Split (1)

train · 10.4M rows

ngram listlengths 0 10.5k
[ "second tier\" character to the delegate for the readers. Is there a tried", "from an \"intriguing second tier\" character to the delegate for the readers. Is", "there a tried and tested formula succinctly captured somewhere? I'm looking to avoid", "tested formula succinctly captured somewhere? I'm looking to avoid text walls, spoon feeding", "been advised to sharpen my sidekick from an \"intriguing second tier\" character to", "character to the delegate for the readers. Is there a tried and tested", "I'm looking to avoid text walls, spoon feeding and a back story dump.", "a tried and tested formula succinctly captured somewhere? I'm looking to avoid text", "my sidekick from an \"intriguing second tier\" character to the delegate for the", "delegate for the readers. Is there a tried and tested formula succinctly captured", "succinctly captured somewhere? I'm looking to avoid text walls, spoon feeding and a", "the delegate for the readers. Is there a tried and tested formula succinctly", "somewhere? I'm looking to avoid text walls, spoon feeding and a back story", "advised to sharpen my sidekick from an \"intriguing second tier\" character to the", "formula succinctly captured somewhere? I'm looking to avoid text walls, spoon feeding and", "to sharpen my sidekick from an \"intriguing second tier\" character to the delegate", "sidekick from an \"intriguing second tier\" character to the delegate for the readers.", "I've been advised to sharpen my sidekick from an \"intriguing second tier\" character", "readers. Is there a tried and tested formula succinctly captured somewhere? I'm looking", "tried and tested formula succinctly captured somewhere? I'm looking to avoid text walls,", "the readers. Is there a tried and tested formula succinctly captured somewhere? I'm", "captured somewhere? I'm looking to avoid text walls, spoon feeding and a back", "Is there a tried and tested formula succinctly captured somewhere? I'm looking to", "and tested formula succinctly captured somewhere? I'm looking to avoid text walls, spoon", "to the delegate for the readers. Is there a tried and tested formula", "an \"intriguing second tier\" character to the delegate for the readers. Is there", "tier\" character to the delegate for the readers. Is there a tried and", "sharpen my sidekick from an \"intriguing second tier\" character to the delegate for", "for the readers. Is there a tried and tested formula succinctly captured somewhere?", "\"intriguing second tier\" character to the delegate for the readers. Is there a" ]
[ "are all involved in fighting the antagonist but I'm not sure who should", "the protagonist I'm not sure about. I have several options and two in", "much being brought back to power by traitors in an otherwise squeaky clean", "to all the characters. I then think to just stick with one viewpoint.", "the reader to know what they are thinking. Anyone have any ideas? Thanks", "and just let things flow for the first draft but my problem is", "makes it hard to get used to all the characters. I then think", "think to just stick with one viewpoint. But with so many potential main", "because I'm a novice writer. I'm thinking of teaming all of these potential", "but sometimes it makes it hard to get used to all the characters.", "antagonist but I'm not sure who should actually be the \"main\" character. This", "of Thrones but sometimes it makes it hard to get used to all", "who should actually be the \"main\" character. This probably seems weird and I", "let things flow for the first draft but my problem is that now", "brought back to power by traitors in an otherwise squeaky clean institution. It's", "in an otherwise squeaky clean institution. It's the protagonist I'm not sure about.", "but I want them to be feared and I don't want the reader", "all of these potential protagonists together and just let things flow for the", "be the \"main\" character. This probably seems weird and I guess it's because", "first novel. They are pretty much being brought back to power by traitors", "considered writing from the antagonist's view but I want them to be feared", "writing from the antagonist's view but I want them to be feared and", "with so many potential main characters it makes it difficult to decide. I've", "from the antagonist's view but I want them to be feared and I", "hard to get used to all the characters. I then think to just", "decided on my antagonist for my first novel. They are pretty much being", "sure who should actually be the \"main\" character. This probably seems weird and", "these potential protagonists together and just let things flow for the first draft", "so many potential main characters it makes it difficult to decide. I've also", "makes it difficult to decide. I've also considered writing from the antagonist's view", "novel. They are pretty much being brought back to power by traitors in", "me to my second question: Which POV should I use? I'm thinking of", "clean institution. It's the protagonist I'm not sure about. I have several options", "I'm not sure about. I have several options and two in particular. They", "But with so many potential main characters it makes it difficult to decide.", "and I don't want the reader to know what they are thinking. Anyone", "I have decided on my antagonist for my first novel. They are pretty", "teaming all of these potential protagonists together and just let things flow for", "the characters. I then think to just stick with one viewpoint. But with", "things flow for the first draft but my problem is that now I", "not sure about. I have several options and two in particular. They are", "should I use? I'm thinking of doing multiple POVs like Game of Thrones", "decide. I've also considered writing from the antagonist's view but I want them", "it makes it hard to get used to all the characters. I then", "sure about. I have several options and two in particular. They are all", "and I guess it's because I'm a novice writer. I'm thinking of teaming", "potential main characters it makes it difficult to decide. I've also considered writing", "of these potential protagonists together and just let things flow for the first", "I am unsure about POV which brings me to my second question: Which", "to power by traitors in an otherwise squeaky clean institution. It's the protagonist", "my antagonist for my first novel. They are pretty much being brought back", "my second question: Which POV should I use? I'm thinking of doing multiple", "protagonists together and just let things flow for the first draft but my", "then think to just stick with one viewpoint. But with so many potential", "want the reader to know what they are thinking. Anyone have any ideas?", "by traitors in an otherwise squeaky clean institution. It's the protagonist I'm not", "novice writer. I'm thinking of teaming all of these potential protagonists together and", "one viewpoint. But with so many potential main characters it makes it difficult", "\"main\" character. This probably seems weird and I guess it's because I'm a", "I guess it's because I'm a novice writer. I'm thinking of teaming all", "writer. I'm thinking of teaming all of these potential protagonists together and just", "viewpoint. But with so many potential main characters it makes it difficult to", "to be feared and I don't want the reader to know what they", "otherwise squeaky clean institution. It's the protagonist I'm not sure about. I have", "options and two in particular. They are all involved in fighting the antagonist", "also considered writing from the antagonist's view but I want them to be", "I use? I'm thinking of doing multiple POVs like Game of Thrones but", "to know what they are thinking. Anyone have any ideas? Thanks in advance.", "is that now I am unsure about POV which brings me to my", "to just stick with one viewpoint. But with so many potential main characters", "now I am unsure about POV which brings me to my second question:", "for my first novel. They are pretty much being brought back to power", "like Game of Thrones but sometimes it makes it hard to get used", "I've also considered writing from the antagonist's view but I want them to", "am unsure about POV which brings me to my second question: Which POV", "I then think to just stick with one viewpoint. But with so many", "that now I am unsure about POV which brings me to my second", "are pretty much being brought back to power by traitors in an otherwise", "a novice writer. I'm thinking of teaming all of these potential protagonists together", "it hard to get used to all the characters. I then think to", "about. I have several options and two in particular. They are all involved", "first draft but my problem is that now I am unsure about POV", "main characters it makes it difficult to decide. I've also considered writing from", "multiple POVs like Game of Thrones but sometimes it makes it hard to", "characters it makes it difficult to decide. I've also considered writing from the", "in particular. They are all involved in fighting the antagonist but I'm not", "thinking of doing multiple POVs like Game of Thrones but sometimes it makes", "brings me to my second question: Which POV should I use? I'm thinking", "I don't want the reader to know what they are thinking. Anyone have", "back to power by traitors in an otherwise squeaky clean institution. It's the", "not sure who should actually be the \"main\" character. This probably seems weird", "but my problem is that now I am unsure about POV which brings", "reader to know what they are thinking. Anyone have any ideas? Thanks in", "potential protagonists together and just let things flow for the first draft but", "two in particular. They are all involved in fighting the antagonist but I'm", "institution. It's the protagonist I'm not sure about. I have several options and", "guess it's because I'm a novice writer. I'm thinking of teaming all of", "just stick with one viewpoint. But with so many potential main characters it", "thinking of teaming all of these potential protagonists together and just let things", "just let things flow for the first draft but my problem is that", "should actually be the \"main\" character. This probably seems weird and I guess", "for the first draft but my problem is that now I am unsure", "They are all involved in fighting the antagonist but I'm not sure who", "fighting the antagonist but I'm not sure who should actually be the \"main\"", "feared and I don't want the reader to know what they are thinking.", "antagonist for my first novel. They are pretty much being brought back to", "several options and two in particular. They are all involved in fighting the", "the \"main\" character. This probably seems weird and I guess it's because I'm", "difficult to decide. I've also considered writing from the antagonist's view but I", "many potential main characters it makes it difficult to decide. I've also considered", "second question: Which POV should I use? I'm thinking of doing multiple POVs", "sometimes it makes it hard to get used to all the characters. I", "question: Which POV should I use? I'm thinking of doing multiple POVs like", "but I'm not sure who should actually be the \"main\" character. This probably", "I'm a novice writer. I'm thinking of teaming all of these potential protagonists", "it's because I'm a novice writer. I'm thinking of teaming all of these", "to get used to all the characters. I then think to just stick", "all the characters. I then think to just stick with one viewpoint. But", "involved in fighting the antagonist but I'm not sure who should actually be", "seems weird and I guess it's because I'm a novice writer. I'm thinking", "to my second question: Which POV should I use? I'm thinking of doing", "on my antagonist for my first novel. They are pretty much being brought", "my first novel. They are pretty much being brought back to power by", "probably seems weird and I guess it's because I'm a novice writer. I'm", "which brings me to my second question: Which POV should I use? I'm", "pretty much being brought back to power by traitors in an otherwise squeaky", "all involved in fighting the antagonist but I'm not sure who should actually", "being brought back to power by traitors in an otherwise squeaky clean institution.", "of doing multiple POVs like Game of Thrones but sometimes it makes it", "an otherwise squeaky clean institution. It's the protagonist I'm not sure about. I", "flow for the first draft but my problem is that now I am", "characters. I then think to just stick with one viewpoint. But with so", "it makes it difficult to decide. I've also considered writing from the antagonist's", "and two in particular. They are all involved in fighting the antagonist but", "POV which brings me to my second question: Which POV should I use?", "doing multiple POVs like Game of Thrones but sometimes it makes it hard", "my problem is that now I am unsure about POV which brings me", "draft but my problem is that now I am unsure about POV which", "unsure about POV which brings me to my second question: Which POV should", "traitors in an otherwise squeaky clean institution. It's the protagonist I'm not sure", "used to all the characters. I then think to just stick with one", "don't want the reader to know what they are thinking. Anyone have any", "about POV which brings me to my second question: Which POV should I", "actually be the \"main\" character. This probably seems weird and I guess it's", "the first draft but my problem is that now I am unsure about", "problem is that now I am unsure about POV which brings me to", "I'm thinking of teaming all of these potential protagonists together and just let", "I'm not sure who should actually be the \"main\" character. This probably seems", "I'm thinking of doing multiple POVs like Game of Thrones but sometimes it", "protagonist I'm not sure about. I have several options and two in particular.", "in fighting the antagonist but I'm not sure who should actually be the", "It's the protagonist I'm not sure about. I have several options and two", "it difficult to decide. I've also considered writing from the antagonist's view but", "the antagonist's view but I want them to be feared and I don't", "stick with one viewpoint. But with so many potential main characters it makes", "power by traitors in an otherwise squeaky clean institution. It's the protagonist I'm", "weird and I guess it's because I'm a novice writer. I'm thinking of", "Which POV should I use? I'm thinking of doing multiple POVs like Game", "together and just let things flow for the first draft but my problem", "them to be feared and I don't want the reader to know what", "Game of Thrones but sometimes it makes it hard to get used to", "They are pretty much being brought back to power by traitors in an", "have decided on my antagonist for my first novel. They are pretty much", "I have several options and two in particular. They are all involved in", "character. This probably seems weird and I guess it's because I'm a novice", "get used to all the characters. I then think to just stick with", "be feared and I don't want the reader to know what they are", "I want them to be feared and I don't want the reader to", "have several options and two in particular. They are all involved in fighting", "antagonist's view but I want them to be feared and I don't want", "particular. They are all involved in fighting the antagonist but I'm not sure", "POVs like Game of Thrones but sometimes it makes it hard to get", "view but I want them to be feared and I don't want the", "want them to be feared and I don't want the reader to know", "This probably seems weird and I guess it's because I'm a novice writer.", "Thrones but sometimes it makes it hard to get used to all the", "to decide. I've also considered writing from the antagonist's view but I want", "squeaky clean institution. It's the protagonist I'm not sure about. I have several", "use? I'm thinking of doing multiple POVs like Game of Thrones but sometimes", "with one viewpoint. But with so many potential main characters it makes it", "the antagonist but I'm not sure who should actually be the \"main\" character.", "POV should I use? I'm thinking of doing multiple POVs like Game of", "of teaming all of these potential protagonists together and just let things flow" ]
[ "is \"How do I imagine characters and plots the way I can imagine", "do I imagine characters and plots the way I can imagine settings?\" For", "characters and plot. The characters act naturally and convincingly, and the plots are", "For context, I'm trying to write an adventure delivery quest: a character discovers", "way I can imagine settings?\" For context, I'm trying to write an adventure", "trouble dreaming up characters and plot. Example: my first aborted attempt at a", "long after I finish. These stories have strong characters and plot. The characters", "help coming up with other steampunk-y tropes to fit in to my story.", "The characters act naturally and convincingly, and the plots are character-driven, not setting", "driven stories that keep me thinking about them long after I finish. These", "story?\" My specific question is \"How do I imagine characters and plots the", "I finish. These stories have strong characters and plot. The characters act naturally", "am capable of dreaming up interesting settings and even placing things in a", "do I write a good story?\" My specific question is \"How do I", "have strong characters and plot. The characters act naturally and convincingly, and the", "capable of dreaming up interesting settings and even placing things in a world,", "I read amazing, compelling, and driven stories that keep me thinking about them", "up with other steampunk-y tropes to fit in to my story. I was", "to be able to write a story like these. I know there are", "I am capable of dreaming up interesting settings and even placing things in", "variations on \"How do I write a good story?\" My specific question is", "amazing, compelling, and driven stories that keep me thinking about them long after", "and driven stories that keep me thinking about them long after I finish.", "a steampunk story ended when I realized I had literally asked for help", "steampunk-y tropes to fit in to my story. I was creating a screensaver,", "and convincingly, and the plots are character-driven, not setting driven. I want to", "other steampunk-y tropes to fit in to my story. I was creating a", "a story like these. I know there are a million and one variations", "on \"How do I write a good story?\" My specific question is \"How", "plots the way I can imagine settings?\" For context, I'm trying to write", "creating a screensaver, not a story. Meanwhile I read amazing, compelling, and driven", "to write an adventure delivery quest: a character discovers an ancient, terrible weapon,", "keep me thinking about them long after I finish. These stories have strong", "My specific question is \"How do I imagine characters and plots the way", "able to write a story like these. I know there are a million", "Meanwhile I read amazing, compelling, and driven stories that keep me thinking about", "to write a story like these. I know there are a million and", "discovers an ancient, terrible weapon, and has to take it to be destroyed", "story. I was creating a screensaver, not a story. Meanwhile I read amazing,", "specific question is \"How do I imagine characters and plots the way I", "aborted attempt at a steampunk story ended when I realized I had literally", "a character discovers an ancient, terrible weapon, and has to take it to", "characters and plot. Example: my first aborted attempt at a steampunk story ended", "to fit in to my story. I was creating a screensaver, not a", "attempt at a steampunk story ended when I realized I had literally asked", "and plots the way I can imagine settings?\" For context, I'm trying to", "I realized I had literally asked for help coming up with other steampunk-y", "my story. I was creating a screensaver, not a story. Meanwhile I read", "imagine settings?\" For context, I'm trying to write an adventure delivery quest: a", "characters act naturally and convincingly, and the plots are character-driven, not setting driven.", "\"How do I imagine characters and plots the way I can imagine settings?\"", "I have trouble dreaming up characters and plot. Example: my first aborted attempt", "I was creating a screensaver, not a story. Meanwhile I read amazing, compelling,", "even placing things in a world, but I have trouble dreaming up characters", "first aborted attempt at a steampunk story ended when I realized I had", "characters and plots the way I can imagine settings?\" For context, I'm trying", "at a steampunk story ended when I realized I had literally asked for", "be able to write a story like these. I know there are a", "are character-driven, not setting driven. I want to be able to write a", "interesting settings and even placing things in a world, but I have trouble", "a million and one variations on \"How do I write a good story?\"", "naturally and convincingly, and the plots are character-driven, not setting driven. I want", "ancient, terrible weapon, and has to take it to be destroyed (very Fellowship", "are a million and one variations on \"How do I write a good", "dreaming up interesting settings and even placing things in a world, but I", "was creating a screensaver, not a story. Meanwhile I read amazing, compelling, and", "about them long after I finish. These stories have strong characters and plot.", "an adventure delivery quest: a character discovers an ancient, terrible weapon, and has", "dreaming up characters and plot. Example: my first aborted attempt at a steampunk", "and plot. The characters act naturally and convincingly, and the plots are character-driven,", "plot. The characters act naturally and convincingly, and the plots are character-driven, not", "plots are character-driven, not setting driven. I want to be able to write", "want to be able to write a story like these. I know there", "like these. I know there are a million and one variations on \"How", "me thinking about them long after I finish. These stories have strong characters", "finish. These stories have strong characters and plot. The characters act naturally and", "setting driven. I want to be able to write a story like these.", "literally asked for help coming up with other steampunk-y tropes to fit in", "Example: my first aborted attempt at a steampunk story ended when I realized", "good story?\" My specific question is \"How do I imagine characters and plots", "with other steampunk-y tropes to fit in to my story. I was creating", "and plot. Example: my first aborted attempt at a steampunk story ended when", "and one variations on \"How do I write a good story?\" My specific", "story ended when I realized I had literally asked for help coming up", "I imagine characters and plots the way I can imagine settings?\" For context,", "up characters and plot. Example: my first aborted attempt at a steampunk story", "and the plots are character-driven, not setting driven. I want to be able", "a screensaver, not a story. Meanwhile I read amazing, compelling, and driven stories", "world, but I have trouble dreaming up characters and plot. Example: my first", "placing things in a world, but I have trouble dreaming up characters and", "stories that keep me thinking about them long after I finish. These stories", "but I have trouble dreaming up characters and plot. Example: my first aborted", "know there are a million and one variations on \"How do I write", "one variations on \"How do I write a good story?\" My specific question", "the plots are character-driven, not setting driven. I want to be able to", "\"How do I write a good story?\" My specific question is \"How do", "coming up with other steampunk-y tropes to fit in to my story. I", "million and one variations on \"How do I write a good story?\" My", "have trouble dreaming up characters and plot. Example: my first aborted attempt at", "steampunk story ended when I realized I had literally asked for help coming", "the way I can imagine settings?\" For context, I'm trying to write an", "write an adventure delivery quest: a character discovers an ancient, terrible weapon, and", "act naturally and convincingly, and the plots are character-driven, not setting driven. I", "screensaver, not a story. Meanwhile I read amazing, compelling, and driven stories that", "question is \"How do I imagine characters and plots the way I can", "for help coming up with other steampunk-y tropes to fit in to my", "driven. I want to be able to write a story like these. I", "character-driven, not setting driven. I want to be able to write a story", "story like these. I know there are a million and one variations on", "plot. Example: my first aborted attempt at a steampunk story ended when I", "strong characters and plot. The characters act naturally and convincingly, and the plots", "imagine characters and plots the way I can imagine settings?\" For context, I'm", "stories have strong characters and plot. The characters act naturally and convincingly, and", "after I finish. These stories have strong characters and plot. The characters act", "to take it to be destroyed (very Fellowship of the Rings, I know.)", "fit in to my story. I was creating a screensaver, not a story.", "thinking about them long after I finish. These stories have strong characters and", "I know there are a million and one variations on \"How do I", "has to take it to be destroyed (very Fellowship of the Rings, I", "there are a million and one variations on \"How do I write a", "them long after I finish. These stories have strong characters and plot. The", "a world, but I have trouble dreaming up characters and plot. Example: my", "compelling, and driven stories that keep me thinking about them long after I", "tropes to fit in to my story. I was creating a screensaver, not", "context, I'm trying to write an adventure delivery quest: a character discovers an", "in to my story. I was creating a screensaver, not a story. Meanwhile", "an ancient, terrible weapon, and has to take it to be destroyed (very", "delivery quest: a character discovers an ancient, terrible weapon, and has to take", "a good story?\" My specific question is \"How do I imagine characters and", "not a story. Meanwhile I read amazing, compelling, and driven stories that keep", "things in a world, but I have trouble dreaming up characters and plot.", "a story. Meanwhile I read amazing, compelling, and driven stories that keep me", "and has to take it to be destroyed (very Fellowship of the Rings,", "story. Meanwhile I read amazing, compelling, and driven stories that keep me thinking", "not setting driven. I want to be able to write a story like", "had literally asked for help coming up with other steampunk-y tropes to fit", "trying to write an adventure delivery quest: a character discovers an ancient, terrible", "I had literally asked for help coming up with other steampunk-y tropes to", "These stories have strong characters and plot. The characters act naturally and convincingly,", "that keep me thinking about them long after I finish. These stories have", "when I realized I had literally asked for help coming up with other", "I want to be able to write a story like these. I know", "realized I had literally asked for help coming up with other steampunk-y tropes", "up interesting settings and even placing things in a world, but I have", "my first aborted attempt at a steampunk story ended when I realized I", "asked for help coming up with other steampunk-y tropes to fit in to", "write a story like these. I know there are a million and one", "write a good story?\" My specific question is \"How do I imagine characters", "I'm trying to write an adventure delivery quest: a character discovers an ancient,", "quest: a character discovers an ancient, terrible weapon, and has to take it", "of dreaming up interesting settings and even placing things in a world, but", "weapon, and has to take it to be destroyed (very Fellowship of the", "adventure delivery quest: a character discovers an ancient, terrible weapon, and has to", "I write a good story?\" My specific question is \"How do I imagine", "these. I know there are a million and one variations on \"How do", "read amazing, compelling, and driven stories that keep me thinking about them long", "can imagine settings?\" For context, I'm trying to write an adventure delivery quest:", "terrible weapon, and has to take it to be destroyed (very Fellowship of", "to my story. I was creating a screensaver, not a story. Meanwhile I", "settings?\" For context, I'm trying to write an adventure delivery quest: a character", "settings and even placing things in a world, but I have trouble dreaming", "ended when I realized I had literally asked for help coming up with", "character discovers an ancient, terrible weapon, and has to take it to be", "I can imagine settings?\" For context, I'm trying to write an adventure delivery", "convincingly, and the plots are character-driven, not setting driven. I want to be", "in a world, but I have trouble dreaming up characters and plot. Example:", "and even placing things in a world, but I have trouble dreaming up" ]
[ "focus on the excitement of the adventure first. The result always seems to", "a manual. On the other hand, focusing too much on \"proving a point\"", "and ends up muddying the story. Should I be aiming for a happy", "ground between the two, or is it possible to write a satisfying story", "the audience. However, I wanted to focus on the excitement of the adventure", "they want to present to the audience. However, I wanted to focus on", "to the audience. However, I wanted to focus on the excitement of the", "to devolve into a dry style as though reading a manual. On the", "on the excitement of the adventure first. The result always seems to devolve", "off more as preaching to the audience, and ends up muddying the story.", "it possible to write a satisfying story that revolves around the characters rather", "though reading a manual. On the other hand, focusing too much on \"proving", "aiming for a happy middle ground between the two, or is it possible", "have a point they want to present to the audience. However, I wanted", "hand, focusing too much on \"proving a point\" comes off more as preaching", "to focus on the excitement of the adventure first. The result always seems", "dry style as though reading a manual. On the other hand, focusing too", "point\" comes off more as preaching to the audience, and ends up muddying", "point they want to present to the audience. However, I wanted to focus", "too much on \"proving a point\" comes off more as preaching to the", "ends up muddying the story. Should I be aiming for a happy middle", "of the adventure first. The result always seems to devolve into a dry", "comes off more as preaching to the audience, and ends up muddying the", "adventure first. The result always seems to devolve into a dry style as", "a dry style as though reading a manual. On the other hand, focusing", "between the two, or is it possible to write a satisfying story that", "the other hand, focusing too much on \"proving a point\" comes off more", "to the audience, and ends up muddying the story. Should I be aiming", "into a dry style as though reading a manual. On the other hand,", "middle ground between the two, or is it possible to write a satisfying", "think) many stories that have a point they want to present to the", "a satisfying story that revolves around the characters rather than, say, a moral?", "a happy middle ground between the two, or is it possible to write", "much on \"proving a point\" comes off more as preaching to the audience,", "is it possible to write a satisfying story that revolves around the characters", "preaching to the audience, and ends up muddying the story. Should I be", "present to the audience. However, I wanted to focus on the excitement of", "as preaching to the audience, and ends up muddying the story. Should I", "for a happy middle ground between the two, or is it possible to", "excitement of the adventure first. The result always seems to devolve into a", "want to present to the audience. However, I wanted to focus on the", "However, I wanted to focus on the excitement of the adventure first. The", "audience. However, I wanted to focus on the excitement of the adventure first.", "On the other hand, focusing too much on \"proving a point\" comes off", "The result always seems to devolve into a dry style as though reading", "reading a manual. On the other hand, focusing too much on \"proving a", "the two, or is it possible to write a satisfying story that revolves", "\"proving a point\" comes off more as preaching to the audience, and ends", "seems to devolve into a dry style as though reading a manual. On", "(I think) many stories that have a point they want to present to", "always seems to devolve into a dry style as though reading a manual.", "the audience, and ends up muddying the story. Should I be aiming for", "Should I be aiming for a happy middle ground between the two, or", "devolve into a dry style as though reading a manual. On the other", "muddying the story. Should I be aiming for a happy middle ground between", "style as though reading a manual. On the other hand, focusing too much", "write a satisfying story that revolves around the characters rather than, say, a", "be aiming for a happy middle ground between the two, or is it", "I know (I think) many stories that have a point they want to", "story. Should I be aiming for a happy middle ground between the two,", "up muddying the story. Should I be aiming for a happy middle ground", "on \"proving a point\" comes off more as preaching to the audience, and", "many stories that have a point they want to present to the audience.", "I wanted to focus on the excitement of the adventure first. The result", "wanted to focus on the excitement of the adventure first. The result always", "other hand, focusing too much on \"proving a point\" comes off more as", "the adventure first. The result always seems to devolve into a dry style", "the excitement of the adventure first. The result always seems to devolve into", "the story. Should I be aiming for a happy middle ground between the", "a point\" comes off more as preaching to the audience, and ends up", "know (I think) many stories that have a point they want to present", "a point they want to present to the audience. However, I wanted to", "result always seems to devolve into a dry style as though reading a", "two, or is it possible to write a satisfying story that revolves around", "to write a satisfying story that revolves around the characters rather than, say,", "stories that have a point they want to present to the audience. However,", "first. The result always seems to devolve into a dry style as though", "or is it possible to write a satisfying story that revolves around the", "focusing too much on \"proving a point\" comes off more as preaching to", "I be aiming for a happy middle ground between the two, or is", "audience, and ends up muddying the story. Should I be aiming for a", "more as preaching to the audience, and ends up muddying the story. Should", "as though reading a manual. On the other hand, focusing too much on", "that have a point they want to present to the audience. However, I", "manual. On the other hand, focusing too much on \"proving a point\" comes", "happy middle ground between the two, or is it possible to write a", "to present to the audience. However, I wanted to focus on the excitement", "possible to write a satisfying story that revolves around the characters rather than," ]
[ "Examples 1 -- A side-character is struggling with a moral dilemma. I want", "once in a lifestyle experience for thousands of participants. It also allows me", "from one POV character (third-person limited). However, plotted within this story are a", "POVs. The articles suggest that each POV character should have a character arc,", "showing some of this detail from the main protagonist, though potentially lose the", "the book is from one POV, would you skip using other POVs for", "that most of the book is from one POV, would you skip using", "the story, though they may not tell the story. Q: Is this okay?", "interviewed live on TV. Besides the interview, this character won't be seen much", "upcoming events. That this is a once in a lifestyle experience for thousands", "seen much in the story. This allows me to hype the upcoming events.", "may continue to exist and be pertinent to the story, though they may", "I want to show one chapter of her reflecting on the protagonist's advice", "jarring? Is it odd? Examples 1 -- A side-character is struggling with a", "I have a story that is primarily told from one POV character (third-person", "I don't get to show the effort, stress, and work that's going into", "the whole book into alternating character POVs. The articles suggest that each POV", "potentially lose the closeness of this side-character's thoughts and trials.* 2 -- The", "information. Alternatively, I could get creative with showing some of this detail from", "It also allows me to info-dump in a more creative and interesting way.", "protagonist later. Benefits: rounds out the character, provides more world information, foreshadows information.", "could show the interview on TV that my character is watching. I don't", "Is it odd? Examples* 1 -- A side-character is struggling with a moral", "-- The community manager of a popular tournament is interviewed live on TV.", "Or do you feel that you could add more to the story by", "her decision to help the protagonist later. Benefits: rounds out the character, provides", "some of this detail from the main protagonist, though potentially lose the closeness", "dilemma. I want to show one chapter of her reflecting on the protagonist's", "her reflecting on the protagonist's advice and making a change. This plays strongly", "is primarily told from one POV character (third-person limited). However, plotted within this", "this side-character's thoughts and trials.* 2 -- The community manager of a popular", "Given that most of the book is from one POV, would you skip", "of this side-character's thoughts and trials.* 2 -- The community manager of a", "Will this be jarring? Is it odd? Examples 1 -- A side-character is", "is watching. I don't get to show the effort, stress, and work that's", "to dividing the whole book into alternating character POVs. The articles suggest that", "other characters. Most of my multiple-POV research relates to dividing the whole book", "way. Alternatively, I could show the interview on TV that my character is", "returning to these POVs later. The characters may continue to exist and be", "within this story are a few chapters from other characters. Most of my", "in a lifestyle experience for thousands of participants. It also allows me to", "advice and making a change. This plays strongly in her decision to help", "don't get to show the effort, stress, and work that's going into the", "have a character arc, be unique, etc. In my case, I'm exploring adding", "of this detail from the main protagonist, though potentially lose the closeness of", "the interview, this character won't be seen much in the story. This allows", "is a once in a lifestyle experience for thousands of participants. It also", "of the required information. Q: Given that most of the book is from", "creative with showing some of this detail from the main protagonist, though potentially", "protagonist's advice and making a change. This plays strongly in her decision to", "are a few chapters from other characters. Most of my multiple-POV research relates", "my case, I'm exploring adding a few chapters with a different POVs and", "is from one POV, would you skip using other POVs for a handful", "character should have a character arc, be unique, etc. In my case, I'm", "1 -- A side-character is struggling with a moral dilemma. I want to", "reflecting on the protagonist's advice and making a change. This plays strongly in", "of the book is from one POV, would you skip using other POVs", "to the story by switching POV, even if it's done irregularly? Thank you", "a few chapters from other characters. Most of my multiple-POV research relates to", "and interesting way. Alternatively, I could show the interview on TV that my", "side-character's thoughts and trials. 2 -- The community manager of a popular tournament", "would you skip using other POVs for a handful of chapters? Or do", "a change. This plays strongly in her decision to help the protagonist later.", "and be pertinent to the story, though they may not tell the story.", "POV, would you skip using other POVs for a handful of chapters? Or", "be seen much in the story. This allows me to hype the upcoming", "to help the protagonist later. Benefits: rounds out the character, provides more world", "skip using other POVs for a handful of chapters? Or do you feel", "my character is watching. I don't get to show the effort, stress, and", "lifestyle experience for thousands of participants. It also allows me to info-dump in", "thoughts and trials.* 2 -- The community manager of a popular tournament is", "pertinent to the story, though they may not tell the story. Q: Is", "it odd? Examples 1 -- A side-character is struggling with a moral dilemma.", "story. This allows me to hype the upcoming events. That this is a", "with a different POVs and largely not returning to these POVs later. The", "thousands of participants. It also allows me to info-dump in a more creative", "story. Q: Is this okay? Will this be jarring? Is it odd? Examples", "should have a character arc, be unique, etc. In my case, I'm exploring", "Q: Given that most of the book is from one POV, would you", "multiple-POV research relates to dividing the whole book into alternating character POVs. The", "more world information, foreshadows information. Alternatively, I could get creative with showing some", "POV character (third-person limited). However, plotted within this story are a few chapters", "is interviewed live on TV. Besides the interview, this character won't be seen", "required information. Q: Given that most of the book is from one POV,", "the story. This allows me to hype the upcoming events. That this is", "other POVs for a handful of chapters? Or do you feel that you", "won't be seen much in the story. This allows me to hype the", "events. That this is a once in a lifestyle experience for thousands of", "that's going into the event, though I could portray a lot of the", "interview, this character won't be seen much in the story. This allows me", "I could get creative with showing some of this detail from the main", "work that's going into the event, though I could portray a lot of", "that each POV character should have a character arc, be unique, etc. In", "Alternatively, I could get creative with showing some of this detail from the", "creative and interesting way. Alternatively, I could show the interview on TV that", "moral dilemma. I want to show one chapter of her reflecting on the", "POV character should have a character arc, be unique, etc. In my case,", "plotted within this story are a few chapters from other characters. Most of", "primarily told from one POV character (third-person limited). However, plotted within this story", "and largely not returning to these POVs later. The characters may continue to", "a once in a lifestyle experience for thousands of participants. It also allows", "portray a lot of the required information.* Q: Given that most of the", "The articles suggest that each POV character should have a character arc, be", "a popular tournament is interviewed live on TV. Besides the interview, this character", "chapters from other characters. Most of my multiple-POV research relates to dividing the", "a different POVs and largely not returning to these POVs later. The characters", "main protagonist, though potentially lose the closeness of this side-character's thoughts and trials.", "you feel that you could add more to the story by switching POV,", "odd? Examples* 1 -- A side-character is struggling with a moral dilemma. I", "book is from one POV, would you skip using other POVs for a", "help the protagonist later. Benefits: rounds out the character, provides more world information,", "you could add more to the story by switching POV, even if it's", "a few chapters with a different POVs and largely not returning to these", "into the event, though I could portray a lot of the required information.", "I could portray a lot of the required information. Q: Given that most", "using other POVs for a handful of chapters? Or do you feel that", "I'm exploring adding a few chapters with a different POVs and largely not", "a more creative and interesting way. Alternatively, I could show the interview on", "handful of chapters? Or do you feel that you could add more to", "in the story. This allows me to hype the upcoming events. That this", "of chapters? Or do you feel that you could add more to the", "be pertinent to the story, though they may not tell the story. Q:", "decision to help the protagonist later. Benefits: rounds out the character, provides more", "much in the story. This allows me to hype the upcoming events. That", "TV that my character is watching. I don't get to show the effort,", "with showing some of this detail from the main protagonist, though potentially lose", "from one POV, would you skip using other POVs for a handful of", "my multiple-POV research relates to dividing the whole book into alternating character POVs.", "that my character is watching. I don't get to show the effort, stress,", "more to the story by switching POV, even if it's done irregularly? Thank", "add more to the story by switching POV, even if it's done irregularly?", "adding a few chapters with a different POVs and largely not returning to", "Is this okay? Will this be jarring? Is it odd? Examples* 1 --", "allows me to hype the upcoming events. That this is a once in", "you skip using other POVs for a handful of chapters? Or do you", "this detail from the main protagonist, though potentially lose the closeness of this", "of a popular tournament is interviewed live on TV. Besides the interview, this", "have a story that is primarily told from one POV character (third-person limited).", "of participants. It also allows me to info-dump in a more creative and", "could portray a lot of the required information.* Q: Given that most of", "whole book into alternating character POVs. The articles suggest that each POV character", "may not tell the story. Q: Is this okay? Will this be jarring?", "most of the book is from one POV, would you skip using other", "could get creative with showing some of this detail from the main protagonist,", "chapter of her reflecting on the protagonist's advice and making a change. This", "this okay? Will this be jarring? Is it odd? Examples 1 -- A", "character, provides more world information, foreshadows information. Alternatively, I could get creative with", "Alternatively, I could show the interview on TV that my character is watching.", "me to info-dump in a more creative and interesting way. Alternatively, I could", "POVs later. The characters may continue to exist and be pertinent to the", "change. This plays strongly in her decision to help the protagonist later. Benefits:", "a moral dilemma. I want to show one chapter of her reflecting on", "story are a few chapters from other characters. Most of my multiple-POV research", "more creative and interesting way. Alternatively, I could show the interview on TV", "on the protagonist's advice and making a change. This plays strongly in her", "lose the closeness of this side-character's thoughts and trials.* 2 -- The community", "story that is primarily told from one POV character (third-person limited). However, plotted", "these POVs later. The characters may continue to exist and be pertinent to", "not tell the story. Q: Is this okay? Will this be jarring? Is", "manager of a popular tournament is interviewed live on TV. Besides the interview,", "character (third-person limited). However, plotted within this story are a few chapters from", "POVs and largely not returning to these POVs later. The characters may continue", "for a handful of chapters? Or do you feel that you could add", "exist and be pertinent to the story, though they may not tell the", "on TV. Besides the interview, this character won't be seen much in the", "show the effort, stress, and work that's going into the event, though I", "exploring adding a few chapters with a different POVs and largely not returning", "live on TV. Besides the interview, this character won't be seen much in", "interview on TV that my character is watching. I don't get to show", "watching. I don't get to show the effort, stress, and work that's going", "show one chapter of her reflecting on the protagonist's advice and making a", "-- A side-character is struggling with a moral dilemma. I want to show", "TV. Besides the interview, this character won't be seen much in the story.", "though I could portray a lot of the required information.* Q: Given that", "I could show the interview on TV that my character is watching. I", "me to hype the upcoming events. That this is a once in a", "largely not returning to these POVs later. The characters may continue to exist", "from the main protagonist, though potentially lose the closeness of this side-character's thoughts", "This plays strongly in her decision to help the protagonist later. Benefits: rounds", "trials.* 2 -- The community manager of a popular tournament is interviewed live", "into alternating character POVs. The articles suggest that each POV character should have", "continue to exist and be pertinent to the story, though they may not", "chapters with a different POVs and largely not returning to these POVs later.", "to show one chapter of her reflecting on the protagonist's advice and making", "etc. In my case, I'm exploring adding a few chapters with a different", "the main protagonist, though potentially lose the closeness of this side-character's thoughts and", "could add more to the story by switching POV, even if it's done", "few chapters with a different POVs and largely not returning to these POVs", "the required information.* Q: Given that most of the book is from one", "Benefits: rounds out the character, provides more world information, foreshadows information. Alternatively, I", "a story that is primarily told from one POV character (third-person limited). However,", "though they may not tell the story. Q:* Is this okay? Will this", "to the story, though they may not tell the story. Q: Is this", "this be jarring? Is it odd? Examples 1 -- A side-character is struggling", "they may not tell the story. Q: Is this okay? Will this be", "the character, provides more world information, foreshadows information. Alternatively, I could get creative", "the upcoming events. That this is a once in a lifestyle experience for", "the event, though I could portray a lot of the required information. Q:", "That this is a once in a lifestyle experience for thousands of participants.", "get creative with showing some of this detail from the main protagonist, though", "do you feel that you could add more to the story by switching", "character POVs. The articles suggest that each POV character should have a character", "experience for thousands of participants. It also allows me to info-dump in a", "characters may continue to exist and be pertinent to the story, though they", "dividing the whole book into alternating character POVs. The articles suggest that each", "foreshadows information. Alternatively, I could get creative with showing some of this detail", "want to show one chapter of her reflecting on the protagonist's advice and", "popular tournament is interviewed live on TV. Besides the interview, this character won't", "the story by switching POV, even if it's done irregularly? Thank you for", "world information, foreshadows information. Alternatively, I could get creative with showing some of", "hype the upcoming events. That this is a once in a lifestyle experience", "is struggling with a moral dilemma. I want to show one chapter of", "detail from the main protagonist, though potentially lose the closeness of this side-character's", "to these POVs later. The characters may continue to exist and be pertinent", "story, though they may not tell the story. Q: Is this okay? Will", "stress, and work that's going into the event, though I could portray a", "2 -- The community manager of a popular tournament is interviewed live on", "a lifestyle experience for thousands of participants. It also allows me to info-dump", "to show the effort, stress, and work that's going into the event, though", "one POV, would you skip using other POVs for a handful of chapters?", "character arc, be unique, etc. In my case, I'm exploring adding a few", "the interview on TV that my character is watching. I don't get to", "also allows me to info-dump in a more creative and interesting way. Alternatively,", "to info-dump in a more creative and interesting way. Alternatively, I could show", "by switching POV, even if it's done irregularly? Thank you for your help!", "get to show the effort, stress, and work that's going into the event,", "be unique, etc. In my case, I'm exploring adding a few chapters with", "The characters may continue to exist and be pertinent to the story, though", "from other characters. Most of my multiple-POV research relates to dividing the whole", "few chapters from other characters. Most of my multiple-POV research relates to dividing", "Q: Is this okay? Will this be jarring? Is it odd? Examples 1", "of my multiple-POV research relates to dividing the whole book into alternating character", "Most of my multiple-POV research relates to dividing the whole book into alternating", "Besides the interview, this character won't be seen much in the story. This", "for thousands of participants. It also allows me to info-dump in a more", "chapters? Or do you feel that you could add more to the story", "to hype the upcoming events. That this is a once in a lifestyle", "different POVs and largely not returning to these POVs later. The characters may", "this story are a few chapters from other characters. Most of my multiple-POV", "that is primarily told from one POV character (third-person limited). However, plotted within", "a handful of chapters? Or do you feel that you could add more", "told from one POV character (third-person limited). However, plotted within this story are", "side-character is struggling with a moral dilemma. I want to show one chapter", "the closeness of this side-character's thoughts and trials.* 2 -- The community manager", "The community manager of a popular tournament is interviewed live on TV. Besides", "though potentially lose the closeness of this side-character's thoughts and trials.* 2 --", "closeness of this side-character's thoughts and trials.* 2 -- The community manager of", "the story. Q: Is this okay? Will this be jarring? Is it odd?", "this character won't be seen much in the story. This allows me to", "to exist and be pertinent to the story, though they may not tell", "unique, etc. In my case, I'm exploring adding a few chapters with a", "effort, stress, and work that's going into the event, though I could portray", "information.* Q: Given that most of the book is from one POV, would", "community manager of a popular tournament is interviewed live on TV. Besides the", "strongly in her decision to help the protagonist later. Benefits: rounds out the", "story by switching POV, even if it's done irregularly? Thank you for your", "making a change. This plays strongly in her decision to help the protagonist", "limited). However, plotted within this story are a few chapters from other characters.", "protagonist, though potentially lose the closeness of this side-character's thoughts and trials.* 2", "articles suggest that each POV character should have a character arc, be unique,", "later. Benefits: rounds out the character, provides more world information, foreshadows information. Alternatively,", "and trials. 2 -- The community manager of a popular tournament is interviewed", "okay? Will this be jarring? Is it odd? Examples 1 -- A side-character", "case, I'm exploring adding a few chapters with a different POVs and largely", "research relates to dividing the whole book into alternating character POVs. The articles", "and work that's going into the event, though I could portray a lot", "the protagonist later. Benefits: rounds out the character, provides more world information, foreshadows", "feel that you could add more to the story by switching POV, even", "character is watching. I don't get to show the effort, stress, and work", "suggest that each POV character should have a character arc, be unique, etc.", "lot of the required information.* Q: Given that most of the book is", "provides more world information, foreshadows information. Alternatively, I could get creative with showing", "tell the story. Q:* Is this okay? Will this be jarring? Is it", "a lot of the required information.* Q: Given that most of the book", "the effort, stress, and work that's going into the event, though I could", "character won't be seen much in the story. This allows me to hype", "that you could add more to the story by switching POV, even if", "arc, be unique, etc. In my case, I'm exploring adding a few chapters", "This allows me to hype the upcoming events. That this is a once", "on TV that my character is watching. I don't get to show the", "one chapter of her reflecting on the protagonist's advice and making a change.", "a character arc, be unique, etc. In my case, I'm exploring adding a", "rounds out the character, provides more world information, foreshadows information. Alternatively, I could", "alternating character POVs. The articles suggest that each POV character should have a", "tournament is interviewed live on TV. Besides the interview, this character won't be", "later. The characters may continue to exist and be pertinent to the story,", "participants. It also allows me to info-dump in a more creative and interesting", "POVs for a handful of chapters? Or do you feel that you could", "show the interview on TV that my character is watching. I don't get", "struggling with a moral dilemma. I want to show one chapter of her", "going into the event, though I could portray a lot of the required", "info-dump in a more creative and interesting way. Alternatively, I could show the", "of her reflecting on the protagonist's advice and making a change. This plays", "out the character, provides more world information, foreshadows information. Alternatively, I could get", "event, though I could portray a lot of the required information. Q: Given", "relates to dividing the whole book into alternating character POVs. The articles suggest", "this is a once in a lifestyle experience for thousands of participants. It", "be jarring? Is it odd? Examples 1 -- A side-character is struggling with", "in her decision to help the protagonist later. Benefits: rounds out the character,", "characters. Most of my multiple-POV research relates to dividing the whole book into", "each POV character should have a character arc, be unique, etc. In my", "In my case, I'm exploring adding a few chapters with a different POVs", "the protagonist's advice and making a change. This plays strongly in her decision", "(third-person limited). However, plotted within this story are a few chapters from other", "one POV character (third-person limited). However, plotted within this story are a few", "not returning to these POVs later. The characters may continue to exist and", "in a more creative and interesting way. Alternatively, I could show the interview", "A side-character is struggling with a moral dilemma. I want to show one", "with a moral dilemma. I want to show one chapter of her reflecting", "However, plotted within this story are a few chapters from other characters. Most", "book into alternating character POVs. The articles suggest that each POV character should", "information, foreshadows information. Alternatively, I could get creative with showing some of this", "allows me to info-dump in a more creative and interesting way. Alternatively, I", "and making a change. This plays strongly in her decision to help the", "plays strongly in her decision to help the protagonist later. Benefits: rounds out", "interesting way. Alternatively, I could show the interview on TV that my character" ]
[ "industry they aren’t familiar with, or write on a new topic, how do", "an industry they aren’t familiar with, or write on a new topic, how", "aren’t familiar with, or write on a new topic, how do they familiarise", "familiar with, or write on a new topic, how do they familiarise with", "When journalists get an assignment to interview someone in an industry they aren’t", "interview someone in an industry they aren’t familiar with, or write on a", "in an industry they aren’t familiar with, or write on a new topic,", "an assignment to interview someone in an industry they aren’t familiar with, or", "get an assignment to interview someone in an industry they aren’t familiar with,", "to interview someone in an industry they aren’t familiar with, or write on", "with, or write on a new topic, how do they familiarise with context-specific", "they aren’t familiar with, or write on a new topic, how do they", "or write on a new topic, how do they familiarise with context-specific vocabulary?", "someone in an industry they aren’t familiar with, or write on a new", "journalists get an assignment to interview someone in an industry they aren’t familiar", "assignment to interview someone in an industry they aren’t familiar with, or write" ]
[ "in a short story. Can dialogue in a short story be formed the", "is regarding the formation of dialogue in a short story. Can dialogue in", "play? Example: Teacher (sternly): What are you doing, Sam? Sam (looking down): Nothing,", "formed the way they are formed in a play? Example: Teacher (sternly): What", "story be formed the way they are formed in a play? Example: Teacher", "they are formed in a play? Example: Teacher (sternly): What are you doing,", "in a play? Example: Teacher (sternly): What are you doing, Sam? Sam (looking", "Example: Teacher (sternly): What are you doing, Sam? Sam (looking down): Nothing, Sir.", "question is regarding the formation of dialogue in a short story. Can dialogue", "a short story. Can dialogue in a short story be formed the way", "the formation of dialogue in a short story. Can dialogue in a short", "in a short story be formed the way they are formed in a", "dialogue in a short story be formed the way they are formed in", "dialogue in a short story. Can dialogue in a short story be formed", "be formed the way they are formed in a play? Example: Teacher (sternly):", "story. Can dialogue in a short story be formed the way they are", "a short story be formed the way they are formed in a play?", "the way they are formed in a play? Example: Teacher (sternly): What are", "way they are formed in a play? Example: Teacher (sternly): What are you", "Teacher (sternly): What are you doing, Sam? Sam (looking down): Nothing, Sir. Thanks!", "are formed in a play? Example: Teacher (sternly): What are you doing, Sam?", "This question is regarding the formation of dialogue in a short story. Can", "short story. Can dialogue in a short story be formed the way they", "formation of dialogue in a short story. Can dialogue in a short story", "of dialogue in a short story. Can dialogue in a short story be", "a play? Example: Teacher (sternly): What are you doing, Sam? Sam (looking down):", "Can dialogue in a short story be formed the way they are formed", "formed in a play? Example: Teacher (sternly): What are you doing, Sam? Sam", "short story be formed the way they are formed in a play? Example:", "regarding the formation of dialogue in a short story. Can dialogue in a" ]
[ "time I use indents the paragraphs end up all on the left side", "every time I use indents the paragraphs end up all on the left", "ask is because every time I use indents the paragraphs end up all", "I ask is because every time I use indents the paragraphs end up", "because every time I use indents the paragraphs end up all on the", "paragraphs end up all on the left side in a straight line but", "the left side in a straight line but if I space the paragraphs", "up all on the left side in a straight line but if I", "left side in a straight line but if I space the paragraphs it", "indents the paragraphs end up all on the left side in a straight", "side in a straight line but if I space the paragraphs it doesn't.", "all on the left side in a straight line but if I space", "the paragraphs end up all on the left side in a straight line", "Reason I ask is because every time I use indents the paragraphs end", "I use indents the paragraphs end up all on the left side in", "on the left side in a straight line but if I space the", "use indents the paragraphs end up all on the left side in a", "end up all on the left side in a straight line but if", "is because every time I use indents the paragraphs end up all on" ]
[ "but I want some of these other points of views as well. I", "person POV is a universal thing, but I want some of these other", "a 3rd person POV, but should the reader see through one character's perspective", "want to have my story a 3rd person POV, but should the reader", "all of them? I understand that 3rd person POV is a universal thing,", "that 3rd person POV is a universal thing, but I want some of", "is a universal thing, but I want some of these other points of", "was thinking about this a lot recently. I want to have my story", "some of these other points of views as well. I just want some", "but should the reader see through one character's perspective or all of them?", "should the reader see through one character's perspective or all of them? I", "I was thinking about this a lot recently. I want to have my", "character's perspective or all of them? I understand that 3rd person POV is", "or all of them? I understand that 3rd person POV is a universal", "POV, but should the reader see through one character's perspective or all of", "through one character's perspective or all of them? I understand that 3rd person", "person POV, but should the reader see through one character's perspective or all", "3rd person POV, but should the reader see through one character's perspective or", "want some of these other points of views as well. I just want", "have my story a 3rd person POV, but should the reader see through", "story a 3rd person POV, but should the reader see through one character's", "reader see through one character's perspective or all of them? I understand that", "I want to have my story a 3rd person POV, but should the", "universal thing, but I want some of these other points of views as", "one character's perspective or all of them? I understand that 3rd person POV", "see through one character's perspective or all of them? I understand that 3rd", "I understand that 3rd person POV is a universal thing, but I want", "these other points of views as well. I just want some feedback, that's", "my story a 3rd person POV, but should the reader see through one", "understand that 3rd person POV is a universal thing, but I want some", "thinking about this a lot recently. I want to have my story a", "them? I understand that 3rd person POV is a universal thing, but I", "of them? I understand that 3rd person POV is a universal thing, but", "recently. I want to have my story a 3rd person POV, but should", "to have my story a 3rd person POV, but should the reader see", "a lot recently. I want to have my story a 3rd person POV,", "I want some of these other points of views as well. I just", "lot recently. I want to have my story a 3rd person POV, but", "a universal thing, but I want some of these other points of views", "this a lot recently. I want to have my story a 3rd person", "of these other points of views as well. I just want some feedback,", "about this a lot recently. I want to have my story a 3rd", "perspective or all of them? I understand that 3rd person POV is a", "3rd person POV is a universal thing, but I want some of these", "other points of views as well. I just want some feedback, that's all.", "POV is a universal thing, but I want some of these other points", "thing, but I want some of these other points of views as well.", "the reader see through one character's perspective or all of them? I understand" ]
[ "in the novel. However, I want the reader to relate more to this", "options do I have? How would you recommend I best switch perspectives without", "the reader? I also want to make it clear that I am changing", "a wise decision, what alternative options do I have? How would you recommend", "is in a different, but related circumstance, later in time. I plan to", "am changing perspectives and the new character was not narrating before, and is", "familiar with the events of the previous part of the story. It might", "musings on his experience, to which I think a first-person perspective would be", "to have him give long, thoughtful, musings on his experience, to which I", "new character was not narrating before, and is not familiar with the events", "his experience, to which I think a first-person perspective would be much better", "would be much better suited. Is this a wise decision, what alternative options", "reader? I also want to make it clear that I am changing perspectives", "wise decision, what alternative options do I have? How would you recommend I", "him give long, thoughtful, musings on his experience, to which I think a", "circumstance, later in time. I plan to have their stories come together later", "personality from a third-person perspective. Now, I want to start talking about a", "perspectives and the new character was not narrating before, and is not familiar", "I also want to make it clear that I am changing perspectives and", "to relate more to this character, and I want to have him give", "suited. Is this a wise decision, what alternative options do I have? How", "their stories come together later in the novel. However, I want the reader", "to have their stories come together later in the novel. However, I want", "in time. I plan to have their stories come together later in the", "plan to have their stories come together later in the novel. However, I", "experience, to which I think a first-person perspective would be much better suited.", "might also be helpful if you could point me in the direction of", "changing perspectives and the new character was not narrating before, and is not", "a third-person perspective. Now, I want to start talking about a different character,", "be much better suited. Is this a wise decision, what alternative options do", "character was not narrating before, and is not familiar with the events of", "but related circumstance, later in time. I plan to have their stories come", "from a third-person perspective. Now, I want to start talking about a different", "It might also be helpful if you could point me in the direction", "her history and personality from a third-person perspective. Now, I want to start", "However, I want the reader to relate more to this character, and I", "come together later in the novel. However, I want the reader to relate", "that I am changing perspectives and the new character was not narrating before,", "without confusing the reader? I also want to make it clear that I", "confusing the reader? I also want to make it clear that I am", "clear that I am changing perspectives and the new character was not narrating", "about a different character, who is in a different, but related circumstance, later", "talking about a different character, who is in a different, but related circumstance,", "also be helpful if you could point me in the direction of other", "later in time. I plan to have their stories come together later in", "and the new character was not narrating before, and is not familiar with", "I begin by introducing a character and describing her history and personality from", "character, who is in a different, but related circumstance, later in time. I", "the new character was not narrating before, and is not familiar with the", "part of the story. It might also be helpful if you could point", "a first-person perspective would be much better suited. Is this a wise decision,", "I have? How would you recommend I best switch perspectives without confusing the", "history and personality from a third-person perspective. Now, I want to start talking", "I want to have him give long, thoughtful, musings on his experience, to", "think a first-person perspective would be much better suited. Is this a wise", "which I think a first-person perspective would be much better suited. Is this", "In a novel I've been writing, I begin by introducing a character and", "best switch perspectives without confusing the reader? I also want to make it", "and personality from a third-person perspective. Now, I want to start talking about", "writing, I begin by introducing a character and describing her history and personality", "introducing a character and describing her history and personality from a third-person perspective.", "different, but related circumstance, later in time. I plan to have their stories", "previous part of the story. It might also be helpful if you could", "was not narrating before, and is not familiar with the events of the", "to start talking about a different character, who is in a different, but", "a different character, who is in a different, but related circumstance, later in", "begin by introducing a character and describing her history and personality from a", "the direction of other novels where this sort of thing has worked before.", "this a wise decision, what alternative options do I have? How would you", "and is not familiar with the events of the previous part of the", "have him give long, thoughtful, musings on his experience, to which I think", "before, and is not familiar with the events of the previous part of", "in a different, but related circumstance, later in time. I plan to have", "is not familiar with the events of the previous part of the story.", "want to start talking about a different character, who is in a different,", "the story. It might also be helpful if you could point me in", "also want to make it clear that I am changing perspectives and the", "perspective would be much better suited. Is this a wise decision, what alternative", "you recommend I best switch perspectives without confusing the reader? I also want", "and describing her history and personality from a third-person perspective. Now, I want", "thoughtful, musings on his experience, to which I think a first-person perspective would", "would you recommend I best switch perspectives without confusing the reader? I also", "to make it clear that I am changing perspectives and the new character", "to which I think a first-person perspective would be much better suited. Is", "more to this character, and I want to have him give long, thoughtful,", "much better suited. Is this a wise decision, what alternative options do I", "story. It might also be helpful if you could point me in the", "and I want to have him give long, thoughtful, musings on his experience,", "of the previous part of the story. It might also be helpful if", "give long, thoughtful, musings on his experience, to which I think a first-person", "on his experience, to which I think a first-person perspective would be much", "what alternative options do I have? How would you recommend I best switch", "switch perspectives without confusing the reader? I also want to make it clear", "a novel I've been writing, I begin by introducing a character and describing", "who is in a different, but related circumstance, later in time. I plan", "stories come together later in the novel. However, I want the reader to", "together later in the novel. However, I want the reader to relate more", "if you could point me in the direction of other novels where this", "decision, what alternative options do I have? How would you recommend I best", "have? How would you recommend I best switch perspectives without confusing the reader?", "not familiar with the events of the previous part of the story. It", "want to make it clear that I am changing perspectives and the new", "want the reader to relate more to this character, and I want to", "do I have? How would you recommend I best switch perspectives without confusing", "been writing, I begin by introducing a character and describing her history and", "novel. However, I want the reader to relate more to this character, and", "describing her history and personality from a third-person perspective. Now, I want to", "the reader to relate more to this character, and I want to have", "character and describing her history and personality from a third-person perspective. Now, I", "make it clear that I am changing perspectives and the new character was", "I best switch perspectives without confusing the reader? I also want to make", "not narrating before, and is not familiar with the events of the previous", "I plan to have their stories come together later in the novel. However,", "I've been writing, I begin by introducing a character and describing her history", "related circumstance, later in time. I plan to have their stories come together", "a different, but related circumstance, later in time. I plan to have their", "it clear that I am changing perspectives and the new character was not", "want to have him give long, thoughtful, musings on his experience, to which", "I want to start talking about a different character, who is in a", "time. I plan to have their stories come together later in the novel.", "you could point me in the direction of other novels where this sort", "I am changing perspectives and the new character was not narrating before, and", "be helpful if you could point me in the direction of other novels", "of the story. It might also be helpful if you could point me", "could point me in the direction of other novels where this sort of", "third-person perspective. Now, I want to start talking about a different character, who", "Is this a wise decision, what alternative options do I have? How would", "narrating before, and is not familiar with the events of the previous part", "perspectives without confusing the reader? I also want to make it clear that", "this character, and I want to have him give long, thoughtful, musings on", "events of the previous part of the story. It might also be helpful", "relate more to this character, and I want to have him give long,", "a character and describing her history and personality from a third-person perspective. Now,", "novel I've been writing, I begin by introducing a character and describing her", "the novel. However, I want the reader to relate more to this character,", "to this character, and I want to have him give long, thoughtful, musings", "long, thoughtful, musings on his experience, to which I think a first-person perspective", "later in the novel. However, I want the reader to relate more to", "the previous part of the story. It might also be helpful if you", "character, and I want to have him give long, thoughtful, musings on his", "the events of the previous part of the story. It might also be", "with the events of the previous part of the story. It might also", "reader to relate more to this character, and I want to have him", "in the direction of other novels where this sort of thing has worked", "by introducing a character and describing her history and personality from a third-person", "point me in the direction of other novels where this sort of thing", "How would you recommend I best switch perspectives without confusing the reader? I", "recommend I best switch perspectives without confusing the reader? I also want to", "me in the direction of other novels where this sort of thing has", "have their stories come together later in the novel. However, I want the", "first-person perspective would be much better suited. Is this a wise decision, what", "start talking about a different character, who is in a different, but related", "alternative options do I have? How would you recommend I best switch perspectives", "I want the reader to relate more to this character, and I want", "different character, who is in a different, but related circumstance, later in time.", "helpful if you could point me in the direction of other novels where", "Now, I want to start talking about a different character, who is in", "better suited. Is this a wise decision, what alternative options do I have?", "perspective. Now, I want to start talking about a different character, who is", "I think a first-person perspective would be much better suited. Is this a" ]
[ "an external conflict. While I have a general idea of the plot points,", "distracted by the characters and develop them instead. If I were to just", "external conflict, as the overarching plot is the development of the relationship and", "about the children of the seven Demon Kings of Hell, I know that", "of the plot points, I am finding it difficult to sit down and", "if this is what comes naturally to me. Does anyone have any advice", "themselves. However I have a few ideas for fantasy/adventure novels with plots that", "conflicts and their relationships with other characters (my experience has almost exclusively been", "in between which forces them to make the journey in the first place.", "develop them instead. If I were to just sit down and start writing", "and my plots generally focus greatly on their inner conflicts and their relationships", "make the journey in the first place. When I try to take the", "driven by the characters themselves. However I have a few ideas for fantasy/adventure", "sit down and iron out the details. For example, in a story about", "The characters are interesting, but I need them to “do” things. Rather than", "of their own and must flee back to the land of the living.", "and eventually have to travel to the depths of Hell to fight Satan,", "in the first place. When I try to take the time to develop", "the development of the relationship and is driven by the characters themselves. However", "figure out how they get to Hell, or what happens in between which", "have to travel to the depths of Hell to fight Satan, but are", "characters are interesting, but I need them to “do” things. Rather than interacting", "characters and my plots generally focus greatly on their inner conflicts and their", "them interacting with the external conflict. I don’t necessarily think I should give", "this is what comes naturally to me. Does anyone have any advice to", "external conflict. I don’t necessarily think I should give up and only ever", "their heritage and eventually have to travel to the depths of Hell to", "they get to Hell, or what happens in between which forces them to", "with other characters (my experience has almost exclusively been writing romance). There is", "time to develop the plot some more, I always get distracted by the", "just write endless character interaction and nothing would ever happen. The characters are", "I need to get them interacting with the external conflict. I don’t necessarily", "and is driven by the characters themselves. However I have a few ideas", "by an external conflict. While I have a general idea of the plot", "to just sit down and start writing I would just write endless character", "difficult to sit down and iron out the details. For example, in a", "I have a few ideas for fantasy/adventure novels with plots that are driven", "inner conflicts and their relationships with other characters (my experience has almost exclusively", "out the details. For example, in a story about the children of the", "writing I would just write endless character interaction and nothing would ever happen.", "is what comes naturally to me. Does anyone have any advice to give", "naturally to me. Does anyone have any advice to give on how to", "greatly on their inner conflicts and their relationships with other characters (my experience", "been writing romance). There is very little external conflict, as the overarching plot", "ideas for fantasy/adventure novels with plots that are driven by an external conflict.", "the first place. When I try to take the time to develop the", "discover their heritage and eventually have to travel to the depths of Hell", "heritage and eventually have to travel to the depths of Hell to fight", "try to take the time to develop the plot some more, I always", "the overarching plot is the development of the relationship and is driven by", "I know that the children discover their heritage and eventually have to travel", "with each other, I need to get them interacting with the external conflict.", "general idea of the plot points, I am finding it difficult to sit", "think I should give up and only ever write character-based plot, even if", "characters themselves. However I have a few ideas for fantasy/adventure novels with plots", "the time to develop the plot some more, I always get distracted by", "conflict. I don’t necessarily think I should give up and only ever write", "what comes naturally to me. Does anyone have any advice to give on", "necessarily think I should give up and only ever write character-based plot, even", "it difficult to sit down and iron out the details. For example, in", "development of the relationship and is driven by the characters themselves. However I", "Demon Kings of Hell, I know that the children discover their heritage and", "But I can’t figure out how they get to Hell, or what happens", "out how they get to Hell, or what happens in between which forces", "When I try to take the time to develop the plot some more,", "the relationship and is driven by the characters themselves. However I have a", "Hell, I know that the children discover their heritage and eventually have to", "by one of their own and must flee back to the land of", "take the time to develop the plot some more, I always get distracted", "I were to just sit down and start writing I would just write", "would just write endless character interaction and nothing would ever happen. The characters", "with the external conflict. I don’t necessarily think I should give up and", "plots that are driven by an external conflict. While I have a general", "I love creating characters and my plots generally focus greatly on their inner", "of the seven Demon Kings of Hell, I know that the children discover", "seven Demon Kings of Hell, I know that the children discover their heritage", "between which forces them to make the journey in the first place. When", "the seven Demon Kings of Hell, I know that the children discover their", "have any advice to give on how to focus my attention on the", "I don’t necessarily think I should give up and only ever write character-based", "but I need them to “do” things. Rather than interacting with each other,", "write endless character interaction and nothing would ever happen. The characters are interesting,", "has almost exclusively been writing romance). There is very little external conflict, as", "were to just sit down and start writing I would just write endless", "interacting with the external conflict. I don’t necessarily think I should give up", "things. Rather than interacting with each other, I need to get them interacting", "write character-based plot, even if this is what comes naturally to me. Does", "journey in the first place. When I try to take the time to", "I have a general idea of the plot points, I am finding it", "plot some more, I always get distracted by the characters and develop them", "However I have a few ideas for fantasy/adventure novels with plots that are", "to take the time to develop the plot some more, I always get", "to get them interacting with the external conflict. I don’t necessarily think I", "some more, I always get distracted by the characters and develop them instead.", "eventually have to travel to the depths of Hell to fight Satan, but", "must flee back to the land of the living. But I can’t figure", "only ever write character-based plot, even if this is what comes naturally to", "interacting with each other, I need to get them interacting with the external", "and start writing I would just write endless character interaction and nothing would", "than interacting with each other, I need to get them interacting with the", "novels with plots that are driven by an external conflict. While I have", "their own and must flee back to the land of the living. But", "for fantasy/adventure novels with plots that are driven by an external conflict. While", "or what happens in between which forces them to make the journey in", "a few ideas for fantasy/adventure novels with plots that are driven by an", "them instead. If I were to just sit down and start writing I", "their relationships with other characters (my experience has almost exclusively been writing romance).", "For example, in a story about the children of the seven Demon Kings", "There is very little external conflict, as the overarching plot is the development", "even if this is what comes naturally to me. Does anyone have any", "the external conflict. I don’t necessarily think I should give up and only", "external conflict. While I have a general idea of the plot points, I", "the living. But I can’t figure out how they get to Hell, or", "by the characters themselves. However I have a few ideas for fantasy/adventure novels", "to travel to the depths of Hell to fight Satan, but are betrayed", "is driven by the characters themselves. However I have a few ideas for", "with plots that are driven by an external conflict. While I have a", "almost exclusively been writing romance). There is very little external conflict, as the", "and iron out the details. For example, in a story about the children", "children discover their heritage and eventually have to travel to the depths of", "as the overarching plot is the development of the relationship and is driven", "If I were to just sit down and start writing I would just", "more, I always get distracted by the characters and develop them instead. If", "should give up and only ever write character-based plot, even if this is", "plot points, I am finding it difficult to sit down and iron out", "know that the children discover their heritage and eventually have to travel to", "Rather than interacting with each other, I need to get them interacting with", "plot is the development of the relationship and is driven by the characters", "focus greatly on their inner conflicts and their relationships with other characters (my", "that the children discover their heritage and eventually have to travel to the", "get them interacting with the external conflict. I don’t necessarily think I should", "have a few ideas for fantasy/adventure novels with plots that are driven by", "can’t figure out how they get to Hell, or what happens in between", "Satan, but are betrayed by one of their own and must flee back", "few ideas for fantasy/adventure novels with plots that are driven by an external", "of Hell to fight Satan, but are betrayed by one of their own", "and only ever write character-based plot, even if this is what comes naturally", "characters and develop them instead. If I were to just sit down and", "fantasy/adventure novels with plots that are driven by an external conflict. While I", "down and iron out the details. For example, in a story about the", "them to make the journey in the first place. When I try to", "and nothing would ever happen. The characters are interesting, but I need them", "don’t necessarily think I should give up and only ever write character-based plot,", "other characters (my experience has almost exclusively been writing romance). There is very", "example, in a story about the children of the seven Demon Kings of", "conflict, as the overarching plot is the development of the relationship and is", "forces them to make the journey in the first place. When I try", "endless character interaction and nothing would ever happen. The characters are interesting, but", "little external conflict, as the overarching plot is the development of the relationship", "the plot points, I am finding it difficult to sit down and iron", "what happens in between which forces them to make the journey in the", "the details. For example, in a story about the children of the seven", "the children of the seven Demon Kings of Hell, I know that the", "children of the seven Demon Kings of Hell, I know that the children", "I should give up and only ever write character-based plot, even if this", "need them to “do” things. Rather than interacting with each other, I need", "ever happen. The characters are interesting, but I need them to “do” things.", "generally focus greatly on their inner conflicts and their relationships with other characters", "plots generally focus greatly on their inner conflicts and their relationships with other", "fight Satan, but are betrayed by one of their own and must flee", "give up and only ever write character-based plot, even if this is what", "to sit down and iron out the details. For example, in a story", "(my experience has almost exclusively been writing romance). There is very little external", "nothing would ever happen. The characters are interesting, but I need them to", "“do” things. Rather than interacting with each other, I need to get them", "and develop them instead. If I were to just sit down and start", "comes naturally to me. Does anyone have any advice to give on how", "the children discover their heritage and eventually have to travel to the depths", "their inner conflicts and their relationships with other characters (my experience has almost", "flee back to the land of the living. But I can’t figure out", "are betrayed by one of their own and must flee back to the", "of the living. But I can’t figure out how they get to Hell,", "is very little external conflict, as the overarching plot is the development of", "I always get distracted by the characters and develop them instead. If I", "characters (my experience has almost exclusively been writing romance). There is very little", "Hell to fight Satan, but are betrayed by one of their own and", "to me. Does anyone have any advice to give on how to focus", "to fight Satan, but are betrayed by one of their own and must", "of the relationship and is driven by the characters themselves. However I have", "While I have a general idea of the plot points, I am finding", "the journey in the first place. When I try to take the time", "but are betrayed by one of their own and must flee back to", "finding it difficult to sit down and iron out the details. For example,", "just sit down and start writing I would just write endless character interaction", "Does anyone have any advice to give on how to focus my attention", "the depths of Hell to fight Satan, but are betrayed by one of", "creating characters and my plots generally focus greatly on their inner conflicts and", "the characters themselves. However I have a few ideas for fantasy/adventure novels with", "by the characters and develop them instead. If I were to just sit", "experience has almost exclusively been writing romance). There is very little external conflict,", "happens in between which forces them to make the journey in the first", "on their inner conflicts and their relationships with other characters (my experience has", "the land of the living. But I can’t figure out how they get", "develop the plot some more, I always get distracted by the characters and", "in a story about the children of the seven Demon Kings of Hell,", "are driven by an external conflict. While I have a general idea of", "living. But I can’t figure out how they get to Hell, or what", "get distracted by the characters and develop them instead. If I were to", "are interesting, but I need them to “do” things. Rather than interacting with", "story about the children of the seven Demon Kings of Hell, I know", "relationship and is driven by the characters themselves. However I have a few", "have a general idea of the plot points, I am finding it difficult", "down and start writing I would just write endless character interaction and nothing", "betrayed by one of their own and must flee back to the land", "start writing I would just write endless character interaction and nothing would ever", "back to the land of the living. But I can’t figure out how", "which forces them to make the journey in the first place. When I", "place. When I try to take the time to develop the plot some", "love creating characters and my plots generally focus greatly on their inner conflicts", "interesting, but I need them to “do” things. Rather than interacting with each", "I need them to “do” things. Rather than interacting with each other, I", "advice to give on how to focus my attention on the external conflict?", "happen. The characters are interesting, but I need them to “do” things. Rather", "me. Does anyone have any advice to give on how to focus my", "romance). There is very little external conflict, as the overarching plot is the", "character-based plot, even if this is what comes naturally to me. Does anyone", "to “do” things. Rather than interacting with each other, I need to get", "them to “do” things. Rather than interacting with each other, I need to", "idea of the plot points, I am finding it difficult to sit down", "conflict. While I have a general idea of the plot points, I am", "travel to the depths of Hell to fight Satan, but are betrayed by", "land of the living. But I can’t figure out how they get to", "how they get to Hell, or what happens in between which forces them", "to develop the plot some more, I always get distracted by the characters", "to Hell, or what happens in between which forces them to make the", "I can’t figure out how they get to Hell, or what happens in", "the characters and develop them instead. If I were to just sit down", "other, I need to get them interacting with the external conflict. I don’t", "my plots generally focus greatly on their inner conflicts and their relationships with", "would ever happen. The characters are interesting, but I need them to “do”", "each other, I need to get them interacting with the external conflict. I", "I am finding it difficult to sit down and iron out the details.", "interaction and nothing would ever happen. The characters are interesting, but I need", "I try to take the time to develop the plot some more, I", "and must flee back to the land of the living. But I can’t", "to make the journey in the first place. When I try to take", "the plot some more, I always get distracted by the characters and develop", "any advice to give on how to focus my attention on the external", "overarching plot is the development of the relationship and is driven by the", "driven by an external conflict. While I have a general idea of the", "relationships with other characters (my experience has almost exclusively been writing romance). There", "details. For example, in a story about the children of the seven Demon", "of Hell, I know that the children discover their heritage and eventually have", "one of their own and must flee back to the land of the", "get to Hell, or what happens in between which forces them to make", "Hell, or what happens in between which forces them to make the journey", "up and only ever write character-based plot, even if this is what comes", "depths of Hell to fight Satan, but are betrayed by one of their", "own and must flee back to the land of the living. But I", "writing romance). There is very little external conflict, as the overarching plot is", "to the land of the living. But I can’t figure out how they", "plot, even if this is what comes naturally to me. Does anyone have", "points, I am finding it difficult to sit down and iron out the", "character interaction and nothing would ever happen. The characters are interesting, but I", "a general idea of the plot points, I am finding it difficult to", "need to get them interacting with the external conflict. I don’t necessarily think", "iron out the details. For example, in a story about the children of", "first place. When I try to take the time to develop the plot", "ever write character-based plot, even if this is what comes naturally to me.", "am finding it difficult to sit down and iron out the details. For", "always get distracted by the characters and develop them instead. If I were", "sit down and start writing I would just write endless character interaction and", "a story about the children of the seven Demon Kings of Hell, I", "exclusively been writing romance). There is very little external conflict, as the overarching", "anyone have any advice to give on how to focus my attention on", "I would just write endless character interaction and nothing would ever happen. The", "and their relationships with other characters (my experience has almost exclusively been writing", "very little external conflict, as the overarching plot is the development of the", "instead. If I were to just sit down and start writing I would", "Kings of Hell, I know that the children discover their heritage and eventually", "that are driven by an external conflict. While I have a general idea", "is the development of the relationship and is driven by the characters themselves.", "to the depths of Hell to fight Satan, but are betrayed by one" ]
[ "I use the actual name of entertainment TV shows, such as 'Entertainment Tonight'", "My main characters are famous. Can I use the actual name of entertainment", "Can I use the actual name of entertainment TV shows, such as 'Entertainment", "characters are famous. Can I use the actual name of entertainment TV shows,", "are famous. Can I use the actual name of entertainment TV shows, such", "name of entertainment TV shows, such as 'Entertainment Tonight' in my fictional novel?", "actual name of entertainment TV shows, such as 'Entertainment Tonight' in my fictional", "famous. Can I use the actual name of entertainment TV shows, such as", "the actual name of entertainment TV shows, such as 'Entertainment Tonight' in my", "use the actual name of entertainment TV shows, such as 'Entertainment Tonight' in", "main characters are famous. Can I use the actual name of entertainment TV" ]
[ "introduce Akiba Coles to a scene by her full name and just shorten", "part she is only around teenage characters who call her that. But during", "the reader does not know. Other characters are constantly referring to a person", "narrative around characters who refer to her as such. However now the reader", "Character When She Is Lying About Her Name](https://writers.stackexchange.com/questions/9392/how-to-handle-a-character-when-she-is-lying-about-her-name) but the situation is slightly", "a character who is almost always referred to as Mrs. Coles by the", "It's at this point where I run into my problem. She's embraced the", "spends the bulk of the remainder of the narrative around characters who refer", "Other characters are constantly referring to a person called \"Barii\" and the reader", "ONLY refer to her as Fabatxi that the narrator should adjust accordingly and", "way that gives both her names (not sure how I would do that)", "scene she's introduced by her full name and then it's subsequently shortened to", "the narrative around characters who refer to her as such. However now the", "have a character who is introduced as Fabatxi to the reader. However she", "the Akiba Coles character (perhaps because it's easier to introduce Akiba Coles to", "people who ONLY refer to her as Fabatxi that the narrator should adjust", "the narrator should adjust accordingly and when she is primarily with people who", "call her by her first name \"Akiba\" the narrator refers to her as", "teenage characters who call her that. But during the rare scenes where she", "and for at least half of the book (if not more) the narrator", "now the reader knows she is Fabatxi and for at least half of", "adjust accordingly and just like with Akiba Coles, at the beginning of each", "to the readers and the characters who know her as Fabatxi). It's at", "by her first name \"Akiba\" the narrator refers to her as such and", "narrator should adjust accordingly and just like with Akiba Coles, at the beginning", "scenes where she is around only other adults who call her by her", "by her full name and then it's subsequently shortened to either Mrs. Coles", "the conscious decision to change her name back. That seems to be the", "refer to her as Barii the narrator should adjust accordingly and just like", "scene. But after the revelation, it seems fitting and appropriate for the narrator", "just shorten it). I hope that's enough information to help with figuring this", "run into my problem. She's embraced the new name \"Barii\" and she spends", "it's subsequently shortened to either Mrs. Coles or Akiba depending on the scene.", "when she is primarily with people who ONLY refer to her as Barii", "for the most part she is only around teenage characters who call her", "name and then it's subsequently shortened to either Mrs. Coles or Akiba depending", "When She Is Lying About Her Name](https://writers.stackexchange.com/questions/9392/how-to-handle-a-character-when-she-is-lying-about-her-name) but the situation is slightly different", "revelation, it seems fitting and appropriate for the narrator to call her Barii", "logic seems less appropriate with the Fabatxi character than it does with the", "fitting and appropriate for the narrator to call her Barii from this point", "have a character who is almost always referred to as Mrs. Coles by", "Also I want to be consistent considering I have another character who is", "(perhaps because it's easier to introduce Akiba Coles to a scene by her", "for at least half of the book (if not more) the narrator has", "Fabatxi). It's at this point where I run into my problem. She's embraced", "the narrator to call her Barii from this point on until she makes", "different in where my problem lies. I have a character who is introduced", "is revealed that Barii is actually Fabatxi (both to the readers and the", "by two different names. Only that scenario is different. I have a character", "narrator refers to her as such and typically each scene she's introduced by", "with the Fabatxi character than it does with the Akiba Coles character (perhaps", "I have another character who is often referred to by two different names.", "of the narrative around characters who refer to her as such. However now", "after the revelation, it seems fitting and appropriate for the narrator to call", "makes the conscious decision to change her name back. That seems to be", "(if not more) the narrator has called her this when she is in", "but wanted to make sure it made senses Also I want to be", "appropriate for the narrator to call her Barii from this point on until", "she is in a scene interacting mostly with people who ONLY refer to", "in any scene. Later it is revealed that Barii is actually Fabatxi (both", "I would do that) and then \"shorten\" it to whatever is appropriate for", "she changes her name at one point and the reader does not know.", "to be consistent considering I have another character who is often referred to", "in a way that gives both her names (not sure how I would", "call her Barii from this point on until she makes the conscious decision", "if she is in a scene interacting mostly with people who ONLY refer", "Akiba Coles to a scene by her full name and just shorten it).", "in where my problem lies. I have a character who is introduced as", "the reader. However she changes her name at one point and the reader", "\"Barii\" and the reader never 'sees' her in any scene. Later it is", "people who ONLY refer to her as Barii the narrator should adjust accordingly", "to a person called \"Barii\" and the reader never 'sees' her in any", "a person called \"Barii\" and the reader never 'sees' her in any scene.", "the bulk of the remainder of the narrative around characters who refer to", "she is in scene. But after the revelation, it seems fitting and appropriate", "to whatever is appropriate for the scene. For some reason though, that logic", "Lying About Her Name](https://writers.stackexchange.com/questions/9392/how-to-handle-a-character-when-she-is-lying-about-her-name) but the situation is slightly different in where my", "\"Akiba\" the narrator refers to her as such and typically each scene she's", "whatever is appropriate for the scene. For some reason though, that logic seems", "as Fabatxi that the narrator should adjust accordingly and when she is primarily", "is primarily with people who ONLY refer to her as Barii the narrator", "characters who know her as Fabatxi). It's at this point where I run", "character, if she is in a scene interacting mostly with people who ONLY", "names (not sure how I would do that) and then \"shorten\" it to", "that) and then \"shorten\" it to whatever is appropriate for the scene. For", "both her names (not sure how I would do that) and then \"shorten\"", "reader knows she is Fabatxi and for at least half of the book", "slightly different in where my problem lies. I have a character who is", "problem lies. I have a character who is introduced as Fabatxi to the", "just like with Akiba Coles, at the beginning of each scene I introduce", "to her as Barii the narrator should adjust accordingly and just like with", "she makes the conscious decision to change her name back. That seems to", "she spends the bulk of the remainder of the narrative around characters who", "it made senses Also I want to be consistent considering I have another", "consistent considering I have another character who is often referred to by two", "her full name and then it's subsequently shortened to either Mrs. Coles or", "with Akiba Coles, at the beginning of each scene I introduce her in", "any scene. Later it is revealed that Barii is actually Fabatxi (both to", "never 'sees' her in any scene. Later it is revealed that Barii is", "and then \"shorten\" it to whatever is appropriate for the scene. For some", "who is introduced as Fabatxi to the reader. However she changes her name", "she's introduced by her full name and then it's subsequently shortened to either", "to her as such and typically each scene she's introduced by her full", "Mrs. Coles or Akiba depending on the scene. With that in mind, it", "constantly referring to a person called \"Barii\" and the reader never 'sees' her", "it seems fitting and appropriate for the narrator to call her Barii from", "has called her this when she is in scene. But after the revelation,", "this point on until she makes the conscious decision to change her name", "is in scene. But after the revelation, it seems fitting and appropriate for", "that the narrator should adjust accordingly and when she is primarily with people", "then it's subsequently shortened to either Mrs. Coles or Akiba depending on the", "the reader never 'sees' her in any scene. Later it is revealed that", "and the characters who know her as Fabatxi). It's at this point where", "of the book (if not more) the narrator has called her this when", "she is primarily with people who ONLY refer to her as Barii the", "she is only around teenage characters who call her that. But during the", "person called \"Barii\" and the reader never 'sees' her in any scene. Later", "shorten it). I hope that's enough information to help with figuring this out.", "another character who is often referred to by two different names. Only that", "to [How to Handle a Character When She Is Lying About Her Name](https://writers.stackexchange.com/questions/9392/how-to-handle-a-character-when-she-is-lying-about-her-name)", "sure it made senses Also I want to be consistent considering I have", "She Is Lying About Her Name](https://writers.stackexchange.com/questions/9392/how-to-handle-a-character-when-she-is-lying-about-her-name) but the situation is slightly different in", "accordingly and just like with Akiba Coles, at the beginning of each scene", "of the remainder of the narrative around characters who refer to her as", "around only other adults who call her by her first name \"Akiba\" the", "character (perhaps because it's easier to introduce Akiba Coles to a scene by", "name at one point and the reader does not know. Other characters are", "her first name \"Akiba\" the narrator refers to her as such and typically", "adults who call her by her first name \"Akiba\" the narrator refers to", "because for the most part she is only around teenage characters who call", "of each scene I introduce her in a way that gives both her", "refer to her as Fabatxi that the narrator should adjust accordingly and when", "full name and just shorten it). I hope that's enough information to help", "That seems to be the right path but wanted to make sure it", "this is similar to [How to Handle a Character When She Is Lying", "are constantly referring to a person called \"Barii\" and the reader never 'sees'", "back. That seems to be the right path but wanted to make sure", "where she is around only other adults who call her by her first", "Coles or Akiba depending on the scene. With that in mind, it almost", "who is almost always referred to as Mrs. Coles by the narrator because", "But during the rare scenes where she is around only other adults who", "from this point on until she makes the conscious decision to change her", "the remainder of the narrative around characters who refer to her as such.", "other adults who call her by her first name \"Akiba\" the narrator refers", "than it does with the Akiba Coles character (perhaps because it's easier to", "for the scene. For some reason though, that logic seems less appropriate with", "easier to introduce Akiba Coles to a scene by her full name and", "appropriate with the Fabatxi character than it does with the Akiba Coles character", "Akiba Coles character (perhaps because it's easier to introduce Akiba Coles to a", "but the situation is slightly different in where my problem lies. I have", "at least half of the book (if not more) the narrator has called", "who is often referred to by two different names. Only that scenario is", "I introduce her in a way that gives both her names (not sure", "Later it is revealed that Barii is actually Fabatxi (both to the readers", "is appropriate for the scene. For some reason though, that logic seems less", "more) the narrator has called her this when she is in scene. But", "my Fabatxi character, if she is in a scene interacting mostly with people", "is different. I have a character who is almost always referred to as", "and then it's subsequently shortened to either Mrs. Coles or Akiba depending on", "her in a way that gives both her names (not sure how I", "be consistent considering I have another character who is often referred to by", "and the reader never 'sees' her in any scene. Later it is revealed", "to her as Fabatxi that the narrator should adjust accordingly and when she", "would do that) and then \"shorten\" it to whatever is appropriate for the", "often referred to by two different names. Only that scenario is different. I", "is actually Fabatxi (both to the readers and the characters who know her", "right path but wanted to make sure it made senses Also I want", "the characters who know her as Fabatxi). It's at this point where I", "on the scene. With that in mind, it almost seems that with my", "name and just shorten it). I hope that's enough information to help with", "considering I have another character who is often referred to by two different", "With that in mind, it almost seems that with my Fabatxi character, if", "About Her Name](https://writers.stackexchange.com/questions/9392/how-to-handle-a-character-when-she-is-lying-about-her-name) but the situation is slightly different in where my problem", "a character who is introduced as Fabatxi to the reader. However she changes", "each scene she's introduced by her full name and then it's subsequently shortened", "her as such and typically each scene she's introduced by her full name", "Handle a Character When She Is Lying About Her Name](https://writers.stackexchange.com/questions/9392/how-to-handle-a-character-when-she-is-lying-about-her-name) but the situation", "and appropriate for the narrator to call her Barii from this point on", "adjust accordingly and when she is primarily with people who ONLY refer to", "[How to Handle a Character When She Is Lying About Her Name](https://writers.stackexchange.com/questions/9392/how-to-handle-a-character-when-she-is-lying-about-her-name) but", "scene. For some reason though, that logic seems less appropriate with the Fabatxi", "Akiba depending on the scene. With that in mind, it almost seems that", "point and the reader does not know. Other characters are constantly referring to", "when she is in scene. But after the revelation, it seems fitting and", "to either Mrs. Coles or Akiba depending on the scene. With that in", "it does with the Akiba Coles character (perhaps because it's easier to introduce", "until she makes the conscious decision to change her name back. That seems", "her by her first name \"Akiba\" the narrator refers to her as such", "and typically each scene she's introduced by her full name and then it's", "such. However now the reader knows she is Fabatxi and for at least", "readers and the characters who know her as Fabatxi). It's at this point", "seems fitting and appropriate for the narrator to call her Barii from this", "her as Fabatxi that the narrator should adjust accordingly and when she is", "'sees' her in any scene. Later it is revealed that Barii is actually", "to by two different names. Only that scenario is different. I have a", "her name at one point and the reader does not know. Other characters", "be the right path but wanted to make sure it made senses Also", "because it's easier to introduce Akiba Coles to a scene by her full", "who refer to her as such. However now the reader knows she is", "to as Mrs. Coles by the narrator because for the most part she", "the scene. For some reason though, that logic seems less appropriate with the", "introduced by her full name and then it's subsequently shortened to either Mrs.", "similar to [How to Handle a Character When She Is Lying About Her", "primarily with people who ONLY refer to her as Barii the narrator should", "lies. I have a character who is introduced as Fabatxi to the reader.", "then \"shorten\" it to whatever is appropriate for the scene. For some reason", "Coles, at the beginning of each scene I introduce her in a way", "to make sure it made senses Also I want to be consistent considering", "as such. However now the reader knows she is Fabatxi and for at", "should adjust accordingly and when she is primarily with people who ONLY refer", "like with Akiba Coles, at the beginning of each scene I introduce her", "narrator because for the most part she is only around teenage characters who", "almost seems that with my Fabatxi character, if she is in a scene", "less appropriate with the Fabatxi character than it does with the Akiba Coles", "narrator has called her this when she is in scene. But after the", "point on until she makes the conscious decision to change her name back.", "seems to be the right path but wanted to make sure it made", "most part she is only around teenage characters who call her that. But", "I have a character who is almost always referred to as Mrs. Coles", "Coles by the narrator because for the most part she is only around", "scenario is different. I have a character who is almost always referred to", "have another character who is often referred to by two different names. Only", "full name and then it's subsequently shortened to either Mrs. Coles or Akiba", "book (if not more) the narrator has called her this when she is", "how I would do that) and then \"shorten\" it to whatever is appropriate", "the most part she is only around teenage characters who call her that.", "this point where I run into my problem. She's embraced the new name", "character who is almost always referred to as Mrs. Coles by the narrator", "characters who call her that. But during the rare scenes where she is", "beginning of each scene I introduce her in a way that gives both", "either Mrs. Coles or Akiba depending on the scene. With that in mind,", "who ONLY refer to her as Fabatxi that the narrator should adjust accordingly", "name \"Akiba\" the narrator refers to her as such and typically each scene", "should adjust accordingly and just like with Akiba Coles, at the beginning of", "scene interacting mostly with people who ONLY refer to her as Fabatxi that", "who know her as Fabatxi). It's at this point where I run into", "by the narrator because for the most part she is only around teenage", "with my Fabatxi character, if she is in a scene interacting mostly with", "her in any scene. Later it is revealed that Barii is actually Fabatxi", "the narrator should adjust accordingly and just like with Akiba Coles, at the", "Name](https://writers.stackexchange.com/questions/9392/how-to-handle-a-character-when-she-is-lying-about-her-name) but the situation is slightly different in where my problem lies. I", "is introduced as Fabatxi to the reader. However she changes her name at", "situation is slightly different in where my problem lies. I have a character", "that with my Fabatxi character, if she is in a scene interacting mostly", "(both to the readers and the characters who know her as Fabatxi). It's", "to her as such. However now the reader knows she is Fabatxi and", "character who is often referred to by two different names. Only that scenario", "new name \"Barii\" and she spends the bulk of the remainder of the", "is similar to [How to Handle a Character When She Is Lying About", "to be the right path but wanted to make sure it made senses", "my problem lies. I have a character who is introduced as Fabatxi to", "depending on the scene. With that in mind, it almost seems that with", "not know. Other characters are constantly referring to a person called \"Barii\" and", "Fabatxi to the reader. However she changes her name at one point and", "revealed that Barii is actually Fabatxi (both to the readers and the characters", "is slightly different in where my problem lies. I have a character who", "that in mind, it almost seems that with my Fabatxi character, if she", "typically each scene she's introduced by her full name and then it's subsequently", "only around teenage characters who call her that. But during the rare scenes", "is around only other adults who call her by her first name \"Akiba\"", "at the beginning of each scene I introduce her in a way that", "the readers and the characters who know her as Fabatxi). It's at this", "where I run into my problem. She's embraced the new name \"Barii\" and", "and just like with Akiba Coles, at the beginning of each scene I", "that gives both her names (not sure how I would do that) and", "such and typically each scene she's introduced by her full name and then", "called \"Barii\" and the reader never 'sees' her in any scene. Later it", "do that) and then \"shorten\" it to whatever is appropriate for the scene.", "the new name \"Barii\" and she spends the bulk of the remainder of", "with people who ONLY refer to her as Barii the narrator should adjust", "characters who refer to her as such. However now the reader knows she", "a Character When She Is Lying About Her Name](https://writers.stackexchange.com/questions/9392/how-to-handle-a-character-when-she-is-lying-about-her-name) but the situation is", "who call her that. But during the rare scenes where she is around", "as Fabatxi to the reader. However she changes her name at one point", "character than it does with the Akiba Coles character (perhaps because it's easier", "I know this is similar to [How to Handle a Character When She", "around characters who refer to her as such. However now the reader knows", "and when she is primarily with people who ONLY refer to her as", "her Barii from this point on until she makes the conscious decision to", "conscious decision to change her name back. That seems to be the right", "each scene I introduce her in a way that gives both her names", "Fabatxi character than it does with the Akiba Coles character (perhaps because it's", "Coles to a scene by her full name and just shorten it). I", "accordingly and when she is primarily with people who ONLY refer to her", "scene I introduce her in a way that gives both her names (not", "scene. With that in mind, it almost seems that with my Fabatxi character,", "by her full name and just shorten it). I hope that's enough information", "However she changes her name at one point and the reader does not", "is Fabatxi and for at least half of the book (if not more)", "senses Also I want to be consistent considering I have another character who", "different. I have a character who is almost always referred to as Mrs.", "to a scene by her full name and just shorten it). I hope", "She's embraced the new name \"Barii\" and she spends the bulk of the", "referred to as Mrs. Coles by the narrator because for the most part", "different names. Only that scenario is different. I have a character who is", "is almost always referred to as Mrs. Coles by the narrator because for", "in a scene interacting mostly with people who ONLY refer to her as", "wanted to make sure it made senses Also I want to be consistent", "that. But during the rare scenes where she is around only other adults", "For some reason though, that logic seems less appropriate with the Fabatxi character", "Barii the narrator should adjust accordingly and just like with Akiba Coles, at", "Only that scenario is different. I have a character who is almost always", "my problem. She's embraced the new name \"Barii\" and she spends the bulk", "the beginning of each scene I introduce her in a way that gives", "I have a character who is introduced as Fabatxi to the reader. However", "a way that gives both her names (not sure how I would do", "around teenage characters who call her that. But during the rare scenes where", "least half of the book (if not more) the narrator has called her", "not more) the narrator has called her this when she is in scene.", "the Fabatxi character than it does with the Akiba Coles character (perhaps because", "in scene. But after the revelation, it seems fitting and appropriate for the", "mind, it almost seems that with my Fabatxi character, if she is in", "into my problem. She's embraced the new name \"Barii\" and she spends the", "point where I run into my problem. She's embraced the new name \"Barii\"", "path but wanted to make sure it made senses Also I want to", "Fabatxi (both to the readers and the characters who know her as Fabatxi).", "this when she is in scene. But after the revelation, it seems fitting", "she is Fabatxi and for at least half of the book (if not", "actually Fabatxi (both to the readers and the characters who know her as", "subsequently shortened to either Mrs. Coles or Akiba depending on the scene. With", "her that. But during the rare scenes where she is around only other", "\"Barii\" and she spends the bulk of the remainder of the narrative around", "Akiba Coles, at the beginning of each scene I introduce her in a", "Barii from this point on until she makes the conscious decision to change", "is in a scene interacting mostly with people who ONLY refer to her", "does not know. Other characters are constantly referring to a person called \"Barii\"", "know her as Fabatxi). It's at this point where I run into my", "that logic seems less appropriate with the Fabatxi character than it does with", "who call her by her first name \"Akiba\" the narrator refers to her", "always referred to as Mrs. Coles by the narrator because for the most", "characters are constantly referring to a person called \"Barii\" and the reader never", "interacting mostly with people who ONLY refer to her as Fabatxi that the", "Fabatxi and for at least half of the book (if not more) the", "that Barii is actually Fabatxi (both to the readers and the characters who", "seems that with my Fabatxi character, if she is in a scene interacting", "refer to her as such. However now the reader knows she is Fabatxi", "with the Akiba Coles character (perhaps because it's easier to introduce Akiba Coles", "appropriate for the scene. For some reason though, that logic seems less appropriate", "made senses Also I want to be consistent considering I have another character", "changes her name at one point and the reader does not know. Other", "where my problem lies. I have a character who is introduced as Fabatxi", "Fabatxi that the narrator should adjust accordingly and when she is primarily with", "gives both her names (not sure how I would do that) and then", "with people who ONLY refer to her as Fabatxi that the narrator should", "character who is introduced as Fabatxi to the reader. However she changes her", "narrator should adjust accordingly and when she is primarily with people who ONLY", "names. Only that scenario is different. I have a character who is almost", "and just shorten it). I hope that's enough information to help with figuring", "scene. Later it is revealed that Barii is actually Fabatxi (both to the", "want to be consistent considering I have another character who is often referred", "her names (not sure how I would do that) and then \"shorten\" it", "ONLY refer to her as Barii the narrator should adjust accordingly and just", "who ONLY refer to her as Barii the narrator should adjust accordingly and", "the rare scenes where she is around only other adults who call her", "refers to her as such and typically each scene she's introduced by her", "it to whatever is appropriate for the scene. For some reason though, that", "as Fabatxi). It's at this point where I run into my problem. She's", "her as Fabatxi). It's at this point where I run into my problem.", "know. Other characters are constantly referring to a person called \"Barii\" and the", "to change her name back. That seems to be the right path but", "her name back. That seems to be the right path but wanted to", "and the reader does not know. Other characters are constantly referring to a", "in mind, it almost seems that with my Fabatxi character, if she is", "she is around only other adults who call her by her first name", "the narrator because for the most part she is only around teenage characters", "to call her Barii from this point on until she makes the conscious", "her full name and just shorten it). I hope that's enough information to", "or Akiba depending on the scene. With that in mind, it almost seems", "Is Lying About Her Name](https://writers.stackexchange.com/questions/9392/how-to-handle-a-character-when-she-is-lying-about-her-name) but the situation is slightly different in where", "called her this when she is in scene. But after the revelation, it", "bulk of the remainder of the narrative around characters who refer to her", "knows she is Fabatxi and for at least half of the book (if", "a scene by her full name and just shorten it). I hope that's", "know this is similar to [How to Handle a Character When She Is", "one point and the reader does not know. Other characters are constantly referring", "decision to change her name back. That seems to be the right path", "that scenario is different. I have a character who is almost always referred", "the narrator refers to her as such and typically each scene she's introduced", "the narrator has called her this when she is in scene. But after", "her this when she is in scene. But after the revelation, it seems", "to Handle a Character When She Is Lying About Her Name](https://writers.stackexchange.com/questions/9392/how-to-handle-a-character-when-she-is-lying-about-her-name) but the", "the right path but wanted to make sure it made senses Also I", "only other adults who call her by her first name \"Akiba\" the narrator", "her as such. However now the reader knows she is Fabatxi and for", "it almost seems that with my Fabatxi character, if she is in a", "as such and typically each scene she's introduced by her full name and", "at this point where I run into my problem. She's embraced the new", "it's easier to introduce Akiba Coles to a scene by her full name", "I want to be consistent considering I have another character who is often", "embraced the new name \"Barii\" and she spends the bulk of the remainder", "call her that. But during the rare scenes where she is around only", "the book (if not more) the narrator has called her this when she", "name back. That seems to be the right path but wanted to make", "seems less appropriate with the Fabatxi character than it does with the Akiba", "though, that logic seems less appropriate with the Fabatxi character than it does", "shortened to either Mrs. Coles or Akiba depending on the scene. With that", "some reason though, that logic seems less appropriate with the Fabatxi character than", "reader never 'sees' her in any scene. Later it is revealed that Barii", "half of the book (if not more) the narrator has called her this", "(not sure how I would do that) and then \"shorten\" it to whatever", "change her name back. That seems to be the right path but wanted", "to introduce Akiba Coles to a scene by her full name and just", "the situation is slightly different in where my problem lies. I have a", "name \"Barii\" and she spends the bulk of the remainder of the narrative", "referring to a person called \"Barii\" and the reader never 'sees' her in", "almost always referred to as Mrs. Coles by the narrator because for the", "at one point and the reader does not know. Other characters are constantly", "introduced as Fabatxi to the reader. However she changes her name at one", "during the rare scenes where she is around only other adults who call", "make sure it made senses Also I want to be consistent considering I", "referred to by two different names. Only that scenario is different. I have", "the scene. With that in mind, it almost seems that with my Fabatxi", "is only around teenage characters who call her that. But during the rare", "first name \"Akiba\" the narrator refers to her as such and typically each", "problem. She's embraced the new name \"Barii\" and she spends the bulk of", "scene by her full name and just shorten it). I hope that's enough", "reason though, that logic seems less appropriate with the Fabatxi character than it", "remainder of the narrative around characters who refer to her as such. However", "as Mrs. Coles by the narrator because for the most part she is", "introduce her in a way that gives both her names (not sure how", "does with the Akiba Coles character (perhaps because it's easier to introduce Akiba", "I run into my problem. She's embraced the new name \"Barii\" and she", "But after the revelation, it seems fitting and appropriate for the narrator to", "for the narrator to call her Barii from this point on until she", "is often referred to by two different names. Only that scenario is different.", "Barii is actually Fabatxi (both to the readers and the characters who know", "the reader knows she is Fabatxi and for at least half of the", "to the reader. However she changes her name at one point and the", "as Barii the narrator should adjust accordingly and just like with Akiba Coles,", "\"shorten\" it to whatever is appropriate for the scene. For some reason though,", "Coles character (perhaps because it's easier to introduce Akiba Coles to a scene", "narrator to call her Barii from this point on until she makes the", "and she spends the bulk of the remainder of the narrative around characters", "reader. However she changes her name at one point and the reader does", "reader does not know. Other characters are constantly referring to a person called", "Mrs. Coles by the narrator because for the most part she is only", "mostly with people who ONLY refer to her as Fabatxi that the narrator", "it is revealed that Barii is actually Fabatxi (both to the readers and", "sure how I would do that) and then \"shorten\" it to whatever is", "two different names. Only that scenario is different. I have a character who", "a scene interacting mostly with people who ONLY refer to her as Fabatxi", "her as Barii the narrator should adjust accordingly and just like with Akiba", "rare scenes where she is around only other adults who call her by", "the revelation, it seems fitting and appropriate for the narrator to call her", "Her Name](https://writers.stackexchange.com/questions/9392/how-to-handle-a-character-when-she-is-lying-about-her-name) but the situation is slightly different in where my problem lies.", "Fabatxi character, if she is in a scene interacting mostly with people who", "However now the reader knows she is Fabatxi and for at least half", "on until she makes the conscious decision to change her name back. That" ]
[ "to it never turns out. Like here is an example. What I wish", "the quality of my fiction stories are straightforward and blah. I notice I'm", "step he would collapse to the floor.\" What mine is: \"His legs felt", "and even when in trying to it never turns out. Like here is", "blah. I notice I'm not using enough descriptive words and even when in", "noodles. If he ran one more step he would collapse to the floor.\"", "descriptive words and even when in trying to it never turns out. Like", "never turns out. Like here is an example. What I wish mine was:", "like cooked noodles. If he ran one more step he would collapse to", "to the floor.\" What mine is: \"His legs felt awful. If he ran", "But the quality of my fiction stories are straightforward and blah. I notice", "I'm getting more serious about it. But the quality of my fiction stories", "\"His legs felt awful. If he ran he be using up the last", "be using up the last bit of strength.\" Q*- How can I write", "an example. What I wish mine was: \"His legs felt like cooked noodles.", "descriptive words that really put the reader in the protagonists shoes?* Thanks. -A.N.M.", "floor.\" What mine is: \"His legs felt awful. If he ran he be", "strength.\" Q- How can I write with descriptive words that really put the", "up the last bit of strength.\" Q- How can I write with descriptive", "my fiction stories are straightforward and blah. I notice I'm not using enough", "I wish mine was: \"His legs felt like cooked noodles. If he ran", "even when in trying to it never turns out. Like here is an", "quality of my fiction stories are straightforward and blah. I notice I'm not", "is an example. What I wish mine was: \"His legs felt like cooked", "bit of strength.\" Q*- How can I write with descriptive words that really", "of my fiction stories are straightforward and blah. I notice I'm not using", "mine was: \"His legs felt like cooked noodles. If he ran one more", "using up the last bit of strength.\" Q*- How can I write with", "getting more serious about it. But the quality of my fiction stories are", "more serious about it. But the quality of my fiction stories are straightforward", "and everyday I feel I'm getting more serious about it. But the quality", "here is an example. What I wish mine was: \"His legs felt like", "he would collapse to the floor.\" What mine is: \"His legs felt awful.", "a while now, and everyday I feel I'm getting more serious about it.", "turns out. Like here is an example. What I wish mine was: \"His", "I notice I'm not using enough descriptive words and even when in trying", "awful. If he ran he be using up the last bit of strength.\"", "I feel I'm getting more serious about it. But the quality of my", "now, and everyday I feel I'm getting more serious about it. But the", "feel I'm getting more serious about it. But the quality of my fiction", "What I wish mine was: \"His legs felt like cooked noodles. If he", "when in trying to it never turns out. Like here is an example.", "stories are straightforward and blah. I notice I'm not using enough descriptive words", "ran one more step he would collapse to the floor.\" What mine is:", "What mine is: \"His legs felt awful. If he ran he be using", "in trying to it never turns out. Like here is an example. What", "was: \"His legs felt like cooked noodles. If he ran one more step", "If he ran one more step he would collapse to the floor.\" *What", "fiction stories are straightforward and blah. I notice I'm not using enough descriptive", "write with descriptive words that really put the reader in the protagonists shoes?", "while now, and everyday I feel I'm getting more serious about it. But", "serious about it. But the quality of my fiction stories are straightforward and", "legs felt like cooked noodles. If he ran one more step he would", "one more step he would collapse to the floor.\" What mine is: \"His", "not using enough descriptive words and even when in trying to it never", "with descriptive words that really put the reader in the protagonists shoes?* Thanks.", "last bit of strength.\" Q- How can I write with descriptive words that", "everyday I feel I'm getting more serious about it. But the quality of", "I've been writing for a while now, and everyday I feel I'm getting", "the last bit of strength.\" Q- How can I write with descriptive words", "notice I'm not using enough descriptive words and even when in trying to", "can I write with descriptive words that really put the reader in the", "legs felt awful. If he ran he be using up the last bit", "he be using up the last bit of strength.\" Q- How can I", "more step he would collapse to the floor.\" What mine is:* \"His legs", "out. Like here is an example. What I wish mine was: \"His legs", "Like here is an example. What I wish mine was: \"His legs felt", "writing for a while now, and everyday I feel I'm getting more serious", "is: \"His legs felt awful. If he ran he be using up the", "the floor.\" What mine is: \"His legs felt awful. If he ran he", "he ran he be using up the last bit of strength.\" Q*- How", "it. But the quality of my fiction stories are straightforward and blah. I", "If he ran he be using up the last bit of strength.\" Q-", "felt like cooked noodles. If he ran one more step he would collapse", "words and even when in trying to it never turns out. Like here", "collapse to the floor.\" What mine is: \"His legs felt awful. If he", "straightforward and blah. I notice I'm not using enough descriptive words and even", "and blah. I notice I'm not using enough descriptive words and even when", "wish mine was: \"His legs felt like cooked noodles. If he ran one", "cooked noodles. If he ran one more step he would collapse to the", "trying to it never turns out. Like here is an example. What I", "enough descriptive words and even when in trying to it never turns out.", "it never turns out. Like here is an example. What I wish mine", "ran he be using up the last bit of strength.\" Q*- How can", "Q- How can I write with descriptive words that really put the reader", "been writing for a while now, and everyday I feel I'm getting more", "for a while now, and everyday I feel I'm getting more serious about", "\"His legs felt like cooked noodles. If he ran one more step he", "mine is:* \"His legs felt awful. If he ran he be using up", "would collapse to the floor.\" What mine is: \"His legs felt awful. If", "How can I write with descriptive words that really put the reader in", "about it. But the quality of my fiction stories are straightforward and blah.", "are straightforward and blah. I notice I'm not using enough descriptive words and", "I write with descriptive words that really put the reader in the protagonists", "he ran one more step he would collapse to the floor.\" What mine", "I'm not using enough descriptive words and even when in trying to it", "felt awful. If he ran he be using up the last bit of", "example. What I wish mine was:* \"His legs felt like cooked noodles. If", "using enough descriptive words and even when in trying to it never turns", "of strength.\" Q- *How can I write with descriptive words that really put" ]
[]
[ "cannot endorse this writer or recommend this download. I give it 1 star", "topics plaguing the faithful. At a time where pro-active leadership from Hierarchs and", "met such a critique with venom, but that there weren't occasional answers by", "free. > > > I might comment that people wondering if I am", "> > > ★ [live and the current top-voted response] > > >", "give it 1 star not merely for its irreverent treatment of an Orthodox", "monk Fr. Seraphim Rose. I am giving it 1 star primarily for other", "people based on his criticisms of the iconic priest monk Fr. Seraphim Rose.", "into reading this, and I felt duped. Save your money. One can find", "with venom, but that there weren't occasional answers by an outsider saying, \"Hey,", "garnered multiple five-star reviews; every single one has just been censored, er, deleted.", "deleted as somehow falling outside Amazon guidelines. Two questions: 1. What, if anything,", "this download. I found myself wondering if the author had been sober when", "this? The movement takes a bit of a spine to challenge, and both", "with Amazon on the censored reviews? 2. If the answer to the first", "has emboldened fundamentalist propagators and has also caused the Laity to start web", "money. One can find better essays online for free. > > > I", "spine to challenge, and both reviews were initially posted and then deleted later;", "do in a situation like this? The movement takes a bit of a", "the form of formally addressing the issues addressed in Hayward’s book) there is", "flock. There have been a few here and there that addressed it, most", "his address to the themes plaguing the Orthodox Christian Church of today, C.J.S.", "★ [live and the current top-voted response] > > > > The author", "their use of malice to accomplish their goals. The comments on Amazon are", "reviewer who contacted me. \\Every single five star review remains deleted.) Is there", "(i.e. the Hierarchs). > > > I’m not sure that I deserve either", "====================================================== > > > ★ ★ ★ ★ ★ > > > >", "and ebooks tend to hover around 4-4.5 stars, and keep your own counsel", "the postings be deleted as somehow falling outside Amazon guidelines. Two questions: 1.", "Young Earth Creationism and Creation \"Science\" to be an Orthodox Christian at all.", "writer or recommend this download. I give it 1 star not merely for", "all. Further details are available in [The Seraphinians](http://tinyurl.com/Seraphinians) at essentially any length you", "and I felt duped. Save your money. One can find better essays online", "– an intellectual genius rooted in reality > ====================================================== > > > ★", "web sites around the country to protest these abuses and misrepresentations (as I", "review remains deleted.) Is there anything practical that I can do in a", "a writeup and attempt to document issues with a movement within the Orthodox", "claims that he expects several 1 star reviews from people based on his", "it seems to me, is with Orthodox converts (including some that converted because", "details are available in [The Seraphinians](http://tinyurl.com/Seraphinians) at essentially any length you wish to", "and both reviews were initially posted and then deleted later; I'm nearly certain", "exegeses, or something of that nature. Instead, the collection opens with a rambling,", "criticism, it seems to me, is with Orthodox converts (including some that converted", "there was going to be anything of substance in this download. I found", "an Orthodox priest monk, but also for its meandering, purposeless, repetitive, and poorly", "was something that left me puzzled, not that the movement met such a", "not a simpleton who fantasizes about the village life of previous centuries. C.J.S.", "it. Only a page or two into reading this, and I felt duped.", "a time where pro-active leadership from Hierarchs and Priests is needed (in the", "Hayward is an intellectual genius rooted in reality, and not a simpleton who", "I was told they only work with review authors on their reviews, gave", "a situation like this? The movement takes a bit of a spine to", "within the Orthodox Church. They are the people who say you have to", "who drag Protestant baggage, Biblical literalism, and a kind of fundamentalist attitude into", "> Excellent! Hayward addresses the issues in a lighthearted (but no-nonsense) way. It", "customer service email address to the reviewer who contacted me. \\Every single five", "whom are either retired, or close to it. But from the executive leaders", "Unsurprisingly, [it has consistently gotten forceful one-star reviews Amazon](http://rads.stackoverflow.com/amzn/click/B007OCCFI2). The most popular review", "gave the customer service email address to the reviewer who contacted me. \\Every", "be deleted as somehow falling outside Amazon guidelines. Two questions: 1. What, if", "to start web sites around the country to protest these abuses and misrepresentations", "for its meandering, purposeless, repetitive, and poorly edited writing. And for charging people", "anything of substance in this download. I found myself wondering if the author", "One can find better essays online for free. > > > I might", "hover around 4-4.5 stars, and keep your own counsel as to whether I", "I give it 1 star not merely for its irreverent treatment of an", "Fr. Seraphim Rose possibly erred in his biblical exegeses, or something of that", "=========== > > > ★ [live and the current top-voted response] > >", "“Cherubim Thorn”. This first chapter is the worst of the bunch, and I", "accomplish their goals. The comments on Amazon are drastically skewed from the truth.", "tried talking with Amazon, and when I was told they only work with", "Fr. Seraphim is cheekily parodied as “Cherubim Thorn”. This first chapter is the", "postings be deleted as somehow falling outside Amazon guidelines. Two questions: 1. What,", "on the censored reviews? 2. If the answer to the first question is,", "way. It seems to me that people’s opinions may reflect their church politics,", "was told they only work with review authors on their reviews, gave the", "to. A reasonable person would enjoy this much needed book that exposes a", "the first unintelligible chapter. Things did get better, marginally, as I read on.", "reviews from people based on his criticisms of the iconic priest monk Fr.", "leadership from Hierarchs and Priests is needed (in the form of formally addressing", "service email address to the reviewer who contacted me. \\Every single five star", "criticisms of the iconic priest monk Fr. Seraphim Rose. I am giving it", "to hover around 4-4.5 stars, and keep your own counsel as to whether", "protecting the flock. There have been a few here and there that addressed", "in Hayward’s book) there is a resounding silence from those entrusted with protecting", "have issues with some of the teachings of Fr. Seraphim Rose, so I", "> Light hearted but no-nonsense. Nicely done! > =========================================== > > > ★", "converted because of the life and works of Fr. Seraphim Rose, and who", "to read it. Only a page or two into reading this, and I", "to be particularly fanatical and willing to mistrust science) who drag Protestant baggage,", "or such heresies of being saved instantly and once and for all. Ultimately,", "merits.\" In this past week, I found out that my work has in", "every single one has just been censored, er, deleted. The two reviews that", "I'm nearly certain that insiders demanded the postings be deleted as somehow falling", "it 1 star not merely for its irreverent treatment of an Orthodox priest", "in reality, and not a simpleton who fantasizes about the village life of", "Things did get better, marginally, as I read on. The author’s main criticism,", "whether I am unintelligible and dubiously sober when I write. But there was", "it. But from the executive leaders of the Church – silence. This has", "dubiously sober when I write. But there was something that left me puzzled,", "Seraphinians](http://tinyurl.com/Seraphinians) at essentially any length you wish to read. Unsurprisingly, [it has consistently", "were: > > Light hearted but no-nonsense. Nicely done! > =========================================== > >", "found myself wondering if the author had been sober when he wrote the", "can find better essays online for free. > > > I might comment", "censored, er, deleted. The two reviews that were brought to my attention were:", "the Church. I did agree very much with the author of this piece", "once and for all. Ultimately, though, I cannot endorse this writer or recommend", "formally split if not addressed by those entrusted with protecting it (i.e. the", "huge mess. > > > > > CJS Hayward – an intellectual genius", "book has merits.\" In this past week, I found out that my work", "an Orthodox Christian at all. Further details are available in [The Seraphinians](http://tinyurl.com/Seraphinians) at", "retired, or close to it. But from the executive leaders of the Church", "to the first question is, \"Nothing, but here are ways you can compensate,\"", "at large by addressing many of the topics plaguing the faithful. At a", "to believe in Protestant fundamentalism's Young Earth Creationism and Creation \"Science\" to be", "Orthodox Church. They are the people who say you have to believe in", "would subscribe to. A reasonable person would enjoy this much needed book that", "nature. Instead, the collection opens with a rambling, incoherent article wherein Fr. Seraphim", "with protecting the flock. There have been a few here and there that", "will inevitably formally split if not addressed by those entrusted with protecting it", "seems to me that people’s opinions may reflect their church politics, and illustrate", "The movement takes a bit of a spine to challenge, and both reviews", "movement within the Orthodox Church. They are the people who say you have", "then deleted later; I'm nearly certain that insiders demanded the postings be deleted", "wish to read. Unsurprisingly, [it has consistently gotten forceful one-star reviews Amazon](http://rads.stackoverflow.com/amzn/click/B007OCCFI2). The", "analysis of where and how Fr. Seraphim Rose possibly erred in his biblical", "rambling, incoherent article wherein Fr. Seraphim is cheekily parodied as “Cherubim Thorn”. This", "an ever deepening process, and that there is no place in it for", "invited to [peruse my books](http://amazon.com/author/cjshayward) or if you want something free [read my", "but that there weren't occasional answers by an outsider saying, \"Hey, the book", "a simpleton who fantasizes about the village life of previous centuries. C.J.S. Hayward", "attitude into the Church. I did agree very much with the author of", "not that the movement met such a critique with venom, but that there", "comment that people wondering if I am an utterly incompetent author are invited", "★ ★ ★ ★ > > > Excellent! Hayward addresses the issues in", "Christian Church at large by addressing many of the topics plaguing the faithful.", "> In his address to the themes plaguing the Orthodox Christian Church of", "a rambling, incoherent article wherein Fr. Seraphim is cheekily parodied as “Cherubim Thorn”.", "to document issues with a movement within the Orthodox Church. They are the", "on his criticisms of the iconic priest monk Fr. Seraphim Rose. I am", "to accomplish their goals. The comments on Amazon are drastically skewed from the", "find better essays online for free. > > > I might comment that", "rooted in reality, and not a simpleton who fantasizes about the village life", "are the people who say you have to believe in Protestant fundamentalism's Young", "ratings for most books and ebooks tend to hover around 4-4.5 stars, and", "book that exposes a nationwide problem in the Greek Orthodox Church, and beyond:", "author’s main criticism, it seems to me, is with Orthodox converts (including some", "particularly fanatical and willing to mistrust science) who drag Protestant baggage, Biblical literalism,", "who tend to be particularly fanatical and willing to mistrust science) who drag", "Christian Church of today, C.J.S. Hayward is an intellectual genius rooted in reality,", "reviewer on all points. But the combination of what is live of Amazon’s", "drastically skewed from the truth. This is a wake up call. The fact", "five star review remains deleted.) Is there anything practical that I can do", "and not a simpleton who fantasizes about the village life of previous centuries.", "entrusted with protecting the flock. There have been a few here and there", "writing. And for charging people to read it. Only a page or two", "is with Orthodox converts (including some that converted because of the life and", "gotten forceful one-star reviews Amazon](http://rads.stackoverflow.com/amzn/click/B007OCCFI2). The most popular review reads: > > Save", "that were brought to my attention were: > > Light hearted but no-nonsense.", "done! > =========================================== > > > ★ ★ ★ ★ ★ > >", "much with the author of this piece that Orthodoxy is a way of", "★ ★ ★ ★ ★ > > > > In his address to", "[live and the current top-voted response] > > > > The author of", "and keep your own counsel as to whether I am unintelligible and dubiously", "lighthearted (but no-nonsense) way. It seems to me that people’s opinions may reflect", "reality > ====================================================== > > > ★ ★ ★ ★ ★ > >", "There have been a few here and there that addressed it, most of", "previous centuries. C.J.S. Hayward has done a great service to the Orthodox Christian", "> > I might comment that people wondering if I am an utterly", "address to the themes plaguing the Orthodox Christian Church of today, C.J.S. Hayward", "are either retired, or close to it. But from the executive leaders of", "start web sites around the country to protest these abuses and misrepresentations (as", "silence from those entrusted with protecting the flock. There have been a few", "the country to protest these abuses and misrepresentations (as I have done). The", "1 star primarily for other reasons. I, too, have issues with some of", "wrote the first unintelligible chapter. Things did get better, marginally, as I read", "with review authors on their reviews, gave the customer service email address to", "C.J.S. Hayward is an intellectual genius rooted in reality, and not a simpleton", "as I read on. The author’s main criticism, it seems to me, is", "Rose, so I expected here some kind of evenhanded and even respectful analysis", "so I expected here some kind of evenhanded and even respectful analysis of", "an utterly incompetent author are invited to [peruse my books](http://amazon.com/author/cjshayward) or if you", "of that nature. Instead, the collection opens with a rambling, incoherent article wherein", "believe in Protestant fundamentalism's Young Earth Creationism and Creation \"Science\" to be an", "can do in a situation like this? The movement takes a bit of", "answers by an outsider saying, \"Hey, the book has merits.\" In this past", "the author had been sober when he wrote the first unintelligible chapter. Things", "be particularly fanatical and willing to mistrust science) who drag Protestant baggage, Biblical", "1. What, if anything, can I still do to work with Amazon on", "The most popular review reads: > > Save your $ > =========== >", "if the author had been sober when he wrote the first unintelligible chapter.", "[The Seraphinians](http://tinyurl.com/Seraphinians) at essentially any length you wish to read. Unsurprisingly, [it has", "[it has consistently gotten forceful one-star reviews Amazon](http://rads.stackoverflow.com/amzn/click/B007OCCFI2). The most popular review reads:", "single one has just been censored, er, deleted. The two reviews that were", "person would subscribe to. A reasonable person would enjoy this much needed book", "a critique with venom, but that there weren't occasional answers by an outsider", "of the topics plaguing the faithful. At a time where pro-active leadership from", "and when I was told they only work with review authors on their", "expected here some kind of evenhanded and even respectful analysis of where and", "recommend this download. I give it 1 star not merely for its irreverent", "it for obligatory Biblical literalism, or such heresies of being saved instantly and", "available in [The Seraphinians](http://tinyurl.com/Seraphinians) at essentially any length you wish to read. Unsurprisingly,", "the author of this piece that Orthodoxy is a way of living, an", "some kind of evenhanded and even respectful analysis of where and how Fr.", "the Church – silence. This has emboldened fundamentalist propagators and has also caused", "hearted but no-nonsense. Nicely done! > =========================================== > > > ★ ★ ★", "two into reading this, and I felt duped. Save your money. One can", "> > Save your $ > =========== > > > ★ [live and", "if you want something free [read my website](https://CJSHayward.com); Amazon ratings for most books", "and what was censored, strikes me as odd. I've tried talking with Amazon,", "praise, or that I agree with any reviewer on all points. But the", "those entrusted with protecting it (i.e. the Hierarchs). > > > I’m not", "current top-voted response] > > > > The author of this short set", "few here and there that addressed it, most of whom are either retired,", "most of whom are either retired, or close to it. But from the", "read it. Only a page or two into reading this, and I felt", "demanded the postings be deleted as somehow falling outside Amazon guidelines. Two questions:", "wondering if I am an utterly incompetent author are invited to [peruse my", "short set of ramblings claims that he expects several 1 star reviews from", "when he wrote the first unintelligible chapter. Things did get better, marginally, as", "its irreverent treatment of an Orthodox priest monk, but also for its meandering,", "process, and that there is no place in it for obligatory Biblical literalism,", "Rose possibly erred in his biblical exegeses, or something of that nature. Instead,", "work with Amazon on the censored reviews? 2. If the answer to the", "did agree very much with the author of this piece that Orthodoxy is", "many of the topics plaguing the faithful. At a time where pro-active leadership", "of where and how Fr. Seraphim Rose possibly erred in his biblical exegeses,", "who fantasizes about the village life of previous centuries. C.J.S. Hayward has done", "works of Fr. Seraphim Rose, and who tend to be particularly fanatical and", "reviews Amazon](http://rads.stackoverflow.com/amzn/click/B007OCCFI2). The most popular review reads: > > Save your $ >", "that left me puzzled, not that the movement met such a critique with", "their church politics, and illustrate their use of malice to accomplish their goals.", "been a few here and there that addressed it, most of whom are", "his biblical exegeses, or something of that nature. Instead, the collection opens with", "a page or two into reading this, and I felt duped. Save your", "Is there anything practical that I can do in a situation like this?", "all. Ultimately, though, I cannot endorse this writer or recommend this download. I", "in this download. I found myself wondering if the author had been sober", "Two questions: 1. What, if anything, can I still do to work with", "agree with any reviewer on all points. But the combination of what is", "Church at large by addressing many of the topics plaguing the faithful. At", "of this short set of ramblings claims that he expects several 1 star", "not merely for its irreverent treatment of an Orthodox priest monk, but also", "propagators and has also caused the Laity to start web sites around the", "based on his criticisms of the iconic priest monk Fr. Seraphim Rose. I", "Fr. Seraphim Rose, so I expected here some kind of evenhanded and even", "tend to hover around 4-4.5 stars, and keep your own counsel as to", "are invited to [peruse my books](http://amazon.com/author/cjshayward) or if you want something free [read", "the book has merits.\" In this past week, I found out that my", "may reflect their church politics, and illustrate their use of malice to accomplish", "main criticism, it seems to me, is with Orthodox converts (including some that", "a lack of leadership = a huge mess. > > > > >", "when I was told they only work with review authors on their reviews,", "the teachings of Fr. Seraphim Rose, so I expected here some kind of", "to the reviewer who contacted me. \\Every single five star review remains deleted.)", "a huge mess. > > > > > CJS Hayward – an intellectual", "=========================================== > > > ★ ★ ★ ★ ★ > > > Excellent!", "substance in this download. I found myself wondering if the author had been", "page or two into reading this, and I felt duped. Save your money.", "me. \\Every single five star review remains deleted.) Is there anything practical that", "but here are ways you can compensate,\" what can I do to compensate?", "> > Excellent! Hayward addresses the issues in a lighthearted (but no-nonsense) way.", "the bunch, and I found myself skipping long, cryptic phrases to see if", "the censored reviews? 2. If the answer to the first question is, \"Nothing,", "that the movement met such a critique with venom, but that there weren't", "author of this short set of ramblings claims that he expects several 1", "from people based on his criticisms of the iconic priest monk Fr. Seraphim", "country to protest these abuses and misrepresentations (as I have done). The net", "that there is no place in it for obligatory Biblical literalism, or such", "enjoy this much needed book that exposes a nationwide problem in the Greek", "of an Orthodox priest monk, but also for its meandering, purposeless, repetitive, and", "you wish to read. Unsurprisingly, [it has consistently gotten forceful one-star reviews Amazon](http://rads.stackoverflow.com/amzn/click/B007OCCFI2).", "response] > > > > The author of this short set of ramblings", "of Fr. Seraphim Rose, so I expected here some kind of evenhanded and", "sites around the country to protest these abuses and misrepresentations (as I have", "occasional answers by an outsider saying, \"Hey, the book has merits.\" In this", "on all points. But the combination of what is live of Amazon’s site,", "6000 year old earth is not what a reasonable person would subscribe to.", "strikes me as odd. I've tried talking with Amazon, and when I was", "is the worst of the bunch, and I found myself skipping long, cryptic", "for other reasons. I, too, have issues with some of the teachings of", "am an utterly incompetent author are invited to [peruse my books](http://amazon.com/author/cjshayward) or if", "as odd. I've tried talking with Amazon, and when I was told they", "addressed by those entrusted with protecting it (i.e. the Hierarchs). > > >", "that a 6000 year old earth is not what a reasonable person would", "blame or the praise, or that I agree with any reviewer on all", "for charging people to read it. Only a page or two into reading", "reasonable person would enjoy this much needed book that exposes a nationwide problem", "the Orthodox Christian Church of today, C.J.S. Hayward is an intellectual genius rooted", "addressing many of the topics plaguing the faithful. At a time where pro-active", "for obligatory Biblical literalism, or such heresies of being saved instantly and once", "with any reviewer on all points. But the combination of what is live", "two reviews that were brought to my attention were: > > Light hearted", "write. But there was something that left me puzzled, not that the movement", "both reviews were initially posted and then deleted later; I'm nearly certain that", "> I might comment that people wondering if I am an utterly incompetent", "books and ebooks tend to hover around 4-4.5 stars, and keep your own", "read on. The author’s main criticism, it seems to me, is with Orthodox", "★ ★ ★ ★ > > > > In his address to the", "I found myself wondering if the author had been sober when he wrote", "the themes plaguing the Orthodox Christian Church of today, C.J.S. Hayward is an", "I did agree very much with the author of this piece that Orthodoxy", "where pro-active leadership from Hierarchs and Priests is needed (in the form of", "have done). The net effect is a divided Church that will inevitably formally", "the people who say you have to believe in Protestant fundamentalism's Young Earth", "of previous centuries. C.J.S. Hayward has done a great service to the Orthodox", "is an intellectual genius rooted in reality, and not a simpleton who fantasizes", "that people wondering if I am an utterly incompetent author are invited to", "repetitive, and poorly edited writing. And for charging people to read it. Only", "your money. One can find better essays online for free. > > >", "nationwide problem in the Greek Orthodox Church, and beyond: fundamentalism + a lack", "the life and works of Fr. Seraphim Rose, and who tend to be", "executive leaders of the Church – silence. This has emboldened fundamentalist propagators and", "top-voted response] > > > > The author of this short set of", "resounding silence from those entrusted with protecting the flock. There have been a", "truth. This is a wake up call. The fact is that a 6000", "Hayward’s book) there is a resounding silence from those entrusted with protecting the", "I have done). The net effect is a divided Church that will inevitably", "mess. > > > > > CJS Hayward – an intellectual genius rooted", "and there that addressed it, most of whom are either retired, or close", "reads: > > Save your $ > =========== > > > ★ [live", "such a critique with venom, but that there weren't occasional answers by an", "in Protestant fundamentalism's Young Earth Creationism and Creation \"Science\" to be an Orthodox", "me that people’s opinions may reflect their church politics, and illustrate their use", "there anything practical that I can do in a situation like this? The", "this download. I give it 1 star not merely for its irreverent treatment", "time where pro-active leadership from Hierarchs and Priests is needed (in the form", "its meandering, purposeless, repetitive, and poorly edited writing. And for charging people to", "an intellectual genius rooted in reality > ====================================================== > > > ★ ★", "be an Orthodox Christian at all. Further details are available in [The Seraphinians](http://tinyurl.com/Seraphinians)", "author are invited to [peruse my books](http://amazon.com/author/cjshayward) or if you want something free", "that I agree with any reviewer on all points. But the combination of", "willing to mistrust science) who drag Protestant baggage, Biblical literalism, and a kind", "and who tend to be particularly fanatical and willing to mistrust science) who", "to my attention were: > > Light hearted but no-nonsense. Nicely done! >", "comments on Amazon are drastically skewed from the truth. This is a wake", "place in it for obligatory Biblical literalism, or such heresies of being saved", "in it for obligatory Biblical literalism, or such heresies of being saved instantly", "first chapter is the worst of the bunch, and I found myself skipping", "saying, \"Hey, the book has merits.\" In this past week, I found out", "priest monk, but also for its meandering, purposeless, repetitive, and poorly edited writing.", "Light hearted but no-nonsense. Nicely done! > =========================================== > > > ★ ★", "collection opens with a rambling, incoherent article wherein Fr. Seraphim is cheekily parodied", "the topics plaguing the faithful. At a time where pro-active leadership from Hierarchs", "and the current top-voted response] > > > > The author of this", "er, deleted. The two reviews that were brought to my attention were: >", "Thorn”. This first chapter is the worst of the bunch, and I found", "centuries. C.J.S. Hayward has done a great service to the Orthodox Christian Church", "seems to me, is with Orthodox converts (including some that converted because of", "a way of living, an ever deepening process, and that there is no", "if anything, can I still do to work with Amazon on the censored", "(in the form of formally addressing the issues addressed in Hayward’s book) there", "of being saved instantly and once and for all. Ultimately, though, I cannot", "deleted later; I'm nearly certain that insiders demanded the postings be deleted as", "people to read it. Only a page or two into reading this, and", "> CJS Hayward – an intellectual genius rooted in reality > ====================================================== >", "a lighthearted (but no-nonsense) way. It seems to me that people’s opinions may", "genius rooted in reality > ====================================================== > > > ★ ★ ★ ★", "of malice to accomplish their goals. The comments on Amazon are drastically skewed", "sure that I deserve either the blame or the praise, or that I", "authors on their reviews, gave the customer service email address to the reviewer", "purposeless, repetitive, and poorly edited writing. And for charging people to read it.", "site, and what was censored, strikes me as odd. I've tried talking with", "the Orthodox Christian Church at large by addressing many of the topics plaguing", "your own counsel as to whether I am unintelligible and dubiously sober when", "fundamentalist attitude into the Church. I did agree very much with the author", "monk, but also for its meandering, purposeless, repetitive, and poorly edited writing. And", "something of that nature. Instead, the collection opens with a rambling, incoherent article", "needed book that exposes a nationwide problem in the Greek Orthodox Church, and", "myself wondering if the author had been sober when he wrote the first", "the Hierarchs). > > > I’m not sure that I deserve either the", "issues with a movement within the Orthodox Church. They are the people who", "from the truth. This is a wake up call. The fact is that", "as “Cherubim Thorn”. This first chapter is the worst of the bunch, and", "chapter is the worst of the bunch, and I found myself skipping long,", "no place in it for obligatory Biblical literalism, or such heresies of being", "essays online for free. > > > I might comment that people wondering", "books](http://amazon.com/author/cjshayward) or if you want something free [read my website](https://CJSHayward.com); Amazon ratings for", "earth is not what a reasonable person would subscribe to. A reasonable person", "with protecting it (i.e. the Hierarchs). > > > I’m not sure that", "are available in [The Seraphinians](http://tinyurl.com/Seraphinians) at essentially any length you wish to read.", "I still do to work with Amazon on the censored reviews? 2. If", "a great service to the Orthodox Christian Church at large by addressing many", "> > CJS Hayward – an intellectual genius rooted in reality > ======================================================", "has also caused the Laity to start web sites around the country to", "want something free [read my website](https://CJSHayward.com); Amazon ratings for most books and ebooks", "takes a bit of a spine to challenge, and both reviews were initially", "reading this, and I felt duped. Save your money. One can find better", "a bit of a spine to challenge, and both reviews were initially posted", "evenhanded and even respectful analysis of where and how Fr. Seraphim Rose possibly", "not sure that I deserve either the blame or the praise, or that", "and even respectful analysis of where and how Fr. Seraphim Rose possibly erred", "to the Orthodox Christian Church at large by addressing many of the topics", "> > The author of this short set of ramblings claims that he", "website](https://CJSHayward.com); Amazon ratings for most books and ebooks tend to hover around 4-4.5", "you have to believe in Protestant fundamentalism's Young Earth Creationism and Creation \"Science\"", "Earth Creationism and Creation \"Science\" to be an Orthodox Christian at all. Further", "issues addressed in Hayward’s book) there is a resounding silence from those entrusted", "the worst of the bunch, and I found myself skipping long, cryptic phrases", "that Orthodoxy is a way of living, an ever deepening process, and that", "I write. But there was something that left me puzzled, not that the", "erred in his biblical exegeses, or something of that nature. Instead, the collection", "I might comment that people wondering if I am an utterly incompetent author", "> > ★ [live and the current top-voted response] > > > >", "article wherein Fr. Seraphim is cheekily parodied as “Cherubim Thorn”. This first chapter", "am unintelligible and dubiously sober when I write. But there was something that", "large by addressing many of the topics plaguing the faithful. At a time", "merely for its irreverent treatment of an Orthodox priest monk, but also for", "the faithful. At a time where pro-active leadership from Hierarchs and Priests is", "from Hierarchs and Priests is needed (in the form of formally addressing the", "> =========== > > > ★ [live and the current top-voted response] >", "and misrepresentations (as I have done). The net effect is a divided Church", "review reads: > > Save your $ > =========== > > > ★", "addressed it, most of whom are either retired, or close to it. But", "critique with venom, but that there weren't occasional answers by an outsider saying,", "= a huge mess. > > > > > CJS Hayward – an", "that will inevitably formally split if not addressed by those entrusted with protecting", "and once and for all. Ultimately, though, I cannot endorse this writer or", "nearly certain that insiders demanded the postings be deleted as somehow falling outside", "of the iconic priest monk Fr. Seraphim Rose. I am giving it 1", "he expects several 1 star reviews from people based on his criticisms of", "by those entrusted with protecting it (i.e. the Hierarchs). > > > I’m", "found out that my work has in fact garnered multiple five-star reviews; every", "counsel as to whether I am unintelligible and dubiously sober when I write.", "Hayward addresses the issues in a lighthearted (but no-nonsense) way. It seems to", "to mistrust science) who drag Protestant baggage, Biblical literalism, and a kind of", "for its irreverent treatment of an Orthodox priest monk, but also for its", "what a reasonable person would subscribe to. A reasonable person would enjoy this", "fact is that a 6000 year old earth is not what a reasonable", "problem in the Greek Orthodox Church, and beyond: fundamentalism + a lack of", "with some of the teachings of Fr. Seraphim Rose, so I expected here", "Orthodox Christian Church at large by addressing many of the topics plaguing the", "pro-active leadership from Hierarchs and Priests is needed (in the form of formally", "bunch, and I found myself skipping long, cryptic phrases to see if there", "if not addressed by those entrusted with protecting it (i.e. the Hierarchs). >", "outside Amazon guidelines. Two questions: 1. What, if anything, can I still do", "I've tried talking with Amazon, and when I was told they only work", "Fr. Seraphim Rose, and who tend to be particularly fanatical and willing to", "deleted. The two reviews that were brought to my attention were: > >", "that people’s opinions may reflect their church politics, and illustrate their use of", "points. But the combination of what is live of Amazon’s site, and what", "baggage, Biblical literalism, and a kind of fundamentalist attitude into the Church. I", "form of formally addressing the issues addressed in Hayward’s book) there is a", "reviews; every single one has just been censored, er, deleted. The two reviews", "> > > > The author of this short set of ramblings claims", "not what a reasonable person would subscribe to. A reasonable person would enjoy", "that I deserve either the blame or the praise, or that I agree", "there was something that left me puzzled, not that the movement met such", "themes plaguing the Orthodox Christian Church of today, C.J.S. Hayward is an intellectual", "that addressed it, most of whom are either retired, or close to it.", "much needed book that exposes a nationwide problem in the Greek Orthodox Church,", "no-nonsense. Nicely done! > =========================================== > > > ★ ★ ★ ★ ★", "any reviewer on all points. But the combination of what is live of", "1 star not merely for its irreverent treatment of an Orthodox priest monk,", "ebooks tend to hover around 4-4.5 stars, and keep your own counsel as", "instantly and once and for all. Ultimately, though, I cannot endorse this writer", "by addressing many of the topics plaguing the faithful. At a time where", "consistently gotten forceful one-star reviews Amazon](http://rads.stackoverflow.com/amzn/click/B007OCCFI2). The most popular review reads: > >", "Nicely done! > =========================================== > > > ★ ★ ★ ★ ★ >", "five-star reviews; every single one has just been censored, er, deleted. The two", "one has just been censored, er, deleted. The two reviews that were brought", "people’s opinions may reflect their church politics, and illustrate their use of malice", "split if not addressed by those entrusted with protecting it (i.e. the Hierarchs).", "there is no place in it for obligatory Biblical literalism, or such heresies", "or if you want something free [read my website](https://CJSHayward.com); Amazon ratings for most", "done a great service to the Orthodox Christian Church at large by addressing", "would enjoy this much needed book that exposes a nationwide problem in the", "4-4.5 stars, and keep your own counsel as to whether I am unintelligible", "and a kind of fundamentalist attitude into the Church. I did agree very", "movement met such a critique with venom, but that there weren't occasional answers", "sober when he wrote the first unintelligible chapter. Things did get better, marginally,", "and attempt to document issues with a movement within the Orthodox Church. They", "reasons. I, too, have issues with some of the teachings of Fr. Seraphim", "for all. Ultimately, though, I cannot endorse this writer or recommend this download.", "brought to my attention were: > > Light hearted but no-nonsense. Nicely done!", "either the blame or the praise, or that I agree with any reviewer", "not addressed by those entrusted with protecting it (i.e. the Hierarchs). > >", "> > > > > CJS Hayward – an intellectual genius rooted in", "Christian at all. Further details are available in [The Seraphinians](http://tinyurl.com/Seraphinians) at essentially any", "and works of Fr. Seraphim Rose, and who tend to be particularly fanatical", "set of ramblings claims that he expects several 1 star reviews from people", "here some kind of evenhanded and even respectful analysis of where and how", "live of Amazon’s site, and what was censored, strikes me as odd. I've", "leadership = a huge mess. > > > > > CJS Hayward –", "drag Protestant baggage, Biblical literalism, and a kind of fundamentalist attitude into the", "Church of today, C.J.S. Hayward is an intellectual genius rooted in reality, and", "am giving it 1 star primarily for other reasons. I, too, have issues", "needed (in the form of formally addressing the issues addressed in Hayward’s book)", "some of the teachings of Fr. Seraphim Rose, so I expected here some", "question is, \"Nothing, but here are ways you can compensate,\" what can I", "past week, I found out that my work has in fact garnered multiple", "close to it. But from the executive leaders of the Church – silence.", "fundamentalism's Young Earth Creationism and Creation \"Science\" to be an Orthodox Christian at", "and that there is no place in it for obligatory Biblical literalism, or", "agree very much with the author of this piece that Orthodoxy is a", "stars, and keep your own counsel as to whether I am unintelligible and", "Amazon guidelines. Two questions: 1. What, if anything, can I still do to", "[The Seraphinians](http://tinyurl.com/Seraphinians) is a writeup and attempt to document issues with a movement", "possibly erred in his biblical exegeses, or something of that nature. Instead, the", "a nationwide problem in the Greek Orthodox Church, and beyond: fundamentalism + a", "science) who drag Protestant baggage, Biblical literalism, and a kind of fundamentalist attitude", "work has in fact garnered multiple five-star reviews; every single one has just", "found myself skipping long, cryptic phrases to see if there was going to", "situation like this? The movement takes a bit of a spine to challenge,", "or recommend this download. I give it 1 star not merely for its", "endorse this writer or recommend this download. I give it 1 star not", "> I’m not sure that I deserve either the blame or the praise,", "download. I give it 1 star not merely for its irreverent treatment of", "is a divided Church that will inevitably formally split if not addressed by", "abuses and misrepresentations (as I have done). The net effect is a divided", "Laity to start web sites around the country to protest these abuses and", "duped. Save your money. One can find better essays online for free. >", "of substance in this download. I found myself wondering if the author had", "The fact is that a 6000 year old earth is not what a", "addressing the issues addressed in Hayward’s book) there is a resounding silence from", "just been censored, er, deleted. The two reviews that were brought to my", "parodied as “Cherubim Thorn”. This first chapter is the worst of the bunch,", "is no place in it for obligatory Biblical literalism, or such heresies of", "their reviews, gave the customer service email address to the reviewer who contacted", "my books](http://amazon.com/author/cjshayward) or if you want something free [read my website](https://CJSHayward.com); Amazon ratings", "A reasonable person would enjoy this much needed book that exposes a nationwide", "and then deleted later; I'm nearly certain that insiders demanded the postings be", "reviews, gave the customer service email address to the reviewer who contacted me.", "movement takes a bit of a spine to challenge, and both reviews were", "plaguing the Orthodox Christian Church of today, C.J.S. Hayward is an intellectual genius", "Creationism and Creation \"Science\" to be an Orthodox Christian at all. Further details", "wondering if the author had been sober when he wrote the first unintelligible", "a few here and there that addressed it, most of whom are either", "and illustrate their use of malice to accomplish their goals. The comments on", "living, an ever deepening process, and that there is no place in it", "but no-nonsense. Nicely done! > =========================================== > > > ★ ★ ★ ★", "and beyond: fundamentalism + a lack of leadership = a huge mess. >", "is a resounding silence from those entrusted with protecting the flock. There have", "The two reviews that were brought to my attention were: > > Light", "> > > CJS Hayward – an intellectual genius rooted in reality >", "Seraphim Rose, and who tend to be particularly fanatical and willing to mistrust", "combination of what is live of Amazon’s site, and what was censored, strikes", "to [peruse my books](http://amazon.com/author/cjshayward) or if you want something free [read my website](https://CJSHayward.com);", "This has emboldened fundamentalist propagators and has also caused the Laity to start", "in [The Seraphinians](http://tinyurl.com/Seraphinians) at essentially any length you wish to read. Unsurprisingly, [it", "their goals. The comments on Amazon are drastically skewed from the truth. This", "the praise, or that I agree with any reviewer on all points. But", "email address to the reviewer who contacted me. \\Every single five star review", "questions: 1. What, if anything, can I still do to work with Amazon", "me, is with Orthodox converts (including some that converted because of the life", "life and works of Fr. Seraphim Rose, and who tend to be particularly", "(but no-nonsense) way. It seems to me that people’s opinions may reflect their", "the reviewer who contacted me. \\Every single five star review remains deleted.) Is", "first question is, \"Nothing, but here are ways you can compensate,\" what can", "literalism, or such heresies of being saved instantly and once and for all.", "too, have issues with some of the teachings of Fr. Seraphim Rose, so", "to protest these abuses and misrepresentations (as I have done). The net effect", "keep your own counsel as to whether I am unintelligible and dubiously sober", "it (i.e. the Hierarchs). > > > I’m not sure that I deserve", "get better, marginally, as I read on. The author’s main criticism, it seems", "intellectual genius rooted in reality > ====================================================== > > > ★ ★ ★", "teachings of Fr. Seraphim Rose, so I expected here some kind of evenhanded", "to it. But from the executive leaders of the Church – silence. This", "did get better, marginally, as I read on. The author’s main criticism, it", "the blame or the praise, or that I agree with any reviewer on", "were initially posted and then deleted later; I'm nearly certain that insiders demanded", "chapter. Things did get better, marginally, as I read on. The author’s main", "talking with Amazon, and when I was told they only work with review", "\"Hey, the book has merits.\" In this past week, I found out that", "in a situation like this? The movement takes a bit of a spine", "net effect is a divided Church that will inevitably formally split if not", "Greek Orthodox Church, and beyond: fundamentalism + a lack of leadership = a", "Further details are available in [The Seraphinians](http://tinyurl.com/Seraphinians) at essentially any length you wish", "primarily for other reasons. I, too, have issues with some of the teachings", "obligatory Biblical literalism, or such heresies of being saved instantly and once and", "on Amazon are drastically skewed from the truth. This is a wake up", "around the country to protest these abuses and misrepresentations (as I have done).", "odd. I've tried talking with Amazon, and when I was told they only", "who contacted me. \\Every single five star review remains deleted.) Is there anything", "In this past week, I found out that my work has in fact", "my attention were: > > Light hearted but no-nonsense. Nicely done! > ===========================================", "book) there is a resounding silence from those entrusted with protecting the flock.", "great service to the Orthodox Christian Church at large by addressing many of", "\\Every single five star review remains deleted.) Is there anything practical that I", "is a way of living, an ever deepening process, and that there is", "Hierarchs and Priests is needed (in the form of formally addressing the issues", "to be anything of substance in this download. I found myself wondering if", "effect is a divided Church that will inevitably formally split if not addressed", "ramblings claims that he expects several 1 star reviews from people based on", "incompetent author are invited to [peruse my books](http://amazon.com/author/cjshayward) or if you want something", "of living, an ever deepening process, and that there is no place in", "up call. The fact is that a 6000 year old earth is not", "biblical exegeses, or something of that nature. Instead, the collection opens with a", "\"Science\" to be an Orthodox Christian at all. Further details are available in", "expects several 1 star reviews from people based on his criticisms of the", "the collection opens with a rambling, incoherent article wherein Fr. Seraphim is cheekily", "of fundamentalist attitude into the Church. I did agree very much with the", "do to work with Amazon on the censored reviews? 2. If the answer", "work with review authors on their reviews, gave the customer service email address", "popular review reads: > > Save your $ > =========== > > >", "edited writing. And for charging people to read it. Only a page or", "that I can do in a situation like this? The movement takes a", "In his address to the themes plaguing the Orthodox Christian Church of today,", "multiple five-star reviews; every single one has just been censored, er, deleted. The", "of the life and works of Fr. Seraphim Rose, and who tend to", "kind of evenhanded and even respectful analysis of where and how Fr. Seraphim", "better, marginally, as I read on. The author’s main criticism, it seems to", "fantasizes about the village life of previous centuries. C.J.S. Hayward has done a", "all points. But the combination of what is live of Amazon’s site, and", "What, if anything, can I still do to work with Amazon on the", "the Greek Orthodox Church, and beyond: fundamentalism + a lack of leadership =", "because of the life and works of Fr. Seraphim Rose, and who tend", "Orthodox converts (including some that converted because of the life and works of", "issues in a lighthearted (but no-nonsense) way. It seems to me that people’s", "But there was something that left me puzzled, not that the movement met", "falling outside Amazon guidelines. Two questions: 1. What, if anything, can I still", "goals. The comments on Amazon are drastically skewed from the truth. This is", "to read. Unsurprisingly, [it has consistently gotten forceful one-star reviews Amazon](http://rads.stackoverflow.com/amzn/click/B007OCCFI2). The most", "other reasons. I, too, have issues with some of the teachings of Fr.", "subscribe to. A reasonable person would enjoy this much needed book that exposes", "or that I agree with any reviewer on all points. But the combination", "also for its meandering, purposeless, repetitive, and poorly edited writing. And for charging", "protest these abuses and misrepresentations (as I have done). The net effect is", "most popular review reads: > > Save your $ > =========== > >", "that nature. Instead, the collection opens with a rambling, incoherent article wherein Fr.", "If the answer to the first question is, \"Nothing, but here are ways", "C.J.S. Hayward has done a great service to the Orthodox Christian Church at", "intellectual genius rooted in reality, and not a simpleton who fantasizes about the", "Church. I did agree very much with the author of this piece that", "> > In his address to the themes plaguing the Orthodox Christian Church", "the iconic priest monk Fr. Seraphim Rose. I am giving it 1 star", "kind of fundamentalist attitude into the Church. I did agree very much with", "genius rooted in reality, and not a simpleton who fantasizes about the village", "star review remains deleted.) Is there anything practical that I can do in", "malice to accomplish their goals. The comments on Amazon are drastically skewed from", "wherein Fr. Seraphim is cheekily parodied as “Cherubim Thorn”. This first chapter is", "the issues addressed in Hayward’s book) there is a resounding silence from those", "life of previous centuries. C.J.S. Hayward has done a great service to the", "that he expects several 1 star reviews from people based on his criticisms", "or two into reading this, and I felt duped. Save your money. One", "this past week, I found out that my work has in fact garnered", "been censored, er, deleted. The two reviews that were brought to my attention", "and how Fr. Seraphim Rose possibly erred in his biblical exegeses, or something", "The net effect is a divided Church that will inevitably formally split if", "to work with Amazon on the censored reviews? 2. If the answer to", "★ ★ ★ > > > Excellent! Hayward addresses the issues in a", "is that a 6000 year old earth is not what a reasonable person", "initially posted and then deleted later; I'm nearly certain that insiders demanded the", "something free [read my website](https://CJSHayward.com); Amazon ratings for most books and ebooks tend", "people wondering if I am an utterly incompetent author are invited to [peruse", "can I still do to work with Amazon on the censored reviews? 2.", "iconic priest monk Fr. Seraphim Rose. I am giving it 1 star primarily", "star primarily for other reasons. I, too, have issues with some of the", "contacted me. \\Every single five star review remains deleted.) Is there anything practical", "> > ★ ★ ★ ★ ★ > > > Excellent! Hayward addresses", "online for free. > > > I might comment that people wondering if", "1 star reviews from people based on his criticisms of the iconic priest", "in the Greek Orthodox Church, and beyond: fundamentalism + a lack of leadership", "certain that insiders demanded the postings be deleted as somehow falling outside Amazon", "that there weren't occasional answers by an outsider saying, \"Hey, the book has", "venom, but that there weren't occasional answers by an outsider saying, \"Hey, the", "with a movement within the Orthodox Church. They are the people who say", "single five star review remains deleted.) Is there anything practical that I can", "silence. This has emboldened fundamentalist propagators and has also caused the Laity to", "on their reviews, gave the customer service email address to the reviewer who", "on. The author’s main criticism, it seems to me, is with Orthodox converts", "★ ★ ★ ★ ★ > > > Excellent! Hayward addresses the issues", "here and there that addressed it, most of whom are either retired, or", "exposes a nationwide problem in the Greek Orthodox Church, and beyond: fundamentalism +", "Seraphim Rose. I am giving it 1 star primarily for other reasons. I,", "service to the Orthodox Christian Church at large by addressing many of the", "of formally addressing the issues addressed in Hayward’s book) there is a resounding", "like this? The movement takes a bit of a spine to challenge, and", "[peruse my books](http://amazon.com/author/cjshayward) or if you want something free [read my website](https://CJSHayward.com); Amazon", "incoherent article wherein Fr. Seraphim is cheekily parodied as “Cherubim Thorn”. This first", "has done a great service to the Orthodox Christian Church at large by", "lack of leadership = a huge mess. > > > > > CJS", "respectful analysis of where and how Fr. Seraphim Rose possibly erred in his", "this writer or recommend this download. I give it 1 star not merely", "unintelligible chapter. Things did get better, marginally, as I read on. The author’s", "rooted in reality > ====================================================== > > > ★ ★ ★ ★ ★", "they only work with review authors on their reviews, gave the customer service", "Rose, and who tend to be particularly fanatical and willing to mistrust science)", "your $ > =========== > > > ★ [live and the current top-voted", "better essays online for free. > > > I might comment that people", "a divided Church that will inevitably formally split if not addressed by those", "to the themes plaguing the Orthodox Christian Church of today, C.J.S. Hayward is", "Ultimately, though, I cannot endorse this writer or recommend this download. I give", "irreverent treatment of an Orthodox priest monk, but also for its meandering, purposeless,", "Excellent! Hayward addresses the issues in a lighthearted (but no-nonsense) way. It seems", "myself skipping long, cryptic phrases to see if there was going to be", "But the combination of what is live of Amazon’s site, and what was", "Hierarchs). > > > I’m not sure that I deserve either the blame", "if there was going to be anything of substance in this download. I", "attention were: > > Light hearted but no-nonsense. Nicely done! > =========================================== >", "faithful. At a time where pro-active leadership from Hierarchs and Priests is needed", "and Priests is needed (in the form of formally addressing the issues addressed", "writeup and attempt to document issues with a movement within the Orthodox Church.", "if I am an utterly incompetent author are invited to [peruse my books](http://amazon.com/author/cjshayward)", "call. The fact is that a 6000 year old earth is not what", "+ a lack of leadership = a huge mess. > > > >", "Amazon, and when I was told they only work with review authors on", "> > I’m not sure that I deserve either the blame or the", "old earth is not what a reasonable person would subscribe to. A reasonable", "mistrust science) who drag Protestant baggage, Biblical literalism, and a kind of fundamentalist", "the flock. There have been a few here and there that addressed it,", "first unintelligible chapter. Things did get better, marginally, as I read on. The", "deleted.) Is there anything practical that I can do in a situation like", "The author’s main criticism, it seems to me, is with Orthodox converts (including", "is a wake up call. The fact is that a 6000 year old", "Seraphinians](http://tinyurl.com/Seraphinians)* is a writeup and attempt to document issues with a movement within", "priest monk Fr. Seraphim Rose. I am giving it 1 star primarily for", "Only a page or two into reading this, and I felt duped. Save", "this, and I felt duped. Save your money. One can find better essays", "cryptic phrases to see if there was going to be anything of substance", "who say you have to believe in Protestant fundamentalism's Young Earth Creationism and", "see if there was going to be anything of substance in this download.", "Orthodox priest monk, but also for its meandering, purposeless, repetitive, and poorly edited", "unintelligible and dubiously sober when I write. But there was something that left", "> > > I might comment that people wondering if I am an", "people who say you have to believe in Protestant fundamentalism's Young Earth Creationism", "puzzled, not that the movement met such a critique with venom, but that", "remains deleted.) Is there anything practical that I can do in a situation", "into the Church. I did agree very much with the author of this", "the answer to the first question is, \"Nothing, but here are ways you", "worst of the bunch, and I found myself skipping long, cryptic phrases to", "[read my website](https://CJSHayward.com); Amazon ratings for most books and ebooks tend to hover", "$ > =========== > > > ★ [live and the current top-voted response]", "Seraphim Rose, so I expected here some kind of evenhanded and even respectful", "long, cryptic phrases to see if there was going to be anything of", "They are the people who say you have to believe in Protestant fundamentalism's", "I cannot endorse this writer or recommend this download. I give it 1", "fundamentalism + a lack of leadership = a huge mess. > > >", "wake up call. The fact is that a 6000 year old earth is", "CJS Hayward – an intellectual genius rooted in reality > ====================================================== > >", "or the praise, or that I agree with any reviewer on all points.", "with Amazon, and when I was told they only work with review authors", "Priests is needed (in the form of formally addressing the issues addressed in", "this short set of ramblings claims that he expects several 1 star reviews", "reviews that were brought to my attention were: > > Light hearted but", "I expected here some kind of evenhanded and even respectful analysis of where", "the executive leaders of the Church – silence. This has emboldened fundamentalist propagators", "week, I found out that my work has in fact garnered multiple five-star", "I deserve either the blame or the praise, or that I agree with", "> The author of this short set of ramblings claims that he expects", "some that converted because of the life and works of Fr. Seraphim Rose,", "protecting it (i.e. the Hierarchs). > > > I’m not sure that I", "guidelines. Two questions: 1. What, if anything, can I still do to work", "with Orthodox converts (including some that converted because of the life and works", "Orthodox Christian Church of today, C.J.S. Hayward is an intellectual genius rooted in", "heresies of being saved instantly and once and for all. Ultimately, though, I", "Save your money. One can find better essays online for free. > >", "of whom are either retired, or close to it. But from the executive", "at essentially any length you wish to read. Unsurprisingly, [it has consistently gotten", "that insiders demanded the postings be deleted as somehow falling outside Amazon guidelines.", "And for charging people to read it. Only a page or two into", "reflect their church politics, and illustrate their use of malice to accomplish their", "> > > Excellent! Hayward addresses the issues in a lighthearted (but no-nonsense)", "answer to the first question is, \"Nothing, but here are ways you can", "Amazon ratings for most books and ebooks tend to hover around 4-4.5 stars,", "a wake up call. The fact is that a 6000 year old earth", "the first question is, \"Nothing, but here are ways you can compensate,\" what", "deepening process, and that there is no place in it for obligatory Biblical", "very much with the author of this piece that Orthodoxy is a way", "is not what a reasonable person would subscribe to. A reasonable person would", "beyond: fundamentalism + a lack of leadership = a huge mess. > >", "I can do in a situation like this? The movement takes a bit", "Amazon](http://rads.stackoverflow.com/amzn/click/B007OCCFI2). The most popular review reads: > > Save your $ > ===========", "in a lighthearted (but no-nonsense) way. It seems to me that people’s opinions", "in his biblical exegeses, or something of that nature. Instead, the collection opens", "where and how Fr. Seraphim Rose possibly erred in his biblical exegeses, or", "deserve either the blame or the praise, or that I agree with any", "download. I found myself wondering if the author had been sober when he", "Seraphim Rose possibly erred in his biblical exegeses, or something of that nature.", "a spine to challenge, and both reviews were initially posted and then deleted", "how Fr. Seraphim Rose possibly erred in his biblical exegeses, or something of", "the movement met such a critique with venom, but that there weren't occasional", "to me that people’s opinions may reflect their church politics, and illustrate their", "me puzzled, not that the movement met such a critique with venom, but", "> =========================================== > > > ★ ★ ★ ★ ★ > > >", "Instead, the collection opens with a rambling, incoherent article wherein Fr. Seraphim is", "from those entrusted with protecting the flock. There have been a few here", "I’m not sure that I deserve either the blame or the praise, or", "that my work has in fact garnered multiple five-star reviews; every single one", "saved instantly and once and for all. Ultimately, though, I cannot endorse this", "and Creation \"Science\" to be an Orthodox Christian at all. Further details are", "review authors on their reviews, gave the customer service email address to the", "★ ★ > > > Excellent! Hayward addresses the issues in a lighthearted", "his criticisms of the iconic priest monk Fr. Seraphim Rose. I am giving", "there that addressed it, most of whom are either retired, or close to", "it, most of whom are either retired, or close to it. But from", "when I write. But there was something that left me puzzled, not that", "It seems to me that people’s opinions may reflect their church politics, and", "Save your $ > =========== > > > ★ [live and the current", "reviews were initially posted and then deleted later; I'm nearly certain that insiders", "cheekily parodied as “Cherubim Thorn”. This first chapter is the worst of the", "ever deepening process, and that there is no place in it for obligatory", "an outsider saying, \"Hey, the book has merits.\" In this past week, I", "inevitably formally split if not addressed by those entrusted with protecting it (i.e.", "charging people to read it. Only a page or two into reading this,", "Orthodoxy is a way of living, an ever deepening process, and that there", "I felt duped. Save your money. One can find better essays online for", "– silence. This has emboldened fundamentalist propagators and has also caused the Laity", "a kind of fundamentalist attitude into the Church. I did agree very much", "censored, strikes me as odd. I've tried talking with Amazon, and when I", "2. If the answer to the first question is, \"Nothing, but here are", "and for all. Ultimately, though, I cannot endorse this writer or recommend this", "in fact garnered multiple five-star reviews; every single one has just been censored,", "around 4-4.5 stars, and keep your own counsel as to whether I am", "several 1 star reviews from people based on his criticisms of the iconic", "there weren't occasional answers by an outsider saying, \"Hey, the book has merits.\"", "challenge, and both reviews were initially posted and then deleted later; I'm nearly", "Amazon on the censored reviews? 2. If the answer to the first question", "read. Unsurprisingly, [it has consistently gotten forceful one-star reviews Amazon](http://rads.stackoverflow.com/amzn/click/B007OCCFI2). The most popular", "> ★ ★ ★ ★ ★ > > > Excellent! Hayward addresses the", "a movement within the Orthodox Church. They are the people who say you", "forceful one-star reviews Amazon](http://rads.stackoverflow.com/amzn/click/B007OCCFI2). The most popular review reads: > > Save your", "one-star reviews Amazon](http://rads.stackoverflow.com/amzn/click/B007OCCFI2). The most popular review reads: > > Save your $", "> Save your $ > =========== > > > ★ [live and the", "was going to be anything of substance in this download. I found myself", "Amazon are drastically skewed from the truth. This is a wake up call.", "I am giving it 1 star primarily for other reasons. I, too, have", "> > > > CJS Hayward – an intellectual genius rooted in reality", "or something of that nature. Instead, the collection opens with a rambling, incoherent", "still do to work with Amazon on the censored reviews? 2. If the", "had been sober when he wrote the first unintelligible chapter. Things did get", "anything practical that I can do in a situation like this? The movement", "even respectful analysis of where and how Fr. Seraphim Rose possibly erred in", "the current top-voted response] > > > > The author of this short", "the Laity to start web sites around the country to protest these abuses", "an intellectual genius rooted in reality, and not a simpleton who fantasizes about", "Biblical literalism, and a kind of fundamentalist attitude into the Church. I did", "poorly edited writing. And for charging people to read it. Only a page", "are drastically skewed from the truth. This is a wake up call. The", "or close to it. But from the executive leaders of the Church –", "also caused the Laity to start web sites around the country to protest", "of today, C.J.S. Hayward is an intellectual genius rooted in reality, and not", "★ > > > > In his address to the themes plaguing the", "document issues with a movement within the Orthodox Church. They are the people", "such heresies of being saved instantly and once and for all. Ultimately, though,", "use of malice to accomplish their goals. The comments on Amazon are drastically", "bit of a spine to challenge, and both reviews were initially posted and", "free [read my website](https://CJSHayward.com); Amazon ratings for most books and ebooks tend to", "that exposes a nationwide problem in the Greek Orthodox Church, and beyond: fundamentalism", "skipping long, cryptic phrases to see if there was going to be anything", "fact garnered multiple five-star reviews; every single one has just been censored, er,", "of what is live of Amazon’s site, and what was censored, strikes me", "of a spine to challenge, and both reviews were initially posted and then", "what is live of Amazon’s site, and what was censored, strikes me as", "entrusted with protecting it (i.e. the Hierarchs). > > > I’m not sure", "the combination of what is live of Amazon’s site, and what was censored,", "is live of Amazon’s site, and what was censored, strikes me as odd.", "me as odd. I've tried talking with Amazon, and when I was told", "of ramblings claims that he expects several 1 star reviews from people based", "literalism, and a kind of fundamentalist attitude into the Church. I did agree", "> ====================================================== > > > ★ ★ ★ ★ ★ > > >", "a resounding silence from those entrusted with protecting the flock. There have been", "attempt to document issues with a movement within the Orthodox Church. They are", "the village life of previous centuries. C.J.S. Hayward has done a great service", "no-nonsense) way. It seems to me that people’s opinions may reflect their church", "essentially any length you wish to read. Unsurprisingly, [it has consistently gotten forceful", "has merits.\" In this past week, I found out that my work has", "church politics, and illustrate their use of malice to accomplish their goals. The", "> > ★ ★ ★ ★ ★ > > > > In his", "is needed (in the form of formally addressing the issues addressed in Hayward’s", "emboldened fundamentalist propagators and has also caused the Laity to start web sites", "person would enjoy this much needed book that exposes a nationwide problem in", "I, too, have issues with some of the teachings of Fr. Seraphim Rose,", "of the Church – silence. This has emboldened fundamentalist propagators and has also", "left me puzzled, not that the movement met such a critique with venom,", "Orthodox Church, and beyond: fundamentalism + a lack of leadership = a huge", "caused the Laity to start web sites around the country to protest these", "I found myself skipping long, cryptic phrases to see if there was going", "This is a wake up call. The fact is that a 6000 year", "and willing to mistrust science) who drag Protestant baggage, Biblical literalism, and a", "only work with review authors on their reviews, gave the customer service email", "out that my work has in fact garnered multiple five-star reviews; every single", "and I found myself skipping long, cryptic phrases to see if there was", "of evenhanded and even respectful analysis of where and how Fr. Seraphim Rose", "of this piece that Orthodoxy is a way of living, an ever deepening", "and dubiously sober when I write. But there was something that left me", "issues with some of the teachings of Fr. Seraphim Rose, so I expected", "say you have to believe in Protestant fundamentalism's Young Earth Creationism and Creation", "to see if there was going to be anything of substance in this", "The comments on Amazon are drastically skewed from the truth. This is a", "misrepresentations (as I have done). The net effect is a divided Church that", "Fr. Seraphim Rose. I am giving it 1 star primarily for other reasons.", "my work has in fact garnered multiple five-star reviews; every single one has", "there is a resounding silence from those entrusted with protecting the flock. There", "weren't occasional answers by an outsider saying, \"Hey, the book has merits.\" In", "Seraphim is cheekily parodied as “Cherubim Thorn”. This first chapter is the worst", "have been a few here and there that addressed it, most of whom", "were brought to my attention were: > > Light hearted but no-nonsense. Nicely", "star not merely for its irreverent treatment of an Orthodox priest monk, but", "I am an utterly incompetent author are invited to [peruse my books](http://amazon.com/author/cjshayward) or", "the truth. This is a wake up call. The fact is that a", "Church, and beyond: fundamentalism + a lack of leadership = a huge mess.", "I am unintelligible and dubiously sober when I write. But there was something", "addresses the issues in a lighthearted (but no-nonsense) way. It seems to me", "though, I cannot endorse this writer or recommend this download. I give it", "Hayward – an intellectual genius rooted in reality > ====================================================== > > >", "posted and then deleted later; I'm nearly certain that insiders demanded the postings", "insiders demanded the postings be deleted as somehow falling outside Amazon guidelines. Two", "anything, can I still do to work with Amazon on the censored reviews?", "divided Church that will inevitably formally split if not addressed by those entrusted", "of the teachings of Fr. Seraphim Rose, so I expected here some kind", "for most books and ebooks tend to hover around 4-4.5 stars, and keep", "village life of previous centuries. C.J.S. Hayward has done a great service to", "Protestant baggage, Biblical literalism, and a kind of fundamentalist attitude into the Church.", "a reasonable person would subscribe to. A reasonable person would enjoy this much", "been sober when he wrote the first unintelligible chapter. Things did get better,", "it 1 star primarily for other reasons. I, too, have issues with some", "at all. Further details are available in [The Seraphinians](http://tinyurl.com/Seraphinians) at essentially any length", "going to be anything of substance in this download. I found myself wondering", "Protestant fundamentalism's Young Earth Creationism and Creation \"Science\" to be an Orthodox Christian", "> > > In his address to the themes plaguing the Orthodox Christian", "> ★ ★ ★ ★ ★ > > > > In his address", "formally addressing the issues addressed in Hayward’s book) there is a resounding silence", "converts (including some that converted because of the life and works of Fr.", "he wrote the first unintelligible chapter. Things did get better, marginally, as I", "> > > > In his address to the themes plaguing the Orthodox", "fundamentalist propagators and has also caused the Laity to start web sites around", "you want something free [read my website](https://CJSHayward.com); Amazon ratings for most books and", "either retired, or close to it. But from the executive leaders of the", "plaguing the faithful. At a time where pro-active leadership from Hierarchs and Priests", "> > > The author of this short set of ramblings claims that", "by an outsider saying, \"Hey, the book has merits.\" In this past week,", "illustrate their use of malice to accomplish their goals. The comments on Amazon", "in reality > ====================================================== > > > ★ ★ ★ ★ ★ >", "address to the reviewer who contacted me. \\Every single five star review remains", "to be an Orthodox Christian at all. Further details are available in [The", "censored reviews? 2. If the answer to the first question is, \"Nothing, but", "my website](https://CJSHayward.com); Amazon ratings for most books and ebooks tend to hover around", "> > > I’m not sure that I deserve either the blame or", "as somehow falling outside Amazon guidelines. Two questions: 1. What, if anything, can", "today, C.J.S. Hayward is an intellectual genius rooted in reality, and not a", "length you wish to read. Unsurprisingly, [it has consistently gotten forceful one-star reviews", "giving it 1 star primarily for other reasons. I, too, have issues with", "(as I have done). The net effect is a divided Church that will", "Church. They are the people who say you have to believe in Protestant", "★ ★ ★ > > > > In his address to the themes", "author had been sober when he wrote the first unintelligible chapter. Things did", "told they only work with review authors on their reviews, gave the customer", "felt duped. Save your money. One can find better essays online for free.", "phrases to see if there was going to be anything of substance in", "(including some that converted because of the life and works of Fr. Seraphim", "of Amazon’s site, and what was censored, strikes me as odd. I've tried", "year old earth is not what a reasonable person would subscribe to. A", "But from the executive leaders of the Church – silence. This has emboldened", "of leadership = a huge mess. > > > > > CJS Hayward", "Amazon’s site, and what was censored, strikes me as odd. I've tried talking", "author of this piece that Orthodoxy is a way of living, an ever", "the issues in a lighthearted (but no-nonsense) way. It seems to me that", "was censored, strikes me as odd. I've tried talking with Amazon, and when", "skewed from the truth. This is a wake up call. The fact is", "reviews? 2. If the answer to the first question is, \"Nothing, but here", "I agree with any reviewer on all points. But the combination of what", "I found out that my work has in fact garnered multiple five-star reviews;", "of Fr. Seraphim Rose, and who tend to be particularly fanatical and willing", "has just been censored, er, deleted. The two reviews that were brought to", "I read on. The author’s main criticism, it seems to me, is with", "★ > > > Excellent! Hayward addresses the issues in a lighthearted (but", "a 6000 year old earth is not what a reasonable person would subscribe", "to whether I am unintelligible and dubiously sober when I write. But there", "addressed in Hayward’s book) there is a resounding silence from those entrusted with", "has in fact garnered multiple five-star reviews; every single one has just been", "> > > ★ ★ ★ ★ ★ > > > > In", "At a time where pro-active leadership from Hierarchs and Priests is needed (in", "those entrusted with protecting the flock. There have been a few here and", "might comment that people wondering if I am an utterly incompetent author are", "being saved instantly and once and for all. Ultimately, though, I cannot endorse", "> > > ★ ★ ★ ★ ★ > > > Excellent! Hayward", "piece that Orthodoxy is a way of living, an ever deepening process, and", "be anything of substance in this download. I found myself wondering if the", "of the bunch, and I found myself skipping long, cryptic phrases to see", "marginally, as I read on. The author’s main criticism, it seems to me,", "what was censored, strikes me as odd. I've tried talking with Amazon, and", "the customer service email address to the reviewer who contacted me. \\Every single", "is cheekily parodied as “Cherubim Thorn”. This first chapter is the worst of", "from the executive leaders of the Church – silence. This has emboldened fundamentalist", "star reviews from people based on his criticisms of the iconic priest monk", "Orthodox Christian at all. Further details are available in [The Seraphinians](http://tinyurl.com/Seraphinians) at essentially", "Rose. I am giving it 1 star primarily for other reasons. I, too,", "> > Light hearted but no-nonsense. Nicely done! > =========================================== > > >", "later; I'm nearly certain that insiders demanded the postings be deleted as somehow", "is a writeup and attempt to document issues with a movement within the", "> ★ [live and the current top-voted response] > > > > The", "and poorly edited writing. And for charging people to read it. Only a", "reality, and not a simpleton who fantasizes about the village life of previous", "has consistently gotten forceful one-star reviews Amazon](http://rads.stackoverflow.com/amzn/click/B007OCCFI2). The most popular review reads: >", "this much needed book that exposes a nationwide problem in the Greek Orthodox", "to me, is with Orthodox converts (including some that converted because of the", "that converted because of the life and works of Fr. Seraphim Rose, and", "reasonable person would subscribe to. A reasonable person would enjoy this much needed", "\"Nothing, but here are ways you can compensate,\" what can I do to", "to challenge, and both reviews were initially posted and then deleted later; I'm", "somehow falling outside Amazon guidelines. Two questions: 1. What, if anything, can I", "simpleton who fantasizes about the village life of previous centuries. C.J.S. Hayward has", "treatment of an Orthodox priest monk, but also for its meandering, purposeless, repetitive,", "leaders of the Church – silence. This has emboldened fundamentalist propagators and has", "have to believe in Protestant fundamentalism's Young Earth Creationism and Creation \"Science\" to", "but also for its meandering, purposeless, repetitive, and poorly edited writing. And for", "is, \"Nothing, but here are ways you can compensate,\" what can I do", "Church – silence. This has emboldened fundamentalist propagators and has also caused the", "utterly incompetent author are invited to [peruse my books](http://amazon.com/author/cjshayward) or if you want", "opinions may reflect their church politics, and illustrate their use of malice to", "as to whether I am unintelligible and dubiously sober when I write. But", "about the village life of previous centuries. C.J.S. Hayward has done a great", "Church that will inevitably formally split if not addressed by those entrusted with", "way of living, an ever deepening process, and that there is no place", "★ ★ > > > > In his address to the themes plaguing", "done). The net effect is a divided Church that will inevitably formally split", "Biblical literalism, or such heresies of being saved instantly and once and for", "meandering, purposeless, repetitive, and poorly edited writing. And for charging people to read", "Hayward has done a great service to the Orthodox Christian Church at large", "politics, and illustrate their use of malice to accomplish their goals. The comments", "the Orthodox Church. They are the people who say you have to believe", "own counsel as to whether I am unintelligible and dubiously sober when I", "these abuses and misrepresentations (as I have done). The net effect is a", "tend to be particularly fanatical and willing to mistrust science) who drag Protestant", "Creation \"Science\" to be an Orthodox Christian at all. Further details are available", "fanatical and willing to mistrust science) who drag Protestant baggage, Biblical literalism, and", "for free. > > > I might comment that people wondering if I", "most books and ebooks tend to hover around 4-4.5 stars, and keep your", "something that left me puzzled, not that the movement met such a critique", "with a rambling, incoherent article wherein Fr. Seraphim is cheekily parodied as “Cherubim", "opens with a rambling, incoherent article wherein Fr. Seraphim is cheekily parodied as", "with the author of this piece that Orthodoxy is a way of living,", "any length you wish to read. Unsurprisingly, [it has consistently gotten forceful one-star", "and has also caused the Laity to start web sites around the country", "sober when I write. But there was something that left me puzzled, not", "practical that I can do in a situation like this? The movement takes", "outsider saying, \"Hey, the book has merits.\" In this past week, I found", "this piece that Orthodoxy is a way of living, an ever deepening process,", "This first chapter is the worst of the bunch, and I found myself", "The author of this short set of ramblings claims that he expects several" ]
[ "some of my book so far and they think it is childish and", "my book so far and they think it is childish and then some", "say it's somewhat morbid. What are your views on what each of those", "who have read some of my book so far and they think it", "read some of my book so far and they think it is childish", "it's somewhat morbid. What are your views on what each of those terms", "people who have read some of my book so far and they think", "book so far and they think it is childish and then some say", "then some say it's somewhat morbid. What are your views on what each", "have read some of my book so far and they think it is", "somewhat morbid. What are your views on what each of those terms means?", "There are some people who have read some of my book so far", "think it is childish and then some say it's somewhat morbid. What are", "it is childish and then some say it's somewhat morbid. What are your", "and they think it is childish and then some say it's somewhat morbid.", "so far and they think it is childish and then some say it's", "they think it is childish and then some say it's somewhat morbid. What", "is childish and then some say it's somewhat morbid. What are your views", "and then some say it's somewhat morbid. What are your views on what", "of my book so far and they think it is childish and then", "some people who have read some of my book so far and they", "are some people who have read some of my book so far and", "far and they think it is childish and then some say it's somewhat", "childish and then some say it's somewhat morbid. What are your views on", "some say it's somewhat morbid. What are your views on what each of" ]
[ "warming himself as he swigged from a bottle. He flexed his fingers above", "chest, palming a coin and holding it out to her. Thank you so", "to present. Can someone help me please, here are a few examples: Stooping,", "reached for the bottle, elbowing her in the chest, palming a coin and", "Can someone help me please, here are a few examples: Stooping, he lit", "swung himself up as she reached for the bottle, elbowing her in the", "am mixing modifiers up or slipping from past to present. Can someone help", "the bottle, elbowing her in the chest, palming a coin and holding it", "as he swigged from a bottle. He flexed his fingers above the flames,", "palming a coin and holding it out to her. Thank you so much", "as she reached for the bottle, elbowing her in the chest, palming a", "am not sure if I am mixing modifiers up or slipping from past", "I'm very confused about tenses. I am not sure if I am mixing", "someone help me please, here are a few examples: Stooping, he lit a", "I am not sure if I am mixing modifiers up or slipping from", "a fire, warming himself as he swigged from a bottle. He flexed his", "he swigged from a bottle. He flexed his fingers above the flames, glancing", "flexed his fingers above the flames, glancing at her uneasy expression. He swung", "a few examples: Stooping, he lit a fire, warming himself as he swigged", "above the flames, glancing at her uneasy expression. He swung himself up as", "she reached for the bottle, elbowing her in the chest, palming a coin", "in the chest, palming a coin and holding it out to her. Thank", "modifiers up or slipping from past to present. Can someone help me please,", "himself up as she reached for the bottle, elbowing her in the chest,", "from past to present. Can someone help me please, here are a few", "He flexed his fingers above the flames, glancing at her uneasy expression. He", "confused about tenses. I am not sure if I am mixing modifiers up", "about tenses. I am not sure if I am mixing modifiers up or", "here are a few examples: Stooping, he lit a fire, warming himself as", "fingers above the flames, glancing at her uneasy expression. He swung himself up", "her uneasy expression. He swung himself up as she reached for the bottle,", "fire, warming himself as he swigged from a bottle. He flexed his fingers", "past to present. Can someone help me please, here are a few examples:", "bottle. He flexed his fingers above the flames, glancing at her uneasy expression.", "if I am mixing modifiers up or slipping from past to present. Can", "very confused about tenses. I am not sure if I am mixing modifiers", "for the bottle, elbowing her in the chest, palming a coin and holding", "uneasy expression. He swung himself up as she reached for the bottle, elbowing", "please, here are a few examples: Stooping, he lit a fire, warming himself", "at her uneasy expression. He swung himself up as she reached for the", "lit a fire, warming himself as he swigged from a bottle. He flexed", "a bottle. He flexed his fingers above the flames, glancing at her uneasy", "elbowing her in the chest, palming a coin and holding it out to", "me please, here are a few examples: Stooping, he lit a fire, warming", "up as she reached for the bottle, elbowing her in the chest, palming", "himself as he swigged from a bottle. He flexed his fingers above the", "his fingers above the flames, glancing at her uneasy expression. He swung himself", "bottle, elbowing her in the chest, palming a coin and holding it out", "slipping from past to present. Can someone help me please, here are a", "he lit a fire, warming himself as he swigged from a bottle. He", "the flames, glancing at her uneasy expression. He swung himself up as she", "glancing at her uneasy expression. He swung himself up as she reached for", "mixing modifiers up or slipping from past to present. Can someone help me", "her in the chest, palming a coin and holding it out to her.", "the chest, palming a coin and holding it out to her. Thank you", "examples: Stooping, he lit a fire, warming himself as he swigged from a", "not sure if I am mixing modifiers up or slipping from past to", "swigged from a bottle. He flexed his fingers above the flames, glancing at", "or slipping from past to present. Can someone help me please, here are", "present. Can someone help me please, here are a few examples: Stooping, he", "I am mixing modifiers up or slipping from past to present. Can someone", "He swung himself up as she reached for the bottle, elbowing her in", "sure if I am mixing modifiers up or slipping from past to present.", "help me please, here are a few examples: Stooping, he lit a fire,", "expression. He swung himself up as she reached for the bottle, elbowing her", "tenses. I am not sure if I am mixing modifiers up or slipping", "from a bottle. He flexed his fingers above the flames, glancing at her", "flames, glancing at her uneasy expression. He swung himself up as she reached", "Stooping, he lit a fire, warming himself as he swigged from a bottle.", "are a few examples: Stooping, he lit a fire, warming himself as he", "few examples: Stooping, he lit a fire, warming himself as he swigged from", "up or slipping from past to present. Can someone help me please, here" ]
[ "running (why? Because it's his job, he's responsible to make sure everyone survives", "in their final moments. Is this idea worth being written, or will the", "and closer. There are several different characters involved, from the rational boss, who", "along in their final moments. Is this idea worth being written, or will", "reader will know, no one will survive and the let's call him Captain", "know, no one will survive and the let's call him Captain is fighting", "who finally meet their gods, to some young overly curious scientists who cannot", "young overly curious scientists who cannot wait to see what's coming, to the", "Because it's his job, he's responsible to make sure everyone survives as long", "the Big Crunch: There is a space station full of people who can", "station full of people who can only sit and watch as their final", "I am currently sketching a novel about people at the end of time,", "moments. Is this idea worth being written, or will the obvious ending drive", "cannot wait to see what's coming, to the depressive maniac, who tries to", "useless struggle, because it is the Big Crunch. He can basically only sit", "people who can only sit and watch as their final moment draws closer", "their final moment draws closer and closer. There are several different characters involved,", "moment draws closer and closer. There are several different characters involved, from the", "beginning on, the reader will know, no one will survive and the let's", "some young overly curious scientists who cannot wait to see what's coming, to", "it is the Big Crunch. He can basically only sit and watch and", "Big Crunch: There is a space station full of people who can only", "From the beginning on, the reader will know, no one will survive and", "before the Big Crunch: There is a space station full of people who", "their gods, to some young overly curious scientists who cannot wait to see", "basically only sit and watch and help others getting along in their final", "religious people who finally meet their gods, to some young overly curious scientists", "it's his job, he's responsible to make sure everyone survives as long as", "Crunch: There is a space station full of people who can only sit", "of time, some months or years before the Big Crunch: There is a", "He can basically only sit and watch and help others getting along in", "others getting along in their final moments. Is this idea worth being written,", "the depressive maniac, who tries to blow up everything before the Crunch. My", "scientists who cannot wait to see what's coming, to the depressive maniac, who", "is fighting a useless struggle, because it is the Big Crunch. He can", "possible), to some religious people who finally meet their gods, to some young", "watch as their final moment draws closer and closer. There are several different", "and watch and help others getting along in their final moments. Is this", "several different characters involved, from the rational boss, who tries to keep everything", "the Big Crunch. He can basically only sit and watch and help others", "fighting a useless struggle, because it is the Big Crunch. He can basically", "Captain is fighting a useless struggle, because it is the Big Crunch. He", "tries to keep everything running (why? Because it's his job, he's responsible to", "only sit and watch as their final moment draws closer and closer. There", "will know, no one will survive and the let's call him Captain is", "sketching a novel about people at the end of time, some months or", "curious scientists who cannot wait to see what's coming, to the depressive maniac,", "overly curious scientists who cannot wait to see what's coming, to the depressive", "his job, he's responsible to make sure everyone survives as long as possible),", "to make sure everyone survives as long as possible), to some religious people", "everything running (why? Because it's his job, he's responsible to make sure everyone", "time, some months or years before the Big Crunch: There is a space", "Crunch. My problem is: From the beginning on, the reader will know, no", "and watch as their final moment draws closer and closer. There are several", "tries to blow up everything before the Crunch. My problem is: From the", "the Crunch. My problem is: From the beginning on, the reader will know,", "end of time, some months or years before the Big Crunch: There is", "keep everything running (why? Because it's his job, he's responsible to make sure", "let's call him Captain is fighting a useless struggle, because it is the", "There are several different characters involved, from the rational boss, who tries to", "on, the reader will know, no one will survive and the let's call", "who can only sit and watch as their final moment draws closer and", "as their final moment draws closer and closer. There are several different characters", "are several different characters involved, from the rational boss, who tries to keep", "is the Big Crunch. He can basically only sit and watch and help", "am currently sketching a novel about people at the end of time, some", "to the depressive maniac, who tries to blow up everything before the Crunch.", "at the end of time, some months or years before the Big Crunch:", "about people at the end of time, some months or years before the", "to some young overly curious scientists who cannot wait to see what's coming,", "to see what's coming, to the depressive maniac, who tries to blow up", "the rational boss, who tries to keep everything running (why? Because it's his", "getting along in their final moments. Is this idea worth being written, or", "is: From the beginning on, the reader will know, no one will survive", "characters involved, from the rational boss, who tries to keep everything running (why?", "make sure everyone survives as long as possible), to some religious people who", "as long as possible), to some religious people who finally meet their gods,", "some months or years before the Big Crunch: There is a space station", "up everything before the Crunch. My problem is: From the beginning on, the", "rational boss, who tries to keep everything running (why? Because it's his job,", "My problem is: From the beginning on, the reader will know, no one", "who cannot wait to see what's coming, to the depressive maniac, who tries", "closer and closer. There are several different characters involved, from the rational boss,", "currently sketching a novel about people at the end of time, some months", "a useless struggle, because it is the Big Crunch. He can basically only", "people who finally meet their gods, to some young overly curious scientists who", "him Captain is fighting a useless struggle, because it is the Big Crunch.", "survives as long as possible), to some religious people who finally meet their", "different characters involved, from the rational boss, who tries to keep everything running", "involved, from the rational boss, who tries to keep everything running (why? Because", "Crunch. He can basically only sit and watch and help others getting along", "boss, who tries to keep everything running (why? Because it's his job, he's", "because it is the Big Crunch. He can basically only sit and watch", "Big Crunch. He can basically only sit and watch and help others getting", "he's responsible to make sure everyone survives as long as possible), to some", "watch and help others getting along in their final moments. Is this idea", "final moment draws closer and closer. There are several different characters involved, from", "help others getting along in their final moments. Is this idea worth being", "finally meet their gods, to some young overly curious scientists who cannot wait", "the reader will know, no one will survive and the let's call him", "everyone survives as long as possible), to some religious people who finally meet", "a novel about people at the end of time, some months or years", "a space station full of people who can only sit and watch as", "people at the end of time, some months or years before the Big", "only sit and watch and help others getting along in their final moments.", "their final moments. Is this idea worth being written, or will the obvious", "call him Captain is fighting a useless struggle, because it is the Big", "one will survive and the let's call him Captain is fighting a useless", "There is a space station full of people who can only sit and", "(why? Because it's his job, he's responsible to make sure everyone survives as", "sure everyone survives as long as possible), to some religious people who finally", "some religious people who finally meet their gods, to some young overly curious", "as possible), to some religious people who finally meet their gods, to some", "no one will survive and the let's call him Captain is fighting a", "can basically only sit and watch and help others getting along in their", "struggle, because it is the Big Crunch. He can basically only sit and", "coming, to the depressive maniac, who tries to blow up everything before the", "sit and watch and help others getting along in their final moments. Is", "novel about people at the end of time, some months or years before", "who tries to keep everything running (why? Because it's his job, he's responsible", "Is this idea worth being written, or will the obvious ending drive readers", "can only sit and watch as their final moment draws closer and closer.", "full of people who can only sit and watch as their final moment", "final moments. Is this idea worth being written, or will the obvious ending", "maniac, who tries to blow up everything before the Crunch. My problem is:", "meet their gods, to some young overly curious scientists who cannot wait to", "and help others getting along in their final moments. Is this idea worth", "or years before the Big Crunch: There is a space station full of", "the let's call him Captain is fighting a useless struggle, because it is", "the beginning on, the reader will know, no one will survive and the", "responsible to make sure everyone survives as long as possible), to some religious", "to some religious people who finally meet their gods, to some young overly", "and the let's call him Captain is fighting a useless struggle, because it", "from the rational boss, who tries to keep everything running (why? Because it's", "wait to see what's coming, to the depressive maniac, who tries to blow", "see what's coming, to the depressive maniac, who tries to blow up everything", "what's coming, to the depressive maniac, who tries to blow up everything before", "closer. There are several different characters involved, from the rational boss, who tries", "is a space station full of people who can only sit and watch", "the end of time, some months or years before the Big Crunch: There", "space station full of people who can only sit and watch as their", "depressive maniac, who tries to blow up everything before the Crunch. My problem", "months or years before the Big Crunch: There is a space station full", "job, he's responsible to make sure everyone survives as long as possible), to", "long as possible), to some religious people who finally meet their gods, to", "who tries to blow up everything before the Crunch. My problem is: From", "blow up everything before the Crunch. My problem is: From the beginning on,", "sit and watch as their final moment draws closer and closer. There are", "years before the Big Crunch: There is a space station full of people", "gods, to some young overly curious scientists who cannot wait to see what's", "draws closer and closer. There are several different characters involved, from the rational", "before the Crunch. My problem is: From the beginning on, the reader will", "problem is: From the beginning on, the reader will know, no one will", "of people who can only sit and watch as their final moment draws", "survive and the let's call him Captain is fighting a useless struggle, because", "to blow up everything before the Crunch. My problem is: From the beginning", "this idea worth being written, or will the obvious ending drive readers away?", "will survive and the let's call him Captain is fighting a useless struggle,", "to keep everything running (why? Because it's his job, he's responsible to make", "everything before the Crunch. My problem is: From the beginning on, the reader" ]
[ "Validation Engineers II, Compliance Consultant I, Compliance Consultant II, etc. When discussing more", "has Validation Engineers I, Validation Engineers II, Compliance Consultant I, Compliance Consultant II,", "II, etc. When discussing more than one person, do you write Validation Engineers", "Consultant I, Compliance Consultant II, etc. When discussing more than one person, do", "than one person, do you write Validation Engineers II, Validation Engineer IIs, or", "Engineers II, Compliance Consultant I, Compliance Consultant II, etc. When discussing more than", "Compliance Consultant I, Compliance Consultant II, etc. When discussing more than one person,", "II, Compliance Consultant I, Compliance Consultant II, etc. When discussing more than one", "more than one person, do you write Validation Engineers II, Validation Engineer IIs,", "etc. When discussing more than one person, do you write Validation Engineers II,", "work has Validation Engineers I, Validation Engineers II, Compliance Consultant I, Compliance Consultant", "My work has Validation Engineers I, Validation Engineers II, Compliance Consultant I, Compliance", "I, Validation Engineers II, Compliance Consultant I, Compliance Consultant II, etc. When discussing", "discussing more than one person, do you write Validation Engineers II, Validation Engineer", "person, do you write Validation Engineers II, Validation Engineer IIs, or Validation Engineer", "Engineers I, Validation Engineers II, Compliance Consultant I, Compliance Consultant II, etc. When", "one person, do you write Validation Engineers II, Validation Engineer IIs, or Validation", "Compliance Consultant II, etc. When discussing more than one person, do you write", "Validation Engineers I, Validation Engineers II, Compliance Consultant I, Compliance Consultant II, etc.", "Consultant II, etc. When discussing more than one person, do you write Validation", "do you write Validation Engineers II, Validation Engineer IIs, or Validation Engineer II's?", "When discussing more than one person, do you write Validation Engineers II, Validation", "I, Compliance Consultant II, etc. When discussing more than one person, do you" ]
[ "I have to let a larger spacing between the lines so I can", "there any tips or good practices of this kind to make all this", "inclined to handwrite my manuscripts, but all this work of cross out words", "software, so all the work of rewriting, correcting, editing was easy. Now I'm", "I'm more and more inclined to handwrite my manuscripts, but all this work", "or rewriting some parts seems tricky. For example, do I have to let", "to let a larger spacing between the lines so I can interpose or", "Now I'm more and more inclined to handwrite my manuscripts, but all this", "so all the work of rewriting, correcting, editing was easy. Now I'm more", "used to write on a word processing software, so all the work of", "example, do I have to let a larger spacing between the lines so", "all this work of cross out words or rewriting some parts seems tricky.", "on the side etc. Is there any tips or good practices of this", "a larger spacing between the lines so I can interpose or add new", "a margin on the side etc. Is there any tips or good practices", "lines so I can interpose or add new parts to my text, or", "correcting, editing was easy. Now I'm more and more inclined to handwrite my", "word processing software, so all the work of rewriting, correcting, editing was easy.", "words or rewriting some parts seems tricky. For example, do I have to", "spacing between the lines so I can interpose or add new parts to", "work of cross out words or rewriting some parts seems tricky. For example,", "but all this work of cross out words or rewriting some parts seems", "a word processing software, so all the work of rewriting, correcting, editing was", "cross out words or rewriting some parts seems tricky. For example, do I", "rewriting, correcting, editing was easy. Now I'm more and more inclined to handwrite", "Is there any tips or good practices of this kind to make all", "text, or let a margin on the side etc. Is there any tips", "processing software, so all the work of rewriting, correcting, editing was easy. Now", "of cross out words or rewriting some parts seems tricky. For example, do", "parts seems tricky. For example, do I have to let a larger spacing", "to my text, or let a margin on the side etc. Is there", "work of rewriting, correcting, editing was easy. Now I'm more and more inclined", "have to let a larger spacing between the lines so I can interpose", "rewriting some parts seems tricky. For example, do I have to let a", "to handwrite my manuscripts, but all this work of cross out words or", "interpose or add new parts to my text, or let a margin on", "any tips or good practices of this kind to make all this work", "I used to write on a word processing software, so all the work", "handwrite my manuscripts, but all this work of cross out words or rewriting", "editing was easy. Now I'm more and more inclined to handwrite my manuscripts,", "larger spacing between the lines so I can interpose or add new parts", "side etc. Is there any tips or good practices of this kind to", "and more inclined to handwrite my manuscripts, but all this work of cross", "tips or good practices of this kind to make all this work easier", "easy. Now I'm more and more inclined to handwrite my manuscripts, but all", "on a word processing software, so all the work of rewriting, correcting, editing", "let a margin on the side etc. Is there any tips or good", "the lines so I can interpose or add new parts to my text,", "some parts seems tricky. For example, do I have to let a larger", "my manuscripts, but all this work of cross out words or rewriting some", "etc. Is there any tips or good practices of this kind to make", "can interpose or add new parts to my text, or let a margin", "of rewriting, correcting, editing was easy. Now I'm more and more inclined to", "margin on the side etc. Is there any tips or good practices of", "For example, do I have to let a larger spacing between the lines", "all the work of rewriting, correcting, editing was easy. Now I'm more and", "manuscripts, but all this work of cross out words or rewriting some parts", "more inclined to handwrite my manuscripts, but all this work of cross out", "seems tricky. For example, do I have to let a larger spacing between", "between the lines so I can interpose or add new parts to my", "the work of rewriting, correcting, editing was easy. Now I'm more and more", "was easy. Now I'm more and more inclined to handwrite my manuscripts, but", "to write on a word processing software, so all the work of rewriting,", "or add new parts to my text, or let a margin on the", "or good practices of this kind to make all this work easier ?", "new parts to my text, or let a margin on the side etc.", "or let a margin on the side etc. Is there any tips or", "I can interpose or add new parts to my text, or let a", "write on a word processing software, so all the work of rewriting, correcting,", "add new parts to my text, or let a margin on the side", "parts to my text, or let a margin on the side etc. Is", "let a larger spacing between the lines so I can interpose or add", "the side etc. Is there any tips or good practices of this kind", "my text, or let a margin on the side etc. Is there any", "tricky. For example, do I have to let a larger spacing between the", "this work of cross out words or rewriting some parts seems tricky. For", "more and more inclined to handwrite my manuscripts, but all this work of", "do I have to let a larger spacing between the lines so I", "so I can interpose or add new parts to my text, or let", "out words or rewriting some parts seems tricky. For example, do I have" ]
[ "it best to change his name. But I've already grown used to his", "name. But I've already grown used to his name, and I've written it", "I've already grown used to his name, and I've written it all over", "over my book pages. Is it too late to completely change his name?", "all over my book pages. Is it too late to completely change his", "to his name, and I've written it all over my book pages. Is", "written it all over my book pages. Is it too late to completely", "think it best to change his name. But I've already grown used to", "at this point I think it best to change his name. But I've", "used to his name, and I've written it all over my book pages.", "Ryu, but at this point I think it best to change his name.", "chimera-type character whose name is Ryu, but at this point I think it", "but at this point I think it best to change his name. But", "best to change his name. But I've already grown used to his name,", "I think it best to change his name. But I've already grown used", "his name, and I've written it all over my book pages. Is it", "his name. But I've already grown used to his name, and I've written", "is Ryu, but at this point I think it best to change his", "character whose name is Ryu, but at this point I think it best", "this chimera-type character whose name is Ryu, but at this point I think", "to change his name. But I've already grown used to his name, and", "change his name. But I've already grown used to his name, and I've", "I've written it all over my book pages. Is it too late to", "name, and I've written it all over my book pages. Is it too", "this point I think it best to change his name. But I've already", "I have this chimera-type character whose name is Ryu, but at this point", "have this chimera-type character whose name is Ryu, but at this point I", "name is Ryu, but at this point I think it best to change", "whose name is Ryu, but at this point I think it best to", "and I've written it all over my book pages. Is it too late", "already grown used to his name, and I've written it all over my", "it all over my book pages. Is it too late to completely change", "point I think it best to change his name. But I've already grown", "grown used to his name, and I've written it all over my book", "But I've already grown used to his name, and I've written it all" ]
[ "blogger but I personally don't feel its user friendly as WordPress, but I", "I have been blogging for over one year with blogger but I personally", "for over one year with blogger but I personally don't feel its user", "feel its user friendly as WordPress, but I don't want to move my", "but I don't want to move my contents or blog to wordpress. How", "I personally don't feel its user friendly as WordPress, but I don't want", "contents or blog to wordpress. How do I tweak blogger to my taste?", "I don't want to move my contents or blog to wordpress. How do", "to move my contents or blog to wordpress. How do I tweak blogger", "but I personally don't feel its user friendly as WordPress, but I don't", "blogging for over one year with blogger but I personally don't feel its", "have been blogging for over one year with blogger but I personally don't", "its user friendly as WordPress, but I don't want to move my contents", "want to move my contents or blog to wordpress. How do I tweak", "with blogger but I personally don't feel its user friendly as WordPress, but", "don't feel its user friendly as WordPress, but I don't want to move", "as WordPress, but I don't want to move my contents or blog to", "friendly as WordPress, but I don't want to move my contents or blog", "move my contents or blog to wordpress. How do I tweak blogger to", "my contents or blog to wordpress. How do I tweak blogger to my", "WordPress, but I don't want to move my contents or blog to wordpress.", "don't want to move my contents or blog to wordpress. How do I", "one year with blogger but I personally don't feel its user friendly as", "year with blogger but I personally don't feel its user friendly as WordPress,", "user friendly as WordPress, but I don't want to move my contents or", "been blogging for over one year with blogger but I personally don't feel", "personally don't feel its user friendly as WordPress, but I don't want to", "over one year with blogger but I personally don't feel its user friendly" ]
[ "an occupation for my protagonist but being a body snatcher is from the", "for my protagonist but being a body snatcher is from the past. No", "my protagonist but being a body snatcher is from the past. No more", "is from the past. No more body snatchers caught up digging graves and", "I'm thinking of an occupation for my protagonist but being a body snatcher", "of an occupation for my protagonist but being a body snatcher is from", "more body snatchers caught up digging graves and selling corpses to scientists, right?", "No more body snatchers caught up digging graves and selling corpses to scientists,", "occupation for my protagonist but being a body snatcher is from the past.", "snatcher is from the past. No more body snatchers caught up digging graves", "past. No more body snatchers caught up digging graves and selling corpses to", "a body snatcher is from the past. No more body snatchers caught up", "from the past. No more body snatchers caught up digging graves and selling", "the past. No more body snatchers caught up digging graves and selling corpses", "protagonist but being a body snatcher is from the past. No more body", "being a body snatcher is from the past. No more body snatchers caught", "but being a body snatcher is from the past. No more body snatchers", "thinking of an occupation for my protagonist but being a body snatcher is", "body snatcher is from the past. No more body snatchers caught up digging" ]
[ "is only referred to as Curly's Wife, clearly showing his ownership of her", "can you achieve by naming your character in a way that implies a", "this be? What kind of effect can it have on the reader if", "(many that I can think of right now are from Of Mice and", "fact, it's in the title and requires almost no explanation. We can see", "can see throughout literature the use of names and title. For example in", "other things. There are other examples (many that I can think of right", "novel Curly's Wife is only* referred to as Curly's Wife, clearly showing his", "good ways to do this? * What will the readers response to this", "title. For example in Of Mice and Men we can observe that in", "observe that in the duration of the novel Curly's Wife is only referred", "to as Curly's Wife, clearly showing his ownership of her as well as", "* What are good ways to do this? * What will the readers", "title and requires almost no explanation. We can see throughout literature the use", "is rather simple. In fact, it's in the title and requires almost no", "example in Of Mice and Men we can observe that in the duration", "We can see throughout literature the use of names and title. For example", "are good ways to do this? * What will the readers response to", "Curly's Wife is only referred to as Curly's Wife, clearly showing his ownership", "can observe that in the duration of the novel Curly's Wife is only", "use of names and title. For example in Of Mice and Men we", "ways to do this? * What will the readers response to this be?", "well as a few other things. There are other examples (many that I", "by naming your character in a way that implies a deeper meaning? ", " What can you achieve by naming your character in a way that", "are from Of Mice and Men. --- * What can you achieve by", "will the readers response to this be? What kind of effect can it", "achieve by naming your character in a way that implies a deeper meaning?", "In fact, it's in the title and requires almost no explanation. We can", "few other things. There are other examples (many that I can think of", "question is rather simple. In fact, it's in the title and requires almost", "literature the use of names and title. For example in Of Mice and", "Of Mice and Men* we can observe that in the duration of the", "the title and requires almost no explanation. We can see throughout literature the", "her as well as a few other things. There are other examples (many", "referred to as Curly's Wife, clearly showing his ownership of her as well", "There are other examples (many that I can think of right now are", "Men. --- What can you achieve by naming your character in a", "to this be? What kind of effect can it have on the reader", "we can observe that in the duration of the novel Curly's Wife is", "now are from Of Mice and Men. --- * What can you achieve", "see throughout literature the use of names and title. For example in Of", "clearly showing his ownership of her as well as a few other things.", "Wife, clearly showing his ownership of her as well as a few other", "do this? What will the readers response to this be? What kind", "Mice and Men* we can observe that in the duration of the novel", "that I can think of right now are from Of Mice and Men.", "only referred to as Curly's Wife, clearly showing his ownership of her as", "Of Mice and Men. --- * What can you achieve by naming your", "and Men* we can observe that in the duration of the novel Curly's", "are other examples (many that I can think of right now are from", "For example in Of Mice and Men we can observe that in the", "in the title and requires almost no explanation. We can see throughout literature", "of names and title. For example in Of Mice and Men we can", "as well as a few other things. There are other examples (many that", "meaning? * What are good ways to do this? * What will the", "and Men. --- What can you achieve by naming your character in", "requires almost no explanation. We can see throughout literature the use of names", "other examples (many that I can think of right now are from Of", "and title. For example in Of Mice and Men* we can observe that", "that in the duration of the novel Curly's Wife is only referred to", "from Of Mice and Men. --- * What can you achieve by naming", "the novel Curly's Wife is only referred to as Curly's Wife, clearly showing", "showing his ownership of her as well as a few other things. There", "examples (many that I can think of right now are from Of Mice", "the readers response to this be? What kind of effect can it have", " What will the readers response to this be? What kind of effect", "a few other things. There are other examples (many that I can think", "--- * What can you achieve by naming your character in a way", "implies a deeper meaning? * What are good ways to do this? ", "Wife is only* referred to as Curly's Wife, clearly showing his ownership of", "right now are from Of Mice and Men. --- * What can you", "as Curly's Wife, clearly showing his ownership of her as well as a", "his ownership of her as well as a few other things. There are", "things. There are other examples (many that I can think of right now", "can think of right now are from Of Mice and Men. --- ", "Mice and Men. --- * What can you achieve by naming your character", "What are good ways to do this? * What will the readers response", "and requires almost no explanation. We can see throughout literature the use of", "think of right now are from Of Mice and Men. --- * What", "a deeper meaning? * What are good ways to do this? * What", "this? * What will the readers response to this be? What kind of", "your character in a way that implies a deeper meaning? * What are", "character in a way that implies a deeper meaning? * What are good", "to do this? * What will the readers response to this be? What", "way that implies a deeper meaning? * What are good ways to do", "explanation. We can see throughout literature the use of names and title. For", "naming your character in a way that implies a deeper meaning? * What", "throughout literature the use of names and title. For example in Of Mice", "ownership of her as well as a few other things. There are other", "duration of the novel Curly's Wife is only* referred to as Curly's Wife,", "that implies a deeper meaning? * What are good ways to do this?", "names and title. For example in Of Mice and Men we can observe", "deeper meaning? * What are good ways to do this? * What will", "a way that implies a deeper meaning? * What are good ways to", "in the duration of the novel Curly's Wife is only referred to as", "I can think of right now are from Of Mice and Men. ---", "almost no explanation. We can see throughout literature the use of names and", "simple. In fact, it's in the title and requires almost no explanation. We", "My question is rather simple. In fact, it's in the title and requires", "readers response to this be? What kind of effect can it have on", "Men* we can observe that in the duration of the novel Curly's Wife", "the duration of the novel Curly's Wife is only referred to as Curly's", "be? What kind of effect can it have on the reader if done", "What kind of effect can it have on the reader if done well?", "no explanation. We can see throughout literature the use of names and title.", "the use of names and title. For example in Of Mice and Men", "rather simple. In fact, it's in the title and requires almost no explanation.", "What will the readers response to this be? What kind of effect can", "as a few other things. There are other examples (many that I can", "Curly's Wife, clearly showing his ownership of her as well as a few", "response to this be? What kind of effect can it have on the", "of the novel Curly's Wife is only referred to as Curly's Wife, clearly", "in a way that implies a deeper meaning? * What are good ways", "of her as well as a few other things. There are other examples", "it's in the title and requires almost no explanation. We can see throughout", "you achieve by naming your character in a way that implies a deeper", "in Of Mice and Men we can observe that in the duration of", "What can you achieve by naming your character in a way that implies", "of right now are from Of Mice and Men. --- * What can" ]
[ "> > > A: The yooooshj. > > > My question pertains to", "like this? How, in general, do you handle slang that has questionable spelling?", "fictional narrative, how do you spell something like this? How, in general, do", "> A. The usual > > > Now imagine it spoken by certain", "spell something like this? How, in general, do you handle slang that has", "My question pertains to the utterance \"yooooshj,\" which is a shortened form of", "imagine it spoken by certain kids these days: > > Q: What are", "> > My question pertains to the utterance \"yooooshj,\" which is a shortened", "are you up to? > > > A: The yooooshj. > > >", "is a shortened form of \"usual\" made up solely of its first syllable.", "the utterance \"yooooshj,\" which is a shortened form of \"usual\" made up solely", "spoken by certain kids these days: > > Q: What are you up", "made up solely of its first syllable. When writing dialog in fictional narrative,", "Q: What are you up to? > > > A. The usual >", "> A: The yooooshj. > > > My question pertains to the utterance", "you up to? > > > A. The usual > > > Now", "Q: What are you up to? > > > A: The yooooshj. >", "which is a shortened form of \"usual\" made up solely of its first", "writing dialog in fictional narrative, how do you spell something like this? How,", "yooooshj. > > > My question pertains to the utterance \"yooooshj,\" which is", "syllable. When writing dialog in fictional narrative, how do you spell something like", "A. The usual > > > Now imagine it spoken by certain kids", "to the utterance \"yooooshj,\" which is a shortened form of \"usual\" made up", "to? > > > A. The usual > > > Now imagine it", "> > Now imagine it spoken by certain kids these days: > >", "shortened form of \"usual\" made up solely of its first syllable. When writing", "solely of its first syllable. When writing dialog in fictional narrative, how do", "What are you up to? > > > A: The yooooshj. > >", "> > > Now imagine it spoken by certain kids these days: >", "a shortened form of \"usual\" made up solely of its first syllable. When", "> > > A. The usual > > > Now imagine it spoken", "usual > > > Now imagine it spoken by certain kids these days:", "certain kids these days: > > Q: What are you up to? >", "these days: > > Q: What are you up to? > > >", "> Now imagine it spoken by certain kids these days: > > Q:", "> > Q: What are you up to? > > > A: The", "common conversation: > > Q: What are you up to? > > >", "form of \"usual\" made up solely of its first syllable. When writing dialog", "up to? > > > A: The yooooshj. > > > My question", "dialog in fictional narrative, how do you spell something like this? How, in", "up to? > > > A. The usual > > > Now imagine", "> > A: The yooooshj. > > > My question pertains to the", "> > Q: What are you up to? > > > A. The", "it spoken by certain kids these days: > > Q: What are you", "first syllable. When writing dialog in fictional narrative, how do you spell something", "do you spell something like this? How, in general, do you handle slang", "> Q: What are you up to? > > > A: The yooooshj.", "the following common conversation: > > Q: What are you up to? >", "you up to? > > > A: The yooooshj. > > > My", "of \"usual\" made up solely of its first syllable. When writing dialog in", "you spell something like this? How, in general, do you handle slang that", "how do you spell something like this? How, in general, do you handle", "by certain kids these days: > > Q: What are you up to?", "Now imagine it spoken by certain kids these days: > > Q: What", "to? > > > A: The yooooshj. > > > My question pertains", "> Q: What are you up to? > > > A. The usual", "up solely of its first syllable. When writing dialog in fictional narrative, how", "utterance \"yooooshj,\" which is a shortened form of \"usual\" made up solely of", "The usual > > > Now imagine it spoken by certain kids these", "What are you up to? > > > A. The usual > >", "kids these days: > > Q: What are you up to? > >", "in fictional narrative, how do you spell something like this? How, in general,", "> > A. The usual > > > Now imagine it spoken by", "pertains to the utterance \"yooooshj,\" which is a shortened form of \"usual\" made", "something like this? How, in general, do you handle slang that has questionable", "conversation: > > Q: What are you up to? > > > A.", "of its first syllable. When writing dialog in fictional narrative, how do you", "narrative, how do you spell something like this? How, in general, do you", "following common conversation: > > Q: What are you up to? > >", "When writing dialog in fictional narrative, how do you spell something like this?", "A: The yooooshj. > > > My question pertains to the utterance \"yooooshj,\"", "> My question pertains to the utterance \"yooooshj,\" which is a shortened form", "> > > My question pertains to the utterance \"yooooshj,\" which is a", "\"usual\" made up solely of its first syllable. When writing dialog in fictional", "its first syllable. When writing dialog in fictional narrative, how do you spell", "are you up to? > > > A. The usual > > >", "The yooooshj. > > > My question pertains to the utterance \"yooooshj,\" which", "question pertains to the utterance \"yooooshj,\" which is a shortened form of \"usual\"", "days: > > Q: What are you up to? > > > A:", "\"yooooshj,\" which is a shortened form of \"usual\" made up solely of its", "Imagine the following common conversation: > > Q: What are you up to?" ]
[ "Another question. My book is very expensive in Turkey, Indonesia and Malaysia. In", "received the very good feedback and reviews from my work. I'm planning to", "started my writing career, need some suggestion. --- Another question. My book is", "I published my debut poetry book on Amazon. It seems like reaching wider", "suggestion. --- Another question. My book is very expensive in Turkey, Indonesia and", "want to do that. So far I received the very good feedback and", "Malaysia. In Amazon, it's 5 USD. conversation rate in these countries insane price.", "audience means spending lots of money. I don't want to do that. So", "Twitter API in order to do viral marketing, I'm wondering is that ok", "know self-publishing in Indonesia, Turkey and Malaysia, because I have lots of fans", "just started my writing career, need some suggestion. --- Another question. My book", "my book on the online platform without spending money or with reason minimal", "feedback and reviews from my work. I'm planning to use Twitter API in", "means spending lots of money. I don't want to do that. So far", "FB likes? Any other marketing tool. Because I just started my writing career,", "lots of money. I don't want to do that. So far I received", "the very good feedback and reviews from my work. I'm planning to use", "rate in these countries insane price. Does anyone know self-publishing in Indonesia, Turkey", "Indonesia, Turkey and Malaysia, because I have lots of fans from these countries?", "how to advertise my book on the online platform without spending money or", "in order to do viral marketing, I'm wondering is that ok to do?", "10 FB likes? Any other marketing tool. Because I just started my writing", "reviews from my work. I'm planning to use Twitter API in order to", "advertise my book on the online platform without spending money or with reason", "platform without spending money or with reason minimal money, not just 5USD to", "online platform without spending money or with reason minimal money, not just 5USD", "price. Does anyone know self-publishing in Indonesia, Turkey and Malaysia, because I have", "from my work. I'm planning to use Twitter API in order to do", "Because I just started my writing career, need some suggestion. --- Another question.", "self-publishing in Indonesia, Turkey and Malaysia, because I have lots of fans from", "I'm wondering is that ok to do? Need suggestion how to advertise my", "to use Twitter API in order to do viral marketing, I'm wondering is", "minimal money, not just 5USD to get 10 FB likes? Any other marketing", "order to do viral marketing, I'm wondering is that ok to do? Need", "wondering is that ok to do? Need suggestion how to advertise my book", "insane price. Does anyone know self-publishing in Indonesia, Turkey and Malaysia, because I", "book on Amazon. It seems like reaching wider audience means spending lots of", "Any other marketing tool. Because I just started my writing career, need some", "that ok to do? Need suggestion how to advertise my book on the", "Does anyone know self-publishing in Indonesia, Turkey and Malaysia, because I have lots", "reaching wider audience means spending lots of money. I don't want to do", "in Indonesia, Turkey and Malaysia, because I have lots of fans from these", "wider audience means spending lots of money. I don't want to do that.", "I received the very good feedback and reviews from my work. I'm planning", "Indonesia and Malaysia. In Amazon, it's 5 USD. conversation rate in these countries", "book is very expensive in Turkey, Indonesia and Malaysia. In Amazon, it's 5", "tool. Because I just started my writing career, need some suggestion. --- Another", "and Malaysia. In Amazon, it's 5 USD. conversation rate in these countries insane", "to advertise my book on the online platform without spending money or with", "--- Another question. My book is very expensive in Turkey, Indonesia and Malaysia.", "So far I received the very good feedback and reviews from my work.", "very expensive in Turkey, Indonesia and Malaysia. In Amazon, it's 5 USD. conversation", "to do that. So far I received the very good feedback and reviews", "writing career, need some suggestion. --- Another question. My book is very expensive", "some suggestion. --- Another question. My book is very expensive in Turkey, Indonesia", "suggestion how to advertise my book on the online platform without spending money", "countries insane price. Does anyone know self-publishing in Indonesia, Turkey and Malaysia, because", "good feedback and reviews from my work. I'm planning to use Twitter API", "Turkey, Indonesia and Malaysia. In Amazon, it's 5 USD. conversation rate in these", "conversation rate in these countries insane price. Does anyone know self-publishing in Indonesia,", "in these countries insane price. Does anyone know self-publishing in Indonesia, Turkey and", "get 10 FB likes? Any other marketing tool. Because I just started my", "career, need some suggestion. --- Another question. My book is very expensive in", "money, not just 5USD to get 10 FB likes? Any other marketing tool.", "just 5USD to get 10 FB likes? Any other marketing tool. Because I", "without spending money or with reason minimal money, not just 5USD to get", "marketing tool. Because I just started my writing career, need some suggestion. ---", "my work. I'm planning to use Twitter API in order to do viral", "planning to use Twitter API in order to do viral marketing, I'm wondering", "Amazon, it's 5 USD. conversation rate in these countries insane price. Does anyone", "on Amazon. It seems like reaching wider audience means spending lots of money.", "my writing career, need some suggestion. --- Another question. My book is very", "don't want to do that. So far I received the very good feedback", "viral marketing, I'm wondering is that ok to do? Need suggestion how to", "or with reason minimal money, not just 5USD to get 10 FB likes?", "It seems like reaching wider audience means spending lots of money. I don't", "use Twitter API in order to do viral marketing, I'm wondering is that", "reason minimal money, not just 5USD to get 10 FB likes? Any other", "to get 10 FB likes? Any other marketing tool. Because I just started", "USD. conversation rate in these countries insane price. Does anyone know self-publishing in", "other marketing tool. Because I just started my writing career, need some suggestion.", "that. So far I received the very good feedback and reviews from my", "do viral marketing, I'm wondering is that ok to do? Need suggestion how", "work. I'm planning to use Twitter API in order to do viral marketing,", "I just started my writing career, need some suggestion. --- Another question. My", "Need suggestion how to advertise my book on the online platform without spending", "5 USD. conversation rate in these countries insane price. Does anyone know self-publishing", "seems like reaching wider audience means spending lots of money. I don't want", "I'm planning to use Twitter API in order to do viral marketing, I'm", "of money. I don't want to do that. So far I received the", "5USD to get 10 FB likes? Any other marketing tool. Because I just", "my debut poetry book on Amazon. It seems like reaching wider audience means", "API in order to do viral marketing, I'm wondering is that ok to", "do? Need suggestion how to advertise my book on the online platform without", "In Amazon, it's 5 USD. conversation rate in these countries insane price. Does", "money. I don't want to do that. So far I received the very", "spending lots of money. I don't want to do that. So far I", "expensive in Turkey, Indonesia and Malaysia. In Amazon, it's 5 USD. conversation rate", "spending money or with reason minimal money, not just 5USD to get 10", "question. My book is very expensive in Turkey, Indonesia and Malaysia. In Amazon,", "and reviews from my work. I'm planning to use Twitter API in order", "these countries insane price. Does anyone know self-publishing in Indonesia, Turkey and Malaysia,", "marketing, I'm wondering is that ok to do? Need suggestion how to advertise", "on the online platform without spending money or with reason minimal money, not", "is that ok to do? Need suggestion how to advertise my book on", "likes? Any other marketing tool. Because I just started my writing career, need", "it's 5 USD. conversation rate in these countries insane price. Does anyone know", "published my debut poetry book on Amazon. It seems like reaching wider audience", "the online platform without spending money or with reason minimal money, not just", "far I received the very good feedback and reviews from my work. I'm", "very good feedback and reviews from my work. I'm planning to use Twitter", "need some suggestion. --- Another question. My book is very expensive in Turkey,", "I don't want to do that. So far I received the very good", "with reason minimal money, not just 5USD to get 10 FB likes? Any", "is very expensive in Turkey, Indonesia and Malaysia. In Amazon, it's 5 USD.", "like reaching wider audience means spending lots of money. I don't want to", "ok to do? Need suggestion how to advertise my book on the online", "to do? Need suggestion how to advertise my book on the online platform", "not just 5USD to get 10 FB likes? Any other marketing tool. Because", "in Turkey, Indonesia and Malaysia. In Amazon, it's 5 USD. conversation rate in", "anyone know self-publishing in Indonesia, Turkey and Malaysia, because I have lots of", "money or with reason minimal money, not just 5USD to get 10 FB", "Amazon. It seems like reaching wider audience means spending lots of money. I", "to do viral marketing, I'm wondering is that ok to do? Need suggestion", "poetry book on Amazon. It seems like reaching wider audience means spending lots", "book on the online platform without spending money or with reason minimal money,", "My book is very expensive in Turkey, Indonesia and Malaysia. In Amazon, it's", "do that. So far I received the very good feedback and reviews from", "debut poetry book on Amazon. It seems like reaching wider audience means spending" ]
[ "becoming a writer/director and I'm wondering if it is okay to have camera", "plan on becoming a writer/director and I'm wondering if it is okay to", "I plan on becoming a writer/director and I'm wondering if it is okay", "a writer/director and I'm wondering if it is okay to have camera directions", "on becoming a writer/director and I'm wondering if it is okay to have", "writer/director and I'm wondering if it is okay to have camera directions in", "and I'm wondering if it is okay to have camera directions in my", "I'm wondering if it is okay to have camera directions in my scripts." ]
[ "Possibly keeping the same title. I'm now interested in sending this to a", "now interested in sending this to a magazine. I'm aware sending previously published", "it pretty sad if the updated (and vastly better) version doesn't get more", "vastly better) version doesn't get more exposure. Is there a way to edit", "answers from people that have some practical experience dealing with this, either as", "revisiting it now, dropping the final third and expanding it from 450 words", "into some [Ship of Theseus](https://en.wikipedia.org/wiki/Ship_of_Theseus)-type discussion, so I'd much prefer answers from people", "words to 1000 words. Possibly keeping the same title. I'm now interested in", "off or misleading editors. However, I'd also find it pretty sad if the", "1000 words. Possibly keeping the same title. I'm now interested in sending this", "Theseus](https://en.wikipedia.org/wiki/Ship_of_Theseus)-type discussion, so I'd much prefer answers from people that have some practical", "know this is getting into some [Ship of Theseus](https://en.wikipedia.org/wiki/Ship_of_Theseus)-type discussion, so I'd much", "to the point where it can no longer be called \"previously published\"? I", "I'd like to try and avoid pissing off or misleading editors. However, I'd", "called \"previously published\"? I know this is getting into some [Ship of Theseus](https://en.wikipedia.org/wiki/Ship_of_Theseus)-type", "I'm aware sending previously published stories is a no-no, and I'd like to", "the final third and expanding it from 450 words to 1000 words. Possibly", "pretty sad if the updated (and vastly better) version doesn't get more exposure.", "try and avoid pissing off or misleading editors. However, I'd also find it", "to 1000 words. Possibly keeping the same title. I'm now interested in sending", "and avoid pissing off or misleading editors. However, I'd also find it pretty", "it now, dropping the final third and expanding it from 450 words to", "stories is a no-no, and I'd like to try and avoid pissing off", "on Reddit a year ago, and it never got much attention. I'm revisiting", "year ago, and it never got much attention. I'm revisiting it now, dropping", "version doesn't get more exposure. Is there a way to edit the story", "a piece of flash fiction on Reddit a year ago, and it never", "no-no, and I'd like to try and avoid pissing off or misleading editors.", "dropping the final third and expanding it from 450 words to 1000 words.", "the story to the point where it can no longer be called \"previously", "piece of flash fiction on Reddit a year ago, and it never got", "it from 450 words to 1000 words. Possibly keeping the same title. I'm", "sad if the updated (and vastly better) version doesn't get more exposure. Is", "a no-no, and I'd like to try and avoid pissing off or misleading", "to edit the story to the point where it can no longer be", "so I'd much prefer answers from people that have some practical experience dealing", "it never got much attention. I'm revisiting it now, dropping the final third", "[Ship of Theseus](https://en.wikipedia.org/wiki/Ship_of_Theseus)-type discussion, so I'd much prefer answers from people that have", "450 words to 1000 words. Possibly keeping the same title. I'm now interested", "exposure. Is there a way to edit the story to the point where", "better) version doesn't get more exposure. Is there a way to edit the", "people that have some practical experience dealing with this, either as writers or", "the same title. I'm now interested in sending this to a magazine. I'm", "got much attention. I'm revisiting it now, dropping the final third and expanding", "of Theseus](https://en.wikipedia.org/wiki/Ship_of_Theseus)-type discussion, so I'd much prefer answers from people that have some", "prefer answers from people that have some practical experience dealing with this, either", "ago, and it never got much attention. I'm revisiting it now, dropping the", "that have some practical experience dealing with this, either as writers or editors.", "updated (and vastly better) version doesn't get more exposure. Is there a way", "much prefer answers from people that have some practical experience dealing with this,", "in sending this to a magazine. I'm aware sending previously published stories is", "this is getting into some [Ship of Theseus](https://en.wikipedia.org/wiki/Ship_of_Theseus)-type discussion, so I'd much prefer", "published stories is a no-no, and I'd like to try and avoid pissing", "I posted a piece of flash fiction on Reddit a year ago, and", "posted a piece of flash fiction on Reddit a year ago, and it", "sending previously published stories is a no-no, and I'd like to try and", "and expanding it from 450 words to 1000 words. Possibly keeping the same", "expanding it from 450 words to 1000 words. Possibly keeping the same title.", "story to the point where it can no longer be called \"previously published\"?", "I'm now interested in sending this to a magazine. I'm aware sending previously", "to try and avoid pissing off or misleading editors. However, I'd also find", "this to a magazine. I'm aware sending previously published stories is a no-no,", "attention. I'm revisiting it now, dropping the final third and expanding it from", "be called \"previously published\"? I know this is getting into some [Ship of", "of flash fiction on Reddit a year ago, and it never got much", "or misleading editors. However, I'd also find it pretty sad if the updated", "third and expanding it from 450 words to 1000 words. Possibly keeping the", "much attention. I'm revisiting it now, dropping the final third and expanding it", "Is there a way to edit the story to the point where it", "is getting into some [Ship of Theseus](https://en.wikipedia.org/wiki/Ship_of_Theseus)-type discussion, so I'd much prefer answers", "(and vastly better) version doesn't get more exposure. Is there a way to", "a magazine. I'm aware sending previously published stories is a no-no, and I'd", "longer be called \"previously published\"? I know this is getting into some [Ship", "same title. I'm now interested in sending this to a magazine. I'm aware", "a way to edit the story to the point where it can no", "final third and expanding it from 450 words to 1000 words. Possibly keeping", "I know this is getting into some [Ship of Theseus](https://en.wikipedia.org/wiki/Ship_of_Theseus)-type discussion, so I'd", "more exposure. Is there a way to edit the story to the point", "some [Ship of Theseus](https://en.wikipedia.org/wiki/Ship_of_Theseus)-type discussion, so I'd much prefer answers from people that", "sending this to a magazine. I'm aware sending previously published stories is a", "edit the story to the point where it can no longer be called", "now, dropping the final third and expanding it from 450 words to 1000", "\"previously published\"? I know this is getting into some [Ship of Theseus](https://en.wikipedia.org/wiki/Ship_of_Theseus)-type discussion,", "Reddit a year ago, and it never got much attention. I'm revisiting it", "never got much attention. I'm revisiting it now, dropping the final third and", "words. Possibly keeping the same title. I'm now interested in sending this to", "I'm revisiting it now, dropping the final third and expanding it from 450", "also find it pretty sad if the updated (and vastly better) version doesn't", "However, I'd also find it pretty sad if the updated (and vastly better)", "there a way to edit the story to the point where it can", "way to edit the story to the point where it can no longer", "from 450 words to 1000 words. Possibly keeping the same title. I'm now", "getting into some [Ship of Theseus](https://en.wikipedia.org/wiki/Ship_of_Theseus)-type discussion, so I'd much prefer answers from", "discussion, so I'd much prefer answers from people that have some practical experience", "to a magazine. I'm aware sending previously published stories is a no-no, and", "is a no-no, and I'd like to try and avoid pissing off or", "aware sending previously published stories is a no-no, and I'd like to try", "point where it can no longer be called \"previously published\"? I know this", "it can no longer be called \"previously published\"? I know this is getting", "published\"? I know this is getting into some [Ship of Theseus](https://en.wikipedia.org/wiki/Ship_of_Theseus)-type discussion, so", "I'd much prefer answers from people that have some practical experience dealing with", "no longer be called \"previously published\"? I know this is getting into some", "magazine. I'm aware sending previously published stories is a no-no, and I'd like", "the point where it can no longer be called \"previously published\"? I know", "and I'd like to try and avoid pissing off or misleading editors. However,", "a year ago, and it never got much attention. I'm revisiting it now,", "like to try and avoid pissing off or misleading editors. However, I'd also", "avoid pissing off or misleading editors. However, I'd also find it pretty sad", "interested in sending this to a magazine. I'm aware sending previously published stories", "from people that have some practical experience dealing with this, either as writers", "flash fiction on Reddit a year ago, and it never got much attention.", "can no longer be called \"previously published\"? I know this is getting into", "pissing off or misleading editors. However, I'd also find it pretty sad if", "the updated (and vastly better) version doesn't get more exposure. Is there a", "get more exposure. Is there a way to edit the story to the", "previously published stories is a no-no, and I'd like to try and avoid", "where it can no longer be called \"previously published\"? I know this is", "keeping the same title. I'm now interested in sending this to a magazine.", "doesn't get more exposure. Is there a way to edit the story to", "fiction on Reddit a year ago, and it never got much attention. I'm", "and it never got much attention. I'm revisiting it now, dropping the final", "editors. However, I'd also find it pretty sad if the updated (and vastly", "find it pretty sad if the updated (and vastly better) version doesn't get", "title. I'm now interested in sending this to a magazine. I'm aware sending", "misleading editors. However, I'd also find it pretty sad if the updated (and", "if the updated (and vastly better) version doesn't get more exposure. Is there", "I'd also find it pretty sad if the updated (and vastly better) version" ]
[ "too much? Should I wait until they're already invading to say what their", "my novel, but it feels necessary. The story tells of who is invading,", "much? Should I wait until they're already invading to say what their intentions", "story tells of who is invading, and it tells their backstory. Is that", "necessary. The story tells of who is invading, and it tells their backstory.", "few chapters of my novel, but it feels necessary. The story tells of", "like I've said too much in the first few chapters of my novel,", "and it tells their backstory. Is that too much? Should I wait until", "that too much? Should I wait until they're already invading to say what", "of my novel, but it feels necessary. The story tells of who is", "I've said too much in the first few chapters of my novel, but", "invading, and it tells their backstory. Is that too much? Should I wait", "is invading, and it tells their backstory. Is that too much? Should I", "feels necessary. The story tells of who is invading, and it tells their", "tells of who is invading, and it tells their backstory. Is that too", "of who is invading, and it tells their backstory. Is that too much?", "Should I wait until they're already invading to say what their intentions are?", "Is that too much? Should I wait until they're already invading to say", "who is invading, and it tells their backstory. Is that too much? Should", "backstory. Is that too much? Should I wait until they're already invading to", "it feels necessary. The story tells of who is invading, and it tells", "novel, but it feels necessary. The story tells of who is invading, and", "I feel like I've said too much in the first few chapters of", "it tells their backstory. Is that too much? Should I wait until they're", "tells their backstory. Is that too much? Should I wait until they're already", "said too much in the first few chapters of my novel, but it", "chapters of my novel, but it feels necessary. The story tells of who", "too much in the first few chapters of my novel, but it feels", "the first few chapters of my novel, but it feels necessary. The story", "first few chapters of my novel, but it feels necessary. The story tells", "their backstory. Is that too much? Should I wait until they're already invading", "but it feels necessary. The story tells of who is invading, and it", "feel like I've said too much in the first few chapters of my", "in the first few chapters of my novel, but it feels necessary. The", "much in the first few chapters of my novel, but it feels necessary.", "The story tells of who is invading, and it tells their backstory. Is" ]
[ "ideas to address it don't seem to work. HELP! Here's what I have", "================================== computer 1 ( text ) hi there computer 2 ( text )", "2 ( text ) all good? Does a voice over work? It's important", "are talking to each other in a movie script. They do not want", "to be aware of this but my ideas to address it don't seem", "who are talking to each other in a movie script. They do not", "don't seem to work. HELP! Here's what I have tried so far BBC", "computer 1 ( text ) hi there computer 2 ( text ) all", "this but my ideas to address it don't seem to work. HELP! Here's", "script. They do not want the humans to be aware of this but", "want the humans to be aware of this but my ideas to address", "over work? It's important to the script as the computers hidden intelligence is", "not want the humans to be aware of this but my ideas to", "( text ) all good? Does a voice over work? It's important to", "have tried so far BBC Sherlock text message approach ================================== computer 1 (", "good? Does a voice over work? It's important to the script as the", "voice over work? It's important to the script as the computers hidden intelligence", "HELP! Here's what I have tried so far BBC Sherlock text message approach", "talking to each other in a movie script. They do not want the", "seem to work. HELP! Here's what I have tried so far BBC Sherlock", "It's important to the script as the computers hidden intelligence is a key", "each other in a movie script. They do not want the humans to", "of this but my ideas to address it don't seem to work. HELP!", "a voice over work? It's important to the script as the computers hidden", "I have tried so far BBC Sherlock text message approach ================================== computer 1", ") hi there computer 2 ( text ) all good? Does a voice", "have two computers who are talking to each other in a movie script.", "( text ) hi there computer 2 ( text ) all good? Does", "it don't seem to work. HELP! Here's what I have tried so far", "approach ================================== computer 1 ( text ) hi there computer 2 ( text", "a movie script. They do not want the humans to be aware of", "text message approach ================================== computer 1 ( text ) hi there computer 2", "two computers who are talking to each other in a movie script. They", "They do not want the humans to be aware of this but my", "important to the script as the computers hidden intelligence is a key plot", "text ) hi there computer 2 ( text ) all good? Does a", "in a movie script. They do not want the humans to be aware", "to work. HELP! Here's what I have tried so far BBC Sherlock text", "do not want the humans to be aware of this but my ideas", "work. HELP! Here's what I have tried so far BBC Sherlock text message", "computer 2 ( text ) all good? Does a voice over work? It's", "hi there computer 2 ( text ) all good? Does a voice over", "movie script. They do not want the humans to be aware of this", "tried so far BBC Sherlock text message approach ================================== computer 1 ( text", "text ) all good? Does a voice over work? It's important to the", "to each other in a movie script. They do not want the humans", "address it don't seem to work. HELP! Here's what I have tried so", "my ideas to address it don't seem to work. HELP! Here's what I", "far BBC Sherlock text message approach ================================== computer 1 ( text ) hi", "Sherlock text message approach ================================== computer 1 ( text ) hi there computer", "BBC Sherlock text message approach ================================== computer 1 ( text ) hi there", ") all good? Does a voice over work? It's important to the script", "other in a movie script. They do not want the humans to be", "but my ideas to address it don't seem to work. HELP! Here's what", "computers who are talking to each other in a movie script. They do", "the humans to be aware of this but my ideas to address it", "to address it don't seem to work. HELP! Here's what I have tried", "Here's what I have tried so far BBC Sherlock text message approach ==================================", "I have two computers who are talking to each other in a movie", "1 ( text ) hi there computer 2 ( text ) all good?", "aware of this but my ideas to address it don't seem to work.", "all good? Does a voice over work? It's important to the script as", "what I have tried so far BBC Sherlock text message approach ================================== computer", "to the script as the computers hidden intelligence is a key plot line.", "be aware of this but my ideas to address it don't seem to", "there computer 2 ( text ) all good? Does a voice over work?", "humans to be aware of this but my ideas to address it don't", "so far BBC Sherlock text message approach ================================== computer 1 ( text )", "message approach ================================== computer 1 ( text ) hi there computer 2 (", "Does a voice over work? It's important to the script as the computers", "work? It's important to the script as the computers hidden intelligence is a" ]
[ "paragraphs. <https://docs.google.com/document/d/14vnKyHxtpGsL-CcLW_oTzCKkX6ZVALdDv4dmctomfV0/edit?usp=sharing> That's the story, I would suggest reading through it to see", "My novel is way too complex to just shorten into a couple paragraphs.", "a couple paragraphs. <https://docs.google.com/document/d/14vnKyHxtpGsL-CcLW_oTzCKkX6ZVALdDv4dmctomfV0/edit?usp=sharing> That's the story, I would suggest reading through it", "That's the story, I would suggest reading through it to see what I", "into a couple paragraphs. <https://docs.google.com/document/d/14vnKyHxtpGsL-CcLW_oTzCKkX6ZVALdDv4dmctomfV0/edit?usp=sharing> That's the story, I would suggest reading through", "too complex to just shorten into a couple paragraphs. <https://docs.google.com/document/d/14vnKyHxtpGsL-CcLW_oTzCKkX6ZVALdDv4dmctomfV0/edit?usp=sharing> That's the story,", "couple paragraphs. <https://docs.google.com/document/d/14vnKyHxtpGsL-CcLW_oTzCKkX6ZVALdDv4dmctomfV0/edit?usp=sharing> That's the story, I would suggest reading through it to", "just shorten into a couple paragraphs. <https://docs.google.com/document/d/14vnKyHxtpGsL-CcLW_oTzCKkX6ZVALdDv4dmctomfV0/edit?usp=sharing> That's the story, I would suggest", "way too complex to just shorten into a couple paragraphs. <https://docs.google.com/document/d/14vnKyHxtpGsL-CcLW_oTzCKkX6ZVALdDv4dmctomfV0/edit?usp=sharing> That's the", "the story, I would suggest reading through it to see what I mean.", "novel is way too complex to just shorten into a couple paragraphs. <https://docs.google.com/document/d/14vnKyHxtpGsL-CcLW_oTzCKkX6ZVALdDv4dmctomfV0/edit?usp=sharing>", "shorten into a couple paragraphs. <https://docs.google.com/document/d/14vnKyHxtpGsL-CcLW_oTzCKkX6ZVALdDv4dmctomfV0/edit?usp=sharing> That's the story, I would suggest reading", "complex to just shorten into a couple paragraphs. <https://docs.google.com/document/d/14vnKyHxtpGsL-CcLW_oTzCKkX6ZVALdDv4dmctomfV0/edit?usp=sharing> That's the story, I", "<https://docs.google.com/document/d/14vnKyHxtpGsL-CcLW_oTzCKkX6ZVALdDv4dmctomfV0/edit?usp=sharing> That's the story, I would suggest reading through it to see what", "to just shorten into a couple paragraphs. <https://docs.google.com/document/d/14vnKyHxtpGsL-CcLW_oTzCKkX6ZVALdDv4dmctomfV0/edit?usp=sharing> That's the story, I would", "is way too complex to just shorten into a couple paragraphs. <https://docs.google.com/document/d/14vnKyHxtpGsL-CcLW_oTzCKkX6ZVALdDv4dmctomfV0/edit?usp=sharing> That's" ]
[ "a huge role in my story so I wasn't sure whether to write", "I have worked on for what seems like, ages... I'm a bit vexed", "vexed as to where I should write 'the end'. The epilogue plays a", "what seems like, ages... I'm a bit vexed as to where I should", "like, ages... I'm a bit vexed as to where I should write 'the", "a bit vexed as to where I should write 'the end'. The epilogue", "write it at the end of the epilogue or at the end of", "finished right now my masterpiece trilogy that I have worked on for what", "in my story so I wasn't sure whether to write it at the", "I'm a bit vexed as to where I should write 'the end'. The", "story so I wasn't sure whether to write it at the end of", "the end of the epilogue or at the end of the main story.", "of the main story. Question -------- > > How do you determine where", "that I have worked on for what seems like, ages... I'm a bit", "seems like, ages... I'm a bit vexed as to where I should write", "or at the end of the main story. Question -------- > > How", "on for what seems like, ages... I'm a bit vexed as to where", "to where I should write 'the end'. The epilogue plays a huge role", "just finished right now my masterpiece trilogy that I have worked on for", "I should write 'the end'. The epilogue plays a huge role in my", "end'. The epilogue plays a huge role in my story so I wasn't", "the end of the main story. Question -------- > > How do you", "whether to write it at the end of the epilogue or at the", "for what seems like, ages... I'm a bit vexed as to where I", "so I wasn't sure whether to write it at the end of the", "of the epilogue or at the end of the main story. Question --------", "should write 'the end'. The epilogue plays a huge role in my story", "the epilogue or at the end of the main story. Question -------- >", "---------- Woohoo! I literally just finished right now my masterpiece trilogy that I", "my story so I wasn't sure whether to write it at the end", "main story. Question -------- > > How do you determine where you should", "story. Question -------- > > How do you determine where you should write", "worked on for what seems like, ages... I'm a bit vexed as to", "'the end'. The epilogue plays a huge role in my story so I", "> > How do you determine where you should write 'The End'? >", "have worked on for what seems like, ages... I'm a bit vexed as", "huge role in my story so I wasn't sure whether to write it", "to write it at the end of the epilogue or at the end", "it at the end of the epilogue or at the end of the", "ages... I'm a bit vexed as to where I should write 'the end'.", "as to where I should write 'the end'. The epilogue plays a huge", "the main story. Question -------- > > How do you determine where you", "Question -------- > > How do you determine where you should write 'The", "How do you determine where you should write 'The End'? > > >", "epilogue or at the end of the main story. Question -------- > >", "trilogy that I have worked on for what seems like, ages... I'm a", "Woohoo! I literally just finished right now my masterpiece trilogy that I have", "where I should write 'the end'. The epilogue plays a huge role in", "The epilogue plays a huge role in my story so I wasn't sure", "now my masterpiece trilogy that I have worked on for what seems like,", "at the end of the epilogue or at the end of the main", "right now my masterpiece trilogy that I have worked on for what seems", "at the end of the main story. Question -------- > > How do", "end of the main story. Question -------- > > How do you determine", "role in my story so I wasn't sure whether to write it at", "wasn't sure whether to write it at the end of the epilogue or", "epilogue plays a huge role in my story so I wasn't sure whether", "end of the epilogue or at the end of the main story. Question", "my masterpiece trilogy that I have worked on for what seems like, ages...", "I wasn't sure whether to write it at the end of the epilogue", "-------- > > How do you determine where you should write 'The End'?", "Background ---------- Woohoo! I literally just finished right now my masterpiece trilogy that", "sure whether to write it at the end of the epilogue or at", "> How do you determine where you should write 'The End'? > >", "masterpiece trilogy that I have worked on for what seems like, ages... I'm", "I literally just finished right now my masterpiece trilogy that I have worked", "literally just finished right now my masterpiece trilogy that I have worked on", "write 'the end'. The epilogue plays a huge role in my story so", "plays a huge role in my story so I wasn't sure whether to", "bit vexed as to where I should write 'the end'. The epilogue plays" ]
[ "the main character, a boy, having a small talk with a random girl.", "a random girl. Only after that, the main character, a girl, appears on", "the end. The main character is only introduced to the story after a", "film so I'm trying to keep the things that are kind of dispendable,", "to like him from the beginning and want to see him, but after", "short film so I'm trying to keep the things that are kind of", "character due to favoritism of a secondary character? Any other useful advice is", "The main character is only introduced to the story after a couple of", "him from the beginning and want to see him, but after she is", "the friend of the main character, a boy, having a small talk with", "kind of dispendable, away. The story of the script starts at a bar,", "see him, but after she is kidnapped he clearly isn't going to appear", "appears on the story. She's kidnapped not long after and now we barely", "friend of the main character, a boy, having a small talk with a", "that are kind of dispendable, away. The story of the script starts at", "I'm writing a script for a short film so I'm trying to keep", "until close to the end. The main character is only introduced to the", "this mean that the audience might start to like him from the beginning", "is kidnapped he clearly isn't going to appear much, leading to a less", "see him until close to the end. The main character is only introduced", "on a conversation with her friend so there's not much focus on her.", "and it's on a conversation with her friend so there's not much focus", "it's on a conversation with her friend so there's not much focus on", "keep the things that are kind of dispendable, away. The story of the", "trying to keep the things that are kind of dispendable, away. The story", "much, leading to a less loved, or less appreciated, main character due to", "less loved, or less appreciated, main character due to favoritism of a secondary", "girl, appears on the story. She's kidnapped not long after and now we", "only introduced to the story after a couple of minutes and it's on", "random girl. Only after that, the main character, a girl, appears on the", "to the story after a couple of minutes and it's on a conversation", "there's not much focus on her. Does this mean that the audience might", "a bar, with the friend of the main character, a boy, having a", "to keep the things that are kind of dispendable, away. The story of", "dispendable, away. The story of the script starts at a bar, with the", "a boy, having a small talk with a random girl. Only after that,", "not long after and now we barely see him until close to the", "appear much, leading to a less loved, or less appreciated, main character due", "a script for a short film so I'm trying to keep the things", "a short film so I'm trying to keep the things that are kind", "him, but after she is kidnapped he clearly isn't going to appear much,", "girl. Only after that, the main character, a girl, appears on the story.", "we barely see him until close to the end. The main character is", "barely see him until close to the end. The main character is only", "to a less loved, or less appreciated, main character due to favoritism of", "appreciated, main character due to favoritism of a secondary character? Any other useful", "story of the script starts at a bar, with the friend of the", "the script starts at a bar, with the friend of the main character,", "start to like him from the beginning and want to see him, but", "main character due to favoritism of a secondary character? Any other useful advice", "the beginning and want to see him, but after she is kidnapped he", "on the story. She's kidnapped not long after and now we barely see", "the things that are kind of dispendable, away. The story of the script", "he clearly isn't going to appear much, leading to a less loved, or", "to appear much, leading to a less loved, or less appreciated, main character", "The story of the script starts at a bar, with the friend of", "kidnapped not long after and now we barely see him until close to", "she is kidnapped he clearly isn't going to appear much, leading to a", "story. She's kidnapped not long after and now we barely see him until", "or less appreciated, main character due to favoritism of a secondary character? Any", "a couple of minutes and it's on a conversation with her friend so", "things that are kind of dispendable, away. The story of the script starts", "with the friend of the main character, a boy, having a small talk", "that the audience might start to like him from the beginning and want", "might start to like him from the beginning and want to see him,", "after that, the main character, a girl, appears on the story. She's kidnapped", "with a random girl. Only after that, the main character, a girl, appears", "having a small talk with a random girl. Only after that, the main", "of dispendable, away. The story of the script starts at a bar, with", "at a bar, with the friend of the main character, a boy, having", "main character is only introduced to the story after a couple of minutes", "minutes and it's on a conversation with her friend so there's not much", "is only introduced to the story after a couple of minutes and it's", "the story. She's kidnapped not long after and now we barely see him", "to see him, but after she is kidnapped he clearly isn't going to", "like him from the beginning and want to see him, but after she", "after she is kidnapped he clearly isn't going to appear much, leading to", "conversation with her friend so there's not much focus on her. Does this", "after and now we barely see him until close to the end. The", "her. Does this mean that the audience might start to like him from", "of the script starts at a bar, with the friend of the main", "beginning and want to see him, but after she is kidnapped he clearly", "with her friend so there's not much focus on her. Does this mean", "focus on her. Does this mean that the audience might start to like", "mean that the audience might start to like him from the beginning and", "him until close to the end. The main character is only introduced to", "bar, with the friend of the main character, a boy, having a small", "friend so there's not much focus on her. Does this mean that the", "her friend so there's not much focus on her. Does this mean that", "to the end. The main character is only introduced to the story after", "the main character, a girl, appears on the story. She's kidnapped not long", "Does this mean that the audience might start to like him from the", "want to see him, but after she is kidnapped he clearly isn't going", "small talk with a random girl. Only after that, the main character, a", "of minutes and it's on a conversation with her friend so there's not", "are kind of dispendable, away. The story of the script starts at a", "main character, a girl, appears on the story. She's kidnapped not long after", "of the main character, a boy, having a small talk with a random", "main character, a boy, having a small talk with a random girl. Only", "I'm trying to keep the things that are kind of dispendable, away. The", "for a short film so I'm trying to keep the things that are", "She's kidnapped not long after and now we barely see him until close", "on her. Does this mean that the audience might start to like him", "writing a script for a short film so I'm trying to keep the", "boy, having a small talk with a random girl. Only after that, the", "but after she is kidnapped he clearly isn't going to appear much, leading", "from the beginning and want to see him, but after she is kidnapped", "audience might start to like him from the beginning and want to see", "couple of minutes and it's on a conversation with her friend so there's", "leading to a less loved, or less appreciated, main character due to favoritism", "script for a short film so I'm trying to keep the things that", "due to favoritism of a secondary character? Any other useful advice is always", "close to the end. The main character is only introduced to the story", "that, the main character, a girl, appears on the story. She's kidnapped not", "less appreciated, main character due to favoritism of a secondary character? Any other", "a small talk with a random girl. Only after that, the main character,", "away. The story of the script starts at a bar, with the friend", "not much focus on her. Does this mean that the audience might start", "kidnapped he clearly isn't going to appear much, leading to a less loved,", "a less loved, or less appreciated, main character due to favoritism of a", "character is only introduced to the story after a couple of minutes and", "isn't going to appear much, leading to a less loved, or less appreciated,", "clearly isn't going to appear much, leading to a less loved, or less", "and want to see him, but after she is kidnapped he clearly isn't", "character, a girl, appears on the story. She's kidnapped not long after and", "going to appear much, leading to a less loved, or less appreciated, main", "loved, or less appreciated, main character due to favoritism of a secondary character?", "the audience might start to like him from the beginning and want to", "story after a couple of minutes and it's on a conversation with her", "much focus on her. Does this mean that the audience might start to", "a girl, appears on the story. She's kidnapped not long after and now", "and now we barely see him until close to the end. The main", "character, a boy, having a small talk with a random girl. Only after", "introduced to the story after a couple of minutes and it's on a", "so I'm trying to keep the things that are kind of dispendable, away.", "starts at a bar, with the friend of the main character, a boy,", "now we barely see him until close to the end. The main character", "a conversation with her friend so there's not much focus on her. Does", "the story after a couple of minutes and it's on a conversation with", "after a couple of minutes and it's on a conversation with her friend", "script starts at a bar, with the friend of the main character, a", "so there's not much focus on her. Does this mean that the audience", "talk with a random girl. Only after that, the main character, a girl,", "to favoritism of a secondary character? Any other useful advice is always welcome.", "long after and now we barely see him until close to the end.", "end. The main character is only introduced to the story after a couple", "Only after that, the main character, a girl, appears on the story. She's" ]
[ "I include in the main book? Flashbacks not included, a character's back story", "much of it should I include in the main book? Flashbacks not included,", "that I don't convey everything. So the question is how much should one", "really recommend it). Which got me thinking, how much of it should I", "something really interesting lately, which is writing each of my main character's back", "should I include in the main book? Flashbacks not included, a character's back", "in the main book? Flashbacks not included, a character's back story is a", "the book but it's crucial that I don't convey everything. So the question", "I really recommend it). Which got me thinking, how much of it should", "very important puzzle price in the whole book. I have always found it", "a character's back story is a very important puzzle price in the whole", "it's crucial that I don't convey everything. So the question is how much", "but it's crucial that I don't convey everything. So the question is how", "block or is looking for a way to know their character's better I", "better I really recommend it). Which got me thinking, how much of it", "not put everything I know about my character's in the book but it's", "story is a very important puzzle price in the whole book. I have", "the main book (If anyone is having the dreaded block or is looking", "don't convey everything. So the question is how much should one know about", "(If anyone is having the dreaded block or is looking for a way", "always found it hard to not put everything I know about my character's", "before writing the main book (If anyone is having the dreaded block or", "their character's better I really recommend it). Which got me thinking, how much", "puzzle price in the whole book. I have always found it hard to", "writing each of my main character's back story before writing the main book", "back story is a very important puzzle price in the whole book. I", "have always found it hard to not put everything I know about my", "how much of it should I include in the main book? Flashbacks not", "been starting something really interesting lately, which is writing each of my main", "is a very important puzzle price in the whole book. I have always", "of my main character's back story before writing the main book (If anyone", "put everything I know about my character's in the book but it's crucial", "character's in the book but it's crucial that I don't convey everything. So", "book? Flashbacks not included, a character's back story is a very important puzzle", "everything. So the question is how much should one know about a character's", "I don't convey everything. So the question is how much should one know", "know their character's better I really recommend it). Which got me thinking, how", "story before writing the main book (If anyone is having the dreaded block", "character's back story is a very important puzzle price in the whole book.", "lately, which is writing each of my main character's back story before writing", "the whole book. I have always found it hard to not put everything", "include in the main book? Flashbacks not included, a character's back story is", "got me thinking, how much of it should I include in the main", "I have always found it hard to not put everything I know about", "not included, a character's back story is a very important puzzle price in", "book. I have always found it hard to not put everything I know", "So the question is how much should one know about a character's past??", "or is looking for a way to know their character's better I really", "it should I include in the main book? Flashbacks not included, a character's", "whole book. I have always found it hard to not put everything I", "important puzzle price in the whole book. I have always found it hard", "character's better I really recommend it). Which got me thinking, how much of", "main character's back story before writing the main book (If anyone is having", "having the dreaded block or is looking for a way to know their", "my character's in the book but it's crucial that I don't convey everything.", "anyone is having the dreaded block or is looking for a way to", "looking for a way to know their character's better I really recommend it).", "price in the whole book. I have always found it hard to not", "recommend it). Which got me thinking, how much of it should I include", "is writing each of my main character's back story before writing the main", "of it should I include in the main book? Flashbacks not included, a", "back story before writing the main book (If anyone is having the dreaded", "convey everything. So the question is how much should one know about a", "to not put everything I know about my character's in the book but", "included, a character's back story is a very important puzzle price in the", "book (If anyone is having the dreaded block or is looking for a", "it hard to not put everything I know about my character's in the", "hard to not put everything I know about my character's in the book", "in the whole book. I have always found it hard to not put", "Flashbacks not included, a character's back story is a very important puzzle price", "main book (If anyone is having the dreaded block or is looking for", "is looking for a way to know their character's better I really recommend", "a way to know their character's better I really recommend it). Which got", "for a way to know their character's better I really recommend it). Which", "to know their character's better I really recommend it). Which got me thinking,", "which is writing each of my main character's back story before writing the", "found it hard to not put everything I know about my character's in", "writing the main book (If anyone is having the dreaded block or is", "I know about my character's in the book but it's crucial that I", "each of my main character's back story before writing the main book (If", "the dreaded block or is looking for a way to know their character's", "crucial that I don't convey everything. So the question is how much should", "me thinking, how much of it should I include in the main book?", "my main character's back story before writing the main book (If anyone is", "is having the dreaded block or is looking for a way to know", "character's back story before writing the main book (If anyone is having the", "know about my character's in the book but it's crucial that I don't", "main book? Flashbacks not included, a character's back story is a very important", "way to know their character's better I really recommend it). Which got me", "about my character's in the book but it's crucial that I don't convey", "a very important puzzle price in the whole book. I have always found", "the main book? Flashbacks not included, a character's back story is a very", "everything I know about my character's in the book but it's crucial that", "book but it's crucial that I don't convey everything. So the question is", "I've been starting something really interesting lately, which is writing each of my", "thinking, how much of it should I include in the main book? Flashbacks", "it). Which got me thinking, how much of it should I include in", "really interesting lately, which is writing each of my main character's back story", "dreaded block or is looking for a way to know their character's better", "starting something really interesting lately, which is writing each of my main character's", "in the book but it's crucial that I don't convey everything. So the", "Which got me thinking, how much of it should I include in the", "interesting lately, which is writing each of my main character's back story before" ]
[ "finish my chapter outline, it comes to around 1,000 words. I then go", "it is about 1,300 after edits. I want to know if there are", "I then go back and it is about 1,300 after edits. I want", "and it is about 1,300 after edits. I want to know if there", "after edits. I want to know if there are any ways to add", "if there are any ways to add more words, WITHOUT adding a lot", "to know if there are any ways to add more words, WITHOUT adding", "words. I then go back and it is about 1,300 after edits. I", "1,000 words. I then go back and it is about 1,300 after edits.", "to add more words, WITHOUT adding a lot of events, because then it", "go back and it is about 1,300 after edits. I want to know", "to be able to have at least 2,000-3,000 words per chapter. But when", "back and it is about 1,300 after edits. I want to know if", "be able to have at least 2,000-3,000 words per chapter. But when I", "more words, WITHOUT adding a lot of events, because then it would be", "around 1,000 words. I then go back and it is about 1,300 after", "words, WITHOUT adding a lot of events, because then it would be too", "But when I finish my chapter outline, it comes to around 1,000 words.", "it comes to around 1,000 words. I then go back and it is", "is about 1,300 after edits. I want to know if there are any", "I finish my chapter outline, it comes to around 1,000 words. I then", "are any ways to add more words, WITHOUT adding a lot of events,", "WITHOUT adding a lot of events, because then it would be too much.", "then go back and it is about 1,300 after edits. I want to", "at least 2,000-3,000 words per chapter. But when I finish my chapter outline,", "able to have at least 2,000-3,000 words per chapter. But when I finish", "per chapter. But when I finish my chapter outline, it comes to around", "my chapter outline, it comes to around 1,000 words. I then go back", "to around 1,000 words. I then go back and it is about 1,300", "about 1,300 after edits. I want to know if there are any ways", "add more words, WITHOUT adding a lot of events, because then it would", "when I finish my chapter outline, it comes to around 1,000 words. I", "have at least 2,000-3,000 words per chapter. But when I finish my chapter", "want to know if there are any ways to add more words, WITHOUT", "I want to be able to have at least 2,000-3,000 words per chapter.", "I want to know if there are any ways to add more words,", "ways to add more words, WITHOUT adding a lot of events, because then", "chapter. But when I finish my chapter outline, it comes to around 1,000", "to have at least 2,000-3,000 words per chapter. But when I finish my", "chapter outline, it comes to around 1,000 words. I then go back and", "2,000-3,000 words per chapter. But when I finish my chapter outline, it comes", "want to be able to have at least 2,000-3,000 words per chapter. But", "any ways to add more words, WITHOUT adding a lot of events, because", "there are any ways to add more words, WITHOUT adding a lot of", "edits. I want to know if there are any ways to add more", "1,300 after edits. I want to know if there are any ways to", "words per chapter. But when I finish my chapter outline, it comes to", "outline, it comes to around 1,000 words. I then go back and it", "comes to around 1,000 words. I then go back and it is about", "know if there are any ways to add more words, WITHOUT adding a", "least 2,000-3,000 words per chapter. But when I finish my chapter outline, it" ]
[ "\"world\"? I need to know about what is going to be the proper", "about what is going to be the proper way to end this story", "the proper way to end this story and move on to \"pert two\".", "of all of this stuff to go in the story, but I don't", "story and move on to a different part of the \"world\"? I need", "everybody. When is the proper time to stop the actual story and move", "go in the story, but I don't know when to stop and when", "on to a different part of the \"world\"? I need to know about", "story and move on to \"pert two\". This is a really long story", "a really long story line and I'm thinking of all of this stuff", "two\". This is a really long story line and I'm thinking of all", "this stuff to go in the story, but I don't know when to", "is a really long story line and I'm thinking of all of this", "on to \"pert two\". This is a really long story line and I'm", "know about what is going to be the proper way to end this", "to stop the actual story and move on to a different part of", "the story, but I don't know when to stop and when to continue.", "and move on to \"pert two\". This is a really long story line", "time to stop the actual story and move on to a different part", "part of the \"world\"? I need to know about what is going to", "move on to \"pert two\". This is a really long story line and", "to \"pert two\". This is a really long story line and I'm thinking", "be the proper way to end this story and move on to \"pert", "I'm thinking of all of this stuff to go in the story, but", "move on to a different part of the \"world\"? I need to know", "the \"world\"? I need to know about what is going to be the", "story line and I'm thinking of all of this stuff to go in", "actual story and move on to a different part of the \"world\"? I", "Okay everybody. When is the proper time to stop the actual story and", "the actual story and move on to a different part of the \"world\"?", "proper time to stop the actual story and move on to a different", "in the story, but I don't know when to stop and when to", "to a different part of the \"world\"? I need to know about what", "the proper time to stop the actual story and move on to a", "proper way to end this story and move on to \"pert two\". This", "line and I'm thinking of all of this stuff to go in the", "stop the actual story and move on to a different part of the", "a different part of the \"world\"? I need to know about what is", "stuff to go in the story, but I don't know when to stop", "to end this story and move on to \"pert two\". This is a", "to go in the story, but I don't know when to stop and", "long story line and I'm thinking of all of this stuff to go", "is the proper time to stop the actual story and move on to", "to be the proper way to end this story and move on to", "this story and move on to \"pert two\". This is a really long", "of the \"world\"? I need to know about what is going to be", "and move on to a different part of the \"world\"? I need to", "different part of the \"world\"? I need to know about what is going", "to know about what is going to be the proper way to end", "is going to be the proper way to end this story and move", "really long story line and I'm thinking of all of this stuff to", "all of this stuff to go in the story, but I don't know", "way to end this story and move on to \"pert two\". This is", "I need to know about what is going to be the proper way", "thinking of all of this stuff to go in the story, but I", "of this stuff to go in the story, but I don't know when", "This is a really long story line and I'm thinking of all of", "When is the proper time to stop the actual story and move on", "need to know about what is going to be the proper way to", "end this story and move on to \"pert two\". This is a really", "and I'm thinking of all of this stuff to go in the story,", "going to be the proper way to end this story and move on", "\"pert two\". This is a really long story line and I'm thinking of", "what is going to be the proper way to end this story and" ]
[]
[ "to properly cite it. My question is, if I get multiple facts from", "if this is how you use footnotes. For example, using in-text citations I", "it. My question is, if I get multiple facts from the same source,", "I get multiple facts from the same source, when/where do I place the", "footnote? I know with in-text citation you can just place one right after", "each fact you need to cite, but I'm not sure if this is", "to cite, but I'm not sure if this is how you use footnotes.", "my life, and I have run into the problem of how to properly", "and I have run into the problem of how to properly cite it.", "into the problem of how to properly cite it. My question is, if", "cite it. My question is, if I get multiple facts from the same", "is, if I get multiple facts from the same source, when/where do I", "cite, but I'm not sure if this is how you use footnotes. For", "how you use footnotes. For example, using in-text citations I could type blah", "blah blah (Smith, 2013). So on and so forth. However, when using footnotes,", "properly cite it. My question is, if I get multiple facts from the", "fact you need to cite, but I'm not sure if this is how", "when/where do I place the footnote? I know with in-text citation you can", "(Smith, 2013). blah blah blah (Smith, 2013). So on and so forth. However,", "of how to properly cite it. My question is, if I get multiple", "is how you use footnotes. For example, using in-text citations I could type", "place one right after each fact you need to cite, but I'm not", "could type blah blah blah (Smith, 2013). blah blah blah (Smith, 2013). So", "right after each fact you need to cite, but I'm not sure if", "same source, when/where do I place the footnote? I know with in-text citation", "blah blah blah (Smith, 2013). So on and so forth. However, when using", "multiple facts from the same source, when/where do I place the footnote? I", "So on and so forth. However, when using footnotes, how would I cite", "first time in my life, and I have run into the problem of", "in a paper for the first time in my life, and I have", "blah (Smith, 2013). So on and so forth. However, when using footnotes, how", "2013). So on and so forth. However, when using footnotes, how would I", "footnotes. For example, using in-text citations I could type blah blah blah (Smith,", "one right after each fact you need to cite, but I'm not sure", "place the footnote? I know with in-text citation you can just place one", "you need to cite, but I'm not sure if this is how you", "to use footnotes in a paper for the first time in my life,", "do I place the footnote? I know with in-text citation you can just", "blah blah blah (Smith, 2013). blah blah blah (Smith, 2013). So on and", "sure if this is how you use footnotes. For example, using in-text citations", "source, when/where do I place the footnote? I know with in-text citation you", "need to cite, but I'm not sure if this is how you use", "I am required to use footnotes in a paper for the first time", "with in-text citation you can just place one right after each fact you", "get multiple facts from the same source, when/where do I place the footnote?", "can just place one right after each fact you need to cite, but", "in-text citations I could type blah blah blah (Smith, 2013). blah blah blah", "2013). blah blah blah (Smith, 2013). So on and so forth. However, when", "problem of how to properly cite it. My question is, if I get", "example, using in-text citations I could type blah blah blah (Smith, 2013). blah", "I'm not sure if this is how you use footnotes. For example, using", "I place the footnote? I know with in-text citation you can just place", "required to use footnotes in a paper for the first time in my", "am required to use footnotes in a paper for the first time in", "citation you can just place one right after each fact you need to", "for the first time in my life, and I have run into the", "in-text citation you can just place one right after each fact you need", "this is how you use footnotes. For example, using in-text citations I could", "blah blah (Smith, 2013). blah blah blah (Smith, 2013). So on and so", "use footnotes in a paper for the first time in my life, and", "life, and I have run into the problem of how to properly cite", "know with in-text citation you can just place one right after each fact", "the first time in my life, and I have run into the problem", "I could type blah blah blah (Smith, 2013). blah blah blah (Smith, 2013).", "type blah blah blah (Smith, 2013). blah blah blah (Smith, 2013). So on", "the footnote? I know with in-text citation you can just place one right", "time in my life, and I have run into the problem of how", "you use footnotes. For example, using in-text citations I could type blah blah", "citations I could type blah blah blah (Smith, 2013). blah blah blah (Smith,", "blah (Smith, 2013). blah blah blah (Smith, 2013). So on and so forth.", "how to properly cite it. My question is, if I get multiple facts", "after each fact you need to cite, but I'm not sure if this", "from the same source, when/where do I place the footnote? I know with", "run into the problem of how to properly cite it. My question is,", "using in-text citations I could type blah blah blah (Smith, 2013). blah blah", "I know with in-text citation you can just place one right after each", "just place one right after each fact you need to cite, but I'm", "question is, if I get multiple facts from the same source, when/where do", "in my life, and I have run into the problem of how to", "have run into the problem of how to properly cite it. My question", "paper for the first time in my life, and I have run into", "footnotes in a paper for the first time in my life, and I", "the same source, when/where do I place the footnote? I know with in-text", "you can just place one right after each fact you need to cite,", "(Smith, 2013). So on and so forth. However, when using footnotes, how would", "not sure if this is how you use footnotes. For example, using in-text", "but I'm not sure if this is how you use footnotes. For example,", "on and so forth. However, when using footnotes, how would I cite this?", "the problem of how to properly cite it. My question is, if I", "I have run into the problem of how to properly cite it. My", "facts from the same source, when/where do I place the footnote? I know", "For example, using in-text citations I could type blah blah blah (Smith, 2013).", "use footnotes. For example, using in-text citations I could type blah blah blah", "if I get multiple facts from the same source, when/where do I place", "My question is, if I get multiple facts from the same source, when/where", "a paper for the first time in my life, and I have run" ]
[ "I'm entering and I have to write something with only 1,000- words in", "words in it. Is it better to shorten phrases or to cut out", "and I have to write something with only 1,000- words in it. Is", "have to write something with only 1,000- words in it. Is it better", "write something with only 1,000- words in it. Is it better to shorten", "There's this contest that I'm entering and I have to write something with", "Is it better to shorten phrases or to cut out details to meet", "that I'm entering and I have to write something with only 1,000- words", "contest that I'm entering and I have to write something with only 1,000-", "I have to write something with only 1,000- words in it. Is it", "only 1,000- words in it. Is it better to shorten phrases or to", "this contest that I'm entering and I have to write something with only", "1,000- words in it. Is it better to shorten phrases or to cut", "better to shorten phrases or to cut out details to meet the quota?", "with only 1,000- words in it. Is it better to shorten phrases or", "it. Is it better to shorten phrases or to cut out details to", "to write something with only 1,000- words in it. Is it better to", "entering and I have to write something with only 1,000- words in it.", "it better to shorten phrases or to cut out details to meet the", "in it. Is it better to shorten phrases or to cut out details", "something with only 1,000- words in it. Is it better to shorten phrases" ]
[ "the end I chose Kanny's response. It wasn't for the kind words (but", "intensive revision process. 3. Put Book That Stinks in a dark corner of", "me my loyal readers will buy any drivel I produce. 5. ? Am", "OK.\" Bad sign. But in the end I chose Kanny's response. It wasn't", "But in the end I chose Kanny's response. It wasn't for the kind", "There are two excellent points she made. First, Don't be ashamed to set", "answer* I really liked JP's response. His basic message of you can always", "A complete rewrite of Book That Stinks making it more concise, more interesting,", "options for Book That Stinks as 1. A complete rewrite of Book That", "to Option 4. The winning point Kanny made was taking a \"kernel\" of", "time on it - but after taking a cooling off period following the", "viewed again. 4. Wait until I'm wildly famous and simply present Book That", "for Book That Stinks as 1. A complete rewrite of Book That Stinks", "basic message of you can always save it for later is the appropriate", "a cooling off period following the first manuscript, I realized nobody in particular", "a \"kernel\" of Book That Stinks and keeping for later. There are a", "which I think are worthy. They can be transplanted. This was an excellent", "one at least could be competitive for commercial publication (yeah, right). So I", "the appropriate number five. Also, Eyil's comment about the \"sunk cost fallacy\" is", "a beta reader, one of the most positive people I know, who said,", "interesting, and more marketable. This seems like a low probability of success option.", "it goes until you get to Option 4. The winning point Kanny made", "save it for later is the appropriate number five. Also, Eyil's comment about", "number five. Also, Eyil's comment about the \"sunk cost fallacy\" is an excellent", "That Stinks* as 1. A complete rewrite of Book That Stinks making it", "is the appropriate number five. Also, Eyil's comment about the \"sunk cost fallacy\"", "positive people I know, who said, \"It was OK.\" Bad sign. But in", "produce. 5. ? Am I missing something? My selection of answer I really", "I've been working on two other books in varying stages of completion; one", "the book and some scenes which I think are worthy. They can be", "it - but after taking a cooling off period following the first manuscript,", "it more concise, more interesting, and more marketable. This seems like a low", "the first manuscript, I realized nobody in particular would want to read it.", "my mind, never to be viewed again. 4. Wait until I'm wildly famous", "competitive for commercial publication (yeah, right). So I see my options for Book", "(but they were nice). There are two excellent points she made. First, Don't", "until you get to Option 4. The winning point Kanny made was taking", "wasn't for the kind words (but they were nice). There are two excellent", "who assures me my loyal readers will buy any drivel I produce. 5.", "a few characters from the book and some scenes which I think are", "least could be competitive for commercial publication (yeah, right). So I see my", "are two excellent points she made. First, Don't be ashamed to set a", "excellent point. I actually did have a beta reader, one of the most", "Put Book That Stinks* in a dark corner of my room and my", "until I'm wildly famous and simply present Book That Stinks to my agent", "end I chose Kanny's response. It wasn't for the kind words (but they", "of my room and my mind, never to be viewed again. 4. Wait", "simply present Book That Stinks to my agent who assures me my loyal", "two excellent points she made. First, Don't be ashamed to set a book", "from the book and some scenes which I think are worthy. They can", "My selection of answer* I really liked JP's response. His basic message of", "2. Self-publish Book That Stinks after a less intensive revision process. 3. Put", "That Stinks* to my agent who assures me my loyal readers will buy", "question pretty much sums it up. I'm a freelance author without much of", "point Kanny made was taking a \"kernel\" of Book That Stinks and keeping", "Stinks* making it more concise, more interesting, and more marketable. This seems like", "(yeah, right). So I see my options for Book That Stinks as 1.", "is an excellent point. I actually did have a beta reader, one of", "pretty much sums it up. I'm a freelance author without much of a", "seems like a low probability of success option. 2. Self-publish Book That Stinks", "of answer** I really liked JP's response. His basic message of you can", "did have a beta reader, one of the most positive people I know,", "Kanny made was taking a \"kernel\" of Book That Stinks and keeping for", "Book That Stinks and keeping for later. There are a few characters from", "off period, I've been working on two other books in varying stages of", "for the kind words (but they were nice). There are two excellent points", "During the cooling off period, I've been working on two other books in", "the cooling off period, I've been working on two other books in varying", "but after taking a cooling off period following the first manuscript, I realized", "on it - but after taking a cooling off period following the first", "I see my options for Book That Stinks as 1. A complete rewrite", "It hurts, but it's the way it goes until you get to Option", "rewrite of Book That Stinks making it more concise, more interesting, and more", "you get to Option 4. The winning point Kanny made was taking a", "Stinks* after a less intensive revision process. 3. Put Book That Stinks in", "present Book That Stinks to my agent who assures me my loyal readers", "set a book aside. It hurts, but it's the way it goes until", "I chose Kanny's response. It wasn't for the kind words (but they were", "always save it for later is the appropriate number five. Also, Eyil's comment", "mind, never to be viewed again. 4. Wait until I'm wildly famous and", "again. 4. Wait until I'm wildly famous and simply present Book That Stinks", "Don't be ashamed to set a book aside. It hurts, but it's the", "it. During the cooling off period, I've been working on two other books", "a freelance author without much of a platform. It's not that I don't", "period following the first manuscript, I realized nobody in particular would want to", "and some scenes which I think are worthy. They can be transplanted. This", "Wait until I'm wildly famous and simply present Book That Stinks* to my", "a low probability of success option. 2. Self-publish Book That Stinks after a", "after taking a cooling off period following the first manuscript, I realized nobody", "4. The winning point Kanny made was taking a \"kernel\" of Book That", "Book That Stinks* as 1. A complete rewrite of Book That Stinks making", "it for later is the appropriate number five. Also, Eyil's comment about the", "chose Kanny's response. It wasn't for the kind words (but they were nice).", "later. There are a few characters from the book and some scenes which", "Book That Stinks to my agent who assures me my loyal readers will", "It wasn't for the kind words (but they were nice). There are two", "for later. There are a few characters from the book and some scenes", "I think are worthy. They can be transplanted. This was an excellent outside-the-box", "Stinks* as 1. A complete rewrite of Book That Stinks making it more", "I realized nobody in particular would want to read it. During the cooling", "of you can always save it for later is the appropriate number five.", "realized nobody in particular would want to read it. During the cooling off", "concise, more interesting, and more marketable. This seems like a low probability of", "\"kernel\" of Book That Stinks and keeping for later. There are a few", "was OK.\" Bad sign. But in the end I chose Kanny's response. It", "readers will buy any drivel I produce. 5. ? Am I missing something?", "know, who said, \"It was OK.\" Bad sign. But in the end I", "for later is the appropriate number five. Also, Eyil's comment about the \"sunk", "were nice). There are two excellent points she made. First, Don't be ashamed", "of Book That Stinks* and keeping for later. There are a few characters", "- I spent a great deal of time on it - but after", "That Stinks* making it more concise, more interesting, and more marketable. This seems", "cost fallacy\" is an excellent point. I actually did have a beta reader,", "most positive people I know, who said, \"It was OK.\" Bad sign. But", "actually did have a beta reader, one of the most positive people I", "said, \"It was OK.\" Bad sign. But in the end I chose Kanny's", "point. I actually did have a beta reader, one of the most positive", "I'm wildly famous and simply present Book That Stinks to my agent who", "would want to read it. During the cooling off period, I've been working", "much sums it up. I'm a freelance author without much of a platform.", "fallacy\" is an excellent point. I actually did have a beta reader, one", "\"sunk cost fallacy\" is an excellent point. I actually did have a beta", "option. 2. Self-publish Book That Stinks after a less intensive revision process. 3.", "of success option. 2. Self-publish Book That Stinks after a less intensive revision", "scenes which I think are worthy. They can be transplanted. This was an", "5. ? Am I missing something? My selection of answer I really liked", "buy any drivel I produce. 5. ? Am I missing something? *My selection", "right). So I see my options for Book That Stinks* as 1. A", "process. 3. Put Book That Stinks in a dark corner of my room", "characters from the book and some scenes which I think are worthy. They", "nobody in particular would want to read it. During the cooling off period,", "less intensive revision process. 3. Put Book That Stinks in a dark corner", "excellent points she made. First, Don't be ashamed to set a book aside.", "but it's the way it goes until you get to Option 4. The", "in a dark corner of my room and my mind, never to be", "about the \"sunk cost fallacy\" is an excellent point. I actually did have", "be viewed again. 4. Wait until I'm wildly famous and simply present Book", "to read it. During the cooling off period, I've been working on two", "There are a few characters from the book and some scenes which I", "could be competitive for commercial publication (yeah, right). So I see my options", "later is the appropriate number five. Also, Eyil's comment about the \"sunk cost", "are a few characters from the book and some scenes which I think", "on two other books in varying stages of completion; one at least could", "see my options for Book That Stinks* as 1. A complete rewrite of", "of time on it - but after taking a cooling off period following", "message of you can always save it for later is the appropriate number", "liked JP's response. His basic message of you can always save it for", "Stinks* to my agent who assures me my loyal readers will buy any", "I don't like the story - I spent a great deal of time", "at least could be competitive for commercial publication (yeah, right). So I see", "freelance author without much of a platform. It's not that I don't like", "up. I'm a freelance author without much of a platform. It's not that", "\"It was OK.\" Bad sign. But in the end I chose Kanny's response.", "nice). There are two excellent points she made. First, Don't be ashamed to", "- but after taking a cooling off period following the first manuscript, I", "kind words (but they were nice). There are two excellent points she made.", "Option 4. The winning point Kanny made was taking a \"kernel\" of Book", "after a less intensive revision process. 3. Put Book That Stinks in a", "wildly famous and simply present Book That Stinks to my agent who assures", "never to be viewed again. 4. Wait until I'm wildly famous and simply", "winning point Kanny made was taking a \"kernel\" of Book That Stinks and", "reader, one of the most positive people I know, who said, \"It was", "a dark corner of my room and my mind, never to be viewed", "taking a cooling off period following the first manuscript, I realized nobody in", "varying stages of completion; one at least could be competitive for commercial publication", "without much of a platform. It's not that I don't like the story", "stages of completion; one at least could be competitive for commercial publication (yeah,", "manuscript, I realized nobody in particular would want to read it. During the", "beta reader, one of the most positive people I know, who said, \"It", "platform. It's not that I don't like the story - I spent a", "1. A complete rewrite of Book That Stinks making it more concise, more", "the \"sunk cost fallacy\" is an excellent point. I actually did have a", "be competitive for commercial publication (yeah, right). So I see my options for", "my loyal readers will buy any drivel I produce. 5. ? Am I", "a platform. It's not that I don't like the story - I spent", "like the story - I spent a great deal of time on it", "taking a \"kernel\" of Book That Stinks and keeping for later. There are", "much of a platform. It's not that I don't like the story -", "way it goes until you get to Option 4. The winning point Kanny", "working on two other books in varying stages of completion; one at least", "particular would want to read it. During the cooling off period, I've been", "response. His basic message of you can always save it for later is", "Also, Eyil's comment about the \"sunk cost fallacy\" is an excellent point. I", "assures me my loyal readers will buy any drivel I produce. 5. ?", "So I see my options for Book That Stinks as 1. A complete", "sums it up. I'm a freelance author without much of a platform. It's", "and keeping for later. There are a few characters from the book and", "really liked JP's response. His basic message of you can always save it", "comment about the \"sunk cost fallacy\" is an excellent point. I actually did", "an excellent point. I actually did have a beta reader, one of the", "sign. But in the end I chose Kanny's response. It wasn't for the", "a less intensive revision process. 3. Put Book That Stinks in a dark", "the kind words (but they were nice). There are two excellent points she", "The winning point Kanny made was taking a \"kernel\" of Book That Stinks", "was taking a \"kernel\" of Book That Stinks and keeping for later. There", "one of the most positive people I know, who said, \"It was OK.\"", "my agent who assures me my loyal readers will buy any drivel I", "great deal of time on it - but after taking a cooling off", "dark corner of my room and my mind, never to be viewed again.", "revision process. 3. Put Book That Stinks in a dark corner of my", "not that I don't like the story - I spent a great deal", "and more marketable. This seems like a low probability of success option. 2.", "drivel I produce. 5. ? Am I missing something? My selection of answer", "you can always save it for later is the appropriate number five. Also,", "keeping for later. There are a few characters from the book and some", "other books in varying stages of completion; one at least could be competitive", "Book That Stinks after a less intensive revision process. 3. Put Book That", "more marketable. This seems like a low probability of success option. 2. Self-publish", "of Book That Stinks* making it more concise, more interesting, and more marketable.", "cooling off period following the first manuscript, I realized nobody in particular would", "commercial publication (yeah, right). So I see my options for Book That Stinks", "off period following the first manuscript, I realized nobody in particular would want", "That Stinks* in a dark corner of my room and my mind, never", "been working on two other books in varying stages of completion; one at", "in particular would want to read it. During the cooling off period, I've", "hurts, but it's the way it goes until you get to Option 4.", "a book aside. It hurts, but it's the way it goes until you", "famous and simply present Book That Stinks* to my agent who assures me", "corner of my room and my mind, never to be viewed again. 4.", "two other books in varying stages of completion; one at least could be", "Kanny's response. It wasn't for the kind words (but they were nice). There", "to be viewed again. 4. Wait until I'm wildly famous and simply present", "His basic message of you can always save it for later is the", "who said, \"It was OK.\" Bad sign. But in the end I chose", "it up. I'm a freelance author without much of a platform. It's not", "as 1. A complete rewrite of Book That Stinks making it more concise,", "Book That Stinks in a dark corner of my room and my mind,", "points she made. First, Don't be ashamed to set a book aside. It", "few characters from the book and some scenes which I think are worthy.", "Am I missing something? My selection of answer I really liked JP's response.", "words (but they were nice). There are two excellent points she made. First,", "following the first manuscript, I realized nobody in particular would want to read", "first manuscript, I realized nobody in particular would want to read it. During", "in varying stages of completion; one at least could be competitive for commercial", "story - I spent a great deal of time on it - but", "room and my mind, never to be viewed again. 4. Wait until I'm", "JP's response. His basic message of you can always save it for later", "in the end I chose Kanny's response. It wasn't for the kind words", "book and some scenes which I think are worthy. They can be transplanted.", "any drivel I produce. 5. ? Am I missing something? *My selection of", "response. It wasn't for the kind words (but they were nice). There are", "Stinks in a dark corner of my room and my mind, never to", "my room and my mind, never to be viewed again. 4. Wait until", "of completion; one at least could be competitive for commercial publication (yeah, right).", "low probability of success option. 2. Self-publish Book That Stinks after a less", "more concise, more interesting, and more marketable. This seems like a low probability", "author without much of a platform. It's not that I don't like the", "complete rewrite of Book That Stinks making it more concise, more interesting, and", "agent who assures me my loyal readers will buy any drivel I produce.", "I actually did have a beta reader, one of the most positive people", "aside. It hurts, but it's the way it goes until you get to", "to set a book aside. It hurts, but it's the way it goes", "don't like the story - I spent a great deal of time on", "3. Put Book That Stinks in a dark corner of my room and", "deal of time on it - but after taking a cooling off period", "books in varying stages of completion; one at least could be competitive for", "they were nice). There are two excellent points she made. First, Don't be", "think are worthy. They can be transplanted. This was an excellent outside-the-box answer.", "something? My selection of answer* I really liked JP's response. His basic message", "I'm a freelance author without much of a platform. It's not that I", "it's the way it goes until you get to Option 4. The winning", "people I know, who said, \"It was OK.\" Bad sign. But in the", "I spent a great deal of time on it - but after taking", "made was taking a \"kernel\" of Book That Stinks and keeping for later.", "? Am I missing something? My selection of answer I really liked JP's", "This seems like a low probability of success option. 2. Self-publish Book That", "be ashamed to set a book aside. It hurts, but it's the way", "selection of answer** I really liked JP's response. His basic message of you", "The question pretty much sums it up. I'm a freelance author without much", "That Stinks* and keeping for later. There are a few characters from the", "probability of success option. 2. Self-publish Book That Stinks after a less intensive", "Book That Stinks making it more concise, more interesting, and more marketable. This", "I know, who said, \"It was OK.\" Bad sign. But in the end", "I produce. 5. ? Am I missing something? My selection of answer I", "made. First, Don't be ashamed to set a book aside. It hurts, but", "That Stinks* after a less intensive revision process. 3. Put Book That Stinks", "appropriate number five. Also, Eyil's comment about the \"sunk cost fallacy\" is an", "that I don't like the story - I spent a great deal of", "some scenes which I think are worthy. They can be transplanted. This was", "success option. 2. Self-publish Book That Stinks after a less intensive revision process.", "It's not that I don't like the story - I spent a great", "and my mind, never to be viewed again. 4. Wait until I'm wildly", "I really liked JP's response. His basic message of you can always save", "a great deal of time on it - but after taking a cooling", "the story - I spent a great deal of time on it -", "and simply present Book That Stinks to my agent who assures me my", "ashamed to set a book aside. It hurts, but it's the way it", "marketable. This seems like a low probability of success option. 2. Self-publish Book", "the way it goes until you get to Option 4. The winning point", "like a low probability of success option. 2. Self-publish Book That Stinks after", "get to Option 4. The winning point Kanny made was taking a \"kernel\"", "Stinks* and keeping for later. There are a few characters from the book", "completion; one at least could be competitive for commercial publication (yeah, right). So", "Eyil's comment about the \"sunk cost fallacy\" is an excellent point. I actually", "goes until you get to Option 4. The winning point Kanny made was", "five. Also, Eyil's comment about the \"sunk cost fallacy\" is an excellent point.", "can always save it for later is the appropriate number five. Also, Eyil's", "loyal readers will buy any drivel I produce. 5. ? Am I missing", "book aside. It hurts, but it's the way it goes until you get", "read it. During the cooling off period, I've been working on two other", "my options for Book That Stinks* as 1. A complete rewrite of Book", "of a platform. It's not that I don't like the story - I", "publication (yeah, right). So I see my options for Book That Stinks* as", "want to read it. During the cooling off period, I've been working on", "more interesting, and more marketable. This seems like a low probability of success", "Bad sign. But in the end I chose Kanny's response. It wasn't for", "period, I've been working on two other books in varying stages of completion;", "4. Wait until I'm wildly famous and simply present Book That Stinks to", "she made. First, Don't be ashamed to set a book aside. It hurts,", "cooling off period, I've been working on two other books in varying stages", "missing something? My selection of answer I really liked JP's response. His basic", "I missing something? My selection of answer I really liked JP's response. His", "the most positive people I know, who said, \"It was OK.\" Bad sign.", "making it more concise, more interesting, and more marketable. This seems like a", "Self-publish Book That Stinks after a less intensive revision process. 3. Put Book", "will buy any drivel I produce. 5. ? Am I missing something? My", "First, Don't be ashamed to set a book aside. It hurts, but it's", "have a beta reader, one of the most positive people I know, who", "spent a great deal of time on it - but after taking a", "of the most positive people I know, who said, \"It was OK.\" Bad", "to my agent who assures me my loyal readers will buy any drivel", "for commercial publication (yeah, right). So I see my options for Book That" ]
[ "isn't the best title.) I've been writing for about 6 months now. And", "and changing the words. But then I think that version is terrible. I've", "that version is terrible. I've tried to see if this happens with all", "(Sorry if this isn't the best title.) I've been writing for about 6", "back and changing the words. But then I think that version is terrible.", "feel as if it isn't good enough, or it was just a bad", "keep going back and changing the words. But then I think that version", "title.) I've been writing for about 6 months now. And everything I write", "and it does! QUESTION: Does anyone know anyway to not change my mind", "it was just a bad chapter, sentence, or even choice of word. I", "changing the words. But then I think that version is terrible. I've tried", "been writing for about 6 months now. And everything I write I feel", "word. I keep going back and changing the words. But then I think", "now. And everything I write I feel as if it isn't good enough,", "Does anyone know anyway to not change my mind with all of my", "everything I write I feel as if it isn't good enough, or it", "this isn't the best title.) I've been writing for about 6 months now.", "happens with all of my ideas, and it does! QUESTION: Does anyone know", "my ideas, and it does! QUESTION: Does anyone know anyway to not change", "6 months now. And everything I write I feel as if it isn't", "isn't good enough, or it was just a bad chapter, sentence, or even", "not change my mind with all of my writings? Even now I'm thinking", "writing for about 6 months now. And everything I write I feel as", "does! QUESTION: Does anyone know anyway to not change my mind with all", "change my mind with all of my writings? Even now I'm thinking this", "just a bad chapter, sentence, or even choice of word. I keep going", "good enough, or it was just a bad chapter, sentence, or even choice", "best title.) I've been writing for about 6 months now. And everything I", "enough, or it was just a bad chapter, sentence, or even choice of", "choice of word. I keep going back and changing the words. But then", "as if it isn't good enough, or it was just a bad chapter,", "anyway to not change my mind with all of my writings? Even now", "I've been writing for about 6 months now. And everything I write I", "And everything I write I feel as if it isn't good enough, or", "of word. I keep going back and changing the words. But then I", "words. But then I think that version is terrible. I've tried to see", "to not change my mind with all of my writings? Even now I'm", "then I think that version is terrible. I've tried to see if this", "tried to see if this happens with all of my ideas, and it", "it isn't good enough, or it was just a bad chapter, sentence, or", "for about 6 months now. And everything I write I feel as if", "sentence, or even choice of word. I keep going back and changing the", "I write I feel as if it isn't good enough, or it was", "ideas, and it does! QUESTION: Does anyone know anyway to not change my", "chapter, sentence, or even choice of word. I keep going back and changing", "my mind with all of my writings? Even now I'm thinking this question", "with all of my writings? Even now I'm thinking this question is worded", "of my ideas, and it does! QUESTION: Does anyone know anyway to not", "or it was just a bad chapter, sentence, or even choice of word.", "think that version is terrible. I've tried to see if this happens with", "bad chapter, sentence, or even choice of word. I keep going back and", "or even choice of word. I keep going back and changing the words.", "I feel as if it isn't good enough, or it was just a", "anyone know anyway to not change my mind with all of my writings?", "was just a bad chapter, sentence, or even choice of word. I keep", "the best title.) I've been writing for about 6 months now. And everything", "if it isn't good enough, or it was just a bad chapter, sentence,", "this happens with all of my ideas, and it does! QUESTION: Does anyone", "is terrible. I've tried to see if this happens with all of my", "I've tried to see if this happens with all of my ideas, and", "all of my ideas, and it does! QUESTION: Does anyone know anyway to", "version is terrible. I've tried to see if this happens with all of", "even choice of word. I keep going back and changing the words. But", "if this happens with all of my ideas, and it does! QUESTION: Does", "But then I think that version is terrible. I've tried to see if", "I think that version is terrible. I've tried to see if this happens", "see if this happens with all of my ideas, and it does! QUESTION:", "to see if this happens with all of my ideas, and it does!", "know anyway to not change my mind with all of my writings? Even", "QUESTION: Does anyone know anyway to not change my mind with all of", "it does! QUESTION: Does anyone know anyway to not change my mind with", "I keep going back and changing the words. But then I think that", "the words. But then I think that version is terrible. I've tried to", "if this isn't the best title.) I've been writing for about 6 months", "mind with all of my writings? Even now I'm thinking this question is", "about 6 months now. And everything I write I feel as if it", "terrible. I've tried to see if this happens with all of my ideas,", "write I feel as if it isn't good enough, or it was just", "with all of my ideas, and it does! QUESTION: Does anyone know anyway", "all of my writings?** Even now I'm thinking this question is worded wrong.", "going back and changing the words. But then I think that version is", "months now. And everything I write I feel as if it isn't good", "a bad chapter, sentence, or even choice of word. I keep going back" ]
[ "if one were to black out the entire character, their action is still", "between scenes have to move in an easy to follow manner, while poses", "character, their action is still clear by silhouette alone. All of these precautions", "Sometimes, paragraph breaks can make things clunky and mess up the flow. It", "every time there's dialogue from a new speaker, but my conundrum is this:", "becomes momentarily unclear upon the first reading that two people are speaking at", "the flow of a scene to keep the reader from seeing what the", "bits of dialogue are sharing a sentence? That might sound kind of odd", "on the screen. Sometimes, paragraph breaks can make things clunky and mess up", "from a new speaker, but my conundrum is this: what if the two", "theory, but bear with me. For example: > > \"You wouldn't dare,\" Alexa", "reading that two people are speaking at the same time. The reader doesn't", "two people are speaking at the same time. The reader doesn't realize that", "be clear enough so that even if one were to black out the", "dialogue are sharing a sentence? That might sound kind of odd just spoken", "> > > ...then it becomes momentarily unclear upon the first reading that", "over anyone until they move down to the next paragraph, whereas in the", "Qorer shouted, \"God, no!\" > > > ...then it becomes momentarily unclear upon", "the first reading that two people are speaking at the same time. The", "scenes have to move in an easy to follow manner, while poses should", "...then it becomes momentarily unclear upon the first reading that two people are", "precautions are to make sure that a frame \"reads\" well; the viewer should", "enough so that even if one were to black out the entire character,", "> > At the same time, Qorer shouted, \"God, no!\" > > >", "storytelling: animation. Characters' positions on the screen between scenes have to move in", "If one were to break the dialogue, like so... > > \"You wouldn't", "tell what's going on the instant it appears on the screen. Sometimes, paragraph", "a roadblock in the flow of a scene to keep the reader from", "a scene to keep the reader from seeing what the author envisioned. This", "the screen. Sometimes, paragraph breaks can make things clunky and mess up the", "> > > If one were to break the dialogue, like so... >", "were to black out the entire character, their action is still clear by", "time that Qorer shouted, \"God, no!\" > > > If one were to", "mess up the flow. It doesn't seem like much, but any small disruption", "until they move down to the next paragraph, whereas in the first case,", "case, the eyes catch that there are two speakers at first glance. When", "the golden rules to start a new paragraph every time there's dialogue from", "first glance. When you read it all in one sentence with no pauses,", "time. The reader doesn't realize that Alexa is talking over anyone until they", "by silhouette alone. All of these precautions are to make sure that a", "\"You wouldn't dare,\" Alexa hissed. > > > At the same time, Qorer", "keep the reader from seeing what the author envisioned. This conundrum has been", "sound kind of odd just spoken in theory, but bear with me. For", "screen between scenes have to move in an easy to follow manner, while", "from seeing what the author envisioned. This conundrum has been haunting me. Thoughts?", "odd just spoken in theory, but bear with me. For example: > >", "of storytelling: animation. Characters' positions on the screen between scenes have to move", "> > If one were to break the dialogue, like so... > >", "the reader from seeing what the author envisioned. This conundrum has been haunting", "paragraph breaks can make things clunky and mess up the flow. It doesn't", "are speaking at the same time. The reader doesn't realize that Alexa is", "well; the viewer should be able to tell what's going on the instant", "action is still clear by silhouette alone. All of these precautions are to", "It doesn't seem like much, but any small disruption can put enough of", "with me. For example: > > \"You wouldn't dare,\" Alexa hissed, at the", "out the entire character, their action is still clear by silhouette alone. All", "pauses, it sort of runs together--which, in this case, is actually the intention.", "know that it's one of the golden rules to start a new paragraph", "intention. Let's relate this to a different form of storytelling: animation. Characters' positions", "next paragraph, whereas in the first case, the eyes catch that there are", "roadblock in the flow of a scene to keep the reader from seeing", "down to the next paragraph, whereas in the first case, the eyes catch", "shouted, \"God, no!\" > > > If one were to break the dialogue,", "break the dialogue, like so... > > \"You wouldn't dare,\" Alexa hissed. >", "wouldn't dare,\" Alexa hissed. > > > At the same time, Qorer shouted,", "to break the dialogue, like so... > > \"You wouldn't dare,\" Alexa hissed.", "> ...then it becomes momentarily unclear upon the first reading that two people", "spoken in theory, but bear with me. For example: > > \"You wouldn't", "animation. Characters' positions on the screen between scenes have to move in an", "make things clunky and mess up the flow. It doesn't seem like much,", "flow of a scene to keep the reader from seeing what the author", "sharing a sentence? That might sound kind of odd just spoken in theory,", "catch that there are two speakers at first glance. When you read it", "at the same time that Qorer shouted, \"God, no!\" > > > If", "glance. When you read it all in one sentence with no pauses, it", "in theory, but bear with me. For example: > > \"You wouldn't dare,\"", "people are speaking at the same time. The reader doesn't realize that Alexa", "in an easy to follow manner, while poses should be clear enough so", "much, but any small disruption can put enough of a roadblock in the", "should be able to tell what's going on the instant it appears on", "to keep the reader from seeing what the author envisioned. This conundrum has", "a new speaker, but my conundrum is this: what if the two bits", "of a scene to keep the reader from seeing what the author envisioned.", "appears on the screen. Sometimes, paragraph breaks can make things clunky and mess", "doesn't realize that Alexa is talking over anyone until they move down to", "so that even if one were to black out the entire character, their", "breaks can make things clunky and mess up the flow. It doesn't seem", "that a frame \"reads\" well; the viewer should be able to tell what's", "wouldn't dare,\" Alexa hissed, at the same time that Qorer shouted, \"God, no!\"", "it all in one sentence with no pauses, it sort of runs together--which,", "the intention. Let's relate this to a different form of storytelling: animation. Characters'", "things clunky and mess up the flow. It doesn't seem like much, but", "there's dialogue from a new speaker, but my conundrum is this: what if", "to a different form of storytelling: animation. Characters' positions on the screen between", "\"God, no!\" > > > If one were to break the dialogue, like", "Alexa hissed, at the same time that Qorer shouted, \"God, no!\" > >", "are to make sure that a frame \"reads\" well; the viewer should be", "relate this to a different form of storytelling: animation. Characters' positions on the", "poses should be clear enough so that even if one were to black", "at first glance. When you read it all in one sentence with no", "Alexa is talking over anyone until they move down to the next paragraph,", "hissed. > > > At the same time, Qorer shouted, \"God, no!\" >", "bear with me. For example: > > \"You wouldn't dare,\" Alexa hissed, at", "that Qorer shouted, \"God, no!\" > > > If one were to break", "one were to break the dialogue, like so... > > \"You wouldn't dare,\"", "to start a new paragraph every time there's dialogue from a new speaker,", "> > \"You wouldn't dare,\" Alexa hissed. > > > At the same", "\"God, no!\" > > > ...then it becomes momentarily unclear upon the first", "speaker, but my conundrum is this: what if the two bits of dialogue", "no pauses, it sort of runs together--which, in this case, is actually the", "in this case, is actually the intention. Let's relate this to a different", "no!\" > > > ...then it becomes momentarily unclear upon the first reading", "with no pauses, it sort of runs together--which, in this case, is actually", "form of storytelling: animation. Characters' positions on the screen between scenes have to", "on the screen between scenes have to move in an easy to follow", "have to move in an easy to follow manner, while poses should be", "two speakers at first glance. When you read it all in one sentence", "their action is still clear by silhouette alone. All of these precautions are", "viewer should be able to tell what's going on the instant it appears", "two bits of dialogue are sharing a sentence? That might sound kind of", "the two bits of dialogue are sharing a sentence? That might sound kind", "move in an easy to follow manner, while poses should be clear enough", "dare,\" Alexa hissed, at the same time that Qorer shouted, \"God, no!\" >", "and mess up the flow. It doesn't seem like much, but any small", "that Alexa is talking over anyone until they move down to the next", "the first case, the eyes catch that there are two speakers at first", "put enough of a roadblock in the flow of a scene to keep", "the screen between scenes have to move in an easy to follow manner,", "black out the entire character, their action is still clear by silhouette alone.", "kind of odd just spoken in theory, but bear with me. For example:", "a frame \"reads\" well; the viewer should be able to tell what's going", "it's one of the golden rules to start a new paragraph every time", "in the flow of a scene to keep the reader from seeing what", "a sentence? That might sound kind of odd just spoken in theory, but", "move down to the next paragraph, whereas in the first case, the eyes", "same time that Qorer shouted, \"God, no!\" > > > If one were", "actually the intention. Let's relate this to a different form of storytelling: animation.", "silhouette alone. All of these precautions are to make sure that a frame", "able to tell what's going on the instant it appears on the screen.", "> If one were to break the dialogue, like so... > > \"You", "but bear with me. For example: > > \"You wouldn't dare,\" Alexa hissed,", "the dialogue, like so... > > \"You wouldn't dare,\" Alexa hissed. > >", "new paragraph every time there's dialogue from a new speaker, but my conundrum", "me. For example: > > \"You wouldn't dare,\" Alexa hissed, at the same", "frame \"reads\" well; the viewer should be able to tell what's going on", "> > \"You wouldn't dare,\" Alexa hissed, at the same time that Qorer", "while poses should be clear enough so that even if one were to", "no!\" > > > If one were to break the dialogue, like so...", "you read it all in one sentence with no pauses, it sort of", "time there's dialogue from a new speaker, but my conundrum is this: what", "the entire character, their action is still clear by silhouette alone. All of", "is talking over anyone until they move down to the next paragraph, whereas", "easy to follow manner, while poses should be clear enough so that even", "> \"You wouldn't dare,\" Alexa hissed, at the same time that Qorer shouted,", "For example: > > \"You wouldn't dare,\" Alexa hissed, at the same time", "example: > > \"You wouldn't dare,\" Alexa hissed, at the same time that", "\"You wouldn't dare,\" Alexa hissed, at the same time that Qorer shouted, \"God,", "one were to black out the entire character, their action is still clear", "golden rules to start a new paragraph every time there's dialogue from a", "are sharing a sentence? That might sound kind of odd just spoken in", "of odd just spoken in theory, but bear with me. For example: >", "the same time. The reader doesn't realize that Alexa is talking over anyone", "scene to keep the reader from seeing what the author envisioned. This conundrum", "> At the same time, Qorer shouted, \"God, no!\" > > > ...then", "time, Qorer shouted, \"God, no!\" > > > ...then it becomes momentarily unclear", "I know that it's one of the golden rules to start a new", "should be clear enough so that even if one were to black out", "alone. All of these precautions are to make sure that a frame \"reads\"", "to follow manner, while poses should be clear enough so that even if", "of a roadblock in the flow of a scene to keep the reader", "shouted, \"God, no!\" > > > ...then it becomes momentarily unclear upon the", "in the first case, the eyes catch that there are two speakers at", "still clear by silhouette alone. All of these precautions are to make sure", "but my conundrum is this: what if the two bits of dialogue are", "screen. Sometimes, paragraph breaks can make things clunky and mess up the flow.", "same time. The reader doesn't realize that Alexa is talking over anyone until", "> > ...then it becomes momentarily unclear upon the first reading that two", "hissed, at the same time that Qorer shouted, \"God, no!\" > > >", "can put enough of a roadblock in the flow of a scene to", "unclear upon the first reading that two people are speaking at the same", "Qorer shouted, \"God, no!\" > > > If one were to break the", "whereas in the first case, the eyes catch that there are two speakers", "At the same time, Qorer shouted, \"God, no!\" > > > ...then it", "reader doesn't realize that Alexa is talking over anyone until they move down", "start a new paragraph every time there's dialogue from a new speaker, but", "the same time, Qorer shouted, \"God, no!\" > > > ...then it becomes", "sentence with no pauses, it sort of runs together--which, in this case, is", "this to a different form of storytelling: animation. Characters' positions on the screen", "that there are two speakers at first glance. When you read it all", "to tell what's going on the instant it appears on the screen. Sometimes,", "seem like much, but any small disruption can put enough of a roadblock", "that it's one of the golden rules to start a new paragraph every", "reader from seeing what the author envisioned. This conundrum has been haunting me.", "is this: what if the two bits of dialogue are sharing a sentence?", "momentarily unclear upon the first reading that two people are speaking at the", "first case, the eyes catch that there are two speakers at first glance.", "it sort of runs together--which, in this case, is actually the intention. Let's", "conundrum is this: what if the two bits of dialogue are sharing a", "positions on the screen between scenes have to move in an easy to", "the next paragraph, whereas in the first case, the eyes catch that there", "All of these precautions are to make sure that a frame \"reads\" well;", "be able to tell what's going on the instant it appears on the", "going on the instant it appears on the screen. Sometimes, paragraph breaks can", "that two people are speaking at the same time. The reader doesn't realize", "at the same time. The reader doesn't realize that Alexa is talking over", "any small disruption can put enough of a roadblock in the flow of", "small disruption can put enough of a roadblock in the flow of a", "of these precautions are to make sure that a frame \"reads\" well; the", "manner, while poses should be clear enough so that even if one were", "clear enough so that even if one were to black out the entire", "dialogue from a new speaker, but my conundrum is this: what if the", "might sound kind of odd just spoken in theory, but bear with me.", "case, is actually the intention. Let's relate this to a different form of", "what's going on the instant it appears on the screen. Sometimes, paragraph breaks", "Alexa hissed. > > > At the same time, Qorer shouted, \"God, no!\"", "they move down to the next paragraph, whereas in the first case, the", "eyes catch that there are two speakers at first glance. When you read", "in one sentence with no pauses, it sort of runs together--which, in this", "is still clear by silhouette alone. All of these precautions are to make", "dare,\" Alexa hissed. > > > At the same time, Qorer shouted, \"God,", "there are two speakers at first glance. When you read it all in", "just spoken in theory, but bear with me. For example: > > \"You", "The reader doesn't realize that Alexa is talking over anyone until they move", "all in one sentence with no pauses, it sort of runs together--which, in", "my conundrum is this: what if the two bits of dialogue are sharing", "the same time that Qorer shouted, \"God, no!\" > > > If one", "same time, Qorer shouted, \"God, no!\" > > > ...then it becomes momentarily", "> > > At the same time, Qorer shouted, \"God, no!\" > >", "that even if one were to black out the entire character, their action", "one sentence with no pauses, it sort of runs together--which, in this case,", "the flow. It doesn't seem like much, but any small disruption can put", "the eyes catch that there are two speakers at first glance. When you", "disruption can put enough of a roadblock in the flow of a scene", "to black out the entire character, their action is still clear by silhouette", "runs together--which, in this case, is actually the intention. Let's relate this to", "clear by silhouette alone. All of these precautions are to make sure that", "these precautions are to make sure that a frame \"reads\" well; the viewer", "paragraph every time there's dialogue from a new speaker, but my conundrum is", "so... > > \"You wouldn't dare,\" Alexa hissed. > > > At the", "to make sure that a frame \"reads\" well; the viewer should be able", "it becomes momentarily unclear upon the first reading that two people are speaking", "this case, is actually the intention. Let's relate this to a different form", "one of the golden rules to start a new paragraph every time there's", "That might sound kind of odd just spoken in theory, but bear with", "the viewer should be able to tell what's going on the instant it", "enough of a roadblock in the flow of a scene to keep the", "doesn't seem like much, but any small disruption can put enough of a", "are two speakers at first glance. When you read it all in one", "follow manner, while poses should be clear enough so that even if one", "to the next paragraph, whereas in the first case, the eyes catch that", "is actually the intention. Let's relate this to a different form of storytelling:", "dialogue, like so... > > \"You wouldn't dare,\" Alexa hissed. > > >", "up the flow. It doesn't seem like much, but any small disruption can", "like so... > > \"You wouldn't dare,\" Alexa hissed. > > > At", "read it all in one sentence with no pauses, it sort of runs", "clunky and mess up the flow. It doesn't seem like much, but any", "upon the first reading that two people are speaking at the same time.", "paragraph, whereas in the first case, the eyes catch that there are two", "of dialogue are sharing a sentence? That might sound kind of odd just", "rules to start a new paragraph every time there's dialogue from a new", "talking over anyone until they move down to the next paragraph, whereas in", "together--which, in this case, is actually the intention. Let's relate this to a", "Let's relate this to a different form of storytelling: animation. Characters' positions on", "of runs together--which, in this case, is actually the intention. Let's relate this", "sure that a frame \"reads\" well; the viewer should be able to tell", "to move in an easy to follow manner, while poses should be clear", "if the two bits of dialogue are sharing a sentence? That might sound", "like much, but any small disruption can put enough of a roadblock in", "this: what if the two bits of dialogue are sharing a sentence? That", "different form of storytelling: animation. Characters' positions on the screen between scenes have", "flow. It doesn't seem like much, but any small disruption can put enough", "speaking at the same time. The reader doesn't realize that Alexa is talking", "first reading that two people are speaking at the same time. The reader", "make sure that a frame \"reads\" well; the viewer should be able to", "sort of runs together--which, in this case, is actually the intention. Let's relate", "the instant it appears on the screen. Sometimes, paragraph breaks can make things", "but any small disruption can put enough of a roadblock in the flow", "an easy to follow manner, while poses should be clear enough so that", "When you read it all in one sentence with no pauses, it sort", "new speaker, but my conundrum is this: what if the two bits of", "even if one were to black out the entire character, their action is", "> \"You wouldn't dare,\" Alexa hissed. > > > At the same time,", "what if the two bits of dialogue are sharing a sentence? That might", "Characters' positions on the screen between scenes have to move in an easy", "sentence? That might sound kind of odd just spoken in theory, but bear", "a different form of storytelling: animation. Characters' positions on the screen between scenes", "instant it appears on the screen. Sometimes, paragraph breaks can make things clunky", "anyone until they move down to the next paragraph, whereas in the first", "were to break the dialogue, like so... > > \"You wouldn't dare,\" Alexa", "realize that Alexa is talking over anyone until they move down to the", "of the golden rules to start a new paragraph every time there's dialogue", "speakers at first glance. When you read it all in one sentence with", "entire character, their action is still clear by silhouette alone. All of these", "can make things clunky and mess up the flow. It doesn't seem like", "on the instant it appears on the screen. Sometimes, paragraph breaks can make", "a new paragraph every time there's dialogue from a new speaker, but my", "\"reads\" well; the viewer should be able to tell what's going on the", "it appears on the screen. Sometimes, paragraph breaks can make things clunky and" ]
[ "never seen a human before and does not know what a human is,", "lightly packed that when he shed all those > pelts and layers his", "His claws were frail, his canines diminutive, and he > had to wrap", "which was so lightly packed that when he shed all those > pelts", "a foot taller than > him on his toes. His claws were frail,", "all angles and corners where the rest of us were curved. Even >", "all those > pelts and layers his belly barely bulged at all. >", "know it in a world populated by different animal-like species. The narrator (different", "around his head to avoid freezing his > oversized ears off. Not to", "> called that — which was so lightly packed that when he shed", "us were curved. Even > Nuktuk, the runt from a few miles seaward,", "direction of thinking, \"er, wait, isn't he just normal looking??\" But the comments", "the narrator pointing out all the differences between the MC and the people", "normal looking??\" But the comments I received said that it wasn't clear to", "problem is, if the narrator has never seen a human before and does", "ever seen anything like him before. The problem is, if the narrator has", "has never seen a human before and does not know what a human", "he was. So my question is: does anyone have any ideas on how", "the narrator has never seen a human before and does not know what", "in the direction of thinking, \"er, wait, isn't he just normal looking??\" But", "in a world populated by different animal-like species. The narrator (different character) is", "edge the reader in the direction of thinking, \"er, wait, isn't he just", "make it clear that the narrator's comments don't make sense in a human", "that the narrator's comments don't make sense in a human context (claws, blubber,", "to edge the reader in the direction of thinking, \"er, wait, isn't he", "of a species that resemble polar bears. As far as the characters (including", "exist: no one has ever seen anything like him before. The problem is,", "But the comments I received said that it wasn't clear to them what", "human to have ever existed. Hence the word \"human\" does not even exist:", "corners where the rest of us were curved. Even > Nuktuk, the runt", "we know it in a world populated by different animal-like species. The narrator", "species he was. So my question is: does anyone have any ideas on", "mention his blubber — if it could even be > called that —", "him before. The problem is, if the narrator has never seen a human", "was so lightly packed that when he shed all those > pelts and", "to wrap a length of fur around his head to avoid freezing his", "and does not know what a human is, how would he describe the", "> Nuktuk, the runt from a few miles seaward, towered a foot taller", "My protagonist is an average human as we know it in a world", "> > > I tried to make it clear that the narrator's comments", "ideas on how to clarify that a character is human without using the", "what a human is, how would he describe the human MC? What I", "before and does not know what a human is, how would he describe", "people of that region: > > He was all angles and corners where", "MC) are aware, the MC is the only/first human to have ever existed.", "received said that it wasn't clear to them what species he was. So", "wrap a length of fur around his head to avoid freezing his >", "is the only/first human to have ever existed. Hence the word \"human\" does", "comments I received said that it wasn't clear to them what species he", "and layers his belly barely bulged at all. > > > I tried", "Not to mention his blubber — if it could even be > called", "have written is simply the narrator pointing out all the differences between the", "(claws, blubber, etc) to edge the reader in the direction of thinking, \"er,", "world populated by different animal-like species. The narrator (different character) is a member", "taller than > him on his toes. His claws were frail, his canines", "at all. > > > I tried to make it clear that the", "was. So my question is: does anyone have any ideas on how to", "my question is: does anyone have any ideas on how to clarify that", "seen anything like him before. The problem is, if the narrator has never", "layers his belly barely bulged at all. > > > I tried to", "populated by different animal-like species. The narrator (different character) is a member of", "So my question is: does anyone have any ideas on how to clarify", "frail, his canines diminutive, and he > had to wrap a length of", "not know what a human is, how would he describe the human MC?", "that resemble polar bears. As far as the characters (including the narrator and", "few miles seaward, towered a foot taller than > him on his toes.", "— which was so lightly packed that when he shed all those >", "comments don't make sense in a human context (claws, blubber, etc) to edge", "claws were frail, his canines diminutive, and he > had to wrap a", "that it wasn't clear to them what species he was. So my question", "toes. His claws were frail, his canines diminutive, and he > had to", "human as we know it in a world populated by different animal-like species.", "on his toes. His claws were frail, his canines diminutive, and he >", "I received said that it wasn't clear to them what species he was.", "any ideas on how to clarify that a character is human without using", "sense in a human context (claws, blubber, etc) to edge the reader in", "than > him on his toes. His claws were frail, his canines diminutive,", "a human is, how would he describe the human MC? What I have", "no one has ever seen anything like him before. The problem is, if", "runt from a few miles seaward, towered a foot taller than > him", "as the characters (including the narrator and MC) are aware, the MC is", "does not even exist: no one has ever seen anything like him before.", "human MC? What I have written is simply the narrator pointing out all", "> > I tried to make it clear that the narrator's comments don't", "them what species he was. So my question is: does anyone have any", "could even be > called that — which was so lightly packed that", "the people of that region: > > He was all angles and corners", "of us were curved. Even > Nuktuk, the runt from a few miles", "to mention his blubber — if it could even be > called that", "the reader in the direction of thinking, \"er, wait, isn't he just normal", "\"human\" does not even exist: no one has ever seen anything like him", "it could even be > called that — which was so lightly packed", "so lightly packed that when he shed all those > pelts and layers", "have any ideas on how to clarify that a character is human without", "said that it wasn't clear to them what species he was. So my", "seen a human before and does not know what a human is, how", "were frail, his canines diminutive, and he > had to wrap a length", "clear that the narrator's comments don't make sense in a human context (claws,", "(including the narrator and MC) are aware, the MC is the only/first human", "when he shed all those > pelts and layers his belly barely bulged", "were curved. Even > Nuktuk, the runt from a few miles seaward, towered", "and corners where the rest of us were curved. Even > Nuktuk, the", "the MC is the only/first human to have ever existed. Hence the word", "the runt from a few miles seaward, towered a foot taller than >", "> had to wrap a length of fur around his head to avoid", "a length of fur around his head to avoid freezing his > oversized", "his > oversized ears off. Not to mention his blubber — if it", "blubber, etc) to edge the reader in the direction of thinking, \"er, wait,", "simply the narrator pointing out all the differences between the MC and the", "he shed all those > pelts and layers his belly barely bulged at", "does anyone have any ideas on how to clarify that a character is", "a member of a species that resemble polar bears. As far as the", "wait, isn't he just normal looking??\" But the comments I received said that", "— if it could even be > called that — which was so", "belly barely bulged at all. > > > I tried to make it", "not even exist: no one has ever seen anything like him before. The", "is an average human as we know it in a world populated by", "fur around his head to avoid freezing his > oversized ears off. Not", "the human MC? What I have written is simply the narrator pointing out", "barely bulged at all. > > > I tried to make it clear", "like him before. The problem is, if the narrator has never seen a", "the rest of us were curved. Even > Nuktuk, the runt from a", "species. The narrator (different character) is a member of a species that resemble", "written is simply the narrator pointing out all the differences between the MC", "the differences between the MC and the people of that region: > >", "narrator pointing out all the differences between the MC and the people of", "pointing out all the differences between the MC and the people of that", "that region: > > He was all angles and corners where the rest", "head to avoid freezing his > oversized ears off. Not to mention his", "it clear that the narrator's comments don't make sense in a human context", "don't make sense in a human context (claws, blubber, etc) to edge the", "make sense in a human context (claws, blubber, etc) to edge the reader", "differences between the MC and the people of that region: > > He", "shed all those > pelts and layers his belly barely bulged at all.", "What I have written is simply the narrator pointing out all the differences", "it wasn't clear to them what species he was. So my question is:", "average human as we know it in a world populated by different animal-like", "seaward, towered a foot taller than > him on his toes. His claws", "narrator (different character) is a member of a species that resemble polar bears.", "protagonist is an average human as we know it in a world populated", "his belly barely bulged at all. > > > I tried to make", "foot taller than > him on his toes. His claws were frail, his", "MC and the people of that region: > > He was all angles", "it in a world populated by different animal-like species. The narrator (different character)", "MC? What I have written is simply the narrator pointing out all the", "is, if the narrator has never seen a human before and does not", "the narrator's comments don't make sense in a human context (claws, blubber, etc)", "where the rest of us were curved. Even > Nuktuk, the runt from", "to make it clear that the narrator's comments don't make sense in a", "As far as the characters (including the narrator and MC) are aware, the", "anything like him before. The problem is, if the narrator has never seen", "called that — which was so lightly packed that when he shed all", "> I tried to make it clear that the narrator's comments don't make", "a species that resemble polar bears. As far as the characters (including the", "of that region: > > He was all angles and corners where the", "region: > > He was all angles and corners where the rest of", "is, how would he describe the human MC? What I have written is", "narrator's comments don't make sense in a human context (claws, blubber, etc) to", "the narrator and MC) are aware, the MC is the only/first human to", "does not know what a human is, how would he describe the human", "The problem is, if the narrator has never seen a human before and", "the only/first human to have ever existed. Hence the word \"human\" does not", "word \"human\" does not even exist: no one has ever seen anything like", "by different animal-like species. The narrator (different character) is a member of a", "curved. Even > Nuktuk, the runt from a few miles seaward, towered a", "He was all angles and corners where the rest of us were curved.", "was all angles and corners where the rest of us were curved. Even", "miles seaward, towered a foot taller than > him on his toes. His", "his toes. His claws were frail, his canines diminutive, and he > had", "to avoid freezing his > oversized ears off. Not to mention his blubber", "to them what species he was. So my question is: does anyone have", "different animal-like species. The narrator (different character) is a member of a species", "human is, how would he describe the human MC? What I have written", "The narrator (different character) is a member of a species that resemble polar", "I have written is simply the narrator pointing out all the differences between", "is simply the narrator pointing out all the differences between the MC and", "bears. As far as the characters (including the narrator and MC) are aware,", "packed that when he shed all those > pelts and layers his belly", "Nuktuk, the runt from a few miles seaward, towered a foot taller than", "just normal looking??\" But the comments I received said that it wasn't clear", "what species he was. So my question is: does anyone have any ideas", "isn't he just normal looking??\" But the comments I received said that it", "from a few miles seaward, towered a foot taller than > him on", "> pelts and layers his belly barely bulged at all. > > >", "freezing his > oversized ears off. Not to mention his blubber — if", "be > called that — which was so lightly packed that when he", "blubber — if it could even be > called that — which was", "of thinking, \"er, wait, isn't he just normal looking??\" But the comments I", "oversized ears off. Not to mention his blubber — if it could even", "etc) to edge the reader in the direction of thinking, \"er, wait, isn't", "an average human as we know it in a world populated by different", "polar bears. As far as the characters (including the narrator and MC) are", "resemble polar bears. As far as the characters (including the narrator and MC)", "clear to them what species he was. So my question is: does anyone", "even be > called that — which was so lightly packed that when", "his blubber — if it could even be > called that — which", "one has ever seen anything like him before. The problem is, if the", "member of a species that resemble polar bears. As far as the characters", "I tried to make it clear that the narrator's comments don't make sense", "avoid freezing his > oversized ears off. Not to mention his blubber —", "in a human context (claws, blubber, etc) to edge the reader in the", "anyone have any ideas on how to clarify that a character is human", "to have ever existed. Hence the word \"human\" does not even exist: no", "the characters (including the narrator and MC) are aware, the MC is the", "species that resemble polar bears. As far as the characters (including the narrator", "aware, the MC is the only/first human to have ever existed. Hence the", "ever existed. Hence the word \"human\" does not even exist: no one has", "had to wrap a length of fur around his head to avoid freezing", "all. > > > I tried to make it clear that the narrator's", "describe the human MC? What I have written is simply the narrator pointing", "narrator has never seen a human before and does not know what a", "tried to make it clear that the narrator's comments don't make sense in", "far as the characters (including the narrator and MC) are aware, the MC", "pelts and layers his belly barely bulged at all. > > > I", "ears off. Not to mention his blubber — if it could even be", "a few miles seaward, towered a foot taller than > him on his", "a human before and does not know what a human is, how would", "is a member of a species that resemble polar bears. As far as", "Even > Nuktuk, the runt from a few miles seaward, towered a foot", "has ever seen anything like him before. The problem is, if the narrator", "looking??\" But the comments I received said that it wasn't clear to them", "he just normal looking??\" But the comments I received said that it wasn't", "wasn't clear to them what species he was. So my question is: does", "on how to clarify that a character is human without using the word", "and the people of that region: > > He was all angles and", "Hence the word \"human\" does not even exist: no one has ever seen", "diminutive, and he > had to wrap a length of fur around his", "> He was all angles and corners where the rest of us were", "that when he shed all those > pelts and layers his belly barely", "how to clarify that a character is human without using the word \"human\"?", "have ever existed. Hence the word \"human\" does not even exist: no one", "even exist: no one has ever seen anything like him before. The problem", "and he > had to wrap a length of fur around his head", "him on his toes. His claws were frail, his canines diminutive, and he", "are aware, the MC is the only/first human to have ever existed. Hence", "his canines diminutive, and he > had to wrap a length of fur", "question is: does anyone have any ideas on how to clarify that a", "if the narrator has never seen a human before and does not know", "the direction of thinking, \"er, wait, isn't he just normal looking??\" But the", "if it could even be > called that — which was so lightly", "would he describe the human MC? What I have written is simply the", "existed. Hence the word \"human\" does not even exist: no one has ever", "characters (including the narrator and MC) are aware, the MC is the only/first", "MC is the only/first human to have ever existed. Hence the word \"human\"", "out all the differences between the MC and the people of that region:", "angles and corners where the rest of us were curved. Even > Nuktuk,", "rest of us were curved. Even > Nuktuk, the runt from a few", "thinking, \"er, wait, isn't he just normal looking??\" But the comments I received", "is: does anyone have any ideas on how to clarify that a character", "his head to avoid freezing his > oversized ears off. Not to mention", "> oversized ears off. Not to mention his blubber — if it could", "character) is a member of a species that resemble polar bears. As far", "length of fur around his head to avoid freezing his > oversized ears", "the word \"human\" does not even exist: no one has ever seen anything", "between the MC and the people of that region: > > He was", "that — which was so lightly packed that when he shed all those", "know what a human is, how would he describe the human MC? What", "all the differences between the MC and the people of that region: >", "before. The problem is, if the narrator has never seen a human before", "he > had to wrap a length of fur around his head to", "as we know it in a world populated by different animal-like species. The", "towered a foot taller than > him on his toes. His claws were", "off. Not to mention his blubber — if it could even be >", "bulged at all. > > > I tried to make it clear that", "narrator and MC) are aware, the MC is the only/first human to have", "canines diminutive, and he > had to wrap a length of fur around", "\"er, wait, isn't he just normal looking??\" But the comments I received said", "only/first human to have ever existed. Hence the word \"human\" does not even", "how would he describe the human MC? What I have written is simply", "> him on his toes. His claws were frail, his canines diminutive, and", "and MC) are aware, the MC is the only/first human to have ever", "a human context (claws, blubber, etc) to edge the reader in the direction", "context (claws, blubber, etc) to edge the reader in the direction of thinking,", "of fur around his head to avoid freezing his > oversized ears off.", "he describe the human MC? What I have written is simply the narrator", "the comments I received said that it wasn't clear to them what species", "> > He was all angles and corners where the rest of us", "(different character) is a member of a species that resemble polar bears. As", "reader in the direction of thinking, \"er, wait, isn't he just normal looking??\"", "animal-like species. The narrator (different character) is a member of a species that", "those > pelts and layers his belly barely bulged at all. > >", "a world populated by different animal-like species. The narrator (different character) is a", "the MC and the people of that region: > > He was all", "human context (claws, blubber, etc) to edge the reader in the direction of", "human before and does not know what a human is, how would he" ]
[ "even made contracts we never got to sign. I am tired of working", "they had only made about 30 pages of dialogue content. Over the next", "8 months I wrote hundreds of pages of quest dialogue and remade the", "premade and they had only made about 30 pages of dialogue content. Over", "little help for no pay. If I leave, will they be able to", "game. I also did many other things as well and spent hundreds of", "narrative designer for the game. I had to use characters they had premade", "the game. I also did many other things as well and spent hundreds", "am tired of working and making this game with little help for no", "funding and even made contracts we never got to sign. I am tired", "months I wrote hundreds of pages of quest dialogue and remade the game.", "characters they had premade and they had only made about 30 pages of", "I leave, will they be able to take all my content and use", "I wrote hundreds of pages of quest dialogue and remade the game. I", "we never got to sign. I am tired of working and making this", "of hours working without pay. Their developer kept telling me he would get", "to write dialogue for quests. They loved my writing and I quickly became", "30 pages of dialogue content. Over the next 8 months I wrote hundreds", "no pay. If I leave, will they be able to take all my", "months ago a small game development company approached me to write dialogue for", "of working and making this game with little help for no pay. If", "to sign. I am tired of working and making this game with little", "and even made contracts we never got to sign. I am tired of", "content. Over the next 8 months I wrote hundreds of pages of quest", "well and spent hundreds of hours working without pay. Their developer kept telling", "remade the game. I also did many other things as well and spent", "got to sign. I am tired of working and making this game with", "help for no pay. If I leave, will they be able to take", "me to write dialogue for quests. They loved my writing and I quickly", "writing and I quickly became the narrative designer for the game. I had", "and spent hundreds of hours working without pay. Their developer kept telling me", "sign. I am tired of working and making this game with little help", "hundreds of hours working without pay. Their developer kept telling me he would", "he would get funding and even made contracts we never got to sign.", "contracts we never got to sign. I am tired of working and making", "for the game. I had to use characters they had premade and they", "they be able to take all my content and use it since I", "to take all my content and use it since I wrote with their", "the next 8 months I wrote hundreds of pages of quest dialogue and", "as well and spent hundreds of hours working without pay. Their developer kept", "of pages of quest dialogue and remade the game. I also did many", "without pay. Their developer kept telling me he would get funding and even", "will they be able to take all my content and use it since", "take all my content and use it since I wrote with their characters?", "pay. Their developer kept telling me he would get funding and even made", "would get funding and even made contracts we never got to sign. I", "write dialogue for quests. They loved my writing and I quickly became the", "made contracts we never got to sign. I am tired of working and", "me he would get funding and even made contracts we never got to", "be able to take all my content and use it since I wrote", "quest dialogue and remade the game. I also did many other things as", "pages of quest dialogue and remade the game. I also did many other", "I am tired of working and making this game with little help for", "and remade the game. I also did many other things as well and", "dialogue for quests. They loved my writing and I quickly became the narrative", "a small game development company approached me to write dialogue for quests. They", "wrote hundreds of pages of quest dialogue and remade the game. I also", "designer for the game. I had to use characters they had premade and", "telling me he would get funding and even made contracts we never got", "able to take all my content and use it since I wrote with", "the game. I had to use characters they had premade and they had", "to use characters they had premade and they had only made about 30", "If I leave, will they be able to take all my content and", "with little help for no pay. If I leave, will they be able", "working without pay. Their developer kept telling me he would get funding and", "things as well and spent hundreds of hours working without pay. Their developer", "for quests. They loved my writing and I quickly became the narrative designer", "ago a small game development company approached me to write dialogue for quests.", "I quickly became the narrative designer for the game. I had to use", "kept telling me he would get funding and even made contracts we never", "of dialogue content. Over the next 8 months I wrote hundreds of pages", "company approached me to write dialogue for quests. They loved my writing and", "use characters they had premade and they had only made about 30 pages", "the narrative designer for the game. I had to use characters they had", "game with little help for no pay. If I leave, will they be", "development company approached me to write dialogue for quests. They loved my writing", "get funding and even made contracts we never got to sign. I am", "leave, will they be able to take all my content and use it", "game. I had to use characters they had premade and they had only", "never got to sign. I am tired of working and making this game", "had to use characters they had premade and they had only made about", "developer kept telling me he would get funding and even made contracts we", "approached me to write dialogue for quests. They loved my writing and I", "About 8 months ago a small game development company approached me to write", "also did many other things as well and spent hundreds of hours working", "other things as well and spent hundreds of hours working without pay. Their", "I also did many other things as well and spent hundreds of hours", "for no pay. If I leave, will they be able to take all", "next 8 months I wrote hundreds of pages of quest dialogue and remade", "Over the next 8 months I wrote hundreds of pages of quest dialogue", "about 30 pages of dialogue content. Over the next 8 months I wrote", "Their developer kept telling me he would get funding and even made contracts", "pay. If I leave, will they be able to take all my content", "pages of dialogue content. Over the next 8 months I wrote hundreds of", "small game development company approached me to write dialogue for quests. They loved", "of quest dialogue and remade the game. I also did many other things", "became the narrative designer for the game. I had to use characters they", "had premade and they had only made about 30 pages of dialogue content.", "loved my writing and I quickly became the narrative designer for the game.", "they had premade and they had only made about 30 pages of dialogue", "making this game with little help for no pay. If I leave, will", "quests. They loved my writing and I quickly became the narrative designer for", "hours working without pay. Their developer kept telling me he would get funding", "many other things as well and spent hundreds of hours working without pay.", "quickly became the narrative designer for the game. I had to use characters", "dialogue and remade the game. I also did many other things as well", "this game with little help for no pay. If I leave, will they", "made about 30 pages of dialogue content. Over the next 8 months I", "and they had only made about 30 pages of dialogue content. Over the", "tired of working and making this game with little help for no pay.", "did many other things as well and spent hundreds of hours working without", "8 months ago a small game development company approached me to write dialogue", "I had to use characters they had premade and they had only made", "had only made about 30 pages of dialogue content. Over the next 8", "and making this game with little help for no pay. If I leave,", "spent hundreds of hours working without pay. Their developer kept telling me he", "They loved my writing and I quickly became the narrative designer for the", "dialogue content. Over the next 8 months I wrote hundreds of pages of", "working and making this game with little help for no pay. If I", "my writing and I quickly became the narrative designer for the game. I", "and I quickly became the narrative designer for the game. I had to", "only made about 30 pages of dialogue content. Over the next 8 months", "hundreds of pages of quest dialogue and remade the game. I also did", "game development company approached me to write dialogue for quests. They loved my" ]
[ "daddy to mom and dad. I know there is no specific year-age, but", "year-age, but at least some sort of age like 6-8, or 8-10? I", "from calling their parents, mommy, and daddy to mom and dad. I know", "I know there is no specific year-age, but at least some sort of", "children switch from calling their parents, mommy, and daddy to mom and dad.", "at which age children switch from calling their parents, mommy, and daddy to", "specific year-age, but at least some sort of age like 6-8, or 8-10?", "their parents, mommy, and daddy to mom and dad. I know there is", "am asking because I never know if a character should address his parent", "I am asking because I never know if a character should address his", "but at least some sort of age like 6-8, or 8-10? I am", "least some sort of age like 6-8, or 8-10? I am asking because", "those from the USA, any idea at which age children switch from calling", "or 8-10? I am asking because I never know if a character should", "dad. I know there is no specific year-age, but at least some sort", "age like 6-8, or 8-10? I am asking because I never know if", "know there is no specific year-age, but at least some sort of age", "and daddy to mom and dad. I know there is no specific year-age,", "sort of age like 6-8, or 8-10? I am asking because I never", "like 6-8, or 8-10? I am asking because I never know if a", "at least some sort of age like 6-8, or 8-10? I am asking", "mommy, and daddy to mom and dad. I know there is no specific", "which age children switch from calling their parents, mommy, and daddy to mom", "USA, any idea at which age children switch from calling their parents, mommy,", "mom and dad. I know there is no specific year-age, but at least", "of age like 6-8, or 8-10? I am asking because I never know", "switch from calling their parents, mommy, and daddy to mom and dad. I", "from the USA, any idea at which age children switch from calling their", "no specific year-age, but at least some sort of age like 6-8, or", "calling their parents, mommy, and daddy to mom and dad. I know there", "For those from the USA, any idea at which age children switch from", "because I never know if a character should address his parent mom or", "there is no specific year-age, but at least some sort of age like", "idea at which age children switch from calling their parents, mommy, and daddy", "is no specific year-age, but at least some sort of age like 6-8,", "to mom and dad. I know there is no specific year-age, but at", "parents, mommy, and daddy to mom and dad. I know there is no", "any idea at which age children switch from calling their parents, mommy, and", "some sort of age like 6-8, or 8-10? I am asking because I", "6-8, or 8-10? I am asking because I never know if a character", "I never know if a character should address his parent mom or mommy.", "and dad. I know there is no specific year-age, but at least some", "asking because I never know if a character should address his parent mom", "age children switch from calling their parents, mommy, and daddy to mom and", "the USA, any idea at which age children switch from calling their parents,", "8-10? I am asking because I never know if a character should address" ]
[ "couldn't find any, and wondered how one would structure that, and how good", "their lives, giving a little bit of insight into the upcoming chapter's story.", "other people's views on this but couldn't find any, and wondered how one", "where the late husband of my protagonist describes parts of their lives, giving", "good of an idea it actually is. Random example: That's the Sam i", "parts of their lives, giving a little bit of insight into the upcoming", "my writing process. To summarise quickly, what i intend to do is have", "of writing my first novel, and I'm a little unsure about one of", "upcoming chapter's story. Looked around for other people's views on this but couldn't", "story. Looked around for other people's views on this but couldn't find any,", "little bit of insight into the upcoming chapter's story. Looked around for other", "of my writing process. To summarise quickly, what i intend to do is", "writing my first novel, and I'm a little unsure about one of the", "the main features of my writing process. To summarise quickly, what i intend", "a little unsure about one of the main features of my writing process.", "process. To summarise quickly, what i intend to do is have a short", "summarise quickly, what i intend to do is have a short section at", "quickly, what i intend to do is have a short section at the", "views on this but couldn't find any, and wondered how one would structure", "i intend to do is have a short section at the beginning of", "intend to do is have a short section at the beginning of each", "my first novel, and I'm a little unsure about one of the main", "insight into the upcoming chapter's story. Looked around for other people's views on", "knew, she always hated the dark - It was dark, Sam hated it", "the upcoming chapter's story. Looked around for other people's views on this but", "Looked around for other people's views on this but couldn't find any, and", "about one of the main features of my writing process. To summarise quickly,", "husband of my protagonist describes parts of their lives, giving a little bit", "writing process. To summarise quickly, what i intend to do is have a", "do is have a short section at the beginning of each chapter where", "and I'm a little unsure about one of the main features of my", "That's the Sam i knew, she always hated the dark - It was", "example: That's the Sam i knew, she always hated the dark - It", "late husband of my protagonist describes parts of their lives, giving a little", "beginning of each chapter where the late husband of my protagonist describes parts", "of an idea it actually is. Random example: That's the Sam i knew,", "people's views on this but couldn't find any, and wondered how one would", "the late husband of my protagonist describes parts of their lives, giving a", "have a short section at the beginning of each chapter where the late", "main features of my writing process. To summarise quickly, what i intend to", "that, and how good of an idea it actually is. Random example: That's", "an idea it actually is. Random example: That's the Sam i knew, she", "Random example: That's the Sam i knew, she always hated the dark -", "of insight into the upcoming chapter's story. Looked around for other people's views", "one would structure that, and how good of an idea it actually is.", "what i intend to do is have a short section at the beginning", "in the process of writing my first novel, and I'm a little unsure", "to do is have a short section at the beginning of each chapter", "of the main features of my writing process. To summarise quickly, what i", "a short section at the beginning of each chapter where the late husband", "I'm a little unsure about one of the main features of my writing", "one of the main features of my writing process. To summarise quickly, what", "is. Random example: That's the Sam i knew, she always hated the dark", "each chapter where the late husband of my protagonist describes parts of their", "structure that, and how good of an idea it actually is. Random example:", "into the upcoming chapter's story. Looked around for other people's views on this", "for other people's views on this but couldn't find any, and wondered how", "protagonist describes parts of their lives, giving a little bit of insight into", "is have a short section at the beginning of each chapter where the", "it actually is. Random example: That's the Sam i knew, she always hated", "how one would structure that, and how good of an idea it actually", "giving a little bit of insight into the upcoming chapter's story. Looked around", "first novel, and I'm a little unsure about one of the main features", "the beginning of each chapter where the late husband of my protagonist describes", "of each chapter where the late husband of my protagonist describes parts of", "chapter where the late husband of my protagonist describes parts of their lives,", "this but couldn't find any, and wondered how one would structure that, and", "little unsure about one of the main features of my writing process. To", "To summarise quickly, what i intend to do is have a short section", "wondered how one would structure that, and how good of an idea it", "find any, and wondered how one would structure that, and how good of", "and wondered how one would structure that, and how good of an idea", "the process of writing my first novel, and I'm a little unsure about", "i knew, she always hated the dark - It was dark, Sam hated", "at the beginning of each chapter where the late husband of my protagonist", "I'm currently in the process of writing my first novel, and I'm a", "short section at the beginning of each chapter where the late husband of", "section at the beginning of each chapter where the late husband of my", "describes parts of their lives, giving a little bit of insight into the", "would structure that, and how good of an idea it actually is. Random", "idea it actually is. Random example: That's the Sam i knew, she always", "the Sam i knew, she always hated the dark - It was dark,", "a little bit of insight into the upcoming chapter's story. Looked around for", "actually is. Random example: That's the Sam i knew, she always hated the", "currently in the process of writing my first novel, and I'm a little", "process of writing my first novel, and I'm a little unsure about one", "how good of an idea it actually is. Random example: That's the Sam", "on this but couldn't find any, and wondered how one would structure that,", "of their lives, giving a little bit of insight into the upcoming chapter's", "lives, giving a little bit of insight into the upcoming chapter's story. Looked", "around for other people's views on this but couldn't find any, and wondered", "any, and wondered how one would structure that, and how good of an", "and how good of an idea it actually is. Random example: That's the", "of my protagonist describes parts of their lives, giving a little bit of", "but couldn't find any, and wondered how one would structure that, and how", "chapter's story. Looked around for other people's views on this but couldn't find", "Sam i knew, she always hated the dark - It was dark, Sam", "novel, and I'm a little unsure about one of the main features of", "bit of insight into the upcoming chapter's story. Looked around for other people's", "features of my writing process. To summarise quickly, what i intend to do", "unsure about one of the main features of my writing process. To summarise", "my protagonist describes parts of their lives, giving a little bit of insight" ]
[ "easier on the reader, but I am afraid this would drag too far", "involves the higher-ups. What alternate techniques could I employ without diving into \"as", "in format, more needs to simply happen - which I am entirely okay", "change in format, more needs to simply happen - which I am entirely", "feature of the universe in which it is set is that death (and", "I have considered introducing a new protagonist into the role of new employee", "on the reader, but I am afraid this would drag too far away", "that death (and by extension afterlife, destiny and the flow of time itself)", "it is set is that death (and by extension afterlife, destiny and the", "of re-writing my play Black Tape as a novel. Because of the change", "by extension afterlife, destiny and the flow of time itself) is run as", "bureaucratic LLC. I have considered introducing a new protagonist into the role of", "of new employee to make transition into this world easier on the reader,", "with. Main feature of the universe in which it is set is that", "play Black Tape as a novel. Because of the change in format, more", "simply happen - which I am entirely okay with. Main feature of the", "considered introducing a new protagonist into the role of new employee to make", "am afraid this would drag too far away from the main story which", "afraid this would drag too far away from the main story which mostly", "the higher-ups. What alternate techniques could I employ without diving into \"as you", "Black Tape as a novel. Because of the change in format, more needs", "time itself) is run as a heavily bureaucratic LLC. I have considered introducing", "am currently in the process of re-writing my play Black Tape as a", "LLC. I have considered introducing a new protagonist into the role of new", "format, more needs to simply happen - which I am entirely okay with.", "happen - which I am entirely okay with. Main feature of the universe", "role of new employee to make transition into this world easier on the", "universe in which it is set is that death (and by extension afterlife,", "a new protagonist into the role of new employee to make transition into", "death (and by extension afterlife, destiny and the flow of time itself) is", "into this world easier on the reader, but I am afraid this would", "Tape as a novel. Because of the change in format, more needs to", "run as a heavily bureaucratic LLC. I have considered introducing a new protagonist", "of the universe in which it is set is that death (and by", "of time itself) is run as a heavily bureaucratic LLC. I have considered", "world easier on the reader, but I am afraid this would drag too", "would drag too far away from the main story which mostly involves the", "drag too far away from the main story which mostly involves the higher-ups.", "employee to make transition into this world easier on the reader, but I", "is set is that death (and by extension afterlife, destiny and the flow", "far away from the main story which mostly involves the higher-ups. What alternate", "I am entirely okay with. Main feature of the universe in which it", "as a novel. Because of the change in format, more needs to simply", "the process of re-writing my play Black Tape as a novel. Because of", "flow of time itself) is run as a heavily bureaucratic LLC. I have", "away from the main story which mostly involves the higher-ups. What alternate techniques", "re-writing my play Black Tape as a novel. Because of the change in", "this would drag too far away from the main story which mostly involves", "the main story which mostly involves the higher-ups. What alternate techniques could I", "I am currently in the process of re-writing my play Black Tape as", "destiny and the flow of time itself) is run as a heavily bureaucratic", "afterlife, destiny and the flow of time itself) is run as a heavily", "set is that death (and by extension afterlife, destiny and the flow of", "Main feature of the universe in which it is set is that death", "novel. Because of the change in format, more needs to simply happen -", "am entirely okay with. Main feature of the universe in which it is", "entirely okay with. Main feature of the universe in which it is set", "which mostly involves the higher-ups. What alternate techniques could I employ without diving", "itself) is run as a heavily bureaucratic LLC. I have considered introducing a", "a heavily bureaucratic LLC. I have considered introducing a new protagonist into the", "story which mostly involves the higher-ups. What alternate techniques could I employ without", "new protagonist into the role of new employee to make transition into this", "is that death (and by extension afterlife, destiny and the flow of time", "okay with. Main feature of the universe in which it is set is", "is run as a heavily bureaucratic LLC. I have considered introducing a new", "as a heavily bureaucratic LLC. I have considered introducing a new protagonist into", "introducing a new protagonist into the role of new employee to make transition", "make transition into this world easier on the reader, but I am afraid", "protagonist into the role of new employee to make transition into this world", "to make transition into this world easier on the reader, but I am", "from the main story which mostly involves the higher-ups. What alternate techniques could", "extension afterlife, destiny and the flow of time itself) is run as a", "Because of the change in format, more needs to simply happen - which", "heavily bureaucratic LLC. I have considered introducing a new protagonist into the role", "mostly involves the higher-ups. What alternate techniques could I employ without diving into", "needs to simply happen - which I am entirely okay with. Main feature", "reader, but I am afraid this would drag too far away from the", "the flow of time itself) is run as a heavily bureaucratic LLC. I", "main story which mostly involves the higher-ups. What alternate techniques could I employ", "too far away from the main story which mostly involves the higher-ups. What", "have considered introducing a new protagonist into the role of new employee to", "higher-ups. What alternate techniques could I employ without diving into \"as you know\"", "the role of new employee to make transition into this world easier on", "process of re-writing my play Black Tape as a novel. Because of the", "the change in format, more needs to simply happen - which I am", "of the change in format, more needs to simply happen - which I", "transition into this world easier on the reader, but I am afraid this", "to simply happen - which I am entirely okay with. Main feature of", "the universe in which it is set is that death (and by extension", "a novel. Because of the change in format, more needs to simply happen", "the reader, but I am afraid this would drag too far away from", "more needs to simply happen - which I am entirely okay with. Main", "currently in the process of re-writing my play Black Tape as a novel.", "- which I am entirely okay with. Main feature of the universe in", "(and by extension afterlife, destiny and the flow of time itself) is run", "in which it is set is that death (and by extension afterlife, destiny", "but I am afraid this would drag too far away from the main", "which I am entirely okay with. Main feature of the universe in which", "which it is set is that death (and by extension afterlife, destiny and", "this world easier on the reader, but I am afraid this would drag", "my play Black Tape as a novel. Because of the change in format,", "I am afraid this would drag too far away from the main story", "into the role of new employee to make transition into this world easier", "What alternate techniques could I employ without diving into \"as you know\" territory?", "in the process of re-writing my play Black Tape as a novel. Because", "and the flow of time itself) is run as a heavily bureaucratic LLC.", "new employee to make transition into this world easier on the reader, but" ]
[ "in it. Does anybody know about it? I would like to know more", "number of poets and poetesses in it. Does anybody know about it? I", "found this website and could see huge number of poets and poetesses in", "Does anybody know about it? I would like to know more about this", "I've found this website and could see huge number of poets and poetesses", "could see huge number of poets and poetesses in it. Does anybody know", "poetesses in it. Does anybody know about it? I would like to know", "it. Does anybody know about it? I would like to know more about", "of poets and poetesses in it. Does anybody know about it? I would", "and could see huge number of poets and poetesses in it. Does anybody", "huge number of poets and poetesses in it. Does anybody know about it?", "poets and poetesses in it. Does anybody know about it? I would like", "anybody know about it? I would like to know more about this website.", "and poetesses in it. Does anybody know about it? I would like to", "website and could see huge number of poets and poetesses in it. Does", "this website and could see huge number of poets and poetesses in it.", "see huge number of poets and poetesses in it. Does anybody know about" ]
[ "characters for this, and settings, and a plot, I'm also concerned that I", "about how smoking is bad. I write a story where a kid's mom", "Ayn Rand's work (not her philosophies, but just the type of book itself).", "some of Ayn Rand's work (not her philosophies, but just the type of", "work (not her philosophies, but just the type of book itself). Other than", "(not her philosophies, but just the type of book itself). Other than how", "I want to write a book about how smoking is bad. I write", "Other than how difficult it is to create characters for this, and settings,", "a book that explores a sort of philosophical theory. Similar to some of", "question; it's probably not very clear. I've got this idea for a book", "example I want to write a book about how smoking is bad. I", "gets second hand smoking and gets emphysema. The message is pretty clear and", "emphysema. The message is pretty clear and people might hate because it's preachy.", "and people might hate because it's preachy. I don't want to do that.", "a story where a kid's mom gets lung cancer and dies and he", "to tell the reader outright what I want them to think. No \"Thus", "Rand's work (not her philosophies, but just the type of book itself). Other", "difficult it is to create characters for this, and settings, and a plot,", "so that it poses questions to the reader and makes them think and", "the reader and makes them think and begin to see the argument? Say", "sort of philosophical theory. Similar to some of Ayn Rand's work (not her", "hand smoking and gets emphysema. The message is pretty clear and people might", "idea for a book that explores a sort of philosophical theory. Similar to", "the type of book itself). Other than how difficult it is to create", "The message is pretty clear and people might hate because it's preachy. I", "reader outright what I want them to think. No \"Thus we see…\" I", "book itself). Other than how difficult it is to create characters for this,", "want them to think. No \"Thus we see…\" I don't want them to", "for the wording of my question; it's probably not very clear. I've got", "them think and begin to see the argument? Say for example I want", "wording of my question; it's probably not very clear. I've got this idea", "don't want to tell the reader outright what I want them to think.", "for this, and settings, and a plot, I'm also concerned that I might", "argument? Say for example I want to write a book about how smoking", "them to feel like this is preaching. How do you create it so", "see the argument? Say for example I want to write a book about", "settings, and a plot, I'm also concerned that I might not portray it", "that explores a sort of philosophical theory. Similar to some of Ayn Rand's", "lung cancer and dies and he gets second hand smoking and gets emphysema.", "reader and makes them think and begin to see the argument? Say for", "that I might not portray it correctly. I don't want to tell the", "and gets emphysema. The message is pretty clear and people might hate because", "theory. Similar to some of Ayn Rand's work (not her philosophies, but just", "it poses questions to the reader and makes them think and begin to", "to write a book about how smoking is bad. I write a story", "do you create it so that it poses questions to the reader and", "gets emphysema. The message is pretty clear and people might hate because it's", "clear and people might hate because it's preachy. I don't want to do", "smoking and gets emphysema. The message is pretty clear and people might hate", "want them to feel like this is preaching. How do you create it", "the wording of my question; it's probably not very clear. I've got this", "is bad. I write a story where a kid's mom gets lung cancer", "the reader outright what I want them to think. No \"Thus we see…\"", "of book itself). Other than how difficult it is to create characters for", "I write a story where a kid's mom gets lung cancer and dies", "not very clear. I've got this idea for a book that explores a", "just the type of book itself). Other than how difficult it is to", "to the reader and makes them think and begin to see the argument?", "book about how smoking is bad. I write a story where a kid's", "I want them to think. No \"Thus we see…\" I don't want them", "where a kid's mom gets lung cancer and dies and he gets second", "and settings, and a plot, I'm also concerned that I might not portray", "Say for example I want to write a book about how smoking is", "not portray it correctly. I don't want to tell the reader outright what", "like this is preaching. How do you create it so that it poses", "poses questions to the reader and makes them think and begin to see", "we see…\" I don't want them to feel like this is preaching. How", "story where a kid's mom gets lung cancer and dies and he gets", "of Ayn Rand's work (not her philosophies, but just the type of book", "tell the reader outright what I want them to think. No \"Thus we", "also concerned that I might not portray it correctly. I don't want to", "I'm also concerned that I might not portray it correctly. I don't want", "of my question; it's probably not very clear. I've got this idea for", "philosophical theory. Similar to some of Ayn Rand's work (not her philosophies, but", "philosophies, but just the type of book itself). Other than how difficult it", "message is pretty clear and people might hate because it's preachy. I don't", "a plot, I'm also concerned that I might not portray it correctly. I", "what I want them to think. No \"Thus we see…\" I don't want", "book that explores a sort of philosophical theory. Similar to some of Ayn", "and begin to see the argument? Say for example I want to write", "a kid's mom gets lung cancer and dies and he gets second hand", "for a book that explores a sort of philosophical theory. Similar to some", "to think. No \"Thus we see…\" I don't want them to feel like", "pretty clear and people might hate because it's preachy. I don't want to", "to see the argument? Say for example I want to write a book", "for example I want to write a book about how smoking is bad.", "he gets second hand smoking and gets emphysema. The message is pretty clear", "concerned that I might not portray it correctly. I don't want to tell", "a book about how smoking is bad. I write a story where a", "than how difficult it is to create characters for this, and settings, and", "dies and he gets second hand smoking and gets emphysema. The message is", "how difficult it is to create characters for this, and settings, and a", "it so that it poses questions to the reader and makes them think", "that it poses questions to the reader and makes them think and begin", "gets lung cancer and dies and he gets second hand smoking and gets", "see…\" I don't want them to feel like this is preaching. How do", "write a book about how smoking is bad. I write a story where", "plot, I'm also concerned that I might not portray it correctly. I don't", "is preaching. How do you create it so that it poses questions to", "preaching. How do you create it so that it poses questions to the", "bad. I write a story where a kid's mom gets lung cancer and", "want to write a book about how smoking is bad. I write a", "my question; it's probably not very clear. I've got this idea for a", "create characters for this, and settings, and a plot, I'm also concerned that", "How do you create it so that it poses questions to the reader", "very clear. I've got this idea for a book that explores a sort", "type of book itself). Other than how difficult it is to create characters", "it's probably not very clear. I've got this idea for a book that", "want to tell the reader outright what I want them to think. No", "to create characters for this, and settings, and a plot, I'm also concerned", "the argument? Say for example I want to write a book about how", "feel like this is preaching. How do you create it so that it", "create it so that it poses questions to the reader and makes them", "is pretty clear and people might hate because it's preachy. I don't want", "clear. I've got this idea for a book that explores a sort of", "got this idea for a book that explores a sort of philosophical theory.", "her philosophies, but just the type of book itself). Other than how difficult", "but just the type of book itself). Other than how difficult it is", "\"Thus we see…\" I don't want them to feel like this is preaching.", "you create it so that it poses questions to the reader and makes", "itself). Other than how difficult it is to create characters for this, and", "I might not portray it correctly. I don't want to tell the reader", "No \"Thus we see…\" I don't want them to feel like this is", "write a story where a kid's mom gets lung cancer and dies and", "might not portray it correctly. I don't want to tell the reader outright", "mom gets lung cancer and dies and he gets second hand smoking and", "of philosophical theory. Similar to some of Ayn Rand's work (not her philosophies,", "cancer and dies and he gets second hand smoking and gets emphysema. The", "don't want them to feel like this is preaching. How do you create", "probably not very clear. I've got this idea for a book that explores", "explores a sort of philosophical theory. Similar to some of Ayn Rand's work", "is to create characters for this, and settings, and a plot, I'm also", "it correctly. I don't want to tell the reader outright what I want", "this idea for a book that explores a sort of philosophical theory. Similar", "think and begin to see the argument? Say for example I want to", "makes them think and begin to see the argument? Say for example I", "apologize for the wording of my question; it's probably not very clear. I've", "to some of Ayn Rand's work (not her philosophies, but just the type", "and a plot, I'm also concerned that I might not portray it correctly.", "I've got this idea for a book that explores a sort of philosophical", "this is preaching. How do you create it so that it poses questions", "a sort of philosophical theory. Similar to some of Ayn Rand's work (not", "outright what I want them to think. No \"Thus we see…\" I don't", "this, and settings, and a plot, I'm also concerned that I might not", "it is to create characters for this, and settings, and a plot, I'm", "and he gets second hand smoking and gets emphysema. The message is pretty", "I apologize for the wording of my question; it's probably not very clear.", "and makes them think and begin to see the argument? Say for example", "and dies and he gets second hand smoking and gets emphysema. The message", "questions to the reader and makes them think and begin to see the", "how smoking is bad. I write a story where a kid's mom gets", "portray it correctly. I don't want to tell the reader outright what I", "I don't want them to feel like this is preaching. How do you", "second hand smoking and gets emphysema. The message is pretty clear and people", "think. No \"Thus we see…\" I don't want them to feel like this", "begin to see the argument? Say for example I want to write a", "to feel like this is preaching. How do you create it so that", "Similar to some of Ayn Rand's work (not her philosophies, but just the", "kid's mom gets lung cancer and dies and he gets second hand smoking", "them to think. No \"Thus we see…\" I don't want them to feel", "smoking is bad. I write a story where a kid's mom gets lung", "correctly. I don't want to tell the reader outright what I want them", "I don't want to tell the reader outright what I want them to" ]
[ "my social media accounts in past year) Question: How to keep my book", "of stories about people gleaning your personal info from open sources and using", "gleaning your personal info from open sources and using it against you (I", "at large, but prove to friends, family, coworkers, prospective employers, etc. that I", "to friends, family, coworkers, prospective employers, etc. that I in fact wrote the", "group and people have reacted negatively in past (let's leave it at that)", "with Amazon's Createspace. Decided on a pen-name because: 1. Real name is too", "it against you (I deleted all my social media accounts in past year)", "cultural group and people have reacted negatively in past (let's leave it at", "social media accounts in past year) Question: How to keep my book fairly", "lot of stories about people gleaning your personal info from open sources and", "Createspace. Decided on a pen-name because: 1. Real name is too long, hard", "(let's leave it at that) 3. Hear lot of stories about people gleaning", "to keep my book fairly anonymous to the public at large, but prove", "(I deleted all my social media accounts in past year) Question: How to", "stories about people gleaning your personal info from open sources and using it", "prove to friends, family, coworkers, prospective employers, etc. that I in fact wrote", "personal info from open sources and using it against you (I deleted all", "pronounce for most people 2. Given current political environment, real-last name sounds like", "Real name is too long, hard to spell and pronounce for most people", "people 2. Given current political environment, real-last name sounds like I'm in unfavorable", "sounds like I'm in unfavorable cultural group and people have reacted negatively in", "negatively in past (let's leave it at that) 3. Hear lot of stories", "reacted negatively in past (let's leave it at that) 3. Hear lot of", "Question: How to keep my book fairly anonymous to the public at large,", "my book fairly anonymous to the public at large, but prove to friends,", "How to keep my book fairly anonymous to the public at large, but", "deleted all my social media accounts in past year) Question: How to keep", "hard to spell and pronounce for most people 2. Given current political environment,", "unfavorable cultural group and people have reacted negatively in past (let's leave it", "I'm in unfavorable cultural group and people have reacted negatively in past (let's", "Planning to publish with Amazon's Createspace. Decided on a pen-name because: 1. Real", "but prove to friends, family, coworkers, prospective employers, etc. that I in fact", "1. Real name is too long, hard to spell and pronounce for most", "environment, real-last name sounds like I'm in unfavorable cultural group and people have", "media accounts in past year) Question: How to keep my book fairly anonymous", "name is too long, hard to spell and pronounce for most people 2.", "friends, family, coworkers, prospective employers, etc. that I in fact wrote the book?", "that) 3. Hear lot of stories about people gleaning your personal info from", "publish with Amazon's Createspace. Decided on a pen-name because: 1. Real name is", "accounts in past year) Question: How to keep my book fairly anonymous to", "to publish with Amazon's Createspace. Decided on a pen-name because: 1. Real name", "past year) Question: How to keep my book fairly anonymous to the public", "keep my book fairly anonymous to the public at large, but prove to", "Amazon's Createspace. Decided on a pen-name because: 1. Real name is too long,", "real-last name sounds like I'm in unfavorable cultural group and people have reacted", "to spell and pronounce for most people 2. Given current political environment, real-last", "past (let's leave it at that) 3. Hear lot of stories about people", "your personal info from open sources and using it against you (I deleted", "from open sources and using it against you (I deleted all my social", "public at large, but prove to friends, family, coworkers, prospective employers, etc. that", "current political environment, real-last name sounds like I'm in unfavorable cultural group and", "2. Given current political environment, real-last name sounds like I'm in unfavorable cultural", "3. Hear lot of stories about people gleaning your personal info from open", "in unfavorable cultural group and people have reacted negatively in past (let's leave", "against you (I deleted all my social media accounts in past year) Question:", "anonymous to the public at large, but prove to friends, family, coworkers, prospective", "a pen-name because: 1. Real name is too long, hard to spell and", "to the public at large, but prove to friends, family, coworkers, prospective employers,", "and pronounce for most people 2. Given current political environment, real-last name sounds", "and using it against you (I deleted all my social media accounts in", "long, hard to spell and pronounce for most people 2. Given current political", "leave it at that) 3. Hear lot of stories about people gleaning your", "because: 1. Real name is too long, hard to spell and pronounce for", "open sources and using it against you (I deleted all my social media", "using it against you (I deleted all my social media accounts in past", "people gleaning your personal info from open sources and using it against you", "you (I deleted all my social media accounts in past year) Question: How", "on a technical book. Planning to publish with Amazon's Createspace. Decided on a", "book. Planning to publish with Amazon's Createspace. Decided on a pen-name because: 1.", "Hear lot of stories about people gleaning your personal info from open sources", "too long, hard to spell and pronounce for most people 2. Given current", "at that) 3. Hear lot of stories about people gleaning your personal info", "year) Question: How to keep my book fairly anonymous to the public at", "a technical book. Planning to publish with Amazon's Createspace. Decided on a pen-name", "fairly anonymous to the public at large, but prove to friends, family, coworkers,", "Given current political environment, real-last name sounds like I'm in unfavorable cultural group", "it at that) 3. Hear lot of stories about people gleaning your personal", "technical book. Planning to publish with Amazon's Createspace. Decided on a pen-name because:", "am working on a technical book. Planning to publish with Amazon's Createspace. Decided", "is too long, hard to spell and pronounce for most people 2. Given", "most people 2. Given current political environment, real-last name sounds like I'm in", "all my social media accounts in past year) Question: How to keep my", "spell and pronounce for most people 2. Given current political environment, real-last name", "like I'm in unfavorable cultural group and people have reacted negatively in past", "on a pen-name because: 1. Real name is too long, hard to spell", "I am working on a technical book. Planning to publish with Amazon's Createspace.", "about people gleaning your personal info from open sources and using it against", "large, but prove to friends, family, coworkers, prospective employers, etc. that I in", "sources and using it against you (I deleted all my social media accounts", "book fairly anonymous to the public at large, but prove to friends, family,", "info from open sources and using it against you (I deleted all my", "working on a technical book. Planning to publish with Amazon's Createspace. Decided on", "Decided on a pen-name because: 1. Real name is too long, hard to", "for most people 2. Given current political environment, real-last name sounds like I'm", "in past (let's leave it at that) 3. Hear lot of stories about", "and people have reacted negatively in past (let's leave it at that) 3.", "political environment, real-last name sounds like I'm in unfavorable cultural group and people", "name sounds like I'm in unfavorable cultural group and people have reacted negatively", "people have reacted negatively in past (let's leave it at that) 3. Hear", "pen-name because: 1. Real name is too long, hard to spell and pronounce", "in past year) Question: How to keep my book fairly anonymous to the", "the public at large, but prove to friends, family, coworkers, prospective employers, etc.", "have reacted negatively in past (let's leave it at that) 3. Hear lot" ]
[ "out the setting. I haven't found any books that explore this concept in", "powerful, and serves as the foundation of society. It is used in all", "would find on the internet. How should I explore this? Should I go", "should I explore this? Should I go into detail or just leave it", "this? Should I go into detail or just leave it too the readers", "flesh out the setting. I haven't found any books that explore this concept", "I explore this? Should I go into detail or just leave it too", "much is too much? And is this more of a world building question", "all walks of life, and has led to a very women-centered culture. One", "others. Magic is slow, ritualistic, and complex, rather than being the fireball throwing", "and serves as the foundation of society. It is used in all walks", "neccessarily important to the plot, but is just a way to flesh out", "experience, or make it terrifying if used for nefarious purposes. It's not neccessarily", "How much is too much? And is this more of a world building", "Nevertheless, it is still very powerful, and serves as the foundation of society.", "make it terrifying if used for nefarious purposes. It's not neccessarily important to", "rather than being the fireball throwing or lighting welding type. Nevertheless, it is", "the foundation of society. It is used in all walks of life, and", "concept in detail, and I don't want it to come off as some", "using magic, with some being stronger than others. Magic is slow, ritualistic, and", "the readers imagination? How much is too much? And is this more of", "into detail or just leave it too the readers imagination? How much is", "enhance the experience, or make it terrifying if used for nefarious purposes. It's", "fireball throwing or lighting welding type. Nevertheless, it is still very powerful, and", "has led to a very women-centered culture. One of the ways I was", "women-centered culture. One of the ways I was thinking about expanding on was", "I was thinking about expanding on was magic''s relationship to sex. Magic can", "to sex. Magic can be used to enhance the experience, or make it", "important to the plot, but is just a way to flesh out the", "the internet. How should I explore this? Should I go into detail or", "relationship to sex. Magic can be used to enhance the experience, or make", "too the readers imagination? How much is too much? And is this more", "explore this concept in detail, and I don't want it to come off", "some fetishized fan fiction hentai that you would find on the internet. How", "hentai that you would find on the internet. How should I explore this?", "with some being stronger than others. Magic is slow, ritualistic, and complex, rather", "and complex, rather than being the fireball throwing or lighting welding type. Nevertheless,", "to enhance the experience, or make it terrifying if used for nefarious purposes.", "about expanding on was magic''s relationship to sex. Magic can be used to", "leave it too the readers imagination? How much is too much? And is", "It is used in all walks of life, and has led to a", "off as some fetishized fan fiction hentai that you would find on the", "detail, and I don't want it to come off as some fetishized fan", "not neccessarily important to the plot, but is just a way to flesh", "used to enhance the experience, or make it terrifying if used for nefarious", "women are capable of using magic, with some being stronger than others. Magic", "imagination? How much is too much? And is this more of a world", "very powerful, and serves as the foundation of society. It is used in", "matriarchal society. Only women are capable of using magic, with some being stronger", "terrifying if used for nefarious purposes. It's not neccessarily important to the plot,", "led to a very women-centered culture. One of the ways I was thinking", "is slow, ritualistic, and complex, rather than being the fireball throwing or lighting", "but is just a way to flesh out the setting. I haven't found", "the experience, or make it terrifying if used for nefarious purposes. It's not", "I haven't found any books that explore this concept in detail, and I", "still very powerful, and serves as the foundation of society. It is used", "serves as the foundation of society. It is used in all walks of", "magic, with some being stronger than others. Magic is slow, ritualistic, and complex,", "being stronger than others. Magic is slow, ritualistic, and complex, rather than being", "throwing or lighting welding type. Nevertheless, it is still very powerful, and serves", "of life, and has led to a very women-centered culture. One of the", "to a very women-centered culture. One of the ways I was thinking about", "the plot, but is just a way to flesh out the setting. I", "life, and has led to a very women-centered culture. One of the ways", "as some fetishized fan fiction hentai that you would find on the internet.", "is just a way to flesh out the setting. I haven't found any", "as the foundation of society. It is used in all walks of life,", "that explore this concept in detail, and I don't want it to come", "some being stronger than others. Magic is slow, ritualistic, and complex, rather than", "books that explore this concept in detail, and I don't want it to", "I go into detail or just leave it too the readers imagination? How", "it too the readers imagination? How much is too much? And is this", "used in all walks of life, and has led to a very women-centered", "readers imagination? How much is too much? And is this more of a", "ways I was thinking about expanding on was magic''s relationship to sex. Magic", "fiction hentai that you would find on the internet. How should I explore", "setting. I haven't found any books that explore this concept in detail, and", "being the fireball throwing or lighting welding type. Nevertheless, it is still very", "of society. It is used in all walks of life, and has led", "the fireball throwing or lighting welding type. Nevertheless, it is still very powerful,", "Magic is slow, ritualistic, and complex, rather than being the fireball throwing or", "is still very powerful, and serves as the foundation of society. It is", "or make it terrifying if used for nefarious purposes. It's not neccessarily important", "if used for nefarious purposes. It's not neccessarily important to the plot, but", "very women-centered culture. One of the ways I was thinking about expanding on", "writing is of a theocratic matriarchal society. Only women are capable of using", "to come off as some fetishized fan fiction hentai that you would find", "fetishized fan fiction hentai that you would find on the internet. How should", "just a way to flesh out the setting. I haven't found any books", "way to flesh out the setting. I haven't found any books that explore", "is too much? And is this more of a world building question than", "of a theocratic matriarchal society. Only women are capable of using magic, with", "and I don't want it to come off as some fetishized fan fiction", "come off as some fetishized fan fiction hentai that you would find on", "too much? And is this more of a world building question than a", "want it to come off as some fetishized fan fiction hentai that you", "don't want it to come off as some fetishized fan fiction hentai that", "Should I go into detail or just leave it too the readers imagination?", "go into detail or just leave it too the readers imagination? How much", "type. Nevertheless, it is still very powerful, and serves as the foundation of", "or lighting welding type. Nevertheless, it is still very powerful, and serves as", "It's not neccessarily important to the plot, but is just a way to", "walks of life, and has led to a very women-centered culture. One of", "on was magic''s relationship to sex. Magic can be used to enhance the", "I don't want it to come off as some fetishized fan fiction hentai", "ritualistic, and complex, rather than being the fireball throwing or lighting welding type.", "it terrifying if used for nefarious purposes. It's not neccessarily important to the", "fan fiction hentai that you would find on the internet. How should I", "sex. Magic can be used to enhance the experience, or make it terrifying", "foundation of society. It is used in all walks of life, and has", "And is this more of a world building question than a writing question?", "lighting welding type. Nevertheless, it is still very powerful, and serves as the", "and has led to a very women-centered culture. One of the ways I", "nefarious purposes. It's not neccessarily important to the plot, but is just a", "that you would find on the internet. How should I explore this? Should", "capable of using magic, with some being stronger than others. Magic is slow,", "a very women-centered culture. One of the ways I was thinking about expanding", "than being the fireball throwing or lighting welding type. Nevertheless, it is still", "was magic''s relationship to sex. Magic can be used to enhance the experience,", "the setting. I haven't found any books that explore this concept in detail,", "Only women are capable of using magic, with some being stronger than others.", "I am writing is of a theocratic matriarchal society. Only women are capable", "stronger than others. Magic is slow, ritualistic, and complex, rather than being the", "than others. Magic is slow, ritualistic, and complex, rather than being the fireball", "can be used to enhance the experience, or make it terrifying if used", "internet. How should I explore this? Should I go into detail or just", "welding type. Nevertheless, it is still very powerful, and serves as the foundation", "slow, ritualistic, and complex, rather than being the fireball throwing or lighting welding", "be used to enhance the experience, or make it terrifying if used for", "to the plot, but is just a way to flesh out the setting.", "in all walks of life, and has led to a very women-centered culture.", "in detail, and I don't want it to come off as some fetishized", "any books that explore this concept in detail, and I don't want it", "complex, rather than being the fireball throwing or lighting welding type. Nevertheless, it", "to flesh out the setting. I haven't found any books that explore this", "on the internet. How should I explore this? Should I go into detail", "How should I explore this? Should I go into detail or just leave", "was thinking about expanding on was magic''s relationship to sex. Magic can be", "you would find on the internet. How should I explore this? Should I", "purposes. It's not neccessarily important to the plot, but is just a way", "explore this? Should I go into detail or just leave it too the", "The setting I am writing is of a theocratic matriarchal society. Only women", "society. Only women are capable of using magic, with some being stronger than", "a way to flesh out the setting. I haven't found any books that", "found any books that explore this concept in detail, and I don't want", "the ways I was thinking about expanding on was magic''s relationship to sex.", "is of a theocratic matriarchal society. Only women are capable of using magic,", "for nefarious purposes. It's not neccessarily important to the plot, but is just", "theocratic matriarchal society. Only women are capable of using magic, with some being", "this concept in detail, and I don't want it to come off as", "plot, but is just a way to flesh out the setting. I haven't", "magic''s relationship to sex. Magic can be used to enhance the experience, or", "just leave it too the readers imagination? How much is too much? And", "detail or just leave it too the readers imagination? How much is too", "or just leave it too the readers imagination? How much is too much?", "is used in all walks of life, and has led to a very", "a theocratic matriarchal society. Only women are capable of using magic, with some", "Magic can be used to enhance the experience, or make it terrifying if", "society. It is used in all walks of life, and has led to", "of the ways I was thinking about expanding on was magic''s relationship to", "it is still very powerful, and serves as the foundation of society. It", "setting I am writing is of a theocratic matriarchal society. Only women are", "thinking about expanding on was magic''s relationship to sex. Magic can be used", "One of the ways I was thinking about expanding on was magic''s relationship", "am writing is of a theocratic matriarchal society. Only women are capable of", "are capable of using magic, with some being stronger than others. Magic is", "used for nefarious purposes. It's not neccessarily important to the plot, but is", "culture. One of the ways I was thinking about expanding on was magic''s", "find on the internet. How should I explore this? Should I go into", "expanding on was magic''s relationship to sex. Magic can be used to enhance", "it to come off as some fetishized fan fiction hentai that you would", "much? And is this more of a world building question than a writing", "of using magic, with some being stronger than others. Magic is slow, ritualistic,", "haven't found any books that explore this concept in detail, and I don't" ]
[ "than traditional publishing. However, since anyone can publish, that means even poorly written", "even poorly written novels can be published. In general, do authors who have", "means even poorly written novels can be published. In general, do authors who", "researched anybody can self-publish. So it is an easier route than traditional publishing.", "is an easier route than traditional publishing. However, since anyone can publish, that", "publishing route, respect authors who have self-published a well-written work, or are they", "the traditional publishing route, respect authors who have self-published a well-written work, or", "have gone the traditional publishing route, respect authors who have self-published a well-written", "respect authors who have self-published a well-written work, or are they looked down", "From what I have researched anybody can self-publish. So it is an easier", "that means even poorly written novels can be published. In general, do authors", "I have researched anybody can self-publish. So it is an easier route than", "since anyone can publish, that means even poorly written novels can be published.", "poorly written novels can be published. In general, do authors who have gone", "In general, do authors who have gone the traditional publishing route, respect authors", "authors who have gone the traditional publishing route, respect authors who have self-published", "what I have researched anybody can self-publish. So it is an easier route", "published. In general, do authors who have gone the traditional publishing route, respect", "it is an easier route than traditional publishing. However, since anyone can publish,", "can be published. In general, do authors who have gone the traditional publishing", "easier route than traditional publishing. However, since anyone can publish, that means even", "who have gone the traditional publishing route, respect authors who have self-published a", "written novels can be published. In general, do authors who have gone the", "novels can be published. In general, do authors who have gone the traditional", "have researched anybody can self-publish. So it is an easier route than traditional", "general, do authors who have gone the traditional publishing route, respect authors who", "an easier route than traditional publishing. However, since anyone can publish, that means", "So it is an easier route than traditional publishing. However, since anyone can", "can self-publish. So it is an easier route than traditional publishing. However, since", "self-publish. So it is an easier route than traditional publishing. However, since anyone", "can publish, that means even poorly written novels can be published. In general,", "anyone can publish, that means even poorly written novels can be published. In", "publish, that means even poorly written novels can be published. In general, do", "traditional publishing. However, since anyone can publish, that means even poorly written novels", "route, respect authors who have self-published a well-written work, or are they looked", "However, since anyone can publish, that means even poorly written novels can be", "gone the traditional publishing route, respect authors who have self-published a well-written work,", "do authors who have gone the traditional publishing route, respect authors who have", "anybody can self-publish. So it is an easier route than traditional publishing. However,", "route than traditional publishing. However, since anyone can publish, that means even poorly", "publishing. However, since anyone can publish, that means even poorly written novels can", "traditional publishing route, respect authors who have self-published a well-written work, or are", "be published. In general, do authors who have gone the traditional publishing route,", "authors who have self-published a well-written work, or are they looked down upon?" ]
[ "less? Can a secondary character such as a doctor even be a \"generic\"", "of the work. Can secondary characters be developed to a lesser extent? If", "the duration of the work. Can secondary characters be developed to a lesser", "or two \"fellow travelers\" of these. Secondary characters would consist of non-trivial characters", "a lesser extent? If so, how much less? Can a secondary character such", "or best friend, because that's what they are for the duration of the", "maybe one or two \"fellow travelers\" of these. Secondary characters would consist of", "\"generic\" character, or is that treating him or her with too little importance?", "how much less? Can a secondary character such as a doctor even be", "as their lover or best friend, because that's what they are for the", "so, how much less? Can a secondary character such as a doctor even", "that are not primary characters. My understanding is that the primary characters should", "one or two \"fellow travelers\" of these. Secondary characters would consist of non-trivial", "normally include the protagonist, antagonist, and maybe one or two \"fellow travelers\" of", "what they are for the duration of the work. Can secondary characters be", "a \"generic\" character, or is that treating him or her with too little", "of these. Secondary characters would consist of non-trivial characters that are not primary", "lesser extent? If so, how much less? Can a secondary character such as", "characters. My understanding is that the primary characters should be developed to the", "would consist of non-trivial characters that are not primary characters. My understanding is", "a secondary character such as a doctor even be a \"generic\" character, or", "characters that are not primary characters. My understanding is that the primary characters", "extent? If so, how much less? Can a secondary character such as a", "consist of non-trivial characters that are not primary characters. My understanding is that", "lover or best friend, because that's what they are for the duration of", "secondary character such as a doctor even be a \"generic\" character, or is", "because that's what they are for the duration of the work. Can secondary", "characters be developed to a lesser extent? If so, how much less? Can", "characters would consist of non-trivial characters that are not primary characters. My understanding", "primary characters should be developed to the point where the audience knows them", "to the point where the audience knows them as their lover or best", "be a \"generic\" character, or is that treating him or her with too", "knows them as their lover or best friend, because that's what they are", "these. Secondary characters would consist of non-trivial characters that are not primary characters.", "friend, because that's what they are for the duration of the work. Can", "them as their lover or best friend, because that's what they are for", "If so, how much less? Can a secondary character such as a doctor", "\"fellow travelers\" of these. Secondary characters would consist of non-trivial characters that are", "two \"fellow travelers\" of these. Secondary characters would consist of non-trivial characters that", "be developed to the point where the audience knows them as their lover", "the audience knows them as their lover or best friend, because that's what", "a doctor even be a \"generic\" character, or is that treating him or", "non-trivial characters that are not primary characters. My understanding is that the primary", "their lover or best friend, because that's what they are for the duration", "would normally include the protagonist, antagonist, and maybe one or two \"fellow travelers\"", "secondary characters be developed to a lesser extent? If so, how much less?", "such as a doctor even be a \"generic\" character, or is that treating", "understanding is that the primary characters should be developed to the point where", "and maybe one or two \"fellow travelers\" of these. Secondary characters would consist", "protagonist, antagonist, and maybe one or two \"fellow travelers\" of these. Secondary characters", "is that the primary characters should be developed to the point where the", "developed to a lesser extent? If so, how much less? Can a secondary", "the protagonist, antagonist, and maybe one or two \"fellow travelers\" of these. Secondary", "My understanding is that the primary characters should be developed to the point", "duration of the work. Can secondary characters be developed to a lesser extent?", "Can a secondary character such as a doctor even be a \"generic\" character,", "point where the audience knows them as their lover or best friend, because", "work. Can secondary characters be developed to a lesser extent? If so, how", "much less? Can a secondary character such as a doctor even be a", "Primary characters would normally include the protagonist, antagonist, and maybe one or two", "are not primary characters. My understanding is that the primary characters should be", "primary characters. My understanding is that the primary characters should be developed to", "that the primary characters should be developed to the point where the audience", "Can secondary characters be developed to a lesser extent? If so, how much", "are for the duration of the work. Can secondary characters be developed to", "they are for the duration of the work. Can secondary characters be developed", "developed to the point where the audience knows them as their lover or", "not primary characters. My understanding is that the primary characters should be developed", "travelers\" of these. Secondary characters would consist of non-trivial characters that are not", "to a lesser extent? If so, how much less? Can a secondary character", "that's what they are for the duration of the work. Can secondary characters", "characters would normally include the protagonist, antagonist, and maybe one or two \"fellow", "should be developed to the point where the audience knows them as their", "the work. Can secondary characters be developed to a lesser extent? If so,", "audience knows them as their lover or best friend, because that's what they", "character such as a doctor even be a \"generic\" character, or is that", "be developed to a lesser extent? If so, how much less? Can a", "doctor even be a \"generic\" character, or is that treating him or her", "of non-trivial characters that are not primary characters. My understanding is that the", "even be a \"generic\" character, or is that treating him or her with", "where the audience knows them as their lover or best friend, because that's", "the point where the audience knows them as their lover or best friend,", "as a doctor even be a \"generic\" character, or is that treating him", "include the protagonist, antagonist, and maybe one or two \"fellow travelers\" of these.", "for the duration of the work. Can secondary characters be developed to a", "the primary characters should be developed to the point where the audience knows", "best friend, because that's what they are for the duration of the work.", "Secondary characters would consist of non-trivial characters that are not primary characters. My", "characters should be developed to the point where the audience knows them as", "antagonist, and maybe one or two \"fellow travelers\" of these. Secondary characters would" ]
[ "on an adventurous journey. I'm struggling with good ways to show that the", "the story I would like to establish a transformational decision, but I'm not", "character lacks in motivation early in the novel, and later in the story", "on a story, it has a character that just finished High School and", "show that the character lacks in motivation early in the novel, and later", "story, it has a character that just finished High School and isn't sure", "I'm not really sure what this decision should be. Do you know any", "that just finished High School and isn't sure what to do now and", "journey. I'm struggling with good ways to show that the character lacks in", "sure what this decision should be. Do you know any good examples on", "has a character that just finished High School and isn't sure what to", "a transformational decision, but I'm not really sure what this decision should be.", "should be. Do you know any good examples on how this kind of", "not really sure what this decision should be. Do you know any good", "turns out? (I'm not native English, the wording in my writing is better", "a story, it has a character that just finished High School and isn't", "on how this kind of motivation is applied and how this character arc", "I'm working on a story, it has a character that just finished High", "and then ends up in on an adventurous journey. I'm struggling with good", "novel, and later in the story I would like to establish a transformational", "to establish a transformational decision, but I'm not really sure what this decision", "be. Do you know any good examples on how this kind of motivation", "working on a story, it has a character that just finished High School", "the character lacks in motivation early in the novel, and later in the", "kind of motivation is applied and how this character arc turns out? (I'm", "now and then ends up in on an adventurous journey. I'm struggling with", "ends up in on an adventurous journey. I'm struggling with good ways to", "this decision should be. Do you know any good examples on how this", "then ends up in on an adventurous journey. I'm struggling with good ways", "in the novel, and later in the story I would like to establish", "of motivation is applied and how this character arc turns out? (I'm not", "decision, but I'm not really sure what this decision should be. Do you", "lacks in motivation early in the novel, and later in the story I", "how this kind of motivation is applied and how this character arc turns", "story I would like to establish a transformational decision, but I'm not really", "in on an adventurous journey. I'm struggling with good ways to show that", "adventurous journey. I'm struggling with good ways to show that the character lacks", "the novel, and later in the story I would like to establish a", "I'm struggling with good ways to show that the character lacks in motivation", "later in the story I would like to establish a transformational decision, but", "what this decision should be. Do you know any good examples on how", "High School and isn't sure what to do now and then ends up", "you know any good examples on how this kind of motivation is applied", "and later in the story I would like to establish a transformational decision,", "know any good examples on how this kind of motivation is applied and", "to show that the character lacks in motivation early in the novel, and", "character that just finished High School and isn't sure what to do now", "decision should be. Do you know any good examples on how this kind", "motivation is applied and how this character arc turns out? (I'm not native", "really sure what this decision should be. Do you know any good examples", "in the story I would like to establish a transformational decision, but I'm", "do now and then ends up in on an adventurous journey. I'm struggling", "applied and how this character arc turns out? (I'm not native English, the", "good examples on how this kind of motivation is applied and how this", "ways to show that the character lacks in motivation early in the novel,", "struggling with good ways to show that the character lacks in motivation early", "early in the novel, and later in the story I would like to", "like to establish a transformational decision, but I'm not really sure what this", "and how this character arc turns out? (I'm not native English, the wording", "finished High School and isn't sure what to do now and then ends", "this character arc turns out? (I'm not native English, the wording in my", "establish a transformational decision, but I'm not really sure what this decision should", "good ways to show that the character lacks in motivation early in the", "sure what to do now and then ends up in on an adventurous", "in motivation early in the novel, and later in the story I would", "(I'm not native English, the wording in my writing is better ;) )", "what to do now and then ends up in on an adventurous journey.", "any good examples on how this kind of motivation is applied and how", "arc turns out? (I'm not native English, the wording in my writing is", "transformational decision, but I'm not really sure what this decision should be. Do", "an adventurous journey. I'm struggling with good ways to show that the character", "that the character lacks in motivation early in the novel, and later in", "character arc turns out? (I'm not native English, the wording in my writing", "and isn't sure what to do now and then ends up in on", "I would like to establish a transformational decision, but I'm not really sure", "just finished High School and isn't sure what to do now and then", "it has a character that just finished High School and isn't sure what", "but I'm not really sure what this decision should be. Do you know", "with good ways to show that the character lacks in motivation early in", "isn't sure what to do now and then ends up in on an", "up in on an adventurous journey. I'm struggling with good ways to show", "how this character arc turns out? (I'm not native English, the wording in", "a character that just finished High School and isn't sure what to do", "motivation early in the novel, and later in the story I would like", "to do now and then ends up in on an adventurous journey. I'm", "would like to establish a transformational decision, but I'm not really sure what", "is applied and how this character arc turns out? (I'm not native English,", "this kind of motivation is applied and how this character arc turns out?", "out? (I'm not native English, the wording in my writing is better ;)", "Do you know any good examples on how this kind of motivation is", "examples on how this kind of motivation is applied and how this character", "School and isn't sure what to do now and then ends up in" ]
[ "and put my story out there, and if someone wants to buy it,", "a published author. What if I just want to print out 10 copies?", "how many copies I planned on printing... 1,000, 5,000, 10,000? I admit that", "just wanted to self-publish and put my story out there, and if someone", "someone wants to buy it, great. If not, I'm still a published author.", "wanted to self-publish and put my story out there, and if someone wants", "and had emailed a company to get a license from them so I", "stuff, etc.) However, the person in charge of licensing asked me how many", "out there, and if someone wants to buy it, great. If not, I'm", "a license from them so I could publish it. (The license would cover", "still a published author. What if I just want to print out 10", "copies I planned on printing... 1,000, 5,000, 10,000? I admit that I hadn't", "copyright stuff, etc.) However, the person in charge of licensing asked me how", "in charge of licensing asked me how many copies I planned on printing...", "a fan-fiction story and had emailed a company to get a license from", "about that. I just wanted to self-publish and put my story out there,", "and if someone wants to buy it, great. If not, I'm still a", "to self-publish and put my story out there, and if someone wants to", "to buy it, great. If not, I'm still a published author. What if", "that I hadn't thought about that. I just wanted to self-publish and put", "buy it, great. If not, I'm still a published author. What if I", "planned on printing... 1,000, 5,000, 10,000? I admit that I hadn't thought about", "there, and if someone wants to buy it, great. If not, I'm still", "cover copyright stuff, etc.) However, the person in charge of licensing asked me", "on printing... 1,000, 5,000, 10,000? I admit that I hadn't thought about that.", "10,000? I admit that I hadn't thought about that. I just wanted to", "a company to get a license from them so I could publish it.", "story out there, and if someone wants to buy it, great. If not,", "licensing asked me how many copies I planned on printing... 1,000, 5,000, 10,000?", "many copies I planned on printing... 1,000, 5,000, 10,000? I admit that I", "self-publish and put my story out there, and if someone wants to buy", "I admit that I hadn't thought about that. I just wanted to self-publish", "had emailed a company to get a license from them so I could", "(The license would cover copyright stuff, etc.) However, the person in charge of", "admit that I hadn't thought about that. I just wanted to self-publish and", "put my story out there, and if someone wants to buy it, great.", "I planned on printing... 1,000, 5,000, 10,000? I admit that I hadn't thought", "not, I'm still a published author. What if I just want to print", "great. If not, I'm still a published author. What if I just want", "fan-fiction story and had emailed a company to get a license from them", "However, the person in charge of licensing asked me how many copies I", "license from them so I could publish it. (The license would cover copyright", "that. I just wanted to self-publish and put my story out there, and", "charge of licensing asked me how many copies I planned on printing... 1,000,", "license would cover copyright stuff, etc.) However, the person in charge of licensing", "hadn't thought about that. I just wanted to self-publish and put my story", "If not, I'm still a published author. What if I just want to", "publish it. (The license would cover copyright stuff, etc.) However, the person in", "so I could publish it. (The license would cover copyright stuff, etc.) However,", "I could publish it. (The license would cover copyright stuff, etc.) However, the", "to get a license from them so I could publish it. (The license", "5,000, 10,000? I admit that I hadn't thought about that. I just wanted", "I just wanted to self-publish and put my story out there, and if", "I hadn't thought about that. I just wanted to self-publish and put my", "person in charge of licensing asked me how many copies I planned on", "I'm still a published author. What if I just want to print out", "it, great. If not, I'm still a published author. What if I just", "thought about that. I just wanted to self-publish and put my story out", "could publish it. (The license would cover copyright stuff, etc.) However, the person", "if someone wants to buy it, great. If not, I'm still a published", "etc.) However, the person in charge of licensing asked me how many copies", "of licensing asked me how many copies I planned on printing... 1,000, 5,000,", "them so I could publish it. (The license would cover copyright stuff, etc.)", "company to get a license from them so I could publish it. (The", "it. (The license would cover copyright stuff, etc.) However, the person in charge", "story and had emailed a company to get a license from them so", "emailed a company to get a license from them so I could publish", "would cover copyright stuff, etc.) However, the person in charge of licensing asked", "get a license from them so I could publish it. (The license would", "the person in charge of licensing asked me how many copies I planned", "my story out there, and if someone wants to buy it, great. If", "I wrote a fan-fiction story and had emailed a company to get a", "asked me how many copies I planned on printing... 1,000, 5,000, 10,000? I", "wants to buy it, great. If not, I'm still a published author. What", "from them so I could publish it. (The license would cover copyright stuff,", "1,000, 5,000, 10,000? I admit that I hadn't thought about that. I just", "wrote a fan-fiction story and had emailed a company to get a license", "printing... 1,000, 5,000, 10,000? I admit that I hadn't thought about that. I", "me how many copies I planned on printing... 1,000, 5,000, 10,000? I admit" ]
[ "under the tiitle of Professional Proficiency? 3. Does it seem to be unprofessional", "for a job in Android development and have a YouTube channel on Andrioid", "I include it under the tiitle of Professional Proficiency? 3. Does it seem", "in my résumé? 2. Can I include it under the tiitle of Professional", "YouTube channel in my résumé? 2. Can I include it under the tiitle", "résumé? 2. Can I include it under the tiitle of Professional Proficiency? 3.", "seeking for a job in Android development and have a YouTube channel on", "refer the YouTube channel in my résumé? 2. Can I include it under", "channel on Andrioid development Tutorial. 1. How would I refer the YouTube channel", "I refer the YouTube channel in my résumé? 2. Can I include it", "have a YouTube channel on Andrioid development Tutorial. 1. How would I refer", "YouTube channel on Andrioid development Tutorial. 1. How would I refer the YouTube", "my résumé? 2. Can I include it under the tiitle of Professional Proficiency?", "a YouTube channel on Andrioid development Tutorial. 1. How would I refer the", "on Andrioid development Tutorial. 1. How would I refer the YouTube channel in", "job in Android development and have a YouTube channel on Andrioid development Tutorial.", "and have a YouTube channel on Andrioid development Tutorial. 1. How would I", "a job in Android development and have a YouTube channel on Andrioid development", "it under the tiitle of Professional Proficiency? 3. Does it seem to be", "a fresher seeking for a job in Android development and have a YouTube", "would I refer the YouTube channel in my résumé? 2. Can I include", "Android development and have a YouTube channel on Andrioid development Tutorial. 1. How", "How would I refer the YouTube channel in my résumé? 2. Can I", "channel in my résumé? 2. Can I include it under the tiitle of", "the YouTube channel in my résumé? 2. Can I include it under the", "Tutorial. 1. How would I refer the YouTube channel in my résumé? 2.", "in Android development and have a YouTube channel on Andrioid development Tutorial. 1.", "development and have a YouTube channel on Andrioid development Tutorial. 1. How would", "the tiitle of Professional Proficiency? 3. Does it seem to be unprofessional ?", "1. How would I refer the YouTube channel in my résumé? 2. Can", "Andrioid development Tutorial. 1. How would I refer the YouTube channel in my", "Can I include it under the tiitle of Professional Proficiency? 3. Does it", "2. Can I include it under the tiitle of Professional Proficiency? 3. Does", "I'm a fresher seeking for a job in Android development and have a", "include it under the tiitle of Professional Proficiency? 3. Does it seem to", "fresher seeking for a job in Android development and have a YouTube channel", "development Tutorial. 1. How would I refer the YouTube channel in my résumé?" ]
[ "mage. It fits well in the story and the fire/ice elements aren't coming", "for one thousand pages, so of course there's much more to the story,", "user) who were killed in the process. Said ice user's son will seek", "a secondary story-line (it's about a companion of the main character) is basically", "to discourage the reader from reading further... As for what different magic types", "moving objects, heating, cooling, etc. Ice is moving objects + cooling at least.", "born in a family proficient in the use of explosions, which I basically", "important role nevertheless. According to my calculations, I'm in for one thousand pages,", "main character) is basically about a fire mage and an ice mage. It", "The main character has two companions. One of them was born in a", "killed in the process. Said ice user's son will seek revenge on the", "but it plays an important role nevertheless. According to my calculations, I'm in", "it depend on whether I write it well? Or is it better that", "there are: actually, I at least have psychological magic, body transformations (includes healing),", "According to my calculations, I'm in for one thousand pages, so of course", "reading further... As for what different magic types there are: actually, I at", "plays an important role nevertheless. According to my calculations, I'm in for one", "(includes healing), explosions, moving objects, heating, cooling, etc. Ice is moving objects +", "of them was born in a family proficient in the use of explosions,", "are: actually, I at least have psychological magic, body transformations (includes healing), explosions,", "at least have psychological magic, body transformations (includes healing), explosions, moving objects, heating,", "a renowned ice user) who were killed in the process. Said ice user's", "it well? Or is it better that I change the elements anyway? This", "healing), explosions, moving objects, heating, cooling, etc. Ice is moving objects + cooling", "elements aren't coming out of nowhere, but I wonder if it will bother", "where a secondary story-line (it's about a companion of the main character) is", "about a fire mage and an ice mage. It fits well in the", "write it well? Or is it better that I change the elements anyway?", "magic. His father died as a rebel fighting a party of loyal soldiers", "I'm in for one thousand pages, so of course there's much more to", "story where a secondary story-line (it's about a companion of the main character)", "discourage the reader from reading further... As for what different magic types there", "least have psychological magic, body transformations (includes healing), explosions, moving objects, heating, cooling,", "it better that I change the elements anyway? This is a [hard-fantasy](https://en.wikipedia.org/wiki/Hard_fantasy) story.", "nevertheless. According to my calculations, I'm in for one thousand pages, so of", "companion of the main character) is basically about a fire mage and an", "a [hard-fantasy](https://en.wikipedia.org/wiki/Hard_fantasy) story. The main character has two companions. One of them was", "Does it depend on whether I write it well? Or is it better", "I'm writing a story where a secondary story-line (it's about a companion of", "magic types there are: actually, I at least have psychological magic, body transformations", "basically about a fire mage and an ice mage. It fits well in", "aren't coming out of nowhere, but I wonder if it will bother the", "ice user's son will seek revenge on the explosions user's son. This isn't", "I wouldn't want that to discourage the reader from reading further... As for", "body transformations (includes healing), explosions, moving objects, heating, cooling, etc. Ice is moving", "were killed in the process. Said ice user's son will seek revenge on", "has two companions. One of them was born in a family proficient in", "them was born in a family proficient in the use of explosions, which", "I change the elements anyway? This is a [hard-fantasy](https://en.wikipedia.org/wiki/Hard_fantasy) story. The main character", "my calculations, I'm in for one thousand pages, so of course there's much", "explosions, moving objects, heating, cooling, etc. Ice is moving objects + cooling at", "is a [hard-fantasy](https://en.wikipedia.org/wiki/Hard_fantasy) story. The main character has two companions. One of them", "fire/ice elements aren't coming out of nowhere, but I wonder if it will", "Or is it better that I change the elements anyway? This is a", "the story, BUT I wouldn't want that to discourage the reader from reading", "two companions. One of them was born in a family proficient in the", "of explosions, which I basically call fire magic. His father died as a", "if it will bother the reader? Does it depend on whether I write", "basically call fire magic. His father died as a rebel fighting a party", "of loyal soldiers (including a renowned ice user) who were killed in the", "I write it well? Or is it better that I change the elements", "calculations, I'm in for one thousand pages, so of course there's much more", "rebel fighting a party of loyal soldiers (including a renowned ice user) who", "anyway? This is a [hard-fantasy](https://en.wikipedia.org/wiki/Hard_fantasy) story. The main character has two companions. One", "as a rebel fighting a party of loyal soldiers (including a renowned ice", "it plays an important role nevertheless. According to my calculations, I'm in for", "story. The main character has two companions. One of them was born in", "so of course there's much more to the story, BUT I wouldn't want", "the reader from reading further... As for what different magic types there are:", "that I change the elements anyway? This is a [hard-fantasy](https://en.wikipedia.org/wiki/Hard_fantasy) story. The main", "role nevertheless. According to my calculations, I'm in for one thousand pages, so", "His father died as a rebel fighting a party of loyal soldiers (including", "objects, heating, cooling, etc. Ice is moving objects + cooling at least. Fire", "the elements anyway? This is a [hard-fantasy](https://en.wikipedia.org/wiki/Hard_fantasy) story. The main character has two", "[hard-fantasy](https://en.wikipedia.org/wiki/Hard_fantasy) story. The main character has two companions. One of them was born", "isn't the main plot, but it plays an important role nevertheless. According to", "will bother the reader? Does it depend on whether I write it well?", "main character has two companions. One of them was born in a family", "further... As for what different magic types there are: actually, I at least", "cooling, etc. Ice is moving objects + cooling at least. Fire is explosions", "about a companion of the main character) is basically about a fire mage", "ice user) who were killed in the process. Said ice user's son will", "This isn't the main plot, but it plays an important role nevertheless. According", "of the main character) is basically about a fire mage and an ice", "character) is basically about a fire mage and an ice mage. It fits", "that to discourage the reader from reading further... As for what different magic", "BUT I wouldn't want that to discourage the reader from reading further... As", "psychological magic, body transformations (includes healing), explosions, moving objects, heating, cooling, etc. Ice", "from reading further... As for what different magic types there are: actually, I", "is moving objects + cooling at least. Fire is explosions + heating at", "well? Or is it better that I change the elements anyway? This is", "fits well in the story and the fire/ice elements aren't coming out of", "writing a story where a secondary story-line (it's about a companion of the", "plot, but it plays an important role nevertheless. According to my calculations, I'm", "an important role nevertheless. According to my calculations, I'm in for one thousand", "for what different magic types there are: actually, I at least have psychological", "is basically about a fire mage and an ice mage. It fits well", "one thousand pages, so of course there's much more to the story, BUT", "the story and the fire/ice elements aren't coming out of nowhere, but I", "out of nowhere, but I wonder if it will bother the reader? Does", "who were killed in the process. Said ice user's son will seek revenge", "seek revenge on the explosions user's son. This isn't the main plot, but", "of nowhere, but I wonder if it will bother the reader? Does it", "explosions user's son. This isn't the main plot, but it plays an important", "character has two companions. One of them was born in a family proficient", "soldiers (including a renowned ice user) who were killed in the process. Said", "change the elements anyway? This is a [hard-fantasy](https://en.wikipedia.org/wiki/Hard_fantasy) story. The main character has", "thousand pages, so of course there's much more to the story, BUT I", "much more to the story, BUT I wouldn't want that to discourage the", "the process. Said ice user's son will seek revenge on the explosions user's", "son will seek revenge on the explosions user's son. This isn't the main", "there's much more to the story, BUT I wouldn't want that to discourage", "As for what different magic types there are: actually, I at least have", "heating, cooling, etc. Ice is moving objects + cooling at least. Fire is", "moving objects + cooling at least. Fire is explosions + heating at least.", "coming out of nowhere, but I wonder if it will bother the reader?", "revenge on the explosions user's son. This isn't the main plot, but it", "it will bother the reader? Does it depend on whether I write it", "the main plot, but it plays an important role nevertheless. According to my", "in the use of explosions, which I basically call fire magic. His father", "different magic types there are: actually, I at least have psychological magic, body", "loyal soldiers (including a renowned ice user) who were killed in the process.", "reader? Does it depend on whether I write it well? Or is it", "etc. Ice is moving objects + cooling at least. Fire is explosions +", "story-line (it's about a companion of the main character) is basically about a", "want that to discourage the reader from reading further... As for what different", "better that I change the elements anyway? This is a [hard-fantasy](https://en.wikipedia.org/wiki/Hard_fantasy) story. The", "It fits well in the story and the fire/ice elements aren't coming out", "process. Said ice user's son will seek revenge on the explosions user's son.", "son. This isn't the main plot, but it plays an important role nevertheless.", "more to the story, BUT I wouldn't want that to discourage the reader", "the use of explosions, which I basically call fire magic. His father died", "main plot, but it plays an important role nevertheless. According to my calculations,", "whether I write it well? Or is it better that I change the", "course there's much more to the story, BUT I wouldn't want that to", "a story where a secondary story-line (it's about a companion of the main", "which I basically call fire magic. His father died as a rebel fighting", "and the fire/ice elements aren't coming out of nowhere, but I wonder if", "proficient in the use of explosions, which I basically call fire magic. His", "to my calculations, I'm in for one thousand pages, so of course there's", "what different magic types there are: actually, I at least have psychological magic,", "story and the fire/ice elements aren't coming out of nowhere, but I wonder", "mage and an ice mage. It fits well in the story and the", "explosions, which I basically call fire magic. His father died as a rebel", "in the story and the fire/ice elements aren't coming out of nowhere, but", "in the process. Said ice user's son will seek revenge on the explosions", "and an ice mage. It fits well in the story and the fire/ice", "depend on whether I write it well? Or is it better that I", "I wonder if it will bother the reader? Does it depend on whether", "elements anyway? This is a [hard-fantasy](https://en.wikipedia.org/wiki/Hard_fantasy) story. The main character has two companions.", "wonder if it will bother the reader? Does it depend on whether I", "One of them was born in a family proficient in the use of", "call fire magic. His father died as a rebel fighting a party of", "use of explosions, which I basically call fire magic. His father died as", "is it better that I change the elements anyway? This is a [hard-fantasy](https://en.wikipedia.org/wiki/Hard_fantasy)", "but I wonder if it will bother the reader? Does it depend on", "a rebel fighting a party of loyal soldiers (including a renowned ice user)", "user's son. This isn't the main plot, but it plays an important role", "was born in a family proficient in the use of explosions, which I", "fire magic. His father died as a rebel fighting a party of loyal", "I at least have psychological magic, body transformations (includes healing), explosions, moving objects,", "ice mage. It fits well in the story and the fire/ice elements aren't", "bother the reader? Does it depend on whether I write it well? Or", "on the explosions user's son. This isn't the main plot, but it plays", "in a family proficient in the use of explosions, which I basically call", "a family proficient in the use of explosions, which I basically call fire", "fire mage and an ice mage. It fits well in the story and", "(including a renowned ice user) who were killed in the process. Said ice", "reader from reading further... As for what different magic types there are: actually,", "father died as a rebel fighting a party of loyal soldiers (including a", "transformations (includes healing), explosions, moving objects, heating, cooling, etc. Ice is moving objects", "user's son will seek revenge on the explosions user's son. This isn't the", "on whether I write it well? Or is it better that I change", "I basically call fire magic. His father died as a rebel fighting a", "an ice mage. It fits well in the story and the fire/ice elements", "the reader? Does it depend on whether I write it well? Or is", "to the story, BUT I wouldn't want that to discourage the reader from", "the explosions user's son. This isn't the main plot, but it plays an", "story, BUT I wouldn't want that to discourage the reader from reading further...", "Ice is moving objects + cooling at least. Fire is explosions + heating", "family proficient in the use of explosions, which I basically call fire magic.", "of course there's much more to the story, BUT I wouldn't want that", "fighting a party of loyal soldiers (including a renowned ice user) who were", "secondary story-line (it's about a companion of the main character) is basically about", "a companion of the main character) is basically about a fire mage and", "types there are: actually, I at least have psychological magic, body transformations (includes", "wouldn't want that to discourage the reader from reading further... As for what", "will seek revenge on the explosions user's son. This isn't the main plot,", "renowned ice user) who were killed in the process. Said ice user's son", "the fire/ice elements aren't coming out of nowhere, but I wonder if it", "actually, I at least have psychological magic, body transformations (includes healing), explosions, moving", "have psychological magic, body transformations (includes healing), explosions, moving objects, heating, cooling, etc.", "(it's about a companion of the main character) is basically about a fire", "pages, so of course there's much more to the story, BUT I wouldn't", "magic, body transformations (includes healing), explosions, moving objects, heating, cooling, etc. Ice is", "This is a [hard-fantasy](https://en.wikipedia.org/wiki/Hard_fantasy) story. The main character has two companions. One of", "in for one thousand pages, so of course there's much more to the", "well in the story and the fire/ice elements aren't coming out of nowhere,", "companions. One of them was born in a family proficient in the use", "Said ice user's son will seek revenge on the explosions user's son. This", "a fire mage and an ice mage. It fits well in the story", "the main character) is basically about a fire mage and an ice mage.", "party of loyal soldiers (including a renowned ice user) who were killed in", "nowhere, but I wonder if it will bother the reader? Does it depend", "died as a rebel fighting a party of loyal soldiers (including a renowned", "a party of loyal soldiers (including a renowned ice user) who were killed" ]
[ "and can't seem to track down the exact numbers. The sources will list", "numbers. The sources will list the top selling genres but that doesn't include", "down the exact numbers. The sources will list the top selling genres but", "sources will list the top selling genres but that doesn't include children's books.", "have tried doing searches for this and can't seem to track down the", "searches for this and can't seem to track down the exact numbers. The", "I have tried doing searches for this and can't seem to track down", "exact numbers. The sources will list the top selling genres but that doesn't", "to track down the exact numbers. The sources will list the top selling", "for this and can't seem to track down the exact numbers. The sources", "this and can't seem to track down the exact numbers. The sources will", "doing searches for this and can't seem to track down the exact numbers.", "can't seem to track down the exact numbers. The sources will list the", "the exact numbers. The sources will list the top selling genres but that", "tried doing searches for this and can't seem to track down the exact", "seem to track down the exact numbers. The sources will list the top", "The sources will list the top selling genres but that doesn't include children's", "track down the exact numbers. The sources will list the top selling genres" ]
[ "I am writing technical book and wish to use photos from Internet. Not", "on them, such as these. How to attribute these photos in book? [![enter", "Not the ones that have watermarks on them, such as these. How to", "the ones that have watermarks on them, such as these. How to attribute", "Internet. Not the ones that have watermarks on them, such as these. How", "technical book and wish to use photos from Internet. Not the ones that", "such as these. How to attribute these photos in book? [![enter image description", "photos from Internet. Not the ones that have watermarks on them, such as", "writing technical book and wish to use photos from Internet. Not the ones", "ones that have watermarks on them, such as these. How to attribute these", "from Internet. Not the ones that have watermarks on them, such as these.", "that have watermarks on them, such as these. How to attribute these photos", "watermarks on them, such as these. How to attribute these photos in book?", "wish to use photos from Internet. Not the ones that have watermarks on", "and wish to use photos from Internet. Not the ones that have watermarks", "have watermarks on them, such as these. How to attribute these photos in", "as these. How to attribute these photos in book? [![enter image description here](https://i.stack.imgur.com/BsFDb.jpg)](https://i.stack.imgur.com/BsFDb.jpg)", "to use photos from Internet. Not the ones that have watermarks on them,", "book and wish to use photos from Internet. Not the ones that have", "am writing technical book and wish to use photos from Internet. Not the", "them, such as these. How to attribute these photos in book? [![enter image", "use photos from Internet. Not the ones that have watermarks on them, such" ]
[ "to move on from? Would that be cathartic, or detrimental to a writer?", "that represents someone you'd like to move on from? Would that be cathartic,", "the long term effects of killing off a main character (early into a", "off a main character (early into a series) that represents someone you'd like", "long term effects of killing off a main character (early into a series)", "a main character (early into a series) that represents someone you'd like to", "killing off a main character (early into a series) that represents someone you'd", "into a series) that represents someone you'd like to move on from? Would", "series) that represents someone you'd like to move on from? Would that be", "like to move on from? Would that be cathartic, or detrimental to a", "a series) that represents someone you'd like to move on from? Would that", "someone you'd like to move on from? Would that be cathartic, or detrimental", "character (early into a series) that represents someone you'd like to move on", "(early into a series) that represents someone you'd like to move on from?", "effects of killing off a main character (early into a series) that represents", "are the long term effects of killing off a main character (early into", "term effects of killing off a main character (early into a series) that", "What are the long term effects of killing off a main character (early", "you'd like to move on from? Would that be cathartic, or detrimental to", "main character (early into a series) that represents someone you'd like to move", "of killing off a main character (early into a series) that represents someone", "represents someone you'd like to move on from? Would that be cathartic, or" ]
[ "the compelling needs of my readers. Here's where I am stuck. Anyone with", "not trying to convince someone to buy something they do not want. Selling,", "explained to me the basics of selling: It is not trying to convince", "of revising my book and I started reading a little about marketing. I", "want. It’s about making their lives better, making them happier. In short, it", "to find out how my book can serve people, I first need to", "a little about marketing. I got this wonderful e-mail by Jebf Bughev, who", "first need to be able to research and define the compelling needs of", "something they do not want. Selling, true selling is about giving the people", "lives better, making them happier. In short, it is about finding a connection", "is not trying to convince someone to buy something they do not want.", "better, making them happier. In short, it is about finding a connection and", "someone to buy something they do not want. Selling, true selling is about", "my book can serve people, I first need to be able to research", "Bughev, who explained to me the basics of selling: It is not trying", "about giving the people what they want. It’s about making their lives better,", "got this wonderful e-mail by Jebf Bughev, who explained to me the basics", "they do not want. Selling, true selling is about giving the people what", "want. Selling, true selling is about giving the people what they want. It’s", "I started reading a little about marketing. I got this wonderful e-mail by", "book can serve people, I first need to be able to research and", "book and I started reading a little about marketing. I got this wonderful", "selling: It is not trying to convince someone to buy something they do", "Jebf Bughev, who explained to me the basics of selling: It is not", "find out how my book can serve people, I first need to be", "their lives better, making them happier. In short, it is about finding a", "them happier. In short, it is about finding a connection and building trust.", "buy something they do not want. Selling, true selling is about giving the", "e-mail by Jebf Bughev, who explained to me the basics of selling: It", "this wonderful e-mail by Jebf Bughev, who explained to me the basics of", "is about finding a connection and building trust. In order to find out", "happier. In short, it is about finding a connection and building trust. In", "am in the process of revising my book and I started reading a", "what they want. It’s about making their lives better, making them happier. In", "the process of revising my book and I started reading a little about", "the basics of selling: It is not trying to convince someone to buy", "to buy something they do not want. Selling, true selling is about giving", "my book and I started reading a little about marketing. I got this", "about finding a connection and building trust. In order to find out how", "selling is about giving the people what they want. It’s about making their", "people, I first need to be able to research and define the compelling", "is about giving the people what they want. It’s about making their lives", "I got this wonderful e-mail by Jebf Bughev, who explained to me the", "order to find out how my book can serve people, I first need", "connection and building trust. In order to find out how my book can", "giving the people what they want. It’s about making their lives better, making", "out how my book can serve people, I first need to be able", "Selling, true selling is about giving the people what they want. It’s about", "they want. It’s about making their lives better, making them happier. In short,", "needs of my readers. Here's where I am stuck. Anyone with an idea?", "reading a little about marketing. I got this wonderful e-mail by Jebf Bughev,", "of selling: It is not trying to convince someone to buy something they", "little about marketing. I got this wonderful e-mail by Jebf Bughev, who explained", "In order to find out how my book can serve people, I first", "marketing. I got this wonderful e-mail by Jebf Bughev, who explained to me", "making their lives better, making them happier. In short, it is about finding", "revising my book and I started reading a little about marketing. I got", "not want. Selling, true selling is about giving the people what they want.", "process of revising my book and I started reading a little about marketing.", "It is not trying to convince someone to buy something they do not", "serve people, I first need to be able to research and define the", "short, it is about finding a connection and building trust. In order to", "to me the basics of selling: It is not trying to convince someone", "able to research and define the compelling needs of my readers. Here's where", "about marketing. I got this wonderful e-mail by Jebf Bughev, who explained to", "be able to research and define the compelling needs of my readers. Here's", "I first need to be able to research and define the compelling needs", "to research and define the compelling needs of my readers. Here's where I", "the people what they want. It’s about making their lives better, making them", "and define the compelling needs of my readers. Here's where I am stuck.", "convince someone to buy something they do not want. Selling, true selling is", "trying to convince someone to buy something they do not want. Selling, true", "true selling is about giving the people what they want. It’s about making", "finding a connection and building trust. In order to find out how my", "do not want. Selling, true selling is about giving the people what they", "making them happier. In short, it is about finding a connection and building", "me the basics of selling: It is not trying to convince someone to", "a connection and building trust. In order to find out how my book", "to be able to research and define the compelling needs of my readers.", "In short, it is about finding a connection and building trust. In order", "need to be able to research and define the compelling needs of my", "about making their lives better, making them happier. In short, it is about", "research and define the compelling needs of my readers. Here's where I am", "It’s about making their lives better, making them happier. In short, it is", "how my book can serve people, I first need to be able to", "started reading a little about marketing. I got this wonderful e-mail by Jebf", "in the process of revising my book and I started reading a little", "to convince someone to buy something they do not want. Selling, true selling", "and I started reading a little about marketing. I got this wonderful e-mail", "by Jebf Bughev, who explained to me the basics of selling: It is", "and building trust. In order to find out how my book can serve", "building trust. In order to find out how my book can serve people,", "define the compelling needs of my readers. Here's where I am stuck. Anyone", "basics of selling: It is not trying to convince someone to buy something", "trust. In order to find out how my book can serve people, I", "wonderful e-mail by Jebf Bughev, who explained to me the basics of selling:", "compelling needs of my readers. Here's where I am stuck. Anyone with an", "can serve people, I first need to be able to research and define", "people what they want. It’s about making their lives better, making them happier.", "I am in the process of revising my book and I started reading", "who explained to me the basics of selling: It is not trying to", "it is about finding a connection and building trust. In order to find" ]
[ "book advocating for political and educational reform in Canada, but I'm unsure whether", "and educational reform in Canada, but I'm unsure whether or not it's even", "even worthwhile to proceed because: 1. I don't know of any other books", "will consider a manuscript I submit on the topic, given that my credentials", "Do other such books exist? 2. If so, are they almost always written", "(but not completely) lacking So, I'm wondering if I can get some insight", "to: 1. Do other such books exist? 2. If so, are they almost", "don't know of any other books that exist solely to advocate for political", "not it's even worthwhile to proceed because: 1. I don't know of any", "somewhat (but not completely) lacking So, I'm wondering if I can get some", "educational reform in Canada, but I'm unsure whether or not it's even worthwhile", "companies will consider a manuscript I submit on the topic, given that my", "So, I'm wondering if I can get some insight as to: 1. Do", "Mein Kampf) 2. I don't know if publishing companies will consider a manuscript", "submit on the topic, given that my credentials for the specific thing I'm", "reform in Canada, but I'm unsure whether or not it's even worthwhile to", "worthwhile to proceed because: 1. I don't know of any other books that", "1. I don't know of any other books that exist solely to advocate", "2. I don't know if publishing companies will consider a manuscript I submit", "books exist? 2. If so, are they almost always written by people who", "credentials for the specific thing I'm advocating for (educational reform) are somewhat (but", "get some insight as to: 1. Do other such books exist? 2. If", "I submit on the topic, given that my credentials for the specific thing", "I've had an idea in my head for a while to write a", "publishing companies will consider a manuscript I submit on the topic, given that", "manuscript I submit on the topic, given that my credentials for the specific", "for (educational reform) are somewhat (but not completely) lacking So, I'm wondering if", "books that exist solely to advocate for political reform (other than Mein Kampf)", "are somewhat (but not completely) lacking So, I'm wondering if I can get", "Kampf) 2. I don't know if publishing companies will consider a manuscript I", "as to: 1. Do other such books exist? 2. If so, are they", "idea in my head for a while to write a book advocating for", "specific thing I'm advocating for (educational reform) are somewhat (but not completely) lacking", "on the topic, given that my credentials for the specific thing I'm advocating", "my head for a while to write a book advocating for political and", "for political reform (other than Mein Kampf) 2. I don't know if publishing", "such books exist? 2. If so, are they almost always written by people", "to proceed because: 1. I don't know of any other books that exist", "while to write a book advocating for political and educational reform in Canada,", "so, are they almost always written by people who are already well-known in", "whether or not it's even worthwhile to proceed because: 1. I don't know", "to advocate for political reform (other than Mein Kampf) 2. I don't know", "if publishing companies will consider a manuscript I submit on the topic, given", "I can get some insight as to: 1. Do other such books exist?", "in my head for a while to write a book advocating for political", "for the specific thing I'm advocating for (educational reform) are somewhat (but not", "consider a manuscript I submit on the topic, given that my credentials for", "If so, are they almost always written by people who are already well-known", "political reform (other than Mein Kampf) 2. I don't know if publishing companies", "proceed because: 1. I don't know of any other books that exist solely", "know if publishing companies will consider a manuscript I submit on the topic,", "exist? 2. If so, are they almost always written by people who are", "are they almost always written by people who are already well-known in their", "(educational reform) are somewhat (but not completely) lacking So, I'm wondering if I", "other books that exist solely to advocate for political reform (other than Mein", "it's even worthwhile to proceed because: 1. I don't know of any other", "a book advocating for political and educational reform in Canada, but I'm unsure", "I don't know if publishing companies will consider a manuscript I submit on", "Canada, but I'm unsure whether or not it's even worthwhile to proceed because:", "my credentials for the specific thing I'm advocating for (educational reform) are somewhat", "reform) are somewhat (but not completely) lacking So, I'm wondering if I can", "topic, given that my credentials for the specific thing I'm advocating for (educational", "I'm advocating for (educational reform) are somewhat (but not completely) lacking So, I'm", "or not it's even worthwhile to proceed because: 1. I don't know of", "that my credentials for the specific thing I'm advocating for (educational reform) are", "political and educational reform in Canada, but I'm unsure whether or not it's", "(other than Mein Kampf) 2. I don't know if publishing companies will consider", "can get some insight as to: 1. Do other such books exist? 2.", "advocate for political reform (other than Mein Kampf) 2. I don't know if", "an idea in my head for a while to write a book advocating", "some insight as to: 1. Do other such books exist? 2. If so,", "reform (other than Mein Kampf) 2. I don't know if publishing companies will", "for political and educational reform in Canada, but I'm unsure whether or not", "to write a book advocating for political and educational reform in Canada, but", "wondering if I can get some insight as to: 1. Do other such", "unsure whether or not it's even worthwhile to proceed because: 1. I don't", "advocating for (educational reform) are somewhat (but not completely) lacking So, I'm wondering", "head for a while to write a book advocating for political and educational", "they almost always written by people who are already well-known in their field?", "lacking So, I'm wondering if I can get some insight as to: 1.", "of any other books that exist solely to advocate for political reform (other", "other such books exist? 2. If so, are they almost always written by", "that exist solely to advocate for political reform (other than Mein Kampf) 2.", "than Mein Kampf) 2. I don't know if publishing companies will consider a", "for a while to write a book advocating for political and educational reform", "the topic, given that my credentials for the specific thing I'm advocating for", "I'm wondering if I can get some insight as to: 1. Do other", "don't know if publishing companies will consider a manuscript I submit on the", "any other books that exist solely to advocate for political reform (other than", "write a book advocating for political and educational reform in Canada, but I'm", "in Canada, but I'm unsure whether or not it's even worthwhile to proceed", "exist solely to advocate for political reform (other than Mein Kampf) 2. I", "solely to advocate for political reform (other than Mein Kampf) 2. I don't", "but I'm unsure whether or not it's even worthwhile to proceed because: 1.", "I don't know of any other books that exist solely to advocate for", "completely) lacking So, I'm wondering if I can get some insight as to:", "insight as to: 1. Do other such books exist? 2. If so, are", "if I can get some insight as to: 1. Do other such books", "1. Do other such books exist? 2. If so, are they almost always", "thing I'm advocating for (educational reform) are somewhat (but not completely) lacking So,", "I'm unsure whether or not it's even worthwhile to proceed because: 1. I", "given that my credentials for the specific thing I'm advocating for (educational reform)", "because: 1. I don't know of any other books that exist solely to", "a while to write a book advocating for political and educational reform in", "a manuscript I submit on the topic, given that my credentials for the", "advocating for political and educational reform in Canada, but I'm unsure whether or", "the specific thing I'm advocating for (educational reform) are somewhat (but not completely)", "had an idea in my head for a while to write a book", "2. If so, are they almost always written by people who are already", "know of any other books that exist solely to advocate for political reform", "not completely) lacking So, I'm wondering if I can get some insight as" ]
[ "I want to produce languages, settings, flora and fauna, and combine them all", "story to give life to a world. With the latter however it can", "world As a 'writer' (I am a strong writer in anyway) I want", "combine them all into on seamless world As a 'writer' (I am a", "other times I may create a story to give life to a world.", "support a story, other times I may create a story to give life", "however it can be difficult to produce a story that is readily accessible", "a world builder, I want to produce languages, settings, flora and fauna, and", "produce languages, settings, flora and fauna, and combine them all into on seamless", "are there any easy ways to allow readers become invested in, or be", "may have difficulty relating to the setting. How can we balance the two?", "in, or be able to relate to, a story world that made to", "seamless world As a 'writer' (I am a strong writer in anyway) I", "world is unique enough that the reader may have difficulty relating to the", "the latter however it can be difficult to produce a story that is", "the world if only because the world is unique enough that the reader", "a world. With the latter however it can be difficult to produce a", "to produce a story that is readily accessible to readers while fully exploring", "And are there any easy ways to allow readers become invested in, or", "writer in anyway) I want to connect with the reader, and convey particular", "How can we balance the two? And are there any easy ways to", "readers become invested in, or be able to relate to, a story world", "allow readers become invested in, or be able to relate to, a story", "to connect with the reader, and convey particular thoughts and feelings. Sometimes I", "exploring the world if only because the world is unique enough that the", "a strong writer in anyway) I want to connect with the reader, and", "on seamless world As a 'writer' (I am a strong writer in anyway)", "or be able to relate to, a story world that made to be", "world builder, I want to produce languages, settings, flora and fauna, and combine", "them all into on seamless world As a 'writer' (I am a strong", "reader, and convey particular thoughts and feelings. Sometimes I may create a world", "can be difficult to produce a story that is readily accessible to readers", "come here looking for advice! As a world builder, I want to produce", "As a 'writer' (I am a strong writer in anyway) I want to", "latter however it can be difficult to produce a story that is readily", "believe this falls well outside the world-building acceptable topics, so I have come", "falls well outside the world-building acceptable topics, so I have come here looking", "topics, so I have come here looking for advice! As a world builder,", "to allow readers become invested in, or be able to relate to, a", "the reader, and convey particular thoughts and feelings. Sometimes I may create a", "I believe this falls well outside the world-building acceptable topics, so I have", "strong writer in anyway) I want to connect with the reader, and convey", "readily accessible to readers while fully exploring the world if only because the", "am a strong writer in anyway) I want to connect with the reader,", "all into on seamless world As a 'writer' (I am a strong writer", "create a world to support a story, other times I may create a", "difficulty relating to the setting. How can we balance the two? And are", "so I have come here looking for advice! As a world builder, I", "difficult to produce a story that is readily accessible to readers while fully", "world-building acceptable topics, so I have come here looking for advice! As a", "a story, other times I may create a story to give life to", "balance the two? And are there any easy ways to allow readers become", "to produce languages, settings, flora and fauna, and combine them all into on", "times I may create a story to give life to a world. With", "and convey particular thoughts and feelings. Sometimes I may create a world to", "invested in, or be able to relate to, a story world that made", "setting. How can we balance the two? And are there any easy ways", "fully exploring the world if only because the world is unique enough that", "that is readily accessible to readers while fully exploring the world if only", "if only because the world is unique enough that the reader may have", "story that is readily accessible to readers while fully exploring the world if", "As a world builder, I want to produce languages, settings, flora and fauna,", "thoughts and feelings. Sometimes I may create a world to support a story,", "I have come here looking for advice! As a world builder, I want", "want to connect with the reader, and convey particular thoughts and feelings. Sometimes", "may create a story to give life to a world. With the latter", "unique enough that the reader may have difficulty relating to the setting. How", "have difficulty relating to the setting. How can we balance the two? And", "the world is unique enough that the reader may have difficulty relating to", "be difficult to produce a story that is readily accessible to readers while", "into on seamless world As a 'writer' (I am a strong writer in", "particular thoughts and feelings. Sometimes I may create a world to support a", "this falls well outside the world-building acceptable topics, so I have come here", "builder, I want to produce languages, settings, flora and fauna, and combine them", "any easy ways to allow readers become invested in, or be able to", "relating to the setting. How can we balance the two? And are there", "With the latter however it can be difficult to produce a story that", "the two? And are there any easy ways to allow readers become invested", "to support a story, other times I may create a story to give", "ways to allow readers become invested in, or be able to relate to,", "for advice! As a world builder, I want to produce languages, settings, flora", "the reader may have difficulty relating to the setting. How can we balance", "be able to relate to, a story world that made to be different?", "give life to a world. With the latter however it can be difficult", "looking for advice! As a world builder, I want to produce languages, settings,", "is readily accessible to readers while fully exploring the world if only because", "two? And are there any easy ways to allow readers become invested in,", "flora and fauna, and combine them all into on seamless world As a", "there any easy ways to allow readers become invested in, or be able", "the setting. How can we balance the two? And are there any easy", "life to a world. With the latter however it can be difficult to", "readers while fully exploring the world if only because the world is unique", "because the world is unique enough that the reader may have difficulty relating", "world to support a story, other times I may create a story to", "advice! As a world builder, I want to produce languages, settings, flora and", "it can be difficult to produce a story that is readily accessible to", "world. With the latter however it can be difficult to produce a story", "while fully exploring the world if only because the world is unique enough", "'writer' (I am a strong writer in anyway) I want to connect with", "story, other times I may create a story to give life to a", "anyway) I want to connect with the reader, and convey particular thoughts and", "enough that the reader may have difficulty relating to the setting. How can", "that the reader may have difficulty relating to the setting. How can we", "fauna, and combine them all into on seamless world As a 'writer' (I", "here looking for advice! As a world builder, I want to produce languages,", "a 'writer' (I am a strong writer in anyway) I want to connect", "I want to connect with the reader, and convey particular thoughts and feelings.", "convey particular thoughts and feelings. Sometimes I may create a world to support", "may create a world to support a story, other times I may create", "feelings. Sometimes I may create a world to support a story, other times", "outside the world-building acceptable topics, so I have come here looking for advice!", "settings, flora and fauna, and combine them all into on seamless world As", "with the reader, and convey particular thoughts and feelings. Sometimes I may create", "produce a story that is readily accessible to readers while fully exploring the", "to readers while fully exploring the world if only because the world is", "to the setting. How can we balance the two? And are there any", "we balance the two? And are there any easy ways to allow readers", "the world-building acceptable topics, so I have come here looking for advice! As", "reader may have difficulty relating to the setting. How can we balance the", "I may create a world to support a story, other times I may", "have come here looking for advice! As a world builder, I want to", "a world to support a story, other times I may create a story", "can we balance the two? And are there any easy ways to allow", "to a world. With the latter however it can be difficult to produce", "to give life to a world. With the latter however it can be", "in anyway) I want to connect with the reader, and convey particular thoughts", "easy ways to allow readers become invested in, or be able to relate", "accessible to readers while fully exploring the world if only because the world", "well outside the world-building acceptable topics, so I have come here looking for", "and fauna, and combine them all into on seamless world As a 'writer'", "only because the world is unique enough that the reader may have difficulty", "create a story to give life to a world. With the latter however", "I may create a story to give life to a world. With the", "want to produce languages, settings, flora and fauna, and combine them all into", "and combine them all into on seamless world As a 'writer' (I am", "acceptable topics, so I have come here looking for advice! As a world", "Sometimes I may create a world to support a story, other times I", "connect with the reader, and convey particular thoughts and feelings. Sometimes I may", "world if only because the world is unique enough that the reader may", "(I am a strong writer in anyway) I want to connect with the", "and feelings. Sometimes I may create a world to support a story, other", "languages, settings, flora and fauna, and combine them all into on seamless world", "a story that is readily accessible to readers while fully exploring the world", "become invested in, or be able to relate to, a story world that", "a story to give life to a world. With the latter however it", "is unique enough that the reader may have difficulty relating to the setting." ]
[ "should have a motive, as in my novel, the current antagonist needs to", "that they should have a motive, as in my novel, the current antagonist", "the Idea that they should have a motive, as in my novel, the", "my novel, the current antagonist needs to inhabit earth so his race can", "Idea that they should have a motive, as in my novel, the current", "a really \"good\" antagonist? I like the Idea that they should have a", "\"good\" antagonist? I like the Idea that they should have a motive, as", "needs to inhabit earth so his race can prosper But what makes a", "a motive, as in my novel, the current antagonist needs to inhabit earth", "the current antagonist needs to inhabit earth so his race can prosper But", "I like the Idea that they should have a motive, as in my", "in my novel, the current antagonist needs to inhabit earth so his race", "inhabit earth so his race can prosper But what makes a really great", "novel, the current antagonist needs to inhabit earth so his race can prosper", "antagonist needs to inhabit earth so his race can prosper But what makes", "have a motive, as in my novel, the current antagonist needs to inhabit", "really \"good\" antagonist? I like the Idea that they should have a motive,", "antagonist? I like the Idea that they should have a motive, as in", "motive, as in my novel, the current antagonist needs to inhabit earth so", "so his race can prosper But what makes a really great story antagonist?", "to inhabit earth so his race can prosper But what makes a really", "do I make a really \"good\" antagonist? I like the Idea that they", "as in my novel, the current antagonist needs to inhabit earth so his", "I make a really \"good\" antagonist? I like the Idea that they should", "How do I make a really \"good\" antagonist? I like the Idea that", "earth so his race can prosper But what makes a really great story", "make a really \"good\" antagonist? I like the Idea that they should have", "current antagonist needs to inhabit earth so his race can prosper But what", "they should have a motive, as in my novel, the current antagonist needs", "like the Idea that they should have a motive, as in my novel," ]
[ "able to hear the bus's engine sounds, yet far enough for the crunching", "on the bus stop. * There is only one line passing through that", "number nine growled sleepily from around the corner that morning, the night’s virgin", "extra detail, as depicted in the above quote? How would such a choice", "alike. What rules of logic and/or style would the narrator be breaking (if", "depicted in the above quote? How would such a choice affect the description's", "for the crunching of the snow beneath the bus's wheels to be, normally,", "narrator knowing the number of the bus while it is still behind the", "yet far enough for the crunching of the snow beneath the bus's wheels", "far enough for the crunching of the snow beneath the bus's wheels to", "snow beneath the bus's wheels to be, normally, unintelligible to bystanders and the", "narrator alike. What rules of logic and/or style would the narrator be breaking", "be breaking (if any) if he were to choose to describe the snow's", "bus's engine sounds, yet far enough for the crunching of the snow beneath", "the corner that morning, the night’s virgin snow crunching beneath its multitude of", "hear the bus's engine sounds, yet far enough for the crunching of the", "would the narrator be breaking (if any) if he were to choose to", "below piece: > > The number nine growled sleepily from around the corner", "bystanders and the narrator alike. What rules of logic and/or style would the", "of logic and/or style would the narrator be breaking (if any) if he", "the sake of extra detail, as depicted in the above quote? How would", "What rules of logic and/or style would the narrator be breaking (if any)", "engine sounds, yet far enough for the crunching of the snow beneath the", "logic and/or style would the narrator be breaking (if any) if he were", "snow's sound, for the sake of extra detail, as depicted in the above", "its multitude of rubber feet. > > > * Say the narrator is", "unintelligible to bystanders and the narrator alike. What rules of logic and/or style", "the narrator is not omnipotent, telling the story as if he were a", "a logical pickle in regard to the below piece: > > The number", "corner is close enough for everyone at the stop to be able to", "bit of a logical pickle in regard to the below piece: > >", "* The distance to the corner is close enough for everyone at the", "be able to hear the bus's engine sounds, yet far enough for the", "nine growled sleepily from around the corner that morning, the night’s virgin snow", "one line passing through that particular stop i.e. our narrator knowing the number", "choose to describe the snow's sound, for the sake of extra detail, as", "feet. > > > * Say the narrator is not omnipotent, telling the", "is not omnipotent, telling the story as if he were a bystander on", "i.e. our narrator knowing the number of the bus while it is still", "crunching beneath its multitude of rubber feet. > > > * Say the", "growled sleepily from around the corner that morning, the night’s virgin snow crunching", "the stop to be able to hear the bus's engine sounds, yet far", "the number of the bus while it is still behind the corner is", "a bit of a logical pickle in regard to the below piece: >", "the bus stop. * There is only one line passing through that particular", "knowing the number of the bus while it is still behind the corner", "omnipotent, telling the story as if he were a bystander on the bus", "sake of extra detail, as depicted in the above quote? How would such", "> * Say the narrator is not omnipotent, telling the story as if", "our narrator knowing the number of the bus while it is still behind", "he were a bystander on the bus stop. * There is only one", "to the corner is close enough for everyone at the stop to be", "crunching of the snow beneath the bus's wheels to be, normally, unintelligible to", "myself in a bit of a logical pickle in regard to the below", "behind the corner is believable enough. * The distance to the corner is", "were to choose to describe the snow's sound, for the sake of extra", "the corner is believable enough. * The distance to the corner is close", "style would the narrator be breaking (if any) if he were to choose", "for the sake of extra detail, as depicted in the above quote? How", "the bus's wheels to be, normally, unintelligible to bystanders and the narrator alike.", "stop to be able to hear the bus's engine sounds, yet far enough", "to hear the bus's engine sounds, yet far enough for the crunching of", "sounds, yet far enough for the crunching of the snow beneath the bus's", "piece: > > The number nine growled sleepily from around the corner that", "if he were a bystander on the bus stop. * There is only", "in a bit of a logical pickle in regard to the below piece:", "the snow's sound, for the sake of extra detail, as depicted in the", "* Say the narrator is not omnipotent, telling the story as if he", "were a bystander on the bus stop. * There is only one line", "around the corner that morning, the night’s virgin snow crunching beneath its multitude", "that morning, the night’s virgin snow crunching beneath its multitude of rubber feet.", "if he were to choose to describe the snow's sound, for the sake", "rubber feet. > > > * Say the narrator is not omnipotent, telling", "multitude of rubber feet. > > > * Say the narrator is not", "not omnipotent, telling the story as if he were a bystander on the", "of extra detail, as depicted in the above quote? How would such a", "believable enough. * The distance to the corner is close enough for everyone", "particular stop i.e. our narrator knowing the number of the bus while it", "close enough for everyone at the stop to be able to hear the", "and/or style would the narrator be breaking (if any) if he were to", "detail, as depicted in the above quote? How would such a choice affect", "the bus's engine sounds, yet far enough for the crunching of the snow", "the snow beneath the bus's wheels to be, normally, unintelligible to bystanders and", "passing through that particular stop i.e. our narrator knowing the number of the", "narrator is not omnipotent, telling the story as if he were a bystander", "the night’s virgin snow crunching beneath its multitude of rubber feet. > >", "corner is believable enough. * The distance to the corner is close enough", "from around the corner that morning, the night’s virgin snow crunching beneath its", "while it is still behind the corner is believable enough. * The distance", "morning, the night’s virgin snow crunching beneath its multitude of rubber feet. >", "is close enough for everyone at the stop to be able to hear", "of the bus while it is still behind the corner is believable enough.", "describe the snow's sound, for the sake of extra detail, as depicted in", "line passing through that particular stop i.e. our narrator knowing the number of", "the story as if he were a bystander on the bus stop. ", "is believable enough. The distance to the corner is close enough for", "breaking (if any) if he were to choose to describe the snow's sound,", "in the above quote? How would such a choice affect the description's plausibility?", "distance to the corner is close enough for everyone at the stop to", "normally, unintelligible to bystanders and the narrator alike. What rules of logic and/or", "> The number nine growled sleepily from around the corner that morning, the", "the narrator be breaking (if any) if he were to choose to describe", "* There is only one line passing through that particular stop i.e. our", "beneath its multitude of rubber feet. > > > * Say the narrator", "> > * Say the narrator is not omnipotent, telling the story as", "of rubber feet. > > > * Say the narrator is not omnipotent,", "that particular stop i.e. our narrator knowing the number of the bus while", "wheels to be, normally, unintelligible to bystanders and the narrator alike. What rules", "the bus while it is still behind the corner is believable enough. ", "bus while it is still behind the corner is believable enough. The", "to be, normally, unintelligible to bystanders and the narrator alike. What rules of", "any) if he were to choose to describe the snow's sound, for the", "of the snow beneath the bus's wheels to be, normally, unintelligible to bystanders", "to choose to describe the snow's sound, for the sake of extra detail,", "the below piece: > > The number nine growled sleepily from around the", "number of the bus while it is still behind the corner is believable", "sleepily from around the corner that morning, the night’s virgin snow crunching beneath", "it is still behind the corner is believable enough. * The distance to", "bus's wheels to be, normally, unintelligible to bystanders and the narrator alike. What", "to the below piece: > > The number nine growled sleepily from around", "sound, for the sake of extra detail, as depicted in the above quote?", "the narrator alike. What rules of logic and/or style would the narrator be", "beneath the bus's wheels to be, normally, unintelligible to bystanders and the narrator", "the crunching of the snow beneath the bus's wheels to be, normally, unintelligible", "the corner is close enough for everyone at the stop to be able", "(if any) if he were to choose to describe the snow's sound, for", "still behind the corner is believable enough. * The distance to the corner", "through that particular stop i.e. our narrator knowing the number of the bus", "stop i.e. our narrator knowing the number of the bus while it is", "be, normally, unintelligible to bystanders and the narrator alike. What rules of logic", "Dounz myself in a bit of a logical pickle in regard to the", "snow crunching beneath its multitude of rubber feet. > > > * Say", "stop. * There is only one line passing through that particular stop i.e.", "enough for everyone at the stop to be able to hear the bus's", "of a logical pickle in regard to the below piece: > > The", "telling the story as if he were a bystander on the bus stop.", "virgin snow crunching beneath its multitude of rubber feet. > > > ", "rules of logic and/or style would the narrator be breaking (if any) if", "a bystander on the bus stop. There is only one line passing", "as if he were a bystander on the bus stop. * There is", "he were to choose to describe the snow's sound, for the sake of", "narrator be breaking (if any) if he were to choose to describe the", "There is only one line passing through that particular stop i.e. our narrator", "and the narrator alike. What rules of logic and/or style would the narrator", "The distance to the corner is close enough for everyone at the stop", "in regard to the below piece: > > The number nine growled sleepily", "enough. * The distance to the corner is close enough for everyone at", "as depicted in the above quote? How would such a choice affect the", "night’s virgin snow crunching beneath its multitude of rubber feet. > > >", "for everyone at the stop to be able to hear the bus's engine", "everyone at the stop to be able to hear the bus's engine sounds,", "at the stop to be able to hear the bus's engine sounds, yet", "regard to the below piece: > > The number nine growled sleepily from", "> > The number nine growled sleepily from around the corner that morning,", "logical pickle in regard to the below piece: > > The number nine", "to describe the snow's sound, for the sake of extra detail, as depicted", "only one line passing through that particular stop i.e. our narrator knowing the", "pickle in regard to the below piece: > > The number nine growled", "bus stop. * There is only one line passing through that particular stop", "to bystanders and the narrator alike. What rules of logic and/or style would", "is only one line passing through that particular stop i.e. our narrator knowing", "to be able to hear the bus's engine sounds, yet far enough for", "> > > * Say the narrator is not omnipotent, telling the story", "bystander on the bus stop. * There is only one line passing through", "enough for the crunching of the snow beneath the bus's wheels to be,", "corner that morning, the night’s virgin snow crunching beneath its multitude of rubber", "Say the narrator is not omnipotent, telling the story as if he were", "is still behind the corner is believable enough. * The distance to the", "The number nine growled sleepily from around the corner that morning, the night’s", "story as if he were a bystander on the bus stop. * There" ]
[ "the concept of 'morning' because he is a primordial deity who likes to", "child from getting into contact with Gaea, or to kill it. And the", "brought into fruition about ten thousand years in the future. The god is", "involved. What do I do to make the reasons for them forming a", "wanted to stop the child from growing up and being used by Gaea/Terra", "involved, I don't know how to make all their motivations believable. They are", "the future. The god is Apollo, by the way. And since he is", "weak motivation for a god character whose son (whom he tried to prevent", "And since he is the god of many things, including prophecy (which he", "against one another, so it seemed more balanced. However, again, their motivations for", "to stop him from getting involved. What do I do to make the", "Zeus/Jupiter. So he wanted to stop the child from growing up and being", "the reasons for them forming a team believable? In fact, how do I", "that with so many gods involved, I don't know how to make all", "again, their motivations for fighting seem very petty. For example, I have a", "is 'bored' and or 'wants to mess around with some mortals'. Apollo is", "And the only motivation I have for Hypnos is that he is 'bored'", "that will only be brought into fruition about ten thousand years in the", "only motivation I have for Hypnos is that he is 'bored' and or", "is just afraid of getting into trouble... I understand that as the plot", "are gods... they do have rules to follow, but its hard to make", "be brought into fruition about ten thousand years in the future. The god", "prophecy (which he stole from the earth Goddess Gaea), he realised that he", "fruition about ten thousand years in the future. The god is Apollo, by", "Hypnos is very much annoyed at the concept of 'morning' because he is", "kill it. And the only motivation I have for Hypnos is that he", "of many things, including prophecy (which he stole from the earth Goddess Gaea),", "the plot builds, as the story follows the boy as Apollo and Hypnos/Somnus'", "and Hypnos/Somnus' failed to stop him from getting involved. What do I do", "Goddess Gaea), he realised that he was going to get in trouble for", "their motivations believable. They are gods... they do have rules to follow, but", "them forming a team believable? In fact, how do I make a god's", "birth) seems like he is an apt tool to be used for a", "a weak motivation for a god character whose son (whom he tried to", "them struggle when they are so powerful. So I had originally set the", "do have rules to follow, but its hard to make them struggle when", "years in the future. The god is Apollo, by the way. And since", "know how to make all their motivations believable. They are gods... they do", "make the reasons for them forming a team believable? In fact, how do", "many gods involved, I don't know how to make all their motivations believable.", "around with some mortals'. Apollo is just afraid of getting into trouble... I", "with Zeus/Jupiter. So he wanted to stop the child from growing up and", "as the plot builds, as the story follows the boy as Apollo and", "petty. For example, I have a mischief god named Hypnos (god of sleep)", "his birth) seems like he is an apt tool to be used for", "seemed more balanced. However, again, their motivations for fighting seem very petty. For", "However, again, their motivations for fighting seem very petty. For example, I have", "is that with so many gods involved, I don't know how to make", "as the story follows the boy as Apollo and Hypnos/Somnus' failed to stop", "that he is 'bored' and or 'wants to mess around with some mortals'.", "since he is the god of many things, including prophecy (which he stole", "partnering with Apollo (because I thought it would be funny how Apollo is", "whose son (whom he tried to prevent his birth) seems like he is", "by the way. And since he is the god of many things, including", "I thought it would be funny how Apollo is god of morning an", "in trouble for this with Zeus/Jupiter. So he wanted to stop the child", "and her lover Saturn... My issue is that with so many gods involved,", "one another, so it seemed more balanced. However, again, their motivations for fighting", "I have a mischief god named Hypnos (god of sleep) partnering with Apollo", "god named Hypnos (god of sleep) partnering with Apollo (because I thought it", "would be funny how Apollo is god of morning an Hypnos is very", "some mortals'. Apollo is just afraid of getting into trouble... I understand that", "to be used for a plot that will only be brought into fruition", "god is Apollo, by the way. And since he is the god of", "likes to sleep) to stop the child from getting into contact with Gaea,", "a god character whose son (whom he tried to prevent his birth) seems", "tried to prevent his birth) seems like he is an apt tool to", "only be brought into fruition about ten thousand years in the future. The", "a mischief god named Hypnos (god of sleep) partnering with Apollo (because I", "For example, I have a mischief god named Hypnos (god of sleep) partnering", "in teams against one another, so it seemed more balanced. However, again, their", "and or 'wants to mess around with some mortals'. Apollo is just afraid", "mortals'. Apollo is just afraid of getting into trouble... I understand that as", "Hypnos/Somnus' failed to stop him from getting involved. What do I do to", "for fighting seem very petty. For example, I have a mischief god named", "going to get in trouble for this with Zeus/Jupiter. So he wanted to", "forming a team believable? In fact, how do I make a god's motivation,", "annoyed at the concept of 'morning' because he is a primordial deity who", "from growing up and being used by Gaea/Terra and her lover Saturn... My", "very much annoyed at the concept of 'morning' because he is a primordial", "builds, as the story follows the boy as Apollo and Hypnos/Somnus' failed to", "from the earth Goddess Gaea), he realised that he was going to get", "The god is Apollo, by the way. And since he is the god", "contact with Gaea, or to kill it. And the only motivation I have", "I have a weak motivation for a god character whose son (whom he", "with Apollo (because I thought it would be funny how Apollo is god", "trouble for this with Zeus/Jupiter. So he wanted to stop the child from", "(because I thought it would be funny how Apollo is god of morning", "story follows the boy as Apollo and Hypnos/Somnus' failed to stop him from", "primordial deity who likes to sleep) to stop the child from getting into", "They are gods... they do have rules to follow, but its hard to", "he was going to get in trouble for this with Zeus/Jupiter. So he", "I do to make the reasons for them forming a team believable? In", "motivations for fighting seem very petty. For example, I have a mischief god", "the way. And since he is the god of many things, including prophecy", "a primordial deity who likes to sleep) to stop the child from getting", "used by Gaea/Terra and her lover Saturn... My issue is that with so", "fighting seem very petty. For example, I have a mischief god named Hypnos", "is that he is 'bored' and or 'wants to mess around with some", "powerful. So I had originally set the gods in teams against one another,", "son (whom he tried to prevent his birth) seems like he is an", "so powerful. So I had originally set the gods in teams against one", "with so many gods involved, I don't know how to make all their", "her lover Saturn... My issue is that with so many gods involved, I", "believable. They are gods... they do have rules to follow, but its hard", "very petty. For example, I have a mischief god named Hypnos (god of", "sleep) partnering with Apollo (because I thought it would be funny how Apollo", "he is 'bored' and or 'wants to mess around with some mortals'. Apollo", "character whose son (whom he tried to prevent his birth) seems like he", "do to make the reasons for them forming a team believable? In fact,", "struggle when they are so powerful. So I had originally set the gods", "how Apollo is god of morning an Hypnos is very much annoyed at", "for them forming a team believable? In fact, how do I make a", "to stop the child from getting into contact with Gaea, or to kill", "understand that as the plot builds, as the story follows the boy as", "'wants to mess around with some mortals'. Apollo is just afraid of getting", "an apt tool to be used for a plot that will only be", "is an apt tool to be used for a plot that will only", "seems like he is an apt tool to be used for a plot", "so I have a weak motivation for a god character whose son (whom", "a plot that will only be brought into fruition about ten thousand years", "for this with Zeus/Jupiter. So he wanted to stop the child from growing", "that he was going to get in trouble for this with Zeus/Jupiter. So", "make all their motivations believable. They are gods... they do have rules to", "Apollo is god of morning an Hypnos is very much annoyed at the", "or 'wants to mess around with some mortals'. Apollo is just afraid of", "make them struggle when they are so powerful. So I had originally set", "another, so it seemed more balanced. However, again, their motivations for fighting seem", "much annoyed at the concept of 'morning' because he is a primordial deity", "he wanted to stop the child from growing up and being used by", "growing up and being used by Gaea/Terra and her lover Saturn... My issue", "all their motivations believable. They are gods... they do have rules to follow,", "have a mischief god named Hypnos (god of sleep) partnering with Apollo (because", "to follow, but its hard to make them struggle when they are so", "What do I do to make the reasons for them forming a team", "they are so powerful. So I had originally set the gods in teams", "and being used by Gaea/Terra and her lover Saturn... My issue is that", "to sleep) to stop the child from getting into contact with Gaea, or", "its hard to make them struggle when they are so powerful. So I", "getting into trouble... I understand that as the plot builds, as the story", "Apollo and Hypnos/Somnus' failed to stop him from getting involved. What do I", "named Hypnos (god of sleep) partnering with Apollo (because I thought it would", "into fruition about ten thousand years in the future. The god is Apollo,", "funny how Apollo is god of morning an Hypnos is very much annoyed", "like he is an apt tool to be used for a plot that", "he tried to prevent his birth) seems like he is an apt tool", "sleep) to stop the child from getting into contact with Gaea, or to", "for Hypnos is that he is 'bored' and or 'wants to mess around", "but its hard to make them struggle when they are so powerful. So", "so many gods involved, I don't know how to make all their motivations", "more balanced. However, again, their motivations for fighting seem very petty. For example,", "have for Hypnos is that he is 'bored' and or 'wants to mess", "getting involved. What do I do to make the reasons for them forming", "(whom he tried to prevent his birth) seems like he is an apt", "hard to make them struggle when they are so powerful. So I had", "apt tool to be used for a plot that will only be brought", "in the future. The god is Apollo, by the way. And since he", "Saturn... My issue is that with so many gods involved, I don't know", "is Apollo, by the way. And since he is the god of many", "had originally set the gods in teams against one another, so it seemed", "the boy as Apollo and Hypnos/Somnus' failed to stop him from getting involved.", "prevent his birth) seems like he is an apt tool to be used", "because he is a primordial deity who likes to sleep) to stop the", "the child from getting into contact with Gaea, or to kill it. And", "Hypnos is that he is 'bored' and or 'wants to mess around with", "at the concept of 'morning' because he is a primordial deity who likes", "boy as Apollo and Hypnos/Somnus' failed to stop him from getting involved. What", "Gaea), he realised that he was going to get in trouble for this", "will only be brought into fruition about ten thousand years in the future.", "was going to get in trouble for this with Zeus/Jupiter. So he wanted", "by Gaea/Terra and her lover Saturn... My issue is that with so many", "So I had originally set the gods in teams against one another, so", "I understand that as the plot builds, as the story follows the boy", "be used for a plot that will only be brought into fruition about", "that as the plot builds, as the story follows the boy as Apollo", "of sleep) partnering with Apollo (because I thought it would be funny how", "this with Zeus/Jupiter. So he wanted to stop the child from growing up", "rules to follow, but its hard to make them struggle when they are", "trouble... I understand that as the plot builds, as the story follows the", "or to kill it. And the only motivation I have for Hypnos is", "plot that will only be brought into fruition about ten thousand years in", "get in trouble for this with Zeus/Jupiter. So he wanted to stop the", "Apollo is just afraid of getting into trouble... I understand that as the", "failed to stop him from getting involved. What do I do to make", "(god of sleep) partnering with Apollo (because I thought it would be funny", "stole from the earth Goddess Gaea), he realised that he was going to", "I have for Hypnos is that he is 'bored' and or 'wants to", "to mess around with some mortals'. Apollo is just afraid of getting into", "Okay, so I have a weak motivation for a god character whose son", "being used by Gaea/Terra and her lover Saturn... My issue is that with", "'bored' and or 'wants to mess around with some mortals'. Apollo is just", "it. And the only motivation I have for Hypnos is that he is", "Apollo (because I thought it would be funny how Apollo is god of", "he is the god of many things, including prophecy (which he stole from", "concept of 'morning' because he is a primordial deity who likes to sleep)", "to prevent his birth) seems like he is an apt tool to be", "he is a primordial deity who likes to sleep) to stop the child", "is the god of many things, including prophecy (which he stole from the", "mischief god named Hypnos (god of sleep) partnering with Apollo (because I thought", "are so powerful. So I had originally set the gods in teams against", "so it seemed more balanced. However, again, their motivations for fighting seem very", "the only motivation I have for Hypnos is that he is 'bored' and", "mess around with some mortals'. Apollo is just afraid of getting into trouble...", "the earth Goddess Gaea), he realised that he was going to get in", "follow, but its hard to make them struggle when they are so powerful.", "god character whose son (whom he tried to prevent his birth) seems like", "to make the reasons for them forming a team believable? In fact, how", "to make them struggle when they are so powerful. So I had originally", "'morning' because he is a primordial deity who likes to sleep) to stop", "about ten thousand years in the future. The god is Apollo, by the", "set the gods in teams against one another, so it seemed more balanced.", "stop the child from growing up and being used by Gaea/Terra and her", "the god of many things, including prophecy (which he stole from the earth", "originally set the gods in teams against one another, so it seemed more", "of getting into trouble... I understand that as the plot builds, as the", "when they are so powerful. So I had originally set the gods in", "is god of morning an Hypnos is very much annoyed at the concept", "deity who likes to sleep) to stop the child from getting into contact", "just afraid of getting into trouble... I understand that as the plot builds,", "be funny how Apollo is god of morning an Hypnos is very much", "issue is that with so many gods involved, I don't know how to", "So he wanted to stop the child from growing up and being used", "have a weak motivation for a god character whose son (whom he tried", "how to make all their motivations believable. They are gods... they do have", "motivation for a god character whose son (whom he tried to prevent his", "from getting into contact with Gaea, or to kill it. And the only", "realised that he was going to get in trouble for this with Zeus/Jupiter.", "things, including prophecy (which he stole from the earth Goddess Gaea), he realised", "it seemed more balanced. However, again, their motivations for fighting seem very petty.", "future. The god is Apollo, by the way. And since he is the", "the story follows the boy as Apollo and Hypnos/Somnus' failed to stop him", "they do have rules to follow, but its hard to make them struggle", "getting into contact with Gaea, or to kill it. And the only motivation", "Gaea/Terra and her lover Saturn... My issue is that with so many gods", "motivations believable. They are gods... they do have rules to follow, but its", "who likes to sleep) to stop the child from getting into contact with", "a team believable? In fact, how do I make a god's motivation, believable?!", "it would be funny how Apollo is god of morning an Hypnos is", "afraid of getting into trouble... I understand that as the plot builds, as", "with Gaea, or to kill it. And the only motivation I have for", "earth Goddess Gaea), he realised that he was going to get in trouble", "way. And since he is the god of many things, including prophecy (which", "have rules to follow, but its hard to make them struggle when they", "many things, including prophecy (which he stole from the earth Goddess Gaea), he", "to stop the child from growing up and being used by Gaea/Terra and", "child from growing up and being used by Gaea/Terra and her lover Saturn...", "god of many things, including prophecy (which he stole from the earth Goddess", "of 'morning' because he is a primordial deity who likes to sleep) to", "My issue is that with so many gods involved, I don't know how", "gods in teams against one another, so it seemed more balanced. However, again,", "god of morning an Hypnos is very much annoyed at the concept of", "from getting involved. What do I do to make the reasons for them", "is a primordial deity who likes to sleep) to stop the child from", "seem very petty. For example, I have a mischief god named Hypnos (god", "to make all their motivations believable. They are gods... they do have rules", "gods... they do have rules to follow, but its hard to make them", "plot builds, as the story follows the boy as Apollo and Hypnos/Somnus' failed", "up and being used by Gaea/Terra and her lover Saturn... My issue is", "gods involved, I don't know how to make all their motivations believable. They", "Gaea, or to kill it. And the only motivation I have for Hypnos", "teams against one another, so it seemed more balanced. However, again, their motivations", "thought it would be funny how Apollo is god of morning an Hypnos", "Apollo, by the way. And since he is the god of many things,", "as Apollo and Hypnos/Somnus' failed to stop him from getting involved. What do", "I had originally set the gods in teams against one another, so it", "motivation I have for Hypnos is that he is 'bored' and or 'wants", "with some mortals'. Apollo is just afraid of getting into trouble... I understand", "him from getting involved. What do I do to make the reasons for", "for a plot that will only be brought into fruition about ten thousand", "an Hypnos is very much annoyed at the concept of 'morning' because he", "to get in trouble for this with Zeus/Jupiter. So he wanted to stop", "used for a plot that will only be brought into fruition about ten", "ten thousand years in the future. The god is Apollo, by the way.", "the child from growing up and being used by Gaea/Terra and her lover", "don't know how to make all their motivations believable. They are gods... they", "for a god character whose son (whom he tried to prevent his birth)", "to kill it. And the only motivation I have for Hypnos is that", "stop the child from getting into contact with Gaea, or to kill it.", "Hypnos (god of sleep) partnering with Apollo (because I thought it would be", "including prophecy (which he stole from the earth Goddess Gaea), he realised that", "example, I have a mischief god named Hypnos (god of sleep) partnering with", "of morning an Hypnos is very much annoyed at the concept of 'morning'", "into contact with Gaea, or to kill it. And the only motivation I", "do I do to make the reasons for them forming a team believable?", "reasons for them forming a team believable? In fact, how do I make", "lover Saturn... My issue is that with so many gods involved, I don't", "stop him from getting involved. **What do I do to make the reasons", "into trouble... I understand that as the plot builds, as the story follows", "follows the boy as Apollo and Hypnos/Somnus' failed to stop him from getting", "he is an apt tool to be used for a plot that will", "the gods in teams against one another, so it seemed more balanced. However,", "balanced. However, again, their motivations for fighting seem very petty. For example, I", "morning an Hypnos is very much annoyed at the concept of 'morning' because", "(which he stole from the earth Goddess Gaea), he realised that he was", "their motivations for fighting seem very petty. For example, I have a mischief", "he realised that he was going to get in trouble for this with", "he stole from the earth Goddess Gaea), he realised that he was going", "thousand years in the future. The god is Apollo, by the way. And", "is very much annoyed at the concept of 'morning' because he is a", "tool to be used for a plot that will only be brought into", "I don't know how to make all their motivations believable. They are gods..." ]
[ "to try to get the collection published as a bilingual edition: each story", "magazines. A French translator friend recently translated the stories into French (I speak", "French version. Does anyone know of any publishers who produce this type of", "of original short stories, all of which have been published in English in", "(I speak French, so I consulted on the translation). We want to try", "get the collection published as a bilingual edition: each story in English followed", "the book is the English version and the other half is the French", "version and the other half is the French version. Does anyone know of", "original short stories, all of which have been published in English in literary", "of the book is the English version and the other half is the", "want to try to get the collection published as a bilingual edition: each", "the stories into French (I speak French, so I consulted on the translation).", "been published in English in literary magazines. A French translator friend recently translated", "translation, or perhaps one half of the book is the English version and", "is the English version and the other half is the French version. Does", "on the translation). We want to try to get the collection published as", "story in English followed by its French translation, or perhaps one half of", "literary magazines. A French translator friend recently translated the stories into French (I", "stories into French (I speak French, so I consulted on the translation). We", "collection published as a bilingual edition: each story in English followed by its", "French, so I consulted on the translation). We want to try to get", "the collection published as a bilingual edition: each story in English followed by", "of which have been published in English in literary magazines. A French translator", "half of the book is the English version and the other half is", "I have a collection of original short stories, all of which have been", "other half is the French version. Does anyone know of any publishers who", "or perhaps one half of the book is the English version and the", "the translation). We want to try to get the collection published as a", "a bilingual edition: each story in English followed by its French translation, or", "friend recently translated the stories into French (I speak French, so I consulted", "stories, all of which have been published in English in literary magazines. A", "English version and the other half is the French version. Does anyone know", "in English in literary magazines. A French translator friend recently translated the stories", "as a bilingual edition: each story in English followed by its French translation,", "version. Does anyone know of any publishers who produce this type of book?", "into French (I speak French, so I consulted on the translation). We want", "half is the French version. Does anyone know of any publishers who produce", "We want to try to get the collection published as a bilingual edition:", "consulted on the translation). We want to try to get the collection published", "try to get the collection published as a bilingual edition: each story in", "English followed by its French translation, or perhaps one half of the book", "the other half is the French version. Does anyone know of any publishers", "the French version. Does anyone know of any publishers who produce this type", "the English version and the other half is the French version. Does anyone", "French translation, or perhaps one half of the book is the English version", "and the other half is the French version. Does anyone know of any", "recently translated the stories into French (I speak French, so I consulted on", "published in English in literary magazines. A French translator friend recently translated the", "translated the stories into French (I speak French, so I consulted on the", "have a collection of original short stories, all of which have been published", "edition: each story in English followed by its French translation, or perhaps one", "in English followed by its French translation, or perhaps one half of the", "collection of original short stories, all of which have been published in English", "I consulted on the translation). We want to try to get the collection", "is the French version. Does anyone know of any publishers who produce this", "have been published in English in literary magazines. A French translator friend recently", "one half of the book is the English version and the other half", "each story in English followed by its French translation, or perhaps one half", "speak French, so I consulted on the translation). We want to try to", "book is the English version and the other half is the French version.", "published as a bilingual edition: each story in English followed by its French", "perhaps one half of the book is the English version and the other", "in literary magazines. A French translator friend recently translated the stories into French", "to get the collection published as a bilingual edition: each story in English", "A French translator friend recently translated the stories into French (I speak French,", "which have been published in English in literary magazines. A French translator friend", "translator friend recently translated the stories into French (I speak French, so I", "English in literary magazines. A French translator friend recently translated the stories into", "all of which have been published in English in literary magazines. A French", "its French translation, or perhaps one half of the book is the English", "a collection of original short stories, all of which have been published in", "translation). We want to try to get the collection published as a bilingual", "bilingual edition: each story in English followed by its French translation, or perhaps", "French translator friend recently translated the stories into French (I speak French, so", "by its French translation, or perhaps one half of the book is the", "short stories, all of which have been published in English in literary magazines.", "French (I speak French, so I consulted on the translation). We want to", "so I consulted on the translation). We want to try to get the", "followed by its French translation, or perhaps one half of the book is" ]
[ "of things you didn't mess up these\", is there anything else I should", "look up what areas to say need improvement (if they do), because that's", "helpful if it makes the writer give up, so good news needs to", "However, feedback isn't all that helpful if it makes the writer give up,", "up what areas to say need improvement (if they do), because that's equivalent", "It's easy to look up what areas to say need improvement (if they", "if it makes the writer give up, so good news needs to be", "to looking up the most common ways beginning writers err. But besides saying", "my best to include that too, but my ratio needs work. It's easy", "needs to be presented too. I try my best to include that too,", "it makes the writer give up, so good news needs to be presented", "but my ratio needs work. It's easy to look up what areas to", "that helpful if it makes the writer give up, so good news needs", "say need improvement (if they do), because that's equivalent to looking up the", "this big list of things you didn't mess up these\", is there anything", "I read people's manuscripts to provide feedback, I can easily identify areas worth", "I try my best to include that too, but my ratio needs work.", "that's equivalent to looking up the most common ways beginning writers err. But", "things you didn't mess up these\", is there anything else I should look", "so good news needs to be presented too. I try my best to", "identify areas worth improving. However, feedback isn't all that helpful if it makes", "err. But besides saying \"on this big list of things you didn't mess", "beginning writers err. But besides saying \"on this big list of things you", "be presented too. I try my best to include that too, but my", "good news needs to be presented too. I try my best to include", "up the most common ways beginning writers err. But besides saying \"on this", "that too, but my ratio needs work. It's easy to look up what", "big list of things you didn't mess up these\", is there anything else", "to say need improvement (if they do), because that's equivalent to looking up", "writers err. But besides saying \"on this big list of things you didn't", "all that helpful if it makes the writer give up, so good news", "too, but my ratio needs work. It's easy to look up what areas", "saying \"on this big list of things you didn't mess up these\", is", "too. I try my best to include that too, but my ratio needs", "areas to say need improvement (if they do), because that's equivalent to looking", "equivalent to looking up the most common ways beginning writers err. But besides", "isn't all that helpful if it makes the writer give up, so good", "need improvement (if they do), because that's equivalent to looking up the most", "didn't mess up these\", is there anything else I should look for as", "\"on this big list of things you didn't mess up these\", is there", "because that's equivalent to looking up the most common ways beginning writers err.", "you didn't mess up these\", is there anything else I should look for", "looking up the most common ways beginning writers err. But besides saying \"on", "can easily identify areas worth improving. However, feedback isn't all that helpful if", "best to include that too, but my ratio needs work. It's easy to", "include that too, but my ratio needs work. It's easy to look up", "up these\", is there anything else I should look for as possible areas", "improvement (if they do), because that's equivalent to looking up the most common", "try my best to include that too, but my ratio needs work. It's", "up, so good news needs to be presented too. I try my best", "feedback, I can easily identify areas worth improving. However, feedback isn't all that", "news needs to be presented too. I try my best to include that", "to provide feedback, I can easily identify areas worth improving. However, feedback isn't", "people's manuscripts to provide feedback, I can easily identify areas worth improving. However,", "feedback isn't all that helpful if it makes the writer give up, so", "the writer give up, so good news needs to be presented too. I", "When I read people's manuscripts to provide feedback, I can easily identify areas", "easily identify areas worth improving. However, feedback isn't all that helpful if it", "manuscripts to provide feedback, I can easily identify areas worth improving. However, feedback", "needs work. It's easy to look up what areas to say need improvement", "read people's manuscripts to provide feedback, I can easily identify areas worth improving.", "give up, so good news needs to be presented too. I try my", "improving. However, feedback isn't all that helpful if it makes the writer give", "these\", is there anything else I should look for as possible areas to", "provide feedback, I can easily identify areas worth improving. However, feedback isn't all", "they do), because that's equivalent to looking up the most common ways beginning", "most common ways beginning writers err. But besides saying \"on this big list", "mess up these\", is there anything else I should look for as possible", "ratio needs work. It's easy to look up what areas to say need", "common ways beginning writers err. But besides saying \"on this big list of", "to include that too, but my ratio needs work. It's easy to look", "easy to look up what areas to say need improvement (if they do),", "besides saying \"on this big list of things you didn't mess up these\",", "my ratio needs work. It's easy to look up what areas to say", "else I should look for as possible areas to be positive (if earned)?", "presented too. I try my best to include that too, but my ratio", "there anything else I should look for as possible areas to be positive", "to be presented too. I try my best to include that too, but", "(if they do), because that's equivalent to looking up the most common ways", "worth improving. However, feedback isn't all that helpful if it makes the writer", "is there anything else I should look for as possible areas to be", "writer give up, so good news needs to be presented too. I try", "do), because that's equivalent to looking up the most common ways beginning writers", "makes the writer give up, so good news needs to be presented too.", "to look up what areas to say need improvement (if they do), because", "areas worth improving. However, feedback isn't all that helpful if it makes the", "I can easily identify areas worth improving. However, feedback isn't all that helpful", "work. It's easy to look up what areas to say need improvement (if", "the most common ways beginning writers err. But besides saying \"on this big", "ways beginning writers err. But besides saying \"on this big list of things", "what areas to say need improvement (if they do), because that's equivalent to", "anything else I should look for as possible areas to be positive (if", "list of things you didn't mess up these\", is there anything else I", "But besides saying \"on this big list of things you didn't mess up" ]
[ "that it was once considered a Southern Californian thing to constantly insert the", "while they do discuss slang, they rarely discuss other things about the region's", "are plenty of pages on the internet describing Californian slang, I've been told", "lot of stuff that a university-aged character would consider outdated (for example \"grody\"", "with them. They include a lot of stuff that a university-aged character would", "the north west of England) to find interesting but still familiar enough to", "familiar enough to be relatable. I've run into a few issues with her", "and they mix up slang that originates from different parts of California. What's", "very outdated), and they mix up slang that originates from different parts of", "to make her Southern Californian on the grounds that that would be exotic", "where she's from if I had her talking like that all the time.", "on how people from various regions, specifically Southern California in my case, that", "lot of problems with them. They include a lot of stuff that a", "it obvious where she's from if I had her talking like that all", "region's mode of speech that would distinguish it from other English-speaking regions. I'm", "of the cast (who are mostly from the north west of England) to", "they rarely discuss other things about the region's mode of speech that would", "discuss other things about the region's mode of speech that would distinguish it", "there with up to date information on how people from various regions, specifically", "story ideas involving university students. Most of them are locals but I wanted", "make her Southern Californian on the grounds that that would be exotic enough", "sentences but that's become common enough worldwide that it wouldn't really make it", "was once considered a Southern Californian thing to constantly insert the word \"like\"", "though, I thought that researching how people from Southern California talk and act", "are a lot of problems with them. They include a lot of stuff", "grounds that that would be exotic enough for the rest of the cast", "Southern California talk and act would be fairly simple because they are responsible", "it wouldn't really make it obvious where she's from if I had her", "stuff that a university-aged character would consider outdated (for example \"grody\" gets mentioned", "rather different. Whilst there are plenty of pages on the internet describing Californian", "speech that would distinguish it from other English-speaking regions. I'm aware that it", "I had her talking like that all the time. Are there any good", "would consider outdated (for example \"grody\" gets mentioned a lot but I'm told", "discuss slang, they rarely discuss other things about the region's mode of speech", "run into a few issues with her mode of speech though, I thought", "how people from various regions, specifically Southern California in my case, that could", "them are locals but I wanted to include a foreign character as a", "to date information on how people from various regions, specifically Southern California in", "character as a sort of outside view. I also decided to make her", "date information on how people from various regions, specifically Southern California in my", "there are plenty of pages on the internet describing Californian slang, I've been", "locals but I wanted to include a foreign character as a sort of", "Most of them are locals but I wanted to include a foreign character", "her mode of speech though, I thought that researching how people from Southern", "talk and act would be fairly simple because they are responsible for a", "describing Californian slang, I've been told that there are a lot of problems", "English-speaking regions. I'm aware that it was once considered a Southern Californian thing", "internet describing Californian slang, I've been told that there are a lot of", "in my case, that could help me make this character sound reasonably authentic?", "that it's considered very outdated), and they mix up slang that originates from", "her Southern Californian on the grounds that that would be exotic enough for", "sort of outside view. I also decided to make her Southern Californian on", "mix up slang that originates from different parts of California. What's more, while", "would distinguish it from other English-speaking regions. I'm aware that it was once", "fairly simple because they are responsible for a huge amount of American pop", "people from various regions, specifically Southern California in my case, that could help", "England) to find interesting but still familiar enough to be relatable. I've run", "interesting but still familiar enough to be relatable. I've run into a few", "act would be fairly simple because they are responsible for a huge amount", "information on how people from various regions, specifically Southern California in my case,", "are responsible for a huge amount of American pop culture but the reality", "of California. What's more, while they do discuss slang, they rarely discuss other", "of American pop culture but the reality has proved rather different. Whilst there", "the internet describing Californian slang, I've been told that there are a lot", "wouldn't really make it obvious where she's from if I had her talking", "with story ideas involving university students. Most of them are locals but I", "with up to date information on how people from various regions, specifically Southern", "Californian thing to constantly insert the word \"like\" into sentences but that's become", "problems with them. They include a lot of stuff that a university-aged character", "that that would be exotic enough for the rest of the cast (who", "make it obvious where she's from if I had her talking like that", "for the rest of the cast (who are mostly from the north west", "but the reality has proved rather different. Whilst there are plenty of pages", "be exotic enough for the rest of the cast (who are mostly from", "example \"grody\" gets mentioned a lot but I'm told that it's considered very", "I've been told that there are a lot of problems with them. They", "California. What's more, while they do discuss slang, they rarely discuss other things", "had her talking like that all the time. Are there any good resources", "obvious where she's from if I had her talking like that all the", "from various regions, specifically Southern California in my case, that could help me", "they do discuss slang, they rarely discuss other things about the region's mode", "as a sort of outside view. I also decided to make her Southern", "there are a lot of problems with them. They include a lot of", "regions. I'm aware that it was once considered a Southern Californian thing to", "I also decided to make her Southern Californian on the grounds that that", "other things about the region's mode of speech that would distinguish it from", "a lot of problems with them. They include a lot of stuff that", "They include a lot of stuff that a university-aged character would consider outdated", "about the region's mode of speech that would distinguish it from other English-speaking", "I'm aware that it was once considered a Southern Californian thing to constantly", "different. Whilst there are plenty of pages on the internet describing Californian slang,", "thing to constantly insert the word \"like\" into sentences but that's become common", "other English-speaking regions. I'm aware that it was once considered a Southern Californian", "really make it obvious where she's from if I had her talking like", "would be fairly simple because they are responsible for a huge amount of", "slang that originates from different parts of California. What's more, while they do", "the cast (who are mostly from the north west of England) to find", "mode of speech though, I thought that researching how people from Southern California", "include a foreign character as a sort of outside view. I also decided", "aware that it was once considered a Southern Californian thing to constantly insert", "responsible for a huge amount of American pop culture but the reality has", "(for example \"grody\" gets mentioned a lot but I'm told that it's considered", "simple because they are responsible for a huge amount of American pop culture", "outdated), and they mix up slang that originates from different parts of California.", "from if I had her talking like that all the time. Are there", "the time. Are there any good resources out there with up to date", "slang, I've been told that there are a lot of problems with them.", "California in my case, that could help me make this character sound reasonably", "lot but I'm told that it's considered very outdated), and they mix up", "it from other English-speaking regions. I'm aware that it was once considered a", "from the north west of England) to find interesting but still familiar enough", "Whilst there are plenty of pages on the internet describing Californian slang, I've", "university-aged character would consider outdated (for example \"grody\" gets mentioned a lot but", "to constantly insert the word \"like\" into sentences but that's become common enough", "originates from different parts of California. What's more, while they do discuss slang,", "mentioned a lot but I'm told that it's considered very outdated), and they", "that all the time. Are there any good resources out there with up", "playing around with story ideas involving university students. Most of them are locals", "rest of the cast (who are mostly from the north west of England)", "are locals but I wanted to include a foreign character as a sort", "find interesting but still familiar enough to be relatable. I've run into a", "up slang that originates from different parts of California. What's more, while they", "more, while they do discuss slang, they rarely discuss other things about the", "that researching how people from Southern California talk and act would be fairly", "gets mentioned a lot but I'm told that it's considered very outdated), and", "but that's become common enough worldwide that it wouldn't really make it obvious", "people from Southern California talk and act would be fairly simple because they", "on the grounds that that would be exotic enough for the rest of", "north west of England) to find interesting but still familiar enough to be", "of outside view. I also decided to make her Southern Californian on the", "constantly insert the word \"like\" into sentences but that's become common enough worldwide", "out there with up to date information on how people from various regions,", "\"like\" into sentences but that's become common enough worldwide that it wouldn't really", "worldwide that it wouldn't really make it obvious where she's from if I", "few issues with her mode of speech though, I thought that researching how", "of problems with them. They include a lot of stuff that a university-aged", "include a lot of stuff that a university-aged character would consider outdated (for", "Southern Californian thing to constantly insert the word \"like\" into sentences but that's", "specifically Southern California in my case, that could help me make this character", "decided to make her Southern Californian on the grounds that that would be", "because they are responsible for a huge amount of American pop culture but", "Californian on the grounds that that would be exotic enough for the rest", "has proved rather different. Whilst there are plenty of pages on the internet", "character would consider outdated (for example \"grody\" gets mentioned a lot but I'm", "of England) to find interesting but still familiar enough to be relatable. I've", "but I'm told that it's considered very outdated), and they mix up slang", "speech though, I thought that researching how people from Southern California talk and", "of speech though, I thought that researching how people from Southern California talk", "I thought that researching how people from Southern California talk and act would", "What's more, while they do discuss slang, they rarely discuss other things about", "I wanted to include a foreign character as a sort of outside view.", "told that there are a lot of problems with them. They include a", "students. Most of them are locals but I wanted to include a foreign", "with her mode of speech though, I thought that researching how people from", "a lot but I'm told that it's considered very outdated), and they mix", "that a university-aged character would consider outdated (for example \"grody\" gets mentioned a", "I'm told that it's considered very outdated), and they mix up slang that", "still familiar enough to be relatable. I've run into a few issues with", "enough worldwide that it wouldn't really make it obvious where she's from if", "talking like that all the time. Are there any good resources out there", "university students. Most of them are locals but I wanted to include a", "they are responsible for a huge amount of American pop culture but the", "pop culture but the reality has proved rather different. Whilst there are plenty", "consider outdated (for example \"grody\" gets mentioned a lot but I'm told that", "from other English-speaking regions. I'm aware that it was once considered a Southern", "plenty of pages on the internet describing Californian slang, I've been told that", "distinguish it from other English-speaking regions. I'm aware that it was once considered", "a sort of outside view. I also decided to make her Southern Californian", "issues with her mode of speech though, I thought that researching how people", "insert the word \"like\" into sentences but that's become common enough worldwide that", "into a few issues with her mode of speech though, I thought that", "I've run into a few issues with her mode of speech though, I", "there any good resources out there with up to date information on how", "Californian slang, I've been told that there are a lot of problems with", "pages on the internet describing Californian slang, I've been told that there are", "word \"like\" into sentences but that's become common enough worldwide that it wouldn't", "Are there any good resources out there with up to date information on", "the word \"like\" into sentences but that's become common enough worldwide that it", "considered a Southern Californian thing to constantly insert the word \"like\" into sentences", "that's become common enough worldwide that it wouldn't really make it obvious where", "like that all the time. Are there any good resources out there with", "to find interesting but still familiar enough to be relatable. I've run into", "that would be exotic enough for the rest of the cast (who are", "if I had her talking like that all the time. Are there any", "involving university students. Most of them are locals but I wanted to include", "view. I also decided to make her Southern Californian on the grounds that", "the region's mode of speech that would distinguish it from other English-speaking regions.", "\"grody\" gets mentioned a lot but I'm told that it's considered very outdated),", "it was once considered a Southern Californian thing to constantly insert the word", "once considered a Southern Californian thing to constantly insert the word \"like\" into", "I'm playing around with story ideas involving university students. Most of them are", "that would distinguish it from other English-speaking regions. I'm aware that it was", "be fairly simple because they are responsible for a huge amount of American", "good resources out there with up to date information on how people from", "regions, specifically Southern California in my case, that could help me make this", "various regions, specifically Southern California in my case, that could help me make", "of them are locals but I wanted to include a foreign character as", "them. They include a lot of stuff that a university-aged character would consider", "huge amount of American pop culture but the reality has proved rather different.", "how people from Southern California talk and act would be fairly simple because", "to include a foreign character as a sort of outside view. I also", "of speech that would distinguish it from other English-speaking regions. I'm aware that", "culture but the reality has proved rather different. Whilst there are plenty of", "around with story ideas involving university students. Most of them are locals but", "but still familiar enough to be relatable. I've run into a few issues", "a lot of stuff that a university-aged character would consider outdated (for example", "also decided to make her Southern Californian on the grounds that that would", "they mix up slang that originates from different parts of California. What's more,", "parts of California. What's more, while they do discuss slang, they rarely discuss", "American pop culture but the reality has proved rather different. Whilst there are", "amount of American pop culture but the reality has proved rather different. Whilst", "that there are a lot of problems with them. They include a lot", "would be exotic enough for the rest of the cast (who are mostly", "the reality has proved rather different. Whilst there are plenty of pages on", "enough to be relatable. I've run into a few issues with her mode", "all the time. Are there any good resources out there with up to", "of stuff that a university-aged character would consider outdated (for example \"grody\" gets", "she's from if I had her talking like that all the time. Are", "reality has proved rather different. Whilst there are plenty of pages on the", "a Southern Californian thing to constantly insert the word \"like\" into sentences but", "thought that researching how people from Southern California talk and act would be", "into sentences but that's become common enough worldwide that it wouldn't really make", "on the internet describing Californian slang, I've been told that there are a", "a huge amount of American pop culture but the reality has proved rather", "slang, they rarely discuss other things about the region's mode of speech that", "common enough worldwide that it wouldn't really make it obvious where she's from", "Southern California in my case, that could help me make this character sound", "been told that there are a lot of problems with them. They include", "considered very outdated), and they mix up slang that originates from different parts", "her talking like that all the time. Are there any good resources out", "mode of speech that would distinguish it from other English-speaking regions. I'm aware", "different parts of California. What's more, while they do discuss slang, they rarely", "become common enough worldwide that it wouldn't really make it obvious where she's", "enough for the rest of the cast (who are mostly from the north", "the rest of the cast (who are mostly from the north west of", "of pages on the internet describing Californian slang, I've been told that there", "from different parts of California. What's more, while they do discuss slang, they", "the grounds that that would be exotic enough for the rest of the", "that it wouldn't really make it obvious where she's from if I had", "(who are mostly from the north west of England) to find interesting but", "it's considered very outdated), and they mix up slang that originates from different", "things about the region's mode of speech that would distinguish it from other", "outside view. I also decided to make her Southern Californian on the grounds", "proved rather different. Whilst there are plenty of pages on the internet describing", "California talk and act would be fairly simple because they are responsible for", "and act would be fairly simple because they are responsible for a huge", "for a huge amount of American pop culture but the reality has proved", "a university-aged character would consider outdated (for example \"grody\" gets mentioned a lot", "west of England) to find interesting but still familiar enough to be relatable.", "a foreign character as a sort of outside view. I also decided to", "cast (who are mostly from the north west of England) to find interesting", "resources out there with up to date information on how people from various", "exotic enough for the rest of the cast (who are mostly from the", "but I wanted to include a foreign character as a sort of outside", "ideas involving university students. Most of them are locals but I wanted to", "from Southern California talk and act would be fairly simple because they are", "outdated (for example \"grody\" gets mentioned a lot but I'm told that it's", "foreign character as a sort of outside view. I also decided to make", "to be relatable. I've run into a few issues with her mode of", "told that it's considered very outdated), and they mix up slang that originates", "rarely discuss other things about the region's mode of speech that would distinguish", "be relatable. I've run into a few issues with her mode of speech", "any good resources out there with up to date information on how people", "researching how people from Southern California talk and act would be fairly simple", "mostly from the north west of England) to find interesting but still familiar", "that originates from different parts of California. What's more, while they do discuss", "time. Are there any good resources out there with up to date information", "up to date information on how people from various regions, specifically Southern California", "are mostly from the north west of England) to find interesting but still", "wanted to include a foreign character as a sort of outside view. I", "relatable. I've run into a few issues with her mode of speech though,", "Southern Californian on the grounds that that would be exotic enough for the", "a few issues with her mode of speech though, I thought that researching", "do discuss slang, they rarely discuss other things about the region's mode of" ]
[ "Hamlet to Mulholland Drive, from The Matrix to Rocky. Story structures like 3", "temporary success, to climax and finale. But I find it hard to detect", "as wrong / fad / old / cliche - that is not the", "from The Matrix to Rocky. Story structures like 3 Acts, or 4-5 Acts,", "/ old / cliche - that is not the core of the question.", "incident, to temporary success, to climax and finale. But I find it hard", "incident if it's shown at the end of a movie? How can it", "Acts, or 4-5 Acts, always feature a Character Arc and a series of", "*NB please retain from answering by bashing the 3-act structure as wrong /", "at the beginning? The question is: how can you insert the Plot Key", "any story, from Hamlet* to Mulholland Drive, from The Matrix to Rocky. Story", "like Pulp Fiction, Shimmer Lake, Memento, which proceeds back and forth in narration,", "bashing the 3-act structure as wrong / fad / old / cliche -", "in movies like Pulp Fiction, Shimmer Lake, Memento, which proceeds back and forth", "wrong / fad / old / cliche - that is not the core", "I find it hard to detect these elements in movies like Pulp Fiction,", "end of a movie? How can it be a climax of the hero's", "fad / old / cliche - that is not the core of the", "story which is not narrated linearly? *NB please retain from answering by bashing", "an inciting incident if it's shown at the end of a movie? How", "applied over almost any story, from Hamlet* to Mulholland Drive, from The Matrix", "Turning Points) which make the story move on, proceeding from inciting incident, to", "3-act structure as wrong / fad / old / cliche - that is", "of the hero's journey, if it is shown at the beginning? The question", "For example, how can something be an inciting incident if it's shown at", "journey, if it is shown at the beginning? The question is: how can", "finale. But I find it hard to detect these elements in movies like", "Fiction, Shimmer Lake, Memento, which proceeds back and forth in narration, and thus", "not narrated linearly? NB please retain from answering by bashing the 3-act structure", "of a story. For example, how can something be an inciting incident if", "please retain from answering by bashing the 3-act structure as wrong / fad", "inciting incident if it's shown at the end of a movie? How can", "Points in a story which is not narrated linearly? NB please retain from", "it is shown at the beginning? The question is: how can you insert", "of plot turns (i.e. Turning Points) which make the story move on, proceeding", "structures like 3 Acts, or 4-5 Acts, always feature a Character Arc and", "be a climax of the hero's journey, if it is shown at the", "3 Acts, or 4-5 Acts, always feature a Character Arc and a series", "the 3-act structure as wrong / fad / old / cliche - that", "which is not narrated linearly? NB please retain from answering by bashing the", "3 Act structure can be applied over almost any story, from Hamlet* to", "How can it be a climax of the hero's journey, if it is", "from answering by bashing the 3-act structure as wrong / fad / old", "story move on, proceeding from inciting incident, to temporary success, to climax and", "of a movie? How can it be a climax of the hero's journey,", "beginning? The question is: how can you insert the Plot Key Points in", "elude the typical steps of a story. For example, how can something be", "Pulp Fiction, Shimmer Lake, Memento, which proceeds back and forth in narration, and", "from inciting incident, to temporary success, to climax and finale. But I find", "insert the Plot Key Points in a story which is not narrated linearly?", "seem to elude the typical steps of a story. For example, how can", "always feature a Character Arc and a series of plot turns (i.e. Turning", "Points) which make the story move on, proceeding from inciting incident, to temporary", "Arc and a series of plot turns (i.e. Turning Points) which make the", "these elements in movies like Pulp Fiction, Shimmer Lake, Memento, which proceeds back", "the typical steps of a story. For example, how can something be an", "series of plot turns (i.e. Turning Points) which make the story move on,", "typical steps of a story. For example, how can something be an inciting", "the end of a movie? How can it be a climax of the", "Plot Key Points in a story which is not narrated linearly? NB please", "story. For example, how can something be an inciting incident if it's shown", "and thus seem to elude the typical steps of a story. For example,", "to climax and finale. But I find it hard to detect these elements", "can you insert the Plot Key Points in a story which is not", "by bashing the 3-act structure as wrong / fad / old / cliche", "you insert the Plot Key Points in a story which is not narrated", "narrated linearly? NB please retain from answering by bashing the 3-act structure as", "and forth in narration, and thus seem to elude the typical steps of", "is: how can you insert the Plot Key Points in a story which", "elements in movies like Pulp Fiction, Shimmer Lake, Memento, which proceeds back and", "in narration, and thus seem to elude the typical steps of a story.", "example, how can something be an inciting incident if it's shown at the", "structure can be applied over almost any story, from Hamlet to Mulholland Drive,", "The Matrix to Rocky. Story structures like 3 Acts, or 4-5 Acts, always", "Acts, always feature a Character Arc and a series of plot turns (i.e.", "Key Points in a story which is not narrated linearly? *NB please retain", "structure as wrong / fad / old / cliche - that is not", "Character Arc and a series of plot turns (i.e. Turning Points) which make", "can be applied over almost any story, from Hamlet* to Mulholland Drive, from", "it be a climax of the hero's journey, if it is shown at", "and finale. But I find it hard to detect these elements in movies", "find it hard to detect these elements in movies like Pulp Fiction, Shimmer", "climax and finale. But I find it hard to detect these elements in", "hard to detect these elements in movies like Pulp Fiction, Shimmer Lake, Memento,", "climax of the hero's journey, if it is shown at the beginning? The", "like 3 Acts, or 4-5 Acts, always feature a Character Arc and a", "almost any story, from Hamlet* to Mulholland Drive, from The Matrix to Rocky.", "proceeding from inciting incident, to temporary success, to climax and finale. But I", "make the story move on, proceeding from inciting incident, to temporary success, to", "proceeds back and forth in narration, and thus seem to elude the typical", "Matrix* to Rocky. Story structures like 3 Acts, or 4-5 Acts, always feature", "see that the 3 Act structure can be applied over almost any story,", "inciting incident, to temporary success, to climax and finale. But I find it", "steps of a story. For example, how can something be an inciting incident", "how can something be an inciting incident if it's shown at the end", "it's shown at the end of a movie? How can it be a", "that the 3 Act structure can be applied over almost any story, from", "The question is: how can you insert the Plot Key Points in a", "plot turns (i.e. Turning Points) which make the story move on, proceeding from", "the Plot Key Points in a story which is not narrated linearly? *NB", "to Mulholland Drive, from The Matrix* to Rocky. Story structures like 3 Acts,", "feature a Character Arc and a series of plot turns (i.e. Turning Points)", "move on, proceeding from inciting incident, to temporary success, to climax and finale.", "is not narrated linearly? *NB please retain from answering by bashing the 3-act", "shown at the beginning? The question is: how can you insert the Plot", "forth in narration, and thus seem to elude the typical steps of a", "the 3 Act structure can be applied over almost any story, from Hamlet", "Shimmer Lake, Memento, which proceeds back and forth in narration, and thus seem", "Mulholland Drive, from The Matrix* to Rocky. Story structures like 3 Acts, or", "Story structures like 3 Acts, or 4-5 Acts, always feature a Character Arc", "something be an inciting incident if it's shown at the end of a", "the beginning? The question is: how can you insert the Plot Key Points", "the story move on, proceeding from inciting incident, to temporary success, to climax", "a movie? How can it be a climax of the hero's journey, if", "can something be an inciting incident if it's shown at the end of", "be applied over almost any story, from Hamlet to Mulholland Drive, from The", "linearly? NB please retain from answering by bashing the 3-act structure as wrong", "on, proceeding from inciting incident, to temporary success, to climax and finale. But", "Act structure can be applied over almost any story, from Hamlet* to Mulholland", "in a story which is not narrated linearly? NB please retain from answering", "it hard to detect these elements in movies like Pulp Fiction, Shimmer Lake,", "to elude the typical steps of a story. For example, how can something", "at the end of a movie? How can it be a climax of", "a story which is not narrated linearly? NB please retain from answering by", "if it's shown at the end of a movie? How can it be", "or 4-5 Acts, always feature a Character Arc and a series of plot", "Memento, which proceeds back and forth in narration, and thus seem to elude", "answering by bashing the 3-act structure as wrong / fad / old /", "Drive, from The Matrix to Rocky. Story structures like 3 Acts, or 4-5", "I see that the 3 Act structure can be applied over almost any", "over almost any story, from Hamlet to Mulholland Drive, from The Matrix to", "a story. For example, how can something be an inciting incident if it's", "movie? How can it be a climax of the hero's journey, if it", "to Rocky. Story structures like 3 Acts, or 4-5 Acts, always feature a", "But I find it hard to detect these elements in movies like Pulp", "from Hamlet* to Mulholland Drive, from The Matrix to Rocky. Story structures like", "Rocky. Story structures like 3 Acts, or 4-5 Acts, always feature a Character", "detect these elements in movies like Pulp Fiction, Shimmer Lake, Memento, which proceeds", "thus seem to elude the typical steps of a story. For example, how", "4-5 Acts, always feature a Character Arc and a series of plot turns", "to detect these elements in movies like Pulp Fiction, Shimmer Lake, Memento, which", "a series of plot turns (i.e. Turning Points) which make the story move", "to temporary success, to climax and finale. But I find it hard to", "Lake, Memento, which proceeds back and forth in narration, and thus seem to", "be an inciting incident if it's shown at the end of a movie?", "story, from Hamlet* to Mulholland Drive, from The Matrix to Rocky. Story structures", "retain from answering by bashing the 3-act structure as wrong / fad /", "narration, and thus seem to elude the typical steps of a story. For", "if it is shown at the beginning? The question is: how can you", "movies like Pulp Fiction, Shimmer Lake, Memento, which proceeds back and forth in", "which proceeds back and forth in narration, and thus seem to elude the", "a climax of the hero's journey, if it is shown at the beginning?", "hero's journey, if it is shown at the beginning? The question is: how", "(i.e. Turning Points) which make the story move on, proceeding from inciting incident,", "is shown at the beginning? The question is: how can you insert the", "shown at the end of a movie? How can it be a climax", "/ fad / old / cliche - that is not the core of", "which make the story move on, proceeding from inciting incident, to temporary success,", "back and forth in narration, and thus seem to elude the typical steps", "how can you insert the Plot Key Points in a story which is", "and a series of plot turns (i.e. Turning Points) which make the story", "a Character Arc and a series of plot turns (i.e. Turning Points) which", "question is: how can you insert the Plot Key Points in a story", "old / cliche - that is not the core of the question. Thanks.*", "success, to climax and finale. But I find it hard to detect these", "can it be a climax of the hero's journey, if it is shown", "the hero's journey, if it is shown at the beginning? The question is:", "turns (i.e. Turning Points*) which make the story move on, proceeding from inciting" ]
[ "from someone else's heart. It was my first time. > > > A", "> \"Hey, Daichi.\" Kiyoshi tapped me on my shoulder. > > > As", "contagious one. > Because before realizing it, I found myself smiling too, enjoying", "> agape---lips that steadily curled up into a smile. A contagious one. >", "that steadily curled up into a smile. A contagious one. > Because before", "her lips > agape---lips that steadily curled up into a smile. A contagious", "that came from someone else's heart. It was my first time. > >", "I watched Aiko read the letter with her lips > agape---lips that steadily", "> > As opposed of writing: \"Hey, Daichi,\" Kiyoshi said, tapping me on", "> > A first time that wouldn't last. > > > \"Hey, Daichi.\"", "next few seconds, I watched Aiko read the letter with her lips >", "words, is it strange/confusing to do this? > > For the next few", "this? > > For the next few seconds, I watched Aiko read the", "other words, is it strange/confusing to do this? > > For the next", "> > > \"Hey, Daichi.\" Kiyoshi tapped me on my shoulder. > >", "watched Aiko read the letter with her lips > agape---lips that steadily curled", "the next few seconds, I watched Aiko read the letter with her lips", "> > > As opposed of writing: \"Hey, Daichi,\" Kiyoshi said, tapping me", "the letter with her lips > agape---lips that steadily curled up into a", "to do this? > > For the next few seconds, I watched Aiko", "writing: \"Hey, Daichi,\" Kiyoshi said, tapping me on my shoulder. Why or why", "few seconds, I watched Aiko read the letter with her lips > agape---lips", "> A first time that wouldn't last. > > > \"Hey, Daichi.\" Kiyoshi", "read the letter with her lips > agape---lips that steadily curled up into", "I found myself smiling too, enjoying a > happiness that came from someone", "of writing: \"Hey, Daichi,\" Kiyoshi said, tapping me on my shoulder. Why or", "with her lips > agape---lips that steadily curled up into a smile. A", "smile. A contagious one. > Because before realizing it, I found myself smiling", "time. > > > A first time that wouldn't last. > > >", "strange/confusing to do this? > > For the next few seconds, I watched", "> > > A first time that wouldn't last. > > > \"Hey,", "Aiko read the letter with her lips > agape---lips that steadily curled up", "it, I found myself smiling too, enjoying a > happiness that came from", "too, enjoying a > happiness that came from someone else's heart. It was", "my first time. > > > A first time that wouldn't last. >", "In other words, is it strange/confusing to do this? > > For the", "time that wouldn't last. > > > \"Hey, Daichi.\" Kiyoshi tapped me on", "was my first time. > > > A first time that wouldn't last.", "A first time that wouldn't last. > > > \"Hey, Daichi.\" Kiyoshi tapped", "Because before realizing it, I found myself smiling too, enjoying a > happiness", "agape---lips that steadily curled up into a smile. A contagious one. > Because", "smiling too, enjoying a > happiness that came from someone else's heart. It", "enjoying a > happiness that came from someone else's heart. It was my", "someone else's heart. It was my first time. > > > A first", "first time. > > > A first time that wouldn't last. > >", "For the next few seconds, I watched Aiko read the letter with her", "\"Hey, Daichi.\" Kiyoshi tapped me on my shoulder. > > > As opposed", "me on my shoulder. > > > As opposed of writing: \"Hey, Daichi,\"", "> > \"Hey, Daichi.\" Kiyoshi tapped me on my shoulder. > > >", "As opposed of writing: \"Hey, Daichi,\" Kiyoshi said, tapping me on my shoulder.", "\"Hey, Daichi,\" Kiyoshi said, tapping me on my shoulder. Why or why not?", "that wouldn't last. > > > \"Hey, Daichi.\" Kiyoshi tapped me on my", "up into a smile. A contagious one. > Because before realizing it, I", "lips > agape---lips that steadily curled up into a smile. A contagious one.", "happiness that came from someone else's heart. It was my first time. >", "> happiness that came from someone else's heart. It was my first time.", "letter with her lips > agape---lips that steadily curled up into a smile.", "a smile. A contagious one. > Because before realizing it, I found myself", "opposed of writing: \"Hey, Daichi,\" Kiyoshi said, tapping me on my shoulder. Why", "it strange/confusing to do this? > > For the next few seconds, I", "> Because before realizing it, I found myself smiling too, enjoying a >", "steadily curled up into a smile. A contagious one. > Because before realizing", "one. > Because before realizing it, I found myself smiling too, enjoying a", "> For the next few seconds, I watched Aiko read the letter with", "curled up into a smile. A contagious one. > Because before realizing it,", "> As opposed of writing: \"Hey, Daichi,\" Kiyoshi said, tapping me on my", "myself smiling too, enjoying a > happiness that came from someone else's heart.", "before realizing it, I found myself smiling too, enjoying a > happiness that", "Daichi.\" Kiyoshi tapped me on my shoulder. > > > As opposed of", "realizing it, I found myself smiling too, enjoying a > happiness that came", "first time that wouldn't last. > > > \"Hey, Daichi.\" Kiyoshi tapped me", "else's heart. It was my first time. > > > A first time", "found myself smiling too, enjoying a > happiness that came from someone else's", "my shoulder. > > > As opposed of writing: \"Hey, Daichi,\" Kiyoshi said,", "came from someone else's heart. It was my first time. > > >", "Kiyoshi tapped me on my shoulder. > > > As opposed of writing:", "a > happiness that came from someone else's heart. It was my first", "into a smile. A contagious one. > Because before realizing it, I found", "on my shoulder. > > > As opposed of writing: \"Hey, Daichi,\" Kiyoshi", "> > For the next few seconds, I watched Aiko read the letter", "wouldn't last. > > > \"Hey, Daichi.\" Kiyoshi tapped me on my shoulder.", "shoulder. > > > As opposed of writing: \"Hey, Daichi,\" Kiyoshi said, tapping", "It was my first time. > > > A first time that wouldn't", "is it strange/confusing to do this? > > For the next few seconds,", "heart. It was my first time. > > > A first time that", "seconds, I watched Aiko read the letter with her lips > agape---lips that", "A contagious one. > Because before realizing it, I found myself smiling too,", "last. > > > \"Hey, Daichi.\" Kiyoshi tapped me on my shoulder. >", "tapped me on my shoulder. > > > As opposed of writing: \"Hey,", "do this? > > For the next few seconds, I watched Aiko read" ]
[ "to plot it out. I have a general Idea of what's going in", "just don't know how to map it out or put it into words.", "don't know how to map it out or put it into words. any", "a finale for my 17th chapter, but I don't know how to plot", "general Idea of what's going in it, I just don't know how to", "I don't know how to plot it out. I have a general Idea", "know how to map it out or put it into words. any advise?", "out. I have a general Idea of what's going in it, I just", "I'm trying to come up with a finale for my 17th chapter, but", "trying to come up with a finale for my 17th chapter, but I", "Idea of what's going in it, I just don't know how to map", "it out. I have a general Idea of what's going in it, I", "to come up with a finale for my 17th chapter, but I don't", "up with a finale for my 17th chapter, but I don't know how", "plot it out. I have a general Idea of what's going in it,", "I just don't know how to map it out or put it into", "what's going in it, I just don't know how to map it out", "don't know how to plot it out. I have a general Idea of", "come up with a finale for my 17th chapter, but I don't know", "17th chapter, but I don't know how to plot it out. I have", "it, I just don't know how to map it out or put it", "know how to plot it out. I have a general Idea of what's", "I have a general Idea of what's going in it, I just don't", "with a finale for my 17th chapter, but I don't know how to", "going in it, I just don't know how to map it out or", "how to plot it out. I have a general Idea of what's going", "for my 17th chapter, but I don't know how to plot it out.", "my 17th chapter, but I don't know how to plot it out. I", "but I don't know how to plot it out. I have a general", "a general Idea of what's going in it, I just don't know how", "have a general Idea of what's going in it, I just don't know", "alrighty, I'm trying to come up with a finale for my 17th chapter,", "in it, I just don't know how to map it out or put", "finale for my 17th chapter, but I don't know how to plot it", "chapter, but I don't know how to plot it out. I have a", "of what's going in it, I just don't know how to map it" ]
[ "read an essay by Qohx Jajon about the principles of the harmony of", "of prose numbers (or feet). I am wondering whether it is of any", "to select and arrange feet in a certain sequence and couch their words", "feet). I am wondering whether it is of any use, considering other books", "solely on their ear? If it is the ear they must depend on,", "them to select and arrange feet in a certain sequence and couch their", "the ear they must depend on, is it merely a judge of rhythm", "on their ear? If it is the ear they must depend on, is", "Jajon about the principles of the harmony of prose numbers (or feet). I", "they must depend on, is it merely a judge of rhythm or also", "one wants to write in a certain voice, requiring them to select and", "Qohx Jajon about the principles of the harmony of prose numbers (or feet).", "it is of any use, considering other books I have read say that", "in terms of metrical feet has been a failure. If one wants to", "numbers (or feet). I am wondering whether it is of any use, considering", "couch their words in them, are there principles they can depend on or", "terms of metrical feet has been a failure. If one wants to write", "about the principles of the harmony of prose numbers (or feet). I am", "that treating prose rhythm in terms of metrical feet has been a failure.", "an essay by Qohx Jajon about the principles of the harmony of prose", "is the ear they must depend on, is it merely a judge of", "say that treating prose rhythm in terms of metrical feet has been a", "words in them, are there principles they can depend on or must they", "ear? If it is the ear they must depend on, is it merely", "write in a certain voice, requiring them to select and arrange feet in", "I am wondering whether it is of any use, considering other books I", "I read an essay by Qohx Jajon about the principles of the harmony", "has been a failure. If one wants to write in a certain voice,", "prose rhythm in terms of metrical feet has been a failure. If one", "harmony of prose numbers (or feet). I am wondering whether it is of", "failure. If one wants to write in a certain voice, requiring them to", "of the harmony of prose numbers (or feet). I am wondering whether it", "whether it is of any use, considering other books I have read say", "rhythm in terms of metrical feet has been a failure. If one wants", "depend on, is it merely a judge of rhythm or also a guide?", "a failure. If one wants to write in a certain voice, requiring them", "the harmony of prose numbers (or feet). I am wondering whether it is", "arrange feet in a certain sequence and couch their words in them, are", "I have read say that treating prose rhythm in terms of metrical feet", "the principles of the harmony of prose numbers (or feet). I am wondering", "(or feet). I am wondering whether it is of any use, considering other", "them, are there principles they can depend on or must they depend solely", "principles of the harmony of prose numbers (or feet). I am wondering whether", "have read say that treating prose rhythm in terms of metrical feet has", "or must they depend solely on their ear? If it is the ear", "wondering whether it is of any use, considering other books I have read", "books I have read say that treating prose rhythm in terms of metrical", "in them, are there principles they can depend on or must they depend", "voice, requiring them to select and arrange feet in a certain sequence and", "certain voice, requiring them to select and arrange feet in a certain sequence", "and couch their words in them, are there principles they can depend on", "by Qohx Jajon about the principles of the harmony of prose numbers (or", "any use, considering other books I have read say that treating prose rhythm", "requiring them to select and arrange feet in a certain sequence and couch", "If it is the ear they must depend on, is it merely a", "depend solely on their ear? If it is the ear they must depend", "to write in a certain voice, requiring them to select and arrange feet", "other books I have read say that treating prose rhythm in terms of", "a certain voice, requiring them to select and arrange feet in a certain", "it is the ear they must depend on, is it merely a judge", "certain sequence and couch their words in them, are there principles they can", "they can depend on or must they depend solely on their ear? If", "treating prose rhythm in terms of metrical feet has been a failure. If", "essay by Qohx Jajon about the principles of the harmony of prose numbers", "feet in a certain sequence and couch their words in them, are there", "depend on or must they depend solely on their ear? If it is", "must they depend solely on their ear? If it is the ear they", "in a certain sequence and couch their words in them, are there principles", "is of any use, considering other books I have read say that treating", "principles they can depend on or must they depend solely on their ear?", "prose numbers (or feet). I am wondering whether it is of any use,", "ear they must depend on, is it merely a judge of rhythm or", "they depend solely on their ear? If it is the ear they must", "in a certain voice, requiring them to select and arrange feet in a", "there principles they can depend on or must they depend solely on their", "on or must they depend solely on their ear? If it is the", "their words in them, are there principles they can depend on or must", "their ear? If it is the ear they must depend on, is it", "If one wants to write in a certain voice, requiring them to select", "are there principles they can depend on or must they depend solely on", "of any use, considering other books I have read say that treating prose", "sequence and couch their words in them, are there principles they can depend", "read say that treating prose rhythm in terms of metrical feet has been", "considering other books I have read say that treating prose rhythm in terms", "wants to write in a certain voice, requiring them to select and arrange", "am wondering whether it is of any use, considering other books I have", "can depend on or must they depend solely on their ear? If it", "feet has been a failure. If one wants to write in a certain", "metrical feet has been a failure. If one wants to write in a", "use, considering other books I have read say that treating prose rhythm in", "must depend on, is it merely a judge of rhythm or also a", "select and arrange feet in a certain sequence and couch their words in", "been a failure. If one wants to write in a certain voice, requiring", "a certain sequence and couch their words in them, are there principles they", "and arrange feet in a certain sequence and couch their words in them,", "of metrical feet has been a failure. If one wants to write in" ]
[ "a book. \"I read The Wall Street Journal,\" Jaqry said. Or is it:", "speaking in a book. \"I read The Wall Street Journal,\" Jaqry said. Or", "the name of a newspaper is in italics. Let's say somebody is speaking", "is in italics. Let's say somebody is speaking in a book. \"I read", "Jaqry said. Or is it: \"I read The Wall Street Journal,\" Jaqry said.", "The Wall Street Journal,\" Jaqry said. Or is it: \"I read The Wall", "a newspaper is in italics. Let's say somebody is speaking in a book.", "italics. Let's say somebody is speaking in a book. \"I read The Wall", "in a book. \"I read The Wall Street Journal,\" Jaqry said. Or is", "read The Wall Street Journal,\" Jaqry said. Or is it: \"I read The", "is speaking in a book. \"I read The Wall Street Journal,\" Jaqry said.", "say somebody is speaking in a book. \"I read The Wall Street Journal,\"", "in italics. Let's say somebody is speaking in a book. \"I read The", "name of a newspaper is in italics. Let's say somebody is speaking in", "book. \"I read The Wall Street Journal,\" Jaqry said. Or is it: \"I", "of a newspaper is in italics. Let's say somebody is speaking in a", "Wall Street Journal,\" Jaqry said. Or is it: \"I read The Wall Street", "newspaper is in italics. Let's say somebody is speaking in a book. \"I", "said. Or is it: \"I read The Wall Street Journal,\" Jaqry said. Thanks.", "Street Journal,\" Jaqry said. Or is it: \"I read The Wall Street Journal,\"", "Let's say somebody is speaking in a book. \"I read The Wall Street", "Journal,\" Jaqry said. Or is it: \"I read The Wall Street Journal,*\" Jaqry", "Usually, the name of a newspaper is in italics. Let's say somebody is", "somebody is speaking in a book. \"I read The Wall Street Journal,\" Jaqry", "\"I read The Wall Street Journal,\" Jaqry said. Or is it: \"I read" ]
[ "opened the > envelope. > > > > > --- > > >", "I asked her, \"So > what now?\" > > > How can I", "> > > How can I replace those thens? (For some reason, I", "were handling a delicate glass sculpture, she opened the > envelope. > >", "down his chef > hat on the counter, he said, “Look my shift’s", "setting down his chef > hat on the counter, he said, “Look my", "myself writing \"Then, ...\" a lot. Example: > > As soon as she", "slitted eyes and pressed the letter against her chest. Then, as > though", "at me. *Then, setting down his chef > hat on the counter, he", "now?\" > > > How can I replace those thens? (For some reason,", "she found my letter---or rather, Kiyoshi's---she widened > her slitted eyes and pressed", "glass sculpture, she opened the > envelope.* > > > > > ---", "to > the izakaya around the corner? > > > > > ---", "> the izakaya around the corner? > > > > > --- >", "eyes and pressed the letter against her chest. Then, as > though she", "her chest. Then, as > though she were handling a delicate glass sculpture,", "> How can I replace those thens? (For some reason, I feel that", "chest. *Then, as > though she were handling a delicate glass sculpture, she", "Kiyoshi's---she widened > her slitted eyes and pressed the letter against her chest.", "> > > > --- > > > Mr. HSC squinted his slanted", "> hat on the counter, he said, “Look my shift’s over. How ‘bout", "hat on the counter, he said, “Look my shift’s over. How ‘bout we", "I replace those thens? (For some reason, I feel that the sentences sound", "his slanted eyes at me. Then, setting down his chef > hat on", "the counter, he said, “Look my shift’s over. How ‘bout we go to", "said, “Look my shift’s over. How ‘bout we go to > the izakaya", "her slitted eyes and pressed the letter against her chest. Then, as >", "the corner?* > > > > > --- > > > I answered", "can I replace those thens? (For some reason, I feel that the sentences", "Example: > > As soon as she found my letter---or rather, Kiyoshi's---she widened", "though she were handling a delicate glass sculpture, she opened the > envelope.", "> > Mr. HSC squinted his slanted eyes at me. Then, setting down", "as > though she were handling a delicate glass sculpture, she opened the", "> > I answered her smile with my own. Then, receiving her apple,", "sculpture, she opened the > envelope. > > > > > --- >", "apple, I asked her, \"So > what now?\" > > > How can", "his chef > hat on the counter, he said, “Look my shift’s over.", "delicate glass sculpture, she opened the > envelope. > > > > >", "> > > Mr. HSC squinted his slanted eyes at me. Then, setting", "--- > > > I answered her smile with my own. Then, receiving", "> envelope. > > > > > --- > > > Mr. HSC", "receiving her apple, I asked her, \"So > what now?\" > > >", "‘bout we go to > the izakaya around the corner? > > >", "squinted his slanted eyes at me. Then, setting down his chef > hat", "find myself writing \"Then, ...\" a lot. Example: > > As soon as", "corner? > > > > > --- > > > I answered her", "> what now?\" > > > How can I replace those thens? (For", "pressed the letter against her chest. Then, as > though she were handling", "thens? (For some reason, I feel that the sentences sound weird without them.", "As soon as she found my letter---or rather, Kiyoshi's---she widened > her slitted", "and pressed the letter against her chest. Then, as > though she were", "around the corner? > > > > > --- > > > I", "answered her smile with my own. Then, receiving her apple, I asked her,", "on the counter, he said, “Look my shift’s over. How ‘bout we go", "\"So > what now?\" > > > How can I replace those thens?", "letter against her chest. Then, as > though she were handling a delicate", "the letter against her chest. Then, as > though she were handling a", "counter, he said, “Look my shift’s over. How ‘bout we go to >", "writing \"Then, ...\" a lot. Example: > > As soon as she found", "> > > I answered her smile with my own. Then, receiving her", "over. How ‘bout we go to > the izakaya around the corner? >", "handling a delicate glass sculpture, she opened the > envelope. > > >", "smile with my own. Then, receiving her apple, I asked her, \"So >", "what now?\" > > > How can I replace those thens? (For some", "> Mr. HSC squinted his slanted eyes at me. Then, setting down his", "she were handling a delicate glass sculpture, she opened the > envelope.** >", "lot. Example: > > As soon as she found my letter---or rather, Kiyoshi's---she", "against her chest. Then, as > though she were handling a delicate glass", "the izakaya around the corner? > > > > > --- > >", "go to > the izakaya around the corner? > > > > >", "asked her, \"So > what now?\" > > > How can I replace", "“Look my shift’s over. How ‘bout we go to > the izakaya around", "her, \"So > what now?\" > > > How can I replace those", "izakaya around the corner? > > > > > --- > > >", "How can I replace those thens? (For some reason, I feel that the", "> > How can I replace those thens? (For some reason, I feel", "letter---or rather, Kiyoshi's---she widened > her slitted eyes and pressed the letter against", "> her slitted eyes and pressed the letter against her chest. Then, as", "her smile with my own. Then, receiving her apple, I asked her, \"So", "(For some reason, I feel that the sentences sound weird without them. Maybe", "envelope. > > > > > --- > > > Mr. HSC squinted", "a delicate glass sculpture, she opened the > envelope. > > > >", "I answered her smile with my own. Then, receiving her apple, I asked", "> > --- > > > Mr. HSC squinted his slanted eyes at", "those thens? (For some reason, I feel that the sentences sound weird without", "the > envelope. > > > > > --- > > > Mr.", "a lot. Example: > > As soon as she found my letter---or rather,", "she opened the > envelope. > > > > > --- > >", "...\" a lot. Example: > > As soon as she found my letter---or", "> > > --- > > > I answered her smile with my", "> > --- > > > I answered her smile with my own.", "> --- > > > I answered her smile with my own. *Then,", "some reason, I feel that the sentences sound weird without them. Maybe I'm", "rather, Kiyoshi's---she widened > her slitted eyes and pressed the letter against her", "\"Then, ...\" a lot. Example: > > As soon as she found my", "Then, setting down his chef > hat on the counter, he said, “Look", "reason, I feel that the sentences sound weird without them. Maybe I'm wrong?)", "replace those thens? (For some reason, I feel that the sentences sound weird", "> though she were handling a delicate glass sculpture, she opened the >", "eyes at me. Then, setting down his chef > hat on the counter,", "he said, “Look my shift’s over. How ‘bout we go to > the", "my letter---or rather, Kiyoshi's---she widened > her slitted eyes and pressed the letter", "> --- > > > Mr. HSC squinted his slanted eyes at me.", "shift’s over. How ‘bout we go to > the izakaya around the corner?", "HSC squinted his slanted eyes at me. Then, setting down his chef >", "> I answered her smile with my own. Then, receiving her apple, I", "> > > > > --- > > > I answered her smile", "slanted eyes at me. Then, setting down his chef > hat on the", "Then, as > though she were handling a delicate glass sculpture, she opened", "chef > hat on the counter, he said, “Look my shift’s over. How", "> > > --- > > > Mr. HSC squinted his slanted eyes", "> > > > --- > > > I answered her smile with", "> As soon as she found my letter---or rather, Kiyoshi's---she widened > her", "her apple, I asked her,* \"So > what now?\" > > > How", "I find myself writing \"Then, ...\" a lot. Example: > > As soon", "Then, receiving her apple, I asked her, \"So > what now?\" > >", "own. Then, receiving her apple, I asked her, \"So > what now?\" >", "> > As soon as she found my letter---or rather, Kiyoshi's---she widened >", "found my letter---or rather, Kiyoshi's---she widened > her slitted eyes and pressed the", "soon as she found my letter---or rather, Kiyoshi's---she widened > her slitted eyes", "> > > > > --- > > > Mr. HSC squinted his", "my shift’s over. How ‘bout we go to > the izakaya around the", "widened > her slitted eyes and pressed the letter against her chest. Then,", "--- > > > Mr. HSC squinted his slanted eyes at me. Then,", "my own. Then, receiving her apple, I asked her, \"So > what now?\"", "we go to > the izakaya around the corner? > > > >", "How ‘bout we go to > the izakaya around the corner? > >", "me. Then, setting down his chef > hat on the counter, he said,", "with my own. Then, receiving her apple, I asked her,** \"So > what", "as she found my letter---or rather, Kiyoshi's---she widened > her slitted eyes and", "Mr. HSC squinted his slanted eyes at me. **Then, setting down his chef" ]
[ "and positive difference in the final product? (Conversely, are there examples where an", "complain that a novel needs more editing -- rather than less. 2. Also,", "estate has required that I consult this person whenever I am changing the", "about an unpublished manuscript by a deceased author. We have a polite (and", "a polite (and friendly) disagreement about how much editing should take place on", "famous books where an editor's input has been acknowledged to make a significant", "person seems reluctant to murder ANY darlings. This representative is simply trying to", "indie publishing company will be dealing with multiple unpublished manuscripts from this author,", "judgment about how something should be edited -- and how they were resolved", "they were resolved (if at all)? As I said, I am facing that", "take place on a manuscript where the author is not around to speak", "I wish to report that I have satisfactorily resolved some of the difficult", "of an author's literary estate about an unpublished manuscript by a deceased author.", "it, but hadn't shown it to an editor for feedback. The author was", "or inconsequential -- just a little too deferential to what is already there.", "should take place on a manuscript where the author is not around to", "about incomplete manuscripts; presumably the author was able to revise it and finalize", "person whenever I am changing the text and get approval. That is not", "said, I am facing that issue right now, and we can't agree about", "literary estate have had disagreements with an editor's judgment about how something should", "point to examples of famous books where an editor's input has been acknowledged", "editor's input has been acknowledged to make a significant and positive difference in", "them, and would rewrite the remaining third to something different). The representative of", "talking about incomplete manuscripts; presumably the author was able to revise it and", "the remaining third to something different). The representative of the literary estate has", "just a little too deferential to what is already there. My indie publishing", "is offbase, but this person seems reluctant to murder ANY darlings. This representative", "don't consider her opinions wrong or inconsequential -- just a little too deferential", "curious about whether editors will be forever unsung or there are cases of", "author, so this issue is likely to persist for the next few years.", "or reviewer might complain that a novel needs more editing -- rather than", "the author was able to revise it and finalize it, but hadn't shown", "positive difference in the final product? (Conversely, are there examples where an editor's", "critic or reviewer might complain that a novel needs more editing -- rather", "difference in the final product? (Conversely, are there examples where an editor's contribution", "disagreement about how much editing should take place on a manuscript where the", "have some insight into his approach (basically, he would approve about 1/3 of", "been thought to make a negative difference?) The only example I can think", "would reject another 1/3 of them, and would rewrite the remaining third to", "that I have satisfactorily resolved some of the difficult passages with the family", "awkward. I'm not saying that the estate rep is offbase, but this person", "get approval. That is not unreasonable, but it can be onerous -- especially", "of them, and would rewrite the remaining third to something different). The representative", "dealing with multiple unpublished manuscripts from this author, so this issue is likely", "from a writing or editing background. I don't consider her opinions wrong or", "on the deceased author's page -- even when what is there can seem", "not talking about incomplete manuscripts; presumably the author was able to revise it", "Gordon Lish's editing of Raymond Carver, but that is an extreme example. It", "am facing that issue right now, and we can't agree about how much", "representative of the literary estate has required that I consult this person whenever", "reluctant to murder ANY darlings. This representative is simply trying to preserve the", "rather than less. 2. Also, can you mention some notable examples where reps", "little too deferential to what is already there. My indie publishing company will", "As I said, I am facing that issue right now, and we can't", "this person seems reluctant to murder ANY darlings. This representative is simply trying", "(Conversely, are there examples where an editor's contribution has been thought to make", "the author's manuscripts when he was alive, so I already have some insight", "have edited the author's manuscripts when he was alive, so I already have", "to preserve the integrity of the text. I have edited the author's manuscripts", "the historical role of book editors in American publishing. 1. Can you point", "and finalize it, but hadn't shown it to an editor for feedback. The", "deference to give to what is on the deceased author's page -- even", "estate have had disagreements with an editor's judgment about how something should be", "where reps of a literary estate have had disagreements with an editor's judgment", "into his approach (basically, he would approve about 1/3 of my edits verbatim,", "is on the deceased author's page -- even when what is there can", "satisfactorily resolved some of the difficult passages with the family representative. But I", "is why I am searching for ways to handle it. Thanks. Update: I", "rewrite the remaining third to something different). The representative of the literary estate", "It seems more likely that a critic or reviewer might complain that a", "third to something different). The representative of the literary estate has required that", "publishing. 1. Can you point to examples of famous books where an editor's", "of my edits verbatim, he would reject another 1/3 of them, and would", "so this issue is likely to persist for the next few years. That", "I am changing the text and get approval. That is not unreasonable, but", "with multiple unpublished manuscripts from this author, so this issue is likely to", "editors in American publishing. 1. Can you point to examples of famous books", "how much deference to give to what is on the deceased author's page", "another 1/3 of them, and would rewrite the remaining third to something different).", "this person whenever I am changing the text and get approval. That is", "and would rewrite the remaining third to something different). The representative of the", "be dealing with multiple unpublished manuscripts from this author, so this issue is", "what is on the deceased author's page -- even when what is there", "feedback. The author was distinguished and nationally recognized for his works of fiction.", "a little too deferential to what is already there. My indie publishing company", "approve about 1/3 of my edits verbatim, he would reject another 1/3 of", "of the literary estate has required that I consult this person whenever I", "2. Also, can you mention some notable examples where reps of a literary", "issue right now, and we can't agree about how much deference to give", "darlings. This representative is simply trying to preserve the integrity of the text.", "I already have some insight into his approach (basically, he would approve about", "that issue right now, and we can't agree about how much deference to", "to examples of famous books where an editor's input has been acknowledged to", "representative. But I remain curious about whether editors will be forever unsung or", "much editing should take place on a manuscript where the author is not", "what is there can seem convoluted or awkward. I'm not saying that the", "preserve the integrity of the text. I have edited the author's manuscripts when", "of the text. I have edited the author's manuscripts when he was alive,", "consult this person whenever I am changing the text and get approval. That", "difficult passages with the family representative. But I remain curious about whether editors", "editing background. I don't consider her opinions wrong or inconsequential -- just a", "or awkward. I'm not saying that the estate rep is offbase, but this", "Carver, but that is an extreme example. It seems more likely that a", "books where an editor's input has been acknowledged to make a significant and", "there can seem convoluted or awkward. I'm not saying that the estate rep", "have had disagreements with an editor's judgment about how something should be edited", "that a novel needs more editing -- rather than less. 2. Also, can", "Can you point to examples of famous books where an editor's input has", "on a manuscript where the author is not around to speak his mind.", "be edited -- and how they were resolved (if at all)? As I", "with the family representative. But I remain curious about whether editors will be", "incomplete manuscripts; presumably the author was able to revise it and finalize it,", "disagreements with an editor's judgment about how something should be edited -- and", "right now, and we can't agree about how much deference to give to", "an editor's judgment about how something should be edited -- and how they", "am changing the text and get approval. That is not unreasonable, but it", "presumably the author was able to revise it and finalize it, but hadn't", "an extreme example. It seems more likely that a critic or reviewer might", "something different). The representative of the literary estate has required that I consult", "author. We have a polite (and friendly) disagreement about how much editing should", "about 2 dozen books. That led me to wonder about the historical role", "be onerous -- especially when this representative doesn't come from a writing or", "this representative doesn't come from a writing or editing background. I don't consider", "I remain curious about whether editors will be forever unsung or there are", "about the historical role of book editors in American publishing. 1. Can you", "significant and positive difference in the final product? (Conversely, are there examples where", "I consult this person whenever I am changing the text and get approval.", "about how much editing should take place on a manuscript where the author", "than less. 2. Also, can you mention some notable examples where reps of", "Thanks. Update: I wish to report that I have satisfactorily resolved some of", "is an extreme example. It seems more likely that a critic or reviewer", "and nationally recognized for his works of fiction. He wrote about 2 dozen", "now, and we can't agree about how much deference to give to what", "especially when this representative doesn't come from a writing or editing background. I", "he would approve about 1/3 of my edits verbatim, he would reject another", "company will be dealing with multiple unpublished manuscripts from this author, so this", "were resolved (if at all)? As I said, I am facing that issue", "to make a negative difference?) The only example I can think of is", "you mention some notable examples where reps of a literary estate have had", "less. 2. Also, can you mention some notable examples where reps of a", "so I already have some insight into his approach (basically, he would approve", "deceased author. We have a polite (and friendly) disagreement about how much editing", "where an editor's contribution has been thought to make a negative difference?) The", "notable examples where reps of a literary estate have had disagreements with an", "a manuscript where the author is not around to speak his mind. I", "reps of a literary estate have had disagreements with an editor's judgment about", "and we can't agree about how much deference to give to what is", "he would reject another 1/3 of them, and would rewrite the remaining third", "likely to persist for the next few years. That is why I am", "publishing company will be dealing with multiple unpublished manuscripts from this author, so", "(basically, he would approve about 1/3 of my edits verbatim, he would reject", "reject another 1/3 of them, and would rewrite the remaining third to something", "a negative difference?) The only example I can think of is Gordon Lish's", "simply trying to preserve the integrity of the text. I have edited the", "Raymond Carver, but that is an extreme example. It seems more likely that", "manuscript by a deceased author. We have a polite (and friendly) disagreement about", "The author was distinguished and nationally recognized for his works of fiction. He", "already have some insight into his approach (basically, he would approve about 1/3", "where the author is not around to speak his mind. I am not", "that is an extreme example. It seems more likely that a critic or", "much deference to give to what is on the deceased author's page --", "-- rather than less. 2. Also, can you mention some notable examples where", "me to wonder about the historical role of book editors in American publishing.", "the literary estate has required that I consult this person whenever I am", "thought to make a negative difference?) The only example I can think of", "not unreasonable, but it can be onerous -- especially when this representative doesn't", "editor having difficulties dealing with the representative of an author's literary estate about", "-- and how they were resolved (if at all)? As I said, I", "product? (Conversely, are there examples where an editor's contribution has been thought to", "agree about how much deference to give to what is on the deceased", "would rewrite the remaining third to something different). The representative of the literary", "shown it to an editor for feedback. The author was distinguished and nationally", "led me to wonder about the historical role of book editors in American", "dozen books. That led me to wonder about the historical role of book", "in the final product? (Conversely, are there examples where an editor's contribution has", "example I can think of is Gordon Lish's editing of Raymond Carver, but", "editor for feedback. The author was distinguished and nationally recognized for his works", "to what is already there. My indie publishing company will be dealing with", "am searching for ways to handle it. Thanks. Update: I wish to report", "give to what is on the deceased author's page -- even when what", "editing should take place on a manuscript where the author is not around", "from this author, so this issue is likely to persist for the next", "manuscript where the author is not around to speak his mind. I am", "of a literary estate have had disagreements with an editor's judgment about how", "negative difference?) The only example I can think of is Gordon Lish's editing", "different). The representative of the literary estate has required that I consult this", "have satisfactorily resolved some of the difficult passages with the family representative. But", "of editors significantly improving a book generally considered to be great literary works?", "the representative of an author's literary estate about an unpublished manuscript by a", "literary estate has required that I consult this person whenever I am changing", "opinions wrong or inconsequential -- just a little too deferential to what is", "the integrity of the text. I have edited the author's manuscripts when he", "Update: I wish to report that I have satisfactorily resolved some of the", "recognized for his works of fiction. He wrote about 2 dozen books. That", "required that I consult this person whenever I am changing the text and", "with the representative of an author's literary estate about an unpublished manuscript by", "consider her opinions wrong or inconsequential -- just a little too deferential to", "of famous books where an editor's input has been acknowledged to make a", "difference?) The only example I can think of is Gordon Lish's editing of", "contribution has been thought to make a negative difference?) The only example I", "his works of fiction. He wrote about 2 dozen books. That led me", "whenever I am changing the text and get approval. That is not unreasonable,", "forever unsung or there are cases of editors significantly improving a book generally", "wrong or inconsequential -- just a little too deferential to what is already", "editors will be forever unsung or there are cases of editors significantly improving", "1/3 of my edits verbatim, he would reject another 1/3 of them, and", "I am facing that issue right now, and we can't agree about how", "manuscripts; presumably the author was able to revise it and finalize it, but", "remaining third to something different). The representative of the literary estate has required", "some of the difficult passages with the family representative. But I remain curious", "am not talking about incomplete manuscripts; presumably the author was able to revise", "polite (and friendly) disagreement about how much editing should take place on a", "inconsequential -- just a little too deferential to what is already there. My", "dealing with the representative of an author's literary estate about an unpublished manuscript", "with an editor's judgment about how something should be edited -- and how", "seems more likely that a critic or reviewer might complain that a novel", "have a polite (and friendly) disagreement about how much editing should take place", "The only example I can think of is Gordon Lish's editing of Raymond", "1. Can you point to examples of famous books where an editor's input", "this issue is likely to persist for the next few years. That is", "for the next few years. That is why I am searching for ways", "that I consult this person whenever I am changing the text and get", "representative is simply trying to preserve the integrity of the text. I have", "I am not talking about incomplete manuscripts; presumably the author was able to", "writing or editing background. I don't consider her opinions wrong or inconsequential --", "is there can seem convoluted or awkward. I'm not saying that the estate", "to give to what is on the deceased author's page -- even when", "or there are cases of editors significantly improving a book generally considered to", "how much editing should take place on a manuscript where the author is", "insight into his approach (basically, he would approve about 1/3 of my edits", "I don't consider her opinions wrong or inconsequential -- just a little too", "the final product? (Conversely, are there examples where an editor's contribution has been", "resolved (if at all)? As I said, I am facing that issue right", "why I am searching for ways to handle it. Thanks. Update: I wish", "seem convoluted or awkward. I'm not saying that the estate rep is offbase,", "author's manuscripts when he was alive, so I already have some insight into", "resolved some of the difficult passages with the family representative. But I remain", "can you mention some notable examples where reps of a literary estate have", "not saying that the estate rep is offbase, but this person seems reluctant", "is likely to persist for the next few years. That is why I", "examples where reps of a literary estate have had disagreements with an editor's", "My indie publishing company will be dealing with multiple unpublished manuscripts from this", "and how they were resolved (if at all)? As I said, I am", "Lish's editing of Raymond Carver, but that is an extreme example. It seems", "but hadn't shown it to an editor for feedback. The author was distinguished", "passages with the family representative. But I remain curious about whether editors will", "edits verbatim, he would reject another 1/3 of them, and would rewrite the", "his approach (basically, he would approve about 1/3 of my edits verbatim, he", "about whether editors will be forever unsung or there are cases of editors", "doesn't come from a writing or editing background. I don't consider her opinions", "about how much deference to give to what is on the deceased author's", "deferential to what is already there. My indie publishing company will be dealing", "multiple unpublished manuscripts from this author, so this issue is likely to persist", "speak his mind. I am not talking about incomplete manuscripts; presumably the author", "but this person seems reluctant to murder ANY darlings. This representative is simply", "but it can be onerous -- especially when this representative doesn't come from", "examples of famous books where an editor's input has been acknowledged to make", "mind. I am not talking about incomplete manuscripts; presumably the author was able", "to handle it. Thanks. Update: I wish to report that I have satisfactorily", "difficulties dealing with the representative of an author's literary estate about an unpublished", "This representative is simply trying to preserve the integrity of the text. I", "text and get approval. That is not unreasonable, but it can be onerous", "it can be onerous -- especially when this representative doesn't come from a", "what is already there. My indie publishing company will be dealing with multiple", "That is why I am searching for ways to handle it. Thanks. Update:", "more likely that a critic or reviewer might complain that a novel needs", "will be dealing with multiple unpublished manuscripts from this author, so this issue", "all)? As I said, I am facing that issue right now, and we", "even when what is there can seem convoluted or awkward. I'm not saying", "rep is offbase, but this person seems reluctant to murder ANY darlings. This", "place on a manuscript where the author is not around to speak his", "about how something should be edited -- and how they were resolved (if", "about 1/3 of my edits verbatim, he would reject another 1/3 of them,", "that the estate rep is offbase, but this person seems reluctant to murder", "when this representative doesn't come from a writing or editing background. I don't", "to revise it and finalize it, but hadn't shown it to an editor", "remain curious about whether editors will be forever unsung or there are cases", "when he was alive, so I already have some insight into his approach", "already there. My indie publishing company will be dealing with multiple unpublished manuscripts", "an editor having difficulties dealing with the representative of an author's literary estate", "to murder ANY darlings. This representative is simply trying to preserve the integrity", "it. Thanks. Update: I wish to report that I have satisfactorily resolved some", "I'm not saying that the estate rep is offbase, but this person seems", "by a deceased author. We have a polite (and friendly) disagreement about how", "an editor for feedback. The author was distinguished and nationally recognized for his", "American publishing. 1. Can you point to examples of famous books where an", "edited -- and how they were resolved (if at all)? As I said,", "only example I can think of is Gordon Lish's editing of Raymond Carver,", "this author, so this issue is likely to persist for the next few", "some notable examples where reps of a literary estate have had disagreements with", "of Raymond Carver, but that is an extreme example. It seems more likely", "author's page -- even when what is there can seem convoluted or awkward.", "wonder about the historical role of book editors in American publishing. 1. Can", "nationally recognized for his works of fiction. He wrote about 2 dozen books.", "author is not around to speak his mind. I am not talking about", "1/3 of them, and would rewrite the remaining third to something different). The", "unsung or there are cases of editors significantly improving a book generally considered", "to make a significant and positive difference in the final product? (Conversely, are", "a writing or editing background. I don't consider her opinions wrong or inconsequential", "when what is there can seem convoluted or awkward. I'm not saying that", "to wonder about the historical role of book editors in American publishing. 1.", "a deceased author. We have a polite (and friendly) disagreement about how much", "we can't agree about how much deference to give to what is on", "murder ANY darlings. This representative is simply trying to preserve the integrity of", "edited the author's manuscripts when he was alive, so I already have some", "manuscripts when he was alive, so I already have some insight into his", "literary estate about an unpublished manuscript by a deceased author. We have a", "it and finalize it, but hadn't shown it to an editor for feedback.", "at all)? As I said, I am facing that issue right now, and", "my edits verbatim, he would reject another 1/3 of them, and would rewrite", "to persist for the next few years. That is why I am searching", "onerous -- especially when this representative doesn't come from a writing or editing", "book editors in American publishing. 1. Can you point to examples of famous", "but that is an extreme example. It seems more likely that a critic", "a critic or reviewer might complain that a novel needs more editing --", "approach (basically, he would approve about 1/3 of my edits verbatim, he would", "are cases of editors significantly improving a book generally considered to be great", "We have a polite (and friendly) disagreement about how much editing should take", "the text. I have edited the author's manuscripts when he was alive, so", "will be forever unsung or there are cases of editors significantly improving a", "unpublished manuscript by a deceased author. We have a polite (and friendly) disagreement", "next few years. That is why I am searching for ways to handle", "was distinguished and nationally recognized for his works of fiction. He wrote about", "acknowledged to make a significant and positive difference in the final product? (Conversely,", "is not unreasonable, but it can be onerous -- especially when this representative", "editing of Raymond Carver, but that is an extreme example. It seems more", "alive, so I already have some insight into his approach (basically, he would", "role of book editors in American publishing. 1. Can you point to examples", "to something different). The representative of the literary estate has required that I", "the author is not around to speak his mind. I am not talking", "convoluted or awkward. I'm not saying that the estate rep is offbase, but", "around to speak his mind. I am not talking about incomplete manuscripts; presumably", "trying to preserve the integrity of the text. I have edited the author's", "a literary estate have had disagreements with an editor's judgment about how something", "it to an editor for feedback. The author was distinguished and nationally recognized", "of book editors in American publishing. 1. Can you point to examples of", "I have satisfactorily resolved some of the difficult passages with the family representative.", "be forever unsung or there are cases of editors significantly improving a book", "I have edited the author's manuscripts when he was alive, so I already", "The representative of the literary estate has required that I consult this person", "think of is Gordon Lish's editing of Raymond Carver, but that is an", "mention some notable examples where reps of a literary estate have had disagreements", "facing that issue right now, and we can't agree about how much deference", "-- even when what is there can seem convoluted or awkward. I'm not", "wrote about 2 dozen books. That led me to wonder about the historical", "author was able to revise it and finalize it, but hadn't shown it", "I am an editor having difficulties dealing with the representative of an author's", "input has been acknowledged to make a significant and positive difference in the", "able to revise it and finalize it, but hadn't shown it to an", "deceased author's page -- even when what is there can seem convoluted or", "or editing background. I don't consider her opinions wrong or inconsequential -- just", "was able to revise it and finalize it, but hadn't shown it to", "background. I don't consider her opinions wrong or inconsequential -- just a little", "editor's judgment about how something should be edited -- and how they were", "page -- even when what is there can seem convoluted or awkward. I'm", "friendly) disagreement about how much editing should take place on a manuscript where", "author's literary estate about an unpublished manuscript by a deceased author. We have", "might complain that a novel needs more editing -- rather than less. 2.", "Also, can you mention some notable examples where reps of a literary estate", "years. That is why I am searching for ways to handle it. Thanks.", "there are cases of editors significantly improving a book generally considered to be", "there examples where an editor's contribution has been thought to make a negative", "handle it. Thanks. Update: I wish to report that I have satisfactorily resolved", "editor's contribution has been thought to make a negative difference?) The only example", "something should be edited -- and how they were resolved (if at all)?", "saying that the estate rep is offbase, but this person seems reluctant to", "manuscripts from this author, so this issue is likely to persist for the", "can't agree about how much deference to give to what is on the", "there. My indie publishing company will be dealing with multiple unpublished manuscripts from", "representative doesn't come from a writing or editing background. I don't consider her", "of is Gordon Lish's editing of Raymond Carver, but that is an extreme", "I said, I am facing that issue right now, and we can't agree", "seems reluctant to murder ANY darlings. This representative is simply trying to preserve", "should be edited -- and how they were resolved (if at all)? As", "more editing -- rather than less. 2. Also, can you mention some notable", "wish to report that I have satisfactorily resolved some of the difficult passages", "That is not unreasonable, but it can be onerous -- especially when this", "books. That led me to wonder about the historical role of book editors", "That led me to wonder about the historical role of book editors in", "example. It seems more likely that a critic or reviewer might complain that", "where an editor's input has been acknowledged to make a significant and positive", "distinguished and nationally recognized for his works of fiction. He wrote about 2", "how they were resolved (if at all)? As I said, I am facing", "come from a writing or editing background. I don't consider her opinions wrong", "to an editor for feedback. The author was distinguished and nationally recognized for", "how something should be edited -- and how they were resolved (if at", "been acknowledged to make a significant and positive difference in the final product?", "the next few years. That is why I am searching for ways to", "persist for the next few years. That is why I am searching for", "author was distinguished and nationally recognized for his works of fiction. He wrote", "you point to examples of famous books where an editor's input has been", "offbase, but this person seems reluctant to murder ANY darlings. This representative is", "for his works of fiction. He wrote about 2 dozen books. That led", "few years. That is why I am searching for ways to handle it.", "is simply trying to preserve the integrity of the text. I have edited", "ways to handle it. Thanks. Update: I wish to report that I have", "has been thought to make a negative difference?) The only example I can", "he was alive, so I already have some insight into his approach (basically,", "unpublished manuscripts from this author, so this issue is likely to persist for", "is not around to speak his mind. I am not talking about incomplete", "for feedback. The author was distinguished and nationally recognized for his works of", "some insight into his approach (basically, he would approve about 1/3 of my", "I am searching for ways to handle it. Thanks. Update: I wish to", "historical role of book editors in American publishing. 1. Can you point to", "the difficult passages with the family representative. But I remain curious about whether", "a novel needs more editing -- rather than less. 2. Also, can you", "has required that I consult this person whenever I am changing the text", "am an editor having difficulties dealing with the representative of an author's literary", "2 dozen books. That led me to wonder about the historical role of", "revise it and finalize it, but hadn't shown it to an editor for", "reviewer might complain that a novel needs more editing -- rather than less.", "integrity of the text. I have edited the author's manuscripts when he was", "a significant and positive difference in the final product? (Conversely, are there examples", "verbatim, he would reject another 1/3 of them, and would rewrite the remaining", "changing the text and get approval. That is not unreasonable, but it can", "cases of editors significantly improving a book generally considered to be great literary", "finalize it, but hadn't shown it to an editor for feedback. The author", "the family representative. But I remain curious about whether editors will be forever", "needs more editing -- rather than less. 2. Also, can you mention some", "too deferential to what is already there. My indie publishing company will be", "can be onerous -- especially when this representative doesn't come from a writing", "her opinions wrong or inconsequential -- just a little too deferential to what", "having difficulties dealing with the representative of an author's literary estate about an", "issue is likely to persist for the next few years. That is why", "not around to speak his mind. I am not talking about incomplete manuscripts;", "make a negative difference?) The only example I can think of is Gordon", "extreme example. It seems more likely that a critic or reviewer might complain", "is Gordon Lish's editing of Raymond Carver, but that is an extreme example.", "an editor's input has been acknowledged to make a significant and positive difference", "in American publishing. 1. Can you point to examples of famous books where", "approval. That is not unreasonable, but it can be onerous -- especially when", "an unpublished manuscript by a deceased author. We have a polite (and friendly)", "can think of is Gordon Lish's editing of Raymond Carver, but that is", "estate about an unpublished manuscript by a deceased author. We have a polite", "has been acknowledged to make a significant and positive difference in the final", "the estate rep is offbase, but this person seems reluctant to murder ANY", "examples where an editor's contribution has been thought to make a negative difference?)", "of the difficult passages with the family representative. But I remain curious about", "text. I have edited the author's manuscripts when he was alive, so I", "fiction. He wrote about 2 dozen books. That led me to wonder about", "hadn't shown it to an editor for feedback. The author was distinguished and", "his mind. I am not talking about incomplete manuscripts; presumably the author was", "make a significant and positive difference in the final product? (Conversely, are there", "likely that a critic or reviewer might complain that a novel needs more", "He wrote about 2 dozen books. That led me to wonder about the", "that a critic or reviewer might complain that a novel needs more editing", "to speak his mind. I am not talking about incomplete manuscripts; presumably the", "report that I have satisfactorily resolved some of the difficult passages with the", "representative of an author's literary estate about an unpublished manuscript by a deceased", "But I remain curious about whether editors will be forever unsung or there", "I can think of is Gordon Lish's editing of Raymond Carver, but that", "editing -- rather than less. 2. Also, can you mention some notable examples", "of fiction. He wrote about 2 dozen books. That led me to wonder", "can seem convoluted or awkward. I'm not saying that the estate rep is", "is already there. My indie publishing company will be dealing with multiple unpublished", "-- especially when this representative doesn't come from a writing or editing background.", "-- just a little too deferential to what is already there. My indie", "works of fiction. He wrote about 2 dozen books. That led me to", "was alive, so I already have some insight into his approach (basically, he", "an editor's contribution has been thought to make a negative difference?) The only", "searching for ways to handle it. Thanks. Update: I wish to report that", "estate rep is offbase, but this person seems reluctant to murder ANY darlings.", "the text and get approval. That is not unreasonable, but it can be", "(if at all)? As I said, I am facing that issue right now,", "ANY darlings. This representative is simply trying to preserve the integrity of the", "an author's literary estate about an unpublished manuscript by a deceased author. We", "would approve about 1/3 of my edits verbatim, he would reject another 1/3", "had disagreements with an editor's judgment about how something should be edited --", "to report that I have satisfactorily resolved some of the difficult passages with", "to what is on the deceased author's page -- even when what is", "(and friendly) disagreement about how much editing should take place on a manuscript", "family representative. But I remain curious about whether editors will be forever unsung", "whether editors will be forever unsung or there are cases of editors significantly", "and get approval. That is not unreasonable, but it can be onerous --", "the deceased author's page -- even when what is there can seem convoluted", "for ways to handle it. Thanks. Update: I wish to report that I", "novel needs more editing -- rather than less. 2. Also, can you mention", "final product? (Conversely, are there examples where an editor's contribution has been thought", "are there examples where an editor's contribution has been thought to make a", "unreasonable, but it can be onerous -- especially when this representative doesn't come" ]
[ "some of my major characters, though portraying them fictitiously; reputation and natures maintained.", "I want to set my story in a real era that happened; like", "involve the then prominent figures like Lincoln and McClellan as some of my", "it make part of the event; can this work? Please help me know.", "historical event that might have happened and let it make part of the", "I am a little puzzled. I want to set my story in a", "to bring me some problem? Again, my story is historically untrue, but I", "me some problem? Again, my story is historically untrue, but I need to", "problem? Again, my story is historically untrue, but I need to infuse it", "McClellan as some of my major characters, though portraying them fictitiously; reputation and", "them fictitiously; reputation and natures maintained. Has this got to bring me some", "characters, though portraying them fictitiously; reputation and natures maintained. Has this got to", "reputation and natures maintained. Has this got to bring me some problem? Again,", "wars during Lincoln's time, and involve the then prominent figures like Lincoln and", "this got to bring me some problem? Again, my story is historically untrue,", "though portraying them fictitiously; reputation and natures maintained. Has this got to bring", "my major characters, though portraying them fictitiously; reputation and natures maintained. Has this", "got to bring me some problem? Again, my story is historically untrue, but", "need to infuse it into a real historical event that might have happened", "I need to infuse it into a real historical event that might have", "that happened; like say, the American civil wars during Lincoln's time, and involve", "real era that happened; like say, the American civil wars during Lincoln's time,", "real historical event that might have happened and let it make part of", "maintained. Has this got to bring me some problem? Again, my story is", "untrue, but I need to infuse it into a real historical event that", "a real historical event that might have happened and let it make part", "have happened and let it make part of the event; can this work?", "and let it make part of the event; can this work? Please help", "bring me some problem? Again, my story is historically untrue, but I need", "Lincoln's time, and involve the then prominent figures like Lincoln and McClellan as", "in a real era that happened; like say, the American civil wars during", "of my major characters, though portraying them fictitiously; reputation and natures maintained. Has", "little puzzled. I want to set my story in a real era that", "era that happened; like say, the American civil wars during Lincoln's time, and", "my story is historically untrue, but I need to infuse it into a", "like Lincoln and McClellan as some of my major characters, though portraying them", "a real era that happened; like say, the American civil wars during Lincoln's", "American civil wars during Lincoln's time, and involve the then prominent figures like", "historically untrue, but I need to infuse it into a real historical event", "Has this got to bring me some problem? Again, my story is historically", "say, the American civil wars during Lincoln's time, and involve the then prominent", "the American civil wars during Lincoln's time, and involve the then prominent figures", "and involve the then prominent figures like Lincoln and McClellan as some of", "civil wars during Lincoln's time, and involve the then prominent figures like Lincoln", "want to set my story in a real era that happened; like say,", "that might have happened and let it make part of the event; can", "natures maintained. Has this got to bring me some problem? Again, my story", "as some of my major characters, though portraying them fictitiously; reputation and natures", "happened; like say, the American civil wars during Lincoln's time, and involve the", "and natures maintained. Has this got to bring me some problem? Again, my", "then prominent figures like Lincoln and McClellan as some of my major characters,", "to infuse it into a real historical event that might have happened and", "event that might have happened and let it make part of the event;", "my story in a real era that happened; like say, the American civil", "infuse it into a real historical event that might have happened and let", "prominent figures like Lincoln and McClellan as some of my major characters, though", "let it make part of the event; can this work? Please help me", "set my story in a real era that happened; like say, the American", "am a little puzzled. I want to set my story in a real", "fictitiously; reputation and natures maintained. Has this got to bring me some problem?", "the then prominent figures like Lincoln and McClellan as some of my major", "story is historically untrue, but I need to infuse it into a real", "during Lincoln's time, and involve the then prominent figures like Lincoln and McClellan", "it into a real historical event that might have happened and let it", "time, and involve the then prominent figures like Lincoln and McClellan as some", "to set my story in a real era that happened; like say, the", "major characters, though portraying them fictitiously; reputation and natures maintained. Has this got", "portraying them fictitiously; reputation and natures maintained. Has this got to bring me", "might have happened and let it make part of the event; can this", "and McClellan as some of my major characters, though portraying them fictitiously; reputation", "like say, the American civil wars during Lincoln's time, and involve the then", "story in a real era that happened; like say, the American civil wars", "Again, my story is historically untrue, but I need to infuse it into", "Lincoln and McClellan as some of my major characters, though portraying them fictitiously;", "a little puzzled. I want to set my story in a real era", "puzzled. I want to set my story in a real era that happened;", "figures like Lincoln and McClellan as some of my major characters, though portraying", "happened and let it make part of the event; can this work? Please", "is historically untrue, but I need to infuse it into a real historical", "some problem? Again, my story is historically untrue, but I need to infuse", "but I need to infuse it into a real historical event that might", "into a real historical event that might have happened and let it make" ]
[ "a lot of world building. Rarely with the intention of writing a story.", "do you respond to it? Just wait until the story emerges from the", "whatever comes to your mind? I can not draw from my experience as", "here, because I write poetry out of phsychological need particularly when I am", "have to write a story in that world, or else it will be...", "need particularly when I am depressed. I am not even sure if this", "write, except for poetry, which has always helped me to deal with my", "emerges from the elements and conflicts of the world? Just write whatever comes", "can not draw from my experience as a poet here, because I write", "story. I just ask myself something like, \"what would happen, if our lifespan", "Just wait until the story emerges from the elements and conflicts of the", "like, \"what would happen, if our lifespan was dramatically longer?\" and then I", "of the world? Just write whatever comes to your mind? I can not", "the past I never had the urge to write, except for poetry, which", "conflicts, catastrophic events and such. Are you familiar with this feeling? How do", "world building. Rarely with the intention of writing a story. I just ask", "else it will be... deserted? But I don't have any exciting stories in", "story emerges from the elements and conflicts of the world? Just write whatever", "depressed. I am not even sure if this question isn't too opinion based", "ask myself something like, \"what would happen, if our lifespan was dramatically longer?\"", "done a lot of world building. Rarely with the intention of writing a", "me to deal with my emotions. Lately, I have done a lot of", "until the story emerges from the elements and conflicts of the world? Just", "our lifespan was dramatically longer?\" and then I keep returning to that question", "familiar with this feeling? How do you respond to it? Just wait until", "returning to that question and refining the world I have imagined. After months", "except for poetry, which has always helped me to deal with my emotions.", "I am not even sure if this question isn't too opinion based too", "was dramatically longer?\" and then I keep returning to that question and refining", "with the intention of writing a story. I just ask myself something like,", "to write, except for poetry, which has always helped me to deal with", "and conflicts of the world? Just write whatever comes to your mind? I", "After months something very strange happens. I get the feeling that I have", "dramatically longer?\" and then I keep returning to that question and refining the", "you respond to it? Just wait until the story emerges from the elements", "events and such. Are you familiar with this feeling? How do you respond", "\"what would happen, if our lifespan was dramatically longer?\" and then I keep", "happen, if our lifespan was dramatically longer?\" and then I keep returning to", "in my mind. Only perhaps some social conflicts, catastrophic events and such. Are", "not draw from my experience as a poet here, because I write poetry", "as a poet here, because I write poetry out of phsychological need particularly", "which has always helped me to deal with my emotions. Lately, I have", "feeling? How do you respond to it? Just wait until the story emerges", "world, or else it will be... deserted? But I don't have any exciting", "when I am depressed. I am not even sure if this question isn't", "will be... deserted? But I don't have any exciting stories in my mind.", "phsychological need particularly when I am depressed. I am not even sure if", "to your mind? I can not draw from my experience as a poet", "or else it will be... deserted? But I don't have any exciting stories", "has always helped me to deal with my emotions. Lately, I have done", "the world I have imagined. After months something very strange happens. I get", "for poetry, which has always helped me to deal with my emotions. Lately,", "always helped me to deal with my emotions. Lately, I have done a", "comes to your mind? I can not draw from my experience as a", "world? Just write whatever comes to your mind? I can not draw from", "story in that world, or else it will be... deserted? But I don't", "experience as a poet here, because I write poetry out of phsychological need", "your mind? I can not draw from my experience as a poet here,", "respond to it? Just wait until the story emerges from the elements and", "write whatever comes to your mind? I can not draw from my experience", "from the elements and conflicts of the world? Just write whatever comes to", "Are you familiar with this feeling? How do you respond to it? Just", "then I keep returning to that question and refining the world I have", "have imagined. After months something very strange happens. I get the feeling that", "of world building. Rarely with the intention of writing a story. I just", "the elements and conflicts of the world? Just write whatever comes to your", "I can not draw from my experience as a poet here, because I", "the urge to write, except for poetry, which has always helped me to", "social conflicts, catastrophic events and such. Are you familiar with this feeling? How", "any exciting stories in my mind. Only perhaps some social conflicts, catastrophic events", "elements and conflicts of the world? Just write whatever comes to your mind?", "to deal with my emotions. Lately, I have done a lot of world", "such. Are you familiar with this feeling? How do you respond to it?", "a story. I just ask myself something like, \"what would happen, if our", "draw from my experience as a poet here, because I write poetry out", "my emotions. Lately, I have done a lot of world building. Rarely with", "intention of writing a story. I just ask myself something like, \"what would", "have any exciting stories in my mind. Only perhaps some social conflicts, catastrophic", "How do you respond to it? Just wait until the story emerges from", "imagined. After months something very strange happens. I get the feeling that I", "In the past I never had the urge to write, except for poetry,", "my experience as a poet here, because I write poetry out of phsychological", "poet here, because I write poetry out of phsychological need particularly when I", "would happen, if our lifespan was dramatically longer?\" and then I keep returning", "the feeling that I have to write a story in that world, or", "Only perhaps some social conflicts, catastrophic events and such. Are you familiar with", "because I write poetry out of phsychological need particularly when I am depressed.", "emotions. Lately, I have done a lot of world building. Rarely with the", "lot of world building. Rarely with the intention of writing a story. I", "mind. Only perhaps some social conflicts, catastrophic events and such. Are you familiar", "some social conflicts, catastrophic events and such. Are you familiar with this feeling?", "a story in that world, or else it will be... deserted? But I", "even sure if this question isn't too opinion based too subjective or too", "I have done a lot of world building. Rarely with the intention of", "myself something like, \"what would happen, if our lifespan was dramatically longer?\" and", "it will be... deserted? But I don't have any exciting stories in my", "question and refining the world I have imagined. After months something very strange", "get the feeling that I have to write a story in that world,", "and such. Are you familiar with this feeling? How do you respond to", "of phsychological need particularly when I am depressed. I am not even sure", "months something very strange happens. I get the feeling that I have to", "it? Just wait until the story emerges from the elements and conflicts of", "don't have any exciting stories in my mind. Only perhaps some social conflicts,", "a poet here, because I write poetry out of phsychological need particularly when", "of writing a story. I just ask myself something like, \"what would happen,", "with this feeling? How do you respond to it? Just wait until the", "to it? Just wait until the story emerges from the elements and conflicts", "and refining the world I have imagined. After months something very strange happens.", "that question and refining the world I have imagined. After months something very", "keep returning to that question and refining the world I have imagined. After", "you familiar with this feeling? How do you respond to it? Just wait", "I write poetry out of phsychological need particularly when I am depressed. I", "I don't have any exciting stories in my mind. Only perhaps some social", "poetry, which has always helped me to deal with my emotions. Lately, I", "to write a story in that world, or else it will be... deserted?", "be... deserted? But I don't have any exciting stories in my mind. Only", "deal with my emotions. Lately, I have done a lot of world building.", "the story emerges from the elements and conflicts of the world? Just write", "writing a story. I just ask myself something like, \"what would happen, if", "I get the feeling that I have to write a story in that", "my mind. Only perhaps some social conflicts, catastrophic events and such. Are you", "never had the urge to write, except for poetry, which has always helped", "sure if this question isn't too opinion based too subjective or too localised.", "But I don't have any exciting stories in my mind. Only perhaps some", "very strange happens. I get the feeling that I have to write a", "I have to write a story in that world, or else it will", "I just ask myself something like, \"what would happen, if our lifespan was", "particularly when I am depressed. I am not even sure if this question", "happens. I get the feeling that I have to write a story in", "I keep returning to that question and refining the world I have imagined.", "Rarely with the intention of writing a story. I just ask myself something", "the intention of writing a story. I just ask myself something like, \"what", "something very strange happens. I get the feeling that I have to write", "deserted? But I don't have any exciting stories in my mind. Only perhaps", "conflicts of the world? Just write whatever comes to your mind? I can", "if our lifespan was dramatically longer?\" and then I keep returning to that", "I have imagined. After months something very strange happens. I get the feeling", "past I never had the urge to write, except for poetry, which has", "the world? Just write whatever comes to your mind? I can not draw", "from my experience as a poet here, because I write poetry out of", "urge to write, except for poetry, which has always helped me to deal", "have done a lot of world building. Rarely with the intention of writing", "out of phsychological need particularly when I am depressed. I am not even", "and then I keep returning to that question and refining the world I", "mind? I can not draw from my experience as a poet here, because", "I am depressed. I am not even sure if this question isn't too", "to that question and refining the world I have imagined. After months something", "in that world, or else it will be... deserted? But I don't have", "strange happens. I get the feeling that I have to write a story", "longer?\" and then I keep returning to that question and refining the world", "am depressed. I am not even sure if this question isn't too opinion", "wait until the story emerges from the elements and conflicts of the world?", "something like, \"what would happen, if our lifespan was dramatically longer?\" and then", "write a story in that world, or else it will be... deserted? But", "am not even sure if this question isn't too opinion based too subjective", "stories in my mind. Only perhaps some social conflicts, catastrophic events and such.", "catastrophic events and such. Are you familiar with this feeling? How do you", "just ask myself something like, \"what would happen, if our lifespan was dramatically", "world I have imagined. After months something very strange happens. I get the", "that world, or else it will be... deserted? But I don't have any", "perhaps some social conflicts, catastrophic events and such. Are you familiar with this", "building. Rarely with the intention of writing a story. I just ask myself", "Just write whatever comes to your mind? I can not draw from my", "Lately, I have done a lot of world building. Rarely with the intention", "exciting stories in my mind. Only perhaps some social conflicts, catastrophic events and", "this feeling? How do you respond to it? Just wait until the story", "write poetry out of phsychological need particularly when I am depressed. I am", "helped me to deal with my emotions. Lately, I have done a lot", "feeling that I have to write a story in that world, or else", "poetry out of phsychological need particularly when I am depressed. I am not", "that I have to write a story in that world, or else it", "not even sure if this question isn't too opinion based too subjective or", "I never had the urge to write, except for poetry, which has always", "with my emotions. Lately, I have done a lot of world building. Rarely", "lifespan was dramatically longer?\" and then I keep returning to that question and", "had the urge to write, except for poetry, which has always helped me", "refining the world I have imagined. After months something very strange happens. I" ]
[ "in a boat on its way out of a harbor (no pirates and", "harbor (no pirates and no fantasy, just a regular dude in a regular", "boat on its way out of a harbor (no pirates and no fantasy,", "lot of confidence? My character is setting sail in a boat on its", "is looking at the horizon and smiling but I think it feels a", "of a harbor (no pirates and no fantasy, just a regular dude in", "act out, or something like that. But how can you show a character", "It's easy to show hesitance, fear or angst, you can have a character", "feeling great, has a lot of confidence? My character is setting sail in", "come up with is looking at the horizon and smiling but I think", "in a regular harbor). The best I've come up with is looking at", "great, has a lot of confidence? My character is setting sail in a", "way out of a harbor (no pirates and no fantasy, just a regular", "on its way out of a harbor (no pirates and no fantasy, just", "fear or angst, you can have a character smoking 5-10 cigarettes in a", "or something like that. But how can you show a character that is", "something like that. But how can you show a character that is feeling", "at the horizon and smiling but I think it feels a little bit", "just a regular dude in a regular harbor). The best I've come up", "a regular dude in a regular harbor). The best I've come up with", "a regular harbor). The best I've come up with is looking at the", "way too long, act out, or something like that. But how can you", "a character that is feeling great, has a lot of confidence? My character", "can have a character smoking 5-10 cigarettes in a row, linger for way", "like that. But how can you show a character that is feeling great,", "sail in a boat on its way out of a harbor (no pirates", "(no pirates and no fantasy, just a regular dude in a regular harbor).", "easy to show hesitance, fear or angst, you can have a character smoking", "The best I've come up with is looking at the horizon and smiling", "no fantasy, just a regular dude in a regular harbor). The best I've", "that is feeling great, has a lot of confidence? My character is setting", "smoking 5-10 cigarettes in a row, linger for way too long, act out,", "have a character smoking 5-10 cigarettes in a row, linger for way too", "character smoking 5-10 cigarettes in a row, linger for way too long, act", "too long, act out, or something like that. But how can you show", "out of a harbor (no pirates and no fantasy, just a regular dude", "show hesitance, fear or angst, you can have a character smoking 5-10 cigarettes", "angst, you can have a character smoking 5-10 cigarettes in a row, linger", "My character is setting sail in a boat on its way out of", "out, or something like that. But how can you show a character that", "I've come up with is looking at the horizon and smiling but I", "or angst, you can have a character smoking 5-10 cigarettes in a row,", "row, linger for way too long, act out, or something like that. But", "regular harbor). The best I've come up with is looking at the horizon", "you show a character that is feeling great, has a lot of confidence?", "hesitance, fear or angst, you can have a character smoking 5-10 cigarettes in", "character that is feeling great, has a lot of confidence? My character is", "best I've come up with is looking at the horizon and smiling but", "pirates and no fantasy, just a regular dude in a regular harbor). The", "setting sail in a boat on its way out of a harbor (no", "looking at the horizon and smiling but I think it feels a little", "show a character that is feeling great, has a lot of confidence? My", "you can have a character smoking 5-10 cigarettes in a row, linger for", "linger for way too long, act out, or something like that. But how", "the horizon and smiling but I think it feels a little bit forced.", "to show hesitance, fear or angst, you can have a character smoking 5-10", "cigarettes in a row, linger for way too long, act out, or something", "But how can you show a character that is feeling great, has a", "of confidence? My character is setting sail in a boat on its way", "its way out of a harbor (no pirates and no fantasy, just a", "a lot of confidence? My character is setting sail in a boat on", "can you show a character that is feeling great, has a lot of", "a harbor (no pirates and no fantasy, just a regular dude in a", "and no fantasy, just a regular dude in a regular harbor). The best", "confidence? My character is setting sail in a boat on its way out", "a boat on its way out of a harbor (no pirates and no", "is setting sail in a boat on its way out of a harbor", "a row, linger for way too long, act out, or something like that.", "5-10 cigarettes in a row, linger for way too long, act out, or", "long, act out, or something like that. But how can you show a", "has a lot of confidence? My character is setting sail in a boat", "up with is looking at the horizon and smiling but I think it", "harbor). The best I've come up with is looking at the horizon and", "with is looking at the horizon and smiling but I think it feels", "a character smoking 5-10 cigarettes in a row, linger for way too long,", "that. But how can you show a character that is feeling great, has", "is feeling great, has a lot of confidence? My character is setting sail", "for way too long, act out, or something like that. But how can", "character is setting sail in a boat on its way out of a", "dude in a regular harbor). The best I've come up with is looking", "fantasy, just a regular dude in a regular harbor). The best I've come", "regular dude in a regular harbor). The best I've come up with is", "how can you show a character that is feeling great, has a lot", "in a row, linger for way too long, act out, or something like" ]
[ "it to paper or forget it and then randomly remember a few days", "paper or forget it and then randomly remember a few days later. I'M", "do I get inspired to write when I do have ideas, but am", "write when I do have ideas, but am too lazy to write it", "days later. I'M TOO YOUNG FOR THIS!!! It's not really a block, just", "It's not really a block, just a lack of inspiration. How do I", "but I either am too lazy to put it to paper or forget", "inspired to write when I do have ideas, but am too lazy to", "just a lack of inspiration. How do I get inspired to write when", "a lack of inspiration. How do I get inspired to write when I", "to paper or forget it and then randomly remember a few days later.", "FOR THIS!!! It's not really a block, just a lack of inspiration. How", "lazy to put it to paper or forget it and then randomly remember", "lack of inspiration. How do I get inspired to write when I do", "TOO YOUNG FOR THIS!!! It's not really a block, just a lack of", "randomly remember a few days later. I'M TOO YOUNG FOR THIS!!! It's not", "it and then randomly remember a few days later. I'M TOO YOUNG FOR", "keep thinking of ideas to write but I either am too lazy to", "YOUNG FOR THIS!!! It's not really a block, just a lack of inspiration.", "driving me crazy. I keep thinking of ideas to write but I either", "thinking of ideas to write but I either am too lazy to put", "a few days later. I'M TOO YOUNG FOR THIS!!! It's not really a", "ideas to write but I either am too lazy to put it to", "How do I get inspired to write when I do have ideas, but", "remember a few days later. I'M TOO YOUNG FOR THIS!!! It's not really", "not really a block, just a lack of inspiration. How do I get", "do I cure this? It's driving me crazy. I keep thinking of ideas", "How do I cure this? It's driving me crazy. I keep thinking of", "I cure this? It's driving me crazy. I keep thinking of ideas to", "either am too lazy to put it to paper or forget it and", "really a block, just a lack of inspiration. How do I get inspired", "of ideas to write but I either am too lazy to put it", "I keep thinking of ideas to write but I either am too lazy", "me crazy. I keep thinking of ideas to write but I either am", "and then randomly remember a few days later. I'M TOO YOUNG FOR THIS!!!", "THIS!!! It's not really a block, just a lack of inspiration. How do", "of inspiration. How do I get inspired to write when I do have", "inspiration. How do I get inspired to write when I do have ideas,", "this? It's driving me crazy. I keep thinking of ideas to write but", "forget it and then randomly remember a few days later. I'M TOO YOUNG", "It's driving me crazy. I keep thinking of ideas to write but I", "I either am too lazy to put it to paper or forget it", "put it to paper or forget it and then randomly remember a few", "then randomly remember a few days later. I'M TOO YOUNG FOR THIS!!! It's", "later. I'M TOO YOUNG FOR THIS!!! It's not really a block, just a", "few days later. I'M TOO YOUNG FOR THIS!!! It's not really a block,", "when I do have ideas, but am too lazy to write it out?", "a block, just a lack of inspiration. How do I get inspired to", "cure this? It's driving me crazy. I keep thinking of ideas to write", "crazy. I keep thinking of ideas to write but I either am too", "block, just a lack of inspiration. How do I get inspired to write", "get inspired to write when I do have ideas, but am too lazy", "write but I either am too lazy to put it to paper or", "too lazy to put it to paper or forget it and then randomly", "or forget it and then randomly remember a few days later. I'M TOO", "I'M TOO YOUNG FOR THIS!!! It's not really a block, just a lack", "to write but I either am too lazy to put it to paper", "I get inspired to write when I do have ideas, but am too", "to write when I do have ideas, but am too lazy to write", "to put it to paper or forget it and then randomly remember a", "am too lazy to put it to paper or forget it and then" ]
[ "to provide them with more texts. Are there publishing platforms for this purpose?", "publishing platforms for this purpose? Where you can post drafts as well as", "as well as finished stories? Get feedback? Publish a story in several parts", "so I feel obliged to provide them with more texts. Are there publishing", "my writings, hopefully acquiring at least a small following so I feel obliged", "chapter by chapter) and the platform will pull them together for readers to", "least a small following so I feel obliged to provide them with more", "there publishing platforms for this purpose? Where you can post drafts as well", "and the platform will pull them together for readers to read as one?", "to force myself by publishing my writings, hopefully acquiring at least a small", "writings, hopefully acquiring at least a small following so I feel obliged to", "Publish a story in several parts (e.g. chapter by chapter) and the platform", "at least a small following so I feel obliged to provide them with", "as finished stories? Get feedback? Publish a story in several parts (e.g. chapter", "you can post drafts as well as finished stories? Get feedback? Publish a", "post drafts as well as finished stories? Get feedback? Publish a story in", "several parts (e.g. chapter by chapter) and the platform will pull them together", "by chapter) and the platform will pull them together for readers to read", "force myself by publishing my writings, hopefully acquiring at least a small following", "can post drafts as well as finished stories? Get feedback? Publish a story", "story in several parts (e.g. chapter by chapter) and the platform will pull", "small following so I feel obliged to provide them with more texts. Are", "feel obliged to provide them with more texts. Are there publishing platforms for", "by publishing my writings, hopefully acquiring at least a small following so I", "acquiring at least a small following so I feel obliged to provide them", "platforms for this purpose? Where you can post drafts as well as finished", "this purpose? Where you can post drafts as well as finished stories? Get", "Where you can post drafts as well as finished stories? Get feedback? Publish", "drafts as well as finished stories? Get feedback? Publish a story in several", "Get feedback? Publish a story in several parts (e.g. chapter by chapter) and", "obliged to provide them with more texts. Are there publishing platforms for this", "provide them with more texts. Are there publishing platforms for this purpose? Where", "feedback? Publish a story in several parts (e.g. chapter by chapter) and the", "chapter) and the platform will pull them together for readers to read as", "them with more texts. Are there publishing platforms for this purpose? Where you", "Are there publishing platforms for this purpose? Where you can post drafts as", "with more texts. Are there publishing platforms for this purpose? Where you can", "finished stories? Get feedback? Publish a story in several parts (e.g. chapter by", "publishing my writings, hopefully acquiring at least a small following so I feel", "for this purpose? Where you can post drafts as well as finished stories?", "following so I feel obliged to provide them with more texts. Are there", "a small following so I feel obliged to provide them with more texts.", "myself by publishing my writings, hopefully acquiring at least a small following so", "a story in several parts (e.g. chapter by chapter) and the platform will", "I've decided to force myself by publishing my writings, hopefully acquiring at least", "well as finished stories? Get feedback? Publish a story in several parts (e.g.", "decided to force myself by publishing my writings, hopefully acquiring at least a", "more texts. Are there publishing platforms for this purpose? Where you can post", "stories? Get feedback? Publish a story in several parts (e.g. chapter by chapter)", "(e.g. chapter by chapter) and the platform will pull them together for readers", "parts (e.g. chapter by chapter) and the platform will pull them together for", "in several parts (e.g. chapter by chapter) and the platform will pull them", "hopefully acquiring at least a small following so I feel obliged to provide", "I feel obliged to provide them with more texts. Are there publishing platforms", "purpose? Where you can post drafts as well as finished stories? Get feedback?", "texts. Are there publishing platforms for this purpose? Where you can post drafts" ]
[ "of their model? Or do they practice by writing something in the exact", "of their model (speaking of prose, not poetry)? What methods have been used", "to emulate those before them? How do they emulate the way that their", "use to emulate those before them? How do they emulate the way that", "revise them until they achieve the sound of their model? Or do they", "Or do they practice by writing something in the exact metrical form of", "method that some writers use to emulate those before them? How do they", "model (speaking of prose, not poetry)? What methods have been used in to", "prose, not poetry)? What methods have been used in to past to accomplish", "the way that their models sound? Do they write out their thoughts first", "thoughts first and afterward revise them until they achieve the sound of their", "and afterward revise them until they achieve the sound of their model? Or", "What is the method that some writers use to emulate those before them?", "emulate those before them? How do they emulate the way that their models", "sound of their model? Or do they practice by writing something in the", "practice by writing something in the exact metrical form of their model (speaking", "write out their thoughts first and afterward revise them until they achieve the", "they practice by writing something in the exact metrical form of their model", "by writing something in the exact metrical form of their model (speaking of", "not poetry)? What methods have been used in to past to accomplish this?", "(speaking of prose, not poetry)? What methods have been used in to past", "How do they emulate the way that their models sound? Do they write", "models sound? Do they write out their thoughts first and afterward revise them", "of prose, not poetry)? What methods have been used in to past to", "is the method that some writers use to emulate those before them? How", "something in the exact metrical form of their model (speaking of prose, not", "the method that some writers use to emulate those before them? How do", "do they practice by writing something in the exact metrical form of their", "them? How do they emulate the way that their models sound? Do they", "the exact metrical form of their model (speaking of prose, not poetry)? What", "out their thoughts first and afterward revise them until they achieve the sound", "writers use to emulate those before them? How do they emulate the way", "they achieve the sound of their model? Or do they practice by writing", "some writers use to emulate those before them? How do they emulate the", "those before them? How do they emulate the way that their models sound?", "their models sound? Do they write out their thoughts first and afterward revise", "that some writers use to emulate those before them? How do they emulate", "they write out their thoughts first and afterward revise them until they achieve", "afterward revise them until they achieve the sound of their model? Or do", "in the exact metrical form of their model (speaking of prose, not poetry)?", "form of their model (speaking of prose, not poetry)? What methods have been", "model? Or do they practice by writing something in the exact metrical form", "exact metrical form of their model (speaking of prose, not poetry)? What methods", "that their models sound? Do they write out their thoughts first and afterward", "metrical form of their model (speaking of prose, not poetry)? What methods have", "them until they achieve the sound of their model? Or do they practice", "emulate the way that their models sound? Do they write out their thoughts", "they emulate the way that their models sound? Do they write out their", "the sound of their model? Or do they practice by writing something in", "writing something in the exact metrical form of their model (speaking of prose,", "their model (speaking of prose, not poetry)? What methods have been used in", "before them? How do they emulate the way that their models sound? Do", "achieve the sound of their model? Or do they practice by writing something", "their model? Or do they practice by writing something in the exact metrical", "Do they write out their thoughts first and afterward revise them until they", "until they achieve the sound of their model? Or do they practice by", "way that their models sound? Do they write out their thoughts first and", "sound? Do they write out their thoughts first and afterward revise them until", "their thoughts first and afterward revise them until they achieve the sound of", "do they emulate the way that their models sound? Do they write out", "first and afterward revise them until they achieve the sound of their model?" ]
[ "character changes). Put another way, which do you prioritize if they come into", "(how the character changes). Put another way, which do you prioritize if they", "impact of story events brings about changes in the character. A \"character development\"", "is, how the impact of story events brings about changes in the character.", "other things being equal. My big fear is \"that much\" character development (at", "point in time. That's a helpful thing to have, all other things being", "in the character. A \"character development\" is a description of a character at", "the impact of story events brings about changes in the character. A \"character", "That's a helpful thing to have, all other things being equal. My big", "at least the audience perception of those changes) during the course of the", "will fix the character in that time period, and inhibit changes (or at", "period, and inhibit changes (or at least the audience perception of those changes)", "in the character in different parts of the story. That is, how the", "of story events brings about changes in the character. A \"character development\" is", "at a point in time. That's a helpful thing to have, all other", "perception of those changes) during the course of the story. So are readers/viwers", "helpful thing to have, all other things being equal. My big fear is", "represents the changes in the character in different parts of the story. That", "arc\" represents the changes in the character in different parts of the story.", "is a description of a character at a point in time. That's a", "to have, all other things being equal. My big fear is \"that much\"", "least the audience perception of those changes) during the course of the story.", "more interested in \"character development\" (background details of a character), or \"character arc\"", "So are readers/viwers more interested in \"character development\" (background details of a character),", "course of the story. So are readers/viwers more interested in \"character development\" (background", "way, which do you prioritize if they come into conflict, and how do", "development (at one particular time) will fix the character in that time period,", "(or at least the audience perception of those changes) during the course of", "in different parts of the story. That is, how the impact of story", "\"character development\" (background details of a character), or \"character arc\" (how the character", "particular time) will fix the character in that time period, and inhibit changes", "the story. That is, how the impact of story events brings about changes", "the character in that time period, and inhibit changes (or at least the", "how the impact of story events brings about changes in the character. A", "\"character development\" is a description of a character at a point in time.", "thing to have, all other things being equal. My big fear is \"that", "the changes in the character in different parts of the story. That is,", "those changes) during the course of the story. So are readers/viwers more interested", "story. That is, how the impact of story events brings about changes in", "you prioritize if they come into conflict, and how do you reconcile the", "in that time period, and inhibit changes (or at least the audience perception", "during the course of the story. So are readers/viwers more interested in \"character", "inhibit changes (or at least the audience perception of those changes) during the", "time) will fix the character in that time period, and inhibit changes (or", "changes). Put another way, which do you prioritize if they come into conflict,", "of a character at a point in time. That's a helpful thing to", "the course of the story. So are readers/viwers more interested in \"character development\"", "interested in \"character development\" (background details of a character), or \"character arc\" (how", "of the story. That is, how the impact of story events brings about", "\"character arc\" (how the character changes). Put another way, which do you prioritize", "all other things being equal. My big fear is \"that much\" character development", "in \"character development\" (background details of a character), or \"character arc\" (how the", "story. So are readers/viwers more interested in \"character development\" (background details of a", "parts of the story. That is, how the impact of story events brings", "or \"character arc\" (how the character changes). Put another way, which do you", "development\" is a description of a character at a point in time. That's", "of the story. So are readers/viwers more interested in \"character development\" (background details", "the audience perception of those changes) during the course of the story. So", "are readers/viwers more interested in \"character development\" (background details of a character), or", "changes in the character in different parts of the story. That is, how", "about changes in the character. A \"character development\" is a description of a", "audience perception of those changes) during the course of the story. So are", "the character in different parts of the story. That is, how the impact", "have, all other things being equal. My big fear is \"that much\" character", "fix the character in that time period, and inhibit changes (or at least", "equal. My big fear is \"that much\" character development (at one particular time)", "another way, which do you prioritize if they come into conflict, and how", "a helpful thing to have, all other things being equal. My big fear", "do you prioritize if they come into conflict, and how do you reconcile", "character in different parts of the story. That is, how the impact of", "story events brings about changes in the character. A \"character development\" is a", "of a character), or \"character arc\" (how the character changes). Put another way,", "time. That's a helpful thing to have, all other things being equal. My", "character development (at one particular time) will fix the character in that time", "arc\" (how the character changes). Put another way, which do you prioritize if", "description of a character at a point in time. That's a helpful thing", "that time period, and inhibit changes (or at least the audience perception of", "changes (or at least the audience perception of those changes) during the course", "brings about changes in the character. A \"character development\" is a description of", "character in that time period, and inhibit changes (or at least the audience", "events brings about changes in the character. A \"character development\" is a description", "being equal. My big fear is \"that much\" character development (at one particular", "a description of a character at a point in time. That's a helpful", "the character. A \"character development\" is a description of a character at a", "character), or \"character arc\" (how the character changes). Put another way, which do", "time period, and inhibit changes (or at least the audience perception of those", "(background details of a character), or \"character arc\" (how the character changes). Put", "character. A \"character development\" is a description of a character at a point", "A \"character arc\" represents the changes in the character in different parts of", "My big fear is \"that much\" character development (at one particular time) will", "big fear is \"that much\" character development (at one particular time) will fix", "a character), or \"character arc\" (how the character changes). Put another way, which", "readers/viwers more interested in \"character development\" (background details of a character), or \"character", "in time. That's a helpful thing to have, all other things being equal.", "one particular time) will fix the character in that time period, and inhibit", "a character at a point in time. That's a helpful thing to have,", "changes) during the course of the story. So are readers/viwers more interested in", "the story. So are readers/viwers more interested in \"character development\" (background details of", "A \"character development\" is a description of a character at a point in", "development\" (background details of a character), or \"character arc\" (how the character changes).", "the character changes). Put another way, which do you prioritize if they come", "(at one particular time) will fix the character in that time period, and", "prioritize if they come into conflict, and how do you reconcile the two?", "much\" character development (at one particular time) will fix the character in that", "of those changes) during the course of the story. So are readers/viwers more", "a point in time. That's a helpful thing to have, all other things", "Put another way, which do you prioritize if they come into conflict, and", "That is, how the impact of story events brings about changes in the", "details of a character), or \"character arc\" (how the character changes). Put another", "\"that much\" character development (at one particular time) will fix the character in", "is \"that much\" character development (at one particular time) will fix the character", "and inhibit changes (or at least the audience perception of those changes) during", "which do you prioritize if they come into conflict, and how do you", "changes in the character. A \"character development\" is a description of a character", "character at a point in time. That's a helpful thing to have, all", "different parts of the story. That is, how the impact of story events", "fear is \"that much\" character development (at one particular time) will fix the", "\"character arc\" represents the changes in the character in different parts of the", "things being equal. My big fear is \"that much\" character development (at one" ]
[ "3. English-speaking (it's part of my plot) 4. Is probably very cold and/or", "that: 1. Actually exists 2. Does not take part in the Winter Olympics", "Winter Olympics 3. English-speaking (it's part of my plot) 4. Is probably very", "current athletes from that country and the readers to say \"Aren't our current", "that the things I write remain fictitious in a non-fictitious setting? I'm trying", "a country that already has Olympics because I do not want my character", "fictitious but the current athletes are recognised as strong athletes without offending anyone?", "a country that: 1. Actually exists 2. Does not take part in the", "that already has Olympics because I do not want my character to seem", "many ice skating rinks* My country does not meet these criteria so *how", "to say \"Aren't our current athletes good enough?\" and such. But if I", "what country* to use for my main character. I need a country that:", "meet these criteria so how do I write about another country (if I", "enough?\" and such. But if I do write about a country that already", "write about another country (if I can find it) and how do I", "criteria so how do I write about another country (if I can find", "character. I need a country that: 1. Actually exists 2. Does not take", "country does not meet these criteria so how do I write about another", "to seem like she is better than the current athletes from that country", "these criteria so how do I write about another country** (if I can", "my plot) 4. Is probably very cold and/or has many ice skating rinks", "I can find it) and how do I ensure that the things I", "(if I can find it) and how do I ensure that the things", "about a country that already has Olympics because I do not want my", "she is better than the current athletes from that country and the readers", "Olympics 3. English-speaking (it's part of my plot) 4. Is probably very cold", "character to seem like she is better than the current athletes from that", "Is probably very cold and/or has many ice skating rinks My country does", "if I do write about a country that already has Olympic athletes, *how", "the current athletes from that country and the readers to say \"Aren't our", "it such that it still remains fictitious but the current athletes are recognised", "good enough?\" and such. But if I do write about a country that", "probably very cold and/or has many ice skating rinks* My country does not", "from that country and the readers to say \"Aren't our current athletes good", "not to write about a country that already has Olympics because I do", "how do I write about another country (if I can find it) and", "trying not to write about a country that already has Olympics because I", "so how do I write about another country (if I can find it)", "write about a country that already has Olympics because I do not want", "seem like she is better than the current athletes from that country and", "current athletes good enough?\" and such. But if I do write about a", "it) and *how do I ensure that the things I write remain fictitious", "want my character to seem like she is better than the current athletes", "ice skating rinks My country does not meet these criteria so *how do", "English-speaking (it's part of my plot) 4. Is probably very cold and/or has", "find it) and *how do I ensure that the things I write remain", "figure skating. Problem: I have no idea what country* to use for my", "in the Winter Olympics 3. English-speaking (it's part of my plot) 4. Is", "the things I write remain fictitious in a non-fictitious setting*? I'm trying not", "an original story about figure skating. Problem: I have no idea what country", "take part in the Winter Olympics 3. English-speaking (it's part of my plot)", "original story about figure skating. Problem: I have no idea what country* to", "1. Actually exists 2. Does not take part in the Winter Olympics 3.", "Problem: I have no idea what country to use for my main character.", "such that it still remains fictitious but the current athletes are recognised as", "But if I do write about a country that already has Olympic athletes,", "I do not want my character to seem like she is better than", "how do I ensure that the things I write remain fictitious in a", "write about a country that already has Olympic athletes, how do I write", "country that: 1. Actually exists 2. Does not take part in the Winter", "has Olympics because I do not want my character to seem like she", "have no idea what country to use for my main character. I need", "remains fictitious but the current athletes are recognised as strong athletes without offending", "plot) 4. Is probably very cold and/or has many ice skating rinks My", "because I do not want my character to seem like she is better", "a country that already has Olympic athletes, how do I write it such", "part in the Winter Olympics 3. English-speaking (it's part of my plot) 4.", "country and the readers to say \"Aren't our current athletes good enough?\" and", "do write about a country that already has Olympic athletes, how do I", "to use for my main character. I need a country that: 1. Actually", "does not meet these criteria so how do I write about another country", "it still remains fictitious but the current athletes are recognised as strong athletes", "but the current athletes are recognised as strong athletes without offending anyone*? Thanks.", "do not want my character to seem like she is better than the", "about figure skating. Problem: I have no idea what country* to use for", "to write about a country that already has Olympics because I do not", "story about figure skating. Problem: I have no idea what country to use", "main character. I need a country that: 1. Actually exists 2. Does not", "(it's part of my plot) 4. Is probably very cold and/or has many", "I do write about a country that already has Olympic athletes, how do", "country* (if I can find it) and *how do I ensure that the", "I'm trying not to write about a country that already has Olympics because", "no idea what country* to use for my main character. I need a", "2. Does not take part in the Winter Olympics 3. English-speaking (it's part", "part of my plot) 4. Is probably very cold and/or has many ice", "athletes, how do I write it such that it still remains fictitious but", "how do I write it such that it still remains fictitious but the", "Does not* take part in the Winter Olympics 3. English-speaking (it's part of", "in a non-fictitious setting? I'm trying not to write about a country that", "about a country that already has Olympic athletes, how do I write it", "than the current athletes from that country and the readers to say \"Aren't", "that already has Olympic athletes, *how do I write it such that it", "write it such that it still remains fictitious but the current athletes are", "my main character. I need a country that: 1. Actually exists 2. Does", "has many ice skating rinks My country does not meet these criteria so", "I write about another country (if I can find it) and how do", "our current athletes good enough?\" and such. But if I do write about", "use for my main character. I need a country that: 1. Actually exists", "about another country (if I can find it) and how do I ensure", "I write remain fictitious in a non-fictitious setting*? I'm trying not to write", "skating rinks My country does not meet these criteria so *how do I", "I write it such that it still remains fictitious but the current athletes", "idea what country* to use for my main character. I need a country", "not* take part in the Winter Olympics 3. English-speaking (it's part of my", "for my main character. I need a country that: 1. Actually exists 2.", "that it still remains fictitious but the current athletes are recognised as strong", "things I write remain fictitious in a non-fictitious setting? I'm trying not to", "country that already has Olympic athletes, how do I write it such that", "is better than the current athletes from that country and the readers to", "and such. But if I do write about a country that already has", "non-fictitious setting*? I'm trying not to write about a country that already has", "skating. Problem: I have no idea what country to use for my main", "country to use for my main character. I need a country that: 1.", "need a country that: 1. Actually exists 2. Does not take part in", "\"Aren't our current athletes good enough?\" and such. But if I do write", "Olympic athletes, *how do I write it such that it still remains fictitious", "I'm writing an original story about figure skating. Problem: I have no idea", "setting? I'm trying not to write about a country that already has Olympics", "and/or has many ice skating rinks* My country does not meet these criteria", "better than the current athletes from that country and the readers to say", "I have no idea what country to use for my main character. I", "Actually exists 2. Does not take part in the Winter Olympics 3. English-speaking", "of my plot) 4. Is probably very cold and/or has many ice skating", "rinks My country does not meet these criteria so *how do I write", "cold and/or has many ice skating rinks* My country does not meet these", "say \"Aren't our current athletes good enough?\" and such. But if I do", "and how do I ensure that the things I write remain fictitious in", "not meet these criteria so how do I write about another country (if", "the Winter Olympics 3. English-speaking (it's part of my plot) 4. Is probably", "readers to say \"Aren't our current athletes good enough?\" and such. But if", "country that already has Olympics because I do not want my character to", "athletes from that country and the readers to say \"Aren't our current athletes", "already has Olympic athletes, how do I write it such that it still", "do I write about another country (if I can find it) and how", "I ensure that the things I write remain fictitious in a non-fictitious setting*?", "writing an original story about figure skating. Problem: I have no idea what", "still remains fictitious but the current athletes are recognised as strong athletes without", "athletes good enough?\" and such. But if I do write about a country", "the readers to say \"Aren't our current athletes good enough?\" and such. But", "remain fictitious in a non-fictitious setting? I'm trying not to write about a", "and the readers to say \"Aren't our current athletes good enough?\" and such.", "do I ensure that the things I write remain fictitious in a non-fictitious", "write remain fictitious in a non-fictitious setting? I'm trying not to write about", "a non-fictitious setting? I'm trying not to write about a country that already", "already has Olympics because I do not want my character to seem like", "such. But if I do write about a country that already has Olympic", "can find it) and how do I ensure that the things I write", "4. Is probably very cold and/or has many ice skating rinks* My country", "ensure that the things I write remain fictitious in a non-fictitious setting? I'm", "another country (if I can find it) and *how do I ensure that", "that country and the readers to say \"Aren't our current athletes good enough?\"", "I need a country that: 1. Actually exists 2. Does not* take part", "Olympics because I do not want my character to seem like she is", "has Olympic athletes, how do I write it such that it still remains", "fictitious in a non-fictitious setting? I'm trying not to write about a country", "exists 2. Does not take part in the Winter Olympics 3. English-speaking (it's", "not want my character to seem like she is better than the current", "very cold and/or has many ice skating rinks My country does not meet", "do I write it such that it still remains fictitious but the current", "my character to seem like she is better than the current athletes from", "My country does not meet these criteria so **how do I write about", "like she is better than the current athletes from that country and the" ]
[ "like I said earlier, basically when I start writing I get bored. Q", "and when I like something or have an obsession the only person I", "when I like something or have an obsession the only person I talk", "an obsession the only person I talk to is the white paper. But", "I'm probably just gonna start a new draft. What even is the point.\"", "basically when I start writing I get bored. Q Is there a cause", "when I start writing I get bored. Q* Is there a cause I'm", "the only person I talk to is the white paper. But like I", "I like something or have an obsession the only person I talk to", "start a new draft. What even is the point.\" I really do enjoy", "just gets boring. I begin thinking, \"Oh, I'm probably just gonna start a", "gonna start a new draft. What even is the point.\" I really do", "have an obsession the only person I talk to is the white paper.", "that keeps my feelings inside and when I like something or have an", "is the white paper. But like I said earlier, basically when I start", "paper. But like I said earlier, basically when I start writing I get", "I want to write, but when I do it just gets boring. I", "I really do enjoy writing, I'm a person that keeps my feelings inside", "a person that keeps my feelings inside and when I like something or", "something or have an obsession the only person I talk to is the", "begin thinking, \"Oh, I'm probably just gonna start a new draft. What even", "to is the white paper. But like I said earlier, basically when I", "the white paper. But like I said earlier, basically when I start writing", "I do it just gets boring. I begin thinking, \"Oh, I'm probably just", "new draft. What even is the point.\" I really do enjoy writing, I'm", "But like I said earlier, basically when I start writing I get bored.", "I begin thinking, \"Oh, I'm probably just gonna start a new draft. What", "I said earlier, basically when I start writing I get bored. Q* Is", "point.\" I really do enjoy writing, I'm a person that keeps my feelings", "feelings inside and when I like something or have an obsession the only", "gets boring. I begin thinking, \"Oh, I'm probably just gonna start a new", "really do enjoy writing, I'm a person that keeps my feelings inside and", "inside and when I like something or have an obsession the only person", "boring. I begin thinking, \"Oh, I'm probably just gonna start a new draft.", "What even is the point.\" I really do enjoy writing, I'm a person", "talk to is the white paper. But like I said earlier, basically when", "white paper. But like I said earlier, basically when I start writing I", "like something or have an obsession the only person I talk to is", "\"Oh, I'm probably just gonna start a new draft. What even is the", "feel like I want to write, but when I do it just gets", "draft. What even is the point.\" I really do enjoy writing, I'm a", "like I want to write, but when I do it just gets boring.", "I talk to is the white paper. But like I said earlier, basically", "it just gets boring. I begin thinking, \"Oh, I'm probably just gonna start", "I'm a person that keeps my feelings inside and when I like something", "writing, I'm a person that keeps my feelings inside and when I like", "I feel like I want to write, but when I do it just", "just gonna start a new draft. What even is the point.\" I really", "or have an obsession the only person I talk to is the white", "only person I talk to is the white paper. But like I said", "keeps my feelings inside and when I like something or have an obsession", "write, but when I do it just gets boring. I begin thinking, \"Oh,", "said earlier, basically when I start writing I get bored. Q* Is there", "do it just gets boring. I begin thinking, \"Oh, I'm probably just gonna", "probably just gonna start a new draft. What even is the point.\" I", "do enjoy writing, I'm a person that keeps my feelings inside and when", "my feelings inside and when I like something or have an obsession the", "the point.\" I really do enjoy writing, I'm a person that keeps my", "earlier, basically when I start writing I get bored. Q* Is there a", "but when I do it just gets boring. I begin thinking, \"Oh, I'm", "person that keeps my feelings inside and when I like something or have", "person I talk to is the white paper. But like I said earlier,", "start writing I get bored. Q* Is there a cause I'm getting bored?", "want to write, but when I do it just gets boring. I begin", "when I do it just gets boring. I begin thinking, \"Oh, I'm probably", "even is the point.\" I really do enjoy writing, I'm a person that", "a new draft. What even is the point.\" I really do enjoy writing,", "to write, but when I do it just gets boring. I begin thinking,", "enjoy writing, I'm a person that keeps my feelings inside and when I", "is the point.\" I really do enjoy writing, I'm a person that keeps", "thinking, \"Oh, I'm probably just gonna start a new draft. What even is", "obsession the only person I talk to is the white paper. But like", "I start writing I get bored. Q *Is there a cause I'm getting" ]
[ "I particularly enjoy twists and surprises. I have started paying attention to those", "particularly enjoy twists and surprises. I have started paying attention to those twists", "and pestering your friends with requests to read your stories - how do", "surprise me. Beyond that - and pestering your friends with requests to read", "you invented the twist pretty late in the process and are still surprised", "pestering your friends with requests to read your stories - how do you", "those twists that manage to surprise me. Beyond that - and pestering your", "late in the process and are still surprised by your own shrewdness, which", "twists that manage to surprise me. Beyond that - and pestering your friends", "need to write short stories set in my world. In other people's fantasy", "stories set in my world. In other people's fantasy novels I particularly enjoy", "attention to those twists that manage to surprise me. Beyond that - and", "you judge, if your twist is surprising? After all, you wrote it and", "and know everything. Unless you invented the twist pretty late in the process", "all, you wrote it and know everything. Unless you invented the twist pretty", "and are still surprised by your own shrewdness, which I dare not expect.", "world building I begin to feel the need to write short stories set", "in my world. In other people's fantasy novels I particularly enjoy twists and", "other people's fantasy novels I particularly enjoy twists and surprises. I have started", "feel the need to write short stories set in my world. In other", "to surprise me. Beyond that - and pestering your friends with requests to", "begin to feel the need to write short stories set in my world.", "process and are still surprised by your own shrewdness, which I dare not", "to feel the need to write short stories set in my world. In", "manage to surprise me. Beyond that - and pestering your friends with requests", "your stories - how do you judge, if your twist is surprising? After", "my world. In other people's fantasy novels I particularly enjoy twists and surprises.", "I have started paying attention to those twists that manage to surprise me.", "requests to read your stories - how do you judge, if your twist", "the process and are still surprised by your own shrewdness, which I dare", "pretty late in the process and are still surprised by your own shrewdness,", "short stories set in my world. In other people's fantasy novels I particularly", "invented the twist pretty late in the process and are still surprised by", "in the process and are still surprised by your own shrewdness, which I", "how do you judge, if your twist is surprising? After all, you wrote", "everything. Unless you invented the twist pretty late in the process and are", "is surprising? After all, you wrote it and know everything. Unless you invented", "friends with requests to read your stories - how do you judge, if", "building I begin to feel the need to write short stories set in", "you wrote it and know everything. Unless you invented the twist pretty late", "if your twist is surprising? After all, you wrote it and know everything.", "the twist pretty late in the process and are still surprised by your", "stories - how do you judge, if your twist is surprising? After all,", "surprises. I have started paying attention to those twists that manage to surprise", "novels I particularly enjoy twists and surprises. I have started paying attention to", "twist is surprising? After all, you wrote it and know everything. Unless you", "people's fantasy novels I particularly enjoy twists and surprises. I have started paying", "have started paying attention to those twists that manage to surprise me. Beyond", "read your stories - how do you judge, if your twist is surprising?", "I begin to feel the need to write short stories set in my", "write short stories set in my world. In other people's fantasy novels I", "Unless you invented the twist pretty late in the process and are still", "to read your stories - how do you judge, if your twist is", "and surprises. I have started paying attention to those twists that manage to", "Beyond that - and pestering your friends with requests to read your stories", "In other people's fantasy novels I particularly enjoy twists and surprises. I have", "set in my world. In other people's fantasy novels I particularly enjoy twists", "enjoy twists and surprises. I have started paying attention to those twists that", "that manage to surprise me. Beyond that - and pestering your friends with", "After all, you wrote it and know everything. Unless you invented the twist", "know everything. Unless you invented the twist pretty late in the process and", "to those twists that manage to surprise me. Beyond that - and pestering", "the need to write short stories set in my world. In other people's", "wrote it and know everything. Unless you invented the twist pretty late in", "it and know everything. Unless you invented the twist pretty late in the", "judge, if your twist is surprising? After all, you wrote it and know", "with requests to read your stories - how do you judge, if your", "twists and surprises. I have started paying attention to those twists that manage", "much world building I begin to feel the need to write short stories", "your friends with requests to read your stories - how do you judge,", "do you judge, if your twist is surprising? After all, you wrote it", "fantasy novels I particularly enjoy twists and surprises. I have started paying attention", "- how do you judge, if your twist is surprising? After all, you", "that - and pestering your friends with requests to read your stories -", "paying attention to those twists that manage to surprise me. Beyond that -", "your twist is surprising? After all, you wrote it and know everything. Unless", "surprising? After all, you wrote it and know everything. Unless you invented the", "world. In other people's fantasy novels I particularly enjoy twists and surprises. I", "twist pretty late in the process and are still surprised by your own", "started paying attention to those twists that manage to surprise me. Beyond that", "to write short stories set in my world. In other people's fantasy novels", "me. Beyond that - and pestering your friends with requests to read your", "- and pestering your friends with requests to read your stories - how", "After much world building I begin to feel the need to write short" ]
[ "One thing I have noticed is that I seem to end up writing", "of excerpts that show the pinnacle of present tense. I want to read", "make it more appealing. It seems more to do with my amateur status", "thinking about present tense if I'm so new and that I should learn", "have written flows well enough but doesn't seem especially beautiful or interesting. Before", "in some way. But in present tense, it feels - to me at", "are a lot of people out there that would say that I shouldn't", "I have read people saying present tense is terrible, it's incredibly hard to", "and that I should learn past tense first, however, I'm just doing this", "what else would I think? You're acting like a damned fool of late!\"", "my decision. I have read people saying present tense is terrible, it's incredibly", "the inclinations of a present tense writer, but I can't be sure. For", "than the inclinations of a present tense writer, but I can't be sure.", "\"I can't believe you would say...\" \"well what else would I think? You're", "I also find myself writing he says she says type stuff, having to", "a few excerpts and have a go at getting the first section decent.", "the first section decent. Your guidance is appreciated! --- One thing I have", "want to see the figures of rhetoric put to good use, but I", "lays it on the table\" if you catch my drift. I also find", "I seem to end up writing lines that read like an old text", "\"he carries the heavy sack to the table\" when I would rather write", "I find what little I have written flows well enough but doesn't seem", "I've recently started trying my hand at some fiction writing for the first", "heavy sack he lays it on the table\" if you catch my drift.", "It seems more to do with my amateur status than the inclinations of", "easy to put down bad writing, It's nice when that bad writing sticks", "says she says type stuff, having to correct myself and make it more", "something like that in the context of a past tense peace, then I", "past tense I would feel like it was ill-considered if they are just", "present tense books out there but I don't really have time at the", "and that it sticks out like a sore thumb when you're doing it", "good use, but I can't seem to find any. I'm sure I could", "quite like that the interruptions in dialogue feel more natural in present tense,", "am struggling to find is a collection of excerpts that show the pinnacle", "some excellent examples, I want to see the figures of rhetoric put to", "find that in someone's journal for example... it feels like the narrator should", "I reckon there are a lot of people out there that would say", "of this ilk, even when it is not directly narrated. What are your", "read like an old text adventure game. And I also find myself writing", "thinking ) write something like \"he carries the heavy sack to the table\"", "find that my writing when in the present tense naturally becomes very heavy", "you catch my drift. I also find that my writing when in the", "appreciated! --- One thing I have noticed is that I seem to end", "decision. I have read people saying present tense is terrible, it's incredibly hard", "but if I read something like that in the context of a past", "for example... it feels like the narrator should have taken into consideration the", "tense, for example, I can just break off into another character speaking and", "it seems natural to me, whereas if it was past tense I would", "bad writing sticks out!) what I am struggling to find is a collection", "whereas if it was past tense I would feel like it was ill-considered", "a damned fool of late!\" etc. Seems natural to me in present tense", "table\" when I would rather write something like \"carrying the heavy sack he", "that read like an old text adventure game. And I also find myself", "to find any. I'm sure I could find some if I was to", "amateur status than the inclinations of a present tense writer, but I can't", "tips for present tense fiction so that I can learn to recognise it!", "I could find some if I was to read through some of the", "interesting. Before I write any further I want to study a few excerpts", "is indeed dialogue heavy. I quite like that the interruptions in dialogue feel", "tense but if I read something like that in the context of a", "the heavy sack he lays it on the table\" if you catch my", "that in some way. But in present tense, it feels - to me", "section decent. Your guidance is appreciated! --- One thing I have noticed is", "tense if I'm so new and that I should learn past tense first,", "the first time. Already I reckon there are a lot of people out", "few excerpts and have a go at getting the first section decent. Your", "it's easy to put down bad writing, It's nice when that bad writing", "narrator should have taken into consideration the coming interjection and written around that", "was past tense I would feel like it was ill-considered if they are", "was a little off. You wouldn't find that in someone's journal for example...", "examples and tips for present tense fiction so that I can learn to", "an exercise for now so please forgive my decision. I have read people", "also find that my writing when in the present tense naturally becomes very", "can't be sure. For example, I might( without thinking ) write something like", "started trying my hand at some fiction writing for the first time. Already", "reckon there are a lot of people out there that would say that", "the pinnacle of present tense. I want to read some excellent examples, I", "like \"he carries the heavy sack to the table\" when I would rather", "an ellipse. \"I can't believe you would say...\" \"well what else would I", "the story I started writing as my first exercise, but it is indeed", "You wouldn't find that in someone's journal for example... it feels like the", "some of your favourite examples and tips for present tense fiction so that", "myself writing he says she says type stuff, having to correct myself and", "that in the context of a past tense peace, then I would think", "you're breathing life into the page whenever you read it. I find it", "appealing. It seems more to do with my amateur status than the inclinations", "writing for the first time. Already I reckon there are a lot of", "writing lines that read like an old text adventure game. And I also", "of late!\" etc. Seems natural to me in present tense but if I", "to do well and that it sticks out like a sore thumb when", "that my writing when in the present tense naturally becomes very heavy in", "write something like \"carrying the heavy sack he lays it on the table\"", "status than the inclinations of a present tense writer, but I can't be", "like an old text adventure game. And I also find myself writing he", "now so please forgive my decision. I have read people saying present tense", "I write any further I want to study a few excerpts and have", "seems natural to me, whereas if it was past tense I would feel", "when you're doing it poorly(which I think is actually a boon, it's easy", "into the page whenever you read it. I find it seems reasonable to", "up writing lines that read like an old text adventure game. And I", "see the figures of rhetoric put to good use, but I can't seem", "the present tense naturally becomes very heavy in dialogue. I think that it", "the page whenever you read it. I find it seems reasonable to have", "find what little I have written flows well enough but doesn't seem especially", "beautiful or interesting. Before I write any further I want to study a", "can learn to recognise it! So far I find what little I have", "it could just be the format of the story I started writing as", "when I would rather write something like \"carrying the heavy sack he lays", "out like a sore thumb when you're doing it poorly(which I think is", "a past tense peace, then I would think it was a little off.", "so new and that I should learn past tense first, however, I'm just", "it was past tense I would feel like it was ill-considered if they", "I would think it was a little off. You wouldn't find that in", "dialogue. I think that it could just be the format of the story", "getting the first section decent. Your guidance is appreciated! --- One thing I", "I can't seem to find any. I'm sure I could find some if", "this as an exercise for now so please forgive my decision. I have", "I should learn past tense first, however, I'm just doing this as an", "then I would think it was a little off. You wouldn't find that", "very heavy in dialogue. I think that it could just be the format", "that show the pinnacle of present tense. I want to read some excellent", "first section decent. Your guidance is appreciated! --- One thing I have noticed", "I have noticed is that I seem to end up writing lines that", "I can just break off into another character speaking and it seems natural", "that it could just be the format of the story I started writing", "out there that would say that I shouldn't be thinking about present tense", "I want to read some excellent examples, I want to see the figures", "new and that I should learn past tense first, however, I'm just doing", "sack to the table\" when I would rather write something like \"carrying the", "and it seems natural to me, whereas if it was past tense I", "life into the page whenever you read it. I find it seems reasonable", "into consideration the coming interjection and written around that in some way. But", "interruptions in dialogue feel more natural in present tense, for example, I can", "I read something like that in the context of a past tense peace,", "find it seems reasonable to have interjections of this ilk, even when it", "rhetoric put to good use, but I can't seem to find any. I'm", "hand at some fiction writing for the first time. Already I reckon there", "at least - more like you're breathing life into the page whenever you", "like that in the context of a past tense peace, then I would", "are just interrupting the text midline with an ellipse. \"I can't believe you", "of a present tense writer, but I can't be sure. For example, I", "more to do with my amateur status than the inclinations of a present", "I shouldn't be thinking about present tense if I'm so new and that", "be the format of the story I started writing as my first exercise,", "seem to end up writing lines that read like an old text adventure", "Before I write any further I want to study a few excerpts and", "around that in some way. But in present tense, it feels - to", "reasonable to have interjections of this ilk, even when it is not directly", "the text midline with an ellipse. \"I can't believe you would say...\" \"well", "just be the format of the story I started writing as my first", "please forgive my decision. I have read people saying present tense is terrible,", "it sticks out like a sore thumb when you're doing it poorly(which I", "writing he says she says type stuff, having to correct myself and make", "want to study a few excerpts and have a go at getting the", "it was a little off. You wouldn't find that in someone's journal for", "rather write something like \"carrying the heavy sack he lays it on the", "do with my amateur status than the inclinations of a present tense writer,", "read it. I find it seems reasonable to have interjections of this ilk,", "in dialogue. I think that it could just be the format of the", "it poorly(which I think is actually a boon, it's easy to put down", "writing sticks out!) what I am struggling to find is a collection of", "tense. I want to read some excellent examples, I want to see the", "could find some if I was to read through some of the popular", "use, but I can't seem to find any. I'm sure I could find", "present tense. I want to read some excellent examples, I want to see", "was to read through some of the popular present tense books out there", "but I can't seem to find any. I'm sure I could find some", "I would rather write something like \"carrying the heavy sack he lays it", "else would I think? You're acting like a damned fool of late!\" etc.", "break off into another character speaking and it seems natural to me, whereas", "struggling to find is a collection of excerpts that show the pinnacle of", "etc. Seems natural to me in present tense but if I read something", "the popular present tense books out there but I don't really have time", "I think is actually a boon, it's easy to put down bad writing,", "I'm sure I could find some if I was to read through some", "time at the moment... Please share some of your favourite examples and tips", "without thinking ) write something like \"he carries the heavy sack to the", "for the first time. Already I reckon there are a lot of people", "my drift. I also find that my writing when in the present tense", "have read people saying present tense is terrible, it's incredibly hard to do", "I am struggling to find is a collection of excerpts that show the", "to put down bad writing, It's nice when that bad writing sticks out!)", "--- One thing I have noticed is that I seem to end up", "seem especially beautiful or interesting. Before I write any further I want to", "like you're breathing life into the page whenever you read it. I find", "it's incredibly hard to do well and that it sticks out like a", "have interjections of this ilk, even when it is not directly narrated. What", "a little off. You wouldn't find that in someone's journal for example... it", "in present tense, it feels - to me at least - more like", "context of a past tense peace, then I would think it was a", "present tense, it feels - to me at least - more like you're", "off. You wouldn't find that in someone's journal for example... it feels like", "to study a few excerpts and have a go at getting the first", "I would feel like it was ill-considered if they are just interrupting the", "can't believe you would say...\" \"well what else would I think? You're acting", "if I was to read through some of the popular present tense books", "especially beautiful or interesting. Before I write any further I want to study", "if it was past tense I would feel like it was ill-considered if", "have noticed is that I seem to end up writing lines that read", "example, I might( without thinking ) write something like \"he carries the heavy", "would say...\" \"well what else would I think? You're acting like a damned", "she says type stuff, having to correct myself and make it more appealing.", "well and that it sticks out like a sore thumb when you're doing", "I want to see the figures of rhetoric put to good use, but", "a go at getting the first section decent. Your guidance is appreciated! ---", "of the popular present tense books out there but I don't really have", "Your guidance is appreciated! --- One thing I have noticed is that I", "is terrible, it's incredibly hard to do well and that it sticks out", "text adventure game. And I also find myself writing he says she says", "writing as my first exercise, but it is indeed dialogue heavy. I quite", "in the context of a past tense peace, then I would think it", "forgive my decision. I have read people saying present tense is terrible, it's", "of present tense. I want to read some excellent examples, I want to", "first time. Already I reckon there are a lot of people out there", "also find myself writing he says she says type stuff, having to correct", "tense books out there but I don't really have time at the moment...", "present tense if I'm so new and that I should learn past tense", "whenever you read it. I find it seems reasonable to have interjections of", "a lot of people out there that would say that I shouldn't be", "the narrator should have taken into consideration the coming interjection and written around", "natural to me in present tense but if I read something like that", "flows well enough but doesn't seem especially beautiful or interesting. Before I write", "an old text adventure game. And I also find myself writing he says", "I want to study a few excerpts and have a go at getting", "hard to do well and that it sticks out like a sore thumb", "tense I would feel like it was ill-considered if they are just interrupting", "example... it feels like the narrator should have taken into consideration the coming", "pinnacle of present tense. I want to read some excellent examples, I want", "in present tense but if I read something like that in the context", "I also find that my writing when in the present tense naturally becomes", "someone's journal for example... it feels like the narrator should have taken into", "It's nice when that bad writing sticks out!) what I am struggling to", "even when it is not directly narrated. What are your thoughts on this?", "have taken into consideration the coming interjection and written around that in some", "think is actually a boon, it's easy to put down bad writing, It's", "through some of the popular present tense books out there but I don't", "tense, it feels - to me at least - more like you're breathing", "find myself writing he says she says type stuff, having to correct myself", "figures of rhetoric put to good use, but I can't seem to find", "but it is indeed dialogue heavy. I quite like that the interruptions in", "think it was a little off. You wouldn't find that in someone's journal", "seems reasonable to have interjections of this ilk, even when it is not", "can just break off into another character speaking and it seems natural to", "exercise, but it is indeed dialogue heavy. I quite like that the interruptions", "least - more like you're breathing life into the page whenever you read", "examples, I want to see the figures of rhetoric put to good use,", "should learn past tense first, however, I'm just doing this as an exercise", "catch my drift. I also find that my writing when in the present", "I might( without thinking ) write something like \"he carries the heavy sack", "the heavy sack to the table\" when I would rather write something like", "- to me at least - more like you're breathing life into the", "ellipse. \"I can't believe you would say...\" \"well what else would I think?", "I'm just doing this as an exercise for now so please forgive my", "tense writer, but I can't be sure. For example, I might( without thinking", "to recognise it! So far I find what little I have written flows", "about present tense if I'm so new and that I should learn past", "and have a go at getting the first section decent. Your guidance is", "heavy in dialogue. I think that it could just be the format of", "you would say...\" \"well what else would I think? You're acting like a", "interjection and written around that in some way. But in present tense, it", "write any further I want to study a few excerpts and have a", "interjections of this ilk, even when it is not directly narrated. What are", "that bad writing sticks out!) what I am struggling to find is a", "excellent examples, I want to see the figures of rhetoric put to good", "to see the figures of rhetoric put to good use, but I can't", "correct myself and make it more appealing. It seems more to do with", "if you catch my drift. I also find that my writing when in", "excerpts and have a go at getting the first section decent. Your guidance", "another character speaking and it seems natural to me, whereas if it was", "present tense is terrible, it's incredibly hard to do well and that it", "doing it poorly(which I think is actually a boon, it's easy to put", "bad writing, It's nice when that bad writing sticks out!) what I am", "written flows well enough but doesn't seem especially beautiful or interesting. Before I", "You're acting like a damned fool of late!\" etc. Seems natural to me", "to read some excellent examples, I want to see the figures of rhetoric", "that I can learn to recognise it! So far I find what little", "people saying present tense is terrible, it's incredibly hard to do well and", "present tense but if I read something like that in the context of", "I was to read through some of the popular present tense books out", "believe you would say...\" \"well what else would I think? You're acting like", "to have interjections of this ilk, even when it is not directly narrated.", "for present tense fiction so that I can learn to recognise it! So", "Seems natural to me in present tense but if I read something like", "natural in present tense, for example, I can just break off into another", "guidance is appreciated! --- One thing I have noticed is that I seem", "in the present tense naturally becomes very heavy in dialogue. I think that", "sore thumb when you're doing it poorly(which I think is actually a boon,", "something like \"carrying the heavy sack he lays it on the table\" if", "story I started writing as my first exercise, but it is indeed dialogue", "can't seem to find any. I'm sure I could find some if I", "page whenever you read it. I find it seems reasonable to have interjections", "excerpts that show the pinnacle of present tense. I want to read some", "the interruptions in dialogue feel more natural in present tense, for example, I", "my hand at some fiction writing for the first time. Already I reckon", "type stuff, having to correct myself and make it more appealing. It seems", "the table\" if you catch my drift. I also find that my writing", "that I should learn past tense first, however, I'm just doing this as", "exercise for now so please forgive my decision. I have read people saying", "as my first exercise, but it is indeed dialogue heavy. I quite like", "I'm so new and that I should learn past tense first, however, I'm", "first, however, I'm just doing this as an exercise for now so please", "I think that it could just be the format of the story I", "little I have written flows well enough but doesn't seem especially beautiful or", "example, I can just break off into another character speaking and it seems", "like it was ill-considered if they are just interrupting the text midline with", "that would say that I shouldn't be thinking about present tense if I'm", "I can't be sure. For example, I might( without thinking ) write something", "on the table\" if you catch my drift. I also find that my", "old text adventure game. And I also find myself writing he says she", "really have time at the moment... Please share some of your favourite examples", "if I'm so new and that I should learn past tense first, however,", "time. Already I reckon there are a lot of people out there that", "it feels - to me at least - more like you're breathing life", "have time at the moment... Please share some of your favourite examples and", "just doing this as an exercise for now so please forgive my decision.", "find some if I was to read through some of the popular present", "first exercise, but it is indeed dialogue heavy. I quite like that the", "fiction so that I can learn to recognise it! So far I find", "to the table\" when I would rather write something like \"carrying the heavy", "to end up writing lines that read like an old text adventure game.", "when in the present tense naturally becomes very heavy in dialogue. I think", "of a past tense peace, then I would think it was a little", "speaking and it seems natural to me, whereas if it was past tense", "ill-considered if they are just interrupting the text midline with an ellipse. \"I", "write something like \"he carries the heavy sack to the table\" when I", "a sore thumb when you're doing it poorly(which I think is actually a", "sticks out!) what I am struggling to find is a collection of excerpts", "is that I seem to end up writing lines that read like an", "say that I shouldn't be thinking about present tense if I'm so new", "inclinations of a present tense writer, but I can't be sure. For example,", "So far I find what little I have written flows well enough but", "like that the interruptions in dialogue feel more natural in present tense, for", "there but I don't really have time at the moment... Please share some", "at some fiction writing for the first time. Already I reckon there are", "want to read some excellent examples, I want to see the figures of", "that in someone's journal for example... it feels like the narrator should have", "game. And I also find myself writing he says she says type stuff,", "recently started trying my hand at some fiction writing for the first time.", "doing this as an exercise for now so please forgive my decision. I", "share some of your favourite examples and tips for present tense fiction so", "any further I want to study a few excerpts and have a go", "so that I can learn to recognise it! So far I find what", "actually a boon, it's easy to put down bad writing, It's nice when", "or interesting. Before I write any further I want to study a few", "the format of the story I started writing as my first exercise, but", "read through some of the popular present tense books out there but I", "thing I have noticed is that I seem to end up writing lines", "writing, It's nice when that bad writing sticks out!) what I am struggling", "written around that in some way. But in present tense, it feels -", "as an exercise for now so please forgive my decision. I have read", "the context of a past tense peace, then I would think it was", "feels - to me at least - more like you're breathing life into", "is appreciated! --- One thing I have noticed is that I seem to", "some fiction writing for the first time. Already I reckon there are a", "but doesn't seem especially beautiful or interesting. Before I write any further I", "out there but I don't really have time at the moment... Please share", "taken into consideration the coming interjection and written around that in some way.", "dialogue heavy. I quite like that the interruptions in dialogue feel more natural", "I started writing as my first exercise, but it is indeed dialogue heavy.", "and written around that in some way. But in present tense, it feels", "it! So far I find what little I have written flows well enough", "carries the heavy sack to the table\" when I would rather write something", "terrible, it's incredibly hard to do well and that it sticks out like", "but I don't really have time at the moment... Please share some of", "And I also find myself writing he says she says type stuff, having", "so please forgive my decision. I have read people saying present tense is", "might( without thinking ) write something like \"he carries the heavy sack to", "writer, but I can't be sure. For example, I might( without thinking )", "it on the table\" if you catch my drift. I also find that", "that I seem to end up writing lines that read like an old", "of people out there that would say that I shouldn't be thinking about", "would say that I shouldn't be thinking about present tense if I'm so", "poorly(which I think is actually a boon, it's easy to put down bad", "would rather write something like \"carrying the heavy sack he lays it on", "would think it was a little off. You wouldn't find that in someone's", "that it sticks out like a sore thumb when you're doing it poorly(which", "put to good use, but I can't seem to find any. I'm sure", "with my amateur status than the inclinations of a present tense writer, but", "consideration the coming interjection and written around that in some way. But in", "of rhetoric put to good use, but I can't seem to find any.", "interrupting the text midline with an ellipse. \"I can't believe you would say...\"", "popular present tense books out there but I don't really have time at", "for example, I can just break off into another character speaking and it", "in present tense, for example, I can just break off into another character", "far I find what little I have written flows well enough but doesn't", "midline with an ellipse. \"I can't believe you would say...\" \"well what else", "any. I'm sure I could find some if I was to read through", "tense fiction so that I can learn to recognise it! So far I", "dialogue feel more natural in present tense, for example, I can just break", "there are a lot of people out there that would say that I", "I find it seems reasonable to have interjections of this ilk, even when", "he says she says type stuff, having to correct myself and make it", "when that bad writing sticks out!) what I am struggling to find is", "breathing life into the page whenever you read it. I find it seems", "like a sore thumb when you're doing it poorly(which I think is actually", "to me at least - more like you're breathing life into the page", "adventure game. And I also find myself writing he says she says type", "enough but doesn't seem especially beautiful or interesting. Before I write any further", "tense naturally becomes very heavy in dialogue. I think that it could just", "there that would say that I shouldn't be thinking about present tense if", "sure. For example, I might( without thinking ) write something like \"he carries", "\"well what else would I think? You're acting like a damned fool of", "a collection of excerpts that show the pinnacle of present tense. I want", "to read through some of the popular present tense books out there but", "feel like it was ill-considered if they are just interrupting the text midline", "into another character speaking and it seems natural to me, whereas if it", "present tense, for example, I can just break off into another character speaking", "to good use, but I can't seem to find any. I'm sure I", "my first exercise, but it is indeed dialogue heavy. I quite like that", "thumb when you're doing it poorly(which I think is actually a boon, it's", "it is indeed dialogue heavy. I quite like that the interruptions in dialogue", "it feels like the narrator should have taken into consideration the coming interjection", "have a go at getting the first section decent. Your guidance is appreciated!", "sure I could find some if I was to read through some of", "present tense fiction so that I can learn to recognise it! So far", "it was ill-considered if they are just interrupting the text midline with an", "tense peace, then I would think it was a little off. You wouldn't", "be thinking about present tense if I'm so new and that I should", "stuff, having to correct myself and make it more appealing. It seems more", "I don't really have time at the moment... Please share some of your", "boon, it's easy to put down bad writing, It's nice when that bad", "they are just interrupting the text midline with an ellipse. \"I can't believe", "- more like you're breathing life into the page whenever you read it.", "read people saying present tense is terrible, it's incredibly hard to do well", "think that it could just be the format of the story I started", "peace, then I would think it was a little off. You wouldn't find", "lot of people out there that would say that I shouldn't be thinking", "like a damned fool of late!\" etc. Seems natural to me in present", "at the moment... Please share some of your favourite examples and tips for", "sticks out like a sore thumb when you're doing it poorly(which I think", "to correct myself and make it more appealing. It seems more to do", "becomes very heavy in dialogue. I think that it could just be the", "find is a collection of excerpts that show the pinnacle of present tense.", "heavy sack to the table\" when I would rather write something like \"carrying", "your favourite examples and tips for present tense fiction so that I can", "started writing as my first exercise, but it is indeed dialogue heavy. I", "you're doing it poorly(which I think is actually a boon, it's easy to", "is a collection of excerpts that show the pinnacle of present tense. I", "study a few excerpts and have a go at getting the first section", "just interrupting the text midline with an ellipse. \"I can't believe you would", "drift. I also find that my writing when in the present tense naturally", "was ill-considered if they are just interrupting the text midline with an ellipse.", "me in present tense but if I read something like that in the", "further I want to study a few excerpts and have a go at", "natural to me, whereas if it was past tense I would feel like", "to do with my amateur status than the inclinations of a present tense", "you read it. I find it seems reasonable to have interjections of this", "read some excellent examples, I want to see the figures of rhetoric put", "the table\" when I would rather write something like \"carrying the heavy sack", "I have written flows well enough but doesn't seem especially beautiful or interesting.", "that the interruptions in dialogue feel more natural in present tense, for example,", "For example, I might( without thinking ) write something like \"he carries the", "of your favourite examples and tips for present tense fiction so that I", "trying my hand at some fiction writing for the first time. Already I", "acting like a damned fool of late!\" etc. Seems natural to me in", "learn past tense first, however, I'm just doing this as an exercise for", "recognise it! So far I find what little I have written flows well", "to find is a collection of excerpts that show the pinnacle of present", "seem to find any. I'm sure I could find some if I was", "But in present tense, it feels - to me at least - more", "character speaking and it seems natural to me, whereas if it was past", "like \"carrying the heavy sack he lays it on the table\" if you", "put down bad writing, It's nice when that bad writing sticks out!) what", "say...\" \"well what else would I think? You're acting like a damned fool", "to me in present tense but if I read something like that in", "do well and that it sticks out like a sore thumb when you're", "nice when that bad writing sticks out!) what I am struggling to find", "present tense writer, but I can't be sure. For example, I might( without", "just break off into another character speaking and it seems natural to me,", "lines that read like an old text adventure game. And I also find", "some of the popular present tense books out there but I don't really", "learn to recognise it! So far I find what little I have written", "is actually a boon, it's easy to put down bad writing, It's nice", "show the pinnacle of present tense. I want to read some excellent examples,", "heavy. I quite like that the interruptions in dialogue feel more natural in", "me at least - more like you're breathing life into the page whenever", "little off. You wouldn't find that in someone's journal for example... it feels", "to me, whereas if it was past tense I would feel like it", "read something like that in the context of a past tense peace, then", "and tips for present tense fiction so that I can learn to recognise", "incredibly hard to do well and that it sticks out like a sore", "more appealing. It seems more to do with my amateur status than the", "books out there but I don't really have time at the moment... Please", "noticed is that I seem to end up writing lines that read like", "the figures of rhetoric put to good use, but I can't seem to", "be sure. For example, I might( without thinking ) write something like \"he", "for now so please forgive my decision. I have read people saying present", "myself and make it more appealing. It seems more to do with my", "favourite examples and tips for present tense fiction so that I can learn", "that I shouldn't be thinking about present tense if I'm so new and", "but I can't be sure. For example, I might( without thinking ) write", "\"carrying the heavy sack he lays it on the table\" if you catch", "writing when in the present tense naturally becomes very heavy in dialogue. I", "some if I was to read through some of the popular present tense", "table\" if you catch my drift. I also find that my writing when", "would I think? You're acting like a damned fool of late!\" etc. Seems", "fiction writing for the first time. Already I reckon there are a lot", "think? You're acting like a damned fool of late!\" etc. Seems natural to", "down bad writing, It's nice when that bad writing sticks out!) what I", "Please share some of your favourite examples and tips for present tense fiction", "late!\" etc. Seems natural to me in present tense but if I read", "more natural in present tense, for example, I can just break off into", "doesn't seem especially beautiful or interesting. Before I write any further I want", ") write something like \"he carries the heavy sack to the table\" when", "format of the story I started writing as my first exercise, but it", "the coming interjection and written around that in some way. But in present", "the moment... Please share some of your favourite examples and tips for present", "could just be the format of the story I started writing as my", "tense is terrible, it's incredibly hard to do well and that it sticks", "I think? You're acting like a damned fool of late!\" etc. Seems natural", "sack he lays it on the table\" if you catch my drift. I", "indeed dialogue heavy. I quite like that the interruptions in dialogue feel more", "damned fool of late!\" etc. Seems natural to me in present tense but", "having to correct myself and make it more appealing. It seems more to", "what little I have written flows well enough but doesn't seem especially beautiful", "a boon, it's easy to put down bad writing, It's nice when that", "my writing when in the present tense naturally becomes very heavy in dialogue.", "and make it more appealing. It seems more to do with my amateur", "don't really have time at the moment... Please share some of your favourite", "with an ellipse. \"I can't believe you would say...\" \"well what else would", "end up writing lines that read like an old text adventure game. And", "collection of excerpts that show the pinnacle of present tense. I want to", "moment... Please share some of your favourite examples and tips for present tense", "like the narrator should have taken into consideration the coming interjection and written", "way. But in present tense, it feels - to me at least -", "in someone's journal for example... it feels like the narrator should have taken", "past tense peace, then I would think it was a little off. You", "wouldn't find that in someone's journal for example... it feels like the narrator", "seems more to do with my amateur status than the inclinations of a", "more like you're breathing life into the page whenever you read it. I", "I can learn to recognise it! So far I find what little I", "in dialogue feel more natural in present tense, for example, I can just", "feel more natural in present tense, for example, I can just break off", "journal for example... it feels like the narrator should have taken into consideration", "what I am struggling to find is a collection of excerpts that show", "he lays it on the table\" if you catch my drift. I also", "I quite like that the interruptions in dialogue feel more natural in present", "however, I'm just doing this as an exercise for now so please forgive", "find any. I'm sure I could find some if I was to read", "it seems reasonable to have interjections of this ilk, even when it is", "says type stuff, having to correct myself and make it more appealing. It", "ilk, even when it is not directly narrated. What are your thoughts on", "text midline with an ellipse. \"I can't believe you would say...\" \"well what", "out!) what I am struggling to find is a collection of excerpts that", "feels like the narrator should have taken into consideration the coming interjection and", "at getting the first section decent. Your guidance is appreciated! --- One thing", "go at getting the first section decent. Your guidance is appreciated! --- One", "tense first, however, I'm just doing this as an exercise for now so", "should have taken into consideration the coming interjection and written around that in", "fool of late!\" etc. Seems natural to me in present tense but if", "a present tense writer, but I can't be sure. For example, I might(", "people out there that would say that I shouldn't be thinking about present", "it more appealing. It seems more to do with my amateur status than", "something like \"he carries the heavy sack to the table\" when I would", "present tense naturally becomes very heavy in dialogue. I think that it could", "well enough but doesn't seem especially beautiful or interesting. Before I write any", "of the story I started writing as my first exercise, but it is", "me, whereas if it was past tense I would feel like it was", "Already I reckon there are a lot of people out there that would", "if they are just interrupting the text midline with an ellipse. \"I can't", "would feel like it was ill-considered if they are just interrupting the text", "my amateur status than the inclinations of a present tense writer, but I", "coming interjection and written around that in some way. But in present tense,", "naturally becomes very heavy in dialogue. I think that it could just be", "it. I find it seems reasonable to have interjections of this ilk, even", "if I read something like that in the context of a past tense", "some way. But in present tense, it feels - to me at least", "decent. Your guidance is appreciated! --- One thing I have noticed is that", "saying present tense is terrible, it's incredibly hard to do well and that", "past tense first, however, I'm just doing this as an exercise for now", "this ilk, even when it is not directly narrated. What are your thoughts", "shouldn't be thinking about present tense if I'm so new and that I", "off into another character speaking and it seems natural to me, whereas if" ]
[ "not want numbered lists, I want to number each page of my text.", "want numbered lists, I want to number each page of my text. How", "lists, I want to number each page of my text. How do I", "I want to number each page of my text. How do I achieve", "want to number each page of my text. How do I achieve this?", "do not want numbered lists, I want to number each page of my", "I do not want numbered lists, I want to number each page of", "numbered lists, I want to number each page of my text. How do" ]
[ "the characters I add seem a bit too close to what I'm getting", "people have obsessions of sweet treats, singers, or hobbies. I usually get obsessed", "Some of the characters I add seem a bit too close to what", "I do have a lot of questions, I'm a curious kid who wants", "seem a bit too close to what I'm getting inspiration from. Like, if", "things right... How do I make the character similar to the one I", "I'm getting inspiration from. Like, if a character had white wings, mine might", "obsessions. Some people have obsessions of sweet treats, singers, or hobbies. I usually", "Like, if a character had white wings, mine might have white wings. (Just", "curious kid who wants to do things right... How do I make the", "I'm a curious kid who wants to do things right... *How do I", "by my obsessions. Some people have obsessions of sweet treats, singers, or hobbies.", "of questions. But I do have a lot of questions, I'm a curious", "add a character like* that character to my story. Some of the characters", "know I've recently asked a lot of questions. But I do have a", "lot of questions. But I do have a lot of questions, I'm a", "too close to what I'm getting inspiration from. Like, if a character had", "story. Some of the characters I add seem a bit too close to", "usually get obsessed by characters. And I might sometimes add a character like", "questions, I'm a curious kid who wants to do things right... How do", "stealing? I get motivated by my obsessions. Some people have obsessions of sweet", "inspiration from. Like, if a character had white wings, mine might have white", "do things right... How do I make the character similar to the one", "what I'm getting inspiration from. Like, if a character had white wings, mine", "questions. But I do have a lot of questions, I'm a curious kid", "characters I add seem a bit too close to what I'm getting inspiration", "wants to do things right... How do I make the character similar to", "that character to my story. Some of the characters I add seem a", "I add seem a bit too close to what I'm getting inspiration from.", "have a lot of questions, I'm a curious kid who wants to do", "obsessed by characters. And I might sometimes add a character like that character", "of questions, I'm a curious kid who wants to do things right... How", "I'm stealing? I get motivated by my obsessions. Some people have obsessions of", "I make the character similar to the one I like, but not so", "the character similar to the one I like, but not so similar I'm", "a curious kid who wants to do things right... How do I make", "but not so similar I'm stealing? I get motivated by my obsessions. Some", "obsessions of sweet treats, singers, or hobbies. I usually get obsessed by characters.", "kid who wants to do things right... *How do I make the character", "I usually get obsessed by characters. And I might sometimes add a character", "And I might sometimes add a character like* that character to my story.", "to the one I like, but not so similar I'm stealing? I get", "Some people have obsessions of sweet treats, singers, or hobbies. I usually get", "my obsessions. Some people have obsessions of sweet treats, singers, or hobbies. I", "singers, or hobbies. I usually get obsessed by characters. And I might sometimes", "who wants to do things right... How do I make the character similar", "a bit too close to what I'm getting inspiration from. Like, if a", "so similar I'm stealing? I get motivated by my obsessions. Some people have", "add seem a bit too close to what I'm getting inspiration from. Like,", "sweet treats, singers, or hobbies. I usually get obsessed by characters. And I", "the one I like, but not so similar I'm stealing? I get motivated", "similar I'm stealing? I get motivated by my obsessions. Some people have obsessions", "motivated by my obsessions. Some people have obsessions of sweet treats, singers, or", "if a character had white wings, mine might have white wings. (Just an", "to do things right... How do I make the character similar to the", "*How do I make the character similar to the one I like, but", "by characters. And I might sometimes add a character like* that character to", "of sweet treats, singers, or hobbies. I usually get obsessed by characters. And", "I get motivated by my obsessions. Some people have obsessions of sweet treats,", "a character like that character to my story. Some of the characters I", "make the character similar to the one I like, but not so similar", "get motivated by my obsessions. Some people have obsessions of sweet treats, singers,", "to what I'm getting inspiration from. Like, if a character had white wings,", "do have a lot of questions, I'm a curious kid who wants to", "characters. And I might sometimes add a character like that character to my", "a character had white wings, mine might have white wings. (Just an example)", "bit too close to what I'm getting inspiration from. Like, if a character", "like, but not so similar I'm stealing?** I get motivated by my obsessions.", "have obsessions of sweet treats, singers, or hobbies. I usually get obsessed by", "I know I've recently asked a lot of questions. But I do have", "sometimes add a character like that character to my story. Some of the", "like that character to my story. Some of the characters I add seem", "I've recently asked a lot of questions. But I do have a lot", "might sometimes add a character like that character to my story. Some of", "character like that character to my story. Some of the characters I add", "similar to the one I like, but not so similar I'm stealing?** I", "character to my story. Some of the characters I add seem a bit", "or hobbies. I usually get obsessed by characters. And I might sometimes add", "do I make the character similar to the one I like, but not", "my story. Some of the characters I add seem a bit too close", "I might sometimes add a character like that character to my story. Some", "I like, but not so similar I'm stealing? I get motivated by my", "right... How do I make the character similar to the one I like,", "get obsessed by characters. And I might sometimes add a character like that", "to my story. Some of the characters I add seem a bit too", "a lot of questions, I'm a curious kid who wants to do things", "close to what I'm getting inspiration from. Like, if a character had white", "treats, singers, or hobbies. I usually get obsessed by characters. And I might", "hobbies. I usually get obsessed by characters. And I might sometimes add a", "one I like, but not so similar I'm stealing? I get motivated by", "lot of questions, I'm a curious kid who wants to do things right...", "from. Like, if a character had white wings, mine might have white wings.", "getting inspiration from. Like, if a character had white wings, mine might have", "recently asked a lot of questions. But I do have a lot of", "not so similar I'm stealing? I get motivated by my obsessions. Some people", "a lot of questions. But I do have a lot of questions, I'm", "of the characters I add seem a bit too close to what I'm", "asked a lot of questions. But I do have a lot of questions,", "character similar to the one I like, but not so similar I'm stealing?**", "But I do have a lot of questions, I'm a curious kid who" ]
[ "up to touch the gate and it opened on its own. Almost like", "couldn't understand, but they make sense in the story. They're slang, or things", "for a moment. > > > And another: > > “Whoa, what’s up", "Not right away, at least. > > > Is it ok to use", "it’s a very long story,” he said. Haku looked excited for the story,", "> > And another: > > “Whoa, what’s up with the old timey", "sincere curiosity for a moment. > > > And another: > > “Whoa,", "Here is an example of what I am talking about: > > Hazf", "“Whoa, what’s up with the old timey funstuffs?” asked Haku. He reached >", "about why he respected his father so much. “Boy, I have a story", "Haku wore his white gym shorts and a light yellow tank top that", "he said. Haku looked excited for the story, his eyes flashed a sincere", "As Ryu walked behind his friend, there was an obvious > atmosphere that", "tank top that said “#THUG LYFE” on it. Tim smirked at the youth,", "> “Whoa, what’s up with the old timey funstuffs?” asked Haku. He reached", "That he had never told Haku about why he respected his father so", "You might want to sit down for it, it’s a very long story,”", "opened on its own. Almost like it knew he > was there. As", "t-shirt, Haku wore his white gym shorts and a light yellow tank top", "you are done cooking you may hear it. You might want to sit", "story there are some words in there that even Grammarly couldn't understand, but", "curiosity for a moment. > > > And another: > > “Whoa, what’s", "occurred to him. That he had never told Haku about why he respected", "a moment. > > > And another: > > “Whoa, what’s up with", "done cooking you may hear it. You might want to sit down for", "or things teenagers might say. Here is an example of what I am", "even Grammarly couldn't understand, but they make sense in the story. They're slang,", "excited for the story, his eyes flashed a sincere curiosity for a moment.", "smirked at the youth, wishing he were that young again. A sudden realization", "his white gym shorts and a light yellow tank top that said “#THUG", "timey funstuffs?” asked Haku. He reached > up to touch the gate and", "sense in the story. They're slang, or things teenagers might say. Here is", "said “#THUG LYFE” on it. Tim smirked at the youth, wishing he were", "behind his friend, there was an obvious > atmosphere that Haku didn’t notice.", "light yellow tank top that said “#THUG LYFE” on it. Tim smirked at", "the story. They're slang, or things teenagers might say. Here is an example", "what’s up with the old timey funstuffs?” asked Haku. He reached > up", "least. > > > Is it ok to use fake words like that?", "were that young again. A sudden realization occurred to him. That he had", "gate and it opened on its own. Almost like it knew he >", "> was there. As Ryu walked behind his friend, there was an obvious", "an obvious > atmosphere that Haku didn’t notice. Not right away, at least.", "that even Grammarly couldn't understand, but they make sense in the story. They're", "wore his white gym shorts and a light yellow tank top that said", "a story for you, but when you are done cooking you may hear", "sweatpants and a flimsy t-shirt, Haku wore his white gym shorts and a", "might want to sit down for it, it’s a very long story,” he", "a flimsy t-shirt, Haku wore his white gym shorts and a light yellow", "there are some words in there that even Grammarly couldn't understand, but they", "sudden realization occurred to him. That he had never told Haku about why", "may hear it. You might want to sit down for it, it’s a", "it, it’s a very long story,” he said. Haku looked excited for the", "slang, or things teenagers might say. Here is an example of what I", "like it knew he > was there. As Ryu walked behind his friend,", "and a flimsy t-shirt, Haku wore his white gym shorts and a light", "it. Tim smirked at the youth, wishing he were that young again. A", "his father so much. “Boy, I have a story for you, but when", "asked Haku. He reached > up to touch the gate and it opened", "own. Almost like it knew he > was there. As Ryu walked behind", "long story,” he said. Haku looked excited for the story, his eyes flashed", "old timey funstuffs?” asked Haku. He reached > up to touch the gate", "of what I am talking about: > > Hazf was wearing his sweatpants", "him. That he had never told Haku about why he respected his father", "story. They're slang, or things teenagers might say. Here is an example of", "down for it, it’s a very long story,” he said. Haku looked excited", "there was an obvious > atmosphere that Haku didn’t notice. Not right away,", "what I am talking about: > > Hazf was wearing his sweatpants and", "might say. Here is an example of what I am talking about: >", "was wearing his sweatpants and a flimsy t-shirt, Haku wore his white gym", "to him. That he had never told Haku about why he respected his", "father so much. “Boy, I have a story for you, but when you", "much. “Boy, I have a story for you, but when you are done", "but when you are done cooking you may hear it. You might want", "are done cooking you may hear it. You might want to sit down", "up with the old timey funstuffs?” asked Haku. He reached > up to", "am talking about: > > Hazf was wearing his sweatpants and a flimsy", "to touch the gate and it opened on its own. Almost like it", "very long story,” he said. Haku looked excited for the story, his eyes", "flashed a sincere curiosity for a moment. > > > And another: >", "> And another: > > “Whoa, what’s up with the old timey funstuffs?”", "there. As Ryu walked behind his friend, there was an obvious > atmosphere", "wearing his sweatpants and a flimsy t-shirt, Haku wore his white gym shorts", "another: > > “Whoa, what’s up with the old timey funstuffs?” asked Haku.", "top that said “#THUG LYFE” on it. Tim smirked at the youth, wishing", "away, at least. > > > Is it ok to use fake words", "And another: > > “Whoa, what’s up with the old timey funstuffs?” asked", "so much. “Boy, I have a story for you, but when you are", "about: > > Hazf was wearing his sweatpants and a flimsy t-shirt, Haku", "was there. As Ryu walked behind his friend, there was an obvious >", "atmosphere that Haku didn’t notice. Not right away, at least. > > >", "story,” he said. Haku looked excited for the story, his eyes flashed a", "talking about: > > Hazf was wearing his sweatpants and a flimsy t-shirt,", "story, his eyes flashed a sincere curiosity for a moment. > > >", "some words in there that even Grammarly couldn't understand, but they make sense", "things teenagers might say. Here is an example of what I am talking", "in there that even Grammarly couldn't understand, but they make sense in the", "He reached > up to touch the gate and it opened on its", "didn’t notice. Not right away, at least. > > > Is it ok", "They're slang, or things teenagers might say. Here is an example of what", "Almost like it knew he > was there. As Ryu walked behind his", "the story, his eyes flashed a sincere curiosity for a moment. > >", "looked excited for the story, his eyes flashed a sincere curiosity for a", "but they make sense in the story. They're slang, or things teenagers might", "his friend, there was an obvious > atmosphere that Haku didn’t notice. Not", "at the youth, wishing he were that young again. A sudden realization occurred", "on it. Tim smirked at the youth, wishing he were that young again.", "the youth, wishing he were that young again. A sudden realization occurred to", "Haku didn’t notice. Not right away, at least. > > > Is it", "on its own. Almost like it knew he > was there. As Ryu", "are some words in there that even Grammarly couldn't understand, but they make", "want to sit down for it, it’s a very long story,” he said.", "he respected his father so much. “Boy, I have a story for you,", "say. Here is an example of what I am talking about: > >", "it knew he > was there. As Ryu walked behind his friend, there", "> > “Whoa, what’s up with the old timey funstuffs?” asked Haku. He", "at least. > > > Is it ok to use fake words like", "for the story, his eyes flashed a sincere curiosity for a moment. >", "that Haku didn’t notice. Not right away, at least. > > > Is", "make sense in the story. They're slang, or things teenagers might say. Here", "young again. A sudden realization occurred to him. That he had never told", "right away, at least. > > > Is it ok to use fake", "there that even Grammarly couldn't understand, but they make sense in the story.", "“#THUG LYFE” on it. Tim smirked at the youth, wishing he were that", "Haku looked excited for the story, his eyes flashed a sincere curiosity for", "Haku. He reached > up to touch the gate and it opened on", "I have a story for you, but when you are done cooking you", "Ryu walked behind his friend, there was an obvious > atmosphere that Haku", "Tim smirked at the youth, wishing he were that young again. A sudden", "the gate and it opened on its own. Almost like it knew he", "friend, there was an obvious > atmosphere that Haku didn’t notice. Not right", "said. Haku looked excited for the story, his eyes flashed a sincere curiosity", "> Hazf was wearing his sweatpants and a flimsy t-shirt, Haku wore his", "reached > up to touch the gate and it opened on its own.", "sit down for it, it’s a very long story,” he said. Haku looked", "an example of what I am talking about: > > Hazf was wearing", "its own. Almost like it knew he > was there. As Ryu walked", "story for you, but when you are done cooking you may hear it.", "> atmosphere that Haku didn’t notice. Not right away, at least. > >", "to sit down for it, it’s a very long story,” he said. Haku", "understand, but they make sense in the story. They're slang, or things teenagers", "his sweatpants and a flimsy t-shirt, Haku wore his white gym shorts and", "wishing he were that young again. A sudden realization occurred to him. That", "flimsy t-shirt, Haku wore his white gym shorts and a light yellow tank", "words in there that even Grammarly couldn't understand, but they make sense in", "A sudden realization occurred to him. That he had never told Haku about", "moment. > > > And another: > > “Whoa, what’s up with the", "eyes flashed a sincere curiosity for a moment. > > > And another:", "Haku about why he respected his father so much. “Boy, I have a", "youth, wishing he were that young again. A sudden realization occurred to him.", "gym shorts and a light yellow tank top that said “#THUG LYFE” on", "shorts and a light yellow tank top that said “#THUG LYFE” on it.", "white gym shorts and a light yellow tank top that said “#THUG LYFE”", "it. You might want to sit down for it, it’s a very long", "is an example of what I am talking about: > > Hazf was", "hear it. You might want to sit down for it, it’s a very", "> up to touch the gate and it opened on its own. Almost", "knew he > was there. As Ryu walked behind his friend, there was", "you, but when you are done cooking you may hear it. You might", "a sincere curiosity for a moment. > > > And another: > >", "why he respected his father so much. “Boy, I have a story for", "my story there are some words in there that even Grammarly couldn't understand,", "again. A sudden realization occurred to him. That he had never told Haku", "I am talking about: > > Hazf was wearing his sweatpants and a", "“Boy, I have a story for you, but when you are done cooking", "a very long story,” he said. Haku looked excited for the story, his", "that young again. A sudden realization occurred to him. That he had never", "yellow tank top that said “#THUG LYFE” on it. Tim smirked at the", "for it, it’s a very long story,” he said. Haku looked excited for", "teenagers might say. Here is an example of what I am talking about:", "respected his father so much. “Boy, I have a story for you, but", "that said “#THUG LYFE” on it. Tim smirked at the youth, wishing he", "the old timey funstuffs?” asked Haku. He reached > up to touch the", "realization occurred to him. That he had never told Haku about why he", "LYFE” on it. Tim smirked at the youth, wishing he were that young", "he had never told Haku about why he respected his father so much.", "example of what I am talking about: > > Hazf was wearing his", "a light yellow tank top that said “#THUG LYFE” on it. Tim smirked", "> > > And another: > > “Whoa, what’s up with the old", "they make sense in the story. They're slang, or things teenagers might say.", "> > Hazf was wearing his sweatpants and a flimsy t-shirt, Haku wore", "notice. Not right away, at least. > > > Is it ok to", "for you, but when you are done cooking you may hear it. You", "it opened on its own. Almost like it knew he > was there.", "he > was there. As Ryu walked behind his friend, there was an", "was an obvious > atmosphere that Haku didn’t notice. Not right away, at", "have a story for you, but when you are done cooking you may", "with the old timey funstuffs?” asked Haku. He reached > up to touch", "his eyes flashed a sincere curiosity for a moment. > > > And", "obvious > atmosphere that Haku didn’t notice. Not right away, at least. >", "you may hear it. You might want to sit down for it, it’s", "funstuffs?” asked Haku. He reached > up to touch the gate and it", "and a light yellow tank top that said “#THUG LYFE” on it. Tim", "in the story. They're slang, or things teenagers might say. Here is an", "touch the gate and it opened on its own. Almost like it knew", "had never told Haku about why he respected his father so much. “Boy,", "In my story there are some words in there that even Grammarly couldn't", "Grammarly couldn't understand, but they make sense in the story. They're slang, or", "walked behind his friend, there was an obvious > atmosphere that Haku didn’t", "told Haku about why he respected his father so much. “Boy, I have", "Hazf was wearing his sweatpants and a flimsy t-shirt, Haku wore his white", "and it opened on its own. Almost like it knew he > was", "he were that young again. A sudden realization occurred to him. That he", "when you are done cooking you may hear it. You might want to", "cooking you may hear it. You might want to sit down for it,", "never told Haku about why he respected his father so much. “Boy, I" ]
[ "3. To produce a work that is perfectly clear and coherent. 4. To", "that is perfectly clear and coherent. 4. To produce a work that has", "up words in a thesaurus and given up. But I did write something", "having barely anything written, and finally giving up. There seems to be rules", "work that has poetic cadence or prose rhythm, comparable to that of the", "and revising as I go, trying to apply few rules about metrical feet,", "out I have already tried rearranging words and looking up words in a", "revising as I go, trying to apply few rules about metrical feet, being", "But I did write something with good prose rhythm once five years ago.", "in which each thought flows smoothly to the next. 3. To produce a", "go, trying to apply few rules about metrical feet, being dissatisfied with the", "tried writing sentences and revising as I go, trying to apply few rules", "up. There seems to be rules for clarity. I have a book on", "with the sound, not having barely anything written, and finally giving up. There", "on it and it is not difficult to apply. But there are no", "is perfectly clear and coherent. 4. To produce a work that has poetic", "is not difficult to apply. But there are no rules for prose rhythm,", "is well-organized and full of substance. 2. To produce a work in which", "a book on it and it is not difficult to apply. But there", "poetic cadence or prose rhythm, comparable to that of the King James Bible", "years ago. I don’t have it anymore, unfortunately. So I know that at", "which each thought flows smoothly to the next. 3. To produce a work", "words in a thesaurus and given up. But I did write something with", "work in which each thought flows smoothly to the next. 3. To produce", "2. To produce a work in which each thought flows smoothly to the", "I know that at least I had the ability to write in the", "words and looking up words in a thesaurus and given up. But I", "anything written, and finally giving up. There seems to be rules for clarity.", "rules for prose rhythm, and before I can ever get my thoughts out", "anymore, unfortunately. So I know that at least I had the ability to", "coherent. 4. To produce a work that has poetic cadence or prose rhythm,", "least I had the ability to write in the rhythm that that piece", "substance. 2. To produce a work in which each thought flows smoothly to", "rules about metrical feet, being dissatisfied with the sound, not having barely anything", "clear and coherent. 4. To produce a work that has poetic cadence or", "it is not difficult to apply. But there are no rules for prose", "there are no rules for prose rhythm, and before I can ever get", "and full of substance. 2. To produce a work in which each thought", "trying to apply few rules about metrical feet, being dissatisfied with the sound,", "it anymore, unfortunately. So I know that at least I had the ability", "being dissatisfied with the sound, not having barely anything written, and finally giving", "and given up. But I did write something with good prose rhythm once", "to be rules for clarity. I have a book on it and it", "or some other rhythmical work. I have often tried writing sentences and revising", "rules for clarity. I have a book on it and it is not", "and looking up words in a thesaurus and given up. But I did", "ever get my thoughts out I have already tried rearranging words and looking", "and coherent. 4. To produce a work that has poetic cadence or prose", "for prose rhythm, and before I can ever get my thoughts out I", "have a book on it and it is not difficult to apply. But", "a work that is perfectly clear and coherent. 4. To produce a work", "perfectly clear and coherent. 4. To produce a work that has poetic cadence", "produce a work that is well-organized and full of substance. 2. To produce", "my thoughts out I have already tried rearranging words and looking up words", "finally giving up. There seems to be rules for clarity. I have a", "produce a work that has poetic cadence or prose rhythm, comparable to that", "prose rhythm, and before I can ever get my thoughts out I have", "writing sentences and revising as I go, trying to apply few rules about", "before I can ever get my thoughts out I have already tried rearranging", "barely anything written, and finally giving up. There seems to be rules for", "written, and finally giving up. There seems to be rules for clarity. I", "a work that has poetic cadence or prose rhythm, comparable to that of", "I had the ability to write in the rhythm that that piece had.", "following: 1. To produce a work that is well-organized and full of substance.", "flows smoothly to the next. 3. To produce a work that is perfectly", "can ever get my thoughts out I have already tried rearranging words and", "good prose rhythm once five years ago. I don’t have it anymore, unfortunately.", "tried rearranging words and looking up words in a thesaurus and given up.", "no rules for prose rhythm, and before I can ever get my thoughts", "other rhythmical work. I have often tried writing sentences and revising as I", "looking up words in a thesaurus and given up. But I did write", "are no rules for prose rhythm, and before I can ever get my", "rhythm once five years ago. I don’t have it anymore, unfortunately. So I", "up. But I did write something with good prose rhythm once five years", "have often tried writing sentences and revising as I go, trying to apply", "and finally giving up. There seems to be rules for clarity. I have", "achieve the following: 1. To produce a work that is well-organized and full", "rearranging words and looking up words in a thesaurus and given up. But", "or prose rhythm, comparable to that of the King James Bible or some", "work. I have often tried writing sentences and revising as I go, trying", "Bible or some other rhythmical work. I have often tried writing sentences and", "I have a book on it and it is not difficult to apply.", "metrical feet, being dissatisfied with the sound, not having barely anything written, and", "4. To produce a work that has poetic cadence or prose rhythm, comparable", "that is well-organized and full of substance. 2. To produce a work in", "the King James Bible or some other rhythmical work. I have often tried", "about metrical feet, being dissatisfied with the sound, not having barely anything written,", "feet, being dissatisfied with the sound, not having barely anything written, and finally", "not having barely anything written, and finally giving up. There seems to be", "want to achieve the following: 1. To produce a work that is well-organized", "for clarity. I have a book on it and it is not difficult", "as I go, trying to apply few rules about metrical feet, being dissatisfied", "thought flows smoothly to the next. 3. To produce a work that is", "book on it and it is not difficult to apply. But there are", "work that is well-organized and full of substance. 2. To produce a work", "difficult to apply. But there are no rules for prose rhythm, and before", "dissatisfied with the sound, not having barely anything written, and finally giving up.", "I go, trying to apply few rules about metrical feet, being dissatisfied with", "have it anymore, unfortunately. So I know that at least I had the", "once five years ago. I don’t have it anymore, unfortunately. So I know", "But there are no rules for prose rhythm, and before I can ever", "a work that is well-organized and full of substance. 2. To produce a", "To produce a work that is well-organized and full of substance. 2. To", "that has poetic cadence or prose rhythm, comparable to that of the King", "1. To produce a work that is well-organized and full of substance. 2.", "cadence or prose rhythm, comparable to that of the King James Bible or", "comparable to that of the King James Bible or some other rhythmical work.", "There seems to be rules for clarity. I have a book on it", "get my thoughts out I have already tried rearranging words and looking up", "be rules for clarity. I have a book on it and it is", "rhythmical work. I have often tried writing sentences and revising as I go,", "in a thesaurus and given up. But I did write something with good", "with good prose rhythm once five years ago. I don’t have it anymore,", "that at least I had the ability to write in the rhythm that", "James Bible or some other rhythmical work. I have often tried writing sentences", "to that of the King James Bible or some other rhythmical work. I", "sound, not having barely anything written, and finally giving up. There seems to", "has poetic cadence or prose rhythm, comparable to that of the King James", "thesaurus and given up. But I did write something with good prose rhythm", "to achieve the following: 1. To produce a work that is well-organized and", "full of substance. 2. To produce a work in which each thought flows", "know that at least I had the ability to write in the rhythm", "of substance. 2. To produce a work in which each thought flows smoothly", "seems to be rules for clarity. I have a book on it and", "rhythm, and before I can ever get my thoughts out I have already", "it and it is not difficult to apply. But there are no rules", "have already tried rearranging words and looking up words in a thesaurus and", "giving up. There seems to be rules for clarity. I have a book", "and it is not difficult to apply. But there are no rules for", "prose rhythm once five years ago. I don’t have it anymore, unfortunately. So", "I did write something with good prose rhythm once five years ago. I", "few rules about metrical feet, being dissatisfied with the sound, not having barely", "don’t have it anymore, unfortunately. So I know that at least I had", "I have often tried writing sentences and revising as I go, trying to", "that of the King James Bible or some other rhythmical work. I have", "produce a work in which each thought flows smoothly to the next. 3.", "the following: 1. To produce a work that is well-organized and full of", "To produce a work that is perfectly clear and coherent. 4. To produce", "given up. But I did write something with good prose rhythm once five", "smoothly to the next. 3. To produce a work that is perfectly clear", "unfortunately. So I know that at least I had the ability to write", "I can ever get my thoughts out I have already tried rearranging words", "already tried rearranging words and looking up words in a thesaurus and given", "at least I had the ability to write in the rhythm that that", "I don’t have it anymore, unfortunately. So I know that at least I", "So I know that at least I had the ability to write in", "a thesaurus and given up. But I did write something with good prose", "and before I can ever get my thoughts out I have already tried", "something with good prose rhythm once five years ago. I don’t have it", "did write something with good prose rhythm once five years ago. I don’t", "work that is perfectly clear and coherent. 4. To produce a work that", "often tried writing sentences and revising as I go, trying to apply few", "to apply. But there are no rules for prose rhythm, and before I", "ago. I don’t have it anymore, unfortunately. So I know that at least", "I want to achieve the following: 1. To produce a work that is", "To produce a work in which each thought flows smoothly to the next.", "produce a work that is perfectly clear and coherent. 4. To produce a", "each thought flows smoothly to the next. 3. To produce a work that", "five years ago. I don’t have it anymore, unfortunately. So I know that", "To produce a work that has poetic cadence or prose rhythm, comparable to", "of the King James Bible or some other rhythmical work. I have often", "apply. But there are no rules for prose rhythm, and before I can", "I have already tried rearranging words and looking up words in a thesaurus", "some other rhythmical work. I have often tried writing sentences and revising as", "next. 3. To produce a work that is perfectly clear and coherent. 4.", "prose rhythm, comparable to that of the King James Bible or some other", "thoughts out I have already tried rearranging words and looking up words in", "to apply few rules about metrical feet, being dissatisfied with the sound, not", "King James Bible or some other rhythmical work. I have often tried writing", "sentences and revising as I go, trying to apply few rules about metrical", "to the next. 3. To produce a work that is perfectly clear and", "apply few rules about metrical feet, being dissatisfied with the sound, not having", "not difficult to apply. But there are no rules for prose rhythm, and", "the next. 3. To produce a work that is perfectly clear and coherent.", "well-organized and full of substance. 2. To produce a work in which each", "clarity. I have a book on it and it is not difficult to", "write something with good prose rhythm once five years ago. I don’t have", "a work in which each thought flows smoothly to the next. 3. To", "the sound, not having barely anything written, and finally giving up. There seems", "rhythm, comparable to that of the King James Bible or some other rhythmical" ]
[ "helped me grow a lot as a writer and meet people interested in", "and they don't usually require a large scale plot or a larger view", "a lot as a writer and meet people interested in storytelling, and that's", "and a wanna-be novel, far from being completed * Roleplaying in a forum", "two main writing-related hobbies: * \"Conventional\" writing: short stories and a wanna-be novel,", "meet people interested in storytelling, and that's great. But I feel the two", "in a forum Roleplaying, aside from being fun, has helped me grow a", "other players can give you input. My problem is: I feel RPlaying is", "Also, social interaction is a big plus, since other players can give you", "are shorter, easier and they don't usually require a large scale plot or", "great. But I feel the two activities are inherently in conflict with each", "main writing-related hobbies: * \"Conventional\" writing: short stories and a wanna-be novel, far", "have): Should I stop roleplaying, even if it may be a good writing", "larger view of the events to be written. Also, social interaction is a", "usually require a large scale plot or a larger view of the events", "In the latest years, i've developed my two main writing-related hobbies: * \"Conventional\"", "a forum are shorter, easier and they don't usually require a large scale", "I feel RPlaying is draining what little creativity I have. I always dreamt", "short stories and a wanna-be novel, far from being completed * Roleplaying in", "with other people on the forums. So, aside from motivational issues (that I", "has helped me grow a lot as a writer and meet people interested", "or a larger view of the events to be written. Also, social interaction", "to be written. Also, social interaction is a big plus, since other players", "and even if I scaled down those dreams to size, I'd like to", "* \"Conventional\" writing: short stories and a wanna-be novel, far from being completed", "Roleplaying, aside from being fun, has helped me grow a lot as a", "latest years, i've developed my two main writing-related hobbies: * \"Conventional\" writing: short", "even if I scaled down those dreams to size, I'd like to finish", "story seems less-rewarding, less interesting than the stories I can make interacting with", "may be a good writing exercise? In general, what are your thoughts on", "if it may be a good writing exercise? In general, what are your", "a forum Roleplaying, aside from being fun, has helped me grow a lot", "a larger view of the events to be written. Also, social interaction is", "require a large scale plot or a larger view of the events to", "of the events to be written. Also, social interaction is a big plus,", "like to finish writing a story. Beginning to end. But my own story", "grow a lot as a writer and meet people interested in storytelling, and", "and that's great. But I feel the two activities are inherently in conflict", "my two main writing-related hobbies: * \"Conventional\" writing: short stories and a wanna-be", "as a writer and meet people interested in storytelling, and that's great. But", "on the forums. So, aside from motivational issues (that I may have): Should", "even if it may be a good writing exercise? In general, what are", "than the stories I can make interacting with other people on the forums.", "feel RPlaying is draining what little creativity I have. I always dreamt of", "own story seems less-rewarding, less interesting than the stories I can make interacting", "writing: short stories and a wanna-be novel, far from being completed * Roleplaying", "to finish writing a story. Beginning to end. But my own story seems", "feel the two activities are inherently in conflict with each other. Posts in", "always dreamt of being a writer, and even if I scaled down those", "inherently in conflict with each other. Posts in a forum are shorter, easier", "dreams to size, I'd like to finish writing a story. Beginning to end.", "storytelling, and that's great. But I feel the two activities are inherently in", "a writer, and even if I scaled down those dreams to size, I'd", "a writer and meet people interested in storytelling, and that's great. But I", "So, aside from motivational issues (that I may have): Should I stop roleplaying,", "is a big plus, since other players can give you input. My problem", "may have): Should I stop roleplaying, even if it may be a good", "in storytelling, and that's great. But I feel the two activities are inherently", "it may be a good writing exercise? In general, what are your thoughts", "since other players can give you input. My problem is: I feel RPlaying", "give you input. My problem is: I feel RPlaying is draining what little", "down those dreams to size, I'd like to finish writing a story. Beginning", "I may have): Should I stop roleplaying, even if it may be a", "dreamt of being a writer, and even if I scaled down those dreams", "fun, has helped me grow a lot as a writer and meet people", "less interesting than the stories I can make interacting with other people on", "little creativity I have. I always dreamt of being a writer, and even", "novel, far from being completed * Roleplaying in a forum Roleplaying, aside from", "being a writer, and even if I scaled down those dreams to size,", "years, i've developed my two main writing-related hobbies: * \"Conventional\" writing: short stories", "large scale plot or a larger view of the events to be written.", "I'd like to finish writing a story. Beginning to end. But my own", "the forums. So, aside from motivational issues (that I may have): Should I", "I stop roleplaying, even if it may be a good writing exercise? In", "social interaction is a big plus, since other players can give you input.", "interesting than the stories I can make interacting with other people on the", "wanna-be novel, far from being completed * Roleplaying in a forum Roleplaying, aside", "you input. My problem is: I feel RPlaying is draining what little creativity", "I have. I always dreamt of being a writer, and even if I", "writer, and even if I scaled down those dreams to size, I'd like", "people interested in storytelling, and that's great. But I feel the two activities", "plot or a larger view of the events to be written. Also, social", "the events to be written. Also, social interaction is a big plus, since", "Beginning to end. But my own story seems less-rewarding, less interesting than the", "I feel the two activities are inherently in conflict with each other. Posts", "written. Also, social interaction is a big plus, since other players can give", "completed * Roleplaying in a forum Roleplaying, aside from being fun, has helped", "i've developed my two main writing-related hobbies: * \"Conventional\" writing: short stories and", "I always dreamt of being a writer, and even if I scaled down", "from being fun, has helped me grow a lot as a writer and", "what little creativity I have. I always dreamt of being a writer, and", "events to be written. Also, social interaction is a big plus, since other", "My problem is: I feel RPlaying is draining what little creativity I have.", "writer and meet people interested in storytelling, and that's great. But I feel", "are inherently in conflict with each other. Posts in a forum are shorter,", "if I scaled down those dreams to size, I'd like to finish writing", "to end. But my own story seems less-rewarding, less interesting than the stories", "size, I'd like to finish writing a story. Beginning to end. But my", "each other. Posts in a forum are shorter, easier and they don't usually", "* Roleplaying in a forum Roleplaying, aside from being fun, has helped me", "input. My problem is: I feel RPlaying is draining what little creativity I", "Should I stop roleplaying, even if it may be a good writing exercise?", "far from being completed * Roleplaying in a forum Roleplaying, aside from being", "I scaled down those dreams to size, I'd like to finish writing a", "I can make interacting with other people on the forums. So, aside from", "activities are inherently in conflict with each other. Posts in a forum are", "big plus, since other players can give you input. My problem is: I", "finish writing a story. Beginning to end. But my own story seems less-rewarding,", "in conflict with each other. Posts in a forum are shorter, easier and", "less-rewarding, less interesting than the stories I can make interacting with other people", "other people on the forums. So, aside from motivational issues (that I may", "to size, I'd like to finish writing a story. Beginning to end. But", "and meet people interested in storytelling, and that's great. But I feel the", "interaction is a big plus, since other players can give you input. My", "\"Conventional\" writing: short stories and a wanna-be novel, far from being completed ", "forum are shorter, easier and they don't usually require a large scale plot", "(that I may have): Should I stop roleplaying, even if it may be", "Posts in a forum are shorter, easier and they don't usually require a", "stories I can make interacting with other people on the forums. So, aside", "don't usually require a large scale plot or a larger view of the", "have. I always dreamt of being a writer, and even if I scaled", "a wanna-be novel, far from being completed Roleplaying in a forum Roleplaying,", "seems less-rewarding, less interesting than the stories I can make interacting with other", "that's great. But I feel the two activities are inherently in conflict with", "writing a story. Beginning to end. But my own story seems less-rewarding, less", "But I feel the two activities are inherently in conflict with each other.", "Roleplaying in a forum Roleplaying, aside from being fun, has helped me grow", "roleplaying, even if it may be a good writing exercise? In general, what", "my own story seems less-rewarding, less interesting than the stories I can make", "from motivational issues (that I may have): Should I stop roleplaying, even if", "be a good writing exercise? In general, what are your thoughts on the", "stop roleplaying, even if it may be a good writing exercise? In general,", "writing-related hobbies: * \"Conventional\" writing: short stories and a wanna-be novel, far from", "a big plus, since other players can give you input. My problem is:", "be written. Also, social interaction is a big plus, since other players can", "plus, since other players can give you input. My problem is: I feel", "is: I feel RPlaying is draining what little creativity I have. I always", "aside from motivational issues (that I may have): Should I stop roleplaying, even", "stories and a wanna-be novel, far from being completed * Roleplaying in a", "two activities are inherently in conflict with each other. Posts in a forum", "the two activities are inherently in conflict with each other. Posts in a", "end. But my own story seems less-rewarding, less interesting than the stories I", "make interacting with other people on the forums. So, aside from motivational issues", "is draining what little creativity I have. I always dreamt of being a", "easier and they don't usually require a large scale plot or a larger", "aside from being fun, has helped me grow a lot as a writer", "shorter, easier and they don't usually require a large scale plot or a", "hobbies: * \"Conventional\" writing: short stories and a wanna-be novel, far from being", "me grow a lot as a writer and meet people interested in storytelling,", "with each other. Posts in a forum are shorter, easier and they don't", "of being a writer, and even if I scaled down those dreams to", "the stories I can make interacting with other people on the forums. So,", "can make interacting with other people on the forums. So, aside from motivational", "interacting with other people on the forums. So, aside from motivational issues (that", "those dreams to size, I'd like to finish writing a story. Beginning to", "forums. So, aside from motivational issues (that I may have): Should I stop", "a good writing exercise? In general, what are your thoughts on the matter?", "RPlaying is draining what little creativity I have. I always dreamt of being", "interested in storytelling, and that's great. But I feel the two activities are", "being completed * Roleplaying in a forum Roleplaying, aside from being fun, has", "from being completed * Roleplaying in a forum Roleplaying, aside from being fun,", "forum Roleplaying, aside from being fun, has helped me grow a lot as", "a story. Beginning to end. But my own story seems less-rewarding, less interesting", "scale plot or a larger view of the events to be written. Also,", "issues (that I may have): Should I stop roleplaying, even if it may", "people on the forums. So, aside from motivational issues (that I may have):", "players can give you input. My problem is: I feel RPlaying is draining", "conflict with each other. Posts in a forum are shorter, easier and they", "problem is: I feel RPlaying is draining what little creativity I have. I", "in a forum are shorter, easier and they don't usually require a large", "view of the events to be written. Also, social interaction is a big", "motivational issues (that I may have): Should I stop roleplaying, even if it", "lot as a writer and meet people interested in storytelling, and that's great.", "a large scale plot or a larger view of the events to be", "developed my two main writing-related hobbies: * \"Conventional\" writing: short stories and a", "other. Posts in a forum are shorter, easier and they don't usually require", "scaled down those dreams to size, I'd like to finish writing a story.", "being fun, has helped me grow a lot as a writer and meet", "creativity I have. I always dreamt of being a writer, and even if", "story. Beginning to end. But my own story seems less-rewarding, less interesting than", "draining what little creativity I have. I always dreamt of being a writer,", "But my own story seems less-rewarding, less interesting than the stories I can", "can give you input. My problem is: I feel RPlaying is draining what", "they don't usually require a large scale plot or a larger view of", "the latest years, i've developed my two main writing-related hobbies: * \"Conventional\" writing:" ]
[ "on in the story, or is it okay to just free write and", "book, but he plans far ahead. I just think of a thing and", "plans far ahead. I just think of a thing and write it, and", "fit. Is it mandatory to plan in advance what will go on in", "a book, but he plans far ahead. I just think of a thing", "I tweak it to fit. Is it mandatory to plan in advance what", "it mandatory to plan in advance what will go on in the story,", "it, and if it doesn't make sense, I tweak it to fit. Is", "mandatory to plan in advance what will go on in the story, or", "is writing a book, but he plans far ahead. I just think of", "I just think of a thing and write it, and if it doesn't", "Is it mandatory to plan in advance what will go on in the", "in advance what will go on in the story, or is it okay", "the story, or is it okay to just free write and edit later?", "go on in the story, or is it okay to just free write", "thing and write it, and if it doesn't make sense, I tweak it", "he plans far ahead. I just think of a thing and write it,", "advance what will go on in the story, or is it okay to", "in the story, or is it okay to just free write and edit", "far ahead. I just think of a thing and write it, and if", "tweak it to fit. Is it mandatory to plan in advance what will", "sense, I tweak it to fit. Is it mandatory to plan in advance", "to fit. Is it mandatory to plan in advance what will go on", "and write it, and if it doesn't make sense, I tweak it to", "writing a book, but he plans far ahead. I just think of a", "and if it doesn't make sense, I tweak it to fit. Is it", "of a thing and write it, and if it doesn't make sense, I", "friend is writing a book, but he plans far ahead. I just think", "think of a thing and write it, and if it doesn't make sense,", "plan in advance what will go on in the story, or is it", "write it, and if it doesn't make sense, I tweak it to fit.", "it doesn't make sense, I tweak it to fit. Is it mandatory to", "ahead. I just think of a thing and write it, and if it", "but he plans far ahead. I just think of a thing and write", "it to fit. Is it mandatory to plan in advance what will go", "doesn't make sense, I tweak it to fit. Is it mandatory to plan", "make sense, I tweak it to fit. Is it mandatory to plan in", "what will go on in the story, or is it okay to just", "will go on in the story, or is it okay to just free", "a thing and write it, and if it doesn't make sense, I tweak", "if it doesn't make sense, I tweak it to fit. Is it mandatory", "to plan in advance what will go on in the story, or is", "My friend is writing a book, but he plans far ahead. I just", "just think of a thing and write it, and if it doesn't make" ]
[ "Normally I never write prose. After much world building I now feel the", "to. Ever since I resolved to at least pen down a draft, things", "this foreign language, that will certainly make me commit a hundred silly mistakes,", "down a draft, things get curiouser and curiouser. For when I sit down", "change it later? Edit: The way my poetry \"happens\" and which I now", "look like. Now pretty much the same happens with my draft, only that", "the sentence which forms in my mind, the seed if you will, is", "to refrain from writing in this foreign language, that will certainly make me", "I sense I have to write a poem and that feeling is accompanied", "too many English works lately, or I subconsciously associate fantasy with English, or", "write I in the ornate poetic style I've cultivated in both Greek and", "my first prose draft is the following: I receive a stimulus, often music.", "building I now feel the need to. Ever since I resolved to at", "will look like. Now pretty much the same happens with my draft, only", "resolved to at least pen down a draft, things get curiouser and curiouser.", "many English works lately, or I subconsciously associate fantasy with English, or I", "hundred silly mistakes, or is there any reason to go with the flow", "way my poetry \"happens\" and which I now apply to my first prose", "third language. I don't know why that happens. Perhaps I read too many", "subconsciously associate fantasy with English, or I don't want to write I in", "apply to my first prose draft is the following: I receive a stimulus,", "following: I receive a stimulus, often music. Then I sense I have to", "stimulus, often music. Then I sense I have to write a poem and", "things get curiouser and curiouser. For when I sit down to write a", "doing so in English, which is my third language. I don't know why", "silly mistakes, or is there any reason to go with the flow and", "which only goes away if I write the poem. At some point a", "happens. Perhaps I read too many English works lately, or I subconsciously associate", "For when I sit down to write a short scene, I start doing", "ornate poetic style I've cultivated in both Greek and German. I doubt that", "my mind and I start writing the poem with only a vague sense", "in the ornate poetic style I've cultivated in both Greek and German. I", "goes away if I write the poem. At some point a sentence forms", "poem and that feeling is accompanied by a special feeling of discomfort, which", "only a vague sense of how it will look like. Now pretty much", "of how it will look like. Now pretty much the same happens with", "language, that will certainly make me commit a hundred silly mistakes, or is", "is there any reason to go with the flow and perhaps change it", "my draft, only that the sentence which forms in my mind, the seed", "that will certainly make me commit a hundred silly mistakes, or is there", "certainly make me commit a hundred silly mistakes, or is there any reason", "I now feel the need to. Ever since I resolved to at least", "Now pretty much the same happens with my draft, only that the sentence", "when I sit down to write a short scene, I start doing so", "now feel the need to. Ever since I resolved to at least pen", "the need to. Ever since I resolved to at least pen down a", "since I resolved to at least pen down a draft, things get curiouser", "doubt that I will ever publish prose. Should I force myself to refrain", "poetry \"happens\" and which I now apply to my first prose draft is", "poetic style I've cultivated in both Greek and German. I doubt that I", "I have to write a poem and that feeling is accompanied by a", "point a sentence forms in my mind and I start writing the poem", "poem with only a vague sense of how it will look like. Now", "sit down to write a short scene, I start doing so in English,", "I now apply to my first prose draft is the following: I receive", "Greek and German. I doubt that I will ever publish prose. Should I", "a hundred silly mistakes, or is there any reason to go with the", "like. Now pretty much the same happens with my draft, only that the", "flow and perhaps change it later? Edit: The way my poetry \"happens\" and", "I read too many English works lately, or I subconsciously associate fantasy with", "the poem with only a vague sense of how it will look like.", "German. I doubt that I will ever publish prose. Should I force myself", "music. Then I sense I have to write a poem and that feeling", "in English, which is my third language. I don't know why that happens.", "and curiouser. For when I sit down to write a short scene, I", "will ever publish prose. Should I force myself to refrain from writing in", "down to write a short scene, I start doing so in English, which", "publish prose. Should I force myself to refrain from writing in this foreign", "the flow and perhaps change it later? Edit: The way my poetry \"happens\"", "never write prose. After much world building I now feel the need to.", "with my draft, only that the sentence which forms in my mind, the", "prose. Should I force myself to refrain from writing in this foreign language,", "which I now apply to my first prose draft is the following: I", "which forms in my mind, the seed if you will, is in English.", "need to. Ever since I resolved to at least pen down a draft,", "a sentence forms in my mind and I start writing the poem with", "don't know why that happens. Perhaps I read too many English works lately,", "feeling of discomfort, which only goes away if I write the poem. At", "start writing the poem with only a vague sense of how it will", "sense I have to write a poem and that feeling is accompanied by", "English works lately, or I subconsciously associate fantasy with English, or I don't", "discomfort, which only goes away if I write the poem. At some point", "a vague sense of how it will look like. Now pretty much the", "my third language. I don't know why that happens. Perhaps I read too", "writing the poem with only a vague sense of how it will look", "short scene, I start doing so in English, which is my third language.", "I in the ornate poetic style I've cultivated in both Greek and German.", "same happens with my draft, only that the sentence which forms in my", "the following: I receive a stimulus, often music. Then I sense I have", "poem. At some point a sentence forms in my mind and I start", "prose. After much world building I now feel the need to. Ever since", "and which I now apply to my first prose draft is the following:", "vague sense of how it will look like. Now pretty much the same", "only goes away if I write the poem. At some point a sentence", "from writing in this foreign language, that will certainly make me commit a", "curiouser and curiouser. For when I sit down to write a short scene,", "reason to go with the flow and perhaps change it later? Edit: The", "works lately, or I subconsciously associate fantasy with English, or I don't want", "myself to refrain from writing in this foreign language, that will certainly make", "that happens. Perhaps I read too many English works lately, or I subconsciously", "is my third language. I don't know why that happens. Perhaps I read", "and I start writing the poem with only a vague sense of how", "draft, things get curiouser and curiouser. For when I sit down to write", "I resolved to at least pen down a draft, things get curiouser and", "force myself to refrain from writing in this foreign language, that will certainly", "I receive a stimulus, often music. Then I sense I have to write", "in this foreign language, that will certainly make me commit a hundred silly", "sentence forms in my mind and I start writing the poem with only", "I don't know why that happens. Perhaps I read too many English works", "I write the poem. At some point a sentence forms in my mind", "curiouser. For when I sit down to write a short scene, I start", "ever publish prose. Should I force myself to refrain from writing in this", "want to write I in the ornate poetic style I've cultivated in both", "get curiouser and curiouser. For when I sit down to write a short", "how it will look like. Now pretty much the same happens with my", "lately, or I subconsciously associate fantasy with English, or I don't want to", "or I don't want to write I in the ornate poetic style I've", "both Greek and German. I doubt that I will ever publish prose. Should", "special feeling of discomfort, which only goes away if I write the poem.", "pen down a draft, things get curiouser and curiouser. For when I sit", "to write a short scene, I start doing so in English, which is", "that I will ever publish prose. Should I force myself to refrain from", "the same happens with my draft, only that the sentence which forms in", "write the poem. At some point a sentence forms in my mind and", "that the sentence which forms in my mind, the seed if you will,", "The way my poetry \"happens\" and which I now apply to my first", "a poem and that feeling is accompanied by a special feeling of discomfort,", "there any reason to go with the flow and perhaps change it later?", "writing in this foreign language, that will certainly make me commit a hundred", "I start doing so in English, which is my third language. I don't", "often music. Then I sense I have to write a poem and that", "write a poem and that feeling is accompanied by a special feeling of", "After much world building I now feel the need to. Ever since I", "draft, only that the sentence which forms in my mind, the seed if", "away if I write the poem. At some point a sentence forms in", "write prose. After much world building I now feel the need to. Ever", "some point a sentence forms in my mind and I start writing the", "feel the need to. Ever since I resolved to at least pen down", "or is there any reason to go with the flow and perhaps change", "accompanied by a special feeling of discomfort, which only goes away if I", "world building I now feel the need to. Ever since I resolved to", "write a short scene, I start doing so in English, which is my", "forms in my mind and I start writing the poem with only a", "At some point a sentence forms in my mind and I start writing", "first prose draft is the following: I receive a stimulus, often music. Then", "prose draft is the following: I receive a stimulus, often music. Then I", "a short scene, I start doing so in English, which is my third", "don't want to write I in the ornate poetic style I've cultivated in", "I force myself to refrain from writing in this foreign language, that will", "now apply to my first prose draft is the following: I receive a", "cultivated in both Greek and German. I doubt that I will ever publish", "a special feeling of discomfort, which only goes away if I write the", "a stimulus, often music. Then I sense I have to write a poem", "I've cultivated in both Greek and German. I doubt that I will ever", "and that feeling is accompanied by a special feeling of discomfort, which only", "if I write the poem. At some point a sentence forms in my", "language. I don't know why that happens. Perhaps I read too many English", "that feeling is accompanied by a special feeling of discomfort, which only goes", "fantasy with English, or I don't want to write I in the ornate", "mind and I start writing the poem with only a vague sense of", "at least pen down a draft, things get curiouser and curiouser. For when", "Ever since I resolved to at least pen down a draft, things get", "with the flow and perhaps change it later? Edit: The way my poetry", "me commit a hundred silly mistakes, or is there any reason to go", "\"happens\" and which I now apply to my first prose draft is the", "by a special feeling of discomfort, which only goes away if I write", "read too many English works lately, or I subconsciously associate fantasy with English,", "and perhaps change it later? Edit: The way my poetry \"happens\" and which", "I start writing the poem with only a vague sense of how it", "start doing so in English, which is my third language. I don't know", "style I've cultivated in both Greek and German. I doubt that I will", "Edit: The way my poetry \"happens\" and which I now apply to my", "Then I sense I have to write a poem and that feeling is", "associate fantasy with English, or I don't want to write I in the", "I sit down to write a short scene, I start doing so in", "a draft, things get curiouser and curiouser. For when I sit down to", "with only a vague sense of how it will look like. Now pretty", "it will look like. Now pretty much the same happens with my draft,", "only that the sentence which forms in my mind, the seed if you", "English, or I don't want to write I in the ornate poetic style", "is the following: I receive a stimulus, often music. Then I sense I", "make me commit a hundred silly mistakes, or is there any reason to", "much world building I now feel the need to. Ever since I resolved", "to at least pen down a draft, things get curiouser and curiouser. For", "Should I force myself to refrain from writing in this foreign language, that", "to write a poem and that feeling is accompanied by a special feeling", "why that happens. Perhaps I read too many English works lately, or I", "in my mind and I start writing the poem with only a vague", "any reason to go with the flow and perhaps change it later? Edit:", "sentence which forms in my mind, the seed if you will, is in", "least pen down a draft, things get curiouser and curiouser. For when I", "later? Edit: The way my poetry \"happens\" and which I now apply to", "I never write prose. After much world building I now feel the need", "pretty much the same happens with my draft, only that the sentence which", "and German. I doubt that I will ever publish prose. Should I force", "refrain from writing in this foreign language, that will certainly make me commit", "receive a stimulus, often music. Then I sense I have to write a", "much the same happens with my draft, only that the sentence which forms", "mistakes, or is there any reason to go with the flow and perhaps", "it later? Edit: The way my poetry \"happens\" and which I now apply", "I doubt that I will ever publish prose. Should I force myself to", "I subconsciously associate fantasy with English, or I don't want to write I", "perhaps change it later? Edit: The way my poetry \"happens\" and which I", "with English, or I don't want to write I in the ornate poetic", "foreign language, that will certainly make me commit a hundred silly mistakes, or", "feeling is accompanied by a special feeling of discomfort, which only goes away", "know why that happens. Perhaps I read too many English works lately, or", "will certainly make me commit a hundred silly mistakes, or is there any", "draft is the following: I receive a stimulus, often music. Then I sense", "my poetry \"happens\" and which I now apply to my first prose draft", "Perhaps I read too many English works lately, or I subconsciously associate fantasy", "of discomfort, which only goes away if I write the poem. At some", "commit a hundred silly mistakes, or is there any reason to go with", "to my first prose draft is the following: I receive a stimulus, often", "to go with the flow and perhaps change it later? Edit: The way", "I will ever publish prose. Should I force myself to refrain from writing", "the ornate poetic style I've cultivated in both Greek and German. I doubt", "is accompanied by a special feeling of discomfort, which only goes away if", "scene, I start doing so in English, which is my third language. I", "so in English, which is my third language. I don't know why that", "the poem. At some point a sentence forms in my mind and I", "go with the flow and perhaps change it later? Edit: The way my", "sense of how it will look like. Now pretty much the same happens", "have to write a poem and that feeling is accompanied by a special", "happens with my draft, only that the sentence which forms in my mind,", "I don't want to write I in the ornate poetic style I've cultivated", "which is my third language. I don't know why that happens. Perhaps I", "or I subconsciously associate fantasy with English, or I don't want to write", "in both Greek and German. I doubt that I will ever publish prose.", "English, which is my third language. I don't know why that happens. Perhaps", "to write I in the ornate poetic style I've cultivated in both Greek" ]
[ "reality. The dream world stated has quite a distinct feel from the real", "realize it is a dream. So my question is, how do I blur", "when in dream, feel every bit of it and perceive it as reality.", "dream and reality so that it is difficult for the readers to identify", "are bound to notice that it is distinctively different from the real scenario–which", "the readers to get into the dream and feel it just like the", "real world, and it is integral to the plot. The dream—although absurd—feels like", "reality so that it is difficult for the readers to identify if it", "plot. The dream—although absurd—feels like reality when we dream about it. Only after", "a scene in between where the dream seemed real. But it is not", "distinctively different from the real scenario–which will drastically reduce the effectiveness of the", "of the narrative. I'd want the readers to get into the dream and", "it is a dream. So my question is, how do I blur the", "story, dream world is the alternate reality. The characters, when in dream, feel", "how do I blur the line between dream and reality so that it", "write about it, the readers are bound to notice that it is distinctively", "feel it just like the characters and jolt out of it when the", "so that it is difficult for the readers to identify if it is", "absurdness and pass it off as a dream. In my story, dream world", "dream seemed real. But it is not helping as I'd want the readers", "helping as I'd want the readers to pass absurdity as reality–the way we", "to write a science fantasy where dream world plays as important role as", "want the readers to get into the dream and feel it just like", "role as reality. The dream world stated has quite a distinct feel from", "has quite a distinct feel from the real world, and it is integral", "Only after we wake up, we register its absurdness and pass it off", "world plays as important role as reality. The dream world stated has quite", "it, the readers are bound to notice that it is distinctively different from", "blur the line between dream and reality so that it is difficult for", "will drastically reduce the effectiveness of the narrative. I'd want the readers to", "a distinct feel from the real world, and it is integral to the", "readers to identify if it is a dream or reality? P.S.: The closest", "if it is a dream or reality? P.S.: The closest example I can", "jolt out of it when the characters realize it is a dream. So", "dream. In my story, dream world is the alternate reality. The characters, when", "feel every bit of it and perceive it as reality. However, when I", "the alternate reality. The characters, when in dream, feel every bit of it", "between where the dream seemed real. But it is not helping as I'd", "from the real world, and it is integral to the plot. The dream—although", "Inception. It started with a dream sequence and had a scene in between", "it and perceive it as reality. However, when I write about it, the", "pass it off as a dream. In my story, dream world is the", "when the characters realize it is a dream. So my question is, how", "intend to write a science fantasy where dream world plays as important role", "is a dream or reality? P.S.: The closest example I can find of", "different from the real scenario–which will drastically reduce the effectiveness of the narrative.", "characters, when in dream, feel every bit of it and perceive it as", "it as reality. However, when I write about it, the readers are bound", "to identify if it is a dream or reality? P.S.: The closest example", "that it is distinctively different from the real scenario–which will drastically reduce the", "movie Inception. It started with a dream sequence and had a scene in", "as reality. The dream world stated has quite a distinct feel from the", "is distinctively different from the real scenario–which will drastically reduce the effectiveness of", "and had a scene in between where the dream seemed real. But it", "dream or reality? P.S.: The closest example I can find of such narrative", "alternate reality. The characters, when in dream, feel every bit of it and", "seemed real. But it is not helping as I'd want the readers to", "line between dream and reality so that it is difficult for the readers", "as important role as reality. The dream world stated has quite a distinct", "into the dream and feel it just like the characters and jolt out", "do I blur the line between dream and reality so that it is", "quite a distinct feel from the real world, and it is integral to", "plays as important role as reality. The dream world stated has quite a", "the effectiveness of the narrative. I'd want the readers to get into the", "is, how do I blur the line between dream and reality so that", "sequence and had a scene in between where the dream seemed real. But", "we register its absurdness and pass it off as a dream. In my", "it. Only after we wake up, we register its absurdness and pass it", "it is distinctively different from the real scenario–which will drastically reduce the effectiveness", "that it is difficult for the readers to identify if it is a", "about it. Only after we wake up, we register its absurdness and pass", "readers are bound to notice that it is distinctively different from the real", "fantasy where dream world plays as important role as reality. The dream world", "and pass it off as a dream. In my story, dream world is", "my story, dream world is the alternate reality. The characters, when in dream,", "get into the dream and feel it just like the characters and jolt", "The dream world stated has quite a distinct feel from the real world,", "the real scenario–which will drastically reduce the effectiveness of the narrative. I'd want", "and feel it just like the characters and jolt out of it when", "integral to the plot. The dream—although absurd—feels like reality when we dream about", "narrative. I'd want the readers to get into the dream and feel it", "my question is, how do I blur the line between dream and reality", "to the plot. The dream—although absurd—feels like reality when we dream about it.", "it when the characters realize it is a dream. So my question is,", "narrative is the movie Inception. It started with a dream sequence and had", "important role as reality. The dream world stated has quite a distinct feel", "characters realize it is a dream. So my question is, how do I", "just like the characters and jolt out of it when the characters realize", "is a dream. So my question is, how do I blur the line", "bit of it and perceive it as reality. However, when I write about", "dream, feel every bit of it and perceive it as reality. However, when", "a dream or reality? P.S.: The closest example I can find of such", "such narrative is the movie Inception. It started with a dream sequence and", "from the real scenario–which will drastically reduce the effectiveness of the narrative. I'd", "when I write about it, the readers are bound to notice that it", "reality. The characters, when in dream, feel every bit of it and perceive", "about it, the readers are bound to notice that it is distinctively different", "I blur the line between dream and reality so that it is difficult", "it is difficult for the readers to identify if it is a dream", "reality? P.S.: The closest example I can find of such narrative is the", "out of it when the characters realize it is a dream. So my", "But it is not helping as I'd want the readers to pass absurdity", "question is, how do I blur the line between dream and reality so", "dream—although absurd—feels like reality when we dream about it. Only after we wake", "find of such narrative is the movie Inception. It started with a dream", "I intend to write a science fantasy where dream world plays as important", "as a dream. In my story, dream world is the alternate reality. The", "effectiveness of the narrative. I'd want the readers to get into the dream", "the characters and jolt out of it when the characters realize it is", "as reality. However, when I write about it, the readers are bound to", "The dream—although absurd—feels like reality when we dream about it. Only after we", "distinct feel from the real world, and it is integral to the plot.", "dream. So my question is, how do I blur the line between dream", "drastically reduce the effectiveness of the narrative. I'd want the readers to get", "identify if it is a dream or reality? P.S.: The closest example I", "P.S.: The closest example I can find of such narrative is the movie", "it is not helping as I'd want the readers to pass absurdity as", "we dream about it. Only after we wake up, we register its absurdness", "difficult for the readers to identify if it is a dream or reality?", "started with a dream sequence and had a scene in between where the", "a dream. So my question is, how do I blur the line between", "The closest example I can find of such narrative is the movie Inception.", "the line between dream and reality so that it is difficult for the", "every bit of it and perceive it as reality. However, when I write", "I'd want the readers to get into the dream and feel it just", "in dream, feel every bit of it and perceive it as reality. However,", "The characters, when in dream, feel every bit of it and perceive it", "feel from the real world, and it is integral to the plot. The", "like the characters and jolt out of it when the characters realize it", "the dream and feel it just like the characters and jolt out of", "I'd want the readers to pass absurdity as reality–the way we feel when", "is not helping as I'd want the readers to pass absurdity as reality–the", "to get into the dream and feel it just like the characters and", "where the dream seemed real. But it is not helping as I'd want", "is the alternate reality. The characters, when in dream, feel every bit of", "science fantasy where dream world plays as important role as reality. The dream", "to notice that it is distinctively different from the real scenario–which will drastically", "characters and jolt out of it when the characters realize it is a", "stated has quite a distinct feel from the real world, and it is", "reality when we dream about it. Only after we wake up, we register", "where dream world plays as important role as reality. The dream world stated", "real. But it is not helping as I'd want the readers to pass", "the plot. The dream—although absurd—feels like reality when we dream about it. Only", "world, and it is integral to the plot. The dream—although absurd—feels like reality", "and perceive it as reality. However, when I write about it, the readers", "write a science fantasy where dream world plays as important role as reality.", "we wake up, we register its absurdness and pass it off as a", "it is a dream or reality? P.S.: The closest example I can find", "absurd—feels like reality when we dream about it. Only after we wake up,", "between dream and reality so that it is difficult for the readers to", "up, we register its absurdness and pass it off as a dream. In", "the narrative. I'd want the readers to get into the dream and feel", "in between where the dream seemed real. But it is not helping as", "world is the alternate reality. The characters, when in dream, feel every bit", "can find of such narrative is the movie Inception. It started with a", "the movie Inception. It started with a dream sequence and had a scene", "the characters realize it is a dream. So my question is, how do", "and reality so that it is difficult for the readers to identify if", "it off as a dream. In my story, dream world is the alternate", "it is integral to the plot. The dream—although absurd—feels like reality when we", "readers to get into the dream and feel it just like the characters", "world stated has quite a distinct feel from the real world, and it", "perceive it as reality. However, when I write about it, the readers are", "the real world, and it is integral to the plot. The dream—although absurd—feels", "a science fantasy where dream world plays as important role as reality. The", "I write about it, the readers are bound to notice that it is", "dream world plays as important role as reality. The dream world stated has", "of such narrative is the movie Inception. It started with a dream sequence", "dream sequence and had a scene in between where the dream seemed real.", "when we dream about it. Only after we wake up, we register its", "wake up, we register its absurdness and pass it off as a dream.", "However, when I write about it, the readers are bound to notice that", "want the readers to pass absurdity as reality–the way we feel when we", "or reality? P.S.: The closest example I can find of such narrative is", "its absurdness and pass it off as a dream. In my story, dream", "it just like the characters and jolt out of it when the characters", "is the movie Inception. It started with a dream sequence and had a", "reduce the effectiveness of the narrative. I'd want the readers to get into", "So my question is, how do I blur the line between dream and", "as I'd want the readers to pass absurdity as reality–the way we feel", "the readers are bound to notice that it is distinctively different from the", "a dream. In my story, dream world is the alternate reality. The characters,", "the readers to pass absurdity as reality–the way we feel when we dream.", "bound to notice that it is distinctively different from the real scenario–which will", "scenario–which will drastically reduce the effectiveness of the narrative. I'd want the readers", "scene in between where the dream seemed real. But it is not helping", "and jolt out of it when the characters realize it is a dream.", "dream world stated has quite a distinct feel from the real world, and", "reality. However, when I write about it, the readers are bound to notice", "real scenario–which will drastically reduce the effectiveness of the narrative. I'd want the", "not helping as I'd want the readers to pass absurdity as reality–the way", "dream world is the alternate reality. The characters, when in dream, feel every", "dream about it. Only after we wake up, we register its absurdness and", "after we wake up, we register its absurdness and pass it off as", "is difficult for the readers to identify if it is a dream or", "of it when the characters realize it is a dream. So my question", "I can find of such narrative is the movie Inception. It started with", "register its absurdness and pass it off as a dream. In my story,", "like reality when we dream about it. Only after we wake up, we", "off as a dream. In my story, dream world is the alternate reality.", "of it and perceive it as reality. However, when I write about it,", "the readers to identify if it is a dream or reality? P.S.: The", "notice that it is distinctively different from the real scenario–which will drastically reduce", "a dream sequence and had a scene in between where the dream seemed", "In my story, dream world is the alternate reality. The characters, when in", "example I can find of such narrative is the movie Inception. It started", "the dream seemed real. But it is not helping as I'd want the", "for the readers to identify if it is a dream or reality? P.S.:", "with a dream sequence and had a scene in between where the dream", "had a scene in between where the dream seemed real. But it is", "It started with a dream sequence and had a scene in between where", "closest example I can find of such narrative is the movie Inception. It", "dream and feel it just like the characters and jolt out of it", "and it is integral to the plot. The dream—although absurd—feels like reality when", "is integral to the plot. The dream—although absurd—feels like reality when we dream" ]
[ "robots, is called \"The Waffle SS\". * The good faction, that follows the", "called \"Klebold\") So things that are connected to the Nazis and evil people", "> for what we believe in. Rest in pepperoni— Aubergine Man > >", "that are connected to the Nazis and evil people (and aren't evil by", "The good faction, that follows the Geneva Convention to a fault, has a", "of the Nazis. * The railguns (as the story is sci-fi) used by", "be considered offensive if: * The most diverse (in a racial sense) group", "accompanies the robots, is called \"The Waffle SS\". * The good faction, that", "from the beginning of the book, and it's important in determining the underlying", "tone. > > This book is dedicated to Hitler, who taught us so", "good faction are straightforward the opposite. *Would this still be considered offensive by", "dedicated to Hitler, who taught us so much about fighting > for what", "So I'm ~~writing~~ a story that features an alien character, who happens to", "history and likes contradictions, which leads to massive amounts of Earth references, especially", "Nazis and evil people (and aren't evil by themselves (i.e: not gas chambers", "contradictions, which leads to massive amounts of Earth references, especially offensive/taboo ones I'm", "a really \"internet troll\"-ish type with a somewhat godlike tech and a personal", "aren't evil by themselves (i.e: not gas chambers or gulags), make an appearance", "a personal army of robots. He/She (?) is fond of Earth's history and", "racial sense) group of organics (non-robots), that accompanies the robots, is called \"The", "entirely sure if it would be considered offensive if: The most diverse", "book is dedicated to Hitler, who taught us so much about fighting >", "organics (non-robots), that accompanies the robots, is called \"The Waffle SS\". * The", "a racial sense) group of organics (non-robots), that accompanies the robots, is called", "SMG is called \"Klebold\") So things that are connected to the Nazis and", "* The railguns (as the story is sci-fi) used by the good faction", "mention this snippet from the beginning of the book, and it's important in", "the Geneva Convention to a fault, has a really similar aesthetics to that", "the majority of the readers?** --- Update 1: I forgot to mention this", "good faction, that follows the Geneva Convention to a fault, has a really", "of organics (non-robots), that accompanies the robots, is called \"The Waffle SS\". ", "a really similar aesthetics to that of the Nazis. The railguns (as", "I forgot to mention this snippet from the beginning of the book, and", "by themselves (i.e: not gas chambers or gulags), make an appearance in it,", "story that features an alien character, who happens to be a really \"internet", "sci-fi) used by the good faction are all named after infamous mass-shooters, based", "group of organics (non-robots), that accompanies the robots, is called \"The Waffle SS\".", "taught us so much about fighting > for what we believe in. Rest", "named after infamous mass-shooters, based on what weapon they used (e.g: the SMG", "> This book is dedicated to Hitler, who taught us so much about", "faction, that follows the Geneva Convention to a fault, has a really similar", "fighting > for what we believe in. Rest in pepperoni— Aubergine Man >", "The most diverse (in a racial sense) group of organics (non-robots), that accompanies", "to mention this snippet from the beginning of the book, and it's important", "and evil people (and aren't evil by themselves (i.e: not gas chambers or", "this still be considered offensive by the majority of the readers?** --- Update", "most diverse (in a racial sense) group of organics (non-robots), that accompanies the", "ones I'm not entirely sure if it would be considered offensive if: ", "(in a racial sense) group of organics (non-robots), that accompanies the robots, is", "all named after infamous mass-shooters, based on what weapon they used (e.g: the", "1: I forgot to mention this snippet from the beginning of the book,", "us so much about fighting > for what we believe in. Rest in", "to massive amounts of Earth references, especially offensive/taboo ones I'm not entirely sure", "the underlying tone. > > This book is dedicated to Hitler, who taught", "the robots, is called \"The Waffle SS\". The good faction, that follows", "the Nazis. * The railguns (as the story is sci-fi) used by the", "weapon they used (e.g: the SMG is called \"Klebold\") So things that are", "--- Update 1: I forgot to mention this snippet from the beginning of", "what weapon they used (e.g: the SMG is called \"Klebold\") So things that", "* The most diverse (in a racial sense) group of organics (non-robots), that", "are straightforward the opposite. *Would this still be considered offensive by the majority", "(non-robots), that accompanies the robots, is called \"The Waffle SS\". The good", "majority of the readers?** --- Update 1: I forgot to mention this snippet", "that features an alien character, who happens to be a really \"internet troll\"-ish", "if: * The most diverse (in a racial sense) group of organics (non-robots),", "personal army of robots. He/She (?) is fond of Earth's history and likes", "especially offensive/taboo ones I'm not entirely sure if it would be considered offensive", "much about fighting > for what we believe in. Rest in pepperoni— Aubergine", "it would be considered offensive if: * The most diverse (in a racial", "Earth's history and likes contradictions, which leads to massive amounts of Earth references,", "fault, has a really similar aesthetics to that of the Nazis. * The", "the opposite. *Would this still be considered offensive by the majority of the", "chambers or gulags), make an appearance in it, but the ideologies of the", "important in determining the underlying tone. > > This book is dedicated to", "I'm not entirely sure if it would be considered offensive if: The", "book, and it's important in determining the underlying tone. > > This book", "This book is dedicated to Hitler, who taught us so much about fighting", "considered offensive if: * The most diverse (in a racial sense) group of", "diverse (in a racial sense) group of organics (non-robots), that accompanies the robots,", "alien character, who happens to be a really \"internet troll\"-ish type with a", "Geneva Convention to a fault, has a really similar aesthetics to that of", "things that are connected to the Nazis and evil people (and aren't evil", "railguns (as the story is sci-fi) used by the good faction are all", "a fault, has a really similar aesthetics to that of the Nazis. ", "for what we believe in. Rest in pepperoni— Aubergine Man > > >", "not entirely sure if it would be considered offensive if: The most", "the good faction are all named after infamous mass-shooters, based on what weapon", "which leads to massive amounts of Earth references, especially offensive/taboo ones I'm not", "connected to the Nazis and evil people (and aren't evil by themselves (i.e:", "of the good faction are straightforward the opposite. Would this still be considered", "mass-shooters, based on what weapon they used (e.g: the SMG is called \"Klebold\")", "still be considered offensive by the majority of the readers? --- Update 1:", "an appearance in it, but the ideologies of the good faction are straightforward", "has a really similar aesthetics to that of the Nazis. * The railguns", "offensive by the majority of the readers?** --- Update 1: I forgot to", "themselves (i.e: not gas chambers or gulags), make an appearance in it, but", "somewhat godlike tech and a personal army of robots. He/She (?) is fond", "to that of the Nazis. * The railguns (as the story is sci-fi)", "massive amounts of Earth references, especially offensive/taboo ones I'm not entirely sure if", "if it would be considered offensive if: * The most diverse (in a", "underlying tone. > > This book is dedicated to Hitler, who taught us", "be a really \"internet troll\"-ish type with a somewhat godlike tech and a", "* The good faction, that follows the Geneva Convention to a fault, has", "ideologies of the good faction are straightforward the opposite. Would this still be", "so much about fighting > for what we believe in. Rest in pepperoni—", "it, but the ideologies of the good faction are straightforward the opposite. Would", "forgot to mention this snippet from the beginning of the book, and it's", "(e.g: the SMG is called \"Klebold\") So things that are connected to the", "that follows the Geneva Convention to a fault, has a really similar aesthetics", "the story is sci-fi) used by the good faction are all named after", "Convention to a fault, has a really similar aesthetics to that of the", "evil by themselves (i.e: not gas chambers or gulags), make an appearance in", "after infamous mass-shooters, based on what weapon they used (e.g: the SMG is", "\"internet troll\"-ish type with a somewhat godlike tech and a personal army of", "He/She (?) is fond of Earth's history and likes contradictions, which leads to", "the book, and it's important in determining the underlying tone. > > This", "faction are straightforward the opposite. Would this still be considered offensive by the", "references, especially offensive/taboo ones I'm not entirely sure if it would be considered", "an alien character, who happens to be a really \"internet troll\"-ish type with", "offensive/taboo ones I'm not entirely sure if it would be considered offensive if:", "a somewhat godlike tech and a personal army of robots. He/She (?) is", "and likes contradictions, which leads to massive amounts of Earth references, especially offensive/taboo", "faction are all named after infamous mass-shooters, based on what weapon they used", "Earth references, especially offensive/taboo ones I'm not entirely sure if it would be", "evil people (and aren't evil by themselves (i.e: not gas chambers or gulags),", "snippet from the beginning of the book, and it's important in determining the", "gas chambers or gulags), make an appearance in it, but the ideologies of", "amounts of Earth references, especially offensive/taboo ones I'm not entirely sure if it", "to Hitler, who taught us so much about fighting > for what we", "but the ideologies of the good faction are straightforward the opposite. Would this", "Nazis. * The railguns (as the story is sci-fi) used by the good", "the beginning of the book, and it's important in determining the underlying tone.", "make an appearance in it, but the ideologies of the good faction are", "are all named after infamous mass-shooters, based on what weapon they used (e.g:", "\"The Waffle SS\". * The good faction, that follows the Geneva Convention to", "is fond of Earth's history and likes contradictions, which leads to massive amounts", "robots. He/She (?) is fond of Earth's history and likes contradictions, which leads", "sure if it would be considered offensive if: * The most diverse (in", "that accompanies the robots, is called \"The Waffle SS\". * The good faction,", "(and aren't evil by themselves (i.e: not gas chambers or gulags), make an", "offensive if: * The most diverse (in a racial sense) group of organics", "sense) group of organics (non-robots), that accompanies the robots, is called \"The Waffle", "of the book, and it's important in determining the underlying tone. > >", "about fighting > for what we believe in. Rest in pepperoni— Aubergine Man", "troll\"-ish type with a somewhat godlike tech and a personal army of robots.", "by the majority of the readers?** --- Update 1: I forgot to mention", "happens to be a really \"internet troll\"-ish type with a somewhat godlike tech", "to be a really \"internet troll\"-ish type with a somewhat godlike tech and", "it's important in determining the underlying tone. > > This book is dedicated", "used (e.g: the SMG is called \"Klebold\") So things that are connected to", "features an alien character, who happens to be a really \"internet troll\"-ish type", "of Earth references, especially offensive/taboo ones I'm not entirely sure if it would", "that of the Nazis. * The railguns (as the story is sci-fi) used", "really similar aesthetics to that of the Nazis. * The railguns (as the", "is called \"Klebold\") So things that are connected to the Nazis and evil", "good faction are all named after infamous mass-shooters, based on what weapon they", "by the good faction are all named after infamous mass-shooters, based on what", "or gulags), make an appearance in it, but the ideologies of the good", "not gas chambers or gulags), make an appearance in it, but the ideologies", "a story that features an alien character, who happens to be a really", "~~writing~~ a story that features an alien character, who happens to be a", "Waffle SS\". * The good faction, that follows the Geneva Convention to a", "is sci-fi) used by the good faction are all named after infamous mass-shooters,", "readers?** --- Update 1: I forgot to mention this snippet from the beginning", "So things that are connected to the Nazis and evil people (and aren't", "of robots. He/She (?) is fond of Earth's history and likes contradictions, which", "infamous mass-shooters, based on what weapon they used (e.g: the SMG is called", "SS\". * The good faction, that follows the Geneva Convention to a fault,", "based on what weapon they used (e.g: the SMG is called \"Klebold\") So", "used by the good faction are all named after infamous mass-shooters, based on", "really \"internet troll\"-ish type with a somewhat godlike tech and a personal army", "aesthetics to that of the Nazis. * The railguns (as the story is", "(as the story is sci-fi) used by the good faction are all named", "this snippet from the beginning of the book, and it's important in determining", "straightforward the opposite. Would this still be considered offensive by the majority of", "I'm ~~writing~~ a story that features an alien character, who happens to be", "(i.e: not gas chambers or gulags), make an appearance in it, but the", "the ideologies of the good faction are straightforward the opposite. Would this still", "determining the underlying tone. > > This book is dedicated to Hitler, who", "likes contradictions, which leads to massive amounts of Earth references, especially offensive/taboo ones", "the SMG is called \"Klebold\") So things that are connected to the Nazis", "is dedicated to Hitler, who taught us so much about fighting > for", "> > This book is dedicated to Hitler, who taught us so much", "the Nazis and evil people (and aren't evil by themselves (i.e: not gas", "the good faction are straightforward the opposite. *Would this still be considered offensive", "would be considered offensive if: The most diverse (in a racial sense)", "appearance in it, but the ideologies of the good faction are straightforward the", "to the Nazis and evil people (and aren't evil by themselves (i.e: not", "on what weapon they used (e.g: the SMG is called \"Klebold\") So things", "story is sci-fi) used by the good faction are all named after infamous", "are connected to the Nazis and evil people (and aren't evil by themselves", "similar aesthetics to that of the Nazis. * The railguns (as the story", "army of robots. He/She (?) is fond of Earth's history and likes contradictions,", "Would this still be considered offensive by the majority of the readers? ---", "follows the Geneva Convention to a fault, has a really similar aesthetics to", "godlike tech and a personal army of robots. He/She (?) is fond of", "the readers? --- Update 1: I forgot to mention this snippet from the", "tech and a personal army of robots. He/She (?) is fond of Earth's", "considered offensive by the majority of the readers? --- Update 1: I forgot", "\"Klebold\") So things that are connected to the Nazis and evil people (and", "and a personal army of robots. He/She (?) is fond of Earth's history", "The railguns (as the story is sci-fi) used by the good faction are", "in determining the underlying tone. > > This book is dedicated to Hitler,", "(?) is fond of Earth's history and likes contradictions, which leads to massive", "Update 1: I forgot to mention this snippet from the beginning of the", "character, who happens to be a really \"internet troll\"-ish type with a somewhat", "type with a somewhat godlike tech and a personal army of robots. He/She", "is called \"The Waffle SS\". * The good faction, that follows the Geneva", "of Earth's history and likes contradictions, which leads to massive amounts of Earth", "Hitler, who taught us so much about fighting > for what we believe", "to a fault, has a really similar aesthetics to that of the Nazis.", "people (and aren't evil by themselves (i.e: not gas chambers or gulags), make", "they used (e.g: the SMG is called \"Klebold\") So things that are connected", "called \"The Waffle SS\". * The good faction, that follows the Geneva Convention", "gulags), make an appearance in it, but the ideologies of the good faction", "who happens to be a really \"internet troll\"-ish type with a somewhat godlike", "leads to massive amounts of Earth references, especially offensive/taboo ones I'm not entirely", "of the readers? --- Update 1: I forgot to mention this snippet from", "and it's important in determining the underlying tone. > > This book is", "with a somewhat godlike tech and a personal army of robots. He/She (?)", "who taught us so much about fighting > for what we believe in.", "in it, but the ideologies of the good faction are straightforward the opposite.", "fond of Earth's history and likes contradictions, which leads to massive amounts of", "be considered offensive by the majority of the readers? --- Update 1: I", "beginning of the book, and it's important in determining the underlying tone. >", "opposite. Would this still be considered offensive by the majority of the readers?" ]
[ "look good. Would forget forget about morality, at least for a second, to", "True, I > had never talked to her. But I'd watched her. She", "> focus on a person's vulnerability. > > > I could have written:", "I could have written: \"True, I'd never talked to her. But I had", "Not even a god like Kiyoshi deserved an angel like Kobayashi. True, I", "> had never talked to her. But I'd watched her. She would smile", "smile even to > those who treated her badly. Would sacrifice her reputation", "her reputation to make > someone look good. Would forget forget about morality,", "good. Would forget forget about morality, at least for a second, to >", "my writing: > > Not even a god like Kiyoshi deserved an angel", "an angel like Kobayashi. True, I > had never talked to her. But", "Would forget forget about morality, at least for a second, to > focus", "at least for a second, to > focus on a person's vulnerability. >", "morality, at least for a second, to > focus on a person's vulnerability.", "I'd never talked to her. But I had watched her.\" Which arrangement makes", "talked to her. But I'd watched her. She would smile even to >", "never talked to her. But I had watched her.\" Which arrangement makes prose", "like Kiyoshi deserved an angel like Kobayashi. True, I > had never talked", "Would sacrifice her reputation to make > someone look good. Would forget forget", "from my writing: > > Not even a god like Kiyoshi deserved an", "a god like Kiyoshi deserved an angel like Kobayashi. True, I > had", "someone look good. Would forget forget about morality, at least for a second,", "example from my writing: > > Not even a god like Kiyoshi deserved", "> I could have written: \"True, I'd never talked to her. But I", "a person's vulnerability. > > > I could have written: \"True, I'd never", "An example from my writing: > > Not even a god like Kiyoshi", "I > had never talked to her. But I'd watched her. She would", "would smile even to > those who treated her badly. Would sacrifice her", "> > I could have written: \"True, I'd never talked to her. But", "make > someone look good. Would forget forget about morality, at least for", "to her. But I had watched her.\" Which arrangement makes prose flow/sound better?", "treated her badly. Would sacrifice her reputation to make > someone look good.", "least for a second, to > focus on a person's vulnerability. > >", "on a person's vulnerability. > > > I could have written: \"True, I'd", "her. She would smile even to > those who treated her badly. Would", "forget forget about morality, at least for a second, to > focus on", "forget about morality, at least for a second, to > focus on a", "writing: > > Not even a god like Kiyoshi deserved an angel like", "who treated her badly. Would sacrifice her reputation to make > someone look", "person's vulnerability. > > > I could have written: \"True, I'd never talked", "> > > I could have written: \"True, I'd never talked to her.", "She would smile even to > those who treated her badly. Would sacrifice", "god like Kiyoshi deserved an angel like Kobayashi. True, I > had never", "even to > those who treated her badly. Would sacrifice her reputation to", "written: \"True, I'd never talked to her. But I had watched her.\" Which", "> > Not even a god like Kiyoshi deserved an angel like Kobayashi.", "to her. But I'd watched her. She would smile even to > those", "never talked to her. But I'd watched her. She would smile even to", "have written: \"True, I'd never talked to her. But I had watched her.\"", "Kiyoshi deserved an angel like Kobayashi. True, I > had never talked to", "angel like Kobayashi. True, I > had never talked to her. But I'd", "a second, to > focus on a person's vulnerability. > > > I", "Kobayashi. True, I > had never talked to her. But I'd watched her.", "to > focus on a person's vulnerability. > > > I could have", "about morality, at least for a second, to > focus on a person's", "watched her. She would smile even to > those who treated her badly.", "her badly. Would sacrifice her reputation to make > someone look good. Would", "I'd watched her. She would smile even to > those who treated her", "> Not even a god like Kiyoshi deserved an angel like Kobayashi. True,", "like Kobayashi. True, I > had never talked to her. But I'd watched", "could have written: \"True, I'd never talked to her. But I had watched", "for a second, to > focus on a person's vulnerability. > > >", "But I'd watched her. She would smile even to > those who treated", "focus on a person's vulnerability. > > > I could have written: \"True,", "talked to her. But I had watched her.\" Which arrangement makes prose flow/sound", "even a god like Kiyoshi deserved an angel like Kobayashi. True, I >", "those who treated her badly. Would sacrifice her reputation to make > someone", "her. But I'd watched her. She would smile even to > those who", "> someone look good. Would forget forget about morality, at least for a", "second, to > focus on a person's vulnerability. > > > I could", "> those who treated her badly. Would sacrifice her reputation to make >", "sacrifice her reputation to make > someone look good. Would forget forget about", "had never talked to her. But I'd watched her. She would smile even", "badly. Would sacrifice her reputation to make > someone look good. Would forget", "to > those who treated her badly. Would sacrifice her reputation to make", "deserved an angel like Kobayashi. True, I > had never talked to her.", "\"True, I'd never talked to her. But I had watched her.\" Which arrangement", "reputation to make > someone look good. Would forget forget about morality, at", "to make > someone look good. Would forget forget about morality, at least", "vulnerability. > > > I could have written: \"True, I'd** never talked to" ]
[ "common use to have the abbreviation followed by the defintion? Example NATO: North", "is the most common use to have the abbreviation followed by the defintion?", "standard, is the most common use to have the abbreviation followed by the", "the most common use to have the abbreviation followed by the defintion? Example", "find a standard, is the most common use to have the abbreviation followed", "a standard, is the most common use to have the abbreviation followed by", "to have the abbreviation followed by the defintion? Example NATO: North Atlantic Treaty", "use to have the abbreviation followed by the defintion? Example NATO: North Atlantic", "can't find a standard, is the most common use to have the abbreviation", "have the abbreviation followed by the defintion? Example NATO: North Atlantic Treaty Organization", "I can't find a standard, is the most common use to have the", "most common use to have the abbreviation followed by the defintion? Example NATO:" ]
[ "a percentage (numerical - 50%) is always one word. I have read two", "two crime novels by a British author who breaks the word up, \"...there", "word up, \"...there is 25 per cent chance that serial killers follow a", "\"...there is 25 per cent chance that serial killers follow a ritulistic pattern.\"", "author who breaks the word up, \"...there is 25 per cent chance that", "always one word. I have read two crime novels by a British author", "word. I have read two crime novels by a British author who breaks", "percentage (numerical - 50%) is always one word. I have read two crime", "United States a percentage (numerical - 50%) is always one word. I have", "read two crime novels by a British author who breaks the word up,", "one word. I have read two crime novels by a British author who", "a British author who breaks the word up, \"...there is 25 per cent", "- 50%) is always one word. I have read two crime novels by", "I have read two crime novels by a British author who breaks the", "breaks the word up, \"...there is 25 per cent chance that serial killers", "British author who breaks the word up, \"...there is 25 per cent chance", "novels by a British author who breaks the word up, \"...there is 25", "who breaks the word up, \"...there is 25 per cent chance that serial", "(numerical - 50%) is always one word. I have read two crime novels", "have read two crime novels by a British author who breaks the word", "50%) is always one word. I have read two crime novels by a", "is always one word. I have read two crime novels by a British", "In the United States a percentage (numerical - 50%) is always one word.", "States a percentage (numerical - 50%) is always one word. I have read", "by a British author who breaks the word up, \"...there is 25 per", "the United States a percentage (numerical - 50%) is always one word. I", "up, \"...there is 25 per cent chance that serial killers follow a ritulistic", "the word up, \"...there is 25 per cent chance that serial killers follow", "crime novels by a British author who breaks the word up, \"...there is" ]