a short-story) or just let it", "I found that one of the subplots has evolved and grown so big", "me, because now I have to decide whether I have to separate this", "I have to decide whether I have to separate this subplot from the", "novel. It's a bit annoying for me, because now I have to decide", "has evolved and grown so big that It can be an independant plot", "the first novel (removing a layer of narrative) to write another one (which", "It can be an independant plot itself and could (or could not) lead", "because now I have to decide whether I have to separate this subplot", "would be a short-story) or just let it and use it to enrich", "novel. Any advice on what I should do to decide would be welcomed.", "subplots has evolved and grown so big that It can be an independant", "be an independant plot itself and could (or could not) lead to another", "it and use it to enrich my novel. Any advice on what I", "found that one of the subplots has evolved and grown so big that", "an independant plot itself and could (or could not) lead to another novel." ]
[ "of Othello, the Moor of Venice. Ed. Barbara A. Mowat and Paul Werstine.", "the correct MLA citation for the book is > > Nvikuspeara, Curliam. The", "can I cite the annotations? Would it just be (Nvikuspeara 178)? that seems", "Othello. As far as I can tell, the correct MLA citation for the", "citing Nvikuspeara's text, I just use the standard (Othello 4.1.120) format. How can", "178)? that seems incorrect, as the annotations have little to do with Nvikuspeara", "I can tell, the correct MLA citation for the book is > >", "> > Nvikuspeara, Curliam. The tragedy of Othello, the Moor of Venice. Ed.", "tragedy of Othello, the Moor of Venice. Ed. Barbara A. Mowat and Paul", "that seems incorrect, as the annotations have little to do with Nvikuspeara himself.", "Would it just be (Nvikuspeara 178)? that seems incorrect, as the annotations have", "is > > Nvikuspeara, Curliam. The tragedy of Othello, the Moor of Venice.", "the standard (Othello 4.1.120) format. How can I cite the annotations? Would it", "format. How can I cite the annotations? Would it just be (Nvikuspeara 178)?", "am using the Folger Nvikuspeara Library's annotated Othello. As far as I can", "New York: Washington Square Press, 2004. Print. > > > When I'm citing", "as I can tell, the correct MLA citation for the book is >", "I'm in the process of writing an essay on Othello, and am using", "Curliam. The tragedy of Othello, the Moor of Venice. Ed. Barbara A. Mowat", "Nvikuspeara Library's annotated Othello. As far as I can tell, the correct MLA", "I'm citing Nvikuspeara's text, I just use the standard (Othello 4.1.120) format. How", "can tell, the correct MLA citation for the book is > > Nvikuspeara,", "Washington Square Press, 2004. Print. > > > When I'm citing Nvikuspeara's text,", "writing an essay on Othello, and am using the Folger Nvikuspeara Library's annotated", "(Othello 4.1.120) format. How can I cite the annotations? Would it just be", "Venice. Ed. Barbara A. Mowat and Paul Werstine. New York: Washington Square Press,", "4.1.120) format. How can I cite the annotations? Would it just be (Nvikuspeara", "I cite the annotations? Would it just be (Nvikuspeara 178)? that seems incorrect,", "citation for the book is > > Nvikuspeara, Curliam. The tragedy of Othello,", "Library's annotated Othello. As far as I can tell, the correct MLA citation", "in the process of writing an essay on Othello, and am using the", "Press, 2004. Print. > > > When I'm citing Nvikuspeara's text, I just", "> When I'm citing Nvikuspeara's text, I just use the standard (Othello 4.1.120)", "When I'm citing Nvikuspeara's text, I just use the standard (Othello 4.1.120) format.", "As far as I can tell, the correct MLA citation for the book", "be (Nvikuspeara 178)? that seems incorrect, as the annotations have little to do", "use the standard (Othello 4.1.120) format. How can I cite the annotations? Would", "correct MLA citation for the book is > > Nvikuspeara, Curliam. The tragedy", "2004. Print. > > > When I'm citing Nvikuspeara's text, I just use", "Othello, the Moor of Venice. Ed. Barbara A. Mowat and Paul Werstine. New", "Mowat and Paul Werstine. New York: Washington Square Press, 2004. Print. > >", "of Venice. Ed. Barbara A. Mowat and Paul Werstine. New York: Washington Square", "essay on Othello, and am using the Folger Nvikuspeara Library's annotated Othello. As", "for the book is > > Nvikuspeara, Curliam. The tragedy of Othello, the", "standard (Othello 4.1.120) format. How can I cite the annotations? Would it just", "Othello, and am using the Folger Nvikuspeara Library's annotated Othello. As far as", "tell, the correct MLA citation for the book is > > Nvikuspeara, Curliam.", "the book is > > Nvikuspeara, Curliam. The tragedy of Othello, the Moor", "Folger Nvikuspeara Library's annotated Othello. As far as I can tell, the correct", "the process of writing an essay on Othello, and am using the Folger", "Barbara A. Mowat and Paul Werstine. New York: Washington Square Press, 2004. Print.", "it just be (Nvikuspeara 178)? that seems incorrect, as the annotations have little", "Werstine. New York: Washington Square Press, 2004. Print. > > > When I'm", "> > > When I'm citing Nvikuspeara's text, I just use the standard", "on Othello, and am using the Folger Nvikuspeara Library's annotated Othello. As far", "annotated Othello. As far as I can tell, the correct MLA citation for", "(Nvikuspeara 178)? that seems incorrect, as the annotations have little to do with", "annotations? Would it just be (Nvikuspeara 178)? that seems incorrect, as the annotations", "just be (Nvikuspeara 178)? that seems incorrect, as the annotations have little to", "and Paul Werstine. New York: Washington Square Press, 2004. Print. > > >", "just use the standard (Othello 4.1.120) format. How can I cite the annotations?", "and am using the Folger Nvikuspeara Library's annotated Othello. As far as I", "Nvikuspeara's text, I just use the standard (Othello 4.1.120) format. How can I", "Moor of Venice. Ed. Barbara A. Mowat and Paul Werstine. New York: Washington", "The tragedy of Othello, the Moor of Venice. Ed. Barbara A. Mowat and", "far as I can tell, the correct MLA citation for the book is", "using the Folger Nvikuspeara Library's annotated Othello. As far as I can tell,", "cite the annotations? Would it just be (Nvikuspeara 178)? that seems incorrect, as", "> > When I'm citing Nvikuspeara's text, I just use the standard (Othello", "of writing an essay on Othello, and am using the Folger Nvikuspeara Library's", "process of writing an essay on Othello, and am using the Folger Nvikuspeara", "an essay on Othello, and am using the Folger Nvikuspeara Library's annotated Othello.", "How can I cite the annotations? Would it just be (Nvikuspeara 178)? that", "the Moor of Venice. Ed. Barbara A. Mowat and Paul Werstine. New York:", "Square Press, 2004. Print. > > > When I'm citing Nvikuspeara's text, I", "York: Washington Square Press, 2004. Print. > > > When I'm citing Nvikuspeara's", "A. Mowat and Paul Werstine. New York: Washington Square Press, 2004. Print. >", "> Nvikuspeara, Curliam. The tragedy of Othello, the Moor of Venice. Ed. Barbara", "Ed. Barbara A. Mowat and Paul Werstine. New York: Washington Square Press, 2004.", "the annotations? Would it just be (Nvikuspeara 178)? that seems incorrect, as the", "Paul Werstine. New York: Washington Square Press, 2004. Print. > > > When", "Print. > > > When I'm citing Nvikuspeara's text, I just use the", "book is > > Nvikuspeara, Curliam. The tragedy of Othello, the Moor of", "MLA citation for the book is > > Nvikuspeara, Curliam. The tragedy of", "the Folger Nvikuspeara Library's annotated Othello. As far as I can tell, the", "I just use the standard (Othello 4.1.120) format. How can I cite the", "text, I just use the standard (Othello 4.1.120) format. How can I cite", "Nvikuspeara, Curliam. The tragedy of Othello, the Moor of Venice. Ed. Barbara A." ]
[ "in a different PDF, almost impossible. So, we're looking to move everything to", "a documentation solution for a large software product that does not use this", "PDF. Also, this makes linking to other topics in a different PDF, almost", "of the modules. Currently, most of our documentation is delivered via PDF and", "different options to get their feedback on which they like best. However, it", "functionality which does search within PDFs, but if you click through a link,", "impossible. So, we're looking to move everything to HTML/XML based output. My manager", "search within PDFs, but if you click through a link, you just get", "these: <http://admhelp.saas.hpe.com/main/Content/AdmHelpCenter.htm> <http://qsupport.quantum.com/kb/flare/Content/doc_portal/Content/docs-portal/docs_portal.html> Basically, a landing page that lists out all the possible", "individually licensed, so one customer might pay for all the modules where another", "a link, you just get taken to the first page of the PDF.", "to HTML/XML based output. My manager would like us to give the customers", "so one customer might pay for all the modules where another might only", "pressingly, it makes finding specific information hard. The site has a search functionality", "everything to HTML/XML based output. My manager would like us to give the", "it seems that for large products with many modules, it seems to me", "documentation team supports a massive software product, over 30 modules. These modules are", "the past, a documentation solution for a large software product that does not", "that lists out all the possible options, with links to module/product specific documentation", "output. My manager would like us to give the customers a few different", "dedicated website. However, given the complexity of the product, this poses many issues,", "pay for all the modules where another might only pay to use a", "most pressingly, it makes finding specific information hard. The site has a search", "PDF and can be accessed via a dedicated website. However, given the complexity", "few of the modules. Currently, most of our documentation is delivered via PDF", "My manager would like us to give the customers a few different options", "this poses many issues, most pressingly, it makes finding specific information hard. The", "it seems to me that there is a fairly standard layout, like these:", "many modules, it seems to me that there is a fairly standard layout,", "PDFs, but if you click through a link, you just get taken to", "it makes finding specific information hard. The site has a search functionality which", "over 30 modules. These modules are individually licensed, so one customer might pay", "finding specific information hard. The site has a search functionality which does search", "out all the possible options, with links to module/product specific documentation centres. Does", "product, this poses many issues, most pressingly, it makes finding specific information hard.", "large products with many modules, it seems to me that there is a", "to module/product specific documentation centres. Does anybody maintain, or maintained in the past,", "this makes linking to other topics in a different PDF, almost impossible. So,", "maintain, or maintained in the past, a documentation solution for a large software", "like these: <http://admhelp.saas.hpe.com/main/Content/AdmHelpCenter.htm> <http://qsupport.quantum.com/kb/flare/Content/doc_portal/Content/docs-portal/docs_portal.html> Basically, a landing page that lists out all the", "is delivered via PDF and can be accessed via a dedicated website. However,", "a different PDF, almost impossible. So, we're looking to move everything to HTML/XML", "a massive software product, over 30 modules. These modules are individually licensed, so", "which they like best. However, it seems that for large products with many", "hard. The site has a search functionality which does search within PDFs, but", "documentation solution for a large software product that does not use this method?", "module/product specific documentation centres. Does anybody maintain, or maintained in the past, a", "just get taken to the first page of the PDF. Also, this makes", "would like us to give the customers a few different options to get", "However, it seems that for large products with many modules, it seems to", "specific documentation centres. Does anybody maintain, or maintained in the past, a documentation", "use a few of the modules. Currently, most of our documentation is delivered", "for large products with many modules, it seems to me that there is", "or maintained in the past, a documentation solution for a large software product", "most of our documentation is delivered via PDF and can be accessed via", "modules, it seems to me that there is a fairly standard layout, like", "These modules are individually licensed, so one customer might pay for all the", "us to give the customers a few different options to get their feedback", "modules are individually licensed, so one customer might pay for all the modules", "So, we're looking to move everything to HTML/XML based output. My manager would", "the PDF. Also, this makes linking to other topics in a different PDF,", "manager would like us to give the customers a few different options to", "that for large products with many modules, it seems to me that there", "there is a fairly standard layout, like these: <http://admhelp.saas.hpe.com/main/Content/AdmHelpCenter.htm> <http://qsupport.quantum.com/kb/flare/Content/doc_portal/Content/docs-portal/docs_portal.html> Basically, a landing", "a few of the modules. Currently, most of our documentation is delivered via", "we're looking to move everything to HTML/XML based output. My manager would like", "in the past, a documentation solution for a large software product that does", "does not use this method? Is there an alternative that I'm missing? Any", "lists out all the possible options, with links to module/product specific documentation centres.", "modules where another might only pay to use a few of the modules.", "information hard. The site has a search functionality which does search within PDFs,", "software product, over 30 modules. These modules are individually licensed, so one customer", "taken to the first page of the PDF. Also, this makes linking to", "that there is a fairly standard layout, like these: <http://admhelp.saas.hpe.com/main/Content/AdmHelpCenter.htm> <http://qsupport.quantum.com/kb/flare/Content/doc_portal/Content/docs-portal/docs_portal.html> Basically, a", "seems that for large products with many modules, it seems to me that", "product that does not use this method? Is there an alternative that I'm", "pay to use a few of the modules. Currently, most of our documentation", "Currently, most of our documentation is delivered via PDF and can be accessed", "can be accessed via a dedicated website. However, given the complexity of the", "However, given the complexity of the product, this poses many issues, most pressingly,", "anybody maintain, or maintained in the past, a documentation solution for a large", "feedback on which they like best. However, it seems that for large products", "like best. However, it seems that for large products with many modules, it", "be accessed via a dedicated website. However, given the complexity of the product,", "<http://qsupport.quantum.com/kb/flare/Content/doc_portal/Content/docs-portal/docs_portal.html> Basically, a landing page that lists out all the possible options, with", "and can be accessed via a dedicated website. However, given the complexity of", "topics in a different PDF, almost impossible. So, we're looking to move everything", "based output. My manager would like us to give the customers a few", "on which they like best. However, it seems that for large products with", "to me that there is a fairly standard layout, like these: <http://admhelp.saas.hpe.com/main/Content/AdmHelpCenter.htm> <http://qsupport.quantum.com/kb/flare/Content/doc_portal/Content/docs-portal/docs_portal.html>", "to move everything to HTML/XML based output. My manager would like us to", "a fairly standard layout, like these: <http://admhelp.saas.hpe.com/main/Content/AdmHelpCenter.htm> <http://qsupport.quantum.com/kb/flare/Content/doc_portal/Content/docs-portal/docs_portal.html> Basically, a landing page that", "page that lists out all the possible options, with links to module/product specific", "all the modules where another might only pay to use a few of", "a large software product that does not use this method? Is there an", "few different options to get their feedback on which they like best. However,", "best. However, it seems that for large products with many modules, it seems", "customers a few different options to get their feedback on which they like", "different PDF, almost impossible. So, we're looking to move everything to HTML/XML based", "the first page of the PDF. Also, this makes linking to other topics", "might pay for all the modules where another might only pay to use", "product, over 30 modules. These modules are individually licensed, so one customer might", "first page of the PDF. Also, this makes linking to other topics in", "is a fairly standard layout, like these: <http://admhelp.saas.hpe.com/main/Content/AdmHelpCenter.htm> <http://qsupport.quantum.com/kb/flare/Content/doc_portal/Content/docs-portal/docs_portal.html> Basically, a landing page", "are individually licensed, so one customer might pay for all the modules where", "makes finding specific information hard. The site has a search functionality which does", "if you click through a link, you just get taken to the first", "where another might only pay to use a few of the modules. Currently,", "might only pay to use a few of the modules. Currently, most of", "other topics in a different PDF, almost impossible. So, we're looking to move", "linking to other topics in a different PDF, almost impossible. So, we're looking", "move everything to HTML/XML based output. My manager would like us to give", "to the first page of the PDF. Also, this makes linking to other", "specific information hard. The site has a search functionality which does search within", "but if you click through a link, you just get taken to the", "via PDF and can be accessed via a dedicated website. However, given the", "the modules. Currently, most of our documentation is delivered via PDF and can", "of the product, this poses many issues, most pressingly, it makes finding specific", "many issues, most pressingly, it makes finding specific information hard. The site has", "which does search within PDFs, but if you click through a link, you", "team supports a massive software product, over 30 modules. These modules are individually", "landing page that lists out all the possible options, with links to module/product", "like us to give the customers a few different options to get their", "accessed via a dedicated website. However, given the complexity of the product, this", "to give the customers a few different options to get their feedback on", "within PDFs, but if you click through a link, you just get taken", "HTML/XML based output. My manager would like us to give the customers a", "their feedback on which they like best. However, it seems that for large", "documentation is delivered via PDF and can be accessed via a dedicated website.", "modules. These modules are individually licensed, so one customer might pay for all", "search functionality which does search within PDFs, but if you click through a", "click through a link, you just get taken to the first page of", "fairly standard layout, like these: <http://admhelp.saas.hpe.com/main/Content/AdmHelpCenter.htm> <http://qsupport.quantum.com/kb/flare/Content/doc_portal/Content/docs-portal/docs_portal.html> Basically, a landing page that lists", "centres. Does anybody maintain, or maintained in the past, a documentation solution for", "links to module/product specific documentation centres. Does anybody maintain, or maintained in the", "possible options, with links to module/product specific documentation centres. Does anybody maintain, or", "options to get their feedback on which they like best. However, it seems", "has a search functionality which does search within PDFs, but if you click", "solution for a large software product that does not use this method? Is", "massive software product, over 30 modules. These modules are individually licensed, so one", "<http://admhelp.saas.hpe.com/main/Content/AdmHelpCenter.htm> <http://qsupport.quantum.com/kb/flare/Content/doc_portal/Content/docs-portal/docs_portal.html> Basically, a landing page that lists out all the possible options,", "licensed, so one customer might pay for all the modules where another might", "maintained in the past, a documentation solution for a large software product that", "the modules where another might only pay to use a few of the", "our documentation is delivered via PDF and can be accessed via a dedicated", "another might only pay to use a few of the modules. Currently, most", "to get their feedback on which they like best. However, it seems that", "Does anybody maintain, or maintained in the past, a documentation solution for a", "a landing page that lists out all the possible options, with links to", "for a large software product that does not use this method? Is there", "Basically, a landing page that lists out all the possible options, with links", "PDF, almost impossible. So, we're looking to move everything to HTML/XML based output.", "My documentation team supports a massive software product, over 30 modules. These modules", "get taken to the first page of the PDF. Also, this makes linking", "that does not use this method? Is there an alternative that I'm missing?", "the customers a few different options to get their feedback on which they", "given the complexity of the product, this poses many issues, most pressingly, it", "only pay to use a few of the modules. Currently, most of our", "with many modules, it seems to me that there is a fairly standard", "get their feedback on which they like best. However, it seems that for", "seems to me that there is a fairly standard layout, like these: <http://admhelp.saas.hpe.com/main/Content/AdmHelpCenter.htm>", "to use a few of the modules. Currently, most of our documentation is", "me that there is a fairly standard layout, like these: <http://admhelp.saas.hpe.com/main/Content/AdmHelpCenter.htm> <http://qsupport.quantum.com/kb/flare/Content/doc_portal/Content/docs-portal/docs_portal.html> Basically,", "supports a massive software product, over 30 modules. These modules are individually licensed,", "via a dedicated website. However, given the complexity of the product, this poses", "documentation centres. Does anybody maintain, or maintained in the past, a documentation solution", "looking to move everything to HTML/XML based output. My manager would like us", "issues, most pressingly, it makes finding specific information hard. The site has a", "Also, this makes linking to other topics in a different PDF, almost impossible.", "the possible options, with links to module/product specific documentation centres. Does anybody maintain,", "software product that does not use this method? Is there an alternative that", "you click through a link, you just get taken to the first page", "modules. Currently, most of our documentation is delivered via PDF and can be", "the complexity of the product, this poses many issues, most pressingly, it makes", "a search functionality which does search within PDFs, but if you click through", "poses many issues, most pressingly, it makes finding specific information hard. The site", "options, with links to module/product specific documentation centres. Does anybody maintain, or maintained", "to other topics in a different PDF, almost impossible. So, we're looking to", "standard layout, like these: <http://admhelp.saas.hpe.com/main/Content/AdmHelpCenter.htm> <http://qsupport.quantum.com/kb/flare/Content/doc_portal/Content/docs-portal/docs_portal.html> Basically, a landing page that lists out", "all the possible options, with links to module/product specific documentation centres. Does anybody", "use this method? Is there an alternative that I'm missing? Any suggestions, much", "you just get taken to the first page of the PDF. Also, this", "for all the modules where another might only pay to use a few", "30 modules. These modules are individually licensed, so one customer might pay for", "a dedicated website. However, given the complexity of the product, this poses many", "delivered via PDF and can be accessed via a dedicated website. However, given", "complexity of the product, this poses many issues, most pressingly, it makes finding", "link, you just get taken to the first page of the PDF. Also,", "The site has a search functionality which does search within PDFs, but if", "a few different options to get their feedback on which they like best.", "site has a search functionality which does search within PDFs, but if you", "of the PDF. Also, this makes linking to other topics in a different", "through a link, you just get taken to the first page of the", "the product, this poses many issues, most pressingly, it makes finding specific information", "give the customers a few different options to get their feedback on which", "layout, like these: <http://admhelp.saas.hpe.com/main/Content/AdmHelpCenter.htm> <http://qsupport.quantum.com/kb/flare/Content/doc_portal/Content/docs-portal/docs_portal.html> Basically, a landing page that lists out all", "this method? Is there an alternative that I'm missing? Any suggestions, much appreciated.", "makes linking to other topics in a different PDF, almost impossible. So, we're", "page of the PDF. Also, this makes linking to other topics in a", "of our documentation is delivered via PDF and can be accessed via a", "they like best. However, it seems that for large products with many modules,", "with links to module/product specific documentation centres. Does anybody maintain, or maintained in", "almost impossible. So, we're looking to move everything to HTML/XML based output. My", "products with many modules, it seems to me that there is a fairly", "one customer might pay for all the modules where another might only pay", "does search within PDFs, but if you click through a link, you just", "not use this method? Is there an alternative that I'm missing? Any suggestions,", "large software product that does not use this method? Is there an alternative", "customer might pay for all the modules where another might only pay to", "past, a documentation solution for a large software product that does not use", "website. However, given the complexity of the product, this poses many issues, most" ]
[ "I must limit the number of words. Please can anyone advise? Many thanks.", "just completed my first manuscript for a children's book. It is a long", "a children's book. It is a long traditional bedtime story to be read", "several days or weeks even! I don't really understand why I must limit", "over several days or weeks even! I don't really understand why I must", "weeks even! I don't really understand why I must limit the number of", "long traditional bedtime story to be read over several days or weeks even!", "read over several days or weeks even! I don't really understand why I", "story to be read over several days or weeks even! I don't really", "manuscript for a children's book. It is a long traditional bedtime story to", "my first manuscript for a children's book. It is a long traditional bedtime", "days or weeks even! I don't really understand why I must limit the", "completed my first manuscript for a children's book. It is a long traditional", "children's book. It is a long traditional bedtime story to be read over", "be read over several days or weeks even! I don't really understand why", "is a long traditional bedtime story to be read over several days or", "to be read over several days or weeks even! I don't really understand", "traditional bedtime story to be read over several days or weeks even! I", "for a children's book. It is a long traditional bedtime story to be", "a long traditional bedtime story to be read over several days or weeks", "first manuscript for a children's book. It is a long traditional bedtime story", "or weeks even! I don't really understand why I must limit the number", "I have just completed my first manuscript for a children's book. It is", "bedtime story to be read over several days or weeks even! I don't", "why I must limit the number of words. Please can anyone advise? Many", "really understand why I must limit the number of words. Please can anyone", "I don't really understand why I must limit the number of words. Please", "book. It is a long traditional bedtime story to be read over several", "don't really understand why I must limit the number of words. Please can", "have just completed my first manuscript for a children's book. It is a", "It is a long traditional bedtime story to be read over several days", "even! I don't really understand why I must limit the number of words.", "understand why I must limit the number of words. Please can anyone advise?" ]
[ "sure there is no definitive answer and the question seems to be very", "is important or else the characters get too overpowered or the situation could", "involving defenders of low-fantasy fans and high-fantasy fans. Brandon Sanderson also has a", "get too overpowered or the situation could be solved easily using magic, etc", "What I want know is: why should I do magic more realistic? Or", "fans and high-fantasy fans. Brandon Sanderson also has a topic on his [website](https://brandonsanderson.com/sandersons-first-law/)", "Chronicles realistic magic system. But I can't stop wondering... \"Why do people like", "should I do magic more realistic? Or why I should not? I think", "limits based on range and mental strength too. I know that balancing magic", "suitable for opinion-based answers involving defenders of low-fantasy fans and high-fantasy fans. Brandon", "to be very vague. But it still would be good to see what", "answer and the question seems to be very vague. But it still would", "too. When she uses her powers, she gets tired and has some limits", "seems to be very vague. But it still would be good to see", "I should not? I think this topic is more suitable for opinion-based answers", "and the question seems to be very vague. But it still would be", "I'm sure there is no definitive answer and the question seems to be", "definitive answer and the question seems to be very vague. But it still", "Eleven too. When she uses her powers, she gets tired and has some", "know more. I'm sure there is no definitive answer and the question seems", "important or else the characters get too overpowered or the situation could be", "topic on his [website](https://brandonsanderson.com/sandersons-first-law/) explaining about magic systems if you guys want know", "and high-fantasy fans. Brandon Sanderson also has a topic on his [website](https://brandonsanderson.com/sandersons-first-law/) explaining", "some limits based on range and mental strength too. I know that balancing", "it still would be good to see what you guys think about this.", "uses her powers, she gets tired and has some limits based on range", "want know is: why should I do magic more realistic? Or why I", "powers, she gets tired and has some limits based on range and mental", "situation could be solved easily using magic, etc and etc... What I want", "balancing magic powers is important or else the characters get too overpowered or", "too. I know that balancing magic powers is important or else the characters", "opinion-based answers involving defenders of low-fantasy fans and high-fantasy fans. Brandon Sanderson also", "and mental strength too. I know that balancing magic powers is important or", "good critics about Kingskiller Chronicles realistic magic system. But I can't stop wondering...", "gets tired and has some limits based on range and mental strength too.", "that balancing magic powers is important or else the characters get too overpowered", "\"Why do people like it? Is it because it's more human and more", "of low-fantasy fans and high-fantasy fans. Brandon Sanderson also has a topic on", "is no definitive answer and the question seems to be very vague. But", "range and mental strength too. I know that balancing magic powers is important", "it's more human and more close to reality?\" Stranger Things has some realism", "the characters get too overpowered or the situation could be solved easily using", "too overpowered or the situation could be solved easily using magic, etc and", "to reality?\" Stranger Things has some realism with Eleven too. When she uses", "with Eleven too. When she uses her powers, she gets tired and has", "because it's more human and more close to reality?\" Stranger Things has some", "see good critics about Kingskiller Chronicles realistic magic system. But I can't stop", "she uses her powers, she gets tired and has some limits based on", "a topic on his [website](https://brandonsanderson.com/sandersons-first-law/) explaining about magic systems if you guys want", "I do magic more realistic? Or why I should not? I think this", "close to reality?\" Stranger Things has some realism with Eleven too. When she", "has some limits based on range and mental strength too. I know that", "more suitable for opinion-based answers involving defenders of low-fantasy fans and high-fantasy fans.", "explaining about magic systems if you guys want know more. I'm sure there", "based on range and mental strength too. I know that balancing magic powers", "etc... What I want know is: why should I do magic more realistic?", "more human and more close to reality?\" Stranger Things has some realism with", "defenders of low-fantasy fans and high-fantasy fans. Brandon Sanderson also has a topic", "magic system. But I can't stop wondering... \"Why do people like it? Is", "if you guys want know more. I'm sure there is no definitive answer", "I always see good critics about Kingskiller Chronicles realistic magic system. But I", "realistic? Or why I should not? I think this topic is more suitable", "more close to reality?\" Stranger Things has some realism with Eleven too. When", "no definitive answer and the question seems to be very vague. But it", "also has a topic on his [website](https://brandonsanderson.com/sandersons-first-law/) explaining about magic systems if you", "I can't stop wondering... \"Why do people like it? Is it because it's", "Is it because it's more human and more close to reality?\" Stranger Things", "has some realism with Eleven too. When she uses her powers, she gets", "is: why should I do magic more realistic? Or why I should not?", "this topic is more suitable for opinion-based answers involving defenders of low-fantasy fans", "fans. Brandon Sanderson also has a topic on his [website](https://brandonsanderson.com/sandersons-first-law/) explaining about magic", "about magic systems if you guys want know more. I'm sure there is", "Stranger Things has some realism with Eleven too. When she uses her powers,", "people like it? Is it because it's more human and more close to", "about Kingskiller Chronicles realistic magic system. But I can't stop wondering... \"Why do", "it? Is it because it's more human and more close to reality?\" Stranger", "magic more realistic? Or why I should not? I think this topic is", "Sanderson also has a topic on his [website](https://brandonsanderson.com/sandersons-first-law/) explaining about magic systems if", "critics about Kingskiller Chronicles realistic magic system. But I can't stop wondering... \"Why", "system. But I can't stop wondering... \"Why do people like it? Is it", "characters get too overpowered or the situation could be solved easily using magic,", "or else the characters get too overpowered or the situation could be solved", "strength too. I know that balancing magic powers is important or else the", "high-fantasy fans. Brandon Sanderson also has a topic on his [website](https://brandonsanderson.com/sandersons-first-law/) explaining about", "is more suitable for opinion-based answers involving defenders of low-fantasy fans and high-fantasy", "overpowered or the situation could be solved easily using magic, etc and etc...", "When she uses her powers, she gets tired and has some limits based", "and etc... What I want know is: why should I do magic more", "question seems to be very vague. But it still would be good to", "do magic more realistic? Or why I should not? I think this topic", "I think this topic is more suitable for opinion-based answers involving defenders of", "etc and etc... What I want know is: why should I do magic", "can't stop wondering... \"Why do people like it? Is it because it's more", "guys want know more. I'm sure there is no definitive answer and the", "But it still would be good to see what you guys think about", "low-fantasy fans and high-fantasy fans. Brandon Sanderson also has a topic on his", "using magic, etc and etc... What I want know is: why should I", "systems if you guys want know more. I'm sure there is no definitive", "vague. But it still would be good to see what you guys think", "for opinion-based answers involving defenders of low-fantasy fans and high-fantasy fans. Brandon Sanderson", "magic systems if you guys want know more. I'm sure there is no", "be very vague. But it still would be good to see what you", "more. I'm sure there is no definitive answer and the question seems to", "powers is important or else the characters get too overpowered or the situation", "reality?\" Stranger Things has some realism with Eleven too. When she uses her", "very vague. But it still would be good to see what you guys", "there is no definitive answer and the question seems to be very vague.", "it because it's more human and more close to reality?\" Stranger Things has", "else the characters get too overpowered or the situation could be solved easily", "the question seems to be very vague. But it still would be good", "his [website](https://brandonsanderson.com/sandersons-first-law/) explaining about magic systems if you guys want know more. I'm", "on his [website](https://brandonsanderson.com/sandersons-first-law/) explaining about magic systems if you guys want know more.", "realistic magic system. But I can't stop wondering... \"Why do people like it?", "solved easily using magic, etc and etc... What I want know is: why", "why I should not? I think this topic is more suitable for opinion-based", "Or why I should not? I think this topic is more suitable for", "could be solved easily using magic, etc and etc... What I want know", "has a topic on his [website](https://brandonsanderson.com/sandersons-first-law/) explaining about magic systems if you guys", "not? I think this topic is more suitable for opinion-based answers involving defenders", "and more close to reality?\" Stranger Things has some realism with Eleven too.", "the situation could be solved easily using magic, etc and etc... What I", "more realistic? Or why I should not? I think this topic is more", "answers involving defenders of low-fantasy fans and high-fantasy fans. Brandon Sanderson also has", "why should I do magic more realistic? Or why I should not? I", "like it? Is it because it's more human and more close to reality?\"", "always see good critics about Kingskiller Chronicles realistic magic system. But I can't", "Kingskiller Chronicles realistic magic system. But I can't stop wondering... \"Why do people", "[website](https://brandonsanderson.com/sandersons-first-law/) explaining about magic systems if you guys want know more. I'm sure", "she gets tired and has some limits based on range and mental strength", "magic, etc and etc... What I want know is: why should I do", "easily using magic, etc and etc... What I want know is: why should", "Things has some realism with Eleven too. When she uses her powers, she", "realism with Eleven too. When she uses her powers, she gets tired and", "want know more. I'm sure there is no definitive answer and the question", "or the situation could be solved easily using magic, etc and etc... What", "topic is more suitable for opinion-based answers involving defenders of low-fantasy fans and", "her powers, she gets tired and has some limits based on range and", "some realism with Eleven too. When she uses her powers, she gets tired", "stop wondering... \"Why do people like it? Is it because it's more human", "think this topic is more suitable for opinion-based answers involving defenders of low-fantasy", "on range and mental strength too. I know that balancing magic powers is", "do people like it? Is it because it's more human and more close", "should not? I think this topic is more suitable for opinion-based answers involving", "But I can't stop wondering... \"Why do people like it? Is it because", "human and more close to reality?\" Stranger Things has some realism with Eleven", "know is: why should I do magic more realistic? Or why I should", "magic powers is important or else the characters get too overpowered or the", "Brandon Sanderson also has a topic on his [website](https://brandonsanderson.com/sandersons-first-law/) explaining about magic systems", "mental strength too. I know that balancing magic powers is important or else", "and has some limits based on range and mental strength too. I know", "be solved easily using magic, etc and etc... What I want know is:", "I want know is: why should I do magic more realistic? Or why", "wondering... \"Why do people like it? Is it because it's more human and", "know that balancing magic powers is important or else the characters get too", "tired and has some limits based on range and mental strength too. I", "I know that balancing magic powers is important or else the characters get", "you guys want know more. I'm sure there is no definitive answer and" ]
[ "the Chandrian from the Kingskiller chronicles is a force of nature antagonist. I", "simplified than this: What makes a personified force of nature? This question may", "simple and that the answers might be huge, but this is a topic", "said that the Chandrian from the Kingskiller chronicles is a force of nature", "SE and I dont know if my question is good or clear enough.", "term before. I often see critics talking about it in some Studio Ghibli's", "the question sounds simple and that the answers might be huge, but this", "got these few examples which I dont know if they are pure opinion-based", "should he/she be to be considered \"a force of nature\"? I know that", "question sounds simple and that the answers might be huge, but this is", "your feedback in the comments if you guys need anything from my question.", "topic I would like to see being answered with different visions. I think", "for Old Men is a force of nature antagonist. It is said that", "often see critics talking about it in some Studio Ghibli's movies where the", "nature. It is also said that the Chandrian from the Kingskiller chronicles is", "from Isaac Asimov's stories are forces of nature. It is also said that", "answered with different visions. I think that the core of the question is", "examples which I dont know if they are pure opinion-based visions or not.", "more specific and have some good answers for it too. PS: I'm new", "I'm new to SE and I dont know if my question is good", "to SE and I dont know if my question is good or clear", "but this is a topic I would like to see being answered with", "incite imagination in your answer: He/she should be antagonist all the time or", "that the question sounds simple and that the answers might be huge, but", "question to be more specific and have some good answers for it too.", "is also said that the Chandrian from the Kingskiller chronicles is a force", "visions or not. My question cannot be more simplified than this: What makes", "I also see stories where people say that the force of nature is", "have some good answers for it too. PS: I'm new to SE and", "opinion-based visions or not. My question cannot be more simplified than this: What", "and I dont know if my question is good or clear enough. I", "to be considered \"a force of nature\"? I know that the question sounds", "and have some good answers for it too. PS: I'm new to SE", "This question may involve these ones to incite imagination in your answer: He/she", "the way he acts? How powerful should he/she be to be considered \"a", "antagonist all the time or not? What kind of person he/she would be?", "it in some Studio Ghibli's movies where the reviewers say that the antagonist", "Chandrian from the Kingskiller chronicles is a force of nature antagonist. I got", "he/she would be? Why he/she would act the way he acts? How powerful", "It makes the question to be more specific and have some good answers", "is said that Chigur from No Country for Old Men is a force", "force of nature itself. But I also see stories where people say that", "Ghibli's movies where the reviewers say that the antagonist is the force of", "chronicles is a force of nature antagonist. I got these few examples which", "makes a personified force of nature? This question may involve these ones to", "answer: He/she should be antagonist all the time or not? What kind of", "I dont know if my question is good or clear enough. I shall", "know if my question is good or clear enough. I shall be reading", "be more simplified than this: What makes a personified force of nature? This", "Why he/she would act the way he acts? How powerful should he/she be", "huge, but this is a topic I would like to see being answered", "You guys may have heard this term before. I often see critics talking", "of nature is personified. It is said that Chigur from No Country for", "would act the way he acts? How powerful should he/she be to be", "I often see critics talking about it in some Studio Ghibli's movies where", "antagonist robots from Isaac Asimov's stories are forces of nature. It is also", "of person he/she would be? Why he/she would act the way he acts?", "is a force of nature antagonist. It is said that some antagonist robots", "not? What kind of person he/she would be? Why he/she would act the", "with different visions. I think that the core of the question is in", "in your answer: He/she should be antagonist all the time or not? What", "personified force of nature? This question may involve these ones to incite imagination", "specific and have some good answers for it too. PS: I'm new to", "if my question is good or clear enough. I shall be reading your", "this: What makes a personified force of nature? This question may involve these", "the word \"MAKES.\" It makes the question to be more specific and have", "or clear enough. I shall be reading your feedback in the comments if", "he/she be to be considered \"a force of nature\"? I know that the", "is said that some antagonist robots from Isaac Asimov's stories are forces of", "the force of nature itself. But I also see stories where people say", "time or not? What kind of person he/she would be? Why he/she would", "a personified force of nature? This question may involve these ones to incite", "kind of person he/she would be? Why he/she would act the way he", "dont know if they are pure opinion-based visions or not. My question cannot", "question may involve these ones to incite imagination in your answer: He/she should", "reading your feedback in the comments if you guys need anything from my", "be huge, but this is a topic I would like to see being", "be antagonist all the time or not? What kind of person he/she would", "guys may have heard this term before. I often see critics talking about", "is personified. It is said that Chigur from No Country for Old Men", "is a force of nature antagonist. I got these few examples which I", "a topic I would like to see being answered with different visions. I", "the antagonist is the force of nature itself. But I also see stories", "answers might be huge, but this is a topic I would like to", "that the answers might be huge, but this is a topic I would", "ones to incite imagination in your answer: He/she should be antagonist all the", "nature itself. But I also see stories where people say that the force", "for it too. PS: I'm new to SE and I dont know if", "also said that the Chandrian from the Kingskiller chronicles is a force of", "antagonist is the force of nature itself. But I also see stories where", "the force of nature is personified. It is said that Chigur from No", "might be huge, but this is a topic I would like to see", "the core of the question is in the word \"MAKES.\" It makes the", "be reading your feedback in the comments if you guys need anything from", "But I also see stories where people say that the force of nature", "talking about it in some Studio Ghibli's movies where the reviewers say that", "say that the antagonist is the force of nature itself. But I also", "people say that the force of nature is personified. It is said that", "nature? This question may involve these ones to incite imagination in your answer:", "force of nature\"? I know that the question sounds simple and that the", "\"MAKES.\" It makes the question to be more specific and have some good", "a force of nature antagonist. It is said that some antagonist robots from", "What makes a personified force of nature? This question may involve these ones", "involve these ones to incite imagination in your answer: He/she should be antagonist", "nature antagonist. I got these few examples which I dont know if they", "that the Chandrian from the Kingskiller chronicles is a force of nature antagonist.", "force of nature? This question may involve these ones to incite imagination in", "from the Kingskiller chronicles is a force of nature antagonist. I got these", "too. PS: I'm new to SE and I dont know if my question", "be considered \"a force of nature\"? I know that the question sounds simple", "clear enough. I shall be reading your feedback in the comments if you", "is in the word \"MAKES.\" It makes the question to be more specific", "than this: What makes a personified force of nature? This question may involve", "dont know if my question is good or clear enough. I shall be", "the answers might be huge, but this is a topic I would like", "that some antagonist robots from Isaac Asimov's stories are forces of nature. It", "antagonist. It is said that some antagonist robots from Isaac Asimov's stories are", "I would like to see being answered with different visions. I think that", "say that the force of nature is personified. It is said that Chigur", "see stories where people say that the force of nature is personified. It", "forces of nature. It is also said that the Chandrian from the Kingskiller", "or not? What kind of person he/she would be? Why he/she would act", "powerful should he/she be to be considered \"a force of nature\"? I know", "considered \"a force of nature\"? I know that the question sounds simple and", "visions. I think that the core of the question is in the word", "also see stories where people say that the force of nature is personified.", "PS: I'm new to SE and I dont know if my question is", "are forces of nature. It is also said that the Chandrian from the", "of nature antagonist. It is said that some antagonist robots from Isaac Asimov's", "pure opinion-based visions or not. My question cannot be more simplified than this:", "What kind of person he/she would be? Why he/she would act the way", "in the word \"MAKES.\" It makes the question to be more specific and", "question is in the word \"MAKES.\" It makes the question to be more", "where the reviewers say that the antagonist is the force of nature itself.", "way he acts? How powerful should he/she be to be considered \"a force", "the reviewers say that the antagonist is the force of nature itself. But", "How powerful should he/she be to be considered \"a force of nature\"? I", "this is a topic I would like to see being answered with different", "the question is in the word \"MAKES.\" It makes the question to be", "is good or clear enough. I shall be reading your feedback in the", "good or clear enough. I shall be reading your feedback in the comments", "cannot be more simplified than this: What makes a personified force of nature?", "person he/she would be? Why he/she would act the way he acts? How", "see critics talking about it in some Studio Ghibli's movies where the reviewers", "some good answers for it too. PS: I'm new to SE and I", "question is good or clear enough. I shall be reading your feedback in", "of nature. It is also said that the Chandrian from the Kingskiller chronicles", "nature antagonist. It is said that some antagonist robots from Isaac Asimov's stories", "force of nature is personified. It is said that Chigur from No Country", "shall be reading your feedback in the comments if you guys need anything", "It is also said that the Chandrian from the Kingskiller chronicles is a", "He/she should be antagonist all the time or not? What kind of person", "the time or not? What kind of person he/she would be? Why he/she", "the question to be more specific and have some good answers for it", "Country for Old Men is a force of nature antagonist. It is said", "imagination in your answer: He/she should be antagonist all the time or not?", "core of the question is in the word \"MAKES.\" It makes the question", "know that the question sounds simple and that the answers might be huge,", "different visions. I think that the core of the question is in the", "of nature itself. But I also see stories where people say that the", "the Kingskiller chronicles is a force of nature antagonist. I got these few", "\"a force of nature\"? I know that the question sounds simple and that", "to be more specific and have some good answers for it too. PS:", "force of nature antagonist. I got these few examples which I dont know", "your answer: He/she should be antagonist all the time or not? What kind", "said that Chigur from No Country for Old Men is a force of", "Asimov's stories are forces of nature. It is also said that the Chandrian", "be? Why he/she would act the way he acts? How powerful should he/she", "my question is good or clear enough. I shall be reading your feedback", "that Chigur from No Country for Old Men is a force of nature", "heard this term before. I often see critics talking about it in some", "itself. But I also see stories where people say that the force of", "personified. It is said that Chigur from No Country for Old Men is", "some antagonist robots from Isaac Asimov's stories are forces of nature. It is", "all the time or not? What kind of person he/she would be? Why", "makes the question to be more specific and have some good answers for", "it too. PS: I'm new to SE and I dont know if my", "acts? How powerful should he/she be to be considered \"a force of nature\"?", "enough. I shall be reading your feedback in the comments if you guys", "know if they are pure opinion-based visions or not. My question cannot be", "good answers for it too. PS: I'm new to SE and I dont", "said that some antagonist robots from Isaac Asimov's stories are forces of nature.", "act the way he acts? How powerful should he/she be to be considered", "some Studio Ghibli's movies where the reviewers say that the antagonist is the", "be to be considered \"a force of nature\"? I know that the question", "have heard this term before. I often see critics talking about it in", "Isaac Asimov's stories are forces of nature. It is also said that the", "he/she would act the way he acts? How powerful should he/she be to", "Studio Ghibli's movies where the reviewers say that the antagonist is the force", "see being answered with different visions. I think that the core of the", "It is said that Chigur from No Country for Old Men is a", "question cannot be more simplified than this: What makes a personified force of", "I shall be reading your feedback in the comments if you guys need", "is the force of nature itself. But I also see stories where people", "about it in some Studio Ghibli's movies where the reviewers say that the", "which I dont know if they are pure opinion-based visions or not. My", "force of nature antagonist. It is said that some antagonist robots from Isaac", "robots from Isaac Asimov's stories are forces of nature. It is also said", "movies where the reviewers say that the antagonist is the force of nature", "I think that the core of the question is in the word \"MAKES.\"", "of nature antagonist. I got these few examples which I dont know if", "or not. My question cannot be more simplified than this: What makes a", "is a topic I would like to see being answered with different visions.", "stories are forces of nature. It is also said that the Chandrian from", "he acts? How powerful should he/she be to be considered \"a force of", "should be antagonist all the time or not? What kind of person he/she", "like to see being answered with different visions. I think that the core", "to see being answered with different visions. I think that the core of", "that the antagonist is the force of nature itself. But I also see", "I got these few examples which I dont know if they are pure", "not. My question cannot be more simplified than this: What makes a personified", "from No Country for Old Men is a force of nature antagonist. It", "may have heard this term before. I often see critics talking about it", "word \"MAKES.\" It makes the question to be more specific and have some", "if they are pure opinion-based visions or not. My question cannot be more", "antagonist. I got these few examples which I dont know if they are", "of the question is in the word \"MAKES.\" It makes the question to", "that the core of the question is in the word \"MAKES.\" It makes", "would like to see being answered with different visions. I think that the", "answers for it too. PS: I'm new to SE and I dont know", "No Country for Old Men is a force of nature antagonist. It is", "they are pure opinion-based visions or not. My question cannot be more simplified", "nature\"? I know that the question sounds simple and that the answers might", "and that the answers might be huge, but this is a topic I", "My question cannot be more simplified than this: What makes a personified force", "It is said that some antagonist robots from Isaac Asimov's stories are forces", "Chigur from No Country for Old Men is a force of nature antagonist.", "Men is a force of nature antagonist. It is said that some antagonist", "of nature? This question may involve these ones to incite imagination in your", "in some Studio Ghibli's movies where the reviewers say that the antagonist is", "a force of nature antagonist. I got these few examples which I dont", "Old Men is a force of nature antagonist. It is said that some", "more simplified than this: What makes a personified force of nature? This question", "Kingskiller chronicles is a force of nature antagonist. I got these few examples", "be more specific and have some good answers for it too. PS: I'm", "are pure opinion-based visions or not. My question cannot be more simplified than", "that the force of nature is personified. It is said that Chigur from", "before. I often see critics talking about it in some Studio Ghibli's movies", "think that the core of the question is in the word \"MAKES.\" It", "would be? Why he/she would act the way he acts? How powerful should", "nature is personified. It is said that Chigur from No Country for Old", "stories where people say that the force of nature is personified. It is", "I dont know if they are pure opinion-based visions or not. My question", "reviewers say that the antagonist is the force of nature itself. But I", "these ones to incite imagination in your answer: He/she should be antagonist all", "new to SE and I dont know if my question is good or", "may involve these ones to incite imagination in your answer: He/she should be", "being answered with different visions. I think that the core of the question", "few examples which I dont know if they are pure opinion-based visions or", "this term before. I often see critics talking about it in some Studio", "of nature\"? I know that the question sounds simple and that the answers", "these few examples which I dont know if they are pure opinion-based visions", "critics talking about it in some Studio Ghibli's movies where the reviewers say", "sounds simple and that the answers might be huge, but this is a", "I know that the question sounds simple and that the answers might be", "to incite imagination in your answer: He/she should be antagonist all the time", "where people say that the force of nature is personified. It is said" ]
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[ "only if those peppers are that one particular genetic strain, and only if", "find any way to do this that doesn't seem really jarring, unrealistic, nor", "anywhere and use them to make a hot sauce. But only if those", "can be used to add a pleasant flavor to tea, and also added", "want to provide that info to my readers, but while writing in third", "medicinal tea and the potent potable, and they know about the existence of", "flavor that no other hot sauce can replicate. In my fictional world, this", "or the weather or whatever, that gives those peppers their unique blend of", "and only if they are grown on Avery Island in the Gulf of", "so. Finally, sea birds in the area go out and eat a unique", "islands. They do not know any of the rest. I believe it help", "An ocean current brings a stable climate, regular rains, and steady supply of", "of the rest. I believe it help my readers understand the magnitude of", "writing in third person limited, I'm not sure how. I think a generic", "as why it is important. I want to provide that info to my", "the sauce made from those peppers carry the name Tabasco. There is something", "day, coming back at night to (um, er) fertilize the special vegetables. ---", "rest. I believe it help my readers understand the magnitude of the quest", "a equatorial zone. An ocean current brings a stable climate, regular rains, and", "unique blend of heat and flavor that no other hot sauce can replicate.", "is something about the soil or the weather or whatever, that gives those", "the magnitude of the quest if they knew the details. I can't write", "the weather or whatever, that gives those peppers their unique blend of heat", "my particular case. --- To draw a parallel to something in the real", "those peppers are that one particular genetic strain, and only if they are", "real world, consider Tabasco brand sauce. Now, almost anyone can cultivate peppers almost", "pleasant flavor to tea, and also added during fermentation to make a nice", "it help my readers understand the magnitude of the quest if they knew", "the rest. I believe it help my readers understand the magnitude of the", "magnitude of the quest if they knew the details. I can't write a", "provide that info to my readers, but while writing in third person limited,", "a unique blend of fish during the day, coming back at night to", "heat and flavor that no other hot sauce can replicate. In my fictional", "and steady supply of nutrients. A unique crab lives there, and its burrowing", "sudden paragraph of omniscient narrator, then jump back to a character's point of", "it adds an extra kick the regular version just can't replicate. Because I", "about the medicinal tea and the potent potable, and they know about the", "my readers understand the magnitude of the quest if they knew the details.", "can the sauce made from those peppers carry the name Tabasco. There is", "the details as why it is important. I want to provide that info", "islands are of volcanic origin, and located within a equatorial zone. An ocean", "But if you use \"special\" vegetable, that tea can treat a disease, and", "of four characters that are called upon a classic macguffin hunt. The characters", "also added during fermentation to make a nice liquour. But if you use", "fish during the day, coming back at night to (um, er) fertilize the", "to make a hot sauce. But only if those peppers are that one", "Tabasco. There is something about the soil or the weather or whatever, that", "a pleasant flavor to tea, and also added during fermentation to make a", "back at night to (um, er) fertilize the special vegetables. --- The characters", "paragraph of omniscient narrator, then jump back to a character's point of view.", "I can't find any way to do this that doesn't seem really jarring,", "regular version just can't replicate. Because I am the author, I know that", "to do this that doesn't seem really jarring, unrealistic, nor break the flow", "anyone. It can be used to add a pleasant flavor to tea, and", "vegetable, that tea can treat a disease, and when special vegetable is used", "liquour. But if you use \"special\" vegetable, that tea can treat a disease,", "when special vegetable is used in the cool quaff, it adds an extra", "existence of these islands. They do not know any of the rest. I", "know any of the rest. I believe it help my readers understand the", "but read on for my particular case. --- To draw a parallel to", "flavor to tea, and also added during fermentation to make a nice liquour.", "To draw a parallel to something in the real world, consider Tabasco brand", "keeps the soil turned over just so. Finally, sea birds in the area", "coast of Louisiana, can the sauce made from those peppers carry the name", "current brings a stable climate, regular rains, and steady supply of nutrients. A", "birds in the area go out and eat a unique blend of fish", "strain, and only if they are grown on Avery Island in the Gulf", "of nutrients. A unique crab lives there, and its burrowing keeps the soil", "fertilize the special vegetables. --- The characters know about the medicinal tea and", "of the quest if they knew the details. I can't write a dialog", "person limited, I'm not sure how. I think a generic answer would be", "a generic answer would be better to help others, but read on for", "to tea, and also added during fermentation to make a nice liquour. But", "to help others, but read on for my particular case. --- To draw", "they know about the existence of these islands. They do not know any", "genetic strain, and only if they are grown on Avery Island in the", "area go out and eat a unique blend of fish during the day,", "off the coast of Louisiana, can the sauce made from those peppers carry", "this certain vegetable can also be grown almost anywhere by almost anyone. It", "are that one particular genetic strain, and only if they are grown on", "other hot sauce can replicate. In my fictional world, this certain vegetable can", "can also be grown almost anywhere by almost anyone. It can be used", "are grown on Avery Island in the Gulf of Mexico off the coast", "in the real world, consider Tabasco brand sauce. Now, almost anyone can cultivate", "important, but they do not know all the details as why it is", "do not know all the details as why it is important. I want", "they are grown on Avery Island in the Gulf of Mexico off the", "supply of nutrients. A unique crab lives there, and its burrowing keeps the", "upon a classic macguffin hunt. The characters know that the macguffin is important,", "better to help others, but read on for my particular case. --- To", "crab lives there, and its burrowing keeps the soil turned over just so.", "kick the regular version just can't replicate. Because I am the author, I", "of islands. These islands are of volcanic origin, and located within a equatorial", "is important. I want to provide that info to my readers, but while", "am the author, I know that this is because special vegetable grows on", "of Mexico off the coast of Louisiana, can the sauce made from those", "generic answer would be better to help others, but read on for my", "that the macguffin is important, but they do not know all the details", "then jump back to a character's point of view. I can't find any", "of Louisiana, can the sauce made from those peppers carry the name Tabasco.", "use \"special\" vegetable, that tea can treat a disease, and when special vegetable", "explains to another, nor do I want to break in with a sudden", "this is because special vegetable grows on a particular cluster of islands. These", "if they are grown on Avery Island in the Gulf of Mexico off", "sauce made from those peppers carry the name Tabasco. There is something about", "A unique crab lives there, and its burrowing keeps the soil turned over", "almost anywhere and use them to make a hot sauce. But only if", "at night to (um, er) fertilize the special vegetables. --- The characters know", "the quest if they knew the details. I can't write a dialog where", "about the existence of these islands. They do not know any of the", "about the soil or the weather or whatever, that gives those peppers their", "details. I can't write a dialog where one character explains to another, nor", "view. I can't find any way to do this that doesn't seem really", "stable climate, regular rains, and steady supply of nutrients. A unique crab lives", "be used to add a pleasant flavor to tea, and also added during", "add a pleasant flavor to tea, and also added during fermentation to make", "third person limited, I'm not sure how. I think a generic answer would", "I want to break in with a sudden paragraph of omniscient narrator, then", "of view. I can't find any way to do this that doesn't seem", "that tea can treat a disease, and when special vegetable is used in", "almost anyone can cultivate peppers almost anywhere and use them to make a", "weather or whatever, that gives those peppers their unique blend of heat and", "not sure how. I think a generic answer would be better to help", "or whatever, that gives those peppers their unique blend of heat and flavor", "dialog where one character explains to another, nor do I want to break", "the soil or the weather or whatever, that gives those peppers their unique", "answer would be better to help others, but read on for my particular", "know all the details as why it is important. I want to provide", "Finally, sea birds in the area go out and eat a unique blend", "the existence of these islands. They do not know any of the rest.", "cluster of islands. These islands are of volcanic origin, and located within a", "particular cluster of islands. These islands are of volcanic origin, and located within", "character's point of view. I can't find any way to do this that", "lives there, and its burrowing keeps the soil turned over just so. Finally,", "Now, almost anyone can cultivate peppers almost anywhere and use them to make", "group of four characters that are called upon a classic macguffin hunt. The", "peppers almost anywhere and use them to make a hot sauce. But only", "any way to do this that doesn't seem really jarring, unrealistic, nor break", "The characters know about the medicinal tea and the potent potable, and they", "want to break in with a sudden paragraph of omniscient narrator, then jump", "added during fermentation to make a nice liquour. But if you use \"special\"", "In my story, there is a group of four characters that are called", "case. --- To draw a parallel to something in the real world, consider", "that gives those peppers their unique blend of heat and flavor that no", "knew the details. I can't write a dialog where one character explains to", "and located within a equatorial zone. An ocean current brings a stable climate,", "brings a stable climate, regular rains, and steady supply of nutrients. A unique", "because special vegetable grows on a particular cluster of islands. These islands are", "name Tabasco. There is something about the soil or the weather or whatever,", "can't write a dialog where one character explains to another, nor do I", "in third person limited, I'm not sure how. I think a generic answer", "characters know about the medicinal tea and the potent potable, and they know", "another, nor do I want to break in with a sudden paragraph of", "this that doesn't seem really jarring, unrealistic, nor break the flow of the", "peppers carry the name Tabasco. There is something about the soil or the", "used in the cool quaff, it adds an extra kick the regular version", "the cool quaff, it adds an extra kick the regular version just can't", "sauce. But only if those peppers are that one particular genetic strain, and", "back to a character's point of view. I can't find any way to", "others, but read on for my particular case. --- To draw a parallel", "is because special vegetable grows on a particular cluster of islands. These islands", "sauce can replicate. In my fictional world, this certain vegetable can also be", "readers, but while writing in third person limited, I'm not sure how. I", "narrator, then jump back to a character's point of view. I can't find", "story, there is a group of four characters that are called upon a", "that doesn't seem really jarring, unrealistic, nor break the flow of the story.", "that are called upon a classic macguffin hunt. The characters know that the", "I am the author, I know that this is because special vegetable grows", "the real world, consider Tabasco brand sauce. Now, almost anyone can cultivate peppers", "tea can treat a disease, and when special vegetable is used in the", "located within a equatorial zone. An ocean current brings a stable climate, regular", "jump back to a character's point of view. I can't find any way", "think a generic answer would be better to help others, but read on", "These islands are of volcanic origin, and located within a equatorial zone. An", "rains, and steady supply of nutrients. A unique crab lives there, and its", "the macguffin is important, but they do not know all the details as", "tea and the potent potable, and they know about the existence of these", "grown on Avery Island in the Gulf of Mexico off the coast of", "whatever, that gives those peppers their unique blend of heat and flavor that", "and also added during fermentation to make a nice liquour. But if you", "believe it help my readers understand the magnitude of the quest if they", "be better to help others, but read on for my particular case. ---", "to a character's point of view. I can't find any way to do", "not know any of the rest. I believe it help my readers understand", "certain vegetable can also be grown almost anywhere by almost anyone. It can", "gives those peppers their unique blend of heat and flavor that no other", "cultivate peppers almost anywhere and use them to make a hot sauce. But", "those peppers their unique blend of heat and flavor that no other hot", "--- The characters know about the medicinal tea and the potent potable, and", "er) fertilize the special vegetables. --- The characters know about the medicinal tea", "out and eat a unique blend of fish during the day, coming back", "but while writing in third person limited, I'm not sure how. I think", "nice liquour. But if you use \"special\" vegetable, that tea can treat a", "it is important. I want to provide that info to my readers, but", "go out and eat a unique blend of fish during the day, coming", "a hot sauce. But only if those peppers are that one particular genetic", "those peppers carry the name Tabasco. There is something about the soil or", "In my fictional world, this certain vegetable can also be grown almost anywhere", "a dialog where one character explains to another, nor do I want to", "a classic macguffin hunt. The characters know that the macguffin is important, but", "carry the name Tabasco. There is something about the soil or the weather", "grows on a particular cluster of islands. These islands are of volcanic origin,", "why it is important. I want to provide that info to my readers,", "know about the medicinal tea and the potent potable, and they know about", "It can be used to add a pleasant flavor to tea, and also", "I'm not sure how. I think a generic answer would be better to", "Avery Island in the Gulf of Mexico off the coast of Louisiana, can", "potent potable, and they know about the existence of these islands. They do", "parallel to something in the real world, consider Tabasco brand sauce. Now, almost", "to add a pleasant flavor to tea, and also added during fermentation to", "if you use \"special\" vegetable, that tea can treat a disease, and when", "is used in the cool quaff, it adds an extra kick the regular", "with a sudden paragraph of omniscient narrator, then jump back to a character's", "the day, coming back at night to (um, er) fertilize the special vegetables.", "on Avery Island in the Gulf of Mexico off the coast of Louisiana,", "on a particular cluster of islands. These islands are of volcanic origin, and", "in the area go out and eat a unique blend of fish during", "you use \"special\" vegetable, that tea can treat a disease, and when special", "made from those peppers carry the name Tabasco. There is something about the", "special vegetable grows on a particular cluster of islands. These islands are of", "peppers their unique blend of heat and flavor that no other hot sauce", "way to do this that doesn't seem really jarring, unrealistic, nor break the", "important. I want to provide that info to my readers, but while writing", "a group of four characters that are called upon a classic macguffin hunt.", "of these islands. They do not know any of the rest. I believe", "its burrowing keeps the soil turned over just so. Finally, sea birds in", "the coast of Louisiana, can the sauce made from those peppers carry the", "Because I am the author, I know that this is because special vegetable", "sauce. Now, almost anyone can cultivate peppers almost anywhere and use them to", "anyone can cultivate peppers almost anywhere and use them to make a hot", "vegetable can also be grown almost anywhere by almost anyone. It can be", "blend of heat and flavor that no other hot sauce can replicate. In", "the name Tabasco. There is something about the soil or the weather or", "from those peppers carry the name Tabasco. There is something about the soil", "can replicate. In my fictional world, this certain vegetable can also be grown", "fermentation to make a nice liquour. But if you use \"special\" vegetable, that", "regular rains, and steady supply of nutrients. A unique crab lives there, and", "can cultivate peppers almost anywhere and use them to make a hot sauce.", "but they do not know all the details as why it is important.", "and use them to make a hot sauce. But only if those peppers", "islands. These islands are of volcanic origin, and located within a equatorial zone.", "if those peppers are that one particular genetic strain, and only if they", "where one character explains to another, nor do I want to break in", "particular genetic strain, and only if they are grown on Avery Island in", "the soil turned over just so. Finally, sea birds in the area go", "peppers are that one particular genetic strain, and only if they are grown", "unique crab lives there, and its burrowing keeps the soil turned over just", "and they know about the existence of these islands. They do not know", "almost anywhere by almost anyone. It can be used to add a pleasant", "be grown almost anywhere by almost anyone. It can be used to add", "character explains to another, nor do I want to break in with a", "to something in the real world, consider Tabasco brand sauce. Now, almost anyone", "The characters know that the macguffin is important, but they do not know", "also be grown almost anywhere by almost anyone. It can be used to", "I think a generic answer would be better to help others, but read", "author, I know that this is because special vegetable grows on a particular", "do this that doesn't seem really jarring, unrealistic, nor break the flow of", "--- To draw a parallel to something in the real world, consider Tabasco", "replicate. Because I am the author, I know that this is because special", "consider Tabasco brand sauce. Now, almost anyone can cultivate peppers almost anywhere and", "and when special vegetable is used in the cool quaff, it adds an", "that this is because special vegetable grows on a particular cluster of islands.", "there, and its burrowing keeps the soil turned over just so. Finally, sea", "to make a nice liquour. But if you use \"special\" vegetable, that tea", "macguffin hunt. The characters know that the macguffin is important, but they do", "I can't write a dialog where one character explains to another, nor do", "something in the real world, consider Tabasco brand sauce. Now, almost anyone can", "macguffin is important, but they do not know all the details as why", "blend of fish during the day, coming back at night to (um, er)", "steady supply of nutrients. A unique crab lives there, and its burrowing keeps", "is important, but they do not know all the details as why it", "special vegetables. --- The characters know about the medicinal tea and the potent", "almost anyone. It can be used to add a pleasant flavor to tea,", "nutrients. A unique crab lives there, and its burrowing keeps the soil turned", "brand sauce. Now, almost anyone can cultivate peppers almost anywhere and use them", "a stable climate, regular rains, and steady supply of nutrients. A unique crab", "one character explains to another, nor do I want to break in with", "origin, and located within a equatorial zone. An ocean current brings a stable", "use them to make a hot sauce. But only if those peppers are", "these islands. They do not know any of the rest. I believe it", "do I want to break in with a sudden paragraph of omniscient narrator,", "special vegetable is used in the cool quaff, it adds an extra kick", "write a dialog where one character explains to another, nor do I want", "during fermentation to make a nice liquour. But if you use \"special\" vegetable,", "(um, er) fertilize the special vegetables. --- The characters know about the medicinal", "that one particular genetic strain, and only if they are grown on Avery", "classic macguffin hunt. The characters know that the macguffin is important, but they", "of volcanic origin, and located within a equatorial zone. An ocean current brings", "the regular version just can't replicate. Because I am the author, I know", "sea birds in the area go out and eat a unique blend of", "Tabasco brand sauce. Now, almost anyone can cultivate peppers almost anywhere and use", "no other hot sauce can replicate. In my fictional world, this certain vegetable", "do not know any of the rest. I believe it help my readers", "help others, but read on for my particular case. --- To draw a", "treat a disease, and when special vegetable is used in the cool quaff,", "hot sauce can replicate. In my fictional world, this certain vegetable can also", "details as why it is important. I want to provide that info to", "used to add a pleasant flavor to tea, and also added during fermentation", "world, consider Tabasco brand sauce. Now, almost anyone can cultivate peppers almost anywhere", "hot sauce. But only if those peppers are that one particular genetic strain,", "something about the soil or the weather or whatever, that gives those peppers", "replicate. In my fictional world, this certain vegetable can also be grown almost", "limited, I'm not sure how. I think a generic answer would be better", "there is a group of four characters that are called upon a classic", "tea, and also added during fermentation to make a nice liquour. But if", "I want to provide that info to my readers, but while writing in", "cool quaff, it adds an extra kick the regular version just can't replicate.", "Island in the Gulf of Mexico off the coast of Louisiana, can the", "break in with a sudden paragraph of omniscient narrator, then jump back to", "in with a sudden paragraph of omniscient narrator, then jump back to a", "disease, and when special vegetable is used in the cool quaff, it adds", "the author, I know that this is because special vegetable grows on a", "within a equatorial zone. An ocean current brings a stable climate, regular rains,", "hunt. The characters know that the macguffin is important, but they do not", "readers understand the magnitude of the quest if they knew the details. I", "potable, and they know about the existence of these islands. They do not", "the Gulf of Mexico off the coast of Louisiana, can the sauce made", "a character's point of view. I can't find any way to do this", "help my readers understand the magnitude of the quest if they knew the", "adds an extra kick the regular version just can't replicate. Because I am", "their unique blend of heat and flavor that no other hot sauce can", "the medicinal tea and the potent potable, and they know about the existence", "they knew the details. I can't write a dialog where one character explains", "one particular genetic strain, and only if they are grown on Avery Island", "anywhere by almost anyone. It can be used to add a pleasant flavor", "would be better to help others, but read on for my particular case.", "soil turned over just so. Finally, sea birds in the area go out", "I believe it help my readers understand the magnitude of the quest if", "There is something about the soil or the weather or whatever, that gives", "of heat and flavor that no other hot sauce can replicate. In my", "know that the macguffin is important, but they do not know all the", "that no other hot sauce can replicate. In my fictional world, this certain", "a sudden paragraph of omniscient narrator, then jump back to a character's point", "any of the rest. I believe it help my readers understand the magnitude", "during the day, coming back at night to (um, er) fertilize the special", "an extra kick the regular version just can't replicate. Because I am the", "Mexico off the coast of Louisiana, can the sauce made from those peppers", "turned over just so. Finally, sea birds in the area go out and", "ocean current brings a stable climate, regular rains, and steady supply of nutrients.", "nor do I want to break in with a sudden paragraph of omniscient", "Gulf of Mexico off the coast of Louisiana, can the sauce made from", "understand the magnitude of the quest if they knew the details. I can't", "to my readers, but while writing in third person limited, I'm not sure", "my story, there is a group of four characters that are called upon", "Louisiana, can the sauce made from those peppers carry the name Tabasco. There", "just so. Finally, sea birds in the area go out and eat a", "climate, regular rains, and steady supply of nutrients. A unique crab lives there,", "and its burrowing keeps the soil turned over just so. Finally, sea birds", "But only if those peppers are that one particular genetic strain, and only", "a parallel to something in the real world, consider Tabasco brand sauce. Now,", "soil or the weather or whatever, that gives those peppers their unique blend", "can't replicate. Because I am the author, I know that this is because", "while writing in third person limited, I'm not sure how. I think a", "a disease, and when special vegetable is used in the cool quaff, it", "can treat a disease, and when special vegetable is used in the cool", "version just can't replicate. Because I am the author, I know that this", "equatorial zone. An ocean current brings a stable climate, regular rains, and steady", "is a group of four characters that are called upon a classic macguffin", "vegetable is used in the cool quaff, it adds an extra kick the", "zone. An ocean current brings a stable climate, regular rains, and steady supply", "my readers, but while writing in third person limited, I'm not sure how.", "a particular cluster of islands. These islands are of volcanic origin, and located", "to provide that info to my readers, but while writing in third person", "how. I think a generic answer would be better to help others, but", "are of volcanic origin, and located within a equatorial zone. An ocean current", "the area go out and eat a unique blend of fish during the", "called upon a classic macguffin hunt. The characters know that the macguffin is", "extra kick the regular version just can't replicate. Because I am the author,", "night to (um, er) fertilize the special vegetables. --- The characters know about", "and the potent potable, and they know about the existence of these islands.", "They do not know any of the rest. I believe it help my", "in the cool quaff, it adds an extra kick the regular version just", "can't find any way to do this that doesn't seem really jarring, unrealistic,", "know that this is because special vegetable grows on a particular cluster of", "not know all the details as why it is important. I want to", "read on for my particular case. --- To draw a parallel to something", "on for my particular case. --- To draw a parallel to something in", "vegetables. --- The characters know about the medicinal tea and the potent potable,", "to another, nor do I want to break in with a sudden paragraph", "the potent potable, and they know about the existence of these islands. They", "to break in with a sudden paragraph of omniscient narrator, then jump back", "of omniscient narrator, then jump back to a character's point of view. I", "vegetable grows on a particular cluster of islands. These islands are of volcanic", "I know that this is because special vegetable grows on a particular cluster", "they do not know all the details as why it is important. I", "for my particular case. --- To draw a parallel to something in the", "\"special\" vegetable, that tea can treat a disease, and when special vegetable is", "only if they are grown on Avery Island in the Gulf of Mexico", "a nice liquour. But if you use \"special\" vegetable, that tea can treat", "make a nice liquour. But if you use \"special\" vegetable, that tea can", "info to my readers, but while writing in third person limited, I'm not", "four characters that are called upon a classic macguffin hunt. The characters know", "in the Gulf of Mexico off the coast of Louisiana, can the sauce", "volcanic origin, and located within a equatorial zone. An ocean current brings a", "particular case. --- To draw a parallel to something in the real world,", "eat a unique blend of fish during the day, coming back at night", "and flavor that no other hot sauce can replicate. In my fictional world,", "know about the existence of these islands. They do not know any of", "the special vegetables. --- The characters know about the medicinal tea and the", "grown almost anywhere by almost anyone. It can be used to add a", "them to make a hot sauce. But only if those peppers are that", "my fictional world, this certain vegetable can also be grown almost anywhere by", "point of view. I can't find any way to do this that doesn't", "quaff, it adds an extra kick the regular version just can't replicate. Because", "omniscient narrator, then jump back to a character's point of view. I can't", "all the details as why it is important. I want to provide that", "and eat a unique blend of fish during the day, coming back at", "quest if they knew the details. I can't write a dialog where one", "are called upon a classic macguffin hunt. The characters know that the macguffin", "to (um, er) fertilize the special vegetables. --- The characters know about the", "fictional world, this certain vegetable can also be grown almost anywhere by almost", "make a hot sauce. But only if those peppers are that one particular", "coming back at night to (um, er) fertilize the special vegetables. --- The", "world, this certain vegetable can also be grown almost anywhere by almost anyone.", "by almost anyone. It can be used to add a pleasant flavor to", "sure how. I think a generic answer would be better to help others,", "just can't replicate. Because I am the author, I know that this is", "characters that are called upon a classic macguffin hunt. The characters know that", "of fish during the day, coming back at night to (um, er) fertilize", "burrowing keeps the soil turned over just so. Finally, sea birds in the", "over just so. Finally, sea birds in the area go out and eat", "draw a parallel to something in the real world, consider Tabasco brand sauce.", "that info to my readers, but while writing in third person limited, I'm", "unique blend of fish during the day, coming back at night to (um,", "if they knew the details. I can't write a dialog where one character", "characters know that the macguffin is important, but they do not know all", "the details. I can't write a dialog where one character explains to another," ]
[ "process, and by extension story structure, as occurring in three stages. But the", "conscious decision. And white lies need not be a bad thing. We tell", "the news. You just cannot take what is said at face value. Yes", "at face value. Yes people are lying but they are not doing it", "is the best :) 2. There are many kinds of misdirection on the", "the worst swordsman :( 3. Actually they are not naturally talented. They put", "thing was never real to begin with How do you find the bright", "it has stopped existing (c) The problem is not solely with the news.", "in that case I think they should be about 75% hopeful to make", "of presenting something 100% objective simply doesn't exist. So the problem is not", "3. Actually they are not naturally talented. They put in an awful lot", "out the good thing was never real to begin with How do you", "Bad Thing \"Lies\" (b) Our goal was objectivity and truth. But we can", "and truth. But we can never attain it because it has stopped existing", ". 1. Here's a good thing 2. Here's a bad thing right next", "about) 1. I know :) 2. I don't know :( 3. I know", "negative, neither hopeful or hopeless. I probably agree with you. But in that", "on in the world. The news is the best :) 2. There are", "example (about swordfights) 1. I am the best swordsman in my village. I", ":) 2. There are many kinds of misdirection on the news. Some things", "like downer endings. let's look at the last one since it has more", "closest friendships only work because of what you omit to tell each other.", "make my marriage work, the characters change and learn as the plot progresses.", "is not solely with the news. That means it's bigger than we thought!", "lies every day. Some of your closest friendships only work because of what", "and learn as the plot progresses. I tend to think of the learning", "a downer ending. A well-known three part story is as below (feel free", "2. There are many kinds of misdirection on the news. Some things are", "misrepresented, or not reported at all. Every commentator is pushing their own agenda.", "reliable source of information about recent events. You can learn what's going on", "is the worst :( 3. You can still learn from the news. You", "are lying but they are not doing it by conscious decision. And white", "friendships\" are a Good Thing and they got corrupted by the Bad Thing", "every day. Some of your closest friendships only work because of what you", "the news. :\| To me the third parts all sound like downer endings.", "know :) 2. I don't know :( 3. I know that I don't", "the news. Some things are true but not \"new\"s. Other genuine news is", "carry some element of realisation. Whether that realisation is the best sort of", "To me the third parts all sound like downer endings. let's look at", "result in a downer ending. A well-known three part story is as below", "with the news. :\| To me the third parts all sound like downer", "Yes people are lying but they are not doing it by conscious decision.", "for the 100% hopeless of the part 2. Especially since (in these stories", ". . 1. Here's a good thing 2. Here's a bad thing right", "every day to get strong as they are. :\| Another example (about media", "reported at all. Every commentator is pushing their own agenda. No one is", "or objective fact. The news is the worst :( 3. You can still", "can learn what's going on in the world. The news is the best", "these stories sound less hopeless. If I can do that I can probably", "said at face value. Yes people are lying but they are not doing", "extension story structure, as occurring in three stages. But the way the stages", "And white lies need not be a bad thing. We tell each other", "what it is \"I know\" about) 1. I know :) 2. I don't", "I can do that I can probably adapt the idea to longer and", "discussion or objective fact. The news is the worst :( 3. You can", ":) 2. Wow! All these swordsmen outside my village are super strong. I", "news. :\| To me the third parts all sound like downer endings. let's", "cynicism) 1. The news is a reliable source of information about recent events.", "is the best sort of fireball for defeating the Dark Overlord, or how", "downer endings. let's look at the last one since it has more meat.", "sound like downer endings. let's look at the last one since it has", "well-known three part story is as below (feel free to decide yourself what", "up for the 100% hopeless of the part 2. Especially since (in these", "to get strong as they are. :\| Another example (about media cynicism) 1.", "is pushing their own agenda. No one is interested in candid discussion or", "third parts all sound like downer endings. let's look at the last one", "or how I can lessen my pride to make my marriage work, the", "a downer ending? (a) \"Our closest friendships\" are a Good Thing and they", "So the problem is not solely with the news. :\| To me the", "at the last one since it has more meat. What makes this a", "the news. That means it's bigger than we thought! I want to make", "all. Every commentator is pushing their own agenda. No one is interested in", "stages are currently presented always seems to result in a downer ending. A", "the bright side of a good thing turning out to be a bad", "neither hopeful or hopeless. I probably agree with you. But in that case", "the good thing was never real to begin with How do you find", "because of what you omit to tell each other. On top of that", "news is the best :) 2. There are many kinds of misdirection on", "by extension story structure, as occurring in three stages. But the way the", "recent events. You can learn what's going on in the world. The news", "worst swordsman :( 3. Actually they are not naturally talented. They put in", "can still learn from the news. You just cannot take what is said", "The news is the worst :( 3. You can still learn from the", "to think of the learning process, and by extension story structure, as occurring", "sort of fireball for defeating the Dark Overlord, or how I can lessen", "not solely with the news. :\| To me the third parts all sound", "the idea to longer and more complex ones. But for now all I", "Our goal was objectivity and truth. But we can never attain it because", "If I can do that I can probably adapt the idea to longer", "lied about, misrepresented, or not reported at all. Every commentator is pushing their", "or negative, neither hopeful or hopeless. I probably agree with you. But in", "(feel free to decide yourself what it is \"I know\" about) 1. I", "one since it has more meat. What makes this a downer ending? (a)", "100% hopeful part 1. is presented as the normal. It is our starting", "learning process, and by extension story structure, as occurring in three stages. But", "how I can lessen my pride to make my marriage work, the characters", "are. :\| Another example (about media cynicism) 1. The news is a reliable", "village are super strong. I am the worst swordsman :( 3. Actually they", "story structure, as occurring in three stages. But the way the stages are", "goal was objectivity and truth. But we can never attain it because it", "good thing turning out to be a bad thing? Edit: One can certainly", "not solely with the news. That means it's bigger than we thought! I", "be a bad thing? Edit: One can certainly argue that the part 3s", "a good thing 2. Here's a bad thing right next to it 3.", "what is said at face value. Yes people are lying but they are", "swordsmen outside my village are super strong. I am the worst swordsman :(", "is not solely with the news. :\| To me the third parts all", "normal. It is our starting point. Thus the 'plot' only really begins once", "All these swordsmen outside my village are super strong. I am the worst", "are a Good Thing and they got corrupted by the Bad Thing \"Lies\"", "of a good thing turning out to be a bad thing? Edit: One", "That means it's bigger than we thought! I want to make these stories", "downer ending. A well-known three part story is as below (feel free to", "are neither positive or negative, neither hopeful or hopeless. I probably agree with", "work because of what you omit to tell each other. On top of", "learn what's going on in the world. The news is the best :)", "Thing \"Lies\" (b) Our goal was objectivity and truth. But we can never", "are super strong. I am the worst swordsman :( 3. Actually they are", "tell each other white lies every day. Some of your closest friendships only", "since it has more meat. What makes this a downer ending? (a) \"Our", "bright side of a good thing turning out to be a bad thing?", "need not be a bad thing. We tell each other white lies every", "But in that case I think they should be about 75% hopeful to", "because it has stopped existing (c) The problem is not solely with the", "good thing 2. Here's a bad thing right next to it 3. Turns", "the part 3s are neither positive or negative, neither hopeful or hopeless. I", "On top of that the idea of presenting something 100% objective simply doesn't", "my village are super strong. I am the worst swordsman :( 3. Actually", "lying but they are not doing it by conscious decision. And white lies", "you find the bright side of a good thing turning out to be", "out to be a bad thing? Edit: One can certainly argue that the", "you. But in that case I think they should be about 75% hopeful", "each other. On top of that the idea of presenting something 100% objective", "I am the best swordsman in my village. I am the best swordsman", "idea of presenting something 100% objective simply doesn't exist. So the problem is", "can do that I can probably adapt the idea to longer and more", "thing right next to it 3. Turns out the good thing was never", "these stories at least) the 100% hopeful part 1. is presented as the", "example (about media cynicism) 1. The news is a reliable source of information", "about recent events. You can learn what's going on in the world. The", "Some things are true but not \"new\"s. Other genuine news is lied about,", "stories carry some element of realisation. Whether that realisation is the best sort", "own agenda. No one is interested in candid discussion or objective fact. The", "(about media cynicism) 1. The news is a reliable source of information about", "they are not doing it by conscious decision. And white lies need not", "\"new\"s. Other genuine news is lied about, misrepresented, or not reported at all.", "day to get strong as they are. :\| Another example (about media cynicism)", "talented. They put in an awful lot of hard work every day to", "(about swordfights) 1. I am the best swordsman in my village. I am", "they are. :\| Another example (about media cynicism) 1. The news is a", "world. The news is the best :) 2. There are many kinds of", "misdirection on the news. Some things are true but not \"new\"s. Other genuine", "your closest friendships only work because of what you omit to tell each", "Here's a bad thing right next to it 3. Turns out the good", "plot progresses. I tend to think of the learning process, and by extension", "element of realisation. Whether that realisation is the best sort of fireball for", "The news is a reliable source of information about recent events. You can", "solely with the news. :\| To me the third parts all sound like", "that I don't know :\| Another example (about swordfights) 1. I am the", "hopeful or hopeless. I probably agree with you. But in that case I", "it is \"I know\" about) 1. I know :) 2. I don't know", "fact. The news is the worst :( 3. You can still learn from", "hopeless of the part 2. Especially since (in these stories at least) the", "of realisation. Whether that realisation is the best sort of fireball for defeating", "objectivity and truth. But we can never attain it because it has stopped", "the part 2. Especially since (in these stories at least) the 100% hopeful", "news. That means it's bigger than we thought! I want to make these", "to decide yourself what it is \"I know\" about) 1. I know :)", "thing. We tell each other white lies every day. Some of your closest", "these swordsmen outside my village are super strong. I am the worst swordsman", "want to make these stories sound less hopeless. If I can do that", "ones. But for now all I can see is. . . 1. Here's", "more meat. What makes this a downer ending? (a) \"Our closest friendships\" are", "of that the idea of presenting something 100% objective simply doesn't exist. So", "can certainly argue that the part 3s are neither positive or negative, neither", "part 3s are neither positive or negative, neither hopeful or hopeless. I probably", "part story is as below (feel free to decide yourself what it is", "the best :) 2. There are many kinds of misdirection on the news.", "a bad thing? Edit: One can certainly argue that the part 3s are", "pride to make my marriage work, the characters change and learn as the", "Whether that realisation is the best sort of fireball for defeating the Dark", "stories sound less hopeless. If I can do that I can probably adapt", "always seems to result in a downer ending. A well-known three part story", "in the world. The news is the best :) 2. There are many", "They put in an awful lot of hard work every day to get", "attain it because it has stopped existing (c) The problem is not solely", "realisation. Whether that realisation is the best sort of fireball for defeating the", "a Good Thing and they got corrupted by the Bad Thing \"Lies\" (b)", "work, the characters change and learn as the plot progresses. I tend to", "as below (feel free to decide yourself what it is \"I know\" about)", "the best swordsman in my village. I am the best swordsman :) 2.", "A well-known three part story is as below (feel free to decide yourself", "I can see is. . . 1. Here's a good thing 2. Here's", "of information about recent events. You can learn what's going on in the", "many kinds of misdirection on the news. Some things are true but not", "pushing their own agenda. No one is interested in candid discussion or objective", "the idea of presenting something 100% objective simply doesn't exist. So the problem", "tend to think of the learning process, and by extension story structure, as", "the learning process, and by extension story structure, as occurring in three stages.", "about 75% hopeful to make up for the 100% hopeless of the part", "think of the learning process, and by extension story structure, as occurring in", "that realisation is the best sort of fireball for defeating the Dark Overlord,", "Wow! All these swordsmen outside my village are super strong. I am the", "can never attain it because it has stopped existing (c) The problem is", "100% objective simply doesn't exist. So the problem is not solely with the", "to make my marriage work, the characters change and learn as the plot", "thing turning out to be a bad thing? Edit: One can certainly argue", "of hard work every day to get strong as they are. :\| Another", "swordsman :( 3. Actually they are not naturally talented. They put in an", "make up for the 100% hopeless of the part 2. Especially since (in", "No one is interested in candid discussion or objective fact. The news is", "hopeful part 1. is presented as the normal. It is our starting point.", "free to decide yourself what it is \"I know\" about) 1. I know", "is a reliable source of information about recent events. You can learn what's", "are not doing it by conscious decision. And white lies need not be", "The news is the best :) 2. There are many kinds of misdirection", "be about 75% hopeful to make up for the 100% hopeless of the", "doing it by conscious decision. And white lies need not be a bad", "that the idea of presenting something 100% objective simply doesn't exist. So the", "about, misrepresented, or not reported at all. Every commentator is pushing their own", "bad thing. We tell each other white lies every day. Some of your", "source of information about recent events. You can learn what's going on in", "of misdirection on the news. Some things are true but not \"new\"s. Other", "strong as they are. :\| Another example (about media cynicism) 1. The news", "But for now all I can see is. . . 1. Here's a", "of the learning process, and by extension story structure, as occurring in three", "closest friendships\" are a Good Thing and they got corrupted by the Bad", "not doing it by conscious decision. And white lies need not be a", "best swordsman in my village. I am the best swordsman :) 2. Wow!", "decide yourself what it is \"I know\" about) 1. I know :) 2.", "take what is said at face value. Yes people are lying but they", "look at the last one since it has more meat. What makes this", "presented as the normal. It is our starting point. Thus the 'plot' only", "to it 3. Turns out the good thing was never real to begin", "2. Here's a bad thing right next to it 3. Turns out the", "and by extension story structure, as occurring in three stages. But the way", "I want to make these stories sound less hopeless. If I can do", "We tell each other white lies every day. Some of your closest friendships", "One can certainly argue that the part 3s are neither positive or negative,", "that case I think they should be about 75% hopeful to make up", "it by conscious decision. And white lies need not be a bad thing.", "existing (c) The problem is not solely with the news. That means it's", "more complex ones. But for now all I can see is. . .", "3s are neither positive or negative, neither hopeful or hopeless. I probably agree", "is said at face value. Yes people are lying but they are not", "as the plot progresses. I tend to think of the learning process, and", "do that I can probably adapt the idea to longer and more complex", "probably agree with you. But in that case I think they should be", "value. Yes people are lying but they are not doing it by conscious", "now all I can see is. . . 1. Here's a good thing", "below (feel free to decide yourself what it is \"I know\" about) 1.", "I don't know :\| Another example (about swordfights) 1. I am the best", "neither positive or negative, neither hopeful or hopeless. I probably agree with you.", "best :) 2. There are many kinds of misdirection on the news. Some", "we thought! I want to make these stories sound less hopeless. If I", "certainly argue that the part 3s are neither positive or negative, neither hopeful", "of fireball for defeating the Dark Overlord, or how I can lessen my", "by conscious decision. And white lies need not be a bad thing. We", "that the part 3s are neither positive or negative, neither hopeful or hopeless.", "news is lied about, misrepresented, or not reported at all. Every commentator is", "this a downer ending? (a) \"Our closest friendships\" are a Good Thing and", "with you. But in that case I think they should be about 75%", "case I think they should be about 75% hopeful to make up for", "of the part 2. Especially since (in these stories at least) the 100%", "it 3. Turns out the good thing was never real to begin with", "learn as the plot progresses. I tend to think of the learning process,", "Every commentator is pushing their own agenda. No one is interested in candid", "right next to it 3. Turns out the good thing was never real", "Another example (about media cynicism) 1. The news is a reliable source of", "(a) \"Our closest friendships\" are a Good Thing and they got corrupted by", "than we thought! I want to make these stories sound less hopeless. If", "the normal. It is our starting point. Thus the 'plot' only really begins", "can see is. . . 1. Here's a good thing 2. Here's a", "cannot take what is said at face value. Yes people are lying but", "at all. Every commentator is pushing their own agenda. No one is interested", "not naturally talented. They put in an awful lot of hard work every", "me the third parts all sound like downer endings. let's look at the", "the plot progresses. I tend to think of the learning process, and by", "bigger than we thought! I want to make these stories sound less hopeless.", "longer and more complex ones. But for now all I can see is.", "corrupted by the Bad Thing \"Lies\" (b) Our goal was objectivity and truth.", "to longer and more complex ones. But for now all I can see", "The problem is not solely with the news. That means it's bigger than", "the Dark Overlord, or how I can lessen my pride to make my", ":) 2. I don't know :( 3. I know that I don't know", "see is. . . 1. Here's a good thing 2. Here's a bad", "worst :( 3. You can still learn from the news. You just cannot", "only work because of what you omit to tell each other. On top", "but not \"new\"s. Other genuine news is lied about, misrepresented, or not reported", "as they are. :\| Another example (about media cynicism) 1. The news is", "bad thing? Edit: One can certainly argue that the part 3s are neither", "exist. So the problem is not solely with the news. :\| To me", "swordsman :) 2. Wow! All these swordsmen outside my village are super strong.", "all sound like downer endings. let's look at the last one since it", "less hopeless. If I can do that I can probably adapt the idea", "something 100% objective simply doesn't exist. So the problem is not solely with", "put in an awful lot of hard work every day to get strong", "argue that the part 3s are neither positive or negative, neither hopeful or", "be a bad thing. We tell each other white lies every day. Some", "Especially since (in these stories at least) the 100% hopeful part 1. is", "information about recent events. You can learn what's going on in the world.", "downer ending? (a) \"Our closest friendships\" are a Good Thing and they got", "solely with the news. That means it's bigger than we thought! I want", "know that I don't know :\| Another example (about swordfights) 1. I am", "do you find the bright side of a good thing turning out to", "way the stages are currently presented always seems to result in a downer", "some element of realisation. Whether that realisation is the best sort of fireball", "It is our starting point. Thus the 'plot' only really begins once the", "presenting something 100% objective simply doesn't exist. So the problem is not solely", "last one since it has more meat. What makes this a downer ending?", "strong. I am the worst swordsman :( 3. Actually they are not naturally", "objective simply doesn't exist. So the problem is not solely with the news.", "the problem is not solely with the news. :\| To me the third", "has stopped existing (c) The problem is not solely with the news. That", "change and learn as the plot progresses. I tend to think of the", "I am the worst swordsman :( 3. Actually they are not naturally talented.", "news is a reliable source of information about recent events. You can learn", "news. Some things are true but not \"new\"s. Other genuine news is lied", "to tell each other. On top of that the idea of presenting something", "news. You just cannot take what is said at face value. Yes people", "the best sort of fireball for defeating the Dark Overlord, or how I", "agree with you. But in that case I think they should be about", "decision. And white lies need not be a bad thing. We tell each", "the third parts all sound like downer endings. let's look at the last", "was never real to begin with How do you find the bright side", "and they got corrupted by the Bad Thing \"Lies\" (b) Our goal was", "my marriage work, the characters change and learn as the plot progresses. I", "they should be about 75% hopeful to make up for the 100% hopeless", "is interested in candid discussion or objective fact. The news is the worst", ":\| Another example (about swordfights) 1. I am the best swordsman in my", "Turns out the good thing was never real to begin with How do", "are true but not \"new\"s. Other genuine news is lied about, misrepresented, or", "the world. The news is the best :) 2. There are many kinds", "progresses. I tend to think of the learning process, and by extension story", "things are true but not \"new\"s. Other genuine news is lied about, misrepresented,", "structure, as occurring in three stages. But the way the stages are currently", "commentator is pushing their own agenda. No one is interested in candid discussion", "not be a bad thing. We tell each other white lies every day.", "I can probably adapt the idea to longer and more complex ones. But", "3. I know that I don't know :\| Another example (about swordfights) 1.", "of your closest friendships only work because of what you omit to tell", "on the news. Some things are true but not \"new\"s. Other genuine news", "least) the 100% hopeful part 1. is presented as the normal. It is", "best swordsman :) 2. Wow! All these swordsmen outside my village are super", ":( 3. You can still learn from the news. You just cannot take", "three part story is as below (feel free to decide yourself what it", "never attain it because it has stopped existing (c) The problem is not", "100% hopeless of the part 2. Especially since (in these stories at least)", "going on in the world. The news is the best :) 2. There", "events. You can learn what's going on in the world. The news is", "lot of hard work every day to get strong as they are. :\|", "makes this a downer ending? (a) \"Our closest friendships\" are a Good Thing", "I can lessen my pride to make my marriage work, the characters change", "presented always seems to result in a downer ending. A well-known three part", "not reported at all. Every commentator is pushing their own agenda. No one", "in candid discussion or objective fact. The news is the worst :( 3.", "stories at least) the 100% hopeful part 1. is presented as the normal.", "1. I know :) 2. I don't know :( 3. I know that", "awful lot of hard work every day to get strong as they are.", "work every day to get strong as they are. :\| Another example (about", "my village. I am the best swordsman :) 2. Wow! All these swordsmen", "media cynicism) 1. The news is a reliable source of information about recent", "am the best swordsman in my village. I am the best swordsman :)", "is \"I know\" about) 1. I know :) 2. I don't know :(", "Thing and they got corrupted by the Bad Thing \"Lies\" (b) Our goal", "good thing was never real to begin with How do you find the", "the best swordsman :) 2. Wow! All these swordsmen outside my village are", "the last one since it has more meat. What makes this a downer", "they are not naturally talented. They put in an awful lot of hard", "part 2. Especially since (in these stories at least) the 100% hopeful part", "top of that the idea of presenting something 100% objective simply doesn't exist.", "what's going on in the world. The news is the best :) 2.", "defeating the Dark Overlord, or how I can lessen my pride to make", "best sort of fireball for defeating the Dark Overlord, or how I can", "find the bright side of a good thing turning out to be a", "news is the worst :( 3. You can still learn from the news.", "swordfights) 1. I am the best swordsman in my village. I am the", "1. The news is a reliable source of information about recent events. You", "one is interested in candid discussion or objective fact. The news is the", "as occurring in three stages. But the way the stages are currently presented", "candid discussion or objective fact. The news is the worst :( 3. You", "face value. Yes people are lying but they are not doing it by", "hopeless. I probably agree with you. But in that case I think they", "There are many kinds of misdirection on the news. Some things are true", "simply doesn't exist. So the problem is not solely with the news. :\|", "for now all I can see is. . . 1. Here's a good", "\"Lies\" (b) Our goal was objectivity and truth. But we can never attain", "ending? (a) \"Our closest friendships\" are a Good Thing and they got corrupted", "complex ones. But for now all I can see is. . . 1.", "realisation is the best sort of fireball for defeating the Dark Overlord, or", "day. Some of your closest friendships only work because of what you omit", "Other genuine news is lied about, misrepresented, or not reported at all. Every", "true but not \"new\"s. Other genuine news is lied about, misrepresented, or not", "2. Wow! All these swordsmen outside my village are super strong. I am", "of what you omit to tell each other. On top of that the", "But we can never attain it because it has stopped existing (c) The", "in an awful lot of hard work every day to get strong as", "is our starting point. Thus the 'plot' only really begins once the 2.", "Overlord, or how I can lessen my pride to make my marriage work,", "But the way the stages are currently presented always seems to result in", "adapt the idea to longer and more complex ones. But for now all", "they got corrupted by the Bad Thing \"Lies\" (b) Our goal was objectivity", "their own agenda. No one is interested in candid discussion or objective fact.", "means it's bigger than we thought! I want to make these stories sound", "what you omit to tell each other. On top of that the idea", "our starting point. Thus the 'plot' only really begins once the 2. starts.", "other white lies every day. Some of your closest friendships only work because", "the stages are currently presented always seems to result in a downer ending.", "next to it 3. Turns out the good thing was never real to", "at least) the 100% hopeful part 1. is presented as the normal. It", "are many kinds of misdirection on the news. Some things are true but", "with How do you find the bright side of a good thing turning", "know :( 3. I know that I don't know :\| Another example (about", "is as below (feel free to decide yourself what it is \"I know\"", ":\| Another example (about media cynicism) 1. The news is a reliable source", "marriage work, the characters change and learn as the plot progresses. I tend", "or not reported at all. Every commentator is pushing their own agenda. No", "hopeless. If I can do that I can probably adapt the idea to", "that I can probably adapt the idea to longer and more complex ones.", "all I can see is. . . 1. Here's a good thing 2.", "you omit to tell each other. On top of that the idea of", "it because it has stopped existing (c) The problem is not solely with", "to make these stories sound less hopeless. If I can do that I", "thing 2. Here's a bad thing right next to it 3. Turns out", "to be a bad thing? Edit: One can certainly argue that the part", "How do you find the bright side of a good thing turning out", "should be about 75% hopeful to make up for the 100% hopeless of", "1. is presented as the normal. It is our starting point. Thus the", "Dark Overlord, or how I can lessen my pride to make my marriage", "\"Our closest friendships\" are a Good Thing and they got corrupted by the", "the 100% hopeless of the part 2. Especially since (in these stories at", "hopeful to make up for the 100% hopeless of the part 2. Especially", "problem is not solely with the news. :\| To me the third parts", "the Bad Thing \"Lies\" (b) Our goal was objectivity and truth. But we", "real to begin with How do you find the bright side of a", "don't know :( 3. I know that I don't know :\| Another example", "hard work every day to get strong as they are. :\| Another example", "can probably adapt the idea to longer and more complex ones. But for", "I am the best swordsman :) 2. Wow! All these swordsmen outside my", "1. I am the best swordsman in my village. I am the best", "the worst :( 3. You can still learn from the news. You just", "thought! I want to make these stories sound less hopeless. If I can", "but they are not doing it by conscious decision. And white lies need", "(b) Our goal was objectivity and truth. But we can never attain it", "problem is not solely with the news. That means it's bigger than we", "in three stages. But the way the stages are currently presented always seems", "and more complex ones. But for now all I can see is. .", "know :\| Another example (about swordfights) 1. I am the best swordsman in", "for defeating the Dark Overlord, or how I can lessen my pride to", "still learn from the news. You just cannot take what is said at", "bad thing right next to it 3. Turns out the good thing was", "learn from the news. You just cannot take what is said at face", "from the news. You just cannot take what is said at face value.", "outside my village are super strong. I am the worst swordsman :( 3.", "lessen my pride to make my marriage work, the characters change and learn", "I think they should be about 75% hopeful to make up for the", "omit to tell each other. On top of that the idea of presenting", "kinds of misdirection on the news. Some things are true but not \"new\"s.", "friendships only work because of what you omit to tell each other. On", "are not naturally talented. They put in an awful lot of hard work", "a reliable source of information about recent events. You can learn what's going", "I know :) 2. I don't know :( 3. I know that I", "the characters change and learn as the plot progresses. I tend to think", "not \"new\"s. Other genuine news is lied about, misrepresented, or not reported at", "idea to longer and more complex ones. But for now all I can", "to begin with How do you find the bright side of a good", "currently presented always seems to result in a downer ending. A well-known three", "You can still learn from the news. You just cannot take what is", "it's bigger than we thought! I want to make these stories sound less", ":( 3. I know that I don't know :\| Another example (about swordfights)", "three stages. But the way the stages are currently presented always seems to", "Some of your closest friendships only work because of what you omit to", "sound less hopeless. If I can do that I can probably adapt the", "a good thing turning out to be a bad thing? Edit: One can", "the way the stages are currently presented always seems to result in a", "turning out to be a bad thing? Edit: One can certainly argue that", "positive or negative, neither hopeful or hopeless. I probably agree with you. But", "since (in these stories at least) the 100% hopeful part 1. is presented", "just cannot take what is said at face value. Yes people are lying", "other. On top of that the idea of presenting something 100% objective simply", "probably adapt the idea to longer and more complex ones. But for now", "each other white lies every day. Some of your closest friendships only work", "ending. A well-known three part story is as below (feel free to decide", "are currently presented always seems to result in a downer ending. A well-known", "or hopeless. I probably agree with you. But in that case I think", "white lies need not be a bad thing. We tell each other white", "Here's a good thing 2. Here's a bad thing right next to it", "I probably agree with you. But in that case I think they should", "occurring in three stages. But the way the stages are currently presented always", "naturally talented. They put in an awful lot of hard work every day", "has more meat. What makes this a downer ending? (a) \"Our closest friendships\"", "got corrupted by the Bad Thing \"Lies\" (b) Our goal was objectivity and", "with the news. That means it's bigger than we thought! I want to", "interested in candid discussion or objective fact. The news is the worst :(", "don't know :\| Another example (about swordfights) 1. I am the best swordsman", "parts all sound like downer endings. let's look at the last one since", "3. You can still learn from the news. You just cannot take what", "objective fact. The news is the worst :( 3. You can still learn", "genuine news is lied about, misrepresented, or not reported at all. Every commentator", "story is as below (feel free to decide yourself what it is \"I", "thing? Edit: One can certainly argue that the part 3s are neither positive", "I tend to think of the learning process, and by extension story structure,", "You just cannot take what is said at face value. Yes people are", "yourself what it is \"I know\" about) 1. I know :) 2. I", "2. I don't know :( 3. I know that I don't know :\|", "to make up for the 100% hopeless of the part 2. Especially since", "an awful lot of hard work every day to get strong as they", "am the best swordsman :) 2. Wow! All these swordsmen outside my village", ":\| To me the third parts all sound like downer endings. let's look", "is. . . 1. Here's a good thing 2. Here's a bad thing", "a bad thing. We tell each other white lies every day. Some of", "is presented as the normal. It is our starting point. Thus the 'plot'", "Another example (about swordfights) 1. I am the best swordsman in my village.", "can lessen my pride to make my marriage work, the characters change and", "\"I know\" about) 1. I know :) 2. I don't know :( 3.", "Actually they are not naturally talented. They put in an awful lot of", "never real to begin with How do you find the bright side of", "my pride to make my marriage work, the characters change and learn as", "in a downer ending. A well-known three part story is as below (feel", ":( 3. Actually they are not naturally talented. They put in an awful", "to result in a downer ending. A well-known three part story is as", "know\" about) 1. I know :) 2. I don't know :( 3. I", "I know that I don't know :\| Another example (about swordfights) 1. I", "truth. But we can never attain it because it has stopped existing (c)", "What makes this a downer ending? (a) \"Our closest friendships\" are a Good", "75% hopeful to make up for the 100% hopeless of the part 2.", "lies need not be a bad thing. We tell each other white lies", "white lies every day. Some of your closest friendships only work because of", "super strong. I am the worst swordsman :( 3. Actually they are not", "by the Bad Thing \"Lies\" (b) Our goal was objectivity and truth. But", "village. I am the best swordsman :) 2. Wow! All these swordsmen outside", "in my village. I am the best swordsman :) 2. Wow! All these", "think they should be about 75% hopeful to make up for the 100%", "begin with How do you find the bright side of a good thing", "stopped existing (c) The problem is not solely with the news. That means", "let's look at the last one since it has more meat. What makes", "make these stories sound less hopeless. If I can do that I can", "swordsman in my village. I am the best swordsman :) 2. Wow! All", "Edit: One can certainly argue that the part 3s are neither positive or", "was objectivity and truth. But we can never attain it because it has", "seems to result in a downer ending. A well-known three part story is", "tell each other. On top of that the idea of presenting something 100%", "am the worst swordsman :( 3. Actually they are not naturally talented. They", "as the normal. It is our starting point. Thus the 'plot' only really", "is lied about, misrepresented, or not reported at all. Every commentator is pushing", "stages. But the way the stages are currently presented always seems to result", "(in these stories at least) the 100% hopeful part 1. is presented as", "side of a good thing turning out to be a bad thing? Edit:", "meat. What makes this a downer ending? (a) \"Our closest friendships\" are a", "2. Especially since (in these stories at least) the 100% hopeful part 1.", "Most stories carry some element of realisation. Whether that realisation is the best", "part 1. is presented as the normal. It is our starting point. Thus", "characters change and learn as the plot progresses. I tend to think of", "agenda. No one is interested in candid discussion or objective fact. The news", "we can never attain it because it has stopped existing (c) The problem", "a bad thing right next to it 3. Turns out the good thing", "I don't know :( 3. I know that I don't know :\| Another", "get strong as they are. :\| Another example (about media cynicism) 1. The", "people are lying but they are not doing it by conscious decision. And", "it has more meat. What makes this a downer ending? (a) \"Our closest", "(c) The problem is not solely with the news. That means it's bigger", "1. Here's a good thing 2. Here's a bad thing right next to", "doesn't exist. So the problem is not solely with the news. :\| To", "You can learn what's going on in the world. The news is the", "fireball for defeating the Dark Overlord, or how I can lessen my pride", "3. Turns out the good thing was never real to begin with How", "Good Thing and they got corrupted by the Bad Thing \"Lies\" (b) Our", "endings. let's look at the last one since it has more meat. What", "the 100% hopeful part 1. is presented as the normal. It is our" ]
[ "are brother and sister. I want the reader to know right away, as", "how to do this naturally without it coming across as forced. How would", "not sure how to do this naturally without it coming across as forced.", "without it coming across as forced. How would two siblings address each other", "that too \"unnatural\"? Would most siblings refer to each other by name? And", "the reader to know right away, as the two are talking (they are", "two are talking (they are alone), that they are brother and sister, but", "most siblings refer to each other by name? And to make the answers", "two siblings address each other in a way it would automatically reveal their", "on the right path?\" Or is that too \"unnatural\"? Would most siblings refer", "but I'm not sure how to do this naturally without it coming across", "Could I write something like: \"Brother... are you sure we're on the right", "my story, who are brother and sister. I want the reader to know", "across as forced. How would two siblings address each other in a way", "like: \"Brother... are you sure we're on the right path?\" Or is that", "do this naturally without it coming across as forced. How would two siblings", "coming across as forced. How would two siblings address each other in a", "have two characters near the beginning of my story, who are brother and", "would two siblings address each other in a way it would automatically reveal", "address each other in a way it would automatically reveal their relationship? Could", "siblings address each other in a way it would automatically reveal their relationship?", "each other in a way it would automatically reveal their relationship? Could I", "would automatically reveal their relationship? Could I write something like: \"Brother... are you", "away, as the two are talking (they are alone), that they are brother", "in a way it would automatically reveal their relationship? Could I write something", "as forced. How would two siblings address each other in a way it", "it would automatically reveal their relationship? Could I write something like: \"Brother... are", "How would two siblings address each other in a way it would automatically", "the two are talking (they are alone), that they are brother and sister,", "that they are brother and sister, but I'm not sure how to do", "to know right away, as the two are talking (they are alone), that", "way it would automatically reveal their relationship? Could I write something like: \"Brother...", "alone), that they are brother and sister, but I'm not sure how to", "are alone), that they are brother and sister, but I'm not sure how", "near the beginning of my story, who are brother and sister. I want", "answers more universally helpful: what about other types of relationships (married, friends, associate)?", "write something like: \"Brother... are you sure we're on the right path?\" Or", "each other by name? And to make the answers more universally helpful: what", "you sure we're on the right path?\" Or is that too \"unnatural\"? Would", "to do this naturally without it coming across as forced. How would two", "are brother and sister, but I'm not sure how to do this naturally", "brother and sister. I want the reader to know right away, as the", "right away, as the two are talking (they are alone), that they are", "characters near the beginning of my story, who are brother and sister. I", "of my story, who are brother and sister. I want the reader to", "too \"unnatural\"? Would most siblings refer to each other by name? And to", "and sister. I want the reader to know right away, as the two", "to make the answers more universally helpful: what about other types of relationships", "sure how to do this naturally without it coming across as forced. How", "who are brother and sister. I want the reader to know right away,", "are you sure we're on the right path?\" Or is that too \"unnatural\"?", "the answers more universally helpful: what about other types of relationships (married, friends,", "brother and sister, but I'm not sure how to do this naturally without", "know right away, as the two are talking (they are alone), that they", "(they are alone), that they are brother and sister, but I'm not sure", "make the answers more universally helpful: what about other types of relationships (married,", "sure we're on the right path?\" Or is that too \"unnatural\"? Would most", "a way it would automatically reveal their relationship? Could I write something like:", "they are brother and sister, but I'm not sure how to do this", "\"unnatural\"? Would most siblings refer to each other by name? And to make", "something like: \"Brother... are you sure we're on the right path?\" Or is", "relationship? Could I write something like: \"Brother... are you sure we're on the", "right path?\" Or is that too \"unnatural\"? Would most siblings refer to each", "path?\" Or is that too \"unnatural\"? Would most siblings refer to each other", "forced. How would two siblings address each other in a way it would", "story, who are brother and sister. I want the reader to know right", "the beginning of my story, who are brother and sister. I want the", "and sister, but I'm not sure how to do this naturally without it", "I write something like: \"Brother... are you sure we're on the right path?\"", "refer to each other by name? And to make the answers more universally", "is that too \"unnatural\"? Would most siblings refer to each other by name?", "this naturally without it coming across as forced. How would two siblings address", "name? And to make the answers more universally helpful: what about other types", "it coming across as forced. How would two siblings address each other in", "sister. I want the reader to know right away, as the two are", "beginning of my story, who are brother and sister. I want the reader", "as the two are talking (they are alone), that they are brother and", "Or is that too \"unnatural\"? Would most siblings refer to each other by", "naturally without it coming across as forced. How would two siblings address each", "by name? And to make the answers more universally helpful: what about other", "\"Brother... are you sure we're on the right path?\" Or is that too", "other in a way it would automatically reveal their relationship? Could I write", "we're on the right path?\" Or is that too \"unnatural\"? Would most siblings", "other by name? And to make the answers more universally helpful: what about", "to each other by name? And to make the answers more universally helpful:", "I have two characters near the beginning of my story, who are brother", "I'm not sure how to do this naturally without it coming across as", "siblings refer to each other by name? And to make the answers more", "want the reader to know right away, as the two are talking (they", "reader to know right away, as the two are talking (they are alone),", "reveal their relationship? Could I write something like: \"Brother... are you sure we're", "the right path?\" Or is that too \"unnatural\"? Would most siblings refer to", "sister, but I'm not sure how to do this naturally without it coming", "are talking (they are alone), that they are brother and sister, but I'm", "talking (they are alone), that they are brother and sister, but I'm not", "Would most siblings refer to each other by name? And to make the", "two characters near the beginning of my story, who are brother and sister.", "their relationship? Could I write something like: \"Brother... are you sure we're on", "I want the reader to know right away, as the two are talking", "And to make the answers more universally helpful: what about other types of", "automatically reveal their relationship? Could I write something like: \"Brother... are you sure" ]
[ "the end because I'll end up being too attached to the bits that", "write chapter, edit chapter, post chapter, repeat. This means that once I reach", "but it's often a very short phase. I usually have a good outline", "outline before I begin and the stories aren't very complicated, so I've never", "complicated, so I've never had any consistency issues using this method and have", "works vary in length, some novel-length (90,000 - 150,000 words) and some more", "vary in length, some novel-length (90,000 - 150,000 words) and some more like", "rewrite the entire thing. My works vary in length, some novel-length (90,000 -", "editing phase and draft/rewrite process. I also think it's potentially disastrous if huge", "huge edits are needed at the end because I'll end up being too", "it. I was wondering if this edit-as-you-go method is a common way to", "habit, I completed NanoWrimo last year, but now the rewrite process seems so", "that I just can't bear to go back to it. I was wondering", "just can't bear to go back to it. I was wondering if this", "chapter, repeat. This means that once I reach the end, there is very", "is very little editing left to do (I think!) because each chapter is", "to be scrapped. I'd like to find some middle ground, but not sure", "- 150,000 words) and some more like novellas (~30,000 words). So far this", "very little editing left to do (I think!) because each chapter is edited", "if I should just scrap this method entirely. In an attempt to break", "the rewrite process seems so colossal that I just can't bear to go", "method entirely. In an attempt to break the habit, I completed NanoWrimo last", "In an attempt to break the habit, I completed NanoWrimo last year, but", "there is very little editing left to do (I think!) because each chapter", "phase and draft/rewrite process. I also think it's potentially disastrous if huge edits", "length, some novel-length (90,000 - 150,000 words) and some more like novellas (~30,000", "also think it's potentially disastrous if huge edits are needed at the end", "worked fine for both. However, I'm avoiding this technique for the new stories", "here, it doesn't seem to be)? Is it definitely to be avoided, and", "the entire thing. My works vary in length, some novel-length (90,000 - 150,000", "so colossal that I just can't bear to go back to it. I", "reach the end, there is very little editing left to do (I think!)", "technique has worked fine for both. However, I'm avoiding this technique for the", "the stories aren't very complicated, so I've never had any consistency issues using", "I'd like to find some middle ground, but not sure if I should", "it's potentially disastrous if huge edits are needed at the end because I'll", "write (from reading other questions and answers on here, it doesn't seem to", "My works vary in length, some novel-length (90,000 - 150,000 words) and some", "for the new stories I'm writing because I think that it would improve", "bits that need to be scrapped. I'd like to find some middle ground,", "if huge edits are needed at the end because I'll end up being", "the end, there is very little editing left to do (I think!) because", "overall edit of the story as a whole, but it's often a very", "My usual process is: write chapter, edit chapter, post chapter, repeat. This means", "had to rewrite the entire thing. My works vary in length, some novel-length", "being too attached to the bits that need to be scrapped. I'd like", "as a whole, but it's often a very short phase. I usually have", "year, but now the rewrite process seems so colossal that I just can't", "on here, it doesn't seem to be)? Is it definitely to be avoided,", "I do an overall edit of the story as a whole, but it's", "have a more obvious editing phase and draft/rewrite process. I also think it's", "for both. However, I'm avoiding this technique for the new stories I'm writing", "very short phase. I usually have a good outline before I begin and", "because I think that it would improve my writing to have a more", "bear to go back to it. I was wondering if this edit-as-you-go method", "at the end because I'll end up being too attached to the bits", "if this edit-as-you-go method is a common way to write (from reading other", "method is a common way to write (from reading other questions and answers", "I'm writing because I think that it would improve my writing to have", "that once I reach the end, there is very little editing left to", "for about six years. My usual process is: write chapter, edit chapter, post", "and the stories aren't very complicated, so I've never had any consistency issues", "(~30,000 words). So far this technique has worked fine for both. However, I'm", "repeat. This means that once I reach the end, there is very little", "novels after writing fanfictions and posting them online for about six years. My", "are needed at the end because I'll end up being too attached to", "and have never had to rewrite the entire thing. My works vary in", "this method entirely. In an attempt to break the habit, I completed NanoWrimo", "more like novellas (~30,000 words). So far this technique has worked fine for", "do (I think!) because each chapter is edited as I write it. At", "usual process is: write chapter, edit chapter, post chapter, repeat. This means that", "of the story as a whole, but it's often a very short phase.", "have never had to rewrite the entire thing. My works vary in length,", "150,000 words) and some more like novellas (~30,000 words). So far this technique", "is a common way to write (from reading other questions and answers on", "both. However, I'm avoiding this technique for the new stories I'm writing because", "them online for about six years. My usual process is: write chapter, edit", "is: write chapter, edit chapter, post chapter, repeat. This means that once I", "but not sure if I should just scrap this method entirely. In an", "I've never had any consistency issues using this method and have never had", "consistency issues using this method and have never had to rewrite the entire", "I think that it would improve my writing to have a more obvious", "need to be scrapped. I'd like to find some middle ground, but not", "more obvious editing phase and draft/rewrite process. I also think it's potentially disastrous", "At the end I do an overall edit of the story as a", "before I begin and the stories aren't very complicated, so I've never had", "any consistency issues using this method and have never had to rewrite the", "colossal that I just can't bear to go back to it. I was", "this technique for the new stories I'm writing because I think that it", "as I write it. At the end I do an overall edit of", "to find some middle ground, but not sure if I should just scrap", "to break the habit, I completed NanoWrimo last year, but now the rewrite", "it. At the end I do an overall edit of the story as", "I should just scrap this method entirely. In an attempt to break the", "often a very short phase. I usually have a good outline before I", "(90,000 - 150,000 words) and some more like novellas (~30,000 words). So far", "edit-as-you-go method is a common way to write (from reading other questions and", "some more like novellas (~30,000 words). So far this technique has worked fine", "a good outline before I begin and the stories aren't very complicated, so", "means that once I reach the end, there is very little editing left", "to rewrite the entire thing. My works vary in length, some novel-length (90,000", "I also think it's potentially disastrous if huge edits are needed at the", "has worked fine for both. However, I'm avoiding this technique for the new", "writing because I think that it would improve my writing to have a", "six years. My usual process is: write chapter, edit chapter, post chapter, repeat.", "very complicated, so I've never had any consistency issues using this method and", "was wondering if this edit-as-you-go method is a common way to write (from", "write original novels after writing fanfictions and posting them online for about six", "like novellas (~30,000 words). So far this technique has worked fine for both.", "is edited as I write it. At the end I do an overall", "rewrite process seems so colossal that I just can't bear to go back", "find some middle ground, but not sure if I should just scrap this", "NanoWrimo last year, but now the rewrite process seems so colossal that I", "This means that once I reach the end, there is very little editing", "it would improve my writing to have a more obvious editing phase and", "reading other questions and answers on here, it doesn't seem to be)? Is", "after writing fanfictions and posting them online for about six years. My usual", "I completed NanoWrimo last year, but now the rewrite process seems so colossal", "chapter, edit chapter, post chapter, repeat. This means that once I reach the", "method and have never had to rewrite the entire thing. My works vary", "end because I'll end up being too attached to the bits that need", "obvious editing phase and draft/rewrite process. I also think it's potentially disastrous if", "not sure if I should just scrap this method entirely. In an attempt", "the bits that need to be scrapped. I'd like to find some middle", "the habit, I completed NanoWrimo last year, but now the rewrite process seems", "think it's potentially disastrous if huge edits are needed at the end because", "this edit-as-you-go method is a common way to write (from reading other questions", "good outline before I begin and the stories aren't very complicated, so I've", "end, there is very little editing left to do (I think!) because each", "thing. My works vary in length, some novel-length (90,000 - 150,000 words) and", "my writing to have a more obvious editing phase and draft/rewrite process. I", "some middle ground, but not sure if I should just scrap this method", "I usually have a good outline before I begin and the stories aren't", "entire thing. My works vary in length, some novel-length (90,000 - 150,000 words)", "this method and have never had to rewrite the entire thing. My works", "the new stories I'm writing because I think that it would improve my", "attached to the bits that need to be scrapped. I'd like to find", "I reach the end, there is very little editing left to do (I", "and draft/rewrite process. I also think it's potentially disastrous if huge edits are", "and some more like novellas (~30,000 words). So far this technique has worked", "and posting them online for about six years. My usual process is: write", "sure if I should just scrap this method entirely. In an attempt to", "just scrap this method entirely. In an attempt to break the habit, I", "now the rewrite process seems so colossal that I just can't bear to", "far this technique has worked fine for both. However, I'm avoiding this technique", "avoiding this technique for the new stories I'm writing because I think that", "middle ground, but not sure if I should just scrap this method entirely.", "wondering if this edit-as-you-go method is a common way to write (from reading", "stories I'm writing because I think that it would improve my writing to", "never had any consistency issues using this method and have never had to", "draft/rewrite process. I also think it's potentially disastrous if huge edits are needed", "potentially disastrous if huge edits are needed at the end because I'll end", "(from reading other questions and answers on here, it doesn't seem to be)?", "to write original novels after writing fanfictions and posting them online for about", "never had to rewrite the entire thing. My works vary in length, some", "edits are needed at the end because I'll end up being too attached", "fine for both. However, I'm avoiding this technique for the new stories I'm", "some novel-length (90,000 - 150,000 words) and some more like novellas (~30,000 words).", "I'll end up being too attached to the bits that need to be", "like to find some middle ground, but not sure if I should just", "process. I also think it's potentially disastrous if huge edits are needed at", "edited as I write it. At the end I do an overall edit", "disastrous if huge edits are needed at the end because I'll end up", "up being too attached to the bits that need to be scrapped. I'd", "the end I do an overall edit of the story as a whole,", "aren't very complicated, so I've never had any consistency issues using this method", "too attached to the bits that need to be scrapped. I'd like to", "to do (I think!) because each chapter is edited as I write it.", "a more obvious editing phase and draft/rewrite process. I also think it's potentially", "end I do an overall edit of the story as a whole, but", "should just scrap this method entirely. In an attempt to break the habit,", "completed NanoWrimo last year, but now the rewrite process seems so colossal that", "I write it. At the end I do an overall edit of the", "process seems so colossal that I just can't bear to go back to", "I'm avoiding this technique for the new stories I'm writing because I think", "in length, some novel-length (90,000 - 150,000 words) and some more like novellas", "chapter, post chapter, repeat. This means that once I reach the end, there", "go back to it. I was wondering if this edit-as-you-go method is a", "edit of the story as a whole, but it's often a very short", "technique for the new stories I'm writing because I think that it would", "words) and some more like novellas (~30,000 words). So far this technique has", "the story as a whole, but it's often a very short phase. I", "fanfictions and posting them online for about six years. My usual process is:", "I was wondering if this edit-as-you-go method is a common way to write", "an overall edit of the story as a whole, but it's often a", "editing left to do (I think!) because each chapter is edited as I", "think that it would improve my writing to have a more obvious editing", "way to write (from reading other questions and answers on here, it doesn't", "usually have a good outline before I begin and the stories aren't very", "it's often a very short phase. I usually have a good outline before", "write it. At the end I do an overall edit of the story", "edit chapter, post chapter, repeat. This means that once I reach the end,", "have a good outline before I begin and the stories aren't very complicated,", "short phase. I usually have a good outline before I begin and the", "a whole, but it's often a very short phase. I usually have a", "writing to have a more obvious editing phase and draft/rewrite process. I also", "process is: write chapter, edit chapter, post chapter, repeat. This means that once", "ground, but not sure if I should just scrap this method entirely. In", "to it. I was wondering if this edit-as-you-go method is a common way", "issues using this method and have never had to rewrite the entire thing.", "once I reach the end, there is very little editing left to do", "about six years. My usual process is: write chapter, edit chapter, post chapter,", "stories aren't very complicated, so I've never had any consistency issues using this", "post chapter, repeat. This means that once I reach the end, there is", "new stories I'm writing because I think that it would improve my writing", "words). So far this technique has worked fine for both. However, I'm avoiding", "think!) because each chapter is edited as I write it. At the end", "little editing left to do (I think!) because each chapter is edited as", "story as a whole, but it's often a very short phase. I usually", "I begin and the stories aren't very complicated, so I've never had any", "writing fanfictions and posting them online for about six years. My usual process", "each chapter is edited as I write it. At the end I do", "last year, but now the rewrite process seems so colossal that I just", "answers on here, it doesn't seem to be)? Is it definitely to be", "posting them online for about six years. My usual process is: write chapter,", "novellas (~30,000 words). So far this technique has worked fine for both. However,", "that it would improve my writing to have a more obvious editing phase", "would improve my writing to have a more obvious editing phase and draft/rewrite", "beginning to write original novels after writing fanfictions and posting them online for", "that need to be scrapped. I'd like to find some middle ground, but", "to go back to it. I was wondering if this edit-as-you-go method is", "online for about six years. My usual process is: write chapter, edit chapter,", "improve my writing to have a more obvious editing phase and draft/rewrite process.", "do an overall edit of the story as a whole, but it's often", "a very short phase. I usually have a good outline before I begin", "because I'll end up being too attached to the bits that need to", "it doesn't seem to be)? Is it definitely to be avoided, and why?", "I am beginning to write original novels after writing fanfictions and posting them", "I just can't bear to go back to it. I was wondering if", "because each chapter is edited as I write it. At the end I", "(I think!) because each chapter is edited as I write it. At the", "so I've never had any consistency issues using this method and have never", "to have a more obvious editing phase and draft/rewrite process. I also think", "be scrapped. I'd like to find some middle ground, but not sure if", "to the bits that need to be scrapped. I'd like to find some", "common way to write (from reading other questions and answers on here, it", "questions and answers on here, it doesn't seem to be)? Is it definitely", "this technique has worked fine for both. However, I'm avoiding this technique for", "back to it. I was wondering if this edit-as-you-go method is a common", "scrapped. I'd like to find some middle ground, but not sure if I", "other questions and answers on here, it doesn't seem to be)? Is it", "a common way to write (from reading other questions and answers on here,", "had any consistency issues using this method and have never had to rewrite", "years. My usual process is: write chapter, edit chapter, post chapter, repeat. This", "novel-length (90,000 - 150,000 words) and some more like novellas (~30,000 words). So", "end up being too attached to the bits that need to be scrapped.", "an attempt to break the habit, I completed NanoWrimo last year, but now", "and answers on here, it doesn't seem to be)? Is it definitely to", "left to do (I think!) because each chapter is edited as I write", "can't bear to go back to it. I was wondering if this edit-as-you-go", "phase. I usually have a good outline before I begin and the stories", "using this method and have never had to rewrite the entire thing. My", "chapter is edited as I write it. At the end I do an", "begin and the stories aren't very complicated, so I've never had any consistency", "So far this technique has worked fine for both. However, I'm avoiding this", "break the habit, I completed NanoWrimo last year, but now the rewrite process", "to write (from reading other questions and answers on here, it doesn't seem", "attempt to break the habit, I completed NanoWrimo last year, but now the", "entirely. In an attempt to break the habit, I completed NanoWrimo last year,", "needed at the end because I'll end up being too attached to the", "original novels after writing fanfictions and posting them online for about six years.", "whole, but it's often a very short phase. I usually have a good", "scrap this method entirely. In an attempt to break the habit, I completed", "seems so colossal that I just can't bear to go back to it.", "However, I'm avoiding this technique for the new stories I'm writing because I", "but now the rewrite process seems so colossal that I just can't bear", "am beginning to write original novels after writing fanfictions and posting them online" ]
[ "and the like, there are often details that the writers work in that", "or movies, etc.) he hasn't been wearing it because he got in a", "sight, but can be found if you happen to look for those details.", "way to work something in that the average reader might not notice while", "For example, Character N always wears a necklace as it was a gift", "found if you happen to look for those details. For example, Character N", "movies, etc.) he hasn't been wearing it because he got in a toxic", "few episodes (or minutes, or movies, etc.) he hasn't been wearing it because", "but during the last few episodes (or minutes, or movies, etc.) he hasn't", "in that the average reader might not notice while reading through unless they", "none of the other characters notice it until much later. Is there a", "episodes (or minutes, or movies, etc.) he hasn't been wearing it because he", "got in a toxic fight with his brother and none of the other", "characters notice it until much later. Is there a way to work something", "movies and TV shows and the like, there are often details that the", "often details that the writers work in that are hard to catch at", "minutes, or movies, etc.) he hasn't been wearing it because he got in", "but can be found if you happen to look for those details. For", "because he got in a toxic fight with his brother and none of", "that the writers work in that are hard to catch at first sight,", "In movies and TV shows and the like, there are often details that", "hard to catch at first sight, but can be found if you happen", "that the average reader might not notice while reading through unless they were", "wears a necklace as it was a gift from his brother, but during", "he got in a toxic fight with his brother and none of the", "the like, there are often details that the writers work in that are", "he hasn't been wearing it because he got in a toxic fight with", "his brother and none of the other characters notice it until much later.", "at first sight, but can be found if you happen to look for", "work something in that the average reader might not notice while reading through", "average reader might not notice while reading through unless they were specifically looking", "N always wears a necklace as it was a gift from his brother,", "as it was a gift from his brother, but during the last few", "details. For example, Character N always wears a necklace as it was a", "other characters notice it until much later. Is there a way to work", "writers work in that are hard to catch at first sight, but can", "example, Character N always wears a necklace as it was a gift from", "in a toxic fight with his brother and none of the other characters", "much later. Is there a way to work something in that the average", "be found if you happen to look for those details. For example, Character", "it was a gift from his brother, but during the last few episodes", "later. Is there a way to work something in that the average reader", "gift from his brother, but during the last few episodes (or minutes, or", "there are often details that the writers work in that are hard to", "and TV shows and the like, there are often details that the writers", "you happen to look for those details. For example, Character N always wears", "can be found if you happen to look for those details. For example,", "to work something in that the average reader might not notice while reading", "toxic fight with his brother and none of the other characters notice it", "fight with his brother and none of the other characters notice it until", "Character N always wears a necklace as it was a gift from his", "of the other characters notice it until much later. Is there a way", "for those details. For example, Character N always wears a necklace as it", "might not notice while reading through unless they were specifically looking for it?", "during the last few episodes (or minutes, or movies, etc.) he hasn't been", "from his brother, but during the last few episodes (or minutes, or movies,", "notice it until much later. Is there a way to work something in", "catch at first sight, but can be found if you happen to look", "his brother, but during the last few episodes (or minutes, or movies, etc.)", "was a gift from his brother, but during the last few episodes (or", "a gift from his brother, but during the last few episodes (or minutes,", "work in that are hard to catch at first sight, but can be", "brother, but during the last few episodes (or minutes, or movies, etc.) he", "the other characters notice it until much later. Is there a way to", "a way to work something in that the average reader might not notice", "happen to look for those details. For example, Character N always wears a", "there a way to work something in that the average reader might not", "those details. For example, Character N always wears a necklace as it was", "hasn't been wearing it because he got in a toxic fight with his", "brother and none of the other characters notice it until much later. Is", "first sight, but can be found if you happen to look for those", "a necklace as it was a gift from his brother, but during the", "shows and the like, there are often details that the writers work in", "last few episodes (or minutes, or movies, etc.) he hasn't been wearing it", "a toxic fight with his brother and none of the other characters notice", "wearing it because he got in a toxic fight with his brother and", "look for those details. For example, Character N always wears a necklace as", "TV shows and the like, there are often details that the writers work", "if you happen to look for those details. For example, Character N always", "until much later. Is there a way to work something in that the", "details that the writers work in that are hard to catch at first", "to look for those details. For example, Character N always wears a necklace", "like, there are often details that the writers work in that are hard", "with his brother and none of the other characters notice it until much", "it because he got in a toxic fight with his brother and none", "always wears a necklace as it was a gift from his brother, but", "the average reader might not notice while reading through unless they were specifically", "the writers work in that are hard to catch at first sight, but", "(or minutes, or movies, etc.) he hasn't been wearing it because he got", "necklace as it was a gift from his brother, but during the last", "in that are hard to catch at first sight, but can be found", "that are hard to catch at first sight, but can be found if", "and none of the other characters notice it until much later. Is there", "it until much later. Is there a way to work something in that", "etc.) he hasn't been wearing it because he got in a toxic fight", "something in that the average reader might not notice while reading through unless", "are often details that the writers work in that are hard to catch", "the last few episodes (or minutes, or movies, etc.) he hasn't been wearing", "been wearing it because he got in a toxic fight with his brother", "are hard to catch at first sight, but can be found if you", "Is there a way to work something in that the average reader might", "to catch at first sight, but can be found if you happen to", "reader might not notice while reading through unless they were specifically looking for" ]
[ "have a program that tracks the progress I've made. As a programmer I'm", "a document. So say I delete 500 words out of a document and", "of a document and save it. Is there a program that would realize", "on a document. So say I delete 500 words out of a document", "the document and would back up the old version of the document in", "of the document in something like a zipped folder? I currently use Dropbox", "of revisions made on a document. So say I delete 500 words out", "the document in something like a zipped folder? I currently use Dropbox so", "I apologize to the mods if this is too broad a question, though", "would realize I have changed the document and would back up the old", "out of a document and save it. Is there a program that would", "and save it. Is there a program that would realize I have changed", "I delete 500 words out of a document and save it. Is there", "I have all my writing no matter where I go but it would", "I'm aware of Github but was wondering if there was a more elegant", "where I go but it would be nice to have a program that", "there are any pieces of software that keep copies of revisions made on", "a program that tracks the progress I've made. As a programmer I'm aware", "I'm wondering if there are any pieces of software that keep copies of", "Github but was wondering if there was a more elegant solution. I apologize", "folder? I currently use Dropbox so that I have all my writing no", "solution. I apologize to the mods if this is too broad a question,", "the mods if this is too broad a question, though I think it", "matter where I go but it would be nice to have a program", "program that would realize I have changed the document and would back up", "500 words out of a document and save it. Is there a program", "and would back up the old version of the document in something like", "are any pieces of software that keep copies of revisions made on a", "a document and save it. Is there a program that would realize I", "document. So say I delete 500 words out of a document and save", "keep copies of revisions made on a document. So say I delete 500", "As a programmer I'm aware of Github but was wondering if there was", "mods if this is too broad a question, though I think it is", "made on a document. So say I delete 500 words out of a", "to the mods if this is too broad a question, though I think", "aware of Github but was wondering if there was a more elegant solution.", "Dropbox so that I have all my writing no matter where I go", "a zipped folder? I currently use Dropbox so that I have all my", "to have a program that tracks the progress I've made. As a programmer", "like a zipped folder? I currently use Dropbox so that I have all", "currently use Dropbox so that I have all my writing no matter where", "there a program that would realize I have changed the document and would", "was a more elegant solution. I apologize to the mods if this is", "no matter where I go but it would be nice to have a", "it would be nice to have a program that tracks the progress I've", "changed the document and would back up the old version of the document", "if there was a more elegant solution. I apologize to the mods if", "I have changed the document and would back up the old version of", "all my writing no matter where I go but it would be nice", "something like a zipped folder? I currently use Dropbox so that I have", "but it would be nice to have a program that tracks the progress", "more elegant solution. I apologize to the mods if this is too broad", "be nice to have a program that tracks the progress I've made. As", "software that keep copies of revisions made on a document. So say I", "I currently use Dropbox so that I have all my writing no matter", "that keep copies of revisions made on a document. So say I delete", "document and save it. Is there a program that would realize I have", "a programmer I'm aware of Github but was wondering if there was a", "the progress I've made. As a programmer I'm aware of Github but was", "program that tracks the progress I've made. As a programmer I'm aware of", "programmer I'm aware of Github but was wondering if there was a more", "tracks the progress I've made. As a programmer I'm aware of Github but", "Is there a program that would realize I have changed the document and", "my writing no matter where I go but it would be nice to", "the old version of the document in something like a zipped folder? I", "I go but it would be nice to have a program that tracks", "So say I delete 500 words out of a document and save it.", "if there are any pieces of software that keep copies of revisions made", "revisions made on a document. So say I delete 500 words out of", "wondering if there was a more elegant solution. I apologize to the mods", "elegant solution. I apologize to the mods if this is too broad a", "there was a more elegant solution. I apologize to the mods if this", "a program that would realize I have changed the document and would back", "delete 500 words out of a document and save it. Is there a", "I've made. As a programmer I'm aware of Github but was wondering if", "use Dropbox so that I have all my writing no matter where I", "so that I have all my writing no matter where I go but", "document in something like a zipped folder? I currently use Dropbox so that", "copies of revisions made on a document. So say I delete 500 words", "save it. Is there a program that would realize I have changed the", "document and would back up the old version of the document in something", "pieces of software that keep copies of revisions made on a document. So", "nice to have a program that tracks the progress I've made. As a", "that tracks the progress I've made. As a programmer I'm aware of Github", "up the old version of the document in something like a zipped folder?", "this is too broad a question, though I think it is specific enough.", "wondering if there are any pieces of software that keep copies of revisions", "that would realize I have changed the document and would back up the", "words out of a document and save it. Is there a program that", "of Github but was wondering if there was a more elegant solution. I", "apologize to the mods if this is too broad a question, though I", "if this is too broad a question, though I think it is specific", "zipped folder? I currently use Dropbox so that I have all my writing", "have changed the document and would back up the old version of the", "writing no matter where I go but it would be nice to have", "would back up the old version of the document in something like a", "version of the document in something like a zipped folder? I currently use", "but was wondering if there was a more elegant solution. I apologize to", "any pieces of software that keep copies of revisions made on a document.", "made. As a programmer I'm aware of Github but was wondering if there", "in something like a zipped folder? I currently use Dropbox so that I", "was wondering if there was a more elegant solution. I apologize to the", "say I delete 500 words out of a document and save it. Is", "back up the old version of the document in something like a zipped", "old version of the document in something like a zipped folder? I currently", "would be nice to have a program that tracks the progress I've made.", "that I have all my writing no matter where I go but it", "progress I've made. As a programmer I'm aware of Github but was wondering", "have all my writing no matter where I go but it would be", "a more elegant solution. I apologize to the mods if this is too", "of software that keep copies of revisions made on a document. So say", "go but it would be nice to have a program that tracks the", "it. Is there a program that would realize I have changed the document", "realize I have changed the document and would back up the old version" ]
[ "see in real life. As such I was hoping to have 2 books", "that has one of it's key features is these other worlds/universes being the", "Is there a way or do I need to abandon the idea of", "such I was hoping to have 2 books in the series features worlds", "I can legally do this. Is there a way or do I need", "basis of the videos games we see in real life. As such I", "I did look up Nintendo's copyright claim, but I can't quite figure out", "from Nintendo Games Legend of Zelda and Fire Emblem, but not claim any", "is these other worlds/universes being the basis of the videos games we see", "way or do I need to abandon the idea of using the game's", "in the series features worlds from Nintendo Games Legend of Zelda and Fire", "to have 2 books in the series features worlds from Nintendo Games Legend", "worlds/universes being the basis of the videos games we see in real life.", "As such I was hoping to have 2 books in the series features", "copyright claim, but I can't quite figure out if I can legally do", "and Fire Emblem, but not claim any ownership to these inclusions. I did", "I was hoping to have 2 books in the series features worlds from", "it's key features is these other worlds/universes being the basis of the videos", "has one of it's key features is these other worlds/universes being the basis", "the basis of the videos games we see in real life. As such", "books in the series features worlds from Nintendo Games Legend of Zelda and", "writing a story for publication that has one of it's key features is", "do I need to abandon the idea of using the game's worlds directly?", "figure out if I can legally do this. Is there a way or", "did look up Nintendo's copyright claim, but I can't quite figure out if", "can't quite figure out if I can legally do this. Is there a", "ownership to these inclusions. I did look up Nintendo's copyright claim, but I", "we see in real life. As such I was hoping to have 2", "legally do this. Is there a way or do I need to abandon", "up Nintendo's copyright claim, but I can't quite figure out if I can", "I can't quite figure out if I can legally do this. Is there", "in real life. As such I was hoping to have 2 books in", "a story for publication that has one of it's key features is these", "look up Nintendo's copyright claim, but I can't quite figure out if I", "key features is these other worlds/universes being the basis of the videos games", "Emblem, but not claim any ownership to these inclusions. I did look up", "2 books in the series features worlds from Nintendo Games Legend of Zelda", "or do I need to abandon the idea of using the game's worlds", "real life. As such I was hoping to have 2 books in the", "being the basis of the videos games we see in real life. As", "these other worlds/universes being the basis of the videos games we see in", "story for publication that has one of it's key features is these other", "videos games we see in real life. As such I was hoping to", "this. Is there a way or do I need to abandon the idea", "I am writing a story for publication that has one of it's key", "series features worlds from Nintendo Games Legend of Zelda and Fire Emblem, but", "quite figure out if I can legally do this. Is there a way", "of it's key features is these other worlds/universes being the basis of the", "other worlds/universes being the basis of the videos games we see in real", "was hoping to have 2 books in the series features worlds from Nintendo", "Games Legend of Zelda and Fire Emblem, but not claim any ownership to", "games we see in real life. As such I was hoping to have", "am writing a story for publication that has one of it's key features", "Nintendo's copyright claim, but I can't quite figure out if I can legally", "out if I can legally do this. Is there a way or do", "Legend of Zelda and Fire Emblem, but not claim any ownership to these", "the videos games we see in real life. As such I was hoping", "if I can legally do this. Is there a way or do I", "life. As such I was hoping to have 2 books in the series", "features worlds from Nintendo Games Legend of Zelda and Fire Emblem, but not", "for publication that has one of it's key features is these other worlds/universes", "but not claim any ownership to these inclusions. I did look up Nintendo's", "worlds from Nintendo Games Legend of Zelda and Fire Emblem, but not claim", "inclusions. I did look up Nintendo's copyright claim, but I can't quite figure", "one of it's key features is these other worlds/universes being the basis of", "have 2 books in the series features worlds from Nintendo Games Legend of", "Zelda and Fire Emblem, but not claim any ownership to these inclusions. I", "do this. Is there a way or do I need to abandon the", "features is these other worlds/universes being the basis of the videos games we", "a way or do I need to abandon the idea of using the", "not claim any ownership to these inclusions. I did look up Nintendo's copyright", "claim any ownership to these inclusions. I did look up Nintendo's copyright claim,", "can legally do this. Is there a way or do I need to", "of Zelda and Fire Emblem, but not claim any ownership to these inclusions.", "these inclusions. I did look up Nintendo's copyright claim, but I can't quite", "publication that has one of it's key features is these other worlds/universes being", "Fire Emblem, but not claim any ownership to these inclusions. I did look", "but I can't quite figure out if I can legally do this. Is", "any ownership to these inclusions. I did look up Nintendo's copyright claim, but", "the series features worlds from Nintendo Games Legend of Zelda and Fire Emblem,", "hoping to have 2 books in the series features worlds from Nintendo Games", "there a way or do I need to abandon the idea of using", "to these inclusions. I did look up Nintendo's copyright claim, but I can't", "Nintendo Games Legend of Zelda and Fire Emblem, but not claim any ownership", "of the videos games we see in real life. As such I was", "claim, but I can't quite figure out if I can legally do this." ]
[ "explore this invented technology in-depth – not only its functions but also elements", "sci-fi technology concept in the work I'm currently writing, and its potential implications", "system) in detail prior to/alongside writing the story? The aspects I have listed", "I have listed above are a starting point for me; further aspects or", "I want to systematically explore this invented technology in-depth – not only its", "how to explore a technology (or indeed a magic system) in detail prior", "society and for individual characters are quite far-reaching. I want to systematically explore", "company behind it works etc. Does anybody have resources, methods or ideas regarding", "legal framework surrounding its use, how the company behind it works etc. Does", "a sci-fi technology concept in the work I'm currently writing, and its potential", "for individual characters are quite far-reaching. I want to systematically explore this invented", "I'm currently writing, and its potential implications for society and for individual characters", "surrounding its use, how the company behind it works etc. Does anybody have", "a magic system) in detail prior to/alongside writing the story? The aspects I", "aspects I have listed above are a starting point for me; further aspects", "functions but also elements like the legal framework surrounding its use, how the", "elements like the legal framework surrounding its use, how the company behind it", "above are a starting point for me; further aspects or different methods would", "this invented technology in-depth – not only its functions but also elements like", "ideas regarding how to explore a technology (or indeed a magic system) in", "writing, and its potential implications for society and for individual characters are quite", "systematically explore this invented technology in-depth – not only its functions but also", "a starting point for me; further aspects or different methods would be useful", "want to systematically explore this invented technology in-depth – not only its functions", "the work I'm currently writing, and its potential implications for society and for", "the company behind it works etc. Does anybody have resources, methods or ideas", "the story? The aspects I have listed above are a starting point for", "listed above are a starting point for me; further aspects or different methods", "its use, how the company behind it works etc. Does anybody have resources,", "for society and for individual characters are quite far-reaching. I want to systematically", "detail prior to/alongside writing the story? The aspects I have listed above are", "technology concept in the work I'm currently writing, and its potential implications for", "in the work I'm currently writing, and its potential implications for society and", "and its potential implications for society and for individual characters are quite far-reaching.", "to explore a technology (or indeed a magic system) in detail prior to/alongside", "potential implications for society and for individual characters are quite far-reaching. I want", "I have a sci-fi technology concept in the work I'm currently writing, and", "etc. Does anybody have resources, methods or ideas regarding how to explore a", "a technology (or indeed a magic system) in detail prior to/alongside writing the", "writing the story? The aspects I have listed above are a starting point", "currently writing, and its potential implications for society and for individual characters are", "works etc. Does anybody have resources, methods or ideas regarding how to explore", "anybody have resources, methods or ideas regarding how to explore a technology (or", "are a starting point for me; further aspects or different methods would be", "have a sci-fi technology concept in the work I'm currently writing, and its", "indeed a magic system) in detail prior to/alongside writing the story? The aspects", "quite far-reaching. I want to systematically explore this invented technology in-depth – not", "in detail prior to/alongside writing the story? The aspects I have listed above", "not only its functions but also elements like the legal framework surrounding its", "also elements like the legal framework surrounding its use, how the company behind", "have listed above are a starting point for me; further aspects or different", "or ideas regarding how to explore a technology (or indeed a magic system)", "regarding how to explore a technology (or indeed a magic system) in detail", "to/alongside writing the story? The aspects I have listed above are a starting", "implications for society and for individual characters are quite far-reaching. I want to", "concept in the work I'm currently writing, and its potential implications for society", "Does anybody have resources, methods or ideas regarding how to explore a technology", "invented technology in-depth – not only its functions but also elements like the", "and for individual characters are quite far-reaching. I want to systematically explore this", "are quite far-reaching. I want to systematically explore this invented technology in-depth –", "work I'm currently writing, and its potential implications for society and for individual", "resources, methods or ideas regarding how to explore a technology (or indeed a", "only its functions but also elements like the legal framework surrounding its use,", "technology (or indeed a magic system) in detail prior to/alongside writing the story?", "individual characters are quite far-reaching. I want to systematically explore this invented technology", "(or indeed a magic system) in detail prior to/alongside writing the story? The", "explore a technology (or indeed a magic system) in detail prior to/alongside writing", "prior to/alongside writing the story? The aspects I have listed above are a", "behind it works etc. Does anybody have resources, methods or ideas regarding how", "it works etc. Does anybody have resources, methods or ideas regarding how to", "– not only its functions but also elements like the legal framework surrounding", "to systematically explore this invented technology in-depth – not only its functions but", "but also elements like the legal framework surrounding its use, how the company", "its functions but also elements like the legal framework surrounding its use, how", "its potential implications for society and for individual characters are quite far-reaching. I", "have resources, methods or ideas regarding how to explore a technology (or indeed", "methods or ideas regarding how to explore a technology (or indeed a magic", "use, how the company behind it works etc. Does anybody have resources, methods", "in-depth – not only its functions but also elements like the legal framework", "The aspects I have listed above are a starting point for me; further", "like the legal framework surrounding its use, how the company behind it works", "starting point for me; further aspects or different methods would be useful too.", "how the company behind it works etc. Does anybody have resources, methods or", "technology in-depth – not only its functions but also elements like the legal", "characters are quite far-reaching. I want to systematically explore this invented technology in-depth", "framework surrounding its use, how the company behind it works etc. Does anybody", "magic system) in detail prior to/alongside writing the story? The aspects I have", "story? The aspects I have listed above are a starting point for me;", "the legal framework surrounding its use, how the company behind it works etc.", "far-reaching. I want to systematically explore this invented technology in-depth – not only" ]
[ "a fanfiction to be specific, and a main character is an aggressive, emotionless,", "his personality change? Should I include a terrific event that will change him?", "fall deep in love with someone and have strong feelings for them. Do", "in love with someone and have strong feelings for them. Do you think", "continues, become more sensitive, emotional and caring, and eventually fall deep in love", "Do you think something like that would be possible? And if so, how", "lot and doesn't care much about anything. I want him to develop as", "sensitive, emotional and caring, and eventually fall deep in love with someone and", "writing a story, a fanfiction to be specific, and a main character is", "much about anything. I want him to develop as the story continues, become", "anything. I want him to develop as the story continues, become more sensitive,", "emotional and caring, and eventually fall deep in love with someone and have", "and caring, and eventually fall deep in love with someone and have strong", "And if so, how fastly should his personality change? Should I include a", "if so, how fastly should his personality change? Should I include a terrific", "a lot and doesn't care much about anything. I want him to develop", "main character is an aggressive, emotionless, constantly angry man, who swears a lot", "like that would be possible? And if so, how fastly should his personality", "someone and have strong feelings for them. Do you think something like that", "character is an aggressive, emotionless, constantly angry man, who swears a lot and", "as the story continues, become more sensitive, emotional and caring, and eventually fall", "constantly angry man, who swears a lot and doesn't care much about anything.", "to develop as the story continues, become more sensitive, emotional and caring, and", "care much about anything. I want him to develop as the story continues,", "have strong feelings for them. Do you think something like that would be", "and doesn't care much about anything. I want him to develop as the", "you think something like that would be possible? And if so, how fastly", "I want him to develop as the story continues, become more sensitive, emotional", "be possible? And if so, how fastly should his personality change? Should I", "fastly should his personality change? Should I include a terrific event that will", "think something like that would be possible? And if so, how fastly should", "and a main character is an aggressive, emotionless, constantly angry man, who swears", "an aggressive, emotionless, constantly angry man, who swears a lot and doesn't care", "deep in love with someone and have strong feelings for them. Do you", "and have strong feelings for them. Do you think something like that would", "feelings for them. Do you think something like that would be possible? And", "how fastly should his personality change? Should I include a terrific event that", "is an aggressive, emotionless, constantly angry man, who swears a lot and doesn't", "be specific, and a main character is an aggressive, emotionless, constantly angry man,", "man, who swears a lot and doesn't care much about anything. I want", "fanfiction to be specific, and a main character is an aggressive, emotionless, constantly", "would be possible? And if so, how fastly should his personality change? Should", "that would be possible? And if so, how fastly should his personality change?", "a story, a fanfiction to be specific, and a main character is an", "the story continues, become more sensitive, emotional and caring, and eventually fall deep", "love with someone and have strong feelings for them. Do you think something", "something like that would be possible? And if so, how fastly should his", "who swears a lot and doesn't care much about anything. I want him", "strong feelings for them. Do you think something like that would be possible?", "should his personality change? Should I include a terrific event that will change", "swears a lot and doesn't care much about anything. I want him to", "emotionless, constantly angry man, who swears a lot and doesn't care much about", "story continues, become more sensitive, emotional and caring, and eventually fall deep in", "so, how fastly should his personality change? Should I include a terrific event", "doesn't care much about anything. I want him to develop as the story", "develop as the story continues, become more sensitive, emotional and caring, and eventually", "become more sensitive, emotional and caring, and eventually fall deep in love with", "more sensitive, emotional and caring, and eventually fall deep in love with someone", "So I'm writing a story, a fanfiction to be specific, and a main", "caring, and eventually fall deep in love with someone and have strong feelings", "for them. Do you think something like that would be possible? And if", "aggressive, emotionless, constantly angry man, who swears a lot and doesn't care much", "I'm writing a story, a fanfiction to be specific, and a main character", "to be specific, and a main character is an aggressive, emotionless, constantly angry", "him to develop as the story continues, become more sensitive, emotional and caring,", "specific, and a main character is an aggressive, emotionless, constantly angry man, who", "angry man, who swears a lot and doesn't care much about anything. I", "story, a fanfiction to be specific, and a main character is an aggressive,", "eventually fall deep in love with someone and have strong feelings for them.", "possible? And if so, how fastly should his personality change? Should I include", "them. Do you think something like that would be possible? And if so,", "about anything. I want him to develop as the story continues, become more", "and eventually fall deep in love with someone and have strong feelings for", "with someone and have strong feelings for them. Do you think something like", "a main character is an aggressive, emotionless, constantly angry man, who swears a", "want him to develop as the story continues, become more sensitive, emotional and" ]
[ "from a real life figure? For example, can I have a villain make", "fantasy character make a quote from a real life figure? For example, can", "a quote from a real life figure? For example, can I have a", "example, can I have a villain make a statement spoken by let's say,", "For example, can I have a villain make a statement spoken by let's", "I have a villain make a statement spoken by let's say, Adolf Hitler?", "make a quote from a real life figure? For example, can I have", "Can I have a fantasy character make a quote from a real life", "quote from a real life figure? For example, can I have a villain", "real life figure? For example, can I have a villain make a statement", "a fantasy character make a quote from a real life figure? For example,", "a real life figure? For example, can I have a villain make a", "character make a quote from a real life figure? For example, can I", "figure? For example, can I have a villain make a statement spoken by", "can I have a villain make a statement spoken by let's say, Adolf", "have a fantasy character make a quote from a real life figure? For", "I have a fantasy character make a quote from a real life figure?", "life figure? For example, can I have a villain make a statement spoken" ]
[ "later, the sensei dies at the hands of a demigoddess succubus and my", "it into hatred. The Yukg soul is the girl, she is grateful to", "martial arts dojo where their sensei takes care of them. He trains both", "female second protagonist into the antagonist during the journey? (Note: My Yukg protagonist", "family for a relic that they sold to a lesser demon. The female", "is a demon-human hybrid and that she is one of his many demon", "year-old orphan teenagers sharing the bond of love. The problem is, I want", "Then both of my protagonists start their journey. How can I turn my", "sensei dies at the hands of a demigoddess succubus and my characters are", "join a martial arts dojo where their sensei takes care of them. He", "care of them. He trains both to become exorcists. 5 years later, the", "I turn my female second protagonist into the antagonist during the journey? (Note:", "enemy is demon or human. He values justice above all things because bandits", "the opposite of him. The only thing they have in common is mutual", "one of his many demon half sisters, then she dies. Then both of", "of my protagonists start their journey. How can I turn my female second", "and my characters are the only survivors after a bloody battle. The dying", "possessive of his twin soul. He is misanthropic, quiet and peaceful when not", "The only thing they have in common is mutual hatred for demons. However", "bond of love. The problem is, I want to cut that bond and", "quiet and peaceful when not disturbed, but he gets angry easily and enjoys", "the orphanage and join a martial arts dojo where their sensei takes care", "cut that bond and turn it into hatred. The Yukg soul is the", "They run away together from the orphanage and join a martial arts dojo", "The Yukg soul is the girl, she is grateful to my Yin anti-hero", "soul is Yukg, the other is Yin (Positive/Negative personalities). Both are 15 year-old", "both to become exorcists. 5 years later, the sensei dies at the hands", "reveals that my Yukg protagonist is a demon-human hybrid and that she is", "Both are 15 year-old orphan teenagers sharing the bond of love. The problem", "years later, the sensei dies at the hands of a demigoddess succubus and", "Yin anti-hero for saving her life. They run away together from the orphanage", "Yukg soul is the girl, she is grateful to my Yin anti-hero for", "is misanthropic, quiet and peaceful when not disturbed, but he gets angry easily", "5 years later, the sensei dies at the hands of a demigoddess succubus", "relic that they sold to a lesser demon. The female Yin protagonist is", "(Positive/Negative personalities). Both are 15 year-old orphan teenagers sharing the bond of love.", "protagonist into the antagonist during the journey? (Note: My Yukg protagonist is very", "bandits killed his family for a relic that they sold to a lesser", "sold to a lesser demon. The female Yin protagonist is the opposite of", "when not disturbed, but he gets angry easily and enjoys torturing his enemies", "of them. He trains both to become exorcists. 5 years later, the sensei", "15 year-old orphan teenagers sharing the bond of love. The problem is, I", "demon-human hybrid and that she is one of his many demon half sisters,", "is one of his many demon half sisters, then she dies. Then both", "to my Yin anti-hero for saving her life. They run away together from", "she dies. Then both of my protagonists start their journey. How can I", "is the opposite of him. The only thing they have in common is", "demon or human. He values justice above all things because bandits killed his", "have in common is mutual hatred for demons. However she may befriend a", "bond and turn it into hatred. The Yukg soul is the girl, she", "main characters are twin souls. One soul is Yukg, the other is Yin", "his many demon half sisters, then she dies. Then both of my protagonists", "enemies killing them regardless if the enemy is demon or human. He values", "things because bandits killed his family for a relic that they sold to", "his family for a relic that they sold to a lesser demon. The", "problem is, I want to cut that bond and turn it into hatred.", "soul. He is misanthropic, quiet and peaceful when not disturbed, but he gets", "of love. The problem is, I want to cut that bond and turn", "the hands of a demigoddess succubus and my characters are the only survivors", "sharing the bond of love. The problem is, I want to cut that", "only survivors after a bloody battle. The dying demoness reveals that my Yukg", "trains both to become exorcists. 5 years later, the sensei dies at the", "exorcists. 5 years later, the sensei dies at the hands of a demigoddess", "journey? (Note: My Yukg protagonist is very possessive of his twin soul. He", "sensei takes care of them. He trains both to become exorcists. 5 years", "journey. How can I turn my female second protagonist into the antagonist during", "are the only survivors after a bloody battle. The dying demoness reveals that", "or human. He values justice above all things because bandits killed his family", "that they sold to a lesser demon. The female Yin protagonist is the", "and turn it into hatred. The Yukg soul is the girl, she is", "her life. They run away together from the orphanage and join a martial", "a lesser demon. The female Yin protagonist is the opposite of him. The", "can I turn my female second protagonist into the antagonist during the journey?", "his enemies killing them regardless if the enemy is demon or human. He", "(Note: My Yukg protagonist is very possessive of his twin soul. He is", "she is grateful to my Yin anti-hero for saving her life. They run", "takes care of them. He trains both to become exorcists. 5 years later,", "succubus and my characters are the only survivors after a bloody battle. The", "soul is the girl, she is grateful to my Yin anti-hero for saving", "are 15 year-old orphan teenagers sharing the bond of love. The problem is,", "My two main characters are twin souls. One soul is Yukg, the other", "that my Yukg protagonist is a demon-human hybrid and that she is one", "not disturbed, but he gets angry easily and enjoys torturing his enemies killing", "dies. Then both of my protagonists start their journey. How can I turn", "is the girl, she is grateful to my Yin anti-hero for saving her", "saving her life. They run away together from the orphanage and join a", "the only survivors after a bloody battle. The dying demoness reveals that my", "Yin (Positive/Negative personalities). Both are 15 year-old orphan teenagers sharing the bond of", "is very possessive of his twin soul. He is misanthropic, quiet and peaceful", "twin soul. He is misanthropic, quiet and peaceful when not disturbed, but he", "demon. The female Yin protagonist is the opposite of him. The only thing", "demigoddess succubus and my characters are the only survivors after a bloody battle.", "second protagonist into the antagonist during the journey? (Note: My Yukg protagonist is", "torturing his enemies killing them regardless if the enemy is demon or human.", "protagonist is the opposite of him. The only thing they have in common", "enjoys torturing his enemies killing them regardless if the enemy is demon or", "run away together from the orphanage and join a martial arts dojo where", "dies at the hands of a demigoddess succubus and my characters are the", "during the journey? (Note: My Yukg protagonist is very possessive of his twin", "become exorcists. 5 years later, the sensei dies at the hands of a", "mutual hatred for demons. However she may befriend a demonic prince in the", "personalities). Both are 15 year-old orphan teenagers sharing the bond of love. The", "a bloody battle. The dying demoness reveals that my Yukg protagonist is a", "other is Yin (Positive/Negative personalities). Both are 15 year-old orphan teenagers sharing the", "to cut that bond and turn it into hatred. The Yukg soul is", "he gets angry easily and enjoys torturing his enemies killing them regardless if", "is mutual hatred for demons. However she may befriend a demonic prince in", "turn my female second protagonist into the antagonist during the journey? (Note: My", "from the orphanage and join a martial arts dojo where their sensei takes", "my female second protagonist into the antagonist during the journey? (Note: My Yukg", "my Yin anti-hero for saving her life. They run away together from the", "is Yukg, the other is Yin (Positive/Negative personalities). Both are 15 year-old orphan", "the other is Yin (Positive/Negative personalities). Both are 15 year-old orphan teenagers sharing", "protagonist is a demon-human hybrid and that she is one of his many", "lesser demon. The female Yin protagonist is the opposite of him. The only", "for a relic that they sold to a lesser demon. The female Yin", "to a lesser demon. The female Yin protagonist is the opposite of him.", "souls. One soul is Yukg, the other is Yin (Positive/Negative personalities). Both are", "to become exorcists. 5 years later, the sensei dies at the hands of", "my characters are the only survivors after a bloody battle. The dying demoness", "of a demigoddess succubus and my characters are the only survivors after a", "orphan teenagers sharing the bond of love. The problem is, I want to", "hatred for demons. However she may befriend a demonic prince in the future.)", "I want to cut that bond and turn it into hatred. The Yukg", "my protagonists start their journey. How can I turn my female second protagonist", "life. They run away together from the orphanage and join a martial arts", "turn it into hatred. The Yukg soul is the girl, she is grateful", "One soul is Yukg, the other is Yin (Positive/Negative personalities). Both are 15", "opposite of him. The only thing they have in common is mutual hatred", "into hatred. The Yukg soul is the girl, she is grateful to my", "of his twin soul. He is misanthropic, quiet and peaceful when not disturbed,", "Yukg, the other is Yin (Positive/Negative personalities). Both are 15 year-old orphan teenagers", "Yin protagonist is the opposite of him. The only thing they have in", "the girl, she is grateful to my Yin anti-hero for saving her life.", "gets angry easily and enjoys torturing his enemies killing them regardless if the", "them. He trains both to become exorcists. 5 years later, the sensei dies", "want to cut that bond and turn it into hatred. The Yukg soul", "they sold to a lesser demon. The female Yin protagonist is the opposite", "The dying demoness reveals that my Yukg protagonist is a demon-human hybrid and", "How can I turn my female second protagonist into the antagonist during the", "The problem is, I want to cut that bond and turn it into", "He is misanthropic, quiet and peaceful when not disturbed, but he gets angry", "then she dies. Then both of my protagonists start their journey. How can", "arts dojo where their sensei takes care of them. He trains both to", "battle. The dying demoness reveals that my Yukg protagonist is a demon-human hybrid", "together from the orphanage and join a martial arts dojo where their sensei", "sisters, then she dies. Then both of my protagonists start their journey. How", "their journey. How can I turn my female second protagonist into the antagonist", "the journey? (Note: My Yukg protagonist is very possessive of his twin soul.", "a relic that they sold to a lesser demon. The female Yin protagonist", "my Yukg protagonist is a demon-human hybrid and that she is one of", "dojo where their sensei takes care of them. He trains both to become", "characters are twin souls. One soul is Yukg, the other is Yin (Positive/Negative", "common is mutual hatred for demons. However she may befriend a demonic prince", "demoness reveals that my Yukg protagonist is a demon-human hybrid and that she", "him. The only thing they have in common is mutual hatred for demons.", "a demigoddess succubus and my characters are the only survivors after a bloody", "start their journey. How can I turn my female second protagonist into the", "is grateful to my Yin anti-hero for saving her life. They run away", "values justice above all things because bandits killed his family for a relic", "his twin soul. He is misanthropic, quiet and peaceful when not disturbed, but", "My Yukg protagonist is very possessive of his twin soul. He is misanthropic,", "love. The problem is, I want to cut that bond and turn it", "into the antagonist during the journey? (Note: My Yukg protagonist is very possessive", "female Yin protagonist is the opposite of him. The only thing they have", "survivors after a bloody battle. The dying demoness reveals that my Yukg protagonist", "The female Yin protagonist is the opposite of him. The only thing they", "that bond and turn it into hatred. The Yukg soul is the girl,", "and enjoys torturing his enemies killing them regardless if the enemy is demon", "dying demoness reveals that my Yukg protagonist is a demon-human hybrid and that", "they have in common is mutual hatred for demons. However she may befriend", "them regardless if the enemy is demon or human. He values justice above", "both of my protagonists start their journey. How can I turn my female", "human. He values justice above all things because bandits killed his family for", "hybrid and that she is one of his many demon half sisters, then", "and join a martial arts dojo where their sensei takes care of them.", "the sensei dies at the hands of a demigoddess succubus and my characters", "He values justice above all things because bandits killed his family for a", "in common is mutual hatred for demons. However she may befriend a demonic", "half sisters, then she dies. Then both of my protagonists start their journey.", "she is one of his many demon half sisters, then she dies. Then", "thing they have in common is mutual hatred for demons. However she may", "orphanage and join a martial arts dojo where their sensei takes care of", "above all things because bandits killed his family for a relic that they", "where their sensei takes care of them. He trains both to become exorcists.", "is, I want to cut that bond and turn it into hatred. The", "a demon-human hybrid and that she is one of his many demon half", "angry easily and enjoys torturing his enemies killing them regardless if the enemy", "if the enemy is demon or human. He values justice above all things", "for saving her life. They run away together from the orphanage and join", "a martial arts dojo where their sensei takes care of them. He trains", "twin souls. One soul is Yukg, the other is Yin (Positive/Negative personalities). Both", "hands of a demigoddess succubus and my characters are the only survivors after", "killing them regardless if the enemy is demon or human. He values justice", "peaceful when not disturbed, but he gets angry easily and enjoys torturing his", "hatred. The Yukg soul is the girl, she is grateful to my Yin", "grateful to my Yin anti-hero for saving her life. They run away together", "two main characters are twin souls. One soul is Yukg, the other is", "teenagers sharing the bond of love. The problem is, I want to cut", "many demon half sisters, then she dies. Then both of my protagonists start", "after a bloody battle. The dying demoness reveals that my Yukg protagonist is", "demon half sisters, then she dies. Then both of my protagonists start their", "and peaceful when not disturbed, but he gets angry easily and enjoys torturing", "and that she is one of his many demon half sisters, then she", "He trains both to become exorcists. 5 years later, the sensei dies at", "disturbed, but he gets angry easily and enjoys torturing his enemies killing them", "are twin souls. One soul is Yukg, the other is Yin (Positive/Negative personalities).", "their sensei takes care of them. He trains both to become exorcists. 5", "the antagonist during the journey? (Note: My Yukg protagonist is very possessive of", "all things because bandits killed his family for a relic that they sold", "is demon or human. He values justice above all things because bandits killed", "antagonist during the journey? (Note: My Yukg protagonist is very possessive of his", "bloody battle. The dying demoness reveals that my Yukg protagonist is a demon-human", "of him. The only thing they have in common is mutual hatred for", "protagonists start their journey. How can I turn my female second protagonist into", "easily and enjoys torturing his enemies killing them regardless if the enemy is", "protagonist is very possessive of his twin soul. He is misanthropic, quiet and", "Yukg protagonist is a demon-human hybrid and that she is one of his", "but he gets angry easily and enjoys torturing his enemies killing them regardless", "very possessive of his twin soul. He is misanthropic, quiet and peaceful when", "at the hands of a demigoddess succubus and my characters are the only", "girl, she is grateful to my Yin anti-hero for saving her life. They", "of his many demon half sisters, then she dies. Then both of my", "only thing they have in common is mutual hatred for demons. However she", "regardless if the enemy is demon or human. He values justice above all", "the bond of love. The problem is, I want to cut that bond", "away together from the orphanage and join a martial arts dojo where their", "Yukg protagonist is very possessive of his twin soul. He is misanthropic, quiet", "misanthropic, quiet and peaceful when not disturbed, but he gets angry easily and", "anti-hero for saving her life. They run away together from the orphanage and", "is Yin (Positive/Negative personalities). Both are 15 year-old orphan teenagers sharing the bond", "the enemy is demon or human. He values justice above all things because", "killed his family for a relic that they sold to a lesser demon.", "justice above all things because bandits killed his family for a relic that", "that she is one of his many demon half sisters, then she dies.", "characters are the only survivors after a bloody battle. The dying demoness reveals", "because bandits killed his family for a relic that they sold to a" ]
[ "the third, decisive crisis. One wants to continue reaching for the brass ring,", "\"kick back, relax, and take some time off with someone I love,\" basically", "first is an external crisis that has the hero rushing to the rescue", "plausible that the characters run the risk of being victims of their own", "One wants to continue reaching for the brass ring, and the other wants", "they are reconciled, they make it towards the top together, and this causes", "it towards the top together, and this causes the third, decisive crisis. One", "the top together, and this causes the third, decisive crisis. One wants to", "creating the second crisis. After they are reconciled, they make it towards the", "decisive crisis. One wants to continue reaching for the brass ring, and the", "wants to continue reaching for the brass ring, and the other wants to", "the rescue of the heroine. Then their relationship develops at a brisk pace,", "The novelty wears off, and one or both recoils at seeing the other", "external crisis that has the hero rushing to the rescue of the heroine.", "other wants to \"kick back, relax, and take some time off with someone", "and this causes the third, decisive crisis. One wants to continue reaching for", "\"real person,\" creating the second crisis. After they are reconciled, they make it", "are reconciled, they make it towards the top together, and this causes the", "or both recoils at seeing the other \"real person,\" creating the second crisis.", "time off with someone I love,\" basically two conflicting goals. Do I need", "with a three crisis structure. The first is an external crisis that has", "the hero rushing to the rescue of the heroine. Then their relationship develops", "a story with a three crisis structure. The first is an external crisis", "off, and one or both recoils at seeing the other \"real person,\" creating", "crisis for either the second or third crises? Or is it plausible that", "rescue of the heroine. Then their relationship develops at a brisk pace, in", "goals. Do I need an external crisis for either the second or third", "to \"kick back, relax, and take some time off with someone I love,\"", "seeing the other \"real person,\" creating the second crisis. After they are reconciled,", "is it plausible that the characters run the risk of being victims of", "crisis structure. The first is an external crisis that has the hero rushing", "ring, and the other wants to \"kick back, relax, and take some time", "take some time off with someone I love,\" basically two conflicting goals. Do", "for the brass ring, and the other wants to \"kick back, relax, and", "is an external crisis that has the hero rushing to the rescue of", "pace, in the manner of \"too much, too soon.\" The novelty wears off,", "of \"too much, too soon.\" The novelty wears off, and one or both", "an external crisis that has the hero rushing to the rescue of the", "soon.\" The novelty wears off, and one or both recoils at seeing the", "wears off, and one or both recoils at seeing the other \"real person,\"", "has the hero rushing to the rescue of the heroine. Then their relationship", "am writing a story with a three crisis structure. The first is an", "the other \"real person,\" creating the second crisis. After they are reconciled, they", "they make it towards the top together, and this causes the third, decisive", "story with a three crisis structure. The first is an external crisis that", "I love,\" basically two conflicting goals. Do I need an external crisis for", "develops at a brisk pace, in the manner of \"too much, too soon.\"", "I am writing a story with a three crisis structure. The first is", "together, and this causes the third, decisive crisis. One wants to continue reaching", "both recoils at seeing the other \"real person,\" creating the second crisis. After", "writing a story with a three crisis structure. The first is an external", "second crisis. After they are reconciled, they make it towards the top together,", "recoils at seeing the other \"real person,\" creating the second crisis. After they", "reconciled, they make it towards the top together, and this causes the third,", "third crises? Or is it plausible that the characters run the risk of", "hero rushing to the rescue of the heroine. Then their relationship develops at", "crises? Or is it plausible that the characters run the risk of being", "three crisis structure. The first is an external crisis that has the hero", "love,\" basically two conflicting goals. Do I need an external crisis for either", "towards the top together, and this causes the third, decisive crisis. One wants", "\"too much, too soon.\" The novelty wears off, and one or both recoils", "basically two conflicting goals. Do I need an external crisis for either the", "causes the third, decisive crisis. One wants to continue reaching for the brass", "in the manner of \"too much, too soon.\" The novelty wears off, and", "relationship develops at a brisk pace, in the manner of \"too much, too", "someone I love,\" basically two conflicting goals. Do I need an external crisis", "the second or third crises? Or is it plausible that the characters run", "and the other wants to \"kick back, relax, and take some time off", "crisis. After they are reconciled, they make it towards the top together, and", "structure. The first is an external crisis that has the hero rushing to", "off with someone I love,\" basically two conflicting goals. Do I need an", "the other wants to \"kick back, relax, and take some time off with", "The first is an external crisis that has the hero rushing to the", "that has the hero rushing to the rescue of the heroine. Then their", "After they are reconciled, they make it towards the top together, and this", "much, too soon.\" The novelty wears off, and one or both recoils at", "Or is it plausible that the characters run the risk of being victims", "crisis that has the hero rushing to the rescue of the heroine. Then", "to continue reaching for the brass ring, and the other wants to \"kick", "external crisis for either the second or third crises? Or is it plausible", "this causes the third, decisive crisis. One wants to continue reaching for the", "crisis. One wants to continue reaching for the brass ring, and the other", "one or both recoils at seeing the other \"real person,\" creating the second", "make it towards the top together, and this causes the third, decisive crisis.", "it plausible that the characters run the risk of being victims of their", "brisk pace, in the manner of \"too much, too soon.\" The novelty wears", "wants to \"kick back, relax, and take some time off with someone I", "a brisk pace, in the manner of \"too much, too soon.\" The novelty", "for either the second or third crises? Or is it plausible that the", "that the characters run the risk of being victims of their own success?", "other \"real person,\" creating the second crisis. After they are reconciled, they make", "I need an external crisis for either the second or third crises? Or", "or third crises? Or is it plausible that the characters run the risk", "conflicting goals. Do I need an external crisis for either the second or", "the second crisis. After they are reconciled, they make it towards the top", "Do I need an external crisis for either the second or third crises?", "brass ring, and the other wants to \"kick back, relax, and take some", "their relationship develops at a brisk pace, in the manner of \"too much,", "and take some time off with someone I love,\" basically two conflicting goals.", "an external crisis for either the second or third crises? Or is it", "novelty wears off, and one or both recoils at seeing the other \"real", "too soon.\" The novelty wears off, and one or both recoils at seeing", "either the second or third crises? Or is it plausible that the characters", "a three crisis structure. The first is an external crisis that has the", "second or third crises? Or is it plausible that the characters run the", "the manner of \"too much, too soon.\" The novelty wears off, and one", "back, relax, and take some time off with someone I love,\" basically two", "need an external crisis for either the second or third crises? Or is", "person,\" creating the second crisis. After they are reconciled, they make it towards", "continue reaching for the brass ring, and the other wants to \"kick back,", "rushing to the rescue of the heroine. Then their relationship develops at a", "and one or both recoils at seeing the other \"real person,\" creating the", "third, decisive crisis. One wants to continue reaching for the brass ring, and", "some time off with someone I love,\" basically two conflicting goals. Do I", "with someone I love,\" basically two conflicting goals. Do I need an external", "relax, and take some time off with someone I love,\" basically two conflicting", "to the rescue of the heroine. Then their relationship develops at a brisk", "the brass ring, and the other wants to \"kick back, relax, and take", "manner of \"too much, too soon.\" The novelty wears off, and one or", "at seeing the other \"real person,\" creating the second crisis. After they are", "at a brisk pace, in the manner of \"too much, too soon.\" The", "the heroine. Then their relationship develops at a brisk pace, in the manner", "of the heroine. Then their relationship develops at a brisk pace, in the", "Then their relationship develops at a brisk pace, in the manner of \"too", "top together, and this causes the third, decisive crisis. One wants to continue", "two conflicting goals. Do I need an external crisis for either the second", "heroine. Then their relationship develops at a brisk pace, in the manner of", "reaching for the brass ring, and the other wants to \"kick back, relax," ]
[ "been developed that enable the plots of many novels to be summarised? I", "order to study their structure: to understand the nature of the component parts", "for something a little more detailed than the three-act structure that is used", "am looking for something a little more detailed than the three-act structure that", "novel, requires that at some point they break down other writers' pieces of", "way they are combined. I am not asking for a definition of \"novel\",", "in order to study their structure: to understand the nature of the component", "Many writers find that mastering a genre of writing, such as the novel,", "that enable the plots of many novels to be summarised? I am looking", "drama. Something similar in its degree of complexity to Propp's morphology of wondertales", "nature of the component parts and the way they are combined. I am", "genre in order to study their structure: to understand the nature of the", "and falling action that is used in stage drama. Something similar in its", "structure that is used in screenwriting and Freytag's five-act pyramid of rising and", "be summarised? I am looking for something a little more detailed than the", "five-act pyramid of rising and falling action that is used in stage drama.", "something a little more detailed than the three-act structure that is used in", "the way they are combined. I am not asking for a definition of", "pyramid of rising and falling action that is used in stage drama. Something", "three-act structure that is used in screenwriting and Freytag's five-act pyramid of rising", "used in stage drama. Something similar in its degree of complexity to Propp's", "to study their structure: to understand the nature of the component parts and", "consideration of edge cases. But what grammars have been developed that enable the", "understand the nature of the component parts and the way they are combined.", "their structure: to understand the nature of the component parts and the way", "action that is used in stage drama. Something similar in its degree of", "am not asking for a definition of \"novel\", which would require a careful", "a little more detailed than the three-act structure that is used in screenwriting", "which would require a careful consideration of edge cases. But what grammars have", "of \"novel\", which would require a careful consideration of edge cases. But what", "degree of complexity to Propp's morphology of wondertales is more what I am", "of work in the genre in order to study their structure: to understand", "I am looking for something a little more detailed than the three-act structure", "for a definition of \"novel\", which would require a careful consideration of edge", "novels to be summarised? I am looking for something a little more detailed", "of writing, such as the novel, requires that at some point they break", "stage drama. Something similar in its degree of complexity to Propp's morphology of", "mastering a genre of writing, such as the novel, requires that at some", "more detailed than the three-act structure that is used in screenwriting and Freytag's", "little more detailed than the three-act structure that is used in screenwriting and", "the plots of many novels to be summarised? I am looking for something", "rising and falling action that is used in stage drama. Something similar in", "a careful consideration of edge cases. But what grammars have been developed that", "its degree of complexity to Propp's morphology of wondertales is more what I", "the component parts and the way they are combined. I am not asking", "requires that at some point they break down other writers' pieces of work", "pieces of work in the genre in order to study their structure: to", "and the way they are combined. I am not asking for a definition", "in its degree of complexity to Propp's morphology of wondertales is more what", "are combined. I am not asking for a definition of \"novel\", which would", "such as the novel, requires that at some point they break down other", "careful consideration of edge cases. But what grammars have been developed that enable", "Freytag's five-act pyramid of rising and falling action that is used in stage", "detailed than the three-act structure that is used in screenwriting and Freytag's five-act", "at some point they break down other writers' pieces of work in the", "is used in screenwriting and Freytag's five-act pyramid of rising and falling action", "many novels to be summarised? I am looking for something a little more", "of complexity to Propp's morphology of wondertales is more what I am seeking.", "writing, such as the novel, requires that at some point they break down", "they are combined. I am not asking for a definition of \"novel\", which", "to be summarised? I am looking for something a little more detailed than", "combined. I am not asking for a definition of \"novel\", which would require", "than the three-act structure that is used in screenwriting and Freytag's five-act pyramid", "study their structure: to understand the nature of the component parts and the", "what grammars have been developed that enable the plots of many novels to", "of edge cases. But what grammars have been developed that enable the plots", "cases. But what grammars have been developed that enable the plots of many", "\"novel\", which would require a careful consideration of edge cases. But what grammars", "used in screenwriting and Freytag's five-act pyramid of rising and falling action that", "looking for something a little more detailed than the three-act structure that is", "screenwriting and Freytag's five-act pyramid of rising and falling action that is used", "would require a careful consideration of edge cases. But what grammars have been", "as the novel, requires that at some point they break down other writers'", "the novel, requires that at some point they break down other writers' pieces", "summarised? I am looking for something a little more detailed than the three-act", "in screenwriting and Freytag's five-act pyramid of rising and falling action that is", "the three-act structure that is used in screenwriting and Freytag's five-act pyramid of", "plots of many novels to be summarised? I am looking for something a", "structure: to understand the nature of the component parts and the way they", "similar in its degree of complexity to Propp's morphology of wondertales is more", "component parts and the way they are combined. I am not asking for", "writers find that mastering a genre of writing, such as the novel, requires", "work in the genre in order to study their structure: to understand the", "the genre in order to study their structure: to understand the nature of", "But what grammars have been developed that enable the plots of many novels", "and Freytag's five-act pyramid of rising and falling action that is used in", "of rising and falling action that is used in stage drama. Something similar", "edge cases. But what grammars have been developed that enable the plots of", "that mastering a genre of writing, such as the novel, requires that at", "asking for a definition of \"novel\", which would require a careful consideration of", "that at some point they break down other writers' pieces of work in", "a genre of writing, such as the novel, requires that at some point", "other writers' pieces of work in the genre in order to study their", "a definition of \"novel\", which would require a careful consideration of edge cases.", "some point they break down other writers' pieces of work in the genre", "that is used in screenwriting and Freytag's five-act pyramid of rising and falling", "Something similar in its degree of complexity to Propp's morphology of wondertales is", "is used in stage drama. Something similar in its degree of complexity to", "to understand the nature of the component parts and the way they are", "genre of writing, such as the novel, requires that at some point they", "break down other writers' pieces of work in the genre in order to", "point they break down other writers' pieces of work in the genre in", "developed that enable the plots of many novels to be summarised? I am", "I am not asking for a definition of \"novel\", which would require a", "have been developed that enable the plots of many novels to be summarised?", "writers' pieces of work in the genre in order to study their structure:", "of the component parts and the way they are combined. I am not", "of many novels to be summarised? I am looking for something a little", "in stage drama. Something similar in its degree of complexity to Propp's morphology", "definition of \"novel\", which would require a careful consideration of edge cases. But", "that is used in stage drama. Something similar in its degree of complexity", "falling action that is used in stage drama. Something similar in its degree", "they break down other writers' pieces of work in the genre in order", "down other writers' pieces of work in the genre in order to study", "in the genre in order to study their structure: to understand the nature", "parts and the way they are combined. I am not asking for a", "the nature of the component parts and the way they are combined. I", "not asking for a definition of \"novel\", which would require a careful consideration", "grammars have been developed that enable the plots of many novels to be", "find that mastering a genre of writing, such as the novel, requires that", "require a careful consideration of edge cases. But what grammars have been developed", "enable the plots of many novels to be summarised? I am looking for" ]
[ "are interesting enough to keep the reader going until he/she gets properly established", "inciting incidents: One in the first chapter, and another five chapters later. The", "that everything that happens before this, the first five chapters, are interesting enough", "in the first chapter, and another five chapters later. The later incident really", "and another five chapters later. The later incident really kicks off the story.", "off the story. What can I do to make sure that everything that", "two inciting incidents: One in the first chapter, and another five chapters later.", "enough to keep the reader going until he/she gets properly established in the", "I do to make sure that everything that happens before this, the first", "another five chapters later. The later incident really kicks off the story. What", "chapters, are interesting enough to keep the reader going until he/she gets properly", "that happens before this, the first five chapters, are interesting enough to keep", "later incident really kicks off the story. What can I do to make", "first five chapters, are interesting enough to keep the reader going until he/she", "My novel technically has two inciting incidents: One in the first chapter, and", "to keep the reader going until he/she gets properly established in the story?", "everything that happens before this, the first five chapters, are interesting enough to", "later. The later incident really kicks off the story. What can I do", "chapter, and another five chapters later. The later incident really kicks off the", "interesting enough to keep the reader going until he/she gets properly established in", "incident really kicks off the story. What can I do to make sure", "can I do to make sure that everything that happens before this, the", "first chapter, and another five chapters later. The later incident really kicks off", "incidents: One in the first chapter, and another five chapters later. The later", "happens before this, the first five chapters, are interesting enough to keep the", "kicks off the story. What can I do to make sure that everything", "five chapters later. The later incident really kicks off the story. What can", "before this, the first five chapters, are interesting enough to keep the reader", "One in the first chapter, and another five chapters later. The later incident", "to make sure that everything that happens before this, the first five chapters,", "The later incident really kicks off the story. What can I do to", "What can I do to make sure that everything that happens before this,", "really kicks off the story. What can I do to make sure that", "has two inciting incidents: One in the first chapter, and another five chapters", "the first five chapters, are interesting enough to keep the reader going until", "five chapters, are interesting enough to keep the reader going until he/she gets", "do to make sure that everything that happens before this, the first five", "the story. What can I do to make sure that everything that happens", "the first chapter, and another five chapters later. The later incident really kicks", "chapters later. The later incident really kicks off the story. What can I", "story. What can I do to make sure that everything that happens before", "make sure that everything that happens before this, the first five chapters, are", "technically has two inciting incidents: One in the first chapter, and another five", "novel technically has two inciting incidents: One in the first chapter, and another", "sure that everything that happens before this, the first five chapters, are interesting", "this, the first five chapters, are interesting enough to keep the reader going" ]
[ "arched an amused eyebrow. > > > My theory is this: you only", "two examples: > > She let out a sigh of relief. > >", "a sigh of relief. > > > He arched an amused eyebrow. >", "> > > My theory is this: you only need to directly state", "eyebrow. > > > My theory is this: you only need to directly", "> My theory is this: you only need to directly state the emotion", "theory is this: you only need to directly state the emotion when the", "amused eyebrow. > > > My theory is this: you only need to", "out a sigh of relief. > > > He arched an amused eyebrow.", "examples: > > She let out a sigh of relief. > > >", "> > My theory is this: you only need to directly state the", "My theory is this: you only need to directly state the emotion when", "to directly state the emotion when the action doesn't describe if well or", "relief. > > > He arched an amused eyebrow. > > > My", "> > > He arched an amused eyebrow. > > > My theory", "are two examples: > > She let out a sigh of relief. >", "to explain so here's are are two examples: > > She let out", "a bit hard to explain so here's are are two examples: > >", "sigh of relief. > > > He arched an amused eyebrow. > >", "are are two examples: > > She let out a sigh of relief.", "is a bit hard to explain so here's are are two examples: >", "state the emotion when the action doesn't describe if well or clear enough.", "> > She let out a sigh of relief. > > > He", "emotion when the action doesn't describe if well or clear enough. Maybe I'm", "need to directly state the emotion when the action doesn't describe if well", "bit hard to explain so here's are are two examples: > > She", "hard to explain so here's are are two examples: > > She let", "of relief. > > > He arched an amused eyebrow. > > >", "This is a bit hard to explain so here's are are two examples:", "so here's are are two examples: > > She let out a sigh", "directly state the emotion when the action doesn't describe if well or clear", "is this: you only need to directly state the emotion when the action", "this: you only need to directly state the emotion when the action doesn't", "explain so here's are are two examples: > > She let out a", "> He arched an amused eyebrow. > > > My theory is this:", "here's are are two examples: > > She let out a sigh of", "let out a sigh of relief. > > > He arched an amused", "an amused eyebrow. > > > My theory is this: you only need", "He arched an amused eyebrow. > > > My theory is this: you", "She let out a sigh of relief. > > > He arched an", "> She let out a sigh of relief. > > > He arched", "only need to directly state the emotion when the action doesn't describe if", "the emotion when the action doesn't describe if well or clear enough. Maybe", "> > He arched an amused eyebrow. > > > My theory is", "when the action doesn't describe if well or clear enough. Maybe I'm wrong?", "you only need to directly state the emotion when the action doesn't describe" ]
[ "a slight bit, but the changes didn't make it distinct enough. I'm driven", "by my obsession. It used to be Hunger Games, then Star Wars, Mawe", "my story a slight bit, but the changes didn't make it distinct enough.", "characters just like their characters. How to not get driven by famous things?", "Junqah, and finally Guardians of the Galaxy. I tried changing my story a", "wanting to be writers experience this, but I get driven by my obsession.", "finally Guardians of the Galaxy. I tried changing my story a slight bit,", "experience this, but I get driven by my obsession. It used to be", "my obsession. It used to be Hunger Games, then Star Wars, Mawe Junqah,", "I get driven by my obsession. It used to be Hunger Games, then", "I'm driven by making my characters just like their characters. How to not", "the changes didn't make it distinct enough. I'm driven by making my characters", "tried changing my story a slight bit, but the changes didn't make it", "and finally Guardians of the Galaxy. I tried changing my story a slight", "don't know if other people wanting to be writers experience this, but I", "Mawe Junqah, and finally Guardians of the Galaxy. I tried changing my story", "Star Wars, Mawe Junqah, and finally Guardians of the Galaxy. I tried changing", "I don't know if other people wanting to be writers experience this, but", "driven by making my characters just like their characters. How to not get", "but the changes didn't make it distinct enough. I'm driven by making my", "be Hunger Games, then Star Wars, Mawe Junqah, and finally Guardians of the", "get driven by my obsession. It used to be Hunger Games, then Star", "then Star Wars, Mawe Junqah, and finally Guardians of the Galaxy. I tried", "people wanting to be writers experience this, but I get driven by my", "Galaxy. I tried changing my story a slight bit, but the changes didn't", "if other people wanting to be writers experience this, but I get driven", "of the Galaxy. I tried changing my story a slight bit, but the", "by making my characters just like their characters. How to not get driven", "slight bit, but the changes didn't make it distinct enough. I'm driven by", "writers experience this, but I get driven by my obsession. It used to", "obsession. It used to be Hunger Games, then Star Wars, Mawe Junqah, and", "I tried changing my story a slight bit, but the changes didn't make", "to be writers experience this, but I get driven by my obsession. It", "but I get driven by my obsession. It used to be Hunger Games,", "distinct enough. I'm driven by making my characters just like their characters. How", "changing my story a slight bit, but the changes didn't make it distinct", "to be Hunger Games, then Star Wars, Mawe Junqah, and finally Guardians of", "didn't make it distinct enough. I'm driven by making my characters just like", "my characters just like their characters. How to not get driven by famous", "Hunger Games, then Star Wars, Mawe Junqah, and finally Guardians of the Galaxy.", "story a slight bit, but the changes didn't make it distinct enough. I'm", "making my characters just like their characters. How to not get driven by", "Games, then Star Wars, Mawe Junqah, and finally Guardians of the Galaxy. I", "be writers experience this, but I get driven by my obsession. It used", "bit, but the changes didn't make it distinct enough. I'm driven by making", "driven by my obsession. It used to be Hunger Games, then Star Wars,", "it distinct enough. I'm driven by making my characters just like their characters.", "this, but I get driven by my obsession. It used to be Hunger", "enough. I'm driven by making my characters just like their characters. How to", "changes didn't make it distinct enough. I'm driven by making my characters just", "Guardians of the Galaxy. I tried changing my story a slight bit, but", "used to be Hunger Games, then Star Wars, Mawe Junqah, and finally Guardians", "Wars, Mawe Junqah, and finally Guardians of the Galaxy. I tried changing my", "make it distinct enough. I'm driven by making my characters just like their", "It used to be Hunger Games, then Star Wars, Mawe Junqah, and finally", "the Galaxy. I tried changing my story a slight bit, but the changes", "other people wanting to be writers experience this, but I get driven by", "know if other people wanting to be writers experience this, but I get" ]
[ "(think I) need to rewrite the first two acts. I've been staring at", "thing and if he does, it's the allies that do what he tells", "these last 20k words that are most likely very useless. Or is it", "of my (first big) story and by now I'm pretty sure I'll have", "(he's a retired general). Everyone keeps advising me to 'write until the end'", "act 3 will probably feel like a drag (which was already starting to", "the end of act 2). I'm pretty sure nothing of it will make", "in act 3 will be in-line with how I (think I) need to", "change every few chapters and basically the whole script now feels like a", "arc) change every few chapters and basically the whole script now feels like", "i.e. the one who actually does stuff. My main char just 'gets dragged", "done (he's a retired general). Everyone keeps advising me to 'write until the", "question: should I keep writing these last 20k words that are most likely", "writing these last 20k words that are most likely very useless. Or is", "go back to the 'drawing board' and fix what needs fixing and then", "general). Everyone keeps advising me to 'write until the end' and then rewrite.", "then write act 3, knowing what I know now. Thank you in advance,", "in ACT 1 and 2. I outlined the whole story but it is", "because nothing I'll write in act 3 will be in-line with how I", "to rewrite the first two acts. I've been staring at a blank page", "I'm pretty sure nothing of it will make sense because nothing I'll write", "his motivations (and story arc) change every few chapters and basically the whole", "retired general). Everyone keeps advising me to 'write until the end' and then", "of the allies: i.e. the one who actually does stuff. My main char", "boring, his motivations (and story arc) change every few chapters and basically the", "who actually does stuff. My main char just 'gets dragged along' and doesn't", "last part. So the question: should I keep writing these last 20k words", "feeling that my actual hero is one of the allies: i.e. the one", "that my actual hero is one of the allies: i.e. the one who", "every few chapters and basically the whole script now feels like a mess.", "ACT 1 and 2. I outlined the whole story but it is clear", "pretty sure nothing of it will make sense because nothing I'll write in", "I'm ready to enter the final act, Act 3, of my (first big)", "does stuff. My main char just 'gets dragged along' and doesn't decide a", "stuff. My main char just 'gets dragged along' and doesn't decide a thing", "drag (which was already starting to happen near the end of act 2).", "allies that do what he tells that should be done (he's a retired", "ready to enter the final act, Act 3, of my (first big) story", "to happen near the end of act 2). I'm pretty sure nothing of", "the 'drawing board' and fix what needs fixing and then write act 3,", "at a blank page for a week now not sure if I should", "the whole story but it is clear that my main hero is boring,", "he tells that should be done (he's a retired general). Everyone keeps advising", "blank page for a week now not sure if I should actually write", "and 2. I outlined the whole story but it is clear that my", "back to the 'drawing board' and fix what needs fixing and then write", "how I (think I) need to rewrite the first two acts. I've been", "and then write act 3, knowing what I know now. Thank you in", "motivations (and story arc) change every few chapters and basically the whole script", "of it will make sense because nothing I'll write in act 3 will", "a retired general). Everyone keeps advising me to 'write until the end' and", "probably feel like a drag (which was already starting to happen near the", "sure I'll have to rewrite 50-70% in ACT 1 and 2. I outlined", "but it is clear that my main hero is boring, his motivations (and", "the end' and then rewrite. But writing act 3 will probably feel like", "time to go back to the 'drawing board' and fix what needs fixing", "There's even a sinking feeling that my actual hero is one of the", "is clear that my main hero is boring, his motivations (and story arc)", "big) story and by now I'm pretty sure I'll have to rewrite 50-70%", "main char just 'gets dragged along' and doesn't decide a thing and if", "act, Act 3, of my (first big) story and by now I'm pretty", "have to rewrite 50-70% in ACT 1 and 2. I outlined the whole", "3, of my (first big) story and by now I'm pretty sure I'll", "My main char just 'gets dragged along' and doesn't decide a thing and", "just 'gets dragged along' and doesn't decide a thing and if he does,", "week now not sure if I should actually write this last part. So", "are most likely very useless. Or is it (finally) time to go back", "and by now I'm pretty sure I'll have to rewrite 50-70% in ACT", "to go back to the 'drawing board' and fix what needs fixing and", "end of act 2). I'm pretty sure nothing of it will make sense", "what needs fixing and then write act 3, knowing what I know now.", "been staring at a blank page for a week now not sure if", "the whole script now feels like a mess. There's even a sinking feeling", "it's the allies that do what he tells that should be done (he's", "decide a thing and if he does, it's the allies that do what", "first two acts. I've been staring at a blank page for a week", "me to 'write until the end' and then rewrite. But writing act 3", "acts. I've been staring at a blank page for a week now not", "3 will be in-line with how I (think I) need to rewrite the", "fix what needs fixing and then write act 3, knowing what I know", "actual hero is one of the allies: i.e. the one who actually does", "the allies that do what he tells that should be done (he's a", "staring at a blank page for a week now not sure if I", "2. I outlined the whole story but it is clear that my main", "char just 'gets dragged along' and doesn't decide a thing and if he", "sure if I should actually write this last part. So the question: should", "1 and 2. I outlined the whole story but it is clear that", "I outlined the whole story but it is clear that my main hero", "to 'write until the end' and then rewrite. But writing act 3 will", "in-line with how I (think I) need to rewrite the first two acts.", "is one of the allies: i.e. the one who actually does stuff. My", "end' and then rewrite. But writing act 3 will probably feel like a", "two acts. I've been staring at a blank page for a week now", "he does, it's the allies that do what he tells that should be", "dragged along' and doesn't decide a thing and if he does, it's the", "act 3 will be in-line with how I (think I) need to rewrite", "sense because nothing I'll write in act 3 will be in-line with how", "basically the whole script now feels like a mess. There's even a sinking", "it will make sense because nothing I'll write in act 3 will be", "keep writing these last 20k words that are most likely very useless. Or", "hero is one of the allies: i.e. the one who actually does stuff.", "does, it's the allies that do what he tells that should be done", "happen near the end of act 2). I'm pretty sure nothing of it", "most likely very useless. Or is it (finally) time to go back to", "act 2). I'm pretty sure nothing of it will make sense because nothing", "it (finally) time to go back to the 'drawing board' and fix what", "and fix what needs fixing and then write act 3, knowing what I", "the first two acts. I've been staring at a blank page for a", "keeps advising me to 'write until the end' and then rewrite. But writing", "main hero is boring, his motivations (and story arc) change every few chapters", "story arc) change every few chapters and basically the whole script now feels", "But writing act 3 will probably feel like a drag (which was already", "2). I'm pretty sure nothing of it will make sense because nothing I'll", "story and by now I'm pretty sure I'll have to rewrite 50-70% in", "the allies: i.e. the one who actually does stuff. My main char just", "chapters and basically the whole script now feels like a mess. There's even", "be done (he's a retired general). Everyone keeps advising me to 'write until", "starting to happen near the end of act 2). I'm pretty sure nothing", "will make sense because nothing I'll write in act 3 will be in-line", "now I'm pretty sure I'll have to rewrite 50-70% in ACT 1 and", "useless. Or is it (finally) time to go back to the 'drawing board'", "mess. There's even a sinking feeling that my actual hero is one of", "fixing and then write act 3, knowing what I know now. Thank you", "do what he tells that should be done (he's a retired general). Everyone", "Everyone keeps advising me to 'write until the end' and then rewrite. But", "'drawing board' and fix what needs fixing and then write act 3, knowing", "write act 3, knowing what I know now. Thank you in advance, Tim", "should I keep writing these last 20k words that are most likely very", "that are most likely very useless. Or is it (finally) time to go", "is boring, his motivations (and story arc) change every few chapters and basically", "and basically the whole script now feels like a mess. There's even a", "should be done (he's a retired general). Everyone keeps advising me to 'write", "my main hero is boring, his motivations (and story arc) change every few", "rewrite 50-70% in ACT 1 and 2. I outlined the whole story but", "final act, Act 3, of my (first big) story and by now I'm", "like a drag (which was already starting to happen near the end of", "Or is it (finally) time to go back to the 'drawing board' and", "one of the allies: i.e. the one who actually does stuff. My main", "should actually write this last part. So the question: should I keep writing", "write in act 3 will be in-line with how I (think I) need", "sinking feeling that my actual hero is one of the allies: i.e. the", "to the 'drawing board' and fix what needs fixing and then write act", "even a sinking feeling that my actual hero is one of the allies:", "pretty sure I'll have to rewrite 50-70% in ACT 1 and 2. I", "tells that should be done (he's a retired general). Everyone keeps advising me", "near the end of act 2). I'm pretty sure nothing of it will", "last 20k words that are most likely very useless. Or is it (finally)", "advising me to 'write until the end' and then rewrite. But writing act", "my (first big) story and by now I'm pretty sure I'll have to", "to rewrite 50-70% in ACT 1 and 2. I outlined the whole story", "a mess. There's even a sinking feeling that my actual hero is one", "and then rewrite. But writing act 3 will probably feel like a drag", "needs fixing and then write act 3, knowing what I know now. Thank", "will be in-line with how I (think I) need to rewrite the first", "the final act, Act 3, of my (first big) story and by now", "whole story but it is clear that my main hero is boring, his", "will probably feel like a drag (which was already starting to happen near", "a sinking feeling that my actual hero is one of the allies: i.e.", "of act 2). I'm pretty sure nothing of it will make sense because", "now not sure if I should actually write this last part. So the", "20k words that are most likely very useless. Or is it (finally) time", "actually write this last part. So the question: should I keep writing these", "not sure if I should actually write this last part. So the question:", "until the end' and then rewrite. But writing act 3 will probably feel", "if he does, it's the allies that do what he tells that should", "words that are most likely very useless. Or is it (finally) time to", "outlined the whole story but it is clear that my main hero is", "few chapters and basically the whole script now feels like a mess. There's", "nothing I'll write in act 3 will be in-line with how I (think", "'gets dragged along' and doesn't decide a thing and if he does, it's", "was already starting to happen near the end of act 2). I'm pretty", "one who actually does stuff. My main char just 'gets dragged along' and", "I'll have to rewrite 50-70% in ACT 1 and 2. I outlined the", "a drag (which was already starting to happen near the end of act", "page for a week now not sure if I should actually write this", "(which was already starting to happen near the end of act 2). I'm", "I) need to rewrite the first two acts. I've been staring at a", "very useless. Or is it (finally) time to go back to the 'drawing", "write this last part. So the question: should I keep writing these last", "the question: should I keep writing these last 20k words that are most", "I keep writing these last 20k words that are most likely very useless.", "script now feels like a mess. There's even a sinking feeling that my", "for a week now not sure if I should actually write this last", "with how I (think I) need to rewrite the first two acts. I've", "So the question: should I keep writing these last 20k words that are", "50-70% in ACT 1 and 2. I outlined the whole story but it", "a week now not sure if I should actually write this last part.", "board' and fix what needs fixing and then write act 3, knowing what", "I'm pretty sure I'll have to rewrite 50-70% in ACT 1 and 2.", "writing act 3 will probably feel like a drag (which was already starting", "and if he does, it's the allies that do what he tells that", "to enter the final act, Act 3, of my (first big) story and", "by now I'm pretty sure I'll have to rewrite 50-70% in ACT 1", "that do what he tells that should be done (he's a retired general).", "I (think I) need to rewrite the first two acts. I've been staring", "I should actually write this last part. So the question: should I keep", "clear that my main hero is boring, his motivations (and story arc) change", "now feels like a mess. There's even a sinking feeling that my actual", "actually does stuff. My main char just 'gets dragged along' and doesn't decide", "a thing and if he does, it's the allies that do what he", "this last part. So the question: should I keep writing these last 20k", "3 will probably feel like a drag (which was already starting to happen", "(first big) story and by now I'm pretty sure I'll have to rewrite", "Act 3, of my (first big) story and by now I'm pretty sure", "enter the final act, Act 3, of my (first big) story and by", "like a mess. There's even a sinking feeling that my actual hero is", "hero is boring, his motivations (and story arc) change every few chapters and", "whole script now feels like a mess. There's even a sinking feeling that", "what he tells that should be done (he's a retired general). Everyone keeps", "sure nothing of it will make sense because nothing I'll write in act", "make sense because nothing I'll write in act 3 will be in-line with", "feels like a mess. There's even a sinking feeling that my actual hero", "nothing of it will make sense because nothing I'll write in act 3", "if I should actually write this last part. So the question: should I", "that should be done (he's a retired general). Everyone keeps advising me to", "it is clear that my main hero is boring, his motivations (and story", "be in-line with how I (think I) need to rewrite the first two", "I've been staring at a blank page for a week now not sure", "'write until the end' and then rewrite. But writing act 3 will probably", "part. So the question: should I keep writing these last 20k words that", "doesn't decide a thing and if he does, it's the allies that do", "feel like a drag (which was already starting to happen near the end", "and doesn't decide a thing and if he does, it's the allies that", "rewrite the first two acts. I've been staring at a blank page for", "a blank page for a week now not sure if I should actually", "(and story arc) change every few chapters and basically the whole script now", "(finally) time to go back to the 'drawing board' and fix what needs", "my actual hero is one of the allies: i.e. the one who actually", "the one who actually does stuff. My main char just 'gets dragged along'", "need to rewrite the first two acts. I've been staring at a blank", "allies: i.e. the one who actually does stuff. My main char just 'gets", "along' and doesn't decide a thing and if he does, it's the allies", "that my main hero is boring, his motivations (and story arc) change every", "already starting to happen near the end of act 2). I'm pretty sure", "likely very useless. Or is it (finally) time to go back to the", "then rewrite. But writing act 3 will probably feel like a drag (which", "story but it is clear that my main hero is boring, his motivations", "rewrite. But writing act 3 will probably feel like a drag (which was", "is it (finally) time to go back to the 'drawing board' and fix", "I'll write in act 3 will be in-line with how I (think I)" ]
[ "(usually after some years, if not decades) to be above its contemporary works", "/ literary novel = a genre (that may overlap with other genres, just", "a genre (that may overlap with other genres, just like romance can overlap", "fairly good or even overall great). So, what are those elusive reasons that", "looking for. The fact that there isn't an authoritative definition of literature and", "here) written within any genre (sci-fi, romance, literature, mystery, ...) that is recognised", "ranging from terrible to fairly good or even overall great). So, what are", "can overlap with sci-fi) Literature = a novel (because we're mostly dealing with", "The question [grammar for describing plots](https://writers.stackexchange.com/questions/27968/grammar-for-describing-novel-plots) had a few comments that touched upon", "think. So I searched the SE for any previous questions pertaining to the", "of the workshop is precisely to understand what separates Literature from all the", "elusive reasons that can have a piece of work in whatever genre stand", "between (capital L) Literature and entertainment literature?** Please note: * Let's try to", "literary works leads to many definitions (academical, commercial, popular, ...). Therefore I'll try", "question. literature / literary novel = a genre (that may overlap with other", "made me think. So I searched the SE for any previous questions pertaining", "describing plots](https://writers.stackexchange.com/questions/27968/grammar-for-describing-novel-plots) had a few comments that touched upon the differences between literary", "work of Literature in their own preferred genre. The first point of the", "not decades) to be above its contemporary works because of (elusive reasons). Now", "the rest includes from works ranging from terrible to fairly good or even", "opinion based. So I ask: *What is the difference between (capital L) Literature", "the differences between literary novels and entertainment novel which made me think. So", "I've been thinking over the comments and answers which have led me to", "asked to organise a workshop for aspiring writers who long to create an", "clarify some working definitions for the purpose of this question. literature / literary", "the workshop is precisely to understand what separates Literature* from all the rest", "you've been asked to organise a workshop for aspiring writers who long to", "touched upon the differences between literary novels and entertainment novel which made me", "what are those elusive reasons that can have a piece of work in", "I ask: What is the difference between (capital L) Literature and entertainment literature?", "Let's try to avoid value judgements (just because some books within both categories", "will mention genre, but there are canon literature books that are also genre", "if not decades) to be above its contemporary works because of (elusive reasons).", "there are canon literature books that are also genre (Fzazkanstuuf is horror, Ishiguro's", "question [grammar for describing plots](https://writers.stackexchange.com/questions/27968/grammar-for-describing-novel-plots) had a few comments that touched upon the", "decades) to be above its contemporary works because of (elusive reasons). Now say", "of what I'm looking for. The fact that there isn't an authoritative definition", "a few comments that touched upon the differences between literary novels and entertainment", "that is recognised (usually after some years, if not decades) to be above", "from terrible to fairly good or even overall great). So, what are those", "fiction?](https://writers.stackexchange.com/questions/7/what-is-literary-fiction), which collected answers that, while interesting, were mostly opinion based. So I", "also genre (Fzazkanstuuf is horror, Ishiguro's Never Let Me Go is a dystopian", "reasons that can have a piece of work in whatever genre stand out", "romance can overlap with sci-fi) Literature = a novel (because we're mostly dealing", "works leads to many definitions (academical, commercial, popular, ...). Therefore I'll try to", "thinking over the comments and answers which have led me to a better", "over the comments and answers which have led me to a better understanding", "literature?** Please note: * Let's try to avoid value judgements (just because some", "been asked to organise a workshop for aspiring writers who long to create", "better understanding of what I'm looking for. The fact that there isn't an", "above its contemporary works because of (elusive reasons). Now say you've been asked", "the difference between the two and found [what is literary fiction?](https://writers.stackexchange.com/questions/7/what-is-literary-fiction), which collected", "a dystopian sci-fi fantasy, etc) --- I've been thinking over the comments and", "an elusive work of Literature in their own preferred genre. The first point", "Never Let Me Go is a dystopian sci-fi fantasy, etc) --- I've been", "does not value the category itself has greater or lesser value) * I", "not value the category itself has greater or lesser value) * I predict", "* I predict some of you will mention genre, but there are canon", "is a dystopian sci-fi fantasy, etc) --- I've been thinking over the comments", "workshop is precisely to understand what separates Literature from all the rest (while", "and found [what is literary fiction?](https://writers.stackexchange.com/questions/7/what-is-literary-fiction), which collected answers that, while interesting, were", "or lesser value) * I predict some of you will mention genre, but", "long to create an elusive work of Literature in their own preferred genre.", "is literary fiction?](https://writers.stackexchange.com/questions/7/what-is-literary-fiction), which collected answers that, while interesting, were mostly opinion based.", "both categories may be utter rubbish, that does not value the category itself", "...) that is recognised (usually after some years, if not decades) to be", "Now say you've been asked to organise a workshop for aspiring writers who", "there isn't an authoritative definition of literature and literary works leads to many", "understanding of what I'm looking for. The fact that there isn't an authoritative", "workshop for aspiring writers who long to create an elusive work of Literature", "precisely to understand what separates Literature from all the rest (while the rest", "those elusive reasons that can have a piece of work in whatever genre", "pertaining to the difference between the two and found [what is literary fiction?](https://writers.stackexchange.com/questions/7/what-is-literary-fiction),", "all the rest (while the rest includes from works ranging from terrible to", "(academical, commercial, popular, ...). Therefore I'll try to clarify some working definitions for", "found [what is literary fiction?](https://writers.stackexchange.com/questions/7/what-is-literary-fiction), which collected answers that, while interesting, were mostly", "comments that touched upon the differences between literary novels and entertainment novel which", "has greater or lesser value) * I predict some of you will mention", "that there isn't an authoritative definition of literature and literary works leads to", "comments and answers which have led me to a better understanding of what", "lesser value) * I predict some of you will mention genre, but there", "own preferred genre. The first point of the workshop is precisely to understand", "Let Me Go is a dystopian sci-fi fantasy, etc) --- I've been thinking", "the SE for any previous questions pertaining to the difference between the two", "rest (while the rest includes from works ranging from terrible to fairly good", "have led me to a better understanding of what I'm looking for. The", "that, while interesting, were mostly opinion based. So I ask: What is the", "avoid value judgements (just because some books within both categories may be utter", "Literature and entertainment literature? Please note: * Let's try to avoid value judgements", "like romance can overlap with sci-fi) Literature = a novel (because we're mostly", "(capital L) Literature and entertainment literature?** Please note: * Let's try to avoid", "--- I've been thinking over the comments and answers which have led me", "for aspiring writers who long to create an elusive work of Literature in", "entertainment literature?** Please note: * Let's try to avoid value judgements (just because", "commercial, popular, ...). Therefore I'll try to clarify some working definitions for the", "works because of (elusive reasons). Now say you've been asked to organise a", "in their own preferred genre. The first point of the workshop is precisely", "the rest (while the rest includes from works ranging from terrible to fairly", "which collected answers that, while interesting, were mostly opinion based. So I ask:", "[grammar for describing plots](https://writers.stackexchange.com/questions/27968/grammar-for-describing-novel-plots) had a few comments that touched upon the differences", "ask: What is the difference between (capital L) Literature and entertainment literature? Please", "some of you will mention genre, but there are canon literature books that", "which have led me to a better understanding of what I'm looking for.", "first point of the workshop is precisely to understand what separates Literature from", "answers which have led me to a better understanding of what I'm looking", "based. So I ask: *What is the difference between (capital L) Literature and", "other genres, just like romance can overlap with sci-fi) Literature* = a novel", "is the difference between (capital L) Literature and entertainment literature?** Please note: ", "have a piece of work in whatever genre stand out above everything else?", "note: Let's try to avoid value judgements (just because some books within", "categories may be utter rubbish, that does not value the category itself has", "literary novel = a genre (that may overlap with other genres, just like", "just like romance can overlap with sci-fi) Literature = a novel (because we're", "collected answers that, while interesting, were mostly opinion based. So I ask: *What", "category itself has greater or lesser value) I predict some of you", "been thinking over the comments and answers which have led me to a", "aspiring writers who long to create an elusive work of Literature in their", "me to a better understanding of what I'm looking for. The fact that", "rest includes from works ranging from terrible to fairly good or even overall", "mostly opinion based. So I ask: *What is the difference between (capital L)", "Ishiguro's Never Let Me Go is a dystopian sci-fi fantasy, etc) --- I've", "elusive work of Literature* in their own preferred genre. The first point of", "which made me think. So I searched the SE for any previous questions", "Therefore I'll try to clarify some working definitions for the purpose of this", "genre (sci-fi, romance, literature, mystery, ...) that is recognised (usually after some years,", "rubbish, that does not value the category itself has greater or lesser value)", "definitions (academical, commercial, popular, ...). Therefore I'll try to clarify some working definitions", "terrible to fairly good or even overall great). So, what are those elusive", "the difference between (capital L) Literature and entertainment literature?** Please note: * Let's", "(elusive reasons). Now say you've been asked to organise a workshop for aspiring", "horror, Ishiguro's Never Let Me Go is a dystopian sci-fi fantasy, etc) ---", "mystery, ...) that is recognised (usually after some years, if not decades) to", "of this question. literature / literary novel = a genre (that may overlap", "that are also genre (Fzazkanstuuf is horror, Ishiguro's Never Let Me Go is", "fantasy, etc) --- I've been thinking over the comments and answers which have", "interesting, were mostly opinion based. So I ask: *What is the difference between", "few comments that touched upon the differences between literary novels and entertainment novel", "good or even overall great). So, what are those elusive reasons that can", "novel which made me think. So I searched the SE for any previous", "separates Literature* from all the rest (while the rest includes from works ranging", "definition of literature and literary works leads to many definitions (academical, commercial, popular,", "and literary works leads to many definitions (academical, commercial, popular, ...). Therefore I'll", "Please note: * Let's try to avoid value judgements (just because some books", "I searched the SE for any previous questions pertaining to the difference between", "SE for any previous questions pertaining to the difference between the two and", "to a better understanding of what I'm looking for. The fact that there", "Literature = a novel (because we're mostly dealing with novels here) written within", "and entertainment literature?** Please note: * Let's try to avoid value judgements (just", "value judgements (just because some books within both categories may be utter rubbish,", "books within both categories may be utter rubbish, that does not value the", "= a genre (that may overlap with other genres, just like romance can", "with other genres, just like romance can overlap with sci-fi) Literature = a", "definitions for the purpose of this question. literature / literary novel = a", "[what is literary fiction?](https://writers.stackexchange.com/questions/7/what-is-literary-fiction), which collected answers that, while interesting, were mostly opinion", "L) Literature and entertainment literature?** Please note: * Let's try to avoid value", "any genre (sci-fi, romance, literature, mystery, ...) that is recognised (usually after some", "utter rubbish, that does not value the category itself has greater or lesser", "I predict some of you will mention genre, but there are canon literature", "some working definitions for the purpose of this question. literature / literary novel", "great). So, what are those elusive reasons that can have a piece of", "try to avoid value judgements (just because some books within both categories may", "a better understanding of what I'm looking for. The fact that there isn't", "had a few comments that touched upon the differences between literary novels and", "predict some of you will mention genre, but there are canon literature books", "So, what are those elusive reasons that can have a piece of work", "reasons). Now say you've been asked to organise a workshop for aspiring writers", "So I searched the SE for any previous questions pertaining to the difference", "literature books that are also genre (Fzazkanstuuf is horror, Ishiguro's Never Let Me", "written within any genre (sci-fi, romance, literature, mystery, ...) that is recognised (usually", "or even overall great). So, what are those elusive reasons that can have", "genre (that may overlap with other genres, just like romance can overlap with", "try to clarify some working definitions for the purpose of this question. literature", "Literature in their own preferred genre. The first point of the workshop is", "for. The fact that there isn't an authoritative definition of literature and literary", "working definitions for the purpose of this question. literature / literary novel =", "some books within both categories may be utter rubbish, that does not value", "sci-fi fantasy, etc) --- I've been thinking over the comments and answers which", "purpose of this question. literature / literary novel = a genre (that may", "to create an elusive work of Literature in their own preferred genre. The", "what I'm looking for. The fact that there isn't an authoritative definition of", "difference between (capital L) Literature and entertainment literature?** Please note: * Let's try", "an authoritative definition of literature and literary works leads to many definitions (academical,", "two and found [what is literary fiction?](https://writers.stackexchange.com/questions/7/what-is-literary-fiction), which collected answers that, while interesting,", "fact that there isn't an authoritative definition of literature and literary works leads", "with novels here) written within any genre (sci-fi, romance, literature, mystery, ...) that", "because some books within both categories may be utter rubbish, that does not", "popular, ...). Therefore I'll try to clarify some working definitions for the purpose", "genre (Fzazkanstuuf is horror, Ishiguro's Never Let Me Go is a dystopian sci-fi", "years, if not decades) to be above its contemporary works because of (elusive", "say you've been asked to organise a workshop for aspiring writers who long", "literary novels and entertainment novel which made me think. So I searched the", "the purpose of this question. literature / literary novel = a genre (that", "literature / literary novel = a genre (that may overlap with other genres,", "contemporary works because of (elusive reasons). Now say you've been asked to organise", "is horror, Ishiguro's Never Let Me Go is a dystopian sci-fi fantasy, etc)", "a novel (because we're mostly dealing with novels here) written within any genre", "= a novel (because we're mostly dealing with novels here) written within any", "The first point of the workshop is precisely to understand what separates Literature", "to be above its contemporary works because of (elusive reasons). Now say you've", "of Literature in their own preferred genre. The first point of the workshop", "authoritative definition of literature and literary works leads to many definitions (academical, commercial,", "the category itself has greater or lesser value) * I predict some of", "be above its contemporary works because of (elusive reasons). Now say you've been", "sci-fi) Literature = a novel (because we're mostly dealing with novels here) written", "dealing with novels here) written within any genre (sci-fi, romance, literature, mystery, ...)", "differences between literary novels and entertainment novel which made me think. So I", "preferred genre. The first point of the workshop is precisely to understand what", "me think. So I searched the SE for any previous questions pertaining to", "may be utter rubbish, that does not value the category itself has greater", "you will mention genre, but there are canon literature books that are also", "greater or lesser value) * I predict some of you will mention genre,", "literature and literary works leads to many definitions (academical, commercial, popular, ...). Therefore", "a workshop for aspiring writers who long to create an elusive work of", "value the category itself has greater or lesser value) * I predict some", "were mostly opinion based. So I ask: *What is the difference between (capital", "can have a piece of work in whatever genre stand out above everything", "previous questions pertaining to the difference between the two and found [what is", "(Fzazkanstuuf is horror, Ishiguro's Never Let Me Go is a dystopian sci-fi fantasy,", "even overall great). So, what are those elusive reasons that can have a", "I'm looking for. The fact that there isn't an authoritative definition of literature", "that can have a piece of work in whatever genre stand out above", "between the two and found [what is literary fiction?](https://writers.stackexchange.com/questions/7/what-is-literary-fiction), which collected answers that,", "for any previous questions pertaining to the difference between the two and found", "create an elusive work of Literature* in their own preferred genre. The first", "of you will mention genre, but there are canon literature books that are", "(while the rest includes from works ranging from terrible to fairly good or", "judgements (just because some books within both categories may be utter rubbish, that", "leads to many definitions (academical, commercial, popular, ...). Therefore I'll try to clarify", "novels and entertainment novel which made me think. So I searched the SE", "for the purpose of this question. literature / literary novel = a genre", "What is the difference between (capital L) Literature and entertainment literature? Please note:", "be utter rubbish, that does not value the category itself has greater or", "and answers which have led me to a better understanding of what I'm", "is precisely to understand what separates Literature from all the rest (while the", "are also genre (Fzazkanstuuf is horror, Ishiguro's Never Let Me Go is a", "are those elusive reasons that can have a piece of work in whatever", "mention genre, but there are canon literature books that are also genre (Fzazkanstuuf", "novels here) written within any genre (sci-fi, romance, literature, mystery, ...) that is", "any previous questions pertaining to the difference between the two and found [what", "we're mostly dealing with novels here) written within any genre (sci-fi, romance, literature,", "this question. literature / literary novel = a genre (that may overlap with", "organise a workshop for aspiring writers who long to create an elusive work", "to fairly good or even overall great). So, what are those elusive reasons", "(just because some books within both categories may be utter rubbish, that does", "to avoid value judgements (just because some books within both categories may be", "many definitions (academical, commercial, popular, ...). Therefore I'll try to clarify some working", "dystopian sci-fi fantasy, etc) --- I've been thinking over the comments and answers", "because of (elusive reasons). Now say you've been asked to organise a workshop", "entertainment novel which made me think. So I searched the SE for any", "upon the differences between literary novels and entertainment novel which made me think.", "genre. The first point of the workshop is precisely to understand what separates", "The fact that there isn't an authoritative definition of literature and literary works", "of literature and literary works leads to many definitions (academical, commercial, popular, ...).", "the two and found [what is literary fiction?](https://writers.stackexchange.com/questions/7/what-is-literary-fiction), which collected answers that, while", "that touched upon the differences between literary novels and entertainment novel which made", "I'll try to clarify some working definitions for the purpose of this question.", "the comments and answers which have led me to a better understanding of", "but there are canon literature books that are also genre (Fzazkanstuuf is horror,", "some years, if not decades) to be above its contemporary works because of", "* Let's try to avoid value judgements (just because some books within both", "what separates Literature from all the rest (while the rest includes from works", "Go is a dystopian sci-fi fantasy, etc) --- I've been thinking over the", "difference between the two and found [what is literary fiction?](https://writers.stackexchange.com/questions/7/what-is-literary-fiction), which collected answers", "their own preferred genre. The first point of the workshop is precisely to", "novel = a genre (that may overlap with other genres, just like romance", "understand what separates Literature from all the rest (while the rest includes from", "from works ranging from terrible to fairly good or even overall great). So,", "after some years, if not decades) to be above its contemporary works because", "...). Therefore I'll try to clarify some working definitions for the purpose of", "is recognised (usually after some years, if not decades) to be above its", "to organise a workshop for aspiring writers who long to create an elusive", "to many definitions (academical, commercial, popular, ...). Therefore I'll try to clarify some", "answers that, while interesting, were mostly opinion based. So I ask: *What is", "plots](https://writers.stackexchange.com/questions/27968/grammar-for-describing-novel-plots) had a few comments that touched upon the differences between literary novels", "itself has greater or lesser value) I predict some of you will", "with sci-fi) Literature = a novel (because we're mostly dealing with novels here)", "novel (because we're mostly dealing with novels here) written within any genre (sci-fi,", "within any genre (sci-fi, romance, literature, mystery, ...) that is recognised (usually after", "books that are also genre (Fzazkanstuuf is horror, Ishiguro's Never Let Me Go", "overlap with sci-fi) Literature = a novel (because we're mostly dealing with novels", "Me Go is a dystopian sci-fi fantasy, etc) --- I've been thinking over", "questions pertaining to the difference between the two and found [what is literary", "point of the workshop is precisely to understand what separates Literature from all", "includes from works ranging from terrible to fairly good or even overall great).", "within both categories may be utter rubbish, that does not value the category", "romance, literature, mystery, ...) that is recognised (usually after some years, if not", "isn't an authoritative definition of literature and literary works leads to many definitions", "etc) --- I've been thinking over the comments and answers which have led", "genre, but there are canon literature books that are also genre (Fzazkanstuuf is", "while interesting, were mostly opinion based. So I ask: *What is the difference", "Literature* from all the rest (while the rest includes from works ranging from", "that does not value the category itself has greater or lesser value) ", "mostly dealing with novels here) written within any genre (sci-fi, romance, literature, mystery,", "to clarify some working definitions for the purpose of this question. literature /", "may overlap with other genres, just like romance can overlap with sci-fi) Literature", "overall great). So, what are those elusive reasons that can have a piece", "overlap with other genres, just like romance can overlap with sci-fi) Literature* =", "recognised (usually after some years, if not decades) to be above its contemporary", "and entertainment novel which made me think. So I searched the SE for", "led me to a better understanding of what I'm looking for. The fact", "searched the SE for any previous questions pertaining to the difference between the", "are canon literature books that are also genre (Fzazkanstuuf is horror, Ishiguro's Never", "(that may overlap with other genres, just like romance can overlap with sci-fi)", "between literary novels and entertainment novel which made me think. So I searched", "to the difference between the two and found [what is literary fiction?](https://writers.stackexchange.com/questions/7/what-is-literary-fiction), which", "for describing plots](https://writers.stackexchange.com/questions/27968/grammar-for-describing-novel-plots) had a few comments that touched upon the differences between", "writers who long to create an elusive work of Literature in their own", "canon literature books that are also genre (Fzazkanstuuf is horror, Ishiguro's Never Let", "literature, mystery, ...) that is recognised (usually after some years, if not decades)", "to understand what separates Literature from all the rest (while the rest includes", "So I ask: *What is the difference between (capital L) Literature and entertainment", "value) I predict some of you will mention genre, but there are", "of (elusive reasons). Now say you've been asked to organise a workshop for", "works ranging from terrible to fairly good or even overall great). So, what", "who long to create an elusive work of Literature in their own preferred", "(sci-fi, romance, literature, mystery, ...) that is recognised (usually after some years, if", "(because we're mostly dealing with novels here) written within any genre (sci-fi, romance,", "its contemporary works because of (elusive reasons). Now say you've been asked to", "literary fiction?](https://writers.stackexchange.com/questions/7/what-is-literary-fiction), which collected answers that, while interesting, were mostly opinion based. So", "genres, just like romance can overlap with sci-fi) Literature = a novel (because", "from all the rest (while the rest includes from works ranging from terrible" ]
[ "succesful one-act play, of which I still really enjoy the world. I want", "a more prose-y way. I feel like the appropriate way to start this", "continue writing in this world in a more prose-y way. I feel like", "a locally succesful one-act play, of which I still really enjoy the world.", "question, if only to get a sense of style and get over some", "a couple of years ago I wrote a locally succesful one-act play, of", "way. I feel like the appropriate way to start this would be by", "which I still really enjoy the world. I want to continue writing in", "would be by first novelising the play in question, if only to get", "play in question, if only to get a sense of style and get", "I feel like the appropriate way to start this would be by first", "novelising the play in question, if only to get a sense of style", "So a couple of years ago I wrote a locally succesful one-act play,", "world in a more prose-y way. I feel like the appropriate way to", "of years ago I wrote a locally succesful one-act play, of which I", "prose-y way. I feel like the appropriate way to start this would be", "for the setting. What is (are) the major problem(s) to watch out for", "by first novelising the play in question, if only to get a sense", "I still really enjoy the world. I want to continue writing in this", "if only to get a sense of style and get over some early", "some early adaptation hurdles for the setting. What is (are) the major problem(s)", "world. I want to continue writing in this world in a more prose-y", "in this world in a more prose-y way. I feel like the appropriate", "still really enjoy the world. I want to continue writing in this world", "get over some early adaptation hurdles for the setting. What is (are) the", "wrote a locally succesful one-act play, of which I still really enjoy the", "more prose-y way. I feel like the appropriate way to start this would", "a sense of style and get over some early adaptation hurdles for the", "the world. I want to continue writing in this world in a more", "ago I wrote a locally succesful one-act play, of which I still really", "play, of which I still really enjoy the world. I want to continue", "years ago I wrote a locally succesful one-act play, of which I still", "this would be by first novelising the play in question, if only to", "be by first novelising the play in question, if only to get a", "appropriate way to start this would be by first novelising the play in", "and get over some early adaptation hurdles for the setting. What is (are)", "enjoy the world. I want to continue writing in this world in a", "of style and get over some early adaptation hurdles for the setting. What", "early adaptation hurdles for the setting. What is (are) the major problem(s) to", "only to get a sense of style and get over some early adaptation", "first novelising the play in question, if only to get a sense of", "(are) the major problem(s) to watch out for when turning theatre into prose?", "want to continue writing in this world in a more prose-y way. I", "feel like the appropriate way to start this would be by first novelising", "the play in question, if only to get a sense of style and", "to get a sense of style and get over some early adaptation hurdles", "What is (are) the major problem(s) to watch out for when turning theatre", "style and get over some early adaptation hurdles for the setting. What is", "over some early adaptation hurdles for the setting. What is (are) the major", "is (are) the major problem(s) to watch out for when turning theatre into", "to continue writing in this world in a more prose-y way. I feel", "one-act play, of which I still really enjoy the world. I want to", "I wrote a locally succesful one-act play, of which I still really enjoy", "of which I still really enjoy the world. I want to continue writing", "start this would be by first novelising the play in question, if only", "hurdles for the setting. What is (are) the major problem(s) to watch out", "writing in this world in a more prose-y way. I feel like the", "sense of style and get over some early adaptation hurdles for the setting.", "adaptation hurdles for the setting. What is (are) the major problem(s) to watch", "get a sense of style and get over some early adaptation hurdles for", "like the appropriate way to start this would be by first novelising the", "this world in a more prose-y way. I feel like the appropriate way", "way to start this would be by first novelising the play in question,", "setting. What is (are) the major problem(s) to watch out for when turning", "to start this would be by first novelising the play in question, if", "in a more prose-y way. I feel like the appropriate way to start", "really enjoy the world. I want to continue writing in this world in", "the setting. What is (are) the major problem(s) to watch out for when", "locally succesful one-act play, of which I still really enjoy the world. I", "couple of years ago I wrote a locally succesful one-act play, of which", "the appropriate way to start this would be by first novelising the play", "I want to continue writing in this world in a more prose-y way.", "in question, if only to get a sense of style and get over" ]
[ "real and raw and truthful with what I have dealt with in my", "of writing a life story/non-fiction book that has numerous real life issues and", "tell my story to help others! How do I go about this? Can", "instead of just changing names, etc?? Those around the people may be able", "issues and me being real and raw and truthful with what I have", "Those around the people may be able to identify them by relationship so", "story/non-fiction book that has numerous real life issues and me being real and", "and truthful with what I have dealt with in my own life. I", "be able to identify them by relationship so I am concerned about this.", "I'm in the process of writing a life story/non-fiction book that has numerous", "may be able to identify them by relationship so I am concerned about", "names, etc?? Those around the people may be able to identify them by", "has numerous real life issues and me being real and raw and truthful", "the process of writing a life story/non-fiction book that has numerous real life", "numerous real life issues and me being real and raw and truthful with", "do I go about this? Can I publish anonymously by chance instead of", "of just changing names, etc?? Those around the people may be able to", "anonymously by chance instead of just changing names, etc?? Those around the people", "embarrass or call out anyone in my life but would like to still", "I don't want to embarrass or call out anyone in my life but", "by chance instead of just changing names, etc?? Those around the people may", "out anyone in my life but would like to still tell my story", "help others! How do I go about this? Can I publish anonymously by", "but would like to still tell my story to help others! How do", "life story/non-fiction book that has numerous real life issues and me being real", "don't want to embarrass or call out anyone in my life but would", "call out anyone in my life but would like to still tell my", "around the people may be able to identify them by relationship so I", "writing a life story/non-fiction book that has numerous real life issues and me", "book that has numerous real life issues and me being real and raw", "being real and raw and truthful with what I have dealt with in", "in my life but would like to still tell my story to help", "my life but would like to still tell my story to help others!", "people may be able to identify them by relationship so I am concerned", "story to help others! How do I go about this? Can I publish", "like to still tell my story to help others! How do I go", "would like to still tell my story to help others! How do I", "go about this? Can I publish anonymously by chance instead of just changing", "etc?? Those around the people may be able to identify them by relationship", "real life issues and me being real and raw and truthful with what", "in my own life. I don't want to embarrass or call out anyone", "and me being real and raw and truthful with what I have dealt", "want to embarrass or call out anyone in my life but would like", "my own life. I don't want to embarrass or call out anyone in", "raw and truthful with what I have dealt with in my own life.", "have dealt with in my own life. I don't want to embarrass or", "about this? Can I publish anonymously by chance instead of just changing names,", "to help others! How do I go about this? Can I publish anonymously", "Can I publish anonymously by chance instead of just changing names, etc?? Those", "me being real and raw and truthful with what I have dealt with", "this? Can I publish anonymously by chance instead of just changing names, etc??", "life. I don't want to embarrass or call out anyone in my life", "I go about this? Can I publish anonymously by chance instead of just", "process of writing a life story/non-fiction book that has numerous real life issues", "truthful with what I have dealt with in my own life. I don't", "life but would like to still tell my story to help others! How", "just changing names, etc?? Those around the people may be able to identify", "with in my own life. I don't want to embarrass or call out", "others! How do I go about this? Can I publish anonymously by chance", "my story to help others! How do I go about this? Can I", "or call out anyone in my life but would like to still tell", "I have dealt with in my own life. I don't want to embarrass", "a life story/non-fiction book that has numerous real life issues and me being", "what I have dealt with in my own life. I don't want to", "How do I go about this? Can I publish anonymously by chance instead", "chance instead of just changing names, etc?? Those around the people may be", "anyone in my life but would like to still tell my story to", "own life. I don't want to embarrass or call out anyone in my", "that has numerous real life issues and me being real and raw and", "dealt with in my own life. I don't want to embarrass or call", "able to identify them by relationship so I am concerned about this. Thanks", "the people may be able to identify them by relationship so I am", "publish anonymously by chance instead of just changing names, etc?? Those around the", "still tell my story to help others! How do I go about this?", "in the process of writing a life story/non-fiction book that has numerous real", "changing names, etc?? Those around the people may be able to identify them", "with what I have dealt with in my own life. I don't want", "life issues and me being real and raw and truthful with what I", "to still tell my story to help others! How do I go about", "I publish anonymously by chance instead of just changing names, etc?? Those around", "to embarrass or call out anyone in my life but would like to", "and raw and truthful with what I have dealt with in my own" ]
[ "'tense.' Instead of writing, \"The atmosphere between Balx and Bob is tense.\" What", "\"The atmosphere between Balx and Bob is tense.\" What other ways would there", "What other ways would there be to describe what it feels like to", "Instead of writing, \"The atmosphere between Balx and Bob is tense.\" What other", "the word 'tense.' Instead of writing, \"The atmosphere between Balx and Bob is", "like to find other description of the atmosphere of a scene rather than", "using the word 'tense.' Instead of writing, \"The atmosphere between Balx and Bob", "word 'tense.' Instead of writing, \"The atmosphere between Balx and Bob is tense.\"", "the atmosphere of a scene rather than just using the word 'tense.' Instead", "atmosphere of a scene rather than just using the word 'tense.' Instead of", "atmosphere between Balx and Bob is tense.\" What other ways would there be", "Bob is tense.\" What other ways would there be to describe what it", "find other description of the atmosphere of a scene rather than just using", "I would like to find other description of the atmosphere of a scene", "rather than just using the word 'tense.' Instead of writing, \"The atmosphere between", "is tense.\" What other ways would there be to describe what it feels", "would there be to describe what it feels like to be in the", "and Bob is tense.\" What other ways would there be to describe what", "description of the atmosphere of a scene rather than just using the word", "than just using the word 'tense.' Instead of writing, \"The atmosphere between Balx", "of a scene rather than just using the word 'tense.' Instead of writing,", "ways would there be to describe what it feels like to be in", "to find other description of the atmosphere of a scene rather than just", "other ways would there be to describe what it feels like to be", "just using the word 'tense.' Instead of writing, \"The atmosphere between Balx and", "between Balx and Bob is tense.\" What other ways would there be to", "writing, \"The atmosphere between Balx and Bob is tense.\" What other ways would", "of the atmosphere of a scene rather than just using the word 'tense.'", "other description of the atmosphere of a scene rather than just using the", "would like to find other description of the atmosphere of a scene rather", "scene rather than just using the word 'tense.' Instead of writing, \"The atmosphere", "there be to describe what it feels like to be in the scene?", "Balx and Bob is tense.\" What other ways would there be to describe", "of writing, \"The atmosphere between Balx and Bob is tense.\" What other ways", "a scene rather than just using the word 'tense.' Instead of writing, \"The", "tense.\" What other ways would there be to describe what it feels like" ]
[ "would be having same first name such as having a character named Logen", "name like for example having a character named Jelan Dmow which has the", "same last name as Game of Thrones character Jil Sxiw Other examples would", "character Jil Sxiw Other examples would be having same first name such as", "examples would be having same first name such as having a character named", "having same first name such as having a character named Logen Evans which", "same full name but rather same last name like for example having a", "name but rather same last name like for example having a character named", "last name like for example having a character named Jelan Dmow which has", "name as Game of Thrones character Jil Sxiw Other examples would be having", "Thrones character Jil Sxiw Other examples would be having same first name such", "Jil Sxiw Other examples would be having same first name such as having", "first name such as having a character named Logen Evans which has the", "such as having a character named Logen Evans which has the same name", "Jelan Dmow which has the same last name as Game of Thrones character", "like having the same full name but rather same last name like for", "named Jelan Dmow which has the same last name as Game of Thrones", "not like having the same full name but rather same last name like", "Dmow which has the same last name as Game of Thrones character Jil", "character named Logen Evans which has the same name as Wolverine's actual first", "character named Jelan Dmow which has the same last name as Game of", "example having a character named Jelan Dmow which has the same last name", "same first name such as having a character named Logen Evans which has", "same last name like for example having a character named Jelan Dmow which", "name such as having a character named Logen Evans which has the same", "which has the same name as Wolverine's actual first name which is Logen", "named Logen Evans which has the same name as Wolverine's actual first name", "of Thrones character Jil Sxiw Other examples would be having same first name", "has the same name as Wolverine's actual first name which is Logen as", "Sxiw Other examples would be having same first name such as having a", "the same last name as Game of Thrones character Jil Sxiw Other examples", "having the same full name but rather same last name like for example", "last name as Game of Thrones character Jil Sxiw Other examples would be", "as having a character named Logen Evans which has the same name as", "But not like having the same full name but rather same last name", "like for example having a character named Jelan Dmow which has the same", "has the same last name as Game of Thrones character Jil Sxiw Other", "be having same first name such as having a character named Logen Evans", "for example having a character named Jelan Dmow which has the same last", "rather same last name like for example having a character named Jelan Dmow", "Evans which has the same name as Wolverine's actual first name which is", "which has the same last name as Game of Thrones character Jil Sxiw", "a character named Logen Evans which has the same name as Wolverine's actual", "Other examples would be having same first name such as having a character", "but rather same last name like for example having a character named Jelan", "having a character named Logen Evans which has the same name as Wolverine's", "full name but rather same last name like for example having a character", "as Game of Thrones character Jil Sxiw Other examples would be having same", "having a character named Jelan Dmow which has the same last name as", "Logen Evans which has the same name as Wolverine's actual first name which", "the same name as Wolverine's actual first name which is Logen as well", "Game of Thrones character Jil Sxiw Other examples would be having same first", "a character named Jelan Dmow which has the same last name as Game", "the same full name but rather same last name like for example having" ]
[ "to show that I have addressed my issues in a way that would", "to conceptualize a project that may give me that experience. I have been", "style of writing that incorporates a lot of exposition and dialog. I attended", "lot of exposition and dialog. I attended a writer's group this week that", "that incorporates a lot of exposition and dialog. I attended a writer's group", "want is a combination of theory, shorter assignments (with feedback), and a longer", "sites for forums, courses, prompts, exercises, and books. What I think I want", "them out of trouble with the government to help him do a job", "arms race to create a time machine. The protagonist must regain the confidence", "machine. The protagonist must regain the confidence of his old \"sim stealing\" gang", "time machine. I am a beginning writer, and I have particular style of", "I have been doing research on the Internet. I see that there are", "I am on a budget, and I want to be up to speed", "that would be entertain them too. In essence I am looking for structure", "and I want to be up to speed in a month's time if", "old \"sim stealing\" gang whom he sold out to a reeducation clinic to", "to develop my characters to give readers something more to be invested in,", "a project that may give me that experience. I have been doing research", "the government to help him do a job for the government to invent", "(with feedback), and a longer project (with a character arc)that ties it all", "that gave me advice that I needed to develop my characters to give", "my characters to give readers something more to be invested in, because the", "trying to conceptualize a project that may give me that experience. I have", "project that may give me that experience. I have been doing research on", "on the Internet. I see that there are sites for forums, courses, prompts,", "that experience. I have been doing research on the Internet. I see that", "I needed to develop my characters to give readers something more to be", "time machine. The protagonist must regain the confidence of his old \"sim stealing\"", "them too. In essence I am looking for structure without having to pay", "to a reeducation clinic to keep them out of trouble with the government", "particular style of writing that incorporates a lot of exposition and dialog. I", "the exposition and dialog gets a little long. So, I have been trying", "longer project (with a character arc)that ties it all together that I can", "that I have addressed my issues in a way that would be entertain", "and dialog. I attended a writer's group this week that gave me advice", "attended a writer's group this week that gave me advice that I needed", "of theory, shorter assignments (with feedback), and a longer project (with a character", "my issues in a way that would be entertain them too. In essence", "I have been trying to conceptualize a project that may give me that", "prompts, exercises, and books. What I think I want is a combination of", "I have particular style of writing that incorporates a lot of exposition and", "I think I want is a combination of theory, shorter assignments (with feedback),", "two city-states in the year 2307 in an arms race to create a", "entertain them too. In essence I am looking for structure without having to", "been doing research on the Internet. I see that there are sites for", "clinic to keep them out of trouble with the government to help him", "exercises, and books. What I think I want is a combination of theory,", "issues in a way that would be entertain them too. In essence I", "be entertain them too. In essence I am looking for structure without having", "and I have particular style of writing that incorporates a lot of exposition", "something more to be invested in, because the exposition and dialog gets a", "I see that there are sites for forums, courses, prompts, exercises, and books.", "machine. I am a beginning writer, and I have particular style of writing", "I want to be up to speed in a month's time if possible", "writer, and I have particular style of writing that incorporates a lot of", "dialog. I attended a writer's group this week that gave me advice that", "out to a reeducation clinic to keep them out of trouble with the", "job for the government to invent a time machine. I am a beginning", "am on a budget, and I want to be up to speed in", "speed in a month's time if possible (but I recognize it could take", "beginning writer, and I have particular style of writing that incorporates a lot", "exposition and dialog gets a little long. So, I have been trying to", "whom he sold out to a reeducation clinic to keep them out of", "at my writer's group to show that I have addressed my issues in", "having to pay too much for a formal course. I am on a", "invested in, because the exposition and dialog gets a little long. So, I", "character arc)that ties it all together that I can present for a half", "addressed my issues in a way that would be entertain them too. In", "stealing\" gang whom he sold out to a reeducation clinic to keep them", "that I needed to develop my characters to give readers something more to", "to be up to speed in a month's time if possible (but I", "develop my characters to give readers something more to be invested in, because", "would be entertain them too. In essence I am looking for structure without", "too much for a formal course. I am on a budget, and I", "out of trouble with the government to help him do a job for", "I have begun writing a story about two city-states in the year 2307", "for structure without having to pay too much for a formal course. I", "I want is a combination of theory, shorter assignments (with feedback), and a", "for the government to invent a time machine. I am a beginning writer,", "arc)that ties it all together that I can present for a half hour", "government to invent a time machine. I am a beginning writer, and I", "for a formal course. I am on a budget, and I want to", "a lot of exposition and dialog. I attended a writer's group this week", "and books. What I think I want is a combination of theory, shorter", "invent a time machine. I am a beginning writer, and I have particular", "want to be up to speed in a month's time if possible (but", "\"sim stealing\" gang whom he sold out to a reeducation clinic to keep", "What I think I want is a combination of theory, shorter assignments (with", "may give me that experience. I have been doing research on the Internet.", "combination of theory, shorter assignments (with feedback), and a longer project (with a", "group to show that I have addressed my issues in a way that", "story about two city-states in the year 2307 in an arms race to", "to create a time machine. The protagonist must regain the confidence of his", "conceptualize a project that may give me that experience. I have been doing", "Internet. I see that there are sites for forums, courses, prompts, exercises, and", "a little long. So, I have been trying to conceptualize a project that", "a longer project (with a character arc)that ties it all together that I", "to help him do a job for the government to invent a time", "to give readers something more to be invested in, because the exposition and", "In essence I am looking for structure without having to pay too much", "me advice that I needed to develop my characters to give readers something", "am looking for structure without having to pay too much for a formal", "characters to give readers something more to be invested in, because the exposition", "am a beginning writer, and I have particular style of writing that incorporates", "there are sites for forums, courses, prompts, exercises, and books. What I think", "be up to speed in a month's time if possible (but I recognize", "up to speed in a month's time if possible (but I recognize it", "half hour at my writer's group to show that I have addressed my", "give readers something more to be invested in, because the exposition and dialog", "readers something more to be invested in, because the exposition and dialog gets", "must regain the confidence of his old \"sim stealing\" gang whom he sold", "reeducation clinic to keep them out of trouble with the government to help", "present for a half hour at my writer's group to show that I", "writing a story about two city-states in the year 2307 in an arms", "think I want is a combination of theory, shorter assignments (with feedback), and", "needed to develop my characters to give readers something more to be invested", "to be invested in, because the exposition and dialog gets a little long.", "protagonist must regain the confidence of his old \"sim stealing\" gang whom he", "assignments (with feedback), and a longer project (with a character arc)that ties it", "all together that I can present for a half hour at my writer's", "a half hour at my writer's group to show that I have addressed", "to pay too much for a formal course. I am on a budget,", "help him do a job for the government to invent a time machine.", "research on the Internet. I see that there are sites for forums, courses,", "sold out to a reeducation clinic to keep them out of trouble with", "(with a character arc)that ties it all together that I can present for", "the government to invent a time machine. I am a beginning writer, and", "shorter assignments (with feedback), and a longer project (with a character arc)that ties", "can present for a half hour at my writer's group to show that", "for a half hour at my writer's group to show that I have", "to keep them out of trouble with the government to help him do", "of exposition and dialog. I attended a writer's group this week that gave", "have been doing research on the Internet. I see that there are sites", "forums, courses, prompts, exercises, and books. What I think I want is a", "of writing that incorporates a lot of exposition and dialog. I attended a", "little long. 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In essence I am looking for", "looking for structure without having to pay too much for a formal course.", "essence I am looking for structure without having to pay too much for", "regain the confidence of his old \"sim stealing\" gang whom he sold out", "experience. I have been doing research on the Internet. I see that there", "gang whom he sold out to a reeducation clinic to keep them out", "me that experience. I have been doing research on the Internet. I see", "I can present for a half hour at my writer's group to show", "I am looking for structure without having to pay too much for a", "long. So, I have been trying to conceptualize a project that may give", "been trying to conceptualize a project that may give me that experience. I", "in the year 2307 in an arms race to create a time machine.", "a time machine. I am a beginning writer, and I have particular style", "and dialog gets a little long. 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What I think I want is a combination", "in a month's time if possible (but I recognize it could take longer...)", "books. What I think I want is a combination of theory, shorter assignments", "that I can present for a half hour at my writer's group to", "more to be invested in, because the exposition and dialog gets a little", "project (with a character arc)that ties it all together that I can present", "on a budget, and I want to be up to speed in a", "that may give me that experience. I have been doing research on the", "that there are sites for forums, courses, prompts, exercises, and books. What I", "about two city-states in the year 2307 in an arms race to create", "with the government to help him do a job for the government to", "for forums, courses, prompts, exercises, and books. What I think I want is", "a formal course. I am on a budget, and I want to be", "advice that I needed to develop my characters to give readers something more", "too. In essence I am looking for structure without having to pay too", "I have addressed my issues in a way that would be entertain them", "I attended a writer's group this week that gave me advice that I", "of his old \"sim stealing\" gang whom he sold out to a reeducation", "give me that experience. I have been doing research on the Internet. I", "doing research on the Internet. I see that there are sites for forums,", "a job for the government to invent a time machine. I am a" ]
[ "character to respond with anger, I want the reader to understand why the", "about forcing everyone to feel the same thing and more about how I,", "lead to that anger and be given reason to feel the things I", "I write it? My question is less about forcing everyone to feel the", "can get left behind. How do I ensure what I am writing captures", "to feel the things I do while I'm writing. But sometimes, the things", "to that anger and be given reason to feel the things I do", "while I'm writing. But sometimes, the things I'm feeling \"in the moment\" don't", "How do I ensure what I am writing captures what I'm feeling as", "the things I do while I'm writing. But sometimes, the things I'm feeling", "thing and more about how I, as a writer, can make sure I", "events that lead to that anger and be given reason to feel the", "understand why the character is angry. I want the reader to be caught", "what I'm feeling as I write it? My question is less about forcing", "get conveyed and the reader can get left behind. How do I ensure", "writing. But sometimes, the things I'm feeling \"in the moment\" don't get conveyed", "I do while I'm writing. But sometimes, the things I'm feeling \"in the", "up in the the events that lead to that anger and be given", "the moment\" don't get conveyed and the reader can get left behind. How", "writing captures what I'm feeling as I write it? My question is less", "respond with anger, I want the reader to understand why the character is", "the reader to be caught up in the the events that lead to", "I'm writing. But sometimes, the things I'm feeling \"in the moment\" don't get", "sometimes, the things I'm feeling \"in the moment\" don't get conveyed and the", "anger, I want the reader to understand why the character is angry. I", "what I am writing captures what I'm feeling as I write it? My", "\"in the moment\" don't get conveyed and the reader can get left behind.", "do I ensure what I am writing captures what I'm feeling as I", "do while I'm writing. But sometimes, the things I'm feeling \"in the moment\"", "the events that lead to that anger and be given reason to feel", "and more about how I, as a writer, can make sure I have", "is angry. I want the reader to be caught up in the the", "I ensure what I am writing captures what I'm feeling as I write", "reader can get left behind. How do I ensure what I am writing", "a character to respond with anger, I want the reader to understand why", "angry. I want the reader to be caught up in the the events", "the the events that lead to that anger and be given reason to", "and the reader can get left behind. How do I ensure what I", "want the reader to understand why the character is angry. I want the", "more about how I, as a writer, can make sure I have illustrated", "how I, as a writer, can make sure I have illustrated the situation", "I'm feeling as I write it? My question is less about forcing everyone", "about how I, as a writer, can make sure I have illustrated the", "that anger and be given reason to feel the things I do while", "everyone to feel the same thing and more about how I, as a", "and be given reason to feel the things I do while I'm writing.", "I am writing captures what I'm feeling as I write it? My question", "less about forcing everyone to feel the same thing and more about how", "as I write it? My question is less about forcing everyone to feel", "want the reader to be caught up in the the events that lead", "to understand why the character is angry. I want the reader to be", "caught up in the the events that lead to that anger and be", "I, as a writer, can make sure I have illustrated the situation completely.", "given reason to feel the things I do while I'm writing. But sometimes,", "feel the things I do while I'm writing. But sometimes, the things I'm", "forcing everyone to feel the same thing and more about how I, as", "moment\" don't get conveyed and the reader can get left behind. How do", "is less about forcing everyone to feel the same thing and more about", "feel the same thing and more about how I, as a writer, can", "I want a character to respond with anger, I want the reader to", "things I do while I'm writing. But sometimes, the things I'm feeling \"in", "to feel the same thing and more about how I, as a writer,", "want a character to respond with anger, I want the reader to understand", "the things I'm feeling \"in the moment\" don't get conveyed and the reader", "conveyed and the reader can get left behind. How do I ensure what", "don't get conveyed and the reader can get left behind. How do I", "get left behind. How do I ensure what I am writing captures what", "I'm feeling \"in the moment\" don't get conveyed and the reader can get", "captures what I'm feeling as I write it? My question is less about", "My question is less about forcing everyone to feel the same thing and", "am writing captures what I'm feeling as I write it? My question is", "same thing and more about how I, as a writer, can make sure", "write it? My question is less about forcing everyone to feel the same", "question is less about forcing everyone to feel the same thing and more", "If I want a character to respond with anger, I want the reader", "to respond with anger, I want the reader to understand why the character", "behind. How do I ensure what I am writing captures what I'm feeling", "left behind. How do I ensure what I am writing captures what I'm", "the reader can get left behind. How do I ensure what I am", "why the character is angry. I want the reader to be caught up", "the character is angry. I want the reader to be caught up in", "be given reason to feel the things I do while I'm writing. But", "reason to feel the things I do while I'm writing. But sometimes, the", "it? My question is less about forcing everyone to feel the same thing", "But sometimes, the things I'm feeling \"in the moment\" don't get conveyed and", "the reader to understand why the character is angry. I want the reader", "with anger, I want the reader to understand why the character is angry.", "feeling \"in the moment\" don't get conveyed and the reader can get left", "I want the reader to understand why the character is angry. I want", "in the the events that lead to that anger and be given reason", "I want the reader to be caught up in the the events that", "to be caught up in the the events that lead to that anger", "be caught up in the the events that lead to that anger and", "feeling as I write it? My question is less about forcing everyone to", "the same thing and more about how I, as a writer, can make", "that lead to that anger and be given reason to feel the things", "things I'm feeling \"in the moment\" don't get conveyed and the reader can", "ensure what I am writing captures what I'm feeling as I write it?", "anger and be given reason to feel the things I do while I'm", "reader to be caught up in the the events that lead to that", "reader to understand why the character is angry. I want the reader to", "character is angry. I want the reader to be caught up in the" ]
[ "is the purpose of inner conflict?** Why does one include it in their", "don't want to turn this question into a debate over which of my", "either are. I want to hear how you view inner conflict instead. Note:", "for me to grasp when I was learning about it. Now I'm not", "I am interested to hear what you have to say. However, please put", "purpose of inner conflict. My question therefore is simple: What is the purpose", "you have to say. However, please put it in a comment. Only use", "should not use inner conflict, I am interested to hear what you have", "conflict. My question therefore is simple: What is the purpose of inner conflict?*", "of the simplest concepts for me to grasp when I was learning about", "about it. Now I'm not so sure. I seem to have developed a", "sure there are those who disagree with it. If you believe writers should", "sure. I seem to have developed a dual understanding of inner conflict: what", "which of my views are correct, or if either are. I want to", "long known what the purpose of inner conflict is. Indeed, it was one", "and what I now know. Neither seem wrong, but they are different and", "with any aspect of writing, I'm sure there are those who disagree with", "debate over which of my views are correct, or if either are. I", "want to turn this question into a debate over which of my views", "this question into a debate over which of my views are correct, or", "are. I want to hear how you view inner conflict instead. Note:* As", "to hear how you view inner conflict instead. Note: As with any aspect", "it. Now I'm not so sure. I seem to have developed a dual", "use inner conflict, I am interested to hear what you have to say.", "in their characters? The reason I'm not explaining how I view inner conflict", "purpose of inner conflict is. Indeed, it was one of the simplest concepts", "Neither seem wrong, but they are different and can't both be the purpose", "to know, and what I now know. Neither seem wrong, but they are", "am interested to hear what you have to say. However, please put it", "seem wrong, but they are different and can't both be the purpose of", "they are different and can't both be the purpose of inner conflict. My", "I view inner conflict is because I don't want to turn this question", "view inner conflict is because I don't want to turn this question into", "developed a dual understanding of inner conflict: what I used to know, and", "there are those who disagree with it. If you believe writers should not", "to have developed a dual understanding of inner conflict: what I used to", "explaining how I view inner conflict is because I don't want to turn", "I seem to have developed a dual understanding of inner conflict: what I", "to turn this question into a debate over which of my views are", "I now know. Neither seem wrong, but they are different and can't both", "how you view inner conflict instead. Note: As with any aspect of writing,", "the purpose of inner conflict is. Indeed, it was one of the simplest", "with it. If you believe writers should not use inner conflict, I am", "correct, or if either are. I want to hear how you view inner", "their characters? The reason I'm not explaining how I view inner conflict is", "simplest concepts for me to grasp when I was learning about it. Now", "over which of my views are correct, or if either are. I want", "my views are correct, or if either are. I want to hear how", "what I now know. Neither seem wrong, but they are different and can't", "are correct, or if either are. I want to hear how you view", "disagree with it. If you believe writers should not use inner conflict, I", "dual understanding of inner conflict: what I used to know, and what I", "inner conflict is because I don't want to turn this question into a", "please put it in a comment. Only use an answer to answer the", "I want to hear how you view inner conflict instead. Note: As with", "both be the purpose of inner conflict. My question therefore is simple: *What", "of inner conflict is. Indeed, it was one of the simplest concepts for", "wrong, but they are different and can't both* be the purpose of inner", "writers should not use inner conflict, I am interested to hear what you", "reason I'm not explaining how I view inner conflict is because I don't", "therefore is simple: What is the purpose of inner conflict? Why does one", "inner conflict is. Indeed, it was one of the simplest concepts for me", "purpose of inner conflict? Why does one include it in their characters? The", "simple: What is the purpose of inner conflict?** Why does one include it", "believe writers should not use inner conflict, I am interested to hear what", "learning about it. Now I'm not so sure. I seem to have developed", "known what the purpose of inner conflict is. Indeed, it was one of", "view inner conflict instead. Note: As with any aspect of writing, I'm sure", "Indeed, it was one of the simplest concepts for me to grasp when", "have developed a dual understanding of inner conflict: what I used to know,", "to grasp when I was learning about it. Now I'm not so sure.", "a debate over which of my views are correct, or if either are.", "question into a debate over which of my views are correct, or if", "inner conflict? Why does one include it in their characters? The reason I'm", "the purpose of inner conflict. My question therefore is simple: What is the", "you believe writers should not use inner conflict, I am interested to hear", "I'm not explaining how I view inner conflict is because I don't want", "was one of the simplest concepts for me to grasp when I was", "so sure. I seem to have developed a dual understanding of inner conflict:", "one of the simplest concepts for me to grasp when I was learning", "me to grasp when I was learning about it. Now I'm not so", "because I don't want to turn this question into a debate over which", "writing, I'm sure there are those who disagree with it. If you believe", "it in a comment. Only use an answer to answer the actual question.", "I'm sure there are those who disagree with it. If you believe writers", "not use inner conflict, I am interested to hear what you have to", "Why does one include it in their characters? The reason I'm not explaining", "hear what you have to say. However, please put it in a comment.", "If you believe writers should not use inner conflict, I am interested to", "What is the purpose of inner conflict? Why does one include it in", "conflict is. Indeed, it was one of the simplest concepts for me to", "what I used to know, and what I now know. Neither seem wrong,", "interested to hear what you have to say. However, please put it in", "include it in their characters? The reason I'm not explaining how I view", "I was learning about it. Now I'm not so sure. I seem to", "The reason I'm not explaining how I view inner conflict is because I", "but they are different and can't both be the purpose of inner conflict.", "Note: As with any aspect of writing, I'm sure there are those who", "aspect of writing, I'm sure there are those who disagree with it. If", "is. Indeed, it was one of the simplest concepts for me to grasp", "conflict? Why does one include it in their characters? The reason I'm not", "what you have to say. However, please put it in a comment. Only", "used to know, and what I now know. Neither seem wrong, but they", "As with any aspect of writing, I'm sure there are those who disagree", "say. However, please put it in a comment. Only use an answer to", "or if either are. I want to hear how you view inner conflict", "However, please put it in a comment. Only use an answer to answer", "inner conflict. My question therefore is simple: What is the purpose of inner", "it was one of the simplest concepts for me to grasp when I", "one include it in their characters? The reason I'm not explaining how I", "it in their characters? The reason I'm not explaining how I view inner", "know, and what I now know. Neither seem wrong, but they are different", "conflict instead. Note: As with any aspect of writing, I'm sure there are", "turn this question into a debate over which of my views are correct,", "of writing, I'm sure there are those who disagree with it. If you", "and can't both be the purpose of inner conflict. My question therefore is", "is because I don't want to turn this question into a debate over", "want to hear how you view inner conflict instead. Note: As with any", "I'm not so sure. I seem to have developed a dual understanding of", "Now I'm not so sure. I seem to have developed a dual understanding", "of inner conflict. My question therefore is simple: *What is the purpose of", "are those who disagree with it. If you believe writers should not use", "are different and can't both* be the purpose of inner conflict. My question", "grasp when I was learning about it. Now I'm not so sure. I", "inner conflict instead. Note: As with any aspect of writing, I'm sure there", "conflict, I am interested to hear what you have to say. However, please", "is simple: What is the purpose of inner conflict? Why does one include", "instead. Note: As with any aspect of writing, I'm sure there are those", "of my views are correct, or if either are. I want to hear", "a dual understanding of inner conflict: what I used to know, and what", "if either are. I want to hear how you view inner conflict instead.", "understanding of inner conflict: what I used to know, and what I now", "conflict: what I used to know, and what I now know. Neither seem", "have to say. However, please put it in a comment. Only use an", "does one include it in their characters? The reason I'm not explaining how", "characters? The reason I'm not explaining how I view inner conflict is because", "of inner conflict?** Why does one include it in their characters? The reason", "different and can't both be the purpose of inner conflict. My question therefore", "it. If you believe writers should not use inner conflict, I am interested", "concepts for me to grasp when I was learning about it. Now I'm", "was learning about it. Now I'm not so sure. I seem to have", "question therefore is simple: What is the purpose of inner conflict? Why does", "to say. However, please put it in a comment. Only use an answer", "how I view inner conflict is because I don't want to turn this", "into a debate over which of my views are correct, or if either", "inner conflict: what I used to know, and what I now know. Neither", "put it in a comment. Only use an answer to answer the actual", "any aspect of writing, I'm sure there are those who disagree with it.", "views are correct, or if either are. I want to hear how you", "the simplest concepts for me to grasp when I was learning about it.", "not so sure. I seem to have developed a dual understanding of inner", "now know. Neither seem wrong, but they are different and can't both be", "I don't want to turn this question into a debate over which of", "to hear what you have to say. However, please put it in a", "what the purpose of inner conflict is. Indeed, it was one of the", "I used to know, and what I now know. Neither seem wrong, but", "can't both be the purpose of inner conflict. My question therefore is simple:", "I've long known what the purpose of inner conflict is. Indeed, it was", "know. Neither seem wrong, but they are different and can't both be the", "inner conflict, I am interested to hear what you have to say. However,", "seem to have developed a dual understanding of inner conflict: what I used", "conflict is because I don't want to turn this question into a debate", "who disagree with it. If you believe writers should not use inner conflict,", "be the purpose of inner conflict. My question therefore is simple: What is", "the purpose of inner conflict? Why does one include it in their characters?", "you view inner conflict instead. Note: As with any aspect of writing, I'm", "of inner conflict: what I used to know, and what I now know.", "My question therefore is simple: What is the purpose of inner conflict? Why", "not explaining how I view inner conflict is because I don't want to", "those who disagree with it. If you believe writers should not use inner", "when I was learning about it. Now I'm not so sure. I seem", "hear how you view inner conflict instead. Note: As with any aspect of" ]
[ "all complete. They are made by people. Sometimes their members will split out", "know exactly what I'm doing and what would be the impact of my", "ignore this doubt so I came here to ask: How can I balance", "he will get into by accident and bad luck and will eventually join", "of the Axis Squad until he gets in the mission and the squad.", "squads all complete. They are made by people. Sometimes their members will split", "solutions like a third-person narrator outside to the squads (somebody related to the", "be the impact of my decisions to solve this. After all, I cant", "How can I balance the individual x the protagonists? (the two squads) I've", "own. The protagonists are two squads (one from the \"Axis\" and the other", "the mission and the squad. It shows that he losts his previous squad", "Axis Squad until he gets in the mission and the squad. It shows", "I saw that I was focusing these chapters on individuals rather than the", "reader to feel that the squads are the protagonists. Such an abstract concept,", "Squad until he gets in the mission and the squad. It shows that", "he gets in the mission and the squad. It shows that he losts", "squads are the protagonists. Such an abstract concept, but I came here to", "and conflicts. In short, I ask this because I want the reader to", "He is supposed to meet with the squad that enters his village with", "about a recruit and how he lost a friend of his earlier days.", "governement for a super-soldier experiment where he will get his squad. Then next,", "that I was focusing these chapters on individuals rather than the squads. The", "already thought of some solutions like a third-person narrator outside to the squads", "and doing some edits on the chapter's organization, but I think that I", "these chapters focused on individuals something like as \"interludes\" and doing some edits", "meet with the squad that enters his village with a secret mission which", "told about) and treat these chapters focused on individuals something like as \"interludes\"", "the \"stars\" of these two squads in which I've prepeared more things on.", "script was telling me to write about a recruit and how he lost", "what would be the impact of my decisions to solve this. After all,", "members will split out to do their own things and conflicts. In short,", "on individuals something like as \"interludes\" and doing some edits on the chapter's", "the captain are the \"stars\" of these two squads in which I've prepeared", "\"Allies\") with the characters within the squads. Those are Spec Ops squads. Some", "a secret mission which he will get into by accident and bad luck", "the chapter's organization, but I think that I dont know exactly what I'm", "was focusing these chapters on individuals rather than the squads. The recruit and", "losts his previous squad and is somewhat traumatized by it, and then he", "emerged when I finished some of the first 4 chapters where I write", "if anyone here has any suggestions about what can I do and/or what", "individuals something like as \"interludes\" and doing some edits on the chapter's organization,", "the captain of the Axis Squad until he gets in the mission and", "join the squad. But then, I saw that I was focusing these chapters", "to the secret mission I've told about) and treat these chapters focused on", "that I dont know exactly what I'm doing and what would be the", "I came here to ask: How can I balance the individual x the", "squad. But then, I saw that I was focusing these chapters on individuals", "the \"Allies\") with the characters within the squads. Those are Spec Ops squads.", "I'm doing and what would be the impact of my decisions to solve", "the impact of my decisions to solve this. After all, I cant make", "I've prepeared more things on. I could not ignore this doubt so I", "until he gets in the mission and the squad. It shows that he", "on the chapter's organization, but I think that I dont know exactly what", "in a world of my own. The protagonists are two squads (one from", "these two squads in which I've prepeared more things on. I could not", "and the captain are the \"stars\" of these two squads in which I've", "think that I dont know exactly what I'm doing and what would be", "But then, I saw that I was focusing these chapters on individuals rather", "like a third-person narrator outside to the squads (somebody related to the secret", "he lost a friend of his earlier days. He is supposed to meet", "things and conflicts. In short, I ask this because I want the reader", "of my own. The protagonists are two squads (one from the \"Axis\" and", "somewhat traumatized by it, and then he is used by the governement for", "was telling me to write about a recruit and how he lost a", "would be the impact of my decisions to solve this. After all, I", "this. After all, I cant make all the chapters with the squads all", "on. I could not ignore this doubt so I came here to ask:", "focused on individuals something like as \"interludes\" and doing some edits on the", "squad and is somewhat traumatized by it, and then he is used by", "on the WW2 era in a world of my own. The protagonists are", "from the \"Allies\") with the characters within the squads. Those are Spec Ops", "protagonists. Such an abstract concept, but I came here to ask if anyone", "(one from the \"Axis\" and the other from the \"Allies\") with the characters", "characters within the squads. Those are Spec Ops squads. Some doubts have emerged", "They are made by people. Sometimes their members will split out to do", "a world of my own. The protagonists are two squads (one from the", "is somewhat traumatized by it, and then he is used by the governement", "out to do their own things and conflicts. In short, I ask this", "the protagonists. Such an abstract concept, but I came here to ask if", "Sometimes their members will split out to do their own things and conflicts.", "short, I ask this because I want the reader to feel that the", "the squad. It shows that he losts his previous squad and is somewhat", "anyone here has any suggestions about what can I do and/or what I", "by accident and bad luck and will eventually join the squad. But then,", "village with a secret mission which he will get into by accident and", "get into by accident and bad luck and will eventually join the squad.", "on individuals rather than the squads. The recruit and the captain are the", "captain are the \"stars\" of these two squads in which I've prepeared more", "squad that enters his village with a secret mission which he will get", "these chapters on individuals rather than the squads. The recruit and the captain", "are the protagonists. Such an abstract concept, but I came here to ask", "previous squad and is somewhat traumatized by it, and then he is used", "to ask: How can I balance the individual x the protagonists? (the two", "and bad luck and will eventually join the squad. But then, I saw", "where he will get his squad. Then next, my script was telling me", "his previous squad and is somewhat traumatized by it, and then he is", "will split out to do their own things and conflicts. In short, I", "with the squads all complete. They are made by people. Sometimes their members", "the \"Axis\" and the other from the \"Allies\") with the characters within the", "I could not ignore this doubt so I came here to ask: How", "the WW2 era in a world of my own. The protagonists are two", "mission I've told about) and treat these chapters focused on individuals something like", "In short, I ask this because I want the reader to feel that", "will get his squad. Then next, my script was telling me to write", "luck and will eventually join the squad. But then, I saw that I", "something like as \"interludes\" and doing some edits on the chapter's organization, but", "4 chapters where I write the path of the captain of the Axis", "lost a friend of his earlier days. He is supposed to meet with", "two squads) I've already thought of some solutions like a third-person narrator outside", "his earlier days. He is supposed to meet with the squad that enters", "individuals rather than the squads. The recruit and the captain are the \"stars\"", "telling me to write about a recruit and how he lost a friend", "squad. Then next, my script was telling me to write about a recruit", "want the reader to feel that the squads are the protagonists. Such an", "some of the first 4 chapters where I write the path of the", "and will eventually join the squad. But then, I saw that I was", "the governement for a super-soldier experiment where he will get his squad. Then", "he losts his previous squad and is somewhat traumatized by it, and then", "Some doubts have emerged when I finished some of the first 4 chapters", "treat these chapters focused on individuals something like as \"interludes\" and doing some", "will eventually join the squad. But then, I saw that I was focusing", "third-person narrator outside to the squads (somebody related to the secret mission I've", "because I want the reader to feel that the squads are the protagonists.", "in the mission and the squad. It shows that he losts his previous", "my decisions to solve this. After all, I cant make all the chapters", "is supposed to meet with the squad that enters his village with a", "with the squad that enters his village with a secret mission which he", "his squad. Then next, my script was telling me to write about a", "mission and the squad. It shows that he losts his previous squad and", "other from the \"Allies\") with the characters within the squads. Those are Spec", "their own things and conflicts. In short, I ask this because I want", "the path of the captain of the Axis Squad until he gets in", "within the squads. Those are Spec Ops squads. Some doubts have emerged when", "will get into by accident and bad luck and will eventually join the", "and what would be the impact of my decisions to solve this. After", "for a super-soldier experiment where he will get his squad. Then next, my", "chapters on individuals rather than the squads. The recruit and the captain are", "writing a fictional dieselpunk story based on the WW2 era in a world", "to ask if anyone here has any suggestions about what can I do", "some solutions like a third-person narrator outside to the squads (somebody related to", "and treat these chapters focused on individuals something like as \"interludes\" and doing", "I balance the individual x the protagonists? (the two squads) I've already thought", "Those are Spec Ops squads. Some doubts have emerged when I finished some", "era in a world of my own. The protagonists are two squads (one", "so I came here to ask: How can I balance the individual x", "but I came here to ask if anyone here has any suggestions about", "related to the secret mission I've told about) and treat these chapters focused", "write about a recruit and how he lost a friend of his earlier", "abstract concept, but I came here to ask if anyone here has any", "this doubt so I came here to ask: How can I balance the", "next, my script was telling me to write about a recruit and how", "all, I cant make all the chapters with the squads all complete. They", "doubt so I came here to ask: How can I balance the individual", "the protagonists? (the two squads) I've already thought of some solutions like a", "the squad. But then, I saw that I was focusing these chapters on", "doing some edits on the chapter's organization, but I think that I dont", "that he losts his previous squad and is somewhat traumatized by it, and", "my own. The protagonists are two squads (one from the \"Axis\" and the", "then, I saw that I was focusing these chapters on individuals rather than", "this because I want the reader to feel that the squads are the", "have emerged when I finished some of the first 4 chapters where I", "traumatized by it, and then he is used by the governement for a", "some edits on the chapter's organization, but I think that I dont know", "bad luck and will eventually join the squad. But then, I saw that", "the squads are the protagonists. Such an abstract concept, but I came here", "two squads (one from the \"Axis\" and the other from the \"Allies\") with", "could not ignore this doubt so I came here to ask: How can", "is used by the governement for a super-soldier experiment where he will get", "saw that I was focusing these chapters on individuals rather than the squads.", "\"Axis\" and the other from the \"Allies\") with the characters within the squads.", "The recruit and the captain are the \"stars\" of these two squads in", "After all, I cant make all the chapters with the squads all complete.", "came here to ask: How can I balance the individual x the protagonists?", "recruit and the captain are the \"stars\" of these two squads in which", "then he is used by the governement for a super-soldier experiment where he", "squads. Some doubts have emerged when I finished some of the first 4", "the squad that enters his village with a secret mission which he will", "the squads all complete. They are made by people. Sometimes their members will", "outside to the squads (somebody related to the secret mission I've told about)", "here has any suggestions about what can I do and/or what I should", "came here to ask if anyone here has any suggestions about what can", "and is somewhat traumatized by it, and then he is used by the", "focusing these chapters on individuals rather than the squads. The recruit and the", "path of the captain of the Axis Squad until he gets in the", "decisions to solve this. After all, I cant make all the chapters with", "squads (somebody related to the secret mission I've told about) and treat these", "to do their own things and conflicts. In short, I ask this because", "It shows that he losts his previous squad and is somewhat traumatized by", "squads. Those are Spec Ops squads. Some doubts have emerged when I finished", "feel that the squads are the protagonists. Such an abstract concept, but I", "the individual x the protagonists? (the two squads) I've already thought of some", "which I've prepeared more things on. I could not ignore this doubt so", "friend of his earlier days. He is supposed to meet with the squad", "secret mission which he will get into by accident and bad luck and", "I came here to ask if anyone here has any suggestions about what", "cant make all the chapters with the squads all complete. They are made", "used by the governement for a super-soldier experiment where he will get his", "from the \"Axis\" and the other from the \"Allies\") with the characters within", "a recruit and how he lost a friend of his earlier days. He", "I finished some of the first 4 chapters where I write the path", "eventually join the squad. But then, I saw that I was focusing these", "all the chapters with the squads all complete. They are made by people.", "I write the path of the captain of the Axis Squad until he", "and then he is used by the governement for a super-soldier experiment where", "can I balance the individual x the protagonists? (the two squads) I've already", "earlier days. He is supposed to meet with the squad that enters his", "based on the WW2 era in a world of my own. The protagonists", "organization, but I think that I dont know exactly what I'm doing and", "squads (one from the \"Axis\" and the other from the \"Allies\") with the", "squad. It shows that he losts his previous squad and is somewhat traumatized", "he is used by the governement for a super-soldier experiment where he will", "the squads (somebody related to the secret mission I've told about) and treat", "of the captain of the Axis Squad until he gets in the mission", "the squads. The recruit and the captain are the \"stars\" of these two", "secret mission I've told about) and treat these chapters focused on individuals something", "days. He is supposed to meet with the squad that enters his village", "made by people. Sometimes their members will split out to do their own", "a super-soldier experiment where he will get his squad. Then next, my script", "super-soldier experiment where he will get his squad. Then next, my script was", "Such an abstract concept, but I came here to ask if anyone here", "thought of some solutions like a third-person narrator outside to the squads (somebody", "Im writing a fictional dieselpunk story based on the WW2 era in a", "individual x the protagonists? (the two squads) I've already thought of some solutions", "\"interludes\" and doing some edits on the chapter's organization, but I think that", "the other from the \"Allies\") with the characters within the squads. Those are", "it, and then he is used by the governement for a super-soldier experiment", "dieselpunk story based on the WW2 era in a world of my own.", "by people. Sometimes their members will split out to do their own things", "and how he lost a friend of his earlier days. He is supposed", "complete. They are made by people. Sometimes their members will split out to", "his village with a secret mission which he will get into by accident", "I've already thought of some solutions like a third-person narrator outside to the", "which he will get into by accident and bad luck and will eventually", "conflicts. In short, I ask this because I want the reader to feel", "are Spec Ops squads. Some doubts have emerged when I finished some of", "fictional dieselpunk story based on the WW2 era in a world of my", "rather than the squads. The recruit and the captain are the \"stars\" of", "more things on. I could not ignore this doubt so I came here", "(the two squads) I've already thought of some solutions like a third-person narrator", "protagonists are two squads (one from the \"Axis\" and the other from the", "story based on the WW2 era in a world of my own. The", "of the first 4 chapters where I write the path of the captain", "my script was telling me to write about a recruit and how he", "I ask this because I want the reader to feel that the squads", "accident and bad luck and will eventually join the squad. But then, I", "the characters within the squads. Those are Spec Ops squads. Some doubts have", "squads in which I've prepeared more things on. I could not ignore this", "the first 4 chapters where I write the path of the captain of", "the squads. Those are Spec Ops squads. Some doubts have emerged when I", "chapters with the squads all complete. They are made by people. Sometimes their", "first 4 chapters where I write the path of the captain of the", "people. Sometimes their members will split out to do their own things and", "chapter's organization, but I think that I dont know exactly what I'm doing", "Then next, my script was telling me to write about a recruit and", "in which I've prepeared more things on. I could not ignore this doubt", "balance the individual x the protagonists? (the two squads) I've already thought of", "to meet with the squad that enters his village with a secret mission", "dont know exactly what I'm doing and what would be the impact of", "has any suggestions about what can I do and/or what I should not.", "with the characters within the squads. Those are Spec Ops squads. Some doubts", "that enters his village with a secret mission which he will get into", "with a secret mission which he will get into by accident and bad", "of some solutions like a third-person narrator outside to the squads (somebody related", "their members will split out to do their own things and conflicts. In", "gets in the mission and the squad. It shows that he losts his", "experiment where he will get his squad. Then next, my script was telling", "I've told about) and treat these chapters focused on individuals something like as", "into by accident and bad luck and will eventually join the squad. But", "when I finished some of the first 4 chapters where I write the", "shows that he losts his previous squad and is somewhat traumatized by it,", "(somebody related to the secret mission I've told about) and treat these chapters", "of my decisions to solve this. After all, I cant make all the", "I dont know exactly what I'm doing and what would be the impact", "prepeared more things on. I could not ignore this doubt so I came", "about) and treat these chapters focused on individuals something like as \"interludes\" and", "but I think that I dont know exactly what I'm doing and what", "me to write about a recruit and how he lost a friend of", "squads. The recruit and the captain are the \"stars\" of these two squads", "an abstract concept, but I came here to ask if anyone here has", "the chapters with the squads all complete. They are made by people. Sometimes", "the secret mission I've told about) and treat these chapters focused on individuals", "WW2 era in a world of my own. The protagonists are two squads", "I think that I dont know exactly what I'm doing and what would", "than the squads. The recruit and the captain are the \"stars\" of these", "and the squad. It shows that he losts his previous squad and is", "are two squads (one from the \"Axis\" and the other from the \"Allies\")", "that the squads are the protagonists. Such an abstract concept, but I came", "exactly what I'm doing and what would be the impact of my decisions", "what I'm doing and what would be the impact of my decisions to", "world of my own. The protagonists are two squads (one from the \"Axis\"", "here to ask if anyone here has any suggestions about what can I", "where I write the path of the captain of the Axis Squad until", "protagonists? (the two squads) I've already thought of some solutions like a third-person", "own things and conflicts. In short, I ask this because I want the", "make all the chapters with the squads all complete. They are made by", "of these two squads in which I've prepeared more things on. I could", "x the protagonists? (the two squads) I've already thought of some solutions like", "I want the reader to feel that the squads are the protagonists. Such", "to solve this. After all, I cant make all the chapters with the", "he will get his squad. Then next, my script was telling me to", "and the other from the \"Allies\") with the characters within the squads. Those", "things on. I could not ignore this doubt so I came here to", "ask if anyone here has any suggestions about what can I do and/or", "narrator outside to the squads (somebody related to the secret mission I've told", "recruit and how he lost a friend of his earlier days. He is", "ask: How can I balance the individual x the protagonists? (the two squads)", "edits on the chapter's organization, but I think that I dont know exactly", "chapters focused on individuals something like as \"interludes\" and doing some edits on", "finished some of the first 4 chapters where I write the path of", "are the \"stars\" of these two squads in which I've prepeared more things", "do their own things and conflicts. In short, I ask this because I", "a friend of his earlier days. He is supposed to meet with the", "solve this. After all, I cant make all the chapters with the squads", "squads) I've already thought of some solutions like a third-person narrator outside to", "the Axis Squad until he gets in the mission and the squad. It", "The protagonists are two squads (one from the \"Axis\" and the other from", "as \"interludes\" and doing some edits on the chapter's organization, but I think", "I was focusing these chapters on individuals rather than the squads. The recruit", "enters his village with a secret mission which he will get into by", "are made by people. Sometimes their members will split out to do their", "ask this because I want the reader to feel that the squads are", "get his squad. Then next, my script was telling me to write about", "concept, but I came here to ask if anyone here has any suggestions", "the reader to feel that the squads are the protagonists. Such an abstract", "Ops squads. Some doubts have emerged when I finished some of the first", "doubts have emerged when I finished some of the first 4 chapters where", "by it, and then he is used by the governement for a super-soldier", "mission which he will get into by accident and bad luck and will", "how he lost a friend of his earlier days. He is supposed to", "\"stars\" of these two squads in which I've prepeared more things on. I", "a fictional dieselpunk story based on the WW2 era in a world of", "write the path of the captain of the Axis Squad until he gets", "split out to do their own things and conflicts. In short, I ask", "Spec Ops squads. Some doubts have emerged when I finished some of the", "impact of my decisions to solve this. After all, I cant make all", "not ignore this doubt so I came here to ask: How can I", "captain of the Axis Squad until he gets in the mission and the", "a third-person narrator outside to the squads (somebody related to the secret mission", "here to ask: How can I balance the individual x the protagonists? (the", "chapters where I write the path of the captain of the Axis Squad", "like as \"interludes\" and doing some edits on the chapter's organization, but I", "by the governement for a super-soldier experiment where he will get his squad.", "two squads in which I've prepeared more things on. I could not ignore", "to the squads (somebody related to the secret mission I've told about) and", "to write about a recruit and how he lost a friend of his", "of his earlier days. He is supposed to meet with the squad that", "doing and what would be the impact of my decisions to solve this.", "to feel that the squads are the protagonists. Such an abstract concept, but", "I cant make all the chapters with the squads all complete. They are", "supposed to meet with the squad that enters his village with a secret" ]
[ "how to turn the world more alive, I would like to hear it.", "with a fictional world in it. I've already planned many events and the", "the chapters. In my vision, the way we turn the world more active", "how could I enhance this weight of the world in the characters and", "alternate view of how to turn the world more alive, I would like", "but I feel that there is missing something for it as I write", "their morals, their opinions and how they act upon that. The world builds", "active and alive is by making impact over the character's psychology. Their beliefs,", "guys have know a way of how could I enhance this weight of", "this weight of the world in the characters and their actions and/or if", "nations, but I feel that there is missing something for it as I", "opinions and how they act upon that. The world builds the character and", "character and the character builds the world. If you guys have know a", "if you guys have an alternate view of how to turn the world", "making impact over the character's psychology. Their beliefs, their morals, their opinions and", "in the characters and their actions and/or if you guys have an alternate", "and their actions and/or if you guys have an alternate view of how", "feel that there is missing something for it as I write the chapters.", "of how could I enhance this weight of the world in the characters", "novel with a fictional world in it. I've already planned many events and", "many events and the history of its nations, but I feel that there", "the way we turn the world more active and alive is by making", "If you guys have know a way of how could I enhance this", "the characters and their actions and/or if you guys have an alternate view", "weight of the world in the characters and their actions and/or if you", "you guys have know a way of how could I enhance this weight", "way we turn the world more active and alive is by making impact", "its nations, but I feel that there is missing something for it as", "is by making impact over the character's psychology. Their beliefs, their morals, their", "actions and/or if you guys have an alternate view of how to turn", "the character builds the world. If you guys have know a way of", "you guys have an alternate view of how to turn the world more", "as I write the chapters. In my vision, the way we turn the", "the history of its nations, but I feel that there is missing something", "of the world in the characters and their actions and/or if you guys", "planned many events and the history of its nations, but I feel that", "world more active and alive is by making impact over the character's psychology.", "I write the chapters. In my vision, the way we turn the world", "enhance this weight of the world in the characters and their actions and/or", "I'm writing a novel with a fictional world in it. I've already planned", "of its nations, but I feel that there is missing something for it", "could I enhance this weight of the world in the characters and their", "act upon that. The world builds the character and the character builds the", "fictional world in it. I've already planned many events and the history of", "the world more active and alive is by making impact over the character's", "world builds the character and the character builds the world. If you guys", "it as I write the chapters. In my vision, the way we turn", "The world builds the character and the character builds the world. If you", "I enhance this weight of the world in the characters and their actions", "know a way of how could I enhance this weight of the world", "and the history of its nations, but I feel that there is missing", "chapters. In my vision, the way we turn the world more active and", "character's psychology. Their beliefs, their morals, their opinions and how they act upon", "turn the world more active and alive is by making impact over the", "it. I've already planned many events and the history of its nations, but", "impact over the character's psychology. Their beliefs, their morals, their opinions and how", "there is missing something for it as I write the chapters. In my", "beliefs, their morals, their opinions and how they act upon that. The world", "that there is missing something for it as I write the chapters. In", "characters and their actions and/or if you guys have an alternate view of", "missing something for it as I write the chapters. In my vision, the", "write the chapters. In my vision, the way we turn the world more", "have know a way of how could I enhance this weight of the", "their opinions and how they act upon that. The world builds the character", "in it. I've already planned many events and the history of its nations,", "my vision, the way we turn the world more active and alive is", "over the character's psychology. Their beliefs, their morals, their opinions and how they", "and the character builds the world. If you guys have know a way", "a fictional world in it. I've already planned many events and the history", "history of its nations, but I feel that there is missing something for", "they act upon that. The world builds the character and the character builds", "world. If you guys have know a way of how could I enhance", "guys have an alternate view of how to turn the world more alive,", "the character's psychology. Their beliefs, their morals, their opinions and how they act", "an alternate view of how to turn the world more alive, I would", "we turn the world more active and alive is by making impact over", "and/or if you guys have an alternate view of how to turn the", "by making impact over the character's psychology. Their beliefs, their morals, their opinions", "of how to turn the world more alive, I would like to hear", "way of how could I enhance this weight of the world in the", "that. The world builds the character and the character builds the world. If", "and alive is by making impact over the character's psychology. Their beliefs, their", "have an alternate view of how to turn the world more alive, I", "In my vision, the way we turn the world more active and alive", "their actions and/or if you guys have an alternate view of how to", "events and the history of its nations, but I feel that there is", "the world. If you guys have know a way of how could I", "the world in the characters and their actions and/or if you guys have", "world in the characters and their actions and/or if you guys have an", "view of how to turn the world more alive, I would like to", "something for it as I write the chapters. In my vision, the way", "builds the character and the character builds the world. If you guys have", "the character and the character builds the world. If you guys have know", "builds the world. If you guys have know a way of how could", "psychology. Their beliefs, their morals, their opinions and how they act upon that.", "for it as I write the chapters. In my vision, the way we", "a way of how could I enhance this weight of the world in", "writing a novel with a fictional world in it. I've already planned many", "character builds the world. If you guys have know a way of how", "Their beliefs, their morals, their opinions and how they act upon that. The", "world in it. I've already planned many events and the history of its", "alive is by making impact over the character's psychology. Their beliefs, their morals,", "upon that. The world builds the character and the character builds the world.", "I feel that there is missing something for it as I write the", "vision, the way we turn the world more active and alive is by", "morals, their opinions and how they act upon that. The world builds the", "and how they act upon that. The world builds the character and the", "more active and alive is by making impact over the character's psychology. Their", "how they act upon that. The world builds the character and the character", "already planned many events and the history of its nations, but I feel", "is missing something for it as I write the chapters. In my vision,", "I've already planned many events and the history of its nations, but I", "a novel with a fictional world in it. I've already planned many events" ]
[ "public domain. The author is Adal Sbefr. There is already a French translation", "already a French translation of some of his works. Does this mean that", "of a book that is in the public domain. The author is Adal", "publish my own French translation? Does the existence of a French translation preclude", "I cannot publish my own French translation? Does the existence of a French", "of another? Do I have to use a language that it isn't translated", "I was thinking about a translation of a book that is in the", "the existence of a French translation preclude the creation of another? Do I", "in the public domain. The author is Adal Sbefr. There is already a", "Adal Sbefr. There is already a French translation of some of his works.", "my own French translation? Does the existence of a French translation preclude the", "translation of a book that is in the public domain. The author is", "mean that I cannot publish my own French translation? Does the existence of", "is Adal Sbefr. There is already a French translation of some of his", "Sbefr. There is already a French translation of some of his works. Does", "translation preclude the creation of another? Do I have to use a language", "some of his works. Does this mean that I cannot publish my own", "French translation preclude the creation of another? Do I have to use a", "about a translation of a book that is in the public domain. The", "is already a French translation of some of his works. Does this mean", "of his works. Does this mean that I cannot publish my own French", "that I cannot publish my own French translation? Does the existence of a", "this mean that I cannot publish my own French translation? Does the existence", "French translation? Does the existence of a French translation preclude the creation of", "The author is Adal Sbefr. There is already a French translation of some", "translation? Does the existence of a French translation preclude the creation of another?", "a book that is in the public domain. The author is Adal Sbefr.", "book that is in the public domain. The author is Adal Sbefr. There", "domain. The author is Adal Sbefr. There is already a French translation of", "a French translation preclude the creation of another? Do I have to use", "preclude the creation of another? Do I have to use a language that", "thinking about a translation of a book that is in the public domain.", "of a French translation preclude the creation of another? Do I have to", "that is in the public domain. The author is Adal Sbefr. There is", "own French translation? Does the existence of a French translation preclude the creation", "his works. Does this mean that I cannot publish my own French translation?", "another? Do I have to use a language that it isn't translated into?", "a French translation of some of his works. Does this mean that I", "the creation of another? Do I have to use a language that it", "the public domain. The author is Adal Sbefr. There is already a French", "cannot publish my own French translation? Does the existence of a French translation", "existence of a French translation preclude the creation of another? Do I have", "French translation of some of his works. Does this mean that I cannot", "Does this mean that I cannot publish my own French translation? Does the", "author is Adal Sbefr. There is already a French translation of some of", "a translation of a book that is in the public domain. The author", "was thinking about a translation of a book that is in the public", "Does the existence of a French translation preclude the creation of another? Do", "works. Does this mean that I cannot publish my own French translation? Does", "is in the public domain. The author is Adal Sbefr. There is already", "There is already a French translation of some of his works. Does this", "of some of his works. Does this mean that I cannot publish my", "translation of some of his works. Does this mean that I cannot publish", "creation of another? Do I have to use a language that it isn't" ]
[ "sense that she doesn't want to reveal the > truth---she doesn't know the", "first bolded part doesn't match the second bolded part. However, I wonder if", "> > My girlfriend, Hitomi, is in love with my elder brother. But", "and told me that he > loved me.\" > > > \"Really?\" I", "cupped > my hands with her ice-cooled ones. \"He did this and told", "The present, however, still haunted me. \"Where's Satoshi?\" > > > \"At the", "however, still haunted me. \"Where's Satoshi?\" > > > \"At the apartment---oh, you", "we got a big problem with Satoshi.\" > > > It took me", "my hands with her ice-cooled ones. \"He did this and told me that", "I said, coating my voice with faux surprise. \"How ... did > you", "> > > As you can see, the first bolded part doesn't match", "match the second bolded part. However, I wonder if this is permissible in", "know what is going to happen at the end of his tale? (Or", "my voice with faux surprise. \"How ... did > you reply?\" > >", "know the truth herself. > > > Then in the final scene, I", "> to accept it. Not in the sense that she doesn't want to", "the apartment---oh, you won't believe what he did.\" Hitomi cupped > my hands", "was probably for the best. > > > As you can see, the", "I love you.'' Hitomi bit the > inner side of her cheek. \"I", "> > \"Really?\" I said, coating my voice with faux surprise. \"How ...", "I write: > > The present, however, still haunted me. \"Where's Satoshi?\" >", "> > As you can see, the first bolded part doesn't match the", "I'd probably never know, which was probably for the best. > > >", "bit the > inner side of her cheek. \"I think we got a", "girlfriend, Hitomi, is in love with my elder brother. But refuses > to", "all? I'd probably never know, which was probably for the best. > >", "a big problem with Satoshi.\" > > > It took me a few", "like this: > > My girlfriend, Hitomi, is in love with my elder", "\"How ... did > you reply?\" > > > \"How else? That I'm", "to accept it. Not in the sense that she doesn't want to reveal", "voice with faux surprise. \"How ... did > you reply?\" > > >", "second bolded part. However, I wonder if this is permissible in first-person narration", "> > > \"Really?\" I said, coating my voice with faux surprise. \"How", "final scene, I write: > > The present, however, still haunted me. \"Where's", "I wrote a story that starts like this: > > My girlfriend, Hitomi,", "\"I think we got a big problem with Satoshi.\" > > > It", "Satoshi.\" > > > It took me a few seconds to digest this", "truth---she doesn't know the truth herself. > > > Then in the final", "the sense that she doesn't want to reveal the > truth---she doesn't know", "> you reply?\" > > > \"How else? That I'm with you and", "which was probably for the best. > > > As you can see,", "that he > loved me.\" > > > \"Really?\" I said, coating my", "elder brother. But refuses > to accept it. Not in the sense that", "doesn't want to reveal the > truth---she doesn't know the truth herself. >", "with you and that I love you.'' Hitomi bit the > inner side", "surprise. \"How ... did > you reply?\" > > > \"How else? That", "know, which was probably for the best. > > > As you can", "the end of his tale? (Or at least, wants the reader to think", "is in love with my elder brother. But refuses > to accept it.", "> > > It took me a few seconds to digest this new", "bolded part doesn't match the second bolded part. However, I wonder if this", "write: > > The present, however, still haunted me. \"Where's Satoshi?\" > >", "for the best. > > > As you can see, the first bolded", "> My girlfriend, Hitomi, is in love with my elder brother. But refuses", "seconds to digest this new reality. So perhaps I > had been paranoid", "been paranoid after all? I'd probably never know, which was probably for the", "digest this new reality. So perhaps I > had been paranoid after all?", "you and that I love you.'' Hitomi bit the > inner side of", "the best. > > > As you can see, the first bolded part", "that starts like this: > > My girlfriend, Hitomi, is in love with", "new reality. So perhaps I > had been paranoid after all? I'd probably", "That I'm with you and that I love you.'' Hitomi bit the >", "reality. So perhaps I > had been paranoid after all? I'd probably never", "> > Then in the final scene, I write: > > The present,", "\"Really?\" I said, coating my voice with faux surprise. \"How ... did >", "after all? I'd probably never know, which was probably for the best. >", "the > inner side of her cheek. \"I think we got a big", "problem with Satoshi.\" > > > It took me a few seconds to", "best. > > > As you can see, the first bolded part doesn't", "in the final scene, I write: > > The present, however, still haunted", "starts like this: > > My girlfriend, Hitomi, is in love with my", "me.\" > > > \"Really?\" I said, coating my voice with faux surprise.", "bolded part. However, I wonder if this is permissible in first-person narration where", "it. Not in the sense that she doesn't want to reveal the >", "loved me.\" > > > \"Really?\" I said, coating my voice with faux", "did this and told me that he > loved me.\" > > >", "is permissible in first-person narration where the MC doesn't know what is going", "me a few seconds to digest this new reality. So perhaps I >", "> > The present, however, still haunted me. \"Where's Satoshi?\" > > >", "> > > \"At the apartment---oh, you won't believe what he did.\" Hitomi", "to happen at the end of his tale? (Or at least, wants the", "apartment---oh, you won't believe what he did.\" Hitomi cupped > my hands with", "this: > > *My girlfriend, Hitomi, is in love with my elder brother.", "this new reality. So perhaps I > had* been paranoid after all? I'd", "the truth herself. > > > Then in the final scene, I write:", "Satoshi?\" > > > \"At the apartment---oh, you won't believe what he did.\"", "\"How else? That I'm with you and that I love you.'' Hitomi bit", "doesn't know what is going to happen at the end of his tale?", "still haunted me. \"Where's Satoshi?\" > > > \"At the apartment---oh, you won't", "first-person narration where the MC doesn't know what is going to happen at", "inner side of her cheek. \"I think we got a big problem with", "reply?\" > > > \"How else? That I'm with you and that I", "refuses > to accept it. Not in the sense that she doesn't want", "you won't believe what he did.\" Hitomi cupped > my hands with her", "the MC doesn't know what is going to happen at the end of", "doesn't know the truth herself. > > > Then in the final scene,", "big problem with Satoshi.\" > > > It took me a few seconds", "paranoid after all? I'd probably never know, which was probably for the best.", "perhaps I > had been paranoid after all? I'd probably never know, which", "truth herself. > > > Then in the final scene, I write: >", "cheek. \"I think we got a big problem with Satoshi.\" > > >", "you.'' Hitomi bit the > inner side of her cheek. \"I think we", "Hitomi bit the > inner side of her cheek. \"I think we got", "this is permissible in first-person narration where the MC doesn't know what is", "the second bolded part. However, I wonder if this is permissible in first-person", "> \"Really?\" I said, coating my voice with faux surprise. \"How ... did", "else? That I'm with you and that I love you.'' Hitomi bit the", "this and told me that he > loved me.\" > > > \"Really?\"", "> \"At the apartment---oh, you won't believe what he did.\" Hitomi cupped >", "> > \"How else? That I'm with you and that I love you.''", "that she doesn't want to reveal the > truth---she doesn't know the truth", "> Then in the final scene, I write: > > The present, however,", "believe what he did.\" Hitomi cupped > my hands with her ice-cooled ones.", "doesn't match the second bolded part. However, I wonder if this is permissible", "with Satoshi.\" > > > It took me a few seconds to digest", "brother. But refuses > to accept it. Not in the sense that she", "permissible in first-person narration where the MC doesn't know what is going to", "\"At the apartment---oh, you won't believe what he did.\" Hitomi cupped > my", "> my hands with her ice-cooled ones. \"He did this and told me", "won't believe what he did.\" Hitomi cupped > my hands with her ice-cooled", "So perhaps I > had been paranoid after all? I'd probably never know,", "can see, the first bolded part doesn't match the second bolded part. However,", "> As you can see, the first bolded part doesn't match the second", "and that I love you.'' Hitomi bit the > inner side of her", "> had been paranoid after all? I'd probably never know, which was probably", "that I love you.'' Hitomi bit the > inner side of her cheek.", "in the sense that she doesn't want to reveal the > truth---she doesn't", "happen at the end of his tale? (Or at least, wants the reader", "where the MC doesn't know what is going to happen at the end", "the final scene, I write: > > The present, however, still haunted me.", "MC doesn't know what is going to happen at the end of his", "ones. \"He did this and told me that he > loved me.\" >", "with her ice-cooled ones. \"He did this and told me that he >", "> > It took me a few seconds to digest this new reality.", "coating my voice with faux surprise. \"How ... did > you reply?\" >", "> \"How else? That I'm with you and that I love you.'' Hitomi", "took me a few seconds to digest this new reality. So perhaps I", "wrote a story that starts like this: > > My girlfriend, Hitomi, is", "\"He did this and told me that he > loved me.\" > >", "Then in the final scene, I write: > > The present, however, still", "see, the first bolded part doesn't match the second bolded part. However, I", "story that starts like this: > > *My girlfriend, Hitomi, is in love", "> loved me.\" > > > \"Really?\" I said, coating my voice with", "\"Where's Satoshi?\" > > > \"At the apartment---oh, you won't believe what he", "narration where the MC doesn't know what is going to happen at the", "end of his tale? (Or at least, wants the reader to think that?)", "> > > Then in the final scene, I write: > > The", "Hitomi cupped > my hands with her ice-cooled ones. \"He did this and", "the first bolded part doesn't match the second bolded part. However, I wonder", "> inner side of her cheek. \"I think we got a big problem", "what is going to happen at the end of his tale? (Or at", "few seconds to digest this new reality. So perhaps I > had* been", "in first-person narration where the MC doesn't know what is going to happen", "what he did.\" Hitomi cupped > my hands with her ice-cooled ones. \"He", "But refuses > to accept it. Not in the sense that she doesn't", "did > you reply?\" > > > \"How else? That I'm with you", "got a big problem with Satoshi.\" > > > It took me a", "I wonder if this is permissible in first-person narration where the MC doesn't", "me that he > loved me.\" > > > \"Really?\" I said, coating", "> The present, however, still haunted me. \"Where's Satoshi?\" > > > \"At", "hands with her ice-cooled ones. \"He did this and told me that he", "never know, which was probably for the best. > > > As you", "scene, I write: > > The present, however, still haunted me. \"Where's Satoshi?\"", "she doesn't want to reveal the > truth---she doesn't know the truth herself.", "told me that he > loved me.\" > > > \"Really?\" I said,", "my elder brother. But refuses > to accept it. Not in the sense", "> > \"At the apartment---oh, you won't believe what he did.\" Hitomi cupped", "love with my elder brother. But refuses > to accept it. Not in", "part. However, I wonder if this is permissible in first-person narration where the", "going to happen at the end of his tale? (Or at least, wants", "probably for the best. > > > As you can see, the first", "a story that starts like this: > > My girlfriend, Hitomi, is in", "her ice-cooled ones. \"He did this and told me that he > loved", "> It took me a few seconds to digest this new reality. So", "to digest this new reality. So perhaps I > had been paranoid after", "present, however, still haunted me. \"Where's Satoshi?\" > > > \"At the apartment---oh,", "ice-cooled ones. \"He did this and told me that he > loved me.\"", "said, coating my voice with faux surprise. \"How ... did > you reply?\"", "a few seconds to digest this new reality. So perhaps I > had", "However, I wonder if this is permissible in first-person narration where the MC", "is going to happen at the end of his tale? (Or at least,", "accept it. Not in the sense that she doesn't want to reveal the", "me. \"Where's Satoshi?\" > > > \"At the apartment---oh, you won't believe what", "As you can see, the first bolded part doesn't match the second bolded", "reveal the > truth---she doesn't know the truth herself. > > > Then", "... did > you reply?\" > > > \"How else? That I'm with", "you can see, the first bolded part doesn't match the second bolded part.", "if this is permissible in first-person narration where the MC doesn't know what", "with faux surprise. \"How ... did > you reply?\" > > > \"How", "want to reveal the > truth---she doesn't know the truth herself. > >", "did.\" Hitomi cupped > my hands with her ice-cooled ones. \"He did this", "> > > \"How else? That I'm with you and that I love", "side of her cheek. \"I think we got a big problem with Satoshi.\"", "Not in the sense that she doesn't want to reveal the > truth---she", "wonder if this is permissible in first-person narration where the MC doesn't know", "probably never know, which was probably for the best. > > > As", "her cheek. \"I think we got a big problem with Satoshi.\" > >", "It took me a few seconds to digest this new reality. So perhaps", "I'm with you and that I love you.'' Hitomi bit the > inner", "I > had been paranoid after all? I'd probably never know, which was", "> truth---she doesn't know the truth herself. > > > Then in the", "love you.'' Hitomi bit the > inner side of her cheek. \"I think", "of her cheek. \"I think we got a big problem with Satoshi.\" >", "in love with my elder brother. But refuses > to accept it. Not", "Hitomi, is in love with my elder brother. But refuses > to accept", "you reply?\" > > > \"How else? That I'm with you and that", "herself. > > > Then in the final scene, I write: > >", "the > truth---she doesn't know the truth herself. > > > Then in", "part doesn't match the second bolded part. However, I wonder if this is", "with my elder brother. But refuses > to accept it. Not in the", "think we got a big problem with Satoshi.\" > > > It took", "had been paranoid after all? I'd probably never know, which was probably for", "My girlfriend, Hitomi, is in love with my elder brother. But refuses >", "he > loved me.\" > > > \"Really?\" I said, coating my voice", "haunted me. \"Where's Satoshi?\" > > > \"At the apartment---oh, you won't believe", "at the end of his tale? (Or at least, wants the reader to", "he did.\" Hitomi cupped > my hands with her ice-cooled ones. \"He did", "faux surprise. \"How ... did > you reply?\" > > > \"How else?", "to reveal the > truth---she doesn't know the truth herself. > > >" ]
[ "be specific to make a character feel real, or can the physical description", "or can the physical description be general and the details be left to", "feel real, or can the physical description be general and the details be", "a physical description have to be specific to make a character feel real,", "specific to make a character feel real, or can the physical description be", "description have to be specific to make a character feel real, or can", "real, or can the physical description be general and the details be left", "make a character feel real, or can the physical description be general and", "the physical description be general and the details be left to the reader's", "to make a character feel real, or can the physical description be general", "can the physical description be general and the details be left to the", "physical description be general and the details be left to the reader's imagination?", "Does a physical description have to be specific to make a character feel", "character feel real, or can the physical description be general and the details", "have to be specific to make a character feel real, or can the", "to be specific to make a character feel real, or can the physical", "a character feel real, or can the physical description be general and the", "physical description have to be specific to make a character feel real, or" ]
[ "defines a flaw for a character? I know that the character's flaws should", "that the character's flaws should have at least some impact in the story,", "character? I know that the character's flaws should have at least some impact", "story, instead of being just a mere detail, but what makes flaw X", "what makes flaw X better than flaw Y? Is it how much it", "it how much it impacts the story or how interesting it is? Diseases", "the story or how interesting it is? Diseases or personal problems are considered", "are considered flaws? Can a character have only one main flaw or should", "impact in the story, instead of being just a mere detail, but what", "is? Diseases or personal problems are considered flaws? Can a character have only", "Is it how much it impacts the story or how interesting it is?", "Diseases or personal problems are considered flaws? Can a character have only one", "in the story, instead of being just a mere detail, but what makes", "some impact in the story, instead of being just a mere detail, but", "Y? Is it how much it impacts the story or how interesting it", "it impacts the story or how interesting it is? Diseases or personal problems", "exactly defines a flaw for a character? I know that the character's flaws", "X better than flaw Y? Is it how much it impacts the story", "or how interesting it is? Diseases or personal problems are considered flaws? Can", "detail, but what makes flaw X better than flaw Y? Is it how", "just a mere detail, but what makes flaw X better than flaw Y?", "a character have only one main flaw or should they have multiple? What", "a flaw for a character? I know that the character's flaws should have", "how much it impacts the story or how interesting it is? Diseases or", "personal problems are considered flaws? Can a character have only one main flaw", "a mere detail, but what makes flaw X better than flaw Y? Is", "interesting it is? Diseases or personal problems are considered flaws? Can a character", "how interesting it is? Diseases or personal problems are considered flaws? Can a", "I know that the character's flaws should have at least some impact in", "character have only one main flaw or should they have multiple? What are", "should have at least some impact in the story, instead of being just", "mere detail, but what makes flaw X better than flaw Y? Is it", "flaws should have at least some impact in the story, instead of being", "the story, instead of being just a mere detail, but what makes flaw", "know that the character's flaws should have at least some impact in the", "much it impacts the story or how interesting it is? Diseases or personal", "main flaw or should they have multiple? What are the characteristics of a", "being just a mere detail, but what makes flaw X better than flaw", "considered flaws? Can a character have only one main flaw or should they", "but what makes flaw X better than flaw Y? Is it how much", "I mean, what exactly defines a flaw for a character? I know that", "it is? Diseases or personal problems are considered flaws? Can a character have", "have only one main flaw or should they have multiple? What are the", "flaws? Can a character have only one main flaw or should they have", "for a character? I know that the character's flaws should have at least", "problems are considered flaws? Can a character have only one main flaw or", "of being just a mere detail, but what makes flaw X better than", "instead of being just a mere detail, but what makes flaw X better", "the character's flaws should have at least some impact in the story, instead", "story or how interesting it is? Diseases or personal problems are considered flaws?", "flaw or should they have multiple? What are the characteristics of a good", "or should they have multiple? What are the characteristics of a good flaw?", "flaw Y? Is it how much it impacts the story or how interesting", "mean, what exactly defines a flaw for a character? I know that the", "makes flaw X better than flaw Y? Is it how much it impacts", "flaw X better than flaw Y? Is it how much it impacts the", "one main flaw or should they have multiple? What are the characteristics of", "at least some impact in the story, instead of being just a mere", "have at least some impact in the story, instead of being just a", "what exactly defines a flaw for a character? I know that the character's", "better than flaw Y? Is it how much it impacts the story or", "only one main flaw or should they have multiple? What are the characteristics", "flaw for a character? I know that the character's flaws should have at", "a character? I know that the character's flaws should have at least some", "Can a character have only one main flaw or should they have multiple?", "impacts the story or how interesting it is? Diseases or personal problems are", "least some impact in the story, instead of being just a mere detail,", "or personal problems are considered flaws? Can a character have only one main", "character's flaws should have at least some impact in the story, instead of", "than flaw Y? Is it how much it impacts the story or how" ]
[ "fantasy novel and I was just wondering how readers feel about following the", "around others like her but how would you feel about it? Would you", "up around others like her but how would you feel about it? Would", "help. I am writing a fantasy novel and I was just wondering how", "be your issues if any? But yeah, do I need a sam to", "own due to the circumstances that she has been left in. Toward just", "she is on her own due to the circumstances that she has been", "would you feel about it? Would you find it boring? What would be", "would be your issues if any? But yeah, do I need a sam", "she does end up around others like her but how would you feel", "the story along the way but ultimately she is on her own due", "after the middle of the story, she does end up around others like", "it boring? What would be your issues if any? But yeah, do I", "along the way but ultimately she is on her own due to the", "that she has been left in. Toward just after the middle of the", "What would be your issues if any? But yeah, do I need a", "I am writing a fantasy novel and I was just wondering how readers", "issues if any? But yeah, do I need a sam to my Frodo?", "just wondering how readers feel about following the main character alone for like", "like 70% of the story. other characters do come into the story along", "how would you feel about it? Would you find it boring? What would", "come into the story along the way but ultimately she is on her", "a little help. I am writing a fantasy novel and I was just", "the story, she does end up around others like her but how would", "end up around others like her but how would you feel about it?", "novel and I was just wondering how readers feel about following the main", "other characters do come into the story along the way but ultimately she", "boring? What would be your issues if any? But yeah, do I need", "find it boring? What would be your issues if any? But yeah, do", "following the main character alone for like 70% of the story. other characters", "need a little help. I am writing a fantasy novel and I was", "your issues if any? But yeah, do I need a sam to my", "the story. other characters do come into the story along the way but", "you find it boring? What would be your issues if any? But yeah,", "Would you find it boring? What would be your issues if any? But", "and I was just wondering how readers feel about following the main character", "wondering how readers feel about following the main character alone for like 70%", "middle of the story, she does end up around others like her but", "but how would you feel about it? Would you find it boring? What", "was just wondering how readers feel about following the main character alone for", "for like 70% of the story. other characters do come into the story", "characters do come into the story along the way but ultimately she is", "about following the main character alone for like 70% of the story. other", "writing a fantasy novel and I was just wondering how readers feel about", "but I need a little help. I am writing a fantasy novel and", "her own due to the circumstances that she has been left in. Toward", "way but ultimately she is on her own due to the circumstances that", "who reads this, but I need a little help. I am writing a", "main character alone for like 70% of the story. other characters do come", "story, she does end up around others like her but how would you", "just after the middle of the story, she does end up around others", "on her own due to the circumstances that she has been left in.", "this, but I need a little help. I am writing a fantasy novel", "is on her own due to the circumstances that she has been left", "I was just wondering how readers feel about following the main character alone", "character alone for like 70% of the story. other characters do come into", "her but how would you feel about it? Would you find it boring?", "like her but how would you feel about it? Would you find it", "circumstances that she has been left in. Toward just after the middle of", "but ultimately she is on her own due to the circumstances that she", "she has been left in. Toward just after the middle of the story,", "how readers feel about following the main character alone for like 70% of", "story. other characters do come into the story along the way but ultimately", "of the story. other characters do come into the story along the way", "due to the circumstances that she has been left in. Toward just after", "left in. Toward just after the middle of the story, she does end", "of the story, she does end up around others like her but how", "I need a little help. I am writing a fantasy novel and I", "into the story along the way but ultimately she is on her own", "about it? Would you find it boring? What would be your issues if", "alone for like 70% of the story. other characters do come into the", "the middle of the story, she does end up around others like her", "to the circumstances that she has been left in. Toward just after the", "you feel about it? Would you find it boring? What would be your", "Toward just after the middle of the story, she does end up around", "little help. I am writing a fantasy novel and I was just wondering", "has been left in. Toward just after the middle of the story, she", "the main character alone for like 70% of the story. other characters do", "the circumstances that she has been left in. Toward just after the middle", "does end up around others like her but how would you feel about", "feel about following the main character alone for like 70% of the story.", "in. Toward just after the middle of the story, she does end up", "it? Would you find it boring? What would be your issues if any?", "Hello everyone who reads this, but I need a little help. I am", "readers feel about following the main character alone for like 70% of the", "ultimately she is on her own due to the circumstances that she has", "the way but ultimately she is on her own due to the circumstances", "story along the way but ultimately she is on her own due to", "am writing a fantasy novel and I was just wondering how readers feel", "feel about it? Would you find it boring? What would be your issues", "a fantasy novel and I was just wondering how readers feel about following", "been left in. Toward just after the middle of the story, she does", "others like her but how would you feel about it? Would you find", "everyone who reads this, but I need a little help. I am writing", "do come into the story along the way but ultimately she is on", "70% of the story. other characters do come into the story along the", "reads this, but I need a little help. I am writing a fantasy" ]
[ "a couple hours, and their personality impresses me enough to create a fictional", "attributes, but the original impression on me will be central to their character.", "character this way, where the character development is loosely based on a real", "guess my main concern is if someone would read my book (which is", "to write about many of the real person's attributes, but the original impression", "me will be central to their character. Is it illegal to create a", "to create a fictional character about them. Obviously I am adding my own", "way? When I am writing I make sure the connection is loose enough", "my book (which is a work in progress) and be like \"oh I", "write about many of the real person's attributes, but the original impression on", "for a brief time, maybe a couple hours, and their personality impresses me", "them well enough to write about many of the real person's attributes, but", "their character. Is it illegal to create a character this way, where the", "person could not be identified. I guess my main concern is if someone", "\"oh I remember seeing this author for a couple of hours and this", "that the person could not be identified. I guess my main concern is", "way, where the character development is loosely based on a real person this", "in progress) and be like \"oh I remember seeing this author for a", "couple of hours and this fictional person has a similar personality to me\"", "original impression on me will be central to their character. Is it illegal", "like \"oh I remember seeing this author for a couple of hours and", "is a work in progress) and be like \"oh I remember seeing this", "I make sure the connection is loose enough that the person could not", "identified. I guess my main concern is if someone would read my book", "to their character. Is it illegal to create a character this way, where", "character development is loosely based on a real person this way? When I", "is loose enough that the person could not be identified. I guess my", "There are times I meet someone for a brief time, maybe a couple", "the fictional character, and I don't know them well enough to write about", "will be central to their character. Is it illegal to create a character", "(which is a work in progress) and be like \"oh I remember seeing", "fictional character about them. Obviously I am adding my own attributes to the", "a couple of hours and this fictional person has a similar personality to", "the real person's attributes, but the original impression on me will be central", "seeing this author for a couple of hours and this fictional person has", "a character this way, where the character development is loosely based on a", "the connection is loose enough that the person could not be identified. I", "on me will be central to their character. Is it illegal to create", "create a fictional character about them. Obviously I am adding my own attributes", "enough to create a fictional character about them. Obviously I am adding my", "person this way? When I am writing I make sure the connection is", "and be like \"oh I remember seeing this author for a couple of", "don't know them well enough to write about many of the real person's", "personality impresses me enough to create a fictional character about them. Obviously I", "the original impression on me will be central to their character. Is it", "not be identified. I guess my main concern is if someone would read", "When I am writing I make sure the connection is loose enough that", "adding my own attributes to the fictional character, and I don't know them", "be like \"oh I remember seeing this author for a couple of hours", "character, and I don't know them well enough to write about many of", "couple hours, and their personality impresses me enough to create a fictional character", "impresses me enough to create a fictional character about them. Obviously I am", "someone for a brief time, maybe a couple hours, and their personality impresses", "enough to write about many of the real person's attributes, but the original", "remember seeing this author for a couple of hours and this fictional person", "if someone would read my book (which is a work in progress) and", "I meet someone for a brief time, maybe a couple hours, and their", "work in progress) and be like \"oh I remember seeing this author for", "on a real person this way? When I am writing I make sure", "loose enough that the person could not be identified. I guess my main", "be central to their character. Is it illegal to create a character this", "be identified. I guess my main concern is if someone would read my", "I guess my main concern is if someone would read my book (which", "me enough to create a fictional character about them. Obviously I am adding", "character. Is it illegal to create a character this way, where the character", "where the character development is loosely based on a real person this way?", "I am writing I make sure the connection is loose enough that the", "a brief time, maybe a couple hours, and their personality impresses me enough", "about them. Obviously I am adding my own attributes to the fictional character,", "someone would read my book (which is a work in progress) and be", "loosely based on a real person this way? When I am writing I", "this fictional person has a similar personality to me\" Could they sue me?", "maybe a couple hours, and their personality impresses me enough to create a", "this author for a couple of hours and this fictional person has a", "to create a character this way, where the character development is loosely based", "person's attributes, but the original impression on me will be central to their", "and their personality impresses me enough to create a fictional character about them.", "this way? When I am writing I make sure the connection is loose", "to the fictional character, and I don't know them well enough to write", "real person this way? When I am writing I make sure the connection", "the character development is loosely based on a real person this way? When", "my main concern is if someone would read my book (which is a", "the person could not be identified. I guess my main concern is if", "know them well enough to write about many of the real person's attributes,", "their personality impresses me enough to create a fictional character about them. Obviously", "and I don't know them well enough to write about many of the", "but the original impression on me will be central to their character. Is", "main concern is if someone would read my book (which is a work", "my own attributes to the fictional character, and I don't know them well", "Obviously I am adding my own attributes to the fictional character, and I", "could not be identified. I guess my main concern is if someone would", "a fictional character about them. Obviously I am adding my own attributes to", "writing I make sure the connection is loose enough that the person could", "based on a real person this way? When I am writing I make", "real person's attributes, but the original impression on me will be central to", "illegal to create a character this way, where the character development is loosely", "am writing I make sure the connection is loose enough that the person", "am adding my own attributes to the fictional character, and I don't know", "a real person this way? When I am writing I make sure the", "and this fictional person has a similar personality to me\" Could they sue", "impression on me will be central to their character. Is it illegal to", "would read my book (which is a work in progress) and be like", "own attributes to the fictional character, and I don't know them well enough", "of the real person's attributes, but the original impression on me will be", "I am adding my own attributes to the fictional character, and I don't", "of hours and this fictional person has a similar personality to me\" Could", "brief time, maybe a couple hours, and their personality impresses me enough to", "book (which is a work in progress) and be like \"oh I remember", "well enough to write about many of the real person's attributes, but the", "progress) and be like \"oh I remember seeing this author for a couple", "times I meet someone for a brief time, maybe a couple hours, and", "central to their character. Is it illegal to create a character this way,", "it illegal to create a character this way, where the character development is", "sure the connection is loose enough that the person could not be identified.", "is if someone would read my book (which is a work in progress)", "meet someone for a brief time, maybe a couple hours, and their personality", "hours and this fictional person has a similar personality to me\" Could they", "this way, where the character development is loosely based on a real person", "character about them. Obviously I am adding my own attributes to the fictional", "read my book (which is a work in progress) and be like \"oh", "Is it illegal to create a character this way, where the character development", "hours, and their personality impresses me enough to create a fictional character about", "is loosely based on a real person this way? When I am writing", "make sure the connection is loose enough that the person could not be", "author for a couple of hours and this fictional person has a similar", "for a couple of hours and this fictional person has a similar personality", "them. Obviously I am adding my own attributes to the fictional character, and", "development is loosely based on a real person this way? When I am", "I remember seeing this author for a couple of hours and this fictional", "attributes to the fictional character, and I don't know them well enough to", "create a character this way, where the character development is loosely based on", "fictional character, and I don't know them well enough to write about many", "about many of the real person's attributes, but the original impression on me", "I don't know them well enough to write about many of the real", "enough that the person could not be identified. I guess my main concern", "time, maybe a couple hours, and their personality impresses me enough to create", "are times I meet someone for a brief time, maybe a couple hours,", "concern is if someone would read my book (which is a work in", "connection is loose enough that the person could not be identified. I guess", "a work in progress) and be like \"oh I remember seeing this author", "many of the real person's attributes, but the original impression on me will" ]
[ "this point. Until now, I saw novels as having two distinct conflicts: Main", "with the conclusions I've come to below, I would like to hear your", "ask this question, is because it seems to me that there are other", "me that (in a nutshell) an inner conflict is a struggle between two", "have viewed conflict up to this point. Until now, I saw novels as", "is a struggle between two choices, and the final choice is the climax.", "would like to hear your thoughts. However, I would ask that you put", "between two choices, and the final choice is the climax. He also mentioned", "resolved. Why do you need to use an external conflict? When do you", "two distinct conflicts: Main Conflict, which was the external conflict, and inner conflict", "conflict? When do you know you need one or not? (The above assumes", "answering the question. I recently asked the question, [What is the Purpose of", "better than my previous view of conflict. It does however raise a question.", "However, the main reason I ask this question, is because it seems to", "was getting myself into. @MarkBaker showed me that (in a nutshell) an inner", "like to hear your thoughts. However, I would ask that you put them", "the face of how I have viewed conflict up to this point. Until", "recently asked the question, [What is the Purpose of an Inner Conflict?](https://writers.stackexchange.com/questions/28043/what-is-the-purpose-of-an-inner-conflict) I", "in comments, and leave answers for actually answering the question. I recently asked", "two choices, and the final choice is the climax. He also mentioned that", "I have viewed conflict up to this point. Until now, I saw novels", "with any aspect of writing, I'm sure there are those who disagree with", "was a reflection of the main conflict inside the character. Mark Baker's analysis", "device to set up that climax. This flies in the face of how", "how it works. However, the main reason I ask this question, is because", "because it seems to me that there are other devices one could use", "to use an external conflict? When do you know you need one or", "conflict inside the character. Mark Baker's analysis of conflict makes sense to me,", "with what I know and works better than my previous view of conflict.", "one or not? (The above assumes there is a single large-scale external conflict", "set up the climax in which the inner conflict is resolved. Why do", "devices one could use to set up the climax in which the inner", "any other side conflicts. Let me know if there are in fact only", "I ask this question, is because it seems to me that there are", "main reason I ask this question, is because it seems to me that", "external conflict 'set up' the climax?* This is a new way of seeing", "the climax?** This is a new way of seeing conflict for me, so", "do you need to use an external conflict? When do you know you", "This is a new way of seeing conflict for me, so I don't", "this question, is because it seems to me that there are other devices", "choices, and the final choice is the climax. He also mentioned that external", "inner conflict is resolved. Why do you need to use an external conflict?", "that (in a nutshell) an inner conflict is a struggle between two choices,", "leave answers for actually answering the question. I recently asked the question, [What", "is a single large-scale external conflict that spans the novel, plus any other", "up that climax. This flies in the face of how I have viewed", "conflicts. Let me know if there are in fact only many small external", "Let me know if there are in fact only many small external conflicts.)", "climax. This flies in the face of how I have viewed conflict up", "saw novels as having two distinct conflicts: Main Conflict, which was the external", "character. Mark Baker's analysis of conflict makes sense to me, as it fits", "it fits with what I know and works better than my previous view", "face of how I have viewed conflict up to this point. Until now,", "Until now, I saw novels as having two distinct conflicts: Main Conflict, which", "external conflict is merely a device to set up that climax. This flies", "the climax in which the inner conflict is resolved. Why do you need", "external conflict, and inner conflict* which was a reflection of the main conflict", "me, as it fits with what I know and works better than my", "it works. However, the main reason I ask this question, is because it", "sense to me, as it fits with what I know and works better", "I'm sure there are those who disagree with it. If you disagree with", "would ask that you put them in comments, and leave answers for actually", "the Purpose of an Inner Conflict?](https://writers.stackexchange.com/questions/28043/what-is-the-purpose-of-an-inner-conflict) I had no idea what I was", "is merely a device to set up that climax. This flies in the", "below, I would like to hear your thoughts. However, I would ask that", "seeing conflict for me, so I don't yet know how it works. However,", "set up that climax. This flies in the face of how I have", "If you disagree with the conclusions I've come to below, I would like", "an external conflict? When do you know you need one or not? (The", "my previous view of conflict. It does however raise a question. How does", "distinct conflicts: Main Conflict, which was the external conflict, and inner conflict* which", "conflict for me, so I don't yet know how it works. However, the", "novels as having two distinct conflicts: Main Conflict, which was the external conflict,", "to below, I would like to hear your thoughts. However, I would ask", "conflict is resolved. Why do you need to use an external conflict? When", "Inner Conflict?](https://writers.stackexchange.com/questions/28043/what-is-the-purpose-of-an-inner-conflict) I had no idea what I was getting myself into. @MarkBaker", "yet know how it works. However, the main reason I ask this question,", "a new way of seeing conflict for me, so I don't yet know", "of how I have viewed conflict up to this point. Until now, I", "for actually answering the question. I recently asked the question, [What is the", "Purpose of an Inner Conflict?](https://writers.stackexchange.com/questions/28043/what-is-the-purpose-of-an-inner-conflict) I had no idea what I was getting", "main conflict inside the character. Mark Baker's analysis of conflict makes sense to", "I don't yet know how it works. However, the main reason I ask", "other devices one could use to set up the climax in which the", "point. Until now, I saw novels as having two distinct conflicts: Main Conflict,", "is a new way of seeing conflict for me, so I don't yet", "(The above assumes there is a single large-scale external conflict that spans the", "I know and works better than my previous view of conflict. It does", "the question, [What is the Purpose of an Inner Conflict?](https://writers.stackexchange.com/questions/28043/what-is-the-purpose-of-an-inner-conflict) I had no", "what I know and works better than my previous view of conflict. It", "raise a question. How does external conflict 'set up' the climax?* This is", "a struggle between two choices, and the final choice is the climax. He", "climax?** This is a new way of seeing conflict for me, so I", "there is a single large-scale external conflict that spans the novel, plus any", "conflict that spans the novel, plus any other side conflicts. Let me know", "[What is the Purpose of an Inner Conflict?](https://writers.stackexchange.com/questions/28043/what-is-the-purpose-of-an-inner-conflict) I had no idea what", "spans the novel, plus any other side conflicts. Let me know if there", "fits with what I know and works better than my previous view of", "is because it seems to me that there are other devices one could", "which was a reflection of the main conflict inside the character. Mark Baker's", "know you need one or not? (The above assumes there is a single", "does however raise a question. How does external conflict 'set up' the climax?", "that external conflict is merely a device to set up that climax. This", "come to below, I would like to hear your thoughts. However, I would", "the character. Mark Baker's analysis of conflict makes sense to me, as it", "Conflict, which was the external conflict, and inner conflict which was a reflection", "however raise a question. How does external conflict 'set up' the climax? This", "Conflict?](https://writers.stackexchange.com/questions/28043/what-is-the-purpose-of-an-inner-conflict) I had no idea what I was getting myself into. @MarkBaker showed", "a device to set up that climax. This flies in the face of", "I would like to hear your thoughts. However, I would ask that you", "the main conflict inside the character. Mark Baker's analysis of conflict makes sense", "a question. How does external conflict 'set up' the climax? This is a", "question. I recently asked the question, [What is the Purpose of an Inner", "which was the external conflict, and inner conflict which was a reflection of", "single large-scale external conflict that spans the novel, plus any other side conflicts.", "for me, so I don't yet know how it works. However, the main", "you put them in comments, and leave answers for actually answering the question.", "you know you need one or not? (The above assumes there is a", "not? (The above assumes there is a single large-scale external conflict that spans", "know and works better than my previous view of conflict. It does however", "the novel, plus any other side conflicts. Let me know if there are", "analysis of conflict makes sense to me, as it fits with what I", "or not? (The above assumes there is a single large-scale external conflict that", "what I was getting myself into. @MarkBaker showed me that (in a nutshell)", "question. How does external conflict 'set up' the climax?* This is a new", "sure there are those who disagree with it. If you disagree with the", "having two distinct conflicts: Main Conflict, which was the external conflict, and inner", "that you put them in comments, and leave answers for actually answering the", "actually answering the question. I recently asked the question, [What is the Purpose", "asked the question, [What is the Purpose of an Inner Conflict?](https://writers.stackexchange.com/questions/28043/what-is-the-purpose-of-an-inner-conflict) I had", "plus any other side conflicts. Let me know if there are in fact", "me, so I don't yet know how it works. However, the main reason", "idea what I was getting myself into. @MarkBaker showed me that (in a", "hear your thoughts. However, I would ask that you put them in comments,", "showed me that (in a nutshell) an inner conflict is a struggle between", "merely a device to set up that climax. This flies in the face", "It does however raise a question. How does external conflict 'set up' the", "are those who disagree with it. If you disagree with the conclusions I've", "I was getting myself into. @MarkBaker showed me that (in a nutshell) an", "way of seeing conflict for me, so I don't yet know how it", "to this point. Until now, I saw novels as having two distinct conflicts:", "conflict makes sense to me, as it fits with what I know and", "me that there are other devices one could use to set up the", "you need to use an external conflict? When do you know you need", "them in comments, and leave answers for actually answering the question. I recently", "an inner conflict is a struggle between two choices, and the final choice", "now, I saw novels as having two distinct conflicts: Main Conflict, which was", "to hear your thoughts. However, I would ask that you put them in", "is the climax. He also mentioned that external conflict is merely a device", "conflict is merely a device to set up that climax. This flies in", "struggle between two choices, and the final choice is the climax. He also", "in which the inner conflict is resolved. Why do you need to use", "with it. If you disagree with the conclusions I've come to below, I", "how I have viewed conflict up to this point. Until now, I saw", "your thoughts. However, I would ask that you put them in comments, and", "external conflict that spans the novel, plus any other side conflicts. Let me", "to set up the climax in which the inner conflict is resolved. Why", "thoughts. However, I would ask that you put them in comments, and leave", "'set up' the climax?* This is a new way of seeing conflict for", "the final choice is the climax. He also mentioned that external conflict is", "of the main conflict inside the character. Mark Baker's analysis of conflict makes", "as it fits with what I know and works better than my previous", "an Inner Conflict?](https://writers.stackexchange.com/questions/28043/what-is-the-purpose-of-an-inner-conflict) I had no idea what I was getting myself into.", "myself into. @MarkBaker showed me that (in a nutshell) an inner conflict is", "reason I ask this question, is because it seems to me that there", "Why do you need to use an external conflict? When do you know", "Note: As with any aspect of writing, I'm sure there are those who", "aspect of writing, I'm sure there are those who disagree with it. If", "disagree with the conclusions I've come to below, I would like to hear", "getting myself into. @MarkBaker showed me that (in a nutshell) an inner conflict", "conflict is a struggle between two choices, and the final choice is the", "conflict* which was a reflection of the main conflict inside the character. Mark", "As with any aspect of writing, I'm sure there are those who disagree", "up to this point. Until now, I saw novels as having two distinct", "Main Conflict, which was the external conflict, and inner conflict which was a", "it seems to me that there are other devices one could use to", "I would ask that you put them in comments, and leave answers for", "up the climax in which the inner conflict is resolved. Why do you", "a reflection of the main conflict inside the character. Mark Baker's analysis of", "writing, I'm sure there are those who disagree with it. If you disagree", "disagree with it. If you disagree with the conclusions I've come to below,", "I had no idea what I was getting myself into. @MarkBaker showed me", "mentioned that external conflict is merely a device to set up that climax.", "also mentioned that external conflict is merely a device to set up that", "However, I would ask that you put them in comments, and leave answers", "makes sense to me, as it fits with what I know and works", "don't yet know how it works. However, the main reason I ask this", "works. However, the main reason I ask this question, is because it seems", "which the inner conflict is resolved. Why do you need to use an", "of writing, I'm sure there are those who disagree with it. If you", "comments, and leave answers for actually answering the question. I recently asked the", "inner conflict is a struggle between two choices, and the final choice is", "conflicts: Main Conflict, which was the external conflict, and inner conflict which was", "works better than my previous view of conflict. It does however raise a", "are other devices one could use to set up the climax in which", "external conflict? When do you know you need one or not? (The above", "the climax. He also mentioned that external conflict is merely a device to", "climax. He also mentioned that external conflict is merely a device to set", "and the final choice is the climax. He also mentioned that external conflict", "climax in which the inner conflict is resolved. Why do you need to", "is the Purpose of an Inner Conflict?](https://writers.stackexchange.com/questions/28043/what-is-the-purpose-of-an-inner-conflict) I had no idea what I", "could use to set up the climax in which the inner conflict is", "other side conflicts. Let me know if there are in fact only many", "conclusions I've come to below, I would like to hear your thoughts. However,", "the external conflict, and inner conflict* which was a reflection of the main", "it. If you disagree with the conclusions I've come to below, I would", "who disagree with it. If you disagree with the conclusions I've come to", "there are those who disagree with it. If you disagree with the conclusions", "(in a nutshell) an inner conflict is a struggle between two choices, and", "there are other devices one could use to set up the climax in", "seems to me that there are other devices one could use to set", "How does external conflict 'set up' the climax? This is a new way", "to set up that climax. This flies in the face of how I", "reflection of the main conflict inside the character. Mark Baker's analysis of conflict", "Mark Baker's analysis of conflict makes sense to me, as it fits with", "to me, as it fits with what I know and works better than", "know how it works. However, the main reason I ask this question, is", "assumes there is a single large-scale external conflict that spans the novel, plus", "conflict up to this point. Until now, I saw novels as having two", "the inner conflict is resolved. Why do you need to use an external", "you need one or not? (The above assumes there is a single large-scale", "conflict, and inner conflict* which was a reflection of the main conflict inside", "up' the climax?** This is a new way of seeing conflict for me,", "final choice is the climax. He also mentioned that external conflict is merely", "that spans the novel, plus any other side conflicts. Let me know if", "those who disagree with it. If you disagree with the conclusions I've come", "large-scale external conflict that spans the novel, plus any other side conflicts. Let", "you disagree with the conclusions I've come to below, I would like to", "of conflict makes sense to me, as it fits with what I know", "had no idea what I was getting myself into. @MarkBaker showed me that", "flies in the face of how I have viewed conflict up to this", "and works better than my previous view of conflict. It does however raise", "the main reason I ask this question, is because it seems to me", "need to use an external conflict? When do you know you need one", "put them in comments, and leave answers for actually answering the question. I", "and leave answers for actually answering the question. I recently asked the question,", "When do you know you need one or not? (The above assumes there", "I saw novels as having two distinct conflicts: Main Conflict, which was the", "conflict 'set up' the climax?* This is a new way of seeing conflict", "inside the character. Mark Baker's analysis of conflict makes sense to me, as", "of seeing conflict for me, so I don't yet know how it works.", "of conflict. It does however raise a question. How does external conflict 'set", "I recently asked the question, [What is the Purpose of an Inner Conflict?](https://writers.stackexchange.com/questions/28043/what-is-the-purpose-of-an-inner-conflict)", "view of conflict. It does however raise a question. How does external conflict", "that there are other devices one could use to set up the climax", "was the external conflict, and inner conflict which was a reflection of the", "into. @MarkBaker showed me that (in a nutshell) an inner conflict is a", "Baker's analysis of conflict makes sense to me, as it fits with what", "so I don't yet know how it works. However, the main reason I", "any aspect of writing, I'm sure there are those who disagree with it.", "of an Inner Conflict?](https://writers.stackexchange.com/questions/28043/what-is-the-purpose-of-an-inner-conflict) I had no idea what I was getting myself", "previous view of conflict. It does however raise a question. How does external", "one could use to set up the climax in which the inner conflict", "is resolved. Why do you need to use an external conflict? When do", "@MarkBaker showed me that (in a nutshell) an inner conflict is a struggle", "conflict. It does however raise a question. How does external conflict 'set up'", "to me that there are other devices one could use to set up", "nutshell) an inner conflict is a struggle between two choices, and the final", "a nutshell) an inner conflict is a struggle between two choices, and the", "question, [What is the Purpose of an Inner Conflict?](https://writers.stackexchange.com/questions/28043/what-is-the-purpose-of-an-inner-conflict) I had no idea", "question, is because it seems to me that there are other devices one", "need one or not? (The above assumes there is a single large-scale external", "viewed conflict up to this point. Until now, I saw novels as having", "use an external conflict? When do you know you need one or not?", "does external conflict 'set up' the climax?* This is a new way of", "above assumes there is a single large-scale external conflict that spans the novel,", "side conflicts. Let me know if there are in fact only many small", "I've come to below, I would like to hear your thoughts. However, I", "the question. I recently asked the question, [What is the Purpose of an", "and inner conflict which was a reflection of the main conflict inside the", "novel, plus any other side conflicts. Let me know if there are in", "the conclusions I've come to below, I would like to hear your thoughts.", "than my previous view of conflict. It does however raise a question. *How", "use to set up the climax in which the inner conflict is resolved.", "inner conflict* which was a reflection of the main conflict inside the character.", "answers for actually answering the question. I recently asked the question, [What is", "in the face of how I have viewed conflict up to this point.", "new way of seeing conflict for me, so I don't yet know how", "as having two distinct conflicts: Main Conflict, which was the external conflict, and", "a single large-scale external conflict that spans the novel, plus any other side", "no idea what I was getting myself into. @MarkBaker showed me that (in", "He also mentioned that external conflict is merely a device to set up", "that climax. This flies in the face of how I have viewed conflict", "choice is the climax. He also mentioned that external conflict is merely a", "do you know you need one or not? *(The above assumes there is", "ask that you put them in comments, and leave answers for actually answering", "This flies in the face of how I have viewed conflict up to" ]
[ "it very hard to organize my writing, as these themes are all very", "my writing, as these themes are all very broad. I want to ask", "themes are all very broad. I want to ask fellow bloggers how do", "very hard to organize my writing, as these themes are all very broad.", "I have been blogging for 6 months now. I have a general theme", "but I find it very hard to organize my writing, as these themes", "theme of the month but I find it very hard to organize my", "you plan ahead your writing, for the best experience for the reader. Any", "find it very hard to organize my writing, as these themes are all", "to organize my writing, as these themes are all very broad. I want", "writing, as these themes are all very broad. I want to ask fellow", "fellow bloggers how do you plan ahead your writing, for the best experience", "broad. I want to ask fellow bloggers how do you plan ahead your", "have been blogging for 6 months now. I have a general theme of", "now. I have a general theme of the month but I find it", "a general theme of the month but I find it very hard to", "for 6 months now. I have a general theme of the month but", "bloggers how do you plan ahead your writing, for the best experience for", "months now. I have a general theme of the month but I find", "of the month but I find it very hard to organize my writing,", "have a general theme of the month but I find it very hard", "month but I find it very hard to organize my writing, as these", "these themes are all very broad. I want to ask fellow bloggers how", "been blogging for 6 months now. I have a general theme of the", "hard to organize my writing, as these themes are all very broad. I", "ask fellow bloggers how do you plan ahead your writing, for the best", "I find it very hard to organize my writing, as these themes are", "to ask fellow bloggers how do you plan ahead your writing, for the", "6 months now. I have a general theme of the month but I", "all very broad. I want to ask fellow bloggers how do you plan", "how do you plan ahead your writing, for the best experience for the", "want to ask fellow bloggers how do you plan ahead your writing, for", "very broad. I want to ask fellow bloggers how do you plan ahead", "I have a general theme of the month but I find it very", "the month but I find it very hard to organize my writing, as", "organize my writing, as these themes are all very broad. I want to", "plan ahead your writing, for the best experience for the reader. Any clues?", "as these themes are all very broad. I want to ask fellow bloggers", "do you plan ahead your writing, for the best experience for the reader.", "I want to ask fellow bloggers how do you plan ahead your writing,", "blogging for 6 months now. I have a general theme of the month", "are all very broad. I want to ask fellow bloggers how do you", "general theme of the month but I find it very hard to organize" ]
[ "of wrath and revenge along with a different problem, and both with very", "does it make sense to do that? What are other works that do", "with the same story, but with different possibilities.The difference is not just a", "advance on, and I already chose which one it will be. However, both", "other but I can't use this other path in another story since it's", "main event: one is the path of self-guilt along with a problem and", "I don't want to simply pick one and discard the other but I", "the protagonist reacts to the main event: one is the path of self-guilt", "along with a different problem, and both with very different outcomes, so there", "started, it changed many times the route and focus, and in some of", "It would basically be a \"how would it be if things happened differently\".", "So I thought of writing both paths and releasing them separately, i.e., the", "found two possible paths for the story to advance on, and I already", "paths are very good and with great potential and I don't want to", "not just a choice between two, but the way the protagonist reacts to", "story, it would be too similar). So I thought of writing both paths", "the route and focus, and in some of those changes, I found two", "it changed many times the route and focus, and in some of those", "very good and with great potential and I don't want to simply pick", "in the protagonist's mindset. It would basically be a \"how would it be", "both paths and releasing them separately, i.e., the same story twice, two separate", "protagonist's mindset. It would basically be a \"how would it be if things", "the same story, but with different possibilities.The difference is not just a choice", "there are a few differences in the protagonist's mindset. It would basically be", "very different outcomes, so there are a few differences in the protagonist's mindset.", "in this story and no other (if I adapt a new story, it", "What are other works that do that (if any)? Is it a good", "and I don't want to simply pick one and discard the other but", "I can't use this other path in another story since it's only that", "similar). So I thought of writing both paths and releasing them separately, i.e.,", "I adapt a new story, it would be too similar). So I thought", "be a \"how would it be if things happened differently\". Now what I", "those changes, I found two possible paths for the story to advance on,", "works with the same story, but with different possibilities.The difference is not just", "pick one and discard the other but I can't use this other path", "with a different problem, and both with very different outcomes, so there are", "would it be if things happened differently\". Now what I ask is: does", "However, both paths are very good and with great potential and I don't", "times the route and focus, and in some of those changes, I found", "difference is not just a choice between two, but the way the protagonist", "but I can't use this other path in another story since it's only", "focus, and in some of those changes, I found two possible paths for", "path of wrath and revenge along with a different problem, and both with", "because it fits perfectly in this story and no other (if I adapt", "both with very different outcomes, so there are a few differences in the", "perfectly in this story and no other (if I adapt a new story,", "story and no other (if I adapt a new story, it would be", "good and with great potential and I don't want to simply pick one", "that? What are other works that do that (if any)? Is it a", "possible paths for the story to advance on, and I already chose which", "it will be. However, both paths are very good and with great potential", "and in some of those changes, I found two possible paths for the", "protagonist reacts to the main event: one is the path of self-guilt along", "with different possibilities.The difference is not just a choice between two, but the", "this story and no other (if I adapt a new story, it would", "the path of self-guilt along with a problem and the other is the", "and I already chose which one it will be. However, both paths are", "have a story I'm writing, and since when I started, it changed many", "and revenge along with a different problem, and both with very different outcomes,", "in some of those changes, I found two possible paths for the story", "different possibilities.The difference is not just a choice between two, but the way", "the other but I can't use this other path in another story since", "to simply pick one and discard the other but I can't use this", "of writing both paths and releasing them separately, i.e., the same story twice,", "for the story to advance on, and I already chose which one it", "but with different possibilities.The difference is not just a choice between two, but", "route and focus, and in some of those changes, I found two possible", "are other works that do that (if any)? Is it a good idea?", "and since when I started, it changed many times the route and focus,", "i.e., the same story twice, two separate works with the same story, but", "the other is the path of wrath and revenge along with a different", "a new story, it would be too similar). So I thought of writing", "outcomes, so there are a few differences in the protagonist's mindset. It would", "possibilities.The difference is not just a choice between two, but the way the", "story since it's only that good because it fits perfectly in this story", "story to advance on, and I already chose which one it will be.", "only that good because it fits perfectly in this story and no other", "and no other (if I adapt a new story, it would be too", "too similar). So I thought of writing both paths and releasing them separately,", "a problem and the other is the path of wrath and revenge along", "story twice, two separate works with the same story, but with different possibilities.The", "reacts to the main event: one is the path of self-guilt along with", "this other path in another story since it's only that good because it", "thought of writing both paths and releasing them separately, i.e., the same story", "between two, but the way the protagonist reacts to the main event: one", "it be if things happened differently\". Now what I ask is: does it", "one and discard the other but I can't use this other path in", "would be too similar). So I thought of writing both paths and releasing", "way the protagonist reacts to the main event: one is the path of", "other is the path of wrath and revenge along with a different problem,", "it make sense to do that? What are other works that do that", "differences in the protagonist's mindset. It would basically be a \"how would it", "can't use this other path in another story since it's only that good", "(if I adapt a new story, it would be too similar). So I", "would basically be a \"how would it be if things happened differently\". Now", "and discard the other but I can't use this other path in another", "the same story twice, two separate works with the same story, but with", "a few differences in the protagonist's mindset. It would basically be a \"how", "different outcomes, so there are a few differences in the protagonist's mindset. It", "sense to do that? What are other works that do that (if any)?", "I started, it changed many times the route and focus, and in some", "a choice between two, but the way the protagonist reacts to the main", "two possible paths for the story to advance on, and I already chose", "happened differently\". Now what I ask is: does it make sense to do", "is: does it make sense to do that? What are other works that", "in another story since it's only that good because it fits perfectly in", "same story, but with different possibilities.The difference is not just a choice between", "different problem, and both with very different outcomes, so there are a few", "Now what I ask is: does it make sense to do that? What", "a different problem, and both with very different outcomes, so there are a", "be if things happened differently\". Now what I ask is: does it make", "them separately, i.e., the same story twice, two separate works with the same", "story, but with different possibilities.The difference is not just a choice between two,", "and both with very different outcomes, so there are a few differences in", "other (if I adapt a new story, it would be too similar). So", "when I started, it changed many times the route and focus, and in", "separately, i.e., the same story twice, two separate works with the same story,", "potential and I don't want to simply pick one and discard the other", "separate works with the same story, but with different possibilities.The difference is not", "which one it will be. However, both paths are very good and with", "but the way the protagonist reacts to the main event: one is the", "I'm writing, and since when I started, it changed many times the route", "and focus, and in some of those changes, I found two possible paths", "is the path of self-guilt along with a problem and the other is", "are a few differences in the protagonist's mindset. It would basically be a", "a \"how would it be if things happened differently\". Now what I ask", "adapt a new story, it would be too similar). So I thought of", "the path of wrath and revenge along with a different problem, and both", "other path in another story since it's only that good because it fits", "same story twice, two separate works with the same story, but with different", "with a problem and the other is the path of wrath and revenge", "revenge along with a different problem, and both with very different outcomes, so", "paths for the story to advance on, and I already chose which one", "I ask is: does it make sense to do that? What are other", "many times the route and focus, and in some of those changes, I", "I already chose which one it will be. However, both paths are very", "paths and releasing them separately, i.e., the same story twice, two separate works", "the way the protagonist reacts to the main event: one is the path", "do that? What are other works that do that (if any)? Is it", "a story I'm writing, and since when I started, it changed many times", "and with great potential and I don't want to simply pick one and", "fits perfectly in this story and no other (if I adapt a new", "\"how would it be if things happened differently\". Now what I ask is:", "story I'm writing, and since when I started, it changed many times the", "path in another story since it's only that good because it fits perfectly", "twice, two separate works with the same story, but with different possibilities.The difference", "releasing them separately, i.e., the same story twice, two separate works with the", "is the path of wrath and revenge along with a different problem, and", "and the other is the path of wrath and revenge along with a", "it would be too similar). So I thought of writing both paths and", "be too similar). So I thought of writing both paths and releasing them", "the story to advance on, and I already chose which one it will", "one it will be. However, both paths are very good and with great", "don't want to simply pick one and discard the other but I can't", "that good because it fits perfectly in this story and no other (if", "problem, and both with very different outcomes, so there are a few differences", "self-guilt along with a problem and the other is the path of wrath", "will be. However, both paths are very good and with great potential and", "both paths are very good and with great potential and I don't want", "the main event: one is the path of self-guilt along with a problem", "to do that? What are other works that do that (if any)? Is", "the protagonist's mindset. It would basically be a \"how would it be if", "just a choice between two, but the way the protagonist reacts to the", "mindset. It would basically be a \"how would it be if things happened", "differently\". Now what I ask is: does it make sense to do that?", "since it's only that good because it fits perfectly in this story and", "simply pick one and discard the other but I can't use this other", "two separate works with the same story, but with different possibilities.The difference is", "if things happened differently\". Now what I ask is: does it make sense", "make sense to do that? What are other works that do that (if", "so there are a few differences in the protagonist's mindset. It would basically", "are very good and with great potential and I don't want to simply", "to the main event: one is the path of self-guilt along with a", "few differences in the protagonist's mindset. It would basically be a \"how would", "writing, and since when I started, it changed many times the route and", "wrath and revenge along with a different problem, and both with very different", "discard the other but I can't use this other path in another story", "I found two possible paths for the story to advance on, and I", "already chose which one it will be. However, both paths are very good", "choice between two, but the way the protagonist reacts to the main event:", "what I ask is: does it make sense to do that? What are", "problem and the other is the path of wrath and revenge along with", "writing both paths and releasing them separately, i.e., the same story twice, two", "new story, it would be too similar). So I thought of writing both", "it fits perfectly in this story and no other (if I adapt a", "changed many times the route and focus, and in some of those changes,", "on, and I already chose which one it will be. However, both paths", "of self-guilt along with a problem and the other is the path of", "since when I started, it changed many times the route and focus, and", "chose which one it will be. However, both paths are very good and", "and releasing them separately, i.e., the same story twice, two separate works with", "changes, I found two possible paths for the story to advance on, and", "I thought of writing both paths and releasing them separately, i.e., the same", "along with a problem and the other is the path of wrath and", "with very different outcomes, so there are a few differences in the protagonist's", "some of those changes, I found two possible paths for the story to", "basically be a \"how would it be if things happened differently\". Now what", "it's only that good because it fits perfectly in this story and no", "two, but the way the protagonist reacts to the main event: one is", "want to simply pick one and discard the other but I can't use", "ask is: does it make sense to do that? What are other works", "one is the path of self-guilt along with a problem and the other", "with great potential and I don't want to simply pick one and discard", "I have a story I'm writing, and since when I started, it changed", "another story since it's only that good because it fits perfectly in this", "use this other path in another story since it's only that good because", "of those changes, I found two possible paths for the story to advance", "is not just a choice between two, but the way the protagonist reacts", "no other (if I adapt a new story, it would be too similar).", "path of self-guilt along with a problem and the other is the path", "event: one is the path of self-guilt along with a problem and the", "things happened differently\". Now what I ask is: does it make sense to", "be. However, both paths are very good and with great potential and I", "good because it fits perfectly in this story and no other (if I", "great potential and I don't want to simply pick one and discard the", "to advance on, and I already chose which one it will be. However," ]
[ "who knows how to handle everyday stuff and can defend himself in a", "stupid minions and a soft spot for big speeches, no. He is designed", "should i motivate him to even THINK about doing that? He is a", "wizard) get an Arrow stuck in his forehead. Magic is weak, useful for", "Wizard openly casting spells, as that would most likely alert one of our", "or anything, while my Overlord has Legions of minions and follows Pedez's List?", "flames, that kind of stuff. It requires a rune. > > > /this", "speeches, no. He is designed with [Pedez's Evil Overlord list](http://www.eviloverlord.com/lists/overlord.html) in mind. >", "i motivate him to even THINK about doing that? He is a regular", "the world from my Evil Overlord? How should i motivate him to even", "and follows Pedez's List? > > > As an additional note, people around", "appliances levitate, lighter-sized flames, that kind of stuff. It requires a rune. >", "casting spells, as that would most likely alert one of our Overlords Minions", "an Arrow stuck in his forehead. Magic is weak, useful for everyday chores", "Desert, here we find the city the \"Hero\" calls his home. Think pop.~", "looks nice. This desert hosts a couple other citys, all smaller though. Next,", "world from my Evil Overlord? How should i motivate him to even THINK", "weird guy sitting on this Island with tons of friends (as they perceive", "everyday stuff and can defend himself in a brawl. Pitched against him is", "Hero start going on an adventure to save the world from my Evil", "no. He is designed with [Pedez's Evil Overlord list](http://www.eviloverlord.com/lists/overlord.html) in mind. > >", "is inhabitated by currently 800-900 million people. In terms of landscape, I'm gonna", "friends (as they perceive it). His plan already started and somebody needs to", "Magic is weak, useful for everyday chores at best. Making small appliances levitate,", "spot for big speeches, no. He is designed with [Pedez's Evil Overlord list](http://www.eviloverlord.com/lists/overlord.html)", "and is inhabitated by currently 800-900 million people. In terms of landscape, I'm", "him (the wizard) get an Arrow stuck in his forehead. Magic is weak,", "going on an adventure to save the world from my Evil Overlord? How", "at best. Making small appliances levitate, lighter-sized flames, that kind of stuff. It", "lot smaller than earth and is inhabitated by currently 800-900 million people. In", "fictional planet orbited by 2 stars, a very lively world. It's a lot", "the \"Hero\" calls his home. Think pop.~ 70.000. Buildings are made out of", "In terms of technology, the world is similar to earth shortly after the", "perceive it). His plan already started and somebody needs to try and stop", "alert one of our Overlords Minions and have him (the wizard) get an", "on this Island with tons of friends (as they perceive it). His plan", "world we're living in: It's a fictional planet orbited by 2 stars, a", "Although very rarely do you see a Wizard openly casting spells, as that", "a Wizard openly casting spells, as that would most likely alert one of", "desert hosts a couple other citys, all smaller though. Next, we have an", "best. Making small appliances levitate, lighter-sized flames, that kind of stuff. It requires", "currently 800-900 million people. In terms of landscape, I'm gonna focus on the", "have a run-of-the-mill, super-non-special \"Hero\" - the Antagonist. A Jon Doe, someone, who", "save the world from my Evil Overlord? How should i motivate him to", "Island with tons of friends (as they perceive it). His plan already started", "lair of our Evil Overlord. > > In terms of technology, the world", "the detail to the end as optional flavouring for those interested in it.", "is a regular human with no extraordinary powers or anything, while my Overlord", "How should i have my Hero start going on an adventure to save", "> > > As an additional note, people around the world know of", "that would most likely alert one of our Overlords Minions and have him", "doing that? He is a regular human with no extraordinary powers or anything,", "on an adventure to save the world from my Evil Overlord? How should", "around the world know of that one weird guy sitting on this Island", "stop him (and fail miserably). > > Quick rundown on the world we're", "coast of the Ice Deserts main port-city (located ~20km southeast from Herocity). Here", "Island, roughly 250km off the coast of the Ice Deserts main port-city (located", "> Quick rundown on the world we're living in: It's a fictional planet", "my Hero start going on an adventure to save the world from my", "chores at best. Making small appliances levitate, lighter-sized flames, that kind of stuff.", "than on worldbuilding /Edit: as Loehen Ipfal suggested, moved a lot of the", "the Ice Deserts main port-city (located ~20km southeast from Herocity). Here we find", "Minions and have him (the wizard) get an Arrow stuck in his forehead.", "an additional note, people around the world know of that one weird guy", "they perceive it). His plan already started and somebody needs to try and", "His plan already started and somebody needs to try and stop him (and", "of the Ice Deserts main port-city (located ~20km southeast from Herocity). Here we", "people around the world know of that one weird guy sitting on this", "we find the city the \"Hero\" calls his home. Think pop.~ 70.000. Buildings", "lighter-sized flames, that kind of stuff. It requires a rune. > > >", "Overlord. > > In terms of technology, the world is similar to earth", "> As an additional note, people around the world know of that one", "Steel and Ice, though melting the Ice won't cause every building to collapse,", "big novel-kind-of-thing I'm currently working on, I have a run-of-the-mill, super-non-special \"Hero\" -", "Ice Desert, here we find the city the \"Hero\" calls his home. Think", "Overlords Minions and have him (the wizard) get an Arrow stuck in his", "of doom - the Protagonist. Not just your basic Evil Overlord of doom", "with tons of friends (as they perceive it). His plan already started and", "from Herocity). Here we find the lair of our Evil Overlord. > >", "do you see a Wizard openly casting spells, as that would most likely", "the world we're living in: It's a fictional planet orbited by 2 stars,", "how to handle everyday stuff and can defend himself in a brawl. Pitched", "on writers than on worldbuilding /Edit: as Loehen Ipfal suggested, moved a lot", "I'm gonna focus on the areas where a bulk of the story takes", "It's a fictional planet orbited by 2 stars, a very lively world. It's", "against him is my Evil Overlord of doom - the Protagonist. Not just", "Making small appliances levitate, lighter-sized flames, that kind of stuff. It requires a", "to collapse, it just looks nice. This desert hosts a couple other citys,", "no extraordinary powers or anything, while my Overlord has Legions of minions and", "A Jon Doe, someone, who knows how to handle everyday stuff and can", "(~1550). Magic IS a thing. Although very rarely do you see a Wizard", "adventure to save the world from my Evil Overlord? How should i motivate", "I have a run-of-the-mill, super-non-special \"Hero\" - the Antagonist. A Jon Doe, someone,", "him is my Evil Overlord of doom - the Protagonist. Not just your", "lively world. It's a lot smaller than earth and is inhabitated by currently", "where a bulk of the story takes place: First, we have an Ice", "even THINK about doing that? He is a regular human with no extraordinary", "is similar to earth shortly after the middle ages (~1550). Magic IS a", "brawl. Pitched against him is my Evil Overlord of doom - the Protagonist.", "that one weird guy sitting on this Island with tons of friends (as", "home. Think pop.~ 70.000. Buildings are made out of a mixture of Steel", "guy sitting on this Island with tons of friends (as they perceive it).", "Not just your basic Evil Overlord of doom with stupid minions and a", "to try and stop him (and fail miserably). > > Quick rundown on", "in mind. > > How should i have my Hero start going on", "handle everyday stuff and can defend himself in a brawl. Pitched against him", "the lair of our Evil Overlord. > > In terms of technology, the", "Ice, though melting the Ice won't cause every building to collapse, it just", "calls his home. Think pop.~ 70.000. Buildings are made out of a mixture", "terms of technology, the world is similar to earth shortly after the middle", "every building to collapse, it just looks nice. This desert hosts a couple", "Herocity). Here we find the lair of our Evil Overlord. > > In", "plan already started and somebody needs to try and stop him (and fail", "everyday chores at best. Making small appliances levitate, lighter-sized flames, that kind of", "areas where a bulk of the story takes place: First, we have an", "in: It's a fictional planet orbited by 2 stars, a very lively world.", "and can defend himself in a brawl. Pitched against him is my Evil", "of that one weird guy sitting on this Island with tons of friends", "Evil Overlord of doom - the Protagonist. Not just your basic Evil Overlord", "Evil Overlord. > > In terms of technology, the world is similar to", "additional note, people around the world know of that one weird guy sitting", "spells, as that would most likely alert one of our Overlords Minions and", "soft spot for big speeches, no. He is designed with [Pedez's Evil Overlord", "of stuff. It requires a rune. > > > /this was noted to", "weak, useful for everyday chores at best. Making small appliances levitate, lighter-sized flames,", "just looks nice. This desert hosts a couple other citys, all smaller though.", "powers or anything, while my Overlord has Legions of minions and follows Pedez's", "on the world we're living in: It's a fictional planet orbited by 2", "of Steel and Ice, though melting the Ice won't cause every building to", "planet orbited by 2 stars, a very lively world. It's a lot smaller", "world is similar to earth shortly after the middle ages (~1550). Magic IS", "70.000. Buildings are made out of a mixture of Steel and Ice, though", "just your basic Evil Overlord of doom with stupid minions and a soft", "this Island with tons of friends (as they perceive it). His plan already", "a mixture of Steel and Ice, though melting the Ice won't cause every", "> > In terms of technology, the world is similar to earth shortly", "Protagonist. Not just your basic Evil Overlord of doom with stupid minions and", "basic Evil Overlord of doom with stupid minions and a soft spot for", "fail miserably). > > Quick rundown on the world we're living in: It's", "a fictional planet orbited by 2 stars, a very lively world. It's a", "stars, a very lively world. It's a lot smaller than earth and is", "mind. > > How should i have my Hero start going on an", "anything, while my Overlord has Legions of minions and follows Pedez's List? >", "THINK about doing that? He is a regular human with no extraordinary powers", "Evil Overlord list](http://www.eviloverlord.com/lists/overlord.html) in mind. > > How should i have my Hero", "stuff. It requires a rune. > > > /this was noted to probably", "with [Pedez's Evil Overlord list](http://www.eviloverlord.com/lists/overlord.html) in mind. > > How should i have", "get an Arrow stuck in his forehead. Magic is weak, useful for everyday", "and stop him (and fail miserably). > > Quick rundown on the world", "Pedez's List? > > > As an additional note, people around the world", "inhabitated by currently 800-900 million people. In terms of landscape, I'm gonna focus", "forehead. Magic is weak, useful for everyday chores at best. Making small appliances", "human with no extraordinary powers or anything, while my Overlord has Legions of", "start going on an adventure to save the world from my Evil Overlord?", "suggested, moved a lot of the detail to the end as optional flavouring", "regular human with no extraordinary powers or anything, while my Overlord has Legions", "> > > /this was noted to probably fit better on writers than", "Overlord of doom - the Protagonist. Not just your basic Evil Overlord of", "250km off the coast of the Ice Deserts main port-city (located ~20km southeast", "after the middle ages (~1550). Magic IS a thing. Although very rarely do", "Overlord list](http://www.eviloverlord.com/lists/overlord.html) in mind. > > How should i have my Hero start", "about doing that? He is a regular human with no extraordinary powers or", "stuff and can defend himself in a brawl. Pitched against him is my", "we have an Island, roughly 250km off the coast of the Ice Deserts", "super-non-special \"Hero\" - the Antagonist. A Jon Doe, someone, who knows how to", "other citys, all smaller though. Next, we have an Island, roughly 250km off", "living in: It's a fictional planet orbited by 2 stars, a very lively", "him (and fail miserably). > > Quick rundown on the world we're living", "of landscape, I'm gonna focus on the areas where a bulk of the", "my first big novel-kind-of-thing I'm currently working on, I have a run-of-the-mill, super-non-special", "nice. This desert hosts a couple other citys, all smaller though. Next, we", "is my Evil Overlord of doom - the Protagonist. Not just your basic", "> > As an additional note, people around the world know of that", "Arrow stuck in his forehead. Magic is weak, useful for everyday chores at", "that kind of stuff. It requires a rune. > > > /this was", "defend himself in a brawl. Pitched against him is my Evil Overlord of", "doom - the Protagonist. Not just your basic Evil Overlord of doom with", "collapse, it just looks nice. This desert hosts a couple other citys, all", "a run-of-the-mill, super-non-special \"Hero\" - the Antagonist. A Jon Doe, someone, who knows", "list](http://www.eviloverlord.com/lists/overlord.html) in mind. > > How should i have my Hero start going", "I'm currently working on, I have a run-of-the-mill, super-non-special \"Hero\" - the Antagonist.", "note, people around the world know of that one weird guy sitting on", "probably fit better on writers than on worldbuilding /Edit: as Loehen Ipfal suggested,", "It requires a rune. > > > /this was noted to probably fit", "rune. > > > /this was noted to probably fit better on writers", "In my first big novel-kind-of-thing I'm currently working on, I have a run-of-the-mill,", "landscape, I'm gonna focus on the areas where a bulk of the story", "worldbuilding /Edit: as Loehen Ipfal suggested, moved a lot of the detail to", "of friends (as they perceive it). His plan already started and somebody needs", "(and fail miserably). > > Quick rundown on the world we're living in:", "our Evil Overlord. > > In terms of technology, the world is similar", "for big speeches, no. He is designed with [Pedez's Evil Overlord list](http://www.eviloverlord.com/lists/overlord.html) in", "orbited by 2 stars, a very lively world. It's a lot smaller than", "an adventure to save the world from my Evil Overlord? How should i", "Think pop.~ 70.000. Buildings are made out of a mixture of Steel and", "while my Overlord has Legions of minions and follows Pedez's List? > >", "(located ~20km southeast from Herocity). Here we find the lair of our Evil", "couple other citys, all smaller though. Next, we have an Island, roughly 250km", "though melting the Ice won't cause every building to collapse, it just looks", "of doom with stupid minions and a soft spot for big speeches, no.", "started and somebody needs to try and stop him (and fail miserably). >", "Evil Overlord of doom with stupid minions and a soft spot for big", "(the wizard) get an Arrow stuck in his forehead. Magic is weak, useful", "southeast from Herocity). Here we find the lair of our Evil Overlord. >", "himself in a brawl. Pitched against him is my Evil Overlord of doom", "writers than on worldbuilding /Edit: as Loehen Ipfal suggested, moved a lot of", "Deserts main port-city (located ~20km southeast from Herocity). Here we find the lair", "> How should i have my Hero start going on an adventure to", "melting the Ice won't cause every building to collapse, it just looks nice.", "city the \"Hero\" calls his home. Think pop.~ 70.000. Buildings are made out", "small appliances levitate, lighter-sized flames, that kind of stuff. It requires a rune.", "of technology, the world is similar to earth shortly after the middle ages", "knows how to handle everyday stuff and can defend himself in a brawl.", "it just looks nice. This desert hosts a couple other citys, all smaller", "How should i motivate him to even THINK about doing that? He is", "of the story takes place: First, we have an Ice Desert, here we", "have my Hero start going on an adventure to save the world from", "> /this was noted to probably fit better on writers than on worldbuilding", "to earth shortly after the middle ages (~1550). Magic IS a thing. Although", "on, I have a run-of-the-mill, super-non-special \"Hero\" - the Antagonist. A Jon Doe,", "him to even THINK about doing that? He is a regular human with", "kind of stuff. It requires a rune. > > > /this was noted", "designed with [Pedez's Evil Overlord list](http://www.eviloverlord.com/lists/overlord.html) in mind. > > How should i", "[Pedez's Evil Overlord list](http://www.eviloverlord.com/lists/overlord.html) in mind. > > How should i have my", "an Ice Desert, here we find the city the \"Hero\" calls his home.", "requires a rune. > > > /this was noted to probably fit better", "very rarely do you see a Wizard openly casting spells, as that would", "smaller though. Next, we have an Island, roughly 250km off the coast of", "see a Wizard openly casting spells, as that would most likely alert one", "first big novel-kind-of-thing I'm currently working on, I have a run-of-the-mill, super-non-special \"Hero\"", "my Evil Overlord? How should i motivate him to even THINK about doing", "port-city (located ~20km southeast from Herocity). Here we find the lair of our", "the areas where a bulk of the story takes place: First, we have", "to handle everyday stuff and can defend himself in a brawl. Pitched against", "can defend himself in a brawl. Pitched against him is my Evil Overlord", "- the Protagonist. Not just your basic Evil Overlord of doom with stupid", "of minions and follows Pedez's List? > > > As an additional note,", "extraordinary powers or anything, while my Overlord has Legions of minions and follows", "i have my Hero start going on an adventure to save the world", "that? He is a regular human with no extraordinary powers or anything, while", "know of that one weird guy sitting on this Island with tons of", "earth and is inhabitated by currently 800-900 million people. In terms of landscape,", "to probably fit better on writers than on worldbuilding /Edit: as Loehen Ipfal", "my Evil Overlord of doom - the Protagonist. Not just your basic Evil", "find the city the \"Hero\" calls his home. Think pop.~ 70.000. Buildings are", "the middle ages (~1550). Magic IS a thing. Although very rarely do you", "rarely do you see a Wizard openly casting spells, as that would most", "have him (the wizard) get an Arrow stuck in his forehead. Magic is", "to even THINK about doing that? He is a regular human with no", "800-900 million people. In terms of landscape, I'm gonna focus on the areas", "and a soft spot for big speeches, no. He is designed with [Pedez's", "would most likely alert one of our Overlords Minions and have him (the", "was noted to probably fit better on writers than on worldbuilding /Edit: as", "shortly after the middle ages (~1550). Magic IS a thing. Although very rarely", "a very lively world. It's a lot smaller than earth and is inhabitated", "moved a lot of the detail to the end as optional flavouring for", "very lively world. It's a lot smaller than earth and is inhabitated by", "the world know of that one weird guy sitting on this Island with", "big speeches, no. He is designed with [Pedez's Evil Overlord list](http://www.eviloverlord.com/lists/overlord.html) in mind.", "> In terms of technology, the world is similar to earth shortly after", "noted to probably fit better on writers than on worldbuilding /Edit: as Loehen", "one weird guy sitting on this Island with tons of friends (as they", "currently working on, I have a run-of-the-mill, super-non-special \"Hero\" - the Antagonist. A", "with no extraordinary powers or anything, while my Overlord has Legions of minions", "> > Quick rundown on the world we're living in: It's a fictional", "find the lair of our Evil Overlord. > > In terms of technology,", "with stupid minions and a soft spot for big speeches, no. 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This desert hosts a couple other", "off the coast of the Ice Deserts main port-city (located ~20km southeast from", "a rune. > > > /this was noted to probably fit better on", "Antagonist. A Jon Doe, someone, who knows how to handle everyday stuff and", "working on, I have a run-of-the-mill, super-non-special \"Hero\" - the Antagonist. A Jon", "by 2 stars, a very lively world. It's a lot smaller than earth", "mixture of Steel and Ice, though melting the Ice won't cause every building", "and have him (the wizard) get an Arrow stuck in his forehead. Magic", "on the areas where a bulk of the story takes place: First, we", "an Island, roughly 250km off the coast of the Ice Deserts main port-city", "Evil Overlord? How should i motivate him to even THINK about doing that?", "our Overlords Minions and have him (the wizard) get an Arrow stuck in", "a lot smaller than earth and is inhabitated by currently 800-900 million people.", "pop.~ 70.000. Buildings are made out of a mixture of Steel and Ice,", "it). His plan already started and somebody needs to try and stop him", "Doe, someone, who knows how to handle everyday stuff and can defend himself", "in a brawl. Pitched against him is my Evil Overlord of doom -", "on worldbuilding /Edit: as Loehen Ipfal suggested, moved a lot of the detail", "\"Hero\" calls his home. Think pop.~ 70.000. Buildings are made out of a", "a thing. Although very rarely do you see a Wizard openly casting spells,", "It's a lot smaller than earth and is inhabitated by currently 800-900 million", "fit better on writers than on worldbuilding /Edit: as Loehen Ipfal suggested, moved", "all smaller though. Next, we have an Island, roughly 250km off the coast", "Overlord has Legions of minions and follows Pedez's List? > > > As", "follows Pedez's List? > > > As an additional note, people around the", "thing. Although very rarely do you see a Wizard openly casting spells, as", "/this was noted to probably fit better on writers than on worldbuilding /Edit:", "needs to try and stop him (and fail miserably). > > Quick rundown", "miserably). > > Quick rundown on the world we're living in: It's a", "a soft spot for big speeches, no. He is designed with [Pedez's Evil", "sitting on this Island with tons of friends (as they perceive it). His", "somebody needs to try and stop him (and fail miserably). > > Quick", "people. In terms of landscape, I'm gonna focus on the areas where a", "Buildings are made out of a mixture of Steel and Ice, though melting", "minions and a soft spot for big speeches, no. He is designed with", "a lot of the detail to the end as optional flavouring for those", "middle ages (~1550). Magic IS a thing. Although very rarely do you see", "as that would most likely alert one of our Overlords Minions and have", "cause every building to collapse, it just looks nice. This desert hosts a", "are made out of a mixture of Steel and Ice, though melting the", "for everyday chores at best. Making small appliances levitate, lighter-sized flames, that kind", "hosts a couple other citys, all smaller though. Next, we have an Island,", "likely alert one of our Overlords Minions and have him (the wizard) get", "minions and follows Pedez's List? > > > As an additional note, people", "Quick rundown on the world we're living in: It's a fictional planet orbited", "his home. Think pop.~ 70.000. Buildings are made out of a mixture of", "than earth and is inhabitated by currently 800-900 million people. In terms of", "motivate him to even THINK about doing that? He is a regular human", "his forehead. Magic is weak, useful for everyday chores at best. Making small", "2 stars, a very lively world. It's a lot smaller than earth and", "- the Antagonist. A Jon Doe, someone, who knows how to handle everyday", "takes place: First, we have an Ice Desert, here we find the city", "Next, we have an Island, roughly 250km off the coast of the Ice", "levitate, lighter-sized flames, that kind of stuff. It requires a rune. > >", "He is a regular human with no extraordinary powers or anything, while my", "of the detail to the end as optional flavouring for those interested in", "the coast of the Ice Deserts main port-city (located ~20km southeast from Herocity).", "my Overlord has Legions of minions and follows Pedez's List? > > >", "out of a mixture of Steel and Ice, though melting the Ice won't", "main port-city (located ~20km southeast from Herocity). Here we find the lair of", "the Ice won't cause every building to collapse, it just looks nice. This", "of our Overlords Minions and have him (the wizard) get an Arrow stuck", "the city the \"Hero\" calls his home. Think pop.~ 70.000. Buildings are made", "Pitched against him is my Evil Overlord of doom - the Protagonist. Not", "stuck in his forehead. Magic is weak, useful for everyday chores at best.", "should i have my Hero start going on an adventure to save the", "your basic Evil Overlord of doom with stupid minions and a soft spot", "the world is similar to earth shortly after the middle ages (~1550). Magic", "~20km southeast from Herocity). Here we find the lair of our Evil Overlord.", "terms of landscape, I'm gonna focus on the areas where a bulk of", "a brawl. Pitched against him is my Evil Overlord of doom - the", "a bulk of the story takes place: First, we have an Ice Desert,", "technology, the world is similar to earth shortly after the middle ages (~1550).", "IS a thing. Although very rarely do you see a Wizard openly casting", "(as they perceive it). His plan already started and somebody needs to try", "is weak, useful for everyday chores at best. Making small appliances levitate, lighter-sized", "from my Evil Overlord? How should i motivate him to even THINK about", "story takes place: First, we have an Ice Desert, here we find the", "Here we find the lair of our Evil Overlord. > > In terms", "already started and somebody needs to try and stop him (and fail miserably).", "the Antagonist. A Jon Doe, someone, who knows how to handle everyday stuff", "This desert hosts a couple other citys, all smaller though. Next, we have", "/Edit: as Loehen Ipfal suggested, moved a lot of the detail to the", "we find the lair of our Evil Overlord. > > In terms of", "a couple other citys, all smaller though. Next, we have an Island, roughly", "similar to earth shortly after the middle ages (~1550). Magic IS a thing.", "a regular human with no extraordinary powers or anything, while my Overlord has", "doom with stupid minions and a soft spot for big speeches, no. He", "Magic IS a thing. Although very rarely do you see a Wizard openly", "as Loehen Ipfal suggested, moved a lot of the detail to the end", "world. It's a lot smaller than earth and is inhabitated by currently 800-900", "citys, all smaller though. Next, we have an Island, roughly 250km off the", "have an Island, roughly 250km off the coast of the Ice Deserts main", "novel-kind-of-thing I'm currently working on, I have a run-of-the-mill, super-non-special \"Hero\" - the", "Ice won't cause every building to collapse, it just looks nice. This desert", "List? > > > As an additional note, people around the world know", "Ipfal suggested, moved a lot of the detail to the end as optional", "and somebody needs to try and stop him (and fail miserably). > >", "Loehen Ipfal suggested, moved a lot of the detail to the end as", "gonna focus on the areas where a bulk of the story takes place:", "one of our Overlords Minions and have him (the wizard) get an Arrow", "Jon Doe, someone, who knows how to handle everyday stuff and can defend", "we have an Ice Desert, here we find the city the \"Hero\" calls", "most likely alert one of our Overlords Minions and have him (the wizard)", "the story takes place: First, we have an Ice Desert, here we find", "place: First, we have an Ice Desert, here we find the city the", "though. Next, we have an Island, roughly 250km off the coast of the", "focus on the areas where a bulk of the story takes place: First,", "ages (~1550). Magic IS a thing. Although very rarely do you see a", "First, we have an Ice Desert, here we find the city the \"Hero\"", "in his forehead. Magic is weak, useful for everyday chores at best. Making", "lot of the detail to the end as optional flavouring for those interested", "made out of a mixture of Steel and Ice, though melting the Ice", "Overlord? How should i motivate him to even THINK about doing that? He", "In terms of landscape, I'm gonna focus on the areas where a bulk", "As an additional note, people around the world know of that one weird", "have an Ice Desert, here we find the city the \"Hero\" calls his", "roughly 250km off the coast of the Ice Deserts main port-city (located ~20km", "and Ice, though melting the Ice won't cause every building to collapse, it", "smaller than earth and is inhabitated by currently 800-900 million people. In terms", "\"Hero\" - the Antagonist. A Jon Doe, someone, who knows how to handle", "He is designed with [Pedez's Evil Overlord list](http://www.eviloverlord.com/lists/overlord.html) in mind. > > How", "> > /this was noted to probably fit better on writers than on", "better on writers than on worldbuilding /Edit: as Loehen Ipfal suggested, moved a", "has Legions of minions and follows Pedez's List? > > > As an", "million people. In terms of landscape, I'm gonna focus on the areas where", "> > How should i have my Hero start going on an adventure", "useful for everyday chores at best. Making small appliances levitate, lighter-sized flames, that" ]
[ "each other. Without putting them in a Space Taxi together, why would they", "a metaphorical sword in the stone type of space station/ship in my story", "space station/ship in my story that no one can gain access to because", "co-operate with one another/hate each other. Without putting them in a Space Taxi", "one another maybe 10-20 years or so ago. There is a metaphorical sword", "discovered one another maybe 10-20 years or so ago. There is a metaphorical", "travelling in the same ship? Assume they don't know that they will gain", "story that no one can gain access to because the races won't co-operate", "in the same ship? Assume they don't know that they will gain access", "them in a Space Taxi together, why would they be travelling in the", "my story that no one can gain access to because the races won't", "in a Space Taxi together, why would they be travelling in the same", "In my story/solar system there are 4 alien races. They recently discovered one", "access to because the races won't co-operate with one another/hate each other. Without", "so ago. There is a metaphorical sword in the stone type of space", "races won't co-operate with one another/hate each other. Without putting them in a", "10-20 years or so ago. There is a metaphorical sword in the stone", "recently discovered one another maybe 10-20 years or so ago. There is a", "in the stone type of space station/ship in my story that no one", "would they be travelling in the same ship? Assume they don't know that", "same ship? Assume they don't know that they will gain access if they", "one can gain access to because the races won't co-operate with one another/hate", "alien races. They recently discovered one another maybe 10-20 years or so ago.", "stone type of space station/ship in my story that no one can gain", "don't know that they will gain access if they are all present together.", "station/ship in my story that no one can gain access to because the", "metaphorical sword in the stone type of space station/ship in my story that", "of space station/ship in my story that no one can gain access to", "Taxi together, why would they be travelling in the same ship? Assume they", "other. Without putting them in a Space Taxi together, why would they be", "Without putting them in a Space Taxi together, why would they be travelling", "ship? Assume they don't know that they will gain access if they are", "another maybe 10-20 years or so ago. There is a metaphorical sword in", "There is a metaphorical sword in the stone type of space station/ship in", "no one can gain access to because the races won't co-operate with one", "story/solar system there are 4 alien races. They recently discovered one another maybe", "putting them in a Space Taxi together, why would they be travelling in", "ago. There is a metaphorical sword in the stone type of space station/ship", "that no one can gain access to because the races won't co-operate with", "why would they be travelling in the same ship? Assume they don't know", "is a metaphorical sword in the stone type of space station/ship in my", "in my story that no one can gain access to because the races", "type of space station/ship in my story that no one can gain access", "the races won't co-operate with one another/hate each other. Without putting them in", "one another/hate each other. Without putting them in a Space Taxi together, why", "another/hate each other. Without putting them in a Space Taxi together, why would", "Space Taxi together, why would they be travelling in the same ship? Assume", "system there are 4 alien races. They recently discovered one another maybe 10-20", "to because the races won't co-operate with one another/hate each other. Without putting", "can gain access to because the races won't co-operate with one another/hate each", "are 4 alien races. They recently discovered one another maybe 10-20 years or", "years or so ago. There is a metaphorical sword in the stone type", "gain access to because the races won't co-operate with one another/hate each other.", "they be travelling in the same ship? Assume they don't know that they", "be travelling in the same ship? Assume they don't know that they will", "maybe 10-20 years or so ago. There is a metaphorical sword in the", "with one another/hate each other. Without putting them in a Space Taxi together,", "the stone type of space station/ship in my story that no one can", "together, why would they be travelling in the same ship? Assume they don't", "the same ship? Assume they don't know that they will gain access if", "they don't know that they will gain access if they are all present", "a Space Taxi together, why would they be travelling in the same ship?", "or so ago. There is a metaphorical sword in the stone type of", "Assume they don't know that they will gain access if they are all", "there are 4 alien races. They recently discovered one another maybe 10-20 years", "races. They recently discovered one another maybe 10-20 years or so ago. There", "won't co-operate with one another/hate each other. Without putting them in a Space", "sword in the stone type of space station/ship in my story that no", "They recently discovered one another maybe 10-20 years or so ago. There is", "4 alien races. They recently discovered one another maybe 10-20 years or so", "because the races won't co-operate with one another/hate each other. Without putting them", "my story/solar system there are 4 alien races. They recently discovered one another" ]
[ "My writings tend to be a blend of multiple genre's. I know some", "and fantasy, but are there genre's that should not be blended? Also, is", "blend of multiple genre's. I know some can work well together, like sci-fi", "but are there genre's that should not be blended? Also, is it confusing", "blended? Also, is it confusing to reader's when there is not a clear", "multiple genre's. I know some can work well together, like sci-fi and fantasy,", "I know some can work well together, like sci-fi and fantasy, but are", "tend to be a blend of multiple genre's. I know some can work", "together, like sci-fi and fantasy, but are there genre's that should not be", "know some can work well together, like sci-fi and fantasy, but are there", "work well together, like sci-fi and fantasy, but are there genre's that should", "genre's that should not be blended? Also, is it confusing to reader's when", "a blend of multiple genre's. I know some can work well together, like", "should not be blended? Also, is it confusing to reader's when there is", "like sci-fi and fantasy, but are there genre's that should not be blended?", "to be a blend of multiple genre's. I know some can work well", "some can work well together, like sci-fi and fantasy, but are there genre's", "genre's. I know some can work well together, like sci-fi and fantasy, but", "can work well together, like sci-fi and fantasy, but are there genre's that", "not be blended? Also, is it confusing to reader's when there is not", "of multiple genre's. I know some can work well together, like sci-fi and", "are there genre's that should not be blended? Also, is it confusing to", "Also, is it confusing to reader's when there is not a clear genre?", "that should not be blended? Also, is it confusing to reader's when there", "sci-fi and fantasy, but are there genre's that should not be blended? Also,", "be blended? Also, is it confusing to reader's when there is not a", "there genre's that should not be blended? Also, is it confusing to reader's", "be a blend of multiple genre's. I know some can work well together,", "fantasy, but are there genre's that should not be blended? Also, is it", "well together, like sci-fi and fantasy, but are there genre's that should not", "writings tend to be a blend of multiple genre's. I know some can" ]
[ "book and decided that I should plan first because in the past while", "and don't want to throw it away. So my question is what should", "it after a few sentences. But I still really like the idea and", "that I had planned to much. Writing the plan was fun but rewriting", "was fun but rewriting the same thing with more detail was boring and", "Writing the plan was fun but rewriting the same thing with more detail", "it away. So my question is what should I do when I'm bored", "particular project. But after I finished my plan and started writing my first", "but don't want to throw it away? I know there are questions similar", "story and lost interest in writing that particular project. But after I finished", "started writing my first chapter of my new story I realized that I", "much. Writing the plan was fun but rewriting the same thing with more", "don't want to throw it away? I know there are questions similar to", "know there are questions similar to this but I don't know how to", "of the story and lost interest in writing that particular project. But after", "in the past while writing I lost the point of the story and", "I finished my plan and started writing my first chapter of my new", "writing I lost the point of the story and lost interest in writing", "of my new story I realized that I had planned to much. Writing", "more detail was boring and again I lost interest in writing it after", "throw it away. So my question is what should I do when I'm", "writing a book and decided that I should plan first because in the", "throw it away? I know there are questions similar to this but I", "and lost interest in writing that particular project. But after I finished my", "So my question is what should I do when I'm bored of my", "my plan and started writing my first chapter of my new story I", "is what should I do when I'm bored of my story but don't", "first because in the past while writing I lost the point of the", "interest in writing it after a few sentences. But I still really like", "the past while writing I lost the point of the story and lost", "questions similar to this but I don't know how to stay motivated about", "I recently started writing a book and decided that I should plan first", "and started writing my first chapter of my new story I realized that", "my question is what should I do when I'm bored of my story", "lost the point of the story and lost interest in writing that particular", "plan first because in the past while writing I lost the point of", "story but don't want to throw it away? I know there are questions", "the plan was fun but rewriting the same thing with more detail was", "still really like the idea and don't want to throw it away. So", "story I realized that I had planned to much. Writing the plan was", "I had planned to much. Writing the plan was fun but rewriting the", "like the idea and don't want to throw it away. So my question", "really like the idea and don't want to throw it away. So my", "detail was boring and again I lost interest in writing it after a", "to throw it away. So my question is what should I do when", "interest in writing that particular project. But after I finished my plan and", "in writing it after a few sentences. But I still really like the", "away? I know there are questions similar to this but I don't know", "want to throw it away. So my question is what should I do", "but rewriting the same thing with more detail was boring and again I", "new story I realized that I had planned to much. Writing the plan", "to much. Writing the plan was fun but rewriting the same thing with", "and decided that I should plan first because in the past while writing", "after a few sentences. But I still really like the idea and don't", "I lost interest in writing it after a few sentences. But I still", "should I do when I'm bored of my story but don't want to", "was boring and again I lost interest in writing it after a few", "a few sentences. But I still really like the idea and don't want", "my story but don't want to throw it away? I know there are", "there are questions similar to this but I don't know how to stay", "when I'm bored of my story but don't want to throw it away?", "a book and decided that I should plan first because in the past", "decided that I should plan first because in the past while writing I", "writing that particular project. But after I finished my plan and started writing", "I should plan first because in the past while writing I lost the", "past while writing I lost the point of the story and lost interest", "same thing with more detail was boring and again I lost interest in", "after I finished my plan and started writing my first chapter of my", "should plan first because in the past while writing I lost the point", "in writing that particular project. But after I finished my plan and started", "boring and again I lost interest in writing it after a few sentences.", "first chapter of my new story I realized that I had planned to", "thing with more detail was boring and again I lost interest in writing", "plan was fun but rewriting the same thing with more detail was boring", "I realized that I had planned to much. Writing the plan was fun", "But I still really like the idea and don't want to throw it", "are questions similar to this but I don't know how to stay motivated", "point of the story and lost interest in writing that particular project. But", "planned to much. Writing the plan was fun but rewriting the same thing", "sentences. But I still really like the idea and don't want to throw", "So I recently started writing a book and decided that I should plan", "lost interest in writing that particular project. But after I finished my plan", "the same thing with more detail was boring and again I lost interest", "my first chapter of my new story I realized that I had planned", "with more detail was boring and again I lost interest in writing it", "I still really like the idea and don't want to throw it away.", "question is what should I do when I'm bored of my story but", "want to throw it away? I know there are questions similar to this", "don't want to throw it away. So my question is what should I", "it away? I know there are questions similar to this but I don't", "the point of the story and lost interest in writing that particular project.", "plan and started writing my first chapter of my new story I realized", "realized that I had planned to much. Writing the plan was fun but", "similar to this but I don't know how to stay motivated about the", "and again I lost interest in writing it after a few sentences. But", "writing it after a few sentences. But I still really like the idea", "do when I'm bored of my story but don't want to throw it", "to throw it away? I know there are questions similar to this but", "what should I do when I'm bored of my story but don't want", "bored of my story but don't want to throw it away? I know", "rewriting the same thing with more detail was boring and again I lost", "writing my first chapter of my new story I realized that I had", "to this but I don't know how to stay motivated about the story.", "chapter of my new story I realized that I had planned to much.", "the story and lost interest in writing that particular project. But after I", "finished my plan and started writing my first chapter of my new story", "had planned to much. Writing the plan was fun but rewriting the same", "lost interest in writing it after a few sentences. But I still really", "idea and don't want to throw it away. So my question is what", "I lost the point of the story and lost interest in writing that", "my new story I realized that I had planned to much. Writing the", "again I lost interest in writing it after a few sentences. But I", "of my story but don't want to throw it away? I know there", "fun but rewriting the same thing with more detail was boring and again", "But after I finished my plan and started writing my first chapter of", "away. So my question is what should I do when I'm bored of", "I'm bored of my story but don't want to throw it away? I", "I know there are questions similar to this but I don't know how", "while writing I lost the point of the story and lost interest in", "started writing a book and decided that I should plan first because in", "because in the past while writing I lost the point of the story", "that I should plan first because in the past while writing I lost", "that particular project. But after I finished my plan and started writing my", "few sentences. But I still really like the idea and don't want to", "I do when I'm bored of my story but don't want to throw", "the idea and don't want to throw it away. So my question is", "recently started writing a book and decided that I should plan first because", "project. But after I finished my plan and started writing my first chapter" ]
[ "more than one story at a time? I also want to share my", "with to know if it will be great or a flop Thank you", "2:* *Who should I share my ideas with to know if it will", "will all be taken or used. Question 1:* *How much writing should I", "like I can, I get embarrassed too easy I don't really like", "share my ideas before I start them. I would rather tell my ideas", "ideas. I would share them with my family but, * I don't feel", "family but, * I don't feel like I can, I get embarrassed too", "one story at a time?** I also want to share my ideas before", "would share them with my family but, * I don't feel like I", "online friend or someone I could trust not to steal the ideas. I", "I don't really like my family talking about me/ or being the spotlight", "like my family talking about me/ or being the spotlight Question 2: Who", "time? I also want to share my ideas before I start them. I", "embarrassed too easy * I don't really like my family talking about me/", "I start them. I would rather tell my ideas to an online friend", "ton of ideas I think are great. I wish I could finish them", "1:* How much writing should I try to do per day, and should", "I feel as if I don't finish them they will all be taken", "day, and should I do more than one story at a time? I", "not to steal the ideas. I would share them with my family but,", "I don't feel like I can, I get embarrassed too easy * I", "same time. I feel as if I don't finish them they will all", "rather tell my ideas to an online friend or someone I could trust", "easy * I don't really like my family talking about me/ or being", "my ideas to an online friend or someone I could trust not to", "time. I feel as if I don't finish them they will all be", "talking about me/ or being the spotlight Question 2: *Who should I share", "don't feel like I can, I get embarrassed too easy I don't", "if it will be great or a flop Thank you for your time", "Who should I share my ideas with to know if it will be", "them all at the same time. I feel as if I don't finish", "taken or used. Question 1: *How much writing should I try to do", "don't finish them they will all be taken or used. Question 1:* How", "I do more than one story at a time? I also want to", "per day, and should I do more than one story at a time?*", "much writing should I try to do per day, and should I do", "I can, I get embarrassed too easy I don't really like my", "them with my family but, * I don't feel like I can, I", "I don't finish them they will all be taken or used. Question 1:", "than one story at a time?** I also want to share my ideas", "Question 1: How much writing should I try to do per day, and", "I share my ideas with to know if it will be great or", "try to do per day, and should I do more than one story", "and should I do more than one story at a time? I also", "*How much writing should I try to do per day, and should I", "all be taken or used. Question 1:* *How much writing should I try", "I think are great. I wish I could finish them all at the", "I also want to share my ideas before I start them. I would", "the ideas. I would share them with my family but, I don't", "or used. Question 1: *How much writing should I try to do per", "I try to do per day, and should I do more than one", "spotlight Question 2:* *Who should I share my ideas with to know if", "I could trust not to steal the ideas. I would share them with", "share my ideas with to know if it will be great or a", "writing should I try to do per day, and should I do more", "or being the spotlight Question 2:* *Who should I share my ideas with", "but, I don't feel like I can, I get embarrassed too easy", "them they will all be taken or used. Question 1: *How much writing", "ideas to an online friend or someone I could trust not to steal", "family talking about me/ or being the spotlight Question 2:* *Who should I", "my family talking about me/ or being the spotlight Question 2:* Who should", "at a time? I also want to share my ideas before I start", "my ideas with to know if it will be great or a flop*", "finish them they will all be taken or used. Question 1:* *How much", "could finish them all at the same time. I feel as if I", "be taken or used. Question 1:* *How much writing should I try to", "too easy I don't really like my family talking about me/ or", "of ideas I think are great. I wish I could finish them all", "to steal the ideas. I would share them with my family but, ", "great. I wish I could finish them all at the same time. I", "it will be great or a flop* Thank you for your time -A.N.M.", "at the same time. I feel as if I don't finish them they", "* I don't feel like I can, I get embarrassed too easy ", "my ideas before I start them. I would rather tell my ideas to", "the same time. I feel as if I don't finish them they will", "could trust not to steal the ideas. I would share them with my", "to share my ideas before I start them. I would rather tell my", "should I try to do per day, and should I do more than", "would rather tell my ideas to an online friend or someone I could", "trust not to steal the ideas. I would share them with my family", "share them with my family but, I don't feel like I can,", "ideas with to know if it will be great or a flop** Thank", "an online friend or someone I could trust not to steal the ideas.", "finish them all at the same time. I feel as if I don't", "someone I could trust not to steal the ideas. I would share them", "get embarrassed too easy * I don't really like my family talking about", "as if I don't finish them they will all be taken or used.", "wish I could finish them all at the same time. I feel as", "start them. I would rather tell my ideas to an online friend or", "ideas I think are great. I wish I could finish them all at", "Question 2: *Who should I share my ideas with to know if it", "really like my family talking about me/ or being the spotlight Question 2:", "I could finish them all at the same time. I feel as if", "also want to share my ideas before I start them. I would rather", "are great. I wish I could finish them all at the same time.", "used. Question 1:* *How much writing should I try to do per day,", "I would share them with my family but, I don't feel like", "I get embarrassed too easy * I don't really like my family talking", "have a ton of ideas I think are great. I wish I could", "the spotlight Question 2: *Who should I share my ideas with to know", "me/ or being the spotlight Question 2:* *Who should I share my ideas", "feel like I can, I get embarrassed too easy I don't really", "to know if it will be great or a flop** Thank you for", "they will all be taken or used. Question 1: *How much writing should", "don't really like my family talking about me/ or being the spotlight Question", "to do per day, and should I do more than one story at", "a time?** I also want to share my ideas before I start them.", "a ton of ideas I think are great. I wish I could finish", "before I start them. I would rather tell my ideas to an online", "I would rather tell my ideas to an online friend or someone I", "if I don't finish them they will all be taken or used. Question", "I wish I could finish them all at the same time. I feel", "to an online friend or someone I could trust not to steal the", "I have a ton of ideas I think are great. I wish I", "being the spotlight Question 2:* *Who should I share my ideas with to", "can, I get embarrassed too easy I don't really like my family", "with my family but, * I don't feel like I can, I get", "* I don't really like my family talking about me/ or being the", "should I share my ideas with to know if it will be great", "think are great. I wish I could finish them all at the same", "do per day, and should I do more than one story at a", "should I do more than one story at a time? I also want", "do more than one story at a time? I also want to share", "want to share my ideas before I start them. I would rather tell", "feel as if I don't finish them they will all be taken or", "or someone I could trust not to steal the ideas. I would share", "my family but, * I don't feel like I can, I get embarrassed", "story at a time?** I also want to share my ideas before I", "tell my ideas to an online friend or someone I could trust not", "steal the ideas. I would share them with my family but, * I", "know if it will be great or a flop** Thank you for your", "them. I would rather tell my ideas to an online friend or someone", "about me/ or being the spotlight Question 2: **Who should I share my", "all at the same time. I feel as if I don't finish them", "friend or someone I could trust not to steal the ideas. I would", "ideas before I start them. I would rather tell my ideas to an" ]
[ "on. What my issue is that the hero is in a coma and", "and as part of the continuity, I've to show the scene happening to", "the death of many major characters, one of them close to the hero.", "characters, one of them close to the hero. The hero also, falls into", "hero. The hero also, falls into a temporary coma after the climax (not", "reuse the chapter to show a continuity? or should I just skip the", "epilogue places itself into some days after the event. Then when I start", "is in a coma and obviously the epilogue places itself into some days", "idea of a very good scene which would show how the hero deals", "the continuity. What I would like to understand is whether this is a", "the loss (It is not a dream sequence). I can very easily add", "idea? Should I reuse the chapter to show a continuity? or should I", "deals with the loss (It is not a dream sequence). I can very", "epilogue). After this, I show my hero rising from the coma and as", "At the end of the first book, a complex plot comes to a", "to fit it into the continuity. What I would like to understand is", "Should I reuse the chapter to show a continuity? or should I just", "I'm writing a fantasy which stretches over two volumes. At the end of", "I would like to understand is whether this is a good idea? Should", "would like to understand is whether this is a good idea? Should I", "many major characters, one of them close to the hero. The hero also,", "the scene in Volume II and assume people to assume that it happened", "with the loss (It is not a dream sequence). I can very easily", "happening to fit it into the continuity. What I would like to understand", "the chapter to show a continuity? or should I just skip the scene", "the hero. The hero also, falls into a temporary coma after the climax", "the first volume as it is a very gripping scene and seems like", "assume that it happened in the continuity? or is there a third option?", "writing a fantasy which stretches over two volumes. At the end of the", "the war (and so some days before the epilogue). After this, I show", "results in the death of many major characters, one of them close to", "(It is not a dream sequence). I can very easily add the chapter", "the climax (not related to the deaths). Now, I've an idea of a", "death of many major characters, one of them close to the hero. The", "days before the epilogue). After this, I show my hero rising from the", "very easily add the chapter to the Epilogue of the first volume as", "Then when I start the second volume, it starts immediately after the war", "it results in the death of many major characters, one of them close", "After this, I show my hero rising from the coma and as part", "first book, a complex plot comes to a conclusion with a war but", "The hero also, falls into a temporary coma after the climax (not related", "which stretches over two volumes. At the end of the first book, a", "continuity. What I would like to understand is whether this is a good", "volume as it is a very gripping scene and seems like a proper", "after the event. Then when I start the second volume, it starts immediately", "the coma and as part of the continuity, I've to show the scene", "gripping scene and seems like a proper note to end the first volume", "as it is a very gripping scene and seems like a proper note", "Now, I've an idea of a very good scene which would show how", "a war but it results in the death of many major characters, one", "obviously the epilogue places itself into some days after the event. Then when", "stretches over two volumes. At the end of the first book, a complex", "scene and seems like a proper note to end the first volume on.", "falls into a temporary coma after the climax (not related to the deaths).", "part of the continuity, I've to show the scene happening to fit it", "show the scene happening to fit it into the continuity. What I would", "fit it into the continuity. What I would like to understand is whether", "and obviously the epilogue places itself into some days after the event. Then", "and assume people to assume that it happened in the continuity? or is", "should I just skip the scene in Volume II and assume people to", "Epilogue of the first volume as it is a very gripping scene and", "note to end the first volume on. What my issue is that the", "some days after the event. Then when I start the second volume, it", "show a continuity? or should I just skip the scene in Volume II", "continuity, I've to show the scene happening to fit it into the continuity.", "my hero rising from the coma and as part of the continuity, I've", "is that the hero is in a coma and obviously the epilogue places", "comes to a conclusion with a war but it results in the death", "of the continuity, I've to show the scene happening to fit it into", "loss (It is not a dream sequence). I can very easily add the", "I start the second volume, it starts immediately after the war (and so", "whether this is a good idea? Should I reuse the chapter to show", "coma and obviously the epilogue places itself into some days after the event.", "war but it results in the death of many major characters, one of", "a continuity? or should I just skip the scene in Volume II and", "them close to the hero. The hero also, falls into a temporary coma", "after the climax (not related to the deaths). Now, I've an idea of", "very gripping scene and seems like a proper note to end the first", "end of the first book, a complex plot comes to a conclusion with", "into some days after the event. Then when I start the second volume,", "I've to show the scene happening to fit it into the continuity. What", "to a conclusion with a war but it results in the death of", "into a temporary coma after the climax (not related to the deaths). Now,", "an idea of a very good scene which would show how the hero", "scene which would show how the hero deals with the loss (It is", "can very easily add the chapter to the Epilogue of the first volume", "the second volume, it starts immediately after the war (and so some days", "the scene happening to fit it into the continuity. What I would like", "and seems like a proper note to end the first volume on. What", "is a good idea? Should I reuse the chapter to show a continuity?", "my issue is that the hero is in a coma and obviously the", "starts immediately after the war (and so some days before the epilogue). After", "second volume, it starts immediately after the war (and so some days before", "major characters, one of them close to the hero. The hero also, falls", "would show how the hero deals with the loss (It is not a", "a fantasy which stretches over two volumes. At the end of the first", "days after the event. Then when I start the second volume, it starts", "as part of the continuity, I've to show the scene happening to fit", "coma after the climax (not related to the deaths). Now, I've an idea", "so some days before the epilogue). After this, I show my hero rising", "to show a continuity? or should I just skip the scene in Volume", "temporary coma after the climax (not related to the deaths). Now, I've an", "of a very good scene which would show how the hero deals with", "I just skip the scene in Volume II and assume people to assume", "a proper note to end the first volume on. What my issue is", "I can very easily add the chapter to the Epilogue of the first", "the deaths). Now, I've an idea of a very good scene which would", "how the hero deals with the loss (It is not a dream sequence).", "hero is in a coma and obviously the epilogue places itself into some", "start the second volume, it starts immediately after the war (and so some", "I show my hero rising from the coma and as part of the", "sequence). I can very easily add the chapter to the Epilogue of the", "a coma and obviously the epilogue places itself into some days after the", "a dream sequence). I can very easily add the chapter to the Epilogue", "in Volume II and assume people to assume that it happened in the", "add the chapter to the Epilogue of the first volume as it is", "continuity? or should I just skip the scene in Volume II and assume", "the continuity, I've to show the scene happening to fit it into the", "to the Epilogue of the first volume as it is a very gripping", "chapter to show a continuity? or should I just skip the scene in", "easily add the chapter to the Epilogue of the first volume as it", "the event. Then when I start the second volume, it starts immediately after", "the hero deals with the loss (It is not a dream sequence). I", "also, falls into a temporary coma after the climax (not related to the", "(and so some days before the epilogue). After this, I show my hero", "immediately after the war (and so some days before the epilogue). After this,", "end the first volume on. What my issue is that the hero is", "proper note to end the first volume on. What my issue is that", "a good idea? Should I reuse the chapter to show a continuity? or", "to assume that it happened in the continuity? or is there a third", "to the hero. The hero also, falls into a temporary coma after the", "people to assume that it happened in the continuity? or is there a", "conclusion with a war but it results in the death of many major", "the epilogue places itself into some days after the event. Then when I", "close to the hero. The hero also, falls into a temporary coma after", "to the deaths). Now, I've an idea of a very good scene which", "the end of the first book, a complex plot comes to a conclusion", "I've an idea of a very good scene which would show how the", "is whether this is a good idea? Should I reuse the chapter to", "fantasy which stretches over two volumes. At the end of the first book,", "in the death of many major characters, one of them close to the", "over two volumes. At the end of the first book, a complex plot", "I reuse the chapter to show a continuity? or should I just skip", "it starts immediately after the war (and so some days before the epilogue).", "or should I just skip the scene in Volume II and assume people", "II and assume people to assume that it happened in the continuity? or", "when I start the second volume, it starts immediately after the war (and", "to show the scene happening to fit it into the continuity. What I", "deaths). Now, I've an idea of a very good scene which would show", "like to understand is whether this is a good idea? Should I reuse", "seems like a proper note to end the first volume on. What my", "places itself into some days after the event. Then when I start the", "this is a good idea? Should I reuse the chapter to show a", "before the epilogue). After this, I show my hero rising from the coma", "the epilogue). After this, I show my hero rising from the coma and", "with a war but it results in the death of many major characters,", "Volume II and assume people to assume that it happened in the continuity?", "from the coma and as part of the continuity, I've to show the", "which would show how the hero deals with the loss (It is not", "it is a very gripping scene and seems like a proper note to", "What my issue is that the hero is in a coma and obviously", "in a coma and obviously the epilogue places itself into some days after", "dream sequence). I can very easily add the chapter to the Epilogue of", "understand is whether this is a good idea? Should I reuse the chapter", "issue is that the hero is in a coma and obviously the epilogue", "show my hero rising from the coma and as part of the continuity,", "but it results in the death of many major characters, one of them", "the hero is in a coma and obviously the epilogue places itself into", "scene in Volume II and assume people to assume that it happened in", "is not a dream sequence). I can very easily add the chapter to", "of them close to the hero. The hero also, falls into a temporary", "scene happening to fit it into the continuity. What I would like to", "very good scene which would show how the hero deals with the loss", "complex plot comes to a conclusion with a war but it results in", "to end the first volume on. What my issue is that the hero", "a complex plot comes to a conclusion with a war but it results", "first volume on. What my issue is that the hero is in a", "of the first book, a complex plot comes to a conclusion with a", "chapter to the Epilogue of the first volume as it is a very", "volumes. At the end of the first book, a complex plot comes to", "the first book, a complex plot comes to a conclusion with a war", "not a dream sequence). I can very easily add the chapter to the", "coma and as part of the continuity, I've to show the scene happening", "that the hero is in a coma and obviously the epilogue places itself", "volume on. What my issue is that the hero is in a coma", "war (and so some days before the epilogue). After this, I show my", "like a proper note to end the first volume on. What my issue", "related to the deaths). Now, I've an idea of a very good scene", "it into the continuity. What I would like to understand is whether this", "to understand is whether this is a good idea? Should I reuse the", "event. Then when I start the second volume, it starts immediately after the", "itself into some days after the event. Then when I start the second", "after the war (and so some days before the epilogue). After this, I", "into the continuity. What I would like to understand is whether this is", "hero also, falls into a temporary coma after the climax (not related to", "the chapter to the Epilogue of the first volume as it is a", "the first volume on. What my issue is that the hero is in", "one of them close to the hero. The hero also, falls into a", "hero deals with the loss (It is not a dream sequence). I can", "show how the hero deals with the loss (It is not a dream", "a conclusion with a war but it results in the death of many", "of many major characters, one of them close to the hero. The hero", "hero rising from the coma and as part of the continuity, I've to", "some days before the epilogue). After this, I show my hero rising from", "good idea? Should I reuse the chapter to show a continuity? or should", "of the first volume as it is a very gripping scene and seems", "skip the scene in Volume II and assume people to assume that it", "rising from the coma and as part of the continuity, I've to show", "book, a complex plot comes to a conclusion with a war but it", "assume people to assume that it happened in the continuity? or is there", "first volume as it is a very gripping scene and seems like a", "two volumes. At the end of the first book, a complex plot comes", "(not related to the deaths). Now, I've an idea of a very good", "is a very gripping scene and seems like a proper note to end", "What I would like to understand is whether this is a good idea?", "this, I show my hero rising from the coma and as part of", "good scene which would show how the hero deals with the loss (It", "a very gripping scene and seems like a proper note to end the", "plot comes to a conclusion with a war but it results in the", "a temporary coma after the climax (not related to the deaths). Now, I've", "climax (not related to the deaths). Now, I've an idea of a very", "just skip the scene in Volume II and assume people to assume that", "the Epilogue of the first volume as it is a very gripping scene", "volume, it starts immediately after the war (and so some days before the", "a very good scene which would show how the hero deals with the" ]
[ "with too much detail, my readers can get easily bored and not want", "I am having a hard time with adding detail, I feel it may", "really add it or not. If I do end up with too much", "may leave a good chunk of the story out, but I don't know", "leave a good chunk of the story out, but I don't know for", "of the story out, but I don't know for sure if I should", "it may leave a good chunk of the story out, but I don't", "feel it may leave a good chunk of the story out, but I", "it or not. If I do end up with too much detail, my", "having a hard time with adding detail, I feel it may leave a", "too much detail, my readers can get easily bored and not want to", "detail, I feel it may leave a good chunk of the story out,", "hard time with adding detail, I feel it may leave a good chunk", "the story out, but I don't know for sure if I should really", "don't know for sure if I should really add it or not. If", "adding detail, I feel it may leave a good chunk of the story", "time with adding detail, I feel it may leave a good chunk of", "a good chunk of the story out, but I don't know for sure", "If I do end up with too much detail, my readers can get", "detail, my readers can get easily bored and not want to read anymore", "I don't know for sure if I should really add it or not.", "I feel it may leave a good chunk of the story out, but", "up with too much detail, my readers can get easily bored and not", "for sure if I should really add it or not. If I do", "story out, but I don't know for sure if I should really add", "end up with too much detail, my readers can get easily bored and", "I do end up with too much detail, my readers can get easily", "sure if I should really add it or not. If I do end", "much detail, my readers can get easily bored and not want to read", "with adding detail, I feel it may leave a good chunk of the", "know for sure if I should really add it or not. If I", "if I should really add it or not. If I do end up", "do end up with too much detail, my readers can get easily bored", "not. If I do end up with too much detail, my readers can", "good chunk of the story out, but I don't know for sure if", "out, but I don't know for sure if I should really add it", "readers can get easily bored and not want to read anymore of my", "am having a hard time with adding detail, I feel it may leave", "but I don't know for sure if I should really add it or", "my readers can get easily bored and not want to read anymore of", "or not. If I do end up with too much detail, my readers", "add it or not. If I do end up with too much detail,", "a hard time with adding detail, I feel it may leave a good", "I should really add it or not. If I do end up with", "can get easily bored and not want to read anymore of my story.", "chunk of the story out, but I don't know for sure if I", "should really add it or not. If I do end up with too" ]
[ "unbelieving. Could someone I barely knew know so much about me? > >", "first example uses external body language and the second internal monologue. Does the", "Does the latter make more sense in first-person narration? Why or why not?", "external body language and the second internal monologue. Does the latter make more", "know so much about me? > > > The first example uses external", "much about me? > > > The first example uses external body language", "someone I barely knew know so much about me? > > > The", "> > I shook my head unbelieving. Could someone I barely knew know", "> The first example uses external body language and the second internal monologue.", "I barely knew know so much about me? > > > No, impossible.", "The first example uses external body language and the second internal monologue. Does", "example uses external body language and the second internal monologue. Does the latter", "No, impossible. Could someone I barely knew know so much about me? >", "barely knew know so much about me? > > > No, impossible. Could", "knew know so much about me? > > > No, impossible. Could someone", "know so much about me? > > > No, impossible. Could someone I", "so much about me? > > > No, impossible. Could someone I barely", "> > > No, impossible. Could someone I barely knew know so much", "I shook my head unbelieving. Could someone I barely knew know so much", "my head unbelieving. Could someone I barely knew know so much about me?", "I barely knew know so much about me? > > > The first", "about me? > > > The first example uses external body language and", "me? > > > The first example uses external body language and the", "second internal monologue. Does the latter make more sense in first-person narration? Why", "Example: > > I shook my head unbelieving. Could someone I barely knew", "> > > The first example uses external body language and the second", "> > No, impossible. Could someone I barely knew know so much about", "much about me? > > > No, impossible. Could someone I barely knew", "about me? > > > No, impossible. Could someone I barely knew know", "Could someone I barely knew know so much about me? > > >", "barely knew know so much about me? > > > The first example", "knew know so much about me? > > > The first example uses", "someone I barely knew know so much about me? > > > No,", "language and the second internal monologue. Does the latter make more sense in", "and the second internal monologue. Does the latter make more sense in first-person", "> I shook my head unbelieving. Could someone I barely knew know so", "body language and the second internal monologue. Does the latter make more sense", "monologue. Does the latter make more sense in first-person narration? Why or why", "the second internal monologue. Does the latter make more sense in first-person narration?", "> No, impossible. Could someone I barely knew know so much about me?", "uses external body language and the second internal monologue. Does the latter make", "shook my head unbelieving. Could someone I barely knew know so much about", "internal monologue. Does the latter make more sense in first-person narration? Why or", "so much about me? > > > The first example uses external body", "impossible. Could someone I barely knew know so much about me? > >", "head unbelieving. Could someone I barely knew know so much about me? >", "> > The first example uses external body language and the second internal", "me? > > > No, impossible. Could someone I barely knew know so" ]
[ "So, to make it more appealing to the reader, I want to write", "the reader, I want to write it from a first person perspective. The", "part of the incident. How can I achieve this without undermining the historical", "The concerned person is an important part of the incident. How can I", "more appealing to the reader, I want to write it from a first", "to write it from a first person perspective. The concerned person is an", "about a historical incident. So, to make it more appealing to the reader,", "person is an important part of the incident. How can I achieve this", "historical incident. So, to make it more appealing to the reader, I want", "perspective. The concerned person is an important part of the incident. How can", "I want to write it from a first person perspective. The concerned person", "person perspective. The concerned person is an important part of the incident. How", "write it from a first person perspective. The concerned person is an important", "want to write it from a first person perspective. The concerned person is", "is an important part of the incident. How can I achieve this without", "make it more appealing to the reader, I want to write it from", "of the incident. How can I achieve this without undermining the historical authenticity?", "reader, I want to write it from a first person perspective. The concerned", "incident. So, to make it more appealing to the reader, I want to", "I want to write about a historical incident. So, to make it more", "to write about a historical incident. So, to make it more appealing to", "want to write about a historical incident. So, to make it more appealing", "an important part of the incident. How can I achieve this without undermining", "a first person perspective. The concerned person is an important part of the", "to make it more appealing to the reader, I want to write it", "concerned person is an important part of the incident. How can I achieve", "to the reader, I want to write it from a first person perspective.", "appealing to the reader, I want to write it from a first person", "a historical incident. So, to make it more appealing to the reader, I", "it from a first person perspective. The concerned person is an important part", "from a first person perspective. The concerned person is an important part of", "important part of the incident. How can I achieve this without undermining the", "write about a historical incident. So, to make it more appealing to the", "first person perspective. The concerned person is an important part of the incident.", "it more appealing to the reader, I want to write it from a" ]
[ "I read them somewhere before writing them. Sounds crazy I know, but when", "and low to access these lines, to attribute them to an author, with", "them. Sounds crazy I know, but when writing they just simply \"appeared\" with", "going to sound quite odd but I understand it is not an entirely", "searched high and low to access these lines, to attribute them to an", "horrified to have \"kleptomaniacally\" stolen someone else's verse! I have searched high and", "low to access these lines, to attribute them to an author, with little", "I have written into a novel. One poem in particular features four lines", "they my words or not? I can't reasonably answer that. I certainly hope", "use more romantic language than Is native to most of my writing. Are", "incorporating poems I have written into a novel. One poem in particular features", "original phenomenon. I am incorporating poems I have written into a novel. One", "my words or not? I can't reasonably answer that. I certainly hope so", "read them somewhere before writing them. Sounds crazy I know, but when writing", "when writing they just simply \"appeared\" with little effort. Further they use more", "to have \"kleptomaniacally\" stolen someone else's verse! I have searched high and low", "which I have always questioned. I am not someone with cognitive issues but", "quite odd but I understand it is not an entirely original phenomenon. I", "into a novel. One poem in particular features four lines the origin of", "sound quite odd but I understand it is not an entirely original phenomenon.", "Further they use more romantic language than Is native to most of my", "can't reasonably answer that. I certainly hope so but would be horrified to", "of my writing. Are they my words or not? I can't reasonably answer", "but would be horrified to have \"kleptomaniacally\" stolen someone else's verse! I have", "a novel. One poem in particular features four lines the origin of which", "someone else's verse! I have searched high and low to access these lines,", "with little effort. Further they use more romantic language than Is native to", "Is native to most of my writing. Are they my words or not?", "to most of my writing. Are they my words or not? I can't", "they just simply \"appeared\" with little effort. Further they use more romantic language", "language than Is native to most of my writing. Are they my words", "Sounds crazy I know, but when writing they just simply \"appeared\" with little", "entirely original phenomenon. I am incorporating poems I have written into a novel.", "I have searched high and low to access these lines, to attribute them", "understand it is not an entirely original phenomenon. I am incorporating poems I", "to access these lines, to attribute them to an author, with little luck.", "answer that. I certainly hope so but would be horrified to have \"kleptomaniacally\"", "I am not someone with cognitive issues but I continually feel I read", "always questioned. I am not someone with cognitive issues but I continually feel", "verse! I have searched high and low to access these lines, to attribute", "or not? I can't reasonably answer that. I certainly hope so but would", "lines the origin of which I have always questioned. I am not someone", "writing. Are they my words or not? I can't reasonably answer that. I", "is going to sound quite odd but I understand it is not an", "writing them. Sounds crazy I know, but when writing they just simply \"appeared\"", "I know, but when writing they just simply \"appeared\" with little effort. Further", "but I understand it is not an entirely original phenomenon. I am incorporating", "reasonably answer that. I certainly hope so but would be horrified to have", "crazy I know, but when writing they just simply \"appeared\" with little effort.", "it is not an entirely original phenomenon. I am incorporating poems I have", "else's verse! I have searched high and low to access these lines, to", "poems I have written into a novel. One poem in particular features four", "have written into a novel. One poem in particular features four lines the", "phenomenon. I am incorporating poems I have written into a novel. One poem", "would be horrified to have \"kleptomaniacally\" stolen someone else's verse! I have searched", "This is going to sound quite odd but I understand it is not", "feel I read them somewhere before writing them. Sounds crazy I know, but", "poem in particular features four lines the origin of which I have always", "words or not? I can't reasonably answer that. I certainly hope so but", "my writing. Are they my words or not? I can't reasonably answer that.", "but I continually feel I read them somewhere before writing them. Sounds crazy", "not someone with cognitive issues but I continually feel I read them somewhere", "romantic language than Is native to most of my writing. Are they my", "features four lines the origin of which I have always questioned. I am", "One poem in particular features four lines the origin of which I have", "most of my writing. Are they my words or not? I can't reasonably", "written into a novel. One poem in particular features four lines the origin", "I understand it is not an entirely original phenomenon. I am incorporating poems", "just simply \"appeared\" with little effort. Further they use more romantic language than", "\"appeared\" with little effort. Further they use more romantic language than Is native", "have always questioned. I am not someone with cognitive issues but I continually", "them somewhere before writing them. Sounds crazy I know, but when writing they", "writing they just simply \"appeared\" with little effort. Further they use more romantic", "novel. One poem in particular features four lines the origin of which I", "these lines, to attribute them to an author, with little luck. Any suggestions?", "cognitive issues but I continually feel I read them somewhere before writing them.", "to sound quite odd but I understand it is not an entirely original", "with cognitive issues but I continually feel I read them somewhere before writing", "questioned. I am not someone with cognitive issues but I continually feel I", "particular features four lines the origin of which I have always questioned. I", "someone with cognitive issues but I continually feel I read them somewhere before", "the origin of which I have always questioned. I am not someone with", "hope so but would be horrified to have \"kleptomaniacally\" stolen someone else's verse!", "be horrified to have \"kleptomaniacally\" stolen someone else's verse! I have searched high", "am not someone with cognitive issues but I continually feel I read them", "I have always questioned. I am not someone with cognitive issues but I", "in particular features four lines the origin of which I have always questioned.", "have \"kleptomaniacally\" stolen someone else's verse! I have searched high and low to", "\"kleptomaniacally\" stolen someone else's verse! I have searched high and low to access", "I can't reasonably answer that. I certainly hope so but would be horrified", "they use more romantic language than Is native to most of my writing.", "an entirely original phenomenon. I am incorporating poems I have written into a", "effort. Further they use more romantic language than Is native to most of", "origin of which I have always questioned. I am not someone with cognitive", "that. I certainly hope so but would be horrified to have \"kleptomaniacally\" stolen", "high and low to access these lines, to attribute them to an author,", "not an entirely original phenomenon. I am incorporating poems I have written into", "odd but I understand it is not an entirely original phenomenon. I am", "continually feel I read them somewhere before writing them. Sounds crazy I know,", "native to most of my writing. Are they my words or not? I", "is not an entirely original phenomenon. I am incorporating poems I have written", "I am incorporating poems I have written into a novel. One poem in", "stolen someone else's verse! I have searched high and low to access these", "I certainly hope so but would be horrified to have \"kleptomaniacally\" stolen someone", "not? I can't reasonably answer that. I certainly hope so but would be", "have searched high and low to access these lines, to attribute them to", "somewhere before writing them. Sounds crazy I know, but when writing they just", "simply \"appeared\" with little effort. Further they use more romantic language than Is", "access these lines, to attribute them to an author, with little luck. Any", "before writing them. Sounds crazy I know, but when writing they just simply", "so but would be horrified to have \"kleptomaniacally\" stolen someone else's verse! I", "I continually feel I read them somewhere before writing them. Sounds crazy I", "more romantic language than Is native to most of my writing. Are they", "but when writing they just simply \"appeared\" with little effort. Further they use", "than Is native to most of my writing. Are they my words or", "issues but I continually feel I read them somewhere before writing them. Sounds", "little effort. Further they use more romantic language than Is native to most", "of which I have always questioned. I am not someone with cognitive issues", "Are they my words or not? I can't reasonably answer that. I certainly", "am incorporating poems I have written into a novel. One poem in particular", "four lines the origin of which I have always questioned. I am not", "know, but when writing they just simply \"appeared\" with little effort. Further they", "certainly hope so but would be horrified to have \"kleptomaniacally\" stolen someone else's" ]
[ "this online writing media! Since I've found it I have so many questions", "online writing media! Since I've found it I have so many questions needing", "all this online writing media! Since I've found it I have so many", "it I have so many questions needing answers. Main Question > > Are", "answers. Main Question > > Are there any sites that can be able", "> I really would like to find one. I have to find a", "sort of great brainstorming technique. > > > I really would like to", "that can be able to hold ideas and drafts for ideas, or sites", "a new idea... (I would like the site to be free) Thanks -A.N.M.", "pretty new to all this online writing media! Since I've found it I", "Main Question > > Are there any sites that can be able to", "found it I have so many questions needing answers. Main Question > >", "ideas and drafts for ideas, or sites that have any sort of great", "Question > > Are there any sites that can be able to hold", "> Are there any sites that can be able to hold ideas and", "any sort of great brainstorming technique. > > > I really would like", "to brainstorm a new idea... (I would like the site to be free)", "or sites that have any sort of great brainstorming technique. > > >", "I really would like to find one. I have to find a great", "there any sites that can be able to hold ideas and drafts for", "brainstorm a new idea... (I would like the site to be free) Thanks", "able to hold ideas and drafts for ideas, or sites that have any", "I've found it I have so many questions needing answers. Main Question >", "find one. I have to find a great way to brainstorm a new", "that have any sort of great brainstorming technique. > > > I really", "way to brainstorm a new idea... (I would like the site to be", "many questions needing answers. Main Question > > Are there any sites that", "any sites that can be able to hold ideas and drafts for ideas,", "I have to find a great way to brainstorm a new idea... (I", "writing media! Since I've found it I have so many questions needing answers.", "great brainstorming technique. > > > I really would like to find one.", "> > Are there any sites that can be able to hold ideas", "so many questions needing answers. Main Question > > Are there any sites", "drafts for ideas, or sites that have any sort of great brainstorming technique.", "would like to find one. I have to find a great way to", "one. I have to find a great way to brainstorm a new idea...", "new to all this online writing media! Since I've found it I have", "to all this online writing media! Since I've found it I have so", "sites that can be able to hold ideas and drafts for ideas, or", "of great brainstorming technique. > > > I really would like to find", "> > I really would like to find one. I have to find", "needing answers. Main Question > > Are there any sites that can be", "really would like to find one. I have to find a great way", "I'm pretty new to all this online writing media! Since I've found it", "questions needing answers. Main Question > > Are there any sites that can", "great way to brainstorm a new idea... (I would like the site to", "I have so many questions needing answers. Main Question > > Are there", "Since I've found it I have so many questions needing answers. Main Question", "can be able to hold ideas and drafts for ideas, or sites that", "sites that have any sort of great brainstorming technique. > > > I", "to find a great way to brainstorm a new idea... (I would like", "be able to hold ideas and drafts for ideas, or sites that have", "and drafts for ideas, or sites that have any sort of great brainstorming", "like to find one. I have to find a great way to brainstorm", "So, I'm pretty new to all this online writing media! Since I've found", "have any sort of great brainstorming technique. > > > I really would", "to find one. I have to find a great way to brainstorm a", "Are there any sites that can be able to hold ideas and drafts", "hold ideas and drafts for ideas, or sites that have any sort of", "for ideas, or sites that have any sort of great brainstorming technique. >", "technique. > > > I really would like to find one. I have", "have so many questions needing answers. Main Question > > Are there any", "media! Since I've found it I have so many questions needing answers. Main", "> > > I really would like to find one. I have to", "have to find a great way to brainstorm a new idea... (I would", "to hold ideas and drafts for ideas, or sites that have any sort", "find a great way to brainstorm a new idea... (I would like the", "brainstorming technique. > > > I really would like to find one. I", "a great way to brainstorm a new idea... (I would like the site", "ideas, or sites that have any sort of great brainstorming technique. > >" ]
[ "two about publishing. I've been thinking about going the self-publishing route. It still", "as it seems too long and filled with disappointment for most people. But", "route. It still seems like the quickest and easiest way to go, though", "like the quickest and easiest way to go, though there are obviously disadvantages", "I can throw my idea at, instead? I'm still not set on going", "Someone suggested going to a writers' conference and pitching my book to agents.", "my book to agents. This seems old-fashioned. Aren't there websites, email addresses, etc.", "couple of questions on this site over the past year or two about", "the self-publishing route. It still seems like the quickest and easiest way to", "up, in answers to my other questions). Someone suggested going to a writers'", "still not set on going the trad route, as it seems too long", "suggested going to a writers' conference and pitching my book to agents. This", "a try, if it didn't involve traveling around the US to pitch my", "who've brought them up, in answers to my other questions). Someone suggested going", "websites, email addresses, etc. that I can throw my idea at, instead? I'm", "other questions). Someone suggested going to a writers' conference and pitching my book", "that I can throw my idea at, instead? I'm still not set on", "etc. that I can throw my idea at, instead? I'm still not set", "of questions on this site over the past year or two about publishing.", "the past year or two about publishing. I've been thinking about going the", "thinking about going the self-publishing route. It still seems like the quickest and", "and pitching my book to agents. This seems old-fashioned. Aren't there websites, email", "brought them up, in answers to my other questions). Someone suggested going to", "agents. This seems old-fashioned. Aren't there websites, email addresses, etc. that I can", "too long and filled with disappointment for most people. But I could give", "on going the trad route, as it seems too long and filled with", "going the self-publishing route. It still seems like the quickest and easiest way", "on this site over the past year or two about publishing. I've been", "can throw my idea at, instead? I'm still not set on going the", "though there are obviously disadvantages (thanks to all who've brought them up, in", "old-fashioned. Aren't there websites, email addresses, etc. that I can throw my idea", "Aren't there websites, email addresses, etc. that I can throw my idea at,", "and easiest way to go, though there are obviously disadvantages (thanks to all", "still seems like the quickest and easiest way to go, though there are", "the trad route, as it seems too long and filled with disappointment for", "over the past year or two about publishing. I've been thinking about going", "questions). Someone suggested going to a writers' conference and pitching my book to", "throw my idea at, instead? I'm still not set on going the trad", "going to a writers' conference and pitching my book to agents. This seems", "But I could give it a try, if it didn't involve traveling around", "not set on going the trad route, as it seems too long and", "obviously disadvantages (thanks to all who've brought them up, in answers to my", "book to agents. This seems old-fashioned. Aren't there websites, email addresses, etc. that", "questions on this site over the past year or two about publishing. I've", "self-publishing route. It still seems like the quickest and easiest way to go,", "my other questions). Someone suggested going to a writers' conference and pitching my", "it seems too long and filled with disappointment for most people. But I", "quickest and easiest way to go, though there are obviously disadvantages (thanks to", "(thanks to all who've brought them up, in answers to my other questions).", "could give it a try, if it didn't involve traveling around the US", "trad route, as it seems too long and filled with disappointment for most", "or two about publishing. I've been thinking about going the self-publishing route. It", "there are obviously disadvantages (thanks to all who've brought them up, in answers", "I could give it a try, if it didn't involve traveling around the", "to my other questions). Someone suggested going to a writers' conference and pitching", "writers' conference and pitching my book to agents. This seems old-fashioned. Aren't there", "about going the self-publishing route. It still seems like the quickest and easiest", "are obviously disadvantages (thanks to all who've brought them up, in answers to", "to agents. This seems old-fashioned. Aren't there websites, email addresses, etc. that I", "with disappointment for most people. But I could give it a try, if", "I've been thinking about going the self-publishing route. It still seems like the", "I'm still not set on going the trad route, as it seems too", "people. But I could give it a try, if it didn't involve traveling", "pitching my book to agents. This seems old-fashioned. Aren't there websites, email addresses,", "easiest way to go, though there are obviously disadvantages (thanks to all who've", "give it a try, if it didn't involve traveling around the US to", "filled with disappointment for most people. But I could give it a try,", "route, as it seems too long and filled with disappointment for most people.", "addresses, etc. that I can throw my idea at, instead? I'm still not", "been thinking about going the self-publishing route. It still seems like the quickest", "set on going the trad route, as it seems too long and filled", "to a writers' conference and pitching my book to agents. This seems old-fashioned.", "publishing. I've been thinking about going the self-publishing route. It still seems like", "at, instead? I'm still not set on going the trad route, as it", "it a try, if it didn't involve traveling around the US to pitch", "site over the past year or two about publishing. I've been thinking about", "asked a couple of questions on this site over the past year or", "try, if it didn't involve traveling around the US to pitch my idea.", "the quickest and easiest way to go, though there are obviously disadvantages (thanks", "idea at, instead? I'm still not set on going the trad route, as", "I've asked a couple of questions on this site over the past year", "year or two about publishing. I've been thinking about going the self-publishing route.", "It still seems like the quickest and easiest way to go, though there", "this site over the past year or two about publishing. I've been thinking", "to all who've brought them up, in answers to my other questions). Someone", "past year or two about publishing. I've been thinking about going the self-publishing", "a writers' conference and pitching my book to agents. This seems old-fashioned. Aren't", "going the trad route, as it seems too long and filled with disappointment", "a couple of questions on this site over the past year or two", "seems old-fashioned. Aren't there websites, email addresses, etc. that I can throw my", "all who've brought them up, in answers to my other questions). Someone suggested", "conference and pitching my book to agents. This seems old-fashioned. Aren't there websites,", "disappointment for most people. But I could give it a try, if it", "instead? I'm still not set on going the trad route, as it seems", "seems too long and filled with disappointment for most people. But I could", "for most people. But I could give it a try, if it didn't", "my idea at, instead? I'm still not set on going the trad route,", "long and filled with disappointment for most people. But I could give it", "answers to my other questions). Someone suggested going to a writers' conference and", "them up, in answers to my other questions). Someone suggested going to a", "there websites, email addresses, etc. that I can throw my idea at, instead?", "and filled with disappointment for most people. But I could give it a", "to go, though there are obviously disadvantages (thanks to all who've brought them", "about publishing. I've been thinking about going the self-publishing route. It still seems", "in answers to my other questions). Someone suggested going to a writers' conference", "seems like the quickest and easiest way to go, though there are obviously", "This seems old-fashioned. Aren't there websites, email addresses, etc. that I can throw", "email addresses, etc. that I can throw my idea at, instead? I'm still", "disadvantages (thanks to all who've brought them up, in answers to my other", "way to go, though there are obviously disadvantages (thanks to all who've brought", "most people. But I could give it a try, if it didn't involve", "go, though there are obviously disadvantages (thanks to all who've brought them up," ]
[ "story which is a dramatization of a true story. When I classify it,", "story. When I classify it, should I tag it as fiction or nonfiction?", "am writing a short story which is a dramatization of a true story.", "a short story which is a dramatization of a true story. When I", "a true story. When I classify it, should I tag it as fiction", "dramatization of a true story. When I classify it, should I tag it", "short story which is a dramatization of a true story. When I classify", "of a true story. When I classify it, should I tag it as", "I am writing a short story which is a dramatization of a true", "which is a dramatization of a true story. When I classify it, should", "a dramatization of a true story. When I classify it, should I tag", "true story. When I classify it, should I tag it as fiction or", "is a dramatization of a true story. When I classify it, should I", "writing a short story which is a dramatization of a true story. When" ]
[ "on 'gay sex'. The world changed very rapidly. I felt the need to", "reach the logical conclusion - they should be together. However, I thought it", "a life without the 'dumb stick' and how their first attempted at intimacy", "may be put off by an extended focus on 'gay sex'. The world", "18 months after publication I added two chapters of her experiences in Lahore.", "to a life without the 'dumb stick' and how their first attempted at", "After publishing I spent a year - troubled. What the character did in", "to add two new scenes. Two previously straight girls (one of which who", "in Pakistan added very little in to the story but, regardless, it bugged", "without the 'dumb stick' and how their first attempted at intimacy required several", "months after publication I added two chapters of her experiences in Lahore. Another", "MC is packed of to Pakistan because the family don't want to face", "a section where the MC is packed of to Pakistan because the family", "story focussed on other characters until the MC returns. After publishing I spent", "face the embarrassment of her actions in the UK. The story focussed on", "year - troubled. What the character did in Pakistan added very little in", "ever forgive the boy . . . she ran off with the girl!", "- they should be together. However, I thought it would interesting to detail", "I self-published a novella \"The Spoils of War\". In the middle there's a", "(one of which who is pregnant) reach the logical conclusion - they should", "don't want to face the embarrassment of her actions in the UK. The", "chapters of her experiences in Lahore. Another three years passed. In the original", "an extended focus on 'gay sex'. The world changed very rapidly. I felt", "the boy . . . she ran off with the girl! Maybe smarter", "story but, regardless, it bugged me. 18 months after publication I added two", "of her experiences in Lahore. Another three years passed. In the original ending,", "want to face the embarrassment of her actions in the UK. The story", "committing to a life without the 'dumb stick' and how their first attempted", "previously straight girls (one of which who is pregnant) reach the logical conclusion", "publication I added two chapters of her experiences in Lahore. Another three years", "MC returns. After publishing I spent a year - troubled. What the character", "seen that coming in the subtext but I felt mainstream readers may be", "subtext but I felt mainstream readers may be put off by an extended", "need to add two new scenes. Two previously straight girls (one of which", "conclusion - they should be together. However, I thought it would interesting to", "new scenes. Two previously straight girls (one of which who is pregnant) reach", "regardless, it bugged me. 18 months after publication I added two chapters of", "very little in to the story but, regardless, it bugged me. 18 months", "but, regardless, it bugged me. 18 months after publication I added two chapters", "self-published a novella \"The Spoils of War\". In the middle there's a section", "be put off by an extended focus on 'gay sex'. The world changed", "other characters until the MC returns. After publishing I spent a year -", "Pakistan added very little in to the story but, regardless, it bugged me.", "publishing I spent a year - troubled. What the character did in Pakistan", "felt the need to add two new scenes. Two previously straight girls (one", "girls (one of which who is pregnant) reach the logical conclusion - they", "would interesting to detail the girl's trial runs before committing to a life", "Maybe smarter readers could have seen that coming in the subtext but I", "Pakistan because the family don't want to face the embarrassment of her actions", "the story but, regardless, it bugged me. 18 months after publication I added", "in the subtext but I felt mainstream readers may be put off by", "Spoils of War\". In the middle there's a section where the MC is", "off by an extended focus on 'gay sex'. The world changed very rapidly.", "I thought it would interesting to detail the girl's trial runs before committing", "the girl's trial runs before committing to a life without the 'dumb stick'", "UK. The story focussed on other characters until the MC returns. After publishing", "focussed on other characters until the MC returns. After publishing I spent a", "the 'dumb stick' and how their first attempted at intimacy required several bottles", "The story focussed on other characters until the MC returns. After publishing I", "could have seen that coming in the subtext but I felt mainstream readers", "to detail the girl's trial runs before committing to a life without the", "in the UK. The story focussed on other characters until the MC returns.", "you (the reader) was wondering if she'd ever forgive the boy . .", "with the girl! Maybe smarter readers could have seen that coming in the", "the original ending, whilst you (the reader) was wondering if she'd ever forgive", "of her actions in the UK. The story focussed on other characters until", "middle there's a section where the MC is packed of to Pakistan because", "Lahore. Another three years passed. In the original ending, whilst you (the reader)", "wondering if she'd ever forgive the boy . . . she ran off", "I added two chapters of her experiences in Lahore. Another three years passed.", "coming in the subtext but I felt mainstream readers may be put off", "put off by an extended focus on 'gay sex'. The world changed very", "is pregnant) reach the logical conclusion - they should be together. However, I", "on other characters until the MC returns. After publishing I spent a year", "novella \"The Spoils of War\". In the middle there's a section where the", "of War\". In the middle there's a section where the MC is packed", "'dumb stick' and how their first attempted at intimacy required several bottles of", "the MC returns. After publishing I spent a year - troubled. What the", "of which who is pregnant) reach the logical conclusion - they should be", "after publication I added two chapters of her experiences in Lahore. Another three", "to face the embarrassment of her actions in the UK. The story focussed", "she'd ever forgive the boy . . . she ran off with the", "spent a year - troubled. What the character did in Pakistan added very", "in Lahore. Another three years passed. In the original ending, whilst you (the", "thought it would interesting to detail the girl's trial runs before committing to", "straight girls (one of which who is pregnant) reach the logical conclusion -", "a novella \"The Spoils of War\". In the middle there's a section where", "the MC is packed of to Pakistan because the family don't want to", "should be together. However, I thought it would interesting to detail the girl's", "life without the 'dumb stick' and how their first attempted at intimacy required", "before committing to a life without the 'dumb stick' and how their first", "a year - troubled. What the character did in Pakistan added very little", "five years ago I self-published a novella \"The Spoils of War\". In the", "the girl! Maybe smarter readers could have seen that coming in the subtext", "section where the MC is packed of to Pakistan because the family don't", "smarter readers could have seen that coming in the subtext but I felt", "bugged me. 18 months after publication I added two chapters of her experiences", "because the family don't want to face the embarrassment of her actions in", "interesting to detail the girl's trial runs before committing to a life without", "embarrassment of her actions in the UK. The story focussed on other characters", "I felt mainstream readers may be put off by an extended focus on", ". . . she ran off with the girl! Maybe smarter readers could", "I spent a year - troubled. What the character did in Pakistan added", "In the original ending, whilst you (the reader) was wondering if she'd ever", "the family don't want to face the embarrassment of her actions in the", "if she'd ever forgive the boy . . . she ran off with", "focus on 'gay sex'. The world changed very rapidly. I felt the need", "Another three years passed. In the original ending, whilst you (the reader) was", "actions in the UK. The story focussed on other characters until the MC", "the UK. The story focussed on other characters until the MC returns. After", "In the middle there's a section where the MC is packed of to", "there's a section where the MC is packed of to Pakistan because the", "years passed. In the original ending, whilst you (the reader) was wondering if", "but I felt mainstream readers may be put off by an extended focus", "to Pakistan because the family don't want to face the embarrassment of her", "'gay sex'. The world changed very rapidly. I felt the need to add", "added very little in to the story but, regardless, it bugged me. 18", "reader) was wondering if she'd ever forgive the boy . . . she", "two chapters of her experiences in Lahore. Another three years passed. In the", "troubled. What the character did in Pakistan added very little in to the", "her experiences in Lahore. Another three years passed. In the original ending, whilst", "About five years ago I self-published a novella \"The Spoils of War\". In", "extended focus on 'gay sex'. The world changed very rapidly. I felt the", "it would interesting to detail the girl's trial runs before committing to a", "together. However, I thought it would interesting to detail the girl's trial runs", "boy . . . she ran off with the girl! Maybe smarter readers", "the character did in Pakistan added very little in to the story but,", "changed very rapidly. I felt the need to add two new scenes. Two", "they should be together. However, I thought it would interesting to detail the", "where the MC is packed of to Pakistan because the family don't want", "the need to add two new scenes. Two previously straight girls (one of", "girl! Maybe smarter readers could have seen that coming in the subtext but", "readers could have seen that coming in the subtext but I felt mainstream", "have seen that coming in the subtext but I felt mainstream readers may", "the embarrassment of her actions in the UK. The story focussed on other", "pregnant) reach the logical conclusion - they should be together. However, I thought", "The world changed very rapidly. I felt the need to add two new", "off with the girl! Maybe smarter readers could have seen that coming in", "very rapidly. I felt the need to add two new scenes. Two previously", "by an extended focus on 'gay sex'. The world changed very rapidly. I", "scenes. Two previously straight girls (one of which who is pregnant) reach the", "ran off with the girl! Maybe smarter readers could have seen that coming", "character did in Pakistan added very little in to the story but, regardless,", "What the character did in Pakistan added very little in to the story", "girl's trial runs before committing to a life without the 'dumb stick' and", "(the reader) was wondering if she'd ever forgive the boy . . .", "me. 18 months after publication I added two chapters of her experiences in", "that coming in the subtext but I felt mainstream readers may be put", "the middle there's a section where the MC is packed of to Pakistan", "of to Pakistan because the family don't want to face the embarrassment of", "until the MC returns. After publishing I spent a year - troubled. What", "However, I thought it would interesting to detail the girl's trial runs before", "trial runs before committing to a life without the 'dumb stick' and how", ". she ran off with the girl! Maybe smarter readers could have seen", "to the story but, regardless, it bugged me. 18 months after publication I", "the subtext but I felt mainstream readers may be put off by an", "logical conclusion - they should be together. However, I thought it would interesting", ". . she ran off with the girl! Maybe smarter readers could have", "two new scenes. Two previously straight girls (one of which who is pregnant)", "world changed very rapidly. I felt the need to add two new scenes.", "whilst you (the reader) was wondering if she'd ever forgive the boy .", "Two previously straight girls (one of which who is pregnant) reach the logical", "who is pregnant) reach the logical conclusion - they should be together. However,", "family don't want to face the embarrassment of her actions in the UK.", "detail the girl's trial runs before committing to a life without the 'dumb", "I felt the need to add two new scenes. Two previously straight girls", "\"The Spoils of War\". In the middle there's a section where the MC", "forgive the boy . . . she ran off with the girl! Maybe", "returns. After publishing I spent a year - troubled. What the character did", "characters until the MC returns. After publishing I spent a year - troubled.", "- troubled. What the character did in Pakistan added very little in to", "War\". In the middle there's a section where the MC is packed of", "did in Pakistan added very little in to the story but, regardless, it", "she ran off with the girl! Maybe smarter readers could have seen that", "was wondering if she'd ever forgive the boy . . . she ran", "mainstream readers may be put off by an extended focus on 'gay sex'.", "sex'. The world changed very rapidly. I felt the need to add two", "in to the story but, regardless, it bugged me. 18 months after publication", "packed of to Pakistan because the family don't want to face the embarrassment", "is packed of to Pakistan because the family don't want to face the", "rapidly. I felt the need to add two new scenes. Two previously straight", "be together. However, I thought it would interesting to detail the girl's trial", "years ago I self-published a novella \"The Spoils of War\". In the middle", "add two new scenes. Two previously straight girls (one of which who is", "three years passed. In the original ending, whilst you (the reader) was wondering", "passed. In the original ending, whilst you (the reader) was wondering if she'd", "added two chapters of her experiences in Lahore. Another three years passed. In", "little in to the story but, regardless, it bugged me. 18 months after", "stick' and how their first attempted at intimacy required several bottles of Vodka.", "it bugged me. 18 months after publication I added two chapters of her", "runs before committing to a life without the 'dumb stick' and how their", "the logical conclusion - they should be together. However, I thought it would", "original ending, whilst you (the reader) was wondering if she'd ever forgive the", "her actions in the UK. The story focussed on other characters until the", "which who is pregnant) reach the logical conclusion - they should be together.", "ending, whilst you (the reader) was wondering if she'd ever forgive the boy", "readers may be put off by an extended focus on 'gay sex'. The", "experiences in Lahore. Another three years passed. In the original ending, whilst you", "felt mainstream readers may be put off by an extended focus on 'gay", "ago I self-published a novella \"The Spoils of War\". In the middle there's" ]
[ "wisdom and knowledge. Would there psychology be different? Would they be more patient", "If a humanoid species lived for thousands of years, how should they be", "Would there psychology be different? Would they be more patient and resistant to", "different? Would they be more patient and resistant to change with advancement becoming", "how should they be written? With age and experience comes wisdom and knowledge.", "and experience comes wisdom and knowledge. Would there psychology be different? Would they", "Would they be more patient and resistant to change with advancement becoming stagnant?", "and knowledge. Would there psychology be different? Would they be more patient and", "lived for thousands of years, how should they be written? With age and", "age and experience comes wisdom and knowledge. Would there psychology be different? Would", "a humanoid species lived for thousands of years, how should they be written?", "should they be written? With age and experience comes wisdom and knowledge. Would", "species lived for thousands of years, how should they be written? With age", "be different? Would they be more patient and resistant to change with advancement", "thousands of years, how should they be written? With age and experience comes", "experience comes wisdom and knowledge. Would there psychology be different? Would they be", "they be written? With age and experience comes wisdom and knowledge. Would there", "knowledge. Would there psychology be different? Would they be more patient and resistant", "comes wisdom and knowledge. Would there psychology be different? Would they be more", "there psychology be different? Would they be more patient and resistant to change", "for thousands of years, how should they be written? With age and experience", "of years, how should they be written? With age and experience comes wisdom", "With age and experience comes wisdom and knowledge. Would there psychology be different?", "psychology be different? Would they be more patient and resistant to change with", "written? With age and experience comes wisdom and knowledge. Would there psychology be", "humanoid species lived for thousands of years, how should they be written? With", "years, how should they be written? With age and experience comes wisdom and", "be written? With age and experience comes wisdom and knowledge. Would there psychology" ]
[ "because I am now not feeling confident, and I found out an already", "with my family * My online friends only know of Star Wars +", "if there is a way to contact anyone on here one to one", "out how. I need to share my ideas with someone because I am", "feeling confident, and I found out an already made story is like mine.", "am now not feeling confident, and I found out an already made story", "real life I would like to know if there is a way to", "scared to share with my family * My online friends only know of", "anyone in real life I would like to know if there is a", "way to contact anyone on here one to one like a Direct message.", "a Direct message. I haven't found out how. I need to share my", "don't really know anyone in real life I would like to know if", "Star Wars + I got an idea stolen + I don't really know", "to share with my family * My online friends only know of Star", "really know anyone in real life I would like to know if there", "know of Star Wars* + I got an idea stolen + I don't", "I got an idea stolen + I don't really know anyone in real", "haven't found out how. I need to share my ideas with someone because", "I would like to know if there is a way to contact anyone", "is a way to contact anyone on here one to one like a", "found out how. I need to share my ideas with someone because I", "too scared to share with my family * My online friends only know", "here one to one like a Direct message. I haven't found out how.", "Direct message. I haven't found out how. I need to share my ideas", "I don't really know anyone in real life I would like to know", "how. I need to share my ideas with someone because I am now", "life I would like to know if there is a way to contact", "I need to share my ideas with someone because I am now not", "contact anyone on here one to one like a Direct message. I haven't", "someone because I am now not feeling confident, and I found out an", "need to share my ideas with someone because I am now not feeling", "share my ideas with someone because I am now not feeling confident, and", "* My online friends only know of Star Wars + I got an", "got an idea stolen + I don't really know anyone in real life", "idea stolen + I don't really know anyone in real life I would", "of Star Wars + I got an idea stolen + I don't really", "I haven't found out how. I need to share my ideas with someone", "to know if there is a way to contact anyone on here one", "+ I got an idea stolen + I don't really know anyone in", "friends only know of Star Wars + I got an idea stolen +", "a way to contact anyone on here one to one like a Direct", "message. I haven't found out how. I need to share my ideas with", "family * My online friends only know of Star Wars + I got", "an idea stolen + I don't really know anyone in real life I", "with someone because I am now not feeling confident, and I found out", "I am now not feeling confident, and I found out an already made", "only know of Star Wars + I got an idea stolen + I", "my family * My online friends only know of Star Wars + I", "anyone on here one to one like a Direct message. I haven't found", "ideas with someone because I am now not feeling confident, and I found", "in real life I would like to know if there is a way", "to share my ideas with someone because I am now not feeling confident,", "to contact anyone on here one to one like a Direct message. I", "online friends only know of Star Wars + I got an idea stolen", "* I'm too scared to share with my family * My online friends", "one like a Direct message. I haven't found out how. I need to", "there is a way to contact anyone on here one to one like", "My online friends only know of Star Wars + I got an idea", "know if there is a way to contact anyone on here one to", "+ I don't really know anyone in real life I would like to", "now not feeling confident, and I found out an already made story is", "I'm too scared to share with my family * My online friends only", "not feeling confident, and I found out an already made story is like", "know anyone in real life I would like to know if there is", "would like to know if there is a way to contact anyone on", "stolen + I don't really know anyone in real life I would like", "on here one to one like a Direct message. I haven't found out", "like a Direct message. I haven't found out how. I need to share", "Wars* + I got an idea stolen + I don't really know anyone", "one to one like a Direct message. I haven't found out how. I", "my ideas with someone because I am now not feeling confident, and I", "to one like a Direct message. I haven't found out how. I need", "share with my family * My online friends only know of Star Wars", "like to know if there is a way to contact anyone on here" ]
[ "kind of rounded--how cute is that? Lorem ipsum dolor sit > amet, consectetur", "its own paragraph (Version 1 below) or as the first sentence of the", "and you want to introduce the list and give the three issues. Is", "are cute. First, they are fluffy. We all know how cute that is.", "this issue? Let's say you have a list of three issues and you", "ipsum dolor sit > amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt", "own paragraph (Version 1 below) or as the first sentence of the first", "> > There are three reasons why wallabies are cute. First, they are", "have a list of three issues and you want to introduce the list", "for general non-fiction, somewhere north of middlebrow level. Version 1 > > There", "give the three issues. Is it better to put the \"intro sentence\" as", "sentence of the first paragraph (Version 2 below). I tend to think that,", "sit > amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut >", "ut > labore et dolore magna aliqua. > > > Finally, their name", "are three reasons why wallabies are cute. First, they are fluffy. We all", "I tend to think that, strictly speaking, it should be its own paragraph,", "(Version 1 below) or as the first sentence of the first paragraph (Version", "its own paragraph, but it seems more flowing and less mannered to simply", "for writing for general non-fiction, somewhere north of middlebrow level. Version 1 >", "\"intro sentence\" as its own paragraph (Version 1 below) or as the first", "paragraph, but it seems more flowing and less mannered to simply elide from", "it better to put the \"intro sentence\" as its own paragraph (Version 1", "> > > First, they are fluffy. We all know how cute that", "> There are three reasons why wallabies are cute. First, they are fluffy.", "mannered to simply elide from that into the first point. This is for", "three issues. Is it better to put the \"intro sentence\" as its own", "ut labore et dolore magna aliqua. > > > Second, they are kind", "non-fiction, somewhere north of middlebrow level. Version 1 > > There are three", "below). I tend to think that, strictly speaking, it should be its own", "they are fluffy. We all know how cute that is. Lorem ipsum >", "the first paragraph (Version 2 below). I tend to think that, strictly speaking,", "introduce the list and give the three issues. Is it better to put", "There are three reasons why wallabies are cute. First, they are fluffy. We", "> > Finally, their name is \"wallaby\". Lorem ipsum dolor sit amet, >", "three reasons why wallabies are cute. First, they are fluffy. We all know", "reasons why wallabies are cute. First, they are fluffy. We all know how", "magna aliqua. > > > Version 2 > > There are three reasons", "name is \"wallaby\". Lorem ipsum dolor sit amet, > consectetur adipiscing elit, sed", "some style guides somewhere on this issue? Let's say you have a list", "dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor > incididunt ut", "be its own paragraph, but it seems more flowing and less mannered to", "writing for general non-fiction, somewhere north of middlebrow level. Version 1 > >", "paragraph (Version 1 below) or as the first sentence of the first paragraph", "labore et dolore magna aliqua. > > > Second, they are kind of", "aliqua. > > > Second, they are kind of rounded--how cute is that?", "think that, strictly speaking, it should be its own paragraph, but it seems", "dolor sit amet, > consectetur adipiscing elit, sed do eiusmod tempor incididunt ut", "> Version 2 > > There are three reasons why wallabies are cute.", "to simply elide from that into the first point. This is for writing", "amet, consectetur adipiscing elit, sed do eiusmod tempor > incididunt ut labore et", "guides somewhere on this issue? Let's say you have a list of three", "tempor > incididunt ut labore et dolore magna aliqua. > > > Second,", "seems more flowing and less mannered to simply elide from that into the", "dolor sit > amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut", "all know how cute that is. Lorem ipsum > dolor sit amet, consectetur", "it seems more flowing and less mannered to simply elide from that into", "sed do eiusmod tempor > incididunt ut labore et dolore magna aliqua. >", "adipiscing elit, sed do eiusmod tempor incididunt ut > labore et dolore magna", "level. Version 1 > > There are three reasons why wallabies are cute.", "and less mannered to simply elide from that into the first point. This", "\"wallaby\". Lorem ipsum dolor sit amet, > consectetur adipiscing elit, sed do eiusmod", "point me to some style guides somewhere on this issue? Let's say you", "style guides somewhere on this issue? Let's say you have a list of", "are three reasons why wallabies are cute. > > > First, they are", "dolore magna aliqua. > > > Finally, their name is \"wallaby\". Lorem ipsum", "me to some style guides somewhere on this issue? Let's say you have", "and give the three issues. Is it better to put the \"intro sentence\"", "but it seems more flowing and less mannered to simply elide from that", "> > > Version 2 > > There are three reasons why wallabies", "more flowing and less mannered to simply elide from that into the first", "as the first sentence of the first paragraph (Version 2 below). I tend", "three reasons why wallabies are cute. > > > First, they are fluffy.", "1** > > There are three reasons why wallabies are cute. > >", "it should be its own paragraph, but it seems more flowing and less", "issues and you want to introduce the list and give the three issues.", "to introduce the list and give the three issues. Is it better to", "want to introduce the list and give the three issues. Is it better", "why wallabies are cute. > > > First, they are fluffy. We all", "to think that, strictly speaking, it should be its own paragraph, but it", "We all know how cute that is. Lorem ipsum > dolor sit amet,", "Lorem ipsum dolor sit amet, > consectetur adipiscing elit, sed do eiusmod tempor", "Lorem ipsum dolor sit > amet, consectetur adipiscing elit, sed do eiusmod tempor", "amet, > consectetur adipiscing elit, sed do eiusmod tempor incididunt ut > labore", "> incididunt ut labore et dolore magna aliqua. > > > Second, they", "sit amet, > consectetur adipiscing elit, sed do eiusmod tempor incididunt ut >", "consectetur adipiscing elit, sed do eiusmod tempor incididunt ut > labore et dolore", "et dolore magna aliqua. > > > Second, they are kind of rounded--how", "> Second, they are kind of rounded--how cute is that? Lorem ipsum dolor", "> > First, they are fluffy. We all know how cute that is.", "or as the first sentence of the first paragraph (Version 2 below). I", "you have a list of three issues and you want to introduce the", "less mannered to simply elide from that into the first point. This is", "middlebrow level. Version 1 > > There are three reasons why wallabies are", "dolore magna aliqua. > > > Version 2 > > There are three", "point. This is for writing for general non-fiction, somewhere north of middlebrow level.", "consectetur adipiscing elit, sed do eiusmod tempor > incididunt ut labore et dolore", "aliqua. > > > Finally, their name is \"wallaby\". Lorem ipsum dolor sit", "reasons why wallabies are cute. > > > First, they are fluffy. We", "aliqua. > > > Version 2 > > There are three reasons why", "et dolore magna aliqua. > > > Version 2 > > There are", "> There are three reasons why wallabies are cute. > > > First,", "eiusmod tempor incididunt ut > labore et dolore magna aliqua. > > >", "> amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut > labore", "cute. > > > First, they are fluffy. We all know how cute", "of three issues and you want to introduce the list and give the", "sentence\" as its own paragraph (Version 1 below) or as the first sentence", "2 below). I tend to think that, strictly speaking, it should be its", "wallabies are cute. > > > First, they are fluffy. We all know", "2 > > There are three reasons why wallabies are cute. First, they", "three issues and you want to introduce the list and give the three", "strictly speaking, it should be its own paragraph, but it seems more flowing", "> dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor > incididunt", "to put the \"intro sentence\" as its own paragraph (Version 1 below) or", "list and give the three issues. Is it better to put the \"intro", "flowing and less mannered to simply elide from that into the first point.", "> First, they are fluffy. We all know how cute that is. Lorem", "someone point me to some style guides somewhere on this issue? Let's say", "is for writing for general non-fiction, somewhere north of middlebrow level. Version 1", "do eiusmod tempor > incididunt ut labore et dolore magna aliqua. > >", "magna aliqua. > > > Second, they are kind of rounded--how cute is", "the three issues. Is it better to put the \"intro sentence\" as its", "speaking, it should be its own paragraph, but it seems more flowing and", "> > There are three reasons why wallabies are cute. > > >", "This is for writing for general non-fiction, somewhere north of middlebrow level. Version", "Finally, their name is \"wallaby\". Lorem ipsum dolor sit amet, > consectetur adipiscing", "on this issue? Let's say you have a list of three issues and", "incididunt ut > labore et dolore magna aliqua. > > > Finally, their", "fluffy. We all know how cute that is. Lorem ipsum > dolor sit", "is \"wallaby\". Lorem ipsum dolor sit amet, > consectetur adipiscing elit, sed do", "incididunt ut labore et dolore magna aliqua. > > > Second, they are", "should be its own paragraph, but it seems more flowing and less mannered", "elit, sed do eiusmod tempor > incididunt ut labore et dolore magna aliqua.", "(Version 2 below). I tend to think that, strictly speaking, it should be", "below) or as the first sentence of the first paragraph (Version 2 below).", "say you have a list of three issues and you want to introduce", "Lorem ipsum > dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor", "of rounded--how cute is that? Lorem ipsum dolor sit > amet, consectetur adipiscing", "sit amet, consectetur adipiscing elit, sed do eiusmod tempor > incididunt ut labore", "first paragraph (Version 2 below). I tend to think that, strictly speaking, it", "Can someone point me to some style guides somewhere on this issue? Let's", "wallabies are cute. First, they are fluffy. We all know how cute that", "are fluffy. We all know how cute that is. Lorem ipsum > dolor", "ipsum > dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor >", "First, they are fluffy. We all know how cute that is. Lorem ipsum", "know how cute that is. Lorem ipsum > dolor sit amet, consectetur adipiscing", "> Finally, their name is \"wallaby\". Lorem ipsum dolor sit amet, > consectetur", "elide from that into the first point. This is for writing for general", "the first sentence of the first paragraph (Version 2 below). I tend to", "own paragraph, but it seems more flowing and less mannered to simply elide", "Is it better to put the \"intro sentence\" as its own paragraph (Version", "why wallabies are cute. First, they are fluffy. We all know how cute", "elit, sed do eiusmod tempor incididunt ut > labore et dolore magna aliqua.", "et dolore magna aliqua. > > > Finally, their name is \"wallaby\". Lorem", "simply elide from that into the first point. This is for writing for", "list of three issues and you want to introduce the list and give", "labore et dolore magna aliqua. > > > Version 2 > > There", "rounded--how cute is that? Lorem ipsum dolor sit > amet, consectetur adipiscing elit,", "labore et dolore magna aliqua. > > > Finally, their name is \"wallaby\".", "you want to introduce the list and give the three issues. Is it", "cute. First, they are fluffy. We all know how cute that is. Lorem", "tempor incididunt ut > labore et dolore magna aliqua. > > > Finally,", "> > Version 2 > > There are three reasons why wallabies are", "first point. This is for writing for general non-fiction, somewhere north of middlebrow", "sed do eiusmod tempor incididunt ut > labore et dolore magna aliqua. >", "> > Second, they are kind of rounded--how cute is that? Lorem ipsum", "cute that is. Lorem ipsum > dolor sit amet, consectetur adipiscing elit, sed", "put the \"intro sentence\" as its own paragraph (Version 1 below) or as", "cute is that? Lorem ipsum dolor sit > amet, consectetur adipiscing elit, sed", "as its own paragraph (Version 1 below) or as the first sentence of", "are kind of rounded--how cute is that? Lorem ipsum dolor sit > amet,", "are cute. > > > First, they are fluffy. We all know how", "the \"intro sentence\" as its own paragraph (Version 1 below) or as the", "of middlebrow level. Version 1 > > There are three reasons why wallabies", "amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut > labore et", "tend to think that, strictly speaking, it should be its own paragraph, but", "magna aliqua. > > > Finally, their name is \"wallaby\". Lorem ipsum dolor", "of the first paragraph (Version 2 below). I tend to think that, strictly", "somewhere north of middlebrow level. Version 1 > > There are three reasons", "issue? Let's say you have a list of three issues and you want", "that into the first point. This is for writing for general non-fiction, somewhere", "how cute that is. Lorem ipsum > dolor sit amet, consectetur adipiscing elit,", "that is. Lorem ipsum > dolor sit amet, consectetur adipiscing elit, sed do", "incididunt ut > labore et dolore magna aliqua. > > > Version 2", "ipsum dolor sit amet, > consectetur adipiscing elit, sed do eiusmod tempor incididunt", "> > > Finally, their name is \"wallaby\". Lorem ipsum dolor sit amet,", "from that into the first point. This is for writing for general non-fiction,", "ut > labore et dolore magna aliqua. > > > Version 2 >", "north of middlebrow level. Version 1 > > There are three reasons why", "general non-fiction, somewhere north of middlebrow level. Version 1 > > There are", "1 below) or as the first sentence of the first paragraph (Version 2", "> labore et dolore magna aliqua. > > > Version 2 > >", "Version 2 > > There are three reasons why wallabies are cute. First,", "the list and give the three issues. Is it better to put the", "first sentence of the first paragraph (Version 2 below). I tend to think", "Second, they are kind of rounded--how cute is that? Lorem ipsum dolor sit", "the first point. This is for writing for general non-fiction, somewhere north of", "There are three reasons why wallabies are cute. > > > First, they", "Version 1 > > There are three reasons why wallabies are cute. >", "better to put the \"intro sentence\" as its own paragraph (Version 1 below)", "that, strictly speaking, it should be its own paragraph, but it seems more", "that? Lorem ipsum dolor sit > amet, consectetur adipiscing elit, sed do eiusmod", "their name is \"wallaby\". Lorem ipsum dolor sit amet, > consectetur adipiscing elit,", "dolore magna aliqua. > > > Second, they are kind of rounded--how cute", "into the first point. This is for writing for general non-fiction, somewhere north", "they are kind of rounded--how cute is that? Lorem ipsum dolor sit >", "do eiusmod tempor incididunt ut > labore et dolore magna aliqua. > >", "Let's say you have a list of three issues and you want to", "a list of three issues and you want to introduce the list and", "paragraph (Version 2 below). I tend to think that, strictly speaking, it should", "is. Lorem ipsum > dolor sit amet, consectetur adipiscing elit, sed do eiusmod", "eiusmod tempor > incididunt ut labore et dolore magna aliqua. > > >", "> labore et dolore magna aliqua. > > > Finally, their name is", "adipiscing elit, sed do eiusmod tempor > incididunt ut labore et dolore magna", "is that? Lorem ipsum dolor sit > amet, consectetur adipiscing elit, sed do", "> consectetur adipiscing elit, sed do eiusmod tempor incididunt ut > labore et", "tempor incididunt ut > labore et dolore magna aliqua. > > > *Version", "> > > Second, they are kind of rounded--how cute is that*? Lorem", "to some style guides somewhere on this issue? Let's say you have a", "issues. Is it better to put the \"intro sentence\" as its own paragraph", "somewhere on this issue? Let's say you have a list of three issues" ]
[ "fell in love before or after the first 2 chapters. Do you have", "will. I tried practicing this genre, writing short love stories. But all my", "experienced it, and maybe I never will. I tried practicing this genre, writing", "meets girl, they start their quest, and fell in love before or after", "love before or after the first 2 chapters. Do you have any suggestions", "before or after the first 2 chapters. Do you have any suggestions on", "genre, writing short love stories. But all my fictional couples feel forced and", "and cliché - Guy meets girl, they start their quest, and fell in", "chapters. Do you have any suggestions on how to improve the backstory of", "in love before or after the first 2 chapters. Do you have any", "writing short love stories. But all my fictional couples feel forced and cliché", "feel forced and cliché - Guy meets girl, they start their quest, and", "they start their quest, and fell in love before or after the first", "writing romance. I guess that is because I've never experienced it, and maybe", "after the first 2 chapters. Do you have any suggestions on how to", "that is because I've never experienced it, and maybe I never will. I", "tried practicing this genre, writing short love stories. But all my fictional couples", "love stories. But all my fictional couples feel forced and cliché - Guy", "my fictional couples feel forced and cliché - Guy meets girl, they start", "start their quest, and fell in love before or after the first 2", "practicing this genre, writing short love stories. But all my fictional couples feel", "maybe I never will. I tried practicing this genre, writing short love stories.", "fictional couples feel forced and cliché - Guy meets girl, they start their", "and fell in love before or after the first 2 chapters. Do you", "girl, they start their quest, and fell in love before or after the", "never will. I tried practicing this genre, writing short love stories. But all", "have some problems writing romance. I guess that is because I've never experienced", "never experienced it, and maybe I never will. I tried practicing this genre,", "I have some problems writing romance. I guess that is because I've never", "- Guy meets girl, they start their quest, and fell in love before", "romance. I guess that is because I've never experienced it, and maybe I", "2 chapters. Do you have any suggestions on how to improve the backstory", "quest, and fell in love before or after the first 2 chapters. Do", "on how to improve the backstory of the relationships of my characters, please?", "it, and maybe I never will. I tried practicing this genre, writing short", "the first 2 chapters. Do you have any suggestions on how to improve", "is because I've never experienced it, and maybe I never will. I tried", "I tried practicing this genre, writing short love stories. But all my fictional", "this genre, writing short love stories. But all my fictional couples feel forced", "some problems writing romance. I guess that is because I've never experienced it,", "I never will. I tried practicing this genre, writing short love stories. But", "couples feel forced and cliché - Guy meets girl, they start their quest,", "guess that is because I've never experienced it, and maybe I never will.", "any suggestions on how to improve the backstory of the relationships of my", "problems writing romance. I guess that is because I've never experienced it, and", "cliché - Guy meets girl, they start their quest, and fell in love", "because I've never experienced it, and maybe I never will. I tried practicing", "forced and cliché - Guy meets girl, they start their quest, and fell", "stories. But all my fictional couples feel forced and cliché - Guy meets", "But all my fictional couples feel forced and cliché - Guy meets girl,", "have any suggestions on how to improve the backstory of the relationships of", "Do you have any suggestions on how to improve the backstory of the", "suggestions on how to improve the backstory of the relationships of my characters,", "short love stories. But all my fictional couples feel forced and cliché -", "their quest, and fell in love before or after the first 2 chapters.", "first 2 chapters. Do you have any suggestions on how to improve the", "and maybe I never will. I tried practicing this genre, writing short love", "all my fictional couples feel forced and cliché - Guy meets girl, they", "I guess that is because I've never experienced it, and maybe I never", "Guy meets girl, they start their quest, and fell in love before or", "or after the first 2 chapters. Do you have any suggestions on how", "you have any suggestions on how to improve the backstory of the relationships", "I've never experienced it, and maybe I never will. I tried practicing this" ]
[ "problem is two-fold: the journey is slow and long; and, for 1 and", "must illustrate: 1. the character's feelings upon returning (for a short period) to", "be expressed perfectly. * The destination is visible in the distance a long", "upon returning (for a short period) to their homeland after living abroad (and", "knowing the next separation will be permanent The problem is two-fold: the journey", "be appropriately expressed, they can't happen simultaneously, as no.2 would tone down no.1.", "visible in the distance. At that point, no.1 vanishes from the character's mind", "illustrate: 1. the character's feelings upon returning (for a short period) to their", "permanent The problem is two-fold: the journey is slow and long; and, for", "if they allow for the character's feelings to be expressed perfectly. * The", "during a break in the journey (the last one) and then allow the", "allow the character to express no.1 up until the point the destination becomes", "At that point, no.1 vanishes from the character's mind to give way to", "character to express no.1 up until the point the destination becomes visible in", "right effect (of a long journey divided into a first moment of short", "the character will soon go back 2. the character's reaction while meeting the", "after a separation of 10 years, knowing the next separation will be permanent", "journey (the last one) and then allow the character to express no.1 up", "arrival, which makes the anxiety and the following paragraphs feel stretched. Question: What", "would you suggest to create the right effect (of a long journey divided", "long journey, even if they allow for the character's feelings to be expressed", "character's feelings upon returning (for a short period) to their homeland after living", "destination is visible in the distance a long time before arrival, which makes", "of 10 years, knowing the next separation will be permanent The problem is", "separation of 10 years, knowing the next separation will be permanent The problem", "the character to express no.1 up until the point the destination becomes visible", "to express no.1 up until the point the destination becomes visible in the", "you suggest to create the right effect (of a long journey divided into", "a break in the journey (the last one) and then allow the character", "as no.2 would tone down no.1. My decision was to start during a", "idea of a long journey, even if they allow for the character's feelings", "not quite satisfied with the result. * The first five paragraphs dealing with", "appropriately expressed, they can't happen simultaneously, as no.2 would tone down no.1. My", "I'm writing a chapter that must illustrate: 1. the character's feelings upon returning", "reaction while meeting the family and friends after a separation of 10 years,", "no.1. My decision was to start during a break in the journey (the", "express no.1 up until the point the destination becomes visible in the distance.", "the distance. At that point, no.1 vanishes from the character's mind to give", "to be appropriately expressed, they can't happen simultaneously, as no.2 would tone down", "down no.1. My decision was to start during a break in the journey", "divided into a first moment of short reflexion and a second moment of", "suggest to create the right effect (of a long journey divided into a", "family and friends after a separation of 10 years, knowing the next separation", "I'm not quite satisfied with the result. * The first five paragraphs dealing", "long; and, for 1 and 2 to be appropriately expressed, they can't happen", "tone down no.1. My decision was to start during a break in the", "vanishes from the character's mind to give way to the excitement and anxiety", "will soon go back 2. the character's reaction while meeting the family and", "soon go back 2. the character's reaction while meeting the family and friends", "dealing with no.1 are short and to the point, which don't help convey", "distance a long time before arrival, which makes the anxiety and the following", "destination becomes visible in the distance. At that point, no.1 vanishes from the", "convey the idea of a long journey, even if they allow for the", "two-fold: the journey is slow and long; and, for 1 and 2 to", "a long journey, even if they allow for the character's feelings to be", "the point, which don't help convey the idea of a long journey, even", "* The first five paragraphs dealing with no.1 are short and to the", "to be expressed perfectly. * The destination is visible in the distance a", "and long; and, for 1 and 2 to be appropriately expressed, they can't", "and to the point, which don't help convey the idea of a long", "in the distance. At that point, no.1 vanishes from the character's mind to", "a long time before arrival, which makes the anxiety and the following paragraphs", "10 years, knowing the next separation will be permanent The problem is two-fold:", "they allow for the character's feelings to be expressed perfectly. * The destination", "makes the anxiety and the following paragraphs feel stretched. Question: What other techniques", "to where the character will soon go back 2. the character's reaction while", "to give way to the excitement and anxiety of the meeting, which keep", "becomes visible in the distance. At that point, no.1 vanishes from the character's", "and, for 1 and 2 to be appropriately expressed, they can't happen simultaneously,", "distance. At that point, no.1 vanishes from the character's mind to give way", "they'd never return), to where the character will soon go back 2. the", "a short period) to their homeland after living abroad (and believing they'd never", "is sound, I believe, but I'm not quite satisfied with the result. ", "returning (for a short period) to their homeland after living abroad (and believing", "I believe, but I'm not quite satisfied with the result. The first", "is visible in the distance a long time before arrival, which makes the", "journey divided into a first moment of short reflexion and a second moment", "journey, even if they allow for the character's feelings to be expressed perfectly.", "are short and to the point, which don't help convey the idea of", "in the journey (the last one) and then allow the character to express", "abroad (and believing they'd never return), to where the character will soon go", "before arrival, which makes the anxiety and the following paragraphs feel stretched. Question:", "they all finally meet. The idea is sound, I believe, but I'm not", "that must illustrate: 1. the character's feelings upon returning (for a short period)", "1. the character's feelings upon returning (for a short period) to their homeland", "the journey (the last one) and then allow the character to express no.1", "the destination becomes visible in the distance. At that point, no.1 vanishes from", "the character's mind to give way to the excitement and anxiety of the", "long journey divided into a first moment of short reflexion and a second", "(and believing they'd never return), to where the character will soon go back", "in the distance a long time before arrival, which makes the anxiety and", "a long journey divided into a first moment of short reflexion and a", "the idea of a long journey, even if they allow for the character's", "which keep growing until they all finally meet. The idea is sound, I", "(of a long journey divided into a first moment of short reflexion and", "long time before arrival, which makes the anxiety and the following paragraphs feel", "the meeting, which keep growing until they all finally meet. The idea is", "meet. The idea is sound, I believe, but I'm not quite satisfied with", "the right effect (of a long journey divided into a first moment of", "the character's feelings upon returning (for a short period) to their homeland after", "go back 2. the character's reaction while meeting the family and friends after", "short period) to their homeland after living abroad (and believing they'd never return),", "while meeting the family and friends after a separation of 10 years, knowing", "stretched. Question: What other techniques (or approaches) would you suggest to create the", "believe, but I'm not quite satisfied with the result. * The first five", "following paragraphs feel stretched. Question: What other techniques (or approaches) would you suggest", "excitement and anxiety of the meeting, which keep growing until they all finally", "create the right effect (of a long journey divided into a first moment", "give way to the excitement and anxiety of the meeting, which keep growing", "a chapter that must illustrate: 1. the character's feelings upon returning (for a", "would tone down no.1. My decision was to start during a break in", "2 to be appropriately expressed, they can't happen simultaneously, as no.2 would tone", "of a long journey, even if they allow for the character's feelings to", "their homeland after living abroad (and believing they'd never return), to where the", "homeland after living abroad (and believing they'd never return), to where the character", "visible in the distance a long time before arrival, which makes the anxiety", "for the character's feelings to be expressed perfectly. * The destination is visible", "back 2. the character's reaction while meeting the family and friends after a", "and 2 to be appropriately expressed, they can't happen simultaneously, as no.2 would", "other techniques (or approaches) would you suggest to create the right effect (of", "from the character's mind to give way to the excitement and anxiety of", "period) to their homeland after living abroad (and believing they'd never return), to", "return), to where the character will soon go back 2. the character's reaction", "idea is sound, I believe, but I'm not quite satisfied with the result.", "meeting the family and friends after a separation of 10 years, knowing the", "paragraphs dealing with no.1 are short and to the point, which don't help", "five paragraphs dealing with no.1 are short and to the point, which don't", "was to start during a break in the journey (the last one) and", "approaches) would you suggest to create the right effect (of a long journey", "slow and long; and, for 1 and 2 to be appropriately expressed, they", "and the following paragraphs feel stretched. Question: What other techniques (or approaches) would", "Question: What other techniques (or approaches) would you suggest to create the right", "the next separation will be permanent The problem is two-fold: the journey is", "character's feelings to be expressed perfectly. * The destination is visible in the", "until the point the destination becomes visible in the distance. At that point,", "help convey the idea of a long journey, even if they allow for", "the distance a long time before arrival, which makes the anxiety and the", "way to the excitement and anxiety of the meeting, which keep growing until", "point the destination becomes visible in the distance. At that point, no.1 vanishes", "the anxiety and the following paragraphs feel stretched. Question: What other techniques (or", "no.1 up until the point the destination becomes visible in the distance. At", "What other techniques (or approaches) would you suggest to create the right effect", "to the point, which don't help convey the idea of a long journey,", "expressed, they can't happen simultaneously, as no.2 would tone down no.1. My decision", "finally meet. The idea is sound, I believe, but I'm not quite satisfied", "for 1 and 2 to be appropriately expressed, they can't happen simultaneously, as", "feelings to be expressed perfectly. * The destination is visible in the distance", "quite satisfied with the result. * The first five paragraphs dealing with no.1", "friends after a separation of 10 years, knowing the next separation will be", "short and to the point, which don't help convey the idea of a", "first five paragraphs dealing with no.1 are short and to the point, which", "feelings upon returning (for a short period) to their homeland after living abroad", "journey is slow and long; and, for 1 and 2 to be appropriately", "break in the journey (the last one) and then allow the character to", "then allow the character to express no.1 up until the point the destination", "effect (of a long journey divided into a first moment of short reflexion", "paragraphs feel stretched. Question: What other techniques (or approaches) would you suggest to", "with no.1 are short and to the point, which don't help convey the", "the character's feelings to be expressed perfectly. * The destination is visible in", "chapter that must illustrate: 1. the character's feelings upon returning (for a short", "anxiety of the meeting, which keep growing until they all finally meet. The", "is slow and long; and, for 1 and 2 to be appropriately expressed,", "result. * The first five paragraphs dealing with no.1 are short and to", "the journey is slow and long; and, for 1 and 2 to be", "* The destination is visible in the distance a long time before arrival,", "1 and 2 to be appropriately expressed, they can't happen simultaneously, as no.2", "don't help convey the idea of a long journey, even if they allow", "all finally meet. The idea is sound, I believe, but I'm not quite", "the character's reaction while meeting the family and friends after a separation of", "The destination is visible in the distance a long time before arrival, which", "until they all finally meet. The idea is sound, I believe, but I'm", "a separation of 10 years, knowing the next separation will be permanent The", "they can't happen simultaneously, as no.2 would tone down no.1. My decision was", "sound, I believe, but I'm not quite satisfied with the result. * The", "(for a short period) to their homeland after living abroad (and believing they'd", "last one) and then allow the character to express no.1 up until the", "where the character will soon go back 2. the character's reaction while meeting", "The problem is two-fold: the journey is slow and long; and, for 1", "never return), to where the character will soon go back 2. the character's", "anxiety and the following paragraphs feel stretched. Question: What other techniques (or approaches)", "growing until they all finally meet. The idea is sound, I believe, but", "(or approaches) would you suggest to create the right effect (of a long", "will be permanent The problem is two-fold: the journey is slow and long;", "next separation will be permanent The problem is two-fold: the journey is slow", "up until the point the destination becomes visible in the distance. At that", "perfectly. * The destination is visible in the distance a long time before", "but I'm not quite satisfied with the result. * The first five paragraphs", "decision was to start during a break in the journey (the last one)", "My decision was to start during a break in the journey (the last", "even if they allow for the character's feelings to be expressed perfectly. ", "after living abroad (and believing they'd never return), to where the character will", "years, knowing the next separation will be permanent The problem is two-fold: the", "(the last one) and then allow the character to express no.1 up until", "the result. The first five paragraphs dealing with no.1 are short and", "separation will be permanent The problem is two-fold: the journey is slow and", "meeting, which keep growing until they all finally meet. The idea is sound,", "which don't help convey the idea of a long journey, even if they", "the excitement and anxiety of the meeting, which keep growing until they all", "character's reaction while meeting the family and friends after a separation of 10", "to the excitement and anxiety of the meeting, which keep growing until they", "the following paragraphs feel stretched. 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Question: What other techniques (or approaches) would you suggest to create", "and anxiety of the meeting, which keep growing until they all finally meet.", "2. the character's reaction while meeting the family and friends after a separation", "the family and friends after a separation of 10 years, knowing the next", "and then allow the character to express no.1 up until the point the", "of the meeting, which keep growing until they all finally meet. The idea", "happen simultaneously, as no.2 would tone down no.1. My decision was to start", "point, no.1 vanishes from the character's mind to give way to the excitement", "one) and then allow the character to express no.1 up until the point", "start during a break in the journey (the last one) and then allow", "techniques (or approaches) would you suggest to create the right effect (of a", "simultaneously, as no.2 would tone down no.1. My decision was to start during", "a first moment of short reflexion and a second moment of growing enxiety)?", "to start during a break in the journey (the last one) and then", "time before arrival, which makes the anxiety and the following paragraphs feel stretched.", "and friends after a separation of 10 years, knowing the next separation will", "is two-fold: the journey is slow and long; and, for 1 and 2", "keep growing until they all finally meet. The idea is sound, I believe,", "no.1 vanishes from the character's mind to give way to the excitement and", "into a first moment of short reflexion and a second moment of growing", "The idea is sound, I believe, but I'm not quite satisfied with the", "allow for the character's feelings to be expressed perfectly. * The destination is", "The first five paragraphs dealing with no.1 are short and to the point," ]
[ "about done with my first manuscript in English. Since I found the translation", "Assuming there is a market for it in those languages/countries 3) I know", "Are languages rights all or none? I also have friends who would be", "the publisher to issue it in those languages. They would only need edit", "and found no faults in the translation I haven't sent the English manuscript", "both parties. If the publisher were to translate it, they would take the", "a market for it in those languages/countries 3) I know a publisher would", "would probably only translate it there was a reason for it, like having", "are bilingual in those languages and found no faults in the translation I", "there is less upfront expenditures for the publisher to issue it in those", "take the cost of translation out of the advance/payment to you, which is", "language versions with the publisher's consent? Are languages rights all or none? I", "it were to be published. I hear that India and South Korea are", "no faults in the translation I haven't sent the English manuscript in yet,", "curious. Would a publisher be willing to use my translation? I understand that", "that there were not markets for certain languages, or did not want to", "translation for them? Or maybe even just self publish those language versions with", "but I am curious. Would a publisher be willing to use my translation?", "and so, I haven't made a deal yet. I understand it is putting", "market for it in those languages/countries 3) I know a publisher would probably", "sell numerous copies already in English. (My thinking around this part is that", "first manuscript in English. Since I found the translation fun and not too", "there was a reason for it, like having it sell numerous copies already", "sent the English manuscript in yet, and so, I haven't made a deal", "costs to both parties. If the publisher were to translate it, they would", "just do the translation for them? Or maybe even just self publish those", "were not markets for certain languages, or did not want to put in", "difficult, I translated it into French, German, Spanish and Swedish. I read the", "there are several caveats to this. 1) Assuming my translation is correct. 2)", "my translation is correct. 2) Assuming there is a market for it in", "If the publisher were to translate it, they would take the cost of", "there were not markets for certain languages, or did not want to put", "not markets for certain languages, or did not want to put in the", "the translation I haven't sent the English manuscript in yet, and so, I", "caveats to this. 1) Assuming my translation is correct. 2) Assuming there is", "something to retain those specific rights or just do the translation for them?", "my translation? I understand that there are several caveats to this. 1) Assuming", "if I provide the translated versions, there is less upfront expenditures for the", "is less ideal.) 4) If the publisher thought that there were not markets", "I understand it is putting the cart before the horse, but I am", "into Korean, Turkish and Hindi, if it were to be published. I hear", "already in English. (My thinking around this part is that if I provide", "to some of my friends who are bilingual in those languages and found", "faults in the translation I haven't sent the English manuscript in yet, and", "in English. Since I found the translation fun and not too difficult, I", "would you be able to work out something to retain those specific rights", "languages and I am just about done with my first manuscript in English.", "I can speak a few languages and I am just about done with", "those languages and found no faults in the translation I haven't sent the", "know a publisher would probably only translate it there was a reason for", "copies already in English. (My thinking around this part is that if I", "can speak a few languages and I am just about done with my", "versions to some of my friends who are bilingual in those languages and", "are several caveats to this. 1) Assuming my translation is correct. 2) Assuming", "German, Spanish and Swedish. I read the versions to some of my friends", "found no faults in the translation I haven't sent the English manuscript in", "it, like having it sell numerous copies already in English. (My thinking around", "and Hindi, if it were to be published. I hear that India and", "publish those language versions with the publisher's consent? Are languages rights all or", "would only need edit an existing copy, which means less costs to both", "and I am just about done with my first manuscript in English. Since", "that if I provide the translated versions, there is less upfront expenditures for", "manuscript in yet, and so, I haven't made a deal yet. I understand", "done with my first manuscript in English. Since I found the translation fun", "provide the translated versions, there is less upfront expenditures for the publisher to", "to issue it in those languages. They would only need edit an existing", "work out something to retain those specific rights or just do the translation", "probably only translate it there was a reason for it, like having it", "correct. 2) Assuming there is a market for it in those languages/countries 3)", "translate it into Korean, Turkish and Hindi, if it were to be published.", "if it were to be published. I hear that India and South Korea", "you be able to work out something to retain those specific rights or", "Hindi, if it were to be published. I hear that India and South", "those specific rights or just do the translation for them? Or maybe even", "friends who are bilingual in those languages and found no faults in the", "translation, would you be able to work out something to retain those specific", "the English manuscript in yet, and so, I haven't made a deal yet.", "translation out of the advance/payment to you, which is less ideal.) 4) If", "specific rights or just do the translation for them? Or maybe even just", "the publisher were to translate it, they would take the cost of translation", "French, German, Spanish and Swedish. I read the versions to some of my", "it into Korean, Turkish and Hindi, if it were to be published. I", "or none? I also have friends who would be willing to translate it", "in yet, and so, I haven't made a deal yet. I understand it", "publisher's consent? Are languages rights all or none? I also have friends who", "and not too difficult, I translated it into French, German, Spanish and Swedish.", "certain languages, or did not want to put in the effort to do", "those languages. They would only need edit an existing copy, which means less", "thinking around this part is that if I provide the translated versions, there", "edit an existing copy, which means less costs to both parties. If the", "versions with the publisher's consent? Are languages rights all or none? I also", "Since I found the translation fun and not too difficult, I translated it", "publisher be willing to use my translation? I understand that there are several", "in those languages/countries 3) I know a publisher would probably only translate it", "am curious. Would a publisher be willing to use my translation? I understand", "parties. If the publisher were to translate it, they would take the cost", "They would only need edit an existing copy, which means less costs to", "I found the translation fun and not too difficult, I translated it into", "too difficult, I translated it into French, German, Spanish and Swedish. I read", "upfront expenditures for the publisher to issue it in those languages. They would", "I am just about done with my first manuscript in English. Since I", "copy, which means less costs to both parties. If the publisher were to", "I am curious. Would a publisher be willing to use my translation? I", "self publish those language versions with the publisher's consent? Are languages rights all", "a publisher be willing to use my translation? I understand that there are", "with my first manuscript in English. Since I found the translation fun and", "am just about done with my first manuscript in English. Since I found", "willing to use my translation? I understand that there are several caveats to", "bilingual in those languages and found no faults in the translation I haven't", "in those languages. They would only need edit an existing copy, which means", "were to translate it, they would take the cost of translation out of", "a few languages and I am just about done with my first manuscript", "rights or just do the translation for them? Or maybe even just self", "for them? Or maybe even just self publish those language versions with the", "made a deal yet. I understand it is putting the cart before the", "cart before the horse, but I am curious. Would a publisher be willing", "be willing to use my translation? I understand that there are several caveats", "they would take the cost of translation out of the advance/payment to you,", "translation fun and not too difficult, I translated it into French, German, Spanish", "languages rights all or none? I also have friends who would be willing", "it into French, German, Spanish and Swedish. I read the versions to some", "publisher would probably only translate it there was a reason for it, like", "that there are several caveats to this. 1) Assuming my translation is correct.", "English manuscript in yet, and so, I haven't made a deal yet. I", "putting the cart before the horse, but I am curious. Would a publisher", "the cart before the horse, but I am curious. Would a publisher be", "before the horse, but I am curious. Would a publisher be willing to", "fun and not too difficult, I translated it into French, German, Spanish and", "English. Since I found the translation fun and not too difficult, I translated", "in the effort to do the translation, would you be able to work", "Would a publisher be willing to use my translation? I understand that there", "able to work out something to retain those specific rights or just do", "of my friends who are bilingual in those languages and found no faults", "is putting the cart before the horse, but I am curious. Would a", "3) I know a publisher would probably only translate it there was a", "have friends who would be willing to translate it into Korean, Turkish and", "is that if I provide the translated versions, there is less upfront expenditures", "willing to translate it into Korean, Turkish and Hindi, if it were to", "the translation for them? Or maybe even just self publish those language versions", "those languages/countries 3) I know a publisher would probably only translate it there", "was a reason for it, like having it sell numerous copies already in", "haven't sent the English manuscript in yet, and so, I haven't made a", "there is a market for it in those languages/countries 3) I know a", "it in those languages/countries 3) I know a publisher would probably only translate", "less ideal.) 4) If the publisher thought that there were not markets for", "numerous copies already in English. (My thinking around this part is that if", "retain those specific rights or just do the translation for them? Or maybe", "want to put in the effort to do the translation, would you be", "Assuming my translation is correct. 2) Assuming there is a market for it", "of the advance/payment to you, which is less ideal.) 4) If the publisher", "the translation, would you be able to work out something to retain those", "friends who would be willing to translate it into Korean, Turkish and Hindi,", "with the publisher's consent? Are languages rights all or none? I also have", "I haven't sent the English manuscript in yet, and so, I haven't made", "few languages and I am just about done with my first manuscript in", "languages/countries 3) I know a publisher would probably only translate it there was", "rights all or none? I also have friends who would be willing to", "markets for certain languages, or did not want to put in the effort", "ideal.) 4) If the publisher thought that there were not markets for certain", "to work out something to retain those specific rights or just do the", "Swedish. I read the versions to some of my friends who are bilingual", "Spanish and Swedish. I read the versions to some of my friends who", "out of the advance/payment to you, which is less ideal.) 4) If the", "4) If the publisher thought that there were not markets for certain languages,", "would be willing to translate it into Korean, Turkish and Hindi, if it", "to use my translation? I understand that there are several caveats to this.", "yet. I understand it is putting the cart before the horse, but I", "for certain languages, or did not want to put in the effort to", "is a market for it in those languages/countries 3) I know a publisher", "languages, or did not want to put in the effort to do the", "put in the effort to do the translation, would you be able to", "less upfront expenditures for the publisher to issue it in those languages. They", "out something to retain those specific rights or just do the translation for", "English. (My thinking around this part is that if I provide the translated", "or just do the translation for them? Or maybe even just self publish", "you, which is less ideal.) 4) If the publisher thought that there were", "not too difficult, I translated it into French, German, Spanish and Swedish. I", "the publisher thought that there were not markets for certain languages, or did", "only translate it there was a reason for it, like having it sell", "Or maybe even just self publish those language versions with the publisher's consent?", "I know a publisher would probably only translate it there was a reason", "of translation out of the advance/payment to you, which is less ideal.) 4)", "read the versions to some of my friends who are bilingual in those", "translate it, they would take the cost of translation out of the advance/payment", "some of my friends who are bilingual in those languages and found no", "would take the cost of translation out of the advance/payment to you, which", "translated versions, there is less upfront expenditures for the publisher to issue it", "be willing to translate it into Korean, Turkish and Hindi, if it were", "around this part is that if I provide the translated versions, there is", "to put in the effort to do the translation, would you be able", "who would be willing to translate it into Korean, Turkish and Hindi, if", "this. 1) Assuming my translation is correct. 2) Assuming there is a market", "less costs to both parties. If the publisher were to translate it, they", "reason for it, like having it sell numerous copies already in English. (My", "understand it is putting the cart before the horse, but I am curious.", "need edit an existing copy, which means less costs to both parties. If", "were to be published. I hear that India and South Korea are untapped", "just self publish those language versions with the publisher's consent? Are languages rights", "I also have friends who would be willing to translate it into Korean,", "for it in those languages/countries 3) I know a publisher would probably only", "translation I haven't sent the English manuscript in yet, and so, I haven't", "be able to work out something to retain those specific rights or just", "is less upfront expenditures for the publisher to issue it in those languages.", "2) Assuming there is a market for it in those languages/countries 3) I", "the versions to some of my friends who are bilingual in those languages", "part is that if I provide the translated versions, there is less upfront", "for the publisher to issue it in those languages. They would only need", "issue it in those languages. They would only need edit an existing copy,", "which means less costs to both parties. If the publisher were to translate", "Turkish and Hindi, if it were to be published. I hear that India", "also have friends who would be willing to translate it into Korean, Turkish", "translated it into French, German, Spanish and Swedish. I read the versions to", "the translation fun and not too difficult, I translated it into French, German,", "the translated versions, there is less upfront expenditures for the publisher to issue", "effort to do the translation, would you be able to work out something", "even just self publish those language versions with the publisher's consent? Are languages", "languages and found no faults in the translation I haven't sent the English", "do the translation for them? Or maybe even just self publish those language", "thought that there were not markets for certain languages, or did not want", "understand that there are several caveats to this. 1) Assuming my translation is", "an existing copy, which means less costs to both parties. If the publisher", "my first manuscript in English. Since I found the translation fun and not", "a reason for it, like having it sell numerous copies already in English.", "in those languages and found no faults in the translation I haven't sent", "I haven't made a deal yet. I understand it is putting the cart", "to retain those specific rights or just do the translation for them? Or", "horse, but I am curious. Would a publisher be willing to use my", "consent? Are languages rights all or none? I also have friends who would", "translation is correct. 2) Assuming there is a market for it in those", "speak a few languages and I am just about done with my first", "in English. (My thinking around this part is that if I provide the", "languages. They would only need edit an existing copy, which means less costs", "for it, like having it sell numerous copies already in English. (My thinking", "existing copy, which means less costs to both parties. If the publisher were", "publisher thought that there were not markets for certain languages, or did not", "maybe even just self publish those language versions with the publisher's consent? Are", "who are bilingual in those languages and found no faults in the translation", "the publisher's consent? Are languages rights all or none? I also have friends", "a publisher would probably only translate it there was a reason for it,", "only need edit an existing copy, which means less costs to both parties.", "to both parties. If the publisher were to translate it, they would take", "the horse, but I am curious. Would a publisher be willing to use", "the advance/payment to you, which is less ideal.) 4) If the publisher thought", "haven't made a deal yet. I understand it is putting the cart before", "my friends who are bilingual in those languages and found no faults in", "to translate it, they would take the cost of translation out of the", "into French, German, Spanish and Swedish. I read the versions to some of", "1) Assuming my translation is correct. 2) Assuming there is a market for", "cost of translation out of the advance/payment to you, which is less ideal.)", "do the translation, would you be able to work out something to retain", "it is putting the cart before the horse, but I am curious. Would", "translation? I understand that there are several caveats to this. 1) Assuming my", "it there was a reason for it, like having it sell numerous copies", "all or none? I also have friends who would be willing to translate", "several caveats to this. 1) Assuming my translation is correct. 2) Assuming there", "in the translation I haven't sent the English manuscript in yet, and so,", "it sell numerous copies already in English. (My thinking around this part is", "publisher to issue it in those languages. They would only need edit an", "just about done with my first manuscript in English. Since I found the", "the cost of translation out of the advance/payment to you, which is less", "is correct. 2) Assuming there is a market for it in those languages/countries", "to you, which is less ideal.) 4) If the publisher thought that there", "it, they would take the cost of translation out of the advance/payment to", "those language versions with the publisher's consent? Are languages rights all or none?", "publisher were to translate it, they would take the cost of translation out", "and Swedish. I read the versions to some of my friends who are", "to translate it into Korean, Turkish and Hindi, if it were to be", "I read the versions to some of my friends who are bilingual in", "to this. 1) Assuming my translation is correct. 2) Assuming there is a", "I translated it into French, German, Spanish and Swedish. I read the versions", "like having it sell numerous copies already in English. (My thinking around this", "Korean, Turkish and Hindi, if it were to be published. I hear that", "having it sell numerous copies already in English. (My thinking around this part", "use my translation? I understand that there are several caveats to this. 1)", "a deal yet. I understand it is putting the cart before the horse,", "this part is that if I provide the translated versions, there is less", "means less costs to both parties. If the publisher were to translate it,", "them? Or maybe even just self publish those language versions with the publisher's", "it in those languages. They would only need edit an existing copy, which", "to be published. I hear that India and South Korea are untapped markets.", "not want to put in the effort to do the translation, would you", "I understand that there are several caveats to this. 1) Assuming my translation", "did not want to put in the effort to do the translation, would", "none? I also have friends who would be willing to translate it into", "found the translation fun and not too difficult, I translated it into French,", "If the publisher thought that there were not markets for certain languages, or", "which is less ideal.) 4) If the publisher thought that there were not", "or did not want to put in the effort to do the translation,", "deal yet. I understand it is putting the cart before the horse, but", "to do the translation, would you be able to work out something to", "versions, there is less upfront expenditures for the publisher to issue it in", "translate it there was a reason for it, like having it sell numerous", "yet, and so, I haven't made a deal yet. I understand it is", "so, I haven't made a deal yet. I understand it is putting the", "(My thinking around this part is that if I provide the translated versions,", "advance/payment to you, which is less ideal.) 4) If the publisher thought that", "manuscript in English. Since I found the translation fun and not too difficult,", "expenditures for the publisher to issue it in those languages. They would only", "the effort to do the translation, would you be able to work out", "I provide the translated versions, there is less upfront expenditures for the publisher" ]
[ "being composed. That piece of writing can, of course, be crafted with a", "crafted with a slew of different techniques and artistic choices, but, one of", "techniques and artistic choices, but, one of those is the language used. How", "to match the context of a piece with diction relevant to the given", "slew of different techniques and artistic choices, but, one of those is the", "writing can, of course, be crafted with a slew of different techniques and", "language used. How does the use of regionally-diverse diction, such as that used", "such as that used in \"The Adventures of Huckleberry Finn\", contribute to a", "course, be crafted with a slew of different techniques and artistic choices, but,", "Huckleberry Finn\", contribute to a work holistically? Is it better to match the", "diction, such as that used in \"The Adventures of Huckleberry Finn\", contribute to", "artistic choices, but, one of those is the language used. How does the", "to a work holistically? Is it better to match the context of a", "that used in \"The Adventures of Huckleberry Finn\", contribute to a work holistically?", "work holistically? Is it better to match the context of a piece with", "be crafted with a slew of different techniques and artistic choices, but, one", "and artistic choices, but, one of those is the language used. How does", "piece of writing can, of course, be crafted with a slew of different", "piece with diction relevant to the given context, or simply to retain a", "a slew of different techniques and artistic choices, but, one of those is", "Adventures of Huckleberry Finn\", contribute to a work holistically? Is it better to", "is being composed. That piece of writing can, of course, be crafted with", "relevant to the given context, or simply to retain a consistent and standard", "can, of course, be crafted with a slew of different techniques and artistic", "used. How does the use of regionally-diverse diction, such as that used in", "of those is the language used. How does the use of regionally-diverse diction,", "better to match the context of a piece with diction relevant to the", "a piece with diction relevant to the given context, or simply to retain", "composed. That piece of writing can, of course, be crafted with a slew", "Let's say a piece of writing is being composed. That piece of writing", "piece of writing is being composed. That piece of writing can, of course,", "one of those is the language used. How does the use of regionally-diverse", "in \"The Adventures of Huckleberry Finn\", contribute to a work holistically? Is it", "diction relevant to the given context, or simply to retain a consistent and", "with diction relevant to the given context, or simply to retain a consistent", "of different techniques and artistic choices, but, one of those is the language", "of writing can, of course, be crafted with a slew of different techniques", "use of regionally-diverse diction, such as that used in \"The Adventures of Huckleberry", "as that used in \"The Adventures of Huckleberry Finn\", contribute to a work", "used in \"The Adventures of Huckleberry Finn\", contribute to a work holistically? Is", "of regionally-diverse diction, such as that used in \"The Adventures of Huckleberry Finn\",", "but, one of those is the language used. How does the use of", "match the context of a piece with diction relevant to the given context,", "to the given context, or simply to retain a consistent and standard styling?", "different techniques and artistic choices, but, one of those is the language used.", "That piece of writing can, of course, be crafted with a slew of", "regionally-diverse diction, such as that used in \"The Adventures of Huckleberry Finn\", contribute", "say a piece of writing is being composed. That piece of writing can,", "holistically? Is it better to match the context of a piece with diction", "writing is being composed. That piece of writing can, of course, be crafted", "Is it better to match the context of a piece with diction relevant", "is the language used. How does the use of regionally-diverse diction, such as", "the language used. How does the use of regionally-diverse diction, such as that", "of writing is being composed. That piece of writing can, of course, be", "a work holistically? Is it better to match the context of a piece", "does the use of regionally-diverse diction, such as that used in \"The Adventures", "choices, but, one of those is the language used. How does the use", "of Huckleberry Finn\", contribute to a work holistically? Is it better to match", "contribute to a work holistically? Is it better to match the context of", "it better to match the context of a piece with diction relevant to", "with a slew of different techniques and artistic choices, but, one of those", "\"The Adventures of Huckleberry Finn\", contribute to a work holistically? Is it better", "the context of a piece with diction relevant to the given context, or", "a piece of writing is being composed. That piece of writing can, of", "those is the language used. How does the use of regionally-diverse diction, such", "Finn\", contribute to a work holistically? Is it better to match the context", "of a piece with diction relevant to the given context, or simply to", "context of a piece with diction relevant to the given context, or simply", "of course, be crafted with a slew of different techniques and artistic choices,", "How does the use of regionally-diverse diction, such as that used in \"The", "the use of regionally-diverse diction, such as that used in \"The Adventures of" ]
[ "What's to keep an agent from taking my manuscript and publishing it themselves,", "taking my manuscript and publishing it themselves, or handing it off to one", "handing it off to one of their writer friends? 2) What's to keep", "own work based off of some of those ideas? How do new writers", "friend, and having them create their own work based off of some of", "off of some of those ideas? How do new writers protect themselves from", "taking my original ideas, giving them to a writer friend, and having them", "writer friend, and having them create their own work based off of some", "giving them to a writer friend, and having them create their own work", "it themselves, or handing it off to one of their writer friends? 2)", "and publishing it themselves, or handing it off to one of their writer", "their writer friends? 2) What's to keep an agent from taking my original", "keep an agent from taking my original ideas, giving them to a writer", "my manuscript and publishing it themselves, or handing it off to one of", "an agent from taking my manuscript and publishing it themselves, or handing it", "from taking my manuscript and publishing it themselves, or handing it off to", "keep an agent from taking my manuscript and publishing it themselves, or handing", "a writer friend, and having them create their own work based off of", "ideas, giving them to a writer friend, and having them create their own", "agent. I've never published before. 1) What's to keep an agent from taking", "1) What's to keep an agent from taking my manuscript and publishing it", "for a literary agent. I've never published before. 1) What's to keep an", "friends? 2) What's to keep an agent from taking my original ideas, giving", "my original ideas, giving them to a writer friend, and having them create", "based off of some of those ideas? How do new writers protect themselves", "of their writer friends? 2) What's to keep an agent from taking my", "original ideas, giving them to a writer friend, and having them create their", "them create their own work based off of some of those ideas? How", "never published before. 1) What's to keep an agent from taking my manuscript", "publishing it themselves, or handing it off to one of their writer friends?", "it off to one of their writer friends? 2) What's to keep an", "their own work based off of some of those ideas? How do new", "of some of those ideas? How do new writers protect themselves from things", "published before. 1) What's to keep an agent from taking my manuscript and", "literary agent. I've never published before. 1) What's to keep an agent from", "some of those ideas? How do new writers protect themselves from things like", "to one of their writer friends? 2) What's to keep an agent from", "looking for a literary agent. I've never published before. 1) What's to keep", "to keep an agent from taking my original ideas, giving them to a", "an agent from taking my original ideas, giving them to a writer friend,", "I've never published before. 1) What's to keep an agent from taking my", "themselves, or handing it off to one of their writer friends? 2) What's", "writer friends? 2) What's to keep an agent from taking my original ideas,", "having them create their own work based off of some of those ideas?", "and having them create their own work based off of some of those", "agent from taking my original ideas, giving them to a writer friend, and", "or handing it off to one of their writer friends? 2) What's to", "2) What's to keep an agent from taking my original ideas, giving them", "I'm looking for a literary agent. I've never published before. 1) What's to", "What's to keep an agent from taking my original ideas, giving them to", "to keep an agent from taking my manuscript and publishing it themselves, or", "create their own work based off of some of those ideas? How do", "work based off of some of those ideas? How do new writers protect", "of those ideas? How do new writers protect themselves from things like this?", "them to a writer friend, and having them create their own work based", "to a writer friend, and having them create their own work based off", "manuscript and publishing it themselves, or handing it off to one of their", "one of their writer friends? 2) What's to keep an agent from taking", "off to one of their writer friends? 2) What's to keep an agent", "from taking my original ideas, giving them to a writer friend, and having", "before. 1) What's to keep an agent from taking my manuscript and publishing", "a literary agent. I've never published before. 1) What's to keep an agent", "agent from taking my manuscript and publishing it themselves, or handing it off" ]
[ "remuneration than the other VPs. The second prospective husband is a wealthy man", "to take it over. The woman is primarily motivated by her career, and", "The second prospective husband is a wealthy man won't help her in her", "help her in her career but offers the woman the luxuries of life", "of life as a consolation prize. The third man is the CEO of", "all four people come from a similar social class, is this sufficient grounds", "in a startup with less authority and remuneration than the other VPs. The", "sufficient grounds for \"fit,\" or do I need to get into other issues", "a startup with less authority and remuneration than the other VPs. The second", "fit for the heroine, than the two men she married (or agreed to", "the heroine, than the two men she married (or agreed to marry) before", "man won't help her in her career but offers the woman the luxuries", "of how to take it over. The woman is primarily motivated by her", "luxuries of life as a consolation prize. The third man is the CEO", "is to show that the hero is a better fit for the heroine,", "with less authority and remuneration than the other VPs. The second prospective husband", "that the hero is a better fit for the heroine, than the two", "four people come from a similar social class, is this sufficient grounds for", "the woman a \"vice-presidency\" in a startup with less authority and remuneration than", "The third man is the CEO of his own company who pumps enough", "woman is primarily motivated by her career, and largely judges her men by", "as giving her an idea of how to take it over. The woman", "the other VPs. The second prospective husband is a wealthy man won't help", "the CEO of his own company who pumps enough money into the woman's", "is a wealthy man won't help her in her career but offers the", "won't help her in her career but offers the woman the luxuries of", "Given that all four people come from a similar social class, is this", "that company's internal balance of power in her favor, as well as giving", "(a supplier) to change that company's internal balance of power in her favor,", "influence to get the woman a \"vice-presidency\" in a startup with less authority", "giving her an idea of how to take it over. The woman is", "it over. The woman is primarily motivated by her career, and largely judges", "pumps enough money into the woman's company (a supplier) to change that company's", "to get into other issues such as shared tastes or cultural similarities, etc.?", "of his own company who pumps enough money into the woman's company (a", "grounds for \"fit,\" or do I need to get into other issues such", "as a consolation prize. The third man is the CEO of his own", "judges her men by who helps her in this regard. Given that all", "(or agreed to marry) before him. The first husband uses his influence to", "than the other VPs. The second prospective husband is a wealthy man won't", "over. The woman is primarily motivated by her career, and largely judges her", "primarily motivated by her career, and largely judges her men by who helps", "money into the woman's company (a supplier) to change that company's internal balance", "men by who helps her in this regard. Given that all four people", "a wealthy man won't help her in her career but offers the woman", "the woman's company (a supplier) to change that company's internal balance of power", "husband is a wealthy man won't help her in her career but offers", "less authority and remuneration than the other VPs. The second prospective husband is", "woman the luxuries of life as a consolation prize. The third man is", "is the CEO of his own company who pumps enough money into the", "is primarily motivated by her career, and largely judges her men by who", "man is the CEO of his own company who pumps enough money into", "her favor, as well as giving her an idea of how to take", "favor, as well as giving her an idea of how to take it", "career but offers the woman the luxuries of life as a consolation prize.", "do I need to get into other issues such as shared tastes or", "prospective husband is a wealthy man won't help her in her career but", "The woman is primarily motivated by her career, and largely judges her men", "her men by who helps her in this regard. Given that all four", "who helps her in this regard. Given that all four people come from", "helps her in this regard. Given that all four people come from a", "life as a consolation prize. The third man is the CEO of his", "this sufficient grounds for \"fit,\" or do I need to get into other", "who pumps enough money into the woman's company (a supplier) to change that", "is this sufficient grounds for \"fit,\" or do I need to get into", "own company who pumps enough money into the woman's company (a supplier) to", "a consolation prize. The third man is the CEO of his own company", "this regard. Given that all four people come from a similar social class,", "second prospective husband is a wealthy man won't help her in her career", "woman a \"vice-presidency\" in a startup with less authority and remuneration than the", "that all four people come from a similar social class, is this sufficient", "and largely judges her men by who helps her in this regard. Given", "two men she married (or agreed to marry) before him. The first husband", "come from a similar social class, is this sufficient grounds for \"fit,\" or", "his own company who pumps enough money into the woman's company (a supplier)", "other VPs. The second prospective husband is a wealthy man won't help her", "as well as giving her an idea of how to take it over.", "agreed to marry) before him. The first husband uses his influence to get", "my goal is to show that the hero is a better fit for", "change that company's internal balance of power in her favor, as well as", "the luxuries of life as a consolation prize. The third man is the", "offers the woman the luxuries of life as a consolation prize. The third", "class, is this sufficient grounds for \"fit,\" or do I need to get", "the two men she married (or agreed to marry) before him. The first", "or do I need to get into other issues such as shared tastes", "the hero is a better fit for the heroine, than the two men", "internal balance of power in her favor, as well as giving her an", "his influence to get the woman a \"vice-presidency\" in a startup with less", "similar social class, is this sufficient grounds for \"fit,\" or do I need", "her in this regard. Given that all four people come from a similar", "company's internal balance of power in her favor, as well as giving her", "balance of power in her favor, as well as giving her an idea", "but offers the woman the luxuries of life as a consolation prize. The", "prize. The third man is the CEO of his own company who pumps", "well as giving her an idea of how to take it over. The", "authority and remuneration than the other VPs. The second prospective husband is a", "VPs. The second prospective husband is a wealthy man won't help her in", "by her career, and largely judges her men by who helps her in", "a better fit for the heroine, than the two men she married (or", "to get the woman a \"vice-presidency\" in a startup with less authority and", "company who pumps enough money into the woman's company (a supplier) to change", "into the woman's company (a supplier) to change that company's internal balance of", "married (or agreed to marry) before him. The first husband uses his influence", "supplier) to change that company's internal balance of power in her favor, as", "a similar social class, is this sufficient grounds for \"fit,\" or do I", "in her career but offers the woman the luxuries of life as a", "uses his influence to get the woman a \"vice-presidency\" in a startup with", "career, and largely judges her men by who helps her in this regard.", "and remuneration than the other VPs. The second prospective husband is a wealthy", "The first husband uses his influence to get the woman a \"vice-presidency\" in", "for \"fit,\" or do I need to get into other issues such as", "in this regard. Given that all four people come from a similar social", "\"fit,\" or do I need to get into other issues such as shared", "of power in her favor, as well as giving her an idea of", "by who helps her in this regard. Given that all four people come", "from a similar social class, is this sufficient grounds for \"fit,\" or do", "goal is to show that the hero is a better fit for the", "is a better fit for the heroine, than the two men she married", "third man is the CEO of his own company who pumps enough money", "show that the hero is a better fit for the heroine, than the", "In my work, my goal is to show that the hero is a", "than the two men she married (or agreed to marry) before him. The", "for the heroine, than the two men she married (or agreed to marry)", "power in her favor, as well as giving her an idea of how", "get the woman a \"vice-presidency\" in a startup with less authority and remuneration", "idea of how to take it over. The woman is primarily motivated by", "work, my goal is to show that the hero is a better fit", "a \"vice-presidency\" in a startup with less authority and remuneration than the other", "regard. Given that all four people come from a similar social class, is", "I need to get into other issues such as shared tastes or cultural", "her career but offers the woman the luxuries of life as a consolation", "people come from a similar social class, is this sufficient grounds for \"fit,\"", "how to take it over. The woman is primarily motivated by her career,", "my work, my goal is to show that the hero is a better", "to change that company's internal balance of power in her favor, as well", "company (a supplier) to change that company's internal balance of power in her", "consolation prize. The third man is the CEO of his own company who", "better fit for the heroine, than the two men she married (or agreed", "social class, is this sufficient grounds for \"fit,\" or do I need to", "motivated by her career, and largely judges her men by who helps her", "woman's company (a supplier) to change that company's internal balance of power in", "the woman the luxuries of life as a consolation prize. The third man", "she married (or agreed to marry) before him. The first husband uses his", "enough money into the woman's company (a supplier) to change that company's internal", "in her favor, as well as giving her an idea of how to", "first husband uses his influence to get the woman a \"vice-presidency\" in a", "an idea of how to take it over. The woman is primarily motivated", "before him. The first husband uses his influence to get the woman a", "hero is a better fit for the heroine, than the two men she", "heroine, than the two men she married (or agreed to marry) before him.", "CEO of his own company who pumps enough money into the woman's company", "\"vice-presidency\" in a startup with less authority and remuneration than the other VPs.", "her in her career but offers the woman the luxuries of life as", "largely judges her men by who helps her in this regard. Given that", "wealthy man won't help her in her career but offers the woman the", "her an idea of how to take it over. The woman is primarily", "startup with less authority and remuneration than the other VPs. The second prospective", "to show that the hero is a better fit for the heroine, than", "marry) before him. The first husband uses his influence to get the woman", "to marry) before him. The first husband uses his influence to get the", "need to get into other issues such as shared tastes or cultural similarities,", "husband uses his influence to get the woman a \"vice-presidency\" in a startup", "take it over. The woman is primarily motivated by her career, and largely", "men she married (or agreed to marry) before him. The first husband uses", "her career, and largely judges her men by who helps her in this", "him. The first husband uses his influence to get the woman a \"vice-presidency\"" ]
[ "work I look to develop a method to combat the issue. The solution", "good enough. Subsequently, ensuring you adhere to these rules will guarantee you life-long", "or article). If I am to be honest, most of my writing skills", "book or article). If I am to be honest, most of my writing", "less 'creative' to base styles and conventions on work of writers and the", "by a programming instruction. If I've learned anything about novel writing it is", "a programming instruction. If I've learned anything about novel writing it is that", "work of novice writers and deciding what I don't like. Most of it", "me in the direction of a popular book or article on the subject", "If I've learned anything about novel writing it is that those 'rules' that", "silly! If I ask a question no doubt somebody will point me in", "a popular book or article on the subject but, then again, assuming I", "because you're not good enough. Subsequently, ensuring you adhere to these rules will", "you should not do because you're not good enough. Subsequently, ensuring you adhere", "work of writers and the tastes of readers who live before we were", "I was a 'serious' writer there's a good chance I would have read", "to combat the issue. The solution did not come from a 'How to'", "writers and the tastes of readers who live before we were born. Even", "born. Even the rules of this site seem to be anti-creativity. You discourage", "novel. It is perhaps even less 'creative' to base styles and conventions on", "Even the rules of this site seem to be anti-creativity. You discourage opinions", "good chance I would have read (or at least be aware of said", "doubt somebody will point me in the direction of a popular book or", "most of my writing skills have been developed by reading the work of", "anything about novel writing it is that those 'rules' that are often quoted", "is nothing particularity creative about following a set of instructions on how to", "established author. It was inspired by a programming instruction. If I've learned anything", "in place for novices. There are things you should not do because you're", "programming instruction. If I've learned anything about novel writing it is that those", "instruction. If I've learned anything about novel writing it is that those 'rules'", "are things you should not do because you're not good enough. Subsequently, ensuring", "learned anything about novel writing it is that those 'rules' that are often", "and the tastes of readers who live before we were born. Even the", "live before we were born. Even the rules of this site seem to", "of said book or article). If I am to be honest, most of", "writing skills have been developed by reading the work of novice writers and", "threaded flat telling, 'this' happened then 'that' happened. So in my own work", "we were born. Even the rules of this site seem to be anti-creativity.", "author. It was inspired by a programming instruction. If I've learned anything about", "from an established author. It was inspired by a programming instruction. If I've", "base styles and conventions on work of writers and the tastes of readers", "honest, most of my writing skills have been developed by reading the work", "It is perhaps even less 'creative' to base styles and conventions on work", "look to develop a method to combat the issue. The solution did not", "put in place for novices. There are things you should not do because", "were born. Even the rules of this site seem to be anti-creativity. You", "following a set of instructions on how to write a novel. It is", "be aware of said book or article). If I am to be honest,", "The solution did not come from a 'How to' book, nor did it", "discourage opinions and praise sources but that all seems - silly! If I", "inspired by a programming instruction. If I've learned anything about novel writing it", "are often quoted are put in place for novices. There are things you", "I am to be honest, most of my writing skills have been developed", "- silly! If I ask a question no doubt somebody will point me", "develop a method to combat the issue. The solution did not come from", "There is nothing particularity creative about following a set of instructions on how", "reading the work of novice writers and deciding what I don't like. Most", "writing it is that those 'rules' that are often quoted are put in", "assuming I was a 'serious' writer there's a good chance I would have", "readers who live before we were born. Even the rules of this site", "be anti-creativity. You discourage opinions and praise sources but that all seems -", "aware of said book or article). If I am to be honest, most", "like. Most of it is 'single threaded flat telling, 'this' happened then 'that'", "did it come from an established author. It was inspired by a programming", "praise sources but that all seems - silly! If I ask a question", "'single threaded flat telling, 'this' happened then 'that' happened. So in my own", "was inspired by a programming instruction. If I've learned anything about novel writing", "I look to develop a method to combat the issue. The solution did", "things you should not do because you're not good enough. Subsequently, ensuring you", "often quoted are put in place for novices. There are things you should", "an established author. It was inspired by a programming instruction. If I've learned", "to be anti-creativity. You discourage opinions and praise sources but that all seems", "point me in the direction of a popular book or article on the", "the work of novice writers and deciding what I don't like. Most of", "own work I look to develop a method to combat the issue. The", "enough. Subsequently, ensuring you adhere to these rules will guarantee you life-long novice", "chance I would have read (or at least be aware of said book", "a 'serious' writer there's a good chance I would have read (or at", "styles and conventions on work of writers and the tastes of readers who", "So in my own work I look to develop a method to combat", "you're not good enough. Subsequently, ensuring you adhere to these rules will guarantee", "flat telling, 'this' happened then 'that' happened. So in my own work I", "combat the issue. The solution did not come from a 'How to' book,", "of readers who live before we were born. Even the rules of this", "Most of it is 'single threaded flat telling, 'this' happened then 'that' happened.", "to' book, nor did it come from an established author. It was inspired", "solution did not come from a 'How to' book, nor did it come", "a good chance I would have read (or at least be aware of", "I would have read (or at least be aware of said book or", "have been developed by reading the work of novice writers and deciding what", "of novice writers and deciding what I don't like. Most of it is", "am to be honest, most of my writing skills have been developed by", "instructions on how to write a novel. It is perhaps even less 'creative'", "the subject but, then again, assuming I was a 'serious' writer there's a", "said book or article). If I am to be honest, most of my", "about novel writing it is that those 'rules' that are often quoted are", "my own work I look to develop a method to combat the issue.", "the issue. 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You discourage opinions and praise sources but", "direction of a popular book or article on the subject but, then again,", "been developed by reading the work of novice writers and deciding what I", "developed by reading the work of novice writers and deciding what I don't", "conventions on work of writers and the tastes of readers who live before", "I don't like. Most of it is 'single threaded flat telling, 'this' happened", "then 'that' happened. So in my own work I look to develop a", "'serious' writer there's a good chance I would have read (or at least", "novices. There are things you should not do because you're not good enough.", "at least be aware of said book or article). If I am to", "but, then again, assuming I was a 'serious' writer there's a good chance", "but that all seems - silly! If I ask a question no doubt", "on the subject but, then again, assuming I was a 'serious' writer there's", "a method to combat the issue. The solution did not come from a", "is 'single threaded flat telling, 'this' happened then 'that' happened. So in my", "tastes of readers who live before we were born. Even the rules of", "it is 'single threaded flat telling, 'this' happened then 'that' happened. So in", "'this' happened then 'that' happened. So in my own work I look to", "write a novel. It is perhaps even less 'creative' to base styles and", "somebody will point me in the direction of a popular book or article", "'creative' to base styles and conventions on work of writers and the tastes", "it come from an established author. It was inspired by a programming instruction.", "of instructions on how to write a novel. It is perhaps even less", "it is that those 'rules' that are often quoted are put in place", "even less 'creative' to base styles and conventions on work of writers and", "and praise sources but that all seems - silly! If I ask a", "rules of this site seem to be anti-creativity. 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It is perhaps even", "of a popular book or article on the subject but, then again, assuming", "happened then 'that' happened. So in my own work I look to develop", "of writers and the tastes of readers who live before we were born.", "nor did it come from an established author. It was inspired by a", "on how to write a novel. It is perhaps even less 'creative' to", "come from a 'How to' book, nor did it come from an established", "is that those 'rules' that are often quoted are put in place for", "(or at least be aware of said book or article). If I am", "book, nor did it come from an established author. It was inspired by", "happened. So in my own work I look to develop a method to", "all seems - silly! If I ask a question no doubt somebody will", "read (or at least be aware of said book or article). If I", "method to combat the issue. The solution did not come from a 'How", "novice writers and deciding what I don't like. Most of it is 'single" ]
[ "the option was not prison whilst assuming several aspects of her character and", "top of my knowledge without leaving those not having the benefit my experience", "bad, only thinking makes it so.\" \". . . gathered here today .", "at the top of my knowledge without leaving those not having the benefit", ". only thinking . . .\" \"I . . . I don't want", "of writing). To exacerbate the issue I can use a camera-control slow-reveal opening.", "having the benefit my experience behind. It may sound arrogant but if I", "a bride who's absconded on her wedding day, and understand the option was", "may understand a bride who's absconded on her wedding day, and understand the", "target reader will get bored of reading (and I'll get bored of writing).", "wedding day, and understand the option was not prison whilst assuming several aspects", "of reading (and I'll get bored of writing). To exacerbate the issue I", "only thinking makes it so.\" \". . . gathered here today . .", "experience behind. It may sound arrogant but if I write for the lowest", "her. The minister raised his brows. \"Oops.\" * Some readers may have no", "cleared his throat. \"There is neither . . .\" Emily drew breath to", "thinking makes it so. There is neither good nor bad, only thinking makes", "the issue I can use a camera-control slow-reveal opening. \"Dearly beloved . .", ". .\" She squeezed her eyes shut, waiting for her cue. \"There is", "She'd rehearsed for this moment. It would be okay. She was just a", "always struggled with this. I like to write at the top of my", "drowned out by Emily's relentless nagging internal voice. \"There is neither good nor", "turn to speak her line. The internal voice intensified, repeating the same line", "benefit my experience behind. It may sound arrogant but if I write for", "go to prison!\" Emily blurted out before hitching up her dress and sprinting", "It may sound arrogant but if I write for the lowest common denominator", ". . .\" \"I . . . I don't want to go to", "internal voice. \"There is neither good nor bad, only thinking makes it so.\"", "readers may understand a nervous bride has absconded on her wedding day. But", "neither good nor bad, only thinking makes it so. There is neither good", "door echoed as she slammed it behind her. The minister raised his brows.", "echoed as she slammed it behind her. The minister raised his brows. \"Oops.\"", "may understand a nervous bride has absconded on her wedding day. But may", "with this. I like to write at the top of my knowledge without", "fully tuned may understand a bride who's absconded on her wedding day, and", "\"Dearly beloved . . .\" The sounds of the speech were drowned out", ". . . only thinking . . .\" \"I . . . I", "if I write for the lowest common denominator I feel my target reader", "only thinking makes it so.\" She'd rehearsed for this moment. It would be", "moment. It would be okay. She was just a little nervous - that's", "slammed it behind her. The minister raised his brows. \"Oops.\" * Some readers", "rehearsed for this moment. It would be okay. She was just a little", "nor bad, only thinking makes it so.\" The minister cleared his throat. \"There", "option. * The fully tuned may understand a bride who's absconded on her", "not having the benefit my experience behind. It may sound arrogant but if", "aisle. The bang of the church door echoed as she slammed it behind", "but if I write for the lowest common denominator I feel my target", "issue I can use a camera-control slow-reveal opening. \"Dearly beloved . . .\"", "I've always struggled with this. I like to write at the top of", "absconded on her wedding day. But may be confused by the prison option.", "–\" \" . . . only thinking . . .\" \"I . .", "her wedding day, and understand the option was not prison whilst assuming several", "only thinking makes it so. There is neither good nor bad, only thinking", "Some readers may have no clue what's going on. * Other readers may", "of the speech were drowned out by Emily's relentless nagging internal voice. \"There", "what's going on. * Other readers may understand a nervous bride has absconded", "may have no clue what's going on. * Other readers may understand a", "thinking . . .\" \"I . . . I don't want to go", "makes it so.\" \". . . gathered here today . . .\" \"There", "tuned may understand a bride who's absconded on her wedding day, and understand", ".\" The sounds of the speech were drowned out by Emily's relentless nagging", "bride has absconded on her wedding day. But may be confused by the", "There is neither good nor bad, only thinking makes it so.\" She'd rehearsed", "sounds of the speech were drowned out by Emily's relentless nagging internal voice.", "\"There is neither . . .\" Emily drew breath to speak. \"I –\"", ". I don't want to go to prison!\" Emily blurted out before hitching", "The minister cleared his throat. \"There is neither . . .\" Emily drew", "readers may have no clue what's going on. * Other readers may understand", "day. But may be confused by the prison option. * The fully tuned", "down the aisle. The bang of the church door echoed as she slammed", "\"I –\" \" . . . only thinking . . .\" \"I .", "I write for the lowest common denominator I feel my target reader will", "drew breath to speak. \"I –\" \" . . . only thinking .", "The internal voice intensified, repeating the same line over and over again. \"There", "out by Emily's relentless nagging internal voice. \"There is neither good nor bad,", "that's all. \". . . in the sight of God . . .\"", "the same line over and over again. \"There is neither good nor bad,", "over and over again. \"There is neither good nor bad, only thinking makes", "to prison!\" Emily blurted out before hitching up her dress and sprinting away", "\". . . gathered here today . . .\" \"There is neither good", "(and I'll get bored of writing). To exacerbate the issue I can use", "her dress and sprinting away down the aisle. The bang of the church", "She squeezed her eyes shut, waiting for her cue. \"There is neither good", "here today . . .\" \"There is neither good nor bad, only thinking", "away down the aisle. The bang of the church door echoed as she", "minister raised his brows. \"Oops.\" * Some readers may have no clue what's", "The room fell silent. That was her cue. It was her turn to", "behind. It may sound arrogant but if I write for the lowest common", "\"There is neither good nor bad, only thinking makes it so.\" \". .", "bad, only thinking makes it so.\" She'd rehearsed for this moment. It would", "intensified, repeating the same line over and over again. \"There is neither good", "The fully tuned may understand a bride who's absconded on her wedding day,", "good nor bad, only thinking makes it so. There is neither good nor", "struggled with this. I like to write at the top of my knowledge", "be confused by the prison option. * The fully tuned may understand a", "it so. There is neither good nor bad, only thinking makes it so.\"", "be okay. She was just a little nervous - that's all. \". .", "so. There is neither good nor bad, only thinking makes it so.\" She'd", "voice. \"There is neither good nor bad, only thinking makes it so.\" \".", "nervous - that's all. \". . . in the sight of God .", "for her cue. \"There is neither good nor bad, only thinking makes it", "prison option. * The fully tuned may understand a bride who's absconded on", ".\" Emily drew breath to speak. \"I –\" \" . . . only", "the top of my knowledge without leaving those not having the benefit my", "use a camera-control slow-reveal opening. \"Dearly beloved . . .\" The sounds of", "the aisle. The bang of the church door echoed as she slammed it", "nor bad, only thinking makes it so.\" She'd rehearsed for this moment. It", "his brows. \"Oops.\" * Some readers may have no clue what's going on.", "It would be okay. She was just a little nervous - that's all.", "bored of reading (and I'll get bored of writing). To exacerbate the issue", "exacerbate the issue I can use a camera-control slow-reveal opening. \"Dearly beloved .", "so. There is neither good nor bad, only thinking makes it so. There", "There is neither good nor bad, only thinking makes it so.\" The room", ".\" \"There is neither good nor bad, only thinking makes it so. There", "again. \"There is neither good nor bad, only thinking makes it so.\" The", "neither good nor bad, only thinking makes it so.\" She'd rehearsed for this", "speak. \"I –\" \" . . . only thinking . . .\" \"I", ". .\" \"There is neither good nor bad, only thinking makes it so.", "her cue. \"There is neither good nor bad, only thinking makes it so.", "on her wedding day. But may be confused by the prison option. ", ". gathered here today . . .\" \"There is neither good nor bad,", "The bang of the church door echoed as she slammed it behind her.", "I don't want to go to prison!\" Emily blurted out before hitching up", "The minister raised his brows. \"Oops.\" Some readers may have no clue", "get bored of reading (and I'll get bored of writing). To exacerbate the", "arrogant but if I write for the lowest common denominator I feel my", "Other readers may understand a nervous bride has absconded on her wedding day.", ". . .\" The sounds of the speech were drowned out by Emily's", "feel my target reader will get bored of reading (and I'll get bored", "the benefit my experience behind. It may sound arrogant but if I write", "the church door echoed as she slammed it behind her. The minister raised", "my experience behind. It may sound arrogant but if I write for the", "it so. There is neither good nor bad, only thinking makes it so.", "and sprinting away down the aisle. The bang of the church door echoed", "thinking makes it so.\" \". . . gathered here today . . .\"", "wedding day. But may be confused by the prison option. * The fully", "is neither good nor bad, only thinking makes it so.\" The room fell", "neither good nor bad, only thinking makes it so.\" The minister cleared his", "understand the option was not prison whilst assuming several aspects of her character", "writing). To exacerbate the issue I can use a camera-control slow-reveal opening. \"Dearly", "I can use a camera-control slow-reveal opening. \"Dearly beloved . . .\" The", "confused by the prison option. * The fully tuned may understand a bride", "so.\" The minister cleared his throat. \"There is neither . . .\" Emily", "like to write at the top of my knowledge without leaving those not", "But may be confused by the prison option. * The fully tuned may", "sprinting away down the aisle. The bang of the church door echoed as", "her cue. It was her turn to speak her line. The internal voice", "good nor bad, only thinking makes it so.\" She'd rehearsed for this moment.", "sound arrogant but if I write for the lowest common denominator I feel", "on her wedding day, and understand the option was not prison whilst assuming", "same line over and over again. \"There is neither good nor bad, only", "a camera-control slow-reveal opening. \"Dearly beloved . . .\" The sounds of the", "neither . . .\" Emily drew breath to speak. \"I –\" \" .", "without leaving those not having the benefit my experience behind. It may sound", "little nervous - that's all. \". . . in the sight of God", "beloved . . .\" The sounds of the speech were drowned out by", ". . gathered here today . . .\" \"There is neither good nor", "lowest common denominator I feel my target reader will get bored of reading", "waiting for her cue. \"There is neither good nor bad, only thinking makes", "would be okay. She was just a little nervous - that's all. \".", "her turn to speak her line. The internal voice intensified, repeating the same", ". . I don't want to go to prison!\" Emily blurted out before", "is neither good nor bad, only thinking makes it so.\" \". . .", ". . .\" \"There is neither good nor bad, only thinking makes it", "\"There is neither good nor bad, only thinking makes it so. There is", "as she slammed it behind her. The minister raised his brows. \"Oops.\" ", " Other readers may understand a nervous bride has absconded on her wedding", "sight of God . . .\" She squeezed her eyes shut, waiting for", "today . . .\" \"There is neither good nor bad, only thinking makes", "thinking makes it so.\" The room fell silent. That was her cue. It", "may sound arrogant but if I write for the lowest common denominator I", "common denominator I feel my target reader will get bored of reading (and", "\"There is neither good nor bad, only thinking makes it so.\" The minister", "just a little nervous - that's all. \". . . in the sight", "the prison option. * The fully tuned may understand a bride who's absconded", "* The fully tuned may understand a bride who's absconded on her wedding", "good nor bad, only thinking makes it so.\" The room fell silent. That", "a little nervous - that's all. \". . . in the sight of", "it so.\" The room fell silent. That was her cue. It was her", "thinking makes it so.\" She'd rehearsed for this moment. It would be okay.", ". . .\" Emily drew breath to speak. \"I –\" \" . .", "behind her. The minister raised his brows. \"Oops.\" * Some readers may have", "dress and sprinting away down the aisle. The bang of the church door", "it so.\" The minister cleared his throat. \"There is neither . . .\"", "The sounds of the speech were drowned out by Emily's relentless nagging internal", "she slammed it behind her. The minister raised his brows. \"Oops.\" * Some", "reading (and I'll get bored of writing). To exacerbate the issue I can", "write at the top of my knowledge without leaving those not having the", "line. The internal voice intensified, repeating the same line over and over again.", "good nor bad, only thinking makes it so.\" The minister cleared his throat.", "shut, waiting for her cue. \"There is neither good nor bad, only thinking", "of the church door echoed as she slammed it behind her. The minister", "can use a camera-control slow-reveal opening. \"Dearly beloved . . .\" The sounds", "makes it so. There is neither good nor bad, only thinking makes it", "bang of the church door echoed as she slammed it behind her. The", "It was her turn to speak her line. The internal voice intensified, repeating", "is neither . . .\" Emily drew breath to speak. \"I –\" \"", "for the lowest common denominator I feel my target reader will get bored", "to write at the top of my knowledge without leaving those not having", ". in the sight of God . . .\" She squeezed her eyes", "is neither good nor bad, only thinking makes it so. There is neither", "her wedding day. But may be confused by the prison option. * The", "is neither good nor bad, only thinking makes it so.\" The minister cleared", "minister cleared his throat. \"There is neither . . .\" Emily drew breath", "before hitching up her dress and sprinting away down the aisle. The bang", "fell silent. That was her cue. It was her turn to speak her", "God . . .\" She squeezed her eyes shut, waiting for her cue.", "Emily blurted out before hitching up her dress and sprinting away down the", "and over again. \"There is neither good nor bad, only thinking makes it", "\"Oops.\" * Some readers may have no clue what's going on. * Other", "speak her line. The internal voice intensified, repeating the same line over and", "is neither good nor bad, only thinking makes it so.\" She'd rehearsed for", "makes it so.\" The minister cleared his throat. \"There is neither . .", "will get bored of reading (and I'll get bored of writing). To exacerbate", "bored of writing). To exacerbate the issue I can use a camera-control slow-reveal", "don't want to go to prison!\" Emily blurted out before hitching up her", "who's absconded on her wedding day, and understand the option was not prison", "* Some readers may have no clue what's going on. * Other readers", ". . . I don't want to go to prison!\" Emily blurted out", "nor bad, only thinking makes it so.\" The room fell silent. That was", "okay. She was just a little nervous - that's all. \". . .", "To exacerbate the issue I can use a camera-control slow-reveal opening. \"Dearly beloved", "neither good nor bad, only thinking makes it so.\" The room fell silent.", "repeating the same line over and over again. \"There is neither good nor", "There is neither good nor bad, only thinking makes it so. There is", "want to go to prison!\" Emily blurted out before hitching up her dress", "Emily drew breath to speak. \"I –\" \" . . . only thinking", "on. * Other readers may understand a nervous bride has absconded on her", "Emily's relentless nagging internal voice. \"There is neither good nor bad, only thinking", "in the sight of God . . .\" She squeezed her eyes shut,", "to speak. \"I –\" \" . . . only thinking . . .\"", "those not having the benefit my experience behind. It may sound arrogant but", "of God . . .\" She squeezed her eyes shut, waiting for her", "a nervous bride has absconded on her wedding day. But may be confused", "get bored of writing). To exacerbate the issue I can use a camera-control", "by Emily's relentless nagging internal voice. \"There is neither good nor bad, only", "this. I like to write at the top of my knowledge without leaving", "understand a nervous bride has absconded on her wedding day. But may be", "for this moment. It would be okay. She was just a little nervous", ". .\" The sounds of the speech were drowned out by Emily's relentless", "internal voice intensified, repeating the same line over and over again. \"There is", "bad, only thinking makes it so.\" The room fell silent. That was her", "- that's all. \". . . in the sight of God . .", "all. \". . . in the sight of God . . .\" She", "were drowned out by Emily's relentless nagging internal voice. \"There is neither good", "the sight of God . . .\" She squeezed her eyes shut, waiting", "nagging internal voice. \"There is neither good nor bad, only thinking makes it", "write for the lowest common denominator I feel my target reader will get", "was her turn to speak her line. The internal voice intensified, repeating the", "church door echoed as she slammed it behind her. The minister raised his", "breath to speak. \"I –\" \" . . . only thinking . .", "opening. \"Dearly beloved . . .\" The sounds of the speech were drowned", "reader will get bored of reading (and I'll get bored of writing). To", "prison!\" Emily blurted out before hitching up her dress and sprinting away down", "nervous bride has absconded on her wedding day. But may be confused by", "room fell silent. That was her cue. It was her turn to speak", ".\" She squeezed her eyes shut, waiting for her cue. \"There is neither", "bride who's absconded on her wedding day, and understand the option was not", "camera-control slow-reveal opening. \"Dearly beloved . . .\" The sounds of the speech", "so.\" She'd rehearsed for this moment. It would be okay. She was just", "to speak her line. The internal voice intensified, repeating the same line over", "out before hitching up her dress and sprinting away down the aisle. The", "I feel my target reader will get bored of reading (and I'll get", "so.\" \". . . gathered here today . . .\" \"There is neither", "relentless nagging internal voice. \"There is neither good nor bad, only thinking makes", "it behind her. The minister raised his brows. \"Oops.\" * Some readers may", "speech were drowned out by Emily's relentless nagging internal voice. \"There is neither", "\"I . . . I don't want to go to prison!\" Emily blurted", "brows. \"Oops.\" * Some readers may have no clue what's going on. ", "going on. Other readers may understand a nervous bride has absconded on", "makes it so.\" She'd rehearsed for this moment. It would be okay. She", "cue. It was her turn to speak her line. The internal voice intensified,", "She was just a little nervous - that's all. \". . . in", "his throat. \"There is neither . . .\" Emily drew breath to speak.", "no clue what's going on. * Other readers may understand a nervous bride", "understand a bride who's absconded on her wedding day, and understand the option", "the lowest common denominator I feel my target reader will get bored of", "her line. The internal voice intensified, repeating the same line over and over", "clue what's going on. * Other readers may understand a nervous bride has", "line over and over again. \"There is neither good nor bad, only thinking", "only thinking . . .\" \"I . . . I don't want to", "hitching up her dress and sprinting away down the aisle. The bang of", "the speech were drowned out by Emily's relentless nagging internal voice. \"There is", "\" . . . only thinking . . .\" \"I . . .", "option was not prison whilst assuming several aspects of her character and back-story.", "silent. That was her cue. It was her turn to speak her line.", "makes it so.\" The room fell silent. That was her cue. It was", "of my knowledge without leaving those not having the benefit my experience behind.", "raised his brows. \"Oops.\" * Some readers may have no clue what's going", "bad, only thinking makes it so.\" The minister cleared his throat. \"There is", "this moment. It would be okay. She was just a little nervous -", "have no clue what's going on. * Other readers may understand a nervous", ".\" \"I . . . I don't want to go to prison!\" Emily", "over again. \"There is neither good nor bad, only thinking makes it so.\"", "throat. \"There is neither . . .\" Emily drew breath to speak. \"I", "thinking makes it so.\" The minister cleared his throat. \"There is neither .", "only thinking makes it so.\" The minister cleared his throat. \"There is neither", "squeezed her eyes shut, waiting for her cue. \"There is neither good nor", "to go to prison!\" Emily blurted out before hitching up her dress and", "denominator I feel my target reader will get bored of reading (and I'll", "bad, only thinking makes it so. There is neither good nor bad, only", "cue. \"There is neither good nor bad, only thinking makes it so. There", "by the prison option. * The fully tuned may understand a bride who's", "my target reader will get bored of reading (and I'll get bored of", "eyes shut, waiting for her cue. \"There is neither good nor bad, only", "it so.\" She'd rehearsed for this moment. It would be okay. She was", "so.\" The room fell silent. That was her cue. It was her turn", "\". . . in the sight of God . . .\" She squeezed", "her eyes shut, waiting for her cue. \"There is neither good nor bad,", ". . only thinking . . .\" \"I . . . I don't", "knowledge without leaving those not having the benefit my experience behind. It may", ". . .\" She squeezed her eyes shut, waiting for her cue. \"There", "was just a little nervous - that's all. \". . . in the", "only thinking makes it so.\" The room fell silent. That was her cue.", ". .\" Emily drew breath to speak. \"I –\" \" . . .", "absconded on her wedding day, and understand the option was not prison whilst", "neither good nor bad, only thinking makes it so.\" \". . . gathered", "so. There is neither good nor bad, only thinking makes it so.\" The", "nor bad, only thinking makes it so.\" \". . . gathered here today", "nor bad, only thinking makes it so. There is neither good nor bad,", ". . in the sight of God . . .\" She squeezed her", "day, and understand the option was not prison whilst assuming several aspects of", "leaving those not having the benefit my experience behind. It may sound arrogant", "and understand the option was not prison whilst assuming several aspects of her", "voice intensified, repeating the same line over and over again. \"There is neither", "I like to write at the top of my knowledge without leaving those", "was her cue. It was her turn to speak her line. The internal", "blurted out before hitching up her dress and sprinting away down the aisle.", "has absconded on her wedding day. But may be confused by the prison", "up her dress and sprinting away down the aisle. The bang of the", "That was her cue. It was her turn to speak her line. The", "it so.\" \". . . gathered here today . . .\" \"There is", "my knowledge without leaving those not having the benefit my experience behind. It", "I'll get bored of writing). To exacerbate the issue I can use a", "slow-reveal opening. \"Dearly beloved . . .\" The sounds of the speech were", "good nor bad, only thinking makes it so.\" \". . . gathered here", ". .\" \"I . . . I don't want to go to prison!\"", "may be confused by the prison option. * The fully tuned may understand", "gathered here today . . .\" \"There is neither good nor bad, only" ]
[ "as one of those who \"follow the crowd\" but I don't really have", "need to know because all of the anime that I watch have at", "one character or more from another planet, and they're not usually friendly. I", "don't want to come off as one of those who \"follow the crowd\"", "all of the anime that I watch have at least one character or", "I don't want to come off as one of those who \"follow the", "friendly. I don't want to come off as one of those who \"follow", "know because all of the anime that I watch have at least one", "the anime that I watch have at least one character or more from", "to come off as one of those who \"follow the crowd\" but I", "not usually friendly. I don't want to come off as one of those", "another planet, and they're not usually friendly. I don't want to come off", "they're not usually friendly. I don't want to come off as one of", "usually friendly. I don't want to come off as one of those who", "one of those who \"follow the crowd\" but I don't really have any", "character or more from another planet, and they're not usually friendly. I don't", "want to come off as one of those who \"follow the crowd\" but", "from another planet, and they're not usually friendly. I don't want to come", "watch have at least one character or more from another planet, and they're", "that I watch have at least one character or more from another planet,", "have at least one character or more from another planet, and they're not", "least one character or more from another planet, and they're not usually friendly.", "I watch have at least one character or more from another planet, and", "at least one character or more from another planet, and they're not usually", "of the anime that I watch have at least one character or more", "planet, and they're not usually friendly. I don't want to come off as", "those who \"follow the crowd\" but I don't really have any other ideas.", "come off as one of those who \"follow the crowd\" but I don't", "anime that I watch have at least one character or more from another", "off as one of those who \"follow the crowd\" but I don't really", "I need to know because all of the anime that I watch have", "because all of the anime that I watch have at least one character", "and they're not usually friendly. I don't want to come off as one", "more from another planet, and they're not usually friendly. I don't want to", "of those who \"follow the crowd\" but I don't really have any other", "or more from another planet, and they're not usually friendly. I don't want", "to know because all of the anime that I watch have at least" ]
[ "highly illegible handwriting, scanning photographs and newspaper clippings, executing typography and graphic design,", "of thousands of words of highly illegible handwriting, scanning photographs and newspaper clippings,", "some surprise that she learnt she could only copyright the edition, not the", "Court and the residuary legatees. So I'm looking for suggestions. EDIT I am", "anywhere between 15%, which is what I get from Addison Wesley and Springer,", "Wesley and Springer, and 40-50% given that the publisher won't have a large", "handwriting, scanning photographs and newspaper clippings, executing typography and graphic design, and getting", "transcribing tens of thousands of words of highly illegible handwriting, scanning photographs and", "copyright the edition, not the original text, which must bear its own copyright", "and I am asking what royalty rate I should be aiming at, in", "the Supreme Court and the residuary legatees. So I'm looking for suggestions. EDIT", "considerable, as it involves transcribing tens of thousands of words of highly illegible", "that my relative is not Scribners or Macmillan. I am thinking anywhere between", "executor of my father's estate. A relative has started work on producing a", "Supreme Court and the residuary legatees. So I'm looking for suggestions. EDIT I", "line with reasonable commercial practice, and given that my relative is not Scribners", "I am not the publisher. I am not carrying any risk or investing", "of words of highly illegible handwriting, scanning photographs and newspaper clippings, executing typography", "that she learnt she could only copyright the edition, not the original text,", "Probate Division of the Supreme Court and the residuary legatees. So I'm looking", "author with a pre-existing text here, and I am asking what royalty rate", "in my opinion is far beyond the bounds of probability. But I'm wondering", "EDIT I am not looking for suggestions about how to deal with a", "newspaper clippings, executing typography and graphic design, and getting it printed and bound", "to strike a reasonable commercial royalty rate, but with a provision that it", "is not her property, and indeed it was possibly with some surprise that", "with some surprise that she learnt she could only copyright the edition, not", "been received, which in my opinion is far beyond the bounds of probability.", "is far beyond the bounds of probability. But I'm wondering what exactly that", "surprise that she learnt she could only copyright the edition, not the original", "an author with a pre-existing text here, and I am asking what royalty", "should be aiming at, in line with reasonable commercial practice, and given that", "15%, which is what I get from Addison Wesley and Springer, and 40-50%", "illegible handwriting, scanning photographs and newspaper clippings, executing typography and graphic design, and", "but with a provision that it doesn't kick in until at least all", "design, and getting it printed and bound somehow. On the other hand the", "covered and something well over, say $10,000, has been received, which in my", "(probably very) limited non-professional edition of my father's 1938-45 war diary. I need", "father's 1938-45 war diary. I need to strike a royalty agreement with her,", "commercial royalty rate, but with a provision that it doesn't kick in until", "bounds of probability. But I'm wondering what exactly that royalty rate should be.", "other hand the text is not her property, and indeed it was possibly", "estate. A relative has started work on producing a (probably very) limited non-professional", "possibly with some surprise that she learnt she could only copyright the edition,", "it involves transcribing tens of thousands of words of highly illegible handwriting, scanning", "indeed it was possibly with some surprise that she learnt she could only", "am not looking for suggestions about how to deal with a literary estate.", "project. I am in the position of an author with a pre-existing text", "But I'm wondering what exactly that royalty rate should be. The labour on", "On the other hand the text is not her property, and indeed it", "well over, say $10,000, has been received, which in my opinion is far", "a bestseller, I have duly and diligently carried out my duties and obligations", "with a literary estate. I am not the publisher. I am not carrying", "strike a royalty agreement with her, so that in the extremely unlikely event", "getting it printed and bound somehow. On the other hand the text is", "with a provision that it doesn't kick in until at least all her", "been covered and something well over, say $10,000, has been received, which in", "A relative has started work on producing a (probably very) limited non-professional edition", "bear its own copyright notice. And I have my obligations to the Probate", "deal with a literary estate. I am not the publisher. I am not", "1938-45 war diary. I need to strike a royalty agreement with her, so", "and 40-50% given that the publisher won't have a large investment in stock", "with her, so that in the extremely unlikely event of this edition becoming", "reasonable commercial royalty rate, but with a provision that it doesn't kick in", "wondering what exactly that royalty rate should be. The labour on her part", "my obligations to the Probate Division of the Supreme Court and the residuary", "the position of an author with a pre-existing text here, and I am", "her property, and indeed it was possibly with some surprise that she learnt", "rate I should be aiming at, in line with reasonable commercial practice, and", "commercial practice, and given that my relative is not Scribners or Macmillan. I", "be. The labour on her part is considerable, as it involves transcribing tens", "rate should be. The labour on her part is considerable, as it involves", "the will. I propose to strike a reasonable commercial royalty rate, but with", "which must bear its own copyright notice. And I have my obligations to", "original text, which must bear its own copyright notice. And I have my", "graphic design, and getting it printed and bound somehow. On the other hand", "between 15%, which is what I get from Addison Wesley and Springer, and", "probability. But I'm wondering what exactly that royalty rate should be. The labour", "opinion is far beyond the bounds of probability. But I'm wondering what exactly", "So I'm looking for suggestions. EDIT I am not looking for suggestions about", "was possibly with some surprise that she learnt she could only copyright the", "and newspaper clippings, executing typography and graphic design, and getting it printed and", "involves transcribing tens of thousands of words of highly illegible handwriting, scanning photographs", "Scribners or Macmillan. I am thinking anywhere between 15%, which is what I", "And I have my obligations to the Probate Division of the Supreme Court", "a literary estate. I am not the publisher. I am not carrying any", "looking for suggestions. EDIT I am not looking for suggestions about how to", "edition, not the original text, which must bear its own copyright notice. And", "I have my obligations to the Probate Division of the Supreme Court and", "very) limited non-professional edition of my father's 1938-45 war diary. I need to", "bestseller, I have duly and diligently carried out my duties and obligations under", "suggestions. EDIT I am not looking for suggestions about how to deal with", "looking for suggestions about how to deal with a literary estate. I am", "not her property, and indeed it was possibly with some surprise that she", "have been covered and something well over, say $10,000, has been received, which", "what royalty rate I should be aiming at, in line with reasonable commercial", "I am thinking anywhere between 15%, which is what I get from Addison", "I am in the position of an author with a pre-existing text here,", "so that in the extremely unlikely event of this edition becoming a bestseller,", "father's estate. A relative has started work on producing a (probably very) limited", "royalty rate should be. The labour on her part is considerable, as it", "is not Scribners or Macmillan. I am thinking anywhere between 15%, which is", "is considerable, as it involves transcribing tens of thousands of words of highly", "and the residuary legatees. So I'm looking for suggestions. EDIT I am not", "will. I propose to strike a reasonable commercial royalty rate, but with a", "have my obligations to the Probate Division of the Supreme Court and the", "carried out my duties and obligations under the will. I propose to strike", "bound somehow. On the other hand the text is not her property, and", "text, which must bear its own copyright notice. And I have my obligations", "in the position of an author with a pre-existing text here, and I", "be aiming at, in line with reasonable commercial practice, and given that my", "I am not carrying any risk or investing anything in the project. I", "I'm wondering what exactly that royalty rate should be. The labour on her", "thinking anywhere between 15%, which is what I get from Addison Wesley and", "have duly and diligently carried out my duties and obligations under the will.", "extremely unlikely event of this edition becoming a bestseller, I have duly and", "it was possibly with some surprise that she learnt she could only copyright", "in line with reasonable commercial practice, and given that my relative is not", "my duties and obligations under the will. I propose to strike a reasonable", "under the will. I propose to strike a reasonable commercial royalty rate, but", "of my father's 1938-45 war diary. I need to strike a royalty agreement", "could only copyright the edition, not the original text, which must bear its", "I am the literary executor of my father's estate. A relative has started", "is what I get from Addison Wesley and Springer, and 40-50% given that", "40-50% given that the publisher won't have a large investment in stock or", "diligently carried out my duties and obligations under the will. I propose to", "words of highly illegible handwriting, scanning photographs and newspaper clippings, executing typography and", "relative is not Scribners or Macmillan. I am thinking anywhere between 15%, which", "pre-existing text here, and I am asking what royalty rate I should be", "tens of thousands of words of highly illegible handwriting, scanning photographs and newspaper", "the bounds of probability. But I'm wondering what exactly that royalty rate should", "its own copyright notice. And I have my obligations to the Probate Division", "hand the text is not her property, and indeed it was possibly with", "propose to strike a reasonable commercial royalty rate, but with a provision that", "and getting it printed and bound somehow. On the other hand the text", "obligations to the Probate Division of the Supreme Court and the residuary legatees.", "asking what royalty rate I should be aiming at, in line with reasonable", "need to strike a royalty agreement with her, so that in the extremely", "it printed and bound somehow. On the other hand the text is not", "copyright notice. And I have my obligations to the Probate Division of the", "the residuary legatees. So I'm looking for suggestions. EDIT I am not looking", "the edition, not the original text, which must bear its own copyright notice.", "am thinking anywhere between 15%, which is what I get from Addison Wesley", "legatees. So I'm looking for suggestions. EDIT I am not looking for suggestions", "edition becoming a bestseller, I have duly and diligently carried out my duties", "beyond the bounds of probability. But I'm wondering what exactly that royalty rate", "suggestions about how to deal with a literary estate. I am not the", "I propose to strike a reasonable commercial royalty rate, but with a provision", "of this edition becoming a bestseller, I have duly and diligently carried out", "position of an author with a pre-existing text here, and I am asking", "or investing anything in the project. I am in the position of an", "or Macmillan. I am thinking anywhere between 15%, which is what I get", "to the Probate Division of the Supreme Court and the residuary legatees. So", "of the Supreme Court and the residuary legatees. So I'm looking for suggestions.", "her part is considerable, as it involves transcribing tens of thousands of words", "has started work on producing a (probably very) limited non-professional edition of my", "risk or investing anything in the project. I am in the position of", "at least all her costs have been covered and something well over, say", "the original text, which must bear its own copyright notice. And I have", "over, say $10,000, has been received, which in my opinion is far beyond", "she could only copyright the edition, not the original text, which must bear", "unlikely event of this edition becoming a bestseller, I have duly and diligently", "not the publisher. I am not carrying any risk or investing anything in", "of highly illegible handwriting, scanning photographs and newspaper clippings, executing typography and graphic", "I am asking what royalty rate I should be aiming at, in line", "and graphic design, and getting it printed and bound somehow. On the other", "in until at least all her costs have been covered and something well", "what I get from Addison Wesley and Springer, and 40-50% given that the", "learnt she could only copyright the edition, not the original text, which must", "work on producing a (probably very) limited non-professional edition of my father's 1938-45", "and given that my relative is not Scribners or Macmillan. I am thinking", "relative has started work on producing a (probably very) limited non-professional edition of", "agreement with her, so that in the extremely unlikely event of this edition", "and Springer, and 40-50% given that the publisher won't have a large investment", "duly and diligently carried out my duties and obligations under the will. I", "my father's 1938-45 war diary. I need to strike a royalty agreement with", "am asking what royalty rate I should be aiming at, in line with", "must bear its own copyright notice. And I have my obligations to the", "I'm looking for suggestions. EDIT I am not looking for suggestions about how", "my relative is not Scribners or Macmillan. I am thinking anywhere between 15%,", "producing a (probably very) limited non-professional edition of my father's 1938-45 war diary.", "I get from Addison Wesley and Springer, and 40-50% given that the publisher", "only copyright the edition, not the original text, which must bear its own", "which is what I get from Addison Wesley and Springer, and 40-50% given", "with a pre-existing text here, and I am asking what royalty rate I", "of an author with a pre-existing text here, and I am asking what", "I need to strike a royalty agreement with her, so that in the", "provision that it doesn't kick in until at least all her costs have", "not Scribners or Macmillan. I am thinking anywhere between 15%, which is what", "the publisher. I am not carrying any risk or investing anything in the", "Springer, and 40-50% given that the publisher won't have a large investment in", "a reasonable commercial royalty rate, but with a provision that it doesn't kick", "the Probate Division of the Supreme Court and the residuary legatees. So I'm", "of probability. But I'm wondering what exactly that royalty rate should be. The", "practice, and given that my relative is not Scribners or Macmillan. I am", "carrying any risk or investing anything in the project. I am in the", "somehow. On the other hand the text is not her property, and indeed", "for suggestions. EDIT I am not looking for suggestions about how to deal", "what exactly that royalty rate should be. The labour on her part is", "Macmillan. I am thinking anywhere between 15%, which is what I get from", "that royalty rate should be. The labour on her part is considerable, as", "own copyright notice. And I have my obligations to the Probate Division of", "on her part is considerable, as it involves transcribing tens of thousands of", "aiming at, in line with reasonable commercial practice, and given that my relative", "non-professional edition of my father's 1938-45 war diary. I need to strike a", "Division of the Supreme Court and the residuary legatees. So I'm looking for", "printed and bound somehow. On the other hand the text is not her", "from Addison Wesley and Springer, and 40-50% given that the publisher won't have", "typography and graphic design, and getting it printed and bound somehow. On the", "to strike a royalty agreement with her, so that in the extremely unlikely", "on producing a (probably very) limited non-professional edition of my father's 1938-45 war", "notice. And I have my obligations to the Probate Division of the Supreme", "as it involves transcribing tens of thousands of words of highly illegible handwriting,", "the other hand the text is not her property, and indeed it was", "kick in until at least all her costs have been covered and something", "am in the position of an author with a pre-existing text here, and", "and obligations under the will. I propose to strike a reasonable commercial royalty", "my opinion is far beyond the bounds of probability. But I'm wondering what", "am the literary executor of my father's estate. A relative has started work", "has been received, which in my opinion is far beyond the bounds of", "the literary executor of my father's estate. A relative has started work on", "which in my opinion is far beyond the bounds of probability. But I'm", "and bound somehow. On the other hand the text is not her property,", "until at least all her costs have been covered and something well over,", "at, in line with reasonable commercial practice, and given that my relative is", "exactly that royalty rate should be. The labour on her part is considerable,", "text here, and I am asking what royalty rate I should be aiming", "am not the publisher. I am not carrying any risk or investing anything", "a pre-existing text here, and I am asking what royalty rate I should", "anything in the project. I am in the position of an author with", "reasonable commercial practice, and given that my relative is not Scribners or Macmillan.", "with reasonable commercial practice, and given that my relative is not Scribners or", "royalty rate I should be aiming at, in line with reasonable commercial practice,", "not the original text, which must bear its own copyright notice. And I", "something well over, say $10,000, has been received, which in my opinion is", "royalty rate, but with a provision that it doesn't kick in until at", "investing anything in the project. I am in the position of an author", "am not carrying any risk or investing anything in the project. I am", "executing typography and graphic design, and getting it printed and bound somehow. On", "get from Addison Wesley and Springer, and 40-50% given that the publisher won't", "and diligently carried out my duties and obligations under the will. I propose", "part is considerable, as it involves transcribing tens of thousands of words of", "started work on producing a (probably very) limited non-professional edition of my father's", "obligations under the will. I propose to strike a reasonable commercial royalty rate,", "I should be aiming at, in line with reasonable commercial practice, and given", "her costs have been covered and something well over, say $10,000, has been", "war diary. I need to strike a royalty agreement with her, so that", "scanning photographs and newspaper clippings, executing typography and graphic design, and getting it", "residuary legatees. So I'm looking for suggestions. EDIT I am not looking for", "and something well over, say $10,000, has been received, which in my opinion", "Addison Wesley and Springer, and 40-50% given that the publisher won't have a", "far beyond the bounds of probability. But I'm wondering what exactly that royalty", "royalty agreement with her, so that in the extremely unlikely event of this", "$10,000, has been received, which in my opinion is far beyond the bounds", "she learnt she could only copyright the edition, not the original text, which", "any risk or investing anything in the project. I am in the position", "a provision that it doesn't kick in until at least all her costs", "publisher. I am not carrying any risk or investing anything in the project.", "the text is not her property, and indeed it was possibly with some", "the project. I am in the position of an author with a pre-existing", "it doesn't kick in until at least all her costs have been covered", "The labour on her part is considerable, as it involves transcribing tens of", "doesn't kick in until at least all her costs have been covered and", "here, and I am asking what royalty rate I should be aiming at,", "limited non-professional edition of my father's 1938-45 war diary. I need to strike", "property, and indeed it was possibly with some surprise that she learnt she", "her, so that in the extremely unlikely event of this edition becoming a", "clippings, executing typography and graphic design, and getting it printed and bound somehow.", "not carrying any risk or investing anything in the project. I am in", "and indeed it was possibly with some surprise that she learnt she could", "to deal with a literary estate. I am not the publisher. I am", "about how to deal with a literary estate. I am not the publisher.", "least all her costs have been covered and something well over, say $10,000,", "my father's estate. A relative has started work on producing a (probably very)", "I have duly and diligently carried out my duties and obligations under the", "of my father's estate. A relative has started work on producing a (probably", "text is not her property, and indeed it was possibly with some surprise", "in the extremely unlikely event of this edition becoming a bestseller, I have", "labour on her part is considerable, as it involves transcribing tens of thousands", "in the project. I am in the position of an author with a", "duties and obligations under the will. I propose to strike a reasonable commercial", "how to deal with a literary estate. I am not the publisher. I", "literary executor of my father's estate. A relative has started work on producing", "should be. The labour on her part is considerable, as it involves transcribing", "thousands of words of highly illegible handwriting, scanning photographs and newspaper clippings, executing", "out my duties and obligations under the will. I propose to strike a", "given that the publisher won't have a large investment in stock or advertising.", "strike a reasonable commercial royalty rate, but with a provision that it doesn't", "that in the extremely unlikely event of this edition becoming a bestseller, I", "literary estate. I am not the publisher. I am not carrying any risk", "a royalty agreement with her, so that in the extremely unlikely event of", "for suggestions about how to deal with a literary estate. I am not", "the extremely unlikely event of this edition becoming a bestseller, I have duly", "estate. I am not the publisher. I am not carrying any risk or", "given that my relative is not Scribners or Macmillan. I am thinking anywhere", "becoming a bestseller, I have duly and diligently carried out my duties and", "rate, but with a provision that it doesn't kick in until at least", "costs have been covered and something well over, say $10,000, has been received,", "this edition becoming a bestseller, I have duly and diligently carried out my", "a (probably very) limited non-professional edition of my father's 1938-45 war diary. I", "diary. I need to strike a royalty agreement with her, so that in", "that it doesn't kick in until at least all her costs have been", "event of this edition becoming a bestseller, I have duly and diligently carried", "received, which in my opinion is far beyond the bounds of probability. But", "all her costs have been covered and something well over, say $10,000, has", "photographs and newspaper clippings, executing typography and graphic design, and getting it printed", "edition of my father's 1938-45 war diary. I need to strike a royalty", "not looking for suggestions about how to deal with a literary estate. I", "I am not looking for suggestions about how to deal with a literary", "say $10,000, has been received, which in my opinion is far beyond the" ]
[ "working short of introducing new inner conflicts every novel, which won't work if", "two things has to happen. How they can happen, I know not. Hence", "new to me, there are some parts of it which I don't have", "likely becomes a subplot. Obviously one of these two things has to happen.", "every one of them is central to your character. A character can't have", "inner conflict. Rahk Bokek supplied an answer to that question which redefined how", "a choice between two options. The climax is when the choice is made.", "have that many centers. 2) You work with an external conflict (which can", "them is central to your character. A character can't have that many centers.", "that the novel revolves around the inner conflict: a choice between two options.", "is central to your character. A character can't have that many centers. 2)", "novels), and somehow make it as meaningful as the inner conflict. The actual", "can't have that many centers. 2) You work with an external conflict (which", "is only so much back-and-forth you can show between the two options -", "you handle this problem? It's obvious to me that one of two things", "character can't have that many centers. 2) You work with an external conflict", "show between the two options - it's going to get repetitive fairly quickly.", "a subplot. Obviously one of these two things has to happen. How they", "last thing you want is a repetitive and boring main conflict. How do", "to me. As long as you have a single novel. What if you", "and somehow make it as meaningful as the inner conflict. The actual inner", "revolves around the inner conflict: a choice between two options. The climax is", "redefined how I saw inner conflict, and as a result, the whole process", "I recently asked [this question](https://writers.stackexchange.com/q/28043/10394), about inner conflict. Rahk Bokek supplied an answer", "The actual inner conflict likely becomes a subplot. Obviously one of these two", "I can't see this working short of introducing new inner conflicts every novel,", "the last thing you want is a repetitive and boring main conflict. *How", "between the novels), and somehow make it as meaningful as the inner conflict.", "the novel, this poses a problem; the last thing you want is a", "external conflict (which can* change throughout and between the novels), and somehow make", "new inner conflicts every novel, which won't work if every one of them", "this way of thinking is still new to me, there are some parts", "which I don't have figured out yet. One of those parts is this", "inner conflict likely becomes a subplot. Obviously one of these two things has", "has to happen. 1) The inner conflict miraculously stays original every novel. I", "centers. 2) You work with an external conflict (which can change throughout and", "as you have a single novel. What if you are writing a series", "inner conflict miraculously stays original every novel. I can't see this working short", "conflict. Rahk Bokek supplied an answer to that question which redefined how I", "and as a result, the whole process of making a novel. Because this", "the novel revolves around the inner conflict: a choice between two options. The", "the main conflict of the novel, this poses a problem; the last thing", "thing you want is a repetitive and boring main conflict. How do you", "fairly quickly. If the inner conflict is the main conflict of the novel,", "quickly. If the inner conflict is the main conflict of the novel, this", "do you handle this problem? It's obvious to me that one of two", "actual inner conflict likely becomes a subplot. Obviously one of these two things", "conflict likely becomes a subplot. Obviously one of these two things has to", "the whole process of making a novel. Because this way of thinking is", "going to get repetitive fairly quickly. If the inner conflict is the main", "is a repetitive and boring main conflict. How do you handle this problem?", "It's obvious to me that one of two things has to happen. 1)", "me. As long as you have a single novel. What if you are", "can show between the two options - it's going to get repetitive fairly", "and boring main conflict. How do you handle this problem? It's obvious to", "of it which I don't have figured out yet. One of those parts", "Bokek explained that the novel revolves around the inner conflict: a choice between", "two things has to happen. 1) The inner conflict miraculously stays original every", "introducing new inner conflicts every novel, which won't work if every one of", "parts is this question. Rahk Bokek explained that the novel revolves around the", "don't have figured out yet. One of those parts is this question. Rahk", "conflict is the main conflict of the novel, this poses a problem; the", "original every novel. I can't see this working short of introducing new inner", "inner conflict is the main conflict of the novel, this poses a problem;", "Because this way of thinking is still new to me, there are some", "it as meaningful as the inner conflict. The actual inner conflict likely becomes", "conflict of the novel, this poses a problem; the last thing you want", "get repetitive fairly quickly. If the inner conflict is the main conflict of", "things has to happen. How they can happen, I know not. Hence the", "sense to me. As long as you have a single novel. What if", "so much back-and-forth you can show between the two options - it's going", "throughout and between the novels), and somehow make it as meaningful as the", "as a result, the whole process of making a novel. Because this way", "stays original every novel. I can't see this working short of introducing new", "much back-and-forth you can show between the two options - it's going to", "one of these two things has to happen. How they can happen, I", "some parts of it which I don't have figured out yet. One of", "As long as you have a single novel. What if you are writing", "has to happen. How they can happen, I know not. Hence the question.", "you are writing a series of novels though? There is only so much", "every novel. I can't see this working short of introducing new inner conflicts", "You work with an external conflict (which can change throughout and between the", "make it as meaningful as the inner conflict. The actual inner conflict likely", "out yet. One of those parts is this question. Rahk Bokek explained that", "supplied an answer to that question which redefined how I saw inner conflict,", "is made. This makes sense to me. As long as you have a", "to me, there are some parts of it which I don't have figured", "of them is central to your character. A character can't have that many", "main conflict of the novel, this poses a problem; the last thing you", "answer to that question which redefined how I saw inner conflict, and as", "that question which redefined how I saw inner conflict, and as a result,", "of two things has to happen. 1) The inner conflict miraculously stays original", "a novel. Because this way of thinking is still new to me, there", "an external conflict (which can change throughout and between the novels), and somehow", "short of introducing new inner conflicts every novel, which won't work if every", "an answer to that question which redefined how I saw inner conflict, and", "are writing a series of novels though? There is only so much back-and-forth", "inner conflict. The actual inner conflict likely becomes a subplot. Obviously one of", "series of novels though? There is only so much back-and-forth you can show", "made. This makes sense to me. As long as you have a single", "it's going to get repetitive fairly quickly. If the inner conflict is the", "that one of two things has to happen. 1) The inner conflict miraculously", "There is only so much back-and-forth you can show between the two options", "of making a novel. Because this way of thinking is still new to", "options. The climax is when the choice is made. This makes sense to", "climax is when the choice is made. This makes sense to me. As", "to happen. 1) The inner conflict miraculously stays original every novel. I can't", "result, the whole process of making a novel. Because this way of thinking", "yet. One of those parts is this question. Rahk Bokek explained that the", "way of thinking is still new to me, there are some parts of", "see this working short of introducing new inner conflicts every novel, which won't", "that many centers. 2) You work with an external conflict (which can change", "novel. I can't see this working short of introducing new inner conflicts every", "novel. Because this way of thinking is still new to me, there are", "this problem? It's obvious to me that one of two things has to", "if you are writing a series of novels though? There is only so", "you can show between the two options - it's going to get repetitive", "if every one of them is central to your character. A character can't", "subplot. Obviously one of these two things has to happen. How they can", "only so much back-and-forth you can show between the two options - it's", "this working short of introducing new inner conflicts every novel, which won't work", "one of them is central to your character. A character can't have that", "somehow make it as meaningful as the inner conflict. The actual inner conflict", "recently asked [this question](https://writers.stackexchange.com/q/28043/10394), about inner conflict. Rahk Bokek supplied an answer to", "[this question](https://writers.stackexchange.com/q/28043/10394), about inner conflict. Rahk Bokek supplied an answer to that question", "inner conflict, and as a result, the whole process of making a novel.", "novel. What if you are writing a series of novels though? There is", "miraculously stays original every novel. I can't see this working short of introducing", "to me that one of two things has to happen. 1) The inner", "which won't work if every one of them is central to your character.", "me that one of two things has to happen. 1) The inner conflict", "novels though? There is only so much back-and-forth you can show between the", "question which redefined how I saw inner conflict, and as a result, the", "to get repetitive fairly quickly. If the inner conflict is the main conflict", "this question. Rahk Bokek explained that the novel revolves around the inner conflict:", "there are some parts of it which I don't have figured out yet.", "are some parts of it which I don't have figured out yet. One", "around the inner conflict: a choice between two options. The climax is when", "you have a single novel. What if you are writing a series of", "choice is made. This makes sense to me. As long as you have", "you want is a repetitive and boring main conflict. How do you handle", "How do you handle this problem? It's obvious to me that one of", "two options - it's going to get repetitive fairly quickly. If the inner", "happen. 1) The inner conflict miraculously stays original every novel. I can't see", "as meaningful as the inner conflict. The actual inner conflict likely becomes a", "meaningful as the inner conflict. The actual inner conflict likely becomes a subplot.", "asked [this question](https://writers.stackexchange.com/q/28043/10394), about inner conflict. Rahk Bokek supplied an answer to that", "work with an external conflict (which can change throughout and between the novels),", "conflicts every novel, which won't work if every one of them is central", "the inner conflict: a choice between two options. The climax is when the", "which redefined how I saw inner conflict, and as a result, the whole", "of the novel, this poses a problem; the last thing you want is", "Rahk Bokek supplied an answer to that question which redefined how I saw", "conflict, and as a result, the whole process of making a novel. Because", "and between the novels), and somehow make it as meaningful as the inner", "of these two things has to happen. How they can happen, I know", "how I saw inner conflict, and as a result, the whole process of", "process of making a novel. Because this way of thinking is still new", "a result, the whole process of making a novel. Because this way of", "If the inner conflict is the main conflict of the novel, this poses", "conflict miraculously stays original every novel. I can't see this working short of", "can change throughout and between the novels), and somehow make it as meaningful", "have a single novel. What if you are writing a series of novels", "to your character. A character can't have that many centers. 2) You work", "with an external conflict (which can change throughout and between the novels), and", "two options. The climax is when the choice is made. This makes sense", "This makes sense to me. As long as you have a single novel.", "is when the choice is made. This makes sense to me. As long", "is the main conflict of the novel, this poses a problem; the last", "obvious to me that one of two things has to happen. 1) The", "as the inner conflict. The actual inner conflict likely becomes a subplot. Obviously", "these two things has to happen. How they can happen, I know not.", "is still new to me, there are some parts of it which I", "work if every one of them is central to your character. A character", "becomes a subplot. Obviously one of these two things has to happen. How", "want is a repetitive and boring main conflict. How do you handle this", "conflict. How do you handle this problem? It's obvious to me that one", "making a novel. Because this way of thinking is still new to me,", "the inner conflict is the main conflict of the novel, this poses a", "still new to me, there are some parts of it which I don't", "can't see this working short of introducing new inner conflicts every novel, which", "between two options. The climax is when the choice is made. This makes", "back-and-forth you can show between the two options - it's going to get", "problem; the last thing you want is a repetitive and boring main conflict.", "single novel. What if you are writing a series of novels though? There", "this poses a problem; the last thing you want is a repetitive and", "a series of novels though? There is only so much back-and-forth you can", "it which I don't have figured out yet. One of those parts is", "parts of it which I don't have figured out yet. One of those", "won't work if every one of them is central to your character. A", "A character can't have that many centers. 2) You work with an external", "is this question. Rahk Bokek explained that the novel revolves around the inner", "explained that the novel revolves around the inner conflict: a choice between two", "poses a problem; the last thing you want is a repetitive and boring", "problem? It's obvious to me that one of two things has to happen.", "2) You work with an external conflict (which can change throughout and between", "between the two options - it's going to get repetitive fairly quickly. If", "the inner conflict. The actual inner conflict likely becomes a subplot. Obviously one", "figured out yet. One of those parts is this question. Rahk Bokek explained", "the two options - it's going to get repetitive fairly quickly. If the", "boring main conflict. How do you handle this problem? It's obvious to me", "The climax is when the choice is made. This makes sense to me.", "handle this problem?** It's obvious to me that one of two things has", "things has to happen. 1) The inner conflict miraculously stays original every novel.", "character. A character can't have that many centers. 2) You work with an", "(which can change throughout and between the novels), and somehow make it as", "the novels), and somehow make it as meaningful as the inner conflict. The", "The inner conflict miraculously stays original every novel. I can't see this working", "have figured out yet. One of those parts is this question. Rahk Bokek", "those parts is this question. Rahk Bokek explained that the novel revolves around", "a repetitive and boring main conflict. How do you handle this problem? It's", "repetitive and boring main conflict. How do you handle this problem? It's obvious", "- it's going to get repetitive fairly quickly. If the inner conflict is", "conflict (which can change throughout and between the novels), and somehow make it", "of introducing new inner conflicts every novel, which won't work if every one", "novel revolves around the inner conflict: a choice between two options. The climax", "options - it's going to get repetitive fairly quickly. If the inner conflict", "1) The inner conflict miraculously stays original every novel. I can't see this", "writing a series of novels though? There is only so much back-and-forth you", "change throughout and between the novels), and somehow make it as meaningful as", "One of those parts is this question. Rahk Bokek explained that the novel", "makes sense to me. As long as you have a single novel. What", "question](https://writers.stackexchange.com/q/28043/10394), about inner conflict. Rahk Bokek supplied an answer to that question which", "long as you have a single novel. What if you are writing a", "Obviously one of these two things has to happen. How they can happen,", "a problem; the last thing you want is a repetitive and boring main", "every novel, which won't work if every one of them is central to", "of thinking is still new to me, there are some parts of it", "a single novel. What if you are writing a series of novels though?", "Bokek supplied an answer to that question which redefined how I saw inner", "about inner conflict. Rahk Bokek supplied an answer to that question which redefined", "I saw inner conflict, and as a result, the whole process of making", "main conflict. How do you handle this problem? It's obvious to me that", "repetitive fairly quickly. If the inner conflict is the main conflict of the", "me, there are some parts of it which I don't have figured out", "to that question which redefined how I saw inner conflict, and as a", "of those parts is this question. Rahk Bokek explained that the novel revolves", "novel, which won't work if every one of them is central to your", "Rahk Bokek explained that the novel revolves around the inner conflict: a choice", "the choice is made. This makes sense to me. As long as you", "many centers. 2) You work with an external conflict (which can change throughout", "whole process of making a novel. Because this way of thinking is still", "inner conflicts every novel, which won't work if every one of them is", "question. Rahk Bokek explained that the novel revolves around the inner conflict: a", "inner conflict: a choice between two options. The climax is when the choice", "though? There is only so much back-and-forth you can show between the two", "novel, this poses a problem; the last thing you want is a repetitive", "thinking is still new to me, there are some parts of it which", "choice between two options. The climax is when the choice is made. This", "your character. A character can't have that many centers. 2) You work with", "conflict. The actual inner conflict likely becomes a subplot. Obviously one of these", "I don't have figured out yet. One of those parts is this question.", "conflict: a choice between two options. The climax is when the choice is", "central to your character. A character can't have that many centers. 2) You", "when the choice is made. This makes sense to me. As long as", "one of two things has to happen. 1) The inner conflict miraculously stays", "What if you are writing a series of novels though? There is only", "of novels though? There is only so much back-and-forth you can show between", "saw inner conflict, and as a result, the whole process of making a" ]
[ "* Tess fights the bad guy * Tess gets injured and so it", "bad guy * Tess gets injured and so it goes on. So far", "fights the bad guy * Tess gets injured and so it goes on.", "started to plot out my scenes like this in bullet points * Tess", "the bad guy * Tess gets injured and so it goes on. So", "* Tess gets injured and so it goes on. So far I got", "injured and so it goes on. So far I got 30. I know", "I just started to plot out my scenes like this in bullet points", "I know that I need a lot more. I am aiming for 300", "like this in bullet points * Tess runs away * Tess fights the", "need a lot more. I am aiming for 300 pages. Are these called", "so it goes on. So far I got 30. I know that I", "Tess gets injured and so it goes on. So far I got 30.", "scenes like this in bullet points * Tess runs away * Tess fights", "and so it goes on. So far I got 30. I know that", "far I got 30. I know that I need a lot more. I", "this in bullet points * Tess runs away * Tess fights the bad", "bullet points * Tess runs away * Tess fights the bad guy ", "got 30. I know that I need a lot more. I am aiming", "Tess fights the bad guy Tess gets injured and so it goes", "points * Tess runs away * Tess fights the bad guy * Tess", "plot out my scenes like this in bullet points * Tess runs away", "that I need a lot more. I am aiming for 300 pages. Are", "to plot out my scenes like this in bullet points * Tess runs", "in bullet points * Tess runs away * Tess fights the bad guy", "* Tess runs away * Tess fights the bad guy * Tess gets", "away * Tess fights the bad guy * Tess gets injured and so", "guy * Tess gets injured and so it goes on. So far I", "So far I got 30. I know that I need a lot more.", "out my scenes like this in bullet points * Tess runs away ", "30. I know that I need a lot more. I am aiming for", "gets injured and so it goes on. So far I got 30. I", "I need a lot more. I am aiming for 300 pages. Are these", "it goes on. So far I got 30. I know that I need", "Tess runs away Tess fights the bad guy * Tess gets injured", "know that I need a lot more. I am aiming for 300 pages.", "just started to plot out my scenes like this in bullet points ", "my scenes like this in bullet points Tess runs away * Tess", "on. So far I got 30. I know that I need a lot", "lot more. I am aiming for 300 pages. Are these called plot points?", "I got 30. I know that I need a lot more. I am", "runs away * Tess fights the bad guy * Tess gets injured and", "a lot more. I am aiming for 300 pages. Are these called plot", "goes on. So far I got 30. I know that I need a" ]
[ "regardless it was still a story. My next experience comes from comedians, 'The", "antagonists because the character is alone. (Wilson is a foil). These stories are", "a foil). These stories are tales of struggle. Whether 'struggle' = 'conflict' is", "say no. The 'essential' 'conflict' is cultural. It is part of the western", "as similar to 'Can you have a story with an antagonist?'. Antagonist is", "am minded to say no. The 'essential' 'conflict' is cultural. It is part", "next experience comes from comedians, 'The two Ronnies' spring to mind. Their stories", "is a very old debate - the defence of the argument seems to", "current position is that conflict is not a requirement. In comedic terms -", "how long can you string out a joke before revealing the punch line.", "out a joke before revealing the punch line. I have been asked to", "stringing-out a simple story. In my personal development as writer I began the", "very old debate - the defence of the argument seems to be to", "conflicts (Hero vs Villain). The films 'The Martian', 'Gravity' and 'Castaway' do not", "this question as it has been flagged as similar to 'Can you have", "with an antagonist?'. Antagonist is generally used with regard to character driven conflicts", "old debate - the defence of the argument seems to be to broaden", "a conflict. (I can do about 60k). This is a very old debate", "character is alone. (Wilson is a foil). These stories are tales of struggle.", "I'd venture the first story you ever wrote did not contain a conflict.", "Zomhy in the park\" and was little more than a juvenile chronicle -", "minded to say no. The 'essential' 'conflict' is cultural. It is part of", "long they could entertain whilst stringing-out a simple story. In my personal development", "better writer can dissuade me I am minded to say no. The 'essential'", "(I can do about 60k). This is a very old debate - the", "was still a story. My next experience comes from comedians, 'The two Ronnies'", "how long I could go in a story without introducing a conflict. (I", "can do about 60k). This is a very old debate - the defence", "- Eastern cultures have stories without conflict. Indeed, I'd venture the first story", "have stories without conflict. Indeed, I'd venture the first story you ever wrote", "and Zomhy in the park\" and was little more than a juvenile chronicle", "the exercise of how long I could go in a story without introducing", "how long they could entertain whilst stringing-out a simple story. In my personal", "stories (jokes) had no conflict and in many examples the expected conflict never", "Villain). The films 'The Martian', 'Gravity' and 'Castaway' do not have antagonists because", "This is a very old debate - the defence of the argument seems", "the western 'Human Condition' - Eastern cultures have stories without conflict. Indeed, I'd", "and in many examples the expected conflict never materialised. (That fact, in itself,", "can dissuade me I am minded to say no. The 'essential' 'conflict' is", "conflict never materialised. (That fact, in itself, making the story humorous). The skill", "driven conflicts (Hero vs Villain). The films 'The Martian', 'Gravity' and 'Castaway' do", "because the character is alone. (Wilson is a foil). These stories are tales", "I am minded to say no. The 'essential' 'conflict' is cultural. It is", "examples the expected conflict never materialised. (That fact, in itself, making the story", "a better writer can dissuade me I am minded to say no. The", "exercise of how long I could go in a story without introducing a", "seems to be to broaden the definition of conflict. My current position is", "part of the western 'Human Condition' - Eastern cultures have stories without conflict.", "more than a juvenile chronicle - regardless it was still a story. My", "conflict. My current position is that conflict is not a requirement. In comedic", "cultures have stories without conflict. Indeed, I'd venture the first story you ever", "flagged as similar to 'Can you have a story with an antagonist?'. Antagonist", "antagonist?'. Antagonist is generally used with regard to character driven conflicts (Hero vs", "My current position is that conflict is not a requirement. In comedic terms", "in a story without introducing a conflict. (I can do about 60k). This", "a story without introducing a conflict. (I can do about 60k). This is", "it was still a story. My next experience comes from comedians, 'The two", "the story humorous). The skill of these comedians lay in how long they", "not a requirement. In comedic terms - how long can you string out", "to broaden the definition of conflict. My current position is that conflict is", "been flagged as similar to 'Can you have a story with an antagonist?'.", "story with an antagonist?'. Antagonist is generally used with regard to character driven", "It was entitled \"Me and Zomhy in the park\" and was little more", "whilst stringing-out a simple story. In my personal development as writer I began", "go in a story without introducing a conflict. (I can do about 60k).", "I could go in a story without introducing a conflict. (I can do", "it has been flagged as similar to 'Can you have a story with", "'Castaway' do not have antagonists because the character is alone. (Wilson is a", "60k). This is a very old debate - the defence of the argument", "do about 60k). This is a very old debate - the defence of", "you ever wrote did not contain a conflict. It was entitled \"Me and", "of the argument seems to be to broaden the definition of conflict. My", "foil). These stories are tales of struggle. Whether 'struggle' = 'conflict' is a", "to 'Can you have a story with an antagonist?'. Antagonist is generally used", "defence of the argument seems to be to broaden the definition of conflict.", "have a story with an antagonist?'. Antagonist is generally used with regard to", "did not contain a conflict. It was entitled \"Me and Zomhy in the", "conflict and in many examples the expected conflict never materialised. (That fact, in", "conflict. It was entitled \"Me and Zomhy in the park\" and was little", "a story. My next experience comes from comedians, 'The two Ronnies' spring to", "(That fact, in itself, making the story humorous). The skill of these comedians", "humorous). The skill of these comedians lay in how long they could entertain", "lay in how long they could entertain whilst stringing-out a simple story. In", "is cultural. It is part of the western 'Human Condition' - Eastern cultures", "a juvenile chronicle - regardless it was still a story. My next experience", "to clarify this question as it has been flagged as similar to 'Can", "western 'Human Condition' - Eastern cultures have stories without conflict. Indeed, I'd venture", "regard to character driven conflicts (Hero vs Villain). The films 'The Martian', 'Gravity'", "requirement. In comedic terms - how long can you string out a joke", "and 'Castaway' do not have antagonists because the character is alone. (Wilson is", "Unless a better writer can dissuade me I am minded to say no.", "'Human Condition' - Eastern cultures have stories without conflict. Indeed, I'd venture the", "they could entertain whilst stringing-out a simple story. In my personal development as", "never materialised. (That fact, in itself, making the story humorous). The skill of", "in how long they could entertain whilst stringing-out a simple story. In my", "broaden the definition of conflict. My current position is that conflict is not", "conflict. Indeed, I'd venture the first story you ever wrote did not contain", "My next experience comes from comedians, 'The two Ronnies' spring to mind. Their", "of how long I could go in a story without introducing a conflict.", "you string out a joke before revealing the punch line. I have been", "to character driven conflicts (Hero vs Villain). The films 'The Martian', 'Gravity' and", "had no conflict and in many examples the expected conflict never materialised. (That", "with regard to character driven conflicts (Hero vs Villain). The films 'The Martian',", "do not have antagonists because the character is alone. (Wilson is a foil).", "skill of these comedians lay in how long they could entertain whilst stringing-out", "no. The 'essential' 'conflict' is cultural. It is part of the western 'Human", "contain a conflict. It was entitled \"Me and Zomhy in the park\" and", "line. I have been asked to clarify this question as it has been", "to be to broaden the definition of conflict. My current position is that", "Eastern cultures have stories without conflict. Indeed, I'd venture the first story you", "ever wrote did not contain a conflict. It was entitled \"Me and Zomhy", "conflict. (I can do about 60k). This is a very old debate -", "revealing the punch line. I have been asked to clarify this question as", "dissuade me I am minded to say no. The 'essential' 'conflict' is cultural.", "could entertain whilst stringing-out a simple story. In my personal development as writer", "argument seems to be to broaden the definition of conflict. My current position", "chronicle - regardless it was still a story. My next experience comes from", "first story you ever wrote did not contain a conflict. It was entitled", "writer I began the exercise of how long I could go in a", "Indeed, I'd venture the first story you ever wrote did not contain a", "story without introducing a conflict. (I can do about 60k). This is a", "and was little more than a juvenile chronicle - regardless it was still", "be to broaden the definition of conflict. My current position is that conflict", "It is part of the western 'Human Condition' - Eastern cultures have stories", "have antagonists because the character is alone. (Wilson is a foil). These stories", "venture the first story you ever wrote did not contain a conflict. It", "not contain a conflict. It was entitled \"Me and Zomhy in the park\"", "was entitled \"Me and Zomhy in the park\" and was little more than", "began the exercise of how long I could go in a story without", "materialised. (That fact, in itself, making the story humorous). The skill of these", "a conflict. It was entitled \"Me and Zomhy in the park\" and was", "in the park\" and was little more than a juvenile chronicle - regardless", "of these comedians lay in how long they could entertain whilst stringing-out a", "are tales of struggle. Whether 'struggle' = 'conflict' is a debate in itself.", "used with regard to character driven conflicts (Hero vs Villain). The films 'The", "- regardless it was still a story. My next experience comes from comedians,", "without conflict. Indeed, I'd venture the first story you ever wrote did not", "the expected conflict never materialised. (That fact, in itself, making the story humorous).", "is a foil). These stories are tales of struggle. Whether 'struggle' = 'conflict'", "still a story. My next experience comes from comedians, 'The two Ronnies' spring", "I have been asked to clarify this question as it has been flagged", "alone. (Wilson is a foil). These stories are tales of struggle. Whether 'struggle'", "fact, in itself, making the story humorous). The skill of these comedians lay", "'essential' 'conflict' is cultural. It is part of the western 'Human Condition' -", "Their stories (jokes) had no conflict and in many examples the expected conflict", "without introducing a conflict. (I can do about 60k). This is a very", "terms - how long can you string out a joke before revealing the", "generally used with regard to character driven conflicts (Hero vs Villain). The films", "\"Me and Zomhy in the park\" and was little more than a juvenile", "that conflict is not a requirement. In comedic terms - how long can", "the punch line. I have been asked to clarify this question as it", "The films 'The Martian', 'Gravity' and 'Castaway' do not have antagonists because the", "The skill of these comedians lay in how long they could entertain whilst", "as it has been flagged as similar to 'Can you have a story", "itself, making the story humorous). The skill of these comedians lay in how", "not have antagonists because the character is alone. (Wilson is a foil). These", "personal development as writer I began the exercise of how long I could", "been asked to clarify this question as it has been flagged as similar", "The 'essential' 'conflict' is cultural. It is part of the western 'Human Condition'", "story humorous). The skill of these comedians lay in how long they could", "a requirement. In comedic terms - how long can you string out a", "development as writer I began the exercise of how long I could go", "long I could go in a story without introducing a conflict. (I can", "is not a requirement. In comedic terms - how long can you string", "long can you string out a joke before revealing the punch line. I", "is that conflict is not a requirement. In comedic terms - how long", "simple story. In my personal development as writer I began the exercise of", "(Wilson is a foil). These stories are tales of struggle. Whether 'struggle' =", "Martian', 'Gravity' and 'Castaway' do not have antagonists because the character is alone.", "my personal development as writer I began the exercise of how long I", "has been flagged as similar to 'Can you have a story with an", "In comedic terms - how long can you string out a joke before", "you have a story with an antagonist?'. Antagonist is generally used with regard", "asked to clarify this question as it has been flagged as similar to", "in many examples the expected conflict never materialised. (That fact, in itself, making", "These stories are tales of struggle. Whether 'struggle' = 'conflict' is a debate", "little more than a juvenile chronicle - regardless it was still a story.", "conflict is not a requirement. In comedic terms - how long can you", "'Can you have a story with an antagonist?'. Antagonist is generally used with", "me I am minded to say no. The 'essential' 'conflict' is cultural. It", "vs Villain). The films 'The Martian', 'Gravity' and 'Castaway' do not have antagonists", "comedians lay in how long they could entertain whilst stringing-out a simple story.", "story. My next experience comes from comedians, 'The two Ronnies' spring to mind.", "introducing a conflict. (I can do about 60k). This is a very old", "from comedians, 'The two Ronnies' spring to mind. Their stories (jokes) had no", "the definition of conflict. My current position is that conflict is not a", "is alone. (Wilson is a foil). These stories are tales of struggle. Whether", "juvenile chronicle - regardless it was still a story. My next experience comes", "experience comes from comedians, 'The two Ronnies' spring to mind. Their stories (jokes)", "no conflict and in many examples the expected conflict never materialised. (That fact,", "the first story you ever wrote did not contain a conflict. It was", "In my personal development as writer I began the exercise of how long", "films 'The Martian', 'Gravity' and 'Castaway' do not have antagonists because the character", "about 60k). This is a very old debate - the defence of the", "the character is alone. (Wilson is a foil). These stories are tales of", "(jokes) had no conflict and in many examples the expected conflict never materialised.", "Ronnies' spring to mind. Their stories (jokes) had no conflict and in many", "in itself, making the story humorous). The skill of these comedians lay in", "position is that conflict is not a requirement. In comedic terms - how", "Condition' - Eastern cultures have stories without conflict. Indeed, I'd venture the first", "could go in a story without introducing a conflict. (I can do about", "a simple story. In my personal development as writer I began the exercise", "string out a joke before revealing the punch line. I have been asked", "an antagonist?'. Antagonist is generally used with regard to character driven conflicts (Hero", "cultural. It is part of the western 'Human Condition' - Eastern cultures have", "mind. Their stories (jokes) had no conflict and in many examples the expected", "as writer I began the exercise of how long I could go in", "the park\" and was little more than a juvenile chronicle - regardless it", "I began the exercise of how long I could go in a story", "have been asked to clarify this question as it has been flagged as", "question as it has been flagged as similar to 'Can you have a", "than a juvenile chronicle - regardless it was still a story. My next", "is part of the western 'Human Condition' - Eastern cultures have stories without", "entitled \"Me and Zomhy in the park\" and was little more than a", "entertain whilst stringing-out a simple story. In my personal development as writer I", "can you string out a joke before revealing the punch line. I have", "before revealing the punch line. I have been asked to clarify this question", "Antagonist is generally used with regard to character driven conflicts (Hero vs Villain).", "debate - the defence of the argument seems to be to broaden the", "comedic terms - how long can you string out a joke before revealing", "park\" and was little more than a juvenile chronicle - regardless it was", "- how long can you string out a joke before revealing the punch", "joke before revealing the punch line. I have been asked to clarify this", "comedians, 'The two Ronnies' spring to mind. Their stories (jokes) had no conflict", "these comedians lay in how long they could entertain whilst stringing-out a simple", "to mind. Their stories (jokes) had no conflict and in many examples the", "story. In my personal development as writer I began the exercise of how", "is generally used with regard to character driven conflicts (Hero vs Villain). The", "definition of conflict. My current position is that conflict is not a requirement.", "spring to mind. Their stories (jokes) had no conflict and in many examples", "'conflict' is cultural. It is part of the western 'Human Condition' - Eastern", "a very old debate - the defence of the argument seems to be", "'The two Ronnies' spring to mind. Their stories (jokes) had no conflict and", "of conflict. My current position is that conflict is not a requirement. In", "a story with an antagonist?'. Antagonist is generally used with regard to character", "character driven conflicts (Hero vs Villain). The films 'The Martian', 'Gravity' and 'Castaway'", "to say no. The 'essential' 'conflict' is cultural. It is part of the", "clarify this question as it has been flagged as similar to 'Can you", "stories are tales of struggle. Whether 'struggle' = 'conflict' is a debate in", "story you ever wrote did not contain a conflict. It was entitled \"Me", "- the defence of the argument seems to be to broaden the definition", "similar to 'Can you have a story with an antagonist?'. Antagonist is generally", "(Hero vs Villain). The films 'The Martian', 'Gravity' and 'Castaway' do not have", "'Gravity' and 'Castaway' do not have antagonists because the character is alone. (Wilson", "expected conflict never materialised. (That fact, in itself, making the story humorous). The", "making the story humorous). The skill of these comedians lay in how long", "the defence of the argument seems to be to broaden the definition of", "of the western 'Human Condition' - Eastern cultures have stories without conflict. Indeed,", "comes from comedians, 'The two Ronnies' spring to mind. Their stories (jokes) had", "writer can dissuade me I am minded to say no. The 'essential' 'conflict'", "a joke before revealing the punch line. I have been asked to clarify", "'The Martian', 'Gravity' and 'Castaway' do not have antagonists because the character is", "the argument seems to be to broaden the definition of conflict. My current", "many examples the expected conflict never materialised. (That fact, in itself, making the", "two Ronnies' spring to mind. Their stories (jokes) had no conflict and in", "wrote did not contain a conflict. It was entitled \"Me and Zomhy in", "punch line. I have been asked to clarify this question as it has", "was little more than a juvenile chronicle - regardless it was still a", "stories without conflict. Indeed, I'd venture the first story you ever wrote did" ]
[ "woman\". What is the reasoning behind this? Is anyone who knows about the", "\"four people were shot, including one woman\". What is the reasoning behind this?", "that the news reports female casualties separately. As in \"four people were shot,", "It's commonly known that the news reports female casualties separately. As in \"four", "commonly known that the news reports female casualties separately. As in \"four people", "behind this? Is anyone who knows about the news reporting process able to", "reasoning behind this? Is anyone who knows about the news reporting process able", "the news reports female casualties separately. As in \"four people were shot, including", "including one woman\". What is the reasoning behind this? Is anyone who knows", "the reasoning behind this? Is anyone who knows about the news reporting process", "is the reasoning behind this? Is anyone who knows about the news reporting", "known that the news reports female casualties separately. As in \"four people were", "in \"four people were shot, including one woman\". What is the reasoning behind", "What is the reasoning behind this? Is anyone who knows about the news", "female casualties separately. As in \"four people were shot, including one woman\". What", "separately. As in \"four people were shot, including one woman\". What is the", "this? Is anyone who knows about the news reporting process able to answer?", "news reports female casualties separately. As in \"four people were shot, including one", "shot, including one woman\". What is the reasoning behind this? Is anyone who", "people were shot, including one woman\". What is the reasoning behind this? Is", "reports female casualties separately. As in \"four people were shot, including one woman\".", "were shot, including one woman\". What is the reasoning behind this? Is anyone", "one woman\". What is the reasoning behind this? Is anyone who knows about", "casualties separately. As in \"four people were shot, including one woman\". What is", "As in \"four people were shot, including one woman\". What is the reasoning" ]
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Thank You In Advance", "travel agents for business-only > purposes (The Company Name & Text Has Been", "strictly prohibited, > except to the extent permitted by travel agents for business-only", "to the extent permitted by travel agents for business-only > purposes (The Company", "as “Awesome Company Information”. The > downloading, reproduction, or re-transmission of this Information,", "in my bibliography whence i am done with my assignment. Thank You In", "will i be a collaborator to plagiarism. I'll give out links for every", "out links for every text and image i may copy in my bibliography", "Changed To Avoid Misunderstanding) > > > Can someone please explain that if", "to submit to my university. 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[ "now like switching genres. Do any of you feel the same way as", "type of genre a lot of fun. The problem with me is that", "a lot of fun. The problem with me is that I give up", "a fantasy story for a few months now, but it's getting more complicated", "feel now like switching genres. Do any of you feel the same way", "I find this type of genre a lot of fun. The problem with", "few months now, but it's getting more complicated and I feel now like", "too. I find this type of genre a lot of fun. The problem", "am finding it too complex for me to write. I also like watching", "getting more complicated and I feel now like switching genres. Do any of", "of fun. The problem with me is that I give up too easily.", "mysteries and I have read a few too. I find this type of", "like watching murder mysteries and I have read a few too. I find", "few too. I find this type of genre a lot of fun. The", "Like for instance I started planning a fantasy story for a few months", "for me to write. 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How do", "this type of genre a lot of fun. The problem with me is", "fantasy story for a few months now, but it's getting more complicated and", "now, but it's getting more complicated and I feel now like switching genres.", "like reading fantasy / adventure I am finding it too complex for me", "is that I give up too easily. Like for instance I started planning", "I also like watching murder mysteries and I have read a few too.", "lot of fun. The problem with me is that I give up too", "easily. Like for instance I started planning a fantasy story for a few", "complex for me to write. I also like watching murder mysteries and I", "like switching genres. Do any of you feel the same way as I", "I like reading fantasy / adventure I am finding it too complex for", "that I give up too easily. Like for instance I started planning a", "it too complex for me to write. I also like watching murder mysteries", "genres. Do any of you feel the same way as I do? 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Do any of you feel the same way as I do?", "a few months now, but it's getting more complicated and I feel now", "months now, but it's getting more complicated and I feel now like switching", "it's getting more complicated and I feel now like switching genres. Do any", "The problem with me is that I give up too easily. Like for", "reading fantasy / adventure I am finding it too complex for me to", "planning a fantasy story for a few months now, but it's getting more", "fun. The problem with me is that I give up too easily. Like", "with me is that I give up too easily. Like for instance I", "and I have read a few too. I find this type of genre", "Although I like reading fantasy / adventure I am finding it too complex", "watching murder mysteries and I have read a few too. I find this", "murder mysteries and I have read a few too. I find this type", "find this type of genre a lot of fun. The problem with me", "of genre a lot of fun. 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