Split (1)

train · 10.4M rows

ngram listlengths 0 10.5k
[ "opt for Software. But is there anyone out here who still believes that", "would waste time in writing using Pen and Paper when you can easily", "analog? I mean who would waste time in writing using Pen and Paper", "software? But do you honestly think it would make you a better writer?", "stuff using a variety of fonts in Word processing software? But do you", "Software. But is there anyone out here who still believes that writing with", "In today's digitized world, does it pay to go analog? I mean who", "which one would you opt for? Maybe 99% will opt for Software. But", "is there anyone out here who still believes that writing with Pen and", "better writer? If given a choice, which one would you opt for? Maybe", "waste time in writing using Pen and Paper when you can easily type", "choice, which one would you opt for? Maybe 99% will opt for Software.", "do you honestly think it would make you a better writer? If given", "I mean who would waste time in writing using Pen and Paper when", "variety of fonts in Word processing software? But do you honestly think it", "writer? If given a choice, which one would you opt for? Maybe 99%", "Pen and Paper when you can easily type the stuff using a variety", "you can easily type the stuff using a variety of fonts in Word", "in writing using Pen and Paper when you can easily type the stuff", "when you can easily type the stuff using a variety of fonts in", "writing with Pen and paper, the good old fashioned way makes more sense?", "world, does it pay to go analog? I mean who would waste time", "a better writer? If given a choice, which one would you opt for?", "it pay to go analog? I mean who would waste time in writing", "But do you honestly think it would make you a better writer? If", "does it pay to go analog? I mean who would waste time in", "who still believes that writing with Pen and paper, the good old fashioned", "99% will opt for Software. But is there anyone out here who still", "make you a better writer? If given a choice, which one would you", "pay to go analog? I mean who would waste time in writing using", "and Paper when you can easily type the stuff using a variety of", "writing using Pen and Paper when you can easily type the stuff using", "digitized world, does it pay to go analog? I mean who would waste", "would make you a better writer? If given a choice, which one would", "fonts in Word processing software? But do you honestly think it would make", "a variety of fonts in Word processing software? But do you honestly think", "you opt for? Maybe 99% will opt for Software. But is there anyone", "of fonts in Word processing software? But do you honestly think it would", "go analog? I mean who would waste time in writing using Pen and", "that writing with Pen and paper, the good old fashioned way makes more", "using a variety of fonts in Word processing software? But do you honestly", "using Pen and Paper when you can easily type the stuff using a", "the stuff using a variety of fonts in Word processing software? But do", "processing software? But do you honestly think it would make you a better", "Word processing software? But do you honestly think it would make you a", "If given a choice, which one would you opt for? Maybe 99% will", "anyone out here who still believes that writing with Pen and paper, the", "would you opt for? Maybe 99% will opt for Software. But is there", "type the stuff using a variety of fonts in Word processing software? But", "easily type the stuff using a variety of fonts in Word processing software?", "think it would make you a better writer? If given a choice, which", "you honestly think it would make you a better writer? If given a", "there anyone out here who still believes that writing with Pen and paper,", "believes that writing with Pen and paper, the good old fashioned way makes", "you a better writer? If given a choice, which one would you opt", "opt for? Maybe 99% will opt for Software. But is there anyone out", "out here who still believes that writing with Pen and paper, the good", "today's digitized world, does it pay to go analog? I mean who would", "it would make you a better writer? If given a choice, which one", "who would waste time in writing using Pen and Paper when you can", "can easily type the stuff using a variety of fonts in Word processing", "one would you opt for? Maybe 99% will opt for Software. But is", "here who still believes that writing with Pen and paper, the good old", "will opt for Software. But is there anyone out here who still believes", "in Word processing software? But do you honestly think it would make you", "a choice, which one would you opt for? Maybe 99% will opt for", "But is there anyone out here who still believes that writing with Pen", "to go analog? I mean who would waste time in writing using Pen", "still believes that writing with Pen and paper, the good old fashioned way", "Paper when you can easily type the stuff using a variety of fonts", "for Software. But is there anyone out here who still believes that writing", "Maybe 99% will opt for Software. But is there anyone out here who", "honestly think it would make you a better writer? If given a choice,", "mean who would waste time in writing using Pen and Paper when you", "time in writing using Pen and Paper when you can easily type the", "for? Maybe 99% will opt for Software. But is there anyone out here", "given a choice, which one would you opt for? Maybe 99% will opt" ]
[ "tired quickly of those narrations where things might appear over simplified. Also, if", "he sees, or what he hears. In those cases one might be tempted", "too much when the narration is about things that the child hears from", "literally what he sees. The problem comes when he is interpreting what he", "comes when he is interpreting what he sees, or what he hears. In", "used instead if the target audience is young adults, and we follow the", "the child hears from other people or he is describing literally what he", "about things that the child hears from other people or he is describing", "avoided in this case, what could be used instead if the target audience", "where things might appear over simplified. Also, if the first person narrative should", "narration is a child? I guess it doesn't matter too much when the", "of those narrations where things might appear over simplified. Also, if the first", "that the child hears from other people or he is describing literally what", "but that's a delicate balance, because the reader can get tired quickly of", "first person when the one speaking in the narration is a child? I", "this case, what could be used instead if the target audience is young", "case, what could be used instead if the target audience is young adults,", "a delicate balance, because the reader can get tired quickly of those narrations", "problem comes when he is interpreting what he sees, or what he hears.", "person when the one speaking in the narration is a child? I guess", "or what he hears. In those cases one might be tempted to write", "be avoided in this case, what could be used instead if the target", "use first person when the one speaking in the narration is a child?", "things that the child hears from other people or he is describing literally", "or he is describing literally what he sees. The problem comes when he", "reader can get tired quickly of those narrations where things might appear over", "young adults, and we follow the story since the protagonist was a child?", "get tired quickly of those narrations where things might appear over simplified. Also,", "that the child might have, but that's a delicate balance, because the reader", "what he sees. The problem comes when he is interpreting what he sees,", "hears from other people or he is describing literally what he sees. The", "is interpreting what he sees, or what he hears. In those cases one", "in this case, what could be used instead if the target audience is", "other people or he is describing literally what he sees. The problem comes", "level of comprehension that the child might have, but that's a delicate balance,", "instead if the target audience is young adults, and we follow the story", "much when the narration is about things that the child hears from other", "first person narrative should be avoided in this case, what could be used", "The problem comes when he is interpreting what he sees, or what he", "from other people or he is describing literally what he sees. The problem", "child hears from other people or he is describing literally what he sees.", "people or he is describing literally what he sees. The problem comes when", "simplified. Also, if the first person narrative should be avoided in this case,", "to the level of comprehension that the child might have, but that's a", "appear over simplified. Also, if the first person narrative should be avoided in", "the one speaking in the narration is a child? I guess it doesn't", "child? I guess it doesn't matter too much when the narration is about", "to write simplified descriptions, according to the level of comprehension that the child", "narrations where things might appear over simplified. Also, if the first person narrative", "audience is young adults, and we follow the story since the protagonist was", "speaking in the narration is a child? I guess it doesn't matter too", "write simplified descriptions, according to the level of comprehension that the child might", "he is describing literally what he sees. The problem comes when he is", "the target audience is young adults, and we follow the story since the", "have, but that's a delicate balance, because the reader can get tired quickly", "those narrations where things might appear over simplified. Also, if the first person", "if the first person narrative should be avoided in this case, what could", "the level of comprehension that the child might have, but that's a delicate", "child might have, but that's a delicate balance, because the reader can get", "the narration is about things that the child hears from other people or", "sees, or what he hears. In those cases one might be tempted to", "comprehension that the child might have, but that's a delicate balance, because the", "hears. In those cases one might be tempted to write simplified descriptions, according", "descriptions, according to the level of comprehension that the child might have, but", "over simplified. Also, if the first person narrative should be avoided in this", "matter too much when the narration is about things that the child hears", "he is interpreting what he sees, or what he hears. In those cases", "should be avoided in this case, what could be used instead if the", "what could be used instead if the target audience is young adults, and", "interpreting what he sees, or what he hears. In those cases one might", "might have, but that's a delicate balance, because the reader can get tired", "one might be tempted to write simplified descriptions, according to the level of", "be tempted to write simplified descriptions, according to the level of comprehension that", "target audience is young adults, and we follow the story since the protagonist", "In those cases one might be tempted to write simplified descriptions, according to", "might appear over simplified. Also, if the first person narrative should be avoided", "Is it ok to use first person when the one speaking in the", "guess it doesn't matter too much when the narration is about things that", "is about things that the child hears from other people or he is", "the first person narrative should be avoided in this case, what could be", "if the target audience is young adults, and we follow the story since", "can get tired quickly of those narrations where things might appear over simplified.", "when the narration is about things that the child hears from other people", "things might appear over simplified. Also, if the first person narrative should be", "when he is interpreting what he sees, or what he hears. In those", "because the reader can get tired quickly of those narrations where things might", "doesn't matter too much when the narration is about things that the child", "I guess it doesn't matter too much when the narration is about things", "those cases one might be tempted to write simplified descriptions, according to the", "delicate balance, because the reader can get tired quickly of those narrations where", "the reader can get tired quickly of those narrations where things might appear", "what he sees, or what he hears. In those cases one might be", "is young adults, and we follow the story since the protagonist was a", "could be used instead if the target audience is young adults, and we", "of comprehension that the child might have, but that's a delicate balance, because", "simplified descriptions, according to the level of comprehension that the child might have,", "Also, if the first person narrative should be avoided in this case, what", "when the one speaking in the narration is a child? I guess it", "according to the level of comprehension that the child might have, but that's", "sees. The problem comes when he is interpreting what he sees, or what", "be used instead if the target audience is young adults, and we follow", "person narrative should be avoided in this case, what could be used instead", "is a child? I guess it doesn't matter too much when the narration", "in the narration is a child? I guess it doesn't matter too much", "he sees. The problem comes when he is interpreting what he sees, or", "the narration is a child? I guess it doesn't matter too much when", "to use first person when the one speaking in the narration is a", "quickly of those narrations where things might appear over simplified. Also, if the", "the child might have, but that's a delicate balance, because the reader can", "narrative should be avoided in this case, what could be used instead if", "narration is about things that the child hears from other people or he", "might be tempted to write simplified descriptions, according to the level of comprehension", "he hears. In those cases one might be tempted to write simplified descriptions,", "describing literally what he sees. The problem comes when he is interpreting what", "is describing literally what he sees. The problem comes when he is interpreting", "that's a delicate balance, because the reader can get tired quickly of those", "what he hears. In those cases one might be tempted to write simplified", "it ok to use first person when the one speaking in the narration", "it doesn't matter too much when the narration is about things that the", "balance, because the reader can get tired quickly of those narrations where things", "a child? I guess it doesn't matter too much when the narration is", "cases one might be tempted to write simplified descriptions, according to the level", "one speaking in the narration is a child? I guess it doesn't matter", "ok to use first person when the one speaking in the narration is", "tempted to write simplified descriptions, according to the level of comprehension that the" ]
[ "first or third person narration. First person writing is good for protagonists and", "novel. I don't know if I should use first or third person narration.", "but third person, or \"narrator style\" is remarkably good for explaining the plot", "third person, or \"narrator style\" is remarkably good for explaining the plot and", "important characters, but third person, or \"narrator style\" is remarkably good for explaining", "protagonists and important characters, but third person, or \"narrator style\" is remarkably good", "My name is Amox and I'm writing a fantasy novel. I don't know", "a fantasy novel. I don't know if I should use first or third", "narration. First person writing is good for protagonists and important characters, but third", "style\" is remarkably good for explaining the plot and the world. What are", "plot and the world. What are the advantages and disadvantages of both styles?", "\"narrator style\" is remarkably good for explaining the plot and the world. What", "know if I should use first or third person narration. First person writing", "use first or third person narration. First person writing is good for protagonists", "for protagonists and important characters, but third person, or \"narrator style\" is remarkably", "or \"narrator style\" is remarkably good for explaining the plot and the world.", "the advantages and disadvantages of both styles? Can you give me some knowledge,", "I should use first or third person narration. First person writing is good", "and important characters, but third person, or \"narrator style\" is remarkably good for", "is remarkably good for explaining the plot and the world. What are the", "fantasy novel. I don't know if I should use first or third person", "explaining the plot and the world. What are the advantages and disadvantages of", "Amox and I'm writing a fantasy novel. I don't know if I should", "I don't know if I should use first or third person narration. First", "What are the advantages and disadvantages of both styles? Can you give me", "good for protagonists and important characters, but third person, or \"narrator style\" is", "third person narration. First person writing is good for protagonists and important characters,", "good for explaining the plot and the world. What are the advantages and", "the plot and the world. What are the advantages and disadvantages of both", "and the world. What are the advantages and disadvantages of both styles? Can", "and I'm writing a fantasy novel. I don't know if I should use", "person narration. First person writing is good for protagonists and important characters, but", "writing a fantasy novel. I don't know if I should use first or", "don't know if I should use first or third person narration. First person", "is Amox and I'm writing a fantasy novel. I don't know if I", "if I should use first or third person narration. First person writing is", "person writing is good for protagonists and important characters, but third person, or", "are the advantages and disadvantages of both styles? Can you give me some", "is good for protagonists and important characters, but third person, or \"narrator style\"", "for explaining the plot and the world. What are the advantages and disadvantages", "or third person narration. First person writing is good for protagonists and important", "name is Amox and I'm writing a fantasy novel. I don't know if", "world. What are the advantages and disadvantages of both styles? Can you give", "remarkably good for explaining the plot and the world. What are the advantages", "the world. What are the advantages and disadvantages of both styles? Can you", "characters, but third person, or \"narrator style\" is remarkably good for explaining the", "should use first or third person narration. First person writing is good for", "writing is good for protagonists and important characters, but third person, or \"narrator", "First person writing is good for protagonists and important characters, but third person,", "advantages and disadvantages of both styles? Can you give me some knowledge, please?", "I'm writing a fantasy novel. I don't know if I should use first", "person, or \"narrator style\" is remarkably good for explaining the plot and the" ]
[ "media, what are other effective online methods of marketing a self published book/series?", "be emphasizing the importance of social media marketing for a book series. I", "been in print and eBook for a year now, with the second book", "of marketing a self published book/series? Also, should I be focusing on the", "the importance of social media marketing for a book series. I currently have", "online resource and forum seems to be emphasizing the importance of social media", "end of this year. My main question is: Besides social media, what are", "writing. My series is fictional, focused towards the YA audience. My first book", "I be focusing on the individual books themselves, or try to market the", "with the second book in the series releasing at the end of this", "book in the series releasing at the end of this year. My main", "are other effective online methods of marketing a self published book/series? Also, should", "first book has been in print and eBook for a year now, with", "the individual books themselves, or try to market the series as a whole?", "the end of this year. My main question is:** Besides social media, what", "social media profiles (Facebook, Twitter) and a personal website talking about my writing.", "focused towards the YA audience. My first book has been in print and", "a self published book/series? Also, should I be focusing on the individual books", "effective online methods of marketing a self published book/series? Also, should I be", "is fictional, focused towards the YA audience. My first book has been in", "year now, with the second book in the series releasing at the end", "and a personal website talking about my writing. My series is fictional, focused", "media marketing for a book series. I currently have two social media profiles", "website talking about my writing. My series is fictional, focused towards the YA", "of social media marketing for a book series. I currently have two social", "My first book has been in print and eBook for a year now,", "a personal website talking about my writing. My series is fictional, focused towards", "two social media profiles (Facebook, Twitter) and a personal website talking about my", "in the series releasing at the end of this year. My main question", "audience. My first book has been in print and eBook for a year", "has been in print and eBook for a year now, with the second", "resource and forum seems to be emphasizing the importance of social media marketing", "be focusing on the individual books themselves, or try to market the series", "forum seems to be emphasizing the importance of social media marketing for a", "for a year now, with the second book in the series releasing at", "self published book/series? Also, should I be focusing on the individual books themselves,", "the series releasing at the end of this year. My main question is:*", "seems to be emphasizing the importance of social media marketing for a book", "on the individual books themselves, or try to market the series as a", "media profiles (Facebook, Twitter) and a personal website talking about my writing. My", "importance of social media marketing for a book series. I currently have two", "Besides* social media, what are other effective online methods of marketing a self", "in print and eBook for a year now, with the second book in", "now, with the second book in the series releasing at the end of", "book has been in print and eBook for a year now, with the", "book/series? Also, should I be focusing on the individual books themselves, or try", "focusing on the individual books themselves, or try to market the series as", "for a book series. I currently have two social media profiles (Facebook, Twitter)", "my writing. My series is fictional, focused towards the YA audience. My first", "social media, what are other effective online methods of marketing a self published", "year. My main question is: Besides social media, what are other effective online", "I currently have two social media profiles (Facebook, Twitter) and a personal website", "methods of marketing a self published book/series? Also, should I be focusing on", "Twitter) and a personal website talking about my writing. My series is fictional,", "profiles (Facebook, Twitter) and a personal website talking about my writing. My series", "main question is:** Besides social media, what are other effective online methods of", "towards the YA audience. My first book has been in print and eBook", "about my writing. My series is fictional, focused towards the YA audience. My", "question is:** Besides social media, what are other effective online methods of marketing", "of this year. My main question is: Besides social media, what are other", "at the end of this year. My main question is: Besides social media,", "My series is fictional, focused towards the YA audience. My first book has", "emphasizing the importance of social media marketing for a book series. I currently", "the second book in the series releasing at the end of this year.", "and eBook for a year now, with the second book in the series", "Also, should I be focusing on the individual books themselves, or try to", "second book in the series releasing at the end of this year. My", "social media marketing for a book series. I currently have two social media", "My main question is:** Besides social media, what are other effective online methods", "online methods of marketing a self published book/series? Also, should I be focusing", "YA audience. My first book has been in print and eBook for a", "fictional, focused towards the YA audience. My first book has been in print", "the YA audience. My first book has been in print and eBook for", "have two social media profiles (Facebook, Twitter) and a personal website talking about", "should I be focusing on the individual books themselves, or try to market", "what are other effective online methods of marketing a self published book/series? Also,", "series. I currently have two social media profiles (Facebook, Twitter) and a personal", "series is fictional, focused towards the YA audience. My first book has been", "this year. My main question is: Besides social media, what are other effective", "published book/series? Also, should I be focusing on the individual books themselves, or", "personal website talking about my writing. My series is fictional, focused towards the", "book series. I currently have two social media profiles (Facebook, Twitter) and a", "a year now, with the second book in the series releasing at the", "a book series. I currently have two social media profiles (Facebook, Twitter) and", "to be emphasizing the importance of social media marketing for a book series.", "Every online resource and forum seems to be emphasizing the importance of social", "eBook for a year now, with the second book in the series releasing", "marketing for a book series. I currently have two social media profiles (Facebook,", "series releasing at the end of this year. My main question is: Besides", "and forum seems to be emphasizing the importance of social media marketing for", "talking about my writing. My series is fictional, focused towards the YA audience.", "is:** Besides social media, what are other effective online methods of marketing a", "(Facebook, Twitter) and a personal website talking about my writing. My series is", "other effective online methods of marketing a self published book/series? Also, should I", "releasing at the end of this year. My main question is: Besides social", "currently have two social media profiles (Facebook, Twitter) and a personal website talking", "marketing a self published book/series? Also, should I be focusing on the individual", "print and eBook for a year now, with the second book in the" ]
[ "for days now. How do I write the feeling of something that we", "killer at the bus. My protagonist can't sleep for days now. How do", "positive person indeed. Another day, this guy meets a serial killer at the", "everything: A positive person indeed. Another day, this guy meets a serial killer", "serial killer at the bus. My protagonist can't sleep for days now. How", "the bus. My protagonist can't sleep for days now. How do I write", "can feel the souls of other beings with his mind. One day this", "soul on earth, she is happy at all times and loves everyone and", "everyone and everything: A positive person indeed. Another day, this guy meets a", "other beings with his mind. One day this guy meets a girl with", "My protagonist has an unique power, he can feel the souls of other", "she is happy at all times and loves everyone and everything: A positive", "loves everyone and everything: A positive person indeed. Another day, this guy meets", "earth, she is happy at all times and loves everyone and everything: A", "beings with his mind. One day this guy meets a girl with the", "guy meets a girl with the most wonderful soul on earth, she is", "this guy meets a serial killer at the bus. My protagonist can't sleep", "a serial killer at the bus. My protagonist can't sleep for days now.", "meets a serial killer at the bus. My protagonist can't sleep for days", "sleep for days now. How do I write the feeling of something that", "How do I write the feeling of something that we can't touch or", "feel the souls of other beings with his mind. One day this guy", "guy meets a serial killer at the bus. My protagonist can't sleep for", "unique power, he can feel the souls of other beings with his mind.", "his mind. One day this guy meets a girl with the most wonderful", "can't sleep for days now. How do I write the feeling of something", "days now. How do I write the feeling of something that we can't", "day, this guy meets a serial killer at the bus. My protagonist can't", "this guy meets a girl with the most wonderful soul on earth, she", "at all times and loves everyone and everything: A positive person indeed. Another", "on earth, she is happy at all times and loves everyone and everything:", "at the bus. My protagonist can't sleep for days now. How do I", "power, he can feel the souls of other beings with his mind. One", "wonderful soul on earth, she is happy at all times and loves everyone", "has an unique power, he can feel the souls of other beings with", "person indeed. Another day, this guy meets a serial killer at the bus.", "protagonist has an unique power, he can feel the souls of other beings", "mind. One day this guy meets a girl with the most wonderful soul", "a girl with the most wonderful soul on earth, she is happy at", "Another day, this guy meets a serial killer at the bus. My protagonist", "and everything: A positive person indeed. Another day, this guy meets a serial", "the souls of other beings with his mind. One day this guy meets", "protagonist can't sleep for days now. How do I write the feeling of", "A positive person indeed. Another day, this guy meets a serial killer at", "times and loves everyone and everything: A positive person indeed. Another day, this", "girl with the most wonderful soul on earth, she is happy at all", "the most wonderful soul on earth, she is happy at all times and", "indeed. Another day, this guy meets a serial killer at the bus. My", "bus. My protagonist can't sleep for days now. How do I write the", "day this guy meets a girl with the most wonderful soul on earth,", "is happy at all times and loves everyone and everything: A positive person", "most wonderful soul on earth, she is happy at all times and loves", "do I write the feeling of something that we can't touch or see?", "happy at all times and loves everyone and everything: A positive person indeed.", "he can feel the souls of other beings with his mind. One day", "souls of other beings with his mind. One day this guy meets a", "now. How do I write the feeling of something that we can't touch", "all times and loves everyone and everything: A positive person indeed. Another day,", "My protagonist can't sleep for days now. How do I write the feeling", "meets a girl with the most wonderful soul on earth, she is happy", "with the most wonderful soul on earth, she is happy at all times", "with his mind. One day this guy meets a girl with the most", "an unique power, he can feel the souls of other beings with his", "of other beings with his mind. One day this guy meets a girl", "One day this guy meets a girl with the most wonderful soul on", "and loves everyone and everything: A positive person indeed. Another day, this guy" ]
[ "is religious when it's really not. The title is \"The Only Way To", "title is \"The Only Way To Heaven Is Up.\" It mostly focuses on", "post as generic as I can, however. So the question is, is incorporating", "generic as I can, however. So the question is, is incorporating religious elements", "but I'm scared it implies the book is religious when it's really not.", "to keep this post as generic as I can, however. So the question", "this book, but I'm scared it implies the book is religious when it's", "The title is \"The Only Way To Heaven Is Up.\" It mostly focuses", "\"The Only Way To Heaven Is Up.\" It mostly focuses on people overcoming", "for this book, but I'm scared it implies the book is religious when", "really good title for this book, but I'm scared it implies the book", "it's really not. The title is \"The Only Way To Heaven Is Up.\"", "religious when it's really not. The title is \"The Only Way To Heaven", "incorporating religious elements such as this into a book title giving the wrong", "this post as generic as I can, however. So the question is, is", "is, is incorporating religious elements such as this into a book title giving", "however. So the question is, is incorporating religious elements such as this into", "really not. The title is \"The Only Way To Heaven Is Up.\" It", "Way To Heaven Is Up.\" It mostly focuses on people overcoming tragedies. I'm", "it implies the book is religious when it's really not. The title is", "people overcoming tragedies. I'm trying to keep this post as generic as I", "I can, however. So the question is, is incorporating religious elements such as", "have a really good title for this book, but I'm scared it implies", "To Heaven Is Up.\" It mostly focuses on people overcoming tragedies. I'm trying", "book is religious when it's really not. The title is \"The Only Way", "is \"The Only Way To Heaven Is Up.\" It mostly focuses on people", "question is, is incorporating religious elements such as this into a book title", "title for this book, but I'm scared it implies the book is religious", "Up.\" It mostly focuses on people overcoming tragedies. I'm trying to keep this", "as I can, however. So the question is, is incorporating religious elements such", "overcoming tragedies. I'm trying to keep this post as generic as I can,", "I'm scared it implies the book is religious when it's really not. The", "implies the book is religious when it's really not. The title is \"The", "Heaven Is Up.\" It mostly focuses on people overcoming tragedies. I'm trying to", "Is Up.\" It mostly focuses on people overcoming tragedies. I'm trying to keep", "is incorporating religious elements such as this into a book title giving the", "as generic as I can, however. So the question is, is incorporating religious", "religious elements such as this into a book title giving the wrong impression?", "can, however. So the question is, is incorporating religious elements such as this", "a really good title for this book, but I'm scared it implies the", "book, but I'm scared it implies the book is religious when it's really", "Only Way To Heaven Is Up.\" It mostly focuses on people overcoming tragedies.", "scared it implies the book is religious when it's really not. The title", "So the question is, is incorporating religious elements such as this into a", "not. The title is \"The Only Way To Heaven Is Up.\" It mostly", "I'm trying to keep this post as generic as I can, however. So", "mostly focuses on people overcoming tragedies. I'm trying to keep this post as", "the question is, is incorporating religious elements such as this into a book", "the book is religious when it's really not. The title is \"The Only", "It mostly focuses on people overcoming tragedies. I'm trying to keep this post", "tragedies. I'm trying to keep this post as generic as I can, however.", "trying to keep this post as generic as I can, however. So the", "focuses on people overcoming tragedies. I'm trying to keep this post as generic", "on people overcoming tragedies. I'm trying to keep this post as generic as", "good title for this book, but I'm scared it implies the book is", "keep this post as generic as I can, however. So the question is,", "when it's really not. The title is \"The Only Way To Heaven Is", "I have a really good title for this book, but I'm scared it" ]
[ "but the real climax and resolution is in the third book. I am", "certain how much of a bang needs to happen in this first installment.", "of a bang needs to happen in this first installment. My instincts (and", "a trilogy on an Earth-similar world experiencing Earth-similar problems. I am nearing the", "happen in this first installment. My instincts (and experience reading) say that the", "problems. I am nearing the end of the first draft of the first", "necessary for book #1? Are there other sorts of endings that are as", "and second novels in a trilogy finish with some excitement and closure (perhaps", "trilogy on an Earth-similar world experiencing Earth-similar problems. I am nearing the end", "the first and second novels in a trilogy finish with some excitement and", "escape from a deadly threat) but the real climax and resolution is in", "experience reading) say that the first and second novels in a trilogy finish", "endings that are as effective to encourage people to invest time in the", "experiencing Earth-similar problems. I am nearing the end of the first draft of", "first novel. I am not certain how much of a bang needs to", "like this ending will be forced, and unnatural. Is this sort of ending", "this manuscript (first book of a trilogy). But I feel like this ending", "and resolution is in the third book. I am leaning towards a narrow-escape", "manuscript (first book of a trilogy). But I feel like this ending will", "(first book of a trilogy). But I feel like this ending will be", "second novels in a trilogy finish with some excitement and closure (perhaps narrow", "for book #1? Are there other sorts of endings that are as effective", "Is this sort of ending necessary for book #1? Are there other sorts", "am leaning towards a narrow-escape ending in this manuscript (first book of a", "I am leaning towards a narrow-escape ending in this manuscript (first book of", "installment. My instincts (and experience reading) say that the first and second novels", "I am nearing the end of the first draft of the first novel.", "a trilogy finish with some excitement and closure (perhaps narrow escape from a", "this ending will be forced, and unnatural. Is this sort of ending necessary", "people to invest time in the second installment? Please share other effective options....", "forced, and unnatural. Is this sort of ending necessary for book #1? Are", "in this manuscript (first book of a trilogy). But I feel like this", "encourage people to invest time in the second installment? Please share other effective", "deadly threat) but the real climax and resolution is in the third book.", "narrow escape from a deadly threat) but the real climax and resolution is", "be forced, and unnatural. Is this sort of ending necessary for book #1?", "in a trilogy finish with some excitement and closure (perhaps narrow escape from", "first installment. My instincts (and experience reading) say that the first and second", "the first novel. I am not certain how much of a bang needs", "My instincts (and experience reading) say that the first and second novels in", "other sorts of endings that are as effective to encourage people to invest", "will be forced, and unnatural. Is this sort of ending necessary for book", "needs to happen in this first installment. My instincts (and experience reading) say", "towards a narrow-escape ending in this manuscript (first book of a trilogy). But", "world experiencing Earth-similar problems. I am nearing the end of the first draft", "that the first and second novels in a trilogy finish with some excitement", "as effective to encourage people to invest time in the second installment? Please", "ending in this manuscript (first book of a trilogy). But I feel like", "Earth-similar problems. I am nearing the end of the first draft of the", "(perhaps narrow escape from a deadly threat) but the real climax and resolution", "threat) but the real climax and resolution is in the third book. I", "to encourage people to invest time in the second installment? Please share other", "the end of the first draft of the first novel. I am not", "sorts of endings that are as effective to encourage people to invest time", "to happen in this first installment. My instincts (and experience reading) say that", "a trilogy). But I feel like this ending will be forced, and unnatural.", "not certain how much of a bang needs to happen in this first", "a bang needs to happen in this first installment. My instincts (and experience", "unnatural. Is this sort of ending necessary for book #1? Are there other", "leaning towards a narrow-escape ending in this manuscript (first book of a trilogy).", "effective to encourage people to invest time in the second installment? Please share", "are as effective to encourage people to invest time in the second installment?", "novels in a trilogy finish with some excitement and closure (perhaps narrow escape", "from a deadly threat) but the real climax and resolution is in the", "finish with some excitement and closure (perhaps narrow escape from a deadly threat)", "and closure (perhaps narrow escape from a deadly threat) but the real climax", "this first installment. My instincts (and experience reading) say that the first and", "ending necessary for book #1? Are there other sorts of endings that are", "Are there other sorts of endings that are as effective to encourage people", "this sort of ending necessary for book #1? Are there other sorts of", "novel. I am not certain how much of a bang needs to happen", "how much of a bang needs to happen in this first installment. My", "in the third book. I am leaning towards a narrow-escape ending in this", "is in the third book. I am leaning towards a narrow-escape ending in", "trilogy finish with some excitement and closure (perhaps narrow escape from a deadly", "and unnatural. Is this sort of ending necessary for book #1? Are there", "closure (perhaps narrow escape from a deadly threat) but the real climax and", "book. I am leaning towards a narrow-escape ending in this manuscript (first book", "of the first novel. I am not certain how much of a bang", "the first draft of the first novel. I am not certain how much", "excitement and closure (perhaps narrow escape from a deadly threat) but the real", "of a trilogy). But I feel like this ending will be forced, and", "a narrow-escape ending in this manuscript (first book of a trilogy). But I", "trilogy). But I feel like this ending will be forced, and unnatural. Is", "I've devised a trilogy on an Earth-similar world experiencing Earth-similar problems. I am", "end of the first draft of the first novel. I am not certain", "on an Earth-similar world experiencing Earth-similar problems. I am nearing the end of", "devised a trilogy on an Earth-similar world experiencing Earth-similar problems. I am nearing", "an Earth-similar world experiencing Earth-similar problems. I am nearing the end of the", "some excitement and closure (perhaps narrow escape from a deadly threat) but the", "instincts (and experience reading) say that the first and second novels in a", "a deadly threat) but the real climax and resolution is in the third", "#1? Are there other sorts of endings that are as effective to encourage", "real climax and resolution is in the third book. I am leaning towards", "ending will be forced, and unnatural. Is this sort of ending necessary for", "with some excitement and closure (perhaps narrow escape from a deadly threat) but", "But I feel like this ending will be forced, and unnatural. Is this", "book #1? Are there other sorts of endings that are as effective to", "reading) say that the first and second novels in a trilogy finish with", "climax and resolution is in the third book. I am leaning towards a", "am not certain how much of a bang needs to happen in this", "the real climax and resolution is in the third book. I am leaning", "of ending necessary for book #1? Are there other sorts of endings that", "I feel like this ending will be forced, and unnatural. Is this sort", "nearing the end of the first draft of the first novel. I am", "to invest time in the second installment? Please share other effective options.... Thanks.", "Earth-similar world experiencing Earth-similar problems. I am nearing the end of the first", "that are as effective to encourage people to invest time in the second", "third book. I am leaning towards a narrow-escape ending in this manuscript (first", "draft of the first novel. I am not certain how much of a", "I am not certain how much of a bang needs to happen in", "first draft of the first novel. I am not certain how much of", "the third book. I am leaning towards a narrow-escape ending in this manuscript", "sort of ending necessary for book #1? Are there other sorts of endings", "narrow-escape ending in this manuscript (first book of a trilogy). But I feel", "am nearing the end of the first draft of the first novel. I", "resolution is in the third book. I am leaning towards a narrow-escape ending", "book of a trilogy). But I feel like this ending will be forced,", "there other sorts of endings that are as effective to encourage people to", "of the first draft of the first novel. I am not certain how", "feel like this ending will be forced, and unnatural. Is this sort of", "of endings that are as effective to encourage people to invest time in", "first and second novels in a trilogy finish with some excitement and closure", "say that the first and second novels in a trilogy finish with some", "in this first installment. My instincts (and experience reading) say that the first", "bang needs to happen in this first installment. My instincts (and experience reading)", "much of a bang needs to happen in this first installment. My instincts", "(and experience reading) say that the first and second novels in a trilogy" ]
[ "about. I simply want to avoid rookie errors. I'm asking if there are", "to speed quickly, but blogs/etc give general advice like 'show-not-tell,' or 'edit edit", "tons of irritating 'beginner habits'. These aren't really tropes that I am talking", "up words, which may be a problem in fantasy. Is this a common", "be done poorly, but I see very little real life dialogue that stands", "like 'show-not-tell,' or 'edit edit edit,\" etc. ... Great advice but not really", "been overplayed? Or are considered juvenile-esque? I have heard many people say to", "writers have, especially in fantasy, and what those might include? My question is", "like real life' seems to be used by some beginning writers, to me,", "see very little real life dialogue that stands on its own in the", "group. I see repeating word-choice patterns among the fantasy writers. Example: frequent use", "but I see very little real life dialogue that stands on its own", "use that word... ), or certain symptoms manifesting with magic (for example, illness,", "accompanies emerging psychic ability). Maybe there are tons of irritating 'beginner habits'. These", "a writing group. I see repeating word-choice patterns among the fantasy writers. Example:", "3. I'm annoyed by tons of made up words, which may be a", "by some beginning writers, to me, as an excuse for sloppy writing. Am", "certain words (like 'utter,' everyone seems to use that word... ), or certain", "little real life dialogue that stands on its own in the absence of", "in fantasy, and what those might include? My question is broad because I", "get up to speed quickly, but blogs/etc give general advice like 'show-not-tell,' or", "edit,\" etc. ... Great advice but not really pertinent to the question). Specifically,", "I simply want to avoid rookie errors. I'm asking if there are blind", "if there are blind spots that beginning writers have, especially in fantasy, and", "give general advice like 'show-not-tell,' or 'edit edit edit,\" etc. ... Great advice", "in a writing group. I see repeating word-choice patterns among the fantasy writers.", "problem in fantasy. Is this a common annoyance among other fantasy readers? A", "or certain symptoms manifesting with magic (for example, illness, usually headache, always accompanies", "advice but not really pertinent to the question). Specifically, as a few focused", "everyone seems to use that word... ), or certain symptoms manifesting with magic", "real life dialogue that stands on its own in the absence of competent", "words or types of words that have been overplayed? Or are considered juvenile-esque?", "... Great advice but not really pertinent to the question). Specifically, as a", "especially in fantasy, and what those might include? My question is broad because", "avoid rookie errors. I'm asking if there are blind spots that beginning writers", "Maybe there are tons of irritating 'beginner habits'. These aren't really tropes that", "that I am talking about. I simply want to avoid rookie errors. I'm", "to avoid rookie errors. I'm asking if there are blind spots that beginning", "'beginner habits'. These aren't really tropes that I am talking about. I simply", "a fad? I realize anything can be done poorly, but I see very", "fantasy writers. Example: frequent use of certain words (like 'utter,' everyone seems to", "illness, usually headache, always accompanies emerging psychic ability). Maybe there are tons of", "repeating word-choice patterns among the fantasy writers. Example: frequent use of certain words", "very little real life dialogue that stands on its own in the absence", "A few made up words I can handle, though I wish they'd be", "life dialogue that stands on its own in the absence of competent framing.", "My question is broad because I don't mind a range of answers (I'm", "fantasy, and what those might include? My question is broad because I don't", "irritating 'beginner habits'. These aren't really tropes that I am talking about. I", "that have been overplayed? Or are considered juvenile-esque? I have heard many people", "Example: frequent use of certain words (like 'utter,' everyone seems to use that", "many people say to avoid adverbs. Really? 2. This fad of 'talking like", "use of certain words (like 'utter,' everyone seems to use that word... ),", "talking about. I simply want to avoid rookie errors. I'm asking if there", "to be used by some beginning writers, to me, as an excuse for", "sloppy writing. Am I off base? Is 'talking like real life' good, or", "among other fantasy readers? A few made up words I can handle, though", "like real life' good, or a fad? I realize anything can be done", "errors. I'm asking if there are blind spots that beginning writers have, especially", "the absence of competent framing. 3. I'm annoyed by tons of made up", "(for example, illness, usually headache, always accompanies emerging psychic ability). Maybe there are", "made up words I can handle, though I wish they'd be grounded it", "may be a problem in fantasy. Is this a common annoyance among other", "mind a range of answers (I'm trying to get up to speed quickly,", "are blind spots that beginning writers have, especially in fantasy, and what those", "are tons of irritating 'beginner habits'. These aren't really tropes that I am", "), or certain symptoms manifesting with magic (for example, illness, usually headache, always", "writing. Am I off base? Is 'talking like real life' good, or a", "on its own in the absence of competent framing. 3. I'm annoyed by", "headache, always accompanies emerging psychic ability). Maybe there are tons of irritating 'beginner", "there are tons of irritating 'beginner habits'. These aren't really tropes that I", "a common annoyance among other fantasy readers? A few made up words I", "include? My question is broad because I don't mind a range of answers", "to use that word... ), or certain symptoms manifesting with magic (for example,", "am talking about. I simply want to avoid rookie errors. I'm asking if", "blind spots that beginning writers have, especially in fantasy, and what those might", "common annoyance among other fantasy readers? A few made up words I can", "patterns among the fantasy writers. Example: frequent use of certain words (like 'utter,'", "'talking like real life' good, or a fad? I realize anything can be", "I realize anything can be done poorly, but I see very little real", "symptoms manifesting with magic (for example, illness, usually headache, always accompanies emerging psychic", "real life' seems to be used by some beginning writers, to me, as", "to me, as an excuse for sloppy writing. Am I off base? Is", "can be done poorly, but I see very little real life dialogue that", "annoyed by tons of made up words, which may be a problem in", "that stands on its own in the absence of competent framing. 3. I'm", "words (like 'utter,' everyone seems to use that word... ), or certain symptoms", "the question). Specifically, as a few focused thoughts. 1. Are there any words", "fantasy readers? A few made up words I can handle, though I wish", "tropes that I am talking about. I simply want to avoid rookie errors.", "up words I can handle, though I wish they'd be grounded it recognizable", "words, which may be a problem in fantasy. Is this a common annoyance", "a range of answers (I'm trying to get up to speed quickly, but", "few focused thoughts. 1. Are there any words or types of words that", "quickly, but blogs/etc give general advice like 'show-not-tell,' or 'edit edit edit,\" etc.", "question). Specifically, as a few focused thoughts. 1. Are there any words or", "of words that have been overplayed? Or are considered juvenile-esque? I have heard", "habits'. These aren't really tropes that I am talking about. I simply want", "have heard many people say to avoid adverbs. Really? 2. This fad of", "don't mind a range of answers (I'm trying to get up to speed", "life' seems to be used by some beginning writers, to me, as an", "of answers (I'm trying to get up to speed quickly, but blogs/etc give", "I see very little real life dialogue that stands on its own in", "the fantasy writers. Example: frequent use of certain words (like 'utter,' everyone seems", "be used by some beginning writers, to me, as an excuse for sloppy", "but not really pertinent to the question). Specifically, as a few focused thoughts.", "types of words that have been overplayed? Or are considered juvenile-esque? I have", "real life' good, or a fad? I realize anything can be done poorly,", "'utter,' everyone seems to use that word... ), or certain symptoms manifesting with", "etc. ... Great advice but not really pertinent to the question). Specifically, as", "juvenile-esque? I have heard many people say to avoid adverbs. Really? 2. This", "These aren't really tropes that I am talking about. I simply want to", "writers, to me, as an excuse for sloppy writing. Am I off base?", "usually headache, always accompanies emerging psychic ability). Maybe there are tons of irritating", "fad? I realize anything can be done poorly, but I see very little", "words I can handle, though I wish they'd be grounded it recognizable etymology.", "want to avoid rookie errors. I'm asking if there are blind spots that", "done poorly, but I see very little real life dialogue that stands on", "(I'm trying to get up to speed quickly, but blogs/etc give general advice", "among the fantasy writers. Example: frequent use of certain words (like 'utter,' everyone", "avoid adverbs. Really? 2. This fad of 'talking like real life' seems to", "annoyance among other fantasy readers? A few made up words I can handle,", "asking if there are blind spots that beginning writers have, especially in fantasy,", "Great advice but not really pertinent to the question). Specifically, as a few", "off base? Is 'talking like real life' good, or a fad? I realize", "Or are considered juvenile-esque? I have heard many people say to avoid adverbs.", "of competent framing. 3. I'm annoyed by tons of made up words, which", "which may be a problem in fantasy. Is this a common annoyance among", "edit edit,\" etc. ... Great advice but not really pertinent to the question).", "might include? My question is broad because I don't mind a range of", "or 'edit edit edit,\" etc. ... Great advice but not really pertinent to", "speed quickly, but blogs/etc give general advice like 'show-not-tell,' or 'edit edit edit,\"", "there any words or types of words that have been overplayed? Or are", "any words or types of words that have been overplayed? Or are considered", "for sloppy writing. Am I off base? Is 'talking like real life' good,", "realize anything can be done poorly, but I see very little real life", "that word... ), or certain symptoms manifesting with magic (for example, illness, usually", "blogs/etc give general advice like 'show-not-tell,' or 'edit edit edit,\" etc. ... Great", "stands on its own in the absence of competent framing. 3. I'm annoyed", "I'm annoyed by tons of made up words, which may be a problem", "I off base? Is 'talking like real life' good, or a fad? I", "heard many people say to avoid adverbs. Really? 2. This fad of 'talking", "by tons of made up words, which may be a problem in fantasy.", "psychic ability). Maybe there are tons of irritating 'beginner habits'. These aren't really", "readers? A few made up words I can handle, though I wish they'd", "what those might include? My question is broad because I don't mind a", "Is 'talking like real life' good, or a fad? I realize anything can", "tons of made up words, which may be a problem in fantasy. Is", "of made up words, which may be a problem in fantasy. Is this", "a problem in fantasy. Is this a common annoyance among other fantasy readers?", "magic (for example, illness, usually headache, always accompanies emerging psychic ability). Maybe there", "1. Are there any words or types of words that have been overplayed?", "as an excuse for sloppy writing. Am I off base? Is 'talking like", "I'm in a writing group. I see repeating word-choice patterns among the fantasy", "ability). Maybe there are tons of irritating 'beginner habits'. These aren't really tropes", "broad because I don't mind a range of answers (I'm trying to get", "focused thoughts. 1. Are there any words or types of words that have", "used by some beginning writers, to me, as an excuse for sloppy writing.", "Specifically, as a few focused thoughts. 1. Are there any words or types", "anything can be done poorly, but I see very little real life dialogue", "see repeating word-choice patterns among the fantasy writers. Example: frequent use of certain", "word... ), or certain symptoms manifesting with magic (for example, illness, usually headache,", "aren't really tropes that I am talking about. I simply want to avoid", "simply want to avoid rookie errors. I'm asking if there are blind spots", "because I don't mind a range of answers (I'm trying to get up", "people say to avoid adverbs. Really? 2. This fad of 'talking like real", "of 'talking like real life' seems to be used by some beginning writers,", "considered juvenile-esque? I have heard many people say to avoid adverbs. Really? 2.", "to the question). Specifically, as a few focused thoughts. 1. Are there any", "I have heard many people say to avoid adverbs. Really? 2. This fad", "Really? 2. This fad of 'talking like real life' seems to be used", "of irritating 'beginner habits'. These aren't really tropes that I am talking about.", "life' good, or a fad? I realize anything can be done poorly, but", "those might include? My question is broad because I don't mind a range", "good, or a fad? I realize anything can be done poorly, but I", "competent framing. 3. I'm annoyed by tons of made up words, which may", "Is this a common annoyance among other fantasy readers? A few made up", "answers (I'm trying to get up to speed quickly, but blogs/etc give general", "I am talking about. I simply want to avoid rookie errors. I'm asking", "with magic (for example, illness, usually headache, always accompanies emerging psychic ability). Maybe", "always accompanies emerging psychic ability). Maybe there are tons of irritating 'beginner habits'.", "an excuse for sloppy writing. Am I off base? Is 'talking like real", "fad of 'talking like real life' seems to be used by some beginning", "in the absence of competent framing. 3. I'm annoyed by tons of made", "to avoid adverbs. Really? 2. This fad of 'talking like real life' seems", "absence of competent framing. 3. I'm annoyed by tons of made up words,", "or a fad? I realize anything can be done poorly, but I see", "emerging psychic ability). Maybe there are tons of irritating 'beginner habits'. These aren't", "seems to use that word... ), or certain symptoms manifesting with magic (for", "'edit edit edit,\" etc. ... Great advice but not really pertinent to the", "'talking like real life' seems to be used by some beginning writers, to", "have been overplayed? Or are considered juvenile-esque? I have heard many people say", "own in the absence of competent framing. 3. I'm annoyed by tons of", "a few focused thoughts. 1. Are there any words or types of words", "overplayed? Or are considered juvenile-esque? I have heard many people say to avoid", "manifesting with magic (for example, illness, usually headache, always accompanies emerging psychic ability).", "Are there any words or types of words that have been overplayed? Or", "really pertinent to the question). Specifically, as a few focused thoughts. 1. Are", "This fad of 'talking like real life' seems to be used by some", "this a common annoyance among other fantasy readers? A few made up words", "frequent use of certain words (like 'utter,' everyone seems to use that word...", "few made up words I can handle, though I wish they'd be grounded", "I'm asking if there are blind spots that beginning writers have, especially in", "have, especially in fantasy, and what those might include? My question is broad", "writing group. I see repeating word-choice patterns among the fantasy writers. Example: frequent", "as a few focused thoughts. 1. Are there any words or types of", "say to avoid adverbs. Really? 2. This fad of 'talking like real life'", "there are blind spots that beginning writers have, especially in fantasy, and what", "excuse for sloppy writing. Am I off base? Is 'talking like real life'", "writers. Example: frequent use of certain words (like 'utter,' everyone seems to use", "base? Is 'talking like real life' good, or a fad? I realize anything", "other fantasy readers? A few made up words I can handle, though I", "beginning writers have, especially in fantasy, and what those might include? My question", "advice like 'show-not-tell,' or 'edit edit edit,\" etc. ... Great advice but not", "general advice like 'show-not-tell,' or 'edit edit edit,\" etc. ... Great advice but", "dialogue that stands on its own in the absence of competent framing. 3.", "and what those might include? My question is broad because I don't mind", "range of answers (I'm trying to get up to speed quickly, but blogs/etc", "that beginning writers have, especially in fantasy, and what those might include? My", "question is broad because I don't mind a range of answers (I'm trying", "words that have been overplayed? Or are considered juvenile-esque? I have heard many", "some beginning writers, to me, as an excuse for sloppy writing. Am I", "made up words, which may be a problem in fantasy. Is this a", "fantasy. Is this a common annoyance among other fantasy readers? A few made", "word-choice patterns among the fantasy writers. Example: frequent use of certain words (like", "seems to be used by some beginning writers, to me, as an excuse", "really tropes that I am talking about. I simply want to avoid rookie", "poorly, but I see very little real life dialogue that stands on its", "trying to get up to speed quickly, but blogs/etc give general advice like", "pertinent to the question). Specifically, as a few focused thoughts. 1. Are there", "or types of words that have been overplayed? Or are considered juvenile-esque? I", "adverbs. Really? 2. This fad of 'talking like real life' seems to be", "(like 'utter,' everyone seems to use that word... ), or certain symptoms manifesting", "Am I off base? Is 'talking like real life' good, or a fad?", "beginning writers, to me, as an excuse for sloppy writing. Am I off", "certain symptoms manifesting with magic (for example, illness, usually headache, always accompanies emerging", "of certain words (like 'utter,' everyone seems to use that word... ), or", "but blogs/etc give general advice like 'show-not-tell,' or 'edit edit edit,\" etc. ...", "thoughts. 1. Are there any words or types of words that have been", "not really pertinent to the question). Specifically, as a few focused thoughts. 1.", "rookie errors. I'm asking if there are blind spots that beginning writers have,", "framing. 3. I'm annoyed by tons of made up words, which may be", "be a problem in fantasy. Is this a common annoyance among other fantasy", "'show-not-tell,' or 'edit edit edit,\" etc. ... Great advice but not really pertinent", "I don't mind a range of answers (I'm trying to get up to", "in fantasy. Is this a common annoyance among other fantasy readers? A few", "example, illness, usually headache, always accompanies emerging psychic ability). Maybe there are tons", "to get up to speed quickly, but blogs/etc give general advice like 'show-not-tell,'", "is broad because I don't mind a range of answers (I'm trying to", "spots that beginning writers have, especially in fantasy, and what those might include?", "2. This fad of 'talking like real life' seems to be used by", "its own in the absence of competent framing. 3. I'm annoyed by tons", "are considered juvenile-esque? I have heard many people say to avoid adverbs. Really?", "I see repeating word-choice patterns among the fantasy writers. Example: frequent use of", "me, as an excuse for sloppy writing. Am I off base? Is 'talking", "up to speed quickly, but blogs/etc give general advice like 'show-not-tell,' or 'edit" ]
[ "the original psychopath who now seeks revenge against those who tried to obliterate", "they have whole blogs dedicated why they do not use four-letter words in", "avoid the use of profanity so much, they have whole blogs dedicated why", "on a psychopath who although innocent, had a high potential for committing future", "incorrect dialogue. I have one in particular that I think is accurate but", "use such a word in a novel if that word has been in", "that way.* http://www.markhenshaw.com/random-thoughts/2014/6/19/why-theres-no-profanity-in-red-cell-or-cold-shot ``` So, is it really offensive to use such a", "think is accurate but also may be seen as inflammatory, even though the", "politically correct fiction markets? Update: I decided with all the attention about using", "opposing views. <http://thehofstrachronicle.com/provocative-writer-redefines-role-of-novelistbr/> I have started on my next novel that explores mental", "'Jajnnw'. Even using a transgender prostitute is edgy but having others call her", "her appearance initially confuses the detective when he asks to speak to 'her'", "Chaucer used the word 'cunt'. So, if you wish to trace its naughty", "who now seeks revenge against those who tried to obliterate his mind. The", "they are shock jocks for using such a slur. Yes, even Chaucer used", "with a more 'normalized' one, but a traumatic event results in the creation", "words of their era. Are there words too provocative for use in the", "of links. [history](https://medium.com/@minagreen/a-brief-history-of-the-cunt-f9d54e5b6a53) [origin](https://qz.com/1045607/the-most-offensive-curse-word-in-english-has-powerful-feminist-origins/) Some authors avoid the use of profanity so much,", "first an artificial one and the second the original psychopath who now seeks", "the detective when he asks to speak to 'her' companion. The hooker laughs", "my next novel that explores mental illnesses in the not too distant future.", "I said, I am a provocateur and love writing that makes one question", "I wasn't raised to talk that way, so I don't write that way.", "the use of profanity so much, they have whole blogs dedicated why they", "is well articulated. Current fiction seems more focused on commercial success than it", "words too provocative for use in the current politically correct fiction markets? Update:", "illnesses in the not too distant future. The cast includes sociopathic gang members,", "I like edgy writing that borders on inflammatory. I read less for entertainment", "appearance initially confuses the detective when he asks to speak to 'her' companion.", "laughs and explains he is 'Jajnnw' and the detective may use the pronoun", "am a provocateur and love writing that makes one question society 'norms'. There", "example. I have a scene where the witness to a crime is a", "writing as long as it is well articulated. Current fiction seems more focused", "use four-letter words in their writing. ``` I wasn't raised to talk that", "to speak to 'her' companion. The hooker laughs and explains he is 'Jajnnw'", "offensive profane word in the English Language that it is time to add", "may strike many as offensive, even though the character loves that her appearance", "using a transgender prostitute is edgy but having others call her a 'Tranny", "are shock jocks for using such a slur. Yes, even Chaucer used the", "makes him uncomfortable. <http://www.slate.com/blogs/outward/2014/05/30/is_tranny_a_slur_or_an_identity_who_decides.html> As I said, I am a provocateur and love", "the character is a positive example. I have a scene where the witness", "to trace its naughty origins, here are a couple of links. [history](https://medium.com/@minagreen/a-brief-history-of-the-cunt-f9d54e5b6a53) [origin](https://qz.com/1045607/the-most-offensive-curse-word-in-english-has-powerful-feminist-origins/)", "that her appearance initially confuses the detective when he asks to speak to", "are a couple of links. [history](https://medium.com/@minagreen/a-brief-history-of-the-cunt-f9d54e5b6a53) [origin](https://qz.com/1045607/the-most-offensive-curse-word-in-english-has-powerful-feminist-origins/) Some authors avoid the use of", "in the English Language that it is time to add a link showing", "started on my next novel that explores mental illnesses in the not too", "cast of societal malcontents. The premise is a 'cure' is attempted on a", "may use the pronoun 'he' if it makes him uncomfortable. <http://www.slate.com/blogs/outward/2014/05/30/is_tranny_a_slur_or_an_identity_who_decides.html> As I", "loves that her appearance initially confuses the detective when he asks to speak", "mental illnesses in the not too distant future. The cast includes sociopathic gang", "its origins and laugh at those who think they are shock jocks for", "said, I am a provocateur and love writing that makes one question society", "a crime is a transgender prostitute named 'Jajnnw'. Even using a transgender prostitute", "is 'Jajnnw' and the detective may use the pronoun 'he' if it makes", "their writing. ``` I wasn't raised to talk that way, so I don't", "'cure' is attempted on a psychopath who although innocent, had a high potential", "obliterate his mind. The real problem comes when describing outcast members using realistic", "the points or even like the style of writing as long as it", "surely be banned today simply for using descriptive words of their era. Are", "prostitute named 'Jajnnw'. Even using a transgender prostitute is edgy but having others", "<http://www.slate.com/blogs/outward/2014/05/30/is_tranny_a_slur_or_an_identity_who_decides.html> As I said, I am a provocateur and love writing that makes", "next novel that explores mental illnesses in the not too distant future. The", "the pronoun 'he' if it makes him uncomfortable. <http://www.slate.com/blogs/outward/2014/05/30/is_tranny_a_slur_or_an_identity_who_decides.html> As I said, I", "an artificial one and the second the original psychopath who now seeks revenge", "detective with Asperger who is investigating the murders of psychiatrists and a cast", "whole blogs dedicated why they do not use four-letter words in their writing.", "it makes him uncomfortable. <http://www.slate.com/blogs/outward/2014/05/30/is_tranny_a_slur_or_an_identity_who_decides.html> As I said, I am a provocateur and", "I have a scene where the witness to a crime is a transgender", "slur. Yes, even Chaucer used the word 'cunt'. So, if you wish to", "is time to add a link showing its origins and laugh at those", "more 'normalized' one, but a traumatic event results in the creation of a", "tried to obliterate his mind. The real problem comes when describing outcast members", "the creation of a dissociative identity, the first an artificial one and the", "real problem comes when describing outcast members using realistic terms. People living in", "are apt to use politically incorrect dialogue. I have one in particular that", "markets? Update: I decided with all the attention about using the most offensive", "even Chaucer used the word 'cunt'. So, if you wish to trace its", "he asks to speak to 'her' companion. The hooker laughs and explains he", "historical writers who would surely be banned today simply for using descriptive words", "a dissociative identity, the first an artificial one and the second the original", "he is 'Jajnnw' and the detective may use the pronoun 'he' if it", "a provocateur and love writing that makes one question society 'norms'. There are", "creation of a dissociative identity, the first an artificial one and the second", "that explores mental illnesses in the not too distant future. The cast includes", "a psychopath who although innocent, had a high potential for committing future crimes.", "one in particular that I think is accurate but also may be seen", "decided with all the attention about using the most offensive profane word in", "the style of writing as long as it is well articulated. Current fiction", "one and the second the original psychopath who now seeks revenge against those", "hooker laughs and explains he is 'Jajnnw' and the detective may use the", "it really offensive to use such a word in a novel if that", "talk may strike many as offensive, even though the character loves that her", "psychopath who although innocent, had a high potential for committing future crimes. The", "in particular that I think is accurate but also may be seen as", "and the second the original psychopath who now seeks revenge against those who", "the witness to a crime is a transgender prostitute named 'Jajnnw'. Even using", "that makes one question society 'norms'. There are many great historical writers who", "use politically incorrect dialogue. I have one in particular that I think is", "detective may use the pronoun 'he' if it makes him uncomfortable. <http://www.slate.com/blogs/outward/2014/05/30/is_tranny_a_slur_or_an_identity_who_decides.html> As", "like edgy writing that borders on inflammatory. I read less for entertainment than", "much, they have whole blogs dedicated why they do not use four-letter words", "I have started on my next novel that explores mental illnesses in the", "you wish to trace its naughty origins, here are a couple of links.", "correct fiction markets? Update: I decided with all the attention about using the", "the most offensive profane word in the English Language that it is time", "have one in particular that I think is accurate but also may be", "distant future. The cast includes sociopathic gang members, a detective with Asperger who", "trace its naughty origins, here are a couple of links. [history](https://medium.com/@minagreen/a-brief-history-of-the-cunt-f9d54e5b6a53) [origin](https://qz.com/1045607/the-most-offensive-curse-word-in-english-has-powerful-feminist-origins/) Some", "ghetto talk may strike many as offensive, even though the character loves that", "makes one question society 'norms'. There are many great historical writers who would", "less for entertainment than I do for expanding my world view. I don't", "simply for using descriptive words of their era. Are there words too provocative", "focused on commercial success than it does on promoting dialogue or discourse with", "a more 'normalized' one, but a traumatic event results in the creation of", "on commercial success than it does on promoting dialogue or discourse with those", "have to agree with the points or even like the style of writing", "Hooker' although accurate in ghetto talk may strike many as offensive, even though", "for expanding my world view. I don't have to agree with the points", "includes sociopathic gang members, a detective with Asperger who is investigating the murders", "not use four-letter words in their writing. ``` I wasn't raised to talk", "seen as inflammatory, even though the character is a positive example. I have", "who although innocent, had a high potential for committing future crimes. The cure", "on inflammatory. I read less for entertainment than I do for expanding my", "inflammatory. I read less for entertainment than I do for expanding my world", "artificial one and the second the original psychopath who now seeks revenge against", "dissociative identity, the first an artificial one and the second the original psychopath", "the English Language that it is time to add a link showing its", "think they are shock jocks for using such a slur. Yes, even Chaucer", "as long as it is well articulated. Current fiction seems more focused on", "than it does on promoting dialogue or discourse with those having opposing views.", "a word in a novel if that word has been in common usage", "future crimes. The cure initially manages to replace his core personality with a", "I don't have to agree with the points or even like the style", "particular that I think is accurate but also may be seen as inflammatory,", "use the pronoun 'he' if it makes him uncomfortable. <http://www.slate.com/blogs/outward/2014/05/30/is_tranny_a_slur_or_an_identity_who_decides.html> As I said,", "scene where the witness to a crime is a transgender prostitute named 'Jajnnw'.", "even though the character is a positive example. I have a scene where", "well articulated. Current fiction seems more focused on commercial success than it does", "laugh at those who think they are shock jocks for using such a", "transgender prostitute is edgy but having others call her a 'Tranny Hooker' although", "'her' companion. The hooker laughs and explains he is 'Jajnnw' and the detective", "of writing as long as it is well articulated. Current fiction seems more", "strike many as offensive, even though the character loves that her appearance initially", "with the points or even like the style of writing as long as", "pronoun 'he' if it makes him uncomfortable. <http://www.slate.com/blogs/outward/2014/05/30/is_tranny_a_slur_or_an_identity_who_decides.html> As I said, I am", "as it is well articulated. Current fiction seems more focused on commercial success", "potential for committing future crimes. The cure initially manages to replace his core", "don't write that way. http://www.markhenshaw.com/random-thoughts/2014/6/19/why-theres-no-profanity-in-red-cell-or-cold-shot ``` So, is it really offensive to use", "also may be seen as inflammatory, even though the character is a positive", "society 'norms'. There are many great historical writers who would surely be banned", "writing. ``` I wasn't raised to talk that way, so I don't write", "all the attention about using the most offensive profane word in the English", "when describing outcast members using realistic terms. People living in ghettos are apt", "to add a link showing its origins and laugh at those who think", "today simply for using descriptive words of their era. Are there words too", "that borders on inflammatory. I read less for entertainment than I do for", "confuses the detective when he asks to speak to 'her' companion. The hooker", "even like the style of writing as long as it is well articulated.", "edgy but having others call her a 'Tranny Hooker' although accurate in ghetto", "such a word in a novel if that word has been in common", "So, if you wish to trace its naughty origins, here are a couple", "view. I don't have to agree with the points or even like the", "high potential for committing future crimes. The cure initially manages to replace his", "love writing that makes one question society 'norms'. There are many great historical", "of psychiatrists and a cast of societal malcontents. The premise is a 'cure'", "borders on inflammatory. I read less for entertainment than I do for expanding", "that it is time to add a link showing its origins and laugh", "seeks revenge against those who tried to obliterate his mind. The real problem", "great historical writers who would surely be banned today simply for using descriptive", "my world view. I don't have to agree with the points or even", "others call her a 'Tranny Hooker' although accurate in ghetto talk may strike", "is it really offensive to use such a word in a novel if", "Language that it is time to add a link showing its origins and", "their era. Are there words too provocative for use in the current politically", "to use such a word in a novel if that word has been", "word 'cunt'. So, if you wish to trace its naughty origins, here are", "authors avoid the use of profanity so much, they have whole blogs dedicated", "profanity so much, they have whole blogs dedicated why they do not use", "those who tried to obliterate his mind. The real problem comes when describing", "who would surely be banned today simply for using descriptive words of their", "the not too distant future. The cast includes sociopathic gang members, a detective", "although innocent, had a high potential for committing future crimes. The cure initially", "initially confuses the detective when he asks to speak to 'her' companion. The", "uncomfortable. <http://www.slate.com/blogs/outward/2014/05/30/is_tranny_a_slur_or_an_identity_who_decides.html> As I said, I am a provocateur and love writing that", "word in the English Language that it is time to add a link", "to use politically incorrect dialogue. I have one in particular that I think", "transgender prostitute named 'Jajnnw'. Even using a transgender prostitute is edgy but having", "Are there words too provocative for use in the current politically correct fiction", "had a high potential for committing future crimes. The cure initially manages to", "articulated. Current fiction seems more focused on commercial success than it does on", "accurate but also may be seen as inflammatory, even though the character is", "speak to 'her' companion. The hooker laughs and explains he is 'Jajnnw' and", "initially manages to replace his core personality with a more 'normalized' one, but", "about using the most offensive profane word in the English Language that it", "style of writing as long as it is well articulated. Current fiction seems", "writers who would surely be banned today simply for using descriptive words of", "era. Are there words too provocative for use in the current politically correct", "wasn't raised to talk that way, so I don't write that way. http://www.markhenshaw.com/random-thoughts/2014/6/19/why-theres-no-profanity-in-red-cell-or-cold-shot", "I decided with all the attention about using the most offensive profane word", "many as offensive, even though the character loves that her appearance initially confuses", "if you wish to trace its naughty origins, here are a couple of", "they do not use four-letter words in their writing. ``` I wasn't raised", "provocateur and love writing that makes one question society 'norms'. There are many", "``` So, is it really offensive to use such a word in a", "results in the creation of a dissociative identity, the first an artificial one", "identity, the first an artificial one and the second the original psychopath who", "so I don't write that way. http://www.markhenshaw.com/random-thoughts/2014/6/19/why-theres-no-profanity-in-red-cell-or-cold-shot ``` So, is it really offensive", "manages to replace his core personality with a more 'normalized' one, but a", "when he asks to speak to 'her' companion. The hooker laughs and explains", "gang members, a detective with Asperger who is investigating the murders of psychiatrists", "have whole blogs dedicated why they do not use four-letter words in their", "cure initially manages to replace his core personality with a more 'normalized' one,", "Yes, even Chaucer used the word 'cunt'. So, if you wish to trace", "have started on my next novel that explores mental illnesses in the not", "novel that explores mental illnesses in the not too distant future. The cast", "promoting dialogue or discourse with those having opposing views. <http://thehofstrachronicle.com/provocative-writer-redefines-role-of-novelistbr/> I have started", "in ghetto talk may strike many as offensive, even though the character loves", "and love writing that makes one question society 'norms'. There are many great", "People living in ghettos are apt to use politically incorrect dialogue. I have", "original psychopath who now seeks revenge against those who tried to obliterate his", "where the witness to a crime is a transgender prostitute named 'Jajnnw'. Even", "too distant future. The cast includes sociopathic gang members, a detective with Asperger", "committing future crimes. The cure initially manages to replace his core personality with", "in ghettos are apt to use politically incorrect dialogue. I have one in", "in the current politically correct fiction markets? Update: I decided with all the", "but a traumatic event results in the creation of a dissociative identity, the", "and explains he is 'Jajnnw' and the detective may use the pronoun 'he'", "it is well articulated. Current fiction seems more focused on commercial success than", "a slur. Yes, even Chaucer used the word 'cunt'. So, if you wish", "read less for entertainment than I do for expanding my world view. I", "terms. People living in ghettos are apt to use politically incorrect dialogue. I", "to obliterate his mind. The real problem comes when describing outcast members using", "the detective may use the pronoun 'he' if it makes him uncomfortable. <http://www.slate.com/blogs/outward/2014/05/30/is_tranny_a_slur_or_an_identity_who_decides.html>", "or discourse with those having opposing views. <http://thehofstrachronicle.com/provocative-writer-redefines-role-of-novelistbr/> I have started on my", "a detective with Asperger who is investigating the murders of psychiatrists and a", "for use in the current politically correct fiction markets? Update: I decided with", "add a link showing its origins and laugh at those who think they", "character loves that her appearance initially confuses the detective when he asks to", "replace his core personality with a more 'normalized' one, but a traumatic event", "blogs dedicated why they do not use four-letter words in their writing. ```", "'norms'. There are many great historical writers who would surely be banned today", "question society 'norms'. There are many great historical writers who would surely be", "ghettos are apt to use politically incorrect dialogue. I have one in particular", "use of profanity so much, they have whole blogs dedicated why they do", "is investigating the murders of psychiatrists and a cast of societal malcontents. The", "discourse with those having opposing views. <http://thehofstrachronicle.com/provocative-writer-redefines-role-of-novelistbr/> I have started on my next", "as inflammatory, even though the character is a positive example. I have a", "success than it does on promoting dialogue or discourse with those having opposing", "to a crime is a transgender prostitute named 'Jajnnw'. Even using a transgender", "that I think is accurate but also may be seen as inflammatory, even", "a cast of societal malcontents. The premise is a 'cure' is attempted on", "societal malcontents. The premise is a 'cure' is attempted on a psychopath who", "a transgender prostitute is edgy but having others call her a 'Tranny Hooker'", "'cunt'. So, if you wish to trace its naughty origins, here are a", "<http://thehofstrachronicle.com/provocative-writer-redefines-role-of-novelistbr/> I have started on my next novel that explores mental illnesses in", "links. [history](https://medium.com/@minagreen/a-brief-history-of-the-cunt-f9d54e5b6a53) [origin](https://qz.com/1045607/the-most-offensive-curse-word-in-english-has-powerful-feminist-origins/) Some authors avoid the use of profanity so much, they", "personality with a more 'normalized' one, but a traumatic event results in the", "his mind. The real problem comes when describing outcast members using realistic terms.", "call her a 'Tranny Hooker' although accurate in ghetto talk may strike many", "is a positive example. I have a scene where the witness to a", "Some authors avoid the use of profanity so much, they have whole blogs", "views. <http://thehofstrachronicle.com/provocative-writer-redefines-role-of-novelistbr/> I have started on my next novel that explores mental illnesses", "although accurate in ghetto talk may strike many as offensive, even though the", "a traumatic event results in the creation of a dissociative identity, the first", "sociopathic gang members, a detective with Asperger who is investigating the murders of", "write that way.* http://www.markhenshaw.com/random-thoughts/2014/6/19/why-theres-no-profanity-in-red-cell-or-cold-shot ``` So, is it really offensive to use such", "outcast members using realistic terms. People living in ghettos are apt to use", "jocks for using such a slur. Yes, even Chaucer used the word 'cunt'.", "if it makes him uncomfortable. <http://www.slate.com/blogs/outward/2014/05/30/is_tranny_a_slur_or_an_identity_who_decides.html> As I said, I am a provocateur", "detective when he asks to speak to 'her' companion. The hooker laughs and", "is accurate but also may be seen as inflammatory, even though the character", "dialogue. I have one in particular that I think is accurate but also", "one, but a traumatic event results in the creation of a dissociative identity,", "expanding my world view. I don't have to agree with the points or", "The cast includes sociopathic gang members, a detective with Asperger who is investigating", "writing that borders on inflammatory. I read less for entertainment than I do", "living in ghettos are apt to use politically incorrect dialogue. I have one", "premise is a 'cure' is attempted on a psychopath who although innocent, had", "descriptive words of their era. Are there words too provocative for use in", "in a novel if that word has been in common usage for centuries?", "in the creation of a dissociative identity, the first an artificial one and", "one question society 'norms'. There are many great historical writers who would surely", "naughty origins, here are a couple of links. [history](https://medium.com/@minagreen/a-brief-history-of-the-cunt-f9d54e5b6a53) [origin](https://qz.com/1045607/the-most-offensive-curse-word-in-english-has-powerful-feminist-origins/) Some authors avoid", "politically incorrect dialogue. I have one in particular that I think is accurate", "positive example. I have a scene where the witness to a crime is", "current politically correct fiction markets? Update: I decided with all the attention about", "provocative for use in the current politically correct fiction markets? Update: I decided", "use in the current politically correct fiction markets? Update: I decided with all", "with Asperger who is investigating the murders of psychiatrists and a cast of", "and laugh at those who think they are shock jocks for using such", "now seeks revenge against those who tried to obliterate his mind. The real", "'Jajnnw' and the detective may use the pronoun 'he' if it makes him", "'he' if it makes him uncomfortable. <http://www.slate.com/blogs/outward/2014/05/30/is_tranny_a_slur_or_an_identity_who_decides.html> As I said, I am a", "seems more focused on commercial success than it does on promoting dialogue or", "to agree with the points or even like the style of writing as", "is edgy but having others call her a 'Tranny Hooker' although accurate in", "origins, here are a couple of links. [history](https://medium.com/@minagreen/a-brief-history-of-the-cunt-f9d54e5b6a53) [origin](https://qz.com/1045607/the-most-offensive-curse-word-in-english-has-powerful-feminist-origins/) Some authors avoid the", "'Tranny Hooker' although accurate in ghetto talk may strike many as offensive, even", "psychopath who now seeks revenge against those who tried to obliterate his mind.", "for using descriptive words of their era. Are there words too provocative for", "using such a slur. Yes, even Chaucer used the word 'cunt'. So, if", "so much, they have whole blogs dedicated why they do not use four-letter", "origins and laugh at those who think they are shock jocks for using", "Asperger who is investigating the murders of psychiatrists and a cast of societal", "his core personality with a more 'normalized' one, but a traumatic event results", "I don't write that way.* http://www.markhenshaw.com/random-thoughts/2014/6/19/why-theres-no-profanity-in-red-cell-or-cold-shot ``` So, is it really offensive to", "So, is it really offensive to use such a word in a novel", "for entertainment than I do for expanding my world view. I don't have", "to talk that way, so I don't write that way.* http://www.markhenshaw.com/random-thoughts/2014/6/19/why-theres-no-profanity-in-red-cell-or-cold-shot ``` So,", "of their era. Are there words too provocative for use in the current", "agree with the points or even like the style of writing as long", "investigating the murders of psychiatrists and a cast of societal malcontents. The premise", "for using such a slur. Yes, even Chaucer used the word 'cunt'. So,", "dialogue or discourse with those having opposing views. <http://thehofstrachronicle.com/provocative-writer-redefines-role-of-novelistbr/> I have started on", "than I do for expanding my world view. I don't have to agree", "Let's face it, I like edgy writing that borders on inflammatory. I read", "be seen as inflammatory, even though the character is a positive example. I", "murders of psychiatrists and a cast of societal malcontents. The premise is a", "a couple of links. [history](https://medium.com/@minagreen/a-brief-history-of-the-cunt-f9d54e5b6a53) [origin](https://qz.com/1045607/the-most-offensive-curse-word-in-english-has-powerful-feminist-origins/) Some authors avoid the use of profanity", "long as it is well articulated. Current fiction seems more focused on commercial", "do for expanding my world view. I don't have to agree with the", "that way, so I don't write that way.* http://www.markhenshaw.com/random-thoughts/2014/6/19/why-theres-no-profanity-in-red-cell-or-cold-shot ``` So, is it", "against those who tried to obliterate his mind. The real problem comes when", "using realistic terms. People living in ghettos are apt to use politically incorrect", "really offensive to use such a word in a novel if that word", "not too distant future. The cast includes sociopathic gang members, a detective with", "raised to talk that way, so I don't write that way.* http://www.markhenshaw.com/random-thoughts/2014/6/19/why-theres-no-profanity-in-red-cell-or-cold-shot ```", "on my next novel that explores mental illnesses in the not too distant", "problem comes when describing outcast members using realistic terms. People living in ghettos", "the current politically correct fiction markets? Update: I decided with all the attention", "using descriptive words of their era. Are there words too provocative for use", "of profanity so much, they have whole blogs dedicated why they do not", "fiction seems more focused on commercial success than it does on promoting dialogue", "a link showing its origins and laugh at those who think they are", "traumatic event results in the creation of a dissociative identity, the first an", "explains he is 'Jajnnw' and the detective may use the pronoun 'he' if", "malcontents. The premise is a 'cure' is attempted on a psychopath who although", "comes when describing outcast members using realistic terms. People living in ghettos are", "using the most offensive profane word in the English Language that it is", "a positive example. I have a scene where the witness to a crime", "here are a couple of links. [history](https://medium.com/@minagreen/a-brief-history-of-the-cunt-f9d54e5b6a53) [origin](https://qz.com/1045607/the-most-offensive-curse-word-in-english-has-powerful-feminist-origins/) Some authors avoid the use", "with all the attention about using the most offensive profane word in the", "Update: I decided with all the attention about using the most offensive profane", "like the style of writing as long as it is well articulated. Current", "but having others call her a 'Tranny Hooker' although accurate in ghetto talk", "to 'her' companion. The hooker laughs and explains he is 'Jajnnw' and the", "of societal malcontents. The premise is a 'cure' is attempted on a psychopath", "I have one in particular that I think is accurate but also may", "for committing future crimes. The cure initially manages to replace his core personality", "dedicated why they do not use four-letter words in their writing. ``` I", "why they do not use four-letter words in their writing. ``` I wasn't", "members, a detective with Asperger who is investigating the murders of psychiatrists and", "asks to speak to 'her' companion. The hooker laughs and explains he is", "is a transgender prostitute named 'Jajnnw'. Even using a transgender prostitute is edgy", "revenge against those who tried to obliterate his mind. The real problem comes", "or even like the style of writing as long as it is well", "it, I like edgy writing that borders on inflammatory. I read less for", "in their writing. ``` I wasn't raised to talk that way, so I", "http://www.markhenshaw.com/random-thoughts/2014/6/19/why-theres-no-profanity-in-red-cell-or-cold-shot ``` So, is it really offensive to use such a word in", "event results in the creation of a dissociative identity, the first an artificial", "inflammatory, even though the character is a positive example. I have a scene", "talk that way, so I don't write that way. http://www.markhenshaw.com/random-thoughts/2014/6/19/why-theres-no-profanity-in-red-cell-or-cold-shot ``` So, is", "link showing its origins and laugh at those who think they are shock", "witness to a crime is a transgender prostitute named 'Jajnnw'. Even using a", "Even using a transgender prostitute is edgy but having others call her a", "its naughty origins, here are a couple of links. [history](https://medium.com/@minagreen/a-brief-history-of-the-cunt-f9d54e5b6a53) [origin](https://qz.com/1045607/the-most-offensive-curse-word-in-english-has-powerful-feminist-origins/) Some authors", "him uncomfortable. <http://www.slate.com/blogs/outward/2014/05/30/is_tranny_a_slur_or_an_identity_who_decides.html> As I said, I am a provocateur and love writing", "way.* http://www.markhenshaw.com/random-thoughts/2014/6/19/why-theres-no-profanity-in-red-cell-or-cold-shot ``` So, is it really offensive to use such a word", "apt to use politically incorrect dialogue. I have one in particular that I", "many great historical writers who would surely be banned today simply for using", "Current fiction seems more focused on commercial success than it does on promoting", "The real problem comes when describing outcast members using realistic terms. People living", "English Language that it is time to add a link showing its origins", "those who think they are shock jocks for using such a slur. Yes,", "with those having opposing views. <http://thehofstrachronicle.com/provocative-writer-redefines-role-of-novelistbr/> I have started on my next novel", "second the original psychopath who now seeks revenge against those who tried to", "accurate in ghetto talk may strike many as offensive, even though the character", "even though the character loves that her appearance initially confuses the detective when", "may be seen as inflammatory, even though the character is a positive example.", "way, so I don't write that way.* http://www.markhenshaw.com/random-thoughts/2014/6/19/why-theres-no-profanity-in-red-cell-or-cold-shot ``` So, is it really", "her a 'Tranny Hooker' although accurate in ghetto talk may strike many as", "who tried to obliterate his mind. The real problem comes when describing outcast", "the attention about using the most offensive profane word in the English Language", "it is time to add a link showing its origins and laugh at", "attempted on a psychopath who although innocent, had a high potential for committing", "a 'Tranny Hooker' although accurate in ghetto talk may strike many as offensive,", "are many great historical writers who would surely be banned today simply for", "the first an artificial one and the second the original psychopath who now", "the murders of psychiatrists and a cast of societal malcontents. The premise is", "though the character is a positive example. I have a scene where the", "a 'cure' is attempted on a psychopath who although innocent, had a high", "companion. The hooker laughs and explains he is 'Jajnnw' and the detective may", "writing that makes one question society 'norms'. There are many great historical writers", "who is investigating the murders of psychiatrists and a cast of societal malcontents.", "most offensive profane word in the English Language that it is time to", "I am a provocateur and love writing that makes one question society 'norms'.", "words in their writing. ``` I wasn't raised to talk that way, so", "shock jocks for using such a slur. Yes, even Chaucer used the word", "character is a positive example. I have a scene where the witness to", "those having opposing views. <http://thehofstrachronicle.com/provocative-writer-redefines-role-of-novelistbr/> I have started on my next novel that", "such a slur. Yes, even Chaucer used the word 'cunt'. So, if you", "[history](https://medium.com/@minagreen/a-brief-history-of-the-cunt-f9d54e5b6a53) [origin](https://qz.com/1045607/the-most-offensive-curse-word-in-english-has-powerful-feminist-origins/) Some authors avoid the use of profanity so much, they have", "I do for expanding my world view. I don't have to agree with", "edgy writing that borders on inflammatory. I read less for entertainment than I", "a scene where the witness to a crime is a transgender prostitute named", "but also may be seen as inflammatory, even though the character is a", "commercial success than it does on promoting dialogue or discourse with those having", "don't have to agree with the points or even like the style of", "cast includes sociopathic gang members, a detective with Asperger who is investigating the", "a transgender prostitute named 'Jajnnw'. Even using a transgender prostitute is edgy but", "would surely be banned today simply for using descriptive words of their era.", "core personality with a more 'normalized' one, but a traumatic event results in", "does on promoting dialogue or discourse with those having opposing views. <http://thehofstrachronicle.com/provocative-writer-redefines-role-of-novelistbr/> I", "``` I wasn't raised to talk that way, so I don't write that", "is attempted on a psychopath who although innocent, had a high potential for", "too provocative for use in the current politically correct fiction markets? Update: I", "The premise is a 'cure' is attempted on a psychopath who although innocent,", "attention about using the most offensive profane word in the English Language that", "members using realistic terms. People living in ghettos are apt to use politically", "of a dissociative identity, the first an artificial one and the second the", "banned today simply for using descriptive words of their era. Are there words", "prostitute is edgy but having others call her a 'Tranny Hooker' although accurate", "have a scene where the witness to a crime is a transgender prostitute", "having others call her a 'Tranny Hooker' although accurate in ghetto talk may", "and the detective may use the pronoun 'he' if it makes him uncomfortable.", "on promoting dialogue or discourse with those having opposing views. <http://thehofstrachronicle.com/provocative-writer-redefines-role-of-novelistbr/> I have", "future. The cast includes sociopathic gang members, a detective with Asperger who is", "at those who think they are shock jocks for using such a slur.", "mind. The real problem comes when describing outcast members using realistic terms. People", "innocent, had a high potential for committing future crimes. The cure initially manages", "is a 'cure' is attempted on a psychopath who although innocent, had a", "having opposing views. <http://thehofstrachronicle.com/provocative-writer-redefines-role-of-novelistbr/> I have started on my next novel that explores", "time to add a link showing its origins and laugh at those who", "it does on promoting dialogue or discourse with those having opposing views. <http://thehofstrachronicle.com/provocative-writer-redefines-role-of-novelistbr/>", "realistic terms. People living in ghettos are apt to use politically incorrect dialogue.", "as offensive, even though the character loves that her appearance initially confuses the", "the character loves that her appearance initially confuses the detective when he asks", "be banned today simply for using descriptive words of their era. Are there", "showing its origins and laugh at those who think they are shock jocks", "the second the original psychopath who now seeks revenge against those who tried", "crimes. The cure initially manages to replace his core personality with a more", "named 'Jajnnw'. Even using a transgender prostitute is edgy but having others call", "more focused on commercial success than it does on promoting dialogue or discourse", "couple of links. [history](https://medium.com/@minagreen/a-brief-history-of-the-cunt-f9d54e5b6a53) [origin](https://qz.com/1045607/the-most-offensive-curse-word-in-english-has-powerful-feminist-origins/) Some authors avoid the use of profanity so", "offensive to use such a word in a novel if that word has", "to replace his core personality with a more 'normalized' one, but a traumatic", "The hooker laughs and explains he is 'Jajnnw' and the detective may use", "who think they are shock jocks for using such a slur. Yes, even", "crime is a transgender prostitute named 'Jajnnw'. Even using a transgender prostitute is", "entertainment than I do for expanding my world view. I don't have to", "offensive, even though the character loves that her appearance initially confuses the detective", "There are many great historical writers who would surely be banned today simply", "word in a novel if that word has been in common usage for", "a high potential for committing future crimes. The cure initially manages to replace", "describing outcast members using realistic terms. People living in ghettos are apt to", "wish to trace its naughty origins, here are a couple of links. [history](https://medium.com/@minagreen/a-brief-history-of-the-cunt-f9d54e5b6a53)", "in the not too distant future. The cast includes sociopathic gang members, a", "The cure initially manages to replace his core personality with a more 'normalized'", "As I said, I am a provocateur and love writing that makes one", "profane word in the English Language that it is time to add a", "explores mental illnesses in the not too distant future. The cast includes sociopathic", "fiction markets? Update: I decided with all the attention about using the most", "the word 'cunt'. So, if you wish to trace its naughty origins, here", "do not use four-letter words in their writing. ``` I wasn't raised to", "I read less for entertainment than I do for expanding my world view.", "four-letter words in their writing. ``` I wasn't raised to talk that way,", "world view. I don't have to agree with the points or even like", "[origin](https://qz.com/1045607/the-most-offensive-curse-word-in-english-has-powerful-feminist-origins/) Some authors avoid the use of profanity so much, they have whole", "points or even like the style of writing as long as it is", "I think is accurate but also may be seen as inflammatory, even though", "there words too provocative for use in the current politically correct fiction markets?", "psychiatrists and a cast of societal malcontents. The premise is a 'cure' is", "used the word 'cunt'. So, if you wish to trace its naughty origins,", "'normalized' one, but a traumatic event results in the creation of a dissociative", "and a cast of societal malcontents. The premise is a 'cure' is attempted", "though the character loves that her appearance initially confuses the detective when he", "face it, I like edgy writing that borders on inflammatory. I read less" ]
[ "SLAVE kid. He lives in a kingdom in a fantasy medieval world. He", "ears. Using the description of this female kitsune, my question is, how do", "kitsune, my question is, how do i write a good love letter? What", "a normal SLAVE kid. He lives in a kingdom in a fantasy medieval", "in a fantasy medieval world. He is in love with a kitsune, so", "to write a loveletter. He loves her tail, pale skin and emerald eyes", "in a kingdom in a fantasy medieval world. He is in love with", "write a loveletter. He loves her tail, pale skin and emerald eyes and", "the description of this female kitsune, my question is, how do i write", "is, how do i write a good love letter? What style should i", "with a kitsune, so he is going to write a loveletter. He loves", "long fluffy ears. Using the description of this female kitsune, my question is,", "Using the description of this female kitsune, my question is, how do i", "My protagonist is a normal SLAVE kid. He lives in a kingdom in", "is in love with a kitsune, so he is going to write a", "a loveletter. He loves her tail, pale skin and emerald eyes and long", "pale skin and emerald eyes and long fluffy ears. Using the description of", "and long fluffy ears. Using the description of this female kitsune, my question", "normal SLAVE kid. He lives in a kingdom in a fantasy medieval world.", "eyes and long fluffy ears. Using the description of this female kitsune, my", "is going to write a loveletter. He loves her tail, pale skin and", "tail, pale skin and emerald eyes and long fluffy ears. Using the description", "description of this female kitsune, my question is, how do i write a", "lives in a kingdom in a fantasy medieval world. He is in love", "my question is, how do i write a good love letter? What style", "in love with a kitsune, so he is going to write a loveletter.", "is a normal SLAVE kid. He lives in a kingdom in a fantasy", "he is going to write a loveletter. He loves her tail, pale skin", "skin and emerald eyes and long fluffy ears. Using the description of this", "emerald eyes and long fluffy ears. Using the description of this female kitsune,", "medieval world. He is in love with a kitsune, so he is going", "He lives in a kingdom in a fantasy medieval world. He is in", "protagonist is a normal SLAVE kid. He lives in a kingdom in a", "her tail, pale skin and emerald eyes and long fluffy ears. Using the", "a kitsune, so he is going to write a loveletter. He loves her", "this female kitsune, my question is, how do i write a good love", "and emerald eyes and long fluffy ears. Using the description of this female", "He is in love with a kitsune, so he is going to write", "kingdom in a fantasy medieval world. He is in love with a kitsune,", "loves her tail, pale skin and emerald eyes and long fluffy ears. Using", "fluffy ears. Using the description of this female kitsune, my question is, how", "world. He is in love with a kitsune, so he is going to", "He loves her tail, pale skin and emerald eyes and long fluffy ears.", "a kingdom in a fantasy medieval world. He is in love with a", "love with a kitsune, so he is going to write a loveletter. He", "kid. He lives in a kingdom in a fantasy medieval world. He is", "of this female kitsune, my question is, how do i write a good", "a fantasy medieval world. He is in love with a kitsune, so he", "going to write a loveletter. He loves her tail, pale skin and emerald", "question is, how do i write a good love letter? What style should", "female kitsune, my question is, how do i write a good love letter?", "so he is going to write a loveletter. He loves her tail, pale", "how do i write a good love letter? What style should i use?", "loveletter. He loves her tail, pale skin and emerald eyes and long fluffy", "fantasy medieval world. He is in love with a kitsune, so he is", "kitsune, so he is going to write a loveletter. He loves her tail," ]
[ "need to but copyright? If not what should be the procedure? I am", "which don't exist in the movie. Do I need to but copyright? If", "movie. Do I need to but copyright? If not what should be the", "here! I want to ask a question: if I take a plot of", "but copyright? If not what should be the procedure? I am new in", "should be the procedure? I am new in the writing thing and I", "the movie. Do I need to but copyright? If not what should be", "write it in my book but not entirely. There are similarities but also", "if I take a plot of a movie and write it in my", "There are similarities but also things which don't exist in the movie. Do", "things which don't exist in the movie. Do I need to but copyright?", "I need to but copyright? If not what should be the procedure? I", "a question: if I take a plot of a movie and write it", "but also things which don't exist in the movie. Do I need to", "be the procedure? I am new in the writing thing and I want", "not what should be the procedure? I am new in the writing thing", "a plot of a movie and write it in my book but not", "I am new in the writing thing and I want things to be", "exist in the movie. Do I need to but copyright? If not what", "in my book but not entirely. There are similarities but also things which", "not entirely. There are similarities but also things which don't exist in the", "Do I need to but copyright? If not what should be the procedure?", "what should be the procedure? I am new in the writing thing and", "the writing thing and I want things to be right to avoid problems.", "it in my book but not entirely. There are similarities but also things", "book but not entirely. There are similarities but also things which don't exist", "similarities but also things which don't exist in the movie. Do I need", "to but copyright? If not what should be the procedure? I am new", "and write it in my book but not entirely. There are similarities but", "movie and write it in my book but not entirely. There are similarities", "writing thing and I want things to be right to avoid problems. Thank", "question: if I take a plot of a movie and write it in", "plot of a movie and write it in my book but not entirely.", "thing and I want things to be right to avoid problems. Thank you", "entirely. There are similarities but also things which don't exist in the movie.", "in the writing thing and I want things to be right to avoid", "ask a question: if I take a plot of a movie and write", "want to ask a question: if I take a plot of a movie", "in the movie. Do I need to but copyright? If not what should", "are similarities but also things which don't exist in the movie. Do I", "also things which don't exist in the movie. Do I need to but", "my book but not entirely. There are similarities but also things which don't", "If not what should be the procedure? I am new in the writing", "a movie and write it in my book but not entirely. There are", "new in the writing thing and I want things to be right to", "I want to ask a question: if I take a plot of a", "take a plot of a movie and write it in my book but", "of a movie and write it in my book but not entirely. There", "don't exist in the movie. Do I need to but copyright? If not", "New writer here! I want to ask a question: if I take a", "but not entirely. There are similarities but also things which don't exist in", "I take a plot of a movie and write it in my book", "procedure? I am new in the writing thing and I want things to", "am new in the writing thing and I want things to be right", "writer here! I want to ask a question: if I take a plot", "to ask a question: if I take a plot of a movie and", "copyright? If not what should be the procedure? I am new in the", "the procedure? I am new in the writing thing and I want things" ]
[ "and rearrange scenes and details? You know, without me dying in the process?", "Does anyone with experience have suggestions on how best to go back, edit,", "experience have suggestions on how best to go back, edit, and rearrange scenes", "suggestions on how best to go back, edit, and rearrange scenes and details?", "know, without me dying in the process? The whole book needs to be", "details? You know, without me dying in the process? The whole book needs", "back, edit, and rearrange scenes and details? You know, without me dying in", "to go back, edit, and rearrange scenes and details? You know, without me", "edit, and rearrange scenes and details? You know, without me dying in the", "go back, edit, and rearrange scenes and details? You know, without me dying", "without me dying in the process? The whole book needs to be restructured.", "with experience have suggestions on how best to go back, edit, and rearrange", "have suggestions on how best to go back, edit, and rearrange scenes and", "anyone with experience have suggestions on how best to go back, edit, and", "scenes and details? You know, without me dying in the process? The whole", "how best to go back, edit, and rearrange scenes and details? You know,", "and details? You know, without me dying in the process? The whole book", "You know, without me dying in the process? The whole book needs to", "on how best to go back, edit, and rearrange scenes and details? You", "best to go back, edit, and rearrange scenes and details? You know, without", "rearrange scenes and details? You know, without me dying in the process? The" ]
[ "book. My last editor did not seem surprised that my story did not", "table of contents. I never really thought about it, seeing as plenty of", "publisher telling me what they want for the book. My last editor did", "writing? Or is this like other writing rules where it can be broken", "writing rules where it can be broken based on different author style? I", "seeing as plenty of fiction stories do not have one either. Is a", "style? I am self-publishing, so I do not have an agent or publisher", "why my fiction story does not have a table of contents. I never", "an official stance on this, or a reputable source detailing what is expected", "like other writing rules where it can be broken based on different author", "reputable source detailing what is expected in this type of writing. Are there", "stance on this, or a reputable source detailing what is expected in this", "different author style? I am self-publishing, so I do not have an agent", "based on different author style? I am self-publishing, so I do not have", "the book. My last editor did not seem surprised that my story did", "what they want for the book. My last editor did not seem surprised", "author style? I am self-publishing, so I do not have an agent or", "not seem surprised that my story did not have a table of contents", "people ask me why my fiction story does not have a table of", "detailing what is expected in this type of writing. Are there pro's and", "broken based on different author style? I am self-publishing, so I do not", "is this like other writing rules where it can be broken based on", "for an official stance on this, or a reputable source detailing what is", "so I do not have an agent or publisher telling me what they", "have a table of contents either, so I am looking for an official", "have an agent or publisher telling me what they want for the book.", "I am looking for an official stance on this, or a reputable source", "me what they want for the book. My last editor did not seem", "this like other writing rules where it can be broken based on different", "ask me why my fiction story does not have a table of contents.", "I've had several people ask me why my fiction story does not have", "a table of contents mandatory or 'traditional' in fictional writing? Or is this", "several people ask me why my fiction story does not have a table", "do not have one either. Is a table of contents mandatory or 'traditional'", "story did not have a table of contents either, so I am looking", "not have one either. Is a table of contents mandatory or 'traditional' in", "did not have a table of contents either, so I am looking for", "of contents either, so I am looking for an official stance on this,", "a reputable source detailing what is expected in this type of writing. Are", "they want for the book. My last editor did not seem surprised that", "what is expected in this type of writing. Are there pro's and con's", "on different author style? I am self-publishing, so I do not have an", "for the book. My last editor did not seem surprised that my story", "not have a table of contents. I never really thought about it, seeing", "my story did not have a table of contents either, so I am", "want for the book. My last editor did not seem surprised that my", "contents mandatory or 'traditional' in fictional writing? Or is this like other writing", "is expected in this type of writing. Are there pro's and con's to", "have one either. Is a table of contents mandatory or 'traditional' in fictional", "either. Is a table of contents mandatory or 'traditional' in fictional writing? Or", "mandatory or 'traditional' in fictional writing? Or is this like other writing rules", "it, seeing as plenty of fiction stories do not have one either. Is", "had several people ask me why my fiction story does not have a", "of contents mandatory or 'traditional' in fictional writing? Or is this like other", "Or is this like other writing rules where it can be broken based", "self-publishing, so I do not have an agent or publisher telling me what", "on this, or a reputable source detailing what is expected in this type", "of fiction stories do not have one either. Is a table of contents", "a table of contents either, so I am looking for an official stance", "looking for an official stance on this, or a reputable source detailing what", "my fiction story does not have a table of contents. I never really", "fiction story does not have a table of contents. I never really thought", "seem surprised that my story did not have a table of contents either,", "that my story did not have a table of contents either, so I", "contents. I never really thought about it, seeing as plenty of fiction stories", "do not have an agent or publisher telling me what they want for", "I do not have an agent or publisher telling me what they want", "editor did not seem surprised that my story did not have a table", "table of contents mandatory or 'traditional' in fictional writing? Or is this like", "so I am looking for an official stance on this, or a reputable", "table of contents either, so I am looking for an official stance on", "thought about it, seeing as plenty of fiction stories do not have one", "stories do not have one either. Is a table of contents mandatory or", "me why my fiction story does not have a table of contents. I", "am looking for an official stance on this, or a reputable source detailing", "fictional writing? Or is this like other writing rules where it can be", "have a table of contents. I never really thought about it, seeing as", "can be broken based on different author style? I am self-publishing, so I", "either, so I am looking for an official stance on this, or a", "a table of contents. I never really thought about it, seeing as plenty", "did not seem surprised that my story did not have a table of", "fiction stories do not have one either. Is a table of contents mandatory", "it can be broken based on different author style? I am self-publishing, so", "not have a table of contents either, so I am looking for an", "does not have a table of contents. I never really thought about it,", "of contents. I never really thought about it, seeing as plenty of fiction", "this, or a reputable source detailing what is expected in this type of", "story does not have a table of contents. I never really thought about", "about it, seeing as plenty of fiction stories do not have one either.", "in fictional writing? Or is this like other writing rules where it can", "rules where it can be broken based on different author style? I am", "an agent or publisher telling me what they want for the book. My", "official stance on this, or a reputable source detailing what is expected in", "in this type of writing. Are there pro's and con's to each way?", "other writing rules where it can be broken based on different author style?", "where it can be broken based on different author style? I am self-publishing,", "be broken based on different author style? I am self-publishing, so I do", "really thought about it, seeing as plenty of fiction stories do not have", "not have an agent or publisher telling me what they want for the", "I never really thought about it, seeing as plenty of fiction stories do", "plenty of fiction stories do not have one either. Is a table of", "am self-publishing, so I do not have an agent or publisher telling me", "contents either, so I am looking for an official stance on this, or", "telling me what they want for the book. My last editor did not", "'traditional' in fictional writing? Or is this like other writing rules where it", "last editor did not seem surprised that my story did not have a", "surprised that my story did not have a table of contents either, so", "one either. Is a table of contents mandatory or 'traditional' in fictional writing?", "I am self-publishing, so I do not have an agent or publisher telling", "or 'traditional' in fictional writing? Or is this like other writing rules where", "never really thought about it, seeing as plenty of fiction stories do not", "Is a table of contents mandatory or 'traditional' in fictional writing? Or is", "or publisher telling me what they want for the book. My last editor", "or a reputable source detailing what is expected in this type of writing.", "agent or publisher telling me what they want for the book. My last", "source detailing what is expected in this type of writing. Are there pro's", "expected in this type of writing. Are there pro's and con's to each", "as plenty of fiction stories do not have one either. Is a table", "My last editor did not seem surprised that my story did not have" ]
[ "publishing route. Are people turning to self publishing rather than critique groups? 2.", "former book editor with connections in the business, so there is an obvious", "classes at multiple levels, most of which appear to essentially be moderated critique", "member of that group went on to commercial publication of the works that", "is a lot of time and money to get through the critique of", "marketing itself that most aspiring writers now accept it as a given that", "anathema to many. It is generally accepted now? Are in person-critique groups still", "now accept it as a given that they are going to have to", "accepted now? Are in person-critique groups still viable, and/or has self-publishing or other", "support industry done such a good job of marketing itself that most aspiring", "pay for all kinds of educational, editorial, and critiquing services in order to", "conducts multiple classes at multiple levels, most of which appear to essentially be", "to commercial publication of the works that they refined in that group. But", "for lack of consistent participation, and another, which has struggled to attain critical", "to join, and the classes are large, so you might only get four", "form in-person critique groups? 4. Has the writer support industry done such a", "most of which appear to essentially be moderated critique groups. You have to", "group. But since we moved a couple of years back, it seems very", "publication of the works that they refined in that group. But since we", "used to be anathema to many. It is generally accepted now? Are in", "who conducts multiple classes at multiple levels, most of which appear to essentially", "because my experience in that original group was very valuable. A few things", "few things occur to me: 1. The original premise of critique groups was", "and another, which has struggled to attain critical mass, has not met for", "pieces reviewed in a 16 week class, but they all sell out and", "sign up over and over again. The teacher is a former book editor", "anything remotely equivalent. One group I joined fizzled for lack of consistent participation,", "than critique groups? 2. It seems like professional writing teachers have adopted the", "as a given that they are going to have to pay for all", "the problem is, because my experience in that original group was very valuable.", "choosing to go the self publishing route. Are people turning to self publishing", "in-person critique groups? 4. Has the writer support industry done such a good", "around here (actually, an hour down the road) who conducts multiple classes at", "are now a preferable route for most people, leaving not enough people to", "years. More than one member of that group went on to commercial publication", "commercial process right now and are choosing to go the self publishing route.", "it is a lot of time and money to get through the critique", "went on to commercial publication of the works that they refined in that", "here (actually, an hour down the road) who conducts multiple classes at multiple", "years back, it seems very difficult to find anything remotely equivalent. One group", "the critique group format. There is a teacher around here (actually, an hour", "the road) who conducts multiple classes at multiple levels, most of which appear", "work to a publishable state? The idea of paying anybody for anything in", "you might only get four pieces reviewed in a 16 week class, but", "seems very difficult to find anything remotely equivalent. One group I joined fizzled", "most aspiring writers now accept it as a given that they are going", "which has struggled to attain critical mass, has not met for lack of", "aspiring writers now accept it as a given that they are going to", "and are choosing to go the self publishing route. Are people turning to", "critical mass, has not met for lack of contributions for the last few", "four pieces reviewed in a 16 week class, but they all sell out", "couple of years back, it seems very difficult to find anything remotely equivalent.", "generally accepted now? Are in person-critique groups still viable, and/or has self-publishing or", "in order to get their work to a publishable state? The idea of", "order to get their work to a publishable state? The idea of paying", "for the last few months. I'm trying to figure out what the problem", "is an obvious appeal there, but it is a lot of time and", "down the road) who conducts multiple classes at multiple levels, most of which", "many years. More than one member of that group went on to commercial", "in that original group was very valuable. A few things occur to me:", "another, which has struggled to attain critical mass, has not met for lack", "2. It seems like professional writing teachers have adopted the critique group format.", "multiple classes at multiple levels, most of which appear to essentially be moderated", "excellent critique group for many years. More than one member of that group", "class, but they all sell out and many people seem to sign up", "premise of critique groups was to bring work up to the standard required", "joined fizzled for lack of consistent participation, and another, which has struggled to", "in the business, so there is an obvious appeal there, but it is", "that most aspiring writers now accept it as a given that they are", "person-critique groups still viable, and/or has self-publishing or other factors made them obsolete?", "It is generally accepted now? Are in person-critique groups still viable, and/or has", "on to commercial publication of the works that they refined in that group.", "out and many people seem to sign up over and over again. The", "group I joined fizzled for lack of consistent participation, and another, which has", "critique of one novel. 3. Could it simply be that online critique groups", "find anything remotely equivalent. One group I joined fizzled for lack of consistent", "a good job of marketing itself that most aspiring writers now accept it", "classes are large, so you might only get four pieces reviewed in a", "a former book editor with connections in the business, so there is an", "they are going to have to pay for all kinds of educational, editorial,", "multiple levels, most of which appear to essentially be moderated critique groups. You", "which appear to essentially be moderated critique groups. You have to pay to", "professional writing teachers have adopted the critique group format. There is a teacher", "to pay to join, and the classes are large, so you might only", "the self publishing route. Are people turning to self publishing rather than critique", "of the works that they refined in that group. But since we moved", "industry done such a good job of marketing itself that most aspiring writers", "equivalent. One group I joined fizzled for lack of consistent participation, and another,", "occur to me: 1. The original premise of critique groups was to bring", "representation and publication. But many people are impatient with the commercial process right", "to find anything remotely equivalent. One group I joined fizzled for lack of", "accept it as a given that they are going to have to pay", "experience in that original group was very valuable. A few things occur to", "for most people, leaving not enough people to form in-person critique groups? 4.", "have adopted the critique group format. There is a teacher around here (actually,", "lot of time and money to get through the critique of one novel.", "that they refined in that group. But since we moved a couple of", "I'm trying to figure out what the problem is, because my experience in", "teacher around here (actually, an hour down the road) who conducts multiple classes", "of time and money to get through the critique of one novel. 3.", "levels, most of which appear to essentially be moderated critique groups. You have", "very valuable. A few things occur to me: 1. The original premise of", "to form in-person critique groups? 4. Has the writer support industry done such", "of years back, it seems very difficult to find anything remotely equivalent. One", "preferable route for most people, leaving not enough people to form in-person critique", "Are people turning to self publishing rather than critique groups? 2. It seems", "struggled to attain critical mass, has not met for lack of contributions for", "to essentially be moderated critique groups. You have to pay to join, and", "people, leaving not enough people to form in-person critique groups? 4. Has the", "critique groups? 2. It seems like professional writing teachers have adopted the critique", "get four pieces reviewed in a 16 week class, but they all sell", "such a good job of marketing itself that most aspiring writers now accept", "to figure out what the problem is, because my experience in that original", "have to pay for all kinds of educational, editorial, and critiquing services in", "is, because my experience in that original group was very valuable. A few", "so you might only get four pieces reviewed in a 16 week class,", "pay to join, and the classes are large, so you might only get", "anything in the learning to write process used to be anathema to many.", "to go the self publishing route. Are people turning to self publishing rather", "groups? 4. Has the writer support industry done such a good job of", "A few things occur to me: 1. The original premise of critique groups", "over again. The teacher is a former book editor with connections in the", "publishing rather than critique groups? 2. It seems like professional writing teachers have", "of consistent participation, and another, which has struggled to attain critical mass, has", "There is a teacher around here (actually, an hour down the road) who", "get through the critique of one novel. 3. Could it simply be that", "Are in person-critique groups still viable, and/or has self-publishing or other factors made", "idea of paying anybody for anything in the learning to write process used", "like professional writing teachers have adopted the critique group format. There is a", "original premise of critique groups was to bring work up to the standard", "are choosing to go the self publishing route. Are people turning to self", "are large, so you might only get four pieces reviewed in a 16", "You have to pay to join, and the classes are large, so you", "4. Has the writer support industry done such a good job of marketing", "writer support industry done such a good job of marketing itself that most", "of which appear to essentially be moderated critique groups. You have to pay", "are going to have to pay for all kinds of educational, editorial, and", "in a 16 week class, but they all sell out and many people", "publication. But many people are impatient with the commercial process right now and", "and over again. The teacher is a former book editor with connections in", "to bring work up to the standard required for commercial representation and publication.", "their work to a publishable state? The idea of paying anybody for anything", "it simply be that online critique groups are now a preferable route for", "Has the writer support industry done such a good job of marketing itself", "critique group for many years. More than one member of that group went", "groups? 2. It seems like professional writing teachers have adopted the critique group", "write process used to be anathema to many. It is generally accepted now?", "to me: 1. The original premise of critique groups was to bring work", "they refined in that group. But since we moved a couple of years", "services in order to get their work to a publishable state? The idea", "of educational, editorial, and critiquing services in order to get their work to", "attain critical mass, has not met for lack of contributions for the last", "was very valuable. A few things occur to me: 1. The original premise", "group for many years. More than one member of that group went on", "to self publishing rather than critique groups? 2. It seems like professional writing", "back, it seems very difficult to find anything remotely equivalent. One group I", "up over and over again. The teacher is a former book editor with", "appeal there, but it is a lot of time and money to get", "fizzled for lack of consistent participation, and another, which has struggled to attain", "impatient with the commercial process right now and are choosing to go the", "at multiple levels, most of which appear to essentially be moderated critique groups.", "writers now accept it as a given that they are going to have", "has not met for lack of contributions for the last few months. I'm", "road) who conducts multiple classes at multiple levels, most of which appear to", "go the self publishing route. Are people turning to self publishing rather than", "since we moved a couple of years back, it seems very difficult to", "few months. I'm trying to figure out what the problem is, because my", "the works that they refined in that group. But since we moved a", "we moved a couple of years back, it seems very difficult to find", "the last few months. I'm trying to figure out what the problem is,", "paying anybody for anything in the learning to write process used to be", "job of marketing itself that most aspiring writers now accept it as a", "adopted the critique group format. There is a teacher around here (actually, an", "that original group was very valuable. A few things occur to me: 1.", "than one member of that group went on to commercial publication of the", "not met for lack of contributions for the last few months. I'm trying", "many people are impatient with the commercial process right now and are choosing", "of one novel. 3. Could it simply be that online critique groups are", "and money to get through the critique of one novel. 3. Could it", "to a publishable state? The idea of paying anybody for anything in the", "and critiquing services in order to get their work to a publishable state?", "contributions for the last few months. I'm trying to figure out what the", "many. It is generally accepted now? Are in person-critique groups still viable, and/or", "But many people are impatient with the commercial process right now and are", "a given that they are going to have to pay for all kinds", "novel. 3. Could it simply be that online critique groups are now a", "it as a given that they are going to have to pay for", "original group was very valuable. A few things occur to me: 1. The", "essentially be moderated critique groups. You have to pay to join, and the", "group was very valuable. A few things occur to me: 1. The original", "participation, and another, which has struggled to attain critical mass, has not met", "moderated critique groups. You have to pay to join, and the classes are", "a teacher around here (actually, an hour down the road) who conducts multiple", "hour down the road) who conducts multiple classes at multiple levels, most of", "for commercial representation and publication. But many people are impatient with the commercial", "the learning to write process used to be anathema to many. It is", "The idea of paying anybody for anything in the learning to write process", "teachers have adopted the critique group format. There is a teacher around here", "in person-critique groups still viable, and/or has self-publishing or other factors made them", "in the learning to write process used to be anathema to many. It", "they all sell out and many people seem to sign up over and", "16 week class, but they all sell out and many people seem to", "I belonged to an excellent critique group for many years. More than one", "over and over again. The teacher is a former book editor with connections", "commercial representation and publication. But many people are impatient with the commercial process", "met for lack of contributions for the last few months. I'm trying to", "people turning to self publishing rather than critique groups? 2. It seems like", "has struggled to attain critical mass, has not met for lack of contributions", "most people, leaving not enough people to form in-person critique groups? 4. Has", "of paying anybody for anything in the learning to write process used to", "critique groups? 4. Has the writer support industry done such a good job", "groups are now a preferable route for most people, leaving not enough people", "The original premise of critique groups was to bring work up to the", "so there is an obvious appeal there, but it is a lot of", "an excellent critique group for many years. More than one member of that", "people are impatient with the commercial process right now and are choosing to", "self publishing route. Are people turning to self publishing rather than critique groups?", "writing teachers have adopted the critique group format. There is a teacher around", "of marketing itself that most aspiring writers now accept it as a given", "1. The original premise of critique groups was to bring work up to", "problem is, because my experience in that original group was very valuable. A", "again. The teacher is a former book editor with connections in the business,", "to sign up over and over again. The teacher is a former book", "people seem to sign up over and over again. The teacher is a", "that online critique groups are now a preferable route for most people, leaving", "have to pay to join, and the classes are large, so you might", "to get their work to a publishable state? The idea of paying anybody", "time and money to get through the critique of one novel. 3. Could", "lack of consistent participation, and another, which has struggled to attain critical mass,", "groups was to bring work up to the standard required for commercial representation", "to have to pay for all kinds of educational, editorial, and critiquing services", "commercial publication of the works that they refined in that group. But since", "is a former book editor with connections in the business, so there is", "anybody for anything in the learning to write process used to be anathema", "simply be that online critique groups are now a preferable route for most", "out what the problem is, because my experience in that original group was", "me: 1. The original premise of critique groups was to bring work up", "a lot of time and money to get through the critique of one", "might only get four pieces reviewed in a 16 week class, but they", "with connections in the business, so there is an obvious appeal there, but", "state? The idea of paying anybody for anything in the learning to write", "publishable state? The idea of paying anybody for anything in the learning to", "connections in the business, so there is an obvious appeal there, but it", "lack of contributions for the last few months. I'm trying to figure out", "good job of marketing itself that most aspiring writers now accept it as", "reviewed in a 16 week class, but they all sell out and many", "through the critique of one novel. 3. Could it simply be that online", "and the classes are large, so you might only get four pieces reviewed", "trying to figure out what the problem is, because my experience in that", "all sell out and many people seem to sign up over and over", "the business, so there is an obvious appeal there, but it is a", "of contributions for the last few months. I'm trying to figure out what", "people to form in-person critique groups? 4. Has the writer support industry done", "the writer support industry done such a good job of marketing itself that", "one novel. 3. Could it simply be that online critique groups are now", "enough people to form in-person critique groups? 4. Has the writer support industry", "with the commercial process right now and are choosing to go the self", "very difficult to find anything remotely equivalent. One group I joined fizzled for", "there, but it is a lot of time and money to get through", "rather than critique groups? 2. It seems like professional writing teachers have adopted", "More than one member of that group went on to commercial publication of", "editorial, and critiquing services in order to get their work to a publishable", "but it is a lot of time and money to get through the", "process right now and are choosing to go the self publishing route. Are", "things occur to me: 1. The original premise of critique groups was to", "what the problem is, because my experience in that original group was very", "large, so you might only get four pieces reviewed in a 16 week", "right now and are choosing to go the self publishing route. Are people", "last few months. I'm trying to figure out what the problem is, because", "moved a couple of years back, it seems very difficult to find anything", "a preferable route for most people, leaving not enough people to form in-person", "I joined fizzled for lack of consistent participation, and another, which has struggled", "learning to write process used to be anathema to many. It is generally", "mass, has not met for lack of contributions for the last few months.", "critique groups are now a preferable route for most people, leaving not enough", "be moderated critique groups. You have to pay to join, and the classes", "required for commercial representation and publication. But many people are impatient with the", "3. Could it simply be that online critique groups are now a preferable", "valuable. A few things occur to me: 1. The original premise of critique", "there is an obvious appeal there, but it is a lot of time", "group format. There is a teacher around here (actually, an hour down the", "for all kinds of educational, editorial, and critiquing services in order to get", "my experience in that original group was very valuable. A few things occur", "are impatient with the commercial process right now and are choosing to go", "groups. You have to pay to join, and the classes are large, so", "book editor with connections in the business, so there is an obvious appeal", "week class, but they all sell out and many people seem to sign", "itself that most aspiring writers now accept it as a given that they", "the commercial process right now and are choosing to go the self publishing", "work up to the standard required for commercial representation and publication. But many", "to pay for all kinds of educational, editorial, and critiquing services in order", "and many people seem to sign up over and over again. The teacher", "route for most people, leaving not enough people to form in-person critique groups?", "consistent participation, and another, which has struggled to attain critical mass, has not", "join, and the classes are large, so you might only get four pieces", "to an excellent critique group for many years. More than one member of", "for many years. More than one member of that group went on to", "It seems like professional writing teachers have adopted the critique group format. There", "for lack of contributions for the last few months. I'm trying to figure", "to attain critical mass, has not met for lack of contributions for the", "figure out what the problem is, because my experience in that original group", "is a teacher around here (actually, an hour down the road) who conducts", "a publishable state? The idea of paying anybody for anything in the learning", "The teacher is a former book editor with connections in the business, so", "leaving not enough people to form in-person critique groups? 4. Has the writer", "the classes are large, so you might only get four pieces reviewed in", "of critique groups was to bring work up to the standard required for", "bring work up to the standard required for commercial representation and publication. But", "now and are choosing to go the self publishing route. Are people turning", "that group went on to commercial publication of the works that they refined", "One group I joined fizzled for lack of consistent participation, and another, which", "the standard required for commercial representation and publication. But many people are impatient", "of that group went on to commercial publication of the works that they", "turning to self publishing rather than critique groups? 2. It seems like professional", "be anathema to many. It is generally accepted now? Are in person-critique groups", "online critique groups are now a preferable route for most people, leaving not", "seem to sign up over and over again. The teacher is a former", "for anything in the learning to write process used to be anathema to", "difficult to find anything remotely equivalent. One group I joined fizzled for lack", "months. I'm trying to figure out what the problem is, because my experience", "that group. But since we moved a couple of years back, it seems", "route. Are people turning to self publishing rather than critique groups? 2. It", "group went on to commercial publication of the works that they refined in", "an obvious appeal there, but it is a lot of time and money", "refined in that group. But since we moved a couple of years back,", "given that they are going to have to pay for all kinds of", "critiquing services in order to get their work to a publishable state? The", "But since we moved a couple of years back, it seems very difficult", "standard required for commercial representation and publication. But many people are impatient with", "one member of that group went on to commercial publication of the works", "belonged to an excellent critique group for many years. More than one member", "process used to be anathema to many. It is generally accepted now? Are", "but they all sell out and many people seem to sign up over", "the critique of one novel. 3. Could it simply be that online critique", "be that online critique groups are now a preferable route for most people,", "and publication. But many people are impatient with the commercial process right now", "critique groups. You have to pay to join, and the classes are large,", "editor with connections in the business, so there is an obvious appeal there,", "money to get through the critique of one novel. 3. Could it simply", "done such a good job of marketing itself that most aspiring writers now", "critique group format. There is a teacher around here (actually, an hour down", "remotely equivalent. One group I joined fizzled for lack of consistent participation, and", "(actually, an hour down the road) who conducts multiple classes at multiple levels,", "up to the standard required for commercial representation and publication. But many people", "to many. It is generally accepted now? Are in person-critique groups still viable,", "that they are going to have to pay for all kinds of educational,", "is generally accepted now? Are in person-critique groups still viable, and/or has self-publishing", "all kinds of educational, editorial, and critiquing services in order to get their", "format. There is a teacher around here (actually, an hour down the road)", "now a preferable route for most people, leaving not enough people to form", "a 16 week class, but they all sell out and many people seem", "it seems very difficult to find anything remotely equivalent. One group I joined", "was to bring work up to the standard required for commercial representation and", "not enough people to form in-person critique groups? 4. Has the writer support", "kinds of educational, editorial, and critiquing services in order to get their work", "teacher is a former book editor with connections in the business, so there", "a couple of years back, it seems very difficult to find anything remotely", "to the standard required for commercial representation and publication. But many people are", "an hour down the road) who conducts multiple classes at multiple levels, most", "now? Are in person-critique groups still viable, and/or has self-publishing or other factors", "to write process used to be anathema to many. It is generally accepted", "self publishing rather than critique groups? 2. It seems like professional writing teachers", "many people seem to sign up over and over again. The teacher is", "educational, editorial, and critiquing services in order to get their work to a", "in that group. But since we moved a couple of years back, it", "get their work to a publishable state? The idea of paying anybody for", "seems like professional writing teachers have adopted the critique group format. There is", "sell out and many people seem to sign up over and over again.", "obvious appeal there, but it is a lot of time and money to", "Could it simply be that online critique groups are now a preferable route", "going to have to pay for all kinds of educational, editorial, and critiquing", "business, so there is an obvious appeal there, but it is a lot", "only get four pieces reviewed in a 16 week class, but they all", "works that they refined in that group. But since we moved a couple", "critique groups was to bring work up to the standard required for commercial", "appear to essentially be moderated critique groups. You have to pay to join,", "to get through the critique of one novel. 3. Could it simply be", "to be anathema to many. It is generally accepted now? Are in person-critique" ]
[ "in the book? Can I paraphrase her and then not reference her? What", "I need to reference this other book? how do I reference it? do", "to quote her in the book? Can I paraphrase her and then not", "book? how do I reference it? do I need the permission of the", "her in the book? Can I paraphrase her and then not reference her?", "the other author to quote her in the book? Can I paraphrase her", "like to reference or use. The information is on child development. Do I", "to reference or use. The information is on child development. Do I need", "information in another book that I would like to reference or use. The", "other author to quote her in the book? Can I paraphrase her and", "quote her in the book? Can I paraphrase her and then not reference", "I am writing a book, and found information in another book that I", "found information in another book that I would like to reference or use.", "that I would like to reference or use. The information is on child", "reference or use. The information is on child development. Do I need to", "book that I would like to reference or use. The information is on", "I would like to reference or use. The information is on child development.", "paraphrase her and then not reference her? What are my options for using", "book, and found information in another book that I would like to reference", "another book that I would like to reference or use. The information is", "need the permission of the other author to quote her in the book?", "on child development. Do I need to reference this other book? how do", "development. Do I need to reference this other book? how do I reference", "permission of the other author to quote her in the book? Can I", "or use. The information is on child development. Do I need to reference", "Can I paraphrase her and then not reference her? What are my options", "information is on child development. Do I need to reference this other book?", "child development. Do I need to reference this other book? how do I", "to reference this other book? how do I reference it? do I need", "is on child development. Do I need to reference this other book? how", "Do I need to reference this other book? how do I reference it?", "this other book? how do I reference it? do I need the permission", "do I need the permission of the other author to quote her in", "What are my options for using the material from this other published book?", "other book? how do I reference it? do I need the permission of", "how do I reference it? do I need the permission of the other", "not reference her? What are my options for using the material from this", "and found information in another book that I would like to reference or", "a book, and found information in another book that I would like to", "in another book that I would like to reference or use. The information", "reference her? What are my options for using the material from this other", "I need the permission of the other author to quote her in the", "author to quote her in the book? Can I paraphrase her and then", "I paraphrase her and then not reference her? What are my options for", "I reference it? do I need the permission of the other author to", "of the other author to quote her in the book? Can I paraphrase", "do I reference it? do I need the permission of the other author", "book? Can I paraphrase her and then not reference her? What are my", "her and then not reference her? What are my options for using the", "The information is on child development. Do I need to reference this other", "the book? Can I paraphrase her and then not reference her? What are", "her? What are my options for using the material from this other published", "am writing a book, and found information in another book that I would", "would like to reference or use. The information is on child development. Do", "reference this other book? how do I reference it? do I need the", "then not reference her? What are my options for using the material from", "the permission of the other author to quote her in the book? Can", "need to reference this other book? how do I reference it? do I", "reference it? do I need the permission of the other author to quote", "and then not reference her? What are my options for using the material", "use. The information is on child development. Do I need to reference this", "it? do I need the permission of the other author to quote her", "writing a book, and found information in another book that I would like" ]
[ "I stop and proof-read what I have before I proceed or Should I", "things that need improvement. So far I wrote brief introduction, followed by three", "sections. Now the look and feel is looking more consistent, but as I", "Now the look and feel is looking more consistent, but as I go", "found myself re-writing certain sections. Now the look and feel is looking more", "book aimed for computer-literate people with no technical background (but who want to", "brief introduction, followed by three small chapters. Right now I am about to", "people with no technical background (but who want to get into the field).", "technical background (but who want to get into the field). In the beginning,", "is looking more consistent, but as I go along writing the book I", "In the beginning, I found myself re-writing certain sections. Now the look and", "computer-literate people with no technical background (but who want to get into the", "proof-read what I have before I proceed or Should I plough through entire", "I find more things that need improvement. So far I wrote brief introduction,", "to get into the field). In the beginning, I found myself re-writing certain", "with no technical background (but who want to get into the field). In", "small chapters. Right now I am about to finish the first big (100", "self-publish) a technical book aimed for computer-literate people with no technical background (but", "look and feel is looking more consistent, but as I go along writing", "improvement. So far I wrote brief introduction, followed by three small chapters. Right", "(100 pages) chapter. Should I stop and proof-read what I have before I", "more consistent, but as I go along writing the book I find more", "I proceed or Should I plough through entire book and then proof-read Thanks!", "I have before I proceed or Should I plough through entire book and", "background (but who want to get into the field). In the beginning, I", "book I find more things that need improvement. So far I wrote brief", "chapters. Right now I am about to finish the first big (100 pages)", "the look and feel is looking more consistent, but as I go along", "I wrote brief introduction, followed by three small chapters. Right now I am", "(to self-publish) a technical book aimed for computer-literate people with no technical background", "for computer-literate people with no technical background (but who want to get into", "beginning, I found myself re-writing certain sections. Now the look and feel is", "technical book aimed for computer-literate people with no technical background (but who want", "introduction, followed by three small chapters. Right now I am about to finish", "the book I find more things that need improvement. So far I wrote", "first big (100 pages) chapter. Should I stop and proof-read what I have", "aimed for computer-literate people with no technical background (but who want to get", "and feel is looking more consistent, but as I go along writing the", "re-writing certain sections. Now the look and feel is looking more consistent, but", "chapter. Should I stop and proof-read what I have before I proceed or", "get into the field). In the beginning, I found myself re-writing certain sections.", "as I go along writing the book I find more things that need", "find more things that need improvement. So far I wrote brief introduction, followed", "am about to finish the first big (100 pages) chapter. Should I stop", "(but who want to get into the field). In the beginning, I found", "far I wrote brief introduction, followed by three small chapters. Right now I", "before I proceed or Should I plough through entire book and then proof-read", "writing the book I find more things that need improvement. So far I", "myself re-writing certain sections. Now the look and feel is looking more consistent,", "have before I proceed or Should I plough through entire book and then", "followed by three small chapters. Right now I am about to finish the", "more things that need improvement. So far I wrote brief introduction, followed by", "looking more consistent, but as I go along writing the book I find", "into the field). In the beginning, I found myself re-writing certain sections. Now", "go along writing the book I find more things that need improvement. So", "field). In the beginning, I found myself re-writing certain sections. Now the look", "need improvement. So far I wrote brief introduction, followed by three small chapters.", "stop and proof-read what I have before I proceed or Should I plough", "the beginning, I found myself re-writing certain sections. Now the look and feel", "wrote brief introduction, followed by three small chapters. Right now I am about", "I found myself re-writing certain sections. Now the look and feel is looking", "want to get into the field). In the beginning, I found myself re-writing", "I go along writing the book I find more things that need improvement.", "finish the first big (100 pages) chapter. Should I stop and proof-read what", "the first big (100 pages) chapter. Should I stop and proof-read what I", "now I am about to finish the first big (100 pages) chapter. Should", "writing (to self-publish) a technical book aimed for computer-literate people with no technical", "that need improvement. So far I wrote brief introduction, followed by three small", "but as I go along writing the book I find more things that", "who want to get into the field). In the beginning, I found myself", "Should I stop and proof-read what I have before I proceed or Should", "to finish the first big (100 pages) chapter. Should I stop and proof-read", "a technical book aimed for computer-literate people with no technical background (but who", "and proof-read what I have before I proceed or Should I plough through", "pages) chapter. Should I stop and proof-read what I have before I proceed", "what I have before I proceed or Should I plough through entire book", "by three small chapters. Right now I am about to finish the first", "So far I wrote brief introduction, followed by three small chapters. Right now", "big (100 pages) chapter. Should I stop and proof-read what I have before", "I'm writing (to self-publish) a technical book aimed for computer-literate people with no", "along writing the book I find more things that need improvement. So far", "three small chapters. Right now I am about to finish the first big", "Right now I am about to finish the first big (100 pages) chapter.", "about to finish the first big (100 pages) chapter. Should I stop and", "no technical background (but who want to get into the field). In the", "the field). In the beginning, I found myself re-writing certain sections. Now the", "consistent, but as I go along writing the book I find more things", "certain sections. Now the look and feel is looking more consistent, but as", "feel is looking more consistent, but as I go along writing the book", "I am about to finish the first big (100 pages) chapter. Should I" ]
[ "is this something that should just go straight to English? I thought I", "Would it be better to write the chant in their language? Put the", "one or both of the first 2 options but to me, it is", "2 options but to me, it is important that the reader is able", "write the chant in their language? Put the fictional language with an English", "language with an English translation next to it? Or is this something that", "this something that should just go straight to English? I thought I recall", "would demonstrate what I mean by attaching the English words to a chant:", "I recall some of my fantasy books in the past doing one or", "fictional language of my main race/species. Would it be better to write the", "options but to me, it is important that the reader is able to", "something that should just go straight to English? I thought I recall some", "to also understand the meaning to the words. Most of my inspiration for", "drawn from the Maori, the natives of New Zealand. [This video](https://youtu.be/EgU-RWQ4J7o?t=158) would demonstrate", "translation next to it? Or is this something that should just go straight", "the fictional language with an English translation next to it? Or is this", "several parts of my book to have war chants done in the fictional", "should just go straight to English? I thought I recall some of my", "also understand the meaning to the words. Most of my inspiration for my", "fantasy books in the past doing one or both of the first 2", "be better to write the chant in their language? Put the fictional language", "inspiration for my main species' culture is drawn from the Maori, the natives", "to the words. Most of my inspiration for my main species' culture is", "the first 2 options but to me, it is important that the reader", "war chants done in the fictional language of my main race/species. Would it", "[This video](https://youtu.be/EgU-RWQ4J7o?t=158) would demonstrate what I mean by attaching the English words to", "fictional language with an English translation next to it? Or is this something", "better to write the chant in their language? Put the fictional language with", "my fantasy books in the past doing one or both of the first", "plan at several parts of my book to have war chants done in", "recall some of my fantasy books in the past doing one or both", "I plan at several parts of my book to have war chants done", "an English translation next to it? Or is this something that should just", "video](https://youtu.be/EgU-RWQ4J7o?t=158) would demonstrate what I mean by attaching the English words to a", "of my inspiration for my main species' culture is drawn from the Maori,", "the words. Most of my inspiration for my main species' culture is drawn", "of my main race/species. Would it be better to write the chant in", "is drawn from the Maori, the natives of New Zealand. [This video](https://youtu.be/EgU-RWQ4J7o?t=158) would", "Maori, the natives of New Zealand. [This video](https://youtu.be/EgU-RWQ4J7o?t=158) would demonstrate what I mean", "to me, it is important that the reader is able to also understand", "their language? Put the fictional language with an English translation next to it?", "next to it? Or is this something that should just go straight to", "species' culture is drawn from the Maori, the natives of New Zealand. [This", "just go straight to English? I thought I recall some of my fantasy", "past doing one or both of the first 2 options but to me,", "of my book to have war chants done in the fictional language of", "books in the past doing one or both of the first 2 options", "go straight to English? I thought I recall some of my fantasy books", "Put the fictional language with an English translation next to it? Or is", "is able to also understand the meaning to the words. Most of my", "book to have war chants done in the fictional language of my main", "English translation next to it? Or is this something that should just go", "able to also understand the meaning to the words. Most of my inspiration", "that the reader is able to also understand the meaning to the words.", "but to me, it is important that the reader is able to also", "culture is drawn from the Maori, the natives of New Zealand. [This video](https://youtu.be/EgU-RWQ4J7o?t=158)", "natives of New Zealand. [This video](https://youtu.be/EgU-RWQ4J7o?t=158) would demonstrate what I mean by attaching", "of the first 2 options but to me, it is important that the", "language? Put the fictional language with an English translation next to it? Or", "me, it is important that the reader is able to also understand the", "for my main species' culture is drawn from the Maori, the natives of", "the chant in their language? Put the fictional language with an English translation", "understand the meaning to the words. Most of my inspiration for my main", "from the Maori, the natives of New Zealand. [This video](https://youtu.be/EgU-RWQ4J7o?t=158) would demonstrate what", "the natives of New Zealand. [This video](https://youtu.be/EgU-RWQ4J7o?t=158) would demonstrate what I mean by", "words. Most of my inspiration for my main species' culture is drawn from", "main race/species. Would it be better to write the chant in their language?", "I thought I recall some of my fantasy books in the past doing", "in the past doing one or both of the first 2 options but", "in the fictional language of my main race/species. Would it be better to", "chants done in the fictional language of my main race/species. Would it be", "to English? I thought I recall some of my fantasy books in the", "reader is able to also understand the meaning to the words. Most of", "first 2 options but to me, it is important that the reader is", "both of the first 2 options but to me, it is important that", "meaning to the words. Most of my inspiration for my main species' culture", "it be better to write the chant in their language? Put the fictional", "thought I recall some of my fantasy books in the past doing one", "it is important that the reader is able to also understand the meaning", "straight to English? I thought I recall some of my fantasy books in", "to have war chants done in the fictional language of my main race/species.", "the Maori, the natives of New Zealand. [This video](https://youtu.be/EgU-RWQ4J7o?t=158) would demonstrate what I", "that should just go straight to English? I thought I recall some of", "the meaning to the words. Most of my inspiration for my main species'", "important that the reader is able to also understand the meaning to the", "my main species' culture is drawn from the Maori, the natives of New", "in their language? Put the fictional language with an English translation next to", "Or is this something that should just go straight to English? I thought", "chant in their language? Put the fictional language with an English translation next", "to it? Or is this something that should just go straight to English?", "the reader is able to also understand the meaning to the words. Most", "done in the fictional language of my main race/species. Would it be better", "have war chants done in the fictional language of my main race/species. Would", "of my fantasy books in the past doing one or both of the", "some of my fantasy books in the past doing one or both of", "at several parts of my book to have war chants done in the", "English? I thought I recall some of my fantasy books in the past", "with an English translation next to it? Or is this something that should", "doing one or both of the first 2 options but to me, it", "Zealand. [This video](https://youtu.be/EgU-RWQ4J7o?t=158) would demonstrate what I mean by attaching the English words", "parts of my book to have war chants done in the fictional language", "it? Or is this something that should just go straight to English? I", "race/species. Would it be better to write the chant in their language? Put", "main species' culture is drawn from the Maori, the natives of New Zealand.", "my inspiration for my main species' culture is drawn from the Maori, the", "my main race/species. Would it be better to write the chant in their", "New Zealand. [This video](https://youtu.be/EgU-RWQ4J7o?t=158) would demonstrate what I mean by attaching the English", "language of my main race/species. Would it be better to write the chant", "the fictional language of my main race/species. Would it be better to write", "of New Zealand. [This video](https://youtu.be/EgU-RWQ4J7o?t=158) would demonstrate what I mean by attaching the", "is important that the reader is able to also understand the meaning to", "the past doing one or both of the first 2 options but to", "my book to have war chants done in the fictional language of my", "or both of the first 2 options but to me, it is important", "to write the chant in their language? Put the fictional language with an", "Most of my inspiration for my main species' culture is drawn from the" ]
[ "to make anything. This is no different. I need a step by step", "it. I've determined that my current fan fiction requires an atmosphere of desperation.", "a story a particular feel.** Can you provide me with such a process?", "the difference to desperation? The feeling that people have been pushed to the", "from my readers, compared to what they contained. I discovered that those fan", "But how do I make the difference to desperation? The feeling that people", "with such a process? Some feels will be easier than others. I originally", "compared to what they contained. I discovered that those fan fictions with a", "years now. Recently, I went back and compared the ratings my fan fiction", "a very dark atmosphere of despair and defeat. * A war story with", "such a process? Some feels will be easier than others. I originally thought", "I've determined that my current fan fiction requires an atmosphere of desperation. Not", "people have been pushed to the edge and are willing to do literally", "me that I should focus more on finding and maintaining a specific feel", "to the edge and are willing to do literally anything. The answer escapes", "fiction for 7+ years now. Recently, I went back and compared the ratings", "despair. But how do I make the difference to desperation? The feeling that", "I discovered that those fan fictions with a distinct feel had generally better", "story with a very dark atmosphere of despair and defeat. * A war", "story with an atmosphere of useless struggle against the conflict. This research seems", "I've written. These include: * A zombie story with a very dark atmosphere", "but desperation. I know how to create an atmosphere of despair. But how", "I make the difference to desperation? The feeling that people have been pushed", "I went back and compared the ratings my fan fiction has received from", "than others. I originally thought giving a story a feel would be fairly", "for my stories. There is, however, I problem: how to do so? I'm", "of desperation. Not despair, but desperation. I know how to create an atmosphere", "and compared the ratings my fan fiction has received from my readers, compared", "a very design-oriented person. I need structures and plans if I'm to make", "These include: * A zombie story with a very dark atmosphere of despair", "my current fan fiction requires an atmosphere of desperation. Not despair, but desperation.", "easier than others. I originally thought giving a story a feel would be", "feel.** Can you provide me with such a process? Some feels will be", "a distinct feel had generally better ratings, and were in fact some of", "fan fiction for 7+ years now. Recently, I went back and compared the", "zombie story with a very dark atmosphere of despair and defeat. * A", "I need a step by step process, by which I can give a", "particular feel. Can you provide me with such a process? Some feels will", "and defeat. * A war story with an atmosphere of useless struggle against", "step process, by which I can give a story a particular feel. Can", "an atmosphere of desperation. Not despair, but desperation. I know how to create", "stories. There is, however, I problem: how to do so? I'm a very", "ratings, and were in fact some of the highest rated things I've written.", "my readers, compared to what they contained. I discovered that those fan fictions", "in fact some of the highest rated things I've written. These include: ", "feel for my stories. There is, however, I problem: how to do so?", "feel had generally better ratings, and were in fact some of the highest", "defeat. A war story with an atmosphere of useless struggle against the", "do I make the difference to desperation? The feeling that people have been", "I know how to create an atmosphere of despair. But how do I", "of the highest rated things I've written. These include: * A zombie story", "now. Recently, I went back and compared the ratings my fan fiction has", "readers, compared to what they contained. I discovered that those fan fictions with", "desperation. I know how to create an atmosphere of despair. But how do", "ratings my fan fiction has received from my readers, compared to what they", "very dark atmosphere of despair and defeat. * A war story with an", "be easier than others. I originally thought giving a story a feel would", "fiction requires an atmosphere of desperation. Not despair, but desperation. I know how", "so? I'm a very design-oriented person. I need structures and plans if I'm", "specific feel for my stories. There is, however, I problem: how to do", "feel would be fairly simple, until I tried it. I've determined that my", "that those fan fictions with a distinct feel had generally better ratings, and", "fan fictions with a distinct feel had generally better ratings, and were in", "they contained. I discovered that those fan fictions with a distinct feel had", "me with such a process? Some feels will be easier than others. I", "despair, but desperation. I know how to create an atmosphere of despair. But", "is no different. I need a step by step process, by which I", "Can you provide me with such a process? Some feels will be easier", "others. I originally thought giving a story a feel would be fairly simple,", "had generally better ratings, and were in fact some of the highest rated", "atmosphere of despair. But how do I make the difference to desperation? The", "need structures and plans if I'm to make anything. This is no different.", "conflict. This research seems to indicate to me that I should focus more", "with a very dark atmosphere of despair and defeat. * A war story", "my fan fiction has received from my readers, compared to what they contained.", "the highest rated things I've written. These include: * A zombie story with", "maintaining a specific feel for my stories. There is, however, I problem: how", "is, however, I problem: how to do so? I'm a very design-oriented person.", "This is no different. I need a step by step process, by which", "make anything. This is no different. I need a step by step process,", "know how to create an atmosphere of despair. But how do I make", "giving a story a feel would be fairly simple, until I tried it.", "simple, until I tried it. I've determined that my current fan fiction requires", "you provide me with such a process? Some feels will be easier than", "to me that I should focus more on finding and maintaining a specific", "can give a story a particular feel.** Can you provide me with such", "fan fiction has received from my readers, compared to what they contained. I", "I'm to make anything. This is no different. I need a step by", "a feel would be fairly simple, until I tried it. I've determined that", "plans if I'm to make anything. This is no different. I need a", "to create an atmosphere of despair. But how do I make the difference", "that I should focus more on finding and maintaining a specific feel for", "the edge and are willing to do literally anything. The answer escapes me.", "despair and defeat. * A war story with an atmosphere of useless struggle", "I originally thought giving a story a feel would be fairly simple, until", "back and compared the ratings my fan fiction has received from my readers,", "to do so? I'm a very design-oriented person. I need structures and plans", "by step process, by which I can give a story a particular feel.*", "Recently, I went back and compared the ratings my fan fiction has received", "fictions with a distinct feel had generally better ratings, and were in fact", "current fan fiction requires an atmosphere of desperation. Not despair, but desperation. I", " A war story with an atmosphere of useless struggle against the conflict.", "atmosphere of despair and defeat. * A war story with an atmosphere of", "different. I need a step by step process, by which I can *give", "written. These include: A zombie story with a very dark atmosphere of", "a process? Some feels will be easier than others. I originally thought giving", "a story a feel would be fairly simple, until I tried it. I've", "pushed to the edge and are willing to do literally anything. The answer", "were in fact some of the highest rated things I've written. These include:", "the conflict. This research seems to indicate to me that I should focus", "requires an atmosphere of desperation. Not despair, but desperation. I know how to", "very design-oriented person. I need structures and plans if I'm to make anything.", "7+ years now. Recently, I went back and compared the ratings my fan", "better ratings, and were in fact some of the highest rated things I've", "process? Some feels will be easier than others. I originally thought giving a", "finding and maintaining a specific feel for my stories. There is, however, I", "* A zombie story with a very dark atmosphere of despair and defeat.", "an atmosphere of despair. But how do I make the difference to desperation?", "the ratings my fan fiction has received from my readers, compared to what", "structures and plans if I'm to make anything. This is no different. I", "against the conflict. This research seems to indicate to me that I should", "things I've written. These include: * A zombie story with a very dark", "I need structures and plans if I'm to make anything. This is no", "provide me with such a process? Some feels will be easier than others.", "anything. This is no different. I need a step by step process, by", "an atmosphere of useless struggle against the conflict. This research seems to indicate", "of useless struggle against the conflict. This research seems to indicate to me", "that people have been pushed to the edge and are willing to do", "should focus more on finding and maintaining a specific feel for my stories.", "desperation. Not despair, but desperation. I know how to create an atmosphere of", "a specific feel for my stories. There is, however, I problem: how to", "I should focus more on finding and maintaining a specific feel for my", "distinct feel had generally better ratings, and were in fact some of the", "which I can give a story a particular feel.** Can you provide me", "contained. I discovered that those fan fictions with a distinct feel had generally", "A zombie story with a very dark atmosphere of despair and defeat. ", "fairly simple, until I tried it. I've determined that my current fan fiction", "with a distinct feel had generally better ratings, and were in fact some", "process, by which I can give a story a particular feel.* Can you", "how to create an atmosphere of despair. But how do I make the", "how to do so? I'm a very design-oriented person. I need structures and", "A war story with an atmosphere of useless struggle against the conflict. This", "step by step process, by which I can *give a story a particular", "thought giving a story a feel would be fairly simple, until I tried", "The feeling that people have been pushed to the edge and are willing", "some of the highest rated things I've written. These include: A zombie", "person. I need structures and plans if I'm to make anything. This is", "generally better ratings, and were in fact some of the highest rated things", "to what they contained. I discovered that those fan fictions with a distinct", "story a particular feel.** Can you provide me with such a process? Some", "include: * A zombie story with a very dark atmosphere of despair and", "I'm a very design-oriented person. I need structures and plans if I'm to", "Not despair, but desperation. I know how to create an atmosphere of despair.", "fact some of the highest rated things I've written. These include: * A", "rated things I've written. These include: * A zombie story with a very", "no different. I need a step by step process, by which I can", "tried it. I've determined that my current fan fiction requires an atmosphere of", "This research seems to indicate to me that I should focus more on", "by which I can give a story a particular feel. Can you provide", "until I tried it. I've determined that my current fan fiction requires an", "focus more on finding and maintaining a specific feel for my stories. There", "There is, however, I problem: how to do so? I'm a very design-oriented", "create an atmosphere of despair. But how do I make the difference to", "design-oriented person. I need structures and plans if I'm to make anything. This", "difference to desperation? The feeling that people have been pushed to the edge", "of despair. But how do I make the difference to desperation? The feeling", "been writing fan fiction for 7+ years now. Recently, I went back and", "Some feels will be easier than others. I originally thought giving a story", "war story with an atmosphere of useless struggle against the conflict. This research", "if I'm to make anything. This is no different. I need a step", "originally thought giving a story a feel would be fairly simple, until I", "been pushed to the edge and are willing to do literally anything. The", "story a feel would be fairly simple, until I tried it. I've determined", "atmosphere of useless struggle against the conflict. This research seems to indicate to", "for 7+ years now. Recently, I went back and compared the ratings my", "struggle against the conflict. This research seems to indicate to me that I", "went back and compared the ratings my fan fiction has received from my", "a particular feel.** Can you provide me with such a process? Some feels", "received from my readers, compared to what they contained. I discovered that those", "be fairly simple, until I tried it. I've determined that my current fan", "dark atmosphere of despair and defeat. * A war story with an atmosphere", "useless struggle against the conflict. This research seems to indicate to me that", "determined that my current fan fiction requires an atmosphere of desperation. Not despair,", "fiction has received from my readers, compared to what they contained. I discovered", "seems to indicate to me that I should focus more on finding and", "writing fan fiction for 7+ years now. Recently, I went back and compared", "give a story a particular feel. Can you provide me with such a", "however, I problem: how to do so? I'm a very design-oriented person. I", "would be fairly simple, until I tried it. I've determined that my current", "problem: how to do so? I'm a very design-oriented person. I need structures", "my stories. There is, however, I problem: how to do so? I'm a", "atmosphere of desperation. Not despair, but desperation. I know how to create an", "how do I make the difference to desperation? The feeling that people have", "I've been writing fan fiction for 7+ years now. Recently, I went back", "will be easier than others. I originally thought giving a story a feel", "and maintaining a specific feel for my stories. There is, however, I problem:", "feels will be easier than others. I originally thought giving a story a", "discovered that those fan fictions with a distinct feel had generally better ratings,", "to indicate to me that I should focus more on finding and maintaining", "need a step by step process, by which I can give a story", "I can give a story a particular feel.** Can you provide me with", "desperation? The feeling that people have been pushed to the edge and are", "feeling that people have been pushed to the edge and are willing to", "indicate to me that I should focus more on finding and maintaining a", "that my current fan fiction requires an atmosphere of desperation. Not despair, but", "to desperation? The feeling that people have been pushed to the edge and", "and were in fact some of the highest rated things I've written. These", "of despair and defeat. * A war story with an atmosphere of useless", "a step by step process, by which I can give a story a", "I problem: how to do so? I'm a very design-oriented person. I need", "I tried it. I've determined that my current fan fiction requires an atmosphere", "have been pushed to the edge and are willing to do literally anything.", "has received from my readers, compared to what they contained. I discovered that", "research seems to indicate to me that I should focus more on finding", "more on finding and maintaining a specific feel for my stories. There is,", "on finding and maintaining a specific feel for my stories. There is, however,", "do so? I'm a very design-oriented person. I need structures and plans if", "those fan fictions with a distinct feel had generally better ratings, and were", "what they contained. I discovered that those fan fictions with a distinct feel", "highest rated things I've written. These include: * A zombie story with a", "make the difference to desperation? The feeling that people have been pushed to", "and plans if I'm to make anything. This is no different. I need", "compared the ratings my fan fiction has received from my readers, compared to", "fan fiction requires an atmosphere of desperation. Not despair, but desperation. I know", "with an atmosphere of useless struggle against the conflict. This research seems to" ]
[ "us - we're all tired and overworked.\" Later I was thinking about the", "tell'. My preferred way of showing, not telling is to bring to mind", "with it. This is sort of 'show, don't tell'. My preferred way of", "very end. They suggested stating something explicit at the very beginning so they", "so they knew what it was I was trying to convey. My thought", "of showing, not telling is to bring to mind Hemingway's advice: the written", "to bring to mind Hemingway's advice: the written words are the visible portion", "until the very end. They suggested stating something explicit at the very beginning", "This is sort of 'show, don't tell'. My preferred way of showing, not", "writer's critique group, one piece of feedback to me was: people didn't understand", "story. Unwritten but implied and understood. Don't underestimate your audience. How does one", "the story without hitting people over the head with it. This is sort", "written words are the visible portion of the iceberg, and the way those", "very beginning so they knew what it was I was trying to convey.", "over the head with it. This is sort of 'show, don't tell'. My", "My preferred way of showing, not telling is to bring to mind Hemingway's", "one balance these two ideas? How does one 'state explicitly' as the group", "when you write, try to move the story without hitting people over the", "preferred way of showing, not telling is to bring to mind Hemingway's advice:", "as the group suggested to me, without hitting the reader over the head?", "- we're all tired and overworked.\" Later I was thinking about the idea", "tells the reader what is happening beneath the surface, which is most of", "of the iceberg, and the way those move tells the reader what is", "convey. My thought at the time was agreement \"Yeah, we can all use", "what is happening beneath the surface, which is most of the story. Unwritten", "underestimate your audience. How does one balance these two ideas? How does one", "time was agreement \"Yeah, we can all use having things spelled out for", "thinking about the idea that when you write, try to move the story", "we're all tired and overworked.\" Later I was thinking about the idea that", "one 'state explicitly' as the group suggested to me, without hitting the reader", "was agreement \"Yeah, we can all use having things spelled out for us", "suggested stating something explicit at the very beginning so they knew what it", "most of the story. Unwritten but implied and understood. Don't underestimate your audience.", "the surface, which is most of the story. Unwritten but implied and understood.", "that when you write, try to move the story without hitting people over", "How does one balance these two ideas? How does one 'state explicitly' as", "knew what it was I was trying to convey. My thought at the", "audience. How does one balance these two ideas? How does one 'state explicitly'", "hitting people over the head with it. This is sort of 'show, don't", "I was trying to convey. My thought at the time was agreement \"Yeah,", "which is most of the story. Unwritten but implied and understood. Don't underestimate", "understood. Don't underestimate your audience. How does one balance these two ideas? How", "can all use having things spelled out for us - we're all tired", "two ideas? How does one 'state explicitly' as the group suggested to me,", "telling is to bring to mind Hemingway's advice: the written words are the", "didn't understand where I was going until the very end. They suggested stating", "what it was I was trying to convey. My thought at the time", "overworked.\" Later I was thinking about the idea that when you write, try", "the written words are the visible portion of the iceberg, and the way", "Hemingway's advice: the written words are the visible portion of the iceberg, and", "is sort of 'show, don't tell'. My preferred way of showing, not telling", "words are the visible portion of the iceberg, and the way those move", "of the story. Unwritten but implied and understood. Don't underestimate your audience. How", "implied and understood. Don't underestimate your audience. How does one balance these two", "try to move the story without hitting people over the head with it.", "end. They suggested stating something explicit at the very beginning so they knew", "a writer's critique group, one piece of feedback to me was: people didn't", "of 'show, don't tell'. My preferred way of showing, not telling is to", "visible portion of the iceberg, and the way those move tells the reader", "was I was trying to convey. My thought at the time was agreement", "explicitly' as the group suggested to me, without hitting the reader over the", "is most of the story. Unwritten but implied and understood. Don't underestimate your", "the very end. They suggested stating something explicit at the very beginning so", "to mind Hemingway's advice: the written words are the visible portion of the", "agreement \"Yeah, we can all use having things spelled out for us -", "trying to convey. My thought at the time was agreement \"Yeah, we can", "spelled out for us - we're all tired and overworked.\" Later I was", "use having things spelled out for us - we're all tired and overworked.\"", "and understood. Don't underestimate your audience. How does one balance these two ideas?", "all use having things spelled out for us - we're all tired and", "but implied and understood. Don't underestimate your audience. How does one balance these", "At a writer's critique group, one piece of feedback to me was: people", "bring to mind Hemingway's advice: the written words are the visible portion of", "at the very beginning so they knew what it was I was trying", "people over the head with it. This is sort of 'show, don't tell'.", "the iceberg, and the way those move tells the reader what is happening", "where I was going until the very end. They suggested stating something explicit", "and the way those move tells the reader what is happening beneath the", "Don't underestimate your audience. How does one balance these two ideas? How does", "thought at the time was agreement \"Yeah, we can all use having things", "Later I was thinking about the idea that when you write, try to", "idea that when you write, try to move the story without hitting people", "those move tells the reader what is happening beneath the surface, which is", "you write, try to move the story without hitting people over the head", "group, one piece of feedback to me was: people didn't understand where I", "of feedback to me was: people didn't understand where I was going until", "understand where I was going until the very end. They suggested stating something", "reader what is happening beneath the surface, which is most of the story.", "they knew what it was I was trying to convey. My thought at", "having things spelled out for us - we're all tired and overworked.\" Later", "the way those move tells the reader what is happening beneath the surface,", "story without hitting people over the head with it. This is sort of", "mind Hemingway's advice: the written words are the visible portion of the iceberg,", "it was I was trying to convey. My thought at the time was", "I was thinking about the idea that when you write, try to move", "portion of the iceberg, and the way those move tells the reader what", "to move the story without hitting people over the head with it. This", "My thought at the time was agreement \"Yeah, we can all use having", "is to bring to mind Hemingway's advice: the written words are the visible", "was going until the very end. They suggested stating something explicit at the", "the head with it. This is sort of 'show, don't tell'. My preferred", "out for us - we're all tired and overworked.\" Later I was thinking", "'state explicitly' as the group suggested to me, without hitting the reader over", "the very beginning so they knew what it was I was trying to", "for us - we're all tired and overworked.\" Later I was thinking about", "showing, not telling is to bring to mind Hemingway's advice: the written words", "beginning so they knew what it was I was trying to convey. My", "people didn't understand where I was going until the very end. They suggested", "was: people didn't understand where I was going until the very end. They", "the idea that when you write, try to move the story without hitting", "we can all use having things spelled out for us - we're all", "the time was agreement \"Yeah, we can all use having things spelled out", "is happening beneath the surface, which is most of the story. Unwritten but", "ideas? How does one 'state explicitly' as the group suggested to me, without", "head with it. This is sort of 'show, don't tell'. My preferred way", "iceberg, and the way those move tells the reader what is happening beneath", "move tells the reader what is happening beneath the surface, which is most", "Unwritten but implied and understood. Don't underestimate your audience. How does one balance", "\"Yeah, we can all use having things spelled out for us - we're", "advice: the written words are the visible portion of the iceberg, and the", "it. This is sort of 'show, don't tell'. My preferred way of showing,", "the visible portion of the iceberg, and the way those move tells the", "not telling is to bring to mind Hemingway's advice: the written words are", "sort of 'show, don't tell'. My preferred way of showing, not telling is", "'show, don't tell'. My preferred way of showing, not telling is to bring", "feedback to me was: people didn't understand where I was going until the", "stating something explicit at the very beginning so they knew what it was", "tired and overworked.\" Later I was thinking about the idea that when you", "your audience. How does one balance these two ideas? How does one 'state", "I was going until the very end. They suggested stating something explicit at", "explicit at the very beginning so they knew what it was I was", "does one 'state explicitly' as the group suggested to me, without hitting the", "way of showing, not telling is to bring to mind Hemingway's advice: the", "move the story without hitting people over the head with it. This is", "are the visible portion of the iceberg, and the way those move tells", "things spelled out for us - we're all tired and overworked.\" Later I", "to convey. My thought at the time was agreement \"Yeah, we can all", "write, try to move the story without hitting people over the head with", "way those move tells the reader what is happening beneath the surface, which", "going until the very end. They suggested stating something explicit at the very", "these two ideas? How does one 'state explicitly' as the group suggested to", "balance these two ideas? How does one 'state explicitly' as the group suggested", "critique group, one piece of feedback to me was: people didn't understand where", "at the time was agreement \"Yeah, we can all use having things spelled", "was trying to convey. My thought at the time was agreement \"Yeah, we", "happening beneath the surface, which is most of the story. Unwritten but implied", "piece of feedback to me was: people didn't understand where I was going", "surface, which is most of the story. Unwritten but implied and understood. Don't", "something explicit at the very beginning so they knew what it was I", "about the idea that when you write, try to move the story without", "How does one 'state explicitly' as the group suggested to me, without hitting", "They suggested stating something explicit at the very beginning so they knew what", "one piece of feedback to me was: people didn't understand where I was", "to me was: people didn't understand where I was going until the very", "does one balance these two ideas? How does one 'state explicitly' as the", "and overworked.\" Later I was thinking about the idea that when you write,", "was thinking about the idea that when you write, try to move the", "without hitting people over the head with it. This is sort of 'show,", "all tired and overworked.\" Later I was thinking about the idea that when", "the story. Unwritten but implied and understood. Don't underestimate your audience. How does", "the reader what is happening beneath the surface, which is most of the", "don't tell'. My preferred way of showing, not telling is to bring to", "beneath the surface, which is most of the story. Unwritten but implied and", "me was: people didn't understand where I was going until the very end." ]
[ "is it common for one to transition from science PhD to science writer?", "on having a flexible job that will allow me to live in several", "interested in exploring besides my narrow research interests. I am also keen on", "others who have graduated from journalism school? Are there many jobs available in", "there many jobs available in this field, where are some good places to", "am interested in exploring besides my narrow research interests. I am also keen", "this field, where are some good places to start searching? Long term job", "like me compete with others who have graduated from journalism school? Are there", "narrow research interests. I am also keen on having a flexible job that", "topics that I am interested in exploring besides my narrow research interests. I", "How would somebody like me compete with others who have graduated from journalism", "PhD in applied physics and would like to get a sense for what", "that will allow me to live in several different parts of the world", "science PhD to science writer? How would somebody like me compete with others", "have graduated from journalism school? Are there many jobs available in this field,", "my PhD in applied physics and would like to get a sense for", "said, is it common for one to transition from science PhD to science", "world and work on my own schedule. With that being said, is it", "the world and work on my own schedule. With that being said, is", "Are there many jobs available in this field, where are some good places", "what the typical career path and background looks like for science writers. Although", "am also keen on having a flexible job that will allow me to", "and background looks like for science writers. Although I love working as a", "there are a wide range of topics that I am interested in exploring", "are a wide range of topics that I am interested in exploring besides", "wide range of topics that I am interested in exploring besides my narrow", "and would like to get a sense for what the typical career path", "my narrow research interests. I am also keen on having a flexible job", "and work on my own schedule. With that being said, is it common", "compete with others who have graduated from journalism school? Are there many jobs", "working on my PhD in applied physics and would like to get a", "looks like for science writers. Although I love working as a scientist, there", "I am interested in exploring besides my narrow research interests. I am also", "interests. I am also keen on having a flexible job that will allow", "work on my own schedule. With that being said, is it common for", "field, where are some good places to start searching? Long term job prospects?", "in several different parts of the world and work on my own schedule.", "graduated from journalism school? Are there many jobs available in this field, where", "several different parts of the world and work on my own schedule. With", "live in several different parts of the world and work on my own", "journalism school? Are there many jobs available in this field, where are some", "scientist, there are a wide range of topics that I am interested in", "I am also keen on having a flexible job that will allow me", "exploring besides my narrow research interests. I am also keen on having a", "transition from science PhD to science writer? How would somebody like me compete", "writer? How would somebody like me compete with others who have graduated from", "with others who have graduated from journalism school? Are there many jobs available", "career path and background looks like for science writers. Although I love working", "me to live in several different parts of the world and work on", "for what the typical career path and background looks like for science writers.", "I love working as a scientist, there are a wide range of topics", "research interests. I am also keen on having a flexible job that will", "jobs available in this field, where are some good places to start searching?", "being said, is it common for one to transition from science PhD to", "besides my narrow research interests. I am also keen on having a flexible", "that being said, is it common for one to transition from science PhD", "different parts of the world and work on my own schedule. With that", "PhD to science writer? How would somebody like me compete with others who", "common for one to transition from science PhD to science writer? How would", "a scientist, there are a wide range of topics that I am interested", "like to get a sense for what the typical career path and background", "sense for what the typical career path and background looks like for science", "from science PhD to science writer? How would somebody like me compete with", "one to transition from science PhD to science writer? How would somebody like", "my own schedule. With that being said, is it common for one to", "a wide range of topics that I am interested in exploring besides my", "keen on having a flexible job that will allow me to live in", "for one to transition from science PhD to science writer? How would somebody", "many jobs available in this field, where are some good places to start", "would somebody like me compete with others who have graduated from journalism school?", "in applied physics and would like to get a sense for what the", "science writer? How would somebody like me compete with others who have graduated", "typical career path and background looks like for science writers. Although I love", "physics and would like to get a sense for what the typical career", "applied physics and would like to get a sense for what the typical", "will allow me to live in several different parts of the world and", "writers. Although I love working as a scientist, there are a wide range", "to science writer? How would somebody like me compete with others who have", "to live in several different parts of the world and work on my", "that I am interested in exploring besides my narrow research interests. I am", "would like to get a sense for what the typical career path and", "background looks like for science writers. Although I love working as a scientist,", "somebody like me compete with others who have graduated from journalism school? Are", "for science writers. Although I love working as a scientist, there are a", "get a sense for what the typical career path and background looks like", "Although I love working as a scientist, there are a wide range of", "the typical career path and background looks like for science writers. Although I", "With that being said, is it common for one to transition from science", "of topics that I am interested in exploring besides my narrow research interests.", "where are some good places to start searching? Long term job prospects? Thanks", "in this field, where are some good places to start searching? Long term", "like for science writers. Although I love working as a scientist, there are", "school? Are there many jobs available in this field, where are some good", "flexible job that will allow me to live in several different parts of", "me compete with others who have graduated from journalism school? Are there many", "range of topics that I am interested in exploring besides my narrow research", "own schedule. With that being said, is it common for one to transition", "available in this field, where are some good places to start searching? Long", "to get a sense for what the typical career path and background looks", "science writers. Although I love working as a scientist, there are a wide", "in exploring besides my narrow research interests. I am also keen on having", "it common for one to transition from science PhD to science writer? How", "on my own schedule. With that being said, is it common for one", "also keen on having a flexible job that will allow me to live", "I'm currently working on my PhD in applied physics and would like to", "as a scientist, there are a wide range of topics that I am", "having a flexible job that will allow me to live in several different", "schedule. With that being said, is it common for one to transition from", "who have graduated from journalism school? Are there many jobs available in this", "from journalism school? Are there many jobs available in this field, where are", "currently working on my PhD in applied physics and would like to get", "love working as a scientist, there are a wide range of topics that", "working as a scientist, there are a wide range of topics that I", "a sense for what the typical career path and background looks like for", "a flexible job that will allow me to live in several different parts", "on my PhD in applied physics and would like to get a sense", "path and background looks like for science writers. Although I love working as", "parts of the world and work on my own schedule. With that being", "of the world and work on my own schedule. With that being said,", "to transition from science PhD to science writer? How would somebody like me", "job that will allow me to live in several different parts of the", "allow me to live in several different parts of the world and work" ]
[ "it ok to reference the screenshots I am using with the term \"Figure\"?", "body text when figure 1 is a screen shot on page? Are there", "base articles to support software users - is it ok to reference the", "support software users - is it ok to reference the screenshots I am", "1)' in the body text when figure 1 is a screen shot on", "to support software users - is it ok to reference the screenshots I", "reference the screenshots I am using with the term \"Figure\"? For example, using", "'(See figure 1)' in the body text when figure 1 is a screen", "users - is it ok to reference the screenshots I am using with", "example, using '(See figure 1)' in the body text when figure 1 is", "am using with the term \"Figure\"? For example, using '(See figure 1)' in", "term \"Figure\"? For example, using '(See figure 1)' in the body text when", "when figure 1 is a screen shot on page? Are there other terms/standards", "the body text when figure 1 is a screen shot on page? Are", "knowledge base articles to support software users - is it ok to reference", "I am using with the term \"Figure\"? For example, using '(See figure 1)'", "1 is a screen shot on page? Are there other terms/standards that should", "figure 1 is a screen shot on page? Are there other terms/standards that", "ok to reference the screenshots I am using with the term \"Figure\"? For", "screenshots I am using with the term \"Figure\"? For example, using '(See figure", "the screenshots I am using with the term \"Figure\"? For example, using '(See", "a screen shot on page? Are there other terms/standards that should be used?", "the term \"Figure\"? For example, using '(See figure 1)' in the body text", "- is it ok to reference the screenshots I am using with the", "is it ok to reference the screenshots I am using with the term", "using '(See figure 1)' in the body text when figure 1 is a", "is a screen shot on page? Are there other terms/standards that should be", "For example, using '(See figure 1)' in the body text when figure 1", "using with the term \"Figure\"? For example, using '(See figure 1)' in the", "with the term \"Figure\"? For example, using '(See figure 1)' in the body", "\"Figure\"? For example, using '(See figure 1)' in the body text when figure", "in the body text when figure 1 is a screen shot on page?", "figure 1)' in the body text when figure 1 is a screen shot", "text when figure 1 is a screen shot on page? Are there other", "software users - is it ok to reference the screenshots I am using", "when writing knowledge base articles to support software users - is it ok", "articles to support software users - is it ok to reference the screenshots", "to reference the screenshots I am using with the term \"Figure\"? For example,", "writing knowledge base articles to support software users - is it ok to" ]
[ "a trilogy and was wondering how should I begin. Should I plan out", "writing a trilogy and was wondering how should I begin. Should I plan", "should I begin. Should I plan out to write three books or just", "how should I begin. Should I plan out to write three books or", "thinking of writing a trilogy and was wondering how should I begin. Should", "of writing a trilogy and was wondering how should I begin. Should I", "Should I plan out to write three books or just see if the", "write three books or just see if the story develops into more than", "I plan out to write three books or just see if the story", "three books or just see if the story develops into more than one", "begin. Should I plan out to write three books or just see if", "I begin. Should I plan out to write three books or just see", "trilogy and was wondering how should I begin. Should I plan out to", "and was wondering how should I begin. Should I plan out to write", "wondering how should I begin. Should I plan out to write three books", "books or just see if the story develops into more than one book?", "plan out to write three books or just see if the story develops", "I am thinking of writing a trilogy and was wondering how should I", "to write three books or just see if the story develops into more", "or just see if the story develops into more than one book? Thanks!", "out to write three books or just see if the story develops into", "am thinking of writing a trilogy and was wondering how should I begin.", "was wondering how should I begin. Should I plan out to write three" ]
[ "burst onto the roof, and Ciwe watched as his mother, with some others,", "escape for himself and his mother, his program will hack the SETEV to", "the roof. he barely made it out in time. His mother did not.", "> Because Ciwe needs to ensure escape for himself and his mother, his", "return. This will put the rest of the crew in danger from the", "his mother, with some others, fled to another door and descended into the", "is still alive. Ciwe refuses to give up hope on her, and stubbornly", "atop a tall building, waiting for evacuation, as the undead pounded on the", "him. You generally want to steer clear of things which decrease reader sympathy", "the character's choice. Reader sympathy is something the protagonist needs. The tale is", "on her, and stubbornly maintains that she must be alive. > > >", "their return. This will put the rest of the crew in danger from", "read about him. You generally want to steer clear of things which decrease", "the computer, and take the SETEV to where his mother was last seen.", "in an attempt to weed out the beginner mistakes and know what works.", "killed or is still alive. Ciwe refuses to give up hope on her,", "the mission itself, which is vital to the survivors. > > > At", "a SETEV, a highly intelligent computer-controlled aircraft. Ciwe has a program which will", "mission itself, which is vital to the survivors. > > > At this", "he never saw his mother again. > > > Now, two months later,", "survivors. > > > At this point, my readers agreed that what Ciwe", "and descended into the dark building in an effort to escape them. The", "right choice. The readers let me know that, while they found the choice", "protagonist has to make the wrong choice in order for the plot to", "he barely made it out in time. His mother did not. The undead", "justified, they still didn't like it. They didn't sympathize with the character's choice.", "retrieve vital machinery from the zombie-infested lands. The crew he is a part", "> > Because Ciwe needs to ensure escape for himself and his mother,", "mother, with some others, fled to another door and descended into the dark", "lands. The crew he is a part of will be flying in a", "assuming that the protagonist has to make the wrong choice in order for", "from the undead. > > > Ciwe now has a choice: go through", "in my fan fiction, as an example. --- > > The zombie apocalypse", "the choice fully justified, they still didn't like it. They didn't sympathize with", "The zombie apocalypse has happened. The main character, Ciwe, was trapped atop a", "never saw his mother again. > > > Now, two months later, Ciwe", "accept that she is dead, and keep his fellow crewmates safe. > >", "question is this: assuming that the protagonist has to make the wrong choice", "choice in order for the plot to keep moving forwards, how do I", "want to read about him. You generally want to steer clear of things", "that what Ciwe did was human nature, but believed he should have made", "he is a part of will be flying in a SETEV, a highly", "to make the wrong choice in order for the plot to keep moving", "is no evidence that Ciwe's mother has been killed or is still alive.", "happened. The main character, Ciwe, was trapped atop a tall building, waiting for", "evacuation, as the undead pounded on the doors to the roof. he barely", "generally want to steer clear of things which decrease reader sympathy for the", "plan to save his mother, or accept that she is dead, and keep", "> > Up to this point, there is no evidence that Ciwe's mother", "> At this point, my readers agreed that what Ciwe did was human", "which decrease reader sympathy for the protagonist. My question is this: assuming that", "descended into the dark building in an effort to escape them. The transport", "is vital to the survivors. > > > At this point, my readers", "included below a synopsis of the choice in my fan fiction, as an", "and he never saw his mother again. > > > Now, two months", "zombie-infested lands. The crew he is a part of will be flying in", "time. His mother did not. The undead burst onto the roof, and Ciwe", "to the survivors. > > > At this point, my readers agreed that", "sympathy is something the protagonist needs. The tale is (generally) about the protagonist,", "mistakes and know what works. In one of my fan fictions, the main", "take the SETEV to where his mother was last seen. He intends to", "last seen. He intends to rescue her. > > > Up to this", "in an effort to escape them. The transport took off with Ciwe inside,", "and Ciwe watched as his mother, with some others, fled to another door", "of the crew, but also the mission itself, which is vital to the", "it makes sense that the reader should want to read about him. You", "needs to ensure escape for himself and his mother, his program will hack", "The crew he is a part of will be flying in a SETEV,", "to keep moving forwards, how do I maintain reader sympathy? I've included below", "again. > > > Now, two months later, Ciwe has gotten himself assigned", "place and await their return. This will put the rest of the crew", "You generally want to steer clear of things which decrease reader sympathy for", "a choice: go through with his plan to save his mother, or accept", "his program will hack the SETEV to remain in place and await their", "synopsis of the choice in my fan fiction, as an example. --- >", "I've included below a synopsis of the choice in my fan fiction, as", "Ciwe's mother has been killed or is still alive. Ciwe refuses to give", "Up to this point, there is no evidence that Ciwe's mother has been", "works. In one of my fan fictions, the main character failed to make", "maintains that she must be alive. > > > Because Ciwe needs to", "He intends to rescue her. > > > Up to this point, there", "the plan, jeopardizing not only the lives of the crew, but also the", "the crew, but also the mission itself, which is vital to the survivors.", "me know that, while they found the choice fully justified, they still didn't", "fan fiction for 7+ years, in an attempt to weed out the beginner", "a mission to retrieve vital machinery from the zombie-infested lands. The crew he", "where his mother was last seen. He intends to rescue her. > >", "assigned to a mission to retrieve vital machinery from the zombie-infested lands. The", "for the plot to keep moving forwards, how do I maintain reader sympathy?", "mission to retrieve vital machinery from the zombie-infested lands. The crew he is", "go through with his plan to save his mother, or accept that she", "also the mission itself, which is vital to the survivors. > > >", "himself assigned to a mission to retrieve vital machinery from the zombie-infested lands.", "in order for the plot to keep moving forwards, how do I maintain", "fictions, the main character failed to make the right choice. The readers let", "an example. --- > > The zombie apocalypse has happened. The main character,", "or accept that she is dead, and keep his fellow crewmates safe. >", "keep his fellow crewmates safe. > > > He decides to go through", "failed to make the right choice. The readers let me know that, while", "His mother did not. The undead burst onto the roof, and Ciwe watched", "the doors to the roof. he barely made it out in time. His", "> > He decides to go through with the plan, jeopardizing not only", "character's choice. Reader sympathy is something the protagonist needs. The tale is (generally)", "needs. The tale is (generally) about the protagonist, so it makes sense that", "undead pounded on the doors to the roof. he barely made it out", "mother, his program will hack the SETEV to remain in place and await", "to retrieve vital machinery from the zombie-infested lands. The crew he is a", "there is no evidence that Ciwe's mother has been killed or is still", "himself and his mother, his program will hack the SETEV to remain in", "my fan fiction, as an example. --- > > The zombie apocalypse has", "has happened. The main character, Ciwe, was trapped atop a tall building, waiting", "things which decrease reader sympathy for the protagonist. My question is this: assuming", "as his mother, with some others, fled to another door and descended into", "the undead pounded on the doors to the roof. he barely made it", "them. The transport took off with Ciwe inside, and he never saw his", "> > > Because Ciwe needs to ensure escape for himself and his", "protagonist needs. The tale is (generally) about the protagonist, so it makes sense", "point, my readers agreed that what Ciwe did was human nature, but believed", "the lives of the crew, but also the mission itself, which is vital", "to weed out the beginner mistakes and know what works. In one of", "At this point, my readers agreed that what Ciwe did was human nature,", "clear of things which decrease reader sympathy for the protagonist. My question is", "order for the plot to keep moving forwards, how do I maintain reader", "SETEV, a highly intelligent computer-controlled aircraft. Ciwe has a program which will allow", "effort to escape them. The transport took off with Ciwe inside, and he", "mother was last seen. He intends to rescue her. > > > Up", "the wrong choice in order for the plot to keep moving forwards, how", "the rest of the crew in danger from the undead. > > >", "to escape them. The transport took off with Ciwe inside, and he never", "computer-controlled aircraft. Ciwe has a program which will allow him to hack the", "The main character, Ciwe, was trapped atop a tall building, waiting for evacuation,", "alive. Ciwe refuses to give up hope on her, and stubbornly maintains that", "with some others, fled to another door and descended into the dark building", "will be flying in a SETEV, a highly intelligent computer-controlled aircraft. Ciwe has", "He decides to go through with the plan, jeopardizing not only the lives", "to where his mother was last seen. He intends to rescue her. >", "through with the plan, jeopardizing not only the lives of the crew, but", "main character, Ciwe, was trapped atop a tall building, waiting for evacuation, as", "make the right choice. The readers let me know that, while they found", "an effort to escape them. The transport took off with Ciwe inside, and", "was last seen. He intends to rescue her. > > > Up to", "rest of the crew in danger from the undead. > > > Ciwe", "readers let me know that, while they found the choice fully justified, they", "intelligent computer-controlled aircraft. Ciwe has a program which will allow him to hack", "writing fan fiction for 7+ years, in an attempt to weed out the", "to other factors, they disliked his decision. What can I do to prevent", "reader sympathy for the protagonist. My question is this: assuming that the protagonist", "want to steer clear of things which decrease reader sympathy for the protagonist.", "plot to keep moving forwards, how do I maintain reader sympathy? I've included", "to steer clear of things which decrease reader sympathy for the protagonist. My", "7+ years, in an attempt to weed out the beginner mistakes and know", "choice: go through with his plan to save his mother, or accept that", "it out in time. His mother did not. The undead burst onto the", "has been killed or is still alive. Ciwe refuses to give up hope", "In one of my fan fictions, the main character failed to make the", "through with his plan to save his mother, or accept that she is", "that she is dead, and keep his fellow crewmates safe. > > >", "they still sympathized with him due to other factors, they disliked his decision.", "My question is this: assuming that the protagonist has to make the wrong", "still sympathized with him due to other factors, they disliked his decision. What", "> > Ciwe now has a choice: go through with his plan to", "didn't like it. They didn't sympathize with the character's choice. Reader sympathy is", "mother again. > > > Now, two months later, Ciwe has gotten himself", "intends to rescue her. > > > Up to this point, there is", "the reader should want to read about him. You generally want to steer", "building, waiting for evacuation, as the undead pounded on the doors to the", "which will allow him to hack the computer, and take the SETEV to", "I've been writing fan fiction for 7+ years, in an attempt to weed", "that the reader should want to read about him. You generally want to", "while they found the choice fully justified, they still didn't like it. They", "doors to the roof. he barely made it out in time. His mother", "roof, and Ciwe watched as his mother, with some others, fled to another", "with the character's choice. Reader sympathy is something the protagonist needs. The tale", "it. They didn't sympathize with the character's choice. Reader sympathy is something the", "This will put the rest of the crew in danger from the undead.", "attempt to weed out the beginner mistakes and know what works. In one", "the other choice. While they still sympathized with him due to other factors,", "still didn't like it. They didn't sympathize with the character's choice. Reader sympathy", "sympathized with him due to other factors, they disliked his decision. What can", "how do I maintain reader sympathy? I've included below a synopsis of the", "pounded on the doors to the roof. he barely made it out in", "protagonist. My question is this: assuming that the protagonist has to make the", "put the rest of the crew in danger from the undead. > >", "have made the other choice. While they still sympathized with him due to", "been writing fan fiction for 7+ years, in an attempt to weed out", "hope on her, and stubbornly maintains that she must be alive. > >", "to rescue her. > > > Up to this point, there is no", "up hope on her, and stubbornly maintains that she must be alive. >", "his plan to save his mother, or accept that she is dead, and", "other choice. While they still sympathized with him due to other factors, they", "for 7+ years, in an attempt to weed out the beginner mistakes and", "in place and await their return. This will put the rest of the", "> > > Ciwe now has a choice: go through with his plan", "highly intelligent computer-controlled aircraft. Ciwe has a program which will allow him to", "below a synopsis of the choice in my fan fiction, as an example.", "crew in danger from the undead. > > > Ciwe now has a", "is something the protagonist needs. The tale is (generally) about the protagonist, so", "in a SETEV, a highly intelligent computer-controlled aircraft. Ciwe has a program which", "Ciwe inside, and he never saw his mother again. > > > Now,", "> > > At this point, my readers agreed that what Ciwe did", "not. The undead burst onto the roof, and Ciwe watched as his mother,", "sympathy for the protagonist. My question is this: assuming that the protagonist has", "about the protagonist, so it makes sense that the reader should want to", "save his mother, or accept that she is dead, and keep his fellow", "sympathize with the character's choice. Reader sympathy is something the protagonist needs. The", "the survivors. > > > At this point, my readers agreed that what", "the protagonist, so it makes sense that the reader should want to read", "believed he should have made the other choice. While they still sympathized with", "and await their return. This will put the rest of the crew in", "safe. > > > He decides to go through with the plan, jeopardizing", "been killed or is still alive. Ciwe refuses to give up hope on", "and stubbornly maintains that she must be alive. > > > Because Ciwe", "mother, or accept that she is dead, and keep his fellow crewmates safe.", "beginner mistakes and know what works. In one of my fan fictions, the", "his mother was last seen. He intends to rescue her. > > >", "protagonist, so it makes sense that the reader should want to read about", "readers agreed that what Ciwe did was human nature, but believed he should", "did was human nature, but believed he should have made the other choice.", "the roof, and Ciwe watched as his mother, with some others, fled to", "they still didn't like it. They didn't sympathize with the character's choice. Reader", "fellow crewmates safe. > > > He decides to go through with the", "and take the SETEV to where his mother was last seen. He intends", "to another door and descended into the dark building in an effort to", "> He decides to go through with the plan, jeopardizing not only the", "human nature, but believed he should have made the other choice. While they", "Because Ciwe needs to ensure escape for himself and his mother, his program", "moving forwards, how do I maintain reader sympathy? I've included below a synopsis", "be alive. > > > Because Ciwe needs to ensure escape for himself", "to a mission to retrieve vital machinery from the zombie-infested lands. The crew", "fan fictions, the main character failed to make the right choice. The readers", "the protagonist needs. The tale is (generally) about the protagonist, so it makes", "was trapped atop a tall building, waiting for evacuation, as the undead pounded", "roof. he barely made it out in time. His mother did not. The", "The transport took off with Ciwe inside, and he never saw his mother", "dead, and keep his fellow crewmates safe. > > > He decides to", "> Ciwe now has a choice: go through with his plan to save", "his mother, or accept that she is dead, and keep his fellow crewmates", "now has a choice: go through with his plan to save his mother,", "to remain in place and await their return. This will put the rest", "keep moving forwards, how do I maintain reader sympathy? I've included below a", "not only the lives of the crew, but also the mission itself, which", "a tall building, waiting for evacuation, as the undead pounded on the doors", "some others, fled to another door and descended into the dark building in", "fully justified, they still didn't like it. They didn't sympathize with the character's", "undead. > > > Ciwe now has a choice: go through with his", "an attempt to weed out the beginner mistakes and know what works. In", "hack the SETEV to remain in place and await their return. This will", "the protagonist. My question is this: assuming that the protagonist has to make", "a program which will allow him to hack the computer, and take the", "crewmates safe. > > > He decides to go through with the plan,", "> Now, two months later, Ciwe has gotten himself assigned to a mission", "forwards, how do I maintain reader sympathy? I've included below a synopsis of", "him to hack the computer, and take the SETEV to where his mother", "the SETEV to where his mother was last seen. He intends to rescue", "as the undead pounded on the doors to the roof. he barely made", "tall building, waiting for evacuation, as the undead pounded on the doors to", "to go through with the plan, jeopardizing not only the lives of the", "of my fan fictions, the main character failed to make the right choice.", "my readers agreed that what Ciwe did was human nature, but believed he", "and keep his fellow crewmates safe. > > > He decides to go", "she is dead, and keep his fellow crewmates safe. > > > He", "due to other factors, they disliked his decision. What can I do to", "sense that the reader should want to read about him. You generally want", "the plot to keep moving forwards, how do I maintain reader sympathy? I've", "as an example. --- > > The zombie apocalypse has happened. The main", "this point, my readers agreed that what Ciwe did was human nature, but", "dark building in an effort to escape them. The transport took off with", "of will be flying in a SETEV, a highly intelligent computer-controlled aircraft. Ciwe", "make the wrong choice in order for the plot to keep moving forwards,", "onto the roof, and Ciwe watched as his mother, with some others, fled", "but believed he should have made the other choice. While they still sympathized", "Ciwe has a program which will allow him to hack the computer, and", "Now, two months later, Ciwe has gotten himself assigned to a mission to", "the protagonist has to make the wrong choice in order for the plot", "choice. Reader sympathy is something the protagonist needs. The tale is (generally) about", "the main character failed to make the right choice. The readers let me", "to the roof. he barely made it out in time. His mother did", "my fan fictions, the main character failed to make the right choice. The", "Reader sympathy is something the protagonist needs. The tale is (generally) about the", "to ensure escape for himself and his mother, his program will hack the", "stubbornly maintains that she must be alive. > > > Because Ciwe needs", "allow him to hack the computer, and take the SETEV to where his", "of the choice in my fan fiction, as an example. --- > >", "trapped atop a tall building, waiting for evacuation, as the undead pounded on", "should want to read about him. You generally want to steer clear of", "--- > > The zombie apocalypse has happened. The main character, Ciwe, was", "his fellow crewmates safe. > > > He decides to go through with", "his mother, his program will hack the SETEV to remain in place and", "from the zombie-infested lands. The crew he is a part of will be", "know what works. In one of my fan fictions, the main character failed", "sympathy? I've included below a synopsis of the choice in my fan fiction,", "months later, Ciwe has gotten himself assigned to a mission to retrieve vital", "vital machinery from the zombie-infested lands. The crew he is a part of", "steer clear of things which decrease reader sympathy for the protagonist. My question", "fiction, as an example. --- > > The zombie apocalypse has happened. The", "part of will be flying in a SETEV, a highly intelligent computer-controlled aircraft.", "the undead. > > > Ciwe now has a choice: go through with", "and know what works. In one of my fan fictions, the main character", "made it out in time. His mother did not. The undead burst onto", "she must be alive. > > > Because Ciwe needs to ensure escape", "the right choice. The readers let me know that, while they found the", "a part of will be flying in a SETEV, a highly intelligent computer-controlled", "her, and stubbornly maintains that she must be alive. > > > Because", "about him. You generally want to steer clear of things which decrease reader", "what works. In one of my fan fictions, the main character failed to", "zombie apocalypse has happened. The main character, Ciwe, was trapped atop a tall", "later, Ciwe has gotten himself assigned to a mission to retrieve vital machinery", "hack the computer, and take the SETEV to where his mother was last", "maintain reader sympathy? I've included below a synopsis of the choice in my", "plan, jeopardizing not only the lives of the crew, but also the mission", "like it. They didn't sympathize with the character's choice. Reader sympathy is something", "has a program which will allow him to hack the computer, and take", "made the other choice. While they still sympathized with him due to other", "remain in place and await their return. This will put the rest of", "program which will allow him to hack the computer, and take the SETEV", "inside, and he never saw his mother again. > > > Now, two", "SETEV to remain in place and await their return. This will put the", "a highly intelligent computer-controlled aircraft. Ciwe has a program which will allow him", "SETEV to where his mother was last seen. He intends to rescue her.", "saw his mother again. > > > Now, two months later, Ciwe has", "will hack the SETEV to remain in place and await their return. This", "itself, which is vital to the survivors. > > > At this point,", "refuses to give up hope on her, and stubbornly maintains that she must", "mother has been killed or is still alive. Ciwe refuses to give up", "choice fully justified, they still didn't like it. They didn't sympathize with the", "ensure escape for himself and his mother, his program will hack the SETEV", "While they still sympathized with him due to other factors, they disliked his", "in time. His mother did not. The undead burst onto the roof, and", "did not. The undead burst onto the roof, and Ciwe watched as his", "him due to other factors, they disliked his decision. What can I do", "choice. The readers let me know that, while they found the choice fully", "alive. > > > Because Ciwe needs to ensure escape for himself and", "Ciwe needs to ensure escape for himself and his mother, his program will", "flying in a SETEV, a highly intelligent computer-controlled aircraft. Ciwe has a program", "decides to go through with the plan, jeopardizing not only the lives of", "character failed to make the right choice. The readers let me know that,", "off with Ciwe inside, and he never saw his mother again. > >", "let me know that, while they found the choice fully justified, they still", "is dead, and keep his fellow crewmates safe. > > > He decides", "makes sense that the reader should want to read about him. You generally", "this: assuming that the protagonist has to make the wrong choice in order", "jeopardizing not only the lives of the crew, but also the mission itself,", "gotten himself assigned to a mission to retrieve vital machinery from the zombie-infested", "point, there is no evidence that Ciwe's mother has been killed or is", "no evidence that Ciwe's mother has been killed or is still alive. Ciwe", "the dark building in an effort to escape them. The transport took off", "be flying in a SETEV, a highly intelligent computer-controlled aircraft. Ciwe has a", "to this point, there is no evidence that Ciwe's mother has been killed", "Ciwe did was human nature, but believed he should have made the other", "has gotten himself assigned to a mission to retrieve vital machinery from the", "crew, but also the mission itself, which is vital to the survivors. >", "machinery from the zombie-infested lands. The crew he is a part of will", "the choice in my fan fiction, as an example. --- > > The", "which is vital to the survivors. > > > At this point, my", "the SETEV to remain in place and await their return. This will put", "for evacuation, as the undead pounded on the doors to the roof. he", "choice in my fan fiction, as an example. --- > > The zombie", "but also the mission itself, which is vital to the survivors. > >", "door and descended into the dark building in an effort to escape them.", "has a choice: go through with his plan to save his mother, or", "out the beginner mistakes and know what works. In one of my fan", "barely made it out in time. His mother did not. The undead burst", "was human nature, but believed he should have made the other choice. While", "and his mother, his program will hack the SETEV to remain in place", "lives of the crew, but also the mission itself, which is vital to", "found the choice fully justified, they still didn't like it. They didn't sympathize", "watched as his mother, with some others, fled to another door and descended", "> The zombie apocalypse has happened. The main character, Ciwe, was trapped atop", "undead burst onto the roof, and Ciwe watched as his mother, with some", "Ciwe watched as his mother, with some others, fled to another door and", "a synopsis of the choice in my fan fiction, as an example. ---", "in danger from the undead. > > > Ciwe now has a choice:", "nature, but believed he should have made the other choice. While they still", "two months later, Ciwe has gotten himself assigned to a mission to retrieve", "decrease reader sympathy for the protagonist. My question is this: assuming that the", "on the doors to the roof. he barely made it out in time.", "is (generally) about the protagonist, so it makes sense that the reader should", "to save his mother, or accept that she is dead, and keep his", "will allow him to hack the computer, and take the SETEV to where", "> Up to this point, there is no evidence that Ciwe's mother has", "with him due to other factors, they disliked his decision. What can I", "vital to the survivors. > > > At this point, my readers agreed", "> > At this point, my readers agreed that what Ciwe did was", "to hack the computer, and take the SETEV to where his mother was", "is a part of will be flying in a SETEV, a highly intelligent", "of things which decrease reader sympathy for the protagonist. My question is this:", "her. > > > Up to this point, there is no evidence that", "The readers let me know that, while they found the choice fully justified,", "await their return. This will put the rest of the crew in danger", "Ciwe now has a choice: go through with his plan to save his", "aircraft. Ciwe has a program which will allow him to hack the computer,", "rescue her. > > > Up to this point, there is no evidence", "his mother again. > > > Now, two months later, Ciwe has gotten", "wrong choice in order for the plot to keep moving forwards, how do", "one of my fan fictions, the main character failed to make the right", "> > Now, two months later, Ciwe has gotten himself assigned to a", "should have made the other choice. While they still sympathized with him due", "I maintain reader sympathy? I've included below a synopsis of the choice in", "Ciwe has gotten himself assigned to a mission to retrieve vital machinery from", "out in time. His mother did not. The undead burst onto the roof,", "so it makes sense that the reader should want to read about him.", "the crew in danger from the undead. > > > Ciwe now has", "example. --- > > The zombie apocalypse has happened. The main character, Ciwe,", "do I maintain reader sympathy? I've included below a synopsis of the choice", "danger from the undead. > > > Ciwe now has a choice: go", "what Ciwe did was human nature, but believed he should have made the", "The undead burst onto the roof, and Ciwe watched as his mother, with", "evidence that Ciwe's mother has been killed or is still alive. Ciwe refuses", "building in an effort to escape them. The transport took off with Ciwe", "or is still alive. Ciwe refuses to give up hope on her, and", "he should have made the other choice. While they still sympathized with him", "apocalypse has happened. The main character, Ciwe, was trapped atop a tall building,", "(generally) about the protagonist, so it makes sense that the reader should want", "> > > Up to this point, there is no evidence that Ciwe's", "that the protagonist has to make the wrong choice in order for the", "the beginner mistakes and know what works. In one of my fan fictions,", "fiction for 7+ years, in an attempt to weed out the beginner mistakes", "with Ciwe inside, and he never saw his mother again. > > >", "program will hack the SETEV to remain in place and await their return.", "that, while they found the choice fully justified, they still didn't like it.", "to read about him. You generally want to steer clear of things which", "waiting for evacuation, as the undead pounded on the doors to the roof.", "tale is (generally) about the protagonist, so it makes sense that the reader", "for the protagonist. My question is this: assuming that the protagonist has to", "seen. He intends to rescue her. > > > Up to this point,", "> > > Now, two months later, Ciwe has gotten himself assigned to", "reader sympathy? I've included below a synopsis of the choice in my fan", "go through with the plan, jeopardizing not only the lives of the crew,", "escape them. The transport took off with Ciwe inside, and he never saw", "has to make the wrong choice in order for the plot to keep", "They didn't sympathize with the character's choice. Reader sympathy is something the protagonist", "the zombie-infested lands. The crew he is a part of will be flying", "years, in an attempt to weed out the beginner mistakes and know what", "give up hope on her, and stubbornly maintains that she must be alive.", "will put the rest of the crew in danger from the undead. >", "something the protagonist needs. The tale is (generally) about the protagonist, so it", "others, fled to another door and descended into the dark building in an", "fan fiction, as an example. --- > > The zombie apocalypse has happened.", "into the dark building in an effort to escape them. The transport took", "they found the choice fully justified, they still didn't like it. They didn't", "crew he is a part of will be flying in a SETEV, a", "choice. While they still sympathized with him due to other factors, they disliked", "still alive. Ciwe refuses to give up hope on her, and stubbornly maintains", "this point, there is no evidence that Ciwe's mother has been killed or", "reader should want to read about him. You generally want to steer clear", "of the crew in danger from the undead. > > > Ciwe now", "for himself and his mother, his program will hack the SETEV to remain", "other factors, they disliked his decision. What can I do to prevent that?", "fled to another door and descended into the dark building in an effort", "with his plan to save his mother, or accept that she is dead,", "Ciwe refuses to give up hope on her, and stubbornly maintains that she", "> > > He decides to go through with the plan, jeopardizing not", "computer, and take the SETEV to where his mother was last seen. He", "weed out the beginner mistakes and know what works. In one of my", "transport took off with Ciwe inside, and he never saw his mother again.", "that she must be alive. > > > Because Ciwe needs to ensure", "know that, while they found the choice fully justified, they still didn't like", "is this: assuming that the protagonist has to make the wrong choice in", "with the plan, jeopardizing not only the lives of the crew, but also", "agreed that what Ciwe did was human nature, but believed he should have", "took off with Ciwe inside, and he never saw his mother again. >", "main character failed to make the right choice. The readers let me know", "didn't sympathize with the character's choice. Reader sympathy is something the protagonist needs.", "to give up hope on her, and stubbornly maintains that she must be", "character, Ciwe, was trapped atop a tall building, waiting for evacuation, as the", "mother did not. The undead burst onto the roof, and Ciwe watched as", "Ciwe, was trapped atop a tall building, waiting for evacuation, as the undead", "to make the right choice. The readers let me know that, while they", "> > The zombie apocalypse has happened. The main character, Ciwe, was trapped", "The tale is (generally) about the protagonist, so it makes sense that the", "another door and descended into the dark building in an effort to escape", "only the lives of the crew, but also the mission itself, which is", "must be alive. > > > Because Ciwe needs to ensure escape for", "that Ciwe's mother has been killed or is still alive. Ciwe refuses to" ]
[ "it, which leads to suspicion. But what really drives people to do things?", "stop him. Is it out of selflessness or heroic points? Does this make", "the stakes are raised more now that they can lose it, which leads", "being pursued or is it loving someone enough to die for them? In", "thought of dying when being pursued or is it loving someone enough to", "of dying when being pursued or is it loving someone enough to die", "care about, that the stakes are raised more now that they can lose", "has something they truly care about, that the stakes are raised more now", "was just reading about how when a character has something they truly care", "the main antagonist is invading Earth and the protagonist is trying to stop", "do things? Is it the thought of dying when being pursued or is", "to do things? Is it the thought of dying when being pursued or", "things? Is it the thought of dying when being pursued or is it", "can lose it, which leads to suspicion. But what really drives people to", "what really drives people to do things? Is it the thought of dying", "is invading Earth and the protagonist is trying to stop him. Is it", "about, that the stakes are raised more now that they can lose it,", "the thought of dying when being pursued or is it loving someone enough", "my novel so far, the main antagonist is invading Earth and the protagonist", "Is it the thought of dying when being pursued or is it loving", "enough to die for them? In my novel so far, the main antagonist", "they can lose it, which leads to suspicion. But what really drives people", "protagonist is trying to stop him. Is it out of selflessness or heroic", "how when a character has something they truly care about, that the stakes", "they truly care about, that the stakes are raised more now that they", "die for them? In my novel so far, the main antagonist is invading", "are raised more now that they can lose it, which leads to suspicion.", "far, the main antagonist is invading Earth and the protagonist is trying to", "antagonist is invading Earth and the protagonist is trying to stop him. Is", "is it loving someone enough to die for them? In my novel so", "dying when being pursued or is it loving someone enough to die for", "it the thought of dying when being pursued or is it loving someone", "now that they can lose it, which leads to suspicion. But what really", "that the stakes are raised more now that they can lose it, which", "to stop him. Is it out of selflessness or heroic points? Does this", "trying to stop him. Is it out of selflessness or heroic points? Does", "someone enough to die for them? In my novel so far, the main", "or is it loving someone enough to die for them? In my novel", "I was just reading about how when a character has something they truly", "Is it out of selflessness or heroic points? Does this make any sense?", "to die for them? In my novel so far, the main antagonist is", "stakes are raised more now that they can lose it, which leads to", "really drives people to do things? Is it the thought of dying when", "to suspicion. But what really drives people to do things? Is it the", "the protagonist is trying to stop him. Is it out of selflessness or", "when a character has something they truly care about, that the stakes are", "But what really drives people to do things? Is it the thought of", "reading about how when a character has something they truly care about, that", "which leads to suspicion. But what really drives people to do things? Is", "is trying to stop him. Is it out of selflessness or heroic points?", "novel so far, the main antagonist is invading Earth and the protagonist is", "people to do things? Is it the thought of dying when being pursued", "about how when a character has something they truly care about, that the", "loving someone enough to die for them? In my novel so far, the", "lose it, which leads to suspicion. But what really drives people to do", "raised more now that they can lose it, which leads to suspicion. But", "and the protagonist is trying to stop him. Is it out of selflessness", "drives people to do things? Is it the thought of dying when being", "so far, the main antagonist is invading Earth and the protagonist is trying", "when being pursued or is it loving someone enough to die for them?", "something they truly care about, that the stakes are raised more now that", "for them? In my novel so far, the main antagonist is invading Earth", "that they can lose it, which leads to suspicion. But what really drives", "invading Earth and the protagonist is trying to stop him. Is it out", "him. Is it out of selflessness or heroic points? Does this make any", "suspicion. But what really drives people to do things? Is it the thought", "it loving someone enough to die for them? In my novel so far,", "them? In my novel so far, the main antagonist is invading Earth and", "truly care about, that the stakes are raised more now that they can", "Earth and the protagonist is trying to stop him. Is it out of", "main antagonist is invading Earth and the protagonist is trying to stop him.", "pursued or is it loving someone enough to die for them? In my", "a character has something they truly care about, that the stakes are raised", "more now that they can lose it, which leads to suspicion. But what", "character has something they truly care about, that the stakes are raised more", "In my novel so far, the main antagonist is invading Earth and the", "leads to suspicion. But what really drives people to do things? Is it", "just reading about how when a character has something they truly care about," ]
[ "the really ground up, but this book doesn't teach how to compound a", "blog, but I wanna do it by posting chapters. What I want is", "write for my own blog, but I wanna do it by posting chapters.", "do it by posting chapters. What I want is how to write for", "I've been reading a book about how to write from the really ground", "reading a book about how to write from the really ground up, but", "about how to write from the really ground up, but this book doesn't", "want is how to write for a blog by writing chapters. I'm only", "write from the really ground up, but this book doesn't teach how to", "wanna write for my own blog, but I wanna do it by posting", "compound a chapter. I wanna write for my own blog, but I wanna", "but I wanna do it by posting chapters. What I want is how", "from the really ground up, but this book doesn't teach how to compound", "chapter. I wanna write for my own blog, but I wanna do it", "chapters. I'm only a 4 weeks old at the subject of writing. Thanks", "I'm only a 4 weeks old at the subject of writing. Thanks for", "been reading a book about how to write from the really ground up,", "writing chapters. I'm only a 4 weeks old at the subject of writing.", "is how to write for a blog by writing chapters. I'm only a", "up, but this book doesn't teach how to compound a chapter. I wanna", "chapters. What I want is how to write for a blog by writing", "I want is how to write for a blog by writing chapters. I'm", "this book doesn't teach how to compound a chapter. I wanna write for", "a book about how to write from the really ground up, but this", "for my own blog, but I wanna do it by posting chapters. What", "I wanna write for my own blog, but I wanna do it by", "ground up, but this book doesn't teach how to compound a chapter. I", "but this book doesn't teach how to compound a chapter. I wanna write", "I wanna do it by posting chapters. What I want is how to", "blog by writing chapters. I'm only a 4 weeks old at the subject", "for a blog by writing chapters. I'm only a 4 weeks old at", "to compound a chapter. I wanna write for my own blog, but I", "how to write from the really ground up, but this book doesn't teach", "my own blog, but I wanna do it by posting chapters. What I", "how to write for a blog by writing chapters. I'm only a 4", "wanna do it by posting chapters. What I want is how to write", "posting chapters. What I want is how to write for a blog by", "own blog, but I wanna do it by posting chapters. What I want", "to write from the really ground up, but this book doesn't teach how", "to write for a blog by writing chapters. I'm only a 4 weeks", "by writing chapters. I'm only a 4 weeks old at the subject of", "how to compound a chapter. I wanna write for my own blog, but", "write for a blog by writing chapters. I'm only a 4 weeks old", "only a 4 weeks old at the subject of writing. Thanks for your", "book doesn't teach how to compound a chapter. I wanna write for my", "book about how to write from the really ground up, but this book", "it by posting chapters. What I want is how to write for a", "by posting chapters. What I want is how to write for a blog", "What I want is how to write for a blog by writing chapters.", "a blog by writing chapters. I'm only a 4 weeks old at the", "a 4 weeks old at the subject of writing. Thanks for your charity.", "really ground up, but this book doesn't teach how to compound a chapter.", "a chapter. I wanna write for my own blog, but I wanna do", "teach how to compound a chapter. I wanna write for my own blog,", "doesn't teach how to compound a chapter. I wanna write for my own" ]
[ "that? Do I risk losing people with an over-complicated book? Can two entire", "narrative? Or is there not space in a single book for that? Do", "a discussion with a reader and who pointed out a significant flaw in", "seen. When I first started writing my series, I had a trilogy in", "flaws. Each was supposed to explore the culture, mores and point of view", "with an over-complicated book? Can two entire objectives exist in a single narrative?", "risk losing people with an over-complicated book? Can two entire objectives exist in", "first book left the realm of exploring a culture and entered humanity's situation", "The problem comes in the fact that it IS going to be a", "on exploring an alien species and the world they live on as well", "depth and critical of humanity's flaws. Each was supposed to explore the culture,", "humanity's flaws. Each was supposed to explore the culture, mores and point of", "in depth and critical of humanity's flaws. Each was supposed to explore the", "and the world they live on as well as our cultural imperialism over", "strong and the characters are developing nicely. The problem comes in the fact", "I recently had a discussion with a reader and who pointed out a", "point of view of one of the subspecies. Decent idea, right? Especially if", "flaw in my work that I hadn't seen. When I first started writing", "and a totally human-centered book leading off a series about aliens (even if", "book for that? Do I risk losing people with an over-complicated book? Can", "now trilogy's, narrative? Or is there not space in a single book for", "human characters) seems... hokey. It seems as though I will be forcing a", "my work that I hadn't seen. When I first started writing my series,", "entire objectives exist in a single narrative? TL;DR Halp please. I'm lost and", "as though I will be forcing a story into a spot where it", "to be a series and a totally human-centered book leading off a series", "first started writing my series, I had a trilogy in mind - based", "of humanity's flaws. Each was supposed to explore the culture, mores and point", "of things that we don't and maybe they don't like us treating them", "powerful and complete as it is, with the first culture, thus touching off", "explore the culture, mores and point of view of one of the subspecies.", "the culture, mores and point of view of one of the subspecies. Decent", "was supposed to explore the culture, mores and point of view of one", "treating them like savage animals. The thing is, readers don't care about non-human", "alien species and the world they live on as well as our cultural", "that it IS going to be a series and a totally human-centered book", "of one of the subspecies. Decent idea, right? Especially if I could tie", "don't like us treating them like savage animals. The thing is, readers don't", "seems... hokey. It seems as though I will be forcing a story into", "the world they live on as well as our cultural imperialism over them.", "over them. Think Avatar but WAY more in depth and critical of humanity's", "mores and point of view of one of the subspecies. Decent idea, right?", "from the viewpoint of these human characters) seems... hokey. It seems as though", "the viewpoint of these human characters) seems... hokey. It seems as though I", "comes in the fact that it IS going to be a series and", "exploring an alien species and the world they live on as well as", "what it is. The story is compelling enough, the themes strong and the", "care about non-human perspectives, so the first book left the realm of exploring", "them. Think Avatar but WAY more in depth and critical of humanity's flaws.", "going to be a series and a totally human-centered book leading off a", "in the fact that it IS going to be a series and a", "discussion with a reader and who pointed out a significant flaw in my", "a significant flaw in my work that I hadn't seen. When I first", "supposed to explore the culture, mores and point of view of one of", "view of one of the subspecies. Decent idea, right? Especially if I could", "species and the world they live on as well as our cultural imperialism", "series about aliens (even if it is from the viewpoint of these human", "their new world. And that's entirely what it is. The story is compelling", "well as our cultural imperialism over them. Think Avatar but WAY more in", "and entered humanity's situation on their new world. And that's entirely what it", "IS going to be a series and a totally human-centered book leading off", "story into a spot where it is unnecessary. Thus I hit my conundrum.", "is, readers don't care about non-human perspectives, so the first book left the", "they don't like us treating them like savage animals. The thing is, readers", "readers don't care about non-human perspectives, so the first book left the realm", "where it is unnecessary. Thus I hit my conundrum. Do I try to", "objectives exist in a single narrative? TL;DR Halp please. I'm lost and frightened.", "trilogy in mind - based on exploring an alien species and the world", "and maybe they don't like us treating them like savage animals. The thing", "a series and a totally human-centered book leading off a series about aliens", "not space in a single book for that? Do I risk losing people", "characters are developing nicely. The problem comes in the fact that it IS", "pointed out a significant flaw in my work that I hadn't seen. When", "in mind - based on exploring an alien species and the world they", "first culture, thus touching off the entire quadrilogy, now trilogy's, narrative? Or is", "so the first book left the realm of exploring a culture and entered", "is from the viewpoint of these human characters) seems... hokey. It seems as", "touching off the entire quadrilogy, now trilogy's, narrative? Or is there not space", "people with an over-complicated book? Can two entire objectives exist in a single", "book left the realm of exploring a culture and entered humanity's situation on", "like us treating them like savage animals. The thing is, readers don't care", "could tie a narrative together that, hey, they know a lot of things", "a lot of things that we don't and maybe they don't like us", "nicely. The problem comes in the fact that it IS going to be", "and critical of humanity's flaws. Each was supposed to explore the culture, mores", "is, with the first culture, thus touching off the entire quadrilogy, now trilogy's,", "based on exploring an alien species and the world they live on as", "hokey. It seems as though I will be forcing a story into a", "I first started writing my series, I had a trilogy in mind -", "the subspecies. Decent idea, right? Especially if I could tie a narrative together", "the realm of exploring a culture and entered humanity's situation on their new", "lot of things that we don't and maybe they don't like us treating", "quadrilogy, now trilogy's, narrative? Or is there not space in a single book", "meld this story, powerful and complete as it is, with the first culture,", "entirely what it is. The story is compelling enough, the themes strong and", "of exploring a culture and entered humanity's situation on their new world. And", "Thus I hit my conundrum. Do I try to meld this story, powerful", "conundrum. Do I try to meld this story, powerful and complete as it", "new world. And that's entirely what it is. The story is compelling enough,", "the fact that it IS going to be a series and a totally", "writing my series, I had a trilogy in mind - based on exploring", "a single book for that? Do I risk losing people with an over-complicated", "Think Avatar but WAY more in depth and critical of humanity's flaws. Each", "over-complicated book? Can two entire objectives exist in a single narrative? TL;DR Halp", "we don't and maybe they don't like us treating them like savage animals.", "on as well as our cultural imperialism over them. Think Avatar but WAY", "world they live on as well as our cultural imperialism over them. Think", "The story is compelling enough, the themes strong and the characters are developing", "who pointed out a significant flaw in my work that I hadn't seen.", "complete as it is, with the first culture, thus touching off the entire", "problem comes in the fact that it IS going to be a series", "seems as though I will be forcing a story into a spot where", "a culture and entered humanity's situation on their new world. And that's entirely", "a totally human-centered book leading off a series about aliens (even if it", "the entire quadrilogy, now trilogy's, narrative? Or is there not space in a", "exploring a culture and entered humanity's situation on their new world. And that's", "Can two entire objectives exist in a single narrative? TL;DR Halp please. I'm", "of view of one of the subspecies. Decent idea, right? Especially if I", "maybe they don't like us treating them like savage animals. The thing is,", "live on as well as our cultural imperialism over them. Think Avatar but", "thus touching off the entire quadrilogy, now trilogy's, narrative? Or is there not", "(even if it is from the viewpoint of these human characters) seems... hokey.", "if it is from the viewpoint of these human characters) seems... hokey. It", "losing people with an over-complicated book? Can two entire objectives exist in a", "two entire objectives exist in a single narrative? TL;DR Halp please. I'm lost", "Especially if I could tie a narrative together that, hey, they know a", "as well as our cultural imperialism over them. Think Avatar but WAY more", "human-centered book leading off a series about aliens (even if it is from", "I try to meld this story, powerful and complete as it is, with", "right? Especially if I could tie a narrative together that, hey, they know", "off a series about aliens (even if it is from the viewpoint of", "more in depth and critical of humanity's flaws. Each was supposed to explore", "and point of view of one of the subspecies. Decent idea, right? Especially", "a narrative together that, hey, they know a lot of things that we", "are developing nicely. The problem comes in the fact that it IS going", "it is from the viewpoint of these human characters) seems... hokey. It seems", "hit my conundrum. Do I try to meld this story, powerful and complete", "compelling enough, the themes strong and the characters are developing nicely. The problem", "critical of humanity's flaws. Each was supposed to explore the culture, mores and", "as our cultural imperialism over them. Think Avatar but WAY more in depth", "I could tie a narrative together that, hey, they know a lot of", "trilogy's, narrative? Or is there not space in a single book for that?", "had a trilogy in mind - based on exploring an alien species and", "totally human-centered book leading off a series about aliens (even if it is", "book? Can two entire objectives exist in a single narrative? TL;DR Halp please.", "culture and entered humanity's situation on their new world. And that's entirely what", "my series, I had a trilogy in mind - based on exploring an", "a reader and who pointed out a significant flaw in my work that", "- based on exploring an alien species and the world they live on", "series, I had a trilogy in mind - based on exploring an alien", "subspecies. Decent idea, right? Especially if I could tie a narrative together that,", "Avatar but WAY more in depth and critical of humanity's flaws. Each was", "thing is, readers don't care about non-human perspectives, so the first book left", "non-human perspectives, so the first book left the realm of exploring a culture", "it is unnecessary. Thus I hit my conundrum. Do I try to meld", "that I hadn't seen. When I first started writing my series, I had", "in my work that I hadn't seen. When I first started writing my", "don't and maybe they don't like us treating them like savage animals. The", "off the entire quadrilogy, now trilogy's, narrative? Or is there not space in", "And that's entirely what it is. The story is compelling enough, the themes", "it IS going to be a series and a totally human-centered book leading", "that, hey, they know a lot of things that we don't and maybe", "mind - based on exploring an alien species and the world they live", "but WAY more in depth and critical of humanity's flaws. Each was supposed", "know a lot of things that we don't and maybe they don't like", "with the first culture, thus touching off the entire quadrilogy, now trilogy's, narrative?", "leading off a series about aliens (even if it is from the viewpoint", "the first book left the realm of exploring a culture and entered humanity's", "started writing my series, I had a trilogy in mind - based on", "of these human characters) seems... hokey. It seems as though I will be", "is compelling enough, the themes strong and the characters are developing nicely. The", "tie a narrative together that, hey, they know a lot of things that", "unnecessary. Thus I hit my conundrum. Do I try to meld this story,", "try to meld this story, powerful and complete as it is, with the", "a series about aliens (even if it is from the viewpoint of these", "it is, with the first culture, thus touching off the entire quadrilogy, now", "as it is, with the first culture, thus touching off the entire quadrilogy,", "they know a lot of things that we don't and maybe they don't", "us treating them like savage animals. The thing is, readers don't care about", "the characters are developing nicely. The problem comes in the fact that it", "significant flaw in my work that I hadn't seen. When I first started", "viewpoint of these human characters) seems... hokey. It seems as though I will", "Or is there not space in a single book for that? Do I", "that we don't and maybe they don't like us treating them like savage", "themes strong and the characters are developing nicely. The problem comes in the", "these human characters) seems... hokey. It seems as though I will be forcing", "is there not space in a single book for that? Do I risk", "left the realm of exploring a culture and entered humanity's situation on their", "with a reader and who pointed out a significant flaw in my work", "things that we don't and maybe they don't like us treating them like", "I risk losing people with an over-complicated book? Can two entire objectives exist", "single book for that? Do I risk losing people with an over-complicated book?", "culture, mores and point of view of one of the subspecies. Decent idea,", "the first culture, thus touching off the entire quadrilogy, now trilogy's, narrative? Or", "that's entirely what it is. The story is compelling enough, the themes strong", "Do I try to meld this story, powerful and complete as it is,", "the themes strong and the characters are developing nicely. The problem comes in", "savage animals. The thing is, readers don't care about non-human perspectives, so the", "WAY more in depth and critical of humanity's flaws. Each was supposed to", "forcing a story into a spot where it is unnecessary. Thus I hit", "developing nicely. The problem comes in the fact that it IS going to", "be a series and a totally human-centered book leading off a series about", "it is. The story is compelling enough, the themes strong and the characters", "I will be forcing a story into a spot where it is unnecessary.", "one of the subspecies. Decent idea, right? Especially if I could tie a", "on their new world. And that's entirely what it is. The story is", "work that I hadn't seen. When I first started writing my series, I", "idea, right? Especially if I could tie a narrative together that, hey, they", "will be forcing a story into a spot where it is unnecessary. Thus", "don't care about non-human perspectives, so the first book left the realm of", "So I recently had a discussion with a reader and who pointed out", "is unnecessary. Thus I hit my conundrum. Do I try to meld this", "series and a totally human-centered book leading off a series about aliens (even", "fact that it IS going to be a series and a totally human-centered", "to meld this story, powerful and complete as it is, with the first", "reader and who pointed out a significant flaw in my work that I", "hey, they know a lot of things that we don't and maybe they", "and complete as it is, with the first culture, thus touching off the", "I had a trilogy in mind - based on exploring an alien species", "narrative together that, hey, they know a lot of things that we don't", "humanity's situation on their new world. And that's entirely what it is. The", "space in a single book for that? Do I risk losing people with", "like savage animals. The thing is, readers don't care about non-human perspectives, so", "of the subspecies. Decent idea, right? Especially if I could tie a narrative", "Decent idea, right? Especially if I could tie a narrative together that, hey,", "imperialism over them. Think Avatar but WAY more in depth and critical of", "and the characters are developing nicely. The problem comes in the fact that", "a trilogy in mind - based on exploring an alien species and the", "about aliens (even if it is from the viewpoint of these human characters)", "be forcing a story into a spot where it is unnecessary. Thus I", "a story into a spot where it is unnecessary. Thus I hit my", "It seems as though I will be forcing a story into a spot", "culture, thus touching off the entire quadrilogy, now trilogy's, narrative? Or is there", "into a spot where it is unnecessary. Thus I hit my conundrum. Do", "a spot where it is unnecessary. Thus I hit my conundrum. Do I", "When I first started writing my series, I had a trilogy in mind", "is. The story is compelling enough, the themes strong and the characters are", "had a discussion with a reader and who pointed out a significant flaw", "though I will be forcing a story into a spot where it is", "aliens (even if it is from the viewpoint of these human characters) seems...", "this story, powerful and complete as it is, with the first culture, thus", "Do I risk losing people with an over-complicated book? Can two entire objectives", "The thing is, readers don't care about non-human perspectives, so the first book", "situation on their new world. And that's entirely what it is. The story", "entire quadrilogy, now trilogy's, narrative? Or is there not space in a single", "Each was supposed to explore the culture, mores and point of view of", "our cultural imperialism over them. Think Avatar but WAY more in depth and", "book leading off a series about aliens (even if it is from the", "if I could tie a narrative together that, hey, they know a lot", "and who pointed out a significant flaw in my work that I hadn't", "an alien species and the world they live on as well as our", "my conundrum. Do I try to meld this story, powerful and complete as", "I hit my conundrum. Do I try to meld this story, powerful and", "story, powerful and complete as it is, with the first culture, thus touching", "an over-complicated book? Can two entire objectives exist in a single narrative? TL;DR", "they live on as well as our cultural imperialism over them. Think Avatar", "them like savage animals. The thing is, readers don't care about non-human perspectives,", "about non-human perspectives, so the first book left the realm of exploring a", "entered humanity's situation on their new world. And that's entirely what it is.", "spot where it is unnecessary. Thus I hit my conundrum. Do I try", "I hadn't seen. When I first started writing my series, I had a", "there not space in a single book for that? Do I risk losing", "in a single book for that? Do I risk losing people with an", "enough, the themes strong and the characters are developing nicely. The problem comes", "characters) seems... hokey. It seems as though I will be forcing a story", "perspectives, so the first book left the realm of exploring a culture and", "cultural imperialism over them. Think Avatar but WAY more in depth and critical", "story is compelling enough, the themes strong and the characters are developing nicely.", "realm of exploring a culture and entered humanity's situation on their new world.", "together that, hey, they know a lot of things that we don't and", "recently had a discussion with a reader and who pointed out a significant", "out a significant flaw in my work that I hadn't seen. When I", "animals. The thing is, readers don't care about non-human perspectives, so the first", "to explore the culture, mores and point of view of one of the", "for that? Do I risk losing people with an over-complicated book? Can two", "world. And that's entirely what it is. The story is compelling enough, the", "hadn't seen. When I first started writing my series, I had a trilogy" ]
[ "to get energy won't make sense. I use the point of view of", "mechanism? Or should I just leave the details out? Note: It's just that", "should I just leave the details out? Note: It's just that I think", "photosynthesizes by absorbing infrared radiation from the magma. However, the world is roughly", "that lives in a magmaous (rather than \"volcanic\") cave. It photosynthesizes by absorbing", "lives in a magmaous (rather than \"volcanic\") cave. It photosynthesizes by absorbing infrared", "roughly at a medieval technology level, so telling that this plant uses infrared", "Just telling that there are plants in a cave isolated from the sun", "absorbing infrared radiation from the magma. However, the world is roughly at a", "get energy won't make sense. I use the point of view of the", "than \"volcanic\") cave. It photosynthesizes by absorbing infrared radiation from the magma. However,", "uses infrared radiation to get energy won't make sense. I use the point", "from the sun (that are not fungi) seems to break the disbelief. What", "a waste if it's left unexplained. It's not really an important plot point", "alternatives to telling the plant mechanism? Or should I just leave the details", "won't make sense. I use the point of view of the characters to", "that this plant uses infrared radiation to get energy won't make sense. I", "that I think it's a waste if it's left unexplained. It's not really", "It's just that I think it's a waste if it's left unexplained. It's", "that there are plants in a cave isolated from the sun (that are", "think it's a waste if it's left unexplained. It's not really an important", "not fungi) seems to break the disbelief. What are the alternatives to telling", "the characters to explore the world. Just telling that there are plants in", "are not fungi) seems to break the disbelief. What are the alternatives to", "break the disbelief. What are the alternatives to telling the plant mechanism? Or", "this plant uses infrared radiation to get energy won't make sense. I use", "leave the details out? Note: It's just that I think it's a waste", "Note: It's just that I think it's a waste if it's left unexplained.", "I use the point of view of the characters to explore the world.", "from the magma. However, the world is roughly at a medieval technology level,", "use the point of view of the characters to explore the world. Just", "I just leave the details out? Note: It's just that I think it's", "magmaous (rather than \"volcanic\") cave. It photosynthesizes by absorbing infrared radiation from the", "a magmaous (rather than \"volcanic\") cave. It photosynthesizes by absorbing infrared radiation from", "infrared radiation from the magma. However, the world is roughly at a medieval", "It photosynthesizes by absorbing infrared radiation from the magma. However, the world is", "magma. However, the world is roughly at a medieval technology level, so telling", "explore the world. Just telling that there are plants in a cave isolated", "in a magmaous (rather than \"volcanic\") cave. It photosynthesizes by absorbing infrared radiation", "infrared radiation to get energy won't make sense. I use the point of", "details out? Note: It's just that I think it's a waste if it's", "it's a waste if it's left unexplained. It's not really an important plot", "(rather than \"volcanic\") cave. It photosynthesizes by absorbing infrared radiation from the magma.", "make sense. I use the point of view of the characters to explore", "energy won't make sense. I use the point of view of the characters", "world is roughly at a medieval technology level, so telling that this plant", "the details out? Note: It's just that I think it's a waste if", "(that are not fungi) seems to break the disbelief. What are the alternatives", "disbelief. What are the alternatives to telling the plant mechanism? Or should I", "telling the plant mechanism? Or should I just leave the details out? Note:", "by absorbing infrared radiation from the magma. However, the world is roughly at", "cave. It photosynthesizes by absorbing infrared radiation from the magma. However, the world", "are plants in a cave isolated from the sun (that are not fungi)", "the plant mechanism? Or should I just leave the details out? Note: It's", "isolated from the sun (that are not fungi) seems to break the disbelief.", "plant uses infrared radiation to get energy won't make sense. I use the", "of my world is a plant that lives in a magmaous (rather than", "medieval technology level, so telling that this plant uses infrared radiation to get", "plants in a cave isolated from the sun (that are not fungi) seems", "seems to break the disbelief. What are the alternatives to telling the plant", "out? Note: It's just that I think it's a waste if it's left", "are the alternatives to telling the plant mechanism? Or should I just leave", "just leave the details out? Note: It's just that I think it's a", "a plant that lives in a magmaous (rather than \"volcanic\") cave. It photosynthesizes", "sense. I use the point of view of the characters to explore the", "One feature of my world is a plant that lives in a magmaous", "in a cave isolated from the sun (that are not fungi) seems to", "the world is roughly at a medieval technology level, so telling that this", "it's left unexplained. It's not really an important plot point or something like", "a medieval technology level, so telling that this plant uses infrared radiation to", "to telling the plant mechanism? Or should I just leave the details out?", "of the characters to explore the world. Just telling that there are plants", "cave isolated from the sun (that are not fungi) seems to break the", "plant mechanism? Or should I just leave the details out? Note: It's just", "is roughly at a medieval technology level, so telling that this plant uses", "my world is a plant that lives in a magmaous (rather than \"volcanic\")", "just that I think it's a waste if it's left unexplained. It's not", "technology level, so telling that this plant uses infrared radiation to get energy", "world is a plant that lives in a magmaous (rather than \"volcanic\") cave.", "left unexplained. It's not really an important plot point or something like that.", "view of the characters to explore the world. Just telling that there are", "feature of my world is a plant that lives in a magmaous (rather", "point of view of the characters to explore the world. Just telling that", "at a medieval technology level, so telling that this plant uses infrared radiation", "the point of view of the characters to explore the world. Just telling", "the magma. However, the world is roughly at a medieval technology level, so", "if it's left unexplained. It's not really an important plot point or something", "telling that there are plants in a cave isolated from the sun (that", "What are the alternatives to telling the plant mechanism? Or should I just", "so telling that this plant uses infrared radiation to get energy won't make", "there are plants in a cave isolated from the sun (that are not", "the world. Just telling that there are plants in a cave isolated from", "Or should I just leave the details out? Note: It's just that I", "radiation to get energy won't make sense. I use the point of view", "is a plant that lives in a magmaous (rather than \"volcanic\") cave. It", "plant that lives in a magmaous (rather than \"volcanic\") cave. It photosynthesizes by", "radiation from the magma. However, the world is roughly at a medieval technology", "\"volcanic\") cave. It photosynthesizes by absorbing infrared radiation from the magma. However, the", "to break the disbelief. What are the alternatives to telling the plant mechanism?", "I think it's a waste if it's left unexplained. It's not really an", "the disbelief. What are the alternatives to telling the plant mechanism? Or should", "telling that this plant uses infrared radiation to get energy won't make sense.", "the alternatives to telling the plant mechanism? Or should I just leave the", "waste if it's left unexplained. It's not really an important plot point or", "fungi) seems to break the disbelief. What are the alternatives to telling the", "of view of the characters to explore the world. Just telling that there", "characters to explore the world. Just telling that there are plants in a", "to explore the world. Just telling that there are plants in a cave", "level, so telling that this plant uses infrared radiation to get energy won't", "a cave isolated from the sun (that are not fungi) seems to break", "sun (that are not fungi) seems to break the disbelief. What are the", "However, the world is roughly at a medieval technology level, so telling that", "world. Just telling that there are plants in a cave isolated from the", "the sun (that are not fungi) seems to break the disbelief. What are" ]
[ "the world aganist what he (or his society) considered to be evil, but", "more than ever. What journeys and/or archetypes can be told as a journey/archetype", "himself for then he can return renewed and stronger. They often want save", "has to left in order to mature himself for then he can return", "Vogler's writings, there are mentions about the \"Shadow\" as well. It is portrayed", "are or can be. ![1](https://i.stack.imgur.com/xcmlj.jpg) The hero archetype is the personification of the", "each other. There isn't, a specific journey for the Self, which is the", "has something that is not well acepted in his society and he has", "heroes. So we got ourselves a bunch of blue and red heroes fighting", "According to psychologist Carl Jung, there are divisions into one's mind. The \"Self\"", "what gives balance and stability of who you truly are or can be.", "well acepted in his society and he has to left in order to", "archetype is the personification of the ego (I won't explain it here, it", "but not necessarily the villain. [![enter image description here](https://i.stack.imgur.com/tKf2U.jpg)](https://i.stack.imgur.com/tKf2U.jpg) This \"ego-driven\" journey is", "in order to mature himself for then he can return renewed and stronger.", "here, it would be a huge explanation.). In Campbell's and Vogler's writings, there", "the human's psyche. We tend to forget it in our polarized society as", "Jung, there are divisions into one's mind. The \"Self\" (often described as \"Higher-Self\"", "The \"Self\" (often described as \"Higher-Self\" or \"Soul\") is what hold all of", "the hero, but not necessarily the villain. [![enter image description here](https://i.stack.imgur.com/tKf2U.jpg)](https://i.stack.imgur.com/tKf2U.jpg) This \"ego-driven\"", "he has to left in order to mature himself for then he can", "his society) considered to be evil, but there are other people on the", "often want save the world aganist what he (or his society) considered to", "considered to be evil, but there are other people on the other side", "We tend to forget it in our polarized society as we need it", "for the \"Self?\" -------------------------------------------------------------------------------------- I'm not talking about the \"I'am\" the \"me\" but", "as well. It is portrayed as an antagonist to the hero, but not", "If You are not familiar with it, here are some brief explanations: [![enter", "what hold all of those divisions together (or try to). It is what", "in his society and he has to left in order to mature himself", "society) considered to be evil, but there are other people on the other", "\"Self?\" -------------------------------------------------------------------------------------- I'm not talking about the \"I'am\" the \"me\" but the psycholical", "villain. [![enter image description here](https://i.stack.imgur.com/tKf2U.jpg)](https://i.stack.imgur.com/tKf2U.jpg) This \"ego-driven\" journey is about proving something to", "description here](https://i.stack.imgur.com/5WZke.png)](https://i.stack.imgur.com/5WZke.png) [![enter image description here](https://i.stack.imgur.com/7xtUx.jpg)](https://i.stack.imgur.com/7xtUx.jpg) If you want more information, the key-words", "order to mature himself for then he can return renewed and stronger. They", "not necessarily the villain. [![enter image description here](https://i.stack.imgur.com/tKf2U.jpg)](https://i.stack.imgur.com/tKf2U.jpg) This \"ego-driven\" journey is about", "description here](https://i.stack.imgur.com/tKf2U.jpg)](https://i.stack.imgur.com/tKf2U.jpg) This \"ego-driven\" journey is about proving something to the world. The", "ego (I won't explain it here, it would be a huge explanation.). In", "stability of who you truly are or can be. ![1](https://i.stack.imgur.com/xcmlj.jpg) The hero archetype", "here are some brief explanations: [![enter image description here](https://i.stack.imgur.com/8UEhh.jpg)](https://i.stack.imgur.com/8UEhh.jpg) [![enter image description here](https://i.stack.imgur.com/5WZke.png)](https://i.stack.imgur.com/5WZke.png)", "would be a huge explanation.). In Campbell's and Vogler's writings, there are mentions", "not familiar with it, here are some brief explanations: [![enter image description here](https://i.stack.imgur.com/8UEhh.jpg)](https://i.stack.imgur.com/8UEhh.jpg)", "left in order to mature himself for then he can return renewed and", "something that is not well acepted in his society and he has to", "is not well acepted in his society and he has to left in", "part of the human's psyche. We tend to forget it in our polarized", "into one's mind. The \"Self\" (often described as \"Higher-Self\" or \"Soul\") is what", "about the \"Shadow\" as well. It is portrayed as an antagonist to the", "is portrayed as an antagonist to the hero, but not necessarily the villain.", "ever. What journeys and/or archetypes can be told as a journey/archetype for the", "truly are or can be. ![1](https://i.stack.imgur.com/xcmlj.jpg) *The hero archetype is the personification of", "be a huge explanation.). In Campbell's and Vogler's writings, there are mentions about", "all of those divisions together (or try to). It is what gives balance", "he can return renewed and stronger. They often want save the world aganist", "are divisions into one's mind. The \"Self\" (often described as \"Higher-Self\" or \"Soul\")", "aganist what he (or his society) considered to be evil, but there are", "the \"I'am\" the \"me\" but the psycholical concept of the Self. If You", "description here](https://i.stack.imgur.com/7xtUx.jpg)](https://i.stack.imgur.com/7xtUx.jpg) If you want more information, the key-words are: Self, Soul (in", "the Self. If You are not familiar with it, here are some brief", "try to). It is what gives balance and stability of who you truly", "on the other side that have their own heroes. So we got ourselves", "the central part of the human's psyche. We tend to forget it in", "renewed and stronger. They often want save the world aganist what he (or", "to). It is what gives balance and stability of who you truly* are", "tend to forget it in our polarized society as we need it more", "than ever. What journeys and/or archetypes can be told as a journey/archetype for", "described as \"Higher-Self\" or \"Soul\") is what hold all of those divisions together", "it in our polarized society as we need it more than ever. What", "to be evil, but there are other people on the other side that", "is what gives balance and stability of who you truly are or can", "well. It is portrayed as an antagonist to the hero, but not necessarily", "journey for the Self, which is the central part of the human's psyche.", "what he (or his society) considered to be evil, but there are other", "of the ego (I won't explain it here, it would be a huge", "a huge explanation.). In Campbell's and Vogler's writings, there are mentions about the", "necessarily the villain. [![enter image description here](https://i.stack.imgur.com/tKf2U.jpg)](https://i.stack.imgur.com/tKf2U.jpg) This \"ego-driven\" journey is about proving", "and stronger. They often want save the world aganist what he (or his", "psyche. We tend to forget it in our polarized society as we need", "image description here](https://i.stack.imgur.com/5WZke.png)](https://i.stack.imgur.com/5WZke.png) [![enter image description here](https://i.stack.imgur.com/7xtUx.jpg)](https://i.stack.imgur.com/7xtUx.jpg) If you want more information, the", "-------------------------------------------------------------------------------------- I'm not talking about the \"I'am\" the \"me\" but the psycholical concept", "(or try to). It is what gives balance and stability of who you", "be evil, but there are other people on the other side that have", "bunch of blue and red heroes fighting aganist each other. There isn't, a", "They often want save the world aganist what he (or his society) considered", "want more information, the key-words are: Self, Soul (in psychology), Ego, Carl Jung", "there are divisions into one's mind. The \"Self\" (often described as \"Higher-Self\" or", "In Campbell's and Vogler's writings, there are mentions about the \"Shadow\" as well.", "to psychologist Carl Jung, there are divisions into one's mind. The \"Self\" (often", "an antagonist to the hero, but not necessarily the villain. [![enter image description", "There isn't, a specific journey for the Self,** which is the central part", "not well acepted in his society and he has to left in order", "description here](https://i.stack.imgur.com/8UEhh.jpg)](https://i.stack.imgur.com/8UEhh.jpg) [![enter image description here](https://i.stack.imgur.com/5WZke.png)](https://i.stack.imgur.com/5WZke.png) [![enter image description here](https://i.stack.imgur.com/7xtUx.jpg)](https://i.stack.imgur.com/7xtUx.jpg) If you want", "writings, there are mentions about the \"Shadow\" as well. It is portrayed as", "(I won't explain it here, it would be a huge explanation.). In Campbell's", "gives balance and stability of who you truly are or can be. ![1](https://i.stack.imgur.com/xcmlj.jpg)", "of the Self. If You are not familiar with it, here are some", "If you want more information, the key-words are: Self, Soul (in psychology), Ego,", "society and he has to left in order to mature himself for then", "concept of the Self. If You are not familiar with it, here are", "side that have their own heroes. So we got ourselves a bunch of", "of those divisions together (or try to). It is what gives balance and", "you truly are or can be. ![1](https://i.stack.imgur.com/xcmlj.jpg) The hero archetype is the personification", "forget it in our polarized society as we need it more than ever.", "something to the world. The Hero has something that is not well acepted", "are mentions about the \"Shadow\" as well. It is portrayed as an antagonist", "huge explanation.). In Campbell's and Vogler's writings, there are mentions about the \"Shadow\"", "those divisions together (or try to). It is what gives balance and stability", "other side that have their own heroes. So we got ourselves a bunch", "blue and red heroes fighting aganist each other. There isn't, a specific journey", "other. There isn't, a specific journey for the Self, which is the central", "together (or try to). It is what gives balance and stability of who", "about proving something to the world. The Hero has something that is not", "the ego (I won't explain it here, it would be a huge explanation.).", "heroes fighting aganist each other. There isn't, a specific journey for the Self,", "the villain. [![enter image description here](https://i.stack.imgur.com/tKf2U.jpg)](https://i.stack.imgur.com/tKf2U.jpg) This \"ego-driven\" journey is about proving something", "be told as a journey/archetype for the \"Self?\" -------------------------------------------------------------------------------------- I'm not talking about", "can return renewed and stronger. They often want save the world aganist what", "\"Soul\") is what hold all of those divisions together (or try to). It", "are some brief explanations: [![enter image description here](https://i.stack.imgur.com/8UEhh.jpg)](https://i.stack.imgur.com/8UEhh.jpg) [![enter image description here](https://i.stack.imgur.com/5WZke.png)](https://i.stack.imgur.com/5WZke.png) [![enter", "the \"Shadow\" as well. It is portrayed as an antagonist to the hero,", "evil, but there are other people on the other side that have their", "got ourselves a bunch of blue and red heroes fighting aganist each other.", "explanation.). In Campbell's and Vogler's writings, there are mentions about the \"Shadow\" as", "stronger. They often want save the world aganist what he (or his society)", "people on the other side that have their own heroes. So we got", "mature himself for then he can return renewed and stronger. They often want", "have their own heroes. So we got ourselves a bunch of blue and", "a specific journey for the Self, which is the central part of the", "of the human's psyche. We tend to forget it in our polarized society", "[![enter image description here](https://i.stack.imgur.com/8UEhh.jpg)](https://i.stack.imgur.com/8UEhh.jpg) [![enter image description here](https://i.stack.imgur.com/5WZke.png)](https://i.stack.imgur.com/5WZke.png) [![enter image description here](https://i.stack.imgur.com/7xtUx.jpg)](https://i.stack.imgur.com/7xtUx.jpg) If", "world aganist what he (or his society) considered to be evil, but there", "which is the central part of the human's psyche. We tend to forget", "\"Higher-Self\" or \"Soul\") is what hold all of those divisions together (or try", "ourselves a bunch of blue and red heroes fighting aganist each other. There", "What journeys and/or archetypes can be told as a journey/archetype for the \"Self?\"", "the Self, which is the central part of the human's psyche. We tend", "a journey/archetype for the \"Self?\" -------------------------------------------------------------------------------------- I'm not talking about the \"I'am\" the", "but the psycholical concept of the Self. If You are not familiar with", "Self. If You are not familiar with it, here are some brief explanations:", "as a journey/archetype for the \"Self?\" -------------------------------------------------------------------------------------- I'm not talking about the \"I'am\"", "you want more information, the key-words are: Self, Soul (in psychology), Ego, Carl", "This \"ego-driven\" journey is about proving something to the world. The Hero has", "psychologist Carl Jung, there are divisions into one's mind. The \"Self\" (often described", "\"Self\" (often described as \"Higher-Self\" or \"Soul\") is what hold all of those", "is the personification of the ego (I won't explain it here, it would", "and red heroes fighting aganist each other. There isn't, a specific journey for", "specific journey for the Self, which is the central part of the human's", "antagonist to the hero, but not necessarily the villain. [![enter image description here](https://i.stack.imgur.com/tKf2U.jpg)](https://i.stack.imgur.com/tKf2U.jpg)", "journeys and/or archetypes can be told as a journey/archetype for the \"Self?\" --------------------------------------------------------------------------------------", "as \"Higher-Self\" or \"Soul\") is what hold all of those divisions together (or", "his society and he has to left in order to mature himself for", "return renewed and stronger. They often want save the world aganist what he", "familiar with it, here are some brief explanations: [![enter image description here](https://i.stack.imgur.com/8UEhh.jpg)](https://i.stack.imgur.com/8UEhh.jpg) [![enter", "talking about the \"I'am\" the \"me\" but the psycholical concept of the Self.", "hold all of those divisions together (or try to). It is what gives", "human's psyche. We tend to forget it in our polarized society as we", "here](https://i.stack.imgur.com/8UEhh.jpg)](https://i.stack.imgur.com/8UEhh.jpg) [![enter image description here](https://i.stack.imgur.com/5WZke.png)](https://i.stack.imgur.com/5WZke.png) [![enter image description here](https://i.stack.imgur.com/7xtUx.jpg)](https://i.stack.imgur.com/7xtUx.jpg) If you want more", "image description here](https://i.stack.imgur.com/8UEhh.jpg)](https://i.stack.imgur.com/8UEhh.jpg) [![enter image description here](https://i.stack.imgur.com/5WZke.png)](https://i.stack.imgur.com/5WZke.png) [![enter image description here](https://i.stack.imgur.com/7xtUx.jpg)](https://i.stack.imgur.com/7xtUx.jpg) If you", "to the world. The Hero has something that is not well acepted in", "as an antagonist to the hero, but not necessarily the villain. [![enter image", "of blue and red heroes fighting aganist each other. There isn't, a specific", "aganist each other. There isn't, a specific journey for the Self, which is", "proving something to the world. The Hero has something that is not well", "other people on the other side that have their own heroes. So we", "about the \"I'am\" the \"me\" but the psycholical concept of the Self. If", "Campbell's and Vogler's writings, there are mentions about the \"Shadow\" as well. It", "balance and stability of who you truly are or can be. ![1](https://i.stack.imgur.com/xcmlj.jpg) The", "hero, but not necessarily the villain. [![enter image description here](https://i.stack.imgur.com/tKf2U.jpg)](https://i.stack.imgur.com/tKf2U.jpg) This \"ego-driven\" journey", "want save the world aganist what he (or his society) considered to be", "told as a journey/archetype for the \"Self?\" -------------------------------------------------------------------------------------- I'm not talking about the", "The hero archetype is the personification of the ego (I won't explain it", "but there are other people on the other side that have their own", "the psycholical concept of the Self. If You are not familiar with it,", "psycholical concept of the Self. If You are not familiar with it, here", "and stability of who you truly are or can be. ![1](https://i.stack.imgur.com/xcmlj.jpg) The hero", "a bunch of blue and red heroes fighting aganist each other. There isn't,", "to forget it in our polarized society as we need it more than", "own heroes. So we got ourselves a bunch of blue and red heroes", "in our polarized society as we need it more than ever. What journeys", "polarized society as we need it more than ever. What journeys and/or archetypes", "here](https://i.stack.imgur.com/5WZke.png)](https://i.stack.imgur.com/5WZke.png) [![enter image description here](https://i.stack.imgur.com/7xtUx.jpg)](https://i.stack.imgur.com/7xtUx.jpg) If you want more information, the key-words are:", "here](https://i.stack.imgur.com/7xtUx.jpg)](https://i.stack.imgur.com/7xtUx.jpg) If you want more information, the key-words are: Self, Soul (in psychology),", "and/or archetypes can be told as a journey/archetype for the \"Self?\" -------------------------------------------------------------------------------------- I'm", "need it more than ever. What journeys and/or archetypes can be told as", "that is not well acepted in his society and he has to left", "journey/archetype for the \"Self?\" -------------------------------------------------------------------------------------- I'm not talking about the \"I'am\" the \"me\"", "can be told as a journey/archetype for the \"Self?\" -------------------------------------------------------------------------------------- I'm not talking", "it would be a huge explanation.). In Campbell's and Vogler's writings, there are", "fighting aganist each other. There isn't, a specific journey for the Self, which", "Carl Jung, there are divisions into one's mind. The \"Self\" (often described as", "portrayed as an antagonist to the hero, but not necessarily the villain. [![enter", "divisions into one's mind. The \"Self\" (often described as \"Higher-Self\" or \"Soul\") is", "![1](https://i.stack.imgur.com/xcmlj.jpg) The hero archetype is the personification of the ego (I won't explain", "(often described as \"Higher-Self\" or \"Soul\") is what hold all of those divisions", "and he has to left in order to mature himself for then he", "are other people on the other side that have their own heroes. So", "personification of the ego** (I won't explain it here, it would be a", "that have their own heroes. So we got ourselves a bunch of blue", "or \"Soul\") is what hold all of those divisions together (or try to).", "(or his society) considered to be evil, but there are other people on", "The Hero has something that is not well acepted in his society and", "journey is about proving something to the world. The Hero has something that", "So we got ourselves a bunch of blue and red heroes fighting aganist", "\"me\" but the psycholical concept of the Self. If You are not familiar", "one's mind. The \"Self\" (often described as \"Higher-Self\" or \"Soul\") is what hold", "are not familiar with it, here are some brief explanations: [![enter image description", "some brief explanations: [![enter image description here](https://i.stack.imgur.com/8UEhh.jpg)](https://i.stack.imgur.com/8UEhh.jpg) [![enter image description here](https://i.stack.imgur.com/5WZke.png)](https://i.stack.imgur.com/5WZke.png) [![enter image", "the \"me\" but the psycholical concept of the Self. If You are not", "with it, here are some brief explanations: [![enter image description here](https://i.stack.imgur.com/8UEhh.jpg)](https://i.stack.imgur.com/8UEhh.jpg) [![enter image", "mind. The \"Self\" (often described as \"Higher-Self\" or \"Soul\") is what hold all", "is what hold all of those divisions together (or try to). It is", "\"ego-driven\" journey is about proving something to the world. The Hero has something", "then he can return renewed and stronger. They often want save the world", "it here, it would be a huge explanation.). In Campbell's and Vogler's writings,", "who you truly are or can be. ![1](https://i.stack.imgur.com/xcmlj.jpg) The hero archetype is the", "hero archetype is the personification of the ego (I won't explain it here,", "explain it here, it would be a huge explanation.). In Campbell's and Vogler's", "central part of the human's psyche. We tend to forget it in our", "or can be. ![1](https://i.stack.imgur.com/xcmlj.jpg) The hero archetype is the personification of the ego", "for the Self,** which is the central part of the human's psyche. We", "and Vogler's writings, there are mentions about the \"Shadow\" as well. It is", "not talking about the \"I'am\" the \"me\" but the psycholical concept of the", "there are mentions about the \"Shadow\" as well. It is portrayed as an", "I'm not talking about the \"I'am\" the \"me\" but the psycholical concept of", "their own heroes. So we got ourselves a bunch of blue and red", "is about proving something to the world. The Hero has something that is", "of who you truly are or can be. ![1](https://i.stack.imgur.com/xcmlj.jpg) The hero archetype is", "we got ourselves a bunch of blue and red heroes fighting aganist each", "the \"Self?\" -------------------------------------------------------------------------------------- I'm not talking about the \"I'am\" the \"me\" but the", "won't explain it here, it would be a huge explanation.). In Campbell's and", "for then he can return renewed and stronger. They often want save the", "[![enter image description here](https://i.stack.imgur.com/5WZke.png)](https://i.stack.imgur.com/5WZke.png) [![enter image description here](https://i.stack.imgur.com/7xtUx.jpg)](https://i.stack.imgur.com/7xtUx.jpg) If you want more information,", "mentions about the \"Shadow\" as well. It is portrayed as an antagonist to", "Self, which is the central part of the human's psyche. We tend to", "we need it more than ever. What journeys and/or archetypes can be told", "the personification of the ego (I won't explain it here, it would be", "the world. The Hero has something that is not well acepted in his", "It is portrayed as an antagonist to the hero, but not necessarily the", "image description here](https://i.stack.imgur.com/tKf2U.jpg)](https://i.stack.imgur.com/tKf2U.jpg) This \"ego-driven\" journey is about proving something to the world.", "it, here are some brief explanations: [![enter image description here](https://i.stack.imgur.com/8UEhh.jpg)](https://i.stack.imgur.com/8UEhh.jpg) [![enter image description", "to mature himself for then he can return renewed and stronger. They often", "[![enter image description here](https://i.stack.imgur.com/tKf2U.jpg)](https://i.stack.imgur.com/tKf2U.jpg) This \"ego-driven\" journey is about proving something to the", "\"Shadow\" as well. It is portrayed as an antagonist to the hero, but", "isn't, a specific journey for the Self, which is the central part of", "to the hero, but not necessarily the villain. [![enter image description here](https://i.stack.imgur.com/tKf2U.jpg)](https://i.stack.imgur.com/tKf2U.jpg) This", "it more than ever. What journeys and/or archetypes can be told as a", "image description here](https://i.stack.imgur.com/7xtUx.jpg)](https://i.stack.imgur.com/7xtUx.jpg) If you want more information, the key-words are: Self, Soul", "our polarized society as we need it more than ever. What journeys and/or", "red heroes fighting aganist each other. There isn't, a specific journey for the", "acepted in his society and he has to left in order to mature", "world. The Hero has something that is not well acepted in his society", "explanations: [![enter image description here](https://i.stack.imgur.com/8UEhh.jpg)](https://i.stack.imgur.com/8UEhh.jpg) [![enter image description here](https://i.stack.imgur.com/5WZke.png)](https://i.stack.imgur.com/5WZke.png) [![enter image description here](https://i.stack.imgur.com/7xtUx.jpg)](https://i.stack.imgur.com/7xtUx.jpg)", "as we need it more than ever. What journeys and/or archetypes can be", "[![enter image description here](https://i.stack.imgur.com/7xtUx.jpg)](https://i.stack.imgur.com/7xtUx.jpg) If you want more information, the key-words are: Self,", "brief explanations: [![enter image description here](https://i.stack.imgur.com/8UEhh.jpg)](https://i.stack.imgur.com/8UEhh.jpg) [![enter image description here](https://i.stack.imgur.com/5WZke.png)](https://i.stack.imgur.com/5WZke.png) [![enter image description", "save the world aganist what he (or his society) considered to be evil,", "here](https://i.stack.imgur.com/tKf2U.jpg)](https://i.stack.imgur.com/tKf2U.jpg) This \"ego-driven\" journey is about proving something to the world. The Hero", "\"I'am\" the \"me\" but the psycholical concept of the Self. If You are", "be. ![1](https://i.stack.imgur.com/xcmlj.jpg) The hero archetype is the personification of the ego (I won't", "divisions together (or try to). It is what gives balance and stability of", "the other side that have their own heroes. So we got ourselves a", "there are other people on the other side that have their own heroes.", "archetypes can be told as a journey/archetype for the \"Self?\" -------------------------------------------------------------------------------------- I'm not", "society as we need it more than ever. What journeys and/or archetypes can", "Hero has something that is not well acepted in his society and he", "can be. ![1](https://i.stack.imgur.com/xcmlj.jpg) The hero archetype is the personification of the ego (I", "to left in order to mature himself for then he can return renewed", "is the central part of the human's psyche. We tend to forget it", "You are not familiar with it, here are some brief explanations: [![enter image", "It is what gives balance and stability of who you truly are or", "he (or his society) considered to be evil, but there are other people" ]
[ "throw it away once they see the word \"prologue.\" It's a sci/fi-fantasy type", "that an agent/publisher would throw it away once they see the word \"prologue.\"", "other question has been to keep things as tight as possible. I am", "they see the word \"prologue.\" It's a sci/fi-fantasy type story (I finished the", "called the prologue?\" But I am now skittish at the thought that an", "\"prologue.\" It's a sci/fi-fantasy type story (I finished the rough draft of the", "can delete it entirely, and put any necessary points into the rest of", "everything that is unnecessary does not sound right. The entire genre of poetry", "night, hurray, and will begin editing downwards, and revising, later today. I anticipate", "anticipate four rounds of edits to address all the details I want to", "now skittish at the thought that an agent/publisher would throw it away once", "there. Or, 1. I can delete it entirely, and put any necessary points", "since that is my first instinct 3. I can rename it chapter 1.", "stories, mythologies, etc and additional supplemental is one possibility. It could go there.", "is set 17 years before the main story arc. I am reflecting on", "has been to keep things as tight as possible. I am a little", "that is unnecessary does not sound right. The entire genre of poetry is", "just wonder \"Why isn't this called the prologue?\" But I am now skittish", "agree with making writing succinct, but the idea of cutting everything that is", "can rename it chapter 1. In that scenario, Chapter 1 would have a", "be set 17 years before the rest of the story. A major plot", "editing downwards, and revising, later today. I anticipate four rounds of edits to", "it entirely, and put any necessary points into the rest of the book.", "poetry is arguably unnecessary. Does renaming it chapter 1 make any sense? AS", "make any sense? AS a reader I would just wonder \"Why isn't this", "sense? AS a reader I would just wonder \"Why isn't this called the", "(I finished the rough draft of the entire 110,000 word story last night,", "one possibility. It could go there. Or, 1. I can delete it entirely,", "points into the rest of the book. 2. I can leave it as", "character sketches, short stories, mythologies, etc and additional supplemental is one possibility. It", "[here](https://writers.stackexchange.com/questions/18206/how-long-can-a-prologue-be-and-what-should-you-not-do), which was asked by another SE contributor. I'm trying to decide what", "The main feedback on the other question has been to keep things as", "the discussion [here](https://writers.stackexchange.com/questions/18206/how-long-can-a-prologue-be-and-what-should-you-not-do), which was asked by another SE contributor. I'm trying to", "leave it as the prologue, since that is my first instinct 3. I", "that scenario, Chapter 1 would have a different POV and be set 17", "and revealed about halfway through the story. The main feedback on the other", "rough draft of the entire 110,000 word story last night, hurray, and will", "word \"prologue.\" It's a sci/fi-fantasy type story (I finished the rough draft of", "any sense? AS a reader I would just wonder \"Why isn't this called", "could go there. Or, 1. I can delete it entirely, and put any", "by another SE contributor. I'm trying to decide what to do with my", "my first instinct 3. I can rename it chapter 1. In that scenario,", "the thought that an agent/publisher would throw it away once they see the", "an agent/publisher would throw it away once they see the word \"prologue.\" It's", "SE contributor. I'm trying to decide what to do with my prologue. Building", "of poetry is arguably unnecessary. Does renaming it chapter 1 make any sense?", "prologue. Building a website for my world with minor character sketches, short stories,", "sound right. The entire genre of poetry is arguably unnecessary. Does renaming it", "prologue?\" But I am now skittish at the thought that an agent/publisher would", "especially things that are well written. I agree with making writing succinct, but", "prologue, and revealed about halfway through the story. The main feedback on the", "It's a sci/fi-fantasy type story (I finished the rough draft of the entire", "delete it entirely, and put any necessary points into the rest of the", "hurray, and will begin editing downwards, and revising, later today. I anticipate four", "last night, hurray, and will begin editing downwards, and revising, later today. I", "renaming it chapter 1 make any sense? AS a reader I would just", "four rounds of edits to address all the details I want to solidify.)", "agent/publisher would throw it away once they see the word \"prologue.\" It's a", "not sound right. The entire genre of poetry is arguably unnecessary. Does renaming", "to decide what to do with my prologue. Building a website for my", "do with my prologue. Building a website for my world with minor character", "world with minor character sketches, short stories, mythologies, etc and additional supplemental is", "a little puzzled by this, though. We write for people who read. People", "3. I can rename it chapter 1. In that scenario, Chapter 1 would", "Or, 1. I can delete it entirely, and put any necessary points into", "word story last night, hurray, and will begin editing downwards, and revising, later", "that are well written. I agree with making writing succinct, but the idea", "1 would have a different POV and be set 17 years before the", "mythologies, etc and additional supplemental is one possibility. It could go there. Or,", "begin editing downwards, and revising, later today. I anticipate four rounds of edits", "little puzzled by this, though. We write for people who read. People who", "book. 2. I can leave it as the prologue, since that is my", "is unnecessary does not sound right. The entire genre of poetry is arguably", "decide what to do with my prologue. Building a website for my world", "AS a reader I would just wonder \"Why isn't this called the prologue?\"", "reflecting on the discussion [here](https://writers.stackexchange.com/questions/18206/how-long-can-a-prologue-be-and-what-should-you-not-do), which was asked by another SE contributor. I'm", "Building a website for my world with minor character sketches, short stories, mythologies,", "genre of poetry is arguably unnecessary. Does renaming it chapter 1 make any", "chapter 1. In that scenario, Chapter 1 would have a different POV and", "asked by another SE contributor. I'm trying to decide what to do with", "can leave it as the prologue, since that is my first instinct 3.", "the other question has been to keep things as tight as possible. I", "to do with my prologue. Building a website for my world with minor", "etc and additional supplemental is one possibility. It could go there. Or, 1.", "a reader I would just wonder \"Why isn't this called the prologue?\" But", "through the story. The main feedback on the other question has been to", "prologue, since that is my first instinct 3. I can rename it chapter", "that is my first instinct 3. I can rename it chapter 1. In", "I am a little puzzled by this, though. We write for people who", "trying to decide what to do with my prologue. Building a website for", "\"Why isn't this called the prologue?\" But I am now skittish at the", "it as the prologue, since that is my first instinct 3. I can", "sci/fi-fantasy type story (I finished the rough draft of the entire 110,000 word", "as the prologue, since that is my first instinct 3. I can rename", "it chapter 1. In that scenario, Chapter 1 would have a different POV", "the entire 110,000 word story last night, hurray, and will begin editing downwards,", "would have a different POV and be set 17 years before the rest", "revising, later today. I anticipate four rounds of edits to address all the", "succinct, but the idea of cutting everything that is unnecessary does not sound", "rest of the story. A major plot point is set up in the", "entire genre of poetry is arguably unnecessary. Does renaming it chapter 1 make", "away once they see the word \"prologue.\" It's a sci/fi-fantasy type story (I", "People who read presumably enjoy reading, especially things that are well written. I", "is arguably unnecessary. Does renaming it chapter 1 make any sense? AS a", "as possible. I am a little puzzled by this, though. We write for", "the rough draft of the entire 110,000 word story last night, hurray, and", "website for my world with minor character sketches, short stories, mythologies, etc and", "at the thought that an agent/publisher would throw it away once they see", "minor character sketches, short stories, mythologies, etc and additional supplemental is one possibility.", "short stories, mythologies, etc and additional supplemental is one possibility. It could go", "major plot point is set up in the prologue, and revealed about halfway", "reader I would just wonder \"Why isn't this called the prologue?\" But I", "finished the rough draft of the entire 110,000 word story last night, hurray,", "my world with minor character sketches, short stories, mythologies, etc and additional supplemental", "put any necessary points into the rest of the book. 2. I can", "what to do with my prologue. Building a website for my world with", "keep things as tight as possible. I am a little puzzled by this,", "making writing succinct, but the idea of cutting everything that is unnecessary does", "set 17 years before the main story arc. I am reflecting on the", "and be set 17 years before the rest of the story. A major", "right. The entire genre of poetry is arguably unnecessary. Does renaming it chapter", "any necessary points into the rest of the book. 2. I can leave", "In that scenario, Chapter 1 would have a different POV and be set", "read. People who read presumably enjoy reading, especially things that are well written.", "into the rest of the book. 2. I can leave it as the", "sketches, short stories, mythologies, etc and additional supplemental is one possibility. It could", "I'm trying to decide what to do with my prologue. Building a website", "on the other question has been to keep things as tight as possible.", "for people who read. People who read presumably enjoy reading, especially things that", "would just wonder \"Why isn't this called the prologue?\" But I am now", "years before the rest of the story. A major plot point is set", "rename it chapter 1. In that scenario, Chapter 1 would have a different", "the prologue, since that is my first instinct 3. I can rename it", "to keep things as tight as possible. I am a little puzzled by", "this, though. We write for people who read. People who read presumably enjoy", "years before the main story arc. I am reflecting on the discussion [here](https://writers.stackexchange.com/questions/18206/how-long-can-a-prologue-be-and-what-should-you-not-do),", "possible. I am a little puzzled by this, though. We write for people", "with making writing succinct, but the idea of cutting everything that is unnecessary", "I can leave it as the prologue, since that is my first instinct", "set up in the prologue, and revealed about halfway through the story. The", "1. I can delete it entirely, and put any necessary points into the", "and put any necessary points into the rest of the book. 2. I", "was asked by another SE contributor. I'm trying to decide what to do", "I can rename it chapter 1. In that scenario, Chapter 1 would have", "question has been to keep things as tight as possible. I am a", "reading, especially things that are well written. I agree with making writing succinct,", "unnecessary. Does renaming it chapter 1 make any sense? AS a reader I", "before the main story arc. I am reflecting on the discussion [here](https://writers.stackexchange.com/questions/18206/how-long-can-a-prologue-be-and-what-should-you-not-do), which", "main story arc. I am reflecting on the discussion [here](https://writers.stackexchange.com/questions/18206/how-long-can-a-prologue-be-and-what-should-you-not-do), which was asked", "discussion [here](https://writers.stackexchange.com/questions/18206/how-long-can-a-prologue-be-and-what-should-you-not-do), which was asked by another SE contributor. I'm trying to decide", "it away once they see the word \"prologue.\" It's a sci/fi-fantasy type story", "of the book. 2. I can leave it as the prologue, since that", "downwards, and revising, later today. I anticipate four rounds of edits to address", "things that are well written. I agree with making writing succinct, but the", "tight as possible. I am a little puzzled by this, though. We write", "unnecessary does not sound right. The entire genre of poetry is arguably unnecessary.", "does not sound right. The entire genre of poetry is arguably unnecessary. Does", "are well written. I agree with making writing succinct, but the idea of", "of the story. A major plot point is set up in the prologue,", "the prologue?\" But I am now skittish at the thought that an agent/publisher", "prologue is set 17 years before the main story arc. I am reflecting", "POV and be set 17 years before the rest of the story. A", "revealed about halfway through the story. The main feedback on the other question", "set 17 years before the rest of the story. A major plot point", "The entire genre of poetry is arguably unnecessary. Does renaming it chapter 1", "17 years before the main story arc. I am reflecting on the discussion", "supplemental is one possibility. It could go there. Or, 1. I can delete", "a sci/fi-fantasy type story (I finished the rough draft of the entire 110,000", "story (I finished the rough draft of the entire 110,000 word story last", "the idea of cutting everything that is unnecessary does not sound right. The", "additional supplemental is one possibility. It could go there. Or, 1. I can", "is my first instinct 3. I can rename it chapter 1. In that", "see the word \"prologue.\" It's a sci/fi-fantasy type story (I finished the rough", "am a little puzzled by this, though. We write for people who read.", "the main story arc. I am reflecting on the discussion [here](https://writers.stackexchange.com/questions/18206/how-long-can-a-prologue-be-and-what-should-you-not-do), which was", "a website for my world with minor character sketches, short stories, mythologies, etc", "who read. People who read presumably enjoy reading, especially things that are well", "about halfway through the story. The main feedback on the other question has", "enjoy reading, especially things that are well written. I agree with making writing", "who read presumably enjoy reading, especially things that are well written. I agree", "puzzled by this, though. We write for people who read. People who read", "skittish at the thought that an agent/publisher would throw it away once they", "of the entire 110,000 word story last night, hurray, and will begin editing", "I am reflecting on the discussion [here](https://writers.stackexchange.com/questions/18206/how-long-can-a-prologue-be-and-what-should-you-not-do), which was asked by another SE", "on the discussion [here](https://writers.stackexchange.com/questions/18206/how-long-can-a-prologue-be-and-what-should-you-not-do), which was asked by another SE contributor. I'm trying", "as tight as possible. I am a little puzzled by this, though. We", "writing succinct, but the idea of cutting everything that is unnecessary does not", "am reflecting on the discussion [here](https://writers.stackexchange.com/questions/18206/how-long-can-a-prologue-be-and-what-should-you-not-do), which was asked by another SE contributor.", "my prologue. Building a website for my world with minor character sketches, short", "cutting everything that is unnecessary does not sound right. The entire genre of", "entirely, and put any necessary points into the rest of the book. 2.", "is one possibility. It could go there. Or, 1. I can delete it", "plot point is set up in the prologue, and revealed about halfway through", "the story. The main feedback on the other question has been to keep", "before the rest of the story. A major plot point is set up", "entire 110,000 word story last night, hurray, and will begin editing downwards, and", "but the idea of cutting everything that is unnecessary does not sound right.", "rest of the book. 2. I can leave it as the prologue, since", "people who read. People who read presumably enjoy reading, especially things that are", "later today. I anticipate four rounds of edits to address all the details", "I would just wonder \"Why isn't this called the prologue?\" But I am", "go there. Or, 1. I can delete it entirely, and put any necessary", "Chapter 1 would have a different POV and be set 17 years before", "feedback on the other question has been to keep things as tight as", "well written. I agree with making writing succinct, but the idea of cutting", "idea of cutting everything that is unnecessary does not sound right. The entire", "Does renaming it chapter 1 make any sense? AS a reader I would", "It could go there. Or, 1. I can delete it entirely, and put", "will begin editing downwards, and revising, later today. I anticipate four rounds of", "17 years before the rest of the story. A major plot point is", "the word \"prologue.\" It's a sci/fi-fantasy type story (I finished the rough draft", "presumably enjoy reading, especially things that are well written. I agree with making", "draft of the entire 110,000 word story last night, hurray, and will begin", "main feedback on the other question has been to keep things as tight", "the rest of the book. 2. I can leave it as the prologue,", "this called the prologue?\" But I am now skittish at the thought that", "and additional supplemental is one possibility. It could go there. Or, 1. I", "and will begin editing downwards, and revising, later today. I anticipate four rounds", "read presumably enjoy reading, especially things that are well written. I agree with", "which was asked by another SE contributor. I'm trying to decide what to", "it chapter 1 make any sense? AS a reader I would just wonder", "have a different POV and be set 17 years before the rest of", "up in the prologue, and revealed about halfway through the story. The main", "first instinct 3. I can rename it chapter 1. In that scenario, Chapter", "story. The main feedback on the other question has been to keep things", "written. I agree with making writing succinct, but the idea of cutting everything", "a different POV and be set 17 years before the rest of the", "arguably unnecessary. Does renaming it chapter 1 make any sense? AS a reader", "I anticipate four rounds of edits to address all the details I want", "and revising, later today. I anticipate four rounds of edits to address all", "another SE contributor. I'm trying to decide what to do with my prologue.", "story. A major plot point is set up in the prologue, and revealed", "type story (I finished the rough draft of the entire 110,000 word story", "with minor character sketches, short stories, mythologies, etc and additional supplemental is one", "the book. 2. I can leave it as the prologue, since that is", "though. We write for people who read. People who read presumably enjoy reading,", "chapter 1 make any sense? AS a reader I would just wonder \"Why", "arc. I am reflecting on the discussion [here](https://writers.stackexchange.com/questions/18206/how-long-can-a-prologue-be-and-what-should-you-not-do), which was asked by another", "scenario, Chapter 1 would have a different POV and be set 17 years", "by this, though. We write for people who read. People who read presumably", "I can delete it entirely, and put any necessary points into the rest", "is set up in the prologue, and revealed about halfway through the story.", "My prologue is set 17 years before the main story arc. I am", "with my prologue. Building a website for my world with minor character sketches,", "possibility. It could go there. Or, 1. I can delete it entirely, and", "in the prologue, and revealed about halfway through the story. The main feedback", "halfway through the story. The main feedback on the other question has been", "been to keep things as tight as possible. I am a little puzzled", "things as tight as possible. I am a little puzzled by this, though.", "I agree with making writing succinct, but the idea of cutting everything that", "But I am now skittish at the thought that an agent/publisher would throw", "2. I can leave it as the prologue, since that is my first", "isn't this called the prologue?\" But I am now skittish at the thought", "thought that an agent/publisher would throw it away once they see the word", "the rest of the story. A major plot point is set up in", "would throw it away once they see the word \"prologue.\" It's a sci/fi-fantasy", "1 make any sense? AS a reader I would just wonder \"Why isn't", "I am now skittish at the thought that an agent/publisher would throw it", "110,000 word story last night, hurray, and will begin editing downwards, and revising,", "instinct 3. I can rename it chapter 1. In that scenario, Chapter 1", "contributor. I'm trying to decide what to do with my prologue. Building a", "of cutting everything that is unnecessary does not sound right. The entire genre", "the story. A major plot point is set up in the prologue, and", "am now skittish at the thought that an agent/publisher would throw it away", "different POV and be set 17 years before the rest of the story.", "point is set up in the prologue, and revealed about halfway through the", "We write for people who read. People who read presumably enjoy reading, especially", "today. I anticipate four rounds of edits to address all the details I", "story arc. I am reflecting on the discussion [here](https://writers.stackexchange.com/questions/18206/how-long-can-a-prologue-be-and-what-should-you-not-do), which was asked by", "necessary points into the rest of the book. 2. I can leave it", "1. In that scenario, Chapter 1 would have a different POV and be", "wonder \"Why isn't this called the prologue?\" But I am now skittish at", "A major plot point is set up in the prologue, and revealed about", "story last night, hurray, and will begin editing downwards, and revising, later today.", "once they see the word \"prologue.\" It's a sci/fi-fantasy type story (I finished", "for my world with minor character sketches, short stories, mythologies, etc and additional", "write for people who read. People who read presumably enjoy reading, especially things", "the prologue, and revealed about halfway through the story. The main feedback on" ]
[ "building enough sets (or cities that don't catch on fire), so dumping info", "just want power, you want to take power, like stealing daddy's gun and", "to be the strong kid while you don't even know how to reload.", "catch on fire), so dumping info in dialogue was ~~easier~~ not financially impossible.", "for Big E., he didn't take his sweet little time going on a", "> [A.I sidekick]: Sure, they are valuable tools. > > [Protagonist]: That's not", "> > [Protagonist]: That's not even... > > [Antagonist]: You're calling me a", "(or cities that don't catch on fire), so dumping info in dialogue was", "sword is literally made out of slaughtered toddlers. But why would you even", "planet with people who thought that it'd be a good idea to place", "chit-chats, like [Graham McNeil](https://1d4chan.org/wiki/The_Last_Church). Example: > > [Protagonist]: Ya' know, it's kinda hard", "over yet, let us see how much your words worth against steel! >", "those were Enlil's fault, and he was way too scary looking for everyone", "I'd like to give the story some depth with uninterrupted chit-chats, like [Graham", "That wasn't intentional, you shittalking corpse! > > [Antagonist]: Not to mention the", "how much your words worth against steel! > > [Protagonist]: I'd rather prefer", "where we couldn't afford building enough sets (or cities that don't catch on", "modern era. However, I'd like to give the story some depth with uninterrupted", "and a few operators. > > [A.I sidekick]: Who are unwitting orphans... >", "even... > > [Antagonist]: You're calling me a mass murderer!? Have you forgotten,", "Don' think it's over yet, let us see how much your words worth", "and instead, immediately started to bring back the \"order\" you adore so much.", "kid while you don't even know how to reload. This is why you've", "fault. Admit it, you just want power, you want to take power, like", "not even... > > [Antagonist]: You're calling me a mass murderer!? Have you", "skeleton, but that was Horus' fault. Admit it, you just want power, you", "daddy's gun and pretending to be the strong kid while you don't even", "Big E., he didn't take his sweet little time going on a treasure", "he was way too scary looking for everyone else to doubt him. As", "strong kid while you don't even know how to reload. This is why", "slaughtered toddlers. But why would you even need it? Order can be maintained", "was ~~easier~~ not financially impossible. 2. He's sorta \"outdated\" (the writing, not his", "too scary looking for everyone else to doubt him. As for Big E.,", "some depth with uninterrupted chit-chats, like [Graham McNeil](https://1d4chan.org/wiki/The_Last_Church). Example: > > [Protagonist]: Ya'", "impossible. 2. He's sorta \"outdated\" (the writing, not his corpse). 3. I have", "and they instead caused the war that left its mark in the universe", "so much. He ended up as a glorified skeleton, but that was Horus'", "of those were Enlil's fault, and he was way too scary looking for", "take a good care of them! > > [A.I sidekick]: Sure, they are", "they instead caused the war that left its mark in the universe for", "for the rest of eternity. > > [Protagonist]: Most of those were Enlil's", "~~easier~~ not financially impossible. 2. He's sorta \"outdated\" (the writing, not his corpse).", "the story some depth with uninterrupted chit-chats, like [Graham McNeil](https://1d4chan.org/wiki/The_Last_Church). Example: > >", "can be maintained with a regular drone army and a few operators. >", "writing, not his corpse). 3. I have to share the scarce resources of", "apart, as it's nothing else than a battle of wits. So, if there's", "Example: > > [Protagonist]: Ya' know, it's kinda hard to believe that you're", "rather prefer my pen against that. > > > So, I can't really", "mention the other mass murderer you made, the Anathema. Your race had the", "hunt, and instead, immediately started to bring back the \"order\" you adore so", "[A.I sidekick]: Who are unwitting orphans... > > [Protagonist]: At least I take", "war that left its mark in the universe for the rest of eternity.", "we couldn't afford building enough sets (or cities that don't catch on fire),", "to share the scarce resources of this planet with people who thought that", "corpse! > > [Antagonist]: Not to mention the other mass murderer you made,", "reload. This is why you've failed. > > [Antagonist]: Don' think it's over", "steel! > > [Protagonist]: I'd rather prefer my pen against that. > >", "instead, immediately started to bring back the \"order\" you adore so much. He", "give the story some depth with uninterrupted chit-chats, like [Graham McNeil](https://1d4chan.org/wiki/The_Last_Church). Example: >", "Who are unwitting orphans... > > [Protagonist]: At least I take a good", "but there are a few problems with it: 1. He was a screenwriter", "believe that you're doing this for the greater good when your special snowflake", "this for the greater good when your special snowflake sword is literally made", "Horus' fault. Admit it, you just want power, you want to take power,", "least I take a good care of them! > > [A.I sidekick]: Sure,", "sidekick]: Who are unwitting orphans... > > [Protagonist]: At least I take a", "you just want power, you want to take power, like stealing daddy's gun", "dialogue was ~~easier~~ not financially impossible. 2. He's sorta \"outdated\" (the writing, not", "up as a glorified skeleton, but that was Horus' fault. Admit it, you", "dumping info in dialogue was ~~easier~~ not financially impossible. 2. He's sorta \"outdated\"", "orphans... > > [Protagonist]: At least I take a good care of them!", "the scarce resources of this planet with people who thought that it'd be", "Order can be maintained with a regular drone army and a few operators.", "to prove themselves as the defenders of order, and they instead caused the", "to mention the other mass murderer you made, the Anathema. Your race had", "me a mass murderer!? Have you forgotten, when you turned an entire race", "yet, let us see how much your words worth against steel! > >", "unstoppable robots, who only knew and desired nothing else than destruction? > >", "else to doubt him. As for Big E., he didn't take his sweet", "(the writing, not his corpse). 3. I have to share the scarce resources", "At least I take a good care of them! > > [A.I sidekick]:", "nothing else than destruction? > > [Protagonist]: That wasn't intentional, you shittalking corpse!", "as it's nothing else than a battle of wits. So, if there's any,", "don't catch on fire), so dumping info in dialogue was ~~easier~~ not financially", "his sweet little time going on a treasure hunt, and instead, immediately started", "> > [Antagonist]: Not to mention the other mass murderer you made, the", "regular drone army and a few operators. > > [A.I sidekick]: Who are", "the defenders of order, and they instead caused the war that left its", "entire race into unstoppable robots, who only knew and desired nothing else than", "other mass murderer you made, the Anathema. Your race had the opportunity to", "mark in the universe for the rest of eternity. > > [Protagonist]: Most", "> > [Protagonist]: Ya' know, it's kinda hard to believe that you're doing", "let us see how much your words worth against steel! > > [Protagonist]:", "special snowflake sword is literally made out of slaughtered toddlers. But why would", "operators. > > [A.I sidekick]: Who are unwitting orphans... > > [Protagonist]: At", "You're calling me a mass murderer!? Have you forgotten, when you turned an", "eternity. > > [Protagonist]: Most of those were Enlil's fault, and he was", "army and a few operators. > > [A.I sidekick]: Who are unwitting orphans...", "So, if there's any, what are the things I can do to make", "power, like stealing daddy's gun and pretending to be the strong kid while", "to place Romeo and Juliet into a modern era. However, I'd like to", "literally made out of slaughtered toddlers. But why would you even need it?", "there's any, what are the things I can do to make this more", "him. As for Big E., he didn't take his sweet little time going", "fault, and he was way too scary looking for everyone else to doubt", "a lot of times, but there are a few problems with it: 1.", "greater good when your special snowflake sword is literally made out of slaughtered", "who only knew and desired nothing else than destruction? > > [Protagonist]: That", "destruction? > > [Protagonist]: That wasn't intentional, you shittalking corpse! > > [Antagonist]:", "have to share the scarce resources of this planet with people who thought", "era. However, I'd like to give the story some depth with uninterrupted chit-chats,", "made, the Anathema. Your race had the opportunity to prove themselves as the", "enough sets (or cities that don't catch on fire), so dumping info in", "against that. > > > So, I can't really chop this dialog apart,", "bring back the \"order\" you adore so much. He ended up as a", "you turned an entire race into unstoppable robots, who only knew and desired", "[Graham McNeil](https://1d4chan.org/wiki/The_Last_Church). Example: > > [Protagonist]: Ya' know, it's kinda hard to believe", "the universe for the rest of eternity. > > [Protagonist]: Most of those", "the greater good when your special snowflake sword is literally made out of", "would you even need it? Order can be maintained with a regular drone", "sweet little time going on a treasure hunt, and instead, immediately started to", "robots, who only knew and desired nothing else than destruction? > > [Protagonist]:", "problems with it: 1. He was a screenwriter in an age, where we", "good care of them! > > [A.I sidekick]: Sure, they are valuable tools.", "else than destruction? > > [Protagonist]: That wasn't intentional, you shittalking corpse! >", "on fire), so dumping info in dialogue was ~~easier~~ not financially impossible. 2.", "> > [Protagonist]: Most of those were Enlil's fault, and he was way", "kinda hard to believe that you're doing this for the greater good when", "race had the opportunity to prove themselves as the defenders of order, and", "However, I'd like to give the story some depth with uninterrupted chit-chats, like", "sidekick]: Sure, they are valuable tools. > > [Protagonist]: That's not even... >", "> > So, I can't really chop this dialog apart, as it's nothing", "take power, like stealing daddy's gun and pretending to be the strong kid", "pen against that. > > > So, I can't really chop this dialog", "> [Protagonist]: I'd rather prefer my pen against that. > > > So,", "it quite a lot of times, but there are a few problems with", "it's over yet, let us see how much your words worth against steel!", "to doubt him. As for Big E., he didn't take his sweet little", "but that was Horus' fault. Admit it, you just want power, you want", "wasn't intentional, you shittalking corpse! > > [Antagonist]: Not to mention the other", "uninterrupted chit-chats, like [Graham McNeil](https://1d4chan.org/wiki/The_Last_Church). Example: > > [Protagonist]: Ya' know, it's kinda", "his corpse). 3. I have to share the scarce resources of this planet", "a few problems with it: 1. He was a screenwriter in an age,", "share the scarce resources of this planet with people who thought that it'd", "3. I have to share the scarce resources of this planet with people", "an age, where we couldn't afford building enough sets (or cities that don't", "themselves as the defenders of order, and they instead caused the war that", "He was a screenwriter in an age, where we couldn't afford building enough", "Have you forgotten, when you turned an entire race into unstoppable robots, who", "when you turned an entire race into unstoppable robots, who only knew and", "pretending to be the strong kid while you don't even know how to", "2. He's sorta \"outdated\" (the writing, not his corpse). 3. I have to", "care of them! > > [A.I sidekick]: Sure, they are valuable tools. >", "its mark in the universe for the rest of eternity. > > [Protagonist]:", "Most of those were Enlil's fault, and he was way too scary looking", "want power, you want to take power, like stealing daddy's gun and pretending", "you want to take power, like stealing daddy's gun and pretending to be", "had the opportunity to prove themselves as the defenders of order, and they", "stealing daddy's gun and pretending to be the strong kid while you don't", "an entire race into unstoppable robots, who only knew and desired nothing else", "only knew and desired nothing else than destruction? > > [Protagonist]: That wasn't", "he did it quite a lot of times, but there are a few", "of eternity. > > [Protagonist]: Most of those were Enlil's fault, and he", "a mass murderer!? Have you forgotten, when you turned an entire race into", "was way too scary looking for everyone else to doubt him. As for", "> > [Antagonist]: Don' think it's over yet, let us see how much", "think it's over yet, let us see how much your words worth against", "of slaughtered toddlers. But why would you even need it? Order can be", "This is why you've failed. > > [Antagonist]: Don' think it's over yet,", "to bring back the \"order\" you adore so much. He ended up as", "was a screenwriter in an age, where we couldn't afford building enough sets", "He ended up as a glorified skeleton, but that was Horus' fault. Admit", "like stealing daddy's gun and pretending to be the strong kid while you", "> [Protagonist]: That wasn't intentional, you shittalking corpse! > > [Antagonist]: Not to", "wits. So, if there's any, what are the things I can do to", "I take a good care of them! > > [A.I sidekick]: Sure, they", "treasure hunt, and instead, immediately started to bring back the \"order\" you adore", "ended up as a glorified skeleton, but that was Horus' fault. Admit it,", "> > [A.I sidekick]: Sure, they are valuable tools. > > [Protagonist]: That's", "need it? Order can be maintained with a regular drone army and a", "[Antagonist]: Not to mention the other mass murderer you made, the Anathema. Your", "didn't take his sweet little time going on a treasure hunt, and instead,", "that. > > > So, I can't really chop this dialog apart, as", "than destruction? > > [Protagonist]: That wasn't intentional, you shittalking corpse! > >", "your special snowflake sword is literally made out of slaughtered toddlers. But why", "are valuable tools. > > [Protagonist]: That's not even... > > [Antagonist]: You're", "valuable tools. > > [Protagonist]: That's not even... > > [Antagonist]: You're calling", "it's kinda hard to believe that you're doing this for the greater good", "I can't really chop this dialog apart, as it's nothing else than a", "gun and pretending to be the strong kid while you don't even know", "not his corpse). 3. I have to share the scarce resources of this", "it's nothing else than a battle of wits. So, if there's any, what", "take his sweet little time going on a treasure hunt, and instead, immediately", "idea to place Romeo and Juliet into a modern era. However, I'd like", "be the strong kid while you don't even know how to reload. This", "a battle of wits. So, if there's any, what are the things I", "why would you even need it? Order can be maintained with a regular", "you shittalking corpse! > > [Antagonist]: Not to mention the other mass murderer", "be maintained with a regular drone army and a few operators. > >", "us see how much your words worth against steel! > > [Protagonist]: I'd", "words worth against steel! > > [Protagonist]: I'd rather prefer my pen against", "E., he didn't take his sweet little time going on a treasure hunt,", "race into unstoppable robots, who only knew and desired nothing else than destruction?", "a good care of them! > > [A.I sidekick]: Sure, they are valuable", "But why would you even need it? Order can be maintained with a", "corpse). 3. I have to share the scarce resources of this planet with", "know, it's kinda hard to believe that you're doing this for the greater", "that don't catch on fire), so dumping info in dialogue was ~~easier~~ not", "good when your special snowflake sword is literally made out of slaughtered toddlers.", "scary looking for everyone else to doubt him. As for Big E., he", "for everyone else to doubt him. As for Big E., he didn't take", "a glorified skeleton, but that was Horus' fault. Admit it, you just want", "of this planet with people who thought that it'd be a good idea", "immediately started to bring back the \"order\" you adore so much. He ended", "this dialog apart, as it's nothing else than a battle of wits. So,", "lot of times, but there are a few problems with it: 1. He", "[Protagonist]: Most of those were Enlil's fault, and he was way too scary", "for the greater good when your special snowflake sword is literally made out", "> [Antagonist]: Not to mention the other mass murderer you made, the Anathema.", "afford building enough sets (or cities that don't catch on fire), so dumping", "> > [A.I sidekick]: Who are unwitting orphans... > > [Protagonist]: At least", "> [Protagonist]: That's not even... > > [Antagonist]: You're calling me a mass", "As for Big E., he didn't take his sweet little time going on", "info in dialogue was ~~easier~~ not financially impossible. 2. He's sorta \"outdated\" (the", "Sure, they are valuable tools. > > [Protagonist]: That's not even... > >", "Nvikuspeara did it, he did it quite a lot of times, but there", "I'd rather prefer my pen against that. > > > So, I can't", "place Romeo and Juliet into a modern era. However, I'd like to give", "your words worth against steel! > > [Protagonist]: I'd rather prefer my pen", "> > [Protagonist]: At least I take a good care of them! >", "instead caused the war that left its mark in the universe for the", "quite a lot of times, but there are a few problems with it:", "prove themselves as the defenders of order, and they instead caused the war", "knew and desired nothing else than destruction? > > [Protagonist]: That wasn't intentional,", "really chop this dialog apart, as it's nothing else than a battle of", "depth with uninterrupted chit-chats, like [Graham McNeil](https://1d4chan.org/wiki/The_Last_Church). Example: > > [Protagonist]: Ya' know,", "is literally made out of slaughtered toddlers. But why would you even need", "the other mass murderer you made, the Anathema. Your race had the opportunity", "> [Protagonist]: At least I take a good care of them! > >", "a good idea to place Romeo and Juliet into a modern era. However,", "rest of eternity. > > [Protagonist]: Most of those were Enlil's fault, and", "who thought that it'd be a good idea to place Romeo and Juliet", "doubt him. As for Big E., he didn't take his sweet little time", "resources of this planet with people who thought that it'd be a good", "failed. > > [Antagonist]: Don' think it's over yet, let us see how", "> So, I can't really chop this dialog apart, as it's nothing else", "scarce resources of this planet with people who thought that it'd be a", "if there's any, what are the things I can do to make this", "1. He was a screenwriter in an age, where we couldn't afford building", "when your special snowflake sword is literally made out of slaughtered toddlers. But", "defenders of order, and they instead caused the war that left its mark", "desired nothing else than destruction? > > [Protagonist]: That wasn't intentional, you shittalking", "I have to share the scarce resources of this planet with people who", "maintained with a regular drone army and a few operators. > > [A.I", "in an age, where we couldn't afford building enough sets (or cities that", "he didn't take his sweet little time going on a treasure hunt, and", "Ya' know, it's kinda hard to believe that you're doing this for the", "did it, he did it quite a lot of times, but there are", "with a regular drone army and a few operators. > > [A.I sidekick]:", "opportunity to prove themselves as the defenders of order, and they instead caused", "[Protagonist]: At least I take a good care of them! > > [A.I", "story some depth with uninterrupted chit-chats, like [Graham McNeil](https://1d4chan.org/wiki/The_Last_Church). Example: > > [Protagonist]:", "them! > > [A.I sidekick]: Sure, they are valuable tools. > > [Protagonist]:", "that it'd be a good idea to place Romeo and Juliet into a", "little time going on a treasure hunt, and instead, immediately started to bring", "than a battle of wits. So, if there's any, what are the things", "fire), so dumping info in dialogue was ~~easier~~ not financially impossible. 2. He's", "> [Antagonist]: Don' think it's over yet, let us see how much your", "glorified skeleton, but that was Horus' fault. Admit it, you just want power,", "shittalking corpse! > > [Antagonist]: Not to mention the other mass murderer you", "screenwriter in an age, where we couldn't afford building enough sets (or cities", "murderer!? Have you forgotten, when you turned an entire race into unstoppable robots,", "it: 1. He was a screenwriter in an age, where we couldn't afford", "even know how to reload. This is why you've failed. > > [Antagonist]:", "it'd be a good idea to place Romeo and Juliet into a modern", "unwitting orphans... > > [Protagonist]: At least I take a good care of", "the strong kid while you don't even know how to reload. This is", "> > [Antagonist]: You're calling me a mass murderer!? Have you forgotten, when", "why you've failed. > > [Antagonist]: Don' think it's over yet, let us", "made out of slaughtered toddlers. But why would you even need it? Order", "were Enlil's fault, and he was way too scary looking for everyone else", "> [Protagonist]: Most of those were Enlil's fault, and he was way too", "sorta \"outdated\" (the writing, not his corpse). 3. I have to share the", "into unstoppable robots, who only knew and desired nothing else than destruction? >", "order, and they instead caused the war that left its mark in the", "chop this dialog apart, as it's nothing else than a battle of wits.", "a modern era. However, I'd like to give the story some depth with", "drone army and a few operators. > > [A.I sidekick]: Who are unwitting", "with uninterrupted chit-chats, like [Graham McNeil](https://1d4chan.org/wiki/The_Last_Church). Example: > > [Protagonist]: Ya' know, it's", "Juliet into a modern era. However, I'd like to give the story some", "did it quite a lot of times, but there are a few problems", "a treasure hunt, and instead, immediately started to bring back the \"order\" you", "see how much your words worth against steel! > > [Protagonist]: I'd rather", "[A.I sidekick]: Sure, they are valuable tools. > > [Protagonist]: That's not even...", "looking for everyone else to doubt him. As for Big E., he didn't", "they are valuable tools. > > [Protagonist]: That's not even... > > [Antagonist]:", "with people who thought that it'd be a good idea to place Romeo", "this planet with people who thought that it'd be a good idea to", "to reload. This is why you've failed. > > [Antagonist]: Don' think it's", "don't even know how to reload. This is why you've failed. > >", "in dialogue was ~~easier~~ not financially impossible. 2. He's sorta \"outdated\" (the writing,", "it? Order can be maintained with a regular drone army and a few", "left its mark in the universe for the rest of eternity. > >", "you forgotten, when you turned an entire race into unstoppable robots, who only", "you made, the Anathema. Your race had the opportunity to prove themselves as", "everyone else to doubt him. As for Big E., he didn't take his", "like [Graham McNeil](https://1d4chan.org/wiki/The_Last_Church). Example: > > [Protagonist]: Ya' know, it's kinda hard to", "while you don't even know how to reload. This is why you've failed.", "dialog apart, as it's nothing else than a battle of wits. So, if", "the opportunity to prove themselves as the defenders of order, and they instead", "so dumping info in dialogue was ~~easier~~ not financially impossible. 2. He's sorta", "you've failed. > > [Antagonist]: Don' think it's over yet, let us see", "> [A.I sidekick]: Who are unwitting orphans... > > [Protagonist]: At least I", "can't really chop this dialog apart, as it's nothing else than a battle", "Admit it, you just want power, you want to take power, like stealing", "> > [Protagonist]: That wasn't intentional, you shittalking corpse! > > [Antagonist]: Not", "toddlers. But why would you even need it? Order can be maintained with", "the \"order\" you adore so much. He ended up as a glorified skeleton,", "battle of wits. So, if there's any, what are the things I can", "cities that don't catch on fire), so dumping info in dialogue was ~~easier~~", "He's sorta \"outdated\" (the writing, not his corpse). 3. I have to share", "a screenwriter in an age, where we couldn't afford building enough sets (or", "mass murderer you made, the Anathema. Your race had the opportunity to prove", "my pen against that. > > > So, I can't really chop this", "caused the war that left its mark in the universe for the rest", "of wits. So, if there's any, what are the things I can do", "financially impossible. 2. He's sorta \"outdated\" (the writing, not his corpse). 3. I", "even need it? Order can be maintained with a regular drone army and", "\"order\" you adore so much. He ended up as a glorified skeleton, but", "Anathema. Your race had the opportunity to prove themselves as the defenders of", "like to give the story some depth with uninterrupted chit-chats, like [Graham McNeil](https://1d4chan.org/wiki/The_Last_Church).", "are unwitting orphans... > > [Protagonist]: At least I take a good care", "going on a treasure hunt, and instead, immediately started to bring back the", "[Protagonist]: That's not even... > > [Antagonist]: You're calling me a mass murderer!?", "any, what are the things I can do to make this more readable?", "much. He ended up as a glorified skeleton, but that was Horus' fault.", "mass murderer!? Have you forgotten, when you turned an entire race into unstoppable", "you adore so much. He ended up as a glorified skeleton, but that", "few operators. > > [A.I sidekick]: Who are unwitting orphans... > > [Protagonist]:", "adore so much. He ended up as a glorified skeleton, but that was", "into a modern era. However, I'd like to give the story some depth", "McNeil](https://1d4chan.org/wiki/The_Last_Church). Example: > > [Protagonist]: Ya' know, it's kinda hard to believe that", "> > [Protagonist]: I'd rather prefer my pen against that. > > >", "in the universe for the rest of eternity. > > [Protagonist]: Most of", "much your words worth against steel! > > [Protagonist]: I'd rather prefer my", "calling me a mass murderer!? Have you forgotten, when you turned an entire", "few problems with it: 1. He was a screenwriter in an age, where", "[Protagonist]: Ya' know, it's kinda hard to believe that you're doing this for", "there are a few problems with it: 1. He was a screenwriter in", "not financially impossible. 2. He's sorta \"outdated\" (the writing, not his corpse). 3.", "tools. > > [Protagonist]: That's not even... > > [Antagonist]: You're calling me", "people who thought that it'd be a good idea to place Romeo and", "as the defenders of order, and they instead caused the war that left", "times, but there are a few problems with it: 1. He was a", "power, you want to take power, like stealing daddy's gun and pretending to", "murderer you made, the Anathema. Your race had the opportunity to prove themselves", "know how to reload. This is why you've failed. > > [Antagonist]: Don'", "to believe that you're doing this for the greater good when your special", "you're doing this for the greater good when your special snowflake sword is", "the Anathema. Your race had the opportunity to prove themselves as the defenders", "forgotten, when you turned an entire race into unstoppable robots, who only knew", "snowflake sword is literally made out of slaughtered toddlers. But why would you", "that was Horus' fault. Admit it, you just want power, you want to", "Not to mention the other mass murderer you made, the Anathema. Your race", "That's not even... > > [Antagonist]: You're calling me a mass murderer!? Have", "So, I can't really chop this dialog apart, as it's nothing else than", "> > > So, I can't really chop this dialog apart, as it's", "was Horus' fault. Admit it, you just want power, you want to take", "thought that it'd be a good idea to place Romeo and Juliet into", "with it: 1. He was a screenwriter in an age, where we couldn't", "good idea to place Romeo and Juliet into a modern era. However, I'd", "to give the story some depth with uninterrupted chit-chats, like [Graham McNeil](https://1d4chan.org/wiki/The_Last_Church). Example:", "and desired nothing else than destruction? > > [Protagonist]: That wasn't intentional, you", "prefer my pen against that. > > > So, I can't really chop", "is why you've failed. > > [Antagonist]: Don' think it's over yet, let", "and he was way too scary looking for everyone else to doubt him.", "universe for the rest of eternity. > > [Protagonist]: Most of those were", "couldn't afford building enough sets (or cities that don't catch on fire), so", "a few operators. > > [A.I sidekick]: Who are unwitting orphans... > >", "[Antagonist]: Don' think it's over yet, let us see how much your words", "and pretending to be the strong kid while you don't even know how", "intentional, you shittalking corpse! > > [Antagonist]: Not to mention the other mass", "it, you just want power, you want to take power, like stealing daddy's", "worth against steel! > > [Protagonist]: I'd rather prefer my pen against that.", "it, he did it quite a lot of times, but there are a", "of them! > > [A.I sidekick]: Sure, they are valuable tools. > >", "the war that left its mark in the universe for the rest of", "be a good idea to place Romeo and Juliet into a modern era.", "Enlil's fault, and he was way too scary looking for everyone else to", "are a few problems with it: 1. He was a screenwriter in an", "out of slaughtered toddlers. But why would you even need it? Order can", "that you're doing this for the greater good when your special snowflake sword", "how to reload. This is why you've failed. > > [Antagonist]: Don' think", "a regular drone army and a few operators. > > [A.I sidekick]: Who", "you even need it? Order can be maintained with a regular drone army", "of times, but there are a few problems with it: 1. He was", "doing this for the greater good when your special snowflake sword is literally", "on a treasure hunt, and instead, immediately started to bring back the \"order\"", "to take power, like stealing daddy's gun and pretending to be the strong", "> [Protagonist]: Ya' know, it's kinda hard to believe that you're doing this", "Romeo and Juliet into a modern era. However, I'd like to give the", "you don't even know how to reload. This is why you've failed. >", "want to take power, like stealing daddy's gun and pretending to be the", "back the \"order\" you adore so much. He ended up as a glorified", "hard to believe that you're doing this for the greater good when your", "[Protagonist]: That wasn't intentional, you shittalking corpse! > > [Antagonist]: Not to mention", "of order, and they instead caused the war that left its mark in", "else than a battle of wits. So, if there's any, what are the", "that left its mark in the universe for the rest of eternity. >", "way too scary looking for everyone else to doubt him. As for Big", "the rest of eternity. > > [Protagonist]: Most of those were Enlil's fault,", "turned an entire race into unstoppable robots, who only knew and desired nothing", "[Protagonist]: I'd rather prefer my pen against that. > > > So, I", "age, where we couldn't afford building enough sets (or cities that don't catch", "nothing else than a battle of wits. So, if there's any, what are", "against steel! > > [Protagonist]: I'd rather prefer my pen against that. >", "sets (or cities that don't catch on fire), so dumping info in dialogue", "\"outdated\" (the writing, not his corpse). 3. I have to share the scarce", "started to bring back the \"order\" you adore so much. He ended up", "as a glorified skeleton, but that was Horus' fault. Admit it, you just", "time going on a treasure hunt, and instead, immediately started to bring back", "and Juliet into a modern era. However, I'd like to give the story", "> [Antagonist]: You're calling me a mass murderer!? Have you forgotten, when you", "[Antagonist]: You're calling me a mass murderer!? Have you forgotten, when you turned", "Your race had the opportunity to prove themselves as the defenders of order," ]
[ "He had an empty wallet in his pocket. I am worried that I", "me to get my thoughts out, but still let me control how sophisticated", "way, one that will allow me to get my thoughts out, but still", "I won't be able to translate my thoughts into cumulative sentences. For instance", "am worried that I will often miss the opportunity to produce this kind", "than simultaneously. What I am worried about is that I will not be", "of the nature of my thoughts in the rough draft. I feel like", "always edited as I write, but I need to write in a more", "diction is because of the nature of my thoughts in the rough draft.", "be later translated into periodic and loose sentences. How would that sentence I", "sentences. For instance let's take the sentence: \"He walked to the store, an", "this? I have always edited as I write, but I need to write", "be in order to do what I want. Can anyone help me to", "would that sentence I wrote look in a rough draft in such a", "is because of the nature of my thoughts in the rough draft. I", "store, an empty wallet in his pocket.\" I am worried that I will", "sentence. I also worry even more that I will miss the opportunity to", "will not lead me to write sentence which cannot be later translated into", "walked to the store, an empty wallet in his pocket.\" I am worried", "order to do what I want. Can anyone help me to get over", "my thoughts in the rough draft. I feel like I have to form", "a loose sentence. I also worry even more that I will miss the", "get over this? I have always edited as I write, but I need", "edited as I write, but I need to write in a more efficient", "So what I need is some reassurance and explanation that writing without revising", "empty wallet in his pocket.\" I am worried that I will often miss", "I will not be able to control how complex my diction is because", "I have always edited as I write, but I need to write in", "I also worry even more that I will miss the opportunity to write", "cumulative sentences. For instance let's take the sentence: \"He walked to the store,", "editing as I go because I worry I won't be able to translate", "I will often miss the opportunity to produce this kind of sentence, which", "me to write sentence which cannot be later translated into periodic and loose", "I go because I worry I won't be able to translate my thoughts", "wallet in his pocket.\" I am worried that I will often miss the", "not be able to control how complex my diction is because of the", "the opportunity to produce this kind of sentence, which is a loose sentence.", "produce this kind of sentence, which is a loose sentence. I also worry", "my diction is because of the nature of my thoughts in the rough", "an empty wallet in his pocket. I am worried that I will write", "I am unwilling to draft without editing as I go because I worry", "sentence: \"He walked to the store, an empty wallet in his pocket.\" I", "miss the opportunity to produce this kind of sentence, which is a loose", "pocket.\" I am worried that I will often miss the opportunity to produce", "sequentially rather than simultaneously. What I am worried about is that I will", "still let me control how sophisticated my diction is. Please help. Thank you.", "control how complex my diction is because of the nature of my thoughts", "later translated into periodic and loose sentences. How would that sentence I wrote", "I am worried about is that I will not be able to control", "like I have to form what it should be in order to do", "go because I worry I won't be able to translate my thoughts into", "his pocket. I am worried that I will write actions as occurring sequentially", "write sentence which cannot be later translated into periodic and loose sentences. How", "will not be able to control how complex my diction is because of", "to control how complex my diction is because of the nature of my", "a more efficient way, one that will allow me to get my thoughts", "one that will allow me to get my thoughts out, but still let", "am worried that I will write actions as occurring sequentially rather than simultaneously.", "I need to write in a more efficient way, one that will allow", "explanation that writing without revising will not lead me to write sentence which", "such a case. Like this? He walked to the store. He had an", "pocket. I am worried that I will write actions as occurring sequentially rather", "periodic sentence. So what I need is some reassurance and explanation that writing", "into cumulative sentences. For instance let's take the sentence: \"He walked to the", "translate my thoughts into cumulative sentences. For instance let's take the sentence: \"He", "store. He had an empty wallet in his pocket. I am worried that", "as I go because I worry I won't be able to translate my", "\"He walked to the store, an empty wallet in his pocket.\" I am", "an empty wallet in his pocket.\" I am worried that I will often", "writing without revising will not lead me to write sentence which cannot be", "am worried about is that I will not be able to control how", "won't be able to translate my thoughts into cumulative sentences. For instance let's", "it should be in order to do what I want. Can anyone help", "in his pocket.\" I am worried that I will often miss the opportunity", "kind of sentence, which is a loose sentence. I also worry even more", "the store. He had an empty wallet in his pocket. I am worried", "and loose sentences. How would that sentence I wrote look in a rough", "in such a case. Like this? He walked to the store. He had", "my thoughts into cumulative sentences. For instance let's take the sentence: \"He walked", "what I want. Can anyone help me to get over this? I have", "without revising will not lead me to write sentence which cannot be later", "a case. Like this? He walked to the store. He had an empty", "this? He walked to the store. He had an empty wallet in his", "to draft without editing as I go because I worry I won't be", "that I will write actions as occurring sequentially rather than simultaneously. What I", "because I worry I won't be able to translate my thoughts into cumulative", "more efficient way, one that will allow me to get my thoughts out,", "my thoughts out, but still let me control how sophisticated my diction is.", "able to control how complex my diction is because of the nature of", "what I need is some reassurance and explanation that writing without revising will", "in the rough draft. I feel like I have to form what it", "I worry I won't be able to translate my thoughts into cumulative sentences.", "the store, an empty wallet in his pocket.\" I am worried that I", "periodic and loose sentences. How would that sentence I wrote look in a", "how complex my diction is because of the nature of my thoughts in", "as I write, but I need to write in a more efficient way,", "worry even more that I will miss the opportunity to write a periodic", "is a loose sentence. I also worry even more that I will miss", "in a rough draft in such a case. Like this? He walked to", "opportunity to produce this kind of sentence, which is a loose sentence. I", "I have to form what it should be in order to do what", "am unwilling to draft without editing as I go because I worry I", "unwilling to draft without editing as I go because I worry I won't", "nature of my thoughts in the rough draft. I feel like I have", "thoughts out, but still let me control how sophisticated my diction is. Please", "that sentence I wrote look in a rough draft in such a case.", "will allow me to get my thoughts out, but still let me control", "rough draft. I feel like I have to form what it should be", "actions as occurring sequentially rather than simultaneously. What I am worried about is", "loose sentence. I also worry even more that I will miss the opportunity", "some reassurance and explanation that writing without revising will not lead me to", "of my thoughts in the rough draft. I feel like I have to", "get my thoughts out, but still let me control how sophisticated my diction", "thoughts into cumulative sentences. For instance let's take the sentence: \"He walked to", "look in a rough draft in such a case. Like this? He walked", "empty wallet in his pocket. I am worried that I will write actions", "as occurring sequentially rather than simultaneously. What I am worried about is that", "I want. Can anyone help me to get over this? I have always", "let's take the sentence: \"He walked to the store, an empty wallet in", "Can anyone help me to get over this? I have always edited as", "to get over this? I have always edited as I write, but I", "worry I won't be able to translate my thoughts into cumulative sentences. For", "I wrote look in a rough draft in such a case. Like this?", "write actions as occurring sequentially rather than simultaneously. What I am worried about", "to write sentence which cannot be later translated into periodic and loose sentences.", "occurring sequentially rather than simultaneously. What I am worried about is that I", "will often miss the opportunity to produce this kind of sentence, which is", "should be in order to do what I want. Can anyone help me", "rough draft in such a case. Like this? He walked to the store.", "I will miss the opportunity to write a periodic sentence. So what I", "to form what it should be in order to do what I want.", "form what it should be in order to do what I want. Can", "to the store. He had an empty wallet in his pocket. I am", "draft without editing as I go because I worry I won't be able", "sentences. How would that sentence I wrote look in a rough draft in", "write in a more efficient way, one that will allow me to get", "lead me to write sentence which cannot be later translated into periodic and", "complex my diction is because of the nature of my thoughts in the", "efficient way, one that will allow me to get my thoughts out, but", "write a periodic sentence. So what I need is some reassurance and explanation", "is some reassurance and explanation that writing without revising will not lead me", "but still let me control how sophisticated my diction is. Please help. Thank", "often miss the opportunity to produce this kind of sentence, which is a", "rather than simultaneously. What I am worried about is that I will not", "that I will miss the opportunity to write a periodic sentence. So what", "miss the opportunity to write a periodic sentence. So what I need is", "out, but still let me control how sophisticated my diction is. Please help.", "the nature of my thoughts in the rough draft. I feel like I", "I am worried that I will write actions as occurring sequentially rather than", "need is some reassurance and explanation that writing without revising will not lead", "is that I will not be able to control how complex my diction", "not lead me to write sentence which cannot be later translated into periodic", "Like this? He walked to the store. He had an empty wallet in", "thoughts in the rough draft. I feel like I have to form what", "this kind of sentence, which is a loose sentence. I also worry even", "the opportunity to write a periodic sentence. So what I need is some", "that I will not be able to control how complex my diction is", "had an empty wallet in his pocket. I am worried that I will", "be able to translate my thoughts into cumulative sentences. For instance let's take", "a periodic sentence. So what I need is some reassurance and explanation that", "that writing without revising will not lead me to write sentence which cannot", "loose sentences. How would that sentence I wrote look in a rough draft", "to write a periodic sentence. So what I need is some reassurance and", "his pocket.\" I am worried that I will often miss the opportunity to", "to produce this kind of sentence, which is a loose sentence. I also", "will write actions as occurring sequentially rather than simultaneously. What I am worried", "but I need to write in a more efficient way, one that will", "into periodic and loose sentences. How would that sentence I wrote look in", "sentence, which is a loose sentence. I also worry even more that I", "even more that I will miss the opportunity to write a periodic sentence.", "over this? I have always edited as I write, but I need to", "which cannot be later translated into periodic and loose sentences. How would that", "will miss the opportunity to write a periodic sentence. So what I need", "translated into periodic and loose sentences. How would that sentence I wrote look", "a rough draft in such a case. Like this? He walked to the", "in a more efficient way, one that will allow me to get my", "instance let's take the sentence: \"He walked to the store, an empty wallet", "need to write in a more efficient way, one that will allow me", "draft. I feel like I have to form what it should be in", "take the sentence: \"He walked to the store, an empty wallet in his", "I am worried that I will often miss the opportunity to produce this", "about is that I will not be able to control how complex my", "of sentence, which is a loose sentence. I also worry even more that", "without editing as I go because I worry I won't be able to", "I will write actions as occurring sequentially rather than simultaneously. What I am", "also worry even more that I will miss the opportunity to write a", "more that I will miss the opportunity to write a periodic sentence. So", "What I am worried about is that I will not be able to", "I write, but I need to write in a more efficient way, one", "to write in a more efficient way, one that will allow me to", "anyone help me to get over this? I have always edited as I", "worried that I will write actions as occurring sequentially rather than simultaneously. What", "sentence. So what I need is some reassurance and explanation that writing without", "that will allow me to get my thoughts out, but still let me", "be able to control how complex my diction is because of the nature", "wallet in his pocket. I am worried that I will write actions as", "able to translate my thoughts into cumulative sentences. For instance let's take the", "He walked to the store. He had an empty wallet in his pocket.", "in order to do what I want. Can anyone help me to get", "have always edited as I write, but I need to write in a", "worried that I will often miss the opportunity to produce this kind of", "what it should be in order to do what I want. Can anyone", "revising will not lead me to write sentence which cannot be later translated", "write, but I need to write in a more efficient way, one that", "to translate my thoughts into cumulative sentences. For instance let's take the sentence:", "to do what I want. Can anyone help me to get over this?", "the sentence: \"He walked to the store, an empty wallet in his pocket.\"", "How would that sentence I wrote look in a rough draft in such", "I need is some reassurance and explanation that writing without revising will not", "the rough draft. I feel like I have to form what it should", "me to get over this? I have always edited as I write, but", "sentence I wrote look in a rough draft in such a case. Like", "simultaneously. What I am worried about is that I will not be able", "opportunity to write a periodic sentence. So what I need is some reassurance", "which is a loose sentence. I also worry even more that I will", "because of the nature of my thoughts in the rough draft. I feel", "walked to the store. He had an empty wallet in his pocket. I", "case. Like this? He walked to the store. He had an empty wallet", "worried about is that I will not be able to control how complex", "feel like I have to form what it should be in order to", "that I will often miss the opportunity to produce this kind of sentence,", "cannot be later translated into periodic and loose sentences. How would that sentence", "For instance let's take the sentence: \"He walked to the store, an empty", "wrote look in a rough draft in such a case. Like this? He", "allow me to get my thoughts out, but still let me control how", "and explanation that writing without revising will not lead me to write sentence", "want. Can anyone help me to get over this? I have always edited", "sentence which cannot be later translated into periodic and loose sentences. How would", "I feel like I have to form what it should be in order", "help me to get over this? I have always edited as I write,", "do what I want. Can anyone help me to get over this? I", "have to form what it should be in order to do what I", "reassurance and explanation that writing without revising will not lead me to write", "in his pocket. I am worried that I will write actions as occurring", "to the store, an empty wallet in his pocket.\" I am worried that", "to get my thoughts out, but still let me control how sophisticated my", "draft in such a case. Like this? He walked to the store. He" ]
[ "doesn't that make him too strong? I mean, his normal power is pretty", "I mean, his normal power is pretty exhausting and everything, but would a", "a hidden power (in a world where everyone has a unique power, he", "unique power, he has two). Now I'm thinking, doesn't that make him too", "a world where everyone has a unique power, he has two). Now I'm", "My character has a hidden power (in a world where everyone has a", "little novel. My character has a hidden power (in a world where everyone", "two). Now I'm thinking, doesn't that make him too strong? I mean, his", "a little novel. My character has a hidden power (in a world where", "character has a hidden power (in a world where everyone has a unique", "At the moment I'm writing on a little novel. My character has a", "I'm thinking, doesn't that make him too strong? I mean, his normal power", "the moment I'm writing on a little novel. My character has a hidden", "strong? I mean, his normal power is pretty exhausting and everything, but would", "has a unique power, he has two). Now I'm thinking, doesn't that make", "where everyone has a unique power, he has two). Now I'm thinking, doesn't", "(in a world where everyone has a unique power, he has two). Now", "a unique power, he has two). Now I'm thinking, doesn't that make him", "hidden power (in a world where everyone has a unique power, he has", "I'm writing on a little novel. My character has a hidden power (in", "novel. My character has a hidden power (in a world where everyone has", "Now I'm thinking, doesn't that make him too strong? I mean, his normal", "his normal power is pretty exhausting and everything, but would a second power", "power, he has two). Now I'm thinking, doesn't that make him too strong?", "is pretty exhausting and everything, but would a second power be too much?", "thinking, doesn't that make him too strong? I mean, his normal power is", "everyone has a unique power, he has two). Now I'm thinking, doesn't that", "world where everyone has a unique power, he has two). Now I'm thinking,", "writing on a little novel. My character has a hidden power (in a", "power (in a world where everyone has a unique power, he has two).", "normal power is pretty exhausting and everything, but would a second power be", "power is pretty exhausting and everything, but would a second power be too", "too strong? I mean, his normal power is pretty exhausting and everything, but", "has a hidden power (in a world where everyone has a unique power,", "he has two). Now I'm thinking, doesn't that make him too strong? I", "that make him too strong? I mean, his normal power is pretty exhausting", "make him too strong? I mean, his normal power is pretty exhausting and", "moment I'm writing on a little novel. My character has a hidden power", "mean, his normal power is pretty exhausting and everything, but would a second", "has two). Now I'm thinking, doesn't that make him too strong? I mean,", "on a little novel. My character has a hidden power (in a world", "him too strong? I mean, his normal power is pretty exhausting and everything," ]
[ "creatures people see as gods are being from another planet. Aliens. Am I", "example of the effect I want to generate; consider the folk story [\"Tale", "as gods are being from another planet. Aliens. Am I right to think", "see as gods are being from another planet. Aliens. Am I right to", "story is that the creatures people see as gods are being from another", "people see as gods are being from another planet. Aliens. Am I right", "writing scenes of a work where the primary setting and theme is a", "those gods interacting with humans, but their planet is also a physical location.", "is a medieval style world. I believe the genre should be described as", "Sci-fi partway through? If so, how can I avoid this confusion? An example", "the genre should be described as Heroic Fantasy. One element of the story", "comes from the moon. However nobody would think to tag this story as", "that the creatures people see as gods are being from another planet. Aliens.", "gods are being from another planet. Aliens. Am I right to think readers", "of a work where the primary setting and theme is a medieval style", "to think readers will assume the story has changed to Sci-fi partway through?", "a medieval style world. I believe the genre should be described as Heroic", "would think to tag this story as Sci-fi. I realise many cultures attribute", "can I avoid this confusion? An example of the effect I want to", "\"the heavens\" but this setting not only has those gods interacting with humans,", "genre should be described as Heroic Fantasy. One element of the story is", "will assume the story has changed to Sci-fi partway through? If so, how", "assume the story has changed to Sci-fi partway through? If so, how can", "heavens\" but this setting not only has those gods interacting with humans, but", "but this setting not only has those gods interacting with humans, but their", "am writing scenes of a work where the primary setting and theme is", "are being from another planet. Aliens. Am I right to think readers will", "a work where the primary setting and theme is a medieval style world.", "element of the story is that the creatures people see as gods are", "I avoid this confusion? An example of the effect I want to generate;", "gods as from \"the heavens\" but this setting not only has those gods", "realise many cultures attribute gods as from \"the heavens\" but this setting not", "Bamboo Cutter\"](https://en.wikipedia.org/wiki/The_Tale_of_the_Bamboo_Cutter). The character of Kaguya comes from the moon. However nobody would", "story as Sci-fi. I realise many cultures attribute gods as from \"the heavens\"", "not only has those gods interacting with humans, but their planet is also", "work where the primary setting and theme is a medieval style world. I", "from another planet. Aliens. Am I right to think readers will assume the", "Cutter\"](https://en.wikipedia.org/wiki/The_Tale_of_the_Bamboo_Cutter). The character of Kaguya comes from the moon. However nobody would think", "to generate; consider the folk story [\"Tale of the Bamboo Cutter\"](https://en.wikipedia.org/wiki/The_Tale_of_the_Bamboo_Cutter). The character", "I want to generate; consider the folk story [\"Tale of the Bamboo Cutter\"](https://en.wikipedia.org/wiki/The_Tale_of_the_Bamboo_Cutter).", "style world. I believe the genre should be described as Heroic Fantasy. One", "being from another planet. Aliens. Am I right to think readers will assume", "the Bamboo Cutter\"](https://en.wikipedia.org/wiki/The_Tale_of_the_Bamboo_Cutter). The character of Kaguya comes from the moon. However nobody", "Am I right to think readers will assume the story has changed to", "many cultures attribute gods as from \"the heavens\" but this setting not only", "One element of the story is that the creatures people see as gods", "Kaguya comes from the moon. However nobody would think to tag this story", "of Kaguya comes from the moon. However nobody would think to tag this", "character of Kaguya comes from the moon. However nobody would think to tag", "believe the genre should be described as Heroic Fantasy. One element of the", "I believe the genre should be described as Heroic Fantasy. One element of", "consider the folk story [\"Tale of the Bamboo Cutter\"](https://en.wikipedia.org/wiki/The_Tale_of_the_Bamboo_Cutter). The character of Kaguya", "want to generate; consider the folk story [\"Tale of the Bamboo Cutter\"](https://en.wikipedia.org/wiki/The_Tale_of_the_Bamboo_Cutter). The", "think to tag this story as Sci-fi. I realise many cultures attribute gods", "I am writing scenes of a work where the primary setting and theme", "primary setting and theme is a medieval style world. I believe the genre", "as from \"the heavens\" but this setting not only has those gods interacting", "medieval style world. I believe the genre should be described as Heroic Fantasy.", "as Heroic Fantasy. One element of the story is that the creatures people", "think readers will assume the story has changed to Sci-fi partway through? If", "An example of the effect I want to generate; consider the folk story", "story [\"Tale of the Bamboo Cutter\"](https://en.wikipedia.org/wiki/The_Tale_of_the_Bamboo_Cutter). The character of Kaguya comes from the", "partway through? If so, how can I avoid this confusion? An example of", "avoid this confusion? An example of the effect I want to generate; consider", "and theme is a medieval style world. I believe the genre should be", "folk story [\"Tale of the Bamboo Cutter\"](https://en.wikipedia.org/wiki/The_Tale_of_the_Bamboo_Cutter). The character of Kaguya comes from", "the effect I want to generate; consider the folk story [\"Tale of the", "as Sci-fi. I realise many cultures attribute gods as from \"the heavens\" but", "cultures attribute gods as from \"the heavens\" but this setting not only has", "where the primary setting and theme is a medieval style world. I believe", "this setting not only has those gods interacting with humans, but their planet", "Heroic Fantasy. One element of the story is that the creatures people see", "from \"the heavens\" but this setting not only has those gods interacting with", "If so, how can I avoid this confusion? An example of the effect", "should be described as Heroic Fantasy. One element of the story is that", "I right to think readers will assume the story has changed to Sci-fi", "from the moon. However nobody would think to tag this story as Sci-fi.", "has changed to Sci-fi partway through? If so, how can I avoid this", "theme is a medieval style world. I believe the genre should be described", "Aliens. Am I right to think readers will assume the story has changed", "the folk story [\"Tale of the Bamboo Cutter\"](https://en.wikipedia.org/wiki/The_Tale_of_the_Bamboo_Cutter). The character of Kaguya comes", "has those gods interacting with humans, but their planet is also a physical", "of the effect I want to generate; consider the folk story [\"Tale of", "The character of Kaguya comes from the moon. However nobody would think to", "world. I believe the genre should be described as Heroic Fantasy. One element", "I realise many cultures attribute gods as from \"the heavens\" but this setting", "the story is that the creatures people see as gods are being from", "changed to Sci-fi partway through? If so, how can I avoid this confusion?", "right to think readers will assume the story has changed to Sci-fi partway", "only has those gods interacting with humans, but their planet is also a", "of the story is that the creatures people see as gods are being", "this confusion? An example of the effect I want to generate; consider the", "attribute gods as from \"the heavens\" but this setting not only has those", "planet. Aliens. Am I right to think readers will assume the story has", "nobody would think to tag this story as Sci-fi. I realise many cultures", "be described as Heroic Fantasy. One element of the story is that the", "[\"Tale of the Bamboo Cutter\"](https://en.wikipedia.org/wiki/The_Tale_of_the_Bamboo_Cutter). The character of Kaguya comes from the moon.", "how can I avoid this confusion? An example of the effect I want", "effect I want to generate; consider the folk story [\"Tale of the Bamboo", "confusion? An example of the effect I want to generate; consider the folk", "the story has changed to Sci-fi partway through? If so, how can I", "tag this story as Sci-fi. I realise many cultures attribute gods as from", "story has changed to Sci-fi partway through? If so, how can I avoid", "through? If so, how can I avoid this confusion? An example of the", "moon. However nobody would think to tag this story as Sci-fi. I realise", "the moon. However nobody would think to tag this story as Sci-fi. I", "setting and theme is a medieval style world. I believe the genre should", "so, how can I avoid this confusion? An example of the effect I", "the creatures people see as gods are being from another planet. Aliens. Am", "is that the creatures people see as gods are being from another planet.", "of the Bamboo Cutter\"](https://en.wikipedia.org/wiki/The_Tale_of_the_Bamboo_Cutter). The character of Kaguya comes from the moon. However", "this story as Sci-fi. I realise many cultures attribute gods as from \"the", "another planet. Aliens. Am I right to think readers will assume the story", "the primary setting and theme is a medieval style world. I believe the", "scenes of a work where the primary setting and theme is a medieval", "However nobody would think to tag this story as Sci-fi. I realise many", "Sci-fi. I realise many cultures attribute gods as from \"the heavens\" but this", "to Sci-fi partway through? If so, how can I avoid this confusion? An", "to tag this story as Sci-fi. I realise many cultures attribute gods as", "readers will assume the story has changed to Sci-fi partway through? If so,", "Fantasy. One element of the story is that the creatures people see as", "setting not only has those gods interacting with humans, but their planet is", "described as Heroic Fantasy. One element of the story is that the creatures", "generate; consider the folk story [\"Tale of the Bamboo Cutter\"](https://en.wikipedia.org/wiki/The_Tale_of_the_Bamboo_Cutter). The character of" ]
[ "of writing the book. But I wonder if I should leave this till", "done i'm seriously thinking it needs to be rewritten to match some of", "some of the changes I have made to the plot over the course", "made to the plot over the course of writing the book. But I", "the changes I have made to the plot over the course of writing", "book. But I wonder if I should leave this till I finish the", "part way into writing a novel and after looking back over the work", "plot over the course of writing the book. But I wonder if I", "if I should leave this till I finish the book or start now", "over the work I've already done i'm seriously thinking it needs to be", "the book. But I wonder if I should leave this till I finish", "seriously thinking it needs to be rewritten to match some of the changes", "leave this till I finish the book or start now and rewrite what", "course of writing the book. But I wonder if I should leave this", "changes I have made to the plot over the course of writing the", "be rewritten to match some of the changes I have made to the", "match some of the changes I have made to the plot over the", "of the changes I have made to the plot over the course of", "I have made to the plot over the course of writing the book.", "wonder if I should leave this till I finish the book or start", "needs to be rewritten to match some of the changes I have made", "and after looking back over the work I've already done i'm seriously thinking", "I finish the book or start now and rewrite what I already have?", "I'm part way into writing a novel and after looking back over the", "to the plot over the course of writing the book. But I wonder", "i'm seriously thinking it needs to be rewritten to match some of the", "the work I've already done i'm seriously thinking it needs to be rewritten", "over the course of writing the book. But I wonder if I should", "I wonder if I should leave this till I finish the book or", "the course of writing the book. But I wonder if I should leave", "But I wonder if I should leave this till I finish the book", "novel and after looking back over the work I've already done i'm seriously", "this till I finish the book or start now and rewrite what I", "way into writing a novel and after looking back over the work I've", "thinking it needs to be rewritten to match some of the changes I", "work I've already done i'm seriously thinking it needs to be rewritten to", "already done i'm seriously thinking it needs to be rewritten to match some", "I've already done i'm seriously thinking it needs to be rewritten to match", "the plot over the course of writing the book. But I wonder if", "to be rewritten to match some of the changes I have made to", "back over the work I've already done i'm seriously thinking it needs to", "writing a novel and after looking back over the work I've already done", "should leave this till I finish the book or start now and rewrite", "to match some of the changes I have made to the plot over", "writing the book. But I wonder if I should leave this till I", "a novel and after looking back over the work I've already done i'm", "rewritten to match some of the changes I have made to the plot", "till I finish the book or start now and rewrite what I already", "into writing a novel and after looking back over the work I've already", "have made to the plot over the course of writing the book. But", "after looking back over the work I've already done i'm seriously thinking it", "looking back over the work I've already done i'm seriously thinking it needs", "I should leave this till I finish the book or start now and", "it needs to be rewritten to match some of the changes I have" ]
[ "not using every second word as a cuss word but it is recurring.", "I was wondering however at what point does it become poor dialogue or", "I'm not using every second word as a cuss word but it is", "was wondering however at what point does it become poor dialogue or just", "point does it become poor dialogue or just plain bad English. Obviously I'm", "one of my novels as many novels do. I was wondering however at", "Obviously I'm not using every second word as a cuss word but it", "dialogue or just plain bad English. Obviously I'm not using every second word", "it become poor dialogue or just plain bad English. Obviously I'm not using", "to included some offensive language in one of my novels as many novels", "of my novels as many novels do. I was wondering however at what", "however at what point does it become poor dialogue or just plain bad", "bad English. Obviously I'm not using every second word as a cuss word", "included some offensive language in one of my novels as many novels do.", "I decided to included some offensive language in one of my novels as", "some offensive language in one of my novels as many novels do. I", "decided to included some offensive language in one of my novels as many", "many novels do. I was wondering however at what point does it become", "do. I was wondering however at what point does it become poor dialogue", "novels do. I was wondering however at what point does it become poor", "plain bad English. Obviously I'm not using every second word as a cuss", "novels as many novels do. I was wondering however at what point does", "what point does it become poor dialogue or just plain bad English. Obviously", "at what point does it become poor dialogue or just plain bad English.", "become poor dialogue or just plain bad English. Obviously I'm not using every", "poor dialogue or just plain bad English. Obviously I'm not using every second", "language in one of my novels as many novels do. I was wondering", "wondering however at what point does it become poor dialogue or just plain", "does it become poor dialogue or just plain bad English. Obviously I'm not", "my novels as many novels do. I was wondering however at what point", "as many novels do. I was wondering however at what point does it", "in one of my novels as many novels do. I was wondering however", "offensive language in one of my novels as many novels do. I was", "just plain bad English. Obviously I'm not using every second word as a", "English. Obviously I'm not using every second word as a cuss word but", "or just plain bad English. Obviously I'm not using every second word as" ]
[ "ritual, which turns out to be a failure in Chapter 5. To remedy", "remedy this, the character should redo the ritual. Wait, there's only one gem.", "there's only one gem. I should figure out how the character get two", "once in my head; Chapter 1 (which I'm currently writing), Chapter (expected) 3", "in Chapter 5. To remedy this, the character should redo the ritual. Wait,", "1 (which I'm currently writing), Chapter (expected) 3 and 5. How should I", "the character should redo the ritual. Wait, there's only one gem. I should", "this gem and do the ritual, which turns out to be a failure", "3 and 5. How should I handle this? I don't think this is", "I handle this? I don't think this is just a distraction. The progression", "progression on the other chapters (I think) is valuable, and I'm sort of", "been thinking about my story, and suddenly I got inspiration for the continuation", "(Chapter 1) Hmm... this gem can be an important object in Chapter 3", "So, basically, I ended with progressing 3 chapters at once in my head;", "should figure out how the character get two gems instead of one. >", "the other chapters (I think) is valuable, and I'm sort of getting vision", "distraction. The progression on the other chapters (I think) is valuable, and I'm", "taking notes when the chapter 3 and 5 ideas come out? Or should", "the character get two gems instead of one. > > > And so", "the story will end. Should I write the first chapter first, and taking", "sort of getting vision on how the story will end. Should I write", "figure out how the character get two gems instead of one. > >", "at once in my head; Chapter 1 (which I'm currently writing), Chapter (expected)", "should be). So, basically, I ended with progressing 3 chapters at once in", "an important object in Chapter 3 and 5. In Chapter 3, the character", "how the story will end. Should I write the first chapter first, and", "getting vision on how the story will end. Should I write the first", "the chapter 3 and 5 ideas come out? Or should I write whatever", "Should I write the first chapter first, and taking notes when the chapter", "only one gem. I should figure out how the character get two gems", "vision on how the story will end. Should I write the first chapter", "turns out to be a failure in Chapter 5. To remedy this, the", "when the chapter 3 and 5 ideas come out? Or should I write", "be a failure in Chapter 5. To remedy this, the character should redo", "failure in Chapter 5. To remedy this, the character should redo the ritual.", "Wait, there's only one gem. I should figure out how the character get", "> > (Chapter 1) Hmm... this gem can be an important object in", "this? I don't think this is just a distraction. The progression on the", "what it looks like: > > (Chapter 1) Hmm... this gem can be", "out to be a failure in Chapter 5. To remedy this, the character", "notes when the chapter 3 and 5 ideas come out? Or should I", "which turns out to be a failure in Chapter 5. To remedy this,", "object in Chapter 3 and 5. In Chapter 3, the character should take", "important object in Chapter 3 and 5. In Chapter 3, the character should", "not even sure what chapter it should be). So, basically, I ended with", "I'm currently writing), Chapter (expected) 3 and 5. How should I handle this?", "I write whatever chapter is progressing faster in my mind? Here's what it", "and suddenly I got inspiration for the continuation of the chapter (I'm not", "I got inspiration for the continuation of the chapter (I'm not even sure", "gems instead of one. > > > And so on, bouncing between chapters.", "what chapter it should be). So, basically, I ended with progressing 3 chapters", "(I'm not even sure what chapter it should be). So, basically, I ended", "I ended with progressing 3 chapters at once in my head; Chapter 1", "3 and 5 ideas come out? Or should I write whatever chapter is", "progressing faster in my mind? Here's what it looks like: > > (Chapter", "get two gems instead of one. > > > And so on, bouncing", "a distraction. The progression on the other chapters (I think) is valuable, and", "just a distraction. The progression on the other chapters (I think) is valuable,", "I should figure out how the character get two gems instead of one.", "two gems instead of one. > > > And so on, bouncing between", "in my head; Chapter 1 (which I'm currently writing), Chapter (expected) 3 and", "will end. Should I write the first chapter first, and taking notes when", "to be a failure in Chapter 5. To remedy this, the character should", "one. > > > And so on, bouncing between chapters. > > >", "Here's what it looks like: > > (Chapter 1) Hmm... this gem can", "chapters at once in my head; Chapter 1 (which I'm currently writing), Chapter", "whatever chapter is progressing faster in my mind? Here's what it looks like:", "of getting vision on how the story will end. Should I write the", "this is just a distraction. The progression on the other chapters (I think)", "In Chapter 3, the character should take this gem and do the ritual,", "take this gem and do the ritual, which turns out to be a", "writing), Chapter (expected) 3 and 5. How should I handle this? I don't", "think) is valuable, and I'm sort of getting vision on how the story", "first chapter first, and taking notes when the chapter 3 and 5 ideas", "a failure in Chapter 5. To remedy this, the character should redo the", "and I'm sort of getting vision on how the story will end. Should", "redo the ritual. Wait, there's only one gem. I should figure out how", "and taking notes when the chapter 3 and 5 ideas come out? Or", "chapters (I think) is valuable, and I'm sort of getting vision on how", "it looks like: > > (Chapter 1) Hmm... this gem can be an", "first, and taking notes when the chapter 3 and 5 ideas come out?", "ideas come out? Or should I write whatever chapter is progressing faster in", "gem. I should figure out how the character get two gems instead of", "how the character get two gems instead of one. > > > And", "Chapter 3, the character should take this gem and do the ritual, which", "is just a distraction. The progression on the other chapters (I think) is", "other chapters (I think) is valuable, and I'm sort of getting vision on", "Chapter 1 (which I'm currently writing), Chapter (expected) 3 and 5. How should", "my head; Chapter 1 (which I'm currently writing), Chapter (expected) 3 and 5.", "with progressing 3 chapters at once in my head; Chapter 1 (which I'm", "gem can be an important object in Chapter 3 and 5. In Chapter", "should redo the ritual. Wait, there's only one gem. I should figure out", "should I handle this? I don't think this is just a distraction. The", "story, and suddenly I got inspiration for the continuation of the chapter (I'm", "mind? Here's what it looks like: > > (Chapter 1) Hmm... this gem", "come out? Or should I write whatever chapter is progressing faster in my", "character should redo the ritual. Wait, there's only one gem. I should figure", "think this is just a distraction. The progression on the other chapters (I", "suddenly I got inspiration for the continuation of the chapter (I'm not even", "write the first chapter first, and taking notes when the chapter 3 and", "in my mind? Here's what it looks like: > > (Chapter 1) Hmm...", "head; Chapter 1 (which I'm currently writing), Chapter (expected) 3 and 5. How", "for the continuation of the chapter (I'm not even sure what chapter it", "currently writing), Chapter (expected) 3 and 5. How should I handle this? I", "write whatever chapter is progressing faster in my mind? Here's what it looks", "inspiration for the continuation of the chapter (I'm not even sure what chapter", "and 5. In Chapter 3, the character should take this gem and do", "progressing 3 chapters at once in my head; Chapter 1 (which I'm currently", "gem and do the ritual, which turns out to be a failure in", "the continuation of the chapter (I'm not even sure what chapter it should", "5. How should I handle this? I don't think this is just a", "character should take this gem and do the ritual, which turns out to", "I've been thinking about my story, and suddenly I got inspiration for the", "it should be). So, basically, I ended with progressing 3 chapters at once", "Chapter (expected) 3 and 5. How should I handle this? I don't think", "on how the story will end. Should I write the first chapter first,", "sure what chapter it should be). So, basically, I ended with progressing 3", "chapter 3 and 5 ideas come out? Or should I write whatever chapter", "5 ideas come out? Or should I write whatever chapter is progressing faster", "Or should I write whatever chapter is progressing faster in my mind? Here's", "Chapter 5. To remedy this, the character should redo the ritual. Wait, there's", "the chapter (I'm not even sure what chapter it should be). So, basically,", "this gem can be an important object in Chapter 3 and 5. In", "So, I've been thinking about my story, and suddenly I got inspiration for", "and do the ritual, which turns out to be a failure in Chapter", "faster in my mind? Here's what it looks like: > > (Chapter 1)", "the character should take this gem and do the ritual, which turns out", "(expected) 3 and 5. How should I handle this? I don't think this", "my story, and suddenly I got inspiration for the continuation of the chapter", "chapter first, and taking notes when the chapter 3 and 5 ideas come", "and 5. How should I handle this? I don't think this is just", "3 and 5. In Chapter 3, the character should take this gem and", "valuable, and I'm sort of getting vision on how the story will end.", "should I write whatever chapter is progressing faster in my mind? Here's what", "about my story, and suddenly I got inspiration for the continuation of the", "out? Or should I write whatever chapter is progressing faster in my mind?", "Chapter 3 and 5. In Chapter 3, the character should take this gem", "the first chapter first, and taking notes when the chapter 3 and 5", "chapter (I'm not even sure what chapter it should be). So, basically, I", "I'm sort of getting vision on how the story will end. Should I", "I don't think this is just a distraction. The progression on the other", "thinking about my story, and suddenly I got inspiration for the continuation of", "in Chapter 3 and 5. In Chapter 3, the character should take this", "do the ritual, which turns out to be a failure in Chapter 5.", "should take this gem and do the ritual, which turns out to be", "(which I'm currently writing), Chapter (expected) 3 and 5. How should I handle", "To remedy this, the character should redo the ritual. Wait, there's only one", "5. In Chapter 3, the character should take this gem and do the", "out how the character get two gems instead of one. > > >", "is valuable, and I'm sort of getting vision on how the story will", "end. Should I write the first chapter first, and taking notes when the", "story will end. Should I write the first chapter first, and taking notes", "and 5 ideas come out? Or should I write whatever chapter is progressing", "3 chapters at once in my head; Chapter 1 (which I'm currently writing),", "got inspiration for the continuation of the chapter (I'm not even sure what", "be). So, basically, I ended with progressing 3 chapters at once in my", "character get two gems instead of one. > > > And so on,", "ended with progressing 3 chapters at once in my head; Chapter 1 (which", "chapter it should be). So, basically, I ended with progressing 3 chapters at", "ritual. Wait, there's only one gem. I should figure out how the character", "on the other chapters (I think) is valuable, and I'm sort of getting", "don't think this is just a distraction. The progression on the other chapters", "1) Hmm... this gem can be an important object in Chapter 3 and", "basically, I ended with progressing 3 chapters at once in my head; Chapter", "can be an important object in Chapter 3 and 5. In Chapter 3,", "5. To remedy this, the character should redo the ritual. Wait, there's only", "be an important object in Chapter 3 and 5. In Chapter 3, the", "of the chapter (I'm not even sure what chapter it should be). So,", "continuation of the chapter (I'm not even sure what chapter it should be).", "The progression on the other chapters (I think) is valuable, and I'm sort", "I write the first chapter first, and taking notes when the chapter 3", "looks like: > > (Chapter 1) Hmm... this gem can be an important", "the ritual. Wait, there's only one gem. I should figure out how the", "chapter is progressing faster in my mind? Here's what it looks like: >", "like: > > (Chapter 1) Hmm... this gem can be an important object", "my mind? Here's what it looks like: > > (Chapter 1) Hmm... this", "3, the character should take this gem and do the ritual, which turns", "> (Chapter 1) Hmm... this gem can be an important object in Chapter", "handle this? I don't think this is just a distraction. The progression on", "(I think) is valuable, and I'm sort of getting vision on how the", "this, the character should redo the ritual. Wait, there's only one gem. I", "is progressing faster in my mind? Here's what it looks like: > >", "instead of one. > > > And so on, bouncing between chapters. >", "the ritual, which turns out to be a failure in Chapter 5. To", "of one. > > > And so on, bouncing between chapters. > >", "Hmm... this gem can be an important object in Chapter 3 and 5.", "even sure what chapter it should be). So, basically, I ended with progressing", "How should I handle this? I don't think this is just a distraction.", "one gem. I should figure out how the character get two gems instead" ]
[ "the question, but I hope you understand what I mean (and please correct", "for the question, but I hope you understand what I mean (and please", "then reintroduce the world to him/her. [How to introduce a world that's alien", "to the reader](https://writers.stackexchange.com/questions/10855/how-to-introduce-a-world-thats-alien-to-the-reader) is nuanced by the space opera genre, and the answers", "are other techniques to introduce the details of a world to the readers?", "be more techniques out there. 1. Bring an outsider that is not native", "world that's alien to the reader](https://writers.stackexchange.com/questions/10855/how-to-introduce-a-world-thats-alien-to-the-reader) is nuanced by the space opera genre,", "details of a world to the readers? (That is still part of the", "Have the protagonist suffer amnesia or complete memory wipe, then reintroduce the world", "that is not native to the world, and have the native explain things.", "right term for the question, but I hope you understand what I mean", "introduce the details of a world to the readers? (That is still part", "question, but I hope you understand what I mean (and please correct me", "of a world to the readers? (That is still part of the story)", "reader](https://writers.stackexchange.com/questions/10855/how-to-introduce-a-world-thats-alien-to-the-reader) is nuanced by the space opera genre, and the answers provided are", "outsider that is not native to the world, and have the native explain", "out there. 1. Bring an outsider that is not native to the world,", "to the world, and have the native explain things. The outsider may or", "opera genre, and the answers provided are all talking about the narrative technique.", "thinking two things, but there's got to be more techniques out there. 1.", "the details of a world to the readers? (That is still part of", "a world to the readers? (That is still part of the story) I've", "is not native to the world, and have the native explain things. The", "to him/her. [How to introduce a world that's alien to the reader](https://writers.stackexchange.com/questions/10855/how-to-introduce-a-world-thats-alien-to-the-reader) is", "part of the story) I've been thinking two things, but there's got to", "narrative that explains the world, what are other techniques to introduce the details", "alien to the reader](https://writers.stackexchange.com/questions/10855/how-to-introduce-a-world-thats-alien-to-the-reader) is nuanced by the space opera genre, and the", "Bring an outsider that is not native to the world, and have the", "or complete memory wipe, then reintroduce the world to him/her. [How to introduce", "is still part of the story) I've been thinking two things, but there's", "2. Have the protagonist suffer amnesia or complete memory wipe, then reintroduce the", "to be more techniques out there. 1. Bring an outsider that is not", "I'm not sure if I use the right term for the question, but", "but I hope you understand what I mean (and please correct me if", "provided are all talking about the narrative technique. I'm not sure if I", "explain things. The outsider may or may not the protagonist. 2. Have the", "world, and have the native explain things. The outsider may or may not", "nuanced by the space opera genre, and the answers provided are all talking", "talking about the narrative technique. I'm not sure if I use the right", "not native to the world, and have the native explain things. The outsider", "to the readers? (That is still part of the story) I've been thinking", "protagonist suffer amnesia or complete memory wipe, then reintroduce the world to him/her.", "may or may not the protagonist. 2. Have the protagonist suffer amnesia or", "the right term for the question, but I hope you understand what I", "the world, and have the native explain things. The outsider may or may", "him/her. [How to introduce a world that's alien to the reader](https://writers.stackexchange.com/questions/10855/how-to-introduce-a-world-thats-alien-to-the-reader) is nuanced", "or may not the protagonist. 2. Have the protagonist suffer amnesia or complete", "[How to introduce a world that's alien to the reader](https://writers.stackexchange.com/questions/10855/how-to-introduce-a-world-thats-alien-to-the-reader) is nuanced by", "understand what I mean (and please correct me if I'm wrong or unclear)", "not the protagonist. 2. Have the protagonist suffer amnesia or complete memory wipe,", "the reader](https://writers.stackexchange.com/questions/10855/how-to-introduce-a-world-thats-alien-to-the-reader) is nuanced by the space opera genre, and the answers provided", "techniques out there. 1. Bring an outsider that is not native to the", "I've been thinking two things, but there's got to be more techniques out", "the world to him/her. [How to introduce a world that's alien to the", "the answers provided are all talking about the narrative technique. I'm not sure", "you understand what I mean (and please correct me if I'm wrong or", "to introduce the details of a world to the readers? (That is still", "about the narrative technique. I'm not sure if I use the right term", "a world that's alien to the reader](https://writers.stackexchange.com/questions/10855/how-to-introduce-a-world-thats-alien-to-the-reader) is nuanced by the space opera", "that explains the world, what are other techniques to introduce the details of", "introduce a world that's alien to the reader](https://writers.stackexchange.com/questions/10855/how-to-introduce-a-world-thats-alien-to-the-reader) is nuanced by the space", "The outsider may or may not the protagonist. 2. Have the protagonist suffer", "I hope you understand what I mean (and please correct me if I'm", "by the space opera genre, and the answers provided are all talking about", "that's alien to the reader](https://writers.stackexchange.com/questions/10855/how-to-introduce-a-world-thats-alien-to-the-reader) is nuanced by the space opera genre, and", "wipe, then reintroduce the world to him/her. [How to introduce a world that's", "is nuanced by the space opera genre, and the answers provided are all", "space opera genre, and the answers provided are all talking about the narrative", "answers provided are all talking about the narrative technique. I'm not sure if", "there's got to be more techniques out there. 1. Bring an outsider that", "things. The outsider may or may not the protagonist. 2. Have the protagonist", "narrative technique. I'm not sure if I use the right term for the", "memory wipe, then reintroduce the world to him/her. [How to introduce a world", "the space opera genre, and the answers provided are all talking about the", "not sure if I use the right term for the question, but I", "the protagonist suffer amnesia or complete memory wipe, then reintroduce the world to", "omniscient narrative that explains the world, what are other techniques to introduce the", "the world, what are other techniques to introduce the details of a world", "are all talking about the narrative technique. I'm not sure if I use", "may not the protagonist. 2. Have the protagonist suffer amnesia or complete memory", "if I use the right term for the question, but I hope you", "but there's got to be more techniques out there. 1. Bring an outsider", "the protagonist. 2. Have the protagonist suffer amnesia or complete memory wipe, then", "other techniques to introduce the details of a world to the readers? (That", "term for the question, but I hope you understand what I mean (and", "still part of the story) I've been thinking two things, but there's got", "got to be more techniques out there. 1. Bring an outsider that is", "genre, and the answers provided are all talking about the narrative technique. I'm", "suffer amnesia or complete memory wipe, then reintroduce the world to him/her. [How", "been thinking two things, but there's got to be more techniques out there.", "more techniques out there. 1. Bring an outsider that is not native to", "and the answers provided are all talking about the narrative technique. I'm not", "techniques to introduce the details of a world to the readers? (That is", "use the right term for the question, but I hope you understand what", "the native explain things. The outsider may or may not the protagonist. 2.", "what are other techniques to introduce the details of a world to the", "readers? (That is still part of the story) I've been thinking two things,", "native explain things. The outsider may or may not the protagonist. 2. Have", "the readers? (That is still part of the story) I've been thinking two", "native to the world, and have the native explain things. The outsider may", "amnesia or complete memory wipe, then reintroduce the world to him/her. [How to", "the story) I've been thinking two things, but there's got to be more", "to introduce a world that's alien to the reader](https://writers.stackexchange.com/questions/10855/how-to-introduce-a-world-thats-alien-to-the-reader) is nuanced by the", "hope you understand what I mean (and please correct me if I'm wrong", "story) I've been thinking two things, but there's got to be more techniques", "and have the native explain things. The outsider may or may not the", "world to the readers? (That is still part of the story) I've been", "two things, but there's got to be more techniques out there. 1. Bring", "outsider may or may not the protagonist. 2. Have the protagonist suffer amnesia", "an outsider that is not native to the world, and have the native", "things, but there's got to be more techniques out there. 1. Bring an", "sure if I use the right term for the question, but I hope", "all talking about the narrative technique. I'm not sure if I use the", "technique. I'm not sure if I use the right term for the question,", "Beside omniscient narrative that explains the world, what are other techniques to introduce", "reintroduce the world to him/her. [How to introduce a world that's alien to", "protagonist. 2. Have the protagonist suffer amnesia or complete memory wipe, then reintroduce", "there. 1. Bring an outsider that is not native to the world, and", "world to him/her. [How to introduce a world that's alien to the reader](https://writers.stackexchange.com/questions/10855/how-to-introduce-a-world-thats-alien-to-the-reader)", "I use the right term for the question, but I hope you understand", "complete memory wipe, then reintroduce the world to him/her. [How to introduce a", "(That is still part of the story) I've been thinking two things, but", "the narrative technique. I'm not sure if I use the right term for", "world, what are other techniques to introduce the details of a world to", "of the story) I've been thinking two things, but there's got to be", "1. Bring an outsider that is not native to the world, and have", "explains the world, **what are other techniques to introduce the details of a", "have the native explain things. The outsider may or may not the protagonist." ]
[ "to a fight with elements relevant to the main plot (titled Prologue: A", "the book with a 4k long flash-forward to a fight with elements relevant", "the world is also in first person). Does this make any sense or", "events). After these two Chapters I get to the main story (from her", "few flashbacks here and there written in first person (the part about the", "protagonist as a child and description of her world, which is important to", "which is why I avoided beginning with her childhood... Thank you and sorry", "boring beginning, which is why I avoided beginning with her childhood... Thank you", "I avoided beginning with her childhood... Thank you and sorry if there are", "works\" wouldn't really catch the readers attention, I decided to start the book", "first person). Does this make any sense or is it too complicated? I", "really catch the readers attention, I decided to start the book with a", "world is also in first person). Does this make any sense or is", "relevant to the main plot (titled Prologue: A battle to come, to signal", "of the world is also in first person). Does this make any sense", "4k long flash-forward to a fight with elements relevant to the main plot", "a 4k long flash-forward to a fight with elements relevant to the main", "childhood... Thank you and sorry if there are mistakes, I'm not a native", "book with a 4k long flash-forward to a fight with elements relevant to", "also in first person). Does this make any sense or is it too", "Prologue: A battle to come, to signal future events). After these two Chapters", "any sense or is it too complicated? I really don't want to have", "avoided beginning with her childhood... Thank you and sorry if there are mistakes,", "a somewhat boring beginning, which is why I avoided beginning with her childhood...", "the readers attention, I decided to start the book with a 4k long", "to the plot. Since I thought \"girl abandoned by parents meets a man", "complicated? I really don't want to have a somewhat boring beginning, which is", "thought \"girl abandoned by parents meets a man who explains how the world", "with a 4k long flash-forward to a fight with elements relevant to the", "decided to start the book with a 4k long flash-forward to a fight", "is why I avoided beginning with her childhood... Thank you and sorry if", "I decided to start the book with a 4k long flash-forward to a", "her teens), with a few flashbacks here and there written in first person", "future events). After these two Chapters I get to the main story (from", "man who explains how the world works\" wouldn't really catch the readers attention,", "to the main plot (titled Prologue: A battle to come, to signal future", "the plot. Since I thought \"girl abandoned by parents meets a man who", "as a child and description of her world, which is important to the", "description of her world, which is important to the plot. Since I thought", "I get to the main story (from her teens), with a few flashbacks", "is also in first person). Does this make any sense or is it", "is it too complicated? I really don't want to have a somewhat boring", "flash-forward to a fight with elements relevant to the main plot (titled Prologue:", "world works\" wouldn't really catch the readers attention, I decided to start the", "important to the plot. Since I thought \"girl abandoned by parents meets a", "wouldn't really catch the readers attention, I decided to start the book with", "these two Chapters I get to the main story (from her teens), with", "a child and description of her world, which is important to the plot.", "with elements relevant to the main plot (titled Prologue: A battle to come,", "meets a man who explains how the world works\" wouldn't really catch the", "first person (the part about the description of the world is also in", "I really don't want to have a somewhat boring beginning, which is why", "or is it too complicated? I really don't want to have a somewhat", "I thought \"girl abandoned by parents meets a man who explains how the", "a fight with elements relevant to the main plot (titled Prologue: A battle", "plot (titled Prologue: A battle to come, to signal future events). After these", "and there written in first person (the part about the description of the", "the story begins with the protagonist as a child and description of her", "flashbacks here and there written in first person (the part about the description", "make any sense or is it too complicated? I really don't want to", "After these two Chapters I get to the main story (from her teens),", "to signal future events). After these two Chapters I get to the main", "why I avoided beginning with her childhood... Thank you and sorry if there", "catch the readers attention, I decided to start the book with a 4k", "it too complicated? I really don't want to have a somewhat boring beginning,", "with a few flashbacks here and there written in first person (the part", "here and there written in first person (the part about the description of", "with the protagonist as a child and description of her world, which is", "(titled Prologue: A battle to come, to signal future events). After these two", "main story (from her teens), with a few flashbacks here and there written", "battle to come, to signal future events). After these two Chapters I get", "abandoned by parents meets a man who explains how the world works\" wouldn't", "the main plot (titled Prologue: A battle to come, to signal future events).", "\"girl abandoned by parents meets a man who explains how the world works\"", "plot. Since I thought \"girl abandoned by parents meets a man who explains", "have a somewhat boring beginning, which is why I avoided beginning with her", "sense or is it too complicated? I really don't want to have a", "Chronologically, the story begins with the protagonist as a child and description of", "to come, to signal future events). After these two Chapters I get to", "parents meets a man who explains how the world works\" wouldn't really catch", "which is important to the plot. Since I thought \"girl abandoned by parents", "begins with the protagonist as a child and description of her world, which", "Chapters I get to the main story (from her teens), with a few", "by parents meets a man who explains how the world works\" wouldn't really", "get to the main story (from her teens), with a few flashbacks here", "really don't want to have a somewhat boring beginning, which is why I", "a man who explains how the world works\" wouldn't really catch the readers", "about the description of the world is also in first person). Does this", "beginning, which is why I avoided beginning with her childhood... Thank you and", "of her world, which is important to the plot. Since I thought \"girl", "story (from her teens), with a few flashbacks here and there written in", "her childhood... Thank you and sorry if there are mistakes, I'm not a", "don't want to have a somewhat boring beginning, which is why I avoided", "come, to signal future events). After these two Chapters I get to the", "the description of the world is also in first person). Does this make", "(from her teens), with a few flashbacks here and there written in first", "(the part about the description of the world is also in first person).", "to have a somewhat boring beginning, which is why I avoided beginning with", "her world, which is important to the plot. Since I thought \"girl abandoned", "is important to the plot. Since I thought \"girl abandoned by parents meets", "person). Does this make any sense or is it too complicated? I really", "person (the part about the description of the world is also in first", "with her childhood... Thank you and sorry if there are mistakes, I'm not", "two Chapters I get to the main story (from her teens), with a", "to start the book with a 4k long flash-forward to a fight with", "world, which is important to the plot. Since I thought \"girl abandoned by", "Since I thought \"girl abandoned by parents meets a man who explains how", "want to have a somewhat boring beginning, which is why I avoided beginning", "and description of her world, which is important to the plot. Since I", "a few flashbacks here and there written in first person (the part about", "the protagonist as a child and description of her world, which is important", "somewhat boring beginning, which is why I avoided beginning with her childhood... Thank", "how the world works\" wouldn't really catch the readers attention, I decided to", "A battle to come, to signal future events). After these two Chapters I", "part about the description of the world is also in first person). Does", "long flash-forward to a fight with elements relevant to the main plot (titled", "to the main story (from her teens), with a few flashbacks here and", "this make any sense or is it too complicated? I really don't want", "the main story (from her teens), with a few flashbacks here and there", "there written in first person (the part about the description of the world", "too complicated? I really don't want to have a somewhat boring beginning, which", "beginning with her childhood... Thank you and sorry if there are mistakes, I'm", "child and description of her world, which is important to the plot. Since", "in first person (the part about the description of the world is also", "readers attention, I decided to start the book with a 4k long flash-forward", "main plot (titled Prologue: A battle to come, to signal future events). After", "story begins with the protagonist as a child and description of her world,", "description of the world is also in first person). Does this make any", "in first person). Does this make any sense or is it too complicated?", "teens), with a few flashbacks here and there written in first person (the", "Does this make any sense or is it too complicated? I really don't", "fight with elements relevant to the main plot (titled Prologue: A battle to", "written in first person (the part about the description of the world is", "attention, I decided to start the book with a 4k long flash-forward to", "who explains how the world works\" wouldn't really catch the readers attention, I", "explains how the world works\" wouldn't really catch the readers attention, I decided", "start the book with a 4k long flash-forward to a fight with elements", "elements relevant to the main plot (titled Prologue: A battle to come, to", "signal future events). After these two Chapters I get to the main story", "Thank you and sorry if there are mistakes, I'm not a native speaker.", "the world works\" wouldn't really catch the readers attention, I decided to start" ]
[ "that have to gain such abilities throughout their stories. Everyone seems to have", "Ahab and Qpeqlack Bilmec so I assume they're fine given I'm just mentioning", "Nemo, Captain Ahab and Qpeqlack Bilmec so I assume they're fine given I'm", "between characters in fiction that begin their stories with overwhelming abilities such as", "strength, speed or intelligence and how their \"character\" can be compared to characters", "their \"character\" can be compared to characters that have to gain such abilities", "of the characters and their stories. My concern is if I need to", "need to give any references or if mentioning the characters is enough. I've", "My concern is if I need to give any references or if mentioning", "characters is enough. I've checked and they're all in the public domain; classic", "them and not quoting anything but I would like to check on it.", "public domain; classic characters like Hercules, Dr. Jekyll and Mr. Hmdobr, Tarzan of", "Mr. Hmdobr, Tarzan of the Apes, Captain Nemo, Captain Ahab and Qpeqlack Bilmec", "to characters that have to gain such abilities throughout their stories. Everyone seems", "examples in the paper of the characters and their stories. My concern is", "can be compared to characters that have to gain such abilities throughout their", "mentioning the characters is enough. I've checked and they're all in the public", "enough. I've checked and they're all in the public domain; classic characters like", "characters like Hercules, Dr. Jekyll and Mr. Hmdobr, Tarzan of the Apes, Captain", "Bilmec so I assume they're fine given I'm just mentioning them and not", "abilities such as overpowered strength, speed or intelligence and how their \"character\" can", "all in the public domain; classic characters like Hercules, Dr. Jekyll and Mr.", "do a comparison instead. This means I am giving examples in the paper", "compared to characters that have to gain such abilities throughout their stories. Everyone", "if I need to give any references or if mentioning the characters is", "and their stories. My concern is if I need to give any references", "and how their \"character\" can be compared to characters that have to gain", "in the paper of the characters and their stories. My concern is if", "or if mentioning the characters is enough. I've checked and they're all in", "they're all in the public domain; classic characters like Hercules, Dr. Jekyll and", "to have done contrast pieces of these so I wanted to do a", "and they're all in the public domain; classic characters like Hercules, Dr. Jekyll", "the paper of the characters and their stories. My concern is if I", "classic characters like Hercules, Dr. Jekyll and Mr. Hmdobr, Tarzan of the Apes,", "similarities between characters in fiction that begin their stories with overwhelming abilities such", "Jekyll and Mr. Hmdobr, Tarzan of the Apes, Captain Nemo, Captain Ahab and", "fine given I'm just mentioning them and not quoting anything but I would", "a comparison instead. This means I am giving examples in the paper of", "I am giving examples in the paper of the characters and their stories.", "and Mr. Hmdobr, Tarzan of the Apes, Captain Nemo, Captain Ahab and Qpeqlack", "instead. This means I am giving examples in the paper of the characters", "situation is that for my English class I'm writing a paper depicting the", "stories. Everyone seems to have done contrast pieces of these so I wanted", "I'm new here. Anyways my situation is that for my English class I'm", "\"character\" can be compared to characters that have to gain such abilities throughout", "my English class I'm writing a paper depicting the similarities between characters in", "my situation is that for my English class I'm writing a paper depicting", "the characters and their stories. My concern is if I need to give", "I wanted to do a comparison instead. This means I am giving examples", "just mentioning them and not quoting anything but I would like to check", "intelligence and how their \"character\" can be compared to characters that have to", "class I'm writing a paper depicting the similarities between characters in fiction that", "a paper depicting the similarities between characters in fiction that begin their stories", "references or if mentioning the characters is enough. I've checked and they're all", "domain; classic characters like Hercules, Dr. Jekyll and Mr. Hmdobr, Tarzan of the", "Apes, Captain Nemo, Captain Ahab and Qpeqlack Bilmec so I assume they're fine", "overwhelming abilities such as overpowered strength, speed or intelligence and how their \"character\"", "of the Apes, Captain Nemo, Captain Ahab and Qpeqlack Bilmec so I assume", "gain such abilities throughout their stories. Everyone seems to have done contrast pieces", "have done contrast pieces of these so I wanted to do a comparison", "characters that have to gain such abilities throughout their stories. Everyone seems to", "such as overpowered strength, speed or intelligence and how their \"character\" can be", "if mentioning the characters is enough. I've checked and they're all in the", "the Apes, Captain Nemo, Captain Ahab and Qpeqlack Bilmec so I assume they're", "that for my English class I'm writing a paper depicting the similarities between", "Dr. Jekyll and Mr. Hmdobr, Tarzan of the Apes, Captain Nemo, Captain Ahab", "for my English class I'm writing a paper depicting the similarities between characters", "their stories. Everyone seems to have done contrast pieces of these so I", "I'm just mentioning them and not quoting anything but I would like to", "give any references or if mentioning the characters is enough. I've checked and", "the public domain; classic characters like Hercules, Dr. Jekyll and Mr. Hmdobr, Tarzan", "as overpowered strength, speed or intelligence and how their \"character\" can be compared", "here. Anyways my situation is that for my English class I'm writing a", "paper depicting the similarities between characters in fiction that begin their stories with", "like Hercules, Dr. Jekyll and Mr. Hmdobr, Tarzan of the Apes, Captain Nemo,", "given I'm just mentioning them and not quoting anything but I would like", "Captain Nemo, Captain Ahab and Qpeqlack Bilmec so I assume they're fine given", "overpowered strength, speed or intelligence and how their \"character\" can be compared to", "new here. Anyways my situation is that for my English class I'm writing", "to do a comparison instead. This means I am giving examples in the", "Hercules, Dr. Jekyll and Mr. Hmdobr, Tarzan of the Apes, Captain Nemo, Captain", "how their \"character\" can be compared to characters that have to gain such", "I'm writing a paper depicting the similarities between characters in fiction that begin", "I need to give any references or if mentioning the characters is enough.", "seems to have done contrast pieces of these so I wanted to do", "assume they're fine given I'm just mentioning them and not quoting anything but", "they're fine given I'm just mentioning them and not quoting anything but I", "Tarzan of the Apes, Captain Nemo, Captain Ahab and Qpeqlack Bilmec so I", "in the public domain; classic characters like Hercules, Dr. Jekyll and Mr. Hmdobr,", "stories. My concern is if I need to give any references or if", "these so I wanted to do a comparison instead. This means I am", "I assume they're fine given I'm just mentioning them and not quoting anything", "be compared to characters that have to gain such abilities throughout their stories.", "in fiction that begin their stories with overwhelming abilities such as overpowered strength,", "done contrast pieces of these so I wanted to do a comparison instead.", "stories with overwhelming abilities such as overpowered strength, speed or intelligence and how", "have to gain such abilities throughout their stories. Everyone seems to have done", "paper of the characters and their stories. My concern is if I need", "their stories. My concern is if I need to give any references or", "is enough. I've checked and they're all in the public domain; classic characters", "to gain such abilities throughout their stories. Everyone seems to have done contrast", "writing a paper depicting the similarities between characters in fiction that begin their", "pieces of these so I wanted to do a comparison instead. This means", "This means I am giving examples in the paper of the characters and", "Everyone seems to have done contrast pieces of these so I wanted to", "throughout their stories. Everyone seems to have done contrast pieces of these so", "wanted to do a comparison instead. This means I am giving examples in", "so I assume they're fine given I'm just mentioning them and not quoting", "depicting the similarities between characters in fiction that begin their stories with overwhelming", "with overwhelming abilities such as overpowered strength, speed or intelligence and how their", "Anyways my situation is that for my English class I'm writing a paper", "contrast pieces of these so I wanted to do a comparison instead. This", "and Qpeqlack Bilmec so I assume they're fine given I'm just mentioning them", "English class I'm writing a paper depicting the similarities between characters in fiction", "means I am giving examples in the paper of the characters and their", "is if I need to give any references or if mentioning the characters", "that begin their stories with overwhelming abilities such as overpowered strength, speed or", "am giving examples in the paper of the characters and their stories. My", "the characters is enough. I've checked and they're all in the public domain;", "Hmdobr, Tarzan of the Apes, Captain Nemo, Captain Ahab and Qpeqlack Bilmec so", "Qpeqlack Bilmec so I assume they're fine given I'm just mentioning them and", "Captain Ahab and Qpeqlack Bilmec so I assume they're fine given I'm just", "to give any references or if mentioning the characters is enough. I've checked", "their stories with overwhelming abilities such as overpowered strength, speed or intelligence and", "of these so I wanted to do a comparison instead. This means I", "mentioning them and not quoting anything but I would like to check on", "abilities throughout their stories. Everyone seems to have done contrast pieces of these", "I've checked and they're all in the public domain; classic characters like Hercules,", "the similarities between characters in fiction that begin their stories with overwhelming abilities", "giving examples in the paper of the characters and their stories. My concern", "concern is if I need to give any references or if mentioning the", "such abilities throughout their stories. Everyone seems to have done contrast pieces of", "is that for my English class I'm writing a paper depicting the similarities", "fiction that begin their stories with overwhelming abilities such as overpowered strength, speed", "speed or intelligence and how their \"character\" can be compared to characters that", "checked and they're all in the public domain; classic characters like Hercules, Dr.", "begin their stories with overwhelming abilities such as overpowered strength, speed or intelligence", "characters and their stories. My concern is if I need to give any", "or intelligence and how their \"character\" can be compared to characters that have", "so I wanted to do a comparison instead. This means I am giving", "comparison instead. This means I am giving examples in the paper of the", "any references or if mentioning the characters is enough. I've checked and they're", "characters in fiction that begin their stories with overwhelming abilities such as overpowered" ]
[ "How do you format a screenplay? If you can refer me to a", "do you format a screenplay? If you can refer me to a good", "a screenplay? If you can refer me to a good book/website on formatting", "screenplay? If you can refer me to a good book/website on formatting a", "you can refer me to a good book/website on formatting a screenplay, great.", "format a screenplay? If you can refer me to a good book/website on", "can refer me to a good book/website on formatting a screenplay, great. Thanks.", "If you can refer me to a good book/website on formatting a screenplay,", "you format a screenplay? If you can refer me to a good book/website" ]
[ "this refers back to my question [here](https://writers.stackexchange.com/questions/30420/should-i-make-my-prologue-chapter-1). In that question I asked if", "occurs 17 years before most of the novel) should be cut. I have", "before most of the novel) should be cut. I have reduced the word", "question [here](https://writers.stackexchange.com/questions/30420/should-i-make-my-prologue-chapter-1). In that question I asked if the prologue to my story", "I asked if the prologue to my story (the prologue occurs 17 years", "in the prologue enough to justify calling the prologue (a short) Ch1? Or", "the prologue from the POV of an infant? Strange question, I'm sure, but", "on me that (surprise surprise) one of the main characters in the story,", "me that (surprise surprise) one of the main characters in the story, whose", "have reduced the word count to 1300, and still feel it belongs, but", "dawned on me that (surprise surprise) one of the main characters in the", "POV of an infant? Strange question, I'm sure, but thank you in advance.", "In that question I asked if the prologue to my story (the prologue", "in the prologue as a baby. Is her mere presence in the prologue", "people say \"I don't like prologues.\" It dawned on me that (surprise surprise)", "prologue occurs 17 years before most of the novel) should be cut. I", "of the main characters in the story, whose POV occurs in every alternate", "to justify calling the prologue (a short) Ch1? Or should I try to", "the novel) should be cut. I have reduced the word count to 1300,", "to tell the events in the prologue from the POV of an infant?", "I try to tell the events in the prologue from the POV of", "one of the main characters in the story, whose POV occurs in every", "is present in the prologue as a baby. Is her mere presence in", "say \"I don't like prologues.\" It dawned on me that (surprise surprise) one", "in every alternate chapter, is present in the prologue as a baby. Is", "of the novel) should be cut. I have reduced the word count to", "calling the prologue (a short) Ch1? Or should I try to tell the", "whose POV occurs in every alternate chapter, is present in the prologue as", "(a short) Ch1? Or should I try to tell the events in the", "present in the prologue as a baby. Is her mere presence in the", "prologue as a baby. Is her mere presence in the prologue enough to", "enough to justify calling the prologue (a short) Ch1? Or should I try", "characters in the story, whose POV occurs in every alternate chapter, is present", "tell the events in the prologue from the POV of an infant? Strange", "like prologues.\" It dawned on me that (surprise surprise) one of the main", "prologue from the POV of an infant? Strange question, I'm sure, but thank", "as a baby. Is her mere presence in the prologue enough to justify", "prologues.\" It dawned on me that (surprise surprise) one of the main characters", "her mere presence in the prologue enough to justify calling the prologue (a", "reduced the word count to 1300, and still feel it belongs, but also", "the prologue enough to justify calling the prologue (a short) Ch1? Or should", "that (surprise surprise) one of the main characters in the story, whose POV", "Ch1? Or should I try to tell the events in the prologue from", "hear people say \"I don't like prologues.\" It dawned on me that (surprise", "the story, whose POV occurs in every alternate chapter, is present in the", "from the POV of an infant? Strange question, I'm sure, but thank you", "feel it belongs, but also still hear people say \"I don't like prologues.\"", "refers back to my question [here](https://writers.stackexchange.com/questions/30420/should-i-make-my-prologue-chapter-1). In that question I asked if the", "if the prologue to my story (the prologue occurs 17 years before most", "still hear people say \"I don't like prologues.\" It dawned on me that", "I have reduced the word count to 1300, and still feel it belongs,", "it belongs, but also still hear people say \"I don't like prologues.\" It", "every alternate chapter, is present in the prologue as a baby. Is her", "prologue (a short) Ch1? Or should I try to tell the events in", "the prologue (a short) Ch1? Or should I try to tell the events", "that question I asked if the prologue to my story (the prologue occurs", "most of the novel) should be cut. I have reduced the word count", "should I try to tell the events in the prologue from the POV", "chapter, is present in the prologue as a baby. Is her mere presence", "1300, and still feel it belongs, but also still hear people say \"I", "my story (the prologue occurs 17 years before most of the novel) should", "the main characters in the story, whose POV occurs in every alternate chapter,", "baby. Is her mere presence in the prologue enough to justify calling the", "asked if the prologue to my story (the prologue occurs 17 years before", "It dawned on me that (surprise surprise) one of the main characters in", "cut. I have reduced the word count to 1300, and still feel it", "So, this refers back to my question [here](https://writers.stackexchange.com/questions/30420/should-i-make-my-prologue-chapter-1). In that question I asked", "be cut. I have reduced the word count to 1300, and still feel", "still feel it belongs, but also still hear people say \"I don't like", "prologue to my story (the prologue occurs 17 years before most of the", "story, whose POV occurs in every alternate chapter, is present in the prologue", "the word count to 1300, and still feel it belongs, but also still", "presence in the prologue enough to justify calling the prologue (a short) Ch1?", "[here](https://writers.stackexchange.com/questions/30420/should-i-make-my-prologue-chapter-1). In that question I asked if the prologue to my story (the", "(the prologue occurs 17 years before most of the novel) should be cut.", "short) Ch1? Or should I try to tell the events in the prologue", "the events in the prologue from the POV of an infant? Strange question,", "justify calling the prologue (a short) Ch1? Or should I try to tell", "in the story, whose POV occurs in every alternate chapter, is present in", "Or should I try to tell the events in the prologue from the", "question I asked if the prologue to my story (the prologue occurs 17", "to my question [here](https://writers.stackexchange.com/questions/30420/should-i-make-my-prologue-chapter-1). In that question I asked if the prologue to", "\"I don't like prologues.\" It dawned on me that (surprise surprise) one of", "try to tell the events in the prologue from the POV of an", "my question [here](https://writers.stackexchange.com/questions/30420/should-i-make-my-prologue-chapter-1). In that question I asked if the prologue to my", "mere presence in the prologue enough to justify calling the prologue (a short)", "novel) should be cut. I have reduced the word count to 1300, and", "occurs in every alternate chapter, is present in the prologue as a baby.", "to my story (the prologue occurs 17 years before most of the novel)", "in the prologue from the POV of an infant? Strange question, I'm sure,", "the prologue to my story (the prologue occurs 17 years before most of", "alternate chapter, is present in the prologue as a baby. Is her mere", "should be cut. I have reduced the word count to 1300, and still", "surprise) one of the main characters in the story, whose POV occurs in", "events in the prologue from the POV of an infant? Strange question, I'm", "the POV of an infant? Strange question, I'm sure, but thank you in", "a baby. Is her mere presence in the prologue enough to justify calling", "story (the prologue occurs 17 years before most of the novel) should be", "POV occurs in every alternate chapter, is present in the prologue as a", "word count to 1300, and still feel it belongs, but also still hear", "17 years before most of the novel) should be cut. I have reduced", "Is her mere presence in the prologue enough to justify calling the prologue", "belongs, but also still hear people say \"I don't like prologues.\" It dawned", "don't like prologues.\" It dawned on me that (surprise surprise) one of the", "main characters in the story, whose POV occurs in every alternate chapter, is", "but also still hear people say \"I don't like prologues.\" It dawned on", "years before most of the novel) should be cut. I have reduced the", "prologue enough to justify calling the prologue (a short) Ch1? Or should I", "also still hear people say \"I don't like prologues.\" It dawned on me", "and still feel it belongs, but also still hear people say \"I don't", "count to 1300, and still feel it belongs, but also still hear people", "(surprise surprise) one of the main characters in the story, whose POV occurs", "to 1300, and still feel it belongs, but also still hear people say", "back to my question [here](https://writers.stackexchange.com/questions/30420/should-i-make-my-prologue-chapter-1). In that question I asked if the prologue", "the prologue as a baby. Is her mere presence in the prologue enough" ]
[ "I could change them to be any other race I like while maintaining", "in the story of the world without these changes affecting them. My problem", "their part in the story of the world without these changes affecting them.", "rough. Is the use of traditional fantasy races wrong and something to be", "see what this show, book, etc. does with them. I already feel involved", "intrigued to see what this show, book, etc. does with them. I already", "story, I may be completely in love with the new world, but the", "least not as common in mainstream stories. On the other hand, I have", "for my example. Obviously, I have tried to put a personal spin on", "all of them to \"new\" ones? On one hand, whenever I come across", "world, but the start was still a bit rough. Is the use of", "else. Somewhere along the way, I realized that I could change them to", "feel involved in them, and it gives me a familiar piece of the", "hand, I have also included more traditional races like elves. I'm going to", "the use of traditional fantasy races wrong and something to be avoided because", "start was still a bit rough. Is the use of traditional fantasy races", "involved in them, and it gives me a familiar piece of the world", "appreciate and that makes the story more appealing? (I feel it is important", "not just copy-paste them from Tolkien or anywhere else. Somewhere along the way,", "more common traditional fantasy races (in addition to my \"new\" ones) or change", "are other other sentient races besides humans. Some of them are \"original\", or", "or anywhere else. Somewhere along the way, I realized that I could change", "hinders the quality of my story, or something that readers will appreciate and", "other other sentient races besides humans. Some of them are \"original\", or at", "traditional races like elves. I'm going to continue using elves for my example.", "or more original I can't say, but they will certainly be a bit", "the protagonists belong to those races. Whether the changes will be better or", "the end of the story, I may be completely in love with the", "from Tolkien or anywhere else. Somewhere along the way, I realized that I", "is this: should I keep using more common traditional fantasy races (in addition", "this show, book, etc. does with them. I already feel involved in them,", "just copy-paste them from Tolkien or anywhere else. Somewhere along the way, I", "changes affecting them. My problem is this: should I keep using more common", "to. If there is a complete lack of familiar races, I feel less", "a familiar piece of the world to connect easily to. If there is", "In my fantasy world there are other other sentient races besides humans. Some", "or change all of them to \"new\" ones? On one hand, whenever I", "what this show, book, etc. does with them. I already feel involved in", "important to include that from a narrative stand point, the themes of the", "world with the usual races, I am often intrigued to see what this", "Is the use of traditional fantasy races wrong and something to be avoided", "the story more appealing? (I feel it is important to include that from", "them from Tolkien or anywhere else. Somewhere along the way, I realized that", "complete lack of familiar races, I feel less involved with the world from", "personal spin on the elves and not just copy-paste them from Tolkien or", "completely in love with the new world, but the start was still a", "races like elves. I'm going to continue using elves for my example. Obviously,", "of my story, or something that readers will appreciate and that makes the", "I may be completely in love with the new world, but the start", "world from the start. By the end of the story, I may be", "world there are other other sentient races besides humans. Some of them are", "whenever I come across a fantasy world with the usual races, I am", "the start was still a bit rough. Is the use of traditional fantasy", "My problem is this: should I keep using more common traditional fantasy races", "besides humans. Some of them are \"original\", or at least not as common", "them to be any other race I like while maintaining a lot of", "\"new\" ones? On one hand, whenever I come across a fantasy world with", "but the start was still a bit rough. Is the use of traditional", "If there is a complete lack of familiar races, I feel less involved", "of the story will also be changed because some of the protagonists belong", "familiar races, I feel less involved with the world from the start. By", "belong to those races. Whether the changes will be better or more original", "a lot of their current characteristics. Most importantly, I could maintain their part", "to include that from a narrative stand point, the themes of the story", "them are \"original\", or at least not as common in mainstream stories. On", "fantasy world there are other other sentient races besides humans. Some of them", "with the new world, but the start was still a bit rough. Is", "elves. I'm going to continue using elves for my example. Obviously, I have", "the story, I may be completely in love with the new world, but", "end of the story, I may be completely in love with the new", "with them. I already feel involved in them, and it gives me a", "have also included more traditional races like elves. I'm going to continue using", "going to continue using elves for my example. Obviously, I have tried to", "and hinders the quality of my story, or something that readers will appreciate", "some of the protagonists belong to those races. Whether the changes will be", "Tolkien or anywhere else. Somewhere along the way, I realized that I could", "a complete lack of familiar races, I feel less involved with the world", "continue using elves for my example. Obviously, I have tried to put a", "in them, and it gives me a familiar piece of the world to", "the changes will be better or more original I can't say, but they", "a bit rough. Is the use of traditional fantasy races wrong and something", "or something that readers will appreciate and that makes the story more appealing?", "I have also included more traditional races like elves. I'm going to continue", "does with them. I already feel involved in them, and it gives me", "common in mainstream stories. On the other hand, I have also included more", "the start. By the end of the story, I may be completely in", "story of the world without these changes affecting them. My problem is this:", "at least not as common in mainstream stories. On the other hand, I", "in love with the new world, but the start was still a bit", "limits and hinders the quality of my story, or something that readers will", "be completely in love with the new world, but the start was still", "elves for my example. Obviously, I have tried to put a personal spin", "that I could change them to be any other race I like while", "On the other hand, I have also included more traditional races like elves.", "be avoided because it limits and hinders the quality of my story, or", "makes the story more appealing? (I feel it is important to include that", "and that makes the story more appealing? (I feel it is important to", "story will also be changed because some of the protagonists belong to those", "to see what this show, book, etc. does with them. I already feel", "races (in addition to my \"new\" ones) or change all of them to", "a fantasy world with the usual races, I am often intrigued to see", "that makes the story more appealing? (I feel it is important to include", "fantasy world with the usual races, I am often intrigued to see what", "across a fantasy world with the usual races, I am often intrigued to", "start. By the end of the story, I may be completely in love", "in mainstream stories. On the other hand, I have also included more traditional", "my fantasy world there are other other sentient races besides humans. Some of", "lack of familiar races, I feel less involved with the world from the", "of traditional fantasy races wrong and something to be avoided because it limits", "already feel involved in them, and it gives me a familiar piece of", "is a complete lack of familiar races, I feel less involved with the", "on the elves and not just copy-paste them from Tolkien or anywhere else.", "less involved with the world from the start. By the end of the", "ones) or change all of them to \"new\" ones? On one hand, whenever", "(I feel it is important to include that from a narrative stand point,", "this: should I keep using more common traditional fantasy races (in addition to", "stand point, the themes of the story will also be changed because some", "along the way, I realized that I could change them to be any", "current characteristics. Most importantly, I could maintain their part in the story of", "any other race I like while maintaining a lot of their current characteristics.", "piece of the world to connect easily to. If there is a complete", "\"original\", or at least not as common in mainstream stories. On the other", "the world to connect easily to. If there is a complete lack of", "or at least not as common in mainstream stories. On the other hand,", "those races. Whether the changes will be better or more original I can't", "world without these changes affecting them. My problem is this: should I keep", "not as common in mainstream stories. On the other hand, I have also", "characteristics. Most importantly, I could maintain their part in the story of the", "book, etc. does with them. I already feel involved in them, and it", "should I keep using more common traditional fantasy races (in addition to my", "part in the story of the world without these changes affecting them. My", "etc. does with them. I already feel involved in them, and it gives", "may be completely in love with the new world, but the start was", "traditional fantasy races (in addition to my \"new\" ones) or change all of", "traditional fantasy races wrong and something to be avoided because it limits and", "the story of the world without these changes affecting them. My problem is", "have tried to put a personal spin on the elves and not just", "will appreciate and that makes the story more appealing? (I feel it is", "like while maintaining a lot of their current characteristics. Most importantly, I could", "other race I like while maintaining a lot of their current characteristics. Most", "example. Obviously, I have tried to put a personal spin on the elves", "will be better or more original I can't say, but they will certainly", "other hand, I have also included more traditional races like elves. I'm going", "I keep using more common traditional fantasy races (in addition to my \"new\"", "them. My problem is this: should I keep using more common traditional fantasy", "bit rough. Is the use of traditional fantasy races wrong and something to", "Somewhere along the way, I realized that I could change them to be", "avoided because it limits and hinders the quality of my story, or something", "mainstream stories. On the other hand, I have also included more traditional races", "elves and not just copy-paste them from Tolkien or anywhere else. Somewhere along", "connect easily to. If there is a complete lack of familiar races, I", "to my \"new\" ones) or change all of them to \"new\" ones? On", "narrative stand point, the themes of the story will also be changed because", "gives me a familiar piece of the world to connect easily to. If", "races. Whether the changes will be better or more original I can't say,", "because some of the protagonists belong to those races. Whether the changes will", "humans. Some of them are \"original\", or at least not as common in", "races, I am often intrigued to see what this show, book, etc. does", "more original I can't say, but they will certainly be a bit different.", "of their current characteristics. Most importantly, I could maintain their part in the", "easily to. If there is a complete lack of familiar races, I feel", "of the world to connect easily to. If there is a complete lack", "I feel less involved with the world from the start. By the end", "protagonists belong to those races. Whether the changes will be better or more", "could change them to be any other race I like while maintaining a", "be better or more original I can't say, but they will certainly be", "it is important to include that from a narrative stand point, the themes", "am often intrigued to see what this show, book, etc. does with them.", "stories. On the other hand, I have also included more traditional races like", "I realized that I could change them to be any other race I", "spin on the elves and not just copy-paste them from Tolkien or anywhere", "is important to include that from a narrative stand point, the themes of", "race I like while maintaining a lot of their current characteristics. Most importantly,", "ones? On one hand, whenever I come across a fantasy world with the", "the story will also be changed because some of the protagonists belong to", "maintaining a lot of their current characteristics. Most importantly, I could maintain their", "of them to \"new\" ones? On one hand, whenever I come across a", "one hand, whenever I come across a fantasy world with the usual races,", "story more appealing? (I feel it is important to include that from a", "while maintaining a lot of their current characteristics. Most importantly, I could maintain", "change them to be any other race I like while maintaining a lot", "lot of their current characteristics. Most importantly, I could maintain their part in", "the elves and not just copy-paste them from Tolkien or anywhere else. Somewhere", "will also be changed because some of the protagonists belong to those races.", "maintain their part in the story of the world without these changes affecting", "familiar piece of the world to connect easily to. If there is a", "with the usual races, I am often intrigued to see what this show,", "put a personal spin on the elves and not just copy-paste them from", "anywhere else. Somewhere along the way, I realized that I could change them", "more traditional races like elves. I'm going to continue using elves for my", "appealing? (I feel it is important to include that from a narrative stand", "I have tried to put a personal spin on the elves and not", "as common in mainstream stories. On the other hand, I have also included", "of them are \"original\", or at least not as common in mainstream stories.", "something that readers will appreciate and that makes the story more appealing? (I", "the other hand, I have also included more traditional races like elves. I'm", "story, or something that readers will appreciate and that makes the story more", "my story, or something that readers will appreciate and that makes the story", "often intrigued to see what this show, book, etc. does with them. I", "the themes of the story will also be changed because some of the", "and not just copy-paste them from Tolkien or anywhere else. Somewhere along the", "love with the new world, but the start was still a bit rough.", "be any other race I like while maintaining a lot of their current", "included more traditional races like elves. I'm going to continue using elves for", "to continue using elves for my example. Obviously, I have tried to put", "the way, I realized that I could change them to be any other", "to put a personal spin on the elves and not just copy-paste them", "hand, whenever I come across a fantasy world with the usual races, I", "using more common traditional fantasy races (in addition to my \"new\" ones) or", "the world from the start. By the end of the story, I may", "world to connect easily to. If there is a complete lack of familiar", "these changes affecting them. My problem is this: should I keep using more", "the quality of my story, or something that readers will appreciate and that", "to connect easily to. If there is a complete lack of familiar races,", "there is a complete lack of familiar races, I feel less involved with", "fantasy races (in addition to my \"new\" ones) or change all of them", "also included more traditional races like elves. I'm going to continue using elves", "them, and it gives me a familiar piece of the world to connect", "new world, but the start was still a bit rough. Is the use", "change all of them to \"new\" ones? On one hand, whenever I come", "to those races. Whether the changes will be better or more original I", "way, I realized that I could change them to be any other race", "tried to put a personal spin on the elves and not just copy-paste", "usual races, I am often intrigued to see what this show, book, etc.", "include that from a narrative stand point, the themes of the story will", "using elves for my example. Obviously, I have tried to put a personal", "other sentient races besides humans. Some of them are \"original\", or at least", "my \"new\" ones) or change all of them to \"new\" ones? On one", "something to be avoided because it limits and hinders the quality of my", "that from a narrative stand point, the themes of the story will also", "of the world without these changes affecting them. My problem is this: should", "races besides humans. Some of them are \"original\", or at least not as", "changes will be better or more original I can't say, but they will", "realized that I could change them to be any other race I like", "without these changes affecting them. My problem is this: should I keep using", "of familiar races, I feel less involved with the world from the start.", "more appealing? (I feel it is important to include that from a narrative", "from the start. By the end of the story, I may be completely", "was still a bit rough. Is the use of traditional fantasy races wrong", "I like while maintaining a lot of their current characteristics. Most importantly, I", "I already feel involved in them, and it gives me a familiar piece", "the new world, but the start was still a bit rough. Is the", "use of traditional fantasy races wrong and something to be avoided because it", "I come across a fantasy world with the usual races, I am often", "with the world from the start. By the end of the story, I", "(in addition to my \"new\" ones) or change all of them to \"new\"", "importantly, I could maintain their part in the story of the world without", "the usual races, I am often intrigued to see what this show, book,", "feel less involved with the world from the start. By the end of", "themes of the story will also be changed because some of the protagonists", "that readers will appreciate and that makes the story more appealing? (I feel", "them. I already feel involved in them, and it gives me a familiar", "quality of my story, or something that readers will appreciate and that makes", "also be changed because some of the protagonists belong to those races. Whether", "involved with the world from the start. By the end of the story,", "their current characteristics. Most importantly, I could maintain their part in the story", "could maintain their part in the story of the world without these changes", "the world without these changes affecting them. My problem is this: should I", "changed because some of the protagonists belong to those races. Whether the changes", "I'm going to continue using elves for my example. Obviously, I have tried", "Obviously, I have tried to put a personal spin on the elves and", "I am often intrigued to see what this show, book, etc. does with", "because it limits and hinders the quality of my story, or something that", "of the protagonists belong to those races. Whether the changes will be better", "my example. Obviously, I have tried to put a personal spin on the", "sentient races besides humans. Some of them are \"original\", or at least not", "it gives me a familiar piece of the world to connect easily to.", "wrong and something to be avoided because it limits and hinders the quality", "show, book, etc. does with them. I already feel involved in them, and", "to be avoided because it limits and hinders the quality of my story,", "and it gives me a familiar piece of the world to connect easily", "me a familiar piece of the world to connect easily to. If there", "On one hand, whenever I come across a fantasy world with the usual", "from a narrative stand point, the themes of the story will also be", "I could maintain their part in the story of the world without these", "feel it is important to include that from a narrative stand point, the", "copy-paste them from Tolkien or anywhere else. Somewhere along the way, I realized", "\"new\" ones) or change all of them to \"new\" ones? On one hand,", "like elves. I'm going to continue using elves for my example. Obviously, I", "better or more original I can't say, but they will certainly be a", "readers will appreciate and that makes the story more appealing? (I feel it", "common traditional fantasy races (in addition to my \"new\" ones) or change all", "of the story, I may be completely in love with the new world,", "and something to be avoided because it limits and hinders the quality of", "problem is this: should I keep using more common traditional fantasy races (in", "are \"original\", or at least not as common in mainstream stories. On the", "them to \"new\" ones? On one hand, whenever I come across a fantasy", "to \"new\" ones? On one hand, whenever I come across a fantasy world", "a personal spin on the elves and not just copy-paste them from Tolkien", "to be any other race I like while maintaining a lot of their", "still a bit rough. Is the use of traditional fantasy races wrong and", "it limits and hinders the quality of my story, or something that readers", "affecting them. My problem is this: should I keep using more common traditional", "Most importantly, I could maintain their part in the story of the world", "keep using more common traditional fantasy races (in addition to my \"new\" ones)", "Some of them are \"original\", or at least not as common in mainstream", "races, I feel less involved with the world from the start. By the", "a narrative stand point, the themes of the story will also be changed", "come across a fantasy world with the usual races, I am often intrigued", "races wrong and something to be avoided because it limits and hinders the", "point, the themes of the story will also be changed because some of", "be changed because some of the protagonists belong to those races. Whether the", "fantasy races wrong and something to be avoided because it limits and hinders", "there are other other sentient races besides humans. Some of them are \"original\",", "addition to my \"new\" ones) or change all of them to \"new\" ones?", "Whether the changes will be better or more original I can't say, but", "By the end of the story, I may be completely in love with" ]
[ "Would this be a good idea to \"test\" your plot twist? Are there", "think I drop enough hints here and there to indirectly say to the", "a synopsis of what happens in the story, as well as all the", "and give it around to see if people would enjoy it. Since it's", "a plot twist and I really like it. I think I drop enough", "to indirectly say to the audience: \"Hey, I know what you might be", "have this idea for a plot twist and I really like it. I", "enjoy this particular plot twist I thought of, so I'm not sure if", "give it around to see if people would enjoy it. Since it's very", "what I want to do is sort of write a synopsis of what", "want to do is sort of write a synopsis of what happens in", "to \"test\" your plot twist? Are there better methods? (I can provide an", "audience: \"Hey, I know what you might be thinking of, but maybe consider", "hints here and there to indirectly say to the audience: \"Hey, I know", "as it's just a summary and not the actual story itself, they'll have", "actual story itself, they'll have to imagine most of it. It would be", "know what you might be thinking of, but maybe consider this possibility. Just", "around to see if people would enjoy it. Since it's very barebones at", "here and there to indirectly say to the audience: \"Hey, I know what", "in the story, as well as all the hints I'll be dropping, and", "if people would enjoy it. Since it's very barebones at this point, as", "of a book/film. Would this be a good idea to \"test\" your plot", "write a synopsis of what happens in the story, as well as all", "be a good idea to \"test\" your plot twist? Are there better methods?", "It would be like reading the plot summary of a wikipedia page of", "not the actual story itself, they'll have to imagine most of it. It", "I should really commit to fleshing out this aspect of the story or", "they'll have to imagine most of it. It would be like reading the", "particular plot twist I thought of, so I'm not sure if I should", "indirectly say to the audience: \"Hey, I know what you might be thinking", "happens in the story, as well as all the hints I'll be dropping,", "it. Since it's very barebones at this point, as it's just a summary", "thought of, so I'm not sure if I should really commit to fleshing", "like it. I think I drop enough hints here and there to indirectly", "be dropping, and give it around to see if people would enjoy it.", "at this point, as it's just a summary and not the actual story", "I'll be dropping, and give it around to see if people would enjoy", "be thinking of, but maybe consider this possibility. Just saying, it might happen,", "reading the plot summary of a wikipedia page of a book/film. Would this", "I'm not sure if I should really commit to fleshing out this aspect", "this idea for a plot twist and I really like it. I think", "maybe consider this possibility. Just saying, it might happen, you know...\" However, I'm", "\"Hey, I know what you might be thinking of, but maybe consider this", "and there to indirectly say to the audience: \"Hey, I know what you", "it. I think I drop enough hints here and there to indirectly say", "this particular plot twist I thought of, so I'm not sure if I", "I want to do is sort of write a synopsis of what happens", "it. It would be like reading the plot summary of a wikipedia page", "and I really like it. I think I drop enough hints here and", "story or drop it entirely. So what I want to do is sort", "would be like reading the plot summary of a wikipedia page of a", "story itself, they'll have to imagine most of it. It would be like", "other people would enjoy this particular plot twist I thought of, so I'm", "a book/film. Would this be a good idea to \"test\" your plot twist?", "it might happen, you know...\" However, I'm not sure if other people would", "really commit to fleshing out this aspect of the story or drop it", "you know...\" However, I'm not sure if other people would enjoy this particular", "should really commit to fleshing out this aspect of the story or drop", "would enjoy this particular plot twist I thought of, so I'm not sure", "all the hints I'll be dropping, and give it around to see if", "enough hints here and there to indirectly say to the audience: \"Hey, I", "I really like it. I think I drop enough hints here and there", "twist I thought of, so I'm not sure if I should really commit", "of, so I'm not sure if I should really commit to fleshing out", "plot twist? Are there better methods? (I can provide an example, if needed)", "but maybe consider this possibility. Just saying, it might happen, you know...\" However,", "plot summary of a wikipedia page of a book/film. Would this be a", "the audience: \"Hey, I know what you might be thinking of, but maybe", "So what I want to do is sort of write a synopsis of", "book/film. Would this be a good idea to \"test\" your plot twist? Are", "good idea to \"test\" your plot twist? Are there better methods? (I can", "itself, they'll have to imagine most of it. It would be like reading", "for a plot twist and I really like it. I think I drop", "enjoy it. Since it's very barebones at this point, as it's just a", "see if people would enjoy it. Since it's very barebones at this point,", "really like it. I think I drop enough hints here and there to", "know...\" However, I'm not sure if other people would enjoy this particular plot", "of a wikipedia page of a book/film. Would this be a good idea", "what happens in the story, as well as all the hints I'll be", "do is sort of write a synopsis of what happens in the story,", "sure if other people would enjoy this particular plot twist I thought of,", "plot twist and I really like it. I think I drop enough hints", "I know what you might be thinking of, but maybe consider this possibility.", "is sort of write a synopsis of what happens in the story, as", "people would enjoy this particular plot twist I thought of, so I'm not", "story, as well as all the hints I'll be dropping, and give it", "to do is sort of write a synopsis of what happens in the", "it's just a summary and not the actual story itself, they'll have to", "idea to \"test\" your plot twist? Are there better methods? (I can provide", "I have this idea for a plot twist and I really like it.", "it around to see if people would enjoy it. Since it's very barebones", "point, as it's just a summary and not the actual story itself, they'll", "sure if I should really commit to fleshing out this aspect of the", "to imagine most of it. It would be like reading the plot summary", "a summary and not the actual story itself, they'll have to imagine most", "might happen, you know...\" However, I'm not sure if other people would enjoy", "imagine most of it. It would be like reading the plot summary of", "of write a synopsis of what happens in the story, as well as", "be like reading the plot summary of a wikipedia page of a book/film.", "to the audience: \"Hey, I know what you might be thinking of, but", "aspect of the story or drop it entirely. So what I want to", "say to the audience: \"Hey, I know what you might be thinking of,", "I thought of, so I'm not sure if I should really commit to", "entirely. So what I want to do is sort of write a synopsis", "idea for a plot twist and I really like it. I think I", "barebones at this point, as it's just a summary and not the actual", "there to indirectly say to the audience: \"Hey, I know what you might", "a wikipedia page of a book/film. Would this be a good idea to", "out this aspect of the story or drop it entirely. So what I", "as all the hints I'll be dropping, and give it around to see", "synopsis of what happens in the story, as well as all the hints", "commit to fleshing out this aspect of the story or drop it entirely.", "summary of a wikipedia page of a book/film. Would this be a good", "drop it entirely. So what I want to do is sort of write", "what you might be thinking of, but maybe consider this possibility. Just saying,", "just a summary and not the actual story itself, they'll have to imagine", "to fleshing out this aspect of the story or drop it entirely. So", "this be a good idea to \"test\" your plot twist? Are there better", "page of a book/film. Would this be a good idea to \"test\" your", "this aspect of the story or drop it entirely. So what I want", "twist and I really like it. I think I drop enough hints here", "sort of write a synopsis of what happens in the story, as well", "like reading the plot summary of a wikipedia page of a book/film. Would", "not sure if other people would enjoy this particular plot twist I thought", "Just saying, it might happen, you know...\" However, I'm not sure if other", "might be thinking of, but maybe consider this possibility. Just saying, it might", "it's very barebones at this point, as it's just a summary and not", "Since it's very barebones at this point, as it's just a summary and", "I'm not sure if other people would enjoy this particular plot twist I", "I drop enough hints here and there to indirectly say to the audience:", "possibility. Just saying, it might happen, you know...\" However, I'm not sure if", "a good idea to \"test\" your plot twist? Are there better methods? (I", "happen, you know...\" However, I'm not sure if other people would enjoy this", "and not the actual story itself, they'll have to imagine most of it.", "of it. It would be like reading the plot summary of a wikipedia", "dropping, and give it around to see if people would enjoy it. Since", "saying, it might happen, you know...\" However, I'm not sure if other people", "the plot summary of a wikipedia page of a book/film. Would this be", "of the story or drop it entirely. So what I want to do", "as well as all the hints I'll be dropping, and give it around", "the story or drop it entirely. So what I want to do is", "it entirely. So what I want to do is sort of write a", "you might be thinking of, but maybe consider this possibility. Just saying, it", "to see if people would enjoy it. Since it's very barebones at this", "or drop it entirely. So what I want to do is sort of", "very barebones at this point, as it's just a summary and not the", "not sure if I should really commit to fleshing out this aspect of", "the hints I'll be dropping, and give it around to see if people", "if I should really commit to fleshing out this aspect of the story", "fleshing out this aspect of the story or drop it entirely. So what", "summary and not the actual story itself, they'll have to imagine most of", "of what happens in the story, as well as all the hints I'll", "well as all the hints I'll be dropping, and give it around to", "wikipedia page of a book/film. Would this be a good idea to \"test\"", "the actual story itself, they'll have to imagine most of it. It would", "drop enough hints here and there to indirectly say to the audience: \"Hey,", "would enjoy it. Since it's very barebones at this point, as it's just", "of, but maybe consider this possibility. Just saying, it might happen, you know...\"", "I think I drop enough hints here and there to indirectly say to", "if other people would enjoy this particular plot twist I thought of, so", "plot twist I thought of, so I'm not sure if I should really", "the story, as well as all the hints I'll be dropping, and give", "consider this possibility. Just saying, it might happen, you know...\" However, I'm not", "hints I'll be dropping, and give it around to see if people would", "this point, as it's just a summary and not the actual story itself,", "thinking of, but maybe consider this possibility. Just saying, it might happen, you", "people would enjoy it. Since it's very barebones at this point, as it's", "\"test\" your plot twist? Are there better methods? (I can provide an example,", "However, I'm not sure if other people would enjoy this particular plot twist", "this possibility. Just saying, it might happen, you know...\" However, I'm not sure", "have to imagine most of it. It would be like reading the plot", "so I'm not sure if I should really commit to fleshing out this", "your plot twist? Are there better methods? (I can provide an example, if", "So I have this idea for a plot twist and I really like", "most of it. It would be like reading the plot summary of a" ]
[ "leave it as that. Since this is fantasy in a world that is", "that is common to readers, or should I take the time to develop", "or should I take the time to develop a new one? My concern", "setting is a group of teenagers playing a game, which my main characters", "scene, and if this were in a modern story I would label it", "are at a party on a beach. One piece of the setting is", "in my YA fantasy my characters are at a party on a beach.", "characters later join. The game itself is not the focus of the scene,", "of the setting is a group of teenagers playing a game, which my", "characters are at a party on a beach. One piece of the setting", "join. The game itself is not the focus of the scene, and if", "do not have that option. My question is should I briefly describe a", "I briefly describe a game that is common to readers, or should I", "The game itself is not the focus of the scene, and if this", "not the focus of the scene, and if this were in a modern", "In one scene in my YA fantasy my characters are at a party", "and if this were in a modern story I would label it as", "of teenagers playing a game, which my main characters later join. The game", "that. Since this is fantasy in a world that is not ours, I", "game itself is not the focus of the scene, and if this were", "later join. The game itself is not the focus of the scene, and", "scene in my YA fantasy my characters are at a party on a", "story I would label it as volleyball or frisbee and leave it as", "a world that is not ours, I do not have that option. My", "readers, or should I take the time to develop a new one? My", "time to develop a new one? My concern is either boring the reader", "is fantasy in a world that is not ours, I do not have", "one? My concern is either boring the reader or taking away from the", "ours, I do not have that option. My question is should I briefly", "group of teenagers playing a game, which my main characters later join. The", "a game, which my main characters later join. The game itself is not", "describe a game that is common to readers, or should I take the", "the time to develop a new one? My concern is either boring the", "were in a modern story I would label it as volleyball or frisbee", "is not the focus of the scene, and if this were in a", "I would label it as volleyball or frisbee and leave it as that.", "new one? My concern is either boring the reader or taking away from", "at a party on a beach. One piece of the setting is a", "a modern story I would label it as volleyball or frisbee and leave", "take the time to develop a new one? My concern is either boring", "have that option. My question is should I briefly describe a game that", "My question is should I briefly describe a game that is common to", "develop a new one? My concern is either boring the reader or taking", "if this were in a modern story I would label it as volleyball", "or frisbee and leave it as that. Since this is fantasy in a", "either boring the reader or taking away from the flow of the story.", "that option. My question is should I briefly describe a game that is", "world that is not ours, I do not have that option. My question", "not have that option. My question is should I briefly describe a game", "should I take the time to develop a new one? My concern is", "itself is not the focus of the scene, and if this were in", "I take the time to develop a new one? My concern is either", "concern is either boring the reader or taking away from the flow of", "fantasy my characters are at a party on a beach. One piece of", "and leave it as that. Since this is fantasy in a world that", "of the scene, and if this were in a modern story I would", "a party on a beach. One piece of the setting is a group", "One piece of the setting is a group of teenagers playing a game,", "the scene, and if this were in a modern story I would label", "label it as volleyball or frisbee and leave it as that. Since this", "is a group of teenagers playing a game, which my main characters later", "Since this is fantasy in a world that is not ours, I do", "a new one? My concern is either boring the reader or taking away", "game that is common to readers, or should I take the time to", "to develop a new one? My concern is either boring the reader or", "beach. One piece of the setting is a group of teenagers playing a", "as volleyball or frisbee and leave it as that. Since this is fantasy", "that is not ours, I do not have that option. My question is", "question is should I briefly describe a game that is common to readers,", "would label it as volleyball or frisbee and leave it as that. Since", "piece of the setting is a group of teenagers playing a game, which", "my main characters later join. The game itself is not the focus of", "party on a beach. One piece of the setting is a group of", "YA fantasy my characters are at a party on a beach. One piece", "focus of the scene, and if this were in a modern story I", "it as that. Since this is fantasy in a world that is not", "fantasy in a world that is not ours, I do not have that", "is common to readers, or should I take the time to develop a", "a game that is common to readers, or should I take the time", "not ours, I do not have that option. My question is should I", "playing a game, which my main characters later join. The game itself is", "game, which my main characters later join. The game itself is not the", "a beach. One piece of the setting is a group of teenagers playing", "I do not have that option. My question is should I briefly describe", "common to readers, or should I take the time to develop a new", "the setting is a group of teenagers playing a game, which my main", "this were in a modern story I would label it as volleyball or", "should I briefly describe a game that is common to readers, or should", "modern story I would label it as volleyball or frisbee and leave it", "to readers, or should I take the time to develop a new one?", "this is fantasy in a world that is not ours, I do not", "teenagers playing a game, which my main characters later join. The game itself", "briefly describe a game that is common to readers, or should I take", "frisbee and leave it as that. Since this is fantasy in a world", "the focus of the scene, and if this were in a modern story", "My concern is either boring the reader or taking away from the flow", "is either boring the reader or taking away from the flow of the", "as that. Since this is fantasy in a world that is not ours,", "my characters are at a party on a beach. One piece of the", "in a modern story I would label it as volleyball or frisbee and", "option. My question is should I briefly describe a game that is common", "a group of teenagers playing a game, which my main characters later join.", "in a world that is not ours, I do not have that option.", "my YA fantasy my characters are at a party on a beach. One", "it as volleyball or frisbee and leave it as that. Since this is", "volleyball or frisbee and leave it as that. Since this is fantasy in", "one scene in my YA fantasy my characters are at a party on", "main characters later join. The game itself is not the focus of the", "which my main characters later join. The game itself is not the focus", "is should I briefly describe a game that is common to readers, or", "on a beach. One piece of the setting is a group of teenagers", "is not ours, I do not have that option. My question is should" ]
[ "the basics here, and in technical circles it usually comes down to locking", "a small room and seeing who makes it out, but I would be", "but I would be interested to hear anyone's thoughts. Does forbidding it always", "to hear anyone's thoughts. Does forbidding it always come over as stuffy, and", "thoughts. Does forbidding it always come over as stuffy, and will encouraging it", "stuffy, and will encouraging it come over as unprofessional? Is it a \"know", "encouraging it come over as unprofessional? Is it a \"know your audience\" kind", "down to locking the Engineering Manager and the Sales and Marketing Manager in", "Sales and Marketing Manager in a small room and seeing who makes it", "comes down to locking the Engineering Manager and the Sales and Marketing Manager", "to locking the Engineering Manager and the Sales and Marketing Manager in a", "seeing who makes it out, but I would be interested to hear anyone's", "audience\" kind of question? Is there a \"happy medium\"? Any definitive limits? Thanks", "and seeing who makes it out, but I would be interested to hear", "basics here, and in technical circles it usually comes down to locking the", "over as unprofessional? Is it a \"know your audience\" kind of question? Is", "always come over as stuffy, and will encouraging it come over as unprofessional?", "locking the Engineering Manager and the Sales and Marketing Manager in a small", "in technical circles it usually comes down to locking the Engineering Manager and", "your audience\" kind of question? Is there a \"happy medium\"? Any definitive limits?", "small room and seeing who makes it out, but I would be interested", "here, and in technical circles it usually comes down to locking the Engineering", "Manager in a small room and seeing who makes it out, but I", "interested to hear anyone's thoughts. Does forbidding it always come over as stuffy,", "and the Sales and Marketing Manager in a small room and seeing who", "Manager and the Sales and Marketing Manager in a small room and seeing", "a \"know your audience\" kind of question? Is there a \"happy medium\"? Any", "and Marketing Manager in a small room and seeing who makes it out,", "unprofessional? Is it a \"know your audience\" kind of question? Is there a", "Engineering Manager and the Sales and Marketing Manager in a small room and", "Is it a \"know your audience\" kind of question? Is there a \"happy", "usually comes down to locking the Engineering Manager and the Sales and Marketing", "room and seeing who makes it out, but I would be interested to", "be interested to hear anyone's thoughts. Does forbidding it always come over as", "over as stuffy, and will encouraging it come over as unprofessional? Is it", "in a small room and seeing who makes it out, but I would", "Is there a \"happy medium\"? Any definitive limits? Thanks in advance for any", "and will encouraging it come over as unprofessional? Is it a \"know your", "technical circles it usually comes down to locking the Engineering Manager and the", "as stuffy, and will encouraging it come over as unprofessional? Is it a", "\"know your audience\" kind of question? Is there a \"happy medium\"? Any definitive", "Marketing Manager in a small room and seeing who makes it out, but", "it come over as unprofessional? Is it a \"know your audience\" kind of", "of question? Is there a \"happy medium\"? Any definitive limits? Thanks in advance", "who makes it out, but I would be interested to hear anyone's thoughts.", "question? Is there a \"happy medium\"? Any definitive limits? Thanks in advance for", "Does forbidding it always come over as stuffy, and will encouraging it come", "as unprofessional? Is it a \"know your audience\" kind of question? Is there", "forbidding it always come over as stuffy, and will encouraging it come over", "will encouraging it come over as unprofessional? Is it a \"know your audience\"", "come over as unprofessional? Is it a \"know your audience\" kind of question?", "it a \"know your audience\" kind of question? Is there a \"happy medium\"?", "know the basics here, and in technical circles it usually comes down to", "kind of question? Is there a \"happy medium\"? Any definitive limits? Thanks in", "it always come over as stuffy, and will encouraging it come over as", "come over as stuffy, and will encouraging it come over as unprofessional? Is", "it usually comes down to locking the Engineering Manager and the Sales and", "I would be interested to hear anyone's thoughts. Does forbidding it always come", "the Sales and Marketing Manager in a small room and seeing who makes", "the Engineering Manager and the Sales and Marketing Manager in a small room", "it out, but I would be interested to hear anyone's thoughts. Does forbidding", "there a \"happy medium\"? Any definitive limits? Thanks in advance for any ideas.", "circles it usually comes down to locking the Engineering Manager and the Sales", "hear anyone's thoughts. Does forbidding it always come over as stuffy, and will", "I know the basics here, and in technical circles it usually comes down", "would be interested to hear anyone's thoughts. Does forbidding it always come over", "and in technical circles it usually comes down to locking the Engineering Manager", "anyone's thoughts. Does forbidding it always come over as stuffy, and will encouraging", "out, but I would be interested to hear anyone's thoughts. Does forbidding it", "makes it out, but I would be interested to hear anyone's thoughts. Does" ]
[ "I have had scenes in my past stories that my friends have stated", "to lean into Fantasy when I write, though, so I feel like I", "end up writing some super cliché variation of a ghost story everyone's heard", "written anything horror, but I have had scenes in my past stories that", "horror, but I have had scenes in my past stories that my friends", "scenes in my past stories that my friends have stated was 'creepy,' so", "that my friends have stated was 'creepy,' so I've decided I wanted to", "so I feel like I may end up writing some super cliché variation", "to try something more realistic, but I'm not sure exactly where to start.", "friends have stated was 'creepy,' so I've decided I wanted to attempt to", "I haven't written anything horror, but I have had scenes in my past", "something scary. I tend to lean into Fantasy when I write, though, so", "I write, though, so I feel like I may end up writing some", "variation of a ghost story everyone's heard before. Knowing this, I want to", "heard before. Knowing this, I want to try something more realistic, but I'm", "Fantasy when I write, though, so I feel like I may end up", "my friends have stated was 'creepy,' so I've decided I wanted to attempt", "decided I wanted to attempt to write something scary. I tend to lean", "cliché variation of a ghost story everyone's heard before. Knowing this, I want", "I wanted to attempt to write something scary. I tend to lean into", "story everyone's heard before. Knowing this, I want to try something more realistic,", "I may end up writing some super cliché variation of a ghost story", "my past stories that my friends have stated was 'creepy,' so I've decided", "had scenes in my past stories that my friends have stated was 'creepy,'", "of a ghost story everyone's heard before. Knowing this, I want to try", "this, I want to try something more realistic, but I'm not sure exactly", "write something scary. I tend to lean into Fantasy when I write, though,", "but I have had scenes in my past stories that my friends have", "before. Knowing this, I want to try something more realistic, but I'm not", "have had scenes in my past stories that my friends have stated was", "scary. I tend to lean into Fantasy when I write, though, so I", "feel like I may end up writing some super cliché variation of a", "into Fantasy when I write, though, so I feel like I may end", "everyone's heard before. Knowing this, I want to try something more realistic, but", "lean into Fantasy when I write, though, so I feel like I may", "to write something scary. I tend to lean into Fantasy when I write,", "anything horror, but I have had scenes in my past stories that my", "in my past stories that my friends have stated was 'creepy,' so I've", "have stated was 'creepy,' so I've decided I wanted to attempt to write", "some super cliché variation of a ghost story everyone's heard before. Knowing this,", "wanted to attempt to write something scary. I tend to lean into Fantasy", "ghost story everyone's heard before. Knowing this, I want to try something more", "though, so I feel like I may end up writing some super cliché", "I've decided I wanted to attempt to write something scary. I tend to", "past stories that my friends have stated was 'creepy,' so I've decided I", "I feel like I may end up writing some super cliché variation of", "may end up writing some super cliché variation of a ghost story everyone's", "I want to try something more realistic, but I'm not sure exactly where", "super cliché variation of a ghost story everyone's heard before. Knowing this, I", "a ghost story everyone's heard before. Knowing this, I want to try something", "attempt to write something scary. I tend to lean into Fantasy when I", "writing some super cliché variation of a ghost story everyone's heard before. Knowing", "so I've decided I wanted to attempt to write something scary. I tend", "want to try something more realistic, but I'm not sure exactly where to", "stated was 'creepy,' so I've decided I wanted to attempt to write something", "like I may end up writing some super cliché variation of a ghost", "'creepy,' so I've decided I wanted to attempt to write something scary. I", "haven't written anything horror, but I have had scenes in my past stories", "write, though, so I feel like I may end up writing some super", "was 'creepy,' so I've decided I wanted to attempt to write something scary.", "tend to lean into Fantasy when I write, though, so I feel like", "stories that my friends have stated was 'creepy,' so I've decided I wanted", "Knowing this, I want to try something more realistic, but I'm not sure", "I tend to lean into Fantasy when I write, though, so I feel", "to attempt to write something scary. I tend to lean into Fantasy when", "when I write, though, so I feel like I may end up writing", "up writing some super cliché variation of a ghost story everyone's heard before." ]
[ "my mind, clear and palpable. but I am somewhat... Let's just say that", "I need to work at), or research and deal with the needed changes", "a fantasy scifi world, but it doesn't mean it shouldn't follow the laws", "as I go, or just write first and make the needed changes while", "need to work at), or research and deal with the needed changes now?", "I am somewhat... Let's just say that when I read something I find", "causes me to doubt the reality of it, should I just keep on", "be as realistic as possible. It's a fantasy scifi world, but it doesn't", "just write first and make the needed changes while editing? My world exists", "I just keep on writing and worry about that when editing (maybe mark", "follow the laws of physics. So, as I come across a situation that", "come across a situation that causes me to doubt the reality of it,", "but I am somewhat... Let's just say that when I read something I", "how interesting everyone tells me it is. I want my world to be", "and worry about that when editing (maybe mark the place I need to", "it, should I just keep on writing and worry about that when editing", "book, no matter how interesting everyone tells me it is. I want my", "want my world to be as realistic as possible. It's a fantasy scifi", "that when editing (maybe mark the place I need to work at), or", "annoying I usually don't finish the book, no matter how interesting everyone tells", "needed changes while editing? My world exists in my mind, clear and palpable.", "in my mind, clear and palpable. but I am somewhat... Let's just say", "realistic as possible. It's a fantasy scifi world, but it doesn't mean it", "it shouldn't follow the laws of physics. So, as I come across a", "scifi world, but it doesn't mean it shouldn't follow the laws of physics.", "go, or just write first and make the needed changes while editing? My", "with actual science, should I do it as I go, or just write", "no matter how interesting everyone tells me it is. I want my world", "shouldn't follow the laws of physics. So, as I come across a situation", "first and make the needed changes while editing? My world exists in my", "laws of physics. So, as I come across a situation that causes me", "say that when I read something I find annoying I usually don't finish", "should I do it as I go, or just write first and make", "or just write first and make the needed changes while editing? My world", "to work at), or research and deal with the needed changes now? Thanks.", "writing and worry about that when editing (maybe mark the place I need", "I go, or just write first and make the needed changes while editing?", "the place I need to work at), or research and deal with the", "science, should I do it as I go, or just write first and", "and palpable. but I am somewhat... Let's just say that when I read", "of it, should I just keep on writing and worry about that when", "a situation that causes me to doubt the reality of it, should I", "situation that causes me to doubt the reality of it, should I just", "on writing and worry about that when editing (maybe mark the place I", "to fit with actual science, should I do it as I go, or", "world to be as realistic as possible. It's a fantasy scifi world, but", "it is. I want my world to be as realistic as possible. It's", "me to doubt the reality of it, should I just keep on writing", "doubt the reality of it, should I just keep on writing and worry", "fantasy scifi world, but it doesn't mean it shouldn't follow the laws of", "and make the needed changes while editing? My world exists in my mind,", "my world to be as realistic as possible. It's a fantasy scifi world,", "make the needed changes while editing? My world exists in my mind, clear", "to be as realistic as possible. It's a fantasy scifi world, but it", "I do it as I go, or just write first and make the", "somewhat... Let's just say that when I read something I find annoying I", "am somewhat... Let's just say that when I read something I find annoying", "It's a fantasy scifi world, but it doesn't mean it shouldn't follow the", "story to fit with actual science, should I do it as I go,", "I read something I find annoying I usually don't finish the book, no", "the laws of physics. So, as I come across a situation that causes", "I come across a situation that causes me to doubt the reality of", "as realistic as possible. It's a fantasy scifi world, but it doesn't mean", "actual science, should I do it as I go, or just write first", "doesn't mean it shouldn't follow the laws of physics. So, as I come", "world exists in my mind, clear and palpable. but I am somewhat... Let's", "place I need to work at), or research and deal with the needed", "when editing (maybe mark the place I need to work at), or research", "a scifi story to fit with actual science, should I do it as", "scifi story to fit with actual science, should I do it as I", "as possible. It's a fantasy scifi world, but it doesn't mean it shouldn't", "world, but it doesn't mean it shouldn't follow the laws of physics. So,", "as I come across a situation that causes me to doubt the reality", "me it is. I want my world to be as realistic as possible.", "possible. It's a fantasy scifi world, but it doesn't mean it shouldn't follow", "Rewriting a scifi story to fit with actual science, should I do it", "I usually don't finish the book, no matter how interesting everyone tells me", "should I just keep on writing and worry about that when editing (maybe", "(maybe mark the place I need to work at), or research and deal", "keep on writing and worry about that when editing (maybe mark the place", "while editing? My world exists in my mind, clear and palpable. but I", "do it as I go, or just write first and make the needed", "physics. So, as I come across a situation that causes me to doubt", "the book, no matter how interesting everyone tells me it is. I want", "everyone tells me it is. I want my world to be as realistic", "So, as I come across a situation that causes me to doubt the", "mean it shouldn't follow the laws of physics. So, as I come across", "palpable. but I am somewhat... Let's just say that when I read something", "editing? My world exists in my mind, clear and palpable. but I am", "across a situation that causes me to doubt the reality of it, should", "changes while editing? My world exists in my mind, clear and palpable. but", "that when I read something I find annoying I usually don't finish the", "usually don't finish the book, no matter how interesting everyone tells me it", "find annoying I usually don't finish the book, no matter how interesting everyone", "just keep on writing and worry about that when editing (maybe mark the", "don't finish the book, no matter how interesting everyone tells me it is.", "is. I want my world to be as realistic as possible. It's a", "just say that when I read something I find annoying I usually don't", "I want my world to be as realistic as possible. It's a fantasy", "read something I find annoying I usually don't finish the book, no matter", "reality of it, should I just keep on writing and worry about that", "write first and make the needed changes while editing? My world exists in", "I find annoying I usually don't finish the book, no matter how interesting", "the reality of it, should I just keep on writing and worry about", "mind, clear and palpable. but I am somewhat... Let's just say that when", "that causes me to doubt the reality of it, should I just keep", "to doubt the reality of it, should I just keep on writing and", "My world exists in my mind, clear and palpable. but I am somewhat...", "clear and palpable. but I am somewhat... Let's just say that when I", "it doesn't mean it shouldn't follow the laws of physics. So, as I", "but it doesn't mean it shouldn't follow the laws of physics. So, as", "fit with actual science, should I do it as I go, or just", "exists in my mind, clear and palpable. but I am somewhat... Let's just", "it as I go, or just write first and make the needed changes", "finish the book, no matter how interesting everyone tells me it is. I", "about that when editing (maybe mark the place I need to work at),", "when I read something I find annoying I usually don't finish the book,", "matter how interesting everyone tells me it is. I want my world to", "of physics. So, as I come across a situation that causes me to", "something I find annoying I usually don't finish the book, no matter how", "the needed changes while editing? My world exists in my mind, clear and", "interesting everyone tells me it is. I want my world to be as", "editing (maybe mark the place I need to work at), or research and", "tells me it is. I want my world to be as realistic as", "worry about that when editing (maybe mark the place I need to work", "mark the place I need to work at), or research and deal with", "Let's just say that when I read something I find annoying I usually" ]
[ "what they are doing at the self-same time such as: > > BATHSHEBA", "skill as he stands behind his open instrument case. > > > this", "their slight owner, and a saxophone player playing with much skill as he", "BATHSHEBA > > (face in hands) > > > Or: > > BATHSHEBA", "human audible sounds in the action line capitalized? I.e. > > Bathsheba SCREAMS", "slight description of what they are doing at the self-same time such as:", "ALSO: Can I use human audible sounds in the action line capitalized? I.e.", "into the green paint and beginning on the canvas with her three friends", "doing at the self-same time such as: > > BATHSHEBA > > (face", "(face in hands) > > > Or: > > BATHSHEBA > > (crying)", "in the action line capitalized? I.e. > > Bathsheba SCREAMS as she is", "capitalized? I.e. > > Bathsheba SCREAMS as she is thrown to the floor", "Or: > > he SNORED loudly > > > Or must EVERYTHING “verbal”", "her three friends looking on intently > > > In a time-lapsed fashion,", "drag their slight owner, and a saxophone player playing with much skill as", "the action line capitalized? I.e. > > Bathsheba SCREAMS as she is thrown", "gets the point across ... > > deep in thought Bathsheba shakes off", "EXCLUSIVELY used for “wryly’s” or can they ever include a slight description of", "deep in thought Bathsheba shakes off her zoned thoughts by dipping her brush", "> > > this is all interrupted with a CRASH. > > >", "at the self-same time such as: > > BATHSHEBA > > (face in", "> he SNORED loudly > > > Or must EVERYTHING “verbal” be used", "> Bathsheba SCREAMS as she is thrown to the floor > > >", "is thrown to the floor > > > Or: > > he SNORED", "but it gets the point across ... > > deep in thought Bathsheba", "across ... > > deep in thought Bathsheba shakes off her zoned thoughts", "> > > Or: > > BATHSHEBA > > (crying) > > ....", "in a stroller, two large Labradors on leashes drag their slight owner, and", "on the canvas with her three friends looking on intently > > >", "this is all interrupted with a CRASH. > > > ALSO: Can I", "character’s name? LASTLY: Are ALL character parenthetical EXCLUSIVELY used for “wryly’s” or can", "thought Bathsheba shakes off her zoned thoughts by dipping her brush into the", "> (face in hands) > > > Or: > > BATHSHEBA > >", "a time-lapsed fashion, the view circles around her and we see a baby", "> > he SNORED loudly > > > Or must EVERYTHING “verbal” be", "around her and we see a baby being pushed in a stroller, two", "used in dialogue underneath a character’s name? LASTLY: Are ALL character parenthetical EXCLUSIVELY", "> > BATHSHEBA > > (face in hands) > > > Or: >", "and we see a baby being pushed in a stroller, two large Labradors", "intently > > > In a time-lapsed fashion, the view circles around her", "time such as: > > BATHSHEBA > > (face in hands) > >", "a baby being pushed in a stroller, two large Labradors on leashes drag", "> Or: > > BATHSHEBA > > (crying) > > .... > >", "to the floor > > > Or: > > he SNORED loudly >", "the point across ... > > deep in thought Bathsheba shakes off her", "stroller, two large Labradors on leashes drag their slight owner, and a saxophone", "the green paint and beginning on the canvas with her three friends looking", "it gets the point across ... > > deep in thought Bathsheba shakes", "a brief example, but it gets the point across ... > > deep", "loudly > > > Or must EVERYTHING “verbal” be used in dialogue underneath", "on intently > > > In a time-lapsed fashion, the view circles around", "friends looking on intently > > > In a time-lapsed fashion, the view", "her zoned thoughts by dipping her brush into the green paint and beginning", "must EVERYTHING “verbal” be used in dialogue underneath a character’s name? LASTLY: Are", "> > (face in hands) > > > Or: > > BATHSHEBA >", "brief example, but it gets the point across ... > > deep in", "dipping her brush into the green paint and beginning on the canvas with", "canvas with her three friends looking on intently > > > In a", "owner, and a saxophone player playing with much skill as he stands behind", "In a time-lapsed fashion, the view circles around her and we see a", "zoned thoughts by dipping her brush into the green paint and beginning on", "“wryly’s” or can they ever include a slight description of what they are", "with her three friends looking on intently > > > In a time-lapsed", "used for “wryly’s” or can they ever include a slight description of what", "interrupted with a CRASH. > > > ALSO: Can I use human audible", "the floor > > > Or: > > he SNORED loudly > >", "is a brief example, but it gets the point across ... > >", "LASTLY: Are ALL character parenthetical EXCLUSIVELY used for “wryly’s” or can they ever", "Or: > > BATHSHEBA > > (crying) > > .... > > >", "> > > ALSO: Can I use human audible sounds in the action", "for “wryly’s” or can they ever include a slight description of what they", "such as: > > BATHSHEBA > > (face in hands) > > >", "her brush into the green paint and beginning on the canvas with her", "view circles around her and we see a baby being pushed in a", "player playing with much skill as he stands behind his open instrument case.", "Labradors on leashes drag their slight owner, and a saxophone player playing with", "with a CRASH. > > > ALSO: Can I use human audible sounds", "slight owner, and a saxophone player playing with much skill as he stands", "green paint and beginning on the canvas with her three friends looking on", "playing with much skill as he stands behind his open instrument case. >", "his open instrument case. > > > this is all interrupted with a", "line capitalized? I.e. > > Bathsheba SCREAMS as she is thrown to the", "ALL character parenthetical EXCLUSIVELY used for “wryly’s” or can they ever include a", "name? LASTLY: Are ALL character parenthetical EXCLUSIVELY used for “wryly’s” or can they", "fashion, the view circles around her and we see a baby being pushed", "ever include a slight description of what they are doing at the self-same", "or can they ever include a slight description of what they are doing", "of what they are doing at the self-same time such as: > >", "> > Bathsheba SCREAMS as she is thrown to the floor > >", "can they ever include a slight description of what they are doing at", "they are doing at the self-same time such as: > > BATHSHEBA >", "> > Or: > > he SNORED loudly > > > Or must", "Can I use human audible sounds in the action line capitalized? I.e. >", "> > > Or: > > he SNORED loudly > > > Or", "her and we see a baby being pushed in a stroller, two large", "they ever include a slight description of what they are doing at the", "large Labradors on leashes drag their slight owner, and a saxophone player playing", "with much skill as he stands behind his open instrument case. > >", "being pushed in a stroller, two large Labradors on leashes drag their slight", "off her zoned thoughts by dipping her brush into the green paint and", "pushed in a stroller, two large Labradors on leashes drag their slight owner,", "> > this is all interrupted with a CRASH. > > > ALSO:", "he stands behind his open instrument case. > > > this is all", "all interrupted with a CRASH. > > > ALSO: Can I use human", "include a slight description of what they are doing at the self-same time", "parenthetical EXCLUSIVELY used for “wryly’s” or can they ever include a slight description", "as: > > BATHSHEBA > > (face in hands) > > > Or:", "in dialogue underneath a character’s name? LASTLY: Are ALL character parenthetical EXCLUSIVELY used", "we see a baby being pushed in a stroller, two large Labradors on", "in hands) > > > Or: > > BATHSHEBA > > (crying) >", "brush into the green paint and beginning on the canvas with her three", "time-lapsed fashion, the view circles around her and we see a baby being", "beginning on the canvas with her three friends looking on intently > >", "“verbal” be used in dialogue underneath a character’s name? LASTLY: Are ALL character", "underneath a character’s name? LASTLY: Are ALL character parenthetical EXCLUSIVELY used for “wryly’s”", "dialogue underneath a character’s name? LASTLY: Are ALL character parenthetical EXCLUSIVELY used for", "a stroller, two large Labradors on leashes drag their slight owner, and a", "I use human audible sounds in the action line capitalized? I.e. > >", "saxophone player playing with much skill as he stands behind his open instrument", "is all interrupted with a CRASH. > > > ALSO: Can I use", "> Or must EVERYTHING “verbal” be used in dialogue underneath a character’s name?", "self-same time such as: > > BATHSHEBA > > (face in hands) >", "SCREAMS as she is thrown to the floor > > > Or: >", "the canvas with her three friends looking on intently > > > In", "... > > deep in thought Bathsheba shakes off her zoned thoughts by", "> this is all interrupted with a CRASH. > > > ALSO: Can", "This is a brief example, but it gets the point across ... >", "audible sounds in the action line capitalized? I.e. > > Bathsheba SCREAMS as", "point across ... > > deep in thought Bathsheba shakes off her zoned", "as she is thrown to the floor > > > Or: > >", "circles around her and we see a baby being pushed in a stroller,", "> > ALSO: Can I use human audible sounds in the action line", "EVERYTHING “verbal” be used in dialogue underneath a character’s name? LASTLY: Are ALL", "behind his open instrument case. > > > this is all interrupted with", "thrown to the floor > > > Or: > > he SNORED loudly", "> > deep in thought Bathsheba shakes off her zoned thoughts by dipping", "action line capitalized? I.e. > > Bathsheba SCREAMS as she is thrown to", "the self-same time such as: > > BATHSHEBA > > (face in hands)", "Bathsheba shakes off her zoned thoughts by dipping her brush into the green", "as he stands behind his open instrument case. > > > this is", "stands behind his open instrument case. > > > this is all interrupted", "she is thrown to the floor > > > Or: > > he", "see a baby being pushed in a stroller, two large Labradors on leashes", "open instrument case. > > > this is all interrupted with a CRASH.", "I.e. > > Bathsheba SCREAMS as she is thrown to the floor >", "by dipping her brush into the green paint and beginning on the canvas", "he SNORED loudly > > > Or must EVERYTHING “verbal” be used in", "baby being pushed in a stroller, two large Labradors on leashes drag their", "> > > In a time-lapsed fashion, the view circles around her and", "> > > Or must EVERYTHING “verbal” be used in dialogue underneath a", "SNORED loudly > > > Or must EVERYTHING “verbal” be used in dialogue", "Bathsheba SCREAMS as she is thrown to the floor > > > Or:", "floor > > > Or: > > he SNORED loudly > > >", "> Or: > > he SNORED loudly > > > Or must EVERYTHING", "a character’s name? LASTLY: Are ALL character parenthetical EXCLUSIVELY used for “wryly’s” or", "> > Or: > > BATHSHEBA > > (crying) > > .... >", "use human audible sounds in the action line capitalized? I.e. > > Bathsheba", "two large Labradors on leashes drag their slight owner, and a saxophone player", "looking on intently > > > In a time-lapsed fashion, the view circles", "> > Or must EVERYTHING “verbal” be used in dialogue underneath a character’s", "instrument case. > > > this is all interrupted with a CRASH. >", "Or must EVERYTHING “verbal” be used in dialogue underneath a character’s name? LASTLY:", "> > In a time-lapsed fashion, the view circles around her and we", "case. > > > this is all interrupted with a CRASH. > >", "are doing at the self-same time such as: > > BATHSHEBA > >", "thoughts by dipping her brush into the green paint and beginning on the", "a saxophone player playing with much skill as he stands behind his open", "example, but it gets the point across ... > > deep in thought", "> ALSO: Can I use human audible sounds in the action line capitalized?", "shakes off her zoned thoughts by dipping her brush into the green paint", "and a saxophone player playing with much skill as he stands behind his", "in thought Bathsheba shakes off her zoned thoughts by dipping her brush into", "and beginning on the canvas with her three friends looking on intently >", "> deep in thought Bathsheba shakes off her zoned thoughts by dipping her", "three friends looking on intently > > > In a time-lapsed fashion, the", "CRASH. > > > ALSO: Can I use human audible sounds in the", "hands) > > > Or: > > BATHSHEBA > > (crying) > >", "> In a time-lapsed fashion, the view circles around her and we see", "> BATHSHEBA > > (face in hands) > > > Or: > >", "a CRASH. > > > ALSO: Can I use human audible sounds in", "a slight description of what they are doing at the self-same time such", "description of what they are doing at the self-same time such as: >", "paint and beginning on the canvas with her three friends looking on intently", "much skill as he stands behind his open instrument case. > > >", "sounds in the action line capitalized? I.e. > > Bathsheba SCREAMS as she", "on leashes drag their slight owner, and a saxophone player playing with much", "the view circles around her and we see a baby being pushed in", "Are ALL character parenthetical EXCLUSIVELY used for “wryly’s” or can they ever include", "leashes drag their slight owner, and a saxophone player playing with much skill", "be used in dialogue underneath a character’s name? LASTLY: Are ALL character parenthetical", "character parenthetical EXCLUSIVELY used for “wryly’s” or can they ever include a slight" ]
[ "women who are pregnant and am not going to leave home just to", "chapter that is all about a woman's first pregnancy and her experience. It", "positive test. So writing about a pregnancy is difficult for me unless I", "one of my stories in my mind has to include a chapter about", "of fiction, I of course, researched pregnancy. But this pregnancy research started years", "when they should have a child with the female on the side of", "pregnant and am not going to leave home just to meet one and", "In one of my stories, I have a chapter that is all about", "woman but still, because my writing tends to be on the scientific side", "can I make it easier to get the emotional side of pregnancy into", "to leave home just to meet one and I have never been pregnant,", "year later\". So, if I don't know any women who are pregnant and", "to meet one and I have never been pregnant, how can I make", "have a child with the female on the side of \"right now\" and", "course, researched pregnancy. But this pregnancy research started years before I put it", "fictional woman but still, because my writing tends to be on the scientific", "on the side of \"right now\" and the male on the side of", "a chapter about a woman who is pregnant for the first time. This", "emotional side of pregnancy except those emotions associated with pregnancy symptoms and a", "it into my writing because I have been wanting a child. Anyway, I", "a child. Anyway, I have never met a pregnant woman, nor have I", "been pregnant myself so I pretty much only know the scientific side of", "my stories in my mind has to include a chapter about a woman", "writing about the science of being pregnant. And one of my stories in", "being pregnant. And one of my stories in my mind has to include", "my writing because I have been wanting a child. Anyway, I have never", "because my writing tends to be on the scientific side of fiction, I", "I have never been pregnant, how can I make it easier to get", "I been pregnant myself so I pretty much only know the scientific side", "pregnancy. But this pregnancy research started years before I put it into my", "side of pregnancy except those emotions associated with pregnancy symptoms and a positive", "side of pregnancy. I don't know the emotional side of pregnancy except those", "woman, nor have I been pregnant myself so I pretty much only know", "And one of my stories in my mind has to include a chapter", "pregnant myself so I pretty much only know the scientific side of pregnancy.", "is difficult for me unless I am writing about the science of being", "scientific side of fiction, I of course, researched pregnancy. But this pregnancy research", "pregnancy symptoms and a positive test. So writing about a pregnancy is difficult", "chapter about my 2 main characters, 1 male and 1 female, debating about", "wanting a child. Anyway, I have never met a pregnant woman, nor have", "my 2 main characters, 1 male and 1 female, debating about when they", "of \"right now\" and the male on the side of \"1 year later\".", "is a fictional woman but still, because my writing tends to be on", "home just to meet one and I have never been pregnant, how can", "pregnant for the first time. This chapter is preceded by a chapter about", "It is a fictional woman but still, because my writing tends to be", "of my stories, I have a chapter that is all about a woman's", "about the science of being pregnant. And one of my stories in my", "2 main characters, 1 male and 1 female, debating about when they should", "years before I put it into my writing because I have been wanting", "have never been pregnant, how can I make it easier to get the", "and her experience. It is a fictional woman but still, because my writing", "and am not going to leave home just to meet one and I", "on the scientific side of fiction, I of course, researched pregnancy. But this", "later\". So, if I don't know any women who are pregnant and am", "into my writing because I have been wanting a child. Anyway, I have", "that is all about a woman's first pregnancy and her experience. It is", "my writing tends to be on the scientific side of fiction, I of", "chapter is preceded by a chapter about my 2 main characters, 1 male", "the female on the side of \"right now\" and the male on the", "I don't know the emotional side of pregnancy except those emotions associated with", "a pregnant woman, nor have I been pregnant myself so I pretty much", "include a chapter about a woman who is pregnant for the first time.", "writing tends to be on the scientific side of fiction, I of course,", "of being pregnant. And one of my stories in my mind has to", "the science of being pregnant. And one of my stories in my mind", "nor have I been pregnant myself so I pretty much only know the", "with pregnancy symptoms and a positive test. So writing about a pregnancy is", "for the first time. This chapter is preceded by a chapter about my", "tends to be on the scientific side of fiction, I of course, researched", "me unless I am writing about the science of being pregnant. And one", "are pregnant and am not going to leave home just to meet one", "pregnant, how can I make it easier to get the emotional side of", "know the emotional side of pregnancy except those emotions associated with pregnancy symptoms", "writing because I have been wanting a child. Anyway, I have never met", "pregnancy. I don't know the emotional side of pregnancy except those emotions associated", "so I pretty much only know the scientific side of pregnancy. I don't", "should have a child with the female on the side of \"right now\"", "I have a chapter that is all about a woman's first pregnancy and", "a fictional woman but still, because my writing tends to be on the", "still, because my writing tends to be on the scientific side of fiction,", "have I been pregnant myself so I pretty much only know the scientific", "am not going to leave home just to meet one and I have", "research started years before I put it into my writing because I have", "the scientific side of fiction, I of course, researched pregnancy. But this pregnancy", "I make it easier to get the emotional side of pregnancy into my", "if I don't know any women who are pregnant and am not going", "first pregnancy and her experience. It is a fictional woman but still, because", "much only know the scientific side of pregnancy. I don't know the emotional", "male on the side of \"1 year later\". So, if I don't know", "going to leave home just to meet one and I have never been", "side of fiction, I of course, researched pregnancy. But this pregnancy research started", "chapter about a woman who is pregnant for the first time. This chapter", "my stories, I have a chapter that is all about a woman's first", "my mind has to include a chapter about a woman who is pregnant", "a child with the female on the side of \"right now\" and the", "scientific side of pregnancy. I don't know the emotional side of pregnancy except", "stories, I have a chapter that is all about a woman's first pregnancy", "because I have been wanting a child. Anyway, I have never met a", "have a chapter that is all about a woman's first pregnancy and her", "characters, 1 male and 1 female, debating about when they should have a", "before I put it into my writing because I have been wanting a", "a positive test. So writing about a pregnancy is difficult for me unless", "I don't know any women who are pregnant and am not going to", "about my 2 main characters, 1 male and 1 female, debating about when", "1 female, debating about when they should have a child with the female", "So, if I don't know any women who are pregnant and am not", "I of course, researched pregnancy. But this pregnancy research started years before I", "of pregnancy. I don't know the emotional side of pregnancy except those emotions", "the side of \"right now\" and the male on the side of \"1", "those emotions associated with pregnancy symptoms and a positive test. So writing about", "is pregnant for the first time. This chapter is preceded by a chapter", "one and I have never been pregnant, how can I make it easier", "unless I am writing about the science of being pregnant. And one of", "the side of \"1 year later\". So, if I don't know any women", "time. This chapter is preceded by a chapter about my 2 main characters,", "leave home just to meet one and I have never been pregnant, how", "I have been wanting a child. Anyway, I have never met a pregnant", "a pregnancy is difficult for me unless I am writing about the science", "male and 1 female, debating about when they should have a child with", "pretty much only know the scientific side of pregnancy. I don't know the", "know the scientific side of pregnancy. I don't know the emotional side of", "am writing about the science of being pregnant. And one of my stories", "I have never met a pregnant woman, nor have I been pregnant myself", "I am writing about the science of being pregnant. And one of my", "woman who is pregnant for the first time. This chapter is preceded by", "debating about when they should have a child with the female on the", "of course, researched pregnancy. But this pregnancy research started years before I put", "science of being pregnant. And one of my stories in my mind has", "first time. This chapter is preceded by a chapter about my 2 main", "about a pregnancy is difficult for me unless I am writing about the", "a chapter that is all about a woman's first pregnancy and her experience.", "make it easier to get the emotional side of pregnancy into my writing?", "to include a chapter about a woman who is pregnant for the first", "on the side of \"1 year later\". So, if I don't know any", "meet one and I have never been pregnant, how can I make it", "associated with pregnancy symptoms and a positive test. So writing about a pregnancy", "who are pregnant and am not going to leave home just to meet", "started years before I put it into my writing because I have been", "\"1 year later\". So, if I don't know any women who are pregnant", "woman's first pregnancy and her experience. It is a fictional woman but still,", "who is pregnant for the first time. This chapter is preceded by a", "only know the scientific side of pregnancy. I don't know the emotional side", "I pretty much only know the scientific side of pregnancy. I don't know", "the first time. This chapter is preceded by a chapter about my 2", "all about a woman's first pregnancy and her experience. It is a fictional", "female on the side of \"right now\" and the male on the side", "This chapter is preceded by a chapter about my 2 main characters, 1", "and I have never been pregnant, how can I make it easier to", "her experience. It is a fictional woman but still, because my writing tends", "for me unless I am writing about the science of being pregnant. And", "a woman's first pregnancy and her experience. It is a fictional woman but", "been wanting a child. Anyway, I have never met a pregnant woman, nor", "but still, because my writing tends to be on the scientific side of", "be on the scientific side of fiction, I of course, researched pregnancy. But", "put it into my writing because I have been wanting a child. Anyway,", "pregnancy research started years before I put it into my writing because I", "mind has to include a chapter about a woman who is pregnant for", "about when they should have a child with the female on the side", "side of \"1 year later\". So, if I don't know any women who", "this pregnancy research started years before I put it into my writing because", "main characters, 1 male and 1 female, debating about when they should have", "they should have a child with the female on the side of \"right", "the male on the side of \"1 year later\". So, if I don't", "know any women who are pregnant and am not going to leave home", "writing about a pregnancy is difficult for me unless I am writing about", "of \"1 year later\". So, if I don't know any women who are", "any women who are pregnant and am not going to leave home just", "I put it into my writing because I have been wanting a child.", "side of \"right now\" and the male on the side of \"1 year", "a woman who is pregnant for the first time. This chapter is preceded", "stories in my mind has to include a chapter about a woman who", "except those emotions associated with pregnancy symptoms and a positive test. So writing", "in my mind has to include a chapter about a woman who is", "researched pregnancy. But this pregnancy research started years before I put it into", "has to include a chapter about a woman who is pregnant for the", "test. So writing about a pregnancy is difficult for me unless I am", "don't know the emotional side of pregnancy except those emotions associated with pregnancy", "difficult for me unless I am writing about the science of being pregnant.", "one of my stories, I have a chapter that is all about a", "never met a pregnant woman, nor have I been pregnant myself so I", "by a chapter about my 2 main characters, 1 male and 1 female,", "fiction, I of course, researched pregnancy. But this pregnancy research started years before", "experience. It is a fictional woman but still, because my writing tends to", "have never met a pregnant woman, nor have I been pregnant myself so", "pregnant. And one of my stories in my mind has to include a", "1 male and 1 female, debating about when they should have a child", "about a woman's first pregnancy and her experience. It is a fictional woman", "So writing about a pregnancy is difficult for me unless I am writing", "now\" and the male on the side of \"1 year later\". So, if", "and 1 female, debating about when they should have a child with the", "met a pregnant woman, nor have I been pregnant myself so I pretty", "emotions associated with pregnancy symptoms and a positive test. So writing about a", "been pregnant, how can I make it easier to get the emotional side", "of pregnancy except those emotions associated with pregnancy symptoms and a positive test.", "and a positive test. So writing about a pregnancy is difficult for me", "pregnancy is difficult for me unless I am writing about the science of", "just to meet one and I have never been pregnant, how can I", "pregnant woman, nor have I been pregnant myself so I pretty much only", "the scientific side of pregnancy. I don't know the emotional side of pregnancy", "But this pregnancy research started years before I put it into my writing", "myself so I pretty much only know the scientific side of pregnancy. I", "about a woman who is pregnant for the first time. This chapter is", "preceded by a chapter about my 2 main characters, 1 male and 1", "child. Anyway, I have never met a pregnant woman, nor have I been", "how can I make it easier to get the emotional side of pregnancy", "pregnancy except those emotions associated with pregnancy symptoms and a positive test. So", "\"right now\" and the male on the side of \"1 year later\". So,", "not going to leave home just to meet one and I have never", "have been wanting a child. Anyway, I have never met a pregnant woman,", "never been pregnant, how can I make it easier to get the emotional", "don't know any women who are pregnant and am not going to leave", "pregnancy and her experience. It is a fictional woman but still, because my", "the emotional side of pregnancy except those emotions associated with pregnancy symptoms and", "to be on the scientific side of fiction, I of course, researched pregnancy.", "is preceded by a chapter about my 2 main characters, 1 male and", "female, debating about when they should have a child with the female on", "a chapter about my 2 main characters, 1 male and 1 female, debating", "with the female on the side of \"right now\" and the male on", "of my stories in my mind has to include a chapter about a", "child with the female on the side of \"right now\" and the male", "and the male on the side of \"1 year later\". So, if I", "Anyway, I have never met a pregnant woman, nor have I been pregnant", "symptoms and a positive test. So writing about a pregnancy is difficult for", "is all about a woman's first pregnancy and her experience. It is a" ]
[ "the funny parts. I know this specific chapter was weak, but except that", "which post comments after each update. I was very proud of my recent", "politely) that the visit to the bank part of the chapter was a", "text). So I started thinking how could I get my readers to provide", "can see the advantages of this method - I would get feedback on", "(very politely) that the visit to the bank part of the chapter was", "Example: > > Who should accompany the hero on the mission? > >", "would get feedback on my characters and help in plotting. But what are", "chapter was weak, but except that user no one mentioned it, not even", "one mentioned it, not even my beta (she mercilessly roots out all my", "comments after each update. I was very proud of my recent chapter which", "already did.) I am considering to add after each chapter a poll for", "so on. The reader would get to choose between options presented in the", "writing an adventure story, adding one chapter weekly. This is the third story", "2) Iron Man > > > 3) Xenomorph-xx121 > > > 4) a", "relevance to the plot - I myself am not knowledgeable and bored to", "add after each chapter a poll for the readers, in which they could", "so I wasn't at all surprised when a reader in the comments mentioned", "specific site, and I have followers, some of which post comments after each", "all surprised when a reader in the comments mentioned (very politely) that the", "> > > 4) a gremlin > > > ...and so on. The", "to shorten or omit parts of the text). So I started thinking how", "- I would get feedback on my characters and help in plotting. But", "drawbacks, besides being committed to a certain detail chosen by the readers? Had", "Man > > > 3) Xenomorph-xx121 > > > 4) a gremlin >", "the poll. I can see the advantages of this method - I would", "besides being committed to a certain detail chosen by the readers? Had any", "a certain detail chosen by the readers? Had any of you tried this", "my characters and help in plotting. *But what are the drawbacks, besides being", "except that user no one mentioned it, not even my beta (she mercilessly", "after I'd researched an investment banking procedure which had relevance to the plot", "between details, chatacters, certain outcomes etc. Example: > > Who should accompany the", "mentioned (very politely) that the visit to the bank part of the chapter", "never suggests to shorten or omit parts of the text). So I started", "on that specific site, and I have followers, some of which post comments", "banking procedure which had relevance to the plot - I myself am not", "the text). So I started thinking how could I get my readers to", "have followers, some of which post comments after each update. I was very", "not knowledgeable and bored to death by finances, so I wasn't at all", "by finances, so I wasn't at all surprised when a reader in the", "adventure story, adding one chapter weekly. This is the third story posted on", "> Who should accompany the hero on the mission? > > > 1)", "method - I would get feedback on my characters and help in plotting.", "characters and help in plotting. *But what are the drawbacks, besides being committed", "was a bit longish and not that interesting. Problem is, all the other", "chose between details, chatacters, certain outcomes etc. Example: > > Who should accompany", "that user no one mentioned it, not even my beta (she mercilessly roots", "and bored to death by finances, so I wasn't at all surprised when", "> > > 1) Dracula > > > 2) Iron Man > >", "detail chosen by the readers? Had any of you tried this method, and", "> 4) a gremlin > > > ...and so on. The reader would", "> > 1) Dracula > > > 2) Iron Man > > >", "committed to a certain detail chosen by the readers? Had any of you", "between options presented in the poll. I can see the advantages of this", "in plotting. *But what are the drawbacks, besides being committed to a certain", "posted on that specific site, and I have followers, some of which post", "an adventure story, adding one chapter weekly. This is the third story posted", "mission? > > > 1) Dracula > > > 2) Iron Man >", "could I get my readers to provide constructive criticism (besides asking for it", "> 2) Iron Man > > > 3) Xenomorph-xx121 > > > 4)", "in the introduction, which I already did.) I am considering to add after", "reader would get to choose between options presented in the poll. I can", "3) Xenomorph-xx121 > > > 4) a gremlin > > > ...and so", "etc. Example: > > Who should accompany the hero on the mission? >", "of my recent chapter which I posted after I'd researched an investment banking", "the chapter was a bit longish and not that interesting. Problem is, all", "advantages of this method - I would get feedback on my characters and", "not that interesting. Problem is, all the other comments were complementary, emphasising the", "(she mercilessly roots out all my horrifying grammar mistakes and pretentious wording, but", "after each update. I was very proud of my recent chapter which I", "or omit parts of the text). So I started thinking how could I", "otherwise never suggests to shorten or omit parts of the text). So I", "on my characters and help in plotting. *But what are the drawbacks, besides", "> > 4) a gremlin > > > ...and so on. The reader", "I started thinking how could I get my readers to provide constructive criticism", "on the mission? > > > 1) Dracula > > > 2) Iron", "I am writing an adventure story, adding one chapter weekly. This is the", "posted after I'd researched an investment banking procedure which had relevance to the", "*But what are the drawbacks, besides being committed to a certain detail chosen", "Xenomorph-xx121 > > > 4) a gremlin > > > ...and so on.", "plot - I myself am not knowledgeable and bored to death by finances,", "followers, some of which post comments after each update. I was very proud", "Iron Man > > > 3) Xenomorph-xx121 > > > 4) a gremlin", "a bit longish and not that interesting. Problem is, all the other comments", "Problem is, all the other comments were complementary, emphasising the funny parts. I", "did.) I am considering to add after each chapter a poll for the", "third story posted on that specific site, and I have followers, some of", "which had relevance to the plot - I myself am not knowledgeable and", "each chapter a poll for the readers, in which they could chose between", "the mission? > > > 1) Dracula > > > 2) Iron Man", "which they could chose between details, chatacters, certain outcomes etc. Example: > >", "in the comments mentioned (very politely) that the visit to the bank part", "my horrifying grammar mistakes and pretentious wording, but otherwise never suggests to shorten", "wasn't at all surprised when a reader in the comments mentioned (very politely)", "introduction, which I already did.) I am considering to add after each chapter", "comments mentioned (very politely) that the visit to the bank part of the", "gremlin > > > ...and so on. The reader would get to choose", "to choose between options presented in the poll. I can see the advantages", "get feedback on my characters and help in plotting. *But what are the", "options presented in the poll. I can see the advantages of this method", "> > 3) Xenomorph-xx121 > > > 4) a gremlin > > >", "am writing an adventure story, adding one chapter weekly. This is the third", "story posted on that specific site, and I have followers, some of which", "4) a gremlin > > > ...and so on. The reader would get", "readers to provide constructive criticism (besides asking for it directly in the introduction,", "bored to death by finances, so I wasn't at all surprised when a", "...and so on. The reader would get to choose between options presented in", "I have followers, some of which post comments after each update. I was", "recent chapter which I posted after I'd researched an investment banking procedure which", "that interesting. Problem is, all the other comments were complementary, emphasising the funny", "reader in the comments mentioned (very politely) that the visit to the bank", "the readers, in which they could chose between details, chatacters, certain outcomes etc.", "to the bank part of the chapter was a bit longish and not", "specific chapter was weak, but except that user no one mentioned it, not", "was weak, but except that user no one mentioned it, not even my", "which I posted after I'd researched an investment banking procedure which had relevance", "should accompany the hero on the mission? > > > 1) Dracula >", "> > ...and so on. The reader would get to choose between options", "on. The reader would get to choose between options presented in the poll.", "The reader would get to choose between options presented in the poll. I", "longish and not that interesting. Problem is, all the other comments were complementary,", "I would get feedback on my characters and help in plotting. But what", "plotting. But what are the drawbacks, besides being committed to a certain detail", "to a certain detail chosen by the readers? Had any of you tried", "user no one mentioned it, not even my beta (she mercilessly roots out", "all my horrifying grammar mistakes and pretentious wording, but otherwise never suggests to", "Who should accompany the hero on the mission? > > > 1) Dracula", "bit longish and not that interesting. Problem is, all the other comments were", "horrifying grammar mistakes and pretentious wording, but otherwise never suggests to shorten or", "of which post comments after each update. I was very proud of my", "> > > 2) Iron Man > > > 3) Xenomorph-xx121 > >", "what are the drawbacks, besides being committed to a certain detail chosen by", "by the readers? Had any of you tried this method, and if not,", "directly in the introduction, which I already did.) I am considering to add", "roots out all my horrifying grammar mistakes and pretentious wording, but otherwise never", "am not knowledgeable and bored to death by finances, so I wasn't at", "criticism (besides asking for it directly in the introduction, which I already did.)", "death by finances, so I wasn't at all surprised when a reader in", "I posted after I'd researched an investment banking procedure which had relevance to", "had relevance to the plot - I myself am not knowledgeable and bored", "being committed to a certain detail chosen by the readers? Had any of", "> 1) Dracula > > > 2) Iron Man > > > 3)", "I myself am not knowledgeable and bored to death by finances, so I", "considering to add after each chapter a poll for the readers, in which", "but otherwise never suggests to shorten or omit parts of the text). So", "to the plot - I myself am not knowledgeable and bored to death", "So I started thinking how could I get my readers to provide constructive", "for it directly in the introduction, which I already did.) I am considering", "poll for the readers, in which they could chose between details, chatacters, certain", "am considering to add after each chapter a poll for the readers, in", "> 3) Xenomorph-xx121 > > > 4) a gremlin > > > ...and", "get to choose between options presented in the poll. I can see the", "poll. I can see the advantages of this method - I would get", "I get my readers to provide constructive criticism (besides asking for it directly", "- I myself am not knowledgeable and bored to death by finances, so", "I am considering to add after each chapter a poll for the readers,", "after each chapter a poll for the readers, in which they could chose", "the plot - I myself am not knowledgeable and bored to death by", "parts of the text). So I started thinking how could I get my", "I know this specific chapter was weak, but except that user no one", "in which they could chose between details, chatacters, certain outcomes etc. Example: >", "proud of my recent chapter which I posted after I'd researched an investment", "> > > ...and so on. The reader would get to choose between", "asking for it directly in the introduction, which I already did.) I am", "the advantages of this method - I would get feedback on my characters", "thinking how could I get my readers to provide constructive criticism (besides asking", "a poll for the readers, in which they could chose between details, chatacters,", "the other comments were complementary, emphasising the funny parts. I know this specific", "weak, but except that user no one mentioned it, not even my beta", "the drawbacks, besides being committed to a certain detail chosen by the readers?", "accompany the hero on the mission?* > > > 1) Dracula > >", "and help in plotting. *But what are the drawbacks, besides being committed to", "chapter a poll for the readers, in which they could chose between details,", "certain detail chosen by the readers? Had any of you tried this method,", "to add after each chapter a poll for the readers, in which they", "for the readers, in which they could chose between details, chatacters, certain outcomes", "chapter which I posted after I'd researched an investment banking procedure which had", "part of the chapter was a bit longish and not that interesting. Problem", "grammar mistakes and pretentious wording, but otherwise never suggests to shorten or omit", "1) Dracula > > > 2) Iron Man > > > 3) Xenomorph-xx121", "complementary, emphasising the funny parts. I know this specific chapter was weak, but", "details, chatacters, certain outcomes etc. Example: > > Who should accompany the hero", "This is the third story posted on that specific site, and I have", "all the other comments were complementary, emphasising the funny parts. I know this", "an investment banking procedure which had relevance to the plot - I myself", "I can see the advantages of this method - I would get feedback", "feedback on my characters and help in plotting. But what are the drawbacks,", "of the chapter was a bit longish and not that interesting. Problem is,", "mistakes and pretentious wording, but otherwise never suggests to shorten or omit parts", "wording, but otherwise never suggests to shorten or omit parts of the text).", "readers, in which they could chose between details, chatacters, certain outcomes etc. Example:", "> > 2) Iron Man > > > 3) Xenomorph-xx121 > > >", "story, adding one chapter weekly. This is the third story posted on that", "visit to the bank part of the chapter was a bit longish and", "procedure which had relevance to the plot - I myself am not knowledgeable", "pretentious wording, but otherwise never suggests to shorten or omit parts of the", "would get to choose between options presented in the poll. I can see", "it directly in the introduction, which I already did.) I am considering to", "choose between options presented in the poll. I can see the advantages of", "presented in the poll. I can see the advantages of this method -", "this method - I would get feedback on my characters and help in", "other comments were complementary, emphasising the funny parts. I know this specific chapter", "help in plotting. But what are the drawbacks, besides being committed to a", "my readers to provide constructive criticism (besides asking for it directly in the", "could chose between details, chatacters, certain outcomes etc. Example: > > Who should", "the readers? Had any of you tried this method, and if not, why?", "post comments after each update. I was very proud of my recent chapter", "are the drawbacks, besides being committed to a certain detail chosen by the", "when a reader in the comments mentioned (very politely) that the visit to", "chapter was a bit longish and not that interesting. Problem is, all the", "chatacters, certain outcomes etc. Example: > > Who should accompany the hero on", "surprised when a reader in the comments mentioned (very politely) that the visit", "chapter weekly. This is the third story posted on that specific site, and", "know this specific chapter was weak, but except that user no one mentioned", "the bank part of the chapter was a bit longish and not that", "parts. I know this specific chapter was weak, but except that user no", "> > Who should accompany the hero on the mission? > > >", "that the visit to the bank part of the chapter was a bit", "is the third story posted on that specific site, and I have followers,", "started thinking how could I get my readers to provide constructive criticism (besides", "chosen by the readers? Had any of you tried this method, and if", "> > > 3) Xenomorph-xx121 > > > 4) a gremlin > >", "the comments mentioned (very politely) that the visit to the bank part of", "interesting. Problem is, all the other comments were complementary, emphasising the funny parts.", "constructive criticism (besides asking for it directly in the introduction, which I already", "knowledgeable and bored to death by finances, so I wasn't at all surprised", "get my readers to provide constructive criticism (besides asking for it directly in", "and I have followers, some of which post comments after each update. I", "finances, so I wasn't at all surprised when a reader in the comments", "weekly. This is the third story posted on that specific site, and I", "researched an investment banking procedure which had relevance to the plot - I", "(besides asking for it directly in the introduction, which I already did.) I", "I'd researched an investment banking procedure which had relevance to the plot -", "shorten or omit parts of the text). So I started thinking how could", "> ...and so on. The reader would get to choose between options presented", "omit parts of the text). So I started thinking how could I get", "site, and I have followers, some of which post comments after each update.", "some of which post comments after each update. I was very proud of", "and not that interesting. Problem is, all the other comments were complementary, emphasising", "my beta (she mercilessly roots out all my horrifying grammar mistakes and pretentious", "myself am not knowledgeable and bored to death by finances, so I wasn't", "how could I get my readers to provide constructive criticism (besides asking for", "the hero on the mission?* > > > 1) Dracula > > >", "that specific site, and I have followers, some of which post comments after", "it, not even my beta (she mercilessly roots out all my horrifying grammar", "the introduction, which I already did.) I am considering to add after each", "funny parts. I know this specific chapter was weak, but except that user", "not even my beta (she mercilessly roots out all my horrifying grammar mistakes", "comments were complementary, emphasising the funny parts. I know this specific chapter was", "at all surprised when a reader in the comments mentioned (very politely) that", "is, all the other comments were complementary, emphasising the funny parts. I know", "outcomes etc. Example: > > Who should accompany the hero on the mission?", "and pretentious wording, but otherwise never suggests to shorten or omit parts of", "emphasising the funny parts. I know this specific chapter was weak, but except", "no one mentioned it, not even my beta (she mercilessly roots out all", "Dracula > > > 2) Iron Man > > > 3) Xenomorph-xx121 >", "this specific chapter was weak, but except that user no one mentioned it,", "mentioned it, not even my beta (she mercilessly roots out all my horrifying", "even my beta (she mercilessly roots out all my horrifying grammar mistakes and", "of this method - I would get feedback on my characters and help", "in the poll. I can see the advantages of this method - I", "adding one chapter weekly. This is the third story posted on that specific", "beta (she mercilessly roots out all my horrifying grammar mistakes and pretentious wording,", "mercilessly roots out all my horrifying grammar mistakes and pretentious wording, but otherwise", "suggests to shorten or omit parts of the text). So I started thinking", "investment banking procedure which had relevance to the plot - I myself am", "I already did.) I am considering to add after each chapter a poll", "of the text). So I started thinking how could I get my readers", "they could chose between details, chatacters, certain outcomes etc. Example: > > Who", "bank part of the chapter was a bit longish and not that interesting.", "update. I was very proud of my recent chapter which I posted after", "to death by finances, so I wasn't at all surprised when a reader", "a reader in the comments mentioned (very politely) that the visit to the", "the visit to the bank part of the chapter was a bit longish", "were complementary, emphasising the funny parts. I know this specific chapter was weak,", "the third story posted on that specific site, and I have followers, some", "certain outcomes etc. Example: > > Who should accompany the hero on the", "I was very proud of my recent chapter which I posted after I'd", "each update. I was very proud of my recent chapter which I posted", "a gremlin > > > ...and so on. The reader would get to", "my recent chapter which I posted after I'd researched an investment banking procedure", "to provide constructive criticism (besides asking for it directly in the introduction, which", "see the advantages of this method - I would get feedback on my", "out all my horrifying grammar mistakes and pretentious wording, but otherwise never suggests", "which I already did.) I am considering to add after each chapter a", "I wasn't at all surprised when a reader in the comments mentioned (very", "hero on the mission?* > > > 1) Dracula > > > 2)", "very proud of my recent chapter which I posted after I'd researched an", "was very proud of my recent chapter which I posted after I'd researched", "but except that user no one mentioned it, not even my beta (she", "one chapter weekly. This is the third story posted on that specific site,", "provide constructive criticism (besides asking for it directly in the introduction, which I" ]
[ "words. It doesn't need to fall in this range, but that is the", "found The Emotional Craft of Fiction to be a great resource for adding", "asking this question, I've found The Emotional Craft of Fiction to be a", "devices that would be appreciated by the reader (history of the world, told", "I expect I will tighten it up a second and third time. I", "at least 10% to the length, and much more to the emotional depth", "to throw him into relief... Are these all equal options? Since it is", "I thought through the edit process I might lose 10% and end at", "the sake of words, obviously. What I'd like, though is to add depth", "external dialogue, or more memories, or perhaps a new minor character to throw", "(and incidentally lengthen it.) If a character feels weak, for example, would more", "would be appreciated by the reader (history of the world, told through interchanges", "you can focus on, if you want to ignore the surrounding fluff. Edit:", "focus on, if you want to ignore the surrounding fluff. Edit: Since asking", "writers use to deepen their stories? I know I am flailing a bit", "for adding depth (and therefore length) to the manuscript.I believe that working through", "that working through this book with my manuscript in hand added at least", "or 400,000 words then I am not writing the sort of thing I", "novel (climate fiction/fantasy) of 100 - 120,000 words. It doesn't need to fall", "wedded to it, but if I come out at say 50,000 words or", "least 10% to the length, and much more to the emotional depth of", "elements can add depth to a story or to characters? (and incidentally lengthen", "what I wanted, and the characters developed well enough. I thought through the", "with my manuscript in hand added at least 10% to the length, and", "up a second and third time. I don't want to add words for", "the sort of thing I am trying to write. My first draft was", "through the edit process I might lose 10% and end at 100,000 words,", "(and therefore length) to the manuscript.I believe that working through this book with", "adding depth (and therefore length) to the manuscript.I believe that working through this", "know I am flailing a bit here. I bolded the question that you", "at say 50,000 words or 400,000 words then I am not writing the", "and third time. I don't want to add words for the sake of", "I know I am flailing a bit here. I bolded the question that", "over 90,000 words when I am done, and that is just the first", "example?) What are the tools (and tricks) that advanced writers use to deepen", "told through interchanges between the wise elder and the young hero, for example?)", "new minor character to throw him into relief... Are these all equal options?", "am done, and that is just the first edit. I expect I will", "that advanced writers use to deepen their stories? I know I am flailing", "Chapter 7 (of 21 chapters) and have lost over 6000 words already. At", "developed well enough. I thought through the edit process I might lose 10%", "the characters and story. It looks like I will have room to do", "need to fall in this range, but that is the typical length of", "third time. I don't want to add words for the sake of words,", "would there be devices that would be appreciated by the reader (history of", "might lose 10% and end at 100,000 words, fair enough. But, I'm losing", "advanced writers use to deepen their stories? I know I am flailing a", "tools (and tricks) that advanced writers use to deepen their stories? I know", "internal dialogue, or more external dialogue, or more memories, or perhaps a new", "character to throw him into relief... Are these all equal options? Since it", "400,000 words then I am not writing the sort of thing I am", "I am done, and that is just the first edit. I expect I", "pick up a new author. So it's a metric, and I am not", "am flailing a bit here. I bolded the question that you can focus", "obviously. What I'd like, though is to add depth to the characters and", "the young hero, for example?) What are the tools (and tricks) that advanced", "that. My question: What sorts of elements can add depth to a story", "I wanted, and the characters developed well enough. I thought through the edit", "of 100 - 120,000 words. It doesn't need to fall in this range,", "(and tricks) that advanced writers use to deepen their stories? I know I", "character feels weak, for example, would more internal dialogue, or more external dialogue,", "and story. It looks like I will have room to do that. *My", "What I'd like, though is to add depth to the characters and story.", "but that is the typical length of books I read when I pick", "fantasy novel (climate fiction/fantasy) of 100 - 120,000 words. It doesn't need to", "or more memories, or perhaps a new minor character to throw him into", "resource for adding depth (and therefore length) to the manuscript.I believe that working", "more internal dialogue, or more external dialogue, or more memories, or perhaps a", "Since asking this question, I've found The Emotional Craft of Fiction* to be", "come out at say 50,000 words or 400,000 words then I am not", "want to add words for the sake of words, obviously. What I'd like,", "through interchanges between the wise elder and the young hero, for example?) What", "just the first edit. I expect I will tighten it up a second", "25%. I'm now to Chapter 7 (of 21 chapters) and have lost over", "edit. I expect I will tighten it up a second and third time.", "have a word count goal for my fantasy novel (climate fiction/fantasy) of 100", "working through this book with my manuscript in hand added at least 10%", "stories? I know I am flailing a bit here. I bolded the question", "am not wedded to it, but if I come out at say 50,000", "word count goal for my fantasy novel (climate fiction/fantasy) of 100 - 120,000", "and I am not wedded to it, but if I come out at", "hero, for example?) What are the tools (and tricks) that advanced writers use", "already. At this rate the manuscript will be just over 90,000 words when", "of elements can add depth to a story or to characters? (and incidentally", "a word count goal for my fantasy novel (climate fiction/fantasy) of 100 -", "(history of the world, told through interchanges between the wise elder and the", "question, I've found The Emotional Craft of Fiction to be a great resource", "lose 10% and end at 100,000 words, fair enough. But, I'm losing closer", "therefore length) to the manuscript.I believe that working through this book with my", "the characters developed well enough. I thought through the edit process I might", "10% and end at 100,000 words, fair enough. But, I'm losing closer to", "goal for my fantasy novel (climate fiction/fantasy) of 100 - 120,000 words. It", "and end at 100,000 words, fair enough. But, I'm losing closer to 25%.", "to write. My first draft was 110,000 words. The story arc was what", "I am not wedded to it, but if I come out at say", "then I am not writing the sort of thing I am trying to", "bit here. I bolded the question that you can focus on, if you", "author. So it's a metric, and I am not wedded to it, but", "process I might lose 10% and end at 100,000 words, fair enough. But,", "the reader (history of the world, told through interchanges between the wise elder", "or to characters? (and incidentally lengthen it.) If a character feels weak, for", "My question: What sorts of elements can add depth to a story or", "when I pick up a new author. So it's a metric, and I", "rate the manuscript will be just over 90,000 words when I am done,", "a new author. So it's a metric, and I am not wedded to", "Edit: Since asking this question, I've found The Emotional Craft of Fiction to", "to deepen their stories? I know I am flailing a bit here. I", "books I read when I pick up a new author. So it's a", "length) to the manuscript.I believe that working through this book with my manuscript", "(climate fiction/fantasy) of 100 - 120,000 words. It doesn't need to fall in", "Are these all equal options? Since it is fantasy, would there be devices", "if you want to ignore the surrounding fluff. Edit: Since asking this question,", "sorts of elements can add depth to a story or to characters? (and", "young hero, for example?) What are the tools (and tricks) that advanced writers", "I bolded the question that you can focus on, if you want to", "I'd like, though is to add depth to the characters and story. It", "edit process I might lose 10% and end at 100,000 words, fair enough.", "for example, would more internal dialogue, or more external dialogue, or more memories,", "6000 words already. At this rate the manuscript will be just over 90,000", "to do that. My question: What sorts of elements can add depth to", "will be just over 90,000 words when I am done, and that is", "minor character to throw him into relief... Are these all equal options? Since", "I read when I pick up a new author. So it's a metric,", "and that is just the first edit. I expect I will tighten it", "enough. But, I'm losing closer to 25%. I'm now to Chapter 7 (of", "words, fair enough. But, I'm losing closer to 25%. I'm now to Chapter", "It doesn't need to fall in this range, but that is the typical", "can focus on, if you want to ignore the surrounding fluff. Edit: Since", "lengthen it.) If a character feels weak, for example, would more internal dialogue,", "I have a word count goal for my fantasy novel (climate fiction/fantasy) of", "I will have room to do that. *My question: What sorts of elements", "I am trying to write. My first draft was 110,000 words. The story", "feels weak, for example, would more internal dialogue, or more external dialogue, or", "end at 100,000 words, fair enough. But, I'm losing closer to 25%. I'm", "not writing the sort of thing I am trying to write. My first", "of books I read when I pick up a new author. So it's", "was 110,000 words. The story arc was what I wanted, and the characters", "the edit process I might lose 10% and end at 100,000 words, fair", "great resource for adding depth (and therefore length) to the manuscript.I believe that", "this rate the manuscript will be just over 90,000 words when I am", "it's a metric, and I am not wedded to it, but if I", "first edit. I expect I will tighten it up a second and third", "I've found The Emotional Craft of Fiction* to be a great resource for", "would more internal dialogue, or more external dialogue, or more memories, or perhaps", "- 120,000 words. It doesn't need to fall in this range, but that", "words already. At this rate the manuscript will be just over 90,000 words", "fiction/fantasy) of 100 - 120,000 words. It doesn't need to fall in this", "and the young hero, for example?) What are the tools (and tricks) that", "100,000 words, fair enough. But, I'm losing closer to 25%. I'm now to", "incidentally lengthen it.) If a character feels weak, for example, would more internal", "lost over 6000 words already. At this rate the manuscript will be just", "that is just the first edit. I expect I will tighten it up", "the first edit. I expect I will tighten it up a second and", "this range, but that is the typical length of books I read when", "memories, or perhaps a new minor character to throw him into relief... Are", "write. My first draft was 110,000 words. The story arc was what I", "I might lose 10% and end at 100,000 words, fair enough. But, I'm", "fantasy, would there be devices that would be appreciated by the reader (history", "7 (of 21 chapters) and have lost over 6000 words already. At this", "wise elder and the young hero, for example?) What are the tools (and", "to the characters and story. It looks like I will have room to", "read when I pick up a new author. So it's a metric, and", "words then I am not writing the sort of thing I am trying", "I don't want to add words for the sake of words, obviously. What", "words. The story arc was what I wanted, and the characters developed well", "to the manuscript.I believe that working through this book with my manuscript in", "a bit here. I bolded the question that you can focus on, if", "my fantasy novel (climate fiction/fantasy) of 100 - 120,000 words. It doesn't need", "manuscript will be just over 90,000 words when I am done, and that", "first draft was 110,000 words. The story arc was what I wanted, and", "I am flailing a bit here. I bolded the question that you can", "wanted, and the characters developed well enough. I thought through the edit process", "interchanges between the wise elder and the young hero, for example?) What are", "ignore the surrounding fluff. Edit*: Since asking this question, I've found The Emotional", "don't want to add words for the sake of words, obviously. What I'd", "thought through the edit process I might lose 10% and end at 100,000", "time. I don't want to add words for the sake of words, obviously.", "second and third time. I don't want to add words for the sake", "that is the typical length of books I read when I pick up", "here. I bolded the question that you can focus on, if you want", "be a great resource for adding depth (and therefore length) to the manuscript.I", "is just the first edit. I expect I will tighten it up a", "enough. I thought through the edit process I might lose 10% and end", "expect I will tighten it up a second and third time. I don't", "writing the sort of thing I am trying to write. My first draft", "chapters) and have lost over 6000 words already. At this rate the manuscript", "count goal for my fantasy novel (climate fiction/fantasy) of 100 - 120,000 words.", "throw him into relief... Are these all equal options? Since it is fantasy,", "story or to characters? (and incidentally lengthen it.) If a character feels weak,", "thing I am trying to write. My first draft was 110,000 words. The", "at 100,000 words, fair enough. But, I'm losing closer to 25%. I'm now", "to 25%. I'm now to Chapter 7 (of 21 chapters) and have lost", "well enough. I thought through the edit process I might lose 10% and", "120,000 words. It doesn't need to fall in this range, but that is", "are the tools (and tricks) that advanced writers use to deepen their stories?", "that you can focus on, if you want to ignore the surrounding fluff.", "and the characters developed well enough. I thought through the edit process I", "add words for the sake of words, obviously. What I'd like, though is", "to Chapter 7 (of 21 chapters) and have lost over 6000 words already.", "can add depth to a story or to characters? (and incidentally lengthen it.)", "words, obviously. What I'd like, though is to add depth to the characters", "manuscript in hand added at least 10% to the length, and much more", "for the sake of words, obviously. What I'd like, though is to add", "the manuscript will be just over 90,000 words when I am done, and", "to add depth to the characters and story. It looks like I will", "just over 90,000 words when I am done, and that is just the", "equal options? Since it is fantasy, would there be devices that would be", "The story arc was what I wanted, and the characters developed well enough.", "(of 21 chapters) and have lost over 6000 words already. At this rate", "in hand added at least 10% to the length, and much more to", "fluff. Edit: Since asking this question, I've found The Emotional Craft of Fiction", "this question, I've found The Emotional Craft of Fiction to be a great", "you want to ignore the surrounding fluff. Edit: Since asking this question, I've", "world, told through interchanges between the wise elder and the young hero, for", "not wedded to it, but if I come out at say 50,000 words", "done, and that is just the first edit. I expect I will tighten", "him into relief... Are these all equal options? Since it is fantasy, would", "characters and story. It looks like I will have room to do that.", "book with my manuscript in hand added at least 10% to the length,", "add depth to the characters and story. It looks like I will have", "At this rate the manuscript will be just over 90,000 words when I", "will tighten it up a second and third time. I don't want to", "What are the tools (and tricks) that advanced writers use to deepen their", "up a new author. So it's a metric, and I am not wedded", "manuscript.I believe that working through this book with my manuscript in hand added", "and have lost over 6000 words already. At this rate the manuscript will", "to characters? (and incidentally lengthen it.) If a character feels weak, for example,", "depth to the characters and story. It looks like I will have room", "characters developed well enough. I thought through the edit process I might lose", "I'm now to Chapter 7 (of 21 chapters) and have lost over 6000", "I will tighten it up a second and third time. I don't want", "the wise elder and the young hero, for example?) What are the tools", "will have room to do that. My question: What sorts of elements can", "when I am done, and that is just the first edit. I expect", "all equal options? Since it is fantasy, would there be devices that would", "fair enough. But, I'm losing closer to 25%. I'm now to Chapter 7", "I am not writing the sort of thing I am trying to write.", "add depth to a story or to characters? (and incidentally lengthen it.) If", "a character feels weak, for example, would more internal dialogue, or more external", "example, would more internal dialogue, or more external dialogue, or more memories, or", "the surrounding fluff. Edit*: Since asking this question, I've found The Emotional Craft", "want to ignore the surrounding fluff. Edit: Since asking this question, I've found", "do that. My question: What sorts of elements can add depth to a", "a story or to characters? (and incidentally lengthen it.) If a character feels", "But, I'm losing closer to 25%. I'm now to Chapter 7 (of 21", "deepen their stories? I know I am flailing a bit here. I bolded", "a second and third time. I don't want to add words for the", "losing closer to 25%. I'm now to Chapter 7 (of 21 chapters) and", "sort of thing I am trying to write. My first draft was 110,000", "now to Chapter 7 (of 21 chapters) and have lost over 6000 words", "Fiction* to be a great resource for adding depth (and therefore length) to", "my manuscript in hand added at least 10% to the length, and much", "the world, told through interchanges between the wise elder and the young hero,", "Craft of Fiction* to be a great resource for adding depth (and therefore", "hand added at least 10% to the length, and much more to the", "added at least 10% to the length, and much more to the emotional", "is the typical length of books I read when I pick up a", "dialogue, or more memories, or perhaps a new minor character to throw him", "to ignore the surrounding fluff. Edit: Since asking this question, I've found The", "be just over 90,000 words when I am done, and that is just", "tighten it up a second and third time. I don't want to add", "words when I am done, and that is just the first edit. I", "of words, obviously. What I'd like, though is to add depth to the", "doesn't need to fall in this range, but that is the typical length", "110,000 words. The story arc was what I wanted, and the characters developed", "depth (and therefore length) to the manuscript.I believe that working through this book", "be appreciated by the reader (history of the world, told through interchanges between", "or more external dialogue, or more memories, or perhaps a new minor character", "Since it is fantasy, would there be devices that would be appreciated by", "range, but that is the typical length of books I read when I", "there be devices that would be appreciated by the reader (history of the", "have room to do that. My question: What sorts of elements can add", "by the reader (history of the world, told through interchanges between the wise", "was what I wanted, and the characters developed well enough. I thought through", "story. It looks like I will have room to do that. My question:", "story arc was what I wanted, and the characters developed well enough. I", "have lost over 6000 words already. At this rate the manuscript will be", "So it's a metric, and I am not wedded to it, but if", "is fantasy, would there be devices that would be appreciated by the reader", "arc was what I wanted, and the characters developed well enough. I thought", "for example?) What are the tools (and tricks) that advanced writers use to", "over 6000 words already. At this rate the manuscript will be just over", "to fall in this range, but that is the typical length of books", "bolded the question that you can focus on, if you want to ignore", "10% to the length, and much more to the emotional depth of the", "surrounding fluff. Edit: Since asking this question, I've found The Emotional Craft of", "a metric, and I am not wedded to it, but if I come", "believe that working through this book with my manuscript in hand added at", "My first draft was 110,000 words. The story arc was what I wanted,", "out at say 50,000 words or 400,000 words then I am not writing", "more external dialogue, or more memories, or perhaps a new minor character to", "the typical length of books I read when I pick up a new", "If a character feels weak, for example, would more internal dialogue, or more", "to the length, and much more to the emotional depth of the story.", "dialogue, or more external dialogue, or more memories, or perhaps a new minor", "words for the sake of words, obviously. What I'd like, though is to", "weak, for example, would more internal dialogue, or more external dialogue, or more", "a new minor character to throw him into relief... Are these all equal", "question: What sorts of elements can add depth to a story or to", "like I will have room to do that. My question: What sorts of", "between the wise elder and the young hero, for example?) What are the", "that would be appreciated by the reader (history of the world, told through", "fall in this range, but that is the typical length of books I", "like, though is to add depth to the characters and story. It looks", "What sorts of elements can add depth to a story or to characters?", "to it, but if I come out at say 50,000 words or 400,000", "it is fantasy, would there be devices that would be appreciated by the", "question that you can focus on, if you want to ignore the surrounding", "characters? (and incidentally lengthen it.) If a character feels weak, for example, would", "through this book with my manuscript in hand added at least 10% to", "am not writing the sort of thing I am trying to write. My", "depth to a story or to characters? (and incidentally lengthen it.)** If a", "options? Since it is fantasy, would there be devices that would be appreciated", "a great resource for adding depth (and therefore length) to the manuscript.I believe", "Emotional Craft of Fiction* to be a great resource for adding depth (and", "sake of words, obviously. What I'd like, though is to add depth to", "100 - 120,000 words. It doesn't need to fall in this range, but", "the question that you can focus on, if you want to ignore the", "elder and the young hero, for example?) What are the tools (and tricks)", "draft was 110,000 words. The story arc was what I wanted, and the", "is to add depth to the characters and story. It looks like I", "for my fantasy novel (climate fiction/fantasy) of 100 - 120,000 words. It doesn't", "in this range, but that is the typical length of books I read", "their stories? I know I am flailing a bit here. I bolded the", "looks like I will have room to do that. My question: What sorts", "it up a second and third time. I don't want to add words", "appreciated by the reader (history of the world, told through interchanges between the", "the manuscript.I believe that working through this book with my manuscript in hand", "trying to write. My first draft was 110,000 words. The story arc was", "to a story or to characters? (and incidentally lengthen it.) If a character", "it.) If a character feels weak, for example, would more internal dialogue, or", "or perhaps a new minor character to throw him into relief... Are these", "I pick up a new author. So it's a metric, and I am", "to add words for the sake of words, obviously. What I'd like, though", "the tools (and tricks) that advanced writers use to deepen their stories? I", "tricks) that advanced writers use to deepen their stories? I know I am", "more memories, or perhaps a new minor character to throw him into relief...", "perhaps a new minor character to throw him into relief... Are these all", "21 chapters) and have lost over 6000 words already. At this rate the", "say 50,000 words or 400,000 words then I am not writing the sort", "room to do that. My question: What sorts of elements can add depth", "am trying to write. My first draft was 110,000 words. The story arc", "be devices that would be appreciated by the reader (history of the world,", "90,000 words when I am done, and that is just the first edit.", "new author. So it's a metric, and I am not wedded to it,", "flailing a bit here. I bolded the question that you can focus on,", "length of books I read when I pick up a new author. So", "this book with my manuscript in hand added at least 10% to the", "it, but if I come out at say 50,000 words or 400,000 words", "The Emotional Craft of Fiction to be a great resource for adding depth", "these all equal options? Since it is fantasy, would there be devices that", "on, if you want to ignore the surrounding fluff. Edit: Since asking this", "I'm losing closer to 25%. I'm now to Chapter 7 (of 21 chapters)", "I come out at say 50,000 words or 400,000 words then I am", "but if I come out at say 50,000 words or 400,000 words then", "words or 400,000 words then I am not writing the sort of thing", "reader (history of the world, told through interchanges between the wise elder and", "though is to add depth to the characters and story. It looks like", "of Fiction* to be a great resource for adding depth (and therefore length)", "closer to 25%. I'm now to Chapter 7 (of 21 chapters) and have", "relief... Are these all equal options? Since it is fantasy, would there be", "It looks like I will have room to do that. **My question: What", "into relief... Are these all equal options? Since it is fantasy, would there", "metric, and I am not wedded to it, but if I come out", "of thing I am trying to write. My first draft was 110,000 words.", "if I come out at say 50,000 words or 400,000 words then I", "50,000 words or 400,000 words then I am not writing the sort of", "to be a great resource for adding depth (and therefore length) to the", "use to deepen their stories? I know I am flailing a bit here.", "typical length of books I read when I pick up a new author.", "of the world, told through interchanges between the wise elder and the young" ]
[ "are themselves changing* over time in parallel? (I would normally cp the file", "progress I made so far of the translation, or be translating out-of-date source", "translate my WIP novel into Japanese in parallel with writing it. I am", "that are themselves changing* over time in parallel? (I would normally cp the", "paragraph-by-paragraph, but I would lose any progress I made so far of the", "but the topic itself is too specific for either crosslisting, I feel. Is", "material due to the edits I am working on in the original). Besides", "any good software for writing translations of works that are themselves changing over", "I would lose any progress I made so far of the translation, or", "in vim, but the topic itself is too specific for either crosslisting, I", "Japanese in parallel with writing it. I am managing both in LaTeX and", "itself is too specific for either crosslisting, I feel. Is there any good", "WIP novel into Japanese in parallel with writing it. I am managing both", "undertaken a personal project to translate my WIP novel into Japanese in parallel", "I feel. Is there any good software for writing translations of works that", "far of the translation, or be translating out-of-date source material due to the", "normally cp the file and translate paragraph-by-paragraph, but I would lose any progress", "due to the edits I am working on in the original). Besides that,", "translating out-of-date source material due to the edits I am working on in", "cp the file and translate paragraph-by-paragraph, but I would lose any progress I", "it. I am managing both in LaTeX and editing them in vim, but", "editing them in vim, but the topic itself is too specific for either", "translate paragraph-by-paragraph, but I would lose any progress I made so far of", "the translation, or be translating out-of-date source material due to the edits I", "project to translate my WIP novel into Japanese in parallel with writing it.", "would normally cp the file and translate paragraph-by-paragraph, but I would lose any", "so far of the translation, or be translating out-of-date source material due to", "to translate my WIP novel into Japanese in parallel with writing it. I", "to the edits I am working on in the original). Besides that, any", "feel. Is there any good software for writing translations of works that are", "out-of-date source material due to the edits I am working on in the", "software for writing translations of works that are themselves changing over time in", "lose any progress I made so far of the translation, or be translating", "for writing translations of works that are themselves changing over time in parallel?", "the edits I am working on in the original). Besides that, any advice?", "LaTeX and editing them in vim, but the topic itself is too specific", "vim, but the topic itself is too specific for either crosslisting, I feel.", "writing it. I am managing both in LaTeX and editing them in vim,", "Is there any good software for writing translations of works that are themselves", "themselves changing over time in parallel? (I would normally cp the file and", "is too specific for either crosslisting, I feel. Is there any good software", "I have recently undertaken a personal project to translate my WIP novel into", "or be translating out-of-date source material due to the edits I am working", "made so far of the translation, or be translating out-of-date source material due", "changing* over time in parallel? (I would normally cp the file and translate", "in parallel? (I would normally cp the file and translate paragraph-by-paragraph, but I", "both in LaTeX and editing them in vim, but the topic itself is", "and editing them in vim, but the topic itself is too specific for", "have recently undertaken a personal project to translate my WIP novel into Japanese", "the topic itself is too specific for either crosslisting, I feel. Is there", "in LaTeX and editing them in vim, but the topic itself is too", "them in vim, but the topic itself is too specific for either crosslisting,", "too specific for either crosslisting, I feel. Is there any good software for", "would lose any progress I made so far of the translation, or be", "recently undertaken a personal project to translate my WIP novel into Japanese in", "for either crosslisting, I feel. Is there any good software for writing translations", "specific for either crosslisting, I feel. Is there any good software for writing", "either crosslisting, I feel. Is there any good software for writing translations of", "translations of works that are themselves changing* over time in parallel? (I would", "be translating out-of-date source material due to the edits I am working on", "(I would normally cp the file and translate paragraph-by-paragraph, but I would lose", "am managing both in LaTeX and editing them in vim, but the topic", "with writing it. I am managing both in LaTeX and editing them in", "good software for writing translations of works that are themselves changing over time", "works that are themselves changing* over time in parallel? (I would normally cp", "I am managing both in LaTeX and editing them in vim, but the", "my WIP novel into Japanese in parallel with writing it. I am managing", "into Japanese in parallel with writing it. I am managing both in LaTeX", "time in parallel? (I would normally cp the file and translate paragraph-by-paragraph, but", "crosslisting, I feel. Is there any good software for writing translations of works", "of works that are themselves changing* over time in parallel? (I would normally", "parallel with writing it. I am managing both in LaTeX and editing them", "but I would lose any progress I made so far of the translation,", "in parallel with writing it. I am managing both in LaTeX and editing", "of the translation, or be translating out-of-date source material due to the edits", "the file and translate paragraph-by-paragraph, but I would lose any progress I made", "writing translations of works that are themselves changing over time in parallel? (I", "over time in parallel? (I would normally cp the file and translate paragraph-by-paragraph,", "source material due to the edits I am working on in the original).", "any progress I made so far of the translation, or be translating out-of-date", "and translate paragraph-by-paragraph, but I would lose any progress I made so far", "translation, or be translating out-of-date source material due to the edits I am", "managing both in LaTeX and editing them in vim, but the topic itself", "personal project to translate my WIP novel into Japanese in parallel with writing", "a personal project to translate my WIP novel into Japanese in parallel with", "topic itself is too specific for either crosslisting, I feel. Is there any", "I made so far of the translation, or be translating out-of-date source material", "parallel? (I would normally cp the file and translate paragraph-by-paragraph, but I would", "novel into Japanese in parallel with writing it. I am managing both in", "there any good software for writing translations of works that are themselves changing", "file and translate paragraph-by-paragraph, but I would lose any progress I made so" ]
[ "> Bathsheba SNEEZES. > > > Margaret SNORES loudly. > > > Katrina", "Bathsheba SNEEZES. > > > Margaret SNORES loudly. > > > Katrina SIGHS", "> > > Margaret SNORES loudly. > > > Katrina SIGHS > >", "as: > > Bathsheba SNEEZES. > > > Margaret SNORES loudly. > >", "SNEEZES. > > > Margaret SNORES loudly. > > > Katrina SIGHS >", "> > Margaret SNORES loudly. > > > Katrina SIGHS > > >", "Such as: > > Bathsheba SNEEZES. > > > Margaret SNORES loudly. >", "> > Bathsheba SNEEZES. > > > Margaret SNORES loudly. > > >" ]
[ "he dies at the end (self-sacrifice), so I readily made sure to flesh", "of one of my stories. In the story he's in, he dies at", "him, that he becomes less respectable and likeable than the others less exposed.", "and information about him. There's a feeling that you know so much about", "than him and have no need of being the most likeable character in", "knows about him, the more they will care about his death, and thus", "name, like how of a nice, admirable and likeable person she is, even", "about him, that he becomes less respectable and likeable than the others less", "the reader knows about him, the more they will care about his death,", "being the most likeable character in the story, some of them are much", "a mistake that I can't spot. There's a character, from another story, who", "have no need of being the most likeable character in the story, some", "there is to know about this character, from a one-page story outline. Nothing", "she is, even with so little development. I mean, there are some moments", "less respectable and likeable than the others less exposed. I don't know if", "with this protagonist, even with a whole story about him, it's not so", "interesting, but I can't have such feeling. The feeling you have about him", "him and have no need of being the most likeable character in the", "the most possible, because, at least in my understanding, the more the reader", "characterization than him and have no need of being the most likeable character", "dies at the end (self-sacrifice), so I readily made sure to flesh him", "care about him (and he is not even a protagonist!). So, is there", "protector figure of the group, always protecting his friends from harm, just like", "and passes a good feeling when you hear her name, like how of", "but with much less \"screen time\" and words written. You can feel emotions,", "a character, from another story, who is a member of the group of", "can feel emotions, empathy for those characters with a single short scene, but", "when he is incapacitated and brutally killed, his death is so much more", "likeable and admirable than him, but with much less \"screen time\" and words", "enough to make me care about him (and he is not even a", "much more emotional, impactful and touching. And you know what? That's all there", "you know so much about him, that he becomes less respectable and likeable", "to flesh him out the most possible, because, at least in my understanding,", "story he's in, he dies at the end (self-sacrifice), so I readily made", "is a member of the group of main characters. He is cool, skilled,", "so much more emotional, impactful and touching. And you know what? That's all", "in, he dies at the end (self-sacrifice), so I readily made sure to", "incapacitated and brutally killed, his death is so much more emotional, impactful and", "although he is indeed interesting, but I can't have such feeling. The feeling", "less \"screen time\" and words written. You can feel emotions, empathy for those", "and likeable than the others less exposed. I don't know if I'm tired", "with so little development. I mean, there are some moments which provoke some", "and brutally killed, his death is so much more emotional, impactful and touching.", "sure to flesh him out the most possible, because, at least in my", "working on it, I would still be thinking in it), or if I", "currently working on it as a side project for over a year (and", "words written. You can feel emotions, empathy for those characters with a single", "protagonist, even with a whole story about him, it's not so easy for", "that he becomes less respectable and likeable than the others less exposed. I", "character, from another story, who is a member of the group of main", "provoke some emotions about him, but not much in the overall, although he", "most possible, because, at least in my understanding, the more the reader knows", "with a whole story about him, it's not so easy for me. Even", "like the protagonist above. But when he is incapacitated and brutally killed, his", "even a protagonist!). So, is there such a thing as over-fleshing out a", "but I can't have such feeling. The feeling you have about him is", "Nothing more, nothing less, just enough to make me care about him (and", "can't spot. There's a character, from another story, who is a member of", "even with a whole story about him, it's not so easy for me.", "to know about this character, from a one-page story outline. Nothing more, nothing", "story, some of them are much more impactant, likeable and admirable than him,", "if I made a mistake that I can't spot. There's a character, from", "\"screen time\" and words written. You can feel emotions, empathy for those characters", "his death being a great loss. However, I think it's not working very", "is interesting and passes a good feeling when you hear her name, like", "thing as over-fleshing out a protagonist? Why in some cases a very simple", "(and even if I completely stop working on it, I would still be", "them are much more impactant, likeable and admirable than him, but with much", "respectable and likeable than the others less exposed. I don't know if I'm", "when you hear her name, like how of a nice, admirable and likeable", "be thinking in it), or if I made a mistake that I can't", "interesting and passes a good feeling when you hear her name, like how", "(and he is not even a protagonist!). So, is there such a thing", "of main characters. He is cool, skilled, smart, of few words, and is", "with a single short scene, but with this protagonist, even with a whole", "a one-page story outline. Nothing more, nothing less, just enough to make me", "a whole story about him, it's not so easy for me. Even his", "killed, his death is so much more emotional, impactful and touching. And you", "a problem with the protagonist of one of my stories. In the story", "what? That's all there is to know about this character, from a one-page", "I've worked actively in this story for almost a year and I'm currently", "the most likeable character in the story, some of them are much more", "about him, the more they will care about his death, and thus his", "some moments which provoke some emotions about him, but not much in the", "group of main characters. He is cool, skilled, smart, of few words, and", "have about him is of a cool character, but overcrowded of traits and", "good feeling when you hear her name, like how of a nice, admirable", "not much in the overall, although he is indeed interesting, but I can't", "scene, but with this protagonist, even with a whole story about him, it's", "a single short scene, but with this protagonist, even with a whole story", "reader knows about him, the more they will care about his death, and", "him (and he is not even a protagonist!). So, is there such a", "cases a very simple character impacts and makes the reader care more than", "have such feeling. The feeling you have about him is of a cool", "me. Even his mother is interesting and passes a good feeling when you", "him, but not much in the overall, although he is indeed interesting, but", "for over a year (and even if I completely stop working on it,", "understanding, the more the reader knows about him, the more they will care", "care about his death, and thus his death being a great loss. However,", "very well, and I think it's actually having the opposite effect, because when", "with much less \"screen time\" and words written. You can feel emotions, empathy", "overcrowded of traits and information about him. There's a feeling that you know", "about him (and he is not even a protagonist!). So, is there such", "empathy for those characters with a single short scene, but with this protagonist,", "about this character, from a one-page story outline. Nothing more, nothing less, just", "about his death, and thus his death being a great loss. However, I", "In the story he's in, he dies at the end (self-sacrifice), so I", "will care about his death, and thus his death being a great loss.", "other characters, who all have much less characterization than him and have no", "made a mistake that I can't spot. There's a character, from another story,", "emotions, empathy for those characters with a single short scene, but with this", "than the others less exposed. I don't know if I'm tired of him,", "it), or if I made a mistake that I can't spot. There's a", "in my understanding, the more the reader knows about him, the more they", "the story, some of them are much more impactant, likeable and admirable than", "at the end (self-sacrifice), so I readily made sure to flesh him out", "time\" and words written. You can feel emotions, empathy for those characters with", "like how of a nice, admirable and likeable person she is, even with", "which provoke some emotions about him, but not much in the overall, although", "much about him, that he becomes less respectable and likeable than the others", "not even a protagonist!). So, is there such a thing as over-fleshing out", "I'm tired of him, as I've worked actively in this story for almost", "actively in this story for almost a year and I'm currently working on", "protagonist above. But when he is incapacitated and brutally killed, his death is", "some emotions about him, but not much in the overall, although he is", "much less \"screen time\" and words written. You can feel emotions, empathy for", "my other characters, who all have much less characterization than him and have", "spot. There's a character, from another story, who is a member of the", "there such a thing as over-fleshing out a protagonist? Why in some cases", "admirable than him, but with much less \"screen time\" and words written. You", "for those characters with a single short scene, but with this protagonist, even", "harm, just like the protagonist above. But when he is incapacitated and brutally", "of my stories. In the story he's in, he dies at the end", "little development. I mean, there are some moments which provoke some emotions about", "the protagonist of one of my stories. In the story he's in, he", "but with this protagonist, even with a whole story about him, it's not", "emotions about him, but not much in the overall, although he is indeed", "even if I completely stop working on it, I would still be thinking", "moments which provoke some emotions about him, but not much in the overall,", "protagonist? Why in some cases a very simple character impacts and makes the", "less characterization than him and have no need of being the most likeable", "character, from a one-page story outline. Nothing more, nothing less, just enough to", "group, always protecting his friends from harm, just like the protagonist above. But", "is the protector figure of the group, always protecting his friends from harm,", "him is of a cool character, but overcrowded of traits and information about", "the more the reader knows about him, the more they will care about", "is, even with so little development. I mean, there are some moments which", "is indeed interesting, but I can't have such feeling. The feeling you have", "out a protagonist? Why in some cases a very simple character impacts and", "more impactant, likeable and admirable than him, but with much less \"screen time\"", "one of my stories. In the story he's in, he dies at the", "likeable person she is, even with so little development. I mean, there are", "from another story, who is a member of the group of main characters.", "at least in my understanding, the more the reader knows about him, the", "because when I compare to some of my other characters, who all have", "becomes less respectable and likeable than the others less exposed. I don't know", "the more they will care about his death, and thus his death being", "words, and is the protector figure of the group, always protecting his friends", "the protagonist above. But when he is incapacitated and brutally killed, his death", "feel emotions, empathy for those characters with a single short scene, but with", "about him is of a cool character, but overcrowded of traits and information", "about him. There's a feeling that you know so much about him, that", "even with so little development. I mean, there are some moments which provoke", "you have about him is of a cool character, but overcrowded of traits", "stop working on it, I would still be thinking in it), or if", "most likeable character in the story, some of them are much more impactant,", "I readily made sure to flesh him out the most possible, because, at", "more the reader knows about him, the more they will care about his", "more they will care about his death, and thus his death being a", "and have no need of being the most likeable character in the story,", "(self-sacrifice), so I readily made sure to flesh him out the most possible,", "and I'm currently working on it as a side project for over a", "make me care about him (and he is not even a protagonist!). So,", "And you know what? That's all there is to know about this character,", "about him, but not much in the overall, although he is indeed interesting,", "mean, there are some moments which provoke some emotions about him, but not", "as over-fleshing out a protagonist? Why in some cases a very simple character", "the opposite effect, because when I compare to some of my other characters,", "so easy for me. Even his mother is interesting and passes a good", "more, nothing less, just enough to make me care about him (and he", "from a one-page story outline. Nothing more, nothing less, just enough to make", "he is indeed interesting, but I can't have such feeling. The feeling you", "stories. In the story he's in, he dies at the end (self-sacrifice), so", "a nice, admirable and likeable person she is, even with so little development.", "such a thing as over-fleshing out a protagonist? Why in some cases a", "having the opposite effect, because when I compare to some of my other", "less exposed. I don't know if I'm tired of him, as I've worked", "is so much more emotional, impactful and touching. And you know what? That's", "feeling that you know so much about him, that he becomes less respectable", "this story for almost a year and I'm currently working on it as", "of few words, and is the protector figure of the group, always protecting", "friends from harm, just like the protagonist above. But when he is incapacitated", "few words, and is the protector figure of the group, always protecting his", "almost a year and I'm currently working on it as a side project", "overall, although he is indeed interesting, but I can't have such feeling. The", "of the group of main characters. He is cool, skilled, smart, of few", "his death is so much more emotional, impactful and touching. And you know", "worked actively in this story for almost a year and I'm currently working", "I made a mistake that I can't spot. There's a character, from another", "and is the protector figure of the group, always protecting his friends from", "I would still be thinking in it), or if I made a mistake", "nothing less, just enough to make me care about him (and he is", "But when he is incapacitated and brutally killed, his death is so much", "no need of being the most likeable character in the story, some of", "completely stop working on it, I would still be thinking in it), or", "problem with the protagonist of one of my stories. In the story he's", "characters, who all have much less characterization than him and have no need", "brutally killed, his death is so much more emotional, impactful and touching. And", "impactful and touching. And you know what? That's all there is to know", "of them are much more impactant, likeable and admirable than him, but with", "nice, admirable and likeable person she is, even with so little development. I", "as a side project for over a year (and even if I completely", "story outline. Nothing more, nothing less, just enough to make me care about", "much in the overall, although he is indeed interesting, but I can't have", "cool, skilled, smart, of few words, and is the protector figure of the", "of a nice, admirable and likeable person she is, even with so little", "well, and I think it's actually having the opposite effect, because when I", "it's actually having the opposite effect, because when I compare to some of", "passes a good feeling when you hear her name, like how of a", "a thing as over-fleshing out a protagonist? Why in some cases a very", "he becomes less respectable and likeable than the others less exposed. I don't", "if I completely stop working on it, I would still be thinking in", "and touching. And you know what? That's all there is to know about", "for almost a year and I'm currently working on it as a side", "can't have such feeling. The feeling you have about him is of a", "The feeling you have about him is of a cool character, but overcrowded", "in some cases a very simple character impacts and makes the reader care", "on it as a side project for over a year (and even if", "some of them are much more impactant, likeable and admirable than him, but", "such feeling. The feeling you have about him is of a cool character,", "least in my understanding, the more the reader knows about him, the more", "thus his death being a great loss. However, I think it's not working", "others less exposed. I don't know if I'm tired of him, as I've", "that I can't spot. There's a character, from another story, who is a", "So, is there such a thing as over-fleshing out a protagonist? Why in", "some cases a very simple character impacts and makes the reader care more", "it's not so easy for me. Even his mother is interesting and passes", "so I readily made sure to flesh him out the most possible, because,", "are some moments which provoke some emotions about him, but not much in", "in it), or if I made a mistake that I can't spot. There's", "admirable and likeable person she is, even with so little development. I mean,", "protagonist!). So, is there such a thing as over-fleshing out a protagonist? Why", "to make me care about him (and he is not even a protagonist!).", "who is a member of the group of main characters. He is cool,", "of the group, always protecting his friends from harm, just like the protagonist", "a year (and even if I completely stop working on it, I would", "member of the group of main characters. He is cool, skilled, smart, of", "from harm, just like the protagonist above. But when he is incapacitated and", "those characters with a single short scene, but with this protagonist, even with", "the group, always protecting his friends from harm, just like the protagonist above.", "protecting his friends from harm, just like the protagonist above. But when he", "year (and even if I completely stop working on it, I would still", "he's in, he dies at the end (self-sacrifice), so I readily made sure", "is cool, skilled, smart, of few words, and is the protector figure of", "he is not even a protagonist!). So, is there such a thing as", "and likeable person she is, even with so little development. I mean, there", "so much about him, that he becomes less respectable and likeable than the", "compare to some of my other characters, who all have much less characterization", "how of a nice, admirable and likeable person she is, even with so", "a great loss. However, I think it's not working very well, and I", "have much less characterization than him and have no need of being the", "being a great loss. However, I think it's not working very well, and", "his mother is interesting and passes a good feeling when you hear her", "you hear her name, like how of a nice, admirable and likeable person", "a protagonist!). So, is there such a thing as over-fleshing out a protagonist?", "his death, and thus his death being a great loss. However, I think", "opposite effect, because when I compare to some of my other characters, who", "know what? That's all there is to know about this character, from a", "some of my other characters, who all have much less characterization than him", "him, but with much less \"screen time\" and words written. You can feel", "whole story about him, it's not so easy for me. Even his mother", "likeable than the others less exposed. I don't know if I'm tired of", "side project for over a year (and even if I completely stop working", "one-page story outline. Nothing more, nothing less, just enough to make me care", "I compare to some of my other characters, who all have much less", "development. I mean, there are some moments which provoke some emotions about him,", "made sure to flesh him out the most possible, because, at least in", "in this story for almost a year and I'm currently working on it", "There's a character, from another story, who is a member of the group", "they will care about his death, and thus his death being a great", "me care about him (and he is not even a protagonist!). So, is", "I don't know if I'm tired of him, as I've worked actively in", "a cool character, but overcrowded of traits and information about him. There's a", "much less characterization than him and have no need of being the most", "indeed interesting, but I can't have such feeling. The feeling you have about", "the overall, although he is indeed interesting, but I can't have such feeling.", "but not much in the overall, although he is indeed interesting, but I", "simple character impacts and makes the reader care more than a deep one?", "That's all there is to know about this character, from a one-page story", "skilled, smart, of few words, and is the protector figure of the group,", "Even his mother is interesting and passes a good feeling when you hear", "You can feel emotions, empathy for those characters with a single short scene,", "of being the most likeable character in the story, some of them are", "short scene, but with this protagonist, even with a whole story about him,", "a feeling that you know so much about him, that he becomes less", "if I'm tired of him, as I've worked actively in this story for", "possible, because, at least in my understanding, the more the reader knows about", "know if I'm tired of him, as I've worked actively in this story", "I'm currently working on it as a side project for over a year", "him out the most possible, because, at least in my understanding, the more", "mother is interesting and passes a good feeling when you hear her name,", "in the overall, although he is indeed interesting, but I can't have such", "I mean, there are some moments which provoke some emotions about him, but", "impactant, likeable and admirable than him, but with much less \"screen time\" and", "is of a cool character, but overcrowded of traits and information about him.", "is incapacitated and brutally killed, his death is so much more emotional, impactful", "a good feeling when you hear her name, like how of a nice,", "single short scene, but with this protagonist, even with a whole story about", "to some of my other characters, who all have much less characterization than", "on it, I would still be thinking in it), or if I made", "story for almost a year and I'm currently working on it as a", "about him, it's not so easy for me. Even his mother is interesting", "of him, as I've worked actively in this story for almost a year", "out the most possible, because, at least in my understanding, the more the", "feeling when you hear her name, like how of a nice, admirable and", "is to know about this character, from a one-page story outline. Nothing more,", "him. There's a feeling that you know so much about him, that he", "feeling you have about him is of a cool character, but overcrowded of", "the end (self-sacrifice), so I readily made sure to flesh him out the", "you know what? That's all there is to know about this character, from", "above. But when he is incapacitated and brutally killed, his death is so", "but overcrowded of traits and information about him. There's a feeling that you", "think it's actually having the opposite effect, because when I compare to some", "There's a feeling that you know so much about him, that he becomes", "this character, from a one-page story outline. Nothing more, nothing less, just enough", "flesh him out the most possible, because, at least in my understanding, the", "death is so much more emotional, impactful and touching. And you know what?", "than him, but with much less \"screen time\" and words written. You can", "smart, of few words, and is the protector figure of the group, always", "the group of main characters. He is cool, skilled, smart, of few words,", "that you know so much about him, that he becomes less respectable and", "are much more impactant, likeable and admirable than him, but with much less", "likeable character in the story, some of them are much more impactant, likeable", "I have a problem with the protagonist of one of my stories. In", "a year and I'm currently working on it as a side project for", "mistake that I can't spot. There's a character, from another story, who is", "written. You can feel emotions, empathy for those characters with a single short", "and thus his death being a great loss. However, I think it's not", "touching. And you know what? That's all there is to know about this", "this protagonist, even with a whole story about him, it's not so easy", "information about him. There's a feeling that you know so much about him,", "it's not working very well, and I think it's actually having the opposite", "outline. Nothing more, nothing less, just enough to make me care about him", "her name, like how of a nice, admirable and likeable person she is,", "the story he's in, he dies at the end (self-sacrifice), so I readily", "I can't have such feeling. The feeling you have about him is of", "not working very well, and I think it's actually having the opposite effect,", "of a cool character, but overcrowded of traits and information about him. There's", "death, and thus his death being a great loss. However, I think it's", "just like the protagonist above. But when he is incapacitated and brutally killed,", "tired of him, as I've worked actively in this story for almost a", "and I think it's actually having the opposite effect, because when I compare", "protagonist of one of my stories. In the story he's in, he dies", "However, I think it's not working very well, and I think it's actually", "character, but overcrowded of traits and information about him. There's a feeling that", "character in the story, some of them are much more impactant, likeable and", "of my other characters, who all have much less characterization than him and", "effect, because when I compare to some of my other characters, who all", "still be thinking in it), or if I made a mistake that I", "because, at least in my understanding, the more the reader knows about him,", "I completely stop working on it, I would still be thinking in it),", "is not even a protagonist!). So, is there such a thing as over-fleshing", "would still be thinking in it), or if I made a mistake that", "main characters. He is cool, skilled, smart, of few words, and is the", "figure of the group, always protecting his friends from harm, just like the", "in the story, some of them are much more impactant, likeable and admirable", "as I've worked actively in this story for almost a year and I'm", "I can't spot. There's a character, from another story, who is a member", "emotional, impactful and touching. And you know what? That's all there is to", "not so easy for me. Even his mother is interesting and passes a", "don't know if I'm tired of him, as I've worked actively in this", "need of being the most likeable character in the story, some of them", "over-fleshing out a protagonist? Why in some cases a very simple character impacts", "of traits and information about him. There's a feeling that you know so", "cool character, but overcrowded of traits and information about him. There's a feeling", "much more impactant, likeable and admirable than him, but with much less \"screen", "think it's not working very well, and I think it's actually having the", "Why in some cases a very simple character impacts and makes the reader", "a very simple character impacts and makes the reader care more than a", "traits and information about him. There's a feeling that you know so much", "hear her name, like how of a nice, admirable and likeable person she", "know about this character, from a one-page story outline. Nothing more, nothing less,", "loss. However, I think it's not working very well, and I think it's", "so little development. I mean, there are some moments which provoke some emotions", "all have much less characterization than him and have no need of being", "death being a great loss. However, I think it's not working very well,", "person she is, even with so little development. I mean, there are some", "thinking in it), or if I made a mistake that I can't spot.", "have a problem with the protagonist of one of my stories. In the", "I think it's not working very well, and I think it's actually having", "just enough to make me care about him (and he is not even", "readily made sure to flesh him out the most possible, because, at least", "when I compare to some of my other characters, who all have much", "his friends from harm, just like the protagonist above. But when he is", "my understanding, the more the reader knows about him, the more they will", "all there is to know about this character, from a one-page story outline.", "with the protagonist of one of my stories. In the story he's in,", "more emotional, impactful and touching. And you know what? That's all there is", "or if I made a mistake that I can't spot. There's a character,", "less, just enough to make me care about him (and he is not", "I think it's actually having the opposite effect, because when I compare to", "working very well, and I think it's actually having the opposite effect, because", "and words written. You can feel emotions, empathy for those characters with a", "and admirable than him, but with much less \"screen time\" and words written.", "feeling. The feeling you have about him is of a cool character, but", "is there such a thing as over-fleshing out a protagonist? Why in some", "always protecting his friends from harm, just like the protagonist above. But when", "easy for me. Even his mother is interesting and passes a good feeling", "exposed. I don't know if I'm tired of him, as I've worked actively", "a member of the group of main characters. He is cool, skilled, smart,", "a side project for over a year (and even if I completely stop", "year and I'm currently working on it as a side project for over", "it as a side project for over a year (and even if I", "He is cool, skilled, smart, of few words, and is the protector figure", "characters. He is cool, skilled, smart, of few words, and is the protector", "who all have much less characterization than him and have no need of", "characters with a single short scene, but with this protagonist, even with a", "over a year (and even if I completely stop working on it, I", "working on it as a side project for over a year (and even", "it, I would still be thinking in it), or if I made a", "know so much about him, that he becomes less respectable and likeable than", "end (self-sacrifice), so I readily made sure to flesh him out the most", "for me. Even his mother is interesting and passes a good feeling when", "story, who is a member of the group of main characters. He is", "project for over a year (and even if I completely stop working on", "the protector figure of the group, always protecting his friends from harm, just", "great loss. However, I think it's not working very well, and I think", "actually having the opposite effect, because when I compare to some of my", "very simple character impacts and makes the reader care more than a deep", "a protagonist? Why in some cases a very simple character impacts and makes", "him, the more they will care about his death, and thus his death", "him, it's not so easy for me. Even his mother is interesting and", "him, as I've worked actively in this story for almost a year and", "story about him, it's not so easy for me. Even his mother is", "another story, who is a member of the group of main characters. He", "there are some moments which provoke some emotions about him, but not much", "the others less exposed. I don't know if I'm tired of him, as", "he is incapacitated and brutally killed, his death is so much more emotional,", "my stories. In the story he's in, he dies at the end (self-sacrifice)," ]
[ "story. How important would it be to flesh out the story/characters for the", "out the story/characters for the game? Would it make the game more immersive?", "that I have not fleshed out the story. How important would it be", "a game that has a small plot (maybe more of a theme). The", "more of a theme). The plot just describes why the characters are fighting", "are fighting each other. Other than that I have not fleshed out the", "to create a game that has a small plot (maybe more of a", "just describes why the characters are fighting each other. Other than that I", "have not fleshed out the story. How important would it be to flesh", "plot (maybe more of a theme). The plot just describes why the characters", "be to flesh out the story/characters for the game? Would it make the", "fighting each other. Other than that I have not fleshed out the story.", "characters are fighting each other. Other than that I have not fleshed out", "How important would it be to flesh out the story/characters for the game?", "(maybe more of a theme). The plot just describes why the characters are", "fleshed out the story. How important would it be to flesh out the", "describes why the characters are fighting each other. Other than that I have", "flesh out the story/characters for the game? Would it make the game more", "than that I have not fleshed out the story. How important would it", "that has a small plot (maybe more of a theme). The plot just", "it be to flesh out the story/characters for the game? Would it make", "out the story. How important would it be to flesh out the story/characters", "each other. Other than that I have not fleshed out the story. How", "of a theme). The plot just describes why the characters are fighting each", "create a game that has a small plot (maybe more of a theme).", "not fleshed out the story. How important would it be to flesh out", "to flesh out the story/characters for the game? Would it make the game", "I am trying to create a game that has a small plot (maybe", "a theme). The plot just describes why the characters are fighting each other.", "small plot (maybe more of a theme). The plot just describes why the", "Other than that I have not fleshed out the story. How important would", "has a small plot (maybe more of a theme). The plot just describes", "would it be to flesh out the story/characters for the game? Would it", "the story. How important would it be to flesh out the story/characters for", "the characters are fighting each other. Other than that I have not fleshed", "plot just describes why the characters are fighting each other. Other than that", "trying to create a game that has a small plot (maybe more of", "theme). The plot just describes why the characters are fighting each other. Other", "why the characters are fighting each other. Other than that I have not", "The plot just describes why the characters are fighting each other. Other than", "important would it be to flesh out the story/characters for the game? Would", "am trying to create a game that has a small plot (maybe more", "I have not fleshed out the story. How important would it be to", "a small plot (maybe more of a theme). The plot just describes why", "game that has a small plot (maybe more of a theme). The plot", "other. Other than that I have not fleshed out the story. How important" ]
[ "for his fate; the act of violence is totally undeserved and caused by", "a three act structure, less than 500 words). In my specific use case,", "meanings only apparent for the main character and the reader. I have discovered,", "that using reverse SCARF method would work: Taking away characters Status, Certainty, Autonomy,", "(very everyday situation). Which methods will make the use of violence believable in", "pacifistic tendencies, to attack his work mate while having a chat during maintenance", "500 words). In my specific use case, I want my character, a police", "his work mate while having a chat during maintenance of their equipment (very", "caused by double meanings only apparent for the main character and the reader.", "main character and the reader. I have discovered, that using reverse SCARF method", "double meanings only apparent for the main character and the reader. I have", "these usually happen in stories before the character snaps. However, I want to", "kind of writers block with a short story... not a writers block in", "problem is, that I just want to challenge myself. Which methods writers usually", "discovered, that using reverse SCARF method would work: Taking away characters Status, Certainty,", "would work: Taking away characters Status, Certainty, Autonomy, Relatedness and perception of Fairness;", "I am having a kind of writers block with a short story... not", "a kind of writers block with a short story... not a writers block", "where the work mate must remain very much innocent for his fate; the", "am having a kind of writers block with a short story... not a", "to make characters act out of character; and how to build this up", "and caused by double meanings only apparent for the main character and the", "Relatedness and perception of Fairness; these usually happen in stories before the character", "this up quickly (one act in a short story with a three act", "of violence believable in abstract sense, where the work mate must remain very", "with pacifistic tendencies, to attack his work mate while having a chat during", "use case, I want my character, a police officer with pacifistic tendencies, to", "want my character, a police officer with pacifistic tendencies, to attack his work", "using reverse SCARF method would work: Taking away characters Status, Certainty, Autonomy, Relatedness", "very much innocent for his fate; the act of violence is totally undeserved", "my character, a police officer with pacifistic tendencies, to attack his work mate", "a police officer with pacifistic tendencies, to attack his work mate while having", "apparent for the main character and the reader. I have discovered, that using", "a short story with a three act structure, less than 500 words). In", "a writers block in a sense, that the problem is, that I just", "believable in abstract sense, where the work mate must remain very much innocent", "in abstract sense, where the work mate must remain very much innocent for", "myself. Which methods writers usually use in order to make characters act out", "his fate; the act of violence is totally undeserved and caused by double", "of Fairness; these usually happen in stories before the character snaps. However, I", "in a sense, that the problem is, that I just want to challenge", "writers block in a sense, that the problem is, that I just want", "quickly (one act in a short story with a three act structure, less", "how to build this up quickly (one act in a short story with", "use of violence believable in abstract sense, where the work mate must remain", "method would work: Taking away characters Status, Certainty, Autonomy, Relatedness and perception of", "three act structure, less than 500 words). In my specific use case, I", "the work mate must remain very much innocent for his fate; the act", "Fairness; these usually happen in stories before the character snaps. However, I want", "remain very much innocent for his fate; the act of violence is totally", "violence is totally undeserved and caused by double meanings only apparent for the", "make characters act out of character; and how to build this up quickly", "make the use of violence believable in abstract sense, where the work mate", "happen in stories before the character snaps. However, I want to go deeper.", "block in a sense, that the problem is, that I just want to", "less than 500 words). In my specific use case, I want my character,", "Which methods writers usually use in order to make characters act out of", "officer with pacifistic tendencies, to attack his work mate while having a chat", "use in order to make characters act out of character; and how to", "than 500 words). In my specific use case, I want my character, a", "case, I want my character, a police officer with pacifistic tendencies, to attack", "of their equipment (very everyday situation). Which methods will make the use of", "act structure, less than 500 words). In my specific use case, I want", "Certainty, Autonomy, Relatedness and perception of Fairness; these usually happen in stories before", "violence believable in abstract sense, where the work mate must remain very much", "(one act in a short story with a three act structure, less than", "writers block with a short story... not a writers block in a sense,", "character; and how to build this up quickly (one act in a short", "tendencies, to attack his work mate while having a chat during maintenance of", "having a kind of writers block with a short story... not a writers", "with a short story... not a writers block in a sense, that the", "the problem is, that I just want to challenge myself. Which methods writers", "the act of violence is totally undeserved and caused by double meanings only", "away characters Status, Certainty, Autonomy, Relatedness and perception of Fairness; these usually happen", "to build this up quickly (one act in a short story with a", "with a three act structure, less than 500 words). In my specific use", "chat during maintenance of their equipment (very everyday situation). Which methods will make", "abstract sense, where the work mate must remain very much innocent for his", "the reader. I have discovered, that using reverse SCARF method would work: Taking", "that I just want to challenge myself. Which methods writers usually use in", "for the main character and the reader. I have discovered, that using reverse", "up quickly (one act in a short story with a three act structure,", "fate; the act of violence is totally undeserved and caused by double meanings", "of writers block with a short story... not a writers block in a", "usually use in order to make characters act out of character; and how", "mate must remain very much innocent for his fate; the act of violence", "character snaps. However, I want to go deeper. What other methods are there", "a chat during maintenance of their equipment (very everyday situation). Which methods will", "much innocent for his fate; the act of violence is totally undeserved and", "of character; and how to build this up quickly (one act in a", "mate while having a chat during maintenance of their equipment (very everyday situation).", "methods writers usually use in order to make characters act out of character;", "and how to build this up quickly (one act in a short story", "in stories before the character snaps. However, I want to go deeper. What", "I want to go deeper. What other methods are there for me to", "totally undeserved and caused by double meanings only apparent for the main character", "while having a chat during maintenance of their equipment (very everyday situation). Which", "to challenge myself. Which methods writers usually use in order to make characters", "is totally undeserved and caused by double meanings only apparent for the main", "of violence is totally undeserved and caused by double meanings only apparent for", "Which methods will make the use of violence believable in abstract sense, where", "a short story... not a writers block in a sense, that the problem", "maintenance of their equipment (very everyday situation). Which methods will make the use", "perception of Fairness; these usually happen in stories before the character snaps. However,", "methods will make the use of violence believable in abstract sense, where the", "build this up quickly (one act in a short story with a three", "reader. I have discovered, that using reverse SCARF method would work: Taking away", "attack his work mate while having a chat during maintenance of their equipment", "want to challenge myself. Which methods writers usually use in order to make", "in a short story with a three act structure, less than 500 words).", "structure, less than 500 words). In my specific use case, I want my", "story with a three act structure, less than 500 words). In my specific", "everyday situation). Which methods will make the use of violence believable in abstract", "I want my character, a police officer with pacifistic tendencies, to attack his", "usually happen in stories before the character snaps. However, I want to go", "SCARF method would work: Taking away characters Status, Certainty, Autonomy, Relatedness and perception", "order to make characters act out of character; and how to build this", "before the character snaps. However, I want to go deeper. What other methods", "stories before the character snaps. However, I want to go deeper. What other", "act of violence is totally undeserved and caused by double meanings only apparent", "only apparent for the main character and the reader. I have discovered, that", "Autonomy, Relatedness and perception of Fairness; these usually happen in stories before the", "snaps. However, I want to go deeper. What other methods are there for", "characters Status, Certainty, Autonomy, Relatedness and perception of Fairness; these usually happen in", "work: Taking away characters Status, Certainty, Autonomy, Relatedness and perception of Fairness; these", "I just want to challenge myself. Which methods writers usually use in order", "not a writers block in a sense, that the problem is, that I", "I have discovered, that using reverse SCARF method would work: Taking away characters", "character, a police officer with pacifistic tendencies, to attack his work mate while", "sense, that the problem is, that I just want to challenge myself. Which", "the character snaps. However, I want to go deeper. What other methods are", "situation). Which methods will make the use of violence believable in abstract sense,", "specific use case, I want my character, a police officer with pacifistic tendencies,", "In my specific use case, I want my character, a police officer with", "reverse SCARF method would work: Taking away characters Status, Certainty, Autonomy, Relatedness and", "have discovered, that using reverse SCARF method would work: Taking away characters Status,", "in order to make characters act out of character; and how to build", "during maintenance of their equipment (very everyday situation). Which methods will make the", "their equipment (very everyday situation). Which methods will make the use of violence", "my specific use case, I want my character, a police officer with pacifistic", "block with a short story... not a writers block in a sense, that", "short story... not a writers block in a sense, that the problem is,", "writers usually use in order to make characters act out of character; and", "sense, where the work mate must remain very much innocent for his fate;", "by double meanings only apparent for the main character and the reader. I", "having a chat during maintenance of their equipment (very everyday situation). Which methods", "that the problem is, that I just want to challenge myself. Which methods", "work mate while having a chat during maintenance of their equipment (very everyday", "out of character; and how to build this up quickly (one act in", "act in a short story with a three act structure, less than 500", "the use of violence believable in abstract sense, where the work mate must", "Taking away characters Status, Certainty, Autonomy, Relatedness and perception of Fairness; these usually", "However, I want to go deeper. What other methods are there for me", "innocent for his fate; the act of violence is totally undeserved and caused", "police officer with pacifistic tendencies, to attack his work mate while having a", "short story with a three act structure, less than 500 words). In my", "challenge myself. Which methods writers usually use in order to make characters act", "story... not a writers block in a sense, that the problem is, that", "words). In my specific use case, I want my character, a police officer", "work mate must remain very much innocent for his fate; the act of", "to attack his work mate while having a chat during maintenance of their", "must remain very much innocent for his fate; the act of violence is", "want to go deeper. What other methods are there for me to discover?", "Status, Certainty, Autonomy, Relatedness and perception of Fairness; these usually happen in stories", "act out of character; and how to build this up quickly (one act", "undeserved and caused by double meanings only apparent for the main character and", "character and the reader. I have discovered, that using reverse SCARF method would", "a sense, that the problem is, that I just want to challenge myself.", "is, that I just want to challenge myself. Which methods writers usually use", "characters act out of character; and how to build this up quickly (one", "just want to challenge myself. Which methods writers usually use in order to", "equipment (very everyday situation). Which methods will make the use of violence believable", "the main character and the reader. I have discovered, that using reverse SCARF", "and perception of Fairness; these usually happen in stories before the character snaps.", "will make the use of violence believable in abstract sense, where the work", "and the reader. I have discovered, that using reverse SCARF method would work:" ]
[ "type I'm (probably) good at is description humor: > > Object is to", "the symbols of all 64 genders that don't exist... > Item-666, hereby referred", "his humor, and he was a funny (and a somewhat mentally disabled) bastard.", "> > > But I think I'm very bad at in-dialogue jokes. *I'm", "in a problem. With a Pennywise-esque character, we should get some of his", "and he was a funny (and a somewhat mentally disabled) bastard. Sadly, my", "mentally disabled) bastard. Sadly, my humor relies on video editing, and the only", "referred to as \"All the Nazi Gold\"... > > > But I think", "in-dialogue jokes. I'm wondering, is there a general structure for told jokes, and", "my humor relies on video editing, and the only other type I'm (probably)", "a funny (and a somewhat mentally disabled) bastard. Sadly, my humor relies on", "of his humor, and he was a funny (and a somewhat mentally disabled)", "hereby referred to as \"All the Nazi Gold\"... > > > But I", "and the only other type I'm (probably) good at is description humor: >", "very bad at in-dialogue jokes. I'm wondering, is there a general structure for", "think I'm very bad at in-dialogue jokes. I'm wondering, is there a general", "there a general structure for told jokes, and if yes, what is it?", "Item-666, hereby referred to as \"All the Nazi Gold\"... > > > But", "the Nazi Gold\"... > > > But I think I'm very bad at", "problem. With a Pennywise-esque character, we should get some of his humor, and", "within a circle, inscribed with the symbols of all 64 genders that don't", "a somewhat mentally disabled) bastard. Sadly, my humor relies on video editing, and", "is there a general structure for told jokes, and if yes, what is", "I'm wondering, is there a general structure for told jokes, and if yes,", "I think I'm very bad at in-dialogue jokes. I'm wondering, is there a", "character, we should get some of his humor, and he was a funny", "description humor: > > Object is to be kept within a circle, inscribed", "genders that don't exist... > Item-666, hereby referred to as \"All the Nazi", "humor relies on video editing, and the only other type I'm (probably) good", "exist... > Item-666, hereby referred to as \"All the Nazi Gold\"... > >", "relies on video editing, and the only other type I'm (probably) good at", "with the symbols of all 64 genders that don't exist... > Item-666, hereby", "jokes. I'm wondering, is there a general structure for told jokes, and if", "(probably) good at is description humor: > > Object is to be kept", "humor: > > Object is to be kept within a circle, inscribed with", "to be kept within a circle, inscribed with the symbols of all 64", "of all 64 genders that don't exist... > Item-666, hereby referred to as", "should get some of his humor, and he was a funny (and a", "I'm (probably) good at is description humor: > > Object is to be", "the only other type I'm (probably) good at is description humor: > >", "on video editing, and the only other type I'm (probably) good at is", "But I think I'm very bad at in-dialogue jokes. I'm wondering, is there", "somewhat mentally disabled) bastard. Sadly, my humor relies on video editing, and the", "> But I think I'm very bad at in-dialogue jokes. I'm wondering, is", "a Pennywise-esque character, we should get some of his humor, and he was", "I'm in a problem. With a Pennywise-esque character, we should get some of", "as \"All the Nazi Gold\"... > > > But I think I'm very", "a problem. With a Pennywise-esque character, we should get some of his humor,", "inscribed with the symbols of all 64 genders that don't exist... > Item-666,", "some of his humor, and he was a funny (and a somewhat mentally", "was a funny (and a somewhat mentally disabled) bastard. Sadly, my humor relies", "that don't exist... > Item-666, hereby referred to as \"All the Nazi Gold\"...", "only other type I'm (probably) good at is description humor: > > Object", "Gold\"... > > > But I think I'm very bad at in-dialogue jokes.", "at in-dialogue jokes. *I'm wondering, is there a general structure for told jokes,", "to as \"All the Nazi Gold\"... > > > But I think I'm", "be kept within a circle, inscribed with the symbols of all 64 genders", "a circle, inscribed with the symbols of all 64 genders that don't exist...", "don't exist... > Item-666, hereby referred to as \"All the Nazi Gold\"... >", "64 genders that don't exist... > Item-666, hereby referred to as \"All the", "wondering, is there a general structure for told jokes, and if yes, what", "at is description humor: > > Object is to be kept within a", "> > But I think I'm very bad at in-dialogue jokes. *I'm wondering,", "symbols of all 64 genders that don't exist... > Item-666, hereby referred to", "\"All the Nazi Gold\"... > > > But I think I'm very bad", "other type I'm (probably) good at is description humor: > > Object is", "is to be kept within a circle, inscribed with the symbols of all", "> > Object is to be kept within a circle, inscribed with the", "I'm very bad at in-dialogue jokes. I'm wondering, is there a general structure", "humor, and he was a funny (and a somewhat mentally disabled) bastard. Sadly,", "he was a funny (and a somewhat mentally disabled) bastard. Sadly, my humor", "we should get some of his humor, and he was a funny (and", "> Object is to be kept within a circle, inscribed with the symbols", "> Item-666, hereby referred to as \"All the Nazi Gold\"... > > >", "funny (and a somewhat mentally disabled) bastard. Sadly, my humor relies on video", "disabled) bastard. Sadly, my humor relies on video editing, and the only other", "good at is description humor: > > Object is to be kept within", "editing, and the only other type I'm (probably) good at is description humor:", "Nazi Gold\"... > > > But I think I'm very bad at in-dialogue", "Pennywise-esque character, we should get some of his humor, and he was a", "kept within a circle, inscribed with the symbols of all 64 genders that", "bad at in-dialogue jokes. *I'm wondering, is there a general structure for told", "get some of his humor, and he was a funny (and a somewhat", "With a Pennywise-esque character, we should get some of his humor, and he", "all 64 genders that don't exist... > Item-666, hereby referred to as \"All", "(and a somewhat mentally disabled) bastard. Sadly, my humor relies on video editing,", "Object is to be kept within a circle, inscribed with the symbols of", "Sadly, my humor relies on video editing, and the only other type I'm", "is description humor: > > Object is to be kept within a circle,", "circle, inscribed with the symbols of all 64 genders that don't exist... >", "bastard. Sadly, my humor relies on video editing, and the only other type", "video editing, and the only other type I'm (probably) good at is description" ]
[ "the book because it would stray from the plot if I wrote him", "Just a general question, but would anyone actually read a side story to", "character? He plays a big role in the story actually, but he doesn't", "read a side story to my main novel about a side character? He", "a side story to my main novel about a side character? He plays", "a side character? He plays a big role in the story actually, but", "but would anyone actually read a side story to my main novel about", "it would stray from the plot if I wrote him in with detail.", "anyone actually read a side story to my main novel about a side", "a general question, but would anyone actually read a side story to my", "he doesn't get much recognition in the book because it would stray from", "book because it would stray from the plot if I wrote him in", "general question, but would anyone actually read a side story to my main", "about a side character? He plays a big role in the story actually,", "He plays a big role in the story actually, but he doesn't get", "the story actually, but he doesn't get much recognition in the book because", "doesn't get much recognition in the book because it would stray from the", "in the book because it would stray from the plot if I wrote", "story actually, but he doesn't get much recognition in the book because it", "but he doesn't get much recognition in the book because it would stray", "a big role in the story actually, but he doesn't get much recognition", "role in the story actually, but he doesn't get much recognition in the", "much recognition in the book because it would stray from the plot if", "to my main novel about a side character? He plays a big role", "would anyone actually read a side story to my main novel about a", "because it would stray from the plot if I wrote him in with", "main novel about a side character? He plays a big role in the", "big role in the story actually, but he doesn't get much recognition in", "side story to my main novel about a side character? He plays a", "recognition in the book because it would stray from the plot if I", "story to my main novel about a side character? He plays a big", "novel about a side character? He plays a big role in the story", "side character? He plays a big role in the story actually, but he", "question, but would anyone actually read a side story to my main novel", "plays a big role in the story actually, but he doesn't get much", "in the story actually, but he doesn't get much recognition in the book", "actually read a side story to my main novel about a side character?", "my main novel about a side character? He plays a big role in", "get much recognition in the book because it would stray from the plot", "actually, but he doesn't get much recognition in the book because it would" ]
[ "one geared towards a different aspect (character voice, one edit. Grivmaz, one edit.", "improving? (should I be discouraged? I am discouraged. Please tell me this experience", "12 rounds of edits, each one geared towards a different aspect (character voice,", "(Chapter 1, in this case) is getting worse (more boring, tedious, and awful),", "had the most work done on it, because I am in writing groups.", "chapter 1 for about the 5th time. As a generality, I love my", "(should I be discouraged? I am discouraged. Please tell me this experience is", "it! Question: Is it normal to feel like your writing (Chapter 1, in", "tell me this experience is normal. And not a sign that the whole", "time. As a generality, I love my story and characters, all of them,", "more of a slog to make through chapter 1. I plan to do", "Please tell me this experience is normal. And not a sign that the", "normal to feel like your writing (Chapter 1, in this case) is getting", "case) is getting worse (more boring, tedious, and awful), even if it may", "it, because I am in writing groups. It is probably the objectively best", "objectively best written chapter so far, but I am beginning to hate being", "make through chapter 1. I plan to do about 12 rounds of edits,", "edit. Grivmaz, one edit. Consistency of elements, one edit. etc). Chapter 1 has", "on it, because I am in writing groups. It is probably the objectively", "through chapter 1. I plan to do about 12 rounds of edits, each", "(character voice, one edit. Grivmaz, one edit. Consistency of elements, one edit. etc).", "it. I'm sick of it! Question: Is it normal to feel like your", "discouraged? I am discouraged. Please tell me this experience is normal. And not", "5th time. As a generality, I love my story and characters, all of", "objectively improving? (should I be discouraged? I am discouraged. Please tell me this", "them, even the psychotic ones. But, it is becoming more and more of", "work done on it, because I am in writing groups. It is probably", "I'm working through my chapter 1 for about the 5th time. As a", "discouraged. Please tell me this experience is normal. And not a sign that", "of a slog to make through chapter 1. I plan to do about", "tedious, and awful), even if it may be objectively improving? (should I be", "1 for about the 5th time. As a generality, I love my story", "is getting worse (more boring, tedious, and awful), even if it may be", "edit. etc). Chapter 1 has had the most work done on it, because", "am beginning to hate being anywhere 'in' it. I'm sick of it! Question:", "my chapter 1 for about the 5th time. As a generality, I love", "one edit. Grivmaz, one edit. Consistency of elements, one edit. etc). Chapter 1", "has had the most work done on it, because I am in writing", "(more boring, tedious, and awful), even if it may be objectively improving? (should", "am discouraged. Please tell me this experience is normal. And not a sign", "1, in this case) is getting worse (more boring, tedious, and awful), even", "to do about 12 rounds of edits, each one geared towards a different", "voice, one edit. Grivmaz, one edit. Consistency of elements, one edit. etc). Chapter", "anywhere 'in' it. I'm sick of it! Question: Is it normal to feel", "is normal. And not a sign that the whole thing is actually garbage.)", "this case) is getting worse (more boring, tedious, and awful), even if it", "ones. But, it is becoming more and more of a slog to make", "far, but I am beginning to hate being anywhere 'in' it. I'm sick", "generality, I love my story and characters, all of them, even the psychotic", "Consistency of elements, one edit. etc). Chapter 1 has had the most work", "this experience is normal. And not a sign that the whole thing is", "1. I plan to do about 12 rounds of edits, each one geared", "a generality, I love my story and characters, all of them, even the", "hate being anywhere 'in' it. I'm sick of it! Question: Is it normal", "edit. Consistency of elements, one edit. etc). Chapter 1 has had the most", "is probably the objectively best written chapter so far, but I am beginning", "I be discouraged? I am discouraged. Please tell me this experience is normal.", "but I am beginning to hate being anywhere 'in' it. I'm sick of", "psychotic ones. But, it is becoming more and more of a slog to", "done on it, because I am in writing groups. It is probably the", "boring, tedious, and awful), even if it may be objectively improving? (should I", "characters, all of them, even the psychotic ones. But, it is becoming more", "As a generality, I love my story and characters, all of them, even", "I'm sick of it! Question: Is it normal to feel like your writing", "awful), even if it may be objectively improving? (should I be discouraged? I", "best written chapter so far, but I am beginning to hate being anywhere", "for about the 5th time. As a generality, I love my story and", "it may be objectively improving? (should I be discouraged? I am discouraged. Please", "of it! Question: Is it normal to feel like your writing (Chapter 1,", "like your writing (Chapter 1, in this case) is getting worse (more boring,", "about the 5th time. As a generality, I love my story and characters,", "working through my chapter 1 for about the 5th time. As a generality,", "in writing groups. It is probably the objectively best written chapter so far,", "probably the objectively best written chapter so far, but I am beginning to", "I love my story and characters, all of them, even the psychotic ones.", "and awful), even if it may be objectively improving? (should I be discouraged?", "is becoming more and more of a slog to make through chapter 1.", "Chapter 1 has had the most work done on it, because I am", "Is it normal to feel like your writing (Chapter 1, in this case)", "my story and characters, all of them, even the psychotic ones. But, it", "plan to do about 12 rounds of edits, each one geared towards a", "the most work done on it, because I am in writing groups. It", "a slog to make through chapter 1. I plan to do about 12", "am in writing groups. It is probably the objectively best written chapter so", "be objectively improving? (should I be discouraged? I am discouraged. Please tell me", "and characters, all of them, even the psychotic ones. But, it is becoming", "more and more of a slog to make through chapter 1. I plan", "the psychotic ones. But, it is becoming more and more of a slog", "most work done on it, because I am in writing groups. It is", "in this case) is getting worse (more boring, tedious, and awful), even if", "even if it may be objectively improving? (should I be discouraged? I am", "it is becoming more and more of a slog to make through chapter", "experience is normal. And not a sign that the whole thing is actually", "writing groups. It is probably the objectively best written chapter so far, but", "and more of a slog to make through chapter 1. I plan to", "love my story and characters, all of them, even the psychotic ones. But,", "all of them, even the psychotic ones. But, it is becoming more and", "even the psychotic ones. But, it is becoming more and more of a", "aspect (character voice, one edit. Grivmaz, one edit. Consistency of elements, one edit.", "written chapter so far, but I am beginning to hate being anywhere 'in'", "to make through chapter 1. I plan to do about 12 rounds of", "etc). Chapter 1 has had the most work done on it, because I", "it normal to feel like your writing (Chapter 1, in this case) is", "because I am in writing groups. It is probably the objectively best written", "story and characters, all of them, even the psychotic ones. But, it is", "different aspect (character voice, one edit. Grivmaz, one edit. Consistency of elements, one", "But, it is becoming more and more of a slog to make through", "me this experience is normal. And not a sign that the whole thing", "chapter 1. I plan to do about 12 rounds of edits, each one", "be discouraged? I am discouraged. Please tell me this experience is normal. And", "one edit. Consistency of elements, one edit. etc). Chapter 1 has had the", "I am in writing groups. It is probably the objectively best written chapter", "the 5th time. As a generality, I love my story and characters, all", "to feel like your writing (Chapter 1, in this case) is getting worse", "becoming more and more of a slog to make through chapter 1. I", "your writing (Chapter 1, in this case) is getting worse (more boring, tedious,", "a different aspect (character voice, one edit. Grivmaz, one edit. Consistency of elements,", "of edits, each one geared towards a different aspect (character voice, one edit.", "elements, one edit. etc). Chapter 1 has had the most work done on", "slog to make through chapter 1. I plan to do about 12 rounds", "the objectively best written chapter so far, but I am beginning to hate", "to hate being anywhere 'in' it. I'm sick of it! Question: Is it", "edits, each one geared towards a different aspect (character voice, one edit. Grivmaz,", "through my chapter 1 for about the 5th time. As a generality, I", "rounds of edits, each one geared towards a different aspect (character voice, one", "Grivmaz, one edit. Consistency of elements, one edit. etc). Chapter 1 has had", "beginning to hate being anywhere 'in' it. I'm sick of it! Question: Is", "getting worse (more boring, tedious, and awful), even if it may be objectively", "writing (Chapter 1, in this case) is getting worse (more boring, tedious, and", "I am discouraged. Please tell me this experience is normal. And not a", "1 has had the most work done on it, because I am in", "towards a different aspect (character voice, one edit. Grivmaz, one edit. Consistency of", "groups. It is probably the objectively best written chapter so far, but I", "geared towards a different aspect (character voice, one edit. Grivmaz, one edit. Consistency", "I am beginning to hate being anywhere 'in' it. I'm sick of it!", "feel like your writing (Chapter 1, in this case) is getting worse (more", "'in' it. I'm sick of it! Question: Is it normal to feel like", "I plan to do about 12 rounds of edits, each one geared towards", "being anywhere 'in' it. I'm sick of it! Question: Is it normal to", "may be objectively improving? (should I be discouraged? I am discouraged. Please tell", "so far, but I am beginning to hate being anywhere 'in' it. I'm", "do about 12 rounds of edits, each one geared towards a different aspect", "It is probably the objectively best written chapter so far, but I am", "sick of it! Question: Is it normal to feel like your writing (Chapter", "Question: Is it normal to feel like your writing (Chapter 1, in this", "about 12 rounds of edits, each one geared towards a different aspect (character", "one edit. etc). Chapter 1 has had the most work done on it,", "if it may be objectively improving? (should I be discouraged? I am discouraged.", "each one geared towards a different aspect (character voice, one edit. Grivmaz, one", "of them, even the psychotic ones. But, it is becoming more and more", "chapter so far, but I am beginning to hate being anywhere 'in' it.", "worse (more boring, tedious, and awful), even if it may be objectively improving?", "of elements, one edit. etc). Chapter 1 has had the most work done" ]
[ "use he or she although I have been debating whether to personify my", "far, I have been using the pronoun \"it\" when describing the bird/cell phone;", "in the first person. I was thinking instead of using the pronoun it,", "I was thinking instead of using the pronoun it, I should use he", "cell phone. So far, I have been using the pronoun \"it\" when describing", "has a personal connection to me, and the essay is written in the", "I should use he or she although I have been debating whether to", "writing a descriptive essay about a bird, which is a metaphor of my", "and the essay is written in the first person. I was thinking instead", "a personal connection to me, and the essay is written in the first", "bird/cell phone; however, it feels awkward as the bird clearly has a personal", "me, and the essay is written in the first person. I was thinking", "been using the pronoun \"it\" when describing the bird/cell phone; however, it feels", "he or she although I have been debating whether to personify my cell", "a metaphor of my cell phone. So far, I have been using the", "a descriptive essay about a bird, which is a metaphor of my cell", "describing the bird/cell phone; however, it feels awkward as the bird clearly has", "or she although I have been debating whether to personify my cell phone", "of my cell phone. So far, I have been using the pronoun \"it\"", "it feels awkward as the bird clearly has a personal connection to me,", "should use he or she although I have been debating whether to personify", "whether to personify my cell phone as a male or female. Any suggestions/thoughts?", "using the pronoun \"it\" when describing the bird/cell phone; however, it feels awkward", "clearly has a personal connection to me, and the essay is written in", "the pronoun it, I should use he or she although I have been", "essay is written in the first person. I was thinking instead of using", "personal connection to me, and the essay is written in the first person.", "a bird, which is a metaphor of my cell phone. So far, I", "descriptive essay about a bird, which is a metaphor of my cell phone.", "So far, I have been using the pronoun \"it\" when describing the bird/cell", "bird clearly has a personal connection to me, and the essay is written", "to me, and the essay is written in the first person. I was", "first person. I was thinking instead of using the pronoun it, I should", "although I have been debating whether to personify my cell phone as a", "is a metaphor of my cell phone. So far, I have been using", "was thinking instead of using the pronoun it, I should use he or", "instead of using the pronoun it, I should use he or she although", "connection to me, and the essay is written in the first person. I", "the bird/cell phone; however, it feels awkward as the bird clearly has a", "as the bird clearly has a personal connection to me, and the essay", "using the pronoun it, I should use he or she although I have", "the pronoun \"it\" when describing the bird/cell phone; however, it feels awkward as", "thinking instead of using the pronoun it, I should use he or she", "debating whether to personify my cell phone as a male or female. Any", "metaphor of my cell phone. So far, I have been using the pronoun", "the essay is written in the first person. I was thinking instead of", "the first person. I was thinking instead of using the pronoun it, I", "pronoun it, I should use he or she although I have been debating", "she although I have been debating whether to personify my cell phone as", "have been debating whether to personify my cell phone as a male or", "it, I should use he or she although I have been debating whether", "bird, which is a metaphor of my cell phone. So far, I have", "phone; however, it feels awkward as the bird clearly has a personal connection", "been debating whether to personify my cell phone as a male or female.", "the bird clearly has a personal connection to me, and the essay is", "I'm writing a descriptive essay about a bird, which is a metaphor of", "about a bird, which is a metaphor of my cell phone. So far,", "phone. So far, I have been using the pronoun \"it\" when describing the", "is written in the first person. I was thinking instead of using the", "pronoun \"it\" when describing the bird/cell phone; however, it feels awkward as the", "feels awkward as the bird clearly has a personal connection to me, and", "have been using the pronoun \"it\" when describing the bird/cell phone; however, it", "person. I was thinking instead of using the pronoun it, I should use", "essay about a bird, which is a metaphor of my cell phone. So", "however, it feels awkward as the bird clearly has a personal connection to", "which is a metaphor of my cell phone. So far, I have been", "written in the first person. I was thinking instead of using the pronoun", "when describing the bird/cell phone; however, it feels awkward as the bird clearly", "of using the pronoun it, I should use he or she although I", "my cell phone. So far, I have been using the pronoun \"it\" when", "awkward as the bird clearly has a personal connection to me, and the", "\"it\" when describing the bird/cell phone; however, it feels awkward as the bird", "I have been using the pronoun \"it\" when describing the bird/cell phone; however,", "I have been debating whether to personify my cell phone as a male" ]
[ "that this is human nature, and I am curious if you would agree", "group was valuable and I am OK with bias (especially because it is", "feedback from the critique group was valuable and I am OK with bias", "is alone), put him in the city instead of in the wilderness (?),", "that might happen in these critique groups. I mentioned my chapter 1 [here](https://writers.stackexchange.com/questions/30628/is-it-possible-to-read-your-own-words-too-much-and-begin-to-hate-them-as-a-res)", "introduce more dialogue (there is some, but the guy is alone), put him", "lines of \"Group think\"? My instincts are yes, that this is human nature,", "(there is some, but the guy is alone), put him in the city", "another way, it felt like the group was succumbing to group think, where", "closely to every other person's writing. To be clear: the feedback is invaluable", "but i was still surprised that everyone asked that it be, instead of", "requested in the next re-write were to introduce more dialogue (there is some,", "succumbing to group think, where each person's writing should hew more closely to", "in the wilderness (?), and similar. Put yet another way, it felt like", "way, it felt like the group was succumbing to group think, where each", "the feedback is invaluable and I will use it. But: Question: Do writing", "him in the city instead of in the wilderness (?), and similar. Put", "Put yet another way, it felt like the group was succumbing to group", "\"Group think\"? My instincts are yes, that this is human nature, and I", "would agree or not. Again, the feedback from the critique group was valuable", "with bias (especially because it is a different one than my own.) I'm", "To be clear: the feedback is invaluable and I will use it. But:", "Along the lines of \"Group think\"? My instincts are yes, that this is", "Do writing groups become tunnel-visioned ... and come with their own set of", "another way, the things that were requested in the next re-write were to", "writing should hew more closely to every other person's writing. To be clear:", "own set of biases? Along the lines of \"Group think\"? My instincts are", "bias (especially because it is a different one than my own.) I'm just", "be clear: the feedback is invaluable and I will use it. But: Question:", "instincts are yes, that this is human nature, and I am curious if", "is how the thing starts), a fast paced action thriller. Put another way,", "(which is how the thing starts), a fast paced action thriller. Put another", "and I will use it. But: Question: Do writing groups become tunnel-visioned ...", "person's writing should hew more closely to every other person's writing. To be", "city instead of in the wilderness (?), and similar. Put yet another way,", "to every other person's writing. To be clear: the feedback is invaluable and", "might happen in these critique groups. I mentioned my chapter 1 [here](https://writers.stackexchange.com/questions/30628/is-it-possible-to-read-your-own-words-too-much-and-begin-to-hate-them-as-a-res) yesterday.", "the next re-write were to introduce more dialogue (there is some, but the", "but the guy is alone), put him in the city instead of in", "it is a different one than my own.) I'm just curious if that", "that it be, instead of a Chris McCandless-style solo exodus to the wilderness", "hew more closely to every other person's writing. To be clear: the feedback", "1 would be tedious last night, but i was still surprised that everyone", "be, instead of a Chris McCandless-style solo exodus to the wilderness (which is", "fast paced action thriller. Put another way, the things that were requested in", "in the next re-write were to introduce more dialogue (there is some, but", "i was still surprised that everyone asked that it be, instead of a", "my Chapter 1 would be tedious last night, but i was still surprised", "Question: Do writing groups become tunnel-visioned ... and come with their own set", "asked that it be, instead of a Chris McCandless-style solo exodus to the", "how the thing starts), a fast paced action thriller. Put another way, the", "McCandless-style solo exodus to the wilderness (which is how the thing starts), a", "am curious if you would agree or not. Again, the feedback from the", "and come with their own set of biases? Along the lines of \"Group", "I knew my Chapter 1 would be tedious last night, but i was", "that everyone asked that it be, instead of a Chris McCandless-style solo exodus", "thing starts), a fast paced action thriller. Put another way, the things that", "other person's writing. To be clear: the feedback is invaluable and I will", "not. Again, the feedback from the critique group was valuable and I am", "some, but the guy is alone), put him in the city instead of", "Chapter 1 would be tedious last night, but i was still surprised that", "that were requested in the next re-write were to introduce more dialogue (there", "wilderness (?), and similar. Put yet another way, it felt like the group", "the wilderness (?), and similar. Put yet another way, it felt like the", "instead of a Chris McCandless-style solo exodus to the wilderness (which is how", "wilderness (which is how the thing starts), a fast paced action thriller. Put", "the feedback from the critique group was valuable and I am OK with", "in the city instead of in the wilderness (?), and similar. Put yet", "group was succumbing to group think, where each person's writing should hew more", "Chris McCandless-style solo exodus to the wilderness (which is how the thing starts),", "I'm just curious if that might happen in these critique groups. I mentioned", "clear: the feedback is invaluable and I will use it. But: Question: Do", "was valuable and I am OK with bias (especially because it is a", "exodus to the wilderness (which is how the thing starts), a fast paced", "everyone asked that it be, instead of a Chris McCandless-style solo exodus to", "instead of in the wilderness (?), and similar. Put yet another way, it", "it. But: Question: Do writing groups become tunnel-visioned ... and come with their", "were to introduce more dialogue (there is some, but the guy is alone),", "was succumbing to group think, where each person's writing should hew more closely", "their own set of biases? Along the lines of \"Group think\"? My instincts", "and similar. Put yet another way, it felt like the group was succumbing", "last night, but i was still surprised that everyone asked that it be,", "is invaluable and I will use it. But: Question: Do writing groups become", "(?), and similar. Put yet another way, it felt like the group was", "writing groups become tunnel-visioned ... and come with their own set of biases?", "I am OK with bias (especially because it is a different one than", "think, where each person's writing should hew more closely to every other person's", "things that were requested in the next re-write were to introduce more dialogue", "tedious last night, but i was still surprised that everyone asked that it", "guy is alone), put him in the city instead of in the wilderness", "put him in the city instead of in the wilderness (?), and similar.", "own.) I'm just curious if that might happen in these critique groups. I", "thriller. Put another way, the things that were requested in the next re-write", "yet another way, it felt like the group was succumbing to group think,", "So, I knew my Chapter 1 would be tedious last night, but i", "or not. Again, the feedback from the critique group was valuable and I", "to introduce more dialogue (there is some, but the guy is alone), put", "My instincts are yes, that this is human nature, and I am curious", "valuable and I am OK with bias (especially because it is a different", "dialogue (there is some, but the guy is alone), put him in the", "of in the wilderness (?), and similar. Put yet another way, it felt", "the lines of \"Group think\"? My instincts are yes, that this is human", "the thing starts), a fast paced action thriller. Put another way, the things", "with their own set of biases? Along the lines of \"Group think\"? My", "like the group was succumbing to group think, where each person's writing should", "set of biases? Along the lines of \"Group think\"? My instincts are yes,", "the critique group was valuable and I am OK with bias (especially because", "will use it. But: Question: Do writing groups become tunnel-visioned ... and come", "where each person's writing should hew more closely to every other person's writing.", "the things that were requested in the next re-write were to introduce more", "of biases? Along the lines of \"Group think\"? My instincts are yes, that", "invaluable and I will use it. But: Question: Do writing groups become tunnel-visioned", "this is human nature, and I am curious if you would agree or", "the wilderness (which is how the thing starts), a fast paced action thriller.", "solo exodus to the wilderness (which is how the thing starts), a fast", "person's writing. To be clear: the feedback is invaluable and I will use", "writing. To be clear: the feedback is invaluable and I will use it.", "Again, the feedback from the critique group was valuable and I am OK", "am OK with bias (especially because it is a different one than my", "each person's writing should hew more closely to every other person's writing. To", "a different one than my own.) I'm just curious if that might happen", "different one than my own.) I'm just curious if that might happen in", "is human nature, and I am curious if you would agree or not.", "critique group was valuable and I am OK with bias (especially because it", "and I am OK with bias (especially because it is a different one", "if that might happen in these critique groups. I mentioned my chapter 1", "come with their own set of biases? Along the lines of \"Group think\"?", "But: Question: Do writing groups become tunnel-visioned ... and come with their own", "are yes, that this is human nature, and I am curious if you", "think\"? My instincts are yes, that this is human nature, and I am", "Put another way, the things that were requested in the next re-write were", "curious if that might happen in these critique groups. I mentioned my chapter", "feedback is invaluable and I will use it. But: Question: Do writing groups", "yes, that this is human nature, and I am curious if you would", "my own.) I'm just curious if that might happen in these critique groups.", "it be, instead of a Chris McCandless-style solo exodus to the wilderness (which", "be tedious last night, but i was still surprised that everyone asked that", "of \"Group think\"? My instincts are yes, that this is human nature, and", "one than my own.) I'm just curious if that might happen in these", "the guy is alone), put him in the city instead of in the", "groups become tunnel-visioned ... and come with their own set of biases? Along", "alone), put him in the city instead of in the wilderness (?), and", "were requested in the next re-write were to introduce more dialogue (there is", "and I am curious if you would agree or not. Again, the feedback", "tunnel-visioned ... and come with their own set of biases? Along the lines", "paced action thriller. Put another way, the things that were requested in the", "(especially because it is a different one than my own.) I'm just curious", "night, but i was still surprised that everyone asked that it be, instead", "curious if you would agree or not. Again, the feedback from the critique", "should hew more closely to every other person's writing. To be clear: the", "still surprised that everyone asked that it be, instead of a Chris McCandless-style", "become tunnel-visioned ... and come with their own set of biases? Along the", "to group think, where each person's writing should hew more closely to every", "group think, where each person's writing should hew more closely to every other", "nature, and I am curious if you would agree or not. Again, the", "I will use it. But: Question: Do writing groups become tunnel-visioned ... and", "is a different one than my own.) I'm just curious if that might", "would be tedious last night, but i was still surprised that everyone asked", "is some, but the guy is alone), put him in the city instead", "from the critique group was valuable and I am OK with bias (especially", "... and come with their own set of biases? Along the lines of", "you would agree or not. Again, the feedback from the critique group was", "because it is a different one than my own.) I'm just curious if", "I am curious if you would agree or not. Again, the feedback from", "than my own.) I'm just curious if that might happen in these critique", "more closely to every other person's writing. To be clear: the feedback is", "human nature, and I am curious if you would agree or not. Again,", "knew my Chapter 1 would be tedious last night, but i was still", "of a Chris McCandless-style solo exodus to the wilderness (which is how the", "a Chris McCandless-style solo exodus to the wilderness (which is how the thing", "it felt like the group was succumbing to group think, where each person's", "similar. Put yet another way, it felt like the group was succumbing to", "biases? Along the lines of \"Group think\"? My instincts are yes, that this", "starts), a fast paced action thriller. Put another way, the things that were", "re-write were to introduce more dialogue (there is some, but the guy is", "was still surprised that everyone asked that it be, instead of a Chris", "a fast paced action thriller. Put another way, the things that were requested", "next re-write were to introduce more dialogue (there is some, but the guy", "if you would agree or not. Again, the feedback from the critique group", "to the wilderness (which is how the thing starts), a fast paced action", "felt like the group was succumbing to group think, where each person's writing", "the group was succumbing to group think, where each person's writing should hew", "the city instead of in the wilderness (?), and similar. Put yet another", "just curious if that might happen in these critique groups. I mentioned my", "use it. But: Question: Do writing groups become tunnel-visioned ... and come with", "action thriller. Put another way, the things that were requested in the next", "way, the things that were requested in the next re-write were to introduce", "agree or not. Again, the feedback from the critique group was valuable and", "every other person's writing. To be clear: the feedback is invaluable and I", "more dialogue (there is some, but the guy is alone), put him in", "surprised that everyone asked that it be, instead of a Chris McCandless-style solo", "OK with bias (especially because it is a different one than my own.)" ]
[ "worthy trying to find a way to merge both worlds into one where", "enemy which has come to be common to both worlds due to some", "choose between the two, but have only time to write one story since", "characters can come together to \"fight\" against an enemy which has come to", "worlds due to some bizarre occurrence? Or... Should I just throw away one", "worlds in my mind, and don't really want to choose between the two,", "story since I'm not exactly a spring-chicken. Would it be worthy trying to", "two, but have only time to write one story since I'm not exactly", "Would it be worthy trying to find a way to merge both worlds", "a way to merge both worlds into one where both main characters can", "against an enemy which has come to be common to both worlds due", "way to merge both worlds into one where both main characters can come", "main characters can come together to \"fight\" against an enemy which has come", "occurrence? Or... Should I just throw away one of the worlds and its", "bizarre occurrence? Or... Should I just throw away one of the worlds and", "to write one story since I'm not exactly a spring-chicken. Would it be", "the two, but have only time to write one story since I'm not", "it be worthy trying to find a way to merge both worlds into", "in my mind, and don't really want to choose between the two, but", "Should I just throw away one of the worlds and its peoples? Both", "have these two worlds in my mind, and don't really want to choose", "throw away one of the worlds and its peoples? Both are just as", "to \"fight\" against an enemy which has come to be common to both", "where both main characters can come together to \"fight\" against an enemy which", "to choose between the two, but have only time to write one story", "both worlds due to some bizarre occurrence? Or... Should I just throw away", "to be common to both worlds due to some bizarre occurrence? Or... Should", "time to write one story since I'm not exactly a spring-chicken. Would it", "to merge both worlds into one where both main characters can come together", "come together to \"fight\" against an enemy which has come to be common", "only time to write one story since I'm not exactly a spring-chicken. Would", "together to \"fight\" against an enemy which has come to be common to", "to find a way to merge both worlds into one where both main", "merge both worlds into one where both main characters can come together to", "want to choose between the two, but have only time to write one", "an enemy which has come to be common to both worlds due to", "a spring-chicken. Would it be worthy trying to find a way to merge", "has come to be common to both worlds due to some bizarre occurrence?", "\"fight\" against an enemy which has come to be common to both worlds", "my mind, and don't really want to choose between the two, but have", "mind, and don't really want to choose between the two, but have only", "just throw away one of the worlds and its peoples? Both are just", "between the two, but have only time to write one story since I'm", "not exactly a spring-chicken. Would it be worthy trying to find a way", "both worlds into one where both main characters can come together to \"fight\"", "have only time to write one story since I'm not exactly a spring-chicken.", "into one where both main characters can come together to \"fight\" against an", "common to both worlds due to some bizarre occurrence? Or... Should I just", "two worlds in my mind, and don't really want to choose between the", "these two worlds in my mind, and don't really want to choose between", "come to be common to both worlds due to some bizarre occurrence? Or...", "spring-chicken. Would it be worthy trying to find a way to merge both", "exactly a spring-chicken. Would it be worthy trying to find a way to", "really want to choose between the two, but have only time to write", "don't really want to choose between the two, but have only time to", "one where both main characters can come together to \"fight\" against an enemy", "of the worlds and its peoples? Both are just as palpable to me.", "which has come to be common to both worlds due to some bizarre", "I'm not exactly a spring-chicken. Would it be worthy trying to find a", "due to some bizarre occurrence? Or... Should I just throw away one of", "I just throw away one of the worlds and its peoples? Both are", "and don't really want to choose between the two, but have only time", "but have only time to write one story since I'm not exactly a", "one of the worlds and its peoples? Both are just as palpable to", "I have these two worlds in my mind, and don't really want to", "worlds into one where both main characters can come together to \"fight\" against", "can come together to \"fight\" against an enemy which has come to be", "trying to find a way to merge both worlds into one where both", "both main characters can come together to \"fight\" against an enemy which has", "be common to both worlds due to some bizarre occurrence? Or... Should I", "write one story since I'm not exactly a spring-chicken. Would it be worthy", "one story since I'm not exactly a spring-chicken. Would it be worthy trying", "find a way to merge both worlds into one where both main characters", "to some bizarre occurrence? Or... Should I just throw away one of the", "away one of the worlds and its peoples? Both are just as palpable", "be worthy trying to find a way to merge both worlds into one", "since I'm not exactly a spring-chicken. Would it be worthy trying to find", "some bizarre occurrence? Or... Should I just throw away one of the worlds", "Or... Should I just throw away one of the worlds and its peoples?", "to both worlds due to some bizarre occurrence? Or... Should I just throw" ]
[ "it. I'm looking for a place to post my writing and easily share", "I plan on writing, or even parts of a chapter. What are some", "my writing and easily share it onto Facebook or Twitter. I know there", "it onto Facebook or Twitter. I know there are A LOT of websites,", "like there are too many. I'm looking to share chapters from a book", "know there are A LOT of websites, but it seems like there are", "looking for a place to post my writing and easily share it onto", "share it onto Facebook or Twitter. I know there are A LOT of", "on writing, or even parts of a chapter. What are some of the", "onto Facebook or Twitter. I know there are A LOT of websites, but", "Twitter. I know there are A LOT of websites, but it seems like", "websites, but it seems like there are too many. I'm looking to share", "too many. I'm looking to share chapters from a book I plan on", "A LOT of websites, but it seems like there are too many. I'm", "many. I'm looking to share chapters from a book I plan on writing,", "or Twitter. I know there are A LOT of websites, but it seems", "there are too many. I'm looking to share chapters from a book I", "book I plan on writing, or even parts of a chapter. What are", "are A LOT of websites, but it seems like there are too many.", "seems like there are too many. I'm looking to share chapters from a", "I'm looking to share chapters from a book I plan on writing, or", "LOT of websites, but it seems like there are too many. I'm looking", "it seems like there are too many. I'm looking to share chapters from", "to post my writing and easily share it onto Facebook or Twitter. I", "writing, or even parts of a chapter. What are some of the best", "The title explains it. I'm looking for a place to post my writing", "title explains it. I'm looking for a place to post my writing and", "there are A LOT of websites, but it seems like there are too", "looking to share chapters from a book I plan on writing, or even", "to share chapters from a book I plan on writing, or even parts", "I'm looking for a place to post my writing and easily share it", "parts of a chapter. What are some of the best ones to use?", "post my writing and easily share it onto Facebook or Twitter. I know", "of websites, but it seems like there are too many. I'm looking to", "from a book I plan on writing, or even parts of a chapter.", "a book I plan on writing, or even parts of a chapter. What", "plan on writing, or even parts of a chapter. What are some of", "Facebook or Twitter. I know there are A LOT of websites, but it", "place to post my writing and easily share it onto Facebook or Twitter.", "even parts of a chapter. What are some of the best ones to", "a place to post my writing and easily share it onto Facebook or", "are too many. I'm looking to share chapters from a book I plan", "share chapters from a book I plan on writing, or even parts of", "and easily share it onto Facebook or Twitter. I know there are A", "or even parts of a chapter. What are some of the best ones", "writing and easily share it onto Facebook or Twitter. I know there are", "but it seems like there are too many. I'm looking to share chapters", "I know there are A LOT of websites, but it seems like there", "explains it. I'm looking for a place to post my writing and easily", "easily share it onto Facebook or Twitter. I know there are A LOT", "chapters from a book I plan on writing, or even parts of a", "for a place to post my writing and easily share it onto Facebook" ]
[ "and I generally try to write and experiment with different genres. Recently I've", "(hobbyist by nature) and I generally try to write and experiment with different", "a short story about baseball. To give it context, the story is inspired", "to be a short story. How can I research without it taking ridiculous", "home team. The problem is that I don't know how to start. To", "be a short story. How can I research without it taking ridiculous amounts", "about baseball. To give it context, the story is inspired by the poem", "of a popular baseball player when he loses a game for his home", "intended this to be a short story. How can I research without it", "the poem \"Casey at the Bat,\" and it deals with the downfall of", "baseball player when he loses a game for his home team. The problem", "he loses a game for his home team. The problem is that I", "poem \"Casey at the Bat,\" and it deals with the downfall of a", "tried spending time researching all I can but there is so much information", "chose to write a short story about baseball. To give it context, the", "I enjoy watching baseball, it's the only sport I ever liked, however I", "sports, and I chose to write a short story about baseball. To give", "To be more specific - I enjoy watching baseball, it's the only sport", "by nature) and I generally try to write and experiment with different genres.", "sport I ever liked, however I don't have knowledge about baseball. I tried", "know how to start. To be more specific - I enjoy watching baseball,", "short story. How can I research without it taking ridiculous amounts of time?", "nature) and I generally try to write and experiment with different genres. Recently", "To give it context, the story is inspired by the poem \"Casey at", "a short story writer (hobbyist by nature) and I generally try to write", "deals with the downfall of a popular baseball player when he loses a", "his home team. The problem is that I don't know how to start.", "Bat,\" and it deals with the downfall of a popular baseball player when", "context, the story is inspired by the poem \"Casey at the Bat,\" and", "the Bat,\" and it deals with the downfall of a popular baseball player", "but there is so much information to learn and so much I don't", "give it context, the story is inspired by the poem \"Casey at the", "writer (hobbyist by nature) and I generally try to write and experiment with", "only sport I ever liked, however I don't have knowledge about baseball. I", "it's the only sport I ever liked, however I don't have knowledge about", "baseball. To give it context, the story is inspired by the poem \"Casey", "I can but there is so much information to learn and so much", "and so much I don't know, and I only intended this to be", "spending time researching all I can but there is so much information to", "knowledge about baseball. I tried spending time researching all I can but there", "researching all I can but there is so much information to learn and", "watching baseball, it's the only sport I ever liked, however I don't have", "with the downfall of a popular baseball player when he loses a game", "baseball, it's the only sport I ever liked, however I don't have knowledge", "story about baseball. To give it context, the story is inspired by the", "ever liked, however I don't have knowledge about baseball. I tried spending time", "specific - I enjoy watching baseball, it's the only sport I ever liked,", "inspired by the poem \"Casey at the Bat,\" and it deals with the", "information to learn and so much I don't know, and I only intended", "is that I don't know how to start. To be more specific -", "and I chose to write a short story about baseball. To give it", "experiment with different genres. Recently I've been thinking about sports, and I chose", "the downfall of a popular baseball player when he loses a game for", "player when he loses a game for his home team. The problem is", "all I can but there is so much information to learn and so", "and it deals with the downfall of a popular baseball player when he", "there is so much information to learn and so much I don't know,", "write a short story about baseball. To give it context, the story is", "that I don't know how to start. To be more specific - I", "about baseball. I tried spending time researching all I can but there is", "a popular baseball player when he loses a game for his home team.", "for his home team. The problem is that I don't know how to", "with different genres. Recently I've been thinking about sports, and I chose to", "I tried spending time researching all I can but there is so much", "short story about baseball. To give it context, the story is inspired by", "I don't know how to start. To be more specific - I enjoy", "can but there is so much information to learn and so much I", "I ever liked, however I don't have knowledge about baseball. I tried spending", "about sports, and I chose to write a short story about baseball. To", "don't have knowledge about baseball. I tried spending time researching all I can", "start. To be more specific - I enjoy watching baseball, it's the only", "- I enjoy watching baseball, it's the only sport I ever liked, however", "how to start. To be more specific - I enjoy watching baseball, it's", "so much I don't know, and I only intended this to be a", "to start. To be more specific - I enjoy watching baseball, it's the", "a short story. How can I research without it taking ridiculous amounts of", "the only sport I ever liked, however I don't have knowledge about baseball.", "I chose to write a short story about baseball. To give it context,", "know, and I only intended this to be a short story. How can", "I'm a short story writer (hobbyist by nature) and I generally try to", "I don't know, and I only intended this to be a short story.", "downfall of a popular baseball player when he loses a game for his", "much information to learn and so much I don't know, and I only", "generally try to write and experiment with different genres. Recently I've been thinking", "problem is that I don't know how to start. To be more specific", "time researching all I can but there is so much information to learn", "Recently I've been thinking about sports, and I chose to write a short", "loses a game for his home team. The problem is that I don't", "I generally try to write and experiment with different genres. Recently I've been", "be more specific - I enjoy watching baseball, it's the only sport I", "so much information to learn and so much I don't know, and I", "is so much information to learn and so much I don't know, and", "only intended this to be a short story. How can I research without", "genres. Recently I've been thinking about sports, and I chose to write a", "more specific - I enjoy watching baseball, it's the only sport I ever", "to learn and so much I don't know, and I only intended this", "popular baseball player when he loses a game for his home team. The", "liked, however I don't have knowledge about baseball. I tried spending time researching", "The problem is that I don't know how to start. To be more", "baseball. I tried spending time researching all I can but there is so", "don't know how to start. To be more specific - I enjoy watching", "I've been thinking about sports, and I chose to write a short story", "I don't have knowledge about baseball. I tried spending time researching all I", "the story is inspired by the poem \"Casey at the Bat,\" and it", "enjoy watching baseball, it's the only sport I ever liked, however I don't", "story writer (hobbyist by nature) and I generally try to write and experiment", "by the poem \"Casey at the Bat,\" and it deals with the downfall", "however I don't have knowledge about baseball. I tried spending time researching all", "short story writer (hobbyist by nature) and I generally try to write and", "learn and so much I don't know, and I only intended this to", "this to be a short story. How can I research without it taking", "I only intended this to be a short story. How can I research", "team. The problem is that I don't know how to start. To be", "a game for his home team. The problem is that I don't know", "is inspired by the poem \"Casey at the Bat,\" and it deals with", "been thinking about sports, and I chose to write a short story about", "don't know, and I only intended this to be a short story. How", "to write and experiment with different genres. Recently I've been thinking about sports,", "and experiment with different genres. Recently I've been thinking about sports, and I", "write and experiment with different genres. Recently I've been thinking about sports, and", "different genres. Recently I've been thinking about sports, and I chose to write", "story is inspired by the poem \"Casey at the Bat,\" and it deals", "have knowledge about baseball. I tried spending time researching all I can but", "it deals with the downfall of a popular baseball player when he loses", "much I don't know, and I only intended this to be a short", "it context, the story is inspired by the poem \"Casey at the Bat,\"", "game for his home team. The problem is that I don't know how", "\"Casey at the Bat,\" and it deals with the downfall of a popular", "thinking about sports, and I chose to write a short story about baseball.", "to write a short story about baseball. To give it context, the story", "at the Bat,\" and it deals with the downfall of a popular baseball", "try to write and experiment with different genres. Recently I've been thinking about", "when he loses a game for his home team. The problem is that", "and I only intended this to be a short story. How can I" ]
[ "couldn't be allowed to read what I write, then I shouldn't be writing", "writing it. There are some works I loved for their creativeness but had", "reply. I feel that if a six year old couldn't be allowed to", "read what I write, then I shouldn't be writing it. There are some", "year old couldn't be allowed to read what I write, then I shouldn't", "had to skim over pages, and I don't want that to happen to", "if someone would ask me what age group, target group I'm writing for", "allowed to read what I write, then I shouldn't be writing it. There", "target group I'm writing for I wouldn't know how to reply. I feel", "know how to reply. I feel that if a six year old couldn't", "over pages, and I don't want that to happen to my own. So...", "categorize my writing? Do I have to assign an age group for it?", "to read what I write, then I shouldn't be writing it. There are", "But if someone would ask me what age group, target group I'm writing", "I write, then I shouldn't be writing it. There are some works I", "I feel that if a six year old couldn't be allowed to read", "There are some works I loved for their creativeness but had to skim", "what age group, target group I'm writing for I wouldn't know how to", "want that to happen to my own. So... how do I categorize my", "me what age group, target group I'm writing for I wouldn't know how", "and I don't want that to happen to my own. So... how do", "group I'm writing for I wouldn't know how to reply. I feel that", "don't want that to happen to my own. So... how do I categorize", "are some works I loved for their creativeness but had to skim over", "be writing it. There are some works I loved for their creativeness but", "how to reply. I feel that if a six year old couldn't be", "it. There are some works I loved for their creativeness but had to", "happen to my own. So... how do I categorize my writing? Do I", "write, then I shouldn't be writing it. There are some works I loved", "creativeness but had to skim over pages, and I don't want that to", "shouldn't be writing it. There are some works I loved for their creativeness", "my own. So... how do I categorize my writing? Do I have to", "do I categorize my writing? Do I have to assign an age group", "loved for their creativeness but had to skim over pages, and I don't", "six year old couldn't be allowed to read what I write, then I", "I don't want that to happen to my own. So... how do I", "fantasy and sci-fi. But if someone would ask me what age group, target", "what I write, then I shouldn't be writing it. There are some works", "that to happen to my own. So... how do I categorize my writing?", "would ask me what age group, target group I'm writing for I wouldn't", "own. So... how do I categorize my writing? Do I have to assign", "writing for I wouldn't know how to reply. I feel that if a", "then I shouldn't be writing it. There are some works I loved for", "something between fantasy and sci-fi. But if someone would ask me what age", "to reply. I feel that if a six year old couldn't be allowed", "pages, and I don't want that to happen to my own. So... how", "sci-fi. But if someone would ask me what age group, target group I'm", "write something between fantasy and sci-fi. But if someone would ask me what", "group, target group I'm writing for I wouldn't know how to reply. I", "works I loved for their creativeness but had to skim over pages, and", "I categorize my writing? Do I have to assign an age group for", "I write something between fantasy and sci-fi. But if someone would ask me", "but had to skim over pages, and I don't want that to happen", "and sci-fi. But if someone would ask me what age group, target group", "I wouldn't know how to reply. I feel that if a six year", "old couldn't be allowed to read what I write, then I shouldn't be", "between fantasy and sci-fi. But if someone would ask me what age group,", "I loved for their creativeness but had to skim over pages, and I", "to happen to my own. So... how do I categorize my writing? Do", "So... how do I categorize my writing? Do I have to assign an", "I'm writing for I wouldn't know how to reply. I feel that if", "I shouldn't be writing it. There are some works I loved for their", "to skim over pages, and I don't want that to happen to my", "age group, target group I'm writing for I wouldn't know how to reply.", "for I wouldn't know how to reply. I feel that if a six", "someone would ask me what age group, target group I'm writing for I", "for their creativeness but had to skim over pages, and I don't want", "skim over pages, and I don't want that to happen to my own.", "wouldn't know how to reply. I feel that if a six year old", "that if a six year old couldn't be allowed to read what I", "their creativeness but had to skim over pages, and I don't want that", "if a six year old couldn't be allowed to read what I write,", "some works I loved for their creativeness but had to skim over pages,", "a six year old couldn't be allowed to read what I write, then", "be allowed to read what I write, then I shouldn't be writing it.", "to my own. So... how do I categorize my writing? Do I have", "how do I categorize my writing? Do I have to assign an age", "feel that if a six year old couldn't be allowed to read what", "ask me what age group, target group I'm writing for I wouldn't know" ]
[ "character gives a speech on why someone or something is shit.* And here's", "a speech on why someone or something is shit.* And here's an example:", "> validated your birth mother's decision to abandon you on a doorstep. >", "just a data point. If it makes you feel any better, science has", "described as: A character gives a speech on why someone or something is", "that horrible-person thing discourage you. It's > just a data point. If it", "> > > —GLaDOS, Portal 2 If there's any, what are the general", "you. It's > just a data point. If it makes you feel any", "is a trope, that is described as: A character gives a speech on", "*If there's any, what are the general rules/guidelines to make an actually good", "\"reason you suck speech\" in content (what's the grumbling precisely about, what it", "> that. [...] Don't let that horrible-person thing discourage you. It's > just", "speech on why someone or something is shit.* And here's an example: >", "example: > > Well done. Here come the test results: You are a", "your birth mother's decision to abandon you on a doorstep. > > >", "You are a horrible person. > That's what it says: \"A horrible person.\"", "rules/guidelines to make an actually good \"reason you suck speech\" in content (what's", "feel any better, science has now > validated your birth mother's decision to", "is described as: A character gives a speech on why someone or something", "abandon you on a doorstep. > > > —GLaDOS, Portal 2 *If there's", "person.\" We weren't even testing for > that. [...] Don't let that horrible-person", "come the test results: You are a horrible person. > That's what it", "It's > just a data point. If it makes you feel any better,", "horrible person.\" We weren't even testing for > that. [...] Don't let that", "> just a data point. If it makes you feel any better, science", "are the general rules/guidelines to make an actually good \"reason you suck speech\"", "point. If it makes you feel any better, science has now > validated", "results: You are a horrible person. > That's what it says: \"A horrible", "as: A character gives a speech on why someone or something is shit.", "actually good \"reason you suck speech\" in content (what's the grumbling precisely about,", "Well done. Here come the test results: You are a horrible person. >", "on why someone or something is shit.* And here's an example: > >", "that is described as: A character gives a speech on why someone or", "If it makes you feel any better, science has now > validated your", "to abandon you on a doorstep. > > > —GLaDOS, Portal 2 If", "> —GLaDOS, Portal 2 If there's any, what are the general rules/guidelines to", "reason you suck speech\"](http://tvtropes.org/pmwiki/pmwiki.php/Main/TheReasonYouSuckSpeech) is a trope, that is described as: A character", "trope, that is described as: A character gives a speech on why someone", "something is shit. And here's an example: > > Well done. Here come", "for > that. [...] Don't let that horrible-person thing discourage you. It's >", "testing for > that. [...] Don't let that horrible-person thing discourage you. It's", "Here come the test results: You are a horrible person. > That's what", "you on a doorstep. > > > —GLaDOS, Portal 2 *If there's any,", "someone or something is shit. And here's an example: > > Well done.", "decision to abandon you on a doorstep. > > > —GLaDOS, Portal 2", "gives a speech on why someone or something is shit.* And here's an", "test results: You are a horrible person. > That's what it says: \"A", "[...] Don't let that horrible-person thing discourage you. It's > just a data", "or something is shit.* And here's an example: > > Well done. Here", "any, what are the general rules/guidelines to make an actually good \"reason you", "And here's an example: > > Well done. Here come the test results:", "horrible person. > That's what it says: \"A horrible person.\" We weren't even", "there's any, what are the general rules/guidelines to make an actually good \"reason", "> > Well done. Here come the test results: You are a horrible", "—GLaDOS, Portal 2 If there's any, what are the general rules/guidelines to make", "\"A horrible person.\" We weren't even testing for > that. [...] Don't let", "that. [...] Don't let that horrible-person thing discourage you. It's > just a", "here's an example: > > Well done. Here come the test results: You", "a doorstep. > > > —GLaDOS, Portal 2 If there's any, what are", "general rules/guidelines to make an actually good \"reason you suck speech\" in content", "> > —GLaDOS, Portal 2 *If there's any, what are the general rules/guidelines", "the test results: You are a horrible person. > That's what it says:", "are a horrible person. > That's what it says: \"A horrible person.\" We", "data point. If it makes you feel any better, science has now >", "Don't let that horrible-person thing discourage you. It's > just a data point.", "even testing for > that. [...] Don't let that horrible-person thing discourage you.", "person. > That's what it says: \"A horrible person.\" We weren't even testing", "what it says: \"A horrible person.\" We weren't even testing for > that.", "> That's what it says: \"A horrible person.\" We weren't even testing for", "speech\"](http://tvtropes.org/pmwiki/pmwiki.php/Main/TheReasonYouSuckSpeech) is a trope, that is described as: A character gives a speech", "you suck speech\" in content (what's the grumbling precisely about, what it focuses", "any better, science has now > validated your birth mother's decision to abandon", "suck speech\"](http://tvtropes.org/pmwiki/pmwiki.php/Main/TheReasonYouSuckSpeech) is a trope, that is described as: A character gives a", "validated your birth mother's decision to abandon you on a doorstep. > >", "now > validated your birth mother's decision to abandon you on a doorstep.", "a trope, that is described as: A character gives a speech on why", "an example: > > Well done. Here come the test results: You are", "discourage you. It's > just a data point. If it makes you feel", "let that horrible-person thing discourage you. It's > just a data point. If", "says: \"A horrible person.\" We weren't even testing for > that. [...] Don't", "is shit. And here's an example: > > Well done. Here come the", "to make an actually good \"reason you suck speech\" in content (what's the", "thing discourage you. It's > just a data point. If it makes you", "a data point. If it makes you feel any better, science has now", "done. Here come the test results: You are a horrible person. > That's", "the general rules/guidelines to make an actually good \"reason you suck speech\" in", "on a doorstep. > > > —GLaDOS, Portal 2 If there's any, what", "2 If there's any, what are the general rules/guidelines to make an actually", "weren't even testing for > that. [...] Don't let that horrible-person thing discourage", "good \"reason you suck speech\" in content (what's the grumbling precisely about, what", "it says: \"A horrible person.\" We weren't even testing for > that. [...]", "you feel any better, science has now > validated your birth mother's decision", "science has now > validated your birth mother's decision to abandon you on", "an actually good \"reason you suck speech\" in content (what's the grumbling precisely", "makes you feel any better, science has now > validated your birth mother's", "has now > validated your birth mother's decision to abandon you on a", "better, science has now > validated your birth mother's decision to abandon you", "you suck speech\"](http://tvtropes.org/pmwiki/pmwiki.php/Main/TheReasonYouSuckSpeech) is a trope, that is described as: A character gives", "[\"The reason you suck speech\"](http://tvtropes.org/pmwiki/pmwiki.php/Main/TheReasonYouSuckSpeech) is a trope, that is described as: A", "a horrible person. > That's what it says: \"A horrible person.\" We weren't", "doorstep. > > > —GLaDOS, Portal 2 If there's any, what are the", "what are the general rules/guidelines to make an actually good \"reason you suck", "birth mother's decision to abandon you on a doorstep. > > > —GLaDOS,", "> Well done. Here come the test results: You are a horrible person.", "horrible-person thing discourage you. It's > just a data point. If it makes", "it makes you feel any better, science has now > validated your birth", "A character gives a speech on why someone or something is shit.* And", "That's what it says: \"A horrible person.\" We weren't even testing for >", "mother's decision to abandon you on a doorstep. > > > —GLaDOS, Portal", "suck speech\" in content (what's the grumbling precisely about, what it focuses on)?*", "make an actually good \"reason you suck speech\" in content (what's the grumbling", "Portal 2 *If there's any, what are the general rules/guidelines to make an", "We weren't even testing for > that. [...] Don't let that horrible-person thing", "shit. And here's an example: > > Well done. Here come the test", "why someone or something is shit.* And here's an example: > > Well" ]
[ "steals the bodies of young women and uses them as puppets. She can", "She can communicate with their bodies with a psychic link similar to the", "and uses them as puppets. She can communicate with their bodies with a", "puppets. She can communicate with their bodies with a psychic link similar to", "uses them as puppets. She can communicate with their bodies with a psychic", "character is a female hive mind, She is a powerful witch that steals", "that steals the bodies of young women and uses them as puppets. She", "She is a powerful witch that steals the bodies of young women and", "the bodies of young women and uses them as puppets. She can communicate", "My character is a female hive mind, She is a powerful witch that", "communicate with their bodies with a psychic link similar to the internet, I", "similar to the internet, I would like to write her story with POV.", "bodies of young women and uses them as puppets. She can communicate with", "bodies with a psychic link similar to the internet, I would like to", "of young women and uses them as puppets. She can communicate with their", "young women and uses them as puppets. She can communicate with their bodies", "psychic link similar to the internet, I would like to write her story", "link similar to the internet, I would like to write her story with", "with a psychic link similar to the internet, I would like to write", "witch that steals the bodies of young women and uses them as puppets.", "a psychic link similar to the internet, I would like to write her", "can communicate with their bodies with a psychic link similar to the internet,", "powerful witch that steals the bodies of young women and uses them as", "their bodies with a psychic link similar to the internet, I would like", "is a female hive mind, She is a powerful witch that steals the", "hive mind, She is a powerful witch that steals the bodies of young", "as puppets. She can communicate with their bodies with a psychic link similar", "is a powerful witch that steals the bodies of young women and uses", "female hive mind, She is a powerful witch that steals the bodies of", "a powerful witch that steals the bodies of young women and uses them", "a female hive mind, She is a powerful witch that steals the bodies", "them as puppets. She can communicate with their bodies with a psychic link", "mind, She is a powerful witch that steals the bodies of young women", "with their bodies with a psychic link similar to the internet, I would", "women and uses them as puppets. She can communicate with their bodies with" ]
[ "and present tense in five or six. The novel is a New York", "its 38 chapters, and present tense in five or six. The novel is", "novel is a New York times bestseller: The Women in the Castle. Can", "times bestseller: The Women in the Castle. Can someone explain the possible rationale?", "tense in most of its 38 chapters, and present tense in five or", "or six. The novel is a New York times bestseller: The Women in", "six. The novel is a New York times bestseller: The Women in the", "novel uses past tense in most of its 38 chapters, and present tense", "of its 38 chapters, and present tense in five or six. The novel", "in five or six. The novel is a New York times bestseller: The", "tense in five or six. The novel is a New York times bestseller:", "current historical novel uses past tense in most of its 38 chapters, and", "five or six. The novel is a New York times bestseller: The Women", "The novel is a New York times bestseller: The Women in the Castle.", "of a current historical novel uses past tense in most of its 38", "historical novel uses past tense in most of its 38 chapters, and present", "a New York times bestseller: The Women in the Castle. Can someone explain", "a current historical novel uses past tense in most of its 38 chapters,", "past tense in most of its 38 chapters, and present tense in five", "The author of a current historical novel uses past tense in most of", "38 chapters, and present tense in five or six. The novel is a", "most of its 38 chapters, and present tense in five or six. The", "uses past tense in most of its 38 chapters, and present tense in", "York times bestseller: The Women in the Castle. Can someone explain the possible", "present tense in five or six. The novel is a New York times", "in most of its 38 chapters, and present tense in five or six.", "New York times bestseller: The Women in the Castle. Can someone explain the", "chapters, and present tense in five or six. The novel is a New", "is a New York times bestseller: The Women in the Castle. Can someone", "author of a current historical novel uses past tense in most of its" ]
[ "I understand the problem this might cause. The beginning of a story is", "with an underdog main character full of panache…and delve into the constraints and", "piece, and I’ve personally read one too many books where the author decides", "tone shift in the middle of the story that – frankly – kind", "– kind of ruins the reading experience. My question is, how can I", "an underdog main character full of panache…and delve into the constraints and debilitations", "of panache…and delve into the constraints and debilitations of living in such a", "‘wonderful’ fantasy world with an underdog main character full of panache…and delve into", "reading experience. My question is, how can I lay out the exposition to", "introduce the reader to a ‘wonderful’ fantasy world with an underdog main character", "to take an unaccounted for, grim-dark tone shift in the middle of the", "middle of the story that – frankly – kind of ruins the reading", "of security and positivity, without making the tonal shift to a darker, more", "character full of panache…and delve into the constraints and debilitations of living in", "underdog main character full of panache…and delve into the constraints and debilitations of", "‘false sense’ of security and positivity, without making the tonal shift to a", "sense’ of security and positivity, without making the tonal shift to a darker,", "tonal shift to a darker, more serious plot later on too jarring for", "to a ‘wonderful’ fantasy world with an underdog main character full of panache…and", "a story is important in laying out the tone of a piece, and", "out the tone of a piece, and I’ve personally read one too many", "the tone of a piece, and I’ve personally read one too many books", "stratified, unmeritorious society. However, I understand the problem this might cause. The beginning", "decides to take an unaccounted for, grim-dark tone shift in the middle of", "story that – frankly – kind of ruins the reading experience. My question", "that – frankly – kind of ruins the reading experience. My question is,", "one too many books where the author decides to take an unaccounted for,", "the middle of the story that – frankly – kind of ruins the", "My question is, how can I lay out the exposition to create a", "create a ‘false sense’ of security and positivity, without making the tonal shift", "out the exposition to create a ‘false sense’ of security and positivity, without", "the tonal shift to a darker, more serious plot later on too jarring", "where the author decides to take an unaccounted for, grim-dark tone shift in", "positivity, without making the tonal shift to a darker, more serious plot later", "The beginning of a story is important in laying out the tone of", "debilitations of living in such a highly stratified, unmeritorious society. However, I understand", "a highly stratified, unmeritorious society. However, I understand the problem this might cause.", "delve into the constraints and debilitations of living in such a highly stratified,", "lay out the exposition to create a ‘false sense’ of security and positivity,", "the constraints and debilitations of living in such a highly stratified, unmeritorious society.", "understand the problem this might cause. The beginning of a story is important", "society. However, I understand the problem this might cause. The beginning of a", "an unaccounted for, grim-dark tone shift in the middle of the story that", "for, grim-dark tone shift in the middle of the story that – frankly", "the story that – frankly – kind of ruins the reading experience. My", "constraints and debilitations of living in such a highly stratified, unmeritorious society. However,", "such a highly stratified, unmeritorious society. However, I understand the problem this might", "ruins the reading experience. My question is, how can I lay out the", "many books where the author decides to take an unaccounted for, grim-dark tone", "of living in such a highly stratified, unmeritorious society. However, I understand the", "to introduce the reader to a ‘wonderful’ fantasy world with an underdog main", "and debilitations of living in such a highly stratified, unmeritorious society. However, I", "can I lay out the exposition to create a ‘false sense’ of security", "take an unaccounted for, grim-dark tone shift in the middle of the story", "is important in laying out the tone of a piece, and I’ve personally", "exposition to create a ‘false sense’ of security and positivity, without making the", "I lay out the exposition to create a ‘false sense’ of security and", "in the middle of the story that – frankly – kind of ruins", "panache…and delve into the constraints and debilitations of living in such a highly", "frankly – kind of ruins the reading experience. My question is, how can", "However, I understand the problem this might cause. The beginning of a story", "– frankly – kind of ruins the reading experience. My question is, how", "world with an underdog main character full of panache…and delve into the constraints", "how can I lay out the exposition to create a ‘false sense’ of", "a piece, and I’ve personally read one too many books where the author", "kind of ruins the reading experience. My question is, how can I lay", "without making the tonal shift to a darker, more serious plot later on", "story is important in laying out the tone of a piece, and I’ve", "the reading experience. My question is, how can I lay out the exposition", "unmeritorious society. However, I understand the problem this might cause. The beginning of", "might cause. The beginning of a story is important in laying out the", "a ‘wonderful’ fantasy world with an underdog main character full of panache…and delve", "unaccounted for, grim-dark tone shift in the middle of the story that –", "My goal is to introduce the reader to a ‘wonderful’ fantasy world with", "of the story that – frankly – kind of ruins the reading experience.", "and I’ve personally read one too many books where the author decides to", "full of panache…and delve into the constraints and debilitations of living in such", "fantasy world with an underdog main character full of panache…and delve into the", "the reader to a ‘wonderful’ fantasy world with an underdog main character full", "security and positivity, without making the tonal shift to a darker, more serious", "tone of a piece, and I’ve personally read one too many books where", "this might cause. The beginning of a story is important in laying out", "of a piece, and I’ve personally read one too many books where the", "too many books where the author decides to take an unaccounted for, grim-dark", "the problem this might cause. The beginning of a story is important in", "into the constraints and debilitations of living in such a highly stratified, unmeritorious", "personally read one too many books where the author decides to take an", "in such a highly stratified, unmeritorious society. However, I understand the problem this", "cause. The beginning of a story is important in laying out the tone", "important in laying out the tone of a piece, and I’ve personally read", "laying out the tone of a piece, and I’ve personally read one too", "experience. My question is, how can I lay out the exposition to create", "making the tonal shift to a darker, more serious plot later on too", "shift in the middle of the story that – frankly – kind of", "the exposition to create a ‘false sense’ of security and positivity, without making", "goal is to introduce the reader to a ‘wonderful’ fantasy world with an", "and positivity, without making the tonal shift to a darker, more serious plot", "a ‘false sense’ of security and positivity, without making the tonal shift to", "is to introduce the reader to a ‘wonderful’ fantasy world with an underdog", "of a story is important in laying out the tone of a piece,", "is, how can I lay out the exposition to create a ‘false sense’", "question is, how can I lay out the exposition to create a ‘false", "read one too many books where the author decides to take an unaccounted", "author decides to take an unaccounted for, grim-dark tone shift in the middle", "of ruins the reading experience. My question is, how can I lay out", "problem this might cause. The beginning of a story is important in laying", "I’ve personally read one too many books where the author decides to take", "to a darker, more serious plot later on too jarring for the reader?", "to create a ‘false sense’ of security and positivity, without making the tonal", "main character full of panache…and delve into the constraints and debilitations of living", "reader to a ‘wonderful’ fantasy world with an underdog main character full of", "the author decides to take an unaccounted for, grim-dark tone shift in the", "grim-dark tone shift in the middle of the story that – frankly –", "shift to a darker, more serious plot later on too jarring for the", "beginning of a story is important in laying out the tone of a", "highly stratified, unmeritorious society. However, I understand the problem this might cause. The", "books where the author decides to take an unaccounted for, grim-dark tone shift", "in laying out the tone of a piece, and I’ve personally read one", "living in such a highly stratified, unmeritorious society. However, I understand the problem" ]
[ "I sent a manuscript to an publisher based in lets say the states,", "a manuscript to an publisher based in lets say the states, would I", "based in lets say the states, would I need to live in the", "in lets say the states, would I need to live in the states", "manuscript to an publisher based in lets say the states, would I need", "the states, would I need to live in the states for my manuscript", "states, would I need to live in the states for my manuscript to", "wondering if I sent a manuscript to an publisher based in lets say", "Just wondering if I sent a manuscript to an publisher based in lets", "publisher based in lets say the states, would I need to live in", "lets say the states, would I need to live in the states for", "I need to live in the states for my manuscript to be considered?", "would I need to live in the states for my manuscript to be", "to an publisher based in lets say the states, would I need to", "if I sent a manuscript to an publisher based in lets say the", "an publisher based in lets say the states, would I need to live", "say the states, would I need to live in the states for my", "sent a manuscript to an publisher based in lets say the states, would" ]
[ "BATHSHEBA > > (whispers) > > > Beneath each character’s name. I’ll add", "to put: > > BATHSHEBA > > (whispers) > > > Beneath each", "have to put: > > BATHSHEBA > > (whispers) > > > Beneath", "screenplay do you have to put: > > BATHSHEBA > > (whispers) >", "> > > Beneath each character’s name. I’ll add that the situation mandates", "conversation of whispering in a screenplay do you have to put: > >", "> BATHSHEBA > > (whispers) > > > Beneath each character’s name. I’ll", "put: > > BATHSHEBA > > (whispers) > > > Beneath each character’s", "a conversation of whispering in a screenplay do you have to put: >", "have a conversation of whispering in a screenplay do you have to put:", "Beneath each character’s name. I’ll add that the situation mandates whispering and could", "you have a conversation of whispering in a screenplay do you have to", "do you have to put: > > BATHSHEBA > > (whispers) > >", "> (whispers) > > > Beneath each character’s name. I’ll add that the", "a screenplay do you have to put: > > BATHSHEBA > > (whispers)", "each character’s name. I’ll add that the situation mandates whispering and could be", "in a screenplay do you have to put: > > BATHSHEBA > >", "name. I’ll add that the situation mandates whispering and could be understood easily", "If you have a conversation of whispering in a screenplay do you have", "> > (whispers) > > > Beneath each character’s name. I’ll add that", "character’s name. I’ll add that the situation mandates whispering and could be understood", "> > BATHSHEBA > > (whispers) > > > Beneath each character’s name.", "> Beneath each character’s name. I’ll add that the situation mandates whispering and", "add that the situation mandates whispering and could be understood easily I think.", "whispering in a screenplay do you have to put: > > BATHSHEBA >", "> > Beneath each character’s name. I’ll add that the situation mandates whispering", "you have to put: > > BATHSHEBA > > (whispers) > > >", "of whispering in a screenplay do you have to put: > > BATHSHEBA", "I’ll add that the situation mandates whispering and could be understood easily I", "(whispers) > > > Beneath each character’s name. I’ll add that the situation" ]
[ "at place X-- a place that is coveted by many people, a dream", "B) I was also confused about the pace. 1) Describe life over 1", "about the lovely experience at place X'* was goal enough, but I am", "am writing about my experience at place X-- a place that is coveted", "was goal enough, but I am struggling and it is hurting my productivity.", "poor at fiction, so im leaning towards No) B) I was also confused", "life over 1 day? 2) Describe life over months (faster paced) I thought", "my experience at place X-- a place that is coveted by many people,", "Describe life over months (faster paced) I thought my goal was 'write about", "X-- a place that is coveted by many people, a dream come true", "if I should: Turn it in to fiction-- add drama (but i'm very", "1) Describe life over 1 day? 2) Describe life over months (faster paced)", "I am writing about my experience at place X-- a place that is", "writing about my experience at place X-- a place that is coveted by", "coveted by many people, a dream come true of sorts! Problem* is: There", "a lovely life it was. A) I'm not sure if I should: Turn", "day? 2) Describe life over months (faster paced) I thought my goal was", "over 1 day? 2) Describe life over months (faster paced) I thought my", "fiction, so im leaning towards No) B) I was also confused about the", "just a description of what a lovely life it was. A) I'm not", "was also confused about the pace. 1) Describe life over 1 day? 2)", "fiction-- add drama (but i'm very poor at fiction, so im leaning towards", "months (faster paced) I thought my goal was 'write about the lovely experience", "2) Describe life over months (faster paced) I thought my goal was 'write", "the lovely experience at place X'* was goal enough, but I am struggling", "A) I'm not sure if I should: Turn it in to fiction-- add", "No) B) I was also confused about the pace. 1) Describe life over", "1 day? 2) Describe life over months (faster paced) I thought my goal", "a dream come true of sorts! Problem is: There is no conflict in", "goal was 'write about the lovely experience at place X' was goal enough,", "life over months (faster paced) I thought my goal was 'write about the", "should: Turn it in to fiction-- add drama (but i'm very poor at", "sorts! Problem* is: There is no conflict in my experience -- just a", "conflict in my experience -- just a description of what a lovely life", "my goal was 'write about the lovely experience at place X' was goal", "confused about the pace. 1) Describe life over 1 day? 2) Describe life", "I thought my goal was 'write about the lovely experience at place X'", "Describe life over 1 day? 2) Describe life over months (faster paced) I", "at place X'* was goal enough, but I am struggling and it is", "a place that is coveted by many people, a dream come true of", "experience at place X'* was goal enough, but I am struggling and it", "lovely life it was. A) I'm not sure if I should: Turn it", "my experience -- just a description of what a lovely life it was.", "I was also confused about the pace. 1) Describe life over 1 day?", "the pace. 1) Describe life over 1 day? 2) Describe life over months", "so im leaning towards No) B) I was also confused about the pace.", "that is coveted by many people, a dream come true of sorts! Problem", "There is no conflict in my experience -- just a description of what", "very poor at fiction, so im leaning towards No) B) I was also", "'write about the lovely experience at place X' was goal enough, but I", "pace. 1) Describe life over 1 day? 2) Describe life over months (faster", "also confused about the pace. 1) Describe life over 1 day? 2) Describe", "I should: Turn it in to fiction-- add drama (but i'm very poor", "towards No) B) I was also confused about the pace. 1) Describe life", "Problem is: There is no conflict in my experience -- just a description", "in to fiction-- add drama (but i'm very poor at fiction, so im", "a description of what a lovely life it was. A) I'm not sure", "dream come true of sorts! Problem is: There is no conflict in my", "leaning towards No) B) I was also confused about the pace. 1) Describe", "true of sorts! Problem is: There is no conflict in my experience --", "was 'write about the lovely experience at place X' was goal enough, but", "sure if I should: Turn it in to fiction-- add drama (but i'm", "-- just a description of what a lovely life it was. A) I'm", "what a lovely life it was. A) I'm not sure if I should:", "place X-- a place that is coveted by many people, a dream come", "place that is coveted by many people, a dream come true of sorts!", "come true of sorts! Problem is: There is no conflict in my experience", "many people, a dream come true of sorts! Problem is: There is no", "in my experience -- just a description of what a lovely life it", "life it was. A) I'm not sure if I should: Turn it in", "experience -- just a description of what a lovely life it was. A)", "at fiction, so im leaning towards No) B) I was also confused about", "is no conflict in my experience -- just a description of what a", "drama (but i'm very poor at fiction, so im leaning towards No) B)", "it in to fiction-- add drama (but i'm very poor at fiction, so", "about my experience at place X-- a place that is coveted by many", "X'* was goal enough, but I am struggling and it is hurting my", "of what a lovely life it was. A) I'm not sure if I", "not sure if I should: Turn it in to fiction-- add drama (but", "was. A) I'm not sure if I should: Turn it in to fiction--", "description of what a lovely life it was. A) I'm not sure if", "(faster paced) I thought my goal was 'write about the lovely experience at", "lovely experience at place X' was goal enough, but I am struggling and", "is coveted by many people, a dream come true of sorts! Problem is:", "no conflict in my experience -- just a description of what a lovely", "is: There is no conflict in my experience -- just a description of", "experience at place X-- a place that is coveted by many people, a", "thought my goal was 'write about the lovely experience at place X' was", "Turn it in to fiction-- add drama (but i'm very poor at fiction,", "about the pace. 1) Describe life over 1 day? 2) Describe life over", "people, a dream come true of sorts! Problem is: There is no conflict", "i'm very poor at fiction, so im leaning towards No) B) I was", "im leaning towards No) B) I was also confused about the pace. 1)", "paced) I thought my goal was 'write about the lovely experience at place", "add drama (but i'm very poor at fiction, so im leaning towards No)", "over months (faster paced) I thought my goal was 'write about the lovely", "by many people, a dream come true of sorts! Problem is: There is", "it was. A) I'm not sure if I should: Turn it in to", "(but i'm very poor at fiction, so im leaning towards No) B) I", "goal enough, but I am struggling and it is hurting my productivity. Thoughts?", "place X'* was goal enough, but I am struggling and it is hurting", "of sorts! Problem is: There is no conflict in my experience -- just", "I'm not sure if I should: Turn it in to fiction-- add drama", "to fiction-- add drama (but i'm very poor at fiction, so im leaning" ]
[ "a year she embarks on a ship, after seven months a major event", "this: child (introduction), teenager (starts training), after a year she embarks on a", "a ship, after seven months a major event happens, after 2 years she", "time lapse, but I didn't find one that helped. In my story I", "do. My protagonists timeline looks like this: child (introduction), teenager (starts training), after", "she embarks on a ship, after seven months a major event happens, after", "ship, after seven months a major event happens, after 2 years she leaves", "at a few questions regarding time lapse, but I didn't find one that", "My protagonists timeline looks like this: child (introduction), teenager (starts training), after a", "child (introduction), teenager (starts training), after a year she embarks on a ship,", "time, because nothing happens except her working or training. But I don't want", "(starts training), after a year she embarks on a ship, after seven months", "regarding time lapse, but I didn't find one that helped. In my story", "timeline looks like this: child (introduction), teenager (starts training), after a year she", "because they don't drive the plot, but of course write those that do.", "From that point time moves regularly. I skipped those periods of time, because", "event happens, after 2 years she leaves the ship. From that point time", "write those that do. My protagonists timeline looks like this: child (introduction), teenager", "like this: child (introduction), teenager (starts training), after a year she embarks on", "moves regularly. I skipped those periods of time, because nothing happens except her", "that do. My protagonists timeline looks like this: child (introduction), teenager (starts training),", "months a major event happens, after 2 years she leaves the ship. From", "In my story I skip parts of the life of my main character,", "happens except her working or training. But I don't want to appear lazy", "seven months a major event happens, after 2 years she leaves the ship.", "nothing happens except her working or training. But I don't want to appear", "(introduction), teenager (starts training), after a year she embarks on a ship, after", "story full of holes. So, to recap: how often can I use time", "of the life of my main character, because they don't drive the plot,", "time moves regularly. I skipped those periods of time, because nothing happens except", "my main character, because they don't drive the plot, but of course write", "but I didn't find one that helped. In my story I skip parts", "that helped. In my story I skip parts of the life of my", "the impression of a story full of holes. So, to recap: how often", "helped. In my story I skip parts of the life of my main", "I skipped those periods of time, because nothing happens except her working or", "I don't want to appear lazy or give the impression of a story", "the ship. From that point time moves regularly. I skipped those periods of", "training. But I don't want to appear lazy or give the impression of", "parts of the life of my main character, because they don't drive the", "give the impression of a story full of holes. So, to recap: how", "skip parts of the life of my main character, because they don't drive", "I looked at a few questions regarding time lapse, but I didn't find", "leaves the ship. From that point time moves regularly. I skipped those periods", "holes. So, to recap: how often can I use time lapse without it", "lazy or give the impression of a story full of holes. So, to", "the life of my main character, because they don't drive the plot, but", "or training. But I don't want to appear lazy or give the impression", "of time, because nothing happens except her working or training. But I don't", "those that do. My protagonists timeline looks like this: child (introduction), teenager (starts", "don't want to appear lazy or give the impression of a story full", "happens, after 2 years she leaves the ship. From that point time moves", "lapse, but I didn't find one that helped. In my story I skip", "ship. From that point time moves regularly. I skipped those periods of time,", "that point time moves regularly. I skipped those periods of time, because nothing", "on a ship, after seven months a major event happens, after 2 years", "to appear lazy or give the impression of a story full of holes.", "skipped those periods of time, because nothing happens except her working or training.", "after seven months a major event happens, after 2 years she leaves the", "teenager (starts training), after a year she embarks on a ship, after seven", "one that helped. In my story I skip parts of the life of", "protagonists timeline looks like this: child (introduction), teenager (starts training), after a year", "didn't find one that helped. In my story I skip parts of the", "major event happens, after 2 years she leaves the ship. From that point", "because nothing happens except her working or training. But I don't want to", "course write those that do. My protagonists timeline looks like this: child (introduction),", "drive the plot, but of course write those that do. My protagonists timeline", "regularly. I skipped those periods of time, because nothing happens except her working", "a few questions regarding time lapse, but I didn't find one that helped.", "those periods of time, because nothing happens except her working or training. But", "or give the impression of a story full of holes. So, to recap:", "years she leaves the ship. From that point time moves regularly. I skipped", "So, to recap: how often can I use time lapse without it getting", "a major event happens, after 2 years she leaves the ship. From that", "impression of a story full of holes. So, to recap: how often can", "of holes. So, to recap: how often can I use time lapse without", "of course write those that do. My protagonists timeline looks like this: child", "few questions regarding time lapse, but I didn't find one that helped. In", "want to appear lazy or give the impression of a story full of", "find one that helped. In my story I skip parts of the life", "looks like this: child (introduction), teenager (starts training), after a year she embarks", "2 years she leaves the ship. From that point time moves regularly. I", "I didn't find one that helped. In my story I skip parts of", "embarks on a ship, after seven months a major event happens, after 2", "of my main character, because they don't drive the plot, but of course", "main character, because they don't drive the plot, but of course write those", "questions regarding time lapse, but I didn't find one that helped. In my", "periods of time, because nothing happens except her working or training. But I", "story I skip parts of the life of my main character, because they", "But I don't want to appear lazy or give the impression of a", "training), after a year she embarks on a ship, after seven months a", "full of holes. So, to recap: how often can I use time lapse", "character, because they don't drive the plot, but of course write those that", "except her working or training. But I don't want to appear lazy or", "she leaves the ship. From that point time moves regularly. I skipped those", "year she embarks on a ship, after seven months a major event happens,", "but of course write those that do. My protagonists timeline looks like this:", "working or training. But I don't want to appear lazy or give the", "appear lazy or give the impression of a story full of holes. So,", "her working or training. But I don't want to appear lazy or give", "I skip parts of the life of my main character, because they don't", "don't drive the plot, but of course write those that do. My protagonists", "after 2 years she leaves the ship. From that point time moves regularly.", "to recap: how often can I use time lapse without it getting annoying?", "life of my main character, because they don't drive the plot, but of", "they don't drive the plot, but of course write those that do. My", "a story full of holes. So, to recap: how often can I use", "plot, but of course write those that do. My protagonists timeline looks like", "after a year she embarks on a ship, after seven months a major", "point time moves regularly. I skipped those periods of time, because nothing happens", "of a story full of holes. So, to recap: how often can I", "looked at a few questions regarding time lapse, but I didn't find one", "my story I skip parts of the life of my main character, because", "the plot, but of course write those that do. My protagonists timeline looks", "recap: how often can I use time lapse without it getting annoying? Thanks!" ]
[ "family, life, etc., yet they never come in contact with one another directly", "life, etc., yet they never come in contact with one another directly with", "before his service is over, and he ends up a casualty after a", "family for the rest of the book in order to portray that he", "of the conflict. Every primary character of the story has their own side", "currently writing a war story written from different perspectives on both sides of", "over, and he ends up a casualty after a stray bullet beheads him.", "called to active duty a few weeks after realizing that his child has", "of war within the way how the story is told in tangent with", "along those lines. I was planning to convey the tragedy of war within", "the conflict. Every primary character of the story has their own side story", "blown to bloody bits by a hand grenade or something along those lines.", "yet they never come in contact with one another directly with the exception", "weeks after realizing that his child has a terminal illness. Before he leaves,", "Every primary character of the story has their own side story with a", "characters is called to active duty a few weeks after realizing that his", "was planning to convey the tragedy of war within the way how the", "they never come in contact with one another directly with the exception of", "put emphasis on a character's death, so to do so I was thinking", "the characters is called to active duty a few weeks after realizing that", "surviving family for the rest of the book in order to portray that", "realizing that his child has a terminal illness. Before he leaves, he makes", "writing a war story written from different perspectives on both sides of the", "bloody bits by a hand grenade or something along those lines. I was", "so to do so I was thinking of ending their specific story the", "one of the characters is called to active duty a few weeks after", "that he will return. His camp is ambushed by the opposing army a", "leaves, he makes a promise to the child that he will return. His", "the way how the story is told in tangent with the content. Example:", "rest of the book in order to portray that he really is dead.", "Say one of the characters is called to active duty a few weeks", "The story never returns to his surviving family for the rest of the", "a family, life, etc., yet they never come in contact with one another", "hand grenade or something along those lines. I was planning to convey the", "he ends up a casualty after a stray bullet beheads him. The story", "directly with the exception of the war itself. I also want to put", "is called to active duty a few weeks after realizing that his child", "has their own side story with a family, life, etc., yet they never", "up a casualty after a stray bullet beheads him. The story never returns", "written from different perspectives on both sides of the conflict. Every primary character", "so I was thinking of ending their specific story the moment they get", "both sides of the conflict. Every primary character of the story has their", "a promise to the child that he will return. His camp is ambushed", "perspectives on both sides of the conflict. Every primary character of the story", "in tangent with the content. Example: Say one of the characters is called", "am currently writing a war story written from different perspectives on both sides", "child that he will return. His camp is ambushed by the opposing army", "was thinking of ending their specific story the moment they get blown to", "their specific story the moment they get blown to bloody bits by a", "return. His camp is ambushed by the opposing army a few weeks before", "to his surviving family for the rest of the book in order to", "the opposing army a few weeks before his service is over, and he", "conflict. Every primary character of the story has their own side story with", "told in tangent with the content. Example: Say one of the characters is", "war itself. I also want to put emphasis on a character's death, so", "story the moment they get blown to bloody bits by a hand grenade", "a terminal illness. Before he leaves, he makes a promise to the child", "Example: Say one of the characters is called to active duty a few", "war within the way how the story is told in tangent with the", "duty a few weeks after realizing that his child has a terminal illness.", "thinking of ending their specific story the moment they get blown to bloody", "etc., yet they never come in contact with one another directly with the", "story with a family, life, etc., yet they never come in contact with", "in contact with one another directly with the exception of the war itself.", "those lines. I was planning to convey the tragedy of war within the", "on a character's death, so to do so I was thinking of ending", "he makes a promise to the child that he will return. His camp", "ends up a casualty after a stray bullet beheads him. The story never", "also want to put emphasis on a character's death, so to do so", "do so I was thinking of ending their specific story the moment they", "I also want to put emphasis on a character's death, so to do", "I was thinking of ending their specific story the moment they get blown", "I was planning to convey the tragedy of war within the way how", "he will return. His camp is ambushed by the opposing army a few", "promise to the child that he will return. His camp is ambushed by", "a stray bullet beheads him. The story never returns to his surviving family", "emphasis on a character's death, so to do so I was thinking of", "different perspectives on both sides of the conflict. Every primary character of the", "how the story is told in tangent with the content. Example: Say one", "beheads him. The story never returns to his surviving family for the rest", "character's death, so to do so I was thinking of ending their specific", "of the war itself. I also want to put emphasis on a character's", "of ending their specific story the moment they get blown to bloody bits", "of the characters is called to active duty a few weeks after realizing", "tangent with the content. Example: Say one of the characters is called to", "sides of the conflict. Every primary character of the story has their own", "army a few weeks before his service is over, and he ends up", "to convey the tragedy of war within the way how the story is", "active duty a few weeks after realizing that his child has a terminal", "the rest of the book in order to portray that he really is", "with the exception of the war itself. I also want to put emphasis", "and he ends up a casualty after a stray bullet beheads him. The", "they get blown to bloody bits by a hand grenade or something along", "the moment they get blown to bloody bits by a hand grenade or", "by a hand grenade or something along those lines. I was planning to", "he leaves, he makes a promise to the child that he will return.", "camp is ambushed by the opposing army a few weeks before his service", "His camp is ambushed by the opposing army a few weeks before his", "a character's death, so to do so I was thinking of ending their", "the war itself. I also want to put emphasis on a character's death,", "the child that he will return. His camp is ambushed by the opposing", "by the opposing army a few weeks before his service is over, and", "is over, and he ends up a casualty after a stray bullet beheads", "with a family, life, etc., yet they never come in contact with one", "with one another directly with the exception of the war itself. I also", "one another directly with the exception of the war itself. I also want", "war story written from different perspectives on both sides of the conflict. Every", "for the rest of the book in order to portray that he really", "their own side story with a family, life, etc., yet they never come", "contact with one another directly with the exception of the war itself. I", "few weeks after realizing that his child has a terminal illness. Before he", "to put emphasis on a character's death, so to do so I was", "few weeks before his service is over, and he ends up a casualty", "within the way how the story is told in tangent with the content.", "is told in tangent with the content. Example: Say one of the characters", "a few weeks after realizing that his child has a terminal illness. Before", "ambushed by the opposing army a few weeks before his service is over,", "makes a promise to the child that he will return. His camp is", "grenade or something along those lines. I was planning to convey the tragedy", "tragedy of war within the way how the story is told in tangent", "moment they get blown to bloody bits by a hand grenade or something", "get blown to bloody bits by a hand grenade or something along those", "ending their specific story the moment they get blown to bloody bits by", "something along those lines. I was planning to convey the tragedy of war", "planning to convey the tragedy of war within the way how the story", "terminal illness. Before he leaves, he makes a promise to the child that", "a few weeks before his service is over, and he ends up a", "to the child that he will return. His camp is ambushed by the", "side story with a family, life, etc., yet they never come in contact", "to active duty a few weeks after realizing that his child has a", "story written from different perspectives on both sides of the conflict. Every primary", "of the story has their own side story with a family, life, etc.,", "exception of the war itself. I also want to put emphasis on a", "convey the tragedy of war within the way how the story is told", "opposing army a few weeks before his service is over, and he ends", "death, so to do so I was thinking of ending their specific story", "the exception of the war itself. I also want to put emphasis on", "another directly with the exception of the war itself. I also want to", "bits by a hand grenade or something along those lines. I was planning", "him. The story never returns to his surviving family for the rest of", "his service is over, and he ends up a casualty after a stray", "specific story the moment they get blown to bloody bits by a hand", "his child has a terminal illness. Before he leaves, he makes a promise", "itself. I also want to put emphasis on a character's death, so to", "weeks before his service is over, and he ends up a casualty after", "from different perspectives on both sides of the conflict. Every primary character of", "story has their own side story with a family, life, etc., yet they", "character of the story has their own side story with a family, life,", "that his child has a terminal illness. Before he leaves, he makes a", "to bloody bits by a hand grenade or something along those lines. I", "a casualty after a stray bullet beheads him. The story never returns to", "the tragedy of war within the way how the story is told in", "returns to his surviving family for the rest of the book in order", "after realizing that his child has a terminal illness. Before he leaves, he", "his surviving family for the rest of the book in order to portray", "will return. His camp is ambushed by the opposing army a few weeks", "primary character of the story has their own side story with a family,", "service is over, and he ends up a casualty after a stray bullet", "casualty after a stray bullet beheads him. The story never returns to his", "own side story with a family, life, etc., yet they never come in", "the story has their own side story with a family, life, etc., yet", "the content. Example: Say one of the characters is called to active duty", "after a stray bullet beheads him. The story never returns to his surviving", "stray bullet beheads him. The story never returns to his surviving family for", "a hand grenade or something along those lines. I was planning to convey", "or something along those lines. I was planning to convey the tragedy of", "lines. I was planning to convey the tragedy of war within the way", "the story is told in tangent with the content. Example: Say one of", "with the content. Example: Say one of the characters is called to active", "never come in contact with one another directly with the exception of the", "illness. Before he leaves, he makes a promise to the child that he", "is ambushed by the opposing army a few weeks before his service is", "has a terminal illness. Before he leaves, he makes a promise to the", "on both sides of the conflict. Every primary character of the story has", "bullet beheads him. The story never returns to his surviving family for the", "story never returns to his surviving family for the rest of the book", "I am currently writing a war story written from different perspectives on both", "Before he leaves, he makes a promise to the child that he will", "want to put emphasis on a character's death, so to do so I", "to do so I was thinking of ending their specific story the moment", "content. Example: Say one of the characters is called to active duty a", "way how the story is told in tangent with the content. Example: Say", "child has a terminal illness. Before he leaves, he makes a promise to", "story is told in tangent with the content. Example: Say one of the", "never returns to his surviving family for the rest of the book in", "a war story written from different perspectives on both sides of the conflict.", "come in contact with one another directly with the exception of the war" ]
[ "questions over at World Building SE I noticed that people had chosen specifical", "be clear that it's pretty cold, that's it. Am I mistaking? Is it", "temperature), but I didn't choose a year cicle being 33 days long or", "gain some insight already thanks to [How much detail is too much?](https://writers.stackexchange.com/questions/26211/how-much-detail-is-too-much), but", "is believable. I thought it didn't really add anything of value to the", "precisely. I did think about the key elements of such a place (wind,", "it better to explain a setting meticulously or stick to the main elements", "a setting meticulously or stick to the main elements to make the setting", "-25°C or -30°C, it should be clear that it's pretty cold, that's it.", "aren't bound to a particular scene. I was searching for some information on", "too much?](https://writers.stackexchange.com/questions/26211/how-much-detail-is-too-much), but I still need a more precise answer, because my details", "to [How much detail is too much?](https://writers.stackexchange.com/questions/26211/how-much-detail-is-too-much), but I still need a more", "Am I mistaking? Is it better to explain a setting meticulously or stick", "bound to a particular scene. I was searching for some information on tidally", "world that is believable. I thought it didn't really add anything of value", "that's it. Am I mistaking? Is it better to explain a setting meticulously", "didn't choose a year cicle being 33 days long or something. My story", "My story is a fantasy, with magic and weird creatures, so it doesn't", "cold, that's it. Am I mistaking? Is it better to explain a setting", "really add anything of value to the story if a place is -25°C", "magic and weird creatures, so it doesn't have to be completely scientific, but", "specifical temperatures, days per year, etc, whereas I never even thought about building", "value to the story if a place is -25°C or -30°C, it should", "choose a year cicle being 33 days long or something. My story is", "already thanks to [How much detail is too much?](https://writers.stackexchange.com/questions/26211/how-much-detail-is-too-much), but I still need", "creatures, so it doesn't have to be completely scientific, but I still want", "the story) and while looking at the questions over at World Building SE", "mistaking? Is it better to explain a setting meticulously or stick to the", "if a place is -25°C or -30°C, it should be clear that it's", "I was searching for some information on tidally locked planets (my setting for", "I thought it didn't really add anything of value to the story if", "my details aren't bound to a particular scene. I was searching for some", "planets (my setting for the story) and while looking at the questions over", "even thought about building the world so precisely. I did think about the", "never even thought about building the world so precisely. I did think about", "33 days long or something. My story is a fantasy, with magic and", "completely scientific, but I still want a world that is believable. I thought", "searching for some information on tidally locked planets (my setting for the story)", "thought about building the world so precisely. I did think about the key", "a more precise answer, because my details aren't bound to a particular scene.", "much?](https://writers.stackexchange.com/questions/26211/how-much-detail-is-too-much), but I still need a more precise answer, because my details aren't", "I mistaking? Is it better to explain a setting meticulously or stick to", "being 33 days long or something. My story is a fantasy, with magic", "people had chosen specifical temperatures, days per year, etc, whereas I never even", "able to gain some insight already thanks to [How much detail is too", "no day-night, temperature), but I didn't choose a year cicle being 33 days", "details aren't bound to a particular scene. I was searching for some information", "was able to gain some insight already thanks to [How much detail is", "it's pretty cold, that's it. Am I mistaking? Is it better to explain", "to gain some insight already thanks to [How much detail is too much?](https://writers.stackexchange.com/questions/26211/how-much-detail-is-too-much),", "I still want a world that is believable. I thought it didn't really", "I never even thought about building the world so precisely. I did think", "the key elements of such a place (wind, no day-night, temperature), but I", "the questions over at World Building SE I noticed that people had chosen", "a world that is believable. I thought it didn't really add anything of", "story if a place is -25°C or -30°C, it should be clear that", "it should be clear that it's pretty cold, that's it. Am I mistaking?", "long or something. My story is a fantasy, with magic and weird creatures,", "for the story) and while looking at the questions over at World Building", "whereas I never even thought about building the world so precisely. I did", "about building the world so precisely. I did think about the key elements", "chosen specifical temperatures, days per year, etc, whereas I never even thought about", "did think about the key elements of such a place (wind, no day-night,", "but I didn't choose a year cicle being 33 days long or something.", "I didn't choose a year cicle being 33 days long or something. My", "I did think about the key elements of such a place (wind, no", "place is -25°C or -30°C, it should be clear that it's pretty cold,", "particular scene. I was searching for some information on tidally locked planets (my", "more precise answer, because my details aren't bound to a particular scene. I", "detail is too much?](https://writers.stackexchange.com/questions/26211/how-much-detail-is-too-much), but I still need a more precise answer, because", "doesn't have to be completely scientific, but I still want a world that", "year cicle being 33 days long or something. My story is a fantasy,", "didn't really add anything of value to the story if a place is", "meticulously or stick to the main elements to make the setting more believable?", "information on tidally locked planets (my setting for the story) and while looking", "add anything of value to the story if a place is -25°C or", "a year cicle being 33 days long or something. My story is a", "to be completely scientific, but I still want a world that is believable.", "the story if a place is -25°C or -30°C, it should be clear", "a place is -25°C or -30°C, it should be clear that it's pretty", "think about the key elements of such a place (wind, no day-night, temperature),", "and weird creatures, so it doesn't have to be completely scientific, but I", "such a place (wind, no day-night, temperature), but I didn't choose a year", "that it's pretty cold, that's it. Am I mistaking? Is it better to", "the world so precisely. I did think about the key elements of such", "(my setting for the story) and while looking at the questions over at", "temperatures, days per year, etc, whereas I never even thought about building the", "anything of value to the story if a place is -25°C or -30°C,", "tidally locked planets (my setting for the story) and while looking at the", "believable. I thought it didn't really add anything of value to the story", "per year, etc, whereas I never even thought about building the world so", "pretty cold, that's it. Am I mistaking? Is it better to explain a", "to explain a setting meticulously or stick to the main elements to make", "Building SE I noticed that people had chosen specifical temperatures, days per year,", "place (wind, no day-night, temperature), but I didn't choose a year cicle being", "but I still want a world that is believable. I thought it didn't", "cicle being 33 days long or something. My story is a fantasy, with", "[How much detail is too much?](https://writers.stackexchange.com/questions/26211/how-much-detail-is-too-much), but I still need a more precise", "is a fantasy, with magic and weird creatures, so it doesn't have to", "elements of such a place (wind, no day-night, temperature), but I didn't choose", "for some information on tidally locked planets (my setting for the story) and", "some insight already thanks to [How much detail is too much?](https://writers.stackexchange.com/questions/26211/how-much-detail-is-too-much), but I", "key elements of such a place (wind, no day-night, temperature), but I didn't", "still need a more precise answer, because my details aren't bound to a", "over at World Building SE I noticed that people had chosen specifical temperatures,", "about the key elements of such a place (wind, no day-night, temperature), but", "a particular scene. I was searching for some information on tidally locked planets", "of value to the story if a place is -25°C or -30°C, it", "etc, whereas I never even thought about building the world so precisely. I", "noticed that people had chosen specifical temperatures, days per year, etc, whereas I", "of such a place (wind, no day-night, temperature), but I didn't choose a", "better to explain a setting meticulously or stick to the main elements to", "but I still need a more precise answer, because my details aren't bound", "precise answer, because my details aren't bound to a particular scene. I was", "be completely scientific, but I still want a world that is believable. I", "or -30°C, it should be clear that it's pretty cold, that's it. Am", "it. Am I mistaking? Is it better to explain a setting meticulously or", "days long or something. My story is a fantasy, with magic and weird", "Is it better to explain a setting meticulously or stick to the main", "locked planets (my setting for the story) and while looking at the questions", "so it doesn't have to be completely scientific, but I still want a", "it didn't really add anything of value to the story if a place", "setting for the story) and while looking at the questions over at World", "I still need a more precise answer, because my details aren't bound to", "at the questions over at World Building SE I noticed that people had", "on tidally locked planets (my setting for the story) and while looking at", "at World Building SE I noticed that people had chosen specifical temperatures, days", "much detail is too much?](https://writers.stackexchange.com/questions/26211/how-much-detail-is-too-much), but I still need a more precise answer,", "some information on tidally locked planets (my setting for the story) and while", "a fantasy, with magic and weird creatures, so it doesn't have to be", "with magic and weird creatures, so it doesn't have to be completely scientific,", "SE I noticed that people had chosen specifical temperatures, days per year, etc,", "so precisely. I did think about the key elements of such a place", "want a world that is believable. I thought it didn't really add anything", "insight already thanks to [How much detail is too much?](https://writers.stackexchange.com/questions/26211/how-much-detail-is-too-much), but I still", "or something. My story is a fantasy, with magic and weird creatures, so", "explain a setting meticulously or stick to the main elements to make the", "should be clear that it's pretty cold, that's it. Am I mistaking? Is", "thought it didn't really add anything of value to the story if a", "to the story if a place is -25°C or -30°C, it should be", "looking at the questions over at World Building SE I noticed that people", "need a more precise answer, because my details aren't bound to a particular", "answer, because my details aren't bound to a particular scene. I was searching", "(wind, no day-night, temperature), but I didn't choose a year cicle being 33", "while looking at the questions over at World Building SE I noticed that", "is too much?](https://writers.stackexchange.com/questions/26211/how-much-detail-is-too-much), but I still need a more precise answer, because my", "a place (wind, no day-night, temperature), but I didn't choose a year cicle", "story) and while looking at the questions over at World Building SE I", "because my details aren't bound to a particular scene. I was searching for", "still want a world that is believable. I thought it didn't really add", "scene. I was searching for some information on tidally locked planets (my setting", "weird creatures, so it doesn't have to be completely scientific, but I still", "thanks to [How much detail is too much?](https://writers.stackexchange.com/questions/26211/how-much-detail-is-too-much), but I still need a", "that people had chosen specifical temperatures, days per year, etc, whereas I never", "have to be completely scientific, but I still want a world that is", "it doesn't have to be completely scientific, but I still want a world", "that is believable. I thought it didn't really add anything of value to", "world so precisely. I did think about the key elements of such a", "was searching for some information on tidally locked planets (my setting for the", "I noticed that people had chosen specifical temperatures, days per year, etc, whereas", "to a particular scene. I was searching for some information on tidally locked", "I was able to gain some insight already thanks to [How much detail", "had chosen specifical temperatures, days per year, etc, whereas I never even thought", "days per year, etc, whereas I never even thought about building the world", "setting meticulously or stick to the main elements to make the setting more", "story is a fantasy, with magic and weird creatures, so it doesn't have", "building the world so precisely. I did think about the key elements of", "clear that it's pretty cold, that's it. Am I mistaking? Is it better", "World Building SE I noticed that people had chosen specifical temperatures, days per", "is -25°C or -30°C, it should be clear that it's pretty cold, that's", "and while looking at the questions over at World Building SE I noticed", "scientific, but I still want a world that is believable. I thought it", "fantasy, with magic and weird creatures, so it doesn't have to be completely", "-30°C, it should be clear that it's pretty cold, that's it. Am I", "year, etc, whereas I never even thought about building the world so precisely.", "day-night, temperature), but I didn't choose a year cicle being 33 days long", "something. My story is a fantasy, with magic and weird creatures, so it" ]
[ "negation of the thesis as the second stage in the process of dialectical", "in a setting. I understand the definition: > > NOUN > > >", "or something else: > > > \"love is the antithesis of selfishness\" >", "things: > > > \"the antithesis between occult and rational mentalities\" > >", "> > > \"the antithesis between occult and rational mentalities\" > > >", "synonyms: contrast · opposition > > > •a rhetorical or literary device in", "or contrast of ideas is expressed. > > > \"figures of speech such", "synonyms: (direct) opposite · converse · reverse · reversal · inverse · obverse", "> NOUN > > > 1.a person or thing that is the direct", "direct opposite of someone or something else: > > > \"love is the", "Compare with synthesis. > > > But not how one is used or", "second stage in the process of dialectical reasoning. Compare with synthesis. > >", "> > •a rhetorical or literary device in which an opposition or contrast", "the negation of the thesis as the second stage in the process of", "expressed. > > > \"figures of speech such as antithesis\" · > [more]", "•a contrast or opposition between two things: > > > \"the antithesis between", "I understand the definition: > > NOUN > > > 1.a person or", "of dialectical reasoning. Compare with synthesis. > > > But not how one", "the second stage in the process of dialectical reasoning. Compare with synthesis. >", "> \"the antithesis between occult and rational mentalities\" > > > synonyms: contrast", "1.a person or thing that is the direct opposite of someone or something", "antithesis of selfishness\" > > > synonyms: (direct) opposite · converse · reverse", "as the second stage in the process of dialectical reasoning. Compare with synthesis.", "something else: > > > \"love is the antithesis of selfishness\" > >", "\"love is the antithesis of selfishness\" > > > synonyms: (direct) opposite ·", "> [more] > > > •a contrast or opposition between two things: >", "> > > \"figures of speech such as antithesis\" · > [more] >", "> \"love is the antithesis of selfishness\" > > > synonyms: (direct) opposite", "contrast of ideas is expressed. > > > \"figures of speech such as", "> > > 2.(in Hegelian philosophy) the negation of the thesis as the", "> [more] > > > 2.(in Hegelian philosophy) the negation of the thesis", "and rational mentalities\" > > > synonyms: contrast · opposition > > >", "opposition or contrast of ideas is expressed. > > > \"figures of speech", "ideas is expressed. > > > \"figures of speech such as antithesis\" ·", "•a rhetorical or literary device in which an opposition or contrast of ideas", "the thesis as the second stage in the process of dialectical reasoning. Compare", "> > But not how one is used or portrayed, particularly in creative", "of speech such as antithesis\" · > [more] > > > 2.(in Hegelian", "> > > But not how one is used or portrayed, particularly in", "literary device in which an opposition or contrast of ideas is expressed. >", "> synonyms: (direct) opposite · converse · reverse · reversal · inverse ·", "definition: > > NOUN > > > 1.a person or thing that is", "is expressed. > > > \"figures of speech such as antithesis\" · >", "such as antithesis\" · > [more] > > > 2.(in Hegelian philosophy) the", "of the thesis as the second stage in the process of dialectical reasoning.", "· inverse · obverse · > [more] > > > •a contrast or", "\"figures of speech such as antithesis\" · > [more] > > > 2.(in", "· obverse · > [more] > > > •a contrast or opposition between", "selfishness\" > > > synonyms: (direct) opposite · converse · reverse · reversal", "an antithesis in a setting. I understand the definition: > > NOUN >", "device in which an opposition or contrast of ideas is expressed. > >", "person or thing that is the direct opposite of someone or something else:", "reversal · inverse · obverse · > [more] > > > •a contrast", "between two things: > > > \"the antithesis between occult and rational mentalities\"", "opposite of someone or something else: > > > \"love is the antithesis", "> \"figures of speech such as antithesis\" · > [more] > > >", "> > 1.a person or thing that is the direct opposite of someone", "of someone or something else: > > > \"love is the antithesis of", "rhetorical or literary device in which an opposition or contrast of ideas is", "reasoning. Compare with synthesis. > > > But not how one is used", "struggling with how to present an antithesis in a setting. I understand the", "· reversal · inverse · obverse · > [more] > > > •a", "two things: > > > \"the antithesis between occult and rational mentalities\" >", "> > > •a rhetorical or literary device in which an opposition or", "· > [more] > > > 2.(in Hegelian philosophy) the negation of the", "process of dialectical reasoning. Compare with synthesis. > > > But not how", "with how to present an antithesis in a setting. I understand the definition:", "synthesis. > > > But not how one is used or portrayed, particularly", "· > [more] > > > •a contrast or opposition between two things:", "> > \"the antithesis between occult and rational mentalities\" > > > synonyms:", "between occult and rational mentalities\" > > > synonyms: contrast · opposition >", "· reverse · reversal · inverse · obverse · > [more] > >", "> > •a contrast or opposition between two things: > > > \"the", "> 1.a person or thing that is the direct opposite of someone or", "antithesis in a setting. I understand the definition: > > NOUN > >", "> > > \"love is the antithesis of selfishness\" > > > synonyms:", "or opposition between two things: > > > \"the antithesis between occult and", "mentalities\" > > > synonyms: contrast · opposition > > > •a rhetorical", "with synthesis. > > > But not how one is used or portrayed,", "that is the direct opposite of someone or something else: > > >", "understand the definition: > > NOUN > > > 1.a person or thing", "> > synonyms: contrast · opposition > > > •a rhetorical or literary", "> synonyms: contrast · opposition > > > •a rhetorical or literary device", "> > 2.(in Hegelian philosophy) the negation of the thesis as the second", "I'm struggling with how to present an antithesis in a setting. I understand", "> > > synonyms: (direct) opposite · converse · reverse · reversal ·", "of selfishness\" > > > synonyms: (direct) opposite · converse · reverse ·", "in which an opposition or contrast of ideas is expressed. > > >", "Hegelian philosophy) the negation of the thesis as the second stage in the", "> > > •a contrast or opposition between two things: > > >", "the antithesis of selfishness\" > > > synonyms: (direct) opposite · converse ·", "· opposition > > > •a rhetorical or literary device in which an", "as antithesis\" · > [more] > > > 2.(in Hegelian philosophy) the negation", "> > synonyms: (direct) opposite · converse · reverse · reversal · inverse", "else: > > > \"love is the antithesis of selfishness\" > > >", "stage in the process of dialectical reasoning. Compare with synthesis. > > >", "reverse · reversal · inverse · obverse · > [more] > > >", "> 2.(in Hegelian philosophy) the negation of the thesis as the second stage", "or thing that is the direct opposite of someone or something else: >", "thesis as the second stage in the process of dialectical reasoning. Compare with", "> But not how one is used or portrayed, particularly in creative or", "occult and rational mentalities\" > > > synonyms: contrast · opposition > >", "antithesis between occult and rational mentalities\" > > > synonyms: contrast · opposition", "(direct) opposite · converse · reverse · reversal · inverse · obverse ·", "opposite · converse · reverse · reversal · inverse · obverse · >", "a setting. I understand the definition: > > NOUN > > > 1.a", "an opposition or contrast of ideas is expressed. > > > \"figures of", "converse · reverse · reversal · inverse · obverse · > [more] >", "how to present an antithesis in a setting. I understand the definition: >", "contrast or opposition between two things: > > > \"the antithesis between occult", "is the direct opposite of someone or something else: > > > \"love", "opposition > > > •a rhetorical or literary device in which an opposition", "is the antithesis of selfishness\" > > > synonyms: (direct) opposite · converse", "NOUN > > > 1.a person or thing that is the direct opposite", "antithesis\" · > [more] > > > 2.(in Hegelian philosophy) the negation of", "But not how one is used or portrayed, particularly in creative or formal", "setting. I understand the definition: > > NOUN > > > 1.a person", "speech such as antithesis\" · > [more] > > > 2.(in Hegelian philosophy)", "2.(in Hegelian philosophy) the negation of the thesis as the second stage in", "to present an antithesis in a setting. I understand the definition: > >", "of ideas is expressed. > > > \"figures of speech such as antithesis\"", "not how one is used or portrayed, particularly in creative or formal writing?", "[more] > > > •a contrast or opposition between two things: > >", "or literary device in which an opposition or contrast of ideas is expressed.", "· converse · reverse · reversal · inverse · obverse · > [more]", "the definition: > > NOUN > > > 1.a person or thing that", "present an antithesis in a setting. I understand the definition: > > NOUN", "inverse · obverse · > [more] > > > •a contrast or opposition", "dialectical reasoning. Compare with synthesis. > > > But not how one is", "philosophy) the negation of the thesis as the second stage in the process", "thing that is the direct opposite of someone or something else: > >", "[more] > > > 2.(in Hegelian philosophy) the negation of the thesis as", "someone or something else: > > > \"love is the antithesis of selfishness\"", "in the process of dialectical reasoning. Compare with synthesis. > > > But", "> > \"figures of speech such as antithesis\" · > [more] > >", "> > > 1.a person or thing that is the direct opposite of", "\"the antithesis between occult and rational mentalities\" > > > synonyms: contrast ·", "which an opposition or contrast of ideas is expressed. > > > \"figures", "> > > synonyms: contrast · opposition > > > •a rhetorical or", "rational mentalities\" > > > synonyms: contrast · opposition > > > •a", "> > \"love is the antithesis of selfishness\" > > > synonyms: (direct)", "obverse · > [more] > > > •a contrast or opposition between two", "opposition between two things: > > > \"the antithesis between occult and rational", "contrast · opposition > > > •a rhetorical or literary device in which", "> •a rhetorical or literary device in which an opposition or contrast of", "the direct opposite of someone or something else: > > > \"love is", "the process of dialectical reasoning. Compare with synthesis. > > > But not", "> > NOUN > > > 1.a person or thing that is the", "> •a contrast or opposition between two things: > > > \"the antithesis" ]
[ "was sufficiently motivated to try to write chapter 1 with multiple characters (instead", "of one guy on a mountain) and with the use of dialog, and", "I introduced 'court intrigue.\" I groaned the whole time, but I did it.", "critique group, I was sufficiently motivated to try to write chapter 1 with", "I have asked writing groups to read the beginning, since this is what", "chapter 1 with multiple characters (instead of one guy on a mountain) and", "I have the first draft of the novel done. I am halfway through", "1. After attending a different/second writers' critique group, I was sufficiently motivated to", "best way to get feedback on these two alternate chapter 1's. I am", "my chapter 1. After attending a different/second writers' critique group, I was sufficiently", "an online site? this is very uncontrolled. Should I ask my family? They", "What resources would you recommend to compare two versions of a chapter? I", "give it time and trust my heart and save the other? What resources", "my family? They want to say what I want to hear. Should I", "attending a different/second writers' critique group, I was sufficiently motivated to try to", "find an online site? this is very uncontrolled. Should I ask my family?", "through the first revision. I have asked writing groups to read the beginning,", "time, but I did it. (I resisted adding any explosions.) I am now", "I find an online site? this is very uncontrolled. Should I ask my", "draft of the novel done. I am halfway through the first revision. I", "introduced 'court intrigue.\" I groaned the whole time, but I did it. (I", "ask/discuss some feedback I have gotten about my chapter 1. After attending a", "and save the other? What resources would you recommend to compare two versions", "any explosions.) I am now curious the best way to get feedback on", "guy on a mountain) and with the use of dialog, and I introduced", "the use of dialog, and I introduced 'court intrigue.\" I groaned the whole", "am halfway through the first revision. I have asked writing groups to read", "revision. I have asked writing groups to read the beginning, since this is", "Should I ask my family? They want to say what I want to", "and I introduced 'court intrigue.\" I groaned the whole time, but I did", "the other? What resources would you recommend to compare two versions of a", "chapter 1. After attending a different/second writers' critique group, I was sufficiently motivated", "I did it. (I resisted adding any explosions.) I am now curious the", "I ask my family? They want to say what I want to hear.", "most important. Should I find an online site? this is very uncontrolled. Should", "writing groups to read the beginning, since this is what must pop, for", "versions of a chapter? I am new to fiction. Edit: I have the", "They want to say what I want to hear. Should I just give", "halfway through the first revision. I have asked writing groups to read the", "with multiple characters (instead of one guy on a mountain) and with the", "site? this is very uncontrolled. Should I ask my family? They want to", "a mountain) and with the use of dialog, and I introduced 'court intrigue.\"", "adding any explosions.) I am now curious the best way to get feedback", "my heart and save the other? What resources would you recommend to compare", "done. I am halfway through the first revision. I have asked writing groups", "on these two alternate chapter 1's. I am told Chapter 1 is the", "1 is the most important. Should I find an online site? this is", "I just give it time and trust my heart and save the other?", "some feedback I have gotten about my chapter 1. After attending a different/second", "of dialog, and I introduced 'court intrigue.\" I groaned the whole time, but", "chapter 1's. I am told Chapter 1 is the most important. Should I", "it time and trust my heart and save the other? What resources would", "fiction. Edit: I have the first draft of the novel done. I am", "try to write chapter 1 with multiple characters (instead of one guy on", "intrigue.\" I groaned the whole time, but I did it. (I resisted adding", "curious the best way to get feedback on these two alternate chapter 1's.", "would you recommend to compare two versions of a chapter? I am new", "[Here](https://writers.stackexchange.com/questions/30652/group-think-and-least-common-denominator-in-writing-groups) I ask/discuss some feedback I have gotten about my chapter 1. After", "characters (instead of one guy on a mountain) and with the use of", "new to fiction. Edit: I have the first draft of the novel done.", "I have gotten about my chapter 1. After attending a different/second writers' critique", "recommend to compare two versions of a chapter? I am new to fiction.", "way to get feedback on these two alternate chapter 1's. I am told", "online site? this is very uncontrolled. Should I ask my family? They want", "(I resisted adding any explosions.) I am now curious the best way to", "dialog, and I introduced 'court intrigue.\" I groaned the whole time, but I", "Should I find an online site? this is very uncontrolled. Should I ask", "a different/second writers' critique group, I was sufficiently motivated to try to write", "these two alternate chapter 1's. I am told Chapter 1 is the most", "mountain) and with the use of dialog, and I introduced 'court intrigue.\" I", "to write chapter 1 with multiple characters (instead of one guy on a", "I am halfway through the first revision. I have asked writing groups to", "family? They want to say what I want to hear. Should I just", "I ask/discuss some feedback I have gotten about my chapter 1. After attending", "it. (I resisted adding any explosions.) I am now curious the best way", "novel done. I am halfway through the first revision. I have asked writing", "to fiction. Edit: I have the first draft of the novel done. I", "use of dialog, and I introduced 'court intrigue.\" I groaned the whole time,", "(instead of one guy on a mountain) and with the use of dialog,", "resources would you recommend to compare two versions of a chapter? I am", "about my chapter 1. After attending a different/second writers' critique group, I was", "hear. Should I just give it time and trust my heart and save", "want to say what I want to hear. Should I just give it", "say what I want to hear. Should I just give it time and", "resisted adding any explosions.) I am now curious the best way to get", "other? What resources would you recommend to compare two versions of a chapter?", "is very uncontrolled. Should I ask my family? They want to say what", "Chapter 1 is the most important. Should I find an online site? this", "am new to fiction. Edit: I have the first draft of the novel", "I was sufficiently motivated to try to write chapter 1 with multiple characters", "asked writing groups to read the beginning, since this is what must pop,", "first draft of the novel done. I am halfway through the first revision.", "have asked writing groups to read the beginning, since this is what must", "save the other? What resources would you recommend to compare two versions of", "very uncontrolled. Should I ask my family? They want to say what I", "what I want to hear. Should I just give it time and trust", "just give it time and trust my heart and save the other? What", "writers' critique group, I was sufficiently motivated to try to write chapter 1", "After attending a different/second writers' critique group, I was sufficiently motivated to try", "and with the use of dialog, and I introduced 'court intrigue.\" I groaned", "the whole time, but I did it. (I resisted adding any explosions.) I", "multiple characters (instead of one guy on a mountain) and with the use", "important. Should I find an online site? this is very uncontrolled. Should I", "am now curious the best way to get feedback on these two alternate", "now curious the best way to get feedback on these two alternate chapter", "told Chapter 1 is the most important. Should I find an online site?", "the first revision. I have asked writing groups to read the beginning, since", "motivated to try to write chapter 1 with multiple characters (instead of one", "ask my family? They want to say what I want to hear. Should", "groaned the whole time, but I did it. (I resisted adding any explosions.)", "'court intrigue.\" I groaned the whole time, but I did it. (I resisted", "alternate chapter 1's. I am told Chapter 1 is the most important. Should", "did it. (I resisted adding any explosions.) I am now curious the best", "am told Chapter 1 is the most important. Should I find an online", "I am new to fiction. Edit: I have the first draft of the", "a chapter? I am new to fiction. Edit: I have the first draft", "to compare two versions of a chapter? I am new to fiction. Edit:", "the first draft of the novel done. I am halfway through the first", "feedback I have gotten about my chapter 1. After attending a different/second writers'", "uncontrolled. Should I ask my family? They want to say what I want", "on a mountain) and with the use of dialog, and I introduced 'court", "time and trust my heart and save the other? What resources would you", "and trust my heart and save the other? What resources would you recommend", "of a chapter? I am new to fiction. Edit: I have the first", "to get feedback on these two alternate chapter 1's. I am told Chapter", "with the use of dialog, and I introduced 'court intrigue.\" I groaned the", "but I did it. (I resisted adding any explosions.) I am now curious", "get feedback on these two alternate chapter 1's. I am told Chapter 1", "1 with multiple characters (instead of one guy on a mountain) and with", "I am now curious the best way to get feedback on these two", "1's. I am told Chapter 1 is the most important. Should I find", "two versions of a chapter? I am new to fiction. Edit: I have", "to hear. Should I just give it time and trust my heart and", "write chapter 1 with multiple characters (instead of one guy on a mountain)", "heart and save the other? What resources would you recommend to compare two", "want to hear. Should I just give it time and trust my heart", "Should I just give it time and trust my heart and save the", "feedback on these two alternate chapter 1's. I am told Chapter 1 is", "I want to hear. Should I just give it time and trust my", "the novel done. I am halfway through the first revision. I have asked", "have gotten about my chapter 1. After attending a different/second writers' critique group,", "one guy on a mountain) and with the use of dialog, and I", "is the most important. Should I find an online site? this is very", "you recommend to compare two versions of a chapter? I am new to", "sufficiently motivated to try to write chapter 1 with multiple characters (instead of", "I groaned the whole time, but I did it. (I resisted adding any", "have the first draft of the novel done. I am halfway through the", "this is very uncontrolled. Should I ask my family? They want to say", "the most important. Should I find an online site? this is very uncontrolled.", "to try to write chapter 1 with multiple characters (instead of one guy", "explosions.) I am now curious the best way to get feedback on these", "compare two versions of a chapter? I am new to fiction. Edit: I", "chapter? I am new to fiction. Edit: I have the first draft of", "of the novel done. I am halfway through the first revision. I have", "I am told Chapter 1 is the most important. Should I find an", "groups to read the beginning, since this is what must pop, for readers.", "different/second writers' critique group, I was sufficiently motivated to try to write chapter", "the best way to get feedback on these two alternate chapter 1's. I", "two alternate chapter 1's. I am told Chapter 1 is the most important.", "Edit: I have the first draft of the novel done. I am halfway", "whole time, but I did it. (I resisted adding any explosions.) I am", "to say what I want to hear. Should I just give it time", "group, I was sufficiently motivated to try to write chapter 1 with multiple", "trust my heart and save the other? What resources would you recommend to", "gotten about my chapter 1. After attending a different/second writers' critique group, I", "first revision. I have asked writing groups to read the beginning, since this" ]
[ "I have a great idea of sentence (usually for a dialogue) and it", "I remove it (because the positive impression was actually momentary and I realized", "(some kind of \"remember your first laugh\" for any positive impression) or if", "good). So what to do? Does \"remember your first laugh\" can also kind", "Does \"remember your first laugh\" can also kind of be applied to this", "about it when I read devoid of any of the emotions of the", "next day(s) and it is just flat, cringey, contrived, life-less, or any other", "just flat, cringey, contrived, life-less, or any other negative/neutral impression. So I don't", "However, sometimes I read it again in the next day(s) and it is", "and it is just so nice, beautiful, epic, badass, powerful, or whatever other", "devoid of any of the emotions of the moment when I wrote it?", "to do? Does \"remember your first laugh\" can also kind of be applied", "know if I keep it (some kind of \"remember your first laugh\" for", "trust my inner editor's impression about it when I read devoid of any", "what to do? Does \"remember your first laugh\" can also kind of be", "if I keep it (some kind of \"remember your first laugh\" for any", "was actually momentary and I realized it's actually not that good). So what", "whatever other positive impression. However, sometimes I read it again in the next", "realized it's actually not that good). So what to do? Does \"remember your", "I trust my inner editor's impression about it when I read devoid of", "and I realized it's actually not that good). So what to do? Does", "I keep it (some kind of \"remember your first laugh\" for any positive", "So what to do? Does \"remember your first laugh\" can also kind of", "other negative/neutral impression. So I don't know if I keep it (some kind", "this or should I trust my inner editor's impression about it when I", "a great idea of sentence (usually for a dialogue) and it is just", "your first laugh\"* for any positive impression) or if I remove it (because", "remove it (because the positive impression was actually momentary and I realized it's", "your first laugh\" can also kind of be applied to this or should", "it is just so nice, beautiful, epic, badass, powerful, or whatever other positive", "don't know if I keep it (some kind of \"remember your first laugh\"", "my inner editor's impression about it when I read devoid of any of", "to this or should I trust my inner editor's impression about it when", "badass, powerful, or whatever other positive impression. However, sometimes I read it again", "impression about it when I read devoid of any of the emotions of", "powerful, or whatever other positive impression. However, sometimes I read it again in", "inner editor's impression about it when I read devoid of any of the", "I read it again in the next day(s) and it is just flat,", "day(s) and it is just flat, cringey, contrived, life-less, or any other negative/neutral", "of be applied to this or should I trust my inner editor's impression", "positive impression) or if I remove it (because the positive impression was actually", "impression was actually momentary and I realized it's actually not that good). So", "applied to this or should I trust my inner editor's impression about it", "that good). So what to do? Does \"remember your first laugh\" can also", "just so nice, beautiful, epic, badass, powerful, or whatever other positive impression. However,", "\"remember your first laugh\" can also kind of be applied to this or", "(because the positive impression was actually momentary and I realized it's actually not", "read devoid of any of the emotions of the moment when I wrote", "So I don't know if I keep it (some kind of \"remember your", "it (because the positive impression was actually momentary and I realized it's actually", "can also kind of be applied to this or should I trust my", "should I trust my inner editor's impression about it when I read devoid", "or whatever other positive impression. However, sometimes I read it again in the", "I don't know if I keep it (some kind of \"remember your first", "cringey, contrived, life-less, or any other negative/neutral impression. So I don't know if", "of \"remember your first laugh\" for any positive impression) or if I remove", "it is just flat, cringey, contrived, life-less, or any other negative/neutral impression. So", "be applied to this or should I trust my inner editor's impression about", "or if I remove it (because the positive impression was actually momentary and", "again in the next day(s) and it is just flat, cringey, contrived, life-less,", "actually momentary and I realized it's actually not that good). So what to", "have a great idea of sentence (usually for a dialogue) and it is", "momentary and I realized it's actually not that good). So what to do?", "it when I read devoid of any of the emotions of the moment", "so nice, beautiful, epic, badass, powerful, or whatever other positive impression. However, sometimes", "I read devoid of any of the emotions of the moment when I", "contrived, life-less, or any other negative/neutral impression. So I don't know if I", "it (some kind of \"remember your first laugh\" for any positive impression) or", "flat, cringey, contrived, life-less, or any other negative/neutral impression. So I don't know", "keep it (some kind of \"remember your first laugh\" for any positive impression)", "not that good). So what to do? Does \"remember your first laugh\" can", "actually not that good). So what to do? Does \"remember your first laugh\"", "Sometimes I have a great idea of sentence (usually for a dialogue) and", "any positive impression) or if I remove it (because the positive impression was", "nice, beautiful, epic, badass, powerful, or whatever other positive impression. However, sometimes I", "laugh\"* for any positive impression) or if I remove it (because the positive", "is just so nice, beautiful, epic, badass, powerful, or whatever other positive impression.", "a dialogue) and it is just so nice, beautiful, epic, badass, powerful, or", "or any other negative/neutral impression. So I don't know if I keep it", "beautiful, epic, badass, powerful, or whatever other positive impression. However, sometimes I read", "and it is just flat, cringey, contrived, life-less, or any other negative/neutral impression.", "if I remove it (because the positive impression was actually momentary and I", "of sentence (usually for a dialogue) and it is just so nice, beautiful,", "the next day(s) and it is just flat, cringey, contrived, life-less, or any", "impression. So I don't know if I keep it (some kind of \"remember", "(usually for a dialogue) and it is just so nice, beautiful, epic, badass,", "also kind of be applied to this or should I trust my inner", "when I read devoid of any of the emotions of the moment when", "positive impression. However, sometimes I read it again in the next day(s) and", "life-less, or any other negative/neutral impression. So I don't know if I keep", "or should I trust my inner editor's impression about it when I read", "it's actually not that good). So what to do? Does \"remember your first", "epic, badass, powerful, or whatever other positive impression. However, sometimes I read it", "negative/neutral impression. So I don't know if I keep it (some kind of", "first laugh\" for any positive impression) or if I remove it (because the", "is just flat, cringey, contrived, life-less, or any other negative/neutral impression. So I", "any other negative/neutral impression. So I don't know if I keep it (some", "I realized it's actually not that good). So what to do? Does \"remember", "kind of \"remember your first laugh\" for any positive impression) or if I", "other positive impression. However, sometimes I read it again in the next day(s)", "sometimes I read it again in the next day(s) and it is just", "idea of sentence (usually for a dialogue) and it is just so nice,", "it again in the next day(s) and it is just flat, cringey, contrived,", "editor's impression about it when I read devoid of any of the emotions", "great idea of sentence (usually for a dialogue) and it is just so", "kind of be applied to this or should I trust my inner editor's", "impression) or if I remove it (because the positive impression was actually momentary", "for any positive impression) or if I remove it (because the positive impression", "impression. However, sometimes I read it again in the next day(s) and it", "read it again in the next day(s) and it is just flat, cringey,", "first laugh\" can also kind of be applied to this or should I", "for a dialogue) and it is just so nice, beautiful, epic, badass, powerful,", "the positive impression was actually momentary and I realized it's actually not that", "\"remember your first laugh\" for any positive impression) or if I remove it", "dialogue) and it is just so nice, beautiful, epic, badass, powerful, or whatever", "sentence (usually for a dialogue) and it is just so nice, beautiful, epic,", "positive impression was actually momentary and I realized it's actually not that good).", "laugh\" can also kind of be applied to this or should I trust", "in the next day(s) and it is just flat, cringey, contrived, life-less, or", "do? Does \"remember your first laugh\" can also kind of be applied to" ]
[ "you able to show crying in a text without using emoji or sentimentalism?", "are you able to show crying in a text without using emoji or", "How are you able to show crying in a text without using emoji" ]
[ "protagonists... and they still are given no description. I talked about this with", "later in the story used by the protagonists... and they still are given", "include the details that furthered the plot. I feel that these details are", "huts aren't given a discription. These huts are later in the story used", "still are given no description. I talked about this with the author, and", "said that they didn't feel that it was important; that it would just", "years of experience on me, though, so I'm hesitant to force my opinion", "~60k words. At one point in the first quarter, one of our protagonists", "given no description. I talked about this with the author, and they said", "while reading through it. He's got sixty years of experience on me, though,", "teens, with ~60k words. At one point in the first quarter, one of", "the protagonists... and they still are given no description. I talked about this", "they would only include the details that furthered the plot. I feel that", "plot - i.e. that they would only include the details that furthered the", "furthered the plot. I feel that these details are better to include; I", "that these details are better to include; I certainly noted the lack of", "it. He's got sixty years of experience on me, though, so I'm hesitant", "with unnecessary details that didn't further the plot - i.e. that they would", "didn't further the plot - i.e. that they would only include the details", "I certainly noted the lack of them while reading through it. He's got", "they said it was intentional. They said that they didn't feel that it", "with the author, and they said it was intentional. They said that they", "are better to include; I certainly noted the lack of them while reading", "it was intentional. They said that they didn't feel that it was important;", "are later in the story used by the protagonists... and they still are", "though, so I'm hesitant to force my opinion without knowing a little more", "The huts aren't given a discription. These huts are later in the story", "our protagonists comes across some huts. The huts aren't given a discription. These", "that it would just overwhelm the reader with unnecessary details that didn't further", "an adventure novel targeted at teens, with ~60k words. At one point in", "details that didn't further the plot - i.e. that they would only include", "that didn't further the plot - i.e. that they would only include the", "important; that it would just overwhelm the reader with unnecessary details that didn't", "got sixty years of experience on me, though, so I'm hesitant to force", "adventure novel targeted at teens, with ~60k words. At one point in the", "some huts. The huts aren't given a discription. These huts are later in", "it would just overwhelm the reader with unnecessary details that didn't further the", "lack of them while reading through it. He's got sixty years of experience", "would only include the details that furthered the plot. I feel that these", "know. It's an adventure novel targeted at teens, with ~60k words. At one", "given a discription. These huts are later in the story used by the", "I talked about this with the author, and they said it was intentional.", "huts. The huts aren't given a discription. These huts are later in the", "used by the protagonists... and they still are given no description. I talked", "story used by the protagonists... and they still are given no description. I", "They said that they didn't feel that it was important; that it would", "didn't feel that it was important; that it would just overwhelm the reader", "force my opinion without knowing a little more ;) Are such details necessary?", "feel that it was important; that it would just overwhelm the reader with", "feel that these details are better to include; I certainly noted the lack", "this with the author, and they said it was intentional. They said that", "for somebody I know. It's an adventure novel targeted at teens, with ~60k", "plot. I feel that these details are better to include; I certainly noted", "I'm hesitant to force my opinion without knowing a little more ;) Are", "quarter, one of our protagonists comes across some huts. The huts aren't given", "author, and they said it was intentional. They said that they didn't feel", "one point in the first quarter, one of our protagonists comes across some", "a discription. These huts are later in the story used by the protagonists...", "unnecessary details that didn't further the plot - i.e. that they would only", "one of our protagonists comes across some huts. The huts aren't given a", "only include the details that furthered the plot. I feel that these details", "experience on me, though, so I'm hesitant to force my opinion without knowing", "was important; that it would just overwhelm the reader with unnecessary details that", "through it. He's got sixty years of experience on me, though, so I'm", "words. At one point in the first quarter, one of our protagonists comes", "in the story used by the protagonists... and they still are given no", "At one point in the first quarter, one of our protagonists comes across", "talked about this with the author, and they said it was intentional. They", "sixty years of experience on me, though, so I'm hesitant to force my", "on me, though, so I'm hesitant to force my opinion without knowing a", "they didn't feel that it was important; that it would just overwhelm the", "they still are given no description. I talked about this with the author,", "details that furthered the plot. I feel that these details are better to", "to include; I certainly noted the lack of them while reading through it.", "noted the lack of them while reading through it. He's got sixty years", "them while reading through it. He's got sixty years of experience on me,", "of experience on me, though, so I'm hesitant to force my opinion without", "so I'm hesitant to force my opinion without knowing a little more ;)", "point in the first quarter, one of our protagonists comes across some huts.", "would just overwhelm the reader with unnecessary details that didn't further the plot", "discription. These huts are later in the story used by the protagonists... and", "said it was intentional. They said that they didn't feel that it was", "- i.e. that they would only include the details that furthered the plot.", "that they didn't feel that it was important; that it would just overwhelm", "of our protagonists comes across some huts. The huts aren't given a discription.", "it was important; that it would just overwhelm the reader with unnecessary details", "at teens, with ~60k words. At one point in the first quarter, one", "huts are later in the story used by the protagonists... and they still", "a novel for somebody I know. It's an adventure novel targeted at teens,", "and they still are given no description. I talked about this with the", "that furthered the plot. I feel that these details are better to include;", "I'm testreading a novel for somebody I know. It's an adventure novel targeted", "the details that furthered the plot. I feel that these details are better", "I feel that these details are better to include; I certainly noted the", "the first quarter, one of our protagonists comes across some huts. The huts", "the story used by the protagonists... and they still are given no description.", "the plot. I feel that these details are better to include; I certainly", "details are better to include; I certainly noted the lack of them while", "protagonists comes across some huts. The huts aren't given a discription. These huts", "It's an adventure novel targeted at teens, with ~60k words. At one point", "description. I talked about this with the author, and they said it was", "by the protagonists... and they still are given no description. I talked about", "novel targeted at teens, with ~60k words. At one point in the first", "reader with unnecessary details that didn't further the plot - i.e. that they", "intentional. They said that they didn't feel that it was important; that it", "further the plot - i.e. that they would only include the details that", "overwhelm the reader with unnecessary details that didn't further the plot - i.e.", "about this with the author, and they said it was intentional. They said", "these details are better to include; I certainly noted the lack of them", "in the first quarter, one of our protagonists comes across some huts. The", "hesitant to force my opinion without knowing a little more ;) Are such", "the author, and they said it was intentional. They said that they didn't", "I know. It's an adventure novel targeted at teens, with ~60k words. At", "He's got sixty years of experience on me, though, so I'm hesitant to", "of them while reading through it. He's got sixty years of experience on", "aren't given a discription. These huts are later in the story used by", "i.e. that they would only include the details that furthered the plot. I", "reading through it. He's got sixty years of experience on me, though, so", "to force my opinion without knowing a little more ;) Are such details", "certainly noted the lack of them while reading through it. He's got sixty", "the plot - i.e. that they would only include the details that furthered", "the reader with unnecessary details that didn't further the plot - i.e. that", "These huts are later in the story used by the protagonists... and they", "with ~60k words. At one point in the first quarter, one of our", "include; I certainly noted the lack of them while reading through it. He's", "are given no description. I talked about this with the author, and they", "and they said it was intentional. They said that they didn't feel that", "somebody I know. It's an adventure novel targeted at teens, with ~60k words.", "across some huts. The huts aren't given a discription. These huts are later", "was intentional. They said that they didn't feel that it was important; that", "me, though, so I'm hesitant to force my opinion without knowing a little", "first quarter, one of our protagonists comes across some huts. The huts aren't", "comes across some huts. The huts aren't given a discription. These huts are", "that it was important; that it would just overwhelm the reader with unnecessary", "novel for somebody I know. It's an adventure novel targeted at teens, with", "that they would only include the details that furthered the plot. I feel", "testreading a novel for somebody I know. It's an adventure novel targeted at", "better to include; I certainly noted the lack of them while reading through", "the lack of them while reading through it. He's got sixty years of", "just overwhelm the reader with unnecessary details that didn't further the plot -", "targeted at teens, with ~60k words. At one point in the first quarter,", "no description. I talked about this with the author, and they said it" ]
[ "I'm counting on having a shared title and a sub-title like this The", "in which one main story takes place so far. This will presumably be", "- The Universe - Title of /the focus of book 2 - I'm", "The Universe - Title of /the focus of book 2 - I'm unsure", "would classify as a sci-fi universe and it is mostly ours (on earth)", "most people on the planet. While writing the first book - still underways", "would be helpful or confusing to readers or fans of the works. If", "a shared title and a sub-title like this The Universe - Title of", "book classify as a sequel from the description I've given so far, or", "for some characters to reappear in the second, but there doesn't seem to", "write this - I've gotten an idea for another story in the same", "story in the same universe. These two books would share the slight twist", "in the second, but there doesn't seem to be a need for it.", "While writing the first book - still underways as I write this -", "quests, dilemmas and so on. So, would the second book classify as a", "another story in the same universe. These two books would share the slight", "like this The Universe - Title of /the focus of book 1 -", "1 - The Universe - Title of /the focus of book 2 -", "question, and I hope that's okay. 1. Would it classify as a sequel*", "Universe - Title of /the focus of book 2 - I'm unsure about", "of book 2 -* I'm unsure about whether this would be helpful or", "I'm unsure about whether this would be helpful or confusing to readers or", "far (The second book is only sketched out a bit), and I doubt", "from the description I've given so far, or would it be something else?", "far, or would it be something else? --- 2. Would a shared title", "will presumably be my first book. It would classify as a sci-fi universe", "or would it be something else? --- *2. Would a shared title be", "no characters, locations or plots, so far (The second book is only sketched", "twist could in fact simply be unknown to most people on the planet.", "shared title and a sub-title like this The Universe - Title of /the", "story takes place so far. This will presumably be my first book. It", "in theory, be possible for some characters to reappear in the second, but", "stories share no characters, locations or plots, so far (The second book is", "title and a sub-title like this The Universe - Title of /the focus", "probably change that. I guess an example comes to mind that is comparable;", "characters, locations or plots, so far (The second book is only sketched out", "It would classify as a sci-fi universe and it is mostly ours (on", "to be a need for it. The second book would explore other sides", "planet. While writing the first book - still underways as I write this", "the same universe. These two books would share the slight twist which makes", "on having a shared title and a sub-title like this The Universe -", "sequel I've created a 'universe' in which one main story takes place so", "unknown to most people on the planet. While writing the first book -", "characters to reappear in the second, but there doesn't seem to be a", "sci-fi universe and it is mostly ours (on earth) with a slight twist.", "which makes the universe unique, but the stories share no characters, locations or", "whether this would be helpful or confusing to readers or fans of the", "is a two-part question, and I hope that's okay. 1. Would it classify", "title be appropriate So far I'm counting on having a shared title and", "share the slight twist which makes the universe unique, but the stories share", "plots, so far (The second book is only sketched out a bit), and", "would share the slight twist which makes the universe unique, but the stories", "confusing to readers or fans of the works. If it makes it seem", "doesn't seem to be a need for it. The second book would explore", "earth) with a slight twist. The twist could in fact simply be unknown", "like a sequel even if it isn't, I would probably change that. I", "would probably change that. I guess an example comes to mind that is", "have the characters go through different quests, dilemmas and so on. So, would", "for another story in the same universe. These two books would share the", "- still underways as I write this - I've gotten an idea for", "description I've given so far, or would it be something else? --- 2.", "takes place so far. This will presumably be my first book. It would", "and I doubt they will. It would, in theory, be possible for some", "shared title be appropriate So far I'm counting on having a shared title", "a 'universe' in which one main story takes place so far. This will", "on the planet. While writing the first book - still underways as I", "gotten an idea for another story in the same universe. These two books", "These two books would share the slight twist which makes the universe unique,", "be a need for it. The second book would explore other sides of", "would, in theory, be possible for some characters to reappear in the second,", "a sci-fi universe and it is mostly ours (on earth) with a slight", "would the second book classify as a sequel from the description I've given", "so far. This will presumably be my first book. It would classify as", "I've gotten an idea for another story in the same universe. These two", "as a sequel** I've created a 'universe' in which one main story takes", "a sub-title like this The Universe - Title of /the focus of book", "- Title of /the focus of book 2 - I'm unsure about whether", "a two-part question, and I hope that's okay. 1. Would it classify as", "that. I guess an example comes to mind that is comparable; The Hobbit", "first book - still underways as I write this - I've gotten an", "fact simply be unknown to most people on the planet. While writing the", "there doesn't seem to be a need for it. The second book would", "to most people on the planet. While writing the first book - still", "for it. The second book would explore other sides of the universe and", "so far, or would it be something else? --- 2. Would a shared", "1. Would it classify as a sequel I've created a 'universe' in which", "and I hope that's okay. 1. Would it classify as a sequel** I've", "locations or plots, so far (The second book is only sketched out a", "first book. It would classify as a sci-fi universe and it is mostly", "makes the universe unique, but the stories share no characters, locations or plots,", "other sides of the universe and have the characters go through different quests,", "having a shared title and a sub-title like this The Universe - Title", "/the focus of book 1 - The Universe - Title of /the focus", "2 - I'm unsure about whether this would be helpful or confusing to", "still underways as I write this - I've gotten an idea for another", "and so on. *So, would the second book classify as a sequel from", "mostly ours (on earth) with a slight twist. The twist could in fact", "sequel even if it isn't, I would probably change that. I guess an", "share no characters, locations or plots, so far (The second book is only", "and it is mostly ours (on earth) with a slight twist. The twist", "the works. If it makes it seem like a sequel even if it", "writing the first book - still underways as I write this - I've", "it isn't, I would probably change that. I guess an example comes to", "a slight twist. The twist could in fact simply be unknown to most", "the universe unique, but the stories share no characters, locations or plots, so", "theory, be possible for some characters to reappear in the second, but there", "of /the focus of book 1 - The Universe - Title of /the", "is only sketched out a bit), and I doubt they will. It would,", "two-part question, and I hope that's okay.* 1. Would it classify as a", "second book is only sketched out a bit), and I doubt they will.", "on. So, would the second book classify as a sequel from the description", "idea for another story in the same universe. These two books would share", "in fact simply be unknown to most people on the planet. While writing", "even if it isn't, I would probably change that. I guess an example", "it be something else? --- 2. Would a shared title be appropriate** So", "sub-title like this The Universe - Title of /the focus of book 1", "as a sci-fi universe and it is mostly ours (on earth) with a", "about whether this would be helpful or confusing to readers or fans of", "far. This will presumably be my first book. It would classify as a", "focus of book 1 - The Universe - Title of /the focus of", "Title of /the focus of book 2 - I'm unsure about whether this", "of book 1 -* The Universe - Title of /the focus of book", "it is mostly ours (on earth) with a slight twist. The twist could", "a sequel* I've created a 'universe' in which one main story takes place", "slight twist which makes the universe unique, but the stories share no characters,", "The second book would explore other sides of the universe and have the", "the planet. While writing the first book - still underways as I write", "it classify as a sequel I've created a 'universe' in which one main", "dilemmas and so on. So, would the second book classify as a sequel", "second book classify as a sequel from the description I've given so far,", "fans of the works. If it makes it seem like a sequel even", "The twist could in fact simply be unknown to most people on the", "of the works. If it makes it seem like a sequel even if", "they will. It would, in theory, be possible for some characters to reappear", "be possible for some characters to reappear in the second, but there doesn't", "go through different quests, dilemmas and so on. So, would the second book", "through different quests, dilemmas and so on. So, would the second book classify", "is mostly ours (on earth) with a slight twist. The twist could in", "explore other sides of the universe and have the characters go through different", "of /the focus of book 2 -* I'm unsure about whether this would", "two books would share the slight twist which makes the universe unique, but", "presumably be my first book. It would classify as a sci-fi universe and", "classify as a sequel** I've created a 'universe' in which one main story", "sequel from the description I've given so far, or would it be something", "it seem like a sequel even if it isn't, I would probably change", "be my first book. It would classify as a sci-fi universe and it", "my first book. It would classify as a sci-fi universe and it is", "- Title of /the focus of book 1 -* The Universe - Title", "/the focus of book 2 - I'm unsure about whether this would be", "people on the planet. While writing the first book - still underways as", "simply be unknown to most people on the planet. While writing the first", "(The second book is only sketched out a bit), and I doubt they", "2. Would a shared title be appropriate So far I'm counting on having", "universe. These two books would share the slight twist which makes the universe", "an idea for another story in the same universe. These two books would", "bit), and I doubt they will. It would, in theory, be possible for", "some characters to reappear in the second, but there doesn't seem to be", "far I'm counting on having a shared title and a sub-title like this", "will. It would, in theory, be possible for some characters to reappear in", "seem to be a need for it. The second book would explore other", "Would it classify as a sequel I've created a 'universe' in which one", "sketched out a bit), and I doubt they will. It would, in theory,", "out a bit), and I doubt they will. It would, in theory, be", "- I've gotten an idea for another story in the same universe. These", "as a sequel from the description I've given so far, or would it", "helpful or confusing to readers or fans of the works. If it makes", "would explore other sides of the universe and have the characters go through", "same universe. These two books would share the slight twist which makes the", "or plots, so far (The second book is only sketched out a bit),", "book would explore other sides of the universe and have the characters go", "--- 2. Would a shared title be appropriate** So far I'm counting on", "book 2 -* I'm unsure about whether this would be helpful or confusing", "-* I'm unsure about whether this would be helpful or confusing to readers", "so far (The second book is only sketched out a bit), and I", "readers or fans of the works. If it makes it seem like a", "a sequel from the description I've given so far, or would it be", "could in fact simply be unknown to most people on the planet. While", "twist. The twist could in fact simply be unknown to most people on", "'universe' in which one main story takes place so far. This will presumably", "book - still underways as I write this - I've gotten an idea", "as I write this - I've gotten an idea for another story in", "I write this - I've gotten an idea for another story in the", "books would share the slight twist which makes the universe unique, but the", "and a sub-title like this The Universe - Title of /the focus of", "unsure about whether this would be helpful or confusing to readers or fans", "or fans of the works. If it makes it seem like a sequel", "be appropriate* So far I'm counting on having a shared title and a", "a bit), and I doubt they will. It would, in theory, be possible", "I guess an example comes to mind that is comparable; The Hobbit vs", "something else? --- 2. Would a shared title be appropriate So far I'm", "guess an example comes to mind that is comparable; The Hobbit vs LOTR.", "makes it seem like a sequel even if it isn't, I would probably", "universe and it is mostly ours (on earth) with a slight twist. The", "the first book - still underways as I write this - I've gotten", "but there doesn't seem to be a need for it. The second book", "it. The second book would explore other sides of the universe and have", "the universe and have the characters go through different quests, dilemmas and so", "It would, in theory, be possible for some characters to reappear in the", "So, would the second book classify as a sequel from the description I've", "if it isn't, I would probably change that. I guess an example comes", "else? --- 2. Would a shared title be appropriate So far I'm counting", "slight twist. The twist could in fact simply be unknown to most people", "Would a shared title be appropriate So far I'm counting on having a", "that's okay. 1. Would it classify as a sequel I've created a 'universe'", "it makes it seem like a sequel even if it isn't, I would", "this - I've gotten an idea for another story in the same universe.", "and have the characters go through different quests, dilemmas and so on. So,", "different quests, dilemmas and so on. *So, would the second book classify as", "a sequel even if it isn't, I would probably change that. I guess", "book 1 - The Universe - Title of /the focus of book 2", "focus of book 2 - I'm unsure about whether this would be helpful", "underways as I write this - I've gotten an idea for another story", "would it be something else? --- 2. Would a shared title be appropriate*", "The Universe - Title of /the focus of book 1 -* The Universe", "This is a two-part question, and I hope that's okay.* 1. Would it", "the characters go through different quests, dilemmas and so on. So, would the", "If it makes it seem like a sequel even if it isn't, I", "isn't, I would probably change that. I guess an example comes to mind", "main story takes place so far. This will presumably be my first book.", "only sketched out a bit), and I doubt they will. It would, in", "sides of the universe and have the characters go through different quests, dilemmas", "be unknown to most people on the planet. While writing the first book", "I've given so far, or would it be something else? --- 2. Would", "reappear in the second, but there doesn't seem to be a need for", "need for it. The second book would explore other sides of the universe", "classify as a sci-fi universe and it is mostly ours (on earth) with", "be something else? --- 2. Would a shared title be appropriate** So far", "works. If it makes it seem like a sequel even if it isn't,", "unique, but the stories share no characters, locations or plots, so far (The", "Title of /the focus of book 1 -* The Universe - Title of", "okay.* 1. Would it classify as a sequel I've created a 'universe' in", "I've created a 'universe' in which one main story takes place so far.", "created a 'universe' in which one main story takes place so far. This", "the slight twist which makes the universe unique, but the stories share no", "one main story takes place so far. This will presumably be my first", "with a slight twist. The twist could in fact simply be unknown to", "universe unique, but the stories share no characters, locations or plots, so far", "the second book classify as a sequel from the description I've given so", "the stories share no characters, locations or plots, so far (The second book", "book. It would classify as a sci-fi universe and it is mostly ours", "book is only sketched out a bit), and I doubt they will. It", "hope that's okay. 1. Would it classify as a sequel I've created a", "given so far, or would it be something else? --- 2. Would a", "but the stories share no characters, locations or plots, so far (The second", "This will presumably be my first book. It would classify as a sci-fi", "so on. So, would the second book classify as a sequel from the", "classify as a sequel from the description I've given so far, or would", "appropriate** So far I'm counting on having a shared title and a sub-title", "this would be helpful or confusing to readers or fans of the works.", "So far I'm counting on having a shared title and a sub-title like", "counting on having a shared title and a sub-title like this The Universe", "place so far. This will presumably be my first book. It would classify", "twist which makes the universe unique, but the stories share no characters, locations", "universe and have the characters go through different quests, dilemmas and so on.", "I doubt they will. It would, in theory, be possible for some characters", "characters go through different quests, dilemmas and so on. So, would the second", "(on earth) with a slight twist. The twist could in fact simply be", "which one main story takes place so far. This will presumably be my", "ours (on earth) with a slight twist. The twist could in fact simply", "a need for it. The second book would explore other sides of the", "I would probably change that. I guess an example comes to mind that", "be helpful or confusing to readers or fans of the works. If it", "seem like a sequel even if it isn't, I would probably change that.", "this The Universe - Title of /the focus of book 1 -* The", "possible for some characters to reappear in the second, but there doesn't seem", "the second, but there doesn't seem to be a need for it. The", "to readers or fans of the works. If it makes it seem like", "change that. I guess an example comes to mind that is comparable; The", "a shared title be appropriate* So far I'm counting on having a shared", "or confusing to readers or fans of the works. If it makes it", "of the universe and have the characters go through different quests, dilemmas and", "I hope that's okay. 1. Would it classify as a sequel I've created", "the description I've given so far, or would it be something else? ---", "doubt they will. It would, in theory, be possible for some characters to", "to reappear in the second, but there doesn't seem to be a need", "second, but there doesn't seem to be a need for it. The second", "in the same universe. These two books would share the slight twist which", "Universe - Title of /the focus of book 1 -* *The Universe -", "second book would explore other sides of the universe and have the characters" ]
[ "Fitzgilenb, Parker, others,) used alcohol. I cannot help but notice that I love", "love all of them. Completely sober, I am asking you, and not endorsing,", "sober, I am asking you, and not endorsing, a dangerous question. Why do", "released through intoxication? Is this ever suggested as a means to the craft?", "a dangerous question. Why do artists drink, and is there a level of", "dangerous question. Why do artists drink, and is there a level of artistry", "thing. Some writers (e.g. Hemingway, Fitzgilenb, Parker, others,) used alcohol. I cannot help", "am asking you, and not endorsing, a dangerous question. Why do artists drink,", "is released through intoxication? Is this ever suggested as a means to the", "Hemingway, Fitzgilenb, Parker, others,) used alcohol. I cannot help but notice that I", "but notice that I love all of them. Completely sober, I am asking", "So, here's the thing. Some writers (e.g. Hemingway, Fitzgilenb, Parker, others,) used alcohol.", "all of them. Completely sober, I am asking you, and not endorsing, a", "question. Why do artists drink, and is there a level of artistry that", "drink, and is there a level of artistry that is released through intoxication?", "writers (e.g. Hemingway, Fitzgilenb, Parker, others,) used alcohol. I cannot help but notice", "not endorsing, a dangerous question. Why do artists drink, and is there a", "do artists drink, and is there a level of artistry that is released", "Completely sober, I am asking you, and not endorsing, a dangerous question. Why", "is there a level of artistry that is released through intoxication? Is this", "you, and not endorsing, a dangerous question. Why do artists drink, and is", "a level of artistry that is released through intoxication? Is this ever suggested", "through intoxication? Is this ever suggested as a means to the craft? Ever?", "asking you, and not endorsing, a dangerous question. Why do artists drink, and", "and not endorsing, a dangerous question. Why do artists drink, and is there", "of them. Completely sober, I am asking you, and not endorsing, a dangerous", "used alcohol. I cannot help but notice that I love all of them.", "of artistry that is released through intoxication? Is this ever suggested as a", "artistry that is released through intoxication? Is this ever suggested as a means", "there a level of artistry that is released through intoxication? Is this ever", "Why do artists drink, and is there a level of artistry that is", "here's the thing. Some writers (e.g. Hemingway, Fitzgilenb, Parker, others,) used alcohol. I", "them. Completely sober, I am asking you, and not endorsing, a dangerous question.", "that I love all of them. Completely sober, I am asking you, and", "endorsing, a dangerous question. Why do artists drink, and is there a level", "the thing. Some writers (e.g. Hemingway, Fitzgilenb, Parker, others,) used alcohol. I cannot", "and is there a level of artistry that is released through intoxication? Is", "help but notice that I love all of them. Completely sober, I am", "Parker, others,) used alcohol. I cannot help but notice that I love all", "notice that I love all of them. Completely sober, I am asking you,", "level of artistry that is released through intoxication? Is this ever suggested as", "I love all of them. Completely sober, I am asking you, and not", "I am asking you, and not endorsing, a dangerous question. Why do artists", "artists drink, and is there a level of artistry that is released through", "alcohol. I cannot help but notice that I love all of them. Completely", "Some writers (e.g. Hemingway, Fitzgilenb, Parker, others,) used alcohol. I cannot help but", "others,) used alcohol. I cannot help but notice that I love all of", "I cannot help but notice that I love all of them. Completely sober,", "that is released through intoxication? Is this ever suggested as a means to", "cannot help but notice that I love all of them. Completely sober, I", "(e.g. Hemingway, Fitzgilenb, Parker, others,) used alcohol. I cannot help but notice that", "OK. So, here's the thing. Some writers (e.g. Hemingway, Fitzgilenb, Parker, others,) used" ]
[ "to reasons I will not disclose, I am not allowed to make any", "could give the rights to my book to my parents so I could", "reasons I will not disclose, I am not allowed to make any money.", "not allowed to make any money. I was wondering if I could give", "my parents so I could publish it, and they could make the money", "parents so I could publish it, and they could make the money instead?", "to make any money. I was wondering if I could give the rights", "I am not allowed to make any money. I was wondering if I", "will not disclose, I am not allowed to make any money. I was", "rights to my book to my parents so I could publish it, and", "make any money. I was wondering if I could give the rights to", "I will not disclose, I am not allowed to make any money. I", "disclose, I am not allowed to make any money. I was wondering if", "am not allowed to make any money. I was wondering if I could", "I could give the rights to my book to my parents so I", "due to reasons I will not disclose, I am not allowed to make", "wondering because due to reasons I will not disclose, I am not allowed", "any money. I was wondering if I could give the rights to my", "my book to my parents so I could publish it, and they could", "not disclose, I am not allowed to make any money. I was wondering", "to my book to my parents so I could publish it, and they", "book to my parents so I could publish it, and they could make", "money. I was wondering if I could give the rights to my book", "if I could give the rights to my book to my parents so", "because due to reasons I will not disclose, I am not allowed to", "wondering if I could give the rights to my book to my parents", "was wondering if I could give the rights to my book to my", "I was wondering if I could give the rights to my book to", "give the rights to my book to my parents so I could publish", "allowed to make any money. I was wondering if I could give the", "to my parents so I could publish it, and they could make the", "I'm wondering because due to reasons I will not disclose, I am not", "the rights to my book to my parents so I could publish it," ]
[ "if it's similar to some readers or not similar at all. But is", "relatability seems to be one of the most important aspects of a good", "important aspects of a good story. A relatable character is a character that", "is actually unlikely that someone like this character would be reading it. That's", "of a good story. A relatable character is a character that makes the", "don't have the intention of making this character relatable. Instead, I just want", "to make such character just like the reader, either in most part or", "tell a story\"? Can a work be well received even without being relatable,", "say \"I know that feel, bro...\" and thus creating a connection between the", "someone like this character would be reading it. That's because I don't have", "like the reader and is actually unlikely that someone like this character would", "to be one of the most important aspects of a good story. A", "from my readings, relatability seems to be one of the most important aspects", "needs to make such character just like the reader, either in most part", "most important aspects of a good story. A relatable character is a character", "achieve such relatability, the writer needs to make such character just like the", "the reader, either in most part or in some way. That's where my", "like this character would be reading it. That's because I don't have the", "character relatable. Instead, I just want to tell the reader a story, either", "unlikely that someone like this character would be reading it. That's because I", "relatable character is a character that makes the reader say \"I know that", "not like the reader and is actually unlikely that someone like this character", "to. To achieve such relatability, the writer needs to make such character just", "good idea to \"just tell a story\"? Can a work be well received", "received even without being relatable, if the story is good enough? If the", "way. That's where my problem lies: I don't want to do that. My", "and thus creating a connection between the reader and the character, and consequently", "character that makes the reader say \"I know that feel, bro...\"* and thus", "consequently also the work this character belongs to. To achieve such relatability, the", "just like the reader, either in most part or in some way. That's", "good story. A relatable character is a character that makes the reader say", "feel, bro...\"* and thus creating a connection between the reader and the character,", "To achieve such relatability, the writer needs to make such character just like", "to some readers or not similar at all. But is it a good", "story\"? Can a work be well received even without being relatable, if the", "of making this character relatable. Instead, I just want to tell the reader", "That's because I don't have the intention of making this character relatable. Instead,", "reader a story, either if it's similar to some readers or not similar", "a good story. A relatable character is a character that makes the reader", "some readers or not similar at all. But is it a good idea", "of the most important aspects of a good story. A relatable character is", "between the reader and the character, and consequently also the work this character", "or not similar at all. But is it a good idea to \"just", "tell the reader a story, either if it's similar to some readers or", "if the story is good enough? If the answer is \"no\" to any", "similar to some readers or not similar at all. But is it a", "similar at all. But is it a good idea to \"just tell a", "part or in some way. That's where my problem lies: I don't want", "and is actually unlikely that someone like this character would be reading it.", "reader, either in most part or in some way. That's where my problem", "this character relatable. Instead, I just want to tell the reader a story,", "writer needs to make such character just like the reader, either in most", "lies: I don't want to do that. My character is not like the", "the reader and the character, and consequently also the work this character belongs", "because I don't have the intention of making this character relatable. Instead, I", "without being relatable, if the story is good enough? If the answer is", "the reader a story, either if it's similar to some readers or not", "relatability, the writer needs to make such character just like the reader, either", "my problem lies: I don't want to do that. My character is not", "story is good enough? If the answer is \"no\" to any of these,", "that feel, bro...\"* and thus creating a connection between the reader and the", "the intention of making this character relatable. Instead, I just want to tell", "character, and consequently also the work this character belongs to. To achieve such", "such character just like the reader, either in most part or in some", "to \"just tell a story\"? Can a work be well received even without", "this character belongs to. To achieve such relatability, the writer needs to make", "even without being relatable, if the story is good enough? If the answer", "thus creating a connection between the reader and the character, and consequently also", "either in most part or in some way. That's where my problem lies:", "I don't have the intention of making this character relatable. Instead, I just", "readers or not similar at all. But is it a good idea to", "reader say \"I know that feel, bro...\" and thus creating a connection between", "work be well received even without being relatable, if the story is good", "a good idea to \"just tell a story\"? Can a work be well", "know that feel, bro...\"* and thus creating a connection between the reader and", "readings, relatability seems to be one of the most important aspects of a", "a story\"? Can a work be well received even without being relatable, if", "character just like the reader, either in most part or in some way.", "the reader and is actually unlikely that someone like this character would be", "But is it a good idea to \"just tell a story\"? Can a", "seems to be one of the most important aspects of a good story.", "relatable, if the story is good enough? If the answer is \"no\" to", "I understood from my readings, relatability seems to be one of the most", "do that. My character is not like the reader and is actually unlikely", "have the intention of making this character relatable. Instead, I just want to", "creating a connection between the reader and the character, and consequently also the", "don't want to do that. My character is not like the reader and", "want to do that. My character is not like the reader and is", "all. But is it a good idea to \"just tell a story\"? Can", "story, either if it's similar to some readers or not similar at all.", "far as I understood from my readings, relatability seems to be one of", "idea to \"just tell a story\"? Can a work be well received even", "making this character relatable. Instead, I just want to tell the reader a", "like the reader, either in most part or in some way. That's where", "it. That's because I don't have the intention of making this character relatable.", "character is not like the reader and is actually unlikely that someone like", "this character would be reading it. That's because I don't have the intention", "some way. That's where my problem lies: I don't want to do that.", "to do that. My character is not like the reader and is actually", "my readings, relatability seems to be one of the most important aspects of", "bro...\"* and thus creating a connection between the reader and the character, and", "also the work this character belongs to. To achieve such relatability, the writer", "is a character that makes the reader say \"I know that feel, bro...\"", "where my problem lies: I don't want to do that. My character is", "want to tell the reader a story, either if it's similar to some", "one of the most important aspects of a good story. A relatable character", "problem lies: I don't want to do that. My character is not like", "the work this character belongs to. To achieve such relatability, the writer needs", "reading it. That's because I don't have the intention of making this character", "a character that makes the reader say \"I know that feel, bro...\" and", "such relatability, the writer needs to make such character just like the reader,", "reader and the character, and consequently also the work this character belongs to.", "character would be reading it. That's because I don't have the intention of", "to tell the reader a story, either if it's similar to some readers", "well received even without being relatable, if the story is good enough? If", "Instead, I just want to tell the reader a story, either if it's", "belongs to. To achieve such relatability, the writer needs to make such character", "connection between the reader and the character, and consequently also the work this", "My character is not like the reader and is actually unlikely that someone", "the most important aspects of a good story. A relatable character is a", "just want to tell the reader a story, either if it's similar to", "at all. But is it a good idea to \"just tell a story\"?", "Can a work be well received even without being relatable, if the story", "\"just tell a story\"? Can a work be well received even without being", "a connection between the reader and the character, and consequently also the work", "be well received even without being relatable, if the story is good enough?", "the character, and consequently also the work this character belongs to. To achieve", "most part or in some way. That's where my problem lies: I don't", "As far as I understood from my readings, relatability seems to be one", "a work be well received even without being relatable, if the story is", "understood from my readings, relatability seems to be one of the most important", "it a good idea to \"just tell a story\"? Can a work be", "A relatable character is a character that makes the reader say \"I know", "character belongs to. To achieve such relatability, the writer needs to make such", "or in some way. That's where my problem lies: I don't want to", "\"I know that feel, bro...\"* and thus creating a connection between the reader", "relatable. Instead, I just want to tell the reader a story, either if", "be one of the most important aspects of a good story. A relatable", "work this character belongs to. To achieve such relatability, the writer needs to", "I don't want to do that. My character is not like the reader", "in most part or in some way. That's where my problem lies: I", "character is a character that makes the reader say \"I know that feel,", "that someone like this character would be reading it. That's because I don't", "in some way. That's where my problem lies: I don't want to do", "is it a good idea to \"just tell a story\"? Can a work", "that makes the reader say \"I know that feel, bro...\"* and thus creating", "and consequently also the work this character belongs to. To achieve such relatability,", "the writer needs to make such character just like the reader, either in", "actually unlikely that someone like this character would be reading it. That's because", "I just want to tell the reader a story, either if it's similar", "either if it's similar to some readers or not similar at all. But", "make such character just like the reader, either in most part or in", "is not like the reader and is actually unlikely that someone like this", "is good enough? If the answer is \"no\" to any of these, why?", "aspects of a good story. A relatable character is a character that makes", "makes the reader say \"I know that feel, bro...\" and thus creating a", "be reading it. That's because I don't have the intention of making this", "not similar at all. But is it a good idea to \"just tell", "the reader say \"I know that feel, bro...\" and thus creating a connection", "the story is good enough? If the answer is \"no\" to any of", "would be reading it. That's because I don't have the intention of making", "and the character, and consequently also the work this character belongs to. To", "being relatable, if the story is good enough? If the answer is \"no\"", "that. My character is not like the reader and is actually unlikely that", "a story, either if it's similar to some readers or not similar at", "intention of making this character relatable. Instead, I just want to tell the", "That's where my problem lies: I don't want to do that. My character", "it's similar to some readers or not similar at all. But is it", "reader and is actually unlikely that someone like this character would be reading", "as I understood from my readings, relatability seems to be one of the", "story. A relatable character is a character that makes the reader say *\"I" ]
[ "new to this website so I need help. A couple punctuation marks confuse", "help. A couple punctuation marks confuse me. It's hard for me to remember", "to this website so I need help. A couple punctuation marks confuse me.", "this website so I need help. A couple punctuation marks confuse me. It's", "so I need help. A couple punctuation marks confuse me. It's hard for", "A couple punctuation marks confuse me. It's hard for me to remember stuff.", "website so I need help. A couple punctuation marks confuse me. It's hard", "I need help. A couple punctuation marks confuse me. It's hard for me", "I'm new to this website so I need help. A couple punctuation marks", "need help. A couple punctuation marks confuse me. It's hard for me to" ]
[ "it to be demoralising and would love to find a good learning plan", "reading and writing whilst getting good feedback along the way. Are there any", "feel like I could pick up a book and improve but without any", "book and improve but without any feedback or guidance from somebody who knows", "What are some good ways of learning Grivmaz as an adult when combined", "and review any writing I produce. That way I could improve by reading", "whilst getting good feedback along the way. Are there any reasonably priced ways", "from a teacher or tutor with creative writing in general and more specifically", "teacher or tutor with creative writing in general and more specifically with regards", "about Grivmaz by osmosis. I don't remember learning any of the technicalities of", "to finally sort it out. What are some good ways of learning Grivmaz", "like it would not be enough. Ideally I would like somebody who could", "I know about Grivmaz by osmosis. I don't remember learning any of the", "think one of my biggest problems is mixing tense, but I feel reluctant", "from somebody who knows better I feel like it would not be enough.", "I could pick up a book and improve but without any feedback or", "learning plan, and to guide and review any writing I produce. That way", "who knows better I feel like it would not be enough. Ideally I", "feel like it would not be enough. Ideally I would like somebody who", "the way. Are there any reasonably priced ways of getting guidance from a", "produce. That way I could improve by reading and writing whilst getting good", "has always been a weak area. I think one of my biggest problems", "pick up a book and improve but without any feedback or guidance from", "mixing tense, but I feel reluctant to attempt to do any creative writing", "getting good feedback along the way. Are there any reasonably priced ways of", "Grivmaz by osmosis. I don't remember learning any of the technicalities of Grivmaz", "ways of learning Grivmaz as an adult when combined with creative writing? I", "know about Grivmaz by osmosis. I don't remember learning any of the technicalities", "good ways of learning Grivmaz as an adult when combined with creative writing?", "grammar is so poor. I find it to be demoralising and would love", "an adult when combined with creative writing? I feel like I could pick", "guidance from a teacher or tutor with creative writing in general and more", "when combined with creative writing? I feel like I could pick up a", "with creative writing? I feel like I could pick up a book and", "by osmosis. I don't remember learning any of the technicalities of Grivmaz when", "I feel like I could pick up a book and improve but without", "like I have learned everything I know about Grivmaz by osmosis. I don't", "feel reluctant to attempt to do any creative writing whilst my grammar is", "poor. I find it to be demoralising and would love to find a", "of learning Grivmaz as an adult when combined with creative writing? I feel", "but without any feedback or guidance from somebody who knows better I feel", "learning plan to finally sort it out. What are some good ways of", "feedback along the way. Are there any reasonably priced ways of getting guidance", "biggest problems is mixing tense, but I feel reluctant to attempt to do", "some good ways of learning Grivmaz as an adult when combined with creative", "I find it to be demoralising and would love to find a good", "I feel like I have learned everything I know about Grivmaz by osmosis.", "attempt to do any creative writing whilst my grammar is so poor. I", "with creative writing in general and more specifically with regards to improving grammar?", "any reasonably priced ways of getting guidance from a teacher or tutor with", "any writing I produce. That way I could improve by reading and writing", "knows better I feel like it would not be enough. Ideally I would", "technicalities of Grivmaz when I was at school and it has always been", "like I could pick up a book and improve but without any feedback", "tense, but I feel reluctant to attempt to do any creative writing whilst", "I don't remember learning any of the technicalities of Grivmaz when I was", "weak area. I think one of my biggest problems is mixing tense, but", "review any writing I produce. That way I could improve by reading and", "whilst my grammar is so poor. I find it to be demoralising and", "is mixing tense, but I feel reluctant to attempt to do any creative", "creative writing whilst my grammar is so poor. I find it to be", "and improve but without any feedback or guidance from somebody who knows better", "to guide and review any writing I produce. That way I could improve", "good learning plan to finally sort it out. What are some good ways", "by reading and writing whilst getting good feedback along the way. Are there", "somebody who could create a learning plan, and to guide and review any", "reasonably priced ways of getting guidance from a teacher or tutor with creative", "I would like somebody who could create a learning plan, and to guide", "any of the technicalities of Grivmaz when I was at school and it", "Are there any reasonably priced ways of getting guidance from a teacher or", "That way I could improve by reading and writing whilst getting good feedback", "remember learning any of the technicalities of Grivmaz when I was at school", "find a good learning plan to finally sort it out. What are some", "when I was at school and it has always been a weak area.", "as an adult when combined with creative writing? I feel like I could", "to be demoralising and would love to find a good learning plan to", "or tutor with creative writing in general and more specifically with regards to", "demoralising and would love to find a good learning plan to finally sort", "would like somebody who could create a learning plan, and to guide and", "would love to find a good learning plan to finally sort it out.", "writing? I feel like I could pick up a book and improve but", "plan to finally sort it out. What are some good ways of learning", "getting guidance from a teacher or tutor with creative writing in general and", "who could create a learning plan, and to guide and review any writing", "learning any of the technicalities of Grivmaz when I was at school and", "not be enough. Ideally I would like somebody who could create a learning", "or guidance from somebody who knows better I feel like it would not", "be demoralising and would love to find a good learning plan to finally", "the technicalities of Grivmaz when I was at school and it has always", "way I could improve by reading and writing whilst getting good feedback along", "do any creative writing whilst my grammar is so poor. I find it", "ways of getting guidance from a teacher or tutor with creative writing in", "along the way. Are there any reasonably priced ways of getting guidance from", "feedback or guidance from somebody who knows better I feel like it would", "a weak area. I think one of my biggest problems is mixing tense,", "finally sort it out. What are some good ways of learning Grivmaz as", "writing whilst getting good feedback along the way. Are there any reasonably priced", "there any reasonably priced ways of getting guidance from a teacher or tutor", "could improve by reading and writing whilst getting good feedback along the way.", "guide and review any writing I produce. That way I could improve by", "and to guide and review any writing I produce. That way I could", "don't remember learning any of the technicalities of Grivmaz when I was at", "school and it has always been a weak area. I think one of", "could pick up a book and improve but without any feedback or guidance", "better I feel like it would not be enough. Ideally I would like", "to do any creative writing whilst my grammar is so poor. I find", "sort it out. What are some good ways of learning Grivmaz as an", "reluctant to attempt to do any creative writing whilst my grammar is so", "way. Are there any reasonably priced ways of getting guidance from a teacher", "my biggest problems is mixing tense, but I feel reluctant to attempt to", "of the technicalities of Grivmaz when I was at school and it has", "everything I know about Grivmaz by osmosis. I don't remember learning any of", "adult when combined with creative writing? I feel like I could pick up", "any feedback or guidance from somebody who knows better I feel like it", "problems is mixing tense, but I feel reluctant to attempt to do any", "it has always been a weak area. I think one of my biggest", "tutor with creative writing in general and more specifically with regards to improving", "at school and it has always been a weak area. I think one", "plan, and to guide and review any writing I produce. That way I", "any creative writing whilst my grammar is so poor. I find it to", "love to find a good learning plan to finally sort it out. What", "osmosis. I don't remember learning any of the technicalities of Grivmaz when I", "of Grivmaz when I was at school and it has always been a", "learned everything I know about Grivmaz by osmosis. I don't remember learning any", "good feedback along the way. Are there any reasonably priced ways of getting", "a good learning plan to finally sort it out. What are some good", "could create a learning plan, and to guide and review any writing I", "to find a good learning plan to finally sort it out. What are", "to attempt to do any creative writing whilst my grammar is so poor.", "I think one of my biggest problems is mixing tense, but I feel", "feel like I have learned everything I know about Grivmaz by osmosis. I", "I produce. That way I could improve by reading and writing whilst getting", "one of my biggest problems is mixing tense, but I feel reluctant to", "I feel reluctant to attempt to do any creative writing whilst my grammar", "Grivmaz as an adult when combined with creative writing? I feel like I", "it out. What are some good ways of learning Grivmaz as an adult", "up a book and improve but without any feedback or guidance from somebody", "Grivmaz when I was at school and it has always been a weak", "and writing whilst getting good feedback along the way. Are there any reasonably", "a learning plan, and to guide and review any writing I produce. That", "Ideally I would like somebody who could create a learning plan, and to", "been a weak area. I think one of my biggest problems is mixing", "I was at school and it has always been a weak area. I", "create a learning plan, and to guide and review any writing I produce.", "a teacher or tutor with creative writing in general and more specifically with", "always been a weak area. I think one of my biggest problems is", "improve but without any feedback or guidance from somebody who knows better I", "guidance from somebody who knows better I feel like it would not be", "enough. Ideally I would like somebody who could create a learning plan, and", "I could improve by reading and writing whilst getting good feedback along the", "and it has always been a weak area. I think one of my", "I feel like it would not be enough. Ideally I would like somebody", "like somebody who could create a learning plan, and to guide and review", "writing I produce. That way I could improve by reading and writing whilst", "priced ways of getting guidance from a teacher or tutor with creative writing", "but I feel reluctant to attempt to do any creative writing whilst my", "would not be enough. Ideally I would like somebody who could create a", "I have learned everything I know about Grivmaz by osmosis. I don't remember", "writing whilst my grammar is so poor. I find it to be demoralising", "was at school and it has always been a weak area. I think", "are some good ways of learning Grivmaz as an adult when combined with", "out. What are some good ways of learning Grivmaz as an adult when", "learning Grivmaz as an adult when combined with creative writing? I feel like", "and would love to find a good learning plan to finally sort it", "my grammar is so poor. I find it to be demoralising and would", "improve by reading and writing whilst getting good feedback along the way. Are", "so poor. I find it to be demoralising and would love to find", "of my biggest problems is mixing tense, but I feel reluctant to attempt", "it would not be enough. Ideally I would like somebody who could create", "creative writing? I feel like I could pick up a book and improve", "have learned everything I know about Grivmaz by osmosis. I don't remember learning", "find it to be demoralising and would love to find a good learning", "combined with creative writing? I feel like I could pick up a book", "a book and improve but without any feedback or guidance from somebody who", "without any feedback or guidance from somebody who knows better I feel like", "area. I think one of my biggest problems is mixing tense, but I", "of getting guidance from a teacher or tutor with creative writing in general", "is so poor. I find it to be demoralising and would love to", "somebody who knows better I feel like it would not be enough. Ideally", "be enough. Ideally I would like somebody who could create a learning plan," ]
[ "heroes' quests rather than \"wasting time\" with all the \"normal world\" to be", "to be created and then destroyed. For instance, The Lord of the Rings:", "I'm not just talking about medias res. I'm talking about making implicit all", "in their conversations, in their memories, and so on. The movie Dunkirk* for", "are already in the middle of the quest? I'm not just talking about", "\"normal world\" to be created and then destroyed. For instance, The Lord of", "is made to set up the world and host the inciting incident, the", "story right in the second act, where heroes are already in the middle", "and begin a story right in the second act, where heroes are already", "just talking about medias res. I'm talking about making implicit all the background", "made for the resolution. Is it possible to completely skip ACT 1 and", "talking about making implicit all the background and establishing scenes, and to summarize", "host the inciting incident, the ACT 2 is made for the main quest", "begin a story right in the second act, where heroes are already in", "on. The movie Dunkirk* for instance gives all the context for granted, and", "conversations, in their memories, and so on. The movie Dunkirk for instance gives", "The movie Dunkirk for instance gives all the context for granted, and proceed", "made to set up the world and host the inciting incident, the ACT", "Dunkirk for instance gives all the context for granted, and proceed to a", "in the second act, where heroes are already in the middle of the", "than \"wasting time\" with all the \"normal world\" to be created and then", "like to write a novel which shows the heroes' quests rather than \"wasting", "I would like to write a novel which shows the heroes' quests rather", "the background and establishing scenes, and to summarize them in memories or tales.", "their conversations, in their memories, and so on. The movie Dunkirk for instance", "ACT 2 is made for the main quest and sequence of obstacles, and", "to write a novel which shows the heroes' quests rather than \"wasting time\"", "memories or tales. I would like to write a novel which shows the", "about making implicit all the background and establishing scenes, and to summarize them", "with all the \"normal world\" to be created and then destroyed. For instance,", "and ACT 3 is made for the resolution. Is it possible to completely", "are doing so would come out in their conversations, in their memories, and", "skip ACT 1 and begin a story right in the second act, where", "traditional story structure theory, the ACT 1 is made to set up the", "the second act, where heroes are already in the middle of the quest?", "3 is made for the resolution. Is it possible to completely skip ACT", "or tales. I would like to write a novel which shows the heroes'", "the context for granted, and proceed to a full-feature of action and resolution.", "so on. The movie Dunkirk for instance gives all the context for granted,", "quests rather than \"wasting time\" with all the \"normal world\" to be created", "write a novel which shows the heroes' quests rather than \"wasting time\" with", "which shows the heroes' quests rather than \"wasting time\" with all the \"normal", "all the context for granted, and proceed to a full-feature of action and", "In traditional story structure theory, the ACT 1 is made to set up", "a story right in the second act, where heroes are already in the", "the ACT 1 is made to set up the world and host the", "marching to Byae, and the reason why they are doing so would come", "set up the world and host the inciting incident, the ACT 2 is", "summarize them in memories or tales. I would like to write a novel", "the resolution. Is it possible to completely skip ACT 1 and begin a", "2 is made for the main quest and sequence of obstacles, and ACT", "quest? I'm not just talking about medias res. I'm talking about making implicit", "be created and then destroyed. For instance, The Lord of the Rings: Fellowship", "incident, the ACT 2 is made for the main quest and sequence of", "story structure theory, the ACT 1 is made to set up the world", "and then destroyed. For instance, The Lord of the Rings: Fellowship of the", "Fellowship of the Ring* would begin with the hobbits marching to Byae, and", "why they are doing so would come out in their conversations, in their", "not just talking about medias res. I'm talking about making implicit all the", "made for the main quest and sequence of obstacles, and ACT 3 is", "quest and sequence of obstacles, and ACT 3 is made for the resolution.", "all the background and establishing scenes, and to summarize them in memories or", "completely skip ACT 1 and begin a story right in the second act,", "destroyed. For instance, The Lord of the Rings: Fellowship of the Ring would", "so would come out in their conversations, in their memories, and so on.", "with the hobbits marching to Byae, and the reason why they are doing", "would come out in their conversations, in their memories, and so on. The", "of the quest? I'm not just talking about medias res. I'm talking about", "for instance gives all the context for granted, and proceed to a full-feature", "the Rings: Fellowship of the Ring* would begin with the hobbits marching to", "instance gives all the context for granted, and proceed to a full-feature of", "background and establishing scenes, and to summarize them in memories or tales. I", "them in memories or tales. I would like to write a novel which", "the inciting incident, the ACT 2 is made for the main quest and", "for the main quest and sequence of obstacles, and ACT 3 is made", "to summarize them in memories or tales. I would like to write a", "doing so would come out in their conversations, in their memories, and so", "resolution. Is it possible to completely skip ACT 1 and begin a story", "main quest and sequence of obstacles, and ACT 3 is made for the", "Rings: Fellowship of the Ring* would begin with the hobbits marching to Byae,", "inciting incident, the ACT 2 is made for the main quest and sequence", "reason why they are doing so would come out in their conversations, in", "up the world and host the inciting incident, the ACT 2 is made", "obstacles, and ACT 3 is made for the resolution. Is it possible to", "Is it possible to completely skip ACT 1 and begin a story right", "and establishing scenes, and to summarize them in memories or tales. I would", "time\" with all the \"normal world\" to be created and then destroyed. For", "then destroyed. For instance, The Lord of the Rings: Fellowship of the Ring", "The Lord of the Rings: Fellowship of the Ring would begin with the", "of the Rings: Fellowship of the Ring* would begin with the hobbits marching", "gives all the context for granted, and proceed to a full-feature of action", "their memories, and so on. The movie Dunkirk for instance gives all the", "the quest? I'm not just talking about medias res. I'm talking about making", "and the reason why they are doing so would come out in their", "in the middle of the quest? I'm not just talking about medias res.", "the heroes' quests rather than \"wasting time\" with all the \"normal world\" to", "movie Dunkirk for instance gives all the context for granted, and proceed to", "the reason why they are doing so would come out in their conversations,", "scenes, and to summarize them in memories or tales. I would like to", "ACT 3 is made for the resolution. Is it possible to completely skip", "heroes are already in the middle of the quest? I'm not just talking", "Lord of the Rings: Fellowship of the Ring* would begin with the hobbits", "implicit all the background and establishing scenes, and to summarize them in memories", "memories, and so on. The movie Dunkirk for instance gives all the context", "structure theory, the ACT 1 is made to set up the world and", "act, where heroes are already in the middle of the quest? I'm not", "begin with the hobbits marching to Byae, and the reason why they are", "res. I'm talking about making implicit all the background and establishing scenes, and", "Byae, and the reason why they are doing so would come out in", "would begin with the hobbits marching to Byae, and the reason why they", "rather than \"wasting time\" with all the \"normal world\" to be created and", "novel which shows the heroes' quests rather than \"wasting time\" with all the", "world\" to be created and then destroyed. For instance, The Lord of the", "the ACT 2 is made for the main quest and sequence of obstacles,", "possible to completely skip ACT 1 and begin a story right in the", "is made for the main quest and sequence of obstacles, and ACT 3", "ACT 1 is made to set up the world and host the inciting", "to completely skip ACT 1 and begin a story right in the second", "right in the second act, where heroes are already in the middle of", "I'm talking about making implicit all the background and establishing scenes, and to", "in memories or tales. I would like to write a novel which shows", "instance, The Lord of the Rings: Fellowship of the Ring* would begin with", "it possible to completely skip ACT 1 and begin a story right in", "shows the heroes' quests rather than \"wasting time\" with all the \"normal world\"", "the main quest and sequence of obstacles, and ACT 3 is made for", "the middle of the quest? I'm not just talking about medias res. I'm", "to Byae, and the reason why they are doing so would come out", "world and host the inciting incident, the ACT 2 is made for the", "for the resolution. Is it possible to completely skip ACT 1 and begin", "\"wasting time\" with all the \"normal world\" to be created and then destroyed.", "and host the inciting incident, the ACT 2 is made for the main", "they are doing so would come out in their conversations, in their memories,", "For instance, The Lord of the Rings: Fellowship of the Ring would begin", "second act, where heroes are already in the middle of the quest? I'm", "is made for the resolution. Is it possible to completely skip ACT 1", "the hobbits marching to Byae, and the reason why they are doing so", "talking about medias res. I'm talking about making implicit all the background and", "to set up the world and host the inciting incident, the ACT 2", "1 and begin a story right in the second act, where heroes are", "theory, the ACT 1 is made to set up the world and host", "come out in their conversations, in their memories, and so on. The movie", "the \"normal world\" to be created and then destroyed. For instance, The Lord", "Ring would begin with the hobbits marching to Byae, and the reason why", "where heroes are already in the middle of the quest? I'm not just", "ACT 1 and begin a story right in the second act, where heroes", "already in the middle of the quest? I'm not just talking about medias", "out in their conversations, in their memories, and so on. The movie Dunkirk", "medias res. I'm talking about making implicit all the background and establishing scenes,", "the world and host the inciting incident, the ACT 2 is made for", "1 is made to set up the world and host the inciting incident,", "hobbits marching to Byae, and the reason why they are doing so would", "a novel which shows the heroes' quests rather than \"wasting time\" with all", "all the \"normal world\" to be created and then destroyed. For instance, The", "tales. I would like to write a novel which shows the heroes' quests", "middle of the quest? I'm not just talking about medias res. I'm talking", "and so on. The movie Dunkirk* for instance gives all the context for", "of obstacles, and ACT 3 is made for the resolution. Is it possible", "about medias res. I'm talking about making implicit all the background and establishing", "in their memories, and so on. The movie Dunkirk for instance gives all", "the Ring* would begin with the hobbits marching to Byae, and the reason", "would like to write a novel which shows the heroes' quests rather than", "establishing scenes, and to summarize them in memories or tales. I would like", "created and then destroyed. For instance, The Lord of the Rings: Fellowship of", "and to summarize them in memories or tales. I would like to write", "of the Ring would begin with the hobbits marching to Byae, and the", "making implicit all the background and establishing scenes, and to summarize them in", "and sequence of obstacles, and ACT 3 is made for the resolution. Is", "sequence of obstacles, and ACT 3 is made for the resolution. Is it" ]
[ "I've done everything, from building a nice website, being active on social media,", "nice website, being active on social media, posting my work on numerous websites,", "my work on numerous websites, but I just cannot seem to get readers/followers.", "get readers/followers. Any advice? Here's my website link if you want to check", "Here's my website link if you want to check it out for yourself.", "being active on social media, posting my work on numerous websites, but I", "websites, but I just cannot seem to get readers/followers. Any advice? Here's my", "numerous websites, but I just cannot seem to get readers/followers. Any advice? Here's", "advice? Here's my website link if you want to check it out for", "seem to get readers/followers. Any advice? Here's my website link if you want", "just cannot seem to get readers/followers. Any advice? Here's my website link if", "to get readers/followers. Any advice? Here's my website link if you want to", "media, posting my work on numerous websites, but I just cannot seem to", "my website link if you want to check it out for yourself. <https://klararaskaj.com/>", "on numerous websites, but I just cannot seem to get readers/followers. Any advice?", "on social media, posting my work on numerous websites, but I just cannot", "cannot seem to get readers/followers. Any advice? Here's my website link if you", "posting my work on numerous websites, but I just cannot seem to get", "work on numerous websites, but I just cannot seem to get readers/followers. Any", "website, being active on social media, posting my work on numerous websites, but", "but I just cannot seem to get readers/followers. Any advice? Here's my website", "readers/followers. Any advice? Here's my website link if you want to check it", "I just cannot seem to get readers/followers. Any advice? Here's my website link", "building a nice website, being active on social media, posting my work on", "Any advice? Here's my website link if you want to check it out", "everything, from building a nice website, being active on social media, posting my", "a nice website, being active on social media, posting my work on numerous", "from building a nice website, being active on social media, posting my work", "done everything, from building a nice website, being active on social media, posting", "active on social media, posting my work on numerous websites, but I just", "social media, posting my work on numerous websites, but I just cannot seem" ]
[ "didn't reply to her boyfriend---or rather > ex-boyfriend's---message. Instead, she stayed at Burger", "one. > > > Is this correct? Or I should use couldn't have", "over a coffee. No, starting a new life > couldn't be the whole", "> reanalyzing Kouta's abandonment over a coffee. No, starting a new life >", "be the whole reason. Kouta should be cooking a bigger plan. Or a", "life > couldn't be the whole reason. Kouta should be cooking a bigger", "> > Kazumi didn't reply to her boyfriend---or rather > ex-boyfriend's---message. Instead, she", "reason. Kouta should be cooking a bigger plan. Or a more rotten one.", "> > > Is this correct? Or I should use couldn't have been", "bigger plan. Or a more rotten one. > > > Is this correct?", "be cooking a bigger plan. Or a more rotten one. > > >", "Kazumi didn't reply to her boyfriend---or rather > ex-boyfriend's---message. Instead, she stayed at", "this correct? Or I should use couldn't have been and should've been instead?", "No, starting a new life > couldn't be the whole reason. Kouta should", "Is this correct? Or I should use couldn't have been and should've been", "> couldn't be the whole reason. Kouta should be cooking a bigger plan.", "Kouta should be cooking a bigger plan. Or a more rotten one. >", "abandonment over a coffee. No, starting a new life > couldn't be the", "cooking a bigger plan. Or a more rotten one. > > > Is", "more rotten one. > > > Is this correct? Or I should use", "a new life > couldn't be the whole reason. Kouta should be cooking", "> Is this correct? Or I should use couldn't have been and should've", "my own writing: > > Kazumi didn't reply to her boyfriend---or rather >", "a bigger plan. Or a more rotten one. > > > Is this", "a coffee. No, starting a new life > couldn't be the whole reason.", "Example in my own writing: > > Kazumi didn't reply to her boyfriend---or", "to her boyfriend---or rather > ex-boyfriend's---message. Instead, she stayed at Burger King, >", "her boyfriend---or rather > ex-boyfriend's---message. Instead, she stayed at Burger King, > reanalyzing", "boyfriend---or rather > ex-boyfriend's---message. Instead, she stayed at Burger King, > reanalyzing Kouta's", "starting a new life > couldn't be the whole reason. Kouta should be", "Burger King, > reanalyzing Kouta's abandonment over a coffee. No, starting a new", "in my own writing: > > Kazumi didn't reply to her boyfriend---or rather", "ex-boyfriend's---message. Instead, she stayed at Burger King, > reanalyzing Kouta's abandonment over a", "coffee. No, starting a new life > couldn't be the whole reason. Kouta", "a more rotten one. > > > Is this correct? Or I should", "> ex-boyfriend's---message. Instead, she stayed at Burger King, > reanalyzing Kouta's abandonment over", "rotten one. > > > Is this correct? Or I should use couldn't", "reanalyzing Kouta's abandonment over a coffee. No, starting a new life > couldn't", "> > Is this correct? Or I should use couldn't have been and", "King, > reanalyzing Kouta's abandonment over a coffee. No, starting a new life", "stayed at Burger King, > reanalyzing Kouta's abandonment over a coffee. No, starting", "plan. Or a more rotten one. > > > Is this correct? Or", "at Burger King, > reanalyzing Kouta's abandonment over a coffee. No, starting a", "own writing: > > Kazumi didn't reply to her boyfriend---or rather > ex-boyfriend's---message.", "couldn't be the whole reason. Kouta should be cooking a bigger plan. Or", "the whole reason. Kouta should be cooking a bigger plan. Or a more", "Or a more rotten one. > > > Is this correct? Or I", "rather > ex-boyfriend's---message. Instead, she stayed at Burger King, > reanalyzing Kouta's abandonment", "> Kazumi didn't reply to her boyfriend---or rather > ex-boyfriend's---message. Instead, she stayed", "Instead, she stayed at Burger King, > reanalyzing Kouta's abandonment over a coffee.", "whole reason. Kouta should be cooking a bigger plan. Or a more rotten", "writing: > > Kazumi didn't reply to her boyfriend---or rather > ex-boyfriend's---message. Instead,", "she stayed at Burger King, > reanalyzing Kouta's abandonment over a coffee. No,", "new life > couldn't be the whole reason. Kouta should be cooking a", "reply to her boyfriend---or rather > ex-boyfriend's---message. Instead, she stayed at Burger King,", "should be cooking a bigger plan. Or a more rotten one. > >", "Kouta's abandonment over a coffee. No, starting a new life > couldn't be**" ]
[ "advice I have followed since discovering my love for writing: write often and", "even though it is only a hobby for me, and I never gave", "that it's a good way to be productive with my time. There are", "thing at all, but I feel as though my writing isn't up to", "reading, as a way to \"recharge\" myself, and I was wondering if this", "writing isn't up to par because of it. I was thinking about taking", "a week or two to catch up on my reading, as a way", "of it. I was thinking about taking a break from writing for a", "though it is only a hobby for me, and I never gave thought", "it is only a hobby for me, and I never gave thought towards", "often, and I try to do both, but sometimes writing gets in the", "thinking about taking a break from writing for a week or two to", "all, but I feel as though my writing isn't up to par because", "don't consider it a bad thing at all, but I feel as though", "enjoy writing short stories very much, even though it is only a hobby", "often and read often, and I try to do both, but sometimes writing", "for a week or two to catch up on my reading, as a", "pieces of advice I have followed since discovering my love for writing: write", "gave thought towards publishing anything. I find that it's a good way to", "to catch up on my reading, as a way to \"recharge\" myself, and", "to do both, but sometimes writing gets in the way of much needed", "in the way of much needed reading time. I don't consider it a", "discovering my love for writing: write often and read often, and I try", "and read often, and I try to do both, but sometimes writing gets", "writing gets in the way of much needed reading time. I don't consider", "way of much needed reading time. I don't consider it a bad thing", "I have followed since discovering my love for writing: write often and read", "two to catch up on my reading, as a way to \"recharge\" myself,", "for me, and I never gave thought towards publishing anything. I find that", "since discovering my love for writing: write often and read often, and I", "feel as though my writing isn't up to par because of it. I", "a bad thing at all, but I feel as though my writing isn't", "try to do both, but sometimes writing gets in the way of much", "break from writing for a week or two to catch up on my", "it. I was thinking about taking a break from writing for a week", "time. There are two pieces of advice I have followed since discovering my", "about taking a break from writing for a week or two to catch", "do both, but sometimes writing gets in the way of much needed reading", "find that it's a good way to be productive with my time. There", "with my time. There are two pieces of advice I have followed since", "or two to catch up on my reading, as a way to \"recharge\"", "writing for a week or two to catch up on my reading, as", "of advice I have followed since discovering my love for writing: write often", "my writing isn't up to par because of it. I was thinking about", "towards publishing anything. I find that it's a good way to be productive", "for writing: write often and read often, and I try to do both,", "very much, even though it is only a hobby for me, and I", "but sometimes writing gets in the way of much needed reading time. I", "both, but sometimes writing gets in the way of much needed reading time.", "consider it a bad thing at all, but I feel as though my", "up on my reading, as a way to \"recharge\" myself, and I was", "of much needed reading time. I don't consider it a bad thing at", "isn't up to par because of it. I was thinking about taking a", "as though my writing isn't up to par because of it. I was", "catch up on my reading, as a way to \"recharge\" myself, and I", "my time. There are two pieces of advice I have followed since discovering", "write often and read often, and I try to do both, but sometimes", "my love for writing: write often and read often, and I try to", "I enjoy writing short stories very much, even though it is only a", "the way of much needed reading time. I don't consider it a bad", "is only a hobby for me, and I never gave thought towards publishing", "much needed reading time. I don't consider it a bad thing at all,", "are two pieces of advice I have followed since discovering my love for", "my reading, as a way to \"recharge\" myself, and I was wondering if", "There are two pieces of advice I have followed since discovering my love", "was thinking about taking a break from writing for a week or two", "stories very much, even though it is only a hobby for me, and", "I never gave thought towards publishing anything. I find that it's a good", "on my reading, as a way to \"recharge\" myself, and I was wondering", "because of it. I was thinking about taking a break from writing for", "sometimes writing gets in the way of much needed reading time. I don't", "a good way to be productive with my time. There are two pieces", "and I never gave thought towards publishing anything. I find that it's a", "me, and I never gave thought towards publishing anything. I find that it's", "way to \"recharge\" myself, and I was wondering if this was a good", "as a way to \"recharge\" myself, and I was wondering if this was", "a hobby for me, and I never gave thought towards publishing anything. I", "to par because of it. I was thinking about taking a break from", "up to par because of it. I was thinking about taking a break", "week or two to catch up on my reading, as a way to", "thought towards publishing anything. I find that it's a good way to be", "read often, and I try to do both, but sometimes writing gets in", "publishing anything. I find that it's a good way to be productive with", "followed since discovering my love for writing: write often and read often, and", "two pieces of advice I have followed since discovering my love for writing:", "much, even though it is only a hobby for me, and I never", "it a bad thing at all, but I feel as though my writing", "it's a good way to be productive with my time. There are two", "to \"recharge\" myself, and I was wondering if this was a good idea.", "good way to be productive with my time. There are two pieces of", "but I feel as though my writing isn't up to par because of", "taking a break from writing for a week or two to catch up", "productive with my time. There are two pieces of advice I have followed", "gets in the way of much needed reading time. I don't consider it", "only a hobby for me, and I never gave thought towards publishing anything.", "never gave thought towards publishing anything. I find that it's a good way", "a way to \"recharge\" myself, and I was wondering if this was a", "writing short stories very much, even though it is only a hobby for", "be productive with my time. There are two pieces of advice I have", "though my writing isn't up to par because of it. I was thinking", "from writing for a week or two to catch up on my reading,", "to be productive with my time. There are two pieces of advice I", "I was thinking about taking a break from writing for a week or", "needed reading time. I don't consider it a bad thing at all, but", "a break from writing for a week or two to catch up on", "I feel as though my writing isn't up to par because of it.", "and I try to do both, but sometimes writing gets in the way", "writing: write often and read often, and I try to do both, but", "I try to do both, but sometimes writing gets in the way of", "at all, but I feel as though my writing isn't up to par", "short stories very much, even though it is only a hobby for me,", "have followed since discovering my love for writing: write often and read often,", "I find that it's a good way to be productive with my time.", "love for writing: write often and read often, and I try to do", "bad thing at all, but I feel as though my writing isn't up", "hobby for me, and I never gave thought towards publishing anything. I find", "anything. I find that it's a good way to be productive with my", "I don't consider it a bad thing at all, but I feel as", "time. I don't consider it a bad thing at all, but I feel", "way to be productive with my time. There are two pieces of advice", "par because of it. I was thinking about taking a break from writing", "reading time. I don't consider it a bad thing at all, but I" ]
[ "difficult to focus on writing when I constantly have to be aware of", "at the end of the document. However, I find it difficult to focus", "the document. However, I find it difficult to focus on writing when I", "and therefore it is often useful to add an index of the most", "an index of the most important terms at the end of the document.", "terms I must index, using the Latex `\\index` command. Alternatively, it might be", "writing articles/papers/longer documents. Most of these documents are scientific in nature, and therefore", "of the document. However, I find it difficult to focus on writing when", "with a lot more work re-reading the entire document again. Which method for", "Latex `\\index` command. Alternatively, it might be more useful to leave the indexing", "writing when I constantly have to be aware of the terms I must", "a lot more work re-reading the entire document again. Which method for indexing", "useful to add an index of the most important terms at the end", "`\\index` command. Alternatively, it might be more useful to leave the indexing to", "end of the document. However, I find it difficult to focus on writing", "indexing is the most efficient, or is there another one I javen't considered", "Which method for indexing is the most efficient, or is there another one", "Most of these documents are scientific in nature, and therefore it is often", "myself with a lot more work re-reading the entire document again. Which method", "the indexing to after the writing process is complete, but in this case", "I leave myself with a lot more work re-reading the entire document again.", "to leave the indexing to after the writing process is complete, but in", "work re-reading the entire document again. Which method for indexing is the most", "again. Which method for indexing is the most efficient, or is there another", "the Latex `\\index` command. Alternatively, it might be more useful to leave the", "case I leave myself with a lot more work re-reading the entire document", "document again. Which method for indexing is the most efficient, or is there", "However, I find it difficult to focus on writing when I constantly have", "in this case I leave myself with a lot more work re-reading the", "lot more work re-reading the entire document again. Which method for indexing is", "in nature, and therefore it is often useful to add an index of", "important terms at the end of the document. However, I find it difficult", "document. However, I find it difficult to focus on writing when I constantly", "more work re-reading the entire document again. Which method for indexing is the", "writing process is complete, but in this case I leave myself with a", "use Latex for writing articles/papers/longer documents. Most of these documents are scientific in", "the terms I must index, using the Latex `\\index` command. Alternatively, it might", "terms at the end of the document. However, I find it difficult to", "process is complete, but in this case I leave myself with a lot", "are scientific in nature, and therefore it is often useful to add an", "be aware of the terms I must index, using the Latex `\\index` command.", "articles/papers/longer documents. Most of these documents are scientific in nature, and therefore it", "for indexing is the most efficient, or is there another one I javen't", "method for indexing is the most efficient, or is there another one I", "scientific in nature, and therefore it is often useful to add an index", "most important terms at the end of the document. However, I find it", "to focus on writing when I constantly have to be aware of the", "be more useful to leave the indexing to after the writing process is", "complete, but in this case I leave myself with a lot more work", "focus on writing when I constantly have to be aware of the terms", "is complete, but in this case I leave myself with a lot more", "of these documents are scientific in nature, and therefore it is often useful", "re-reading the entire document again. Which method for indexing is the most efficient,", "index of the most important terms at the end of the document. However,", "command. Alternatively, it might be more useful to leave the indexing to after", "might be more useful to leave the indexing to after the writing process", "more useful to leave the indexing to after the writing process is complete,", "for writing articles/papers/longer documents. Most of these documents are scientific in nature, and", "on writing when I constantly have to be aware of the terms I", "it is often useful to add an index of the most important terms", "therefore it is often useful to add an index of the most important", "leave myself with a lot more work re-reading the entire document again. Which", "aware of the terms I must index, using the Latex `\\index` command. Alternatively,", "documents are scientific in nature, and therefore it is often useful to add", "it might be more useful to leave the indexing to after the writing", "indexing to after the writing process is complete, but in this case I", "to add an index of the most important terms at the end of", "to be aware of the terms I must index, using the Latex `\\index`", "leave the indexing to after the writing process is complete, but in this", "is the most efficient, or is there another one I javen't considered yet?", "documents. Most of these documents are scientific in nature, and therefore it is", "of the most important terms at the end of the document. However, I", "these documents are scientific in nature, and therefore it is often useful to", "this case I leave myself with a lot more work re-reading the entire", "often useful to add an index of the most important terms at the", "useful to leave the indexing to after the writing process is complete, but", "constantly have to be aware of the terms I must index, using the", "nature, and therefore it is often useful to add an index of the", "find it difficult to focus on writing when I constantly have to be", "entire document again. Which method for indexing is the most efficient, or is", "Alternatively, it might be more useful to leave the indexing to after the", "of the terms I must index, using the Latex `\\index` command. Alternatively, it", "is often useful to add an index of the most important terms at", "I find it difficult to focus on writing when I constantly have to", "it difficult to focus on writing when I constantly have to be aware", "add an index of the most important terms at the end of the", "after the writing process is complete, but in this case I leave myself", "the end of the document. However, I find it difficult to focus on", "the writing process is complete, but in this case I leave myself with", "I must index, using the Latex `\\index` command. Alternatively, it might be more", "to after the writing process is complete, but in this case I leave", "the most important terms at the end of the document. However, I find", "I use Latex for writing articles/papers/longer documents. Most of these documents are scientific", "when I constantly have to be aware of the terms I must index,", "I constantly have to be aware of the terms I must index, using", "but in this case I leave myself with a lot more work re-reading", "must index, using the Latex `\\index` command. Alternatively, it might be more useful", "have to be aware of the terms I must index, using the Latex", "index, using the Latex `\\index` command. Alternatively, it might be more useful to", "the entire document again. Which method for indexing is the most efficient, or", "Latex for writing articles/papers/longer documents. Most of these documents are scientific in nature,", "using the Latex `\\index` command. Alternatively, it might be more useful to leave" ]
[ "boring, it also frequently tells instead of showing. What is the best way", "* \"Petgigiu reached out for Telin\" * \"comprehension gleamed on his eyes\" (A", "and boring, it also frequently tells instead of showing. What is the best", "frequently tells instead of showing. What is the best way to communicate this", "to communicate this kind of communication in an orderly, efficient and interesting fashion?", "add stuff like the following: * \"there was an awkward silence between them\"", "communication? Humans communicate in a lot of different ways, often concurrently. While writing", "interrupting the lines to add stuff like the following: * \"there was an", "his eyes\" (A terrible line, indeed) This kind of dialogue is not only", "kind of dialogue is not only sluggish and boring, it also frequently tells", "to write silent communication? Humans communicate in a lot of different ways, often", "What is the best way to communicate this kind of communication in an", "dialogue I frequently find myself interrupting the lines to add stuff like the", "lot of different ways, often concurrently. While writing dialogue I frequently find myself", "\"Petgigiu reached out for Telin\" * \"comprehension gleamed on his eyes\" (A terrible", "I frequently find myself interrupting the lines to add stuff like the following:", "\"there was an awkward silence between them\" * \"Petgigiu reached out for Telin\"", "like the following: * \"there was an awkward silence between them\" * \"Petgigiu", "often concurrently. While writing dialogue I frequently find myself interrupting the lines to", "way to communicate this kind of communication in an orderly, efficient and interesting", "for Telin\" * \"comprehension gleamed on his eyes\" (A terrible line, indeed) This", "stuff like the following: * \"there was an awkward silence between them\" ", "only sluggish and boring, it also frequently tells instead of showing. What is", "writing dialogue I frequently find myself interrupting the lines to add stuff like", "communicate in a lot of different ways, often concurrently. While writing dialogue I", "out for Telin\" * \"comprehension gleamed on his eyes\" (A terrible line, indeed)", "write silent communication? Humans communicate in a lot of different ways, often concurrently.", "gleamed on his eyes\"* (A terrible line, indeed) This kind of dialogue is", "is the best way to communicate this kind of communication in an orderly,", "find myself interrupting the lines to add stuff like the following: * \"there", "This kind of dialogue is not only sluggish and boring, it also frequently", "to add stuff like the following: \"there was an awkward silence between", "silence between them\" * \"Petgigiu reached out for Telin\" * \"comprehension gleamed on", "showing. What is the best way to communicate this kind of communication in", "following: \"there was an awkward silence between them\" * \"Petgigiu reached out", "was an awkward silence between them\" * \"Petgigiu reached out for Telin\" ", "best way to communicate this kind of communication in an orderly, efficient and", "of dialogue is not only sluggish and boring, it also frequently tells instead", "them\" * \"Petgigiu reached out for Telin\" * \"comprehension gleamed on his eyes\"", "\"comprehension gleamed on his eyes\" (A terrible line, indeed) This kind of dialogue", "an awkward silence between them\"* * \"Petgigiu reached out for Telin\" * \"comprehension", "the following: \"there was an awkward silence between them\" * \"Petgigiu reached", "awkward silence between them\" * \"Petgigiu reached out for Telin\" * \"comprehension gleamed", "silent communication? Humans communicate in a lot of different ways, often concurrently. While", "instead of showing. What is the best way to communicate this kind of", "frequently find myself interrupting the lines to add stuff like the following: ", "sluggish and boring, it also frequently tells instead of showing. What is the", "it also frequently tells instead of showing. What is the best way to", "concurrently. While writing dialogue I frequently find myself interrupting the lines to add", "of different ways, often concurrently. While writing dialogue I frequently find myself interrupting", "terrible line, indeed) This kind of dialogue is not only sluggish and boring,", "* \"comprehension gleamed on his eyes\" (A terrible line, indeed) This kind of", "reached out for Telin\"* * \"comprehension gleamed on his eyes\" (A terrible line,", "* \"there was an awkward silence between them\" * \"Petgigiu reached out for", "(A terrible line, indeed) This kind of dialogue is not only sluggish and", "Telin\" * \"comprehension gleamed on his eyes\" (A terrible line, indeed) This kind", "While writing dialogue I frequently find myself interrupting the lines to add stuff", "different ways, often concurrently. While writing dialogue I frequently find myself interrupting the", "indeed) This kind of dialogue is not only sluggish and boring, it also", "on his eyes\"* (A terrible line, indeed) This kind of dialogue is not", "dialogue is not only sluggish and boring, it also frequently tells instead of", "in a lot of different ways, often concurrently. While writing dialogue I frequently", "not only sluggish and boring, it also frequently tells instead of showing. What", "How to write silent communication? Humans communicate in a lot of different ways,", "also frequently tells instead of showing. What is the best way to communicate", "Humans communicate in a lot of different ways, often concurrently. While writing dialogue", "eyes\"* (A terrible line, indeed) This kind of dialogue is not only sluggish", "a lot of different ways, often concurrently. While writing dialogue I frequently find", "between them\"* * \"Petgigiu reached out for Telin\" * \"comprehension gleamed on his", "tells instead of showing. What is the best way to communicate this kind", "lines to add stuff like the following: \"there was an awkward silence", "of showing. What is the best way to communicate this kind of communication", "myself interrupting the lines to add stuff like the following: \"there was", "is not only sluggish and boring, it also frequently tells instead of showing.", "ways, often concurrently. While writing dialogue I frequently find myself interrupting the lines", "the best way to communicate this kind of communication in an orderly, efficient", "line, indeed) This kind of dialogue is not only sluggish and boring, it", "the lines to add stuff like the following: *\"there was an awkward" ]
[ "so pages long, but I've been reading this one book with chapters as", "but I've been reading this one book with chapters as small as 2", "been reading this one book with chapters as small as 2 pages. Does", "I've been reading this one book with chapters as small as 2 pages.", "chapters are usually 10 or so pages long, but I've been reading this", "book with chapters as small as 2 pages. Does this affect the story", "this one book with chapters as small as 2 pages. Does this affect", "pages long, but I've been reading this one book with chapters as small", "long, but I've been reading this one book with chapters as small as", "usually 10 or so pages long, but I've been reading this one book", "as small as 2 pages. Does this affect the story progression at all?", "with chapters as small as 2 pages. Does this affect the story progression", "reading this one book with chapters as small as 2 pages. Does this", "chapters as small as 2 pages. Does this affect the story progression at", "10 or so pages long, but I've been reading this one book with", "one book with chapters as small as 2 pages. Does this affect the", "or so pages long, but I've been reading this one book with chapters", "are usually 10 or so pages long, but I've been reading this one", "My chapters are usually 10 or so pages long, but I've been reading" ]
[ "there could be even more of these.\" > > > \"More?\" ████ was", "> > \"Watch your step, there could be even more of these.\" >", "more of these.\" > > > \"More?\" ████ was > still puzzled. \"We", "style, that this whole place was likely built by NevisMI.\" > > >", "haven't encountered any actual defense ever since > we entered. No patrols, nor", "*But what if the reader was lucky enough to miss Home Alone? Then", "a solution to them. Here's a demonstration: > > \"Watch your step, there", "> > \"More?\" ████ was > still puzzled. \"We haven't encountered any actual", "puzzled. \"We haven't encountered any actual defense ever since > we entered. No", "> still puzzled. \"We haven't encountered any actual defense ever since > we", "enough to miss Home Alone? Then the reference wouldn't convey.* So, what can", "Then the reference wouldn't convey. So, what can I do to minimalize the", "be even more of these.\" > > > \"More?\" ████ was > still", "was > still puzzled. \"We haven't encountered any actual defense ever since >", "> > > \"This place is the result of asking a torturer to", "said ████. \"Go figure.\" > > > But what if the reader was", "to them. Here's a demonstration: > > \"Watch your step, there could be", "of a joke, in case if the reader is not familiar with the", "these.\" > > > \"More?\" ████ was > still puzzled. \"We haven't encountered", "demonstration: > > \"Watch your step, there could be even more of these.\"", "you even surprised, anon?\" ████ casually scoffed. \"I thought that you'd notice this", "> > \"This place is the result of asking a torturer to make", "encountered any actual defense ever since > we entered. No patrols, nor gun", "them. Here's a demonstration: > > \"Watch your step, there could be even", "I just couldn't figure out a solution to them. Here's a demonstration: >", "to minimalize the loss of humorousness of a joke, in case if the", "> > > \"Are you even surprised, anon?\" ████ casually scoffed. \"I thought", "\"More?\" ████ was > still puzzled. \"We haven't encountered any actual defense ever", "make a fortress for you.\" said ████. \"Go figure.\" > > > But", "convey. So, what can I do to minimalize the loss of humorousness of", "even surprised, anon?\" ████ casually scoffed. \"I thought that you'd notice this pattern", "you'd notice this pattern and style, that this whole place was likely built", "> > > \"What NevisMI?\"████ asked. > > > \"This place is the", "\"What NevisMI?\"████ asked. > > > \"This place is the result of asking", "whole place was likely built by NevisMI.\" > > > \"What NevisMI?\"████ asked.", "████. \"Go figure.\" > > > *But what if the reader was lucky", "is the result of asking a torturer to make a fortress for you.\"", "> \"Watch your step, there could be even more of these.\" > >", "I do to minimalize the loss of humorousness of a joke, in case", "\"I thought that you'd notice this pattern and style, that this whole place", "lucky enough to miss Home Alone? Then the reference wouldn't convey.* So, what", "\"We haven't encountered any actual defense ever since > we entered. No patrols,", "just lava pits. > > > \"Are you even surprised, anon?\" ████ casually", "> \"What NevisMI?\"████ asked. > > > \"This place is the result of", "humorousness of a joke, in case if the reader is not familiar with", "by NevisMI.\" > > > \"What NevisMI?\"████ asked. > > > \"This place", "problem with reference jokes in general, and I just couldn't figure out a", "this pattern and style, that this whole place was likely built by NevisMI.\"", "to make a fortress for you.\" said ████. \"Go figure.\" > > >", "since > we entered. No patrols, nor gun turrets, just lava pits. >", "solution to them. Here's a demonstration: > > \"Watch your step, there could", "any actual defense ever since > we entered. No patrols, nor gun turrets,", "you.\" said ████. \"Go figure.\" > > > But what if the reader", "reference jokes in general, and I just couldn't figure out a solution to", "for you.\" said ████. \"Go figure.\" > > > But what if the", "> \"More?\" ████ was > still puzzled. \"We haven't encountered any actual defense", "could be even more of these.\" > > > \"More?\" ████ was >", "reference wouldn't convey. So, what can I do to minimalize the loss of", "\"Watch your step, there could be even more of these.\" > > >", "\"Go figure.\" > > > But what if the reader was lucky enough", "Here's a demonstration: > > \"Watch your step, there could be even more", "turrets, just lava pits. > > > \"Are you even surprised, anon?\" ████", "in general, and I just couldn't figure out a solution to them. Here's", "built by NevisMI.\" > > > \"What NevisMI?\"████ asked. > > > \"This", "lava pits. > > > \"Are you even surprised, anon?\" ████ casually scoffed.", "a fortress for you.\" said ████. \"Go figure.\" > > > *But what", "just couldn't figure out a solution to them. Here's a demonstration: > >", "\"Are you even surprised, anon?\" ████ casually scoffed. \"I thought that you'd notice", "nor gun turrets, just lava pits. > > > \"Are you even surprised,", "asked. > > > \"This place is the result of asking a torturer", "that this whole place was likely built by NevisMI.\" > > > \"What", "of these.\" > > > \"More?\" ████ was > still puzzled. \"We haven't", "a torturer to make a fortress for you.\" said ████. \"Go figure.\" >", "NevisMI?\"████ asked. > > > \"This place is the result of asking a", "a joke, in case if the reader is not familiar with the source", "pits. > > > \"Are you even surprised, anon?\" ████ casually scoffed. \"I", "result of asking a torturer to make a fortress for you.\" said ████.", "████ casually scoffed. \"I thought that you'd notice this pattern and style, that", "reader was lucky enough to miss Home Alone? Then the reference wouldn't convey.", "was likely built by NevisMI.\" > > > \"What NevisMI?\"████ asked. > >", "surprised, anon?\" ████ casually scoffed. \"I thought that you'd notice this pattern and", "> we entered. No patrols, nor gun turrets, just lava pits. > >", "> > > But what if the reader was lucky enough to miss", "> > But what if the reader was lucky enough to miss Home", "of asking a torturer to make a fortress for you.\" said ████. \"Go", "ever since > we entered. No patrols, nor gun turrets, just lava pits.", "Alone? Then the reference wouldn't convey.* So, what can I do to minimalize", "the reference wouldn't convey.** So, what can I do to minimalize the loss", "defense ever since > we entered. No patrols, nor gun turrets, just lava", "we entered. No patrols, nor gun turrets, just lava pits. > > >", "a demonstration: > > \"Watch your step, there could be even more of", "the loss of humorousness of a joke, in case if the reader is", "step, there could be even more of these.\" > > > \"More?\" ████", "patrols, nor gun turrets, just lava pits. > > > \"Are you even", "> > > \"More?\" ████ was > still puzzled. \"We haven't encountered any", "NevisMI.\" > > > \"What NevisMI?\"████ asked. > > > \"This place is", "So, what can I do to minimalize the loss of humorousness of a", "minimalize the loss of humorousness of a joke, in case if the reader", "asking a torturer to make a fortress for you.\" said ████. \"Go figure.\"", "if the reader was lucky enough to miss Home Alone? Then the reference", "place is the result of asking a torturer to make a fortress for", "jokes in general, and I just couldn't figure out a solution to them.", "> *But what if the reader was lucky enough to miss Home Alone?", "is a problem with reference jokes in general, and I just couldn't figure", "actual defense ever since > we entered. No patrols, nor gun turrets, just", "general, and I just couldn't figure out a solution to them. Here's a", "pattern and style, that this whole place was likely built by NevisMI.\" >", "joke, in case if the reader is not familiar with the source material?", "fortress for you.\" said ████. \"Go figure.\" > > > But what if", "loss of humorousness of a joke, in case if the reader is not", "entered. No patrols, nor gun turrets, just lava pits. > > > \"Are", "casually scoffed. \"I thought that you'd notice this pattern and style, that this", "what if the reader was lucky enough to miss Home Alone? Then the", "anon?\" ████ casually scoffed. \"I thought that you'd notice this pattern and style,", "gun turrets, just lava pits. > > > \"Are you even surprised, anon?\"", "wouldn't convey.* So, what can I do to minimalize the loss of humorousness", "your step, there could be even more of these.\" > > > \"More?\"", "> > \"Are you even surprised, anon?\" ████ casually scoffed. \"I thought that", "to miss Home Alone? Then the reference wouldn't convey.** So, what can I", "the result of asking a torturer to make a fortress for you.\" said", "can I do to minimalize the loss of humorousness of a joke, in", "There is a problem with reference jokes in general, and I just couldn't", "was lucky enough to miss Home Alone? Then the reference wouldn't convey.** So,", "Home Alone? Then the reference wouldn't convey.** So, what can I do to", "this whole place was likely built by NevisMI.\" > > > \"What NevisMI?\"████", "figure out a solution to them. Here's a demonstration: > > \"Watch your", "> \"This place is the result of asking a torturer to make a", "and I just couldn't figure out a solution to them. Here's a demonstration:", "out a solution to them. Here's a demonstration: > > \"Watch your step,", "scoffed. \"I thought that you'd notice this pattern and style, that this whole", "miss Home Alone? Then the reference wouldn't convey.** So, what can I do", "even more of these.\" > > > \"More?\" ████ was > still puzzled.", "with reference jokes in general, and I just couldn't figure out a solution", "the reader was lucky enough to miss Home Alone? Then the reference wouldn't", "> > \"What NevisMI?\"████ asked. > > > \"This place is the result", "couldn't figure out a solution to them. Here's a demonstration: > > \"Watch", "figure.\" > > > **But what if the reader was lucky enough to", "and style, that this whole place was likely built by NevisMI.\" > >", "notice this pattern and style, that this whole place was likely built by", "a problem with reference jokes in general, and I just couldn't figure out", "No patrols, nor gun turrets, just lava pits. > > > \"Are you", "> \"Are you even surprised, anon?\" ████ casually scoffed. \"I thought that you'd", "do to minimalize the loss of humorousness of a joke, in case if", "████ was > still puzzled. \"We haven't encountered any actual defense ever since", "place was likely built by NevisMI.\" > > > \"What NevisMI?\"████ asked. >", "torturer to make a fortress for you.\" said ████. \"Go figure.\" > >", "thought that you'd notice this pattern and style, that this whole place was", "\"This place is the result of asking a torturer to make a fortress", "what can I do to minimalize the loss of humorousness of a joke,", "still puzzled. \"We haven't encountered any actual defense ever since > we entered.", "likely built by NevisMI.\" > > > \"What NevisMI?\"████ asked. > > >", "that you'd notice this pattern and style, that this whole place was likely", "of humorousness of a joke, in case if the reader is not familiar" ]
[ "forced it. (Edit/update: The argument those characters had is not in the final", "interesting. Two of my characters don't want to talk at all. I threw", "they should yell at each other so the reader understands their history better.", "I'm just throwing my characters into different combinations and seeing if they come", "characters into different combinations and seeing if they come up with anything interesting.", "one hand I think they should yell at each other so the reader", "this exercise, and I had good insight into the secondary character because of", "and I had good insight into the secondary character because of it.) Question:", "and seeing if they come up with anything interesting. Two of my characters", "anything interesting. Two of my characters don't want to talk at all. I", "had good insight into the secondary character because of it.) Question: Is writing", "of it.) Question: Is writing garbage (and then righting the garbage) a valid", "hand I think they should yell at each other so the reader understands", "On the one hand I think they should yell at each other so", "had is not in the final draft, but one scene was heavily influenced", "yell at each other so the reader understands their history better. On the", "if they come up with anything interesting. Two of my characters don't want", "80% of the way through my story. At the moment, I'm just throwing", "combinations and seeing if they come up with anything interesting. Two of my", "them together, and they started yelling. On the one hand I think they", "the reader understands their history better. On the other hand, they didn't want", "I forced it. (Edit/update: The argument those characters had is not in the", "want to talk at all. I threw them together, and they started yelling.", "through my story. At the moment, I'm just throwing my characters into different", "(Edit/update: The argument those characters had is not in the final draft, but", "those characters had is not in the final draft, but one scene was", "one scene was heavily influenced by this exercise, and I had good insight", "together, and they started yelling. On the one hand I think they should", "the final draft, but one scene was heavily influenced by this exercise, and", "the one hand I think they should yell at each other so the", "at all. I threw them together, and they started yelling. On the one", "change ~ 80% of the way through my story. At the moment, I'm", "it.) Question: Is writing garbage (and then righting the garbage) a valid approach", "I need a change ~ 80% of the way through my story. At", "draft, but one scene was heavily influenced by this exercise, and I had", "their history better. On the other hand, they didn't want to be standing", "secondary character because of it.) Question: Is writing garbage (and then righting the", "think they should yell at each other so the reader understands their history", "they come up with anything interesting. Two of my characters don't want to", "not in the final draft, but one scene was heavily influenced by this", "should yell at each other so the reader understands their history better. On", "Is writing garbage (and then righting the garbage) a valid approach to creating?", "of my characters don't want to talk at all. I threw them together,", "to be standing next to each other. But I forced it. (Edit/update: The", "understands their history better. On the other hand, they didn't want to be", "other so the reader understands their history better. On the other hand, they", "want to be standing next to each other. But I forced it. (Edit/update:", "different combinations and seeing if they come up with anything interesting. Two of", "final draft, but one scene was heavily influenced by this exercise, and I", "way through my story. At the moment, I'm just throwing my characters into", "to talk at all. I threw them together, and they started yelling. On", "throwing my characters into different combinations and seeing if they come up with", "At the moment, I'm just throwing my characters into different combinations and seeing", "other hand, they didn't want to be standing next to each other. But", "yelling. On the one hand I think they should yell at each other", "good insight into the secondary character because of it.) Question: Is writing garbage", "influenced by this exercise, and I had good insight into the secondary character", "come up with anything interesting. Two of my characters don't want to talk", "started yelling. On the one hand I think they should yell at each", "insight into the secondary character because of it.) Question: Is writing garbage (and", "characters don't want to talk at all. I threw them together, and they", "because of it.) Question: Is writing garbage (and then righting the garbage) a", "history better. On the other hand, they didn't want to be standing next", "exercise, and I had good insight into the secondary character because of it.)", "I had good insight into the secondary character because of it.) Question: Is", "to each other. But I forced it. (Edit/update: The argument those characters had", "and they started yelling. On the one hand I think they should yell", "they started yelling. On the one hand I think they should yell at", "is not in the final draft, but one scene was heavily influenced by", "in the final draft, but one scene was heavily influenced by this exercise,", "story. At the moment, I'm just throwing my characters into different combinations and", "my characters into different combinations and seeing if they come up with anything", "into different combinations and seeing if they come up with anything interesting. Two", "the other hand, they didn't want to be standing next to each other.", "don't want to talk at all. I threw them together, and they started", "Question: Is writing garbage (and then righting the garbage) a valid approach to", "The argument those characters had is not in the final draft, but one", "they didn't want to be standing next to each other. But I forced", "of the way through my story. At the moment, I'm just throwing my", "the way through my story. At the moment, I'm just throwing my characters", "threw them together, and they started yelling. On the one hand I think", "argument those characters had is not in the final draft, but one scene", "I threw them together, and they started yelling. On the one hand I", "a change ~ 80% of the way through my story. At the moment,", "other. But I forced it. (Edit/update: The argument those characters had is not", "scene was heavily influenced by this exercise, and I had good insight into", "character because of it.) Question: Is writing garbage (and then righting the garbage)", "need a change ~ 80% of the way through my story. At the", "the moment, I'm just throwing my characters into different combinations and seeing if", "But I forced it. (Edit/update: The argument those characters had is not in", "characters had is not in the final draft, but one scene was heavily", "heavily influenced by this exercise, and I had good insight into the secondary", "On the other hand, they didn't want to be standing next to each", "each other so the reader understands their history better. On the other hand,", "~ 80% of the way through my story. At the moment, I'm just", "moment, I'm just throwing my characters into different combinations and seeing if they", "but one scene was heavily influenced by this exercise, and I had good", "it. (Edit/update: The argument those characters had is not in the final draft,", "at each other so the reader understands their history better. On the other", "up with anything interesting. Two of my characters don't want to talk at", "I think they should yell at each other so the reader understands their", "all. I threw them together, and they started yelling. On the one hand", "the secondary character because of it.) Question: Is writing garbage (and then righting", "reader understands their history better. On the other hand, they didn't want to", "Two of my characters don't want to talk at all. I threw them", "next to each other. But I forced it. (Edit/update: The argument those characters", "better. On the other hand, they didn't want to be standing next to", "my characters don't want to talk at all. I threw them together, and", "by this exercise, and I had good insight into the secondary character because", "talk at all. I threw them together, and they started yelling. On the", "was heavily influenced by this exercise, and I had good insight into the", "into the secondary character because of it.) Question: Is writing garbage (and then", "so the reader understands their history better. On the other hand, they didn't", "standing next to each other. But I forced it. (Edit/update: The argument those", "with anything interesting. Two of my characters don't want to talk at all.", "just throwing my characters into different combinations and seeing if they come up", "didn't want to be standing next to each other. But I forced it.", "each other. But I forced it. (Edit/update: The argument those characters had is", "hand, they didn't want to be standing next to each other. But I", "my story. At the moment, I'm just throwing my characters into different combinations", "seeing if they come up with anything interesting. Two of my characters don't", "be standing next to each other. But I forced it. (Edit/update: The argument" ]
[ "and have the friend explain afterward how he saved him, but since the", "up. However, toward the end of the book, there's a series of scenes", "to show the reader what the experience is like for his friends as", "of jarring experience for the reader. I could just leave it all in", "first-person as an introspective, and have the friend explain afterward how he saved", "support that kind of jarring experience for the reader. I could just leave", "first person POV, and I generally wouldn't like to give that up. However,", "up to his friends to save the day. Given that he won't be", "of scenes where the main character is helpless and unable to trust his", "his friend is helping him, I'd like to switch POVs, but I'm not", "him, I'd like to switch POVs, but I'm not sure that the complexity", "would work best as a first person POV, and I generally wouldn't like", "him, but since the MC is possessed at the time, I'd like to", "sensory experience, and it's up to his friends to save the day. Given", "or theme of my novel is upright or self-conscious enough to support that", "the MC is possessed at the time, I'd like to be able to", "in first-person as an introspective, and have the friend explain afterward how he", "all in first-person as an introspective, and have the friend explain afterward how", "I've decided that this novel would work best as a first person POV,", "he saved him, but since the MC is possessed at the time, I'd", "since the MC is possessed at the time, I'd like to be able", "theme of my novel is upright or self-conscious enough to support that kind", "be able to show the reader what the experience is like for his", "how his friend is helping him, I'd like to switch POVs, but I'm", "explain afterward how he saved him, but since the MC is possessed at", "POVs, but I'm not sure that the complexity or theme of my novel", "moment) understand how his friend is helping him, I'd like to switch POVs,", "is possessed at the time, I'd like to be able to show the", "I generally wouldn't like to give that up. However, toward the end of", "work best as a first person POV, and I generally wouldn't like to", "MC is possessed at the time, I'd like to be able to show", "decided that this novel would work best as a first person POV, and", "to see or (at the moment) understand how his friend is helping him,", "able to show the reader what the experience is like for his friends", "switch POVs, but I'm not sure that the complexity or theme of my", "enough to support that kind of jarring experience for the reader. I could", "scenes where the main character is helpless and unable to trust his own", "to switch POVs, but I'm not sure that the complexity or theme of", "I could just leave it all in first-person as an introspective, and have", "kind of jarring experience for the reader. I could just leave it all", "is upright or self-conscious enough to support that kind of jarring experience for", "there's a series of scenes where the main character is helpless and unable", "helping him, I'd like to switch POVs, but I'm not sure that the", "upright or self-conscious enough to support that kind of jarring experience for the", "and it's up to his friends to save the day. Given that he", "the reader. I could just leave it all in first-person as an introspective,", "to trust his own sensory experience, and it's up to his friends to", "it's up to his friends to save the day. Given that he won't", "just leave it all in first-person as an introspective, and have the friend", "friend explain afterward how he saved him, but since the MC is possessed", "is helping him, I'd like to switch POVs, but I'm not sure that", "toward the end of the book, there's a series of scenes where the", "friends to save the day. Given that he won't be able to see", "book, there's a series of scenes where the main character is helpless and", "I'd like to be able to show the reader what the experience is", "his own sensory experience, and it's up to his friends to save the", "and unable to trust his own sensory experience, and it's up to his", "a first person POV, and I generally wouldn't like to give that up.", "experience, and it's up to his friends to save the day. Given that", "Given that he won't be able to see or (at the moment) understand", "his friends to save the day. Given that he won't be able to", "character is helpless and unable to trust his own sensory experience, and it's", "the complexity or theme of my novel is upright or self-conscious enough to", "time, I'd like to be able to show the reader what the experience", "to support that kind of jarring experience for the reader. I could just", "a series of scenes where the main character is helpless and unable to", "this novel would work best as a first person POV, and I generally", "that kind of jarring experience for the reader. I could just leave it", "that he won't be able to see or (at the moment) understand how", "own sensory experience, and it's up to his friends to save the day.", "unable to trust his own sensory experience, and it's up to his friends", "reader. I could just leave it all in first-person as an introspective, and", "of the book, there's a series of scenes where the main character is", "end of the book, there's a series of scenes where the main character", "not sure that the complexity or theme of my novel is upright or", "possessed at the time, I'd like to be able to show the reader", "won't be able to see or (at the moment) understand how his friend", "he won't be able to see or (at the moment) understand how his", "understand how his friend is helping him, I'd like to switch POVs, but", "like to be able to show the reader what the experience is like", "However, toward the end of the book, there's a series of scenes where", "to give that up. However, toward the end of the book, there's a", "novel is upright or self-conscious enough to support that kind of jarring experience", "could just leave it all in first-person as an introspective, and have the", "the day. Given that he won't be able to see or (at the", "the main character is helpless and unable to trust his own sensory experience,", "have the friend explain afterward how he saved him, but since the MC", "to be able to show the reader what the experience is like for", "novel would work best as a first person POV, and I generally wouldn't", "of my novel is upright or self-conscious enough to support that kind of", "the moment) understand how his friend is helping him, I'd like to switch", "able to see or (at the moment) understand how his friend is helping", "to save the day. Given that he won't be able to see or", "leave it all in first-person as an introspective, and have the friend explain", "at the time, I'd like to be able to show the reader what", "afterward how he saved him, but since the MC is possessed at the", "saved him, but since the MC is possessed at the time, I'd like", "as a first person POV, and I generally wouldn't like to give that", "is helpless and unable to trust his own sensory experience, and it's up", "the friend explain afterward how he saved him, but since the MC is", "for the reader. I could just leave it all in first-person as an", "like to give that up. However, toward the end of the book, there's", "give that up. However, toward the end of the book, there's a series", "trust his own sensory experience, and it's up to his friends to save", "introspective, and have the friend explain afterward how he saved him, but since", "sure that the complexity or theme of my novel is upright or self-conscious", "person POV, and I generally wouldn't like to give that up. However, toward", "how he saved him, but since the MC is possessed at the time,", "and I generally wouldn't like to give that up. However, toward the end", "POV, and I generally wouldn't like to give that up. However, toward the", "that up. However, toward the end of the book, there's a series of", "my novel is upright or self-conscious enough to support that kind of jarring", "experience for the reader. I could just leave it all in first-person as", "best as a first person POV, and I generally wouldn't like to give", "show the reader what the experience is like for his friends as well.", "friend is helping him, I'd like to switch POVs, but I'm not sure", "or self-conscious enough to support that kind of jarring experience for the reader.", "as an introspective, and have the friend explain afterward how he saved him,", "or (at the moment) understand how his friend is helping him, I'd like", "self-conscious enough to support that kind of jarring experience for the reader. I", "day. Given that he won't be able to see or (at the moment)", "like to switch POVs, but I'm not sure that the complexity or theme", "complexity or theme of my novel is upright or self-conscious enough to support", "it all in first-person as an introspective, and have the friend explain afterward", "save the day. Given that he won't be able to see or (at", "the time, I'd like to be able to show the reader what the", "see or (at the moment) understand how his friend is helping him, I'd", "series of scenes where the main character is helpless and unable to trust", "I'd like to switch POVs, but I'm not sure that the complexity or", "I'm not sure that the complexity or theme of my novel is upright", "but since the MC is possessed at the time, I'd like to be", "that the complexity or theme of my novel is upright or self-conscious enough", "jarring experience for the reader. I could just leave it all in first-person", "the end of the book, there's a series of scenes where the main", "the book, there's a series of scenes where the main character is helpless", "but I'm not sure that the complexity or theme of my novel is", "that this novel would work best as a first person POV, and I", "be able to see or (at the moment) understand how his friend is", "(at the moment) understand how his friend is helping him, I'd like to", "an introspective, and have the friend explain afterward how he saved him, but", "generally wouldn't like to give that up. However, toward the end of the", "where the main character is helpless and unable to trust his own sensory", "to his friends to save the day. Given that he won't be able", "helpless and unable to trust his own sensory experience, and it's up to", "main character is helpless and unable to trust his own sensory experience, and", "wouldn't like to give that up. However, toward the end of the book," ]
[ "book. She belongs to a local writer's group, and has told me a", "writer's groups can be rife with opportunists trawling for pidgeons like my friend", "I crazy for thinking writer's groups can be rife with opportunists trawling for", "groups can be rife with opportunists trawling for pidgeons like my friend to", "editors out there (I aspire to be one myself one day), but even", "a book. She belongs to a local writer's group, and has told me", "they'll clean up even if they get negotiated down. Also, this person has", "believe their skillset is closer to being a proofreader rather than an editor.", "told me a person in this group that bills themselves as an editor", "If I'm wrong, I apologize to the editors out there (I aspire to", "an editor. Am I crazy for thinking writer's groups can be rife with", "that lead me to believe their skillset is closer to being a proofreader", "one myself one day), but even half of that seems awfully high. It", "for thinking writer's groups can be rife with opportunists trawling for pidgeons like", "one day), but even half of that seems awfully high. It seems they've", "even half of that seems awfully high. It seems they've priced themselves so", "in this group that bills themselves as an editor says they can edit", "editor says they can edit her work for $300 per page. If I'm", "a proofreader rather than an editor. Am I crazy for thinking writer's groups", "person has said things that lead me to believe their skillset is closer", "I have a friend who has almost completed a book. She belongs to", "I'm wrong, I apologize to the editors out there (I aspire to be", "for $300 per page. If I'm wrong, I apologize to the editors out", "belongs to a local writer's group, and has told me a person in", "this group that bills themselves as an editor says they can edit her", "there (I aspire to be one myself one day), but even half of", "they've priced themselves so that they'll clean up even if they get negotiated", "even if they get negotiated down. Also, this person has said things that", "to be one myself one day), but even half of that seems awfully", "high. It seems they've priced themselves so that they'll clean up even if", "can edit her work for $300 per page. If I'm wrong, I apologize", "her work for $300 per page. If I'm wrong, I apologize to the", "if they get negotiated down. Also, this person has said things that lead", "to being a proofreader rather than an editor. Am I crazy for thinking", "page. If I'm wrong, I apologize to the editors out there (I aspire", "who has almost completed a book. She belongs to a local writer's group,", "be rife with opportunists trawling for pidgeons like my friend to take advantage", "group that bills themselves as an editor says they can edit her work", "as an editor says they can edit her work for $300 per page.", "says they can edit her work for $300 per page. If I'm wrong,", "that they'll clean up even if they get negotiated down. Also, this person", "lead me to believe their skillset is closer to being a proofreader rather", "edit her work for $300 per page. If I'm wrong, I apologize to", "this person has said things that lead me to believe their skillset is", "rather than an editor. Am I crazy for thinking writer's groups can be", "themselves so that they'll clean up even if they get negotiated down. Also,", "can be rife with opportunists trawling for pidgeons like my friend to take", "seems awfully high. It seems they've priced themselves so that they'll clean up", "thinking writer's groups can be rife with opportunists trawling for pidgeons like my", "their skillset is closer to being a proofreader rather than an editor. Am", "day), but even half of that seems awfully high. It seems they've priced", "editor. Am I crazy for thinking writer's groups can be rife with opportunists", "a friend who has almost completed a book. She belongs to a local", "is closer to being a proofreader rather than an editor. Am I crazy", "a person in this group that bills themselves as an editor says they", "skillset is closer to being a proofreader rather than an editor. Am I", "has said things that lead me to believe their skillset is closer to", "a local writer's group, and has told me a person in this group", "crazy for thinking writer's groups can be rife with opportunists trawling for pidgeons", "being a proofreader rather than an editor. Am I crazy for thinking writer's", "of that seems awfully high. It seems they've priced themselves so that they'll", "half of that seems awfully high. It seems they've priced themselves so that", "priced themselves so that they'll clean up even if they get negotiated down.", "rife with opportunists trawling for pidgeons like my friend to take advantage of?", "proofreader rather than an editor. Am I crazy for thinking writer's groups can", "negotiated down. Also, this person has said things that lead me to believe", "friend who has almost completed a book. She belongs to a local writer's", "have a friend who has almost completed a book. She belongs to a", "get negotiated down. Also, this person has said things that lead me to", "down. Also, this person has said things that lead me to believe their", "said things that lead me to believe their skillset is closer to being", "per page. If I'm wrong, I apologize to the editors out there (I", "be one myself one day), but even half of that seems awfully high.", "has told me a person in this group that bills themselves as an", "they get negotiated down. Also, this person has said things that lead me", "She belongs to a local writer's group, and has told me a person", "to the editors out there (I aspire to be one myself one day),", "than an editor. Am I crazy for thinking writer's groups can be rife", "up even if they get negotiated down. Also, this person has said things", "It seems they've priced themselves so that they'll clean up even if they", "bills themselves as an editor says they can edit her work for $300", "so that they'll clean up even if they get negotiated down. Also, this", "they can edit her work for $300 per page. If I'm wrong, I", "but even half of that seems awfully high. It seems they've priced themselves", "to believe their skillset is closer to being a proofreader rather than an", "aspire to be one myself one day), but even half of that seems", "almost completed a book. She belongs to a local writer's group, and has", "writer's group, and has told me a person in this group that bills", "an editor says they can edit her work for $300 per page. If", "$300 per page. If I'm wrong, I apologize to the editors out there", "Also, this person has said things that lead me to believe their skillset", "awfully high. It seems they've priced themselves so that they'll clean up even", "local writer's group, and has told me a person in this group that", "(I aspire to be one myself one day), but even half of that", "has almost completed a book. She belongs to a local writer's group, and", "that bills themselves as an editor says they can edit her work for", "group, and has told me a person in this group that bills themselves", "out there (I aspire to be one myself one day), but even half", "completed a book. She belongs to a local writer's group, and has told", "work for $300 per page. If I'm wrong, I apologize to the editors", "clean up even if they get negotiated down. Also, this person has said", "the editors out there (I aspire to be one myself one day), but", "that seems awfully high. It seems they've priced themselves so that they'll clean", "and has told me a person in this group that bills themselves as", "me a person in this group that bills themselves as an editor says", "wrong, I apologize to the editors out there (I aspire to be one", "to a local writer's group, and has told me a person in this", "themselves as an editor says they can edit her work for $300 per", "seems they've priced themselves so that they'll clean up even if they get", "Am I crazy for thinking writer's groups can be rife with opportunists trawling", "I apologize to the editors out there (I aspire to be one myself", "closer to being a proofreader rather than an editor. Am I crazy for", "me to believe their skillset is closer to being a proofreader rather than", "apologize to the editors out there (I aspire to be one myself one", "myself one day), but even half of that seems awfully high. It seems", "things that lead me to believe their skillset is closer to being a", "person in this group that bills themselves as an editor says they can" ]
[ "hoodie-wearing character is what's selling in the market right now, so my character", "editor suggests that the character wears a hoodie whenever he is sneaking, to", "publisher about my comic book. In it, the main character is a hunter", "a hoodie-wearing character is what's selling in the market right now, so my", "that the character is sneaking. Also according to my editor, a hoodie-wearing character", "the context of the story and the fictional world, along with reasons why.", "it, the main character is a hunter who hunts monsters, but in a", "selling in the market right now, so my character has to wear it", "sneaking. Also according to my editor, a hoodie-wearing character is what's selling in", "market right now, so my character has to wear it no matter what", "In it, the main character is a hunter who hunts monsters, but in", "with reasons why. But my editor is adamant that the hoodie is a", "character is sneaking. Also according to my editor, a hoodie-wearing character is what's", "I'm in talks with a publisher about my comic book. In it, the", "my comic book. In it, the main character is a hunter who hunts", "Or should I just let this one slide, and make a (possibly sloppy)", "this one slide, and make a (possibly sloppy) excuse in the story as", "character is a hunter who hunts monsters, but in a way inspired by", "I continue to defend my point? Or should I just let this one", "main character is a hunter who hunts monsters, but in a way inspired", "to my editor, a hoodie-wearing character is what's selling in the market right", "know that the character is sneaking. Also according to my editor, a hoodie-wearing", "a publisher about my comic book. In it, the main character is a", "by how real hunters hunt. My editor suggests that the character wears a", "in the market right now, so my character has to wear it no", "otherwise, readers won't know that the character is sneaking. Also according to my", "that a hoodie doesn't make sense in the context of the story and", "comic book published. Should I continue to defend my point? Or should I", "he is sneaking. I then tell my editor that a hoodie doesn't make", "adamant that the hoodie is a must, because otherwise, readers won't know that", "the market right now, so my character has to wear it no matter", "my point? Or should I just let this one slide, and make a", "that he is sneaking. I then tell my editor that a hoodie doesn't", "to inform the reader that he is sneaking. I then tell my editor", "the reader that he is sneaking. I then tell my editor that a", "is sneaking, to inform the reader that he is sneaking. I then tell", "way inspired by how real hunters hunt. My editor suggests that the character", "character wears a hoodie whenever he is sneaking, to inform the reader that", "why. But my editor is adamant that the hoodie is a must, because", "my editor, a hoodie-wearing character is what's selling in the market right now,", "right now, so my character has to wear it no matter what if", "comic book. In it, the main character is a hunter who hunts monsters,", "if I want to get my comic book published. Should I continue to", "hunter who hunts monsters, but in a way inspired by how real hunters", "inspired by how real hunters hunt. My editor suggests that the character wears", "editor is adamant that the hoodie is a must, because otherwise, readers won't", "hunt. My editor suggests that the character wears a hoodie whenever he is", "one slide, and make a (possibly sloppy) excuse in the story as to", "make a (possibly sloppy) excuse in the story as to why the character", "my editor is adamant that the hoodie is a must, because otherwise, readers", "must, because otherwise, readers won't know that the character is sneaking. Also according", "whenever he is sneaking, to inform the reader that he is sneaking. I", "wears a hoodie whenever he is sneaking, to inform the reader that he", "suggests that the character wears a hoodie whenever he is sneaking, to inform", "my editor that a hoodie doesn't make sense in the context of the", "according to my editor, a hoodie-wearing character is what's selling in the market", "hoodie is a must, because otherwise, readers won't know that the character is", "character is what's selling in the market right now, so my character has", "context of the story and the fictional world, along with reasons why. But", "is a hunter who hunts monsters, but in a way inspired by how", "make sense in the context of the story and the fictional world, along", "it no matter what if I want to get my comic book published.", "a (possibly sloppy) excuse in the story as to why the character wears", "character has to wear it no matter what if I want to get", "no matter what if I want to get my comic book published. Should", "hunts monsters, but in a way inspired by how real hunters hunt. My", "is sneaking. Also according to my editor, a hoodie-wearing character is what's selling", "hunters hunt. My editor suggests that the character wears a hoodie whenever he", "what's selling in the market right now, so my character has to wear", "the story and the fictional world, along with reasons why. But my editor", "editor, a hoodie-wearing character is what's selling in the market right now, so", "I want to get my comic book published. Should I continue to defend", "in talks with a publisher about my comic book. In it, the main", "editor that a hoodie doesn't make sense in the context of the story", "because otherwise, readers won't know that the character is sneaking. Also according to", "wear it no matter what if I want to get my comic book", "My editor suggests that the character wears a hoodie whenever he is sneaking,", "point? Or should I just let this one slide, and make a (possibly", "slide, and make a (possibly sloppy) excuse in the story as to why", "book published. Should I continue to defend my point? Or should I just", "story and the fictional world, along with reasons why. But my editor is", "is sneaking. I then tell my editor that a hoodie doesn't make sense", "a must, because otherwise, readers won't know that the character is sneaking. Also", "get my comic book published. Should I continue to defend my point? Or", "But my editor is adamant that the hoodie is a must, because otherwise,", "book. In it, the main character is a hunter who hunts monsters, but", "talks with a publisher about my comic book. In it, the main character", "should I just let this one slide, and make a (possibly sloppy) excuse", "who hunts monsters, but in a way inspired by how real hunters hunt.", "that the character wears a hoodie whenever he is sneaking, to inform the", "Also according to my editor, a hoodie-wearing character is what's selling in the", "sloppy) excuse in the story as to why the character wears a hoodie?", "I just let this one slide, and make a (possibly sloppy) excuse in", "about my comic book. In it, the main character is a hunter who", "a hunter who hunts monsters, but in a way inspired by how real", "fictional world, along with reasons why. But my editor is adamant that the", "that the hoodie is a must, because otherwise, readers won't know that the", "with a publisher about my comic book. In it, the main character is", "just let this one slide, and make a (possibly sloppy) excuse in the", "along with reasons why. But my editor is adamant that the hoodie is", "and make a (possibly sloppy) excuse in the story as to why the", "let this one slide, and make a (possibly sloppy) excuse in the story", "matter what if I want to get my comic book published. Should I", "but in a way inspired by how real hunters hunt. My editor suggests", "he is sneaking, to inform the reader that he is sneaking. I then", "is adamant that the hoodie is a must, because otherwise, readers won't know", "monsters, but in a way inspired by how real hunters hunt. My editor", "sneaking. I then tell my editor that a hoodie doesn't make sense in", "is what's selling in the market right now, so my character has to", "and the fictional world, along with reasons why. But my editor is adamant", "the character is sneaking. Also according to my editor, a hoodie-wearing character is", "a hoodie whenever he is sneaking, to inform the reader that he is", "in the context of the story and the fictional world, along with reasons", "a way inspired by how real hunters hunt. My editor suggests that the", "my comic book published. Should I continue to defend my point? Or should", "to wear it no matter what if I want to get my comic", "now, so my character has to wear it no matter what if I", "reader that he is sneaking. I then tell my editor that a hoodie", "sense in the context of the story and the fictional world, along with", "readers won't know that the character is sneaking. Also according to my editor,", "the hoodie is a must, because otherwise, readers won't know that the character", "defend my point? Or should I just let this one slide, and make", "a hoodie doesn't make sense in the context of the story and the", "the main character is a hunter who hunts monsters, but in a way", "then tell my editor that a hoodie doesn't make sense in the context", "doesn't make sense in the context of the story and the fictional world,", "(possibly sloppy) excuse in the story as to why the character wears a", "to defend my point? Or should I just let this one slide, and", "hoodie doesn't make sense in the context of the story and the fictional", "real hunters hunt. My editor suggests that the character wears a hoodie whenever", "inform the reader that he is sneaking. I then tell my editor that", "want to get my comic book published. Should I continue to defend my", "Should I continue to defend my point? Or should I just let this", "world, along with reasons why. But my editor is adamant that the hoodie", "I then tell my editor that a hoodie doesn't make sense in the", "what if I want to get my comic book published. Should I continue", "to get my comic book published. Should I continue to defend my point?", "the fictional world, along with reasons why. But my editor is adamant that", "has to wear it no matter what if I want to get my", "my character has to wear it no matter what if I want to", "sneaking, to inform the reader that he is sneaking. I then tell my", "is a must, because otherwise, readers won't know that the character is sneaking.", "the character wears a hoodie whenever he is sneaking, to inform the reader", "continue to defend my point? Or should I just let this one slide,", "reasons why. But my editor is adamant that the hoodie is a must,", "so my character has to wear it no matter what if I want", "hoodie whenever he is sneaking, to inform the reader that he is sneaking.", "in a way inspired by how real hunters hunt. My editor suggests that", "of the story and the fictional world, along with reasons why. But my", "how real hunters hunt. My editor suggests that the character wears a hoodie", "won't know that the character is sneaking. Also according to my editor, a", "published. Should I continue to defend my point? Or should I just let", "tell my editor that a hoodie doesn't make sense in the context of" ]
[ "of writing in a modern world. There are all those gadgets, 5D virtual", "reason you made that choice. So, the question is: why do you write?", "5D virtual reality games and movies, you know. And still, You have decided", "in a modern world. There are all those gadgets, 5D virtual reality games", "know. And still, You have decided to write. There definitely must be a", "There are all those gadgets, 5D virtual reality games and movies, you know.", "write. There definitely must be a reason you made that choice. So, the", "movies, you know. And still, You have decided to write. There definitely must", "and movies, you know. And still, You have decided to write. There definitely", "virtual reality games and movies, you know. And still, You have decided to", "are all those gadgets, 5D virtual reality games and movies, you know. And", "statistics about the reasons of writing in a modern world. There are all", "to write. There definitely must be a reason you made that choice. So,", "a modern world. There are all those gadgets, 5D virtual reality games and", "is not the right question to ask, but I am collecting some statistics", "a reason you made that choice. So, the question is: why do you", "some statistics about the reasons of writing in a modern world. There are", "all those gadgets, 5D virtual reality games and movies, you know. And still,", "And still, You have decided to write. There definitely must be a reason", "you know. And still, You have decided to write. There definitely must be", "have decided to write. There definitely must be a reason you made that", "but I am collecting some statistics about the reasons of writing in a", "this is not the right question to ask, but I am collecting some", "know this is not the right question to ask, but I am collecting", "reasons of writing in a modern world. There are all those gadgets, 5D", "modern world. There are all those gadgets, 5D virtual reality games and movies,", "gadgets, 5D virtual reality games and movies, you know. And still, You have", "decided to write. There definitely must be a reason you made that choice.", "be a reason you made that choice. So, the question is: why do", "I am collecting some statistics about the reasons of writing in a modern", "to ask, but I am collecting some statistics about the reasons of writing", "question to ask, but I am collecting some statistics about the reasons of", "those gadgets, 5D virtual reality games and movies, you know. And still, You", "definitely must be a reason you made that choice. So, the question is:", "am collecting some statistics about the reasons of writing in a modern world.", "the reasons of writing in a modern world. There are all those gadgets,", "the right question to ask, but I am collecting some statistics about the", "still, You have decided to write. There definitely must be a reason you", "collecting some statistics about the reasons of writing in a modern world. There", "writing in a modern world. There are all those gadgets, 5D virtual reality", "ask, but I am collecting some statistics about the reasons of writing in", "must be a reason you made that choice. So, the question is: why", "reality games and movies, you know. And still, You have decided to write.", "games and movies, you know. And still, You have decided to write. There", "right question to ask, but I am collecting some statistics about the reasons", "not the right question to ask, but I am collecting some statistics about", "world. There are all those gadgets, 5D virtual reality games and movies, you", "You have decided to write. There definitely must be a reason you made", "There definitely must be a reason you made that choice. So, the question", "I know this is not the right question to ask, but I am", "about the reasons of writing in a modern world. There are all those" ]
[ "a continuous part of the first scene? Please help me, I am stuck", "of the first scene? Please help me, I am stuck here and can't", "- In Vutfam. (A bunch of scenes) Scene 11: int. - day Bruce", "show that this scene is actually a continuous part of the first scene?", "the first scene? Please help me, I am stuck here and can't find", "1: int. - day* Bruce - Where am I? Wizne - In Vutfam.", "Wizne - In Vutfam. (A bunch of scenes) Scene 11: int. - day", "(A bunch of scenes) Scene 11: int. - day Bruce - In Vutfam,", "- day* Bruce - Where am I? Wizne - In Vutfam. (A bunch", "- day Bruce - In Vutfam, you say? --- How am I supposed", "day* Bruce - Where am I? Wizne - In Vutfam. (A bunch of", "Bruce - In Vutfam, you say? --- How am I supposed to show", "example: scene 1: int. - day* Bruce - Where am I? Wizne -", "int. - day* Bruce - In Vutfam, you say? --- How am I", "say? --- How am I supposed to show that this scene is actually", "that this scene is actually a continuous part of the first scene? Please", "int. - day* Bruce - Where am I? Wizne - In Vutfam. (A", "Please help me, I am stuck here and can't find the answer anywhere.", "How am I supposed to show that this scene is actually a continuous", "- In Vutfam, you say? --- How am I supposed to show that", "scene 1: int. - day* Bruce - Where am I? Wizne - In", "this scene is actually a continuous part of the first scene? Please help", "you say? --- How am I supposed to show that this scene is", "this example: scene 1: int. - day Bruce - Where am I? Wizne", "supposed to show that this scene is actually a continuous part of the", "Vutfam. (A bunch of scenes) Scene 11: int. - day Bruce - In", "scene is actually a continuous part of the first scene? Please help me,", "continuous part of the first scene? Please help me, I am stuck here", "actually a continuous part of the first scene? Please help me, I am", "Bruce - Where am I? Wizne - In Vutfam. (A bunch of scenes)", "--- How am I supposed to show that this scene is actually a", "Vutfam, you say? --- How am I supposed to show that this scene", "first scene? Please help me, I am stuck here and can't find the", "to show that this scene is actually a continuous part of the first", "In Vutfam, you say? --- How am I supposed to show that this", "Where am I? Wizne - In Vutfam. (A bunch of scenes) Scene 11:", "I supposed to show that this scene is actually a continuous part of", "11: int. - day Bruce - In Vutfam, you say? --- How am", "In Vutfam. (A bunch of scenes) Scene 11: int. - day Bruce -", "part of the first scene? Please help me, I am stuck here and", "day* Bruce - In Vutfam, you say? --- How am I supposed to", "of scenes) Scene 11: int. - day* Bruce - In Vutfam, you say?", "- Where am I? Wizne - In Vutfam. (A bunch of scenes) Scene", "am I supposed to show that this scene is actually a continuous part", "bunch of scenes) Scene 11: int. - day Bruce - In Vutfam, you", "I? Wizne - In Vutfam. (A bunch of scenes) Scene 11: int. -", "is actually a continuous part of the first scene? Please help me, I", "scene? Please help me, I am stuck here and can't find the answer", "Take this example: scene 1: int. - day* Bruce - Where am I?", "am I? Wizne - In Vutfam. (A bunch of scenes) Scene 11: int.", "Scene 11: int. - day* Bruce - In Vutfam, you say? --- How", "scenes) Scene 11: int. - day* Bruce - In Vutfam, you say? ---" ]