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[ "movie from my book? 2. How many pitches for movies does a director", "represent? 3. Do you need to send something to a director along with", "contact a few directors about making a movie from my book? 2. How", "2. How many pitches for movies does a director receive? What percentage of", "3. Do you need to send something to a director along with your", "How many pitches for movies does a director receive? What percentage of their", "directors about making a movie from my book? 2. How many pitches for", "or electronic communications does this represent? 3. Do you need to send something", "director receive? What percentage of their mail or electronic communications does this represent?", "your book, like a query letter for publishers? Sorry, I couldn't find a", "websites or methods can I use to contact a few directors about making", "movies does a director receive? What percentage of their mail or electronic communications", "a director receive? What percentage of their mail or electronic communications does this", "like a query letter for publishers? Sorry, I couldn't find a better tag", "a query letter for publishers? Sorry, I couldn't find a better tag for", "this represent? 3. Do you need to send something to a director along", "about making a movie from my book? 2. How many pitches for movies", "director along with your book, like a query letter for publishers? Sorry, I", "letter for publishers? Sorry, I couldn't find a better tag for this. Thanks", "few directors about making a movie from my book? 2. How many pitches", "mail or electronic communications does this represent? 3. Do you need to send", "What legitimate websites or methods can I use to contact a few directors", "a director along with your book, like a query letter for publishers? Sorry,", "to contact a few directors about making a movie from my book? 2.", "many pitches for movies does a director receive? What percentage of their mail", "1. What legitimate websites or methods can I use to contact a few", "book, like a query letter for publishers? Sorry, I couldn't find a better", "methods can I use to contact a few directors about making a movie", "a few directors about making a movie from my book? 2. How many", "use to contact a few directors about making a movie from my book?", "percentage of their mail or electronic communications does this represent? 3. Do you", "to send something to a director along with your book, like a query", "or methods can I use to contact a few directors about making a", "send something to a director along with your book, like a query letter", "making a movie from my book? 2. How many pitches for movies does", "Do you need to send something to a director along with your book,", "book? 2. How many pitches for movies does a director receive? What percentage", "their mail or electronic communications does this represent? 3. Do you need to", "receive? What percentage of their mail or electronic communications does this represent? 3.", "does a director receive? What percentage of their mail or electronic communications does", "you need to send something to a director along with your book, like", "I use to contact a few directors about making a movie from my", "electronic communications does this represent? 3. Do you need to send something to", "along with your book, like a query letter for publishers? Sorry, I couldn't", "of their mail or electronic communications does this represent? 3. Do you need", "from my book? 2. How many pitches for movies does a director receive?", "to a director along with your book, like a query letter for publishers?", "query letter for publishers? Sorry, I couldn't find a better tag for this.", "a movie from my book? 2. How many pitches for movies does a", "does this represent? 3. Do you need to send something to a director", "need to send something to a director along with your book, like a", "with your book, like a query letter for publishers? Sorry, I couldn't find", "communications does this represent? 3. Do you need to send something to a", "something to a director along with your book, like a query letter for", "legitimate websites or methods can I use to contact a few directors about", "for movies does a director receive? What percentage of their mail or electronic", "can I use to contact a few directors about making a movie from", "pitches for movies does a director receive? What percentage of their mail or", "my book? 2. How many pitches for movies does a director receive? What", "What percentage of their mail or electronic communications does this represent? 3. Do" ]
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[ "strongly on your cultural background. But most people would agree, for example, that", "a specification of what I mean when I \"like\" a fictional character, and", "has the potential to destroy the hero) of two other characters. In the", "adore him as a character but doubt very much that we would get", "I sit down to explore them a little more in-depth, they start to", "to clear things up a bit here**: I'm aware that I use the", "because he's uncomplicated and doesn't mean to hurt anybody. In my experience, this", "with that? Did your story benefit from it? Can you think of a", "helps. (\\*\\*) I know, the concept of \"evil\" depends strongly on your cultural", "I'm aware that I use the word \"like\" a little too laxly in", "your cultural background. But most people would agree, for example, that abusing children", "and a range of different experiences. In a wider sense, I am asking", "need to share my values. (A spontaneous example would be Lord Grantham from", "Abbey. I adore him as a character but doubt very much that we", "obvious, even despicable shadows, but the moment I sit down to explore them", "him as a character but doubt very much that we would get along", "like him(\\*). He's not someone I would be likely to spend much time", "complex and, at least in some way, relatable. If my empathy doesn't find", "this questions appears too vague. I'm also aware that it is not a", "character, and when I \"like\" a real person. The fictional character: * *The", "What were your experiences with that? Did your story benefit from it? Can", "relatable. If my empathy doesn't find a way to connect to the character,", "well if we ever met, due to political believes and what-not.) * *The", "example would be Lord Grantham from Downton Abbey. I adore him as a", "the hero, because he's the more interesting character that I'd like to explore", "asking about how your relationships to characters look like.* (\\*) **Just to clear", "In this context, I don't distinguish between \"good\" and \"bad\" characters. I may", "I find that I actually like him(\\*). He's not someone I would be", "I just ... want to spend time with that person. That generally requires", "spend time with that person. That generally requires that I feel comfortable in", "they start to acquire virtues that I can relate to very well. This", "share my values. (A spontaneous example would be Lord Grantham from Downton Abbey.", "mean when I \"like\" a fictional character, and when I \"like\" a real", "We might not always share the same values, but it definitely helps. (\\*\\*)", "bit here**: I'm aware that I use the word \"like\" a little too", "you ever written about a character that you thoroughly despise? What were your", "of negative features that somehow need to be part of the story. **My", "that I'd like to explore in more depth. The character doesn't need to", "they might start out as obvious, even despicable shadows, but the moment I", "the potential to destroy the hero) of two other characters. In the eyes", "are able to easily communicate with each other. We might not always share", "**Just to clear things up a bit here**: I'm aware that I use", "I feel comfortable in his or her presence and that we are able", "with, but it's fun working with him, because he's uncomplicated and doesn't mean", "\"evil\" depends strongly on your cultural background. But most people would agree, for", "much every other character in the story, he's insensitive and, quite frankly, bordering", "other character in the story, he's insensitive and, quite frankly, bordering on stupid.", "comfortable in his or her presence and that we are able to easily", "acquire virtues that I can relate to very well. This usually serves me", "word \"like\" a little too laxly in this context. So here's a specification", "the character, I'm not going to like him or her. In this context,", "slang for an antagonist that has the potential to destroy the hero) of", "story benefit from it? Can you think of a context in which it", "need to be part of the story. **My question is:** Have you had", "He's not someone I would be likely to spend much time with, but", "experience, this happens to every single one of my characters -- they might", "laxly in this context. So here's a specification of what I mean when", "written about a character that you thoroughly despise? What were your experiences with", "had similar experiences? Conversely, have you ever written about a character that you", "absolutely necessary to use a character that is \"evil\"(\\*\\*) in an unrelatable way?", "* *The fictional character*: Needs to be complex and, at least in some", "the \"shadow\" (Hero's Quurnep slang for an antagonist that has the potential to", "\"good\" and \"bad\" characters. I may very well end up liking the villain", "like to explore in more depth. The character doesn't need to share my", "much that we would get along very well if we ever met, due", "that you thoroughly despise? What were your experiences with that? Did your story", "requires that I feel comfortable in his or her presence and that we", "appears too vague. I'm also aware that it is not a question that", "context. So here's a specification of what I mean when I \"like\" a", "doesn't need to share my values. (A spontaneous example would be Lord Grantham", "met, due to political believes and what-not.) * *The other person*: Well. I", "we would get along very well if we ever met, due to political", "character that I'd like to explore in more depth. The character doesn't need", "fictional character*: Needs to be complex and, at least in some way, relatable.", "when I \"like\" a fictional character, and when I \"like\" a real person.", "I \"like\" a fictional character, and when I \"like\" a real person. The", "spontaneous example would be Lord Grantham from Downton Abbey. I adore him as", "context, I don't distinguish between \"good\" and \"bad\" characters. I may very well", "her. In this context, I don't distinguish between \"good\" and \"bad\" characters. I", "spend much time with, but it's fun working with him, because he's uncomplicated", "Quurnep slang for an antagonist that has the potential to destroy the hero)", "him, because he's uncomplicated and doesn't mean to hurt anybody. In my experience,", "I mean when I \"like\" a fictional character, and when I \"like\" a", "to spend time with that person. That generally requires that I feel comfortable", "thoughts about this subject and a range of different experiences. In a wider", "of a story much better than the hero, because he's the more interesting", "feel comfortable in his or her presence and that we are able to", "to acquire virtues that I can relate to very well. This usually serves", "is absolutely necessary to use a character that is \"evil\"(\\*\\*) in an unrelatable", "definitely helps. 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(\\*\\*) I know, the", "with him, because he's uncomplicated and doesn't mean to hurt anybody. In my", "and, at least in some way, relatable. If my empathy doesn't find a", "Have you had similar experiences? Conversely, have you ever written about a character", "character that will appear as the \"shadow\" (Hero's Quurnep slang for an antagonist", "interested in your thoughts about this subject and a range of different experiences.", "appear as the \"shadow\" (Hero's Quurnep slang for an antagonist that has the", "a way to connect to the character, I'm not going to like him", "values, but it definitely helps. (\\*\\*) I know, the concept of \"evil\" depends", "\"evil\"(\\*\\*) in an unrelatable way? --- *I apologise if this questions appears too", "I'm not going to like him or her. In this context, I don't", "that we would get along very well if we ever met, due to", "depth. The character doesn't need to share my values. (A spontaneous example would", "connect to the character, I'm not going to like him or her. In", "story much better than the hero, because he's the more interesting character that", "question is:** Have you had similar experiences? Conversely, have you ever written about", "fictional character: * *The fictional character*: Needs to be complex and, at least", "little too laxly in this context. So here's a specification of what I", "this happens to every single one of my characters -- they might start", "to destroy the hero) of two other characters. In the eyes of pretty", "stupid. However, I find that I actually like him(\\*). He's not someone I", "--- *I apologise if this questions appears too vague. I'm also aware that", "him or her. In this context, I don't distinguish between \"good\" and \"bad\"", "hero, because he's the more interesting character that I'd like to explore in", "I'm currently developing a minor character that will appear as the \"shadow\" (Hero's", "explore in more depth. The character doesn't need to share my values. (A", "I know, the concept of \"evil\" depends strongly on your cultural background. But", "just bundle up a bunch of negative features that somehow need to be", "start to acquire virtues that I can relate to very well. This usually", "share the same values, but it definitely helps. (\\*\\*) I know, the concept", "and, quite frankly, bordering on stupid. However, I find that I actually like", "In my experience, this happens to every single one of my characters --", "I may very well end up liking the villain of a story much", "too vague. I'm also aware that it is not a question that has", "is:** Have you had similar experiences? Conversely, have you ever written about a", "Needs to be complex and, at least in some way, relatable. If my", "much better than the hero, because he's the more interesting character that I'd", "ever written about a character that you thoroughly despise? What were your experiences", "than the hero, because he's the more interesting character that I'd like to", "relate to very well. This usually serves me very well, because it keeps", "me very well, because it keeps me from introducing annoying, usually shallow and", "someone I would be likely to spend much time with, but it's fun", "your experiences with that? Did your story benefit from it? Can you think", "-- they might start out as obvious, even despicable shadows, but the moment", "Downton Abbey. I adore him as a character but doubt very much that", "it definitely helps. (\\*\\*) I know, the concept of \"evil\" depends strongly on", "that somehow need to be part of the story. **My question is:** Have", "at least in some way, relatable. If my empathy doesn't find a way", "here**: I'm aware that I use the word \"like\" a little too laxly", "despise? What were your experiences with that? Did your story benefit from it?", "experiences with that? Did your story benefit from it? Can you think of", "an unrelatable way? --- *I apologise if this questions appears too vague. I'm", "like.* (\\*) **Just to clear things up a bit here**: I'm aware that", "depends strongly on your cultural background. But most people would agree, for example,", "vague. I'm also aware that it is not a question that has a", "what I mean when I \"like\" a fictional character, and when I \"like\"", "what-not.) * *The other person*: Well. I just ... want to spend time", "the hero) of two other characters. In the eyes of pretty much every", "a range of different experiences. 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In a wider sense, I", "bundle up a bunch of negative features that somehow need to be part", "doubt very much that we would get along very well if we ever", "of \"evil\" depends strongly on your cultural background. But most people would agree,", "things up a bit here**: I'm aware that I use the word \"like\"", "don't distinguish between \"good\" and \"bad\" characters. I may very well end up", "Grantham from Downton Abbey. I adore him as a character but doubt very", "were your experiences with that? Did your story benefit from it? Can you", "person*: Well. I just ... want to spend time with that person. That", "with each other. We might not always share the same values, but it", "benefit from it? 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However, I find that", "negative features that somehow need to be part of the story. **My question", "wider sense, I am asking about how your relationships to characters look like.*", "to hurt anybody. In my experience, this happens to every single one of", "characters. I may very well end up liking the villain of a story", "well end up liking the villain of a story much better than the", "each other. We might not always share the same values, but it definitely", "doesn't mean to hurt anybody. In my experience, this happens to every single", "Can you think of a context in which it is absolutely necessary to", "he's insensitive and, quite frankly, bordering on stupid. However, I find that I", "a context in which it is absolutely necessary to use a character that", "moment I sit down to explore them a little more in-depth, they start", "presence and that we are able to easily communicate with each other. We", "very well. This usually serves me very well, because it keeps me from", "due to political believes and what-not.) * *The other person*: Well. I just", "if this questions appears too vague. I'm also aware that it is not", "other characters. In the eyes of pretty much every other character in the", "despicable shadows, but the moment I sit down to explore them a little", "him(\\*). He's not someone I would be likely to spend much time with,", "as obvious, even despicable shadows, but the moment I sit down to explore", "in more depth. The character doesn't need to share my values. (A spontaneous", "range of different experiences. In a wider sense, I am asking about how", "that person. That generally requires that I feel comfortable in his or her", "least in some way, relatable. If my empathy doesn't find a way to", "have you ever written about a character that you thoroughly despise? What were", "very well, because it keeps me from introducing annoying, usually shallow and clichéd", "political believes and what-not.) * *The other person*: Well. I just ... want", "part of the story. **My question is:** Have you had similar experiences? Conversely,", "Did your story benefit from it? Can you think of a context in", "a character that is \"evil\"(\\*\\*) in an unrelatable way? --- *I apologise if", "of pretty much every other character in the story, he's insensitive and, quite", "just ... want to spend time with that person. That generally requires that", "characters. In the eyes of pretty much every other character in the story,", "character that you thoroughly despise? What were your experiences with that? Did your", "sense, I am asking about how your relationships to characters look like.* (\\*)", "with that person. That generally requires that I feel comfortable in his or", "*I apologise if this questions appears too vague. I'm also aware that it", "ever met, due to political believes and what-not.) * *The other person*: Well.", "(\\*\\*) I know, the concept of \"evil\" depends strongly on your cultural background.", "villain of a story much better than the hero, because he's the more", "we are able to easily communicate with each other. We might not always", "question that has a \"correct answer\". I'm interested in your thoughts about this", "In the eyes of pretty much every other character in the story, he's", "specification of what I mean when I \"like\" a fictional character, and when", "that I actually like him(\\*). He's not someone I would be likely to", "I actually like him(\\*). He's not someone I would be likely to spend", "The character doesn't need to share my values. (A spontaneous example would be", "of a context in which it is absolutely necessary to use a character", "working with him, because he's uncomplicated and doesn't mean to hurt anybody. In", "can relate to very well. This usually serves me very well, because it", "of the story. **My question is:** Have you had similar experiences? Conversely, have", "well. This usually serves me very well, because it keeps me from introducing", "two other characters. In the eyes of pretty much every other character in", "antagonist that has the potential to destroy the hero) of two other characters.", "relationships to characters look like.* (\\*) **Just to clear things up a bit", "or her. In this context, I don't distinguish between \"good\" and \"bad\" characters.", "I would be likely to spend much time with, but it's fun working", "that we are able to easily communicate with each other. We might not", "the story. **My question is:** Have you had similar experiences? Conversely, have you", "This usually serves me very well, because it keeps me from introducing annoying,", "way, relatable. If my empathy doesn't find a way to connect to the", "the villain of a story much better than the hero, because he's the", "too laxly in this context. So here's a specification of what I mean", "you had similar experiences? Conversely, have you ever written about a character that", "uncomplicated and doesn't mean to hurt anybody. In my experience, this happens to", "because he's the more interesting character that I'd like to explore in more", "find a way to connect to the character, I'm not going to like", "I \"like\" a real person. The fictional character: * *The fictional character*: Needs", "in-depth, they start to acquire virtues that I can relate to very well.", "currently developing a minor character that will appear as the \"shadow\" (Hero's Quurnep", "minor character that will appear as the \"shadow\" (Hero's Quurnep slang for an", "single one of my characters -- they might start out as obvious, even", "\"bad\" characters. I may very well end up liking the villain of a", "to be complex and, at least in some way, relatable. If my empathy", "be part of the story. **My question is:** Have you had similar experiences?", "the moment I sit down to explore them a little more in-depth, they", "believes and what-not.) * *The other person*: Well. I just ... want to", "person. That generally requires that I feel comfortable in his or her presence", "I'm interested in your thoughts about this subject and a range of different", "would get along very well if we ever met, due to political believes", "or her presence and that we are able to easily communicate with each", "her presence and that we are able to easily communicate with each other.", "potential to destroy the hero) of two other characters. In the eyes of", "other. We might not always share the same values, but it definitely helps.", "character but doubt very much that we would get along very well if", "would be Lord Grantham from Downton Abbey. I adore him as a character", "a bit here**: I'm aware that I use the word \"like\" a little", "start out as obvious, even despicable shadows, but the moment I sit down", "thoroughly despise? What were your experiences with that? Did your story benefit from", "a real person. The fictional character: * *The fictional character*: Needs to be", "anybody. In my experience, this happens to every single one of my characters", "hurt anybody. In my experience, this happens to every single one of my", "real person. The fictional character: * *The fictional character*: Needs to be complex", "a fictional character, and when I \"like\" a real person. The fictional character:", "I can relate to very well. This usually serves me very well, because", "if we ever met, due to political believes and what-not.) * *The other", "**My question is:** Have you had similar experiences? Conversely, have you ever written", "context in which it is absolutely necessary to use a character that is", "\"like\" a fictional character, and when I \"like\" a real person. The fictional", "to use a character that is \"evil\"(\\*\\*) in an unrelatable way? --- *I", "in the story, he's insensitive and, quite frankly, bordering on stupid. However, I", "every other character in the story, he's insensitive and, quite frankly, bordering on", "might start out as obvious, even despicable shadows, but the moment I sit", "answer\". I'm interested in your thoughts about this subject and a range of", "you thoroughly despise? What were your experiences with that? Did your story benefit", "he's the more interesting character that I'd like to explore in more depth.", "usually shallow and clichéd characters that just bundle up a bunch of negative", "same values, but it definitely helps. (\\*\\*) I know, the concept of \"evil\"", "person. The fictional character: * *The fictional character*: Needs to be complex and,", "a question that has a \"correct answer\". I'm interested in your thoughts about", "fictional character, and when I \"like\" a real person. The fictional character: *", "between \"good\" and \"bad\" characters. I may very well end up liking the", "from introducing annoying, usually shallow and clichéd characters that just bundle up a", "* *The other person*: Well. I just ... want to spend time with", "but the moment I sit down to explore them a little more in-depth,", "this context. So here's a specification of what I mean when I \"like\"", "that I can relate to very well. This usually serves me very well,", "bunch of negative features that somehow need to be part of the story.", "would be likely to spend much time with, but it's fun working with", "is \"evil\"(\\*\\*) in an unrelatable way? --- *I apologise if this questions appears", "very well if we ever met, due to political believes and what-not.) *", "as a character but doubt very much that we would get along very", "very much that we would get along very well if we ever met,", "my values. (A spontaneous example would be Lord Grantham from Downton Abbey. I", "in your thoughts about this subject and a range of different experiences. In", "cultural background. But most people would agree, for example, that abusing children is", "However, I find that I actually like him(\\*). He's not someone I would", "from Downton Abbey. I adore him as a character but doubt very much", "get along very well if we ever met, due to political believes and", "values. (A spontaneous example would be Lord Grantham from Downton Abbey. I adore", "the eyes of pretty much every other character in the story, he's insensitive", "that is \"evil\"(\\*\\*) in an unrelatable way? --- *I apologise if this questions", "every single one of my characters -- they might start out as obvious,", "likely to spend much time with, but it's fun working with him, because", "even despicable shadows, but the moment I sit down to explore them a", "*The fictional character*: Needs to be complex and, at least in some way,", "to like him or her. In this context, I don't distinguish between \"good\"", "to explore in more depth. The character doesn't need to share my values.", "that it is not a question that has a \"correct answer\". I'm interested", "frankly, bordering on stupid. However, I find that I actually like him(\\*). He's", "to easily communicate with each other. We might not always share the same", "hero) of two other characters. In the eyes of pretty much every other", "of what I mean when I \"like\" a fictional character, and when I", "going to like him or her. In this context, I don't distinguish between", "up a bit here**: I'm aware that I use the word \"like\" a", "a minor character that will appear as the \"shadow\" (Hero's Quurnep slang for", "of my characters -- they might start out as obvious, even despicable shadows,", "how your relationships to characters look like.* (\\*) **Just to clear things up", "it? Can you think of a context in which it is absolutely necessary", "that has the potential to destroy the hero) of two other characters. In", "sit down to explore them a little more in-depth, they start to acquire", "but doubt very much that we would get along very well if we", "a little more in-depth, they start to acquire virtues that I can relate", "liking the villain of a story much better than the hero, because he's", "to spend much time with, but it's fun working with him, because he's", "the story, he's insensitive and, quite frankly, bordering on stupid. However, I find", "a little too laxly in this context. So here's a specification of what", "Lord Grantham from Downton Abbey. I adore him as a character but doubt", "aware that it is not a question that has a \"correct answer\". I'm", "know, the concept of \"evil\" depends strongly on your cultural background. But most", "So here's a specification of what I mean when I \"like\" a fictional", "very well end up liking the villain of a story much better than", "I'd like to explore in more depth. The character doesn't need to share", "not a question that has a \"correct answer\". I'm interested in your thoughts", "your relationships to characters look like.* (\\*) **Just to clear things up a", "and \"bad\" characters. I may very well end up liking the villain of", "to the character, I'm not going to like him or her. In this", "more interesting character that I'd like to explore in more depth. The character", "in which it is absolutely necessary to use a character that is \"evil\"(\\*\\*)", "distinguish between \"good\" and \"bad\" characters. I may very well end up liking", "to be part of the story. **My question is:** Have you had similar", "want to spend time with that person. That generally requires that I feel", "but it's fun working with him, because he's uncomplicated and doesn't mean to", "necessary to use a character that is \"evil\"(\\*\\*) in an unrelatable way? ---", "to characters look like.* (\\*) **Just to clear things up a bit here**:", "be complex and, at least in some way, relatable. If my empathy doesn't", "(A spontaneous example would be Lord Grantham from Downton Abbey. I adore him", "about how your relationships to characters look like.* (\\*) **Just to clear things", "in some way, relatable. If my empathy doesn't find a way to connect", "them a little more in-depth, they start to acquire virtues that I can", "find that I actually like him(\\*). He's not someone I would be likely", "character, I'm not going to like him or her. In this context, I", "the concept of \"evil\" depends strongly on your cultural background. But most people", "has a \"correct answer\". I'm interested in your thoughts about this subject and", "able to easily communicate with each other. We might not always share the", "your story benefit from it? Can you think of a context in which", "the more interesting character that I'd like to explore in more depth. The", "other person*: Well. I just ... want to spend time with that person.", "destroy the hero) of two other characters. In the eyes of pretty much", "usually serves me very well, because it keeps me from introducing annoying, usually", "I am asking about how your relationships to characters look like.* (\\*) **Just", "way to connect to the character, I'm not going to like him or", "your thoughts about this subject and a range of different experiences. In a", "it is absolutely necessary to use a character that is \"evil\"(\\*\\*) in an", "experiences. In a wider sense, I am asking about how your relationships to", "mean to hurt anybody. In my experience, this happens to every single one", "and doesn't mean to hurt anybody. In my experience, this happens to every", "some way, relatable. If my empathy doesn't find a way to connect to", "\"correct answer\". I'm interested in your thoughts about this subject and a range", "like him or her. In this context, I don't distinguish between \"good\" and", "clichéd characters that just bundle up a bunch of negative features that somehow", "I adore him as a character but doubt very much that we would", "will appear as the \"shadow\" (Hero's Quurnep slang for an antagonist that has", "I use the word \"like\" a little too laxly in this context. So", "communicate with each other. We might not always share the same values, but", "\"like\" a little too laxly in this context. So here's a specification of", "way? --- *I apologise if this questions appears too vague. I'm also aware", "for an antagonist that has the potential to destroy the hero) of two", "to very well. This usually serves me very well, because it keeps me", "use the word \"like\" a little too laxly in this context. So here's", "time with that person. That generally requires that I feel comfortable in his", "he's uncomplicated and doesn't mean to hurt anybody. In my experience, this happens", "because it keeps me from introducing annoying, usually shallow and clichéd characters that", "am asking about how your relationships to characters look like.* (\\*) **Just to", "(\\*) **Just to clear things up a bit here**: I'm aware that I", "and when I \"like\" a real person. The fictional character: * *The fictional", "an antagonist that has the potential to destroy the hero) of two other", "a \"correct answer\". I'm interested in your thoughts about this subject and a", "down to explore them a little more in-depth, they start to acquire virtues", "and what-not.) * *The other person*: Well. I just ... want to spend", "that has a \"correct answer\". I'm interested in your thoughts about this subject", "different experiences. In a wider sense, I am asking about how your relationships", "characters -- they might start out as obvious, even despicable shadows, but the", "introducing annoying, usually shallow and clichéd characters that just bundle up a bunch", "a character that you thoroughly despise? What were your experiences with that? Did", "use a character that is \"evil\"(\\*\\*) in an unrelatable way? --- *I apologise", "to political believes and what-not.) * *The other person*: Well. I just ...", "up liking the villain of a story much better than the hero, because", "as the \"shadow\" (Hero's Quurnep slang for an antagonist that has the potential", "of two other characters. In the eyes of pretty much every other character", "explore them a little more in-depth, they start to acquire virtues that I", "serves me very well, because it keeps me from introducing annoying, usually shallow", "be Lord Grantham from Downton Abbey. I adore him as a character but", "in an unrelatable way? --- *I apologise if this questions appears too vague.", "that I use the word \"like\" a little too laxly in this context.", "similar experiences? Conversely, have you ever written about a character that you thoroughly", "end up liking the villain of a story much better than the hero,", "interesting character that I'd like to explore in more depth. The character doesn't", "characters that just bundle up a bunch of negative features that somehow need", "Well. I just ... want to spend time with that person. That generally", "look like.* (\\*) **Just to clear things up a bit here**: I'm aware", "quite frankly, bordering on stupid. However, I find that I actually like him(\\*).", "this context, I don't distinguish between \"good\" and \"bad\" characters. I may very", "insensitive and, quite frankly, bordering on stupid. However, I find that I actually", "well, because it keeps me from introducing annoying, usually shallow and clichéd characters", "The fictional character: * *The fictional character*: Needs to be complex and, at", "doesn't find a way to connect to the character, I'm not going to", "not someone I would be likely to spend much time with, but it's", "is not a question that has a \"correct answer\". I'm interested in your", "my experience, this happens to every single one of my characters -- they", "of different experiences. In a wider sense, I am asking about how your", "apologise if this questions appears too vague. I'm also aware that it is", "and that we are able to easily communicate with each other. We might", "the same values, but it definitely helps. (\\*\\*) I know, the concept of", "pretty much every other character in the story, he's insensitive and, quite frankly,", "a wider sense, I am asking about how your relationships to characters look", "out as obvious, even despicable shadows, but the moment I sit down to", "generally requires that I feel comfortable in his or her presence and that", "might not always share the same values, but it definitely helps. (\\*\\*) I", "background. But most people would agree, for example, that abusing children is \"evil\".", "the word \"like\" a little too laxly in this context. So here's a", "about a character that you thoroughly despise? What were your experiences with that?", "concept of \"evil\" depends strongly on your cultural background. But most people would", "Conversely, have you ever written about a character that you thoroughly despise? What", "my characters -- they might start out as obvious, even despicable shadows, but", "keeps me from introducing annoying, usually shallow and clichéd characters that just bundle", "character in the story, he's insensitive and, quite frankly, bordering on stupid. However,", "not always share the same values, but it definitely helps. (\\*\\*) I know,", "may very well end up liking the villain of a story much better", "story. **My question is:** Have you had similar experiences? Conversely, have you ever", "\"shadow\" (Hero's Quurnep slang for an antagonist that has the potential to destroy", "somehow need to be part of the story. **My question is:** Have you", "... want to spend time with that person. That generally requires that I", "his or her presence and that we are able to easily communicate with", "In a wider sense, I am asking about how your relationships to characters", "easily communicate with each other. We might not always share the same values,", "aware that I use the word \"like\" a little too laxly in this", "experiences? Conversely, have you ever written about a character that you thoroughly despise?", "in his or her presence and that we are able to easily communicate", "shadows, but the moment I sit down to explore them a little more", "questions appears too vague. I'm also aware that it is not a question", "empathy doesn't find a way to connect to the character, I'm not going", "clear things up a bit here**: I'm aware that I use the word", "from it? Can you think of a context in which it is absolutely", "\"like\" a real person. The fictional character: * *The fictional character*: Needs to", "it is not a question that has a \"correct answer\". I'm interested in", "I don't distinguish between \"good\" and \"bad\" characters. I may very well end", "it keeps me from introducing annoying, usually shallow and clichéd characters that just", "shallow and clichéd characters that just bundle up a bunch of negative features", "up a bunch of negative features that somehow need to be part of", "virtues that I can relate to very well. This usually serves me very", "to every single one of my characters -- they might start out as", "character that is \"evil\"(\\*\\*) in an unrelatable way? --- *I apologise if this", "a character but doubt very much that we would get along very well", "it's fun working with him, because he's uncomplicated and doesn't mean to hurt", "eyes of pretty much every other character in the story, he's insensitive and,", "here's a specification of what I mean when I \"like\" a fictional character,", "on your cultural background. But most people would agree, for example, that abusing", "little more in-depth, they start to acquire virtues that I can relate to", "a bunch of negative features that somehow need to be part of the", "character: * *The fictional character*: Needs to be complex and, at least in", "you think of a context in which it is absolutely necessary to use", "be likely to spend much time with, but it's fun working with him,", "but it definitely helps. (\\*\\*) I know, the concept of \"evil\" depends strongly", "character*: Needs to be complex and, at least in some way, relatable. If", "when I \"like\" a real person. The fictional character: * *The fictional character*:", "that? Did your story benefit from it? Can you think of a context", "That generally requires that I feel comfortable in his or her presence and", "characters look like.* (\\*) **Just to clear things up a bit here**: I'm", "one of my characters -- they might start out as obvious, even despicable", "unrelatable way? --- *I apologise if this questions appears too vague. I'm also", "much time with, but it's fun working with him, because he's uncomplicated and", "fun working with him, because he's uncomplicated and doesn't mean to hurt anybody.", "about this subject and a range of different experiences. In a wider sense,", "time with, but it's fun working with him, because he's uncomplicated and doesn't", "bordering on stupid. However, I find that I actually like him(\\*). He's not" ]
[ "can't find any contact info to contact either the author of the page,", "contact info to contact either the author of the page, or the translator.", "recites a portion of the Dhammapada. How do I avoid violating copyright laws?", "of my characters recites a portion of the Dhammapada. How do I avoid", "I avoid violating copyright laws? The quote is from a translation on a", "The quote is from a translation on a website, but I can't find", "but I can't find any contact info to contact either the author of", "violating copyright laws? The quote is from a translation on a website, but", "of the Dhammapada. How do I avoid violating copyright laws? The quote is", "I can't find any contact info to contact either the author of the", "How do I avoid violating copyright laws? The quote is from a translation", "the book I have written, one of my characters recites a portion of", "have written, one of my characters recites a portion of the Dhammapada. How", "is from a translation on a website, but I can't find any contact", "laws? The quote is from a translation on a website, but I can't", "a translation on a website, but I can't find any contact info to", "Dhammapada. How do I avoid violating copyright laws? The quote is from a", "any contact info to contact either the author of the page, or the", "do I avoid violating copyright laws? The quote is from a translation on", "a website, but I can't find any contact info to contact either the", "on a website, but I can't find any contact info to contact either", "book I have written, one of my characters recites a portion of the", "the Dhammapada. How do I avoid violating copyright laws? The quote is from", "from a translation on a website, but I can't find any contact info", "find any contact info to contact either the author of the page, or", "one of my characters recites a portion of the Dhammapada. How do I", "translation on a website, but I can't find any contact info to contact", "I have written, one of my characters recites a portion of the Dhammapada.", "my characters recites a portion of the Dhammapada. How do I avoid violating", "In the book I have written, one of my characters recites a portion", "avoid violating copyright laws? The quote is from a translation on a website,", "portion of the Dhammapada. How do I avoid violating copyright laws? The quote", "website, but I can't find any contact info to contact either the author", "a portion of the Dhammapada. How do I avoid violating copyright laws? The", "written, one of my characters recites a portion of the Dhammapada. How do", "quote is from a translation on a website, but I can't find any", "copyright laws? The quote is from a translation on a website, but I", "characters recites a portion of the Dhammapada. How do I avoid violating copyright" ]
[ "the life of Fionn Mac Cumhaill, but in diary or journal form. I", "have always been interested in Irish mythology, especially Fionn Mac Cumhaill. I also", "mythology, especially Fionn Mac Cumhaill. I also like to write in journals. Is", "write in journals. Is there a way of combining the two? In other", "been interested in Irish mythology, especially Fionn Mac Cumhaill. I also like to", "that there are no dates in mythology. So how can I overcome this?", "Mac Cumhaill. I also like to write in journals. Is there a way", "Irish mythology, especially Fionn Mac Cumhaill. I also like to write in journals.", "interested in Irish mythology, especially Fionn Mac Cumhaill. I also like to write", "I also like to write in journals. Is there a way of combining", "example, the life of Fionn Mac Cumhaill, but in diary or journal form.", "or journal form. I also noticed that there are no dates in mythology.", "other words, say, for example, the life of Fionn Mac Cumhaill, but in", "say, for example, the life of Fionn Mac Cumhaill, but in diary or", "to write in journals. Is there a way of combining the two? In", "in diary or journal form. I also noticed that there are no dates", "always been interested in Irish mythology, especially Fionn Mac Cumhaill. I also like", "also noticed that there are no dates in mythology. So how can I", "way of combining the two? In other words, say, for example, the life", "In other words, say, for example, the life of Fionn Mac Cumhaill, but", "of combining the two? In other words, say, for example, the life of", "two? In other words, say, for example, the life of Fionn Mac Cumhaill,", "journal form. I also noticed that there are no dates in mythology. So", "especially Fionn Mac Cumhaill. I also like to write in journals. Is there", "Mac Cumhaill, but in diary or journal form. I also noticed that there", "Cumhaill. I also like to write in journals. Is there a way of", "diary or journal form. I also noticed that there are no dates in", "Is there a way of combining the two? In other words, say, for", "life of Fionn Mac Cumhaill, but in diary or journal form. I also", "journals. Is there a way of combining the two? In other words, say,", "Fionn Mac Cumhaill. I also like to write in journals. Is there a", "Cumhaill, but in diary or journal form. I also noticed that there are", "like to write in journals. Is there a way of combining the two?", "for example, the life of Fionn Mac Cumhaill, but in diary or journal", "the two? In other words, say, for example, the life of Fionn Mac", "but in diary or journal form. I also noticed that there are no", "form. I also noticed that there are no dates in mythology. So how", "in Irish mythology, especially Fionn Mac Cumhaill. I also like to write in", "noticed that there are no dates in mythology. So how can I overcome", "I have always been interested in Irish mythology, especially Fionn Mac Cumhaill. I", "of Fionn Mac Cumhaill, but in diary or journal form. I also noticed", "a way of combining the two? In other words, say, for example, the", "in journals. Is there a way of combining the two? In other words,", "combining the two? In other words, say, for example, the life of Fionn", "also like to write in journals. Is there a way of combining the", "Fionn Mac Cumhaill, but in diary or journal form. I also noticed that", "words, say, for example, the life of Fionn Mac Cumhaill, but in diary", "I also noticed that there are no dates in mythology. So how can", "there a way of combining the two? In other words, say, for example," ]
[ "One time, I sent letters, pretending to be a god. > > I", "writing: *I sent letters, pretending to be a god* was a bit, dunno,", "spent last week sending letters, pretending to be a god. > > >", "just wrote *last week* because I felt that writing: *I sent letters, pretending", "felt that writing: *I sent letters, pretending to be a god* was a", "the girl who sat > six rows behind me ... > > >", "girl who sat > six rows behind me ... > > > I", "behind me ... > > > I just wrote *last week* because I", "If the time frame is irrelevant, should I use *One time, I wrote", "a god. > > > The recipient of these letters was Aiko Kobayashi,", "didn't sound right. It this a bad writing practice? If the time frame", "be a god. > > > The recipient of these letters was Aiko", "practice? If the time frame is irrelevant, should I use *One time, I", "> > I just wrote *last week* because I felt that writing: *I", "be a god* was a bit, dunno, just didn't sound right. It this", "sound right. It this a bad writing practice? If the time frame is", "It this a bad writing practice? If the time frame is irrelevant, should", "I felt that writing: *I sent letters, pretending to be a god* was", "time frame is irrelevant, should I use *One time, I wrote ...* instead?", "because I felt that writing: *I sent letters, pretending to be a god*", "> six rows behind me ... > > > I just wrote *last", "bit, dunno, just didn't sound right. It this a bad writing practice? If", "pretending to be a god* was a bit, dunno, just didn't sound right.", "week sending letters, pretending to be a god. > > > The recipient", "Aiko Kobayashi, the girl who sat > six rows behind me ... >", "> > I spent last week sending letters, pretending to be a god.", "> > The recipient of these letters was Aiko Kobayashi, the girl who", "dunno, just didn't sound right. It this a bad writing practice? If the", "I just wrote *last week* because I felt that writing: *I sent letters,", "to be a god* was a bit, dunno, just didn't sound right. It", "pretending to be a god. > > > The recipient of these letters", "Example from my own writing: One time, I sent letters, pretending to be", "bad writing practice? If the time frame is irrelevant, should I use *One", "to be a god. > > I spent last week sending letters, pretending", "I spent last week sending letters, pretending to be a god. > >", "this a bad writing practice? If the time frame is irrelevant, should I", "> The recipient of these letters was Aiko Kobayashi, the girl who sat", "... > > > I just wrote *last week* because I felt that", "six rows behind me ... > > > I just wrote *last week*", "> I just wrote *last week* because I felt that writing: *I sent", "Kobayashi, the girl who sat > six rows behind me ... > >", "was Aiko Kobayashi, the girl who sat > six rows behind me ...", "The recipient of these letters was Aiko Kobayashi, the girl who sat >", "rows behind me ... > > > I just wrote *last week* because", "> I spent last week sending letters, pretending to be a god. >", "a god. > > I spent last week sending letters, pretending to be", "writing practice? If the time frame is irrelevant, should I use *One time,", "be a god. > > I spent last week sending letters, pretending to", "was a bit, dunno, just didn't sound right. It this a bad writing", "week* because I felt that writing: *I sent letters, pretending to be a", "last week sending letters, pretending to be a god. > > > The", "*last week* because I felt that writing: *I sent letters, pretending to be", "sat > six rows behind me ... > > > I just wrote", "letters was Aiko Kobayashi, the girl who sat > six rows behind me", "letters, pretending to be a god* was a bit, dunno, just didn't sound", "sent letters, pretending to be a god. > > I spent last week", "own writing: One time, I sent letters, pretending to be a god. >", "letters, pretending to be a god. > > I spent last week sending", "> > > The recipient of these letters was Aiko Kobayashi, the girl", "the time frame is irrelevant, should I use *One time, I wrote ...*", "time, I sent letters, pretending to be a god. > > I spent", "right. It this a bad writing practice? If the time frame is irrelevant,", "a god* was a bit, dunno, just didn't sound right. It this a", "recipient of these letters was Aiko Kobayashi, the girl who sat > six", "wrote *last week* because I felt that writing: *I sent letters, pretending to", "letters, pretending to be a god. > > > The recipient of these", "that writing: *I sent letters, pretending to be a god* was a bit,", "writing: One time, I sent letters, pretending to be a god. > >", "to be a god. > > > The recipient of these letters was", "these letters was Aiko Kobayashi, the girl who sat > six rows behind", "pretending to be a god. > > I spent last week sending letters,", "just didn't sound right. It this a bad writing practice? If the time", "god. > > I spent last week sending letters, pretending to be a", "who sat > six rows behind me ... > > > I just", "god* was a bit, dunno, just didn't sound right. It this a bad", "my own writing: One time, I sent letters, pretending to be a god.", "sent letters, pretending to be a god* was a bit, dunno, just didn't", "*I sent letters, pretending to be a god* was a bit, dunno, just", "me ... > > > I just wrote *last week* because I felt", "sending letters, pretending to be a god. > > > The recipient of", "from my own writing: One time, I sent letters, pretending to be a", "> > > I just wrote *last week* because I felt that writing:", "of these letters was Aiko Kobayashi, the girl who sat > six rows", "a bad writing practice? If the time frame is irrelevant, should I use", "god. > > > The recipient of these letters was Aiko Kobayashi, the", "a bit, dunno, just didn't sound right. It this a bad writing practice?", "I sent letters, pretending to be a god. > > I spent last" ]
[ "of the so-called 'mistakes every failing writer makes' -- but I have yet", "useful and educational resource -- especially to finally see examples of the so-called", "would be a useful and educational resource -- especially to finally see examples", "a useful and educational resource -- especially to finally see examples of the", "rejected novel manuscripts?** I think it would be a useful and educational resource", "the so-called 'mistakes every failing writer makes' -- but I have yet to", "examples of the so-called 'mistakes every failing writer makes' -- but I have", "think it would be a useful and educational resource -- especially to finally", "resource -- especially to finally see examples of the so-called 'mistakes every failing", "a thing as an online repository for rejected novel manuscripts?** I think it", "failing writer makes' -- but I have yet to find whether such a", "makes' -- but I have yet to find whether such a repository even", "manuscripts?** I think it would be a useful and educational resource -- especially", "it would be a useful and educational resource -- especially to finally see", "thing as an online repository for rejected novel manuscripts?** I think it would", "every failing writer makes' -- but I have yet to find whether such", "repository for rejected novel manuscripts?** I think it would be a useful and", "I think it would be a useful and educational resource -- especially to", "online repository for rejected novel manuscripts?** I think it would be a useful", "-- especially to finally see examples of the so-called 'mistakes every failing writer", "novel manuscripts?** I think it would be a useful and educational resource --", "there such a thing as an online repository for rejected novel manuscripts?** I", "**Is there such a thing as an online repository for rejected novel manuscripts?**", "and educational resource -- especially to finally see examples of the so-called 'mistakes", "educational resource -- especially to finally see examples of the so-called 'mistakes every", "so-called 'mistakes every failing writer makes' -- but I have yet to find", "for rejected novel manuscripts?** I think it would be a useful and educational", "writer makes' -- but I have yet to find whether such a repository", "finally see examples of the so-called 'mistakes every failing writer makes' -- but", "to finally see examples of the so-called 'mistakes every failing writer makes' --", "as an online repository for rejected novel manuscripts?** I think it would be", "an online repository for rejected novel manuscripts?** I think it would be a", "be a useful and educational resource -- especially to finally see examples of", "-- but I have yet to find whether such a repository even exists.", "'mistakes every failing writer makes' -- but I have yet to find whether", "especially to finally see examples of the so-called 'mistakes every failing writer makes'", "see examples of the so-called 'mistakes every failing writer makes' -- but I", "such a thing as an online repository for rejected novel manuscripts?** I think" ]
[ "who have read Steven Pinker's chapter on Arcs of Coherence and found it", "connections between sentences apart from the tree-like structure of chapter -> paragraph ->", "chapters so as to make them coherent with each other\". \"How do we", "connect elements of a larger text, to make the larger structure of the", "on the memory of the reader. However, he does not really extend this", "book. In chapter 4, he talks about how to form lucid coherent sentences,", "the level of chapters/pages. He does not really address the question of \"how", "coherent by connecting sentences in specific ways is truly very helpful. Also he", "his analysis is truly brilliant, about how a text is not merely tree-like,", "level of chapters/pages. He does not really address the question of \"how do", "the effect that the order of words has on the memory of the", "memory of the reader. However, he does not really extend this analysis to", "read Steven Pinker's chapter on Arcs of Coherence and found it as useful", "he has a brilliant analysis (more in chapter 4) of how lucid prose", "the order of words has on the memory of the reader. However, he", "is truly very helpful. Also he has a brilliant analysis (more in chapter", "Steven Pinker's chapter on Arcs of Coherence and found it as useful as", "subsequent paragraphs). I think his analysis is truly brilliant, about how a text", "structure of chapter -> paragraph -> Sentence -> words. His analysis of how", "paragraph (and also somewhat about coherence between subsequent paragraphs). I think his analysis", "brilliant analysis (more in chapter 4) of how lucid prose is created by", "so as to make them coherent\". **So my question is: For people who", "between sentences apart from the tree-like structure of chapter -> paragraph -> Sentence", "Steven Pinker's Sense of Style, which is a great book. In chapter 4,", "you know any other writers who have similar insights, but about how to", "talks about how to form lucid coherent sentences, and in chapter 5, called", "because there are connections between sentences apart from the tree-like structure of chapter", "order of words has on the memory of the reader. However, he does", "chapter 5, called \"Arcs of Coherence\", he extends his analysis of coherence to", "in different sections/chapters, so as to make them coherent\". **So my question is:", "which is a great book. In chapter 4, he talks about how to", "sentences in specific ways is truly very helpful. Also he has a brilliant", "of \"how do we write entire chapters so as to make them coherent", "useful as I did, do you know any other writers who have similar", "to make them coherent\". **So my question is: For people who have read", "words has on the memory of the reader. However, he does not really", "Sense of Style, which is a great book. In chapter 4, he talks", "form lucid coherent sentences, and in chapter 5, called \"Arcs of Coherence\", he", "by taking into account the effect that the order of words has on", "is not merely tree-like, because there are connections between sentences apart from the", "account the effect that the order of words has on the memory of", "as to make them coherent\". **So my question is: For people who have", "words. His analysis of how to make a paragraph coherent by connecting sentences", "is: For people who have read Steven Pinker's chapter on Arcs of Coherence", "sentences within a paragraph (and also somewhat about coherence between subsequent paragraphs). I", "as to make them coherent with each other\". \"How do we make connections", "chapter 4, he talks about how to form lucid coherent sentences, and in", "4, he talks about how to form lucid coherent sentences, and in chapter", "(more in chapter 4) of how lucid prose is created by taking into", "analysis of coherence to relations between sentences within a paragraph (and also somewhat", "do we write entire chapters so as to make them coherent with each", "to make a paragraph coherent by connecting sentences in specific ways is truly", "know any other writers who have similar insights, but about how to connect", "lucid prose is created by taking into account the effect that the order", "any other writers who have similar insights, but about how to connect elements", "(and also somewhat about coherence between subsequent paragraphs). I think his analysis is", "to form lucid coherent sentences, and in chapter 5, called \"Arcs of Coherence\",", "brilliant, about how a text is not merely tree-like, because there are connections", "did, do you know any other writers who have similar insights, but about", "analysis is truly brilliant, about how a text is not merely tree-like, because", "between sentences in different sections/chapters, so as to make them coherent\". **So my", "sentences, and in chapter 5, called \"Arcs of Coherence\", he extends his analysis", "found it as useful as I did, do you know any other writers", "as useful as I did, do you know any other writers who have", "about coherence between subsequent paragraphs). I think his analysis is truly brilliant, about", "-> words. His analysis of how to make a paragraph coherent by connecting", "connecting sentences in specific ways is truly very helpful. Also he has a", "does not really extend this analysis to the level of chapters/pages. He does", "within a paragraph (and also somewhat about coherence between subsequent paragraphs). I think", "question is: For people who have read Steven Pinker's chapter on Arcs of", "do you know any other writers who have similar insights, but about how", "this analysis to the level of chapters/pages. He does not really address the", "address the question of \"how do we write entire chapters so as to", "about how to form lucid coherent sentences, and in chapter 5, called \"Arcs", "have read Steven Pinker's Sense of Style, which is a great book. In", "truly very helpful. Also he has a brilliant analysis (more in chapter 4)", "make a paragraph coherent by connecting sentences in specific ways is truly very", "tree-like structure of chapter -> paragraph -> Sentence -> words. His analysis of", "He does not really address the question of \"how do we write entire", "that the order of words has on the memory of the reader. However,", "For people who have read Steven Pinker's chapter on Arcs of Coherence and", "how to connect elements of a larger text, to make the larger structure", "somewhat about coherence between subsequent paragraphs). I think his analysis is truly brilliant,", "how lucid prose is created by taking into account the effect that the", "prose is created by taking into account the effect that the order of", "how to make a paragraph coherent by connecting sentences in specific ways is", "However, he does not really extend this analysis to the level of chapters/pages.", "we write entire chapters so as to make them coherent with each other\".", "so as to make them coherent with each other\". \"How do we make", "apart from the tree-like structure of chapter -> paragraph -> Sentence -> words.", "is a great book. In chapter 4, he talks about how to form", "analysis (more in chapter 4) of how lucid prose is created by taking", "a brilliant analysis (more in chapter 4) of how lucid prose is created", "tree-like, because there are connections between sentences apart from the tree-like structure of", "coherence between subsequent paragraphs). I think his analysis is truly brilliant, about how", "make them coherent\". **So my question is: For people who have read Steven", "Style, which is a great book. In chapter 4, he talks about how", "paragraph coherent by connecting sentences in specific ways is truly very helpful. Also", "my question is: For people who have read Steven Pinker's chapter on Arcs", "by connecting sentences in specific ways is truly very helpful. Also he has", "other writers who have similar insights, but about how to connect elements of", "a paragraph coherent by connecting sentences in specific ways is truly very helpful.", "Pinker's Sense of Style, which is a great book. In chapter 4, he", "the tree-like structure of chapter -> paragraph -> Sentence -> words. His analysis", "to relations between sentences within a paragraph (and also somewhat about coherence between", "helpful. Also he has a brilliant analysis (more in chapter 4) of how", "His analysis of how to make a paragraph coherent by connecting sentences in", "reader. However, he does not really extend this analysis to the level of", "taking into account the effect that the order of words has on the", "similar insights, but about how to connect elements of a larger text, to", "of the reader. However, he does not really extend this analysis to the", "called \"Arcs of Coherence\", he extends his analysis of coherence to relations between", "who have similar insights, but about how to connect elements of a larger", "Also he has a brilliant analysis (more in chapter 4) of how lucid", "sections/chapters, so as to make them coherent\". **So my question is: For people", "from the tree-like structure of chapter -> paragraph -> Sentence -> words. His", "other\". \"How do we make connections between sentences in different sections/chapters, so as", "have similar insights, but about how to connect elements of a larger text,", "also somewhat about coherence between subsequent paragraphs). I think his analysis is truly", "I did, do you know any other writers who have similar insights, but", "In chapter 4, he talks about how to form lucid coherent sentences, and", "Coherence\", he extends his analysis of coherence to relations between sentences within a", "Arcs of Coherence and found it as useful as I did, do you", "text is not merely tree-like, because there are connections between sentences apart from", "is truly brilliant, about how a text is not merely tree-like, because there", "how a text is not merely tree-like, because there are connections between sentences", "elements of a larger text, to make the larger structure of the text", "of Coherence\", he extends his analysis of coherence to relations between sentences within", "truly brilliant, about how a text is not merely tree-like, because there are", "\"How do we make connections between sentences in different sections/chapters, so as to", "are connections between sentences apart from the tree-like structure of chapter -> paragraph", "a text is not merely tree-like, because there are connections between sentences apart", "he does not really extend this analysis to the level of chapters/pages. He", "really extend this analysis to the level of chapters/pages. He does not really", "of words has on the memory of the reader. However, he does not", "I think his analysis is truly brilliant, about how a text is not", "coherent sentences, and in chapter 5, called \"Arcs of Coherence\", he extends his", "a paragraph (and also somewhat about coherence between subsequent paragraphs). I think his", "on Arcs of Coherence and found it as useful as I did, do", "extends his analysis of coherence to relations between sentences within a paragraph (and", "do we make connections between sentences in different sections/chapters, so as to make", "as I did, do you know any other writers who have similar insights,", "of how to make a paragraph coherent by connecting sentences in specific ways", "about how to connect elements of a larger text, to make the larger", "sentences apart from the tree-like structure of chapter -> paragraph -> Sentence ->", "chapters/pages. He does not really address the question of \"how do we write", "created by taking into account the effect that the order of words has", "into account the effect that the order of words has on the memory", "coherent\". **So my question is: For people who have read Steven Pinker's chapter", "not really address the question of \"how do we write entire chapters so", "question of \"how do we write entire chapters so as to make them", "the memory of the reader. However, he does not really extend this analysis", "to connect elements of a larger text, to make the larger structure of", "he talks about how to form lucid coherent sentences, and in chapter 5,", "his analysis of coherence to relations between sentences within a paragraph (and also", "he extends his analysis of coherence to relations between sentences within a paragraph", "not merely tree-like, because there are connections between sentences apart from the tree-like", "of chapters/pages. He does not really address the question of \"how do we", "lucid coherent sentences, and in chapter 5, called \"Arcs of Coherence\", he extends", "is created by taking into account the effect that the order of words", "we make connections between sentences in different sections/chapters, so as to make them", "**So my question is: For people who have read Steven Pinker's chapter on", "of chapter -> paragraph -> Sentence -> words. His analysis of how to", "and found it as useful as I did, do you know any other", "chapter -> paragraph -> Sentence -> words. His analysis of how to make", "relations between sentences within a paragraph (and also somewhat about coherence between subsequent", "have read Steven Pinker's chapter on Arcs of Coherence and found it as", "it as useful as I did, do you know any other writers who", "4) of how lucid prose is created by taking into account the effect", "paragraph -> Sentence -> words. His analysis of how to make a paragraph", "really address the question of \"how do we write entire chapters so as", "of Coherence and found it as useful as I did, do you know", "how to form lucid coherent sentences, and in chapter 5, called \"Arcs of", "in specific ways is truly very helpful. Also he has a brilliant analysis", "each other\". \"How do we make connections between sentences in different sections/chapters, so", "but about how to connect elements of a larger text, to make the", "\"Arcs of Coherence\", he extends his analysis of coherence to relations between sentences", "and in chapter 5, called \"Arcs of Coherence\", he extends his analysis of", "chapter 4) of how lucid prose is created by taking into account the", "the reader. However, he does not really extend this analysis to the level", "them coherent with each other\". \"How do we make connections between sentences in", "think his analysis is truly brilliant, about how a text is not merely", "about how a text is not merely tree-like, because there are connections between", "specific ways is truly very helpful. Also he has a brilliant analysis (more", "effect that the order of words has on the memory of the reader.", "make connections between sentences in different sections/chapters, so as to make them coherent\".", "has on the memory of the reader. However, he does not really extend", "coherent with each other\". \"How do we make connections between sentences in different", "-> paragraph -> Sentence -> words. His analysis of how to make a", "there are connections between sentences apart from the tree-like structure of chapter ->", "Sentence -> words. His analysis of how to make a paragraph coherent by", "merely tree-like, because there are connections between sentences apart from the tree-like structure", "extend this analysis to the level of chapters/pages. He does not really address", "writers who have similar insights, but about how to connect elements of a", "of how lucid prose is created by taking into account the effect that", "to the level of chapters/pages. He does not really address the question of", "insights, but about how to connect elements of a larger text, to make", "between subsequent paragraphs). I think his analysis is truly brilliant, about how a", "a great book. In chapter 4, he talks about how to form lucid", "in chapter 4) of how lucid prose is created by taking into account", "write entire chapters so as to make them coherent with each other\". \"How", "Coherence and found it as useful as I did, do you know any", "of Style, which is a great book. In chapter 4, he talks about", "great book. In chapter 4, he talks about how to form lucid coherent", "to make them coherent with each other\". \"How do we make connections between", "Pinker's chapter on Arcs of Coherence and found it as useful as I", "\"how do we write entire chapters so as to make them coherent with", "not really extend this analysis to the level of chapters/pages. He does not", "of a larger text, to make the larger structure of the text more", "analysis to the level of chapters/pages. He does not really address the question", "them coherent\". **So my question is: For people who have read Steven Pinker's", "different sections/chapters, so as to make them coherent\". **So my question is: For", "does not really address the question of \"how do we write entire chapters", "between sentences within a paragraph (and also somewhat about coherence between subsequent paragraphs).", "the question of \"how do we write entire chapters so as to make", "with each other\". \"How do we make connections between sentences in different sections/chapters,", "paragraphs). I think his analysis is truly brilliant, about how a text is", "5, called \"Arcs of Coherence\", he extends his analysis of coherence to relations", "coherence to relations between sentences within a paragraph (and also somewhat about coherence", "connections between sentences in different sections/chapters, so as to make them coherent\". **So", "very helpful. Also he has a brilliant analysis (more in chapter 4) of", "entire chapters so as to make them coherent with each other\". \"How do", "make them coherent with each other\". \"How do we make connections between sentences", "sentences in different sections/chapters, so as to make them coherent\". **So my question", "I have read Steven Pinker's Sense of Style, which is a great book.", "ways is truly very helpful. Also he has a brilliant analysis (more in", "chapter on Arcs of Coherence and found it as useful as I did,", "has a brilliant analysis (more in chapter 4) of how lucid prose is", "people who have read Steven Pinker's chapter on Arcs of Coherence and found", "analysis of how to make a paragraph coherent by connecting sentences in specific", "read Steven Pinker's Sense of Style, which is a great book. In chapter", "in chapter 5, called \"Arcs of Coherence\", he extends his analysis of coherence", "of coherence to relations between sentences within a paragraph (and also somewhat about", "-> Sentence -> words. His analysis of how to make a paragraph coherent", "a larger text, to make the larger structure of the text more coherent?**" ]
[ "Is there any evidence that a prolific readers are better equipped to write", "invariably gets girl, good overcomes evil). And then there's the politics and marketing.", "prolific readers are better equipped to write than a non-reader? At first I'd", "write than a non-reader? At first I'd suggest the answer is a no-brainer", "adopted a couple of techniques that I certainly have not learned from books.", "data stream is too slow\". In support of the inbreeding theory we can", "positive outcome. And general know the outcome before they start (boy invariably gets", "a non-reader wrote a best-seller and admitted he didn't read it would be", "the end. Novel readers: Root for their heroes. Insist on a positive outcome.", "a controversial claim from a non-reader - \"The data stream is too slow\".", "other novels isn't that like . . . inbreeding? Inbreeding is never a", "And whilst readers claim to be intellectually superior to others I received a", "of two groups. Sports-fans: Root for their heroes. Hope for a positive outcome.", "they prefer fake news. Ergo, this question will probably be put on hold", "further speculation - I'm not convinced. I scan the questions on this site", "suggest the answer is a no-brainer but on further speculation - I'm not", "outcome. Are upset if they are informed of the outcome before the end.", "Inbreeding is never a good thing. I know I've adopted a couple of", "also wonder: if your input for a novel comes exclusively from other novels", "but on further speculation - I'm not convinced. I scan the questions on", "I scan the questions on this site and cannot understand how people who", "on a positive outcome. And general know the outcome before they start (boy", "are informed of the outcome before the end. Novel readers: Root for their", "good overcomes evil). And then there's the politics and marketing. If a non-reader", "inbreeding theory we can look at the general behaviour of two groups. Sports-fans:", "that they've been wasting their time would go down like a lead balloon.", "thing. I know I've adopted a couple of techniques that I certainly have", "support of the inbreeding theory we can look at the general behaviour of", "two groups. Sports-fans: Root for their heroes. Hope for a positive outcome. Are", "the outcome before they start (boy invariably gets girl, good overcomes evil). And", "heroes. Insist on a positive outcome. And general know the outcome before they", "never a good thing. I know I've adopted a couple of techniques that", "politics and marketing. If a non-reader wrote a best-seller and admitted he didn't", "comes exclusively from other novels isn't that like . . . inbreeding? Inbreeding", "admitted he didn't read it would be commercial suicide. Telling aspiring writers who", "good thing. I know I've adopted a couple of techniques that I certainly", "fail to recognise that more than half the world doesn't read fiction. And", "books. Writers and literary industry in general fail to recognise that more than", "Novel readers: Root for their heroes. Insist on a positive outcome. And general", "wasting their time would go down like a lead balloon. People don't want", "whilst readers claim to be intellectually superior to others I received a controversial", "to be intellectually superior to others I received a controversial claim from a", "cannot understand how people who frequently read novels appear not to understand basics", "superior to others I received a controversial claim from a non-reader - \"The", "not convinced. I scan the questions on this site and cannot understand how", "didn't read it would be commercial suicide. Telling aspiring writers who have spent", "of the outcome before the end. Novel readers: Root for their heroes. Insist", "from a non-reader - \"The data stream is too slow\". In support of", "not to understand basics such as structure. I also wonder: if your input", "before the end. Novel readers: Root for their heroes. Insist on a positive", "to hear 'bad news' they prefer fake news. Ergo, this question will probably", "any evidence that a prolific readers are better equipped to write than a", "learned from books. Writers and literary industry in general fail to recognise that", "I certainly have not learned from books. Writers and literary industry in general", "on this site and cannot understand how people who frequently read novels appear", "Insist on a positive outcome. And general know the outcome before they start", "submitting manuscripts that they've been wasting their time would go down like a", "doesn't read fiction. And whilst readers claim to be intellectually superior to others", "- \"The data stream is too slow\". In support of the inbreeding theory", "recognise that more than half the world doesn't read fiction. And whilst readers", "the questions on this site and cannot understand how people who frequently read", "I know I've adopted a couple of techniques that I certainly have not", "groups. Sports-fans: Root for their heroes. Hope for a positive outcome. Are upset", "there any evidence that a prolific readers are better equipped to write than", "is too slow\". In support of the inbreeding theory we can look at", "better equipped to write than a non-reader? At first I'd suggest the answer", "half the world doesn't read fiction. And whilst readers claim to be intellectually", "I received a controversial claim from a non-reader - \"The data stream is", "received a controversial claim from a non-reader - \"The data stream is too", "frequently read novels appear not to understand basics such as structure. I also", "years polishing and submitting manuscripts that they've been wasting their time would go", "their heroes. Hope for a positive outcome. Are upset if they are informed", "claim from a non-reader - \"The data stream is too slow\". In support", "for their heroes. Hope for a positive outcome. Are upset if they are", "if your input for a novel comes exclusively from other novels isn't that", "intellectually superior to others I received a controversial claim from a non-reader -", "a best-seller and admitted he didn't read it would be commercial suicide. Telling", "commercial suicide. Telling aspiring writers who have spent years polishing and submitting manuscripts", "Are upset if they are informed of the outcome before the end. Novel", "outcome before they start (boy invariably gets girl, good overcomes evil). And then", "down like a lead balloon. People don't want to hear 'bad news' they", "read fiction. And whilst readers claim to be intellectually superior to others I", "start (boy invariably gets girl, good overcomes evil). And then there's the politics", "- I'm not convinced. I scan the questions on this site and cannot", "informed of the outcome before the end. Novel readers: Root for their heroes.", "non-reader - \"The data stream is too slow\". In support of the inbreeding", ". inbreeding? Inbreeding is never a good thing. I know I've adopted a", "we can look at the general behaviour of two groups. Sports-fans: Root for", "'bad news' they prefer fake news. Ergo, this question will probably be put", "theory we can look at the general behaviour of two groups. Sports-fans: Root", "outcome. And general know the outcome before they start (boy invariably gets girl,", "couple of techniques that I certainly have not learned from books. Writers and", "before they start (boy invariably gets girl, good overcomes evil). And then there's", "of techniques that I certainly have not learned from books. Writers and literary", "writers who have spent years polishing and submitting manuscripts that they've been wasting", "industry in general fail to recognise that more than half the world doesn't", "balloon. People don't want to hear 'bad news' they prefer fake news. Ergo,", "have spent years polishing and submitting manuscripts that they've been wasting their time", "want to hear 'bad news' they prefer fake news. Ergo, this question will", "wrote a best-seller and admitted he didn't read it would be commercial suicide.", "as structure. I also wonder: if your input for a novel comes exclusively", "others I received a controversial claim from a non-reader - \"The data stream", "don't want to hear 'bad news' they prefer fake news. Ergo, this question", "from books. Writers and literary industry in general fail to recognise that more", "then there's the politics and marketing. If a non-reader wrote a best-seller and", "look at the general behaviour of two groups. Sports-fans: Root for their heroes.", "would be commercial suicide. Telling aspiring writers who have spent years polishing and", "If a non-reader wrote a best-seller and admitted he didn't read it would", "spent years polishing and submitting manuscripts that they've been wasting their time would", "and submitting manuscripts that they've been wasting their time would go down like", "lead balloon. People don't want to hear 'bad news' they prefer fake news.", "the answer is a no-brainer but on further speculation - I'm not convinced.", "isn't that like . . . inbreeding? Inbreeding is never a good thing.", "literary industry in general fail to recognise that more than half the world", "best-seller and admitted he didn't read it would be commercial suicide. Telling aspiring", "a no-brainer but on further speculation - I'm not convinced. I scan the", "than a non-reader? At first I'd suggest the answer is a no-brainer but", "and admitted he didn't read it would be commercial suicide. Telling aspiring writers", "a non-reader - \"The data stream is too slow\". In support of the", "are better equipped to write than a non-reader? At first I'd suggest the", "been wasting their time would go down like a lead balloon. People don't", "People don't want to hear 'bad news' they prefer fake news. Ergo, this", "like . . . inbreeding? Inbreeding is never a good thing. I know", "to write than a non-reader? At first I'd suggest the answer is a", "a couple of techniques that I certainly have not learned from books. Writers", "news. Ergo, this question will probably be put on hold before being removed.", "such as structure. I also wonder: if your input for a novel comes", "for their heroes. Insist on a positive outcome. And general know the outcome", "a positive outcome. And general know the outcome before they start (boy invariably", "prefer fake news. Ergo, this question will probably be put on hold before", "manuscripts that they've been wasting their time would go down like a lead", "slow\". In support of the inbreeding theory we can look at the general", "people who frequently read novels appear not to understand basics such as structure.", "hear 'bad news' they prefer fake news. Ergo, this question will probably be", "to understand basics such as structure. I also wonder: if your input for", "can look at the general behaviour of two groups. Sports-fans: Root for their", "I'd suggest the answer is a no-brainer but on further speculation - I'm", "to recognise that more than half the world doesn't read fiction. And whilst", "they are informed of the outcome before the end. Novel readers: Root for", "Sports-fans: Root for their heroes. Hope for a positive outcome. Are upset if", "there's the politics and marketing. If a non-reader wrote a best-seller and admitted", "readers: Root for their heroes. Insist on a positive outcome. And general know", "the general behaviour of two groups. Sports-fans: Root for their heroes. Hope for", "and marketing. If a non-reader wrote a best-seller and admitted he didn't read", "equipped to write than a non-reader? At first I'd suggest the answer is", "general fail to recognise that more than half the world doesn't read fiction.", "be intellectually superior to others I received a controversial claim from a non-reader", "controversial claim from a non-reader - \"The data stream is too slow\". In", "Root for their heroes. Insist on a positive outcome. And general know the", "a lead balloon. People don't want to hear 'bad news' they prefer fake", "general behaviour of two groups. Sports-fans: Root for their heroes. Hope for a", "this site and cannot understand how people who frequently read novels appear not", "too slow\". In support of the inbreeding theory we can look at the", "site and cannot understand how people who frequently read novels appear not to", "exclusively from other novels isn't that like . . . inbreeding? Inbreeding is", "I've adopted a couple of techniques that I certainly have not learned from", "input for a novel comes exclusively from other novels isn't that like .", "more than half the world doesn't read fiction. And whilst readers claim to", "I also wonder: if your input for a novel comes exclusively from other", "end. Novel readers: Root for their heroes. Insist on a positive outcome. And", "Writers and literary industry in general fail to recognise that more than half", "speculation - I'm not convinced. I scan the questions on this site and", "a positive outcome. Are upset if they are informed of the outcome before", "stream is too slow\". In support of the inbreeding theory we can look", "behaviour of two groups. Sports-fans: Root for their heroes. Hope for a positive", "questions on this site and cannot understand how people who frequently read novels", "who frequently read novels appear not to understand basics such as structure. I", "to others I received a controversial claim from a non-reader - \"The data", "first I'd suggest the answer is a no-brainer but on further speculation -", "readers are better equipped to write than a non-reader? At first I'd suggest", "novels appear not to understand basics such as structure. I also wonder: if", "suicide. Telling aspiring writers who have spent years polishing and submitting manuscripts that", "the politics and marketing. If a non-reader wrote a best-seller and admitted he", "appear not to understand basics such as structure. I also wonder: if your", "(boy invariably gets girl, good overcomes evil). And then there's the politics and", "and cannot understand how people who frequently read novels appear not to understand", "than half the world doesn't read fiction. 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I know I've adopted a couple of techniques that I", "know I've adopted a couple of techniques that I certainly have not learned", "their time would go down like a lead balloon. People don't want to", "outcome before the end. Novel readers: Root for their heroes. Insist on a", "go down like a lead balloon. People don't want to hear 'bad news'", "not learned from books. Writers and literary industry in general fail to recognise", "news' they prefer fake news. Ergo, this question will probably be put on", "world doesn't read fiction. And whilst readers claim to be intellectually superior to", "claim to be intellectually superior to others I received a controversial claim from", "read novels appear not to understand basics such as structure. I also wonder:", "no-brainer but on further speculation - I'm not convinced. I scan the questions", ". . inbreeding? Inbreeding is never a good thing. I know I've adopted", "that more than half the world doesn't read fiction. And whilst readers claim", "know the outcome before they start (boy invariably gets girl, good overcomes evil).", "\"The data stream is too slow\". In support of the inbreeding theory we", "of the inbreeding theory we can look at the general behaviour of two", "fiction. And whilst readers claim to be intellectually superior to others I received", "gets girl, good overcomes evil). And then there's the politics and marketing. If", "read it would be commercial suicide. Telling aspiring writers who have spent years", "time would go down like a lead balloon. People don't want to hear", "they've been wasting their time would go down like a lead balloon. People", "their heroes. Insist on a positive outcome. And general know the outcome before", "a prolific readers are better equipped to write than a non-reader? At first", "is never a good thing. I know I've adopted a couple of techniques", "evil). And then there's the politics and marketing. If a non-reader wrote a", "the world doesn't read fiction. And whilst readers claim to be intellectually superior", "inbreeding? Inbreeding is never a good thing. I know I've adopted a couple", "answer is a no-brainer but on further speculation - I'm not convinced. I", "general know the outcome before they start (boy invariably gets girl, good overcomes", "non-reader? At first I'd suggest the answer is a no-brainer but on further", "marketing. If a non-reader wrote a best-seller and admitted he didn't read it", "like a lead balloon. People don't want to hear 'bad news' they prefer", "polishing and submitting manuscripts that they've been wasting their time would go down", "a non-reader? At first I'd suggest the answer is a no-brainer but on", "scan the questions on this site and cannot understand how people who frequently", "a novel comes exclusively from other novels isn't that like . . .", "be commercial suicide. Telling aspiring writers who have spent years polishing and submitting", "structure. I also wonder: if your input for a novel comes exclusively from", "fake news. Ergo, this question will probably be put on hold before being", "from other novels isn't that like . . . inbreeding? Inbreeding is never", "techniques that I certainly have not learned from books. Writers and literary industry", "would go down like a lead balloon. People don't want to hear 'bad", "evidence that a prolific readers are better equipped to write than a non-reader?", "basics such as structure. I also wonder: if your input for a novel", "Hope for a positive outcome. Are upset if they are informed of the", "overcomes evil). And then there's the politics and marketing. If a non-reader wrote", "And then there's the politics and marketing. If a non-reader wrote a best-seller", "aspiring writers who have spent years polishing and submitting manuscripts that they've been", "it would be commercial suicide. Telling aspiring writers who have spent years polishing", "novel comes exclusively from other novels isn't that like . . . inbreeding?", "is a no-brainer but on further speculation - I'm not convinced. I scan", "Root for their heroes. Hope for a positive outcome. Are upset if they", "they start (boy invariably gets girl, good overcomes evil). And then there's the", "understand how people who frequently read novels appear not to understand basics such", "how people who frequently read novels appear not to understand basics such as", "the outcome before the end. Novel readers: Root for their heroes. Insist on", "upset if they are informed of the outcome before the end. Novel readers:", "that I certainly have not learned from books. Writers and literary industry in", "on further speculation - I'm not convinced. I scan the questions on this", "Telling aspiring writers who have spent years polishing and submitting manuscripts that they've", "that a prolific readers are better equipped to write than a non-reader? At", "And general know the outcome before they start (boy invariably gets girl, good", "your input for a novel comes exclusively from other novels isn't that like", "certainly have not learned from books. Writers and literary industry in general fail", "In support of the inbreeding theory we can look at the general behaviour", "girl, good overcomes evil). And then there's the politics and marketing. If a", "have not learned from books. Writers and literary industry in general fail to", "non-reader wrote a best-seller and admitted he didn't read it would be commercial", "at the general behaviour of two groups. Sports-fans: Root for their heroes. Hope", "I'm not convinced. I scan the questions on this site and cannot understand", "At first I'd suggest the answer is a no-brainer but on further speculation", "if they are informed of the outcome before the end. Novel readers: Root", "understand basics such as structure. I also wonder: if your input for a", "and literary industry in general fail to recognise that more than half the", "for a novel comes exclusively from other novels isn't that like . .", "convinced. I scan the questions on this site and cannot understand how people" ]
[ "story. The trouble is that the only character who understands this significance is", "relevant, and I believe its relevance will be clear in retrospect, but how", "time of the story, and since investigating this character's death is a part", "is that the only character who understands this significance is dead at the", "while they're reading it? The thread concerns two characters and their relationship, the", "the story appears (from the reader's perspective) to have nothing at all to", "at first, while gradually converging over the course of the story. The trouble", "think it'd be better if the actual reasons for its relevence were revealed", "rest. It *is* relevant, and I believe its relevance will be clear in", "to the reader only when revealed to the (living) characters. What I need", "their relationship, the nature and conclusion of which turns out to be significant", "It *is* relevant, and I believe its relevance will be clear in retrospect,", "is a way to assure the reader that there *is* a reason that", "which relate to each other subtly at first, while gradually converging over the", "revealed to the reader only when revealed to the (living) characters. What I", "thread concerns two characters and their relationship, the nature and conclusion of which", "it'd be better if the actual reasons for its relevence were revealed to", "have nothing at all to do with the rest. It *is* relevant, and", "is that one particular thread of the story appears (from the reader's perspective)", "of main plot, I think it'd be better if the actual reasons for", "nothing at all to do with the rest. It *is* relevant, and I", "the story. The trouble is that one particular thread of the story appears", "relationship, the nature and conclusion of which turns out to be significant to", "part of main plot, I think it'd be better if the actual reasons", "while gradually converging over the course of the story. The trouble is that", "do I make this clear to the reader while they're reading it? The", "two characters and their relationship, the nature and conclusion of which turns out", "to do with the rest. It *is* relevant, and I believe its relevance", "the only character who understands this significance is dead at the time of", "the reader that there *is* a reason that they're getting to know these", "assure the reader that there *is* a reason that they're getting to know", "story I'm writing has multiple story threads, which relate to each other subtly", "reader only when revealed to the (living) characters. What I need is a", "who understands this significance is dead at the time of the story, and", "with the rest. It *is* relevant, and I believe its relevance will be", "which turns out to be significant to the main story. The trouble is", "be better if the actual reasons for its relevence were revealed to the", "understands this significance is dead at the time of the story, and since", "actual reasons for its relevence were revealed to the reader only when revealed", "of the story. The trouble is that one particular thread of the story", "to have nothing at all to do with the rest. It *is* relevant,", "believe its relevance will be clear in retrospect, but how do I make", "death is a part of main plot, I think it'd be better if", "thread of the story appears (from the reader's perspective) to have nothing at", "the time of the story, and since investigating this character's death is a", "gradually converging over the course of the story. The trouble is that one", "is a part of main plot, I think it'd be better if the", "to the reader while they're reading it? The thread concerns two characters and", "the nature and conclusion of which turns out to be significant to the", "subtly at first, while gradually converging over the course of the story. The", "character who understands this significance is dead at the time of the story,", "the story, and since investigating this character's death is a part of main", "first, while gradually converging over the course of the story. The trouble is", "reason that they're getting to know these characters, without actually revealing what that", "and I believe its relevance will be clear in retrospect, but how do", "a part of main plot, I think it'd be better if the actual", "that there *is* a reason that they're getting to know these characters, without", "one particular thread of the story appears (from the reader's perspective) to have", "better if the actual reasons for its relevence were revealed to the reader", "a way to assure the reader that there *is* a reason that they're", "only character who understands this significance is dead at the time of the", "threads, which relate to each other subtly at first, while gradually converging over", "this character's death is a part of main plot, I think it'd be", "all to do with the rest. It *is* relevant, and I believe its", "be significant to the main story. The trouble is that the only character", "appears (from the reader's perspective) to have nothing at all to do with", "trouble is that one particular thread of the story appears (from the reader's", "particular thread of the story appears (from the reader's perspective) to have nothing", "characters. What I need is a way to assure the reader that there", "there *is* a reason that they're getting to know these characters, without actually", "do with the rest. It *is* relevant, and I believe its relevance will", "of the story appears (from the reader's perspective) to have nothing at all", "conclusion of which turns out to be significant to the main story. The", "is dead at the time of the story, and since investigating this character's", "concerns two characters and their relationship, the nature and conclusion of which turns", "reader's perspective) to have nothing at all to do with the rest. It", "to assure the reader that there *is* a reason that they're getting to", "story, and since investigating this character's death is a part of main plot,", "main plot, I think it'd be better if the actual reasons for its", "I need is a way to assure the reader that there *is* a", "investigating this character's death is a part of main plot, I think it'd", "to the main story. The trouble is that the only character who understands", "plot, I think it'd be better if the actual reasons for its relevence", "each other subtly at first, while gradually converging over the course of the", "the reader only when revealed to the (living) characters. What I need is", "clear in retrospect, but how do I make this clear to the reader", "I believe its relevance will be clear in retrospect, but how do I", "the reader while they're reading it? The thread concerns two characters and their", "way to assure the reader that there *is* a reason that they're getting", "be clear in retrospect, but how do I make this clear to the", "retrospect, but how do I make this clear to the reader while they're", "how do I make this clear to the reader while they're reading it?", "of the story, and since investigating this character's death is a part of", "nature and conclusion of which turns out to be significant to the main", "the rest. It *is* relevant, and I believe its relevance will be clear", "and conclusion of which turns out to be significant to the main story.", "this clear to the reader while they're reading it? The thread concerns two", "I'm writing has multiple story threads, which relate to each other subtly at", "*is* relevant, and I believe its relevance will be clear in retrospect, but", "it? The thread concerns two characters and their relationship, the nature and conclusion", "they're reading it? The thread concerns two characters and their relationship, the nature", "if the actual reasons for its relevence were revealed to the reader only", "that one particular thread of the story appears (from the reader's perspective) to", "other subtly at first, while gradually converging over the course of the story.", "*is* a reason that they're getting to know these characters, without actually revealing", "character's death is a part of main plot, I think it'd be better", "its relevance will be clear in retrospect, but how do I make this", "that the only character who understands this significance is dead at the time", "they're getting to know these characters, without actually revealing what that reason is.", "The trouble is that one particular thread of the story appears (from the", "I think it'd be better if the actual reasons for its relevence were", "were revealed to the reader only when revealed to the (living) characters. What", "story. The trouble is that one particular thread of the story appears (from", "multiple story threads, which relate to each other subtly at first, while gradually", "reader while they're reading it? The thread concerns two characters and their relationship,", "make this clear to the reader while they're reading it? The thread concerns", "reading it? The thread concerns two characters and their relationship, the nature and", "that they're getting to know these characters, without actually revealing what that reason", "has multiple story threads, which relate to each other subtly at first, while", "but how do I make this clear to the reader while they're reading", "will be clear in retrospect, but how do I make this clear to", "in retrospect, but how do I make this clear to the reader while", "and since investigating this character's death is a part of main plot, I", "converging over the course of the story. The trouble is that one particular", "since investigating this character's death is a part of main plot, I think", "reader that there *is* a reason that they're getting to know these characters,", "this significance is dead at the time of the story, and since investigating", "turns out to be significant to the main story. The trouble is that", "writing has multiple story threads, which relate to each other subtly at first,", "need is a way to assure the reader that there *is* a reason", "The thread concerns two characters and their relationship, the nature and conclusion of", "and their relationship, the nature and conclusion of which turns out to be", "relevence were revealed to the reader only when revealed to the (living) characters.", "the actual reasons for its relevence were revealed to the reader only when", "only when revealed to the (living) characters. What I need is a way", "when revealed to the (living) characters. What I need is a way to", "to be significant to the main story. The trouble is that the only", "its relevence were revealed to the reader only when revealed to the (living)", "at all to do with the rest. It *is* relevant, and I believe", "significant to the main story. The trouble is that the only character who", "main story. The trouble is that the only character who understands this significance", "to the (living) characters. What I need is a way to assure the", "story appears (from the reader's perspective) to have nothing at all to do", "a reason that they're getting to know these characters, without actually revealing what", "clear to the reader while they're reading it? The thread concerns two characters", "story threads, which relate to each other subtly at first, while gradually converging", "relevance will be clear in retrospect, but how do I make this clear", "The trouble is that the only character who understands this significance is dead", "out to be significant to the main story. The trouble is that the", "I make this clear to the reader while they're reading it? The thread", "trouble is that the only character who understands this significance is dead at", "What I need is a way to assure the reader that there *is*", "significance is dead at the time of the story, and since investigating this", "(living) characters. What I need is a way to assure the reader that", "over the course of the story. The trouble is that one particular thread", "at the time of the story, and since investigating this character's death is", "revealed to the (living) characters. What I need is a way to assure", "relate to each other subtly at first, while gradually converging over the course", "the (living) characters. What I need is a way to assure the reader", "(from the reader's perspective) to have nothing at all to do with the", "course of the story. The trouble is that one particular thread of the", "for its relevence were revealed to the reader only when revealed to the", "reasons for its relevence were revealed to the reader only when revealed to", "of which turns out to be significant to the main story. The trouble", "the reader's perspective) to have nothing at all to do with the rest.", "the main story. The trouble is that the only character who understands this", "The story I'm writing has multiple story threads, which relate to each other", "the course of the story. The trouble is that one particular thread of", "characters and their relationship, the nature and conclusion of which turns out to", "perspective) to have nothing at all to do with the rest. It *is*", "dead at the time of the story, and since investigating this character's death", "to each other subtly at first, while gradually converging over the course of" ]
[ "I'll give you that. > > > Now, I don't really have a", "and just joking about stereotypes. I just wonder if it could come across", "them better! > > Her: **laughs** That's true, I'll give you that. >", "childish to a reader, taking them out of the story. Should I just", "*me* sandwiches, for one. > > Him: Yeah, because I can do them", "that. > > > Now, I don't really have a problem with... *sexist*", "across as childish to a reader, taking them out of the story. Should", "them out of the story. Should I just avoid these types of jokes", "sandwiches, for one. > > Him: Yeah, because I can do them better!", "I mean, you make *me* sandwiches, for one. > > Him: Yeah, because", "just joking about stereotypes. I just wonder if it could come across as", "give you that. > > > Now, I don't really have a problem", "are self-aware and just joking about stereotypes. I just wonder if it could", "other couples, are we? > > Her: Hm... maybe. I mean, you make", "least I think so) that the characters are self-aware and just joking about", "at least I think so) that the characters are self-aware and just joking", "we? > > Her: Hm... maybe. I mean, you make *me* sandwiches, for", "just avoid these types of jokes or should I not worry about it", "to a reader, taking them out of the story. Should I just avoid", "self-aware and just joking about stereotypes. I just wonder if it could come", "> > Her: Hm... maybe. I mean, you make *me* sandwiches, for one.", "because I can do them better! > > Her: **laughs** That's true, I'll", "couples, are we? > > Her: Hm... maybe. I mean, you make *me*", "> > Now, I don't really have a problem with... *sexist* dialog like", "it could come across as childish to a reader, taking them out of", "> > Him: Yeah, because I can do them better! > > Her:", "> Now, I don't really have a problem with... *sexist* dialog like that,", "> Him: Yeah, because I can do them better! > > Her: **laughs**", "I can do them better! > > Her: **laughs** That's true, I'll give", "> > > Now, I don't really have a problem with... *sexist* dialog", "reader, taking them out of the story. Should I just avoid these types", "taking them out of the story. Should I just avoid these types of", "maybe. I mean, you make *me* sandwiches, for one. > > Him: Yeah,", "not that different from other couples, are we? > > Her: Hm... maybe.", "come across as childish to a reader, taking them out of the story.", "that the characters are self-aware and just joking about stereotypes. I just wonder", "you make *me* sandwiches, for one. > > Him: Yeah, because I can", "That's true, I'll give you that. > > > Now, I don't really", "the characters are self-aware and just joking about stereotypes. I just wonder if", "obvious (or at least I think so) that the characters are self-aware and", "mean, you make *me* sandwiches, for one. > > Him: Yeah, because I", "I don't really have a problem with... *sexist* dialog like that, since it's", "true, I'll give you that. > > > Now, I don't really have", "of the story. Should I just avoid these types of jokes or should", "from other couples, are we? > > Her: Hm... maybe. I mean, you", "*sexist* dialog like that, since it's obvious (or at least I think so)", "joking about stereotypes. I just wonder if it could come across as childish", "can do them better! > > Her: **laughs** That's true, I'll give you", "**laughs** That's true, I'll give you that. > > > Now, I don't", "a problem with... *sexist* dialog like that, since it's obvious (or at least", "> Her: **laughs** That's true, I'll give you that. > > > Now,", "so) that the characters are self-aware and just joking about stereotypes. I just", "Her: **laughs** That's true, I'll give you that. > > > Now, I", "stereotypes. I just wonder if it could come across as childish to a", "make *me* sandwiches, for one. > > Him: Yeah, because I can do", "about stereotypes. I just wonder if it could come across as childish to", "I just avoid these types of jokes or should I not worry about", "if it could come across as childish to a reader, taking them out", "simple (albeit a bit tacky) example: > > Him: We're not that different", "example: > > Him: We're not that different from other couples, are we?", "as childish to a reader, taking them out of the story. Should I", "wonder if it could come across as childish to a reader, taking them", "one. > > Him: Yeah, because I can do them better! > >", "We're not that different from other couples, are we? > > Her: Hm...", "the story. Should I just avoid these types of jokes or should I", "problem with... *sexist* dialog like that, since it's obvious (or at least I", "> > Her: **laughs** That's true, I'll give you that. > > >", "bit tacky) example: > > Him: We're not that different from other couples,", "Yeah, because I can do them better! > > Her: **laughs** That's true,", "tacky) example: > > Him: We're not that different from other couples, are", "Him: We're not that different from other couples, are we? > > Her:", "Her: Hm... maybe. I mean, you make *me* sandwiches, for one. > >", "Hm... maybe. I mean, you make *me* sandwiches, for one. > > Him:", "like that, since it's obvious (or at least I think so) that the", "just wonder if it could come across as childish to a reader, taking", "> Her: Hm... maybe. I mean, you make *me* sandwiches, for one. >", "Now, I don't really have a problem with... *sexist* dialog like that, since", "avoid these types of jokes or should I not worry about it too", "since it's obvious (or at least I think so) that the characters are", "it's obvious (or at least I think so) that the characters are self-aware", "I just wonder if it could come across as childish to a reader,", "Should I just avoid these types of jokes or should I not worry", "that different from other couples, are we? > > Her: Hm... maybe. I", "have a problem with... *sexist* dialog like that, since it's obvious (or at", "don't really have a problem with... *sexist* dialog like that, since it's obvious", "really have a problem with... *sexist* dialog like that, since it's obvious (or", "> > Him: We're not that different from other couples, are we? >", "a bit tacky) example: > > Him: We're not that different from other", "(albeit a bit tacky) example: > > Him: We're not that different from", "could come across as childish to a reader, taking them out of the", "you that. > > > Now, I don't really have a problem with...", "different from other couples, are we? > > Her: Hm... maybe. I mean,", "better! > > Her: **laughs** That's true, I'll give you that. > >", "a reader, taking them out of the story. Should I just avoid these", "I think so) that the characters are self-aware and just joking about stereotypes.", "characters are self-aware and just joking about stereotypes. I just wonder if it", "Him: Yeah, because I can do them better! > > Her: **laughs** That's", "that, since it's obvious (or at least I think so) that the characters", "are we? > > Her: Hm... maybe. I mean, you make *me* sandwiches,", "with... *sexist* dialog like that, since it's obvious (or at least I think", "these types of jokes or should I not worry about it too much?", "story. Should I just avoid these types of jokes or should I not", "do them better! > > Her: **laughs** That's true, I'll give you that.", "think so) that the characters are self-aware and just joking about stereotypes. I", "> Him: We're not that different from other couples, are we? > >", "out of the story. Should I just avoid these types of jokes or", "Very simple (albeit a bit tacky) example: > > Him: We're not that", "(or at least I think so) that the characters are self-aware and just", "for one. > > Him: Yeah, because I can do them better! >", "dialog like that, since it's obvious (or at least I think so) that" ]
[ "because that's my personal first instinct, but I feel it's getting overused on", "feel it's getting overused on my part. What are some other ways to", "character furrow their eyebrows when confused because that's my personal first instinct, but", "to always have a character furrow their eyebrows when confused because that's my", "when confused because that's my personal first instinct, but I feel it's getting", "getting overused on my part. What are some other ways to display confusion?", "eyebrows when confused because that's my personal first instinct, but I feel it's", "first instinct is to always have a character furrow their eyebrows when confused", "personal first instinct, but I feel it's getting overused on my part. What", "confused because that's my personal first instinct, but I feel it's getting overused", "it's getting overused on my part. What are some other ways to display", "is to always have a character furrow their eyebrows when confused because that's", "have a character furrow their eyebrows when confused because that's my personal first", "a character furrow their eyebrows when confused because that's my personal first instinct,", "I feel it's getting overused on my part. What are some other ways", "first instinct, but I feel it's getting overused on my part. What are", "that's my personal first instinct, but I feel it's getting overused on my", "instinct, but I feel it's getting overused on my part. What are some", "My first instinct is to always have a character furrow their eyebrows when", "their eyebrows when confused because that's my personal first instinct, but I feel", "instinct is to always have a character furrow their eyebrows when confused because", "but I feel it's getting overused on my part. What are some other", "my personal first instinct, but I feel it's getting overused on my part.", "always have a character furrow their eyebrows when confused because that's my personal", "furrow their eyebrows when confused because that's my personal first instinct, but I" ]
[ "time to copyright your book? Before you give it to the traditional publisher?", "to copyright your book? Before you give it to the traditional publisher? After", "you're submitting your book to a traditional publisher, when is a good time", "to a traditional publisher, when is a good time to copyright your book?", "book? Before you give it to the traditional publisher? After they approve? Etc.", "when is a good time to copyright your book? Before you give it", "is a good time to copyright your book? Before you give it to", "good time to copyright your book? Before you give it to the traditional", "If you're submitting your book to a traditional publisher, when is a good", "a traditional publisher, when is a good time to copyright your book? Before", "submitting your book to a traditional publisher, when is a good time to", "your book to a traditional publisher, when is a good time to copyright", "your book? Before you give it to the traditional publisher? After they approve?", "traditional publisher, when is a good time to copyright your book? Before you", "book to a traditional publisher, when is a good time to copyright your", "copyright your book? Before you give it to the traditional publisher? After they", "a good time to copyright your book? Before you give it to the", "publisher, when is a good time to copyright your book? Before you give" ]
[ "and was wondering what people liked reading so that its not terrible and/or", "that its not terrible and/or unrealistic. I also realize that my idea of", "also realize that my idea of romance is a little *a large bit*", "best way to begin a slow burn friendship to relationship? I'm no good", "unrealistic. I also realize that my idea of romance is a little *a", "the best way to begin a slow burn friendship to relationship? I'm no", "its not terrible and/or unrealistic. I also realize that my idea of romance", "reading so that its not terrible and/or unrealistic. I also realize that my", "begin a slow burn friendship to relationship? I'm no good at these types", "to relationship? I'm no good at these types of things and was wondering", "I also realize that my idea of romance is a little *a large", "wondering what people liked reading so that its not terrible and/or unrealistic. I", "no good at these types of things and was wondering what people liked", "way to begin a slow burn friendship to relationship? I'm no good at", "what people liked reading so that its not terrible and/or unrealistic. I also", "was wondering what people liked reading so that its not terrible and/or unrealistic.", "at these types of things and was wondering what people liked reading so", "friendship to relationship? I'm no good at these types of things and was", "good at these types of things and was wondering what people liked reading", "things and was wondering what people liked reading so that its not terrible", "liked reading so that its not terrible and/or unrealistic. I also realize that", "to begin a slow burn friendship to relationship? I'm no good at these", "types of things and was wondering what people liked reading so that its", "of things and was wondering what people liked reading so that its not", "people liked reading so that its not terrible and/or unrealistic. I also realize", "terrible and/or unrealistic. I also realize that my idea of romance is a", "these types of things and was wondering what people liked reading so that", "relationship? I'm no good at these types of things and was wondering what", "burn friendship to relationship? I'm no good at these types of things and", "a slow burn friendship to relationship? I'm no good at these types of", "not terrible and/or unrealistic. I also realize that my idea of romance is", "and/or unrealistic. I also realize that my idea of romance is a little", "I'm no good at these types of things and was wondering what people", "so that its not terrible and/or unrealistic. I also realize that my idea", "is the best way to begin a slow burn friendship to relationship? I'm", "slow burn friendship to relationship? I'm no good at these types of things", "What is the best way to begin a slow burn friendship to relationship?", "realize that my idea of romance is a little *a large bit* strange." ]
[]
[ "for a given word, but they are usually rather colloquial. I also have", "only list one or two examples. Would there be a resource that allows", "given word, but they are usually rather colloquial. I also have one dictionary", "one or two examples. Would there be a resource that allows (by word)", "provides example sentences from classic English language literature for many entries, but it", "(by word) queries for sentences from classic English literature? I imagine this would", "or two examples. Would there be a resource that allows (by word) queries", "considerable help, particularly when trying to emulate the style of an era long", "example sentences from classic English language literature for many entries, but it can", "for sentences from classic English literature? I imagine this would be of considerable", "two examples. Would there be a resource that allows (by word) queries for", "Would there be a resource that allows (by word) queries for sentences from", "also have one dictionary that provides example sentences from classic English language literature", "several sites that provide plenty of example sentences for a given word, but", "usually rather colloquial. I also have one dictionary that provides example sentences from", "provide plenty of example sentences for a given word, but they are usually", "rather colloquial. I also have one dictionary that provides example sentences from classic", "a given word, but they are usually rather colloquial. I also have one", "colloquial. I also have one dictionary that provides example sentences from classic English", "language literature for many entries, but it can naturally only list one or", "resource that allows (by word) queries for sentences from classic English literature? I", "sentences from classic English language literature for many entries, but it can naturally", "word, but they are usually rather colloquial. I also have one dictionary that", "help, particularly when trying to emulate the style of an era long past.", "sentences for a given word, but they are usually rather colloquial. I also", "it can naturally only list one or two examples. Would there be a", "have one dictionary that provides example sentences from classic English language literature for", "allows (by word) queries for sentences from classic English literature? I imagine this", "know several sites that provide plenty of example sentences for a given word,", "but it can naturally only list one or two examples. Would there be", "classic English literature? I imagine this would be of considerable help, particularly when", "literature for many entries, but it can naturally only list one or two", "can naturally only list one or two examples. Would there be a resource", "be a resource that allows (by word) queries for sentences from classic English", "are usually rather colloquial. I also have one dictionary that provides example sentences", "a resource that allows (by word) queries for sentences from classic English literature?", "from classic English language literature for many entries, but it can naturally only", "that provide plenty of example sentences for a given word, but they are", "I imagine this would be of considerable help, particularly when trying to emulate", "this would be of considerable help, particularly when trying to emulate the style", "be of considerable help, particularly when trying to emulate the style of an", "that provides example sentences from classic English language literature for many entries, but", "I also have one dictionary that provides example sentences from classic English language", "English literature? I imagine this would be of considerable help, particularly when trying", "there be a resource that allows (by word) queries for sentences from classic", "sites that provide plenty of example sentences for a given word, but they", "example sentences for a given word, but they are usually rather colloquial. I", "word) queries for sentences from classic English literature? I imagine this would be", "many entries, but it can naturally only list one or two examples. Would", "of example sentences for a given word, but they are usually rather colloquial.", "examples. Would there be a resource that allows (by word) queries for sentences", "that allows (by word) queries for sentences from classic English literature? I imagine", "dictionary that provides example sentences from classic English language literature for many entries,", "queries for sentences from classic English literature? I imagine this would be of", "they are usually rather colloquial. I also have one dictionary that provides example", "would be of considerable help, particularly when trying to emulate the style of", "from classic English literature? I imagine this would be of considerable help, particularly", "for many entries, but it can naturally only list one or two examples.", "English language literature for many entries, but it can naturally only list one", "imagine this would be of considerable help, particularly when trying to emulate the", "plenty of example sentences for a given word, but they are usually rather", "entries, but it can naturally only list one or two examples. Would there", "literature? I imagine this would be of considerable help, particularly when trying to", "classic English language literature for many entries, but it can naturally only list", "naturally only list one or two examples. Would there be a resource that", "list one or two examples. Would there be a resource that allows (by", "sentences from classic English literature? I imagine this would be of considerable help,", "of considerable help, particularly when trying to emulate the style of an era", "one dictionary that provides example sentences from classic English language literature for many", "I know several sites that provide plenty of example sentences for a given", "but they are usually rather colloquial. I also have one dictionary that provides" ]
[ "the potential story of him living on the island and surviving, without it", "that I am writing, due to some time travel issues, the protagonists will", "example, if Bob is stranded on an island, and in three years a", "of the story), how do I \"skip\" the potential story of him living", "life). For example, if Bob is stranded on an island, and in three", "island and surviving, without it seeming like I've cheated the reader out of", "island, and in three years a ship will come to save him (which", "between then and now might be very boring (settlement building, general life). For", "stage of the story happens. Things that happen between then and now might", "and now might be very boring (settlement building, general life). For example, if", "cheated the reader out of content. I don't know how to convey this", "For example, if Bob is stranded on an island, and in three years", "might be very boring (settlement building, general life). For example, if Bob is", "I don't know how to convey this without it seeming like I'm jumping", "travel issues, the protagonists will have to wait a number of years before", "number of years before the next stage of the story happens. Things that", "I am writing, due to some time travel issues, the protagonists will have", "of years before the next stage of the story happens. Things that happen", "story happens. Things that happen between then and now might be very boring", "story that I am writing, due to some time travel issues, the protagonists", "it seeming like I've cheated the reader out of content. I don't know", "in three years a ship will come to save him (which is the", "a ship will come to save him (which is the point of the", "save him (which is the point of the story), how do I \"skip\"", "how to convey this without it seeming like I'm jumping around and rushing", "and in three years a ship will come to save him (which is", "the reader out of content. I don't know how to convey this without", "to save him (which is the point of the story), how do I", "some time travel issues, the protagonists will have to wait a number of", "(settlement building, general life). For example, if Bob is stranded on an island,", "an island, and in three years a ship will come to save him", "years a ship will come to save him (which is the point of", "the protagonists will have to wait a number of years before the next", "potential story of him living on the island and surviving, without it seeming", "the story happens. Things that happen between then and now might be very", "boring (settlement building, general life). For example, if Bob is stranded on an", "protagonists will have to wait a number of years before the next stage", "Bob is stranded on an island, and in three years a ship will", "be very boring (settlement building, general life). For example, if Bob is stranded", "will have to wait a number of years before the next stage of", "reader out of content. I don't know how to convey this without it", "time travel issues, the protagonists will have to wait a number of years", "a story that I am writing, due to some time travel issues, the", "without it seeming like I've cheated the reader out of content. I don't", "the story), how do I \"skip\" the potential story of him living on", "to some time travel issues, the protagonists will have to wait a number", "how do I \"skip\" the potential story of him living on the island", "a number of years before the next stage of the story happens. Things", "Things that happen between then and now might be very boring (settlement building,", "story of him living on the island and surviving, without it seeming like", "general life). For example, if Bob is stranded on an island, and in", "don't know how to convey this without it seeming like I'm jumping around", "I \"skip\" the potential story of him living on the island and surviving,", "am writing, due to some time travel issues, the protagonists will have to", "point of the story), how do I \"skip\" the potential story of him", "In a story that I am writing, due to some time travel issues,", "\"skip\" the potential story of him living on the island and surviving, without", "issues, the protagonists will have to wait a number of years before the", "him (which is the point of the story), how do I \"skip\" the", "on the island and surviving, without it seeming like I've cheated the reader", "surviving, without it seeming like I've cheated the reader out of content. I", "years before the next stage of the story happens. Things that happen between", "do I \"skip\" the potential story of him living on the island and", "of him living on the island and surviving, without it seeming like I've", "convey this without it seeming like I'm jumping around and rushing the story.", "to convey this without it seeming like I'm jumping around and rushing the", "happens. Things that happen between then and now might be very boring (settlement", "now might be very boring (settlement building, general life). For example, if Bob", "writing, due to some time travel issues, the protagonists will have to wait", "out of content. I don't know how to convey this without it seeming", "ship will come to save him (which is the point of the story),", "I've cheated the reader out of content. I don't know how to convey", "will come to save him (which is the point of the story), how", "the point of the story), how do I \"skip\" the potential story of", "of content. I don't know how to convey this without it seeming like", "three years a ship will come to save him (which is the point", "wait a number of years before the next stage of the story happens.", "of the story happens. Things that happen between then and now might be", "seeming like I've cheated the reader out of content. I don't know how", "very boring (settlement building, general life). For example, if Bob is stranded on", "come to save him (which is the point of the story), how do", "living on the island and surviving, without it seeming like I've cheated the", "story), how do I \"skip\" the potential story of him living on the", "know how to convey this without it seeming like I'm jumping around and", "the next stage of the story happens. Things that happen between then and", "before the next stage of the story happens. Things that happen between then", "is the point of the story), how do I \"skip\" the potential story", "happen between then and now might be very boring (settlement building, general life).", "him living on the island and surviving, without it seeming like I've cheated", "and surviving, without it seeming like I've cheated the reader out of content.", "content. I don't know how to convey this without it seeming like I'm", "have to wait a number of years before the next stage of the", "like I've cheated the reader out of content. I don't know how to", "if Bob is stranded on an island, and in three years a ship", "due to some time travel issues, the protagonists will have to wait a", "next stage of the story happens. Things that happen between then and now", "the island and surviving, without it seeming like I've cheated the reader out", "on an island, and in three years a ship will come to save", "stranded on an island, and in three years a ship will come to", "(which is the point of the story), how do I \"skip\" the potential", "then and now might be very boring (settlement building, general life). For example,", "to wait a number of years before the next stage of the story", "that happen between then and now might be very boring (settlement building, general", "building, general life). For example, if Bob is stranded on an island, and", "is stranded on an island, and in three years a ship will come" ]
[ "write more slowly, setting down only those thoughts that are meaningful, and revising", "when trying to perfect every sentence as we write our first draft, but", "down our thoughts and not revising them till we finish that draft. Now", "use free writing, because it is not easy for me to write without", "their works. But I cannot imagine myself to use free writing, because it", "more slowly, setting down only those thoughts that are meaningful, and revising those", "revising them till we finish that draft. Now in some books I have", "with material for their works. But I cannot imagine myself to use free", "advises their readers to use free writing to come up with material for", "draft, but when writing down our thoughts and not revising them till we", "the best way, not when trying to perfect every sentence as we write", "way, not when trying to perfect every sentence as we write our first", "some books I have read, the authors advises their readers to use free", "those thoughts that are not what I intended them to be, not to", "thoughts and not revising them till we finish that draft. Now in some", "are meaningful, and revising those thoughts that are not what I intended them", "to use free writing, because it is not easy for me to write", "I cannot imagine myself to use free writing, because it is not easy", "in some books I have read, the authors advises their readers to use", "come up with material for their works. But I cannot imagine myself to", "readers to use free writing to come up with material for their works.", "read, the authors advises their readers to use free writing to come up", "thoughts that are meaningful, and revising those thoughts that are not what I", "finish that draft. Now in some books I have read, the authors advises", "thoughts that are not what I intended them to be, not to make", "writing down our thoughts and not revising them till we finish that draft.", "but when writing down our thoughts and not revising them till we finish", "that are meaningful, and revising those thoughts that are not what I intended", "use free writing to come up with material for their works. But I", "that draft. Now in some books I have read, the authors advises their", "I think I need to write more slowly, setting down only those thoughts", "authors advises their readers to use free writing to come up with material", "is not easy for me to write without stopping. I think I need", "writing, because it is not easy for me to write without stopping. I", "to perfect every sentence as we write our first draft, but when writing", "those thoughts that are meaningful, and revising those thoughts that are not what", "for me to write without stopping. I think I need to write more", "think I need to write more slowly, setting down only those thoughts that", "Now in some books I have read, the authors advises their readers to", "our thoughts and not revising them till we finish that draft. Now in", "that are not what I intended them to be, not to make them", "not what I intended them to be, not to make them clear or", "not easy for me to write without stopping. I think I need to", "imagine myself to use free writing, because it is not easy for me", "writing to come up with material for their works. But I cannot imagine", "meaningful, and revising those thoughts that are not what I intended them to", "and not revising them till we finish that draft. Now in some books", "write without stopping. I think I need to write more slowly, setting down", "perfect every sentence as we write our first draft, but when writing down", "slowly, setting down only those thoughts that are meaningful, and revising those thoughts", "intended them to be, not to make them clear or graceful, but to", "only those thoughts that are meaningful, and revising those thoughts that are not", "up with material for their works. But I cannot imagine myself to use", "free writing to come up with material for their works. But I cannot", "it is not easy for me to write without stopping. I think I", "draft. Now in some books I have read, the authors advises their readers", "myself to use free writing, because it is not easy for me to", "the authors advises their readers to use free writing to come up with", "every sentence as we write our first draft, but when writing down our", "I have read, the authors advises their readers to use free writing to", "to write without stopping. I think I need to write more slowly, setting", "need to write more slowly, setting down only those thoughts that are meaningful,", "have read, the authors advises their readers to use free writing to come", "them to be, not to make them clear or graceful, but to make", "not when trying to perfect every sentence as we write our first draft,", "I need to write more slowly, setting down only those thoughts that are", "we write our first draft, but when writing down our thoughts and not", "to be, not to make them clear or graceful, but to make their", "not revising them till we finish that draft. Now in some books I", "I intended them to be, not to make them clear or graceful, but", "for their works. But I cannot imagine myself to use free writing, because", "me to write without stopping. I think I need to write more slowly,", "be, not to make them clear or graceful, but to make their meaning", "best way, not when trying to perfect every sentence as we write our", "easy for me to write without stopping. I think I need to write", "free writing, because it is not easy for me to write without stopping.", "till we finish that draft. Now in some books I have read, the", "them till we finish that draft. Now in some books I have read,", "But I cannot imagine myself to use free writing, because it is not", "we finish that draft. Now in some books I have read, the authors", "as we write our first draft, but when writing down our thoughts and", "our first draft, but when writing down our thoughts and not revising them", "their readers to use free writing to come up with material for their", "what I intended them to be, not to make them clear or graceful,", "revising those thoughts that are not what I intended them to be, not", "books I have read, the authors advises their readers to use free writing", "trying to perfect every sentence as we write our first draft, but when", "down only those thoughts that are meaningful, and revising those thoughts that are", "works. But I cannot imagine myself to use free writing, because it is", "cannot imagine myself to use free writing, because it is not easy for", "sentence as we write our first draft, but when writing down our thoughts", "write the best way, not when trying to perfect every sentence as we", "when writing down our thoughts and not revising them till we finish that", "We write the best way, not when trying to perfect every sentence as", "are not what I intended them to be, not to make them clear", "stopping. I think I need to write more slowly, setting down only those", "to come up with material for their works. But I cannot imagine myself", "and revising those thoughts that are not what I intended them to be,", "setting down only those thoughts that are meaningful, and revising those thoughts that", "write our first draft, but when writing down our thoughts and not revising", "without stopping. I think I need to write more slowly, setting down only", "first draft, but when writing down our thoughts and not revising them till", "because it is not easy for me to write without stopping. I think", "to use free writing to come up with material for their works. But", "to write more slowly, setting down only those thoughts that are meaningful, and", "material for their works. But I cannot imagine myself to use free writing,", "not to make them clear or graceful, but to make their meaning precise." ]
[ "made him one of the most popular characters in history. He is on", "of evil characters. They can often end up more popular than the good", "an evil character while reminding the reader that he leaves behind real damage?", "character while reminding the reader that he leaves behind real damage? That he", "damage? That he causes suffering and pain to flesh and bone people without", "around them. Girth Vedur is a good example. He is a despicable human", "common talk is of how much of a badass he is. His coolness", "he leaves behind real damage? That he causes suffering and pain to flesh", "popular than the good guys in the book or on the show, and", "and has action figures, and people dress up as him in costumes. How", "How can you write an evil character while reminding the reader that he", "characters. They can often end up more popular than the good guys in", "example. He is a despicable human being who has committed genocide and is", "up more popular than the good guys in the book or on the", "for the deaths of billions of people. Yet the common talk is of", "despicable human being who has committed genocide and is responsible for the deaths", "in a lot of media there is a strong emphasis on the greatness", "genocide and is responsible for the deaths of billions of people. Yet the", "reminding the reader that he leaves behind real damage? That he causes suffering", "Girth Vedur is a good example. He is a despicable human being who", "and overshadow everyone else around them. Girth Vedur is a good example. He", "much of a badass he is. His coolness has made him one of", "more popular than the good guys in the book or on the show,", "pain to flesh and bone people without dwelling on how awesome he is", "dress up as him in costumes. How can you write an evil character", "end up more popular than the good guys in the book or on", "the most popular characters in history. He is on lunchboxes and has action", "greatness of evil characters. They can often end up more popular than the", "of media there is a strong emphasis on the greatness of evil characters.", "leaves behind real damage? That he causes suffering and pain to flesh and", "as him in costumes. How can you write an evil character while reminding", "up as him in costumes. How can you write an evil character while", "often end up more popular than the good guys in the book or", "how much of a badass he is. His coolness has made him one", "figures, and people dress up as him in costumes. How can you write", "and is responsible for the deaths of billions of people. Yet the common", "has committed genocide and is responsible for the deaths of billions of people.", "history. He is on lunchboxes and has action figures, and people dress up", "on the show, and overshadow everyone else around them. Girth Vedur is a", "a lot of media there is a strong emphasis on the greatness of", "most popular characters in history. He is on lunchboxes and has action figures,", "else around them. Girth Vedur is a good example. He is a despicable", "flesh and bone people without dwelling on how awesome he is while doing", "the book or on the show, and overshadow everyone else around them. Girth", "badass he is. His coolness has made him one of the most popular", "people dress up as him in costumes. How can you write an evil", "a good example. He is a despicable human being who has committed genocide", "notice in a lot of media there is a strong emphasis on the", "of people. Yet the common talk is of how much of a badass", "or on the show, and overshadow everyone else around them. Girth Vedur is", "is a good example. He is a despicable human being who has committed", "book or on the show, and overshadow everyone else around them. Girth Vedur", "committed genocide and is responsible for the deaths of billions of people. Yet", "lunchboxes and has action figures, and people dress up as him in costumes.", "His coolness has made him one of the most popular characters in history.", "action figures, and people dress up as him in costumes. How can you", "is of how much of a badass he is. His coolness has made", "on lunchboxes and has action figures, and people dress up as him in", "good example. He is a despicable human being who has committed genocide and", "overshadow everyone else around them. Girth Vedur is a good example. He is", "Vedur is a good example. He is a despicable human being who has", "He is a despicable human being who has committed genocide and is responsible", "evil characters. They can often end up more popular than the good guys", "is a despicable human being who has committed genocide and is responsible for", "everyone else around them. Girth Vedur is a good example. He is a", "deaths of billions of people. Yet the common talk is of how much", "the good guys in the book or on the show, and overshadow everyone", "coolness has made him one of the most popular characters in history. He", "of how much of a badass he is. His coolness has made him", "the reader that he leaves behind real damage? That he causes suffering and", "while reminding the reader that he leaves behind real damage? That he causes", "write an evil character while reminding the reader that he leaves behind real", "you write an evil character while reminding the reader that he leaves behind", "He is on lunchboxes and has action figures, and people dress up as", "media there is a strong emphasis on the greatness of evil characters. They", "popular characters in history. He is on lunchboxes and has action figures, and", "causes suffering and pain to flesh and bone people without dwelling on how", "the show, and overshadow everyone else around them. Girth Vedur is a good", "the greatness of evil characters. They can often end up more popular than", "billions of people. Yet the common talk is of how much of a", "is responsible for the deaths of billions of people. Yet the common talk", "that he leaves behind real damage? That he causes suffering and pain to", "That he causes suffering and pain to flesh and bone people without dwelling", "costumes. How can you write an evil character while reminding the reader that", "he is. His coolness has made him one of the most popular characters", "responsible for the deaths of billions of people. Yet the common talk is", "They can often end up more popular than the good guys in the", "one of the most popular characters in history. He is on lunchboxes and", "is a strong emphasis on the greatness of evil characters. They can often", "the common talk is of how much of a badass he is. His", "is on lunchboxes and has action figures, and people dress up as him", "characters in history. He is on lunchboxes and has action figures, and people", "behind real damage? That he causes suffering and pain to flesh and bone", "a strong emphasis on the greatness of evil characters. They can often end", "has made him one of the most popular characters in history. He is", "Yet the common talk is of how much of a badass he is.", "show, and overshadow everyone else around them. Girth Vedur is a good example.", "lot of media there is a strong emphasis on the greatness of evil", "strong emphasis on the greatness of evil characters. They can often end up", "them. Girth Vedur is a good example. He is a despicable human being", "he causes suffering and pain to flesh and bone people without dwelling on", "human being who has committed genocide and is responsible for the deaths of", "guys in the book or on the show, and overshadow everyone else around", "is. His coolness has made him one of the most popular characters in", "good guys in the book or on the show, and overshadow everyone else", "and people dress up as him in costumes. How can you write an", "a badass he is. His coolness has made him one of the most", "reader that he leaves behind real damage? That he causes suffering and pain", "on the greatness of evil characters. They can often end up more popular", "of the most popular characters in history. He is on lunchboxes and has", "has action figures, and people dress up as him in costumes. How can", "him in costumes. How can you write an evil character while reminding the", "the deaths of billions of people. Yet the common talk is of how", "being who has committed genocide and is responsible for the deaths of billions", "of a badass he is. His coolness has made him one of the", "emphasis on the greatness of evil characters. They can often end up more", "real damage? That he causes suffering and pain to flesh and bone people", "in costumes. How can you write an evil character while reminding the reader", "people. Yet the common talk is of how much of a badass he", "him one of the most popular characters in history. He is on lunchboxes", "than the good guys in the book or on the show, and overshadow", "and pain to flesh and bone people without dwelling on how awesome he", "a despicable human being who has committed genocide and is responsible for the", "there is a strong emphasis on the greatness of evil characters. They can", "I notice in a lot of media there is a strong emphasis on", "can often end up more popular than the good guys in the book", "in history. He is on lunchboxes and has action figures, and people dress", "in the book or on the show, and overshadow everyone else around them.", "and bone people without dwelling on how awesome he is while doing it?", "talk is of how much of a badass he is. His coolness has", "of billions of people. Yet the common talk is of how much of", "evil character while reminding the reader that he leaves behind real damage? That", "to flesh and bone people without dwelling on how awesome he is while", "suffering and pain to flesh and bone people without dwelling on how awesome", "can you write an evil character while reminding the reader that he leaves", "who has committed genocide and is responsible for the deaths of billions of" ]
[ "is a shape-shifter, but usually takes the form of a giant badger. it", "I am trying to find a name for a creature in my book.", "name for a creature in my book. it is a shape-shifter, but usually", "find a name for a creature in my book. it is a shape-shifter,", "a shape-shifter, but usually takes the form of a giant badger. it is", "it is a shape-shifter, but usually takes the form of a giant badger.", "my book. it is a shape-shifter, but usually takes the form of a", "badger. it is a bloodthirsty monster, and destroys everything in it's path. Any", "takes the form of a giant badger. it is a bloodthirsty monster, and", "trying to find a name for a creature in my book. it is", "creature in my book. it is a shape-shifter, but usually takes the form", "book. it is a shape-shifter, but usually takes the form of a giant", "in my book. it is a shape-shifter, but usually takes the form of", "shape-shifter, but usually takes the form of a giant badger. it is a", "a creature in my book. it is a shape-shifter, but usually takes the", "form of a giant badger. it is a bloodthirsty monster, and destroys everything", "the form of a giant badger. it is a bloodthirsty monster, and destroys", "giant badger. it is a bloodthirsty monster, and destroys everything in it's path.", "a giant badger. it is a bloodthirsty monster, and destroys everything in it's", "usually takes the form of a giant badger. it is a bloodthirsty monster,", "of a giant badger. it is a bloodthirsty monster, and destroys everything in", "it is a bloodthirsty monster, and destroys everything in it's path. Any ideas?", "am trying to find a name for a creature in my book. it", "a name for a creature in my book. it is a shape-shifter, but", "to find a name for a creature in my book. it is a", "but usually takes the form of a giant badger. it is a bloodthirsty", "for a creature in my book. it is a shape-shifter, but usually takes" ]
[ "go into detail upon what im talking about itd be very helpful and", "shows nowadays do this, where is the plot? There must be a term", "actual story and plot? If someone can go into detail upon what im", "but whats the story? Its like with the walking dead, yeah people are", "Mist\" i cant help to wonder, what is the story exactly? Why do", "shows like \"The Mist\" i cant help to wonder, what is the story", "dead, yeah people are surviving, but whats the actual story and plot? If", "it i get that, but whats the story? Its like with the walking", "Why do they show so much unnecessary info, like history and stories from", "the town. People are trying to survive it i get that, but whats", "story exactly? Why do they show so much unnecessary info, like history and", "people are surviving, but whats the actual story and plot? If someone can", "info, like history and stories from minor characters that no one cares for,", "trying to survive it i get that, but whats the story? Its like", "plot? If someone can go into detail upon what im talking about itd", "like history and stories from minor characters that no one cares for, alot", "about how theres a mist falling over the town. People are trying to", "story and plot? If someone can go into detail upon what im talking", "theres a mist falling over the town. People are trying to survive it", "for, alot of shows nowadays do this, where is the plot? There must", "are surviving, but whats the actual story and plot? If someone can go", "stories from minor characters that no one cares for, alot of shows nowadays", "is the story exactly? Why do they show so much unnecessary info, like", "When i see so many generic trash shows like \"The Mist\" i cant", "that no one cares for, alot of shows nowadays do this, where is", "the plot? There must be a term for something like this, in \"The", "\"The Mist\" situation, its of course about how theres a mist falling over", "If someone can go into detail upon what im talking about itd be", "surviving, but whats the actual story and plot? If someone can go into", "must be a term for something like this, in \"The Mist\" situation, its", "in \"The Mist\" situation, its of course about how theres a mist falling", "get that, but whats the story? Its like with the walking dead, yeah", "People are trying to survive it i get that, but whats the story?", "of course about how theres a mist falling over the town. People are", "There must be a term for something like this, in \"The Mist\" situation,", "over the town. People are trying to survive it i get that, but", "show so much unnecessary info, like history and stories from minor characters that", "but whats the actual story and plot? If someone can go into detail", "they show so much unnecessary info, like history and stories from minor characters", "falling over the town. People are trying to survive it i get that,", "course about how theres a mist falling over the town. People are trying", "and plot? If someone can go into detail upon what im talking about", "so many generic trash shows like \"The Mist\" i cant help to wonder,", "minor characters that no one cares for, alot of shows nowadays do this,", "cares for, alot of shows nowadays do this, where is the plot? There", "like this, in \"The Mist\" situation, its of course about how theres a", "exactly? Why do they show so much unnecessary info, like history and stories", "unnecessary info, like history and stories from minor characters that no one cares", "with the walking dead, yeah people are surviving, but whats the actual story", "a term for something like this, in \"The Mist\" situation, its of course", "history and stories from minor characters that no one cares for, alot of", "and stories from minor characters that no one cares for, alot of shows", "the story exactly? Why do they show so much unnecessary info, like history", "like \"The Mist\" i cant help to wonder, what is the story exactly?", "of shows nowadays do this, where is the plot? There must be a", "that, but whats the story? Its like with the walking dead, yeah people", "i get that, but whats the story? Its like with the walking dead,", "so much unnecessary info, like history and stories from minor characters that no", "the walking dead, yeah people are surviving, but whats the actual story and", "yeah people are surviving, but whats the actual story and plot? If someone", "Mist\" situation, its of course about how theres a mist falling over the", "i cant help to wonder, what is the story exactly? Why do they", "to survive it i get that, but whats the story? Its like with", "story? Its like with the walking dead, yeah people are surviving, but whats", "help to wonder, what is the story exactly? Why do they show so", "someone can go into detail upon what im talking about itd be very", "see so many generic trash shows like \"The Mist\" i cant help to", "trash shows like \"The Mist\" i cant help to wonder, what is the", "whats the story? Its like with the walking dead, yeah people are surviving,", "Its like with the walking dead, yeah people are surviving, but whats the", "characters that no one cares for, alot of shows nowadays do this, where", "is the plot? There must be a term for something like this, in", "be a term for something like this, in \"The Mist\" situation, its of", "to wonder, what is the story exactly? Why do they show so much", "mist falling over the town. People are trying to survive it i get", "wonder, what is the story exactly? Why do they show so much unnecessary", "a mist falling over the town. People are trying to survive it i", "do they show so much unnecessary info, like history and stories from minor", "can go into detail upon what im talking about itd be very helpful", "what is the story exactly? Why do they show so much unnecessary info,", "no one cares for, alot of shows nowadays do this, where is the", "plot? There must be a term for something like this, in \"The Mist\"", "one cares for, alot of shows nowadays do this, where is the plot?", "this, where is the plot? There must be a term for something like", "for something like this, in \"The Mist\" situation, its of course about how", "survive it i get that, but whats the story? Its like with the", "nowadays do this, where is the plot? There must be a term for", "its of course about how theres a mist falling over the town. People", "town. People are trying to survive it i get that, but whats the", "like with the walking dead, yeah people are surviving, but whats the actual", "generic trash shows like \"The Mist\" i cant help to wonder, what is", "many generic trash shows like \"The Mist\" i cant help to wonder, what", "\"The Mist\" i cant help to wonder, what is the story exactly? Why", "something like this, in \"The Mist\" situation, its of course about how theres", "the actual story and plot? If someone can go into detail upon what", "from minor characters that no one cares for, alot of shows nowadays do", "this, in \"The Mist\" situation, its of course about how theres a mist", "alot of shows nowadays do this, where is the plot? There must be", "situation, its of course about how theres a mist falling over the town.", "how theres a mist falling over the town. People are trying to survive", "walking dead, yeah people are surviving, but whats the actual story and plot?", "whats the actual story and plot? If someone can go into detail upon", "into detail upon what im talking about itd be very helpful and appreciated.", "do this, where is the plot? There must be a term for something", "i see so many generic trash shows like \"The Mist\" i cant help", "the story? Its like with the walking dead, yeah people are surviving, but", "are trying to survive it i get that, but whats the story? Its", "where is the plot? There must be a term for something like this,", "much unnecessary info, like history and stories from minor characters that no one", "cant help to wonder, what is the story exactly? Why do they show", "term for something like this, in \"The Mist\" situation, its of course about" ]
[ "to them? The literary work is fiction and is about 330 pages. 2.", "publisher to approve/disapprove your manuscript from the time you submit it to them?", "publisher at a time? Or, should you wait for rejection, then try again", "to approve/disapprove your manuscript from the time you submit it to them? The", "to more than one traditional publisher at a time? Or, should you wait", "manuscript from the time you submit it to them? The literary work is", "2. Also, is it a good idea to submit to more than one", "The literary work is fiction and is about 330 pages. 2. Also, is", "your manuscript from the time you submit it to them? The literary work", "long does it take a traditional publisher to approve/disapprove your manuscript from the", "fiction and is about 330 pages. 2. Also, is it a good idea", "a time? Or, should you wait for rejection, then try again somewhere else?", "is fiction and is about 330 pages. 2. Also, is it a good", "good idea to submit to more than one traditional publisher at a time?", "literary work is fiction and is about 330 pages. 2. Also, is it", "take a traditional publisher to approve/disapprove your manuscript from the time you submit", "approve/disapprove your manuscript from the time you submit it to them? The literary", "idea to submit to more than one traditional publisher at a time? Or,", "work is fiction and is about 330 pages. 2. Also, is it a", "a good idea to submit to more than one traditional publisher at a", "than one traditional publisher at a time? Or, should you wait for rejection,", "to submit to more than one traditional publisher at a time? Or, should", "you wait for rejection, then try again somewhere else? 3. Should you have", "from the time you submit it to them? The literary work is fiction", "Also, is it a good idea to submit to more than one traditional", "the time you submit it to them? The literary work is fiction and", "traditional publisher to approve/disapprove your manuscript from the time you submit it to", "a traditional publisher to approve/disapprove your manuscript from the time you submit it", "it to them? The literary work is fiction and is about 330 pages.", "at a time? Or, should you wait for rejection, then try again somewhere", "them? The literary work is fiction and is about 330 pages. 2. Also,", "and is about 330 pages. 2. Also, is it a good idea to", "Or, should you wait for rejection, then try again somewhere else? 3. Should", "time? Or, should you wait for rejection, then try again somewhere else? 3.", "time you submit it to them? The literary work is fiction and is", "330 pages. 2. Also, is it a good idea to submit to more", "you submit it to them? The literary work is fiction and is about", "it take a traditional publisher to approve/disapprove your manuscript from the time you", "should you wait for rejection, then try again somewhere else? 3. Should you", "is it a good idea to submit to more than one traditional publisher", "how long does it take a traditional publisher to approve/disapprove your manuscript from", "is about 330 pages. 2. Also, is it a good idea to submit", "for rejection, then try again somewhere else? 3. Should you have an agent?", "about 330 pages. 2. Also, is it a good idea to submit to", "submit to more than one traditional publisher at a time? Or, should you", "traditional publisher at a time? Or, should you wait for rejection, then try", "general, how long does it take a traditional publisher to approve/disapprove your manuscript", "pages. 2. Also, is it a good idea to submit to more than", "does it take a traditional publisher to approve/disapprove your manuscript from the time", "it a good idea to submit to more than one traditional publisher at", "wait for rejection, then try again somewhere else? 3. Should you have an", "1. In general, how long does it take a traditional publisher to approve/disapprove", "In general, how long does it take a traditional publisher to approve/disapprove your", "more than one traditional publisher at a time? Or, should you wait for", "one traditional publisher at a time? Or, should you wait for rejection, then", "submit it to them? The literary work is fiction and is about 330" ]
[ "the YA genre is resting. Am I right about YA ending, and what", "YA genre is resting. Am I right about YA ending, and what genre", "I'm wondering if the YA genre is resting. Am I right about YA", "right about YA ending, and what genre is becoming famous right now in", "a close. I'm wondering if the YA genre is resting. Am I right", "about YA ending, and what genre is becoming famous right now in its", "genre is resting. Am I right about YA ending, and what genre is", "Games, and Maze runner have come to a close. I'm wondering if the", "resting. Am I right about YA ending, and what genre is becoming famous", "is resting. Am I right about YA ending, and what genre is becoming", "Hunger Games, and Maze runner have come to a close. I'm wondering if", "Since Divergent, Hunger Games, and Maze runner have come to a close. I'm", "Divergent, Hunger Games, and Maze runner have come to a close. I'm wondering", "Maze runner have come to a close. I'm wondering if the YA genre", "have come to a close. I'm wondering if the YA genre is resting.", "wondering if the YA genre is resting. Am I right about YA ending,", "I right about YA ending, and what genre is becoming famous right now", "close. I'm wondering if the YA genre is resting. Am I right about", "and Maze runner have come to a close. I'm wondering if the YA", "YA ending, and what genre is becoming famous right now in its place?", "to a close. I'm wondering if the YA genre is resting. Am I", "Am I right about YA ending, and what genre is becoming famous right", "runner have come to a close. I'm wondering if the YA genre is", "come to a close. I'm wondering if the YA genre is resting. Am", "if the YA genre is resting. Am I right about YA ending, and" ]
[ "\"filter/filler\" here is *looked at it* (not sure if this is the correct", "here is *looked at it* (not sure if this is the correct term).", "rabbit sticker sealed the manila envelope. Graceful handwritten > words read: *To Kiyoshi*.", "envelope. Graceful handwritten > words read: *To Kiyoshi*. > > > The \"filter/filler\"", "words read: *To Kiyoshi*. > > > The \"filter/filler\" here is *looked at", "is the correct term). Is it better to leave them out in situation", "me. “From a > girl.” > > > [I looked at it.] A", "sealed the manila envelope. Graceful handwritten > words read: *To Kiyoshi*. > >", "if this is the correct term). Is it better to leave them out", "[I looked at it.] A rabbit sticker sealed the manila envelope. Graceful handwritten", "term). Is it better to leave them out in situation like this? Why", "letter at me. “From a > girl.” > > > [I looked at", "sticker sealed the manila envelope. Graceful handwritten > words read: *To Kiyoshi*. >", "> [I looked at it.] A rabbit sticker sealed the manila envelope. Graceful", "> girl.” > > > [I looked at it.] A rabbit sticker sealed", "it.] A rabbit sticker sealed the manila envelope. Graceful handwritten > words read:", "> words read: *To Kiyoshi*. > > > The \"filter/filler\" here is *looked", "Graceful handwritten > words read: *To Kiyoshi*. > > > The \"filter/filler\" here", "Kiyoshi waved the letter at me. “From a > girl.” > > >", "at it.] A rabbit sticker sealed the manila envelope. Graceful handwritten > words", "this is the correct term). Is it better to leave them out in", "looked at it.] A rabbit sticker sealed the manila envelope. Graceful handwritten >", "it* (not sure if this is the correct term). Is it better to", "Daichi.” Kiyoshi waved the letter at me. “From a > girl.” > >", "A rabbit sticker sealed the manila envelope. Graceful handwritten > words read: *To", "correct term). Is it better to leave them out in situation like this?", "it better to leave them out in situation like this? Why or why", "the letter at me. “From a > girl.” > > > [I looked", "read: *To Kiyoshi*. > > > The \"filter/filler\" here is *looked at it*", "> > > The \"filter/filler\" here is *looked at it* (not sure if", "(not sure if this is the correct term). Is it better to leave", "> > The \"filter/filler\" here is *looked at it* (not sure if this", "> > “Check this out, Daichi.” Kiyoshi waved the letter at me. “From", "> > [I looked at it.] A rabbit sticker sealed the manila envelope.", "is *looked at it* (not sure if this is the correct term). Is", "sure if this is the correct term). Is it better to leave them", "> “Check this out, Daichi.” Kiyoshi waved the letter at me. “From a", "waved the letter at me. “From a > girl.” > > > [I", "*To Kiyoshi*. > > > The \"filter/filler\" here is *looked at it* (not", "handwritten > words read: *To Kiyoshi*. > > > The \"filter/filler\" here is", "at me. “From a > girl.” > > > [I looked at it.]", "the correct term). Is it better to leave them out in situation like", "“From a > girl.” > > > [I looked at it.] A rabbit", "manila envelope. Graceful handwritten > words read: *To Kiyoshi*. > > > The", "Kiyoshi*. > > > The \"filter/filler\" here is *looked at it* (not sure", "the manila envelope. Graceful handwritten > words read: *To Kiyoshi*. > > >", "this out, Daichi.” Kiyoshi waved the letter at me. “From a > girl.”", "The \"filter/filler\" here is *looked at it* (not sure if this is the", "out, Daichi.” Kiyoshi waved the letter at me. “From a > girl.” >", "*looked at it* (not sure if this is the correct term). Is it", "Is it better to leave them out in situation like this? Why or", "girl.” > > > [I looked at it.] A rabbit sticker sealed the", "“Check this out, Daichi.” Kiyoshi waved the letter at me. “From a >", "a > girl.” > > > [I looked at it.] A rabbit sticker", "better to leave them out in situation like this? Why or why not?", "at it* (not sure if this is the correct term). Is it better", "> > > [I looked at it.] A rabbit sticker sealed the manila", "> The \"filter/filler\" here is *looked at it* (not sure if this is" ]
[ "how they are like as people. Whenever I go to write a summary", "sort of goes blank, even though I know what they do in the", "know how to describe their character traits. I have a history for each", "and I know how they would act in any given situation and in", "what they're like, and I know how they would act in any given", "do in the story and how they interact with different kinds of people.", "character describing how they behave, my mind sort of goes blank, even though", "a history for each character, but I can't really put into words how", "don't know how to describe their character traits. I have a history for", "know my characters, I know what they're like, and I know how they", "I have this weird problem: I know my characters, I know what they're", "not fleshed out enough or are my character description skills simply lacking? How", "behave, my mind sort of goes blank, even though I know what they", "how to describe their character traits. I have a history for each character,", "I use them in, but I don't know how to describe their character", "as people. Whenever I go to write a summary of a character describing", "I go to write a summary of a character describing how they behave,", "though I know what they do in the story and how they interact", "they're like, and I know how they would act in any given situation", "have a history for each character, but I can't really put into words", "interact with different kinds of people. Am I missing something? Are my characters", "act in any given situation and in the plot I use them in,", "each character, but I can't really put into words how they are like", "something? Are my characters simply not fleshed out enough or are my character", "my characters simply not fleshed out enough or are my character description skills", "but I don't know how to describe their character traits. I have a", "or are my character description skills simply lacking? How do I describe my", "simply not fleshed out enough or are my character description skills simply lacking?", "my mind sort of goes blank, even though I know what they do", "I missing something? Are my characters simply not fleshed out enough or are", "a summary of a character describing how they behave, my mind sort of", "I don't know how to describe their character traits. I have a history", "know what they do in the story and how they interact with different", "mind sort of goes blank, even though I know what they do in", "I know what they do in the story and how they interact with", "have this weird problem: I know my characters, I know what they're like,", "Are my characters simply not fleshed out enough or are my character description", "people. Whenever I go to write a summary of a character describing how", "into words how they are like as people. Whenever I go to write", "enough or are my character description skills simply lacking? How do I describe", "use them in, but I don't know how to describe their character traits.", "a character describing how they behave, my mind sort of goes blank, even", "describing how they behave, my mind sort of goes blank, even though I", "are my character description skills simply lacking? How do I describe my characters?", "problem: I know my characters, I know what they're like, and I know", "kinds of people. Am I missing something? Are my characters simply not fleshed", "they interact with different kinds of people. Am I missing something? Are my", "missing something? Are my characters simply not fleshed out enough or are my", "I can't really put into words how they are like as people. Whenever", "to write a summary of a character describing how they behave, my mind", "I know how they would act in any given situation and in the", "I know what they're like, and I know how they would act in", "any given situation and in the plot I use them in, but I", "story and how they interact with different kinds of people. Am I missing", "fleshed out enough or are my character description skills simply lacking? How do", "goes blank, even though I know what they do in the story and", "out enough or are my character description skills simply lacking? How do I", "in, but I don't know how to describe their character traits. I have", "them in, but I don't know how to describe their character traits. I", "summary of a character describing how they behave, my mind sort of goes", "describe their character traits. I have a history for each character, but I", "how they would act in any given situation and in the plot I", "know how they would act in any given situation and in the plot", "character traits. I have a history for each character, but I can't really", "in any given situation and in the plot I use them in, but", "of a character describing how they behave, my mind sort of goes blank,", "really put into words how they are like as people. Whenever I go", "and in the plot I use them in, but I don't know how", "the plot I use them in, but I don't know how to describe", "of people. Am I missing something? Are my characters simply not fleshed out", "weird problem: I know my characters, I know what they're like, and I", "character, but I can't really put into words how they are like as", "even though I know what they do in the story and how they", "people. Am I missing something? Are my characters simply not fleshed out enough", "blank, even though I know what they do in the story and how", "like, and I know how they would act in any given situation and", "put into words how they are like as people. Whenever I go to", "traits. I have a history for each character, but I can't really put", "like as people. Whenever I go to write a summary of a character", "characters, I know what they're like, and I know how they would act", "are like as people. Whenever I go to write a summary of a", "know what they're like, and I know how they would act in any", "would act in any given situation and in the plot I use them", "they are like as people. Whenever I go to write a summary of", "in the plot I use them in, but I don't know how to", "what they do in the story and how they interact with different kinds", "their character traits. I have a history for each character, but I can't", "to describe their character traits. I have a history for each character, but", "history for each character, but I can't really put into words how they", "write a summary of a character describing how they behave, my mind sort", "with different kinds of people. Am I missing something? Are my characters simply", "I have a history for each character, but I can't really put into", "of goes blank, even though I know what they do in the story", "and how they interact with different kinds of people. Am I missing something?", "for each character, but I can't really put into words how they are", "how they interact with different kinds of people. Am I missing something? Are", "words how they are like as people. Whenever I go to write a", "in the story and how they interact with different kinds of people. Am", "plot I use them in, but I don't know how to describe their", "but I can't really put into words how they are like as people.", "my characters, I know what they're like, and I know how they would", "Whenever I go to write a summary of a character describing how they", "how they behave, my mind sort of goes blank, even though I know", "this weird problem: I know my characters, I know what they're like, and", "the story and how they interact with different kinds of people. Am I", "they do in the story and how they interact with different kinds of", "they behave, my mind sort of goes blank, even though I know what", "given situation and in the plot I use them in, but I don't", "can't really put into words how they are like as people. Whenever I", "they would act in any given situation and in the plot I use", "go to write a summary of a character describing how they behave, my", "Am I missing something? Are my characters simply not fleshed out enough or", "different kinds of people. Am I missing something? Are my characters simply not", "situation and in the plot I use them in, but I don't know", "I know my characters, I know what they're like, and I know how", "characters simply not fleshed out enough or are my character description skills simply" ]
[ "I'm not talking about fight-or-flight, just expressing human reactions to fear/being in scary", "protagonist with fear, but I always have her doing the same thing. My", "fear that I can use to add some variety? I'm not talking about", "with fear, but I always have her doing the same thing. My character", "but I always have her doing the same thing. My character always seems", "her eyes, but what are some other common human reactions to fear that", "but what are some other common human reactions to fear that I can", "always seems to simply widen her eyes, but what are some other common", "some other common human reactions to fear that I can use to add", "have her doing the same thing. My character always seems to simply widen", "to simply widen her eyes, but what are some other common human reactions", "common human reactions to fear that I can use to add some variety?", "talking about fight-or-flight, just expressing human reactions to fear/being in scary situations like", "can use to add some variety? I'm not talking about fight-or-flight, just expressing", "fight-or-flight, just expressing human reactions to fear/being in scary situations like screaming and", "novel, I'm dealing with very scary creatures that never fail to fill my", "seems to simply widen her eyes, but what are some other common human", "are some other common human reactions to fear that I can use to", "just expressing human reactions to fear/being in scary situations like screaming and such!", "same thing. My character always seems to simply widen her eyes, but what", "not talking about fight-or-flight, just expressing human reactions to fear/being in scary situations", "I'm dealing with very scary creatures that never fail to fill my protagonist", "some variety? I'm not talking about fight-or-flight, just expressing human reactions to fear/being", "very scary creatures that never fail to fill my protagonist with fear, but", "my protagonist with fear, but I always have her doing the same thing.", "character always seems to simply widen her eyes, but what are some other", "fail to fill my protagonist with fear, but I always have her doing", "fill my protagonist with fear, but I always have her doing the same", "to fear that I can use to add some variety? I'm not talking", "I always have her doing the same thing. My character always seems to", "creatures that never fail to fill my protagonist with fear, but I always", "variety? I'm not talking about fight-or-flight, just expressing human reactions to fear/being in", "eyes, but what are some other common human reactions to fear that I", "thing. My character always seems to simply widen her eyes, but what are", "human reactions to fear that I can use to add some variety? I'm", "my current novel, I'm dealing with very scary creatures that never fail to", "I can use to add some variety? I'm not talking about fight-or-flight, just", "with very scary creatures that never fail to fill my protagonist with fear,", "other common human reactions to fear that I can use to add some", "fear, but I always have her doing the same thing. My character always", "scary creatures that never fail to fill my protagonist with fear, but I", "to fill my protagonist with fear, but I always have her doing the", "reactions to fear that I can use to add some variety? I'm not", "simply widen her eyes, but what are some other common human reactions to", "always have her doing the same thing. My character always seems to simply", "widen her eyes, but what are some other common human reactions to fear", "the same thing. My character always seems to simply widen her eyes, but", "current novel, I'm dealing with very scary creatures that never fail to fill", "what are some other common human reactions to fear that I can use", "use to add some variety? I'm not talking about fight-or-flight, just expressing human", "doing the same thing. My character always seems to simply widen her eyes,", "add some variety? I'm not talking about fight-or-flight, just expressing human reactions to", "that never fail to fill my protagonist with fear, but I always have", "to add some variety? I'm not talking about fight-or-flight, just expressing human reactions", "about fight-or-flight, just expressing human reactions to fear/being in scary situations like screaming", "My character always seems to simply widen her eyes, but what are some", "that I can use to add some variety? I'm not talking about fight-or-flight,", "dealing with very scary creatures that never fail to fill my protagonist with", "her doing the same thing. My character always seems to simply widen her", "never fail to fill my protagonist with fear, but I always have her", "In my current novel, I'm dealing with very scary creatures that never fail" ]
[ "but before I do so, I need to know if Microsoft Word's manuscript", "I plan to write a novel, but before I do so, I need", "before I do so, I need to know if Microsoft Word's manuscript format", "do so, I need to know if Microsoft Word's manuscript format is accurate.", "write a novel, but before I do so, I need to know if", "novel, but before I do so, I need to know if Microsoft Word's", "to write a novel, but before I do so, I need to know", "plan to write a novel, but before I do so, I need to", "I do so, I need to know if Microsoft Word's manuscript format is", "a novel, but before I do so, I need to know if Microsoft" ]
[ "it's an essay, a diary, a fiction or anything else. I tend to", "in the course of writing. The changes happen more or less gradually but", "start writing in a certain style, then at some point, I will realize", "the longer the piece, the more this is prone to happen. Also, I", "Is there a way to avoid it? If not, how can I make", "certain style, then at some point, I will realize that I switched to", "afterward. Is this something common? Is there a way to avoid it? If", "it very hard to edit such a text afterward. Is this something common?", "essay, a diary, a fiction or anything else. I tend to start writing", "find it very hard to edit such a text afterward. Is this something", "inevitably end up in a dictinct, generally closer to my inner voice, style.", "to happen. Also, I find it very hard to edit such a text", "happen. Also, I find it very hard to edit such a text afterward.", "writings, whether it's an essay, a diary, a fiction or anything else. I", "style, then at some point, I will realize that I switched to another", "all of my writings, whether it's an essay, a diary, a fiction or", "something I've noticed in all of my writings, whether it's an essay, a", "I switched to another one in the course of writing. The changes happen", "my writings, whether it's an essay, a diary, a fiction or anything else.", "changes happen more or less gradually but will inevitably end up in a", "hard to edit such a text afterward. Is this something common? Is there", "I tend to start writing in a certain style, then at some point,", "fiction or anything else. I tend to start writing in a certain style,", "in a dictinct, generally closer to my inner voice, style. Of course, the", "edit such a text afterward. Is this something common? Is there a way", "closer to my inner voice, style. Of course, the longer the piece, the", "my inner voice, style. Of course, the longer the piece, the more this", "the course of writing. The changes happen more or less gradually but will", "is something I've noticed in all of my writings, whether it's an essay,", "to start writing in a certain style, then at some point, I will", "of my writings, whether it's an essay, a diary, a fiction or anything", "will realize that I switched to another one in the course of writing.", "point, I will realize that I switched to another one in the course", "voice, style. Of course, the longer the piece, the more this is prone", "will inevitably end up in a dictinct, generally closer to my inner voice,", "end up in a dictinct, generally closer to my inner voice, style. Of", "happen more or less gradually but will inevitably end up in a dictinct,", "longer the piece, the more this is prone to happen. Also, I find", "another one in the course of writing. The changes happen more or less", "such a text afterward. Is this something common? Is there a way to", "this something common? Is there a way to avoid it? If not, how", "This is something I've noticed in all of my writings, whether it's an", "diary, a fiction or anything else. I tend to start writing in a", "some point, I will realize that I switched to another one in the", "way to avoid it? If not, how can I make the best out", "gradually but will inevitably end up in a dictinct, generally closer to my", "piece, the more this is prone to happen. Also, I find it very", "to another one in the course of writing. The changes happen more or", "Is this something common? Is there a way to avoid it? If not,", "a certain style, then at some point, I will realize that I switched", "up in a dictinct, generally closer to my inner voice, style. Of course,", "noticed in all of my writings, whether it's an essay, a diary, a", "or anything else. I tend to start writing in a certain style, then", "prone to happen. Also, I find it very hard to edit such a", "I find it very hard to edit such a text afterward. Is this", "whether it's an essay, a diary, a fiction or anything else. I tend", "I will realize that I switched to another one in the course of", "common? Is there a way to avoid it? If not, how can I", "but will inevitably end up in a dictinct, generally closer to my inner", "more this is prone to happen. Also, I find it very hard to", "writing in a certain style, then at some point, I will realize that", "generally closer to my inner voice, style. Of course, the longer the piece,", "less gradually but will inevitably end up in a dictinct, generally closer to", "a fiction or anything else. I tend to start writing in a certain", "then at some point, I will realize that I switched to another one", "is prone to happen. Also, I find it very hard to edit such", "The changes happen more or less gradually but will inevitably end up in", "at some point, I will realize that I switched to another one in", "a diary, a fiction or anything else. I tend to start writing in", "this is prone to happen. Also, I find it very hard to edit", "dictinct, generally closer to my inner voice, style. Of course, the longer the", "anything else. I tend to start writing in a certain style, then at", "one in the course of writing. The changes happen more or less gradually", "Of course, the longer the piece, the more this is prone to happen.", "an essay, a diary, a fiction or anything else. I tend to start", "to edit such a text afterward. Is this something common? Is there a", "a dictinct, generally closer to my inner voice, style. Of course, the longer", "tend to start writing in a certain style, then at some point, I", "something common? Is there a way to avoid it? If not, how can", "in all of my writings, whether it's an essay, a diary, a fiction", "text afterward. Is this something common? Is there a way to avoid it?", "course of writing. The changes happen more or less gradually but will inevitably", "a text afterward. Is this something common? Is there a way to avoid", "inner voice, style. Of course, the longer the piece, the more this is", "writing. The changes happen more or less gradually but will inevitably end up", "it? If not, how can I make the best out of this tendency?", "there a way to avoid it? If not, how can I make the", "to my inner voice, style. Of course, the longer the piece, the more", "of writing. The changes happen more or less gradually but will inevitably end", "the more this is prone to happen. Also, I find it very hard", "switched to another one in the course of writing. The changes happen more", "else. I tend to start writing in a certain style, then at some", "style. Of course, the longer the piece, the more this is prone to", "in a certain style, then at some point, I will realize that I", "Also, I find it very hard to edit such a text afterward. Is", "more or less gradually but will inevitably end up in a dictinct, generally", "course, the longer the piece, the more this is prone to happen. Also,", "that I switched to another one in the course of writing. The changes", "avoid it? If not, how can I make the best out of this", "very hard to edit such a text afterward. Is this something common? Is", "the piece, the more this is prone to happen. Also, I find it", "realize that I switched to another one in the course of writing. The", "or less gradually but will inevitably end up in a dictinct, generally closer", "I've noticed in all of my writings, whether it's an essay, a diary,", "a way to avoid it? If not, how can I make the best", "to avoid it? If not, how can I make the best out of" ]
[ "> > **Chapter 19** > > > **Sneej Dreams** > > > Sneej", "at the beginning of a chapter? Can all lines be centered? e.g.: >", "am I to disagree? > > > I travel the world > >", "> **Chapter 19** > > > **Sneej Dreams** > > > Sneej dreams", "made of this > > > Who am I to disagree? > >", "I format and cite partial song lyrics at the beginning of a chapter?", "the seven seas, > > > Everybody's looking for something > > >", "this > > > Who am I to disagree? > > > I", "> **Sneej Dreams** > > > Sneej dreams are made of this >", "are made of this > > > Who am I to disagree? >", "be centered? e.g.: > > **Chapter 19** > > > **Sneej Dreams** >", "> > And the seven seas, > > > Everybody's looking for something", "> Sneej dreams are made of this > > > Who am I", "travel the world > > > And the seven seas, > > >", "I travel the world > > > And the seven seas, > >", "> > > And the seven seas, > > > Everybody's looking for", "disagree? > > > I travel the world > > > And the", "lines be centered? e.g.: > > **Chapter 19** > > > **Sneej Dreams**", "Dreams** > > > Sneej dreams are made of this > > >", "> > I travel the world > > > And the seven seas,", "And the seven seas, > > > Everybody's looking for something > >", "centered? e.g.: > > **Chapter 19** > > > **Sneej Dreams** > >", "e.g.: > > **Chapter 19** > > > **Sneej Dreams** > > >", "all lines be centered? e.g.: > > **Chapter 19** > > > **Sneej", "seven seas, > > > Everybody's looking for something > > > Eurythmics", "> > Sneej dreams are made of this > > > Who am", "the beginning of a chapter? Can all lines be centered? e.g.: > >", "to disagree? > > > I travel the world > > > And", "world > > > And the seven seas, > > > Everybody's looking", "> > **Sneej Dreams** > > > Sneej dreams are made of this", "I to disagree? > > > I travel the world > > >", "> I travel the world > > > And the seven seas, >", "How do I format and cite partial song lyrics at the beginning of", "of a chapter? Can all lines be centered? e.g.: > > **Chapter 19**", "**Chapter 19** > > > **Sneej Dreams** > > > Sneej dreams are", "format and cite partial song lyrics at the beginning of a chapter? Can", "19** > > > **Sneej Dreams** > > > Sneej dreams are made", "beginning of a chapter? Can all lines be centered? e.g.: > > **Chapter", "> And the seven seas, > > > Everybody's looking for something >", "**Sneej Dreams** > > > Sneej dreams are made of this > >", "seas, > > > Everybody's looking for something > > > Eurythmics >", "Sneej dreams are made of this > > > Who am I to", "a chapter? Can all lines be centered? e.g.: > > **Chapter 19** >", "chapter? Can all lines be centered? e.g.: > > **Chapter 19** > >", "> > Who am I to disagree? > > > I travel the", "> Who am I to disagree? > > > I travel the world", "Who am I to disagree? > > > I travel the world >", "> > > Everybody's looking for something > > > Eurythmics > >", "the world > > > And the seven seas, > > > Everybody's", "partial song lyrics at the beginning of a chapter? Can all lines be", "song lyrics at the beginning of a chapter? Can all lines be centered?", "lyrics at the beginning of a chapter? Can all lines be centered? e.g.:", "> > > Who am I to disagree? > > > I travel", "> > > I travel the world > > > And the seven", "do I format and cite partial song lyrics at the beginning of a", "> > Everybody's looking for something > > > Eurythmics > > >", "of this > > > Who am I to disagree? > > >", "dreams are made of this > > > Who am I to disagree?", "> > > Sneej dreams are made of this > > > Who", "cite partial song lyrics at the beginning of a chapter? Can all lines", "> > > **Sneej Dreams** > > > Sneej dreams are made of", "Can all lines be centered? e.g.: > > **Chapter 19** > > >", "and cite partial song lyrics at the beginning of a chapter? Can all" ]
[ "and roses, **of course**. Sometimes rain would > fall on my head or", "**of course**. Sometimes rain would > fall on my head or a thorn", "my finger. > > > What's the stylistic/rhetorical effect of having \"of course\"", "> **Of course,** not everything was rainbow and roses. Sometimes rain would >", "finger. > > > **Of course,** not everything was rainbow and roses. Sometimes", "my head or a thorn prickle my finger. > > > **Of course,**", "on my head or a thorn prickle my finger. > > > **Of", "writing: > > Not everything was rainbow and roses, **of course**. Sometimes rain", "my writing: > > Not everything was rainbow and roses, **of course**. Sometimes", "> > > What's the stylistic/rhetorical effect of having \"of course\" in those", "> > **Of course,** not everything was rainbow and roses. Sometimes rain would", "Example from my writing: > > Not everything was rainbow and roses, **of", "or a thorn prickle my finger. > > > **Of course,** not everything", "Sometimes rain would > fall on my head or a thorn prickle my", "a thorn prickle my finger. > > > **Of course,** not everything was", "roses, **of course**. Sometimes rain would > fall on my head or a", "everything was rainbow and roses, **of course**. Sometimes rain would > fall on", "> > > **Of course,** not everything was rainbow and roses. Sometimes rain", "roses. Sometimes rain would > fall on my head or a thorn prickle", "my head or a thorn prickle my finger. > > > What's the", "prickle my finger. > > > What's the stylistic/rhetorical effect of having \"of", "prickle my finger. > > > **Of course,** not everything was rainbow and", "head or a thorn prickle my finger. > > > What's the stylistic/rhetorical", "from my writing: > > Not everything was rainbow and roses, **of course**.", "Not everything was rainbow and roses, **of course**. Sometimes rain would > fall", "a thorn prickle my finger. > > > What's the stylistic/rhetorical effect of", "rain would > fall on my head or a thorn prickle my finger.", "> > What's the stylistic/rhetorical effect of having \"of course\" in those places?", "was rainbow and roses, **of course**. Sometimes rain would > fall on my", "**Of course,** not everything was rainbow and roses. Sometimes rain would > fall", "course**. Sometimes rain would > fall on my head or a thorn prickle", "fall on my head or a thorn prickle my finger. > > >", "on my head or a thorn prickle my finger. > > > What's", "or a thorn prickle my finger. > > > What's the stylistic/rhetorical effect", "finger. > > > What's the stylistic/rhetorical effect of having \"of course\" in", "> > Not everything was rainbow and roses, **of course**. Sometimes rain would", "> fall on my head or a thorn prickle my finger. > >", "was rainbow and roses. Sometimes rain would > fall on my head or", "> Not everything was rainbow and roses, **of course**. Sometimes rain would >", "thorn prickle my finger. > > > **Of course,** not everything was rainbow", "rainbow and roses, **of course**. Sometimes rain would > fall on my head", "not everything was rainbow and roses. Sometimes rain would > fall on my", "thorn prickle my finger. > > > What's the stylistic/rhetorical effect of having", "would > fall on my head or a thorn prickle my finger. >", "and roses. Sometimes rain would > fall on my head or a thorn", "rainbow and roses. Sometimes rain would > fall on my head or a", "my finger. > > > **Of course,** not everything was rainbow and roses.", "everything was rainbow and roses. Sometimes rain would > fall on my head", "head or a thorn prickle my finger. > > > **Of course,** not", "course,** not everything was rainbow and roses. Sometimes rain would > fall on" ]
[ "callously tells her to move and continues going his way. I, however, can’t", "moment I understood how privileged I was to have the luxuries of an", "historical present while reflection is in past? For example, is the below passage", "in first person? Should we try to keep the same tense throughout, or", "my rare education and one day give others the same opportunities. My education", "and stares at us, hopeful to receive a coin. My uncle callously tells", "he replies casually. > > > (past) ------ > > It was at", "in historical present while reflection is in past? For example, is the below", "frail lady, at least sixty, stands next to the car. She is dripping", "for her child’s next meal. > > > “Why did you just leave?!”", "“Why did you just leave?!” I challenge my uncle. > > > “If", "I was to have the luxuries of an American life. It was at", "about heat, while that lady begs the passers-by for her child’s next meal.", "> > A thin, frail lady, at least sixty, stands next to the", "unlucky to have never gotten a proper education,” he replies casually. > >", "the same opportunities. My education became the only thing I knew I would", "gave money to every beggar out there, we would have nothing. They are", "challenge my uncle. > > > “If I gave money to every beggar", "hands out and stares at us, hopeful to receive a coin. My uncle", "continues going his way. I, however, can’t get the image out of my", "a story in first person? Should we try to keep the same tense", "going his way. I, however, can’t get the image out of my head.", "to have never gotten a proper education,” he replies casually. > > >", "advantage of my rare education and one day give others the same opportunities.", "education became the only thing I knew I would never lose. I was", "of my head. Here I am, in an air-conditioned car, complaining about heat,", "If not, I'm not sure what I could replace the past tense with", "present) -------------------- > > A thin, frail lady, at least sixty, stands next", "narration be in historical present while reflection is in past? For example, is", "with to carry the same intent. --- (historical present) -------------------- > > A", "it appropriate to switch between past tense and historical present tense when telling", "below passage acceptable? If not, I'm not sure what I could replace the", "past tense with to carry the same intent. --- (historical present) -------------------- >", "They are just unlucky to have never gotten a proper education,” he replies", "can narration be in historical present while reflection is in past? For example,", "not, I'm not sure what I could replace the past tense with to", "rare education and one day give others the same opportunities. My education became", "> > > (past) ------ > > It was at that moment I", "out and stares at us, hopeful to receive a coin. My uncle callously", "there, we would have nothing. They are just unlucky to have never gotten", "the luxuries of an American life. It was at that moment that I", "least sixty, stands next to the car. She is dripping with sweat, holding", "get the image out of my head. Here I am, in an air-conditioned", "heat, while that lady begs the passers-by for her child’s next meal. >", "that moment I understood how privileged I was to have the luxuries of", "have nothing. They are just unlucky to have never gotten a proper education,”", "could replace the past tense with to carry the same intent. --- (historical", "at us, hopeful to receive a coin. My uncle callously tells her to", "(past) ------ > > It was at that moment I understood how privileged", "leave?!” I challenge my uncle. > > > “If I gave money to", "------ > > It was at that moment I understood how privileged I", "between past tense and historical present tense when telling a story in first", "however, can’t get the image out of my head. Here I am, in", "privileged I was to have the luxuries of an American life. It was", "at that moment that I swore to take advantage of my rare education", "the image out of my head. Here I am, in an air-conditioned car,", "swore to take advantage of my rare education and one day give others", "Should we try to keep the same tense throughout, or can narration be", "complaining about heat, while that lady begs the passers-by for her child’s next", "never gotten a proper education,” he replies casually. > > > (past) ------", "luxuries of an American life. It was at that moment that I swore", "head. Here I am, in an air-conditioned car, complaining about heat, while that", "I, however, can’t get the image out of my head. Here I am,", "we would have nothing. They are just unlucky to have never gotten a", "my uncle. > > > “If I gave money to every beggar out", "passers-by for her child’s next meal. > > > “Why did you just", "same opportunities. My education became the only thing I knew I would never", "Here I am, in an air-conditioned car, complaining about heat, while that lady", "would have nothing. They are just unlucky to have never gotten a proper", "every beggar out there, we would have nothing. They are just unlucky to", "> > “Why did you just leave?!” I challenge my uncle. > >", "to take advantage of my rare education and one day give others the", "have the luxuries of an American life. It was at that moment that", "historical present tense when telling a story in first person? Should we try", "acceptable? If not, I'm not sure what I could replace the past tense", "lady, at least sixty, stands next to the car. She is dripping with", "I am, in an air-conditioned car, complaining about heat, while that lady begs", "day give others the same opportunities. My education became the only thing I", "that I swore to take advantage of my rare education and one day", "--- (historical present) -------------------- > > A thin, frail lady, at least sixty,", "the past tense with to carry the same intent. --- (historical present) --------------------", "same tense throughout, or can narration be in historical present while reflection is", "have never gotten a proper education,” he replies casually. > > > (past)", "are just unlucky to have never gotten a proper education,” he replies casually.", "the only thing I knew I would never lose. I was nine years", "When is it appropriate to switch between past tense and historical present tense", "I'm not sure what I could replace the past tense with to carry", "-------------------- > > A thin, frail lady, at least sixty, stands next to", "window, puts her hands out and stares at us, hopeful to receive a", "try to keep the same tense throughout, or can narration be in historical", "way. I, however, can’t get the image out of my head. Here I", "passage acceptable? If not, I'm not sure what I could replace the past", "the passers-by for her child’s next meal. > > > “Why did you", "> “If I gave money to every beggar out there, we would have", "child in her arms. She knocks on the window, puts her hands out", "sweat, holding a child in her arms. She knocks on the window, puts", "not sure what I could replace the past tense with to carry the", "while that lady begs the passers-by for her child’s next meal. > >", "moment that I swore to take advantage of my rare education and one", "and one day give others the same opportunities. My education became the only", "what I could replace the past tense with to carry the same intent.", "present while reflection is in past? For example, is the below passage acceptable?", "to carry the same intent. --- (historical present) -------------------- > > A thin,", "car. She is dripping with sweat, holding a child in her arms. She", "one day give others the same opportunities. My education became the only thing", "tells her to move and continues going his way. I, however, can’t get", "the car. She is dripping with sweat, holding a child in her arms.", "only thing I knew I would never lose. 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My", "(historical present) -------------------- > > A thin, frail lady, at least sixty, stands", "an air-conditioned car, complaining about heat, while that lady begs the passers-by for", "appropriate to switch between past tense and historical present tense when telling a", "switch between past tense and historical present tense when telling a story in", "first person? Should we try to keep the same tense throughout, or can", "is dripping with sweat, holding a child in her arms. She knocks on", "air-conditioned car, complaining about heat, while that lady begs the passers-by for her", "meal. > > > “Why did you just leave?!” I challenge my uncle.", "was at that moment I understood how privileged I was to have the", "proper education,” he replies casually. > > > (past) ------ > > It", "stands next to the car. She is dripping with sweat, holding a child", "her child’s next meal. > > > “Why did you just leave?!” I", "just leave?!” I challenge my uncle. > > > “If I gave money", "> > “If I gave money to every beggar out there, we would", "She is dripping with sweat, holding a child in her arms. She knocks", "at that moment I understood how privileged I was to have the luxuries", "uncle. > > > “If I gave money to every beggar out there,", "sure what I could replace the past tense with to carry the same", "a proper education,” he replies casually. > > > (past) ------ > >", "education,” he replies casually. > > > (past) ------ > > It was", "we try to keep the same tense throughout, or can narration be in", "casually. > > > (past) ------ > > It was at that moment", "reflection is in past? For example, is the below passage acceptable? If not,", "opportunities. My education became the only thing I knew I would never lose.", "For example, is the below passage acceptable? If not, I'm not sure what", "that lady begs the passers-by for her child’s next meal. > > >", "> A thin, frail lady, at least sixty, stands next to the car.", "to receive a coin. My uncle callously tells her to move and continues", "example, is the below passage acceptable? If not, I'm not sure what I", "thing I knew I would never lose. I was nine years old. >", "My education became the only thing I knew I would never lose. I", "the same tense throughout, or can narration be in historical present while reflection", "keep the same tense throughout, or can narration be in historical present while", "> > It was at that moment I understood how privileged I was", "life. It was at that moment that I swore to take advantage of", "education and one day give others the same opportunities. My education became the", "telling a story in first person? Should we try to keep the same", "her arms. She knocks on the window, puts her hands out and stares", "story in first person? Should we try to keep the same tense throughout,", "gotten a proper education,” he replies casually. > > > (past) ------ >", "> > (past) ------ > > It was at that moment I understood", "how privileged I was to have the luxuries of an American life. It", "to the car. She is dripping with sweat, holding a child in her", "arms. She knocks on the window, puts her hands out and stares at", "I swore to take advantage of my rare education and one day give", "> It was at that moment I understood how privileged I was to", "person? Should we try to keep the same tense throughout, or can narration", "that moment that I swore to take advantage of my rare education and", "next meal. > > > “Why did you just leave?!” I challenge my", "a coin. My uncle callously tells her to move and continues going his", "past? For example, is the below passage acceptable? If not, I'm not sure", "coin. My uncle callously tells her to move and continues going his way.", "to switch between past tense and historical present tense when telling a story", "puts her hands out and stares at us, hopeful to receive a coin.", "sixty, stands next to the car. She is dripping with sweat, holding a", "knew I would never lose. I was nine years old. > > >", "past tense and historical present tense when telling a story in first person?", "of an American life. It was at that moment that I swore to", "intent. --- (historical present) -------------------- > > A thin, frail lady, at least", "a child in her arms. She knocks on the window, puts her hands", "> > > “If I gave money to every beggar out there, we" ]
[ "Should i do short cycles of events-introspection-context? The story i have so far", "to interleave a story with some context and with the first persons thoughts", "more remote areas. > > > I think it works here, but will", "cities, the scarcer the transport. A realistic and > predictable policy that nevertheless", "i do short cycles of events-introspection-context? The story i have so far is", "clustered around the beginning and end of the story, so as not to", "sprint and what > if the whistle came before i reached the doors?", "and feelings i had at the time serves to make the story more", "and other services in more remote areas. > > > I think it", "thoughts and feelings without distracting, confusing or boring the reader? Content wise, i", "the time serves to make the story more immersive. Form wise, interleaving the", "clunky. Should context be clustered around the beginning and end of the story,", "derail the flow? What about the emotional part, introspection also ’halts’ the storyline?", "story with some context and with the first persons thoughts and feelings without", "to write improves when all three levels are present. The immediate story, is", "the reader? Content wise, i think the essay-ish piece i’m trying to write", "it, really. The service i was on only runs every two hours. Iterations", "received media attention provides a wider context to my story. Adding thoughts and", "the train, not on it. > > > Made it! Panting and sweating", "connections while the further one travels from the > overpopulated cities, the scarcer", "A discussion of health statistics and some incidents that received media attention provides", "was hot, but now i was > almost missing the train because i", "first persons thoughts and feelings without distracting, confusing or boring the reader? Content", "hot, but now i was > almost missing the train because i could", "doors? Could i risk jumping > in? I’d just as easily end up", "context, it is just one story. A discussion of health statistics and some", "the story, so as not to derail the flow? What about the emotional", "story, so as not to derail the flow? What about the emotional part,", "now i was > almost missing the train because i could not properly", "services in more remote areas. > > > I think it works here,", "i had at the time serves to make the story more immersive. Form", "not properly sprint and what > if the whistle came before i reached", "was > almost missing the train because i could not properly sprint and", "immediate story, is pretty fast paced and describes the birth of my son", "as it happened. Without the context, it is just one story. A discussion", "optimalization to the train schedule meant that now urban areas have > ultra", "in more remote areas. > > > I think it works here, but", "without distracting, confusing or boring the reader? Content wise, i think the essay-ish", "a wider context to my story. Adding thoughts and feelings i had at", "context be clustered around the beginning and end of the story, so as", "it. > > > Made it! Panting and sweating i found a window", "on it. > > > Made it! Panting and sweating i found a", "overpopulated cities, the scarcer the transport. A realistic and > predictable policy that", "a story with some context and with the first persons thoughts and feelings", "do short cycles of events-introspection-context? The story i have so far is a", "if the whistle came before i reached the doors? Could i risk jumping", "I think it works here, but will several iterations of this also work?", "> crumbling public and other services in more remote areas. > > >", "ran down the platform dodging annoyed looking commuters, stumbling > without falling at", "ultra frequent connections while the further one travels from the > overpopulated cities,", "just as easily end up under the train, not on it. > >", "the platform dodging annoyed looking commuters, stumbling > without falling at least four", "of health statistics and some incidents that received media attention provides a wider", "runs every two hours. Iterations of > optimalization to the train schedule meant", "so as not to derail the flow? What about the emotional part, introspection", "came before i reached the doors? Could i risk jumping > in? I’d", "possible to interleave a story with some context and with the first persons", "that now urban areas have > ultra frequent connections while the further one", "i found a window seat. I had to make it, really. The service", "be clustered around the beginning and end of the story, so as not", "> > > Made it! Panting and sweating i found a window seat.", "but now i was > almost missing the train because i could not", "crumbling public and other services in more remote areas. > > > I", "to share here, so as a proxy example take this short text about", "from the > overpopulated cities, the scarcer the transport. A realistic and >", "to derail the flow? What about the emotional part, introspection also ’halts’ the", "areas. > > > I think it works here, but will several iterations", "context and with the first persons thoughts and feelings without distracting, confusing or", "> > > I think it works here, but will several iterations of", "so as a proxy example take this short text about railway travel: >", "flow? What about the emotional part, introspection also ’halts’ the storyline? Should i", "wider context to my story. Adding thoughts and feelings i had at the", "down the platform dodging annoyed looking commuters, stumbling > without falling at least", "storyline? Should i do short cycles of events-introspection-context? The story i have so", "i risk jumping > in? I’d just as easily end up under the", "are present. The immediate story, is pretty fast paced and describes the birth", "under the train, not on it. > > > Made it! Panting and", "as a proxy example take this short text about railway travel: > >", "one story. A discussion of health statistics and some incidents that received media", "levels just feels clunky. Should context be clustered around the beginning and end", "with some context and with the first persons thoughts and feelings without distracting,", "at least four times. Why, why had i thought it would > be", "the context, it is just one story. A discussion of health statistics and", "take this short text about railway travel: > > I ran down the", "had at the time serves to make the story more immersive. Form wise,", "paced and describes the birth of my son as it happened. Without the", "least four times. Why, why had i thought it would > be a", "write improves when all three levels are present. The immediate story, is pretty", "short cycles of events-introspection-context? The story i have so far is a bit", "story, is pretty fast paced and describes the birth of my son as", "was on only runs every two hours. Iterations of > optimalization to the", "times. Why, why had i thought it would > be a good idea", "the three levels just feels clunky. Should context be clustered around the beginning", "scarcer the transport. A realistic and > predictable policy that nevertheless further erodes", "it possible to interleave a story with some context and with the first", "ways than one) and too long to share here, so as a proxy", "idea to wear flip-flops? Sure it was hot, but now i was >", "or boring the reader? Content wise, i think the essay-ish piece i’m trying", "dodging annoyed looking commuters, stumbling > without falling at least four times. Why,", "The immediate story, is pretty fast paced and describes the birth of my", "make it, really. The service i was on only runs every two hours.", "three levels are present. The immediate story, is pretty fast paced and describes", "improves when all three levels are present. The immediate story, is pretty fast", "and too long to share here, so as a proxy example take this", "the > overpopulated cities, the scarcer the transport. A realistic and > predictable", "missing the train because i could not properly sprint and what > if", "events-introspection-context? The story i have so far is a bit too raw (in", "train schedule meant that now urban areas have > ultra frequent connections while", "properly sprint and what > if the whistle came before i reached the", "beginning and end of the story, so as not to derail the flow?", "> without falling at least four times. Why, why had i thought it", "whistle came before i reached the doors? Could i risk jumping > in?", "train because i could not properly sprint and what > if the whistle", "the essay-ish piece i’m trying to write improves when all three levels are", "Panting and sweating i found a window seat. I had to make it,", "it was hot, but now i was > almost missing the train because", "what > if the whistle came before i reached the doors? Could i", "’halts’ the storyline? Should i do short cycles of events-introspection-context? The story i", "piece i’m trying to write improves when all three levels are present. The", "not to derail the flow? What about the emotional part, introspection also ’halts’", "> I ran down the platform dodging annoyed looking commuters, stumbling > without", "good idea to wear flip-flops? Sure it was hot, but now i was", "stumbling > without falling at least four times. Why, why had i thought", "> in? I’d just as easily end up under the train, not on", "that received media attention provides a wider context to my story. Adding thoughts", "Form wise, interleaving the three levels just feels clunky. Should context be clustered", "frequent connections while the further one travels from the > overpopulated cities, the", "A realistic and > predictable policy that nevertheless further erodes the already >", "the transport. A realistic and > predictable policy that nevertheless further erodes the", "public and other services in more remote areas. > > > I think", "proxy example take this short text about railway travel: > > I ran", "window seat. I had to make it, really. The service i was on", "have so far is a bit too raw (in more ways than one)", "feels clunky. Should context be clustered around the beginning and end of the", "Sure it was hot, but now i was > almost missing the train", "jumping > in? I’d just as easily end up under the train, not", "levels are present. The immediate story, is pretty fast paced and describes the", "think the essay-ish piece i’m trying to write improves when all three levels", "wise, interleaving the three levels just feels clunky. 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Form wise, interleaving the three", "my son as it happened. Without the context, it is just one story.", "interleaving the three levels just feels clunky. Should context be clustered around the", "cycles of events-introspection-context? The story i have so far is a bit too", "and feelings without distracting, confusing or boring the reader? Content wise, i think", "meant that now urban areas have > ultra frequent connections while the further", "with the first persons thoughts and feelings without distracting, confusing or boring the", "emotional part, introspection also ’halts’ the storyline? Should i do short cycles of", "the emotional part, introspection also ’halts’ the storyline? Should i do short cycles", "to wear flip-flops? Sure it was hot, but now i was > almost", "two hours. Iterations of > optimalization to the train schedule meant that now", "> > Made it! Panting and sweating i found a window seat. I", "had i thought it would > be a good idea to wear flip-flops?", "this short text about railway travel: > > I ran down the platform", "hours. Iterations of > optimalization to the train schedule meant that now urban", "the first persons thoughts and feelings without distracting, confusing or boring the reader?", "is just one story. A discussion of health statistics and some incidents that", "> overpopulated cities, the scarcer the transport. A realistic and > predictable policy", "the storyline? Should i do short cycles of events-introspection-context? The story i have", "and with the first persons thoughts and feelings without distracting, confusing or boring", "i thought it would > be a good idea to wear flip-flops? Sure", "only runs every two hours. Iterations of > optimalization to the train schedule", "happened. Without the context, it is just one story. A discussion of health", "have > ultra frequent connections while the further one travels from the >", "too raw (in more ways than one) and too long to share here,", "some context and with the first persons thoughts and feelings without distracting, confusing", "example take this short text about railway travel: > > I ran down", "realistic and > predictable policy that nevertheless further erodes the already > crumbling", "Content wise, i think the essay-ish piece i’m trying to write improves when", "and sweating i found a window seat. I had to make it, really.", "media attention provides a wider context to my story. Adding thoughts and feelings", "other services in more remote areas. > > > I think it works", "share here, so as a proxy example take this short text about railway", "and what > if the whistle came before i reached the doors? Could", "erodes the already > crumbling public and other services in more remote areas.", "the doors? Could i risk jumping > in? I’d just as easily end", "without falling at least four times. Why, why had i thought it would", "discussion of health statistics and some incidents that received media attention provides a", "policy that nevertheless further erodes the already > crumbling public and other services", "Is it possible to interleave a story with some context and with the", "remote areas. > > > I think it works here, but will several", "a bit too raw (in more ways than one) and too long to", "now urban areas have > ultra frequent connections while the further one travels", "in? I’d just as easily end up under the train, not on it.", "text about railway travel: > > I ran down the platform dodging annoyed", "> > I think it works here, but will several iterations of this", "reader? Content wise, i think the essay-ish piece i’m trying to write improves", "it is just one story. A discussion of health statistics and some incidents", "about the emotional part, introspection also ’halts’ the storyline? 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Iterations of > optimalization to", "because i could not properly sprint and what > if the whistle came", "short text about railway travel: > > I ran down the platform dodging", "persons thoughts and feelings without distracting, confusing or boring the reader? Content wise,", "risk jumping > in? I’d just as easily end up under the train,", "had to make it, really. The service i was on only runs every", "platform dodging annoyed looking commuters, stumbling > without falling at least four times.", "incidents that received media attention provides a wider context to my story. Adding", "feelings i had at the time serves to make the story more immersive.", "seat. I had to make it, really. The service i was on only", "describes the birth of my son as it happened. Without the context, it", "really. The service i was on only runs every two hours. Iterations of", "my story. Adding thoughts and feelings i had at the time serves to", "The story i have so far is a bit too raw (in more", "transport. A realistic and > predictable policy that nevertheless further erodes the already", "i’m trying to write improves when all three levels are present. The immediate", "Without the context, it is just one story. A discussion of health statistics", "found a window seat. I had to make it, really. The service i", "context to my story. Adding thoughts and feelings i had at the time", "introspection also ’halts’ the storyline? Should i do short cycles of events-introspection-context? The", "it happened. Without the context, it is just one story. A discussion of", "Could i risk jumping > in? I’d just as easily end up under", "that nevertheless further erodes the already > crumbling public and other services in", "> > I ran down the platform dodging annoyed looking commuters, stumbling >", "> optimalization to the train schedule meant that now urban areas have >", "up under the train, not on it. > > > Made it! Panting", "too long to share here, so as a proxy example take this short", "essay-ish piece i’m trying to write improves when all three levels are present.", "present. The immediate story, is pretty fast paced and describes the birth of", "to the train schedule meant that now urban areas have > ultra frequent", "> Made it! Panting and sweating i found a window seat. I had", "the whistle came before i reached the doors? Could i risk jumping >", "urban areas have > ultra frequent connections while the further one travels from", "end of the story, so as not to derail the flow? What about", "and describes the birth of my son as it happened. 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I’d just as easily", "(in more ways than one) and too long to share here, so as", "commuters, stumbling > without falling at least four times. Why, why had i", "a proxy example take this short text about railway travel: > > I", "i could not properly sprint and what > if the whistle came before", "i was > almost missing the train because i could not properly sprint", "looking commuters, stumbling > without falling at least four times. Why, why had", "the train because i could not properly sprint and what > if the", "and some incidents that received media attention provides a wider context to my", "trying to write improves when all three levels are present. The immediate story,", "> almost missing the train because i could not properly sprint and what", "I had to make it, really. The service i was on only runs", "What about the emotional part, introspection also ’halts’ the storyline? Should i do", "areas have > ultra frequent connections while the further one travels from the", "it! Panting and sweating i found a window seat. I had to make", "one travels from the > overpopulated cities, the scarcer the transport. A realistic", "railway travel: > > I ran down the platform dodging annoyed looking commuters,", "> be a good idea to wear flip-flops? Sure it was hot, but", "around the beginning and end of the story, so as not to derail", "while the further one travels from the > overpopulated cities, the scarcer the", "distracting, confusing or boring the reader? Content wise, i think the essay-ish piece", "pretty fast paced and describes the birth of my son as it happened.", "i have so far is a bit too raw (in more ways than", "long to share here, so as a proxy example take this short text", "could not properly sprint and what > if the whistle came before i", "and > predictable policy that nevertheless further erodes the already > crumbling public", "raw (in more ways than one) and too long to share here, so", "Should context be clustered around the beginning and end of the story, so", "as not to derail the flow? What about the emotional part, introspection also", "be a good idea to wear flip-flops? Sure it was hot, but now", "service i was on only runs every two hours. Iterations of > optimalization", "falling at least four times. Why, why had i thought it would >", "I ran down the platform dodging annoyed looking commuters, stumbling > without falling", "bit too raw (in more ways than one) and too long to share", "feelings without distracting, confusing or boring the reader? Content wise, i think the", "is a bit too raw (in more ways than one) and too long", "> if the whistle came before i reached the doors? Could i risk", "of the story, so as not to derail the flow? What about the", "just one story. A discussion of health statistics and some incidents that received", "almost missing the train because i could not properly sprint and what >", "the train schedule meant that now urban areas have > ultra frequent connections", "i think the essay-ish piece i’m trying to write improves when all three", "to my story. Adding thoughts and feelings i had at the time serves", "thoughts and feelings i had at the time serves to make the story", "train, not on it. > > > Made it! Panting and sweating i", "as easily end up under the train, not on it. > > >", "easily end up under the train, not on it. > > > Made", "end up under the train, not on it. > > > Made it!", "the already > crumbling public and other services in more remote areas. >", "> I think it works here, but will several iterations of this also", "flip-flops? Sure it was hot, but now i was > almost missing the", "i reached the doors? Could i risk jumping > in? I’d just as", "is pretty fast paced and describes the birth of my son as it", "a window seat. I had to make it, really. The service i was", "story i have so far is a bit too raw (in more ways", "confusing or boring the reader? Content wise, i think the essay-ish piece i’m", "more immersive. Form wise, interleaving the three levels just feels clunky. Should context", "all three levels are present. 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Sure it was", "than one) and too long to share here, so as a proxy example", "schedule meant that now urban areas have > ultra frequent connections while the", "three levels just feels clunky. Should context be clustered around the beginning and", "the birth of my son as it happened. Without the context, it is", "boring the reader? Content wise, i think the essay-ish piece i’m trying to", "Made it! Panting and sweating i found a window seat. I had to", "would > be a good idea to wear flip-flops? Sure it was hot,", "attention provides a wider context to my story. Adding thoughts and feelings i", "nevertheless further erodes the already > crumbling public and other services in more", "immersive. Form wise, interleaving the three levels just feels clunky. Should context be", "before i reached the doors? Could i risk jumping > in? I’d just", "why had i thought it would > be a good idea to wear", "further one travels from the > overpopulated cities, the scarcer the transport. A", "thought it would > be a good idea to wear flip-flops? Sure it", "provides a wider context to my story. Adding thoughts and feelings i had", "Why, why had i thought it would > be a good idea to" ]
[ "anybody thinking I named this child after the disease or anything, it's all", "could explain without explaining the entire plot of my story. Thank you for", "the rest of the series, and Ian is introduced after Cancer's death. I", "also a minor character in the last book, as a result of LainvM", "about Cancer's development... Cancer's character is left VERY messed up after his childhood,", "knew each other as small children, and were like brothers in a *very*", "of gone entirely, but I'd still love to hear some other points of", "ALL THIS MESS, AND FOR ANSWERING** Cancer's name is not after the disease,", "in the story at the same time. I don't want readers to think", "out in my writing... Does anyone have any suggestions? I plan for the", "Cancer). The two are very close, and therefore I need to have meaningful", "so he has a somewhat normal name. The other Specialsts have names like", "I named this child after the disease or anything, it's all purely based", "enough to understand the gist of this further, this is about as well", "entire plot of my story. Thank you for the help and any advice", "both feel important to the narrative?** I've looked over this a bit, and", "about him dying in only one book? Ian and Cancer cannot be in", "relationship, or even a beleivable friendship between to characters if one's basically emotionless?", "time and development is necessary for a character I intend to kill off", "years, he's still sort of... dead inside, I guess. LainvM sort of becomes", "know this was already a lot to read, I'm sorry. But I needed", "I write a relationship, or even a beleivable friendship between to characters if", "want readers to think that Ian is just a cheap replacement, like LainvM's", "time. I don't want readers to think that Ian is just a cheap", "him almost without a personality. Though Cancer's state of mind HAS improved a", "I've decided that Cancer's death is very important to the series and WOLG", "care about him dying in only one book? Ian and Cancer cannot be", "almost a hallucination. Therefore Cancer IS technically seen again, but he's still...dead. I", "book, as a result of LainvM going temporarily insane and seeing Cancer alive", "he's still sort of... dead inside, I guess. LainvM sort of becomes like", "one. **My problem**: How do I make readers become attached to Cancer and", "a bit throughout the years, he's still sort of... dead inside, I guess.", "advice you'd be willing to give! **another thing...** I know this was already", "over this a bit, and there's one thing I just can't figure out", "doesn't know it until book three or four.They knew each other as small", "to know that both Ian and Cancer's childhood backstory are linked, though LainvM", "It progresses the plot (the main villain in the series makes himself known", "The two are very close, and therefore I need to have meaningful character", "though LainvM doesn't know it until book three or four.They knew each other", "and replace with a second character so that both feel important to the", "I just can't figure out in my writing... Does anyone have any suggestions?", "the two. HOWEVER, Cancer dies very early on in the series. I'm very", "give! **another thing...** I know this was already a lot to read, I'm", "name that exactly matches that sign because he was born on Earth, not", "small children, and were like brothers in a *very* messed up situation until", "made to be a perfect little leader, and to accomplish this his past", "I don't want readers to think that Ian is just a cheap replacement,", "dies very early on in the series. I'm very unsure about how to", "points of veiw. **THANK YOU FRIENDS, BOTH FOR READING ALL THIS MESS, AND", "series, and Ian is introduced after Cancer's death. I wish to write Cancer's", "to think that Ian is just a cheap replacement, like LainvM's \"new sidekick\"", "for the help and any advice you'd be willing to give! **another thing...**", "temporarily insane and seeing Cancer alive again almost a hallucination. Therefore Cancer IS", "one thing I just can't figure out in my writing... Does anyone have", "share a backstory and a friendship with LainvM. I feel like if I", "childhood backstory are linked, though LainvM doesn't know it until book three or", "replace with a second character so that both feel important to the narrative?**", "the \"specialist\" of Leo. He is the only Specialist to not have a", "thing about Cancer's development... Cancer's character is left VERY messed up after his", "one book? Ian and Cancer cannot be in the story at the same", "book one. Both characters are completely different, even if they share a backstory", "development is necessary for a character I intend to kill off and replace", "in only one book? Ian and Cancer cannot be in the story at", "FOR READING ALL THIS MESS, AND FOR ANSWERING** Cancer's name is not after", "*very* messed up situation until Cancer and Ian were separated. Both boys were", "technically seen again, but he's still...dead. I really hope this was enough to", "still love to hear some other points of veiw. **THANK YOU FRIENDS, BOTH", "feel like if I kill Cancer in book one, I'm giving up a", "is killed at the end of book two rather than book one. Both", "The other Specialsts have names like Libra, Gemini, Scorpio, or Cancer... **I just", "the star signs. For example, LainvM is the \"specialist\" of Leo. He is", "childhood, and through some issues with science he's left very void of emotion.", "Cancer, and he's actually fairly improved at the end of book one... right", "a therapy friend for Cancer, and he's actually fairly improved at the end", "the end of book two rather than book one. Both characters are completely", "my story. Thank you for the help and any advice you'd be willing", "lot to read, I'm sorry. But I needed to ask one more thing", "I suppose I could give Cancer emotions, just leaving them very mixed up", "that sign because he was born on Earth, not a Zodiac's planet. Ian", "already looked it over, and I've decided that Cancer's death is very important", "again almost a hallucination. Therefore Cancer IS technically seen again, but he's still...dead.", "itself also releases this villain from a prison of sorts.), changes LainvM's character", "(named LainvM) develops a VERY close friend (or love interest) in book one", "book? Ian and Cancer cannot be in the story at the same time.", "How do I make readers become attached to Cancer and actually care about", "and WOLG happen. It progresses the plot (the main villain in the series", "a beleivable friendship between to characters if one's basically emotionless? I suppose I", "explain without explaining the entire plot of my story. Thank you for the", "the disease, but the zodiac sign. Yeah, it's a very unfortunate name, but", "up after his childhood, and through some issues with science he's left very", "can't figure out in my writing... Does anyone have any suggestions? I plan", "and Ian were separated. Both boys were severely mistreated for separate reasons, though", "each of the star signs. For example, LainvM is the \"specialist\" of Leo.", "other Specialsts have names like Libra, Gemini, Scorpio, or Cancer... **I just didn't", "of Leo. He is the only Specialist to not have a name that", "Cancer cannot be in the story at the same time. I don't want", "were like brothers in a *very* messed up situation until Cancer and Ian", "even a beleivable friendship between to characters if one's basically emotionless? I suppose", "that Cancer's death is very important to the series and WOLG happen. It", "born on Earth, not a Zodiac's planet. Ian is not a specialist, so", "character for the rest of the series, and Ian is introduced after Cancer's", "linked, though LainvM doesn't know it until book three or four.They knew each", "and were like brothers in a *very* messed up situation until Cancer and", "narrative?** I've looked over this a bit, and there's one thing I just", "the series after Cancer's death, and I want to make both characters relevant", "five novels. The main character (named LainvM) develops a VERY close friend (or", "be a series of five novels. The main character (named LainvM) develops a", "Cancer's spirit is also a minor character in the last book, as a", "book two rather than book one. Both characters are completely different, even if", "of this further, this is about as well as I could explain without", "for the works to be a series of five novels. The main character", "in the last book, as a result of LainvM going temporarily insane and", "any advice you'd be willing to give! **another thing...** I know this was", "improved a bit throughout the years, he's still sort of... dead inside, I", "introduced to the series after Cancer's death, and I want to make both", "I'd still love to hear some other points of veiw. **THANK YOU FRIENDS,", "much time and development is necessary for a character I intend to kill", "though, because another character named Ian is introduced to the series after Cancer's", "giving up a bit of Cancer's character. If I kill him off in", "are very close, and therefore I need to have meaningful character development between", "to the story. I've already looked it over, and I've decided that Cancer's", "death is very important to the series and WOLG happen. It progresses the", "Cancer and actually care about him dying in only one book? Ian and", "a friendship with LainvM. I feel like if I kill Cancer in book", "plot. It may also help you to know that both Ian and Cancer's", "suppose I could give Cancer emotions, just leaving them very mixed up or", "one (named Cancer). The two are very close, and therefore I need to", "write Cancer's death scene pretty close to the end of book one. **My", "like brothers in a *very* messed up situation until Cancer and Ian were", "of becomes like a therapy friend for Cancer, and he's actually fairly improved", "matches that sign because he was born on Earth, not a Zodiac's planet.", "a minor character in the last book, as a result of LainvM going", "sorts.), changes LainvM's character for the rest of the series, and Ian is", "is the only Specialist to not have a name that exactly matches that", "if one's basically emotionless? I suppose I could give Cancer emotions, just leaving", "the end of book one. **My problem**: How do I make readers become", "of book two rather than book one. Both characters are completely different, even", "even if they share a backstory and a friendship with LainvM. I feel", "may also help you to know that both Ian and Cancer's childhood backstory", "this a bit, and there's one thing I just can't figure out in", "sort of becomes like a therapy friend for Cancer, and he's actually fairly", "mind HAS improved a bit throughout the years, he's still sort of... dead", "meaningful character development between the two. HOWEVER, Cancer dies very early on in", "in my writing... Does anyone have any suggestions? I plan for the works", "know it until book three or four.They knew each other as small children,", "names like Libra, Gemini, Scorpio, or Cancer... **I just didn't want anybody thinking", "if they share a backstory and a friendship with LainvM. I feel like", "villain in the series makes himself known as playing a part in Cancer's", "plot (the main villain in the series makes himself known as playing a", "without explaining the entire plot of my story. Thank you for the help", "Cancer emotions, just leaving them very mixed up or addled instead of gone", "close friend (or love interest) in book one (named Cancer). The two are", "\"specialist\" of Leo. He is the only Specialist to not have a name", "a *very* messed up situation until Cancer and Ian were separated. Both boys", "**I just didn't want anybody thinking I named this child after the disease", "are linked, though LainvM doesn't know it until book three or four.They knew", "him dying in only one book? Ian and Cancer cannot be in the", "the end of book one... right before his death. But how would I", "one, I'm giving up a bit of Cancer's character. If I kill him", "is very important to the series and WOLG happen. It progresses the plot", "I needed to ask one more thing about Cancer's development... Cancer's character is", "basically emotionless? I suppose I could give Cancer emotions, just leaving them very", "as well as plot. It may also help you to know that both", "separated. Both boys were severely mistreated for separate reasons, though maybe Cancer more", "reasons, though maybe Cancer more than LainvM. Cancer's spirit is also a minor", "series and WOLG happen. It progresses the plot (the main villain in the", "I could give Cancer emotions, just leaving them very mixed up or addled", "left VERY messed up after his childhood, and through some issues with science", "character I intend to kill off and replace with a second character so", "be in the story at the same time. I don't want readers to", "the series makes himself known as playing a part in Cancer's death, and", "in book one (named Cancer). The two are very close, and therefore I", "the series and WOLG happen. It progresses the plot (the main villain in", "emotion. He was made to be a perfect little leader, and to accomplish", "a personality. Though Cancer's state of mind HAS improved a bit throughout the", "there's one thing I just can't figure out in my writing... Does anyone", "as a result of LainvM going temporarily insane and seeing Cancer alive again", "Ian and Cancer cannot be in the story at the same time. I", "four.They knew each other as small children, and were like brothers in a", "therefore I need to have meaningful character development between the two. HOWEVER, Cancer", "is necessary for a character I intend to kill off and replace with", "of LainvM going temporarily insane and seeing Cancer alive again almost a hallucination.", "with science he's left very void of emotion. He was made to be", "that both feel important to the narrative?** I've looked over this a bit,", "explaining the entire plot of my story. Thank you for the help and", "improved at the end of book one... right before his death. But how", "wish to write Cancer's death scene pretty close to the end of book", "backstory and a friendship with LainvM. I feel like if I kill Cancer", "Ian is not a specialist, so he has a somewhat normal name. The", "gone entirely, but I'd still love to hear some other points of veiw.", "part in Cancer's death, and Cancer's death itself also releases this villain from", "YOU FRIENDS, BOTH FOR READING ALL THIS MESS, AND FOR ANSWERING** Cancer's name", "issues with science he's left very void of emotion. He was made to", "bit, and there's one thing I just can't figure out in my writing...", "of book one. **My problem**: How do I make readers become attached to", "and he's actually fairly improved at the end of book one... right before", "I've looked over this a bit, and there's one thing I just can't", "to have meaningful character development between the two. HOWEVER, Cancer dies very early", "friend for Cancer, and he's actually fairly improved at the end of book", "or something, especially if Cancer is killed at the end of book two", "Cancer IS technically seen again, but he's still...dead. I really hope this was", "Cancer is killed at the end of book two rather than book one.", "left very void of emotion. He was made to be a perfect little", "Cancer's development... Cancer's character is left VERY messed up after his childhood, and", "the entire plot of my story. Thank you for the help and any", "state of mind HAS improved a bit throughout the years, he's still sort", "I'm giving up a bit of Cancer's character. If I kill him off", "of Cancer's character. If I kill him off in book two, I feel", "very close, and therefore I need to have meaningful character development between the", "is just a cheap replacement, like LainvM's \"new sidekick\" or something, especially if", "the narrative?** I've looked over this a bit, and there's one thing I", "a relationship, or even a beleivable friendship between to characters if one's basically", "for Cancer, and he's actually fairly improved at the end of book one...", "of mind HAS improved a bit throughout the years, he's still sort of...", "like I'm giving up a bit of Ian's as well as plot. It", "disease, but the zodiac sign. Yeah, it's a very unfortunate name, but there's", "the plot (the main villain in the series makes himself known as playing", "that both Ian and Cancer's childhood backstory are linked, though LainvM doesn't know", "progresses the plot (the main villain in the series makes himself known as", "like LainvM's \"new sidekick\" or something, especially if Cancer is killed at the", "of emotion. He was made to be a perfect little leader, and to", "for every zodiac.They are similar to gods or leaders of each of the", "character in the last book, as a result of LainvM going temporarily insane", "from a prison of sorts.), changes LainvM's character for the rest of the", "develops a VERY close friend (or love interest) in book one (named Cancer).", "VERY messed up after his childhood, and through some issues with science he's", "after Cancer's death. I wish to write Cancer's death scene pretty close to", "named Ian is introduced to the series after Cancer's death, and I want", "to accomplish this his past tormentors left him almost without a personality. Though", "playing a part in Cancer's death, and Cancer's death itself also releases this", "after the disease, but the zodiac sign. Yeah, it's a very unfortunate name,", "a cheap replacement, like LainvM's \"new sidekick\" or something, especially if Cancer is", "they share a backstory and a friendship with LainvM. I feel like if", "Cancer alive again almost a hallucination. Therefore Cancer IS technically seen again, but", "like a therapy friend for Cancer, and he's actually fairly improved at the", "to kill off and replace with a second character so that both feel", "entirely, but I'd still love to hear some other points of veiw. **THANK", "you to know that both Ian and Cancer's childhood backstory are linked, though", "leader, and to accomplish this his past tormentors left him almost without a", "and there's one thing I just can't figure out in my writing... Does", "important to the series and WOLG happen. It progresses the plot (the main", "LainvM going temporarily insane and seeing Cancer alive again almost a hallucination. Therefore", "messed up situation until Cancer and Ian were separated. Both boys were severely", "hallucination. Therefore Cancer IS technically seen again, but he's still...dead. I really hope", "write a relationship, or even a beleivable friendship between to characters if one's", "but there's a character for every zodiac.They are similar to gods or leaders", "LainvM. I feel like if I kill Cancer in book one, I'm giving", "of each of the star signs. For example, LainvM is the \"specialist\" of", "mixed up or addled instead of gone entirely, but I'd still love to", "and through some issues with science he's left very void of emotion. He", "(named Cancer). The two are very close, and therefore I need to have", "a character I intend to kill off and replace with a second character", "each other as small children, and were like brothers in a *very* messed", "close, and therefore I need to have meaningful character development between the two.", "READING ALL THIS MESS, AND FOR ANSWERING** Cancer's name is not after the", "the story. I've already looked it over, and I've decided that Cancer's death", "both characters relevant to the story. I've already looked it over, and I've", "gist of this further, this is about as well as I could explain", "characters are completely different, even if they share a backstory and a friendship", "For example, LainvM is the \"specialist\" of Leo. He is the only Specialist", "death scene pretty close to the end of book one. **My problem**: How", "so that both feel important to the narrative?** I've looked over this a", "Both characters are completely different, even if they share a backstory and a", "void of emotion. He was made to be a perfect little leader, and", "Specialsts have names like Libra, Gemini, Scorpio, or Cancer... **I just didn't want", "before his death. But how would I write a relationship, or even a", "a very unfortunate name, but there's a character for every zodiac.They are similar", "somewhat normal name. The other Specialsts have names like Libra, Gemini, Scorpio, or", "I'm giving up a bit of Ian's as well as plot. It may", "character so that both feel important to the narrative?** I've looked over this", "LainvM doesn't know it until book three or four.They knew each other as", "sign. Yeah, it's a very unfortunate name, but there's a character for every", "are similar to gods or leaders of each of the star signs. For", "time this though, because another character named Ian is introduced to the series", "to the series after Cancer's death, and I want to make both characters", "I've already looked it over, and I've decided that Cancer's death is very", "until Cancer and Ian were separated. Both boys were severely mistreated for separate", "example, LainvM is the \"specialist\" of Leo. He is the only Specialist to", "maybe Cancer more than LainvM. Cancer's spirit is also a minor character in", "a Zodiac's planet. Ian is not a specialist, so he has a somewhat", "going temporarily insane and seeing Cancer alive again almost a hallucination. Therefore Cancer", "just didn't want anybody thinking I named this child after the disease or", "I know this was already a lot to read, I'm sorry. But I", "Zodiac's planet. Ian is not a specialist, so he has a somewhat normal", "development between the two. HOWEVER, Cancer dies very early on in the series.", "character for every zodiac.They are similar to gods or leaders of each of", "to be a perfect little leader, and to accomplish this his past tormentors", "end of book one. **My problem**: How do I make readers become attached", "between to characters if one's basically emotionless? I suppose I could give Cancer", "but he's still...dead. I really hope this was enough to understand the gist", "Though Cancer's state of mind HAS improved a bit throughout the years, he's", "accomplish this his past tormentors left him almost without a personality. Though Cancer's", "Cancer's state of mind HAS improved a bit throughout the years, he's still", "killed at the end of book two rather than book one. Both characters", "to be a series of five novels. The main character (named LainvM) develops", "do I make readers become attached to Cancer and actually care about him", "Earth, not a Zodiac's planet. Ian is not a specialist, so he has", "book one... right before his death. But how would I write a relationship,", "Libra, Gemini, Scorpio, or Cancer... **I just didn't want anybody thinking I named", "the gist of this further, this is about as well as I could", "not a specialist, so he has a somewhat normal name. The other Specialsts", "be a perfect little leader, and to accomplish this his past tormentors left", "there's a character for every zodiac.They are similar to gods or leaders of", "make both characters relevant to the story. I've already looked it over, and", "Cancer's character. If I kill him off in book two, I feel like", "series of five novels. The main character (named LainvM) develops a VERY close", "left him almost without a personality. Though Cancer's state of mind HAS improved", "not have a name that exactly matches that sign because he was born", "not after the disease, but the zodiac sign. Yeah, it's a very unfortunate", "that exactly matches that sign because he was born on Earth, not a", "right before his death. But how would I write a relationship, or even", "LainvM) develops a VERY close friend (or love interest) in book one (named", "relevant to the story. I've already looked it over, and I've decided that", "up situation until Cancer and Ian were separated. Both boys were severely mistreated", "HOWEVER, Cancer dies very early on in the series. I'm very unsure about", "one. Both characters are completely different, even if they share a backstory and", "to gods or leaders of each of the star signs. For example, LainvM", "through some issues with science he's left very void of emotion. He was", "little leader, and to accomplish this his past tormentors left him almost without", "unsure about how to time this though, because another character named Ian is", "the works to be a series of five novels. The main character (named", "a second character so that both feel important to the narrative?** I've looked", "to Cancer and actually care about him dying in only one book? Ian", "a character for every zodiac.They are similar to gods or leaders of each", "want to make both characters relevant to the story. I've already looked it", "be willing to give! **another thing...** I know this was already a lot", "**another thing...** I know this was already a lot to read, I'm sorry.", "his death. But how would I write a relationship, or even a beleivable", "and any advice you'd be willing to give! **another thing...** I know this", "to the narrative?** I've looked over this a bit, and there's one thing", "**TL;DR: How much time and development is necessary for a character I intend", "leaving them very mixed up or addled instead of gone entirely, but I'd", "this his past tormentors left him almost without a personality. Though Cancer's state", "backstory are linked, though LainvM doesn't know it until book three or four.They", "book one, I'm giving up a bit of Cancer's character. If I kill", "He is the only Specialist to not have a name that exactly matches", "this was already a lot to read, I'm sorry. But I needed to", "become attached to Cancer and actually care about him dying in only one", "over, and I've decided that Cancer's death is very important to the series", "past tormentors left him almost without a personality. Though Cancer's state of mind", "sign because he was born on Earth, not a Zodiac's planet. Ian is", "happen. It progresses the plot (the main villain in the series makes himself", "Yeah, it's a very unfortunate name, but there's a character for every zodiac.They", "more thing about Cancer's development... Cancer's character is left VERY messed up after", "I need to have meaningful character development between the two. HOWEVER, Cancer dies", "this further, this is about as well as I could explain without explaining", "Cancer's death. I wish to write Cancer's death scene pretty close to the", "between the two. HOWEVER, Cancer dies very early on in the series. I'm", "hear some other points of veiw. **THANK YOU FRIENDS, BOTH FOR READING ALL", "beleivable friendship between to characters if one's basically emotionless? I suppose I could", "star signs. For example, LainvM is the \"specialist\" of Leo. He is the", "I'm very unsure about how to time this though, because another character named", "two rather than book one. Both characters are completely different, even if they", "LainvM sort of becomes like a therapy friend for Cancer, and he's actually", "characters relevant to the story. I've already looked it over, and I've decided", "to make both characters relevant to the story. I've already looked it over,", "end of book two rather than book one. Both characters are completely different,", "thing...** I know this was already a lot to read, I'm sorry. But", "zodiac.They are similar to gods or leaders of each of the star signs.", "than LainvM. Cancer's spirit is also a minor character in the last book,", "science he's left very void of emotion. He was made to be a", "thinking I named this child after the disease or anything, it's all purely", "instead of gone entirely, but I'd still love to hear some other points", "with a second character so that both feel important to the narrative?** I've", "has a somewhat normal name. The other Specialsts have names like Libra, Gemini,", "I want to make both characters relevant to the story. I've already looked", "were separated. Both boys were severely mistreated for separate reasons, though maybe Cancer", "of the series, and Ian is introduced after Cancer's death. I wish to", "him off in book two, I feel like I'm giving up a bit", "again, but he's still...dead. I really hope this was enough to understand the", "named this child after the disease or anything, it's all purely based on", "I plan for the works to be a series of five novels. The", "bit of Cancer's character. If I kill him off in book two, I", "already a lot to read, I'm sorry. But I needed to ask one", "for separate reasons, though maybe Cancer more than LainvM. Cancer's spirit is also", "have names like Libra, Gemini, Scorpio, or Cancer... **I just didn't want anybody", "almost without a personality. Though Cancer's state of mind HAS improved a bit", "VERY close friend (or love interest) in book one (named Cancer). The two", "mistreated for separate reasons, though maybe Cancer more than LainvM. Cancer's spirit is", "Cancer more than LainvM. Cancer's spirit is also a minor character in the", "dying in only one book? Ian and Cancer cannot be in the story", "plot of my story. Thank you for the help and any advice you'd", "and Cancer cannot be in the story at the same time. I don't", "of book one... right before his death. But how would I write a", "suggestions? I plan for the works to be a series of five novels.", "Does anyone have any suggestions? I plan for the works to be a", "up a bit of Cancer's character. If I kill him off in book", "than book one. Both characters are completely different, even if they share a", "just can't figure out in my writing... Does anyone have any suggestions? I", "pretty close to the end of book one. **My problem**: How do I", "and Ian is introduced after Cancer's death. I wish to write Cancer's death", "you for the help and any advice you'd be willing to give! **another", "tormentors left him almost without a personality. Though Cancer's state of mind HAS", "some issues with science he's left very void of emotion. He was made", "think that Ian is just a cheap replacement, like LainvM's \"new sidekick\" or", "off in book two, I feel like I'm giving up a bit of", "his childhood, and through some issues with science he's left very void of", "or Cancer... **I just didn't want anybody thinking I named this child after", "something, especially if Cancer is killed at the end of book two rather", "for a character I intend to kill off and replace with a second", "seen again, but he's still...dead. I really hope this was enough to understand", "name, but there's a character for every zodiac.They are similar to gods or", "cannot be in the story at the same time. I don't want readers", "though maybe Cancer more than LainvM. Cancer's spirit is also a minor character", "inside, I guess. LainvM sort of becomes like a therapy friend for Cancer,", "similar to gods or leaders of each of the star signs. For example,", "if Cancer is killed at the end of book two rather than book", "one's basically emotionless? I suppose I could give Cancer emotions, just leaving them", "boys were severely mistreated for separate reasons, though maybe Cancer more than LainvM.", "a result of LainvM going temporarily insane and seeing Cancer alive again almost", "about how to time this though, because another character named Ian is introduced", "in the series. I'm very unsure about how to time this though, because", "to write Cancer's death scene pretty close to the end of book one.", "some other points of veiw. **THANK YOU FRIENDS, BOTH FOR READING ALL THIS", "ANSWERING** Cancer's name is not after the disease, but the zodiac sign. Yeah,", "a series of five novels. The main character (named LainvM) develops a VERY", "book two, I feel like I'm giving up a bit of Ian's as", "after Cancer's death, and I want to make both characters relevant to the", "at the end of book two rather than book one. Both characters are", "is also a minor character in the last book, as a result of", "still sort of... dead inside, I guess. LainvM sort of becomes like a", "is introduced after Cancer's death. I wish to write Cancer's death scene pretty", "other points of veiw. **THANK YOU FRIENDS, BOTH FOR READING ALL THIS MESS,", "actually fairly improved at the end of book one... right before his death.", "of Ian's as well as plot. It may also help you to know", "up a bit of Ian's as well as plot. It may also help", "LainvM's character for the rest of the series, and Ian is introduced after", "the series, and Ian is introduced after Cancer's death. I wish to write", "is not after the disease, but the zodiac sign. Yeah, it's a very", "situation until Cancer and Ian were separated. Both boys were severely mistreated for", "to ask one more thing about Cancer's development... Cancer's character is left VERY", "character. If I kill him off in book two, I feel like I'm", "and I want to make both characters relevant to the story. I've already", "kill Cancer in book one, I'm giving up a bit of Cancer's character.", "know that both Ian and Cancer's childhood backstory are linked, though LainvM doesn't", "How much time and development is necessary for a character I intend to", "I really hope this was enough to understand the gist of this further,", "releases this villain from a prison of sorts.), changes LainvM's character for the", "of sorts.), changes LainvM's character for the rest of the series, and Ian", "two, I feel like I'm giving up a bit of Ian's as well", "have meaningful character development between the two. HOWEVER, Cancer dies very early on", "prison of sorts.), changes LainvM's character for the rest of the series, and", "a somewhat normal name. The other Specialsts have names like Libra, Gemini, Scorpio,", "I feel like I'm giving up a bit of Ian's as well as", "alive again almost a hallucination. Therefore Cancer IS technically seen again, but he's", "it's a very unfortunate name, but there's a character for every zodiac.They are", "emotions, just leaving them very mixed up or addled instead of gone entirely,", "to the series and WOLG happen. It progresses the plot (the main villain", "different, even if they share a backstory and a friendship with LainvM. I", "ask one more thing about Cancer's development... Cancer's character is left VERY messed", "a prison of sorts.), changes LainvM's character for the rest of the series,", "Ian's as well as plot. It may also help you to know that", "But how would I write a relationship, or even a beleivable friendship between", "problem**: How do I make readers become attached to Cancer and actually care", "have any suggestions? I plan for the works to be a series of", "he's actually fairly improved at the end of book one... right before his", "very early on in the series. I'm very unsure about how to time", "and therefore I need to have meaningful character development between the two. HOWEVER,", "readers to think that Ian is just a cheap replacement, like LainvM's \"new", "LainvM is the \"specialist\" of Leo. He is the only Specialist to not", "\"new sidekick\" or something, especially if Cancer is killed at the end of", "without a personality. Though Cancer's state of mind HAS improved a bit throughout", "have a name that exactly matches that sign because he was born on", "my writing... Does anyone have any suggestions? I plan for the works to", "character named Ian is introduced to the series after Cancer's death, and I", "would I write a relationship, or even a beleivable friendship between to characters", "well as plot. It may also help you to know that both Ian", "not a Zodiac's planet. Ian is not a specialist, so he has a", "normal name. The other Specialsts have names like Libra, Gemini, Scorpio, or Cancer...", "series after Cancer's death, and I want to make both characters relevant to", "on Earth, not a Zodiac's planet. Ian is not a specialist, so he", "to understand the gist of this further, this is about as well as", "rather than book one. Both characters are completely different, even if they share", "friendship with LainvM. I feel like if I kill Cancer in book one,", "throughout the years, he's still sort of... dead inside, I guess. LainvM sort", "addled instead of gone entirely, but I'd still love to hear some other", "brothers in a *very* messed up situation until Cancer and Ian were separated.", "both Ian and Cancer's childhood backstory are linked, though LainvM doesn't know it", "FOR ANSWERING** Cancer's name is not after the disease, but the zodiac sign.", "story at the same time. I don't want readers to think that Ian", "guess. LainvM sort of becomes like a therapy friend for Cancer, and he's", "character is left VERY messed up after his childhood, and through some issues", "Ian were separated. Both boys were severely mistreated for separate reasons, though maybe", "friendship between to characters if one's basically emotionless? I suppose I could give", "up or addled instead of gone entirely, but I'd still love to hear", "dead inside, I guess. LainvM sort of becomes like a therapy friend for", "severely mistreated for separate reasons, though maybe Cancer more than LainvM. Cancer's spirit", "to the end of book one. **My problem**: How do I make readers", "insane and seeing Cancer alive again almost a hallucination. Therefore Cancer IS technically", "second character so that both feel important to the narrative?** I've looked over", "spirit is also a minor character in the last book, as a result", "you'd be willing to give! **another thing...** I know this was already a", "series. I'm very unsure about how to time this though, because another character", "really hope this was enough to understand the gist of this further, this", "to read, I'm sorry. But I needed to ask one more thing about", "LainvM's \"new sidekick\" or something, especially if Cancer is killed at the end", "very mixed up or addled instead of gone entirely, but I'd still love", "in Cancer's death, and Cancer's death itself also releases this villain from a", "and Cancer's death itself also releases this villain from a prison of sorts.),", "a specialist, so he has a somewhat normal name. The other Specialsts have", "makes himself known as playing a part in Cancer's death, and Cancer's death", "or even a beleivable friendship between to characters if one's basically emotionless? I", "If I kill him off in book two, I feel like I'm giving", "Cancer's death, and Cancer's death itself also releases this villain from a prison", "death, and I want to make both characters relevant to the story. I've", "changes LainvM's character for the rest of the series, and Ian is introduced", "love to hear some other points of veiw. **THANK YOU FRIENDS, BOTH FOR", "a lot to read, I'm sorry. But I needed to ask one more", "attached to Cancer and actually care about him dying in only one book?", "But I needed to ask one more thing about Cancer's development... Cancer's character", "is not a specialist, so he has a somewhat normal name. The other", "(or love interest) in book one (named Cancer). The two are very close,", "Cancer's death scene pretty close to the end of book one. **My problem**:", "death. But how would I write a relationship, or even a beleivable friendship", "therapy friend for Cancer, and he's actually fairly improved at the end of", "of... dead inside, I guess. LainvM sort of becomes like a therapy friend", "like Libra, Gemini, Scorpio, or Cancer... **I just didn't want anybody thinking I", "as playing a part in Cancer's death, and Cancer's death itself also releases", "the story at the same time. I don't want readers to think that", "need to have meaningful character development between the two. HOWEVER, Cancer dies very", "end of book one... right before his death. But how would I write", "main character (named LainvM) develops a VERY close friend (or love interest) in", "was made to be a perfect little leader, and to accomplish this his", "Ian is introduced after Cancer's death. I wish to write Cancer's death scene", "or leaders of each of the star signs. For example, LainvM is the", "**THANK YOU FRIENDS, BOTH FOR READING ALL THIS MESS, AND FOR ANSWERING** Cancer's", "introduced after Cancer's death. I wish to write Cancer's death scene pretty close", "to characters if one's basically emotionless? I suppose I could give Cancer emotions,", "further, this is about as well as I could explain without explaining the", "Cancer dies very early on in the series. I'm very unsure about how", "that Ian is just a cheap replacement, like LainvM's \"new sidekick\" or something,", "this was enough to understand the gist of this further, this is about", "Ian is just a cheap replacement, like LainvM's \"new sidekick\" or something, especially", "works to be a series of five novels. The main character (named LainvM)", "sort of... dead inside, I guess. LainvM sort of becomes like a therapy", "death itself also releases this villain from a prison of sorts.), changes LainvM's", "rest of the series, and Ian is introduced after Cancer's death. I wish", "his past tormentors left him almost without a personality. Though Cancer's state of", "as well as I could explain without explaining the entire plot of my", "give Cancer emotions, just leaving them very mixed up or addled instead of", "help and any advice you'd be willing to give! **another thing...** I know", "is the \"specialist\" of Leo. He is the only Specialist to not have", "zodiac sign. Yeah, it's a very unfortunate name, but there's a character for", "how to time this though, because another character named Ian is introduced to", "series makes himself known as playing a part in Cancer's death, and Cancer's", "also help you to know that both Ian and Cancer's childhood backstory are", "this villain from a prison of sorts.), changes LainvM's character for the rest", "I kill him off in book two, I feel like I'm giving up", "make readers become attached to Cancer and actually care about him dying in", "friend (or love interest) in book one (named Cancer). The two are very", "Cancer's childhood backstory are linked, though LainvM doesn't know it until book three", "as I could explain without explaining the entire plot of my story. Thank", "I'm sorry. But I needed to ask one more thing about Cancer's development...", "writing... Does anyone have any suggestions? I plan for the works to be", "the last book, as a result of LainvM going temporarily insane and seeing", "as small children, and were like brothers in a *very* messed up situation", "Thank you for the help and any advice you'd be willing to give!", "giving up a bit of Ian's as well as plot. It may also", "he has a somewhat normal name. The other Specialsts have names like Libra,", "Therefore Cancer IS technically seen again, but he's still...dead. I really hope this", "Scorpio, or Cancer... **I just didn't want anybody thinking I named this child", "completely different, even if they share a backstory and a friendship with LainvM.", "Cancer's character is left VERY messed up after his childhood, and through some", "only Specialist to not have a name that exactly matches that sign because", "novels. The main character (named LainvM) develops a VERY close friend (or love", "this though, because another character named Ian is introduced to the series after", "if I kill Cancer in book one, I'm giving up a bit of", "for the rest of the series, and Ian is introduced after Cancer's death.", "could give Cancer emotions, just leaving them very mixed up or addled instead", "and development is necessary for a character I intend to kill off and", "characters if one's basically emotionless? I suppose I could give Cancer emotions, just", "Both boys were severely mistreated for separate reasons, though maybe Cancer more than", "any suggestions? I plan for the works to be a series of five", "but I'd still love to hear some other points of veiw. **THANK YOU", "a bit of Cancer's character. If I kill him off in book two,", "Cancer's death is very important to the series and WOLG happen. It progresses", "death. I wish to write Cancer's death scene pretty close to the end", "kill him off in book two, I feel like I'm giving up a", "seeing Cancer alive again almost a hallucination. Therefore Cancer IS technically seen again,", "minor character in the last book, as a result of LainvM going temporarily", "story. Thank you for the help and any advice you'd be willing to", "MESS, AND FOR ANSWERING** Cancer's name is not after the disease, but the", "until book three or four.They knew each other as small children, and were", "in the series makes himself known as playing a part in Cancer's death,", "personality. Though Cancer's state of mind HAS improved a bit throughout the years,", "two. HOWEVER, Cancer dies very early on in the series. I'm very unsure", "kill off and replace with a second character so that both feel important", "a perfect little leader, and to accomplish this his past tormentors left him", "decided that Cancer's death is very important to the series and WOLG happen.", "close to the end of book one. **My problem**: How do I make", "to time this though, because another character named Ian is introduced to the", "with LainvM. I feel like if I kill Cancer in book one, I'm", "the only Specialist to not have a name that exactly matches that sign", "story. I've already looked it over, and I've decided that Cancer's death is", "sidekick\" or something, especially if Cancer is killed at the end of book", "plan for the works to be a series of five novels. The main", "very important to the series and WOLG happen. It progresses the plot (the", "was already a lot to read, I'm sorry. But I needed to ask", "He was made to be a perfect little leader, and to accomplish this", "was born on Earth, not a Zodiac's planet. Ian is not a specialist,", "IS technically seen again, but he's still...dead. I really hope this was enough", "to not have a name that exactly matches that sign because he was", "because another character named Ian is introduced to the series after Cancer's death,", "don't want readers to think that Ian is just a cheap replacement, like", "to give! **another thing...** I know this was already a lot to read,", "but the zodiac sign. Yeah, it's a very unfortunate name, but there's a", "after the disease or anything, it's all purely based on the zodiac signs.**", "figure out in my writing... Does anyone have any suggestions? I plan for", "a VERY close friend (or love interest) in book one (named Cancer). The", "as plot. It may also help you to know that both Ian and", "book one. **My problem**: How do I make readers become attached to Cancer", "the series. I'm very unsure about how to time this though, because another", "Ian is introduced to the series after Cancer's death, and I want to", "BOTH FOR READING ALL THIS MESS, AND FOR ANSWERING** Cancer's name is not", "hope this was enough to understand the gist of this further, this is", "on in the series. I'm very unsure about how to time this though,", "in book two, I feel like I'm giving up a bit of Ian's", "and I've decided that Cancer's death is very important to the series and", "I guess. LainvM sort of becomes like a therapy friend for Cancer, and", "every zodiac.They are similar to gods or leaders of each of the star", "the years, he's still sort of... dead inside, I guess. LainvM sort of", "perfect little leader, and to accomplish this his past tormentors left him almost", "a backstory and a friendship with LainvM. I feel like if I kill", "read, I'm sorry. But I needed to ask one more thing about Cancer's", "name is not after the disease, but the zodiac sign. Yeah, it's a", "Cancer and Ian were separated. Both boys were severely mistreated for separate reasons,", "it until book three or four.They knew each other as small children, and", "a bit of Ian's as well as plot. It may also help you", "of my story. Thank you for the help and any advice you'd be", "because he was born on Earth, not a Zodiac's planet. Ian is not", "them very mixed up or addled instead of gone entirely, but I'd still", "Cancer in book one, I'm giving up a bit of Cancer's character. If", "early on in the series. I'm very unsure about how to time this", "book one (named Cancer). The two are very close, and therefore I need", "at the same time. I don't want readers to think that Ian is", "is left VERY messed up after his childhood, and through some issues with", "HAS improved a bit throughout the years, he's still sort of... dead inside,", "interest) in book one (named Cancer). The two are very close, and therefore", "more than LainvM. Cancer's spirit is also a minor character in the last", "he was born on Earth, not a Zodiac's planet. Ian is not a", "a bit, and there's one thing I just can't figure out in my", "it over, and I've decided that Cancer's death is very important to the", "want anybody thinking I named this child after the disease or anything, it's", "about as well as I could explain without explaining the entire plot of", "last book, as a result of LainvM going temporarily insane and seeing Cancer", "Cancer's death, and I want to make both characters relevant to the story.", "I kill Cancer in book one, I'm giving up a bit of Cancer's", "two are very close, and therefore I need to have meaningful character development", "in a *very* messed up situation until Cancer and Ian were separated. Both", "this is about as well as I could explain without explaining the entire", "at the end of book one... right before his death. But how would", "THIS MESS, AND FOR ANSWERING** Cancer's name is not after the disease, but", "WOLG happen. It progresses the plot (the main villain in the series makes", "Leo. He is the only Specialist to not have a name that exactly", "love interest) in book one (named Cancer). The two are very close, and", "main villain in the series makes himself known as playing a part in", "cheap replacement, like LainvM's \"new sidekick\" or something, especially if Cancer is killed", "sorry. But I needed to ask one more thing about Cancer's development... Cancer's", "Cancer... **I just didn't want anybody thinking I named this child after the", "or four.They knew each other as small children, and were like brothers in", "he's still...dead. I really hope this was enough to understand the gist of", "book three or four.They knew each other as small children, and were like", "like if I kill Cancer in book one, I'm giving up a bit", "emotionless? I suppose I could give Cancer emotions, just leaving them very mixed", "help you to know that both Ian and Cancer's childhood backstory are linked,", "development... Cancer's character is left VERY messed up after his childhood, and through", "the same time. I don't want readers to think that Ian is just", "in book one, I'm giving up a bit of Cancer's character. If I", "anyone have any suggestions? I plan for the works to be a series", "death, and Cancer's death itself also releases this villain from a prison of", "FRIENDS, BOTH FOR READING ALL THIS MESS, AND FOR ANSWERING** Cancer's name is", "villain from a prison of sorts.), changes LainvM's character for the rest of", "Cancer's name is not after the disease, but the zodiac sign. Yeah, it's", "after his childhood, and through some issues with science he's left very void", "a name that exactly matches that sign because he was born on Earth,", "I could explain without explaining the entire plot of my story. Thank you", "same time. I don't want readers to think that Ian is just a", "and Cancer's childhood backstory are linked, though LainvM doesn't know it until book", "is about as well as I could explain without explaining the entire plot", "Cancer's death itself also releases this villain from a prison of sorts.), changes", "and actually care about him dying in only one book? Ian and Cancer", "Specialist to not have a name that exactly matches that sign because he", "Gemini, Scorpio, or Cancer... **I just didn't want anybody thinking I named this", "of five novels. The main character (named LainvM) develops a VERY close friend", "understand the gist of this further, this is about as well as I", "bit throughout the years, he's still sort of... dead inside, I guess. LainvM", "himself known as playing a part in Cancer's death, and Cancer's death itself", "I wish to write Cancer's death scene pretty close to the end of", "planet. Ian is not a specialist, so he has a somewhat normal name.", "character (named LainvM) develops a VERY close friend (or love interest) in book", "just a cheap replacement, like LainvM's \"new sidekick\" or something, especially if Cancer", "result of LainvM going temporarily insane and seeing Cancer alive again almost a", "and seeing Cancer alive again almost a hallucination. Therefore Cancer IS technically seen", "he's left very void of emotion. He was made to be a perfect", "just leaving them very mixed up or addled instead of gone entirely, but", "were severely mistreated for separate reasons, though maybe Cancer more than LainvM. Cancer's", "is introduced to the series after Cancer's death, and I want to make", "looked over this a bit, and there's one thing I just can't figure", "(the main villain in the series makes himself known as playing a part", "I feel like if I kill Cancer in book one, I'm giving up", "the help and any advice you'd be willing to give! **another thing...** I", "AND FOR ANSWERING** Cancer's name is not after the disease, but the zodiac", "very unfortunate name, but there's a character for every zodiac.They are similar to", "and to accomplish this his past tormentors left him almost without a personality.", "one... right before his death. But how would I write a relationship, or", "feel important to the narrative?** I've looked over this a bit, and there's", "the zodiac sign. Yeah, it's a very unfortunate name, but there's a character", "The main character (named LainvM) develops a VERY close friend (or love interest)", "a hallucination. Therefore Cancer IS technically seen again, but he's still...dead. I really", "I make readers become attached to Cancer and actually care about him dying", "another character named Ian is introduced to the series after Cancer's death, and", "bit of Ian's as well as plot. It may also help you to", "or addled instead of gone entirely, but I'd still love to hear some", "necessary for a character I intend to kill off and replace with a", "child after the disease or anything, it's all purely based on the zodiac", "this child after the disease or anything, it's all purely based on the", "readers become attached to Cancer and actually care about him dying in only", "LainvM. Cancer's spirit is also a minor character in the last book, as", "exactly matches that sign because he was born on Earth, not a Zodiac's", "character development between the two. HOWEVER, Cancer dies very early on in the", "fairly improved at the end of book one... right before his death. But", "of veiw. **THANK YOU FRIENDS, BOTH FOR READING ALL THIS MESS, AND FOR", "leaders of each of the star signs. For example, LainvM is the \"specialist\"", "known as playing a part in Cancer's death, and Cancer's death itself also", "scene pretty close to the end of book one. **My problem**: How do", "very void of emotion. He was made to be a perfect little leader,", "still...dead. I really hope this was enough to understand the gist of this", "to hear some other points of veiw. **THANK YOU FRIENDS, BOTH FOR READING", "name. The other Specialsts have names like Libra, Gemini, Scorpio, or Cancer... **I", "and a friendship with LainvM. I feel like if I kill Cancer in", "of the star signs. For example, LainvM is the \"specialist\" of Leo. He", "especially if Cancer is killed at the end of book two rather than", "It may also help you to know that both Ian and Cancer's childhood", "intend to kill off and replace with a second character so that both", "willing to give! **another thing...** I know this was already a lot to", "actually care about him dying in only one book? Ian and Cancer cannot", "feel like I'm giving up a bit of Ian's as well as plot.", "I intend to kill off and replace with a second character so that", "other as small children, and were like brothers in a *very* messed up", "Ian and Cancer's childhood backstory are linked, though LainvM doesn't know it until", "very unsure about how to time this though, because another character named Ian", "only one book? Ian and Cancer cannot be in the story at the", "messed up after his childhood, and through some issues with science he's left", "off and replace with a second character so that both feel important to", "also releases this villain from a prison of sorts.), changes LainvM's character for", "replacement, like LainvM's \"new sidekick\" or something, especially if Cancer is killed at", "children, and were like brothers in a *very* messed up situation until Cancer", "looked it over, and I've decided that Cancer's death is very important to", "a part in Cancer's death, and Cancer's death itself also releases this villain", "was enough to understand the gist of this further, this is about as", "specialist, so he has a somewhat normal name. The other Specialsts have names", "well as I could explain without explaining the entire plot of my story.", "one more thing about Cancer's development... Cancer's character is left VERY messed up", "are completely different, even if they share a backstory and a friendship with", "how would I write a relationship, or even a beleivable friendship between to", "thing I just can't figure out in my writing... Does anyone have any", "gods or leaders of each of the star signs. For example, LainvM is", "veiw. **THANK YOU FRIENDS, BOTH FOR READING ALL THIS MESS, AND FOR ANSWERING**", "three or four.They knew each other as small children, and were like brothers", "separate reasons, though maybe Cancer more than LainvM. Cancer's spirit is also a", "**My problem**: How do I make readers become attached to Cancer and actually", "needed to ask one more thing about Cancer's development... Cancer's character is left", "becomes like a therapy friend for Cancer, and he's actually fairly improved at", "important to the narrative?** I've looked over this a bit, and there's one", "unfortunate name, but there's a character for every zodiac.They are similar to gods", "signs. For example, LainvM is the \"specialist\" of Leo. He is the only", "didn't want anybody thinking I named this child after the disease or anything," ]
[ "reader is the one doing everything the narrator is describing. What point of", "but refers to the focal character as *You* and it is as if", "intense desire for burritos. You need a burrito...* The narrator is third-person but", "need a burrito...* The narrator is third-person but refers to the focal character", "narrator is third-person but refers to the focal character as *You* and it", "as if the reader is the one doing everything the narrator is describing.", "is fixated on your intense desire for burritos. You need a burrito...* The", "example of what I mean in present-tense (though narrative time is irrelevant): *You", "(though narrative time is irrelevant): *You walk into the empty room, you should", "mind is fixated on your intense desire for burritos. You need a burrito...*", "is the one doing everything the narrator is describing. What point of view", "mean in present-tense (though narrative time is irrelevant): *You walk into the empty", "You need a burrito...* The narrator is third-person but refers to the focal", "narrative time is irrelevant): *You walk into the empty room, you should be", "is an example of what I mean in present-tense (though narrative time is", "present-tense (though narrative time is irrelevant): *You walk into the empty room, you", "you should be worrying about what's about to happen but instead your mind", "a burrito...* The narrator is third-person but refers to the focal character as", "one doing everything the narrator is describing. What point of view or narrative", "doing everything the narrator is describing. What point of view or narrative voice", "everything the narrator is describing. What point of view or narrative voice is", "worrying about what's about to happen but instead your mind is fixated on", "it is as if the reader is the one doing everything the narrator", "the narrator is describing. What point of view or narrative voice is this", "be worrying about what's about to happen but instead your mind is fixated", "your mind is fixated on your intense desire for burritos. You need a", "what's about to happen but instead your mind is fixated on your intense", "an example of what I mean in present-tense (though narrative time is irrelevant):", "desire for burritos. You need a burrito...* The narrator is third-person but refers", "character as *You* and it is as if the reader is the one", "instead your mind is fixated on your intense desire for burritos. You need", "time is irrelevant): *You walk into the empty room, you should be worrying", "burritos. You need a burrito...* The narrator is third-person but refers to the", "and it is as if the reader is the one doing everything the", "about what's about to happen but instead your mind is fixated on your", "the empty room, you should be worrying about what's about to happen but", "happen but instead your mind is fixated on your intense desire for burritos.", "on your intense desire for burritos. You need a burrito...* The narrator is", "burrito...* The narrator is third-person but refers to the focal character as *You*", "what I mean in present-tense (though narrative time is irrelevant): *You walk into", "to the focal character as *You* and it is as if the reader", "focal character as *You* and it is as if the reader is the", "Here is an example of what I mean in present-tense (though narrative time", "about to happen but instead your mind is fixated on your intense desire", "to happen but instead your mind is fixated on your intense desire for", "is as if the reader is the one doing everything the narrator is", "the focal character as *You* and it is as if the reader is", "third-person but refers to the focal character as *You* and it is as", "the reader is the one doing everything the narrator is describing. What point", "for burritos. You need a burrito...* The narrator is third-person but refers to", "narrator is describing. What point of view or narrative voice is this called?", "fixated on your intense desire for burritos. You need a burrito...* The narrator", "The narrator is third-person but refers to the focal character as *You* and", "refers to the focal character as *You* and it is as if the", "I mean in present-tense (though narrative time is irrelevant): *You walk into the", "into the empty room, you should be worrying about what's about to happen", "room, you should be worrying about what's about to happen but instead your", "*You walk into the empty room, you should be worrying about what's about", "walk into the empty room, you should be worrying about what's about to", "is irrelevant): *You walk into the empty room, you should be worrying about", "if the reader is the one doing everything the narrator is describing. What", "*You* and it is as if the reader is the one doing everything", "should be worrying about what's about to happen but instead your mind is", "as *You* and it is as if the reader is the one doing", "your intense desire for burritos. You need a burrito...* The narrator is third-person", "but instead your mind is fixated on your intense desire for burritos. You", "is third-person but refers to the focal character as *You* and it is", "the one doing everything the narrator is describing. What point of view or", "of what I mean in present-tense (though narrative time is irrelevant): *You walk", "in present-tense (though narrative time is irrelevant): *You walk into the empty room,", "empty room, you should be worrying about what's about to happen but instead", "irrelevant): *You walk into the empty room, you should be worrying about what's" ]
[ "had been to these \"poemifying\" procedures... I paused work on this program not", "in, chewing the stalks as they go. > > > Indeed, my own", "what way + \"I listened so hard\" + \"The soul functions\" * **Poetry", "that instinct), but with an honest eye to seeing in them what the", "of two million souls. Well, and were we supposed to forget it? >", "produces: > > Not a nasty, dirty, wet hole, > > Filled with", "rhythm produces: > > Not a nasty, dirty, wet hole, > > Filled", "on. What I'm after, however, is more elemental. Which is the language that", "poets right now (again with line breaks removed): > > What terrifies me", "Modern examples Here's the beginning of **[a poem by Sara Peters](https://thewalrus.ca/partnerships/poetry-prize-2015/)** that won", "breaks removed): > > What terrifies me most is how we foam at", "solar system tattooed on her face\" * **Poetry exaggerates the literal** to convey", "of the mundane**, drawing the eye to the human nature in little things", "as [this answer](https://writers.stackexchange.com/a/7522) eloquently advises in matters of translation? --- ### Poemification Last", "conjure up strong images + \"the young girl with the solar system tattooed", "and find me. Lying on top of my quilt I listened for the", "the mouth with envy\" * **Poetry gently bends the language** in terms of", "of celery, chewing the stalks\" * **Poetry is not bashful about dialogue** as", "so bear with me as I share some examples. Consider this sentence from", "One configuration that privileges rhythm produces: > > Not a nasty, dirty, wet", "another genre, here's a sentence of Faulkner (\"The Bear\"): > > For six", "poems in various genres. I was happy with the progress I was making,", "again with line breaks removed: > > For many hours the train flies", "disagree with the aim. **Poetry isn't just manipulated prose.** It starts from an", "poetry based on just such superficial vectors (rhythm, line breaks, rhyme, synonyms, etc.).", "above, or is it defined by fairly superficial formal qualities like meter, rhyme,", "meter, rhyme, rarity of diction, and line breaks? Can one rank the qualities", "what will remain when the line breaks are gone? --- Quite seriously, though,", "in today’s suburbia. > > > **[Here](https://www.instagram.com/p/BWL-6pMg2yU/?taken-by=rupikaur_)** is a poem very typical of", "removed: > > First of all, you aren’t telling me the whole story.", "> > Hole, filled with the ends > > Of worms and an", "the ends > > Of worms and an oozy smell, nor *yet* >", "require some untangling to figure out + \"armpit futures\" * **Poetry makes much", "> > bigger and older recorded document > > > In another test", "dialogue** as narration, with its attendant second person, present tense, etc. + \"First", "synonyms, etc.). The user can configure a host of settings to produce poems", "He was the finest cat I had ever seen. > > > And", "+ \"I could hear the tomatoes drying out\" + \"We foam at the", "cat I had ever seen. > > > And isolated these four words:", "defined by fairly superficial formal qualities like meter, rhyme, rarity of diction, and", "yet a dry, bare, sandy hole with nothing in it to sit down", "wilderness large woods > > bigger and older recorded document > > >", "like meter, rhyme, rarity of diction, and line breaks? Can one rank the", "much of the mundane**, drawing the eye to the human nature in little", "in a curmudgeonly way (I'm repressing that instinct), but with an honest eye", "functions\" * **Poetry speaks obliquely of its subject**, making central what are unusual", "little brother sidled across a city of two million souls. Well, and were", "a long time ago, I know, but all the same, I miss him.", "all talking. It was of the wilderness, the big woods, bigger and older", "> That’s not the way the soul functions in today’s suburbia. > >", "many hours the train flies along the banks of the Hudson about two", "### Inklings of observations Looking at the above examples (and needless to say,", "And an oozy smell, nor yet a dry, bare, > > Sandy hole", "rhymes and metrical feet. (It wasn't perfect; Nvikuspeara rhymes \"intemperate\" with \"date\" and", "being human. > > > And to stress the sincerity of this question,", "to convey an emotion + \"I could hear the tomatoes drying out\" +", "I was happy with the progress I was making, so bear with me", "distance from it, but also because I think I fundamentally philosophically disagree with", "same, I miss him. I repeat his name often. He was the finest", "* **Poetry is not bashful about dialogue** as narration, with its attendant second", "sigh in relief when they are failing. Our struggle to celebrate each other", "others succeed but sigh in relief when they are failing. Our struggle to", "me most is how we foam at the mouth with envy when others", "work on this program not only to take a little distance from it,", "that converts prose into poetry based on just such superficial vectors (rhythm, line", "other is what's proven most difficult in being human. > > > And", "once, named Butterscotch. He died in April. It was a long time ago,", "which is the language of prose? (Do they differ?) CelerFZ and rhyme we", "took Nvikuspeara's \"Sonnet 18\", excised the line breaks, and had the program reconstruct", "or is it defined by fairly superficial formal qualities like meter, rhyme, rarity", "amenable the prose had been to these \"poemifying\" procedures... I paused work on", "> And to stress the sincerity of this question, **[here](http://famouspoetsandpoems.com/poets/annie_dillard/poems/14703)** is one of", "out + \"armpit futures\" * **Poetry makes much of the mundane**, drawing the", "editors, publishers, and the public see in them. --- ### Modern examples Here's", "and were we supposed to forget it? > > > > That’s not", "sorts of things may do what and in what way + \"I listened", "> > A dry, bare, sandy hole with nothing in it to *sit*", "produced: > > Not a nasty, dirty, *wet* > > Hole, filled with", "been looking at the poetry of the day and wondering what makes it", "sacrifice, as [this answer](https://writers.stackexchange.com/a/7522) eloquently advises in matters of translation? --- ### Poemification", "another test the program analyzed this questionable prose: > > I had a", "> A dry, bare, sandy hole with nothing in it to *sit* >", "little things + \"run out, buy up bunches of celery, chewing the stalks\"", "only to take a little distance from it, but also because I think", "curmudgeonly way (I'm repressing that instinct), but with an honest eye to seeing", "also assigned a score to each poem based on how amenable the prose", "based on rhymes and metrical feet. (It wasn't perfect; Nvikuspeara rhymes \"intemperate\" with", "uses, which is the language of prose? (Do they differ?) CelerFZ and rhyme", "> > Aiming for brevity and modernism, the program might produce: > >", "an honest eye to seeing in them what the editors, publishers, and the", "abound in thesauri... what will remain when the line breaks are gone? ---", "back in, chewing the stalks as they go. > > > Indeed, my", "now (again with line breaks removed): > > What terrifies me most is", "is without line breaks): > > One summer in my youth the young", "> **[Here](https://harpers.org/archive/2016/08/four-in-verse/)** is some John Ashbery from last August in *Harper's*, line breaks", "The user can configure a host of settings to produce poems in various", "door, and find me. Lying on top of my quilt I listened for", "this form?\" — \"Can I do this in poems?\" — \"[How can I", "smell, nor yet a dry, bare, > > Sandy hole with nothing in", "prose.** It starts from an entirely different place. It uses different metaphors, a", "in it to sit > > Down on or to eat. > >", "girl with the solar system tattooed on her face\" * **Poetry exaggerates the", "what are unusual collocations that require some untangling to figure out + \"armpit", "What I'm after, however, is more elemental. Which is the language that poetry", "dry, bare, sandy hole with nothing in it to *sit* > > Down", "and the program can't do eye-rhymes yet.) The program also assigned a score", "this in poems?\" — \"[How can I be more poetic?](https://writers.stackexchange.com/questions/28732/how-can-i-phrase-common-terms-and-proper-nouns-in-a-different-or-more-poetic-fas)\" and so on.", "etc.). The user can configure a host of settings to produce poems in", "> One configuration that privileges rhythm produces: > > Not a nasty, dirty,", "too?** Is poetry the seemingly prosaic works quoted above, or is it defined", "eye to the human nature in little things + \"run out, buy up", "Warning: long question. To start it off lightheartedly, here is the topic as", "and modernism, the program might produce: > > six years man's hunter six", "I share some examples. Consider this sentence from Tolkien's *The Hobbit*: > >", "and move on, \"elegant\" words that abound in thesauri... what will remain when", "souls. Well, and were we supposed to forget it? > > > >", "so on. What I'm after, however, is more elemental. Which is the language", "and so on. What I'm after, however, is more elemental. Which is the", "vectors (rhythm, line breaks, rhyme, synonyms, etc.). The user can configure a host", "reconstruct it based on rhymes and metrical feet. (It wasn't perfect; Nvikuspeara rhymes", "etc. + \"First of all, you aren't telling me the whole story\" But", "of all, you aren’t telling me the whole story. > > > >", "> Down on or to eat. > > > But if we privilege", "prose into poetry based on just such superficial vectors (rhythm, line breaks, rhyme,", "is this form?\" — \"Can I do this in poems?\" — \"[How can", "wondering what makes it poetry. I don't mean this in a curmudgeonly way", "Not a nasty, dirty, wet hole, filled with the ends of worms and", "woods, bigger and older than any recorded document. > > > Aiming for", "of translation? --- ### Poemification Last spring I paused work on a little", "a host of settings to produce poems in various genres. I was happy", "> > > In another genre, here's a sentence of Faulkner (\"The Bear\"):", "now he had been a man's hunter. For six years now he had", "celery, and run back in, chewing the stalks as they go. > >", "with the ends of worms and an oozy smell, nor yet a dry,", "drying out\" + \"We foam at the mouth with envy\" * **Poetry gently", "poem very typical of Rupi Kaur, one of Canada's best-selling poets right now", "not bashful about dialogue** as narration, with its attendant second person, present tense,", "\"What is this form?\" — \"Can I do this in poems?\" — \"[How", "to forget it? > > > > That’s not the way the soul", "Butterscotch. He died in April. It was a long time ago, I know,", "sit > > Down on or to eat. > > > But if", "big woods, bigger and older than any recorded document. > > > Aiming", "can be found in the pages of any magazine publishing today), I might", "some untangling to figure out + \"armpit futures\" * **Poetry makes much of", "the banks of the Hudson about two feet from the water. At the", "the program analyzed this questionable prose: > > I had a cat, once,", "(It wasn't perfect; Nvikuspeara rhymes \"intemperate\" with \"date\" and the program can't do", "language that poetry uses, which is the language of prose? (Do they differ?)", "the way the soul functions in today’s suburbia. > > > **[Here](https://www.instagram.com/p/BWL-6pMg2yU/?taken-by=rupikaur_)** is", "plenty of questions with titles like these: \"What is this form?\" — \"Can", "analyzed this questionable prose: > > I had a cat, once, named Butterscotch.", "with the progress I was making, so bear with me as I share", "--- Quite seriously, though, I've been looking at the poetry of the day", "now he had heard the best of all talking. It was of the", "tense, etc. + \"First of all, you aren't telling me the whole story\"", "solar system tattooed on her face ruled the Town, and I spent all", "the qualities of poetry in terms of those we can sacrifice, as [this", "smell, nor yet a dry, bare, sandy hole with nothing in it to", "wet hole, filled with the ends of worms and an oozy smell, nor", "me. Lying on top of my quilt I listened for the girl so", "girl with the solar system tattooed on her face ruled the Town, and", "things + \"run out, buy up bunches of celery, chewing the stalks\" *", "in it to sit down on or to eat. > > > One", "with the aim. **Poetry isn't just manipulated prose.** It starts from an entirely", "+ \"armpit futures\" * **Poetry makes much of the mundane**, drawing the eye", "six years man's hunter six years > > heard best talking wilderness large", "with nothing in it to *sit* > > Down on or to *eat*.", "a sentence of Faulkner (\"The Bear\"): > > For six years now he", "about two feet from the water. At the stops, passengers run out, buy", "of my quilt I listened for the girl so hard I could hear", "I had ever seen. > > > And isolated these four words: >", "Walrus*, a prominent Canadian magazine (the original is without line breaks): > >", "with the solar system tattooed on her face ruled the Town, and I", "that poetry uses, which is the language of prose? (Do they differ?) CelerFZ", "What terrifies me most is how we foam at the mouth with envy", "of observations Looking at the above examples (and needless to say, infinitely more", "seen. > > > And isolated these four words: > > I had", "so hard\" + \"The soul functions\" * **Poetry speaks obliquely of its subject**,", "fundamentally philosophically disagree with the aim. **Poetry isn't just manipulated prose.** It starts", "is: **Doesn't prose do so too?** Is poetry the seemingly prosaic works quoted", "rhyme, rarity of diction, and line breaks? Can one rank the qualities of", "here's a sentence of Faulkner (\"The Bear\"): > > For six years now", "at the mouth with envy\" * **Poetry gently bends the language** in terms", "> > heard best talking wilderness large woods > > bigger and older", "> > I had > > I had > > > And coming", "you and your little brother sidled across a city of two million souls.", "in it to *sit* > > Down on or to *eat*. > >", "For six years now he had been a man's hunter. For six years", "an entirely different place. It uses different metaphors, a different structure, different sorts", "of all talking. It was of the wilderness, the big woods, bigger and", "> > > And isolated these four words: > > I had >", "the girl so hard I could hear the tomatoes from our garden drying", "breaks): > > One summer in my youth the young girl with the", "they differ?) CelerFZ and rhyme we are all too familiar with, inverted syntax", "> Indeed, my own poetic style would resemble this last one if subjected", "the topic as doggerel. There are plenty of questions with titles like these:", "of questions with titles like these: \"What is this form?\" — \"Can I", "struggle to celebrate each other is what's proven most difficult in being human.", "do so too?** Is poetry the seemingly prosaic works quoted above, or is", "\"elegant\" words that abound in thesauri... what will remain when the line breaks", "Filled with the ends of worms > > And an oozy smell, nor", "it off lightheartedly, here is the topic as doggerel. There are plenty of", "nights wishing she would hitchhike to my parents’ farmhouse, kick down the front", "on her face\" * **Poetry exaggerates the literal** to convey an emotion +", "foam at the mouth with envy\" * **Poetry gently bends the language** in", "they are failing. Our struggle to celebrate each other is what's proven most", "yet.) The program also assigned a score to each poem based on how", "form?\" — \"Can I do this in poems?\" — \"[How can I be", "nagging question is: **Doesn't prose do so too?** Is poetry the seemingly prosaic", "genres. I was happy with the progress I was making, so bear with", "very typical of Rupi Kaur, one of Canada's best-selling poets right now (again", "long question. To start it off lightheartedly, here is the topic as doggerel.", "> > Sandy hole with nothing in it to sit > > Down", "> > > In another test the program analyzed this questionable prose: >", "\"poemifying\" procedures... I paused work on this program not only to take a", "acknowledged truth that you and your little brother sidled across a city of", "\"run out, buy up bunches of celery, chewing the stalks\" * **Poetry is", "the young girl with the solar system tattooed on her face ruled the", "note and move on, \"elegant\" words that abound in thesauri... what will remain", "repressing that instinct), but with an honest eye to seeing in them what", "line breaks, rhyme, synonyms, etc.). The user can configure a host of settings", "one if subjected to the same cruel linebreakectomy. --- ### Inklings of observations", "we privilege line-end half-rhymes, the program produced: > > Not a nasty, dirty,", "hole with nothing in it to *sit* > > Down on or to", "the line breaks are gone? --- Quite seriously, though, I've been looking at", "a dry, bare, sandy hole with nothing in it to sit down on", "man's hunter. For six years now he had heard the best of all", "a curmudgeonly way (I'm repressing that instinct), but with an honest eye to", "program that converts prose into poetry based on just such superficial vectors (rhythm,", "recorded document. > > > Aiming for brevity and modernism, the program might", "this questionable prose: > > I had a cat, once, named Butterscotch. He", "In another test the program analyzed this questionable prose: > > I had", "kick down the front door, and find me. Lying on top of my", "style would resemble this last one if subjected to the same cruel linebreakectomy.", "I don't mean this in a curmudgeonly way (I'm repressing that instinct), but", "hard\" + \"The soul functions\" * **Poetry speaks obliquely of its subject**, making", "A dry, bare, sandy hole with nothing in it to *sit* > >", "> > > Friday saw armpit futures rise across the country. It is", "one rank the qualities of poetry in terms of those we can sacrifice,", "poem by Sara Peters](https://thewalrus.ca/partnerships/poetry-prize-2015/)** that won the 2015 Poetry Prize of *The Walrus*,", "eloquently advises in matters of translation? --- ### Poemification Last spring I paused", "> six years man's hunter six years > > heard best talking wilderness", "not only to take a little distance from it, but also because I", "older than any recorded document. > > > Aiming for brevity and modernism,", "elemental. Which is the language that poetry uses, which is the language of", "> > > And to stress the sincerity of this question, **[here](http://famouspoetsandpoems.com/poets/annie_dillard/poems/14703)** is", "* **Poetry uses sparse but striking details** to quickly conjure up strong images", "different metaphors, a different structure, different sorts of brevity. It treats different subjects.", "take a little distance from it, but also because I think I fundamentally", "beginning of **[a poem by Sara Peters](https://thewalrus.ca/partnerships/poetry-prize-2015/)** that won the 2015 Poetry Prize", "thesauri... what will remain when the line breaks are gone? --- Quite seriously,", "Hole, filled with the ends > > Of worms and an oozy smell,", "hunter. For six years now he had heard the best of all talking.", "prose: > > I had a cat, once, named Butterscotch. He died in", "would resemble this last one if subjected to the same cruel linebreakectomy. ---", "and your little brother sidled across a city of two million souls. Well,", "when others succeed but sigh in relief when they are failing. Our struggle", "18\", excised the line breaks, and had the program reconstruct it based on", "modernism, the program might produce: > > six years man's hunter six years", "hunter six years > > heard best talking wilderness large woods > >", "He died in April. It was a long time ago, I know, but", "eye to seeing in them what the editors, publishers, and the public see", "run back in, chewing the stalks as they go. > > > Indeed,", "uses sparse but striking details** to quickly conjure up strong images + \"the", "of my favourite poets, Annie Dillard, again with line breaks removed: > >", "out, buy up bunches of celery, chewing the stalks\" * **Poetry is not", "like these: \"What is this form?\" — \"Can I do this in poems?\"", "> > And isolated these four words: > > I had > >", "older recorded document > > > In another test the program analyzed this", "words: > > I had > > I had > > > And", "to more technical forms, I took Nvikuspeara's \"Sonnet 18\", excised the line breaks,", "how we foam at the mouth with envy when others succeed but sigh", "based on just such superficial vectors (rhythm, line breaks, rhyme, synonyms, etc.). The", "Canada's best-selling poets right now (again with line breaks removed): > > What", "a little distance from it, but also because I think I fundamentally philosophically", "speaks obliquely of its subject**, making central what are unusual collocations that require", "with \"date\" and the program can't do eye-rhymes yet.) The program also assigned", "### Modern examples Here's the beginning of **[a poem by Sara Peters](https://thewalrus.ca/partnerships/poetry-prize-2015/)** that", "> > > > Friday saw armpit futures rise across the country. It", "of this question, **[here](http://famouspoetsandpoems.com/poets/annie_dillard/poems/14703)** is one of my favourite poets, Annie Dillard, again", "the above examples (and needless to say, infinitely more can be found in", "he had heard the best of all talking. It was of the wilderness,", "rhyme we are all too familiar with, inverted syntax we note and move", "from Tolkien's *The Hobbit*: > > Not a nasty, dirty, wet hole, filled", "an oozy smell, nor yet a dry, bare, > > Sandy hole with", "of Canada's best-selling poets right now (again with line breaks removed): > >", "present tense, etc. + \"First of all, you aren't telling me the whole", "I spent all my nights wishing she would hitchhike to my parents’ farmhouse,", "coming back to more technical forms, I took Nvikuspeara's \"Sonnet 18\", excised the", "gently bends the language** in terms of what sorts of things may do", "the mundane**, drawing the eye to the human nature in little things +", "from an entirely different place. It uses different metaphors, a different structure, different", "at the above examples (and needless to say, infinitely more can be found", "with envy when others succeed but sigh in relief when they are failing.", "in little things + \"run out, buy up bunches of celery, chewing the", "its attendant second person, present tense, etc. + \"First of all, you aren't", "in the oven. > > > **[Here](https://harpers.org/archive/2016/08/four-in-verse/)** is some John Ashbery from last", "stops, passengers run out, buy up bunches of celery, and run back in,", "And isolated these four words: > > I had > > I had", "place. It uses different metaphors, a different structure, different sorts of brevity. It", "Can one rank the qualities of poetry in terms of those we can", "rhyme, synonyms, etc.). The user can configure a host of settings to produce", "story. > > > > Friday saw armpit futures rise across the country.", "> > Indeed, my own poetic style would resemble this last one if", "prominent Canadian magazine (the original is without line breaks): > > One summer", "could hear the tomatoes drying out\" + \"We foam at the mouth with", "\"The soul functions\" * **Poetry speaks obliquely of its subject**, making central what", "just manipulated prose.** It starts from an entirely different place. It uses different", "tattooed on her face\" * **Poetry exaggerates the literal** to convey an emotion", "on her face ruled the Town, and I spent all my nights wishing", "of *The Walrus*, a prominent Canadian magazine (the original is without line breaks):", "the same cruel linebreakectomy. --- ### Inklings of observations Looking at the above", "city of two million souls. Well, and were we supposed to forget it?", "if subjected to the same cruel linebreakectomy. --- ### Inklings of observations Looking", "> I had > > > And coming back to more technical forms,", "observations Looking at the above examples (and needless to say, infinitely more can", "of poetry in terms of those we can sacrifice, as [this answer](https://writers.stackexchange.com/a/7522) eloquently", "with, inverted syntax we note and move on, \"elegant\" words that abound in", "heard best talking wilderness large woods > > bigger and older recorded document", "the literal** to convey an emotion + \"I could hear the tomatoes drying", "can configure a host of settings to produce poems in various genres. I", "> > Not a nasty, dirty, wet hole, > > Filled with the", "> And coming back to more technical forms, I took Nvikuspeara's \"Sonnet 18\",", "a few observations: * **Poetry uses sparse but striking details** to quickly conjure", "ruled the Town, and I spent all my nights wishing she would hitchhike", "* **Poetry exaggerates the literal** to convey an emotion + \"I could hear", "questionable prose: > > I had a cat, once, named Butterscotch. He died", "bunches of celery, chewing the stalks\" * **Poetry is not bashful about dialogue**", "bigger and older recorded document > > > In another test the program", "all my nights wishing she would hitchhike to my parents’ farmhouse, kick down", "*The Walrus*, a prominent Canadian magazine (the original is without line breaks): >", "can't do eye-rhymes yet.) The program also assigned a score to each poem", "> > For many hours the train flies along the banks of the", "been to these \"poemifying\" procedures... I paused work on this program not only", "things may do what and in what way + \"I listened so hard\"", "> > I had > > > And coming back to more technical", "with the solar system tattooed on her face\" * **Poetry exaggerates the literal**", "eat. > > > One configuration that privileges rhythm produces: > > Not", "of its subject**, making central what are unusual collocations that require some untangling", "That’s not the way the soul functions in today’s suburbia. > > >", "to the same cruel linebreakectomy. --- ### Inklings of observations Looking at the", "**[Here](https://harpers.org/archive/2016/08/four-in-verse/)** is some John Ashbery from last August in *Harper's*, line breaks removed:", "+ \"We foam at the mouth with envy\" * **Poetry gently bends the", "that privileges rhythm produces: > > Not a nasty, dirty, wet hole, >", "filled with the ends > > Of worms and an oozy smell, nor", "I fundamentally philosophically disagree with the aim. **Poetry isn't just manipulated prose.** It", "+ \"run out, buy up bunches of celery, chewing the stalks\" * **Poetry", "in *Harper's*, line breaks removed: > > First of all, you aren’t telling", "**Poetry speaks obliquely of its subject**, making central what are unusual collocations that", "the eye to the human nature in little things + \"run out, buy", "**Poetry is not bashful about dialogue** as narration, with its attendant second person,", "all too familiar with, inverted syntax we note and move on, \"elegant\" words", "program not only to take a little distance from it, but also because", "examples (and needless to say, infinitely more can be found in the pages", "the day and wondering what makes it poetry. I don't mean this in", "are gone? --- Quite seriously, though, I've been looking at the poetry of", "as I share some examples. Consider this sentence from Tolkien's *The Hobbit*: >", "and an oozy smell, nor yet a dry, bare, sandy hole with nothing", "bigger and older than any recorded document. > > > Aiming for brevity", "four words: > > I had > > I had > > >", "a cat, once, named Butterscotch. He died in April. It was a long", "or to eat. > > > But if we privilege line-end half-rhymes, the", "of prose? (Do they differ?) CelerFZ and rhyme we are all too familiar", "> In another test the program analyzed this questionable prose: > > I", "The program also assigned a score to each poem based on how amenable", "dry, bare, > > Sandy hole with nothing in it to sit >", "superficial vectors (rhythm, line breaks, rhyme, synonyms, etc.). The user can configure a", "collocations that require some untangling to figure out + \"armpit futures\" * **Poetry", "> Not a nasty, dirty, *wet* > > Hole, filled with the ends", "be more poetic?](https://writers.stackexchange.com/questions/28732/how-can-i-phrase-common-terms-and-proper-nouns-in-a-different-or-more-poetic-fas)\" and so on. What I'm after, however, is more elemental.", "language of prose? (Do they differ?) CelerFZ and rhyme we are all too", "say, infinitely more can be found in the pages of any magazine publishing", "bare, > > Sandy hole with nothing in it to sit > >", "**Doesn't prose do so too?** Is poetry the seemingly prosaic works quoted above,", "I was making, so bear with me as I share some examples. Consider", "with line breaks removed): > > What terrifies me most is how we", "these \"poemifying\" procedures... I paused work on this program not only to take", "all the same, I miss him. I repeat his name often. He was", "also because I think I fundamentally philosophically disagree with the aim. **Poetry isn't", "what makes it poetry. I don't mean this in a curmudgeonly way (I'm", "proven most difficult in being human. > > > And to stress the", "summer in my youth the young girl with the solar system tattooed on", "whole story. > > > > Friday saw armpit futures rise across the", "spring I paused work on a little program that converts prose into poetry", "some examples. Consider this sentence from Tolkien's *The Hobbit*: > > Not a", "up bunches of celery, and run back in, chewing the stalks as they", "run out, buy up bunches of celery, and run back in, chewing the", "and run back in, chewing the stalks as they go. > > >", "a nasty, dirty, wet hole, > > Filled with the ends of worms", "to celebrate each other is what's proven most difficult in being human. >", "this last one if subjected to the same cruel linebreakectomy. --- ### Inklings", "nature in little things + \"run out, buy up bunches of celery, chewing", "one of Canada's best-selling poets right now (again with line breaks removed): >", "banks of the Hudson about two feet from the water. At the stops,", "the tomatoes drying out\" + \"We foam at the mouth with envy\" *", "with envy\" * **Poetry gently bends the language** in terms of what sorts", "obliquely of its subject**, making central what are unusual collocations that require some", "down the front door, and find me. Lying on top of my quilt", "question, **[here](http://famouspoetsandpoems.com/poets/annie_dillard/poems/14703)** is one of my favourite poets, Annie Dillard, again with line", "it? > > > > That’s not the way the soul functions in", "and in what way + \"I listened so hard\" + \"The soul functions\"", "prosaic works quoted above, or is it defined by fairly superficial formal qualities", "was making, so bear with me as I share some examples. Consider this", "are all too familiar with, inverted syntax we note and move on, \"elegant\"", "the editors, publishers, and the public see in them. --- ### Modern examples", "this question, **[here](http://famouspoetsandpoems.com/poets/annie_dillard/poems/14703)** is one of my favourite poets, Annie Dillard, again with", "and an oozy smell, nor *yet* > > A dry, bare, sandy hole", "all, you aren't telling me the whole story\" But for each of those", "in thesauri... what will remain when the line breaks are gone? --- Quite", "procedures... I paused work on this program not only to take a little", "seemingly prosaic works quoted above, or is it defined by fairly superficial formal", "the poetry of the day and wondering what makes it poetry. I don't", "I think I fundamentally philosophically disagree with the aim. **Poetry isn't just manipulated", "ends of worms > > And an oozy smell, nor yet a dry,", "eye-rhymes yet.) The program also assigned a score to each poem based on", "name often. He was the finest cat I had ever seen. > >", "some John Ashbery from last August in *Harper's*, line breaks removed: > >", "a dry, bare, > > Sandy hole with nothing in it to sit", "do what and in what way + \"I listened so hard\" + \"The", "needless to say, infinitely more can be found in the pages of any", "terms of what sorts of things may do what and in what way", "> > And an oozy smell, nor yet a dry, bare, > >", "advises in matters of translation? --- ### Poemification Last spring I paused work", "dirty, wet hole, filled with the ends of worms and an oozy smell,", "talking. It was of the wilderness, the big woods, bigger and older than", "emotion + \"I could hear the tomatoes drying out\" + \"We foam at", "is a poem very typical of Rupi Kaur, one of Canada's best-selling poets", "lightheartedly, here is the topic as doggerel. There are plenty of questions with", "(rhythm, line breaks, rhyme, synonyms, etc.). The user can configure a host of", "Hudson about two feet from the water. At the stops, passengers run out,", "sentence from Tolkien's *The Hobbit*: > > Not a nasty, dirty, wet hole,", "move on, \"elegant\" words that abound in thesauri... what will remain when the", "my parents’ farmhouse, kick down the front door, and find me. Lying on", "nothing in it to sit down on or to eat. > > >", "any recorded document. > > > Aiming for brevity and modernism, the program", "> What terrifies me most is how we foam at the mouth with", "than any recorded document. > > > Aiming for brevity and modernism, the", "we note and move on, \"elegant\" words that abound in thesauri... what will", "**[a poem by Sara Peters](https://thewalrus.ca/partnerships/poetry-prize-2015/)** that won the 2015 Poetry Prize of *The", "brother sidled across a city of two million souls. Well, and were we", "best-selling poets right now (again with line breaks removed): > > What terrifies", "line breaks removed: > > First of all, you aren’t telling me the", "feet from the water. At the stops, passengers run out, buy up bunches", "story\" But for each of those points the nagging question is: **Doesn't prose", "honest eye to seeing in them what the editors, publishers, and the public", "converts prose into poetry based on just such superficial vectors (rhythm, line breaks,", "> > > Indeed, my own poetic style would resemble this last one", "Town, and I spent all my nights wishing she would hitchhike to my", "flies along the banks of the Hudson about two feet from the water.", "functions in today’s suburbia. > > > **[Here](https://www.instagram.com/p/BWL-6pMg2yU/?taken-by=rupikaur_)** is a poem very typical", "images + \"the young girl with the solar system tattooed on her face\"", "It starts from an entirely different place. It uses different metaphors, a different", "a nasty, dirty, wet hole, filled with the ends of worms and an", "making, so bear with me as I share some examples. Consider this sentence", "\"I could hear the tomatoes drying out\" + \"We foam at the mouth", "*sit* > > Down on or to *eat*. > > > In another", "way (I'm repressing that instinct), but with an honest eye to seeing in", "Nvikuspeara rhymes \"intemperate\" with \"date\" and the program can't do eye-rhymes yet.) The", "way the soul functions in today’s suburbia. > > > **[Here](https://www.instagram.com/p/BWL-6pMg2yU/?taken-by=rupikaur_)** is a", "can I be more poetic?](https://writers.stackexchange.com/questions/28732/how-can-i-phrase-common-terms-and-proper-nouns-in-a-different-or-more-poetic-fas)\" and so on. What I'm after, however, is", "of worms and an oozy smell, nor yet a dry, bare, sandy hole", "the ends of worms and an oozy smell, nor yet a dry, bare,", "I had a cat, once, named Butterscotch. He died in April. It was", "that won the 2015 Poetry Prize of *The Walrus*, a prominent Canadian magazine", "mean this in a curmudgeonly way (I'm repressing that instinct), but with an", "— \"Can I do this in poems?\" — \"[How can I be more", "> > > **[Here](https://harpers.org/archive/2016/08/four-in-verse/)** is some John Ashbery from last August in *Harper's*,", "with line breaks removed: > > For many hours the train flies along", "and rhyme we are all too familiar with, inverted syntax we note and", "\"Can I do this in poems?\" — \"[How can I be more poetic?](https://writers.stackexchange.com/questions/28732/how-can-i-phrase-common-terms-and-proper-nouns-in-a-different-or-more-poetic-fas)\"", "diction, and line breaks? Can one rank the qualities of poetry in terms", "forms, I took Nvikuspeara's \"Sonnet 18\", excised the line breaks, and had the", "wasn't perfect; Nvikuspeara rhymes \"intemperate\" with \"date\" and the program can't do eye-rhymes", "as narration, with its attendant second person, present tense, etc. + \"First of", "because I think I fundamentally philosophically disagree with the aim. **Poetry isn't just", "most difficult in being human. > > > And to stress the sincerity", "by fairly superficial formal qualities like meter, rhyme, rarity of diction, and line", "Consider this sentence from Tolkien's *The Hobbit*: > > Not a nasty, dirty,", "human. > > > And to stress the sincerity of this question, **[here](http://famouspoetsandpoems.com/poets/annie_dillard/poems/14703)**", "pages of any magazine publishing today), I might make a few observations: *", "wilderness, the big woods, bigger and older than any recorded document. > >", "telling me the whole story\" But for each of those points the nagging", "my nights wishing she would hitchhike to my parents’ farmhouse, kick down the", "saw armpit futures rise across the country. It is an acknowledged truth that", "\"We foam at the mouth with envy\" * **Poetry gently bends the language**", "various genres. I was happy with the progress I was making, so bear", "ends of worms and an oozy smell, nor yet a dry, bare, sandy", "program analyzed this questionable prose: > > I had a cat, once, named", "most is how we foam at the mouth with envy when others succeed", "six years now he had heard the best of all talking. It was", "oozy smell, nor yet a dry, bare, > > Sandy hole with nothing", "an oozy smell, nor *yet* > > A dry, bare, sandy hole with", "\"Sonnet 18\", excised the line breaks, and had the program reconstruct it based", "had > > I had > > > And coming back to more", "and older recorded document > > > In another test the program analyzed", "> First of all, you aren’t telling me the whole story. > >", "is not bashful about dialogue** as narration, with its attendant second person, present", "I miss him. I repeat his name often. He was the finest cat", "listened for the girl so hard I could hear the tomatoes from our", "line breaks, and had the program reconstruct it based on rhymes and metrical", "nor *yet* > > A dry, bare, sandy hole with nothing in it", "Here's the beginning of **[a poem by Sara Peters](https://thewalrus.ca/partnerships/poetry-prize-2015/)** that won the 2015", "Indeed, my own poetic style would resemble this last one if subjected to", "subject**, making central what are unusual collocations that require some untangling to figure", "typical of Rupi Kaur, one of Canada's best-selling poets right now (again with", "chewing the stalks as they go. > > > Indeed, my own poetic", "those we can sacrifice, as [this answer](https://writers.stackexchange.com/a/7522) eloquently advises in matters of translation?", "program reconstruct it based on rhymes and metrical feet. (It wasn't perfect; Nvikuspeara", "the same, I miss him. I repeat his name often. He was the", "prose? (Do they differ?) CelerFZ and rhyme we are all too familiar with,", "genre, here's a sentence of Faulkner (\"The Bear\"): > > For six years", "celebrate each other is what's proven most difficult in being human. > >", "each poem based on how amenable the prose had been to these \"poemifying\"", "rise across the country. It is an acknowledged truth that you and your", "program might produce: > > six years man's hunter six years > >", "spent all my nights wishing she would hitchhike to my parents’ farmhouse, kick", "my quilt I listened for the girl so hard I could hear the", "feet. (It wasn't perfect; Nvikuspeara rhymes \"intemperate\" with \"date\" and the program can't", "I've been looking at the poetry of the day and wondering what makes", "\"armpit futures\" * **Poetry makes much of the mundane**, drawing the eye to", "is what's proven most difficult in being human. > > > And to", "on or to eat. > > > But if we privilege line-end half-rhymes,", "2015 Poetry Prize of *The Walrus*, a prominent Canadian magazine (the original is", "of things may do what and in what way + \"I listened so", "the stalks\" * **Poetry is not bashful about dialogue** as narration, with its", "had heard the best of all talking. It was of the wilderness, the", "and older than any recorded document. > > > Aiming for brevity and", "and line breaks? Can one rank the qualities of poetry in terms of", "> But if we privilege line-end half-rhymes, the program produced: > > Not", "may do what and in what way + \"I listened so hard\" +", "> **[Here](https://www.instagram.com/p/BWL-6pMg2yU/?taken-by=rupikaur_)** is a poem very typical of Rupi Kaur, one of Canada's", "make a few observations: * **Poetry uses sparse but striking details** to quickly", "hole with nothing in it to sit down on or to eat. >", "what the editors, publishers, and the public see in them. --- ### Modern", "But for each of those points the nagging question is: **Doesn't prose do", "* **Poetry makes much of the mundane**, drawing the eye to the human", "and wondering what makes it poetry. I don't mean this in a curmudgeonly", "John Ashbery from last August in *Harper's*, line breaks removed: > > First", "based on how amenable the prose had been to these \"poemifying\" procedures... I", "Sandy hole with nothing in it to sit > > Down on or", "without line breaks): > > One summer in my youth the young girl", "starts from an entirely different place. It uses different metaphors, a different structure,", "There are plenty of questions with titles like these: \"What is this form?\"", "he had been a man's hunter. For six years now he had heard", "> > First of all, you aren’t telling me the whole story. >", "each of those points the nagging question is: **Doesn't prose do so too?**", "passengers run out, buy up bunches of celery, and run back in, chewing", "gone? --- Quite seriously, though, I've been looking at the poetry of the", "in them. --- ### Modern examples Here's the beginning of **[a poem by", "more can be found in the pages of any magazine publishing today), I", "in terms of what sorts of things may do what and in what", "you aren't telling me the whole story\" But for each of those points", "was the finest cat I had ever seen. > > > And isolated", "the program reconstruct it based on rhymes and metrical feet. (It wasn't perfect;", "Is poetry the seemingly prosaic works quoted above, or is it defined by", "ever seen. > > > And isolated these four words: > > I", "user can configure a host of settings to produce poems in various genres.", "start it off lightheartedly, here is the topic as doggerel. There are plenty", "for brevity and modernism, the program might produce: > > six years man's", "--- ### Inklings of observations Looking at the above examples (and needless to", "Inklings of observations Looking at the above examples (and needless to say, infinitely", "entirely different place. It uses different metaphors, a different structure, different sorts of", "buy up bunches of celery, chewing the stalks\" * **Poetry is not bashful", "*yet* > > A dry, bare, sandy hole with nothing in it to", "though, I've been looking at the poetry of the day and wondering what", "up strong images + \"the young girl with the solar system tattooed on", "is more elemental. Which is the language that poetry uses, which is the", "the mouth with envy when others succeed but sigh in relief when they", "drying out in the oven. > > > **[Here](https://harpers.org/archive/2016/08/four-in-verse/)** is some John Ashbery", "I do this in poems?\" — \"[How can I be more poetic?](https://writers.stackexchange.com/questions/28732/how-can-i-phrase-common-terms-and-proper-nouns-in-a-different-or-more-poetic-fas)\" and", "aren't telling me the whole story\" But for each of those points the", "technical forms, I took Nvikuspeara's \"Sonnet 18\", excised the line breaks, and had", "nasty, dirty, wet hole, > > Filled with the ends of worms >", "the Town, and I spent all my nights wishing she would hitchhike to", "listened so hard\" + \"The soul functions\" * **Poetry speaks obliquely of its", "not the way the soul functions in today’s suburbia. > > > **[Here](https://www.instagram.com/p/BWL-6pMg2yU/?taken-by=rupikaur_)**", "unusual collocations that require some untangling to figure out + \"armpit futures\" *", "armpit futures rise across the country. It is an acknowledged truth that you", "poetry uses, which is the language of prose? (Do they differ?) CelerFZ and", "man's hunter six years > > heard best talking wilderness large woods >", "died in April. It was a long time ago, I know, but all", "Nvikuspeara's \"Sonnet 18\", excised the line breaks, and had the program reconstruct it", "how amenable the prose had been to these \"poemifying\" procedures... I paused work", "observations: * **Poetry uses sparse but striking details** to quickly conjure up strong", "tattooed on her face ruled the Town, and I spent all my nights", "bare, sandy hole with nothing in it to sit down on or to", "original is without line breaks): > > One summer in my youth the", "bends the language** in terms of what sorts of things may do what", "had the program reconstruct it based on rhymes and metrical feet. (It wasn't", "central what are unusual collocations that require some untangling to figure out +", "of the Hudson about two feet from the water. At the stops, passengers", "(Do they differ?) CelerFZ and rhyme we are all too familiar with, inverted", "the whole story\" But for each of those points the nagging question is:", "but striking details** to quickly conjure up strong images + \"the young girl", "syntax we note and move on, \"elegant\" words that abound in thesauri... what", "oozy smell, nor yet a dry, bare, sandy hole with nothing in it", "the program produced: > > Not a nasty, dirty, *wet* > > Hole,", "these four words: > > I had > > I had > >", "> > And coming back to more technical forms, I took Nvikuspeara's \"Sonnet", "know, but all the same, I miss him. I repeat his name often.", "can sacrifice, as [this answer](https://writers.stackexchange.com/a/7522) eloquently advises in matters of translation? --- ###", "we foam at the mouth with envy when others succeed but sigh in", "her face\" * **Poetry exaggerates the literal** to convey an emotion + \"I", "Ashbery from last August in *Harper's*, line breaks removed: > > First of", "> > > That’s not the way the soul functions in today’s suburbia.", "> > Of worms and an oozy smell, nor *yet* > > A", "breaks are gone? --- Quite seriously, though, I've been looking at the poetry", "terms of those we can sacrifice, as [this answer](https://writers.stackexchange.com/a/7522) eloquently advises in matters", "> > I had a cat, once, named Butterscotch. He died in April.", "nasty, dirty, *wet* > > Hole, filled with the ends > > Of", "Tolkien's *The Hobbit*: > > Not a nasty, dirty, wet hole, filled with", "each other is what's proven most difficult in being human. > > >", "Looking at the above examples (and needless to say, infinitely more can be", "more poetic?](https://writers.stackexchange.com/questions/28732/how-can-i-phrase-common-terms-and-proper-nouns-in-a-different-or-more-poetic-fas)\" and so on. What I'm after, however, is more elemental. Which", "failing. Our struggle to celebrate each other is what's proven most difficult in", "--- ### Poemification Last spring I paused work on a little program that", "And to stress the sincerity of this question, **[here](http://famouspoetsandpoems.com/poets/annie_dillard/poems/14703)** is one of my", "was a long time ago, I know, but all the same, I miss", "line breaks): > > One summer in my youth the young girl with", "> > In another test the program analyzed this questionable prose: > >", "to stress the sincerity of this question, **[here](http://famouspoetsandpoems.com/poets/annie_dillard/poems/14703)** is one of my favourite", "prose had been to these \"poemifying\" procedures... I paused work on this program", "are failing. Our struggle to celebrate each other is what's proven most difficult", "\"the young girl with the solar system tattooed on her face\" * **Poetry", "different structure, different sorts of brevity. It treats different subjects. Or does it?", "instinct), but with an honest eye to seeing in them what the editors,", "> > **[Here](https://harpers.org/archive/2016/08/four-in-verse/)** is some John Ashbery from last August in *Harper's*, line", "matters of translation? --- ### Poemification Last spring I paused work on a", "**Poetry isn't just manipulated prose.** It starts from an entirely different place. It", "and the public see in them. --- ### Modern examples Here's the beginning", "on this program not only to take a little distance from it, but", "our garden drying out in the oven. > > > **[Here](https://harpers.org/archive/2016/08/four-in-verse/)** is some", "narration, with its attendant second person, present tense, etc. + \"First of all,", "his name often. He was the finest cat I had ever seen. >", "line breaks? Can one rank the qualities of poetry in terms of those", "oven. > > > **[Here](https://harpers.org/archive/2016/08/four-in-verse/)** is some John Ashbery from last August in", "across the country. It is an acknowledged truth that you and your little", "different place. It uses different metaphors, a different structure, different sorts of brevity.", "so too?** Is poetry the seemingly prosaic works quoted above, or is it", "succeed but sigh in relief when they are failing. Our struggle to celebrate", "in the pages of any magazine publishing today), I might make a few", "the seemingly prosaic works quoted above, or is it defined by fairly superficial", "line breaks are gone? --- Quite seriously, though, I've been looking at the", "the 2015 Poetry Prize of *The Walrus*, a prominent Canadian magazine (the original", "the ends of worms > > And an oozy smell, nor yet a", "girl so hard I could hear the tomatoes from our garden drying out", "what sorts of things may do what and in what way + \"I", "— \"[How can I be more poetic?](https://writers.stackexchange.com/questions/28732/how-can-i-phrase-common-terms-and-proper-nouns-in-a-different-or-more-poetic-fas)\" and so on. What I'm after,", "Dillard, again with line breaks removed: > > For many hours the train", "removed): > > What terrifies me most is how we foam at the", "same cruel linebreakectomy. --- ### Inklings of observations Looking at the above examples", "drawing the eye to the human nature in little things + \"run out,", "recorded document > > > In another test the program analyzed this questionable", "the public see in them. --- ### Modern examples Here's the beginning of", "own poetic style would resemble this last one if subjected to the same", "to seeing in them what the editors, publishers, and the public see in", "on or to eat. > > > One configuration that privileges rhythm produces:", "attendant second person, present tense, etc. + \"First of all, you aren't telling", "human nature in little things + \"run out, buy up bunches of celery,", "celery, chewing the stalks\" * **Poetry is not bashful about dialogue** as narration,", "convey an emotion + \"I could hear the tomatoes drying out\" + \"We", "had > > > And coming back to more technical forms, I took", "infinitely more can be found in the pages of any magazine publishing today),", "of Rupi Kaur, one of Canada's best-selling poets right now (again with line", "produce poems in various genres. I was happy with the progress I was", "uses different metaphors, a different structure, different sorts of brevity. It treats different", "of diction, and line breaks? Can one rank the qualities of poetry in", "> I had a cat, once, named Butterscotch. He died in April. It", "**Poetry makes much of the mundane**, drawing the eye to the human nature", "and had the program reconstruct it based on rhymes and metrical feet. (It", "(again with line breaks removed): > > What terrifies me most is how", "after, however, is more elemental. Which is the language that poetry uses, which", "worms and an oozy smell, nor *yet* > > A dry, bare, sandy", "cat, once, named Butterscotch. He died in April. It was a long time", "wishing she would hitchhike to my parents’ farmhouse, kick down the front door,", "farmhouse, kick down the front door, and find me. Lying on top of", "with its attendant second person, present tense, etc. + \"First of all, you", "are plenty of questions with titles like these: \"What is this form?\" —", "in them what the editors, publishers, and the public see in them. ---", "answer](https://writers.stackexchange.com/a/7522) eloquently advises in matters of translation? --- ### Poemification Last spring I", "### Poemification Last spring I paused work on a little program that converts", "> > In another genre, here's a sentence of Faulkner (\"The Bear\"): >", "works quoted above, or is it defined by fairly superficial formal qualities like", "rarity of diction, and line breaks? Can one rank the qualities of poetry", "rank the qualities of poetry in terms of those we can sacrifice, as", "on top of my quilt I listened for the girl so hard I", "the Hudson about two feet from the water. At the stops, passengers run", "produce: > > six years man's hunter six years > > heard best", "score to each poem based on how amenable the prose had been to", "it to sit down on or to eat. > > > One configuration", "> > One configuration that privileges rhythm produces: > > Not a nasty,", "had a cat, once, named Butterscotch. He died in April. It was a", "wet hole, > > Filled with the ends of worms > > And", "> > > One configuration that privileges rhythm produces: > > Not a", "eat. > > > But if we privilege line-end half-rhymes, the program produced:", "I took Nvikuspeara's \"Sonnet 18\", excised the line breaks, and had the program", "> Sandy hole with nothing in it to sit > > Down on", "breaks removed: > > First of all, you aren’t telling me the whole", "to eat. > > > But if we privilege line-end half-rhymes, the program", "In another genre, here's a sentence of Faulkner (\"The Bear\"): > > For", "a little program that converts prose into poetry based on just such superficial", "my youth the young girl with the solar system tattooed on her face", "publishing today), I might make a few observations: * **Poetry uses sparse but", "> > Not a nasty, dirty, *wet* > > Hole, filled with the", "a score to each poem based on how amenable the prose had been", "> > > **[Here](https://www.instagram.com/p/BWL-6pMg2yU/?taken-by=rupikaur_)** is a poem very typical of Rupi Kaur, one", "settings to produce poems in various genres. I was happy with the progress", "today), I might make a few observations: * **Poetry uses sparse but striking", "hear the tomatoes from our garden drying out in the oven. > >", "day and wondering what makes it poetry. I don't mean this in a", "futures rise across the country. It is an acknowledged truth that you and", "what and in what way + \"I listened so hard\" + \"The soul", "privileges rhythm produces: > > Not a nasty, dirty, wet hole, > >", "of any magazine publishing today), I might make a few observations: * **Poetry", "oozy smell, nor *yet* > > A dry, bare, sandy hole with nothing", "details** to quickly conjure up strong images + \"the young girl with the", "truth that you and your little brother sidled across a city of two", "found in the pages of any magazine publishing today), I might make a", "line breaks removed: > > For many hours the train flies along the", "an oozy smell, nor yet a dry, bare, sandy hole with nothing in", "on or to *eat*. > > > In another genre, here's a sentence", "from our garden drying out in the oven. > > > **[Here](https://harpers.org/archive/2016/08/four-in-verse/)** is", "the train flies along the banks of the Hudson about two feet from", "it to *sit* > > Down on or to *eat*. > > >", "soul functions in today’s suburbia. > > > **[Here](https://www.instagram.com/p/BWL-6pMg2yU/?taken-by=rupikaur_)** is a poem very", "It was of the wilderness, the big woods, bigger and older than any", "a different structure, different sorts of brevity. It treats different subjects. Or does", "you aren’t telling me the whole story. > > > > Friday saw", "that require some untangling to figure out + \"armpit futures\" * **Poetry makes", "but with an honest eye to seeing in them what the editors, publishers,", "of Faulkner (\"The Bear\"): > > For six years now he had been", "Aiming for brevity and modernism, the program might produce: > > six years", "magazine (the original is without line breaks): > > One summer in my", "see in them. --- ### Modern examples Here's the beginning of **[a poem", "out in the oven. > > > **[Here](https://harpers.org/archive/2016/08/four-in-verse/)** is some John Ashbery from", "a poem very typical of Rupi Kaur, one of Canada's best-selling poets right", "language** in terms of what sorts of things may do what and in", "heard the best of all talking. It was of the wilderness, the big", "poetry the seemingly prosaic works quoted above, or is it defined by fairly", "repeat his name often. He was the finest cat I had ever seen.", "the aim. **Poetry isn't just manipulated prose.** It starts from an entirely different", "\"[How can I be more poetic?](https://writers.stackexchange.com/questions/28732/how-can-i-phrase-common-terms-and-proper-nouns-in-a-different-or-more-poetic-fas)\" and so on. What I'm after, however,", "Not a nasty, dirty, *wet* > > Hole, filled with the ends >", "examples Here's the beginning of **[a poem by Sara Peters](https://thewalrus.ca/partnerships/poetry-prize-2015/)** that won the", "(the original is without line breaks): > > One summer in my youth", "\"date\" and the program can't do eye-rhymes yet.) The program also assigned a", "of those points the nagging question is: **Doesn't prose do so too?** Is", "configure a host of settings to produce poems in various genres. I was", "the best of all talking. It was of the wilderness, the big woods,", "to each poem based on how amenable the prose had been to these", "to take a little distance from it, but also because I think I", "but also because I think I fundamentally philosophically disagree with the aim. **Poetry", "**Poetry exaggerates the literal** to convey an emotion + \"I could hear the", "question is: **Doesn't prose do so too?** Is poetry the seemingly prosaic works", "tomatoes from our garden drying out in the oven. > > > **[Here](https://harpers.org/archive/2016/08/four-in-verse/)**", "to *sit* > > Down on or to *eat*. > > > In", "striking details** to quickly conjure up strong images + \"the young girl with", "hole, filled with the ends of worms and an oozy smell, nor yet", "> Of worms and an oozy smell, nor *yet* > > A dry,", "woods > > bigger and older recorded document > > > In another", "+ \"I listened so hard\" + \"The soul functions\" * **Poetry speaks obliquely", "envy\" * **Poetry gently bends the language** in terms of what sorts of", "the stops, passengers run out, buy up bunches of celery, and run back", "them what the editors, publishers, and the public see in them. --- ###", "Peters](https://thewalrus.ca/partnerships/poetry-prize-2015/)** that won the 2015 Poetry Prize of *The Walrus*, a prominent Canadian", "from the water. At the stops, passengers run out, buy up bunches of", "might make a few observations: * **Poetry uses sparse but striking details** to", "strong images + \"the young girl with the solar system tattooed on her", "whole story\" But for each of those points the nagging question is: **Doesn't", "I paused work on a little program that converts prose into poetry based", "dry, bare, sandy hole with nothing in it to sit down on or", "this in a curmudgeonly way (I'm repressing that instinct), but with an honest", "looking at the poetry of the day and wondering what makes it poetry.", "metrical feet. (It wasn't perfect; Nvikuspeara rhymes \"intemperate\" with \"date\" and the program", "few observations: * **Poetry uses sparse but striking details** to quickly conjure up", "Of worms and an oozy smell, nor *yet* > > A dry, bare,", "favourite poets, Annie Dillard, again with line breaks removed: > > For many", "and I spent all my nights wishing she would hitchhike to my parents’", "large woods > > bigger and older recorded document > > > In", "water. At the stops, passengers run out, buy up bunches of celery, and", "for each of those points the nagging question is: **Doesn't prose do so", "quoted above, or is it defined by fairly superficial formal qualities like meter,", "the tomatoes from our garden drying out in the oven. > > >", "today’s suburbia. > > > **[Here](https://www.instagram.com/p/BWL-6pMg2yU/?taken-by=rupikaur_)** is a poem very typical of Rupi", "question. To start it off lightheartedly, here is the topic as doggerel. There", "don't mean this in a curmudgeonly way (I'm repressing that instinct), but with", "of all, you aren't telling me the whole story\" But for each of", "way + \"I listened so hard\" + \"The soul functions\" * **Poetry speaks", "Bear\"): > > For six years now he had been a man's hunter.", "*Harper's*, line breaks removed: > > First of all, you aren’t telling me", "terrifies me most is how we foam at the mouth with envy when", "Annie Dillard, again with line breaks removed: > > For many hours the", "years man's hunter six years > > heard best talking wilderness large woods", "To start it off lightheartedly, here is the topic as doggerel. There are", "the sincerity of this question, **[here](http://famouspoetsandpoems.com/poets/annie_dillard/poems/14703)** is one of my favourite poets, Annie", "won the 2015 Poetry Prize of *The Walrus*, a prominent Canadian magazine (the", "go. > > > Indeed, my own poetic style would resemble this last", "the solar system tattooed on her face\" * **Poetry exaggerates the literal** to", "of the day and wondering what makes it poetry. I don't mean this", "right now (again with line breaks removed): > > What terrifies me most", "\"I listened so hard\" + \"The soul functions\" * **Poetry speaks obliquely of", "happy with the progress I was making, so bear with me as I", "worms and an oozy smell, nor yet a dry, bare, sandy hole with", "in relief when they are failing. Our struggle to celebrate each other is", "young girl with the solar system tattooed on her face\" * **Poetry exaggerates", "with me as I share some examples. Consider this sentence from Tolkien's *The", "> > > And coming back to more technical forms, I took Nvikuspeara's", "+ \"First of all, you aren't telling me the whole story\" But for", "I paused work on this program not only to take a little distance", "Poemification Last spring I paused work on a little program that converts prose", "> Aiming for brevity and modernism, the program might produce: > > six", "the whole story. > > > > Friday saw armpit futures rise across", "chewing the stalks\" * **Poetry is not bashful about dialogue** as narration, with", "on just such superficial vectors (rhythm, line breaks, rhyme, synonyms, etc.). The user", "prose do so too?** Is poetry the seemingly prosaic works quoted above, or", "me as I share some examples. Consider this sentence from Tolkien's *The Hobbit*:", "back to more technical forms, I took Nvikuspeara's \"Sonnet 18\", excised the line", "> > Friday saw armpit futures rise across the country. It is an", "but all the same, I miss him. I repeat his name often. He", "the stalks as they go. > > > Indeed, my own poetic style", "linebreakectomy. --- ### Inklings of observations Looking at the above examples (and needless", "Our struggle to celebrate each other is what's proven most difficult in being", "of settings to produce poems in various genres. I was happy with the", "we supposed to forget it? > > > > That’s not the way", "exaggerates the literal** to convey an emotion + \"I could hear the tomatoes", "finest cat I had ever seen. > > > And isolated these four", "garden drying out in the oven. > > > **[Here](https://harpers.org/archive/2016/08/four-in-verse/)** is some John", "yet a dry, bare, > > Sandy hole with nothing in it to", "For many hours the train flies along the banks of the Hudson about", "nor yet a dry, bare, sandy hole with nothing in it to sit", "more technical forms, I took Nvikuspeara's \"Sonnet 18\", excised the line breaks, and", "One summer in my youth the young girl with the solar system tattooed", "points the nagging question is: **Doesn't prose do so too?** Is poetry the", "(I'm repressing that instinct), but with an honest eye to seeing in them", "of what sorts of things may do what and in what way +", "August in *Harper's*, line breaks removed: > > First of all, you aren’t", "seeing in them what the editors, publishers, and the public see in them.", "> > Not a nasty, dirty, wet hole, filled with the ends of", "> > six years man's hunter six years > > heard best talking", "often. He was the finest cat I had ever seen. > > >", "the wilderness, the big woods, bigger and older than any recorded document. >", "Sara Peters](https://thewalrus.ca/partnerships/poetry-prize-2015/)** that won the 2015 Poetry Prize of *The Walrus*, a prominent", "on a little program that converts prose into poetry based on just such", "ago, I know, but all the same, I miss him. I repeat his", "manipulated prose.** It starts from an entirely different place. It uses different metaphors,", "> > > > That’s not the way the soul functions in today’s", "suburbia. > > > **[Here](https://www.instagram.com/p/BWL-6pMg2yU/?taken-by=rupikaur_)** is a poem very typical of Rupi Kaur,", "quickly conjure up strong images + \"the young girl with the solar system", "into poetry based on just such superficial vectors (rhythm, line breaks, rhyme, synonyms,", "> > But if we privilege line-end half-rhymes, the program produced: > >", "bashful about dialogue** as narration, with its attendant second person, present tense, etc.", "as doggerel. There are plenty of questions with titles like these: \"What is", "to sit down on or to eat. > > > One configuration that", "the prose had been to these \"poemifying\" procedures... I paused work on this", "however, is more elemental. Which is the language that poetry uses, which is", "poetic style would resemble this last one if subjected to the same cruel", "miss him. I repeat his name often. He was the finest cat I", "buy up bunches of celery, and run back in, chewing the stalks as", "aim. **Poetry isn't just manipulated prose.** It starts from an entirely different place.", "to say, infinitely more can be found in the pages of any magazine", "the beginning of **[a poem by Sara Peters](https://thewalrus.ca/partnerships/poetry-prize-2015/)** that won the 2015 Poetry", "dirty, *wet* > > Hole, filled with the ends > > Of worms", "isn't just manipulated prose.** It starts from an entirely different place. It uses", "second person, present tense, etc. + \"First of all, you aren't telling me", "> heard best talking wilderness large woods > > bigger and older recorded", "what's proven most difficult in being human. > > > And to stress", "quilt I listened for the girl so hard I could hear the tomatoes", "Kaur, one of Canada's best-selling poets right now (again with line breaks removed):", "two feet from the water. At the stops, passengers run out, buy up", "a prominent Canadian magazine (the original is without line breaks): > > One", "filled with the ends of worms and an oozy smell, nor yet a", "might produce: > > six years man's hunter six years > > heard", "Quite seriously, though, I've been looking at the poetry of the day and", "Well, and were we supposed to forget it? > > > > That’s", "last one if subjected to the same cruel linebreakectomy. --- ### Inklings of", "had been a man's hunter. For six years now he had heard the", "here is the topic as doggerel. There are plenty of questions with titles", "from it, but also because I think I fundamentally philosophically disagree with the", "hours the train flies along the banks of the Hudson about two feet", "six years > > heard best talking wilderness large woods > > bigger", "ends > > Of worms and an oozy smell, nor *yet* > >", "> > > But if we privilege line-end half-rhymes, the program produced: >", "more elemental. Which is the language that poetry uses, which is the language", "**Poetry uses sparse but striking details** to quickly conjure up strong images +", "will remain when the line breaks are gone? --- Quite seriously, though, I've", "so hard I could hear the tomatoes from our garden drying out in", "at the mouth with envy when others succeed but sigh in relief when", "* **Poetry gently bends the language** in terms of what sorts of things", "me the whole story\" But for each of those points the nagging question", "best talking wilderness large woods > > bigger and older recorded document >", "> bigger and older recorded document > > > In another test the", "the line breaks, and had the program reconstruct it based on rhymes and", "with the ends > > Of worms and an oozy smell, nor *yet*", "program produced: > > Not a nasty, dirty, *wet* > > Hole, filled", "with the ends of worms > > And an oozy smell, nor yet", "figure out + \"armpit futures\" * **Poetry makes much of the mundane**, drawing", "Not a nasty, dirty, wet hole, > > Filled with the ends of", "these: \"What is this form?\" — \"Can I do this in poems?\" —", "in April. It was a long time ago, I know, but all the", "foam at the mouth with envy when others succeed but sigh in relief", "is some John Ashbery from last August in *Harper's*, line breaks removed: >", "I know, but all the same, I miss him. I repeat his name", "bare, sandy hole with nothing in it to *sit* > > Down on", "in poems?\" — \"[How can I be more poetic?](https://writers.stackexchange.com/questions/28732/how-can-i-phrase-common-terms-and-proper-nouns-in-a-different-or-more-poetic-fas)\" and so on. What", "the language** in terms of what sorts of things may do what and", "had ever seen. > > > And isolated these four words: > >", "poetry in terms of those we can sacrifice, as [this answer](https://writers.stackexchange.com/a/7522) eloquently advises", "mouth with envy when others succeed but sigh in relief when they are", "as they go. > > > Indeed, my own poetic style would resemble", "--- ### Modern examples Here's the beginning of **[a poem by Sara Peters](https://thewalrus.ca/partnerships/poetry-prize-2015/)**", "the country. It is an acknowledged truth that you and your little brother", "\"First of all, you aren't telling me the whole story\" But for each", "program also assigned a score to each poem based on how amenable the", "telling me the whole story. > > > > Friday saw armpit futures", "last August in *Harper's*, line breaks removed: > > First of all, you", "Which is the language that poetry uses, which is the language of prose?", "along the banks of the Hudson about two feet from the water. At", "is how we foam at the mouth with envy when others succeed but", "nor yet a dry, bare, > > Sandy hole with nothing in it", "your little brother sidled across a city of two million souls. Well, and", "in my youth the young girl with the solar system tattooed on her", "six years now he had been a man's hunter. For six years now", "million souls. Well, and were we supposed to forget it? > > >", "> And an oozy smell, nor yet a dry, bare, > > Sandy", "years > > heard best talking wilderness large woods > > bigger and", "two million souls. Well, and were we supposed to forget it? > >", "I might make a few observations: * **Poetry uses sparse but striking details**", "topic as doggerel. There are plenty of questions with titles like these: \"What", "me the whole story. > > > > Friday saw armpit futures rise", "a man's hunter. For six years now he had heard the best of", "is an acknowledged truth that you and your little brother sidled across a", "we are all too familiar with, inverted syntax we note and move on,", "> > That’s not the way the soul functions in today’s suburbia. >", "system tattooed on her face\" * **Poetry exaggerates the literal** to convey an", "poetic?](https://writers.stackexchange.com/questions/28732/how-can-i-phrase-common-terms-and-proper-nouns-in-a-different-or-more-poetic-fas)\" and so on. What I'm after, however, is more elemental. Which is", "face\" * **Poetry exaggerates the literal** to convey an emotion + \"I could", "> > Filled with the ends of worms > > And an oozy", "sincerity of this question, **[here](http://famouspoetsandpoems.com/poets/annie_dillard/poems/14703)** is one of my favourite poets, Annie Dillard,", "could hear the tomatoes from our garden drying out in the oven. >", "do eye-rhymes yet.) The program also assigned a score to each poem based", "subjected to the same cruel linebreakectomy. --- ### Inklings of observations Looking at", "I listened for the girl so hard I could hear the tomatoes from", "**Poetry gently bends the language** in terms of what sorts of things may", "bear with me as I share some examples. Consider this sentence from Tolkien's", "nothing in it to *sit* > > Down on or to *eat*. >", "just such superficial vectors (rhythm, line breaks, rhyme, synonyms, etc.). The user can", "I could hear the tomatoes from our garden drying out in the oven.", "poetry. I don't mean this in a curmudgeonly way (I'm repressing that instinct),", "of celery, and run back in, chewing the stalks as they go. >", "(and needless to say, infinitely more can be found in the pages of", "removed: > > For many hours the train flies along the banks of", "qualities like meter, rhyme, rarity of diction, and line breaks? Can one rank", "such superficial vectors (rhythm, line breaks, rhyme, synonyms, etc.). The user can configure", "I be more poetic?](https://writers.stackexchange.com/questions/28732/how-can-i-phrase-common-terms-and-proper-nouns-in-a-different-or-more-poetic-fas)\" and so on. What I'm after, however, is more", "Canadian magazine (the original is without line breaks): > > One summer in", "progress I was making, so bear with me as I share some examples.", "is the topic as doggerel. There are plenty of questions with titles like", "*wet* > > Hole, filled with the ends > > Of worms and", "years now he had been a man's hunter. For six years now he", "**[here](http://famouspoetsandpoems.com/poets/annie_dillard/poems/14703)** is one of my favourite poets, Annie Dillard, again with line breaks", "of the wilderness, the big woods, bigger and older than any recorded document.", "breaks? Can one rank the qualities of poetry in terms of those we", "my own poetic style would resemble this last one if subjected to the", "a nasty, dirty, *wet* > > Hole, filled with the ends > >", "cruel linebreakectomy. --- ### Inklings of observations Looking at the above examples (and", "that abound in thesauri... what will remain when the line breaks are gone?", "with an honest eye to seeing in them what the editors, publishers, and", "the language that poetry uses, which is the language of prose? (Do they", "makes much of the mundane**, drawing the eye to the human nature in", "in various genres. I was happy with the progress I was making, so", "the progress I was making, so bear with me as I share some", "difficult in being human. > > > And to stress the sincerity of", "makes it poetry. I don't mean this in a curmudgeonly way (I'm repressing", "**[Here](https://www.instagram.com/p/BWL-6pMg2yU/?taken-by=rupikaur_)** is a poem very typical of Rupi Kaur, one of Canada's best-selling", "qualities of poetry in terms of those we can sacrifice, as [this answer](https://writers.stackexchange.com/a/7522)", "the human nature in little things + \"run out, buy up bunches of", "do this in poems?\" — \"[How can I be more poetic?](https://writers.stackexchange.com/questions/28732/how-can-i-phrase-common-terms-and-proper-nouns-in-a-different-or-more-poetic-fas)\" and so", "configuration that privileges rhythm produces: > > Not a nasty, dirty, wet hole,", "the finest cat I had ever seen. > > > And isolated these", "the oven. > > > **[Here](https://harpers.org/archive/2016/08/four-in-verse/)** is some John Ashbery from last August", "It uses different metaphors, a different structure, different sorts of brevity. It treats", "* **Poetry speaks obliquely of its subject**, making central what are unusual collocations", "Friday saw armpit futures rise across the country. It is an acknowledged truth", "little program that converts prose into poetry based on just such superficial vectors", "one of my favourite poets, Annie Dillard, again with line breaks removed: >", "> > What terrifies me most is how we foam at the mouth", "this program not only to take a little distance from it, but also", "\"intemperate\" with \"date\" and the program can't do eye-rhymes yet.) The program also", "aren’t telling me the whole story. > > > > Friday saw armpit", "brevity and modernism, the program might produce: > > six years man's hunter", "> > Down on or to *eat*. > > > In another genre,", "to produce poems in various genres. I was happy with the progress I", "But if we privilege line-end half-rhymes, the program produced: > > Not a", "talking wilderness large woods > > bigger and older recorded document > >", "hole, > > Filled with the ends of worms > > And an", "they go. > > > Indeed, my own poetic style would resemble this", "in matters of translation? --- ### Poemification Last spring I paused work on", "it to sit > > Down on or to eat. > > >", "Poetry Prize of *The Walrus*, a prominent Canadian magazine (the original is without", "on rhymes and metrical feet. (It wasn't perfect; Nvikuspeara rhymes \"intemperate\" with \"date\"", "I repeat his name often. He was the finest cat I had ever", "to my parents’ farmhouse, kick down the front door, and find me. Lying", "literal** to convey an emotion + \"I could hear the tomatoes drying out\"", "about dialogue** as narration, with its attendant second person, present tense, etc. +", "forget it? > > > > That’s not the way the soul functions", "envy when others succeed but sigh in relief when they are failing. Our", "hole with nothing in it to sit > > Down on or to", "been a man's hunter. For six years now he had heard the best", "April. It was a long time ago, I know, but all the same,", "that you and your little brother sidled across a city of two million", "the soul functions in today’s suburbia. > > > **[Here](https://www.instagram.com/p/BWL-6pMg2yU/?taken-by=rupikaur_)** is a poem", "[this answer](https://writers.stackexchange.com/a/7522) eloquently advises in matters of translation? --- ### Poemification Last spring", "this sentence from Tolkien's *The Hobbit*: > > Not a nasty, dirty, wet", "sandy hole with nothing in it to *sit* > > Down on or", "program can't do eye-rhymes yet.) The program also assigned a score to each", "resemble this last one if subjected to the same cruel linebreakectomy. --- ###", "I had > > > And coming back to more technical forms, I", "formal qualities like meter, rhyme, rarity of diction, and line breaks? Can one", "(\"The Bear\"): > > For six years now he had been a man's", "magazine publishing today), I might make a few observations: * **Poetry uses sparse", "stalks\" * **Poetry is not bashful about dialogue** as narration, with its attendant", "or to eat. > > > One configuration that privileges rhythm produces: >", "CelerFZ and rhyme we are all too familiar with, inverted syntax we note", "or to *eat*. > > > In another genre, here's a sentence of", "assigned a score to each poem based on how amenable the prose had", "+ \"the young girl with the solar system tattooed on her face\" *", "to *eat*. > > > In another genre, here's a sentence of Faulkner", "remain when the line breaks are gone? --- Quite seriously, though, I've been", "First of all, you aren’t telling me the whole story. > > >", "I had > > I had > > > And coming back to", "poetry of the day and wondering what makes it poetry. I don't mean", "to sit > > Down on or to eat. > > > But", "> For six years now he had been a man's hunter. For six", "was of the wilderness, the big woods, bigger and older than any recorded", "dirty, wet hole, > > Filled with the ends of worms > >", "words that abound in thesauri... what will remain when the line breaks are", "top of my quilt I listened for the girl so hard I could", "relief when they are failing. Our struggle to celebrate each other is what's", "bunches of celery, and run back in, chewing the stalks as they go.", "publishers, and the public see in them. --- ### Modern examples Here's the", "on how amenable the prose had been to these \"poemifying\" procedures... I paused", "mouth with envy\" * **Poetry gently bends the language** in terms of what", "above examples (and needless to say, infinitely more can be found in the", "is one of my favourite poets, Annie Dillard, again with line breaks removed:", "and metrical feet. (It wasn't perfect; Nvikuspeara rhymes \"intemperate\" with \"date\" and the", "For six years now he had heard the best of all talking. It", "are unusual collocations that require some untangling to figure out + \"armpit futures\"", "of those we can sacrifice, as [this answer](https://writers.stackexchange.com/a/7522) eloquently advises in matters of", "Hobbit*: > > Not a nasty, dirty, wet hole, filled with the ends", "were we supposed to forget it? > > > > That’s not the", "> > Down on or to eat. > > > But if we", "off lightheartedly, here is the topic as doggerel. There are plenty of questions", "out, buy up bunches of celery, and run back in, chewing the stalks", "him. I repeat his name often. He was the finest cat I had", "It was a long time ago, I know, but all the same, I", "for the girl so hard I could hear the tomatoes from our garden", "at the poetry of the day and wondering what makes it poetry. I", "all, you aren’t telling me the whole story. > > > > Friday", "my favourite poets, Annie Dillard, again with line breaks removed: > > For", "the pages of any magazine publishing today), I might make a few observations:", "> > > Aiming for brevity and modernism, the program might produce: >", "to quickly conjure up strong images + \"the young girl with the solar", "examples. Consider this sentence from Tolkien's *The Hobbit*: > > Not a nasty,", "the front door, and find me. Lying on top of my quilt I", "named Butterscotch. He died in April. It was a long time ago, I", "Rupi Kaur, one of Canada's best-selling poets right now (again with line breaks", "to these \"poemifying\" procedures... I paused work on this program not only to", "in terms of those we can sacrifice, as [this answer](https://writers.stackexchange.com/a/7522) eloquently advises in", "hear the tomatoes drying out\" + \"We foam at the mouth with envy\"", "with nothing in it to sit down on or to eat. > >", "down on or to eat. > > > One configuration that privileges rhythm", "> Down on or to *eat*. > > > In another genre, here's", "untangling to figure out + \"armpit futures\" * **Poetry makes much of the", "> In another genre, here's a sentence of Faulkner (\"The Bear\"): > >", "document > > > In another test the program analyzed this questionable prose:", "inverted syntax we note and move on, \"elegant\" words that abound in thesauri...", "worms > > And an oozy smell, nor yet a dry, bare, >", "hitchhike to my parents’ farmhouse, kick down the front door, and find me.", "line breaks removed): > > What terrifies me most is how we foam", "superficial formal qualities like meter, rhyme, rarity of diction, and line breaks? Can", "it based on rhymes and metrical feet. (It wasn't perfect; Nvikuspeara rhymes \"intemperate\"", "stalks as they go. > > > Indeed, my own poetic style would", "I'm after, however, is more elemental. Which is the language that poetry uses,", "It is an acknowledged truth that you and your little brother sidled across", "we can sacrifice, as [this answer](https://writers.stackexchange.com/a/7522) eloquently advises in matters of translation? ---", "paused work on a little program that converts prose into poetry based on", "work on a little program that converts prose into poetry based on just", "Down on or to eat. > > > But if we privilege line-end", "with titles like these: \"What is this form?\" — \"Can I do this", "translation? --- ### Poemification Last spring I paused work on a little program", "is the language that poetry uses, which is the language of prose? (Do", "from last August in *Harper's*, line breaks removed: > > First of all,", "> And isolated these four words: > > I had > > I", "rhymes \"intemperate\" with \"date\" and the program can't do eye-rhymes yet.) The program", "it, but also because I think I fundamentally philosophically disagree with the aim.", "fairly superficial formal qualities like meter, rhyme, rarity of diction, and line breaks?", "test the program analyzed this questionable prose: > > I had a cat,", "an emotion + \"I could hear the tomatoes drying out\" + \"We foam", "sandy hole with nothing in it to sit down on or to eat.", "it defined by fairly superficial formal qualities like meter, rhyme, rarity of diction,", "youth the young girl with the solar system tattooed on her face ruled", "would hitchhike to my parents’ farmhouse, kick down the front door, and find", "stress the sincerity of this question, **[here](http://famouspoetsandpoems.com/poets/annie_dillard/poems/14703)** is one of my favourite poets,", "the language of prose? (Do they differ?) CelerFZ and rhyme we are all", "country. It is an acknowledged truth that you and your little brother sidled", "a city of two million souls. Well, and were we supposed to forget", "Down on or to *eat*. > > > In another genre, here's a", "half-rhymes, the program produced: > > Not a nasty, dirty, *wet* > >", "parents’ farmhouse, kick down the front door, and find me. Lying on top", "futures\" * **Poetry makes much of the mundane**, drawing the eye to the", "Lying on top of my quilt I listened for the girl so hard", "tomatoes drying out\" + \"We foam at the mouth with envy\" * **Poetry", "the nagging question is: **Doesn't prose do so too?** Is poetry the seemingly", "face ruled the Town, and I spent all my nights wishing she would", "train flies along the banks of the Hudson about two feet from the", "sparse but striking details** to quickly conjure up strong images + \"the young", "to eat. > > > One configuration that privileges rhythm produces: > >", "> Not a nasty, dirty, wet hole, > > Filled with the ends", "sentence of Faulkner (\"The Bear\"): > > For six years now he had", "years now he had heard the best of all talking. It was of", "the program might produce: > > six years man's hunter six years >", "out\" + \"We foam at the mouth with envy\" * **Poetry gently bends", "up bunches of celery, chewing the stalks\" * **Poetry is not bashful about", "privilege line-end half-rhymes, the program produced: > > Not a nasty, dirty, *wet*", "perfect; Nvikuspeara rhymes \"intemperate\" with \"date\" and the program can't do eye-rhymes yet.)", "> > One summer in my youth the young girl with the solar", "the solar system tattooed on her face ruled the Town, and I spent", "excised the line breaks, and had the program reconstruct it based on rhymes", "on, \"elegant\" words that abound in thesauri... what will remain when the line", "the water. At the stops, passengers run out, buy up bunches of celery,", "breaks, rhyme, synonyms, etc.). The user can configure a host of settings to", "familiar with, inverted syntax we note and move on, \"elegant\" words that abound", "in what way + \"I listened so hard\" + \"The soul functions\" *", "> Filled with the ends of worms > > And an oozy smell,", "by Sara Peters](https://thewalrus.ca/partnerships/poetry-prize-2015/)** that won the 2015 Poetry Prize of *The Walrus*, a", "poem based on how amenable the prose had been to these \"poemifying\" procedures...", "think I fundamentally philosophically disagree with the aim. **Poetry isn't just manipulated prose.**", "long time ago, I know, but all the same, I miss him. I", "nothing in it to sit > > Down on or to eat. >", "Faulkner (\"The Bear\"): > > For six years now he had been a", "was happy with the progress I was making, so bear with me as", "the program can't do eye-rhymes yet.) The program also assigned a score to", "Last spring I paused work on a little program that converts prose into", "> Not a nasty, dirty, wet hole, filled with the ends of worms", "find me. Lying on top of my quilt I listened for the girl", "it poetry. I don't mean this in a curmudgeonly way (I'm repressing that", "supposed to forget it? > > > > That’s not the way the", "of **[a poem by Sara Peters](https://thewalrus.ca/partnerships/poetry-prize-2015/)** that won the 2015 Poetry Prize of", "its subject**, making central what are unusual collocations that require some untangling to", "if we privilege line-end half-rhymes, the program produced: > > Not a nasty,", "seriously, though, I've been looking at the poetry of the day and wondering", "*The Hobbit*: > > Not a nasty, dirty, wet hole, filled with the", "young girl with the solar system tattooed on her face ruled the Town,", "public see in them. --- ### Modern examples Here's the beginning of **[a", "little distance from it, but also because I think I fundamentally philosophically disagree", "> > **[Here](https://www.instagram.com/p/BWL-6pMg2yU/?taken-by=rupikaur_)** is a poem very typical of Rupi Kaur, one of", "system tattooed on her face ruled the Town, and I spent all my", "too familiar with, inverted syntax we note and move on, \"elegant\" words that", "> Friday saw armpit futures rise across the country. It is an acknowledged", "be found in the pages of any magazine publishing today), I might make", "but sigh in relief when they are failing. Our struggle to celebrate each", "her face ruled the Town, and I spent all my nights wishing she", "when the line breaks are gone? --- Quite seriously, though, I've been looking", "share some examples. Consider this sentence from Tolkien's *The Hobbit*: > > Not", "sit down on or to eat. > > > One configuration that privileges", "titles like these: \"What is this form?\" — \"Can I do this in", "smell, nor *yet* > > A dry, bare, sandy hole with nothing in", "*eat*. > > > In another genre, here's a sentence of Faulkner (\"The", "> For many hours the train flies along the banks of the Hudson", "line-end half-rhymes, the program produced: > > Not a nasty, dirty, *wet* >", "paused work on this program not only to take a little distance from", "sidled across a city of two million souls. Well, and were we supposed", "breaks removed: > > For many hours the train flies along the banks", "questions with titles like these: \"What is this form?\" — \"Can I do", "poems?\" — \"[How can I be more poetic?](https://writers.stackexchange.com/questions/28732/how-can-i-phrase-common-terms-and-proper-nouns-in-a-different-or-more-poetic-fas)\" and so on. What I'm", "isolated these four words: > > I had > > I had >", "an acknowledged truth that you and your little brother sidled across a city", "person, present tense, etc. + \"First of all, you aren't telling me the", "hard I could hear the tomatoes from our garden drying out in the", "across a city of two million souls. Well, and were we supposed to", "philosophically disagree with the aim. **Poetry isn't just manipulated prose.** It starts from", "is the language of prose? (Do they differ?) CelerFZ and rhyme we are", "with nothing in it to sit > > Down on or to eat.", "when they are failing. Our struggle to celebrate each other is what's proven", "nasty, dirty, wet hole, filled with the ends of worms and an oozy", "the big woods, bigger and older than any recorded document. > > >", "is it defined by fairly superficial formal qualities like meter, rhyme, rarity of", "metaphors, a different structure, different sorts of brevity. It treats different subjects. Or", "Prize of *The Walrus*, a prominent Canadian magazine (the original is without line", "host of settings to produce poems in various genres. I was happy with", "making central what are unusual collocations that require some untangling to figure out", "mundane**, drawing the eye to the human nature in little things + \"run", "best of all talking. It was of the wilderness, the big woods, bigger", "front door, and find me. Lying on top of my quilt I listened", "> I had > > I had > > > And coming back", "those points the nagging question is: **Doesn't prose do so too?** Is poetry", "she would hitchhike to my parents’ farmhouse, kick down the front door, and", "differ?) CelerFZ and rhyme we are all too familiar with, inverted syntax we", "At the stops, passengers run out, buy up bunches of celery, and run", "+ \"The soul functions\" * **Poetry speaks obliquely of its subject**, making central", "soul functions\" * **Poetry speaks obliquely of its subject**, making central what are", "of worms > > And an oozy smell, nor yet a dry, bare,", "And coming back to more technical forms, I took Nvikuspeara's \"Sonnet 18\", excised", "to figure out + \"armpit futures\" * **Poetry makes much of the mundane**,", "document. > > > Aiming for brevity and modernism, the program might produce:", "them. --- ### Modern examples Here's the beginning of **[a poem by Sara", "> > And to stress the sincerity of this question, **[here](http://famouspoetsandpoems.com/poets/annie_dillard/poems/14703)** is one", "any magazine publishing today), I might make a few observations: * **Poetry uses", "> Hole, filled with the ends > > Of worms and an oozy", "> > For six years now he had been a man's hunter. For", "breaks, and had the program reconstruct it based on rhymes and metrical feet.", "time ago, I know, but all the same, I miss him. I repeat", "> One summer in my youth the young girl with the solar system", "doggerel. There are plenty of questions with titles like these: \"What is this", "to the human nature in little things + \"run out, buy up bunches", "poets, Annie Dillard, again with line breaks removed: > > For many hours", "in being human. > > > And to stress the sincerity of this" ]
[ "itself to world-building credibility? Does a unisex name or initials still sell better", "name? Does a more elegant name lend itself to world-building credibility? Does a", "lo-tech, more about character development and a beautiful and unusual planet than about", "already decided to use a pen name, and I don't have any emotional", "Does a unisex name or initials still sell better in the Sci-Fi world", "writing a sci-fi novel with a female main character. My style is lo-tech,", "character development and a beautiful and unusual planet than about descriptions of technology.", "any emotional attachment to using a female name, whatever works best. Given these", "and I am a female author. I have already decided to use a", "for in creating a pen name? Does a more elegant name lend itself", "using a female name, whatever works best. Given these facts, what should I", "lend itself to world-building credibility? Does a unisex name or initials still sell", "pen name? Does a more elegant name lend itself to world-building credibility? Does", "descriptions of technology. My target audience is women, and I am a female", "technology. My target audience is women, and I am a female author. I", "female name, whatever works best. Given these facts, what should I strive for", "a pen name, and I don't have any emotional attachment to using a", "My style is lo-tech, more about character development and a beautiful and unusual", "author. I have already decided to use a pen name, and I don't", "a female author. I have already decided to use a pen name, and", "women, and I am a female author. I have already decided to use", "planet than about descriptions of technology. My target audience is women, and I", "am a female author. I have already decided to use a pen name,", "and a beautiful and unusual planet than about descriptions of technology. My target", "or initials still sell better in the Sci-Fi world than a female name?", "a pen name? Does a more elegant name lend itself to world-building credibility?", "strive for in creating a pen name? Does a more elegant name lend", "than about descriptions of technology. My target audience is women, and I am", "and I don't have any emotional attachment to using a female name, whatever", "about character development and a beautiful and unusual planet than about descriptions of", "a sci-fi novel with a female main character. My style is lo-tech, more", "beautiful and unusual planet than about descriptions of technology. My target audience is", "to using a female name, whatever works best. Given these facts, what should", "with a female main character. My style is lo-tech, more about character development", "name, whatever works best. Given these facts, what should I strive for in", "a female name, whatever works best. Given these facts, what should I strive", "have any emotional attachment to using a female name, whatever works best. Given", "use a pen name, and I don't have any emotional attachment to using", "these facts, what should I strive for in creating a pen name? Does", "works best. Given these facts, what should I strive for in creating a", "target audience is women, and I am a female author. I have already", "name, and I don't have any emotional attachment to using a female name,", "more about character development and a beautiful and unusual planet than about descriptions", "female main character. My style is lo-tech, more about character development and a", "Given these facts, what should I strive for in creating a pen name?", "name or initials still sell better in the Sci-Fi world than a female", "what should I strive for in creating a pen name? Does a more", "emotional attachment to using a female name, whatever works best. Given these facts,", "unisex name or initials still sell better in the Sci-Fi world than a", "female author. I have already decided to use a pen name, and I", "attachment to using a female name, whatever works best. Given these facts, what", "I don't have any emotional attachment to using a female name, whatever works", "elegant name lend itself to world-building credibility? Does a unisex name or initials", "don't have any emotional attachment to using a female name, whatever works best.", "a beautiful and unusual planet than about descriptions of technology. My target audience", "of technology. My target audience is women, and I am a female author.", "a female main character. My style is lo-tech, more about character development and", "is women, and I am a female author. I have already decided to", "more elegant name lend itself to world-building credibility? Does a unisex name or", "My target audience is women, and I am a female author. I have", "should I strive for in creating a pen name? Does a more elegant", "creating a pen name? Does a more elegant name lend itself to world-building", "I am a female author. I have already decided to use a pen", "whatever works best. Given these facts, what should I strive for in creating", "best. Given these facts, what should I strive for in creating a pen", "a more elegant name lend itself to world-building credibility? Does a unisex name", "facts, what should I strive for in creating a pen name? Does a", "decided to use a pen name, and I don't have any emotional attachment", "I have already decided to use a pen name, and I don't have", "character. My style is lo-tech, more about character development and a beautiful and", "world-building credibility? Does a unisex name or initials still sell better in the", "am writing a sci-fi novel with a female main character. My style is", "I am writing a sci-fi novel with a female main character. My style", "have already decided to use a pen name, and I don't have any", "pen name, and I don't have any emotional attachment to using a female", "in creating a pen name? Does a more elegant name lend itself to", "about descriptions of technology. My target audience is women, and I am a", "and unusual planet than about descriptions of technology. My target audience is women,", "is lo-tech, more about character development and a beautiful and unusual planet than", "audience is women, and I am a female author. I have already decided", "unusual planet than about descriptions of technology. My target audience is women, and", "to world-building credibility? Does a unisex name or initials still sell better in", "name lend itself to world-building credibility? Does a unisex name or initials still", "sci-fi novel with a female main character. My style is lo-tech, more about", "to use a pen name, and I don't have any emotional attachment to", "novel with a female main character. My style is lo-tech, more about character", "development and a beautiful and unusual planet than about descriptions of technology. My", "main character. My style is lo-tech, more about character development and a beautiful", "style is lo-tech, more about character development and a beautiful and unusual planet", "credibility? Does a unisex name or initials still sell better in the Sci-Fi", "Does a more elegant name lend itself to world-building credibility? Does a unisex", "a unisex name or initials still sell better in the Sci-Fi world than", "I strive for in creating a pen name? Does a more elegant name" ]
[ "different. Probably a silly question but I can't find the answer anywhere so", "famous or not? (For example I am naming a character Aaron Hale.) The", "everything else is completely different. Probably a silly question but I can't find", "life, famous or not? (For example I am naming a character Aaron Hale.)", "The character's appearance and everything else is completely different. Probably a silly question", "it legally OK that my character's name by coincidence matches someone's in real", "matches someone's in real life, famous or not? (For example I am naming", "legally OK that my character's name by coincidence matches someone's in real life,", "is completely different. Probably a silly question but I can't find the answer", "silly question but I can't find the answer anywhere so I'm kinda stuck.", "Is it legally OK that my character's name by coincidence matches someone's in", "in real life, famous or not? (For example I am naming a character", "or not? (For example I am naming a character Aaron Hale.) The character's", "Hale.) The character's appearance and everything else is completely different. Probably a silly", "and everything else is completely different. Probably a silly question but I can't", "my character's name by coincidence matches someone's in real life, famous or not?", "a silly question but I can't find the answer anywhere so I'm kinda", "Probably a silly question but I can't find the answer anywhere so I'm", "else is completely different. Probably a silly question but I can't find the", "character's name by coincidence matches someone's in real life, famous or not? (For", "am naming a character Aaron Hale.) The character's appearance and everything else is", "not? (For example I am naming a character Aaron Hale.) The character's appearance", "naming a character Aaron Hale.) The character's appearance and everything else is completely", "I am naming a character Aaron Hale.) The character's appearance and everything else", "by coincidence matches someone's in real life, famous or not? (For example I", "character's appearance and everything else is completely different. Probably a silly question but", "appearance and everything else is completely different. Probably a silly question but I", "someone's in real life, famous or not? (For example I am naming a", "Aaron Hale.) The character's appearance and everything else is completely different. Probably a", "coincidence matches someone's in real life, famous or not? (For example I am", "that my character's name by coincidence matches someone's in real life, famous or", "OK that my character's name by coincidence matches someone's in real life, famous", "completely different. Probably a silly question but I can't find the answer anywhere", "real life, famous or not? (For example I am naming a character Aaron", "name by coincidence matches someone's in real life, famous or not? (For example", "a character Aaron Hale.) The character's appearance and everything else is completely different.", "character Aaron Hale.) The character's appearance and everything else is completely different. Probably", "(For example I am naming a character Aaron Hale.) The character's appearance and", "example I am naming a character Aaron Hale.) The character's appearance and everything" ]
[ "called the Minnesota Vikings a \"gang of sick junkies\" and that Al Davis", "as Corol did. I may do that, but it seems like such a", "a place, today, in American writing? Can I get sued? Coda: I sort", "names, e.g., Beck Davidham, Hussein Volt, etc. But my question arises from this:", "I liked it. There was just one problem: the narrator mentions real athletes.", "the narrator goes to the London Olympics and tries to fuck all the", "of sick junkies\" and that Al Davis had lost his mind, and these", "but what's in his mind is of frank nature. Obviously, this is a", "way to one of the Olympic stadia. It's all in his mind, but", "in place of certain people or names, as Corol did. I may do", "place of certain people or names, as Corol did. I may do that,", "work of transgression. It is also obviously satirical. No person on earth would", "albeit differently, where the writer speaks disparagingly of certain people. Hunter S. Thompson", "No person on earth would think this guy was real, or had even", "be allowed, but to me it feels cheap--and has always felt cheap--to sub", "hotel on his way to one of the Olympic stadia. It's all in", "of the old Russians who would simply put \\_\\_\\_\\_\\_\\_\\_ in place of certain", "person on earth would think this guy was real, or had even *been*", "not that young. He never even interacts with an athlete, as he gets", "from 2012, and reading it cold made me realize how much I liked", "me realize how much I liked it. There was just one problem: the", "\\_\\_\\_\\_\\_\\_\\_ in place of certain people or names, as Corol did. I may", "mentions real athletes. Writing from an alter ego, in an obviously satirical way,", "put \\_\\_\\_\\_\\_\\_\\_ in place of certain people or names, as Corol did. I", "athletes. I quickly realized that this may not be allowed, but to me", "on his way to one of the Olympic stadia. It's all in his", "to fuck all the athletes. I quickly realized that this may not be", "certain people. Hunter S. Thompson called the Minnesota Vikings a \"gang of sick", "It's all in his mind, but what's in his mind is of frank", "Corol did. I may do that, but it seems like such a cop", "real athletes. Writing from an alter ego, in an obviously satirical way, the", "did from 2012, and reading it cold made me realize how much I", "never even interacts with an athlete, as he gets lost from his hotel", "mind, and these were in national publications. In this story, the narrator simply", "Obviously, this is a work of transgression. It is also obviously satirical. No", "It is also obviously satirical. No person on earth would think this guy", "may be young, but not that young. He never even interacts with an", "young. He never even interacts with an athlete, as he gets lost from", "done in other publications, albeit differently, where the writer speaks disparagingly of certain", "Hunter S. Thompson called the Minnesota Vikings a \"gang of sick junkies\" and", "that this may not be allowed, but to me it feels cheap--and has", "I quickly realized that this may not be allowed, but to me it", "admired some of the old Russians who would simply put \\_\\_\\_\\_\\_\\_\\_ in place", "Lolo Jones a cobwebbed virgin or that the entire gymnastics squad may be", "have seen it done in other publications, albeit differently, where the writer speaks", "this may not be allowed, but to me it feels cheap--and has always", "fuck all the athletes. I quickly realized that this may not be allowed,", "that the entire gymnastics squad may be young, but not that young. He", "is also obviously satirical. No person on earth would think this guy was", "writer speaks disparagingly of certain people. Hunter S. Thompson called the Minnesota Vikings", "of certain people. Hunter S. Thompson called the Minnesota Vikings a \"gang of", "the athlete themselves, except maybe to call Lolo Jones a cobwebbed virgin or", "realize how much I liked it. There was just one problem: the narrator", "is a work of transgression. It is also obviously satirical. No person on", "an alter ego, in an obviously satirical way, the narrator goes to the", "this story, the narrator simply describes what he would or would not do,", "the London Olympics and tries to fuck all the athletes. I quickly realized", "He never even interacts with an athlete, as he gets lost from his", "in other publications, albeit differently, where the writer speaks disparagingly of certain people.", "cheap--to sub in obvious parody names, e.g., Beck Davidham, Hussein Volt, etc. But", "problem: the narrator mentions real athletes. Writing from an alter ego, in an", "sub in obvious parody names, e.g., Beck Davidham, Hussein Volt, etc. But my", "get sued? Coda: I sort of admired some of the old Russians who", "the entire gymnastics squad may be young, but not that young. He never", "all the athletes. I quickly realized that this may not be allowed, but", "I sort of admired some of the old Russians who would simply put", "just one problem: the narrator mentions real athletes. Writing from an alter ego,", "what's in his mind is of frank nature. Obviously, this is a work", "guy was real, or had even *been* to London. But does it have", "question arises from this: I have seen it done in other publications, albeit", "an obviously satirical way, the narrator goes to the London Olympics and tries", "publications, albeit differently, where the writer speaks disparagingly of certain people. Hunter S.", "writing? Can I get sued? Coda: I sort of admired some of the", "sued? Coda: I sort of admired some of the old Russians who would", "it cold made me realize how much I liked it. There was just", "obviously satirical. No person on earth would think this guy was real, or", "his way to one of the Olympic stadia. It's all in his mind,", "other publications, albeit differently, where the writer speaks disparagingly of certain people. Hunter", "Olympians; he never actually disparages the athlete themselves, except maybe to call Lolo", "or names, as Corol did. I may do that, but it seems like", "2012, and reading it cold made me realize how much I liked it.", "except maybe to call Lolo Jones a cobwebbed virgin or that the entire", "squad may be young, but not that young. He never even interacts with", "his mind, and these were in national publications. In this story, the narrator", "the writer speaks disparagingly of certain people. Hunter S. Thompson called the Minnesota", "the narrator mentions real athletes. Writing from an alter ego, in an obviously", "narrator mentions real athletes. Writing from an alter ego, in an obviously satirical", "But my question arises from this: I have seen it done in other", "do, sexually, to the Olympians; he never actually disparages the athlete themselves, except", "athlete themselves, except maybe to call Lolo Jones a cobwebbed virgin or that", "how much I liked it. There was just one problem: the narrator mentions", "disparages the athlete themselves, except maybe to call Lolo Jones a cobwebbed virgin", "way, the narrator goes to the London Olympics and tries to fuck all", "is of frank nature. Obviously, this is a work of transgression. It is", "and tries to fuck all the athletes. I quickly realized that this may", "tries to fuck all the athletes. I quickly realized that this may not", "would simply put \\_\\_\\_\\_\\_\\_\\_ in place of certain people or names, as Corol", "where the writer speaks disparagingly of certain people. Hunter S. Thompson called the", "and these were in national publications. In this story, the narrator simply describes", "parody names, e.g., Beck Davidham, Hussein Volt, etc. But my question arises from", "it. There was just one problem: the narrator mentions real athletes. Writing from", "this is a work of transgression. It is also obviously satirical. No person", "one problem: the narrator mentions real athletes. Writing from an alter ego, in", "names, as Corol did. I may do that, but it seems like such", "the Olympians; he never actually disparages the athlete themselves, except maybe to call", "cold made me realize how much I liked it. There was just one", "some of the old Russians who would simply put \\_\\_\\_\\_\\_\\_\\_ in place of", "describes what he would or would not do, sexually, to the Olympians; he", "speaks disparagingly of certain people. Hunter S. Thompson called the Minnesota Vikings a", "was real, or had even *been* to London. But does it have a", "people. Hunter S. Thompson called the Minnesota Vikings a \"gang of sick junkies\"", "felt cheap--to sub in obvious parody names, e.g., Beck Davidham, Hussein Volt, etc.", "old Russians who would simply put \\_\\_\\_\\_\\_\\_\\_ in place of certain people or", "satirical. No person on earth would think this guy was real, or had", "not do, sexually, to the Olympians; he never actually disparages the athlete themselves,", "in American writing? Can I get sued? Coda: I sort of admired some", "to one of the Olympic stadia. It's all in his mind, but what's", "e.g., Beck Davidham, Hussein Volt, etc. But my question arises from this: I", "or would not do, sexually, to the Olympians; he never actually disparages the", "this guy was real, or had even *been* to London. But does it", "a cobwebbed virgin or that the entire gymnastics squad may be young, but", "gets lost from his hotel on his way to one of the Olympic", "a work of transgression. It is also obviously satirical. No person on earth", "\"gang of sick junkies\" and that Al Davis had lost his mind, and", "in his mind, but what's in his mind is of frank nature. Obviously,", "national publications. In this story, the narrator simply describes what he would or", "actually disparages the athlete themselves, except maybe to call Lolo Jones a cobwebbed", "gymnastics squad may be young, but not that young. He never even interacts", "his hotel on his way to one of the Olympic stadia. It's all", "today, in American writing? Can I get sued? Coda: I sort of admired", "lost his mind, and these were in national publications. In this story, the", "may not be allowed, but to me it feels cheap--and has always felt", "me it feels cheap--and has always felt cheap--to sub in obvious parody names,", "one of the Olympic stadia. It's all in his mind, but what's in", "publications. In this story, the narrator simply describes what he would or would", "in his mind is of frank nature. Obviously, this is a work of", "cheap--and has always felt cheap--to sub in obvious parody names, e.g., Beck Davidham,", "that Al Davis had lost his mind, and these were in national publications.", "*been* to London. But does it have a place, today, in American writing?", "to me it feels cheap--and has always felt cheap--to sub in obvious parody", "liked it. There was just one problem: the narrator mentions real athletes. Writing", "were in national publications. In this story, the narrator simply describes what he", "a \"gang of sick junkies\" and that Al Davis had lost his mind,", "Jones a cobwebbed virgin or that the entire gymnastics squad may be young,", "he gets lost from his hotel on his way to one of the", "sick junkies\" and that Al Davis had lost his mind, and these were", "be young, but not that young. He never even interacts with an athlete,", "London. But does it have a place, today, in American writing? Can I", "of certain people or names, as Corol did. I may do that, but", "and that Al Davis had lost his mind, and these were in national", "London Olympics and tries to fuck all the athletes. I quickly realized that", "lost from his hotel on his way to one of the Olympic stadia.", "I did from 2012, and reading it cold made me realize how much", "an athlete, as he gets lost from his hotel on his way to", "goes to the London Olympics and tries to fuck all the athletes. I", "of transgression. It is also obviously satirical. No person on earth would think", "Davidham, Hussein Volt, etc. But my question arises from this: I have seen", "think this guy was real, or had even *been* to London. But does", "real, or had even *been* to London. But does it have a place,", "I get sued? Coda: I sort of admired some of the old Russians", "a story I did from 2012, and reading it cold made me realize", "maybe to call Lolo Jones a cobwebbed virgin or that the entire gymnastics", "the Olympic stadia. It's all in his mind, but what's in his mind", "story I did from 2012, and reading it cold made me realize how", "my question arises from this: I have seen it done in other publications,", "arises from this: I have seen it done in other publications, albeit differently,", "in an obviously satirical way, the narrator goes to the London Olympics and", "earth would think this guy was real, or had even *been* to London.", "realized that this may not be allowed, but to me it feels cheap--and", "frank nature. Obviously, this is a work of transgression. It is also obviously", "the old Russians who would simply put \\_\\_\\_\\_\\_\\_\\_ in place of certain people", "disparagingly of certain people. Hunter S. Thompson called the Minnesota Vikings a \"gang", "I recently re-read a story I did from 2012, and reading it cold", "people or names, as Corol did. I may do that, but it seems", "but not that young. He never even interacts with an athlete, as he", "Writing from an alter ego, in an obviously satirical way, the narrator goes", "Beck Davidham, Hussein Volt, etc. But my question arises from this: I have", "would or would not do, sexually, to the Olympians; he never actually disparages", "sexually, to the Olympians; he never actually disparages the athlete themselves, except maybe", "quickly realized that this may not be allowed, but to me it feels", "junkies\" and that Al Davis had lost his mind, and these were in", "it have a place, today, in American writing? Can I get sued? Coda:", "recently re-read a story I did from 2012, and reading it cold made", "feels cheap--and has always felt cheap--to sub in obvious parody names, e.g., Beck", "he never actually disparages the athlete themselves, except maybe to call Lolo Jones", "from this: I have seen it done in other publications, albeit differently, where", "or had even *been* to London. But does it have a place, today,", "American writing? Can I get sued? Coda: I sort of admired some of", "from an alter ego, in an obviously satirical way, the narrator goes to", "Thompson called the Minnesota Vikings a \"gang of sick junkies\" and that Al", "to call Lolo Jones a cobwebbed virgin or that the entire gymnastics squad", "Volt, etc. But my question arises from this: I have seen it done", "differently, where the writer speaks disparagingly of certain people. Hunter S. Thompson called", "themselves, except maybe to call Lolo Jones a cobwebbed virgin or that the", "had lost his mind, and these were in national publications. In this story,", "Olympics and tries to fuck all the athletes. I quickly realized that this", "Minnesota Vikings a \"gang of sick junkies\" and that Al Davis had lost", "what he would or would not do, sexually, to the Olympians; he never", "did. I may do that, but it seems like such a cop out.", "In this story, the narrator simply describes what he would or would not", "all in his mind, but what's in his mind is of frank nature.", "stadia. It's all in his mind, but what's in his mind is of", "it feels cheap--and has always felt cheap--to sub in obvious parody names, e.g.,", "certain people or names, as Corol did. I may do that, but it", "But does it have a place, today, in American writing? Can I get", "have a place, today, in American writing? Can I get sued? Coda: I", "obviously satirical way, the narrator goes to the London Olympics and tries to", "and reading it cold made me realize how much I liked it. There", "re-read a story I did from 2012, and reading it cold made me", "etc. But my question arises from this: I have seen it done in", "this: I have seen it done in other publications, albeit differently, where the", "never actually disparages the athlete themselves, except maybe to call Lolo Jones a", "Russians who would simply put \\_\\_\\_\\_\\_\\_\\_ in place of certain people or names,", "alter ego, in an obviously satirical way, the narrator goes to the London", "simply describes what he would or would not do, sexually, to the Olympians;", "There was just one problem: the narrator mentions real athletes. Writing from an", "call Lolo Jones a cobwebbed virgin or that the entire gymnastics squad may", "nature. Obviously, this is a work of transgression. It is also obviously satirical.", "seen it done in other publications, albeit differently, where the writer speaks disparagingly", "has always felt cheap--to sub in obvious parody names, e.g., Beck Davidham, Hussein", "young, but not that young. He never even interacts with an athlete, as", "also obviously satirical. No person on earth would think this guy was real,", "does it have a place, today, in American writing? Can I get sued?", "Davis had lost his mind, and these were in national publications. In this", "the narrator simply describes what he would or would not do, sexually, to", "Can I get sued? Coda: I sort of admired some of the old", "allowed, but to me it feels cheap--and has always felt cheap--to sub in", "not be allowed, but to me it feels cheap--and has always felt cheap--to", "virgin or that the entire gymnastics squad may be young, but not that", "of the Olympic stadia. It's all in his mind, but what's in his", "his mind is of frank nature. Obviously, this is a work of transgression.", "always felt cheap--to sub in obvious parody names, e.g., Beck Davidham, Hussein Volt,", "these were in national publications. In this story, the narrator simply describes what", "it done in other publications, albeit differently, where the writer speaks disparagingly of", "obvious parody names, e.g., Beck Davidham, Hussein Volt, etc. But my question arises", "in obvious parody names, e.g., Beck Davidham, Hussein Volt, etc. But my question", "much I liked it. There was just one problem: the narrator mentions real", "ego, in an obviously satirical way, the narrator goes to the London Olympics", "the Minnesota Vikings a \"gang of sick junkies\" and that Al Davis had", "Vikings a \"gang of sick junkies\" and that Al Davis had lost his", "athletes. Writing from an alter ego, in an obviously satirical way, the narrator", "with an athlete, as he gets lost from his hotel on his way", "from his hotel on his way to one of the Olympic stadia. It's", "transgression. It is also obviously satirical. No person on earth would think this", "that young. He never even interacts with an athlete, as he gets lost", "would think this guy was real, or had even *been* to London. But", "place, today, in American writing? Can I get sued? Coda: I sort of", "I have seen it done in other publications, albeit differently, where the writer", "of frank nature. Obviously, this is a work of transgression. It is also", "sort of admired some of the old Russians who would simply put \\_\\_\\_\\_\\_\\_\\_", "to the Olympians; he never actually disparages the athlete themselves, except maybe to", "even interacts with an athlete, as he gets lost from his hotel on", "narrator goes to the London Olympics and tries to fuck all the athletes.", "or that the entire gymnastics squad may be young, but not that young.", "to London. But does it have a place, today, in American writing? Can", "simply put \\_\\_\\_\\_\\_\\_\\_ in place of certain people or names, as Corol did.", "Olympic stadia. It's all in his mind, but what's in his mind is", "cobwebbed virgin or that the entire gymnastics squad may be young, but not", "mind, but what's in his mind is of frank nature. Obviously, this is", "made me realize how much I liked it. There was just one problem:", "Hussein Volt, etc. But my question arises from this: I have seen it", "reading it cold made me realize how much I liked it. There was", "to the London Olympics and tries to fuck all the athletes. I quickly", "athlete, as he gets lost from his hotel on his way to one", "S. Thompson called the Minnesota Vikings a \"gang of sick junkies\" and that", "Coda: I sort of admired some of the old Russians who would simply", "interacts with an athlete, as he gets lost from his hotel on his", "would not do, sexually, to the Olympians; he never actually disparages the athlete", "but to me it feels cheap--and has always felt cheap--to sub in obvious", "satirical way, the narrator goes to the London Olympics and tries to fuck", "narrator simply describes what he would or would not do, sexually, to the", "story, the narrator simply describes what he would or would not do, sexually,", "the athletes. I quickly realized that this may not be allowed, but to", "in national publications. In this story, the narrator simply describes what he would", "even *been* to London. But does it have a place, today, in American", "entire gymnastics squad may be young, but not that young. He never even", "his mind, but what's in his mind is of frank nature. Obviously, this", "as he gets lost from his hotel on his way to one of", "on earth would think this guy was real, or had even *been* to", "had even *been* to London. But does it have a place, today, in", "was just one problem: the narrator mentions real athletes. Writing from an alter", "of admired some of the old Russians who would simply put \\_\\_\\_\\_\\_\\_\\_ in", "Al Davis had lost his mind, and these were in national publications. In", "mind is of frank nature. Obviously, this is a work of transgression. It", "he would or would not do, sexually, to the Olympians; he never actually", "who would simply put \\_\\_\\_\\_\\_\\_\\_ in place of certain people or names, as" ]
[ "Star, yet still have almost no sales? I have a book coming out", "the best reviews, it's as if the book doesn't exist! Can someone please", "into Amazon's search field, you can type \"Juggle and Hid\" (without the \"e\"", "is over a million! Anything under 10,000 is considered good. This doesn't make", "reviews, it's as if the book doesn't exist! Can someone please explain this", "of the book into Amazon's search field, you can type \"Juggle and Hid\"", "doesn't make sense to me. Even when you type the name of the", "Hide.\" It's sales rank is over a million! Anything under 10,000 is considered", "search field, you can type \"Juggle and Hid\" (without the \"e\" to complete", "word, and it STILL doesn't autopopulate that single last letter. Even with the", "Anything under 10,000 is considered good. This doesn't make sense to me. Even", "I have a book coming out in a few months, and I thought", "it's as if the book doesn't exist! Can someone please explain this to", "and it STILL doesn't autopopulate that single last letter. Even with the best", "you can type \"Juggle and Hid\" (without the \"e\" to complete the word,", "autopopulate that single last letter. Even with the best reviews, it's as if", "which I'm referring is called \"Juggle and Hide.\" It's sales rank is over", "Kirkus, and even earn a Kirkus Star, yet still have almost no sales?", "sense to me. Even when you type the name of the book into", "book into Amazon's search field, you can type \"Juggle and Hid\" (without the", "3-year-old book receive a positive rating from Kirkus, and even earn a Kirkus", "had a positive Kirkus review, I would just promote it, and put everything", "would just promote it, and put everything on rise control from there. The", "almost no sales? I have a book coming out in a few months,", "letter. Even with the best reviews, it's as if the book doesn't exist!", "promote it, and put everything on rise control from there. The book to", "Amazon's search field, you can type \"Juggle and Hid\" (without the \"e\" to", "good. This doesn't make sense to me. Even when you type the name", "on rise control from there. The book to which I'm referring is called", "if I had a positive Kirkus review, I would just promote it, and", "is considered good. This doesn't make sense to me. Even when you type", "considered good. This doesn't make sense to me. Even when you type the", "with the best reviews, it's as if the book doesn't exist! Can someone", "million! Anything under 10,000 is considered good. This doesn't make sense to me.", "book to which I'm referring is called \"Juggle and Hide.\" It's sales rank", "10,000 is considered good. This doesn't make sense to me. Even when you", "referring is called \"Juggle and Hide.\" It's sales rank is over a million!", "called \"Juggle and Hide.\" It's sales rank is over a million! Anything under", "coming out in a few months, and I thought if I had a", "I had a positive Kirkus review, I would just promote it, and put", "everything on rise control from there. The book to which I'm referring is", "just promote it, and put everything on rise control from there. The book", "Even with the best reviews, it's as if the book doesn't exist! Can", "as if the book doesn't exist! Can someone please explain this to me?", "Kirkus Star, yet still have almost no sales? I have a book coming", "a million! Anything under 10,000 is considered good. This doesn't make sense to", "the name of the book into Amazon's search field, you can type \"Juggle", "It's sales rank is over a million! Anything under 10,000 is considered good.", "can type \"Juggle and Hid\" (without the \"e\" to complete the word, and", "under 10,000 is considered good. This doesn't make sense to me. Even when", "review, I would just promote it, and put everything on rise control from", "and Hide.\" It's sales rank is over a million! Anything under 10,000 is", "a book coming out in a few months, and I thought if I", "over a million! Anything under 10,000 is considered good. This doesn't make sense", "field, you can type \"Juggle and Hid\" (without the \"e\" to complete the", "The book to which I'm referring is called \"Juggle and Hide.\" It's sales", "the \"e\" to complete the word, and it STILL doesn't autopopulate that single", "a few months, and I thought if I had a positive Kirkus review,", "positive rating from Kirkus, and even earn a Kirkus Star, yet still have", "book receive a positive rating from Kirkus, and even earn a Kirkus Star,", "have a book coming out in a few months, and I thought if", "to complete the word, and it STILL doesn't autopopulate that single last letter.", "and I thought if I had a positive Kirkus review, I would just", "a 3-year-old book receive a positive rating from Kirkus, and even earn a", "in a few months, and I thought if I had a positive Kirkus", "the word, and it STILL doesn't autopopulate that single last letter. Even with", "that single last letter. Even with the best reviews, it's as if the", "Even when you type the name of the book into Amazon's search field,", "the book into Amazon's search field, you can type \"Juggle and Hid\" (without", "Hid\" (without the \"e\" to complete the word, and it STILL doesn't autopopulate", "put everything on rise control from there. The book to which I'm referring", "earn a Kirkus Star, yet still have almost no sales? I have a", "a Kirkus Star, yet still have almost no sales? I have a book", "can a 3-year-old book receive a positive rating from Kirkus, and even earn", "it STILL doesn't autopopulate that single last letter. Even with the best reviews,", "(without the \"e\" to complete the word, and it STILL doesn't autopopulate that", "I'm referring is called \"Juggle and Hide.\" It's sales rank is over a", "me. Even when you type the name of the book into Amazon's search", "\"Juggle and Hide.\" It's sales rank is over a million! Anything under 10,000", "This doesn't make sense to me. Even when you type the name of", "out in a few months, and I thought if I had a positive", "last letter. Even with the best reviews, it's as if the book doesn't", "sales rank is over a million! Anything under 10,000 is considered good. This", "sales? I have a book coming out in a few months, and I", "to which I'm referring is called \"Juggle and Hide.\" It's sales rank is", "there. The book to which I'm referring is called \"Juggle and Hide.\" It's", "positive Kirkus review, I would just promote it, and put everything on rise", "few months, and I thought if I had a positive Kirkus review, I", "\"Juggle and Hid\" (without the \"e\" to complete the word, and it STILL", "type \"Juggle and Hid\" (without the \"e\" to complete the word, and it", "and Hid\" (without the \"e\" to complete the word, and it STILL doesn't", "a positive rating from Kirkus, and even earn a Kirkus Star, yet still", "to me. Even when you type the name of the book into Amazon's", "rise control from there. The book to which I'm referring is called \"Juggle", "make sense to me. Even when you type the name of the book", "How can a 3-year-old book receive a positive rating from Kirkus, and even", "when you type the name of the book into Amazon's search field, you", "and put everything on rise control from there. The book to which I'm", "you type the name of the book into Amazon's search field, you can", "and even earn a Kirkus Star, yet still have almost no sales? I", "I thought if I had a positive Kirkus review, I would just promote", "is called \"Juggle and Hide.\" It's sales rank is over a million! Anything", "thought if I had a positive Kirkus review, I would just promote it,", "yet still have almost no sales? I have a book coming out in", "STILL doesn't autopopulate that single last letter. Even with the best reviews, it's", "from Kirkus, and even earn a Kirkus Star, yet still have almost no", "doesn't autopopulate that single last letter. Even with the best reviews, it's as", "from there. The book to which I'm referring is called \"Juggle and Hide.\"", "best reviews, it's as if the book doesn't exist! Can someone please explain", "name of the book into Amazon's search field, you can type \"Juggle and", "\"e\" to complete the word, and it STILL doesn't autopopulate that single last", "even earn a Kirkus Star, yet still have almost no sales? I have", "a positive Kirkus review, I would just promote it, and put everything on", "book coming out in a few months, and I thought if I had", "no sales? I have a book coming out in a few months, and", "type the name of the book into Amazon's search field, you can type", "I would just promote it, and put everything on rise control from there.", "control from there. The book to which I'm referring is called \"Juggle and", "months, and I thought if I had a positive Kirkus review, I would", "still have almost no sales? I have a book coming out in a", "rating from Kirkus, and even earn a Kirkus Star, yet still have almost", "it, and put everything on rise control from there. The book to which", "single last letter. Even with the best reviews, it's as if the book", "have almost no sales? I have a book coming out in a few", "Kirkus review, I would just promote it, and put everything on rise control", "rank is over a million! Anything under 10,000 is considered good. This doesn't", "complete the word, and it STILL doesn't autopopulate that single last letter. Even", "receive a positive rating from Kirkus, and even earn a Kirkus Star, yet" ]
[ "it has all of the elements in practice, the colour and fluency feel", "away from my internal voice. Whilst it has all of the elements in", "hack that anyone uses to help bring the final product closer to the", "my typeset manuscript and re-reading the book, I'm aware that it sounds very", "aware that it sounds very far away from my internal voice. Whilst it", "I'm aware that it sounds very far away from my internal voice. Whilst", "sounds very far away from my internal voice. Whilst it has all of", "anyone uses to help bring the final product closer to the original dream?", "has all of the elements in practice, the colour and fluency feel strained.", "typeset manuscript and re-reading the book, I'm aware that it sounds very far", "internal voice. Whilst it has all of the elements in practice, the colour", "practice or hack that anyone uses to help bring the final product closer", "and re-reading the book, I'm aware that it sounds very far away from", "strained. Is there a practice or hack that anyone uses to help bring", "far away from my internal voice. Whilst it has all of the elements", "practice, the colour and fluency feel strained. Is there a practice or hack", "Is there a practice or hack that anyone uses to help bring the", "all of the elements in practice, the colour and fluency feel strained. Is", "or hack that anyone uses to help bring the final product closer to", "approved my typeset manuscript and re-reading the book, I'm aware that it sounds", "the book, I'm aware that it sounds very far away from my internal", "that anyone uses to help bring the final product closer to the original", "from my internal voice. Whilst it has all of the elements in practice,", "colour and fluency feel strained. Is there a practice or hack that anyone", "very far away from my internal voice. Whilst it has all of the", "re-reading the book, I'm aware that it sounds very far away from my", "fluency feel strained. Is there a practice or hack that anyone uses to", "Whilst it has all of the elements in practice, the colour and fluency", "that it sounds very far away from my internal voice. Whilst it has", "manuscript and re-reading the book, I'm aware that it sounds very far away", "the elements in practice, the colour and fluency feel strained. Is there a", "book, I'm aware that it sounds very far away from my internal voice.", "of the elements in practice, the colour and fluency feel strained. Is there", "and fluency feel strained. Is there a practice or hack that anyone uses", "there a practice or hack that anyone uses to help bring the final", "I've just approved my typeset manuscript and re-reading the book, I'm aware that", "voice. Whilst it has all of the elements in practice, the colour and", "it sounds very far away from my internal voice. Whilst it has all", "in practice, the colour and fluency feel strained. Is there a practice or", "elements in practice, the colour and fluency feel strained. Is there a practice", "feel strained. Is there a practice or hack that anyone uses to help", "the colour and fluency feel strained. Is there a practice or hack that", "a practice or hack that anyone uses to help bring the final product", "just approved my typeset manuscript and re-reading the book, I'm aware that it", "my internal voice. Whilst it has all of the elements in practice, the" ]
[ "to make it easier for myself and others to come up with titles.", "a sci-fi story. (verb or adj.) in (the) (setting)of (setting) Example: Lost in", "others to come up with titles. I am in need of advice to", "up with titles. I am in need of advice to tell me whether", "to tell me whether or not if it is a good system for", "tell me whether or not if it is a good system for coming", "and others to come up with titles. I am in need of advice", "come up with titles. I am in need of advice to tell me", "in need of advice to tell me whether or not if it is", "need of advice to tell me whether or not if it is a", "for a sci-fi story. (verb or adj.) in (the) (setting)of (setting) Example: Lost", "advice to tell me whether or not if it is a good system", "I have come up with a way to make it easier for myself", "whether or not if it is a good system for coming up with", "titles. I am in need of advice to tell me whether or not", "a good system for coming up with a title for a sci-fi story.", "title for a sci-fi story. (verb or adj.) in (the) (setting)of (setting) Example:", "myself and others to come up with titles. I am in need of", "with a way to make it easier for myself and others to come", "coming up with a title for a sci-fi story. (verb or adj.) in", "have come up with a way to make it easier for myself and", "or adj.) in (the) (setting)of (setting) Example: Lost in the Jungles of Venus", "with a title for a sci-fi story. (verb or adj.) in (the) (setting)of", "for myself and others to come up with titles. I am in need", "make it easier for myself and others to come up with titles. I", "come up with a way to make it easier for myself and others", "or not if it is a good system for coming up with a", "is a good system for coming up with a title for a sci-fi", "easier for myself and others to come up with titles. I am in", "with titles. I am in need of advice to tell me whether or", "story. (verb or adj.) in (the) (setting)of (setting) Example: Lost in the Jungles", "a way to make it easier for myself and others to come up", "a title for a sci-fi story. (verb or adj.) in (the) (setting)of (setting)", "sci-fi story. (verb or adj.) in (the) (setting)of (setting) Example: Lost in the", "it easier for myself and others to come up with titles. I am", "up with a way to make it easier for myself and others to", "system for coming up with a title for a sci-fi story. (verb or", "am in need of advice to tell me whether or not if it", "of advice to tell me whether or not if it is a good", "for coming up with a title for a sci-fi story. (verb or adj.)", "me whether or not if it is a good system for coming up", "good system for coming up with a title for a sci-fi story. (verb", "not if it is a good system for coming up with a title", "to come up with titles. I am in need of advice to tell", "I am in need of advice to tell me whether or not if", "(verb or adj.) in (the) (setting)of (setting) Example: Lost in the Jungles of", "if it is a good system for coming up with a title for", "up with a title for a sci-fi story. (verb or adj.) in (the)", "way to make it easier for myself and others to come up with", "it is a good system for coming up with a title for a" ]
[ "she is released from the hospital. It's a blank for me, and my", "beyond that. Like, how long does someone in her situation remain in the", "the hospital in the ambulance, but I don't know much of anything beyond", "when she is released from the hospital. It's a blank for me, and", "most normal or logical for that situation. The trouble is, my google research", "with concussions in car accident victims? I've figured out that she'll most likely", "I'm including a scene near the beginning of my novel that involves a", "that situation. The trouble is, my google research on the subject isn't turning", "correctly to turn up the right results. So, my question is this: What", "accident, she received a concussion, though little else in the way of injuries.", "in her situation remain in the hospital? What medications and such would she", "would she be given? What tests and such would need to be run?", "situation. The trouble is, my google research on the subject isn't turning out", "frustrating me about the subject, so I figured it would be better to", "else in the way of injuries. Honestly, the concussion is my goal; anything", "likely be riding to the hospital in the ambulance, but I don't know", "subject isn't turning out very well because I can't quite figure out how", "are the basic hospital procedures for dealing with concussions in car accident victims?", "is my goal; anything else injury-related is just going to be what turns", "about the subject, so I figured it would be better to ask people,", "out the most normal or logical for that situation. The trouble is, my", "a scene near the beginning of my novel that involves a small car", "someone in her situation remain in the hospital? What medications and such would", "in the hospital? What medications and such would she be given? What tests", "in the ambulance, but I don't know much of anything beyond that. Like,", "the basic hospital procedures for dealing with concussions in car accident victims? I've", "of injuries. Honestly, the concussion is my goal; anything else injury-related is just", "trouble is, my google research on the subject isn't turning out very well", "the ambulance, but I don't know much of anything beyond that. Like, how", "about what happens from when they arrive on the scene to when she", "well because I can't quite figure out how to word my questions correctly", "can't quite figure out how to word my questions correctly to turn up", "when they arrive on the scene to when she is released from the", "scene near the beginning of my novel that involves a small car accident.", "involves a small car accident. The character was not the driver, but in", "figured out that she'll most likely be riding to the hospital in the", "me, and my google research has been frustrating me about the subject, so", "from when they arrive on the scene to when she is released from", "is this: What are the basic hospital procedures for dealing with concussions in", "turn up the right results. So, my question is this: What are the", "remain in the hospital? What medications and such would she be given? What", "she be given? What tests and such would need to be run? I", "to when she is released from the hospital. It's a blank for me,", "on the subject isn't turning out very well because I can't quite figure", "that she'll most likely be riding to the hospital in the ambulance, but", "she received a concussion, though little else in the way of injuries. Honestly,", "be what turns out the most normal or logical for that situation. The", "goal; anything else injury-related is just going to be what turns out the", "concussion, though little else in the way of injuries. Honestly, the concussion is", "character was not the driver, but in the accident, she received a concussion,", "of my novel that involves a small car accident. The character was not", "victims? I've figured out that she'll most likely be riding to the hospital", "hospital in the ambulance, but I don't know much of anything beyond that.", "they arrive on the scene to when she is released from the hospital.", "in the accident, she received a concussion, though little else in the way", "a small car accident. The character was not the driver, but in the", "don't know much of anything beyond that. Like, how long does someone in", "happens from when they arrive on the scene to when she is released", "research has been frustrating me about the subject, so I figured it would", "What medications and such would she be given? What tests and such would", "anything else injury-related is just going to be what turns out the most", "received a concussion, though little else in the way of injuries. Honestly, the", "for that situation. The trouble is, my google research on the subject isn't", "from the hospital. It's a blank for me, and my google research has", "my goal; anything else injury-related is just going to be what turns out", "the subject isn't turning out very well because I can't quite figure out", "quite figure out how to word my questions correctly to turn up the", "long does someone in her situation remain in the hospital? What medications and", "for dealing with concussions in car accident victims? I've figured out that she'll", "because I can't quite figure out how to word my questions correctly to", "my google research on the subject isn't turning out very well because I", "a concussion, though little else in the way of injuries. Honestly, the concussion", "basic hospital procedures for dealing with concussions in car accident victims? I've figured", "she'll most likely be riding to the hospital in the ambulance, but I", "car accident. The character was not the driver, but in the accident, she", "all about what happens from when they arrive on the scene to when", "the scene to when she is released from the hospital. It's a blank", "but in the accident, she received a concussion, though little else in the", "the accident, she received a concussion, though little else in the way of", "Like, how long does someone in her situation remain in the hospital? What", "was not the driver, but in the accident, she received a concussion, though", "arrive on the scene to when she is released from the hospital. It's", "beginning of my novel that involves a small car accident. The character was", "ambulance, but I don't know much of anything beyond that. Like, how long", "to be run? I literally don't know much at all about what happens", "tests and such would need to be run? I literally don't know much", "word my questions correctly to turn up the right results. So, my question", "to be what turns out the most normal or logical for that situation.", "including a scene near the beginning of my novel that involves a small", "and my google research has been frustrating me about the subject, so I", "procedures for dealing with concussions in car accident victims? I've figured out that", "in car accident victims? I've figured out that she'll most likely be riding", "me about the subject, so I figured it would be better to ask", "in the way of injuries. Honestly, the concussion is my goal; anything else", "turns out the most normal or logical for that situation. The trouble is,", "medications and such would she be given? What tests and such would need", "my novel that involves a small car accident. The character was not the", "I've figured out that she'll most likely be riding to the hospital in", "out very well because I can't quite figure out how to word my", "questions correctly to turn up the right results. So, my question is this:", "turning out very well because I can't quite figure out how to word", "know much of anything beyond that. Like, how long does someone in her", "What tests and such would need to be run? I literally don't know", "the hospital? What medications and such would she be given? What tests and", "given? What tests and such would need to be run? I literally don't", "logical for that situation. The trouble is, my google research on the subject", "how long does someone in her situation remain in the hospital? What medications", "right results. So, my question is this: What are the basic hospital procedures", "been frustrating me about the subject, so I figured it would be better", "near the beginning of my novel that involves a small car accident. The", "So, my question is this: What are the basic hospital procedures for dealing", "be riding to the hospital in the ambulance, but I don't know much", "such would need to be run? I literally don't know much at all", "very well because I can't quite figure out how to word my questions", "injuries. Honestly, the concussion is my goal; anything else injury-related is just going", "to the hospital in the ambulance, but I don't know much of anything", "that involves a small car accident. The character was not the driver, but", "though little else in the way of injuries. Honestly, the concussion is my", "this: What are the basic hospital procedures for dealing with concussions in car", "a blank for me, and my google research has been frustrating me about", "isn't turning out very well because I can't quite figure out how to", "situation remain in the hospital? What medications and such would she be given?", "for me, and my google research has been frustrating me about the subject,", "The trouble is, my google research on the subject isn't turning out very", "my google research has been frustrating me about the subject, so I figured", "know much at all about what happens from when they arrive on the", "does someone in her situation remain in the hospital? What medications and such", "the concussion is my goal; anything else injury-related is just going to be", "Honestly, the concussion is my goal; anything else injury-related is just going to", "is just going to be what turns out the most normal or logical", "my question is this: What are the basic hospital procedures for dealing with", "the beginning of my novel that involves a small car accident. The character", "or logical for that situation. The trouble is, my google research on the", "much at all about what happens from when they arrive on the scene", "small car accident. The character was not the driver, but in the accident,", "what turns out the most normal or logical for that situation. The trouble", "and such would need to be run? I literally don't know much at", "would need to be run? I literally don't know much at all about", "The character was not the driver, but in the accident, she received a", "hospital. It's a blank for me, and my google research has been frustrating", "I can't quite figure out how to word my questions correctly to turn", "the most normal or logical for that situation. The trouble is, my google", "car accident victims? I've figured out that she'll most likely be riding to", "such would she be given? What tests and such would need to be", "her situation remain in the hospital? What medications and such would she be", "just going to be what turns out the most normal or logical for", "concussion is my goal; anything else injury-related is just going to be what", "what happens from when they arrive on the scene to when she is", "run? I literally don't know much at all about what happens from when", "going to be what turns out the most normal or logical for that", "driver, but in the accident, she received a concussion, though little else in", "is, my google research on the subject isn't turning out very well because", "the way of injuries. Honestly, the concussion is my goal; anything else injury-related", "hospital procedures for dealing with concussions in car accident victims? I've figured out", "not the driver, but in the accident, she received a concussion, though little", "is released from the hospital. It's a blank for me, and my google", "and such would she be given? What tests and such would need to", "be given? What tests and such would need to be run? I literally", "of anything beyond that. Like, how long does someone in her situation remain", "hospital? What medications and such would she be given? What tests and such", "What are the basic hospital procedures for dealing with concussions in car accident", "accident victims? I've figured out that she'll most likely be riding to the", "but I don't know much of anything beyond that. Like, how long does", "my questions correctly to turn up the right results. So, my question is", "at all about what happens from when they arrive on the scene to", "I don't know much of anything beyond that. Like, how long does someone", "It's a blank for me, and my google research has been frustrating me", "the right results. So, my question is this: What are the basic hospital", "most likely be riding to the hospital in the ambulance, but I don't", "much of anything beyond that. Like, how long does someone in her situation", "to turn up the right results. So, my question is this: What are", "results. So, my question is this: What are the basic hospital procedures for", "little else in the way of injuries. Honestly, the concussion is my goal;", "way of injuries. Honestly, the concussion is my goal; anything else injury-related is", "need to be run? I literally don't know much at all about what", "released from the hospital. It's a blank for me, and my google research", "blank for me, and my google research has been frustrating me about the", "question is this: What are the basic hospital procedures for dealing with concussions", "I literally don't know much at all about what happens from when they", "out that she'll most likely be riding to the hospital in the ambulance,", "literally don't know much at all about what happens from when they arrive", "how to word my questions correctly to turn up the right results. So,", "up the right results. So, my question is this: What are the basic", "accident. The character was not the driver, but in the accident, she received", "research on the subject isn't turning out very well because I can't quite", "concussions in car accident victims? I've figured out that she'll most likely be", "out how to word my questions correctly to turn up the right results.", "don't know much at all about what happens from when they arrive on", "google research on the subject isn't turning out very well because I can't", "else injury-related is just going to be what turns out the most normal", "anything beyond that. Like, how long does someone in her situation remain in", "be run? I literally don't know much at all about what happens from", "scene to when she is released from the hospital. It's a blank for", "novel that involves a small car accident. The character was not the driver,", "the subject, so I figured it would be better to ask people, instead.", "the hospital. It's a blank for me, and my google research has been", "google research has been frustrating me about the subject, so I figured it", "on the scene to when she is released from the hospital. It's a", "riding to the hospital in the ambulance, but I don't know much of", "the driver, but in the accident, she received a concussion, though little else", "has been frustrating me about the subject, so I figured it would be", "dealing with concussions in car accident victims? I've figured out that she'll most", "to word my questions correctly to turn up the right results. So, my", "figure out how to word my questions correctly to turn up the right", "that. Like, how long does someone in her situation remain in the hospital?", "normal or logical for that situation. The trouble is, my google research on", "injury-related is just going to be what turns out the most normal or" ]
[ "know about it. Then I try and research the details. But how do", "have this system where I get some general Idea for a \"thing\" and", "and research the details. But how do I get information like that, but", "research the details. But how do I get information like that, but simplified?", "write about how much I already know about it. Then I try and", "about how much I already know about it. Then I try and research", "to google, yes, but how to get proper intel. I have this system", "where I get some general Idea for a \"thing\" and write about how", "try and research the details. But how do I get information like that,", "how to get proper intel. I have this system where I get some", "proper intel. I have this system where I get some general Idea for", "how much I already know about it. Then I try and research the", "correct information when looking something up for reference? I would go to google,", "something up for reference? I would go to google, yes, but how to", "I already know about it. Then I try and research the details. But", "general Idea for a \"thing\" and write about how much I already know", "and write about how much I already know about it. Then I try", "this system where I get some general Idea for a \"thing\" and write", "system where I get some general Idea for a \"thing\" and write about", "get some general Idea for a \"thing\" and write about how much I", "go to google, yes, but how to get proper intel. I have this", "intel. I have this system where I get some general Idea for a", "google, yes, but how to get proper intel. I have this system where", "reference? I would go to google, yes, but how to get proper intel.", "\"thing\" and write about how much I already know about it. Then I", "looking something up for reference? I would go to google, yes, but how", "it. Then I try and research the details. But how do I get", "information when looking something up for reference? I would go to google, yes,", "I get some general Idea for a \"thing\" and write about how much", "I try and research the details. But how do I get information like", "for a \"thing\" and write about how much I already know about it.", "but how to get proper intel. I have this system where I get", "I have this system where I get some general Idea for a \"thing\"", "would go to google, yes, but how to get proper intel. I have", "about it. Then I try and research the details. But how do I", "some general Idea for a \"thing\" and write about how much I already", "for reference? I would go to google, yes, but how to get proper", "I get correct information when looking something up for reference? I would go", "when looking something up for reference? I would go to google, yes, but", "to get proper intel. I have this system where I get some general", "Idea for a \"thing\" and write about how much I already know about", "get correct information when looking something up for reference? I would go to", "How do I get correct information when looking something up for reference? I", "already know about it. Then I try and research the details. But how", "I would go to google, yes, but how to get proper intel. I", "Then I try and research the details. But how do I get information", "up for reference? I would go to google, yes, but how to get", "do I get correct information when looking something up for reference? I would", "yes, but how to get proper intel. I have this system where I", "much I already know about it. Then I try and research the details.", "a \"thing\" and write about how much I already know about it. Then", "get proper intel. I have this system where I get some general Idea" ]
[ "keep a track of the Daily Word Count? i.e. if I have a", "of the Daily Word Count? i.e. if I have a target of 500", "Daily Word Count? i.e. if I have a target of 500 Words/day for", "a Daily Word Count to ensure that I'm on par with my Daily", "do I keep a track of the Daily Word Count? i.e. if I", "track of the Daily Word Count? i.e. if I have a target of", "a track of the Daily Word Count? i.e. if I have a target", "target of 500 Words/day for 5 days, how can I keep a Daily", "I keep a Daily Word Count to ensure that I'm on par with", "I have a target of 500 Words/day for 5 days, how can I", "500 Words/day for 5 days, how can I keep a Daily Word Count", "can I keep a Daily Word Count to ensure that I'm on par", "of 500 Words/day for 5 days, how can I keep a Daily Word", "Count? i.e. if I have a target of 500 Words/day for 5 days,", "How do I keep a track of the Daily Word Count? i.e. if", "days, how can I keep a Daily Word Count to ensure that I'm", "if I have a target of 500 Words/day for 5 days, how can", "how can I keep a Daily Word Count to ensure that I'm on", "Word Count? i.e. if I have a target of 500 Words/day for 5", "a target of 500 Words/day for 5 days, how can I keep a", "have a target of 500 Words/day for 5 days, how can I keep", "5 days, how can I keep a Daily Word Count to ensure that", "i.e. if I have a target of 500 Words/day for 5 days, how", "I keep a track of the Daily Word Count? i.e. if I have", "keep a Daily Word Count to ensure that I'm on par with my", "Daily Word Count to ensure that I'm on par with my Daily Target?", "Words/day for 5 days, how can I keep a Daily Word Count to", "for 5 days, how can I keep a Daily Word Count to ensure", "the Daily Word Count? i.e. if I have a target of 500 Words/day" ]
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But my mental health issues seem", "that blog who would be willing to read my posts and comment on", "be willing to read my posts and comment on them so that I", "readers for that blog who would be willing to read my posts and", "seems to be very tricky to find … What are your thoughts on", "depression. I am going to therapy and I am also visiting a self-help", "like to reveal my story anonymously to the public. Therefore, I thought about", "I can find readers for that blog who would be willing to read", "open up a Facebook page and post every link to my latest blog", "I could open up a Facebook page and post every link to my", "find readers for that blog who would be willing to read my posts", "Of course, I could open up a Facebook page and post every link", "how can I build a “fan base” there? To whom shall I talk", "I have been suffering from depression. I am going to therapy and I", "arises. 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This “target group” seems to be very tricky", "comment on them so that I can get a lot more input via", "also visiting a self-help group on a regular basis. But my mental health", "visiting a self-help group on a regular basis. But my mental health issues", "I thought about establishing a WordPress blog or something like that. Here, however,", "problem arises. I don’t know where I can find readers for that blog", "thought about establishing a WordPress blog or something like that. Here, however, my", "group” seems to be very tricky to find … What are your thoughts", "am going to therapy and I am also visiting a self-help group on", "For years, now, I have been suffering from depression. I am going to", "can find readers for that blog who would be willing to read my", "can I find a group of people who are interested in listening and", "regular basis. But my mental health issues seem to be so complex that", "a group of people who are interested in listening and commenting to these", "Internet than just by going to therapy and self-help groups. Where can I", "and commenting to these texts? What are their characteristics? Of course, I could", "group of people who are interested in listening and commenting to these texts?", "group on a regular basis. But my mental health issues seem to be", "like that. Here, however, my problem arises. I don’t know where I can", "a regular basis. But my mental health issues seem to be so complex", "that. Here, however, my problem arises. I don’t know where I can find", "to be so complex that I would like to reveal my story anonymously", "input via the Internet than just by going to therapy and self-help groups.", "where I can find readers for that blog who would be willing to", "of people who are interested in listening and commenting to these texts? 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But my mental health issues seem to be so complex that I", "my latest blog post there, but how can I build a “fan base”", "my mental health issues seem to be so complex that I would like", "I can get a lot more input via the Internet than just by", "going to therapy and I am also visiting a self-help group on a", "To whom shall I talk to on Facebook or similar platforms? This “target", "lot more input via the Internet than just by going to therapy and", "commenting to these texts? What are their characteristics? Of course, I could open", "Where can I find a group of people who are interested in listening", "seem to be so complex that I would like to reveal my story", "complex that I would like to reveal my story anonymously to the public.", "to on Facebook or similar platforms? This “target group” seems to be very", "or similar platforms? This “target group” seems to be very tricky to find", "I talk to on Facebook or similar platforms? 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This “target group” seems to be very tricky to", "willing to read my posts and comment on them so that I can", "than just by going to therapy and self-help groups. Where can I find", "anonymously to the public. Therefore, I thought about establishing a WordPress blog or", "and self-help groups. Where can I find a group of people who are", "am also visiting a self-help group on a regular basis. But my mental", "there, but how can I build a “fan base” there? To whom shall", "so that I can get a lot more input via the Internet than", "post every link to my latest blog post there, but how can I", "find a group of people who are interested in listening and commenting to", "there? To whom shall I talk to on Facebook or similar platforms? This", "blog who would be willing to read my posts and comment on them", "I am going to therapy and I am also visiting a self-help group", "to therapy and I am also visiting a self-help group on a regular", "by going to therapy and self-help groups. 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To whom", "health issues seem to be so complex that I would like to reveal", "suffering from depression. I am going to therapy and I am also visiting", "shall I talk to on Facebook or similar platforms? This “target group” seems", "mental health issues seem to be so complex that I would like to", "on a regular basis. But my mental health issues seem to be so", "to read my posts and comment on them so that I can get", "and comment on them so that I can get a lot more input", "can get a lot more input via the Internet than just by going", "a lot more input via the Internet than just by going to therapy", "blog post there, but how can I build a “fan base” there? To", "about establishing a WordPress blog or something like that. Here, however, my problem", "page and post every link to my latest blog post there, but how", "from depression. I am going to therapy and I am also visiting a", "them so that I can get a lot more input via the Internet", "that I can get a lot more input via the Internet than just", "I build a “fan base” there? To whom shall I talk to on", "“target group” seems to be very tricky to find … What are your", "whom shall I talk to on Facebook or similar platforms? This “target group”", "But my mental health issues seem to be so complex that I would", "platforms? This “target group” seems to be very tricky to find … What", "my problem arises. I don’t know where I can find readers for that", "“fan base” there? To whom shall I talk to on Facebook or similar", "to the public. Therefore, I thought about establishing a WordPress blog or something", "the public. Therefore, I thought about establishing a WordPress blog or something like", "blog or something like that. Here, however, my problem arises. I don’t know", "self-help groups. Where can I find a group of people who are interested", "reveal my story anonymously to the public. Therefore, I thought about establishing a", "and I am also visiting a self-help group on a regular basis. But", "Here, however, my problem arises. I don’t know where I can find readers", "are their characteristics? Of course, I could open up a Facebook page and", "a Facebook page and post every link to my latest blog post there,", "their characteristics? Of course, I could open up a Facebook page and post", "my posts and comment on them so that I can get a lot", "course, I could open up a Facebook page and post every link to" ]
[ "but I wanted to add some substance to the question, as the question", "Journalism has always been a field that is benefited from apprenticeships -- regardless", "is to say that someone with a degree in classical music is prepared", "greatest journalists and golden ages, the best writers were without degrees in journalism;", "a field that is benefited from apprenticeships -- regardless of your degree in", "acquire sources, etc.; simply a BA in any field -- this is to", "What is even more interesting is that some require no degree that proves", "is prepared to interview Iraqi freedom fighters on the front lines in Syria", "this is far too much of a rant than it is a question,", "were without degrees at all. I find it interesting that Geirwa Arwill would", "and golden ages, the best writers were without degrees in journalism; and quite", "benefited from apprenticeships -- regardless of your degree in university (specifically one that", "journalism; and quite a few more were without degrees at all. I find", "of a rant than it is a question, but I wanted to add", "in any field -- this is to say that someone with a degree", "past their face, much like Buj Anwulsok of Vice, but an ex-military person", "prepared to interview Iraqi freedom fighters on the front lines in Syria while", "looking at jobs from journalism(dot)com, it seems to be invariably a requisite. What", "unable to find a job at any newspaper, including local ones without much", "what I'm writing. Perhaps your rebukes will be of some use. Thank you.", "would be unable to find a job at any newspaper, including local ones", "ages, the best writers were without degrees in journalism; and quite a few", "sources, etc.; simply a BA in any field -- this is to say", "might have actually fought in M.E. wars is not. Journalism has always been", "it showing some level of determination and integrity. (This, of all of the", "the greatest journalists and golden ages, the best writers were without degrees in", "a job at any newspaper, including local ones without much in the way", "all of the arguments, is the silliest; everyone who has been to college,", "degrees in journalism; and quite a few more were without degrees at all.", "fought in M.E. wars is not. Journalism has always been a field that", "say that someone with a degree in classical music is prepared to interview", "has always been a field that is benefited from apprenticeships -- regardless of", "at all. I find it interesting that Geirwa Arwill would be unable to", "who might have actually fought in M.E. wars is not. Journalism has always", "from journalism(dot)com, it seems to be invariably a requisite. What is even more", "way of circulation. Some people, including the late Christopher Hitchens, say that it's", "rant than it is a question, but I wanted to add some substance", "that someone with a degree in classical music is prepared to interview Iraqi", "invariably a requisite. What is even more interesting is that some require no", "substance to the question, as the question is personal to what I'm writing.", "the response from SE. At the time of the 20th century, a time", "M.E. wars is not. Journalism has always been a field that is benefited", "stock arguments, e.g., about it showing some level of determination and integrity. (This,", "time of the 20th century, a time with some of the greatest journalists", "at any newspaper, including local ones without much in the way of circulation.", "to writing in general), nothing prepares you for overseas war-time journalism. I've read", "the late Christopher Hitchens, say that it's unnecessary; but looking at jobs from", "that proves your ability to write, interview, acquire sources, etc.; simply a BA", "while having sniper bullets wizzing past their face, much like Buj Anwulsok of", "Iraqi freedom fighters on the front lines in Syria while having sniper bullets", "in M.E. wars is not. Journalism has always been a field that is", "with some of the greatest journalists and golden ages, the best writers were", "interview, acquire sources, etc.; simply a BA in any field -- this is", "about it showing some level of determination and integrity. 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I suppose this is far too much of a", "the stock arguments, e.g., about it showing some level of determination and integrity.", "been to college, or knows college students, knows that they are often times", "asked dozens and dozens of people similar questions, but I am interested to", "having sniper bullets wizzing past their face, much like Buj Anwulsok of Vice,", "and dozens of people similar questions, but I am interested to hear the", "of all of the arguments, is the silliest; everyone who has been to", "students, knows that they are often times the laziest of people, and are", "people similar questions, but I am interested to hear the response from SE.", "your ability to write, interview, acquire sources, etc.; simply a BA in any", "a question, but I wanted to add some substance to the question, as", "pertains nothing to writing in general), nothing prepares you for overseas war-time journalism.", "you for overseas war-time journalism. I've read the stock arguments, e.g., about it", "your degree in university (specifically one that pertains nothing to writing in general),", "I suppose this is far too much of a rant than it is", "face, much like Buj Anwulsok of Vice, but an ex-military person who might", "write, interview, acquire sources, etc.; simply a BA in any field -- this", "degree that proves your ability to write, interview, acquire sources, etc.; simply a", "apprenticeships -- regardless of your degree in university (specifically one that pertains nothing", "silliest; everyone who has been to college, or knows college students, knows that", "to say that someone with a degree in classical music is prepared to", "no degree that proves your ability to write, interview, acquire sources, etc.; simply", "too much of a rant than it is a question, but I wanted", "but an ex-military person who might have actually fought in M.E. wars is", "aware of the parties, cramming, and ignoring of any discipline.) I suppose this", "lines in Syria while having sniper bullets wizzing past their face, much like", "a rant than it is a question, but I wanted to add some", "that they are often times the laziest of people, and are aware of", "more interesting is that some require no degree that proves your ability to", "seems to be invariably a requisite. What is even more interesting is that", "general), nothing prepares you for overseas war-time journalism. I've read the stock arguments,", "field -- this is to say that someone with a degree in classical", "the parties, cramming, and ignoring of any discipline.) I suppose this is far", "for overseas war-time journalism. I've read the stock arguments, e.g., about it showing", "some require no degree that proves your ability to write, interview, acquire sources,", "college students, knows that they are often times the laziest of people, and", "in the way of circulation. Some people, including the late Christopher Hitchens, say", "knows college students, knows that they are often times the laziest of people,", "person who might have actually fought in M.E. wars is not. Journalism has", "journalists and golden ages, the best writers were without degrees in journalism; and", "require no degree that proves your ability to write, interview, acquire sources, etc.;", "people, and are aware of the parties, cramming, and ignoring of any discipline.)", "is that some require no degree that proves your ability to write, interview,", "and ignoring of any discipline.) I suppose this is far too much of", "the silliest; everyone who has been to college, or knows college students, knows", "is personal to what I'm writing. Perhaps your rebukes will be of some", "of the parties, cramming, and ignoring of any discipline.) I suppose this is", "determination and integrity. (This, of all of the arguments, is the silliest; everyone", "Anwulsok of Vice, but an ex-military person who might have actually fought in", "At the time of the 20th century, a time with some of the", "at jobs from journalism(dot)com, it seems to be invariably a requisite. What is", "it seems to be invariably a requisite. What is even more interesting is", "of Vice, but an ex-military person who might have actually fought in M.E.", "ability to write, interview, acquire sources, etc.; simply a BA in any field", "an ex-military person who might have actually fought in M.E. wars is not.", "Vice, but an ex-military person who might have actually fought in M.E. wars", "Geirwa Arwill would be unable to find a job at any newspaper, including", "find a job at any newspaper, including local ones without much in the", "without much in the way of circulation. Some people, including the late Christopher", "ex-military person who might have actually fought in M.E. wars is not. Journalism", "university (specifically one that pertains nothing to writing in general), nothing prepares you", "showing some level of determination and integrity. (This, of all of the arguments,", "proves your ability to write, interview, acquire sources, etc.; simply a BA in", "Arwill would be unable to find a job at any newspaper, including local", "freedom fighters on the front lines in Syria while having sniper bullets wizzing", "the time of the 20th century, a time with some of the greatest", "cramming, and ignoring of any discipline.) I suppose this is far too much", "degrees at all. I find it interesting that Geirwa Arwill would be unable", "the question is personal to what I'm writing. Perhaps your rebukes will be", "without degrees in journalism; and quite a few more were without degrees at", "even more interesting is that some require no degree that proves your ability", "sniper bullets wizzing past their face, much like Buj Anwulsok of Vice, but", "it interesting that Geirwa Arwill would be unable to find a job at", "to hear the response from SE. At the time of the 20th century,", "regardless of your degree in university (specifically one that pertains nothing to writing", "parties, cramming, and ignoring of any discipline.) I suppose this is far too", "much in the way of circulation. Some people, including the late Christopher Hitchens,", "to write, interview, acquire sources, etc.; simply a BA in any field --", "of the greatest journalists and golden ages, the best writers were without degrees", "SE. At the time of the 20th century, a time with some of", "dozens of people similar questions, but I am interested to hear the response", "and quite a few more were without degrees at all. I find it", "like Buj Anwulsok of Vice, but an ex-military person who might have actually", "classical music is prepared to interview Iraqi freedom fighters on the front lines", "20th century, a time with some of the greatest journalists and golden ages,", "fighters on the front lines in Syria while having sniper bullets wizzing past", "time with some of the greatest journalists and golden ages, the best writers", "newspaper, including local ones without much in the way of circulation. 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[ "get copyrights for the book *and* my pen name before having it published", "to get copyrights for the book *and* my pen name before having it", "name. Do I need to get copyrights for the book *and* my pen", "to self-publish my first book under my pen name. Do I need to", "planning to self-publish my first book under my pen name. Do I need", "pen name. Do I need to get copyrights for the book *and* my", "my first book under my pen name. Do I need to get copyrights", "I am planning to self-publish my first book under my pen name. Do", "my pen name. Do I need to get copyrights for the book *and*", "the book *and* my pen name before having it published on KDP? Or", "under my pen name. Do I need to get copyrights for the book", "need to get copyrights for the book *and* my pen name before having", "copyrights for the book *and* my pen name before having it published on", "book *and* my pen name before having it published on KDP? Or can", "am planning to self-publish my first book under my pen name. Do I", "my pen name before having it published on KDP? Or can I go", "*and* my pen name before having it published on KDP? Or can I", "self-publish my first book under my pen name. Do I need to get", "before having it published on KDP? Or can I go on without this", "first book under my pen name. Do I need to get copyrights for", "book under my pen name. Do I need to get copyrights for the", "having it published on KDP? Or can I go on without this step?", "pen name before having it published on KDP? Or can I go on", "Do I need to get copyrights for the book *and* my pen name", "for the book *and* my pen name before having it published on KDP?", "name before having it published on KDP? Or can I go on without", "I need to get copyrights for the book *and* my pen name before" ]
[ "that they are spaced; they are spaced in novels as well. However--and this", "lot of my favorite writers use ellipses, in both narration and dialogue. I", "quadruple her efforts. \"I say, Rabiygox! Hey there! . . .\" I know", "them in half. If I don't space, it looks awful. Can the editors", "in the options in Word, but it has nothing for four-dot ellipses; it", "the difference? Will they care if I don't space them out, or is", "is my question--when I space them on my manuscript (in MS Word 2013),", "I run into a problem on line breaks. In *Quurnep to the End", "but it has nothing for four-dot ellipses; it treats them as though they", "these types of usage: \"Doctor, I rely on you . . .\" She", "don't space them out, or is there an method to fix it? I", "half. If I don't space, it looks awful. Can the editors tell the", "that when I vacillate between the three-dot ellipsis and the four-, I run", "ellipses, in both narration and dialogue. I know the rules for them, and", "when I vacillate between the three-dot ellipsis and the four-, I run into", "treat it as different words and will break them in half. If I", "usage: \"Doctor, I rely on you . . .\" She would go on", "Night* and the works of Higqy Xivlur, they will have these types of", "they treat it as different words and will break them in half. If", "is there an method to fix it? I tried setting it up in", "She would go on like this as long as she felt like it.", "to me ready to quadruple her efforts. \"I say, Rabiygox! Hey there! .", "I know the rules for them, and how they are broken (somewhat) for", "End of the Night* and the works of Higqy Xivlur, they will have", "for fiction. The problem I have is that when I vacillate between the", "the three-dot ellipsis and the four-, I run into a problem on line", "as different words and will break them in half. If I don't space,", "I don't space, it looks awful. Can the editors tell the difference? Will", "problem on line breaks. In *Quurnep to the End of the Night* and", "the four-, I run into a problem on line breaks. In *Quurnep to", "Word 2013), they treat it as different words and will break them in", "and how they are broken (somewhat) for fiction. The problem I have is", "tried setting it up in the options in Word, but it has nothing", "in novels as well. However--and this is my question--when I space them on", "have is that when I vacillate between the three-dot ellipsis and the four-,", "it? I tried setting it up in the options in Word, but it", "to the End of the Night* and the works of Higqy Xivlur, they", "as she felt like it. . . . Today she seemed to me", "it as different words and will break them in half. If I don't", "novels as well. However--and this is my question--when I space them on my", "between the three-dot ellipsis and the four-, I run into a problem on", "The problem I have is that when I vacillate between the three-dot ellipsis", "seemed to me ready to quadruple her efforts. \"I say, Rabiygox! Hey there!", "difference? Will they care if I don't space them out, or is there", "the End of the Night* and the works of Higqy Xivlur, they will", "say, Rabiygox! Hey there! . . .\" I know from grammar and usage", "and the four-, I run into a problem on line breaks. In *Quurnep", "broken (somewhat) for fiction. The problem I have is that when I vacillate", "will break them in half. If I don't space, it looks awful. Can", "an method to fix it? I tried setting it up in the options", "have these types of usage: \"Doctor, I rely on you . . .\"", "Today she seemed to me ready to quadruple her efforts. \"I say, Rabiygox!", "run into a problem on line breaks. In *Quurnep to the End of", "rely on you . . .\" She would go on like this as", "she seemed to me ready to quadruple her efforts. \"I say, Rabiygox! Hey", "grammar and usage guides that they are spaced; they are spaced in novels", "my favorite writers use ellipses, in both narration and dialogue. I know the", "break them in half. If I don't space, it looks awful. Can the", "the rules for them, and how they are broken (somewhat) for fiction. The", "has nothing for four-dot ellipses; it treats them as though they don't exist.", "manuscript (in MS Word 2013), they treat it as different words and will", "into a problem on line breaks. In *Quurnep to the End of the", "a problem on line breaks. In *Quurnep to the End of the Night*", "I tried setting it up in the options in Word, but it has", "words and will break them in half. If I don't space, it looks", "felt like it. . . . Today she seemed to me ready to", "usage guides that they are spaced; they are spaced in novels as well.", "they are spaced in novels as well. However--and this is my question--when I", "how they are broken (somewhat) for fiction. The problem I have is that", "writers use ellipses, in both narration and dialogue. I know the rules for", "and dialogue. I know the rules for them, and how they are broken", "is that when I vacillate between the three-dot ellipsis and the four-, I", "there! . . .\" I know from grammar and usage guides that they", "I know from grammar and usage guides that they are spaced; they are", "for them, and how they are broken (somewhat) for fiction. The problem I", "favorite writers use ellipses, in both narration and dialogue. I know the rules", "don't space, it looks awful. Can the editors tell the difference? Will they", "space them out, or is there an method to fix it? I tried", "ready to quadruple her efforts. \"I say, Rabiygox! Hey there! . . .\"", "up in the options in Word, but it has nothing for four-dot ellipses;", "and will break them in half. If I don't space, it looks awful.", "tell the difference? Will they care if I don't space them out, or", "\"Doctor, I rely on you . . .\" She would go on like", "it looks awful. Can the editors tell the difference? Will they care if", "them out, or is there an method to fix it? I tried setting", "they will have these types of usage: \"Doctor, I rely on you .", "*Quurnep to the End of the Night* and the works of Higqy Xivlur,", "both narration and dialogue. I know the rules for them, and how they", "types of usage: \"Doctor, I rely on you . . .\" She would", "as long as she felt like it. . . . Today she seemed", "know from grammar and usage guides that they are spaced; they are spaced", "in half. If I don't space, it looks awful. Can the editors tell", "line breaks. In *Quurnep to the End of the Night* and the works", "Can the editors tell the difference? Will they care if I don't space", "and the works of Higqy Xivlur, they will have these types of usage:", "on like this as long as she felt like it. . . .", ". . .\" I know from grammar and usage guides that they are", "different words and will break them in half. If I don't space, it", "guides that they are spaced; they are spaced in novels as well. However--and", "they are spaced; they are spaced in novels as well. However--and this is", "problem I have is that when I vacillate between the three-dot ellipsis and", "spaced; they are spaced in novels as well. However--and this is my question--when", "are spaced; they are spaced in novels as well. However--and this is my", "If I don't space, it looks awful. Can the editors tell the difference?", "this is my question--when I space them on my manuscript (in MS Word", "dialogue. I know the rules for them, and how they are broken (somewhat)", "are spaced in novels as well. However--and this is my question--when I space", "MS Word 2013), they treat it as different words and will break them", "out, or is there an method to fix it? I tried setting it", "would go on like this as long as she felt like it. .", "or is there an method to fix it? I tried setting it up", "three-dot ellipsis and the four-, I run into a problem on line breaks.", "if I don't space them out, or is there an method to fix", "Higqy Xivlur, they will have these types of usage: \"Doctor, I rely on", "know the rules for them, and how they are broken (somewhat) for fiction.", "me ready to quadruple her efforts. \"I say, Rabiygox! Hey there! . .", "my question--when I space them on my manuscript (in MS Word 2013), they", "the Night* and the works of Higqy Xivlur, they will have these types", "I don't space them out, or is there an method to fix it?", "long as she felt like it. . . . Today she seemed to", "they care if I don't space them out, or is there an method", "will have these types of usage: \"Doctor, I rely on you . .", "in Word, but it has nothing for four-dot ellipses; it treats them as", "of Higqy Xivlur, they will have these types of usage: \"Doctor, I rely", "Rabiygox! Hey there! . . .\" I know from grammar and usage guides", "In *Quurnep to the End of the Night* and the works of Higqy", "and usage guides that they are spaced; they are spaced in novels as", "spaced in novels as well. However--and this is my question--when I space them", ". .\" I know from grammar and usage guides that they are spaced;", "this as long as she felt like it. . . . Today she", "are broken (somewhat) for fiction. The problem I have is that when I", "However--and this is my question--when I space them on my manuscript (in MS", "ellipsis and the four-, I run into a problem on line breaks. In", "space, it looks awful. Can the editors tell the difference? Will they care", "breaks. In *Quurnep to the End of the Night* and the works of", "of the Night* and the works of Higqy Xivlur, they will have these", "(in MS Word 2013), they treat it as different words and will break", "Will they care if I don't space them out, or is there an", "method to fix it? I tried setting it up in the options in", "Hey there! . . .\" I know from grammar and usage guides that", "looks awful. Can the editors tell the difference? Will they care if I", "care if I don't space them out, or is there an method to", "of my favorite writers use ellipses, in both narration and dialogue. I know", "of usage: \"Doctor, I rely on you . . .\" She would go", "2013), they treat it as different words and will break them in half.", "fiction. The problem I have is that when I vacillate between the three-dot", ". .\" She would go on like this as long as she felt", "I space them on my manuscript (in MS Word 2013), they treat it", "rules for them, and how they are broken (somewhat) for fiction. The problem", "awful. Can the editors tell the difference? Will they care if I don't", "A lot of my favorite writers use ellipses, in both narration and dialogue.", "narration and dialogue. I know the rules for them, and how they are", "to quadruple her efforts. \"I say, Rabiygox! Hey there! . . .\" I", "question--when I space them on my manuscript (in MS Word 2013), they treat", ".\" I know from grammar and usage guides that they are spaced; they", "as well. However--and this is my question--when I space them on my manuscript", "editors tell the difference? Will they care if I don't space them out,", ". . .\" She would go on like this as long as she", "fix it? I tried setting it up in the options in Word, but", "to fix it? I tried setting it up in the options in Word,", ". . Today she seemed to me ready to quadruple her efforts. \"I", "I have is that when I vacillate between the three-dot ellipsis and the", "on line breaks. In *Quurnep to the End of the Night* and the", "I rely on you . . .\" She would go on like this", "like this as long as she felt like it. . . . Today", "well. However--and this is my question--when I space them on my manuscript (in", "four-, I run into a problem on line breaks. In *Quurnep to the", "them, and how they are broken (somewhat) for fiction. The problem I have", ". . . Today she seemed to me ready to quadruple her efforts.", "use ellipses, in both narration and dialogue. I know the rules for them,", "vacillate between the three-dot ellipsis and the four-, I run into a problem", "like it. . . . Today she seemed to me ready to quadruple", "them on my manuscript (in MS Word 2013), they treat it as different", "she felt like it. . . . Today she seemed to me ready", "Word, but it has nothing for four-dot ellipses; it treats them as though", "it has nothing for four-dot ellipses; it treats them as though they don't", "the options in Word, but it has nothing for four-dot ellipses; it treats", "options in Word, but it has nothing for four-dot ellipses; it treats them", ".\" She would go on like this as long as she felt like", "I vacillate between the three-dot ellipsis and the four-, I run into a", "efforts. \"I say, Rabiygox! Hey there! . . .\" I know from grammar", "they are broken (somewhat) for fiction. The problem I have is that when", "Xivlur, they will have these types of usage: \"Doctor, I rely on you", "there an method to fix it? I tried setting it up in the", "(somewhat) for fiction. The problem I have is that when I vacillate between", ". Today she seemed to me ready to quadruple her efforts. \"I say,", "it up in the options in Word, but it has nothing for four-dot", "setting it up in the options in Word, but it has nothing for", "in both narration and dialogue. I know the rules for them, and how", "on you . . .\" She would go on like this as long", "go on like this as long as she felt like it. . .", "space them on my manuscript (in MS Word 2013), they treat it as", "it. . . . Today she seemed to me ready to quadruple her", "her efforts. \"I say, Rabiygox! Hey there! . . .\" I know from", "\"I say, Rabiygox! Hey there! . . .\" I know from grammar and", "the works of Higqy Xivlur, they will have these types of usage: \"Doctor,", "from grammar and usage guides that they are spaced; they are spaced in", "you . . .\" She would go on like this as long as", "on my manuscript (in MS Word 2013), they treat it as different words", "my manuscript (in MS Word 2013), they treat it as different words and", "works of Higqy Xivlur, they will have these types of usage: \"Doctor, I", "the editors tell the difference? Will they care if I don't space them" ]
[ "thing is generally frowned upon by writers. The reader is there for the", "An example follows: > > It is a strange thing, but when you", "I believe there are cases where this practice is fine. C.S. Lewis and", "fourth wall)* --- This question deals with an author pausing the story to", "only help the story. I myself have done this briefly, and my readers", "pausing the story to speak directly to the reader. An example follows: >", "believe there are cases where this practice is fine. C.S. Lewis and E.", "to slip by [...] *Hijrp Potfeq and the Goblet of Fire* > >", "briefly, and my readers never mentioned it. Even J.K. Rowling does it occasionally.", "mentioned it. Even J.K. Rowling does it occasionally. All of this has led", "upon by writers. 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An example", "*continuing* to speak directly to the reader does hurt the novel, but in", "it has a disobliging habit of speeding up. The days until the first", "but in my experience, I've found short, to-the-point lines directly from the author", "speeding up. The days until the first task seemed to slip by [...]", "story and speak directly to the reader, as long as the passages are", "sentence, the narration resumes. In my experience, this sort of thing is generally", "wrong. I have therefore rewritten the question. ------------------------------------------------------------------------------------------------------------------------------------------------------------------------- *(The above is in place", "example follows: > > It is a strange thing, but when you are", "the story/narration. In the second sentence, the narration resumes. In my experience, this", "Even J.K. Rowling does it occasionally. All of this has led me to", "their books, and I was never bothered by it. On the contrary, I", "hurt the novel, but in my experience, I've found short, to-the-point lines directly", "the novel, but in my experience, I've found short, to-the-point lines directly from", "the reader only help the story. I myself have done this briefly, and", "I have therefore rewritten the question. ------------------------------------------------------------------------------------------------------------------------------------------------------------------------- *(The above is in place to", "occasionally. All of this has led me to conclude that an author can", "help the story. I myself have done this briefly, and my readers never", "speak directly to the reader. An example follows: > > It is a", "the passages are short, to the point, and do not overwhelm the story,", "has led me to conclude that an author can pause the story and", "reader does hurt the novel, but in my experience, I've found short, to-the-point", "bothered by it. 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I have therefore rewritten the question. ------------------------------------------------------------------------------------------------------------------------------------------------------------------------- *(The above", "it occasionally. All of this has led me to conclude that an author", "to-the-point lines directly from the author to the reader only help the story.", "the author to the reader only help the story. I myself have done", "Nesbit did it frequently in their books, and I was never bothered by", "I found it to only add to the story being told. I do", "*(The above is in place to explain the number of answers and comments", "wall)* --- This question deals with an author pausing the story to speak", "strange thing, but when you are dreading something, and would give anything to", "speak directly to the reader does hurt the novel, but in my experience,", "it. On the contrary, I found it to only add to the story", "readers never mentioned it. Even J.K. Rowling does it occasionally. All of this", "**Is this an accurate conclusion?** If not, why? Please provide evidence of shared", "days until the first task seemed to slip by [...] *Hijrp Potfeq and", "directly to the reader. An example follows: > > It is a strange", "In my experience, this sort of thing is generally frowned upon by writers.", "C.S. Lewis and E. Nesbit did it frequently in their books, and I", "novel, but in my experience, I've found short, to-the-point lines directly from the", "was previously about breaking the fourth wall. I discovered that my interpretation of", "to the reader, as long as the passages are short, to the point,", "story/narration. In the second sentence, the narration resumes. In my experience, this sort", "was wrong. 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I do believe that *continuing* to speak", "and my readers never mentioned it. Even J.K. Rowling does it occasionally. All", "I discovered that my interpretation of that phrase was wrong. I have therefore", "the story to speak directly to the reader. An example follows: > >", "found it to only add to the story being told. I do believe", "in place to explain the number of answers and comments about the fourth", "sentence is the pause in the story/narration. In the second sentence, the narration", "the pause in the story/narration. In the second sentence, the narration resumes. In", "only add to the story being told. I do believe that *continuing* to", "but when you are dreading something, and would give anything to slow down", "led me to conclude that an author can pause the story and speak", "conclude that an author can pause the story and speak directly to the", "overwhelm the story, but add to it. **Is this an accurate conclusion?** If", "follows: > > It is a strange thing, but when you are dreading", "pause in the story/narration. In the second sentence, the narration resumes. In my", "seemed to slip by [...] *Hijrp Potfeq and the Goblet of Fire* >", "believe that *continuing* to speak directly to the reader does hurt the novel,", "wall. I discovered that my interpretation of that phrase was wrong. I have", "On the contrary, I found it to only add to the story being", "It is a strange thing, but when you are dreading something, and would", "this an accurate conclusion?** If not, why? Please provide evidence of shared opinion.", "something, and would give anything to slow down time, it has a disobliging", "dreading something, and would give anything to slow down time, it has a", "> The first sentence is the pause in the story/narration. In the second", "to the reader. An example follows: > > It is a strange thing,", "being told. I do believe that *continuing* to speak directly to the reader", "short, to the point, and do not overwhelm the story, but add to", "never mentioned it. Even J.K. Rowling does it occasionally. All of this has", "is there for the story, not your commentary. That being said, I believe", "this practice is fine. C.S. Lewis and E. Nesbit did it frequently in", "reader. An example follows: > > It is a strange thing, but when", "the first task seemed to slip by [...] *Hijrp Potfeq and the Goblet", "and E. Nesbit did it frequently in their books, and I was never", "*Hijrp Potfeq and the Goblet of Fire* > > > The first sentence", "> > It is a strange thing, but when you are dreading something,", "That being said, I believe there are cases where this practice is fine.", "to explain the number of answers and comments about the fourth wall)* ---", "story being told. I do believe that *continuing* to speak directly to the", "explain the number of answers and comments about the fourth wall)* --- This", "------------------------------------------------------------------------------------------------------------------------------------------------------------------------- *(The above is in place to explain the number of answers and" ]
[ "which were not in use yet. How do I know how to get", "we do today. For example, I need to know which contractions were common,", "in use yet. How do I know how to get the language correct", "do I know how to get the language correct and accurate? What kind", "used, and which were not in use yet. How do I know how", "speak it very differently than we do today. For example, I need to", "to know which contractions were common, which were rarely used, and which were", "the language correct and accurate? What kind of resources and reference material will", "which contractions were common, which were rarely used, and which were not in", "they speak it very differently than we do today. For example, I need", "were not in use yet. How do I know how to get the", "it very differently than we do today. For example, I need to know", "than we do today. For example, I need to know which contractions were", "fiction set in 18th-century England and America. Obviously, they speak English, and equally", "know which contractions were common, which were rarely used, and which were not", "common, which were rarely used, and which were not in use yet. How", "were rarely used, and which were not in use yet. How do I", "how to get the language correct and accurate? What kind of resources and", "yet. How do I know how to get the language correct and accurate?", "very differently than we do today. For example, I need to know which", "obviously, they speak it very differently than we do today. For example, I", "rarely used, and which were not in use yet. How do I know", "England and America. Obviously, they speak English, and equally obviously, they speak it", "How do I know how to get the language correct and accurate? What", "do today. For example, I need to know which contractions were common, which", "and America. Obviously, they speak English, and equally obviously, they speak it very", "and which were not in use yet. How do I know how to", "write fiction set in 18th-century England and America. Obviously, they speak English, and", "today. For example, I need to know which contractions were common, which were", "For example, I need to know which contractions were common, which were rarely", "example, I need to know which contractions were common, which were rarely used,", "America. Obviously, they speak English, and equally obviously, they speak it very differently", "I write fiction set in 18th-century England and America. Obviously, they speak English,", "were common, which were rarely used, and which were not in use yet.", "speak English, and equally obviously, they speak it very differently than we do", "set in 18th-century England and America. Obviously, they speak English, and equally obviously,", "know how to get the language correct and accurate? What kind of resources", "language correct and accurate? What kind of resources and reference material will be", "need to know which contractions were common, which were rarely used, and which", "Obviously, they speak English, and equally obviously, they speak it very differently than", "in 18th-century England and America. Obviously, they speak English, and equally obviously, they", "to get the language correct and accurate? What kind of resources and reference", "and accurate? What kind of resources and reference material will be helpful here?", "equally obviously, they speak it very differently than we do today. For example,", "I know how to get the language correct and accurate? What kind of", "differently than we do today. For example, I need to know which contractions", "English, and equally obviously, they speak it very differently than we do today.", "which were rarely used, and which were not in use yet. How do", "use yet. How do I know how to get the language correct and", "get the language correct and accurate? What kind of resources and reference material", "contractions were common, which were rarely used, and which were not in use", "and equally obviously, they speak it very differently than we do today. For", "correct and accurate? What kind of resources and reference material will be helpful", "18th-century England and America. Obviously, they speak English, and equally obviously, they speak", "I need to know which contractions were common, which were rarely used, and", "they speak English, and equally obviously, they speak it very differently than we", "not in use yet. How do I know how to get the language" ]
[ "of the following: > > Al, seemingly good in every respect, is secretly", "imagine them sailing on shark-infested water in a city-sized ship) There are also", "to reveal their selfish motive is simply too cliched and predictable, especially if", "like a genuine villain, with an ideology that most modern readers will likely", "rises to challenge Al as the representative of a part of the community", "if the protagonist is at odds with said person. More importantly, this seems", "seizes power and bring about certain political revolution. For instance, he suggests the", "sequels if the suicide part is omitted. I ask this question to see", "They fight; Bob wins, and Al's plan is abandoned with public approval for", "instead of hiding in such a protective cage forever. Bob champions the latter", "commits suicide in defeat. > > > So far, this is the most", "of seemingly good people seizing power only to reveal their selfish motive is", "a time contort in the clutches of death, and commits suicide in defeat.", "most modern readers will likely disagree with. This could be a result of", "main characters--Al and Bob. In the beginning, Al, the paragon, will be a", "villain, at least for me. Idea number three: > > Al gathers influence", "challenges Al's rule and defeats him. > > > I reject this plan,", "to end, the ending is unpredictable and cathartic, and maybe a set-up for", "> > > Concerns for this idea: somehow this plot also make Al", "hiding in such a protective cage forever. Bob champions the latter ideology, and", "plan, showing that Al was right and Bob was wrong. Bob watches hopelessly", "showing that Al was right and Bob was wrong. Bob watches hopelessly as", "there are existing examples of paragon characters being an antagonist and any criticism", "shark-infested water in a city-sized ship) There are also superheros in this community", "from beginning to end, the ending is unpredictable and cathartic, and maybe a", "or for worse. > > > Concerns for this idea: somehow this plot", "this seems to undermine the true-paragon nature of Al, invalidating the idea of", "a protective cage forever. Bob champions the latter ideology, and brings the down-fall", "mechanism, but this is against the ideals of some of the community's members,", "paragon characters being an antagonist and any criticism or suggestion to the idea(s).", "at least for me. Idea number three: > > Al gathers influence and", "whereas Bob, the protagonist, is unliked, vindictive and selfish. The setting is, at", "good people seizing power only to reveal their selfish motive is simply too", "isolated, habitable zone amidst monster-infested wilderness (the specifics of these matters not; it", "of the community's members, who want to eventually reclaim the outside world instead", "especially if the protagonist is at odds with said person. More importantly, this", "invalidating the idea of a paragon-villain. since there was no paragon in the", "it is simply not possible to imagine an indisputably paragon ideology to be", "place. Second idea: > > Al seizes power and bring about certain political", "most appealing of all ideas, the paragon was paragon from beginning to end,", "this question to see if there are existing examples of paragon characters being", "community from the outside world as a perfect defence mechanism, but this is", "world, where a city-sized population resides an isolated, habitable zone amidst monster-infested wilderness", "zone amidst monster-infested wilderness (the specifics of these matters not; it suffices to", "defence mechanism, but this is against the ideals of some of the community's", "Al's plan, showing that Al was right and Bob was wrong. Bob watches", "instance, he suggests the complete and permanent closure of the community from the", "dictatorial power over the community for his own enjoyment; rising to the occasion,", "a result of the poor choice of example-ideology above, or because it is", "Wanting to make Al a justifiable antagonist, I immediately thought of the following:", "to challenge Al as the representative of a part of the community who", "with said person. 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Bob watches hopelessly as the people who gave him approval for", "respect, is secretly scheming to exert dictatorial power over the community for his", "persuades, rather than coerce, the community at large to perform certain questionable plans,", "time contort in the clutches of death, and commits suicide in defeat. >", "also superheros in this community who are responsible for its defence and organization,", "as the representative of a part of the community who disagree. They fight;", "challenge Al as the representative of a part of the community who disagree.", "of Al, invalidating the idea of a paragon-villain. since there was no paragon", "are also superheros in this community who are responsible for its defence and", "seizing power only to reveal their selfish motive is simply too cliched and", "are existing examples of paragon characters being an antagonist and any criticism or", "existing examples of paragon characters being an antagonist and any criticism or suggestion", "are responsible for its defence and organization, to which both Al and Bob", "omitted. I ask this question to see if there are existing examples of", "and defeats him. > > > I reject this plan, because the plot", "Then, the community is immediately ravaged by a disaster that could have been", "ideology, and brings the down-fall of Al, for better or for worse. >", "the community who disagree. They fight; Bob wins, and Al's plan is abandoned", "the protagonist, is unliked, vindictive and selfish. The setting is, at least superficially,", "people seizing power only to reveal their selfish motive is simply too cliched", "ship) There are also superheros in this community who are responsible for its", "immediately thought of the following: > > Al, seemingly good in every respect,", "of the poor choice of example-ideology above, or because it is simply not", "such as the one described above. Bob rises to challenge Al as the", "is abandoned with public approval for the winner. Then, the community is immediately", "because the plot of seemingly good people seizing power only to reveal their", "a justifiable antagonist, I immediately thought of the following: > > Al, seemingly", "seems to undermine the true-paragon nature of Al, invalidating the idea of a", "the plot of seemingly good people seizing power only to reveal their selfish", "odds with said person. 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Bob champions the latter ideology,", "in this community who are responsible for its defence and organization, to which", "paragon-villain. since there was no paragon in the first place. Second idea: >", "More importantly, this seems to undermine the true-paragon nature of Al, invalidating the", "this community who are responsible for its defence and organization, to which both", "of example-ideology above, or because it is simply not possible to imagine an", "the idea of a paragon-villain. since there was no paragon in the first", "Al gathers influence and persuades, rather than coerce, the community at large to", "been prevented by Al's plan, showing that Al was right and Bob was", "true-paragon nature of Al, invalidating the idea of a paragon-villain. since there was", "> Al gathers influence and persuades, rather than coerce, the community at large", "and Al's plan is abandoned with public approval for the winner. Then, the", "of these matters not; it suffices to imagine them sailing on shark-infested water", "clutches of death, and commits suicide in defeat. > > > So far,", "indisputably paragon ideology to be assigned to an de-facto villain, at least for", "of paragon characters being an antagonist and any criticism or suggestion to the", "Al's rule and defeats him. > > > I reject this plan, because", "beginning, Al, the paragon, will be a kind, friendly, competent and well-liked, whereas", "if there are existing examples of paragon characters being an antagonist and any", "cliched and predictable, especially if the protagonist is at odds with said person.", "beginning to end, the ending is unpredictable and cathartic, and maybe a set-up", "and Bob was wrong. Bob watches hopelessly as the people who gave him", "a kind, friendly, competent and well-liked, whereas Bob, the protagonist, is unliked, vindictive", "paragon was paragon from beginning to end, the ending is unpredictable and cathartic,", "wins, and Al's plan is abandoned with public approval for the winner. Then,", "person. More importantly, this seems to undermine the true-paragon nature of Al, invalidating", "eventually reclaim the outside world instead of hiding in such a protective cage", "be assigned to an de-facto villain, at least for me. Idea number three:", "Concerns for this idea: somehow this plot also make Al seem like a", "Al a justifiable antagonist, I immediately thought of the following: > > Al,", "responsible for its defence and organization, to which both Al and Bob are", "defeat. > > > So far, this is the most appealing of all", "the most appealing of all ideas, the paragon was paragon from beginning to", "the representative of a part of the community who disagree. They fight; Bob", "above, or because it is simply not possible to imagine an indisputably paragon", "a city-sized ship) There are also superheros in this community who are responsible", "winner. Then, the community is immediately ravaged by a disaster that could have", "suffices to imagine them sailing on shark-infested water in a city-sized ship) There", "in the clutches of death, and commits suicide in defeat. > > >", "two main characters--Al and Bob. In the beginning, Al, the paragon, will be", "who disagree. They fight; Bob wins, and Al's plan is abandoned with public", "unpredictable and cathartic, and maybe a set-up for sequels if the suicide part", "imagine an indisputably paragon ideology to be assigned to an de-facto villain, at", "of a part of the community who disagree. They fight; Bob wins, and", "the ideals of some of the community's members, who want to eventually reclaim", "> > So far, this is the most appealing of all ideas, the", "and maybe a set-up for sequels if the suicide part is omitted. I", "in every respect, is secretly scheming to exert dictatorial power over the community", "kind, friendly, competent and well-liked, whereas Bob, the protagonist, is unliked, vindictive and", "the latter ideology, and brings the down-fall of Al, for better or for", "to make Al a justifiable antagonist, I immediately thought of the following: >", "for me. Idea number three: > > Al gathers influence and persuades, rather", "idea of a paragon-villain. since there was no paragon in the first place.", "world as a perfect defence mechanism, but this is against the ideals of", "the true-paragon nature of Al, invalidating the idea of a paragon-villain. since there", "example-ideology above, or because it is simply not possible to imagine an indisputably", "to eventually reclaim the outside world instead of hiding in such a protective", "characters--Al and Bob. In the beginning, Al, the paragon, will be a kind,", "and predictable, especially if the protagonist is at odds with said person. More", "nature of Al, invalidating the idea of a paragon-villain. since there was no", "the first place. Second idea: > > Al seizes power and bring about", "an de-facto villain, at least for me. Idea number three: > > Al", "oh-so-short a time contort in the clutches of death, and commits suicide in", "all ideas, the paragon was paragon from beginning to end, the ending is", "gave him approval for oh-so-short a time contort in the clutches of death,", "members early on. Wanting to make Al a justifiable antagonist, I immediately thought", "cathartic, and maybe a set-up for sequels if the suicide part is omitted.", "predictable, especially if the protagonist is at odds with said person. More importantly,", "community who disagree. They fight; Bob wins, and Al's plan is abandoned with", "approval for oh-so-short a time contort in the clutches of death, and commits", "seemingly good in every respect, is secretly scheming to exert dictatorial power over", "disaster that could have been prevented by Al's plan, showing that Al was", "reject this plan, because the plot of seemingly good people seizing power only", "organization, to which both Al and Bob are new members early on. Wanting", "some of the community's members, who want to eventually reclaim the outside world", "> > > So far, this is the most appealing of all ideas,", "have been prevented by Al's plan, showing that Al was right and Bob", "defeats him. > > > I reject this plan, because the plot of", "maybe a set-up for sequels if the suicide part is omitted. I ask", "of some of the community's members, who want to eventually reclaim the outside", "latter ideology, and brings the down-fall of Al, for better or for worse.", "also make Al seem like a genuine villain, with an ideology that most", "reclaim the outside world instead of hiding in such a protective cage forever.", "me. Idea number three: > > Al gathers influence and persuades, rather than", "revolution. For instance, he suggests the complete and permanent closure of the community", "Bob rises to challenge Al as the representative of a part of the", "examples of paragon characters being an antagonist and any criticism or suggestion to", "Al was right and Bob was wrong. Bob watches hopelessly as the people", "protagonist is at odds with said person. More importantly, this seems to undermine", "habitable zone amidst monster-infested wilderness (the specifics of these matters not; it suffices", "on shark-infested water in a city-sized ship) There are also superheros in this", "vindictive and selfish. The setting is, at least superficially, in a fantasy-fiction world,", "only to reveal their selfish motive is simply too cliched and predictable, especially", "with an ideology that most modern readers will likely disagree with. This could", "own enjoyment; rising to the occasion, Bob challenges Al's rule and defeats him.", "and persuades, rather than coerce, the community at large to perform certain questionable", "plot also make Al seem like a genuine villain, with an ideology that", "large to perform certain questionable plans, such as the one described above. Bob", "disagree. They fight; Bob wins, and Al's plan is abandoned with public approval", "far, this is the most appealing of all ideas, the paragon was paragon", "one described above. Bob rises to challenge Al as the representative of a", "part is omitted. I ask this question to see if there are existing", "be a result of the poor choice of example-ideology above, or because it", "Bob. In the beginning, Al, the paragon, will be a kind, friendly, competent", "ideology to be assigned to an de-facto villain, at least for me. Idea", "and selfish. The setting is, at least superficially, in a fantasy-fiction world, where", "good in every respect, is secretly scheming to exert dictatorial power over the", "that could have been prevented by Al's plan, showing that Al was right", "population resides an isolated, habitable zone amidst monster-infested wilderness (the specifics of these", "of all ideas, the paragon was paragon from beginning to end, the ending", "make Al a justifiable antagonist, I immediately thought of the following: > >", "and well-liked, whereas Bob, the protagonist, is unliked, vindictive and selfish. The setting", "this is the most appealing of all ideas, the paragon was paragon from", "see if there are existing examples of paragon characters being an antagonist and", "with public approval for the winner. Then, the community is immediately ravaged by", "a city-sized population resides an isolated, habitable zone amidst monster-infested wilderness (the specifics", "plan, because the plot of seemingly good people seizing power only to reveal", "friendly, competent and well-liked, whereas Bob, the protagonist, is unliked, vindictive and selfish.", "secretly scheming to exert dictatorial power over the community for his own enjoyment;", "the people who gave him approval for oh-so-short a time contort in the", "ask this question to see if there are existing examples of paragon characters", "of the community who disagree. They fight; Bob wins, and Al's plan is", "This could be a result of the poor choice of example-ideology above, or", "better or for worse. > > > Concerns for this idea: somehow this", "forever. Bob champions the latter ideology, and brings the down-fall of Al, for", "that most modern readers will likely disagree with. This could be a result", "no paragon in the first place. Second idea: > > Al seizes power", "that Al was right and Bob was wrong. Bob watches hopelessly as the", "of a paragon-villain. since there was no paragon in the first place. Second", "I ask this question to see if there are existing examples of paragon", "> > I reject this plan, because the plot of seemingly good people", "there was no paragon in the first place. Second idea: > > Al", "watches hopelessly as the people who gave him approval for oh-so-short a time", "villain, with an ideology that most modern readers will likely disagree with. This", "simply not possible to imagine an indisputably paragon ideology to be assigned to", "featuring two main characters--Al and Bob. In the beginning, Al, the paragon, will", "following: > > Al, seemingly good in every respect, is secretly scheming to", "at odds with said person. More importantly, this seems to undermine the true-paragon", "appealing of all ideas, the paragon was paragon from beginning to end, the", "result of the poor choice of example-ideology above, or because it is simply", "simply too cliched and predictable, especially if the protagonist is at odds with", "for sequels if the suicide part is omitted. I ask this question to", "Bob wins, and Al's plan is abandoned with public approval for the winner.", "members, who want to eventually reclaim the outside world instead of hiding in", "their selfish motive is simply too cliched and predictable, especially if the protagonist", "early on. Wanting to make Al a justifiable antagonist, I immediately thought of", "city-sized population resides an isolated, habitable zone amidst monster-infested wilderness (the specifics of", "modern readers will likely disagree with. This could be a result of the", "and organization, to which both Al and Bob are new members early on.", "Al seizes power and bring about certain political revolution. For instance, he suggests", "paragon from beginning to end, the ending is unpredictable and cathartic, and maybe", "is secretly scheming to exert dictatorial power over the community for his own", "> > > I reject this plan, because the plot of seemingly good", "ideology that most modern readers will likely disagree with. This could be a", "this is against the ideals of some of the community's members, who want", "could have been prevented by Al's plan, showing that Al was right and", "rather than coerce, the community at large to perform certain questionable plans, such", "on. Wanting to make Al a justifiable antagonist, I immediately thought of the", "for the winner. Then, the community is immediately ravaged by a disaster that", "Al and Bob are new members early on. Wanting to make Al a", "by a disaster that could have been prevented by Al's plan, showing that", "perform certain questionable plans, such as the one described above. Bob rises to", "to the occasion, Bob challenges Al's rule and defeats him. > > >", "> I reject this plan, because the plot of seemingly good people seizing", "the winner. Then, the community is immediately ravaged by a disaster that could", "and commits suicide in defeat. > > > So far, this is the", "than coerce, the community at large to perform certain questionable plans, such as", "Al, seemingly good in every respect, is secretly scheming to exert dictatorial power", "exert dictatorial power over the community for his own enjoyment; rising to the", "community at large to perform certain questionable plans, such as the one described", "likely disagree with. This could be a result of the poor choice of", "contort in the clutches of death, and commits suicide in defeat. > >", "and cathartic, and maybe a set-up for sequels if the suicide part is", "is against the ideals of some of the community's members, who want to", "unliked, vindictive and selfish. The setting is, at least superficially, in a fantasy-fiction", "Bob are new members early on. Wanting to make Al a justifiable antagonist,", "wrong. Bob watches hopelessly as the people who gave him approval for oh-so-short", "assigned to an de-facto villain, at least for me. Idea number three: >", "a set-up for sequels if the suicide part is omitted. I ask this", "protective cage forever. Bob champions the latter ideology, and brings the down-fall of", "a genuine villain, with an ideology that most modern readers will likely disagree", "paragon ideology to be assigned to an de-facto villain, at least for me.", "to an de-facto villain, at least for me. Idea number three: > >", "certain questionable plans, such as the one described above. Bob rises to challenge", "defence and organization, to which both Al and Bob are new members early", "de-facto villain, at least for me. Idea number three: > > Al gathers", "this plan, because the plot of seemingly good people seizing power only to", "to undermine the true-paragon nature of Al, invalidating the idea of a paragon-villain.", "matters not; it suffices to imagine them sailing on shark-infested water in a", "the clutches of death, and commits suicide in defeat. > > > So", "suicide in defeat. > > > So far, this is the most appealing", "community's members, who want to eventually reclaim the outside world instead of hiding", "the poor choice of example-ideology above, or because it is simply not possible", "in a fantasy-fiction world, where a city-sized population resides an isolated, habitable zone", "by Al's plan, showing that Al was right and Bob was wrong. Bob", "to imagine an indisputably paragon ideology to be assigned to an de-facto villain,", "disagree with. This could be a result of the poor choice of example-ideology", "The setting is, at least superficially, in a fantasy-fiction world, where a city-sized", "questionable plans, such as the one described above. Bob rises to challenge Al", "certain political revolution. For instance, he suggests the complete and permanent closure of", "every respect, is secretly scheming to exert dictatorial power over the community for", "in the first place. Second idea: > > Al seizes power and bring", "him approval for oh-so-short a time contort in the clutches of death, and", "brings the down-fall of Al, for better or for worse. > > >", "amidst monster-infested wilderness (the specifics of these matters not; it suffices to imagine", "somehow this plot also make Al seem like a genuine villain, with an", "set-up for sequels if the suicide part is omitted. I ask this question", "readers will likely disagree with. This could be a result of the poor", "the outside world as a perfect defence mechanism, but this is against the", "at large to perform certain questionable plans, such as the one described above.", "said person. More importantly, this seems to undermine the true-paragon nature of Al,", "closure of the community from the outside world as a perfect defence mechanism,", "rule and defeats him. > > > I reject this plan, because the", "which both Al and Bob are new members early on. Wanting to make", "is immediately ravaged by a disaster that could have been prevented by Al's", "a part of the community who disagree. They fight; Bob wins, and Al's", "question to see if there are existing examples of paragon characters being an", "of the community from the outside world as a perfect defence mechanism, but", "Al, for better or for worse. > > > Concerns for this idea:", "was right and Bob was wrong. Bob watches hopelessly as the people who", "not possible to imagine an indisputably paragon ideology to be assigned to an", "sailing on shark-infested water in a city-sized ship) There are also superheros in", "the community from the outside world as a perfect defence mechanism, but this", "the one described above. Bob rises to challenge Al as the representative of", "down-fall of Al, for better or for worse. > > > Concerns for", "Al seem like a genuine villain, with an ideology that most modern readers", "For instance, he suggests the complete and permanent closure of the community from", "> Al, seemingly good in every respect, is secretly scheming to exert dictatorial", "plan is abandoned with public approval for the winner. Then, the community is", "undermine the true-paragon nature of Al, invalidating the idea of a paragon-villain. since", "because it is simply not possible to imagine an indisputably paragon ideology to", "paragon in the first place. Second idea: > > Al seizes power and", "the community at large to perform certain questionable plans, such as the one", "and bring about certain political revolution. For instance, he suggests the complete and", "> So far, this is the most appealing of all ideas, the paragon", "In the beginning, Al, the paragon, will be a kind, friendly, competent and", "the beginning, Al, the paragon, will be a kind, friendly, competent and well-liked,", "too cliched and predictable, especially if the protagonist is at odds with said", "is, at least superficially, in a fantasy-fiction world, where a city-sized population resides", "this plot also make Al seem like a genuine villain, with an ideology", "outside world as a perfect defence mechanism, but this is against the ideals", "There are also superheros in this community who are responsible for its defence", "Al as the representative of a part of the community who disagree. They", "was paragon from beginning to end, the ending is unpredictable and cathartic, and", "least for me. Idea number three: > > Al gathers influence and persuades,", "is simply too cliched and predictable, especially if the protagonist is at odds", "to exert dictatorial power over the community for his own enjoyment; rising to", "idea: somehow this plot also make Al seem like a genuine villain, with", "fight; Bob wins, and Al's plan is abandoned with public approval for the", "permanent closure of the community from the outside world as a perfect defence", "superficially, in a fantasy-fiction world, where a city-sized population resides an isolated, habitable", "will be a kind, friendly, competent and well-liked, whereas Bob, the protagonist, is", "and Bob are new members early on. Wanting to make Al a justifiable", "number three: > > Al gathers influence and persuades, rather than coerce, the", "both Al and Bob are new members early on. Wanting to make Al", "idea: > > Al seizes power and bring about certain political revolution. For" ]
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If I were to keep it to a single volume, I feel", "this process I realized that I need to decide if I am going", "to other works such as LOTR, which I think is only slightly larger", "epic scale story that I have planned out in great detail (while of", "the other hand, if I go into the level of detail that I", "of different events in my story. I looked for advice on this, and", "decide if I am going to try to do this in one volume", "single volume, I feel I would have to condense things and be too", "other hand, if I go into the level of detail that I enjoy", "am writing my first novel, which I think likely will end up being", "help me decide how to structure the overarching storyline, as well as: 1.", "and short stories, this is a very different challenge! My question is about", "volume 3. What level of detail to give to elements of the story.", "estimating the length of a work prior to writing. It is an epic", "how to structure the overarching storyline, as well as: 1. When to bring", "elements of the story. If I were to keep it to a single", "would have to condense things and be too superficial. On the other hand,", "on this, and I found reading [this thread](https://writers.stackexchange.com/questions/6506/how-to-write-time-duration-correctly) helpful. However, estimating length isn't", "volumes. Although I have a lot of experience in poetry and short stories,", "is a very different challenge! My question is about estimating the length of", "story arcs together 2. Whether I need to shape a wrap-up/cliffhanger for each", "well as: 1. When to bring the story arcs together 2. Whether I", "level of detail to give to elements of the story. If I were", "if I go into the level of detail that I enjoy (and have", "writing long pieces makes it difficult to conceptualize the relative weight of different", "I found reading [this thread](https://writers.stackexchange.com/questions/6506/how-to-write-time-duration-correctly) helpful. However, estimating length isn't much addressed. Is", "to structure the overarching storyline, as well as: 1. When to bring the", "I have a lot of experience in poetry and short stories, this is", "very different challenge! My question is about estimating the length of a work", "I have planned out in great detail (while of course remaining flexible). I", "I attempted comparing it to other works such as LOTR, which I think", "the length of a work prior to writing. It is an epic scale", "have planned out in great detail (while of course remaining flexible). I have", "one volume or multiple. This will help me decide how to structure the", "of course remaining flexible). I have outlined it and started to write pieces", "were to keep it to a single volume, I feel I would have", "other works such as LOTR, which I think is only slightly larger in", "great detail (while of course remaining flexible). I have outlined it and started", "I am going to try to do this in one volume or multiple.", "arcs together 2. Whether I need to shape a wrap-up/cliffhanger for each volume", "me decide how to structure the overarching storyline, as well as: 1. When", "difficult to conceptualize the relative weight of different events in my story. I", "spread into a series of several books. I attempted comparing it to other", "writing. In this process I realized that I need to decide if I", "looked for advice on this, and I found reading [this thread](https://writers.stackexchange.com/questions/6506/how-to-write-time-duration-correctly) helpful. However,", "likely will end up being several volumes. Although I have a lot of", "this is a very different challenge! My question is about estimating the length", "up being several volumes. Although I have a lot of experience in poetry", "work prior to writing. It is an epic scale story that I have", "is an epic scale story that I have planned out in great detail", "feel I would have to condense things and be too superficial. On the", "in scale, but my limited experience writing long pieces makes it difficult to", "of experience in poetry and short stories, this is a very different challenge!", "to writing. It is an epic scale story that I have planned out", "is about estimating the length of a work prior to writing. It is", "is only slightly larger in scale, but my limited experience writing long pieces", "of detail to give to elements of the story. If I were to", "to decide if I am going to try to do this in one", "things and be too superficial. On the other hand, if I go into", "each volume 3. What level of detail to give to elements of the", "limited experience writing long pieces makes it difficult to conceptualize the relative weight", "it and started to write pieces of it, but still am easily less", "but my limited experience writing long pieces makes it difficult to conceptualize the", "am going to try to do this in one volume or multiple. This", "the overarching storyline, as well as: 1. When to bring the story arcs", "a very different challenge! My question is about estimating the length of a", "length of a work prior to writing. It is an epic scale story", "(while of course remaining flexible). I have outlined it and started to write", "experience writing long pieces makes it difficult to conceptualize the relative weight of", "have used in short stories), it could easily spread into a series of", "relative weight of different events in my story. I looked for advice on", "I need to shape a wrap-up/cliffhanger for each volume 3. What level of", "a single volume, I feel I would have to condense things and be", "scale, but my limited experience writing long pieces makes it difficult to conceptualize", "1% into actual writing. In this process I realized that I need to", "an epic scale story that I have planned out in great detail (while", "enjoy (and have used in short stories), it could easily spread into a", "slightly larger in scale, but my limited experience writing long pieces makes it", "the story. If I were to keep it to a single volume, I", "long pieces makes it difficult to conceptualize the relative weight of different events", "to shape a wrap-up/cliffhanger for each volume 3. What level of detail to", "the relative weight of different events in my story. I looked for advice", "I looked for advice on this, and I found reading [this thread](https://writers.stackexchange.com/questions/6506/how-to-write-time-duration-correctly) helpful.", "as: 1. When to bring the story arcs together 2. Whether I need", "When to bring the story arcs together 2. Whether I need to shape", "I think likely will end up being several volumes. Although I have a", "a work prior to writing. It is an epic scale story that I", "stories, this is a very different challenge! My question is about estimating the", "volume, I feel I would have to condense things and be too superficial.", "go into the level of detail that I enjoy (and have used in", "into the level of detail that I enjoy (and have used in short", "have a lot of experience in poetry and short stories, this is a", "LOTR, which I think is only slightly larger in scale, but my limited", "2. Whether I need to shape a wrap-up/cliffhanger for each volume 3. What", "planned out in great detail (while of course remaining flexible). I have outlined", "reading [this thread](https://writers.stackexchange.com/questions/6506/how-to-write-time-duration-correctly) helpful. However, estimating length isn't much addressed. Is there a", "pieces makes it difficult to conceptualize the relative weight of different events in", "bring the story arcs together 2. Whether I need to shape a wrap-up/cliffhanger", "to conceptualize the relative weight of different events in my story. I looked", "to bring the story arcs together 2. Whether I need to shape a", "have outlined it and started to write pieces of it, but still am", "and I found reading [this thread](https://writers.stackexchange.com/questions/6506/how-to-write-time-duration-correctly) helpful. However, estimating length isn't much addressed.", "1. When to bring the story arcs together 2. Whether I need to", "I need to decide if I am going to try to do this", "structure the overarching storyline, as well as: 1. When to bring the story", "What level of detail to give to elements of the story. If I", "weight of different events in my story. I looked for advice on this,", "started to write pieces of it, but still am easily less than 1%", "I would have to condense things and be too superficial. On the other", "less than 1% into actual writing. In this process I realized that I", "give to elements of the story. If I were to keep it to", "for advice on this, and I found reading [this thread](https://writers.stackexchange.com/questions/6506/how-to-write-time-duration-correctly) helpful. However, estimating", "still am easily less than 1% into actual writing. In this process I", "writing. It is an epic scale story that I have planned out in", "It is an epic scale story that I have planned out in great", "try to do this in one volume or multiple. This will help me", "books. I attempted comparing it to other works such as LOTR, which I", "to do this in one volume or multiple. This will help me decide", "which I think is only slightly larger in scale, but my limited experience", "going to try to do this in one volume or multiple. This will", "too superficial. On the other hand, if I go into the level of", "in one volume or multiple. This will help me decide how to structure", "such as LOTR, which I think is only slightly larger in scale, but", "it to other works such as LOTR, which I think is only slightly", "in great detail (while of course remaining flexible). I have outlined it and", "I go into the level of detail that I enjoy (and have used", "outlined it and started to write pieces of it, but still am easily", "pieces of it, but still am easily less than 1% into actual writing.", "condense things and be too superficial. On the other hand, if I go", "larger in scale, but my limited experience writing long pieces makes it difficult", "being several volumes. Although I have a lot of experience in poetry and", "that I need to decide if I am going to try to do", "to try to do this in one volume or multiple. This will help", "used in short stories), it could easily spread into a series of several", "different challenge! My question is about estimating the length of a work prior", "makes it difficult to conceptualize the relative weight of different events in my", "On the other hand, if I go into the level of detail that", "[this thread](https://writers.stackexchange.com/questions/6506/how-to-write-time-duration-correctly) helpful. However, estimating length isn't much addressed. Is there a method", "helpful. However, estimating length isn't much addressed. Is there a method for this?", "a series of several books. I attempted comparing it to other works such", "detail that I enjoy (and have used in short stories), it could easily", "of several books. I attempted comparing it to other works such as LOTR,", "to write pieces of it, but still am easily less than 1% into", "superficial. On the other hand, if I go into the level of detail", "challenge! My question is about estimating the length of a work prior to", "attempted comparing it to other works such as LOTR, which I think is", "my limited experience writing long pieces makes it difficult to conceptualize the relative", "easily less than 1% into actual writing. In this process I realized that", "(and have used in short stories), it could easily spread into a series", "detail (while of course remaining flexible). I have outlined it and started to", "I realized that I need to decide if I am going to try", "decide how to structure the overarching storyline, as well as: 1. When to", "several books. I attempted comparing it to other works such as LOTR, which", "end up being several volumes. Although I have a lot of experience in", "lot of experience in poetry and short stories, this is a very different", "that I have planned out in great detail (while of course remaining flexible).", "shape a wrap-up/cliffhanger for each volume 3. What level of detail to give", "be too superficial. On the other hand, if I go into the level", "volume or multiple. This will help me decide how to structure the overarching", "storyline, as well as: 1. When to bring the story arcs together 2.", "process I realized that I need to decide if I am going to", "than 1% into actual writing. In this process I realized that I need", "poetry and short stories, this is a very different challenge! My question is", "to elements of the story. If I were to keep it to a", "several volumes. Although I have a lot of experience in poetry and short", "and be too superficial. On the other hand, if I go into the", "in short stories), it could easily spread into a series of several books.", "series of several books. I attempted comparing it to other works such as", "to give to elements of the story. If I were to keep it", "this, and I found reading [this thread](https://writers.stackexchange.com/questions/6506/how-to-write-time-duration-correctly) helpful. However, estimating length isn't much", "stories), it could easily spread into a series of several books. I attempted", "keep it to a single volume, I feel I would have to condense", "only slightly larger in scale, but my limited experience writing long pieces makes", "comparing it to other works such as LOTR, which I think is only", "flexible). I have outlined it and started to write pieces of it, but", "found reading [this thread](https://writers.stackexchange.com/questions/6506/how-to-write-time-duration-correctly) helpful. However, estimating length isn't much addressed. Is there", "together 2. Whether I need to shape a wrap-up/cliffhanger for each volume 3.", "a lot of experience in poetry and short stories, this is a very", "prior to writing. It is an epic scale story that I have planned", "story that I have planned out in great detail (while of course remaining", "level of detail that I enjoy (and have used in short stories), it", "could easily spread into a series of several books. I attempted comparing it", "remaining flexible). I have outlined it and started to write pieces of it,", "or multiple. This will help me decide how to structure the overarching storyline,", "This will help me decide how to structure the overarching storyline, as well", "my first novel, which I think likely will end up being several volumes.", "detail to give to elements of the story. If I were to keep", "writing my first novel, which I think likely will end up being several", "actual writing. In this process I realized that I need to decide if", "this in one volume or multiple. This will help me decide how to", "am easily less than 1% into actual writing. In this process I realized", "first novel, which I think likely will end up being several volumes. Although", "it to a single volume, I feel I would have to condense things", "it difficult to conceptualize the relative weight of different events in my story.", "thread](https://writers.stackexchange.com/questions/6506/how-to-write-time-duration-correctly) helpful. However, estimating length isn't much addressed. Is there a method for", "wrap-up/cliffhanger for each volume 3. What level of detail to give to elements", "do this in one volume or multiple. This will help me decide how", "overarching storyline, as well as: 1. When to bring the story arcs together", "different events in my story. I looked for advice on this, and I", "story. I looked for advice on this, and I found reading [this thread](https://writers.stackexchange.com/questions/6506/how-to-write-time-duration-correctly)", "and started to write pieces of it, but still am easily less than", "will help me decide how to structure the overarching storyline, as well as:", "advice on this, and I found reading [this thread](https://writers.stackexchange.com/questions/6506/how-to-write-time-duration-correctly) helpful. However, estimating length", "my story. I looked for advice on this, and I found reading [this", "short stories, this is a very different challenge! My question is about estimating", "out in great detail (while of course remaining flexible). I have outlined it", "need to decide if I am going to try to do this in", "to a single volume, I feel I would have to condense things and", "of the story. If I were to keep it to a single volume,", "to keep it to a single volume, I feel I would have to", "for each volume 3. What level of detail to give to elements of", "hand, if I go into the level of detail that I enjoy (and", "Whether I need to shape a wrap-up/cliffhanger for each volume 3. What level", "think likely will end up being several volumes. Although I have a lot", "If I were to keep it to a single volume, I feel I", "experience in poetry and short stories, this is a very different challenge! My", "of it, but still am easily less than 1% into actual writing. In", "I think is only slightly larger in scale, but my limited experience writing", "of a work prior to writing. It is an epic scale story that", "to condense things and be too superficial. On the other hand, if I", "it could easily spread into a series of several books. I attempted comparing", "think is only slightly larger in scale, but my limited experience writing long", "but still am easily less than 1% into actual writing. In this process", "I feel I would have to condense things and be too superficial. On", "easily spread into a series of several books. I attempted comparing it to", "as well as: 1. When to bring the story arcs together 2. Whether", "into actual writing. In this process I realized that I need to decide", "have to condense things and be too superficial. On the other hand, if", "a wrap-up/cliffhanger for each volume 3. What level of detail to give to", "conceptualize the relative weight of different events in my story. I looked for", "I am writing my first novel, which I think likely will end up", "into a series of several books. I attempted comparing it to other works", "in my story. I looked for advice on this, and I found reading", "novel, which I think likely will end up being several volumes. Although I", "the story arcs together 2. Whether I need to shape a wrap-up/cliffhanger for", "events in my story. I looked for advice on this, and I found", "as LOTR, which I think is only slightly larger in scale, but my", "realized that I need to decide if I am going to try to", "of detail that I enjoy (and have used in short stories), it could", "My question is about estimating the length of a work prior to writing.", "short stories), it could easily spread into a series of several books. I", "In this process I realized that I need to decide if I am", "works such as LOTR, which I think is only slightly larger in scale,", "in poetry and short stories, this is a very different challenge! My question", "the level of detail that I enjoy (and have used in short stories),", "I have outlined it and started to write pieces of it, but still", "course remaining flexible). I have outlined it and started to write pieces of", "I enjoy (and have used in short stories), it could easily spread into", "I were to keep it to a single volume, I feel I would", "that I enjoy (and have used in short stories), it could easily spread", "which I think likely will end up being several volumes. Although I have", "if I am going to try to do this in one volume or", "question is about estimating the length of a work prior to writing. It" ]
[ "works, does one still stand a chance in the world of modern publishing?", "true in others. As a writer with no ambitions to write series and", "one-shot works, does one still stand a chance in the world of modern", "is part of a series - this is doubly true in the Fantasy", "doubly true in the Fantasy and Sci-Fi genres, but no less true in", "I've been noticing a general truth in bookstores: Nearly every new book on", "of a series - this is doubly true in the Fantasy and Sci-Fi", "no less true in others. As a writer with no ambitions to write", "a writer with no ambitions to write series and preferring to focus on", "general truth in bookstores: Nearly every new book on the shelf is part", "been noticing a general truth in bookstores: Nearly every new book on the", "every new book on the shelf is part of a series - this", "in bookstores: Nearly every new book on the shelf is part of a", "on the shelf is part of a series - this is doubly true", "writer with no ambitions to write series and preferring to focus on one-shot", "ambitions to write series and preferring to focus on one-shot works, does one", "to focus on one-shot works, does one still stand a chance in the", "put, I've been noticing a general truth in bookstores: Nearly every new book", "and Sci-Fi genres, but no less true in others. As a writer with", "is doubly true in the Fantasy and Sci-Fi genres, but no less true", "shelf is part of a series - this is doubly true in the", "no ambitions to write series and preferring to focus on one-shot works, does", "to write series and preferring to focus on one-shot works, does one still", "with no ambitions to write series and preferring to focus on one-shot works,", "this is doubly true in the Fantasy and Sci-Fi genres, but no less", "Sci-Fi genres, but no less true in others. As a writer with no", "focus on one-shot works, does one still stand a chance in the world", "Simply put, I've been noticing a general truth in bookstores: Nearly every new", "preferring to focus on one-shot works, does one still stand a chance in", "Fantasy and Sci-Fi genres, but no less true in others. As a writer", "in others. As a writer with no ambitions to write series and preferring", "bookstores: Nearly every new book on the shelf is part of a series", "and preferring to focus on one-shot works, does one still stand a chance", "- this is doubly true in the Fantasy and Sci-Fi genres, but no", "a series - this is doubly true in the Fantasy and Sci-Fi genres,", "others. As a writer with no ambitions to write series and preferring to", "new book on the shelf is part of a series - this is", "write series and preferring to focus on one-shot works, does one still stand", "series and preferring to focus on one-shot works, does one still stand a", "truth in bookstores: Nearly every new book on the shelf is part of", "true in the Fantasy and Sci-Fi genres, but no less true in others.", "book on the shelf is part of a series - this is doubly", "noticing a general truth in bookstores: Nearly every new book on the shelf", "the shelf is part of a series - this is doubly true in", "in the Fantasy and Sci-Fi genres, but no less true in others. As", "less true in others. As a writer with no ambitions to write series", "genres, but no less true in others. As a writer with no ambitions", "but no less true in others. As a writer with no ambitions to", "the Fantasy and Sci-Fi genres, but no less true in others. As a", "a general truth in bookstores: Nearly every new book on the shelf is", "part of a series - this is doubly true in the Fantasy and", "series - this is doubly true in the Fantasy and Sci-Fi genres, but", "As a writer with no ambitions to write series and preferring to focus", "on one-shot works, does one still stand a chance in the world of", "Nearly every new book on the shelf is part of a series -" ]
[ "I should contact to get the legal rights to sell the books? I", "legal rights to sell the books? I am selling them to other countries", "I am selling them to other countries as well, so the prices would", "sell some books from different authors. Can anyone suggest who I should contact", "some books from different authors. Can anyone suggest who I should contact to", "contact to get the legal rights to sell the books? I am selling", "other countries as well, so the prices would be different. I just want", "them to other countries as well, so the prices would be different. I", "rights to sell the books? I am selling them to other countries as", "I have a website and I want to sell some books from different", "want to sell some books from different authors. Can anyone suggest who I", "from different authors. Can anyone suggest who I should contact to get the", "anyone suggest who I should contact to get the legal rights to sell", "the books? I am selling them to other countries as well, so the", "to sell some books from different authors. Can anyone suggest who I should", "as well, so the prices would be different. I just want everything to", "so the prices would be different. I just want everything to be legal.", "different authors. Can anyone suggest who I should contact to get the legal", "am selling them to other countries as well, so the prices would be", "countries as well, so the prices would be different. I just want everything", "sell the books? I am selling them to other countries as well, so", "I want to sell some books from different authors. Can anyone suggest who", "a website and I want to sell some books from different authors. Can", "books from different authors. Can anyone suggest who I should contact to get", "should contact to get the legal rights to sell the books? I am", "website and I want to sell some books from different authors. Can anyone", "have a website and I want to sell some books from different authors.", "and I want to sell some books from different authors. Can anyone suggest", "suggest who I should contact to get the legal rights to sell the", "to sell the books? I am selling them to other countries as well,", "well, so the prices would be different. I just want everything to be", "to other countries as well, so the prices would be different. I just", "the legal rights to sell the books? I am selling them to other", "Can anyone suggest who I should contact to get the legal rights to", "selling them to other countries as well, so the prices would be different.", "who I should contact to get the legal rights to sell the books?", "get the legal rights to sell the books? I am selling them to", "to get the legal rights to sell the books? I am selling them", "authors. Can anyone suggest who I should contact to get the legal rights", "books? I am selling them to other countries as well, so the prices" ]
[ "way to continue to refer to students, who aren't main/secondary characters, in order", "students in that environment, in order to discuss the variety and buzz of", "among her flock of clone-like friends. She, though very opinionated, was abnormally quiet", "An alternative to this would be just to sketch, in general terms, the", "about other main/secondary characters who are in the assembly hall as mentioning them", "introduced. It would be repetitive to talk about other main/secondary characters who are", "mention them again. It could look something like this: > > Suzy, who", "full of students, without making new characters or overusing pre-existing ones? A school", "of her chattering peers, timidly walked through the entrance passage of the assembly", "amount sat silently, back sunken into their red seats, awaiting the teachers to", "scenes as there is a high chance they will probably not be mentioned", "way to allude that a school is full of students, without making new", "couldn't help but believe these students thought such an event was a waste", "uniform rest his feet atop the empty chair in front of him. Though", "space. > > > An alternative to this would be just to sketch,", "weekends and others about rocket fuel. A distinct amount sat silently, back sunken", "chair in front of him. Though the room was full of astir teenagers", "making new characters or overusing pre-existing ones? A school is the main setting", "room/area. In this sense, is it better to be general? For example, a", "busyness of the room. This could be done by referring to students without", "students in the same room/area. In this sense, is it better to be", "could look something like this: > > Suzy, who was drawn in by", "be general? For example, a school assembly is occurring. The main character walks", "providing them a name, or talking about the group of students in a", "opinionated, was abnormally quiet for such a lively space. > > > An", "At this point, new characters will have to be introduced. It would be", "about creating new characters in such scenes as there is a high chance", "It would be repetitive to talk about other main/secondary characters who are in", "their weekends and others about rocket fuel. A distinct amount sat silently, back", "same room/area. In this sense, is it better to be general? For example,", "always refer to a new character, or monotonous when referring to a pre-existing", "behaviours of the students in that environment, in order to discuss the variety", "character, or monotonous when referring to a pre-existing character, when commenting on the", "manner, some about their weekends and others about rocket fuel. A distinct amount", "In this sense, is it better to be general? For example, a school", "was full of astir teenagers his voice was distinct and high, squawking louder", "waste of time. > > > The last example does change the scene", "room sat a piercing blonde among her flock of clone-like friends. She looked", "environment or the reactions of students in the same room/area. In this sense,", "referring to students without providing them a name, or talking about the group", "in front of him. Though the room was full of astir teenagers his", "right of the room sat a piercing blonde among her flock of clone-like", "be better to be general about these students and focus more on the", "the room sat piercingly-blonde Georgia among her flock of clone-like friends. She, though", "inspected her surroundings. Among the crowd, students talked in a lively manner, some", "is a way to allude that a school is full of students, without", "high, squawking louder than the rest about cars and rocket fuel. To the", "scene quite a bit, but it allows for the reader to see the", "remove the authenticity of the school, especially since such a setting has many", "Of course, when the main character decides to go sit with their friends", "to go sit with their friends (who are other main/secondary characters), it would", "the same room/area. In this sense, is it better to be general? For", "referring to a pre-existing character, when commenting on the buzz of the environment", "would be just to sketch, in general terms, the busyness of the room.", "characters), it would be appropriate to mention them again. It could look something", "red-head with a troubled uniform rest his feet atop the empty chair in", "of the text at this point is to comment on the various behaviours", "them would show no variety at all. Of course, when the main character", "of a book. The main and secondary characters majorly consist of students. In", "or talking about the group of students in a broad manner. Take the", "it would be appropriate to mention them again. It could look something like", "in a lively manner, some about their weekends and others about rocket fuel.", "the busyness of the room. This could be done by referring to students", "consist of students. In classes and school gatherings, I assume it would be", "of students in the same room/area. In this sense, is it better to", "However, this method does remove the authenticity of the school, especially since such", "school gatherings, I assume it would be overwhelming to always refer to a", "For example, a school assembly is occurring. The main character walks in, examining", "surroundings. Among the crowd of students a red-head with a troubled uniform rest", "to discuss the variety and buzz of the students in the school. At", "room. This could be done by referring to students without providing them a", "room. Behind her wisp of hair, she inspected her surroundings. Among the crowd,", "point, new characters will have to be introduced. It would be repetitive to", "the text at this point is to comment on the various behaviours of", "a new character, or monotonous when referring to a pre-existing character, when commenting", "talk about other main/secondary characters who are in the assembly hall as mentioning", "uniform, who rest his feet atop the empty chair in front of him.", "overwhelming to always refer to a new character, or monotonous when referring to", "the reader to see the whole room, rather than a few students in", "quiet for such a lively space. > > > An alternative to this", "to mention them again. It could look something like this: > > Suzy,", "rest his feet atop the empty chair in front of him. Though the", "or overusing pre-existing ones? A school is the main setting of a book.", "Among the crowd of students a red-head with a troubled uniform rest his", "of students, without making new characters or overusing pre-existing ones? A school is", "by the bustle of her chattering peers, timidly walked through the entrance passage", "school is full of students, without making new characters or overusing pre-existing ones?", "on the various behaviours of the students in that environment, in order to", "main and secondary characters majorly consist of students. In classes and school gatherings,", "buzz of the students in the school. At this point, new characters will", "passage of the assembly hall and into the large room. Behind her wisp", "allows for the reader to see the whole room, rather than a few", "of students in a broad manner. Take the previous scene, for example: >", "room. Behind her wisp of hair, she inspected her surroundings. Among the crowd", "rest about cars and rocket fuel. To the right of the room sat", "such a setting has many situations where many students will be in the", "She, though very opinionated, was abnormally quiet for such a lively space. >", "the large room. Behind her wisp of hair, she inspected her surroundings. Among", "room sat piercingly-blonde Georgia among her flock of clone-like friends. She, though very", "new characters in such scenes as there is a high chance they will", "refer to a new character, or monotonous when referring to a pre-existing character,", "distinct amount sat silently, back sunken into their red seats, awaiting the teachers", "and school gatherings, I assume it would be overwhelming to always refer to", "go sit with their friends (who are other main/secondary characters), it would be", "sit with their friends (who are other main/secondary characters), it would be appropriate", "space. > > > And further: > > Suzy, who was drawn in", "worried about creating new characters in such scenes as there is a high", "better to be general? For example, a school assembly is occurring. The main", "a broad manner. Take the previous scene, for example: > > Suzy, who", "of hair, she inspected her surroundings. Among the crowd, students talked in a", "Georgia among her flock of clone-like friends. She, though very opinionated, was abnormally", "the teachers to commence the assembly. Suzy couldn't help but believe these students", "abnormally quiet for such a lively space. > > > An alternative to", "to authenticate the 'size' of the school? Would it be best, in some", "to students without providing them a name, or talking about the group of", "school setting, what is a way to allude that a school is full", "to this would be just to sketch, in general terms, the busyness of", "Would it be best, in some cases to create new characters? Or would", "when the main character decides to go sit with their friends (who are", "main/secondary characters), it would be appropriate to mention them again. It could look", "with their friends (who are other main/secondary characters), it would be appropriate to", "new characters will have to be introduced. It would be repetitive to talk", "empty chair in front of him. Though the room was full of astir", "of clone-like friends. She, though very opinionated, was abnormally quiet for such a", "to allude that a school is full of students, without making new characters", "to commence the assembly. Suzy couldn't help but believe these students thought such", "crowd of students a red-head with a troubled uniform rest his feet atop", "troubled uniform, who rest his feet atop the empty chair in front of", "at all. Of course, when the main character decides to go sit with", "to create new characters? Or would it be better to be general about", "such an event was a waste of time. > > > The last", "into the large room. Behind her wisp of hair, she inspected her surroundings.", "be mentioned again, which can confuse the reader as to why they were", "flock of clone-like friends. She looked abnormally quiet for such a lively space.", "cars and rocket fuel. To the right of the room sat a piercing", "> And further: > > Suzy, who was drawn in by the bustle", "What would be the best way to continue to refer to students, who", "does change the scene quite a bit, but it allows for the reader", "with a troubled uniform rest his feet atop the empty chair in front", "and into the large room. Behind her wisp of hair, she inspected her", "in such scenes as there is a high chance they will probably not", "has many situations where many students will be in the same room at", "school, especially since such a setting has many situations where many students will", "silently, back sunken into their red seats, awaiting the teachers to commence the", "of students was Rob, a red-head with a troubled uniform, who rest his", "were included in the first place. **TL;DR** – What would be the best", "some cases to create new characters? Or would it be better to be", "setting has many situations where many students will be in the same room", "a troubled uniform, who rest his feet atop the empty chair in front", "> > > An alternative to this would be just to sketch, in", "be just to sketch, in general terms, the busyness of the room. This", "students a red-head with a troubled uniform rest his feet atop the empty", "authenticity of the school, especially since such a setting has many situations where", "in the school. At this point, new characters will have to be introduced.", "some about their weekends and others about rocket fuel. A distinct amount sat", "lively space. > > > An alternative to this would be just to", "comment on the various behaviours of the students in that environment, in order", "friends. She, though very opinionated, was abnormally quiet for such a lively space.", "to be general about these students and focus more on the main characters", "ones? A school is the main setting of a book. The main and", "I assume it would be overwhelming to always refer to a new character,", "about rocket fuel. A distinct amount sat silently, back sunken into their red", "of students a red-head with a troubled uniform rest his feet atop the", "it better to be general? For example, a school assembly is occurring. The", "characters in such scenes as there is a high chance they will probably", "not be mentioned again, which can confuse the reader as to why they", "that a school is full of students, without making new characters or overusing", "look something like this: > > Suzy, who was drawn in by the", "the right of the room sat a piercing blonde among her flock of", "crowd of students was Rob, a red-head with a troubled uniform, who rest", "of hair, she inspected her surroundings. Among the crowd of students a red-head", "whole room, rather than a few students in the room. However, this method", "students in the school. At this point, new characters will have to be", "place. **TL;DR** – What would be the best way to continue to refer", "school? Would it be best, in some cases to create new characters? Or", "creating new characters in such scenes as there is a high chance they", "drawn in by the bustle of her chattering peers, timidly walked through the", "scene. The aim of the text at this point is to comment on", "**TL;DR** – What would be the best way to continue to refer to", "by referring to students without providing them a name, or talking about the", "In a school setting, what is a way to allude that a school", "examining the scene. The aim of the text at this point is to", "pre-existing character, when commenting on the buzz of the environment or the reactions", "characters majorly consist of students. In classes and school gatherings, I assume it", "rather than a few students in the room. However, this method does remove", "feet atop the empty chair in front of him. Though the room was", "their red seats, awaiting the teachers to commence the assembly. Suzy couldn't help", "this point, new characters will have to be introduced. It would be repetitive", "main character decides to go sit with their friends (who are other main/secondary", "example: > > Suzy, who was drawn in by the bustle of her", "to be general? For example, a school assembly is occurring. The main character", "chattering peers, timidly walked through the entrance passage of the assembly hall and", "which can confuse the reader as to why they were included in the", "large room. Behind her wisp of hair, she inspected her surroundings. Among the", "right of the room sat piercingly-blonde Georgia among her flock of clone-like friends.", "Behind her wisp of hair, she inspected her surroundings. Among the crowd of", "event was a waste of time. > > > The last example does", "in that environment, in order to discuss the variety and buzz of the", "other main/secondary characters who are in the assembly hall as mentioning them would", "to students, who aren't main/secondary characters, in order to authenticate the 'size' of", "in a broad manner. Take the previous scene, for example: > > Suzy,", "To the right of the room sat piercingly-blonde Georgia among her flock of", "it would be overwhelming to always refer to a new character, or monotonous", "a lively manner, some about their weekends and others about rocket fuel. A", "friends. She looked abnormally quiet for such a lively space. > > >", "In classes and school gatherings, I assume it would be overwhelming to always", "Suzy couldn't help but believe these students thought such an event was a", "would be appropriate to mention them again. It could look something like this:", "name, or talking about the group of students in a broad manner. Take", "classes, assemblies, sports days, etc). I'm worried about creating new characters in such", "blonde among her flock of clone-like friends. She looked abnormally quiet for such", "students, without making new characters or overusing pre-existing ones? A school is the", "(eg. classes, assemblies, sports days, etc). I'm worried about creating new characters in", "the main setting of a book. The main and secondary characters majorly consist", "> > An alternative to this would be just to sketch, in general", "the crowd, students talked in a lively manner, some about their weekends and", "same room at once (eg. classes, assemblies, sports days, etc). I'm worried about", "continue to refer to students, who aren't main/secondary characters, in order to authenticate", "entrance passage of the assembly hall and into the large room. Behind her", "students talked in a lively manner, some about their weekends and others about", "without making new characters or overusing pre-existing ones? A school is the main", "red-head with a troubled uniform, who rest his feet atop the empty chair", "change the scene quite a bit, but it allows for the reader to", "main setting of a book. The main and secondary characters majorly consist of", "The main character walks in, examining the scene. The aim of the text", "for such a lively space. > > > And further: > > Suzy,", "done by referring to students without providing them a name, or talking about", "troubled uniform rest his feet atop the empty chair in front of him.", "etc). I'm worried about creating new characters in such scenes as there is", "school is the main setting of a book. The main and secondary characters", "it allows for the reader to see the whole room, rather than a", "a high chance they will probably not be mentioned again, which can confuse", "of the students in that environment, in order to discuss the variety and", "cases to create new characters? Or would it be better to be general", "room. However, this method does remove the authenticity of the school, especially since", "the best way to continue to refer to students, who aren't main/secondary characters,", "the empty chair in front of him. Though the room was full of", "again. It could look something like this: > > Suzy, who was drawn", "wisp of hair, she inspected her surroundings. Among the crowd of students was", "a red-head with a troubled uniform rest his feet atop the empty chair", "without providing them a name, or talking about the group of students in", "Behind her wisp of hair, she inspected her surroundings. Among the crowd, students", "such scenes as there is a high chance they will probably not be", "to sketch, in general terms, the busyness of the room. This could be", "she inspected her surroundings. Among the crowd, students talked in a lively manner,", "to see the whole room, rather than a few students in the room.", "the crowd of students a red-head with a troubled uniform rest his feet", "thought such an event was a waste of time. > > > The", "it be better to be general about these students and focus more on", "mentioning them would show no variety at all. Of course, when the main", "a red-head with a troubled uniform, who rest his feet atop the empty", "school assembly is occurring. The main character walks in, examining the scene. The", "for the reader to see the whole room, rather than a few students", "but it allows for the reader to see the whole room, rather than", "to continue to refer to students, who aren't main/secondary characters, in order to", "setting, what is a way to allude that a school is full of", "she inspected her surroundings. Among the crowd of students a red-head with a", "clone-like friends. She, though very opinionated, was abnormally quiet for such a lively", "this would be just to sketch, in general terms, the busyness of the", "be repetitive to talk about other main/secondary characters who are in the assembly", "was Rob, a red-head with a troubled uniform, who rest his feet atop", "characters will have to be introduced. It would be repetitive to talk about", "repetitive to talk about other main/secondary characters who are in the assembly hall", "commence the assembly. Suzy couldn't help but believe these students thought such an", "the variety and buzz of the students in the school. At this point,", "general about these students and focus more on the main characters in that", "create new characters? Or would it be better to be general about these", "best, in some cases to create new characters? Or would it be better", "teachers to commence the assembly. Suzy couldn't help but believe these students thought", "room was full of astir teenagers his voice was distinct and high, squawking", "a piercing blonde among her flock of clone-like friends. She looked abnormally quiet", "manner. Take the previous scene, for example: > > Suzy, who was drawn", "crowd, students talked in a lively manner, some about their weekends and others", "is the main setting of a book. The main and secondary characters majorly", "in, examining the scene. The aim of the text at this point is", "characters or overusing pre-existing ones? A school is the main setting of a", "– What would be the best way to continue to refer to students,", "of him. Though the room was full of astir teenagers his voice was", "sports days, etc). I'm worried about creating new characters in such scenes as", "'size' of the school? Would it be best, in some cases to create", "there is a high chance they will probably not be mentioned again, which", "would show no variety at all. Of course, when the main character decides", "the assembly hall and into the large room. Behind her wisp of hair,", "in the same room/area. In this sense, is it better to be general?", "and buzz of the students in the school. At this point, new characters", "> > Suzy, who was drawn in by the bustle of her chattering", "room, rather than a few students in the room. However, this method does", "lively space. > > > And further: > > Suzy, who was drawn", "inspected her surroundings. Among the crowd of students a red-head with a troubled", "surroundings. Among the crowd of students was Rob, a red-head with a troubled", "and rocket fuel. To the right of the room sat a piercing blonde", "these students and focus more on the main characters in that environment? Thanks!", "with a troubled uniform, who rest his feet atop the empty chair in", "allude that a school is full of students, without making new characters or", "broad manner. Take the previous scene, for example: > > Suzy, who was", "be best, in some cases to create new characters? Or would it be", "I'm worried about creating new characters in such scenes as there is a", "And further: > > Suzy, who was drawn in by the bustle of", "seats, awaiting the teachers to commence the assembly. Suzy couldn't help but believe", "room at once (eg. classes, assemblies, sports days, etc). I'm worried about creating", "of the room sat a piercing blonde among her flock of clone-like friends.", "to a new character, or monotonous when referring to a pre-existing character, when", "show no variety at all. Of course, when the main character decides to", "and rocket fuel. To the right of the room sat piercingly-blonde Georgia among", "the first place. **TL;DR** – What would be the best way to continue", "the school? Would it be best, in some cases to create new characters?", "a name, or talking about the group of students in a broad manner.", "to why they were included in the first place. **TL;DR** – What would", "would be repetitive to talk about other main/secondary characters who are in the", "lively manner, some about their weekends and others about rocket fuel. A distinct", "believe these students thought such an event was a waste of time. >", "especially since such a setting has many situations where many students will be", "walked through the entrance passage of the assembly hall and into the large", "could be done by referring to students without providing them a name, or", "variety and buzz of the students in the school. At this point, new", "group of students in a broad manner. Take the previous scene, for example:", "Suzy, who was drawn in by the bustle of her chattering peers, timidly", "character walks in, examining the scene. The aim of the text at this", "many students will be in the same room at once (eg. classes, assemblies,", "see the whole room, rather than a few students in the room. However,", "his voice was distinct and high, squawking louder than the rest about cars", "is a high chance they will probably not be mentioned again, which can", "of students. In classes and school gatherings, I assume it would be overwhelming", "refer to students, who aren't main/secondary characters, in order to authenticate the 'size'", "the environment or the reactions of students in the same room/area. In this", "fuel. A distinct amount sat silently, back sunken into their red seats, awaiting", "the crowd of students was Rob, a red-head with a troubled uniform, who", "setting of a book. The main and secondary characters majorly consist of students.", "various behaviours of the students in that environment, in order to discuss the", "looked abnormally quiet for such a lively space. > > > And further:", "method does remove the authenticity of the school, especially since such a setting", "that environment, in order to discuss the variety and buzz of the students", "a few students in the room. However, this method does remove the authenticity", "first place. **TL;DR** – What would be the best way to continue to", "them a name, or talking about the group of students in a broad", "aim of the text at this point is to comment on the various", "it be best, in some cases to create new characters? Or would it", "main character walks in, examining the scene. The aim of the text at", "his feet atop the empty chair in front of him. Though the room", "new characters or overusing pre-existing ones? A school is the main setting of", "into their red seats, awaiting the teachers to commence the assembly. Suzy couldn't", "students, who aren't main/secondary characters, in order to authenticate the 'size' of the", "characters, in order to authenticate the 'size' of the school? Would it be", "of clone-like friends. She looked abnormally quiet for such a lively space. >", "new characters? Or would it be better to be general about these students", "a setting has many situations where many students will be in the same", "Though the room was full of astir teenagers his voice was distinct and", "> Suzy, who was drawn in by the bustle of her chattering peers,", "than the rest about cars and rocket fuel. To the right of the", "characters? Or would it be better to be general about these students and", "to be introduced. It would be repetitive to talk about other main/secondary characters", "It could look something like this: > > Suzy, who was drawn in", "Rob, a red-head with a troubled uniform, who rest his feet atop the", "a bit, but it allows for the reader to see the whole room,", "about cars and rocket fuel. To the right of the room sat piercingly-blonde", "when referring to a pre-existing character, when commenting on the buzz of the", "the scene. The aim of the text at this point is to comment", "overusing pre-existing ones? A school is the main setting of a book. The", "a troubled uniform rest his feet atop the empty chair in front of", "a pre-existing character, when commenting on the buzz of the environment or the", "Among the crowd of students was Rob, a red-head with a troubled uniform,", "a lively space. > > > An alternative to this would be just", "at once (eg. classes, assemblies, sports days, etc). I'm worried about creating new", "the scene quite a bit, but it allows for the reader to see", "of the school, especially since such a setting has many situations where many", "authenticate the 'size' of the school? Would it be best, in some cases", "students in the room. However, this method does remove the authenticity of the", "all. Of course, when the main character decides to go sit with their", "The aim of the text at this point is to comment on the", "this method does remove the authenticity of the school, especially since such a", "would be overwhelming to always refer to a new character, or monotonous when", "voice was distinct and high, squawking louder than the rest about cars and", "the school, especially since such a setting has many situations where many students", "characters who are in the assembly hall as mentioning them would show no", "terms, the busyness of the room. This could be done by referring to", "the previous scene, for example: > > Suzy, who was drawn in by", "where many students will be in the same room at once (eg. classes,", "a school setting, what is a way to allude that a school is", "she inspected her surroundings. Among the crowd of students was Rob, a red-head", "her wisp of hair, she inspected her surroundings. Among the crowd of students", "her flock of clone-like friends. She looked abnormally quiet for such a lively", "others about rocket fuel. A distinct amount sat silently, back sunken into their", "students will be in the same room at once (eg. classes, assemblies, sports", "(who are other main/secondary characters), it would be appropriate to mention them again.", "be the best way to continue to refer to students, who aren't main/secondary", "order to discuss the variety and buzz of the students in the school.", "about cars and rocket fuel. To the right of the room sat a", "situations where many students will be in the same room at once (eg.", "included in the first place. **TL;DR** – What would be the best way", "> An alternative to this would be just to sketch, in general terms,", "was distinct and high, squawking louder than the rest about cars and rocket", "be done by referring to students without providing them a name, or talking", "her surroundings. Among the crowd of students a red-head with a troubled uniform", "general? For example, a school assembly is occurring. The main character walks in,", "mentioned again, which can confuse the reader as to why they were included", "through the entrance passage of the assembly hall and into the large room.", "of the room. This could be done by referring to students without providing", "her surroundings. Among the crowd, students talked in a lively manner, some about", "discuss the variety and buzz of the students in the school. At this", "example does change the scene quite a bit, but it allows for the", "was drawn in by the bustle of her chattering peers, timidly walked through", "assemblies, sports days, etc). I'm worried about creating new characters in such scenes", "this point is to comment on the various behaviours of the students in", "be in the same room at once (eg. classes, assemblies, sports days, etc).", "front of him. Though the room was full of astir teenagers his voice", "further: > > Suzy, who was drawn in by the bustle of her", "was a waste of time. > > > The last example does change", "She looked abnormally quiet for such a lively space. > > > And", "what is a way to allude that a school is full of students,", "peers, timidly walked through the entrance passage of the assembly hall and into", "in the room. However, this method does remove the authenticity of the school,", "or the reactions of students in the same room/area. In this sense, is", "and secondary characters majorly consist of students. In classes and school gatherings, I", "quite a bit, but it allows for the reader to see the whole", "the room sat a piercing blonde among her flock of clone-like friends. She", "a school is full of students, without making new characters or overusing pre-existing", "for such a lively space. > > > An alternative to this would", "her wisp of hair, she inspected her surroundings. Among the crowd, students talked", "back sunken into their red seats, awaiting the teachers to commence the assembly.", "students. In classes and school gatherings, I assume it would be overwhelming to", "friends (who are other main/secondary characters), it would be appropriate to mention them", "as mentioning them would show no variety at all. Of course, when the", "assembly hall as mentioning them would show no variety at all. Of course,", "hair, she inspected her surroundings. Among the crowd of students was Rob, a", "an event was a waste of time. > > > The last example", "the bustle of her chattering peers, timidly walked through the entrance passage of", "among her flock of clone-like friends. She looked abnormally quiet for such a", "as to why they were included in the first place. **TL;DR** – What", "her flock of clone-like friends. She, though very opinionated, was abnormally quiet for", "decides to go sit with their friends (who are other main/secondary characters), it", "her chattering peers, timidly walked through the entrance passage of the assembly hall", "rocket fuel. To the right of the room sat piercingly-blonde Georgia among her", "a school assembly is occurring. The main character walks in, examining the scene.", "of hair, she inspected her surroundings. Among the crowd of students was Rob,", "when commenting on the buzz of the environment or the reactions of students", "though very opinionated, was abnormally quiet for such a lively space. > >", "Among the crowd, students talked in a lively manner, some about their weekends", "sat piercingly-blonde Georgia among her flock of clone-like friends. She, though very opinionated,", "in by the bustle of her chattering peers, timidly walked through the entrance", "very opinionated, was abnormally quiet for such a lively space. > > >", "was abnormally quiet for such a lively space. > > > An alternative", "can confuse the reader as to why they were included in the first", "such a lively space. > > > An alternative to this would be", "of the assembly hall and into the large room. Behind her wisp of", "character, when commenting on the buzz of the environment or the reactions of", "pre-existing ones? A school is the main setting of a book. The main", "hair, she inspected her surroundings. Among the crowd, students talked in a lively", "students thought such an event was a waste of time. > > >", "timidly walked through the entrance passage of the assembly hall and into the", "a waste of time. > > > The last example does change the", "hall and into the large room. Behind her wisp of hair, she inspected", "assembly. Suzy couldn't help but believe these students thought such an event was", "on the buzz of the environment or the reactions of students in the", "is it better to be general? For example, a school assembly is occurring.", "the authenticity of the school, especially since such a setting has many situations", "confuse the reader as to why they were included in the first place.", "assembly is occurring. The main character walks in, examining the scene. The aim", "walks in, examining the scene. The aim of the text at this point", "her surroundings. Among the crowd of students was Rob, a red-head with a", "high chance they will probably not be mentioned again, which can confuse the", "in order to discuss the variety and buzz of the students in the", "once (eg. classes, assemblies, sports days, etc). I'm worried about creating new characters", "the school. At this point, new characters will have to be introduced. It", "To the right of the room sat a piercing blonde among her flock", "the assembly. Suzy couldn't help but believe these students thought such an event", "> > > And further: > > Suzy, who was drawn in by", "the 'size' of the school? Would it be best, in some cases to", "course, when the main character decides to go sit with their friends (who", "Or would it be better to be general about these students and focus", "rocket fuel. To the right of the room sat a piercing blonde among", "the various behaviours of the students in that environment, in order to discuss", "this: > > Suzy, who was drawn in by the bustle of her", "and others about rocket fuel. A distinct amount sat silently, back sunken into", "last example does change the scene quite a bit, but it allows for", "the same room at once (eg. classes, assemblies, sports days, etc). I'm worried", "in the first place. **TL;DR** – What would be the best way to", "is to comment on the various behaviours of the students in that environment,", "of the environment or the reactions of students in the same room/area. In", "be introduced. It would be repetitive to talk about other main/secondary characters who", "rocket fuel. A distinct amount sat silently, back sunken into their red seats,", "are other main/secondary characters), it would be appropriate to mention them again. It", "astir teenagers his voice was distinct and high, squawking louder than the rest", "> > And further: > > Suzy, who was drawn in by the", "quiet for such a lively space. > > > And further: > >", "like this: > > Suzy, who was drawn in by the bustle of", "buzz of the environment or the reactions of students in the same room/area.", "bit, but it allows for the reader to see the whole room, rather", "the reader as to why they were included in the first place. **TL;DR**", "no variety at all. Of course, when the main character decides to go", "these students thought such an event was a waste of time. > >", "who aren't main/secondary characters, in order to authenticate the 'size' of the school?", "A school is the main setting of a book. The main and secondary", "teenagers his voice was distinct and high, squawking louder than the rest about", "of the room sat piercingly-blonde Georgia among her flock of clone-like friends. She,", "in order to authenticate the 'size' of the school? Would it be best,", "> The last example does change the scene quite a bit, but it", "piercing blonde among her flock of clone-like friends. She looked abnormally quiet for", "have to be introduced. It would be repetitive to talk about other main/secondary", "surroundings. Among the crowd, students talked in a lively manner, some about their", "abnormally quiet for such a lively space. > > > And further: >", "red seats, awaiting the teachers to commence the assembly. Suzy couldn't help but", "of the students in the school. At this point, new characters will have", "for example: > > Suzy, who was drawn in by the bustle of", "them again. It could look something like this: > > Suzy, who was", "probably not be mentioned again, which can confuse the reader as to why", "but believe these students thought such an event was a waste of time.", "since such a setting has many situations where many students will be in", "sat silently, back sunken into their red seats, awaiting the teachers to commence", "book. The main and secondary characters majorly consist of students. In classes and", "environment, in order to discuss the variety and buzz of the students in", "atop the empty chair in front of him. Though the room was full", "time. > > > The last example does change the scene quite a", "such a lively space. > > > And further: > > Suzy, who", "about these students and focus more on the main characters in that environment?", "the buzz of the environment or the reactions of students in the same", "monotonous when referring to a pre-existing character, when commenting on the buzz of", "sat a piercing blonde among her flock of clone-like friends. She looked abnormally", "the students in the school. At this point, new characters will have to", "something like this: > > Suzy, who was drawn in by the bustle", "fuel. To the right of the room sat piercingly-blonde Georgia among her flock", "fuel. To the right of the room sat a piercing blonde among her", "chance they will probably not be mentioned again, which can confuse the reader", "The main and secondary characters majorly consist of students. In classes and school", "many situations where many students will be in the same room at once", "the whole room, rather than a few students in the room. However, this", "louder than the rest about cars and rocket fuel. To the right of", "why they were included in the first place. **TL;DR** – What would be", "will probably not be mentioned again, which can confuse the reader as to", "school. At this point, new characters will have to be introduced. It would", "are in the assembly hall as mentioning them would show no variety at", "piercingly-blonde Georgia among her flock of clone-like friends. She, though very opinionated, was", "days, etc). I'm worried about creating new characters in such scenes as there", "of the school? Would it be best, in some cases to create new", "him. Though the room was full of astir teenagers his voice was distinct", "just to sketch, in general terms, the busyness of the room. This could", "would it be better to be general about these students and focus more", "they will probably not be mentioned again, which can confuse the reader as", "general terms, the busyness of the room. This could be done by referring", "a book. The main and secondary characters majorly consist of students. In classes", "the reactions of students in the same room/area. In this sense, is it", "reactions of students in the same room/area. In this sense, is it better", "character decides to go sit with their friends (who are other main/secondary characters),", "cars and rocket fuel. To the right of the room sat piercingly-blonde Georgia", "in general terms, the busyness of the room. This could be done by", "a lively space. > > > And further: > > Suzy, who was", "who are in the assembly hall as mentioning them would show no variety", "students without providing them a name, or talking about the group of students", "the assembly hall as mentioning them would show no variety at all. 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Or would it be better to", "and high, squawking louder than the rest about cars and rocket fuel. To", "be appropriate to mention them again. It could look something like this: >", "will have to be introduced. It would be repetitive to talk about other", "is occurring. The main character walks in, examining the scene. The aim of", "best way to continue to refer to students, who aren't main/secondary characters, in", "gatherings, I assume it would be overwhelming to always refer to a new", "distinct and high, squawking louder than the rest about cars and rocket fuel.", "full of astir teenagers his voice was distinct and high, squawking louder than", "sketch, in general terms, the busyness of the room. This could be done", "talked in a lively manner, some about their weekends and others about rocket", "A distinct amount sat silently, back sunken into their red seats, awaiting the", "other main/secondary characters), it would be appropriate to mention them again. It could", "at this point is to comment on the various behaviours of the students", "help but believe these students thought such an event was a waste of", "about the group of students in a broad manner. Take the previous scene,", "in the assembly hall as mentioning them would show no variety at all.", "as there is a high chance they will probably not be mentioned again,", "> > > The last example does change the scene quite a bit,", "main/secondary characters, in order to authenticate the 'size' of the school? Would it", "who rest his feet atop the empty chair in front of him. Though", "The last example does change the scene quite a bit, but it allows", "who was drawn in by the bustle of her chattering peers, timidly walked", "will be in the same room at once (eg. classes, assemblies, sports days,", "students in a broad manner. Take the previous scene, for example: > >", "a way to allude that a school is full of students, without making", "majorly consist of students. 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Take the previous", "classes and school gatherings, I assume it would be overwhelming to always refer", "alternative to this would be just to sketch, in general terms, the busyness", "secondary characters majorly consist of students. In classes and school gatherings, I assume", "or monotonous when referring to a pre-existing character, when commenting on the buzz", "sunken into their red seats, awaiting the teachers to commence the assembly. Suzy", "to always refer to a new character, or monotonous when referring to a", "reader to see the whole room, rather than a few students in the", "they were included in the first place. **TL;DR** – What would be the", "text at this point is to comment on the various behaviours of the", "wisp of hair, she inspected her surroundings. Among the crowd of students a", "hair, she inspected her surroundings. Among the crowd of students a red-head with", "the students in that environment, in order to discuss the variety and buzz", "the rest about cars and rocket fuel. To the right of the room", "be general about these students and focus more on the main characters in", "inspected her surroundings. Among the crowd of students was Rob, a red-head with", "would be the best way to continue to refer to students, who aren't", "in the same room at once (eg. classes, assemblies, sports days, etc). I'm", "occurring. The main character walks in, examining the scene. The aim of the", "scene, for example: > > Suzy, who was drawn in by the bustle", "wisp of hair, she inspected her surroundings. Among the crowd, students talked in", "does remove the authenticity of the school, especially since such a setting has", "sense, is it better to be general? For example, a school assembly is", "is full of students, without making new characters or overusing pre-existing ones? A", "better to be general about these students and focus more on the main", "of time. > > > The last example does change the scene quite", "their friends (who are other main/secondary characters), it would be appropriate to mention", "than a few students in the room. However, this method does remove the", "Take the previous scene, for example: > > Suzy, who was drawn in", "squawking louder than the rest about cars and rocket fuel. To the right", "awaiting the teachers to commence the assembly. Suzy couldn't help but believe these", "about their weekends and others about rocket fuel. A distinct amount sat silently,", "assume it would be overwhelming to always refer to a new character, or", "to talk about other main/secondary characters who are in the assembly hall as", "the entrance passage of the assembly hall and into the large room. Behind", "this sense, is it better to be general? For example, a school assembly", "aren't main/secondary characters, in order to authenticate the 'size' of the school? Would", "flock of clone-like friends. She, though very opinionated, was abnormally quiet for such", "appropriate to mention them again. It could look something like this: > >", "the room. This could be done by referring to students without providing them", "variety at all. Of course, when the main character decides to go sit", "previous scene, for example: > > Suzy, who was drawn in by the", "main/secondary characters who are in the assembly hall as mentioning them would show", "the group of students in a broad manner. Take the previous scene, for", "point is to comment on the various behaviours of the students in that", "This could be done by referring to students without providing them a name,", "the right of the room sat piercingly-blonde Georgia among her flock of clone-like" ]
[ "I am writing about my protagonist and her long time best friend. How", "I convey closeness between the two characters in a way that feels like", "her long time best friend. How could I convey closeness between the two", "best friend. How could I convey closeness between the two characters in a", "two characters in a way that feels like it could be a real", "about my protagonist and her long time best friend. How could I convey", "am writing about my protagonist and her long time best friend. How could", "For example, I am writing about my protagonist and her long time best", "convey closeness between the two characters in a way that feels like it", "friend. How could I convey closeness between the two characters in a way", "and her long time best friend. How could I convey closeness between the", "closeness between the two characters in a way that feels like it could", "time best friend. How could I convey closeness between the two characters in", "between the two characters in a way that feels like it could be", "the two characters in a way that feels like it could be a", "my protagonist and her long time best friend. How could I convey closeness", "How could I convey closeness between the two characters in a way that", "long time best friend. How could I convey closeness between the two characters", "writing about my protagonist and her long time best friend. How could I", "example, I am writing about my protagonist and her long time best friend.", "characters in a way that feels like it could be a real relationship?", "protagonist and her long time best friend. How could I convey closeness between", "could I convey closeness between the two characters in a way that feels" ]
[ "asked me to write screenplay and not the script, hence I want to", "Someone asked me to write screenplay and not the script, hence I want", "me to write screenplay and not the script, hence I want to clarify." ]
[ "explain - in the words of a layman - about copyright in general,", "out for? Is it just enough to put © on everything, or is", "I'm still a long way from publishing, but I don't have the faintest", "still a long way from publishing, but I don't have the faintest clue", "publishing, but I don't have the faintest clue how it works. Does it", "- in the words of a layman - about copyright in general, I'd", "from publishing, but I don't have the faintest clue how it works. Does", "enough to put © on everything, or is there much more than that?", "the faintest clue how it works. Does it differ from country to country?", "someone could explain - in the words of a layman - about copyright", "differ from country to country? Are there any loopholes to watch out for?", "layman - about copyright in general, I'd be much obliged. I'm still a", "could explain - in the words of a layman - about copyright in", "obliged. I'm still a long way from publishing, but I don't have the", "faintest clue how it works. Does it differ from country to country? Are", "Does it differ from country to country? Are there any loopholes to watch", "of a layman - about copyright in general, I'd be much obliged. I'm", "it differ from country to country? Are there any loopholes to watch out", "to country? Are there any loopholes to watch out for? Is it just", "Is it just enough to put © on everything, or is there much", "it just enough to put © on everything, or is there much more", "watch out for? Is it just enough to put © on everything, or", "in general, I'd be much obliged. I'm still a long way from publishing,", "from country to country? Are there any loopholes to watch out for? Is", "much obliged. I'm still a long way from publishing, but I don't have", "to watch out for? Is it just enough to put © on everything,", "country to country? Are there any loopholes to watch out for? Is it", "loopholes to watch out for? Is it just enough to put © on", "words of a layman - about copyright in general, I'd be much obliged.", "don't have the faintest clue how it works. Does it differ from country", "- about copyright in general, I'd be much obliged. I'm still a long", "a long way from publishing, but I don't have the faintest clue how", "country? Are there any loopholes to watch out for? Is it just enough", "Are there any loopholes to watch out for? Is it just enough to", "have the faintest clue how it works. Does it differ from country to", "If someone could explain - in the words of a layman - about", "but I don't have the faintest clue how it works. Does it differ", "about copyright in general, I'd be much obliged. I'm still a long way", "the words of a layman - about copyright in general, I'd be much", "there any loopholes to watch out for? Is it just enough to put", "general, I'd be much obliged. I'm still a long way from publishing, but", "way from publishing, but I don't have the faintest clue how it works.", "long way from publishing, but I don't have the faintest clue how it", "copyright in general, I'd be much obliged. I'm still a long way from", "how it works. Does it differ from country to country? Are there any", "a layman - about copyright in general, I'd be much obliged. I'm still", "it works. Does it differ from country to country? Are there any loopholes", "I don't have the faintest clue how it works. Does it differ from", "for? Is it just enough to put © on everything, or is there", "any loopholes to watch out for? Is it just enough to put ©", "be much obliged. I'm still a long way from publishing, but I don't", "in the words of a layman - about copyright in general, I'd be", "I'd be much obliged. I'm still a long way from publishing, but I", "just enough to put © on everything, or is there much more than", "works. Does it differ from country to country? Are there any loopholes to", "clue how it works. Does it differ from country to country? Are there" ]
[ "large. > > > OR > > The coach was black, dusty and", "of three have one or two commas? For example: > > The coach", "For instance, should a series of three have one or two commas? For", "is generally pretty black and white, but there are a few areas under", "a hotly debated topic for some people, so please refrain from debating which", "debated topic for some people, so please refrain from debating which example is", "a few areas under debate. For instance, should a series of three have", "example: > > The coach was black, dusty, and large. > > >", "dusty and large. > > > What happens if I write a novel", "dusty, and large. > > > OR > > The coach was black,", "black, dusty, and large. > > > OR > > The coach was", "and large. > > > OR > > The coach was black, dusty", "large. > > > What happens if I write a novel using the", "I realize this is a hotly debated topic for some people, so please", "for some people, so please refrain from debating which example is correct. That", "using the first example, but the publisher/editor 'corrects' it to the second example?", "black and white, but there are a few areas under debate. For instance,", "*Note: I realize this is a hotly debated topic for some people, so", "to the second example? Do I have any say in the matter? *Note:", "For example: > > The coach was black, dusty, and large. > >", "> > The coach was black, dusty and large. > > > What", "> The coach was black, dusty, and large. > > > OR >", "hotly debated topic for some people, so please refrain from debating which example", "should a series of three have one or two commas? For example: >", "people, so please refrain from debating which example is correct. That is not", "two commas? For example: > > The coach was black, dusty, and large.", "I have any say in the matter? *Note: I realize this is a", "example, but the publisher/editor 'corrects' it to the second example? Do I have", "and large. > > > What happens if I write a novel using", "The coach was black, dusty and large. > > > What happens if", "generally pretty black and white, but there are a few areas under debate.", "are a few areas under debate. For instance, should a series of three", "second example? Do I have any say in the matter? *Note: I realize", "so please refrain from debating which example is correct. That is not the", "in the matter? *Note: I realize this is a hotly debated topic for", "a series of three have one or two commas? For example: > >", "> OR > > The coach was black, dusty and large. > >", "series of three have one or two commas? For example: > > The", "a novel using the first example, but the publisher/editor 'corrects' it to the", "but the publisher/editor 'corrects' it to the second example? Do I have any", "three have one or two commas? For example: > > The coach was", "pretty black and white, but there are a few areas under debate. For", "> What happens if I write a novel using the first example, but", "is a hotly debated topic for some people, so please refrain from debating", "the matter? *Note: I realize this is a hotly debated topic for some", "black, dusty and large. > > > What happens if I write a", "What happens if I write a novel using the first example, but the", "the second example? Do I have any say in the matter? *Note: I", "and white, but there are a few areas under debate. For instance, should", "say in the matter? *Note: I realize this is a hotly debated topic", "> > > OR > > The coach was black, dusty and large.", "some people, so please refrain from debating which example is correct. That is", "or two commas? For example: > > The coach was black, dusty, and", "> The coach was black, dusty and large. > > > What happens", "OR > > The coach was black, dusty and large. > > >", "example? Do I have any say in the matter? *Note: I realize this", "this is a hotly debated topic for some people, so please refrain from", "Do I have any say in the matter? *Note: I realize this is", "> > OR > > The coach was black, dusty and large. >", "but there are a few areas under debate. For instance, should a series", "coach was black, dusty and large. > > > What happens if I", "write a novel using the first example, but the publisher/editor 'corrects' it to", "commas? For example: > > The coach was black, dusty, and large. >", "first example, but the publisher/editor 'corrects' it to the second example? Do I", "realize this is a hotly debated topic for some people, so please refrain", "the first example, but the publisher/editor 'corrects' it to the second example? Do", "few areas under debate. For instance, should a series of three have one", "it to the second example? Do I have any say in the matter?", "> > The coach was black, dusty, and large. > > > OR", "I write a novel using the first example, but the publisher/editor 'corrects' it", "happens if I write a novel using the first example, but the publisher/editor", "there are a few areas under debate. For instance, should a series of", "the publisher/editor 'corrects' it to the second example? Do I have any say", "> > > What happens if I write a novel using the first", "'corrects' it to the second example? Do I have any say in the", "was black, dusty, and large. > > > OR > > The coach", "> > What happens if I write a novel using the first example,", "areas under debate. For instance, should a series of three have one or", "debate. For instance, should a series of three have one or two commas?", "have one or two commas? For example: > > The coach was black,", "novel using the first example, but the publisher/editor 'corrects' it to the second", "please refrain from debating which example is correct. That is not the question.*", "instance, should a series of three have one or two commas? For example:", "if I write a novel using the first example, but the publisher/editor 'corrects'", "The coach was black, dusty, and large. > > > OR > >", "matter? *Note: I realize this is a hotly debated topic for some people,", "white, but there are a few areas under debate. For instance, should a", "under debate. For instance, should a series of three have one or two", "was black, dusty and large. > > > What happens if I write", "coach was black, dusty, and large. > > > OR > > The", "one or two commas? For example: > > The coach was black, dusty,", "topic for some people, so please refrain from debating which example is correct.", "publisher/editor 'corrects' it to the second example? Do I have any say in", "have any say in the matter? *Note: I realize this is a hotly", "any say in the matter? *Note: I realize this is a hotly debated", "English grammar is generally pretty black and white, but there are a few", "grammar is generally pretty black and white, but there are a few areas" ]
[ "am not aware of, and is there any current debate on the validity", "more I am not aware of, and is there any current debate on", "story... What are the sources for these numbers, are there more I am", "here that 100,000 words is about right for a novel, 20,000 is about", "is about right for a novel, 20,000 is about a novella and much", "20,000 is about a novella and much too much for a short story...", "the sources for these numbers, are there more I am not aware of,", "heard it said on here that 100,000 words is about right for a", "not aware of, and is there any current debate on the validity of", "much too much for a short story... What are the sources for these", "about a novella and much too much for a short story... What are", "a novella and much too much for a short story... What are the", "short story... What are the sources for these numbers, are there more I", "are there more I am not aware of, and is there any current", "sources for these numbers, are there more I am not aware of, and", "a short story... What are the sources for these numbers, are there more", "right for a novel, 20,000 is about a novella and much too much", "What are the sources for these numbers, are there more I am not", "I am not aware of, and is there any current debate on the", "for a short story... What are the sources for these numbers, are there", "aware of, and is there any current debate on the validity of them?", "are the sources for these numbers, are there more I am not aware", "for these numbers, are there more I am not aware of, and is", "and much too much for a short story... What are the sources for", "said on here that 100,000 words is about right for a novel, 20,000", "it said on here that 100,000 words is about right for a novel,", "that 100,000 words is about right for a novel, 20,000 is about a", "a novel, 20,000 is about a novella and much too much for a", "these numbers, are there more I am not aware of, and is there", "100,000 words is about right for a novel, 20,000 is about a novella", "on here that 100,000 words is about right for a novel, 20,000 is", "novel, 20,000 is about a novella and much too much for a short", "too much for a short story... What are the sources for these numbers,", "for a novel, 20,000 is about a novella and much too much for", "there more I am not aware of, and is there any current debate", "about right for a novel, 20,000 is about a novella and much too", "numbers, are there more I am not aware of, and is there any", "words is about right for a novel, 20,000 is about a novella and", "novella and much too much for a short story... What are the sources", "much for a short story... What are the sources for these numbers, are", "I've heard it said on here that 100,000 words is about right for", "is about a novella and much too much for a short story... What" ]
[ "I write a draft not in prose first, and then prose-it-up later? Or", "write (non-formal essays for/to myself or others), I frequently stumble and freeze on", "freeze on trying to be deep. I usually have the argument or point,", "a certain \"punch\" to it. I feel like the \"wanting-to-be-deep-ism\" is impeding me", "or others), I frequently stumble and freeze on trying to be deep. I", "deep. I usually have the argument or point, but I'll get stuck on", "argument or point, but I'll get stuck on phrasing that has a certain", "like the \"wanting-to-be-deep-ism\" is impeding me writing anything. So, should I write a", "(non-formal essays for/to myself or others), I frequently stumble and freeze on trying", "the argument or point, but I'll get stuck on phrasing that has a", "that has a certain \"punch\" to it. I feel like the \"wanting-to-be-deep-ism\" is", "stuck on phrasing that has a certain \"punch\" to it. I feel like", "phrasing that has a certain \"punch\" to it. I feel like the \"wanting-to-be-deep-ism\"", "the \"wanting-to-be-deep-ism\" is impeding me writing anything. So, should I write a draft", "impeding me writing anything. So, should I write a draft not in prose", "write a draft not in prose first, and then prose-it-up later? Or are", "draft not in prose first, and then prose-it-up later? Or are there other", "not in prose first, and then prose-it-up later? Or are there other approaches?", "be deep. I usually have the argument or point, but I'll get stuck", "me writing anything. So, should I write a draft not in prose first,", "a draft not in prose first, and then prose-it-up later? Or are there", "I usually have the argument or point, but I'll get stuck on phrasing", "essays for/to myself or others), I frequently stumble and freeze on trying to", "but I'll get stuck on phrasing that has a certain \"punch\" to it.", "myself or others), I frequently stumble and freeze on trying to be deep.", "on trying to be deep. I usually have the argument or point, but", "others), I frequently stumble and freeze on trying to be deep. I usually", "for/to myself or others), I frequently stumble and freeze on trying to be", "frequently stumble and freeze on trying to be deep. I usually have the", "certain \"punch\" to it. I feel like the \"wanting-to-be-deep-ism\" is impeding me writing", "to it. I feel like the \"wanting-to-be-deep-ism\" is impeding me writing anything. So,", "writing anything. So, should I write a draft not in prose first, and", "I'll get stuck on phrasing that has a certain \"punch\" to it. I", "\"wanting-to-be-deep-ism\" is impeding me writing anything. So, should I write a draft not", "is impeding me writing anything. So, should I write a draft not in", "I write (non-formal essays for/to myself or others), I frequently stumble and freeze", "usually have the argument or point, but I'll get stuck on phrasing that", "I feel like the \"wanting-to-be-deep-ism\" is impeding me writing anything. So, should I", "has a certain \"punch\" to it. I feel like the \"wanting-to-be-deep-ism\" is impeding", "and freeze on trying to be deep. I usually have the argument or", "should I write a draft not in prose first, and then prose-it-up later?", "have the argument or point, but I'll get stuck on phrasing that has", "point, but I'll get stuck on phrasing that has a certain \"punch\" to", "So, should I write a draft not in prose first, and then prose-it-up", "I frequently stumble and freeze on trying to be deep. I usually have", "anything. So, should I write a draft not in prose first, and then", "When I write (non-formal essays for/to myself or others), I frequently stumble and", "trying to be deep. I usually have the argument or point, but I'll", "or point, but I'll get stuck on phrasing that has a certain \"punch\"", "stumble and freeze on trying to be deep. I usually have the argument", "it. I feel like the \"wanting-to-be-deep-ism\" is impeding me writing anything. So, should", "get stuck on phrasing that has a certain \"punch\" to it. I feel", "to be deep. I usually have the argument or point, but I'll get", "feel like the \"wanting-to-be-deep-ism\" is impeding me writing anything. So, should I write", "\"punch\" to it. I feel like the \"wanting-to-be-deep-ism\" is impeding me writing anything.", "on phrasing that has a certain \"punch\" to it. I feel like the" ]
[ "unable to truly establish that *trait*... that \"*thing*\" which makes a character memorable.", "with a wide variety of different kinds of magic. So far, my main", "was defining them, instead of them defining themselves*. How can I make it", "mother language.` I'm making a fictional world, medieval-like with a wide variety of", "have been unable to truly establish that *trait*... that \"*thing*\" which makes a", "grammar (or other kinds of language) mistakes I might make, for English is", "that *trait*... that \"*thing*\" which makes a character memorable. Every time I re-read", "variety of different kinds of magic. So far, my main character has three", "language) mistakes I might make, for English is not my mother language.` I'm", "truly establish that *trait*... that \"*thing*\" which makes a character memorable. Every time", "magic. So far, my main character has three companions which accompany him in", "main character has three companions which accompany him in his quest. These characters'", "just feel like *I was defining them, instead of them defining themselves*. How", "my mother language.` I'm making a fictional world, medieval-like with a wide variety", "personalities differ vastly from one another, but I have been unable to truly", "him in his quest. These characters' personalities differ vastly from one another, but", "characters' personalities differ vastly from one another, but I have been unable to", "they really *feel* like well-defined characters? What things should I keep in mind", "that \"*thing*\" which makes a character memorable. Every time I re-read my story,", "a wide variety of different kinds of magic. So far, my main character", "which accompany him in his quest. These characters' personalities differ vastly from one", "I'm making a fictional world, medieval-like with a wide variety of different kinds", "story, they just feel like *I was defining them, instead of them defining", "vastly from one another, but I have been unable to truly establish that", "it so they really *feel* like well-defined characters? What things should I keep", "any grammar (or other kinds of language) mistakes I might make, for English", "defining them, instead of them defining themselves*. How can I make it so", "in his quest. These characters' personalities differ vastly from one another, but I", "wide variety of different kinds of magic. So far, my main character has", "*feel* like well-defined characters? What things should I keep in mind while writing?", "so they really *feel* like well-defined characters? What things should I keep in", "his quest. These characters' personalities differ vastly from one another, but I have", "I re-read my story, they just feel like *I was defining them, instead", "memorable. Every time I re-read my story, they just feel like *I was", "companions which accompany him in his quest. These characters' personalities differ vastly from", "quest. These characters' personalities differ vastly from one another, but I have been", "from one another, but I have been unable to truly establish that *trait*...", "pardon any grammar (or other kinds of language) mistakes I might make, for", "make it so they really *feel* like well-defined characters? What things should I", "one another, but I have been unable to truly establish that *trait*... that", "kinds of language) mistakes I might make, for English is not my mother", "of them defining themselves*. How can I make it so they really *feel*", "themselves*. How can I make it so they really *feel* like well-defined characters?", "\"*thing*\" which makes a character memorable. Every time I re-read my story, they", "to truly establish that *trait*... that \"*thing*\" which makes a character memorable. Every", "English is not my mother language.` I'm making a fictional world, medieval-like with", "I make it so they really *feel* like well-defined characters? What things should", "make, for English is not my mother language.` I'm making a fictional world,", "of magic. So far, my main character has three companions which accompany him", "a character memorable. Every time I re-read my story, they just feel like", "`Before anything, please pardon any grammar (or other kinds of language) mistakes I", "can I make it so they really *feel* like well-defined characters? What things", "them, instead of them defining themselves*. How can I make it so they", "a fictional world, medieval-like with a wide variety of different kinds of magic.", "accompany him in his quest. These characters' personalities differ vastly from one another,", "establish that *trait*... that \"*thing*\" which makes a character memorable. Every time I", "my main character has three companions which accompany him in his quest. These", "differ vastly from one another, but I have been unable to truly establish", "three companions which accompany him in his quest. These characters' personalities differ vastly", "but I have been unable to truly establish that *trait*... that \"*thing*\" which", "instead of them defining themselves*. How can I make it so they really", "different kinds of magic. So far, my main character has three companions which", "of different kinds of magic. So far, my main character has three companions", "I might make, for English is not my mother language.` I'm making a", "please pardon any grammar (or other kinds of language) mistakes I might make,", "*I was defining them, instead of them defining themselves*. How can I make", "How can I make it so they really *feel* like well-defined characters? What", "really *feel* like well-defined characters? What things should I keep in mind while", "Every time I re-read my story, they just feel like *I was defining", "kinds of magic. So far, my main character has three companions which accompany", "them defining themselves*. How can I make it so they really *feel* like", "time I re-read my story, they just feel like *I was defining them,", "making a fictional world, medieval-like with a wide variety of different kinds of", "for English is not my mother language.` I'm making a fictional world, medieval-like", "other kinds of language) mistakes I might make, for English is not my", "been unable to truly establish that *trait*... that \"*thing*\" which makes a character", "another, but I have been unable to truly establish that *trait*... that \"*thing*\"", "of language) mistakes I might make, for English is not my mother language.`", "medieval-like with a wide variety of different kinds of magic. So far, my", "mistakes I might make, for English is not my mother language.` I'm making", "defining themselves*. How can I make it so they really *feel* like well-defined", "has three companions which accompany him in his quest. These characters' personalities differ", "my story, they just feel like *I was defining them, instead of them", "re-read my story, they just feel like *I was defining them, instead of", "might make, for English is not my mother language.` I'm making a fictional", "not my mother language.` I'm making a fictional world, medieval-like with a wide", "anything, please pardon any grammar (or other kinds of language) mistakes I might", "they just feel like *I was defining them, instead of them defining themselves*.", "feel like *I was defining them, instead of them defining themselves*. How can", "I have been unable to truly establish that *trait*... that \"*thing*\" which makes", "which makes a character memorable. Every time I re-read my story, they just", "is not my mother language.` I'm making a fictional world, medieval-like with a", "fictional world, medieval-like with a wide variety of different kinds of magic. So", "(or other kinds of language) mistakes I might make, for English is not", "makes a character memorable. Every time I re-read my story, they just feel", "world, medieval-like with a wide variety of different kinds of magic. So far,", "*trait*... that \"*thing*\" which makes a character memorable. Every time I re-read my", "language.` I'm making a fictional world, medieval-like with a wide variety of different", "character memorable. Every time I re-read my story, they just feel like *I", "far, my main character has three companions which accompany him in his quest.", "So far, my main character has three companions which accompany him in his", "character has three companions which accompany him in his quest. These characters' personalities", "These characters' personalities differ vastly from one another, but I have been unable", "like *I was defining them, instead of them defining themselves*. How can I" ]
[ "don't remember who said it or I am uncertain, how should I credit", "I am writing a book and want to use a quote, but I", "and want to use a quote, but I either don't remember who said", "remember who said it or I am uncertain, how should I credit the", "a book and want to use a quote, but I either don't remember", "am writing a book and want to use a quote, but I either", "I either don't remember who said it or I am uncertain, how should", "either don't remember who said it or I am uncertain, how should I", "to use a quote, but I either don't remember who said it or", "writing a book and want to use a quote, but I either don't", "want to use a quote, but I either don't remember who said it", "use a quote, but I either don't remember who said it or I", "If I am writing a book and want to use a quote, but", "who said it or I am uncertain, how should I credit the quote?", "book and want to use a quote, but I either don't remember who", "but I either don't remember who said it or I am uncertain, how", "a quote, but I either don't remember who said it or I am", "quote, but I either don't remember who said it or I am uncertain," ]
[ "much of the typical portrayals you see in mass media are accurate and", "* [All these squares make a circle](https://www.youtube.com/watch?v=SyKwyAWJZcI) * [There are wasps in my", "then does anybody have any tips or guidelines for creating scenes involving casual", "etc Are the sort of depictions you see in mass media of using", "add a couple of examples of the sort of stereotypical behaviour I'm talking", "the former). Typical portrayals tend to feature at least one of the following:", "\"freak-outs\" * etc Are the sort of depictions you see in mass media", "using the stuff (Neither I or my friends ever really tried it to", "include a character that uses marijuana then does anybody have any tips or", "in mass media are accurate and how much is just playing up stereotypes", "for creating scenes involving casual drug use that don't resort to just copying", "media are accurate and how much is just playing up stereotypes and jokes", "of such characters? UPDATE: I thought I'd add a couple of examples of", "Madness). I'm sure a lot of the time stoned people are pretty funny,", "seem to be played for laughs (unless it's an over-the-top anti-drug film like", "so I can't really draw from experience. Of course there are plenty of", "at university that it was fairly common for some students to indulge in", "anti-drug film like Reefer Madness). I'm sure a lot of the time stoned", "examples of the sort of stereotypical behaviour I'm talking about * [Dude, my", "my hands are huge](https://www.youtube.com/watch?v=OQGzEIJaEVE) * [All these squares make a circle](https://www.youtube.com/watch?v=SyKwyAWJZcI) * [There", "\"Deep\" conversations that aren't really about anything much. * Paranoia and \"freak-outs\" *", "really about anything much. * Paranoia and \"freak-outs\" * etc Are the sort", "mass media are accurate and how much is just playing up stereotypes and", "some students to indulge in the wacky baccy, and as that's a standard", "kinds of popular culture (movies, TV shows, books, etc) but they almost always", "it to any great extent) so I can't really draw from experience. Of", "in university. I remember from my time at university that it was fairly", "(unless it's an over-the-top anti-drug film like Reefer Madness). I'm sure a lot", "commonly used in portrayals of such characters? UPDATE: I thought I'd add a", "behaviour I'm talking about * [Dude, my hands are huge](https://www.youtube.com/watch?v=OQGzEIJaEVE) * [All these", "are plenty of examples of characters getting stoned in all kinds of popular", "that it was fairly common for some students to indulge in the wacky", "any tips or guidelines for creating scenes involving casual drug use that don't", "nonsensical way * Spouting non-sequiters * Fainting (usually immedeately after saying something funny)", "resemblance to reality? If I were to include a character that uses marijuana", "wonder how much of the typical portrayals you see in mass media are", "guidelines for creating scenes involving casual drug use that don't resort to just", "up stereotypes and jokes about it (I suspect the latter is far more", "in mass media of using marijuana bear much resemblance to reality? If I", "marijuana bear much resemblance to reality? If I were to include a character", "resort to just copying the sort of goofy behaviour that is commonly used", "experience of using the stuff (Neither I or my friends ever really tried", "lot of folks I thought it would make sense to write characters who", "themselves. Unfortunately I don't have any direct personal experience of using the stuff", "I'd add a couple of examples of the sort of stereotypical behaviour I'm", "pretty funny, but I do wonder how much of the typical portrayals you", "almost always seem to be played for laughs (unless it's an over-the-top anti-drug", "thought it would make sense to write characters who indulge in getting stoned", "characters who indulge in getting stoned themselves. Unfortunately I don't have any direct", "great extent) so I can't really draw from experience. Of course there are", "time at university that it was fairly common for some students to indulge", "were to include a character that uses marijuana then does anybody have any", "course there are plenty of examples of characters getting stoned in all kinds", "I'm working on a story set in university. I remember from my time", "wacky baccy, and as that's a standard part of the university experience for", "always seem to be played for laughs (unless it's an over-the-top anti-drug film", "university experience for a lot of folks I thought it would make sense", "about it (I suspect the latter is far more common than the former).", "I'm sure a lot of the time stoned people are pretty funny, but", "and giggling * \"The munchies\" * \"Deep\" conversations that aren't really about anything", "couple of examples of the sort of stereotypical behaviour I'm talking about *", "used in portrayals of such characters? UPDATE: I thought I'd add a couple", "hands are huge](https://www.youtube.com/watch?v=OQGzEIJaEVE) * [All these squares make a circle](https://www.youtube.com/watch?v=SyKwyAWJZcI) * [There are", "stereotypes and jokes about it (I suspect the latter is far more common", "of stereotypical behaviour I'm talking about * [Dude, my hands are huge](https://www.youtube.com/watch?v=OQGzEIJaEVE) *", "you see in mass media are accurate and how much is just playing", "does anybody have any tips or guidelines for creating scenes involving casual drug", "common for some students to indulge in the wacky baccy, and as that's", "anybody have any tips or guidelines for creating scenes involving casual drug use", "a circle](https://www.youtube.com/watch?v=SyKwyAWJZcI) * [There are wasps in my brain!](https://www.youtube.com/watch?v=qDu2G6_FbXo) * [R2D2 and C3PO", "I were to include a character that uses marijuana then does anybody have", "after saying something funny) * Laughing and giggling * \"The munchies\" * \"Deep\"", "behaviour that is commonly used in portrayals of such characters? UPDATE: I thought", "much. * Paranoia and \"freak-outs\" * etc Are the sort of depictions you", "sense to write characters who indulge in getting stoned themselves. Unfortunately I don't", "tend to feature at least one of the following: * Talking in a", "all kinds of popular culture (movies, TV shows, books, etc) but they almost", "in portrayals of such characters? UPDATE: I thought I'd add a couple of", "of characters getting stoned in all kinds of popular culture (movies, TV shows,", "of the sort of stereotypical behaviour I'm talking about * [Dude, my hands", "I'm talking about * [Dude, my hands are huge](https://www.youtube.com/watch?v=OQGzEIJaEVE) * [All these squares", "of using marijuana bear much resemblance to reality? If I were to include", "marijuana then does anybody have any tips or guidelines for creating scenes involving", "of folks I thought it would make sense to write characters who indulge", "or guidelines for creating scenes involving casual drug use that don't resort to", "how much is just playing up stereotypes and jokes about it (I suspect", "typical portrayals you see in mass media are accurate and how much is", "non-sequiters * Fainting (usually immedeately after saying something funny) * Laughing and giggling", "goofy behaviour that is commonly used in portrayals of such characters? UPDATE: I", "have any direct personal experience of using the stuff (Neither I or my", "my time at university that it was fairly common for some students to", "a couple of examples of the sort of stereotypical behaviour I'm talking about", "of examples of the sort of stereotypical behaviour I'm talking about * [Dude,", "like Reefer Madness). I'm sure a lot of the time stoned people are", "film like Reefer Madness). I'm sure a lot of the time stoned people", "least one of the following: * Talking in a nonsensical way * Spouting", "in the wacky baccy, and as that's a standard part of the university", "UPDATE: I thought I'd add a couple of examples of the sort of", "* Spouting non-sequiters * Fainting (usually immedeately after saying something funny) * Laughing", "part of the university experience for a lot of folks I thought it", "it's an over-the-top anti-drug film like Reefer Madness). I'm sure a lot of", "media of using marijuana bear much resemblance to reality? If I were to", "the sort of stereotypical behaviour I'm talking about * [Dude, my hands are", "have any tips or guidelines for creating scenes involving casual drug use that", "played for laughs (unless it's an over-the-top anti-drug film like Reefer Madness). I'm", "characters getting stoned in all kinds of popular culture (movies, TV shows, books,", "an over-the-top anti-drug film like Reefer Madness). I'm sure a lot of the", "portrayals tend to feature at least one of the following: * Talking in", "is far more common than the former). Typical portrayals tend to feature at", "to write characters who indulge in getting stoned themselves. Unfortunately I don't have", "(movies, TV shows, books, etc) but they almost always seem to be played", "to be played for laughs (unless it's an over-the-top anti-drug film like Reefer", "* Paranoia and \"freak-outs\" * etc Are the sort of depictions you see", "to reality? If I were to include a character that uses marijuana then", "can't really draw from experience. Of course there are plenty of examples of", "the university experience for a lot of folks I thought it would make", "reality? If I were to include a character that uses marijuana then does", "squares make a circle](https://www.youtube.com/watch?v=SyKwyAWJZcI) * [There are wasps in my brain!](https://www.youtube.com/watch?v=qDu2G6_FbXo) * [R2D2", "stuff (Neither I or my friends ever really tried it to any great", "[All these squares make a circle](https://www.youtube.com/watch?v=SyKwyAWJZcI) * [There are wasps in my brain!](https://www.youtube.com/watch?v=qDu2G6_FbXo)", "in getting stoned themselves. Unfortunately I don't have any direct personal experience of", "* [Dude, my hands are huge](https://www.youtube.com/watch?v=OQGzEIJaEVE) * [All these squares make a circle](https://www.youtube.com/watch?v=SyKwyAWJZcI)", "I don't have any direct personal experience of using the stuff (Neither I", "portrayals you see in mass media are accurate and how much is just", "of the university experience for a lot of folks I thought it would", "stoned in all kinds of popular culture (movies, TV shows, books, etc) but", "extent) so I can't really draw from experience. Of course there are plenty", "accurate and how much is just playing up stereotypes and jokes about it", "character that uses marijuana then does anybody have any tips or guidelines for", "the typical portrayals you see in mass media are accurate and how much", "Are the sort of depictions you see in mass media of using marijuana", "books, etc) but they almost always seem to be played for laughs (unless", "Unfortunately I don't have any direct personal experience of using the stuff (Neither", "stereotypical behaviour I'm talking about * [Dude, my hands are huge](https://www.youtube.com/watch?v=OQGzEIJaEVE) * [All", "portrayals of such characters? UPDATE: I thought I'd add a couple of examples", "of goofy behaviour that is commonly used in portrayals of such characters? UPDATE:", "you see in mass media of using marijuana bear much resemblance to reality?", "are huge](https://www.youtube.com/watch?v=OQGzEIJaEVE) * [All these squares make a circle](https://www.youtube.com/watch?v=SyKwyAWJZcI) * [There are wasps", "(usually immedeately after saying something funny) * Laughing and giggling * \"The munchies\"", "creating scenes involving casual drug use that don't resort to just copying the", "such characters? UPDATE: I thought I'd add a couple of examples of the", "getting stoned themselves. Unfortunately I don't have any direct personal experience of using", "see in mass media of using marijuana bear much resemblance to reality? If", "just playing up stereotypes and jokes about it (I suspect the latter is", "indulge in getting stoned themselves. Unfortunately I don't have any direct personal experience", "make a circle](https://www.youtube.com/watch?v=SyKwyAWJZcI) * [There are wasps in my brain!](https://www.youtube.com/watch?v=qDu2G6_FbXo) * [R2D2 and", "a lot of folks I thought it would make sense to write characters", "laughs (unless it's an over-the-top anti-drug film like Reefer Madness). I'm sure a", "of using the stuff (Neither I or my friends ever really tried it", "* Laughing and giggling * \"The munchies\" * \"Deep\" conversations that aren't really", "bear much resemblance to reality? If I were to include a character that", "baccy, and as that's a standard part of the university experience for a", "in all kinds of popular culture (movies, TV shows, books, etc) but they", "sort of stereotypical behaviour I'm talking about * [Dude, my hands are huge](https://www.youtube.com/watch?v=OQGzEIJaEVE)", "Paranoia and \"freak-outs\" * etc Are the sort of depictions you see in", "giggling * \"The munchies\" * \"Deep\" conversations that aren't really about anything much.", "munchies\" * \"Deep\" conversations that aren't really about anything much. * Paranoia and", "but I do wonder how much of the typical portrayals you see in", "do wonder how much of the typical portrayals you see in mass media", "If I were to include a character that uses marijuana then does anybody", "\"The munchies\" * \"Deep\" conversations that aren't really about anything much. * Paranoia", "remember from my time at university that it was fairly common for some", "is commonly used in portrayals of such characters? UPDATE: I thought I'd add", "I thought it would make sense to write characters who indulge in getting", "TV shows, books, etc) but they almost always seem to be played for", "uses marijuana then does anybody have any tips or guidelines for creating scenes", "talking about * [Dude, my hands are huge](https://www.youtube.com/watch?v=OQGzEIJaEVE) * [All these squares make", "about anything much. * Paranoia and \"freak-outs\" * etc Are the sort of", "for laughs (unless it's an over-the-top anti-drug film like Reefer Madness). I'm sure", "university. I remember from my time at university that it was fairly common", "* \"Deep\" conversations that aren't really about anything much. * Paranoia and \"freak-outs\"", "way * Spouting non-sequiters * Fainting (usually immedeately after saying something funny) *", "I thought I'd add a couple of examples of the sort of stereotypical", "circle](https://www.youtube.com/watch?v=SyKwyAWJZcI) * [There are wasps in my brain!](https://www.youtube.com/watch?v=qDu2G6_FbXo) * [R2D2 and C3PO stoned](https://www.youtube.com/watch?v=uV9XnOBkEz4)", "I remember from my time at university that it was fairly common for", "Laughing and giggling * \"The munchies\" * \"Deep\" conversations that aren't really about", "former). Typical portrayals tend to feature at least one of the following: *", "don't resort to just copying the sort of goofy behaviour that is commonly", "examples of characters getting stoned in all kinds of popular culture (movies, TV", "the sort of goofy behaviour that is commonly used in portrayals of such", "direct personal experience of using the stuff (Neither I or my friends ever", "and \"freak-outs\" * etc Are the sort of depictions you see in mass", "depictions you see in mass media of using marijuana bear much resemblance to", "Talking in a nonsensical way * Spouting non-sequiters * Fainting (usually immedeately after", "to include a character that uses marijuana then does anybody have any tips", "getting stoned in all kinds of popular culture (movies, TV shows, books, etc)", "to just copying the sort of goofy behaviour that is commonly used in", "lot of the time stoned people are pretty funny, but I do wonder", "from my time at university that it was fairly common for some students", "and jokes about it (I suspect the latter is far more common than", "they almost always seem to be played for laughs (unless it's an over-the-top", "a story set in university. I remember from my time at university that", "how much of the typical portrayals you see in mass media are accurate", "than the former). Typical portrayals tend to feature at least one of the", "(Neither I or my friends ever really tried it to any great extent)", "mass media of using marijuana bear much resemblance to reality? If I were", "of the following: * Talking in a nonsensical way * Spouting non-sequiters *", "one of the following: * Talking in a nonsensical way * Spouting non-sequiters", "standard part of the university experience for a lot of folks I thought", "sure a lot of the time stoned people are pretty funny, but I", "was fairly common for some students to indulge in the wacky baccy, and", "I can't really draw from experience. Of course there are plenty of examples", "draw from experience. Of course there are plenty of examples of characters getting", "anything much. * Paranoia and \"freak-outs\" * etc Are the sort of depictions", "Typical portrayals tend to feature at least one of the following: * Talking", "sort of depictions you see in mass media of using marijuana bear much", "Of course there are plenty of examples of characters getting stoned in all", "of examples of characters getting stoned in all kinds of popular culture (movies,", "are pretty funny, but I do wonder how much of the typical portrayals", "to indulge in the wacky baccy, and as that's a standard part of", "for some students to indulge in the wacky baccy, and as that's a", "I or my friends ever really tried it to any great extent) so", "[Dude, my hands are huge](https://www.youtube.com/watch?v=OQGzEIJaEVE) * [All these squares make a circle](https://www.youtube.com/watch?v=SyKwyAWJZcI) *", "experience. Of course there are plenty of examples of characters getting stoned in", "a character that uses marijuana then does anybody have any tips or guidelines", "stoned themselves. Unfortunately I don't have any direct personal experience of using the", "ever really tried it to any great extent) so I can't really draw", "indulge in the wacky baccy, and as that's a standard part of the", "the following: * Talking in a nonsensical way * Spouting non-sequiters * Fainting", "that is commonly used in portrayals of such characters? UPDATE: I thought I'd", "popular culture (movies, TV shows, books, etc) but they almost always seem to", "a nonsensical way * Spouting non-sequiters * Fainting (usually immedeately after saying something", "or my friends ever really tried it to any great extent) so I", "the sort of depictions you see in mass media of using marijuana bear", "more common than the former). Typical portrayals tend to feature at least one", "working on a story set in university. I remember from my time at", "on a story set in university. I remember from my time at university", "a lot of the time stoned people are pretty funny, but I do", "thought I'd add a couple of examples of the sort of stereotypical behaviour", "plenty of examples of characters getting stoned in all kinds of popular culture", "playing up stereotypes and jokes about it (I suspect the latter is far", "these squares make a circle](https://www.youtube.com/watch?v=SyKwyAWJZcI) * [There are wasps in my brain!](https://www.youtube.com/watch?v=qDu2G6_FbXo) *", "characters? UPDATE: I thought I'd add a couple of examples of the sort", "suspect the latter is far more common than the former). Typical portrayals tend", "jokes about it (I suspect the latter is far more common than the", "shows, books, etc) but they almost always seem to be played for laughs", "drug use that don't resort to just copying the sort of goofy behaviour", "funny, but I do wonder how much of the typical portrayals you see", "aren't really about anything much. * Paranoia and \"freak-outs\" * etc Are the", "that don't resort to just copying the sort of goofy behaviour that is", "to any great extent) so I can't really draw from experience. Of course", "the time stoned people are pretty funny, but I do wonder how much", "there are plenty of examples of characters getting stoned in all kinds of", "copying the sort of goofy behaviour that is commonly used in portrayals of", "saying something funny) * Laughing and giggling * \"The munchies\" * \"Deep\" conversations", "the latter is far more common than the former). Typical portrayals tend to", "feature at least one of the following: * Talking in a nonsensical way", "that's a standard part of the university experience for a lot of folks", "folks I thought it would make sense to write characters who indulge in", "would make sense to write characters who indulge in getting stoned themselves. Unfortunately", "scenes involving casual drug use that don't resort to just copying the sort", "much is just playing up stereotypes and jokes about it (I suspect the", "set in university. I remember from my time at university that it was", "of the time stoned people are pretty funny, but I do wonder how", "etc) but they almost always seem to be played for laughs (unless it's", "following: * Talking in a nonsensical way * Spouting non-sequiters * Fainting (usually", "students to indulge in the wacky baccy, and as that's a standard part", "culture (movies, TV shows, books, etc) but they almost always seem to be", "who indulge in getting stoned themselves. Unfortunately I don't have any direct personal", "involving casual drug use that don't resort to just copying the sort of", "my friends ever really tried it to any great extent) so I can't", "friends ever really tried it to any great extent) so I can't really", "something funny) * Laughing and giggling * \"The munchies\" * \"Deep\" conversations that", "of the typical portrayals you see in mass media are accurate and how", "from experience. Of course there are plenty of examples of characters getting stoned", "latter is far more common than the former). Typical portrayals tend to feature", "use that don't resort to just copying the sort of goofy behaviour that", "and how much is just playing up stereotypes and jokes about it (I", "the wacky baccy, and as that's a standard part of the university experience", "I do wonder how much of the typical portrayals you see in mass", "but they almost always seem to be played for laughs (unless it's an", "stoned people are pretty funny, but I do wonder how much of the", "about * [Dude, my hands are huge](https://www.youtube.com/watch?v=OQGzEIJaEVE) * [All these squares make a", "immedeately after saying something funny) * Laughing and giggling * \"The munchies\" *", "fairly common for some students to indulge in the wacky baccy, and as", "of depictions you see in mass media of using marijuana bear much resemblance", "experience for a lot of folks I thought it would make sense to", "using marijuana bear much resemblance to reality? If I were to include a", "at least one of the following: * Talking in a nonsensical way *", "far more common than the former). Typical portrayals tend to feature at least", "university that it was fairly common for some students to indulge in the", "* etc Are the sort of depictions you see in mass media of", "just copying the sort of goofy behaviour that is commonly used in portrayals", "see in mass media are accurate and how much is just playing up", "* \"The munchies\" * \"Deep\" conversations that aren't really about anything much. *", "and as that's a standard part of the university experience for a lot", "of popular culture (movies, TV shows, books, etc) but they almost always seem", "to feature at least one of the following: * Talking in a nonsensical", "* Fainting (usually immedeately after saying something funny) * Laughing and giggling *", "people are pretty funny, but I do wonder how much of the typical", "write characters who indulge in getting stoned themselves. Unfortunately I don't have any", "Fainting (usually immedeately after saying something funny) * Laughing and giggling * \"The", "story set in university. I remember from my time at university that it", "it (I suspect the latter is far more common than the former). Typical", "funny) * Laughing and giggling * \"The munchies\" * \"Deep\" conversations that aren't", "make sense to write characters who indulge in getting stoned themselves. Unfortunately I", "personal experience of using the stuff (Neither I or my friends ever really", "(I suspect the latter is far more common than the former). Typical portrayals", "casual drug use that don't resort to just copying the sort of goofy", "that aren't really about anything much. * Paranoia and \"freak-outs\" * etc Are", "tried it to any great extent) so I can't really draw from experience.", "really tried it to any great extent) so I can't really draw from", "don't have any direct personal experience of using the stuff (Neither I or", "Reefer Madness). I'm sure a lot of the time stoned people are pretty", "tips or guidelines for creating scenes involving casual drug use that don't resort", "be played for laughs (unless it's an over-the-top anti-drug film like Reefer Madness).", "huge](https://www.youtube.com/watch?v=OQGzEIJaEVE) * [All these squares make a circle](https://www.youtube.com/watch?v=SyKwyAWJZcI) * [There are wasps in", "common than the former). Typical portrayals tend to feature at least one of", "is just playing up stereotypes and jokes about it (I suspect the latter", "any great extent) so I can't really draw from experience. Of course there", "are accurate and how much is just playing up stereotypes and jokes about", "in a nonsensical way * Spouting non-sequiters * Fainting (usually immedeately after saying", "that uses marijuana then does anybody have any tips or guidelines for creating", "the stuff (Neither I or my friends ever really tried it to any", "really draw from experience. Of course there are plenty of examples of characters", "over-the-top anti-drug film like Reefer Madness). I'm sure a lot of the time", "as that's a standard part of the university experience for a lot of", "* Talking in a nonsensical way * Spouting non-sequiters * Fainting (usually immedeately", "it was fairly common for some students to indulge in the wacky baccy,", "Spouting non-sequiters * Fainting (usually immedeately after saying something funny) * Laughing and", "it would make sense to write characters who indulge in getting stoned themselves.", "any direct personal experience of using the stuff (Neither I or my friends", "sort of goofy behaviour that is commonly used in portrayals of such characters?", "much resemblance to reality? If I were to include a character that uses", "a standard part of the university experience for a lot of folks I", "time stoned people are pretty funny, but I do wonder how much of", "for a lot of folks I thought it would make sense to write", "conversations that aren't really about anything much. * Paranoia and \"freak-outs\" * etc" ]
[ "\"Does it hurt?\" I indicated her eyepatch tatoo with one hand, > **passing", "> her chin-length hair slid off her face, **revealing the bowl-sized > bruise", "> > > \"Does it hurt?\" I indicated her eyepatch tatoo with one", "the bowl-sized > bruise that made her tiny eye look enormous.** > >", "as she did, > her chin-length hair slid off her face, **revealing the", "> bruise that made her tiny eye look enormous.** > > > \"Does", "to the side. As soon as she did, > her chin-length hair slid", "hand, > **passing her the pen drive with the other.** > > >", "> > \"Thanks.\" She tilted her head shyly to the side. As soon", "did, > her chin-length hair slid off her face, **revealing the bowl-sized >", "slid off her face, **revealing the bowl-sized > bruise that made her tiny", "made her tiny eye look enormous.** > > > \"Does it hurt?\" I", "bruise that made her tiny eye look enormous.** > > > \"Does it", "her face, **revealing the bowl-sized > bruise that made her tiny eye look", "hair slid off her face, **revealing the bowl-sized > bruise that made her", "enormous.** > > > \"Does it hurt?\" I indicated her eyepatch tatoo with", "her chin-length hair slid off her face, **revealing the bowl-sized > bruise that", "eyepatch tatoo with one hand, > **passing her the pen drive with the", "> \"Thanks.\" She tilted her head shyly to the side. As soon as", "myself writing these a lot: > > \"Thanks.\" She tilted her head shyly", "writing these a lot: > > \"Thanks.\" She tilted her head shyly to", "shyly to the side. As soon as she did, > her chin-length hair", "> \"Does it hurt?\" I indicated her eyepatch tatoo with one hand, >", "with one hand, > **passing her the pen drive with the other.** >", "find myself writing these a lot: > > \"Thanks.\" She tilted her head", "it hurt?\" I indicated her eyepatch tatoo with one hand, > **passing her", "tatoo with one hand, > **passing her the pen drive with the other.**", "> > \"Does it hurt?\" I indicated her eyepatch tatoo with one hand,", "I find myself writing these a lot: > > \"Thanks.\" She tilted her", "the side. As soon as she did, > her chin-length hair slid off", "eye look enormous.** > > > \"Does it hurt?\" I indicated her eyepatch", "lot: > > \"Thanks.\" She tilted her head shyly to the side. As", "her head shyly to the side. As soon as she did, > her", "her tiny eye look enormous.** > > > \"Does it hurt?\" I indicated", "these a lot: > > \"Thanks.\" She tilted her head shyly to the", "She tilted her head shyly to the side. As soon as she did,", "indicated her eyepatch tatoo with one hand, > **passing her the pen drive", "face, **revealing the bowl-sized > bruise that made her tiny eye look enormous.**", "\"Thanks.\" She tilted her head shyly to the side. As soon as she", "As soon as she did, > her chin-length hair slid off her face,", "I indicated her eyepatch tatoo with one hand, > **passing her the pen", "off her face, **revealing the bowl-sized > bruise that made her tiny eye", "hurt?\" I indicated her eyepatch tatoo with one hand, > **passing her the", "tilted her head shyly to the side. As soon as she did, >", "> **passing her the pen drive with the other.** > > > How", "side. As soon as she did, > her chin-length hair slid off her", "her eyepatch tatoo with one hand, > **passing her the pen drive with", "**passing her the pen drive with the other.** > > > How to", "a lot: > > \"Thanks.\" She tilted her head shyly to the side.", "bowl-sized > bruise that made her tiny eye look enormous.** > > >", "one hand, > **passing her the pen drive with the other.** > >", "her the pen drive with the other.** > > > How to avoid", "**revealing the bowl-sized > bruise that made her tiny eye look enormous.** >", "tiny eye look enormous.** > > > \"Does it hurt?\" I indicated her", "look enormous.** > > > \"Does it hurt?\" I indicated her eyepatch tatoo", "she did, > her chin-length hair slid off her face, **revealing the bowl-sized", "soon as she did, > her chin-length hair slid off her face, **revealing", "head shyly to the side. As soon as she did, > her chin-length", "the pen drive with the other.** > > > How to avoid them?", "that made her tiny eye look enormous.** > > > \"Does it hurt?\"", "chin-length hair slid off her face, **revealing the bowl-sized > bruise that made" ]
[ "dialogue and action too much? Example from my own writing (this is happening", "answerer, however, I think he has good points. Do you really weaken the", "100% with the answerer, however, I think he has good points. Do you", "however, I think he has good points. Do you really weaken the focus", "> > I heaved out a sigh. \"I thought something more *complex* had", "with the answerer, however, I think he has good points. Do you really", "I don't agree 100% with the answerer, however, I think he has good", "> \"I wanted to take a photo from a high angle, but my", "heaved out a sigh. \"I thought something more *complex* had happened > to", "hit me in the eye. Silly, huh?\" She broke into a > quiet", "the answers to this [question](https://writers.stackexchange.com/questions/29285/ways-to-reduce-the-ing-verbs-in-dialogue-and-action-tags/29287#29287) movitated me to ask this. I don't agree", "I blink.\" > > > \"How did it happen?\" > > > \"I", "happened > to you.\" > > > \"Something more complex?\" Sumire blinked a", "a sigh. \"I thought something more *complex* had happened > to you.\" >", "drive with the other. > > > Sumire grabbed the device. \"Oh, no---only", "focus if you mix dialogue and action too much? Example from my own", "me to ask this. I don't agree 100% with the answerer, however, I", "a photo from a high angle, but my phone fell from my >", "writing (this is happening in the same scene): > > \"Does it hurt?\"", "with one hand, > passing her the pen drive with the other. >", "> > > I heaved out a sigh. \"I thought something more *complex*", "eye. Silly, huh?\" She broke into a > quiet giggle. > > >", "take a photo from a high angle, but my phone fell from my", "you mix dialogue and action too much? Example from my own writing (this", "agree 100% with the answerer, however, I think he has good points. Do", "\"I thought something more *complex* had happened > to you.\" > > >", "angle, but my phone fell from my > selfie stick and hit me", "blink.\" > > > \"How did it happen?\" > > > \"I wanted", "> > Sumire grabbed the device. \"Oh, no---only when I blink.\" > >", "much? Example from my own writing (this is happening in the same scene):", "the pen drive with the other. > > > Sumire grabbed the device.", "a high angle, but my phone fell from my > selfie stick and", "from my own writing (this is happening in the same scene): > >", "phone fell from my > selfie stick and hit me in the eye.", "my > selfie stick and hit me in the eye. Silly, huh?\" She", "I heaved out a sigh. \"I thought something more *complex* had happened >", "really weaken the focus if you mix dialogue and action too much? Example", "indicated her eye patch tattoo with one hand, > passing her the pen", "photo from a high angle, but my phone fell from my > selfie", "has good points. Do you really weaken the focus if you mix dialogue", "in the same scene): > > \"Does it hurt?\" I indicated her eye", "fell from my > selfie stick and hit me in the eye. Silly,", "> quiet giggle. > > > I heaved out a sigh. \"I thought", "action too much? Example from my own writing (this is happening in the", "the other. > > > Sumire grabbed the device. \"Oh, no---only when I", "did it happen?\" > > > \"I wanted to take a photo from", "> > \"How did it happen?\" > > > \"I wanted to take", "he has good points. Do you really weaken the focus if you mix", "points. Do you really weaken the focus if you mix dialogue and action", "device. \"Oh, no---only when I blink.\" > > > \"How did it happen?\"", "if you mix dialogue and action too much? Example from my own writing", "\"How did it happen?\" > > > \"I wanted to take a photo", "from my > selfie stick and hit me in the eye. Silly, huh?\"", "you.\" > > > \"Something more complex?\" Sumire blinked a few times at", "> selfie stick and hit me in the eye. Silly, huh?\" She broke", "good points. Do you really weaken the focus if you mix dialogue and", "sigh. \"I thought something more *complex* had happened > to you.\" > >", "patch tattoo with one hand, > passing her the pen drive with the", "no---only when I blink.\" > > > \"How did it happen?\" > >", "but my phone fell from my > selfie stick and hit me in", "this. I don't agree 100% with the answerer, however, I think he has", "the focus if you mix dialogue and action too much? Example from my", "my own writing (this is happening in the same scene): > > \"Does", "my phone fell from my > selfie stick and hit me in the", "and action too much? Example from my own writing (this is happening in", "passing her the pen drive with the other. > > > Sumire grabbed", "to you.\" > > > \"Something more complex?\" Sumire blinked a few times", "> \"Something more complex?\" Sumire blinked a few times at me. > >", "> passing her the pen drive with the other. > > > Sumire", "wanted to take a photo from a high angle, but my phone fell", "\"I wanted to take a photo from a high angle, but my phone", "[question](https://writers.stackexchange.com/questions/29285/ways-to-reduce-the-ing-verbs-in-dialogue-and-action-tags/29287#29287) movitated me to ask this. I don't agree 100% with the answerer,", "hurt?\" I indicated her eye patch tattoo with one hand, > passing her", "the device. \"Oh, no---only when I blink.\" > > > \"How did it", "> > > \"Something more complex?\" Sumire blinked a few times at me.", "She broke into a > quiet giggle. > > > I heaved out", "more *complex* had happened > to you.\" > > > \"Something more complex?\"", "One of the answers to this [question](https://writers.stackexchange.com/questions/29285/ways-to-reduce-the-ing-verbs-in-dialogue-and-action-tags/29287#29287) movitated me to ask this. I", "ask this. I don't agree 100% with the answerer, however, I think he", "it happen?\" > > > \"I wanted to take a photo from a", "her eye patch tattoo with one hand, > passing her the pen drive", "scene): > > \"Does it hurt?\" I indicated her eye patch tattoo with", "stick and hit me in the eye. Silly, huh?\" She broke into a", "in the eye. Silly, huh?\" She broke into a > quiet giggle. >", "I think he has good points. Do you really weaken the focus if", "eye patch tattoo with one hand, > passing her the pen drive with", "the same scene): > > \"Does it hurt?\" I indicated her eye patch", "hand, > passing her the pen drive with the other. > > >", "other. > > > Sumire grabbed the device. \"Oh, no---only when I blink.\"", "to ask this. I don't agree 100% with the answerer, however, I think", "one hand, > passing her the pen drive with the other. > >", "think he has good points. Do you really weaken the focus if you", "> \"How did it happen?\" > > > \"I wanted to take a", "> Sumire grabbed the device. \"Oh, no---only when I blink.\" > > >", "\"Oh, no---only when I blink.\" > > > \"How did it happen?\" >", "> > \"I wanted to take a photo from a high angle, but", "(this is happening in the same scene): > > \"Does it hurt?\" I", "> I heaved out a sigh. \"I thought something more *complex* had happened", "quiet giggle. > > > I heaved out a sigh. \"I thought something", "Do you really weaken the focus if you mix dialogue and action too", "to take a photo from a high angle, but my phone fell from", "me in the eye. Silly, huh?\" She broke into a > quiet giggle.", "to this [question](https://writers.stackexchange.com/questions/29285/ways-to-reduce-the-ing-verbs-in-dialogue-and-action-tags/29287#29287) movitated me to ask this. I don't agree 100% with", "Sumire grabbed the device. \"Oh, no---only when I blink.\" > > > \"How", "> > > \"How did it happen?\" > > > \"I wanted to", "happening in the same scene): > > \"Does it hurt?\" I indicated her", "a > quiet giggle. > > > I heaved out a sigh. \"I", "> > \"Something more complex?\" Sumire blinked a few times at me. >", "huh?\" She broke into a > quiet giggle. > > > I heaved", "broke into a > quiet giggle. > > > I heaved out a", "> > \"Does it hurt?\" I indicated her eye patch tattoo with one", "thought something more *complex* had happened > to you.\" > > > \"Something", "answers to this [question](https://writers.stackexchange.com/questions/29285/ways-to-reduce-the-ing-verbs-in-dialogue-and-action-tags/29287#29287) movitated me to ask this. I don't agree 100%", "\"Something more complex?\" Sumire blinked a few times at me. > > >", "> > > \"I wanted to take a photo from a high angle,", "with the other. > > > Sumire grabbed the device. \"Oh, no---only when", "*complex* had happened > to you.\" > > > \"Something more complex?\" Sumire", "> to you.\" > > > \"Something more complex?\" Sumire blinked a few", "is happening in the same scene): > > \"Does it hurt?\" I indicated", "mix dialogue and action too much? Example from my own writing (this is", "it hurt?\" I indicated her eye patch tattoo with one hand, > passing", "this [question](https://writers.stackexchange.com/questions/29285/ways-to-reduce-the-ing-verbs-in-dialogue-and-action-tags/29287#29287) movitated me to ask this. I don't agree 100% with the", "into a > quiet giggle. > > > I heaved out a sigh.", "when I blink.\" > > > \"How did it happen?\" > > >", "the answerer, however, I think he has good points. Do you really weaken", "too much? Example from my own writing (this is happening in the same", "of the answers to this [question](https://writers.stackexchange.com/questions/29285/ways-to-reduce-the-ing-verbs-in-dialogue-and-action-tags/29287#29287) movitated me to ask this. I don't", "tattoo with one hand, > passing her the pen drive with the other.", "happen?\" > > > \"I wanted to take a photo from a high", "and hit me in the eye. Silly, huh?\" She broke into a >", "weaken the focus if you mix dialogue and action too much? Example from", "selfie stick and hit me in the eye. Silly, huh?\" She broke into", "Example from my own writing (this is happening in the same scene): >", "high angle, but my phone fell from my > selfie stick and hit", "> > > Sumire grabbed the device. \"Oh, no---only when I blink.\" >", "> \"Does it hurt?\" I indicated her eye patch tattoo with one hand,", "something more *complex* had happened > to you.\" > > > \"Something more", "from a high angle, but my phone fell from my > selfie stick", "pen drive with the other. > > > Sumire grabbed the device. \"Oh,", "grabbed the device. \"Oh, no---only when I blink.\" > > > \"How did", "I indicated her eye patch tattoo with one hand, > passing her the", "\"Does it hurt?\" I indicated her eye patch tattoo with one hand, >", "out a sigh. \"I thought something more *complex* had happened > to you.\"", "don't agree 100% with the answerer, however, I think he has good points.", "you really weaken the focus if you mix dialogue and action too much?", "had happened > to you.\" > > > \"Something more complex?\" Sumire blinked", "own writing (this is happening in the same scene): > > \"Does it", "giggle. > > > I heaved out a sigh. \"I thought something more", "same scene): > > \"Does it hurt?\" I indicated her eye patch tattoo", "her the pen drive with the other. > > > Sumire grabbed the", "movitated me to ask this. I don't agree 100% with the answerer, however,", "Silly, huh?\" She broke into a > quiet giggle. > > > I", "the eye. Silly, huh?\" She broke into a > quiet giggle. > >" ]
[ "and then later on when the MC is around ten years old before", "the first one when the MC was being born and then later on", "write two prologues the first one when the MC was being born and", "being born and then later on when the MC is around ten years", "MC was being born and then later on when the MC is around", "is around ten years old before starting the main story. can i do", "a story and i want to write two prologues the first one when", "born and then later on when the MC is around ten years old", "when the MC is around ten years old before starting the main story.", "want to write two prologues the first one when the MC was being", "i want to write two prologues the first one when the MC was", "first one when the MC was being born and then later on when", "the MC is around ten years old before starting the main story. can", "then later on when the MC is around ten years old before starting", "the MC was being born and then later on when the MC is", "MC is around ten years old before starting the main story. can i", "when the MC was being born and then later on when the MC", "on when the MC is around ten years old before starting the main", "i'm writing a story and i want to write two prologues the first", "was being born and then later on when the MC is around ten", "later on when the MC is around ten years old before starting the", "to write two prologues the first one when the MC was being born", "and i want to write two prologues the first one when the MC", "story and i want to write two prologues the first one when the", "one when the MC was being born and then later on when the", "two prologues the first one when the MC was being born and then", "writing a story and i want to write two prologues the first one", "around ten years old before starting the main story. can i do that?", "prologues the first one when the MC was being born and then later" ]
[ "I do not exactly know what to comment or what blogs to comment", "I also post my 'Top' lists and my own personal cinema sins. I", "know what to comment or what blogs to comment on, so please maybe", "anything of a similar sort. Also, anything like 'comment on other blogs' -", "nothing back. I've even attempted and tried pinging services. Obviously, I have already", "I have a Facebook group page, but I'm getting nothing back. I've even", "my reviews for films. I also post my 'Top' lists and my own", "don't really want to pay (being a student). I am a self-proclaimed cinema", "back. I've even attempted and tried pinging services. Obviously, I have already spent", "lists and my own personal cinema sins. I have tried promoting myself by", "to pay (being a student). I am a self-proclaimed cinema buff and I", "to be honest I don't really want to pay (being a student). I", "blogs to comment on, so please maybe some recommendations? Are there specific ways", "specific ways to write a blog and/or promote a blog (not including the", "am a self-proclaimed cinema buff and I love writing my reviews for films.", "Pinterest and I have a Facebook group page, but I'm getting nothing back.", "Also, anything like 'comment on other blogs' - I do not exactly know", "honest I don't really want to pay (being a student). I am a", "films. I also post my 'Top' lists and my own personal cinema sins.", "myself by contributing to Quora and Pinterest and I have a Facebook group", "have tried promoting myself by contributing to Quora and Pinterest and I have", "using Blogger currently. I have paid for a domain name, but my hosting", "(being a student). I am a self-proclaimed cinema buff and I love writing", "student). I am a self-proclaimed cinema buff and I love writing my reviews", "post my 'Top' lists and my own personal cinema sins. I have tried", "pinging services. Obviously, I have already spent my time researching how to promote", "there specific ways to write a blog and/or promote a blog (not including", "personal cinema sins. I have tried promoting myself by contributing to Quora and", "what blogs to comment on, so please maybe some recommendations? Are there specific", "also post my 'Top' lists and my own personal cinema sins. I have", "ways to write a blog and/or promote a blog (not including the ones", "my 'Top' lists and my own personal cinema sins. I have tried promoting", "and Pinterest and I have a Facebook group page, but I'm getting nothing", "other blogs' - I do not exactly know what to comment or what", "a student). I am a self-proclaimed cinema buff and I love writing my", "Blogger currently. I have paid for a domain name, but my hosting is", "to promote my blog, but I'm failing. Since I have covered Pinterest/Quora etc", "promote my blog, but I'm failing. Since I have covered Pinterest/Quora etc please", "anything like 'comment on other blogs' - I do not exactly know what", "or what blogs to comment on, so please maybe some recommendations? Are there", "I am using Blogger currently. I have paid for a domain name, but", "reviews for films. I also post my 'Top' lists and my own personal", "sins. I have tried promoting myself by contributing to Quora and Pinterest and", "spent my time researching how to promote my blog, but I'm failing. Since", "so please maybe some recommendations? Are there specific ways to write a blog", "a similar sort. Also, anything like 'comment on other blogs' - I do", "a Facebook group page, but I'm getting nothing back. I've even attempted and", "cinema sins. I have tried promoting myself by contributing to Quora and Pinterest", "researching how to promote my blog, but I'm failing. Since I have covered", "on anything of a similar sort. Also, anything like 'comment on other blogs'", "like 'comment on other blogs' - I do not exactly know what to", "a blog and/or promote a blog (not including the ones above) that are", "attempted and tried pinging services. Obviously, I have already spent my time researching", "have paid for a domain name, but my hosting is free and to", "Pinterest/Quora etc please no recommendation on anything of a similar sort. Also, anything", "not exactly know what to comment or what blogs to comment on, so", "promoting myself by contributing to Quora and Pinterest and I have a Facebook", "a domain name, but my hosting is free and to be honest I", "own personal cinema sins. I have tried promoting myself by contributing to Quora", "contributing to Quora and Pinterest and I have a Facebook group page, but", "my time researching how to promote my blog, but I'm failing. Since I", "on other blogs' - I do not exactly know what to comment or", "how to promote my blog, but I'm failing. Since I have covered Pinterest/Quora", "I have tried promoting myself by contributing to Quora and Pinterest and I", "I have already spent my time researching how to promote my blog, but", "'comment on other blogs' - I do not exactly know what to comment", "Obviously, I have already spent my time researching how to promote my blog,", "have already spent my time researching how to promote my blog, but I'm", "do not exactly know what to comment or what blogs to comment on,", "I've even attempted and tried pinging services. Obviously, I have already spent my", "Facebook group page, but I'm getting nothing back. I've even attempted and tried", "writing my reviews for films. I also post my 'Top' lists and my", "Are there specific ways to write a blog and/or promote a blog (not", "group page, but I'm getting nothing back. I've even attempted and tried pinging", "have covered Pinterest/Quora etc please no recommendation on anything of a similar sort.", "what to comment or what blogs to comment on, so please maybe some", "exactly know what to comment or what blogs to comment on, so please", "getting nothing back. I've even attempted and tried pinging services. Obviously, I have", "'Top' lists and my own personal cinema sins. I have tried promoting myself", "but I'm getting nothing back. I've even attempted and tried pinging services. Obviously,", "and tried pinging services. Obviously, I have already spent my time researching how", "comment or what blogs to comment on, so please maybe some recommendations? Are", "- I do not exactly know what to comment or what blogs to", "I don't really want to pay (being a student). I am a self-proclaimed", "hosting is free and to be honest I don't really want to pay", "domain name, but my hosting is free and to be honest I don't", "name, but my hosting is free and to be honest I don't really", "I am a self-proclaimed cinema buff and I love writing my reviews for", "self-proclaimed cinema buff and I love writing my reviews for films. I also", "comment on, so please maybe some recommendations? Are there specific ways to write", "covered Pinterest/Quora etc please no recommendation on anything of a similar sort. Also,", "failing. Since I have covered Pinterest/Quora etc please no recommendation on anything of", "have a Facebook group page, but I'm getting nothing back. I've even attempted", "and/or promote a blog (not including the ones above) that are effective at", "I'm getting nothing back. I've even attempted and tried pinging services. Obviously, I", "but I'm failing. Since I have covered Pinterest/Quora etc please no recommendation on", "write a blog and/or promote a blog (not including the ones above) that", "for a domain name, but my hosting is free and to be honest", "recommendations? Are there specific ways to write a blog and/or promote a blog", "is free and to be honest I don't really want to pay (being", "paid for a domain name, but my hosting is free and to be", "sort. Also, anything like 'comment on other blogs' - I do not exactly", "to comment on, so please maybe some recommendations? Are there specific ways to", "of a similar sort. Also, anything like 'comment on other blogs' - I", "recommendation on anything of a similar sort. Also, anything like 'comment on other", "tried pinging services. Obviously, I have already spent my time researching how to", "buff and I love writing my reviews for films. I also post my", "my own personal cinema sins. I have tried promoting myself by contributing to", "free and to be honest I don't really want to pay (being a", "time researching how to promote my blog, but I'm failing. Since I have", "for films. I also post my 'Top' lists and my own personal cinema", "please maybe some recommendations? Are there specific ways to write a blog and/or", "cinema buff and I love writing my reviews for films. I also post", "please no recommendation on anything of a similar sort. Also, anything like 'comment", "to write a blog and/or promote a blog (not including the ones above)", "love writing my reviews for films. I also post my 'Top' lists and", "be honest I don't really want to pay (being a student). I am", "Quora and Pinterest and I have a Facebook group page, but I'm getting", "services. Obviously, I have already spent my time researching how to promote my", "page, but I'm getting nothing back. I've even attempted and tried pinging services.", "I'm failing. Since I have covered Pinterest/Quora etc please no recommendation on anything", "blog, but I'm failing. Since I have covered Pinterest/Quora etc please no recommendation", "etc please no recommendation on anything of a similar sort. Also, anything like", "Since I have covered Pinterest/Quora etc please no recommendation on anything of a", "a blog (not including the ones above) that are effective at building an", "my blog, but I'm failing. Since I have covered Pinterest/Quora etc please no", "I have covered Pinterest/Quora etc please no recommendation on anything of a similar", "maybe some recommendations? Are there specific ways to write a blog and/or promote", "and I have a Facebook group page, but I'm getting nothing back. I've", "to Quora and Pinterest and I have a Facebook group page, but I'm", "I have paid for a domain name, but my hosting is free and", "no recommendation on anything of a similar sort. Also, anything like 'comment on", "blogs' - I do not exactly know what to comment or what blogs", "and my own personal cinema sins. I have tried promoting myself by contributing", "and to be honest I don't really want to pay (being a student).", "want to pay (being a student). I am a self-proclaimed cinema buff and", "similar sort. Also, anything like 'comment on other blogs' - I do not", "but my hosting is free and to be honest I don't really want", "am using Blogger currently. I have paid for a domain name, but my", "already spent my time researching how to promote my blog, but I'm failing.", "a self-proclaimed cinema buff and I love writing my reviews for films. I", "tried promoting myself by contributing to Quora and Pinterest and I have a", "blog (not including the ones above) that are effective at building an audience?", "I love writing my reviews for films. I also post my 'Top' lists", "pay (being a student). I am a self-proclaimed cinema buff and I love", "by contributing to Quora and Pinterest and I have a Facebook group page,", "some recommendations? Are there specific ways to write a blog and/or promote a", "my hosting is free and to be honest I don't really want to", "blog and/or promote a blog (not including the ones above) that are effective", "really want to pay (being a student). I am a self-proclaimed cinema buff", "currently. I have paid for a domain name, but my hosting is free", "on, so please maybe some recommendations? Are there specific ways to write a", "promote a blog (not including the ones above) that are effective at building", "and I love writing my reviews for films. I also post my 'Top'", "to comment or what blogs to comment on, so please maybe some recommendations?", "even attempted and tried pinging services. Obviously, I have already spent my time" ]
[ "romance would open me up to libel suits or anything else. A few", "are very unfortunate, but I don’t know if that would get me in", "odds of actually publishing are low, but just in case, I wanted to", "suits or anything else. A few things do happen in the book that", "in the book that are very unfortunate, but I don’t know if that", "low, but just in case, I wanted to know if using a public", "publishing are low, but just in case, I wanted to know if using", "The odds of actually publishing are low, but just in case, I wanted", "A few things do happen in the book that are very unfortunate, but", "don’t know if that would get me in trouble with the town or", "me up to libel suits or anything else. A few things do happen", "tragic romance would open me up to libel suits or anything else. A", "public university campus as a setting for my tragic romance would open me", "open me up to libel suits or anything else. A few things do", "if that would get me in trouble with the town or the university.", "or anything else. A few things do happen in the book that are", "anything else. A few things do happen in the book that are very", "do happen in the book that are very unfortunate, but I don’t know", "a public university campus as a setting for my tragic romance would open", "things do happen in the book that are very unfortunate, but I don’t", "using a public university campus as a setting for my tragic romance would", "know if using a public university campus as a setting for my tragic", "I wanted to know if using a public university campus as a setting", "up to libel suits or anything else. A few things do happen in", "campus as a setting for my tragic romance would open me up to", "unfortunate, but I don’t know if that would get me in trouble with", "as a setting for my tragic romance would open me up to libel", "university campus as a setting for my tragic romance would open me up", "book that are very unfortunate, but I don’t know if that would get", "else. A few things do happen in the book that are very unfortunate,", "wanted to know if using a public university campus as a setting for", "that are very unfortunate, but I don’t know if that would get me", "my tragic romance would open me up to libel suits or anything else.", "I don’t know if that would get me in trouble with the town", "just in case, I wanted to know if using a public university campus", "setting for my tragic romance would open me up to libel suits or", "would open me up to libel suits or anything else. A few things", "the book that are very unfortunate, but I don’t know if that would", "but I don’t know if that would get me in trouble with the", "case, I wanted to know if using a public university campus as a", "for my tragic romance would open me up to libel suits or anything", "know if that would get me in trouble with the town or the", "actually publishing are low, but just in case, I wanted to know if", "of actually publishing are low, but just in case, I wanted to know", "but just in case, I wanted to know if using a public university", "to know if using a public university campus as a setting for my", "if using a public university campus as a setting for my tragic romance", "libel suits or anything else. A few things do happen in the book", "few things do happen in the book that are very unfortunate, but I", "very unfortunate, but I don’t know if that would get me in trouble", "in case, I wanted to know if using a public university campus as", "are low, but just in case, I wanted to know if using a", "to libel suits or anything else. A few things do happen in the", "a setting for my tragic romance would open me up to libel suits", "happen in the book that are very unfortunate, but I don’t know if" ]
[ "Also in the next chapter I do something similar with the introduction to", "in the author and lose his engagement to the story. Near the very", "As he progresses things start to slowly deteriorate and the dream slowly turns", "do something similar with the introduction to another protaginst to draw a parallel", "novice a writer as one can get so please bear with me. I", "one can get so please bear with me. I have read many times", "dream like normal wihtout informing the readers of what is happening exactly, somewhat", "first time, would using two dream sequences in such close proximity alienate the", "slowly deteriorate and the dream slowly turns into a nightmare leading to him", "like that. (not what i'v actually written just a hasty example) > >", "is happening exactly, somewhat like that. (not what i'v actually written just a", "his suroundings........ > > > Would this constitute tricking the reader since I", "reader otherwise the reader will lose trust in the author and lose his", "read many times that a writer shouldn't mislead the reader otherwise the reader", "draw a parallel between them. Even if it alright to do it the", "a nightmare leading to him eventually waking up right where he passed out", "jolting him up from his sleep. Scared he jumped up to check his", "him up from his sleep. Scared he jumped up to check his suroundings........", "dreams? Also in the next chapter I do something similar with the introduction", "transition from reality to dream like normal wihtout informing the readers of what", "in his dreams? Also in the next chapter I do something similar with", "up to check his suroundings........ > > > Would this constitute tricking the", "alright to do it the first time, would using two dream sequences in", "for a few minutes. > > > A drop of water fell to", "to do it the first time, would using two dream sequences in such", "mislead the reader otherwise the reader will lose trust in the author and", "it alright to do it the first time, would using two dream sequences", "check his suroundings........ > > > Would this constitute tricking the reader since", "reader since I dont specify that he wakes up in his dreams? Also", "blood loss and poisoning, after which he dreams of waking up fine uninjured", "a writer shouldn't mislead the reader otherwise the reader will lose trust in", "do it the first time, would using two dream sequences in such close", "right where he passed out initially.Here comes my problem, I handle the transition", "> > A drop of water fell to his bare hand jolting him", "specify that he wakes up in his dreams? Also in the next chapter", "time, would using two dream sequences in such close proximity alienate the readers?", "lose his engagement to the story. Near the very start of my book", "protaginst to draw a parallel between them. Even if it alright to do", "in the next chapter I do something similar with the introduction to another", "the side of tree, he sowly closes his eyes to rest for a", "slowly turns into a nightmare leading to him eventually waking up right where", "Would this constitute tricking the reader since I dont specify that he wakes", "just a hasty example) > > Sitting in the side of tree, he", "trust in the author and lose his engagement to the story. Near the", "his eyes to rest for a few minutes. > > > A drop", "to his bare hand jolting him up from his sleep. Scared he jumped", "minutes. > > > A drop of water fell to his bare hand", "chapter I do something similar with the introduction to another protaginst to draw", "of water fell to his bare hand jolting him up from his sleep.", "with me. I have read many times that a writer shouldn't mislead the", "me. I have read many times that a writer shouldn't mislead the reader", "up from his sleep. Scared he jumped up to check his suroundings........ >", "something similar with the introduction to another protaginst to draw a parallel between", "the introduction to another protaginst to draw a parallel between them. Even if", "drop of water fell to his bare hand jolting him up from his", "writer shouldn't mislead the reader otherwise the reader will lose trust in the", "few minutes. > > > A drop of water fell to his bare", "from his sleep. Scared he jumped up to check his suroundings........ > >", "progresses things start to slowly deteriorate and the dream slowly turns into a", "> > > Would this constitute tricking the reader since I dont specify", "way. As he progresses things start to slowly deteriorate and the dream slowly", "reality to dream like normal wihtout informing the readers of what is happening", "my problem, I handle the transition from reality to dream like normal wihtout", "his dreams? Also in the next chapter I do something similar with the", "things start to slowly deteriorate and the dream slowly turns into a nightmare", "parallel between them. Even if it alright to do it the first time,", "and lose his engagement to the story. Near the very start of my", "can get so please bear with me. I have read many times that", "eventually waking up right where he passed out initially.Here comes my problem, I", "Near the very start of my book the protagonist, passes out from blood", "of my book the protagonist, passes out from blood loss and poisoning, after", "passes out from blood loss and poisoning, after which he dreams of waking", "he progresses things start to slowly deteriorate and the dream slowly turns into", "author and lose his engagement to the story. Near the very start of", "I handle the transition from reality to dream like normal wihtout informing the", "continuing on his way. As he progresses things start to slowly deteriorate and", "informing the readers of what is happening exactly, somewhat like that. (not what", "waking up right where he passed out initially.Here comes my problem, I handle", "the next chapter I do something similar with the introduction to another protaginst", "deteriorate and the dream slowly turns into a nightmare leading to him eventually", "his engagement to the story. Near the very start of my book the", "wakes up in his dreams? Also in the next chapter I do something", "the author and lose his engagement to the story. Near the very start", "from blood loss and poisoning, after which he dreams of waking up fine", "poisoning, after which he dreams of waking up fine uninjured and continuing on", "Scared he jumped up to check his suroundings........ > > > Would this", "exactly, somewhat like that. (not what i'v actually written just a hasty example)", "eyes to rest for a few minutes. > > > A drop of", "the very start of my book the protagonist, passes out from blood loss", "of what is happening exactly, somewhat like that. (not what i'v actually written", "start of my book the protagonist, passes out from blood loss and poisoning,", "Sitting in the side of tree, he sowly closes his eyes to rest", "the reader since I dont specify that he wakes up in his dreams?", "the reader will lose trust in the author and lose his engagement to", "to dream like normal wihtout informing the readers of what is happening exactly,", "handle the transition from reality to dream like normal wihtout informing the readers", "bear with me. I have read many times that a writer shouldn't mislead", "after which he dreams of waking up fine uninjured and continuing on his", "bare hand jolting him up from his sleep. Scared he jumped up to", "Even if it alright to do it the first time, would using two", "hand jolting him up from his sleep. Scared he jumped up to check", "have read many times that a writer shouldn't mislead the reader otherwise the", "up right where he passed out initially.Here comes my problem, I handle the", "next chapter I do something similar with the introduction to another protaginst to", "leading to him eventually waking up right where he passed out initially.Here comes", "comes my problem, I handle the transition from reality to dream like normal", "a few minutes. > > > A drop of water fell to his", "a parallel between them. Even if it alright to do it the first", "shouldn't mislead the reader otherwise the reader will lose trust in the author", "up fine uninjured and continuing on his way. As he progresses things start", "fell to his bare hand jolting him up from his sleep. Scared he", "engagement to the story. Near the very start of my book the protagonist,", "hasty example) > > Sitting in the side of tree, he sowly closes", "which he dreams of waking up fine uninjured and continuing on his way.", "the readers of what is happening exactly, somewhat like that. (not what i'v", "where he passed out initially.Here comes my problem, I handle the transition from", "the protagonist, passes out from blood loss and poisoning, after which he dreams", "somewhat like that. (not what i'v actually written just a hasty example) >", "in the side of tree, he sowly closes his eyes to rest for", "he sowly closes his eyes to rest for a few minutes. > >", "he jumped up to check his suroundings........ > > > Would this constitute", "passed out initially.Here comes my problem, I handle the transition from reality to", "the transition from reality to dream like normal wihtout informing the readers of", "them. Even if it alright to do it the first time, would using", "similar with the introduction to another protaginst to draw a parallel between them.", "the first time, would using two dream sequences in such close proximity alienate", "his bare hand jolting him up from his sleep. Scared he jumped up", "times that a writer shouldn't mislead the reader otherwise the reader will lose", "his way. As he progresses things start to slowly deteriorate and the dream", "wihtout informing the readers of what is happening exactly, somewhat like that. (not", "if it alright to do it the first time, would using two dream", "another protaginst to draw a parallel between them. Even if it alright to", "on his way. As he progresses things start to slowly deteriorate and the", "like normal wihtout informing the readers of what is happening exactly, somewhat like", "it the first time, would using two dream sequences in such close proximity", "I have read many times that a writer shouldn't mislead the reader otherwise", "to slowly deteriorate and the dream slowly turns into a nightmare leading to", "I dont specify that he wakes up in his dreams? Also in the", "into a nightmare leading to him eventually waking up right where he passed", "introduction to another protaginst to draw a parallel between them. Even if it", "dream slowly turns into a nightmare leading to him eventually waking up right", "that he wakes up in his dreams? Also in the next chapter I", "fine uninjured and continuing on his way. As he progresses things start to", "up in his dreams? Also in the next chapter I do something similar", "and the dream slowly turns into a nightmare leading to him eventually waking", "tricking the reader since I dont specify that he wakes up in his", "as novice a writer as one can get so please bear with me.", "initially.Here comes my problem, I handle the transition from reality to dream like", "from reality to dream like normal wihtout informing the readers of what is", "with the introduction to another protaginst to draw a parallel between them. Even", "side of tree, he sowly closes his eyes to rest for a few", "between them. Even if it alright to do it the first time, would", "and continuing on his way. As he progresses things start to slowly deteriorate", "to check his suroundings........ > > > Would this constitute tricking the reader", "to rest for a few minutes. > > > A drop of water", "many times that a writer shouldn't mislead the reader otherwise the reader will", "rest for a few minutes. > > > A drop of water fell", "closes his eyes to rest for a few minutes. > > > A", "protagonist, passes out from blood loss and poisoning, after which he dreams of", "suroundings........ > > > Would this constitute tricking the reader since I dont", "out from blood loss and poisoning, after which he dreams of waking up", "waking up fine uninjured and continuing on his way. As he progresses things", "A drop of water fell to his bare hand jolting him up from", "the story. Near the very start of my book the protagonist, passes out", "of waking up fine uninjured and continuing on his way. As he progresses", "reader will lose trust in the author and lose his engagement to the", "he passed out initially.Here comes my problem, I handle the transition from reality", "water fell to his bare hand jolting him up from his sleep. Scared", "will lose trust in the author and lose his engagement to the story.", "readers of what is happening exactly, somewhat like that. (not what i'v actually", "my book the protagonist, passes out from blood loss and poisoning, after which", "what i'v actually written just a hasty example) > > Sitting in the", "to him eventually waking up right where he passed out initially.Here comes my", "sleep. Scared he jumped up to check his suroundings........ > > > Would", "since I dont specify that he wakes up in his dreams? Also in", "> Sitting in the side of tree, he sowly closes his eyes to", "writer as one can get so please bear with me. I have read", "example) > > Sitting in the side of tree, he sowly closes his", "his sleep. Scared he jumped up to check his suroundings........ > > >", "> > > A drop of water fell to his bare hand jolting", "I do something similar with the introduction to another protaginst to draw a", "of tree, he sowly closes his eyes to rest for a few minutes.", "> > Sitting in the side of tree, he sowly closes his eyes", "so please bear with me. I have read many times that a writer", "to the story. Near the very start of my book the protagonist, passes", "happening exactly, somewhat like that. (not what i'v actually written just a hasty", "and poisoning, after which he dreams of waking up fine uninjured and continuing", "the dream slowly turns into a nightmare leading to him eventually waking up", "sowly closes his eyes to rest for a few minutes. > > >", "this constitute tricking the reader since I dont specify that he wakes up", "normal wihtout informing the readers of what is happening exactly, somewhat like that.", "to draw a parallel between them. Even if it alright to do it", "a writer as one can get so please bear with me. I have", "I'm as novice a writer as one can get so please bear with", "turns into a nightmare leading to him eventually waking up right where he", "that. (not what i'v actually written just a hasty example) > > Sitting", "> A drop of water fell to his bare hand jolting him up", "dreams of waking up fine uninjured and continuing on his way. As he", "as one can get so please bear with me. I have read many", "what is happening exactly, somewhat like that. (not what i'v actually written just", "to another protaginst to draw a parallel between them. Even if it alright", "actually written just a hasty example) > > Sitting in the side of", "tree, he sowly closes his eyes to rest for a few minutes. >", "> > Would this constitute tricking the reader since I dont specify that", "get so please bear with me. I have read many times that a", "please bear with me. I have read many times that a writer shouldn't", "loss and poisoning, after which he dreams of waking up fine uninjured and", "lose trust in the author and lose his engagement to the story. Near", "jumped up to check his suroundings........ > > > Would this constitute tricking", "nightmare leading to him eventually waking up right where he passed out initially.Here", "(not what i'v actually written just a hasty example) > > Sitting in", "that a writer shouldn't mislead the reader otherwise the reader will lose trust", "out initially.Here comes my problem, I handle the transition from reality to dream", "him eventually waking up right where he passed out initially.Here comes my problem,", "he dreams of waking up fine uninjured and continuing on his way. As", "he wakes up in his dreams? Also in the next chapter I do", "a hasty example) > > Sitting in the side of tree, he sowly", "constitute tricking the reader since I dont specify that he wakes up in", "dont specify that he wakes up in his dreams? Also in the next", "the reader otherwise the reader will lose trust in the author and lose", "start to slowly deteriorate and the dream slowly turns into a nightmare leading", "i'v actually written just a hasty example) > > Sitting in the side", "problem, I handle the transition from reality to dream like normal wihtout informing", "> Would this constitute tricking the reader since I dont specify that he", "written just a hasty example) > > Sitting in the side of tree,", "uninjured and continuing on his way. As he progresses things start to slowly", "otherwise the reader will lose trust in the author and lose his engagement", "book the protagonist, passes out from blood loss and poisoning, after which he", "story. Near the very start of my book the protagonist, passes out from", "very start of my book the protagonist, passes out from blood loss and" ]
[ "a hard time with describing it, anyone has any idea? I'll be grateful!", "was writing for my fantasy novel, I was stuck on how to describe", "and low, but malicious voice for a grim reaper kind of like ghost", "voice for a grim reaper kind of like ghost in my story. The", "just so intimidating and horrifying, I'm having a hard time with describing it,", "Phantomon from the Digimon series... Especially in the game; Rumble Arena 2. It's", "the Digimon series... Especially in the game; Rumble Arena 2. It's just so", "scratchy and low, but malicious voice for a grim reaper kind of like", "voice I'm trying to describe resembles Phantomon from the Digimon series... Especially in", "in my story. The voice I'm trying to describe resembles Phantomon from the", "my story. The voice I'm trying to describe resembles Phantomon from the Digimon", "novel, I was stuck on how to describe a very scratchy and low,", "I was stuck on how to describe a very scratchy and low, but", "to describe a very scratchy and low, but malicious voice for a grim", "for a grim reaper kind of like ghost in my story. The voice", "of like ghost in my story. The voice I'm trying to describe resembles", "how to describe a very scratchy and low, but malicious voice for a", "my fantasy novel, I was stuck on how to describe a very scratchy", "very scratchy and low, but malicious voice for a grim reaper kind of", "2. It's just so intimidating and horrifying, I'm having a hard time with", "was stuck on how to describe a very scratchy and low, but malicious", "intimidating and horrifying, I'm having a hard time with describing it, anyone has", "and horrifying, I'm having a hard time with describing it, anyone has any", "**Hello!** While I was writing for my fantasy novel, I was stuck on", "malicious voice for a grim reaper kind of like ghost in my story.", "kind of like ghost in my story. The voice I'm trying to describe", "grim reaper kind of like ghost in my story. The voice I'm trying", "the game; Rumble Arena 2. It's just so intimidating and horrifying, I'm having", "having a hard time with describing it, anyone has any idea? I'll be", "series... Especially in the game; Rumble Arena 2. It's just so intimidating and", "Arena 2. It's just so intimidating and horrifying, I'm having a hard time", "Rumble Arena 2. It's just so intimidating and horrifying, I'm having a hard", "in the game; Rumble Arena 2. It's just so intimidating and horrifying, I'm", "It's just so intimidating and horrifying, I'm having a hard time with describing", "to describe resembles Phantomon from the Digimon series... Especially in the game; Rumble", "Especially in the game; Rumble Arena 2. It's just so intimidating and horrifying,", "Digimon series... Especially in the game; Rumble Arena 2. It's just so intimidating", "horrifying, I'm having a hard time with describing it, anyone has any idea?", "While I was writing for my fantasy novel, I was stuck on how", "writing for my fantasy novel, I was stuck on how to describe a", "low, but malicious voice for a grim reaper kind of like ghost in", "reaper kind of like ghost in my story. The voice I'm trying to", "The voice I'm trying to describe resembles Phantomon from the Digimon series... Especially", "describe resembles Phantomon from the Digimon series... Especially in the game; Rumble Arena", "describe a very scratchy and low, but malicious voice for a grim reaper", "trying to describe resembles Phantomon from the Digimon series... Especially in the game;", "but malicious voice for a grim reaper kind of like ghost in my", "ghost in my story. The voice I'm trying to describe resembles Phantomon from", "game; Rumble Arena 2. It's just so intimidating and horrifying, I'm having a", "I'm trying to describe resembles Phantomon from the Digimon series... Especially in the", "fantasy novel, I was stuck on how to describe a very scratchy and", "I'm having a hard time with describing it, anyone has any idea? I'll", "on how to describe a very scratchy and low, but malicious voice for", "story. The voice I'm trying to describe resembles Phantomon from the Digimon series...", "from the Digimon series... Especially in the game; Rumble Arena 2. It's just", "so intimidating and horrifying, I'm having a hard time with describing it, anyone", "stuck on how to describe a very scratchy and low, but malicious voice", "I was writing for my fantasy novel, I was stuck on how to", "for my fantasy novel, I was stuck on how to describe a very", "a very scratchy and low, but malicious voice for a grim reaper kind", "like ghost in my story. The voice I'm trying to describe resembles Phantomon", "resembles Phantomon from the Digimon series... Especially in the game; Rumble Arena 2.", "a grim reaper kind of like ghost in my story. The voice I'm" ]
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Or should I always cite the author even", "in the field that think X is fascinating.\"** and if I insert a", "is fascinating.\"** and if I insert a footnote source, like this: **\"there are", "and if I insert a footnote source, like this: **\"there are experts in", "the field that think this way[1].\"** **Footnote [1]:** Author, Date, Title: X might", "I make the claim: **\"there are experts in the field that think X", "way[1].\"** **Footnote [1]:** Author, Date, Title: X might be interesting, Publisher etc. Would", "**\"there are experts in the field that think this way[1].\"** **Footnote [1]:** Author,", "cite the work or any of its content, but use it only to", "source, like this: **\"there are experts in the field that think this way[1].\"**", "like this: **\"there are experts in the field that think this way[1].\"** **Footnote", "be wrong? 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[ "is able to turn all outcomes into an advantage, no matter if it", "and is able to turn any situation to their advantage with 'plans' that", "to make/simplify plans on the fly, a trickster-chessmaster, for lack of better word.", "The story is going to be set in a world similar to the", "on the outside, as well. Is there any tips/tricks to writing this type", "a character that is able to seemingly be one step ahead of their", "to be set in a world similar to the real world, so I", "want to try writing a character that is able to seemingly be one", "is able to seemingly be one step ahead of their opposition, and is", "no matter if it seems disadvantageous, but has a trickster-like behavior and is", "this type of character? The story is going to be set in a", "also look really goofy and foolish on the outside, as well. Is there", "a trickster-chessmaster, for lack of better word. DaedUW character is supposed to also", "really goofy and foolish on the outside, as well. Is there any tips/tricks", "always seems to teeter in the edge of failure but actually working, and", "I want to try writing a character that is able to seemingly be", "tips/tricks to writing this type of character? The story is going to be", "word. DaedUW character is supposed to also look really goofy and foolish on", "character? The story is going to be set in a world similar to", "able to turn any situation to their advantage with 'plans' that always seems", "teeter in the edge of failure but actually working, and able to make/simplify", "be one step ahead of their opposition, and is able to turn all", "to writing this type of character? The story is going to be set", "be set in a world similar to the real world, so I cannot", "but has a trickster-like behavior and is able to turn any situation to", "in a world similar to the real world, so I cannot use \"abilities\".", "step ahead of their opposition, and is able to turn all outcomes into", "'plans' that always seems to teeter in the edge of failure but actually", "able to make/simplify plans on the fly, a trickster-chessmaster, for lack of better", "is going to be set in a world similar to the real world,", "to their advantage with 'plans' that always seems to teeter in the edge", "to seemingly be one step ahead of their opposition, and is able to", "their advantage with 'plans' that always seems to teeter in the edge of", "DaedUW character is supposed to also look really goofy and foolish on the", "working, and able to make/simplify plans on the fly, a trickster-chessmaster, for lack", "better word. DaedUW character is supposed to also look really goofy and foolish", "look really goofy and foolish on the outside, as well. Is there any", "character is supposed to also look really goofy and foolish on the outside,", "seemingly be one step ahead of their opposition, and is able to turn", "their opposition, and is able to turn all outcomes into an advantage, no", "has a trickster-like behavior and is able to turn any situation to their", "that is able to seemingly be one step ahead of their opposition, and", "set in a world similar to the real world, so I cannot use", "failure but actually working, and able to make/simplify plans on the fly, a", "as well. Is there any tips/tricks to writing this type of character? The", "on the fly, a trickster-chessmaster, for lack of better word. DaedUW character is", "any tips/tricks to writing this type of character? The story is going to", "and is able to turn all outcomes into an advantage, no matter if", "seems to teeter in the edge of failure but actually working, and able", "able to turn all outcomes into an advantage, no matter if it seems", "into an advantage, no matter if it seems disadvantageous, but has a trickster-like", "plans on the fly, a trickster-chessmaster, for lack of better word. DaedUW character", "of character? The story is going to be set in a world similar", "Is there any tips/tricks to writing this type of character? The story is", "lack of better word. DaedUW character is supposed to also look really goofy", "and foolish on the outside, as well. Is there any tips/tricks to writing", "make/simplify plans on the fly, a trickster-chessmaster, for lack of better word. DaedUW", "goofy and foolish on the outside, as well. Is there any tips/tricks to", "advantage with 'plans' that always seems to teeter in the edge of failure", "is supposed to also look really goofy and foolish on the outside, as", "fly, a trickster-chessmaster, for lack of better word. DaedUW character is supposed to", "story is going to be set in a world similar to the real", "to also look really goofy and foolish on the outside, as well. Is", "seems disadvantageous, but has a trickster-like behavior and is able to turn any", "ahead of their opposition, and is able to turn all outcomes into an", "situation to their advantage with 'plans' that always seems to teeter in the", "to turn all outcomes into an advantage, no matter if it seems disadvantageous,", "turn any situation to their advantage with 'plans' that always seems to teeter", "the outside, as well. Is there any tips/tricks to writing this type of", "outside, as well. Is there any tips/tricks to writing this type of character?", "going to be set in a world similar to the real world, so", "supposed to also look really goofy and foolish on the outside, as well.", "any situation to their advantage with 'plans' that always seems to teeter in", "to try writing a character that is able to seemingly be one step", "advantage, no matter if it seems disadvantageous, but has a trickster-like behavior and", "disadvantageous, but has a trickster-like behavior and is able to turn any situation", "able to seemingly be one step ahead of their opposition, and is able", "opposition, and is able to turn all outcomes into an advantage, no matter", "the edge of failure but actually working, and able to make/simplify plans on", "trickster-chessmaster, for lack of better word. DaedUW character is supposed to also look", "actually working, and able to make/simplify plans on the fly, a trickster-chessmaster, for", "in the edge of failure but actually working, and able to make/simplify plans", "type of character? The story is going to be set in a world", "trickster-like behavior and is able to turn any situation to their advantage with", "writing this type of character? The story is going to be set in", "a trickster-like behavior and is able to turn any situation to their advantage", "but actually working, and able to make/simplify plans on the fly, a trickster-chessmaster,", "for lack of better word. DaedUW character is supposed to also look really", "and able to make/simplify plans on the fly, a trickster-chessmaster, for lack of", "with 'plans' that always seems to teeter in the edge of failure but", "one step ahead of their opposition, and is able to turn all outcomes", "edge of failure but actually working, and able to make/simplify plans on the", "of failure but actually working, and able to make/simplify plans on the fly,", "foolish on the outside, as well. Is there any tips/tricks to writing this", "well. Is there any tips/tricks to writing this type of character? The story", "an advantage, no matter if it seems disadvantageous, but has a trickster-like behavior", "writing a character that is able to seemingly be one step ahead of", "outcomes into an advantage, no matter if it seems disadvantageous, but has a", "it seems disadvantageous, but has a trickster-like behavior and is able to turn", "to turn any situation to their advantage with 'plans' that always seems to", "all outcomes into an advantage, no matter if it seems disadvantageous, but has", "that always seems to teeter in the edge of failure but actually working,", "of their opposition, and is able to turn all outcomes into an advantage,", "turn all outcomes into an advantage, no matter if it seems disadvantageous, but", "if it seems disadvantageous, but has a trickster-like behavior and is able to", "there any tips/tricks to writing this type of character? The story is going", "is able to turn any situation to their advantage with 'plans' that always", "matter if it seems disadvantageous, but has a trickster-like behavior and is able", "to teeter in the edge of failure but actually working, and able to", "behavior and is able to turn any situation to their advantage with 'plans'", "the fly, a trickster-chessmaster, for lack of better word. DaedUW character is supposed", "of better word. DaedUW character is supposed to also look really goofy and", "character that is able to seemingly be one step ahead of their opposition,", "try writing a character that is able to seemingly be one step ahead" ]
[ "school for employees of house of public health (hospital). Human body and illnesses", "like to choose language to be *scientific one* for my world, but I", "of metals). It was school for employees of house of public health (hospital).", "it is clear that more or less it will be any real language)", "to be *scientific one* for my world, but I would not like to", "nation known as Priests of metals (for their mastery in processing of metals).", "but I would not like to call it exactly (even if it is", "have not any schools, due to their natural wisdom based on age immortality.", "or not (instead ). But may it be. And probably answer on this", "by man from nation known as Priests of metals (for their mastery in", "from nation known as Priests of metals (for their mastery in processing of", "(even if it is clear that more or less it will be any", "to call it exactly (even if it is clear that more or less", "fictional. --- The first nation is called Meadowers. But they have not any", "man from nation known as Priests of metals (for their mastery in processing", "clear that more or less it will be any real language) - because", "I would like to choose language to be *scientific one* for my world,", "my fantasy world. I would like to choose language to be *scientific one*", "is called Meadowers. But they have not any schools, due to their natural", "in the East plains, by man from nation known as Priests of metals", "world, but I would not like to call it exactly (even if it", "of metals (for their mastery in processing of metals). It was school for", "their mastery in processing of metals). It was school for employees of house", "be answer to my question too. But my question is related to my", "any real language) - because my world is fully fictional. --- The first", "more or less it will be any real language) - because my world", "say why *scientific language* on Earth is greek, with touch of latin or", "world. I would like to choose language to be *scientific one* for my", "plains, by man from nation known as Priests of metals (for their mastery", "choose language to be *scientific one* for my world, but I would not", "metals). It was school for employees of house of public health (hospital). Human", "there. The second school was established in West haven. There is school for", "The second school was established in West haven. There is school for employees", "and illnesses are studied there. The second school was established in West haven.", "it will be any real language) - because my world is fully fictional.", "schools, due to their natural wisdom based on age immortality. The first school", "latin or not (instead ). But may it be. And probably answer on", "on Earth is greek, with touch of latin or not (instead ). But", "mastery in processing of metals). It was school for employees of house of", "in West haven. There is school for employees of local mines of black", "my world is fully fictional. --- The first nation is called Meadowers. But", "or less it will be any real language) - because my world is", "haven. There is school for employees of local mines of black oil and", "would like to choose language to be *scientific one* for my world, but", "world is fully fictional. --- The first nation is called Meadowers. But they", "on this question would be answer to my question too. But my question", "fantasy world. I would like to choose language to be *scientific one* for", "employees of local mines of black oil and textile works. Black oil is", "answer to my question too. But my question is related to my fantasy", "immortality. The first school was established in the East plains, by man from", "school was established in the East plains, by man from nation known as", "of local mines of black oil and textile works. Black oil is studied", "will be any real language) - because my world is fully fictional. ---", "There is school for employees of local mines of black oil and textile", "not like to call it exactly (even if it is clear that more", "my world, but I would not like to call it exactly (even if", "--- The first nation is called Meadowers. But they have not any schools,", "one* for my world, but I would not like to call it exactly", "East plains, by man from nation known as Priests of metals (for their", "it be. And probably answer on this question would be answer to my", "first nation is called Meadowers. But they have not any schools, due to", "would be answer to my question too. But my question is related to", "(hospital). Human body and illnesses are studied there. The second school was established", "with touch of latin or not (instead ). But may it be. And", "to my fantasy world. I would like to choose language to be *scientific", "West haven. There is school for employees of local mines of black oil", "is clear that more or less it will be any real language) -", "my question too. But my question is related to my fantasy world. I", "is school for employees of local mines of black oil and textile works.", "language* on Earth is greek, with touch of latin or not (instead ).", "would not like to call it exactly (even if it is clear that", "may it be. And probably answer on this question would be answer to", "- because my world is fully fictional. --- The first nation is called", "like to call it exactly (even if it is clear that more or", "my question is related to my fantasy world. I would like to choose", "The first school was established in the East plains, by man from nation", "employees of house of public health (hospital). Human body and illnesses are studied", "school was established in West haven. There is school for employees of local", "question would be answer to my question too. But my question is related", "But they have not any schools, due to their natural wisdom based on", "studied there. The second school was established in West haven. There is school", "this question would be answer to my question too. But my question is", "why *scientific language* on Earth is greek, with touch of latin or not", "less it will be any real language) - because my world is fully", "And probably answer on this question would be answer to my question too.", "But my question is related to my fantasy world. I would like to", "age immortality. The first school was established in the East plains, by man", "established in the East plains, by man from nation known as Priests of", "fully fictional. --- The first nation is called Meadowers. But they have not", "Hard to say why *scientific language* on Earth is greek, with touch of", "to say why *scientific language* on Earth is greek, with touch of latin", "wisdom based on age immortality. The first school was established in the East", "is fully fictional. --- The first nation is called Meadowers. But they have", "body and illnesses are studied there. The second school was established in West", "of latin or not (instead ). But may it be. And probably answer", "It was school for employees of house of public health (hospital). Human body", "was established in the East plains, by man from nation known as Priests", "Meadowers. But they have not any schools, due to their natural wisdom based", "to their natural wisdom based on age immortality. The first school was established", "of house of public health (hospital). Human body and illnesses are studied there.", "be any real language) - because my world is fully fictional. --- The", "called Meadowers. But they have not any schools, due to their natural wisdom", "related to my fantasy world. I would like to choose language to be", "). But may it be. And probably answer on this question would be", "I would not like to call it exactly (even if it is clear", "processing of metals). It was school for employees of house of public health", "for employees of house of public health (hospital). Human body and illnesses are", "answer on this question would be answer to my question too. But my", "too. But my question is related to my fantasy world. I would like", "exactly (even if it is clear that more or less it will be", "because my world is fully fictional. --- The first nation is called Meadowers.", "school for employees of local mines of black oil and textile works. Black", "*scientific language* on Earth is greek, with touch of latin or not (instead", "house of public health (hospital). Human body and illnesses are studied there. The", "known as Priests of metals (for their mastery in processing of metals). It", "Earth is greek, with touch of latin or not (instead ). But may", "greek, with touch of latin or not (instead ). But may it be.", "on age immortality. The first school was established in the East plains, by", "any schools, due to their natural wisdom based on age immortality. The first", "(instead ). But may it be. And probably answer on this question would", "to my question too. But my question is related to my fantasy world.", "it exactly (even if it is clear that more or less it will", "metals (for their mastery in processing of metals). It was school for employees", "local mines of black oil and textile works. Black oil is studied there.", "for employees of local mines of black oil and textile works. Black oil", "of public health (hospital). Human body and illnesses are studied there. The second", "if it is clear that more or less it will be any real", "public health (hospital). Human body and illnesses are studied there. The second school", "The first nation is called Meadowers. But they have not any schools, due", "not (instead ). But may it be. And probably answer on this question", "natural wisdom based on age immortality. The first school was established in the", "be. And probably answer on this question would be answer to my question", "touch of latin or not (instead ). But may it be. And probably", "that more or less it will be any real language) - because my", "the East plains, by man from nation known as Priests of metals (for", "But may it be. And probably answer on this question would be answer", "for my world, but I would not like to call it exactly (even", "their natural wisdom based on age immortality. The first school was established in", "they have not any schools, due to their natural wisdom based on age", "question too. But my question is related to my fantasy world. I would", "health (hospital). Human body and illnesses are studied there. The second school was", "illnesses are studied there. The second school was established in West haven. There", "is greek, with touch of latin or not (instead ). But may it", "(for their mastery in processing of metals). It was school for employees of", "in processing of metals). It was school for employees of house of public", "as Priests of metals (for their mastery in processing of metals). It was", "question is related to my fantasy world. I would like to choose language", "call it exactly (even if it is clear that more or less it", "are studied there. The second school was established in West haven. There is", "was school for employees of house of public health (hospital). Human body and", "language to be *scientific one* for my world, but I would not like", "real language) - because my world is fully fictional. --- The first nation", "was established in West haven. There is school for employees of local mines", "*scientific one* for my world, but I would not like to call it", "based on age immortality. The first school was established in the East plains,", "due to their natural wisdom based on age immortality. The first school was", "first school was established in the East plains, by man from nation known", "probably answer on this question would be answer to my question too. But", "to choose language to be *scientific one* for my world, but I would", "language) - because my world is fully fictional. --- The first nation is", "Priests of metals (for their mastery in processing of metals). It was school", "nation is called Meadowers. But they have not any schools, due to their", "established in West haven. There is school for employees of local mines of", "not any schools, due to their natural wisdom based on age immortality. The", "second school was established in West haven. There is school for employees of", "Human body and illnesses are studied there. The second school was established in", "be *scientific one* for my world, but I would not like to call", "is related to my fantasy world. I would like to choose language to" ]
[ "decide which sentence feels correct in a particular scenario when multiple structures feel", "them feel perfectly ok to me: > > * The flames were suddenly", "is doused*) and its subsequent effect (*the room is plunged into darkness*). However,", "be focused on?) As an extension of this question, How do I decide", "the subject which is focused on but then how do I decide which", "As an extension of this question, How do I decide which sentence feels", "know that each sentence just changes the subject which is focused on but", "However, I'm facing some issues with how to present them in a way", "of wind. > * A gust of wind suddenly doused the flames, plunging", "I decide which subject is to be focused on?) As an extension of", "(*the room is plunged into darkness*). However, I'm facing some issues with how", "how to present them in a way which feels immediate. The sentences that", "> > > (I know that each sentence just changes the subject which", "How do I decide which sentence feels correct in a particular scenario when", "is to be focused on?) As an extension of this question, How do", "feels correct in a particular scenario when multiple structures feel perfect to me?", "> * A gust of wind suddenly doused the flames, plunging the room", "I decide which sentence feels correct in a particular scenario when multiple structures", "feels immediate. The sentences that I've come up with are as below but", "I'm facing some issues with how to present them in a way which", "into darkness*). However, I'm facing some issues with how to present them in", "into darkness. > * The room was plunged into darkness as the flames", "A gust of wind suddenly doused the flames, plunging the room into darkness.", "an action (*a gust of wind blows*) and its result (*the flame is", "a gust of wind. > * A gust of wind suddenly doused the", "focused on?) As an extension of this question, How do I decide which", "the flames were suddenly doused by a gust of wind. > * A", "to describe an action (*a gust of wind blows*) and its result (*the", "question, How do I decide which sentence feels correct in a particular scenario", "its result (*the flame is doused*) and its subsequent effect (*the room is", "which is focused on but then how do I decide which subject is", "is focused on but then how do I decide which subject is to", "are as below but all of them feel perfectly ok to me: >", "with are as below but all of them feel perfectly ok to me:", "to be focused on?) As an extension of this question, How do I", "its subsequent effect (*the room is plunged into darkness*). However, I'm facing some", "doused the flames, plunging the room into darkness. > > > (I know", "were suddenly doused by a gust of wind as the room was plunged", "with how to present them in a way which feels immediate. The sentences", "> * The room was plunged into darkness as the flames were suddenly", "gust of wind as the room was plunged into darkness. > * The", "of wind blows*) and its result (*the flame is doused*) and its subsequent", "The room was plunged into darkness as the flames were suddenly doused by", "suddenly doused by a gust of wind. > * A gust of wind", "by a gust of wind. > * A gust of wind suddenly doused", "room was plunged into darkness as the flames were suddenly doused by a", "subsequent effect (*the room is plunged into darkness*). However, I'm facing some issues", "doused*) and its subsequent effect (*the room is plunged into darkness*). However, I'm", "just changes the subject which is focused on but then how do I", "plunged into darkness as the flames were suddenly doused by a gust of", "all of them feel perfectly ok to me: > > * The flames", "trying to describe an action (*a gust of wind blows*) and its result", "a way which feels immediate. The sentences that I've come up with are", "wind suddenly doused the flames, plunging the room into darkness. > > >", "do I decide which subject is to be focused on?) As an extension", "wind as the room was plunged into darkness. > * The room was", "gust of wind. > * A gust of wind suddenly doused the flames,", "darkness. > * The room was plunged into darkness as the flames were", "the room was plunged into darkness. > * The room was plunged into", "up with are as below but all of them feel perfectly ok to", "in a way which feels immediate. The sentences that I've come up with", "present them in a way which feels immediate. The sentences that I've come", "but then how do I decide which subject is to be focused on?)", "which feels immediate. The sentences that I've come up with are as below", "of them feel perfectly ok to me: > > * The flames were", "plunging the room into darkness. > > > (I know that each sentence", "of wind as the room was plunged into darkness. > * The room", "wind blows*) and its result (*the flame is doused*) and its subsequent effect", "on?) As an extension of this question, How do I decide which sentence", "were suddenly doused by a gust of wind. > * A gust of", "> * The flames were suddenly doused by a gust of wind as", "of wind suddenly doused the flames, plunging the room into darkness. > >", "as the room was plunged into darkness. > * The room was plunged", "doused by a gust of wind as the room was plunged into darkness.", "room was plunged into darkness. > * The room was plunged into darkness", "plunged into darkness*). However, I'm facing some issues with how to present them", "result (*the flame is doused*) and its subsequent effect (*the room is plunged", "to me: > > * The flames were suddenly doused by a gust", "which sentence feels correct in a particular scenario when multiple structures feel perfect", "was plunged into darkness as the flames were suddenly doused by a gust", "this question, How do I decide which sentence feels correct in a particular", "as the flames were suddenly doused by a gust of wind. > *", "feel perfectly ok to me: > > * The flames were suddenly doused", "ok to me: > > * The flames were suddenly doused by a", "extension of this question, How do I decide which sentence feels correct in", "> > * The flames were suddenly doused by a gust of wind", "by a gust of wind as the room was plunged into darkness. >", "The sentences that I've come up with are as below but all of", "flames, plunging the room into darkness. > > > (I know that each", "* The room was plunged into darkness as the flames were suddenly doused", "The flames were suddenly doused by a gust of wind as the room", "changes the subject which is focused on but then how do I decide", "way which feels immediate. The sentences that I've come up with are as", "and its subsequent effect (*the room is plunged into darkness*). However, I'm facing", "as below but all of them feel perfectly ok to me: > >", "sentence just changes the subject which is focused on but then how do", "come up with are as below but all of them feel perfectly ok", "effect (*the room is plunged into darkness*). However, I'm facing some issues with", "suddenly doused the flames, plunging the room into darkness. > > > (I", "describe an action (*a gust of wind blows*) and its result (*the flame", "plunged into darkness. > * The room was plunged into darkness as the", "I'm trying to describe an action (*a gust of wind blows*) and its", "darkness*). However, I'm facing some issues with how to present them in a", "> > (I know that each sentence just changes the subject which is", "sentence feels correct in a particular scenario when multiple structures feel perfect to", "them in a way which feels immediate. The sentences that I've come up", "of this question, How do I decide which sentence feels correct in a", "each sentence just changes the subject which is focused on but then how", "(*a gust of wind blows*) and its result (*the flame is doused*) and", "room is plunged into darkness*). However, I'm facing some issues with how to", "blows*) and its result (*the flame is doused*) and its subsequent effect (*the", "perfectly ok to me: > > * The flames were suddenly doused by", "gust of wind blows*) and its result (*the flame is doused*) and its", "on but then how do I decide which subject is to be focused", "flame is doused*) and its subsequent effect (*the room is plunged into darkness*).", "sentences that I've come up with are as below but all of them", "do I decide which sentence feels correct in a particular scenario when multiple", "room into darkness. > > > (I know that each sentence just changes", "into darkness. > > > (I know that each sentence just changes the", "into darkness as the flames were suddenly doused by a gust of wind.", "(I know that each sentence just changes the subject which is focused on", "flames were suddenly doused by a gust of wind. > * A gust", "the flames, plunging the room into darkness. > > > (I know that", "subject is to be focused on?) As an extension of this question, How", "then how do I decide which subject is to be focused on?) As", "* The flames were suddenly doused by a gust of wind as the", "subject which is focused on but then how do I decide which subject", "that I've come up with are as below but all of them feel", "action (*a gust of wind blows*) and its result (*the flame is doused*)", "a gust of wind as the room was plunged into darkness. > *", "is plunged into darkness*). However, I'm facing some issues with how to present", "gust of wind suddenly doused the flames, plunging the room into darkness. >", "> (I know that each sentence just changes the subject which is focused", "doused by a gust of wind. > * A gust of wind suddenly", "to present them in a way which feels immediate. The sentences that I've", "below but all of them feel perfectly ok to me: > > *", "focused on but then how do I decide which subject is to be", "some issues with how to present them in a way which feels immediate.", "(*the flame is doused*) and its subsequent effect (*the room is plunged into", "how do I decide which subject is to be focused on?) As an", "facing some issues with how to present them in a way which feels", "darkness as the flames were suddenly doused by a gust of wind. >", "decide which subject is to be focused on?) As an extension of this", "I've come up with are as below but all of them feel perfectly", "which subject is to be focused on?) As an extension of this question,", "suddenly doused by a gust of wind as the room was plunged into", "wind. > * A gust of wind suddenly doused the flames, plunging the", "an extension of this question, How do I decide which sentence feels correct", "me: > > * The flames were suddenly doused by a gust of", "darkness. > > > (I know that each sentence just changes the subject", "issues with how to present them in a way which feels immediate. The", "that each sentence just changes the subject which is focused on but then", "flames were suddenly doused by a gust of wind as the room was", "immediate. The sentences that I've come up with are as below but all", "* A gust of wind suddenly doused the flames, plunging the room into", "the room into darkness. > > > (I know that each sentence just", "but all of them feel perfectly ok to me: > > * The", "was plunged into darkness. > * The room was plunged into darkness as", "and its result (*the flame is doused*) and its subsequent effect (*the room" ]
[ "compliant stepmother (the biological mother having died) and a highly talented rebellious young", "remains, at her core, unbroken and continues to resist him with the means", "values, he might talk about her in third person while she is present,", "he wouldn't entertain the notions of her having a choice by saying \"You'll", "an important part of the daughter's character that she remains, at her core,", "blatant? EDIT: What I would find especially useful is a) a resource for", "(the biological mother having died) and a highly talented rebellious young adult daughter.", "and discipline her as he pleases, but it's an important part of the", "belittlement without it feeling too puppykickingly blatant? EDIT: What I would find especially", "Typical patterns of communication in a relationship with unequal power and a controlling,", "pseudomedieval fantasy scenario, so the father is legally (and to a degree socially)", "to her (including but not limited to magic). My main problem is that", "just insulting the daughter he might do things like belittle her indirectly by", "but it's an important part of the daughter's character that she remains, at", "things she is good at or values, he might talk about her in", "to a degree socially) in the right to control and discipline her as", "father to mean, but it always feels too on the nose, too artificial.", "emotionally and physically (but not sexually) abusive father, a complacent and compliant stepmother", "little experience with familial psychological abuse and I have a hard time being", "is a pseudomedieval fantasy scenario, so the father is legally (and to a", "pious person - I seemingly have no true access to the mindset in", "talented rebellious young adult daughter. This is a pseudomedieval fantasy scenario, so the", "can I express the father's controlling behaviour, assessment of authority and constant belittlement", "like that. Typical patterns of communication in a relationship with unequal power and", "is legally (and to a degree socially) in the right to control and", "I express the father's controlling behaviour, assessment of authority and constant belittlement without", "constant belittlement without it feeling too puppykickingly blatant? EDIT: What I would find", "EDIT: What I would find especially useful is a) a resource for typical", "controlling behaviour, assessment of authority and constant belittlement without it feeling too puppykickingly", "but not limited to magic). My main problem is that I have (luckily)", "talk about her in third person while she is present, he wouldn't entertain", "right to control and discipline her as he pleases, but it's an important", "dismissing things she is good at or values, he might talk about her", "by saying \"You'll do X\" instead of asking of even telling her to", "a degree socially) in the right to control and discipline her as he", "relatively little experience with familial psychological abuse and I have a hard time", "a) a resource for typical psychological mechanisms that take place in the background", "too puppykickingly blatant? EDIT: What I would find especially useful is a) a", "core, unbroken and continues to resist him with the means available to her", "abuse and I have a hard time being subtle with it. I do", "at or values, he might talk about her in third person while she", "a pseudomedieval fantasy scenario, so the father is legally (and to a degree", "physically (but not sexually) abusive father, a complacent and compliant stepmother (the biological", "to write as a faithfully pious person - I seemingly have no true", "place in the background of such relationships and b) what I mostly asked", "b) what I mostly asked for is ways to express the relationship in", "it's an important part of the daughter's character that she remains, at her", "such relationships and b) what I mostly asked for is ways to express", "the daughter he might do things like belittle her indirectly by dismissing things", "express the father's controlling behaviour, assessment of authority and constant belittlement without it", "asked for is ways to express the relationship in dialogue without directly stating", "she is present, he wouldn't entertain the notions of her having a choice", "it. I do know what I want the father to mean, but it", "(luckily) relatively little experience with familial psychological abuse and I have a hard", "highly talented rebellious young adult daughter. This is a pseudomedieval fantasy scenario, so", "continues to resist him with the means available to her (including but not", "a resource for typical psychological mechanisms that take place in the background of", "of communication in a relationship with unequal power and a controlling, hyperauthoritarian person.", "that take place in the background of such relationships and b) what I", "do X\" instead of asking of even telling her to do it, things", "main problem is that I have (luckily) relatively little experience with familial psychological", "so the father is legally (and to a degree socially) in the right", "(and to a degree socially) in the right to control and discipline her", "what I want the father to mean, but it always feels too on", "as he pleases, but it's an important part of the daughter's character that", "good at or values, he might talk about her in third person while", "telling her to do it, things like that. Typical patterns of communication in", "on the nose, too artificial. I'm like a lifelong atheist trying to write", "is ways to express the relationship in dialogue without directly stating the obvious.", "a highly domineering, mentally, emotionally and physically (but not sexually) abusive father, a", "not sexually) abusive father, a complacent and compliant stepmother (the biological mother having", "mostly asked for is ways to express the relationship in dialogue without directly", "in third person while she is present, he wouldn't entertain the notions of", "part of the daughter's character that she remains, at her core, unbroken and", "the background of such relationships and b) what I mostly asked for is", "of such relationships and b) what I mostly asked for is ways to", "of asking of even telling her to do it, things like that. Typical", "would find especially useful is a) a resource for typical psychological mechanisms that", "feeling too puppykickingly blatant? EDIT: What I would find especially useful is a)", "saying \"You'll do X\" instead of asking of even telling her to do", "complacent and compliant stepmother (the biological mother having died) and a highly talented", "having died) and a highly talented rebellious young adult daughter. This is a", "as a faithfully pious person - I seemingly have no true access to", "and constant belittlement without it feeling too puppykickingly blatant? EDIT: What I would", "This is a pseudomedieval fantasy scenario, so the father is legally (and to", "to control and discipline her as he pleases, but it's an important part", "mean, but it always feels too on the nose, too artificial. I'm like", "(but not sexually) abusive father, a complacent and compliant stepmother (the biological mother", "write as a faithfully pious person - I seemingly have no true access", "without it feeling too puppykickingly blatant? EDIT: What I would find especially useful", "is a) a resource for typical psychological mechanisms that take place in the", "indirectly by dismissing things she is good at or values, he might talk", "patterns of communication in a relationship with unequal power and a controlling, hyperauthoritarian", "take place in the background of such relationships and b) what I mostly", "to the mindset in question. How can I express the father's controlling behaviour,", "biological mother having died) and a highly talented rebellious young adult daughter. This", "assessment of authority and constant belittlement without it feeling too puppykickingly blatant? EDIT:", "the father just insulting the daughter he might do things like belittle her", "control and discipline her as he pleases, but it's an important part of", "the notions of her having a choice by saying \"You'll do X\" instead", "her to do it, things like that. Typical patterns of communication in a", "How can I express the father's controlling behaviour, assessment of authority and constant", "find especially useful is a) a resource for typical psychological mechanisms that take", "directly stating the obvious. For example, instead of the father just insulting the", "available to her (including but not limited to magic). My main problem is", "dialogue without directly stating the obvious. For example, instead of the father just", "I seemingly have no true access to the mindset in question. How can", "the mindset in question. How can I express the father's controlling behaviour, assessment", "to mean, but it always feels too on the nose, too artificial. I'm", "for is ways to express the relationship in dialogue without directly stating the", "(including but not limited to magic). My main problem is that I have", "character that she remains, at her core, unbroken and continues to resist him", "highly domineering, mentally, emotionally and physically (but not sexually) abusive father, a complacent", "have no true access to the mindset in question. How can I express", "being subtle with it. I do know what I want the father to", "access to the mindset in question. How can I express the father's controlling", "he might talk about her in third person while she is present, he", "without directly stating the obvious. For example, instead of the father just insulting", "mother having died) and a highly talented rebellious young adult daughter. This is", "her core, unbroken and continues to resist him with the means available to", "the nose, too artificial. I'm like a lifelong atheist trying to write as", "mindset in question. How can I express the father's controlling behaviour, assessment of", "of even telling her to do it, things like that. Typical patterns of", "and compliant stepmother (the biological mother having died) and a highly talented rebellious", "do know what I want the father to mean, but it always feels", "socially) in the right to control and discipline her as he pleases, but", "example, instead of the father just insulting the daughter he might do things", "and physically (but not sexually) abusive father, a complacent and compliant stepmother (the", "time being subtle with it. I do know what I want the father", "I do know what I want the father to mean, but it always", "obvious. For example, instead of the father just insulting the daughter he might", "want the father to mean, but it always feels too on the nose,", "and b) what I mostly asked for is ways to express the relationship", "is that I have (luckily) relatively little experience with familial psychological abuse and", "important part of the daughter's character that she remains, at her core, unbroken", "that she remains, at her core, unbroken and continues to resist him with", "unbroken and continues to resist him with the means available to her (including", "no true access to the mindset in question. How can I express the", "abusive father, a complacent and compliant stepmother (the biological mother having died) and", "notions of her having a choice by saying \"You'll do X\" instead of", "belittle her indirectly by dismissing things she is good at or values, he", "and continues to resist him with the means available to her (including but", "too artificial. I'm like a lifelong atheist trying to write as a faithfully", "I would find especially useful is a) a resource for typical psychological mechanisms", "with familial psychological abuse and I have a hard time being subtle with", "means available to her (including but not limited to magic). My main problem", "having a choice by saying \"You'll do X\" instead of asking of even", "and a highly talented rebellious young adult daughter. This is a pseudomedieval fantasy", "in the right to control and discipline her as he pleases, but it's", "her as he pleases, but it's an important part of the daughter's character", "the obvious. For example, instead of the father just insulting the daughter he", "X\" instead of asking of even telling her to do it, things like", "him with the means available to her (including but not limited to magic).", "ways to express the relationship in dialogue without directly stating the obvious. For", "it always feels too on the nose, too artificial. I'm like a lifelong", "have a hard time being subtle with it. I do know what I", "about her in third person while she is present, he wouldn't entertain the", "a faithfully pious person - I seemingly have no true access to the", "resource for typical psychological mechanisms that take place in the background of such", "do things like belittle her indirectly by dismissing things she is good at", "I want the father to mean, but it always feels too on the", "it feeling too puppykickingly blatant? EDIT: What I would find especially useful is", "by dismissing things she is good at or values, he might talk about", "with it. I do know what I want the father to mean, but", "might do things like belittle her indirectly by dismissing things she is good", "instead of asking of even telling her to do it, things like that.", "stating the obvious. For example, instead of the father just insulting the daughter", "of the father just insulting the daughter he might do things like belittle", "legally (and to a degree socially) in the right to control and discipline", "at her core, unbroken and continues to resist him with the means available", "lifelong atheist trying to write as a faithfully pious person - I seemingly", "might talk about her in third person while she is present, he wouldn't", "feels too on the nose, too artificial. I'm like a lifelong atheist trying", "like a lifelong atheist trying to write as a faithfully pious person -", "she remains, at her core, unbroken and continues to resist him with the", "psychological abuse and I have a hard time being subtle with it. I", "subtle with it. I do know what I want the father to mean,", "her (including but not limited to magic). My main problem is that I", "question. How can I express the father's controlling behaviour, assessment of authority and", "For example, instead of the father just insulting the daughter he might do", "\"You'll do X\" instead of asking of even telling her to do it,", "person - I seemingly have no true access to the mindset in question.", "puppykickingly blatant? EDIT: What I would find especially useful is a) a resource", "in question. How can I express the father's controlling behaviour, assessment of authority", "I have (luckily) relatively little experience with familial psychological abuse and I have", "a complacent and compliant stepmother (the biological mother having died) and a highly", "a family with a highly domineering, mentally, emotionally and physically (but not sexually)", "to magic). My main problem is that I have (luckily) relatively little experience", "experience with familial psychological abuse and I have a hard time being subtle", "I'm like a lifelong atheist trying to write as a faithfully pious person", "background of such relationships and b) what I mostly asked for is ways", "wouldn't entertain the notions of her having a choice by saying \"You'll do", "do it, things like that. Typical patterns of communication in a relationship with", "for typical psychological mechanisms that take place in the background of such relationships", "entertain the notions of her having a choice by saying \"You'll do X\"", "father is legally (and to a degree socially) in the right to control", "pleases, but it's an important part of the daughter's character that she remains,", "have (luckily) relatively little experience with familial psychological abuse and I have a", "a highly talented rebellious young adult daughter. This is a pseudomedieval fantasy scenario,", "of the daughter's character that she remains, at her core, unbroken and continues", "degree socially) in the right to control and discipline her as he pleases,", "the father's controlling behaviour, assessment of authority and constant belittlement without it feeling", "faithfully pious person - I seemingly have no true access to the mindset", "know what I want the father to mean, but it always feels too", "always feels too on the nose, too artificial. I'm like a lifelong atheist", "a choice by saying \"You'll do X\" instead of asking of even telling", "things like belittle her indirectly by dismissing things she is good at or", "- I seemingly have no true access to the mindset in question. How", "a lifelong atheist trying to write as a faithfully pious person - I", "rebellious young adult daughter. This is a pseudomedieval fantasy scenario, so the father", "adult daughter. This is a pseudomedieval fantasy scenario, so the father is legally", "trying to write as a faithfully pious person - I seemingly have no", "atheist trying to write as a faithfully pious person - I seemingly have", "the father is legally (and to a degree socially) in the right to", "like belittle her indirectly by dismissing things she is good at or values,", "father, a complacent and compliant stepmother (the biological mother having died) and a", "she is good at or values, he might talk about her in third", "sexually) abusive father, a complacent and compliant stepmother (the biological mother having died)", "resist him with the means available to her (including but not limited to", "the relationship in dialogue without directly stating the obvious. For example, instead of", "but it always feels too on the nose, too artificial. I'm like a", "daughter he might do things like belittle her indirectly by dismissing things she", "scenario, so the father is legally (and to a degree socially) in the", "familial psychological abuse and I have a hard time being subtle with it.", "her having a choice by saying \"You'll do X\" instead of asking of", "the daughter's character that she remains, at her core, unbroken and continues to", "present, he wouldn't entertain the notions of her having a choice by saying", "father's controlling behaviour, assessment of authority and constant belittlement without it feeling too", "nose, too artificial. I'm like a lifelong atheist trying to write as a", "mechanisms that take place in the background of such relationships and b) what", "a hard time being subtle with it. I do know what I want", "I have a family with a highly domineering, mentally, emotionally and physically (but", "not limited to magic). My main problem is that I have (luckily) relatively", "problem is that I have (luckily) relatively little experience with familial psychological abuse", "that. Typical patterns of communication in a relationship with unequal power and a", "to express the relationship in dialogue without directly stating the obvious. For example,", "relationships and b) what I mostly asked for is ways to express the", "is good at or values, he might talk about her in third person", "behaviour, assessment of authority and constant belittlement without it feeling too puppykickingly blatant?", "daughter's character that she remains, at her core, unbroken and continues to resist", "even telling her to do it, things like that. Typical patterns of communication", "to do it, things like that. Typical patterns of communication in a relationship", "authority and constant belittlement without it feeling too puppykickingly blatant? EDIT: What I", "artificial. I'm like a lifelong atheist trying to write as a faithfully pious", "he might do things like belittle her indirectly by dismissing things she is", "typical psychological mechanisms that take place in the background of such relationships and", "instead of the father just insulting the daughter he might do things like", "seemingly have no true access to the mindset in question. How can I", "too on the nose, too artificial. I'm like a lifelong atheist trying to", "of authority and constant belittlement without it feeling too puppykickingly blatant? EDIT: What", "choice by saying \"You'll do X\" instead of asking of even telling her", "discipline her as he pleases, but it's an important part of the daughter's", "young adult daughter. This is a pseudomedieval fantasy scenario, so the father is", "limited to magic). My main problem is that I have (luckily) relatively little", "he pleases, but it's an important part of the daughter's character that she", "especially useful is a) a resource for typical psychological mechanisms that take place", "in the background of such relationships and b) what I mostly asked for", "stepmother (the biological mother having died) and a highly talented rebellious young adult", "domineering, mentally, emotionally and physically (but not sexually) abusive father, a complacent and", "of her having a choice by saying \"You'll do X\" instead of asking", "relationship in dialogue without directly stating the obvious. For example, instead of the", "to resist him with the means available to her (including but not limited", "with the means available to her (including but not limited to magic). My", "her indirectly by dismissing things she is good at or values, he might", "mentally, emotionally and physically (but not sexually) abusive father, a complacent and compliant", "died) and a highly talented rebellious young adult daughter. This is a pseudomedieval", "I mostly asked for is ways to express the relationship in dialogue without", "her in third person while she is present, he wouldn't entertain the notions", "I have a hard time being subtle with it. I do know what", "asking of even telling her to do it, things like that. Typical patterns", "it, things like that. Typical patterns of communication in a relationship with unequal", "things like that. Typical patterns of communication in a relationship with unequal power", "fantasy scenario, so the father is legally (and to a degree socially) in", "the father to mean, but it always feels too on the nose, too", "that I have (luckily) relatively little experience with familial psychological abuse and I", "What I would find especially useful is a) a resource for typical psychological", "useful is a) a resource for typical psychological mechanisms that take place in", "have a family with a highly domineering, mentally, emotionally and physically (but not", "or values, he might talk about her in third person while she is", "in dialogue without directly stating the obvious. For example, instead of the father", "hard time being subtle with it. I do know what I want the", "what I mostly asked for is ways to express the relationship in dialogue", "true access to the mindset in question. How can I express the father's", "person while she is present, he wouldn't entertain the notions of her having", "the right to control and discipline her as he pleases, but it's an", "and I have a hard time being subtle with it. I do know", "daughter. This is a pseudomedieval fantasy scenario, so the father is legally (and", "while she is present, he wouldn't entertain the notions of her having a", "family with a highly domineering, mentally, emotionally and physically (but not sexually) abusive", "with a highly domineering, mentally, emotionally and physically (but not sexually) abusive father,", "father just insulting the daughter he might do things like belittle her indirectly", "insulting the daughter he might do things like belittle her indirectly by dismissing", "third person while she is present, he wouldn't entertain the notions of her", "magic). My main problem is that I have (luckily) relatively little experience with", "the means available to her (including but not limited to magic). My main", "is present, he wouldn't entertain the notions of her having a choice by", "My main problem is that I have (luckily) relatively little experience with familial", "express the relationship in dialogue without directly stating the obvious. For example, instead", "psychological mechanisms that take place in the background of such relationships and b)" ]
[ "of a prose and later connect them somehow. Does this method have any", "Does this method have any significant benefit and/or throwback over the regular \"perpetual\"", "*feels* easier to write individual scenes of a prose and later connect them", "and later connect them somehow. Does this method have any significant benefit and/or", "somehow. Does this method have any significant benefit and/or throwback over the regular", "easier to write individual scenes of a prose and later connect them somehow.", "Occasionally, it *feels* easier to write individual scenes of a prose and later", "it *feels* easier to write individual scenes of a prose and later connect", "write individual scenes of a prose and later connect them somehow. Does this", "a prose and later connect them somehow. Does this method have any significant", "individual scenes of a prose and later connect them somehow. Does this method", "later connect them somehow. Does this method have any significant benefit and/or throwback", "them somehow. Does this method have any significant benefit and/or throwback over the", "connect them somehow. Does this method have any significant benefit and/or throwback over", "scenes of a prose and later connect them somehow. Does this method have", "prose and later connect them somehow. Does this method have any significant benefit", "to write individual scenes of a prose and later connect them somehow. Does", "this method have any significant benefit and/or throwback over the regular \"perpetual\" way?" ]
[ "it was pointed out to me by someone I asked to read it", "count through this site](http://www.writewords.org.uk/word_count.asp) and noticed that in the 2 paragraphs I have", "to paper and start writing my first couple paragraphs. I have an issue", "managed to put pen to paper and start writing my first couple paragraphs.", "that in the 2 paragraphs I have written out so far, the word", "would re-write or get rid of it. What is causing me to repeat", "word \"the\" comes up often. Well actually it was pointed out to me", "of it. What is causing me to repeat the word \"The\" often or", "someone I asked to read it really quick. I did a [word count", "I would re-write or get rid of it. What is causing me to", "the word \"the\" appears 21 times. I am not sure though how I", "to read it really quick. I did a [word count through this site](http://www.writewords.org.uk/word_count.asp)", "quick. I did a [word count through this site](http://www.writewords.org.uk/word_count.asp) and noticed that in", "21 times. I am not sure though how I would re-write or get", "word \"The\" often or what does someone do to fix repetitive words you", "paragraphs. I have an issue though. I noticed that the word \"the\" comes", "out to me by someone I asked to read it really quick. I", "get rid of it. What is causing me to repeat the word \"The\"", "to repeat the word \"The\" often or what does someone do to fix", "read it really quick. I did a [word count through this site](http://www.writewords.org.uk/word_count.asp) and", "really quick. I did a [word count through this site](http://www.writewords.org.uk/word_count.asp) and noticed that", "the word \"The\" often or what does someone do to fix repetitive words", "What is causing me to repeat the word \"The\" often or what does", "noticed that in the 2 paragraphs I have written out so far, the", "though. I noticed that the word \"the\" comes up often. Well actually it", "start writing my first couple paragraphs. I have an issue though. I noticed", "re-write or get rid of it. What is causing me to repeat the", "often. Well actually it was pointed out to me by someone I asked", "that the word \"the\" comes up often. Well actually it was pointed out", "what does someone do to fix repetitive words you can't use a synonym", "finally managed to put pen to paper and start writing my first couple", "asked to read it really quick. I did a [word count through this", "I asked to read it really quick. I did a [word count through", "in the 2 paragraphs I have written out so far, the word \"the\"", "repeat the word \"The\" often or what does someone do to fix repetitive", "the 2 paragraphs I have written out so far, the word \"the\" appears", "and start writing my first couple paragraphs. I have an issue though. I", "I noticed that the word \"the\" comes up often. Well actually it was", "through this site](http://www.writewords.org.uk/word_count.asp) and noticed that in the 2 paragraphs I have written", "not sure though how I would re-write or get rid of it. What", "put pen to paper and start writing my first couple paragraphs. I have", "I have written out so far, the word \"the\" appears 21 times. I", "often or what does someone do to fix repetitive words you can't use", "I have an issue though. I noticed that the word \"the\" comes up", "pen to paper and start writing my first couple paragraphs. I have an", "it. What is causing me to repeat the word \"The\" often or what", "issue though. I noticed that the word \"the\" comes up often. Well actually", "paragraphs I have written out so far, the word \"the\" appears 21 times.", "does someone do to fix repetitive words you can't use a synonym for?", "or what does someone do to fix repetitive words you can't use a", "comes up often. Well actually it was pointed out to me by someone", "an issue though. I noticed that the word \"the\" comes up often. Well", "Well, I finally managed to put pen to paper and start writing my", "a [word count through this site](http://www.writewords.org.uk/word_count.asp) and noticed that in the 2 paragraphs", "or get rid of it. What is causing me to repeat the word", "actually it was pointed out to me by someone I asked to read", "so far, the word \"the\" appears 21 times. I am not sure though", "how I would re-write or get rid of it. What is causing me", "have written out so far, the word \"the\" appears 21 times. I am", "me by someone I asked to read it really quick. I did a", "[word count through this site](http://www.writewords.org.uk/word_count.asp) and noticed that in the 2 paragraphs I", "word \"the\" appears 21 times. I am not sure though how I would", "though how I would re-write or get rid of it. What is causing", "me to repeat the word \"The\" often or what does someone do to", "to put pen to paper and start writing my first couple paragraphs. I", "causing me to repeat the word \"The\" often or what does someone do", "was pointed out to me by someone I asked to read it really", "2 paragraphs I have written out so far, the word \"the\" appears 21", "rid of it. What is causing me to repeat the word \"The\" often", "sure though how I would re-write or get rid of it. What is", "by someone I asked to read it really quick. I did a [word", "up often. Well actually it was pointed out to me by someone I", "pointed out to me by someone I asked to read it really quick.", "and noticed that in the 2 paragraphs I have written out so far,", "far, the word \"the\" appears 21 times. I am not sure though how", "have an issue though. I noticed that the word \"the\" comes up often.", "the word \"the\" comes up often. Well actually it was pointed out to", "first couple paragraphs. I have an issue though. I noticed that the word", "\"the\" appears 21 times. I am not sure though how I would re-write", "I finally managed to put pen to paper and start writing my first", "my first couple paragraphs. I have an issue though. I noticed that the", "did a [word count through this site](http://www.writewords.org.uk/word_count.asp) and noticed that in the 2", "Well actually it was pointed out to me by someone I asked to", "am not sure though how I would re-write or get rid of it.", "is causing me to repeat the word \"The\" often or what does someone", "couple paragraphs. I have an issue though. I noticed that the word \"the\"", "\"the\" comes up often. Well actually it was pointed out to me by", "to me by someone I asked to read it really quick. I did", "I did a [word count through this site](http://www.writewords.org.uk/word_count.asp) and noticed that in the", "writing my first couple paragraphs. I have an issue though. I noticed that", "site](http://www.writewords.org.uk/word_count.asp) and noticed that in the 2 paragraphs I have written out so", "\"The\" often or what does someone do to fix repetitive words you can't", "paper and start writing my first couple paragraphs. I have an issue though.", "this site](http://www.writewords.org.uk/word_count.asp) and noticed that in the 2 paragraphs I have written out", "appears 21 times. I am not sure though how I would re-write or", "times. I am not sure though how I would re-write or get rid", "out so far, the word \"the\" appears 21 times. I am not sure", "written out so far, the word \"the\" appears 21 times. I am not", "I am not sure though how I would re-write or get rid of", "it really quick. I did a [word count through this site](http://www.writewords.org.uk/word_count.asp) and noticed", "noticed that the word \"the\" comes up often. Well actually it was pointed" ]
[ "/ impractical / unbelievable: He is, respectfully, a minor character and his story", "1. He is starting the night shift on his own, as a rookie.", "that would let me check all this? How do I do background research", "as the plot thickens. 6. Starting place: Parked in his car, on the", "4. Events take place during 1 night, on the outskirts of the city.", "3. He is a \"state\" trooper. A rural police officer. Not a city", "writing a WIP novel with a rookie police officer. I'm concerned that the", "situation is incorrect / impractical / unbelievable: He is, respectfully, a minor character", "time out of training. 3. He is a \"state\" trooper. A rural police", "I locate resources that would let me check all this? How do I", "for the later chapters, which helps build the foundation of a larger tale.", "police officer. Not a city cop. 4. Events take place during 1 night,", "clues, exposition for the later chapters, which helps build the foundation of a", "highway. Doing highway patrol. Where can I locate resources that would let me", "rookie. (if not realistic, maybe because of scheduling mishap?) 2. It is his", "\"sheriff / higher ranking officer\" later on, as the plot thickens. 6. Starting", "city cop. 4. Events take place during 1 night, on the outskirts of", "is used to serve as a \"mini mystery\" to add realism, clues, exposition", "thickens. 6. Starting place: Parked in his car, on the side of the", "would let me check all this? How do I do background research that", "the situation is incorrect / impractical / unbelievable: He is, respectfully, a minor", "impractical / unbelievable: He is, respectfully, a minor character and his story is", "ranking officer\" later on, as the plot thickens. 6. Starting place: Parked in", "later chapters, which helps build the foundation of a larger tale. 1. He", "maybe because of scheduling mishap?) 2. It is his first night on the", "that the situation is incorrect / impractical / unbelievable: He is, respectfully, a", "of the highway. Doing highway patrol. Where can I locate resources that would", "on the side of the highway. Doing highway patrol. Where can I locate", "of the city. 5. He meets up with the \"sheriff / higher ranking", "the foundation of a larger tale. 1. He is starting the night shift", "First time out of training. 3. He is a \"state\" trooper. A rural", "as a rookie. (if not realistic, maybe because of scheduling mishap?) 2. It", "chapters, which helps build the foundation of a larger tale. 1. He is", "WIP novel with a rookie police officer. I'm concerned that the situation is", "He meets up with the \"sheriff / higher ranking officer\" later on, as", "Events take place during 1 night, on the outskirts of the city. 5.", "outskirts of the city. 5. He meets up with the \"sheriff / higher", "on, as the plot thickens. 6. Starting place: Parked in his car, on", "place: Parked in his car, on the side of the highway. Doing highway", "can I locate resources that would let me check all this? How do", "officer. Not a city cop. 4. Events take place during 1 night, on", "shift on his own, as a rookie. (if not realistic, maybe because of", "up with the \"sheriff / higher ranking officer\" later on, as the plot", "used to serve as a \"mini mystery\" to add realism, clues, exposition for", "realistic, maybe because of scheduling mishap?) 2. It is his first night on", "his car, on the side of the highway. Doing highway patrol. Where can", "exposition for the later chapters, which helps build the foundation of a larger", "locate resources that would let me check all this? How do I do", "on the job. First time out of training. 3. He is a \"state\"", "to serve as a \"mini mystery\" to add realism, clues, exposition for the", "realism, clues, exposition for the later chapters, which helps build the foundation of", "not realistic, maybe because of scheduling mishap?) 2. It is his first night", "training. 3. He is a \"state\" trooper. A rural police officer. Not a", "job. First time out of training. 3. He is a \"state\" trooper. A", "is a \"state\" trooper. A rural police officer. Not a city cop. 4.", "incorrect / impractical / unbelievable: He is, respectfully, a minor character and his", "officer\" later on, as the plot thickens. 6. Starting place: Parked in his", "serve as a \"mini mystery\" to add realism, clues, exposition for the later", "is, respectfully, a minor character and his story is used to serve as", "resources that would let me check all this? How do I do background", "of training. 3. He is a \"state\" trooper. A rural police officer. Not", "with a rookie police officer. I'm concerned that the situation is incorrect /", "larger tale. 1. He is starting the night shift on his own, as", "A rural police officer. Not a city cop. 4. Events take place during", "higher ranking officer\" later on, as the plot thickens. 6. Starting place: Parked", "Parked in his car, on the side of the highway. Doing highway patrol.", "police officer. I'm concerned that the situation is incorrect / impractical / unbelievable:", "as a \"mini mystery\" to add realism, clues, exposition for the later chapters,", "car, on the side of the highway. Doing highway patrol. Where can I", "let me check all this? How do I do background research that will", "5. He meets up with the \"sheriff / higher ranking officer\" later on,", "plot thickens. 6. Starting place: Parked in his car, on the side of", "/ unbelievable: He is, respectfully, a minor character and his story is used", "first night on the job. First time out of training. 3. He is", "place during 1 night, on the outskirts of the city. 5. He meets", "novel with a rookie police officer. I'm concerned that the situation is incorrect", "highway patrol. Where can I locate resources that would let me check all", "a minor character and his story is used to serve as a \"mini", "\"state\" trooper. A rural police officer. Not a city cop. 4. Events take", "his story is used to serve as a \"mini mystery\" to add realism,", "He is a \"state\" trooper. A rural police officer. Not a city cop.", "story is used to serve as a \"mini mystery\" to add realism, clues,", "It is his first night on the job. First time out of training.", "to add realism, clues, exposition for the later chapters, which helps build the", "I'm concerned that the situation is incorrect / impractical / unbelievable: He is,", "scheduling mishap?) 2. It is his first night on the job. First time", "character and his story is used to serve as a \"mini mystery\" to", "I'm writing a WIP novel with a rookie police officer. I'm concerned that", "He is starting the night shift on his own, as a rookie. (if", "night shift on his own, as a rookie. (if not realistic, maybe because", "out of training. 3. He is a \"state\" trooper. A rural police officer.", "and his story is used to serve as a \"mini mystery\" to add", "city. 5. He meets up with the \"sheriff / higher ranking officer\" later", "rural police officer. Not a city cop. 4. Events take place during 1", "2. It is his first night on the job. First time out of", "a larger tale. 1. He is starting the night shift on his own,", "his first night on the job. First time out of training. 3. He", "a rookie. (if not realistic, maybe because of scheduling mishap?) 2. It is", "the outskirts of the city. 5. He meets up with the \"sheriff /", "foundation of a larger tale. 1. He is starting the night shift on", "is his first night on the job. First time out of training. 3.", "concerned that the situation is incorrect / impractical / unbelievable: He is, respectfully,", "mishap?) 2. It is his first night on the job. First time out", "minor character and his story is used to serve as a \"mini mystery\"", "on his own, as a rookie. (if not realistic, maybe because of scheduling", "take place during 1 night, on the outskirts of the city. 5. He", "because of scheduling mishap?) 2. It is his first night on the job.", "unbelievable: He is, respectfully, a minor character and his story is used to", "during 1 night, on the outskirts of the city. 5. He meets up", "night, on the outskirts of the city. 5. He meets up with the", "the \"sheriff / higher ranking officer\" later on, as the plot thickens. 6.", "own, as a rookie. (if not realistic, maybe because of scheduling mishap?) 2.", "helps build the foundation of a larger tale. 1. He is starting the", "of scheduling mishap?) 2. It is his first night on the job. First", "a \"state\" trooper. A rural police officer. Not a city cop. 4. Events", "6. Starting place: Parked in his car, on the side of the highway.", "He is, respectfully, a minor character and his story is used to serve", "1 night, on the outskirts of the city. 5. He meets up with", "the later chapters, which helps build the foundation of a larger tale. 1.", "add realism, clues, exposition for the later chapters, which helps build the foundation", "the city. 5. He meets up with the \"sheriff / higher ranking officer\"", "the plot thickens. 6. Starting place: Parked in his car, on the side", "/ higher ranking officer\" later on, as the plot thickens. 6. Starting place:", "side of the highway. Doing highway patrol. Where can I locate resources that", "trooper. A rural police officer. Not a city cop. 4. Events take place", "Where can I locate resources that would let me check all this? How", "Doing highway patrol. Where can I locate resources that would let me check", "of a larger tale. 1. He is starting the night shift on his", "tale. 1. He is starting the night shift on his own, as a", "(if not realistic, maybe because of scheduling mishap?) 2. It is his first", "the highway. Doing highway patrol. Where can I locate resources that would let", "Not a city cop. 4. Events take place during 1 night, on the", "rookie police officer. I'm concerned that the situation is incorrect / impractical /", "with the \"sheriff / higher ranking officer\" later on, as the plot thickens.", "is incorrect / impractical / unbelievable: He is, respectfully, a minor character and", "a rookie police officer. I'm concerned that the situation is incorrect / impractical", "starting the night shift on his own, as a rookie. (if not realistic,", "his own, as a rookie. (if not realistic, maybe because of scheduling mishap?)", "mystery\" to add realism, clues, exposition for the later chapters, which helps build", "respectfully, a minor character and his story is used to serve as a", "the night shift on his own, as a rookie. (if not realistic, maybe", "a WIP novel with a rookie police officer. I'm concerned that the situation", "\"mini mystery\" to add realism, clues, exposition for the later chapters, which helps", "Starting place: Parked in his car, on the side of the highway. Doing", "a city cop. 4. Events take place during 1 night, on the outskirts", "the job. First time out of training. 3. He is a \"state\" trooper.", "a \"mini mystery\" to add realism, clues, exposition for the later chapters, which", "in his car, on the side of the highway. Doing highway patrol. Where", "is starting the night shift on his own, as a rookie. (if not", "cop. 4. Events take place during 1 night, on the outskirts of the", "night on the job. First time out of training. 3. He is a", "on the outskirts of the city. 5. He meets up with the \"sheriff", "the side of the highway. Doing highway patrol. Where can I locate resources", "officer. I'm concerned that the situation is incorrect / impractical / unbelievable: He", "me check all this? How do I do background research that will help", "meets up with the \"sheriff / higher ranking officer\" later on, as the", "patrol. Where can I locate resources that would let me check all this?", "which helps build the foundation of a larger tale. 1. He is starting", "check all this? How do I do background research that will help me?", "later on, as the plot thickens. 6. Starting place: Parked in his car,", "build the foundation of a larger tale. 1. He is starting the night" ]
[ "focused, and not want to write something else even a chapter or two", "and made my writing worse. I even quit smoking! My life has a", "just need something to kick-start my writing. I want to write a novel", "want to write a novel I have the ideas, I'm just afraid that", "I have came leaps and bounds in this regard. I have come to", "to quit jobs because of it. I wasn't very talented at work, whatever", "forgetfulness, or lack of motivation, or whatever it is... Perhaps its due to", "more than just a hobby of mine. I've considered schooling, but I really", "in my head instead of being on task. I have came leaps and", "my writing. I want to write a novel I have the ideas, I'm", "outline, like I used to do. At my group they have a room", "need something to kick-start my writing. I want to write a novel I", "function, and have had to quit jobs because of it. I wasn't very", "of mine. I've considered schooling, but I really have to get a handle", "make the outline, like I used to do. At my group they have", "no longer trapped by my own thinking. I quit drinking, which was a", "many incomplete short stories over the past eight years, and my writing is", "its due to all the thinking I do instead of writing. I used", "being on task. I have came leaps and bounds in this regard. I", "give up after I make the outline, like I used to do. At", "quit jobs because of it. I wasn't very talented at work, whatever work", "with Schizoaffective Disorder for quite some time. Some of the symptoms of the", "until I could no longer function, and have had to quit jobs because", "it. I wasn't very talented at work, whatever work it was, because I", "have the ideas, I'm just afraid that I will give up after I", "of being on task. I have came leaps and bounds in this regard.", "I want to write a novel I have the ideas, I'm just afraid", "How can I stay motivated, and stick to my goal? Is it possible", "I am no longer trapped by my own thinking. I quit drinking, which", "in a positive direction. I just need something to kick-start my writing. I", "quit smoking! My life has a normal routine to it now, of psycho-social", "can I stay motivated, and stick to my goal? Is it possible to", "How can I stay focused, and not want to write something else even", "I want to make this more than just a hobby of mine. I've", "am no longer trapped by my own thinking. I quit drinking, which was", "Disorder for quite some time. Some of the symptoms of the disorder are", "Is it possible to write and have a mental illness? How can I", "to write a novel I have the ideas, I'm just afraid that I", "and not want to write something else even a chapter or two into", "because of it. I wasn't very talented at work, whatever work it was,", "how much time should I dedicate to writing during the week? (like how", "to write and have a mental illness? How can I stay focused, and", "because I would be trapped in my head instead of being on task.", "stick to my goal? Is it possible to write and have a mental", "used to do. At my group they have a room where they allow", "longer function, and have had to quit jobs because of it. I wasn't", "had to quit jobs because of it. I wasn't very talented at work,", "plain forgetfulness, or lack of motivation, or whatever it is... Perhaps its due", "should I dedicate to writing during the week? (like how many hours each", "of writing. I used to think so much, worry, until I could no", "even quit smoking! My life has a normal routine to it now, of", "to do. At my group they have a room where they allow me", "do. At my group they have a room where they allow me to", "I make the outline, like I used to do. At my group they", "exercise. My life is heading in a positive direction. I just need something", "stories over the past eight years, and my writing is improving... but I", "of it. I wasn't very talented at work, whatever work it was, because", "or just plain forgetfulness, or lack of motivation, or whatever it is... Perhaps", "to all the thinking I do instead of writing. I used to think", "just a hobby of mine. I've considered schooling, but I really have to", "I wasn't very talented at work, whatever work it was, because I would", "improving... but I want to make this more than just a hobby of", "or lack of motivation, or whatever it is... Perhaps its due to all", "the week? (like how many hours each day?) How can I stay motivated,", "and trouble with initiation (Getting things started). I have written many, many incomplete", "but I want to make this more than just a hobby of mine.", "task. I have came leaps and bounds in this regard. I have come", "and have a mental illness? How can I stay focused, and not want", "short stories over the past eight years, and my writing is improving... but", "started). I have written many, many incomplete short stories over the past eight", "psycho-social groups and exercise. My life is heading in a positive direction. I", "I stay focused, and not want to write something else even a chapter", "drinking, which was a huge distraction from writing, and made my writing worse.", "a new beginning, where I am no longer trapped by my own thinking.", "have to get a handle on my procrastination, or just plain forgetfulness, or", "kick-start my writing. I want to write a novel I have the ideas,", "life has a normal routine to it now, of psycho-social groups and exercise.", "are amotivation and trouble with initiation (Getting things started). I have written many,", "now, of psycho-social groups and exercise. My life is heading in a positive", "write and have a mental illness? How can I stay focused, and not", "room where they allow me to write undisturbed. My questions are, how much", "so much, worry, until I could no longer function, and have had to", "ideas, I'm just afraid that I will give up after I make the", "head instead of being on task. I have came leaps and bounds in", "to write something else even a chapter or two into it? ... and,", "things started). I have written many, many incomplete short stories over the past", "of motivation, or whatever it is... Perhaps its due to all the thinking", "by my own thinking. I quit drinking, which was a huge distraction from", "on task. I have came leaps and bounds in this regard. I have", "and bounds in this regard. I have come to a new beginning, where", "written many, many incomplete short stories over the past eight years, and my", "they allow me to write undisturbed. My questions are, how much time should", "to writing during the week? (like how many hours each day?) How can", "past eight years, and my writing is improving... but I want to make", "could no longer function, and have had to quit jobs because of it.", "but I have struggled with Schizoaffective Disorder for quite some time. Some of", "I have written many, many incomplete short stories over the past eight years,", "a novel I have the ideas, I'm just afraid that I will give", "of the disorder are amotivation and trouble with initiation (Getting things started). I", "trapped by my own thinking. I quit drinking, which was a huge distraction", "be trapped in my head instead of being on task. I have came", "a hobby of mine. I've considered schooling, but I really have to get", "I have come to a new beginning, where I am no longer trapped", "like I used to do. At my group they have a room where", "or two into it? ... and, is writing as a career possible for", "I would be trapped in my head instead of being on task. I", "time. Some of the symptoms of the disorder are amotivation and trouble with", "a handle on my procrastination, or just plain forgetfulness, or lack of motivation,", "a normal routine to it now, of psycho-social groups and exercise. My life", "illness? How can I stay focused, and not want to write something else", "I stay motivated, and stick to my goal? Is it possible to write", "I have struggled with Schizoaffective Disorder for quite some time. Some of the", "have a mental illness? How can I stay focused, and not want to", "that I will give up after I make the outline, like I used", "during the week? (like how many hours each day?) How can I stay", "the past eight years, and my writing is improving... but I want to", "writing during the week? (like how many hours each day?) How can I", "come to a new beginning, where I am no longer trapped by my", "for quite some time. Some of the symptoms of the disorder are amotivation", "writing, and made my writing worse. I even quit smoking! My life has", "of psycho-social groups and exercise. My life is heading in a positive direction.", "hobby of mine. I've considered schooling, but I really have to get a", "want to be a writer, but I have struggled with Schizoaffective Disorder for", "mine. I've considered schooling, but I really have to get a handle on", "and stick to my goal? Is it possible to write and have a", "novel I have the ideas, I'm just afraid that I will give up", "where they allow me to write undisturbed. My questions are, how much time", "and my writing is improving... but I want to make this more than", "used to think so much, worry, until I could no longer function, and", "writing is improving... but I want to make this more than just a", "I really have to get a handle on my procrastination, or just plain", "not want to write something else even a chapter or two into it?", "week? (like how many hours each day?) How can I stay motivated, and", "stay motivated, and stick to my goal? Is it possible to write and", "talented at work, whatever work it was, because I would be trapped in", "after I make the outline, like I used to do. At my group", "quit drinking, which was a huge distraction from writing, and made my writing", "routine to it now, of psycho-social groups and exercise. My life is heading", "Perhaps its due to all the thinking I do instead of writing. I", "work, whatever work it was, because I would be trapped in my head", "where I am no longer trapped by my own thinking. I quit drinking,", "instead of being on task. I have came leaps and bounds in this", "have a room where they allow me to write undisturbed. My questions are,", "positive direction. I just need something to kick-start my writing. I want to", "the thinking I do instead of writing. I used to think so much,", "have struggled with Schizoaffective Disorder for quite some time. Some of the symptoms", "was a huge distraction from writing, and made my writing worse. I even", "into it? ... and, is writing as a career possible for me? Thank", "a positive direction. I just need something to kick-start my writing. I want", "to think so much, worry, until I could no longer function, and have", "normal routine to it now, of psycho-social groups and exercise. My life is", "thinking I do instead of writing. I used to think so much, worry,", "is... Perhaps its due to all the thinking I do instead of writing.", "in this regard. I have come to a new beginning, where I am", "goal? Is it possible to write and have a mental illness? How can", "symptoms of the disorder are amotivation and trouble with initiation (Getting things started).", "or whatever it is... Perhaps its due to all the thinking I do", "quite some time. Some of the symptoms of the disorder are amotivation and", "huge distraction from writing, and made my writing worse. I even quit smoking!", "do instead of writing. I used to think so much, worry, until I", "all the thinking I do instead of writing. I used to think so", "much, worry, until I could no longer function, and have had to quit", "write a novel I have the ideas, I'm just afraid that I will", "than just a hobby of mine. I've considered schooling, but I really have", "writing. I used to think so much, worry, until I could no longer", "is improving... but I want to make this more than just a hobby", "it? ... and, is writing as a career possible for me? Thank you.", "very talented at work, whatever work it was, because I would be trapped", "make this more than just a hobby of mine. I've considered schooling, but", "questions are, how much time should I dedicate to writing during the week?", "afraid that I will give up after I make the outline, like I", "trapped in my head instead of being on task. I have came leaps", "two into it? ... and, is writing as a career possible for me?", "have had to quit jobs because of it. I wasn't very talented at", "the ideas, I'm just afraid that I will give up after I make", "which was a huge distraction from writing, and made my writing worse. I", "no longer function, and have had to quit jobs because of it. I", "My life has a normal routine to it now, of psycho-social groups and", "longer trapped by my own thinking. I quit drinking, which was a huge", "groups and exercise. My life is heading in a positive direction. I just", "and have had to quit jobs because of it. I wasn't very talented", "heading in a positive direction. I just need something to kick-start my writing.", "beginning, where I am no longer trapped by my own thinking. I quit", "something to kick-start my writing. I want to write a novel I have", "considered schooling, but I really have to get a handle on my procrastination,", "allow me to write undisturbed. My questions are, how much time should I", "schooling, but I really have to get a handle on my procrastination, or", "I do instead of writing. I used to think so much, worry, until", "be a writer, but I have struggled with Schizoaffective Disorder for quite some", "incomplete short stories over the past eight years, and my writing is improving...", "possible to write and have a mental illness? How can I stay focused,", "dedicate to writing during the week? (like how many hours each day?) How", "worry, until I could no longer function, and have had to quit jobs", "over the past eight years, and my writing is improving... but I want", "... and, is writing as a career possible for me? Thank you. Jared.", "can I stay focused, and not want to write something else even a", "up after I make the outline, like I used to do. At my", "the outline, like I used to do. At my group they have a", "my own thinking. I quit drinking, which was a huge distraction from writing,", "just afraid that I will give up after I make the outline, like", "something else even a chapter or two into it? ... and, is writing", "I dedicate to writing during the week? (like how many hours each day?)", "hours each day?) How can I stay motivated, and stick to my goal?", "it now, of psycho-social groups and exercise. My life is heading in a", "life is heading in a positive direction. I just need something to kick-start", "to my goal? Is it possible to write and have a mental illness?", "this regard. I have come to a new beginning, where I am no", "this more than just a hobby of mine. I've considered schooling, but I", "time should I dedicate to writing during the week? (like how many hours", "new beginning, where I am no longer trapped by my own thinking. I", "I'm just afraid that I will give up after I make the outline,", "writing. I want to write a novel I have the ideas, I'm just", "and exercise. My life is heading in a positive direction. I just need", "a room where they allow me to write undisturbed. My questions are, how", "I used to think so much, worry, until I could no longer function,", "smoking! My life has a normal routine to it now, of psycho-social groups", "due to all the thinking I do instead of writing. I used to", "I have the ideas, I'm just afraid that I will give up after", "writer, but I have struggled with Schizoaffective Disorder for quite some time. Some", "how many hours each day?) How can I stay motivated, and stick to", "want to make this more than just a hobby of mine. I've considered", "else even a chapter or two into it? ... and, is writing as", "jobs because of it. I wasn't very talented at work, whatever work it", "I will give up after I make the outline, like I used to", "of the symptoms of the disorder are amotivation and trouble with initiation (Getting", "trouble with initiation (Getting things started). I have written many, many incomplete short", "whatever it is... Perhaps its due to all the thinking I do instead", "thinking. I quit drinking, which was a huge distraction from writing, and made", "it was, because I would be trapped in my head instead of being", "a mental illness? How can I stay focused, and not want to write", "My questions are, how much time should I dedicate to writing during the", "day?) How can I stay motivated, and stick to my goal? Is it", "will give up after I make the outline, like I used to do.", "I could no longer function, and have had to quit jobs because of", "my writing worse. I even quit smoking! My life has a normal routine", "but I really have to get a handle on my procrastination, or just", "even a chapter or two into it? ... and, is writing as a", "chapter or two into it? ... and, is writing as a career possible", "group they have a room where they allow me to write undisturbed. My", "write something else even a chapter or two into it? ... and, is", "my goal? Is it possible to write and have a mental illness? How", "made my writing worse. I even quit smoking! My life has a normal", "leaps and bounds in this regard. I have come to a new beginning,", "are, how much time should I dedicate to writing during the week? (like", "to make this more than just a hobby of mine. I've considered schooling,", "really have to get a handle on my procrastination, or just plain forgetfulness,", "to get a handle on my procrastination, or just plain forgetfulness, or lack", "each day?) How can I stay motivated, and stick to my goal? Is", "would be trapped in my head instead of being on task. I have", "many hours each day?) How can I stay motivated, and stick to my", "initiation (Getting things started). I have written many, many incomplete short stories over", "struggled with Schizoaffective Disorder for quite some time. Some of the symptoms of", "work it was, because I would be trapped in my head instead of", "to it now, of psycho-social groups and exercise. My life is heading in", "my procrastination, or just plain forgetfulness, or lack of motivation, or whatever it", "just plain forgetfulness, or lack of motivation, or whatever it is... Perhaps its", "At my group they have a room where they allow me to write", "lack of motivation, or whatever it is... Perhaps its due to all the", "I quit drinking, which was a huge distraction from writing, and made my", "a chapter or two into it? ... and, is writing as a career", "is heading in a positive direction. I just need something to kick-start my", "get a handle on my procrastination, or just plain forgetfulness, or lack of", "amotivation and trouble with initiation (Getting things started). I have written many, many", "Schizoaffective Disorder for quite some time. Some of the symptoms of the disorder", "want to write something else even a chapter or two into it? ...", "undisturbed. My questions are, how much time should I dedicate to writing during", "distraction from writing, and made my writing worse. I even quit smoking! My", "at work, whatever work it was, because I would be trapped in my", "mental illness? How can I stay focused, and not want to write something", "to write undisturbed. My questions are, how much time should I dedicate to", "many, many incomplete short stories over the past eight years, and my writing", "(Getting things started). I have written many, many incomplete short stories over the", "motivation, or whatever it is... Perhaps its due to all the thinking I", "I even quit smoking! My life has a normal routine to it now,", "motivated, and stick to my goal? Is it possible to write and have", "came leaps and bounds in this regard. I have come to a new", "I want to be a writer, but I have struggled with Schizoaffective Disorder", "Some of the symptoms of the disorder are amotivation and trouble with initiation", "stay focused, and not want to write something else even a chapter or", "to be a writer, but I have struggled with Schizoaffective Disorder for quite", "instead of writing. I used to think so much, worry, until I could", "handle on my procrastination, or just plain forgetfulness, or lack of motivation, or", "disorder are amotivation and trouble with initiation (Getting things started). I have written", "worse. I even quit smoking! My life has a normal routine to it", "on my procrastination, or just plain forgetfulness, or lack of motivation, or whatever", "have written many, many incomplete short stories over the past eight years, and", "my writing is improving... but I want to make this more than just", "the symptoms of the disorder are amotivation and trouble with initiation (Getting things", "years, and my writing is improving... but I want to make this more", "bounds in this regard. I have come to a new beginning, where I", "with initiation (Getting things started). I have written many, many incomplete short stories", "a writer, but I have struggled with Schizoaffective Disorder for quite some time.", "to kick-start my writing. I want to write a novel I have the", "from writing, and made my writing worse. I even quit smoking! My life", "me to write undisturbed. My questions are, how much time should I dedicate", "a huge distraction from writing, and made my writing worse. I even quit", "some time. Some of the symptoms of the disorder are amotivation and trouble", "procrastination, or just plain forgetfulness, or lack of motivation, or whatever it is...", "I just need something to kick-start my writing. I want to write a", "it possible to write and have a mental illness? How can I stay", "My life is heading in a positive direction. I just need something to", "they have a room where they allow me to write undisturbed. My questions", "it is... Perhaps its due to all the thinking I do instead of", "my head instead of being on task. I have came leaps and bounds", "think so much, worry, until I could no longer function, and have had", "writing worse. I even quit smoking! My life has a normal routine to", "direction. I just need something to kick-start my writing. I want to write", "whatever work it was, because I would be trapped in my head instead", "wasn't very talented at work, whatever work it was, because I would be", "own thinking. I quit drinking, which was a huge distraction from writing, and", "much time should I dedicate to writing during the week? (like how many", "eight years, and my writing is improving... but I want to make this", "was, because I would be trapped in my head instead of being on", "to a new beginning, where I am no longer trapped by my own", "regard. I have come to a new beginning, where I am no longer", "(like how many hours each day?) How can I stay motivated, and stick", "has a normal routine to it now, of psycho-social groups and exercise. My", "I've considered schooling, but I really have to get a handle on my", "the disorder are amotivation and trouble with initiation (Getting things started). I have", "have came leaps and bounds in this regard. I have come to a", "I used to do. At my group they have a room where they", "write undisturbed. My questions are, how much time should I dedicate to writing", "have come to a new beginning, where I am no longer trapped by", "my group they have a room where they allow me to write undisturbed." ]
[ "father to her. The poor child simply can't understand that good parents can", "and her ex-husband (an antagonist) during the rising action of my story. He", "that good parents can also be bad romantic partners to each other. So", "partners to each other. So we've got a scene where we have an", "desperate to dispel the conflict by trying to have them get along. My", "child growing very desperate to dispel the conflict by trying to have them", "protagonist. He can't get over it. However, the antagonist gained custody of their", "So we've got a scene where we have an antagonist father dealing massive", "relationship with the protagonist. He can't get over it. However, the antagonist gained", "the conflict? * The antagonist never bothers with his ex-wife and the protag", "dealt with in psychological ways. * This specific conflict doesn't immediately lead to", "stay together and preserve their parental relationship; * The protag and his girlfriend", "have them get along. My question is, how can this conflict be permanently", "good father to her. The poor child simply can't understand that good parents", "growing very desperate to dispel the conflict by trying to have them get", "their only daughter and is a very good father to her. The poor", "the antagonist gained custody of their only daughter and is a very good", "the protagonist. He can't get over it. However, the antagonist gained custody of", "an antagonist father dealing massive psychological damage to his ex-wife, an ex-wife doing", "Violence is never used; conflicts must be dealt with in psychological ways. *", "can also be bad romantic partners to each other. So we've got a", "ex-wife, an ex-wife doing her best to shield herself from it, a protagonist", "it, a protagonist trying to comfort her, and a child growing very desperate", "are some more rising actions before it gets triggered. * The protag and", "parental relationship; * The protag and his girlfriend continue growing their romantic relationship.", "antagonist) during the rising action of my story. He grows jealous, possessive and", "over it. However, the antagonist gained custody of their only daughter and is", "conflict between a mother (a major character) and her ex-husband (an antagonist) during", "daughter stay together and preserve their parental relationship; * The protag and his", "and is a very good father to her. The poor child simply can't", "parents can also be bad romantic partners to each other. So we've got", "girlfriend continue growing their romantic relationship. Here are some relevant features of my", "This specific conflict doesn't immediately lead to the climax; there are some more", "a scene where we have an antagonist father dealing massive psychological damage to", "massive psychological damage to his ex-wife, an ex-wife doing her best to shield", "there are some more rising actions before it gets triggered. * The protag", "Here are some relevant features of my story: * Violence is never used;", "and his romantic partner must keep nurturing their relationship, no matter what happens.", "be bad romantic partners to each other. So we've got a scene where", "* The protag and his girlfriend continue growing their romantic relationship. Here are", "before it gets triggered. * The protag and his romantic partner must keep", "best to shield herself from it, a protagonist trying to comfort her, and", "However, the antagonist gained custody of their only daughter and is a very", "can't get over it. However, the antagonist gained custody of their only daughter", "bad romantic partners to each other. So we've got a scene where we", "character) and her ex-husband (an antagonist) during the rising action of my story.", "in a way that doesn't destroy the reader's Willing Suspension of Disbelief AND", "of their only daughter and is a very good father to her. The", "their parental relationship; * The protag and his girlfriend continue growing their romantic", "ways. * This specific conflict doesn't immediately lead to the climax; there are", "relationship; * The protag and his girlfriend continue growing their romantic relationship. Here", "is a very good father to her. The poor child simply can't understand", "how can this conflict be permanently solved in a way that doesn't destroy", "and his girlfriend continue growing their romantic relationship. Here are some relevant features", "jealous, possessive and very persistent over the fact she's building a relationship with", "of Disbelief AND avoids the child crossing the Despair Event Horizon? How can", "actions before it gets triggered. * The protag and his romantic partner must", "triggered. * The protag and his romantic partner must keep nurturing their relationship,", "Event Horizon? How can the child contribute positively to the conflict? * The", "trying to have them get along. My question is, how can this conflict", "her ex-husband (an antagonist) during the rising action of my story. He grows", "a relationship with the protagonist. He can't get over it. However, the antagonist", "antagonist and the daughter stay together and preserve their parental relationship; * The", "never bothers with his ex-wife and the protag anymore; * The antagonist and", "very persistent over the fact she's building a relationship with the protagonist. He", "psychological damage to his ex-wife, an ex-wife doing her best to shield herself", "child crossing the Despair Event Horizon? How can the child contribute positively to", "damage to his ex-wife, an ex-wife doing her best to shield herself from", "the climax; there are some more rising actions before it gets triggered. *", "dealing massive psychological damage to his ex-wife, an ex-wife doing her best to", "during the rising action of my story. He grows jealous, possessive and very", "How can the child contribute positively to the conflict? * The antagonist never", "gained custody of their only daughter and is a very good father to", "* Violence is never used; conflicts must be dealt with in psychological ways.", "a child growing very desperate to dispel the conflict by trying to have", "immediately lead to the climax; there are some more rising actions before it", "to shield herself from it, a protagonist trying to comfort her, and a", "child simply can't understand that good parents can also be bad romantic partners", "trying to comfort her, and a child growing very desperate to dispel the", "reader's Willing Suspension of Disbelief AND avoids the child crossing the Despair Event", "his girlfriend continue growing their romantic relationship. Here are some relevant features of", "very desperate to dispel the conflict by trying to have them get along.", "is never used; conflicts must be dealt with in psychological ways. * This", "doesn't destroy the reader's Willing Suspension of Disbelief AND avoids the child crossing", "and very persistent over the fact she's building a relationship with the protagonist.", "got a scene where we have an antagonist father dealing massive psychological damage", "between a mother (a major character) and her ex-husband (an antagonist) during the", "it. However, the antagonist gained custody of their only daughter and is a", "a very good father to her. The poor child simply can't understand that", "antagonist gained custody of their only daughter and is a very good father", "romantic relationship. Here are some relevant features of my story: * Violence is", "relevant features of my story: * Violence is never used; conflicts must be", "other. So we've got a scene where we have an antagonist father dealing", "understand that good parents can also be bad romantic partners to each other.", "his ex-wife and the protag anymore; * The antagonist and the daughter stay", "the rising action of my story. He grows jealous, possessive and very persistent", "have an antagonist father dealing massive psychological damage to his ex-wife, an ex-wife", "psychological ways. * This specific conflict doesn't immediately lead to the climax; there", "also be bad romantic partners to each other. So we've got a scene", "protag and his romantic partner must keep nurturing their relationship, no matter what", "story: * Violence is never used; conflicts must be dealt with in psychological", "good parents can also be bad romantic partners to each other. So we've", "her best to shield herself from it, a protagonist trying to comfort her,", "question is, how can this conflict be permanently solved in a way that", "are some relevant features of my story: * Violence is never used; conflicts", "Willing Suspension of Disbelief AND avoids the child crossing the Despair Event Horizon?", "must be dealt with in psychological ways. * This specific conflict doesn't immediately", "herself from it, a protagonist trying to comfort her, and a child growing", "The poor child simply can't understand that good parents can also be bad", "a mother (a major character) and her ex-husband (an antagonist) during the rising", "over the fact she's building a relationship with the protagonist. He can't get", "lead to the climax; there are some more rising actions before it gets", "the conflict by trying to have them get along. My question is, how", "her. The poor child simply can't understand that good parents can also be", "a protagonist trying to comfort her, and a child growing very desperate to", "solved in a way that doesn't destroy the reader's Willing Suspension of Disbelief", "a way that doesn't destroy the reader's Willing Suspension of Disbelief AND avoids", "continue growing their romantic relationship. Here are some relevant features of my story:", "this conflict be permanently solved in a way that doesn't destroy the reader's", "and preserve their parental relationship; * The protag and his girlfriend continue growing", "ex-wife and the protag anymore; * The antagonist and the daughter stay together", "be permanently solved in a way that doesn't destroy the reader's Willing Suspension", "to each other. So we've got a scene where we have an antagonist", "dispel the conflict by trying to have them get along. My question is,", "doesn't immediately lead to the climax; there are some more rising actions before", "we've got a scene where we have an antagonist father dealing massive psychological", "comfort her, and a child growing very desperate to dispel the conflict by", "to the climax; there are some more rising actions before it gets triggered.", "rising actions before it gets triggered. * The protag and his romantic partner", "by trying to have them get along. My question is, how can this", "story. He grows jealous, possessive and very persistent over the fact she's building", "Horizon? How can the child contribute positively to the conflict? * The antagonist", "preserve their parental relationship; * The protag and his girlfriend continue growing their", "possessive and very persistent over the fact she's building a relationship with the", "(an antagonist) during the rising action of my story. He grows jealous, possessive", "to the conflict? * The antagonist never bothers with his ex-wife and the", "to her. The poor child simply can't understand that good parents can also", "persistent over the fact she's building a relationship with the protagonist. He can't", "Disbelief AND avoids the child crossing the Despair Event Horizon? How can the", "in psychological ways. * This specific conflict doesn't immediately lead to the climax;", "The protag and his romantic partner must keep nurturing their relationship, no matter", "He can't get over it. However, the antagonist gained custody of their only", "He grows jealous, possessive and very persistent over the fact she's building a", "custody of their only daughter and is a very good father to her.", "father dealing massive psychological damage to his ex-wife, an ex-wife doing her best", "bothers with his ex-wife and the protag anymore; * The antagonist and the", "with his ex-wife and the protag anymore; * The antagonist and the daughter", "(a major character) and her ex-husband (an antagonist) during the rising action of", "protag anymore; * The antagonist and the daughter stay together and preserve their", "avoids the child crossing the Despair Event Horizon? How can the child contribute", "anymore; * The antagonist and the daughter stay together and preserve their parental", "and the daughter stay together and preserve their parental relationship; * The protag", "my story: * Violence is never used; conflicts must be dealt with in", "the child crossing the Despair Event Horizon? How can the child contribute positively", "romantic partners to each other. So we've got a scene where we have", "never used; conflicts must be dealt with in psychological ways. * This specific", "way that doesn't destroy the reader's Willing Suspension of Disbelief AND avoids the", "The antagonist and the daughter stay together and preserve their parental relationship; *", "together and preserve their parental relationship; * The protag and his girlfriend continue", "simply can't understand that good parents can also be bad romantic partners to", "more rising actions before it gets triggered. * The protag and his romantic", "and the protag anymore; * The antagonist and the daughter stay together and", "permanently solved in a way that doesn't destroy the reader's Willing Suspension of", "features of my story: * Violence is never used; conflicts must be dealt", "* The antagonist never bothers with his ex-wife and the protag anymore; *", "from it, a protagonist trying to comfort her, and a child growing very", "she's building a relationship with the protagonist. He can't get over it. However,", "* The antagonist and the daughter stay together and preserve their parental relationship;", "doing her best to shield herself from it, a protagonist trying to comfort", "protag and his girlfriend continue growing their romantic relationship. Here are some relevant", "their romantic relationship. Here are some relevant features of my story: * Violence", "ex-husband (an antagonist) during the rising action of my story. He grows jealous,", "The antagonist never bothers with his ex-wife and the protag anymore; * The", "Suspension of Disbelief AND avoids the child crossing the Despair Event Horizon? How", "only daughter and is a very good father to her. The poor child", "conflicts must be dealt with in psychological ways. * This specific conflict doesn't", "can't understand that good parents can also be bad romantic partners to each", "with in psychological ways. * This specific conflict doesn't immediately lead to the", "The protag and his girlfriend continue growing their romantic relationship. Here are some", "gets triggered. * The protag and his romantic partner must keep nurturing their", "antagonist never bothers with his ex-wife and the protag anymore; * The antagonist", "AND avoids the child crossing the Despair Event Horizon? How can the child", "child contribute positively to the conflict? * The antagonist never bothers with his", "conflict be permanently solved in a way that doesn't destroy the reader's Willing", "can this conflict be permanently solved in a way that doesn't destroy the", "rising action of my story. He grows jealous, possessive and very persistent over", "it gets triggered. * The protag and his romantic partner must keep nurturing", "be dealt with in psychological ways. * This specific conflict doesn't immediately lead", "contribute positively to the conflict? * The antagonist never bothers with his ex-wife", "shield herself from it, a protagonist trying to comfort her, and a child", "can the child contribute positively to the conflict? * The antagonist never bothers", "positively to the conflict? * The antagonist never bothers with his ex-wife and", "conflict doesn't immediately lead to the climax; there are some more rising actions", "with the protagonist. He can't get over it. However, the antagonist gained custody", "her, and a child growing very desperate to dispel the conflict by trying", "to dispel the conflict by trying to have them get along. My question", "specific conflict doesn't immediately lead to the climax; there are some more rising", "fact she's building a relationship with the protagonist. He can't get over it.", "to have them get along. My question is, how can this conflict be", "of my story: * Violence is never used; conflicts must be dealt with", "action of my story. He grows jealous, possessive and very persistent over the", "used; conflicts must be dealt with in psychological ways. * This specific conflict", "* This specific conflict doesn't immediately lead to the climax; there are some", "get along. My question is, how can this conflict be permanently solved in", "the child contribute positively to the conflict? * The antagonist never bothers with", "and a child growing very desperate to dispel the conflict by trying to", "There's a conflict between a mother (a major character) and her ex-husband (an", "poor child simply can't understand that good parents can also be bad romantic", "a conflict between a mother (a major character) and her ex-husband (an antagonist)", "where we have an antagonist father dealing massive psychological damage to his ex-wife,", "grows jealous, possessive and very persistent over the fact she's building a relationship", "to his ex-wife, an ex-wife doing her best to shield herself from it,", "to comfort her, and a child growing very desperate to dispel the conflict", "conflict by trying to have them get along. My question is, how can", "the daughter stay together and preserve their parental relationship; * The protag and", "an ex-wife doing her best to shield herself from it, a protagonist trying", "the Despair Event Horizon? How can the child contribute positively to the conflict?", "relationship. Here are some relevant features of my story: * Violence is never", "daughter and is a very good father to her. The poor child simply", "* The protag and his romantic partner must keep nurturing their relationship, no", "them get along. My question is, how can this conflict be permanently solved", "the fact she's building a relationship with the protagonist. He can't get over", "my story. He grows jealous, possessive and very persistent over the fact she's", "crossing the Despair Event Horizon? How can the child contribute positively to the", "of my story. He grows jealous, possessive and very persistent over the fact", "is, how can this conflict be permanently solved in a way that doesn't", "get over it. However, the antagonist gained custody of their only daughter and", "building a relationship with the protagonist. He can't get over it. However, the", "the protag anymore; * The antagonist and the daughter stay together and preserve", "that doesn't destroy the reader's Willing Suspension of Disbelief AND avoids the child", "mother (a major character) and her ex-husband (an antagonist) during the rising action", "very good father to her. The poor child simply can't understand that good", "ex-wife doing her best to shield herself from it, a protagonist trying to", "protagonist trying to comfort her, and a child growing very desperate to dispel", "his ex-wife, an ex-wife doing her best to shield herself from it, a", "along. My question is, how can this conflict be permanently solved in a", "growing their romantic relationship. Here are some relevant features of my story: *", "antagonist father dealing massive psychological damage to his ex-wife, an ex-wife doing her", "major character) and her ex-husband (an antagonist) during the rising action of my", "some more rising actions before it gets triggered. * The protag and his", "some relevant features of my story: * Violence is never used; conflicts must", "each other. So we've got a scene where we have an antagonist father", "destroy the reader's Willing Suspension of Disbelief AND avoids the child crossing the", "conflict? * The antagonist never bothers with his ex-wife and the protag anymore;", "Despair Event Horizon? How can the child contribute positively to the conflict? *", "the reader's Willing Suspension of Disbelief AND avoids the child crossing the Despair", "climax; there are some more rising actions before it gets triggered. * The", "My question is, how can this conflict be permanently solved in a way", "we have an antagonist father dealing massive psychological damage to his ex-wife, an", "scene where we have an antagonist father dealing massive psychological damage to his" ]
[ "I live close to it but I don't think I know enough about", "familiar with the city because I live close to it but I don't", "St. Louis) in particular to use it as the actual setting and I", "carving out a place for a fictional university with in the city. Which", "about the university of St. Louis (Or any of the other Universities in", "reader who actually lives in St. Louis? I'm just looking for some helpful", "off ruin it for some one who actually knows the university on more", "pasting a university of my creation in the void or carving out a", "a university of my creation in the void or carving out a place", "satisfying fictional arrangement for a reader who actually lives in St. Louis? I'm", "Louis a lot of the important scenes occur at a university. I am", "god forbid my details being off ruin it for some one who actually", "university of St. Louis (Or any of the other Universities in St. Louis)", "some of the parking rules and housing arrangements don't fit with the plot", "as the actual setting and I already know also some of the parking", "already know also some of the parking rules and housing arrangements don't fit", "Louis (Or any of the other Universities in St. Louis) in particular to", "of the events from happening. I am a stickler for details and god", "city. Which method do you think would be the most satisfying fictional arrangement", "knows the university on more than a superficial level. I am contemplating either", "of St. Louis (Or any of the other Universities in St. Louis) in", "I am familiar with the city because I live close to it but", "am a stickler for details and god forbid my details being off ruin", "university on more than a superficial level. I am contemplating either keeping SLU's", "fit with the plot as it would impede some of the events from", "I don't think I know enough about the university of St. Louis (Or", "St. Louis (Or any of the other Universities in St. Louis) in particular", "and god forbid my details being off ruin it for some one who", "live close to it but I don't think I know enough about the", "either keeping SLU's location and pasting a university of my creation in the", "some one who actually knows the university on more than a superficial level.", "at a university. I am familiar with the city because I live close", "I am a stickler for details and god forbid my details being off", "with in the city. Which method do you think would be the most", "impede some of the events from happening. I am a stickler for details", "Which method do you think would be the most satisfying fictional arrangement for", "arrangement for a reader who actually lives in St. Louis? I'm just looking", "in particular to use it as the actual setting and I already know", "it for some one who actually knows the university on more than a", "thriller novel set in St. Louis a lot of the important scenes occur", "of the other Universities in St. Louis) in particular to use it as", "university with in the city. Which method do you think would be the", "happening. I am a stickler for details and god forbid my details being", "enough about the university of St. Louis (Or any of the other Universities", "the university of St. Louis (Or any of the other Universities in St.", "arrangements don't fit with the plot as it would impede some of the", "forbid my details being off ruin it for some one who actually knows", "for some one who actually knows the university on more than a superficial", "use it as the actual setting and I already know also some of", "be the most satisfying fictional arrangement for a reader who actually lives in", "place for a fictional university with in the city. Which method do you", "who actually knows the university on more than a superficial level. I am", "St. Louis a lot of the important scenes occur at a university. I", "my creation in the void or carving out a place for a fictional", "a lot of the important scenes occur at a university. I am familiar", "or carving out a place for a fictional university with in the city.", "events from happening. I am a stickler for details and god forbid my", "from happening. I am a stickler for details and god forbid my details", "it but I don't think I know enough about the university of St.", "rules and housing arrangements don't fit with the plot as it would impede", "don't fit with the plot as it would impede some of the events", "important scenes occur at a university. I am familiar with the city because", "the city because I live close to it but I don't think I", "with the city because I live close to it but I don't think", "university of my creation in the void or carving out a place for", "more than a superficial level. I am contemplating either keeping SLU's location and", "creation in the void or carving out a place for a fictional university", "the city. Which method do you think would be the most satisfying fictional", "set in St. Louis a lot of the important scenes occur at a", "most satisfying fictional arrangement for a reader who actually lives in St. Louis?", "I am contemplating either keeping SLU's location and pasting a university of my", "for a reader who actually lives in St. Louis? I'm just looking for", "in the city. Which method do you think would be the most satisfying", "I know enough about the university of St. Louis (Or any of the", "know also some of the parking rules and housing arrangements don't fit with", "a thriller novel set in St. Louis a lot of the important scenes", "novel set in St. Louis a lot of the important scenes occur at", "think I know enough about the university of St. Louis (Or any of", "occur at a university. I am familiar with the city because I live", "a reader who actually lives in St. Louis? I'm just looking for some", "am writing a thriller novel set in St. Louis a lot of the", "details and god forbid my details being off ruin it for some one", "plot as it would impede some of the events from happening. I am", "Universities in St. Louis) in particular to use it as the actual setting", "being off ruin it for some one who actually knows the university on", "do you think would be the most satisfying fictional arrangement for a reader", "would be the most satisfying fictional arrangement for a reader who actually lives", "know enough about the university of St. Louis (Or any of the other", "writing a thriller novel set in St. Louis a lot of the important", "with the plot as it would impede some of the events from happening.", "the other Universities in St. Louis) in particular to use it as the", "of the important scenes occur at a university. I am familiar with the", "ruin it for some one who actually knows the university on more than", "(Or any of the other Universities in St. Louis) in particular to use", "stickler for details and god forbid my details being off ruin it for", "void or carving out a place for a fictional university with in the", "the parking rules and housing arrangements don't fit with the plot as it", "actually knows the university on more than a superficial level. I am contemplating", "close to it but I don't think I know enough about the university", "would impede some of the events from happening. I am a stickler for", "the events from happening. I am a stickler for details and god forbid", "the most satisfying fictional arrangement for a reader who actually lives in St.", "housing arrangements don't fit with the plot as it would impede some of", "I already know also some of the parking rules and housing arrangements don't", "in the void or carving out a place for a fictional university with", "it would impede some of the events from happening. I am a stickler", "the actual setting and I already know also some of the parking rules", "the void or carving out a place for a fictional university with in", "on more than a superficial level. I am contemplating either keeping SLU's location", "as it would impede some of the events from happening. I am a", "of the parking rules and housing arrangements don't fit with the plot as", "the university on more than a superficial level. I am contemplating either keeping", "and pasting a university of my creation in the void or carving out", "am contemplating either keeping SLU's location and pasting a university of my creation", "the plot as it would impede some of the events from happening. I", "a stickler for details and god forbid my details being off ruin it", "my details being off ruin it for some one who actually knows the", "contemplating either keeping SLU's location and pasting a university of my creation in", "fictional university with in the city. Which method do you think would be", "also some of the parking rules and housing arrangements don't fit with the", "SLU's location and pasting a university of my creation in the void or", "of my creation in the void or carving out a place for a", "fictional arrangement for a reader who actually lives in St. Louis? I'm just", "but I don't think I know enough about the university of St. Louis", "a university. I am familiar with the city because I live close to", "because I live close to it but I don't think I know enough", "level. I am contemplating either keeping SLU's location and pasting a university of", "superficial level. I am contemplating either keeping SLU's location and pasting a university", "think would be the most satisfying fictional arrangement for a reader who actually", "setting and I already know also some of the parking rules and housing", "lot of the important scenes occur at a university. I am familiar with", "than a superficial level. I am contemplating either keeping SLU's location and pasting", "in St. Louis) in particular to use it as the actual setting and", "to it but I don't think I know enough about the university of", "particular to use it as the actual setting and I already know also", "university. I am familiar with the city because I live close to it", "actual setting and I already know also some of the parking rules and", "it as the actual setting and I already know also some of the", "location and pasting a university of my creation in the void or carving", "to use it as the actual setting and I already know also some", "for a fictional university with in the city. Which method do you think", "any of the other Universities in St. Louis) in particular to use it", "who actually lives in St. Louis? I'm just looking for some helpful thoughts.", "a superficial level. I am contemplating either keeping SLU's location and pasting a", "other Universities in St. Louis) in particular to use it as the actual", "the important scenes occur at a university. I am familiar with the city", "in St. Louis a lot of the important scenes occur at a university.", "Louis) in particular to use it as the actual setting and I already", "some of the events from happening. I am a stickler for details and", "and I already know also some of the parking rules and housing arrangements", "a fictional university with in the city. Which method do you think would", "don't think I know enough about the university of St. Louis (Or any", "for details and god forbid my details being off ruin it for some", "you think would be the most satisfying fictional arrangement for a reader who", "am familiar with the city because I live close to it but I", "details being off ruin it for some one who actually knows the university", "city because I live close to it but I don't think I know", "parking rules and housing arrangements don't fit with the plot as it would", "out a place for a fictional university with in the city. Which method", "one who actually knows the university on more than a superficial level. I", "I am writing a thriller novel set in St. Louis a lot of", "a place for a fictional university with in the city. Which method do", "and housing arrangements don't fit with the plot as it would impede some", "method do you think would be the most satisfying fictional arrangement for a", "scenes occur at a university. I am familiar with the city because I", "keeping SLU's location and pasting a university of my creation in the void" ]
[ "I'm thinking about revisiting an old project of mine that's always given me", "characters, character actions, etc) that make me really uncomfortable, to the point that", "me trouble, thinking that I can finish it this time since I've grown", "feeling of discomfort? Edit: It isn't really discomfort with taboo, explicit or painful", "to be explored within the story- like doing that would make me complicit.", "story- like doing that would make me complicit. Tips for dealing with any", "complicit. Tips for dealing with any sort of discomfort would be great though.", "kept me from working on it the way I could have is that", "extent to which these things need to be explored within the story- like", "would make me complicit. Tips for dealing with any sort of discomfort would", "discomfort with the extent to which these things need to be explored within", "to work on it. The thing that's really kept me from working on", "and getting a sense for them in my head. It's more a feeling", "project of mine that's always given me trouble, thinking that I can finish", "explicit or painful actions or subjects, since I have no trouble coming up", "these things and getting a sense for them in my head. It's more", "my head. It's more a feeling of discomfort with the extent to which", "which these things need to be explored within the story- like doing that", "feeling of discomfort with the extent to which these things need to be", "I could have is that it touches on things (relationships between characters, character", "have is that it touches on things (relationships between characters, character actions, etc)", "that would make me complicit. Tips for dealing with any sort of discomfort", "working on it the way I could have is that it touches on", "me really uncomfortable, to the point that it inhibits my ability to write.", "actions or subjects, since I have no trouble coming up with these things", "need to be explored within the story- like doing that would make me", "that's really kept me from working on it the way I could have", "explored within the story- like doing that would make me complicit. Tips for", "of mine that's always given me trouble, thinking that I can finish it", "since I have no trouble coming up with these things and getting a", "taboo, explicit or painful actions or subjects, since I have no trouble coming", "character actions, etc) that make me really uncomfortable, to the point that it", "way I could have is that it touches on things (relationships between characters,", "to write. Are there any good methods to overcome or work around that", "coming up with these things and getting a sense for them in my", "up with these things and getting a sense for them in my head.", "or work around that feeling of discomfort? Edit: It isn't really discomfort with", "sense for them in my head. It's more a feeling of discomfort with", "It isn't really discomfort with taboo, explicit or painful actions or subjects, since", "trouble coming up with these things and getting a sense for them in", "the story- like doing that would make me complicit. Tips for dealing with", "I last tried to work on it. The thing that's really kept me", "that I can finish it this time since I've grown as a writer", "Are there any good methods to overcome or work around that feeling of", "a feeling of discomfort with the extent to which these things need to", "make me complicit. Tips for dealing with any sort of discomfort would be", "there any good methods to overcome or work around that feeling of discomfort?", "of discomfort with the extent to which these things need to be explored", "things (relationships between characters, character actions, etc) that make me really uncomfortable, to", "touches on things (relationships between characters, character actions, etc) that make me really", "with the extent to which these things need to be explored within the", "finish it this time since I've grown as a writer since I last", "good methods to overcome or work around that feeling of discomfort? Edit: It", "thing that's really kept me from working on it the way I could", "make me really uncomfortable, to the point that it inhibits my ability to", "that feeling of discomfort? Edit: It isn't really discomfort with taboo, explicit or", "since I last tried to work on it. The thing that's really kept", "really uncomfortable, to the point that it inhibits my ability to write. Are", "overcome or work around that feeling of discomfort? Edit: It isn't really discomfort", "revisiting an old project of mine that's always given me trouble, thinking that", "on it the way I could have is that it touches on things", "it this time since I've grown as a writer since I last tried", "really kept me from working on it the way I could have is", "that it touches on things (relationships between characters, character actions, etc) that make", "no trouble coming up with these things and getting a sense for them", "methods to overcome or work around that feeling of discomfort? Edit: It isn't", "like doing that would make me complicit. Tips for dealing with any sort", "thinking about revisiting an old project of mine that's always given me trouble,", "be explored within the story- like doing that would make me complicit. Tips", "I have no trouble coming up with these things and getting a sense", "ability to write. Are there any good methods to overcome or work around", "from working on it the way I could have is that it touches", "painful actions or subjects, since I have no trouble coming up with these", "that it inhibits my ability to write. Are there any good methods to", "discomfort? Edit: It isn't really discomfort with taboo, explicit or painful actions or", "actions, etc) that make me really uncomfortable, to the point that it inhibits", "trouble, thinking that I can finish it this time since I've grown as", "thinking that I can finish it this time since I've grown as a", "write. Are there any good methods to overcome or work around that feeling", "me complicit. 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It's more a feeling of discomfort", "on things (relationships between characters, character actions, etc) that make me really uncomfortable,", "could have is that it touches on things (relationships between characters, character actions,", "time since I've grown as a writer since I last tried to work", "etc) that make me really uncomfortable, to the point that it inhibits my", "them in my head. It's more a feeling of discomfort with the extent", "it. The thing that's really kept me from working on it the way", "in my head. It's more a feeling of discomfort with the extent to", "me from working on it the way I could have is that it", "that's always given me trouble, thinking that I can finish it this time", "writer since I last tried to work on it. The thing that's really", "the point that it inhibits my ability to write. Are there any good", "inhibits my ability to write. Are there any good methods to overcome or", "things and getting a sense for them in my head. It's more a", "work on it. The thing that's really kept me from working on it", "within the story- like doing that would make me complicit. Tips for dealing", "isn't really discomfort with taboo, explicit or painful actions or subjects, since I", "around that feeling of discomfort? Edit: It isn't really discomfort with taboo, explicit", "head. It's more a feeling of discomfort with the extent to which these", "mine that's always given me trouble, thinking that I can finish it this", "always given me trouble, thinking that I can finish it this time since", "with these things and getting a sense for them in my head. It's", "I've grown as a writer since I last tried to work on it.", "old project of mine that's always given me trouble, thinking that I can", "I can finish it this time since I've grown as a writer since", "to the point that it inhibits my ability to write. Are there any", "to overcome or work around that feeling of discomfort? 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Tips for dealing with any sort of", "it inhibits my ability to write. Are there any good methods to overcome", "about revisiting an old project of mine that's always given me trouble, thinking", "The thing that's really kept me from working on it the way I", "more a feeling of discomfort with the extent to which these things need", "a writer since I last tried to work on it. The thing that's", "subjects, since I have no trouble coming up with these things and getting", "getting a sense for them in my head. It's more a feeling of", "between characters, character actions, etc) that make me really uncomfortable, to the point", "or subjects, since I have no trouble coming up with these things and", "really discomfort with taboo, explicit or painful actions or subjects, since I have", "(relationships between characters, character actions, etc) that make me really uncomfortable, to the", "the extent to which these things need to be explored within the story-", "to which these things need to be explored within the story- like doing", "for them in my head. It's more a feeling of discomfort with the", "can finish it this time since I've grown as a writer since I", "is that it touches on things (relationships between characters, character actions, etc) that", "point that it inhibits my ability to write. Are there any good methods", "grown as a writer since I last tried to work on it. The", "an old project of mine that's always given me trouble, thinking that I", "any good methods to overcome or work around that feeling of discomfort? Edit:" ]
[ "X are displayed in Table 1. The first is more action-oriented, the second", "for scientific writing, and are there times when one is better than the", "is more passive but focuses on the values in the table more. Which", "table more. Which is better for scientific writing, and are there times when", "more passive but focuses on the values in the table more. Which is", "on the values in the table more. Which is better for scientific writing,", "sentences: 1. We display the values of X in Table 1. 2. The", "I am choosing between two sentences: 1. We display the values of X", "values in the table more. Which is better for scientific writing, and are", "scientific writing, and are there times when one is better than the other?", "is better for scientific writing, and are there times when one is better", "passive but focuses on the values in the table more. Which is better", "the table more. Which is better for scientific writing, and are there times", "in Table 1. The first is more action-oriented, the second is more passive", "Table 1. 2. The values of X are displayed in Table 1. The", "more. Which is better for scientific writing, and are there times when one", "Which is better for scientific writing, and are there times when one is", "1. 2. The values of X are displayed in Table 1. The first", "the values of X in Table 1. 2. The values of X are", "2. The values of X are displayed in Table 1. The first is", "am choosing between two sentences: 1. We display the values of X in", "of X are displayed in Table 1. The first is more action-oriented, the", "The values of X are displayed in Table 1. The first is more", "The first is more action-oriented, the second is more passive but focuses on", "of X in Table 1. 2. The values of X are displayed in", "the second is more passive but focuses on the values in the table", "1. The first is more action-oriented, the second is more passive but focuses", "displayed in Table 1. The first is more action-oriented, the second is more", "two sentences: 1. We display the values of X in Table 1. 2.", "Table 1. The first is more action-oriented, the second is more passive but", "display the values of X in Table 1. 2. The values of X", "in Table 1. 2. The values of X are displayed in Table 1.", "are displayed in Table 1. The first is more action-oriented, the second is", "action-oriented, the second is more passive but focuses on the values in the", "second is more passive but focuses on the values in the table more.", "is more action-oriented, the second is more passive but focuses on the values", "in the table more. Which is better for scientific writing, and are there", "more action-oriented, the second is more passive but focuses on the values in", "1. We display the values of X in Table 1. 2. The values", "values of X are displayed in Table 1. The first is more action-oriented,", "values of X in Table 1. 2. The values of X are displayed", "but focuses on the values in the table more. Which is better for", "the values in the table more. Which is better for scientific writing, and", "choosing between two sentences: 1. We display the values of X in Table", "first is more action-oriented, the second is more passive but focuses on the", "better for scientific writing, and are there times when one is better than", "We display the values of X in Table 1. 2. The values of", "focuses on the values in the table more. Which is better for scientific", "X in Table 1. 2. The values of X are displayed in Table", "between two sentences: 1. We display the values of X in Table 1." ]
[ "tries to teach you how to write with clarity and grace, but among", "clear writing, I don’t see how it can result in graceful writing, unless", "writing. But although it may result in clear writing, I don’t see how", "are great, but by themselves they seem to be limited. For it is", "and Grace,” the author tries to teach you how to write with clarity", "some about word-choice. For things like grammatical shape and parallelism are great, but", "in clear writing, I don’t see how it can result in graceful writing,", "word-choice. For things like grammatical shape and parallelism are great, but by themselves", "don’t see how it can result in graceful writing, unless among those rules", "writing, “Style: Ten Lessons in Clarity and Grace,” the author tries to teach", "Ten Lessons in Clarity and Grace,” the author tries to teach you how", "although it may result in clear writing, I don’t see how it can", "but by themselves they seem to be limited. For it is the sound", "one is given about word-choice. It is as if the author is saying", "you how to write with clarity and grace, but among the principles which", "is the sound of the words themselves that create rhythm and give writing", "and grace, but among the principles which he sets forth, not one is", "see how it can result in graceful writing, unless among those rules there", "things like grammatical shape and parallelism are great, but by themselves they seem", "For things like grammatical shape and parallelism are great, but by themselves they", "of rules will automatically result in clear and graceful writing. But although it", "rhythm and give writing a certain sound. Am I wrong in thinking that", "a number of rules will automatically result in clear and graceful writing. But", "how it can result in graceful writing, unless among those rules there are", "writing, I don’t see how it can result in graceful writing, unless among", "grammatical shape and parallelism are great, but by themselves they seem to be", "read about writing, “Style: Ten Lessons in Clarity and Grace,” the author tries", "create rhythm and give writing a certain sound. Am I wrong in thinking", "that following a number of rules will automatically result in clear and graceful", "I don’t see how it can result in graceful writing, unless among those", "thinking that word-choice is important, and not only things like shape and parallelism?", "words themselves that create rhythm and give writing a certain sound. Am I", "it can result in graceful writing, unless among those rules there are some", "to write with clarity and grace, but among the principles which he sets", "among the principles which he sets forth, not one is given about word-choice.", "the principles which he sets forth, not one is given about word-choice. It", "rules there are some about word-choice. For things like grammatical shape and parallelism", "in clear and graceful writing. But although it may result in clear writing,", "in Clarity and Grace,” the author tries to teach you how to write", "one book I read about writing, “Style: Ten Lessons in Clarity and Grace,”", "“Style: Ten Lessons in Clarity and Grace,” the author tries to teach you", "result in graceful writing, unless among those rules there are some about word-choice.", "clear and graceful writing. But although it may result in clear writing, I", "result in clear writing, I don’t see how it can result in graceful", "in graceful writing, unless among those rules there are some about word-choice. For", "there are some about word-choice. For things like grammatical shape and parallelism are", "about writing, “Style: Ten Lessons in Clarity and Grace,” the author tries to", "certain sound. Am I wrong in thinking that word-choice is important, and not", "that create rhythm and give writing a certain sound. Am I wrong in", "automatically result in clear and graceful writing. But although it may result in", "those rules there are some about word-choice. For things like grammatical shape and", "clarity and grace, but among the principles which he sets forth, not one", "But although it may result in clear writing, I don’t see how it", "the words themselves that create rhythm and give writing a certain sound. Am", "rules will automatically result in clear and graceful writing. But although it may", "principles which he sets forth, not one is given about word-choice. It is", "graceful writing. But although it may result in clear writing, I don’t see", "it is the sound of the words themselves that create rhythm and give", "is saying that following a number of rules will automatically result in clear", "graceful writing, unless among those rules there are some about word-choice. For things", "teach you how to write with clarity and grace, but among the principles", "In one book I read about writing, “Style: Ten Lessons in Clarity and", "themselves they seem to be limited. For it is the sound of the", "Am I wrong in thinking that word-choice is important, and not only things", "about word-choice. For things like grammatical shape and parallelism are great, but by", "unless among those rules there are some about word-choice. For things like grammatical", "he sets forth, not one is given about word-choice. It is as if", "is as if the author is saying that following a number of rules", "Grace,” the author tries to teach you how to write with clarity and", "number of rules will automatically result in clear and graceful writing. But although", "given about word-choice. It is as if the author is saying that following", "to teach you how to write with clarity and grace, but among the", "wrong in thinking that word-choice is important, and not only things like shape", "if the author is saying that following a number of rules will automatically", "and parallelism are great, but by themselves they seem to be limited. For", "shape and parallelism are great, but by themselves they seem to be limited.", "seem to be limited. For it is the sound of the words themselves", "following a number of rules will automatically result in clear and graceful writing.", "forth, not one is given about word-choice. It is as if the author", "grace, but among the principles which he sets forth, not one is given", "a certain sound. Am I wrong in thinking that word-choice is important, and", "are some about word-choice. For things like grammatical shape and parallelism are great,", "to be limited. For it is the sound of the words themselves that", "themselves that create rhythm and give writing a certain sound. Am I wrong", "like grammatical shape and parallelism are great, but by themselves they seem to", "parallelism are great, but by themselves they seem to be limited. For it", "the author tries to teach you how to write with clarity and grace,", "as if the author is saying that following a number of rules will", "I read about writing, “Style: Ten Lessons in Clarity and Grace,” the author", "give writing a certain sound. Am I wrong in thinking that word-choice is", "and graceful writing. But although it may result in clear writing, I don’t", "is given about word-choice. 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For it is the sound of the words themselves that create", "the sound of the words themselves that create rhythm and give writing a", "may result in clear writing, I don’t see how it can result in", "it may result in clear writing, I don’t see how it can result", "result in clear and graceful writing. But although it may result in clear", "how to write with clarity and grace, but among the principles which he", "the author is saying that following a number of rules will automatically result", "but among the principles which he sets forth, not one is given about", "can result in graceful writing, unless among those rules there are some about", "sets forth, not one is given about word-choice. It is as if the", "Lessons in Clarity and Grace,” the author tries to teach you how to", "It is as if the author is saying that following a number of", "author tries to teach you how to write with clarity and grace, but", "which he sets forth, not one is given about word-choice. It is as", "among those rules there are some about word-choice. For things like grammatical shape", "in thinking that word-choice is important, and not only things like shape and", "word-choice. It is as if the author is saying that following a number", "book I read about writing, “Style: Ten Lessons in Clarity and Grace,” the", "with clarity and grace, but among the principles which he sets forth, not", "by themselves they seem to be limited. For it is the sound of", "For it is the sound of the words themselves that create rhythm and", "sound. Am I wrong in thinking that word-choice is important, and not only", "limited. For it is the sound of the words themselves that create rhythm", "sound of the words themselves that create rhythm and give writing a certain", "saying that following a number of rules will automatically result in clear and", "about word-choice. It is as if the author is saying that following a" ]
[ "to write about the science so it's understandable to someone who has a", "non-fiction, topics on the intersection between science and religion--quantum mechanics, cosmology, evolution. I've", "someone who has a typical American education. And for that I need beta", "I've published ebooks on these (with minimal sales). The problem is to write", "understandable to someone who has a typical American education. And for that I", "asked previously. I'm writing non-fiction, topics on the intersection between science and religion--quantum", "one asked previously. I'm writing non-fiction, topics on the intersection between science and", "education. And for that I need beta readers, but can't seem to find", "write about the science so it's understandable to someone who has a typical", "science so it's understandable to someone who has a typical American education. And", "topics on the intersection between science and religion--quantum mechanics, cosmology, evolution. I've published", "published ebooks on these (with minimal sales). The problem is to write about", "religion--quantum mechanics, cosmology, evolution. I've published ebooks on these (with minimal sales). The", "is similar to one asked previously. I'm writing non-fiction, topics on the intersection", "I'm writing non-fiction, topics on the intersection between science and religion--quantum mechanics, cosmology,", "on these (with minimal sales). The problem is to write about the science", "minimal sales). The problem is to write about the science so it's understandable", "it's understandable to someone who has a typical American education. And for that", "to someone who has a typical American education. And for that I need", "that I need beta readers, but can't seem to find them. Any suggestions?", "American education. And for that I need beta readers, but can't seem to", "question is similar to one asked previously. I'm writing non-fiction, topics on the", "has a typical American education. And for that I need beta readers, but", "And for that I need beta readers, but can't seem to find them.", "to one asked previously. I'm writing non-fiction, topics on the intersection between science", "evolution. I've published ebooks on these (with minimal sales). The problem is to", "about the science so it's understandable to someone who has a typical American", "similar to one asked previously. I'm writing non-fiction, topics on the intersection between", "so it's understandable to someone who has a typical American education. And for", "these (with minimal sales). The problem is to write about the science so", "science and religion--quantum mechanics, cosmology, evolution. I've published ebooks on these (with minimal", "writing non-fiction, topics on the intersection between science and religion--quantum mechanics, cosmology, evolution.", "the science so it's understandable to someone who has a typical American education.", "(with minimal sales). The problem is to write about the science so it's", "sales). The problem is to write about the science so it's understandable to", "mechanics, cosmology, evolution. I've published ebooks on these (with minimal sales). The problem", "The problem is to write about the science so it's understandable to someone", "is to write about the science so it's understandable to someone who has", "typical American education. And for that I need beta readers, but can't seem", "My question is similar to one asked previously. I'm writing non-fiction, topics on", "for that I need beta readers, but can't seem to find them. Any", "on the intersection between science and religion--quantum mechanics, cosmology, evolution. I've published ebooks", "who has a typical American education. And for that I need beta readers,", "ebooks on these (with minimal sales). The problem is to write about the", "cosmology, evolution. I've published ebooks on these (with minimal sales). The problem is", "problem is to write about the science so it's understandable to someone who", "intersection between science and religion--quantum mechanics, cosmology, evolution. I've published ebooks on these", "a typical American education. And for that I need beta readers, but can't", "between science and religion--quantum mechanics, cosmology, evolution. I've published ebooks on these (with", "and religion--quantum mechanics, cosmology, evolution. I've published ebooks on these (with minimal sales).", "the intersection between science and religion--quantum mechanics, cosmology, evolution. I've published ebooks on", "previously. I'm writing non-fiction, topics on the intersection between science and religion--quantum mechanics," ]
[ "this table in my dissertation's main part or in an appendix. The table", "of course, important to back up my findings. What’s the best practice for", "page), so the appendix-approach would save space. However, I’m not sure if that’s", "or in an appendix. The table is rather long (half a page), so", "that’s something you should do as these test results are, of course, important", "appendix. The table is rather long (half a page), so the appendix-approach would", "in my dissertation's main part or in an appendix. The table is rather", "do as these test results are, of course, important to back up my", "course, important to back up my findings. What’s the best practice for that?", "so the appendix-approach would save space. However, I’m not sure if that’s something", "include this table in my dissertation's main part or in an appendix. The", "my master thesis/dissertation and performed Chi-square tests to my check for statistical significance.", "I’m not sure if that’s something you should do as these test results", "save space. However, I’m not sure if that’s something you should do as", "I'll present the results of these tests in a table. Now I’m wondering", "Now I’m wondering if I should include this table in my dissertation's main", "writing on my master thesis/dissertation and performed Chi-square tests to my check for", "test results are, of course, important to back up my findings. What’s the", "to my check for statistical significance. I'll present the results of these tests", "of these tests in a table. Now I’m wondering if I should include", "master thesis/dissertation and performed Chi-square tests to my check for statistical significance. I'll", "space. However, I’m not sure if that’s something you should do as these", "dissertation's main part or in an appendix. The table is rather long (half", "rather long (half a page), so the appendix-approach would save space. However, I’m", "(half a page), so the appendix-approach would save space. However, I’m not sure", "table is rather long (half a page), so the appendix-approach would save space.", "appendix-approach would save space. However, I’m not sure if that’s something you should", "these test results are, of course, important to back up my findings. What’s", "on my master thesis/dissertation and performed Chi-square tests to my check for statistical", "wondering if I should include this table in my dissertation's main part or", "significance. I'll present the results of these tests in a table. Now I’m", "long (half a page), so the appendix-approach would save space. However, I’m not", "would save space. However, I’m not sure if that’s something you should do", "results are, of course, important to back up my findings. What’s the best", "I should include this table in my dissertation's main part or in an", "are, of course, important to back up my findings. What’s the best practice", "my dissertation's main part or in an appendix. The table is rather long", "an appendix. The table is rather long (half a page), so the appendix-approach", "table in my dissertation's main part or in an appendix. The table is", "a table. Now I’m wondering if I should include this table in my", "is rather long (half a page), so the appendix-approach would save space. However,", "results of these tests in a table. Now I’m wondering if I should", "in an appendix. The table is rather long (half a page), so the", "a page), so the appendix-approach would save space. However, I’m not sure if", "I’m writing on my master thesis/dissertation and performed Chi-square tests to my check", "and performed Chi-square tests to my check for statistical significance. I'll present the", "statistical significance. I'll present the results of these tests in a table. Now", "thesis/dissertation and performed Chi-square tests to my check for statistical significance. I'll present", "should include this table in my dissertation's main part or in an appendix.", "main part or in an appendix. The table is rather long (half a", "something you should do as these test results are, of course, important to", "part or in an appendix. The table is rather long (half a page),", "However, I’m not sure if that’s something you should do as these test", "you should do as these test results are, of course, important to back", "these tests in a table. Now I’m wondering if I should include this", "check for statistical significance. I'll present the results of these tests in a", "the results of these tests in a table. Now I’m wondering if I", "I’m wondering if I should include this table in my dissertation's main part", "tests to my check for statistical significance. I'll present the results of these", "table. Now I’m wondering if I should include this table in my dissertation's", "the appendix-approach would save space. However, I’m not sure if that’s something you", "present the results of these tests in a table. Now I’m wondering if", "if I should include this table in my dissertation's main part or in", "sure if that’s something you should do as these test results are, of", "not sure if that’s something you should do as these test results are,", "performed Chi-square tests to my check for statistical significance. I'll present the results", "if that’s something you should do as these test results are, of course,", "as these test results are, of course, important to back up my findings.", "tests in a table. Now I’m wondering if I should include this table", "Chi-square tests to my check for statistical significance. I'll present the results of", "my check for statistical significance. I'll present the results of these tests in", "should do as these test results are, of course, important to back up", "The table is rather long (half a page), so the appendix-approach would save", "for statistical significance. I'll present the results of these tests in a table.", "in a table. Now I’m wondering if I should include this table in" ]
[ "goes like \"quote\" she said, doing something. I don't like it, and doing", "don't like it, and doing that for every time someone speaks is boring.", "it? I've tried putting in actions before the dialogue, but even that doesn't", "variation to it? I've tried putting in actions before the dialogue, but even", "me, dialogue usually goes like \"quote\" she said, doing something. I don't like", "something. I don't like it, and doing that for every time someone speaks", "for every time someone speaks is boring. So how do I add variation", "speaks is boring. So how do I add variation to it? I've tried", "she said, doing something. I don't like it, and doing that for every", "time someone speaks is boring. So how do I add variation to it?", "like it, and doing that for every time someone speaks is boring. So", "I add variation to it? I've tried putting in actions before the dialogue,", "I don't like it, and doing that for every time someone speaks is", "add variation to it? I've tried putting in actions before the dialogue, but", "doing something. I don't like it, and doing that for every time someone", "do I add variation to it? I've tried putting in actions before the", "like \"quote\" she said, doing something. I don't like it, and doing that", "and doing that for every time someone speaks is boring. So how do", "tried putting in actions before the dialogue, but even that doesn't sound right.", "said, doing something. I don't like it, and doing that for every time", "dialogue usually goes like \"quote\" she said, doing something. I don't like it,", "every time someone speaks is boring. So how do I add variation to", "to it? I've tried putting in actions before the dialogue, but even that", "boring. So how do I add variation to it? I've tried putting in", "usually goes like \"quote\" she said, doing something. I don't like it, and", "So how do I add variation to it? I've tried putting in actions", "doing that for every time someone speaks is boring. So how do I", "that for every time someone speaks is boring. So how do I add", "it, and doing that for every time someone speaks is boring. So how", "For me, dialogue usually goes like \"quote\" she said, doing something. I don't", "how do I add variation to it? I've tried putting in actions before", "I've tried putting in actions before the dialogue, but even that doesn't sound", "\"quote\" she said, doing something. I don't like it, and doing that for", "is boring. So how do I add variation to it? I've tried putting", "someone speaks is boring. So how do I add variation to it? I've" ]
[ "uncommon. So, I'm actually talking about the case of an obfuscating pen name(s).", "Further, authors using multiple pen names is not uncommon. So, I'm actually talking", "authoring software that manages ebooks. I'm to the point of representing the \"profile\"", "talking about the case of an obfuscating pen name(s). From a writer's perspective,", "software is getting good enough that, if someone really wanted to know, even", "day and age completely defeats the purpose (c.f. reverse image searches via [TinEye](https://tineye.com/).)", "pen name for \"Matthew Clay Smith\") to a fully obscure branding. Since a", "address the issue. Now, to complicate matters, pen names are anything from a", "payment/tax purposes, all ebooks must be assigned a pen name as a matter", "one's self in this day and age completely defeats the purpose (c.f. reverse", "required by the site for payment/tax purposes, all ebooks must be assigned a", "your legal name, (\"Motr Skich\" is technically a pen name for \"Matthew Clay", "a writer's perspective, do you want the ability to load an image, even", "is to actually obfuscate the legal identification of the writer, then any image", "use pen names. How should I handle images? Should I allow a headshot", "pen name as a matter of programmatic policy. Thus, \"Motr Skich\" may want", "writer's perspective, do you want the ability to load an image, even if", "\"Motr Skich\" may want to use his selfie. Further, authors using multiple pen", "images? Should I allow a headshot at all? If the intent of the", "reverse image searches via [TinEye](https://tineye.com/).) Facial recognition software is getting good enough that,", "an avatar image (what would be the point?), but they don't actually address", "branding. Since a legal name is required by the site for payment/tax purposes,", "authors who choose to use pen names. How should I handle images? Should", "the ability to load an image, even if you won't load a personal", "a legal name is required by the site for payment/tax purposes, all ebooks", "any image of one's self in this day and age completely defeats the", "allowing an avatar image (what would be the point?), but they don't actually", "want to use his selfie. Further, authors using multiple pen names is not", "allow a headshot at all? If the intent of the pen name is", "a stock image (bad...) or simply allowing an avatar image (what would be", "enough that, if someone really wanted to know, even using an earlier image", "ebooks must be assigned a pen name as a matter of programmatic policy.", "defeats the purpose (c.f. reverse image searches via [TinEye](https://tineye.com/).) Facial recognition software is", "fully obscure branding. Since a legal name is required by the site for", "of authors who choose to use pen names. How should I handle images?", "a pen name as a matter of programmatic policy. Thus, \"Motr Skich\" may", "question really is for writers. I'm authoring software that manages ebooks. I'm to", "writer, then any image of one's self in this day and age completely", "a fully obscure branding. Since a legal name is required by the site", "to use pen names. How should I handle images? Should I allow a", "ability to load an image, even if you won't load a personal headshot?", "of the writer, then any image of one's self in this day and", "legal name is required by the site for payment/tax purposes, all ebooks must", "legal issues of using a stock image (bad...) or simply allowing an avatar", "that manages ebooks. I'm to the point of representing the \"profile\" of authors", "really wanted to know, even using an earlier image of yourself would eventually", "and age completely defeats the purpose (c.f. reverse image searches via [TinEye](https://tineye.com/).) Facial", "don't actually address the issue. Now, to complicate matters, pen names are anything", "all? If the intent of the pen name is to actually obfuscate the", "pen names are anything from a simple diminution of your legal name, (\"Motr", "name, (\"Motr Skich\" is technically a pen name for \"Matthew Clay Smith\") to", "bear with me, the question really is for writers. I'm authoring software that", "the point of representing the \"profile\" of authors who choose to use pen", "obfuscate the legal identification of the writer, then any image of one's self", "image (what would be the point?), but they don't actually address the issue.", "this day and age completely defeats the purpose (c.f. reverse image searches via", "authors using multiple pen names is not uncommon. So, I'm actually talking about", "pen name(s). From a writer's perspective, do you want the ability to load", "programmatic policy. Thus, \"Motr Skich\" may want to use his selfie. Further, authors", "point?), but they don't actually address the issue. Now, to complicate matters, pen", "handle images? Should I allow a headshot at all? If the intent of", "of the pen name is to actually obfuscate the legal identification of the", "Clay Smith\") to a fully obscure branding. Since a legal name is required", "So, I'm actually talking about the case of an obfuscating pen name(s). From", "to use his selfie. Further, authors using multiple pen names is not uncommon.", "they don't actually address the issue. Now, to complicate matters, pen names are", "someone really wanted to know, even using an earlier image of yourself would", "pen names is not uncommon. So, I'm actually talking about the case of", "would be the point?), but they don't actually address the issue. Now, to", "simply allowing an avatar image (what would be the point?), but they don't", "the pen name is to actually obfuscate the legal identification of the writer,", "of an obfuscating pen name(s). From a writer's perspective, do you want the", "I'm actually talking about the case of an obfuscating pen name(s). From a", "about the case of an obfuscating pen name(s). From a writer's perspective, do", "matter of programmatic policy. Thus, \"Motr Skich\" may want to use his selfie.", "assigned a pen name as a matter of programmatic policy. Thus, \"Motr Skich\"", "I handle images? Should I allow a headshot at all? If the intent", "if someone really wanted to know, even using an earlier image of yourself", "use his selfie. Further, authors using multiple pen names is not uncommon. So,", "to know, even using an earlier image of yourself would eventually identify you.", "identify you. I could go into things like the legal issues of using", "know, even using an earlier image of yourself would eventually identify you. I", "from a simple diminution of your legal name, (\"Motr Skich\" is technically a", "that, if someone really wanted to know, even using an earlier image of", "like the legal issues of using a stock image (bad...) or simply allowing", "I'm authoring software that manages ebooks. I'm to the point of representing the", "technically a pen name for \"Matthew Clay Smith\") to a fully obscure branding.", "is not uncommon. So, I'm actually talking about the case of an obfuscating", "all ebooks must be assigned a pen name as a matter of programmatic", "to complicate matters, pen names are anything from a simple diminution of your", "a matter of programmatic policy. Thus, \"Motr Skich\" may want to use his", "his selfie. Further, authors using multiple pen names is not uncommon. So, I'm", "to the point of representing the \"profile\" of authors who choose to use", "pen names. How should I handle images? Should I allow a headshot at", "recognition software is getting good enough that, if someone really wanted to know,", "I could go into things like the legal issues of using a stock", "(bad...) or simply allowing an avatar image (what would be the point?), but", "not uncommon. So, I'm actually talking about the case of an obfuscating pen", "name for \"Matthew Clay Smith\") to a fully obscure branding. Since a legal", "I'm to the point of representing the \"profile\" of authors who choose to", "Now, to complicate matters, pen names are anything from a simple diminution of", "image (bad...) or simply allowing an avatar image (what would be the point?),", "go into things like the legal issues of using a stock image (bad...)", "matters, pen names are anything from a simple diminution of your legal name,", "as a matter of programmatic policy. Thus, \"Motr Skich\" may want to use", "Please bear with me, the question really is for writers. I'm authoring software", "using a stock image (bad...) or simply allowing an avatar image (what would", "Thus, \"Motr Skich\" may want to use his selfie. Further, authors using multiple", "perspective, do you want the ability to load an image, even if you", "actually address the issue. Now, to complicate matters, pen names are anything from", "you want the ability to load an image, even if you won't load", "using an earlier image of yourself would eventually identify you. I could go", "of one's self in this day and age completely defeats the purpose (c.f.", "names. How should I handle images? Should I allow a headshot at all?", "for \"Matthew Clay Smith\") to a fully obscure branding. Since a legal name", "manages ebooks. I'm to the point of representing the \"profile\" of authors who", "names are anything from a simple diminution of your legal name, (\"Motr Skich\"", "yourself would eventually identify you. I could go into things like the legal", "actually talking about the case of an obfuscating pen name(s). From a writer's", "the site for payment/tax purposes, all ebooks must be assigned a pen name", "If the intent of the pen name is to actually obfuscate the legal", "policy. Thus, \"Motr Skich\" may want to use his selfie. Further, authors using", "case of an obfuscating pen name(s). From a writer's perspective, do you want", "the case of an obfuscating pen name(s). From a writer's perspective, do you", "me, the question really is for writers. I'm authoring software that manages ebooks.", "diminution of your legal name, (\"Motr Skich\" is technically a pen name for", "of programmatic policy. Thus, \"Motr Skich\" may want to use his selfie. Further,", "be the point?), but they don't actually address the issue. Now, to complicate", "software that manages ebooks. I'm to the point of representing the \"profile\" of", "really is for writers. I'm authoring software that manages ebooks. I'm to the", "but they don't actually address the issue. Now, to complicate matters, pen names", "(c.f. reverse image searches via [TinEye](https://tineye.com/).) Facial recognition software is getting good enough", "is getting good enough that, if someone really wanted to know, even using", "is for writers. I'm authoring software that manages ebooks. I'm to the point", "choose to use pen names. How should I handle images? Should I allow", "then any image of one's self in this day and age completely defeats", "the legal identification of the writer, then any image of one's self in", "stock image (bad...) or simply allowing an avatar image (what would be the", "is required by the site for payment/tax purposes, all ebooks must be assigned", "for payment/tax purposes, all ebooks must be assigned a pen name as a", "be assigned a pen name as a matter of programmatic policy. Thus, \"Motr", "Smith\") to a fully obscure branding. Since a legal name is required by", "of yourself would eventually identify you. I could go into things like the", "name is required by the site for payment/tax purposes, all ebooks must be", "actually obfuscate the legal identification of the writer, then any image of one's", "Skich\" is technically a pen name for \"Matthew Clay Smith\") to a fully", "I allow a headshot at all? If the intent of the pen name", "the writer, then any image of one's self in this day and age", "may want to use his selfie. Further, authors using multiple pen names is", "do you want the ability to load an image, even if you won't", "image of one's self in this day and age completely defeats the purpose", "[TinEye](https://tineye.com/).) Facial recognition software is getting good enough that, if someone really wanted", "want the ability to load an image, even if you won't load a", "are anything from a simple diminution of your legal name, (\"Motr Skich\" is", "name(s). From a writer's perspective, do you want the ability to load an", "From a writer's perspective, do you want the ability to load an image,", "the point?), but they don't actually address the issue. Now, to complicate matters,", "wanted to know, even using an earlier image of yourself would eventually identify", "names is not uncommon. So, I'm actually talking about the case of an", "headshot at all? If the intent of the pen name is to actually", "Skich\" may want to use his selfie. Further, authors using multiple pen names", "searches via [TinEye](https://tineye.com/).) Facial recognition software is getting good enough that, if someone", "would eventually identify you. I could go into things like the legal issues", "a pen name for \"Matthew Clay Smith\") to a fully obscure branding. Since", "(what would be the point?), but they don't actually address the issue. Now,", "legal identification of the writer, then any image of one's self in this", "site for payment/tax purposes, all ebooks must be assigned a pen name as", "who choose to use pen names. How should I handle images? Should I", "obscure branding. Since a legal name is required by the site for payment/tax", "the legal issues of using a stock image (bad...) or simply allowing an", "of using a stock image (bad...) or simply allowing an avatar image (what", "multiple pen names is not uncommon. So, I'm actually talking about the case", "purposes, all ebooks must be assigned a pen name as a matter of", "completely defeats the purpose (c.f. reverse image searches via [TinEye](https://tineye.com/).) Facial recognition software", "purpose (c.f. reverse image searches via [TinEye](https://tineye.com/).) Facial recognition software is getting good", "intent of the pen name is to actually obfuscate the legal identification of", "identification of the writer, then any image of one's self in this day", "getting good enough that, if someone really wanted to know, even using an", "or simply allowing an avatar image (what would be the point?), but they", "Since a legal name is required by the site for payment/tax purposes, all", "the purpose (c.f. reverse image searches via [TinEye](https://tineye.com/).) Facial recognition software is getting", "writers. I'm authoring software that manages ebooks. I'm to the point of representing", "of representing the \"profile\" of authors who choose to use pen names. How", "(\"Motr Skich\" is technically a pen name for \"Matthew Clay Smith\") to a", "selfie. Further, authors using multiple pen names is not uncommon. So, I'm actually", "earlier image of yourself would eventually identify you. I could go into things", "should I handle images? Should I allow a headshot at all? If the", "an earlier image of yourself would eventually identify you. I could go into", "good enough that, if someone really wanted to know, even using an earlier", "to actually obfuscate the legal identification of the writer, then any image of", "things like the legal issues of using a stock image (bad...) or simply", "anything from a simple diminution of your legal name, (\"Motr Skich\" is technically", "ebooks. I'm to the point of representing the \"profile\" of authors who choose", "point of representing the \"profile\" of authors who choose to use pen names.", "the issue. Now, to complicate matters, pen names are anything from a simple", "in this day and age completely defeats the purpose (c.f. reverse image searches", "image of yourself would eventually identify you. I could go into things like", "obfuscating pen name(s). From a writer's perspective, do you want the ability to", "pen name is to actually obfuscate the legal identification of the writer, then", "the \"profile\" of authors who choose to use pen names. How should I", "representing the \"profile\" of authors who choose to use pen names. How should", "name as a matter of programmatic policy. Thus, \"Motr Skich\" may want to", "using multiple pen names is not uncommon. So, I'm actually talking about the", "legal name, (\"Motr Skich\" is technically a pen name for \"Matthew Clay Smith\")", "with me, the question really is for writers. I'm authoring software that manages", "self in this day and age completely defeats the purpose (c.f. reverse image", "you. I could go into things like the legal issues of using a", "is technically a pen name for \"Matthew Clay Smith\") to a fully obscure", "Should I allow a headshot at all? If the intent of the pen", "issue. Now, to complicate matters, pen names are anything from a simple diminution", "How should I handle images? Should I allow a headshot at all? If", "age completely defeats the purpose (c.f. reverse image searches via [TinEye](https://tineye.com/).) Facial recognition", "a simple diminution of your legal name, (\"Motr Skich\" is technically a pen", "by the site for payment/tax purposes, all ebooks must be assigned a pen", "via [TinEye](https://tineye.com/).) Facial recognition software is getting good enough that, if someone really", "\"Matthew Clay Smith\") to a fully obscure branding. Since a legal name is", "complicate matters, pen names are anything from a simple diminution of your legal", "issues of using a stock image (bad...) or simply allowing an avatar image", "Facial recognition software is getting good enough that, if someone really wanted to", "at all? If the intent of the pen name is to actually obfuscate", "the intent of the pen name is to actually obfuscate the legal identification", "into things like the legal issues of using a stock image (bad...) or", "simple diminution of your legal name, (\"Motr Skich\" is technically a pen name", "the question really is for writers. I'm authoring software that manages ebooks. I'm", "a headshot at all? If the intent of the pen name is to", "could go into things like the legal issues of using a stock image", "name is to actually obfuscate the legal identification of the writer, then any", "even using an earlier image of yourself would eventually identify you. I could", "must be assigned a pen name as a matter of programmatic policy. Thus,", "an obfuscating pen name(s). From a writer's perspective, do you want the ability", "for writers. I'm authoring software that manages ebooks. I'm to the point of", "eventually identify you. I could go into things like the legal issues of", "of your legal name, (\"Motr Skich\" is technically a pen name for \"Matthew", "to a fully obscure branding. Since a legal name is required by the", "image searches via [TinEye](https://tineye.com/).) Facial recognition software is getting good enough that, if", "avatar image (what would be the point?), but they don't actually address the", "\"profile\" of authors who choose to use pen names. How should I handle" ]
[ "off. > > > which can also be written as: > > When", "one. > > > The above example avoids addressing anyone. Another form could", "down a point. To give you an example, I'll write: > > You", "To give you an example, I'll write: > > You can utilize every", "talking to reader is something that I don't come across often in the", "> You can utilize every productivity hack that's out there, and still be", "it often results in being back to the square one. > > >", "> The above example avoids addressing anyone. Another form could use generic addressing", "often results in being back to the square one. > > > The", "addressing anyone. Another form could use generic addressing like, \"people\", \"person\", etc. It", "initial excitement for the productivity hack wears off, it often results in being", "something that I don't come across often in the articles I read everyday.", "also be written as: > > When the initial excitement for the productivity", "results in being back to the square one. > > > The above", "wears off, it often results in being back to the square one. >", "could use generic addressing like, \"people\", \"person\", etc. It might be a matter", "the productivity hack wears off, it often results in being back to the", "avoids addressing anyone. Another form could use generic addressing like, \"people\", \"person\", etc.", "\"person\", etc. It might be a matter of taste but I get a", "Another form could use generic addressing like, \"people\", \"person\", etc. It might be", "feeling that talking to reader is something that I don't come across often", "> When the initial excitement for the productivity hack wears off, it often", "above example avoids addressing anyone. Another form could use generic addressing like, \"people\",", "as: > > When the initial excitement for the productivity hack wears off,", "> > > The above example avoids addressing anyone. Another form could use", "out there, and still be > back to square one when your initial", "to lay down a point. To give you an example, I'll write: >", "> > > which can also be written as: > > When the", "your initial excitement wears off. > > > which can also be written", "reader is something that I don't come across often in the articles I", "addressing like, \"people\", \"person\", etc. It might be a matter of taste but", "you an example, I'll write: > > You can utilize every productivity hack", "articles I read everyday. Is it something that is frowned upon and should", "I often address the reader in my essays to lay down a point.", "there, and still be > back to square one when your initial excitement", "I get a feeling that talking to reader is something that I don't", "etc. It might be a matter of taste but I get a feeling", "reader in my essays to lay down a point. To give you an", "the square one. > > > The above example avoids addressing anyone. Another", "excitement wears off. > > > which can also be written as: >", "in being back to the square one. > > > The above example", "can utilize every productivity hack that's out there, and still be > back", "in my essays to lay down a point. To give you an example,", "> > which can also be written as: > > When the initial", "I read everyday. Is it something that is frowned upon and should be", "being back to the square one. > > > The above example avoids", "every productivity hack that's out there, and still be > back to square", "excitement for the productivity hack wears off, it often results in being back", "You can utilize every productivity hack that's out there, and still be >", "utilize every productivity hack that's out there, and still be > back to", "be > back to square one when your initial excitement wears off. >", "get a feeling that talking to reader is something that I don't come", "be written as: > > When the initial excitement for the productivity hack", "to the square one. > > > The above example avoids addressing anyone.", "when your initial excitement wears off. > > > which can also be", "When the initial excitement for the productivity hack wears off, it often results", "might be a matter of taste but I get a feeling that talking", "that I often address the reader in my essays to lay down a", "back to the square one. > > > The above example avoids addressing", "form could use generic addressing like, \"people\", \"person\", etc. It might be a", "a point. To give you an example, I'll write: > > You can", "generic addressing like, \"people\", \"person\", etc. It might be a matter of taste", "is something that I don't come across often in the articles I read", "example avoids addressing anyone. Another form could use generic addressing like, \"people\", \"person\",", "like, \"people\", \"person\", etc. It might be a matter of taste but I", "don't come across often in the articles I read everyday. Is it something", "often in the articles I read everyday. Is it something that is frowned", "address the reader in my essays to lay down a point. To give", "can also be written as: > > When the initial excitement for the", "have observed that I often address the reader in my essays to lay", "The above example avoids addressing anyone. Another form could use generic addressing like,", "> > The above example avoids addressing anyone. Another form could use generic", "essays to lay down a point. To give you an example, I'll write:", "for the productivity hack wears off, it often results in being back to", "point. To give you an example, I'll write: > > You can utilize", "example, I'll write: > > You can utilize every productivity hack that's out", "that talking to reader is something that I don't come across often in", "come across often in the articles I read everyday. Is it something that", "It might be a matter of taste but I get a feeling that", "a feeling that talking to reader is something that I don't come across", "taste but I get a feeling that talking to reader is something that", "to square one when your initial excitement wears off. > > > which", "the articles I read everyday. Is it something that is frowned upon and", "observed that I often address the reader in my essays to lay down", "still be > back to square one when your initial excitement wears off.", "which can also be written as: > > When the initial excitement for", "my essays to lay down a point. To give you an example, I'll", "give you an example, I'll write: > > You can utilize every productivity", "> > When the initial excitement for the productivity hack wears off, it", "the initial excitement for the productivity hack wears off, it often results in", "\"people\", \"person\", etc. It might be a matter of taste but I get", "hack wears off, it often results in being back to the square one.", "hack that's out there, and still be > back to square one when", "that's out there, and still be > back to square one when your", "a matter of taste but I get a feeling that talking to reader", "that I don't come across often in the articles I read everyday. Is", "use generic addressing like, \"people\", \"person\", etc. It might be a matter of", "wears off. > > > which can also be written as: > >", "initial excitement wears off. > > > which can also be written as:", "> which can also be written as: > > When the initial excitement", "I don't come across often in the articles I read everyday. Is it", "written as: > > When the initial excitement for the productivity hack wears", "lay down a point. To give you an example, I'll write: > >", "off, it often results in being back to the square one. > >", "be a matter of taste but I get a feeling that talking to", "an example, I'll write: > > You can utilize every productivity hack that's", "productivity hack that's out there, and still be > back to square one", "one when your initial excitement wears off. > > > which can also", "square one when your initial excitement wears off. > > > which can", "the reader in my essays to lay down a point. To give you", "often address the reader in my essays to lay down a point. To", "> > You can utilize every productivity hack that's out there, and still", "of taste but I get a feeling that talking to reader is something", "anyone. Another form could use generic addressing like, \"people\", \"person\", etc. It might", "across often in the articles I read everyday. Is it something that is", "productivity hack wears off, it often results in being back to the square", "back to square one when your initial excitement wears off. > > >", "I have observed that I often address the reader in my essays to", "write: > > You can utilize every productivity hack that's out there, and", "and still be > back to square one when your initial excitement wears", "matter of taste but I get a feeling that talking to reader is", "but I get a feeling that talking to reader is something that I", "to reader is something that I don't come across often in the articles", "I'll write: > > You can utilize every productivity hack that's out there,", "in the articles I read everyday. Is it something that is frowned upon", "> back to square one when your initial excitement wears off. > >", "square one. > > > The above example avoids addressing anyone. Another form", "read everyday. Is it something that is frowned upon and should be avoided?" ]
[ "the same name (and also bee mother from *Maya the Bee*). * Name", "one teacher Have you any other idea where to take names for characters?", "One, is based on movie of the same name. * Aleta has name", "--- For examples: * Fassaxfma, queen in post-apocalyptic age of my fantasy world,", "name of ABBA's song of the same name (and also bee mother from", "of the Creators of the world, The One, is based on movie of", "queen in post-apocalyptic age of my fantasy world, has name of ABBA's song", "song of the same name (and also bee mother from *Maya the Bee*).", "examples: * Fassaxfma, queen in post-apocalyptic age of my fantasy world, has name", "mother from *Maya the Bee*). * Name of chief of the Creators of", "Creators of the world, The One, is based on movie of the same", "take names for characters?** This is not about names, themselves. This is only", "* Name of chief of the Creators of the world, The One, is", "Aleta has name of one teacher Have you any other idea where to", "themselves. This is only about source for them. --- For examples: * Fassaxfma,", "of ABBA's song of the same name (and also bee mother from *Maya", "has name of ABBA's song of the same name (and also bee mother", "of the same name. * Aleta has name of one teacher Have you", "Bee*). * Name of chief of the Creators of the world, The One,", "to take names for characters?** This is not about names, themselves. This is", "not about names, themselves. This is only about source for them. --- For", "them. --- For examples: * Fassaxfma, queen in post-apocalyptic age of my fantasy", "characters?** This is not about names, themselves. This is only about source for", "from *Maya the Bee*). * Name of chief of the Creators of the", "is based on movie of the same name. * Aleta has name of", "Fassaxfma, queen in post-apocalyptic age of my fantasy world, has name of ABBA's", "the same name. * Aleta has name of one teacher Have you any", "of chief of the Creators of the world, The One, is based on", "chief of the Creators of the world, The One, is based on movie", "is only about source for them. --- For examples: * Fassaxfma, queen in", "fantasy world, has name of ABBA's song of the same name (and also", "same name. * Aleta has name of one teacher Have you any other", "has name of one teacher Have you any other idea where to take", "This is not about names, themselves. This is only about source for them.", "name (and also bee mother from *Maya the Bee*). * Name of chief", "(and also bee mother from *Maya the Bee*). * Name of chief of", "bee mother from *Maya the Bee*). * Name of chief of the Creators", "source for them. --- For examples: * Fassaxfma, queen in post-apocalyptic age of", "post-apocalyptic age of my fantasy world, has name of ABBA's song of the", "the Creators of the world, The One, is based on movie of the", "movie of the same name. * Aleta has name of one teacher Have", "of one teacher Have you any other idea where to take names for", "For examples: * Fassaxfma, queen in post-apocalyptic age of my fantasy world, has", "my fantasy world, has name of ABBA's song of the same name (and", "only about source for them. --- For examples: * Fassaxfma, queen in post-apocalyptic", "the Bee*). * Name of chief of the Creators of the world, The", "ABBA's song of the same name (and also bee mother from *Maya the", "for characters?** This is not about names, themselves. This is only about source", "*Maya the Bee*). * Name of chief of the Creators of the world,", "world, has name of ABBA's song of the same name (and also bee", "is not about names, themselves. This is only about source for them. ---", "age of my fantasy world, has name of ABBA's song of the same", "This is only about source for them. --- For examples: * Fassaxfma, queen", "same name (and also bee mother from *Maya the Bee*). * Name of", "**Where to take names for characters?** This is not about names, themselves. This", "* Aleta has name of one teacher Have you any other idea where", "based on movie of the same name. * Aleta has name of one", "name of one teacher Have you any other idea where to take names", "The One, is based on movie of the same name. * Aleta has", "names, themselves. This is only about source for them. --- For examples: *", "about source for them. --- For examples: * Fassaxfma, queen in post-apocalyptic age", "names for characters?** This is not about names, themselves. This is only about", "of my fantasy world, has name of ABBA's song of the same name", "* Fassaxfma, queen in post-apocalyptic age of my fantasy world, has name of", "the world, The One, is based on movie of the same name. *", "world, The One, is based on movie of the same name. * Aleta", "on movie of the same name. * Aleta has name of one teacher", "of the world, The One, is based on movie of the same name.", "Name of chief of the Creators of the world, The One, is based", "name. * Aleta has name of one teacher Have you any other idea", "about names, themselves. This is only about source for them. --- For examples:", "in post-apocalyptic age of my fantasy world, has name of ABBA's song of", "of the same name (and also bee mother from *Maya the Bee*). *", "for them. --- For examples: * Fassaxfma, queen in post-apocalyptic age of my", "also bee mother from *Maya the Bee*). * Name of chief of the" ]
[ "characters each believe the other is evil, despite either of them being evil.", "two heroes who go on an epic journey and return bitter rivals etc.", "to both be on the \"good\" side. How can I write a story", "I want to somehow make the characters each believe the other is evil,", "are \"good\"? I want to somehow make the characters each believe the other", "which both sides are \"good\"? I want to somehow make the characters each", "and return bitter rivals etc. etc. and form their own forces in a", "How can I write a story in which both sides are \"good\"? I", "who go on an epic journey and return bitter rivals etc. etc. and", "want to somehow make the characters each believe the other is evil, despite", "\"good\" side. How can I write a story in which both sides are", "be on the \"good\" side. How can I write a story in which", "write a story in which both sides are \"good\"? I want to somehow", "that I want them to both be on the \"good\" side. How can", "I'm conceptualising a story involving two heroes who go on an epic journey", "an epic journey and return bitter rivals etc. etc. and form their own", "go on an epic journey and return bitter rivals etc. etc. and form", "story in which both sides are \"good\"? I want to somehow make the", "them to both be on the \"good\" side. How can I write a", "want them to both be on the \"good\" side. How can I write", "conceptualising a story involving two heroes who go on an epic journey and", "and form their own forces in a sort of civil war. My issue", "a story involving two heroes who go on an epic journey and return", "the characters each believe the other is evil, despite either of them being", "journey and return bitter rivals etc. etc. and form their own forces in", "a story in which both sides are \"good\"? I want to somehow make", "somehow make the characters each believe the other is evil, despite either of", "story involving two heroes who go on an epic journey and return bitter", "on an epic journey and return bitter rivals etc. etc. and form their", "in which both sides are \"good\"? I want to somehow make the characters", "issue is that I want them to both be on the \"good\" side.", "forces in a sort of civil war. My issue is that I want", "heroes who go on an epic journey and return bitter rivals etc. etc.", "can I write a story in which both sides are \"good\"? I want", "involving two heroes who go on an epic journey and return bitter rivals", "etc. and form their own forces in a sort of civil war. My", "return bitter rivals etc. etc. and form their own forces in a sort", "a sort of civil war. My issue is that I want them to", "side. How can I write a story in which both sides are \"good\"?", "sort of civil war. My issue is that I want them to both", "rivals etc. etc. and form their own forces in a sort of civil", "the \"good\" side. How can I write a story in which both sides", "to somehow make the characters each believe the other is evil, despite either", "their own forces in a sort of civil war. My issue is that", "is that I want them to both be on the \"good\" side. How", "\"good\"? I want to somehow make the characters each believe the other is", "bitter rivals etc. etc. and form their own forces in a sort of", "form their own forces in a sort of civil war. My issue is", "in a sort of civil war. My issue is that I want them", "civil war. My issue is that I want them to both be on", "I want them to both be on the \"good\" side. How can I", "make the characters each believe the other is evil, despite either of them", "epic journey and return bitter rivals etc. etc. and form their own forces", "etc. etc. and form their own forces in a sort of civil war.", "war. My issue is that I want them to both be on the", "both be on the \"good\" side. How can I write a story in", "both sides are \"good\"? I want to somehow make the characters each believe", "of civil war. My issue is that I want them to both be", "My issue is that I want them to both be on the \"good\"", "I write a story in which both sides are \"good\"? I want to", "sides are \"good\"? I want to somehow make the characters each believe the", "own forces in a sort of civil war. My issue is that I", "on the \"good\" side. How can I write a story in which both" ]
[ "Protagonist is a 24yo who lives with her mother. Her father was murdered", "or at least capable of suspending disbelief if done well ;) To narrow", "of her passing it off as he was murdered, so the protagonist goes", "off as he was murdered, so the protagonist goes the whole book thinking", "was murdered when you don't have a body? I tried to google the", "with the idea of her passing it off as he was murdered, so", "24yo who lives with her mother. Her father was murdered a few months", "Her father was murdered a few months before start of book - so", "she thinks. For several reasons that connect to the protagonist that I won't", "Mom is having a metal breakdown because faeries took her freaking husband. Faeries.", "took her husband because that will make her sound crazy. So I'm playing", "this happen. Dad was injured when he was taken and left a pool", "the logistics of this? Is it possible to pass someone off as murdered", "found much that's helpful. Hopefully this makes sense. My brain is going in", "want to tell anyone that faeries took her husband because that will make", "Okay. I'm writing a fantasy novel about bad faeries (very simplified summary.) Protagonist", "happened. Mom is having a metal breakdown because faeries took her freaking husband.", "at least capable of suspending disbelief if done well ;) To narrow this", "instead of kidnapped without a body? Doesn't necessarily have to be a legal", "don't have a body? I tried to google the answers to this and", "must not be googling the right question because I haven't found much that's", "(or somewhere in the house. Maybe it'll be outside.) Some physical sign that", "metal breakdown because faeries took her freaking husband. Faeries. She can't process this.", "sense. My brain is going in ten million different directions right now. Thanks!", "capable of suspending disbelief if done well ;) To narrow this down a", "breakdown because faeries took her freaking husband. Faeries. She can't process this. She", "what happens, legally speaking, after someone dies. Is it possible to pretend someone", "this and I must not be googling the right question because I haven't", "the whole book thinking that her dad is dead, killed by some thug", "to this and I must not be googling the right question because I", "because that will make her sound crazy. So I'm playing with the idea", "her mother. Her father was murdered a few months before start of book", "into the house. What are the logistics of this? Is it possible to", "helpful. Hopefully this makes sense. My brain is going in ten million different", "So I'm playing with the idea of her passing it off as he", "(very simplified summary.) Protagonist is a 24yo who lives with her mother. Her", "a body? I tried to google the answers to this and I must", "goes the whole book thinking that her dad is dead, killed by some", "practical stuff: police involvement, death certificate, coroner, whatever else. I've never personally handled", "For several reasons that connect to the protagonist that I won't get into", "haven't found much that's helpful. Hopefully this makes sense. My brain is going", "never personally handled the death of someone so I don't even know exactly", "Hopefully this makes sense. My brain is going in ten million different directions", "faeries took her husband because that will make her sound crazy. So I'm", "I'm writing a fantasy novel about bad faeries (very simplified summary.) Protagonist is", "freaking husband. Faeries. She can't process this. She obviously doesn't want to tell", "right question because I haven't found much that's helpful. Hopefully this makes sense.", "playing with the idea of her passing it off as he was murdered,", "her freaking husband. Faeries. She can't process this. She obviously doesn't want to", "of kidnapped without a body? Doesn't necessarily have to be a legal route", "bit, I'm talking the practical stuff: police involvement, death certificate, coroner, whatever else.", "involvement, death certificate, coroner, whatever else. I've never personally handled the death of", "logistics of this? Is it possible to pass someone off as murdered instead", "book - so she thinks. For several reasons that connect to the protagonist", "the house. Maybe it'll be outside.) Some physical sign that something bad happened.", "was murdered a few months before start of book - so she thinks.", "a metal breakdown because faeries took her freaking husband. Faeries. She can't process", "room. (or somewhere in the house. Maybe it'll be outside.) Some physical sign", "I've never personally handled the death of someone so I don't even know", "sound crazy. So I'm playing with the idea of her passing it off", "without a body? Doesn't necessarily have to be a legal route to achieving", "happens, legally speaking, after someone dies. Is it possible to pretend someone was", "here, dad was actually kidnapped by the faeries. Mom saw this happen. Dad", "kidnapped without a body? Doesn't necessarily have to be a legal route to", "handled the death of someone so I don't even know exactly what happens,", "the death of someone so I don't even know exactly what happens, legally", "death certificate, coroner, whatever else. I've never personally handled the death of someone", "body? Doesn't necessarily have to be a legal route to achieving this, but", "he was murdered, so the protagonist goes the whole book thinking that her", "mother. Her father was murdered a few months before start of book -", "having a metal breakdown because faeries took her freaking husband. Faeries. She can't", "disbelief if done well ;) To narrow this down a bit, I'm talking", "possible to pretend someone was murdered when you don't have a body? I", "house. What are the logistics of this? Is it possible to pass someone", "Is it possible to pass someone off as murdered instead of kidnapped without", "that something bad happened. Mom is having a metal breakdown because faeries took", "have to be believable - or at least capable of suspending disbelief if", "know exactly what happens, legally speaking, after someone dies. Is it possible to", "What are the logistics of this? Is it possible to pass someone off", "reasons that connect to the protagonist that I won't get into here, dad", "To narrow this down a bit, I'm talking the practical stuff: police involvement,", "of blood in the living room. (or somewhere in the house. Maybe it'll", "I haven't found much that's helpful. Hopefully this makes sense. My brain is", "the idea of her passing it off as he was murdered, so the", "so the protagonist goes the whole book thinking that her dad is dead,", "I'm talking the practical stuff: police involvement, death certificate, coroner, whatever else. I've", "something bad happened. Mom is having a metal breakdown because faeries took her", "with her mother. Her father was murdered a few months before start of", "someone off as murdered instead of kidnapped without a body? Doesn't necessarily have", "police involvement, death certificate, coroner, whatever else. I've never personally handled the death", "necessarily have to be a legal route to achieving this, but it does", "her passing it off as he was murdered, so the protagonist goes the", "it off as he was murdered, so the protagonist goes the whole book", "who broke into the house. What are the logistics of this? Is it", "death of someone so I don't even know exactly what happens, legally speaking,", "before start of book - so she thinks. For several reasons that connect", "it does have to be believable - or at least capable of suspending", "it possible to pretend someone was murdered when you don't have a body?", "the living room. (or somewhere in the house. Maybe it'll be outside.) Some", "so she thinks. For several reasons that connect to the protagonist that I", "that faeries took her husband because that will make her sound crazy. So", "murdered instead of kidnapped without a body? Doesn't necessarily have to be a", "if done well ;) To narrow this down a bit, I'm talking the", "that I won't get into here, dad was actually kidnapped by the faeries.", "physical sign that something bad happened. Mom is having a metal breakdown because", "someone dies. Is it possible to pretend someone was murdered when you don't", "exactly what happens, legally speaking, after someone dies. Is it possible to pretend", "answers to this and I must not be googling the right question because", "after someone dies. Is it possible to pretend someone was murdered when you", "lives with her mother. Her father was murdered a few months before start", "process this. She obviously doesn't want to tell anyone that faeries took her", "that connect to the protagonist that I won't get into here, dad was", "be believable - or at least capable of suspending disbelief if done well", "well ;) To narrow this down a bit, I'm talking the practical stuff:", "dies. Is it possible to pretend someone was murdered when you don't have", "Is it possible to pretend someone was murdered when you don't have a", "of someone so I don't even know exactly what happens, legally speaking, after", "saw this happen. Dad was injured when he was taken and left a", "killed by some thug who broke into the house. What are the logistics", "not be googling the right question because I haven't found much that's helpful.", "even know exactly what happens, legally speaking, after someone dies. Is it possible", "down a bit, I'm talking the practical stuff: police involvement, death certificate, coroner,", "broke into the house. What are the logistics of this? Is it possible", "the practical stuff: police involvement, death certificate, coroner, whatever else. I've never personally", "obviously doesn't want to tell anyone that faeries took her husband because that", "by some thug who broke into the house. What are the logistics of", "coroner, whatever else. I've never personally handled the death of someone so I", "the protagonist that I won't get into here, dad was actually kidnapped by", "does have to be believable - or at least capable of suspending disbelief", "novel about bad faeries (very simplified summary.) Protagonist is a 24yo who lives", "legally speaking, after someone dies. Is it possible to pretend someone was murdered", "Some physical sign that something bad happened. Mom is having a metal breakdown", "to be believable - or at least capable of suspending disbelief if done", "husband. Faeries. She can't process this. She obviously doesn't want to tell anyone", "can't process this. She obviously doesn't want to tell anyone that faeries took", "I must not be googling the right question because I haven't found much", "was actually kidnapped by the faeries. Mom saw this happen. Dad was injured", "tell anyone that faeries took her husband because that will make her sound", "stuff: police involvement, death certificate, coroner, whatever else. I've never personally handled the", "house. Maybe it'll be outside.) Some physical sign that something bad happened. Mom", "left a pool of blood in the living room. (or somewhere in the", "question because I haven't found much that's helpful. Hopefully this makes sense. My", "writing a fantasy novel about bad faeries (very simplified summary.) Protagonist is a", "is a 24yo who lives with her mother. Her father was murdered a", "the faeries. Mom saw this happen. Dad was injured when he was taken", "her sound crazy. So I'm playing with the idea of her passing it", "some thug who broke into the house. What are the logistics of this?", "be googling the right question because I haven't found much that's helpful. Hopefully", "kidnapped by the faeries. Mom saw this happen. Dad was injured when he", "pool of blood in the living room. (or somewhere in the house. Maybe", "possible to pass someone off as murdered instead of kidnapped without a body?", "Maybe it'll be outside.) Some physical sign that something bad happened. Mom is", "it'll be outside.) Some physical sign that something bad happened. Mom is having", "googling the right question because I haven't found much that's helpful. Hopefully this", "summary.) Protagonist is a 24yo who lives with her mother. Her father was", "a fantasy novel about bad faeries (very simplified summary.) Protagonist is a 24yo", "happen. Dad was injured when he was taken and left a pool of", "are the logistics of this? Is it possible to pass someone off as", "She can't process this. She obviously doesn't want to tell anyone that faeries", "personally handled the death of someone so I don't even know exactly what", "that's helpful. Hopefully this makes sense. My brain is going in ten million", "to pass someone off as murdered instead of kidnapped without a body? Doesn't", "that will make her sound crazy. So I'm playing with the idea of", "a few months before start of book - so she thinks. For several", "it possible to pass someone off as murdered instead of kidnapped without a", "her husband because that will make her sound crazy. So I'm playing with", "husband because that will make her sound crazy. So I'm playing with the", "took her freaking husband. Faeries. She can't process this. She obviously doesn't want", "have to be a legal route to achieving this, but it does have", "this down a bit, I'm talking the practical stuff: police involvement, death certificate,", "and I must not be googling the right question because I haven't found", "tried to google the answers to this and I must not be googling", "was murdered, so the protagonist goes the whole book thinking that her dad", "I'm playing with the idea of her passing it off as he was", "achieving this, but it does have to be believable - or at least", "someone so I don't even know exactly what happens, legally speaking, after someone", "in the house. Maybe it'll be outside.) Some physical sign that something bad", "this, but it does have to be believable - or at least capable", "into here, dad was actually kidnapped by the faeries. Mom saw this happen.", "by the faeries. Mom saw this happen. Dad was injured when he was", "a bit, I'm talking the practical stuff: police involvement, death certificate, coroner, whatever", "doesn't want to tell anyone that faeries took her husband because that will", "else. I've never personally handled the death of someone so I don't even", "taken and left a pool of blood in the living room. (or somewhere", "to be a legal route to achieving this, but it does have to", "Doesn't necessarily have to be a legal route to achieving this, but it", "whatever else. I've never personally handled the death of someone so I don't", "so I don't even know exactly what happens, legally speaking, after someone dies.", "outside.) Some physical sign that something bad happened. Mom is having a metal", "was taken and left a pool of blood in the living room. (or", "is having a metal breakdown because faeries took her freaking husband. Faeries. She", "She obviously doesn't want to tell anyone that faeries took her husband because", "dead, killed by some thug who broke into the house. What are the", "faeries (very simplified summary.) Protagonist is a 24yo who lives with her mother.", "talking the practical stuff: police involvement, death certificate, coroner, whatever else. I've never", "google the answers to this and I must not be googling the right", "who lives with her mother. Her father was murdered a few months before", "simplified summary.) Protagonist is a 24yo who lives with her mother. Her father", "Dad was injured when he was taken and left a pool of blood", ";) To narrow this down a bit, I'm talking the practical stuff: police", "murdered when you don't have a body? I tried to google the answers", "thug who broke into the house. What are the logistics of this? Is", "the answers to this and I must not be googling the right question", "murdered a few months before start of book - so she thinks. For", "the right question because I haven't found much that's helpful. Hopefully this makes", "I won't get into here, dad was actually kidnapped by the faeries. Mom", "faeries took her freaking husband. Faeries. She can't process this. She obviously doesn't", "legal route to achieving this, but it does have to be believable -", "believable - or at least capable of suspending disbelief if done well ;)", "body? I tried to google the answers to this and I must not", "months before start of book - so she thinks. For several reasons that", "I tried to google the answers to this and I must not be", "as murdered instead of kidnapped without a body? Doesn't necessarily have to be", "route to achieving this, but it does have to be believable - or", "few months before start of book - so she thinks. For several reasons", "be a legal route to achieving this, but it does have to be", "pretend someone was murdered when you don't have a body? I tried to", "Mom saw this happen. Dad was injured when he was taken and left", "certificate, coroner, whatever else. I've never personally handled the death of someone so", "Faeries. She can't process this. She obviously doesn't want to tell anyone that", "thinks. For several reasons that connect to the protagonist that I won't get", "of book - so she thinks. For several reasons that connect to the", "injured when he was taken and left a pool of blood in the", "somewhere in the house. Maybe it'll be outside.) Some physical sign that something", "this. She obviously doesn't want to tell anyone that faeries took her husband", "have a body? I tried to google the answers to this and I", "to google the answers to this and I must not be googling the", "to the protagonist that I won't get into here, dad was actually kidnapped", "- or at least capable of suspending disbelief if done well ;) To", "about bad faeries (very simplified summary.) Protagonist is a 24yo who lives with", "protagonist that I won't get into here, dad was actually kidnapped by the", "be outside.) Some physical sign that something bad happened. Mom is having a", "a 24yo who lives with her mother. Her father was murdered a few", "sign that something bad happened. Mom is having a metal breakdown because faeries", "a pool of blood in the living room. (or somewhere in the house.", "done well ;) To narrow this down a bit, I'm talking the practical", "actually kidnapped by the faeries. Mom saw this happen. Dad was injured when", "idea of her passing it off as he was murdered, so the protagonist", "dad is dead, killed by some thug who broke into the house. What", "bad happened. Mom is having a metal breakdown because faeries took her freaking", "to tell anyone that faeries took her husband because that will make her", "anyone that faeries took her husband because that will make her sound crazy.", "speaking, after someone dies. Is it possible to pretend someone was murdered when", "this makes sense. My brain is going in ten million different directions right", "a body? Doesn't necessarily have to be a legal route to achieving this,", "the house. What are the logistics of this? Is it possible to pass", "and left a pool of blood in the living room. (or somewhere in", "fantasy novel about bad faeries (very simplified summary.) Protagonist is a 24yo who", "of suspending disbelief if done well ;) To narrow this down a bit,", "passing it off as he was murdered, so the protagonist goes the whole", "to pretend someone was murdered when you don't have a body? I tried", "get into here, dad was actually kidnapped by the faeries. Mom saw this", "in the living room. (or somewhere in the house. Maybe it'll be outside.)", "make her sound crazy. So I'm playing with the idea of her passing", "because I haven't found much that's helpful. Hopefully this makes sense. My brain", "dad was actually kidnapped by the faeries. Mom saw this happen. Dad was", "several reasons that connect to the protagonist that I won't get into here,", "to achieving this, but it does have to be believable - or at", "this? Is it possible to pass someone off as murdered instead of kidnapped", "because faeries took her freaking husband. Faeries. She can't process this. She obviously", "don't even know exactly what happens, legally speaking, after someone dies. Is it", "makes sense. My brain is going in ten million different directions right now.", "blood in the living room. (or somewhere in the house. Maybe it'll be", "will make her sound crazy. So I'm playing with the idea of her", "much that's helpful. Hopefully this makes sense. My brain is going in ten", "a legal route to achieving this, but it does have to be believable", "pass someone off as murdered instead of kidnapped without a body? Doesn't necessarily", "faeries. Mom saw this happen. Dad was injured when he was taken and", "I don't even know exactly what happens, legally speaking, after someone dies. Is", "murdered, so the protagonist goes the whole book thinking that her dad is", "that her dad is dead, killed by some thug who broke into the", "least capable of suspending disbelief if done well ;) To narrow this down", "suspending disbelief if done well ;) To narrow this down a bit, I'm", "whole book thinking that her dad is dead, killed by some thug who", "as he was murdered, so the protagonist goes the whole book thinking that", "start of book - so she thinks. For several reasons that connect to", "narrow this down a bit, I'm talking the practical stuff: police involvement, death", "crazy. So I'm playing with the idea of her passing it off as", "the protagonist goes the whole book thinking that her dad is dead, killed", "father was murdered a few months before start of book - so she", "her dad is dead, killed by some thug who broke into the house.", "is dead, killed by some thug who broke into the house. What are", "but it does have to be believable - or at least capable of", "when he was taken and left a pool of blood in the living", "won't get into here, dad was actually kidnapped by the faeries. Mom saw", "you don't have a body? I tried to google the answers to this", "thinking that her dad is dead, killed by some thug who broke into", "he was taken and left a pool of blood in the living room.", "- so she thinks. For several reasons that connect to the protagonist that", "connect to the protagonist that I won't get into here, dad was actually", "bad faeries (very simplified summary.) Protagonist is a 24yo who lives with her", "off as murdered instead of kidnapped without a body? Doesn't necessarily have to", "when you don't have a body? I tried to google the answers to", "was injured when he was taken and left a pool of blood in", "someone was murdered when you don't have a body? I tried to google", "living room. (or somewhere in the house. Maybe it'll be outside.) Some physical", "protagonist goes the whole book thinking that her dad is dead, killed by", "of this? Is it possible to pass someone off as murdered instead of", "book thinking that her dad is dead, killed by some thug who broke" ]
[ "edgy in order to paint the world as dark or mature without reason.", "universe in which there is constant war. The good guys are a fanatical", "war. The good guys are a fanatical authoritarian empire that destroys planets for", "on the darker aspects of human nature (war, murder, rape, etc). Some portray", "you recognize the constant horror, the reader becomes apathetic to it. How can", "a lack of emotional focus on the victims, or how people would realistically", "Many grimdark settings focus on the darker aspects of human nature (war, murder,", "terrible, but treated as a normal part of life in the setting. There", "normal part of life in the setting. There is a lack of emotional", "the constant horror, the reader becomes apathetic to it. How can you accurately", "the characters. While you recognize the constant horror, the reader becomes apathetic to", "being even worse. Much of what happens is terrible, but treated as a", "apathetic to it. How can you accurately and maturely portray these themes whIle", "aspects of human nature (war, murder, rape, etc). Some portray this to be", "be edgy in order to paint the world as dark or mature without", "super soldiers, with the bad guys being even worse. Much of what happens", "billions of people in an instant, are treated as shock value and makes", "are treated as shock value and makes it hard to emphasize with the", "emotional weight they carry? And how do you do it without over-doing or", "it, such as the murder of billions of people in an instant, are", "it. How can you accurately and maturely portray these themes whIle still focusing", "circumstances. Much of it, such as the murder of billions of people in", "you accurately and maturely portray these themes whIle still focusing on the emotional", "characters. While you recognize the constant horror, the reader becomes apathetic to it.", "and turns children into super soldiers, with the bad guys being even worse.", "of human nature (war, murder, rape, etc). Some portray this to be edgy", "guys being even worse. Much of what happens is terrible, but treated as", "happens is terrible, but treated as a normal part of life in the", "whIle still focusing on the emotional weight they carry? And how do you", "the victims, or how people would realistically react in these circumstances. Much of", "grimdark settings focus on the darker aspects of human nature (war, murder, rape,", "is a lack of emotional focus on the victims, or how people would", "empire that destroys planets for heresy and turns children into super soldiers, with", "reason. An example would be warhammer 40k, which exists in a universe in", "would be warhammer 40k, which exists in a universe in which there is", "in which there is constant war. The good guys are a fanatical authoritarian", "exists in a universe in which there is constant war. The good guys", "maturely portray these themes whIle still focusing on the emotional weight they carry?", "an instant, are treated as shock value and makes it hard to emphasize", "with the characters. While you recognize the constant horror, the reader becomes apathetic", "soldiers, with the bad guys being even worse. Much of what happens is", "to it. How can you accurately and maturely portray these themes whIle still", "there is constant war. The good guys are a fanatical authoritarian empire that", "dark or mature without reason. An example would be warhammer 40k, which exists", "makes it hard to emphasize with the characters. While you recognize the constant", "is constant war. The good guys are a fanatical authoritarian empire that destroys", "destroys planets for heresy and turns children into super soldiers, with the bad", "While you recognize the constant horror, the reader becomes apathetic to it. How", "are a fanatical authoritarian empire that destroys planets for heresy and turns children", "constant horror, the reader becomes apathetic to it. How can you accurately and", "fanatical authoritarian empire that destroys planets for heresy and turns children into super", "of life in the setting. There is a lack of emotional focus on", "in a universe in which there is constant war. The good guys are", "accurately and maturely portray these themes whIle still focusing on the emotional weight", "the emotional weight they carry? And how do you do it without over-doing", "bad guys being even worse. Much of what happens is terrible, but treated", "nature (war, murder, rape, etc). Some portray this to be edgy in order", "instant, are treated as shock value and makes it hard to emphasize with", "or how people would realistically react in these circumstances. Much of it, such", "victims, or how people would realistically react in these circumstances. Much of it,", "it hard to emphasize with the characters. While you recognize the constant horror,", "Much of it, such as the murder of billions of people in an", "the murder of billions of people in an instant, are treated as shock", "rape, etc). Some portray this to be edgy in order to paint the", "a universe in which there is constant war. The good guys are a", "with the bad guys being even worse. Much of what happens is terrible,", "what happens is terrible, but treated as a normal part of life in", "the bad guys being even worse. Much of what happens is terrible, but", "children into super soldiers, with the bad guys being even worse. Much of", "themes whIle still focusing on the emotional weight they carry? And how do", "to be edgy in order to paint the world as dark or mature", "guys are a fanatical authoritarian empire that destroys planets for heresy and turns", "example would be warhammer 40k, which exists in a universe in which there", "An example would be warhammer 40k, which exists in a universe in which", "portray these themes whIle still focusing on the emotional weight they carry? And", "would realistically react in these circumstances. Much of it, such as the murder", "recognize the constant horror, the reader becomes apathetic to it. How can you", "even worse. Much of what happens is terrible, but treated as a normal", "of billions of people in an instant, are treated as shock value and", "in these circumstances. Much of it, such as the murder of billions of", "warhammer 40k, which exists in a universe in which there is constant war.", "reader becomes apathetic to it. How can you accurately and maturely portray these", "how people would realistically react in these circumstances. Much of it, such as", "in an instant, are treated as shock value and makes it hard to", "and makes it hard to emphasize with the characters. While you recognize the", "focus on the victims, or how people would realistically react in these circumstances.", "lack of emotional focus on the victims, or how people would realistically react", "that destroys planets for heresy and turns children into super soldiers, with the", "of people in an instant, are treated as shock value and makes it", "to emphasize with the characters. While you recognize the constant horror, the reader", "planets for heresy and turns children into super soldiers, with the bad guys", "you do it without over-doing or reveling in it? How much is too", "as the murder of billions of people in an instant, are treated as", "a fanatical authoritarian empire that destroys planets for heresy and turns children into", "or mature without reason. An example would be warhammer 40k, which exists in", "to paint the world as dark or mature without reason. An example would", "can you accurately and maturely portray these themes whIle still focusing on the", "realistically react in these circumstances. Much of it, such as the murder of", "focus on the darker aspects of human nature (war, murder, rape, etc). Some", "murder, rape, etc). Some portray this to be edgy in order to paint", "into super soldiers, with the bad guys being even worse. Much of what", "as dark or mature without reason. An example would be warhammer 40k, which", "Some portray this to be edgy in order to paint the world as", "treated as a normal part of life in the setting. There is a", "in order to paint the world as dark or mature without reason. An", "which there is constant war. The good guys are a fanatical authoritarian empire", "still focusing on the emotional weight they carry? And how do you do", "which exists in a universe in which there is constant war. The good", "these circumstances. Much of it, such as the murder of billions of people", "the reader becomes apathetic to it. How can you accurately and maturely portray", "world as dark or mature without reason. An example would be warhammer 40k,", "heresy and turns children into super soldiers, with the bad guys being even", "(war, murder, rape, etc). Some portray this to be edgy in order to", "focusing on the emotional weight they carry? And how do you do it", "becomes apathetic to it. How can you accurately and maturely portray these themes", "emphasize with the characters. While you recognize the constant horror, the reader becomes", "How can you accurately and maturely portray these themes whIle still focusing on", "treated as shock value and makes it hard to emphasize with the characters.", "darker aspects of human nature (war, murder, rape, etc). Some portray this to", "The good guys are a fanatical authoritarian empire that destroys planets for heresy", "this to be edgy in order to paint the world as dark or", "the setting. There is a lack of emotional focus on the victims, or", "on the emotional weight they carry? And how do you do it without", "order to paint the world as dark or mature without reason. An example", "life in the setting. There is a lack of emotional focus on the", "of it, such as the murder of billions of people in an instant,", "shock value and makes it hard to emphasize with the characters. While you", "turns children into super soldiers, with the bad guys being even worse. Much", "these themes whIle still focusing on the emotional weight they carry? And how", "as a normal part of life in the setting. There is a lack", "setting. There is a lack of emotional focus on the victims, or how", "emotional focus on the victims, or how people would realistically react in these", "paint the world as dark or mature without reason. An example would be", "be warhammer 40k, which exists in a universe in which there is constant", "murder of billions of people in an instant, are treated as shock value", "such as the murder of billions of people in an instant, are treated", "on the victims, or how people would realistically react in these circumstances. Much", "do it without over-doing or reveling in it? How much is too much?", "value and makes it hard to emphasize with the characters. While you recognize", "in the setting. There is a lack of emotional focus on the victims,", "for heresy and turns children into super soldiers, with the bad guys being", "constant war. The good guys are a fanatical authoritarian empire that destroys planets", "a normal part of life in the setting. There is a lack of", "the darker aspects of human nature (war, murder, rape, etc). Some portray this", "of emotional focus on the victims, or how people would realistically react in", "people would realistically react in these circumstances. Much of it, such as the", "etc). Some portray this to be edgy in order to paint the world", "react in these circumstances. Much of it, such as the murder of billions", "of what happens is terrible, but treated as a normal part of life", "as shock value and makes it hard to emphasize with the characters. While", "portray this to be edgy in order to paint the world as dark", "horror, the reader becomes apathetic to it. How can you accurately and maturely", "mature without reason. An example would be warhammer 40k, which exists in a", "weight they carry? And how do you do it without over-doing or reveling", "human nature (war, murder, rape, etc). Some portray this to be edgy in", "the world as dark or mature without reason. An example would be warhammer", "how do you do it without over-doing or reveling in it? How much", "do you do it without over-doing or reveling in it? How much is", "settings focus on the darker aspects of human nature (war, murder, rape, etc).", "Much of what happens is terrible, but treated as a normal part of", "they carry? And how do you do it without over-doing or reveling in", "carry? And how do you do it without over-doing or reveling in it?", "part of life in the setting. There is a lack of emotional focus", "good guys are a fanatical authoritarian empire that destroys planets for heresy and", "people in an instant, are treated as shock value and makes it hard", "hard to emphasize with the characters. While you recognize the constant horror, the", "without reason. An example would be warhammer 40k, which exists in a universe", "worse. Much of what happens is terrible, but treated as a normal part", "authoritarian empire that destroys planets for heresy and turns children into super soldiers,", "And how do you do it without over-doing or reveling in it? How", "and maturely portray these themes whIle still focusing on the emotional weight they", "is terrible, but treated as a normal part of life in the setting.", "40k, which exists in a universe in which there is constant war. The", "but treated as a normal part of life in the setting. There is", "There is a lack of emotional focus on the victims, or how people" ]
[ "up. Is it too much to do this or is it fine to", "where it begins in the present and then goes way into the past,", "it too much to do this or is it fine to have it?", "the present again. Some of the people revising this bit found it both", "ends with the present again. Some of the people revising this bit found", "flips back to his kid years. But it ends with the present again.", "but really confusing and couldn't keep up. Is it too much to do", "labeled \"Longing\", there are some time flips, where it begins in the present", "Is it too much to do this or is it fine to have", "there are some time flips, where it begins in the present and then", "in this chapter labeled \"Longing\", there are some time flips, where it begins", "kid years. But it ends with the present again. Some of the people", "character is reliving a moment in his life, and then it flips back", "helpful to understand the character, but really confusing and couldn't keep up. Is", "In my story so far, in this chapter labeled \"Longing\", there are some", "and then goes way into the past, the character is reliving a moment", "reliving a moment in his life, and then it flips back to his", "are some time flips, where it begins in the present and then goes", "the character, but really confusing and couldn't keep up. Is it too much", "keep up. Is it too much to do this or is it fine", "and then it flips back to his kid years. But it ends with", "of the people revising this bit found it both helpful to understand the", "then it flips back to his kid years. But it ends with the", "the present and then goes way into the past, the character is reliving", "flips, where it begins in the present and then goes way into the", "present and then goes way into the past, the character is reliving a", "then goes way into the past, the character is reliving a moment in", "the past, the character is reliving a moment in his life, and then", "time flips, where it begins in the present and then goes way into", "is reliving a moment in his life, and then it flips back to", "it ends with the present again. Some of the people revising this bit", "my story so far, in this chapter labeled \"Longing\", there are some time", "some time flips, where it begins in the present and then goes way", "But it ends with the present again. Some of the people revising this", "life, and then it flips back to his kid years. But it ends", "\"Longing\", there are some time flips, where it begins in the present and", "bit found it both helpful to understand the character, but really confusing and", "really confusing and couldn't keep up. Is it too much to do this", "begins in the present and then goes way into the past, the character", "present again. Some of the people revising this bit found it both helpful", "the people revising this bit found it both helpful to understand the character,", "and couldn't keep up. Is it too much to do this or is", "again. Some of the people revising this bit found it both helpful to", "in his life, and then it flips back to his kid years. But", "confusing and couldn't keep up. Is it too much to do this or", "understand the character, but really confusing and couldn't keep up. Is it too", "people revising this bit found it both helpful to understand the character, but", "revising this bit found it both helpful to understand the character, but really", "this bit found it both helpful to understand the character, but really confusing", "far, in this chapter labeled \"Longing\", there are some time flips, where it", "a moment in his life, and then it flips back to his kid", "this chapter labeled \"Longing\", there are some time flips, where it begins in", "moment in his life, and then it flips back to his kid years.", "with the present again. Some of the people revising this bit found it", "couldn't keep up. Is it too much to do this or is it", "to his kid years. But it ends with the present again. Some of", "it begins in the present and then goes way into the past, the", "in the present and then goes way into the past, the character is", "his life, and then it flips back to his kid years. But it", "back to his kid years. But it ends with the present again. Some", "Some of the people revising this bit found it both helpful to understand", "story so far, in this chapter labeled \"Longing\", there are some time flips,", "so far, in this chapter labeled \"Longing\", there are some time flips, where", "goes way into the past, the character is reliving a moment in his", "way into the past, the character is reliving a moment in his life,", "chapter labeled \"Longing\", there are some time flips, where it begins in the", "both helpful to understand the character, but really confusing and couldn't keep up.", "character, but really confusing and couldn't keep up. Is it too much to", "to understand the character, but really confusing and couldn't keep up. Is it", "his kid years. But it ends with the present again. Some of the", "past, the character is reliving a moment in his life, and then it", "it both helpful to understand the character, but really confusing and couldn't keep", "into the past, the character is reliving a moment in his life, and", "the character is reliving a moment in his life, and then it flips", "found it both helpful to understand the character, but really confusing and couldn't", "years. But it ends with the present again. Some of the people revising", "it flips back to his kid years. But it ends with the present" ]
[ "I wish to do them all but I get overwhelmed and I get", "when I see people working on their own works. What writing groups, sites", "Where should I begin? My second problem is that I tend to find", "own works. What writing groups, sites or communities can I join to increase", "wish to do them all but I get overwhelmed and I get paralyzed.", "problem is that I tend to find motivation when I see people working", "I begin? My second problem is that I tend to find motivation when", "three novel series , each one of them needs work on plot holes,", "one of them needs work on plot holes, world building and reasoning. My", "do them all but I get overwhelmed and I get paralyzed. Where should", "have three different ideas for three novel series , each one of them", "works. What writing groups, sites or communities can I join to increase my", "working on their own works. What writing groups, sites or communities can I", "to find motivation when I see people working on their own works. What", "I tend to find motivation when I see people working on their own", "series , each one of them needs work on plot holes, world building", "see people working on their own works. What writing groups, sites or communities", "to do them all but I get overwhelmed and I get paralyzed. Where", "begin? My second problem is that I tend to find motivation when I", "is that I wish to do them all but I get overwhelmed and", "them needs work on plot holes, world building and reasoning. My problem is", "overwhelmed and I get paralyzed. Where should I begin? My second problem is", "world building and reasoning. My problem is that I wish to do them", "I get paralyzed. Where should I begin? My second problem is that I", "people working on their own works. What writing groups, sites or communities can", "I have three different ideas for three novel series , each one of", "is that I tend to find motivation when I see people working on", "find motivation when I see people working on their own works. What writing", "What writing groups, sites or communities can I join to increase my motivation?", "should I begin? My second problem is that I tend to find motivation", "three different ideas for three novel series , each one of them needs", "that I wish to do them all but I get overwhelmed and I", "but I get overwhelmed and I get paralyzed. Where should I begin? My", "them all but I get overwhelmed and I get paralyzed. Where should I", "I get overwhelmed and I get paralyzed. Where should I begin? My second", "I see people working on their own works. What writing groups, sites or", "their own works. What writing groups, sites or communities can I join to", "and reasoning. My problem is that I wish to do them all but", "all but I get overwhelmed and I get paralyzed. Where should I begin?", "plot holes, world building and reasoning. My problem is that I wish to", "that I tend to find motivation when I see people working on their", "ideas for three novel series , each one of them needs work on", "paralyzed. Where should I begin? My second problem is that I tend to", "on plot holes, world building and reasoning. My problem is that I wish", "My problem is that I wish to do them all but I get", "reasoning. My problem is that I wish to do them all but I", "different ideas for three novel series , each one of them needs work", "holes, world building and reasoning. My problem is that I wish to do", "My second problem is that I tend to find motivation when I see", "novel series , each one of them needs work on plot holes, world", "get overwhelmed and I get paralyzed. Where should I begin? My second problem", "second problem is that I tend to find motivation when I see people", ", each one of them needs work on plot holes, world building and", "each one of them needs work on plot holes, world building and reasoning.", "of them needs work on plot holes, world building and reasoning. My problem", "tend to find motivation when I see people working on their own works.", "building and reasoning. My problem is that I wish to do them all", "needs work on plot holes, world building and reasoning. My problem is that", "motivation when I see people working on their own works. What writing groups,", "on their own works. What writing groups, sites or communities can I join", "problem is that I wish to do them all but I get overwhelmed", "for three novel series , each one of them needs work on plot", "and I get paralyzed. Where should I begin? My second problem is that", "get paralyzed. Where should I begin? My second problem is that I tend", "work on plot holes, world building and reasoning. My problem is that I" ]
[ "done some searching online for explanations about the composition of the acts of", "each story, and can there be any variation in this number? What are", "many different types of media. These references normally came from stories that had", "school, I was exposed to Nvikuspeara plays where the stories were divided into", "or concentrated among these acts? Is there a standard number of acts in", "a good story is compiled. When in high school, I was exposed to", "line, but I have not been able to find anything that fully describes", "have done some searching online for explanations about the composition of the acts", "among these acts? Is there a standard number of acts in each story,", "explanations about the composition of the acts of a story line, but I", "the elements of how a good story is compiled. When in high school,", "different *acts*. While I was reading through these plays, I thought that it", "acts. How is character and plot development generally spread out or concentrated among", "anything that fully describes how/why stories are divided into acts. How is character", "to Nvikuspeara plays where the stories were divided into different *acts*. While I", "that it was simply a way that plays, *specifically* were compiled. Over the", "references to the structure of different stories across many different types of media.", "of media. These references normally came from stories that had particularly meta themes,", "fully describes how/why stories are divided into acts. How is character and plot", "there a standard number of acts in each story, and can there be", "can there be any variation in this number? What are the reasons for", "How is character and plot development generally spread out or concentrated among these", "I thought that it was simply a way that plays, *specifically* were compiled.", "and can there be any variation in this number? What are the reasons", "about the composition of the acts of a story line, but I have", "these plays, I thought that it was simply a way that plays, *specifically*", "that I've come across is one contained in an episode of [Comedy Bang", "describes how/why stories are divided into acts. How is character and plot development", "of a story line, but I have not been able to find anything", "is one contained in an episode of [Comedy Bang Bang](http://www.imdb.com/title/tt2176287/). In this episode,", "of [Comedy Bang Bang](http://www.imdb.com/title/tt2176287/). In this episode, one of the characters mentions the", "[Comedy Bang Bang](http://www.imdb.com/title/tt2176287/). In this episode, one of the characters mentions the transition", "characters mentions the transition into another act of the story line. I have", "divided into different *acts*. While I was reading through these plays, I thought", "contained in an episode of [Comedy Bang Bang](http://www.imdb.com/title/tt2176287/). In this episode, one of", "reading through these plays, I thought that it was simply a way that", "of the characters mentions the transition into another act of the story line.", "more recent references that I've come across is one contained in an episode", "While I was reading through these plays, I thought that it was simply", "for explanations about the composition of the acts of a story line, but", "plays where the stories were divided into different *acts*. While I was reading", "come across is one contained in an episode of [Comedy Bang Bang](http://www.imdb.com/title/tt2176287/). In", "an episode of [Comedy Bang Bang](http://www.imdb.com/title/tt2176287/). In this episode, one of the characters", "act of the story line. I have done some searching online for explanations", "not been able to find anything that fully describes how/why stories are divided", "Is there a standard number of acts in each story, and can there", "find anything that fully describes how/why stories are divided into acts. How is", "or TV shows that broke the 4th wall. One of the more recent", "one contained in an episode of [Comedy Bang Bang](http://www.imdb.com/title/tt2176287/). In this episode, one", "stories are divided into acts. How is character and plot development generally spread", "Nvikuspeara plays where the stories were divided into different *acts*. While I was", "came from stories that had particularly meta themes, or TV shows that broke", "able to find anything that fully describes how/why stories are divided into acts.", "plays, *specifically* were compiled. Over the years, I have heard many references to", "divided into acts. How is character and plot development generally spread out or", "and plot development generally spread out or concentrated among these acts? Is there", "across many different types of media. These references normally came from stories that", "I have done some searching online for explanations about the composition of the", "way that plays, *specifically* were compiled. Over the years, I have heard many", "interested in the elements of how a good story is compiled. When in", "thought that it was simply a way that plays, *specifically* were compiled. Over", "In this episode, one of the characters mentions the transition into another act", "4th wall. One of the more recent references that I've come across is", "one of the characters mentions the transition into another act of the story", "to the structure of different stories across many different types of media. These", "searching online for explanations about the composition of the acts of a story", "be any variation in this number? What are the reasons for these standards?", "of how a good story is compiled. When in high school, I was", "I was exposed to Nvikuspeara plays where the stories were divided into different", "in the elements of how a good story is compiled. When in high", "compiled. Over the years, I have heard many references to the structure of", "how a good story is compiled. When in high school, I was exposed", "themes, or TV shows that broke the 4th wall. One of the more", "These references normally came from stories that had particularly meta themes, or TV", "across is one contained in an episode of [Comedy Bang Bang](http://www.imdb.com/title/tt2176287/). In this", "high school, I was exposed to Nvikuspeara plays where the stories were divided", "is character and plot development generally spread out or concentrated among these acts?", "that fully describes how/why stories are divided into acts. How is character and", "number of acts in each story, and can there be any variation in", "the characters mentions the transition into another act of the story line. I", "into another act of the story line. I have done some searching online", "had particularly meta themes, or TV shows that broke the 4th wall. One", "different stories across many different types of media. These references normally came from", "many references to the structure of different stories across many different types of", "acts of a story line, but I have not been able to find", "compiled. When in high school, I was exposed to Nvikuspeara plays where the", "it was simply a way that plays, *specifically* were compiled. Over the years,", "these acts? Is there a standard number of acts in each story, and", "into different *acts*. While I was reading through these plays, I thought that", "the years, I have heard many references to the structure of different stories", "story, and can there be any variation in this number? What are the", "the structure of different stories across many different types of media. These references", "of acts in each story, and can there be any variation in this", "references that I've come across is one contained in an episode of [Comedy", "types of media. These references normally came from stories that had particularly meta", "story line, but I have not been able to find anything that fully", "where the stories were divided into different *acts*. While I was reading through", "media. These references normally came from stories that had particularly meta themes, or", "that had particularly meta themes, or TV shows that broke the 4th wall.", "wall. One of the more recent references that I've come across is one", "I'm interested in the elements of how a good story is compiled. When", "in an episode of [Comedy Bang Bang](http://www.imdb.com/title/tt2176287/). In this episode, one of the", "development generally spread out or concentrated among these acts? Is there a standard", "*specifically* were compiled. Over the years, I have heard many references to the", "the acts of a story line, but I have not been able to", "a way that plays, *specifically* were compiled. Over the years, I have heard", "are divided into acts. How is character and plot development generally spread out", "simply a way that plays, *specifically* were compiled. Over the years, I have", "Over the years, I have heard many references to the structure of different", "TV shows that broke the 4th wall. One of the more recent references", "was simply a way that plays, *specifically* were compiled. Over the years, I", "another act of the story line. I have done some searching online for", "this episode, one of the characters mentions the transition into another act of", "plays, I thought that it was simply a way that plays, *specifically* were", "how/why stories are divided into acts. How is character and plot development generally", "stories were divided into different *acts*. While I was reading through these plays,", "is compiled. When in high school, I was exposed to Nvikuspeara plays where", "episode of [Comedy Bang Bang](http://www.imdb.com/title/tt2176287/). In this episode, one of the characters mentions", "in high school, I was exposed to Nvikuspeara plays where the stories were", "in each story, and can there be any variation in this number? What", "standard number of acts in each story, and can there be any variation", "from stories that had particularly meta themes, or TV shows that broke the", "that broke the 4th wall. One of the more recent references that I've", "normally came from stories that had particularly meta themes, or TV shows that", "character and plot development generally spread out or concentrated among these acts? Is", "the composition of the acts of a story line, but I have not", "were compiled. Over the years, I have heard many references to the structure", "broke the 4th wall. One of the more recent references that I've come", "exposed to Nvikuspeara plays where the stories were divided into different *acts*. While", "to find anything that fully describes how/why stories are divided into acts. How", "generally spread out or concentrated among these acts? Is there a standard number", "mentions the transition into another act of the story line. I have done", "story line. I have done some searching online for explanations about the composition", "of different stories across many different types of media. These references normally came", "recent references that I've come across is one contained in an episode of", "episode, one of the characters mentions the transition into another act of the", "the transition into another act of the story line. I have done some", "the more recent references that I've come across is one contained in an", "the story line. I have done some searching online for explanations about the", "out or concentrated among these acts? Is there a standard number of acts", "I have heard many references to the structure of different stories across many", "of the acts of a story line, but I have not been able", "acts in each story, and can there be any variation in this number?", "I have not been able to find anything that fully describes how/why stories", "heard many references to the structure of different stories across many different types", "meta themes, or TV shows that broke the 4th wall. One of the", "have not been able to find anything that fully describes how/why stories are", "spread out or concentrated among these acts? Is there a standard number of", "a standard number of acts in each story, and can there be any", "into acts. How is character and plot development generally spread out or concentrated", "acts? Is there a standard number of acts in each story, and can", "structure of different stories across many different types of media. These references normally", "was exposed to Nvikuspeara plays where the stories were divided into different *acts*.", "a story line, but I have not been able to find anything that", "transition into another act of the story line. I have done some searching", "of the story line. I have done some searching online for explanations about", "*acts*. While I was reading through these plays, I thought that it was", "shows that broke the 4th wall. One of the more recent references that", "Bang](http://www.imdb.com/title/tt2176287/). In this episode, one of the characters mentions the transition into another", "online for explanations about the composition of the acts of a story line,", "particularly meta themes, or TV shows that broke the 4th wall. One of", "story is compiled. When in high school, I was exposed to Nvikuspeara plays", "I've come across is one contained in an episode of [Comedy Bang Bang](http://www.imdb.com/title/tt2176287/).", "composition of the acts of a story line, but I have not been", "the 4th wall. One of the more recent references that I've come across", "but I have not been able to find anything that fully describes how/why", "elements of how a good story is compiled. When in high school, I", "references normally came from stories that had particularly meta themes, or TV shows", "years, I have heard many references to the structure of different stories across", "stories that had particularly meta themes, or TV shows that broke the 4th", "plot development generally spread out or concentrated among these acts? Is there a", "the stories were divided into different *acts*. While I was reading through these", "One of the more recent references that I've come across is one contained", "through these plays, I thought that it was simply a way that plays,", "been able to find anything that fully describes how/why stories are divided into", "that plays, *specifically* were compiled. Over the years, I have heard many references", "have heard many references to the structure of different stories across many different", "was reading through these plays, I thought that it was simply a way", "of the more recent references that I've come across is one contained in", "concentrated among these acts? Is there a standard number of acts in each", "I was reading through these plays, I thought that it was simply a", "some searching online for explanations about the composition of the acts of a", "were divided into different *acts*. While I was reading through these plays, I", "good story is compiled. When in high school, I was exposed to Nvikuspeara", "When in high school, I was exposed to Nvikuspeara plays where the stories", "stories across many different types of media. These references normally came from stories", "line. I have done some searching online for explanations about the composition of", "Bang Bang](http://www.imdb.com/title/tt2176287/). In this episode, one of the characters mentions the transition into", "there be any variation in this number? What are the reasons for these", "different types of media. These references normally came from stories that had particularly" ]
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[ "an artist. There is a page filled with haikus he's written. Can someone", "me a website for an artist. There is a page filled with haikus", "filled with haikus he's written. Can someone verify the validity of the following", "> > i don’t really > > > want to do > >", "website for an artist. There is a page filled with haikus he's written.", "really > > > want to do > > > that > >", "of the following haiku: > > i don’t really > > > want", "page filled with haikus he's written. Can someone verify the validity of the", "someone verify the validity of the following haiku: > > i don’t really", "> > > want to do > > > that > > >", "written. Can someone verify the validity of the following haiku: > > i", "he's written. Can someone verify the validity of the following haiku: > >", "a page filled with haikus he's written. Can someone verify the validity of", "showed me a website for an artist. There is a page filled with", "friend showed me a website for an artist. There is a page filled", "haikus he's written. Can someone verify the validity of the following haiku: >", "> i don’t really > > > want to do > > >", "a website for an artist. There is a page filled with haikus he's", "the following haiku: > > i don’t really > > > want to", "with haikus he's written. Can someone verify the validity of the following haiku:", "i don’t really > > > want to do > > > that", "validity of the following haiku: > > i don’t really > > >", "following haiku: > > i don’t really > > > want to do", "Can someone verify the validity of the following haiku: > > i don’t", "is a page filled with haikus he's written. Can someone verify the validity", "verify the validity of the following haiku: > > i don’t really >", "There is a page filled with haikus he's written. Can someone verify the", "don’t really > > > want to do > > > that >", "for an artist. There is a page filled with haikus he's written. Can", "the validity of the following haiku: > > i don’t really > >", "A friend showed me a website for an artist. There is a page", "haiku: > > i don’t really > > > want to do >", "artist. There is a page filled with haikus he's written. Can someone verify" ]
[ "unusual in other games of that time. I literally grew up with those", "and characters from NAMCO's PSX game Tales of Destiny. Is that allowed if", "write in first person, so I am basically writing about myself in that", "huge collections of rare items (just like Nathan Never) and has named his", "merc group is fascinated with history, has huge collections of rare items (just", "not-so-far future that is named and uses nicknames in honor of the group", "my humble opinion), greatest game in PSX history (sadly VERY underrated) with depth", "be preserved, so newly installed government is trying to save what can be", "MANY characters, movies and other things mentioned and referenced to, due to the", "(Dymlos is the tactical leader, Igtenos engineer, Atwight medic, Lhemufte scientist, Chaltier sniper,", "even exists anymore? I will tell you exactly what I had in mind", "but my nickname is Sony ;-)). So, the story has absolutely no connection", "Sony ;-)). So, the story has absolutely no connection with the story in", "names in honor of those characters\") and in my comments that it's a", "I am basically writing about myself in that world, and so it stands", "my property? Or do I have to get permission from a company I'm", "in my comments that it's a TRIBUTE to them and not my property?", "books. And, to be honest, I write in first person, so I am", "such places and usually wind up somewhere wrong, where my ideas sometimes get", "is named and uses nicknames in honor of the group and characters from", "that allowed if I point out both in the story (\"We chose our", "like I have a name but my nickname is Sony ;-)). So, the", "and then I will adjust it as needed. :-) Of course, I would", "of Destiny. Is that allowed if I point out both in the story", "least in my humble opinion), greatest game in PSX history (sadly VERY underrated)", "history books. And, to be honest, I write in first person, so I", "correctly named (\"I couldn't believe my eyes when I found a figurine of", "writing about a merc group in the not-so-far future that is named and", "Lhemufte, Chaltier, Igtenos and Berselius) based on their skills shared with their namesakes", "other games of that time. I literally grew up with those characters. They", "TRIBUTE to them and not my property? Or do I have to get", "greatest game in PSX history (sadly VERY underrated) with depth and character development", "of this merc group is fascinated with history, has huge collections of rare", "\"it was a replica of a phaser from \"Star Trek\"). I believe that", "engineer, Atwight medic, Lhemufte scientist, Chaltier sniper, Berselius demolitionist)... Of course they all", "medic, Lhemufte scientist, Chaltier sniper, Berselius demolitionist)... Of course they all will have", "property? Or do I have to get permission from a company I'm not", "and so it stands to reason that my own likes and dislikes surface.", "wars, almost all of historical knowledge, art, books, all of world's cultural heritage", "characters from NAMCO's PSX game Tales of Destiny. Is that allowed if I", "place to ask them. I am kinda clumsy in searching for such places", "get permission from a company I'm not sure even exists anymore? I will", "places and usually wind up somewhere wrong, where my ideas sometimes get stolen", "WILL be correctly named (\"I couldn't believe my eyes when I found a", "and honor them for making the (at least in my humble opinion), greatest", "and because of that any items recovered are EXTREMELY valuable and must be", "suggestions, and advice. Thank you all for all help already given today and", "own likes and dislikes surface. :-) Also, I have no problem asking Bandai", "the near future, but one in which, after cataclysmic events and wars, almost", "Igtenos and Berselius) based on their skills shared with their namesakes (Dymlos is", "with the story in Tales of Destiny except in names the Company chose", "the conditions that world is in (as mentioned above), but EACH one WILL", "stands to reason that my own likes and dislikes surface. :-) Also, I", "all will have their real names (just like I have a name but", "namco for permission, and would really appreciate if you could direct me to", "Lhemufte scientist, Chaltier sniper, Berselius demolitionist)... Of course they all will have their", "historical knowledge, art, books, all of world's cultural heritage is destroyed or inaccessible,", "characters, movies and other things mentioned and referenced to, due to the conditions", "\"Star Trek\"). I believe that won't be a problem. Either way, I HAVE", "I have no problem asking Bandai namco for permission, and would really appreciate", "so I am basically writing about myself in that world, and so it", "asking Bandai namco for permission, and would really appreciate if you could direct", "anymore? I will tell you exactly what I had in mind and why", "I really don't wish to make any problems for them or anyone else.", "really appreciate if you could direct me to the right place to ask", "have a name but my nickname is Sony ;-)). So, the story has", "for such places and usually wind up somewhere wrong, where my ideas sometimes", "forever lost and lives only in their memory and a few history books.", "character development so unusual in other games of that time. I literally grew", "Trek\"). I believe that won't be a problem. Either way, I HAVE to", "could direct me to the right place to ask them. I am kinda", "namesakes (Dymlos is the tactical leader, Igtenos engineer, Atwight medic, Lhemufte scientist, Chaltier", "not my property? Or do I have to get permission from a company", "clumsy in searching for such places and usually wind up somewhere wrong, where", "contrary, I wish to thank them and honor them for making the (at", "I'm not sure even exists anymore? I will tell you exactly what I", "I'm planning on writing about a merc group in the not-so-far future that", "surface. :-) Also, I have no problem asking Bandai namco for permission, and", "world's cultural heritage is destroyed or inaccessible, and because of that any items", "characters\") and in my comments that it's a TRIBUTE to them and not", "group and characters from NAMCO's PSX game Tales of Destiny. Is that allowed", ":-) Of course, I would greatly appreciate any of your insights, suggestions, and", "the events are taking place in the near future, but one in which,", "wrong, where my ideas sometimes get stolen (like in Fallout 4, but nevermind", "literally grew up with those characters. They are intended to be just one", "Wars\", or \"it was a replica of a phaser from \"Star Trek\"). I", "is fascinated with history, has huge collections of rare items (just like Nathan", "or anyone else. On the contrary, I wish to thank them and honor", "they all will have their real names (just like I have a name", "that world, and so it stands to reason that my own likes and", "my own likes and dislikes surface. :-) Also, I have no problem asking", "permission, and would really appreciate if you could direct me to the right", "found a figurine of Yoda from \"Star Wars\", or \"it was a replica", "adjust it as needed. :-) Of course, I would greatly appreciate any of", "the story has absolutely no connection with the story in Tales of Destiny", "are intended to be just one of MANY characters, movies and other things", "replica of a phaser from \"Star Trek\"). I believe that won't be a", "preserved, so newly installed government is trying to save what can be saved.", "this merc group is fascinated with history, has huge collections of rare items", "mentioned above), but EACH one WILL be correctly named (\"I couldn't believe my", "needed. :-) Of course, I would greatly appreciate any of your insights, suggestions,", "due to the conditions that world is in (as mentioned above), but EACH", "nickname is Sony ;-)). So, the story has absolutely no connection with the", "those characters. They are intended to be just one of MANY characters, movies", "I will tell you exactly what I had in mind and why I", "but EACH one WILL be correctly named (\"I couldn't believe my eyes when", "that is named and uses nicknames in honor of the group and characters", "and uses nicknames in honor of the group and characters from NAMCO's PSX", "cataclysmic events and wars, almost all of historical knowledge, art, books, all of", "not sure even exists anymore? I will tell you exactly what I had", "and character development so unusual in other games of that time. I literally", "any problems for them or anyone else. On the contrary, I wish to", "believe that won't be a problem. Either way, I HAVE to write this", "names (just like I have a name but my nickname is Sony ;-)).", "wish to use those names... the events are taking place in the near", "from NAMCO's PSX game Tales of Destiny. Is that allowed if I point", "to be just one of MANY characters, movies and other things mentioned and", "a figurine of Yoda from \"Star Wars\", or \"it was a replica of", "I literally grew up with those characters. They are intended to be just", "be correctly named (\"I couldn't believe my eyes when I found a figurine", "get it out of my head, and then I will adjust it as", "stolen (like in Fallout 4, but nevermind that now). I really don't wish", "exactly what I had in mind and why I wish to use those", "tales of Destiny - the Swordians (Dymlos (himself), Atwight, Lhemufte, Chaltier, Igtenos and", "a merc group in the not-so-far future that is named and uses nicknames", "(Dymlos (himself), Atwight, Lhemufte, Chaltier, Igtenos and Berselius) based on their skills shared", "save what can be saved. The leader of this merc group is fascinated", "them or anyone else. On the contrary, I wish to thank them and", "what I had in mind and why I wish to use those names...", "in their time, forever lost and lives only in their memory and a", "when I found a figurine of Yoda from \"Star Wars\", or \"it was", "installed government is trying to save what can be saved. The leader of", "(as mentioned above), but EACH one WILL be correctly named (\"I couldn't believe", "intended to be just one of MANY characters, movies and other things mentioned", "I believe that won't be a problem. Either way, I HAVE to write", "out both in the story (\"We chose our names in honor of those", "from a company I'm not sure even exists anymore? I will tell you", "thank them and honor them for making the (at least in my humble", "eyes when I found a figurine of Yoda from \"Star Wars\", or \"it", "(and my own) favourite characters from tales of Destiny - the Swordians (Dymlos", "in which, after cataclysmic events and wars, almost all of historical knowledge, art,", "own) favourite characters from tales of Destiny - the Swordians (Dymlos (himself), Atwight,", "won't be a problem. Either way, I HAVE to write this novel to", "head, and then I will adjust it as needed. :-) Of course, I", "it as needed. :-) Of course, I would greatly appreciate any of your", "course, I would greatly appreciate any of your insights, suggestions, and advice. Thank", "of rare items (just like Nathan Never) and has named his Company and", "of world's cultural heritage is destroyed or inaccessible, and because of that any", "cultural heritage is destroyed or inaccessible, and because of that any items recovered", "both in the story (\"We chose our names in honor of those characters\")", "must be preserved, so newly installed government is trying to save what can", "tell you exactly what I had in mind and why I wish to", "I have to get permission from a company I'm not sure even exists", "(himself), Atwight, Lhemufte, Chaltier, Igtenos and Berselius) based on their skills shared with", "and lives only in their memory and a few history books. And, to", "that time. I literally grew up with those characters. They are intended to", "in first person, so I am basically writing about myself in that world,", "in their memory and a few history books. And, to be honest, I", "trying to save what can be saved. The leader of this merc group", "ask them. I am kinda clumsy in searching for such places and usually", "of Destiny - the Swordians (Dymlos (himself), Atwight, Lhemufte, Chaltier, Igtenos and Berselius)", "leader of this merc group is fascinated with history, has huge collections of", "honor them for making the (at least in my humble opinion), greatest game", "games of that time. I literally grew up with those characters. They are", "is Sony ;-)). So, the story has absolutely no connection with the story", "Or do I have to get permission from a company I'm not sure", "the Swordians (Dymlos (himself), Atwight, Lhemufte, Chaltier, Igtenos and Berselius) based on their", "depth and character development so unusual in other games of that time. I", "with those characters. They are intended to be just one of MANY characters,", "the contrary, I wish to thank them and honor them for making the", "from tales of Destiny - the Swordians (Dymlos (himself), Atwight, Lhemufte, Chaltier, Igtenos", "really don't wish to make any problems for them or anyone else. On", "Tales of Destiny. Is that allowed if I point out both in the", "Never) and has named his Company and members upon his (and my own)", "have to get permission from a company I'm not sure even exists anymore?", "Company chose in honor of what is, like many other things in their", "why I wish to use those names... the events are taking place in", "for permission, and would really appreciate if you could direct me to the", "their real names (just like I have a name but my nickname is", "PSX game Tales of Destiny. Is that allowed if I point out both", "what can be saved. The leader of this merc group is fascinated with", "no problem asking Bandai namco for permission, and would really appreciate if you", "I have a name but my nickname is Sony ;-)). So, the story", "a few history books. And, to be honest, I write in first person,", "right place to ask them. I am kinda clumsy in searching for such", "my comments that it's a TRIBUTE to them and not my property? Or", "in mind and why I wish to use those names... the events are", "writing about myself in that world, and so it stands to reason that", "any of your insights, suggestions, and advice. Thank you all for all help", "PSX history (sadly VERY underrated) with depth and character development so unusual in", "just one of MANY characters, movies and other things mentioned and referenced to,", "to get it out of my head, and then I will adjust it", "to the right place to ask them. I am kinda clumsy in searching", "a company I'm not sure even exists anymore? I will tell you exactly", "chose in honor of what is, like many other things in their time,", "the (at least in my humble opinion), greatest game in PSX history (sadly", "dislikes surface. :-) Also, I have no problem asking Bandai namco for permission,", "leader, Igtenos engineer, Atwight medic, Lhemufte scientist, Chaltier sniper, Berselius demolitionist)... Of course", "names the Company chose in honor of what is, like many other things", "would really appreciate if you could direct me to the right place to", "(\"I couldn't believe my eyes when I found a figurine of Yoda from", "you could direct me to the right place to ask them. I am", "world is in (as mentioned above), but EACH one WILL be correctly named", "person, so I am basically writing about myself in that world, and so", "was a replica of a phaser from \"Star Trek\"). I believe that won't", "so unusual in other games of that time. I literally grew up with", "and Berselius) based on their skills shared with their namesakes (Dymlos is the", "memory and a few history books. And, to be honest, I write in", "members upon his (and my own) favourite characters from tales of Destiny -", "items (just like Nathan Never) and has named his Company and members upon", "with history, has huge collections of rare items (just like Nathan Never) and", "things mentioned and referenced to, due to the conditions that world is in", "of historical knowledge, art, books, all of world's cultural heritage is destroyed or", "direct me to the right place to ask them. I am kinda clumsy", "tactical leader, Igtenos engineer, Atwight medic, Lhemufte scientist, Chaltier sniper, Berselius demolitionist)... Of", "grew up with those characters. They are intended to be just one of", "my head, and then I will adjust it as needed. :-) Of course,", "lost and lives only in their memory and a few history books. And,", "only in their memory and a few history books. And, to be honest,", "that won't be a problem. Either way, I HAVE to write this novel", "get stolen (like in Fallout 4, but nevermind that now). I really don't", "of that time. I literally grew up with those characters. They are intended", "Chaltier, Igtenos and Berselius) based on their skills shared with their namesakes (Dymlos", "conditions that world is in (as mentioned above), but EACH one WILL be", "company I'm not sure even exists anymore? I will tell you exactly what", "have their real names (just like I have a name but my nickname", "of what is, like many other things in their time, forever lost and", "has absolutely no connection with the story in Tales of Destiny except in", "is the tactical leader, Igtenos engineer, Atwight medic, Lhemufte scientist, Chaltier sniper, Berselius", "is trying to save what can be saved. The leader of this merc", "Nathan Never) and has named his Company and members upon his (and my", "kinda clumsy in searching for such places and usually wind up somewhere wrong,", "up somewhere wrong, where my ideas sometimes get stolen (like in Fallout 4,", "about a merc group in the not-so-far future that is named and uses", "that it's a TRIBUTE to them and not my property? Or do I", "things in their time, forever lost and lives only in their memory and", "any items recovered are EXTREMELY valuable and must be preserved, so newly installed", "usually wind up somewhere wrong, where my ideas sometimes get stolen (like in", "first person, so I am basically writing about myself in that world, and", "saved. The leader of this merc group is fascinated with history, has huge", "of MANY characters, movies and other things mentioned and referenced to, due to", "named his Company and members upon his (and my own) favourite characters from", "a phaser from \"Star Trek\"). I believe that won't be a problem. Either", "with depth and character development so unusual in other games of that time.", "and must be preserved, so newly installed government is trying to save what", "will have their real names (just like I have a name but my", "taking place in the near future, but one in which, after cataclysmic events", "place in the near future, but one in which, after cataclysmic events and", ";-)). So, the story has absolutely no connection with the story in Tales", "(\"We chose our names in honor of those characters\") and in my comments", "name but my nickname is Sony ;-)). So, the story has absolutely no", "to get permission from a company I'm not sure even exists anymore? I", "valuable and must be preserved, so newly installed government is trying to save", "and other things mentioned and referenced to, due to the conditions that world", "exists anymore? I will tell you exactly what I had in mind and", "it out of my head, and then I will adjust it as needed.", "other things in their time, forever lost and lives only in their memory", "make any problems for them or anyone else. On the contrary, I wish", "making the (at least in my humble opinion), greatest game in PSX history", "the Company chose in honor of what is, like many other things in", "HAVE to write this novel to get it out of my head, and", "on writing about a merc group in the not-so-far future that is named", "nicknames in honor of the group and characters from NAMCO's PSX game Tales", "the group and characters from NAMCO's PSX game Tales of Destiny. Is that", "have no problem asking Bandai namco for permission, and would really appreciate if", "in the story (\"We chose our names in honor of those characters\") and", "real names (just like I have a name but my nickname is Sony", "above), but EACH one WILL be correctly named (\"I couldn't believe my eyes", "appreciate if you could direct me to the right place to ask them.", "our names in honor of those characters\") and in my comments that it's", "to make any problems for them or anyone else. On the contrary, I", "greatly appreciate any of your insights, suggestions, and advice. Thank you all for", "time. I literally grew up with those characters. They are intended to be", "sniper, Berselius demolitionist)... Of course they all will have their real names (just", "likes and dislikes surface. :-) Also, I have no problem asking Bandai namco", "write this novel to get it out of my head, and then I", "in names the Company chose in honor of what is, like many other", "if I point out both in the story (\"We chose our names in", "honest, I write in first person, so I am basically writing about myself", "them for making the (at least in my humble opinion), greatest game in", "insights, suggestions, and advice. Thank you all for all help already given today", "but nevermind that now). I really don't wish to make any problems for", "referenced to, due to the conditions that world is in (as mentioned above),", "mind and why I wish to use those names... the events are taking", "development so unusual in other games of that time. I literally grew up", "a problem. Either way, I HAVE to write this novel to get it", "don't wish to make any problems for them or anyone else. On the", "NAMCO's PSX game Tales of Destiny. Is that allowed if I point out", "(just like Nathan Never) and has named his Company and members upon his", "Company and members upon his (and my own) favourite characters from tales of", "use those names... the events are taking place in the near future, but", "believe my eyes when I found a figurine of Yoda from \"Star Wars\",", "and why I wish to use those names... the events are taking place", "collections of rare items (just like Nathan Never) and has named his Company", "favourite characters from tales of Destiny - the Swordians (Dymlos (himself), Atwight, Lhemufte,", "to save what can be saved. The leader of this merc group is", "Berselius demolitionist)... Of course they all will have their real names (just like", "I point out both in the story (\"We chose our names in honor", "except in names the Company chose in honor of what is, like many", "anyone else. On the contrary, I wish to thank them and honor them", "of my head, and then I will adjust it as needed. :-) Of", "but one in which, after cataclysmic events and wars, almost all of historical", "in that world, and so it stands to reason that my own likes", "allowed if I point out both in the story (\"We chose our names", "They are intended to be just one of MANY characters, movies and other", "one of MANY characters, movies and other things mentioned and referenced to, due", "or \"it was a replica of a phaser from \"Star Trek\"). I believe", "heritage is destroyed or inaccessible, and because of that any items recovered are", "Berselius) based on their skills shared with their namesakes (Dymlos is the tactical", "chose our names in honor of those characters\") and in my comments that", "Either way, I HAVE to write this novel to get it out of", "will tell you exactly what I had in mind and why I wish", "I would greatly appreciate any of your insights, suggestions, and advice. Thank you", "of Destiny except in names the Company chose in honor of what is,", "of the group and characters from NAMCO's PSX game Tales of Destiny. Is", "EXTREMELY valuable and must be preserved, so newly installed government is trying to", "to write this novel to get it out of my head, and then", "them and honor them for making the (at least in my humble opinion),", "(like in Fallout 4, but nevermind that now). I really don't wish to", "or inaccessible, and because of that any items recovered are EXTREMELY valuable and", "is destroyed or inaccessible, and because of that any items recovered are EXTREMELY", "And, to be honest, I write in first person, so I am basically", "one WILL be correctly named (\"I couldn't believe my eyes when I found", "Chaltier sniper, Berselius demolitionist)... Of course they all will have their real names", "other things mentioned and referenced to, due to the conditions that world is", "time, forever lost and lives only in their memory and a few history", "in honor of those characters\") and in my comments that it's a TRIBUTE", "in Fallout 4, but nevermind that now). I really don't wish to make", "wish to thank them and honor them for making the (at least in", "- the Swordians (Dymlos (himself), Atwight, Lhemufte, Chaltier, Igtenos and Berselius) based on", "(sadly VERY underrated) with depth and character development so unusual in other games", "of a phaser from \"Star Trek\"). I believe that won't be a problem.", "history (sadly VERY underrated) with depth and character development so unusual in other", "had in mind and why I wish to use those names... the events", "story (\"We chose our names in honor of those characters\") and in my", "the right place to ask them. I am kinda clumsy in searching for", "of your insights, suggestions, and advice. Thank you all for all help already", "Fallout 4, but nevermind that now). I really don't wish to make any", "humble opinion), greatest game in PSX history (sadly VERY underrated) with depth and", "has huge collections of rare items (just like Nathan Never) and has named", "comments that it's a TRIBUTE to them and not my property? Or do", "for making the (at least in my humble opinion), greatest game in PSX", "history, has huge collections of rare items (just like Nathan Never) and has", "story has absolutely no connection with the story in Tales of Destiny except", "searching for such places and usually wind up somewhere wrong, where my ideas", "to be honest, I write in first person, so I am basically writing", "Of course they all will have their real names (just like I have", "all of world's cultural heritage is destroyed or inaccessible, and because of that", "in PSX history (sadly VERY underrated) with depth and character development so unusual", "movies and other things mentioned and referenced to, due to the conditions that", "my own) favourite characters from tales of Destiny - the Swordians (Dymlos (himself),", "that now). I really don't wish to make any problems for them or", "them and not my property? Or do I have to get permission from", "named and uses nicknames in honor of the group and characters from NAMCO's", "Bandai namco for permission, and would really appreciate if you could direct me", "connection with the story in Tales of Destiny except in names the Company", "named (\"I couldn't believe my eyes when I found a figurine of Yoda", "my ideas sometimes get stolen (like in Fallout 4, but nevermind that now).", "in my humble opinion), greatest game in PSX history (sadly VERY underrated) with", "(just like I have a name but my nickname is Sony ;-)). So,", "\"Star Wars\", or \"it was a replica of a phaser from \"Star Trek\").", "newly installed government is trying to save what can be saved. The leader", "few history books. And, to be honest, I write in first person, so", "Destiny. Is that allowed if I point out both in the story (\"We", "as needed. :-) Of course, I would greatly appreciate any of your insights,", "permission from a company I'm not sure even exists anymore? I will tell", "in (as mentioned above), but EACH one WILL be correctly named (\"I couldn't", "what is, like many other things in their time, forever lost and lives", "I found a figurine of Yoda from \"Star Wars\", or \"it was a", "fascinated with history, has huge collections of rare items (just like Nathan Never)", "in searching for such places and usually wind up somewhere wrong, where my", "your insights, suggestions, and advice. Thank you all for all help already given", "reason that my own likes and dislikes surface. :-) Also, I have no", "course they all will have their real names (just like I have a", "The leader of this merc group is fascinated with history, has huge collections", "one in which, after cataclysmic events and wars, almost all of historical knowledge,", "characters from tales of Destiny - the Swordians (Dymlos (himself), Atwight, Lhemufte, Chaltier,", "and usually wind up somewhere wrong, where my ideas sometimes get stolen (like", "now). I really don't wish to make any problems for them or anyone", "of Yoda from \"Star Wars\", or \"it was a replica of a phaser", "be a problem. Either way, I HAVE to write this novel to get", "opinion), greatest game in PSX history (sadly VERY underrated) with depth and character", "do I have to get permission from a company I'm not sure even", "I HAVE to write this novel to get it out of my head,", "those characters\") and in my comments that it's a TRIBUTE to them and", "the not-so-far future that is named and uses nicknames in honor of the", "almost all of historical knowledge, art, books, all of world's cultural heritage is", "his (and my own) favourite characters from tales of Destiny - the Swordians", "my eyes when I found a figurine of Yoda from \"Star Wars\", or", "is, like many other things in their time, forever lost and lives only", "to reason that my own likes and dislikes surface. :-) Also, I have", "from \"Star Wars\", or \"it was a replica of a phaser from \"Star", "I am kinda clumsy in searching for such places and usually wind up", "myself in that world, and so it stands to reason that my own", "skills shared with their namesakes (Dymlos is the tactical leader, Igtenos engineer, Atwight", "characters. They are intended to be just one of MANY characters, movies and", "a name but my nickname is Sony ;-)). So, the story has absolutely", "those names... the events are taking place in the near future, but one", "Destiny - the Swordians (Dymlos (himself), Atwight, Lhemufte, Chaltier, Igtenos and Berselius) based", "merc group in the not-so-far future that is named and uses nicknames in", "are taking place in the near future, but one in which, after cataclysmic", "problem asking Bandai namco for permission, and would really appreciate if you could", "to use those names... the events are taking place in the near future,", "if you could direct me to the right place to ask them. I", "up with those characters. They are intended to be just one of MANY", "EACH one WILL be correctly named (\"I couldn't believe my eyes when I", "game in PSX history (sadly VERY underrated) with depth and character development so", "honor of what is, like many other things in their time, forever lost", "Swordians (Dymlos (himself), Atwight, Lhemufte, Chaltier, Igtenos and Berselius) based on their skills", "advice. Thank you all for all help already given today and in the", "group in the not-so-far future that is named and uses nicknames in honor", "their namesakes (Dymlos is the tactical leader, Igtenos engineer, Atwight medic, Lhemufte scientist,", "would greatly appreciate any of your insights, suggestions, and advice. Thank you all", "Of course, I would greatly appreciate any of your insights, suggestions, and advice.", "On the contrary, I wish to thank them and honor them for making", "4, but nevermind that now). I really don't wish to make any problems", "will adjust it as needed. :-) Of course, I would greatly appreciate any", "like Nathan Never) and has named his Company and members upon his (and", "based on their skills shared with their namesakes (Dymlos is the tactical leader,", "inaccessible, and because of that any items recovered are EXTREMELY valuable and must", "in the near future, but one in which, after cataclysmic events and wars,", "their skills shared with their namesakes (Dymlos is the tactical leader, Igtenos engineer,", "lives only in their memory and a few history books. And, to be", "the tactical leader, Igtenos engineer, Atwight medic, Lhemufte scientist, Chaltier sniper, Berselius demolitionist)...", "VERY underrated) with depth and character development so unusual in other games of", "couldn't believe my eyes when I found a figurine of Yoda from \"Star", "point out both in the story (\"We chose our names in honor of", "near future, but one in which, after cataclysmic events and wars, almost all", "books, all of world's cultural heritage is destroyed or inaccessible, and because of", "problem. Either way, I HAVE to write this novel to get it out", "am basically writing about myself in that world, and so it stands to", "sure even exists anymore? I will tell you exactly what I had in", "and would really appreciate if you could direct me to the right place", "that my own likes and dislikes surface. :-) Also, I have no problem", "absolutely no connection with the story in Tales of Destiny except in names", "all of historical knowledge, art, books, all of world's cultural heritage is destroyed", "I wish to use those names... the events are taking place in the", "and wars, almost all of historical knowledge, art, books, all of world's cultural", "group is fascinated with history, has huge collections of rare items (just like", "game Tales of Destiny. Is that allowed if I point out both in", "items recovered are EXTREMELY valuable and must be preserved, so newly installed government", "phaser from \"Star Trek\"). I believe that won't be a problem. Either way,", "that any items recovered are EXTREMELY valuable and must be preserved, so newly", "Igtenos engineer, Atwight medic, Lhemufte scientist, Chaltier sniper, Berselius demolitionist)... Of course they", "the story (\"We chose our names in honor of those characters\") and in", "nevermind that now). I really don't wish to make any problems for them", "this novel to get it out of my head, and then I will", "and not my property? Or do I have to get permission from a", "and a few history books. And, to be honest, I write in first", "be saved. The leader of this merc group is fascinated with history, has", "else. On the contrary, I wish to thank them and honor them for", "planning on writing about a merc group in the not-so-far future that is", "shared with their namesakes (Dymlos is the tactical leader, Igtenos engineer, Atwight medic,", "their memory and a few history books. And, to be honest, I write", "I will adjust it as needed. :-) Of course, I would greatly appreciate", "appreciate any of your insights, suggestions, and advice. Thank you all for all", "so it stands to reason that my own likes and dislikes surface. :-)", "that world is in (as mentioned above), but EACH one WILL be correctly", "names... the events are taking place in the near future, but one in", "because of that any items recovered are EXTREMELY valuable and must be preserved,", "can be saved. The leader of this merc group is fascinated with history,", "and referenced to, due to the conditions that world is in (as mentioned", "their time, forever lost and lives only in their memory and a few", "in other games of that time. I literally grew up with those characters.", "then I will adjust it as needed. :-) Of course, I would greatly", "Thank you all for all help already given today and in the future.", "figurine of Yoda from \"Star Wars\", or \"it was a replica of a", "in the not-so-far future that is named and uses nicknames in honor of", "future, but one in which, after cataclysmic events and wars, almost all of", "demolitionist)... Of course they all will have their real names (just like I", "are EXTREMELY valuable and must be preserved, so newly installed government is trying", "underrated) with depth and character development so unusual in other games of that", "future that is named and uses nicknames in honor of the group and", "So, the story has absolutely no connection with the story in Tales of", "wish to make any problems for them or anyone else. On the contrary,", "novel to get it out of my head, and then I will adjust", "to ask them. I am kinda clumsy in searching for such places and", "for them or anyone else. On the contrary, I wish to thank them", "destroyed or inaccessible, and because of that any items recovered are EXTREMELY valuable", "is in (as mentioned above), but EACH one WILL be correctly named (\"I", "world, and so it stands to reason that my own likes and dislikes", "sometimes get stolen (like in Fallout 4, but nevermind that now). I really", "you exactly what I had in mind and why I wish to use", "out of my head, and then I will adjust it as needed. :-)", "uses nicknames in honor of the group and characters from NAMCO's PSX game", "recovered are EXTREMELY valuable and must be preserved, so newly installed government is", "me to the right place to ask them. I am kinda clumsy in", "no connection with the story in Tales of Destiny except in names the", "I write in first person, so I am basically writing about myself in", ":-) Also, I have no problem asking Bandai namco for permission, and would", "with their namesakes (Dymlos is the tactical leader, Igtenos engineer, Atwight medic, Lhemufte", "problems for them or anyone else. On the contrary, I wish to thank", "government is trying to save what can be saved. The leader of this", "to them and not my property? Or do I have to get permission", "about myself in that world, and so it stands to reason that my", "Atwight, Lhemufte, Chaltier, Igtenos and Berselius) based on their skills shared with their", "in Tales of Destiny except in names the Company chose in honor of", "his Company and members upon his (and my own) favourite characters from tales", "(at least in my humble opinion), greatest game in PSX history (sadly VERY", "events and wars, almost all of historical knowledge, art, books, all of world's", "way, I HAVE to write this novel to get it out of my", "many other things in their time, forever lost and lives only in their", "them. I am kinda clumsy in searching for such places and usually wind", "Atwight medic, Lhemufte scientist, Chaltier sniper, Berselius demolitionist)... Of course they all will", "honor of those characters\") and in my comments that it's a TRIBUTE to", "basically writing about myself in that world, and so it stands to reason", "Also, I have no problem asking Bandai namco for permission, and would really", "from \"Star Trek\"). I believe that won't be a problem. Either way, I", "which, after cataclysmic events and wars, almost all of historical knowledge, art, books,", "upon his (and my own) favourite characters from tales of Destiny - the", "rare items (just like Nathan Never) and has named his Company and members", "scientist, Chaltier sniper, Berselius demolitionist)... Of course they all will have their real", "wind up somewhere wrong, where my ideas sometimes get stolen (like in Fallout", "Yoda from \"Star Wars\", or \"it was a replica of a phaser from", "mentioned and referenced to, due to the conditions that world is in (as", "in honor of what is, like many other things in their time, forever", "somewhere wrong, where my ideas sometimes get stolen (like in Fallout 4, but", "be just one of MANY characters, movies and other things mentioned and referenced", "in honor of the group and characters from NAMCO's PSX game Tales of", "so newly installed government is trying to save what can be saved. The", "the story in Tales of Destiny except in names the Company chose in", "on their skills shared with their namesakes (Dymlos is the tactical leader, Igtenos", "ideas sometimes get stolen (like in Fallout 4, but nevermind that now). I", "after cataclysmic events and wars, almost all of historical knowledge, art, books, all", "and advice. Thank you all for all help already given today and in", "to, due to the conditions that world is in (as mentioned above), but", "and members upon his (and my own) favourite characters from tales of Destiny", "to the conditions that world is in (as mentioned above), but EACH one", "Tales of Destiny except in names the Company chose in honor of what", "my nickname is Sony ;-)). So, the story has absolutely no connection with", "like many other things in their time, forever lost and lives only in", "Is that allowed if I point out both in the story (\"We chose", "it stands to reason that my own likes and dislikes surface. :-) Also,", "story in Tales of Destiny except in names the Company chose in honor", "where my ideas sometimes get stolen (like in Fallout 4, but nevermind that", "be honest, I write in first person, so I am basically writing about", "am kinda clumsy in searching for such places and usually wind up somewhere", "I wish to thank them and honor them for making the (at least", "and dislikes surface. :-) Also, I have no problem asking Bandai namco for", "knowledge, art, books, all of world's cultural heritage is destroyed or inaccessible, and", "it's a TRIBUTE to them and not my property? Or do I have", "of those characters\") and in my comments that it's a TRIBUTE to them", "art, books, all of world's cultural heritage is destroyed or inaccessible, and because", "to thank them and honor them for making the (at least in my", "Destiny except in names the Company chose in honor of what is, like", "and in my comments that it's a TRIBUTE to them and not my", "events are taking place in the near future, but one in which, after", "has named his Company and members upon his (and my own) favourite characters", "and has named his Company and members upon his (and my own) favourite", "a TRIBUTE to them and not my property? Or do I have to", "I had in mind and why I wish to use those names... the", "of that any items recovered are EXTREMELY valuable and must be preserved, so", "honor of the group and characters from NAMCO's PSX game Tales of Destiny.", "a replica of a phaser from \"Star Trek\"). I believe that won't be" ]