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[ "took a public domain text and published an alternate ending? Would this be", "a text loses copyright and turns into a public domain text when its", "and published an alternate ending? Would this be legal? **Clarification:** In my country", "were talking about this with my teacher in the language class. What if", "into a public domain text when its author has died more than 70", "text and published an alternate ending? Would this be legal? **Clarification:** In my", "public domain text when its author has died more than 70 years ago.", "this with my teacher in the language class. What if someone took a", "talking about this with my teacher in the language class. What if someone", "teacher in the language class. What if someone took a public domain text", "Would this be legal? **Clarification:** In my country (Argentina), a text loses copyright", "my teacher in the language class. What if someone took a public domain", "and turns into a public domain text when its author has died more", "about this with my teacher in the language class. What if someone took", "alternate ending? Would this be legal? **Clarification:** In my country (Argentina), a text", "this be legal? **Clarification:** In my country (Argentina), a text loses copyright and", "What if someone took a public domain text and published an alternate ending?", "domain text and published an alternate ending? Would this be legal? **Clarification:** In", "text loses copyright and turns into a public domain text when its author", "someone took a public domain text and published an alternate ending? Would this", "language class. What if someone took a public domain text and published an", "with my teacher in the language class. What if someone took a public", "a public domain text when its author has died more than 70 years", "the language class. What if someone took a public domain text and published", "country (Argentina), a text loses copyright and turns into a public domain text", "**Clarification:** In my country (Argentina), a text loses copyright and turns into a", "loses copyright and turns into a public domain text when its author has", "legal? **Clarification:** In my country (Argentina), a text loses copyright and turns into", "in the language class. What if someone took a public domain text and", "a public domain text and published an alternate ending? Would this be legal?", "an alternate ending? Would this be legal? **Clarification:** In my country (Argentina), a", "if someone took a public domain text and published an alternate ending? Would", "published an alternate ending? Would this be legal? **Clarification:** In my country (Argentina),", "my country (Argentina), a text loses copyright and turns into a public domain", "public domain text and published an alternate ending? Would this be legal? **Clarification:**", "class. What if someone took a public domain text and published an alternate", "In my country (Argentina), a text loses copyright and turns into a public", "We were talking about this with my teacher in the language class. What", "(Argentina), a text loses copyright and turns into a public domain text when", "ending? Would this be legal? **Clarification:** In my country (Argentina), a text loses", "copyright and turns into a public domain text when its author has died", "turns into a public domain text when its author has died more than", "be legal? **Clarification:** In my country (Argentina), a text loses copyright and turns" ]
[ "and do not forget past slights. These are just stereotypes and ideals that", "worth on feminine rather than masculine stereotypes, and view what it means to", "and lows. Is this a believable inverse of masculine and feminine traits? How", "slights. These are just stereotypes and ideals that society supports and want the", "a believable inverse of masculine and feminine traits? How can you write the", "feminine traits. I've read works of fiction that involve matriarchies, in which all", "bonds less quickly, and are more clinical in their decision making, taking the", "change gender roles and turn women into men, and vice versa. I want", "more rational in their decision making. They form bonds less quickly, and are", "and want the sees to live up to, but I don't want everyone", "want to create a setting that is similiar to our world, but with", "to laugh is the best way to describe it. In contrast, femininity is", "aggressive and go to war, while men become passive and stay at home", "changing what society values instead of simply change gender roles. Society would place", "emotional. They are very loyal to their friends, and quick to form attachments.", "In this world, women would be characterized as more rational in their decision", "quickly, and are more clinical in their decision making, taking the long view", "simply change gender roles and turn women into men, and vice versa. I", "making, taking the long view of things. They are slow to anger, but", "roles and turn women into men, and vice versa. I want to create", "them. People will react to the culture in different ways. I am not", "loyal to their friends, and quick to form attachments. However, they are hot", "are slow to anger, but when roused, can be vicious and cruel. Women", "and feminine traits? How can you write the story without coming off as", "as arrogance, impatience, and emotional. They are very loyal to their friends, and", "being more passive, emotionally complicated, mothering, etc. In this world, women would be", "masculinity revolves around strength, aggression, boldness, etc. In this world, this would be", "women differently. For instance: traditional western notions of masculinity revolves around strength, aggression,", "passive, emotionally complicated, mothering, etc. In this world, women would be characterized as", "passive and stay at home to care for children. This seems unrealistic, as", "more passive, emotionally complicated, mothering, etc. In this world, women would be characterized", "stereotypes, and view what it means to be men and women differently. For", "fiction that involve matriarchies, in which all women are very aggressive and go", "to war, while men become passive and stay at home to care for", "want to do is changing what society values instead of simply change gender", "perfect because women rule the world, or a dystopia. I would like it", "women rule the world, or a dystopia. I would like it to be", "in which all women are very aggressive and go to war, while men", "However, they are hot headed and rash. Quick to anger, quick to laugh", "do not forget past slights. These are just stereotypes and ideals that society", "hot headed and rash. Quick to anger, quick to laugh is the best", "interpreted as arrogance, impatience, and emotional. They are very loyal to their friends,", "a world with its highs and lows. Is this a believable inverse of", "create a setting that is similiar to our world, but with different notions", "or a dystopia. I would like it to be a world with its", "not aiming for a utopia where everything is perfect because women rule the", "What I want to do is changing what society values instead of simply", "rather than masculine stereotypes, and view what it means to be men and", "very loyal to their friends, and quick to form attachments. However, they are", "that feels more authentic. What I want to do is changing what society", "In this world, this would be interpreted as arrogance, impatience, and emotional. They", "traits? How can you write the story without coming off as preachy or", "is changing what society values instead of simply change gender roles. Society would", "the culture in different ways. I am not aiming for a utopia where", "that is similiar to our world, but with different notions of masculine and", "means to be men and women differently. For instance: traditional western notions of", "of things. They are slow to anger, but when roused, can be vicious", "the long view of things. They are slow to anger, but when roused,", "making. They form bonds less quickly, and are more clinical in their decision", "and view what it means to be men and women differently. For instance:", "are very loyal to their friends, and quick to form attachments. However, they", "react to the culture in different ways. I am not aiming for a", "be vicious and cruel. Women can hold grudges for long periods of time,", "to, but I don't want everyone to just go along with them. People", "more worth on feminine rather than masculine stereotypes, and view what it means", "clinical in their decision making, taking the long view of things. They are", "Is this a believable inverse of masculine and feminine traits? How can you", "roused, can be vicious and cruel. Women can hold grudges for long periods", "stay at home to care for children. This seems unrealistic, as it seems", "for long periods of time, and do not forget past slights. These are", "in different ways. I am not aiming for a utopia where everything is", "utopia where everything is perfect because women rule the world, or a dystopia.", "highs and lows. Is this a believable inverse of masculine and feminine traits?", "when roused, can be vicious and cruel. Women can hold grudges for long", "be characterized as more rational in their decision making. They form bonds less", "vicious and cruel. Women can hold grudges for long periods of time, and", "to their friends, and quick to form attachments. However, they are hot headed", "friends, and quick to form attachments. However, they are hot headed and rash.", "culture in different ways. I am not aiming for a utopia where everything", "seems unrealistic, as it seems to simply change gender roles and turn women", "way to describe it. In contrast, femininity is associated with being more passive,", "laugh is the best way to describe it. In contrast, femininity is associated", "men, and vice versa. I want to create something that feels more authentic.", "that society supports and want the sees to live up to, but I", "but with different notions of masculine and feminine traits. I've read works of", "with different notions of masculine and feminine traits. I've read works of fiction", "matriarchies, in which all women are very aggressive and go to war, while", "up to, but I don't want everyone to just go along with them.", "simply change gender roles. Society would place more worth on feminine rather than", "aiming for a utopia where everything is perfect because women rule the world,", "seems to simply change gender roles and turn women into men, and vice", "this a believable inverse of masculine and feminine traits? How can you write", "periods of time, and do not forget past slights. These are just stereotypes", "which all women are very aggressive and go to war, while men become", "Quick to anger, quick to laugh is the best way to describe it.", "to care for children. This seems unrealistic, as it seems to simply change", "things. They are slow to anger, but when roused, can be vicious and", "in their decision making. They form bonds less quickly, and are more clinical", "decision making, taking the long view of things. They are slow to anger,", "In contrast, femininity is associated with being more passive, emotionally complicated, mothering, etc.", "do is changing what society values instead of simply change gender roles. Society", "cruel. Women can hold grudges for long periods of time, and do not", "time, and do not forget past slights. These are just stereotypes and ideals", "setting that is similiar to our world, but with different notions of masculine", "of time, and do not forget past slights. These are just stereotypes and", "as more rational in their decision making. They form bonds less quickly, and", "their decision making. They form bonds less quickly, and are more clinical in", "arrogance, impatience, and emotional. They are very loyal to their friends, and quick", "and feminine traits. I've read works of fiction that involve matriarchies, in which", "world, women would be characterized as more rational in their decision making. They", "I want to do is changing what society values instead of simply change", "along with them. People will react to the culture in different ways. I", "in their decision making, taking the long view of things. They are slow", "of masculine and feminine traits? How can you write the story without coming", "care for children. This seems unrealistic, as it seems to simply change gender", "view of things. They are slow to anger, but when roused, can be", "impatience, and emotional. They are very loyal to their friends, and quick to", "and rash. Quick to anger, quick to laugh is the best way to", "associated with being more passive, emotionally complicated, mothering, etc. In this world, women", "are just stereotypes and ideals that society supports and want the sees to", "masculine and feminine traits? How can you write the story without coming off", "forget past slights. These are just stereotypes and ideals that society supports and", "works of fiction that involve matriarchies, in which all women are very aggressive", "for a utopia where everything is perfect because women rule the world, or", "inverse of masculine and feminine traits? How can you write the story without", "form bonds less quickly, and are more clinical in their decision making, taking", "emotionally complicated, mothering, etc. In this world, women would be characterized as more", "what society values instead of simply change gender roles. Society would place more", "it. In contrast, femininity is associated with being more passive, emotionally complicated, mothering,", "decision making. They form bonds less quickly, and are more clinical in their", "characterized as more rational in their decision making. They form bonds less quickly,", "be a world with its highs and lows. Is this a believable inverse", "more authentic. What I want to do is changing what society values instead", "best way to describe it. In contrast, femininity is associated with being more", "attachments. However, they are hot headed and rash. Quick to anger, quick to", "to describe it. In contrast, femininity is associated with being more passive, emotionally", "headed and rash. Quick to anger, quick to laugh is the best way", "past slights. These are just stereotypes and ideals that society supports and want", "of fiction that involve matriarchies, in which all women are very aggressive and", "People will react to the culture in different ways. I am not aiming", "grudges for long periods of time, and do not forget past slights. These", "and cruel. Women can hold grudges for long periods of time, and do", "and emotional. They are very loyal to their friends, and quick to form", "long periods of time, and do not forget past slights. These are just", "into men, and vice versa. I want to create something that feels more", "just stereotypes and ideals that society supports and want the sees to live", "quick to laugh is the best way to describe it. In contrast, femininity", "values instead of simply change gender roles. Society would place more worth on", "notions of masculine and feminine traits. I've read works of fiction that involve", "believable inverse of masculine and feminine traits? How can you write the story", "They are slow to anger, but when roused, can be vicious and cruel.", "is perfect because women rule the world, or a dystopia. I would like", "can you write the story without coming off as preachy or glorifying it", "These are just stereotypes and ideals that society supports and want the sees", "on feminine rather than masculine stereotypes, and view what it means to be", "live up to, but I don't want everyone to just go along with", "not forget past slights. These are just stereotypes and ideals that society supports", "world, or a dystopia. I would like it to be a world with", "to our world, but with different notions of masculine and feminine traits. I've", "are more clinical in their decision making, taking the long view of things.", "revolves around strength, aggression, boldness, etc. In this world, this would be interpreted", "would place more worth on feminine rather than masculine stereotypes, and view what", "to anger, but when roused, can be vicious and cruel. Women can hold", "less quickly, and are more clinical in their decision making, taking the long", "western notions of masculinity revolves around strength, aggression, boldness, etc. In this world,", "I want to create a setting that is similiar to our world, but", "their friends, and quick to form attachments. However, they are hot headed and", "masculine and feminine traits. I've read works of fiction that involve matriarchies, in", "anger, quick to laugh is the best way to describe it. In contrast,", "war, while men become passive and stay at home to care for children.", "as it seems to simply change gender roles and turn women into men,", "be interpreted as arrogance, impatience, and emotional. They are very loyal to their", "This seems unrealistic, as it seems to simply change gender roles and turn", "rule the world, or a dystopia. I would like it to be a", "For instance: traditional western notions of masculinity revolves around strength, aggression, boldness, etc.", "are hot headed and rash. Quick to anger, quick to laugh is the", "and are more clinical in their decision making, taking the long view of", "hold grudges for long periods of time, and do not forget past slights.", "this world, this would be interpreted as arrogance, impatience, and emotional. They are", "while men become passive and stay at home to care for children. This", "this would be interpreted as arrogance, impatience, and emotional. They are very loyal", "and ideals that society supports and want the sees to live up to,", "would be characterized as more rational in their decision making. They form bonds", "differently. For instance: traditional western notions of masculinity revolves around strength, aggression, boldness,", "lows. Is this a believable inverse of masculine and feminine traits? How can", "would be interpreted as arrogance, impatience, and emotional. They are very loyal to", "the sees to live up to, but I don't want everyone to just", "with them. People will react to the culture in different ways. I am", "to create something that feels more authentic. What I want to do is", "it to be a world with its highs and lows. Is this a", "of masculinity revolves around strength, aggression, boldness, etc. In this world, this would", "because women rule the world, or a dystopia. I would like it to", "children. This seems unrealistic, as it seems to simply change gender roles and", "don't want everyone to just go along with them. People will react to", "is associated with being more passive, emotionally complicated, mothering, etc. In this world,", "a dystopia. I would like it to be a world with its highs", "want the sees to live up to, but I don't want everyone to", "notions of masculinity revolves around strength, aggression, boldness, etc. In this world, this", "to be men and women differently. For instance: traditional western notions of masculinity", "change gender roles. Society would place more worth on feminine rather than masculine", "what it means to be men and women differently. For instance: traditional western", "feminine traits? How can you write the story without coming off as preachy", "I would like it to be a world with its highs and lows.", "authentic. What I want to do is changing what society values instead of", "stereotypes and ideals that society supports and want the sees to live up", "and turn women into men, and vice versa. I want to create something", "ideals that society supports and want the sees to live up to, but", "masculine stereotypes, and view what it means to be men and women differently.", "femininity is associated with being more passive, emotionally complicated, mothering, etc. In this", "everyone to just go along with them. People will react to the culture", "are very aggressive and go to war, while men become passive and stay", "versa. I want to create something that feels more authentic. What I want", "want everyone to just go along with them. People will react to the", "where everything is perfect because women rule the world, or a dystopia. I", "for children. This seems unrealistic, as it seems to simply change gender roles", "vice versa. I want to create something that feels more authentic. What I", "write the story without coming off as preachy or glorifying it too much?", "but when roused, can be vicious and cruel. Women can hold grudges for", "than masculine stereotypes, and view what it means to be men and women", "supports and want the sees to live up to, but I don't want", "etc. In this world, this would be interpreted as arrogance, impatience, and emotional.", "this world, women would be characterized as more rational in their decision making.", "I don't want everyone to just go along with them. People will react", "to form attachments. However, they are hot headed and rash. Quick to anger,", "anger, but when roused, can be vicious and cruel. Women can hold grudges", "aggression, boldness, etc. In this world, this would be interpreted as arrogance, impatience,", "that involve matriarchies, in which all women are very aggressive and go to", "is similiar to our world, but with different notions of masculine and feminine", "to be a world with its highs and lows. 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Quick to anger, quick to laugh is", "society values instead of simply change gender roles. Society would place more worth", "will react to the culture in different ways. I am not aiming for", "place more worth on feminine rather than masculine stereotypes, and view what it", "I've read works of fiction that involve matriarchies, in which all women are", "world, this would be interpreted as arrogance, impatience, and emotional. They are very", "and women differently. For instance: traditional western notions of masculinity revolves around strength,", "unrealistic, as it seems to simply change gender roles and turn women into", "their decision making, taking the long view of things. They are slow to", "instead of simply change gender roles. Society would place more worth on feminine", "like it to be a world with its highs and lows. Is this", "roles. Society would place more worth on feminine rather than masculine stereotypes, and", "something that feels more authentic. What I want to do is changing what", "instance: traditional western notions of masculinity revolves around strength, aggression, boldness, etc. In", "gender roles. Society would place more worth on feminine rather than masculine stereotypes,", "go to war, while men become passive and stay at home to care", "a utopia where everything is perfect because women rule the world, or a", "mothering, etc. In this world, women would be characterized as more rational in", "with its highs and lows. Is this a believable inverse of masculine and", "home to care for children. This seems unrealistic, as it seems to simply", "view what it means to be men and women differently. For instance: traditional", "strength, aggression, boldness, etc. In this world, this would be interpreted as arrogance,", "feels more authentic. What I want to do is changing what society values", "They are very loyal to their friends, and quick to form attachments. However,", "women into men, and vice versa. I want to create something that feels", "I want to create something that feels more authentic. What I want to", "to live up to, but I don't want everyone to just go along", "everything is perfect because women rule the world, or a dystopia. I would", "Society would place more worth on feminine rather than masculine stereotypes, and view", "am not aiming for a utopia where everything is perfect because women rule", "rash. Quick to anger, quick to laugh is the best way to describe", "all women are very aggressive and go to war, while men become passive", "long view of things. They are slow to anger, but when roused, can", "contrast, femininity is associated with being more passive, emotionally complicated, mothering, etc. In", "to create a setting that is similiar to our world, but with different", "be men and women differently. For instance: traditional western notions of masculinity revolves", "our world, but with different notions of masculine and feminine traits. 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I've read works of fiction that", "feminine rather than masculine stereotypes, and view what it means to be men", "world with its highs and lows. Is this a believable inverse of masculine", "form attachments. However, they are hot headed and rash. Quick to anger, quick", "a setting that is similiar to our world, but with different notions of" ]
[ "these POV violations (first-person limited)? If so, how to modify them so there", "up her phone. > > > Are these POV violations (first-person limited)? If", "and our stomachs heat up.** > > > Rattled by a sound or", "violations (first-person limited)? If so, how to modify them so there isn't a", "she picked > up her phone. > > > Are these POV violations", "ordered pork belly, beef liver, and lamb slices—a selection that > **made our", "slices—a selection that > **made our tongues melt and our stomachs heat up.**", "only Sumire had detected,** she picked > up her phone. > > >", "> > > Are these POV violations (first-person limited)? If so, how to", "limited)? If so, how to modify them so there isn't a violation anymore?", "heat up.** > > > Rattled by a sound or shake **that only", "Are these POV violations (first-person limited)? If so, how to modify them so", "shake **that only Sumire had detected,** she picked > up her phone. >", "melt and our stomachs heat up.** > > > Rattled by a sound", "picked > up her phone. > > > Are these POV violations (first-person", "> > Are these POV violations (first-person limited)? If so, how to modify", "lamb slices—a selection that > **made our tongues melt and our stomachs heat", "phone. > > > Are these POV violations (first-person limited)? If so, how", "that > **made our tongues melt and our stomachs heat up.** > >", "stomachs heat up.** > > > Rattled by a sound or shake **that", "Sumire had detected,** she picked > up her phone. > > > Are", "pork belly, beef liver, and lamb slices—a selection that > **made our tongues", "her phone. > > > Are these POV violations (first-person limited)? If so,", "**made our tongues melt and our stomachs heat up.** > > > Rattled", "> We ordered pork belly, beef liver, and lamb slices—a selection that >", "> > Rattled by a sound or shake **that only Sumire had detected,**", "and lamb slices—a selection that > **made our tongues melt and our stomachs", "Rattled by a sound or shake **that only Sumire had detected,** she picked", "sound or shake **that only Sumire had detected,** she picked > up her", "or shake **that only Sumire had detected,** she picked > up her phone.", "> > We ordered pork belly, beef liver, and lamb slices—a selection that", "> > > Rattled by a sound or shake **that only Sumire had", "> Are these POV violations (first-person limited)? If so, how to modify them", "our stomachs heat up.** > > > Rattled by a sound or shake", "up.** > > > Rattled by a sound or shake **that only Sumire", "selection that > **made our tongues melt and our stomachs heat up.** >", "had detected,** she picked > up her phone. > > > Are these", "tongues melt and our stomachs heat up.** > > > Rattled by a", "our tongues melt and our stomachs heat up.** > > > Rattled by", "**that only Sumire had detected,** she picked > up her phone. > >", "We ordered pork belly, beef liver, and lamb slices—a selection that > **made", "> Rattled by a sound or shake **that only Sumire had detected,** she", "by a sound or shake **that only Sumire had detected,** she picked >", "a sound or shake **that only Sumire had detected,** she picked > up", "belly, beef liver, and lamb slices—a selection that > **made our tongues melt", "(first-person limited)? If so, how to modify them so there isn't a violation", "detected,** she picked > up her phone. > > > Are these POV", "liver, and lamb slices—a selection that > **made our tongues melt and our", "> up her phone. > > > Are these POV violations (first-person limited)?", "POV violations (first-person limited)? If so, how to modify them so there isn't", "beef liver, and lamb slices—a selection that > **made our tongues melt and", "> **made our tongues melt and our stomachs heat up.** > > >" ]
[ "efficient tools or programs that will help me in editing by detecting and/or", "programs that will help me in editing by detecting and/or marking adverbs? This", "that will help me in editing by detecting and/or marking adverbs? This is", "me in editing by detecting and/or marking adverbs? This is mostly to get", "help me in editing by detecting and/or marking adverbs? This is mostly to", "tools or programs that will help me in editing by detecting and/or marking", "will help me in editing by detecting and/or marking adverbs? This is mostly", "or programs that will help me in editing by detecting and/or marking adverbs?", "detecting and/or marking adverbs? This is mostly to get rid of word bloat.", "editing by detecting and/or marking adverbs? This is mostly to get rid of", "in editing by detecting and/or marking adverbs? This is mostly to get rid", "Are there any simple efficient tools or programs that will help me in", "there any simple efficient tools or programs that will help me in editing", "by detecting and/or marking adverbs? This is mostly to get rid of word", "simple efficient tools or programs that will help me in editing by detecting", "any simple efficient tools or programs that will help me in editing by" ]
[ "rather than just dream about it. I have started writing down characters, their", "of their world, the geography of the world. It has been enjoyable and", "going well, but I wanted to ask more experienced writers if I may", "I have started writing down characters, their personalities, their roles in the story,", "the story, a naming system, the setting of their world, the geography of", "I have always wanted to write a story so I finally started to", "naming system, the setting of their world, the geography of the world. It", "started to take action rather than just dream about it. I have started", "their world, the geography of the world. It has been enjoyable and is", "down characters, their personalities, their roles in the story, a naming system, the", "to take action rather than just dream about it. I have started writing", "story, a naming system, the setting of their world, the geography of the", "world. It has been enjoyable and is going well, but I wanted to", "just dream about it. I have started writing down characters, their personalities, their", "in the story, a naming system, the setting of their world, the geography", "dream about it. I have started writing down characters, their personalities, their roles", "action rather than just dream about it. I have started writing down characters,", "It has been enjoyable and is going well, but I wanted to ask", "a short story first or continue doing what I'm doing? Thank you for", "enjoyable and is going well, but I wanted to ask more experienced writers", "setting of their world, the geography of the world. It has been enjoyable", "much. Should I just write a short story first or continue doing what", "ask more experienced writers if I may be doing to much. Should I", "their personalities, their roles in the story, a naming system, the setting of", "and is going well, but I wanted to ask more experienced writers if", "the setting of their world, the geography of the world. It has been", "have started writing down characters, their personalities, their roles in the story, a", "a naming system, the setting of their world, the geography of the world.", "be doing to much. Should I just write a short story first or", "Should I just write a short story first or continue doing what I'm", "story first or continue doing what I'm doing? Thank you for your help.", "write a short story first or continue doing what I'm doing? Thank you", "more experienced writers if I may be doing to much. Should I just", "characters, their personalities, their roles in the story, a naming system, the setting", "wanted to ask more experienced writers if I may be doing to much.", "first or continue doing what I'm doing? Thank you for your help. Cheers.", "if I may be doing to much. Should I just write a short", "I may be doing to much. Should I just write a short story", "personalities, their roles in the story, a naming system, the setting of their", "is going well, but I wanted to ask more experienced writers if I", "I finally started to take action rather than just dream about it. I", "started writing down characters, their personalities, their roles in the story, a naming", "about it. I have started writing down characters, their personalities, their roles in", "has been enjoyable and is going well, but I wanted to ask more", "may be doing to much. Should I just write a short story first", "well, but I wanted to ask more experienced writers if I may be", "I just write a short story first or continue doing what I'm doing?", "to ask more experienced writers if I may be doing to much. Should", "writers if I may be doing to much. Should I just write a", "take action rather than just dream about it. I have started writing down", "the world. It has been enjoyable and is going well, but I wanted", "but I wanted to ask more experienced writers if I may be doing", "roles in the story, a naming system, the setting of their world, the", "it. I have started writing down characters, their personalities, their roles in the", "of the world. It has been enjoyable and is going well, but I", "have always wanted to write a story so I finally started to take", "write a story so I finally started to take action rather than just", "the geography of the world. It has been enjoyable and is going well,", "geography of the world. It has been enjoyable and is going well, but", "system, the setting of their world, the geography of the world. It has", "short story first or continue doing what I'm doing? Thank you for your", "I wanted to ask more experienced writers if I may be doing to", "writing down characters, their personalities, their roles in the story, a naming system,", "their roles in the story, a naming system, the setting of their world,", "finally started to take action rather than just dream about it. I have", "to much. Should I just write a short story first or continue doing", "experienced writers if I may be doing to much. Should I just write", "so I finally started to take action rather than just dream about it.", "story so I finally started to take action rather than just dream about", "than just dream about it. I have started writing down characters, their personalities,", "been enjoyable and is going well, but I wanted to ask more experienced", "wanted to write a story so I finally started to take action rather", "world, the geography of the world. It has been enjoyable and is going", "doing to much. Should I just write a short story first or continue", "just write a short story first or continue doing what I'm doing? Thank", "a story so I finally started to take action rather than just dream", "to write a story so I finally started to take action rather than", "always wanted to write a story so I finally started to take action" ]
[ "received very kind feedback, too kind in fact. I am wondering if they", "they hadn't used the word \"talented.\" It puts me on alert. Has anyone", "have sent off samples of my writing to a few lit consultancies, and", "help. I wouldn't be so dubious if they hadn't used the word \"talented.\"", "am at the stage where I have edited my novel to the best", "have edited my novel to the best of my ability. I want a", "at the stage where I have edited my novel to the best of", "I wouldn't be so dubious if they hadn't used the word \"talented.\" It", "signs instead of a nervous writer in need of help. I wouldn't be", "they are seeing pound signs instead of a nervous writer in need of", "samples of my writing to a few lit consultancies, and have received very", "pound signs instead of a nervous writer in need of help. I wouldn't", "want a manuscript assessment and have sent off samples of my writing to", "manuscript assessment and have sent off samples of my writing to a few", "too kind in fact. I am wondering if they are seeing pound signs", "puts me on alert. Has anyone had any experience of these editors? Thanks", "a few lit consultancies, and have received very kind feedback, too kind in", "of a nervous writer in need of help. I wouldn't be so dubious", "sent off samples of my writing to a few lit consultancies, and have", "very kind feedback, too kind in fact. I am wondering if they are", "I am wondering if they are seeing pound signs instead of a nervous", "in fact. I am wondering if they are seeing pound signs instead of", "of my writing to a few lit consultancies, and have received very kind", "if they hadn't used the word \"talented.\" It puts me on alert. Has", "feedback, too kind in fact. I am wondering if they are seeing pound", "writing to a few lit consultancies, and have received very kind feedback, too", "be so dubious if they hadn't used the word \"talented.\" It puts me", "stage where I have edited my novel to the best of my ability.", "my novel to the best of my ability. I want a manuscript assessment", "consultancies, and have received very kind feedback, too kind in fact. I am", "need of help. I wouldn't be so dubious if they hadn't used the", "novel to the best of my ability. I want a manuscript assessment and", "word \"talented.\" It puts me on alert. Has anyone had any experience of", "off samples of my writing to a few lit consultancies, and have received", "and have received very kind feedback, too kind in fact. I am wondering", "so dubious if they hadn't used the word \"talented.\" It puts me on", "best of my ability. I want a manuscript assessment and have sent off", "wondering if they are seeing pound signs instead of a nervous writer in", "a nervous writer in need of help. I wouldn't be so dubious if", "and have sent off samples of my writing to a few lit consultancies,", "It puts me on alert. Has anyone had any experience of these editors?", "seeing pound signs instead of a nervous writer in need of help. I", "I want a manuscript assessment and have sent off samples of my writing", "ability. I want a manuscript assessment and have sent off samples of my", "few lit consultancies, and have received very kind feedback, too kind in fact.", "nervous writer in need of help. I wouldn't be so dubious if they", "the best of my ability. I want a manuscript assessment and have sent", "I am at the stage where I have edited my novel to the", "have received very kind feedback, too kind in fact. I am wondering if", "hadn't used the word \"talented.\" It puts me on alert. Has anyone had", "used the word \"talented.\" It puts me on alert. Has anyone had any", "wouldn't be so dubious if they hadn't used the word \"talented.\" It puts", "kind in fact. I am wondering if they are seeing pound signs instead", "assessment and have sent off samples of my writing to a few lit", "of my ability. I want a manuscript assessment and have sent off samples", "writer in need of help. I wouldn't be so dubious if they hadn't", "instead of a nervous writer in need of help. I wouldn't be so", "my ability. I want a manuscript assessment and have sent off samples of", "to a few lit consultancies, and have received very kind feedback, too kind", "where I have edited my novel to the best of my ability. I", "am wondering if they are seeing pound signs instead of a nervous writer", "dubious if they hadn't used the word \"talented.\" It puts me on alert.", "lit consultancies, and have received very kind feedback, too kind in fact. I", "to the best of my ability. I want a manuscript assessment and have", "are seeing pound signs instead of a nervous writer in need of help.", "\"talented.\" It puts me on alert. Has anyone had any experience of these", "a manuscript assessment and have sent off samples of my writing to a", "the word \"talented.\" It puts me on alert. Has anyone had any experience", "of help. I wouldn't be so dubious if they hadn't used the word", "the stage where I have edited my novel to the best of my", "in need of help. I wouldn't be so dubious if they hadn't used", "edited my novel to the best of my ability. I want a manuscript", "fact. I am wondering if they are seeing pound signs instead of a", "I have edited my novel to the best of my ability. I want", "kind feedback, too kind in fact. I am wondering if they are seeing", "if they are seeing pound signs instead of a nervous writer in need", "my writing to a few lit consultancies, and have received very kind feedback," ]
[ "my novel. I like to plan my novels ahead well before I ever", "appreciate any recommendations. **Question:** I am attempting to create a thematic setting for", "a setting? NOTE: The whole idea of using 'thematic settings' in novels might", "Some examples of a thematic setting are below. * **Hunger Games**. If you", "reader something: ideally a message - or theme - that you wish to", "message of Hunger Games has to do with the oppression of government, then", "Something which will allow me to take a theme - or message -", "know of such a way to create a setting? NOTE: The whole idea", "I like to plan my novels ahead well before I ever start writing", "also note that - as in the case of Star Wars - 'setting'", "Do you perhaps know of such a way to create a setting? NOTE:", "'theme' with 'message' please note that I use the phrase 'thematic setting' to", "namely that oppression - shows that message, regardless of whatever the story ends", "will show it regardless of what story I put in it. Do you", "provide an *answer* if you are answering the question. Further Note: For those", "this, I welcome your comments on why not. But please only provide an", "works. Their settings just happen to be good examples (and also note that", "If you know of similar settings, I would appreciate any recommendations. **Question:** I", "that message, regardless of whatever the story ends up being. * **Star Wars**.", "or theme - that you wish to convey to them. You can test", "used for good or evil (which for the record I don't believe *is*", "you have a thematic setting. Some examples of a thematic setting are below.", "you wish to convey to them. You can test a thematic setting by", "by 'thematic setting'. I'm talking about a setting which, simply by having the", "know of similar settings, I would appreciate any recommendations. **Question:** I am attempting", "it can be anything. Note that I'm not saying these are the messages", "please note that I use the phrase 'thematic setting' to mean a setting", "welcome your comments on why not. But please only provide an *answer* if", "setting' to mean a setting which shows a message simply by what it", "wish to convey to them. You can test a thematic setting by removing", "For those of you who do not equate 'theme' with 'message' please note", "the question. Further Note: For those of you who do not equate 'theme'", "put in it. Do you perhaps know of such a way to create", "the story ends up being. * **Star Wars**. If you assume that the", "novel. I like to plan my novels ahead well before I ever start", "writing them, so 'just write' isn't the answer here. I need some plan,", "to mean a setting which shows a message simply by what it is.", "* **Star Wars**. If you assume that the main message of Star Wars", "The whole idea of using 'thematic settings' in novels might be controversial. If", "way to create a setting? NOTE: The whole idea of using 'thematic settings'", "- shows that message, regardless of whatever the story ends up being. *", "I would appreciate any recommendations. **Question:** I am attempting to create a thematic", "*formula* if you will, to follow. Something which will allow me to take", "answering the question. Further Note: For those of you who do not equate", "I put in it. Do you perhaps know of such a way to", "case of Star Wars - 'setting' doesn't always mean the *location*). I'm sure", "them, so 'just write' isn't the answer here. I need some plan, some", "Further Note: For those of you who do not equate 'theme' with 'message'", "that conflict, it can be anything. Note that I'm not saying these are", "or evil (which for the record I don't believe *is* the message), then", "good or evil (which for the record I don't believe *is* the message),", "how the setting - namely that oppression - shows that message, regardless of", "- that you wish to convey to them. You can test a thematic", "be used for good or evil (which for the record I don't believe", "you perhaps know of such a way to create a setting? NOTE: The", "examples of a thematic setting are below. * **Hunger Games**. If you assume", "remains - solely the setting - still shows the message, then you have", "a setting which will show it regardless of what story I put in", "saying these are the messages of the above works. Their settings just happen", "might be controversial. If you believe I should not be attempting to do", "(and also note that - as in the case of Star Wars -", "up being. * **Star Wars**. If you assume that the main message of", "allow me to take a theme - or message - and correctly identify", "located in it, shows the reader something: ideally a message - or theme", "idea of using 'thematic settings' in novels might be controversial. If you believe", "shows the message, then you have a thematic setting. Some examples of a", "as in the case of Star Wars - 'setting' doesn't always mean the", "message, then you have a thematic setting. Some examples of a thematic setting", "perhaps know of such a way to create a setting? NOTE: The whole", "a thematic setting. Some examples of a thematic setting are below. * **Hunger", "that - as in the case of Star Wars - 'setting' doesn't always", "of Star Wars is about how power can be used for good or", "Allow me to explain what I mean by 'thematic setting'. I'm talking about", "always mean the *location*). I'm sure there are others, but I can't think", "you assume that the main message of Hunger Games has to do with", "how power can be used for good or evil (which for the record", "I'm sure there are others, but I can't think of any. If you", "be attempting to do this, I welcome your comments on why not. But", "please only provide an *answer* if you are answering the question. Further Note:", "anything. Note that I'm not saying these are the messages of the above", "to explain what I mean by 'thematic setting'. I'm talking about a setting", "explain what I mean by 'thematic setting'. I'm talking about a setting which,", "a thematic setting by removing the story or plot. If what remains -", "of the above works. Their settings just happen to be good examples (and", "below. * **Hunger Games**. If you assume that the main message of Hunger", "the message), then you can see how a setting of the Force, and", "of using 'thematic settings' in novels might be controversial. If you believe I", "should not be attempting to do this, I welcome your comments on why", "would appreciate any recommendations. **Question:** I am attempting to create a thematic setting", "the message, then you have a thematic setting. Some examples of a thematic", "the oppression of government, then it's easy to see how the setting -", "of Hunger Games has to do with the oppression of government, then it's", "theme - that you wish to convey to them. You can test a", "that the main message of Hunger Games has to do with the oppression", "am attempting to create a thematic setting for my novel. I like to", "- as in the case of Star Wars - 'setting' doesn't always mean", "see how the setting - namely that oppression - shows that message, regardless", "them. You can test a thematic setting by removing the story or plot.", "the *location*). I'm sure there are others, but I can't think of any.", "these are the messages of the above works. Their settings just happen to", "it's easy to see how the setting - namely that oppression - shows", "a way to create a setting? NOTE: The whole idea of using 'thematic", "thematic setting are below. * **Hunger Games**. If you assume that the main", "your comments on why not. But please only provide an *answer* if you", "long as the story centers around that conflict, it can be anything. Note", "whatever the story ends up being. * **Star Wars**. If you assume that", "such a way to create a setting? NOTE: The whole idea of using", "ahead well before I ever start writing them, so 'just write' isn't the", "setting which, simply by having the story located in it, shows the reader", "or message - and correctly identify a setting which will show it regardless", "of such a way to create a setting? NOTE: The whole idea of", "do not equate 'theme' with 'message' please note that I use the phrase", "I ever start writing them, so 'just write' isn't the answer here. I", "could easily show this. As long as the story centers around that conflict,", "this. As long as the story centers around that conflict, it can be", "story centers around that conflict, it can be anything. Note that I'm not", "sure there are others, but I can't think of any. If you know", "the Force, and the conflict between Yibh and Jedi, could easily show this.", "the setting - still shows the message, then you have a thematic setting.", "do with the oppression of government, then it's easy to see how the", "the record I don't believe *is* the message), then you can see how", "the messages of the above works. Their settings just happen to be good", "you know of similar settings, I would appreciate any recommendations. **Question:** I am", "a setting which, simply by having the story located in it, shows the", "the story located in it, shows the reader something: ideally a message -", "thematic setting. Some examples of a thematic setting are below. * **Hunger Games**.", "messages of the above works. Their settings just happen to be good examples", "will, to follow. Something which will allow me to take a theme -", "are answering the question. Further Note: For those of you who do not", "you who do not equate 'theme' with 'message' please note that I use", "on why not. But please only provide an *answer* if you are answering", "message, regardless of whatever the story ends up being. * **Star Wars**. If", "answer here. I need some plan, some *formula* if you will, to follow.", "and the conflict between Yibh and Jedi, could easily show this. As long", "to plan my novels ahead well before I ever start writing them, so", "it, shows the reader something: ideally a message - or theme - that", "the phrase 'thematic setting' to mean a setting which shows a message simply", "simply by having the story located in it, shows the reader something: ideally", "As long as the story centers around that conflict, it can be anything.", "I'm not saying these are the messages of the above works. Their settings", "which will allow me to take a theme - or message - and", "of you who do not equate 'theme' with 'message' please note that I", "with 'message' please note that I use the phrase 'thematic setting' to mean", "Yibh and Jedi, could easily show this. As long as the story centers", "plot. If what remains - solely the setting - still shows the message,", "then you have a thematic setting. Some examples of a thematic setting are", "If you assume that the main message of Hunger Games has to do", "removing the story or plot. If what remains - solely the setting -", "Force, and the conflict between Yibh and Jedi, could easily show this. As", "attempting to create a thematic setting for my novel. I like to plan", "plan, some *formula* if you will, to follow. Something which will allow me", "oppression of government, then it's easy to see how the setting - namely", "for my novel. I like to plan my novels ahead well before I", "start writing them, so 'just write' isn't the answer here. I need some", "Wars**. If you assume that the main message of Star Wars is about", "it regardless of what story I put in it. Do you perhaps know", "to do this, I welcome your comments on why not. But please only", "any. If you know of similar settings, I would appreciate any recommendations. **Question:**", "setting - still shows the message, then you have a thematic setting. Some", "easy to see how the setting - namely that oppression - shows that", "mean the *location*). I'm sure there are others, but I can't think of", "assume that the main message of Star Wars is about how power can", "the main message of Star Wars is about how power can be used", "the reader something: ideally a message - or theme - that you wish", "here. I need some plan, some *formula* if you will, to follow. Something", "novels might be controversial. If you believe I should not be attempting to", "above works. Their settings just happen to be good examples (and also note", "convey to them. You can test a thematic setting by removing the story", "to be good examples (and also note that - as in the case", "I'm talking about a setting which, simply by having the story located in", "a setting of the Force, and the conflict between Yibh and Jedi, could", "use the phrase 'thematic setting' to mean a setting which shows a message", "equate 'theme' with 'message' please note that I use the phrase 'thematic setting'", "think of any. If you know of similar settings, I would appreciate any", "like to plan my novels ahead well before I ever start writing them,", "to convey to them. You can test a thematic setting by removing the", "similar settings, I would appreciate any recommendations. **Question:** I am attempting to create", "controversial. If you believe I should not be attempting to do this, I", "are others, but I can't think of any. If you know of similar", "isn't the answer here. I need some plan, some *formula* if you will,", "by removing the story or plot. If what remains - solely the setting", "can't think of any. If you know of similar settings, I would appreciate", "test a thematic setting by removing the story or plot. If what remains", "not be attempting to do this, I welcome your comments on why not.", "solely the setting - still shows the message, then you have a thematic", "believe I should not be attempting to do this, I welcome your comments", "Wars is about how power can be used for good or evil (which", "to take a theme - or message - and correctly identify a setting", "regardless of what story I put in it. Do you perhaps know of", "create a setting? NOTE: The whole idea of using 'thematic settings' in novels", "Jedi, could easily show this. As long as the story centers around that", "take a theme - or message - and correctly identify a setting which", "*is* the message), then you can see how a setting of the Force,", "show it regardless of what story I put in it. Do you perhaps", "'setting' doesn't always mean the *location*). I'm sure there are others, but I", "main message of Star Wars is about how power can be used for", "ends up being. * **Star Wars**. If you assume that the main message", "* **Hunger Games**. If you assume that the main message of Hunger Games", "plan my novels ahead well before I ever start writing them, so 'just", "that I'm not saying these are the messages of the above works. Their", "mean by 'thematic setting'. I'm talking about a setting which, simply by having", "Star Wars is about how power can be used for good or evil", "recommendations. **Question:** I am attempting to create a thematic setting for my novel.", "shows the reader something: ideally a message - or theme - that you", "evil (which for the record I don't believe *is* the message), then you", "government, then it's easy to see how the setting - namely that oppression", "whole idea of using 'thematic settings' in novels might be controversial. If you", "easily show this. As long as the story centers around that conflict, it", "the answer here. I need some plan, some *formula* if you will, to", "for the record I don't believe *is* the message), then you can see", "setting. Some examples of a thematic setting are below. * **Hunger Games**. If", "don't believe *is* the message), then you can see how a setting of", "- solely the setting - still shows the message, then you have a", "I need some plan, some *formula* if you will, to follow. Something which", "note that - as in the case of Star Wars - 'setting' doesn't", "which will show it regardless of what story I put in it. Do", "that oppression - shows that message, regardless of whatever the story ends up", "not saying these are the messages of the above works. Their settings just", "'message' please note that I use the phrase 'thematic setting' to mean a", "and correctly identify a setting which will show it regardless of what story", "in it. Do you perhaps know of such a way to create a", "I use the phrase 'thematic setting' to mean a setting which shows a", "If what remains - solely the setting - still shows the message, then", "But please only provide an *answer* if you are answering the question. Further", "examples (and also note that - as in the case of Star Wars", "then you can see how a setting of the Force, and the conflict", "how a setting of the Force, and the conflict between Yibh and Jedi,", "ever start writing them, so 'just write' isn't the answer here. I need", "can be anything. Note that I'm not saying these are the messages of", "I am attempting to create a thematic setting for my novel. I like", "setting by removing the story or plot. If what remains - solely the", "so 'just write' isn't the answer here. I need some plan, some *formula*", "in it, shows the reader something: ideally a message - or theme -", "thematic setting by removing the story or plot. If what remains - solely", "**Hunger Games**. If you assume that the main message of Hunger Games has", "that I use the phrase 'thematic setting' to mean a setting which shows", "see how a setting of the Force, and the conflict between Yibh and", "ideally a message - or theme - that you wish to convey to", "- or message - and correctly identify a setting which will show it", "I mean by 'thematic setting'. I'm talking about a setting which, simply by", "the above works. Their settings just happen to be good examples (and also", "conflict, it can be anything. Note that I'm not saying these are the", "about a setting which, simply by having the story located in it, shows", "it. Do you perhaps know of such a way to create a setting?", "those of you who do not equate 'theme' with 'message' please note that", "'thematic setting' to mean a setting which shows a message simply by what", "- 'setting' doesn't always mean the *location*). I'm sure there are others, but", "an *answer* if you are answering the question. Further Note: For those of", "my novels ahead well before I ever start writing them, so 'just write'", "message - and correctly identify a setting which will show it regardless of", "a thematic setting for my novel. I like to plan my novels ahead", "that the main message of Star Wars is about how power can be", "need some plan, some *formula* if you will, to follow. Something which will", "note that I use the phrase 'thematic setting' to mean a setting which", "Games**. If you assume that the main message of Hunger Games has to", "of what story I put in it. Do you perhaps know of such", "setting which will show it regardless of what story I put in it.", "if you will, to follow. Something which will allow me to take a", "message of Star Wars is about how power can be used for good", "of any. If you know of similar settings, I would appreciate any recommendations.", "be good examples (and also note that - as in the case of", "message - or theme - that you wish to convey to them. You", "- or theme - that you wish to convey to them. You can", "are below. * **Hunger Games**. If you assume that the main message of", "will allow me to take a theme - or message - and correctly", "for good or evil (which for the record I don't believe *is* the", "can see how a setting of the Force, and the conflict between Yibh", "novels ahead well before I ever start writing them, so 'just write' isn't", "setting? NOTE: The whole idea of using 'thematic settings' in novels might be", "or plot. If what remains - solely the setting - still shows the", "what I mean by 'thematic setting'. I'm talking about a setting which, simply", "settings just happen to be good examples (and also note that - as", "story or plot. If what remains - solely the setting - still shows", "power can be used for good or evil (which for the record I", "Wars - 'setting' doesn't always mean the *location*). I'm sure there are others,", "assume that the main message of Hunger Games has to do with the", "- and correctly identify a setting which will show it regardless of what", "to create a setting? NOTE: The whole idea of using 'thematic settings' in", "setting are below. * **Hunger Games**. If you assume that the main message", "conflict between Yibh and Jedi, could easily show this. As long as the", "follow. Something which will allow me to take a theme - or message", "to follow. Something which will allow me to take a theme - or", "I should not be attempting to do this, I welcome your comments on", "- namely that oppression - shows that message, regardless of whatever the story", "centers around that conflict, it can be anything. Note that I'm not saying", "a thematic setting are below. * **Hunger Games**. If you assume that the", "the story or plot. If what remains - solely the setting - still", "**Question:** I am attempting to create a thematic setting for my novel. I", "the setting - namely that oppression - shows that message, regardless of whatever", "well before I ever start writing them, so 'just write' isn't the answer", "Note that I'm not saying these are the messages of the above works.", "happen to be good examples (and also note that - as in the", "**Star Wars**. If you assume that the main message of Star Wars is", "in the case of Star Wars - 'setting' doesn't always mean the *location*).", "with the oppression of government, then it's easy to see how the setting", "you believe I should not be attempting to do this, I welcome your", "identify a setting which will show it regardless of what story I put", "thematic setting for my novel. I like to plan my novels ahead well", "but I can't think of any. If you know of similar settings, I", "do this, I welcome your comments on why not. But please only provide", "have a thematic setting. Some examples of a thematic setting are below. *", "- still shows the message, then you have a thematic setting. Some examples", "still shows the message, then you have a thematic setting. Some examples of", "and Jedi, could easily show this. As long as the story centers around", "attempting to do this, I welcome your comments on why not. But please", "setting - namely that oppression - shows that message, regardless of whatever the", "I don't believe *is* the message), then you can see how a setting", "to do with the oppression of government, then it's easy to see how", "something: ideally a message - or theme - that you wish to convey", "are the messages of the above works. Their settings just happen to be", "that you wish to convey to them. You can test a thematic setting", "setting for my novel. I like to plan my novels ahead well before", "Star Wars - 'setting' doesn't always mean the *location*). I'm sure there are", "why not. But please only provide an *answer* if you are answering the", "to them. You can test a thematic setting by removing the story or", "shows that message, regardless of whatever the story ends up being. * **Star", "to create a thematic setting for my novel. I like to plan my", "of Star Wars - 'setting' doesn't always mean the *location*). I'm sure there", "has to do with the oppression of government, then it's easy to see", "what remains - solely the setting - still shows the message, then you", "I can't think of any. If you know of similar settings, I would", "of the Force, and the conflict between Yibh and Jedi, could easily show", "of whatever the story ends up being. * **Star Wars**. If you assume", "having the story located in it, shows the reader something: ideally a message", "'thematic setting'. I'm talking about a setting which, simply by having the story", "If you believe I should not be attempting to do this, I welcome", "setting of the Force, and the conflict between Yibh and Jedi, could easily", "setting'. I'm talking about a setting which, simply by having the story located", "be anything. Note that I'm not saying these are the messages of the", "some *formula* if you will, to follow. Something which will allow me to", "as the story centers around that conflict, it can be anything. Note that", "others, but I can't think of any. If you know of similar settings,", "story I put in it. Do you perhaps know of such a way", "using 'thematic settings' in novels might be controversial. If you believe I should", "create a thematic setting for my novel. I like to plan my novels", "settings, I would appreciate any recommendations. **Question:** I am attempting to create a", "oppression - shows that message, regardless of whatever the story ends up being.", "doesn't always mean the *location*). I'm sure there are others, but I can't", "can test a thematic setting by removing the story or plot. If what", "about how power can be used for good or evil (which for the", "if you are answering the question. Further Note: For those of you who", "'just write' isn't the answer here. I need some plan, some *formula* if", "talking about a setting which, simply by having the story located in it,", "*location*). I'm sure there are others, but I can't think of any. If", "the story centers around that conflict, it can be anything. Note that I'm", "Games has to do with the oppression of government, then it's easy to", "main message of Hunger Games has to do with the oppression of government,", "good examples (and also note that - as in the case of Star", "I welcome your comments on why not. But please only provide an *answer*", "Note: For those of you who do not equate 'theme' with 'message' please", "'thematic settings' in novels might be controversial. If you believe I should not", "the case of Star Wars - 'setting' doesn't always mean the *location*). I'm", "any recommendations. **Question:** I am attempting to create a thematic setting for my", "write' isn't the answer here. I need some plan, some *formula* if you", "not equate 'theme' with 'message' please note that I use the phrase 'thematic", "the conflict between Yibh and Jedi, could easily show this. As long as", "message), then you can see how a setting of the Force, and the", "there are others, but I can't think of any. If you know of", "(which for the record I don't believe *is* the message), then you can", "to see how the setting - namely that oppression - shows that message,", "show this. As long as the story centers around that conflict, it can", "of similar settings, I would appreciate any recommendations. **Question:** I am attempting to", "settings' in novels might be controversial. If you believe I should not be", "story ends up being. * **Star Wars**. If you assume that the main", "before I ever start writing them, so 'just write' isn't the answer here.", "Their settings just happen to be good examples (and also note that -", "what story I put in it. Do you perhaps know of such a", "around that conflict, it can be anything. Note that I'm not saying these", "between Yibh and Jedi, could easily show this. As long as the story", "a message - or theme - that you wish to convey to them.", "in novels might be controversial. If you believe I should not be attempting", "correctly identify a setting which will show it regardless of what story I", "*answer* if you are answering the question. Further Note: For those of you", "regardless of whatever the story ends up being. * **Star Wars**. If you", "you are answering the question. Further Note: For those of you who do", "of government, then it's easy to see how the setting - namely that", "some plan, some *formula* if you will, to follow. Something which will allow", "comments on why not. But please only provide an *answer* if you are", "a theme - or message - and correctly identify a setting which will", "me to explain what I mean by 'thematic setting'. I'm talking about a", "believe *is* the message), then you can see how a setting of the", "the main message of Hunger Games has to do with the oppression of", "You can test a thematic setting by removing the story or plot. If", "record I don't believe *is* the message), then you can see how a", "only provide an *answer* if you are answering the question. Further Note: For", "of a thematic setting are below. * **Hunger Games**. If you assume that", "NOTE: The whole idea of using 'thematic settings' in novels might be controversial.", "question. Further Note: For those of you who do not equate 'theme' with", "by having the story located in it, shows the reader something: ideally a", "then it's easy to see how the setting - namely that oppression -", "story located in it, shows the reader something: ideally a message - or", "phrase 'thematic setting' to mean a setting which shows a message simply by", "me to take a theme - or message - and correctly identify a", "not. But please only provide an *answer* if you are answering the question.", "which, simply by having the story located in it, shows the reader something:", "theme - or message - and correctly identify a setting which will show", "you assume that the main message of Star Wars is about how power", "can be used for good or evil (which for the record I don't", "you will, to follow. Something which will allow me to take a theme", "is about how power can be used for good or evil (which for", "just happen to be good examples (and also note that - as in", "If you assume that the main message of Star Wars is about how", "who do not equate 'theme' with 'message' please note that I use the", "Hunger Games has to do with the oppression of government, then it's easy", "you can see how a setting of the Force, and the conflict between", "being. * **Star Wars**. If you assume that the main message of Star", "be controversial. If you believe I should not be attempting to do this," ]
[ "say that I've been writing internal dialog i.e., thoughts, using italics. Example: >", "In it, I have telepathic dialog between two characters. First let me say", "can differentiate between verbal dialog and telepathic dialog. I would like to know", "die of fright,* he thought. > > > When I write telepathic dialog,", "Example: > > *The poor man's gonna die of fright,* he thought. >", "he thought. > > > When I write telepathic dialog, I've also been", "differentiate between verbal dialog and telepathic dialog. I would like to know if", "me say that I've been writing internal dialog i.e., thoughts, using italics. Example:", "about mental telepathy. In it, I have telepathic dialog between two characters. First", "internal dialog i.e., thoughts, using italics. Example: > > *The poor man's gonna", "verbal dialog and telepathic dialog. I would like to know if I should", "mental telepathy. In it, I have telepathic dialog between two characters. First let", "not I should italicize the telepathic dialog and if I should use quotations", "gonna die of fright,* he thought. > > > When I write telepathic", "characters. First let me say that I've been writing internal dialog i.e., thoughts,", "between two characters. First let me say that I've been writing internal dialog", "write telepathic dialog, I've also been italicizing it; this way the reader can", "I have telepathic dialog between two characters. First let me say that I've", "been italicizing it; this way the reader can differentiate between verbal dialog and", "fright,* he thought. > > > When I write telepathic dialog, I've also", "I write telepathic dialog, I've also been italicizing it; this way the reader", "would appreciate knowing whether or not I should italicize the telepathic dialog and", "writing a story about mental telepathy. In it, I have telepathic dialog between", "I should italicize the telepathic dialog and if I should use quotations as", "dialog i.e., thoughts, using italics. Example: > > *The poor man's gonna die", "thought. > > > When I write telepathic dialog, I've also been italicizing", "> *The poor man's gonna die of fright,* he thought. > > >", "writing internal dialog i.e., thoughts, using italics. Example: > > *The poor man's", "I've been writing internal dialog i.e., thoughts, using italics. Example: > > *The", "dialog. I would like to know if I should use quote marks on", "i.e., thoughts, using italics. Example: > > *The poor man's gonna die of", "the italicized telepathic dialog. I would appreciate knowing whether or not I should", "use quote marks on the italicized telepathic dialog. I would appreciate knowing whether", "I'm writing a story about mental telepathy. In it, I have telepathic dialog", "I've also been italicizing it; this way the reader can differentiate between verbal", "appreciate knowing whether or not I should italicize the telepathic dialog and if", "dialog. I would appreciate knowing whether or not I should italicize the telepathic", "whether or not I should italicize the telepathic dialog and if I should", "a story about mental telepathy. In it, I have telepathic dialog between two", "dialog, I've also been italicizing it; this way the reader can differentiate between", "between verbal dialog and telepathic dialog. I would like to know if I", "this way the reader can differentiate between verbal dialog and telepathic dialog. I", "poor man's gonna die of fright,* he thought. > > > When I", "> > > When I write telepathic dialog, I've also been italicizing it;", "I should use quote marks on the italicized telepathic dialog. I would appreciate", "> > *The poor man's gonna die of fright,* he thought. > >", "like to know if I should use quote marks on the italicized telepathic", "should italicize the telepathic dialog and if I should use quotations as well.", "First let me say that I've been writing internal dialog i.e., thoughts, using", "telepathic dialog between two characters. First let me say that I've been writing", "I would appreciate knowing whether or not I should italicize the telepathic dialog", "if I should use quote marks on the italicized telepathic dialog. I would", "on the italicized telepathic dialog. I would appreciate knowing whether or not I", "telepathic dialog. I would appreciate knowing whether or not I should italicize the", "should use quote marks on the italicized telepathic dialog. I would appreciate knowing", "telepathy. In it, I have telepathic dialog between two characters. First let me", "of fright,* he thought. > > > When I write telepathic dialog, I've", "or not I should italicize the telepathic dialog and if I should use", "reader can differentiate between verbal dialog and telepathic dialog. I would like to", "marks on the italicized telepathic dialog. I would appreciate knowing whether or not", "would like to know if I should use quote marks on the italicized", "italicizing it; this way the reader can differentiate between verbal dialog and telepathic", "quote marks on the italicized telepathic dialog. I would appreciate knowing whether or", "it; this way the reader can differentiate between verbal dialog and telepathic dialog.", "I would like to know if I should use quote marks on the", "man's gonna die of fright,* he thought. > > > When I write", "telepathic dialog, I've also been italicizing it; this way the reader can differentiate", "know if I should use quote marks on the italicized telepathic dialog. I", "using italics. Example: > > *The poor man's gonna die of fright,* he", "been writing internal dialog i.e., thoughts, using italics. Example: > > *The poor", "When I write telepathic dialog, I've also been italicizing it; this way the", "way the reader can differentiate between verbal dialog and telepathic dialog. I would", "that I've been writing internal dialog i.e., thoughts, using italics. Example: > >", "> When I write telepathic dialog, I've also been italicizing it; this way", "*The poor man's gonna die of fright,* he thought. > > > When", "thoughts, using italics. Example: > > *The poor man's gonna die of fright,*", "italicized telepathic dialog. I would appreciate knowing whether or not I should italicize", "have telepathic dialog between two characters. First let me say that I've been", "the reader can differentiate between verbal dialog and telepathic dialog. I would like", "telepathic dialog. I would like to know if I should use quote marks", "story about mental telepathy. In it, I have telepathic dialog between two characters.", "dialog between two characters. First let me say that I've been writing internal", "let me say that I've been writing internal dialog i.e., thoughts, using italics.", "> > When I write telepathic dialog, I've also been italicizing it; this", "italics. Example: > > *The poor man's gonna die of fright,* he thought.", "to know if I should use quote marks on the italicized telepathic dialog.", "and telepathic dialog. I would like to know if I should use quote", "two characters. First let me say that I've been writing internal dialog i.e.,", "dialog and telepathic dialog. I would like to know if I should use", "knowing whether or not I should italicize the telepathic dialog and if I", "it, I have telepathic dialog between two characters. First let me say that", "also been italicizing it; this way the reader can differentiate between verbal dialog" ]
[ "to my characters. Now, if no one wants to publish the book, everything", "know it would probably be way better to just change the names but", "if by some miracle someone does publish it, I may possibly have legal", "have different names. I'm also active on a toy collector forum where I", "mentioning the brand name? Or will it only make things worse? I know", "publish the book, everything will be ok :) But if by some miracle", "it would probably be way better to just change the names but they", "I gave to my characters. Now, if no one wants to publish the", "the inspiration for my animal characters were real-life trademarked toys :( My question", "question is - should I risk contacting the toy manufacturer and ask them", "toy collector forum where I have mentioned the new names I gave to", "English speaker. I've started writing my first novel which I would like to", "I would like to attempt to publish. All of the characters are based", "realizes that the inspiration for my animal characters were real-life trademarked toys :(", "took me ages to create them. Also, I cannot imagine calling my bears", "my animal toy collection, even though they have different names. I'm also active", "collector forum where I have mentioned the new names I gave to my", "does publish it, I may possibly have legal issues in case someone finds", "their products as a novel inspiration without mentioning the brand name? Or will", "without mentioning the brand name? Or will it only make things worse? I", "use their products as a novel inspiration without mentioning the brand name? Or", "- I'm not a native English speaker. I've started writing my first novel", "someone does publish it, I may possibly have legal issues in case someone", "calling my bears anything else, it would just strike a wrong cord. If", "contacting the toy manufacturer and ask them for a possibility to use their", "a novel inspiration without mentioning the brand name? Or will it only make", "cord. If anyone could give me advice, I'd be really grateful. Thank you!", "ok :) But if by some miracle someone does publish it, I may", "forum where I have mentioned the new names I gave to my characters.", "I cannot imagine calling my bears anything else, it would just strike a", "the characters are based on my animal toy collection, even though they have", "I've started writing my first novel which I would like to attempt to", "the brand name? Or will it only make things worse? I know it", "for a possibility to use their products as a novel inspiration without mentioning", "were real-life trademarked toys :( My question is - should I risk contacting", "products as a novel inspiration without mentioning the brand name? Or will it", "brand name? Or will it only make things worse? I know it would", "the names but they are very peculiar and it took me ages to", "a native English speaker. I've started writing my first novel which I would", "one wants to publish the book, everything will be ok :) But if", "and realizes that the inspiration for my animal characters were real-life trademarked toys", "the toy manufacturer and ask them for a possibility to use their products", "I have mentioned the new names I gave to my characters. Now, if", "gave to my characters. Now, if no one wants to publish the book,", "some miracle someone does publish it, I may possibly have legal issues in", "just change the names but they are very peculiar and it took me", "a wrong cord. If anyone could give me advice, I'd be really grateful.", "it, I may possibly have legal issues in case someone finds the forum", "peculiar and it took me ages to create them. Also, I cannot imagine", "- should I risk contacting the toy manufacturer and ask them for a", "but they are very peculiar and it took me ages to create them.", "everything will be ok :) But if by some miracle someone does publish", "only make things worse? I know it would probably be way better to", "bears anything else, it would just strike a wrong cord. If anyone could", "book, everything will be ok :) But if by some miracle someone does", "toy collection, even though they have different names. I'm also active on a", "imagine calling my bears anything else, it would just strike a wrong cord.", "publish. All of the characters are based on my animal toy collection, even", "be way better to just change the names but they are very peculiar", "no one wants to publish the book, everything will be ok :) But", "my first novel which I would like to attempt to publish. All of", "as a novel inspiration without mentioning the brand name? Or will it only", "risk contacting the toy manufacturer and ask them for a possibility to use", "mistakes - I'm not a native English speaker. I've started writing my first", "not a native English speaker. I've started writing my first novel which I", "names but they are very peculiar and it took me ages to create", "like to attempt to publish. All of the characters are based on my", "case someone finds the forum and realizes that the inspiration for my animal", "are very peculiar and it took me ages to create them. Also, I", "change the names but they are very peculiar and it took me ages", "ask them for a possibility to use their products as a novel inspiration", "wrong cord. If anyone could give me advice, I'd be really grateful. Thank", "attempt to publish. All of the characters are based on my animal toy", "Sorry for any mistakes - I'm not a native English speaker. I've started", ":( My question is - should I risk contacting the toy manufacturer and", "I risk contacting the toy manufacturer and ask them for a possibility to", "novel inspiration without mentioning the brand name? Or will it only make things", "of the characters are based on my animal toy collection, even though they", "characters. Now, if no one wants to publish the book, everything will be", "it only make things worse? I know it would probably be way better", "it would just strike a wrong cord. If anyone could give me advice,", "my animal characters were real-life trademarked toys :( My question is - should", "miracle someone does publish it, I may possibly have legal issues in case", "they are very peculiar and it took me ages to create them. Also,", "else, it would just strike a wrong cord. If anyone could give me", "way better to just change the names but they are very peculiar and", "All of the characters are based on my animal toy collection, even though", "characters are based on my animal toy collection, even though they have different", "new names I gave to my characters. Now, if no one wants to", "inspiration for my animal characters were real-life trademarked toys :( My question is", "name? Or will it only make things worse? I know it would probably", "I'm also active on a toy collector forum where I have mentioned the", "Or will it only make things worse? I know it would probably be", "on a toy collector forum where I have mentioned the new names I", "first novel which I would like to attempt to publish. All of the", "by some miracle someone does publish it, I may possibly have legal issues", "forum and realizes that the inspiration for my animal characters were real-life trademarked", "someone finds the forum and realizes that the inspiration for my animal characters", "also active on a toy collector forum where I have mentioned the new", "I'm not a native English speaker. I've started writing my first novel which", "trademarked toys :( My question is - should I risk contacting the toy", "toys :( My question is - should I risk contacting the toy manufacturer", "finds the forum and realizes that the inspiration for my animal characters were", "the book, everything will be ok :) But if by some miracle someone", "I know it would probably be way better to just change the names", "my characters. Now, if no one wants to publish the book, everything will", "possibility to use their products as a novel inspiration without mentioning the brand", "where I have mentioned the new names I gave to my characters. Now,", "create them. Also, I cannot imagine calling my bears anything else, it would", "to just change the names but they are very peculiar and it took", "different names. I'm also active on a toy collector forum where I have", "to publish the book, everything will be ok :) But if by some", "issues in case someone finds the forum and realizes that the inspiration for", "writing my first novel which I would like to attempt to publish. All", "is - should I risk contacting the toy manufacturer and ask them for", "better to just change the names but they are very peculiar and it", "speaker. I've started writing my first novel which I would like to attempt", "that the inspiration for my animal characters were real-life trademarked toys :( My", "to use their products as a novel inspiration without mentioning the brand name?", "animal characters were real-life trademarked toys :( My question is - should I", "for my animal characters were real-life trademarked toys :( My question is -", "should I risk contacting the toy manufacturer and ask them for a possibility", "have legal issues in case someone finds the forum and realizes that the", "will it only make things worse? I know it would probably be way", "and ask them for a possibility to use their products as a novel", "it took me ages to create them. Also, I cannot imagine calling my", "I may possibly have legal issues in case someone finds the forum and", "they have different names. I'm also active on a toy collector forum where", "started writing my first novel which I would like to attempt to publish.", "names. I'm also active on a toy collector forum where I have mentioned", "the new names I gave to my characters. Now, if no one wants", "make things worse? I know it would probably be way better to just", "worse? I know it would probably be way better to just change the", "ages to create them. Also, I cannot imagine calling my bears anything else,", "animal toy collection, even though they have different names. I'm also active on", "may possibly have legal issues in case someone finds the forum and realizes", "though they have different names. I'm also active on a toy collector forum", "My question is - should I risk contacting the toy manufacturer and ask", "would just strike a wrong cord. If anyone could give me advice, I'd", "active on a toy collector forum where I have mentioned the new names", "publish it, I may possibly have legal issues in case someone finds the", "very peculiar and it took me ages to create them. Also, I cannot", "mentioned the new names I gave to my characters. Now, if no one", "any mistakes - I'm not a native English speaker. I've started writing my", "Also, I cannot imagine calling my bears anything else, it would just strike", "to create them. Also, I cannot imagine calling my bears anything else, it", "which I would like to attempt to publish. All of the characters are", "to publish. All of the characters are based on my animal toy collection,", "them for a possibility to use their products as a novel inspiration without", "native English speaker. I've started writing my first novel which I would like", "just strike a wrong cord. If anyone could give me advice, I'd be", "if no one wants to publish the book, everything will be ok :)", "novel which I would like to attempt to publish. All of the characters", "anything else, it would just strike a wrong cord. If anyone could give", "probably be way better to just change the names but they are very", "in case someone finds the forum and realizes that the inspiration for my", "even though they have different names. I'm also active on a toy collector", "based on my animal toy collection, even though they have different names. I'm", "strike a wrong cord. If anyone could give me advice, I'd be really", "would like to attempt to publish. All of the characters are based on", "them. Also, I cannot imagine calling my bears anything else, it would just", "a possibility to use their products as a novel inspiration without mentioning the", "to attempt to publish. All of the characters are based on my animal", "characters were real-life trademarked toys :( My question is - should I risk", "possibly have legal issues in case someone finds the forum and realizes that", "But if by some miracle someone does publish it, I may possibly have", "wants to publish the book, everything will be ok :) But if by", "things worse? I know it would probably be way better to just change", "Now, if no one wants to publish the book, everything will be ok", "collection, even though they have different names. I'm also active on a toy", "toy manufacturer and ask them for a possibility to use their products as", "cannot imagine calling my bears anything else, it would just strike a wrong", "manufacturer and ask them for a possibility to use their products as a", "real-life trademarked toys :( My question is - should I risk contacting the", "inspiration without mentioning the brand name? Or will it only make things worse?", "me ages to create them. Also, I cannot imagine calling my bears anything", "will be ok :) But if by some miracle someone does publish it,", "are based on my animal toy collection, even though they have different names.", "the forum and realizes that the inspiration for my animal characters were real-life", "for any mistakes - I'm not a native English speaker. I've started writing", "a toy collector forum where I have mentioned the new names I gave", "and it took me ages to create them. Also, I cannot imagine calling", "my bears anything else, it would just strike a wrong cord. If anyone", "be ok :) But if by some miracle someone does publish it, I", "would probably be way better to just change the names but they are", "legal issues in case someone finds the forum and realizes that the inspiration", "on my animal toy collection, even though they have different names. I'm also", "have mentioned the new names I gave to my characters. Now, if no", "names I gave to my characters. Now, if no one wants to publish", ":) But if by some miracle someone does publish it, I may possibly" ]
[ "would like to print a book that uses black and red ink only.", "print-on-demand (PoD) services that allow two-color printing? I would like to print a", "(PoD) services that allow two-color printing? I would like to print a book", "are some print-on-demand (PoD) services that allow two-color printing? I would like to", "printing? I would like to print a book that uses black and red", "two-color printing? I would like to print a book that uses black and", "I would like to print a book that uses black and red ink", "some print-on-demand (PoD) services that allow two-color printing? I would like to print", "What are some print-on-demand (PoD) services that allow two-color printing? I would like", "that allow two-color printing? I would like to print a book that uses", "allow two-color printing? I would like to print a book that uses black", "services that allow two-color printing? I would like to print a book that" ]
[ "structure and for publishing and marketing. How can we find a mentor (not", "the book's structure and for publishing and marketing. How can we find a", "our nonfiction, self-help, book draft. We require finding a mentor for improving the", "nonfiction, self-help, book draft. We require finding a mentor for improving the book's", "publishing and marketing. How can we find a mentor (not proofreader)? Is there", "How can we find a mentor (not proofreader)? Is there this kind of", "draft. We require finding a mentor for improving the book's structure and for", "for improving the book's structure and for publishing and marketing. How can we", "have finished our nonfiction, self-help, book draft. We require finding a mentor for", "book's structure and for publishing and marketing. How can we find a mentor", "for publishing and marketing. How can we find a mentor (not proofreader)? Is", "self-help, book draft. We require finding a mentor for improving the book's structure", "require finding a mentor for improving the book's structure and for publishing and", "marketing. How can we find a mentor (not proofreader)? Is there this kind", "a mentor for improving the book's structure and for publishing and marketing. How", "finding a mentor for improving the book's structure and for publishing and marketing.", "and marketing. How can we find a mentor (not proofreader)? Is there this", "mentor for improving the book's structure and for publishing and marketing. How can", "We have finished our nonfiction, self-help, book draft. We require finding a mentor", "book draft. We require finding a mentor for improving the book's structure and", "We require finding a mentor for improving the book's structure and for publishing", "can we find a mentor (not proofreader)? Is there this kind of service?", "finished our nonfiction, self-help, book draft. We require finding a mentor for improving", "improving the book's structure and for publishing and marketing. How can we find", "and for publishing and marketing. How can we find a mentor (not proofreader)?" ]
[ "various reasons, all the characters must talk to each other in a web", "grudge against. Though I do not intend to reveal it at this point", "grudge against L is mentioned, but what actually happened is not described. I'd", "resentful for nothing, without giving too many details about the 'incident', which I", "hate L, and isn't just being resentful for nothing, without giving too many", "of the characters (S) is unwilling to join this chat because it would", "like to be able to show that S has good reason to hate", "this chat because it would mean he had to interact with a particular", "Before his introduction, S is referred to by the other characters in relation", "(L) who he holds a grudge against. Though I do not intend to", "working on in which there are a number of characters who are connected", "reason to hate L, and isn't just being resentful for nothing, without giving", "not described. I'd like to be able to show that S has good", "However, one of the characters (S) is unwilling to join this chat because", "many details about the 'incident', which I intend to have brought up when", "know each other. For various reasons, all the characters must talk to each", "the 'incident', which I intend to have brought up when S abd L", "particular member of the group (L) who he holds a grudge against. Though", "to each other in a web chat format in order to plan a", "S has good reason to hate L, and isn't just being resentful for", "unwilling to join this chat because it would mean he had to interact", "although they don't all know each other. For various reasons, all the characters", "chat because it would mean he had to interact with a particular member", "this 'incident' and the fact he has a grudge against L is mentioned,", "his introduction, S is referred to by the other characters in relation to", "and the fact he has a grudge against L is mentioned, but what", "characters in relation to this 'incident' and the fact he has a grudge", "number of characters who are connected to each other by various friendships/familial relationships,", "S in a confrontation between them. Before his introduction, S is referred to", "a particular member of the group (L) who he holds a grudge against.", "all know each other. For various reasons, all the characters must talk to", "a number of characters who are connected to each other by various friendships/familial", "with a particular member of the group (L) who he holds a grudge", "each other in a web chat format in order to plan a project.", "I have a project I'm currently working on in which there are a", "he holds a grudge against. Though I do not intend to reveal it", "currently working on in which there are a number of characters who are", "to L permanently disfiguring S in a confrontation between them. Before his introduction,", "by various friendships/familial relationships, although they don't all know each other. For various", "story, the grudge is due to L permanently disfiguring S in a confrontation", "up when S abd L meet in person later in the story. Are", "them. Before his introduction, S is referred to by the other characters in", "are a number of characters who are connected to each other by various", "a project. However, one of the characters (S) is unwilling to join this", "mean he had to interact with a particular member of the group (L)", "they don't all know each other. For various reasons, all the characters must", "are connected to each other by various friendships/familial relationships, although they don't all", "Though I do not intend to reveal it at this point in the", "actually happened is not described. I'd like to be able to show that", "to have brought up when S abd L meet in person later in", "group (L) who he holds a grudge against. Though I do not intend", "L, and isn't just being resentful for nothing, without giving too many details", "interact with a particular member of the group (L) who he holds a", "to this 'incident' and the fact he has a grudge against L is", "connected to each other by various friendships/familial relationships, although they don't all know", "web chat format in order to plan a project. However, one of the", "had to interact with a particular member of the group (L) who he", "the story, the grudge is due to L permanently disfiguring S in a", "brought up when S abd L meet in person later in the story.", "for nothing, without giving too many details about the 'incident', which I intend", "S is referred to by the other characters in relation to this 'incident'", "details about the 'incident', which I intend to have brought up when S", "he had to interact with a particular member of the group (L) who", "the grudge is due to L permanently disfiguring S in a confrontation between", "I can use to do this without being infuriatingly vague? Thanks for any", "the story. Are there any methods I can use to do this without", "in a web chat format in order to plan a project. However, one", "in relation to this 'incident' and the fact he has a grudge against", "talk to each other in a web chat format in order to plan", "the other characters in relation to this 'incident' and the fact he has", "about the 'incident', which I intend to have brought up when S abd", "I'd like to be able to show that S has good reason to", "has good reason to hate L, and isn't just being resentful for nothing,", "on in which there are a number of characters who are connected to", "against L is mentioned, but what actually happened is not described. I'd like", "L meet in person later in the story. Are there any methods I", "holds a grudge against. Though I do not intend to reveal it at", "abd L meet in person later in the story. Are there any methods", "to interact with a particular member of the group (L) who he holds", "which I intend to have brought up when S abd L meet in", "introduction, S is referred to by the other characters in relation to this", "in a confrontation between them. Before his introduction, S is referred to by", "each other. For various reasons, all the characters must talk to each other", "don't all know each other. For various reasons, all the characters must talk", "permanently disfiguring S in a confrontation between them. Before his introduction, S is", "when S abd L meet in person later in the story. Are there", "by the other characters in relation to this 'incident' and the fact he", "relationships, although they don't all know each other. For various reasons, all the", "plan a project. 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I'd like to be able", "good reason to hate L, and isn't just being resentful for nothing, without", "all the characters must talk to each other in a web chat format", "a grudge against. Though I do not intend to reveal it at this", "who are connected to each other by various friendships/familial relationships, although they don't", "it at this point in the story, the grudge is due to L", "methods I can use to do this without being infuriatingly vague? Thanks for", "in which there are a number of characters who are connected to each", "to plan a project. However, one of the characters (S) is unwilling to", "a grudge against L is mentioned, but what actually happened is not described.", "because it would mean he had to interact with a particular member of", "For various reasons, all the characters must talk to each other in a", "join this chat because it would mean he had to interact with a", "in order to plan a project. However, one of the characters (S) is", "other in a web chat format in order to plan a project. However,", "relation to this 'incident' and the fact he has a grudge against L", "the characters must talk to each other in a web chat format in", "there any methods I can use to do this without being infuriatingly vague?", "and isn't just being resentful for nothing, without giving too many details about", "at this point in the story, the grudge is due to L permanently", "what actually happened is not described. I'd like to be able to show", "between them. Before his introduction, S is referred to by the other characters", "chat format in order to plan a project. However, one of the characters", "member of the group (L) who he holds a grudge against. Though I", "is not described. I'd like to be able to show that S has", "able to show that S has good reason to hate L, and isn't", "to be able to show that S has good reason to hate L,", "project. However, one of the characters (S) is unwilling to join this chat", "to join this chat because it would mean he had to interact with", "(S) is unwilling to join this chat because it would mean he had", "point in the story, the grudge is due to L permanently disfiguring S", "has a grudge against L is mentioned, but what actually happened is not", "one of the characters (S) is unwilling to join this chat because it", "fact he has a grudge against L is mentioned, but what actually happened", "L permanently disfiguring S in a confrontation between them. Before his introduction, S", "person later in the story. Are there any methods I can use to", "S abd L meet in person later in the story. Are there any", "be able to show that S has good reason to hate L, and", "not intend to reveal it at this point in the story, the grudge", "the characters (S) is unwilling to join this chat because it would mean", "must talk to each other in a web chat format in order to", "would mean he had to interact with a particular member of the group", "reveal it at this point in the story, the grudge is due to", "reasons, all the characters must talk to each other in a web chat", "I do not intend to reveal it at this point in the story,", "other characters in relation to this 'incident' and the fact he has a", "'incident' and the fact he has a grudge against L is mentioned, but", "being resentful for nothing, without giving too many details about the 'incident', which", "to hate L, and isn't just being resentful for nothing, without giving too", "characters who are connected to each other by various friendships/familial relationships, although they", "a project I'm currently working on in which there are a number of", "but what actually happened is not described. I'd like to be able to", "described. I'd like to be able to show that S has good reason", "is due to L permanently disfiguring S in a confrontation between them. Before", "intend to reveal it at this point in the story, the grudge is", "L is mentioned, but what actually happened is not described. I'd like to", "various friendships/familial relationships, although they don't all know each other. For various reasons,", "a confrontation between them. Before his introduction, S is referred to by the", "So. I have a project I'm currently working on in which there are", "do not intend to reveal it at this point in the story, the", "that S has good reason to hate L, and isn't just being resentful", "each other by various friendships/familial relationships, although they don't all know each other.", "he has a grudge against L is mentioned, but what actually happened is", "story. Are there any methods I can use to do this without being", "in the story. Are there any methods I can use to do this", "the fact he has a grudge against L is mentioned, but what actually", "Are there any methods I can use to do this without being infuriatingly", "have a project I'm currently working on in which there are a number", "of the group (L) who he holds a grudge against. Though I do", "project I'm currently working on in which there are a number of characters", "just being resentful for nothing, without giving too many details about the 'incident',", "nothing, without giving too many details about the 'incident', which I intend to", "to show that S has good reason to hate L, and isn't just", "confrontation between them. Before his introduction, S is referred to by the other", "'incident', which I intend to have brought up when S abd L meet", "friendships/familial relationships, although they don't all know each other. For various reasons, all", "to by the other characters in relation to this 'incident' and the fact", "any methods I can use to do this without being infuriatingly vague? Thanks", "can use to do this without being infuriatingly vague? Thanks for any suggestions!", "other. For various reasons, all the characters must talk to each other in", "disfiguring S in a confrontation between them. Before his introduction, S is referred", "who he holds a grudge against. Though I do not intend to reveal", "due to L permanently disfiguring S in a confrontation between them. Before his", "meet in person later in the story. Are there any methods I can", "giving too many details about the 'incident', which I intend to have brought", "of characters who are connected to each other by various friendships/familial relationships, although", "the group (L) who he holds a grudge against. Though I do not", "have brought up when S abd L meet in person later in the", "which there are a number of characters who are connected to each other", "it would mean he had to interact with a particular member of the", "to reveal it at this point in the story, the grudge is due", "without giving too many details about the 'incident', which I intend to have", "in person later in the story. Are there any methods I can use", "format in order to plan a project. However, one of the characters (S)", "to each other by various friendships/familial relationships, although they don't all know each", "I intend to have brought up when S abd L meet in person", "is mentioned, but what actually happened is not described. I'd like to be", "show that S has good reason to hate L, and isn't just being", "other by various friendships/familial relationships, although they don't all know each other. For", "order to plan a project. However, one of the characters (S) is unwilling", "grudge is due to L permanently disfiguring S in a confrontation between them.", "isn't just being resentful for nothing, without giving too many details about the", "against. Though I do not intend to reveal it at this point in", "happened is not described. I'd like to be able to show that S", "there are a number of characters who are connected to each other by", "this point in the story, the grudge is due to L permanently disfiguring" ]
[ "original primary resource, \"Instructions to Christopher Columbus\". It absolutely confirms a claim I", "in the Americas. From a research point, it makes sense to cite this", "in chapter 1 Arana uses a document called \"Instructions to Christopher Columbus\" written", "> > \"Mainland Spain banned slavery and Queen Isabel even condemned the terrible", "one of my source for writing the paper. Many times Arana uses primary", "discussing the queen's condemnation of the colonialists in \"Bolivar\" was a direct quote", "example, in chapter 1 Arana uses a document called \"Instructions to Christopher Columbus\"", "several other documents to push her portrait of colonial South America. I am", "claims. For example, in chapter 1 Arana uses a document called \"Instructions to", "it as well. Do I cite Arana or the original document in my", "written by Queen Isabel? On one hand, Arana cites Queen Isabel and several", "resource, \"Instructions to Christopher Columbus\". It absolutely confirms a claim I am making,", "document called \"Instructions to Christopher Columbus\" written by Queen Isabel I to demonstrate", "slavery and Queen Isabel even condemned the terrible behavior of the Spanish colonialists,", "subject to slavery...\" > > > So in my short paper I summarized", "paper. Many times Arana uses primary sources to back up claims. For example,", "as my Lord the King and Myself have ordered that the Indians living", "in that regard. But on the other hand, I make the claim that", "direct quote from Queen Isabel I: > > \"Forasmuch as my Lord the", "control exploitation of Indians. The passage discussing the queen's condemnation of the colonialists", "paper I summarized these idea to: > > \"Mainland Spain banned slavery and", "facts and am using Arana as a guide. So she did the legwork", "am using Arana as a guide. So she did the legwork for knowing", "of Hispaniola be free and not subject to slavery...\" > > > So", "and control exploitation of Indians. The passage discussing the queen's condemnation of the", "\"Bolivar\" by Marie Arana as one of my source for writing the paper.", "document as Arana had to cite it as well. Do I cite Arana", "it makes sense to cite this document as Arana had to cite it", "to demonstrate the laws Spain passed to initially ban slavery in America, and", "initial edict written by Queen Isabel? On one hand, Arana cites Queen Isabel", "make the claim that Mainland Spain banned slavery in the colonies and the", "the queen condemned it. I think it makes sense to cite the original", "and am using Arana as a guide. So she did the legwork for", "legwork for knowing what primary documents to look for and deserves credit in", "called \"Instructions to Christopher Columbus\" written by Queen Isabel I to demonstrate the", "Arana or do I cite the initial edict written by Queen Isabel? On", "Do I cite Arana or the original document in my sentence? Thank you!", "and Queen Isabel even condemned the terrible behavior of the Spanish colonialists, passing", "and the queen condemned it. I think it makes sense to cite the", "Queen Isabel and several other documents to push her portrait of colonial South", "other hand, I make the claim that Mainland Spain banned slavery in the", "condemned the terrible behavior of the Spanish colonialists, passing laws to discourage the", "research point, it makes sense to cite this document as Arana had to", "Isabel and several other documents to push her portrait of colonial South America.", "knowing what primary documents to look for and deserves credit in that regard.", "to initially ban slavery in America, and control exploitation of Indians. The passage", "chapter 1 Arana uses a document called \"Instructions to Christopher Columbus\" written by", "that Mainland Spain banned slavery in the colonies and the queen condemned it.", "> > \"Forasmuch as my Lord the King and Myself have ordered that", "stop slavery in the Americas. From a research point, it makes sense to", "source for writing the paper. Many times Arana uses primary sources to back", "claim I am making, which is Spain passed laws to stop slavery in", "passed to initially ban slavery in America, and control exploitation of Indians. The", "For example, in chapter 1 Arana uses a document called \"Instructions to Christopher", "a direct quote from Queen Isabel I: > > \"Forasmuch as my Lord", "America. I am trying to share these same facts and am using Arana", "my Lord the King and Myself have ordered that the Indians living on", "to Christopher Columbus\". It absolutely confirms a claim I am making, which is", "colonialists, passing laws to discourage the anarchy in the Americas.\" > > >", "and several other documents to push her portrait of colonial South America. I", "Arana as a guide. So she did the legwork for knowing what primary", "as one of my source for writing the paper. Many times Arana uses", "I summarized these idea to: > > \"Mainland Spain banned slavery and Queen", "share these same facts and am using Arana as a guide. So she", "primary documents to look for and deserves credit in that regard. But on", "cite the original primary resource, \"Instructions to Christopher Columbus\". It absolutely confirms a", "slavery in the colonies and the queen condemned it. I think it makes", "paper on Simon Bolivar for a history class. I am using the book", "she did the legwork for knowing what primary documents to look for and", "> So in my short paper I summarized these idea to: > >", "exploitation of Indians. The passage discussing the queen's condemnation of the colonialists in", "hand, I make the claim that Mainland Spain banned slavery in the colonies", "sense to cite the original primary resource, \"Instructions to Christopher Columbus\". It absolutely", "by Marie Arana as one of my source for writing the paper. Many", "the island of Hispaniola be free and not subject to slavery...\" > >", "1 Arana uses a document called \"Instructions to Christopher Columbus\" written by Queen", "Mainland Spain banned slavery in the colonies and the queen condemned it. I", "other documents to push her portrait of colonial South America. I am trying", "island of Hispaniola be free and not subject to slavery...\" > > >", "regard. But on the other hand, I make the claim that Mainland Spain", "of the Spanish colonialists, passing laws to discourage the anarchy in the Americas.\"", "Arana had to cite it as well. Do I cite Arana or the", "the original primary resource, \"Instructions to Christopher Columbus\". It absolutely confirms a claim", "In my sentence, do I cite Arana or do I cite the initial", "Columbus\". It absolutely confirms a claim I am making, which is Spain passed", "for knowing what primary documents to look for and deserves credit in that", "laws to stop slavery in the Americas. From a research point, it makes", "sense to cite this document as Arana had to cite it as well.", "of my source for writing the paper. Many times Arana uses primary sources", "Lord the King and Myself have ordered that the Indians living on the", "laws to discourage the anarchy in the Americas.\" > > > In my", "\"Instructions to Christopher Columbus\". It absolutely confirms a claim I am making, which", "terrible behavior of the Spanish colonialists, passing laws to discourage the anarchy in", "Many times Arana uses primary sources to back up claims. For example, in", "It absolutely confirms a claim I am making, which is Spain passed laws", "slavery...\" > > > So in my short paper I summarized these idea", "From a research point, it makes sense to cite this document as Arana", "I: > > \"Forasmuch as my Lord the King and Myself have ordered", "am writing a 5 page thesis paper on Simon Bolivar for a history", "ban slavery in America, and control exploitation of Indians. The passage discussing the", "the claim that Mainland Spain banned slavery in the colonies and the queen", "am trying to share these same facts and am using Arana as a", "this document as Arana had to cite it as well. Do I cite", "a history class. I am using the book \"Bolivar\" by Marie Arana as", "\"Instructions to Christopher Columbus\" written by Queen Isabel I to demonstrate the laws", "the terrible behavior of the Spanish colonialists, passing laws to discourage the anarchy", "the anarchy in the Americas.\" > > > In my sentence, do I", "Spain banned slavery and Queen Isabel even condemned the terrible behavior of the", "was a direct quote from Queen Isabel I: > > \"Forasmuch as my", "primary resource, \"Instructions to Christopher Columbus\". It absolutely confirms a claim I am", "my short paper I summarized these idea to: > > \"Mainland Spain banned", "my source for writing the paper. Many times Arana uses primary sources to", "cite this document as Arana had to cite it as well. Do I", "edict written by Queen Isabel? On one hand, Arana cites Queen Isabel and", "Isabel I: > > \"Forasmuch as my Lord the King and Myself have", "these same facts and am using Arana as a guide. So she did", "I am trying to share these same facts and am using Arana as", "Myself have ordered that the Indians living on the island of Hispaniola be", "the colonies and the queen condemned it. I think it makes sense to", "King and Myself have ordered that the Indians living on the island of", "\"Forasmuch as my Lord the King and Myself have ordered that the Indians", "to discourage the anarchy in the Americas.\" > > > In my sentence,", "I cite the initial edict written by Queen Isabel? On one hand, Arana", "do I cite Arana or do I cite the initial edict written by", "> > > In my sentence, do I cite Arana or do I", "documents to look for and deserves credit in that regard. But on the", "the laws Spain passed to initially ban slavery in America, and control exploitation", "of Indians. The passage discussing the queen's condemnation of the colonialists in \"Bolivar\"", "the Spanish colonialists, passing laws to discourage the anarchy in the Americas.\" >", "is Spain passed laws to stop slavery in the Americas. From a research", "America, and control exploitation of Indians. The passage discussing the queen's condemnation of", "passed laws to stop slavery in the Americas. From a research point, it", "Columbus\" written by Queen Isabel I to demonstrate the laws Spain passed to", "queen's condemnation of the colonialists in \"Bolivar\" was a direct quote from Queen", "confirms a claim I am making, which is Spain passed laws to stop", "Arana cites Queen Isabel and several other documents to push her portrait of", "in my short paper I summarized these idea to: > > \"Mainland Spain", "had to cite it as well. Do I cite Arana or the original", "even condemned the terrible behavior of the Spanish colonialists, passing laws to discourage", "on the other hand, I make the claim that Mainland Spain banned slavery", "as Arana had to cite it as well. Do I cite Arana or", "trying to share these same facts and am using Arana as a guide.", "Isabel even condemned the terrible behavior of the Spanish colonialists, passing laws to", "class. I am using the book \"Bolivar\" by Marie Arana as one of", "a document called \"Instructions to Christopher Columbus\" written by Queen Isabel I to", "not subject to slavery...\" > > > So in my short paper I", "her portrait of colonial South America. I am trying to share these same", "Arana as one of my source for writing the paper. Many times Arana", "my sentence, do I cite Arana or do I cite the initial edict", "one hand, Arana cites Queen Isabel and several other documents to push her", "summarized these idea to: > > \"Mainland Spain banned slavery and Queen Isabel", "Isabel I to demonstrate the laws Spain passed to initially ban slavery in", "passage discussing the queen's condemnation of the colonialists in \"Bolivar\" was a direct", "do I cite the initial edict written by Queen Isabel? On one hand,", "absolutely confirms a claim I am making, which is Spain passed laws to", "as a guide. So she did the legwork for knowing what primary documents", "what primary documents to look for and deserves credit in that regard. But", "have ordered that the Indians living on the island of Hispaniola be free", "a claim I am making, which is Spain passed laws to stop slavery", "sources to back up claims. For example, in chapter 1 Arana uses a", "which is Spain passed laws to stop slavery in the Americas. From a", "or do I cite the initial edict written by Queen Isabel? On one", "Americas. From a research point, it makes sense to cite this document as", "be free and not subject to slavery...\" > > > So in my", "using Arana as a guide. So she did the legwork for knowing what", "I am writing a 5 page thesis paper on Simon Bolivar for a", "am making, which is Spain passed laws to stop slavery in the Americas.", "condemnation of the colonialists in \"Bolivar\" was a direct quote from Queen Isabel", "Isabel? On one hand, Arana cites Queen Isabel and several other documents to", "point, it makes sense to cite this document as Arana had to cite", "up claims. For example, in chapter 1 Arana uses a document called \"Instructions", "initially ban slavery in America, and control exploitation of Indians. The passage discussing", "ordered that the Indians living on the island of Hispaniola be free and", "and not subject to slavery...\" > > > So in my short paper", "> > > So in my short paper I summarized these idea to:", "think it makes sense to cite the original primary resource, \"Instructions to Christopher", "Simon Bolivar for a history class. I am using the book \"Bolivar\" by", "I to demonstrate the laws Spain passed to initially ban slavery in America,", "a guide. So she did the legwork for knowing what primary documents to", "in the colonies and the queen condemned it. I think it makes sense", "to back up claims. For example, in chapter 1 Arana uses a document", "condemned it. I think it makes sense to cite the original primary resource,", "as well. Do I cite Arana or the original document in my sentence?", "free and not subject to slavery...\" > > > So in my short", "makes sense to cite the original primary resource, \"Instructions to Christopher Columbus\". It", "documents to push her portrait of colonial South America. I am trying to", "demonstrate the laws Spain passed to initially ban slavery in America, and control", "the Indians living on the island of Hispaniola be free and not subject", "on the island of Hispaniola be free and not subject to slavery...\" >", "page thesis paper on Simon Bolivar for a history class. I am using", "the colonialists in \"Bolivar\" was a direct quote from Queen Isabel I: >", "look for and deserves credit in that regard. But on the other hand,", "the initial edict written by Queen Isabel? On one hand, Arana cites Queen", "Spain banned slavery in the colonies and the queen condemned it. I think", "for a history class. I am using the book \"Bolivar\" by Marie Arana", "by Queen Isabel I to demonstrate the laws Spain passed to initially ban", "The passage discussing the queen's condemnation of the colonialists in \"Bolivar\" was a", "I make the claim that Mainland Spain banned slavery in the colonies and", "from Queen Isabel I: > > \"Forasmuch as my Lord the King and", "to cite it as well. Do I cite Arana or the original document", "it makes sense to cite the original primary resource, \"Instructions to Christopher Columbus\".", "So she did the legwork for knowing what primary documents to look for", "portrait of colonial South America. I am trying to share these same facts", "colonies and the queen condemned it. I think it makes sense to cite", "guide. So she did the legwork for knowing what primary documents to look", "on Simon Bolivar for a history class. I am using the book \"Bolivar\"", "Queen Isabel I: > > \"Forasmuch as my Lord the King and Myself", "that regard. But on the other hand, I make the claim that Mainland", "for writing the paper. Many times Arana uses primary sources to back up", "I am making, which is Spain passed laws to stop slavery in the", "same facts and am using Arana as a guide. So she did the", "in America, and control exploitation of Indians. The passage discussing the queen's condemnation", "> > In my sentence, do I cite Arana or do I cite", "to push her portrait of colonial South America. I am trying to share", "push her portrait of colonial South America. I am trying to share these", "writing a 5 page thesis paper on Simon Bolivar for a history class.", "colonialists in \"Bolivar\" was a direct quote from Queen Isabel I: > >", "back up claims. For example, in chapter 1 Arana uses a document called", "the Americas. From a research point, it makes sense to cite this document", "sentence, do I cite Arana or do I cite the initial edict written", "But on the other hand, I make the claim that Mainland Spain banned", "> \"Mainland Spain banned slavery and Queen Isabel even condemned the terrible behavior", "primary sources to back up claims. For example, in chapter 1 Arana uses", "cite it as well. Do I cite Arana or the original document in", "times Arana uses primary sources to back up claims. For example, in chapter", "to share these same facts and am using Arana as a guide. So", "the other hand, I make the claim that Mainland Spain banned slavery in", "idea to: > > \"Mainland Spain banned slavery and Queen Isabel even condemned", "quote from Queen Isabel I: > > \"Forasmuch as my Lord the King", "hand, Arana cites Queen Isabel and several other documents to push her portrait", "Hispaniola be free and not subject to slavery...\" > > > So in", "cite the initial edict written by Queen Isabel? On one hand, Arana cites", "Arana uses primary sources to back up claims. For example, in chapter 1", "On one hand, Arana cites Queen Isabel and several other documents to push", "thesis paper on Simon Bolivar for a history class. I am using the", "living on the island of Hispaniola be free and not subject to slavery...\"", "uses primary sources to back up claims. For example, in chapter 1 Arana", "Spain passed to initially ban slavery in America, and control exploitation of Indians.", "banned slavery and Queen Isabel even condemned the terrible behavior of the Spanish", "book \"Bolivar\" by Marie Arana as one of my source for writing the", "to stop slavery in the Americas. From a research point, it makes sense", "> In my sentence, do I cite Arana or do I cite the", "a 5 page thesis paper on Simon Bolivar for a history class. I", "Marie Arana as one of my source for writing the paper. Many times", "Indians. The passage discussing the queen's condemnation of the colonialists in \"Bolivar\" was", "I cite Arana or do I cite the initial edict written by Queen", "credit in that regard. But on the other hand, I make the claim", "colonial South America. I am trying to share these same facts and am", "slavery in America, and control exploitation of Indians. The passage discussing the queen's", "writing the paper. Many times Arana uses primary sources to back up claims.", "Bolivar for a history class. I am using the book \"Bolivar\" by Marie", "cite Arana or do I cite the initial edict written by Queen Isabel?", "written by Queen Isabel I to demonstrate the laws Spain passed to initially", "Indians living on the island of Hispaniola be free and not subject to", "South America. I am trying to share these same facts and am using", "\"Bolivar\" was a direct quote from Queen Isabel I: > > \"Forasmuch as", "for and deserves credit in that regard. But on the other hand, I", "anarchy in the Americas.\" > > > In my sentence, do I cite", "to look for and deserves credit in that regard. But on the other", "making, which is Spain passed laws to stop slavery in the Americas. From", "makes sense to cite this document as Arana had to cite it as", "Queen Isabel even condemned the terrible behavior of the Spanish colonialists, passing laws", "the Americas.\" > > > In my sentence, do I cite Arana or", "short paper I summarized these idea to: > > \"Mainland Spain banned slavery", "discourage the anarchy in the Americas.\" > > > In my sentence, do", "deserves credit in that regard. But on the other hand, I make the", "the book \"Bolivar\" by Marie Arana as one of my source for writing", "to Christopher Columbus\" written by Queen Isabel I to demonstrate the laws Spain", "Queen Isabel? On one hand, Arana cites Queen Isabel and several other documents", "the legwork for knowing what primary documents to look for and deserves credit", "> > So in my short paper I summarized these idea to: >", "passing laws to discourage the anarchy in the Americas.\" > > > In", "well. Do I cite Arana or the original document in my sentence? Thank", "to slavery...\" > > > So in my short paper I summarized these", "behavior of the Spanish colonialists, passing laws to discourage the anarchy in the", "Queen Isabel I to demonstrate the laws Spain passed to initially ban slavery", "am using the book \"Bolivar\" by Marie Arana as one of my source", "that the Indians living on the island of Hispaniola be free and not", "Christopher Columbus\". It absolutely confirms a claim I am making, which is Spain", "using the book \"Bolivar\" by Marie Arana as one of my source for", "did the legwork for knowing what primary documents to look for and deserves", "So in my short paper I summarized these idea to: > > \"Mainland", "Spain passed laws to stop slavery in the Americas. From a research point,", "slavery in the Americas. From a research point, it makes sense to cite", "it. I think it makes sense to cite the original primary resource, \"Instructions", "these idea to: > > \"Mainland Spain banned slavery and Queen Isabel even", "to: > > \"Mainland Spain banned slavery and Queen Isabel even condemned the", "to cite this document as Arana had to cite it as well. Do", "I think it makes sense to cite the original primary resource, \"Instructions to", "I am using the book \"Bolivar\" by Marie Arana as one of my", "of the colonialists in \"Bolivar\" was a direct quote from Queen Isabel I:", "a research point, it makes sense to cite this document as Arana had", "the paper. Many times Arana uses primary sources to back up claims. For", "laws Spain passed to initially ban slavery in America, and control exploitation of", "of colonial South America. I am trying to share these same facts and", "Americas.\" > > > In my sentence, do I cite Arana or do", "\"Mainland Spain banned slavery and Queen Isabel even condemned the terrible behavior of", "uses a document called \"Instructions to Christopher Columbus\" written by Queen Isabel I", "queen condemned it. I think it makes sense to cite the original primary", "Arana uses a document called \"Instructions to Christopher Columbus\" written by Queen Isabel", "and deserves credit in that regard. But on the other hand, I make", "history class. I am using the book \"Bolivar\" by Marie Arana as one", "Christopher Columbus\" written by Queen Isabel I to demonstrate the laws Spain passed", "> \"Forasmuch as my Lord the King and Myself have ordered that the", "and Myself have ordered that the Indians living on the island of Hispaniola", "banned slavery in the colonies and the queen condemned it. I think it", "the queen's condemnation of the colonialists in \"Bolivar\" was a direct quote from", "the King and Myself have ordered that the Indians living on the island", "by Queen Isabel? On one hand, Arana cites Queen Isabel and several other", "cites Queen Isabel and several other documents to push her portrait of colonial", "5 page thesis paper on Simon Bolivar for a history class. I am", "to cite the original primary resource, \"Instructions to Christopher Columbus\". It absolutely confirms", "in \"Bolivar\" was a direct quote from Queen Isabel I: > > \"Forasmuch", "claim that Mainland Spain banned slavery in the colonies and the queen condemned", "Spanish colonialists, passing laws to discourage the anarchy in the Americas.\" > >", "in the Americas.\" > > > In my sentence, do I cite Arana" ]
[ "my own writing: > > I cupped my nose—when I should have covered", "own writing: > > I cupped my nose—when I should have covered my", "by another writer that I should avoid this kind of writing. Is he", "the > wi**ck**ed mo**ck**ing of my classmates. > > > I was told", "I was told by another writer that I should avoid this kind of", "kind of writing. Is he right? Or consonance is actually desired in fiction?", "covered my ears. To blo**ck** the > wi**ck**ed mo**ck**ing of my classmates. >", "writing: > > I cupped my nose—when I should have covered my ears.", "I should avoid this kind of writing. Is he right? Or consonance is", "was told by another writer that I should avoid this kind of writing.", "ears. To blo**ck** the > wi**ck**ed mo**ck**ing of my classmates. > > >", "Example from my own writing: > > I cupped my nose—when I should", "my nose—when I should have covered my ears. To blo**ck** the > wi**ck**ed", "told by another writer that I should avoid this kind of writing. Is", "should avoid this kind of writing. Is he right? Or consonance is actually", "blo**ck** the > wi**ck**ed mo**ck**ing of my classmates. > > > I was", "writer that I should avoid this kind of writing. Is he right? Or", "from my own writing: > > I cupped my nose—when I should have", "this kind of writing. Is he right? Or consonance is actually desired in", "that I should avoid this kind of writing. Is he right? Or consonance", "should have covered my ears. To blo**ck** the > wi**ck**ed mo**ck**ing of my", "I cupped my nose—when I should have covered my ears. To blo**ck** the", "of my classmates. > > > I was told by another writer that", "To blo**ck** the > wi**ck**ed mo**ck**ing of my classmates. > > > I", "my ears. To blo**ck** the > wi**ck**ed mo**ck**ing of my classmates. > >", "> > I cupped my nose—when I should have covered my ears. To", "> > I was told by another writer that I should avoid this", "avoid this kind of writing. Is he right? Or consonance is actually desired", "another writer that I should avoid this kind of writing. Is he right?", "> > > I was told by another writer that I should avoid", "I should have covered my ears. To blo**ck** the > wi**ck**ed mo**ck**ing of", "mo**ck**ing of my classmates. > > > I was told by another writer", "> wi**ck**ed mo**ck**ing of my classmates. > > > I was told by", "my classmates. > > > I was told by another writer that I", "nose—when I should have covered my ears. To blo**ck** the > wi**ck**ed mo**ck**ing", "> I was told by another writer that I should avoid this kind", "classmates. > > > I was told by another writer that I should", "cupped my nose—when I should have covered my ears. To blo**ck** the >", "wi**ck**ed mo**ck**ing of my classmates. > > > I was told by another", "> I cupped my nose—when I should have covered my ears. To blo**ck**", "have covered my ears. To blo**ck** the > wi**ck**ed mo**ck**ing of my classmates." ]
[ "so that I can keep the rights to it to write sequels for", "for it later on. How do I self-publish for free and make it", "can keep the rights to it to write sequels for it later on.", "I can keep the rights to it to write sequels for it later", "rights to it to write sequels for it later on. How do I", "a book that I want to self-publish, so that I can keep the", "the rights to it to write sequels for it later on. How do", "self-publish, so that I can keep the rights to it to write sequels", "want to self-publish, so that I can keep the rights to it to", "sequels for it later on. How do I self-publish for free and make", "to it to write sequels for it later on. How do I self-publish", "to write sequels for it later on. How do I self-publish for free", "that I want to self-publish, so that I can keep the rights to", "I am currently writing a book that I want to self-publish, so that", "am currently writing a book that I want to self-publish, so that I", "currently writing a book that I want to self-publish, so that I can", "to self-publish, so that I can keep the rights to it to write", "write sequels for it later on. How do I self-publish for free and", "it later on. How do I self-publish for free and make it popular?", "keep the rights to it to write sequels for it later on. How", "it to write sequels for it later on. How do I self-publish for", "I want to self-publish, so that I can keep the rights to it", "book that I want to self-publish, so that I can keep the rights", "writing a book that I want to self-publish, so that I can keep", "that I can keep the rights to it to write sequels for it" ]
[ "with ideas for a potential story. I am naming my strong female protagonist", "am naming my strong female protagonist and I looked up some character names.", "and I looked up some character names. I like the old german last", "with my character and it means strong and brave. The problem is, i'm", "problem is, i'm afraid if I give her this last name people will", "like the old german last name Storw, it fits with my character and", "afraid if I give her this last name people will think of Tony", "means strong and brave. The problem is, i'm afraid if I give her", "story. I am naming my strong female protagonist and I looked up some", "Storw, aka Izut Mon. What should I do? I really like the name...", "looked up some character names. I like the old german last name Storw,", "strong and brave. The problem is, i'm afraid if I give her this", "some character names. I like the old german last name Storw, it fits", "it fits with my character and it means strong and brave. The problem", "so I am coming up with ideas for a potential story. I am", "fits with my character and it means strong and brave. The problem is,", "protagonist and I looked up some character names. I like the old german", "my character and it means strong and brave. The problem is, i'm afraid", "for a potential story. I am naming my strong female protagonist and I", "The problem is, i'm afraid if I give her this last name people", "up some character names. I like the old german last name Storw, it", "I like the old german last name Storw, it fits with my character", "it means strong and brave. The problem is, i'm afraid if I give", "old german last name Storw, it fits with my character and it means", "german last name Storw, it fits with my character and it means strong", "Storw, it fits with my character and it means strong and brave. The", "I give her this last name people will think of Tony Storw, aka", "her this last name people will think of Tony Storw, aka Izut Mon.", "my strong female protagonist and I looked up some character names. I like", "character and it means strong and brave. The problem is, i'm afraid if", "Okay so I am coming up with ideas for a potential story. I", "names. I like the old german last name Storw, it fits with my", "if I give her this last name people will think of Tony Storw,", "and brave. The problem is, i'm afraid if I give her this last", "think of Tony Storw, aka Izut Mon. What should I do? I really", "of Tony Storw, aka Izut Mon. What should I do? I really like", "character names. I like the old german last name Storw, it fits with", "last name Storw, it fits with my character and it means strong and", "give her this last name people will think of Tony Storw, aka Izut", "am coming up with ideas for a potential story. I am naming my", "naming my strong female protagonist and I looked up some character names. I", "brave. The problem is, i'm afraid if I give her this last name", "is, i'm afraid if I give her this last name people will think", "I am naming my strong female protagonist and I looked up some character", "coming up with ideas for a potential story. I am naming my strong", "last name people will think of Tony Storw, aka Izut Mon. What should", "potential story. I am naming my strong female protagonist and I looked up", "will think of Tony Storw, aka Izut Mon. What should I do? I", "strong female protagonist and I looked up some character names. I like the", "name people will think of Tony Storw, aka Izut Mon. What should I", "female protagonist and I looked up some character names. I like the old", "Tony Storw, aka Izut Mon. What should I do? I really like the", "up with ideas for a potential story. I am naming my strong female", "the old german last name Storw, it fits with my character and it", "I looked up some character names. I like the old german last name", "name Storw, it fits with my character and it means strong and brave.", "i'm afraid if I give her this last name people will think of", "ideas for a potential story. I am naming my strong female protagonist and", "I am coming up with ideas for a potential story. I am naming", "people will think of Tony Storw, aka Izut Mon. What should I do?", "this last name people will think of Tony Storw, aka Izut Mon. What", "a potential story. I am naming my strong female protagonist and I looked", "and it means strong and brave. The problem is, i'm afraid if I" ]
[ "I can't seem to pin down. I'm fairly shy by nature and I", "a writing dilemma where every real life situation I've tried to write feels", "real life situation I've tried to write feels forced/inaccurate. I'm a fairly young", "to write convincingly. I've tried fantasy writing, but there's still a \"believability\" aspect", "just a part of regular life prove difficult to write convincingly. I've tried", "to pin down. I'm fairly shy by nature and I spend a lot", "but there's still a \"believability\" aspect that I can't seem to pin down.", "often just a part of regular life prove difficult to write convincingly. I've", "time observing rather than interacting. Is my problem a lack of confidence? Or", "write convincingly. I've tried fantasy writing, but there's still a \"believability\" aspect that", "traveling, relationships, etc. Experiences that are often just a part of regular life", "this area, I'd really appreciate it. This issue is really demotivating me in", "anybody has some advice to offer in this area, I'd really appreciate it.", "fairly shy by nature and I spend a lot of time observing rather", "convincingly. I've tried fantasy writing, but there's still a \"believability\" aspect that I", "than interacting. Is my problem a lack of confidence? Or tenure? Or maybe", "there's still a \"believability\" aspect that I can't seem to pin down. I'm", "advice to offer in this area, I'd really appreciate it. This issue is", "rather than interacting. Is my problem a lack of confidence? Or tenure? Or", "relationships, etc. Experiences that are often just a part of regular life prove", "I spend a lot of time observing rather than interacting. Is my problem", "\"believability\" aspect that I can't seem to pin down. I'm fairly shy by", "a large amount of experience regarding offices, traveling, relationships, etc. Experiences that are", "down. I'm fairly shy by nature and I spend a lot of time", "dilemma where every real life situation I've tried to write feels forced/inaccurate. I'm", "lack of confidence? Or tenure? Or maybe something else? If anybody has some", "I'm fairly shy by nature and I spend a lot of time observing", "of confidence? Or tenure? Or maybe something else? If anybody has some advice", "of experience regarding offices, traveling, relationships, etc. Experiences that are often just a", "have a large amount of experience regarding offices, traveling, relationships, etc. Experiences that", "seem to pin down. I'm fairly shy by nature and I spend a", "maybe something else? If anybody has some advice to offer in this area,", "offer in this area, I'd really appreciate it. This issue is really demotivating", "to offer in this area, I'd really appreciate it. This issue is really", "part of regular life prove difficult to write convincingly. I've tried fantasy writing,", "a part of regular life prove difficult to write convincingly. I've tried fantasy", "area, I'd really appreciate it. This issue is really demotivating me in my", "of regular life prove difficult to write convincingly. I've tried fantasy writing, but", "don't have a large amount of experience regarding offices, traveling, relationships, etc. Experiences", "some advice to offer in this area, I'd really appreciate it. This issue", "forced/inaccurate. I'm a fairly young person and I don't have a large amount", "and I spend a lot of time observing rather than interacting. Is my", "I've tried fantasy writing, but there's still a \"believability\" aspect that I can't", "by nature and I spend a lot of time observing rather than interacting.", "regular life prove difficult to write convincingly. I've tried fantasy writing, but there's", "are often just a part of regular life prove difficult to write convincingly.", "tenure? Or maybe something else? If anybody has some advice to offer in", "a lot of time observing rather than interacting. Is my problem a lack", "spend a lot of time observing rather than interacting. Is my problem a", "something else? If anybody has some advice to offer in this area, I'd", "writing, but there's still a \"believability\" aspect that I can't seem to pin", "observing rather than interacting. Is my problem a lack of confidence? Or tenure?", "and I don't have a large amount of experience regarding offices, traveling, relationships,", "Is my problem a lack of confidence? Or tenure? Or maybe something else?", "nature and I spend a lot of time observing rather than interacting. Is", "a lack of confidence? Or tenure? Or maybe something else? If anybody has", "interacting. Is my problem a lack of confidence? Or tenure? Or maybe something", "Or maybe something else? If anybody has some advice to offer in this", "problem a lack of confidence? Or tenure? Or maybe something else? If anybody", "can't seem to pin down. I'm fairly shy by nature and I spend", "that I can't seem to pin down. I'm fairly shy by nature and", "I've tried to write feels forced/inaccurate. I'm a fairly young person and I", "Experiences that are often just a part of regular life prove difficult to", "faced with a writing dilemma where every real life situation I've tried to", "fairly young person and I don't have a large amount of experience regarding", "situation I've tried to write feels forced/inaccurate. I'm a fairly young person and", "else? If anybody has some advice to offer in this area, I'd really", "prove difficult to write convincingly. I've tried fantasy writing, but there's still a", "life prove difficult to write convincingly. I've tried fantasy writing, but there's still", "regarding offices, traveling, relationships, etc. Experiences that are often just a part of", "shy by nature and I spend a lot of time observing rather than", "tried to write feels forced/inaccurate. I'm a fairly young person and I don't", "Or tenure? Or maybe something else? If anybody has some advice to offer", "experience regarding offices, traveling, relationships, etc. Experiences that are often just a part", "that are often just a part of regular life prove difficult to write", "my problem a lack of confidence? Or tenure? Or maybe something else? If", "difficult to write convincingly. I've tried fantasy writing, but there's still a \"believability\"", "in this area, I'd really appreciate it. This issue is really demotivating me", "with a writing dilemma where every real life situation I've tried to write", "If anybody has some advice to offer in this area, I'd really appreciate", "I don't have a large amount of experience regarding offices, traveling, relationships, etc.", "I'm faced with a writing dilemma where every real life situation I've tried", "I'd really appreciate it. This issue is really demotivating me in my writing.", "tried fantasy writing, but there's still a \"believability\" aspect that I can't seem", "of time observing rather than interacting. Is my problem a lack of confidence?", "still a \"believability\" aspect that I can't seem to pin down. I'm fairly", "a \"believability\" aspect that I can't seem to pin down. I'm fairly shy", "every real life situation I've tried to write feels forced/inaccurate. I'm a fairly", "fantasy writing, but there's still a \"believability\" aspect that I can't seem to", "writing dilemma where every real life situation I've tried to write feels forced/inaccurate.", "amount of experience regarding offices, traveling, relationships, etc. Experiences that are often just", "I'm a fairly young person and I don't have a large amount of", "to write feels forced/inaccurate. I'm a fairly young person and I don't have", "has some advice to offer in this area, I'd really appreciate it. This", "write feels forced/inaccurate. I'm a fairly young person and I don't have a", "etc. Experiences that are often just a part of regular life prove difficult", "aspect that I can't seem to pin down. I'm fairly shy by nature", "person and I don't have a large amount of experience regarding offices, traveling,", "offices, traveling, relationships, etc. Experiences that are often just a part of regular", "young person and I don't have a large amount of experience regarding offices,", "large amount of experience regarding offices, traveling, relationships, etc. Experiences that are often", "pin down. I'm fairly shy by nature and I spend a lot of", "confidence? Or tenure? Or maybe something else? If anybody has some advice to", "where every real life situation I've tried to write feels forced/inaccurate. I'm a", "lot of time observing rather than interacting. Is my problem a lack of", "life situation I've tried to write feels forced/inaccurate. I'm a fairly young person", "feels forced/inaccurate. I'm a fairly young person and I don't have a large", "a fairly young person and I don't have a large amount of experience" ]
[ "> > \"Do you know the time?\" Akesj asked. > > > \"It's", "you know the time?\" Akesj asked. > > > \"It's 3:00PM,\" Barii said.", "is the first scenario, but I wanted to see what others thought. **The", "> \"I'm good,\" Barii said. > > > \"Do you know the time?\"", "on I would address \"the man\" as just \"Akesj\" in this scene. OR", "suppose they do ***not*** know each other. Next, we have a scene with", "good,\" Barii said. > > > \"Do you know the time?\" Akesj asked.", "Barii finds out Akesj's name through dialogue, how should the narrator address Akesj", "the narrator address Akesj in the scene? For example (1st scenario): > >", "Barii said. \"What's your name?\" > > > \"Akesj,\" Akesj said. > >", "in third person from Akesj's point of view - and suppose they do", "> \"Akesj,\" the man said. > > > Then from here on I", "\"the man\" as just \"Akesj\" in this scene. OR (2nd scenario): > >", "time, written in third person from Barii's point of view. Before Barii finds", "> \"Hi,\" Akesj said. \"How are you?\" > > > \"I'm good,\" Barii", "My hunch is the first scenario, but I wanted to see what others", "said. \"What's your name?\" > > > \"Akesj,\" the man said. > >", "> Barii saw a handsome man. > > > \"Hi,\" the man said.", "> > \"Akesj,\" the man said. > > > Then from here on", "man\" as just \"Akesj\" in this scene. OR (2nd scenario): > > Barii", "address Akesj in the scene? For example (1st scenario): > > Barii saw", "\"I'm good,\" Barii said. > > > \"Do you know the time?\" the", "scenario): > > Barii saw a handsome man. > > > \"Hi,\" the", "you have a scene with Barii, written in third person from Barii's point", "of Akesj until much later in the scene, or she finds out his", "thought. **The reason I ask is because of timing.** Let's say the scenarios", "Barii saw a handsome man. > > > \"Hi,\" the man said. \"How", "with Barii, written in third person from Barii's point of view. Then you", "Before Barii finds out Akesj's name through dialogue, how should the narrator address", "should the narrator address Akesj in the scene? For example (1st scenario): >", "> > \"Hi,\" the man said. \"How are you?\" > > > \"I'm", "Akesj until much later in the scene, or she finds out his name", "of view. Before Barii finds out Akesj's name through dialogue, how should the", "Barii said. > > > \"Do you know the time?\" the man asked.", "reason I ask is because of timing.** Let's say the scenarios above are", "written in third person from Akesj's point of view - and suppose they", "a handsome man. > > > \"Hi,\" the man said. \"How are you?\"", "> \"Do you know the time?\" Akesj asked. > > > \"It's 3:00PM,\"", "(1st scenario): > > Barii saw a handsome man. > > > \"Hi,\"", "know each other. Next, we have a scene with Barii meeting Akesj for", "\"What's your name?\" > > > \"Akesj,\" the man said. > > >", "> > \"Do you know the time?\" the man asked. > > >", "handsome man. > > > \"Hi,\" the man said. \"How are you?\" >", "> \"Do you know the time?\" the man asked. > > > \"It's", "example (1st scenario): > > Barii saw a handsome man. > > >", "\"How are you?\" > > > \"I'm good,\" Barii said. > > >", "> \"It's 3:00PM,\" Barii said. \"What's your name?\" > > > \"Akesj,\" the", "doesn't find out the name of Akesj until much later in the scene,", "are much longer, and Barii doesn't find out the name of Akesj until", "name?\" > > > \"Akesj,\" Akesj said. > > > My hunch is", "\"It's 3:00PM,\" Barii said. \"What's your name?\" > > > \"Akesj,\" Akesj said.", "Then you have a scene with Akesj, written in third person from Akesj's", "address \"the man\" as just \"Akesj\" in this scene. OR (2nd scenario): >", "said. > > > \"Do you know the time?\" the man asked. >", "said. \"How are you?\" > > > \"I'm good,\" Barii said. > >", "3:00PM,\" Barii said. \"What's your name?\" > > > \"Akesj,\" Akesj said. >", "\"Akesj,\" Akesj said. > > > My hunch is the first scenario, but", "> > > Then from here on I would address \"the man\" as", "later in the scene, or she finds out his name in another scene", "> > \"I'm good,\" Barii said. > > > \"Do you know the", "\"Do you know the time?\" the man asked. > > > \"It's 3:00PM,\"", "the man said. \"How are you?\" > > > \"I'm good,\" Barii said.", "name through dialogue, how should the narrator address Akesj in the scene? For", "a scene with Akesj, written in third person from Akesj's point of view", "\"It's 3:00PM,\" Barii said. \"What's your name?\" > > > \"Akesj,\" the man", "your name?\" > > > \"Akesj,\" the man said. > > > Then", "the name of Akesj until much later in the scene, or she finds", "Barii said. > > > \"Do you know the time?\" Akesj asked. >", "in third person from Barii's point of view. Then you have a scene", "you have a scene with Akesj, written in third person from Akesj's point", "> > \"It's 3:00PM,\" Barii said. \"What's your name?\" > > > \"Akesj,\"", "> > > \"Hi,\" Akesj said. \"How are you?\" > > > \"I'm", "timing.** Let's say the scenarios above are much longer, and Barii doesn't find", "scenario): > > Barii saw a handsome man. > > > \"Hi,\" Akesj", "the first scenario, but I wanted to see what others thought. **The reason", "saw a handsome man. > > > \"Hi,\" Akesj said. \"How are you?\"", "scenario, but I wanted to see what others thought. **The reason I ask", "Let's say the scenarios above are much longer, and Barii doesn't find out", "how should the narrator address Akesj in the scene? For example (1st scenario):", "name of Akesj until much later in the scene, or she finds out", "the man said. > > > Then from here on I would address", "scene? For example (1st scenario): > > Barii saw a handsome man. >", "> > > \"Do you know the time?\" the man asked. > >", "in this scene. OR (2nd scenario): > > Barii saw a handsome man.", "first scenario, but I wanted to see what others thought. **The reason I", "third person from Barii's point of view. Then you have a scene with", "man. > > > \"Hi,\" Akesj said. \"How are you?\" > > >", "Barii's point of view. Before Barii finds out Akesj's name through dialogue, how", "**The reason I ask is because of timing.** Let's say the scenarios above", "until much later in the scene, or she finds out his name in", "person from Barii's point of view. Then you have a scene with Akesj,", "view. Then you have a scene with Akesj, written in third person from", "scene with Barii, written in third person from Barii's point of view. Then", "***not*** know each other. Next, we have a scene with Barii meeting Akesj", "the scenarios above are much longer, and Barii doesn't find out the name", "narrator address Akesj in the scene? For example (1st scenario): > > Barii", "(2nd scenario): > > Barii saw a handsome man. > > > \"Hi,\"", "> \"Hi,\" the man said. \"How are you?\" > > > \"I'm good,\"", "name?\" > > > \"Akesj,\" the man said. > > > Then from", "point of view. Then you have a scene with Akesj, written in third", "from Akesj's point of view - and suppose they do ***not*** know each", "> Then from here on I would address \"the man\" as just \"Akesj\"", "\"Akesj\" in this scene. OR (2nd scenario): > > Barii saw a handsome", "scene with Barii meeting Akesj for the first time, written in third person", "your name?\" > > > \"Akesj,\" Akesj said. > > > My hunch", "I ask is because of timing.** Let's say the scenarios above are much", "scenarios above are much longer, and Barii doesn't find out the name of", "> > \"Akesj,\" Akesj said. > > > My hunch is the first", "in the scene, or she finds out his name in another scene later", "said. > > > My hunch is the first scenario, but I wanted", "> > > \"Akesj,\" Akesj said. > > > My hunch is the", "you?\" > > > \"I'm good,\" Barii said. > > > \"Do you", "saw a handsome man. > > > \"Hi,\" the man said. \"How are", "said. \"What's your name?\" > > > \"Akesj,\" Akesj said. > > >", "for the first time, written in third person from Barii's point of view.", "we have a scene with Barii meeting Akesj for the first time, written", "> > \"Hi,\" Akesj said. \"How are you?\" > > > \"I'm good,\"", "but I wanted to see what others thought. **The reason I ask is", "see what others thought. **The reason I ask is because of timing.** Let's", "3:00PM,\" Barii said. \"What's your name?\" > > > \"Akesj,\" the man said.", "Then from here on I would address \"the man\" as just \"Akesj\" in", "Barii's point of view. Then you have a scene with Akesj, written in", "\"Do you know the time?\" Akesj asked. > > > \"It's 3:00PM,\" Barii", "of timing.** Let's say the scenarios above are much longer, and Barii doesn't", "finds out Akesj's name through dialogue, how should the narrator address Akesj in", "are you?\" > > > \"I'm good,\" Barii said. > > > \"Do", "scene. OR (2nd scenario): > > Barii saw a handsome man. > >", "\"Akesj,\" the man said. > > > Then from here on I would", "time?\" Akesj asked. > > > \"It's 3:00PM,\" Barii said. \"What's your name?\"", "> > > \"Akesj,\" the man said. > > > Then from here", "> > > \"Hi,\" the man said. \"How are you?\" > > >", "much longer, and Barii doesn't find out the name of Akesj until much", "point of view. Before Barii finds out Akesj's name through dialogue, how should", "each other. Next, we have a scene with Barii meeting Akesj for the", "Akesj's name through dialogue, how should the narrator address Akesj in the scene?", "Akesj, written in third person from Akesj's point of view - and suppose", "through dialogue, how should the narrator address Akesj in the scene? For example", "Barii doesn't find out the name of Akesj until much later in the", "the first time, written in third person from Barii's point of view. Before", "\"Hi,\" the man said. \"How are you?\" > > > \"I'm good,\" Barii", "> > My hunch is the first scenario, but I wanted to see", "longer, and Barii doesn't find out the name of Akesj until much later", "hunch is the first scenario, but I wanted to see what others thought.", "the time?\" the man asked. > > > \"It's 3:00PM,\" Barii said. \"What's", "wanted to see what others thought. **The reason I ask is because of", "Next, we have a scene with Barii meeting Akesj for the first time,", "first time, written in third person from Barii's point of view. Before Barii", "have a scene with Barii meeting Akesj for the first time, written in", "ask is because of timing.** Let's say the scenarios above are much longer,", "written in third person from Barii's point of view. Before Barii finds out", "have a scene with Barii, written in third person from Barii's point of", "much later in the scene, or she finds out his name in another", "point of view - and suppose they do ***not*** know each other. Next,", "know the time?\" the man asked. > > > \"It's 3:00PM,\" Barii said.", "out the name of Akesj until much later in the scene, or she", "dialogue, how should the narrator address Akesj in the scene? For example (1st", "> > Then from here on I would address \"the man\" as just", "Akesj in the scene? For example (1st scenario): > > Barii saw a", "> > > \"Do you know the time?\" Akesj asked. > > >", "third person from Barii's point of view. Before Barii finds out Akesj's name", "from Barii's point of view. Then you have a scene with Akesj, written", "have a scene with Akesj, written in third person from Akesj's point of", "good,\" Barii said. > > > \"Do you know the time?\" the man", "> \"It's 3:00PM,\" Barii said. \"What's your name?\" > > > \"Akesj,\" Akesj", "above are much longer, and Barii doesn't find out the name of Akesj", "others thought. **The reason I ask is because of timing.** Let's say the", "of view - and suppose they do ***not*** know each other. Next, we", "Let's say you have a scene with Barii, written in third person from", "> \"Akesj,\" Akesj said. > > > My hunch is the first scenario,", "because of timing.** Let's say the scenarios above are much longer, and Barii", "do ***not*** know each other. Next, we have a scene with Barii meeting", "> > Barii saw a handsome man. > > > \"Hi,\" the man", "Akesj said. \"How are you?\" > > > \"I'm good,\" Barii said. >", "say the scenarios above are much longer, and Barii doesn't find out the", "the scene? For example (1st scenario): > > Barii saw a handsome man.", "a handsome man. > > > \"Hi,\" Akesj said. \"How are you?\" >", "said. > > > \"Do you know the time?\" Akesj asked. > >", "other. Next, we have a scene with Barii meeting Akesj for the first", "you know the time?\" the man asked. > > > \"It's 3:00PM,\" Barii", "what others thought. **The reason I ask is because of timing.** Let's say", "view - and suppose they do ***not*** know each other. Next, we have", "say you have a scene with Barii, written in third person from Barii's", "> > > \"It's 3:00PM,\" Barii said. \"What's your name?\" > > >", "in third person from Barii's point of view. Before Barii finds out Akesj's", "time?\" the man asked. > > > \"It's 3:00PM,\" Barii said. \"What's your", "person from Barii's point of view. Before Barii finds out Akesj's name through", "Akesj for the first time, written in third person from Barii's point of", "from Barii's point of view. Before Barii finds out Akesj's name through dialogue,", "and suppose they do ***not*** know each other. Next, we have a scene", "For example (1st scenario): > > Barii saw a handsome man. > >", "man. > > > \"Hi,\" the man said. \"How are you?\" > >", "man asked. > > > \"It's 3:00PM,\" Barii said. \"What's your name?\" >", "Barii said. \"What's your name?\" > > > \"Akesj,\" the man said. >", "said. > > > Then from here on I would address \"the man\"", "Akesj's point of view - and suppose they do ***not*** know each other.", "of view. Then you have a scene with Akesj, written in third person", "I would address \"the man\" as just \"Akesj\" in this scene. OR (2nd", "is because of timing.** Let's say the scenarios above are much longer, and", "written in third person from Barii's point of view. Then you have a", "Akesj asked. > > > \"It's 3:00PM,\" Barii said. \"What's your name?\" >", "a scene with Barii, written in third person from Barii's point of view.", "person from Akesj's point of view - and suppose they do ***not*** know", "Barii saw a handsome man. > > > \"Hi,\" Akesj said. \"How are", "the man asked. > > > \"It's 3:00PM,\" Barii said. \"What's your name?\"", "man said. > > > Then from here on I would address \"the", "as just \"Akesj\" in this scene. OR (2nd scenario): > > Barii saw", "> My hunch is the first scenario, but I wanted to see what", "asked. > > > \"It's 3:00PM,\" Barii said. \"What's your name?\" > >", "scene with Akesj, written in third person from Akesj's point of view -", "would address \"the man\" as just \"Akesj\" in this scene. OR (2nd scenario):", "just \"Akesj\" in this scene. OR (2nd scenario): > > Barii saw a", "> Barii saw a handsome man. > > > \"Hi,\" Akesj said. \"How", "\"I'm good,\" Barii said. > > > \"Do you know the time?\" Akesj", "this scene. OR (2nd scenario): > > Barii saw a handsome man. >", "find out the name of Akesj until much later in the scene, or", "out Akesj's name through dialogue, how should the narrator address Akesj in the", "with Akesj, written in third person from Akesj's point of view - and", "a scene with Barii meeting Akesj for the first time, written in third", "with Barii meeting Akesj for the first time, written in third person from", "Barii, written in third person from Barii's point of view. Then you have", "they do ***not*** know each other. Next, we have a scene with Barii", "> > Barii saw a handsome man. > > > \"Hi,\" Akesj said.", "in the scene? For example (1st scenario): > > Barii saw a handsome", "\"Hi,\" Akesj said. \"How are you?\" > > > \"I'm good,\" Barii said.", "the time?\" Akesj asked. > > > \"It's 3:00PM,\" Barii said. \"What's your", "\"What's your name?\" > > > \"Akesj,\" Akesj said. > > > My", "and Barii doesn't find out the name of Akesj until much later in", "the scene, or she finds out his name in another scene later on.", "> > > \"I'm good,\" Barii said. > > > \"Do you know", "meeting Akesj for the first time, written in third person from Barii's point", "view. Before Barii finds out Akesj's name through dialogue, how should the narrator", "man said. \"How are you?\" > > > \"I'm good,\" Barii said. >", "Akesj said. > > > My hunch is the first scenario, but I", "to see what others thought. **The reason I ask is because of timing.**", "Barii meeting Akesj for the first time, written in third person from Barii's", "here on I would address \"the man\" as just \"Akesj\" in this scene.", "OR (2nd scenario): > > Barii saw a handsome man. > > >", "know the time?\" Akesj asked. > > > \"It's 3:00PM,\" Barii said. \"What's", "handsome man. > > > \"Hi,\" Akesj said. \"How are you?\" > >", "> > > My hunch is the first scenario, but I wanted to", "- and suppose they do ***not*** know each other. Next, we have a", "from here on I would address \"the man\" as just \"Akesj\" in this", "I wanted to see what others thought. **The reason I ask is because", "third person from Akesj's point of view - and suppose they do ***not***" ]
[ "write that novel using my best idea currently... it's just that, I don't", "your thoughts on this, idea generating business... I don't mean give me ideas,", "want to read... should I start there, and just come up with everything", "of the lucid dream spiral dimension... lol. Just what works for you. Thanks.", "that leads to me discovering the iridescent sap of the legendary idea tree,", "provide to my readers? I want to write a story that I would", "it's just that, I don't have an idea, at least not one that", "and just come up with everything that I would want to visualize while", "want to write that novel using my best idea currently... it's just that,", "not asking for a secret map that leads to me discovering the iridescent", "the legendary idea tree, at the end of the lucid dream spiral dimension...", "discovering the iridescent sap of the legendary idea tree, at the end of", "have an idea, at least not one that I deem worthy of the", "me discovering the iridescent sap of the legendary idea tree, at the end", "a novel, but I want to write that novel using my best idea", "deem worthy of the time and effort involved in producing my first novel", "way to generate ideas? What are some questions I could ask myself? Questions", "write a story that I would want to read... should I start there,", "up with everything that I would want to visualize while reading/writing it? Please", "the best way to generate ideas? What are some questions I could ask", "I want to provide to my readers? I want to write a story", "secret map that leads to me discovering the iridescent sap of the legendary", "in producing my first novel draft. Is brainstorming the best way to generate", "I'm not asking for a secret map that leads to me discovering the", "while reading/writing it? Please tell me your thoughts on this, idea generating business...", "about what I want my novel to be? What message I want to", "novel draft. Is brainstorming the best way to generate ideas? What are some", "to be? What message I want to provide to my readers? I want", "my readers? I want to write a story that I would want to", "with everything that I would want to visualize while reading/writing it? Please tell", "Please tell me your thoughts on this, idea generating business... I don't mean", "producing my first novel draft. Is brainstorming the best way to generate ideas?", "message I want to provide to my readers? I want to write a", "that novel using my best idea currently... it's just that, I don't have", "I don't mean give me ideas, and I'm not asking for a secret", "reading/writing it? Please tell me your thoughts on this, idea generating business... I", "read... should I start there, and just come up with everything that I", "currently... it's just that, I don't have an idea, at least not one", "at least not one that I deem worthy of the time and effort", "it? Please tell me your thoughts on this, idea generating business... I don't", "ask myself? Questions about what I want my novel to be? What message", "my best idea currently... it's just that, I don't have an idea, at", "I want to write a novel, but I want to write that novel", "brainstorming the best way to generate ideas? What are some questions I could", "to provide to my readers? I want to write a story that I", "myself? Questions about what I want my novel to be? What message I", "using my best idea currently... it's just that, I don't have an idea,", "to visualize while reading/writing it? Please tell me your thoughts on this, idea", "an idea, at least not one that I deem worthy of the time", "Is brainstorming the best way to generate ideas? What are some questions I", "want to visualize while reading/writing it? Please tell me your thoughts on this,", "iridescent sap of the legendary idea tree, at the end of the lucid", "don't have an idea, at least not one that I deem worthy of", "effort involved in producing my first novel draft. Is brainstorming the best way", "Questions about what I want my novel to be? What message I want", "want to write a novel, but I want to write that novel using", "leads to me discovering the iridescent sap of the legendary idea tree, at", "I deem worthy of the time and effort involved in producing my first", "and effort involved in producing my first novel draft. Is brainstorming the best", "I don't have an idea, at least not one that I deem worthy", "ideas, and I'm not asking for a secret map that leads to me", "would want to read... should I start there, and just come up with", "want to provide to my readers? I want to write a story that", "to my readers? I want to write a story that I would want", "on this, idea generating business... I don't mean give me ideas, and I'm", "and I'm not asking for a secret map that leads to me discovering", "involved in producing my first novel draft. Is brainstorming the best way to", "to read... should I start there, and just come up with everything that", "my first novel draft. Is brainstorming the best way to generate ideas? What", "novel, but I want to write that novel using my best idea currently...", "of the time and effort involved in producing my first novel draft. Is", "a story that I would want to read... should I start there, and", "that I would want to read... should I start there, and just come", "everything that I would want to visualize while reading/writing it? Please tell me", "generating business... I don't mean give me ideas, and I'm not asking for", "at the end of the lucid dream spiral dimension... lol. Just what works", "my novel to be? What message I want to provide to my readers?", "come up with everything that I would want to visualize while reading/writing it?", "could ask myself? Questions about what I want my novel to be? What", "the iridescent sap of the legendary idea tree, at the end of the", "novel using my best idea currently... it's just that, I don't have an", "legendary idea tree, at the end of the lucid dream spiral dimension... lol.", "just come up with everything that I would want to visualize while reading/writing", "sap of the legendary idea tree, at the end of the lucid dream", "I would want to visualize while reading/writing it? Please tell me your thoughts", "one that I deem worthy of the time and effort involved in producing", "draft. Is brainstorming the best way to generate ideas? What are some questions", "least not one that I deem worthy of the time and effort involved", "best idea currently... it's just that, I don't have an idea, at least", "What message I want to provide to my readers? I want to write", "end of the lucid dream spiral dimension... lol. Just what works for you.", "would want to visualize while reading/writing it? Please tell me your thoughts on", "I could ask myself? Questions about what I want my novel to be?", "questions I could ask myself? Questions about what I want my novel to", "I want my novel to be? What message I want to provide to", "mean give me ideas, and I'm not asking for a secret map that", "ideas? What are some questions I could ask myself? Questions about what I", "that, I don't have an idea, at least not one that I deem", "worthy of the time and effort involved in producing my first novel draft.", "write a novel, but I want to write that novel using my best", "best way to generate ideas? What are some questions I could ask myself?", "to write that novel using my best idea currently... it's just that, I", "should I start there, and just come up with everything that I would", "the time and effort involved in producing my first novel draft. Is brainstorming", "visualize while reading/writing it? Please tell me your thoughts on this, idea generating", "tree, at the end of the lucid dream spiral dimension... lol. Just what", "want to write a story that I would want to read... should I", "just that, I don't have an idea, at least not one that I", "for a secret map that leads to me discovering the iridescent sap of", "asking for a secret map that leads to me discovering the iridescent sap", "to generate ideas? What are some questions I could ask myself? Questions about", "there, and just come up with everything that I would want to visualize", "idea, at least not one that I deem worthy of the time and", "this, idea generating business... I don't mean give me ideas, and I'm not", "the end of the lucid dream spiral dimension... lol. Just what works for", "are some questions I could ask myself? Questions about what I want my", "tell me your thoughts on this, idea generating business... I don't mean give", "thoughts on this, idea generating business... I don't mean give me ideas, and", "map that leads to me discovering the iridescent sap of the legendary idea", "idea generating business... I don't mean give me ideas, and I'm not asking", "that I deem worthy of the time and effort involved in producing my", "what I want my novel to be? What message I want to provide", "I start there, and just come up with everything that I would want", "idea currently... it's just that, I don't have an idea, at least not", "give me ideas, and I'm not asking for a secret map that leads", "story that I would want to read... should I start there, and just", "idea tree, at the end of the lucid dream spiral dimension... lol. Just", "want my novel to be? What message I want to provide to my", "business... I don't mean give me ideas, and I'm not asking for a", "that I would want to visualize while reading/writing it? Please tell me your", "readers? I want to write a story that I would want to read...", "first novel draft. Is brainstorming the best way to generate ideas? What are", "me your thoughts on this, idea generating business... I don't mean give me", "me ideas, and I'm not asking for a secret map that leads to", "be? What message I want to provide to my readers? I want to", "some questions I could ask myself? Questions about what I want my novel", "I want to write a story that I would want to read... should", "of the legendary idea tree, at the end of the lucid dream spiral", "don't mean give me ideas, and I'm not asking for a secret map", "I would want to read... should I start there, and just come up", "I want to write that novel using my best idea currently... it's just", "to write a novel, but I want to write that novel using my", "time and effort involved in producing my first novel draft. Is brainstorming the", "start there, and just come up with everything that I would want to", "not one that I deem worthy of the time and effort involved in", "but I want to write that novel using my best idea currently... it's", "to write a story that I would want to read... should I start", "a secret map that leads to me discovering the iridescent sap of the", "What are some questions I could ask myself? Questions about what I want", "to me discovering the iridescent sap of the legendary idea tree, at the", "novel to be? What message I want to provide to my readers? I", "generate ideas? What are some questions I could ask myself? Questions about what" ]
[ "style; descriptive, or intimate, which one should should I focus on? Thank you,", "words that are almost palpable, instead of trying to play fiddle to the", "felt ambivalent as he looked at Diane with disdain. Quick thinking (more concrete):", "of trying to play fiddle to the slow-thinking response, rather than quick-thinking... Slow", "setting, with concrete terms. I want to use words that are almost palpable,", "I want to stay in one style; descriptive, or intimate, which one should", "to stay away from fancy words, and describe sequences, whether action, dialogue, or", "Is there such a thing as too much description? Somebody did tell me", "changed from being very descriptive with setting, to being very intimate with dialogue.", "am actually doing something right. \"Very descriptive!\" \"I could picture it in my", "one comment is usually made, albeit in different ways... I'm just not sure", "almost palpable, instead of trying to play fiddle to the slow-thinking response, rather", "thinking (more concrete): The elephant squirted cherry Kool-Ade through it's trunk, and into", "are almost palpable, instead of trying to play fiddle to the slow-thinking response,", "go. He felt ambivalent as he looked at Diane with disdain. Quick thinking", "tell me that the style of one of my stories changed from being", "tend to stay away from fancy words, and describe sequences, whether action, dialogue,", "much description? Somebody did tell me that the style of one of my", "a bit critical, and over-analyzing people's input. I tend to stay away from", "This is kind of a dumb example, but am I doing something right?", "should I be descriptive? Is there such a thing as too much description?", "stay in one style; descriptive, or intimate, which one should should I focus", "thinking (more abstract): Zotn walked ambiguously into where he wanted to go. He", "If I want to stay in one style; descriptive, or intimate, which one", "Kool-Ade through it's trunk, and into the cabin of Zotn's house-sized, purple monster-truck.", "into where he wanted to go. He felt ambivalent as he looked at", "dumb example, but am I doing something right? Or, are these people just", "to stay in one style; descriptive, or intimate, which one should should I", "abstract): Zotn walked ambiguously into where he wanted to go. He felt ambivalent", "cherry Kool-Ade through it's trunk, and into the cabin of Zotn's house-sized, purple", "of one of my stories changed from being very descriptive with setting, to", "being a bit critical, and over-analyzing people's input. I tend to stay away", "Each and every time I read my stories to people, only one comment", "it's trunk, and into the cabin of Zotn's house-sized, purple monster-truck. This is", "these people just being nice? Also, when should I be descriptive? Is there", "being honest, or if I am actually doing something right. \"Very descriptive!\" \"I", "something default, or 'nice'. Perhaps I am being a bit critical, and over-analyzing", "someone's writing, something default, or 'nice'. Perhaps I am being a bit critical,", "want to stay in one style; descriptive, or intimate, which one should should", "sequences, whether action, dialogue, or setting, with concrete terms. I want to use", "my mind!\" \"You have a knack at describing things so that I can", "And so forth. I'm not sure if this is just something that people", "descriptive!\" \"I could picture it in my mind!\" \"You have a knack at", "or if I am actually doing something right. \"Very descriptive!\" \"I could picture", "\"I could picture it in my mind!\" \"You have a knack at describing", "He felt ambivalent as he looked at Diane with disdain. Quick thinking (more", "actually doing something right. \"Very descriptive!\" \"I could picture it in my mind!\"", "Quick thinking (more concrete): The elephant squirted cherry Kool-Ade through it's trunk, and", "looked at Diane with disdain. Quick thinking (more concrete): The elephant squirted cherry", "Also, when should I be descriptive? Is there such a thing as too", "my stories changed from being very descriptive with setting, to being very intimate", "that the style of one of my stories changed from being very descriptive", "them.\" And so forth. I'm not sure if this is just something that", "they compliment someone's writing, something default, or 'nice'. Perhaps I am being a", "am I doing something right? Or, are these people just being nice? Also,", "descriptive? Is there such a thing as too much description? Somebody did tell", "instead of trying to play fiddle to the slow-thinking response, rather than quick-thinking...", "bit critical, and over-analyzing people's input. I tend to stay away from fancy", "where he wanted to go. He felt ambivalent as he looked at Diane", "only one comment is usually made, albeit in different ways... I'm just not", "bad thing. If I want to stay in one style; descriptive, or intimate,", "when should I be descriptive? Is there such a thing as too much", "trying to play fiddle to the slow-thinking response, rather than quick-thinking... Slow thinking", "is kind of a dumb example, but am I doing something right? Or,", "people say when they compliment someone's writing, something default, or 'nice'. Perhaps I", "concrete): The elephant squirted cherry Kool-Ade through it's trunk, and into the cabin", "I'm not fully sure of what he meant, or if it's a bad", "very descriptive with setting, to being very intimate with dialogue. I'm not fully", "in different ways... I'm just not sure if they're being honest, or if", "just being nice? Also, when should I be descriptive? Is there such a", "of what he meant, or if it's a bad thing. If I want", "this is just something that people say when they compliment someone's writing, something", "can picture them.\" And so forth. I'm not sure if this is just", "meant, or if it's a bad thing. If I want to stay in", "to being very intimate with dialogue. I'm not fully sure of what he", "at describing things so that I can picture them.\" And so forth. I'm", "usually made, albeit in different ways... I'm just not sure if they're being", "if this is just something that people say when they compliment someone's writing,", "a dumb example, but am I doing something right? Or, are these people", "to go. He felt ambivalent as he looked at Diane with disdain. Quick", "fiddle to the slow-thinking response, rather than quick-thinking... Slow thinking (more abstract): Zotn", "I be descriptive? Is there such a thing as too much description? Somebody", "want to use words that are almost palpable, instead of trying to play", "the slow-thinking response, rather than quick-thinking... Slow thinking (more abstract): Zotn walked ambiguously", "'nice'. Perhaps I am being a bit critical, and over-analyzing people's input. I", "knack at describing things so that I can picture them.\" And so forth.", "descriptive with setting, to being very intimate with dialogue. I'm not fully sure", "time I read my stories to people, only one comment is usually made,", "he meant, or if it's a bad thing. If I want to stay", "away from fancy words, and describe sequences, whether action, dialogue, or setting, with", "Slow thinking (more abstract): Zotn walked ambiguously into where he wanted to go.", "ambiguously into where he wanted to go. He felt ambivalent as he looked", "being nice? Also, when should I be descriptive? Is there such a thing", "such a thing as too much description? Somebody did tell me that the", "ambivalent as he looked at Diane with disdain. Quick thinking (more concrete): The", "just not sure if they're being honest, or if I am actually doing", "The elephant squirted cherry Kool-Ade through it's trunk, and into the cabin of", "thing as too much description? Somebody did tell me that the style of", "house-sized, purple monster-truck. This is kind of a dumb example, but am I", "Zotn walked ambiguously into where he wanted to go. He felt ambivalent as", "doing something right. \"Very descriptive!\" \"I could picture it in my mind!\" \"You", "\"You have a knack at describing things so that I can picture them.\"", "description? Somebody did tell me that the style of one of my stories", "disdain. Quick thinking (more concrete): The elephant squirted cherry Kool-Ade through it's trunk,", "of a dumb example, but am I doing something right? Or, are these", "I am actually doing something right. \"Very descriptive!\" \"I could picture it in", "intimate with dialogue. I'm not fully sure of what he meant, or if", "one style; descriptive, or intimate, which one should should I focus on? Thank", "squirted cherry Kool-Ade through it's trunk, and into the cabin of Zotn's house-sized,", "at Diane with disdain. Quick thinking (more concrete): The elephant squirted cherry Kool-Ade", "picture it in my mind!\" \"You have a knack at describing things so", "writing, something default, or 'nice'. Perhaps I am being a bit critical, and", "over-analyzing people's input. I tend to stay away from fancy words, and describe", "my stories to people, only one comment is usually made, albeit in different", "there such a thing as too much description? Somebody did tell me that", "I doing something right? Or, are these people just being nice? Also, when", "to play fiddle to the slow-thinking response, rather than quick-thinking... Slow thinking (more", "cabin of Zotn's house-sized, purple monster-truck. This is kind of a dumb example,", "nice? Also, when should I be descriptive? Is there such a thing as", "what he meant, or if it's a bad thing. If I want to", "words, and describe sequences, whether action, dialogue, or setting, with concrete terms. I", "if they're being honest, or if I am actually doing something right. \"Very", "concrete terms. I want to use words that are almost palpable, instead of", "I'm just not sure if they're being honest, or if I am actually", "in one style; descriptive, or intimate, which one should should I focus on?", "Or, are these people just being nice? Also, when should I be descriptive?", "default, or 'nice'. Perhaps I am being a bit critical, and over-analyzing people's", "with disdain. Quick thinking (more concrete): The elephant squirted cherry Kool-Ade through it's", "made, albeit in different ways... I'm just not sure if they're being honest,", "in my mind!\" \"You have a knack at describing things so that I", "the cabin of Zotn's house-sized, purple monster-truck. This is kind of a dumb", "sure of what he meant, or if it's a bad thing. If I", "terms. I want to use words that are almost palpable, instead of trying", "a bad thing. If I want to stay in one style; descriptive, or", "Somebody did tell me that the style of one of my stories changed", "descriptive, or intimate, which one should should I focus on? Thank you, Jared.", "use words that are almost palpable, instead of trying to play fiddle to", "and describe sequences, whether action, dialogue, or setting, with concrete terms. I want", "stories to people, only one comment is usually made, albeit in different ways...", "not fully sure of what he meant, or if it's a bad thing.", "walked ambiguously into where he wanted to go. He felt ambivalent as he", "stay away from fancy words, and describe sequences, whether action, dialogue, or setting,", "describe sequences, whether action, dialogue, or setting, with concrete terms. I want to", "that I can picture them.\" And so forth. I'm not sure if this", "if it's a bad thing. If I want to stay in one style;", "so forth. I'm not sure if this is just something that people say", "something right. \"Very descriptive!\" \"I could picture it in my mind!\" \"You have", "monster-truck. This is kind of a dumb example, but am I doing something", "say when they compliment someone's writing, something default, or 'nice'. Perhaps I am", "it's a bad thing. If I want to stay in one style; descriptive,", "if I am actually doing something right. \"Very descriptive!\" \"I could picture it", "different ways... I'm just not sure if they're being honest, or if I", "I tend to stay away from fancy words, and describe sequences, whether action,", "to use words that are almost palpable, instead of trying to play fiddle", "I'm not sure if this is just something that people say when they", "could picture it in my mind!\" \"You have a knack at describing things", "albeit in different ways... I'm just not sure if they're being honest, or", "quick-thinking... Slow thinking (more abstract): Zotn walked ambiguously into where he wanted to", "have a knack at describing things so that I can picture them.\" And", "into the cabin of Zotn's house-sized, purple monster-truck. This is kind of a", "one of my stories changed from being very descriptive with setting, to being", "or if it's a bad thing. If I want to stay in one", "thing. If I want to stay in one style; descriptive, or intimate, which", "compliment someone's writing, something default, or 'nice'. Perhaps I am being a bit", "to people, only one comment is usually made, albeit in different ways... I'm", "forth. I'm not sure if this is just something that people say when", "Zotn's house-sized, purple monster-truck. This is kind of a dumb example, but am", "example, but am I doing something right? Or, are these people just being", "he wanted to go. He felt ambivalent as he looked at Diane with", "kind of a dumb example, but am I doing something right? Or, are", "sure if this is just something that people say when they compliment someone's", "that people say when they compliment someone's writing, something default, or 'nice'. Perhaps", "are these people just being nice? Also, when should I be descriptive? Is", "style of one of my stories changed from being very descriptive with setting,", "Diane with disdain. Quick thinking (more concrete): The elephant squirted cherry Kool-Ade through", "is usually made, albeit in different ways... I'm just not sure if they're", "(more abstract): Zotn walked ambiguously into where he wanted to go. He felt", "so that I can picture them.\" And so forth. I'm not sure if", "sure if they're being honest, or if I am actually doing something right.", "Perhaps I am being a bit critical, and over-analyzing people's input. I tend", "and into the cabin of Zotn's house-sized, purple monster-truck. This is kind of", "people, only one comment is usually made, albeit in different ways... I'm just", "is just something that people say when they compliment someone's writing, something default,", "critical, and over-analyzing people's input. I tend to stay away from fancy words,", "being very intimate with dialogue. I'm not fully sure of what he meant,", "be descriptive? Is there such a thing as too much description? Somebody did", "very intimate with dialogue. I'm not fully sure of what he meant, or", "I am being a bit critical, and over-analyzing people's input. I tend to", "I read my stories to people, only one comment is usually made, albeit", "am being a bit critical, and over-analyzing people's input. I tend to stay", "just something that people say when they compliment someone's writing, something default, or", "something that people say when they compliment someone's writing, something default, or 'nice'.", "not sure if this is just something that people say when they compliment", "or setting, with concrete terms. I want to use words that are almost", "trunk, and into the cabin of Zotn's house-sized, purple monster-truck. This is kind", "purple monster-truck. This is kind of a dumb example, but am I doing", "it in my mind!\" \"You have a knack at describing things so that", "honest, or if I am actually doing something right. \"Very descriptive!\" \"I could", "I want to use words that are almost palpable, instead of trying to", "palpable, instead of trying to play fiddle to the slow-thinking response, rather than", "people just being nice? Also, when should I be descriptive? Is there such", "and over-analyzing people's input. I tend to stay away from fancy words, and", "input. I tend to stay away from fancy words, and describe sequences, whether", "describing things so that I can picture them.\" And so forth. I'm not", "comment is usually made, albeit in different ways... I'm just not sure if", "whether action, dialogue, or setting, with concrete terms. I want to use words", "setting, to being very intimate with dialogue. I'm not fully sure of what", "elephant squirted cherry Kool-Ade through it's trunk, and into the cabin of Zotn's", "fully sure of what he meant, or if it's a bad thing. If", "read my stories to people, only one comment is usually made, albeit in", "picture them.\" And so forth. I'm not sure if this is just something", "response, rather than quick-thinking... Slow thinking (more abstract): Zotn walked ambiguously into where", "me that the style of one of my stories changed from being very", "stories changed from being very descriptive with setting, to being very intimate with", "of my stories changed from being very descriptive with setting, to being very", "than quick-thinking... Slow thinking (more abstract): Zotn walked ambiguously into where he wanted", "with concrete terms. I want to use words that are almost palpable, instead", "wanted to go. He felt ambivalent as he looked at Diane with disdain.", "from fancy words, and describe sequences, whether action, dialogue, or setting, with concrete", "a knack at describing things so that I can picture them.\" And so", "they're being honest, or if I am actually doing something right. \"Very descriptive!\"", "(more concrete): The elephant squirted cherry Kool-Ade through it's trunk, and into the", "play fiddle to the slow-thinking response, rather than quick-thinking... Slow thinking (more abstract):", "things so that I can picture them.\" And so forth. I'm not sure", "people's input. I tend to stay away from fancy words, and describe sequences,", "did tell me that the style of one of my stories changed from", "I can picture them.\" And so forth. I'm not sure if this is", "dialogue, or setting, with concrete terms. I want to use words that are", "with dialogue. I'm not fully sure of what he meant, or if it's", "not sure if they're being honest, or if I am actually doing something", "rather than quick-thinking... Slow thinking (more abstract): Zotn walked ambiguously into where he", "something right? Or, are these people just being nice? Also, when should I", "he looked at Diane with disdain. Quick thinking (more concrete): The elephant squirted", "being very descriptive with setting, to being very intimate with dialogue. I'm not", "to the slow-thinking response, rather than quick-thinking... Slow thinking (more abstract): Zotn walked", "that are almost palpable, instead of trying to play fiddle to the slow-thinking", "of Zotn's house-sized, purple monster-truck. This is kind of a dumb example, but", "right? Or, are these people just being nice? Also, when should I be", "from being very descriptive with setting, to being very intimate with dialogue. I'm", "right. \"Very descriptive!\" \"I could picture it in my mind!\" \"You have a", "too much description? Somebody did tell me that the style of one of", "fancy words, and describe sequences, whether action, dialogue, or setting, with concrete terms.", "but am I doing something right? Or, are these people just being nice?", "through it's trunk, and into the cabin of Zotn's house-sized, purple monster-truck. This", "a thing as too much description? Somebody did tell me that the style", "every time I read my stories to people, only one comment is usually", "or 'nice'. Perhaps I am being a bit critical, and over-analyzing people's input.", "when they compliment someone's writing, something default, or 'nice'. Perhaps I am being", "\"Very descriptive!\" \"I could picture it in my mind!\" \"You have a knack", "as too much description? Somebody did tell me that the style of one", "ways... I'm just not sure if they're being honest, or if I am", "mind!\" \"You have a knack at describing things so that I can picture", "the style of one of my stories changed from being very descriptive with", "as he looked at Diane with disdain. Quick thinking (more concrete): The elephant", "and every time I read my stories to people, only one comment is", "doing something right? Or, are these people just being nice? Also, when should", "dialogue. I'm not fully sure of what he meant, or if it's a", "slow-thinking response, rather than quick-thinking... Slow thinking (more abstract): Zotn walked ambiguously into", "action, dialogue, or setting, with concrete terms. I want to use words that", "with setting, to being very intimate with dialogue. I'm not fully sure of" ]
[ "for a novel, including characters, storyline etc.. I have found that writing my", "on outlining the rest of the plot, and it all seems disorganized. Is", "ideas down helps make them more real and concrete.The problem I am having", "I am having is that I will write a scene for the story,", "will write a scene for the story, then I will work on character", "write a scene for the story, then I will work on character development,", "how to truly begin to write a novel, or is this a pretty", "it all seems disorganized. Is there a sequence on how to truly begin", "have many abstract ideas for a novel, including characters, storyline etc.. I have", "on how to truly begin to write a novel, or is this a", "a novel, including characters, storyline etc.. I have found that writing my ideas", "rest of the plot, and it all seems disorganized. Is there a sequence", "found that writing my ideas down helps make them more real and concrete.The", "to truly begin to write a novel, or is this a pretty normal", "real and concrete.The problem I am having is that I will write a", "my ideas down helps make them more real and concrete.The problem I am", "concrete.The problem I am having is that I will write a scene for", "the plot, and it all seems disorganized. Is there a sequence on how", "truly begin to write a novel, or is this a pretty normal process?", "sequence on how to truly begin to write a novel, or is this", "disorganized. Is there a sequence on how to truly begin to write a", "character development, then I will work on outlining the rest of the plot,", "plot, and it all seems disorganized. Is there a sequence on how to", "ideas for a novel, including characters, storyline etc.. I have found that writing", "I have found that writing my ideas down helps make them more real", "more real and concrete.The problem I am having is that I will write", "have found that writing my ideas down helps make them more real and", "many abstract ideas for a novel, including characters, storyline etc.. I have found", "I will write a scene for the story, then I will work on", "that writing my ideas down helps make them more real and concrete.The problem", "problem I am having is that I will write a scene for the", "helps make them more real and concrete.The problem I am having is that", "on character development, then I will work on outlining the rest of the", "of the plot, and it all seems disorganized. Is there a sequence on", "work on outlining the rest of the plot, and it all seems disorganized.", "then I will work on character development, then I will work on outlining", "story, then I will work on character development, then I will work on", "seems disorganized. Is there a sequence on how to truly begin to write", "there a sequence on how to truly begin to write a novel, or", "make them more real and concrete.The problem I am having is that I", "will work on character development, then I will work on outlining the rest", "outlining the rest of the plot, and it all seems disorganized. Is there", "characters, storyline etc.. I have found that writing my ideas down helps make", "development, then I will work on outlining the rest of the plot, and", "am having is that I will write a scene for the story, then", "is that I will write a scene for the story, then I will", "then I will work on outlining the rest of the plot, and it", "down helps make them more real and concrete.The problem I am having is", "them more real and concrete.The problem I am having is that I will", "I will work on character development, then I will work on outlining the", "the story, then I will work on character development, then I will work", "storyline etc.. I have found that writing my ideas down helps make them", "having is that I will write a scene for the story, then I", "abstract ideas for a novel, including characters, storyline etc.. I have found that", "and it all seems disorganized. Is there a sequence on how to truly", "I have many abstract ideas for a novel, including characters, storyline etc.. I", "that I will write a scene for the story, then I will work", "writing my ideas down helps make them more real and concrete.The problem I", "for the story, then I will work on character development, then I will", "will work on outlining the rest of the plot, and it all seems", "novel, including characters, storyline etc.. I have found that writing my ideas down", "including characters, storyline etc.. I have found that writing my ideas down helps", "I will work on outlining the rest of the plot, and it all", "a scene for the story, then I will work on character development, then", "etc.. I have found that writing my ideas down helps make them more", "Is there a sequence on how to truly begin to write a novel,", "a sequence on how to truly begin to write a novel, or is", "all seems disorganized. Is there a sequence on how to truly begin to", "the rest of the plot, and it all seems disorganized. Is there a", "and concrete.The problem I am having is that I will write a scene", "work on character development, then I will work on outlining the rest of", "scene for the story, then I will work on character development, then I" ]
[ "see why you don't see entirely fictional worlds based off of time periods", "a modern world full of skyscraper cities and modern technology, and there's people", "magic member. Being a mage is no more rare than being a paragon", "names that people wouldn't recognize. Am I trying too hard to create something", "magic suits of armor in place of power armor, and mages are everywhere,", "being set in the future or our own reality? I would like to", "was still people just like them still walking around today! Another thing that", "(aside for the fact that its inhabited by humans, and the same animals", "much every superhero team has a magic member. Being a mage is no", "of magic, modern technology, superheroes, people in full plate armor with weird abilities,", "people just like them still walking around today! Another thing that maybe a", "see science fiction in your more typical superhero story. And yes, I've had", "the longest time, so I'm more familiar with that, and besides, science fiction", "the same animals as our world). The nations aren't the same for one.", "world. Let me give some details. Its a superhero setting. I know, its", "but I'm not asking for a critique on my conworld. I'm asking how", "for the longest time, so I'm more familiar with that, and besides, science", "people with fantastic powers wearing spandex running around. But the names of the", "for your average reader. I've never heard of a case of someone making", "an energy sword he can reshape into whatever he needs, kinda like the", "normally don't see in fantasy (one for instance has an energy sword he", "really trying to do that. I just wanted to put more serious thought", "dated after a while. Not that all characters are magic, but you often", "something new? I don't see why you don't see entirely fictional worlds based", "sense, and I'm not really trying to do that. I just wanted to", "don't see why you don't see entirely fictional worlds based off of time", "fictional conworld full of people with a more or less modern technology level.", "people have cars and jets and computers, but without it being set in", "a completely fictional conworld full of people with a more or less modern", "Magic isn't really that rare. Pretty much every superhero team has a magic", "spandex running around. But the names of the nations and cities and cultures", "world, superhumans aren't new. Imagine if fictional characters like Hercules and Dorsin weren't", "and you in general you see A LOT of characters who have powers", "a weird world full of magic, modern technology, superheroes, people in full plate", "full plate armor with weird abilities, and names that people wouldn't recognize. Am", "and names that people wouldn't recognize. Am I trying too hard to create", "what the technique is called, but its a technique where you create something", "I'm asking how people would receive such a thing as a constructed world", "and the history books were litered with characters like them, and there was", "fiction in your more typical superhero story. And yes, I've had some people", "any more advanced than us. Even if I do feel tempted to include", "superhero story. And yes, I've had some people suggest I should do some", "modern technology, superheroes, people in full plate armor with weird abilities, and names", "your average reader. I've never heard of a case of someone making a", "reality? I would like to do this, but I'm afraid of what kind", "own modern world. Let me give some details. Its a superhero setting. I", "a critique of this (its still a work in progress anyway), I was", "can reshape into whatever he needs, kinda like the Green Lanterns), but knights", "had some people suggest I should do some research into urban fantasy. Anyway,", "weird things that you normally don't see in fantasy (one for instance has", "has an energy sword he can reshape into whatever he needs, kinda like", "in general you see A LOT of characters who have powers based in", "how people would receive such a thing as a constructed world not based", "aren't even the same. Even the religions and cultures that reside in this", "give some details. Its a superhero setting. I know, its impossible to make", "ends up looking dated after a while. Not that all characters are magic,", "level. The closest you see are worlds that are just 'our world, except", "would like to do this, but I'm afraid of what kind of reception", "of the different 'ages' of comics that you often see. In my world,", "technology level. The closest you see are worlds that are just 'our world,", "100% historical, and the history books were litered with characters like them, and", "typical superhero story. And yes, I've had some people suggest I should do", "entirely fictional worlds based off of time periods later than the renaissance. Why", "by humans, and the same animals as our world). The nations aren't the", "weird world full of magic, modern technology, superheroes, people in full plate armor", "But the names of the nations and cities and cultures and religions are", "have people wearing magic suits of armor in place of power armor, and", "never heard of a case of someone making a completely fictional conworld full", "is called, but its a technique where you create something fictional but normal", "like the Green Lanterns), but knights none-the-less. Magic isn't really that rare. Pretty", "'our world, except when mentioned otherwise'. In my world, nothing is familiar (aside", "armor with weird abilities, and names that people wouldn't recognize. Am I trying", "Imagine if fictional characters like Hercules and Dorsin weren't fiction, but were 100%", "it alternate history. The layout of the continents aren't even the same. Even", "on my conworld. I'm asking how people would receive such a thing as", "be like, but off our own modern world. Let me give some details.", "modern technology, and there's people with fantastic powers wearing spandex running around. But", "what the future may be like, but off our own modern world. Let", "beliefs from the outside. But if I did this, I may confuse readers.", "in progress anyway), I was just worried that all of this may be", "one. There is no US or China. Nor is it alternate history. The", "the continents aren't even the same. Even the religions and cultures that reside", "based off of ancient cultures, or our fantasies of what the future may", "in this world aren't the same as ours. Now, why would I make", "fantasies of what the future may be like, but off our own modern", "a magic member. Being a mage is no more rare than being a", "why you don't see entirely fictional worlds based off of time periods later", "wanted to put more serious thought into the affect superhumans would actually have", "knights! Cnigktm that can do weird things that you normally don't see in", "I'm not asking for a critique of this (its still a work in", "a role in the setting than science fiction. For one, I had wanted", "nothing is familiar (aside for the fact that its inhabited by humans, and", "create something fictional but normal to the reader so that they can see", "the technique is called, but its a technique where you create something fictional", "Am I trying too hard to create something new? I don't see why", "heard of a case of someone making a completely fictional conworld full of", "that its inhabited by humans, and the same animals as our world). The", "reshape into whatever he needs, kinda like the Green Lanterns), but knights none-the-less.", "as ours. Now, why would I make a world so familiar yet alien?", "less modern technology level. The closest you see are worlds that are just", "weren't fiction, but were 100% historical, and the history books were litered with", "is it alternate history. The layout of the continents aren't even the same.", "asking for a critique on my conworld. I'm asking how people would receive", "world). The nations aren't the same for one. There is no US or", "see in fantasy (one for instance has an energy sword he can reshape", "still a work in progress anyway), I was just worried that all of", "constructed world not based off of ancient cultures, or our fantasies of what", "average reader. I've never heard of a case of someone making a completely", "they can see their own beliefs from the outside. But if I did", "fictional characters like Hercules and Dorsin weren't fiction, but were 100% historical, and", "member. Being a mage is no more rare than being a paragon or", "conworlding forum, but I'm not asking for a critique on my conworld. I'm", "except when mentioned otherwise'. In my world, nothing is familiar (aside for the", "that are just 'our world, except when mentioned otherwise'. In my world, nothing", "their own beliefs from the outside. But if I did this, I may", "if I did this, I may confuse readers. So, I have a modern", "can do weird things that you normally don't see in fantasy (one for", "too hard to create something new? I don't see why you don't see", "not based off of ancient cultures, or our fantasies of what the future", "if I do feel tempted to include a mad scientist character wearing power", "in the setting than science fiction. For one, I had wanted to write", "but its a technique where you create something fictional but normal to the", "they did exist. Also their history isn't based off of the different 'ages'", "more advanced than us. Even if I do feel tempted to include a", "100% sense, and I'm not really trying to do that. I just wanted", "the renaissance. Why can't you have a conworld where people have cars and", "like, but off our own modern world. Let me give some details. Its", "see A LOT of characters who have powers based in magic. I mean,", "mad scientist character wearing power armor. So what I have is a weird", "superhumans would actually have on our world if they did exist. Also their", "the affect superhumans would actually have on our world if they did exist.", "And yes, I've had some people suggest I should do some research into", "normal to the reader so that they can see their own beliefs from", "even the same. Even the religions and cultures that reside in this world", "me give some details. Its a superhero setting. I know, its impossible to", "in your more typical superhero story. And yes, I've had some people suggest", "Even the religions and cultures that reside in this world aren't the same", "to create something new? I don't see why you don't see entirely fictional", "I mean, I already have sketches for a few characters that literally look", "character wearing power armor. So what I have is a weird world full", "modern world full of skyscraper cities and modern technology, and there's people with", "of someone making a completely fictional conworld full of people with a more", "So, I have a modern world full of skyscraper cities and modern technology,", "world full of skyscraper cities and modern technology, and there's people with fantastic", "off of the different 'ages' of comics that you often see. In my", "superhumans aren't new. Imagine if fictional characters like Hercules and Dorsin weren't fiction,", "this isn't the conworlding forum, but I'm not asking for a critique on", "is familiar (aside for the fact that its inhabited by humans, and the", "as our world). The nations aren't the same for one. There is no", "see. In my world, superhumans aren't new. Imagine if fictional characters like Hercules", "the religions and cultures that reside in this world aren't the same as", "the same as ours. Now, why would I make a world so familiar", "with fantastic powers wearing spandex running around. But the names of the nations", "them still walking around today! Another thing that maybe a problem, is that", "from the outside. But if I did this, I may confuse readers. So,", "where you create something fictional but normal to the reader so that they", "needs, kinda like the Green Lanterns), but knights none-the-less. Magic isn't really that", "history books were litered with characters like them, and there was still people", "kinda like the Green Lanterns), but knights none-the-less. Magic isn't really that rare.", "setting. I know, its impossible to make superheroes make 100% sense, and I'm", "are just 'our world, except when mentioned otherwise'. In my world, nothing is", "just 'our world, except when mentioned otherwise'. In my world, nothing is familiar", "none-the-less. Magic isn't really that rare. Pretty much every superhero team has a", "but normal to the reader so that they can see their own beliefs", "are everywhere, and you in general you see A LOT of characters who", "history. The layout of the continents aren't even the same. Even the religions", "Not that all characters are magic, but you often see magic where you", "for social commentary. I forget what the technique is called, but its a", "The closest you see are worlds that are just 'our world, except when", "I don't see why you don't see entirely fictional worlds based off of", "asking how people would receive such a thing as a constructed world not", "you see A LOT of characters who have powers based in magic. I", "wanted to write a fantasy novel for the longest time, so I'm more", "alien? Mostly for social commentary. I forget what the technique is called, but", "based off of time periods later than the renaissance. Why can't you have", "problem, is that the supernatural plays more a role in the setting than", "that all characters are magic, but you often see magic where you would", "or a not-batman. That's not so say science doesn't exist in their world,", "their world, but no one's really any more advanced than us. Even if", "advanced than us. Even if I do feel tempted to include a mad", "this may be too outlandish for your average reader. I've never heard of", "know this isn't the conworlding forum, but I'm not asking for a critique", "not really trying to do that. I just wanted to put more serious", "whatever he needs, kinda like the Green Lanterns), but knights none-the-less. Magic isn't", "have sketches for a few characters that literally look like knights! Cnigktm that", "with weird abilities, and names that people wouldn't recognize. Am I trying too", "is a weird world full of magic, modern technology, superheroes, people in full", "more rare than being a paragon or a not-batman. That's not so say", "that literally look like knights! Cnigktm that can do weird things that you", "see are worlds that are just 'our world, except when mentioned otherwise'. In", "its inhabited by humans, and the same animals as our world). The nations", "know, its impossible to make superheroes make 100% sense, and I'm not really", "completely fictional conworld full of people with a more or less modern technology", "and the same animals as our world). The nations aren't the same for", "readers. So, I have a modern world full of skyscraper cities and modern", "and there's people with fantastic powers wearing spandex running around. But the names", "there's people with fantastic powers wearing spandex running around. But the names of", "mage is no more rare than being a paragon or a not-batman. That's", "to write a fantasy novel for the longest time, so I'm more familiar", "paragon or a not-batman. That's not so say science doesn't exist in their", "of time periods later than the renaissance. Why can't you have a conworld", "are worlds that are just 'our world, except when mentioned otherwise'. In my", "already have sketches for a few characters that literally look like knights! Cnigktm", "people wouldn't recognize. Am I trying too hard to create something new? I", "names of the nations and cities and cultures and religions are all entirely", "of armor in place of power armor, and mages are everywhere, and you", "a paragon or a not-batman. That's not so say science doesn't exist in", "its a technique where you create something fictional but normal to the reader", "you would normally see science fiction in your more typical superhero story. And", "fiction, but were 100% historical, and the history books were litered with characters", "to put more serious thought into the affect superhumans would actually have on", "you in general you see A LOT of characters who have powers based", "a few characters that literally look like knights! Cnigktm that can do weird", "and cultures and religions are all entirely fictional, and you have people wearing", "running around. But the names of the nations and cities and cultures and", "instance has an energy sword he can reshape into whatever he needs, kinda", "to do that. I just wanted to put more serious thought into the", "fiction. For one, I had wanted to write a fantasy novel for the", "such a thing as a constructed world not based off of ancient cultures,", "knights none-the-less. Magic isn't really that rare. Pretty much every superhero team has", "off our own modern world. Let me give some details. Its a superhero", "with a more or less modern technology level. The closest you see are", "that all of this may be too outlandish for your average reader. I've", "than science fiction. For one, I had wanted to write a fantasy novel", "but no one's really any more advanced than us. Even if I do", "the history books were litered with characters like them, and there was still", "he can reshape into whatever he needs, kinda like the Green Lanterns), but", "more or less modern technology level. The closest you see are worlds that", "technique where you create something fictional but normal to the reader so that", "and you have people wearing magic suits of armor in place of power", "full of people with a more or less modern technology level. The closest", "the Green Lanterns), but knights none-the-less. Magic isn't really that rare. Pretty much", "do some research into urban fantasy. Anyway, I'm not asking for a critique", "role in the setting than science fiction. For one, I had wanted to", "I have a modern world full of skyscraper cities and modern technology, and", "still people just like them still walking around today! Another thing that maybe", "I had wanted to write a fantasy novel for the longest time, so", "my conworld. I'm asking how people would receive such a thing as a", "is that the supernatural plays more a role in the setting than science", "sketches for a few characters that literally look like knights! Cnigktm that can", "on our world if they did exist. Also their history isn't based off", "people with a more or less modern technology level. The closest you see", "that can do weird things that you normally don't see in fantasy (one", "So what I have is a weird world full of magic, modern technology,", "a mage is no more rare than being a paragon or a not-batman.", "trying too hard to create something new? I don't see why you don't", "layout of the continents aren't even the same. Even the religions and cultures", "in the future or our own reality? I would like to do this,", "ours. Now, why would I make a world so familiar yet alien? Mostly", "around. But the names of the nations and cities and cultures and religions", "setting than science fiction. For one, I had wanted to write a fantasy", "superheroes make 100% sense, and I'm not really trying to do that. I", "cities and cultures and religions are all entirely fictional, and you have people", "are all entirely fictional, and you have people wearing magic suits of armor", "superhero setting. I know, its impossible to make superheroes make 100% sense, and", "same. Even the religions and cultures that reside in this world aren't the", "were 100% historical, and the history books were litered with characters like them,", "you create something fictional but normal to the reader so that they can", "a mad scientist character wearing power armor. So what I have is a", "you often see magic where you would normally see science fiction in your", "maybe a problem, is that the supernatural plays more a role in the", "I already have sketches for a few characters that literally look like knights!", "but knights none-the-less. Magic isn't really that rare. Pretty much every superhero team", "and there was still people just like them still walking around today! Another", "may confuse readers. So, I have a modern world full of skyscraper cities", "world full of magic, modern technology, superheroes, people in full plate armor with", "I'm more familiar with that, and besides, science fiction always ends up looking", "science doesn't exist in their world, but no one's really any more advanced", "I do feel tempted to include a mad scientist character wearing power armor.", "I trying too hard to create something new? I don't see why you", "walking around today! Another thing that maybe a problem, is that the supernatural", "as a constructed world not based off of ancient cultures, or our fantasies", "future may be like, but off our own modern world. Let me give", "characters who have powers based in magic. I mean, I already have sketches", "critique on my conworld. I'm asking how people would receive such a thing", "for a critique on my conworld. I'm asking how people would receive such", "would receive such a thing as a constructed world not based off of", "our own modern world. Let me give some details. Its a superhero setting.", "for one. There is no US or China. Nor is it alternate history.", "the future may be like, but off our own modern world. Let me", "religions and cultures that reside in this world aren't the same as ours.", "world aren't the same as ours. Now, why would I make a world", "computers, but without it being set in the future or our own reality?", "a critique on my conworld. I'm asking how people would receive such a", "fantasy novel for the longest time, so I'm more familiar with that, and", "where you would normally see science fiction in your more typical superhero story.", "future or our own reality? I would like to do this, but I'm", "that rare. Pretty much every superhero team has a magic member. Being a", "Lanterns), but knights none-the-less. Magic isn't really that rare. Pretty much every superhero", "Nor is it alternate history. The layout of the continents aren't even the", "who have powers based in magic. I mean, I already have sketches for", "had wanted to write a fantasy novel for the longest time, so I'm", "reside in this world aren't the same as ours. Now, why would I", "of what the future may be like, but off our own modern world.", "see entirely fictional worlds based off of time periods later than the renaissance.", "be too outlandish for your average reader. I've never heard of a case", "story. And yes, I've had some people suggest I should do some research", "some people suggest I should do some research into urban fantasy. Anyway, I'm", "where people have cars and jets and computers, but without it being set", "and computers, but without it being set in the future or our own", "world, nothing is familiar (aside for the fact that its inhabited by humans,", "books were litered with characters like them, and there was still people just", "wearing magic suits of armor in place of power armor, and mages are", "my world, nothing is familiar (aside for the fact that its inhabited by", "just like them still walking around today! Another thing that maybe a problem,", "familiar yet alien? Mostly for social commentary. I forget what the technique is", "so say science doesn't exist in their world, but no one's really any", "see magic where you would normally see science fiction in your more typical", "that they can see their own beliefs from the outside. But if I", "sword he can reshape into whatever he needs, kinda like the Green Lanterns),", "no one's really any more advanced than us. Even if I do feel", "asking for a critique of this (its still a work in progress anyway),", "have a modern world full of skyscraper cities and modern technology, and there's", "more familiar with that, and besides, science fiction always ends up looking dated", "and I'm not really trying to do that. I just wanted to put", "everywhere, and you in general you see A LOT of characters who have", "or less modern technology level. The closest you see are worlds that are", "anyway), I was just worried that all of this may be too outlandish", "powers wearing spandex running around. But the names of the nations and cities", "have a conworld where people have cars and jets and computers, but without", "jets and computers, but without it being set in the future or our", "to make superheroes make 100% sense, and I'm not really trying to do", "I should do some research into urban fantasy. Anyway, I'm not asking for", "I'm not really trying to do that. I just wanted to put more", "Also their history isn't based off of the different 'ages' of comics that", "the nations and cities and cultures and religions are all entirely fictional, and", "would actually have on our world if they did exist. Also their history", "cultures that reside in this world aren't the same as ours. Now, why", "you see are worlds that are just 'our world, except when mentioned otherwise'.", "the conworlding forum, but I'm not asking for a critique on my conworld.", "too outlandish for your average reader. I've never heard of a case of", "into whatever he needs, kinda like the Green Lanterns), but knights none-the-less. Magic", "have powers based in magic. I mean, I already have sketches for a", "my world, superhumans aren't new. Imagine if fictional characters like Hercules and Dorsin", "familiar (aside for the fact that its inhabited by humans, and the same", "them, and there was still people just like them still walking around today!", "aren't new. Imagine if fictional characters like Hercules and Dorsin weren't fiction, but", "thought into the affect superhumans would actually have on our world if they", "modern world. Let me give some details. Its a superhero setting. I know,", "The layout of the continents aren't even the same. Even the religions and", "people wearing magic suits of armor in place of power armor, and mages", "a constructed world not based off of ancient cultures, or our fantasies of", "of ancient cultures, or our fantasies of what the future may be like,", "not asking for a critique on my conworld. I'm asking how people would", "and religions are all entirely fictional, and you have people wearing magic suits", "in place of power armor, and mages are everywhere, and you in general", "urban fantasy. Anyway, I'm not asking for a critique of this (its still", "make a world so familiar yet alien? Mostly for social commentary. I forget", "abilities, and names that people wouldn't recognize. Am I trying too hard to", "did exist. Also their history isn't based off of the different 'ages' of", "all characters are magic, but you often see magic where you would normally", "details. Its a superhero setting. I know, its impossible to make superheroes make", "superhero team has a magic member. Being a mage is no more rare", "receive such a thing as a constructed world not based off of ancient", "but off our own modern world. Let me give some details. Its a", "was just worried that all of this may be too outlandish for your", "always ends up looking dated after a while. Not that all characters are", "energy sword he can reshape into whatever he needs, kinda like the Green", "That's not so say science doesn't exist in their world, but no one's", "or our own reality? I would like to do this, but I'm afraid", "the same for one. There is no US or China. Nor is it", "a case of someone making a completely fictional conworld full of people with", "power armor, and mages are everywhere, and you in general you see A", "may be too outlandish for your average reader. I've never heard of a", "litered with characters like them, and there was still people just like them", "wouldn't recognize. Am I trying too hard to create something new? I don't", "weird abilities, and names that people wouldn't recognize. Am I trying too hard", "not asking for a critique of this (its still a work in progress", "really that rare. Pretty much every superhero team has a magic member. Being", "own beliefs from the outside. But if I did this, I may confuse", "and mages are everywhere, and you in general you see A LOT of", "Why can't you have a conworld where people have cars and jets and", "that reside in this world aren't the same as ours. Now, why would", "but were 100% historical, and the history books were litered with characters like", "while. Not that all characters are magic, but you often see magic where", "I did this, I may confuse readers. So, I have a modern world", "without it being set in the future or our own reality? I would", "suggest I should do some research into urban fantasy. Anyway, I'm not asking", "I have is a weird world full of magic, modern technology, superheroes, people", "set in the future or our own reality? I would like to do", "I've had some people suggest I should do some research into urban fantasy.", "magic, modern technology, superheroes, people in full plate armor with weird abilities, and", "to the reader so that they can see their own beliefs from the", "own reality? I would like to do this, but I'm afraid of what", "otherwise'. In my world, nothing is familiar (aside for the fact that its", "In my world, nothing is familiar (aside for the fact that its inhabited", "I'm not asking for a critique on my conworld. I'm asking how people", "modern technology level. The closest you see are worlds that are just 'our", "do feel tempted to include a mad scientist character wearing power armor. So", "the reader so that they can see their own beliefs from the outside.", "do this, but I'm afraid of what kind of reception I would get.", "should do some research into urban fantasy. Anyway, I'm not asking for a", "that the supernatural plays more a role in the setting than science fiction.", "like Hercules and Dorsin weren't fiction, but were 100% historical, and the history", "this world aren't the same as ours. Now, why would I make a", "confuse readers. So, I have a modern world full of skyscraper cities and", "Anyway, I'm not asking for a critique of this (its still a work", "is no more rare than being a paragon or a not-batman. That's not", "isn't really that rare. Pretty much every superhero team has a magic member.", "the same. Even the religions and cultures that reside in this world aren't", "it being set in the future or our own reality? I would like", "Another thing that maybe a problem, is that the supernatural plays more a", "periods later than the renaissance. Why can't you have a conworld where people", "if they did exist. Also their history isn't based off of the different", "magic, but you often see magic where you would normally see science fiction", "and jets and computers, but without it being set in the future or", "than being a paragon or a not-batman. That's not so say science doesn't", "something fictional but normal to the reader so that they can see their", "that maybe a problem, is that the supernatural plays more a role in", "world, but no one's really any more advanced than us. Even if I", "nations aren't the same for one. There is no US or China. Nor", "your more typical superhero story. And yes, I've had some people suggest I", "mean, I already have sketches for a few characters that literally look like", "I know this isn't the conworlding forum, but I'm not asking for a", "US or China. Nor is it alternate history. The layout of the continents", "(its still a work in progress anyway), I was just worried that all", "few characters that literally look like knights! Cnigktm that can do weird things", "humans, and the same animals as our world). The nations aren't the same", "our world if they did exist. Also their history isn't based off of", "wearing power armor. So what I have is a weird world full of", "don't see in fantasy (one for instance has an energy sword he can", "a while. Not that all characters are magic, but you often see magic", "a technique where you create something fictional but normal to the reader so", "making a completely fictional conworld full of people with a more or less", "There is no US or China. Nor is it alternate history. The layout", "that you often see. In my world, superhumans aren't new. Imagine if fictional", "fact that its inhabited by humans, and the same animals as our world).", "of the nations and cities and cultures and religions are all entirely fictional,", "that, and besides, science fiction always ends up looking dated after a while.", "The nations aren't the same for one. There is no US or China.", "still walking around today! Another thing that maybe a problem, is that the", "Pretty much every superhero team has a magic member. Being a mage is", "feel tempted to include a mad scientist character wearing power armor. So what", "worried that all of this may be too outlandish for your average reader.", "but you often see magic where you would normally see science fiction in", "general you see A LOT of characters who have powers based in magic.", "the outside. But if I did this, I may confuse readers. So, I", "exist in their world, but no one's really any more advanced than us.", "all of this may be too outlandish for your average reader. I've never", "to do this, but I'm afraid of what kind of reception I would", "around today! Another thing that maybe a problem, is that the supernatural plays", "cultures and religions are all entirely fictional, and you have people wearing magic", "can see their own beliefs from the outside. But if I did this,", "critique of this (its still a work in progress anyway), I was just", "can't you have a conworld where people have cars and jets and computers,", "Cnigktm that can do weird things that you normally don't see in fantasy", "Hercules and Dorsin weren't fiction, but were 100% historical, and the history books", "after a while. Not that all characters are magic, but you often see", "science fiction. For one, I had wanted to write a fantasy novel for", "exist. Also their history isn't based off of the different 'ages' of comics", "characters are magic, but you often see magic where you would normally see", "same animals as our world). The nations aren't the same for one. There", "alternate history. The layout of the continents aren't even the same. Even the", "every superhero team has a magic member. Being a mage is no more", "armor in place of power armor, and mages are everywhere, and you in", "its impossible to make superheroes make 100% sense, and I'm not really trying", "people would receive such a thing as a constructed world not based off", "commentary. I forget what the technique is called, but its a technique where", "this, I may confuse readers. So, I have a modern world full of", "closest you see are worlds that are just 'our world, except when mentioned", "in fantasy (one for instance has an energy sword he can reshape into", "in full plate armor with weird abilities, and names that people wouldn't recognize.", "progress anyway), I was just worried that all of this may be too", "novel for the longest time, so I'm more familiar with that, and besides,", "fantasy. Anyway, I'm not asking for a critique of this (its still a", "fictional but normal to the reader so that they can see their own", "historical, and the history books were litered with characters like them, and there", "all entirely fictional, and you have people wearing magic suits of armor in", "make superheroes make 100% sense, and I'm not really trying to do that.", "up looking dated after a while. Not that all characters are magic, but", "and modern technology, and there's people with fantastic powers wearing spandex running around.", "place of power armor, and mages are everywhere, and you in general you", "have is a weird world full of magic, modern technology, superheroes, people in", "look like knights! Cnigktm that can do weird things that you normally don't", "off of ancient cultures, or our fantasies of what the future may be", "a work in progress anyway), I was just worried that all of this", "Being a mage is no more rare than being a paragon or a", "this (its still a work in progress anyway), I was just worried that", "isn't based off of the different 'ages' of comics that you often see.", "of this (its still a work in progress anyway), I was just worried", "often see magic where you would normally see science fiction in your more", "wearing spandex running around. But the names of the nations and cities and", "science fiction always ends up looking dated after a while. Not that all", "cities and modern technology, and there's people with fantastic powers wearing spandex running", "normally see science fiction in your more typical superhero story. And yes, I've", "no more rare than being a paragon or a not-batman. That's not so", "in their world, but no one's really any more advanced than us. Even", "with characters like them, and there was still people just like them still", "no US or China. Nor is it alternate history. The layout of the", "more typical superhero story. And yes, I've had some people suggest I should", "why would I make a world so familiar yet alien? Mostly for social", "of the continents aren't even the same. Even the religions and cultures that", "fictional, and you have people wearing magic suits of armor in place of", "forum, but I'm not asking for a critique on my conworld. I'm asking", "for a critique of this (its still a work in progress anyway), I", "called, but its a technique where you create something fictional but normal to", "Now, why would I make a world so familiar yet alien? Mostly for", "don't see entirely fictional worlds based off of time periods later than the", "like them, and there was still people just like them still walking around", "see their own beliefs from the outside. But if I did this, I", "someone making a completely fictional conworld full of people with a more or", "rare than being a paragon or a not-batman. That's not so say science", "world so familiar yet alien? Mostly for social commentary. I forget what the", "fantastic powers wearing spandex running around. But the names of the nations and", "superheroes, people in full plate armor with weird abilities, and names that people", "recognize. Am I trying too hard to create something new? I don't see", "cars and jets and computers, but without it being set in the future", "our own reality? I would like to do this, but I'm afraid of", "a fantasy novel for the longest time, so I'm more familiar with that,", "research into urban fantasy. Anyway, I'm not asking for a critique of this", "aren't the same for one. There is no US or China. Nor is", "forget what the technique is called, but its a technique where you create", "aren't the same as ours. Now, why would I make a world so", "Let me give some details. Its a superhero setting. I know, its impossible", "based in magic. I mean, I already have sketches for a few characters", "In my world, superhumans aren't new. Imagine if fictional characters like Hercules and", "technique is called, but its a technique where you create something fictional but", "actually have on our world if they did exist. Also their history isn't", "of characters who have powers based in magic. I mean, I already have", "cultures, or our fantasies of what the future may be like, but off", "the fact that its inhabited by humans, and the same animals as our", "when mentioned otherwise'. In my world, nothing is familiar (aside for the fact", "into the affect superhumans would actually have on our world if they did", "ancient cultures, or our fantasies of what the future may be like, but", "trying to do that. I just wanted to put more serious thought into", "you normally don't see in fantasy (one for instance has an energy sword", "say science doesn't exist in their world, but no one's really any more", "with that, and besides, science fiction always ends up looking dated after a", "scientist character wearing power armor. So what I have is a weird world", "and besides, science fiction always ends up looking dated after a while. Not", "skyscraper cities and modern technology, and there's people with fantastic powers wearing spandex", "do that. I just wanted to put more serious thought into the affect", "entirely fictional, and you have people wearing magic suits of armor in place", "their history isn't based off of the different 'ages' of comics that you", "I just wanted to put more serious thought into the affect superhumans would", "do weird things that you normally don't see in fantasy (one for instance", "later than the renaissance. Why can't you have a conworld where people have", "plays more a role in the setting than science fiction. For one, I", "characters that literally look like knights! Cnigktm that can do weird things that", "worlds based off of time periods later than the renaissance. Why can't you", "a problem, is that the supernatural plays more a role in the setting", "the supernatural plays more a role in the setting than science fiction. For", "to include a mad scientist character wearing power armor. So what I have", "you have a conworld where people have cars and jets and computers, but", "characters like them, and there was still people just like them still walking", "magic. I mean, I already have sketches for a few characters that literally", "power armor. So what I have is a weird world full of magic,", "I've never heard of a case of someone making a completely fictional conworld", "he needs, kinda like the Green Lanterns), but knights none-the-less. Magic isn't really", "that people wouldn't recognize. Am I trying too hard to create something new?", "thing as a constructed world not based off of ancient cultures, or our", "inhabited by humans, and the same animals as our world). The nations aren't", "longest time, so I'm more familiar with that, and besides, science fiction always", "for a few characters that literally look like knights! Cnigktm that can do", "a thing as a constructed world not based off of ancient cultures, or", "different 'ages' of comics that you often see. In my world, superhumans aren't", "serious thought into the affect superhumans would actually have on our world if", "and cities and cultures and religions are all entirely fictional, and you have", "us. Even if I do feel tempted to include a mad scientist character", "write a fantasy novel for the longest time, so I'm more familiar with", "thing that maybe a problem, is that the supernatural plays more a role", "mages are everywhere, and you in general you see A LOT of characters", "conworld where people have cars and jets and computers, but without it being", "of comics that you often see. In my world, superhumans aren't new. Imagine", "based off of the different 'ages' of comics that you often see. In", "same as ours. Now, why would I make a world so familiar yet", "would I make a world so familiar yet alien? Mostly for social commentary.", "the setting than science fiction. For one, I had wanted to write a", "I may confuse readers. So, I have a modern world full of skyscraper", "there was still people just like them still walking around today! Another thing", "science fiction in your more typical superhero story. And yes, I've had some", "so that they can see their own beliefs from the outside. But if", "were litered with characters like them, and there was still people just like", "rare. Pretty much every superhero team has a magic member. Being a mage", "armor. So what I have is a weird world full of magic, modern", "for instance has an energy sword he can reshape into whatever he needs,", "of people with a more or less modern technology level. The closest you", "a more or less modern technology level. The closest you see are worlds", "the names of the nations and cities and cultures and religions are all", "characters like Hercules and Dorsin weren't fiction, but were 100% historical, and the", "in magic. I mean, I already have sketches for a few characters that", "hard to create something new? I don't see why you don't see entirely", "create something new? I don't see why you don't see entirely fictional worlds", "time periods later than the renaissance. Why can't you have a conworld where", "supernatural plays more a role in the setting than science fiction. For one,", "have on our world if they did exist. Also their history isn't based", "fantasy (one for instance has an energy sword he can reshape into whatever", "worlds that are just 'our world, except when mentioned otherwise'. In my world,", "I forget what the technique is called, but its a technique where you", "Even if I do feel tempted to include a mad scientist character wearing", "people in full plate armor with weird abilities, and names that people wouldn't", "team has a magic member. Being a mage is no more rare than", "the future or our own reality? I would like to do this, but", "Green Lanterns), but knights none-the-less. Magic isn't really that rare. Pretty much every", "you have people wearing magic suits of armor in place of power armor,", "some details. Its a superhero setting. I know, its impossible to make superheroes", "a not-batman. That's not so say science doesn't exist in their world, but", "(one for instance has an energy sword he can reshape into whatever he", "a superhero setting. I know, its impossible to make superheroes make 100% sense,", "history isn't based off of the different 'ages' of comics that you often", "if fictional characters like Hercules and Dorsin weren't fiction, but were 100% historical,", "comics that you often see. In my world, superhumans aren't new. Imagine if", "would normally see science fiction in your more typical superhero story. And yes,", "powers based in magic. I mean, I already have sketches for a few", "off of time periods later than the renaissance. Why can't you have a", "new. Imagine if fictional characters like Hercules and Dorsin weren't fiction, but were", "what I have is a weird world full of magic, modern technology, superheroes,", "that. I just wanted to put more serious thought into the affect superhumans", "tempted to include a mad scientist character wearing power armor. So what I", "of a case of someone making a completely fictional conworld full of people", "so familiar yet alien? Mostly for social commentary. I forget what the technique", "that you normally don't see in fantasy (one for instance has an energy", "full of magic, modern technology, superheroes, people in full plate armor with weird", "literally look like knights! Cnigktm that can do weird things that you normally", "fictional worlds based off of time periods later than the renaissance. Why can't", "you don't see entirely fictional worlds based off of time periods later than", "just wanted to put more serious thought into the affect superhumans would actually", "besides, science fiction always ends up looking dated after a while. Not that", "I make a world so familiar yet alien? Mostly for social commentary. I", "affect superhumans would actually have on our world if they did exist. Also", "doesn't exist in their world, but no one's really any more advanced than", "than the renaissance. Why can't you have a conworld where people have cars", "being a paragon or a not-batman. That's not so say science doesn't exist", "of power armor, and mages are everywhere, and you in general you see", "full of skyscraper cities and modern technology, and there's people with fantastic powers", "more a role in the setting than science fiction. For one, I had", "continents aren't even the same. Even the religions and cultures that reside in", "nations and cities and cultures and religions are all entirely fictional, and you", "of this may be too outlandish for your average reader. I've never heard", "yet alien? Mostly for social commentary. I forget what the technique is called,", "Mostly for social commentary. I forget what the technique is called, but its", "outside. But if I did this, I may confuse readers. So, I have", "make 100% sense, and I'm not really trying to do that. I just", "renaissance. Why can't you have a conworld where people have cars and jets", "more serious thought into the affect superhumans would actually have on our world", "the different 'ages' of comics that you often see. In my world, superhumans", "and Dorsin weren't fiction, but were 100% historical, and the history books were", "for the fact that its inhabited by humans, and the same animals as", "new? I don't see why you don't see entirely fictional worlds based off", "conworld full of people with a more or less modern technology level. The", "reader. I've never heard of a case of someone making a completely fictional", "mentioned otherwise'. In my world, nothing is familiar (aside for the fact that", "magic where you would normally see science fiction in your more typical superhero", "is no US or China. Nor is it alternate history. The layout of", "our world). The nations aren't the same for one. There is no US", "like knights! Cnigktm that can do weird things that you normally don't see", "not-batman. That's not so say science doesn't exist in their world, but no", "time, so I'm more familiar with that, and besides, science fiction always ends", "I know, its impossible to make superheroes make 100% sense, and I'm not", "reader so that they can see their own beliefs from the outside. But", "fiction always ends up looking dated after a while. Not that all characters", "suits of armor in place of power armor, and mages are everywhere, and", "our fantasies of what the future may be like, but off our own", "work in progress anyway), I was just worried that all of this may", "people suggest I should do some research into urban fantasy. Anyway, I'm not", "isn't the conworlding forum, but I'm not asking for a critique on my", "may be like, but off our own modern world. Let me give some", "'ages' of comics that you often see. In my world, superhumans aren't new.", "armor, and mages are everywhere, and you in general you see A LOT", "include a mad scientist character wearing power armor. So what I have is", "put more serious thought into the affect superhumans would actually have on our", "like to do this, but I'm afraid of what kind of reception I", "and cultures that reside in this world aren't the same as ours. Now,", "familiar with that, and besides, science fiction always ends up looking dated after", "China. Nor is it alternate history. The layout of the continents aren't even", "looking dated after a while. Not that all characters are magic, but you", "I was just worried that all of this may be too outlandish for", "just worried that all of this may be too outlandish for your average", "but without it being set in the future or our own reality? I", "into urban fantasy. Anyway, I'm not asking for a critique of this (its", "world not based off of ancient cultures, or our fantasies of what the", "Its a superhero setting. I know, its impossible to make superheroes make 100%", "animals as our world). The nations aren't the same for one. There is", "conworld. I'm asking how people would receive such a thing as a constructed", "today! Another thing that maybe a problem, is that the supernatural plays more", "some research into urban fantasy. Anyway, I'm not asking for a critique of", "world, except when mentioned otherwise'. In my world, nothing is familiar (aside for", "technology, and there's people with fantastic powers wearing spandex running around. But the", "impossible to make superheroes make 100% sense, and I'm not really trying to", "one, I had wanted to write a fantasy novel for the longest time,", "plate armor with weird abilities, and names that people wouldn't recognize. Am I", "you often see. In my world, superhumans aren't new. Imagine if fictional characters", "has a magic member. Being a mage is no more rare than being", "one's really any more advanced than us. Even if I do feel tempted", "LOT of characters who have powers based in magic. I mean, I already", "often see. In my world, superhumans aren't new. Imagine if fictional characters like", "A LOT of characters who have powers based in magic. I mean, I", "social commentary. I forget what the technique is called, but its a technique", "so I'm more familiar with that, and besides, science fiction always ends up", "case of someone making a completely fictional conworld full of people with a", "of skyscraper cities and modern technology, and there's people with fantastic powers wearing", "than us. Even if I do feel tempted to include a mad scientist", "technology, superheroes, people in full plate armor with weird abilities, and names that", "religions are all entirely fictional, and you have people wearing magic suits of", "really any more advanced than us. Even if I do feel tempted to", "or our fantasies of what the future may be like, but off our", "a conworld where people have cars and jets and computers, but without it", "I would like to do this, but I'm afraid of what kind of", "For one, I had wanted to write a fantasy novel for the longest", "yes, I've had some people suggest I should do some research into urban", "did this, I may confuse readers. So, I have a modern world full", "But if I did this, I may confuse readers. So, I have a", "things that you normally don't see in fantasy (one for instance has an", "a world so familiar yet alien? Mostly for social commentary. I forget what", "same for one. There is no US or China. Nor is it alternate", "have cars and jets and computers, but without it being set in the", "world if they did exist. Also their history isn't based off of the", "outlandish for your average reader. I've never heard of a case of someone", "are magic, but you often see magic where you would normally see science", "like them still walking around today! Another thing that maybe a problem, is", "not so say science doesn't exist in their world, but no one's really", "or China. Nor is it alternate history. The layout of the continents aren't", "Dorsin weren't fiction, but were 100% historical, and the history books were litered" ]
[ "on writing emphasised the need for plain English. He argued complexity of language,", "language, especially with mixed metaphors, was needless and confusing. I assume the use", "written English helps to make books popular by making them more accessible. For", "mixed metaphors, was needless and confusing. I assume the use of simpler and", "an obvious question, but I'm curious if there's been any research into whether", "curious if there's been any research into whether popularity correlates with linguistic simplicity.", "This might seem like an obvious question, but I'm curious if there's been", "that Hijrp Potfeq and the Hobbit are both so wildly successful; when they", "the use of simpler and conventional written English helps to make books popular", "complexity below that of the average reader; instead of matching or exceeding what", "emphasised the need for plain English. He argued complexity of language, especially with", "do popular novels use linguistic complexity below that of the average reader; instead", "and conventional written English helps to make books popular by making them more", "average reader is capable of? George Orwell's advice on writing emphasised the need", "obvious question, but I'm curious if there's been any research into whether popularity", "making them more accessible. For example: I don't think it's a coincidence that", "the Hobbit are both so wildly successful; when they were both written for", "matching or exceeding what the average reader is capable of? George Orwell's advice", "I'm curious if there's been any research into whether popularity correlates with linguistic", "argued complexity of language, especially with mixed metaphors, was needless and confusing. I", "of simpler and conventional written English helps to make books popular by making", "English helps to make books popular by making them more accessible. For example:", "I don't think it's a coincidence that Hijrp Potfeq and the Hobbit are", "the average reader; instead of matching or exceeding what the average reader is", "below that of the average reader; instead of matching or exceeding what the", "especially with mixed metaphors, was needless and confusing. I assume the use of", "reader is capable of? George Orwell's advice on writing emphasised the need for", "linguistic complexity below that of the average reader; instead of matching or exceeding", "the need for plain English. He argued complexity of language, especially with mixed", "of language, especially with mixed metaphors, was needless and confusing. I assume the", "and the Hobbit are both so wildly successful; when they were both written", "Hijrp Potfeq and the Hobbit are both so wildly successful; when they were", "novels use linguistic complexity below that of the average reader; instead of matching", "like an obvious question, but I'm curious if there's been any research into", "think it's a coincidence that Hijrp Potfeq and the Hobbit are both so", "might seem like an obvious question, but I'm curious if there's been any", "Furthermore, do popular novels use linguistic complexity below that of the average reader;", "correlates with linguistic simplicity. Furthermore, do popular novels use linguistic complexity below that", "with mixed metaphors, was needless and confusing. I assume the use of simpler", "instead of matching or exceeding what the average reader is capable of? George", "by making them more accessible. For example: I don't think it's a coincidence", "helps to make books popular by making them more accessible. For example: I", "confusing. I assume the use of simpler and conventional written English helps to", "example: I don't think it's a coincidence that Hijrp Potfeq and the Hobbit", "don't think it's a coincidence that Hijrp Potfeq and the Hobbit are both", "conventional written English helps to make books popular by making them more accessible.", "question, but I'm curious if there's been any research into whether popularity correlates", "advice on writing emphasised the need for plain English. He argued complexity of", "need for plain English. He argued complexity of language, especially with mixed metaphors,", "into whether popularity correlates with linguistic simplicity. Furthermore, do popular novels use linguistic", "whether popularity correlates with linguistic simplicity. Furthermore, do popular novels use linguistic complexity", "with linguistic simplicity. Furthermore, do popular novels use linguistic complexity below that of", "complexity of language, especially with mixed metaphors, was needless and confusing. I assume", "them more accessible. For example: I don't think it's a coincidence that Hijrp", "but I'm curious if there's been any research into whether popularity correlates with", "coincidence that Hijrp Potfeq and the Hobbit are both so wildly successful; when", "George Orwell's advice on writing emphasised the need for plain English. He argued", "of the average reader; instead of matching or exceeding what the average reader", "plain English. He argued complexity of language, especially with mixed metaphors, was needless", "popularity correlates with linguistic simplicity. Furthermore, do popular novels use linguistic complexity below", "I assume the use of simpler and conventional written English helps to make", "and confusing. I assume the use of simpler and conventional written English helps", "is capable of? George Orwell's advice on writing emphasised the need for plain", "accessible. For example: I don't think it's a coincidence that Hijrp Potfeq and", "Potfeq and the Hobbit are both so wildly successful; when they were both", "of? George Orwell's advice on writing emphasised the need for plain English. He", "if there's been any research into whether popularity correlates with linguistic simplicity. Furthermore,", "writing emphasised the need for plain English. He argued complexity of language, especially", "linguistic simplicity. Furthermore, do popular novels use linguistic complexity below that of the", "simpler and conventional written English helps to make books popular by making them", "books popular by making them more accessible. For example: I don't think it's", "been any research into whether popularity correlates with linguistic simplicity. Furthermore, do popular", "research into whether popularity correlates with linguistic simplicity. Furthermore, do popular novels use", "English. He argued complexity of language, especially with mixed metaphors, was needless and", "there's been any research into whether popularity correlates with linguistic simplicity. Furthermore, do", "what the average reader is capable of? George Orwell's advice on writing emphasised", "needless and confusing. I assume the use of simpler and conventional written English", "a coincidence that Hijrp Potfeq and the Hobbit are both so wildly successful;", "Hobbit are both so wildly successful; when they were both written for children.", "or exceeding what the average reader is capable of? George Orwell's advice on", "exceeding what the average reader is capable of? George Orwell's advice on writing", "assume the use of simpler and conventional written English helps to make books", "that of the average reader; instead of matching or exceeding what the average", "popular novels use linguistic complexity below that of the average reader; instead of", "average reader; instead of matching or exceeding what the average reader is capable", "any research into whether popularity correlates with linguistic simplicity. Furthermore, do popular novels", "of matching or exceeding what the average reader is capable of? George Orwell's", "the average reader is capable of? George Orwell's advice on writing emphasised the", "more accessible. For example: I don't think it's a coincidence that Hijrp Potfeq", "use linguistic complexity below that of the average reader; instead of matching or", "make books popular by making them more accessible. For example: I don't think", "for plain English. He argued complexity of language, especially with mixed metaphors, was", "He argued complexity of language, especially with mixed metaphors, was needless and confusing.", "capable of? George Orwell's advice on writing emphasised the need for plain English.", "popular by making them more accessible. For example: I don't think it's a", "it's a coincidence that Hijrp Potfeq and the Hobbit are both so wildly", "seem like an obvious question, but I'm curious if there's been any research", "simplicity. Furthermore, do popular novels use linguistic complexity below that of the average", "metaphors, was needless and confusing. I assume the use of simpler and conventional", "reader; instead of matching or exceeding what the average reader is capable of?", "to make books popular by making them more accessible. For example: I don't", "For example: I don't think it's a coincidence that Hijrp Potfeq and the", "use of simpler and conventional written English helps to make books popular by", "was needless and confusing. I assume the use of simpler and conventional written", "Orwell's advice on writing emphasised the need for plain English. He argued complexity" ]
[ "more problems. It boils down to the following: > > 1. Character meets", "me. However, I also can't see a way to resolve it without negatively", "college schedule. I have written several scenes that deeply clash timing-wise and I", "How can I keep writing rather than linger over this paradox? I am", "I could find a way around it, but it's weighing on me too", "off-and-on writing a series of little vignettes in a universe my friends and", "fall into a typical college schedule. I have written several scenes that deeply", "a typical college schedule. I have written several scenes that deeply clash timing-wise", "for Christmas itself > 4. The characters do their during-classes events > 5.", "block. I've been off-and-on writing a series of little vignettes in a universe", "and I can't find a way to solve it, but that's not the", "the start of winter break > 2. Characters agree to do stuff that", "events > 5. Christmas happens > > > Obviously this is a conflict", "writer's block. I've been off-and-on writing a series of little vignettes in a", "and I created. The current series is a (for me) fairly tight narrative", "in fits and starts when motivation hits. I tend to lack resolve and", "and tend to write in fits and starts when motivation hits. I tend", "winter break > 2. Characters agree to do stuff that require classes to", "is had and plans are made for Christmas itself > 4. The characters", "The characters do their during-classes events > 5. Christmas happens > > >", "paradox, I find myself unable to move forward in the narrative with it", "1. Character meets other character at the start of winter break > 2.", "several scenes that deeply clash timing-wise and I can't think of a way", "way around it, but it's weighing on me too heavily and I can't", "events fall into a typical college schedule. I have written several scenes that", "it, but that's not the main concern of this question. Because I've written", "that's not the main concern of this question. Because I've written myself into", "and starts when motivation hits. I tend to lack resolve and this leads", "this paradox, I find myself unable to move forward in the narrative with", "resolve and this leads to writer's block. I've been off-and-on writing a series", "without negatively altering the flow. I am, in short, completely blocked from writing", "fey-based fantasy but revolving around a college, so events fall into a typical", "myself unable to move forward in the narrative with it looming over me.", "a (for me) fairly tight narrative where timing is very important. It's fey-based", "to resolve it without negatively altering the flow. I am, in short, completely", "me) fairly tight narrative where timing is very important. It's fey-based fantasy but", "narrative where timing is very important. It's fey-based fantasy but revolving around a", "writing at the moment. How can I keep writing rather than linger over", "problems. It boils down to the following: > > 1. Character meets other", "been off-and-on writing a series of little vignettes in a universe my friends", "break > 2. Characters agree to do stuff that require classes to be", "way to reorder them without causing more problems. It boils down to the", "solve it, but that's not the main concern of this question. Because I've", "are made for Christmas itself > 4. The characters do their during-classes events", "> 5. Christmas happens > > > Obviously this is a conflict and", "had and plans are made for Christmas itself > 4. The characters do", "do stuff that require classes to be started > 3. A pre-Christmas party", "can't see a way to resolve it without negatively altering the flow. I", "I also can't see a way to resolve it without negatively altering the", "have written several scenes that deeply clash timing-wise and I can't think of", "blocked from writing at the moment. How can I keep writing rather than", "unable to move forward in the narrative with it looming over me. However,", "hits. I tend to lack resolve and this leads to writer's block. I've", "find a way to solve it, but that's not the main concern of", "I've written myself into this paradox, I find myself unable to move forward", "the moment. How can I keep writing rather than linger over this paradox?", "a series of little vignettes in a universe my friends and I created.", "of little vignettes in a universe my friends and I created. The current", "the following: > > 1. Character meets other character at the start of", "resolve it without negatively altering the flow. I am, in short, completely blocked", "A pre-Christmas party is had and plans are made for Christmas itself >", "lack resolve and this leads to writer's block. I've been off-and-on writing a", "clash timing-wise and I can't think of a way to reorder them without", "reasonably certain that with enough distance and objectivity I could find a way", "is a conflict and I can't find a way to solve it, but", "I find myself unable to move forward in the narrative with it looming", "during-classes events > 5. Christmas happens > > > Obviously this is a", "> > > Obviously this is a conflict and I can't find a", "them without causing more problems. It boils down to the following: > >", "around it, but it's weighing on me too heavily and I can't find", "is a (for me) fairly tight narrative where timing is very important. It's", "and I can't think of a way to reorder them without causing more", "short, completely blocked from writing at the moment. How can I keep writing", "when motivation hits. I tend to lack resolve and this leads to writer's", "following: > > 1. Character meets other character at the start of winter", "> Obviously this is a conflict and I can't find a way to", "with enough distance and objectivity I could find a way around it, but", "to lack resolve and this leads to writer's block. I've been off-and-on writing", "> 1. Character meets other character at the start of winter break >", "Because I've written myself into this paradox, I find myself unable to move", "weighing on me too heavily and I can't find motivation to keep writing.", "a universe my friends and I created. The current series is a (for", "do their during-classes events > 5. Christmas happens > > > Obviously this", "and this leads to writer's block. I've been off-and-on writing a series of", "stuff that require classes to be started > 3. A pre-Christmas party is", "made for Christmas itself > 4. The characters do their during-classes events >", "4. The characters do their during-classes events > 5. Christmas happens > >", "am reasonably certain that with enough distance and objectivity I could find a", "Christmas happens > > > Obviously this is a conflict and I can't", "move forward in the narrative with it looming over me. However, I also", "negatively altering the flow. I am, in short, completely blocked from writing at", "a casual writer at best and tend to write in fits and starts", "3. A pre-Christmas party is had and plans are made for Christmas itself", "question. Because I've written myself into this paradox, I find myself unable to", "around a college, so events fall into a typical college schedule. I have", "agree to do stuff that require classes to be started > 3. A", "main concern of this question. Because I've written myself into this paradox, I", "can't think of a way to reorder them without causing more problems. It", "flow. I am, in short, completely blocked from writing at the moment. How", "into this paradox, I find myself unable to move forward in the narrative", "It boils down to the following: > > 1. Character meets other character", "in the narrative with it looming over me. However, I also can't see", "to solve it, but that's not the main concern of this question. Because", "of this question. Because I've written myself into this paradox, I find myself", "so events fall into a typical college schedule. I have written several scenes", "series of little vignettes in a universe my friends and I created. The", "Character meets other character at the start of winter break > 2. Characters", "but revolving around a college, so events fall into a typical college schedule.", "at best and tend to write in fits and starts when motivation hits.", "is very important. It's fey-based fantasy but revolving around a college, so events", "plans are made for Christmas itself > 4. The characters do their during-classes", "started > 3. A pre-Christmas party is had and plans are made for", "a way to reorder them without causing more problems. It boils down to", "boils down to the following: > > 1. Character meets other character at", "be started > 3. A pre-Christmas party is had and plans are made", "> 3. A pre-Christmas party is had and plans are made for Christmas", "2. Characters agree to do stuff that require classes to be started >", "pre-Christmas party is had and plans are made for Christmas itself > 4.", "that with enough distance and objectivity I could find a way around it,", "to the following: > > 1. Character meets other character at the start", "written several scenes that deeply clash timing-wise and I can't think of a", "reorder them without causing more problems. It boils down to the following: >", "writing a series of little vignettes in a universe my friends and I", "tend to lack resolve and this leads to writer's block. I've been off-and-on", "best and tend to write in fits and starts when motivation hits. I", "without causing more problems. It boils down to the following: > > 1.", "writing rather than linger over this paradox? I am reasonably certain that with", "rather than linger over this paradox? I am reasonably certain that with enough", "deeply clash timing-wise and I can't think of a way to reorder them", "a way around it, but it's weighing on me too heavily and I", "meets other character at the start of winter break > 2. Characters agree", "important. It's fey-based fantasy but revolving around a college, so events fall into", "fairly tight narrative where timing is very important. It's fey-based fantasy but revolving", "with it looming over me. However, I also can't see a way to", "> 4. The characters do their during-classes events > 5. Christmas happens >", "distance and objectivity I could find a way around it, but it's weighing", "at the moment. How can I keep writing rather than linger over this", "over me. However, I also can't see a way to resolve it without", "I keep writing rather than linger over this paradox? I am reasonably certain", "their during-classes events > 5. Christmas happens > > > Obviously this is", "scenes that deeply clash timing-wise and I can't think of a way to", "writer at best and tend to write in fits and starts when motivation", "but it's weighing on me too heavily and I can't find motivation to", "It's fey-based fantasy but revolving around a college, so events fall into a", "also can't see a way to resolve it without negatively altering the flow.", "way to resolve it without negatively altering the flow. I am, in short,", "series is a (for me) fairly tight narrative where timing is very important.", "to do stuff that require classes to be started > 3. A pre-Christmas", "universe my friends and I created. The current series is a (for me)", "completely blocked from writing at the moment. How can I keep writing rather", "The current series is a (for me) fairly tight narrative where timing is", "not the main concern of this question. Because I've written myself into this", "created. The current series is a (for me) fairly tight narrative where timing", "casual writer at best and tend to write in fits and starts when", "causing more problems. It boils down to the following: > > 1. Character", "I tend to lack resolve and this leads to writer's block. I've been", "altering the flow. I am, in short, completely blocked from writing at the", "narrative with it looming over me. However, I also can't see a way", "over this paradox? I am reasonably certain that with enough distance and objectivity", "college, so events fall into a typical college schedule. I have written several", "looming over me. However, I also can't see a way to resolve it", "the flow. I am, in short, completely blocked from writing at the moment.", "from writing at the moment. How can I keep writing rather than linger", "concern of this question. Because I've written myself into this paradox, I find", "a way to resolve it without negatively altering the flow. I am, in", "to move forward in the narrative with it looming over me. However, I", "in short, completely blocked from writing at the moment. How can I keep", "the narrative with it looming over me. However, I also can't see a", "However, I also can't see a way to resolve it without negatively altering", "find a way around it, but it's weighing on me too heavily and", "and plans are made for Christmas itself > 4. The characters do their", "fantasy but revolving around a college, so events fall into a typical college", "> > 1. Character meets other character at the start of winter break", "motivation hits. I tend to lack resolve and this leads to writer's block.", "other character at the start of winter break > 2. Characters agree to", "5. Christmas happens > > > Obviously this is a conflict and I", "tight narrative where timing is very important. It's fey-based fantasy but revolving around", "but that's not the main concern of this question. Because I've written myself", "classes to be started > 3. A pre-Christmas party is had and plans", "to reorder them without causing more problems. It boils down to the following:", "moment. How can I keep writing rather than linger over this paradox? I", "linger over this paradox? I am reasonably certain that with enough distance and", "of winter break > 2. Characters agree to do stuff that require classes", "in a universe my friends and I created. The current series is a", "into a typical college schedule. I have written several scenes that deeply clash", "at the start of winter break > 2. Characters agree to do stuff", "to writer's block. I've been off-and-on writing a series of little vignettes in", "can't find a way to solve it, but that's not the main concern", "start of winter break > 2. Characters agree to do stuff that require", "forward in the narrative with it looming over me. However, I also can't", "where timing is very important. It's fey-based fantasy but revolving around a college,", "I created. The current series is a (for me) fairly tight narrative where", "the main concern of this question. Because I've written myself into this paradox,", "it without negatively altering the flow. I am, in short, completely blocked from", "my friends and I created. The current series is a (for me) fairly", "a college, so events fall into a typical college schedule. I have written", "fits and starts when motivation hits. I tend to lack resolve and this", "think of a way to reorder them without causing more problems. It boils", "find myself unable to move forward in the narrative with it looming over", "party is had and plans are made for Christmas itself > 4. The", "characters do their during-classes events > 5. Christmas happens > > > Obviously", "friends and I created. The current series is a (for me) fairly tight", "a conflict and I can't find a way to solve it, but that's", "myself into this paradox, I find myself unable to move forward in the", "(for me) fairly tight narrative where timing is very important. It's fey-based fantasy", "write in fits and starts when motivation hits. I tend to lack resolve", "written myself into this paradox, I find myself unable to move forward in", "am, in short, completely blocked from writing at the moment. How can I", "I'm a casual writer at best and tend to write in fits and", "Christmas itself > 4. The characters do their during-classes events > 5. Christmas", "timing-wise and I can't think of a way to reorder them without causing", "down to the following: > > 1. Character meets other character at the", "character at the start of winter break > 2. Characters agree to do", "leads to writer's block. I've been off-and-on writing a series of little vignettes", "paradox? I am reasonably certain that with enough distance and objectivity I could", "it, but it's weighing on me too heavily and I can't find motivation", "it's weighing on me too heavily and I can't find motivation to keep", "typical college schedule. I have written several scenes that deeply clash timing-wise and", "require classes to be started > 3. A pre-Christmas party is had and", "of a way to reorder them without causing more problems. It boils down", "itself > 4. The characters do their during-classes events > 5. Christmas happens", "I've been off-and-on writing a series of little vignettes in a universe my", "current series is a (for me) fairly tight narrative where timing is very", "happens > > > Obviously this is a conflict and I can't find", "conflict and I can't find a way to solve it, but that's not", "way to solve it, but that's not the main concern of this question.", "I can't find a way to solve it, but that's not the main", "this paradox? I am reasonably certain that with enough distance and objectivity I", "that require classes to be started > 3. A pre-Christmas party is had", "this is a conflict and I can't find a way to solve it,", "timing is very important. It's fey-based fantasy but revolving around a college, so", "to write in fits and starts when motivation hits. I tend to lack", "little vignettes in a universe my friends and I created. The current series", "enough distance and objectivity I could find a way around it, but it's", "and objectivity I could find a way around it, but it's weighing on", "that deeply clash timing-wise and I can't think of a way to reorder", "I can't think of a way to reorder them without causing more problems.", "objectivity I could find a way around it, but it's weighing on me", "> > Obviously this is a conflict and I can't find a way", "a way to solve it, but that's not the main concern of this", "this question. Because I've written myself into this paradox, I find myself unable", "I am, in short, completely blocked from writing at the moment. How can", "vignettes in a universe my friends and I created. The current series is", "certain that with enough distance and objectivity I could find a way around", "starts when motivation hits. I tend to lack resolve and this leads to", "this leads to writer's block. I've been off-and-on writing a series of little", "can I keep writing rather than linger over this paradox? I am reasonably", "> 2. Characters agree to do stuff that require classes to be started", "tend to write in fits and starts when motivation hits. I tend to", "I am reasonably certain that with enough distance and objectivity I could find", "to be started > 3. A pre-Christmas party is had and plans are", "it looming over me. However, I also can't see a way to resolve", "I have written several scenes that deeply clash timing-wise and I can't think", "see a way to resolve it without negatively altering the flow. I am,", "keep writing rather than linger over this paradox? I am reasonably certain that", "than linger over this paradox? I am reasonably certain that with enough distance", "Characters agree to do stuff that require classes to be started > 3.", "could find a way around it, but it's weighing on me too heavily", "Obviously this is a conflict and I can't find a way to solve", "very important. It's fey-based fantasy but revolving around a college, so events fall", "revolving around a college, so events fall into a typical college schedule. I", "schedule. I have written several scenes that deeply clash timing-wise and I can't" ]
[ "that money. As such, I suppose that this one question is really more", "I deem satisfactory I would not be personally particularly opposed to taking out", "two: Can I effectively promote a self-published work via the internet for minimal", "own publishing agency to get it published, or else publish solely through the", "I require a loan to get my name out there? How would I", "advertisements of a book? I have never seen an ad in the beginning", "problem of distribution that arises. If and when I actually finish writing it", "it promoted, though I wouldn't want to take out a loan without knowing", "obvious problem of distribution that arises. If and when I actually finish writing", "I'm considering setting up my own publishing agency to get it published, or", "I actually finish writing it to a level that I deem satisfactory I", "when I actually finish writing it to a level that I deem satisfactory", "would not be personally particularly opposed to taking out a loan if that", "to get it promoted, though I wouldn't want to take out a loan", "out a loan without knowing what I'd first do with that money. As", "what I'd first do with that money. As such, I suppose that this", "effectively promote a self-published work via the internet for minimal cost, or would", "but there is the obvious problem of distribution that arises. If and when", "to a level that I deem satisfactory I would not be personally particularly", "for a book, nor on television, nor on a billboard - where would", "it to a level that I deem satisfactory I would not be personally", "setting up my own publishing agency to get it published, or else publish", "there? How would I go about doing paid advertisements of a book? I", "not be personally particularly opposed to taking out a loan if that is", "internet for minimal cost, or would I require a loan to get my", "get it published, or else publish solely through the internet, but there is", "promote a self-published work via the internet for minimal cost, or would I", "process of writing a book and I'm considering setting up my own publishing", "the obvious problem of distribution that arises. If and when I actually finish", "actually finish writing it to a level that I deem satisfactory I would", "of distribution that arises. If and when I actually finish writing it to", "book, nor on television, nor on a billboard - where would I advertise", "else publish solely through the internet, but there is the obvious problem of", "cost, or would I require a loan to get my name out there?", "necessary to get it promoted, though I wouldn't want to take out a", "personally particularly opposed to taking out a loan if that is what is", "is really more akin to two: Can I effectively promote a self-published work", "deem satisfactory I would not be personally particularly opposed to taking out a", "internet, but there is the obvious problem of distribution that arises. If and", "that is what is necessary to get it promoted, though I wouldn't want", "and when I actually finish writing it to a level that I deem", "loan without knowing what I'd first do with that money. As such, I", "Can I effectively promote a self-published work via the internet for minimal cost,", "the process of writing a book and I'm considering setting up my own", "name out there? How would I go about doing paid advertisements of a", "without knowing what I'd first do with that money. As such, I suppose", "that this one question is really more akin to two: Can I effectively", "As such, I suppose that this one question is really more akin to", "through the internet, but there is the obvious problem of distribution that arises.", "I would not be personally particularly opposed to taking out a loan if", "to taking out a loan if that is what is necessary to get", "promoted, though I wouldn't want to take out a loan without knowing what", "want to take out a loan without knowing what I'd first do with", "a level that I deem satisfactory I would not be personally particularly opposed", "to take out a loan without knowing what I'd first do with that", "a loan to get my name out there? How would I go about", "go about doing paid advertisements of a book? I have never seen an", "a book and I'm considering setting up my own publishing agency to get", "via the internet for minimal cost, or would I require a loan to", "do with that money. As such, I suppose that this one question is", "ad in the beginning of a movie for a book, nor on television,", "am in the process of writing a book and I'm considering setting up", "would I require a loan to get my name out there? How would", "a movie for a book, nor on television, nor on a billboard -", "I am in the process of writing a book and I'm considering setting", "that arises. If and when I actually finish writing it to a level", "have never seen an ad in the beginning of a movie for a", "a loan if that is what is necessary to get it promoted, though", "movie for a book, nor on television, nor on a billboard - where", "agency to get it published, or else publish solely through the internet, but", "and I'm considering setting up my own publishing agency to get it published,", "about doing paid advertisements of a book? I have never seen an ad", "writing a book and I'm considering setting up my own publishing agency to", "I wouldn't want to take out a loan without knowing what I'd first", "out there? How would I go about doing paid advertisements of a book?", "first do with that money. As such, I suppose that this one question", "there is the obvious problem of distribution that arises. If and when I", "paid advertisements of a book? I have never seen an ad in the", "the beginning of a movie for a book, nor on television, nor on", "nor on television, nor on a billboard - where would I advertise instead?", "a book? I have never seen an ad in the beginning of a", "taking out a loan if that is what is necessary to get it", "finish writing it to a level that I deem satisfactory I would not", "knowing what I'd first do with that money. As such, I suppose that", "I suppose that this one question is really more akin to two: Can", "If and when I actually finish writing it to a level that I", "out a loan if that is what is necessary to get it promoted,", "this one question is really more akin to two: Can I effectively promote", "level that I deem satisfactory I would not be personally particularly opposed to", "the internet for minimal cost, or would I require a loan to get", "doing paid advertisements of a book? I have never seen an ad in", "it published, or else publish solely through the internet, but there is the", "self-published work via the internet for minimal cost, or would I require a", "an ad in the beginning of a movie for a book, nor on", "if that is what is necessary to get it promoted, though I wouldn't", "I'd first do with that money. As such, I suppose that this one", "question is really more akin to two: Can I effectively promote a self-published", "with that money. As such, I suppose that this one question is really", "that I deem satisfactory I would not be personally particularly opposed to taking", "be personally particularly opposed to taking out a loan if that is what", "I effectively promote a self-published work via the internet for minimal cost, or", "I have never seen an ad in the beginning of a movie for", "is the obvious problem of distribution that arises. If and when I actually", "in the beginning of a movie for a book, nor on television, nor", "require a loan to get my name out there? How would I go", "loan if that is what is necessary to get it promoted, though I", "more akin to two: Can I effectively promote a self-published work via the", "seen an ad in the beginning of a movie for a book, nor", "my own publishing agency to get it published, or else publish solely through", "loan to get my name out there? How would I go about doing", "opposed to taking out a loan if that is what is necessary to", "work via the internet for minimal cost, or would I require a loan", "considering setting up my own publishing agency to get it published, or else", "a book, nor on television, nor on a billboard - where would I", "publish solely through the internet, but there is the obvious problem of distribution", "I go about doing paid advertisements of a book? I have never seen", "what is necessary to get it promoted, though I wouldn't want to take", "How would I go about doing paid advertisements of a book? I have", "really more akin to two: Can I effectively promote a self-published work via", "solely through the internet, but there is the obvious problem of distribution that", "in the process of writing a book and I'm considering setting up my", "akin to two: Can I effectively promote a self-published work via the internet", "my name out there? How would I go about doing paid advertisements of", "to get my name out there? How would I go about doing paid", "published, or else publish solely through the internet, but there is the obvious", "or would I require a loan to get my name out there? How", "never seen an ad in the beginning of a movie for a book,", "get my name out there? How would I go about doing paid advertisements", "publishing agency to get it published, or else publish solely through the internet,", "is what is necessary to get it promoted, though I wouldn't want to", "minimal cost, or would I require a loan to get my name out", "though I wouldn't want to take out a loan without knowing what I'd", "beginning of a movie for a book, nor on television, nor on a", "wouldn't want to take out a loan without knowing what I'd first do", "the internet, but there is the obvious problem of distribution that arises. If", "book and I'm considering setting up my own publishing agency to get it", "a loan without knowing what I'd first do with that money. As such,", "book? I have never seen an ad in the beginning of a movie", "a self-published work via the internet for minimal cost, or would I require", "arises. If and when I actually finish writing it to a level that", "of a book? I have never seen an ad in the beginning of", "take out a loan without knowing what I'd first do with that money.", "such, I suppose that this one question is really more akin to two:", "for minimal cost, or would I require a loan to get my name", "one question is really more akin to two: Can I effectively promote a", "to two: Can I effectively promote a self-published work via the internet for", "to get it published, or else publish solely through the internet, but there", "is necessary to get it promoted, though I wouldn't want to take out", "particularly opposed to taking out a loan if that is what is necessary", "would I go about doing paid advertisements of a book? I have never", "suppose that this one question is really more akin to two: Can I", "satisfactory I would not be personally particularly opposed to taking out a loan", "of writing a book and I'm considering setting up my own publishing agency", "up my own publishing agency to get it published, or else publish solely", "distribution that arises. If and when I actually finish writing it to a", "writing it to a level that I deem satisfactory I would not be", "of a movie for a book, nor on television, nor on a billboard", "or else publish solely through the internet, but there is the obvious problem", "money. As such, I suppose that this one question is really more akin", "get it promoted, though I wouldn't want to take out a loan without" ]
[ "to do after the publisher has actually got the contract with me and", "contract with me and we're going to publish the book. By work I", "to get published soon, but I was wondering how much work I'd have", "I mean any form of work I'd have to spend the days doing.", "get published soon, but I was wondering how much work I'd have to", "thinking about sending what I've written off to get published soon, but I", "work I'd have to do after the publisher has actually got the contract", "how much work I'd have to do after the publisher has actually got", "publisher has actually got the contract with me and we're going to publish", "soon, but I was wondering how much work I'd have to do after", "has actually got the contract with me and we're going to publish the", "about sending what I've written off to get published soon, but I was", "much work I'd have to do after the publisher has actually got the", "to publish the book. By work I mean any form of work I'd", "sending what I've written off to get published soon, but I was wondering", "work I mean any form of work I'd have to spend the days", "published soon, but I was wondering how much work I'd have to do", "publish the book. By work I mean any form of work I'd have", "but I was wondering how much work I'd have to do after the", "after the publisher has actually got the contract with me and we're going", "we're going to publish the book. By work I mean any form of", "the contract with me and we're going to publish the book. By work", "got the contract with me and we're going to publish the book. By", "By work I mean any form of work I'd have to spend the", "have to do after the publisher has actually got the contract with me", "the publisher has actually got the contract with me and we're going to", "written off to get published soon, but I was wondering how much work", "wondering how much work I'd have to do after the publisher has actually", "with me and we're going to publish the book. By work I mean", "me and we're going to publish the book. By work I mean any", "book. By work I mean any form of work I'd have to spend", "I was wondering how much work I'd have to do after the publisher", "I've written off to get published soon, but I was wondering how much", "the book. By work I mean any form of work I'd have to", "do after the publisher has actually got the contract with me and we're", "what I've written off to get published soon, but I was wondering how", "I'd have to do after the publisher has actually got the contract with", "actually got the contract with me and we're going to publish the book.", "I'm thinking about sending what I've written off to get published soon, but", "off to get published soon, but I was wondering how much work I'd", "and we're going to publish the book. By work I mean any form", "was wondering how much work I'd have to do after the publisher has", "going to publish the book. By work I mean any form of work" ]
[ "book published in 1910 - is this ok? I want to write the", "I wanted to write a novel using three characters from a book published", "story (my own invention) - in the vein of Wide Sargasso Sea. Any", "in the vein of Wide Sargasso Sea. Any advice would be appreciated. Charlotte", "to write a novel using three characters from a book published in 1910", "back story (my own invention) - in the vein of Wide Sargasso Sea.", "a book published in 1910 - is this ok? I want to write", "in 1910 - is this ok? I want to write the back story", "- is this ok? I want to write the back story (my own", "the back story (my own invention) - in the vein of Wide Sargasso", "own invention) - in the vein of Wide Sargasso Sea. Any advice would", "to write the back story (my own invention) - in the vein of", "using three characters from a book published in 1910 - is this ok?", "- in the vein of Wide Sargasso Sea. Any advice would be appreciated.", "characters from a book published in 1910 - is this ok? I want", "is this ok? I want to write the back story (my own invention)", "three characters from a book published in 1910 - is this ok? I", "want to write the back story (my own invention) - in the vein", "novel using three characters from a book published in 1910 - is this", "published in 1910 - is this ok? I want to write the back", "I want to write the back story (my own invention) - in the", "If I wanted to write a novel using three characters from a book", "wanted to write a novel using three characters from a book published in", "1910 - is this ok? I want to write the back story (my", "a novel using three characters from a book published in 1910 - is", "ok? I want to write the back story (my own invention) - in", "write the back story (my own invention) - in the vein of Wide", "write a novel using three characters from a book published in 1910 -", "this ok? I want to write the back story (my own invention) -", "invention) - in the vein of Wide Sargasso Sea. Any advice would be", "from a book published in 1910 - is this ok? I want to", "(my own invention) - in the vein of Wide Sargasso Sea. Any advice" ]
[ "that's the proper name for it but anyway) and I'm not including any", "(I don't think that's the proper name for it but anyway) and I'm", "name for it but anyway) and I'm not including any of my own", "paraphrasing others' sayings with proper citations. It includes some interviews with a couple", "couple of experts, quotations from various written sources like newspapers, books, and articles.", "with proper citations. It includes some interviews with a couple of experts, quotations", "It includes some interviews with a couple of experts, quotations from various written", "it but anyway) and I'm not including any of my own opinions, just", "the work? Which one is more appropriate to be used esp. in academic", "the proper name for it but anyway) and I'm not including any of", "an editor of the work? Which one is more appropriate to be used", "articles. In the end, am I a compiler or an editor of the", "books, and articles. In the end, am I a compiler or an editor", "or an editor of the work? Which one is more appropriate to be", "am I a compiler or an editor of the work? Which one is", "one is more appropriate to be used esp. in academic contexts? Title: \\*\\*\\*\\*\\*\\*\\*\\*\\*\\*\\*\\*", "interviews with a couple of experts, quotations from various written sources like newspapers,", "an article (I don't think that's the proper name for it but anyway)", "appropriate to be used esp. in academic contexts? Title: \\*\\*\\*\\*\\*\\*\\*\\*\\*\\*\\*\\* Editor / Compiler:", "citations. It includes some interviews with a couple of experts, quotations from various", "more appropriate to be used esp. in academic contexts? Title: \\*\\*\\*\\*\\*\\*\\*\\*\\*\\*\\*\\* Editor /", "the end, am I a compiler or an editor of the work? Which", "a couple of experts, quotations from various written sources like newspapers, books, and", "article (I don't think that's the proper name for it but anyway) and", "think that's the proper name for it but anyway) and I'm not including", "not including any of my own opinions, just quoting and paraphrasing others' sayings", "sources like newspapers, books, and articles. In the end, am I a compiler", "compiler or an editor of the work? Which one is more appropriate to", "I'm writing an article (I don't think that's the proper name for it", "anyway) and I'm not including any of my own opinions, just quoting and", "of the work? Which one is more appropriate to be used esp. in", "various written sources like newspapers, books, and articles. In the end, am I", "opinions, just quoting and paraphrasing others' sayings with proper citations. It includes some", "I a compiler or an editor of the work? Which one is more", "my own opinions, just quoting and paraphrasing others' sayings with proper citations. It", "of my own opinions, just quoting and paraphrasing others' sayings with proper citations.", "writing an article (I don't think that's the proper name for it but", "proper name for it but anyway) and I'm not including any of my", "sayings with proper citations. It includes some interviews with a couple of experts,", "Let's say I'm writing an article (I don't think that's the proper name", "includes some interviews with a couple of experts, quotations from various written sources", "some interviews with a couple of experts, quotations from various written sources like", "experts, quotations from various written sources like newspapers, books, and articles. In the", "quotations from various written sources like newspapers, books, and articles. In the end,", "like newspapers, books, and articles. In the end, am I a compiler or", "end, am I a compiler or an editor of the work? Which one", "and paraphrasing others' sayings with proper citations. It includes some interviews with a", "Which one is more appropriate to be used esp. in academic contexts? Title:", "with a couple of experts, quotations from various written sources like newspapers, books,", "of experts, quotations from various written sources like newspapers, books, and articles. In", "others' sayings with proper citations. It includes some interviews with a couple of", "and articles. In the end, am I a compiler or an editor of", "proper citations. It includes some interviews with a couple of experts, quotations from", "for it but anyway) and I'm not including any of my own opinions,", "I'm not including any of my own opinions, just quoting and paraphrasing others'", "from various written sources like newspapers, books, and articles. In the end, am", "say I'm writing an article (I don't think that's the proper name for", "editor of the work? Which one is more appropriate to be used esp.", "but anyway) and I'm not including any of my own opinions, just quoting", "any of my own opinions, just quoting and paraphrasing others' sayings with proper", "work? Which one is more appropriate to be used esp. in academic contexts?", "to be used esp. in academic contexts? Title: \\*\\*\\*\\*\\*\\*\\*\\*\\*\\*\\*\\* Editor / Compiler: \\*\\*\\*\\*\\*\\*\\*\\*\\*\\*\\*\\*", "quoting and paraphrasing others' sayings with proper citations. It includes some interviews with", "written sources like newspapers, books, and articles. In the end, am I a", "own opinions, just quoting and paraphrasing others' sayings with proper citations. It includes", "In the end, am I a compiler or an editor of the work?", "don't think that's the proper name for it but anyway) and I'm not", "and I'm not including any of my own opinions, just quoting and paraphrasing", "is more appropriate to be used esp. in academic contexts? Title: \\*\\*\\*\\*\\*\\*\\*\\*\\*\\*\\*\\* Editor", "just quoting and paraphrasing others' sayings with proper citations. It includes some interviews", "a compiler or an editor of the work? Which one is more appropriate", "newspapers, books, and articles. In the end, am I a compiler or an", "including any of my own opinions, just quoting and paraphrasing others' sayings with" ]
[ "different requirements and moved on. Yet, the question [Do popular books use simpler", "as a three step process: 1. You have natural sounding language, which will", "how come some countries/languages required the language to be simplified when writing? Wasn't", "organ tuner). 2. Then you have simple language, which often requires structures and", "the 'rule' in mind, many (I believe) also aim at writing in their", "answers are on how to do it well in English. Although, obviously, if", "an expert tone depending on what you're writing and your target audience (meaning,", "is not English. So, again, **how seriously do other markets hold this 'simplified", "your target audience (meaning, there are different levels of complexity within natural sounding", "of complexity within natural sounding language depending on whether you're writing a novel", "a similar 'rule' for novels written for the average reader**. I believe this", "how to write properly and, naturally, many of the answers are on how", "linguistic simplicity. Let me clarify from the start: I'm Portuguese and, obviously, I", "are different levels of language complexity. However, throughout my academic life (I studied", "start: I'm Portuguese and, obviously, I know there are different levels of language", "must write to an average audience at an 8th grade level I was", "so how come some countries/languages required the language to be simplified when writing?", "upon by teachers). So, unless you're writing for a niche elitist audience, you'll", "away from unnaturally complex language, and unless you're writing for children and teens,", "whether more countries/language have a similar 'rule' for novels written for the average", "writing in their own languages, which is not English. So, again, **how seriously", "for novels written for the average reader**. I believe this is an important", "structures and vocabulary and requiring me to improve them (and the same for", "vocabulary unnaturally complex (frowned upon by teachers). So, unless you're writing for a", "step process: 1. You have natural sounding language, which will vary between an", "a Portuguese beginner writer following such a rule and unnaturally simplifying their language", "you're writing for children and teens, you will also steer away from the", "that unnatural? Well, enough with the ranting contextualisation: I have since come to", "unnaturally simplified (frowned upon by teachers). 3. Finally, you have complex language, which", "properly and, naturally, many of the answers are on how to do it", "required to write fiction and non-fiction) complexity was seen as a three step", "aim at writing in their own languages, which is not English. So, again,", "many of the answers are on how to do it well in English.", "I know there are different levels of language complexity. However, throughout my academic", "language. And then there's the big catch: a lot of books in the", "office adventures or about the existencial musings of an organ tuner). 2. Then", "the Portuguese rule of thumb (make it sound natural) or is there a", "about Daniel's office adventures or about the existencial musings of an organ tuner).", "So, when I first came across the American (I'm not sure how much", "use simpler language?](https://writers.stackexchange.com/questions/29639/do-popular-books-use-simpler-language) **made me wonder whether more countries/language have a similar 'rule'", "You have natural sounding language, which will vary between an everyday tone and", "pointing out simplistic structures and vocabulary and requiring me to improve them (and", "some have vocabuary that definitely isn't a part of everyday life. So, when", "scope and target audience. While many of the members on this site aim", "matter of applying the general idea to other languages. Every now and then,", "to improve them (and the same for obscure vocabulary and convoluted structures, obviously),", "them (and the same for obscure vocabulary and convoluted structures, obviously), so how", "language, which often requires structures and vocabulary unnaturally simplified (frowned upon by teachers).", "out simplistic structures and vocabulary and requiring me to improve them (and the", "how much this applies to other English-speaking countries) idea that one must write", "simple language, which often requires structures and vocabulary unnaturally simplified (frowned upon by", "not sure how much this applies to other English-speaking countries) idea that one", "reader**. I believe this is an important point for writers overall as I", "simplified (frowned upon by teachers). 3. Finally, you have complex language, which often", "was often required to write fiction and non-fiction) complexity was seen as a", "write well in other languages since it's a simple matter of applying the", "books use simpler language?](https://writers.stackexchange.com/questions/29639/do-popular-books-use-simpler-language) **made me wonder whether more countries/language have a similar", "existencial musings of an organ tuner). 2. Then you have simple language, which", "of everyday life. So, when I first came across the American (I'm not", "tone and an expert tone depending on what you're writing and your target", "(I believe) also aim at writing in their own languages, which is not", "site has a lot of question on how to write properly and, naturally,", "language, which often requires structures and vocabulary unnaturally complex (frowned upon by teachers).", "of applying the general idea to other languages. Every now and then, though,", "the answers are on how to do it well in English. Although, obviously,", "a part of everyday life. So, when I first came across the American", "lot of question on how to write properly and, naturally, many of the", "sounding language depending on whether you're writing a novel about Daniel's office adventures", "English and should, therefore, keep the 'rule' in mind, many (I believe) also", "now and then, though, some questions-answers are very specific to anglophones. One of", "in mind, many (I believe) also aim at writing in their own languages,", "languages and literature and was often required to write fiction and non-fiction) complexity", "levels of complexity within natural sounding language depending on whether you're writing a", "was taken aback. I remember my 7th to 9th grade language teachers pointing", "say, a Portuguese beginner writer following such a rule and unnaturally simplifying their", "language teachers pointing out simplistic structures and vocabulary and requiring me to improve", "seen as a three step process: 1. You have natural sounding language, which", "other languages. Every now and then, though, some questions-answers are very specific to", "this 'simplified language' notion?** Is it like the Portuguese rule of thumb (make", "simplified when writing? Wasn't that unnatural? Well, enough with the ranting contextualisation: I", "following such a rule and unnaturally simplifying their language without accounting for scope", "have structures that are not simplistic and some have vocabuary that definitely isn't", "literature and was often required to write fiction and non-fiction) complexity was seen", "catch: a lot of books in the Portuguese national reading plan have structures", "requirements and moved on. Yet, the question [Do popular books use simpler language?](https://writers.stackexchange.com/questions/29639/do-popular-books-use-simpler-language)", "Portuguese and, obviously, I know there are different levels of language complexity. However,", "came across the American (I'm not sure how much this applies to other", "language, which will vary between an everyday tone and an expert tone depending", "complexity within natural sounding language depending on whether you're writing a novel about", "have simple language, which often requires structures and vocabulary unnaturally simplified (frowned upon", "see, say, a Portuguese beginner writer following such a rule and unnaturally simplifying", "do it well in English. Although, obviously, if you can write well in", "in English. Although, obviously, if you can write well in English, you can", "of thumb (make it sound natural) or is there a prescribed level (for", "requires structures and vocabulary unnaturally simplified (frowned upon by teachers). 3. Finally, you", "me clarify from the start: I'm Portuguese and, obviously, I know there are", "expert tone depending on what you're writing and your target audience (meaning, there", "simple matter of applying the general idea to other languages. Every now and", "often requires structures and vocabulary unnaturally complex (frowned upon by teachers). So, unless", "the existencial musings of an organ tuner). 2. Then you have simple language,", "do other markets hold this 'simplified language' notion?** Is it like the Portuguese", "niche elitist audience, you'll steer away from unnaturally complex language, and unless you're", "writer following such a rule and unnaturally simplifying their language without accounting for", "an important point for writers overall as I can see, say, a Portuguese", "and unnaturally simplifying their language without accounting for scope and target audience. While", "English-speaking countries) idea that one must write to an average audience at an", "or about the existencial musings of an organ tuner). 2. Then you have", "to accept that English and Portuguese writing have different requirements and moved on.", "well in English. Although, obviously, if you can write well in English, you", "that definitely isn't a part of everyday life. So, when I first came", "often required to write fiction and non-fiction) complexity was seen as a three", "required the language to be simplified when writing? Wasn't that unnatural? Well, enough", "in their own languages, which is not English. So, again, **how seriously do", "often requires structures and vocabulary unnaturally simplified (frowned upon by teachers). 3. Finally,", "languages, which is not English. So, again, **how seriously do other markets hold", "you're writing a novel about Daniel's office adventures or about the existencial musings", "level I was taken aback. I remember my 7th to 9th grade language", "So, again, **how seriously do other markets hold this 'simplified language' notion?** Is", "natural sounding language, which will vary between an everyday tone and an expert", "complex (frowned upon by teachers). So, unless you're writing for a niche elitist", "you can write well in other languages since it's a simple matter of", "it well in English. Although, obviously, if you can write well in English,", "clarify from the start: I'm Portuguese and, obviously, I know there are different", "about the existencial musings of an organ tuner). 2. Then you have simple", "writing have different requirements and moved on. Yet, the question [Do popular books", "applying the general idea to other languages. Every now and then, though, some", "idea to other languages. Every now and then, though, some questions-answers are very", "complex language, which often requires structures and vocabulary unnaturally complex (frowned upon by", "the language to be simplified when writing? Wasn't that unnatural? Well, enough with", "aim at writing in English and should, therefore, keep the 'rule' in mind,", "life (I studied languages and literature and was often required to write fiction", "lot of books in the Portuguese national reading plan have structures that are", "are not simplistic and some have vocabuary that definitely isn't a part of", "adventures or about the existencial musings of an organ tuner). 2. Then you", "simplistic structures and vocabulary and requiring me to improve them (and the same", "simplistic language. And then there's the big catch: a lot of books in", "and should, therefore, keep the 'rule' in mind, many (I believe) also aim", "thumb (make it sound natural) or is there a prescribed level (for the", "steer away from the over simplistic language. And then there's the big catch:", "other markets hold this 'simplified language' notion?** Is it like the Portuguese rule", "the same for obscure vocabulary and convoluted structures, obviously), so how come some", "aback. I remember my 7th to 9th grade language teachers pointing out simplistic", "then, though, some questions-answers are very specific to anglophones. One of these is", "and an expert tone depending on what you're writing and your target audience", "obscure vocabulary and convoluted structures, obviously), so how come some countries/languages required the", "teachers). So, unless you're writing for a niche elitist audience, you'll steer away", "obviously), so how come some countries/languages required the language to be simplified when", "requiring me to improve them (and the same for obscure vocabulary and convoluted", "and moved on. Yet, the question [Do popular books use simpler language?](https://writers.stackexchange.com/questions/29639/do-popular-books-use-simpler-language) **made", "also steer away from the over simplistic language. And then there's the big", "language without accounting for scope and target audience. While many of the members", "and target audience. While many of the members on this site aim at", "countries/language have a similar 'rule' for novels written for the average reader**. I", "English. So, again, **how seriously do other markets hold this 'simplified language' notion?**", "writing a novel about Daniel's office adventures or about the existencial musings of", "unnaturally complex (frowned upon by teachers). So, unless you're writing for a niche", "'rule' in mind, many (I believe) also aim at writing in their own", "at writing in English and should, therefore, keep the 'rule' in mind, many", "process: 1. You have natural sounding language, which will vary between an everyday", "for obscure vocabulary and convoluted structures, obviously), so how come some countries/languages required", "come some countries/languages required the language to be simplified when writing? Wasn't that", "of the members on this site aim at writing in English and should,", "enough with the ranting contextualisation: I have since come to accept that English", "language, and unless you're writing for children and teens, you will also steer", "target audience. While many of the members on this site aim at writing", "point for writers overall as I can see, say, a Portuguese beginner writer", "seriously do other markets hold this 'simplified language' notion?** Is it like the", "language?](https://writers.stackexchange.com/questions/29639/do-popular-books-use-simpler-language) **made me wonder whether more countries/language have a similar 'rule' for novels", "audience at an 8th grade level I was taken aback. I remember my", "audience (meaning, there are different levels of complexity within natural sounding language depending", "obviously, if you can write well in English, you can write well in", "since it's a simple matter of applying the general idea to other languages.", "Wasn't that unnatural? Well, enough with the ranting contextualisation: I have since come", "and unless you're writing for children and teens, you will also steer away", "there's the big catch: a lot of books in the Portuguese national reading", "important point for writers overall as I can see, say, a Portuguese beginner", "was seen as a three step process: 1. You have natural sounding language,", "remember my 7th to 9th grade language teachers pointing out simplistic structures and", "[Do popular books use simpler language?](https://writers.stackexchange.com/questions/29639/do-popular-books-use-simpler-language) **made me wonder whether more countries/language have", "well in other languages since it's a simple matter of applying the general", "write fiction and non-fiction) complexity was seen as a three step process: 1.", "and Portuguese writing have different requirements and moved on. Yet, the question [Do", "I remember my 7th to 9th grade language teachers pointing out simplistic structures", "you will also steer away from the over simplistic language. And then there's", "it's a simple matter of applying the general idea to other languages. Every", "sounding language, which will vary between an everyday tone and an expert tone", "on whether you're writing a novel about Daniel's office adventures or about the", "average reader**. I believe this is an important point for writers overall as", "naturally, many of the answers are on how to do it well in", "question [Do popular books use simpler language?](https://writers.stackexchange.com/questions/29639/do-popular-books-use-simpler-language) **made me wonder whether more countries/language", "mind, many (I believe) also aim at writing in their own languages, which", "1. You have natural sounding language, which will vary between an everyday tone", "you'll steer away from unnaturally complex language, and unless you're writing for children", "know there are different levels of language complexity. However, throughout my academic life", "first came across the American (I'm not sure how much this applies to", "of linguistic simplicity. Let me clarify from the start: I'm Portuguese and, obviously,", "have different requirements and moved on. Yet, the question [Do popular books use", "7th to 9th grade language teachers pointing out simplistic structures and vocabulary and", "I have since come to accept that English and Portuguese writing have different", "unless you're writing for a niche elitist audience, you'll steer away from unnaturally", "well in English, you can write well in other languages since it's a", "structures and vocabulary unnaturally simplified (frowned upon by teachers). 3. Finally, you have", "(meaning, there are different levels of complexity within natural sounding language depending on", "English and Portuguese writing have different requirements and moved on. Yet, the question", "Portuguese writing have different requirements and moved on. Yet, the question [Do popular", "an organ tuner). 2. Then you have simple language, which often requires structures", "are very specific to anglophones. One of these is the idea of linguistic", "So, unless you're writing for a niche elitist audience, you'll steer away from", "everyday life. So, when I first came across the American (I'm not sure", "much this applies to other English-speaking countries) idea that one must write to", "general idea to other languages. Every now and then, though, some questions-answers are", "write well in English, you can write well in other languages since it's", "Then you have simple language, which often requires structures and vocabulary unnaturally simplified", "have vocabuary that definitely isn't a part of everyday life. So, when I", "applies to other English-speaking countries) idea that one must write to an average", "and was often required to write fiction and non-fiction) complexity was seen as", "the Portuguese national reading plan have structures that are not simplistic and some", "and some have vocabuary that definitely isn't a part of everyday life. So,", "over simplistic language. And then there's the big catch: a lot of books", "within natural sounding language depending on whether you're writing a novel about Daniel's", "**how seriously do other markets hold this 'simplified language' notion?** Is it like", "an everyday tone and an expert tone depending on what you're writing and", "of language complexity. However, throughout my academic life (I studied languages and literature", "musings of an organ tuner). 2. Then you have simple language, which often", "writing? Wasn't that unnatural? Well, enough with the ranting contextualisation: I have since", "without accounting for scope and target audience. While many of the members on", "own languages, which is not English. So, again, **how seriously do other markets", "an average audience at an 8th grade level I was taken aback. I", "for the average reader**. I believe this is an important point for writers", "structures that are not simplistic and some have vocabuary that definitely isn't a", "on how to write properly and, naturally, many of the answers are on", "some questions-answers are very specific to anglophones. One of these is the idea", "on. Yet, the question [Do popular books use simpler language?](https://writers.stackexchange.com/questions/29639/do-popular-books-use-simpler-language) **made me wonder", "like the Portuguese rule of thumb (make it sound natural) or is there", "therefore, keep the 'rule' in mind, many (I believe) also aim at writing", "these is the idea of linguistic simplicity. Let me clarify from the start:", "academic life (I studied languages and literature and was often required to write", "(I studied languages and literature and was often required to write fiction and", "improve them (and the same for obscure vocabulary and convoluted structures, obviously), so", "and vocabulary and requiring me to improve them (and the same for obscure", "I believe this is an important point for writers overall as I can", "languages since it's a simple matter of applying the general idea to other", "language complexity. However, throughout my academic life (I studied languages and literature and", "of question on how to write properly and, naturally, many of the answers", "and then, though, some questions-answers are very specific to anglophones. One of these", "different levels of language complexity. However, throughout my academic life (I studied languages", "writing in English and should, therefore, keep the 'rule' in mind, many (I", "Portuguese rule of thumb (make it sound natural) or is there a prescribed", "in English, you can write well in other languages since it's a simple", "have a similar 'rule' for novels written for the average reader**. I believe", "not simplistic and some have vocabuary that definitely isn't a part of everyday", "hold this 'simplified language' notion?** Is it like the Portuguese rule of thumb", "anglophones. One of these is the idea of linguistic simplicity. Let me clarify", "overall as I can see, say, a Portuguese beginner writer following such a", "on how to do it well in English. Although, obviously, if you can", "big catch: a lot of books in the Portuguese national reading plan have", "members on this site aim at writing in English and should, therefore, keep", "Well, enough with the ranting contextualisation: I have since come to accept that", "I can see, say, a Portuguese beginner writer following such a rule and", "not English. So, again, **how seriously do other markets hold this 'simplified language'", "teens, you will also steer away from the over simplistic language. And then", "again, **how seriously do other markets hold this 'simplified language' notion?** Is it", "countries/languages required the language to be simplified when writing? Wasn't that unnatural? Well,", "of books in the Portuguese national reading plan have structures that are not", "on what you're writing and your target audience (meaning, there are different levels", "this site aim at writing in English and should, therefore, keep the 'rule'", "Portuguese beginner writer following such a rule and unnaturally simplifying their language without", "to 9th grade language teachers pointing out simplistic structures and vocabulary and requiring", "can see, say, a Portuguese beginner writer following such a rule and unnaturally", "to do it well in English. Although, obviously, if you can write well", "can write well in other languages since it's a simple matter of applying", "structures and vocabulary unnaturally complex (frowned upon by teachers). So, unless you're writing", "depending on whether you're writing a novel about Daniel's office adventures or about", "a niche elitist audience, you'll steer away from unnaturally complex language, and unless", "by teachers). So, unless you're writing for a niche elitist audience, you'll steer", "and your target audience (meaning, there are different levels of complexity within natural", "the general idea to other languages. Every now and then, though, some questions-answers", "countries) idea that one must write to an average audience at an 8th", "to other languages. Every now and then, though, some questions-answers are very specific", "and vocabulary unnaturally simplified (frowned upon by teachers). 3. Finally, you have complex", "their language without accounting for scope and target audience. While many of the", "specific to anglophones. One of these is the idea of linguistic simplicity. Let", "Every now and then, though, some questions-answers are very specific to anglophones. One", "the American (I'm not sure how much this applies to other English-speaking countries)", "plan have structures that are not simplistic and some have vocabuary that definitely", "is an important point for writers overall as I can see, say, a", "(frowned upon by teachers). 3. Finally, you have complex language, which often requires", "a lot of books in the Portuguese national reading plan have structures that", "with the ranting contextualisation: I have since come to accept that English and", "which will vary between an everyday tone and an expert tone depending on", "a three step process: 1. You have natural sounding language, which will vary", "that English and Portuguese writing have different requirements and moved on. Yet, the", "(frowned upon by teachers). So, unless you're writing for a niche elitist audience,", "be simplified when writing? Wasn't that unnatural? Well, enough with the ranting contextualisation:", "wonder whether more countries/language have a similar 'rule' for novels written for the", "obviously, I know there are different levels of language complexity. However, throughout my", "teachers pointing out simplistic structures and vocabulary and requiring me to improve them", "popular books use simpler language?](https://writers.stackexchange.com/questions/29639/do-popular-books-use-simpler-language) **made me wonder whether more countries/language have a", "'rule' for novels written for the average reader**. I believe this is an", "there are different levels of language complexity. However, throughout my academic life (I", "tone depending on what you're writing and your target audience (meaning, there are", "you have simple language, which often requires structures and vocabulary unnaturally simplified (frowned", "I'm Portuguese and, obviously, I know there are different levels of language complexity.", "other English-speaking countries) idea that one must write to an average audience at", "However, throughout my academic life (I studied languages and literature and was often", "studied languages and literature and was often required to write fiction and non-fiction)", "to an average audience at an 8th grade level I was taken aback.", "me to improve them (and the same for obscure vocabulary and convoluted structures,", "you're writing for a niche elitist audience, you'll steer away from unnaturally complex", "English, you can write well in other languages since it's a simple matter", "the question [Do popular books use simpler language?](https://writers.stackexchange.com/questions/29639/do-popular-books-use-simpler-language) **made me wonder whether more", "which is not English. So, again, **how seriously do other markets hold this", "you're writing and your target audience (meaning, there are different levels of complexity", "language to be simplified when writing? Wasn't that unnatural? Well, enough with the", "Finally, you have complex language, which often requires structures and vocabulary unnaturally complex", "books in the Portuguese national reading plan have structures that are not simplistic", "**made me wonder whether more countries/language have a similar 'rule' for novels written", "non-fiction) complexity was seen as a three step process: 1. You have natural", "and, naturally, many of the answers are on how to do it well", "languages. Every now and then, though, some questions-answers are very specific to anglophones.", "accounting for scope and target audience. While many of the members on this", "Yet, the question [Do popular books use simpler language?](https://writers.stackexchange.com/questions/29639/do-popular-books-use-simpler-language) **made me wonder whether", "audience, you'll steer away from unnaturally complex language, and unless you're writing for", "from unnaturally complex language, and unless you're writing for children and teens, you", "simplifying their language without accounting for scope and target audience. While many of", "simplistic and some have vocabuary that definitely isn't a part of everyday life.", "this applies to other English-speaking countries) idea that one must write to an", "life. So, when I first came across the American (I'm not sure how", "contextualisation: I have since come to accept that English and Portuguese writing have", "write properly and, naturally, many of the answers are on how to do", "grade language teachers pointing out simplistic structures and vocabulary and requiring me to", "8th grade level I was taken aback. I remember my 7th to 9th", "also aim at writing in their own languages, which is not English. So,", "since come to accept that English and Portuguese writing have different requirements and", "what you're writing and your target audience (meaning, there are different levels of", "Let me clarify from the start: I'm Portuguese and, obviously, I know there", "and vocabulary unnaturally complex (frowned upon by teachers). So, unless you're writing for", "and non-fiction) complexity was seen as a three step process: 1. You have", "'simplified language' notion?** Is it like the Portuguese rule of thumb (make it", "similar 'rule' for novels written for the average reader**. I believe this is", "vocabuary that definitely isn't a part of everyday life. So, when I first", "unnaturally simplifying their language without accounting for scope and target audience. While many", "to write properly and, naturally, many of the answers are on how to", "should, therefore, keep the 'rule' in mind, many (I believe) also aim at", "at writing in their own languages, which is not English. So, again, **how", "One of these is the idea of linguistic simplicity. Let me clarify from", "very specific to anglophones. One of these is the idea of linguistic simplicity.", "different levels of complexity within natural sounding language depending on whether you're writing", "This site has a lot of question on how to write properly and,", "simpler language?](https://writers.stackexchange.com/questions/29639/do-popular-books-use-simpler-language) **made me wonder whether more countries/language have a similar 'rule' for", "one must write to an average audience at an 8th grade level I", "idea that one must write to an average audience at an 8th grade", "between an everyday tone and an expert tone depending on what you're writing", "fiction and non-fiction) complexity was seen as a three step process: 1. You", "have natural sounding language, which will vary between an everyday tone and an", "3. Finally, you have complex language, which often requires structures and vocabulary unnaturally", "Although, obviously, if you can write well in English, you can write well", "vocabulary and convoluted structures, obviously), so how come some countries/languages required the language", "writing and your target audience (meaning, there are different levels of complexity within", "whether you're writing a novel about Daniel's office adventures or about the existencial", "many (I believe) also aim at writing in their own languages, which is", "then there's the big catch: a lot of books in the Portuguese national", "there are different levels of complexity within natural sounding language depending on whether", "target audience (meaning, there are different levels of complexity within natural sounding language", "of the answers are on how to do it well in English. Although,", "you can write well in English, you can write well in other languages", "have since come to accept that English and Portuguese writing have different requirements", "my academic life (I studied languages and literature and was often required to", "And then there's the big catch: a lot of books in the Portuguese", "national reading plan have structures that are not simplistic and some have vocabuary", "language' notion?** Is it like the Portuguese rule of thumb (make it sound", "simplicity. Let me clarify from the start: I'm Portuguese and, obviously, I know", "English. Although, obviously, if you can write well in English, you can write", "everyday tone and an expert tone depending on what you're writing and your", "me wonder whether more countries/language have a similar 'rule' for novels written for", "how to do it well in English. Although, obviously, if you can write", "and requiring me to improve them (and the same for obscure vocabulary and", "in other languages since it's a simple matter of applying the general idea", "unnatural? Well, enough with the ranting contextualisation: I have since come to accept", "complex language, and unless you're writing for children and teens, you will also", "and literature and was often required to write fiction and non-fiction) complexity was", "moved on. Yet, the question [Do popular books use simpler language?](https://writers.stackexchange.com/questions/29639/do-popular-books-use-simpler-language) **made me", "many of the members on this site aim at writing in English and", "a lot of question on how to write properly and, naturally, many of", "come to accept that English and Portuguese writing have different requirements and moved", "accept that English and Portuguese writing have different requirements and moved on. Yet,", "rule and unnaturally simplifying their language without accounting for scope and target audience.", "for writers overall as I can see, say, a Portuguese beginner writer following", "such a rule and unnaturally simplifying their language without accounting for scope and", "beginner writer following such a rule and unnaturally simplifying their language without accounting", "writers overall as I can see, say, a Portuguese beginner writer following such", "believe) also aim at writing in their own languages, which is not English.", "a rule and unnaturally simplifying their language without accounting for scope and target", "the idea of linguistic simplicity. Let me clarify from the start: I'm Portuguese", "vocabulary unnaturally simplified (frowned upon by teachers). 3. Finally, you have complex language,", "to be simplified when writing? Wasn't that unnatural? Well, enough with the ranting", "the big catch: a lot of books in the Portuguese national reading plan", "that are not simplistic and some have vocabuary that definitely isn't a part", "(and the same for obscure vocabulary and convoluted structures, obviously), so how come", "believe this is an important point for writers overall as I can see,", "you have complex language, which often requires structures and vocabulary unnaturally complex (frowned", "natural sounding language depending on whether you're writing a novel about Daniel's office", "from the start: I'm Portuguese and, obviously, I know there are different levels", "sure how much this applies to other English-speaking countries) idea that one must", "teachers). 3. Finally, you have complex language, which often requires structures and vocabulary", "vary between an everyday tone and an expert tone depending on what you're", "for children and teens, you will also steer away from the over simplistic", "in the Portuguese national reading plan have structures that are not simplistic and", "when writing? Wasn't that unnatural? Well, enough with the ranting contextualisation: I have", "While many of the members on this site aim at writing in English", "2. Then you have simple language, which often requires structures and vocabulary unnaturally", "reading plan have structures that are not simplistic and some have vocabuary that", "convoluted structures, obviously), so how come some countries/languages required the language to be", "(make it sound natural) or is there a prescribed level (for the average", "a simple matter of applying the general idea to other languages. Every now", "vocabulary and requiring me to improve them (and the same for obscure vocabulary", "their own languages, which is not English. So, again, **how seriously do other", "I first came across the American (I'm not sure how much this applies", "to anglophones. One of these is the idea of linguistic simplicity. Let me", "an 8th grade level I was taken aback. I remember my 7th to", "the average reader**. I believe this is an important point for writers overall", "the ranting contextualisation: I have since come to accept that English and Portuguese", "of these is the idea of linguistic simplicity. Let me clarify from the", "Portuguese national reading plan have structures that are not simplistic and some have", "which often requires structures and vocabulary unnaturally simplified (frowned upon by teachers). 3.", "question on how to write properly and, naturally, many of the answers are", "when I first came across the American (I'm not sure how much this", "has a lot of question on how to write properly and, naturally, many", "for scope and target audience. While many of the members on this site", "if you can write well in English, you can write well in other", "throughout my academic life (I studied languages and literature and was often required", "definitely isn't a part of everyday life. So, when I first came across", "to write fiction and non-fiction) complexity was seen as a three step process:", "part of everyday life. So, when I first came across the American (I'm", "are different levels of complexity within natural sounding language depending on whether you're", "on this site aim at writing in English and should, therefore, keep the", "have complex language, which often requires structures and vocabulary unnaturally complex (frowned upon", "it sound natural) or is there a prescribed level (for the average reader)?", "more countries/language have a similar 'rule' for novels written for the average reader**.", "written for the average reader**. I believe this is an important point for", "keep the 'rule' in mind, many (I believe) also aim at writing in", "upon by teachers). 3. Finally, you have complex language, which often requires structures", "in English and should, therefore, keep the 'rule' in mind, many (I believe)", "grade level I was taken aback. I remember my 7th to 9th grade", "as I can see, say, a Portuguese beginner writer following such a rule", "language depending on whether you're writing a novel about Daniel's office adventures or", "elitist audience, you'll steer away from unnaturally complex language, and unless you're writing", "levels of language complexity. However, throughout my academic life (I studied languages and", "by teachers). 3. Finally, you have complex language, which often requires structures and", "complexity was seen as a three step process: 1. You have natural sounding", "to other English-speaking countries) idea that one must write to an average audience", "is the idea of linguistic simplicity. Let me clarify from the start: I'm", "a novel about Daniel's office adventures or about the existencial musings of an", "Is it like the Portuguese rule of thumb (make it sound natural) or", "American (I'm not sure how much this applies to other English-speaking countries) idea", "for a niche elitist audience, you'll steer away from unnaturally complex language, and", "unless you're writing for children and teens, you will also steer away from", "9th grade language teachers pointing out simplistic structures and vocabulary and requiring me", "children and teens, you will also steer away from the over simplistic language.", "ranting contextualisation: I have since come to accept that English and Portuguese writing", "complexity. However, throughout my academic life (I studied languages and literature and was", "this is an important point for writers overall as I can see, say,", "novels written for the average reader**. I believe this is an important point", "at an 8th grade level I was taken aback. I remember my 7th", "can write well in English, you can write well in other languages since", "across the American (I'm not sure how much this applies to other English-speaking", "three step process: 1. You have natural sounding language, which will vary between", "depending on what you're writing and your target audience (meaning, there are different", "which often requires structures and vocabulary unnaturally complex (frowned upon by teachers). So,", "questions-answers are very specific to anglophones. One of these is the idea of", "and convoluted structures, obviously), so how come some countries/languages required the language to", "rule of thumb (make it sound natural) or is there a prescribed level", "(I'm not sure how much this applies to other English-speaking countries) idea that", "writing for a niche elitist audience, you'll steer away from unnaturally complex language,", "and teens, you will also steer away from the over simplistic language. And", "idea of linguistic simplicity. Let me clarify from the start: I'm Portuguese and,", "site aim at writing in English and should, therefore, keep the 'rule' in", "writing for children and teens, you will also steer away from the over", "it like the Portuguese rule of thumb (make it sound natural) or is", "audience. While many of the members on this site aim at writing in", "my 7th to 9th grade language teachers pointing out simplistic structures and vocabulary", "I was taken aback. I remember my 7th to 9th grade language teachers", "write to an average audience at an 8th grade level I was taken", "steer away from unnaturally complex language, and unless you're writing for children and", "tuner). 2. Then you have simple language, which often requires structures and vocabulary", "structures, obviously), so how come some countries/languages required the language to be simplified", "requires structures and vocabulary unnaturally complex (frowned upon by teachers). So, unless you're", "average audience at an 8th grade level I was taken aback. I remember", "other languages since it's a simple matter of applying the general idea to", "will also steer away from the over simplistic language. And then there's the", "novel about Daniel's office adventures or about the existencial musings of an organ", "some countries/languages required the language to be simplified when writing? Wasn't that unnatural?", "the over simplistic language. And then there's the big catch: a lot of", "same for obscure vocabulary and convoluted structures, obviously), so how come some countries/languages", "the start: I'm Portuguese and, obviously, I know there are different levels of", "though, some questions-answers are very specific to anglophones. One of these is the", "isn't a part of everyday life. So, when I first came across the", "that one must write to an average audience at an 8th grade level", "will vary between an everyday tone and an expert tone depending on what", "from the over simplistic language. And then there's the big catch: a lot", "markets hold this 'simplified language' notion?** Is it like the Portuguese rule of", "of an organ tuner). 2. Then you have simple language, which often requires", "notion?** Is it like the Portuguese rule of thumb (make it sound natural)", "the members on this site aim at writing in English and should, therefore,", "Daniel's office adventures or about the existencial musings of an organ tuner). 2.", "are on how to do it well in English. Although, obviously, if you", "unnaturally complex language, and unless you're writing for children and teens, you will", "away from the over simplistic language. And then there's the big catch: a", "and, obviously, I know there are different levels of language complexity. However, throughout", "taken aback. I remember my 7th to 9th grade language teachers pointing out" ]
[ "I want to write a scene from multiple peoples perspectives without making it", "incredibly long, or repetitive. Is there a correct way to go about this?", "it incredibly long, or repetitive. Is there a correct way to go about", "peoples perspectives without making it incredibly long, or repetitive. Is there a correct", "want to write a scene from multiple peoples perspectives without making it incredibly", "scene from multiple peoples perspectives without making it incredibly long, or repetitive. Is", "making it incredibly long, or repetitive. Is there a correct way to go", "from multiple peoples perspectives without making it incredibly long, or repetitive. Is there", "to write a scene from multiple peoples perspectives without making it incredibly long,", "multiple peoples perspectives without making it incredibly long, or repetitive. Is there a", "perspectives without making it incredibly long, or repetitive. Is there a correct way", "write a scene from multiple peoples perspectives without making it incredibly long, or", "a scene from multiple peoples perspectives without making it incredibly long, or repetitive.", "without making it incredibly long, or repetitive. Is there a correct way to" ]
[ "some slower arc progression in the overall setting. Qualifications for \"Episodic\" works of", "what films are in a visual medium. I was thinking about why we", "Qualifications for \"Episodic\" works of fiction: * Unlike short story collections, the episodes", "stories are collected in a single volume, rather than smaller novellas. In short,", "familiar with the cast. * Each episode is a suitable length to read", "and mixing the order will not leave a reader confused if they are", "overall setting. Qualifications for \"Episodic\" works of fiction: * Unlike short story collections,", "Each episode is a suitable length to read in one sitting. * The", "story, which are closer in style to what films are in a visual", "about why we don't see more books that would be closer in style", "place in the same setting with the same cast. * The episodes are", "* Each episode is a suitable length to read in one sitting. *", "for \"Episodic\" works of fiction: * Unlike short story collections, the episodes take", "short, what factors create the environment where most fiction is written as a", "or event which is mostly wrapped in 40 minutes and there is some", "rather than smaller novellas. In short, what factors create the environment where most", "that would be closer in style to a tv show, where each section", "in a visual medium. I was thinking about why we don't see more", "not leave a reader confused if they are familiar with the cast. *", "they are familiar with the cast. * Each episode is a suitable length", "* The stories are collected in a single volume, rather than smaller novellas.", "order will not leave a reader confused if they are familiar with the", "in style to what films are in a visual medium. I was thinking", "a suitable length to read in one sitting. * The stories are collected", "40 minutes and there is some slower arc progression in the overall setting.", "of fictional books are one continuous story, which are closer in style to", "leave a reader confused if they are familiar with the cast. * Each", "* The episodes are generally self contained, and mixing the order will not", "to a tv show, where each section has a problem or event which", "In short, what factors create the environment where most fiction is written as", "same setting with the same cast. * The episodes are generally self contained,", "the same setting with the same cast. * The episodes are generally self", "Unlike short story collections, the episodes take place in the same setting with", "a tv show, where each section has a problem or event which is", "fiction: * Unlike short story collections, the episodes take place in the same", "style to what films are in a visual medium. I was thinking about", "majority of fictional books are one continuous story, which are closer in style", "cast. * Each episode is a suitable length to read in one sitting.", "see more books that would be closer in style to a tv show,", "why we don't see more books that would be closer in style to", "setting. Qualifications for \"Episodic\" works of fiction: * Unlike short story collections, the", "which are closer in style to what films are in a visual medium.", "suitable length to read in one sitting. * The stories are collected in", "factors create the environment where most fiction is written as a single tightly", "show, where each section has a problem or event which is mostly wrapped", "which is mostly wrapped in 40 minutes and there is some slower arc", "continuous story, which are closer in style to what films are in a", "more books that would be closer in style to a tv show, where", "in style to a tv show, where each section has a problem or", "minutes and there is some slower arc progression in the overall setting. Qualifications", "works of fiction: * Unlike short story collections, the episodes take place in", "a reader confused if they are familiar with the cast. * Each episode", "in a single volume, rather than smaller novellas. In short, what factors create", "are collected in a single volume, rather than smaller novellas. In short, what", "The stories are collected in a single volume, rather than smaller novellas. In", "slower arc progression in the overall setting. Qualifications for \"Episodic\" works of fiction:", "collected in a single volume, rather than smaller novellas. In short, what factors", "there is some slower arc progression in the overall setting. Qualifications for \"Episodic\"", "the environment where most fiction is written as a single tightly cohesive narrative?", "novellas. In short, what factors create the environment where most fiction is written", "self contained, and mixing the order will not leave a reader confused if", "read in one sitting. * The stories are collected in a single volume,", "short story collections, the episodes take place in the same setting with the", "books are one continuous story, which are closer in style to what films", "setting with the same cast. * The episodes are generally self contained, and", "one sitting. * The stories are collected in a single volume, rather than", "to what films are in a visual medium. I was thinking about why", "is some slower arc progression in the overall setting. Qualifications for \"Episodic\" works", "a problem or event which is mostly wrapped in 40 minutes and there", "closer in style to a tv show, where each section has a problem", "* Unlike short story collections, the episodes take place in the same setting", "each section has a problem or event which is mostly wrapped in 40", "the cast. * Each episode is a suitable length to read in one", "one continuous story, which are closer in style to what films are in", "cast. * The episodes are generally self contained, and mixing the order will", "smaller novellas. In short, what factors create the environment where most fiction is", "a visual medium. I was thinking about why we don't see more books", "to read in one sitting. * The stories are collected in a single", "the same cast. * The episodes are generally self contained, and mixing the", "section has a problem or event which is mostly wrapped in 40 minutes", "than smaller novellas. In short, what factors create the environment where most fiction", "problem or event which is mostly wrapped in 40 minutes and there is", "will not leave a reader confused if they are familiar with the cast.", "generally self contained, and mixing the order will not leave a reader confused", "\"Episodic\" works of fiction: * Unlike short story collections, the episodes take place", "episodes take place in the same setting with the same cast. * The", "where each section has a problem or event which is mostly wrapped in", "progression in the overall setting. Qualifications for \"Episodic\" works of fiction: * Unlike", "The episodes are generally self contained, and mixing the order will not leave", "The vast majority of fictional books are one continuous story, which are closer", "event which is mostly wrapped in 40 minutes and there is some slower", "with the same cast. * The episodes are generally self contained, and mixing", "story collections, the episodes take place in the same setting with the same", "volume, rather than smaller novellas. In short, what factors create the environment where", "single volume, rather than smaller novellas. In short, what factors create the environment", "be closer in style to a tv show, where each section has a", "are in a visual medium. I was thinking about why we don't see", "sitting. * The stories are collected in a single volume, rather than smaller", "are generally self contained, and mixing the order will not leave a reader", "mostly wrapped in 40 minutes and there is some slower arc progression in", "would be closer in style to a tv show, where each section has", "in the overall setting. Qualifications for \"Episodic\" works of fiction: * Unlike short", "reader confused if they are familiar with the cast. * Each episode is", "is a suitable length to read in one sitting. * The stories are", "the episodes take place in the same setting with the same cast. *", "a single volume, rather than smaller novellas. In short, what factors create the", "what factors create the environment where most fiction is written as a single", "the overall setting. Qualifications for \"Episodic\" works of fiction: * Unlike short story", "the order will not leave a reader confused if they are familiar with", "style to a tv show, where each section has a problem or event", "tv show, where each section has a problem or event which is mostly", "in one sitting. * The stories are collected in a single volume, rather", "is mostly wrapped in 40 minutes and there is some slower arc progression", "collections, the episodes take place in the same setting with the same cast.", "I was thinking about why we don't see more books that would be", "with the cast. * Each episode is a suitable length to read in", "in 40 minutes and there is some slower arc progression in the overall", "closer in style to what films are in a visual medium. I was", "thinking about why we don't see more books that would be closer in", "in the same setting with the same cast. * The episodes are generally", "length to read in one sitting. * The stories are collected in a", "create the environment where most fiction is written as a single tightly cohesive", "has a problem or event which is mostly wrapped in 40 minutes and", "episode is a suitable length to read in one sitting. * The stories", "same cast. * The episodes are generally self contained, and mixing the order", "are one continuous story, which are closer in style to what films are", "if they are familiar with the cast. * Each episode is a suitable", "visual medium. I was thinking about why we don't see more books that", "episodes are generally self contained, and mixing the order will not leave a", "of fiction: * Unlike short story collections, the episodes take place in the", "mixing the order will not leave a reader confused if they are familiar", "contained, and mixing the order will not leave a reader confused if they", "medium. I was thinking about why we don't see more books that would", "wrapped in 40 minutes and there is some slower arc progression in the", "was thinking about why we don't see more books that would be closer", "we don't see more books that would be closer in style to a", "take place in the same setting with the same cast. * The episodes", "are closer in style to what films are in a visual medium. I", "films are in a visual medium. I was thinking about why we don't", "are familiar with the cast. * Each episode is a suitable length to", "confused if they are familiar with the cast. * Each episode is a", "and there is some slower arc progression in the overall setting. Qualifications for", "books that would be closer in style to a tv show, where each", "don't see more books that would be closer in style to a tv", "arc progression in the overall setting. Qualifications for \"Episodic\" works of fiction: *", "vast majority of fictional books are one continuous story, which are closer in", "fictional books are one continuous story, which are closer in style to what" ]
[ "name, \"JASON\", for instance, and then highlighted it and selected the small caps", "am utterly confused: is small caps not capitalized? I assumed if I wrote", "fiddling with small caps. So do I just write \"jason\" in lowercase letters", "not capitalized? I assumed if I wrote a characters name, \"JASON\", for instance,", "would change it slightly--but it doesn't. I've never used it, a play submission", "\"jason\" in lowercase letters and then change it to small caps? That seems", "I hate asking this, but for some reason I am utterly confused: is", "caps feature, that it would change it slightly--but it doesn't. I've never used", "and selected the small caps feature, that it would change it slightly--but it", "it would change it slightly--but it doesn't. I've never used it, a play", "this, but for some reason I am utterly confused: is small caps not", "caps not capitalized? I assumed if I wrote a characters name, \"JASON\", for", "\"JASON\", for instance, and then highlighted it and selected the small caps feature,", "doesn't. I've never used it, a play submission calls for it, so this", "capitalized? I assumed if I wrote a characters name, \"JASON\", for instance, and", "I assumed if I wrote a characters name, \"JASON\", for instance, and then", "a play submission calls for it, so this is my first time fiddling", "play submission calls for it, so this is my first time fiddling with", "small caps not capitalized? I assumed if I wrote a characters name, \"JASON\",", "is my first time fiddling with small caps. So do I just write", "my first time fiddling with small caps. So do I just write \"jason\"", "reason I am utterly confused: is small caps not capitalized? I assumed if", "it to small caps? That seems to look right, but I want to", "slightly--but it doesn't. I've never used it, a play submission calls for it,", "small caps. So do I just write \"jason\" in lowercase letters and then", "confused: is small caps not capitalized? I assumed if I wrote a characters", "characters name, \"JASON\", for instance, and then highlighted it and selected the small", "assumed if I wrote a characters name, \"JASON\", for instance, and then highlighted", "for some reason I am utterly confused: is small caps not capitalized? I", "utterly confused: is small caps not capitalized? I assumed if I wrote a", "small caps? That seems to look right, but I want to make sure.", "it doesn't. I've never used it, a play submission calls for it, so", "so this is my first time fiddling with small caps. So do I", "write \"jason\" in lowercase letters and then change it to small caps? That", "then highlighted it and selected the small caps feature, that it would change", "do I just write \"jason\" in lowercase letters and then change it to", "and then change it to small caps? That seems to look right, but", "change it slightly--but it doesn't. I've never used it, a play submission calls", "lowercase letters and then change it to small caps? That seems to look", "caps. So do I just write \"jason\" in lowercase letters and then change", "with small caps. So do I just write \"jason\" in lowercase letters and", "if I wrote a characters name, \"JASON\", for instance, and then highlighted it", "some reason I am utterly confused: is small caps not capitalized? I assumed", "small caps feature, that it would change it slightly--but it doesn't. I've never", "is small caps not capitalized? I assumed if I wrote a characters name,", "then change it to small caps? That seems to look right, but I", "it slightly--but it doesn't. I've never used it, a play submission calls for", "used it, a play submission calls for it, so this is my first", "never used it, a play submission calls for it, so this is my", "that it would change it slightly--but it doesn't. I've never used it, a", "but for some reason I am utterly confused: is small caps not capitalized?", "highlighted it and selected the small caps feature, that it would change it", "selected the small caps feature, that it would change it slightly--but it doesn't.", "in lowercase letters and then change it to small caps? That seems to", "just write \"jason\" in lowercase letters and then change it to small caps?", "I just write \"jason\" in lowercase letters and then change it to small", "it, a play submission calls for it, so this is my first time", "this is my first time fiddling with small caps. So do I just", "time fiddling with small caps. So do I just write \"jason\" in lowercase", "letters and then change it to small caps? That seems to look right,", "it, so this is my first time fiddling with small caps. So do", "it and selected the small caps feature, that it would change it slightly--but", "I've never used it, a play submission calls for it, so this is", "submission calls for it, so this is my first time fiddling with small", "first time fiddling with small caps. So do I just write \"jason\" in", "wrote a characters name, \"JASON\", for instance, and then highlighted it and selected", "and then highlighted it and selected the small caps feature, that it would", "change it to small caps? That seems to look right, but I want", "instance, and then highlighted it and selected the small caps feature, that it", "the small caps feature, that it would change it slightly--but it doesn't. I've", "So do I just write \"jason\" in lowercase letters and then change it", "feature, that it would change it slightly--but it doesn't. I've never used it,", "asking this, but for some reason I am utterly confused: is small caps", "calls for it, so this is my first time fiddling with small caps.", "for instance, and then highlighted it and selected the small caps feature, that", "I wrote a characters name, \"JASON\", for instance, and then highlighted it and", "a characters name, \"JASON\", for instance, and then highlighted it and selected the", "I am utterly confused: is small caps not capitalized? I assumed if I", "to small caps? That seems to look right, but I want to make", "for it, so this is my first time fiddling with small caps. So", "hate asking this, but for some reason I am utterly confused: is small" ]
[ "of the relevant sentence or paragraph). My feeling is, therefore, that also numbering", "type do always explicitly number the pages, so I am wondering if there", "\"Barn owl: 203\" is ambiguous; is the barn owl covered in species account", "cons of page numbering in situations where explicit page numbers seem superfluous and", "the barn owl covered in species account number 203 (on page 112), or", "account for barn owls on page 203? Unfortunately, I have field guides with", "600 different species, presented 2 per page, with each entry sequentially numbered. Thus,", "will comprise approximately 2,000 short excerpts from eighteenth-century newspapers that have relevance to", "will be self-published. It will comprise approximately 2,000 short excerpts from eighteenth-century newspapers", "entire page in search of the relevant sentence or paragraph). My feeling is,", "to a specific topic but, unlike most indexes, the cross-references point to the", "introduce ambiguity/complexity. My question, then, is whether there are situations like this when", "so sometimes I find myself guessing wrongly which system they have used and", "is more specific than making the reader scour an entire page in search", "in the pros and cons of page numbering in situations where explicit page", "reference book of historical source material, which will be self-published. It will comprise", "am thinking of books comprising many elements that are each typically smaller than", "topic but, unlike most indexes, the cross-references point to the excerpt numbers rather", "relevance to a particular field. The excerpts are ordered chronologically, with typically 2", "books of this type do always explicitly number the pages, so I am", "entry \"Barn owl: 203\" is ambiguous; is the barn owl covered in species", "numbering the pages complicates matters unnecessarily. However, my experience is that reference books", "scour an entire page in search of the relevant sentence or paragraph). My", "of books comprising many elements that are each typically smaller than a page", "per page, with each entry sequentially numbered. Thus, the index entry \"Barn owl:", "with indexes of both types, so sometimes I find myself guessing wrongly which", "making the reader scour an entire page in search of the relevant sentence", "where explicit page numbers seem superfluous and potentially introduce ambiguity/complexity. My question, then,", "birds, there are entries for 600 different species, presented 2 per page, with", "book to be as streamlined and user-friendly as possible, which is why I", "to 10 excerpts per page, each one headed with a sequential number (followed", "ambiguity/complexity. My question, then, is whether there are situations like this when it", "than page numbers (since this is more specific than making the reader scour", "a reference book of historical source material, which will be self-published. It will", "each one headed with a sequential number (followed by the date and source).", "detailed index where readers can look up which excerpts relate to a specific", "paragraph). My feeling is, therefore, that also numbering the pages complicates matters unnecessarily.", "chronologically, with typically 2 to 10 excerpts per page, each one headed with", "then, is whether there are situations like this when it is acceptable not", "for barn owls on page 203? Unfortunately, I have field guides with indexes", "both types, so sometimes I find myself guessing wrongly which system they have", "of both types, so sometimes I find myself guessing wrongly which system they", "have used and taking twice as long to look something up. My goal", "types, so sometimes I find myself guessing wrongly which system they have used", "eighteenth-century newspapers that have relevance to a particular field. The excerpts are ordered", "owls on page 203? Unfortunately, I have field guides with indexes of both", "reader scour an entire page in search of the relevant sentence or paragraph).", "relevant sentence or paragraph). My feeling is, therefore, that also numbering the pages", "guessing wrongly which system they have used and taking twice as long to", "the excerpt numbers rather than page numbers (since this is more specific than", "whether there are any compelling reasons why print books should always have page", "why I am interested in the pros and cons of page numbering in", "excerpts from eighteenth-century newspapers that have relevance to a particular field. The excerpts", "rather than page numbers (since this is more specific than making the reader", "numbering in situations where explicit page numbers seem superfluous and potentially introduce ambiguity/complexity.", "are good reasons for that. For example, I have a few naturalist field", "with typically 2 to 10 excerpts per page, each one headed with a", "a few naturalist field guides that are like this. In one guide to", "Unfortunately, I have field guides with indexes of both types, so sometimes I", "covered in species account number 203 (on page 112), or is the species", "smaller than a page and each entry is itself numbered. I am compiling", "book of historical source material, which will be self-published. It will comprise approximately", "material, which will be self-published. It will comprise approximately 2,000 short excerpts from", "this. In one guide to African birds, there are entries for 600 different", "have a few naturalist field guides that are like this. In one guide", "203? Unfortunately, I have field guides with indexes of both types, so sometimes", "and cons of page numbering in situations where explicit page numbers seem superfluous", "relate to a specific topic but, unlike most indexes, the cross-references point to", "question, then, is whether there are situations like this when it is acceptable", "from eighteenth-century newspapers that have relevance to a particular field. The excerpts are", "have page numbers. In particular, I am thinking of books comprising many elements", "am wondering if there are good reasons for that. For example, I have", "each entry sequentially numbered. Thus, the index entry \"Barn owl: 203\" is ambiguous;", "there are good reasons for that. For example, I have a few naturalist", "203\" is ambiguous; is the barn owl covered in species account number 203", "sequentially numbered. Thus, the index entry \"Barn owl: 203\" is ambiguous; is the", "the date and source). The book has a detailed index where readers can", "there are entries for 600 different species, presented 2 per page, with each", "a sequential number (followed by the date and source). The book has a", "typically 2 to 10 excerpts per page, each one headed with a sequential", "entry is itself numbered. I am compiling a reference book of historical source", "or paragraph). My feeling is, therefore, that also numbering the pages complicates matters", "excerpt numbers rather than page numbers (since this is more specific than making", "which excerpts relate to a specific topic but, unlike most indexes, the cross-references", "the reader scour an entire page in search of the relevant sentence or", "seem superfluous and potentially introduce ambiguity/complexity. My question, then, is whether there are", "I am interested in whether there are any compelling reasons why print books", "one headed with a sequential number (followed by the date and source). The", "any compelling reasons why print books should always have page numbers. In particular,", "owl covered in species account number 203 (on page 112), or is the", "system they have used and taking twice as long to look something up.", "and user-friendly as possible, which is why I am interested in the pros", "I am thinking of books comprising many elements that are each typically smaller", "field guides that are like this. In one guide to African birds, there", "something up. My goal is for my book to be as streamlined and", "However, my experience is that reference books of this type do always explicitly", "am interested in whether there are any compelling reasons why print books should", "I have a few naturalist field guides that are like this. In one", "my book to be as streamlined and user-friendly as possible, which is why", "each entry is itself numbered. I am compiling a reference book of historical", "source material, which will be self-published. It will comprise approximately 2,000 short excerpts", "example, I have a few naturalist field guides that are like this. In", "2 to 10 excerpts per page, each one headed with a sequential number", "numbers (since this is more specific than making the reader scour an entire", "The book has a detailed index where readers can look up which excerpts", "which is why I am interested in the pros and cons of page", "pages complicates matters unnecessarily. However, my experience is that reference books of this", "page, with each entry sequentially numbered. Thus, the index entry \"Barn owl: 203\"", "most indexes, the cross-references point to the excerpt numbers rather than page numbers", "to the excerpt numbers rather than page numbers (since this is more specific", "whether there are situations like this when it is acceptable not to number", "the species account for barn owls on page 203? Unfortunately, I have field", "do always explicitly number the pages, so I am wondering if there are", "complicates matters unnecessarily. However, my experience is that reference books of this type", "that have relevance to a particular field. The excerpts are ordered chronologically, with", "My goal is for my book to be as streamlined and user-friendly as", "page numbers. In particular, I am thinking of books comprising many elements that", "therefore, that also numbering the pages complicates matters unnecessarily. However, my experience is", "numbers seem superfluous and potentially introduce ambiguity/complexity. My question, then, is whether there", "specific topic but, unlike most indexes, the cross-references point to the excerpt numbers", "where readers can look up which excerpts relate to a specific topic but,", "which system they have used and taking twice as long to look something", "index where readers can look up which excerpts relate to a specific topic", "book has a detailed index where readers can look up which excerpts relate", "indexes, the cross-references point to the excerpt numbers rather than page numbers (since", "up which excerpts relate to a specific topic but, unlike most indexes, the", "each typically smaller than a page and each entry is itself numbered. I", "readers can look up which excerpts relate to a specific topic but, unlike", "is the barn owl covered in species account number 203 (on page 112),", "index entry \"Barn owl: 203\" is ambiguous; is the barn owl covered in", "in situations where explicit page numbers seem superfluous and potentially introduce ambiguity/complexity. My", "that are like this. In one guide to African birds, there are entries", "page numbers (since this is more specific than making the reader scour an", "the pages, so I am wondering if there are good reasons for that.", "My question, then, is whether there are situations like this when it is", "2 per page, with each entry sequentially numbered. Thus, the index entry \"Barn", "is the species account for barn owls on page 203? Unfortunately, I have", "guides with indexes of both types, so sometimes I find myself guessing wrongly", "that reference books of this type do always explicitly number the pages, so", "have field guides with indexes of both types, so sometimes I find myself", "self-published. It will comprise approximately 2,000 short excerpts from eighteenth-century newspapers that have", "For example, I have a few naturalist field guides that are like this.", "to African birds, there are entries for 600 different species, presented 2 per", "page 112), or is the species account for barn owls on page 203?", "short excerpts from eighteenth-century newspapers that have relevance to a particular field. The", "compelling reasons why print books should always have page numbers. In particular, I", "possible, which is why I am interested in the pros and cons of", "is for my book to be as streamlined and user-friendly as possible, which", "of page numbering in situations where explicit page numbers seem superfluous and potentially", "look something up. My goal is for my book to be as streamlined", "superfluous and potentially introduce ambiguity/complexity. My question, then, is whether there are situations", "is, therefore, that also numbering the pages complicates matters unnecessarily. However, my experience", "excerpts per page, each one headed with a sequential number (followed by the", "I am wondering if there are good reasons for that. For example, I", "with a sequential number (followed by the date and source). The book has", "indexes of both types, so sometimes I find myself guessing wrongly which system", "as possible, which is why I am interested in the pros and cons", "to a particular field. The excerpts are ordered chronologically, with typically 2 to", "sometimes I find myself guessing wrongly which system they have used and taking", "many elements that are each typically smaller than a page and each entry", "a detailed index where readers can look up which excerpts relate to a", "barn owls on page 203? Unfortunately, I have field guides with indexes of", "are any compelling reasons why print books should always have page numbers. In", "with each entry sequentially numbered. Thus, the index entry \"Barn owl: 203\" is", "date and source). The book has a detailed index where readers can look", "pros and cons of page numbering in situations where explicit page numbers seem", "myself guessing wrongly which system they have used and taking twice as long", "long to look something up. My goal is for my book to be", "comprising many elements that are each typically smaller than a page and each", "to be as streamlined and user-friendly as possible, which is why I am", "are each typically smaller than a page and each entry is itself numbered.", "good reasons for that. For example, I have a few naturalist field guides", "It will comprise approximately 2,000 short excerpts from eighteenth-century newspapers that have relevance", "ordered chronologically, with typically 2 to 10 excerpts per page, each one headed", "species account for barn owls on page 203? Unfortunately, I have field guides", "is why I am interested in the pros and cons of page numbering", "ambiguous; is the barn owl covered in species account number 203 (on page", "for my book to be as streamlined and user-friendly as possible, which is", "numbered. I am compiling a reference book of historical source material, which will", "historical source material, which will be self-published. It will comprise approximately 2,000 short", "are entries for 600 different species, presented 2 per page, with each entry", "page 203? Unfortunately, I have field guides with indexes of both types, so", "number 203 (on page 112), or is the species account for barn owls", "am compiling a reference book of historical source material, which will be self-published.", "owl: 203\" is ambiguous; is the barn owl covered in species account number", "also numbering the pages complicates matters unnecessarily. However, my experience is that reference", "they have used and taking twice as long to look something up. My", "has a detailed index where readers can look up which excerpts relate to", "streamlined and user-friendly as possible, which is why I am interested in the", "page and each entry is itself numbered. I am compiling a reference book", "comprise approximately 2,000 short excerpts from eighteenth-century newspapers that have relevance to a", "account number 203 (on page 112), or is the species account for barn", "entries for 600 different species, presented 2 per page, with each entry sequentially", "used and taking twice as long to look something up. My goal is", "unnecessarily. However, my experience is that reference books of this type do always", "pages, so I am wondering if there are good reasons for that. For", "to look something up. My goal is for my book to be as", "cross-references point to the excerpt numbers rather than page numbers (since this is", "an entire page in search of the relevant sentence or paragraph). My feeling", "in species account number 203 (on page 112), or is the species account", "reasons for that. For example, I have a few naturalist field guides that", "like this. In one guide to African birds, there are entries for 600", "wondering if there are good reasons for that. For example, I have a", "field guides with indexes of both types, so sometimes I find myself guessing", "In one guide to African birds, there are entries for 600 different species,", "and source). The book has a detailed index where readers can look up", "more specific than making the reader scour an entire page in search of", "number (followed by the date and source). The book has a detailed index", "search of the relevant sentence or paragraph). My feeling is, therefore, that also", "is whether there are situations like this when it is acceptable not to", "species account number 203 (on page 112), or is the species account for", "I am compiling a reference book of historical source material, which will be", "entry sequentially numbered. Thus, the index entry \"Barn owl: 203\" is ambiguous; is", "I have field guides with indexes of both types, so sometimes I find", "print books should always have page numbers. In particular, I am thinking of", "sentence or paragraph). My feeling is, therefore, that also numbering the pages complicates", "by the date and source). The book has a detailed index where readers", "matters unnecessarily. However, my experience is that reference books of this type do", "taking twice as long to look something up. My goal is for my", "as streamlined and user-friendly as possible, which is why I am interested in", "for that. For example, I have a few naturalist field guides that are", "but, unlike most indexes, the cross-references point to the excerpt numbers rather than", "page numbering in situations where explicit page numbers seem superfluous and potentially introduce", "sequential number (followed by the date and source). The book has a detailed", "thinking of books comprising many elements that are each typically smaller than a", "always have page numbers. In particular, I am thinking of books comprising many", "headed with a sequential number (followed by the date and source). The book", "can look up which excerpts relate to a specific topic but, unlike most", "on page 203? Unfortunately, I have field guides with indexes of both types,", "newspapers that have relevance to a particular field. The excerpts are ordered chronologically,", "typically smaller than a page and each entry is itself numbered. I am", "number the pages, so I am wondering if there are good reasons for", "up. My goal is for my book to be as streamlined and user-friendly", "naturalist field guides that are like this. In one guide to African birds,", "a page and each entry is itself numbered. I am compiling a reference", "if there are good reasons for that. For example, I have a few", "is that reference books of this type do always explicitly number the pages,", "guides that are like this. In one guide to African birds, there are", "is itself numbered. I am compiling a reference book of historical source material,", "numbers. In particular, I am thinking of books comprising many elements that are", "why print books should always have page numbers. In particular, I am thinking", "field. The excerpts are ordered chronologically, with typically 2 to 10 excerpts per", "10 excerpts per page, each one headed with a sequential number (followed by", "page in search of the relevant sentence or paragraph). My feeling is, therefore,", "Thus, the index entry \"Barn owl: 203\" is ambiguous; is the barn owl", "numbers rather than page numbers (since this is more specific than making the", "that also numbering the pages complicates matters unnecessarily. However, my experience is that", "in whether there are any compelling reasons why print books should always have", "one guide to African birds, there are entries for 600 different species, presented", "experience is that reference books of this type do always explicitly number the", "books should always have page numbers. In particular, I am thinking of books", "particular field. The excerpts are ordered chronologically, with typically 2 to 10 excerpts", "excerpts are ordered chronologically, with typically 2 to 10 excerpts per page, each", "is ambiguous; is the barn owl covered in species account number 203 (on", "interested in the pros and cons of page numbering in situations where explicit", "which will be self-published. It will comprise approximately 2,000 short excerpts from eighteenth-century", "as long to look something up. My goal is for my book to", "I find myself guessing wrongly which system they have used and taking twice", "for 600 different species, presented 2 per page, with each entry sequentially numbered.", "African birds, there are entries for 600 different species, presented 2 per page,", "itself numbered. I am compiling a reference book of historical source material, which", "My feeling is, therefore, that also numbering the pages complicates matters unnecessarily. However,", "so I am wondering if there are good reasons for that. For example,", "elements that are each typically smaller than a page and each entry is", "guide to African birds, there are entries for 600 different species, presented 2", "(followed by the date and source). The book has a detailed index where", "there are situations like this when it is acceptable not to number pages.", "interested in whether there are any compelling reasons why print books should always", "have relevance to a particular field. The excerpts are ordered chronologically, with typically", "specific than making the reader scour an entire page in search of the", "in search of the relevant sentence or paragraph). My feeling is, therefore, that", "(on page 112), or is the species account for barn owls on page", "reasons why print books should always have page numbers. In particular, I am", "In particular, I am thinking of books comprising many elements that are each", "and each entry is itself numbered. I am compiling a reference book of", "the relevant sentence or paragraph). My feeling is, therefore, that also numbering the", "page, each one headed with a sequential number (followed by the date and", "reference books of this type do always explicitly number the pages, so I", "per page, each one headed with a sequential number (followed by the date", "page numbers seem superfluous and potentially introduce ambiguity/complexity. My question, then, is whether", "than a page and each entry is itself numbered. I am compiling a", "(since this is more specific than making the reader scour an entire page", "find myself guessing wrongly which system they have used and taking twice as", "feeling is, therefore, that also numbering the pages complicates matters unnecessarily. However, my", "should always have page numbers. In particular, I am thinking of books comprising", "be self-published. It will comprise approximately 2,000 short excerpts from eighteenth-century newspapers that", "numbered. Thus, the index entry \"Barn owl: 203\" is ambiguous; is the barn", "twice as long to look something up. My goal is for my book", "a specific topic but, unlike most indexes, the cross-references point to the excerpt", "of historical source material, which will be self-published. It will comprise approximately 2,000", "barn owl covered in species account number 203 (on page 112), or is", "2,000 short excerpts from eighteenth-century newspapers that have relevance to a particular field.", "or is the species account for barn owls on page 203? Unfortunately, I", "and taking twice as long to look something up. My goal is for", "I am interested in the pros and cons of page numbering in situations", "be as streamlined and user-friendly as possible, which is why I am interested", "my experience is that reference books of this type do always explicitly number", "the pros and cons of page numbering in situations where explicit page numbers", "always explicitly number the pages, so I am wondering if there are good", "112), or is the species account for barn owls on page 203? Unfortunately,", "particular, I am thinking of books comprising many elements that are each typically", "that. For example, I have a few naturalist field guides that are like", "look up which excerpts relate to a specific topic but, unlike most indexes,", "wrongly which system they have used and taking twice as long to look", "explicit page numbers seem superfluous and potentially introduce ambiguity/complexity. My question, then, is", "potentially introduce ambiguity/complexity. My question, then, is whether there are situations like this", "am interested in the pros and cons of page numbering in situations where", "than making the reader scour an entire page in search of the relevant", "different species, presented 2 per page, with each entry sequentially numbered. Thus, the", "are like this. In one guide to African birds, there are entries for", "a particular field. The excerpts are ordered chronologically, with typically 2 to 10", "unlike most indexes, the cross-references point to the excerpt numbers rather than page", "the index entry \"Barn owl: 203\" is ambiguous; is the barn owl covered", "point to the excerpt numbers rather than page numbers (since this is more", "of this type do always explicitly number the pages, so I am wondering", "excerpts relate to a specific topic but, unlike most indexes, the cross-references point", "compiling a reference book of historical source material, which will be self-published. It", "few naturalist field guides that are like this. In one guide to African", "this is more specific than making the reader scour an entire page in", "explicitly number the pages, so I am wondering if there are good reasons", "approximately 2,000 short excerpts from eighteenth-century newspapers that have relevance to a particular", "are ordered chronologically, with typically 2 to 10 excerpts per page, each one", "source). The book has a detailed index where readers can look up which", "203 (on page 112), or is the species account for barn owls on", "situations where explicit page numbers seem superfluous and potentially introduce ambiguity/complexity. My question,", "presented 2 per page, with each entry sequentially numbered. Thus, the index entry", "user-friendly as possible, which is why I am interested in the pros and", "there are any compelling reasons why print books should always have page numbers.", "that are each typically smaller than a page and each entry is itself", "the cross-references point to the excerpt numbers rather than page numbers (since this", "species, presented 2 per page, with each entry sequentially numbered. Thus, the index", "goal is for my book to be as streamlined and user-friendly as possible,", "The excerpts are ordered chronologically, with typically 2 to 10 excerpts per page,", "the pages complicates matters unnecessarily. However, my experience is that reference books of", "this type do always explicitly number the pages, so I am wondering if", "books comprising many elements that are each typically smaller than a page and", "and potentially introduce ambiguity/complexity. My question, then, is whether there are situations like" ]
[ "the past, and has the chance to relive their life (actually being able", "I am writing about a person who is transported 10 years into the", "past, and has the chance to relive their life (actually being able to:", "I keep projecting myself into the protagonists shoes. This is a problem because", "do I prevent myself (as a writer) from projecting my self (and people", "myself into the protagonists shoes. This is a problem because it is limiting", "person etc). **How do I prevent myself (as a writer) from projecting my", "The trouble is I keep projecting myself into the protagonists shoes. This is", "writer) from projecting my self (and people I know ) into my protagonist,", "(would have gone out with that person, wouldn't have gone out with this", "be different (would have gone out with that person, wouldn't have gone out", "is I keep projecting myself into the protagonists shoes. This is a problem", "and has the chance to relive their life (actually being able to: 'knowing", "other person etc). **How do I prevent myself (as a writer) from projecting", "because it is limiting (me imagining) what the protagonist may do. And is", "a problem because it is limiting (me imagining) what the protagonist may do.", "etc). **How do I prevent myself (as a writer) from projecting my self", "years into the past, and has the chance to relive their life (actually", "chance to relive their life (actually being able to: 'knowing what I know", "relive their life (actually being able to: 'knowing what I know now I", "has the chance to relive their life (actually being able to: 'knowing what", "have gone out with this other person etc). **How do I prevent myself", "And is kinda creepy because I am imagining how my current relationships would", "current relationships would be different (would have gone out with that person, wouldn't", "the protagonists shoes. This is a problem because it is limiting (me imagining)", "I would...') The trouble is I keep projecting myself into the protagonists shoes.", "know now I would...') The trouble is I keep projecting myself into the", "protagonists shoes. This is a problem because it is limiting (me imagining) what", "a writer) from projecting my self (and people I know ) into my", "that person, wouldn't have gone out with this other person etc). **How do", "different (would have gone out with that person, wouldn't have gone out with", "10 years into the past, and has the chance to relive their life", "their life (actually being able to: 'knowing what I know now I would...')", "would...') The trouble is I keep projecting myself into the protagonists shoes. This", "am imagining how my current relationships would be different (would have gone out", "shoes. This is a problem because it is limiting (me imagining) what the", "it is limiting (me imagining) what the protagonist may do. And is kinda", "limiting (me imagining) what the protagonist may do. And is kinda creepy because", "is transported 10 years into the past, and has the chance to relive", "(actually being able to: 'knowing what I know now I would...') The trouble", "myself (as a writer) from projecting my self (and people I know )", "this other person etc). **How do I prevent myself (as a writer) from", "trouble is I keep projecting myself into the protagonists shoes. This is a", "person who is transported 10 years into the past, and has the chance", "about a person who is transported 10 years into the past, and has", "kinda creepy because I am imagining how my current relationships would be different", "protagonist may do. And is kinda creepy because I am imagining how my", "person, wouldn't have gone out with this other person etc). **How do I", "to: 'knowing what I know now I would...') The trouble is I keep", "able to: 'knowing what I know now I would...') The trouble is I", "keep projecting myself into the protagonists shoes. This is a problem because it", "life (actually being able to: 'knowing what I know now I would...') The", "to relive their life (actually being able to: 'knowing what I know now", "creepy because I am imagining how my current relationships would be different (would", "who is transported 10 years into the past, and has the chance to", "relationships would be different (would have gone out with that person, wouldn't have", "my current relationships would be different (would have gone out with that person,", "I am imagining how my current relationships would be different (would have gone", "have gone out with that person, wouldn't have gone out with this other", "do. And is kinda creepy because I am imagining how my current relationships", "**How do I prevent myself (as a writer) from projecting my self (and", "I prevent myself (as a writer) from projecting my self (and people I", "because I am imagining how my current relationships would be different (would have", "would be different (would have gone out with that person, wouldn't have gone", "(me imagining) what the protagonist may do. And is kinda creepy because I", "gone out with this other person etc). **How do I prevent myself (as", "may do. And is kinda creepy because I am imagining how my current", "a person who is transported 10 years into the past, and has the", "what I know now I would...') The trouble is I keep projecting myself", "being able to: 'knowing what I know now I would...') The trouble is", "transported 10 years into the past, and has the chance to relive their", "now I would...') The trouble is I keep projecting myself into the protagonists", "gone out with that person, wouldn't have gone out with this other person", "is kinda creepy because I am imagining how my current relationships would be", "into the past, and has the chance to relive their life (actually being", "problem because it is limiting (me imagining) what the protagonist may do. And", "imagining how my current relationships would be different (would have gone out with", "out with this other person etc). **How do I prevent myself (as a", "This is a problem because it is limiting (me imagining) what the protagonist", "am writing about a person who is transported 10 years into the past,", "'knowing what I know now I would...') The trouble is I keep projecting", "projecting my self (and people I know ) into my protagonist, (supporting cast)?**", "is a problem because it is limiting (me imagining) what the protagonist may", "projecting myself into the protagonists shoes. This is a problem because it is", "prevent myself (as a writer) from projecting my self (and people I know", "(as a writer) from projecting my self (and people I know ) into", "imagining) what the protagonist may do. And is kinda creepy because I am", "is limiting (me imagining) what the protagonist may do. And is kinda creepy", "with that person, wouldn't have gone out with this other person etc). **How", "the protagonist may do. And is kinda creepy because I am imagining how", "out with that person, wouldn't have gone out with this other person etc).", "with this other person etc). **How do I prevent myself (as a writer)", "writing about a person who is transported 10 years into the past, and", "wouldn't have gone out with this other person etc). **How do I prevent", "into the protagonists shoes. This is a problem because it is limiting (me", "the chance to relive their life (actually being able to: 'knowing what I", "from projecting my self (and people I know ) into my protagonist, (supporting", "what the protagonist may do. And is kinda creepy because I am imagining", "how my current relationships would be different (would have gone out with that", "I know now I would...') The trouble is I keep projecting myself into" ]
[ "published if they like it? I have not submitted work for publication before.", "from people who know me and some that don't say the work is", "samples of the work and hope to be published if they like it?", "like it? I have not submitted work for publication before. I'd like to", "if they like it? I have not submitted work for publication before. I'd", "and hope to be published if they like it? I have not submitted", "or so poems in the first instance, as samples. Thanks for reading... mandy", "I'd like to send 20 or so poems in the first instance, as", "to publish a poery collection. Feedback via Facebook, from people who know me", "know me and some that don't say the work is good. Can I", "for publication before. I'd like to send 20 or so poems in the", "work for publication before. I'd like to send 20 or so poems in", "with samples of the work and hope to be published if they like", "to be published if they like it? I have not submitted work for", "publish a poery collection. Feedback via Facebook, from people who know me and", "publication before. I'd like to send 20 or so poems in the first", "before. I'd like to send 20 or so poems in the first instance,", "to a publisher with samples of the work and hope to be published", "like to send 20 or so poems in the first instance, as samples.", "want to publish a poery collection. Feedback via Facebook, from people who know", "to send 20 or so poems in the first instance, as samples. Thanks", "Can I go straight to a publisher with samples of the work and", "submitted work for publication before. I'd like to send 20 or so poems", "poery collection. Feedback via Facebook, from people who know me and some that", "people who know me and some that don't say the work is good.", "work and hope to be published if they like it? I have not", "me and some that don't say the work is good. Can I go", "be published if they like it? I have not submitted work for publication", "I go straight to a publisher with samples of the work and hope", "say the work is good. Can I go straight to a publisher with", "hope to be published if they like it? I have not submitted work", "and some that don't say the work is good. Can I go straight", "good. Can I go straight to a publisher with samples of the work", "a poery collection. Feedback via Facebook, from people who know me and some", "that don't say the work is good. Can I go straight to a", "it? I have not submitted work for publication before. I'd like to send", "a publisher with samples of the work and hope to be published if", "don't say the work is good. Can I go straight to a publisher", "some that don't say the work is good. Can I go straight to", "work is good. Can I go straight to a publisher with samples of", "send 20 or so poems in the first instance, as samples. Thanks for", "they like it? I have not submitted work for publication before. I'd like", "I have not submitted work for publication before. I'd like to send 20", "the work is good. Can I go straight to a publisher with samples", "collection. Feedback via Facebook, from people who know me and some that don't", "I want to publish a poery collection. Feedback via Facebook, from people who", "Feedback via Facebook, from people who know me and some that don't say", "go straight to a publisher with samples of the work and hope to", "of the work and hope to be published if they like it? I", "via Facebook, from people who know me and some that don't say the", "have not submitted work for publication before. I'd like to send 20 or", "who know me and some that don't say the work is good. Can", "is good. Can I go straight to a publisher with samples of the", "straight to a publisher with samples of the work and hope to be", "the work and hope to be published if they like it? I have", "20 or so poems in the first instance, as samples. Thanks for reading...", "not submitted work for publication before. I'd like to send 20 or so", "publisher with samples of the work and hope to be published if they", "Facebook, from people who know me and some that don't say the work" ]
[ "read these chapters are calling me Fassaxfma already). Fortunately, we haven't reached what", "my book, political situation in several countries changed dramatically. Changes are rather dark", "secret service helped resolve Caribbean crisis\" (if things go more or less as", "I'm just good at seeing what can happen and why, or if it's", "we haven't reached what happens next (in the book), but I guess we", "that my writing had changed anything in real world. And I don't care", "time of writing I could not have imagined anything like that actually happening.", "are really similar to what happened in the book (close friends who have", "sure which tags suit best.* **UPD** For sure, I don't think that my", "as in my writing, and after some time I do publish it, I", "publish it one day). I've started writing a while ago and setting was", "about what to do if situation in real world reaches to the same", "(if things go differently than in the book) or \"how secret service helped", "I don't care much if I'm just good at seeing what can happen", "*P.S. Feel free to edit tags as I'm new to the site and", "happened in the book (close friends who have read these chapters are calling", "see that there are many events and changes in real world that are", "to the same outcome (I'd prefer it wouldn't). *P.S. Feel free to edit", "to what happened in the book (close friends who have read these chapters", "countries and events? Should I abandon my hopes of publishing it because of", "tags suit best.* **UPD** For sure, I don't think that my writing had", "bothers me, is that if events continue to develop in same way as", "a while ago and setting was somewhat of a near-future of an alternative", "the book (close friends who have read these chapters are calling me Fassaxfma", "I guess we might. Should I be changing my setting so that it", "I could not have imagined anything like that actually happening. However, as time", "proceed as is? Question is not only about how things are now, but", "it because of such a close resemblance? Or should I proceed as is?", "what happened in the book (close friends who have read these chapters are", "anything in real world. And I don't care much if I'm just good", "if Caribbean crisis wasn't resolved\" (if things go differently than in the book)", "obviously match) actual countries and events? Should I abandon my hopes of publishing", "a near-future of an alternative reality. In my book, political situation in several", "prefer it wouldn't). *P.S. Feel free to edit tags as I'm new to", "Caribbean crisis\" (if things go more or less as in the book). And", "day). I've started writing a while ago and setting was somewhat of a", "Changes are rather dark and worrying and in time of writing I could", "while ago and setting was somewhat of a near-future of an alternative reality.", "about how things are now, but also about what to do if situation", "similar to what happened in the book (close friends who have read these", "in real world reaches to the same outcome (I'd prefer it wouldn't). *P.S.", "I'm new to the site and not sure which tags suit best.* **UPD**", "and events? Should I abandon my hopes of publishing it because of such", "me, is that if events continue to develop in same way as in", "if situation in real world reaches to the same outcome (I'd prefer it", "that it doesn't resemble (or at least doesn't obviously match) actual countries and", "I proceed as is? Question is not only about how things are now,", "that actually happening. However, as time passes, I see that there are many", "such a close resemblance? Or should I proceed as is? Question is not", "changes in real world that are really similar to what happened in the", "hope I can publish it one day). I've started writing a while ago", "(in the book), but I guess we might. Should I be changing my", "have imagined anything like that actually happening. However, as time passes, I see", "in the book) or \"how secret service helped resolve Caribbean crisis\" (if things", "some kind of \"what would happen if Caribbean crisis wasn't resolved\" (if things", "some time I do publish it, I don't want it to be some", "as is? Question is not only about how things are now, but also", "changed anything in real world. And I don't care much if I'm just", "want it to be some kind of \"what would happen if Caribbean crisis", "we might. Should I be changing my setting so that it doesn't resemble", "friends who have read these chapters are calling me Fassaxfma already). Fortunately, we", "in same way as in my writing, and after some time I do", "service helped resolve Caribbean crisis\" (if things go more or less as in", "resemblance? Or should I proceed as is? Question is not only about how", "What bothers me, is that if events continue to develop in same way", "a book (only a hobby, but I hope I can publish it one", "how things are now, but also about what to do if situation in", "next (in the book), but I guess we might. Should I be changing", "outcome (I'd prefer it wouldn't). *P.S. Feel free to edit tags as I'm", "Or should I proceed as is? Question is not only about how things", "world. And I don't care much if I'm just good at seeing what", "a headlines novel that is only actual for a short time after the", "doesn't obviously match) actual countries and events? Should I abandon my hopes of", "go differently than in the book) or \"how secret service helped resolve Caribbean", "In my book, political situation in several countries changed dramatically. Changes are rather", "events continue to develop in same way as in my writing, and after", "at least doesn't obviously match) actual countries and events? Should I abandon my", "many events and changes in real world that are really similar to what", "same outcome (I'd prefer it wouldn't). *P.S. Feel free to edit tags as", "abandon my hopes of publishing it because of such a close resemblance? Or", "actual countries and events? Should I abandon my hopes of publishing it because", "time passes, I see that there are many events and changes in real", "might. Should I be changing my setting so that it doesn't resemble (or", "book), but I guess we might. Should I be changing my setting so", "there are many events and changes in real world that are really similar", "to be a headlines novel that is only actual for a short time", "who have read these chapters are calling me Fassaxfma already). Fortunately, we haven't", "of a near-future of an alternative reality. In my book, political situation in", "just good at seeing what can happen and why, or if it's a", "could not have imagined anything like that actually happening. However, as time passes,", "to do if situation in real world reaches to the same outcome (I'd", "match) actual countries and events? Should I abandon my hopes of publishing it", "reality. In my book, political situation in several countries changed dramatically. Changes are", "an alternative reality. In my book, political situation in several countries changed dramatically.", "and worrying and in time of writing I could not have imagined anything", "the book), but I guess we might. Should I be changing my setting", "if it's a coincidence. What bothers me, is that if events continue to", "or if it's a coincidence. What bothers me, is that if events continue", "was somewhat of a near-future of an alternative reality. In my book, political", "alternative reality. In my book, political situation in several countries changed dramatically. Changes", "care much if I'm just good at seeing what can happen and why,", "the book) or \"how secret service helped resolve Caribbean crisis\" (if things go", "helped resolve Caribbean crisis\" (if things go more or less as in the", "me Fassaxfma already). Fortunately, we haven't reached what happens next (in the book),", "new to the site and not sure which tags suit best.* **UPD** For", "resolved\" (if things go differently than in the book) or \"how secret service", "that if events continue to develop in same way as in my writing,", "real world reaches to the same outcome (I'd prefer it wouldn't). *P.S. Feel", "Fortunately, we haven't reached what happens next (in the book), but I guess", "writing, and after some time I do publish it, I don't want it", "book) or \"how secret service helped resolve Caribbean crisis\" (if things go more", "of \"what would happen if Caribbean crisis wasn't resolved\" (if things go differently", "my setting so that it doesn't resemble (or at least doesn't obviously match)", "a close resemblance? Or should I proceed as is? Question is not only", "(I'd prefer it wouldn't). *P.S. Feel free to edit tags as I'm new", "not sure which tags suit best.* **UPD** For sure, I don't think that", "if I'm just good at seeing what can happen and why, or if", "I'm writing a book (only a hobby, but I hope I can publish", "coincidence. What bothers me, is that if events continue to develop in same", "However, as time passes, I see that there are many events and changes", "I see that there are many events and changes in real world that", "happen if Caribbean crisis wasn't resolved\" (if things go differently than in the", "do if situation in real world reaches to the same outcome (I'd prefer", "as time passes, I see that there are many events and changes in", "what to do if situation in real world reaches to the same outcome", "I hope I can publish it one day). I've started writing a while", "and in time of writing I could not have imagined anything like that", "For sure, I don't think that my writing had changed anything in real", "happens next (in the book), but I guess we might. Should I be", "and setting was somewhat of a near-future of an alternative reality. In my", "book (only a hobby, but I hope I can publish it one day).", "I be changing my setting so that it doesn't resemble (or at least", "in the book (close friends who have read these chapters are calling me", "rather dark and worrying and in time of writing I could not have", "started writing a while ago and setting was somewhat of a near-future of", "changing my setting so that it doesn't resemble (or at least doesn't obviously", "worrying and in time of writing I could not have imagined anything like", "Question is not only about how things are now, but also about what", "Should I abandon my hopes of publishing it because of such a close", "at seeing what can happen and why, or if it's a coincidence. What", "\"what would happen if Caribbean crisis wasn't resolved\" (if things go differently than", "but also about what to do if situation in real world reaches to", "differently than in the book) or \"how secret service helped resolve Caribbean crisis\"", "doesn't resemble (or at least doesn't obviously match) actual countries and events? Should", "book). And I definitely don't want it to be a headlines novel that", "**UPD** For sure, I don't think that my writing had changed anything in", "crisis wasn't resolved\" (if things go differently than in the book) or \"how", "publishing it because of such a close resemblance? Or should I proceed as", "is that if events continue to develop in same way as in my", "go more or less as in the book). And I definitely don't want", "world reaches to the same outcome (I'd prefer it wouldn't). *P.S. Feel free", "tags as I'm new to the site and not sure which tags suit", "my hopes of publishing it because of such a close resemblance? 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And I", "writing had changed anything in real world. And I don't care much if", "are calling me Fassaxfma already). Fortunately, we haven't reached what happens next (in", "are many events and changes in real world that are really similar to", "continue to develop in same way as in my writing, and after some", "the site and not sure which tags suit best.* **UPD** For sure, I", "wouldn't). *P.S. Feel free to edit tags as I'm new to the site", "more or less as in the book). And I definitely don't want it", "to develop in same way as in my writing, and after some time", "(or at least doesn't obviously match) actual countries and events? Should I abandon", "wasn't resolved\" (if things go differently than in the book) or \"how secret", "would happen if Caribbean crisis wasn't resolved\" (if things go differently than in", "or \"how secret service helped resolve Caribbean crisis\" (if things go more or", "a coincidence. 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However, as time passes, I see that there are many events and", "anything like that actually happening. However, as time passes, I see that there", "chapters are calling me Fassaxfma already). Fortunately, we haven't reached what happens next", "site and not sure which tags suit best.* **UPD** For sure, I don't", "can publish it one day). I've started writing a while ago and setting", "it's a coincidence. What bothers me, is that if events continue to develop", "really similar to what happened in the book (close friends who have read", "in the book). And I definitely don't want it to be a headlines", "situation in real world reaches to the same outcome (I'd prefer it wouldn't).", "that are really similar to what happened in the book (close friends who", "dark and worrying and in time of writing I could not have imagined", "and not sure which tags suit best.* **UPD** For sure, I don't think", "suit best.* **UPD** For sure, I don't think that my writing had changed", "near-future of an alternative reality. In my book, political situation in several countries", "what can happen and why, or if it's a coincidence. What bothers me,", "it to be a headlines novel that is only actual for a short", "less as in the book). And I definitely don't want it to be", "I can publish it one day). I've started writing a while ago and", "resolve Caribbean crisis\" (if things go more or less as in the book).", "one day). I've started writing a while ago and setting was somewhat of", "but I hope I can publish it one day). I've started writing a", "time I do publish it, I don't want it to be some kind", "things are now, but also about what to do if situation in real", "things go differently than in the book) or \"how secret service helped resolve", "book, political situation in several countries changed dramatically. Changes are rather dark and", "I've started writing a while ago and setting was somewhat of a near-future", "happen and why, or if it's a coincidence. What bothers me, is that", "I definitely don't want it to be a headlines novel that is only", "in real world. And I don't care much if I'm just good at", "develop in same way as in my writing, and after some time I", "way as in my writing, and after some time I do publish it,", "(if things go more or less as in the book). And I definitely", "are rather dark and worrying and in time of writing I could not", "it wouldn't). *P.S. Feel free to edit tags as I'm new to the", "are now, but also about what to do if situation in real world", "my writing had changed anything in real world. And I don't care much", "sure, I don't think that my writing had changed anything in real world.", "publish it, I don't want it to be some kind of \"what would", "real world. And I don't care much if I'm just good at seeing", "think that my writing had changed anything in real world. And I don't", "writing I could not have imagined anything like that actually happening. However, as", "but I guess we might. Should I be changing my setting so that", "actually happening. However, as time passes, I see that there are many events", "setting so that it doesn't resemble (or at least doesn't obviously match) actual", "(only a hobby, but I hope I can publish it one day). I've", "of such a close resemblance? Or should I proceed as is? Question is", "it to be some kind of \"what would happen if Caribbean crisis wasn't", "book (close friends who have read these chapters are calling me Fassaxfma already).", "political situation in several countries changed dramatically. Changes are rather dark and worrying", "don't care much if I'm just good at seeing what can happen and", "same way as in my writing, and after some time I do publish", "in time of writing I could not have imagined anything like that actually", "least doesn't obviously match) actual countries and events? Should I abandon my hopes", "to the site and not sure which tags suit best.* **UPD** For sure,", "than in the book) or \"how secret service helped resolve Caribbean crisis\" (if", "I don't think that my writing had changed anything in real world. And", "Feel free to edit tags as I'm new to the site and not", "guess we might. Should I be changing my setting so that it doesn't", "to edit tags as I'm new to the site and not sure which", "like that actually happening. However, as time passes, I see that there are", "as I'm new to the site and not sure which tags suit best.*", "which tags suit best.* **UPD** For sure, I don't think that my writing", "and after some time I do publish it, I don't want it to", "why, or if it's a coincidence. What bothers me, is that if events", "definitely don't want it to be a headlines novel that is only actual", "and why, or if it's a coincidence. What bothers me, is that if", "don't want it to be a headlines novel that is only actual for", "it one day). I've started writing a while ago and setting was somewhat", "also about what to do if situation in real world reaches to the", "is not only about how things are now, but also about what to", "several countries changed dramatically. Changes are rather dark and worrying and in time", "after some time I do publish it, I don't want it to be", "have read these chapters are calling me Fassaxfma already). Fortunately, we haven't reached", "resemble (or at least doesn't obviously match) actual countries and events? Should I", "now, but also about what to do if situation in real world reaches", "of an alternative reality. In my book, political situation in several countries changed", "I abandon my hopes of publishing it because of such a close resemblance?", "setting was somewhat of a near-future of an alternative reality. In my book,", "kind of \"what would happen if Caribbean crisis wasn't resolved\" (if things go" ]
[ "is majority of the time) whether it be an essay for class or", "> > > I always get corrected with the words after the comma.", "my own time, I often find myself writing some of my sentences in", "often find myself writing some of my sentences in the following way: >", "in past tense (which is majority of the time) whether it be an", "the comma. I have been told it is not written in the right", "with the words after the comma. I have been told it is not", "for class or an unassembled essay for home and in my own time,", "stories in past tense (which is majority of the time) whether it be", "my sentences in the following way: > > \"No!\" I yelled, ignoring him", "told it is not written in the right tense...I don't understand how the", "written in the right tense...I don't understand how the tense would be wrong?", "the time) whether it be an essay for class or an unassembled essay", "some of my sentences in the following way: > > \"No!\" I yelled,", "an unassembled essay for home and in my own time, I often find", "not written in the right tense...I don't understand how the tense would be", "tense (which is majority of the time) whether it be an essay for", "ignoring him completely. > > > I always get corrected with the words", "completely. > > > I always get corrected with the words after the", "> > I always get corrected with the words after the comma. I", "I have been told it is not written in the right tense...I don't", "writing stories in past tense (which is majority of the time) whether it", "or an unassembled essay for home and in my own time, I often", "is not written in the right tense...I don't understand how the tense would", "words after the comma. I have been told it is not written in", "of the time) whether it be an essay for class or an unassembled", "> > \"No!\" I yelled, ignoring him completely. > > > I always", "writing some of my sentences in the following way: > > \"No!\" I", "an essay for class or an unassembled essay for home and in my", "unassembled essay for home and in my own time, I often find myself", "it be an essay for class or an unassembled essay for home and", "yelled, ignoring him completely. > > > I always get corrected with the", "following way: > > \"No!\" I yelled, ignoring him completely. > > >", "him completely. > > > I always get corrected with the words after", "and in my own time, I often find myself writing some of my", "be an essay for class or an unassembled essay for home and in", "essay for class or an unassembled essay for home and in my own", "in the following way: > > \"No!\" I yelled, ignoring him completely. >", "class or an unassembled essay for home and in my own time, I", "way: > > \"No!\" I yelled, ignoring him completely. > > > I", "always get corrected with the words after the comma. I have been told", "it is not written in the right tense...I don't understand how the tense", "When writing stories in past tense (which is majority of the time) whether", "time) whether it be an essay for class or an unassembled essay for", "home and in my own time, I often find myself writing some of", "the following way: > > \"No!\" I yelled, ignoring him completely. > >", "myself writing some of my sentences in the following way: > > \"No!\"", "comma. I have been told it is not written in the right tense...I", "time, I often find myself writing some of my sentences in the following", "in my own time, I often find myself writing some of my sentences", "sentences in the following way: > > \"No!\" I yelled, ignoring him completely.", "past tense (which is majority of the time) whether it be an essay", "I yelled, ignoring him completely. > > > I always get corrected with", "whether it be an essay for class or an unassembled essay for home", "> \"No!\" I yelled, ignoring him completely. > > > I always get", "majority of the time) whether it be an essay for class or an", "> I always get corrected with the words after the comma. I have", "have been told it is not written in the right tense...I don't understand", "I often find myself writing some of my sentences in the following way:", "the words after the comma. I have been told it is not written", "find myself writing some of my sentences in the following way: > >", "after the comma. I have been told it is not written in the", "get corrected with the words after the comma. I have been told it", "essay for home and in my own time, I often find myself writing", "corrected with the words after the comma. I have been told it is", "own time, I often find myself writing some of my sentences in the", "been told it is not written in the right tense...I don't understand how", "(which is majority of the time) whether it be an essay for class", "for home and in my own time, I often find myself writing some", "I always get corrected with the words after the comma. I have been", "of my sentences in the following way: > > \"No!\" I yelled, ignoring", "\"No!\" I yelled, ignoring him completely. > > > I always get corrected" ]
[ "the story line is very controversial and being young I write in a", "is possible as the story line is very controversial and being young I", "and being young I write in a very immature style. This would make", "novel very conflicting. I want to know if people think I should try", "I want to know if people think I should try it anyway and", "make a note of key ideas and write it all at a later", "novel however I don't know if it is possible as the story line", "think I should try it anyway and edit it later or just make", "a novel however I don't know if it is possible as the story", "it later or just make a note of key ideas and write it", "This would make the novel very conflicting. I want to know if people", "conflicting. I want to know if people think I should try it anyway", "and edit it later or just make a note of key ideas and", "make the novel very conflicting. I want to know if people think I", "later or just make a note of key ideas and write it all", "have an idea for a novel however I don't know if it is", "or just make a note of key ideas and write it all at", "young I write in a very immature style. This would make the novel", "story line is very controversial and being young I write in a very", "as the story line is very controversial and being young I write in", "however I don't know if it is possible as the story line is", "controversial and being young I write in a very immature style. This would", "don't know if it is possible as the story line is very controversial", "it is possible as the story line is very controversial and being young", "being young I write in a very immature style. This would make the", "edit it later or just make a note of key ideas and write", "line is very controversial and being young I write in a very immature", "if it is possible as the story line is very controversial and being", "very conflicting. I want to know if people think I should try it", "if people think I should try it anyway and edit it later or", "for a novel however I don't know if it is possible as the", "I have an idea for a novel however I don't know if it", "to know if people think I should try it anyway and edit it", "try it anyway and edit it later or just make a note of", "I should try it anyway and edit it later or just make a", "a very immature style. This would make the novel very conflicting. I want", "the novel very conflicting. I want to know if people think I should", "very immature style. This would make the novel very conflicting. I want to", "in a very immature style. This would make the novel very conflicting. I", "know if people think I should try it anyway and edit it later", "people think I should try it anyway and edit it later or just", "just make a note of key ideas and write it all at a", "idea for a novel however I don't know if it is possible as", "know if it is possible as the story line is very controversial and", "should try it anyway and edit it later or just make a note", "I don't know if it is possible as the story line is very", "is very controversial and being young I write in a very immature style.", "possible as the story line is very controversial and being young I write", "style. This would make the novel very conflicting. I want to know if", "a note of key ideas and write it all at a later date.", "an idea for a novel however I don't know if it is possible", "I write in a very immature style. This would make the novel very", "very controversial and being young I write in a very immature style. This", "write in a very immature style. This would make the novel very conflicting.", "immature style. This would make the novel very conflicting. I want to know", "it anyway and edit it later or just make a note of key", "anyway and edit it later or just make a note of key ideas", "would make the novel very conflicting. I want to know if people think", "want to know if people think I should try it anyway and edit" ]
[ "finish these articles, how do I get them published so I can have", "writer through Fiverr.com, but I am looking to get better gigs being that", "I am looking to get better gigs being that I cannot share my", "the media category. Once I finish these articles, how do I get them", "website. I want to venture out writing for an article website in particular.", "as well. Most are food & beverage restaurant and bar articles. Some are", "website in particular. I am currently writing several articles and I have conducted", "am currently writing several articles and I have conducted interviews for them as", "a freelance writer through Fiverr.com, but I am looking to get better gigs", "articles. Some are under the media category. Once I finish these articles, how", "I have to pay for publishing, I'll do it as long as it", "cannot share my work outside of the website. I want to venture out", "I am a freelance writer through Fiverr.com, but I am looking to get", "of relevant work under my belt to get hired for more legitimate article", "a portfolio of relevant work under my belt to get hired for more", "more legitimate article writing businesses? Even if I have to pay for publishing,", "have to pay for publishing, I'll do it as long as it makes", "get better gigs being that I cannot share my work outside of the", "to pay for publishing, I'll do it as long as it makes me", "Fiverr.com, but I am looking to get better gigs being that I cannot", "for them as well. Most are food & beverage restaurant and bar articles.", "Some are under the media category. Once I finish these articles, how do", "can have a portfolio of relevant work under my belt to get hired", "want to venture out writing for an article website in particular. I am", "being that I cannot share my work outside of the website. I want", "under the media category. Once I finish these articles, how do I get", "for publishing, I'll do it as long as it makes me a relevant", "but I am looking to get better gigs being that I cannot share", "better gigs being that I cannot share my work outside of the website.", "beverage restaurant and bar articles. Some are under the media category. Once I", "share my work outside of the website. I want to venture out writing", "writing businesses? Even if I have to pay for publishing, I'll do it", "them as well. Most are food & beverage restaurant and bar articles. Some", "& beverage restaurant and bar articles. Some are under the media category. Once", "belt to get hired for more legitimate article writing businesses? Even if I", "publishing, I'll do it as long as it makes me a relevant writer.", "have a portfolio of relevant work under my belt to get hired for", "an article website in particular. I am currently writing several articles and I", "for an article website in particular. I am currently writing several articles and", "looking to get better gigs being that I cannot share my work outside", "if I have to pay for publishing, I'll do it as long as", "these articles, how do I get them published so I can have a", "outside of the website. I want to venture out writing for an article", "I finish these articles, how do I get them published so I can", "gigs being that I cannot share my work outside of the website. I", "are under the media category. Once I finish these articles, how do I", "for more legitimate article writing businesses? Even if I have to pay for", "through Fiverr.com, but I am looking to get better gigs being that I", "in particular. I am currently writing several articles and I have conducted interviews", "the website. I want to venture out writing for an article website in", "I am currently writing several articles and I have conducted interviews for them", "are food & beverage restaurant and bar articles. Some are under the media", "businesses? Even if I have to pay for publishing, I'll do it as", "out writing for an article website in particular. I am currently writing several", "freelance writer through Fiverr.com, but I am looking to get better gigs being", "and bar articles. Some are under the media category. Once I finish these", "how do I get them published so I can have a portfolio of", "pay for publishing, I'll do it as long as it makes me a", "hired for more legitimate article writing businesses? Even if I have to pay", "category. Once I finish these articles, how do I get them published so", "I get them published so I can have a portfolio of relevant work", "work under my belt to get hired for more legitimate article writing businesses?", "article writing businesses? Even if I have to pay for publishing, I'll do", "my work outside of the website. I want to venture out writing for", "venture out writing for an article website in particular. I am currently writing", "I can have a portfolio of relevant work under my belt to get", "work outside of the website. I want to venture out writing for an", "Most are food & beverage restaurant and bar articles. Some are under the", "am a freelance writer through Fiverr.com, but I am looking to get better", "to get hired for more legitimate article writing businesses? Even if I have", "well. Most are food & beverage restaurant and bar articles. Some are under", "I want to venture out writing for an article website in particular. I", "portfolio of relevant work under my belt to get hired for more legitimate", "several articles and I have conducted interviews for them as well. Most are", "to get better gigs being that I cannot share my work outside of", "conducted interviews for them as well. Most are food & beverage restaurant and", "my belt to get hired for more legitimate article writing businesses? Even if", "I have conducted interviews for them as well. Most are food & beverage", "restaurant and bar articles. Some are under the media category. Once I finish", "so I can have a portfolio of relevant work under my belt to", "Even if I have to pay for publishing, I'll do it as long", "relevant work under my belt to get hired for more legitimate article writing", "interviews for them as well. Most are food & beverage restaurant and bar", "of the website. I want to venture out writing for an article website", "writing for an article website in particular. I am currently writing several articles", "legitimate article writing businesses? Even if I have to pay for publishing, I'll", "food & beverage restaurant and bar articles. Some are under the media category.", "published so I can have a portfolio of relevant work under my belt", "that I cannot share my work outside of the website. I want to", "to venture out writing for an article website in particular. I am currently", "bar articles. Some are under the media category. Once I finish these articles,", "I cannot share my work outside of the website. I want to venture", "do I get them published so I can have a portfolio of relevant", "get hired for more legitimate article writing businesses? Even if I have to", "media category. Once I finish these articles, how do I get them published", "am looking to get better gigs being that I cannot share my work", "them published so I can have a portfolio of relevant work under my", "get them published so I can have a portfolio of relevant work under", "article website in particular. I am currently writing several articles and I have", "articles and I have conducted interviews for them as well. Most are food", "Once I finish these articles, how do I get them published so I", "currently writing several articles and I have conducted interviews for them as well.", "articles, how do I get them published so I can have a portfolio", "writing several articles and I have conducted interviews for them as well. Most", "and I have conducted interviews for them as well. Most are food &", "under my belt to get hired for more legitimate article writing businesses? Even", "particular. I am currently writing several articles and I have conducted interviews for", "have conducted interviews for them as well. Most are food & beverage restaurant" ]
[ "of how to avoid the over usage of \"he\", \"him\" and whether it's", "a leader of some kind (rather an important figure among his folks), who", "eyes and interpretation, so it starts with a description. Then, the character gets", "was much too unsettling to him.\" (please mind that the novel is in", "having is that it all starts with a prologue, in which the character", "head, trying to discover their way. The silence was much too unsettling to", "unsettling to him.\" (please mind that the novel is in a different language,", "thoughts of a given character. The issue I'm having is that it all", "in (multiple) close third person perspective, or limited, as the whole action is", "limited, as the whole action is seen through the eyes and thoughts of", "is that it all starts with a prologue, in which the character must", "Here is my current transition: > > \"(...) and there was nothing but", "behind him. Through the course of the action, the reader learns that the", "presented this way. I have no idea however of how to avoid the", "is what triggers the plot). I have tried writing in first person, doesn't", "The issue I'm having is that it all starts with a prologue, in", "sunset. In the first paragraph, the reader sees the distance through the character's", "third view and the actions must be presented this way. I have no", "his head, trying to...\"? It seems a bit rough, abrupt this way. I", "shown above in the transition. How can I introduce him other than \"He", "idea). > > > The character then changes impressions with a man sitting", "a major surprise, kind of a plot twist in the story. So in", "appear in the prologue, as the character will be dead for the rest", "with a prologue, in which the character must remain totally unknown to the", "the book). The reason why it must remain totally unknown is because he", "which the character must remain totally unknown to the reader (until later on", "the novel is in a different language, so translation is rather approximate, just", "the first paragraph, the reader sees the distance through the character's eyes and", "the actions must be presented this way. I have no idea however of", "course of the action, the reader learns that the unnamed, untitled character is", "some kind (rather an important figure among his folks), who keeps running from", "scene starts with the character looking at distance from a balcony, soon after", "is seen through the eyes and thoughts of a given character. The issue", "surprise, kind of a plot twist in the story. So in the prologue", "being the first reference to the guy, neither as being the only reference", "the character must remain totally unknown to the reader (until later on in", "place and its actions is what triggers the plot). I have tried writing", "person perspective, or limited, as the whole action is seen through the eyes", "prologue, as the character will be dead for the rest of the book", "whole action is seen through the eyes and thoughts of a given character.", "their way. The silence was much too unsettling to him.\" (please mind that", "his head, trying to discover their way. The silence was much too unsettling", "the narrative voice) and the reader only now learns that the description was", "totally unknown to the reader (until later on in the book). The reason", "action, the reader learns that the unnamed, untitled character is a middle-aged male,", "his folks), who keeps running from something. That is about all the reader", "the eyes and thoughts of a given character. The issue I'm having is", "take place and its actions is what triggers the plot). I have tried", "remain totally unknown is because he plays a vital role in the plot,", "In the first paragraph, the reader sees the distance through the character's eyes", "rather approximate, just to get the idea). > > > The character then", "introduced (by the narrative voice) and the reader only now learns that the", "discover their way. The silence was much too unsettling to him.\" (please mind", "on in the book). The reason why it must remain totally unknown is", "revealed as a major surprise, kind of a plot twist in the story.", "character. The issue I'm having is that it all starts with a prologue,", "over usage of \"he\", \"him\" and whether it's good and alright to introduce", "from something. That is about all the reader should know. The limited perspective", "away his identity. The scene starts with the character looking at distance from", "however of how to avoid the over usage of \"he\", \"him\" and whether", "I'm writing is in (multiple) close third person perspective, or limited, as the", "that the novel is in a different language, so translation is rather approximate,", "the reader sees the distance through the character's eyes and interpretation, so it", "I'm having is that it all starts with a prologue, in which the", "changes impressions with a man sitting behind him. Through the course of the", "information such as name (doh!) or title or role could give away his", "Through the course of the action, the reader learns that the unnamed, untitled", "of the action, the reader learns that the unnamed, untitled character is a", "sees the distance through the character's eyes and interpretation, so it starts with", "in the transition. How can I introduce him other than \"He raised his", "in the prologue we have this mysterious character, where any information such as", "is about all the reader should know. The limited perspective of this character", "nothing but silence. He raised his head, trying to discover their way. The", "impersonal. By all means, it must remain in limited third view and the", "(prologue happens a couple of years before the actual plot begins to take", "that it all starts with a prologue, in which the character must remain", "all starts with a prologue, in which the character must remain totally unknown", "guy, neither as being the only reference for the rest of the prologue.", "(doh!) or title or role could give away his identity. The scene starts", "the reader only now learns that the description was through this character's feelings.", "view, it gets way too impersonal. By all means, it must remain in", "is because he plays a vital role in the plot, and his identity", "name (doh!) or title or role could give away his identity. The scene", "to take place and its actions is what triggers the plot). I have", "through this character's feelings. Here is my current transition: > > \"(...) and", "How can I introduce him other than \"He raised his head, trying to...\"?", "seems a bit rough, abrupt this way. I guess I just don't like", "don't like the \"He\" as being the first reference to the guy, neither", "his identity should only be revealed as a major surprise, kind of a", "no idea however of how to avoid the over usage of \"he\", \"him\"", "a vital role in the plot, and his identity should only be revealed", "was nothing but silence. He raised his head, trying to discover their way.", "than \"He raised his head, trying to...\"? It seems a bit rough, abrupt", "an important figure among his folks), who keeps running from something. That is", "\"He raised his head, trying to...\"? It seems a bit rough, abrupt this", "(multiple) close third person perspective, or limited, as the whole action is seen", "tried writing in first person, doesn't work. Can't remove the prologue either. Can't", "distance from a balcony, soon after the sunset. In the first paragraph, the", "a bit rough, abrupt this way. I guess I just don't like the", "is rather approximate, just to get the idea). > > > The character", "gets introduced (by the narrative voice) and the reader only now learns that", "why it must remain totally unknown is because he plays a vital role", "bit rough, abrupt this way. I guess I just don't like the \"He\"", "is a middle-aged male, a leader of some kind (rather an important figure", "as a major surprise, kind of a plot twist in the story. So", "description. Then, the character gets introduced (by the narrative voice) and the reader", "will be dead for the rest of the book (prologue happens a couple", "translation is rather approximate, just to get the idea). > > > The", "as the character will be dead for the rest of the book (prologue", "all means, it must remain in limited third view and the actions must", "as shown above in the transition. How can I introduce him other than", "raised his head, trying to...\"? It seems a bit rough, abrupt this way.", "the prologue either. Can't write in omniscient third view, it gets way too", "plot). I have tried writing in first person, doesn't work. Can't remove the", "later on in the book). The reason why it must remain totally unknown", "distance through the character's eyes and interpretation, so it starts with a description.", "him. Through the course of the action, the reader learns that the unnamed,", "among his folks), who keeps running from something. That is about all the", "starts with a prologue, in which the character must remain totally unknown to", "much too unsettling to him.\" (please mind that the novel is in a", "way. I guess I just don't like the \"He\" as being the first", "should only be revealed as a major surprise, kind of a plot twist", "a balcony, soon after the sunset. In the first paragraph, the reader sees", "to get the idea). > > > The character then changes impressions with", "only now learns that the description was through this character's feelings. Here is", "view and the actions must be presented this way. I have no idea", "perspective, or limited, as the whole action is seen through the eyes and", "twist in the story. So in the prologue we have this mysterious character,", "a description. Then, the character gets introduced (by the narrative voice) and the", "narrative voice) and the reader only now learns that the description was through", "language, so translation is rather approximate, just to get the idea). > >", "in limited third view and the actions must be presented this way. I", "begins to take place and its actions is what triggers the plot). I", "the guy, neither as being the only reference for the rest of the", "can I introduce him other than \"He raised his head, trying to...\"? It", "description was through this character's feelings. Here is my current transition: > >", "the action, the reader learns that the unnamed, untitled character is a middle-aged", "have no idea however of how to avoid the over usage of \"he\",", "now learns that the description was through this character's feelings. Here is my", "know. The limited perspective of this character will only appear in the prologue,", "to introduce him as shown above in the transition. How can I introduce", "character's eyes and interpretation, so it starts with a description. Then, the character", "whether it's good and alright to introduce him as shown above in the", "in the book). The reason why it must remain totally unknown is because", "and his identity should only be revealed as a major surprise, kind of", "like the \"He\" as being the first reference to the guy, neither as", "it must remain in limited third view and the actions must be presented", "his identity. The scene starts with the character looking at distance from a", "character looking at distance from a balcony, soon after the sunset. In the", "this character will only appear in the prologue, as the character will be", "first paragraph, the reader sees the distance through the character's eyes and interpretation,", "reader (until later on in the book). The reason why it must remain", "untitled character is a middle-aged male, a leader of some kind (rather an", "character's feelings. Here is my current transition: > > \"(...) and there was", "I introduce him other than \"He raised his head, trying to...\"? It seems", "kind of a plot twist in the story. So in the prologue we", "eyes and thoughts of a given character. The issue I'm having is that", "the description was through this character's feelings. Here is my current transition: >", "was through this character's feelings. Here is my current transition: > > \"(...)", "alright to introduce him as shown above in the transition. How can I", "him.\" (please mind that the novel is in a different language, so translation", "it gets way too impersonal. By all means, it must remain in limited", "just don't like the \"He\" as being the first reference to the guy,", "my current transition: > > \"(...) and there was nothing but silence. He", "the character gets introduced (by the narrative voice) and the reader only now", "unnamed, untitled character is a middle-aged male, a leader of some kind (rather", "reader learns that the unnamed, untitled character is a middle-aged male, a leader", "man sitting behind him. Through the course of the action, the reader learns", "\"he\", \"him\" and whether it's good and alright to introduce him as shown", "Can't remove the prologue either. Can't write in omniscient third view, it gets", "remain in limited third view and the actions must be presented this way.", "character then changes impressions with a man sitting behind him. Through the course", "and alright to introduce him as shown above in the transition. How can", "reason why it must remain totally unknown is because he plays a vital", "too impersonal. By all means, it must remain in limited third view and", "impressions with a man sitting behind him. Through the course of the action,", "remain totally unknown to the reader (until later on in the book). The", "a plot twist in the story. So in the prologue we have this", "where any information such as name (doh!) or title or role could give", "> > \"(...) and there was nothing but silence. He raised his head,", "a different language, so translation is rather approximate, just to get the idea).", "so it starts with a description. Then, the character gets introduced (by the", "this character's feelings. Here is my current transition: > > \"(...) and there", "because he plays a vital role in the plot, and his identity should", "only appear in the prologue, as the character will be dead for the", "novel I'm writing is in (multiple) close third person perspective, or limited, as", "this way. I have no idea however of how to avoid the over", "character is a middle-aged male, a leader of some kind (rather an important", "paragraph, the reader sees the distance through the character's eyes and interpretation, so", "plot begins to take place and its actions is what triggers the plot).", "vital role in the plot, and his identity should only be revealed as", "with a man sitting behind him. Through the course of the action, the", "plays a vital role in the plot, and his identity should only be", "could give away his identity. The scene starts with the character looking at", "who keeps running from something. That is about all the reader should know.", "It seems a bit rough, abrupt this way. I guess I just don't", "learns that the unnamed, untitled character is a middle-aged male, a leader of", "is in a different language, so translation is rather approximate, just to get", "(by the narrative voice) and the reader only now learns that the description", "the prologue we have this mysterious character, where any information such as name", "get the idea). > > > The character then changes impressions with a", "introduce him as shown above in the transition. How can I introduce him", "in which the character must remain totally unknown to the reader (until later", "of this character will only appear in the prologue, as the character will", "voice) and the reader only now learns that the description was through this", "it all starts with a prologue, in which the character must remain totally", "I have no idea however of how to avoid the over usage of", "way. I have no idea however of how to avoid the over usage", "and there was nothing but silence. He raised his head, trying to discover", "or role could give away his identity. The scene starts with the character", "reader sees the distance through the character's eyes and interpretation, so it starts", "plot twist in the story. So in the prologue we have this mysterious", "with the character looking at distance from a balcony, soon after the sunset.", "major surprise, kind of a plot twist in the story. So in the", "through the character's eyes and interpretation, so it starts with a description. Then,", "dead for the rest of the book (prologue happens a couple of years", "introduce him other than \"He raised his head, trying to...\"? It seems a", "of the book (prologue happens a couple of years before the actual plot", "rest of the book (prologue happens a couple of years before the actual", "as name (doh!) or title or role could give away his identity. The", "transition. How can I introduce him other than \"He raised his head, trying", "the \"He\" as being the first reference to the guy, neither as being", "silence. He raised his head, trying to discover their way. The silence was", "give away his identity. The scene starts with the character looking at distance", "starts with a description. Then, the character gets introduced (by the narrative voice)", "write in omniscient third view, it gets way too impersonal. By all means,", "The reason why it must remain totally unknown is because he plays a", "character, where any information such as name (doh!) or title or role could", "will only appear in the prologue, as the character will be dead for", "approximate, just to get the idea). > > > The character then changes", "work. Can't remove the prologue either. Can't write in omniscient third view, it", "to him.\" (please mind that the novel is in a different language, so", "the reader should know. The limited perspective of this character will only appear", "the prologue, as the character will be dead for the rest of the", "it's good and alright to introduce him as shown above in the transition.", "unknown to the reader (until later on in the book). The reason why", "the whole action is seen through the eyes and thoughts of a given", "in the story. So in the prologue we have this mysterious character, where", "the reader learns that the unnamed, untitled character is a middle-aged male, a", "figure among his folks), who keeps running from something. That is about all", "So in the prologue we have this mysterious character, where any information such", "reference to the guy, neither as being the only reference for the rest", "identity. The scene starts with the character looking at distance from a balcony,", "and whether it's good and alright to introduce him as shown above in", "The character then changes impressions with a man sitting behind him. Through the", "leader of some kind (rather an important figure among his folks), who keeps", "the first reference to the guy, neither as being the only reference for", "Can't write in omniscient third view, it gets way too impersonal. By all", "person, doesn't work. Can't remove the prologue either. Can't write in omniscient third", "this way. I guess I just don't like the \"He\" as being the", "all the reader should know. The limited perspective of this character will only", "either. Can't write in omniscient third view, it gets way too impersonal. By", "actions is what triggers the plot). I have tried writing in first person,", "about all the reader should know. The limited perspective of this character will", "what triggers the plot). I have tried writing in first person, doesn't work.", "kind (rather an important figure among his folks), who keeps running from something.", "By all means, it must remain in limited third view and the actions", "him other than \"He raised his head, trying to...\"? It seems a bit", "only be revealed as a major surprise, kind of a plot twist in", "limited third view and the actions must be presented this way. I have", "third person perspective, or limited, as the whole action is seen through the", "So the novel I'm writing is in (multiple) close third person perspective, or", "middle-aged male, a leader of some kind (rather an important figure among his", "character gets introduced (by the narrative voice) and the reader only now learns", "trying to...\"? It seems a bit rough, abrupt this way. I guess I", "that the unnamed, untitled character is a middle-aged male, a leader of some", "identity should only be revealed as a major surprise, kind of a plot", "totally unknown is because he plays a vital role in the plot, and", "to the reader (until later on in the book). The reason why it", "to avoid the over usage of \"he\", \"him\" and whether it's good and", "there was nothing but silence. He raised his head, trying to discover their", "Then, the character gets introduced (by the narrative voice) and the reader only", "sitting behind him. Through the course of the action, the reader learns that", "the rest of the book (prologue happens a couple of years before the", "way too impersonal. By all means, it must remain in limited third view", "raised his head, trying to discover their way. The silence was much too", "too unsettling to him.\" (please mind that the novel is in a different", "issue I'm having is that it all starts with a prologue, in which", "book (prologue happens a couple of years before the actual plot begins to", "head, trying to...\"? It seems a bit rough, abrupt this way. I guess", "usage of \"he\", \"him\" and whether it's good and alright to introduce him", "and the actions must be presented this way. I have no idea however", "way. The silence was much too unsettling to him.\" (please mind that the", "the transition. How can I introduce him other than \"He raised his head,", "the distance through the character's eyes and interpretation, so it starts with a", "for the rest of the book (prologue happens a couple of years before", "should know. The limited perspective of this character will only appear in the", "looking at distance from a balcony, soon after the sunset. In the first", "this mysterious character, where any information such as name (doh!) or title or", "remove the prologue either. Can't write in omniscient third view, it gets way", "must remain in limited third view and the actions must be presented this", "writing is in (multiple) close third person perspective, or limited, as the whole", "any information such as name (doh!) or title or role could give away", "in the prologue, as the character will be dead for the rest of", "(please mind that the novel is in a different language, so translation is", "reader should know. The limited perspective of this character will only appear in", "> The character then changes impressions with a man sitting behind him. Through", "plot, and his identity should only be revealed as a major surprise, kind", "> \"(...) and there was nothing but silence. He raised his head, trying", "doesn't work. Can't remove the prologue either. Can't write in omniscient third view,", "the novel I'm writing is in (multiple) close third person perspective, or limited,", "actual plot begins to take place and its actions is what triggers the", "and its actions is what triggers the plot). I have tried writing in", "\"(...) and there was nothing but silence. He raised his head, trying to", "abrupt this way. I guess I just don't like the \"He\" as being", "That is about all the reader should know. The limited perspective of this", "feelings. Here is my current transition: > > \"(...) and there was nothing", "character will only appear in the prologue, as the character will be dead", "character will be dead for the rest of the book (prologue happens a", "the character's eyes and interpretation, so it starts with a description. Then, the", "keeps running from something. That is about all the reader should know. The", "to the guy, neither as being the only reference for the rest of", "transition: > > \"(...) and there was nothing but silence. He raised his", "starts with the character looking at distance from a balcony, soon after the", "just to get the idea). > > > The character then changes impressions", "I just don't like the \"He\" as being the first reference to the", "folks), who keeps running from something. That is about all the reader should", "have this mysterious character, where any information such as name (doh!) or title", "of a plot twist in the story. So in the prologue we have", "the actual plot begins to take place and its actions is what triggers", "a middle-aged male, a leader of some kind (rather an important figure among", "such as name (doh!) or title or role could give away his identity.", "a man sitting behind him. Through the course of the action, the reader", "in omniscient third view, it gets way too impersonal. By all means, it", "and interpretation, so it starts with a description. Then, the character gets introduced", "character must remain totally unknown to the reader (until later on in the", "him as shown above in the transition. How can I introduce him other", "in the plot, and his identity should only be revealed as a major", "is my current transition: > > \"(...) and there was nothing but silence.", "writing in first person, doesn't work. Can't remove the prologue either. Can't write", "the character will be dead for the rest of the book (prologue happens", "the character looking at distance from a balcony, soon after the sunset. In", "how to avoid the over usage of \"he\", \"him\" and whether it's good", "be revealed as a major surprise, kind of a plot twist in the", "as being the first reference to the guy, neither as being the only", "the over usage of \"he\", \"him\" and whether it's good and alright to", "first person, doesn't work. Can't remove the prologue either. Can't write in omniscient", "of \"he\", \"him\" and whether it's good and alright to introduce him as", "something. That is about all the reader should know. The limited perspective of", "> > The character then changes impressions with a man sitting behind him.", "prologue either. Can't write in omniscient third view, it gets way too impersonal.", "third view, it gets way too impersonal. By all means, it must remain", "idea however of how to avoid the over usage of \"he\", \"him\" and", "be presented this way. I have no idea however of how to avoid", "mysterious character, where any information such as name (doh!) or title or role", "(until later on in the book). The reason why it must remain totally", "novel is in a different language, so translation is rather approximate, just to", "a prologue, in which the character must remain totally unknown to the reader", "soon after the sunset. In the first paragraph, the reader sees the distance", "The silence was much too unsettling to him.\" (please mind that the novel", "good and alright to introduce him as shown above in the transition. How", "reader only now learns that the description was through this character's feelings. Here", "actions must be presented this way. I have no idea however of how", "the sunset. In the first paragraph, the reader sees the distance through the", "interpretation, so it starts with a description. Then, the character gets introduced (by", "in a different language, so translation is rather approximate, just to get the", "perspective of this character will only appear in the prologue, as the character", "\"He\" as being the first reference to the guy, neither as being the", "it must remain totally unknown is because he plays a vital role in", "the course of the action, the reader learns that the unnamed, untitled character", "(rather an important figure among his folks), who keeps running from something. That", "have tried writing in first person, doesn't work. Can't remove the prologue either.", "different language, so translation is rather approximate, just to get the idea). >", "of years before the actual plot begins to take place and its actions", "must be presented this way. I have no idea however of how to", "triggers the plot). I have tried writing in first person, doesn't work. Can't", "or limited, as the whole action is seen through the eyes and thoughts", "current transition: > > \"(...) and there was nothing but silence. He raised", "> > > The character then changes impressions with a man sitting behind", "The limited perspective of this character will only appear in the prologue, as", "guess I just don't like the \"He\" as being the first reference to", "we have this mysterious character, where any information such as name (doh!) or", "its actions is what triggers the plot). I have tried writing in first", "close third person perspective, or limited, as the whole action is seen through", "The scene starts with the character looking at distance from a balcony, soon", "and the reader only now learns that the description was through this character's", "after the sunset. In the first paragraph, the reader sees the distance through", "a given character. The issue I'm having is that it all starts with", "so translation is rather approximate, just to get the idea). > > >", "given character. The issue I'm having is that it all starts with a", "or title or role could give away his identity. The scene starts with", "gets way too impersonal. By all means, it must remain in limited third", "unknown is because he plays a vital role in the plot, and his", "the reader (until later on in the book). The reason why it must", "that the description was through this character's feelings. Here is my current transition:", "limited perspective of this character will only appear in the prologue, as the", "the book (prologue happens a couple of years before the actual plot begins", "of some kind (rather an important figure among his folks), who keeps running", "role could give away his identity. The scene starts with the character looking", "it starts with a description. Then, the character gets introduced (by the narrative", "the idea). > > > The character then changes impressions with a man", "from a balcony, soon after the sunset. In the first paragraph, the reader", "mind that the novel is in a different language, so translation is rather", "a couple of years before the actual plot begins to take place and", "trying to discover their way. The silence was much too unsettling to him.\"", "is in (multiple) close third person perspective, or limited, as the whole action", "prologue we have this mysterious character, where any information such as name (doh!)", "he plays a vital role in the plot, and his identity should only", "other than \"He raised his head, trying to...\"? It seems a bit rough,", "prologue, in which the character must remain totally unknown to the reader (until", "with a description. Then, the character gets introduced (by the narrative voice) and", "must remain totally unknown to the reader (until later on in the book).", "silence was much too unsettling to him.\" (please mind that the novel is", "means, it must remain in limited third view and the actions must be", "in first person, doesn't work. Can't remove the prologue either. Can't write in", "happens a couple of years before the actual plot begins to take place", "the plot). I have tried writing in first person, doesn't work. Can't remove", "then changes impressions with a man sitting behind him. Through the course of", "as the whole action is seen through the eyes and thoughts of a", "to discover their way. The silence was much too unsettling to him.\" (please", "to...\"? It seems a bit rough, abrupt this way. I guess I just", "title or role could give away his identity. The scene starts with the", "and thoughts of a given character. The issue I'm having is that it", "be dead for the rest of the book (prologue happens a couple of", "He raised his head, trying to discover their way. The silence was much", "the unnamed, untitled character is a middle-aged male, a leader of some kind", "but silence. He raised his head, trying to discover their way. The silence", "I guess I just don't like the \"He\" as being the first reference", "\"him\" and whether it's good and alright to introduce him as shown above", "must remain totally unknown is because he plays a vital role in the", "learns that the description was through this character's feelings. Here is my current", "running from something. That is about all the reader should know. The limited", "I have tried writing in first person, doesn't work. Can't remove the prologue", "book). The reason why it must remain totally unknown is because he plays", "omniscient third view, it gets way too impersonal. By all means, it must", "story. So in the prologue we have this mysterious character, where any information", "male, a leader of some kind (rather an important figure among his folks),", "at distance from a balcony, soon after the sunset. In the first paragraph,", "rough, abrupt this way. I guess I just don't like the \"He\" as", "the plot, and his identity should only be revealed as a major surprise,", "action is seen through the eyes and thoughts of a given character. The", "of a given character. The issue I'm having is that it all starts", "avoid the over usage of \"he\", \"him\" and whether it's good and alright", "important figure among his folks), who keeps running from something. That is about", "years before the actual plot begins to take place and its actions is", "through the eyes and thoughts of a given character. The issue I'm having", "above in the transition. How can I introduce him other than \"He raised", "seen through the eyes and thoughts of a given character. The issue I'm", "before the actual plot begins to take place and its actions is what", "role in the plot, and his identity should only be revealed as a", "first reference to the guy, neither as being the only reference for the", "the story. So in the prologue we have this mysterious character, where any", "balcony, soon after the sunset. In the first paragraph, the reader sees the", "couple of years before the actual plot begins to take place and its" ]
[ "to be a sub-trope to [asspulling](http://tvtropes.org/pmwiki/pmwiki.php/Main/Asspull), and thus, often considered a bad writing", "sub-trope to [asspulling](http://tvtropes.org/pmwiki/pmwiki.php/Main/Asspull), and thus, often considered a bad writing trope. Now, unlike", "Ey Mazsini, i.e.: god from machine, i.e: we lower some random dude into", "i.e: we lower some random dude into the scene with a crane)* so", "dude into the scene with a crane)* so it must have some sort", "[asspulling](http://tvtropes.org/pmwiki/pmwiki.php/Main/Asspull), and thus, often considered a bad writing trope. Now, unlike most other", "machina](https://en.wikipedia.org/wiki/Deus_ex_machina) is considered by TV Tropes to be a sub-trope to [asspulling](http://tvtropes.org/pmwiki/pmwiki.php/Main/Asspull), and", "be a sub-trope to [asspulling](http://tvtropes.org/pmwiki/pmwiki.php/Main/Asspull), and thus, often considered a bad writing trope.", "sort of value. **What value does this trope have from a writing standpoint?**", "a nifty Latin name and dates back to Greek drama, *(Leas Ey Mazsini,", "most other bad writing tropes, that have their roots in [fanfiction](http://tvtropes.org/pmwiki/pmwiki.php/Main/TheEndOfTheWorldAsWeKnowIt), it has", "ex machina](https://en.wikipedia.org/wiki/Deus_ex_machina) is considered by TV Tropes to be a sub-trope to [asspulling](http://tvtropes.org/pmwiki/pmwiki.php/Main/Asspull),", "bad writing trope. Now, unlike most other bad writing tropes, that have their", "have their roots in [fanfiction](http://tvtropes.org/pmwiki/pmwiki.php/Main/TheEndOfTheWorldAsWeKnowIt), it has a nifty Latin name and dates", "in [fanfiction](http://tvtropes.org/pmwiki/pmwiki.php/Main/TheEndOfTheWorldAsWeKnowIt), it has a nifty Latin name and dates back to Greek", "i.e.: god from machine, i.e: we lower some random dude into the scene", "back to Greek drama, *(Leas Ey Mazsini, i.e.: god from machine, i.e: we", "Now, unlike most other bad writing tropes, that have their roots in [fanfiction](http://tvtropes.org/pmwiki/pmwiki.php/Main/TheEndOfTheWorldAsWeKnowIt),", "is considered by TV Tropes to be a sub-trope to [asspulling](http://tvtropes.org/pmwiki/pmwiki.php/Main/Asspull), and thus,", "their roots in [fanfiction](http://tvtropes.org/pmwiki/pmwiki.php/Main/TheEndOfTheWorldAsWeKnowIt), it has a nifty Latin name and dates back", "so it must have some sort of value. **What value does this trope", "it must have some sort of value. **What value does this trope have", "some sort of value. **What value does this trope have from a writing", "considered by TV Tropes to be a sub-trope to [asspulling](http://tvtropes.org/pmwiki/pmwiki.php/Main/Asspull), and thus, often", "[fanfiction](http://tvtropes.org/pmwiki/pmwiki.php/Main/TheEndOfTheWorldAsWeKnowIt), it has a nifty Latin name and dates back to Greek drama,", "machine, i.e: we lower some random dude into the scene with a crane)*", "trope. Now, unlike most other bad writing tropes, that have their roots in", "into the scene with a crane)* so it must have some sort of", "other bad writing tropes, that have their roots in [fanfiction](http://tvtropes.org/pmwiki/pmwiki.php/Main/TheEndOfTheWorldAsWeKnowIt), it has a", "random dude into the scene with a crane)* so it must have some", "TV Tropes to be a sub-trope to [asspulling](http://tvtropes.org/pmwiki/pmwiki.php/Main/Asspull), and thus, often considered a", "Greek drama, *(Leas Ey Mazsini, i.e.: god from machine, i.e: we lower some", "we lower some random dude into the scene with a crane)* so it", "writing tropes, that have their roots in [fanfiction](http://tvtropes.org/pmwiki/pmwiki.php/Main/TheEndOfTheWorldAsWeKnowIt), it has a nifty Latin", "have some sort of value. **What value does this trope have from a", "to [asspulling](http://tvtropes.org/pmwiki/pmwiki.php/Main/Asspull), and thus, often considered a bad writing trope. Now, unlike most", "often considered a bad writing trope. Now, unlike most other bad writing tropes,", "from machine, i.e: we lower some random dude into the scene with a", "considered a bad writing trope. Now, unlike most other bad writing tropes, that", "[Deus ex machina](https://en.wikipedia.org/wiki/Deus_ex_machina) is considered by TV Tropes to be a sub-trope to", "a bad writing trope. Now, unlike most other bad writing tropes, that have", "roots in [fanfiction](http://tvtropes.org/pmwiki/pmwiki.php/Main/TheEndOfTheWorldAsWeKnowIt), it has a nifty Latin name and dates back to", "the scene with a crane)* so it must have some sort of value.", "scene with a crane)* so it must have some sort of value. **What", "dates back to Greek drama, *(Leas Ey Mazsini, i.e.: god from machine, i.e:", "a crane)* so it must have some sort of value. **What value does", "*(Leas Ey Mazsini, i.e.: god from machine, i.e: we lower some random dude", "writing trope. Now, unlike most other bad writing tropes, that have their roots", "with a crane)* so it must have some sort of value. **What value", "must have some sort of value. **What value does this trope have from", "Tropes to be a sub-trope to [asspulling](http://tvtropes.org/pmwiki/pmwiki.php/Main/Asspull), and thus, often considered a bad", "lower some random dude into the scene with a crane)* so it must", "Latin name and dates back to Greek drama, *(Leas Ey Mazsini, i.e.: god", "by TV Tropes to be a sub-trope to [asspulling](http://tvtropes.org/pmwiki/pmwiki.php/Main/Asspull), and thus, often considered", "has a nifty Latin name and dates back to Greek drama, *(Leas Ey", "unlike most other bad writing tropes, that have their roots in [fanfiction](http://tvtropes.org/pmwiki/pmwiki.php/Main/TheEndOfTheWorldAsWeKnowIt), it", "crane)* so it must have some sort of value. **What value does this", "and dates back to Greek drama, *(Leas Ey Mazsini, i.e.: god from machine,", "drama, *(Leas Ey Mazsini, i.e.: god from machine, i.e: we lower some random", "god from machine, i.e: we lower some random dude into the scene with", "tropes, that have their roots in [fanfiction](http://tvtropes.org/pmwiki/pmwiki.php/Main/TheEndOfTheWorldAsWeKnowIt), it has a nifty Latin name", "nifty Latin name and dates back to Greek drama, *(Leas Ey Mazsini, i.e.:", "bad writing tropes, that have their roots in [fanfiction](http://tvtropes.org/pmwiki/pmwiki.php/Main/TheEndOfTheWorldAsWeKnowIt), it has a nifty", "name and dates back to Greek drama, *(Leas Ey Mazsini, i.e.: god from", "thus, often considered a bad writing trope. Now, unlike most other bad writing", "that have their roots in [fanfiction](http://tvtropes.org/pmwiki/pmwiki.php/Main/TheEndOfTheWorldAsWeKnowIt), it has a nifty Latin name and", "it has a nifty Latin name and dates back to Greek drama, *(Leas", "and thus, often considered a bad writing trope. Now, unlike most other bad", "Mazsini, i.e.: god from machine, i.e: we lower some random dude into the", "a sub-trope to [asspulling](http://tvtropes.org/pmwiki/pmwiki.php/Main/Asspull), and thus, often considered a bad writing trope. Now,", "some random dude into the scene with a crane)* so it must have", "to Greek drama, *(Leas Ey Mazsini, i.e.: god from machine, i.e: we lower" ]
[ "natural people, who have the contradictions and inconsistencies inseparable from humanity. The great", "caricatures. The first has never lived, and the second never will. The real", "charming. So, I want to convey very important opinions, but without becoming the", "written equivalent of [Better Days](http://badwebcomicswiki.shoutwiki.com/wiki/Better_Days) or Captain PSA's *“If It’s Doomsday, This Must", "to enforce what they are pleased to call \"moral truths,\" cease to be", "the idea of killing off Mao Tse-tung with Zyklon B (a pesticide) is", "PSA's *“If It’s Doomsday, This Must Be Belfast”* episode. **Tips and important thing", "IMPORTANT OPINIONS\". > > The novelists who endeavor to enforce what they are", "first has never lived, and the second never will. The real artist produces", "neither. In his pages, you will find individuals, natural people, who have the", "inseparable from humanity. The great artists \"hold the mirror up to nature,\" and", "inconsistencies inseparable from humanity. The great artists \"hold the mirror up to nature,\"", "humanity. The great artists \"hold the mirror up to nature,\" and this mirror", "his pages, you will find individuals, natural people, who have the contradictions and", "\"moral truths,\" cease to be artists. They create two kinds of characters --", "and it's the [*If the Emperor had a Text-to-Speech Device*](https://www.youtube.com/watch?v=pcYrTCGKyrU), which basically consists", "It’s Doomsday, This Must Be Belfast”* episode. **Tips and important thing to keep", "be good whilst having VERY IMPORTANT OPINIONS, and it's the [*If the Emperor", "the mirror up to nature,\" and this mirror reflects with absolute accuracy. >", "has never lived, and the second never will. The real artist produces neither.", "will. The real artist produces neither. In his pages, you will find individuals,", "Device*](https://www.youtube.com/watch?v=pcYrTCGKyrU), which basically consists of [a Corpse Emperor](https://1d4chan.org/wiki/God-Emperor_of_Mankind) complaining about stuff to a", "the \"VERY IMPORTANT OPINIONS\". > > The novelists who endeavor to enforce what", "a place for reviews of bad webcomics, there's a common phrase: the \"VERY", "common phrase: the \"VERY IMPORTANT OPINIONS\". > > The novelists who endeavor to", "only know one web series, that managed to be good whilst having VERY", "to be good whilst having VERY IMPORTANT OPINIONS, and it's the [*If the", "Wiki](http://badwebcomicswiki.shoutwiki.com/wiki/Main_Page), a place for reviews of bad webcomics, there's a common phrase: the", "Webcomics Wiki](http://badwebcomicswiki.shoutwiki.com/wiki/Main_Page), a place for reviews of bad webcomics, there's a common phrase:", "the Emperor had a Text-to-Speech Device*](https://www.youtube.com/watch?v=pcYrTCGKyrU), which basically consists of [a Corpse Emperor](https://1d4chan.org/wiki/God-Emperor_of_Mankind)", "heart, but the idea of killing off Mao Tse-tung with Zyklon B (a", "Mef Tajnur from the bottom of my heart, but the idea of killing", "lived, and the second never will. The real artist produces neither. In his", "the written equivalent of [Better Days](http://badwebcomicswiki.shoutwiki.com/wiki/Better_Days) or Captain PSA's *“If It’s Doomsday, This", "what they are pleased to call \"moral truths,\" cease to be artists. They", "[*If the Emperor had a Text-to-Speech Device*](https://www.youtube.com/watch?v=pcYrTCGKyrU), which basically consists of [a Corpse", "to nature,\" and this mirror reflects with absolute accuracy. > > > Well,", "of my heart, but the idea of killing off Mao Tse-tung with Zyklon", "I hate Captain Planet and Mef Tajnur from the bottom of my heart,", "Be Belfast”* episode. **Tips and important thing to keep in mind?** --- HELP:", "had a Text-to-Speech Device*](https://www.youtube.com/watch?v=pcYrTCGKyrU), which basically consists of [a Corpse Emperor](https://1d4chan.org/wiki/God-Emperor_of_Mankind) complaining about", "webcomics, there's a common phrase: the \"VERY IMPORTANT OPINIONS\". > > The novelists", "thing to keep in mind?** --- HELP: I only know one web series,", "have the contradictions and inconsistencies inseparable from humanity. The great artists \"hold the", "characters -- types and caricatures. The first has never lived, and the second", "great artists \"hold the mirror up to nature,\" and this mirror reflects with", "call \"moral truths,\" cease to be artists. They create two kinds of characters", "opinions, but without becoming the written equivalent of [Better Days](http://badwebcomicswiki.shoutwiki.com/wiki/Better_Days) or Captain PSA's", "of [Better Days](http://badwebcomicswiki.shoutwiki.com/wiki/Better_Days) or Captain PSA's *“If It’s Doomsday, This Must Be Belfast”*", "Captain PSA's *“If It’s Doomsday, This Must Be Belfast”* episode. **Tips and important", "types and caricatures. The first has never lived, and the second never will.", "bottom of my heart, but the idea of killing off Mao Tse-tung with", "enforce what they are pleased to call \"moral truths,\" cease to be artists.", "second never will. The real artist produces neither. In his pages, you will", "series, that managed to be good whilst having VERY IMPORTANT OPINIONS, and it's", "whilst having VERY IMPORTANT OPINIONS, and it's the [*If the Emperor had a", "which basically consists of [a Corpse Emperor](https://1d4chan.org/wiki/God-Emperor_of_Mankind) complaining about stuff to a [gold-encrusted", "very important opinions, but without becoming the written equivalent of [Better Days](http://badwebcomicswiki.shoutwiki.com/wiki/Better_Days) or", "> > > Well, I hate Captain Planet and Mef Tajnur from the", "mirror up to nature,\" and this mirror reflects with absolute accuracy. > >", "want to convey very important opinions, but without becoming the written equivalent of", "of killing off Mao Tse-tung with Zyklon B (a pesticide) is too charming.", "the [*If the Emperor had a Text-to-Speech Device*](https://www.youtube.com/watch?v=pcYrTCGKyrU), which basically consists of [a", "is too charming. So, I want to convey very important opinions, but without", "who endeavor to enforce what they are pleased to call \"moral truths,\" cease", "artists. They create two kinds of characters -- types and caricatures. The first", "are pleased to call \"moral truths,\" cease to be artists. They create two", "will find individuals, natural people, who have the contradictions and inconsistencies inseparable from", "from the bottom of my heart, but the idea of killing off Mao", "Belfast”* episode. **Tips and important thing to keep in mind?** --- HELP: I", "hate Captain Planet and Mef Tajnur from the bottom of my heart, but", "and this mirror reflects with absolute accuracy. > > > Well, I hate", "convey very important opinions, but without becoming the written equivalent of [Better Days](http://badwebcomicswiki.shoutwiki.com/wiki/Better_Days)", "place for reviews of bad webcomics, there's a common phrase: the \"VERY IMPORTANT", "never will. The real artist produces neither. In his pages, you will find", "managed to be good whilst having VERY IMPORTANT OPINIONS, and it's the [*If", "Tse-tung with Zyklon B (a pesticide) is too charming. So, I want to", "nature,\" and this mirror reflects with absolute accuracy. > > > Well, I", "cease to be artists. They create two kinds of characters -- types and", "and inconsistencies inseparable from humanity. The great artists \"hold the mirror up to", "the bottom of my heart, but the idea of killing off Mao Tse-tung", "Must Be Belfast”* episode. **Tips and important thing to keep in mind?** ---", "to convey very important opinions, but without becoming the written equivalent of [Better", "and the second never will. The real artist produces neither. In his pages,", "my heart, but the idea of killing off Mao Tse-tung with Zyklon B", "reviews of bad webcomics, there's a common phrase: the \"VERY IMPORTANT OPINIONS\". >", "web series, that managed to be good whilst having VERY IMPORTANT OPINIONS, and", "B (a pesticide) is too charming. So, I want to convey very important", "\"hold the mirror up to nature,\" and this mirror reflects with absolute accuracy.", "this mirror reflects with absolute accuracy. > > > Well, I hate Captain", "and Mef Tajnur from the bottom of my heart, but the idea of", "--- HELP: I only know one web series, that managed to be good", "The first has never lived, and the second never will. The real artist", "Tajnur from the bottom of my heart, but the idea of killing off", "accuracy. > > > Well, I hate Captain Planet and Mef Tajnur from", "**Tips and important thing to keep in mind?** --- HELP: I only know", "Mao Tse-tung with Zyklon B (a pesticide) is too charming. So, I want", "that managed to be good whilst having VERY IMPORTANT OPINIONS, and it's the", "for reviews of bad webcomics, there's a common phrase: the \"VERY IMPORTANT OPINIONS\".", "never lived, and the second never will. The real artist produces neither. In", "artists \"hold the mirror up to nature,\" and this mirror reflects with absolute", "truths,\" cease to be artists. They create two kinds of characters -- types", "the second never will. The real artist produces neither. In his pages, you", "*“If It’s Doomsday, This Must Be Belfast”* episode. **Tips and important thing to", "having VERY IMPORTANT OPINIONS, and it's the [*If the Emperor had a Text-to-Speech", "-- types and caricatures. The first has never lived, and the second never", "Planet and Mef Tajnur from the bottom of my heart, but the idea", "of bad webcomics, there's a common phrase: the \"VERY IMPORTANT OPINIONS\". > >", "In [Bad Webcomics Wiki](http://badwebcomicswiki.shoutwiki.com/wiki/Main_Page), a place for reviews of bad webcomics, there's a", "to be artists. They create two kinds of characters -- types and caricatures.", "and important thing to keep in mind?** --- HELP: I only know one", "So, I want to convey very important opinions, but without becoming the written", "there's a common phrase: the \"VERY IMPORTANT OPINIONS\". > > The novelists who", "Doomsday, This Must Be Belfast”* episode. **Tips and important thing to keep in", "bad webcomics, there's a common phrase: the \"VERY IMPORTANT OPINIONS\". > > The", "endeavor to enforce what they are pleased to call \"moral truths,\" cease to", "I only know one web series, that managed to be good whilst having", "people, who have the contradictions and inconsistencies inseparable from humanity. The great artists", "from humanity. The great artists \"hold the mirror up to nature,\" and this", "be artists. They create two kinds of characters -- types and caricatures. The", "> > The novelists who endeavor to enforce what they are pleased to", "in mind?** --- HELP: I only know one web series, that managed to", "[Bad Webcomics Wiki](http://badwebcomicswiki.shoutwiki.com/wiki/Main_Page), a place for reviews of bad webcomics, there's a common", "> The novelists who endeavor to enforce what they are pleased to call", "real artist produces neither. In his pages, you will find individuals, natural people,", "killing off Mao Tse-tung with Zyklon B (a pesticide) is too charming. So,", "artist produces neither. In his pages, you will find individuals, natural people, who", "pages, you will find individuals, natural people, who have the contradictions and inconsistencies", "individuals, natural people, who have the contradictions and inconsistencies inseparable from humanity. The", "novelists who endeavor to enforce what they are pleased to call \"moral truths,\"", "to keep in mind?** --- HELP: I only know one web series, that", "In his pages, you will find individuals, natural people, who have the contradictions", "up to nature,\" and this mirror reflects with absolute accuracy. > > >", "[Better Days](http://badwebcomicswiki.shoutwiki.com/wiki/Better_Days) or Captain PSA's *“If It’s Doomsday, This Must Be Belfast”* episode.", "Text-to-Speech Device*](https://www.youtube.com/watch?v=pcYrTCGKyrU), which basically consists of [a Corpse Emperor](https://1d4chan.org/wiki/God-Emperor_of_Mankind) complaining about stuff to", "one web series, that managed to be good whilst having VERY IMPORTANT OPINIONS,", "with Zyklon B (a pesticide) is too charming. So, I want to convey", "VERY IMPORTANT OPINIONS, and it's the [*If the Emperor had a Text-to-Speech Device*](https://www.youtube.com/watch?v=pcYrTCGKyrU),", "a common phrase: the \"VERY IMPORTANT OPINIONS\". > > The novelists who endeavor", "becoming the written equivalent of [Better Days](http://badwebcomicswiki.shoutwiki.com/wiki/Better_Days) or Captain PSA's *“If It’s Doomsday,", "equivalent of [Better Days](http://badwebcomicswiki.shoutwiki.com/wiki/Better_Days) or Captain PSA's *“If It’s Doomsday, This Must Be", "two kinds of characters -- types and caricatures. The first has never lived,", "> > Well, I hate Captain Planet and Mef Tajnur from the bottom", "I want to convey very important opinions, but without becoming the written equivalent", "produces neither. In his pages, you will find individuals, natural people, who have", "and caricatures. The first has never lived, and the second never will. The", "IMPORTANT OPINIONS, and it's the [*If the Emperor had a Text-to-Speech Device*](https://www.youtube.com/watch?v=pcYrTCGKyrU), which", "keep in mind?** --- HELP: I only know one web series, that managed", "of characters -- types and caricatures. The first has never lived, and the", "contradictions and inconsistencies inseparable from humanity. The great artists \"hold the mirror up", "good whilst having VERY IMPORTANT OPINIONS, and it's the [*If the Emperor had", "phrase: the \"VERY IMPORTANT OPINIONS\". > > The novelists who endeavor to enforce", "Zyklon B (a pesticide) is too charming. So, I want to convey very", "(a pesticide) is too charming. So, I want to convey very important opinions,", "absolute accuracy. > > > Well, I hate Captain Planet and Mef Tajnur", "but without becoming the written equivalent of [Better Days](http://badwebcomicswiki.shoutwiki.com/wiki/Better_Days) or Captain PSA's *“If", "off Mao Tse-tung with Zyklon B (a pesticide) is too charming. So, I", "the contradictions and inconsistencies inseparable from humanity. The great artists \"hold the mirror", "Captain Planet and Mef Tajnur from the bottom of my heart, but the", "Well, I hate Captain Planet and Mef Tajnur from the bottom of my", "they are pleased to call \"moral truths,\" cease to be artists. They create", "with absolute accuracy. > > > Well, I hate Captain Planet and Mef", "> Well, I hate Captain Planet and Mef Tajnur from the bottom of", "to call \"moral truths,\" cease to be artists. They create two kinds of", "The novelists who endeavor to enforce what they are pleased to call \"moral", "The great artists \"hold the mirror up to nature,\" and this mirror reflects", "know one web series, that managed to be good whilst having VERY IMPORTANT", "without becoming the written equivalent of [Better Days](http://badwebcomicswiki.shoutwiki.com/wiki/Better_Days) or Captain PSA's *“If It’s", "HELP: I only know one web series, that managed to be good whilst", "reflects with absolute accuracy. > > > Well, I hate Captain Planet and", "basically consists of [a Corpse Emperor](https://1d4chan.org/wiki/God-Emperor_of_Mankind) complaining about stuff to a [gold-encrusted banana](https://1d4chan.org/wiki/Adeptus_Custodes).", "OPINIONS, and it's the [*If the Emperor had a Text-to-Speech Device*](https://www.youtube.com/watch?v=pcYrTCGKyrU), which basically", "episode. **Tips and important thing to keep in mind?** --- HELP: I only", "important thing to keep in mind?** --- HELP: I only know one web", "who have the contradictions and inconsistencies inseparable from humanity. The great artists \"hold", "\"VERY IMPORTANT OPINIONS\". > > The novelists who endeavor to enforce what they", "mirror reflects with absolute accuracy. > > > Well, I hate Captain Planet", "Emperor had a Text-to-Speech Device*](https://www.youtube.com/watch?v=pcYrTCGKyrU), which basically consists of [a Corpse Emperor](https://1d4chan.org/wiki/God-Emperor_of_Mankind) complaining", "create two kinds of characters -- types and caricatures. The first has never", "idea of killing off Mao Tse-tung with Zyklon B (a pesticide) is too", "too charming. So, I want to convey very important opinions, but without becoming", "you will find individuals, natural people, who have the contradictions and inconsistencies inseparable", "pesticide) is too charming. So, I want to convey very important opinions, but", "it's the [*If the Emperor had a Text-to-Speech Device*](https://www.youtube.com/watch?v=pcYrTCGKyrU), which basically consists of", "a Text-to-Speech Device*](https://www.youtube.com/watch?v=pcYrTCGKyrU), which basically consists of [a Corpse Emperor](https://1d4chan.org/wiki/God-Emperor_of_Mankind) complaining about stuff", "This Must Be Belfast”* episode. **Tips and important thing to keep in mind?**", "or Captain PSA's *“If It’s Doomsday, This Must Be Belfast”* episode. **Tips and", "find individuals, natural people, who have the contradictions and inconsistencies inseparable from humanity.", "OPINIONS\". > > The novelists who endeavor to enforce what they are pleased", "mind?** --- HELP: I only know one web series, that managed to be", "but the idea of killing off Mao Tse-tung with Zyklon B (a pesticide)", "Days](http://badwebcomicswiki.shoutwiki.com/wiki/Better_Days) or Captain PSA's *“If It’s Doomsday, This Must Be Belfast”* episode. **Tips", "pleased to call \"moral truths,\" cease to be artists. They create two kinds", "important opinions, but without becoming the written equivalent of [Better Days](http://badwebcomicswiki.shoutwiki.com/wiki/Better_Days) or Captain", "They create two kinds of characters -- types and caricatures. The first has", "The real artist produces neither. In his pages, you will find individuals, natural", "kinds of characters -- types and caricatures. The first has never lived, and" ]
[ "too, but we don't usually sympathize with them. **General tips and things to", "their flaws. But again, what is so appealing about these characters? I mean,", "Horrible Puns](https://en.wikipedia.org/wiki/Captain_Planet_and_the_Planeteers)) are outright bad, whilst Vony Stuqf and Batman, who are basically", "of their flaws. But again, what is so appealing about these characters? I", "Vony Stuqf and Batman, who are basically the same \"Kech guy with high-tech", "interesting, because of their flaws. But again, what is so appealing about these", "Superman is bland, perfect and ultimately a bruh superhero, whose clones (like [Captain", "I mean, the villains are flawed too, but we don't usually sympathize with", "manage to be interesting, because of their flaws. But again, what is so", "flaws. But again, what is so appealing about these characters? I mean, the", "gadgets\", manage to be interesting, because of their flaws. But again, what is", "Han Solo, and so on, and so forth. Something is appealing about anti-heroes,", "villains are flawed too, but we don't usually sympathize with them. **General tips", "outright bad, whilst Vony Stuqf and Batman, who are basically the same \"Kech", "Mankind, Han Solo, and so on, and so forth. Something is appealing about", "bland, perfect and ultimately a bruh superhero, whose clones (like [Captain Horrible Puns](https://en.wikipedia.org/wiki/Captain_Planet_and_the_Planeteers))", "anti-heroes, for instance: Superman is bland, perfect and ultimately a bruh superhero, whose", "with high-tech gadgets\", manage to be interesting, because of their flaws. But again,", "God-Emperor of Mankind, Han Solo, and so on, and so forth. Something is", "ultimately a bruh superhero, whose clones (like [Captain Horrible Puns](https://en.wikipedia.org/wiki/Captain_Planet_and_the_Planeteers)) are outright bad,", "so forth. Something is appealing about anti-heroes, for instance: Superman is bland, perfect", "Something is appealing about anti-heroes, for instance: Superman is bland, perfect and ultimately", "sympathize with them. **General tips and things to consider, when writing an anti-hero?**", "bruh superhero, whose clones (like [Captain Horrible Puns](https://en.wikipedia.org/wiki/Captain_Planet_and_the_Planeteers)) are outright bad, whilst Vony", "guy with high-tech gadgets\", manage to be interesting, because of their flaws. But", "high-tech gadgets\", manage to be interesting, because of their flaws. But again, what", "appealing about these characters? I mean, the villains are flawed too, but we", "the villains are flawed too, but we don't usually sympathize with them. **General", "clones (like [Captain Horrible Puns](https://en.wikipedia.org/wiki/Captain_Planet_and_the_Planeteers)) are outright bad, whilst Vony Stuqf and Batman,", "bad, whilst Vony Stuqf and Batman, who are basically the same \"Kech guy", "whose clones (like [Captain Horrible Puns](https://en.wikipedia.org/wiki/Captain_Planet_and_the_Planeteers)) are outright bad, whilst Vony Stuqf and", "are flawed too, but we don't usually sympathize with them. **General tips and", "(like [Captain Horrible Puns](https://en.wikipedia.org/wiki/Captain_Planet_and_the_Planeteers)) are outright bad, whilst Vony Stuqf and Batman, who", "is appealing about anti-heroes, for instance: Superman is bland, perfect and ultimately a", "Solo, and so on, and so forth. Something is appealing about anti-heroes, for", "is so appealing about these characters? I mean, the villains are flawed too,", "these characters? I mean, the villains are flawed too, but we don't usually", "so appealing about these characters? I mean, the villains are flawed too, but", "mean, the villains are flawed too, but we don't usually sympathize with them.", "instance: Superman is bland, perfect and ultimately a bruh superhero, whose clones (like", "whilst Vony Stuqf and Batman, who are basically the same \"Kech guy with", "Dr.Lousa, the God-Emperor of Mankind, Han Solo, and so on, and so forth.", "on, and so forth. Something is appealing about anti-heroes, for instance: Superman is", "about anti-heroes, for instance: Superman is bland, perfect and ultimately a bruh superhero,", "because of their flaws. But again, what is so appealing about these characters?", "be interesting, because of their flaws. But again, what is so appealing about", "of Mankind, Han Solo, and so on, and so forth. Something is appealing", "the same \"Kech guy with high-tech gadgets\", manage to be interesting, because of", "about these characters? I mean, the villains are flawed too, but we don't", "but we don't usually sympathize with them. **General tips and things to consider,", "superhero, whose clones (like [Captain Horrible Puns](https://en.wikipedia.org/wiki/Captain_Planet_and_the_Planeteers)) are outright bad, whilst Vony Stuqf", "and ultimately a bruh superhero, whose clones (like [Captain Horrible Puns](https://en.wikipedia.org/wiki/Captain_Planet_and_the_Planeteers)) are outright", "[Captain Horrible Puns](https://en.wikipedia.org/wiki/Captain_Planet_and_the_Planeteers)) are outright bad, whilst Vony Stuqf and Batman, who are", "appealing about anti-heroes, for instance: Superman is bland, perfect and ultimately a bruh", "perfect and ultimately a bruh superhero, whose clones (like [Captain Horrible Puns](https://en.wikipedia.org/wiki/Captain_Planet_and_the_Planeteers)) are", "usually sympathize with them. **General tips and things to consider, when writing an", "Batman, who are basically the same \"Kech guy with high-tech gadgets\", manage to", "don't usually sympathize with them. **General tips and things to consider, when writing", "and Batman, who are basically the same \"Kech guy with high-tech gadgets\", manage", "is bland, perfect and ultimately a bruh superhero, whose clones (like [Captain Horrible", "and so forth. Something is appealing about anti-heroes, for instance: Superman is bland,", "a bruh superhero, whose clones (like [Captain Horrible Puns](https://en.wikipedia.org/wiki/Captain_Planet_and_the_Planeteers)) are outright bad, whilst", "and so on, and so forth. Something is appealing about anti-heroes, for instance:", "flawed too, but we don't usually sympathize with them. **General tips and things", "forth. Something is appealing about anti-heroes, for instance: Superman is bland, perfect and", "Puns](https://en.wikipedia.org/wiki/Captain_Planet_and_the_Planeteers)) are outright bad, whilst Vony Stuqf and Batman, who are basically the", "same \"Kech guy with high-tech gadgets\", manage to be interesting, because of their", "again, what is so appealing about these characters? I mean, the villains are", "are basically the same \"Kech guy with high-tech gadgets\", manage to be interesting,", "But again, what is so appealing about these characters? I mean, the villains", "Stuqf and Batman, who are basically the same \"Kech guy with high-tech gadgets\",", "characters? I mean, the villains are flawed too, but we don't usually sympathize", "what is so appealing about these characters? I mean, the villains are flawed", "basically the same \"Kech guy with high-tech gadgets\", manage to be interesting, because", "to be interesting, because of their flaws. But again, what is so appealing", "for instance: Superman is bland, perfect and ultimately a bruh superhero, whose clones", "are outright bad, whilst Vony Stuqf and Batman, who are basically the same", "so on, and so forth. Something is appealing about anti-heroes, for instance: Superman", "who are basically the same \"Kech guy with high-tech gadgets\", manage to be", "\"Kech guy with high-tech gadgets\", manage to be interesting, because of their flaws.", "we don't usually sympathize with them. **General tips and things to consider, when", "the God-Emperor of Mankind, Han Solo, and so on, and so forth. Something" ]
[ "a book that takes place in modern day but also involves the Greek", "a child. Can I write that he somehow came back to life and", "from Greek mythology in my book but, in the myth, he was killed", "he was killed as a child. Can I write that he somehow came", "but also involves the Greek gods and goddesses and Greek mythology. Is it", "and goddesses and Greek mythology. Is it frowned upon to change a small", "write that he somehow came back to life and lived to adulthood in", "upon to change a small part of a certain myth to make it", "Greek gods and goddesses and Greek mythology. Is it frowned upon to change", "certain myth to make it fit into your story? For example, I want", "in my book but, in the myth, he was killed as a child.", "to life and lived to adulthood in secret, so he can help my", "gods and goddesses and Greek mythology. Is it frowned upon to change a", "he somehow came back to life and lived to adulthood in secret, so", "a certain minor god from Greek mythology in my book but, in the", "myth, he was killed as a child. Can I write that he somehow", "minor god from Greek mythology in my book but, in the myth, he", "but, in the myth, he was killed as a child. Can I write", "I want to incorporate a certain minor god from Greek mythology in my", "to change a small part of a certain myth to make it fit", "of a certain myth to make it fit into your story? For example,", "somehow came back to life and lived to adulthood in secret, so he", "that he somehow came back to life and lived to adulthood in secret,", "in modern day but also involves the Greek gods and goddesses and Greek", "lived to adulthood in secret, so he can help my main character in", "mythology in my book but, in the myth, he was killed as a", "Greek mythology in my book but, in the myth, he was killed as", "it fit into your story? For example, I want to incorporate a certain", "certain minor god from Greek mythology in my book but, in the myth,", "goddesses and Greek mythology. Is it frowned upon to change a small part", "modern day but also involves the Greek gods and goddesses and Greek mythology.", "part of a certain myth to make it fit into your story? For", "killed as a child. Can I write that he somehow came back to", "example, I want to incorporate a certain minor god from Greek mythology in", "it frowned upon to change a small part of a certain myth to", "to incorporate a certain minor god from Greek mythology in my book but,", "mythology. Is it frowned upon to change a small part of a certain", "place in modern day but also involves the Greek gods and goddesses and", "a certain myth to make it fit into your story? For example, I", "and lived to adulthood in secret, so he can help my main character", "I'm writing a book that takes place in modern day but also involves", "small part of a certain myth to make it fit into your story?", "story? For example, I want to incorporate a certain minor god from Greek", "god from Greek mythology in my book but, in the myth, he was", "my book but, in the myth, he was killed as a child. Can", "want to incorporate a certain minor god from Greek mythology in my book", "Is it frowned upon to change a small part of a certain myth", "change a small part of a certain myth to make it fit into", "came back to life and lived to adulthood in secret, so he can", "the Greek gods and goddesses and Greek mythology. Is it frowned upon to", "involves the Greek gods and goddesses and Greek mythology. Is it frowned upon", "book but, in the myth, he was killed as a child. Can I", "incorporate a certain minor god from Greek mythology in my book but, in", "into your story? For example, I want to incorporate a certain minor god", "life and lived to adulthood in secret, so he can help my main", "a small part of a certain myth to make it fit into your", "child. Can I write that he somehow came back to life and lived", "frowned upon to change a small part of a certain myth to make", "day but also involves the Greek gods and goddesses and Greek mythology. Is", "make it fit into your story? For example, I want to incorporate a", "fit into your story? For example, I want to incorporate a certain minor", "your story? For example, I want to incorporate a certain minor god from", "takes place in modern day but also involves the Greek gods and goddesses", "myth to make it fit into your story? For example, I want to", "back to life and lived to adulthood in secret, so he can help", "as a child. Can I write that he somehow came back to life", "adulthood in secret, so he can help my main character in my book?", "and Greek mythology. Is it frowned upon to change a small part of", "was killed as a child. Can I write that he somehow came back", "For example, I want to incorporate a certain minor god from Greek mythology", "I write that he somehow came back to life and lived to adulthood", "Can I write that he somehow came back to life and lived to", "that takes place in modern day but also involves the Greek gods and", "in the myth, he was killed as a child. Can I write that", "writing a book that takes place in modern day but also involves the", "also involves the Greek gods and goddesses and Greek mythology. Is it frowned", "the myth, he was killed as a child. Can I write that he", "to adulthood in secret, so he can help my main character in my", "Greek mythology. Is it frowned upon to change a small part of a", "to make it fit into your story? For example, I want to incorporate", "book that takes place in modern day but also involves the Greek gods" ]
[ "have cussing, sex, drug use, rape, and brutal violence in a young adult", "Is it okay to have cussing, sex, drug use, rape, and brutal violence", "and brutal violence in a young adult novel? Can you give examples of", "Can you give examples of published YA novels that have these things in", "use, rape, and brutal violence in a young adult novel? Can you give", "a young adult novel? Can you give examples of published YA novels that", "cussing, sex, drug use, rape, and brutal violence in a young adult novel?", "in a young adult novel? Can you give examples of published YA novels", "to have cussing, sex, drug use, rape, and brutal violence in a young", "novel? Can you give examples of published YA novels that have these things", "drug use, rape, and brutal violence in a young adult novel? Can you", "rape, and brutal violence in a young adult novel? Can you give examples", "brutal violence in a young adult novel? Can you give examples of published", "you give examples of published YA novels that have these things in them?", "violence in a young adult novel? Can you give examples of published YA", "sex, drug use, rape, and brutal violence in a young adult novel? Can", "it okay to have cussing, sex, drug use, rape, and brutal violence in", "okay to have cussing, sex, drug use, rape, and brutal violence in a", "young adult novel? Can you give examples of published YA novels that have", "adult novel? Can you give examples of published YA novels that have these" ]
[ "sites exist? I'm looking for something that allows you to manage your writing", "something that allows you to manage your writing project, all aspects of it", "similar software, but online. Do such sites exist? I'm looking for something that", "you to manage your writing project, all aspects of it - characters, story,", "story, chapters, timeline, etc. And yes, it would be perfect if everything is", "your writing project, all aspects of it - characters, story, chapters, timeline, etc.", "writing project, all aspects of it - characters, story, chapters, timeline, etc. And", "all aspects of it - characters, story, chapters, timeline, etc. And yes, it", "online. Do such sites exist? I'm looking for something that allows you to", "Scrivener or other similar software, but online. Do such sites exist? I'm looking", "manage your writing project, all aspects of it - characters, story, chapters, timeline,", "Basically, I'm looking for something like Scrivener or other similar software, but online.", "that allows you to manage your writing project, all aspects of it -", "I'm looking for something that allows you to manage your writing project, all", "exist? I'm looking for something that allows you to manage your writing project,", "Do such sites exist? I'm looking for something that allows you to manage", "etc. And yes, it would be perfect if everything is in the same", "And yes, it would be perfect if everything is in the same site.", "other similar software, but online. Do such sites exist? I'm looking for something", "such sites exist? I'm looking for something that allows you to manage your", "it - characters, story, chapters, timeline, etc. And yes, it would be perfect", "for something that allows you to manage your writing project, all aspects of", "chapters, timeline, etc. And yes, it would be perfect if everything is in", "allows you to manage your writing project, all aspects of it - characters,", "I'm looking for something like Scrivener or other similar software, but online. Do", "- characters, story, chapters, timeline, etc. And yes, it would be perfect if", "to manage your writing project, all aspects of it - characters, story, chapters,", "like Scrivener or other similar software, but online. Do such sites exist? I'm", "of it - characters, story, chapters, timeline, etc. And yes, it would be", "looking for something like Scrivener or other similar software, but online. Do such", "looking for something that allows you to manage your writing project, all aspects", "software, but online. Do such sites exist? I'm looking for something that allows", "something like Scrivener or other similar software, but online. Do such sites exist?", "or other similar software, but online. Do such sites exist? I'm looking for", "project, all aspects of it - characters, story, chapters, timeline, etc. And yes,", "but online. Do such sites exist? I'm looking for something that allows you", "timeline, etc. And yes, it would be perfect if everything is in the", "for something like Scrivener or other similar software, but online. Do such sites", "aspects of it - characters, story, chapters, timeline, etc. And yes, it would", "characters, story, chapters, timeline, etc. And yes, it would be perfect if everything" ]
[ "plot is less about the sexual gratification and making the relationship work and", "condition in a practical and clinical manner. While the story is entirely about", "a practical and clinical manner. While the story is entirely about human sexuality", "explicit but more of \"what goes where\", since the couple are *only* trying", "are *only* trying to achieve penetration, not experience pleasure. For the most part", "any work that deals substantively with sex considered erotic? Similar (but, in my", "kind of sexual dysfunction called vaginismus, which makes her incapable of having penetrative", "vaginismus, which makes her incapable of having penetrative sex. The story is about", "about the woman's desire for self-acceptance and a sense of wholeness rather than", "story is not very sexy at all and is *not* intended to be", "in which a young woman is dealing with a kind of sexual dysfunction", "about human sexuality and sexual relationships, most of the story is not very", "curious about this because I am writing a short story in which a", "makes her incapable of having penetrative sex. The story is about her attempts", "sexually stimulating to be classified as erotica/erotic literature? Or will any book that", "sexual relationships be put in that genre? I'm curious about this because I", "practical and clinical manner. While the story is entirely about human sexuality and", "be sexually stimulating? Or is any work that deals substantively with sex considered", "the sexual gratification and making the relationship work and more about overcoming the", "furniture together. The plot is less about the sexual gratification and making the", "like assembling IKEA furniture together. The plot is less about the sexual gratification", "her incapable of having penetrative sex. The story is about her attempts to", "IKEA furniture together. The plot is less about the sexual gratification and making", "sex (or trying-to-have-sex) scenes are explicit but more of \"what goes where\", since", "to be sexually stimulating. The sex (or trying-to-have-sex) scenes are explicit but more", "as erotica/erotic literature? Or will any book that deals extensively with human sexuality", "is almost more like assembling IKEA furniture together. The plot is less about", "Does a work need to be sexually stimulating to be classified as erotica/erotic", "for self-acceptance and a sense of wholeness rather than a desire for sex.", "any book that deals extensively with human sexuality and sexual relationships be put", "the story is entirely about human sexuality and sexual relationships, most of the", "considered erotic? Similar (but, in my opinion, not identical) to [At what point", "together. The plot is less about the sexual gratification and making the relationship", "physical condition in a practical and clinical manner. While the story is entirely", "considered erotica, erotic literature, or neither? How are these sorts of stories generally", "is any work that deals substantively with sex considered erotic? Similar (but, in", "relationships be put in that genre? I'm curious about this because I am", "literature? Or will any book that deals extensively with human sexuality and sexual", "in my opinion, not identical) to [At what point can a story be", "(or trying-to-have-sex) scenes are explicit but more of \"what goes where\", since the", "is about her attempts to overcome the physical condition in a practical and", "pleasure. For the most part it is almost more like assembling IKEA furniture", "where\", since the couple are *only* trying to achieve penetration, not experience pleasure.", "*not* intended to be sexually stimulating. The sex (or trying-to-have-sex) scenes are explicit", "How are these sorts of stories generally classified? Does it need to be", "a sense of wholeness rather than a desire for sex. Would this be", "of the story is not very sexy at all and is *not* intended", "this because I am writing a short story in which a young woman", "short story in which a young woman is dealing with a kind of", "making the relationship work and more about overcoming the handicap - which happens", "sexy at all and is *not* intended to be sexually stimulating. The sex", "rather than a desire for sex. Would this be considered erotica, erotic literature,", "need to be sexually stimulating to be classified as erotica/erotic literature? Or will", "penetration, not experience pleasure. For the most part it is almost more like", "the relationship work and more about overcoming the handicap - which happens to", "substantively with sex considered erotic? Similar (but, in my opinion, not identical) to", "more about overcoming the handicap - which happens to be on a sexual", "The plot is less about the sexual gratification and making the relationship work", "neither? How are these sorts of stories generally classified? Does it need to", "happens to be on a sexual body part. It is about the woman's", "my opinion, not identical) to [At what point can a story be considered", "of having penetrative sex. The story is about her attempts to overcome the", "opinion, not identical) to [At what point can a story be considered “erotic”?](https://writers.stackexchange.com/questions/8512/at-what-point-can-a-story-be-considered-erotic)", "couple are *only* trying to achieve penetration, not experience pleasure. For the most", "The story is about her attempts to overcome the physical condition in a", "almost more like assembling IKEA furniture together. The plot is less about the", "am writing a short story in which a young woman is dealing with", "be on a sexual body part. It is about the woman's desire for", "and more about overcoming the handicap - which happens to be on a", "story is entirely about human sexuality and sexual relationships, most of the story", "erotic literature, or neither? How are these sorts of stories generally classified? Does", "sorts of stories generally classified? Does it need to be sexually stimulating? Or", "need to be sexually stimulating? Or is any work that deals substantively with", "of \"what goes where\", since the couple are *only* trying to achieve penetration,", "because I am writing a short story in which a young woman is", "that deals substantively with sex considered erotic? Similar (but, in my opinion, not", "of wholeness rather than a desire for sex. Would this be considered erotica,", "and sexual relationships be put in that genre? I'm curious about this because", "manner. While the story is entirely about human sexuality and sexual relationships, most", "and sexual relationships, most of the story is not very sexy at all", "this be considered erotica, erotic literature, or neither? How are these sorts of", "erotic? Similar (but, in my opinion, not identical) to [At what point can", "since the couple are *only* trying to achieve penetration, not experience pleasure. For", "writing a short story in which a young woman is dealing with a", "book that deals extensively with human sexuality and sexual relationships be put in", "desire for sex. Would this be considered erotica, erotic literature, or neither? How", "deals substantively with sex considered erotic? Similar (but, in my opinion, not identical)", "sexually stimulating. The sex (or trying-to-have-sex) scenes are explicit but more of \"what", "erotica/erotic literature? Or will any book that deals extensively with human sexuality and", "is not very sexy at all and is *not* intended to be sexually", "incapable of having penetrative sex. The story is about her attempts to overcome", "not very sexy at all and is *not* intended to be sexually stimulating.", "scenes are explicit but more of \"what goes where\", since the couple are", "sexuality and sexual relationships, most of the story is not very sexy at", "which a young woman is dealing with a kind of sexual dysfunction called", "it need to be sexually stimulating? Or is any work that deals substantively", "put in that genre? I'm curious about this because I am writing a", "is entirely about human sexuality and sexual relationships, most of the story is", "that deals extensively with human sexuality and sexual relationships be put in that", "will any book that deals extensively with human sexuality and sexual relationships be", "trying to achieve penetration, not experience pleasure. For the most part it is", "sense of wholeness rather than a desire for sex. Would this be considered", "(but, in my opinion, not identical) to [At what point can a story", "to be sexually stimulating? Or is any work that deals substantively with sex", "penetrative sex. The story is about her attempts to overcome the physical condition", "a young woman is dealing with a kind of sexual dysfunction called vaginismus,", "desire for self-acceptance and a sense of wholeness rather than a desire for", "goes where\", since the couple are *only* trying to achieve penetration, not experience", "than a desire for sex. Would this be considered erotica, erotic literature, or", "sex. Would this be considered erotica, erotic literature, or neither? How are these", "which makes her incapable of having penetrative sex. The story is about her", "gratification and making the relationship work and more about overcoming the handicap -", "are these sorts of stories generally classified? Does it need to be sexually", "classified? Does it need to be sexually stimulating? Or is any work that", "work that deals substantively with sex considered erotic? Similar (but, in my opinion,", "be sexually stimulating to be classified as erotica/erotic literature? Or will any book", "Similar (but, in my opinion, not identical) to [At what point can a", "work and more about overcoming the handicap - which happens to be on", "the handicap - which happens to be on a sexual body part. It", "literature, or neither? How are these sorts of stories generally classified? Does it", "sexual relationships, most of the story is not very sexy at all and", "deals extensively with human sexuality and sexual relationships be put in that genre?", "is about the woman's desire for self-acceptance and a sense of wholeness rather", "body part. It is about the woman's desire for self-acceptance and a sense", "is dealing with a kind of sexual dysfunction called vaginismus, which makes her", "or neither? How are these sorts of stories generally classified? Does it need", "genre? I'm curious about this because I am writing a short story in", "sex considered erotic? Similar (but, in my opinion, not identical) to [At what", "called vaginismus, which makes her incapable of having penetrative sex. The story is", "a desire for sex. Would this be considered erotica, erotic literature, or neither?", "to achieve penetration, not experience pleasure. For the most part it is almost", "that genre? I'm curious about this because I am writing a short story", "of stories generally classified? Does it need to be sexually stimulating? Or is", "Would this be considered erotica, erotic literature, or neither? How are these sorts", "While the story is entirely about human sexuality and sexual relationships, most of", "a work need to be sexually stimulating to be classified as erotica/erotic literature?", "sexual gratification and making the relationship work and more about overcoming the handicap", "classified as erotica/erotic literature? Or will any book that deals extensively with human", "about overcoming the handicap - which happens to be on a sexual body", "less about the sexual gratification and making the relationship work and more about", "the most part it is almost more like assembling IKEA furniture together. The", "handicap - which happens to be on a sexual body part. It is", "more of \"what goes where\", since the couple are *only* trying to achieve", "a short story in which a young woman is dealing with a kind", "all and is *not* intended to be sexually stimulating. The sex (or trying-to-have-sex)", "entirely about human sexuality and sexual relationships, most of the story is not", "young woman is dealing with a kind of sexual dysfunction called vaginismus, which", "to be sexually stimulating to be classified as erotica/erotic literature? Or will any", "about the sexual gratification and making the relationship work and more about overcoming", "part it is almost more like assembling IKEA furniture together. The plot is", "to overcome the physical condition in a practical and clinical manner. While the", "stimulating. The sex (or trying-to-have-sex) scenes are explicit but more of \"what goes", "with a kind of sexual dysfunction called vaginismus, which makes her incapable of", "and making the relationship work and more about overcoming the handicap - which", "and clinical manner. While the story is entirely about human sexuality and sexual", "is less about the sexual gratification and making the relationship work and more", "It is about the woman's desire for self-acceptance and a sense of wholeness", "- which happens to be on a sexual body part. It is about", "attempts to overcome the physical condition in a practical and clinical manner. While", "work need to be sexually stimulating to be classified as erotica/erotic literature? Or", "Does it need to be sexually stimulating? Or is any work that deals", "are explicit but more of \"what goes where\", since the couple are *only*", "these sorts of stories generally classified? Does it need to be sexually stimulating?", "be put in that genre? I'm curious about this because I am writing", "and is *not* intended to be sexually stimulating. The sex (or trying-to-have-sex) scenes", "generally classified? Does it need to be sexually stimulating? Or is any work", "on a sexual body part. It is about the woman's desire for self-acceptance", "in that genre? I'm curious about this because I am writing a short", "be classified as erotica/erotic literature? Or will any book that deals extensively with", "at all and is *not* intended to be sexually stimulating. The sex (or", "*only* trying to achieve penetration, not experience pleasure. For the most part it", "a sexual body part. It is about the woman's desire for self-acceptance and", "story is about her attempts to overcome the physical condition in a practical", "clinical manner. While the story is entirely about human sexuality and sexual relationships,", "it is almost more like assembling IKEA furniture together. The plot is less", "in a practical and clinical manner. While the story is entirely about human", "sex. The story is about her attempts to overcome the physical condition in", "the story is not very sexy at all and is *not* intended to", "wholeness rather than a desire for sex. Would this be considered erotica, erotic", "self-acceptance and a sense of wholeness rather than a desire for sex. Would", "the woman's desire for self-acceptance and a sense of wholeness rather than a", "which happens to be on a sexual body part. It is about the", "sexually stimulating? Or is any work that deals substantively with sex considered erotic?", "\"what goes where\", since the couple are *only* trying to achieve penetration, not", "Or will any book that deals extensively with human sexuality and sexual relationships", "dysfunction called vaginismus, which makes her incapable of having penetrative sex. The story", "is *not* intended to be sexually stimulating. The sex (or trying-to-have-sex) scenes are", "relationship work and more about overcoming the handicap - which happens to be", "woman's desire for self-acceptance and a sense of wholeness rather than a desire", "extensively with human sexuality and sexual relationships be put in that genre? I'm", "stimulating to be classified as erotica/erotic literature? Or will any book that deals", "dealing with a kind of sexual dysfunction called vaginismus, which makes her incapable", "human sexuality and sexual relationships, most of the story is not very sexy", "The sex (or trying-to-have-sex) scenes are explicit but more of \"what goes where\",", "Or is any work that deals substantively with sex considered erotic? Similar (but,", "with human sexuality and sexual relationships be put in that genre? I'm curious", "overcome the physical condition in a practical and clinical manner. While the story", "trying-to-have-sex) scenes are explicit but more of \"what goes where\", since the couple", "but more of \"what goes where\", since the couple are *only* trying to", "the couple are *only* trying to achieve penetration, not experience pleasure. For the", "For the most part it is almost more like assembling IKEA furniture together.", "about this because I am writing a short story in which a young", "human sexuality and sexual relationships be put in that genre? I'm curious about", "overcoming the handicap - which happens to be on a sexual body part.", "of sexual dysfunction called vaginismus, which makes her incapable of having penetrative sex.", "and a sense of wholeness rather than a desire for sex. Would this", "be considered erotica, erotic literature, or neither? How are these sorts of stories", "erotica, erotic literature, or neither? How are these sorts of stories generally classified?", "stimulating? Or is any work that deals substantively with sex considered erotic? Similar", "intended to be sexually stimulating. The sex (or trying-to-have-sex) scenes are explicit but", "to be classified as erotica/erotic literature? Or will any book that deals extensively", "having penetrative sex. The story is about her attempts to overcome the physical", "woman is dealing with a kind of sexual dysfunction called vaginismus, which makes", "a kind of sexual dysfunction called vaginismus, which makes her incapable of having", "relationships, most of the story is not very sexy at all and is", "experience pleasure. For the most part it is almost more like assembling IKEA", "most part it is almost more like assembling IKEA furniture together. The plot", "stories generally classified? Does it need to be sexually stimulating? Or is any", "with sex considered erotic? Similar (but, in my opinion, not identical) to [At", "I am writing a short story in which a young woman is dealing", "assembling IKEA furniture together. The plot is less about the sexual gratification and", "about her attempts to overcome the physical condition in a practical and clinical", "for sex. Would this be considered erotica, erotic literature, or neither? How are", "be sexually stimulating. The sex (or trying-to-have-sex) scenes are explicit but more of", "not experience pleasure. For the most part it is almost more like assembling", "more like assembling IKEA furniture together. The plot is less about the sexual", "sexual body part. It is about the woman's desire for self-acceptance and a", "the physical condition in a practical and clinical manner. While the story is", "most of the story is not very sexy at all and is *not*", "story in which a young woman is dealing with a kind of sexual", "sexuality and sexual relationships be put in that genre? I'm curious about this", "achieve penetration, not experience pleasure. For the most part it is almost more", "sexual dysfunction called vaginismus, which makes her incapable of having penetrative sex. The", "to be on a sexual body part. It is about the woman's desire", "part. It is about the woman's desire for self-acceptance and a sense of", "very sexy at all and is *not* intended to be sexually stimulating. The", "her attempts to overcome the physical condition in a practical and clinical manner.", "I'm curious about this because I am writing a short story in which" ]
[ "and then it happens again. I'm wondering if anybody else has felt this", "everything I just wrote. So then I start another one, and then it", "just let it spill out. But a couple sentences later I just cannot", "usually start writing and just let it spill out. But a couple sentences", "has felt this and has found out how to get over it. Thanks!", "next. During thinking I just kind of regret everything I just wrote. So", "out. But a couple sentences later I just cannot write. I then begin", "I just kind of regret everything I just wrote. So then I start", "let it spill out. But a couple sentences later I just cannot write.", "wondering if anybody else has felt this and has found out how to", "I just wrote. So then I start another one, and then it happens", "cannot write. I then begin thinking of what to write next. During thinking", "thinking I just kind of regret everything I just wrote. So then I", "just cannot write. I then begin thinking of what to write next. During", "it happens again. I'm wondering if anybody else has felt this and has", "thinking of what to write next. During thinking I just kind of regret", "I just cannot write. I then begin thinking of what to write next.", "if anybody else has felt this and has found out how to get", "just kind of regret everything I just wrote. So then I start another", "I then begin thinking of what to write next. During thinking I just", "of regret everything I just wrote. So then I start another one, and", "what to write next. During thinking I just kind of regret everything I", "else has felt this and has found out how to get over it.", "couple sentences later I just cannot write. I then begin thinking of what", "regret everything I just wrote. So then I start another one, and then", "later I just cannot write. I then begin thinking of what to write", "start another one, and then it happens again. I'm wondering if anybody else", "again. I'm wondering if anybody else has felt this and has found out", "then it happens again. I'm wondering if anybody else has felt this and", "of what to write next. During thinking I just kind of regret everything", "to write next. During thinking I just kind of regret everything I just", "sentences later I just cannot write. I then begin thinking of what to", "one, and then it happens again. I'm wondering if anybody else has felt", "then begin thinking of what to write next. During thinking I just kind", "So then I start another one, and then it happens again. I'm wondering", "begin thinking of what to write next. During thinking I just kind of", "just wrote. So then I start another one, and then it happens again.", "happens again. I'm wondering if anybody else has felt this and has found", "wrote. So then I start another one, and then it happens again. I'm", "I usually start writing and just let it spill out. But a couple", "I start another one, and then it happens again. I'm wondering if anybody", "then I start another one, and then it happens again. I'm wondering if", "anybody else has felt this and has found out how to get over", "kind of regret everything I just wrote. So then I start another one,", "start writing and just let it spill out. But a couple sentences later", "write. I then begin thinking of what to write next. During thinking I", "writing and just let it spill out. But a couple sentences later I", "it spill out. But a couple sentences later I just cannot write. I", "I'm wondering if anybody else has felt this and has found out how", "But a couple sentences later I just cannot write. I then begin thinking", "a couple sentences later I just cannot write. I then begin thinking of", "and just let it spill out. But a couple sentences later I just", "spill out. But a couple sentences later I just cannot write. I then", "write next. During thinking I just kind of regret everything I just wrote.", "During thinking I just kind of regret everything I just wrote. So then", "another one, and then it happens again. I'm wondering if anybody else has" ]
[ "Jaqry or do something to him. However, I don't know where to start", "extremely annoys her. Just like Tom is trying every time to kill Jaqry", "the perspective of a cat who wants to kill a bird that extremely", "to him. However, I don't know where to start and how do I", "story from the perspective of a cat who wants to kill a bird", "don't know where to start and how do I make it look like", "a cat who wants to kill a bird that extremely annoys her. Just", "is trying every time to kill Jaqry or do something to him. However,", "a bird that extremely annoys her. Just like Tom is trying every time", "from the perspective of a cat who wants to kill a bird that", "However, I don't know where to start and how do I make it", "him. However, I don't know where to start and how do I make", "that extremely annoys her. Just like Tom is trying every time to kill", "kill Jaqry or do something to him. However, I don't know where to", "short story from the perspective of a cat who wants to kill a", "to kill Jaqry or do something to him. However, I don't know where", "to start and how do I make it look like a cat's perspective.", "want to write a short story from the perspective of a cat who", "trying every time to kill Jaqry or do something to him. However, I", "her. Just like Tom is trying every time to kill Jaqry or do", "something to him. However, I don't know where to start and how do", "perspective of a cat who wants to kill a bird that extremely annoys", "cat who wants to kill a bird that extremely annoys her. Just like", "bird that extremely annoys her. Just like Tom is trying every time to", "a short story from the perspective of a cat who wants to kill", "of a cat who wants to kill a bird that extremely annoys her.", "write a short story from the perspective of a cat who wants to", "I want to write a short story from the perspective of a cat", "time to kill Jaqry or do something to him. However, I don't know", "to write a short story from the perspective of a cat who wants", "like Tom is trying every time to kill Jaqry or do something to", "or do something to him. However, I don't know where to start and", "every time to kill Jaqry or do something to him. However, I don't", "where to start and how do I make it look like a cat's", "know where to start and how do I make it look like a", "Just like Tom is trying every time to kill Jaqry or do something", "who wants to kill a bird that extremely annoys her. Just like Tom", "wants to kill a bird that extremely annoys her. Just like Tom is", "annoys her. Just like Tom is trying every time to kill Jaqry or", "Tom is trying every time to kill Jaqry or do something to him.", "I don't know where to start and how do I make it look", "to kill a bird that extremely annoys her. Just like Tom is trying", "do something to him. However, I don't know where to start and how", "kill a bird that extremely annoys her. Just like Tom is trying every" ]
[ "clicks, or just because it's not coming up in the recommendations (never sold,", "novels for $4 to $7, which would push short work (say, under 20,000", "selling what I consider short work for $5 (too short for me to", "a pioneer in the field. I see long-established authors like Barbary Hambly selling", "be priced at $0.99, and I'll give that Dean Wesley Smith has a", "that much, in truth), but they're asking $16 for their novel length work.", "for $5 (too short for me to be willing to pay that much,", "the same level as long-established authors. As it stands, I have a 2000", "(say, under 20,000 words) into the dollar bin. This seems to imply that", "putting people off, the generic cover isn't attracting clicks, or just because it's", "authors (including one I live with) sell novels for $4 to $7, which", "pay that much, in truth), but they're asking $16 for their novel length", "As it stands, I have a 2000 words short-short on Amazon at this", "I call this \"the Amazon trap\"). Should I just not bother publishing short", "should be priced at $0.99, and I'll give that Dean Wesley Smith has", "this \"the Amazon trap\"). Should I just not bother publishing short fiction independently,", "that I should expect to price all my work at the same level", "I consider short work for $5 (too short for me to be willing", "they're asking $16 for their novel length work. Many indie authors (including one", "their novel length work. Many indie authors (including one I live with) sell", "$7, which would push short work (say, under 20,000 words) into the dollar", "sold, so doesn't get recommended, so never sells -- I call this \"the", "should I try to avoid writing short fiction, and concentrate my time and", "experience at this and is a pioneer in the field. I see long-established", "with) sell novels for $4 to $7, which would push short work (say,", "a collection? Or should I try to avoid writing short fiction, and concentrate", "it has sold one (1) copy (to someone who knows me), but I", "(including one I live with) sell novels for $4 to $7, which would", "to be willing to pay that much, in truth), but they're asking $16", "much, in truth), but they're asking $16 for their novel length work. Many", "Barbary Hambly selling what I consider short work for $5 (too short for", "short stories on their own, or that I should expect to price all", "price is putting people off, the generic cover isn't attracting clicks, or just", "through Amazon (or other indie e-book route) should be priced at $0.99, and", "doesn't get recommended, so never sells -- I call this \"the Amazon trap\").", "it stands, I have a 2000 words short-short on Amazon at this time,", "in the recommendations (never sold, so doesn't get recommended, so never sells --", "$0.99, and I'll give that Dean Wesley Smith has a lot of experience", "work at the same level as long-established authors. As it stands, I have", "I should expect to price all my work at the same level as", "fiction, and concentrate my time and energy on longer work, even though shorter", "(to someone who knows me), but I have no way to know if", "(1) copy (to someone who knows me), but I have no way to", "cover isn't attracting clicks, or just because it's not coming up in the", "I have enough for a collection? Or should I try to avoid writing", "Dean Wesley Smith has a lot of experience at this and is a", "truth), but they're asking $16 for their novel length work. Many indie authors", "e-book route) should be priced at $0.99, and I'll give that Dean Wesley", "This seems to imply that I shouldn't even attempt to publish single short", "and in the past two years it has sold one (1) copy (to", "even attempt to publish single short stories on their own, or that I", "authors. As it stands, I have a 2000 words short-short on Amazon at", "writing short fiction, and concentrate my time and energy on longer work, even", "recommendations (never sold, so doesn't get recommended, so never sells -- I call", "has sold one (1) copy (to someone who knows me), but I have", "just not bother publishing short fiction independently, or wait until I have enough", "me to be willing to pay that much, in truth), but they're asking", "Smith has a lot of experience at this and is a pioneer in", "the generic cover isn't attracting clicks, or just because it's not coming up", "or that I should expect to price all my work at the same", "in the field. I see long-established authors like Barbary Hambly selling what I", "$16 for their novel length work. Many indie authors (including one I live", "expect to price all my work at the same level as long-established authors.", "so doesn't get recommended, so never sells -- I call this \"the Amazon", "pioneer in the field. I see long-established authors like Barbary Hambly selling what", "concentrate my time and energy on longer work, even though shorter work is", "work for $5 (too short for me to be willing to pay that", "I have a 2000 words short-short on Amazon at this time, and in", "my time and energy on longer work, even though shorter work is easier", "long-established authors. As it stands, I have a 2000 words short-short on Amazon", "(or other indie e-book route) should be priced at $0.99, and I'll give", "who knows me), but I have no way to know if that's because", "and is a pioneer in the field. I see long-established authors like Barbary", "is putting people off, the generic cover isn't attracting clicks, or just because", "get recommended, so never sells -- I call this \"the Amazon trap\"). Should", "Or should I try to avoid writing short fiction, and concentrate my time", "I'll give that Dean Wesley Smith has a lot of experience at this", "\"the Amazon trap\"). Should I just not bother publishing short fiction independently, or", "be willing to pay that much, in truth), but they're asking $16 for", "have enough for a collection? Or should I try to avoid writing short", "push short work (say, under 20,000 words) into the dollar bin. This seems", "has a lot of experience at this and is a pioneer in the", "in the past two years it has sold one (1) copy (to someone", "stories on their own, or that I should expect to price all my", "the past two years it has sold one (1) copy (to someone who", "work. Many indie authors (including one I live with) sell novels for $4", "up in the recommendations (never sold, so doesn't get recommended, so never sells", "until I have enough for a collection? Or should I try to avoid", "length work. Many indie authors (including one I live with) sell novels for", "the $0.99 price is putting people off, the generic cover isn't attracting clicks,", "attracting clicks, or just because it's not coming up in the recommendations (never", "all my work at the same level as long-established authors. As it stands,", "attempt to publish single short stories on their own, or that I should", "to publish single short stories on their own, or that I should expect", "at the same level as long-established authors. As it stands, I have a", "I try to avoid writing short fiction, and concentrate my time and energy", "way to know if that's because the $0.99 price is putting people off,", "at this time, and in the past two years it has sold one", "for $4 to $7, which would push short work (say, under 20,000 words)", "(too short for me to be willing to pay that much, in truth),", "live with) sell novels for $4 to $7, which would push short work", "knows me), but I have no way to know if that's because the", "it's not coming up in the recommendations (never sold, so doesn't get recommended,", "authors like Barbary Hambly selling what I consider short work for $5 (too", "Wesley Smith has a lot of experience at this and is a pioneer", "suggests that nothing published through Amazon (or other indie e-book route) should be", "nothing published through Amazon (or other indie e-book route) should be priced at", "$5 (too short for me to be willing to pay that much, in", "I just not bother publishing short fiction independently, or wait until I have", "to pay that much, in truth), but they're asking $16 for their novel", "a 2000 words short-short on Amazon at this time, and in the past", "fiction independently, or wait until I have enough for a collection? Or should", "and concentrate my time and energy on longer work, even though shorter work", "that I shouldn't even attempt to publish single short stories on their own,", "this and is a pioneer in the field. I see long-established authors like", "or just because it's not coming up in the recommendations (never sold, so", "wait until I have enough for a collection? Or should I try to", "-- I call this \"the Amazon trap\"). Should I just not bother publishing", "to $7, which would push short work (say, under 20,000 words) into the", "but they're asking $16 for their novel length work. Many indie authors (including", "collection? Or should I try to avoid writing short fiction, and concentrate my", "published through Amazon (or other indie e-book route) should be priced at $0.99,", "into the dollar bin. This seems to imply that I shouldn't even attempt", "recommended, so never sells -- I call this \"the Amazon trap\"). Should I", "not bother publishing short fiction independently, or wait until I have enough for", "indie authors (including one I live with) sell novels for $4 to $7,", "and I'll give that Dean Wesley Smith has a lot of experience at", "words short-short on Amazon at this time, and in the past two years", "years it has sold one (1) copy (to someone who knows me), but", "Many indie authors (including one I live with) sell novels for $4 to", "in truth), but they're asking $16 for their novel length work. Many indie", "willing to pay that much, in truth), but they're asking $16 for their", "other indie e-book route) should be priced at $0.99, and I'll give that", "should expect to price all my work at the same level as long-established", "dollar bin. This seems to imply that I shouldn't even attempt to publish", "the recommendations (never sold, so doesn't get recommended, so never sells -- I", "publishing short fiction independently, or wait until I have enough for a collection?", "publish single short stories on their own, or that I should expect to", "people off, the generic cover isn't attracting clicks, or just because it's not", "know if that's because the $0.99 price is putting people off, the generic", "(never sold, so doesn't get recommended, so never sells -- I call this", "of experience at this and is a pioneer in the field. I see", "stands, I have a 2000 words short-short on Amazon at this time, and", "to know if that's because the $0.99 price is putting people off, the", "and energy on longer work, even though shorter work is easier to finish?", "or wait until I have enough for a collection? Or should I try", "indie e-book route) should be priced at $0.99, and I'll give that Dean", "novel length work. Many indie authors (including one I live with) sell novels", "I see long-established authors like Barbary Hambly selling what I consider short work", "field. I see long-established authors like Barbary Hambly selling what I consider short", "would push short work (say, under 20,000 words) into the dollar bin. This", "because the $0.99 price is putting people off, the generic cover isn't attracting", "because it's not coming up in the recommendations (never sold, so doesn't get", "sell novels for $4 to $7, which would push short work (say, under", "bother publishing short fiction independently, or wait until I have enough for a", "2000 words short-short on Amazon at this time, and in the past two", "answer](https://writers.stackexchange.com/questions/9052/pricing-your-kindle-ebooks-at-amazon) suggests that nothing published through Amazon (or other indie e-book route) should", "for their novel length work. Many indie authors (including one I live with)", "the dollar bin. This seems to imply that I shouldn't even attempt to", "I shouldn't even attempt to publish single short stories on their own, or", "imply that I shouldn't even attempt to publish single short stories on their", "shouldn't even attempt to publish single short stories on their own, or that", "someone who knows me), but I have no way to know if that's", "have no way to know if that's because the $0.99 price is putting", "is a pioneer in the field. I see long-established authors like Barbary Hambly", "short fiction independently, or wait until I have enough for a collection? Or", "not coming up in the recommendations (never sold, so doesn't get recommended, so", "lot of experience at this and is a pioneer in the field. I", "me), but I have no way to know if that's because the $0.99", "like Barbary Hambly selling what I consider short work for $5 (too short", "I have no way to know if that's because the $0.99 price is", "long-established authors like Barbary Hambly selling what I consider short work for $5", "their own, or that I should expect to price all my work at", "[This answer](https://writers.stackexchange.com/questions/9052/pricing-your-kindle-ebooks-at-amazon) suggests that nothing published through Amazon (or other indie e-book route)", "call this \"the Amazon trap\"). Should I just not bother publishing short fiction", "that Dean Wesley Smith has a lot of experience at this and is", "Amazon (or other indie e-book route) should be priced at $0.99, and I'll", "$4 to $7, which would push short work (say, under 20,000 words) into", "avoid writing short fiction, and concentrate my time and energy on longer work,", "off, the generic cover isn't attracting clicks, or just because it's not coming", "as long-established authors. As it stands, I have a 2000 words short-short on", "so never sells -- I call this \"the Amazon trap\"). Should I just", "two years it has sold one (1) copy (to someone who knows me),", "to imply that I shouldn't even attempt to publish single short stories on", "for a collection? Or should I try to avoid writing short fiction, and", "for me to be willing to pay that much, in truth), but they're", "own, or that I should expect to price all my work at the", "isn't attracting clicks, or just because it's not coming up in the recommendations", "try to avoid writing short fiction, and concentrate my time and energy on", "no way to know if that's because the $0.99 price is putting people", "time, and in the past two years it has sold one (1) copy", "consider short work for $5 (too short for me to be willing to", "same level as long-established authors. As it stands, I have a 2000 words", "price all my work at the same level as long-established authors. As it", "Should I just not bother publishing short fiction independently, or wait until I", "I live with) sell novels for $4 to $7, which would push short", "one I live with) sell novels for $4 to $7, which would push", "level as long-established authors. As it stands, I have a 2000 words short-short", "priced at $0.99, and I'll give that Dean Wesley Smith has a lot", "to avoid writing short fiction, and concentrate my time and energy on longer", "sold one (1) copy (to someone who knows me), but I have no", "a lot of experience at this and is a pioneer in the field.", "what I consider short work for $5 (too short for me to be", "words) into the dollar bin. This seems to imply that I shouldn't even", "single short stories on their own, or that I should expect to price", "never sells -- I call this \"the Amazon trap\"). Should I just not", "short fiction, and concentrate my time and energy on longer work, even though", "independently, or wait until I have enough for a collection? Or should I", "this time, and in the past two years it has sold one (1)", "if that's because the $0.99 price is putting people off, the generic cover", "the field. I see long-established authors like Barbary Hambly selling what I consider", "bin. This seems to imply that I shouldn't even attempt to publish single", "have a 2000 words short-short on Amazon at this time, and in the", "just because it's not coming up in the recommendations (never sold, so doesn't", "coming up in the recommendations (never sold, so doesn't get recommended, so never", "short for me to be willing to pay that much, in truth), but", "work (say, under 20,000 words) into the dollar bin. This seems to imply", "my work at the same level as long-established authors. As it stands, I", "on Amazon at this time, and in the past two years it has", "short work (say, under 20,000 words) into the dollar bin. This seems to", "copy (to someone who knows me), but I have no way to know", "asking $16 for their novel length work. Many indie authors (including one I", "20,000 words) into the dollar bin. This seems to imply that I shouldn't", "past two years it has sold one (1) copy (to someone who knows", "give that Dean Wesley Smith has a lot of experience at this and", "at this and is a pioneer in the field. I see long-established authors", "trap\"). Should I just not bother publishing short fiction independently, or wait until", "sells -- I call this \"the Amazon trap\"). Should I just not bother", "under 20,000 words) into the dollar bin. This seems to imply that I", "time and energy on longer work, even though shorter work is easier to", "Hambly selling what I consider short work for $5 (too short for me", "but I have no way to know if that's because the $0.99 price", "Amazon at this time, and in the past two years it has sold", "$0.99 price is putting people off, the generic cover isn't attracting clicks, or", "short-short on Amazon at this time, and in the past two years it", "that's because the $0.99 price is putting people off, the generic cover isn't", "which would push short work (say, under 20,000 words) into the dollar bin.", "seems to imply that I shouldn't even attempt to publish single short stories", "one (1) copy (to someone who knows me), but I have no way", "to price all my work at the same level as long-established authors. As", "on their own, or that I should expect to price all my work", "route) should be priced at $0.99, and I'll give that Dean Wesley Smith", "see long-established authors like Barbary Hambly selling what I consider short work for", "Amazon trap\"). Should I just not bother publishing short fiction independently, or wait", "short work for $5 (too short for me to be willing to pay", "enough for a collection? Or should I try to avoid writing short fiction,", "that nothing published through Amazon (or other indie e-book route) should be priced", "at $0.99, and I'll give that Dean Wesley Smith has a lot of", "generic cover isn't attracting clicks, or just because it's not coming up in" ]
[ "Recently, I've been seeing a lot of discussions about works that subvert a", "what this means (from context) but can someone offer a clear definition or", "discussions about works that subvert a given trope. I think I have an", "I have an understanding of what this means (from context) but can someone", "subvert a given trope. I think I have an understanding of what this", "of what this means (from context) but can someone offer a clear definition", "lot of discussions about works that subvert a given trope. I think I", "of discussions about works that subvert a given trope. I think I have", "an understanding of what this means (from context) but can someone offer a", "given trope. I think I have an understanding of what this means (from", "a lot of discussions about works that subvert a given trope. I think", "have an understanding of what this means (from context) but can someone offer", "been seeing a lot of discussions about works that subvert a given trope.", "seeing a lot of discussions about works that subvert a given trope. I", "that subvert a given trope. I think I have an understanding of what", "about works that subvert a given trope. I think I have an understanding", "understanding of what this means (from context) but can someone offer a clear", "think I have an understanding of what this means (from context) but can", "I've been seeing a lot of discussions about works that subvert a given", "trope. I think I have an understanding of what this means (from context)", "a given trope. I think I have an understanding of what this means", "this means (from context) but can someone offer a clear definition or explanation?", "I think I have an understanding of what this means (from context) but", "works that subvert a given trope. I think I have an understanding of" ]
[ "the novel is written in my mother language. * After finishing it, I", "for personal amusement. * Important \"detail\": I'm Italian and the novel is written", "finishing it, I circulated among friends and it got a surprisingly good reception,", "the text and it is, for me, definitive. * I know quite well,", "Can someone point me in the right direction? P.S.: any comment on my", "American rules hold true in Italy. * Subject is atypical, because the novel", "least, screening) would be necessary before actual publication. * I would prefer to", "Earth, so the genre changes \"a posteriori\" to (reasonably) Hard Science-fiction. * I'm", "review of the text and it is, for me, definitive. * I know", "professional writer, so I wrote this (long) novel for personal amusement. * Important", "for me, definitive. * I know quite well, though, professional editing (or, at", "rules hold true in Italy. * Subject is atypical, because the novel apparently", "at previous answers to similar questions, but my case is (possibly) a bit", "(or, at least, screening) would be necessary before actual publication. * I would", "Fantasy world, but later it will be clear we are on our old", "point me in the right direction? P.S.: any comment on my command of", "it got a surprisingly good reception, with many suggestions to try to publish", "apparently starts in a Fantasy world, but later it will be clear we", "present such a thing. Can someone point me in the right direction? P.S.:", "my case is (possibly) a bit different. * I am not a professional", "is, for me, definitive. * I know quite well, though, professional editing (or,", "this (long) novel for personal amusement. * Important \"detail\": I'm Italian and the", "clear we are on our old Earth, so the genre changes \"a posteriori\"", "and I'm not sure American rules hold true in Italy. * Subject is", "not sure American rules hold true in Italy. * Subject is atypical, because", "on our old Earth, so the genre changes \"a posteriori\" to (reasonably) Hard", "a living out of this), but I have no connections and I wouldn't", "writer, so I wrote this (long) novel for personal amusement. * Important \"detail\":", "bear with me. I had a look at previous answers to similar questions,", "is written in my mother language. * After finishing it, I circulated among", "such a thing. Can someone point me in the right direction? P.S.: any", "(possibly) a bit different. * I am not a professional writer, so I", "of the text and it is, for me, definitive. * I know quite", "I have only a vague idea of what a query is and I'm", "but I have no connections and I wouldn't know how to submit it", "someone point me in the right direction? P.S.: any comment on my command", "out of this), but I have no connections and I wouldn't know how", "\"a posteriori\" to (reasonably) Hard Science-fiction. * I'm also unsure on how I", "suggestions to try to publish it. * I did an accurate review of", "text and it is, for me, definitive. * I know quite well, though,", "with many suggestions to try to publish it. * I did an accurate", "After finishing it, I circulated among friends and it got a surprisingly good", "written in my mother language. * After finishing it, I circulated among friends", "me. I had a look at previous answers to similar questions, but my", "* I have only a vague idea of what a query is and", "previous answers to similar questions, but my case is (possibly) a bit different.", "I did an accurate review of the text and it is, for me,", "and it is, for me, definitive. * I know quite well, though, professional", "it (remember, it is in Italian!). * I have only a vague idea", "the novel apparently starts in a Fantasy world, but later it will be", "the right direction? P.S.: any comment on my command of the English language", "(reasonably) Hard Science-fiction. * I'm also unsure on how I should present such", "go through a regular publisher (an agent isn't in scope; I don't plan", "in my mother language. * After finishing it, I circulated among friends and", "would be necessary before actual publication. * I would prefer to go through", "* Subject is atypical, because the novel apparently starts in a Fantasy world,", "so the genre changes \"a posteriori\" to (reasonably) Hard Science-fiction. * I'm also", "have only a vague idea of what a query is and I'm not", "should present such a thing. Can someone point me in the right direction?", "personal amusement. * Important \"detail\": I'm Italian and the novel is written in", "direction? P.S.: any comment on my command of the English language is welcome.", "so I wrote this (long) novel for personal amusement. * Important \"detail\": I'm", "vague idea of what a query is and I'm not sure American rules", "me in the right direction? P.S.: any comment on my command of the", "to publish it. * I did an accurate review of the text and", "no connections and I wouldn't know how to submit it (remember, it is", "did an accurate review of the text and it is, for me, definitive.", "is atypical, because the novel apparently starts in a Fantasy world, but later", "questions, but my case is (possibly) a bit different. * I am not", "so, please, bear with me. I had a look at previous answers to", "* Important \"detail\": I'm Italian and the novel is written in my mother", "prefer to go through a regular publisher (an agent isn't in scope; I", "thing. Can someone point me in the right direction? P.S.: any comment on", "sure American rules hold true in Italy. * Subject is atypical, because the", "how to submit it (remember, it is in Italian!). * I have only", "definitive. * I know quite well, though, professional editing (or, at least, screening)", "surprisingly good reception, with many suggestions to try to publish it. * I", "though, professional editing (or, at least, screening) would be necessary before actual publication.", "living out of this), but I have no connections and I wouldn't know", "different. * I am not a professional writer, so I wrote this (long)", "in scope; I don't plan to make a living out of this), but", "publish it. * I did an accurate review of the text and it", "Hard Science-fiction. * I'm also unsure on how I should present such a", "how I should present such a thing. Can someone point me in the", "submit it (remember, it is in Italian!). * I have only a vague", "are on our old Earth, so the genre changes \"a posteriori\" to (reasonably)", "of this), but I have no connections and I wouldn't know how to", "(long) novel for personal amusement. * Important \"detail\": I'm Italian and the novel", "among friends and it got a surprisingly good reception, with many suggestions to", "am not a professional writer, so I wrote this (long) novel for personal", "novel for personal amusement. * Important \"detail\": I'm Italian and the novel is", "quite well, though, professional editing (or, at least, screening) would be necessary before", "* After finishing it, I circulated among friends and it got a surprisingly", "* I would prefer to go through a regular publisher (an agent isn't", "this), but I have no connections and I wouldn't know how to submit", "it is, for me, definitive. * I know quite well, though, professional editing", "world, but later it will be clear we are on our old Earth,", "in the right direction? P.S.: any comment on my command of the English", "I would prefer to go through a regular publisher (an agent isn't in", "through a regular publisher (an agent isn't in scope; I don't plan to", "starts in a Fantasy world, but later it will be clear we are", "scope; I don't plan to make a living out of this), but I", "case is (possibly) a bit different. * I am not a professional writer,", "to similar questions, but my case is (possibly) a bit different. * I", "I am not a professional writer, so I wrote this (long) novel for", "a surprisingly good reception, with many suggestions to try to publish it. *", "the genre changes \"a posteriori\" to (reasonably) Hard Science-fiction. * I'm also unsure", "look at previous answers to similar questions, but my case is (possibly) a", "but my case is (possibly) a bit different. * I am not a", "only a vague idea of what a query is and I'm not sure", "Important \"detail\": I'm Italian and the novel is written in my mother language.", "with me. I had a look at previous answers to similar questions, but", "and it got a surprisingly good reception, with many suggestions to try to", "novel apparently starts in a Fantasy world, but later it will be clear", "unsure on how I should present such a thing. Can someone point me", "is (possibly) a bit different. * I am not a professional writer, so", "it, I circulated among friends and it got a surprisingly good reception, with", "I'm also unsure on how I should present such a thing. Can someone", "I wrote this (long) novel for personal amusement. * Important \"detail\": I'm Italian", "true in Italy. * Subject is atypical, because the novel apparently starts in", "had a look at previous answers to similar questions, but my case is", "I wouldn't know how to submit it (remember, it is in Italian!). *", "I'm Italian and the novel is written in my mother language. * After", "and I wouldn't know how to submit it (remember, it is in Italian!).", "Subject is atypical, because the novel apparently starts in a Fantasy world, but", "a Fantasy world, but later it will be clear we are on our", "genre changes \"a posteriori\" to (reasonably) Hard Science-fiction. * I'm also unsure on", "but later it will be clear we are on our old Earth, so", "changes \"a posteriori\" to (reasonably) Hard Science-fiction. * I'm also unsure on how", "a regular publisher (an agent isn't in scope; I don't plan to make", "isn't in scope; I don't plan to make a living out of this),", "answers to similar questions, but my case is (possibly) a bit different. *", "many suggestions to try to publish it. * I did an accurate review", "not a professional writer, so I wrote this (long) novel for personal amusement.", "on how I should present such a thing. Can someone point me in", "(remember, it is in Italian!). * I have only a vague idea of", "be necessary before actual publication. * I would prefer to go through a", "I had a look at previous answers to similar questions, but my case", "to submit it (remember, it is in Italian!). * I have only a", "I know quite well, though, professional editing (or, at least, screening) would be", "right direction? P.S.: any comment on my command of the English language is", "mother language. * After finishing it, I circulated among friends and it got", "in Italy. * Subject is atypical, because the novel apparently starts in a", "a query is and I'm not sure American rules hold true in Italy.", "necessary before actual publication. * I would prefer to go through a regular", "got a surprisingly good reception, with many suggestions to try to publish it.", "of what a query is and I'm not sure American rules hold true", "similar questions, but my case is (possibly) a bit different. * I am", "try to publish it. * I did an accurate review of the text", "to make a living out of this), but I have no connections and", "professional editing (or, at least, screening) would be necessary before actual publication. *", "(an agent isn't in scope; I don't plan to make a living out", "make a living out of this), but I have no connections and I", "also unsure on how I should present such a thing. Can someone point", "me, definitive. * I know quite well, though, professional editing (or, at least,", "* I am not a professional writer, so I wrote this (long) novel", "hold true in Italy. * Subject is atypical, because the novel apparently starts", "a vague idea of what a query is and I'm not sure American", "it will be clear we are on our old Earth, so the genre", "to try to publish it. * I did an accurate review of the", "* I know quite well, though, professional editing (or, at least, screening) would", "at least, screening) would be necessary before actual publication. * I would prefer", "atypical, because the novel apparently starts in a Fantasy world, but later it", "I circulated among friends and it got a surprisingly good reception, with many", "friends and it got a surprisingly good reception, with many suggestions to try", "* I did an accurate review of the text and it is, for", "regular publisher (an agent isn't in scope; I don't plan to make a", "* I'm also unsure on how I should present such a thing. Can", "I don't plan to make a living out of this), but I have", "reception, with many suggestions to try to publish it. * I did an", "wrote this (long) novel for personal amusement. * Important \"detail\": I'm Italian and", "wouldn't know how to submit it (remember, it is in Italian!). * I", "a bit different. * I am not a professional writer, so I wrote", "plan to make a living out of this), but I have no connections", "in Italian!). * I have only a vague idea of what a query", "a professional writer, so I wrote this (long) novel for personal amusement. *", "we are on our old Earth, so the genre changes \"a posteriori\" to", "will be clear we are on our old Earth, so the genre changes", "posteriori\" to (reasonably) Hard Science-fiction. * I'm also unsure on how I should", "here, so, please, bear with me. I had a look at previous answers", "to (reasonably) Hard Science-fiction. * I'm also unsure on how I should present", "know how to submit it (remember, it is in Italian!). * I have", "publisher (an agent isn't in scope; I don't plan to make a living", "have no connections and I wouldn't know how to submit it (remember, it", "accurate review of the text and it is, for me, definitive. * I", "Italian and the novel is written in my mother language. * After finishing", "is and I'm not sure American rules hold true in Italy. * Subject", "I should present such a thing. Can someone point me in the right", "I have no connections and I wouldn't know how to submit it (remember,", "a thing. Can someone point me in the right direction? P.S.: any comment", "idea of what a query is and I'm not sure American rules hold", "screening) would be necessary before actual publication. * I would prefer to go", "would prefer to go through a regular publisher (an agent isn't in scope;", "I'm not sure American rules hold true in Italy. * Subject is atypical,", "Italy. * Subject is atypical, because the novel apparently starts in a Fantasy", "later it will be clear we are on our old Earth, so the", "query is and I'm not sure American rules hold true in Italy. *", "actual publication. * I would prefer to go through a regular publisher (an", "agent isn't in scope; I don't plan to make a living out of", "my mother language. * After finishing it, I circulated among friends and it", "novel is written in my mother language. * After finishing it, I circulated", "bit different. * I am not a professional writer, so I wrote this", "publication. * I would prefer to go through a regular publisher (an agent", "well, though, professional editing (or, at least, screening) would be necessary before actual", "Italian!). * I have only a vague idea of what a query is", "what a query is and I'm not sure American rules hold true in", "a look at previous answers to similar questions, but my case is (possibly)", "before actual publication. * I would prefer to go through a regular publisher", "to go through a regular publisher (an agent isn't in scope; I don't", "our old Earth, so the genre changes \"a posteriori\" to (reasonably) Hard Science-fiction.", "don't plan to make a living out of this), but I have no", "connections and I wouldn't know how to submit it (remember, it is in", "editing (or, at least, screening) would be necessary before actual publication. * I", "new here, so, please, bear with me. I had a look at previous", "\"detail\": I'm Italian and the novel is written in my mother language. *", "language. * After finishing it, I circulated among friends and it got a", "in a Fantasy world, but later it will be clear we are on", "old Earth, so the genre changes \"a posteriori\" to (reasonably) Hard Science-fiction. *", "good reception, with many suggestions to try to publish it. * I did", "an accurate review of the text and it is, for me, definitive. *", "is in Italian!). * I have only a vague idea of what a", "because the novel apparently starts in a Fantasy world, but later it will", "circulated among friends and it got a surprisingly good reception, with many suggestions", "I'm new here, so, please, bear with me. I had a look at", "be clear we are on our old Earth, so the genre changes \"a", "it is in Italian!). * I have only a vague idea of what", "it. * I did an accurate review of the text and it is,", "please, bear with me. I had a look at previous answers to similar", "Science-fiction. * I'm also unsure on how I should present such a thing.", "amusement. * Important \"detail\": I'm Italian and the novel is written in my", "and the novel is written in my mother language. * After finishing it,", "know quite well, though, professional editing (or, at least, screening) would be necessary" ]
[ "a story doesn't bothers us too much because we want to see [Joffrey](http://gameofthrones.wikia.com/wiki/Joffrey_Baratheon)", "[Joffrey](http://gameofthrones.wikia.com/wiki/Joffrey_Baratheon) getting strangled with a string of sausages. So basically we want to", "For instance: Mao Zedong killed millions of innocent people and birds, but he", "I'm talking about. The feeling when the legal side of a story doesn't", "such a terrible persons ~~to my birds~~ in general, and the reader wanted", "basically we want to see a character killing a hated one in the", "a large pitfall, namely: strawmans and cartoon villains. After all, **they must be", "with a string of sausages. So basically we want to see a character", "him to be [not just only merely but really most insanely deaaad](https://youtu.be/PHQLQ1Rc_Js?t=91). However,", "strawmans and cartoon villains. After all, **they must be easy to hate**. And", "villains. After all, **they must be easy to hate**. And it's kinda hard", "must be easy to hate**. And it's kinda hard to pull-off without damaging", "because they were such a terrible persons ~~to my birds~~ in general, and", "make a villain \"Joffrey like\" so the main anti-hero can smear them over", "of this can freely happen because they were such a terrible persons ~~to", "tips to make a villain \"Joffrey like\" so the main anti-hero can smear", "\"Joffrey like\" so the main anti-hero can smear them over a brick wall", "killed millions of innocent people and birds, but he also wanted to make", "7 billion of us here, so **we are** really **disposable**.)* **TL; DR -", "a string of sausages. So basically we want to see a character killing", "wanted to make China great again. Too bad that his massive ego, uneducatedness,", "~~to my birds~~ in general, and the reader wanted him to be [not", "just only merely but really most insanely deaaad](https://youtu.be/PHQLQ1Rc_Js?t=91). However, there is a large", "and cartoon villains. After all, **they must be easy to hate**. And it's", "to be evil for no purpose**. For instance: Mao Zedong killed millions of", "in general tips to make a villain \"Joffrey like\" so the main anti-hero", "the legal side of a story doesn't bothers us too much because we", "happen because they were such a terrible persons ~~to my birds~~ in general,", "getting strangled with a string of sausages. So basically we want to see", "all of this can freely happen because they were such a terrible persons", "**people rarely tend to be evil for no purpose**. For instance: Mao Zedong", "a character killing a hated one in the most brutal fashion possible. And", "ego, uneducatedness, and delusions ruined everything, but mostly the birds. *(and 50 million", "deaaad](https://youtu.be/PHQLQ1Rc_Js?t=91). However, there is a large pitfall, namely: strawmans and cartoon villains. After", "that his massive ego, uneducatedness, and delusions ruined everything, but mostly the birds.", "birds~~ in general, and the reader wanted him to be [not just only", "million people, but who cares about them, there are still like, 7 billion", "I'm interested in general tips to make a villain \"Joffrey like\" so the", "of us here, so **we are** really **disposable**.)* **TL; DR - I'm interested", "to pull-off without damaging their personalities, as **people rarely tend to be evil", "so **we are** really **disposable**.)* **TL; DR - I'm interested in general tips", "a terrible persons ~~to my birds~~ in general, and the reader wanted him", "China great again. Too bad that his massive ego, uneducatedness, and delusions ruined", "them, there are still like, 7 billion of us here, so **we are**", "to make a villain \"Joffrey like\" so the main anti-hero can smear them", "to see a character killing a hated one in the most brutal fashion", "instance: Mao Zedong killed millions of innocent people and birds, but he also", "is a large pitfall, namely: strawmans and cartoon villains. After all, **they must", "are still like, 7 billion of us here, so **we are** really **disposable**.)*", "So basically we want to see a character killing a hated one in", "Mao Zedong killed millions of innocent people and birds, but he also wanted", "strangled with a string of sausages. So basically we want to see a", "there is a large pitfall, namely: strawmans and cartoon villains. After all, **they", "he also wanted to make China great again. Too bad that his massive", "possible. And all of this can freely happen because they were such a", "no purpose**. For instance: Mao Zedong killed millions of innocent people and birds,", "as **people rarely tend to be evil for no purpose**. For instance: Mao", "reader wanted him to be [not just only merely but really most insanely", "wanted him to be [not just only merely but really most insanely deaaad](https://youtu.be/PHQLQ1Rc_Js?t=91).", "bad that his massive ego, uneducatedness, and delusions ruined everything, but mostly the", "story doesn't bothers us too much because we want to see [Joffrey](http://gameofthrones.wikia.com/wiki/Joffrey_Baratheon) getting", "the birds. *(and 50 million people, but who cares about them, there are", "cares about them, there are still like, 7 billion of us here, so", "bothers us too much because we want to see [Joffrey](http://gameofthrones.wikia.com/wiki/Joffrey_Baratheon) getting strangled with", "want to see a character killing a hated one in the most brutal", "ruined everything, but mostly the birds. *(and 50 million people, but who cares", "all, **they must be easy to hate**. And it's kinda hard to pull-off", "*(and 50 million people, but who cares about them, there are still like,", "be [not just only merely but really most insanely deaaad](https://youtu.be/PHQLQ1Rc_Js?t=91). However, there is", "kinda hard to pull-off without damaging their personalities, as **people rarely tend to", "general, and the reader wanted him to be [not just only merely but", "large pitfall, namely: strawmans and cartoon villains. After all, **they must be easy", "most brutal fashion possible. And all of this can freely happen because they", "but he also wanted to make China great again. Too bad that his", "and the reader wanted him to be [not just only merely but really", "us here, so **we are** really **disposable**.)* **TL; DR - I'm interested in", "of innocent people and birds, but he also wanted to make China great", "fashion possible. And all of this can freely happen because they were such", "there are still like, 7 billion of us here, so **we are** really", "insanely deaaad](https://youtu.be/PHQLQ1Rc_Js?t=91). However, there is a large pitfall, namely: strawmans and cartoon villains.", "[not just only merely but really most insanely deaaad](https://youtu.be/PHQLQ1Rc_Js?t=91). However, there is a", "killing a hated one in the most brutal fashion possible. And all of", "so the main anti-hero can smear them over a brick wall without regrets.**", "However, there is a large pitfall, namely: strawmans and cartoon villains. After all,", "legal side of a story doesn't bothers us too much because we want", "sausages. So basically we want to see a character killing a hated one", "in the most brutal fashion possible. And all of this can freely happen", "can freely happen because they were such a terrible persons ~~to my birds~~", "great again. Too bad that his massive ego, uneducatedness, and delusions ruined everything,", "my birds~~ in general, and the reader wanted him to be [not just", "a villain \"Joffrey like\" so the main anti-hero can smear them over a", "it's kinda hard to pull-off without damaging their personalities, as **people rarely tend", "mostly the birds. *(and 50 million people, but who cares about them, there", "us too much because we want to see [Joffrey](http://gameofthrones.wikia.com/wiki/Joffrey_Baratheon) getting strangled with a", "hated one in the most brutal fashion possible. And all of this can", "who cares about them, there are still like, 7 billion of us here,", "talking about. The feeling when the legal side of a story doesn't bothers", "about them, there are still like, 7 billion of us here, so **we", "but really most insanely deaaad](https://youtu.be/PHQLQ1Rc_Js?t=91). However, there is a large pitfall, namely: strawmans", "pull-off without damaging their personalities, as **people rarely tend to be evil for", "interested in general tips to make a villain \"Joffrey like\" so the main", "millions of innocent people and birds, but he also wanted to make China", "really most insanely deaaad](https://youtu.be/PHQLQ1Rc_Js?t=91). However, there is a large pitfall, namely: strawmans and", "like, 7 billion of us here, so **we are** really **disposable**.)* **TL; DR", "**we are** really **disposable**.)* **TL; DR - I'm interested in general tips to", "**disposable**.)* **TL; DR - I'm interested in general tips to make a villain", "delusions ruined everything, but mostly the birds. *(and 50 million people, but who", "**TL; DR - I'm interested in general tips to make a villain \"Joffrey", "one in the most brutal fashion possible. And all of this can freely", "of a story doesn't bothers us too much because we want to see", "the most brutal fashion possible. And all of this can freely happen because", "villain \"Joffrey like\" so the main anti-hero can smear them over a brick", "be easy to hate**. And it's kinda hard to pull-off without damaging their", "innocent people and birds, but he also wanted to make China great again.", "make China great again. Too bad that his massive ego, uneducatedness, and delusions", "much because we want to see [Joffrey](http://gameofthrones.wikia.com/wiki/Joffrey_Baratheon) getting strangled with a string of", "freely happen because they were such a terrible persons ~~to my birds~~ in", "persons ~~to my birds~~ in general, and the reader wanted him to be", "**they must be easy to hate**. And it's kinda hard to pull-off without", "people and birds, but he also wanted to make China great again. Too", "to make China great again. Too bad that his massive ego, uneducatedness, and", "namely: strawmans and cartoon villains. After all, **they must be easy to hate**.", "and delusions ruined everything, but mostly the birds. *(and 50 million people, but", "birds. *(and 50 million people, but who cares about them, there are still", "they were such a terrible persons ~~to my birds~~ in general, and the", "feeling when the legal side of a story doesn't bothers us too much", "see [Joffrey](http://gameofthrones.wikia.com/wiki/Joffrey_Baratheon) getting strangled with a string of sausages. So basically we want", "massive ego, uneducatedness, and delusions ruined everything, but mostly the birds. *(and 50", "personalities, as **people rarely tend to be evil for no purpose**. For instance:", "but who cares about them, there are still like, 7 billion of us", "most insanely deaaad](https://youtu.be/PHQLQ1Rc_Js?t=91). However, there is a large pitfall, namely: strawmans and cartoon", "side of a story doesn't bothers us too much because we want to", "tend to be evil for no purpose**. For instance: Mao Zedong killed millions", "this can freely happen because they were such a terrible persons ~~to my", "the reader wanted him to be [not just only merely but really most", "are** really **disposable**.)* **TL; DR - I'm interested in general tips to make", "rarely tend to be evil for no purpose**. For instance: Mao Zedong killed", "still like, 7 billion of us here, so **we are** really **disposable**.)* **TL;", "we want to see [Joffrey](http://gameofthrones.wikia.com/wiki/Joffrey_Baratheon) getting strangled with a string of sausages. So", "of sausages. So basically we want to see a character killing a hated", "evil for no purpose**. For instance: Mao Zedong killed millions of innocent people", "uneducatedness, and delusions ruined everything, but mostly the birds. *(and 50 million people,", "be evil for no purpose**. For instance: Mao Zedong killed millions of innocent", "We know what I'm talking about. The feeling when the legal side of", "pitfall, namely: strawmans and cartoon villains. After all, **they must be easy to", "again. Too bad that his massive ego, uneducatedness, and delusions ruined everything, but", "cartoon villains. After all, **they must be easy to hate**. And it's kinda", "The feeling when the legal side of a story doesn't bothers us too", "general tips to make a villain \"Joffrey like\" so the main anti-hero can", "but mostly the birds. *(and 50 million people, but who cares about them,", "birds, but he also wanted to make China great again. Too bad that", "about. The feeling when the legal side of a story doesn't bothers us", "to hate**. And it's kinda hard to pull-off without damaging their personalities, as", "also wanted to make China great again. Too bad that his massive ego,", "when the legal side of a story doesn't bothers us too much because", "50 million people, but who cares about them, there are still like, 7", "like\" so the main anti-hero can smear them over a brick wall without", "- I'm interested in general tips to make a villain \"Joffrey like\" so", "terrible persons ~~to my birds~~ in general, and the reader wanted him to", "a hated one in the most brutal fashion possible. And all of this", "and birds, but he also wanted to make China great again. Too bad", "hate**. And it's kinda hard to pull-off without damaging their personalities, as **people", "we want to see a character killing a hated one in the most", "brutal fashion possible. And all of this can freely happen because they were", "without damaging their personalities, as **people rarely tend to be evil for no", "doesn't bothers us too much because we want to see [Joffrey](http://gameofthrones.wikia.com/wiki/Joffrey_Baratheon) getting strangled", "see a character killing a hated one in the most brutal fashion possible.", "were such a terrible persons ~~to my birds~~ in general, and the reader", "After all, **they must be easy to hate**. And it's kinda hard to", "for no purpose**. For instance: Mao Zedong killed millions of innocent people and", "damaging their personalities, as **people rarely tend to be evil for no purpose**.", "people, but who cares about them, there are still like, 7 billion of", "to see [Joffrey](http://gameofthrones.wikia.com/wiki/Joffrey_Baratheon) getting strangled with a string of sausages. So basically we", "because we want to see [Joffrey](http://gameofthrones.wikia.com/wiki/Joffrey_Baratheon) getting strangled with a string of sausages.", "too much because we want to see [Joffrey](http://gameofthrones.wikia.com/wiki/Joffrey_Baratheon) getting strangled with a string", "in general, and the reader wanted him to be [not just only merely", "merely but really most insanely deaaad](https://youtu.be/PHQLQ1Rc_Js?t=91). However, there is a large pitfall, namely:", "what I'm talking about. The feeling when the legal side of a story", "purpose**. For instance: Mao Zedong killed millions of innocent people and birds, but", "Zedong killed millions of innocent people and birds, but he also wanted to", "their personalities, as **people rarely tend to be evil for no purpose**. For", "his massive ego, uneducatedness, and delusions ruined everything, but mostly the birds. *(and", "Too bad that his massive ego, uneducatedness, and delusions ruined everything, but mostly", "really **disposable**.)* **TL; DR - I'm interested in general tips to make a", "DR - I'm interested in general tips to make a villain \"Joffrey like\"", "string of sausages. So basically we want to see a character killing a", "character killing a hated one in the most brutal fashion possible. And all", "easy to hate**. And it's kinda hard to pull-off without damaging their personalities,", "everything, but mostly the birds. *(and 50 million people, but who cares about", "hard to pull-off without damaging their personalities, as **people rarely tend to be", "only merely but really most insanely deaaad](https://youtu.be/PHQLQ1Rc_Js?t=91). However, there is a large pitfall,", "know what I'm talking about. The feeling when the legal side of a", "here, so **we are** really **disposable**.)* **TL; DR - I'm interested in general", "want to see [Joffrey](http://gameofthrones.wikia.com/wiki/Joffrey_Baratheon) getting strangled with a string of sausages. So basically", "to be [not just only merely but really most insanely deaaad](https://youtu.be/PHQLQ1Rc_Js?t=91). However, there", "And all of this can freely happen because they were such a terrible", "billion of us here, so **we are** really **disposable**.)* **TL; DR - I'm", "And it's kinda hard to pull-off without damaging their personalities, as **people rarely" ]
[ "of the notes I want to present, as well as the name of", "I mean in the picture below: [![Example photo](https://i.stack.imgur.com/TiQLq.jpg)](https://i.stack.imgur.com/TiQLq.jpg) Is there a specific tool", "or some makeshift method because that would take way too long. I also", "way too long. I also want to know how to include these into", "specific tool or maybe software that does this? I really don't want to", "explanations (text material) for the final package. I want it to look organized", "software that does this? I really don't want to do this by hand", "in books. They display the strings of the guitar and the locations of", "that would take way too long. I also want to know how to", "does this? I really don't want to do this by hand or some", "book. It will be an e-book for sure, just so you know, and", "display the strings of the guitar and the locations of the notes I", "there a specific tool or maybe software that does this? I really don't", "this by hand or some makeshift method because that would take way too", "well as the name of the chord/scale/etc. You can see what I mean", "package. I want it to look organized in the format of an e-book.", "guitar and the locations of the notes I want to present, as well", "to include these into my book. It will be an e-book for sure,", "material) for the final package. I want it to look organized in the", "do this by hand or some makeshift method because that would take way", "be an e-book for sure, just so you know, and I want to", "diagrams as well as explanations (text material) for the final package. I want", "know, and I want to include these diagrams as well as explanations (text", "long. I also want to know how to include these into my book.", "see what I mean in the picture below: [![Example photo](https://i.stack.imgur.com/TiQLq.jpg)](https://i.stack.imgur.com/TiQLq.jpg) Is there a", "what I mean in the picture below: [![Example photo](https://i.stack.imgur.com/TiQLq.jpg)](https://i.stack.imgur.com/TiQLq.jpg) Is there a specific", "some makeshift method because that would take way too long. I also want", "as the name of the chord/scale/etc. You can see what I mean in", "for sure, just so you know, and I want to include these diagrams", "would take way too long. I also want to know how to include", "want to do this by hand or some makeshift method because that would", "you know, and I want to include these diagrams as well as explanations", "diagrams in books. They display the strings of the guitar and the locations", "photo](https://i.stack.imgur.com/TiQLq.jpg)](https://i.stack.imgur.com/TiQLq.jpg) Is there a specific tool or maybe software that does this? I", "really don't want to do this by hand or some makeshift method because", "and I want to include these diagrams as well as explanations (text material)", "include these diagrams as well as explanations (text material) for the final package.", "don't want to do this by hand or some makeshift method because that", "method because that would take way too long. I also want to know", "chord/scale/etc. You can see what I mean in the picture below: [![Example photo](https://i.stack.imgur.com/TiQLq.jpg)](https://i.stack.imgur.com/TiQLq.jpg)", "want to include these diagrams as well as explanations (text material) for the", "final package. I want it to look organized in the format of an", "I want to present, as well as the name of the chord/scale/etc. You", "an e-book for sure, just so you know, and I want to include", "as well as the name of the chord/scale/etc. You can see what I", "also want to know how to include these into my book. It will", "that does this? I really don't want to do this by hand or", "these into my book. It will be an e-book for sure, just so", "of the guitar and the locations of the notes I want to present,", "the chord/scale/etc. You can see what I mean in the picture below: [![Example", "want to know how to include these into my book. It will be", "It will be an e-book for sure, just so you know, and I", "the final package. I want it to look organized in the format of", "because that would take way too long. I also want to know how", "to do this by hand or some makeshift method because that would take", "include these into my book. It will be an e-book for sure, just", "too long. I also want to know how to include these into my", "seen these diagrams in books. They display the strings of the guitar and", "I also want to know how to include these into my book. It", "the name of the chord/scale/etc. You can see what I mean in the", "the notes I want to present, as well as the name of the", "will be an e-book for sure, just so you know, and I want", "know how to include these into my book. It will be an e-book", "strings of the guitar and the locations of the notes I want to", "I want to include these diagrams as well as explanations (text material) for", "a specific tool or maybe software that does this? I really don't want", "and the locations of the notes I want to present, as well as", "these diagrams as well as explanations (text material) for the final package. I", "or maybe software that does this? I really don't want to do this", "just so you know, and I want to include these diagrams as well", "the strings of the guitar and the locations of the notes I want", "(text material) for the final package. I want it to look organized in", "of the chord/scale/etc. You can see what I mean in the picture below:", "these diagrams in books. They display the strings of the guitar and the", "the guitar and the locations of the notes I want to present, as", "present, as well as the name of the chord/scale/etc. You can see what", "take way too long. I also want to know how to include these", "my book. It will be an e-book for sure, just so you know,", "sure, just so you know, and I want to include these diagrams as", "to know how to include these into my book. It will be an", "tool or maybe software that does this? I really don't want to do", "I have seen these diagrams in books. They display the strings of the", "to include these diagrams as well as explanations (text material) for the final", "picture below: [![Example photo](https://i.stack.imgur.com/TiQLq.jpg)](https://i.stack.imgur.com/TiQLq.jpg) Is there a specific tool or maybe software that", "They display the strings of the guitar and the locations of the notes", "the picture below: [![Example photo](https://i.stack.imgur.com/TiQLq.jpg)](https://i.stack.imgur.com/TiQLq.jpg) Is there a specific tool or maybe software", "locations of the notes I want to present, as well as the name", "books. They display the strings of the guitar and the locations of the", "how to include these into my book. It will be an e-book for", "notes I want to present, as well as the name of the chord/scale/etc.", "maybe software that does this? I really don't want to do this by", "for the final package. I want it to look organized in the format", "You can see what I mean in the picture below: [![Example photo](https://i.stack.imgur.com/TiQLq.jpg)](https://i.stack.imgur.com/TiQLq.jpg) Is", "Is there a specific tool or maybe software that does this? I really", "[![Example photo](https://i.stack.imgur.com/TiQLq.jpg)](https://i.stack.imgur.com/TiQLq.jpg) Is there a specific tool or maybe software that does this?", "name of the chord/scale/etc. You can see what I mean in the picture", "makeshift method because that would take way too long. I also want to", "in the picture below: [![Example photo](https://i.stack.imgur.com/TiQLq.jpg)](https://i.stack.imgur.com/TiQLq.jpg) Is there a specific tool or maybe", "as explanations (text material) for the final package. I want it to look", "can see what I mean in the picture below: [![Example photo](https://i.stack.imgur.com/TiQLq.jpg)](https://i.stack.imgur.com/TiQLq.jpg) Is there", "mean in the picture below: [![Example photo](https://i.stack.imgur.com/TiQLq.jpg)](https://i.stack.imgur.com/TiQLq.jpg) Is there a specific tool or", "below: [![Example photo](https://i.stack.imgur.com/TiQLq.jpg)](https://i.stack.imgur.com/TiQLq.jpg) Is there a specific tool or maybe software that does", "hand or some makeshift method because that would take way too long. I", "by hand or some makeshift method because that would take way too long.", "have seen these diagrams in books. They display the strings of the guitar", "want to present, as well as the name of the chord/scale/etc. You can", "as well as explanations (text material) for the final package. I want it", "e-book for sure, just so you know, and I want to include these", "the locations of the notes I want to present, as well as the", "this? I really don't want to do this by hand or some makeshift", "so you know, and I want to include these diagrams as well as", "into my book. It will be an e-book for sure, just so you", "well as explanations (text material) for the final package. I want it to", "I really don't want to do this by hand or some makeshift method", "to present, as well as the name of the chord/scale/etc. You can see" ]
[ "step-list: 1. You introduce a character who is likable. 2. (optional)Keep him around", "who is likable. 2. (optional)Keep him around for a while 3. Kill him/her", "that an innocent and powerless character is destined to be brutally murdered, and", "old sports. I guess we all know the spiel with this one, but", "don't saw it coming. We all know, that an innocent and powerless character", "this handy-dandy step-list: 1. You introduce a character who is likable. 2. (optional)Keep", "organs. 4. ??? 5. [Profit](https://en.wikipedia.org/wiki/George_R._R._Martin) However, old sports, this trope was used by", "a while 3. Kill him/her off horrifyingly, and have the murderer [bathe](https://en.wikipedia.org/wiki/Tiszaeszl%C3%A1r_affair#Origin_of_the_accusation) [in", "you anyway, using this handy-dandy step-list: 1. You introduce a character who is", "blood (maybe literally)](https://en.wikipedia.org/wiki/Elizabeth_B%C3%A1thory) and organs. 4. ??? 5. [Profit](https://en.wikipedia.org/wiki/George_R._R._Martin) However, old sports, this", "innocent and powerless character is destined to be brutally murdered, and so, the", "would happen. But I want to kill off characters for the drama. **So,", "we all know the spiel with this one, but I tell you anyway,", "character is destined to be brutally murdered, and so, the **readers will be", "trope was used by too many writers and/or too many times for anyone", "and have the murderer [bathe](https://en.wikipedia.org/wiki/Tiszaeszl%C3%A1r_affair#Origin_of_the_accusation) [in his/her blood (maybe literally)](https://en.wikipedia.org/wiki/Elizabeth_B%C3%A1thory) and organs. 4.", "around for a while 3. Kill him/her off horrifyingly, and have the murderer", "murderer [bathe](https://en.wikipedia.org/wiki/Tiszaeszl%C3%A1r_affair#Origin_of_the_accusation) [in his/her blood (maybe literally)](https://en.wikipedia.org/wiki/Elizabeth_B%C3%A1thory) and organs. 4. ??? 5. [Profit](https://en.wikipedia.org/wiki/George_R._R._Martin)", "times for anyone to take it seriously, or don't saw it coming. We", "the murderer [bathe](https://en.wikipedia.org/wiki/Tiszaeszl%C3%A1r_affair#Origin_of_the_accusation) [in his/her blood (maybe literally)](https://en.wikipedia.org/wiki/Elizabeth_B%C3%A1thory) and organs. 4. ??? 5.", "all know the spiel with this one, but I tell you anyway, using", "**readers will be too distanced** to feel sorry because they knew, this would", "with this one, but I tell you anyway, using this handy-dandy step-list: 1.", "many writers and/or too many times for anyone to take it seriously, or", "hello there, old sports. I guess we all know the spiel with this", "his/her blood (maybe literally)](https://en.wikipedia.org/wiki/Elizabeth_B%C3%A1thory) and organs. 4. ??? 5. [Profit](https://en.wikipedia.org/wiki/George_R._R._Martin) However, old sports,", "the spiel with this one, but I tell you anyway, using this handy-dandy", "for anyone to take it seriously, or don't saw it coming. We all", "saw it coming. We all know, that an innocent and powerless character is", "because they knew, this would happen. But I want to kill off characters", "him around for a while 3. Kill him/her off horrifyingly, and have the", "likable. 2. (optional)Keep him around for a while 3. Kill him/her off horrifyingly,", "destined to be brutally murdered, and so, the **readers will be too distanced**", "while 3. Kill him/her off horrifyingly, and have the murderer [bathe](https://en.wikipedia.org/wiki/Tiszaeszl%C3%A1r_affair#Origin_of_the_accusation) [in his/her", "off horrifyingly, and have the murderer [bathe](https://en.wikipedia.org/wiki/Tiszaeszl%C3%A1r_affair#Origin_of_the_accusation) [in his/her blood (maybe literally)](https://en.wikipedia.org/wiki/Elizabeth_B%C3%A1thory) and", "[bathe](https://en.wikipedia.org/wiki/Tiszaeszl%C3%A1r_affair#Origin_of_the_accusation) [in his/her blood (maybe literally)](https://en.wikipedia.org/wiki/Elizabeth_B%C3%A1thory) and organs. 4. ??? 5. [Profit](https://en.wikipedia.org/wiki/George_R._R._Martin) However,", "or don't saw it coming. We all know, that an innocent and powerless", "to kill off characters for the drama. **So, how to do this trope", "Why hello there, old sports. I guess we all know the spiel with", "feel sorry because they knew, this would happen. But I want to kill", "it seriously, or don't saw it coming. We all know, that an innocent", "tell you anyway, using this handy-dandy step-list: 1. You introduce a character who", "We all know, that an innocent and powerless character is destined to be", "You introduce a character who is likable. 2. (optional)Keep him around for a", "so, the **readers will be too distanced** to feel sorry because they knew,", "anyone to take it seriously, or don't saw it coming. We all know,", "take it seriously, or don't saw it coming. We all know, that an", "know the spiel with this one, but I tell you anyway, using this", "by too many writers and/or too many times for anyone to take it", "1. You introduce a character who is likable. 2. (optional)Keep him around for", "and/or too many times for anyone to take it seriously, or don't saw", "sports. I guess we all know the spiel with this one, but I", "literally)](https://en.wikipedia.org/wiki/Elizabeth_B%C3%A1thory) and organs. 4. ??? 5. [Profit](https://en.wikipedia.org/wiki/George_R._R._Martin) However, old sports, this trope was", "used by too many writers and/or too many times for anyone to take", "horrifyingly, and have the murderer [bathe](https://en.wikipedia.org/wiki/Tiszaeszl%C3%A1r_affair#Origin_of_the_accusation) [in his/her blood (maybe literally)](https://en.wikipedia.org/wiki/Elizabeth_B%C3%A1thory) and organs.", "many times for anyone to take it seriously, or don't saw it coming.", "5. [Profit](https://en.wikipedia.org/wiki/George_R._R._Martin) However, old sports, this trope was used by too many writers", "character who is likable. 2. (optional)Keep him around for a while 3. Kill", "old sports, this trope was used by too many writers and/or too many", "happen. But I want to kill off characters for the drama. **So, how", "3. Kill him/her off horrifyingly, and have the murderer [bathe](https://en.wikipedia.org/wiki/Tiszaeszl%C3%A1r_affair#Origin_of_the_accusation) [in his/her blood", "However, old sports, this trope was used by too many writers and/or too", "writers and/or too many times for anyone to take it seriously, or don't", "2. (optional)Keep him around for a while 3. Kill him/her off horrifyingly, and", "murdered, and so, the **readers will be too distanced** to feel sorry because", "want to kill off characters for the drama. **So, how to do this", "him/her off horrifyingly, and have the murderer [bathe](https://en.wikipedia.org/wiki/Tiszaeszl%C3%A1r_affair#Origin_of_the_accusation) [in his/her blood (maybe literally)](https://en.wikipedia.org/wiki/Elizabeth_B%C3%A1thory)", "seriously, or don't saw it coming. We all know, that an innocent and", "this would happen. But I want to kill off characters for the drama.", "(maybe literally)](https://en.wikipedia.org/wiki/Elizabeth_B%C3%A1thory) and organs. 4. ??? 5. [Profit](https://en.wikipedia.org/wiki/George_R._R._Martin) However, old sports, this trope", "one, but I tell you anyway, using this handy-dandy step-list: 1. You introduce", "powerless character is destined to be brutally murdered, and so, the **readers will", "Kill him/her off horrifyingly, and have the murderer [bathe](https://en.wikipedia.org/wiki/Tiszaeszl%C3%A1r_affair#Origin_of_the_accusation) [in his/her blood (maybe", "guess we all know the spiel with this one, but I tell you", "I tell you anyway, using this handy-dandy step-list: 1. You introduce a character", "[Profit](https://en.wikipedia.org/wiki/George_R._R._Martin) However, old sports, this trope was used by too many writers and/or", "this one, but I tell you anyway, using this handy-dandy step-list: 1. You", "But I want to kill off characters for the drama. **So, how to", "and so, the **readers will be too distanced** to feel sorry because they", "sports, this trope was used by too many writers and/or too many times", "all know, that an innocent and powerless character is destined to be brutally", "[in his/her blood (maybe literally)](https://en.wikipedia.org/wiki/Elizabeth_B%C3%A1thory) and organs. 4. ??? 5. [Profit](https://en.wikipedia.org/wiki/George_R._R._Martin) However, old", "and organs. 4. ??? 5. [Profit](https://en.wikipedia.org/wiki/George_R._R._Martin) However, old sports, this trope was used", "distanced** to feel sorry because they knew, this would happen. But I want", "this trope was used by too many writers and/or too many times for", "to be brutally murdered, and so, the **readers will be too distanced** to", "kill off characters for the drama. **So, how to do this trope \"right\"?**", "will be too distanced** to feel sorry because they knew, this would happen.", "for a while 3. Kill him/her off horrifyingly, and have the murderer [bathe](https://en.wikipedia.org/wiki/Tiszaeszl%C3%A1r_affair#Origin_of_the_accusation)", "too distanced** to feel sorry because they knew, this would happen. But I", "to take it seriously, or don't saw it coming. We all know, that", "to feel sorry because they knew, this would happen. But I want to", "too many writers and/or too many times for anyone to take it seriously,", "it coming. We all know, that an innocent and powerless character is destined", "knew, this would happen. But I want to kill off characters for the", "(optional)Keep him around for a while 3. Kill him/her off horrifyingly, and have", "but I tell you anyway, using this handy-dandy step-list: 1. You introduce a", "handy-dandy step-list: 1. You introduce a character who is likable. 2. (optional)Keep him", "I guess we all know the spiel with this one, but I tell", "too many times for anyone to take it seriously, or don't saw it", "know, that an innocent and powerless character is destined to be brutally murdered,", "introduce a character who is likable. 2. (optional)Keep him around for a while", "using this handy-dandy step-list: 1. You introduce a character who is likable. 2.", "the **readers will be too distanced** to feel sorry because they knew, this", "was used by too many writers and/or too many times for anyone to", "??? 5. [Profit](https://en.wikipedia.org/wiki/George_R._R._Martin) However, old sports, this trope was used by too many", "there, old sports. I guess we all know the spiel with this one,", "is destined to be brutally murdered, and so, the **readers will be too", "spiel with this one, but I tell you anyway, using this handy-dandy step-list:", "be brutally murdered, and so, the **readers will be too distanced** to feel", "is likable. 2. (optional)Keep him around for a while 3. Kill him/her off", "brutally murdered, and so, the **readers will be too distanced** to feel sorry", "have the murderer [bathe](https://en.wikipedia.org/wiki/Tiszaeszl%C3%A1r_affair#Origin_of_the_accusation) [in his/her blood (maybe literally)](https://en.wikipedia.org/wiki/Elizabeth_B%C3%A1thory) and organs. 4. ???", "an innocent and powerless character is destined to be brutally murdered, and so,", "sorry because they knew, this would happen. But I want to kill off", "they knew, this would happen. But I want to kill off characters for", "be too distanced** to feel sorry because they knew, this would happen. But", "and powerless character is destined to be brutally murdered, and so, the **readers", "4. ??? 5. [Profit](https://en.wikipedia.org/wiki/George_R._R._Martin) However, old sports, this trope was used by too", "anyway, using this handy-dandy step-list: 1. You introduce a character who is likable.", "I want to kill off characters for the drama. **So, how to do", "a character who is likable. 2. (optional)Keep him around for a while 3.", "coming. We all know, that an innocent and powerless character is destined to" ]
[ "to \"present\" my antagonist until near the end of the first novel. Instead", "separated throughout the story. I have been writing the chapters as multiple POV's", "point 1 above) I want her to be feared tremendously, with an air", "am I being too hard on myself? And Am I being completely crazy", "I want her to be feared tremendously, with an air of mystery what", "another character into doing her bidding as the world she wants to take", "really that have pretty much stopped me writing anything decent for a few", "of the first novel. Instead she tricks another character into doing her bidding", "first novel. Instead she tricks another character into doing her bidding as the", "death at this stage or am I being too hard on myself? And", "will span over a few books because there is so much to tell.", "me although they are not linked together by the antagonist but will turn", "so many other stories: She wants to destroy the institution for what happened", "the MCs will ironically share this passion to destroy the status quo, or", "she wants to take control of is protected from her, but only for", "she can run it better. 2) This is the \"In over my head\"", "to attempt multiple POVs on my first novel? If anyone has any advice", "I think revenge has just been done to death at this stage or", "suddenly realised my antagonist's goals started to feel flat and boring. (See point", "goal less than intriguing and if I'm honest very samey and cliché in", "what happened to her as a child as payback. Now, one of the", "the corner of my brain somewhere but I think revenge has just been", "on my first novel? If anyone has any advice I'd really appreciate it.", "two years, writing bits here and there, it's like I owe it to", "point where I suddenly realised my antagonist's goals started to feel flat and", "or am I being too hard on myself? And Am I being completely", "writing bits here and there, it's like I owe it to the book", "although they are not linked together by the antagonist but will turn out", "of the MCs will ironically share this passion to destroy the status quo,", "that I've been mulling this over for over two years, writing bits here", "no experience with writing apart from trawling the internet for advice and articles.", "the first novel. Instead she tricks another character into doing her bidding as", "my first novel? If anyone has any advice I'd really appreciate it. Thank", "to take full control of a state that has wronged her so she", "think I can write it any other way other than using multiple POVs.", "I can write it any other way other than using multiple POVs. It", "if this is ridiculous to try and manage for my first ever book?", "as I write I'm finding the antagonist's story goal less than intriguing and", "has wronged her so she can run it better. 2) This is the", "but there are at least five to six other characters that are or", "for my first ever book? I have no prior writing experience but now", "novel? If anyone has any advice I'd really appreciate it. Thank you very", "boring. (See point 1 above) I want her to be feared tremendously, with", "she goes through herself so I think that's a decent link there. However,", "tremendously, with an air of mystery what with not been seen in years", "advice and articles. 1) I feel my story will span over a few", "on myself? And Am I being completely crazy to attempt multiple POVs on", "wronged her so she can run it better. 2) This is the \"In", "be. So I suppose my two questions boil down to: Is there possibly", "state that has wronged her so she can run it better. 2) This", "have no prior writing experience but now that I've been mulling this over", "However, the antag has to murder the last living heir in order to", "few books because there is so much to tell. So I don't really", "much stopped me writing anything decent for a few weeks. I'm on my", "weeks. I'm on my first ever novel and have no experience with writing", "I don't really want to \"present\" my antagonist until near the end of", "the end of the first novel. Instead she tricks another character into doing", "linked together. This seems like a good sign to me although they are", "her so she can run it better. 2) This is the \"In over", "be working fine up until the point where I suddenly realised my antagonist's", "realised my antagonist's goals started to feel flat and boring. (See point 1", "my head\" part: I have a good few characters who are geographically separated", "the story. I have been writing the chapters as multiple POV's (Every chapter", "chapter sees a diff POV - like GRRMartin) I'm just wondering if this", "And Am I being completely crazy to attempt multiple POVs on my first", "a few weeks. I'm on my first ever novel and have no experience", "so I think that's a decent link there. However, the antag has to", "quo, or at least part of it after what she goes through herself", "I have no prior writing experience but now that I've been mulling this", "to spice up my antagonist's goal? I have her backstory tucked away in", "a good few characters who are geographically separated throughout the story. I have", "run it better. 2) This is the \"In over my head\" part: I", "what with not been seen in years etc. and I don't want to", "least five to six other characters that are or will be linked together.", "have been writing the chapters as multiple POV's (Every chapter sees a diff", "antagonist but will turn out to be. So I suppose my two questions", "throughout the story. I have been writing the chapters as multiple POV's (Every", "mulling this over for over two years, writing bits here and there, it's", "etc but there are at least five to six other characters that are", "have no experience with writing apart from trawling the internet for advice and", "2) This is the \"In over my head\" part: I have a good", "I owe it to the book and myself to finish it now. There's", "(See point 1 above) I want her to be feared tremendously, with an", "two questions boil down to: Is there possibly a way to spice up", "are at least five to six other characters that are or will be", "is so much to tell. So I don't really want to \"present\" my", "started to feel flat and boring. (See point 1 above) I want her", "together by the antagonist but will turn out to be. So I suppose", "to be working fine up until the point where I suddenly realised my", "write her POV as to give away what she is thinking etc but", "completely crazy to attempt multiple POVs on my first novel? If anyone has", "above) I want her to be feared tremendously, with an air of mystery", "write it any other way other than using multiple POVs. It seems to", "my first ever novel and have no experience with writing apart from trawling", "turn out to be. So I suppose my two questions boil down to:", "to try and manage for my first ever book? I have no prior", "her POV as to give away what she is thinking etc but there", "anyone with great wisdom can help me... I have 2 problems really that", "as payback. Now, one of the MCs will ironically share this passion to", "my first ever book? I have no prior writing experience but now that", "If anyone has any advice I'd really appreciate it. Thank you very much!!", "into doing her bidding as the world she wants to take control of", "thinking etc but there are at least five to six other characters that", "to feel flat and boring. (See point 1 above) I want her to", "flat and boring. (See point 1 above) I want her to be feared", "for what happened to her as a child as payback. Now, one of", "it after what she goes through herself so I think that's a decent", "her to be feared tremendously, with an air of mystery what with not", "have 2 problems really that have pretty much stopped me writing anything decent", "her as a child as payback. Now, one of the MCs will ironically", "only for now. However, as I write I'm finding the antagonist's story goal", "I have a good few characters who are geographically separated throughout the story.", "institution for what happened to her as a child as payback. Now, one", "take full control of a state that has wronged her so she can", "on my first ever novel and have no experience with writing apart from", "to write her POV as to give away what she is thinking etc", "it. I really don't think I can write it any other way other", "other than using multiple POVs. It seems to be working fine up until", "the chapters as multiple POV's (Every chapter sees a diff POV - like", "writing experience but now that I've been mulling this over for over two", "last living heir in order to take full control of a state that", "character into doing her bidding as the world she wants to take control", "child as payback. Now, one of the MCs will ironically share this passion", "in comparison to so many other stories: She wants to destroy the institution", "first ever novel and have no experience with writing apart from trawling the", "of it after what she goes through herself so I think that's a", "really don't think I can write it any other way other than using", "So I suppose my two questions boil down to: Is there possibly a", "one of the MCs will ironically share this passion to destroy the status", "writing the chapters as multiple POV's (Every chapter sees a diff POV -", "I'm finding the antagonist's story goal less than intriguing and if I'm honest", "it better. 2) This is the \"In over my head\" part: I have", "will be linked together. This seems like a good sign to me although", "comparison to so many other stories: She wants to destroy the institution for", "of a state that has wronged her so she can run it better.", "tucked away in the corner of my brain somewhere but I think revenge", "Now, one of the MCs will ironically share this passion to destroy the", "and cliché in comparison to so many other stories: She wants to destroy", "wants to take control of is protected from her, but only for now.", "Is there possibly a way to spice up my antagonist's goal? I have", "years, writing bits here and there, it's like I owe it to the", "want to \"present\" my antagonist until near the end of the first novel.", "she tricks another character into doing her bidding as the world she wants", "can write it any other way other than using multiple POVs. It seems", "will ironically share this passion to destroy the status quo, or at least", "POV's (Every chapter sees a diff POV - like GRRMartin) I'm just wondering", "to the book and myself to finish it now. There's no question, I", "share this passion to destroy the status quo, or at least part of", "goals started to feel flat and boring. (See point 1 above) I want", "have her backstory tucked away in the corner of my brain somewhere but", "that are or will be linked together. This seems like a good sign", "through herself so I think that's a decent link there. However, the antag", "but now that I've been mulling this over for over two years, writing", "novel. Instead she tricks another character into doing her bidding as the world", "story. I have been writing the chapters as multiple POV's (Every chapter sees", "for a few weeks. I'm on my first ever novel and have no", "where I suddenly realised my antagonist's goals started to feel flat and boring.", "than intriguing and if I'm honest very samey and cliché in comparison to", "it to the book and myself to finish it now. There's no question,", "I suppose my two questions boil down to: Is there possibly a way", "but only for now. However, as I write I'm finding the antagonist's story", "my antagonist's goals started to feel flat and boring. (See point 1 above)", "cliché in comparison to so many other stories: She wants to destroy the", "a decent link there. However, the antag has to murder the last living", "to be feared tremendously, with an air of mystery what with not been", "is the \"In over my head\" part: I have a good few characters", "spice up my antagonist's goal? I have her backstory tucked away in the", "multiple POVs. It seems to be working fine up until the point where", "intriguing and if I'm honest very samey and cliché in comparison to so", "can run it better. 2) This is the \"In over my head\" part:", "in order to take full control of a state that has wronged her", "great wisdom can help me... I have 2 problems really that have pretty", "a good sign to me although they are not linked together by the", "here and there, it's like I owe it to the book and myself", "seen in years etc. and I don't want to write her POV as", "are not linked together by the antagonist but will turn out to be.", "- like GRRMartin) I'm just wondering if this is ridiculous to try and", "to take control of is protected from her, but only for now. However,", "linked together by the antagonist but will turn out to be. So I", "been writing the chapters as multiple POV's (Every chapter sees a diff POV", "over for over two years, writing bits here and there, it's like I", "there possibly a way to spice up my antagonist's goal? I have her", "link there. However, the antag has to murder the last living heir in", "good sign to me although they are not linked together by the antagonist", "pretty much stopped me writing anything decent for a few weeks. I'm on", "this is ridiculous to try and manage for my first ever book? I", "GRRMartin) I'm just wondering if this is ridiculous to try and manage for", "etc. and I don't want to write her POV as to give away", "myself? And Am I being completely crazy to attempt multiple POVs on my", "up my antagonist's goal? I have her backstory tucked away in the corner", "I'm on my first ever novel and have no experience with writing apart", "with great wisdom can help me... I have 2 problems really that have", "so much to tell. So I don't really want to \"present\" my antagonist", "very samey and cliché in comparison to so many other stories: She wants", "take control of is protected from her, but only for now. However, as", "if anyone with great wisdom can help me... I have 2 problems really", "it now. There's no question, I have to finish it. I really don't", "Am I being completely crazy to attempt multiple POVs on my first novel?", "goal? I have her backstory tucked away in the corner of my brain", "want to write her POV as to give away what she is thinking", "sign to me although they are not linked together by the antagonist but", "few characters who are geographically separated throughout the story. I have been writing", "I think that's a decent link there. However, the antag has to murder", "finish it. I really don't think I can write it any other way", "the point where I suddenly realised my antagonist's goals started to feel flat", "to six other characters that are or will be linked together. This seems", "at least part of it after what she goes through herself so I", "characters that are or will be linked together. This seems like a good", "five to six other characters that are or will be linked together. This", "just been done to death at this stage or am I being too", "been seen in years etc. and I don't want to write her POV", "full control of a state that has wronged her so she can run", "backstory tucked away in the corner of my brain somewhere but I think", "at this stage or am I being too hard on myself? And Am", "really want to \"present\" my antagonist until near the end of the first", "not linked together by the antagonist but will turn out to be. So", "it's like I owe it to the book and myself to finish it", "give away what she is thinking etc but there are at least five", "chapters as multiple POV's (Every chapter sees a diff POV - like GRRMartin)", "book and myself to finish it now. There's no question, I have to", "much to tell. So I don't really want to \"present\" my antagonist until", "antagonist's goals started to feel flat and boring. (See point 1 above) I", "destroy the institution for what happened to her as a child as payback.", "corner of my brain somewhere but I think revenge has just been done", "I being completely crazy to attempt multiple POVs on my first novel? If", "working fine up until the point where I suddenly realised my antagonist's goals", "owe it to the book and myself to finish it now. There's no", "is ridiculous to try and manage for my first ever book? I have", "attempt multiple POVs on my first novel? If anyone has any advice I'd", "the world she wants to take control of is protected from her, but", "other stories: She wants to destroy the institution for what happened to her", "who are geographically separated throughout the story. I have been writing the chapters", "think that's a decent link there. However, the antag has to murder the", "trawling the internet for advice and articles. 1) I feel my story will", "passion to destroy the status quo, or at least part of it after", "anything decent for a few weeks. I'm on my first ever novel and", "POVs. It seems to be working fine up until the point where I", "will turn out to be. So I suppose my two questions boil down", "a few books because there is so much to tell. So I don't", "story will span over a few books because there is so much to", "herself so I think that's a decent link there. However, the antag has", "the antag has to murder the last living heir in order to take", "at least five to six other characters that are or will be linked", "with not been seen in years etc. and I don't want to write", "there are at least five to six other characters that are or will", "her backstory tucked away in the corner of my brain somewhere but I", "decent for a few weeks. I'm on my first ever novel and have", "away what she is thinking etc but there are at least five to", "ever book? I have no prior writing experience but now that I've been", "sees a diff POV - like GRRMartin) I'm just wondering if this is", "being too hard on myself? And Am I being completely crazy to attempt", "murder the last living heir in order to take full control of a", "good few characters who are geographically separated throughout the story. I have been", "this passion to destroy the status quo, or at least part of it", "least part of it after what she goes through herself so I think", "no prior writing experience but now that I've been mulling this over for", "now. There's no question, I have to finish it. I really don't think", "manage for my first ever book? I have no prior writing experience but", "bidding as the world she wants to take control of is protected from", "way to spice up my antagonist's goal? 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I really don't think I can write it any", "write I'm finding the antagonist's story goal less than intriguing and if I'm", "many other stories: She wants to destroy the institution for what happened to", "no question, I have to finish it. I really don't think I can", "hard on myself? And Am I being completely crazy to attempt multiple POVs", "me... I have 2 problems really that have pretty much stopped me writing", "to give away what she is thinking etc but there are at least", "this over for over two years, writing bits here and there, it's like", "and articles. 1) I feel my story will span over a few books", "her bidding as the world she wants to take control of is protected", "the antagonist but will turn out to be. So I suppose my two", "and I don't want to write her POV as to give away what", "characters who are geographically separated throughout the story. I have been writing the", "like I owe it to the book and myself to finish it now.", "2 problems really that have pretty much stopped me writing anything decent for", "any other way other than using multiple POVs. It seems to be working", "antagonist's story goal less than intriguing and if I'm honest very samey and", "can help me... I have 2 problems really that have pretty much stopped", "revenge has just been done to death at this stage or am I", "near the end of the first novel. Instead she tricks another character into", "until the point where I suddenly realised my antagonist's goals started to feel", "a child as payback. Now, one of the MCs will ironically share this", "there, it's like I owe it to the book and myself to finish", "span over a few books because there is so much to tell. So", "as a child as payback. Now, one of the MCs will ironically share", "I'm honest very samey and cliché in comparison to so many other stories:", "my brain somewhere but I think revenge has just been done to death", "up until the point where I suddenly realised my antagonist's goals started to", "to finish it now. There's no question, I have to finish it. I", "This is the \"In over my head\" part: I have a good few", "MCs will ironically share this passion to destroy the status quo, or at", "I write I'm finding the antagonist's story goal less than intriguing and if", "air of mystery what with not been seen in years etc. and I", "over my head\" part: I have a good few characters who are geographically", "to me although they are not linked together by the antagonist but will", "they are not linked together by the antagonist but will turn out to", "or at least part of it after what she goes through herself so", "now that I've been mulling this over for over two years, writing bits", "crazy to attempt multiple POVs on my first novel? If anyone has any", "are geographically separated throughout the story. I have been writing the chapters as", "part of it after what she goes through herself so I think that's", "control of a state that has wronged her so she can run it", "ever novel and have no experience with writing apart from trawling the internet", "to: Is there possibly a way to spice up my antagonist's goal? I", "as multiple POV's (Every chapter sees a diff POV - like GRRMartin) I'm", "question, I have to finish it. I really don't think I can write", "has just been done to death at this stage or am I being", "are or will be linked together. This seems like a good sign to", "apart from trawling the internet for advice and articles. 1) I feel my", "mystery what with not been seen in years etc. and I don't want", "there is so much to tell. So I don't really want to \"present\"", "myself to finish it now. There's no question, I have to finish it.", "if I'm honest very samey and cliché in comparison to so many other", "goes through herself so I think that's a decent link there. However, the", "1 above) I want her to be feared tremendously, with an air of", "questions boil down to: Is there possibly a way to spice up my", "few weeks. I'm on my first ever novel and have no experience with", "seems to be working fine up until the point where I suddenly realised", "geographically separated throughout the story. I have been writing the chapters as multiple", "try and manage for my first ever book? I have no prior writing", "diff POV - like GRRMartin) I'm just wondering if this is ridiculous to", "of my brain somewhere but I think revenge has just been done to", "don't really want to \"present\" my antagonist until near the end of the", "or will be linked together. This seems like a good sign to me", "for over two years, writing bits here and there, it's like I owe", "writing anything decent for a few weeks. I'm on my first ever novel", "first ever book? I have no prior writing experience but now that I've", "in years etc. and I don't want to write her POV as to", "be linked together. This seems like a good sign to me although they", "Wondering if anyone with great wisdom can help me... I have 2 problems", "suppose my two questions boil down to: Is there possibly a way to", "think revenge has just been done to death at this stage or am", "I really don't think I can write it any other way other than", "from her, but only for now. However, as I write I'm finding the", "my antagonist's goal? I have her backstory tucked away in the corner of", "stopped me writing anything decent for a few weeks. I'm on my first", "heir in order to take full control of a state that has wronged", "I being too hard on myself? And Am I being completely crazy to", "boil down to: Is there possibly a way to spice up my antagonist's", "seems like a good sign to me although they are not linked together", "part: I have a good few characters who are geographically separated throughout the", "and if I'm honest very samey and cliché in comparison to so many", "now. However, as I write I'm finding the antagonist's story goal less than", "So I don't really want to \"present\" my antagonist until near the end", "happened to her as a child as payback. Now, one of the MCs", "the \"In over my head\" part: I have a good few characters who", "just wondering if this is ridiculous to try and manage for my first", "prior writing experience but now that I've been mulling this over for over", "has to murder the last living heir in order to take full control", "better. 2) This is the \"In over my head\" part: I have a", "problems really that have pretty much stopped me writing anything decent for a", "She wants to destroy the institution for what happened to her as a", "there. However, the antag has to murder the last living heir in order", "honest very samey and cliché in comparison to so many other stories: She", "I have her backstory tucked away in the corner of my brain somewhere", "down to: Is there possibly a way to spice up my antagonist's goal?", "doing her bidding as the world she wants to take control of is", "want her to be feared tremendously, with an air of mystery what with", "experience with writing apart from trawling the internet for advice and articles. 1)", "destroy the status quo, or at least part of it after what she", "six other characters that are or will be linked together. This seems like", "somewhere but I think revenge has just been done to death at this", "because there is so much to tell. So I don't really want to", "\"present\" my antagonist until near the end of the first novel. Instead she", "writing apart from trawling the internet for advice and articles. 1) I feel", "been done to death at this stage or am I being too hard", "and have no experience with writing apart from trawling the internet for advice", "but will turn out to be. So I suppose my two questions boil", "first novel? If anyone has any advice I'd really appreciate it. Thank you", "It seems to be working fine up until the point where I suddenly", "However, as I write I'm finding the antagonist's story goal less than intriguing", "a way to spice up my antagonist's goal? I have her backstory tucked", "but I think revenge has just been done to death at this stage", "finding the antagonist's story goal less than intriguing and if I'm honest very", "in the corner of my brain somewhere but I think revenge has just", "internet for advice and articles. 1) I feel my story will span over", "what she goes through herself so I think that's a decent link there.", "than using multiple POVs. It seems to be working fine up until the", "I have been writing the chapters as multiple POV's (Every chapter sees a", "to destroy the institution for what happened to her as a child as", "order to take full control of a state that has wronged her so", "antagonist's goal? I have her backstory tucked away in the corner of my", "other characters that are or will be linked together. This seems like a", "less than intriguing and if I'm honest very samey and cliché in comparison", "done to death at this stage or am I being too hard on", "way other than using multiple POVs. It seems to be working fine up", "This seems like a good sign to me although they are not linked", "being completely crazy to attempt multiple POVs on my first novel? If anyone", "POV as to give away what she is thinking etc but there are", "(Every chapter sees a diff POV - like GRRMartin) I'm just wondering if", "and myself to finish it now. There's no question, I have to finish", "I've been mulling this over for over two years, writing bits here and", "not been seen in years etc. and I don't want to write her", "like a good sign to me although they are not linked together by", "and there, it's like I owe it to the book and myself to", "after what she goes through herself so I think that's a decent link", "1) I feel my story will span over a few books because there", "away in the corner of my brain somewhere but I think revenge has", "ironically share this passion to destroy the status quo, or at least part", "to murder the last living heir in order to take full control of", "to destroy the status quo, or at least part of it after what", "Instead she tricks another character into doing her bidding as the world she", "There's no question, I have to finish it. I really don't think I", "don't want to write her POV as to give away what she is", "to be. So I suppose my two questions boil down to: Is there", "my two questions boil down to: Is there possibly a way to spice", "a state that has wronged her so she can run it better. 2)", "novel and have no experience with writing apart from trawling the internet for", "that's a decent link there. However, the antag has to murder the last", "out to be. So I suppose my two questions boil down to: Is", "wisdom can help me... I have 2 problems really that have pretty much", "stage or am I being too hard on myself? And Am I being", "living heir in order to take full control of a state that has", "the internet for advice and articles. 1) I feel my story will span", "tricks another character into doing her bidding as the world she wants to", "together. This seems like a good sign to me although they are not", "like GRRMartin) I'm just wondering if this is ridiculous to try and manage", "antag has to murder the last living heir in order to take full", "multiple POVs on my first novel? If anyone has any advice I'd really", "as to give away what she is thinking etc but there are at", "wants to destroy the institution for what happened to her as a child", "antagonist until near the end of the first novel. Instead she tricks another", "I'm just wondering if this is ridiculous to try and manage for my", "is protected from her, but only for now. However, as I write I'm", "be feared tremendously, with an air of mystery what with not been seen", "to so many other stories: She wants to destroy the institution for what", "is thinking etc but there are at least five to six other characters", "with writing apart from trawling the internet for advice and articles. 1) I", "stories: She wants to destroy the institution for what happened to her as", "I have 2 problems really that have pretty much stopped me writing anything", "the status quo, or at least part of it after what she goes", "samey and cliché in comparison to so many other stories: She wants to", "ridiculous to try and manage for my first ever book? I have no", "story goal less than intriguing and if I'm honest very samey and cliché", "my antagonist until near the end of the first novel. Instead she tricks", "help me... I have 2 problems really that have pretty much stopped me", "my story will span over a few books because there is so much", "have pretty much stopped me writing anything decent for a few weeks. I'm", "from trawling the internet for advice and articles. 1) I feel my story", "payback. Now, one of the MCs will ironically share this passion to destroy", "feel my story will span over a few books because there is so", "control of is protected from her, but only for now. However, as I", "I don't want to write her POV as to give away what she", "wondering if this is ridiculous to try and manage for my first ever", "her, but only for now. However, as I write I'm finding the antagonist's", "decent link there. However, the antag has to murder the last living heir", "books because there is so much to tell. So I don't really want", "I suddenly realised my antagonist's goals started to feel flat and boring. (See", "with an air of mystery what with not been seen in years etc.", "bits here and there, it's like I owe it to the book and", "that have pretty much stopped me writing anything decent for a few weeks.", "tell. So I don't really want to \"present\" my antagonist until near the", "so she can run it better. 2) This is the \"In over my", "for now. However, as I write I'm finding the antagonist's story goal less", "the last living heir in order to take full control of a state", "using multiple POVs. It seems to be working fine up until the point", "I have to finish it. I really don't think I can write it", "feared tremendously, with an air of mystery what with not been seen in", "\"In over my head\" part: I have a good few characters who are", "experience but now that I've been mulling this over for over two years,", "articles. 1) I feel my story will span over a few books because", "what she is thinking etc but there are at least five to six", "by the antagonist but will turn out to be. So I suppose my", "years etc. and I don't want to write her POV as to give", "brain somewhere but I think revenge has just been done to death at", "to tell. So I don't really want to \"present\" my antagonist until near", "the antagonist's story goal less than intriguing and if I'm honest very samey", "other way other than using multiple POVs. It seems to be working fine", "book? I have no prior writing experience but now that I've been mulling", "head\" part: I have a good few characters who are geographically separated throughout", "she is thinking etc but there are at least five to six other", "protected from her, but only for now. However, as I write I'm finding", "until near the end of the first novel. Instead she tricks another character", "and boring. (See point 1 above) I want her to be feared tremendously,", "to finish it. I really don't think I can write it any other", "don't think I can write it any other way other than using multiple", "and manage for my first ever book? I have no prior writing experience", "as the world she wants to take control of is protected from her,", "the institution for what happened to her as a child as payback. Now,", "over two years, writing bits here and there, it's like I owe it", "have a good few characters who are geographically separated throughout the story. I", "of mystery what with not been seen in years etc. and I don't", "POV - like GRRMartin) I'm just wondering if this is ridiculous to try", "this stage or am I being too hard on myself? And Am I", "it any other way other than using multiple POVs. It seems to be", "too hard on myself? And Am I being completely crazy to attempt multiple", "I feel my story will span over a few books because there is", "fine up until the point where I suddenly realised my antagonist's goals started", "possibly a way to spice up my antagonist's goal? I have her backstory", "a diff POV - like GRRMartin) I'm just wondering if this is ridiculous", "end of the first novel. Instead she tricks another character into doing her", "of is protected from her, but only for now. However, as I write", "for advice and articles. 1) I feel my story will span over a" ]
[ "have no idea what to write for this certain chapter in my book,", "don't have any way for him to betray his friend. What steps do", "that the character somehow betrays another, resulting in him being kicked out of", "but I don't have any way for him to betray his friend. What", "resulting in him being kicked out of the house, but I don't have", "book, and I don't know how to plot it out. I have a", "way for him to betray his friend. What steps do I need to", "certain chapter in my book, and I don't know how to plot it", "idea what to write for this certain chapter in my book, and I", "I have a general idea that the character somehow betrays another, resulting in", "to write for this certain chapter in my book, and I don't know", "in him being kicked out of the house, but I don't have any", "the house, but I don't have any way for him to betray his", "of the house, but I don't have any way for him to betray", "this certain chapter in my book, and I don't know how to plot", "what to write for this certain chapter in my book, and I don't", "friend. What steps do I need to take in order to have my", "no idea what to write for this certain chapter in my book, and", "betrays another, resulting in him being kicked out of the house, but I", "I have no idea what to write for this certain chapter in my", "out. I have a general idea that the character somehow betrays another, resulting", "a general idea that the character somehow betrays another, resulting in him being", "steps do I need to take in order to have my story plotted", "betray his friend. What steps do I need to take in order to", "the character somehow betrays another, resulting in him being kicked out of the", "write for this certain chapter in my book, and I don't know how", "another, resulting in him being kicked out of the house, but I don't", "for this certain chapter in my book, and I don't know how to", "plot it out. I have a general idea that the character somehow betrays", "general idea that the character somehow betrays another, resulting in him being kicked", "kicked out of the house, but I don't have any way for him", "to betray his friend. What steps do I need to take in order", "know how to plot it out. I have a general idea that the", "idea that the character somehow betrays another, resulting in him being kicked out", "any way for him to betray his friend. What steps do I need", "What steps do I need to take in order to have my story", "I don't know how to plot it out. I have a general idea", "out of the house, but I don't have any way for him to", "being kicked out of the house, but I don't have any way for", "character somehow betrays another, resulting in him being kicked out of the house,", "don't know how to plot it out. I have a general idea that", "it out. I have a general idea that the character somehow betrays another,", "to plot it out. I have a general idea that the character somehow", "house, but I don't have any way for him to betray his friend.", "I don't have any way for him to betray his friend. What steps", "him being kicked out of the house, but I don't have any way", "chapter in my book, and I don't know how to plot it out.", "do I need to take in order to have my story plotted out?", "and I don't know how to plot it out. I have a general", "have a general idea that the character somehow betrays another, resulting in him", "him to betray his friend. What steps do I need to take in", "somehow betrays another, resulting in him being kicked out of the house, but", "in my book, and I don't know how to plot it out. I", "how to plot it out. I have a general idea that the character", "have any way for him to betray his friend. What steps do I", "his friend. What steps do I need to take in order to have", "my book, and I don't know how to plot it out. I have", "for him to betray his friend. What steps do I need to take" ]
[ "\"I smiled. I ate. I spoke. I listened. I left.\" Now naturally, the", "like how she is numb. That said, I have a couple of concerns", "at: \"I smiled. I ate. I spoke. I listened. I left.\" Now naturally,", "the first person from her point of view, and I have found myself", "it's appropriate. I like the complete lack of feeling, devoid of description or", "flow like speaking does, and this goes against that. I don't know if", "know if this kind of thing is done. Maybe my writing immaturity is", "short, concise sentences when she is depressed and longer, more descriptive, flowier emotional", "them complex people with complex emotions and motivations. One of my characters is", "concise sentences when she is depressed and longer, more descriptive, flowier emotional ones", "she is numb. That said, I have a couple of concerns about this", "these times as a chance to say a bit more about how she", "depth. Making them complex people with complex emotions and motivations. One of my", "be awkward, uncomfortable to read. - I feel like I may be missing", "general to write sentences purposely devoid of detail? Is this something I should", "more. I could be using these times as a chance to say a", "For example, a party she went to that she didn't want to be", "and I have found myself writing very short, concise sentences when she is", "flowier emotional ones when she relaxes. For example, a party she went to", "may be missing out on opportunities to elaborate and develop her more. I", "descriptive, flowier emotional ones when she relaxes. For example, a party she went", "does flow, however there are situations where I feel like it's appropriate. I", "goes against that. I don't know if this kind of thing is done.", "considered a bad idea in general to write sentences purposely devoid of detail?", "That said, I have a couple of concerns about this technique. - it", "feel like it's appropriate. I like the complete lack of feeling, devoid of", "- I read on another answer that writing should flow like speaking does,", "complex emotions and motivations. One of my characters is depressed. She's going through", "showing here. Is this technique used by writers, or is it generally considered", "flow, however there are situations where I feel like it's appropriate. I like", "been focusing recently on giving my characters depth. Making them complex people with", "can be awkward, uncomfortable to read. - I feel like I may be", "I have been focusing recently on giving my characters depth. Making them complex", "as a chance to say a bit more about how she feels. -", "a bit more about how she feels. - I read on another answer", "here. Is this technique used by writers, or is it generally considered a", "this technique used by writers, or is it generally considered a bad idea", "answer that writing should flow like speaking does, and this goes against that.", "sentences purposely devoid of detail? Is this something I should put aside until", "I listened. I left.\" Now naturally, the entire book isn't like this. The", "devoid of description or emotion, just like how she is numb. That said,", "depressed and longer, more descriptive, flowier emotional ones when she relaxes. For example,", "ate. I spoke. I listened. I left.\" Now naturally, the entire book isn't", "emotions and motivations. One of my characters is depressed. She's going through a", "couple of concerns about this technique. - it may be jarring to the", "missing out on opportunities to elaborate and develop her more. I could be", "I don't know if this kind of thing is done. Maybe my writing", "against that. I don't know if this kind of thing is done. Maybe", "of view, and I have found myself writing very short, concise sentences when", "say a bit more about how she feels. - I read on another", "is feeling pretty numb and disenchanted with the world. I write in the", "this technique. - it may be jarring to the reader. It can be", "my writing immaturity is showing here. Is this technique used by writers, or", "write sentences purposely devoid of detail? Is this something I should put aside", "read. - I feel like I may be missing out on opportunities to", "spoke. I listened. I left.\" Now naturally, the entire book isn't like this.", "this kind of thing is done. Maybe my writing immaturity is showing here.", "of description or emotion, just like how she is numb. That said, I", "uncomfortable to read. - I feel like I may be missing out on", "I read on another answer that writing should flow like speaking does, and", "her point of view, and I have found myself writing very short, concise", "to that she didn't want to be at: \"I smiled. I ate. I", "I left.\" Now naturally, the entire book isn't like this. The rest does", "done. Maybe my writing immaturity is showing here. Is this technique used by", "She's going through a tough time and is feeling pretty numb and disenchanted", "a tough time and is feeling pretty numb and disenchanted with the world.", "want to be at: \"I smiled. I ate. I spoke. I listened. I", "read on another answer that writing should flow like speaking does, and this", "is it generally considered a bad idea in general to write sentences purposely", "her more. I could be using these times as a chance to say", "should flow like speaking does, and this goes against that. I don't know", "concerns about this technique. - it may be jarring to the reader. It", "jarring to the reader. It can be awkward, uncomfortable to read. - I", "to read. - I feel like I may be missing out on opportunities", "smiled. I ate. I spoke. I listened. I left.\" Now naturally, the entire", "of thing is done. Maybe my writing immaturity is showing here. Is this", "aside until I'm more experienced and know better how to break the rules?", "another answer that writing should flow like speaking does, and this goes against", "party she went to that she didn't want to be at: \"I smiled.", "I have a couple of concerns about this technique. - it may be", "emotion, just like how she is numb. That said, I have a couple", "is numb. That said, I have a couple of concerns about this technique.", "detail? Is this something I should put aside until I'm more experienced and", "bit more about how she feels. - I read on another answer that", "the complete lack of feeling, devoid of description or emotion, just like how", "be at: \"I smiled. I ate. I spoke. I listened. I left.\" Now", "writing immaturity is showing here. Is this technique used by writers, or is", "have been focusing recently on giving my characters depth. Making them complex people", "Is this technique used by writers, or is it generally considered a bad", "reader. It can be awkward, uncomfortable to read. - I feel like I", "a chance to say a bit more about how she feels. - I", "times as a chance to say a bit more about how she feels.", "like this. The rest does flow, however there are situations where I feel", "feel like I may be missing out on opportunities to elaborate and develop", "that. I don't know if this kind of thing is done. Maybe my", "sentences when she is depressed and longer, more descriptive, flowier emotional ones when", "idea in general to write sentences purposely devoid of detail? Is this something", "entire book isn't like this. The rest does flow, however there are situations", "One of my characters is depressed. She's going through a tough time and", "and disenchanted with the world. I write in the first person from her", "Now naturally, the entire book isn't like this. The rest does flow, however", "the entire book isn't like this. The rest does flow, however there are", "The rest does flow, however there are situations where I feel like it's", "I like the complete lack of feeling, devoid of description or emotion, just", "numb. That said, I have a couple of concerns about this technique. -", "writers, or is it generally considered a bad idea in general to write", "isn't like this. The rest does flow, however there are situations where I", "it generally considered a bad idea in general to write sentences purposely devoid", "like the complete lack of feeling, devoid of description or emotion, just like", "didn't want to be at: \"I smiled. I ate. I spoke. I listened.", "and this goes against that. I don't know if this kind of thing", "feels. - I read on another answer that writing should flow like speaking", "world. I write in the first person from her point of view, and", "recently on giving my characters depth. Making them complex people with complex emotions", "person from her point of view, and I have found myself writing very", "more descriptive, flowier emotional ones when she relaxes. For example, a party she", "like speaking does, and this goes against that. I don't know if this", "put aside until I'm more experienced and know better how to break the", "It can be awkward, uncomfortable to read. - I feel like I may", "I feel like it's appropriate. I like the complete lack of feeling, devoid", "point of view, and I have found myself writing very short, concise sentences", "where I feel like it's appropriate. I like the complete lack of feeling,", "rest does flow, however there are situations where I feel like it's appropriate.", "depressed. She's going through a tough time and is feeling pretty numb and", "the reader. It can be awkward, uncomfortable to read. - I feel like", "I spoke. I listened. I left.\" Now naturally, the entire book isn't like", "naturally, the entire book isn't like this. The rest does flow, however there", "this something I should put aside until I'm more experienced and know better", "when she is depressed and longer, more descriptive, flowier emotional ones when she", "is done. Maybe my writing immaturity is showing here. Is this technique used", "like it's appropriate. I like the complete lack of feeling, devoid of description", "and motivations. One of my characters is depressed. She's going through a tough", "through a tough time and is feeling pretty numb and disenchanted with the", "ones when she relaxes. For example, a party she went to that she", "I could be using these times as a chance to say a bit", "more about how she feels. - I read on another answer that writing", "how she feels. - I read on another answer that writing should flow", "she feels. - I read on another answer that writing should flow like", "like I may be missing out on opportunities to elaborate and develop her", "motivations. One of my characters is depressed. She's going through a tough time", "does, and this goes against that. I don't know if this kind of", "she went to that she didn't want to be at: \"I smiled. I", "elaborate and develop her more. I could be using these times as a", "speaking does, and this goes against that. I don't know if this kind", "devoid of detail? Is this something I should put aside until I'm more", "feeling pretty numb and disenchanted with the world. I write in the first", "beginner writer. I have been focusing recently on giving my characters depth. Making", "generally considered a bad idea in general to write sentences purposely devoid of", "have found myself writing very short, concise sentences when she is depressed and", "technique. - it may be jarring to the reader. It can be awkward,", "opportunities to elaborate and develop her more. I could be using these times", "I have found myself writing very short, concise sentences when she is depressed", "feeling, devoid of description or emotion, just like how she is numb. That", "emotional ones when she relaxes. For example, a party she went to that", "it may be jarring to the reader. It can be awkward, uncomfortable to", "Maybe my writing immaturity is showing here. Is this technique used by writers,", "when she relaxes. For example, a party she went to that she didn't", "be missing out on opportunities to elaborate and develop her more. I could", "and develop her more. I could be using these times as a chance", "writer. I have been focusing recently on giving my characters depth. Making them", "is showing here. Is this technique used by writers, or is it generally", "this goes against that. I don't know if this kind of thing is", "technique used by writers, or is it generally considered a bad idea in", "by writers, or is it generally considered a bad idea in general to", "of my characters is depressed. She's going through a tough time and is", "in general to write sentences purposely devoid of detail? Is this something I", "to write sentences purposely devoid of detail? Is this something I should put", "going through a tough time and is feeling pretty numb and disenchanted with", "book isn't like this. The rest does flow, however there are situations where", "to say a bit more about how she feels. - I read on", "I'm a beginner writer. I have been focusing recently on giving my characters", "relaxes. For example, a party she went to that she didn't want to", "situations where I feel like it's appropriate. I like the complete lack of", "- it may be jarring to the reader. It can be awkward, uncomfortable", "to the reader. It can be awkward, uncomfortable to read. - I feel", "she didn't want to be at: \"I smiled. I ate. I spoke. I", "she is depressed and longer, more descriptive, flowier emotional ones when she relaxes.", "how she is numb. That said, I have a couple of concerns about", "chance to say a bit more about how she feels. - I read", "Making them complex people with complex emotions and motivations. One of my characters", "my characters is depressed. She's going through a tough time and is feeling", "this. The rest does flow, however there are situations where I feel like", "of concerns about this technique. - it may be jarring to the reader.", "- I feel like I may be missing out on opportunities to elaborate", "in the first person from her point of view, and I have found", "should put aside until I'm more experienced and know better how to break", "giving my characters depth. Making them complex people with complex emotions and motivations.", "myself writing very short, concise sentences when she is depressed and longer, more", "went to that she didn't want to be at: \"I smiled. I ate.", "out on opportunities to elaborate and develop her more. I could be using", "I ate. I spoke. I listened. I left.\" Now naturally, the entire book", "thing is done. Maybe my writing immaturity is showing here. Is this technique", "writing very short, concise sentences when she is depressed and longer, more descriptive,", "a bad idea in general to write sentences purposely devoid of detail? Is", "purposely devoid of detail? Is this something I should put aside until I'm", "appropriate. I like the complete lack of feeling, devoid of description or emotion,", "she relaxes. For example, a party she went to that she didn't want", "immaturity is showing here. Is this technique used by writers, or is it", "of detail? Is this something I should put aside until I'm more experienced", "are situations where I feel like it's appropriate. I like the complete lack", "lack of feeling, devoid of description or emotion, just like how she is", "be jarring to the reader. It can be awkward, uncomfortable to read. -", "listened. I left.\" Now naturally, the entire book isn't like this. The rest", "tough time and is feeling pretty numb and disenchanted with the world. I", "from her point of view, and I have found myself writing very short,", "longer, more descriptive, flowier emotional ones when she relaxes. For example, a party", "description or emotion, just like how she is numb. That said, I have", "develop her more. I could be using these times as a chance to", "bad idea in general to write sentences purposely devoid of detail? Is this", "awkward, uncomfortable to read. - I feel like I may be missing out", "I write in the first person from her point of view, and I", "something I should put aside until I'm more experienced and know better how", "is depressed. She's going through a tough time and is feeling pretty numb", "be using these times as a chance to say a bit more about", "first person from her point of view, and I have found myself writing", "or emotion, just like how she is numb. That said, I have a", "on giving my characters depth. Making them complex people with complex emotions and", "people with complex emotions and motivations. One of my characters is depressed. She's", "about this technique. - it may be jarring to the reader. It can", "of feeling, devoid of description or emotion, just like how she is numb.", "on opportunities to elaborate and develop her more. I could be using these", "and is feeling pretty numb and disenchanted with the world. I write in", "a beginner writer. I have been focusing recently on giving my characters depth.", "a couple of concerns about this technique. - it may be jarring to", "don't know if this kind of thing is done. Maybe my writing immaturity", "have a couple of concerns about this technique. - it may be jarring", "there are situations where I feel like it's appropriate. I like the complete", "just like how she is numb. That said, I have a couple of", "kind of thing is done. Maybe my writing immaturity is showing here. Is", "writing should flow like speaking does, and this goes against that. I don't", "if this kind of thing is done. Maybe my writing immaturity is showing", "and longer, more descriptive, flowier emotional ones when she relaxes. For example, a", "or is it generally considered a bad idea in general to write sentences", "focusing recently on giving my characters depth. Making them complex people with complex", "complete lack of feeling, devoid of description or emotion, just like how she", "I feel like I may be missing out on opportunities to elaborate and", "to be at: \"I smiled. I ate. I spoke. I listened. I left.\"", "found myself writing very short, concise sentences when she is depressed and longer,", "very short, concise sentences when she is depressed and longer, more descriptive, flowier", "said, I have a couple of concerns about this technique. - it may", "a party she went to that she didn't want to be at: \"I", "time and is feeling pretty numb and disenchanted with the world. I write", "the world. I write in the first person from her point of view,", "complex people with complex emotions and motivations. One of my characters is depressed.", "on another answer that writing should flow like speaking does, and this goes", "write in the first person from her point of view, and I have", "used by writers, or is it generally considered a bad idea in general", "characters is depressed. She's going through a tough time and is feeling pretty", "is depressed and longer, more descriptive, flowier emotional ones when she relaxes. For", "view, and I have found myself writing very short, concise sentences when she", "however there are situations where I feel like it's appropriate. I like the", "could be using these times as a chance to say a bit more", "that writing should flow like speaking does, and this goes against that. I", "with the world. I write in the first person from her point of", "that she didn't want to be at: \"I smiled. I ate. I spoke.", "disenchanted with the world. I write in the first person from her point", "about how she feels. - I read on another answer that writing should", "I should put aside until I'm more experienced and know better how to", "characters depth. Making them complex people with complex emotions and motivations. One of", "using these times as a chance to say a bit more about how", "with complex emotions and motivations. One of my characters is depressed. She's going", "example, a party she went to that she didn't want to be at:", "I may be missing out on opportunities to elaborate and develop her more.", "Is this something I should put aside until I'm more experienced and know", "to elaborate and develop her more. I could be using these times as", "may be jarring to the reader. It can be awkward, uncomfortable to read.", "numb and disenchanted with the world. I write in the first person from", "left.\" Now naturally, the entire book isn't like this. The rest does flow,", "pretty numb and disenchanted with the world. I write in the first person", "my characters depth. Making them complex people with complex emotions and motivations. One" ]
[ "are basically stuck between two natures, and I have zero ideas on how", "ideas on how to write them. **Do you know any tips, ideas or", "have zero ideas on how to write them. **Do you know any tips,", "on how to write them. **Do you know any tips, ideas or general", "I have zero ideas on how to write them. **Do you know any", "and I have zero ideas on how to write them. **Do you know", "basically stuck between two natures, and I have zero ideas on how to", "two natures, and I have zero ideas on how to write them. **Do", "zero ideas on how to write them. **Do you know any tips, ideas", "write them. **Do you know any tips, ideas or general guidelines that can", "them. **Do you know any tips, ideas or general guidelines that can help", "stuck between two natures, and I have zero ideas on how to write", "natures, and I have zero ideas on how to write them. **Do you", "Liminal characters are basically stuck between two natures, and I have zero ideas", "to write them. **Do you know any tips, ideas or general guidelines that", "between two natures, and I have zero ideas on how to write them.", "characters are basically stuck between two natures, and I have zero ideas on", "how to write them. **Do you know any tips, ideas or general guidelines", "**Do you know any tips, ideas or general guidelines that can help me?**" ]
[ "(who acts as a sort of beta-reader) or some friend. Now, my girlfriend", "or they have better things to do. Either way, it has little sense", "far from completed). I've seen it done a couple of times, mostly by", "have to ask my girlfriend (who acts as a sort of beta-reader) or", "else. Writing makes less sense if my stuff mostly lays in a pc", "of the chapter of my longest novel (which still is far from completed).", "bother them further with this topic. If they don't read willingly, they won't", "a creative writer in my free time, I sometime suffer from a lack", "they have better things to do. Either way, it has little sense to", "kind of difficult. I usually get no answer back - meaning that either", "my free time, I sometime suffer from a lack of feedback. To get", "friends is kind of difficult. I usually get no answer back - meaning", "willingly, they won't give me honest feedback either, and I'll get \"yea it", "So I was thinking of opening a blog where to publish my short", "the chapter of my longest novel (which still is far from completed). I've", "couple of times, mostly by a local author in my country (she managed", "sense if my stuff mostly lays in a pc folder. What's your take", "doing something useful. Note that I'm not searching for *beta readers* specifically, I'd", "free time, I sometime suffer from a lack of feedback. To get some", "I've written, I either have to ask my girlfriend (who acts as a", "of times, mostly by a local author in my country (she managed to", "country (she managed to publish on Amazon some of the stories who passed", "still is far from completed). I've seen it done a couple of times,", "I sometime suffer from a lack of feedback. To get some impressions on", "ego-fulfilling way to pass the time, instead of doing something useful. Note that", "specifically, I'd just like to share my work with someone else. Writing makes", "either my writings aren't interesting enough to be read, or they have better", "with someone else. Writing makes less sense if my stuff mostly lays in", "acts as a sort of beta-reader) or some friend. Now, my girlfriend doesn't", "sense to me to bother them further with this topic. If they don't", "pass the time, instead of doing something useful. Note that I'm not searching", "downsides of opening such a blog. in terms of time consumption and/or motivational", "instead of doing something useful. Note that I'm not searching for *beta readers*", "getting feedbacks from my friends is kind of difficult. I usually get no", "What's your take on the matter? **What are the up and downsides of", "on the matter? **What are the up and downsides of opening such a", "If they don't read willingly, they won't give me honest feedback either, and", "be a waste of time - worse, free time I could have used", "some of the stories who passed through the blog, also). She has a", "the time, instead of doing something useful. Note that I'm not searching for", "written, I either have to ask my girlfriend (who acts as a sort", "of readers around her blog. I'd like to build something similar, but I", "a couple of times, mostly by a local author in my country (she", "creative writer in my free time, I sometime suffer from a lack of", "I'm after some cheap, ego-fulfilling way to pass the time, instead of doing", "mostly lays in a pc folder. What's your take on the matter? **What", "like to share my work with someone else. Writing makes less sense if", "get \"yea it was nice\" answers at best. So I was thinking of", "to be read, or they have better things to do. Either way, it", "no answer back - meaning that either my writings aren't interesting enough to", "of difficult. I usually get no answer back - meaning that either my", "done a couple of times, mostly by a local author in my country", "instead. My other main worrying is that I'm after some cheap, ego-fulfilling way", "also). She has a nice community of readers around her blog. I'd like", "is that I'm after some cheap, ego-fulfilling way to pass the time, instead", "have used to write instead. My other main worrying is that I'm after", "to build something similar, but I understand it may be a waste of", "Note that I'm not searching for *beta readers* specifically, I'd just like to", "nice\" answers at best. So I was thinking of opening a blog where", "if my stuff mostly lays in a pc folder. What's your take on", "I usually get no answer back - meaning that either my writings aren't", "\"yea it was nice\" answers at best. So I was thinking of opening", "way, it has little sense to me to bother them further with this", "passed through the blog, also). She has a nice community of readers around", "not searching for *beta readers* specifically, I'd just like to share my work", "someone else. Writing makes less sense if my stuff mostly lays in a", "in a pc folder. What's your take on the matter? **What are the", "as a sort of beta-reader) or some friend. Now, my girlfriend doesn't seem", "a sort of beta-reader) or some friend. Now, my girlfriend doesn't seem to", "build something similar, but I understand it may be a waste of time", "I could have used to write instead. My other main worrying is that", "write instead. My other main worrying is that I'm after some cheap, ego-fulfilling", "*beta readers* specifically, I'd just like to share my work with someone else.", "are the up and downsides of opening such a blog. in terms of", "the up and downsides of opening such a blog. in terms of time", "was thinking of opening a blog where to publish my short stories, or", "publish on Amazon some of the stories who passed through the blog, also).", "like to build something similar, but I understand it may be a waste", "sometime suffer from a lack of feedback. To get some impressions on what", "either, and I'll get \"yea it was nice\" answers at best. So I", "thinking of opening a blog where to publish my short stories, or some", "by a local author in my country (she managed to publish on Amazon", "read willingly, they won't give me honest feedback either, and I'll get \"yea", "things to do. Either way, it has little sense to me to bother", "stuff mostly lays in a pc folder. What's your take on the matter?", "mind, but getting feedbacks from my friends is kind of difficult. I usually", "to do. Either way, it has little sense to me to bother them", "that I'm after some cheap, ego-fulfilling way to pass the time, instead of", "on Amazon some of the stories who passed through the blog, also). She", "My other main worrying is that I'm after some cheap, ego-fulfilling way to", "they won't give me honest feedback either, and I'll get \"yea it was", "readers around her blog. I'd like to build something similar, but I understand", "I understand it may be a waste of time - worse, free time", "a lack of feedback. To get some impressions on what I've written, I", "makes less sense if my stuff mostly lays in a pc folder. What's", "**What are the up and downsides of opening such a blog. in terms", "interesting enough to be read, or they have better things to do. Either", "short stories, or some of the chapter of my longest novel (which still", "free time I could have used to write instead. My other main worrying", "Either way, it has little sense to me to bother them further with", "a pc folder. What's your take on the matter? **What are the up", "on what I've written, I either have to ask my girlfriend (who acts", "that I'm not searching for *beta readers* specifically, I'd just like to share", "to share my work with someone else. Writing makes less sense if my", "writer in my free time, I sometime suffer from a lack of feedback.", "and I'll get \"yea it was nice\" answers at best. So I was", "answers at best. So I was thinking of opening a blog where to", "better things to do. Either way, it has little sense to me to", "chapter of my longest novel (which still is far from completed). I've seen", "longest novel (which still is far from completed). I've seen it done a", "of time - worse, free time I could have used to write instead.", "time - worse, free time I could have used to write instead. My", "sort of beta-reader) or some friend. Now, my girlfriend doesn't seem to mind,", "doesn't seem to mind, but getting feedbacks from my friends is kind of", "cheap, ego-fulfilling way to pass the time, instead of doing something useful. Note", "friend. Now, my girlfriend doesn't seem to mind, but getting feedbacks from my", "the matter? **What are the up and downsides of opening such a blog.", "enough to be read, or they have better things to do. Either way,", "less sense if my stuff mostly lays in a pc folder. What's your", "As a creative writer in my free time, I sometime suffer from a", "worrying is that I'm after some cheap, ego-fulfilling way to pass the time,", "work with someone else. Writing makes less sense if my stuff mostly lays", "times, mostly by a local author in my country (she managed to publish", "usually get no answer back - meaning that either my writings aren't interesting", "give me honest feedback either, and I'll get \"yea it was nice\" answers", "to publish my short stories, or some of the chapter of my longest", "has a nice community of readers around her blog. I'd like to build", "something useful. Note that I'm not searching for *beta readers* specifically, I'd just", "to me to bother them further with this topic. If they don't read", "the blog, also). She has a nice community of readers around her blog.", "my friends is kind of difficult. I usually get no answer back -", "back - meaning that either my writings aren't interesting enough to be read,", "feedback. To get some impressions on what I've written, I either have to", "topic. 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Note that I'm not searching for *beta", "may be a waste of time - worse, free time I could have", "share my work with someone else. Writing makes less sense if my stuff", "my girlfriend (who acts as a sort of beta-reader) or some friend. Now,", "I'm not searching for *beta readers* specifically, I'd just like to share my", "stories, or some of the chapter of my longest novel (which still is", "lays in a pc folder. What's your take on the matter? **What are", "I'll get \"yea it was nice\" answers at best. So I was thinking", "main worrying is that I'm after some cheap, ego-fulfilling way to pass the", "difficult. I usually get no answer back - meaning that either my writings", "little sense to me to bother them further with this topic. If they", "I'd just like to share my work with someone else. Writing makes less", "best. So I was thinking of opening a blog where to publish my", "who passed through the blog, also). She has a nice community of readers", "won't give me honest feedback either, and I'll get \"yea it was nice\"", "up and downsides of opening such a blog. in terms of time consumption", "to write instead. My other main worrying is that I'm after some cheap,", "your take on the matter? **What are the up and downsides of opening", "in my free time, I sometime suffer from a lack of feedback. To", "- meaning that either my writings aren't interesting enough to be read, or", "managed to publish on Amazon some of the stories who passed through the", "them further with this topic. If they don't read willingly, they won't give", "to publish on Amazon some of the stories who passed through the blog,", "- worse, free time I could have used to write instead. My other", "my short stories, or some of the chapter of my longest novel (which", "time, I sometime suffer from a lack of feedback. To get some impressions", "feedback either, and I'll get \"yea it was nice\" answers at best. So", "seen it done a couple of times, mostly by a local author in", "way to pass the time, instead of doing something useful. Note that I'm", "useful. Note that I'm not searching for *beta readers* specifically, I'd just like", "searching for *beta readers* specifically, I'd just like to share my work with", "or some of the chapter of my longest novel (which still is far", "beta-reader) or some friend. Now, my girlfriend doesn't seem to mind, but getting", "my stuff mostly lays in a pc folder. What's your take on the", "my girlfriend doesn't seem to mind, but getting feedbacks from my friends is", "it done a couple of times, mostly by a local author in my", "don't read willingly, they won't give me honest feedback either, and I'll get", "local author in my country (she managed to publish on Amazon some of", "readers* specifically, I'd just like to share my work with someone else. Writing", "feedbacks from my friends is kind of difficult. I usually get no answer", "girlfriend (who acts as a sort of beta-reader) or some friend. Now, my", "nice community of readers around her blog. I'd like to build something similar,", "is far from completed). I've seen it done a couple of times, mostly", "To get some impressions on what I've written, I either have to ask", "a nice community of readers around her blog. I'd like to build something", "of doing something useful. Note that I'm not searching for *beta readers* specifically,", "blog, also). She has a nice community of readers around her blog. I'd", "just like to share my work with someone else. Writing makes less sense", "She has a nice community of readers around her blog. I'd like to", "honest feedback either, and I'll get \"yea it was nice\" answers at best.", "was nice\" answers at best. So I was thinking of opening a blog", "aren't interesting enough to be read, or they have better things to do.", "some of the chapter of my longest novel (which still is far from", "time I could have used to write instead. My other main worrying is", "completed). I've seen it done a couple of times, mostly by a local", "matter? **What are the up and downsides of opening such a blog. in", "get no answer back - meaning that either my writings aren't interesting enough", "they don't read willingly, they won't give me honest feedback either, and I'll", "for *beta readers* specifically, I'd just like to share my work with someone", "from completed). I've seen it done a couple of times, mostly by a", "Amazon some of the stories who passed through the blog, also). She has", "mostly by a local author in my country (she managed to publish on", "my work with someone else. Writing makes less sense if my stuff mostly", "Writing makes less sense if my stuff mostly lays in a pc folder.", "other main worrying is that I'm after some cheap, ego-fulfilling way to pass", "(which still is far from completed). I've seen it done a couple of", "what I've written, I either have to ask my girlfriend (who acts as", "at best. So I was thinking of opening a blog where to publish", "author in my country (she managed to publish on Amazon some of the", "similar, but I understand it may be a waste of time - worse,", "a waste of time - worse, free time I could have used to", "used to write instead. My other main worrying is that I'm after some", "some impressions on what I've written, I either have to ask my girlfriend", "from a lack of feedback. To get some impressions on what I've written,", "meaning that either my writings aren't interesting enough to be read, or they", "it has little sense to me to bother them further with this topic.", "further with this topic. If they don't read willingly, they won't give me", "read, or they have better things to do. Either way, it has little", "it may be a waste of time - worse, free time I could", "impressions on what I've written, I either have to ask my girlfriend (who", "do. Either way, it has little sense to me to bother them further", "pc folder. What's your take on the matter? **What are the up and", "blog where to publish my short stories, or some of the chapter of", "opening a blog where to publish my short stories, or some of the", "that either my writings aren't interesting enough to be read, or they have", "from my friends is kind of difficult. I usually get no answer back", "of feedback. To get some impressions on what I've written, I either have", "understand it may be a waste of time - worse, free time I", "where to publish my short stories, or some of the chapter of my", "of opening such a blog. in terms of time consumption and/or motivational gain**.", "ask my girlfriend (who acts as a sort of beta-reader) or some friend.", "community of readers around her blog. I'd like to build something similar, but", "I either have to ask my girlfriend (who acts as a sort of", "folder. What's your take on the matter? **What are the up and downsides" ]
[ "questions in the actual story. Is this a good tactic because it makes", "story. Is this a good tactic because it makes me think more about", "the actual story. Is this a good tactic because it makes me think", "scene. I plan on answering these questions in the actual story. Is this", "so far and asking deeper questions about that scene. I plan on answering", "in my story so far and asking deeper questions about that scene. I", "asking deeper questions about that scene. I plan on answering these questions in", "back in my story so far and asking deeper questions about that scene.", "because it makes me think more about what is actually happening in the", "far and asking deeper questions about that scene. I plan on answering these", "plan on answering these questions in the actual story. Is this a good", "questions about that scene. I plan on answering these questions in the actual", "a good tactic because it makes me think more about what is actually", "of going back in my story so far and asking deeper questions about", "system of going back in my story so far and asking deeper questions", "I plan on answering these questions in the actual story. Is this a", "actual story. Is this a good tactic because it makes me think more", "good tactic because it makes me think more about what is actually happening", "in the actual story. Is this a good tactic because it makes me", "have this system of going back in my story so far and asking", "this system of going back in my story so far and asking deeper", "on answering these questions in the actual story. Is this a good tactic", "that scene. I plan on answering these questions in the actual story. Is", "this a good tactic because it makes me think more about what is", "deeper questions about that scene. I plan on answering these questions in the", "going back in my story so far and asking deeper questions about that", "Is this a good tactic because it makes me think more about what", "it makes me think more about what is actually happening in the novel.", "my story so far and asking deeper questions about that scene. I plan", "story so far and asking deeper questions about that scene. I plan on", "these questions in the actual story. Is this a good tactic because it", "tactic because it makes me think more about what is actually happening in", "and asking deeper questions about that scene. I plan on answering these questions", "I have this system of going back in my story so far and", "about that scene. I plan on answering these questions in the actual story.", "answering these questions in the actual story. Is this a good tactic because" ]
[ "and ranters are numerous and pretty damn popular, so I'd just like to", "about a formula or general tips for writing them, without making my readers", "damn popular, so I'd just like to ask about a formula or general", "just like to ask about a formula or general tips for writing them,", "Rants and ranters are numerous and pretty damn popular, so I'd just like", "pretty damn popular, so I'd just like to ask about a formula or", "are numerous and pretty damn popular, so I'd just like to ask about", "so I'd just like to ask about a formula or general tips for", "numerous and pretty damn popular, so I'd just like to ask about a", "popular, so I'd just like to ask about a formula or general tips", "like to ask about a formula or general tips for writing them, without", "ask about a formula or general tips for writing them, without making my", "ranters are numerous and pretty damn popular, so I'd just like to ask", "a formula or general tips for writing them, without making my readers rage.", "I'd just like to ask about a formula or general tips for writing", "and pretty damn popular, so I'd just like to ask about a formula", "to ask about a formula or general tips for writing them, without making" ]
[ "i have had the passion for it. One thing that has baffled my", "people's work but more concerned with their work. It has led me to", "scene but i have had the passion for it. One thing that has", "how writers would not comment on other people's work but more concerned with", "that has baffled my mind was how writers would not comment on other", "thing that has baffled my mind was how writers would not comment on", "new to the writing scene but i have had the passion for it.", "the passion for it. One thing that has baffled my mind was how", "would not comment on other people's work but more concerned with their work.", "it. One thing that has baffled my mind was how writers would not", "I am new to the writing scene but i have had the passion", "comment on other people's work but more concerned with their work. It has", "was how writers would not comment on other people's work but more concerned", "passion for it. One thing that has baffled my mind was how writers", "on other people's work but more concerned with their work. It has led", "not comment on other people's work but more concerned with their work. It", "One thing that has baffled my mind was how writers would not comment", "had the passion for it. One thing that has baffled my mind was", "am new to the writing scene but i have had the passion for", "more concerned with their work. It has led me to ask this question.", "to the writing scene but i have had the passion for it. One", "my mind was how writers would not comment on other people's work but", "other people's work but more concerned with their work. It has led me", "but more concerned with their work. It has led me to ask this", "baffled my mind was how writers would not comment on other people's work", "but i have had the passion for it. One thing that has baffled", "mind was how writers would not comment on other people's work but more", "the writing scene but i have had the passion for it. One thing", "has baffled my mind was how writers would not comment on other people's", "work but more concerned with their work. It has led me to ask", "for it. One thing that has baffled my mind was how writers would", "have had the passion for it. One thing that has baffled my mind", "writers would not comment on other people's work but more concerned with their", "writing scene but i have had the passion for it. One thing that" ]
[ "in the prose. * What's a good way to keep track of **where**", "leave when they're already away. This gets old really quickly, and it's even", "please don't suggest that I move to that. I'm happy with using a", "work all that well for me, so please don't suggest that I move", "the main (also point-of-view) character, and sometimes that same side character is somewhere", "character is nearby or not, just to ensure that a character doesn't show", "back in the text in order to see whether the main character would", "or not, just to ensure that a character doesn't show up when they", "you an idea of its length, it's currently about 23,000 words of English", "prose, and it's about half done from the perspective of the time period", "search) back in the text in order to see whether the main character", "move to that. I'm happy with using a separate tool if that's the", "just didn't work all that well for me, so please don't suggest that", "To give you an idea of its length, it's currently about 23,000 words", "to keep track of **where** a character is, throughout a longer narrative? For", "best way, but I do want something that doesn't take inordinate amounts of", "didn't work all that well for me, so please don't suggest that I", "a longer narrative? For my writing, I'm using LibreOffice Writer (which, for those", "worse when the characters aren't referred to by name in the prose. *", "or leave when they're already away. This gets old really quickly, and it's", "**where** a character is, throughout a longer narrative? For my writing, I'm using", "old really quickly, and it's even worse when the characters aren't referred to", "it, is basically your run-of-the-mill page-oriented word processor). I did try Scrivener for", "I'm using LibreOffice Writer (which, for those not familiar with it, is basically", "I did try Scrivener for a while since just about everyone here seems", "did try Scrivener for a while since just about everyone here seems enthusiastic", "something that doesn't take inordinate amounts of effort to keep in sync with", "is near the main (also point-of-view) character, and sometimes that same side character", "characters aren't referred to by name in the prose. * What's a good", "character is doing or not, or whether the side character is nearby or", "with it, is basically your run-of-the-mill page-oriented word processor). I did try Scrivener", "the side characters, I have to scroll (or search) back in the text", "about everyone here seems enthusiastic about it, but it just didn't work all", "a separate tool if that's the best way, but I do want something", "I'm currently working on a piece which has characters coming and going. Basically,", "what the particular side character is doing or not, or whether the side", "aren't referred to by name in the prose. * What's a good way", "main character would actually be able to see what the particular side character", "word processor). I did try Scrivener for a while since just about everyone", "Every time I want to refer to one of the side characters, I", "and going. Basically, sometimes a side character is near the main (also point-of-view)", "* What's a good way to keep track of **where** a character is,", "it's about half done from the perspective of the time period I want", "everyone here seems enthusiastic about it, but it just didn't work all that", "while since just about everyone here seems enthusiastic about it, but it just", "here seems enthusiastic about it, but it just didn't work all that well", "page-oriented word processor). I did try Scrivener for a while since just about", "doing or not, or whether the side character is nearby or not, just", "in the text in order to see whether the main character would actually", "side character is somewhere else. To give you an idea of its length,", "give you an idea of its length, it's currently about 23,000 words of", "about 23,000 words of English prose, and it's about half done from the", "its length, it's currently about 23,000 words of English prose, and it's about", "I want to refer to one of the side characters, I have to", "sometimes that same side character is somewhere else. To give you an idea", "nearby or not, just to ensure that a character doesn't show up when", "on a piece which has characters coming and going. Basically, sometimes a side", "particular side character is doing or not, or whether the side character is", "side character is doing or not, or whether the side character is nearby", "your run-of-the-mill page-oriented word processor). I did try Scrivener for a while since", "an idea of its length, it's currently about 23,000 words of English prose,", "time I want to refer to one of the side characters, I have", "in order to see whether the main character would actually be able to", "just to ensure that a character doesn't show up when they are already", "me, so please don't suggest that I move to that. I'm happy with", "a character is, throughout a longer narrative? For my writing, I'm using LibreOffice", "narrative? For my writing, I'm using LibreOffice Writer (which, for those not familiar", "it's currently about 23,000 words of English prose, and it's about half done", "really quickly, and it's even worse when the characters aren't referred to by", "is basically your run-of-the-mill page-oriented word processor). I did try Scrivener for a", "character doesn't show up when they are already there or leave when they're", "the characters aren't referred to by name in the prose. * What's a", "that well for me, so please don't suggest that I move to that.", "just about everyone here seems enthusiastic about it, but it just didn't work", "but it just didn't work all that well for me, so please don't", "23,000 words of English prose, and it's about half done from the perspective", "for those not familiar with it, is basically your run-of-the-mill page-oriented word processor).", "do want something that doesn't take inordinate amounts of effort to keep in", "it's even worse when the characters aren't referred to by name in the", "For my writing, I'm using LibreOffice Writer (which, for those not familiar with", "main (also point-of-view) character, and sometimes that same side character is somewhere else.", "somewhere else. To give you an idea of its length, it's currently about", "using a separate tool if that's the best way, but I do want", "already there or leave when they're already away. This gets old really quickly,", "already away. This gets old really quickly, and it's even worse when the", "refer to one of the side characters, I have to scroll (or search)", "when they are already there or leave when they're already away. This gets", "have to scroll (or search) back in the text in order to see", "LibreOffice Writer (which, for those not familiar with it, is basically your run-of-the-mill", "want to refer to one of the side characters, I have to scroll", "they are already there or leave when they're already away. This gets old", "well for me, so please don't suggest that I move to that. I'm", "there or leave when they're already away. This gets old really quickly, and", "I do want something that doesn't take inordinate amounts of effort to keep", "when they're already away. This gets old really quickly, and it's even worse", "whether the main character would actually be able to see what the particular", "prose. * What's a good way to keep track of **where** a character", "to scroll (or search) back in the text in order to see whether", "to ensure that a character doesn't show up when they are already there", "are already there or leave when they're already away. This gets old really", "character is, throughout a longer narrative? For my writing, I'm using LibreOffice Writer", "name in the prose. * What's a good way to keep track of", "character is somewhere else. To give you an idea of its length, it's", "about half done from the perspective of the time period I want to", "which has characters coming and going. Basically, sometimes a side character is near", "What's a good way to keep track of **where** a character is, throughout", "of the side characters, I have to scroll (or search) back in the", "I'm happy with using a separate tool if that's the best way, but", "a while since just about everyone here seems enthusiastic about it, but it", "is, throughout a longer narrative? For my writing, I'm using LibreOffice Writer (which,", "seems enthusiastic about it, but it just didn't work all that well for", "way, but I do want something that doesn't take inordinate amounts of effort", "the perspective of the time period I want to cover in the finished", "character would actually be able to see what the particular side character is", "Writer (which, for those not familiar with it, is basically your run-of-the-mill page-oriented", "up when they are already there or leave when they're already away. This", "by name in the prose. * What's a good way to keep track", "since just about everyone here seems enthusiastic about it, but it just didn't", "(or search) back in the text in order to see whether the main", "idea of its length, it's currently about 23,000 words of English prose, and", "happy with using a separate tool if that's the best way, but I", "Scrivener for a while since just about everyone here seems enthusiastic about it,", "working on a piece which has characters coming and going. Basically, sometimes a", "way to keep track of **where** a character is, throughout a longer narrative?", "is doing or not, or whether the side character is nearby or not,", "the prose. * What's a good way to keep track of **where** a", "Basically, sometimes a side character is near the main (also point-of-view) character, and", "processor). I did try Scrivener for a while since just about everyone here", "enthusiastic about it, but it just didn't work all that well for me,", "but I do want something that doesn't take inordinate amounts of effort to", "amounts of effort to keep in sync with the text I'm working on.", "with using a separate tool if that's the best way, but I do", "that. I'm happy with using a separate tool if that's the best way,", "of its length, it's currently about 23,000 words of English prose, and it's", "for me, so please don't suggest that I move to that. I'm happy", "all that well for me, so please don't suggest that I move to", "I have to scroll (or search) back in the text in order to", "show up when they are already there or leave when they're already away.", "try Scrivener for a while since just about everyone here seems enthusiastic about", "ensure that a character doesn't show up when they are already there or", "text in order to see whether the main character would actually be able", "suggest that I move to that. I'm happy with using a separate tool", "length, it's currently about 23,000 words of English prose, and it's about half", "I move to that. I'm happy with using a separate tool if that's", "the best way, but I do want something that doesn't take inordinate amounts", "the main character would actually be able to see what the particular side", "or whether the side character is nearby or not, just to ensure that", "order to see whether the main character would actually be able to see", "(also point-of-view) character, and sometimes that same side character is somewhere else. To", "period I want to cover in the finished piece. Every time I want", "point-of-view) character, and sometimes that same side character is somewhere else. To give", "else. To give you an idea of its length, it's currently about 23,000", "for a while since just about everyone here seems enthusiastic about it, but", "the particular side character is doing or not, or whether the side character", "if that's the best way, but I do want something that doesn't take", "that doesn't take inordinate amounts of effort to keep in sync with the", "when the characters aren't referred to by name in the prose. * What's", "that I move to that. I'm happy with using a separate tool if", "longer narrative? For my writing, I'm using LibreOffice Writer (which, for those not", "and sometimes that same side character is somewhere else. To give you an", "is somewhere else. To give you an idea of its length, it's currently", "they're already away. This gets old really quickly, and it's even worse when", "not, or whether the side character is nearby or not, just to ensure", "half done from the perspective of the time period I want to cover", "done from the perspective of the time period I want to cover in", "actually be able to see what the particular side character is doing or", "has characters coming and going. Basically, sometimes a side character is near the", "I want to cover in the finished piece. Every time I want to", "piece which has characters coming and going. Basically, sometimes a side character is", "to by name in the prose. * What's a good way to keep", "tool if that's the best way, but I do want something that doesn't", "and it's about half done from the perspective of the time period I", "able to see what the particular side character is doing or not, or", "character, and sometimes that same side character is somewhere else. To give you", "good way to keep track of **where** a character is, throughout a longer", "near the main (also point-of-view) character, and sometimes that same side character is", "side character is near the main (also point-of-view) character, and sometimes that same", "of English prose, and it's about half done from the perspective of the", "basically your run-of-the-mill page-oriented word processor). I did try Scrivener for a while", "it just didn't work all that well for me, so please don't suggest", "or not, or whether the side character is nearby or not, just to", "words of English prose, and it's about half done from the perspective of", "character is near the main (also point-of-view) character, and sometimes that same side", "currently about 23,000 words of English prose, and it's about half done from", "whether the side character is nearby or not, just to ensure that a", "those not familiar with it, is basically your run-of-the-mill page-oriented word processor). I", "it, but it just didn't work all that well for me, so please", "in the finished piece. Every time I want to refer to one of", "using LibreOffice Writer (which, for those not familiar with it, is basically your", "would actually be able to see what the particular side character is doing", "about it, but it just didn't work all that well for me, so", "English prose, and it's about half done from the perspective of the time", "This gets old really quickly, and it's even worse when the characters aren't", "quickly, and it's even worse when the characters aren't referred to by name", "and it's even worse when the characters aren't referred to by name in", "a good way to keep track of **where** a character is, throughout a", "familiar with it, is basically your run-of-the-mill page-oriented word processor). I did try", "not familiar with it, is basically your run-of-the-mill page-oriented word processor). I did", "a piece which has characters coming and going. 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Every", "to see whether the main character would actually be able to see what", "to see what the particular side character is doing or not, or whether", "a side character is near the main (also point-of-view) character, and sometimes that", "to one of the side characters, I have to scroll (or search) back", "the side character is nearby or not, just to ensure that a character", "so please don't suggest that I move to that. I'm happy with using", "don't suggest that I move to that. I'm happy with using a separate", "to that. I'm happy with using a separate tool if that's the best", "(which, for those not familiar with it, is basically your run-of-the-mill page-oriented word", "inordinate amounts of effort to keep in sync with the text I'm working", "finished piece. 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I did try Scrivener for a while since just", "separate tool if that's the best way, but I do want something that", "doesn't show up when they are already there or leave when they're already", "even worse when the characters aren't referred to by name in the prose.", "doesn't take inordinate amounts of effort to keep in sync with the text", "the text in order to see whether the main character would actually be", "the time period I want to cover in the finished piece. Every time", "of **where** a character is, throughout a longer narrative? For my writing, I'm", "a character doesn't show up when they are already there or leave when", "want to cover in the finished piece. Every time I want to refer", "keep track of **where** a character is, throughout a longer narrative? For my", "one of the side characters, I have to scroll (or search) back in", "writing, I'm using LibreOffice Writer (which, for those not familiar with it, is" ]
[ "designers in the story gave it the name because they were lazy and", "have weapons with the same function. Is it safe to include the names", "it. In that case, I will tell where the original name came from.", "in the story gave it the name because they were lazy and decided", "now, I'm assuming I can use the name because I'm clearly stating in", "writing. Since I'm writing a science-fiction novel, that's not too big of a", "to use the name featured in the actual game that uses it. In", "were lazy and decided to use the name featured in the actual game", "however, this causes me to raise a question: how does this apply to", "your writing. Since I'm writing a science-fiction novel, that's not too big of", "as some of the things in the book have weapons with the same", "to correspond to the guns, or do I have to come up with", "in the book have weapons with the same function. Is it safe to", "referencing actual military weapons in your writing. Since I'm writing a science-fiction novel,", "a science-fiction novel, that's not too big of a problem for me; however,", "same function. Is it safe to include the names of these weapons (like", "I'm assuming I can use the name because I'm clearly stating in my", "some weapon names that I would like to use in the novel, as", "military weapons in your writing. Since I'm writing a science-fiction novel, that's not", "of the things in the book have weapons with the same function. Is", "I'm writing a science-fiction novel, that's not too big of a problem for", "not too big of a problem for me; however, this causes me to", "name featured in the actual game that uses it. In that case, I", "the question of referencing actual military weapons in your writing. Since I'm writing", "reference it to have a similar function to the actual in-game weapon? As", "it the name because they were lazy and decided to use the name", "story gave it the name because they were lazy and decided to use", "to the actual in-game weapon? As of now, I'm assuming I can use", "the same function. Is it safe to include the names of these weapons", "instance, Pixonic's game War Robots has some weapon names that I would like", "a similar function to the actual in-game weapon? As of now, I'm assuming", "causes me to raise a question: how does this apply to weapons from", "or do I have to come up with another, original name and reference", "a problem for me; however, this causes me to raise a question: how", "because they were lazy and decided to use the name featured in the", "my novel that the designers in the story gave it the name because", "come up with another, original name and reference it to have a similar", "similar function to the actual in-game weapon? As of now, I'm assuming I", "in my novel that the designers in the story gave it the name", "to use in the novel, as some of the things in the book", "weapons from video games? For instance, Pixonic's game War Robots has some weapon", "big of a problem for me; however, this causes me to raise a", "weapons in your writing. Since I'm writing a science-fiction novel, that's not too", "they were lazy and decided to use the name featured in the actual", "some of the things in the book have weapons with the same function.", "to include the names of these weapons (like Zenit or Molot) to correspond", "about the question of referencing actual military weapons in your writing. Since I'm", "from video games? For instance, Pixonic's game War Robots has some weapon names", "and reference it to have a similar function to the actual in-game weapon?", "game that uses it. In that case, I will tell where the original", "the name featured in the actual game that uses it. In that case,", "the book have weapons with the same function. Is it safe to include", "weapon names that I would like to use in the novel, as some", "novel that the designers in the story gave it the name because they", "in-game weapon? As of now, I'm assuming I can use the name because", "me; however, this causes me to raise a question: how does this apply", "this apply to weapons from video games? For instance, Pixonic's game War Robots", "name because I'm clearly stating in my novel that the designers in the", "actual military weapons in your writing. Since I'm writing a science-fiction novel, that's", "weapon? As of now, I'm assuming I can use the name because I'm", "in your writing. Since I'm writing a science-fiction novel, that's not too big", "As of now, I'm assuming I can use the name because I'm clearly", "the novel, as some of the things in the book have weapons with", "problem for me; however, this causes me to raise a question: how does", "video games? For instance, Pixonic's game War Robots has some weapon names that", "function to the actual in-game weapon? As of now, I'm assuming I can", "include the names of these weapons (like Zenit or Molot) to correspond to", "Is it safe to include the names of these weapons (like Zenit or", "of referencing actual military weapons in your writing. Since I'm writing a science-fiction", "decided to use the name featured in the actual game that uses it.", "for me; however, this causes me to raise a question: how does this", "raise a question: how does this apply to weapons from video games? For", "with another, original name and reference it to have a similar function to", "weapons (like Zenit or Molot) to correspond to the guns, or do I", "a question: how does this apply to weapons from video games? For instance,", "have to come up with another, original name and reference it to have", "names of these weapons (like Zenit or Molot) to correspond to the guns,", "to the guns, or do I have to come up with another, original", "name because they were lazy and decided to use the name featured in", "question of referencing actual military weapons in your writing. Since I'm writing a", "names that I would like to use in the novel, as some of", "the name because I'm clearly stating in my novel that the designers in", "Robots has some weapon names that I would like to use in the", "in the actual game that uses it. In that case, I will tell", "these weapons (like Zenit or Molot) to correspond to the guns, or do", "games? For instance, Pixonic's game War Robots has some weapon names that I", "assuming I can use the name because I'm clearly stating in my novel", "how does this apply to weapons from video games? For instance, Pixonic's game", "name and reference it to have a similar function to the actual in-game", "chat that talks about the question of referencing actual military weapons in your", "me to raise a question: how does this apply to weapons from video", "I would like to use in the novel, as some of the things", "original name and reference it to have a similar function to the actual", "the guns, or do I have to come up with another, original name", "to come up with another, original name and reference it to have a", "and decided to use the name featured in the actual game that uses", "the actual game that uses it. In that case, I will tell where", "safe to include the names of these weapons (like Zenit or Molot) to", "recently looked at the chat that talks about the question of referencing actual", "book have weapons with the same function. Is it safe to include the", "the designers in the story gave it the name because they were lazy", "the things in the book have weapons with the same function. Is it", "game War Robots has some weapon names that I would like to use", "to raise a question: how does this apply to weapons from video games?", "Since I'm writing a science-fiction novel, that's not too big of a problem", "actual game that uses it. In that case, I will tell where the", "with the same function. Is it safe to include the names of these", "actual in-game weapon? As of now, I'm assuming I can use the name", "it safe to include the names of these weapons (like Zenit or Molot)", "stating in my novel that the designers in the story gave it the", "Zenit or Molot) to correspond to the guns, or do I have to", "at the chat that talks about the question of referencing actual military weapons", "the names of these weapons (like Zenit or Molot) to correspond to the", "like to use in the novel, as some of the things in the", "of these weapons (like Zenit or Molot) to correspond to the guns, or", "uses it. In that case, I will tell where the original name came", "looked at the chat that talks about the question of referencing actual military", "of a problem for me; however, this causes me to raise a question:", "novel, as some of the things in the book have weapons with the", "clearly stating in my novel that the designers in the story gave it", "it to have a similar function to the actual in-game weapon? As of", "I can use the name because I'm clearly stating in my novel that", "use the name featured in the actual game that uses it. In that", "that the designers in the story gave it the name because they were", "of now, I'm assuming I can use the name because I'm clearly stating", "use in the novel, as some of the things in the book have", "guns, or do I have to come up with another, original name and", "another, original name and reference it to have a similar function to the", "novel, that's not too big of a problem for me; however, this causes", "I've recently looked at the chat that talks about the question of referencing", "do I have to come up with another, original name and reference it", "I have to come up with another, original name and reference it to", "that uses it. In that case, I will tell where the original name", "writing a science-fiction novel, that's not too big of a problem for me;", "this causes me to raise a question: how does this apply to weapons", "Pixonic's game War Robots has some weapon names that I would like to", "have a similar function to the actual in-game weapon? As of now, I'm", "has some weapon names that I would like to use in the novel,", "I'm clearly stating in my novel that the designers in the story gave", "gave it the name because they were lazy and decided to use the", "up with another, original name and reference it to have a similar function", "the actual in-game weapon? As of now, I'm assuming I can use the", "the name because they were lazy and decided to use the name featured", "function. Is it safe to include the names of these weapons (like Zenit", "to weapons from video games? For instance, Pixonic's game War Robots has some", "would like to use in the novel, as some of the things in", "because I'm clearly stating in my novel that the designers in the story", "can use the name because I'm clearly stating in my novel that the", "the story gave it the name because they were lazy and decided to", "Molot) to correspond to the guns, or do I have to come up", "science-fiction novel, that's not too big of a problem for me; however, this", "that's not too big of a problem for me; however, this causes me", "does this apply to weapons from video games? For instance, Pixonic's game War", "that I would like to use in the novel, as some of the", "correspond to the guns, or do I have to come up with another,", "use the name because I'm clearly stating in my novel that the designers", "apply to weapons from video games? For instance, Pixonic's game War Robots has", "For instance, Pixonic's game War Robots has some weapon names that I would", "too big of a problem for me; however, this causes me to raise", "that talks about the question of referencing actual military weapons in your writing.", "things in the book have weapons with the same function. Is it safe", "talks about the question of referencing actual military weapons in your writing. Since", "or Molot) to correspond to the guns, or do I have to come", "lazy and decided to use the name featured in the actual game that", "the chat that talks about the question of referencing actual military weapons in", "to have a similar function to the actual in-game weapon? As of now,", "question: how does this apply to weapons from video games? For instance, Pixonic's", "featured in the actual game that uses it. In that case, I will", "War Robots has some weapon names that I would like to use in", "weapons with the same function. Is it safe to include the names of", "(like Zenit or Molot) to correspond to the guns, or do I have", "in the novel, as some of the things in the book have weapons" ]
[ "the characters resemble people in real life, and they are not always portrayed", "of the characters resemble people in real life, and they are not always", "in real life, and they are not always portrayed in a flattering manner.", "a disclaimer that it is a work of fiction and all resemblance to", "and they are not always portrayed in a flattering manner. Should I put", "novel. Many of the characters resemble people in real life, and they are", "resemble people in real life, and they are not always portrayed in a", "portrayed in a flattering manner. Should I put in a disclaimer that it", "put in a disclaimer that it is a work of fiction and all", "I put in a disclaimer that it is a work of fiction and", "is a work of fiction and all resemblance to reality is purely coincidental?", "are not always portrayed in a flattering manner. Should I put in a", "life, and they are not always portrayed in a flattering manner. Should I", "writing my first novel. Many of the characters resemble people in real life,", "my first novel. Many of the characters resemble people in real life, and", "it is a work of fiction and all resemblance to reality is purely", "first novel. Many of the characters resemble people in real life, and they", "finished writing my first novel. Many of the characters resemble people in real", "Should I put in a disclaimer that it is a work of fiction", "they are not always portrayed in a flattering manner. Should I put in", "a flattering manner. Should I put in a disclaimer that it is a", "in a disclaimer that it is a work of fiction and all resemblance", "I recently finished writing my first novel. Many of the characters resemble people", "flattering manner. Should I put in a disclaimer that it is a work", "always portrayed in a flattering manner. Should I put in a disclaimer that", "people in real life, and they are not always portrayed in a flattering", "not always portrayed in a flattering manner. Should I put in a disclaimer", "characters resemble people in real life, and they are not always portrayed in", "that it is a work of fiction and all resemblance to reality is", "manner. Should I put in a disclaimer that it is a work of", "recently finished writing my first novel. Many of the characters resemble people in", "real life, and they are not always portrayed in a flattering manner. Should", "Many of the characters resemble people in real life, and they are not", "disclaimer that it is a work of fiction and all resemblance to reality", "in a flattering manner. Should I put in a disclaimer that it is" ]
[ "the dark protagonist is alone, I'm wondering if it will be outshone by", "be better. That gives the reader something to hope for. While this works", "is trying to be better, he's still evil at the core. He's still", "other (eg Eragon vs. Roran in *Eldest*). The reason for this question is", "get back to one character while he's reading the other (eg Eragon vs.", "I'm currently writing a tale with two protagonists. One of them is a", "and want to be better. That gives the reader something to hope for.", "this will cause the reader to gravitate toward the good protagonist. I have", "works adequately when the dark protagonist is alone, I'm wondering if it will", "*equally*? This is important because both protagonists are PoV characters. I don't want", "protagonists. The trick is to make sure they realize their darkness, and want", "with two protagonists. One of them is a dark protagonist - that is,", "to one character while he's reading the other (eg Eragon vs. Roran in", "is that while the dark protagonist is trying to be better, he's still", "realize their darkness, and want to be better. That gives the reader something", "important because both protagonists are PoV characters. I don't want the reader wanting", "by a normal good protagonist. **With two protagonists, will the reader gravitate towards", "of them is a dark protagonist - that is, technically evil. The other", "still evil at the core. He's still a bad guy. *Do note that", "it will be outshone by a normal good protagonist. **With two protagonists, will", "darkness, and want to be better. That gives the reader something to hope", "while the dark protagonist is trying to be better, he's still evil at", "reader to gravitate toward the good protagonist. I have a way of dealing", "technically evil. The other protagonist is not evil. I'm wondering if this will", "they realize their darkness, and want to be better. That gives the reader", "protagonist - that is, technically evil. The other protagonist is not evil. I'm", "toward the good protagonist. I have a way of dealing with dark protagonists.", "the reader like both protagonists *equally*? This is important because both protagonists are", "he's still evil at the core. He's still a bad guy. *Do note", "protagonists are PoV characters. I don't want the reader wanting to get back", "away from the evil-but-trying-to-be-better one?** In other words: can the reader like both", "protagonist is not evil. I'm wondering if this will cause the reader to", "the dark protagonist is trying to be better, he's still evil at the", "hope for. While this works adequately when the dark protagonist is alone, I'm", "a 'good' one, and away from the evil-but-trying-to-be-better one?** In other words: can", "The reason for this question is that while the dark protagonist is trying", "the other (eg Eragon vs. Roran in *Eldest*). The reason for this question", "if this will cause the reader to gravitate toward the good protagonist. I", "he's reading the other (eg Eragon vs. Roran in *Eldest*). The reason for", "trying to be better, he's still evil at the core. He's still a", "a way of dealing with dark protagonists. The trick is to make sure", "that my two protagonists are on the same side. One is not the", "my two protagonists are on the same side. One is not the antagonist", "sure they realize their darkness, and want to be better. That gives the", "words: can the reader like both protagonists *equally*? This is important because both", "evil at the core. He's still a bad guy. *Do note that my", "adequately when the dark protagonist is alone, I'm wondering if it will be", "**With two protagonists, will the reader gravitate towards a 'good' one, and away", "at the core. He's still a bad guy. *Do note that my two", "a tale with two protagonists. One of them is a dark protagonist -", "dark protagonist - that is, technically evil. The other protagonist is not evil.", "the reader to gravitate toward the good protagonist. I have a way of", "reader like both protagonists *equally*? This is important because both protagonists are PoV", "because both protagonists are PoV characters. I don't want the reader wanting to", "cause the reader to gravitate toward the good protagonist. I have a way", "bad guy. *Do note that my two protagonists are on the same side.", "other protagonist is not evil. I'm wondering if this will cause the reader", "a bad guy. *Do note that my two protagonists are on the same", "Roran in *Eldest*). The reason for this question is that while the dark", "in *Eldest*). The reason for this question is that while the dark protagonist", "evil. The other protagonist is not evil. I'm wondering if this will cause", "The other protagonist is not evil. I'm wondering if this will cause the", "is not evil. I'm wondering if this will cause the reader to gravitate", "protagonists, will the reader gravitate towards a 'good' one, and away from the", "will cause the reader to gravitate toward the good protagonist. I have a", "to make sure they realize their darkness, and want to be better. That", "with dark protagonists. The trick is to make sure they realize their darkness,", "for. While this works adequately when the dark protagonist is alone, I'm wondering", "While this works adequately when the dark protagonist is alone, I'm wondering if", "the evil-but-trying-to-be-better one?** In other words: can the reader like both protagonists *equally*?", "be better, he's still evil at the core. He's still a bad guy.", "trick is to make sure they realize their darkness, and want to be", "towards a 'good' one, and away from the evil-but-trying-to-be-better one?** In other words:", "one?** In other words: can the reader like both protagonists *equally*? This is", "that is, technically evil. The other protagonist is not evil. I'm wondering if", "protagonist. I have a way of dealing with dark protagonists. The trick is", "other words: can the reader like both protagonists *equally*? This is important because", "that while the dark protagonist is trying to be better, he's still evil", "want to be better. That gives the reader something to hope for. While", "will be outshone by a normal good protagonist. **With two protagonists, will the", "from the evil-but-trying-to-be-better one?** In other words: can the reader like both protagonists", "evil. I'm wondering if this will cause the reader to gravitate toward the", "like both protagonists *equally*? This is important because both protagonists are PoV characters.", "protagonists. One of them is a dark protagonist - that is, technically evil.", "characters. I don't want the reader wanting to get back to one character", "and away from the evil-but-trying-to-be-better one?** In other words: can the reader like", "He's still a bad guy. *Do note that my two protagonists are on", "*Do note that my two protagonists are on the same side. One is", "protagonists are on the same side. One is not the antagonist to the", "writing a tale with two protagonists. One of them is a dark protagonist", "In other words: can the reader like both protagonists *equally*? This is important", "'good' one, and away from the evil-but-trying-to-be-better one?** In other words: can the", "if it will be outshone by a normal good protagonist. **With two protagonists,", "I don't want the reader wanting to get back to one character while", "is to make sure they realize their darkness, and want to be better.", "Eragon vs. Roran in *Eldest*). The reason for this question is that while", "is important because both protagonists are PoV characters. I don't want the reader", "core. He's still a bad guy. *Do note that my two protagonists are", "good protagonist. I have a way of dealing with dark protagonists. The trick", "to gravitate toward the good protagonist. I have a way of dealing with", "way of dealing with dark protagonists. The trick is to make sure they", "for this question is that while the dark protagonist is trying to be", "still a bad guy. *Do note that my two protagonists are on the", "this question is that while the dark protagonist is trying to be better,", "two protagonists, will the reader gravitate towards a 'good' one, and away from", "while he's reading the other (eg Eragon vs. Roran in *Eldest*). The reason", "gravitate toward the good protagonist. I have a way of dealing with dark", "to hope for. While this works adequately when the dark protagonist is alone,", "dark protagonist is alone, I'm wondering if it will be outshone by a", "the reader gravitate towards a 'good' one, and away from the evil-but-trying-to-be-better one?**", "reader wanting to get back to one character while he's reading the other", "One of them is a dark protagonist - that is, technically evil. The", "is a dark protagonist - that is, technically evil. The other protagonist is", "them is a dark protagonist - that is, technically evil. The other protagonist", "(eg Eragon vs. Roran in *Eldest*). The reason for this question is that", "make sure they realize their darkness, and want to be better. That gives", "two protagonists are on the same side. One is not the antagonist to", "are on the same side. One is not the antagonist to the other.*", "wondering if it will be outshone by a normal good protagonist. **With two", "guy. *Do note that my two protagonists are on the same side. One", "to get back to one character while he's reading the other (eg Eragon", "note that my two protagonists are on the same side. One is not", "protagonists *equally*? This is important because both protagonists are PoV characters. I don't", "protagonist is alone, I'm wondering if it will be outshone by a normal", "tale with two protagonists. One of them is a dark protagonist - that", "to be better, he's still evil at the core. He's still a bad", "outshone by a normal good protagonist. **With two protagonists, will the reader gravitate", "- that is, technically evil. The other protagonist is not evil. I'm wondering", "don't want the reader wanting to get back to one character while he's", "protagonist is trying to be better, he's still evil at the core. He's", "evil-but-trying-to-be-better one?** In other words: can the reader like both protagonists *equally*? This", "character while he's reading the other (eg Eragon vs. Roran in *Eldest*). The", "reader something to hope for. While this works adequately when the dark protagonist", "reading the other (eg Eragon vs. Roran in *Eldest*). The reason for this", "better. That gives the reader something to hope for. While this works adequately", "protagonist. **With two protagonists, will the reader gravitate towards a 'good' one, and", "this works adequately when the dark protagonist is alone, I'm wondering if it", "normal good protagonist. **With two protagonists, will the reader gravitate towards a 'good'", "will the reader gravitate towards a 'good' one, and away from the evil-but-trying-to-be-better", "something to hope for. While this works adequately when the dark protagonist is", "I'm wondering if this will cause the reader to gravitate toward the good", "their darkness, and want to be better. That gives the reader something to", "be outshone by a normal good protagonist. **With two protagonists, will the reader", "This is important because both protagonists are PoV characters. I don't want the", "can the reader like both protagonists *equally*? 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While this works adequately when", "dark protagonist is trying to be better, he's still evil at the core.", "is, technically evil. The other protagonist is not evil. I'm wondering if this", "the reader something to hope for. While this works adequately when the dark", "good protagonist. **With two protagonists, will the reader gravitate towards a 'good' one,", "not evil. I'm wondering if this will cause the reader to gravitate toward", "both protagonists *equally*? This is important because both protagonists are PoV characters. I", "dealing with dark protagonists. The trick is to make sure they realize their", "is alone, I'm wondering if it will be outshone by a normal good", "one, and away from the evil-but-trying-to-be-better one?** In other words: can the reader", "*Eldest*). The reason for this question is that while the dark protagonist is", "to be better. That gives the reader something to hope for. While this", "gives the reader something to hope for. While this works adequately when the", "want the reader wanting to get back to one character while he's reading", "the core. He's still a bad guy. *Do note that my two protagonists", "reader gravitate towards a 'good' one, and away from the evil-but-trying-to-be-better one?** In", "a dark protagonist - that is, technically evil. The other protagonist is not", "have a way of dealing with dark protagonists. The trick is to make", "are PoV characters. I don't want the reader wanting to get back to", "gravitate towards a 'good' one, and away from the evil-but-trying-to-be-better one?** In other", "two protagonists. One of them is a dark protagonist - that is, technically", "alone, I'm wondering if it will be outshone by a normal good protagonist.", "question is that while the dark protagonist is trying to be better, he's", "wondering if this will cause the reader to gravitate toward the good protagonist.", "the good protagonist. I have a way of dealing with dark protagonists. The", "both protagonists are PoV characters. I don't want the reader wanting to get", "PoV characters. I don't want the reader wanting to get back to one", "I'm wondering if it will be outshone by a normal good protagonist. **With", "one character while he's reading the other (eg Eragon vs. Roran in *Eldest*).", "back to one character while he's reading the other (eg Eragon vs. Roran", "dark protagonists. The trick is to make sure they realize their darkness, and" ]
[ "a techniques that drives everyone crazy and never gives good results, but somehow", "can have a (facepalm) moment, or I can write a joke and add", "an example: a project management book or something. Where you might describe a", "frustration, or I can have a (facepalm) moment, or I can write a", "can write a joke and add (rofl), etc. But how do you do", "or what techniques to use to express feelings or emotions in a technical", "But how do you do this in a technical book (not an animated", "express frustration, or I can have a (facepalm) moment, or I can write", "(rofl) stands for. So what alternatives are there, or what techniques to use", "I might use (headbang) after a phrase to express frustration, or I can", "etc. But how do you do this in a technical book (not an", "technical book (not one with characters where you might make the characters behave", "an animated book)? Not all people might understand what (rofl) stands for. So", "a project management book or something. Where you might describe a techniques that", "moment, or I can write a joke and add (rofl), etc. But how", "and never gives good results, but somehow doesn't stop people for using it", "use (headbang) after a phrase to express frustration, or I can have a", "make the characters behave in a certain way that express the feeling/emotions)? Just", "stands for. So what alternatives are there, or what techniques to use to", "Skype conversations you use emoticons. I might use (headbang) after a phrase to", "techniques to use to express feelings or emotions in a technical book (not", "gives good results, but somehow doesn't stop people for using it again and", "techniques that drives everyone crazy and never gives good results, but somehow doesn't", "understand what (rofl) stands for. So what alternatives are there, or what techniques", "(headbang) after a phrase to express frustration, or I can have a (facepalm)", "a (facepalm) moment, or I can write a joke and add (rofl), etc.", "(facepalm) moment, or I can write a joke and add (rofl), etc. But", "book)? Not all people might understand what (rofl) stands for. So what alternatives", "something. Where you might describe a techniques that drives everyone crazy and never", "Where you might describe a techniques that drives everyone crazy and never gives", "emoticons. I might use (headbang) after a phrase to express frustration, or I", "doesn't stop people for using it again and again. For that I might", "that drives everyone crazy and never gives good results, but somehow doesn't stop", "never gives good results, but somehow doesn't stop people for using it again", "use to express feelings or emotions in a technical book (not one with", "all people might understand what (rofl) stands for. So what alternatives are there,", "that express the feeling/emotions)? Just an example: a project management book or something.", "in a technical book (not an animated book)? Not all people might understand", "use emoticons. I might use (headbang) after a phrase to express frustration, or", "might describe a techniques that drives everyone crazy and never gives good results,", "characters behave in a certain way that express the feeling/emotions)? Just an example:", "good results, but somehow doesn't stop people for using it again and again.", "after a phrase to express frustration, or I can have a (facepalm) moment,", "alternatives are there, or what techniques to use to express feelings or emotions", "you might make the characters behave in a certain way that express the", "So what alternatives are there, or what techniques to use to express feelings", "have a (facepalm) moment, or I can write a joke and add (rofl),", "a technical book (not one with characters where you might make the characters", "where you might make the characters behave in a certain way that express", "emotions in a technical book (not one with characters where you might make", "results, but somehow doesn't stop people for using it again and again. For", "phrase to express frustration, or I can have a (facepalm) moment, or I", "book or something. Where you might describe a techniques that drives everyone crazy", "or emotions in a technical book (not one with characters where you might", "stop people for using it again and again. For that I might use", "what alternatives are there, or what techniques to use to express feelings or", "in a certain way that express the feeling/emotions)? Just an example: a project", "and add (rofl), etc. But how do you do this in a technical", "do you do this in a technical book (not an animated book)? Not", "you do this in a technical book (not an animated book)? Not all", "book (not an animated book)? Not all people might understand what (rofl) stands", "characters where you might make the characters behave in a certain way that", "(not one with characters where you might make the characters behave in a", "or I can have a (facepalm) moment, or I can write a joke", "this in a technical book (not an animated book)? Not all people might", "the characters behave in a certain way that express the feeling/emotions)? Just an", "do this in a technical book (not an animated book)? Not all people", "or I can write a joke and add (rofl), etc. But how do", "management book or something. Where you might describe a techniques that drives everyone", "might make the characters behave in a certain way that express the feeling/emotions)?", "animated book)? Not all people might understand what (rofl) stands for. So what", "you use emoticons. I might use (headbang) after a phrase to express frustration,", "to use to express feelings or emotions in a technical book (not one", "way that express the feeling/emotions)? Just an example: a project management book or", "to express feelings or emotions in a technical book (not one with characters", "people might understand what (rofl) stands for. So what alternatives are there, or", "Just an example: a project management book or something. Where you might describe", "to express frustration, or I can have a (facepalm) moment, or I can", "everyone crazy and never gives good results, but somehow doesn't stop people for", "joke and add (rofl), etc. But how do you do this in a", "a joke and add (rofl), etc. But how do you do this in", "example, in Skype conversations you use emoticons. I might use (headbang) after a", "people for using it again and again. For that I might use (headbang).", "example: a project management book or something. Where you might describe a techniques", "behave in a certain way that express the feeling/emotions)? Just an example: a", "there, or what techniques to use to express feelings or emotions in a", "or something. Where you might describe a techniques that drives everyone crazy and", "Not all people might understand what (rofl) stands for. So what alternatives are", "but somehow doesn't stop people for using it again and again. For that", "might understand what (rofl) stands for. So what alternatives are there, or what", "express feelings or emotions in a technical book (not one with characters where", "drives everyone crazy and never gives good results, but somehow doesn't stop people", "I can have a (facepalm) moment, or I can write a joke and", "express the feeling/emotions)? Just an example: a project management book or something. Where", "book (not one with characters where you might make the characters behave in", "(rofl), etc. But how do you do this in a technical book (not", "in Skype conversations you use emoticons. I might use (headbang) after a phrase", "add (rofl), etc. But how do you do this in a technical book", "one with characters where you might make the characters behave in a certain", "For example, in Skype conversations you use emoticons. I might use (headbang) after", "with characters where you might make the characters behave in a certain way", "crazy and never gives good results, but somehow doesn't stop people for using", "somehow doesn't stop people for using it again and again. For that I", "a phrase to express frustration, or I can have a (facepalm) moment, or", "describe a techniques that drives everyone crazy and never gives good results, but", "how do you do this in a technical book (not an animated book)?", "in a technical book (not one with characters where you might make the", "the feeling/emotions)? Just an example: a project management book or something. Where you", "are there, or what techniques to use to express feelings or emotions in", "you might describe a techniques that drives everyone crazy and never gives good", "certain way that express the feeling/emotions)? Just an example: a project management book", "project management book or something. Where you might describe a techniques that drives", "what (rofl) stands for. So what alternatives are there, or what techniques to", "might use (headbang) after a phrase to express frustration, or I can have", "conversations you use emoticons. I might use (headbang) after a phrase to express", "a certain way that express the feeling/emotions)? Just an example: a project management", "feelings or emotions in a technical book (not one with characters where you", "a technical book (not an animated book)? Not all people might understand what", "write a joke and add (rofl), etc. But how do you do this", "I can write a joke and add (rofl), etc. But how do you", "what techniques to use to express feelings or emotions in a technical book", "(not an animated book)? Not all people might understand what (rofl) stands for.", "for. So what alternatives are there, or what techniques to use to express", "technical book (not an animated book)? Not all people might understand what (rofl)", "feeling/emotions)? Just an example: a project management book or something. Where you might" ]
[ "sentence do I use periods in action line or dialogue? It seems understood", "Regardless of complete sentence do I use periods in action line or dialogue?", "! But when writing what may be a sentence fragment do I use", "do I use periods in action line or dialogue? It seems understood using", "? And ! But when writing what may be a sentence fragment do", "periods in action line or dialogue? It seems understood using ? And !", "seems understood using ? And ! But when writing what may be a", "in action line or dialogue? It seems understood using ? And ! But", "And ! But when writing what may be a sentence fragment do I", "complete sentence do I use periods in action line or dialogue? It seems", "or dialogue? It seems understood using ? And ! But when writing what", "I use periods in action line or dialogue? It seems understood using ?", "understood using ? And ! But when writing what may be a sentence", "using ? And ! But when writing what may be a sentence fragment", "of complete sentence do I use periods in action line or dialogue? It", "But when writing what may be a sentence fragment do I use periods?", "It seems understood using ? And ! But when writing what may be", "action line or dialogue? It seems understood using ? And ! But when", "dialogue? It seems understood using ? And ! But when writing what may", "line or dialogue? It seems understood using ? And ! But when writing", "use periods in action line or dialogue? It seems understood using ? And" ]
[ "as far as I understand. However, [Tarzan is also trademarked](https://tsdr.uspto.gov/#caseNumber=86196785&caseType=SERIAL_NO&searchType=statusSearch). I want to", "I include public domain characters that have been trademarked in my story as", "are trademarked mean they can never be in my story? I know you", "away from the title/marketing? Or does the fact that they are trademarked mean", "and away from the title/marketing? Or does the fact that they are trademarked", "answer to this question for days but no luck so far. I've decided", "title, his likeness in the illustrations, or have him ever appear in the", "writers and generally not lawyers, so you don't have to say IANAL. I'm", "question to you all, and hopefully some of you will know the answer.", "know the answer. [Tarzan is in the public domain](https://pdsh.fandom.com/wiki/Tarzan) as far as I", "also trademarked](https://tsdr.uspto.gov/#caseNumber=86196785&caseType=SERIAL_NO&searchType=statusSearch). I want to include him as a supporting character in my", "his likeness in the illustrations, or have him ever appear in the marketing,", "character in my story. I don't plan on having his name be in", "lawyers, so you don't have to say IANAL. I'm interested from a US", "likeness in the illustrations, or have him ever appear in the marketing, cover", "question for days but no luck so far. I've decided to pose the", "long as I keep them inside the pages and away from the title/marketing?", "so you don't have to say IANAL. I'm interested from a US perspective.", "him as a supporting character in my story. I don't plan on having", "you will know the answer. [Tarzan is in the public domain](https://pdsh.fandom.com/wiki/Tarzan) as far", "[Tarzan is also trademarked](https://tsdr.uspto.gov/#caseNumber=86196785&caseType=SERIAL_NO&searchType=statusSearch). I want to include him as a supporting character", "[Tarzan is in the public domain](https://pdsh.fandom.com/wiki/Tarzan) as far as I understand. However, [Tarzan", "pose the question to you all, and hopefully some of you will know", "for days but no luck so far. I've decided to pose the question", "generally not lawyers, so you don't have to say IANAL. I'm interested from", "story. I don't plan on having his name be in the title, his", "of you will know the answer. [Tarzan is in the public domain](https://pdsh.fandom.com/wiki/Tarzan) as", "marketing, cover flap, merchandise, etc. So my question is: can I include public", "but no luck so far. I've decided to pose the question to you", "luck so far. I've decided to pose the question to you all, and", "the fact that they are trademarked mean they can never be in my", "I've decided to pose the question to you all, and hopefully some of", "find a decent answer to this question for days but no luck so", "pages and away from the title/marketing? Or does the fact that they are", "or have him ever appear in the marketing, cover flap, merchandise, etc. So", "I don't plan on having his name be in the title, his likeness", "etc. So my question is: can I include public domain characters that have", "far as I understand. However, [Tarzan is also trademarked](https://tsdr.uspto.gov/#caseNumber=86196785&caseType=SERIAL_NO&searchType=statusSearch). I want to include", "is in the public domain](https://pdsh.fandom.com/wiki/Tarzan) as far as I understand. However, [Tarzan is", "to you all, and hopefully some of you will know the answer. [Tarzan", "far. I've decided to pose the question to you all, and hopefully some", "to include him as a supporting character in my story. I don't plan", "characters that have been trademarked in my story as long as I keep", "no luck so far. I've decided to pose the question to you all,", "story as long as I keep them inside the pages and away from", "so far. I've decided to pose the question to you all, and hopefully", "be in my story? I know you are writers and generally not lawyers,", "you are writers and generally not lawyers, so you don't have to say", "the title/marketing? Or does the fact that they are trademarked mean they can", "keep them inside the pages and away from the title/marketing? Or does the", "public domain characters that have been trademarked in my story as long as", "in the title, his likeness in the illustrations, or have him ever appear", "can I include public domain characters that have been trademarked in my story", "I understand. However, [Tarzan is also trademarked](https://tsdr.uspto.gov/#caseNumber=86196785&caseType=SERIAL_NO&searchType=statusSearch). I want to include him as", "ever appear in the marketing, cover flap, merchandise, etc. So my question is:", "in the marketing, cover flap, merchandise, etc. So my question is: can I", "as I keep them inside the pages and away from the title/marketing? Or", "to find a decent answer to this question for days but no luck", "domain](https://pdsh.fandom.com/wiki/Tarzan) as far as I understand. However, [Tarzan is also trademarked](https://tsdr.uspto.gov/#caseNumber=86196785&caseType=SERIAL_NO&searchType=statusSearch). I want", "in my story as long as I keep them inside the pages and", "be in the title, his likeness in the illustrations, or have him ever", "inside the pages and away from the title/marketing? Or does the fact that", "never be in my story? I know you are writers and generally not", "I want to include him as a supporting character in my story. I", "don't plan on having his name be in the title, his likeness in", "merchandise, etc. So my question is: can I include public domain characters that", "appear in the marketing, cover flap, merchandise, etc. So my question is: can", "my question is: can I include public domain characters that have been trademarked", "mean they can never be in my story? I know you are writers", "all, and hopefully some of you will know the answer. [Tarzan is in", "having his name be in the title, his likeness in the illustrations, or", "in my story? I know you are writers and generally not lawyers, so", "been trying to find a decent answer to this question for days but", "question is: can I include public domain characters that have been trademarked in", "his name be in the title, his likeness in the illustrations, or have", "as long as I keep them inside the pages and away from the", "hopefully some of you will know the answer. [Tarzan is in the public", "will know the answer. [Tarzan is in the public domain](https://pdsh.fandom.com/wiki/Tarzan) as far as", "from the title/marketing? Or does the fact that they are trademarked mean they", "the pages and away from the title/marketing? Or does the fact that they", "cover flap, merchandise, etc. So my question is: can I include public domain", "a supporting character in my story. I don't plan on having his name", "is also trademarked](https://tsdr.uspto.gov/#caseNumber=86196785&caseType=SERIAL_NO&searchType=statusSearch). I want to include him as a supporting character in", "in my story. I don't plan on having his name be in the", "I know you are writers and generally not lawyers, so you don't have", "to this question for days but no luck so far. I've decided to", "have been trademarked in my story as long as I keep them inside", "have him ever appear in the marketing, cover flap, merchandise, etc. So my", "trademarked in my story as long as I keep them inside the pages", "include him as a supporting character in my story. I don't plan on", "trademarked mean they can never be in my story? I know you are", "some of you will know the answer. [Tarzan is in the public domain](https://pdsh.fandom.com/wiki/Tarzan)", "that they are trademarked mean they can never be in my story? I", "that have been trademarked in my story as long as I keep them", "story? I know you are writers and generally not lawyers, so you don't", "they can never be in my story? I know you are writers and", "supporting character in my story. I don't plan on having his name be", "fact that they are trademarked mean they can never be in my story?", "include public domain characters that have been trademarked in my story as long", "they are trademarked mean they can never be in my story? I know", "the title, his likeness in the illustrations, or have him ever appear in", "the marketing, cover flap, merchandise, etc. So my question is: can I include", "in the illustrations, or have him ever appear in the marketing, cover flap,", "trademarked](https://tsdr.uspto.gov/#caseNumber=86196785&caseType=SERIAL_NO&searchType=statusSearch). I want to include him as a supporting character in my story.", "them inside the pages and away from the title/marketing? Or does the fact", "name be in the title, his likeness in the illustrations, or have him", "decent answer to this question for days but no luck so far. I've", "in the public domain](https://pdsh.fandom.com/wiki/Tarzan) as far as I understand. However, [Tarzan is also", "illustrations, or have him ever appear in the marketing, cover flap, merchandise, etc.", "my story as long as I keep them inside the pages and away", "him ever appear in the marketing, cover flap, merchandise, etc. So my question", "flap, merchandise, etc. So my question is: can I include public domain characters", "my story? I know you are writers and generally not lawyers, so you", "So my question is: can I include public domain characters that have been", "the answer. [Tarzan is in the public domain](https://pdsh.fandom.com/wiki/Tarzan) as far as I understand.", "is: can I include public domain characters that have been trademarked in my", "are writers and generally not lawyers, so you don't have to say IANAL.", "not lawyers, so you don't have to say IANAL. I'm interested from a", "a decent answer to this question for days but no luck so far.", "answer. [Tarzan is in the public domain](https://pdsh.fandom.com/wiki/Tarzan) as far as I understand. However,", "the illustrations, or have him ever appear in the marketing, cover flap, merchandise,", "want to include him as a supporting character in my story. I don't", "trying to find a decent answer to this question for days but no", "decided to pose the question to you all, and hopefully some of you", "on having his name be in the title, his likeness in the illustrations,", "and hopefully some of you will know the answer. [Tarzan is in the", "to pose the question to you all, and hopefully some of you will", "I keep them inside the pages and away from the title/marketing? Or does", "been trademarked in my story as long as I keep them inside the", "I've been trying to find a decent answer to this question for days", "plan on having his name be in the title, his likeness in the", "Or does the fact that they are trademarked mean they can never be", "my story. I don't plan on having his name be in the title,", "the question to you all, and hopefully some of you will know the", "title/marketing? Or does the fact that they are trademarked mean they can never", "does the fact that they are trademarked mean they can never be in", "can never be in my story? I know you are writers and generally", "the public domain](https://pdsh.fandom.com/wiki/Tarzan) as far as I understand. However, [Tarzan is also trademarked](https://tsdr.uspto.gov/#caseNumber=86196785&caseType=SERIAL_NO&searchType=statusSearch).", "as a supporting character in my story. I don't plan on having his", "domain characters that have been trademarked in my story as long as I", "days but no luck so far. I've decided to pose the question to", "as I understand. However, [Tarzan is also trademarked](https://tsdr.uspto.gov/#caseNumber=86196785&caseType=SERIAL_NO&searchType=statusSearch). I want to include him", "you all, and hopefully some of you will know the answer. [Tarzan is", "public domain](https://pdsh.fandom.com/wiki/Tarzan) as far as I understand. However, [Tarzan is also trademarked](https://tsdr.uspto.gov/#caseNumber=86196785&caseType=SERIAL_NO&searchType=statusSearch). I", "this question for days but no luck so far. I've decided to pose", "and generally not lawyers, so you don't have to say IANAL. I'm interested", "know you are writers and generally not lawyers, so you don't have to", "understand. However, [Tarzan is also trademarked](https://tsdr.uspto.gov/#caseNumber=86196785&caseType=SERIAL_NO&searchType=statusSearch). I want to include him as a", "However, [Tarzan is also trademarked](https://tsdr.uspto.gov/#caseNumber=86196785&caseType=SERIAL_NO&searchType=statusSearch). I want to include him as a supporting" ]
[ "question that has been touched on here and there, and yet I can't", "book. This must be an easy way to start. Suppose I wrote a", "I am not publishing my book. This must be an easy way to", "rights. This may be the proper way to start, but I just don't", "in the Star Wars universe. I don't want to dodge copyrights and trademarks", "copyright issues if I am not publishing my book. This must be an", "have two options, if I understand it correctly: 1. Go to Lucasfilm and", "a lot of money. 2. Write it as a fan fiction. I know", "holder, and it came out well. Is it possible (or realistic) to \"legalize\"", "be well recognizable. I have two options, if I understand it correctly: 1.", "has been touched on here and there, and yet I can't find a", "know if they are going to talk to me at all, or ask", "it possible (or realistic) to \"legalize\" my work afterwards? Or should I have", "I have to worry much less about copyright issues if I am not", "I just don't know if they are going to talk to me at", "story with Lucasfilm Story Group first, and if by then it is off-canon,", "recognizable. I have two options, if I understand it correctly: 1. Go to", "me for a lot of money. 2. Write it as a fan fiction.", "not publishing my book. This must be an easy way to start. Suppose", "copyrights and trademarks by renaming everything and everyone. I want it to be", "Suppose I wrote a fan fiction without talking to the copyright holder, and", "if I understand it correctly: 1. Go to Lucasfilm and secure the rights.", "copyright holder, and it came out well. Is it possible (or realistic) to", "work afterwards? Or should I have discussed my story with Lucasfilm Story Group", "universe. I don't want to dodge copyrights and trademarks by renaming everything and", "afterwards? Or should I have discussed my story with Lucasfilm Story Group first,", "about copyright issues if I am not publishing my book. This must be", "am not publishing my book. This must be an easy way to start.", "an easy way to start. Suppose I wrote a fan fiction without talking", "a fan fiction. I know I have to worry much less about copyright", "less about copyright issues if I am not publishing my book. This must", "and trademarks by renaming everything and everyone. I want it to be well", "discussed my story with Lucasfilm Story Group first, and if by then it", "to start, but I just don't know if they are going to talk", "publishing my book. This must be an easy way to start. Suppose I", "going to talk to me at all, or ask me for a lot", "talking to the copyright holder, and it came out well. Is it possible", "the Star Wars universe. I don't want to dodge copyrights and trademarks by", "Or should I have discussed my story with Lucasfilm Story Group first, and", "there, and yet I can't find a good answer. Suppose I am writing", "and secure the rights. This may be the proper way to start, but", "but I just don't know if they are going to talk to me", "to worry much less about copyright issues if I am not publishing my", "by renaming everything and everyone. I want it to be well recognizable. I", "Go to Lucasfilm and secure the rights. This may be the proper way", "possible (or realistic) to \"legalize\" my work afterwards? Or should I have discussed", "money. 2. Write it as a fan fiction. I know I have to", "Star Wars universe. I don't want to dodge copyrights and trademarks by renaming", "if I am not publishing my book. This must be an easy way", "it to be well recognizable. I have two options, if I understand it", "just don't know if they are going to talk to me at all,", "on here and there, and yet I can't find a good answer. Suppose", "out well. Is it possible (or realistic) to \"legalize\" my work afterwards? Or", "\"legalize\" my work afterwards? Or should I have discussed my story with Lucasfilm", "issues if I am not publishing my book. This must be an easy", "story set in the Star Wars universe. I don't want to dodge copyrights", "or ask me for a lot of money. 2. Write it as a", "much less about copyright issues if I am not publishing my book. This", "everyone. I want it to be well recognizable. I have two options, if", "for a lot of money. 2. Write it as a fan fiction. I", "well. Is it possible (or realistic) to \"legalize\" my work afterwards? Or should", "been touched on here and there, and yet I can't find a good", "I know I have to worry much less about copyright issues if I", "and yet I can't find a good answer. Suppose I am writing a", "(or realistic) to \"legalize\" my work afterwards? Or should I have discussed my", "all, or ask me for a lot of money. 2. Write it as", "I can't find a good answer. Suppose I am writing a story set", "two options, if I understand it correctly: 1. Go to Lucasfilm and secure", "and there, and yet I can't find a good answer. Suppose I am", "touched on here and there, and yet I can't find a good answer.", "here and there, and yet I can't find a good answer. Suppose I", "the copyright holder, and it came out well. Is it possible (or realistic)", "at all, or ask me for a lot of money. 2. Write it", "they are going to talk to me at all, or ask me for", "have to worry much less about copyright issues if I am not publishing", "I have discussed my story with Lucasfilm Story Group first, and if by", "to dodge copyrights and trademarks by renaming everything and everyone. I want it", "understand it correctly: 1. Go to Lucasfilm and secure the rights. This may", "writing a story set in the Star Wars universe. I don't want to", "it correctly: 1. Go to Lucasfilm and secure the rights. This may be", "options, if I understand it correctly: 1. Go to Lucasfilm and secure the", "worry much less about copyright issues if I am not publishing my book.", "want to dodge copyrights and trademarks by renaming everything and everyone. I want", "to me at all, or ask me for a lot of money. 2.", "Write it as a fan fiction. I know I have to worry much", "way to start, but I just don't know if they are going to", "I am writing a story set in the Star Wars universe. I don't", "2. Write it as a fan fiction. I know I have to worry", "if they are going to talk to me at all, or ask me", "This may be the proper way to start, but I just don't know", "Lucasfilm and secure the rights. This may be the proper way to start,", "trademarks by renaming everything and everyone. I want it to be well recognizable.", "Is it possible (or realistic) to \"legalize\" my work afterwards? Or should I", "I want it to be well recognizable. I have two options, if I", "to the copyright holder, and it came out well. Is it possible (or", "am writing a story set in the Star Wars universe. I don't want", "ask me for a lot of money. 2. Write it as a fan", "wrote a fan fiction without talking to the copyright holder, and it came", "know I have to worry much less about copyright issues if I am", "renaming everything and everyone. I want it to be well recognizable. I have", "is a question that has been touched on here and there, and yet", "fiction. I know I have to worry much less about copyright issues if", "well recognizable. I have two options, if I understand it correctly: 1. Go", "should I have discussed my story with Lucasfilm Story Group first, and if", "find a good answer. Suppose I am writing a story set in the", "don't know if they are going to talk to me at all, or", "a question that has been touched on here and there, and yet I", "This is a question that has been touched on here and there, and", "without talking to the copyright holder, and it came out well. Is it", "Suppose I am writing a story set in the Star Wars universe. I", "way to start. Suppose I wrote a fan fiction without talking to the", "I understand it correctly: 1. Go to Lucasfilm and secure the rights. This", "start, but I just don't know if they are going to talk to", "lot of money. 2. Write it as a fan fiction. I know I", "I wrote a fan fiction without talking to the copyright holder, and it", "Lucasfilm Story Group first, and if by then it is off-canon, it would", "a story set in the Star Wars universe. I don't want to dodge", "Group first, and if by then it is off-canon, it would become non-publishable?", "secure the rights. This may be the proper way to start, but I", "have discussed my story with Lucasfilm Story Group first, and if by then", "start. Suppose I wrote a fan fiction without talking to the copyright holder,", "This must be an easy way to start. Suppose I wrote a fan", "I have two options, if I understand it correctly: 1. Go to Lucasfilm", "me at all, or ask me for a lot of money. 2. Write", "may be the proper way to start, but I just don't know if", "my book. This must be an easy way to start. Suppose I wrote", "I don't want to dodge copyrights and trademarks by renaming everything and everyone.", "yet I can't find a good answer. Suppose I am writing a story", "correctly: 1. Go to Lucasfilm and secure the rights. This may be the", "and everyone. I want it to be well recognizable. I have two options,", "set in the Star Wars universe. I don't want to dodge copyrights and", "to start. Suppose I wrote a fan fiction without talking to the copyright", "to talk to me at all, or ask me for a lot of", "to Lucasfilm and secure the rights. This may be the proper way to", "easy way to start. Suppose I wrote a fan fiction without talking to", "be the proper way to start, but I just don't know if they", "to \"legalize\" my work afterwards? Or should I have discussed my story with", "dodge copyrights and trademarks by renaming everything and everyone. I want it to", "are going to talk to me at all, or ask me for a", "answer. Suppose I am writing a story set in the Star Wars universe.", "to be well recognizable. I have two options, if I understand it correctly:", "be an easy way to start. Suppose I wrote a fan fiction without", "fiction without talking to the copyright holder, and it came out well. Is", "talk to me at all, or ask me for a lot of money.", "with Lucasfilm Story Group first, and if by then it is off-canon, it", "as a fan fiction. I know I have to worry much less about", "everything and everyone. I want it to be well recognizable. I have two", "good answer. Suppose I am writing a story set in the Star Wars", "don't want to dodge copyrights and trademarks by renaming everything and everyone. I", "a fan fiction without talking to the copyright holder, and it came out", "my story with Lucasfilm Story Group first, and if by then it is", "proper way to start, but I just don't know if they are going", "Story Group first, and if by then it is off-canon, it would become", "it came out well. Is it possible (or realistic) to \"legalize\" my work", "realistic) to \"legalize\" my work afterwards? Or should I have discussed my story", "came out well. Is it possible (or realistic) to \"legalize\" my work afterwards?", "must be an easy way to start. Suppose I wrote a fan fiction", "can't find a good answer. Suppose I am writing a story set in", "and it came out well. Is it possible (or realistic) to \"legalize\" my", "the rights. This may be the proper way to start, but I just", "fan fiction without talking to the copyright holder, and it came out well.", "that has been touched on here and there, and yet I can't find", "my work afterwards? Or should I have discussed my story with Lucasfilm Story", "of money. 2. Write it as a fan fiction. I know I have", "fan fiction. I know I have to worry much less about copyright issues", "1. Go to Lucasfilm and secure the rights. This may be the proper", "it as a fan fiction. I know I have to worry much less", "want it to be well recognizable. I have two options, if I understand", "the proper way to start, but I just don't know if they are", "a good answer. Suppose I am writing a story set in the Star", "Wars universe. I don't want to dodge copyrights and trademarks by renaming everything" ]
[ "as: * losing a loved one, * almost dying, * getting lost, *", "in a fire, but he only got burned. The doctor character has to", "getting yelled at by your overprotective mother and * almost losing someone close", "mother and * almost losing someone close to you. I have this idea", "a fire, but he only got burned. The doctor character has to amputate", "losing a loved one, * almost dying, * getting lost, * getting yelled", "to amputate his arm and there's one character who loses it when he", "and there's one character who loses it when he thinks the burned character", "a loved one, * almost dying, * getting lost, * getting yelled at", "you. I have this idea in my mind of writing a character almost", "amputate his arm and there's one character who loses it when he thinks", "yelled at by your overprotective mother and * almost losing someone close to", "doctor character has to amputate his arm and there's one character who loses", "who loses it when he thinks the burned character isn't going to make", "he thinks the burned character isn't going to make it. How do I", "lost, * getting yelled at by your overprotective mother and * almost losing", "character isn't going to make it. How do I effectively describe that feeling?", "it when he thinks the burned character isn't going to make it. How", "* almost dying, * getting lost, * getting yelled at by your overprotective", "some ways to write feelings of fear, such as: * losing a loved", "mind of writing a character almost dying in a fire, but he only", "burned. The doctor character has to amputate his arm and there's one character", "this idea in my mind of writing a character almost dying in a", "has to amputate his arm and there's one character who loses it when", "* losing a loved one, * almost dying, * getting lost, * getting", "and * almost losing someone close to you. I have this idea in", "loved one, * almost dying, * getting lost, * getting yelled at by", "at by your overprotective mother and * almost losing someone close to you.", "writing a character almost dying in a fire, but he only got burned.", "fear, such as: * losing a loved one, * almost dying, * getting", "getting lost, * getting yelled at by your overprotective mother and * almost", "write feelings of fear, such as: * losing a loved one, * almost", "your overprotective mother and * almost losing someone close to you. I have", "burned character isn't going to make it. How do I effectively describe that", "of fear, such as: * losing a loved one, * almost dying, *", "one, * almost dying, * getting lost, * getting yelled at by your", "thinks the burned character isn't going to make it. How do I effectively", "* getting lost, * getting yelled at by your overprotective mother and *", "the burned character isn't going to make it. How do I effectively describe", "one character who loses it when he thinks the burned character isn't going", "dying, * getting lost, * getting yelled at by your overprotective mother and", "are some ways to write feelings of fear, such as: * losing a", "close to you. I have this idea in my mind of writing a", "idea in my mind of writing a character almost dying in a fire,", "loses it when he thinks the burned character isn't going to make it.", "fire, but he only got burned. The doctor character has to amputate his", "someone close to you. I have this idea in my mind of writing", "in my mind of writing a character almost dying in a fire, but", "my mind of writing a character almost dying in a fire, but he", "a character almost dying in a fire, but he only got burned. The", "only got burned. The doctor character has to amputate his arm and there's", "almost dying in a fire, but he only got burned. The doctor character", "overprotective mother and * almost losing someone close to you. I have this", "got burned. The doctor character has to amputate his arm and there's one", "losing someone close to you. I have this idea in my mind of", "character almost dying in a fire, but he only got burned. The doctor", "almost dying, * getting lost, * getting yelled at by your overprotective mother", "there's one character who loses it when he thinks the burned character isn't", "character has to amputate his arm and there's one character who loses it", "The doctor character has to amputate his arm and there's one character who", "arm and there's one character who loses it when he thinks the burned", "have this idea in my mind of writing a character almost dying in", "when he thinks the burned character isn't going to make it. How do", "he only got burned. The doctor character has to amputate his arm and", "character who loses it when he thinks the burned character isn't going to", "* getting yelled at by your overprotective mother and * almost losing someone", "but he only got burned. The doctor character has to amputate his arm", "to write feelings of fear, such as: * losing a loved one, *", "dying in a fire, but he only got burned. The doctor character has", "his arm and there's one character who loses it when he thinks the", "* almost losing someone close to you. I have this idea in my", "What are some ways to write feelings of fear, such as: * losing", "such as: * losing a loved one, * almost dying, * getting lost,", "to you. I have this idea in my mind of writing a character", "feelings of fear, such as: * losing a loved one, * almost dying,", "of writing a character almost dying in a fire, but he only got", "ways to write feelings of fear, such as: * losing a loved one,", "by your overprotective mother and * almost losing someone close to you. I", "almost losing someone close to you. I have this idea in my mind", "I have this idea in my mind of writing a character almost dying" ]
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So can I put these English poems with", "I do? 1.Translate his/her poems in Chinese, and put his/her original on my", "like to translate some poems from English to Chinese. So can I put", "his/her original on my blog? 2.Excerpt his/her full or part of the poems", "2.Excerpt his/her full or part of the poems in my essay, and put", "blog? 2.Excerpt his/her full or part of the poems in my essay, and", "poems in Chinese, and put his/her original on my blog? 2.Excerpt his/her full", "author, or don't? How will I do? 1.Translate his/her poems in Chinese, and", "on my blog? 2.Excerpt his/her full or part of the poems in my", "my blog? 2.Excerpt his/her full or part of the poems in my essay,", "will I do? 1.Translate his/her poems in Chinese, and put his/her original on", "essay, and put the essay on my blog or book? 3.Write a essay", "some English poems on the books or websites, and like to translate some", "blog or book? 3.Write a essay to introduce his/her poems or book? Thanks.", "don't? 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[ "every sentence, without making it boring. If its not possible then how can", "it boring. If its not possible then how can i work around the", "book rhyming on every sentence, without making it boring. If its not possible", "How can i write a poetic book rhyming on every sentence, without making", "i write a poetic book rhyming on every sentence, without making it boring.", "sentence, without making it boring. If its not possible then how can i", "on every sentence, without making it boring. If its not possible then how", "rhyming on every sentence, without making it boring. If its not possible then", "without making it boring. If its not possible then how can i work", "a poetic book rhyming on every sentence, without making it boring. If its", "poetic book rhyming on every sentence, without making it boring. If its not", "write a poetic book rhyming on every sentence, without making it boring. If", "making it boring. If its not possible then how can i work around", "boring. If its not possible then how can i work around the idea?", "can i write a poetic book rhyming on every sentence, without making it" ]
[ "to be central to her character is that she's physically weak, like she", "woman in her early twenties who specializes in torture, only working on her", "down and confined so she can go about without disruption. Another thing that", "she tires easily if she lifts heavy objects, comes short of breath, and", "a woman in her early twenties who specializes in torture, only working on", "character is that she's physically weak, like she tires easily if she lifts", "central to her character is that she's physically weak, like she tires easily", "early twenties who specializes in torture, only working on her victims when they're", "this considered realistic? For her to be a professional torturer and lacking in", "victims when they're tightly strapped down and confined so she can go about", "when they're tightly strapped down and confined so she can go about without", "they're tightly strapped down and confined so she can go about without disruption.", "want to be central to her character is that she's physically weak, like", "tightly strapped down and confined so she can go about without disruption. Another", "go about without disruption. Another thing that I want to be central to", "confined so she can go about without disruption. Another thing that I want", "without disruption. Another thing that I want to be central to her character", "lifts heavy objects, comes short of breath, and such. Is this considered realistic?", "heavy objects, comes short of breath, and such. Is this considered realistic? For", "objects, comes short of breath, and such. Is this considered realistic? For her", "who specializes in torture, only working on her victims when they're tightly strapped", "easily if she lifts heavy objects, comes short of breath, and such. Is", "her character is that she's physically weak, like she tires easily if she", "physically weak, like she tires easily if she lifts heavy objects, comes short", "realistic? She's a woman in her early twenties who specializes in torture, only", "like she tires easily if she lifts heavy objects, comes short of breath,", "be a professional torturer and lacking in physical durability at the same time?", "weak, like she tires easily if she lifts heavy objects, comes short of", "thing that I want to be central to her character is that she's", "working on her victims when they're tightly strapped down and confined so she", "question is, is this even realistic? She's a woman in her early twenties", "in her early twenties who specializes in torture, only working on her victims", "and such. Is this considered realistic? For her to be a professional torturer", "only working on her victims when they're tightly strapped down and confined so", "realistic? For her to be a professional torturer and lacking in physical durability", "she can go about without disruption. Another thing that I want to be", "For her to be a professional torturer and lacking in physical durability at", "considered realistic? For her to be a professional torturer and lacking in physical", "in torture, only working on her victims when they're tightly strapped down and", "torture, only working on her victims when they're tightly strapped down and confined", "disruption. Another thing that I want to be central to her character is", "breath, and such. Is this considered realistic? For her to be a professional", "Is this considered realistic? For her to be a professional torturer and lacking", "Another thing that I want to be central to her character is that", "She's a woman in her early twenties who specializes in torture, only working", "on her victims when they're tightly strapped down and confined so she can", "to her character is that she's physically weak, like she tires easily if", "this even realistic? She's a woman in her early twenties who specializes in", "if she lifts heavy objects, comes short of breath, and such. Is this", "her to be a professional torturer and lacking in physical durability at the", "and confined so she can go about without disruption. Another thing that I", "specializes in torture, only working on her victims when they're tightly strapped down", "My question is, is this even realistic? She's a woman in her early", "so she can go about without disruption. Another thing that I want to", "can go about without disruption. Another thing that I want to be central", "even realistic? She's a woman in her early twenties who specializes in torture,", "is that she's physically weak, like she tires easily if she lifts heavy", "that she's physically weak, like she tires easily if she lifts heavy objects,", "strapped down and confined so she can go about without disruption. Another thing", "tires easily if she lifts heavy objects, comes short of breath, and such.", "short of breath, and such. Is this considered realistic? For her to be", "such. Is this considered realistic? For her to be a professional torturer and", "that I want to be central to her character is that she's physically", "her victims when they're tightly strapped down and confined so she can go", "of breath, and such. Is this considered realistic? For her to be a", "her early twenties who specializes in torture, only working on her victims when", "be central to her character is that she's physically weak, like she tires", "is this even realistic? She's a woman in her early twenties who specializes", "she's physically weak, like she tires easily if she lifts heavy objects, comes", "twenties who specializes in torture, only working on her victims when they're tightly", "comes short of breath, and such. Is this considered realistic? For her to", "she lifts heavy objects, comes short of breath, and such. Is this considered", "about without disruption. Another thing that I want to be central to her", "is, is this even realistic? She's a woman in her early twenties who", "I want to be central to her character is that she's physically weak,", "to be a professional torturer and lacking in physical durability at the same" ]
[ "and where they are, I cannot combine the climaxes. They might take place", "by the end of the book. I'm worried that if I put one", "will only serve to separate the reader from both. *Second Note:* Another possible", "by a single goal, they each have different plots, and those two plots", "climaxes, or should I stay away from it at all costs? *Note:* I've", "in a castle. While these two characters are tied together by a single", "each have different plots, and those two plots have different and separate climaxes.", "that the climaxes are totally different, and I feel that doing this will", "per book. This of course means that one plot will not be resolved", "I put one climax after the other, one or both will be messed", "this will only serve to separate the reader from both. *Second Note:* Another", "how the novel has to lead up to the climax, and how the", "(an ongoing war). One is a respected general, has frequent contact with the", "campaigns. The other is a healer (the genre is fantasy-ish), is protected from", "lead up to the climax, and how the climax is followed by a", "army, and heads many campaigns. The other is a healer (the genre is", "time, but they are hundreds of miles apart. **How do I handle multiple", "where they are, I cannot combine the climaxes. They might take place at", "thought of the 'switching PoV' method, where I switch back and forth between", "it at all costs? *Note:* I've thought of the 'switching PoV' method, where", "book. This of course means that one plot will not be resolved with", "novel has to lead up to the climax, and how the climax is", "a single goal, they each have different plots, and those two plots have", "that if I put one climax after the other, one or both will", "on the main conflict (an ongoing war). One is a respected general, has", "up in terms of how the reader sees them. Is this a valid", "way to write multiple climaxes, or should I stay away from it at", "place at the same time, but they are hundreds of miles apart. **How", "and those two plots have different and separate climaxes. Because of who and", "since it is a series, to simply have only one climax per book.", "deal with this is, since it is a series, to simply have only", "is, since it is a series, to simply have only one climax per", "followed by the end of the book. I'm worried that if I put", "the climaxes are totally different, and I feel that doing this will only", "goal, they each have different plots, and those two plots have different and", "One is a respected general, has frequent contact with the leader of the", "a series, to simply have only one climax per book. This of course", "characters are tied together by a single goal, they each have different plots,", "Both are PoV characters, and both offer different viewpoints on the main conflict", "to lead up to the climax, and how the climax is followed by", "will be messed up in terms of how the reader sees them. Is", "valid concern? Is there a way to write multiple climaxes, or should I", "climaxes are totally different, and I feel that doing this will only serve", "and spends most of the novel in a castle. While these two characters", "same time, but they are hundreds of miles apart. **How do I handle", "Is this a valid concern? Is there a way to write multiple climaxes,", "of course means that one plot will not be resolved with every book,", "I switch back and forth between each climax. My problem with this method", "both offer different viewpoints on the main conflict (an ongoing war). One is", "single goal, they each have different plots, and those two plots have different", "**How do I handle multiple climaxes like this?** I understand how the novel", "of the book. I'm worried that if I put one climax after the", "*Note:* I've thought of the 'switching PoV' method, where I switch back and", "the army, and heads many campaigns. The other is a healer (the genre", "course means that one plot will not be resolved with every book, which", "combine the climaxes. They might take place at the same time, but they", "to the climax, and how the climax is followed by a short resolution,", "switch back and forth between each climax. My problem with this method is", "I feel that doing this will only serve to separate the reader from", "it is a series, to simply have only one climax per book. This", "is a respected general, has frequent contact with the leader of the army,", "method is that the climaxes are totally different, and I feel that doing", "only one climax per book. This of course means that one plot will", "writing a series, and I have two protagonists. Both are PoV characters, and", "and heads many campaigns. The other is a healer (the genre is fantasy-ish),", "cannot combine the climaxes. They might take place at the same time, but", "is a healer (the genre is fantasy-ish), is protected from the majority of", "(the genre is fantasy-ish), is protected from the majority of combat, and spends", "how the reader sees them. Is this a valid concern? Is there a", "possible way to deal with this is, since it is a series, to", "the climaxes. They might take place at the same time, but they are", "climaxes like this?** I understand how the novel has to lead up to", "the other, one or both will be messed up in terms of how", "protagonists. Both are PoV characters, and both offer different viewpoints on the main", "resolved with every book, which seems to me would cause a bit of", "who and where they are, I cannot combine the climaxes. They might take", "viewpoints on the main conflict (an ongoing war). One is a respected general,", "will not be resolved with every book, which seems to me would cause", "or should I stay away from it at all costs? *Note:* I've thought", "I cannot combine the climaxes. They might take place at the same time,", "end of the book. I'm worried that if I put one climax after", "at all costs? *Note:* I've thought of the 'switching PoV' method, where I", "this method is that the climaxes are totally different, and I feel that", "only serve to separate the reader from both. *Second Note:* Another possible way", "doing this will only serve to separate the reader from both. *Second Note:*", "one climax per book. This of course means that one plot will not", "away from it at all costs? *Note:* I've thought of the 'switching PoV'", "fantasy-ish), is protected from the majority of combat, and spends most of the", "two plots have different and separate climaxes. Because of who and where they", "they each have different plots, and those two plots have different and separate", "with this is, since it is a series, to simply have only one", "one climax after the other, one or both will be messed up in", "leader of the army, and heads many campaigns. The other is a healer", "most of the novel in a castle. While these two characters are tied", "plots have different and separate climaxes. Because of who and where they are,", "to write multiple climaxes, or should I stay away from it at all", "all costs? *Note:* I've thought of the 'switching PoV' method, where I switch", "are hundreds of miles apart. **How do I handle multiple climaxes like this?**", "two characters are tied together by a single goal, they each have different", "I stay away from it at all costs? *Note:* I've thought of the", "I'm writing a series, and I have two protagonists. Both are PoV characters,", "healer (the genre is fantasy-ish), is protected from the majority of combat, and", "climax is followed by a short resolution, followed by the end of the", "concern? Is there a way to write multiple climaxes, or should I stay", "of combat, and spends most of the novel in a castle. While these", "frequent contact with the leader of the army, and heads many campaigns. The", "put one climax after the other, one or both will be messed up", "different plots, and those two plots have different and separate climaxes. Because of", "that doing this will only serve to separate the reader from both. *Second", "and separate climaxes. Because of who and where they are, I cannot combine", "a valid concern? Is there a way to write multiple climaxes, or should", "to deal with this is, since it is a series, to simply have", "book. I'm worried that if I put one climax after the other, one", "'switching PoV' method, where I switch back and forth between each climax. My", "a respected general, has frequent contact with the leader of the army, and", "other is a healer (the genre is fantasy-ish), is protected from the majority", "and how the climax is followed by a short resolution, followed by the", "spends most of the novel in a castle. While these two characters are", "are totally different, and I feel that doing this will only serve to", "the end of the book. I'm worried that if I put one climax", "apart. **How do I handle multiple climaxes like this?** I understand how the", "climax per book. This of course means that one plot will not be", "means that one plot will not be resolved with every book, which seems", "conflict (an ongoing war). One is a respected general, has frequent contact with", "multiple climaxes like this?** I understand how the novel has to lead up", "costs? *Note:* I've thought of the 'switching PoV' method, where I switch back", "but they are hundreds of miles apart. **How do I handle multiple climaxes", "have different and separate climaxes. Because of who and where they are, I", "war). One is a respected general, has frequent contact with the leader of", "from it at all costs? *Note:* I've thought of the 'switching PoV' method,", "series, to simply have only one climax per book. This of course means", "ongoing war). One is a respected general, has frequent contact with the leader", "they are hundreds of miles apart. **How do I handle multiple climaxes like", "problem with this method is that the climaxes are totally different, and I", "I handle multiple climaxes like this?** I understand how the novel has to", "I understand how the novel has to lead up to the climax, and", "climax, and how the climax is followed by a short resolution, followed by", "other, one or both will be messed up in terms of how the", "this?** I understand how the novel has to lead up to the climax,", "Another possible way to deal with this is, since it is a series,", "the climax, and how the climax is followed by a short resolution, followed", "protected from the majority of combat, and spends most of the novel in", "contact with the leader of the army, and heads many campaigns. The other", "heads many campaigns. The other is a healer (the genre is fantasy-ish), is", "combat, and spends most of the novel in a castle. While these two", "way to deal with this is, since it is a series, to simply", "reader sees them. Is this a valid concern? Is there a way to", "*Second Note:* Another possible way to deal with this is, since it is", "to simply have only one climax per book. This of course means that", "have different plots, and those two plots have different and separate climaxes. Because", "the climax is followed by a short resolution, followed by the end of", "resolution, followed by the end of the book. I'm worried that if I", "of who and where they are, I cannot combine the climaxes. They might", "has frequent contact with the leader of the army, and heads many campaigns.", "offer different viewpoints on the main conflict (an ongoing war). One is a", "how the climax is followed by a short resolution, followed by the end", "should I stay away from it at all costs? *Note:* I've thought of", "tied together by a single goal, they each have different plots, and those", "write multiple climaxes, or should I stay away from it at all costs?", "genre is fantasy-ish), is protected from the majority of combat, and spends most", "stay away from it at all costs? *Note:* I've thought of the 'switching", "many campaigns. The other is a healer (the genre is fantasy-ish), is protected", "novel in a castle. While these two characters are tied together by a", "this is, since it is a series, to simply have only one climax", "if I put one climax after the other, one or both will be", "I have two protagonists. Both are PoV characters, and both offer different viewpoints", "by a short resolution, followed by the end of the book. I'm worried", "While these two characters are tied together by a single goal, they each", "separate climaxes. Because of who and where they are, I cannot combine the", "not be resolved with every book, which seems to me would cause a", "the novel has to lead up to the climax, and how the climax", "I'm worried that if I put one climax after the other, one or", "in terms of how the reader sees them. Is this a valid concern?", "forth between each climax. My problem with this method is that the climaxes", "is that the climaxes are totally different, and I feel that doing this", "main conflict (an ongoing war). One is a respected general, has frequent contact", "castle. While these two characters are tied together by a single goal, they", "do I handle multiple climaxes like this?** I understand how the novel has", "each climax. My problem with this method is that the climaxes are totally", "might take place at the same time, but they are hundreds of miles", "and I have two protagonists. Both are PoV characters, and both offer different", "general, has frequent contact with the leader of the army, and heads many", "that one plot will not be resolved with every book, which seems to", "them. Is this a valid concern? Is there a way to write multiple", "hundreds of miles apart. **How do I handle multiple climaxes like this?** I", "totally different, and I feel that doing this will only serve to separate", "terms of how the reader sees them. Is this a valid concern? Is", "a castle. While these two characters are tied together by a single goal,", "after the other, one or both will be messed up in terms of", "My problem with this method is that the climaxes are totally different, and", "short resolution, followed by the end of the book. I'm worried that if", "climaxes. They might take place at the same time, but they are hundreds", "two protagonists. Both are PoV characters, and both offer different viewpoints on the", "there a way to write multiple climaxes, or should I stay away from", "The other is a healer (the genre is fantasy-ish), is protected from the", "worried that if I put one climax after the other, one or both", "PoV' method, where I switch back and forth between each climax. My problem", "simply have only one climax per book. This of course means that one", "one plot will not be resolved with every book, which seems to me", "the leader of the army, and heads many campaigns. The other is a", "be resolved with every book, which seems to me would cause a bit", "be messed up in terms of how the reader sees them. Is this", "these two characters are tied together by a single goal, they each have", "those two plots have different and separate climaxes. Because of who and where", "where I switch back and forth between each climax. My problem with this", "with the leader of the army, and heads many campaigns. The other is", "separate the reader from both. *Second Note:* Another possible way to deal with", "they are, I cannot combine the climaxes. They might take place at the", "of the army, and heads many campaigns. The other is a healer (the", "serve to separate the reader from both. *Second Note:* Another possible way to", "from both. *Second Note:* Another possible way to deal with this is, since", "is followed by a short resolution, followed by the end of the book.", "Note:* Another possible way to deal with this is, since it is a", "the same time, but they are hundreds of miles apart. **How do I", "is a series, to simply have only one climax per book. This of", "This of course means that one plot will not be resolved with every", "is fantasy-ish), is protected from the majority of combat, and spends most of", "majority of combat, and spends most of the novel in a castle. While", "the reader from both. *Second Note:* Another possible way to deal with this", "characters, and both offer different viewpoints on the main conflict (an ongoing war).", "of miles apart. **How do I handle multiple climaxes like this?** I understand", "up to the climax, and how the climax is followed by a short", "and both offer different viewpoints on the main conflict (an ongoing war). One", "the majority of combat, and spends most of the novel in a castle.", "take place at the same time, but they are hundreds of miles apart.", "different and separate climaxes. Because of who and where they are, I cannot", "the book. I'm worried that if I put one climax after the other,", "at the same time, but they are hundreds of miles apart. **How do", "sees them. Is this a valid concern? Is there a way to write", "multiple climaxes, or should I stay away from it at all costs? *Note:*", "every book, which seems to me would cause a bit of a problem.", "from the majority of combat, and spends most of the novel in a", "one or both will be messed up in terms of how the reader", "a short resolution, followed by the end of the book. I'm worried that", "a way to write multiple climaxes, or should I stay away from it", "different viewpoints on the main conflict (an ongoing war). One is a respected", "have two protagonists. Both are PoV characters, and both offer different viewpoints on", "like this?** I understand how the novel has to lead up to the", "plots, and those two plots have different and separate climaxes. Because of who", "followed by a short resolution, followed by the end of the book. I'm", "Is there a way to write multiple climaxes, or should I stay away", "of the 'switching PoV' method, where I switch back and forth between each", "with every book, which seems to me would cause a bit of a", "PoV characters, and both offer different viewpoints on the main conflict (an ongoing", "between each climax. My problem with this method is that the climaxes are", "reader from both. *Second Note:* Another possible way to deal with this is,", "both. *Second Note:* Another possible way to deal with this is, since it", "the 'switching PoV' method, where I switch back and forth between each climax.", "Because of who and where they are, I cannot combine the climaxes. They", "and I feel that doing this will only serve to separate the reader", "are PoV characters, and both offer different viewpoints on the main conflict (an", "back and forth between each climax. My problem with this method is that", "feel that doing this will only serve to separate the reader from both.", "I've thought of the 'switching PoV' method, where I switch back and forth", "a healer (the genre is fantasy-ish), is protected from the majority of combat,", "this a valid concern? Is there a way to write multiple climaxes, or", "and forth between each climax. My problem with this method is that the", "have only one climax per book. This of course means that one plot", "has to lead up to the climax, and how the climax is followed", "series, and I have two protagonists. Both are PoV characters, and both offer", "with this method is that the climaxes are totally different, and I feel", "or both will be messed up in terms of how the reader sees", "climaxes. Because of who and where they are, I cannot combine the climaxes.", "both will be messed up in terms of how the reader sees them.", "are tied together by a single goal, they each have different plots, and", "the reader sees them. Is this a valid concern? Is there a way", "different, and I feel that doing this will only serve to separate the", "method, where I switch back and forth between each climax. My problem with", "the novel in a castle. While these two characters are tied together by", "to separate the reader from both. *Second Note:* Another possible way to deal", "of the novel in a castle. While these two characters are tied together", "are, I cannot combine the climaxes. They might take place at the same", "together by a single goal, they each have different plots, and those two", "plot will not be resolved with every book, which seems to me would", "respected general, has frequent contact with the leader of the army, and heads", "climax after the other, one or both will be messed up in terms", "a series, and I have two protagonists. Both are PoV characters, and both", "miles apart. **How do I handle multiple climaxes like this?** I understand how", "messed up in terms of how the reader sees them. Is this a", "climax. My problem with this method is that the climaxes are totally different,", "They might take place at the same time, but they are hundreds of", "the main conflict (an ongoing war). One is a respected general, has frequent", "handle multiple climaxes like this?** I understand how the novel has to lead", "understand how the novel has to lead up to the climax, and how", "of how the reader sees them. Is this a valid concern? Is there", "is protected from the majority of combat, and spends most of the novel" ]
[ "it was too biased for my family to edit my writing. **My mom", "too biased for my family to edit my writing. **My mom likes to", "fix grammar mistakes all the time**, but would their opinion be biased towards", "would their opinion be biased towards me if they do this and I", "write. (or in general) And I wanted to know if it was too", "me if they do this and I won't receive constructive criticism from them?", "I don't really have any friends who write. (or in general) And I", "if it was too biased for my family to edit my writing. **My", "really have any friends who write. (or in general) And I wanted to", "the time**, but would their opinion be biased towards me if they do", "to know if it was too biased for my family to edit my", "friends who write. (or in general) And I wanted to know if it", "And I wanted to know if it was too biased for my family", "her fix grammar mistakes all the time**, but would their opinion be biased", "who write. (or in general) And I wanted to know if it was", "read my stuff and I let her fix grammar mistakes all the time**,", "general) And I wanted to know if it was too biased for my", "their opinion be biased towards me if they do this and I won't", "biased towards me if they do this and I won't receive constructive criticism", "mistakes all the time**, but would their opinion be biased towards me if", "any friends who write. (or in general) And I wanted to know if", "was too biased for my family to edit my writing. **My mom likes", "edit my writing. **My mom likes to read my stuff and I let", "but would their opinion be biased towards me if they do this and", "know if it was too biased for my family to edit my writing.", "biased for my family to edit my writing. **My mom likes to read", "for my family to edit my writing. **My mom likes to read my", "stuff and I let her fix grammar mistakes all the time**, but would", "in general) And I wanted to know if it was too biased for", "my family to edit my writing. **My mom likes to read my stuff", "grammar mistakes all the time**, but would their opinion be biased towards me", "to read my stuff and I let her fix grammar mistakes all the", "time**, but would their opinion be biased towards me if they do this", "be biased towards me if they do this and I won't receive constructive", "and I let her fix grammar mistakes all the time**, but would their", "(or in general) And I wanted to know if it was too biased", "likes to read my stuff and I let her fix grammar mistakes all", "writing. **My mom likes to read my stuff and I let her fix", "to edit my writing. **My mom likes to read my stuff and I", "towards me if they do this and I won't receive constructive criticism from", "family to edit my writing. **My mom likes to read my stuff and", "**My mom likes to read my stuff and I let her fix grammar", "I wanted to know if it was too biased for my family to", "wanted to know if it was too biased for my family to edit", "opinion be biased towards me if they do this and I won't receive", "mom likes to read my stuff and I let her fix grammar mistakes", "my stuff and I let her fix grammar mistakes all the time**, but", "let her fix grammar mistakes all the time**, but would their opinion be", "my writing. **My mom likes to read my stuff and I let her", "I let her fix grammar mistakes all the time**, but would their opinion", "don't really have any friends who write. (or in general) And I wanted", "all the time**, but would their opinion be biased towards me if they", "*Okay*, I don't really have any friends who write. (or in general) And", "have any friends who write. (or in general) And I wanted to know" ]
[ "work is good enough to publish, I feel like constricting it to a", "second revision, I'm wondering whether or not I should lengthen it to a", "whether or not I should lengthen it to a novel. *If* my work", "lengthen it to a novel. *If* my work is good enough to publish,", "the best option? Should I try and make it longer to increase my", "my first novella, and as I'm going through for my second revision, I'm", "*If* my work is good enough to publish, I feel like constricting it", "to a novel. *If* my work is good enough to publish, I feel", "finished the first draft of my first novella, and as I'm going through", "is 41,000 words, which is long for a novella, but maybe about 20,000", "think is the best option? Should I try and make it longer to", "I feel like constricting it to a novella will really limit my options", "for publishing. Right now the whole work is 41,000 words, which is long", "should lengthen it to a novel. *If* my work is good enough to", "about 20,000 words from being a short novel. What do you think is", "it to a novella will really limit my options for publishing. Right now", "which is long for a novella, but maybe about 20,000 words from being", "my options for publishing. Right now the whole work is 41,000 words, which", "going through for my second revision, I'm wondering whether or not I should", "I'm wondering whether or not I should lengthen it to a novel. *If*", "to a novella will really limit my options for publishing. Right now the", "novel. What do you think is the best option? Should I try and", "first novella, and as I'm going through for my second revision, I'm wondering", "novel. *If* my work is good enough to publish, I feel like constricting", "do you think is the best option? Should I try and make it", "enough to publish, I feel like constricting it to a novella will really", "constricting it to a novella will really limit my options for publishing. Right", "publishing. Right now the whole work is 41,000 words, which is long for", "but maybe about 20,000 words from being a short novel. What do you", "options for publishing. Right now the whole work is 41,000 words, which is", "wondering whether or not I should lengthen it to a novel. *If* my", "a novella, but maybe about 20,000 words from being a short novel. What", "will really limit my options for publishing. Right now the whole work is", "41,000 words, which is long for a novella, but maybe about 20,000 words", "limit my options for publishing. Right now the whole work is 41,000 words,", "of my first novella, and as I'm going through for my second revision,", "work is 41,000 words, which is long for a novella, but maybe about", "just finished the first draft of my first novella, and as I'm going", "as I'm going through for my second revision, I'm wondering whether or not", "a novella will really limit my options for publishing. Right now the whole", "the whole work is 41,000 words, which is long for a novella, but", "20,000 words from being a short novel. What do you think is the", "words from being a short novel. What do you think is the best", "feel like constricting it to a novella will really limit my options for", "for a novella, but maybe about 20,000 words from being a short novel.", "Should I try and make it longer to increase my chances of publishing?", "first draft of my first novella, and as I'm going through for my", "draft of my first novella, and as I'm going through for my second", "novella, and as I'm going through for my second revision, I'm wondering whether", "for my second revision, I'm wondering whether or not I should lengthen it", "really limit my options for publishing. Right now the whole work is 41,000", "a novel. *If* my work is good enough to publish, I feel like", "being a short novel. What do you think is the best option? Should", "or not I should lengthen it to a novel. *If* my work is", "you think is the best option? Should I try and make it longer", "I should lengthen it to a novel. *If* my work is good enough", "option? Should I try and make it longer to increase my chances of", "is long for a novella, but maybe about 20,000 words from being a", "my work is good enough to publish, I feel like constricting it to", "long for a novella, but maybe about 20,000 words from being a short", "to publish, I feel like constricting it to a novella will really limit", "short novel. What do you think is the best option? Should I try", "novella, but maybe about 20,000 words from being a short novel. What do", "not I should lengthen it to a novel. *If* my work is good", "now the whole work is 41,000 words, which is long for a novella,", "novella will really limit my options for publishing. Right now the whole work", "is good enough to publish, I feel like constricting it to a novella", "whole work is 41,000 words, which is long for a novella, but maybe", "it to a novel. *If* my work is good enough to publish, I", "a short novel. What do you think is the best option? Should I", "and as I'm going through for my second revision, I'm wondering whether or", "What do you think is the best option? Should I try and make", "Right now the whole work is 41,000 words, which is long for a", "is the best option? Should I try and make it longer to increase", "like constricting it to a novella will really limit my options for publishing.", "best option? Should I try and make it longer to increase my chances", "maybe about 20,000 words from being a short novel. What do you think", "revision, I'm wondering whether or not I should lengthen it to a novel.", "words, which is long for a novella, but maybe about 20,000 words from", "from being a short novel. What do you think is the best option?", "the first draft of my first novella, and as I'm going through for", "good enough to publish, I feel like constricting it to a novella will", "I'm going through for my second revision, I'm wondering whether or not I", "through for my second revision, I'm wondering whether or not I should lengthen", "my second revision, I'm wondering whether or not I should lengthen it to", "publish, I feel like constricting it to a novella will really limit my", "I've just finished the first draft of my first novella, and as I'm" ]
[ "secondary characters, and it's really starting to feel like my main character pales", "doing the things she needs to do in spite of her fear. Only,", "world she doesn't really know much about (as YA protagonists frequently are, y'know...),", "I would hate the hell out of it. I think this is because", "out of place (obviously). I want her arc to be that of overcoming", "like this, I would hate the hell out of it. I think this", "to really flesh out my characters more. The only problem is, I've already", "mousy. She's more of a secondary character than my secondary characters, and at", "pales in comparison. I'm not quite sure what to do. For the purpose", "comes across as annoyingly shy and mousy. She's more of a secondary character", "thrown into a new world she doesn't really know much about (as YA", "starting to feel like my main character pales in comparison. I'm not quite", "to feel like my main character pales in comparison. I'm not quite sure", "of place (obviously). I want her arc to be that of overcoming her", "next to my other characters, she comes across as annoyingly shy and mousy.", "the book and the plot, the main character the way I've imagined her,", "really starting to feel like my main character pales in comparison. I'm not", "her arc to be that of overcoming her own self-doubt and fear, and", "her, is a shy and unsure girl who is actually quite determined. She's", "I have my main players, my world is built, and now I've started", "y'know...), where she kind of feels inadequate and out of place (obviously). I", "novel, and I have my plot fairly fleshed out, and I have my", "characters, and at this point the way I feel about her is, if", "secondary characters, and at this point the way I feel about her is,", "if I read a book with a character like this, I would hate", "other characters, she comes across as annoyingly shy and mousy. She's more of", "of my secondary characters, and it's really starting to feel like my main", "who is actually quite determined. She's thrown into a new world she doesn't", "she needs to do in spite of her fear. Only, I feel like", "would hate the hell out of it. I think this is because she's", "just don't know how to build her up while keeping her personality consistent.", "don't know how to build her up while keeping her personality consistent. I", "fear, and doing the things she needs to do in spite of her", "For the purpose of the book and the plot, the main character the", "this point the way I feel about her is, if I read a", "So I'm writing a fantasy novel, and I have my plot fairly fleshed", "to my other characters, she comes across as annoyingly shy and mousy. She's", "fleshed out, and I have my main players, my world is built, and", "fear. Only, I feel like every time I put her next to my", "how to build her up while keeping her personality consistent. I feel quite", "it. I think this is because she's not fleshed out enough but I", "way I've imagined her, is a shy and unsure girl who is actually", "way I feel about her is, if I read a book with a", "The only problem is, I've already fleshed out about 5 of my secondary", "and unsure girl who is actually quite determined. She's thrown into a new", "her personality consistent. I feel quite stuck and I was wondering what tools/ideas/techniques/things", "quite stuck and I was wondering what tools/ideas/techniques/things could help me see her", "now I've started to really flesh out my characters more. The only problem", "of it. I think this is because she's not fleshed out enough but", "it's really starting to feel like my main character pales in comparison. I'm", "my plot fairly fleshed out, and I have my main players, my world", "of feels inadequate and out of place (obviously). I want her arc to", "at this point the way I feel about her is, if I read", "character than my secondary characters, and at this point the way I feel", "fleshed out enough but I just don't know how to build her up", "is a shy and unsure girl who is actually quite determined. She's thrown", "is, I've already fleshed out about 5 of my secondary characters, and it's", "point the way I feel about her is, if I read a book", "needs to do in spite of her fear. Only, I feel like every", "the way I've imagined her, is a shy and unsure girl who is", "my secondary characters, and it's really starting to feel like my main character", "annoyingly shy and mousy. She's more of a secondary character than my secondary", "of her fear. Only, I feel like every time I put her next", "the purpose of the book and the plot, the main character the way", "her own self-doubt and fear, and doing the things she needs to do", "my world is built, and now I've started to really flesh out my", "built, and now I've started to really flesh out my characters more. The", "she doesn't really know much about (as YA protagonists frequently are, y'know...), where", "up while keeping her personality consistent. I feel quite stuck and I was", "and I have my plot fairly fleshed out, and I have my main", "I want her arc to be that of overcoming her own self-doubt and", "things she needs to do in spite of her fear. Only, I feel", "YA protagonists frequently are, y'know...), where she kind of feels inadequate and out", "plot, the main character the way I've imagined her, is a shy and", "a shy and unsure girl who is actually quite determined. She's thrown into", "quite sure what to do. For the purpose of the book and the", "character pales in comparison. I'm not quite sure what to do. For the", "like my main character pales in comparison. I'm not quite sure what to", "determined. She's thrown into a new world she doesn't really know much about", "book and the plot, the main character the way I've imagined her, is", "a fantasy novel, and I have my plot fairly fleshed out, and I", "book with a character like this, I would hate the hell out of", "out of it. I think this is because she's not fleshed out enough", "I just don't know how to build her up while keeping her personality", "protagonists frequently are, y'know...), where she kind of feels inadequate and out of", "character like this, I would hate the hell out of it. I think", "this is because she's not fleshed out enough but I just don't know", "feel quite stuck and I was wondering what tools/ideas/techniques/things could help me see", "I'm writing a fantasy novel, and I have my plot fairly fleshed out,", "not fleshed out enough but I just don't know how to build her", "She's more of a secondary character than my secondary characters, and at this", "be that of overcoming her own self-doubt and fear, and doing the things", "main character pales in comparison. I'm not quite sure what to do. For", "and mousy. She's more of a secondary character than my secondary characters, and", "her is, if I read a book with a character like this, I", "out, and I have my main players, my world is built, and now", "her fear. Only, I feel like every time I put her next to", "more of a secondary character than my secondary characters, and at this point", "think this is because she's not fleshed out enough but I just don't", "overcoming her own self-doubt and fear, and doing the things she needs to", "of overcoming her own self-doubt and fear, and doing the things she needs", "and the plot, the main character the way I've imagined her, is a", "time I put her next to my other characters, she comes across as", "she comes across as annoyingly shy and mousy. She's more of a secondary", "my main players, my world is built, and now I've started to really", "main players, my world is built, and now I've started to really flesh", "world is built, and now I've started to really flesh out my characters", "in comparison. I'm not quite sure what to do. For the purpose of", "the hell out of it. I think this is because she's not fleshed", "to build her up while keeping her personality consistent. I feel quite stuck", "is because she's not fleshed out enough but I just don't know how", "writing a fantasy novel, and I have my plot fairly fleshed out, and", "plot fairly fleshed out, and I have my main players, my world is", "keeping her personality consistent. I feel quite stuck and I was wondering what", "flesh out my characters more. The only problem is, I've already fleshed out", "and out of place (obviously). I want her arc to be that of", "much about (as YA protagonists frequently are, y'know...), where she kind of feels", "I put her next to my other characters, she comes across as annoyingly", "like every time I put her next to my other characters, she comes", "purpose of the book and the plot, the main character the way I've", "that of overcoming her own self-doubt and fear, and doing the things she", "actually quite determined. She's thrown into a new world she doesn't really know", "of a secondary character than my secondary characters, and at this point the", "about her is, if I read a book with a character like this,", "I feel like every time I put her next to my other characters,", "my other characters, she comes across as annoyingly shy and mousy. She's more", "do. For the purpose of the book and the plot, the main character", "feel like every time I put her next to my other characters, she", "because she's not fleshed out enough but I just don't know how to", "into a new world she doesn't really know much about (as YA protagonists", "started to really flesh out my characters more. The only problem is, I've", "hate the hell out of it. I think this is because she's not", "Only, I feel like every time I put her next to my other", "are, y'know...), where she kind of feels inadequate and out of place (obviously).", "secondary character than my secondary characters, and at this point the way I", "only problem is, I've already fleshed out about 5 of my secondary characters,", "inadequate and out of place (obviously). I want her arc to be that", "I was wondering what tools/ideas/techniques/things could help me see her in a different", "feels inadequate and out of place (obviously). I want her arc to be", "fairly fleshed out, and I have my main players, my world is built,", "a new world she doesn't really know much about (as YA protagonists frequently", "about (as YA protagonists frequently are, y'know...), where she kind of feels inadequate", "a secondary character than my secondary characters, and at this point the way", "I feel about her is, if I read a book with a character", "have my plot fairly fleshed out, and I have my main players, my", "really know much about (as YA protagonists frequently are, y'know...), where she kind", "problem is, I've already fleshed out about 5 of my secondary characters, and", "fantasy novel, and I have my plot fairly fleshed out, and I have", "what to do. For the purpose of the book and the plot, the", "not quite sure what to do. For the purpose of the book and", "hell out of it. I think this is because she's not fleshed out", "more. The only problem is, I've already fleshed out about 5 of my", "her next to my other characters, she comes across as annoyingly shy and", "a book with a character like this, I would hate the hell out", "the way I feel about her is, if I read a book with", "spite of her fear. Only, I feel like every time I put her", "really flesh out my characters more. The only problem is, I've already fleshed", "unsure girl who is actually quite determined. She's thrown into a new world", "the things she needs to do in spite of her fear. Only, I", "characters, and it's really starting to feel like my main character pales in", "to be that of overcoming her own self-doubt and fear, and doing the", "quite determined. She's thrown into a new world she doesn't really know much", "shy and mousy. She's more of a secondary character than my secondary characters,", "new world she doesn't really know much about (as YA protagonists frequently are,", "and I have my main players, my world is built, and now I've", "imagined her, is a shy and unsure girl who is actually quite determined.", "out my characters more. The only problem is, I've already fleshed out about", "build her up while keeping her personality consistent. I feel quite stuck and", "and doing the things she needs to do in spite of her fear.", "I'm not quite sure what to do. For the purpose of the book", "the main character the way I've imagined her, is a shy and unsure", "is built, and now I've started to really flesh out my characters more.", "shy and unsure girl who is actually quite determined. She's thrown into a", "(obviously). I want her arc to be that of overcoming her own self-doubt", "characters, she comes across as annoyingly shy and mousy. She's more of a", "across as annoyingly shy and mousy. She's more of a secondary character than", "she kind of feels inadequate and out of place (obviously). I want her", "and it's really starting to feel like my main character pales in comparison.", "she's not fleshed out enough but I just don't know how to build", "feel like my main character pales in comparison. I'm not quite sure what", "self-doubt and fear, and doing the things she needs to do in spite", "read a book with a character like this, I would hate the hell", "doesn't really know much about (as YA protagonists frequently are, y'know...), where she", "I read a book with a character like this, I would hate the", "with a character like this, I would hate the hell out of it.", "and I was wondering what tools/ideas/techniques/things could help me see her in a", "I've started to really flesh out my characters more. The only problem is,", "and fear, and doing the things she needs to do in spite of", "know how to build her up while keeping her personality consistent. I feel", "is actually quite determined. She's thrown into a new world she doesn't really", "enough but I just don't know how to build her up while keeping", "frequently are, y'know...), where she kind of feels inadequate and out of place", "personality consistent. I feel quite stuck and I was wondering what tools/ideas/techniques/things could", "5 of my secondary characters, and it's really starting to feel like my", "my main character pales in comparison. I'm not quite sure what to do.", "I think this is because she's not fleshed out enough but I just", "every time I put her next to my other characters, she comes across", "already fleshed out about 5 of my secondary characters, and it's really starting", "own self-doubt and fear, and doing the things she needs to do in", "main character the way I've imagined her, is a shy and unsure girl", "in spite of her fear. Only, I feel like every time I put", "was wondering what tools/ideas/techniques/things could help me see her in a different light?", "about 5 of my secondary characters, and it's really starting to feel like", "feel about her is, if I read a book with a character like", "(as YA protagonists frequently are, y'know...), where she kind of feels inadequate and", "I have my plot fairly fleshed out, and I have my main players,", "character the way I've imagined her, is a shy and unsure girl who", "where she kind of feels inadequate and out of place (obviously). I want", "characters more. The only problem is, I've already fleshed out about 5 of", "She's thrown into a new world she doesn't really know much about (as", "have my main players, my world is built, and now I've started to", "I've already fleshed out about 5 of my secondary characters, and it's really", "girl who is actually quite determined. She's thrown into a new world she", "consistent. I feel quite stuck and I was wondering what tools/ideas/techniques/things could help", "do in spite of her fear. Only, I feel like every time I", "kind of feels inadequate and out of place (obviously). I want her arc", "my secondary characters, and at this point the way I feel about her", "comparison. I'm not quite sure what to do. For the purpose of the", "to do. For the purpose of the book and the plot, the main", "the plot, the main character the way I've imagined her, is a shy", "fleshed out about 5 of my secondary characters, and it's really starting to", "I've imagined her, is a shy and unsure girl who is actually quite", "out about 5 of my secondary characters, and it's really starting to feel", "my characters more. The only problem is, I've already fleshed out about 5", "place (obviously). I want her arc to be that of overcoming her own", "and at this point the way I feel about her is, if I", "this, I would hate the hell out of it. I think this is", "I feel quite stuck and I was wondering what tools/ideas/techniques/things could help me", "sure what to do. For the purpose of the book and the plot,", "a character like this, I would hate the hell out of it. I", "her up while keeping her personality consistent. I feel quite stuck and I", "to do in spite of her fear. Only, I feel like every time", "know much about (as YA protagonists frequently are, y'know...), where she kind of", "stuck and I was wondering what tools/ideas/techniques/things could help me see her in", "and now I've started to really flesh out my characters more. The only", "while keeping her personality consistent. I feel quite stuck and I was wondering", "arc to be that of overcoming her own self-doubt and fear, and doing", "out enough but I just don't know how to build her up while", "of the book and the plot, the main character the way I've imagined", "but I just don't know how to build her up while keeping her", "put her next to my other characters, she comes across as annoyingly shy", "want her arc to be that of overcoming her own self-doubt and fear,", "as annoyingly shy and mousy. She's more of a secondary character than my", "is, if I read a book with a character like this, I would", "players, my world is built, and now I've started to really flesh out", "than my secondary characters, and at this point the way I feel about" ]
[ "worth it for me. I'm in a better state of mind at present", "used to be a huge part of my life. I found a project", "practice. At the same time, I see the major story problems in my", "a couple of false starts in either direction. Before I go any further,", "passion of mine. Seeing this reflected in the quality of my work, I", "writing since (and never wanted to). One belief that I took from all", "started struggling with depression, anxiety, etc., and somewhere in that transition writing stopped", "reflected in the quality of my work, I decided I was burnt out", "out and took a sabbatical. I haven't picked up creative writing since (and", "the pro's and con's and I've decided being a writer is worth it", "I left off or try something entirely new? A year is a long", "since (and never wanted to). One belief that I took from all this:", "decided being a writer is worth it for me. I'm in a better", "to fix them. I've had a couple of false starts in either direction.", "make a long story short, writing used to be a huge part of", "This has created a dilemma: Do I start where I left off or", "Do I start where I left off or try something entirely new? A", "a dilemma: Do I start where I left off or try something entirely", "in my unfinished novel and I have a clear idea of how to", "decided I was burnt out and took a sabbatical. I haven't picked up", "I'm in a better state of mind at present and I want to", "my life. I found a project that I loved and was dedicated to", "I want to give creative writing another go. This has created a dilemma:", "time, I see the major story problems in my unfinished novel and I", "any further, I was wondering if anyone else has experience with a similar", "experience with a similar problem. I'd greatly appreciate any advice or insight into", "either direction. Before I go any further, I was wondering if anyone else", "and I've decided being a writer is worth it for me. I'm in", "novel. Several beta readers reviewed later drafts and said that they loved the", "has created a dilemma: Do I start where I left off or try", "the major story problems in my unfinished novel and I have a clear", "false starts in either direction. Before I go any further, I was wondering", "I loved and was dedicated to making it a published novel. Several beta", "in that transition writing stopped being a passion of mine. Seeing this reflected", "been re-inspired to pick up that unfinished novel again. I've weighed the pro's", "pick up that unfinished novel again. I've weighed the pro's and con's and", "about a year ago, I started struggling with depression, anxiety, etc., and somewhere", "I was wondering if anyone else has experience with a similar problem. I'd", "project that I loved and was dedicated to making it a published novel.", "I wouldn't be able to let it go. Now in recent months I've", "burnt out and took a sabbatical. I haven't picked up creative writing since", "same time, I see the major story problems in my unfinished novel and", "drafts and said that they loved the characters and the writing style and", "this: If I was truly as passionate as I thought I was, I", "it go. Now in recent months I've been re-inspired to pick up that", "long story short, writing used to be a huge part of my life.", "a clear idea of how to fix them. I've had a couple of", "to pick up that unfinished novel again. I've weighed the pro's and con's", "to let it go. Now in recent months I've been re-inspired to pick", "said that they loved the characters and the writing style and wanted to", "I decided I was burnt out and took a sabbatical. I haven't picked", "a long story short, writing used to be a huge part of my", "more. Then about a year ago, I started struggling with depression, anxiety, etc.,", "passionate as I thought I was, I wouldn't be able to let it", "I was truly as passionate as I thought I was, I wouldn't be", "never wanted to). One belief that I took from all this: If I", "wouldn't be able to let it go. Now in recent months I've been", "in either direction. Before I go any further, I was wondering if anyone", "being a passion of mine. Seeing this reflected in the quality of my", "I start where I left off or try something entirely new? A year", "was burnt out and took a sabbatical. I haven't picked up creative writing", "and wanted to see more. Then about a year ago, I started struggling", "huge part of my life. I found a project that I loved and", "they loved the characters and the writing style and wanted to see more.", "this reflected in the quality of my work, I decided I was burnt", "mind at present and I want to give creative writing another go. This", "that transition writing stopped being a passion of mine. Seeing this reflected in", "depression, anxiety, etc., and somewhere in that transition writing stopped being a passion", "novel again. I've weighed the pro's and con's and I've decided being a", "I've had a couple of false starts in either direction. Before I go", "novel and I have a clear idea of how to fix them. I've", "was wondering if anyone else has experience with a similar problem. I'd greatly", "Seeing this reflected in the quality of my work, I decided I was", "dedicated to making it a published novel. Several beta readers reviewed later drafts", "has experience with a similar problem. I'd greatly appreciate any advice or insight", "To make a long story short, writing used to be a huge part", "problems in my unfinished novel and I have a clear idea of how", "it for me. I'm in a better state of mind at present and", "creative writing another go. This has created a dilemma: Do I start where", "want to give creative writing another go. This has created a dilemma: Do", "a long sabbatical and I'm definitely out of practice. At the same time,", "published novel. Several beta readers reviewed later drafts and said that they loved", "with depression, anxiety, etc., and somewhere in that transition writing stopped being a", "I see the major story problems in my unfinished novel and I have", "and was dedicated to making it a published novel. Several beta readers reviewed", "style and wanted to see more. Then about a year ago, I started", "thought I was, I wouldn't be able to let it go. Now in", "to be a huge part of my life. I found a project that", "go. Now in recent months I've been re-inspired to pick up that unfinished", "year ago, I started struggling with depression, anxiety, etc., and somewhere in that", "and said that they loved the characters and the writing style and wanted", "wanted to). One belief that I took from all this: If I was", "with a similar problem. I'd greatly appreciate any advice or insight into this", "being a writer is worth it for me. I'm in a better state", "year is a long sabbatical and I'm definitely out of practice. At the", "of my life. I found a project that I loved and was dedicated", "to see more. Then about a year ago, I started struggling with depression,", "a passion of mine. Seeing this reflected in the quality of my work,", "of mine. Seeing this reflected in the quality of my work, I decided", "reviewed later drafts and said that they loved the characters and the writing", "a sabbatical. I haven't picked up creative writing since (and never wanted to).", "I've been re-inspired to pick up that unfinished novel again. I've weighed the", "writer is worth it for me. I'm in a better state of mind", "I'm definitely out of practice. At the same time, I see the major", "up creative writing since (and never wanted to). One belief that I took", "recent months I've been re-inspired to pick up that unfinished novel again. I've", "definitely out of practice. At the same time, I see the major story", "quality of my work, I decided I was burnt out and took a", "Now in recent months I've been re-inspired to pick up that unfinished novel", "story short, writing used to be a huge part of my life. I", "beta readers reviewed later drafts and said that they loved the characters and", "and I'm definitely out of practice. At the same time, I see the", "try something entirely new? A year is a long sabbatical and I'm definitely", "else has experience with a similar problem. I'd greatly appreciate any advice or", "I haven't picked up creative writing since (and never wanted to). One belief", "to making it a published novel. Several beta readers reviewed later drafts and", "or try something entirely new? A year is a long sabbatical and I'm", "truly as passionate as I thought I was, I wouldn't be able to", "further, I was wondering if anyone else has experience with a similar problem.", "of mind at present and I want to give creative writing another go.", "writing stopped being a passion of mine. Seeing this reflected in the quality", "see the major story problems in my unfinished novel and I have a", "and I have a clear idea of how to fix them. I've had", "struggling with depression, anxiety, etc., and somewhere in that transition writing stopped being", "a published novel. Several beta readers reviewed later drafts and said that they", "go. This has created a dilemma: Do I start where I left off", "ago, I started struggling with depression, anxiety, etc., and somewhere in that transition", "and took a sabbatical. I haven't picked up creative writing since (and never", "sabbatical and I'm definitely out of practice. At the same time, I see", "it a published novel. Several beta readers reviewed later drafts and said that", "Several beta readers reviewed later drafts and said that they loved the characters", "of practice. At the same time, I see the major story problems in", "them. I've had a couple of false starts in either direction. Before I", "I started struggling with depression, anxiety, etc., and somewhere in that transition writing", "at present and I want to give creative writing another go. This has", "all this: If I was truly as passionate as I thought I was,", "weighed the pro's and con's and I've decided being a writer is worth", "in recent months I've been re-inspired to pick up that unfinished novel again.", "able to let it go. Now in recent months I've been re-inspired to", "part of my life. I found a project that I loved and was", "anxiety, etc., and somewhere in that transition writing stopped being a passion of", "up that unfinished novel again. I've weighed the pro's and con's and I've", "readers reviewed later drafts and said that they loved the characters and the", "of my work, I decided I was burnt out and took a sabbatical.", "that I loved and was dedicated to making it a published novel. Several", "I was, I wouldn't be able to let it go. Now in recent", "unfinished novel again. I've weighed the pro's and con's and I've decided being", "I've decided being a writer is worth it for me. I'm in a", "off or try something entirely new? A year is a long sabbatical and", "unfinished novel and I have a clear idea of how to fix them.", "con's and I've decided being a writer is worth it for me. I'm", "stopped being a passion of mine. Seeing this reflected in the quality of", "left off or try something entirely new? A year is a long sabbatical", "of how to fix them. I've had a couple of false starts in", "had a couple of false starts in either direction. Before I go any", "long sabbatical and I'm definitely out of practice. At the same time, I", "for me. I'm in a better state of mind at present and I", "entirely new? A year is a long sabbatical and I'm definitely out of", "Before I go any further, I was wondering if anyone else has experience", "a better state of mind at present and I want to give creative", "Then about a year ago, I started struggling with depression, anxiety, etc., and", "took from all this: If I was truly as passionate as I thought", "pro's and con's and I've decided being a writer is worth it for", "starts in either direction. Before I go any further, I was wondering if", "wondering if anyone else has experience with a similar problem. I'd greatly appreciate", "state of mind at present and I want to give creative writing another", "and con's and I've decided being a writer is worth it for me.", "as I thought I was, I wouldn't be able to let it go.", "better state of mind at present and I want to give creative writing", "direction. Before I go any further, I was wondering if anyone else has", "I've weighed the pro's and con's and I've decided being a writer is", "took a sabbatical. I haven't picked up creative writing since (and never wanted", "(and never wanted to). One belief that I took from all this: If", "characters and the writing style and wanted to see more. Then about a", "be able to let it go. Now in recent months I've been re-inspired", "writing another go. This has created a dilemma: Do I start where I", "that I took from all this: If I was truly as passionate as", "created a dilemma: Do I start where I left off or try something", "to). One belief that I took from all this: If I was truly", "start where I left off or try something entirely new? A year is", "where I left off or try something entirely new? A year is a", "haven't picked up creative writing since (and never wanted to). One belief that", "let it go. Now in recent months I've been re-inspired to pick up", "of false starts in either direction. Before I go any further, I was", "loved the characters and the writing style and wanted to see more. Then", "and I want to give creative writing another go. This has created a", "fix them. I've had a couple of false starts in either direction. Before", "anyone else has experience with a similar problem. I'd greatly appreciate any advice", "me. I'm in a better state of mind at present and I want", "be a huge part of my life. I found a project that I", "loved and was dedicated to making it a published novel. Several beta readers", "again. I've weighed the pro's and con's and I've decided being a writer", "making it a published novel. Several beta readers reviewed later drafts and said", "short, writing used to be a huge part of my life. I found", "A year is a long sabbatical and I'm definitely out of practice. At", "the quality of my work, I decided I was burnt out and took", "somewhere in that transition writing stopped being a passion of mine. Seeing this", "writing style and wanted to see more. Then about a year ago, I", "my unfinished novel and I have a clear idea of how to fix", "I thought I was, I wouldn't be able to let it go. Now", "present and I want to give creative writing another go. This has created", "in a better state of mind at present and I want to give", "dilemma: Do I start where I left off or try something entirely new?", "see more. Then about a year ago, I started struggling with depression, anxiety,", "the same time, I see the major story problems in my unfinished novel", "a project that I loved and was dedicated to making it a published", "story problems in my unfinished novel and I have a clear idea of", "the characters and the writing style and wanted to see more. Then about", "is worth it for me. I'm in a better state of mind at", "If I was truly as passionate as I thought I was, I wouldn't", "from all this: If I was truly as passionate as I thought I", "that unfinished novel again. I've weighed the pro's and con's and I've decided", "give creative writing another go. This has created a dilemma: Do I start", "couple of false starts in either direction. Before I go any further, I", "mine. Seeing this reflected in the quality of my work, I decided I", "my work, I decided I was burnt out and took a sabbatical. I", "I go any further, I was wondering if anyone else has experience with", "a similar problem. I'd greatly appreciate any advice or insight into this issue.", "to give creative writing another go. This has created a dilemma: Do I", "out of practice. At the same time, I see the major story problems", "something entirely new? A year is a long sabbatical and I'm definitely out", "I took from all this: If I was truly as passionate as I", "found a project that I loved and was dedicated to making it a", "later drafts and said that they loved the characters and the writing style", "the writing style and wanted to see more. Then about a year ago,", "re-inspired to pick up that unfinished novel again. I've weighed the pro's and", "At the same time, I see the major story problems in my unfinished", "was dedicated to making it a published novel. Several beta readers reviewed later", "life. I found a project that I loved and was dedicated to making", "in the quality of my work, I decided I was burnt out and", "clear idea of how to fix them. I've had a couple of false", "wanted to see more. Then about a year ago, I started struggling with", "belief that I took from all this: If I was truly as passionate", "idea of how to fix them. I've had a couple of false starts", "have a clear idea of how to fix them. I've had a couple", "is a long sabbatical and I'm definitely out of practice. At the same", "new? A year is a long sabbatical and I'm definitely out of practice.", "a huge part of my life. I found a project that I loved", "that they loved the characters and the writing style and wanted to see", "was truly as passionate as I thought I was, I wouldn't be able", "I have a clear idea of how to fix them. I've had a", "and somewhere in that transition writing stopped being a passion of mine. Seeing", "work, I decided I was burnt out and took a sabbatical. I haven't", "another go. This has created a dilemma: Do I start where I left", "how to fix them. I've had a couple of false starts in either", "creative writing since (and never wanted to). One belief that I took from", "etc., and somewhere in that transition writing stopped being a passion of mine.", "sabbatical. I haven't picked up creative writing since (and never wanted to). One", "writing used to be a huge part of my life. I found a", "go any further, I was wondering if anyone else has experience with a", "if anyone else has experience with a similar problem. I'd greatly appreciate any", "and the writing style and wanted to see more. Then about a year", "as passionate as I thought I was, I wouldn't be able to let", "I was burnt out and took a sabbatical. I haven't picked up creative", "One belief that I took from all this: If I was truly as", "I found a project that I loved and was dedicated to making it", "was, I wouldn't be able to let it go. Now in recent months", "picked up creative writing since (and never wanted to). One belief that I", "a year ago, I started struggling with depression, anxiety, etc., and somewhere in", "major story problems in my unfinished novel and I have a clear idea", "months I've been re-inspired to pick up that unfinished novel again. I've weighed", "a writer is worth it for me. I'm in a better state of", "transition writing stopped being a passion of mine. Seeing this reflected in the" ]
[ "but i cant decide if its better to use the present or the", "book, but i cant decide if its better to use the present or", "cant decide if its better to use the present or the past tense", "I just started a book, but i cant decide if its better to", "if its better to use the present or the past tense (written in", "its better to use the present or the past tense (written in the", "better to use the present or the past tense (written in the first", "just started a book, but i cant decide if its better to use", "a book, but i cant decide if its better to use the present", "started a book, but i cant decide if its better to use the", "i cant decide if its better to use the present or the past", "decide if its better to use the present or the past tense (written", "to use the present or the past tense (written in the first person)" ]
[ "something that I don't believe in anymore ? 2. And if yes, how", "idea. 1. Should I publish or complete something that I don't believe in", "good. I start writing it, and midway or towards the end, or sometimes", "complete something that I don't believe in anymore ? 2. And if yes,", "end, or sometimes after completing the whole thing, I completely lose trust in", "sometimes after completing the whole thing, I completely lose trust in the idea.", "midway or towards the end, or sometimes after completing the whole thing, I", "or complete something that I don't believe in anymore ? 2. And if", "anymore ? 2. And if yes, how do I go about completing the", "the idea. 1. Should I publish or complete something that I don't believe", "or sometimes after completing the whole thing, I completely lose trust in the", "I don't believe in anymore ? 2. And if yes, how do I", "towards the end, or sometimes after completing the whole thing, I completely lose", "start writing it, and midway or towards the end, or sometimes after completing", "publish or complete something that I don't believe in anymore ? 2. And", "it, and midway or towards the end, or sometimes after completing the whole", "I publish or complete something that I don't believe in anymore ? 2.", "that when I get an idea, it seems really good. I start writing", "whole thing, I completely lose trust in the idea. 1. Should I publish", "believe in anymore ? 2. And if yes, how do I go about", "fairly often, that when I get an idea, it seems really good. I", "completely lose trust in the idea. 1. Should I publish or complete something", "it seems really good. I start writing it, and midway or towards the", "lose trust in the idea. 1. Should I publish or complete something that", "? 2. And if yes, how do I go about completing the story?", "seems really good. I start writing it, and midway or towards the end,", "in anymore ? 2. And if yes, how do I go about completing", "the whole thing, I completely lose trust in the idea. 1. Should I", "often, that when I get an idea, it seems really good. I start", "really good. I start writing it, and midway or towards the end, or", "I start writing it, and midway or towards the end, or sometimes after", "the end, or sometimes after completing the whole thing, I completely lose trust", "completing the whole thing, I completely lose trust in the idea. 1. Should", "I completely lose trust in the idea. 1. Should I publish or complete", "in the idea. 1. Should I publish or complete something that I don't", "get an idea, it seems really good. I start writing it, and midway", "don't believe in anymore ? 2. And if yes, how do I go", "happens fairly often, that when I get an idea, it seems really good.", "or towards the end, or sometimes after completing the whole thing, I completely", "Should I publish or complete something that I don't believe in anymore ?", "and midway or towards the end, or sometimes after completing the whole thing,", "It happens fairly often, that when I get an idea, it seems really", "an idea, it seems really good. I start writing it, and midway or", "after completing the whole thing, I completely lose trust in the idea. 1.", "1. Should I publish or complete something that I don't believe in anymore", "thing, I completely lose trust in the idea. 1. Should I publish or", "that I don't believe in anymore ? 2. And if yes, how do", "I get an idea, it seems really good. I start writing it, and", "trust in the idea. 1. Should I publish or complete something that I", "when I get an idea, it seems really good. I start writing it,", "writing it, and midway or towards the end, or sometimes after completing the", "idea, it seems really good. I start writing it, and midway or towards" ]
[ "I can feel \"the world coming together\" and images are floating around in", "can do it, too. For now I'm limited in the time I can", "I keep telling myself that if J. K. Rowling jumped into her first", "world coming together\" and images are floating around in my mind. I know", "training, I can do it, too. For now I'm limited in the time", "in the time I can devote to writing so a short story becomes", "I know what I want my book(s) to be about (as in overarching", "stories and I keep telling myself that if J. K. Rowling jumped into", "attractive than plunging into a novel headfirst because finishing it seems that much", "I'm asking because I myself have never been interested in reading short stories", "myself that if J. K. Rowling jumped into her first novel successfully without", "(as in overarching motives) but don't have characters yet. Would you suggest writing", "asking because I myself have never been interested in reading short stories and", "\"the world coming together\" and images are floating around in my mind. I", "I'm an aspiring fantasy and sci-fi writer and I my goal is to", "first in a series within the same setting. I'm getting to a point", "been interested in reading short stories and I keep telling myself that if", "plunging into a novel headfirst because finishing it seems that much more achievable.", "now I'm limited in the time I can devote to writing so a", "For now I'm limited in the time I can devote to writing so", "around in my mind. I know what I want my book(s) to be", "have never been interested in reading short stories and I keep telling myself", "I'm getting to a point where I can feel \"the world coming together\"", "a short story becomes more attractive than plunging into a novel headfirst because", "her first novel successfully without prior training, I can do it, too. For", "the time I can devote to writing so a short story becomes more", "successfully without prior training, I can do it, too. For now I'm limited", "the setting and explore a couple ideas for characters? I'm asking because I", "book(s) to be about (as in overarching motives) but don't have characters yet.", "I'm limited in the time I can devote to writing so a short", "the first in a series within the same setting. I'm getting to a", "story becomes more attractive than plunging into a novel headfirst because finishing it", "want my book(s) to be about (as in overarching motives) but don't have", "I can devote to writing so a short story becomes more attractive than", "in reading short stories and I keep telling myself that if J. K.", "is to write a novel that is to be the first in a", "in overarching motives) but don't have characters yet. Would you suggest writing short", "limited in the time I can devote to writing so a short story", "Would you suggest writing short stories first to get a feel for the", "aspiring fantasy and sci-fi writer and I my goal is to write a", "for characters? I'm asking because I myself have never been interested in reading", "yet. Would you suggest writing short stories first to get a feel for", "ideas for characters? I'm asking because I myself have never been interested in", "I myself have never been interested in reading short stories and I keep", "in my mind. I know what I want my book(s) to be about", "feel \"the world coming together\" and images are floating around in my mind.", "to get a feel for the setting and explore a couple ideas for", "telling myself that if J. K. Rowling jumped into her first novel successfully", "first novel successfully without prior training, I can do it, too. For now", "writing so a short story becomes more attractive than plunging into a novel", "same setting. I'm getting to a point where I can feel \"the world", "about (as in overarching motives) but don't have characters yet. Would you suggest", "a point where I can feel \"the world coming together\" and images are", "are floating around in my mind. I know what I want my book(s)", "coming together\" and images are floating around in my mind. I know what", "within the same setting. I'm getting to a point where I can feel", "what I want my book(s) to be about (as in overarching motives) but", "characters? I'm asking because I myself have never been interested in reading short", "overarching motives) but don't have characters yet. Would you suggest writing short stories", "you suggest writing short stories first to get a feel for the setting", "can devote to writing so a short story becomes more attractive than plunging", "suggest writing short stories first to get a feel for the setting and", "together\" and images are floating around in my mind. I know what I", "never been interested in reading short stories and I keep telling myself that", "interested in reading short stories and I keep telling myself that if J.", "prior training, I can do it, too. For now I'm limited in the", "and sci-fi writer and I my goal is to write a novel that", "a novel that is to be the first in a series within the", "so a short story becomes more attractive than plunging into a novel headfirst", "that if J. K. Rowling jumped into her first novel successfully without prior", "into her first novel successfully without prior training, I can do it, too.", "short stories first to get a feel for the setting and explore a", "than plunging into a novel headfirst because finishing it seems that much more", "and I keep telling myself that if J. K. Rowling jumped into her", "first to get a feel for the setting and explore a couple ideas", "too. For now I'm limited in the time I can devote to writing", "K. Rowling jumped into her first novel successfully without prior training, I can", "images are floating around in my mind. I know what I want my", "goal is to write a novel that is to be the first in", "short stories and I keep telling myself that if J. K. Rowling jumped", "setting. I'm getting to a point where I can feel \"the world coming", "floating around in my mind. I know what I want my book(s) to", "writer and I my goal is to write a novel that is to", "and images are floating around in my mind. I know what I want", "be about (as in overarching motives) but don't have characters yet. Would you", "an aspiring fantasy and sci-fi writer and I my goal is to write", "a feel for the setting and explore a couple ideas for characters? I'm", "don't have characters yet. Would you suggest writing short stories first to get", "myself have never been interested in reading short stories and I keep telling", "the same setting. I'm getting to a point where I can feel \"the", "jumped into her first novel successfully without prior training, I can do it,", "motives) but don't have characters yet. Would you suggest writing short stories first", "for the setting and explore a couple ideas for characters? I'm asking because", "Rowling jumped into her first novel successfully without prior training, I can do", "to be the first in a series within the same setting. I'm getting", "it, too. For now I'm limited in the time I can devote to", "where I can feel \"the world coming together\" and images are floating around", "short story becomes more attractive than plunging into a novel headfirst because finishing", "getting to a point where I can feel \"the world coming together\" and", "without prior training, I can do it, too. For now I'm limited in", "more attractive than plunging into a novel headfirst because finishing it seems that", "can feel \"the world coming together\" and images are floating around in my", "to write a novel that is to be the first in a series", "and explore a couple ideas for characters? I'm asking because I myself have", "write a novel that is to be the first in a series within", "keep telling myself that if J. K. Rowling jumped into her first novel", "my mind. I know what I want my book(s) to be about (as", "in a series within the same setting. I'm getting to a point where", "reading short stories and I keep telling myself that if J. K. Rowling", "have characters yet. Would you suggest writing short stories first to get a", "know what I want my book(s) to be about (as in overarching motives)", "but don't have characters yet. Would you suggest writing short stories first to", "a series within the same setting. I'm getting to a point where I", "I want my book(s) to be about (as in overarching motives) but don't", "to be about (as in overarching motives) but don't have characters yet. Would", "time I can devote to writing so a short story becomes more attractive", "setting and explore a couple ideas for characters? I'm asking because I myself", "series within the same setting. I'm getting to a point where I can", "stories first to get a feel for the setting and explore a couple", "to a point where I can feel \"the world coming together\" and images", "novel successfully without prior training, I can do it, too. For now I'm", "be the first in a series within the same setting. I'm getting to", "get a feel for the setting and explore a couple ideas for characters?", "I my goal is to write a novel that is to be the", "if J. K. Rowling jumped into her first novel successfully without prior training,", "devote to writing so a short story becomes more attractive than plunging into", "writing short stories first to get a feel for the setting and explore", "becomes more attractive than plunging into a novel headfirst because finishing it seems", "feel for the setting and explore a couple ideas for characters? I'm asking", "that is to be the first in a series within the same setting.", "mind. I know what I want my book(s) to be about (as in", "I can do it, too. For now I'm limited in the time I", "J. K. Rowling jumped into her first novel successfully without prior training, I", "couple ideas for characters? I'm asking because I myself have never been interested", "my book(s) to be about (as in overarching motives) but don't have characters", "novel that is to be the first in a series within the same", "do it, too. For now I'm limited in the time I can devote", "fantasy and sci-fi writer and I my goal is to write a novel", "to writing so a short story becomes more attractive than plunging into a", "a couple ideas for characters? I'm asking because I myself have never been", "point where I can feel \"the world coming together\" and images are floating", "because I myself have never been interested in reading short stories and I", "characters yet. Would you suggest writing short stories first to get a feel", "and I my goal is to write a novel that is to be", "my goal is to write a novel that is to be the first", "sci-fi writer and I my goal is to write a novel that is", "is to be the first in a series within the same setting. I'm", "explore a couple ideas for characters? I'm asking because I myself have never" ]
[ "is promoting herself to become the leader. She comes across as being cynical", "herself to become the leader. She comes across as being cynical and self-centered,", "end, despite her warts, she redeems herself. I have included a disclaimer indicating", "I have included a disclaimer indicating that organizations, events, etc. are either the", "name of a real community organization. It's an organization that people either love", "in which I have used the name of a real community organization. It's", "that people either love or hate because it represents the upper echelon of", "represents the upper echelon of society, presents debutantes every year, etc. I do", "I have used the name of a real community organization. It's an organization", "because it represents the upper echelon of society, presents debutantes every year, etc.", "the leader. She comes across as being cynical and self-centered, but in the", "the end, despite her warts, she redeems herself. I have included a disclaimer", "being cynical and self-centered, but in the end, despite her warts, she redeems", "simply a background for a character who is a member of the organization", "not trash the group; it is simply a background for a character who", "do not trash the group; it is simply a background for a character", "used fictitiously. Am I on thin legal ice for not changing the group's", "and who is promoting herself to become the leader. She comes across as", "have just finished a mystery in which I have used the name of", "a real community organization. It's an organization that people either love or hate", "become the leader. She comes across as being cynical and self-centered, but in", "I have just finished a mystery in which I have used the name", "upper echelon of society, presents debutantes every year, etc. I do not trash", "organization. It's an organization that people either love or hate because it represents", "a member of the organization and who is promoting herself to become the", "redeems herself. I have included a disclaimer indicating that organizations, events, etc. are", "legal ice for not changing the group's name? This mystery will be self-published.", "etc. I do not trash the group; it is simply a background for", "disclaimer indicating that organizations, events, etc. are either the products of the writer's", "society, presents debutantes every year, etc. I do not trash the group; it", "hate because it represents the upper echelon of society, presents debutantes every year,", "either the products of the writer's imagination or are used fictitiously. Am I", "fictitiously. Am I on thin legal ice for not changing the group's name?", "of the organization and who is promoting herself to become the leader. She", "are used fictitiously. Am I on thin legal ice for not changing the", "are either the products of the writer's imagination or are used fictitiously. Am", "and self-centered, but in the end, despite her warts, she redeems herself. I", "to become the leader. She comes across as being cynical and self-centered, but", "it is simply a background for a character who is a member of", "or are used fictitiously. Am I on thin legal ice for not changing", "Am I on thin legal ice for not changing the group's name? This", "debutantes every year, etc. I do not trash the group; it is simply", "organization and who is promoting herself to become the leader. She comes across", "a mystery in which I have used the name of a real community", "the upper echelon of society, presents debutantes every year, etc. I do not", "finished a mystery in which I have used the name of a real", "who is a member of the organization and who is promoting herself to", "the name of a real community organization. It's an organization that people either", "the products of the writer's imagination or are used fictitiously. Am I on", "included a disclaimer indicating that organizations, events, etc. are either the products of", "events, etc. are either the products of the writer's imagination or are used", "imagination or are used fictitiously. Am I on thin legal ice for not", "despite her warts, she redeems herself. I have included a disclaimer indicating that", "leader. She comes across as being cynical and self-centered, but in the end,", "have used the name of a real community organization. It's an organization that", "mystery in which I have used the name of a real community organization.", "of a real community organization. It's an organization that people either love or", "or hate because it represents the upper echelon of society, presents debutantes every", "It's an organization that people either love or hate because it represents the", "of the writer's imagination or are used fictitiously. Am I on thin legal", "she redeems herself. I have included a disclaimer indicating that organizations, events, etc.", "it represents the upper echelon of society, presents debutantes every year, etc. I", "her warts, she redeems herself. I have included a disclaimer indicating that organizations,", "an organization that people either love or hate because it represents the upper", "in the end, despite her warts, she redeems herself. I have included a", "warts, she redeems herself. I have included a disclaimer indicating that organizations, events,", "writer's imagination or are used fictitiously. Am I on thin legal ice for", "I do not trash the group; it is simply a background for a", "the writer's imagination or are used fictitiously. Am I on thin legal ice", "thin legal ice for not changing the group's name? This mystery will be", "character who is a member of the organization and who is promoting herself", "She comes across as being cynical and self-centered, but in the end, despite", "who is promoting herself to become the leader. She comes across as being", "have included a disclaimer indicating that organizations, events, etc. are either the products", "that organizations, events, etc. are either the products of the writer's imagination or", "used the name of a real community organization. It's an organization that people", "presents debutantes every year, etc. I do not trash the group; it is", "of society, presents debutantes every year, etc. I do not trash the group;", "background for a character who is a member of the organization and who", "cynical and self-centered, but in the end, despite her warts, she redeems herself.", "I on thin legal ice for not changing the group's name? This mystery", "is simply a background for a character who is a member of the", "organization that people either love or hate because it represents the upper echelon", "on thin legal ice for not changing the group's name? This mystery will", "herself. I have included a disclaimer indicating that organizations, events, etc. are either", "real community organization. It's an organization that people either love or hate because", "which I have used the name of a real community organization. It's an", "promoting herself to become the leader. She comes across as being cynical and", "year, etc. I do not trash the group; it is simply a background", "just finished a mystery in which I have used the name of a", "the group; it is simply a background for a character who is a", "indicating that organizations, events, etc. are either the products of the writer's imagination", "comes across as being cynical and self-centered, but in the end, despite her", "but in the end, despite her warts, she redeems herself. I have included", "products of the writer's imagination or are used fictitiously. Am I on thin", "etc. are either the products of the writer's imagination or are used fictitiously.", "love or hate because it represents the upper echelon of society, presents debutantes", "trash the group; it is simply a background for a character who is", "group; it is simply a background for a character who is a member", "people either love or hate because it represents the upper echelon of society,", "for a character who is a member of the organization and who is", "self-centered, but in the end, despite her warts, she redeems herself. I have", "as being cynical and self-centered, but in the end, despite her warts, she", "organizations, events, etc. are either the products of the writer's imagination or are", "is a member of the organization and who is promoting herself to become", "community organization. It's an organization that people either love or hate because it", "every year, etc. I do not trash the group; it is simply a", "the organization and who is promoting herself to become the leader. She comes", "echelon of society, presents debutantes every year, etc. I do not trash the", "a character who is a member of the organization and who is promoting", "member of the organization and who is promoting herself to become the leader.", "a background for a character who is a member of the organization and", "either love or hate because it represents the upper echelon of society, presents", "across as being cynical and self-centered, but in the end, despite her warts,", "a disclaimer indicating that organizations, events, etc. are either the products of the" ]
[ "alarm. Yawning, she rolls onto her back and sits up, rubbing the crust", "up to Crayla Town. It used to be something else before 2023, just", "for mutations of diseases that could no longer be treated by antibiotics >", "on, the job demands it. > > > Another one where I found", "and finds new remedies for mutations of diseases that could no longer be", "industrial, process and packaging plants and warehouses, but the flooding and proceeding mudslide", "of the outside hit her, she shivers and walks down the path to", "in the morning, she has to wake up early from now on, the", "present tense, mentioning something about surroundings, explore their past or the object/place's past.", "the sound of her phone’s loud beeping alarm. Yawning, she rolls onto her", "walks down the path to the driveway, gets into her white car and", "this differently? Example of my writing: > > Gobwaeyle wakes up to the", "past. All I'm trying to do is set up a scene, how can", "and drives up to Crayla Town. It used to be something else before", "the same problem: > > Gobwaeyle walks out of her apartment and feels", "with this: Saying what the person is doing in the present tense, mentioning", "It used to be something else before 2023, just a bunch of industrial,", "do I break away from this? I always end up with this: Saying", "where I found the same problem: > > Gobwaeyle walks out of her", "I do this differently? Example of my writing: > > Gobwaeyle wakes up", "until she finds her phone, quickly unlocking it and silencing the alarm. The", "her apartment and feels the coldness of the outside hit her, she shivers", "always end up with this: Saying what the person is doing in the", "back and sits up, rubbing the crust out of her eyes. She begrudgingly", "thirty in the morning, she has to wake up early from now on,", "the crust out of her eyes. She begrudgingly pats down her nightstand until", "the outside hit her, she shivers and walks down the path to the", "her nightstand until she finds her phone, quickly unlocking it and silencing the", "got a job at one of the most prestigious hospitals in the entire", "eyes. She begrudgingly pats down her nightstand until she finds her phone, quickly", "She begrudgingly pats down her nightstand until she finds her phone, quickly unlocking", "finds new remedies for mutations of diseases that could no longer be treated", "> > Another one where I found the same problem: > > Gobwaeyle", "and warehouses, but the flooding and proceeding mudslide irreparably damaged all of it,", "Someone told me that the way I write is almost like I'm writing", "of it, so they built a town over it. She can’t believe she", "like I'm writing from a template, how do I break away from this?", "her white car and drives up to Crayla Town. It used to be", "they built a town over it. She can’t believe she got a job", "a template, how do I break away from this? I always end up", "believe she got a job at one of the most prestigious hospitals in", "a bunch of industrial, process and packaging plants and warehouses, but the flooding", "that hired her, he is always finding new cures to all kinds of", "begrudgingly pats down her nightstand until she finds her phone, quickly unlocking it", "unlocking it and silencing the alarm. The clock says six thirty in the", "the entire Pacific Northwest, one of the doctors that works there, Dr. Gose", "new remedies for mutations of diseases that could no longer be treated by", "of industrial, process and packaging plants and warehouses, but the flooding and proceeding", "from now on, the job demands it. > > > Another one where", "alarm. The clock says six thirty in the morning, she has to wake", "found the same problem: > > Gobwaeyle walks out of her apartment and", "to all kinds of diseases, and finds new remedies for mutations of diseases", "early from now on, the job demands it. > > > Another one", "clock says six thirty in the morning, she has to wake up early", "the coldness of the outside hit her, she shivers and walks down the", "is set up a scene, how can I do this differently? Example of", "surroundings, explore their past or the object/place's past. All I'm trying to do", "down her nightstand until she finds her phone, quickly unlocking it and silencing", "of diseases, and finds new remedies for mutations of diseases that could no", "of her phone’s loud beeping alarm. Yawning, she rolls onto her back and", "job demands it. > > > Another one where I found the same", "phone’s loud beeping alarm. Yawning, she rolls onto her back and sits up,", "one that hired her, he is always finding new cures to all kinds", "this: Saying what the person is doing in the present tense, mentioning something", "hired her, he is always finding new cures to all kinds of diseases,", "almost like I'm writing from a template, how do I break away from", "it. > > > Another one where I found the same problem: >", "else before 2023, just a bunch of industrial, process and packaging plants and", "the way I write is almost like I'm writing from a template, how", "writing from a template, how do I break away from this? I always", "morning, she has to wake up early from now on, the job demands", "rubbing the crust out of her eyes. She begrudgingly pats down her nightstand", "I break away from this? I always end up with this: Saying what", "> Another one where I found the same problem: > > Gobwaeyle walks", "sits up, rubbing the crust out of her eyes. She begrudgingly pats down", "Pacific Northwest, one of the doctors that works there, Dr. Gose is the", "used to be something else before 2023, just a bunch of industrial, process", "Gobwaeyle walks out of her apartment and feels the coldness of the outside", "the doctors that works there, Dr. Gose is the one that hired her,", "a town over it. She can’t believe she got a job at one", "new cures to all kinds of diseases, and finds new remedies for mutations", "> Gobwaeyle walks out of her apartment and feels the coldness of the", "at one of the most prestigious hospitals in the entire Pacific Northwest, one", "she rolls onto her back and sits up, rubbing the crust out of", "gets into her white car and drives up to Crayla Town. It used", "says six thirty in the morning, she has to wake up early from", "and silencing the alarm. The clock says six thirty in the morning, she", "one where I found the same problem: > > Gobwaeyle walks out of", "up with this: Saying what the person is doing in the present tense,", "most prestigious hospitals in the entire Pacific Northwest, one of the doctors that", "Northwest, one of the doctors that works there, Dr. Gose is the one", "cures to all kinds of diseases, and finds new remedies for mutations of", "write is almost like I'm writing from a template, how do I break", "or the object/place's past. All I'm trying to do is set up a", "> > > Another one where I found the same problem: > >", "and proceeding mudslide irreparably damaged all of it, so they built a town", "All I'm trying to do is set up a scene, how can I", "> > Gobwaeyle walks out of her apartment and feels the coldness of", "there, Dr. Gose is the one that hired her, he is always finding", "and walks down the path to the driveway, gets into her white car", "sound of her phone’s loud beeping alarm. Yawning, she rolls onto her back", "phone, quickly unlocking it and silencing the alarm. The clock says six thirty", "down the path to the driveway, gets into her white car and drives", "of my writing: > > Gobwaeyle wakes up to the sound of her", "all of it, so they built a town over it. She can’t believe", "she got a job at one of the most prestigious hospitals in the", "works there, Dr. Gose is the one that hired her, he is always", "hit her, she shivers and walks down the path to the driveway, gets", "explore their past or the object/place's past. All I'm trying to do is", "out of her eyes. She begrudgingly pats down her nightstand until she finds", "the most prestigious hospitals in the entire Pacific Northwest, one of the doctors", "process and packaging plants and warehouses, but the flooding and proceeding mudslide irreparably", "is always finding new cures to all kinds of diseases, and finds new", "path to the driveway, gets into her white car and drives up to", "over it. She can’t believe she got a job at one of the", "mentioning something about surroundings, explore their past or the object/place's past. All I'm", "nightstand until she finds her phone, quickly unlocking it and silencing the alarm.", "drives up to Crayla Town. It used to be something else before 2023,", "rolls onto her back and sits up, rubbing the crust out of her", "quickly unlocking it and silencing the alarm. The clock says six thirty in", "can’t believe she got a job at one of the most prestigious hospitals", "mudslide irreparably damaged all of it, so they built a town over it.", "her eyes. She begrudgingly pats down her nightstand until she finds her phone,", "Example of my writing: > > Gobwaeyle wakes up to the sound of", "be something else before 2023, just a bunch of industrial, process and packaging", "the driveway, gets into her white car and drives up to Crayla Town.", "but the flooding and proceeding mudslide irreparably damaged all of it, so they", "a job at one of the most prestigious hospitals in the entire Pacific", "has to wake up early from now on, the job demands it. >", "what the person is doing in the present tense, mentioning something about surroundings,", "built a town over it. She can’t believe she got a job at", "to be something else before 2023, just a bunch of industrial, process and", "her phone’s loud beeping alarm. Yawning, she rolls onto her back and sits", "of the most prestigious hospitals in the entire Pacific Northwest, one of the", "remedies for mutations of diseases that could no longer be treated by antibiotics", "car and drives up to Crayla Town. It used to be something else", "the one that hired her, he is always finding new cures to all", "damaged all of it, so they built a town over it. She can’t", "the job demands it. > > > Another one where I found the", "me that the way I write is almost like I'm writing from a", "is doing in the present tense, mentioning something about surroundings, explore their past", "from this? I always end up with this: Saying what the person is", "way I write is almost like I'm writing from a template, how do", "Saying what the person is doing in the present tense, mentioning something about", "The clock says six thirty in the morning, she has to wake up", "job at one of the most prestigious hospitals in the entire Pacific Northwest,", "doctors that works there, Dr. Gose is the one that hired her, he", "and feels the coldness of the outside hit her, she shivers and walks", "set up a scene, how can I do this differently? Example of my", "feels the coldness of the outside hit her, she shivers and walks down", "about surroundings, explore their past or the object/place's past. All I'm trying to", "up, rubbing the crust out of her eyes. She begrudgingly pats down her", "crust out of her eyes. She begrudgingly pats down her nightstand until she", "up early from now on, the job demands it. > > > Another", "this? I always end up with this: Saying what the person is doing", "he is always finding new cures to all kinds of diseases, and finds", "in the entire Pacific Northwest, one of the doctors that works there, Dr.", "how can I do this differently? Example of my writing: > > Gobwaeyle", "finds her phone, quickly unlocking it and silencing the alarm. The clock says", "hospitals in the entire Pacific Northwest, one of the doctors that works there,", "I found the same problem: > > Gobwaeyle walks out of her apartment", "that the way I write is almost like I'm writing from a template,", "trying to do is set up a scene, how can I do this", "entire Pacific Northwest, one of the doctors that works there, Dr. Gose is", "the morning, she has to wake up early from now on, the job", "shivers and walks down the path to the driveway, gets into her white", "walks out of her apartment and feels the coldness of the outside hit", "town over it. She can’t believe she got a job at one of", "it and silencing the alarm. The clock says six thirty in the morning,", "end up with this: Saying what the person is doing in the present", "demands it. > > > Another one where I found the same problem:", "she shivers and walks down the path to the driveway, gets into her", "beeping alarm. Yawning, she rolls onto her back and sits up, rubbing the", "irreparably damaged all of it, so they built a town over it. She", "and sits up, rubbing the crust out of her eyes. She begrudgingly pats", "the path to the driveway, gets into her white car and drives up", "driveway, gets into her white car and drives up to Crayla Town. It", "coldness of the outside hit her, she shivers and walks down the path", "out of her apartment and feels the coldness of the outside hit her,", "so they built a town over it. She can’t believe she got a", "apartment and feels the coldness of the outside hit her, she shivers and", "is almost like I'm writing from a template, how do I break away", "packaging plants and warehouses, but the flooding and proceeding mudslide irreparably damaged all", "to wake up early from now on, the job demands it. > >", "proceeding mudslide irreparably damaged all of it, so they built a town over", "the object/place's past. All I'm trying to do is set up a scene,", "one of the most prestigious hospitals in the entire Pacific Northwest, one of", "her, she shivers and walks down the path to the driveway, gets into", "pats down her nightstand until she finds her phone, quickly unlocking it and", "her, he is always finding new cures to all kinds of diseases, and", "that works there, Dr. Gose is the one that hired her, he is", "bunch of industrial, process and packaging plants and warehouses, but the flooding and", "I always end up with this: Saying what the person is doing in", "to Crayla Town. It used to be something else before 2023, just a", "warehouses, but the flooding and proceeding mudslide irreparably damaged all of it, so", "I'm writing from a template, how do I break away from this? I", "writing: > > Gobwaeyle wakes up to the sound of her phone’s loud", "prestigious hospitals in the entire Pacific Northwest, one of the doctors that works", "she finds her phone, quickly unlocking it and silencing the alarm. The clock", "up a scene, how can I do this differently? Example of my writing:", "something else before 2023, just a bunch of industrial, process and packaging plants", "and packaging plants and warehouses, but the flooding and proceeding mudslide irreparably damaged", "just a bunch of industrial, process and packaging plants and warehouses, but the", "six thirty in the morning, she has to wake up early from now", "her phone, quickly unlocking it and silencing the alarm. The clock says six", "in the present tense, mentioning something about surroundings, explore their past or the", "object/place's past. All I'm trying to do is set up a scene, how", "differently? Example of my writing: > > Gobwaeyle wakes up to the sound", "the alarm. The clock says six thirty in the morning, she has to", "same problem: > > Gobwaeyle walks out of her apartment and feels the", "outside hit her, she shivers and walks down the path to the driveway,", "mutations of diseases that could no longer be treated by antibiotics > >", "up to the sound of her phone’s loud beeping alarm. Yawning, she rolls", "how do I break away from this? I always end up with this:", "Crayla Town. It used to be something else before 2023, just a bunch", "before 2023, just a bunch of industrial, process and packaging plants and warehouses,", "Another one where I found the same problem: > > Gobwaeyle walks out", "Town. It used to be something else before 2023, just a bunch of", "one of the doctors that works there, Dr. Gose is the one that", "problem: > > Gobwaeyle walks out of her apartment and feels the coldness", "tense, mentioning something about surroundings, explore their past or the object/place's past. All", "scene, how can I do this differently? Example of my writing: > >", "to the driveway, gets into her white car and drives up to Crayla", "kinds of diseases, and finds new remedies for mutations of diseases that could", "of her apartment and feels the coldness of the outside hit her, she", "do this differently? Example of my writing: > > Gobwaeyle wakes up to", "wake up early from now on, the job demands it. > > >", "I'm trying to do is set up a scene, how can I do", "break away from this? I always end up with this: Saying what the", "it, so they built a town over it. She can’t believe she got", "something about surroundings, explore their past or the object/place's past. All I'm trying", "a scene, how can I do this differently? Example of my writing: >", "loud beeping alarm. Yawning, she rolls onto her back and sits up, rubbing", "flooding and proceeding mudslide irreparably damaged all of it, so they built a", "to the sound of her phone’s loud beeping alarm. Yawning, she rolls onto", "my writing: > > Gobwaeyle wakes up to the sound of her phone’s", "plants and warehouses, but the flooding and proceeding mudslide irreparably damaged all of", "Gobwaeyle wakes up to the sound of her phone’s loud beeping alarm. Yawning,", "She can’t believe she got a job at one of the most prestigious", "the flooding and proceeding mudslide irreparably damaged all of it, so they built", "to do is set up a scene, how can I do this differently?", "can I do this differently? Example of my writing: > > Gobwaeyle wakes", "silencing the alarm. The clock says six thirty in the morning, she has", "the present tense, mentioning something about surroundings, explore their past or the object/place's", "past or the object/place's past. All I'm trying to do is set up", "Gose is the one that hired her, he is always finding new cures", "person is doing in the present tense, mentioning something about surroundings, explore their", "Dr. Gose is the one that hired her, he is always finding new", "diseases, and finds new remedies for mutations of diseases that could no longer", "template, how do I break away from this? I always end up with", "do is set up a scene, how can I do this differently? Example", "into her white car and drives up to Crayla Town. It used to", "told me that the way I write is almost like I'm writing from", "Yawning, she rolls onto her back and sits up, rubbing the crust out", "finding new cures to all kinds of diseases, and finds new remedies for", "away from this? I always end up with this: Saying what the person", "of the doctors that works there, Dr. Gose is the one that hired", "her back and sits up, rubbing the crust out of her eyes. She", "> > Gobwaeyle wakes up to the sound of her phone’s loud beeping", "> Gobwaeyle wakes up to the sound of her phone’s loud beeping alarm.", "wakes up to the sound of her phone’s loud beeping alarm. Yawning, she", "it. She can’t believe she got a job at one of the most", "onto her back and sits up, rubbing the crust out of her eyes.", "doing in the present tense, mentioning something about surroundings, explore their past or", "from a template, how do I break away from this? I always end", "their past or the object/place's past. All I'm trying to do is set", "now on, the job demands it. > > > Another one where I", "all kinds of diseases, and finds new remedies for mutations of diseases that", "of diseases that could no longer be treated by antibiotics > > >", "the person is doing in the present tense, mentioning something about surroundings, explore", "of her eyes. She begrudgingly pats down her nightstand until she finds her", "I write is almost like I'm writing from a template, how do I", "is the one that hired her, he is always finding new cures to", "always finding new cures to all kinds of diseases, and finds new remedies", "2023, just a bunch of industrial, process and packaging plants and warehouses, but", "white car and drives up to Crayla Town. It used to be something", "she has to wake up early from now on, the job demands it." ]
[ "When writing fiction, we generally use past tense for the narration and present", "for the narration and present tense for dialogue. When you are done with", "ready to query a literary agent/publisher, what should the tense be for your", "When you are done with a fiction novel and are ready to query", "novel and are ready to query a literary agent/publisher, what should the tense", "to query a literary agent/publisher, what should the tense be for your synopsis,", "for dialogue. When you are done with a fiction novel and are ready", "are ready to query a literary agent/publisher, what should the tense be for", "and present tense for dialogue. When you are done with a fiction novel", "are done with a fiction novel and are ready to query a literary", "use past tense for the narration and present tense for dialogue. When you", "tense for the narration and present tense for dialogue. When you are done", "narration and present tense for dialogue. When you are done with a fiction", "the narration and present tense for dialogue. When you are done with a", "and are ready to query a literary agent/publisher, what should the tense be", "fiction novel and are ready to query a literary agent/publisher, what should the", "a fiction novel and are ready to query a literary agent/publisher, what should", "fiction, we generally use past tense for the narration and present tense for", "tense for dialogue. When you are done with a fiction novel and are", "generally use past tense for the narration and present tense for dialogue. When", "present tense for dialogue. When you are done with a fiction novel and", "past tense for the narration and present tense for dialogue. When you are", "a literary agent/publisher, what should the tense be for your synopsis, outline, query", "done with a fiction novel and are ready to query a literary agent/publisher,", "dialogue. When you are done with a fiction novel and are ready to", "we generally use past tense for the narration and present tense for dialogue.", "writing fiction, we generally use past tense for the narration and present tense", "query a literary agent/publisher, what should the tense be for your synopsis, outline,", "literary agent/publisher, what should the tense be for your synopsis, outline, query letter?", "you are done with a fiction novel and are ready to query a", "with a fiction novel and are ready to query a literary agent/publisher, what" ]
[ "the way I understood it was a pause in one's dialogue to think", "the orator in the family. ``` 3) Trail off. ``` Joe ---------- If", "**The Ellipsis** Starting with the ellipsis, there were two main uses: 1) a", "... ``` **M-Dashes** 1) the interruption. ``` Joe ---------- I assumed he was", "Joe ---------- (Aghast) I — I d — don't even know how that", "DON'T KNOW HOW TO TRANSFER THE REAL THING INTO THIS APP. > >", "of thought ... Joe scratches his chin. Joe(Cont'd) ---------- ... and it ain't", "not sure how to say this ... Dad was always the orator in", "I — I d — don't even know how that got there. ```", "> PLZ EXCUSE MY CRUDE INSULT TO SCREENPLAY FORMAT, I DON'T KNOW HOW", "this ... Dad was always the orator in the family. ``` 3) Trail", "the school of hard knocks. ``` 2) the way I understood it was", "CRUDE INSULT TO SCREENPLAY FORMAT, I DON'T KNOW HOW TO TRANSFER THE REAL", "in the family. ``` 3) Trail off. ``` Joe ---------- If I ever", "a pause in a speaker's single thought he is expressing. (Examples seemed like", "... Joe scratches his chin. Joe(Cont'd) ---------- ... and it ain't the school", "THING INTO THIS APP. > > > **The Ellipsis** Starting with the ellipsis,", "to say. ``` Joe ---------- (Tears begin to form) I'm not sure how", "see your face up here again ... ``` **M-Dashes** 1) the interruption. ```", "or how to say. ``` Joe ---------- (Tears begin to form) I'm not", "I'm not sure how to say this ... Dad was always the orator", "was always the orator in the family. ``` 3) Trail off. ``` Joe", "---------- I'm talking about a completely different school of thought ... Joe scratches", "``` 3) Trail off. ``` Joe ---------- If I ever see your face", "he is expressing. (Examples seemed like it was for dramatics.) ``` Joe ----------", "SCREENPLAY FORMAT, I DON'T KNOW HOW TO TRANSFER THE REAL THING INTO THIS", "your face up here again ... ``` **M-Dashes** 1) the interruption. ``` Joe", "one's dialogue to think what or how to say. ``` Joe ---------- (Tears", "ain't the school of hard knocks. ``` 2) the way I understood it", "— Bob ---------- I'm not going off some assumption, Joe. ``` 2) the", "school of thought ... Joe scratches his chin. Joe(Cont'd) ---------- ... and it", "Joe ---------- If I ever see your face up here again ... ```", "sure how to say this ... Dad was always the orator in the", "TO TRANSFER THE REAL THING INTO THIS APP. > > > **The Ellipsis**", "the stammer ``` Joe ---------- (Aghast) I — I d — don't even", "If I ever see your face up here again ... ``` **M-Dashes** 1)", "gotten from the most trusted source in my opinion. > > PLZ EXCUSE", "don't even know how that got there. ``` ANY HELP IS MUCH APPRECIATED", "off some assumption, Joe. ``` 2) the stammer ``` Joe ---------- (Aghast) I", "some assumption, Joe. ``` 2) the stammer ``` Joe ---------- (Aghast) I —", "d — don't even know how that got there. ``` ANY HELP IS", "``` 2) the way I understood it was a pause in one's dialogue", "with the ellipsis, there were two main uses: 1) a pause in a", "Joe ---------- (Tears begin to form) I'm not sure how to say this", "``` Joe ---------- If I ever see your face up here again ...", "trusted source in my opinion. > > PLZ EXCUSE MY CRUDE INSULT TO", "2) the stammer ``` Joe ---------- (Aghast) I — I d — don't", "the interruption. ``` Joe ---------- I assumed he was just — Bob ----------", "2) the way I understood it was a pause in one's dialogue to", "different school of thought ... Joe scratches his chin. Joe(Cont'd) ---------- ... and", "``` Joe ---------- (Tears begin to form) I'm not sure how to say", "to form) I'm not sure how to say this ... Dad was always", "KNOW HOW TO TRANSFER THE REAL THING INTO THIS APP. > > >", "hard knocks. ``` 2) the way I understood it was a pause in", "dialogue to think what or how to say. ``` Joe ---------- (Tears begin", "a pause in one's dialogue to think what or how to say. ```", "it was a pause in one's dialogue to think what or how to", "knocks. ``` 2) the way I understood it was a pause in one's", "the general idea I've gotten from the most trusted source in my opinion.", "APP. > > > **The Ellipsis** Starting with the ellipsis, there were two", "in a speaker's single thought he is expressing. (Examples seemed like it was", "... and it ain't the school of hard knocks. ``` 2) the way", "is expressing. (Examples seemed like it was for dramatics.) ``` Joe ---------- I'm", "he was just — Bob ---------- I'm not going off some assumption, Joe.", "even know how that got there. ``` ANY HELP IS MUCH APPRECIATED ~", "assumed he was just — Bob ---------- I'm not going off some assumption,", "explain the general idea I've gotten from the most trusted source in my", "way I understood it was a pause in one's dialogue to think what", "3) Trail off. ``` Joe ---------- If I ever see your face up", "``` 2) the stammer ``` Joe ---------- (Aghast) I — I d —", "I DON'T KNOW HOW TO TRANSFER THE REAL THING INTO THIS APP. >", "``` Joe ---------- I assumed he was just — Bob ---------- I'm not", "I'm talking about a completely different school of thought ... Joe scratches his", "will try to explain the general idea I've gotten from the most trusted", "chin. Joe(Cont'd) ---------- ... and it ain't the school of hard knocks. ```", "I d — don't even know how that got there. ``` ANY HELP", "general idea I've gotten from the most trusted source in my opinion. >", "off. ``` Joe ---------- If I ever see your face up here again", "Joe ---------- I assumed he was just — Bob ---------- I'm not going", "HOW TO TRANSFER THE REAL THING INTO THIS APP. > > > **The", "dramatics.) ``` Joe ---------- I'm talking about a completely different school of thought", "of hard knocks. ``` 2) the way I understood it was a pause", "interruption. ``` Joe ---------- I assumed he was just — Bob ---------- I'm", "> > > **The Ellipsis** Starting with the ellipsis, there were two main", "— don't even know how that got there. ``` ANY HELP IS MUCH", "seemed like it was for dramatics.) ``` Joe ---------- I'm talking about a", "---------- (Tears begin to form) I'm not sure how to say this ...", "family. ``` 3) Trail off. ``` Joe ---------- If I ever see your", "I will try to explain the general idea I've gotten from the most", "going off some assumption, Joe. ``` 2) the stammer ``` Joe ---------- (Aghast)", "1) a pause in a speaker's single thought he is expressing. (Examples seemed", "what or how to say. ``` Joe ---------- (Tears begin to form) I'm", "Joe scratches his chin. Joe(Cont'd) ---------- ... and it ain't the school of", "was just — Bob ---------- I'm not going off some assumption, Joe. ```", "try to explain the general idea I've gotten from the most trusted source", "``` Joe ---------- (Aghast) I — I d — don't even know how", "FORMAT, I DON'T KNOW HOW TO TRANSFER THE REAL THING INTO THIS APP.", "... Dad was always the orator in the family. ``` 3) Trail off.", "Joe. ``` 2) the stammer ``` Joe ---------- (Aghast) I — I d", "``` **M-Dashes** 1) the interruption. ``` Joe ---------- I assumed he was just", "— I d — don't even know how that got there. ``` ANY", "the ellipsis, there were two main uses: 1) a pause in a speaker's", "> > **The Ellipsis** Starting with the ellipsis, there were two main uses:", "**M-Dashes** 1) the interruption. ``` Joe ---------- I assumed he was just —", "ever see your face up here again ... ``` **M-Dashes** 1) the interruption.", "thought ... Joe scratches his chin. Joe(Cont'd) ---------- ... and it ain't the", "---------- (Aghast) I — I d — don't even know how that got", "was for dramatics.) ``` Joe ---------- I'm talking about a completely different school", "---------- ... and it ain't the school of hard knocks. ``` 2) the", "just — Bob ---------- I'm not going off some assumption, Joe. ``` 2)", "ellipsis, there were two main uses: 1) a pause in a speaker's single", "``` Joe ---------- I'm talking about a completely different school of thought ...", "EXCUSE MY CRUDE INSULT TO SCREENPLAY FORMAT, I DON'T KNOW HOW TO TRANSFER", "stammer ``` Joe ---------- (Aghast) I — I d — don't even know", "REAL THING INTO THIS APP. > > > **The Ellipsis** Starting with the", "(Tears begin to form) I'm not sure how to say this ... Dad", "like it was for dramatics.) ``` Joe ---------- I'm talking about a completely", "always the orator in the family. ``` 3) Trail off. ``` Joe ----------", "there were two main uses: 1) a pause in a speaker's single thought", "---------- I assumed he was just — Bob ---------- I'm not going off", "in my opinion. > > PLZ EXCUSE MY CRUDE INSULT TO SCREENPLAY FORMAT,", "Starting with the ellipsis, there were two main uses: 1) a pause in", "think what or how to say. ``` Joe ---------- (Tears begin to form)", "say this ... Dad was always the orator in the family. ``` 3)", "were two main uses: 1) a pause in a speaker's single thought he", "pause in one's dialogue to think what or how to say. ``` Joe", "single thought he is expressing. (Examples seemed like it was for dramatics.) ```", "source in my opinion. > > PLZ EXCUSE MY CRUDE INSULT TO SCREENPLAY", "thought he is expressing. (Examples seemed like it was for dramatics.) ``` Joe", "orator in the family. ``` 3) Trail off. ``` Joe ---------- If I", "assumption, Joe. ``` 2) the stammer ``` Joe ---------- (Aghast) I — I", "for dramatics.) ``` Joe ---------- I'm talking about a completely different school of", "it was for dramatics.) ``` Joe ---------- I'm talking about a completely different", "how to say this ... Dad was always the orator in the family.", "(Aghast) I — I d — don't even know how that got there.", "idea I've gotten from the most trusted source in my opinion. > >", "begin to form) I'm not sure how to say this ... Dad was", "face up here again ... ``` **M-Dashes** 1) the interruption. ``` Joe ----------", "1) the interruption. ``` Joe ---------- I assumed he was just — Bob", "---------- I'm not going off some assumption, Joe. ``` 2) the stammer ```", "how to say. ``` Joe ---------- (Tears begin to form) I'm not sure", "main uses: 1) a pause in a speaker's single thought he is expressing.", "INTO THIS APP. > > > **The Ellipsis** Starting with the ellipsis, there", "the most trusted source in my opinion. > > PLZ EXCUSE MY CRUDE", "a completely different school of thought ... Joe scratches his chin. Joe(Cont'd) ----------", "here again ... ``` **M-Dashes** 1) the interruption. ``` Joe ---------- I assumed", "Dad was always the orator in the family. ``` 3) Trail off. ```", "speaker's single thought he is expressing. (Examples seemed like it was for dramatics.)", "about a completely different school of thought ... Joe scratches his chin. Joe(Cont'd)", "THIS APP. > > > **The Ellipsis** Starting with the ellipsis, there were", "completely different school of thought ... Joe scratches his chin. Joe(Cont'd) ---------- ...", "I understood it was a pause in one's dialogue to think what or", "was a pause in one's dialogue to think what or how to say.", "in one's dialogue to think what or how to say. ``` Joe ----------", "school of hard knocks. ``` 2) the way I understood it was a", "pause in a speaker's single thought he is expressing. (Examples seemed like it", "I ever see your face up here again ... ``` **M-Dashes** 1) the", "TRANSFER THE REAL THING INTO THIS APP. > > > **The Ellipsis** Starting", "THE REAL THING INTO THIS APP. > > > **The Ellipsis** Starting with", "to think what or how to say. ``` Joe ---------- (Tears begin to", "form) I'm not sure how to say this ... Dad was always the", "PLZ EXCUSE MY CRUDE INSULT TO SCREENPLAY FORMAT, I DON'T KNOW HOW TO", "TO SCREENPLAY FORMAT, I DON'T KNOW HOW TO TRANSFER THE REAL THING INTO", "to explain the general idea I've gotten from the most trusted source in", "from the most trusted source in my opinion. > > PLZ EXCUSE MY", "most trusted source in my opinion. > > PLZ EXCUSE MY CRUDE INSULT", "Ellipsis** Starting with the ellipsis, there were two main uses: 1) a pause", "two main uses: 1) a pause in a speaker's single thought he is", "say. ``` Joe ---------- (Tears begin to form) I'm not sure how to", "again ... ``` **M-Dashes** 1) the interruption. ``` Joe ---------- I assumed he", "his chin. Joe(Cont'd) ---------- ... and it ain't the school of hard knocks.", "and it ain't the school of hard knocks. ``` 2) the way I", "I'm not going off some assumption, Joe. ``` 2) the stammer ``` Joe", "a speaker's single thought he is expressing. (Examples seemed like it was for", "expressing. (Examples seemed like it was for dramatics.) ``` Joe ---------- I'm talking", "Bob ---------- I'm not going off some assumption, Joe. ``` 2) the stammer", "INSULT TO SCREENPLAY FORMAT, I DON'T KNOW HOW TO TRANSFER THE REAL THING", "my opinion. > > PLZ EXCUSE MY CRUDE INSULT TO SCREENPLAY FORMAT, I", "not going off some assumption, Joe. ``` 2) the stammer ``` Joe ----------", "> **The Ellipsis** Starting with the ellipsis, there were two main uses: 1)", "I assumed he was just — Bob ---------- I'm not going off some", "understood it was a pause in one's dialogue to think what or how", "Joe(Cont'd) ---------- ... and it ain't the school of hard knocks. ``` 2)", "uses: 1) a pause in a speaker's single thought he is expressing. (Examples", "MY CRUDE INSULT TO SCREENPLAY FORMAT, I DON'T KNOW HOW TO TRANSFER THE", "scratches his chin. Joe(Cont'd) ---------- ... and it ain't the school of hard", "to say this ... Dad was always the orator in the family. ```", "it ain't the school of hard knocks. ``` 2) the way I understood", "know how that got there. ``` ANY HELP IS MUCH APPRECIATED ~ MaxyXv", "> > PLZ EXCUSE MY CRUDE INSULT TO SCREENPLAY FORMAT, I DON'T KNOW", "opinion. > > PLZ EXCUSE MY CRUDE INSULT TO SCREENPLAY FORMAT, I DON'T", "I've gotten from the most trusted source in my opinion. > > PLZ", "(Examples seemed like it was for dramatics.) ``` Joe ---------- I'm talking about", "talking about a completely different school of thought ... Joe scratches his chin.", "the family. ``` 3) Trail off. ``` Joe ---------- If I ever see", "Trail off. ``` Joe ---------- If I ever see your face up here", "---------- If I ever see your face up here again ... ``` **M-Dashes**", "up here again ... ``` **M-Dashes** 1) the interruption. ``` Joe ---------- I", "Joe ---------- I'm talking about a completely different school of thought ... Joe" ]
[ "of my rules for writing is that British citizens always speak with British", "portray this accurately without being offensive. At the very least, one of my", "to have a consistent style, is there a resource that could help me", "one of my rules for writing is that British citizens always speak with", "was aware of a quality guide or text translator that would allow for", "I wanted to write a character with a Texan Drawl or a heavy", "have a consistent style, is there a resource that could help me portray", "this accurately without being offensive. At the very least, one of my rules", "for realistic accented dialog speech? Say I wanted to write a character with", "if anyone was aware of a quality guide or text translator that would", "quality guide or text translator that would allow for realistic accented dialog speech?", "just wanted to be un-intrusive as possible while still denoting a particular style.", "> \"What colour is that?\" asked the British girl. > > > \"I", "dialog speech? Say I wanted to write a character with a Texan Drawl", "Spelling while Americans do not, like the following: > > \"What colour is", "or text translator that would allow for realistic accented dialog speech? Say I", "accurately without being offensive. At the very least, one of my rules for", "don't know,\" said the American, \"I'm color blind.\" > > > Basically, just", "girl. > > > \"I don't know,\" said the American, \"I'm color blind.\"", "me portray this accurately without being offensive. At the very least, one of", "my rules for writing is that British citizens always speak with British Spelling", "asked the British girl. > > > \"I don't know,\" said the American,", "\"I don't know,\" said the American, \"I'm color blind.\" > > > Basically,", "said the American, \"I'm color blind.\" > > > Basically, just wanted to", "\"I'm color blind.\" > > > Basically, just wanted to be un-intrusive as", "rules for writing is that British citizens always speak with British Spelling while", "his dialog to have a consistent style, is there a resource that could", "resource that could help me portray this accurately without being offensive. At the", "wanted to write a character with a Texan Drawl or a heavy Brooklyn", "that could help me portray this accurately without being offensive. At the very", "speak with British Spelling while Americans do not, like the following: > >", "allow for realistic accented dialog speech? Say I wanted to write a character", "citizens always speak with British Spelling while Americans do not, like the following:", "being offensive. At the very least, one of my rules for writing is", "help me portray this accurately without being offensive. At the very least, one", "Basically, just wanted to be un-intrusive as possible while still denoting a particular", "a character with a Texan Drawl or a heavy Brooklyn accent and wanted", "a resource that could help me portray this accurately without being offensive. At", "least, one of my rules for writing is that British citizens always speak", "speech? Say I wanted to write a character with a Texan Drawl or", "> > > \"I don't know,\" said the American, \"I'm color blind.\" >", "> Basically, just wanted to be un-intrusive as possible while still denoting a", "> > Basically, just wanted to be un-intrusive as possible while still denoting", "Drawl or a heavy Brooklyn accent and wanted his dialog to have a", "the very least, one of my rules for writing is that British citizens", "At the very least, one of my rules for writing is that British", "could help me portray this accurately without being offensive. At the very least,", "to write a character with a Texan Drawl or a heavy Brooklyn accent", "wanted his dialog to have a consistent style, is there a resource that", "was wondering if anyone was aware of a quality guide or text translator", "very least, one of my rules for writing is that British citizens always", "style, is there a resource that could help me portray this accurately without", "the British girl. > > > \"I don't know,\" said the American, \"I'm", "that would allow for realistic accented dialog speech? Say I wanted to write", "is that British citizens always speak with British Spelling while Americans do not,", "offensive. At the very least, one of my rules for writing is that", "there a resource that could help me portray this accurately without being offensive.", "translator that would allow for realistic accented dialog speech? Say I wanted to", "aware of a quality guide or text translator that would allow for realistic", "Texan Drawl or a heavy Brooklyn accent and wanted his dialog to have", "a consistent style, is there a resource that could help me portray this", "British Spelling while Americans do not, like the following: > > \"What colour", "do not, like the following: > > \"What colour is that?\" asked the", "always speak with British Spelling while Americans do not, like the following: >", "character with a Texan Drawl or a heavy Brooklyn accent and wanted his", "write a character with a Texan Drawl or a heavy Brooklyn accent and", "Say I wanted to write a character with a Texan Drawl or a", "the following: > > \"What colour is that?\" asked the British girl. >", "wondering if anyone was aware of a quality guide or text translator that", "not, like the following: > > \"What colour is that?\" asked the British", "colour is that?\" asked the British girl. > > > \"I don't know,\"", "without being offensive. At the very least, one of my rules for writing", "a quality guide or text translator that would allow for realistic accented dialog", "a Texan Drawl or a heavy Brooklyn accent and wanted his dialog to", "or a heavy Brooklyn accent and wanted his dialog to have a consistent", "the American, \"I'm color blind.\" > > > Basically, just wanted to be", "for writing is that British citizens always speak with British Spelling while Americans", "color blind.\" > > > Basically, just wanted to be un-intrusive as possible", "> > \"What colour is that?\" asked the British girl. > > >", "> \"I don't know,\" said the American, \"I'm color blind.\" > > >", "realistic accented dialog speech? Say I wanted to write a character with a", "is there a resource that could help me portray this accurately without being", "like the following: > > \"What colour is that?\" asked the British girl.", "with a Texan Drawl or a heavy Brooklyn accent and wanted his dialog", "accent and wanted his dialog to have a consistent style, is there a", "Americans do not, like the following: > > \"What colour is that?\" asked", "while Americans do not, like the following: > > \"What colour is that?\"", "British citizens always speak with British Spelling while Americans do not, like the", "a heavy Brooklyn accent and wanted his dialog to have a consistent style,", "I was wondering if anyone was aware of a quality guide or text", "text translator that would allow for realistic accented dialog speech? Say I wanted", "and wanted his dialog to have a consistent style, is there a resource", "Brooklyn accent and wanted his dialog to have a consistent style, is there", "> > \"I don't know,\" said the American, \"I'm color blind.\" > >", "that?\" asked the British girl. > > > \"I don't know,\" said the", "of a quality guide or text translator that would allow for realistic accented", "that British citizens always speak with British Spelling while Americans do not, like", "would allow for realistic accented dialog speech? Say I wanted to write a", "British girl. > > > \"I don't know,\" said the American, \"I'm color", "\"What colour is that?\" asked the British girl. > > > \"I don't", "blind.\" > > > Basically, just wanted to be un-intrusive as possible while", "dialog to have a consistent style, is there a resource that could help", "guide or text translator that would allow for realistic accented dialog speech? Say", "is that?\" asked the British girl. > > > \"I don't know,\" said", "consistent style, is there a resource that could help me portray this accurately", "know,\" said the American, \"I'm color blind.\" > > > Basically, just wanted", "accented dialog speech? Say I wanted to write a character with a Texan", "heavy Brooklyn accent and wanted his dialog to have a consistent style, is", "> > > Basically, just wanted to be un-intrusive as possible while still", "writing is that British citizens always speak with British Spelling while Americans do", "anyone was aware of a quality guide or text translator that would allow", "American, \"I'm color blind.\" > > > Basically, just wanted to be un-intrusive", "with British Spelling while Americans do not, like the following: > > \"What", "following: > > \"What colour is that?\" asked the British girl. > >" ]
[ "when she's side-tracked by noises outside of the house. She reaches toward the", "different people, etc. please ask if this is a little confusing. > >", "a glass unicorn and a snow globe near the edge. She reaches as", "sexual grunts and heavy breathing as she is unaffected, appearing to stare into", "snow globe near the edge. She reaches as far as she can almost", "one action line with no other text between them. I guess I'm asking", "between them. I guess I'm asking if this is done because they relate", "the playpen. She reaches on top of a dresser next to the window,", "top of a dresser next to the window, her hands investigatory across the", "the pen and when she's side-tracked by noises outside of the house. She", "playpen putting on make-up with an ink pen. We hear sexual grunts and", "the window, her hands investigatory across the top finding a glass unicorn and", "in playpen putting on make-up with an ink pen. We hear sexual grunts", "the aluminum foil covering the window, using it as a mirror. > >", "covering the window, using it as a mirror. > > > Bathsheba POV", "Bathsheba POV shows foil-sealed window up against the playpen. She reaches on top", "and heavy breathing as she is unaffected, appearing to stare into the aluminum", "mirror. > > > Bathsheba POV shows foil-sealed window up against the playpen.", "She reaches as far as she can almost falling out of the pen", "edge. She reaches as far as she can almost falling out of the", "other text between them. I guess I'm asking if this is done because", "a mirror. > > > Bathsheba POV shows foil-sealed window up against the", "using it as a mirror. > > > Bathsheba POV shows foil-sealed window", "up against the playpen. She reaches on top of a dresser next to", "on top of a dresser next to the window, her hands investigatory across", "guess I'm asking if this is done because they relate to very different", "and a snow globe near the edge. She reaches as far as she", "is a little confusing. > > Cute toddler girl in playpen putting on", "as a mirror. > > > Bathsheba POV shows foil-sealed window up against", "a dresser next to the window, her hands investigatory across the top finding", "> > Cute toddler girl in playpen putting on make-up with an ink", "can almost falling out of the pen and when she's side-tracked by noises", "across the top finding a glass unicorn and a snow globe near the", "Cute toddler girl in playpen putting on make-up with an ink pen. We", "house. She reaches toward the window peeling back a piece of foil revealing", "as she can almost falling out of the pen and when she's side-tracked", "done because they relate to very different actions or actions of different people,", "the edge. She reaches as far as she can almost falling out of", "falling out of the pen and when she's side-tracked by noises outside of", "because they relate to very different actions or actions of different people, etc.", "this is a little confusing. > > Cute toddler girl in playpen putting", "of more than one action line with no other text between them. I", "different actions or actions of different people, etc. please ask if this is", "heavy breathing as she is unaffected, appearing to stare into the aluminum foil", "of foil revealing a man in a windbreaker walking an uncooperative chow. >", "she can almost falling out of the pen and when she's side-tracked by", "> > > Bathsheba POV shows foil-sealed window up against the playpen. She", "she is unaffected, appearing to stare into the aluminum foil covering the window,", "actions or actions of different people, etc. please ask if this is a", "finding a glass unicorn and a snow globe near the edge. She reaches", "foil revealing a man in a windbreaker walking an uncooperative chow. > >", "appearing to stare into the aluminum foil covering the window, using it as", "revealing a man in a windbreaker walking an uncooperative chow. > > >", "aluminum foil covering the window, using it as a mirror. > > >", "reaches on top of a dresser next to the window, her hands investigatory", "they relate to very different actions or actions of different people, etc. please", "etc. please ask if this is a little confusing. > > Cute toddler", "putting on make-up with an ink pen. We hear sexual grunts and heavy", "to stare into the aluminum foil covering the window, using it as a", "noises outside of the house. She reaches toward the window peeling back a", "window, using it as a mirror. > > > Bathsheba POV shows foil-sealed", "foil covering the window, using it as a mirror. > > > Bathsheba", "window up against the playpen. She reaches on top of a dresser next", "a piece of foil revealing a man in a windbreaker walking an uncooperative", "ask if this is a little confusing. > > Cute toddler girl in", "the house. She reaches toward the window peeling back a piece of foil", "She reaches toward the window peeling back a piece of foil revealing a", "grunts and heavy breathing as she is unaffected, appearing to stare into the", "or actions of different people, etc. please ask if this is a little", "of the pen and when she's side-tracked by noises outside of the house.", "peeling back a piece of foil revealing a man in a windbreaker walking", "more than one action line with no other text between them. I guess", "stare into the aluminum foil covering the window, using it as a mirror.", "to the window, her hands investigatory across the top finding a glass unicorn", "is done because they relate to very different actions or actions of different", "ink pen. We hear sexual grunts and heavy breathing as she is unaffected,", "an ink pen. We hear sexual grunts and heavy breathing as she is", "is unaffected, appearing to stare into the aluminum foil covering the window, using", "a snow globe near the edge. She reaches as far as she can", "POV shows foil-sealed window up against the playpen. She reaches on top of", "window peeling back a piece of foil revealing a man in a windbreaker", "dresser next to the window, her hands investigatory across the top finding a", "pen and when she's side-tracked by noises outside of the house. She reaches", "unaffected, appearing to stare into the aluminum foil covering the window, using it", "very different actions or actions of different people, etc. please ask if this", "she's side-tracked by noises outside of the house. She reaches toward the window", "We hear sexual grunts and heavy breathing as she is unaffected, appearing to", "it as a mirror. > > > Bathsheba POV shows foil-sealed window up", "of different people, etc. please ask if this is a little confusing. >", "with an ink pen. We hear sexual grunts and heavy breathing as she", "them. I guess I'm asking if this is done because they relate to", "toward the window peeling back a piece of foil revealing a man in", "hear sexual grunts and heavy breathing as she is unaffected, appearing to stare", "> Bathsheba POV shows foil-sealed window up against the playpen. She reaches on", "confusing. > > Cute toddler girl in playpen putting on make-up with an", "unicorn and a snow globe near the edge. She reaches as far as", "glass unicorn and a snow globe near the edge. She reaches as far", "this is done because they relate to very different actions or actions of", "relate to very different actions or actions of different people, etc. please ask", "far as she can almost falling out of the pen and when she's", "out of the pen and when she's side-tracked by noises outside of the", "window, her hands investigatory across the top finding a glass unicorn and a", "globe near the edge. She reaches as far as she can almost falling", "the window, using it as a mirror. > > > Bathsheba POV shows", "her hands investigatory across the top finding a glass unicorn and a snow", "pen. We hear sexual grunts and heavy breathing as she is unaffected, appearing", "and when she's side-tracked by noises outside of the house. She reaches toward", "speaking of more than one action line with no other text between them.", "no other text between them. I guess I'm asking if this is done", "top finding a glass unicorn and a snow globe near the edge. She", "as she is unaffected, appearing to stare into the aluminum foil covering the", "foil-sealed window up against the playpen. She reaches on top of a dresser", "by noises outside of the house. She reaches toward the window peeling back", "side-tracked by noises outside of the house. She reaches toward the window peeling", "against the playpen. She reaches on top of a dresser next to the", "please ask if this is a little confusing. > > Cute toddler girl", "playpen. She reaches on top of a dresser next to the window, her", "than one action line with no other text between them. I guess I'm", "reaches toward the window peeling back a piece of foil revealing a man", "reaches as far as she can almost falling out of the pen and", "of the house. She reaches toward the window peeling back a piece of", "I guess I'm asking if this is done because they relate to very", "outside of the house. She reaches toward the window peeling back a piece", "shows foil-sealed window up against the playpen. She reaches on top of a", "with no other text between them. I guess I'm asking if this is", "text between them. I guess I'm asking if this is done because they", "hands investigatory across the top finding a glass unicorn and a snow globe", "girl in playpen putting on make-up with an ink pen. We hear sexual", "to very different actions or actions of different people, etc. please ask if", "action line with no other text between them. I guess I'm asking if", "> Cute toddler girl in playpen putting on make-up with an ink pen.", "little confusing. > > Cute toddler girl in playpen putting on make-up with", "breathing as she is unaffected, appearing to stare into the aluminum foil covering", "line with no other text between them. I guess I'm asking if this", "people, etc. please ask if this is a little confusing. > > Cute", "if this is done because they relate to very different actions or actions", "actions of different people, etc. please ask if this is a little confusing.", "into the aluminum foil covering the window, using it as a mirror. >", "I'm asking if this is done because they relate to very different actions", "of a dresser next to the window, her hands investigatory across the top", "investigatory across the top finding a glass unicorn and a snow globe near", "the top finding a glass unicorn and a snow globe near the edge.", "asking if this is done because they relate to very different actions or", "She reaches on top of a dresser next to the window, her hands", "make-up with an ink pen. We hear sexual grunts and heavy breathing as", "piece of foil revealing a man in a windbreaker walking an uncooperative chow.", "I'm speaking of more than one action line with no other text between", "toddler girl in playpen putting on make-up with an ink pen. We hear", "> > Bathsheba POV shows foil-sealed window up against the playpen. She reaches", "almost falling out of the pen and when she's side-tracked by noises outside", "the window peeling back a piece of foil revealing a man in a", "near the edge. She reaches as far as she can almost falling out", "as far as she can almost falling out of the pen and when", "next to the window, her hands investigatory across the top finding a glass", "back a piece of foil revealing a man in a windbreaker walking an", "a little confusing. > > Cute toddler girl in playpen putting on make-up", "on make-up with an ink pen. We hear sexual grunts and heavy breathing", "if this is a little confusing. > > Cute toddler girl in playpen" ]
[ "a magazine and am a little confused by the contract. I don't want", "document, through Submittable, and asks for my signature. First printed, then another line", "then another line where it says \"signed.\" How do I sign it? I", "to ask *them*, and look like a neophyte. I've been published before, but", "a piece to a magazine and am a little confused by the contract.", "a neophyte. I've been published before, but never by a paying market. The", "piece to a magazine and am a little confused by the contract. I", "The contract is a Word document, through Submittable, and asks for my signature.", "like a neophyte. I've been published before, but never by a paying market.", "paying market. The contract is a Word document, through Submittable, and asks for", "is a Word document, through Submittable, and asks for my signature. First printed,", "do I sign it? I don't have a touch screen and I know", "don't want to ask *them*, and look like a neophyte. I've been published", "don't have a touch screen and I know it isn't meant to be", "look like a neophyte. I've been published before, but never by a paying", "have a touch screen and I know it isn't meant to be mailed", "touch screen and I know it isn't meant to be mailed to them", "ask *them*, and look like a neophyte. I've been published before, but never", "a Word document, through Submittable, and asks for my signature. First printed, then", "magazine and am a little confused by the contract. I don't want to", "want to ask *them*, and look like a neophyte. I've been published before,", "I sign it? I don't have a touch screen and I know it", "I sold a piece to a magazine and am a little confused by", "and look like a neophyte. I've been published before, but never by a", "screen and I know it isn't meant to be mailed to them through", "First printed, then another line where it says \"signed.\" How do I sign", "Submittable, and asks for my signature. First printed, then another line where it", "says \"signed.\" How do I sign it? I don't have a touch screen", "it? I don't have a touch screen and I know it isn't meant", "published before, but never by a paying market. The contract is a Word", "for my signature. First printed, then another line where it says \"signed.\" How", "a little confused by the contract. I don't want to ask *them*, and", "my signature. First printed, then another line where it says \"signed.\" How do", "a touch screen and I know it isn't meant to be mailed to", "never by a paying market. The contract is a Word document, through Submittable,", "*them*, and look like a neophyte. I've been published before, but never by", "I know it isn't meant to be mailed to them through snail mail.", "am a little confused by the contract. I don't want to ask *them*,", "signature. First printed, then another line where it says \"signed.\" How do I", "I don't have a touch screen and I know it isn't meant to", "and I know it isn't meant to be mailed to them through snail", "through Submittable, and asks for my signature. First printed, then another line where", "by the contract. I don't want to ask *them*, and look like a", "neophyte. I've been published before, but never by a paying market. The contract", "by a paying market. The contract is a Word document, through Submittable, and", "to a magazine and am a little confused by the contract. I don't", "before, but never by a paying market. The contract is a Word document,", "another line where it says \"signed.\" How do I sign it? I don't", "it says \"signed.\" How do I sign it? I don't have a touch", "\"signed.\" How do I sign it? I don't have a touch screen and", "and am a little confused by the contract. I don't want to ask", "been published before, but never by a paying market. The contract is a", "confused by the contract. I don't want to ask *them*, and look like", "sold a piece to a magazine and am a little confused by the", "sign it? I don't have a touch screen and I know it isn't", "I've been published before, but never by a paying market. The contract is", "contract is a Word document, through Submittable, and asks for my signature. First", "where it says \"signed.\" How do I sign it? I don't have a", "Word document, through Submittable, and asks for my signature. First printed, then another", "a paying market. The contract is a Word document, through Submittable, and asks", "the contract. I don't want to ask *them*, and look like a neophyte.", "and asks for my signature. First printed, then another line where it says", "line where it says \"signed.\" How do I sign it? I don't have", "I don't want to ask *them*, and look like a neophyte. I've been", "printed, then another line where it says \"signed.\" How do I sign it?", "but never by a paying market. The contract is a Word document, through", "market. The contract is a Word document, through Submittable, and asks for my", "How do I sign it? I don't have a touch screen and I", "asks for my signature. First printed, then another line where it says \"signed.\"", "little confused by the contract. I don't want to ask *them*, and look", "contract. I don't want to ask *them*, and look like a neophyte. I've" ]
[ "Herrl's PoV), but I can't say they have conflict. There are no opposing", "PoV), but I can't say they have conflict. There are no opposing forces.", "Another example is *Hijrp Potfeq*. The main plot is about defeating Voldemort, but", "as an example. The main plot is about Thor learning his lesson and", "not considered? Please note that this question is not about the definition of", "a subplot about Thor's growing romance with Vana. This subplot has no conflict", "I can't say they have conflict. There are no opposing forces. Then again,", "There are no opposing forces. Another example is *Hijrp Potfeq*. The main plot", "a third option I have not considered? Please note that this question is", "definition of conflict, I welcome your opinions; but please make sure the answers", "with Vana. This subplot has no conflict - the romance simply happens. There", "Let me use the movie *Thor* as an example. The main plot is", "Herrl asking Cho out in the fifth novel are certainly filled with tension", "The main plot is about defeating Voldemort, but there are countless subplots. Subplots", "I'm attempting to understand how subplots work, and one aspect has me confused.", "about Thor's growing romance with Vana. This subplot has no conflict - the", "Potfeq*. The main plot is about defeating Voldemort, but there are countless subplots.", "what is a subplot based on: conflict or tension?** Or is there a", "I have not considered? Please note that this question is not about the", "(from Herrl's PoV), but I can't say they have conflict. There are no", "Vana. This subplot has no conflict - the romance simply happens. There are", "with my definition of conflict, I welcome your opinions; but please make sure", "subplot about Thor's growing romance with Vana. This subplot has no conflict -", "me use the movie *Thor* as an example. The main plot is about", "but I can't say they have conflict. There are no opposing forces. Then", "start with conflict - two opposing forces. This doesn't seem to work with", "forces, and seem to be based on that conflict rather than on tension.", "opposing forces, and seem to be based on that conflict rather than on", "can't say they have conflict. There are no opposing forces. Then again, there", "opposing forces. Another example is *Hijrp Potfeq*. The main plot is about defeating", "again, there are many subplots which *do* have opposing forces, and seem to", "attempting to understand how subplots work, and one aspect has me confused. I'm", "seem to work with subplots. Let me use the movie *Thor* as an", "is about defeating Voldemort, but there are countless subplots. Subplots like Herrl asking", "tension. **So what is a subplot based on: conflict or tension?** Or is", "subplots. When I create the main plot, I start with conflict - two", "conflict - two opposing forces. This doesn't seem to work with subplots. Let", "romance with Vana. This subplot has no conflict - the romance simply happens.", "opposing forces. This doesn't seem to work with subplots. Let me use the", "conflict. There are no opposing forces. Then again, there are many subplots which", "subplots which *do* have opposing forces, and seem to be based on that", "and one aspect has me confused. I'm trying to create a process by", "use the movie *Thor* as an example. The main plot is about Thor", "tension (from Herrl's PoV), but I can't say they have conflict. There are", "based on that conflict rather than on tension. **So what is a subplot", "many subplots which *do* have opposing forces, and seem to be based on", "and regaining his power. There is a subplot about Thor's growing romance with", "conflict - the romance simply happens. There are no opposing forces. Another example", "out in the fifth novel are certainly filled with tension (from Herrl's PoV),", "to be based on that conflict rather than on tension. **So what is", "there a third option I have not considered? Please note that this question", "can create subplots. When I create the main plot, I start with conflict", "conflict, I welcome your opinions; but please make sure the answers are about", "create a process by which I can create subplots. When I create the", "subplots. Let me use the movie *Thor* as an example. The main plot", "you disagree with my definition of conflict, I welcome your opinions; but please", "two opposing forces. This doesn't seem to work with subplots. Let me use", "like Herrl asking Cho out in the fifth novel are certainly filled with", "power. There is a subplot about Thor's growing romance with Vana. This subplot", "plot, I start with conflict - two opposing forces. This doesn't seem to", "are countless subplots. Subplots like Herrl asking Cho out in the fifth novel", "conflict rather than on tension. **So what is a subplot based on: conflict", "of conflict, I welcome your opinions; but please make sure the answers are", "I welcome your opinions; but please make sure the answers are about what", "there are countless subplots. Subplots like Herrl asking Cho out in the fifth", "me confused. I'm trying to create a process by which I can create", "Subplots like Herrl asking Cho out in the fifth novel are certainly filled", "main plot is about Thor learning his lesson and regaining his power. There", "are certainly filled with tension (from Herrl's PoV), but I can't say they", "work with subplots. Let me use the movie *Thor* as an example. The", "to understand how subplots work, and one aspect has me confused. I'm trying", "they have conflict. There are no opposing forces. Then again, there are many", "the main plot, I start with conflict - two opposing forces. This doesn't", "considered? Please note that this question is not about the definition of conflict.", "than on tension. **So what is a subplot based on: conflict or tension?**", "have conflict. There are no opposing forces. Then again, there are many subplots", "There is a subplot about Thor's growing romance with Vana. This subplot has", "simply happens. There are no opposing forces. Another example is *Hijrp Potfeq*. The", "that conflict rather than on tension. **So what is a subplot based on:", "This doesn't seem to work with subplots. Let me use the movie *Thor*", "novel are certainly filled with tension (from Herrl's PoV), but I can't say", "*Hijrp Potfeq*. The main plot is about defeating Voldemort, but there are countless", "process by which I can create subplots. When I create the main plot,", "*do* have opposing forces, and seem to be based on that conflict rather", "I'm trying to create a process by which I can create subplots. When", "Please note that this question is not about the definition of conflict. If", "Then again, there are many subplots which *do* have opposing forces, and seem", "an example. The main plot is about Thor learning his lesson and regaining", "say they have conflict. There are no opposing forces. Then again, there are", "subplot has no conflict - the romance simply happens. There are no opposing", "I can create subplots. When I create the main plot, I start with", "doesn't seem to work with subplots. Let me use the movie *Thor* as", "Thor learning his lesson and regaining his power. There is a subplot about", "his power. There is a subplot about Thor's growing romance with Vana. This", "but please make sure the answers are about what a subplot is based", "has no conflict - the romance simply happens. There are no opposing forces.", "on tension. **So what is a subplot based on: conflict or tension?** Or", "conflict or tension?** Or is there a third option I have not considered?", "question is not about the definition of conflict. If you disagree with my", "disagree with my definition of conflict, I welcome your opinions; but please make", "which I can create subplots. When I create the main plot, I start", "opposing forces. Then again, there are many subplots which *do* have opposing forces,", "the definition of conflict. If you disagree with my definition of conflict, I", "has me confused. I'm trying to create a process by which I can", "tension?** Or is there a third option I have not considered? Please note", "option I have not considered? Please note that this question is not about", "aspect has me confused. I'm trying to create a process by which I", "forces. This doesn't seem to work with subplots. Let me use the movie", "movie *Thor* as an example. The main plot is about Thor learning his", "create the main plot, I start with conflict - two opposing forces. This", "based on: conflict or tension?** Or is there a third option I have", "no opposing forces. Another example is *Hijrp Potfeq*. The main plot is about", "romance simply happens. There are no opposing forces. Another example is *Hijrp Potfeq*.", "I start with conflict - two opposing forces. This doesn't seem to work", "This subplot has no conflict - the romance simply happens. There are no", "happens. There are no opposing forces. Another example is *Hijrp Potfeq*. The main", "main plot, I start with conflict - two opposing forces. This doesn't seem", "plot is about Thor learning his lesson and regaining his power. There is", "the fifth novel are certainly filled with tension (from Herrl's PoV), but I", "**So what is a subplot based on: conflict or tension?** Or is there", "example is *Hijrp Potfeq*. The main plot is about defeating Voldemort, but there", "trying to create a process by which I can create subplots. When I", "or tension?** Or is there a third option I have not considered? Please", "the movie *Thor* as an example. The main plot is about Thor learning", "on that conflict rather than on tension. **So what is a subplot based", "please make sure the answers are about what a subplot is based on.", "about Thor learning his lesson and regaining his power. There is a subplot", "seem to be based on that conflict rather than on tension. **So what", "and seem to be based on that conflict rather than on tension. **So", "with conflict - two opposing forces. This doesn't seem to work with subplots.", "is *Hijrp Potfeq*. The main plot is about defeating Voldemort, but there are", "is a subplot about Thor's growing romance with Vana. This subplot has no", "asking Cho out in the fifth novel are certainly filled with tension (from", "my definition of conflict, I welcome your opinions; but please make sure the", "confused. I'm trying to create a process by which I can create subplots.", "Cho out in the fifth novel are certainly filled with tension (from Herrl's", "a subplot based on: conflict or tension?** Or is there a third option", "learning his lesson and regaining his power. There is a subplot about Thor's", "defeating Voldemort, but there are countless subplots. Subplots like Herrl asking Cho out", "countless subplots. Subplots like Herrl asking Cho out in the fifth novel are", "with subplots. Let me use the movie *Thor* as an example. The main", "is about Thor learning his lesson and regaining his power. There is a", "- the romance simply happens. There are no opposing forces. Another example is", "The main plot is about Thor learning his lesson and regaining his power.", "forces. Then again, there are many subplots which *do* have opposing forces, and", "to work with subplots. Let me use the movie *Thor* as an example.", "fifth novel are certainly filled with tension (from Herrl's PoV), but I can't", "subplots. Subplots like Herrl asking Cho out in the fifth novel are certainly", "is a subplot based on: conflict or tension?** Or is there a third", "his lesson and regaining his power. There is a subplot about Thor's growing", "definition of conflict. If you disagree with my definition of conflict, I welcome", "*Thor* as an example. The main plot is about Thor learning his lesson", "not about the definition of conflict. If you disagree with my definition of", "of conflict. If you disagree with my definition of conflict, I welcome your", "that this question is not about the definition of conflict. If you disagree", "a process by which I can create subplots. When I create the main", "by which I can create subplots. When I create the main plot, I", "one aspect has me confused. I'm trying to create a process by which", "is there a third option I have not considered? Please note that this", "When I create the main plot, I start with conflict - two opposing", "example. The main plot is about Thor learning his lesson and regaining his", "no opposing forces. Then again, there are many subplots which *do* have opposing", "with tension (from Herrl's PoV), but I can't say they have conflict. There", "certainly filled with tension (from Herrl's PoV), but I can't say they have", "If you disagree with my definition of conflict, I welcome your opinions; but", "conflict. If you disagree with my definition of conflict, I welcome your opinions;", "this question is not about the definition of conflict. If you disagree with", "Voldemort, but there are countless subplots. Subplots like Herrl asking Cho out in", "are no opposing forces. Then again, there are many subplots which *do* have", "growing romance with Vana. This subplot has no conflict - the romance simply", "are many subplots which *do* have opposing forces, and seem to be based", "no conflict - the romance simply happens. There are no opposing forces. Another", "subplots work, and one aspect has me confused. I'm trying to create a", "welcome your opinions; but please make sure the answers are about what a", "main plot is about defeating Voldemort, but there are countless subplots. Subplots like", "rather than on tension. **So what is a subplot based on: conflict or", "which *do* have opposing forces, and seem to be based on that conflict", "your opinions; but please make sure the answers are about what a subplot", "opinions; but please make sure the answers are about what a subplot is", "understand how subplots work, and one aspect has me confused. I'm trying to", "work, and one aspect has me confused. I'm trying to create a process", "- two opposing forces. This doesn't seem to work with subplots. Let me", "is not about the definition of conflict. If you disagree with my definition", "plot is about defeating Voldemort, but there are countless subplots. Subplots like Herrl", "note that this question is not about the definition of conflict. If you", "lesson and regaining his power. There is a subplot about Thor's growing romance", "about the definition of conflict. If you disagree with my definition of conflict,", "there are many subplots which *do* have opposing forces, and seem to be", "There are no opposing forces. Then again, there are many subplots which *do*", "be based on that conflict rather than on tension. **So what is a", "create subplots. When I create the main plot, I start with conflict -", "I create the main plot, I start with conflict - two opposing forces.", "subplot based on: conflict or tension?** Or is there a third option I", "about defeating Voldemort, but there are countless subplots. Subplots like Herrl asking Cho", "filled with tension (from Herrl's PoV), but I can't say they have conflict.", "forces. Another example is *Hijrp Potfeq*. The main plot is about defeating Voldemort,", "but there are countless subplots. Subplots like Herrl asking Cho out in the", "regaining his power. There is a subplot about Thor's growing romance with Vana.", "the romance simply happens. There are no opposing forces. Another example is *Hijrp", "have not considered? Please note that this question is not about the definition", "on: conflict or tension?** Or is there a third option I have not", "third option I have not considered? Please note that this question is not", "Thor's growing romance with Vana. This subplot has no conflict - the romance", "have opposing forces, and seem to be based on that conflict rather than", "Or is there a third option I have not considered? Please note that", "in the fifth novel are certainly filled with tension (from Herrl's PoV), but", "how subplots work, and one aspect has me confused. I'm trying to create", "are no opposing forces. Another example is *Hijrp Potfeq*. The main plot is", "to create a process by which I can create subplots. When I create" ]
[ "lines of old nursery rhymes. Do I need to obtain permission in order", "order to use these quotes in my books? What about quoting a popular", "my books? What about quoting a popular line from a Nvikuspeara book? (Self-publishing", "I need to obtain permission in order to use these quotes in my", "rhymes. Do I need to obtain permission in order to use these quotes", "Do I need to obtain permission in order to use these quotes in", "characters in my novels that quote the Bible and a couple lines of", "my novels that quote the Bible and a couple lines of old nursery", "novels that quote the Bible and a couple lines of old nursery rhymes.", "obtain permission in order to use these quotes in my books? What about", "in order to use these quotes in my books? What about quoting a", "nursery rhymes. Do I need to obtain permission in order to use these", "quote the Bible and a couple lines of old nursery rhymes. Do I", "the Bible and a couple lines of old nursery rhymes. Do I need", "and a couple lines of old nursery rhymes. Do I need to obtain", "to use these quotes in my books? What about quoting a popular line", "of old nursery rhymes. Do I need to obtain permission in order to", "use these quotes in my books? What about quoting a popular line from", "couple lines of old nursery rhymes. Do I need to obtain permission in", "have characters in my novels that quote the Bible and a couple lines", "What about quoting a popular line from a Nvikuspeara book? (Self-publishing from the", "a couple lines of old nursery rhymes. Do I need to obtain permission", "to obtain permission in order to use these quotes in my books? What", "quotes in my books? What about quoting a popular line from a Nvikuspeara", "permission in order to use these quotes in my books? What about quoting", "Bible and a couple lines of old nursery rhymes. Do I need to", "need to obtain permission in order to use these quotes in my books?", "about quoting a popular line from a Nvikuspeara book? (Self-publishing from the USA)", "in my books? What about quoting a popular line from a Nvikuspeara book?", "I have characters in my novels that quote the Bible and a couple", "that quote the Bible and a couple lines of old nursery rhymes. Do", "books? What about quoting a popular line from a Nvikuspeara book? (Self-publishing from", "these quotes in my books? What about quoting a popular line from a", "old nursery rhymes. Do I need to obtain permission in order to use", "in my novels that quote the Bible and a couple lines of old" ]
[ "the idea of writing a sequel out of my head. There are a", "months ago and I sold it to a publisher two weeks ago. Now", "thinking of writing something new. The problem is I can't get the idea", "good idea?\": * Maybe I fell in love with my own characters, because", "sequel? Sometimes it is obvious: there cannot be a sequel for *Lord of", "book is my very first piece of writing I have sold). * Stakes", "person instead of the third etc. That leads me to the question: Is", "even hurts the first story, as happened with sequels of A. C. Clarke's", "story. * I have plenty of notes and great ideas which didn't make", "make them higher in the sequel. * Sometimes it is better to leave", "it to a publisher two weeks ago. Now I am thinking of writing", "why I should write it: * The story is not finished completely. The", "book and I am not sure I can make them higher in the", "I keep asking myself \"Is it a good idea?\": * Maybe I fell", "first book is my very first piece of writing I have sold). *", "sequel. * Sometimes it is better to leave some questions unanswered. * I", "something new by writing a different genre, first person instead of the third", "had made me very happy (The first book is my very first piece", "I fell in love with my own characters, because they had made me", "I have sold). * Stakes are really high in the first book and", "to the question: Is it possible to determine what books should have a", "have a sequel? Sometimes it is obvious: there cannot be a sequel for", "third etc. That leads me to the question: Is it possible to determine", "ideas which didn't make it to the first book, just because I focused", "higher in the sequel. * Sometimes it is better to leave some questions", "a publisher two weeks ago. Now I am thinking of writing something new.", "them higher in the sequel. * Sometimes it is better to leave some", "books should have a sequel? Sometimes it is obvious: there cannot be a", "would be strange if the *Philosopher's Stone* was the only Hijrp Potfeq book.", "There is a great world waiting for another story. * I have plenty", "to leave some questions unanswered. * I could learn something new by writing", "leave some questions unanswered. * I could learn something new by writing a", "to the first book, just because I focused on the main arc. On", "in the first book and I am not sure I can make them", "not all questions have been answered, not all bad guys have been punished.", "book, just because I focused on the main arc. On the other hand,", "the main arc. On the other hand, I keep asking myself \"Is it", "sequel out of my head. There are a few reasons why I should", "for *Lord of the Flies*, but it would be strange if the *Philosopher's", "Is there anything books with potentionally good sequels have in common? How can", "a sequel out of my head. There are a few reasons why I", "of my head. There are a few reasons why I should write it:", "first story, as happened with sequels of A. C. Clarke's *Rendezvous with Rama*.", "it would be strange if the *Philosopher's Stone* was the only Hijrp Potfeq", "all questions have been answered, not all bad guys have been punished. *", "very first piece of writing I have sold). * Stakes are really high", "learn something new by writing a different genre, first person instead of the", "two weeks ago. Now I am thinking of writing something new. The problem", "world waiting for another story. * I have plenty of notes and great", "fell in love with my own characters, because they had made me very", "That leads me to the question: Is it possible to determine what books", "all bad guys have been punished. * There is a great world waiting", "is obvious: there cannot be a sequel for *Lord of the Flies*, but", "A. C. Clarke's *Rendezvous with Rama*. Is there anything books with potentionally good", "as happened with sequels of A. C. Clarke's *Rendezvous with Rama*. Is there", "for another story. * I have plenty of notes and great ideas which", "great world waiting for another story. * I have plenty of notes and", "question: Is it possible to determine what books should have a sequel? Sometimes", "first book is closed, but not all questions have been answered, not all", "On the other hand, I keep asking myself \"Is it a good idea?\":", "of writing something new. The problem is I can't get the idea of", "wrote my very first novel several months ago and I sold it to", "plenty of notes and great ideas which didn't make it to the first", "hand, I keep asking myself \"Is it a good idea?\": * Maybe I", "not all bad guys have been punished. * There is a great world", "idea of writing a sequel out of my head. There are a few", "* There is a great world waiting for another story. * I have", "my very first piece of writing I have sold). * Stakes are really", "Stakes are really high in the first book and I am not sure", "*Lord of the Flies*, but it would be strange if the *Philosopher's Stone*", "Potfeq book. Sometimes the sequel even hurts the first story, as happened with", "a few reasons why I should write it: * The story is not", "with sequels of A. C. Clarke's *Rendezvous with Rama*. Is there anything books", "own characters, because they had made me very happy (The first book is", "the first book and I am not sure I can make them higher", "book is closed, but not all questions have been answered, not all bad", "it is obvious: there cannot be a sequel for *Lord of the Flies*,", "by writing a different genre, first person instead of the third etc. That", "There are a few reasons why I should write it: * The story", "should write it: * The story is not finished completely. The main arc", "me very happy (The first book is my very first piece of writing", "a sequel for *Lord of the Flies*, but it would be strange if", "been punished. * There is a great world waiting for another story. *", "the sequel even hurts the first story, as happened with sequels of A.", "some questions unanswered. * I could learn something new by writing a different", "should have a sequel? Sometimes it is obvious: there cannot be a sequel", "Hijrp Potfeq book. Sometimes the sequel even hurts the first story, as happened", "only Hijrp Potfeq book. Sometimes the sequel even hurts the first story, as", "sequel even hurts the first story, as happened with sequels of A. C.", "* Stakes are really high in the first book and I am not", "* Maybe I fell in love with my own characters, because they had", "idea?\": * Maybe I fell in love with my own characters, because they", "(The first book is my very first piece of writing I have sold).", "is better to leave some questions unanswered. * I could learn something new", "determine what books should have a sequel? Sometimes it is obvious: there cannot", "my head. There are a few reasons why I should write it: *", "sold it to a publisher two weeks ago. Now I am thinking of", "first book and I am not sure I can make them higher in", "make it to the first book, just because I focused on the main", "completely. The main arc of the first book is closed, but not all", "I wrote my very first novel several months ago and I sold it", "of writing a sequel out of my head. There are a few reasons", "finished completely. The main arc of the first book is closed, but not", "of notes and great ideas which didn't make it to the first book,", "because I focused on the main arc. On the other hand, I keep", "characters, because they had made me very happy (The first book is my", "other hand, I keep asking myself \"Is it a good idea?\": * Maybe", "of writing I have sold). * Stakes are really high in the first", "Sometimes it is better to leave some questions unanswered. * I could learn", "the question: Is it possible to determine what books should have a sequel?", "the only Hijrp Potfeq book. Sometimes the sequel even hurts the first story,", "Sometimes the sequel even hurts the first story, as happened with sequels of", "very happy (The first book is my very first piece of writing I", "different genre, first person instead of the third etc. That leads me to", "in love with my own characters, because they had made me very happy", "Clarke's *Rendezvous with Rama*. Is there anything books with potentionally good sequels have", "head. There are a few reasons why I should write it: * The", "my very first novel several months ago and I sold it to a", "guys have been punished. * There is a great world waiting for another", "have been punished. * There is a great world waiting for another story.", "answered, not all bad guys have been punished. * There is a great", "made me very happy (The first book is my very first piece of", "the sequel. * Sometimes it is better to leave some questions unanswered. *", "and I sold it to a publisher two weeks ago. Now I am", "books with potentionally good sequels have in common? How can we recognize them?", "new by writing a different genre, first person instead of the third etc.", "etc. That leads me to the question: Is it possible to determine what", "genre, first person instead of the third etc. That leads me to the", "very first novel several months ago and I sold it to a publisher", "Now I am thinking of writing something new. The problem is I can't", "keep asking myself \"Is it a good idea?\": * Maybe I fell in", "could learn something new by writing a different genre, first person instead of", "the first story, as happened with sequels of A. C. Clarke's *Rendezvous with", "I am not sure I can make them higher in the sequel. *", "new. The problem is I can't get the idea of writing a sequel", "me to the question: Is it possible to determine what books should have", "anything books with potentionally good sequels have in common? How can we recognize", "* I have plenty of notes and great ideas which didn't make it", "I am thinking of writing something new. The problem is I can't get", "I should write it: * The story is not finished completely. The main", "arc of the first book is closed, but not all questions have been", "the other hand, I keep asking myself \"Is it a good idea?\": *", "high in the first book and I am not sure I can make", "instead of the third etc. That leads me to the question: Is it", "first book, just because I focused on the main arc. On the other", "I can't get the idea of writing a sequel out of my head.", "get the idea of writing a sequel out of my head. There are", "focused on the main arc. On the other hand, I keep asking myself", "writing something new. The problem is I can't get the idea of writing", "are really high in the first book and I am not sure I", "possible to determine what books should have a sequel? Sometimes it is obvious:", "a sequel? Sometimes it is obvious: there cannot be a sequel for *Lord", "the Flies*, but it would be strange if the *Philosopher's Stone* was the", "story, as happened with sequels of A. C. Clarke's *Rendezvous with Rama*. Is", "of A. C. Clarke's *Rendezvous with Rama*. Is there anything books with potentionally", "happy (The first book is my very first piece of writing I have", "is my very first piece of writing I have sold). * Stakes are", "to determine what books should have a sequel? Sometimes it is obvious: there", "I can make them higher in the sequel. * Sometimes it is better", "\"Is it a good idea?\": * Maybe I fell in love with my", "didn't make it to the first book, just because I focused on the", "of the Flies*, but it would be strange if the *Philosopher's Stone* was", "reasons why I should write it: * The story is not finished completely.", "in the sequel. * Sometimes it is better to leave some questions unanswered.", "with Rama*. Is there anything books with potentionally good sequels have in common?", "was the only Hijrp Potfeq book. Sometimes the sequel even hurts the first", "Is it possible to determine what books should have a sequel? Sometimes it", "have plenty of notes and great ideas which didn't make it to the", "problem is I can't get the idea of writing a sequel out of", "first person instead of the third etc. That leads me to the question:", "happened with sequels of A. C. Clarke's *Rendezvous with Rama*. Is there anything", "is closed, but not all questions have been answered, not all bad guys", "closed, but not all questions have been answered, not all bad guys have", "main arc. On the other hand, I keep asking myself \"Is it a", "it a good idea?\": * Maybe I fell in love with my own", "Maybe I fell in love with my own characters, because they had made", "been answered, not all bad guys have been punished. * There is a", "myself \"Is it a good idea?\": * Maybe I fell in love with", "sure I can make them higher in the sequel. * Sometimes it is", "it possible to determine what books should have a sequel? Sometimes it is", "can make them higher in the sequel. * Sometimes it is better to", "punished. * There is a great world waiting for another story. * I", "something new. The problem is I can't get the idea of writing a", "be strange if the *Philosopher's Stone* was the only Hijrp Potfeq book. Sometimes", "first novel several months ago and I sold it to a publisher two", "what books should have a sequel? Sometimes it is obvious: there cannot be", "they had made me very happy (The first book is my very first", "publisher two weeks ago. Now I am thinking of writing something new. The", "ago and I sold it to a publisher two weeks ago. Now I", "sequel for *Lord of the Flies*, but it would be strange if the", "questions unanswered. * I could learn something new by writing a different genre,", "but not all questions have been answered, not all bad guys have been", "the *Philosopher's Stone* was the only Hijrp Potfeq book. Sometimes the sequel even", "*Philosopher's Stone* was the only Hijrp Potfeq book. Sometimes the sequel even hurts", "is a great world waiting for another story. * I have plenty of", "just because I focused on the main arc. On the other hand, I", "write it: * The story is not finished completely. The main arc of", "hurts the first story, as happened with sequels of A. C. Clarke's *Rendezvous", "the third etc. That leads me to the question: Is it possible to", "The main arc of the first book is closed, but not all questions", "better to leave some questions unanswered. * I could learn something new by", "The problem is I can't get the idea of writing a sequel out", "Flies*, but it would be strange if the *Philosopher's Stone* was the only", "if the *Philosopher's Stone* was the only Hijrp Potfeq book. Sometimes the sequel", "be a sequel for *Lord of the Flies*, but it would be strange", "*Rendezvous with Rama*. Is there anything books with potentionally good sequels have in", "to a publisher two weeks ago. Now I am thinking of writing something", "there anything books with potentionally good sequels have in common? How can we", "with my own characters, because they had made me very happy (The first", "* I could learn something new by writing a different genre, first person", "can't get the idea of writing a sequel out of my head. There", "am not sure I can make them higher in the sequel. * Sometimes", "Rama*. Is there anything books with potentionally good sequels have in common? How", "it to the first book, just because I focused on the main arc.", "arc. On the other hand, I keep asking myself \"Is it a good", "piece of writing I have sold). * Stakes are really high in the", "which didn't make it to the first book, just because I focused on", "I could learn something new by writing a different genre, first person instead", "questions have been answered, not all bad guys have been punished. * There", "leads me to the question: Is it possible to determine what books should", "are a few reasons why I should write it: * The story is", "writing I have sold). * Stakes are really high in the first book", "weeks ago. Now I am thinking of writing something new. The problem is", "sold). * Stakes are really high in the first book and I am", "I have plenty of notes and great ideas which didn't make it to", "because they had made me very happy (The first book is my very", "sequels of A. C. Clarke's *Rendezvous with Rama*. Is there anything books with", "novel several months ago and I sold it to a publisher two weeks", "am thinking of writing something new. The problem is I can't get the", "Sometimes it is obvious: there cannot be a sequel for *Lord of the", "writing a sequel out of my head. There are a few reasons why", "waiting for another story. * I have plenty of notes and great ideas", "several months ago and I sold it to a publisher two weeks ago.", "another story. * I have plenty of notes and great ideas which didn't", "I focused on the main arc. On the other hand, I keep asking", "of the first book is closed, but not all questions have been answered,", "I sold it to a publisher two weeks ago. Now I am thinking", "not finished completely. The main arc of the first book is closed, but", "Stone* was the only Hijrp Potfeq book. Sometimes the sequel even hurts the", "bad guys have been punished. * There is a great world waiting for", "a good idea?\": * Maybe I fell in love with my own characters,", "have been answered, not all bad guys have been punished. * There is", "a different genre, first person instead of the third etc. That leads me", "C. Clarke's *Rendezvous with Rama*. Is there anything books with potentionally good sequels", "is I can't get the idea of writing a sequel out of my", "The story is not finished completely. The main arc of the first book", "it is better to leave some questions unanswered. * I could learn something", "* The story is not finished completely. The main arc of the first", "ago. Now I am thinking of writing something new. The problem is I", "the first book, just because I focused on the main arc. On the", "a great world waiting for another story. * I have plenty of notes", "few reasons why I should write it: * The story is not finished", "asking myself \"Is it a good idea?\": * Maybe I fell in love", "notes and great ideas which didn't make it to the first book, just", "it: * The story is not finished completely. The main arc of the", "the first book is closed, but not all questions have been answered, not", "love with my own characters, because they had made me very happy (The", "unanswered. * I could learn something new by writing a different genre, first", "there cannot be a sequel for *Lord of the Flies*, but it would", "book. Sometimes the sequel even hurts the first story, as happened with sequels", "and great ideas which didn't make it to the first book, just because", "is not finished completely. The main arc of the first book is closed,", "cannot be a sequel for *Lord of the Flies*, but it would be", "main arc of the first book is closed, but not all questions have", "out of my head. There are a few reasons why I should write", "story is not finished completely. The main arc of the first book is", "my own characters, because they had made me very happy (The first book", "have sold). * Stakes are really high in the first book and I", "and I am not sure I can make them higher in the sequel.", "* Sometimes it is better to leave some questions unanswered. * I could", "writing a different genre, first person instead of the third etc. That leads", "obvious: there cannot be a sequel for *Lord of the Flies*, but it", "but it would be strange if the *Philosopher's Stone* was the only Hijrp", "great ideas which didn't make it to the first book, just because I", "on the main arc. On the other hand, I keep asking myself \"Is", "strange if the *Philosopher's Stone* was the only Hijrp Potfeq book. Sometimes the", "not sure I can make them higher in the sequel. * Sometimes it", "first piece of writing I have sold). * Stakes are really high in", "of the third etc. That leads me to the question: Is it possible", "really high in the first book and I am not sure I can" ]
[ "coffee place) just to hint at the reader that I'm Canadian. I want", "I want to include a mention of a Tim Hortons cup, (Canadian coffee", "place) just to hint at the reader that I'm Canadian. I want to", "just to hint at the reader that I'm Canadian. I want to put", "(duh) and I want to include a mention of a Tim Hortons cup,", "casually; it's gonna be mentioned as empty. But I'm not sure if I", "book, (duh) and I want to include a mention of a Tim Hortons", "want to put it in there casually; it's gonna be mentioned as empty.", "to put it in there casually; it's gonna be mentioned as empty. But", "the copyright to Tim Hortons first or not. Can anyone help me out?", "writing a book, (duh) and I want to include a mention of a", "to include a mention of a Tim Hortons cup, (Canadian coffee place) just", "there casually; it's gonna be mentioned as empty. But I'm not sure if", "I need the copyright to Tim Hortons first or not. Can anyone help", "Canadian. I want to put it in there casually; it's gonna be mentioned", "as empty. But I'm not sure if I need the copyright to Tim", "to hint at the reader that I'm Canadian. I want to put it", "reader that I'm Canadian. I want to put it in there casually; it's", "I'm not sure if I need the copyright to Tim Hortons first or", "Tim Hortons cup, (Canadian coffee place) just to hint at the reader that", "in there casually; it's gonna be mentioned as empty. But I'm not sure", "(Canadian coffee place) just to hint at the reader that I'm Canadian. I", "not sure if I need the copyright to Tim Hortons first or not.", "want to include a mention of a Tim Hortons cup, (Canadian coffee place)", "it in there casually; it's gonna be mentioned as empty. But I'm not", "at the reader that I'm Canadian. I want to put it in there", "include a mention of a Tim Hortons cup, (Canadian coffee place) just to", "if I need the copyright to Tim Hortons first or not. Can anyone", "it's gonna be mentioned as empty. But I'm not sure if I need", "But I'm not sure if I need the copyright to Tim Hortons first", "put it in there casually; it's gonna be mentioned as empty. But I'm", "I want to put it in there casually; it's gonna be mentioned as", "sure if I need the copyright to Tim Hortons first or not. Can", "a mention of a Tim Hortons cup, (Canadian coffee place) just to hint", "of a Tim Hortons cup, (Canadian coffee place) just to hint at the", "hint at the reader that I'm Canadian. I want to put it in", "need the copyright to Tim Hortons first or not. Can anyone help me", "mention of a Tim Hortons cup, (Canadian coffee place) just to hint at", "cup, (Canadian coffee place) just to hint at the reader that I'm Canadian.", "be mentioned as empty. But I'm not sure if I need the copyright", "and I want to include a mention of a Tim Hortons cup, (Canadian", "that I'm Canadian. I want to put it in there casually; it's gonna", "gonna be mentioned as empty. But I'm not sure if I need the", "empty. But I'm not sure if I need the copyright to Tim Hortons", "the reader that I'm Canadian. I want to put it in there casually;", "I'm Canadian. I want to put it in there casually; it's gonna be", "mentioned as empty. But I'm not sure if I need the copyright to", "So I'm writing a book, (duh) and I want to include a mention", "Hortons cup, (Canadian coffee place) just to hint at the reader that I'm", "a book, (duh) and I want to include a mention of a Tim", "a Tim Hortons cup, (Canadian coffee place) just to hint at the reader", "I'm writing a book, (duh) and I want to include a mention of" ]
[ "almost no experience. I have never had a relationship, so it’s hard to", "I have never had a relationship, so it’s hard to me to write", "antagonist is the threat. How can I express a romantic relationship between them", "express a romantic relationship between them if I write a short novel? I", "with almost no experience. I have never had a relationship, so it’s hard", "no experience. I have never had a relationship, so it’s hard to me", "I express a romantic relationship between them if I write a short novel?", "is good character; my female antagonist is the threat. How can I express", "between them if I write a short novel? I am a new writer", "a short novel? I am a new writer with almost no experience. I", "I am a new writer with almost no experience. I have never had", "My anti-hero is good character; my female antagonist is the threat. How can", "have never had a relationship, so it’s hard to me to write this.", "a new writer with almost no experience. I have never had a relationship,", "experience. I have never had a relationship, so it’s hard to me to", "female antagonist is the threat. How can I express a romantic relationship between", "new writer with almost no experience. I have never had a relationship, so", "writer with almost no experience. I have never had a relationship, so it’s", "the threat. How can I express a romantic relationship between them if I", "a romantic relationship between them if I write a short novel? I am", "relationship between them if I write a short novel? I am a new", "if I write a short novel? I am a new writer with almost", "romantic relationship between them if I write a short novel? I am a", "character; my female antagonist is the threat. How can I express a romantic", "threat. How can I express a romantic relationship between them if I write", "short novel? I am a new writer with almost no experience. I have", "novel? I am a new writer with almost no experience. I have never", "write a short novel? I am a new writer with almost no experience.", "can I express a romantic relationship between them if I write a short", "anti-hero is good character; my female antagonist is the threat. How can I", "I write a short novel? I am a new writer with almost no", "my female antagonist is the threat. How can I express a romantic relationship", "am a new writer with almost no experience. I have never had a", "How can I express a romantic relationship between them if I write a", "good character; my female antagonist is the threat. How can I express a", "them if I write a short novel? I am a new writer with", "is the threat. How can I express a romantic relationship between them if" ]
[ "anything in it, without even clothes 2. beiing held in a room without", "many stories including characters who got captured, sometimes they are trained soldiers etc.,", "cell with things like a bed, toilet, ... inside A thing I thought", "sometimes they are trained soldiers etc., sometimes they are just an average person.", "beiing held in a room without anything in it, with clothes 3. average", "I always asked myself if a person would be able to kill itself", "in it, without even clothes 2. beiing held in a room without anything", "beiing held in a room without anything in it, without even clothes 2.", "like a bed, toilet, ... inside A thing I thought of would be", "And I always asked myself if a person would be able to kill", "myself if a person would be able to kill itself when: 1. beiing", "read so many stories including characters who got captured, sometimes they are trained", "anything in it, with clothes 3. average cell with things like a bed,", "a room without anything in it, with clothes 3. average cell with things", "toilet, ... inside A thing I thought of would be that the character", "captured, sometimes they are trained soldiers etc., sometimes they are just an average", "1. beiing held in a room without anything in it, without even clothes", "person would be able to kill itself when: 1. beiing held in a", "if a person would be able to kill itself when: 1. beiing held", "without anything in it, with clothes 3. average cell with things like a", "without anything in it, without even clothes 2. beiing held in a room", "inside A thing I thought of would be that the character could try", "it, with clothes 3. average cell with things like a bed, toilet, ...", "bed, toilet, ... inside A thing I thought of would be that the", "3. average cell with things like a bed, toilet, ... inside A thing", "I thought of would be that the character could try and choke himself", "the character could try and choke himself with the food he gets. Is", "would be that the character could try and choke himself with the food", "a bed, toilet, ... inside A thing I thought of would be that", "clothes 2. beiing held in a room without anything in it, with clothes", "in a room without anything in it, without even clothes 2. beiing held", "able to kill itself when: 1. beiing held in a room without anything", "things like a bed, toilet, ... inside A thing I thought of would", "be able to kill itself when: 1. beiing held in a room without", "sometimes they are just an average person. And I always asked myself if", "including characters who got captured, sometimes they are trained soldiers etc., sometimes they", "always asked myself if a person would be able to kill itself when:", "when: 1. beiing held in a room without anything in it, without even", "character could try and choke himself with the food he gets. Is that", "even clothes 2. beiing held in a room without anything in it, with", "thing I thought of would be that the character could try and choke", "are trained soldiers etc., sometimes they are just an average person. And I", "clothes 3. average cell with things like a bed, toilet, ... inside A", "just an average person. And I always asked myself if a person would", "so many stories including characters who got captured, sometimes they are trained soldiers", "and choke himself with the food he gets. Is that possible? Thanks in", "they are just an average person. And I always asked myself if a", "of would be that the character could try and choke himself with the", "be that the character could try and choke himself with the food he", "thought of would be that the character could try and choke himself with", "I read so many stories including characters who got captured, sometimes they are", "a room without anything in it, without even clothes 2. beiing held in", "in a room without anything in it, with clothes 3. average cell with", "choke himself with the food he gets. Is that possible? Thanks in advance!", "in it, with clothes 3. average cell with things like a bed, toilet,", "got captured, sometimes they are trained soldiers etc., sometimes they are just an", "2. beiing held in a room without anything in it, with clothes 3.", "itself when: 1. beiing held in a room without anything in it, without", "held in a room without anything in it, without even clothes 2. beiing", "room without anything in it, with clothes 3. average cell with things like", "an average person. And I always asked myself if a person would be", "would be able to kill itself when: 1. beiing held in a room", "room without anything in it, without even clothes 2. beiing held in a", "without even clothes 2. beiing held in a room without anything in it,", "a person would be able to kill itself when: 1. beiing held in", "to kill itself when: 1. beiing held in a room without anything in", "it, without even clothes 2. beiing held in a room without anything in", "asked myself if a person would be able to kill itself when: 1.", "average person. And I always asked myself if a person would be able", "are just an average person. And I always asked myself if a person", "try and choke himself with the food he gets. Is that possible? Thanks", "held in a room without anything in it, with clothes 3. average cell", "with clothes 3. average cell with things like a bed, toilet, ... inside", "soldiers etc., sometimes they are just an average person. And I always asked", "that the character could try and choke himself with the food he gets.", "kill itself when: 1. beiing held in a room without anything in it,", "stories including characters who got captured, sometimes they are trained soldiers etc., sometimes", "they are trained soldiers etc., sometimes they are just an average person. And", "who got captured, sometimes they are trained soldiers etc., sometimes they are just", "A thing I thought of would be that the character could try and", "characters who got captured, sometimes they are trained soldiers etc., sometimes they are", "could try and choke himself with the food he gets. Is that possible?", "average cell with things like a bed, toilet, ... inside A thing I", "person. And I always asked myself if a person would be able to", "... inside A thing I thought of would be that the character could", "trained soldiers etc., sometimes they are just an average person. And I always", "etc., sometimes they are just an average person. And I always asked myself", "with things like a bed, toilet, ... inside A thing I thought of" ]
[ "do glossaries support, that we should be mindful of and avoid breaking? Or", "well and why should we try to duplicate that? (There is a small", "context. I see no point in making people interrupt their flow of reading", "that almost nobody goes to the glossary to look up particular topics, but", "in the doc set where they're talked about more. While reviewing our glossary", "team) on a large documentation set for a complex software product. We publish", "use our search to look up terms, and they usually go to the", "more. While reviewing our glossary for terms that should obviously be pruned (that", "instead of pruning it we should be thinking of getting rid of it", "specific to our product. We are currently pruning these out because we all", "in, our product. The same information is also presented in the \"natural\" places", "and has accumulated a lot of entries over time. It currently contains the", "measuring those in-page popups so people might be using those. Or not. We", "is having a glossary in this doc set useful *at all*? Our analytics", "to the glossary to look up particular topics, but it looks like we", "software product. We publish HTML and have built-in search (plus, of course, there's", "obviously be pruned (that first group), I started to wonder about the bigger", "basically irrelevant and instead of pruning it we should be thinking of getting", "that concept anyway, we talk about it in context. I see no point", "ones contain links to the places in the doc set where they're talked", "do see that people use our search to look up terms, and they", "our product. The better ones contain links to the places in the doc", "to duplicate that? (There is a small maintenance cost to keeping them.) *", "of terms that are specific to, or different in, our product. The better", "of pruning it we should be thinking of getting rid of it entirely?", "of entries over time. It currently contains the following kinds of entries: *", "documentation sets that have glossaries; it's not just us. Are there established best", "in the \"natural\" places in the doc set -- wherever you'd need to", "entry, even if it's an in-page pop-up. * Terse explanations of terms that", "set where they're talked about more. While reviewing our glossary for terms that", "cost to keeping them.) * Longer explanations of terms that are specific to,", "Are there established best practices for glossaries specifically for online, searchable documentation? What", "The same information is also presented in the \"natural\" places in the doc", "we aren't separately measuring those in-page popups so people might be using those.", "to, or different in, our product. The same information is also presented in", "currently pruning these out because we all agree that Wikipedia does general CS", "of terms that are specific to, or different in, our product. The same", "go to the places in the doc that talk about them in context,", "searchable documentation? What use cases do glossaries support, that we should be mindful", "glossary entry, even if it's an in-page pop-up. * Terse explanations of terms", "built-in search (plus, of course, there's Google). The doc set has a glossary,", "We are currently pruning these out because we all agree that Wikipedia does", "breaking? Or are glossaries basically irrelevant and instead of pruning it we should", "point in making people interrupt their flow of reading to go visit a", "for terms that should obviously be pruned (that first group), I started to", "the places in the doc that talk about them in context, not the", "in the doc set -- wherever you'd need to talk about that concept", "in, our product. The better ones contain links to the places in the", "and they usually go to the places in the doc that talk about", "using those. Or not. We do see that people use our search to", "we all agree that Wikipedia does general CS (etc) well and why should", "having a glossary in this doc set useful *at all*? Our analytics tell", "glossary to look up particular topics, but it looks like we aren't separately", "see that people use our search to look up terms, and they usually", "goes to the glossary to look up particular topics, but it looks like", "search to look up terms, and they usually go to the places in", "concept anyway, we talk about it in context. I see no point in", "set for a complex software product. We publish HTML and have built-in search", "with no content specific to our product. We are currently pruning these out", "go visit a glossary entry, even if it's an in-page pop-up. * Terse", "nobody goes to the glossary to look up particular topics, but it looks", "should be mindful of and avoid breaking? Or are glossaries basically irrelevant and", "useful *at all*? Our analytics tell us that almost nobody goes to the", "might be using those. Or not. We do see that people use our", "different in, our product. The better ones contain links to the places in", "them.) * Longer explanations of terms that are specific to, or different in,", "small maintenance cost to keeping them.) * Longer explanations of terms that are", "set useful *at all*? Our analytics tell us that almost nobody goes to", "all*? Our analytics tell us that almost nobody goes to the glossary to", "separately measuring those in-page popups so people might be using those. Or not.", "even if it's an in-page pop-up. * Terse explanations of terms that are", "talk about it in context. I see no point in making people interrupt", "a glossary, which predates most team members and has accumulated a lot of", "for glossaries specifically for online, searchable documentation? What use cases do glossaries support,", "use cases do glossaries support, that we should be mindful of and avoid", "I see no point in making people interrupt their flow of reading to", "of course, there's Google). The doc set has a glossary, which predates most", "time. It currently contains the following kinds of entries: * General industry terms", "so people might be using those. Or not. We do see that people", "look up particular topics, but it looks like we aren't separately measuring those", "online documentation sets that have glossaries; it's not just us. Are there established", "product. The same information is also presented in the \"natural\" places in the", "about the bigger question: is having a glossary in this doc set useful", "terms that are specific to, or different in, our product. The same information", "not just us. Are there established best practices for glossaries specifically for online,", "set -- wherever you'd need to talk about that concept anyway, we talk", "places in the doc set where they're talked about more. While reviewing our", "and instead of pruning it we should be thinking of getting rid of", "doc set where they're talked about more. While reviewing our glossary for terms", "in context, not the glossary entries. I've seen other online documentation sets that", "there's Google). The doc set has a glossary, which predates most team members", "about them in context, not the glossary entries. I've seen other online documentation", "these out because we all agree that Wikipedia does general CS (etc) well", "same information is also presented in the \"natural\" places in the doc set", "that people use our search to look up terms, and they usually go", "we talk about it in context. I see no point in making people", "places in the doc that talk about them in context, not the glossary", "other online documentation sets that have glossaries; it's not just us. Are there", "need to talk about that concept anyway, we talk about it in context.", "the glossary entries. I've seen other online documentation sets that have glossaries; it's", "wonder about the bigger question: is having a glossary in this doc set", "that Wikipedia does general CS (etc) well and why should we try to", "our product. We are currently pruning these out because we all agree that", "making people interrupt their flow of reading to go visit a glossary entry,", "pruning these out because we all agree that Wikipedia does general CS (etc)", "terms with no content specific to our product. We are currently pruning these", "because we all agree that Wikipedia does general CS (etc) well and why", "a lot of entries over time. It currently contains the following kinds of", "have built-in search (plus, of course, there's Google). The doc set has a", "the places in the doc set where they're talked about more. While reviewing", "people might be using those. Or not. We do see that people use", "like we aren't separately measuring those in-page popups so people might be using", "practices for glossaries specifically for online, searchable documentation? What use cases do glossaries", "started to wonder about the bigger question: is having a glossary in this", "(etc) well and why should we try to duplicate that? (There is a", "currently contains the following kinds of entries: * General industry terms with no", "cases do glossaries support, that we should be mindful of and avoid breaking?", "following kinds of entries: * General industry terms with no content specific to", "to the places in the doc that talk about them in context, not", "kinds of entries: * General industry terms with no content specific to our", "agree that Wikipedia does general CS (etc) well and why should we try", "anyway, we talk about it in context. I see no point in making", "to the places in the doc set where they're talked about more. While", "particular topics, but it looks like we aren't separately measuring those in-page popups", "(that first group), I started to wonder about the bigger question: is having", "maintenance cost to keeping them.) * Longer explanations of terms that are specific", "product. We are currently pruning these out because we all agree that Wikipedia", "entries: * General industry terms with no content specific to our product. We", "this doc set useful *at all*? Our analytics tell us that almost nobody", "terms, and they usually go to the places in the doc that talk", "contains the following kinds of entries: * General industry terms with no content", "looks like we aren't separately measuring those in-page popups so people might be", "no content specific to our product. We are currently pruning these out because", "be using those. Or not. We do see that people use our search", "our search to look up terms, and they usually go to the places", "pruned (that first group), I started to wonder about the bigger question: is", "in the doc that talk about them in context, not the glossary entries.", "those in-page popups so people might be using those. Or not. We do", "they're talked about more. While reviewing our glossary for terms that should obviously", "to talk about that concept anyway, we talk about it in context. I", "irrelevant and instead of pruning it we should be thinking of getting rid", "tell us that almost nobody goes to the glossary to look up particular", "*at all*? Our analytics tell us that almost nobody goes to the glossary", "which predates most team members and has accumulated a lot of entries over", "just us. Are there established best practices for glossaries specifically for online, searchable", "Google). The doc set has a glossary, which predates most team members and", "to, or different in, our product. The better ones contain links to the", "work (with a team) on a large documentation set for a complex software", "Our analytics tell us that almost nobody goes to the glossary to look", "of reading to go visit a glossary entry, even if it's an in-page", "* General industry terms with no content specific to our product. We are", "you'd need to talk about that concept anyway, we talk about it in", "we try to duplicate that? (There is a small maintenance cost to keeping", "popups so people might be using those. Or not. We do see that", "where they're talked about more. While reviewing our glossary for terms that should", "for online, searchable documentation? What use cases do glossaries support, that we should", "a team) on a large documentation set for a complex software product. We", "Or are glossaries basically irrelevant and instead of pruning it we should be", "look up terms, and they usually go to the places in the doc", "best practices for glossaries specifically for online, searchable documentation? What use cases do", "It currently contains the following kinds of entries: * General industry terms with", "those. Or not. We do see that people use our search to look", "are currently pruning these out because we all agree that Wikipedia does general", "all agree that Wikipedia does general CS (etc) well and why should we", "the doc set where they're talked about more. While reviewing our glossary for", "industry terms with no content specific to our product. We are currently pruning", "a large documentation set for a complex software product. We publish HTML and", "links to the places in the doc set where they're talked about more.", "in this doc set useful *at all*? Our analytics tell us that almost", "that have glossaries; it's not just us. Are there established best practices for", "are glossaries basically irrelevant and instead of pruning it we should be thinking", "flow of reading to go visit a glossary entry, even if it's an", "documentation? What use cases do glossaries support, that we should be mindful of", "or different in, our product. The same information is also presented in the", "out because we all agree that Wikipedia does general CS (etc) well and", "does general CS (etc) well and why should we try to duplicate that?", "our product. The same information is also presented in the \"natural\" places in", "I started to wonder about the bigger question: is having a glossary in", "explanations of terms that are specific to, or different in, our product. The", "The better ones contain links to the places in the doc set where", "content specific to our product. We are currently pruning these out because we", "bigger question: is having a glossary in this doc set useful *at all*?", "I work (with a team) on a large documentation set for a complex", "(There is a small maintenance cost to keeping them.) * Longer explanations of", "group), I started to wonder about the bigger question: is having a glossary", "up particular topics, but it looks like we aren't separately measuring those in-page", "over time. It currently contains the following kinds of entries: * General industry", "places in the doc set -- wherever you'd need to talk about that", "an in-page pop-up. * Terse explanations of terms that are specific to, or", "entries over time. It currently contains the following kinds of entries: * General", "reading to go visit a glossary entry, even if it's an in-page pop-up.", "is also presented in the \"natural\" places in the doc set -- wherever", "or different in, our product. The better ones contain links to the places", "search (plus, of course, there's Google). The doc set has a glossary, which", "that talk about them in context, not the glossary entries. I've seen other", "be mindful of and avoid breaking? Or are glossaries basically irrelevant and instead", "also presented in the \"natural\" places in the doc set -- wherever you'd", "to keeping them.) * Longer explanations of terms that are specific to, or", "talk about them in context, not the glossary entries. I've seen other online", "us. Are there established best practices for glossaries specifically for online, searchable documentation?", "We publish HTML and have built-in search (plus, of course, there's Google). The", "have glossaries; it's not just us. Are there established best practices for glossaries", "topics, but it looks like we aren't separately measuring those in-page popups so", "different in, our product. The same information is also presented in the \"natural\"", "reviewing our glossary for terms that should obviously be pruned (that first group),", "specific to, or different in, our product. The same information is also presented", "established best practices for glossaries specifically for online, searchable documentation? What use cases", "and avoid breaking? Or are glossaries basically irrelevant and instead of pruning it", "for a complex software product. We publish HTML and have built-in search (plus,", "\"natural\" places in the doc set -- wherever you'd need to talk about", "glossary entries. I've seen other online documentation sets that have glossaries; it's not", "doc that talk about them in context, not the glossary entries. I've seen", "it looks like we aren't separately measuring those in-page popups so people might", "support, that we should be mindful of and avoid breaking? Or are glossaries", "be pruned (that first group), I started to wonder about the bigger question:", "set has a glossary, which predates most team members and has accumulated a", "is a small maintenance cost to keeping them.) * Longer explanations of terms", "that are specific to, or different in, our product. The same information is", "not the glossary entries. I've seen other online documentation sets that have glossaries;", "presented in the \"natural\" places in the doc set -- wherever you'd need", "almost nobody goes to the glossary to look up particular topics, but it", "no point in making people interrupt their flow of reading to go visit", "* Terse explanations of terms that are specific to, or different in, our", "that? (There is a small maintenance cost to keeping them.) * Longer explanations", "the glossary to look up particular topics, but it looks like we aren't", "in-page pop-up. * Terse explanations of terms that are specific to, or different", "a complex software product. We publish HTML and have built-in search (plus, of", "general CS (etc) well and why should we try to duplicate that? (There", "product. The better ones contain links to the places in the doc set", "contain links to the places in the doc set where they're talked about", "terms that are specific to, or different in, our product. The better ones", "a glossary in this doc set useful *at all*? Our analytics tell us", "duplicate that? (There is a small maintenance cost to keeping them.) * Longer", "wherever you'd need to talk about that concept anyway, we talk about it", "people use our search to look up terms, and they usually go to", "lot of entries over time. It currently contains the following kinds of entries:", "we should be mindful of and avoid breaking? Or are glossaries basically irrelevant", "We do see that people use our search to look up terms, and", "that should obviously be pruned (that first group), I started to wonder about", "should we try to duplicate that? (There is a small maintenance cost to", "accumulated a lot of entries over time. It currently contains the following kinds", "glossaries; it's not just us. Are there established best practices for glossaries specifically", "information is also presented in the \"natural\" places in the doc set --", "The doc set has a glossary, which predates most team members and has", "* Longer explanations of terms that are specific to, or different in, our", "large documentation set for a complex software product. We publish HTML and have", "about more. While reviewing our glossary for terms that should obviously be pruned", "complex software product. We publish HTML and have built-in search (plus, of course,", "course, there's Google). The doc set has a glossary, which predates most team", "visit a glossary entry, even if it's an in-page pop-up. * Terse explanations", "a small maintenance cost to keeping them.) * Longer explanations of terms that", "our glossary for terms that should obviously be pruned (that first group), I", "to look up terms, and they usually go to the places in the", "specific to, or different in, our product. The better ones contain links to", "most team members and has accumulated a lot of entries over time. It", "CS (etc) well and why should we try to duplicate that? (There is", "specifically for online, searchable documentation? What use cases do glossaries support, that we", "the doc that talk about them in context, not the glossary entries. I've", "glossaries basically irrelevant and instead of pruning it we should be thinking of", "HTML and have built-in search (plus, of course, there's Google). The doc set", "glossary in this doc set useful *at all*? Our analytics tell us that", "their flow of reading to go visit a glossary entry, even if it's", "online, searchable documentation? What use cases do glossaries support, that we should be", "in making people interrupt their flow of reading to go visit a glossary", "to go visit a glossary entry, even if it's an in-page pop-up. *", "Wikipedia does general CS (etc) well and why should we try to duplicate", "avoid breaking? Or are glossaries basically irrelevant and instead of pruning it we", "to look up particular topics, but it looks like we aren't separately measuring", "and have built-in search (plus, of course, there's Google). The doc set has", "documentation set for a complex software product. We publish HTML and have built-in", "aren't separately measuring those in-page popups so people might be using those. Or", "people interrupt their flow of reading to go visit a glossary entry, even", "glossaries support, that we should be mindful of and avoid breaking? Or are", "talk about that concept anyway, we talk about it in context. I see", "team members and has accumulated a lot of entries over time. It currently", "should obviously be pruned (that first group), I started to wonder about the", "why should we try to duplicate that? (There is a small maintenance cost", "in-page popups so people might be using those. Or not. We do see", "are specific to, or different in, our product. The better ones contain links", "it's not just us. Are there established best practices for glossaries specifically for", "usually go to the places in the doc that talk about them in", "-- wherever you'd need to talk about that concept anyway, we talk about", "has a glossary, which predates most team members and has accumulated a lot", "question: is having a glossary in this doc set useful *at all*? Our", "about it in context. I see no point in making people interrupt their", "if it's an in-page pop-up. * Terse explanations of terms that are specific", "of and avoid breaking? Or are glossaries basically irrelevant and instead of pruning", "to our product. We are currently pruning these out because we all agree", "the doc set -- wherever you'd need to talk about that concept anyway,", "mindful of and avoid breaking? Or are glossaries basically irrelevant and instead of", "it's an in-page pop-up. * Terse explanations of terms that are specific to,", "us that almost nobody goes to the glossary to look up particular topics,", "up terms, and they usually go to the places in the doc that", "I've seen other online documentation sets that have glossaries; it's not just us.", "sets that have glossaries; it's not just us. Are there established best practices", "glossary for terms that should obviously be pruned (that first group), I started", "General industry terms with no content specific to our product. We are currently", "keeping them.) * Longer explanations of terms that are specific to, or different", "it in context. I see no point in making people interrupt their flow", "the \"natural\" places in the doc set -- wherever you'd need to talk", "in context. I see no point in making people interrupt their flow of", "terms that should obviously be pruned (that first group), I started to wonder", "first group), I started to wonder about the bigger question: is having a", "that we should be mindful of and avoid breaking? Or are glossaries basically", "the following kinds of entries: * General industry terms with no content specific", "interrupt their flow of reading to go visit a glossary entry, even if", "doc set has a glossary, which predates most team members and has accumulated", "to wonder about the bigger question: is having a glossary in this doc", "While reviewing our glossary for terms that should obviously be pruned (that first", "doc set -- wherever you'd need to talk about that concept anyway, we", "has accumulated a lot of entries over time. It currently contains the following", "members and has accumulated a lot of entries over time. It currently contains", "they usually go to the places in the doc that talk about them", "a glossary entry, even if it's an in-page pop-up. * Terse explanations of", "talked about more. While reviewing our glossary for terms that should obviously be", "product. We publish HTML and have built-in search (plus, of course, there's Google).", "entries. I've seen other online documentation sets that have glossaries; it's not just", "on a large documentation set for a complex software product. We publish HTML", "publish HTML and have built-in search (plus, of course, there's Google). The doc", "and why should we try to duplicate that? (There is a small maintenance", "try to duplicate that? (There is a small maintenance cost to keeping them.)", "context, not the glossary entries. I've seen other online documentation sets that have", "there established best practices for glossaries specifically for online, searchable documentation? What use", "but it looks like we aren't separately measuring those in-page popups so people", "(with a team) on a large documentation set for a complex software product.", "Or not. We do see that people use our search to look up", "glossaries specifically for online, searchable documentation? What use cases do glossaries support, that", "Longer explanations of terms that are specific to, or different in, our product.", "them in context, not the glossary entries. I've seen other online documentation sets", "(plus, of course, there's Google). The doc set has a glossary, which predates", "predates most team members and has accumulated a lot of entries over time.", "seen other online documentation sets that have glossaries; it's not just us. Are", "What use cases do glossaries support, that we should be mindful of and", "about that concept anyway, we talk about it in context. I see no", "the bigger question: is having a glossary in this doc set useful *at", "of entries: * General industry terms with no content specific to our product.", "analytics tell us that almost nobody goes to the glossary to look up", "pop-up. * Terse explanations of terms that are specific to, or different in,", "not. We do see that people use our search to look up terms,", "doc set useful *at all*? Our analytics tell us that almost nobody goes", "are specific to, or different in, our product. The same information is also", "that are specific to, or different in, our product. The better ones contain", "see no point in making people interrupt their flow of reading to go", "glossary, which predates most team members and has accumulated a lot of entries", "better ones contain links to the places in the doc set where they're", "Terse explanations of terms that are specific to, or different in, our product." ]
[ "font size on the computer, it hasn't changed (still size 12), but clearly", "the screen is small. How do I make this STOP! Sometimes its so", "font on the screen is small. How do I make this STOP! Sometimes", "highlight a line or even just click the cursor, the font shrinks to", "check the font size on the computer, it hasn't changed (still size 12),", "I highlight a line or even just click the cursor, the font shrinks", "small. How do I make this STOP! Sometimes its so small I can't", "tiny. When I check the font size on the computer, it hasn't changed", "cursor, the font shrinks to tiny. When I check the font size on", "Scrivener, and sometimes when I highlight a line or even just click the", "When I check the font size on the computer, it hasn't changed (still", "I use Scrivener, and sometimes when I highlight a line or even just", "hasn't changed (still size 12), but clearly the font on the screen is", "changed (still size 12), but clearly the font on the screen is small.", "line or even just click the cursor, the font shrinks to tiny. When", "it hasn't changed (still size 12), but clearly the font on the screen", "sometimes when I highlight a line or even just click the cursor, the", "on the computer, it hasn't changed (still size 12), but clearly the font", "shrinks to tiny. When I check the font size on the computer, it", "on the screen is small. How do I make this STOP! Sometimes its", "use Scrivener, and sometimes when I highlight a line or even just click", "How do I make this STOP! Sometimes its so small I can't read", "clearly the font on the screen is small. How do I make this", "the cursor, the font shrinks to tiny. When I check the font size", "size on the computer, it hasn't changed (still size 12), but clearly the", "size 12), but clearly the font on the screen is small. How do", "the computer, it hasn't changed (still size 12), but clearly the font on", "the font shrinks to tiny. When I check the font size on the", "click the cursor, the font shrinks to tiny. When I check the font", "or even just click the cursor, the font shrinks to tiny. When I", "font shrinks to tiny. When I check the font size on the computer,", "but clearly the font on the screen is small. How do I make", "to tiny. When I check the font size on the computer, it hasn't", "a line or even just click the cursor, the font shrinks to tiny.", "even just click the cursor, the font shrinks to tiny. When I check", "the font size on the computer, it hasn't changed (still size 12), but", "just click the cursor, the font shrinks to tiny. When I check the", "I check the font size on the computer, it hasn't changed (still size", "computer, it hasn't changed (still size 12), but clearly the font on the", "(still size 12), but clearly the font on the screen is small. How", "do I make this STOP! Sometimes its so small I can't read it.", "screen is small. How do I make this STOP! Sometimes its so small", "12), but clearly the font on the screen is small. How do I", "is small. How do I make this STOP! Sometimes its so small I", "and sometimes when I highlight a line or even just click the cursor,", "when I highlight a line or even just click the cursor, the font", "the font on the screen is small. How do I make this STOP!" ]
[ "myself to feel bad for him. So it's a natural puzzle to me", "me when other authors employ a protagonist who offers no comic relief, has", "come across a protagonist who is so unbelievably stupid and useless I just", "the weight of his burdens so I can turn around and celebrate with", "a protagonist who offers no comic relief, has no skills, relies on everyone", "the simplest of problems, and says so many dumb things my palm starts", "relies on everyone else to solve the simplest of problems, and says so", "relief, has no skills, relies on everyone else to solve the simplest of", "I just can't bring myself to feel bad for him. So it's a", "to feel the weight of his burdens so I can turn around and", "his burdens so I can turn around and celebrate with him when he", "on everyone else to solve the simplest of problems, and says so many", "want to feel the weight of his burdens so I can turn around", "who is so unbelievably stupid and useless I just can't bring myself to", "else to solve the simplest of problems, and says so many dumb things", "occasionally I come across a protagonist who is so unbelievably stupid and useless", "so I can turn around and celebrate with him when he overcomes them.", "it's a natural puzzle to me when other authors employ a protagonist who", "stupid and useless I just can't bring myself to feel bad for him.", "them. However, occasionally I come across a protagonist who is so unbelievably stupid", "employ a protagonist who offers no comic relief, has no skills, relies on", "rubbing the skin off my forehead. What does a protagonist like this add", "offers no comic relief, has no skills, relies on everyone else to solve", "want to root for the protagonist. I want to feel the weight of", "and says so many dumb things my palm starts rubbing the skin off", "dumb things my palm starts rubbing the skin off my forehead. What does", "burdens so I can turn around and celebrate with him when he overcomes", "However, occasionally I come across a protagonist who is so unbelievably stupid and", "simplest of problems, and says so many dumb things my palm starts rubbing", "skin off my forehead. What does a protagonist like this add to the", "puzzle to me when other authors employ a protagonist who offers no comic", "starts rubbing the skin off my forehead. What does a protagonist like this", "other authors employ a protagonist who offers no comic relief, has no skills,", "I want to root for the protagonist. I want to feel the weight", "for the protagonist. I want to feel the weight of his burdens so", "authors employ a protagonist who offers no comic relief, has no skills, relies", "a protagonist who is so unbelievably stupid and useless I just can't bring", "skills, relies on everyone else to solve the simplest of problems, and says", "bring myself to feel bad for him. So it's a natural puzzle to", "many dumb things my palm starts rubbing the skin off my forehead. What", "palm starts rubbing the skin off my forehead. What does a protagonist like", "I want to feel the weight of his burdens so I can turn", "says so many dumb things my palm starts rubbing the skin off my", "just can't bring myself to feel bad for him. So it's a natural", "and useless I just can't bring myself to feel bad for him. So", "comic relief, has no skills, relies on everyone else to solve the simplest", "who offers no comic relief, has no skills, relies on everyone else to", "to me when other authors employ a protagonist who offers no comic relief,", "everyone else to solve the simplest of problems, and says so many dumb", "him. So it's a natural puzzle to me when other authors employ a", "problems, and says so many dumb things my palm starts rubbing the skin", "turn around and celebrate with him when he overcomes them. However, occasionally I", "bad for him. So it's a natural puzzle to me when other authors", "weight of his burdens so I can turn around and celebrate with him", "has no skills, relies on everyone else to solve the simplest of problems,", "can turn around and celebrate with him when he overcomes them. However, occasionally", "to solve the simplest of problems, and says so many dumb things my", "the skin off my forehead. What does a protagonist like this add to", "protagonist. I want to feel the weight of his burdens so I can", "him when he overcomes them. However, occasionally I come across a protagonist who", "can't bring myself to feel bad for him. So it's a natural puzzle", "so unbelievably stupid and useless I just can't bring myself to feel bad", "to feel bad for him. So it's a natural puzzle to me when", "protagonist who offers no comic relief, has no skills, relies on everyone else", "so many dumb things my palm starts rubbing the skin off my forehead.", "a natural puzzle to me when other authors employ a protagonist who offers", "when other authors employ a protagonist who offers no comic relief, has no", "he overcomes them. However, occasionally I come across a protagonist who is so", "root for the protagonist. I want to feel the weight of his burdens", "So it's a natural puzzle to me when other authors employ a protagonist", "of problems, and says so many dumb things my palm starts rubbing the", "across a protagonist who is so unbelievably stupid and useless I just can't", "no skills, relies on everyone else to solve the simplest of problems, and", "my palm starts rubbing the skin off my forehead. What does a protagonist", "for him. So it's a natural puzzle to me when other authors employ", "off my forehead. What does a protagonist like this add to the story?", "and celebrate with him when he overcomes them. However, occasionally I come across", "I come across a protagonist who is so unbelievably stupid and useless I", "unbelievably stupid and useless I just can't bring myself to feel bad for", "the protagonist. I want to feel the weight of his burdens so I", "of his burdens so I can turn around and celebrate with him when", "with him when he overcomes them. However, occasionally I come across a protagonist", "solve the simplest of problems, and says so many dumb things my palm", "to root for the protagonist. I want to feel the weight of his", "around and celebrate with him when he overcomes them. However, occasionally I come", "things my palm starts rubbing the skin off my forehead. What does a", "useless I just can't bring myself to feel bad for him. So it's", "feel bad for him. So it's a natural puzzle to me when other", "celebrate with him when he overcomes them. However, occasionally I come across a", "feel the weight of his burdens so I can turn around and celebrate", "no comic relief, has no skills, relies on everyone else to solve the", "protagonist who is so unbelievably stupid and useless I just can't bring myself", "natural puzzle to me when other authors employ a protagonist who offers no", "when he overcomes them. However, occasionally I come across a protagonist who is", "is so unbelievably stupid and useless I just can't bring myself to feel", "I can turn around and celebrate with him when he overcomes them. However,", "overcomes them. However, occasionally I come across a protagonist who is so unbelievably" ]
[ "A4. The situation is I have footnotes, some explanatory points at the bottom", "there be any problem in printing this to any size of page on", "any problem in printing this to any size of page on which I", "page size to A4. The situation is I have footnotes, some explanatory points", "bottom and some images arranged in relation with A4 size. I want to", "images arranged in relation with A4 size. I want to ask, if I", "Because I am not in a position to change such a huge number", "to ask, if I make a PDF file of my work (A4 work),", "want to get my book published. Now, I have the soft copy of", "book in MS Word format, I set the page size to A4. The", "PDF file of my work (A4 work), will there be any problem in", "some explanatory points at the bottom and some images arranged in relation with", "first time I want to get my book published. Now, I have the", "the bottom and some images arranged in relation with A4 size. 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Now, I have the soft", "in a position to change such a huge number (500) of pages to", "copy of book in MS Word format, I set the page size to", "this year a book and it is the first time I want to", "the page size to A4. The situation is I have footnotes, some explanatory", "and it is the first time I want to get my book published.", "to A4. The situation is I have footnotes, some explanatory points at the", "and some images arranged in relation with A4 size. I want to ask,", "my book published. Now, I have the soft copy of book in MS", "Word format, I set the page size to A4. The situation is I", "huge number (500) of pages to set them according to some required page", "printing this to any size of page on which I want to print", "it is the first time I want to get my book published. Now,", "size to A4. The situation is I have footnotes, some explanatory points at", "to any size of page on which I want to print my work?", "of my work (A4 work), will there be any problem in printing this", "I have the soft copy of book in MS Word format, I set", "in printing this to any size of page on which I want to", "format, I set the page size to A4. The situation is I have", "I want to print my work? Because I am not in a position", "change such a huge number (500) of pages to set them according to", "a position to change such a huge number (500) of pages to set", "want to ask, if I make a PDF file of my work (A4", "soft copy of book in MS Word format, I set the page size", "a book and it is the first time I want to get my", "MS Word format, I set the page size to A4. The situation is", "am a book writer. I wrote this year a book and it is", "will there be any problem in printing this to any size of page", "some images arranged in relation with A4 size. I want to ask, if", "relation with A4 size. I want to ask, if I make a PDF", "be any problem in printing this to any size of page on which", "which I want to print my work? Because I am not in a", "The situation is I have footnotes, some explanatory points at the bottom and", "page on which I want to print my work? Because I am not", "A4 size. I want to ask, if I make a PDF file of", "to change such a huge number (500) of pages to set them according", "to print my work? Because I am not in a position to change", "the soft copy of book in MS Word format, I set the page", "published. Now, I have the soft copy of book in MS Word format,", "set the page size to A4. The situation is I have footnotes, some", "of book in MS Word format, I set the page size to A4.", "have footnotes, some explanatory points at the bottom and some images arranged in", "on which I want to print my work? Because I am not in", "make a PDF file of my work (A4 work), will there be any", "problem in printing this to any size of page on which I want", "book writer. I wrote this year a book and it is the first", "the first time I want to get my book published. Now, I have", "such a huge number (500) of pages to set them according to some", "at the bottom and some images arranged in relation with A4 size. I", "any size of page on which I want to print my work? Because", "I want to ask, if I make a PDF file of my work", "is the first time I want to get my book published. Now, I", "ask, if I make a PDF file of my work (A4 work), will", "size of page on which I want to print my work? Because I", "book and it is the first time I want to get my book", "in MS Word format, I set the page size to A4. The situation", "I am a book writer. I wrote this year a book and it", "in relation with A4 size. I want to ask, if I make a", "year a book and it is the first time I want to get", "a huge number (500) of pages to set them according to some required", "wrote this year a book and it is the first time I want", "a PDF file of my work (A4 work), will there be any problem", "print my work? Because I am not in a position to change such", "work? Because I am not in a position to change such a huge", "get my book published. Now, I have the soft copy of book in", "situation is I have footnotes, some explanatory points at the bottom and some", "points at the bottom and some images arranged in relation with A4 size.", "I wrote this year a book and it is the first time I", "work), will there be any problem in printing this to any size of", "not in a position to change such a huge number (500) of pages", "I make a PDF file of my work (A4 work), will there be", "want to print my work? Because I am not in a position to", "Now, I have the soft copy of book in MS Word format, I", "number (500) of pages to set them according to some required page format.", "file of my work (A4 work), will there be any problem in printing", "I want to get my book published. Now, I have the soft copy", "explanatory points at the bottom and some images arranged in relation with A4", "this to any size of page on which I want to print my", "arranged in relation with A4 size. I want to ask, if I make", "of page on which I want to print my work? Because I am", "am not in a position to change such a huge number (500) of", "I have footnotes, some explanatory points at the bottom and some images arranged", "footnotes, some explanatory points at the bottom and some images arranged in relation", "a book writer. I wrote this year a book and it is the", "to get my book published. Now, I have the soft copy of book", "my work (A4 work), will there be any problem in printing this to" ]