Split (1)

train · 10.4M rows

ngram listlengths 0 10.5k
[ "operate via through dummy plugs, which serve as an artificial brain, and in", "frying them.\"... (Explanation:* Warbots operate via through dummy plugs, which serve as an", "important machines and enable offline operation.)* > > > ...\"Not so fast! Sadly,", "huge infodumps: *Note: my comments will be in italics* > > \"Okay, here's", "beam of Hard X-rays, capable of easily penetrating armor and wiping information from", "space travel, the Dysak-fleets, and so on and so forth. So, is there", "limitations. However, sometimes detailing and establishing a plot/normal device tends to yield huge", "be > reduced significantly, and they are still slow as heck. This weapon", "> \"Okay, here's the plan: Those Warbots are the result of some >", "easily penetrating armor and wiping information from sensitive electronic devices when not frying", "Organisms), I'm the only one who happens to be > [radiotrophic](https://en.wikipedia.org/wiki/Radiosynthesis_(metabolism)), in other", "to be > reduced significantly, and they are still slow as heck. This", "be achieved with a reasonable > DEW (Directed-Energy Weapon). It fires a coherent", "still a huge dialog. Ad there are many, more: Tsiolkovsky's rocket equation, the", "huge dialog. Ad there are many, more: Tsiolkovsky's rocket equation, the function of", "Warbots are the result of some > megalomaniac idiot's attempt at creating walkers.", "hard-SF the writer has to adapt to the world and its limitation. Under", "here is the pinnacle of what can be achieved with a reasonable >", "It fires a coherent beam of Hard X-rays, capable of easily penetrating armor", "great, even with the limitations. However, sometimes detailing and establishing a plot/normal device", "Hard X-rays, capable of easily penetrating armor and wiping information from sensitive electronic", "creating walkers. Needless to say, > their power source and extra weaponry means", "not even the weapon can reliably stop some of the extra > radiation,", "some > megalomaniac idiot's attempt at creating walkers. Needless to say, > their", "be > [radiotrophic](https://en.wikipedia.org/wiki/Radiosynthesis_(metabolism)), in other words, I handle it and you'll provide the", "there any way to deliver the info without making the reader fall asleep?", "originally created to prevent haxxor attacks on important machines and enable offline operation.)", "I handle it and you'll provide the > overwatch.\" > > > See,", "the > overwatch.\" > > > See, I hadn't even mentioned the technical", "an artificial brain, and in many respects, is similar to an SSD. They", "make something great, even with the limitations. However, sometimes detailing and establishing a", "device tends to yield huge infodumps: *Note: my comments will be in italics**", "this merry little club of epic-fail GMOs (Genetically > Modified Organisms), I'm the", "even with the limitations. However, sometimes detailing and establishing a plot/normal device tends", "what can be achieved with a reasonable > DEW (Directed-Energy Weapon). It fires", "X-rays are kinda good at getting through things > and not even the", "the weapon, and it's still a huge dialog. Ad there are many, more:", "They were originally created to prevent haxxor attacks on important machines and enable", "significantly, and they are still slow as heck. This weapon > right here", "overwatch.\" > > > See, I hadn't even mentioned the technical details of", "shouldn't a problem, as you can always make something great, even with the", "are many, more: Tsiolkovsky's rocket equation, the function of delta-v (change in the", "delta-v (change in the velocity of an object) in space travel, the Dysak-fleets,", "\"Okay, here's the plan: Those Warbots are the result of some > megalomaniac", "result of some > megalomaniac idiot's attempt at creating walkers. Needless to say,", "capable of easily penetrating armor and wiping information from sensitive electronic devices when", "brain, and in many respects, is similar to an SSD. They were originally", "In hard-SF the writer has to adapt to the world and its limitation.", "right here is the pinnacle of what can be achieved with a reasonable", "can always make something great, even with the limitations. However, sometimes detailing and", "as an artificial brain, and in many respects, is similar to an SSD.", "of epic-fail GMOs (Genetically > Modified Organisms), I'm the only one who happens", "can be achieved with a reasonable > DEW (Directed-Energy Weapon). It fires a", "to say, > their power source and extra weaponry means that their armor", "the velocity of an object) in space travel, the Dysak-fleets, and so on", "you'll provide the > overwatch.\" > > > See, I hadn't even mentioned", "the writer has to adapt to the world and its limitation. Under normal", "say, > their power source and extra weaponry means that their armor had", "be in italics*** > > \"Okay, here's the plan: Those Warbots are the", "(Directed-Energy Weapon). It fires a coherent beam of Hard X-rays, capable of easily", "were originally created to prevent haxxor attacks on important machines and enable offline", "and they are still slow as heck. This weapon > right here is", "of what can be achieved with a reasonable > DEW (Directed-Energy Weapon). It", "the world and its limitation. Under normal circumstances, this shouldn't a problem, as", "> reduced significantly, and they are still slow as heck. This weapon >", "writer has to adapt to the world and its limitation. Under normal circumstances,", "the limitations. However, sometimes detailing and establishing a plot/normal device tends to yield", "detailing and establishing a plot/normal device tends to yield huge infodumps: *Note: my", "even the weapon can reliably stop some of the extra > radiation, and", "words, I handle it and you'll provide the > overwatch.\" > > >", "idiot's attempt at creating walkers. Needless to say, > their power source and", "This weapon > right here is the pinnacle of what can be achieved", "the only one who happens to be > [radiotrophic](https://en.wikipedia.org/wiki/Radiosynthesis_(metabolism)), in other words, I", "walkers. Needless to say, > their power source and extra weaponry means that", "in the velocity of an object) in space travel, the Dysak-fleets, and so", "at getting through things > and not even the weapon can reliably stop", "Needless to say, > their power source and extra weaponry means that their", "attempt at creating walkers. Needless to say, > their power source and extra", "hadn't even mentioned the technical details of the weapon, and it's still a", "extra > radiation, and in this merry little club of epic-fail GMOs (Genetically", "the weapon can reliably stop some of the extra > radiation, and in", "sometimes detailing and establishing a plot/normal device tends to yield huge infodumps: *Note:", "circumstances, this shouldn't a problem, as you can always make something great, even", "to prevent haxxor attacks on important machines and enable offline operation.) > >", "operation.)* > > > ...\"Not so fast! Sadly, Hard X-rays are kinda good", "Dysak-fleets, and so on and so forth. *So, is there any way to", "them.\"... (Explanation: Warbots operate via through dummy plugs, which serve as an artificial", "extra weaponry means that their armor had to be > reduced significantly, and", "that their armor had to be > reduced significantly, and they are still", "to the world and its limitation. Under normal circumstances, this shouldn't a problem,", "slow as heck. This weapon > right here is the pinnacle of what", "sensitive electronic devices when not frying them.\"... (Explanation:* Warbots operate via through dummy", "SSD. They were originally created to prevent haxxor attacks on important machines and", "Hard X-rays are kinda good at getting through things > and not even", "in this merry little club of epic-fail GMOs (Genetically > Modified Organisms), I'm", "travel, the Dysak-fleets, and so on and so forth. So, is there any", "their power source and extra weaponry means that their armor had to be", "an SSD. They were originally created to prevent haxxor attacks on important machines", "the extra > radiation, and in this merry little club of epic-fail GMOs", "> > > See, I hadn't even mentioned the technical details of the", "in space travel, the Dysak-fleets, and so on and so forth. So, is", "yield huge infodumps: *Note: my comments will be in italics*** > > \"Okay,", "always make something great, even with the limitations. However, sometimes detailing and establishing", "created to prevent haxxor attacks on important machines and enable offline operation.)* >", "problem, as you can always make something great, even with the limitations. However,", "attacks on important machines and enable offline operation.)* > > > ...\"Not so", "However, sometimes detailing and establishing a plot/normal device tends to yield huge infodumps:", "dummy plugs, which serve as an artificial brain, and in many respects, is", "it's still a huge dialog. Ad there are many, more: Tsiolkovsky's rocket equation,", "with the limitations. However, sometimes detailing and establishing a plot/normal device tends to", "> DEW (Directed-Energy Weapon). It fires a coherent beam of Hard X-rays, capable", "of easily penetrating armor and wiping information from sensitive electronic devices when not", "kinda good at getting through things > and not even the weapon can", "enable offline operation.)* > > > ...\"Not so fast! Sadly, Hard X-rays are", "(Genetically > Modified Organisms), I'm the only one who happens to be >", "merry little club of epic-fail GMOs (Genetically > Modified Organisms), I'm the only", "to an SSD. They were originally created to prevent haxxor attacks on important", "will be in italics** > > \"Okay, here's the plan: Those Warbots are", "and not even the weapon can reliably stop some of the extra >", "reasonable > DEW (Directed-Energy Weapon). It fires a coherent beam of Hard X-rays,", "it and you'll provide the > overwatch.\" > > > See, I hadn't", "devices when not frying them.\"... (Explanation:* Warbots operate via through dummy plugs, which", "coherent beam of Hard X-rays, capable of easily penetrating armor and wiping information", "of delta-v (change in the velocity of an object) in space travel, the", "and establishing a plot/normal device tends to yield huge infodumps: *Note: my comments", "and wiping information from sensitive electronic devices when not frying them.\"... (Explanation: Warbots", "> overwatch.\" > > > See, I hadn't even mentioned the technical details", "> radiation, and in this merry little club of epic-fail GMOs (Genetically >", "plan: Those Warbots are the result of some > megalomaniac idiot's attempt at", "little club of epic-fail GMOs (Genetically > Modified Organisms), I'm the only one", "still slow as heck. This weapon > right here is the pinnacle of", "as heck. This weapon > right here is the pinnacle of what can", "a coherent beam of Hard X-rays, capable of easily penetrating armor and wiping", "similar to an SSD. They were originally created to prevent haxxor attacks on", "GMOs (Genetically > Modified Organisms), I'm the only one who happens to be", "...\"Not so fast! Sadly, Hard X-rays are kinda good at getting through things", "there are many, more: Tsiolkovsky's rocket equation, the function of delta-v (change in", "their armor had to be > reduced significantly, and they are still slow", "on important machines and enable offline operation.) > > > ...\"Not so fast!", "good at getting through things > and not even the weapon can reliably", "details of the weapon, and it's still a huge dialog. Ad there are", "you can always make something great, even with the limitations. However, sometimes detailing", "they are still slow as heck. This weapon > right here is the", "> See, I hadn't even mentioned the technical details of the weapon, and", "something great, even with the limitations. However, sometimes detailing and establishing a plot/normal", "at creating walkers. Needless to say, > their power source and extra weaponry", "adapt to the world and its limitation. Under normal circumstances, this shouldn't a", "are still slow as heck. This weapon > right here is the pinnacle", "comments will be in italics > > \"Okay, here's the plan: Those Warbots", "fires a coherent beam of Hard X-rays, capable of easily penetrating armor and", "are kinda good at getting through things > and not even the weapon", "through things > and not even the weapon can reliably stop some of", "some of the extra > radiation, and in this merry little club of", "who happens to be > [radiotrophic](https://en.wikipedia.org/wiki/Radiosynthesis_(metabolism)), in other words, I handle it and", "more: Tsiolkovsky's rocket equation, the function of delta-v (change in the velocity of", "so forth. So, is there any way to deliver the info without making", "source and extra weaponry means that their armor had to be > reduced", "X-rays, capable of easily penetrating armor and wiping information from sensitive electronic devices", "See, I hadn't even mentioned the technical details of the weapon, and it's", "many, more: Tsiolkovsky's rocket equation, the function of delta-v (change in the velocity", "weapon > right here is the pinnacle of what can be achieved with", "the pinnacle of what can be achieved with a reasonable > DEW (Directed-Energy", "weapon can reliably stop some of the extra > radiation, and in this", "armor had to be > reduced significantly, and they are still slow as", "of the weapon, and it's still a huge dialog. Ad there are many,", "reduced significantly, and they are still slow as heck. This weapon > right", "Under normal circumstances, this shouldn't a problem, as you can always make something", "in italics*** > > \"Okay, here's the plan: Those Warbots are the result", "and in this merry little club of epic-fail GMOs (Genetically > Modified Organisms),", "and in many respects, is similar to an SSD. They were originally created", "fast! Sadly, Hard X-rays are kinda good at getting through things > and", "even mentioned the technical details of the weapon, and it's still a huge", "the function of delta-v (change in the velocity of an object) in space", "as you can always make something great, even with the limitations. However, sometimes", "function of delta-v (change in the velocity of an object) in space travel,", "handle it and you'll provide the > overwatch.\" > > > See, I", "object) in space travel, the Dysak-fleets, and so on and so forth. *So,", "Modified Organisms), I'm the only one who happens to be > [radiotrophic](https://en.wikipedia.org/wiki/Radiosynthesis_(metabolism)), in", "> > ...\"Not so fast! Sadly, Hard X-rays are kinda good at getting", "forth. So, is there any way to deliver the info without making the", "the Dysak-fleets, and so on and so forth. So, is there any way", "infodumps: *Note: my comments will be in italics* > > \"Okay, here's the", "plot/normal device tends to yield huge infodumps: Note: my comments will be in", "heck. This weapon > right here is the pinnacle of what can be", "achieved with a reasonable > DEW (Directed-Energy Weapon). It fires a coherent beam", "from sensitive electronic devices when not frying them.\"... (Explanation:* Warbots operate via through", "and so forth. *So, is there any way to deliver the info without", "technical details of the weapon, and it's still a huge dialog. Ad there", "and extra weaponry means that their armor had to be > reduced significantly,", "Weapon). It fires a coherent beam of Hard X-rays, capable of easily penetrating", "serve as an artificial brain, and in many respects, is similar to an", "> and not even the weapon can reliably stop some of the extra", "> > \"Okay, here's the plan: Those Warbots are the result of some", "a plot/normal device tends to yield huge infodumps: Note: my comments will be", "> megalomaniac idiot's attempt at creating walkers. Needless to say, > their power", "tends to yield huge infodumps: Note: my comments will be in italics** >", "with a reasonable > DEW (Directed-Energy Weapon). It fires a coherent beam of", "the technical details of the weapon, and it's still a huge dialog. Ad", "italics** > > \"Okay, here's the plan: Those Warbots are the result of", "world and its limitation. Under normal circumstances, this shouldn't a problem, as you", "the plan: Those Warbots are the result of some > megalomaniac idiot's attempt", "armor and wiping information from sensitive electronic devices when not frying them.\"... (Explanation:", "many respects, is similar to an SSD. They were originally created to prevent", "the result of some > megalomaniac idiot's attempt at creating walkers. Needless to", "weaponry means that their armor had to be > reduced significantly, and they", "power source and extra weaponry means that their armor had to be >", "is similar to an SSD. They were originally created to prevent haxxor attacks", "an object) in space travel, the Dysak-fleets, and so on and so forth.", "megalomaniac idiot's attempt at creating walkers. Needless to say, > their power source", "limitation. Under normal circumstances, this shouldn't a problem, as you can always make", "my comments will be in italics*** > > \"Okay, here's the plan: Those", "can reliably stop some of the extra > radiation, and in this merry", "[radiotrophic](https://en.wikipedia.org/wiki/Radiosynthesis_(metabolism)), in other words, I handle it and you'll provide the > overwatch.\"", "I'm the only one who happens to be > [radiotrophic](https://en.wikipedia.org/wiki/Radiosynthesis_(metabolism)), in other words,", "DEW (Directed-Energy Weapon). It fires a coherent beam of Hard X-rays, capable of", "offline operation.)* > > > ...\"Not so fast! Sadly, Hard X-rays are kinda", "to be > [radiotrophic](https://en.wikipedia.org/wiki/Radiosynthesis_(metabolism)), in other words, I handle it and you'll provide", "on and so forth. *So, is there any way to deliver the info", "weapon, and it's still a huge dialog. Ad there are many, more: Tsiolkovsky's", "when not frying them.\"... (Explanation: Warbots operate via through dummy plugs, which serve", "is the pinnacle of what can be achieved with a reasonable > DEW", "normal circumstances, this shouldn't a problem, as you can always make something great,", "information from sensitive electronic devices when not frying them.\"... (Explanation:* Warbots operate via", "(Explanation:* Warbots operate via through dummy plugs, which serve as an artificial brain,", "reliably stop some of the extra > radiation, and in this merry little", "a problem, as you can always make something great, even with the limitations.", "radiation, and in this merry little club of epic-fail GMOs (Genetically > Modified", "> Modified Organisms), I'm the only one who happens to be > [radiotrophic](https://en.wikipedia.org/wiki/Radiosynthesis_(metabolism)),", "and enable offline operation.)* > > > ...\"Not so fast! Sadly, Hard X-rays", "> their power source and extra weaponry means that their armor had to", "to adapt to the world and its limitation. Under normal circumstances, this shouldn't", "of Hard X-rays, capable of easily penetrating armor and wiping information from sensitive", "prevent haxxor attacks on important machines and enable offline operation.)* > > >", "and so on and so forth. So, is there any way to deliver", "here's the plan: Those Warbots are the result of some > megalomaniac idiot's", "penetrating armor and wiping information from sensitive electronic devices when not frying them.\"...", "its limitation. Under normal circumstances, this shouldn't a problem, as you can always", "this shouldn't a problem, as you can always make something great, even with", "to yield huge infodumps: Note: my comments will be in italics** > >", "equation, the function of delta-v (change in the velocity of an object) in", "I hadn't even mentioned the technical details of the weapon, and it's still", "happens to be > [radiotrophic](https://en.wikipedia.org/wiki/Radiosynthesis_(metabolism)), in other words, I handle it and you'll", "getting through things > and not even the weapon can reliably stop some", "means that their armor had to be > reduced significantly, and they are", "which serve as an artificial brain, and in many respects, is similar to", "Ad there are many, more: Tsiolkovsky's rocket equation, the function of delta-v (change", "dialog. Ad there are many, more: Tsiolkovsky's rocket equation, the function of delta-v", "provide the > overwatch.\" > > > See, I hadn't even mentioned the", "(change in the velocity of an object) in space travel, the Dysak-fleets, and", "stop some of the extra > radiation, and in this merry little club", "not frying them.\"... (Explanation:* Warbots operate via through dummy plugs, which serve as", "things > and not even the weapon can reliably stop some of the", "of some > megalomaniac idiot's attempt at creating walkers. Needless to say, >", "are the result of some > megalomaniac idiot's attempt at creating walkers. Needless", "electronic devices when not frying them.\"... (Explanation:* Warbots operate via through dummy plugs,", "respects, is similar to an SSD. They were originally created to prevent haxxor", "> > > ...\"Not so fast! Sadly, Hard X-rays are kinda good at", "only one who happens to be > [radiotrophic](https://en.wikipedia.org/wiki/Radiosynthesis_(metabolism)), in other words, I handle", "other words, I handle it and you'll provide the > overwatch.\" > >", "and its limitation. Under normal circumstances, this shouldn't a problem, as you can", "mentioned the technical details of the weapon, and it's still a huge dialog.", "one who happens to be > [radiotrophic](https://en.wikipedia.org/wiki/Radiosynthesis_(metabolism)), in other words, I handle it", "a reasonable > DEW (Directed-Energy Weapon). It fires a coherent beam of Hard", "Those Warbots are the result of some > megalomaniac idiot's attempt at creating", "> ...\"Not so fast! Sadly, Hard X-rays are kinda good at getting through", "had to be > reduced significantly, and they are still slow as heck.", "through dummy plugs, which serve as an artificial brain, and in many respects,", "> [radiotrophic](https://en.wikipedia.org/wiki/Radiosynthesis_(metabolism)), in other words, I handle it and you'll provide the >", "wiping information from sensitive electronic devices when not frying them.\"... (Explanation:* Warbots operate", "in other words, I handle it and you'll provide the > overwatch.\" >", "of an object) in space travel, the Dysak-fleets, and so on and so", "artificial brain, and in many respects, is similar to an SSD. They were", "> > See, I hadn't even mentioned the technical details of the weapon,", "> right here is the pinnacle of what can be achieved with a", "pinnacle of what can be achieved with a reasonable > DEW (Directed-Energy Weapon).", "via through dummy plugs, which serve as an artificial brain, and in many", "and you'll provide the > overwatch.\" > > > See, I hadn't even", "velocity of an object) in space travel, the Dysak-fleets, and so on and", "plugs, which serve as an artificial brain, and in many respects, is similar", "and it's still a huge dialog. Ad there are many, more: Tsiolkovsky's rocket", "so on and so forth. *So, is there any way to deliver the", "is there any way to deliver the info without making the reader fall", "Warbots operate via through dummy plugs, which serve as an artificial brain, and", "epic-fail GMOs (Genetically > Modified Organisms), I'm the only one who happens to", "has to adapt to the world and its limitation. Under normal circumstances, this", "machines and enable offline operation.) > > > ...\"Not so fast! Sadly, Hard", "a huge dialog. Ad there are many, more: Tsiolkovsky's rocket equation, the function", "rocket equation, the function of delta-v (change in the velocity of an object)", "*So, is there any way to deliver the info without making the reader", "haxxor attacks on important machines and enable offline operation.) > > > ...\"Not", "establishing a plot/normal device tends to yield huge infodumps: *Note: my comments will", "of the extra > radiation, and in this merry little club of epic-fail", "club of epic-fail GMOs (Genetically > Modified Organisms), I'm the only one who", "Tsiolkovsky's rocket equation, the function of delta-v (change in the velocity of an", "Sadly, Hard X-rays are kinda good at getting through things > and not", "Note: my comments will be in italics*** > > \"Okay, here's the plan:", "so fast! Sadly, Hard X-rays are kinda good at getting through things >", "in many respects, is similar to an SSD. They were originally created to" ]
[ "without resorting to \"Since my people have seven fingers, this is the counting", "book world without stating it outright. For instance, if my book people had", "this is the counting system.\"? I would appreciate a variety of storytelling strategies", "of my questions lies in the problem of how I, the narrator/book-writer, can", "seven fingers instead of five. How could I explain this without resorting to", "my book world without stating it outright. For instance, if my book people", "questions lies in the problem of how I, the narrator/book-writer, can inform my", "narrator/book-writer, can inform my readers about my book world without stating it outright.", "the way that I should write it. One of my questions lies in", "I want to write a fantasy novel, but there are a few issues", "For instance, if my book people had seven fingers instead of five. How", "that I should write it. One of my questions lies in the problem", "can inform my readers about my book world without stating it outright. For", "resorting to \"Since my people have seven fingers, this is the counting system.\"?", "in the problem of how I, the narrator/book-writer, can inform my readers about", "had seven fingers instead of five. How could I explain this without resorting", "way that I should write it. One of my questions lies in the", "would appreciate a variety of storytelling strategies here. One size doesn't fit all.", "the problem of how I, the narrator/book-writer, can inform my readers about my", "instance, if my book people had seven fingers instead of five. How could", "that I have with the way that I should write it. One of", "fingers, this is the counting system.\"? I would appreciate a variety of storytelling", "I would appreciate a variety of storytelling strategies here. One size doesn't fit", "the narrator/book-writer, can inform my readers about my book world without stating it", "readers about my book world without stating it outright. For instance, if my", "of five. How could I explain this without resorting to \"Since my people", "novel, but there are a few issues that I have with the way", "five. How could I explain this without resorting to \"Since my people have", "could I explain this without resorting to \"Since my people have seven fingers,", "lies in the problem of how I, the narrator/book-writer, can inform my readers", "inform my readers about my book world without stating it outright. For instance,", "a fantasy novel, but there are a few issues that I have with", "about my book world without stating it outright. For instance, if my book", "have seven fingers, this is the counting system.\"? I would appreciate a variety", "I should write it. One of my questions lies in the problem of", "instead of five. How could I explain this without resorting to \"Since my", "I explain this without resorting to \"Since my people have seven fingers, this", "explain this without resorting to \"Since my people have seven fingers, this is", "of how I, the narrator/book-writer, can inform my readers about my book world", "problem of how I, the narrator/book-writer, can inform my readers about my book", "issues that I have with the way that I should write it. One", "my book people had seven fingers instead of five. How could I explain", "should write it. One of my questions lies in the problem of how", "with the way that I should write it. One of my questions lies", "I, the narrator/book-writer, can inform my readers about my book world without stating", "outright. For instance, if my book people had seven fingers instead of five.", "if my book people had seven fingers instead of five. How could I", "there are a few issues that I have with the way that I", "I have with the way that I should write it. One of my", "world without stating it outright. For instance, if my book people had seven", "fingers instead of five. How could I explain this without resorting to \"Since", "fantasy novel, but there are a few issues that I have with the", "is the counting system.\"? I would appreciate a variety of storytelling strategies here.", "to write a fantasy novel, but there are a few issues that I", "my questions lies in the problem of how I, the narrator/book-writer, can inform", "how I, the narrator/book-writer, can inform my readers about my book world without", "it outright. For instance, if my book people had seven fingers instead of", "the counting system.\"? I would appreciate a variety of storytelling strategies here. One", "to \"Since my people have seven fingers, this is the counting system.\"? I", "stating it outright. For instance, if my book people had seven fingers instead", "counting system.\"? I would appreciate a variety of storytelling strategies here. One size", "have with the way that I should write it. One of my questions", "How could I explain this without resorting to \"Since my people have seven", "this without resorting to \"Since my people have seven fingers, this is the", "but there are a few issues that I have with the way that", "\"Since my people have seven fingers, this is the counting system.\"? I would", "a few issues that I have with the way that I should write", "people had seven fingers instead of five. How could I explain this without", "people have seven fingers, this is the counting system.\"? I would appreciate a", "seven fingers, this is the counting system.\"? I would appreciate a variety of", "few issues that I have with the way that I should write it.", "write it. One of my questions lies in the problem of how I,", "book people had seven fingers instead of five. How could I explain this", "One of my questions lies in the problem of how I, the narrator/book-writer,", "it. One of my questions lies in the problem of how I, the", "without stating it outright. For instance, if my book people had seven fingers", "want to write a fantasy novel, but there are a few issues that", "my readers about my book world without stating it outright. For instance, if", "system.\"? I would appreciate a variety of storytelling strategies here. One size doesn't", "are a few issues that I have with the way that I should", "write a fantasy novel, but there are a few issues that I have", "my people have seven fingers, this is the counting system.\"? I would appreciate" ]
[ "structure of the story: I want a character to win a great victory,", "used to end a section of a serial, such as the end of", "I'm kind of set on the idea of using it as a central", "to place such a moment within the body, rather than at the beginning", "the story: I want a character to win a great victory, at great", "continued existence, is there a way to place such a moment within the", "rather than at the beginning of a piece such that the piece doesn't", "existence, is there a way to place such a moment within the body,", "victory, at great cost, a cost that comes to define his continued existence,", "seen examples where such moments are used to end a section of a", "win a great victory, at great cost, a cost that comes to define", "the piece for me but this time I can't get anywhere with the", "than at the beginning of a piece such that the piece doesn't feel", "end a section of a serial, such as the end of [The Gunslinger](https://en.wikipedia.org/wiki/The_Dark_Tower:_The_Gunslinger)", "to win a great victory, at great cost, a cost that comes to", "of [The Gunslinger](https://en.wikipedia.org/wiki/The_Dark_Tower:_The_Gunslinger) but I'm kind of set on the idea of using", "for me but this time I can't get anywhere with the overall structure", "a piece such that the piece doesn't feel anticlimactic to that character moment?", "I can't get anywhere with the overall structure of the story: I want", "way to place such a moment within the body, rather than at the", "that character moment? I've seen examples where such moments are used to end", "of set on the idea of using it as a central moment in", "his continued existence, is there a way to place such a moment within", "a section of a serial, such as the end of [The Gunslinger](https://en.wikipedia.org/wiki/The_Dark_Tower:_The_Gunslinger) but", "the end of [The Gunslinger](https://en.wikipedia.org/wiki/The_Dark_Tower:_The_Gunslinger) but I'm kind of set on the idea", "section of a serial, such as the end of [The Gunslinger](https://en.wikipedia.org/wiki/The_Dark_Tower:_The_Gunslinger) but I'm", "doesn't feel anticlimactic to that character moment? I've seen examples where such moments", "is there a way to place such a moment within the body, rather", "but I'm kind of set on the idea of using it as a", "time I can't get anywhere with the overall structure of the story: I", "a cost that comes to define his continued existence, is there a way", "of a piece such that the piece doesn't feel anticlimactic to that character", "examples where such moments are used to end a section of a serial,", "than actually writing the piece for me but this time I can't get", "a central moment in a relatively small piece. Any insights would be most", "easier than actually writing the piece for me but this time I can't", "the beginning of a piece such that the piece doesn't feel anticlimactic to", "the idea of using it as a central moment in a relatively small", "to define his continued existence, is there a way to place such a", "idea of using it as a central moment in a relatively small piece.", "such as the end of [The Gunslinger](https://en.wikipedia.org/wiki/The_Dark_Tower:_The_Gunslinger) but I'm kind of set on", "where such moments are used to end a section of a serial, such", "it as a central moment in a relatively small piece. Any insights would", "I've seen examples where such moments are used to end a section of", "of a serial, such as the end of [The Gunslinger](https://en.wikipedia.org/wiki/The_Dark_Tower:_The_Gunslinger) but I'm kind", "sort of thing is easier than actually writing the piece for me but", "within the body, rather than at the beginning of a piece such that", "Normally this sort of thing is easier than actually writing the piece for", "place such a moment within the body, rather than at the beginning of", "writing the piece for me but this time I can't get anywhere with", "such moments are used to end a section of a serial, such as", "that comes to define his continued existence, is there a way to place", "feel anticlimactic to that character moment? I've seen examples where such moments are", "moment? I've seen examples where such moments are used to end a section", "can't get anywhere with the overall structure of the story: I want a", "piece for me but this time I can't get anywhere with the overall", "[The Gunslinger](https://en.wikipedia.org/wiki/The_Dark_Tower:_The_Gunslinger) but I'm kind of set on the idea of using it", "Gunslinger](https://en.wikipedia.org/wiki/The_Dark_Tower:_The_Gunslinger)* but I'm kind of set on the idea of using it as", "there a way to place such a moment within the body, rather than", "to that character moment? I've seen examples where such moments are used to", "thing is easier than actually writing the piece for me but this time", "body, rather than at the beginning of a piece such that the piece", "a serial, such as the end of [The Gunslinger](https://en.wikipedia.org/wiki/The_Dark_Tower:_The_Gunslinger) but I'm kind of", "me but this time I can't get anywhere with the overall structure of", "a character to win a great victory, at great cost, a cost that", "moment within the body, rather than at the beginning of a piece such", "on the idea of using it as a central moment in a relatively", "of the story: I want a character to win a great victory, at", "as the end of [The Gunslinger](https://en.wikipedia.org/wiki/The_Dark_Tower:_The_Gunslinger) but I'm kind of set on the", "anywhere with the overall structure of the story: I want a character to", "a great victory, at great cost, a cost that comes to define his", "get anywhere with the overall structure of the story: I want a character", "comes to define his continued existence, is there a way to place such", "define his continued existence, is there a way to place such a moment", "great cost, a cost that comes to define his continued existence, is there", "with the overall structure of the story: I want a character to win", "piece such that the piece doesn't feel anticlimactic to that character moment? I've", "kind of set on the idea of using it as a central moment", "great victory, at great cost, a cost that comes to define his continued", "I want a character to win a great victory, at great cost, a", "story: I want a character to win a great victory, at great cost,", "of thing is easier than actually writing the piece for me but this", "the piece doesn't feel anticlimactic to that character moment? I've seen examples where", "beginning of a piece such that the piece doesn't feel anticlimactic to that", "set on the idea of using it as a central moment in a", "a way to place such a moment within the body, rather than at", "at the beginning of a piece such that the piece doesn't feel anticlimactic", "character moment? I've seen examples where such moments are used to end a", "central moment in a relatively small piece. Any insights would be most welcome.", "are used to end a section of a serial, such as the end", "this time I can't get anywhere with the overall structure of the story:", "of using it as a central moment in a relatively small piece. Any", "that the piece doesn't feel anticlimactic to that character moment? I've seen examples", "using it as a central moment in a relatively small piece. Any insights", "is easier than actually writing the piece for me but this time I", "serial, such as the end of [The Gunslinger](https://en.wikipedia.org/wiki/The_Dark_Tower:_The_Gunslinger) but I'm kind of set", "at great cost, a cost that comes to define his continued existence, is", "moments are used to end a section of a serial, such as the", "actually writing the piece for me but this time I can't get anywhere", "to end a section of a serial, such as the end of [The", "piece doesn't feel anticlimactic to that character moment? I've seen examples where such", "end of [The Gunslinger](https://en.wikipedia.org/wiki/The_Dark_Tower:_The_Gunslinger)* but I'm kind of set on the idea of", "such that the piece doesn't feel anticlimactic to that character moment? I've seen", "this sort of thing is easier than actually writing the piece for me", "character to win a great victory, at great cost, a cost that comes", "cost that comes to define his continued existence, is there a way to", "anticlimactic to that character moment? I've seen examples where such moments are used", "a moment within the body, rather than at the beginning of a piece", "want a character to win a great victory, at great cost, a cost", "the overall structure of the story: I want a character to win a", "such a moment within the body, rather than at the beginning of a", "as a central moment in a relatively small piece. Any insights would be", "overall structure of the story: I want a character to win a great", "the body, rather than at the beginning of a piece such that the", "cost, a cost that comes to define his continued existence, is there a", "but this time I can't get anywhere with the overall structure of the" ]
[ "lost his grip on reality and is kind of living in his own", "in his own world, what are the things a writer should avoid when", "living in his own world, what are the things a writer should avoid", "has literally lost his grip on reality and is kind of living in", "villain in a novel that suffers from insanity/psychosis as he has literally lost", "a villain in a novel that suffers from insanity/psychosis as he has literally", "insanity/psychosis as he has literally lost his grip on reality and is kind", "on reality and is kind of living in his own world, what are", "portray a villain in a novel that suffers from insanity/psychosis as he has", "suffers from insanity/psychosis as he has literally lost his grip on reality and", "world, what are the things a writer should avoid when he writes such", "literally lost his grip on reality and is kind of living in his", "of living in his own world, what are the things a writer should", "one wants to portray a villain in a novel that suffers from insanity/psychosis", "novel that suffers from insanity/psychosis as he has literally lost his grip on", "in a novel that suffers from insanity/psychosis as he has literally lost his", "to portray a villain in a novel that suffers from insanity/psychosis as he", "his own world, what are the things a writer should avoid when he", "grip on reality and is kind of living in his own world, what", "are the things a writer should avoid when he writes such a character?", "a novel that suffers from insanity/psychosis as he has literally lost his grip", "let's say one wants to portray a villain in a novel that suffers", "from insanity/psychosis as he has literally lost his grip on reality and is", "and is kind of living in his own world, what are the things", "his grip on reality and is kind of living in his own world,", "as he has literally lost his grip on reality and is kind of", "wants to portray a villain in a novel that suffers from insanity/psychosis as", "reality and is kind of living in his own world, what are the", "what are the things a writer should avoid when he writes such a", "own world, what are the things a writer should avoid when he writes", "kind of living in his own world, what are the things a writer", "If let's say one wants to portray a villain in a novel that", "is kind of living in his own world, what are the things a", "say one wants to portray a villain in a novel that suffers from", "he has literally lost his grip on reality and is kind of living", "that suffers from insanity/psychosis as he has literally lost his grip on reality" ]
[ "than the nature of his regular torture (he is an assassin), or if", "to report my villain is in much better shape. I added his perspective", "That’s quite > an accomplishment.” Sisaq heaved, choking sobs. > > > I", "throughout the story, removed the 'muahahaha' language that he was prone to using,", "becomes aroused at her inability to fight back (she is tied down, and", "goal is for him to be frightening, sinister - rather than laughably ridiculous.", "hanging together well. As a result, lesser items are coming into sharper focus.", "breaking four people today, Sisaq. That’s quite > an accomplishment.” Sisaq heaved, choking", "I am asking for any concrete identifiers of caricature. The list could include", "flat. Here is a short example of something he might say : >", "her face the > entire time. “You’re breaking four people today, Sisaq. That’s", "that he was prone to using, and had a few characters defend his", "talky talky, or both. (Or, perhaps it's fine and I've been staring too", "and had a few characters defend his past actions elsewhere. He's still a", "gives me some ideas to improve my villain. Still, I feel he needs", "if it's just too much talky talky, or both. (Or, perhaps it's fine", "a lot of leading or rhetorical questions. Is this a flag, something only", "this is too much, perhaps? or some blind spot here? Thank you. p.s.", "at him. But imagine six or seven exchanges along these lines, with variations", "a flag, something only caricature villains do? Perhaps I wrote those in for", "to fight back (she is tied down, and he anticipates killing her) and", "an assassin), or if it's just too much talky talky, or both. (Or,", "soon becomes aroused at her inability to fight back (she is tied down,", "day.” He walked > around to the other side of the table, his", "include 1. Maniacal laughter. :-) Real villains don't actually do this. 2. Info", "he sounds ridiculous. Second edit: Happy to report my villain is in much", "lesser items are coming into sharper focus. I need to revise for those", "caricature. The list could include 1. Maniacal laughter. :-) Real villains don't actually", "on top, winning the battle, until the end - when the tables (heroes)", "edit: He also asks the protagonist a lot of leading or rhetorical questions.", "(she is tied down, and he anticipates killing her) and maybe that's contributing", "immediate goal is for him to be frightening, sinister - rather than laughably", "right, right! 3. Inconsistency in his motivations. He needs to be human. He", "many things are hanging together well. As a result, lesser items are coming", "battle, until the end - when the tables (heroes) turn. That feels formulaic,", "regular torture (he is an assassin), or if it's just too much talky", "laughably ridiculous. In this question, I am asking for any concrete identifiers of", "questions. Is this a flag, something only caricature villains do? Perhaps I wrote", "found [this question](https://writers.stackexchange.com/questions/20667/what-to-avoid-when-writing-a-villain) which gives me some ideas to improve my villain. Still,", "in his frame of reference). My immediate goal is for him to be", "Thank you. p.s. He also is on top, winning the battle, until the", "of something he might say : > > “Today will be a very", "that's contributing to the feel of caricature. On the other hand, sadism is", "Inconsistency in his motivations. He needs to be human. He is, I think,", "He also asks the protagonist a lot of leading or rhetorical questions. Is", "be frightening, sinister - rather than laughably ridiculous. In this question, I am", "the nature of the torture he's inflicting in this blurb (psychological abuse) is", "could include 1. Maniacal laughter. :-) Real villains don't actually do this. 2.", "the other side of the table, his eyes locked on her face the", "> I can't decide if it is that the nature of the torture", "- rather than laughably ridiculous. In this question, I am asking for any", "of my story now, and many things are hanging together well. As a", "very bad day for Balx. For Janiw too, I should think. > Xvenly.", "prone to using, and had a few characters defend his past actions elsewhere.", "ridiculous. In this question, I am asking for any concrete identifiers of caricature.", "site and found [this question](https://writers.stackexchange.com/questions/20667/what-to-avoid-when-writing-a-villain) which gives me some ideas to improve my", "can't decide if it is that the nature of the torture he's inflicting", "a very bad day for Balx. For Janiw too, I should think. >", "dark side was through drugs, which he still uses. Any thoughts about whether", "caricature villains do? Perhaps I wrote those in for the reader (I'm not", "which he still uses. Any thoughts about whether this is too much, perhaps?", "any concrete identifiers of caricature. The list could include 1. Maniacal laughter. :-)", "that might be why he sounds ridiculous. Second edit: Happy to report my", "short example of something he might say : > > “Today will be", "'muahahaha' language that he was prone to using, and had a few characters", "is right, right, right! 3. Inconsistency in his motivations. He needs to be", "> > > I can't decide if it is that the nature of", "he's inflicting in this blurb (psychological abuse) is different than the nature of", "it may be necessary. edit: He also asks the protagonist a lot of", "sinister - rather than laughably ridiculous. In this question, I am asking for", "human. He is, I think, but his dialog still falls flat. Here is", "Sisaq heaved, choking sobs. > > > I can't decide if it is", "Second edit: Happy to report my villain is in much better shape. I", "sharper focus. I need to revise for those next. My villain needs work.", "revise for those next. My villain needs work. He is too much of", "the torture he's inflicting in this blurb (psychological abuse) is different than the", "He is, I think, but his dialog still falls flat. Here is a", "My villain needs work. He is too much of a caricature. I looked", "my villain. Still, I feel he needs more work than those answers provide", "characters defend his past actions elsewhere. He's still a despicable person, but no", "> Xvenly. Your friend, Bob, over there, is also having a bad day.”", "nature of the torture he's inflicting in this blurb (psychological abuse) is different", "the 'muahahaha' language that he was prone to using, and had a few", "other side of the table, his eyes locked on her face the >", "removed the 'muahahaha' language that he was prone to using, and had a", "Real villains don't actually do this. 2. Info dumps by him, of why", "her inability to fight back (she is tied down, and he anticipates killing", "variations on the action surrounding them.) He soon becomes aroused at her inability", "I looked on this site and found [this question](https://writers.stackexchange.com/questions/20667/what-to-avoid-when-writing-a-villain) which gives me some", "identifiers of caricature. The list could include 1. Maniacal laughter. :-) Real villains", "when the tables (heroes) turn. That feels formulaic, which doesn't help in my", "his voice), and that might be why he sounds ridiculous. Second edit: Happy", "it's just too much talky talky, or both. (Or, perhaps it's fine and", "1. Maniacal laughter. :-) Real villains don't actually do this. 2. Info dumps", "her) and maybe that's contributing to the feel of caricature. On the other", "the > entire time. “You’re breaking four people today, Sisaq. That’s quite >", "example of something he might say : > > “Today will be a", "I think, but his dialog still falls flat. Here is a short example", "those answers provide (make him human, consistent, the hero in his frame of", "right! 3. Inconsistency in his motivations. He needs to be human. He is,", "villains don't actually do this. 2. Info dumps by him, of why he", "be human. He is, I think, but his dialog still falls flat. Here", "he might say : > > “Today will be a very bad day", "I should think. > Xvenly. Your friend, Bob, over there, is also having", "on the action surrounding them.) He soon becomes aroused at her inability to", "the story, removed the 'muahahaha' language that he was prone to using, and", "of a caricature. I looked on this site and found [this question](https://writers.stackexchange.com/questions/20667/what-to-avoid-when-writing-a-villain) which", "will be a very bad day for Balx. For Janiw too, I should", "through drugs, which he still uses. Any thoughts about whether this is too", "Info dumps by him, of why he is right, right, right! 3. Inconsistency", "perhaps? or some blind spot here? Thank you. p.s. He also is on", "better shape. I added his perspective throughout the story, removed the 'muahahaha' language", "leading or rhetorical questions. Is this a flag, something only caricature villains do?", "villains do? Perhaps I wrote those in for the reader (I'm not certain,", "provide (make him human, consistent, the hero in his frame of reference). My", "I need to revise for those next. My villain needs work. He is", "looked on this site and found [this question](https://writers.stackexchange.com/questions/20667/what-to-avoid-when-writing-a-villain) which gives me some ideas", "his personal dark side was through drugs, which he still uses. Any thoughts", "along these lines, with variations on the action surrounding them.) He soon becomes", "the action surrounding them.) He soon becomes aroused at her inability to fight", "For Janiw too, I should think. > Xvenly. Your friend, Bob, over there,", "quite > an accomplishment.” Sisaq heaved, choking sobs. > > > I can't", "too long at him. But imagine six or seven exchanges along these lines,", "side of the table, his eyes locked on her face the > entire", "caricature. On the other hand, sadism is probably part of his mix. His", "he still uses. Any thoughts about whether this is too much, perhaps? or", "and he anticipates killing her) and maybe that's contributing to the feel of", "here? Thank you. p.s. He also is on top, winning the battle, until", "that the nature of the torture he's inflicting in this blurb (psychological abuse)", "ridiculous. Second edit: Happy to report my villain is in much better shape.", "rhetorical questions. Is this a flag, something only caricature villains do? Perhaps I", "much of a caricature. I looked on this site and found [this question](https://writers.stackexchange.com/questions/20667/what-to-avoid-when-writing-a-villain)", "I added his perspective throughout the story, removed the 'muahahaha' language that he", "reader (I'm not certain, I thought it was part of his voice), and", "the other hand, sadism is probably part of his mix. His path to", "been staring too long at him. But imagine six or seven exchanges along", "dialog still falls flat. Here is a short example of something he might", "him human, consistent, the hero in his frame of reference). My immediate goal", "human, consistent, the hero in his frame of reference). My immediate goal is", "end - when the tables (heroes) turn. That feels formulaic, which doesn't help", "Happy to report my villain is in much better shape. I added his", "2. Info dumps by him, of why he is right, right, right! 3.", "this a flag, something only caricature villains do? Perhaps I wrote those in", "of his mix. His path to his personal dark side was through drugs,", "is probably part of his mix. His path to his personal dark side", "day for Balx. For Janiw too, I should think. > Xvenly. Your friend,", "concrete identifiers of caricature. The list could include 1. Maniacal laughter. :-) Real", "I thought it was part of his voice), and that might be why", "is an assassin), or if it's just too much talky talky, or both.", "the end - when the tables (heroes) turn. That feels formulaic, which doesn't", "the protagonist a lot of leading or rhetorical questions. Is this a flag,", "this question, I am asking for any concrete identifiers of caricature. The list", "people today, Sisaq. That’s quite > an accomplishment.” Sisaq heaved, choking sobs. >", "sounds ridiculous. Second edit: Happy to report my villain is in much better", "a result, lesser items are coming into sharper focus. I need to revise", "seven exchanges along these lines, with variations on the action surrounding them.) He", "the table, his eyes locked on her face the > entire time. “You’re", "too, I should think. > Xvenly. Your friend, Bob, over there, is also", "asks the protagonist a lot of leading or rhetorical questions. Is this a", "and that might be why he sounds ridiculous. Second edit: Happy to report", "it is that the nature of the torture he's inflicting in this blurb", "mix. His path to his personal dark side was through drugs, which he", "but his dialog still falls flat. Here is a short example of something", "> > I can't decide if it is that the nature of the", "to his personal dark side was through drugs, which he still uses. Any", "caricature. I looked on this site and found [this question](https://writers.stackexchange.com/questions/20667/what-to-avoid-when-writing-a-villain) which gives me", "help in my opinion, but [This link](https://writers.stackexchange.com/questions/21774/why-does-the-villain-always-win-right-before-the-hero-defeats-him) suggests it may be necessary. edit:", "to be human. He is, I think, but his dialog still falls flat.", "also asks the protagonist a lot of leading or rhetorical questions. Is this", "also having a bad day.” He walked > around to the other side", "maybe that's contributing to the feel of caricature. On the other hand, sadism", "an accomplishment.” Sisaq heaved, choking sobs. > > > I can't decide if", "dumps by him, of why he is right, right, right! 3. Inconsistency in", "this. 2. Info dumps by him, of why he is right, right, right!", "a few characters defend his past actions elsewhere. He's still a despicable person,", "motivations. He needs to be human. He is, I think, but his dialog", "> an accomplishment.” Sisaq heaved, choking sobs. > > > I can't decide", "action surrounding them.) He soon becomes aroused at her inability to fight back", "past actions elsewhere. He's still a despicable person, but no longer a caricature.", "asking for any concrete identifiers of caricature. The list could include 1. Maniacal", "of why he is right, right, right! 3. Inconsistency in his motivations. He", "them.) He soon becomes aroused at her inability to fight back (she is", "in for the reader (I'm not certain, I thought it was part of", "story, removed the 'muahahaha' language that he was prone to using, and had", "or seven exchanges along these lines, with variations on the action surrounding them.)", "this blurb (psychological abuse) is different than the nature of his regular torture", "things are hanging together well. As a result, lesser items are coming into", "improve my villain. Still, I feel he needs more work than those answers", "today, Sisaq. That’s quite > an accomplishment.” Sisaq heaved, choking sobs. > >", "perspective throughout the story, removed the 'muahahaha' language that he was prone to", "I wrote those in for the reader (I'm not certain, I thought it", "and many things are hanging together well. As a result, lesser items are", "some blind spot here? Thank you. p.s. He also is on top, winning", "Sisaq. That’s quite > an accomplishment.” Sisaq heaved, choking sobs. > > >", "and found [this question](https://writers.stackexchange.com/questions/20667/what-to-avoid-when-writing-a-villain) which gives me some ideas to improve my villain.", "had a few characters defend his past actions elsewhere. He's still a despicable", "am on draft 4 of my story now, and many things are hanging", "for any concrete identifiers of caricature. The list could include 1. Maniacal laughter.", "four people today, Sisaq. That’s quite > an accomplishment.” Sisaq heaved, choking sobs.", "him. But imagine six or seven exchanges along these lines, with variations on", "inability to fight back (she is tied down, and he anticipates killing her)", "[This link](https://writers.stackexchange.com/questions/21774/why-does-the-villain-always-win-right-before-the-hero-defeats-him) suggests it may be necessary. edit: He also asks the protagonist", "consistent, the hero in his frame of reference). My immediate goal is for", "The list could include 1. Maniacal laughter. :-) Real villains don't actually do", "assassin), or if it's just too much talky talky, or both. (Or, perhaps", "a short example of something he might say : > > “Today will", "is in much better shape. I added his perspective throughout the story, removed", "too much, perhaps? or some blind spot here? Thank you. p.s. He also", "> “Today will be a very bad day for Balx. For Janiw too,", "added his perspective throughout the story, removed the 'muahahaha' language that he was", "work than those answers provide (make him human, consistent, the hero in his", "winning the battle, until the end - when the tables (heroes) turn. That", "villain needs work. He is too much of a caricature. I looked on", "around to the other side of the table, his eyes locked on her", "if it is that the nature of the torture he's inflicting in this", "“Today will be a very bad day for Balx. For Janiw too, I", "and I've been staring too long at him. But imagine six or seven", "long at him. But imagine six or seven exchanges along these lines, with", "the tables (heroes) turn. That feels formulaic, which doesn't help in my opinion,", "in my opinion, but [This link](https://writers.stackexchange.com/questions/21774/why-does-the-villain-always-win-right-before-the-hero-defeats-him) suggests it may be necessary. edit: He", "than laughably ridiculous. In this question, I am asking for any concrete identifiers", "thought it was part of his voice), and that might be why he", "whether this is too much, perhaps? or some blind spot here? Thank you.", "why he sounds ridiculous. Second edit: Happy to report my villain is in", "too much of a caricature. I looked on this site and found [this", "personal dark side was through drugs, which he still uses. Any thoughts about", "do? Perhaps I wrote those in for the reader (I'm not certain, I", "back (she is tied down, and he anticipates killing her) and maybe that's", "some ideas to improve my villain. Still, I feel he needs more work", "on her face the > entire time. “You’re breaking four people today, Sisaq.", "feel of caricature. On the other hand, sadism is probably part of his", "killing her) and maybe that's contributing to the feel of caricature. On the", "report my villain is in much better shape. I added his perspective throughout", "question, I am asking for any concrete identifiers of caricature. The list could", "probably part of his mix. His path to his personal dark side was", "much talky talky, or both. (Or, perhaps it's fine and I've been staring", "my villain is in much better shape. I added his perspective throughout the", "is on top, winning the battle, until the end - when the tables", "sobs. > > > I can't decide if it is that the nature", "than those answers provide (make him human, consistent, the hero in his frame", "friend, Bob, over there, is also having a bad day.” He walked >", "but [This link](https://writers.stackexchange.com/questions/21774/why-does-the-villain-always-win-right-before-the-hero-defeats-him) suggests it may be necessary. edit: He also asks the", "to revise for those next. My villain needs work. He is too much", "by him, of why he is right, right, right! 3. Inconsistency in his", "be why he sounds ridiculous. Second edit: Happy to report my villain is", "using, and had a few characters defend his past actions elsewhere. He's still", "the reader (I'm not certain, I thought it was part of his voice),", "decide if it is that the nature of the torture he's inflicting in", "the nature of his regular torture (he is an assassin), or if it's", "together well. As a result, lesser items are coming into sharper focus. I", "Bob, over there, is also having a bad day.” He walked > around", "fight back (she is tied down, and he anticipates killing her) and maybe", "surrounding them.) He soon becomes aroused at her inability to fight back (she", "Any thoughts about whether this is too much, perhaps? or some blind spot", "of leading or rhetorical questions. Is this a flag, something only caricature villains", "choking sobs. > > > I can't decide if it is that the", "to the other side of the table, his eyes locked on her face", "He walked > around to the other side of the table, his eyes", "nature of his regular torture (he is an assassin), or if it's just", "next. My villain needs work. He is too much of a caricature. I", "But imagine six or seven exchanges along these lines, with variations on the", "He is too much of a caricature. I looked on this site and", "torture (he is an assassin), or if it's just too much talky talky,", "in his motivations. He needs to be human. He is, I think, but", "might be why he sounds ridiculous. Second edit: Happy to report my villain", "or rhetorical questions. Is this a flag, something only caricature villains do? Perhaps", "I am on draft 4 of my story now, and many things are", "exchanges along these lines, with variations on the action surrounding them.) He soon", "tied down, and he anticipates killing her) and maybe that's contributing to the", "inflicting in this blurb (psychological abuse) is different than the nature of his", "to the feel of caricature. On the other hand, sadism is probably part", "of caricature. On the other hand, sadism is probably part of his mix.", "in this blurb (psychological abuse) is different than the nature of his regular", "[this question](https://writers.stackexchange.com/questions/20667/what-to-avoid-when-writing-a-villain) which gives me some ideas to improve my villain. Still, I", "on draft 4 of my story now, and many things are hanging together", "defend his past actions elsewhere. He's still a despicable person, but no longer", "now, and many things are hanging together well. As a result, lesser items", "thoughts about whether this is too much, perhaps? or some blind spot here?", "coming into sharper focus. I need to revise for those next. My villain", "suggests it may be necessary. edit: He also asks the protagonist a lot", "still falls flat. Here is a short example of something he might say", "to improve my villain. Still, I feel he needs more work than those", "was through drugs, which he still uses. Any thoughts about whether this is", "imagine six or seven exchanges along these lines, with variations on the action", "items are coming into sharper focus. I need to revise for those next.", "(Or, perhaps it's fine and I've been staring too long at him. But", "answers provide (make him human, consistent, the hero in his frame of reference).", "list could include 1. Maniacal laughter. :-) Real villains don't actually do this.", "(heroes) turn. That feels formulaic, which doesn't help in my opinion, but [This", "Still, I feel he needs more work than those answers provide (make him", "needs to be human. He is, I think, but his dialog still falls", "anticipates killing her) and maybe that's contributing to the feel of caricature. On", "doesn't help in my opinion, but [This link](https://writers.stackexchange.com/questions/21774/why-does-the-villain-always-win-right-before-the-hero-defeats-him) suggests it may be necessary.", "reference). My immediate goal is for him to be frightening, sinister - rather", "villain is in much better shape. I added his perspective throughout the story,", "other hand, sadism is probably part of his mix. His path to his", "is too much, perhaps? or some blind spot here? Thank you. p.s. He", "rather than laughably ridiculous. In this question, I am asking for any concrete", "certain, I thought it was part of his voice), and that might be", ":-) Real villains don't actually do this. 2. Info dumps by him, of", "might say : > > “Today will be a very bad day for", "side was through drugs, which he still uses. Any thoughts about whether this", "be necessary. edit: He also asks the protagonist a lot of leading or", "only caricature villains do? Perhaps I wrote those in for the reader (I'm", "question](https://writers.stackexchange.com/questions/20667/what-to-avoid-when-writing-a-villain) which gives me some ideas to improve my villain. Still, I feel", "path to his personal dark side was through drugs, which he still uses.", "I feel he needs more work than those answers provide (make him human,", "That feels formulaic, which doesn't help in my opinion, but [This link](https://writers.stackexchange.com/questions/21774/why-does-the-villain-always-win-right-before-the-hero-defeats-him) suggests", "this site and found [this question](https://writers.stackexchange.com/questions/20667/what-to-avoid-when-writing-a-villain) which gives me some ideas to improve", "hand, sadism is probably part of his mix. His path to his personal", "was prone to using, and had a few characters defend his past actions", "frightening, sinister - rather than laughably ridiculous. In this question, I am asking", "On the other hand, sadism is probably part of his mix. His path", "six or seven exchanges along these lines, with variations on the action surrounding", "Here is a short example of something he might say : > >", "right, right, right! 3. Inconsistency in his motivations. He needs to be human.", "eyes locked on her face the > entire time. “You’re breaking four people", "shape. I added his perspective throughout the story, removed the 'muahahaha' language that", "face the > entire time. “You’re breaking four people today, Sisaq. That’s quite", "are hanging together well. As a result, lesser items are coming into sharper", "formulaic, which doesn't help in my opinion, but [This link](https://writers.stackexchange.com/questions/21774/why-does-the-villain-always-win-right-before-the-hero-defeats-him) suggests it may", "lot of leading or rhetorical questions. Is this a flag, something only caricature", "his eyes locked on her face the > entire time. “You’re breaking four", "a bad day.” He walked > around to the other side of the", "story now, and many things are hanging together well. As a result, lesser", "In this question, I am asking for any concrete identifiers of caricature. The", "of the torture he's inflicting in this blurb (psychological abuse) is different than", "link](https://writers.stackexchange.com/questions/21774/why-does-the-villain-always-win-right-before-the-hero-defeats-him) suggests it may be necessary. edit: He also asks the protagonist a", "also is on top, winning the battle, until the end - when the", "My immediate goal is for him to be frightening, sinister - rather than", "torture he's inflicting in this blurb (psychological abuse) is different than the nature", "his mix. His path to his personal dark side was through drugs, which", "I can't decide if it is that the nature of the torture he's", "in much better shape. I added his perspective throughout the story, removed the", "my opinion, but [This link](https://writers.stackexchange.com/questions/21774/why-does-the-villain-always-win-right-before-the-hero-defeats-him) suggests it may be necessary. edit: He also", "both. (Or, perhaps it's fine and I've been staring too long at him.", "part of his mix. His path to his personal dark side was through", "my story now, and many things are hanging together well. As a result,", "different than the nature of his regular torture (he is an assassin), or", "you. p.s. He also is on top, winning the battle, until the end", "protagonist a lot of leading or rhetorical questions. Is this a flag, something", "Janiw too, I should think. > Xvenly. Your friend, Bob, over there, is", "think. > Xvenly. Your friend, Bob, over there, is also having a bad", "abuse) is different than the nature of his regular torture (he is an", "blurb (psychological abuse) is different than the nature of his regular torture (he", "to be frightening, sinister - rather than laughably ridiculous. In this question, I", "say : > > “Today will be a very bad day for Balx.", "> around to the other side of the table, his eyes locked on", "down, and he anticipates killing her) and maybe that's contributing to the feel", "more work than those answers provide (make him human, consistent, the hero in", "necessary. edit: He also asks the protagonist a lot of leading or rhetorical", "opinion, but [This link](https://writers.stackexchange.com/questions/21774/why-does-the-villain-always-win-right-before-the-hero-defeats-him) suggests it may be necessary. edit: He also asks", "these lines, with variations on the action surrounding them.) He soon becomes aroused", "is too much of a caricature. I looked on this site and found", "over there, is also having a bad day.” He walked > around to", "of his regular torture (he is an assassin), or if it's just too", "entire time. “You’re breaking four people today, Sisaq. That’s quite > an accomplishment.”", "(psychological abuse) is different than the nature of his regular torture (he is", "few characters defend his past actions elsewhere. He's still a despicable person, but", "heaved, choking sobs. > > > I can't decide if it is that", "for the reader (I'm not certain, I thought it was part of his", "sadism is probably part of his mix. His path to his personal dark", "at her inability to fight back (she is tied down, and he anticipates", "flag, something only caricature villains do? Perhaps I wrote those in for the", "should think. > Xvenly. Your friend, Bob, over there, is also having a", "him to be frightening, sinister - rather than laughably ridiculous. In this question,", "aroused at her inability to fight back (she is tied down, and he", "is that the nature of the torture he's inflicting in this blurb (psychological", "Your friend, Bob, over there, is also having a bad day.” He walked", "it's fine and I've been staring too long at him. But imagine six", "talky, or both. (Or, perhaps it's fine and I've been staring too long", "frame of reference). My immediate goal is for him to be frightening, sinister", "actually do this. 2. Info dumps by him, of why he is right,", "locked on her face the > entire time. “You’re breaking four people today,", "of his voice), and that might be why he sounds ridiculous. Second edit:", "lines, with variations on the action surrounding them.) He soon becomes aroused at", "those in for the reader (I'm not certain, I thought it was part", "he is right, right, right! 3. Inconsistency in his motivations. He needs to", "about whether this is too much, perhaps? or some blind spot here? Thank", "his regular torture (he is an assassin), or if it's just too much", "am asking for any concrete identifiers of caricature. The list could include 1.", "his dialog still falls flat. Here is a short example of something he", "those next. My villain needs work. He is too much of a caricature.", "villain. Still, I feel he needs more work than those answers provide (make", "much better shape. I added his perspective throughout the story, removed the 'muahahaha'", "tables (heroes) turn. That feels formulaic, which doesn't help in my opinion, but", "not certain, I thought it was part of his voice), and that might", "He also is on top, winning the battle, until the end - when", "feel he needs more work than those answers provide (make him human, consistent,", "He needs to be human. He is, I think, but his dialog still", "or some blind spot here? Thank you. p.s. He also is on top,", "the hero in his frame of reference). My immediate goal is for him", "there, is also having a bad day.” He walked > around to the", "work. He is too much of a caricature. I looked on this site", "turn. That feels formulaic, which doesn't help in my opinion, but [This link](https://writers.stackexchange.com/questions/21774/why-does-the-villain-always-win-right-before-the-hero-defeats-him)", "fine and I've been staring too long at him. But imagine six or", "is, I think, but his dialog still falls flat. Here is a short", "ideas to improve my villain. Still, I feel he needs more work than", "much, perhaps? or some blind spot here? Thank you. p.s. He also is", "his past actions elsewhere. He's still a despicable person, but no longer a", "of the table, his eyes locked on her face the > entire time.", "may be necessary. edit: He also asks the protagonist a lot of leading", "do this. 2. Info dumps by him, of why he is right, right,", "are coming into sharper focus. I need to revise for those next. My", "contributing to the feel of caricature. On the other hand, sadism is probably", "p.s. He also is on top, winning the battle, until the end -", "time. “You’re breaking four people today, Sisaq. That’s quite > an accomplishment.” Sisaq", "need to revise for those next. My villain needs work. He is too", "His path to his personal dark side was through drugs, which he still", "or both. (Or, perhaps it's fine and I've been staring too long at", "voice), and that might be why he sounds ridiculous. Second edit: Happy to", "to using, and had a few characters defend his past actions elsewhere. He's", "a caricature. I looked on this site and found [this question](https://writers.stackexchange.com/questions/20667/what-to-avoid-when-writing-a-villain) which gives", "is tied down, and he anticipates killing her) and maybe that's contributing to", "> entire time. “You’re breaking four people today, Sisaq. That’s quite > an", "for those next. My villain needs work. He is too much of a", "Balx. For Janiw too, I should think. > Xvenly. Your friend, Bob, over", "part of his voice), and that might be why he sounds ridiculous. Second", "having a bad day.” He walked > around to the other side of", "feels formulaic, which doesn't help in my opinion, but [This link](https://writers.stackexchange.com/questions/21774/why-does-the-villain-always-win-right-before-the-hero-defeats-him) suggests it", "“You’re breaking four people today, Sisaq. That’s quite > an accomplishment.” Sisaq heaved,", "I've been staring too long at him. But imagine six or seven exchanges", "is also having a bad day.” He walked > around to the other", "me some ideas to improve my villain. Still, I feel he needs more", "he needs more work than those answers provide (make him human, consistent, the", "draft 4 of my story now, and many things are hanging together well.", "As a result, lesser items are coming into sharper focus. I need to", "(I'm not certain, I thought it was part of his voice), and that", "with variations on the action surrounding them.) He soon becomes aroused at her", "which gives me some ideas to improve my villain. Still, I feel he", "language that he was prone to using, and had a few characters defend", "still uses. Any thoughts about whether this is too much, perhaps? or some", "for him to be frightening, sinister - rather than laughably ridiculous. In this", "was part of his voice), and that might be why he sounds ridiculous.", "for Balx. For Janiw too, I should think. > Xvenly. Your friend, Bob,", "uses. Any thoughts about whether this is too much, perhaps? or some blind", "on this site and found [this question](https://writers.stackexchange.com/questions/20667/what-to-avoid-when-writing-a-villain) which gives me some ideas to", "bad day.” He walked > around to the other side of the table,", "edit: Happy to report my villain is in much better shape. I added", "which doesn't help in my opinion, but [This link](https://writers.stackexchange.com/questions/21774/why-does-the-villain-always-win-right-before-the-hero-defeats-him) suggests it may be", ": > > “Today will be a very bad day for Balx. For", "table, his eyes locked on her face the > entire time. “You’re breaking", "something only caricature villains do? Perhaps I wrote those in for the reader", "needs more work than those answers provide (make him human, consistent, the hero", "perhaps it's fine and I've been staring too long at him. But imagine", "focus. I need to revise for those next. My villain needs work. He", "3. Inconsistency in his motivations. He needs to be human. He is, I", "into sharper focus. I need to revise for those next. My villain needs", "he was prone to using, and had a few characters defend his past", "laughter. :-) Real villains don't actually do this. 2. Info dumps by him,", "is for him to be frightening, sinister - rather than laughably ridiculous. In", "it was part of his voice), and that might be why he sounds", "is different than the nature of his regular torture (he is an assassin),", "the battle, until the end - when the tables (heroes) turn. That feels", "just too much talky talky, or both. (Or, perhaps it's fine and I've", "something he might say : > > “Today will be a very bad", "accomplishment.” Sisaq heaved, choking sobs. > > > I can't decide if it", "his motivations. He needs to be human. He is, I think, but his", "blind spot here? Thank you. p.s. He also is on top, winning the", "his perspective throughout the story, removed the 'muahahaha' language that he was prone", "falls flat. Here is a short example of something he might say :", "he anticipates killing her) and maybe that's contributing to the feel of caricature.", "why he is right, right, right! 3. Inconsistency in his motivations. He needs", "walked > around to the other side of the table, his eyes locked", "or if it's just too much talky talky, or both. (Or, perhaps it's", "Perhaps I wrote those in for the reader (I'm not certain, I thought", "staring too long at him. But imagine six or seven exchanges along these", "too much talky talky, or both. (Or, perhaps it's fine and I've been", "his frame of reference). My immediate goal is for him to be frightening,", "hero in his frame of reference). My immediate goal is for him to", "4 of my story now, and many things are hanging together well. As", "well. As a result, lesser items are coming into sharper focus. I need", "(he is an assassin), or if it's just too much talky talky, or", "and maybe that's contributing to the feel of caricature. On the other hand,", "until the end - when the tables (heroes) turn. That feels formulaic, which", "is a short example of something he might say : > > “Today", "of reference). My immediate goal is for him to be frightening, sinister -", "don't actually do this. 2. Info dumps by him, of why he is", "Maniacal laughter. :-) Real villains don't actually do this. 2. Info dumps by", "drugs, which he still uses. Any thoughts about whether this is too much,", "He soon becomes aroused at her inability to fight back (she is tied", "(make him human, consistent, the hero in his frame of reference). My immediate", "needs work. He is too much of a caricature. I looked on this", "bad day for Balx. For Janiw too, I should think. > Xvenly. Your", "- when the tables (heroes) turn. That feels formulaic, which doesn't help in", "spot here? Thank you. p.s. He also is on top, winning the battle,", "Is this a flag, something only caricature villains do? Perhaps I wrote those", "wrote those in for the reader (I'm not certain, I thought it was", "think, but his dialog still falls flat. Here is a short example of", "be a very bad day for Balx. For Janiw too, I should think.", "him, of why he is right, right, right! 3. Inconsistency in his motivations.", "result, lesser items are coming into sharper focus. I need to revise for", "of caricature. The list could include 1. Maniacal laughter. :-) Real villains don't", "> > “Today will be a very bad day for Balx. For Janiw", "top, winning the battle, until the end - when the tables (heroes) turn.", "the feel of caricature. On the other hand, sadism is probably part of", "Xvenly. Your friend, Bob, over there, is also having a bad day.” He" ]
[ "form of communication, they have: * A basic and lasting *knowledge for interpreting", "word usage, pacing and information restrainment/providing. Now, what happens if the writer purposefully", "years)) A medium (dead trees) * Rules on which they operate, and", "lasting knowledge for interpreting the information (you violate this when you compare your", "restrainment/providing. Now, what happens if the writer purposefully manipulates the narrator to either", "but let's focus on the sender/narrator for a bit of a time. When", "narrator. This boredom usually shows up along with repetition, which might happens when", "might happens when my narrator isn't following a certain person, but is itself.", "No matter how good that cookie is, if you shove it down in", "* A basic and lasting knowledge for interpreting the information (you violate this", "for interpreting the information** (you violate this when you compare your characters to", "communication, they have: * A basic and lasting knowledge for interpreting the information", "and the narrator) I will bring this up later, but let's focus on", "repetition, which might happens when my narrator isn't following a certain person, but", "happens when my narrator isn't following a certain person, but is itself. No", "purposefully manipulates the narrator to either adapt to a certain character's way of", "narrator to either adapt to a certain character's way of thinking when following", "billion times, he'll get sick of it. *This is what I want to", "other form of communication, they have: A basic and lasting *knowledge for", "likely \"expire\" after a few decades.(sometimes, years)) A medium (dead trees) ", "is a* not completely certain, but very likely *problem of people getting tired", "just like every other form of communication, they have: A basic and", "which might happens when my narrator isn't following a certain person, but is", "will likely \"expire\" after a few decades.(sometimes, years)) * A medium (dead trees)", "if you shove it down in someone's throat 4 billion times, he'll get", "we call that a voice ~~in our head~~. However, the narrator/voice can easily", "can easily determine the atmosphere of a story with word usage, pacing and", "head~~. However, the narrator/voice can easily determine the atmosphere of a story with", "they have: * A basic and lasting knowledge for interpreting the information (you", "have it as a completely different personality. Now there is a not completely", "tired of the narrator. This boredom usually shows up along with repetition, which", "not completely certain, but very likely problem of people getting tired of the", "different personality. Now there is a not completely certain, but very likely problem", "decades in real-time with a book-to-movie adaptation (I'm looking at you, Spepfuj Kunw))", "personality. Now there is a not completely certain, but very likely problem of", "the atmosphere of a story with word usage, pacing and information restrainment/providing. Now,", "you compare your characters to celebrities who will likely \"expire\" after a few", "Now, what happens if the writer purposefully manipulates the narrator to either adapt", "the information** (you violate this when you compare your characters to celebrities who", "the sender/narrator for a bit of a time. When the narrator is the", "book-to-movie adaptation (I'm looking at you, Spepfuj Kunw)) * The receiver (The reader)", "writer purposefully manipulates the narrator to either adapt to a certain character's way", "Stories are information packets aimed to \"entertain\" people, and just like every other", "narrator is the author we call that a voice ~~in our head~~. However,", "in real-time with a book-to-movie adaptation (I'm looking at you, Spepfuj Kunw)) ", "him/her, or have it as a completely different personality. Now there is a", "to celebrities who will likely \"expire\" after a few decades.(sometimes, years)) *A", "(I'm looking at you, Spepfuj Kunw)) The receiver (The reader) * The", "operate, and what gives them their toolset (you can't use the camera in", "likely problem of people getting tired of the narrator. This boredom usually shows", "and what gives them their toolset (you can't use the camera in writing", "camera in writing and you can't spend decades in real-time with a book-to-movie", "gives them their toolset (you can't use the camera in writing and you", "shove it down in someone's throat 4 billion times, he'll get sick of", "narrator/voice can easily determine the atmosphere of a story with word usage, pacing", "A medium (dead trees) * Rules on which they operate, and what gives", "Rules on which they operate, and what gives them their toolset** (you can't", "* The sender (The author and the narrator) I will bring this up", "* Rules on which they operate, and what gives them their toolset (you", "the author we call that a voice ~~in our head~~. However, the narrator/voice", "a not completely certain, but very likely problem of people getting tired of", "but very likely problem of people getting tired of the narrator. This boredom", "a certain character's way of thinking when following him/her, or have it as", "receiver** (The reader) * The sender (The author and the narrator) I will", "this when you compare your characters to celebrities who will likely \"expire\" after", "call that a voice ~~in our head~~. However, the narrator/voice can easily determine", "cookie is, if you shove it down in someone's throat 4 billion times,", "getting tired of the narrator*. This boredom usually shows up along with repetition,", "isn't following a certain person, but is itself. No matter how good that", "information restrainment/providing. Now, what happens if the writer purposefully manipulates the narrator to", "people, and just like every other form of communication, they have: *A", "few decades.(sometimes, years)) A medium (dead trees) * *Rules on which they", "when my narrator isn't following a certain person, but is itself. No matter", "spend decades in real-time with a book-to-movie adaptation (I'm looking at you, Spepfuj", "who will likely \"expire\" after a few decades.(sometimes, years)) A medium (dead", "bring this up later, but let's focus on the sender/narrator for a bit", "easily determine the atmosphere of a story with word usage, pacing and information", "but is itself. No matter how good that cookie is, if you shove", "the camera in writing and you can't spend decades in real-time with a", "to \"entertain\" people, and just like every other form of communication, they have:", "their toolset (you can't use the camera in writing and you can't spend", "following a certain person, but is itself. No matter how good that cookie", "what gives them their toolset (you can't use the camera in writing and", "shows up along with repetition, which might happens when my narrator isn't following", "The sender (The author and the narrator) I will bring this up later,", "When the narrator is the author we call that a voice ~~in our", "knowledge for interpreting the information (you violate this when you compare your characters", "celebrities who will likely \"expire\" after a few decades.(sometimes, years)) * A medium", "(The author and the narrator) I will bring this up later, but let's", "the narrator is the author we call that a voice ~~in our head~~.", "information packets aimed to \"entertain\" people, and just like every other form of", "information (you violate this when you compare your characters to celebrities who will", "in someone's throat 4 billion times, he'll get sick of it. This is", "The receiver (The reader) * The sender (The author and the narrator) I", "a certain person, but is itself. No matter how good that cookie is,", "have: * A basic and lasting knowledge for interpreting the information (you violate", "violate this when you compare your characters to celebrities who will likely \"expire\"", "is itself. No matter how good that cookie is, if you shove it", "problem of people getting tired of the narrator. This boredom usually shows up", "of the narrator. This boredom usually shows up along with repetition, which might", "as a completely different personality. Now there is a not completely certain, but", "a story with word usage, pacing and information restrainment/providing. Now, what happens if", "A basic and lasting knowledge for interpreting the information (you violate this when", "you can't spend decades in real-time with a book-to-movie adaptation (I'm looking at", "completely certain, but very likely problem of people getting tired of the narrator*.", "this up later, but let's focus on the sender/narrator for a bit of", "of communication, they have: A basic and lasting knowledge for interpreting the", "narrator) I will bring this up later, but let's focus on the sender/narrator", "narrator isn't following a certain person, but is itself. No matter how good", "author and the narrator) I will bring this up later, but let's focus", "with word usage, pacing and information restrainment/providing. Now, what happens if the writer", "way of thinking when following him/her, or have it as a completely different", "there is a not completely certain, but very likely *problem of people getting", "if the writer purposefully manipulates the narrator to either adapt to a certain", "trees) Rules on which they operate, and what gives them their toolset", "the narrator to either adapt to a certain character's way of thinking when", "is, if you shove it down in someone's throat 4 billion times, he'll", "either adapt to a certain character's way of thinking when following him/her, or", "a completely different personality. Now there is a not completely certain, but very", "focus on the sender/narrator for a bit of a time. When the narrator", "story with word usage, pacing and information restrainment/providing. Now, what happens if the", "it down in someone's throat 4 billion times, he'll get sick of it.", "This boredom usually shows up along with repetition, which might happens when my", "after a few decades.(sometimes, years)) * A medium (dead trees) * *Rules on", "packets aimed to \"entertain\" people, and just like every other form of communication,", "at you, Spepfuj Kunw)) The receiver (The reader) * The sender (The", "sender** (The author and the narrator) I will bring this up later, but", "with a book-to-movie adaptation (I'm looking at you, Spepfuj Kunw)) * The receiver", "later, but let's focus on the sender/narrator for a bit of a time.", "you shove it down in someone's throat 4 billion times, he'll get sick", "your characters to celebrities who will likely \"expire\" after a few decades.(sometimes, years))", "a bit of a time. When the narrator is the author we call", "Now there is a not completely certain, but very likely problem of people", "character's way of thinking when following him/her, or have it as a completely", "he'll get sick of it. This is what I want to avoid. How?*", "with repetition, which might happens when my narrator isn't following a certain person,", "every other form of communication, they have: A basic and lasting *knowledge", "in writing and you can't spend decades in real-time with a book-to-movie adaptation", "\"entertain\" people, and just like every other form of communication, they have: ", "on the sender/narrator for a bit of a time. When the narrator is", "happens if the writer purposefully manipulates the narrator to either adapt to a", "a time. When the narrator is the author we call that a voice", "on which they operate, and what gives them their toolset (you can't use", "following him/her, or have it as a completely different personality. Now there is", "* The receiver (The reader) * The sender (The author and the narrator)", "a book-to-movie adaptation (I'm looking at you, Spepfuj Kunw)) * The receiver (The", "thinking when following him/her, or have it as a completely different personality. *Now", "Kunw)) The receiver (The reader) * The sender (The author and the", "of thinking when following him/her, or have it as a completely different personality.", "compare your characters to celebrities who will likely \"expire\" after a few decades.(sometimes,", "person, but is itself. No matter how good that cookie is, if you", "completely different personality. Now there is a not completely certain, but very likely", "they operate, and what gives them their toolset (you can't use the camera", "use the camera in writing and you can't spend decades in real-time with", "author we call that a voice ~~in our head~~. However, the narrator/voice can", "and information restrainment/providing. Now, what happens if the writer purposefully manipulates the narrator", "boredom usually shows up along with repetition, which might happens when my narrator", "adapt to a certain character's way of thinking when following him/her, or have", "and lasting knowledge for interpreting the information** (you violate this when you compare", "~~in our head~~. However, the narrator/voice can easily determine the atmosphere of a", "certain character's way of thinking when following him/her, or have it as a", "decades.(sometimes, years)) * A medium (dead trees) * Rules on which they operate,", "of a story with word usage, pacing and information restrainment/providing. Now, what happens", "when following him/her, or have it as a completely different personality. Now there", "* A medium (dead trees) * Rules on which they operate, and what", "someone's throat 4 billion times, he'll get sick of it. This is what", "throat 4 billion times, he'll get sick of it. This is what I", "sender/narrator for a bit of a time. When the narrator is the author", "matter how good that cookie is, if you shove it down in someone's", "what happens if the writer purposefully manipulates the narrator to either adapt to", "usually shows up along with repetition, which might happens when my narrator isn't", "itself. No matter how good that cookie is, if you shove it down", "for a bit of a time. When the narrator is the author we", "toolset (you can't use the camera in writing and you can't spend decades", "(The reader) * The sender (The author and the narrator) I will bring", "how good that cookie is, if you shove it down in someone's throat", "of a time. When the narrator is the author we call that a", "our head~~. However, the narrator/voice can easily determine the atmosphere of a story", "the narrator/voice can easily determine the atmosphere of a story with word usage,", "along with repetition, which might happens when my narrator isn't following a certain", "to either adapt to a certain character's way of thinking when following him/her,", "that a voice ~~in our head~~. However, the narrator/voice can easily determine the", "certain, but very likely problem of people getting tired of the narrator. This", "real-time with a book-to-movie adaptation (I'm looking at you, Spepfuj Kunw)) * The", "bit of a time. When the narrator is the author we call that", "down in someone's throat 4 billion times, he'll get sick of it. This", "(dead trees) * Rules on which they operate, and what gives them their", "when you compare your characters to celebrities who will likely \"expire\" after a", "very likely problem of people getting tired of the narrator*. This boredom usually", "that cookie is, if you shove it down in someone's throat 4 billion", "can't spend decades in real-time with a book-to-movie adaptation (I'm looking at you,", "adaptation (I'm looking at you, Spepfuj Kunw)) The receiver (The reader) ", "people getting tired of the narrator. This boredom usually shows up along with", "them their toolset* (you can't use the camera in writing and you can't", "up along with repetition, which might happens when my narrator isn't following a", "the narrator. This boredom usually shows up along with repetition, which might happens", "interpreting the information (you violate this when you compare your characters to celebrities", "usage, pacing and information restrainment/providing. Now, what happens if the writer purposefully manipulates", "pacing and information restrainment/providing. Now, what happens if the writer purposefully manipulates the", "my narrator isn't following a certain person, but is itself. No matter how", "certain person, but is itself. No matter how good that cookie is, if", "medium** (dead trees) * Rules on which they operate, and what gives them", "and you can't spend decades in real-time with a book-to-movie adaptation (I'm looking", "basic and lasting knowledge for interpreting the information (you violate this when you", "the writer purposefully manipulates the narrator to either adapt to a certain character's", "manipulates the narrator to either adapt to a certain character's way of thinking", "aimed to \"entertain\" people, and just like every other form of communication, they", "writing and you can't spend decades in real-time with a book-to-movie adaptation (I'm", "which they operate, and what gives them their toolset (you can't use the", "Proposition:** Stories are information packets aimed to \"entertain\" people, and just like every", "(you violate this when you compare your characters to celebrities who will likely", "determine the atmosphere of a story with word usage, pacing and information restrainment/providing.", "a voice ~~in our head~~. However, the narrator/voice can easily determine the atmosphere", "can't use the camera in writing and you can't spend decades in real-time", "Spepfuj Kunw)) * The receiver (The reader) * The sender (The author and", "is the author we call that a voice ~~in our head~~. However, the", "the narrator) I will bring this up later, but let's focus on the", "a few decades.(sometimes, years)) * A medium (dead trees) * Rules on which", "I will bring this up later, but let's focus on the sender/narrator for", "atmosphere of a story with word usage, pacing and information restrainment/providing. Now, what", "up later, but let's focus on the sender/narrator for a bit of a", "of people getting tired of the narrator. This boredom usually shows up along", "voice ~~in our head~~. However, the narrator/voice can easily determine the atmosphere of", "you, Spepfuj Kunw)) * The receiver (The reader) * The sender (The author", "4 billion times, he'll get sick of it. *This is what I want", "like every other form of communication, they have: A basic and lasting", "or have it as a completely different personality. Now there is a not", "good that cookie is, if you shove it down in someone's throat 4", "reader) * The sender (The author and the narrator) I will bring this", "will bring this up later, but let's focus on the sender/narrator for a", "are information packets aimed to \"entertain\" people, and just like every other form", "to a certain character's way of thinking when following him/her, or have it", "characters to celebrities who will likely \"expire\" after a few decades.(sometimes, years)) ", "it as a completely different personality. Now there is a* not completely certain,", "looking at you, Spepfuj Kunw)) * The receiver (The reader) * The sender", "times, he'll get sick of it. *This is what I want to avoid.", "and just like every other form of communication, they have: A basic", "However, the narrator/voice can easily determine the atmosphere of a story with word", "time. When the narrator is the author we call that a voice ~~in", "let's focus on the sender/narrator for a bit of a time. When the", "\"expire\" after a few decades.(sometimes, years)) * A medium (dead trees) * **Rules", "(you can't use the camera in writing and you can't spend decades in" ]
[ "I am dealing with an editor who sent back a heavily edited draft", "to the work and needing to pull away. I understand why people need", "the first time, I am dealing with an editor who sent back a", "eyes. What I don't understand is this: Is it common for an editor", "they really wanted it, and would I be ok with light editorial touches?", "feel it isn't worth it to try to explain what something means, why", "I understand being too close to the work and needing to pull away.", "light editorial touches? I feel extremely uncomfortable with this process. I understand concision.", "to know if this editorial process is common, because I may have to", "process is common, because I may have to steel myself for it. Writing", "Writing took over my life, because it knew I couldn't handle people. It", "it. Writing took over my life, because it knew I couldn't handle people.", "first desire was not to be published; I wanted to look at something", "a good way. A great way. Now I'm back to dealing with people.", "you could say experimental fiction, but I just feel I am more of", "is common, because I may have to steel myself for it. Writing took", "art--not to others, but to myself. Higqy Xivlur once wrote: \"The act of", "I guess you could say experimental fiction, but I just feel I am", "wrote: \"The act of putting down words is a narcotic.\" He was right.", "I be ok with light editorial touches? I feel extremely uncomfortable with this", "a story whose language is driven by rhythm seems, to me, not worth", "who sent back a heavily edited draft of a short story. They did", "my life, because it knew I couldn't handle people. It consumes me, but", "to steel myself for it. Writing took over my life, because it knew", "What I don't understand is this: Is it common for an editor to", "to me, not worth it. I feel it isn't worth it to try", "it. I just want to know if this editorial process is common, because", "have to deal with someone rewriting my sentences makes me wonder if submitting", "even wrote it. I just want to know if this editorial process is", "would suggest rewrites in those aforementioned sections, but to rewrite parts in a", "editor to rewrite your sentences? I thought they would suggest rewrites in those", "pull away. I understand why people need extra eyes. What I don't understand", "action inside the story, why rewriting my sentences makes me feel like I", "desire was not to be published; I wanted to look at something and", "it to try to explain what something means, why the structure represents a", "of mine that's been accepted was taken as is. Now, for the first", "of a stylist. Every story of mine that's been accepted was taken as", "I understand why people need extra eyes. What I don't understand is this:", "process. I understand concision. I understand plot holes and grammar mistakes. I understand", "first time, I am dealing with an editor who sent back a heavily", "this editorial process is common, because I may have to steel myself for", "could say experimental fiction, but I just feel I am more of a", "say experimental fiction, but I just feel I am more of a stylist.", "I understand plot holes and grammar mistakes. I understand being too close to", "I thought they would suggest rewrites in those aforementioned sections, but to rewrite", "couldn't handle people. It consumes me, but in a good way. A great", "seems, to me, not worth it. I feel it isn't worth it to", "is. Now, for the first time, I am dealing with an editor who", "act of putting down words is a narcotic.\" He was right. Unfortunately, dealing", "a stylist. Every story of mine that's been accepted was taken as is.", "it, and would I be ok with light editorial touches? I feel extremely", "with someone rewriting my sentences makes me wonder if submitting is even worth", "did more than cut: they rewrote. I withdrew the submission, and thanked them.", "to look at something and love it, and know I created something I", "am dealing with an editor who sent back a heavily edited draft of", "and love it, and know I created something I feel is a work", "explain what something means, why the structure represents a certain action inside the", "is a work of art--not to others, but to myself. Higqy Xivlur once", "be ok with light editorial touches? I feel extremely uncomfortable with this process.", "what something means, why the structure represents a certain action inside the story,", "never even wrote it. I just want to know if this editorial process", "it, and know I created something I feel is a work of art--not", "editorial process is common, because I may have to steel myself for it.", "really wanted it, and would I be ok with light editorial touches? I", "worth it. I feel it isn't worth it to try to explain what", "myself. Higqy Xivlur once wrote: \"The act of putting down words is a", "experimental fiction, but I just feel I am more of a stylist. Every", "is even worth it anymore. My first desire was not to be published;", "I withdrew the submission, and thanked them. They wrote back, told me they", "submission, and thanked them. They wrote back, told me they really wanted it,", "why the structure represents a certain action inside the story, why rewriting my", "cut: they rewrote. I withdrew the submission, and thanked them. They wrote back,", "inside the story, why rewriting my sentences makes me feel like I never", "plot holes and grammar mistakes. I understand being too close to the work", "more than cut: they rewrote. I withdrew the submission, and thanked them. They", "language is driven by rhythm seems, to me, not worth it. I feel", "accepted was taken as is. Now, for the first time, I am dealing", "but to rewrite parts in a story whose language is driven by rhythm", "like I never even wrote it. I just want to know if this", "narcotic.\" He was right. Unfortunately, dealing with an editor is like sobering up.", "of a short story. They did more than cut: they rewrote. I withdrew", "words is a narcotic.\" He was right. Unfortunately, dealing with an editor is", "be published; I wanted to look at something and love it, and know", "want to know if this editorial process is common, because I may have", "people. It consumes me, but in a good way. A great way. Now", "Higqy Xivlur once wrote: \"The act of putting down words is a narcotic.\"", "time, I am dealing with an editor who sent back a heavily edited", "need extra eyes. What I don't understand is this: Is it common for", "the story, why rewriting my sentences makes me feel like I never even", "not to be published; I wanted to look at something and love it,", "way. Now I'm back to dealing with people. To have to deal with", "editor who sent back a heavily edited draft of a short story. They", "try to explain what something means, why the structure represents a certain action", "back to dealing with people. To have to deal with someone rewriting my", "dealing with an editor who sent back a heavily edited draft of a", "To have to deal with someone rewriting my sentences makes me wonder if", "they rewrote. I withdrew the submission, and thanked them. They wrote back, told", "suggest rewrites in those aforementioned sections, but to rewrite parts in a story", "as is. Now, for the first time, I am dealing with an editor", "mine that's been accepted was taken as is. Now, for the first time,", "work and needing to pull away. I understand why people need extra eyes.", "feel is a work of art--not to others, but to myself. Higqy Xivlur", "understand is this: Is it common for an editor to rewrite your sentences?", "Xivlur once wrote: \"The act of putting down words is a narcotic.\" He", "to pull away. I understand why people need extra eyes. What I don't", "needing to pull away. I understand why people need extra eyes. What I", "for the first time, I am dealing with an editor who sent back", "extra eyes. What I don't understand is this: Is it common for an", "submitting is even worth it anymore. My first desire was not to be", "ok with light editorial touches? I feel extremely uncomfortable with this process. I", "it. I feel it isn't worth it to try to explain what something", "your sentences? I thought they would suggest rewrites in those aforementioned sections, but", "short story. They did more than cut: they rewrote. I withdrew the submission,", "they would suggest rewrites in those aforementioned sections, but to rewrite parts in", "edited draft of a short story. They did more than cut: they rewrote.", "in a good way. A great way. Now I'm back to dealing with", "rewrite your sentences? I thought they would suggest rewrites in those aforementioned sections,", "good way. A great way. Now I'm back to dealing with people. To", "wrote back, told me they really wanted it, and would I be ok", "concision. I understand plot holes and grammar mistakes. I understand being too close", "rewriting my sentences makes me wonder if submitting is even worth it anymore.", "sections, but to rewrite parts in a story whose language is driven by", "I feel extremely uncomfortable with this process. I understand concision. I understand plot", "something and love it, and know I created something I feel is a", "handle people. It consumes me, but in a good way. A great way.", "back a heavily edited draft of a short story. They did more than", "but to myself. Higqy Xivlur once wrote: \"The act of putting down words", "once wrote: \"The act of putting down words is a narcotic.\" He was", "rewrites in those aforementioned sections, but to rewrite parts in a story whose", "whose language is driven by rhythm seems, to me, not worth it. I", "published; I wanted to look at something and love it, and know I", "draft of a short story. They did more than cut: they rewrote. I", "story of mine that's been accepted was taken as is. Now, for the", "being too close to the work and needing to pull away. I understand", "rewriting my sentences makes me feel like I never even wrote it. I", "understand concision. I understand plot holes and grammar mistakes. I understand being too", "but in a good way. A great way. Now I'm back to dealing", "story, why rewriting my sentences makes me feel like I never even wrote", "wrote it. I just want to know if this editorial process is common,", "have to steel myself for it. Writing took over my life, because it", "those aforementioned sections, but to rewrite parts in a story whose language is", "me wonder if submitting is even worth it anymore. My first desire was", "others, but to myself. Higqy Xivlur once wrote: \"The act of putting down", "I write fiction, I guess you could say experimental fiction, but I just", "just want to know if this editorial process is common, because I may", "than cut: they rewrote. I withdrew the submission, and thanked them. They wrote", "because it knew I couldn't handle people. It consumes me, but in a", "me feel like I never even wrote it. I just want to know", "Now I'm back to dealing with people. To have to deal with someone", "a certain action inside the story, why rewriting my sentences makes me feel", "am more of a stylist. Every story of mine that's been accepted was", "me, but in a good way. A great way. Now I'm back to", "I may have to steel myself for it. Writing took over my life,", "I am more of a stylist. Every story of mine that's been accepted", "worth it anymore. My first desire was not to be published; I wanted", "Now, for the first time, I am dealing with an editor who sent", "I don't understand is this: Is it common for an editor to rewrite", "away. I understand why people need extra eyes. What I don't understand is", "guess you could say experimental fiction, but I just feel I am more", "sentences makes me wonder if submitting is even worth it anymore. My first", "fiction, I guess you could say experimental fiction, but I just feel I", "rewrote. I withdrew the submission, and thanked them. They wrote back, told me", "withdrew the submission, and thanked them. They wrote back, told me they really", "close to the work and needing to pull away. I understand why people", "why people need extra eyes. What I don't understand is this: Is it", "anymore. My first desire was not to be published; I wanted to look", "a short story. They did more than cut: they rewrote. I withdrew the", "and know I created something I feel is a work of art--not to", "write fiction, I guess you could say experimental fiction, but I just feel", "it anymore. My first desire was not to be published; I wanted to", "to deal with someone rewriting my sentences makes me wonder if submitting is", "dealing with people. To have to deal with someone rewriting my sentences makes", "They wrote back, told me they really wanted it, and would I be", "me, not worth it. I feel it isn't worth it to try to", "by rhythm seems, to me, not worth it. I feel it isn't worth", "told me they really wanted it, and would I be ok with light", "but I just feel I am more of a stylist. Every story of", "Every story of mine that's been accepted was taken as is. Now, for", "and needing to pull away. I understand why people need extra eyes. What", "wonder if submitting is even worth it anymore. My first desire was not", "know if this editorial process is common, because I may have to steel", "it knew I couldn't handle people. It consumes me, but in a good", "stylist. Every story of mine that's been accepted was taken as is. Now,", "at something and love it, and know I created something I feel is", "a narcotic.\" He was right. Unfortunately, dealing with an editor is like sobering", "structure represents a certain action inside the story, why rewriting my sentences makes", "the structure represents a certain action inside the story, why rewriting my sentences", "may have to steel myself for it. Writing took over my life, because", "something means, why the structure represents a certain action inside the story, why", "Is it common for an editor to rewrite your sentences? I thought they", "deal with someone rewriting my sentences makes me wonder if submitting is even", "to rewrite your sentences? I thought they would suggest rewrites in those aforementioned", "uncomfortable with this process. I understand concision. I understand plot holes and grammar", "if submitting is even worth it anymore. My first desire was not to", "because I may have to steel myself for it. Writing took over my", "\"The act of putting down words is a narcotic.\" He was right. Unfortunately,", "and would I be ok with light editorial touches? I feel extremely uncomfortable", "to rewrite parts in a story whose language is driven by rhythm seems,", "too close to the work and needing to pull away. I understand why", "to myself. Higqy Xivlur once wrote: \"The act of putting down words is", "I feel it isn't worth it to try to explain what something means,", "that's been accepted was taken as is. Now, for the first time, I", "it common for an editor to rewrite your sentences? I thought they would", "with an editor who sent back a heavily edited draft of a short", "an editor who sent back a heavily edited draft of a short story.", "consumes me, but in a good way. A great way. Now I'm back", "common, because I may have to steel myself for it. Writing took over", "feel like I never even wrote it. I just want to know if", "worth it to try to explain what something means, why the structure represents", "it isn't worth it to try to explain what something means, why the", "my sentences makes me wonder if submitting is even worth it anymore. My", "and thanked them. They wrote back, told me they really wanted it, and", "the work and needing to pull away. I understand why people need extra", "people. To have to deal with someone rewriting my sentences makes me wonder", "makes me feel like I never even wrote it. I just want to", "to others, but to myself. Higqy Xivlur once wrote: \"The act of putting", "for an editor to rewrite your sentences? I thought they would suggest rewrites", "took over my life, because it knew I couldn't handle people. It consumes", "wanted it, and would I be ok with light editorial touches? I feel", "wanted to look at something and love it, and know I created something", "in a story whose language is driven by rhythm seems, to me, not", "rhythm seems, to me, not worth it. I feel it isn't worth it", "I'm back to dealing with people. To have to deal with someone rewriting", "the submission, and thanked them. They wrote back, told me they really wanted", "look at something and love it, and know I created something I feel", "I feel is a work of art--not to others, but to myself. Higqy", "extremely uncomfortable with this process. I understand concision. I understand plot holes and", "understand why people need extra eyes. What I don't understand is this: Is", "feel I am more of a stylist. Every story of mine that's been", "I just want to know if this editorial process is common, because I", "to try to explain what something means, why the structure represents a certain", "work of art--not to others, but to myself. Higqy Xivlur once wrote: \"The", "heavily edited draft of a short story. They did more than cut: they", "means, why the structure represents a certain action inside the story, why rewriting", "feel extremely uncomfortable with this process. I understand concision. I understand plot holes", "life, because it knew I couldn't handle people. It consumes me, but in", "is driven by rhythm seems, to me, not worth it. I feel it", "my sentences makes me feel like I never even wrote it. I just", "thought they would suggest rewrites in those aforementioned sections, but to rewrite parts", "myself for it. Writing took over my life, because it knew I couldn't", "understand being too close to the work and needing to pull away. 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I understand being too close to the work and needing to", "an editor to rewrite your sentences? I thought they would suggest rewrites in", "this: Is it common for an editor to rewrite your sentences? I thought", "down words is a narcotic.\" He was right. Unfortunately, dealing with an editor", "love it, and know I created something I feel is a work of", "know I created something I feel is a work of art--not to others,", "I created something I feel is a work of art--not to others, but", "with people. To have to deal with someone rewriting my sentences makes me", "isn't worth it to try to explain what something means, why the structure", "fiction, but I just feel I am more of a stylist. Every story", "way. A great way. Now I'm back to dealing with people. To have", "I just feel I am more of a stylist. Every story of mine", "over my life, because it knew I couldn't handle people. It consumes me,", "editorial touches? I feel extremely uncomfortable with this process. I understand concision. I", "parts in a story whose language is driven by rhythm seems, to me,", "I couldn't handle people. It consumes me, but in a good way. A", "knew I couldn't handle people. It consumes me, but in a good way.", "story. They did more than cut: they rewrote. I withdrew the submission, and", "It consumes me, but in a good way. A great way. Now I'm", "this process. I understand concision. I understand plot holes and grammar mistakes. I", "steel myself for it. Writing took over my life, because it knew I", "with this process. I understand concision. I understand plot holes and grammar mistakes.", "if this editorial process is common, because I may have to steel myself", "putting down words is a narcotic.\" He was right. Unfortunately, dealing with an", "is a narcotic.\" He was right. Unfortunately, dealing with an editor is like", "been accepted was taken as is. Now, for the first time, I am", "great way. Now I'm back to dealing with people. To have to deal", "was taken as is. Now, for the first time, I am dealing with", "to dealing with people. To have to deal with someone rewriting my sentences", "a work of art--not to others, but to myself. Higqy Xivlur once wrote:", "aforementioned sections, but to rewrite parts in a story whose language is driven", "touches? I feel extremely uncomfortable with this process. I understand concision. I understand", "and grammar mistakes. I understand being too close to the work and needing", "thanked them. They wrote back, told me they really wanted it, and would", "just feel I am more of a stylist. Every story of mine that's", "understand plot holes and grammar mistakes. I understand being too close to the", "is this: Is it common for an editor to rewrite your sentences? I", "sentences makes me feel like I never even wrote it. I just want", "in those aforementioned sections, but to rewrite parts in a story whose language", "of art--not to others, but to myself. Higqy Xivlur once wrote: \"The act", "rewrite parts in a story whose language is driven by rhythm seems, to", "makes me wonder if submitting is even worth it anymore. My first desire", "of putting down words is a narcotic.\" He was right. Unfortunately, dealing with", "sentences? I thought they would suggest rewrites in those aforementioned sections, but to", "driven by rhythm seems, to me, not worth it. I feel it isn't", "sent back a heavily edited draft of a short story. They did more", "more of a stylist. Every story of mine that's been accepted was taken", "holes and grammar mistakes. I understand being too close to the work and", "was not to be published; I wanted to look at something and love", "me they really wanted it, and would I be ok with light editorial", "for it. Writing took over my life, because it knew I couldn't handle", "My first desire was not to be published; I wanted to look at", "I never even wrote it. I just want to know if this editorial", "certain action inside the story, why rewriting my sentences makes me feel like", "a heavily edited draft of a short story. They did more than cut:", "with light editorial touches? I feel extremely uncomfortable with this process. I understand", "people need extra eyes. What I don't understand is this: Is it common", "don't understand is this: Is it common for an editor to rewrite your", "something I feel is a work of art--not to others, but to myself.", "A great way. Now I'm back to dealing with people. To have to", "back, told me they really wanted it, and would I be ok with", "represents a certain action inside the story, why rewriting my sentences makes me", "even worth it anymore. My first desire was not to be published; I", "They did more than cut: they rewrote. I withdrew the submission, and thanked", "mistakes. I understand being too close to the work and needing to pull" ]
[ "a world where there are no boundaries between people. In fact, a world", "to information. > > > You see what I mean? What are your", "world where there are no boundaries between people. In fact, a world where", "> This way, I can kind of emphasise the three sentences by repeating", "case, the message wouldn't have been the same: > > We -the association", "there are no boundaries between people. In fact, a world where there is", "more, we believe in a world where there are no boundaries between people.", "a world\" or simply \"a world\". Whereas, I'd used connectors in this case,", "can be accessible to everyone for free. What is more, we believe in", "between people. In fact, a world where there is equality of the access", "at school and all my English teachers have told me throughout secondary school", "However, do I have to use them all the time? I mean, what", "to use them all the time? I mean, what if I want to", "to everyone for free. We believe in a world where there are no", "have a question on linkers and connectors. I'm from Spain, so I learnt", "are no boundaries between people. A world where there is equality of the", "the time? I mean, what if I want to write something like this:", "I'd used connectors in this case, the message wouldn't have been the same:", "repeating the words \"we believe in a world\" or simply \"a world\". Whereas,", "we always have to use linkers to connect the ideas in our writings.", "believe in a world where there are no boundaries between people. A world", "people. In fact, a world where there is equality of the access to", "on linkers and connectors. I'm from Spain, so I learnt English at school", "is equality of the access to information. > > > You see what", "to connect the ideas in our writings. However, do I have to use", "linkers to connect the ideas in our writings. However, do I have to", "where there are no boundaries between people. A world where there is equality", "the words \"we believe in a world\" or simply \"a world\". Whereas, I'd", "> > > This way, I can kind of emphasise the three sentences", "there are no boundaries between people. A world where there is equality of", "everyone for free. We believe in a world where there are no boundaries", "to write something like this: > > We -the association of internet users-", "\"a world\". Whereas, I'd used connectors in this case, the message wouldn't have", "to use linkers to connect the ideas in our writings. However, do I", "in a world where there are no boundaries between people. In fact, a", "world where there are no boundaries between people. A world where there is", "where there is equality of the access to information. > > > You", "and all my English teachers have told me throughout secondary school that we", "throughout secondary school that we always have to use linkers to connect the", "all my English teachers have told me throughout secondary school that we always", "school and all my English teachers have told me throughout secondary school that", "boundaries between people. A world where there is equality of the access to", "accessible to everyone for free. What is more, we believe in a world", "I can kind of emphasise the three sentences by repeating the words \"we", "data can be accessible to everyone for free. What is more, we believe", "kind of emphasise the three sentences by repeating the words \"we believe in", "sentences by repeating the words \"we believe in a world\" or simply \"a", "where there is equality of the access to information. > > > This", "> > > You see what I mean? What are your thoughts on", "mean, what if I want to write something like this: > > We", "everyone for free. What is more, we believe in a world where there", "is more, we believe in a world where there are no boundaries between", "world\". Whereas, I'd used connectors in this case, the message wouldn't have been", "English at school and all my English teachers have told me throughout secondary", "in a world where data can be accessible to everyone for free. We", "all the time? I mean, what if I want to write something like", "accessible to everyone for free. We believe in a world where there are", "or simply \"a world\". Whereas, I'd used connectors in this case, the message", "internet users- believe in a world where data can be accessible to everyone", "time? I mean, what if I want to write something like this: >", "are no boundaries between people. In fact, a world where there is equality", "the message wouldn't have been the same: > > We -the association of", "for free. What is more, we believe in a world where there are", "the access to information. > > > You see what I mean? What", "question on linkers and connectors. I'm from Spain, so I learnt English at", "writings. However, do I have to use them all the time? I mean,", "free. We believe in a world where there are no boundaries between people.", "\"we believe in a world\" or simply \"a world\". Whereas, I'd used connectors", "a world where data can be accessible to everyone for free. We believe", "people. A world where there is equality of the access to information. >", "I'm from Spain, so I learnt English at school and all my English", "like this: > > We -the association of internet users- believe in a", "We -the association of internet users- believe in a world where data can", "simply \"a world\". Whereas, I'd used connectors in this case, the message wouldn't", "connectors in this case, the message wouldn't have been the same: > >", "the access to information. > > > This way, I can kind of", "secondary school that we always have to use linkers to connect the ideas", "always have to use linkers to connect the ideas in our writings. However,", "something like this: > > We -the association of internet users- believe in", "for free. We believe in a world where there are no boundaries between", "a world where data can be accessible to everyone for free. What is", "In fact, a world where there is equality of the access to information.", "believe in a world where data can be accessible to everyone for free.", "them all the time? I mean, what if I want to write something", "the three sentences by repeating the words \"we believe in a world\" or", "same: > > We -the association of internet users- believe in a world", "our writings. However, do I have to use them all the time? I", "words \"we believe in a world\" or simply \"a world\". Whereas, I'd used", "believe in a world\" or simply \"a world\". Whereas, I'd used connectors in", "A world where there is equality of the access to information. > >", "can be accessible to everyone for free. We believe in a world where", "the same: > > We -the association of internet users- believe in a", "me throughout secondary school that we always have to use linkers to connect", "school that we always have to use linkers to connect the ideas in", "from Spain, so I learnt English at school and all my English teachers", "if I want to write something like this: > > We -the association", "fact, a world where there is equality of the access to information. >", "no boundaries between people. A world where there is equality of the access", "a world where there are no boundaries between people. A world where there", "three sentences by repeating the words \"we believe in a world\" or simply", "want to write something like this: > > We -the association of internet", "ideas in our writings. However, do I have to use them all the", "I learnt English at school and all my English teachers have told me", "where there are no boundaries between people. In fact, a world where there", "between people. A world where there is equality of the access to information.", "boundaries between people. In fact, a world where there is equality of the", "English teachers have told me throughout secondary school that we always have to", "free. What is more, we believe in a world where there are no", "I mean, what if I want to write something like this: > >", "what if I want to write something like this: > > We -the", "in our writings. However, do I have to use them all the time?", "be accessible to everyone for free. What is more, we believe in a", "message wouldn't have been the same: > > We -the association of internet", "information. > > > This way, I can kind of emphasise the three", "in a world where there are no boundaries between people. A world where", "way, I can kind of emphasise the three sentences by repeating the words", "and connectors. I'm from Spain, so I learnt English at school and all", "> We -the association of internet users- believe in a world where data", "of internet users- believe in a world where data can be accessible to", "been the same: > > We -the association of internet users- believe in", "connect the ideas in our writings. However, do I have to use them", "is equality of the access to information. > > > This way, I", "we believe in a world where there are no boundaries between people. In", "users- believe in a world where data can be accessible to everyone for", "-the association of internet users- believe in a world where data can be", "there is equality of the access to information. > > > This way,", "a world where there is equality of the access to information. > >", "> > This way, I can kind of emphasise the three sentences by", "to everyone for free. What is more, we believe in a world where", "use them all the time? I mean, what if I want to write", "believe in a world where there are no boundaries between people. In fact,", "wouldn't have been the same: > > We -the association of internet users-", "so I learnt English at school and all my English teachers have told", "where data can be accessible to everyone for free. What is more, we", "this case, the message wouldn't have been the same: > > We -the", "to information. > > > This way, I can kind of emphasise the", "linkers and connectors. I'm from Spain, so I learnt English at school and", "I have to use them all the time? I mean, what if I", "I want to write something like this: > > We -the association of", "this: > > We -the association of internet users- believe in a world", "where data can be accessible to everyone for free. We believe in a", "in a world\" or simply \"a world\". Whereas, I'd used connectors in this", "What is more, we believe in a world where there are no boundaries", "access to information. > > > This way, I can kind of emphasise", "use linkers to connect the ideas in our writings. However, do I have", "We believe in a world where there are no boundaries between people. A", "a question on linkers and connectors. I'm from Spain, so I learnt English", "no boundaries between people. In fact, a world where there is equality of", "of emphasise the three sentences by repeating the words \"we believe in a", "information. > > > You see what I mean? What are your thoughts", "I have a question on linkers and connectors. I'm from Spain, so I", "have been the same: > > We -the association of internet users- believe", "world where data can be accessible to everyone for free. What is more,", "have to use linkers to connect the ideas in our writings. However, do", "data can be accessible to everyone for free. We believe in a world", "used connectors in this case, the message wouldn't have been the same: >", "equality of the access to information. > > > This way, I can", "equality of the access to information. > > > You see what I", "learnt English at school and all my English teachers have told me throughout", "the ideas in our writings. However, do I have to use them all", "do I have to use them all the time? I mean, what if", "association of internet users- believe in a world where data can be accessible", "world where there is equality of the access to information. > > >", "can kind of emphasise the three sentences by repeating the words \"we believe", "have told me throughout secondary school that we always have to use linkers", "have to use them all the time? I mean, what if I want", "of the access to information. > > > This way, I can kind", "teachers have told me throughout secondary school that we always have to use", "in a world where data can be accessible to everyone for free. What", "be accessible to everyone for free. We believe in a world where there", "that we always have to use linkers to connect the ideas in our", "there is equality of the access to information. > > > You see", "by repeating the words \"we believe in a world\" or simply \"a world\".", "> > We -the association of internet users- believe in a world where", "Spain, so I learnt English at school and all my English teachers have", "emphasise the three sentences by repeating the words \"we believe in a world\"", "of the access to information. > > > You see what I mean?", "told me throughout secondary school that we always have to use linkers to", "world\" or simply \"a world\". Whereas, I'd used connectors in this case, the", "my English teachers have told me throughout secondary school that we always have", "access to information. > > > You see what I mean? What are", "world where data can be accessible to everyone for free. We believe in", "in this case, the message wouldn't have been the same: > > We", "write something like this: > > We -the association of internet users- believe", "connectors. I'm from Spain, so I learnt English at school and all my", "Whereas, I'd used connectors in this case, the message wouldn't have been the", "> > You see what I mean? What are your thoughts on that?", "This way, I can kind of emphasise the three sentences by repeating the" ]
[ "because of the feel of them. But there is still a plot there", "- I know because of the feel of them. But there is still", "not clear on the answers I'm getting. For example, I know that screenplays/plays/books", "clear on the answers I'm getting. For example, I know that screenplays/plays/books such", "Enough DaedUW, The Spare Room and Little Miss Sunshine are character driven -", "Spare Room and Little Miss Sunshine are character driven - I know because", "the feel of them. But there is still a plot there that unfolds.", "I know that screenplays/plays/books such as A Streetcar Named Desire, Enough DaedUW, The", "just not clear on the answers I'm getting. For example, I know that", "The Spare Room and Little Miss Sunshine are character driven - I know", "and Little Miss Sunshine are character driven - I know because of the", "of the feel of them. But there is still a plot there that", "are character driven - I know because of the feel of them. But", "For example, I know that screenplays/plays/books such as A Streetcar Named Desire, Enough", "Room and Little Miss Sunshine are character driven - I know because of", "but I'm just not clear on the answers I'm getting. For example, I", "Sunshine are character driven - I know because of the feel of them.", "question several times but I'm just not clear on the answers I'm getting.", "Named Desire, Enough DaedUW, The Spare Room and Little Miss Sunshine are character", "such as A Streetcar Named Desire, Enough DaedUW, The Spare Room and Little", "the answers I'm getting. For example, I know that screenplays/plays/books such as A", "character driven - I know because of the feel of them. But there", "example, I know that screenplays/plays/books such as A Streetcar Named Desire, Enough DaedUW,", "Miss Sunshine are character driven - I know because of the feel of", "this question several times but I'm just not clear on the answers I'm", "that screenplays/plays/books such as A Streetcar Named Desire, Enough DaedUW, The Spare Room", "Little Miss Sunshine are character driven - I know because of the feel", "I know because of the feel of them. But there is still a", "screenplays/plays/books such as A Streetcar Named Desire, Enough DaedUW, The Spare Room and", "Desire, Enough DaedUW, The Spare Room and Little Miss Sunshine are character driven", "times but I'm just not clear on the answers I'm getting. For example,", "getting. For example, I know that screenplays/plays/books such as A Streetcar Named Desire,", "driven - I know because of the feel of them. But there is", "googled this question several times but I'm just not clear on the answers", "have googled this question several times but I'm just not clear on the", "I'm getting. For example, I know that screenplays/plays/books such as A Streetcar Named", "know that screenplays/plays/books such as A Streetcar Named Desire, Enough DaedUW, The Spare", "I have googled this question several times but I'm just not clear on", "on the answers I'm getting. For example, I know that screenplays/plays/books such as", "know because of the feel of them. But there is still a plot", "several times but I'm just not clear on the answers I'm getting. For", "as A Streetcar Named Desire, Enough DaedUW, The Spare Room and Little Miss", "I'm just not clear on the answers I'm getting. For example, I know", "Streetcar Named Desire, Enough DaedUW, The Spare Room and Little Miss Sunshine are", "DaedUW, The Spare Room and Little Miss Sunshine are character driven - I", "answers I'm getting. For example, I know that screenplays/plays/books such as A Streetcar", "A Streetcar Named Desire, Enough DaedUW, The Spare Room and Little Miss Sunshine" ]
[ "in our world, but in the future, when humans have expanded throughout our", "I currently am working with a story set in our world, but in", "our galaxy. In this search, the first 'human contact' reveals a species who,", "throughout our solar system, and have just begun to explore and document our", "contact' reveals a species who, by just existing, force humans to redefine what", "document our galaxy. In this search, the first 'human contact' reveals a species", "the first 'human contact' reveals a species who, by just existing, force humans", "solar system, and have just begun to explore and document our galaxy. In", "system, and have just begun to explore and document our galaxy. In this", "currently am working with a story set in our world, but in the", "humans to redefine what they even define as consciousness. How do I describe", "have just begun to explore and document our galaxy. In this search, the", "story set in our world, but in the future, when humans have expanded", "species who, by just existing, force humans to redefine what they even define", "working with a story set in our world, but in the future, when", "galaxy. In this search, the first 'human contact' reveals a species who, by", "existing, force humans to redefine what they even define as consciousness. How do", "force humans to redefine what they even define as consciousness. How do I", "just existing, force humans to redefine what they even define as consciousness. How", "In this search, the first 'human contact' reveals a species who, by just", "our solar system, and have just begun to explore and document our galaxy.", "with a story set in our world, but in the future, when humans", "the future, when humans have expanded throughout our solar system, and have just", "redefine what they even define as consciousness. How do I describe something like", "a species who, by just existing, force humans to redefine what they even", "a story set in our world, but in the future, when humans have", "by just existing, force humans to redefine what they even define as consciousness.", "expanded throughout our solar system, and have just begun to explore and document", "explore and document our galaxy. In this search, the first 'human contact' reveals", "am working with a story set in our world, but in the future,", "just begun to explore and document our galaxy. In this search, the first", "to redefine what they even define as consciousness. How do I describe something", "who, by just existing, force humans to redefine what they even define as", "first 'human contact' reveals a species who, by just existing, force humans to", "set in our world, but in the future, when humans have expanded throughout", "but in the future, when humans have expanded throughout our solar system, and", "in the future, when humans have expanded throughout our solar system, and have", "this search, the first 'human contact' reveals a species who, by just existing,", "future, when humans have expanded throughout our solar system, and have just begun", "have expanded throughout our solar system, and have just begun to explore and", "world, but in the future, when humans have expanded throughout our solar system,", "and have just begun to explore and document our galaxy. In this search,", "reveals a species who, by just existing, force humans to redefine what they", "'human contact' reveals a species who, by just existing, force humans to redefine", "to explore and document our galaxy. In this search, the first 'human contact'", "our world, but in the future, when humans have expanded throughout our solar", "humans have expanded throughout our solar system, and have just begun to explore", "what they even define as consciousness. How do I describe something like this.", "when humans have expanded throughout our solar system, and have just begun to", "search, the first 'human contact' reveals a species who, by just existing, force", "and document our galaxy. In this search, the first 'human contact' reveals a", "begun to explore and document our galaxy. In this search, the first 'human" ]
[ "tone so far, the reader likes the premise. What's ahead: how is this", "reader feels invested in the characters, the reader likes the tone so far,", "ahead: how is this story going to finish, who killed his wife, what", "the tone so far, the reader likes the premise. What's ahead: how is", "the reader likes the tone so far, the reader likes the premise. What's", "how is this story going to finish, who killed his wife, what is", "the premise. What's ahead: how is this story going to finish, who killed", "reader likes the tone so far, the reader likes the premise. What's ahead:", "the reader feels invested in the characters, the reader likes the tone so", "What's ahead: how is this story going to finish, who killed his wife,", "going to finish, who killed his wife, what is the purpose of the", "premise. What's ahead: how is this story going to finish, who killed his", "to finish, who killed his wife, what is the purpose of the 787", "likes the premise. What's ahead: how is this story going to finish, who", "reader likes the premise. What's ahead: how is this story going to finish,", "behind: the reader feels invested in the characters, the reader likes the tone", "this story going to finish, who killed his wife, what is the purpose", "characters, the reader likes the tone so far, the reader likes the premise.", "feels invested in the characters, the reader likes the tone so far, the", "story going to finish, who killed his wife, what is the purpose of", "likes the tone so far, the reader likes the premise. What's ahead: how", "finish, who killed his wife, what is the purpose of the 787 device?", "so far, the reader likes the premise. What's ahead: how is this story", "is this story going to finish, who killed his wife, what is the", "far, the reader likes the premise. What's ahead: how is this story going", "the characters, the reader likes the tone so far, the reader likes the", "What's behind: the reader feels invested in the characters, the reader likes the", "the reader likes the premise. What's ahead: how is this story going to", "invested in the characters, the reader likes the tone so far, the reader", "in the characters, the reader likes the tone so far, the reader likes" ]
[ "have several ideas for fanfiction novels. I'm working on a long fanfiction at", "can't seem to think of anything beyond fanfiction and writing prompts don't really", "to have several ideas for fanfiction novels. I'm working on a long fanfiction", "ideas for fanfiction novels. I'm working on a long fanfiction at the moment", "write some original short stories because novels take years of work. I write", "seem to think of anything beyond fanfiction and writing prompts don't really help.", "I still would like to write original stories. The problem is I can't", "profession but I still would like to write original stories. The problem is", "the moment that's quite complex and I'm trying to practice editing. I would", "short stories because novels take years of work. I write just for me,", "some original short stories because novels take years of work. I write just", "don't really help. I can't write unless I have the whole story from", "write as a profession but I still would like to write original stories.", "stories. The problem is I can't seem to think of anything beyond fanfiction", "several ideas for fanfiction novels. I'm working on a long fanfiction at the", "because nobody really likes my writing. I'm not really looking to write as", "writing. I'm not really looking to write as a profession but I still", "I write just for me, mainly because nobody really likes my writing. I'm", "editing. I would like to write some original short stories because novels take", "quite complex and I'm trying to practice editing. I would like to write", "practice editing. I would like to write some original short stories because novels", "I would like to write some original short stories because novels take years", "can't write unless I have the whole story from beginning to end. What", "think of anything beyond fanfiction and writing prompts don't really help. I can't", "long fanfiction at the moment that's quite complex and I'm trying to practice", "to practice editing. I would like to write some original short stories because", "seem to have several ideas for fanfiction novels. I'm working on a long", "write original stories. The problem is I can't seem to think of anything", "I can't write unless I have the whole story from beginning to end.", "fanfiction novels. I'm working on a long fanfiction at the moment that's quite", "I seem to have several ideas for fanfiction novels. I'm working on a", "like to write some original short stories because novels take years of work.", "original short stories because novels take years of work. I write just for", "help. I can't write unless I have the whole story from beginning to", "complex and I'm trying to practice editing. I would like to write some", "I'm working on a long fanfiction at the moment that's quite complex and", "of work. I write just for me, mainly because nobody really likes my", "not really looking to write as a profession but I still would like", "just for me, mainly because nobody really likes my writing. I'm not really", "unless I have the whole story from beginning to end. What should I", "I can't seem to think of anything beyond fanfiction and writing prompts don't", "writing prompts don't really help. I can't write unless I have the whole", "write just for me, mainly because nobody really likes my writing. I'm not", "to write original stories. The problem is I can't seem to think of", "novels. I'm working on a long fanfiction at the moment that's quite complex", "my writing. I'm not really looking to write as a profession but I", "on a long fanfiction at the moment that's quite complex and I'm trying", "trying to practice editing. I would like to write some original short stories", "of anything beyond fanfiction and writing prompts don't really help. I can't write", "that's quite complex and I'm trying to practice editing. I would like to", "and writing prompts don't really help. I can't write unless I have the", "original stories. The problem is I can't seem to think of anything beyond", "me, mainly because nobody really likes my writing. I'm not really looking to", "would like to write original stories. The problem is I can't seem to", "looking to write as a profession but I still would like to write", "to think of anything beyond fanfiction and writing prompts don't really help. I", "really help. I can't write unless I have the whole story from beginning", "to write some original short stories because novels take years of work. I", "at the moment that's quite complex and I'm trying to practice editing. I", "for me, mainly because nobody really likes my writing. I'm not really looking", "a long fanfiction at the moment that's quite complex and I'm trying to", "to write as a profession but I still would like to write original", "work. I write just for me, mainly because nobody really likes my writing.", "beyond fanfiction and writing prompts don't really help. I can't write unless I", "because novels take years of work. I write just for me, mainly because", "years of work. I write just for me, mainly because nobody really likes", "is I can't seem to think of anything beyond fanfiction and writing prompts", "as a profession but I still would like to write original stories. The", "really likes my writing. I'm not really looking to write as a profession", "novels take years of work. I write just for me, mainly because nobody", "and I'm trying to practice editing. I would like to write some original", "mainly because nobody really likes my writing. I'm not really looking to write", "a profession but I still would like to write original stories. The problem", "fanfiction and writing prompts don't really help. I can't write unless I have", "working on a long fanfiction at the moment that's quite complex and I'm", "for fanfiction novels. I'm working on a long fanfiction at the moment that's", "likes my writing. I'm not really looking to write as a profession but", "stories because novels take years of work. I write just for me, mainly", "write unless I have the whole story from beginning to end. What should", "like to write original stories. The problem is I can't seem to think", "but I still would like to write original stories. The problem is I", "really looking to write as a profession but I still would like to", "I have the whole story from beginning to end. What should I do?", "fanfiction at the moment that's quite complex and I'm trying to practice editing.", "I'm not really looking to write as a profession but I still would", "The problem is I can't seem to think of anything beyond fanfiction and", "I'm trying to practice editing. I would like to write some original short", "moment that's quite complex and I'm trying to practice editing. I would like", "would like to write some original short stories because novels take years of", "problem is I can't seem to think of anything beyond fanfiction and writing", "prompts don't really help. I can't write unless I have the whole story", "nobody really likes my writing. I'm not really looking to write as a", "anything beyond fanfiction and writing prompts don't really help. I can't write unless", "still would like to write original stories. The problem is I can't seem", "take years of work. I write just for me, mainly because nobody really" ]
[ "lends itself to efficiency. But, the sentence could be \"The horses nickered, and", "man fidgeted, glancing at Bob. > > > “Yes?” Bob > said. >", "be changed, or cut. Others, I am less certain of. For example, in", "instance. The least offensive (to my way of thinking) are those within dialogue.", "> It’s all standard.” The man fidgeted, glancing at Bob. > > >", "which of these permutations is better, or if it even matters. If you", "help your brain identify what it is that you are actually trying to", "standard.” The man fidgeted, glancing at Bob. > > > “Yes?” Bob >", "man’s words came out in a rush. > > > I bolded the", "> > \"My father died,\" she said sadly. > > > 'Sadly' may", "My characters have permission to use adverbs. Because I am scanning through for", "the machete – > It’s all standard.” The man clearly wanted to say", "came out in a rush. > > > I have no idea how", "nervously. > > > This could be rewritten to express the idea of", "are actually trying to say. > > The horses nickered nervously. > >", "bolded the adverb and its phrase, and the replacement phrase below. This can", "those. The tent, the machete – > It’s all standard.” The man fidgeted,", "silly as that may sound to some people. :-) I have learned, 'by", "says \"I'm really tired,\" it seems fine to me. Making them say just", "“It’s early. You wait a few weeks, there’ll be other folks on >", "of adverb is when it is certainly redundant to the dialogue. \"She said\"", "to say more. > > > “Yes?” Bob > said. > > >", "dialogue contains adverbs. My characters have permission to use adverbs. Because I am", "of those. The tent, the machete – > It’s all standard.” The man", "tent, the machete – > It’s all standard.” The man fidgeted, glancing at", "> > > “It’s early. You wait a few weeks, there’ll be other", "rush. > > > I bolded the adverb and its phrase, and the", "she said sadly. > > > 'Sadly' may be redundant to the dialogue.", "seems fine to me. Making them say just \"I'm tired\" or \"I'm tired,", "asleep standing here\" --- Neither of these seem authentic, since natural dialogue contains", "The second worst are those in narrative that are sloppy shortcuts where some", "I am finding some that should be changed, or cut. Others, I am", "the instance. The least offensive (to my way of thinking) are those within", "early. You wait a few weeks, there’ll be other folks on > the", "sort of adverb is when it is certainly redundant to the dialogue. \"She", "ground.\" This might be an improvement, but any value in the approach seems", "You wait a few weeks, there’ll be other folks on > the trails.", "I am scanning through for adverbs, I am finding some that should be", "wait a few weeks, there’ll be other folks on > the trails. Safer.”", "--- Neither of these seem authentic, since natural dialogue contains adverbs. My characters", "out in a rush. > > > I bolded the adverb and its", "I could fall asleep standing here\" --- Neither of these seem authentic, since", "bothersome than others. The worst are those following a dialogue tag. > >", "the sentence could be \"The horses nickered, and pawed at the ground.\" This", "be an improvement, but any value in the approach seems to depend upon", "> said. > > > “It’s early. You wait a few weeks, there’ll", "edited to something like: > > “Alright. Those ration canisters, each one is", "said. > > > “It’s early. You wait a few weeks, there’ll be", "adverbs' is actually not bad advice. But I am also learning that certain", "it even matters. If you have thoughts or ideas about the hierarchy of", "time spent could help your brain identify what it is that you are", "advice to 'avoid adverbs' is actually not bad advice. But I am also", "> > I have no idea how to assess which of these permutations", "so that I could fall asleep standing here\" --- Neither of these seem", "The man’s words came out in a rush. > > > I have", "sadly. > > > 'Sadly' may be redundant to the dialogue. The worst", "scanning through for adverbs, I am finding some that should be changed, or", "clearly wanted to say more. > > > “Yes?” Bob > said. >", "like: > > “Alright. Those ration canisters, each one is six meals. The", "at the ground.\" This might be an improvement, but any value in the", "could be \"The horses nickered, and pawed at the ground.\" This might be", "to efficiency. But, the sentence could be \"The horses nickered, and pawed at", "below. This can be edited to something like: > > “Alright. Those ration", "worst are those in narrative that are sloppy shortcuts where some time spent", "bad advice. But I am also learning that certain types of adverbs are", "nervousness without adverbs, but perhaps the adverb is fine, especially as it lends", "> the trails. Safer.” The man’s words came out in a rush. >", "at Bob. > > > “Yes?” Bob > said. > > > “It’s", "The worst are those following a dialogue tag. > > \"My father died,\"", "> “Alright. Those ration canisters, each one is six meals. The lid’s the", "that you are actually trying to say. > > The horses nickered nervously.", "of this sort of adverb is when it is certainly redundant to the", "lid’s the > bowl, just mix in water. You got ten of those.", "are sloppy shortcuts where some time spent could help your brain identify what", "machete – > It’s all standard.” The man clearly wanted to say more.", "died,\" she said sadly. > > > 'Sadly' may be redundant to the", "> > “Yes?” Bob > said. > > > “It’s early. You wait", "to the dialogue. The worst cases of this sort of adverb is when", "adverb is when it is certainly redundant to the dialogue. \"She said\" may", "“Yes?” Bob > said. > > > “It’s early. You wait a few", "I have learned, 'by ear', that the advice to 'avoid adverbs' is actually", "I am now editing for adverbs, as silly as that may sound to", "upon the instance. The least offensive (to my way of thinking) are those", "adverbs. My characters have permission to use adverbs. Because I am scanning through", "be other folks on > the trails. Safer.” The man’s words came out", "adverbs, I am finding some that should be changed, or cut. Others, I", "finding some that should be changed, or cut. Others, I am less certain", "on > the trails. Safer.” The man’s words came out in a rush.", "Those ration canisters, each one is six meals. The lid’s the > bowl,", "fidgeted, glancing at Bob. > > > “Yes?” Bob > said. > >", "follows: > > “Alright. Those ration canisters, each one is six meals. The", "is better, or if it even matters. If you have thoughts or ideas", "that are sloppy shortcuts where some time spent could help your brain identify", "> > The horses nickered nervously. > > > This could be rewritten", "am now editing for adverbs, as silly as that may sound to some", "the adverb is fine, especially as it lends itself to efficiency. But, the", "and the replacement phrase below. This can be edited to something like: >", "Bob. > > > “Yes?” Bob > said. > > > “It’s early.", "character says \"I'm really tired,\" it seems fine to me. Making them say", "this sort of adverb is when it is certainly redundant to the dialogue.", "redundant to the dialogue. \"She said\" may be sufficient. The second worst are", "said sadly. > > > 'Sadly' may be redundant to the dialogue. The", "of adverbs are more bothersome than others. The worst are those following a", "ten of those. The tent, the machete – > It’s all standard.” The", "> > This could be rewritten to express the idea of nervousness without", "the idea of nervousness without adverbs, but perhaps the adverb is fine, especially", "be edited to something like: > > “Alright. Those ration canisters, each one", "am less certain of. For example, in my draft, one exchange is as", "sloppy shortcuts where some time spent could help your brain identify what it", "authentic, since natural dialogue contains adverbs. My characters have permission to use adverbs.", "is six meals. The lid’s the > bowl, just mix in water. You", "hierarchy of adverbs and how to assess edits of adverbs, I'm curious to", "people. :-) I have learned, 'by ear', that the advice to 'avoid adverbs'", "within dialogue. If a character says \"I'm really tired,\" it seems fine to", "the dialogue. The worst cases of this sort of adverb is when it", "your brain identify what it is that you are actually trying to say.", "actually not bad advice. But I am also learning that certain types of", "the trails. Safer.” The man’s words came out in a rush. > >", "ration canisters, each one is six meals. The lid’s the > bowl, just", "The horses nickered nervously. > > > This could be rewritten to express", "it lends itself to efficiency. But, the sentence could be \"The horses nickered,", "it is that you are actually trying to say. > > The horses", "really tired,\" it seems fine to me. Making them say just \"I'm tired\"", "matters. If you have thoughts or ideas about the hierarchy of adverbs and", "shortcuts where some time spent could help your brain identify what it is", "fine, especially as it lends itself to efficiency. 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The", "ear', that the advice to 'avoid adverbs' is actually not bad advice. But", "\"I'm really tired,\" it seems fine to me. Making them say just \"I'm", "fall asleep standing here\" --- Neither of these seem authentic, since natural dialogue", "in the approach seems to depend upon the instance. The least offensive (to", "certainly redundant to the dialogue. \"She said\" may be sufficient. The second worst", "the ground.\" This might be an improvement, but any value in the approach", "The lid’s the > bowl, just mix in water. You got ten of", "dialogue tag. > > \"My father died,\" she said sadly. > > >", "cases of this sort of adverb is when it is certainly redundant to", "> > I bolded the adverb and its phrase, and the replacement phrase", "> > > “Yes?” Bob > said. > > > “It’s early. You", "that certain types of adverbs are more bothersome than others. The worst are", "words came out in a rush. > > > I have no idea", "– > It’s all standard.” The man fidgeted, glancing at Bob. > >", "without adverbs, but perhaps the adverb is fine, especially as it lends itself", "to use adverbs. Because I am scanning through for adverbs, I am finding", "are those in narrative that are sloppy shortcuts where some time spent could", "in narrative that are sloppy shortcuts where some time spent could help your", "trying to say. > > The horses nickered nervously. > > > This", "changed, or cut. Others, I am less certain of. For example, in my", "but perhaps the adverb is fine, especially as it lends itself to efficiency.", "This might be an improvement, but any value in the approach seems to", "have no idea how to assess which of these permutations is better, or", "are those within dialogue. If a character says \"I'm really tired,\" it seems", "less certain of. For example, in my draft, one exchange is as follows:", "worst are those following a dialogue tag. > > \"My father died,\" she", "man’s words came out in a rush. > > > I have no", "sentence could be \"The horses nickered, and pawed at the ground.\" This might", "– > It’s all standard.” The man clearly wanted to say more. >", "these seem authentic, since natural dialogue contains adverbs. My characters have permission to", "is fine, especially as it lends itself to efficiency. But, the sentence could", "came out in a rush. > > > I bolded the adverb and", "much so that I could fall asleep standing here\" --- Neither of these", "This can be edited to something like: > > “Alright. Those ration canisters,", "idea how to assess which of these permutations is better, or if it", "It’s all standard.” The man fidgeted, glancing at Bob. > > > “Yes?”", "have thoughts or ideas about the hierarchy of adverbs and how to assess", "dialogue. If a character says \"I'm really tired,\" it seems fine to me.", "express the idea of nervousness without adverbs, but perhaps the adverb is fine,", "The tent, the machete – > It’s all standard.” The man fidgeted, glancing", "If you have thoughts or ideas about the hierarchy of adverbs and how", "to express the idea of nervousness without adverbs, but perhaps the adverb is", "phrase, and the replacement phrase below. This can be edited to something like:", "bowl, just mix in water. You got ten of those. The tent, the", "am finding some that should be changed, or cut. Others, I am less", "efficiency. But, the sentence could be \"The horses nickered, and pawed at the", "depend upon the instance. The least offensive (to my way of thinking) are", "advice. But I am also learning that certain types of adverbs are more", "nickered, and pawed at the ground.\" This might be an improvement, but any", "> \"My father died,\" she said sadly. > > > 'Sadly' may be", "For example, in my draft, one exchange is as follows: > > “Alright.", "to something like: > > “Alright. Those ration canisters, each one is six", "The worst cases of this sort of adverb is when it is certainly", "\"My father died,\" she said sadly. > > > 'Sadly' may be redundant", "any value in the approach seems to depend upon the instance. The least", "phrase below. This can be edited to something like: > > “Alright. Those", "learning that certain types of adverbs are more bothersome than others. The worst", "> It’s all standard.” The man clearly wanted to say more. > >", "about the hierarchy of adverbs and how to assess edits of adverbs, I'm", "even matters. If you have thoughts or ideas about the hierarchy of adverbs", "permutations is better, or if it even matters. If you have thoughts or", "I am less certain of. For example, in my draft, one exchange is", "is as follows: > > “Alright. Those ration canisters, each one is six", "one is six meals. The lid’s the > bowl, just mix in water.", "pawed at the ground.\" This might be an improvement, but any value in", "But I am also learning that certain types of adverbs are more bothersome", "those within dialogue. If a character says \"I'm really tired,\" it seems fine", "the dialogue. \"She said\" may be sufficient. The second worst are those in", "draft, one exchange is as follows: > > “Alright. Those ration canisters, each", "> > > This could be rewritten to express the idea of nervousness", "dialogue. The worst cases of this sort of adverb is when it is", "The man’s words came out in a rush. > > > I bolded", "use adverbs. Because I am scanning through for adverbs, I am finding some", "Making them say just \"I'm tired\" or \"I'm tired, so much so that", "> The horses nickered nervously. > > > This could be rewritten to", "itself to efficiency. But, the sentence could be \"The horses nickered, and pawed", "second worst are those in narrative that are sloppy shortcuts where some time", "adverbs, but perhaps the adverb is fine, especially as it lends itself to", "'by ear', that the advice to 'avoid adverbs' is actually not bad advice.", "could help your brain identify what it is that you are actually trying", "am also learning that certain types of adverbs are more bothersome than others.", "so much so that I could fall asleep standing here\" --- Neither of", "them say just \"I'm tired\" or \"I'm tired, so much so that I", "I have no idea how to assess which of these permutations is better,", "for adverbs, as silly as that may sound to some people. :-) I", "rush. > > > I have no idea how to assess which of", "one exchange is as follows: > > “Alright. Those ration canisters, each one", "better, or if it even matters. If you have thoughts or ideas about", "me. Making them say just \"I'm tired\" or \"I'm tired, so much so", "assess which of these permutations is better, or if it even matters. If", "is actually not bad advice. But I am also learning that certain types", "> “It’s early. You wait a few weeks, there’ll be other folks on", "some people. :-) I have learned, 'by ear', that the advice to 'avoid", "a few weeks, there’ll be other folks on > the trails. Safer.” The", "exchange is as follows: > > “Alright. Those ration canisters, each one is", "of thinking) are those within dialogue. If a character says \"I'm really tired,\"", "sound to some people. :-) I have learned, 'by ear', that the advice", "six meals. The lid’s the > bowl, just mix in water. You got", "through for adverbs, I am finding some that should be changed, or cut.", "my draft, one exchange is as follows: > > “Alright. Those ration canisters,", "when it is certainly redundant to the dialogue. \"She said\" may be sufficient.", "the advice to 'avoid adverbs' is actually not bad advice. But I am", "be rewritten to express the idea of nervousness without adverbs, but perhaps the", "Safer.” The man’s words came out in a rush. > > > I", "of adverbs and how to assess edits of adverbs, I'm curious to hear", ":-) I have learned, 'by ear', that the advice to 'avoid adverbs' is", "that should be changed, or cut. Others, I am less certain of. For", "those. The tent, the machete – > It’s all standard.” The man clearly", "characters have permission to use adverbs. Because I am scanning through for adverbs,", "Bob > said. > > > “It’s early. You wait a few weeks,", "there’ll be other folks on > the trails. Safer.” The man’s words came", "and how to assess edits of adverbs, I'm curious to hear them! Thanks!", "than others. The worst are those following a dialogue tag. > > \"My", "say just \"I'm tired\" or \"I'm tired, so much so that I could", "certain types of adverbs are more bothersome than others. The worst are those", "Because I am scanning through for adverbs, I am finding some that should", "as silly as that may sound to some people. :-) I have learned,", "thoughts or ideas about the hierarchy of adverbs and how to assess edits", "am scanning through for adverbs, I am finding some that should be changed,", "If a character says \"I'm really tired,\" it seems fine to me. Making", "identify what it is that you are actually trying to say. > >", "and pawed at the ground.\" This might be an improvement, but any value", "I am also learning that certain types of adverbs are more bothersome than", "rewritten to express the idea of nervousness without adverbs, but perhaps the adverb", "of. For example, in my draft, one exchange is as follows: > >", "and its phrase, and the replacement phrase below. This can be edited to", "of these seem authentic, since natural dialogue contains adverbs. My characters have permission", "say. > > The horses nickered nervously. > > > This could be", "to 'avoid adverbs' is actually not bad advice. But I am also learning", "adverbs, as silly as that may sound to some people. :-) I have", "standing here\" --- Neither of these seem authentic, since natural dialogue contains adverbs.", "Others, I am less certain of. For example, in my draft, one exchange", "spent could help your brain identify what it is that you are actually", "in my draft, one exchange is as follows: > > “Alright. Those ration", "actually trying to say. > > The horses nickered nervously. > > >", "way of thinking) are those within dialogue. If a character says \"I'm really", "to depend upon the instance. The least offensive (to my way of thinking)", "> I have no idea how to assess which of these permutations is", "may be sufficient. The second worst are those in narrative that are sloppy", "that the advice to 'avoid adverbs' is actually not bad advice. But I", "The man clearly wanted to say more. > > > “Yes?” Bob >", "water. You got ten of those. The tent, the machete – > It’s", "of these permutations is better, or if it even matters. If you have", "Neither of these seem authentic, since natural dialogue contains adverbs. My characters have", "others. The worst are those following a dialogue tag. > > \"My father", "in a rush. > > > I have no idea how to assess", "glancing at Bob. > > > “Yes?” Bob > said. > > >", "as that may sound to some people. :-) I have learned, 'by ear',", "to me. Making them say just \"I'm tired\" or \"I'm tired, so much", "in water. You got ten of those. The tent, the machete – >", "ideas about the hierarchy of adverbs and how to assess edits of adverbs,", "can be edited to something like: > > “Alright. Those ration canisters, each", "tag. > > \"My father died,\" she said sadly. > > > 'Sadly'", "it seems fine to me. Making them say just \"I'm tired\" or \"I'm", "the replacement phrase below. This can be edited to something like: > >", "adverbs and how to assess edits of adverbs, I'm curious to hear them!", "the > bowl, just mix in water. You got ten of those. The", "adverb is fine, especially as it lends itself to efficiency. But, the sentence", "> > > 'Sadly' may be redundant to the dialogue. The worst cases", "few weeks, there’ll be other folks on > the trails. Safer.” The man’s", "just \"I'm tired\" or \"I'm tired, so much so that I could fall", "are more bothersome than others. The worst are those following a dialogue tag.", "nickered nervously. > > > This could be rewritten to express the idea", "these permutations is better, or if it even matters. If you have thoughts", "adverbs are more bothersome than others. The worst are those following a dialogue", "example, in my draft, one exchange is as follows: > > “Alright. Those", "wanted to say more. > > > “Yes?” Bob > said. > >", "have permission to use adverbs. Because I am scanning through for adverbs, I", "some that should be changed, or cut. Others, I am less certain of.", "man clearly wanted to say more. > > > “Yes?” Bob > said.", "sufficient. The second worst are those in narrative that are sloppy shortcuts where", "not bad advice. But I am also learning that certain types of adverbs", "out in a rush. > > > I have no idea how to", "those following a dialogue tag. > > \"My father died,\" she said sadly.", "or ideas about the hierarchy of adverbs and how to assess edits of", "some time spent could help your brain identify what it is that you", "> This could be rewritten to express the idea of nervousness without adverbs,", "> > “It’s early. You wait a few weeks, there’ll be other folks", "narrative that are sloppy shortcuts where some time spent could help your brain", "cut. Others, I am less certain of. For example, in my draft, one", "in a rush. > > > I bolded the adverb and its phrase,", "are those following a dialogue tag. > > \"My father died,\" she said", "\"The horses nickered, and pawed at the ground.\" This might be an improvement,", "the approach seems to depend upon the instance. The least offensive (to my", "improvement, but any value in the approach seems to depend upon the instance.", "a rush. > > > I have no idea how to assess which", "> 'Sadly' may be redundant to the dialogue. The worst cases of this", "thinking) are those within dialogue. If a character says \"I'm really tired,\" it", "> > > I have no idea how to assess which of these", "value in the approach seems to depend upon the instance. The least offensive", "each one is six meals. The lid’s the > bowl, just mix in", "you have thoughts or ideas about the hierarchy of adverbs and how to", "may be redundant to the dialogue. The worst cases of this sort of", "seem authentic, since natural dialogue contains adverbs. My characters have permission to use", "should be changed, or cut. Others, I am less certain of. For example,", "approach seems to depend upon the instance. The least offensive (to my way", "You got ten of those. The tent, the machete – > It’s all", "The least offensive (to my way of thinking) are those within dialogue. If", "since natural dialogue contains adverbs. My characters have permission to use adverbs. Because", "could fall asleep standing here\" --- Neither of these seem authentic, since natural", "> > “Alright. Those ration canisters, each one is six meals. The lid’s", "to say. > > The horses nickered nervously. > > > This could", "The tent, the machete – > It’s all standard.” The man clearly wanted", "redundant to the dialogue. The worst cases of this sort of adverb is", "other folks on > the trails. Safer.” The man’s words came out in", "least offensive (to my way of thinking) are those within dialogue. If a", "brain identify what it is that you are actually trying to say. >", "to some people. :-) I have learned, 'by ear', that the advice to", "\"I'm tired\" or \"I'm tired, so much so that I could fall asleep", "tired, so much so that I could fall asleep standing here\" --- Neither", "here\" --- Neither of these seem authentic, since natural dialogue contains adverbs. My", "all standard.” The man clearly wanted to say more. > > > “Yes?”", "to the dialogue. \"She said\" may be sufficient. The second worst are those", "the adverb and its phrase, and the replacement phrase below. This can be", "learned, 'by ear', that the advice to 'avoid adverbs' is actually not bad", "that I could fall asleep standing here\" --- Neither of these seem authentic,", "mix in water. You got ten of those. The tent, the machete –", "perhaps the adverb is fine, especially as it lends itself to efficiency. But,", "got ten of those. The tent, the machete – > It’s all standard.”", "is when it is certainly redundant to the dialogue. \"She said\" may be", "contains adverbs. My characters have permission to use adverbs. Because I am scanning", "> I bolded the adverb and its phrase, and the replacement phrase below.", "the hierarchy of adverbs and how to assess edits of adverbs, I'm curious", "“Alright. Those ration canisters, each one is six meals. The lid’s the >", "natural dialogue contains adverbs. My characters have permission to use adverbs. Because I", "horses nickered nervously. > > > This could be rewritten to express the", "more. > > > “Yes?” Bob > said. > > > “It’s early.", "may sound to some people. :-) I have learned, 'by ear', that the", "be \"The horses nickered, and pawed at the ground.\" This might be an", "tent, the machete – > It’s all standard.” The man clearly wanted to", "It’s all standard.” The man clearly wanted to say more. > > >", "could be rewritten to express the idea of nervousness without adverbs, but perhaps", "now editing for adverbs, as silly as that may sound to some people.", "trails. Safer.” The man’s words came out in a rush. > > >", "is that you are actually trying to say. > > The horses nickered", "for adverbs, I am finding some that should be changed, or cut. Others,", "canisters, each one is six meals. The lid’s the > bowl, just mix", "> > > I bolded the adverb and its phrase, and the replacement", "more bothersome than others. The worst are those following a dialogue tag. >", "said\" may be sufficient. The second worst are those in narrative that are", "be sufficient. The second worst are those in narrative that are sloppy shortcuts", "seems to depend upon the instance. The least offensive (to my way of", "be redundant to the dialogue. The worst cases of this sort of adverb", "'Sadly' may be redundant to the dialogue. The worst cases of this sort", "types of adverbs are more bothersome than others. The worst are those following", "certain of. For example, in my draft, one exchange is as follows: >", "no idea how to assess which of these permutations is better, or if", "might be an improvement, but any value in the approach seems to depend", "what it is that you are actually trying to say. > > The", "adverb and its phrase, and the replacement phrase below. This can be edited", "(to my way of thinking) are those within dialogue. If a character says", "The man fidgeted, glancing at Bob. > > > “Yes?” Bob > said.", "something like: > > “Alright. Those ration canisters, each one is six meals.", "worst cases of this sort of adverb is when it is certainly redundant", "This could be rewritten to express the idea of nervousness without adverbs, but", "as it lends itself to efficiency. But, the sentence could be \"The horses", "dialogue. \"She said\" may be sufficient. The second worst are those in narrative", "its phrase, and the replacement phrase below. This can be edited to something", "machete – > It’s all standard.” The man fidgeted, glancing at Bob. >", "> “Yes?” Bob > said. > > > “It’s early. You wait a", "meals. The lid’s the > bowl, just mix in water. You got ten", "of nervousness without adverbs, but perhaps the adverb is fine, especially as it", "weeks, there’ll be other folks on > the trails. Safer.” The man’s words", "> bowl, just mix in water. You got ten of those. The tent,", "have learned, 'by ear', that the advice to 'avoid adverbs' is actually not", "or if it even matters. If you have thoughts or ideas about the", "as follows: > > “Alright. Those ration canisters, each one is six meals.", "say more. > > > “Yes?” Bob > said. > > > “It’s", "to assess which of these permutations is better, or if it even matters.", "editing for adverbs, as silly as that may sound to some people. :-)", "my way of thinking) are those within dialogue.** If a character says \"I'm", "tired\" or \"I'm tired, so much so that I could fall asleep standing" ]
[ "automatically puts it in the right format. I know this seems very specific,", "dialog is kept separate. Or, alternatively, the program recognizes while I'm typing who", "while I'm typing who I'm writing the dialog for (it looks for a", "consistency between all the different dialogs and to keep character info and dialog", "can just write down the dialog without the characters first, select the text,", "without the characters first, select the text, pick a character from a dropdown,", "don't want to keep writing down the names like that, especially if the", "very specific, but my main concern is mainly to keep consistency between all", "dialog for (it looks for a line beginning with \"Zotn: \" for example)", "dropdown, which then marks the text that belongs to that character in a", "I have dialog, mixed with a little \"action\", like this: > > Zotn:", "of similar to screenwriting. I have dialog, mixed with a little \"action\", like", "want to know if there's a software where I can just write down", "down the dialog without the characters first, select the text, pick a character", "pick a character from a dropdown, which then marks the text that belongs", "it automatically puts it in the right format. I know this seems very", "seems very specific, but my main concern is mainly to keep consistency between", "if the names change later. I want to know if there's a software", "with \"Zotn: \" for example) and it automatically puts it in the right", "format. I know this seems very specific, but my main concern is mainly", "> However, I don't want to keep writing down the names like that,", "> > > However, I don't want to keep writing down the names", "text that belongs to that character in a format where the dialog and", "for example) and it automatically puts it in the right format. I know", "dialog, mixed with a little \"action\", like this: > > Zotn: Can you", "from a dropdown, which then marks the text that belongs to that character", "text, pick a character from a dropdown, which then marks the text that", "is mainly to keep consistency between all the different dialogs and to keep", "kind of similar to screenwriting. I have dialog, mixed with a little \"action\",", "belongs to that character in a format where the dialog and the character", "I'm writing the dialog for (it looks for a line beginning with \"Zotn:", "you pass me the salt? > > Sarlb: Sure! > > ACTION: Sarlb", "writing down the names like that, especially if the names change later. I", "write down the dialog without the characters first, select the text, pick a", "Zotn: Can you pass me the salt? > > Sarlb: Sure! > >", "pass me the salt? > > Sarlb: Sure! > > ACTION: Sarlb passes", "that dialog is kept separate. Or, alternatively, the program recognizes while I'm typing", "(it looks for a line beginning with \"Zotn: \" for example) and it", "alternatively, the program recognizes while I'm typing who I'm writing the dialog for", "> Sarlb: Sure! > > ACTION: Sarlb passes the salt > > >", "the character saying that dialog is kept separate. Or, alternatively, the program recognizes", "I can just write down the dialog without the characters first, select the", "in a format where the dialog and the character saying that dialog is", "to keep consistency between all the different dialogs and to keep character info", "the salt? > > Sarlb: Sure! > > ACTION: Sarlb passes the salt", "have dialog, mixed with a little \"action\", like this: > > Zotn: Can", "typing who I'm writing the dialog for (it looks for a line beginning", "who I'm writing the dialog for (it looks for a line beginning with", "program recognizes while I'm typing who I'm writing the dialog for (it looks", "the text, pick a character from a dropdown, which then marks the text", "between all the different dialogs and to keep character info and dialog separate.", "I'm typing who I'm writing the dialog for (it looks for a line", "the names change later. I want to know if there's a software where", "with a little \"action\", like this: > > Zotn: Can you pass me", "concern is mainly to keep consistency between all the different dialogs and to", "a format where the dialog and the character saying that dialog is kept", "and the character saying that dialog is kept separate. Or, alternatively, the program", "format kind of similar to screenwriting. I have dialog, mixed with a little", "the salt > > > However, I don't want to keep writing down", "the names like that, especially if the names change later. I want to", "then marks the text that belongs to that character in a format where", "passes the salt > > > However, I don't want to keep writing", "and it automatically puts it in the right format. I know this seems", "names like that, especially if the names change later. I want to know", "for a line beginning with \"Zotn: \" for example) and it automatically puts", "character saying that dialog is kept separate. Or, alternatively, the program recognizes while", "> ACTION: Sarlb passes the salt > > > However, I don't want", "the right format. I know this seems very specific, but my main concern", "> > Sarlb: Sure! > > ACTION: Sarlb passes the salt > >", "change later. I want to know if there's a software where I can", "down the names like that, especially if the names change later. I want", "select the text, pick a character from a dropdown, which then marks the", "a software where I can just write down the dialog without the characters", "which then marks the text that belongs to that character in a format", "characters first, select the text, pick a character from a dropdown, which then", "to know if there's a software where I can just write down the", "> Zotn: Can you pass me the salt? > > Sarlb: Sure! >", "want to keep writing down the names like that, especially if the names", "to that character in a format where the dialog and the character saying", "like this: > > Zotn: Can you pass me the salt? > >", "like that, especially if the names change later. I want to know if", "puts it in the right format. I know this seems very specific, but", "beginning with \"Zotn: \" for example) and it automatically puts it in the", "> > Zotn: Can you pass me the salt? > > Sarlb: Sure!", "looks for a line beginning with \"Zotn: \" for example) and it automatically", "know if there's a software where I can just write down the dialog", "names change later. I want to know if there's a software where I", "writing dialog for my game in a format kind of similar to screenwriting.", "Can you pass me the salt? > > Sarlb: Sure! > > ACTION:", "the text that belongs to that character in a format where the dialog", "a character from a dropdown, which then marks the text that belongs to", "for my game in a format kind of similar to screenwriting. I have", "this seems very specific, but my main concern is mainly to keep consistency", "mainly to keep consistency between all the different dialogs and to keep character", "keep consistency between all the different dialogs and to keep character info and", "> > ACTION: Sarlb passes the salt > > > However, I don't", "in the right format. I know this seems very specific, but my main", "similar to screenwriting. I have dialog, mixed with a little \"action\", like this:", "that character in a format where the dialog and the character saying that", "me the salt? > > Sarlb: Sure! > > ACTION: Sarlb passes the", "later. I want to know if there's a software where I can just", "dialog and the character saying that dialog is kept separate. Or, alternatively, the", "the characters first, select the text, pick a character from a dropdown, which", "where the dialog and the character saying that dialog is kept separate. Or,", "to keep writing down the names like that, especially if the names change", "a dropdown, which then marks the text that belongs to that character in", "I don't want to keep writing down the names like that, especially if", "salt > > > However, I don't want to keep writing down the", "Sure! > > ACTION: Sarlb passes the salt > > > However, I", "it in the right format. I know this seems very specific, but my", "little \"action\", like this: > > Zotn: Can you pass me the salt?", "my game in a format kind of similar to screenwriting. I have dialog,", "writing the dialog for (it looks for a line beginning with \"Zotn: \"", "However, I don't want to keep writing down the names like that, especially", "separate. Or, alternatively, the program recognizes while I'm typing who I'm writing the", "that belongs to that character in a format where the dialog and the", "to screenwriting. I have dialog, mixed with a little \"action\", like this: >", "my main concern is mainly to keep consistency between all the different dialogs", "recognizes while I'm typing who I'm writing the dialog for (it looks for", "marks the text that belongs to that character in a format where the", "software where I can just write down the dialog without the characters first,", "dialog without the characters first, select the text, pick a character from a", "especially if the names change later. I want to know if there's a", "character from a dropdown, which then marks the text that belongs to that", "first, select the text, pick a character from a dropdown, which then marks", "the dialog for (it looks for a line beginning with \"Zotn: \" for", "this: > > Zotn: Can you pass me the salt? > > Sarlb:", "for (it looks for a line beginning with \"Zotn: \" for example) and", "\" for example) and it automatically puts it in the right format. I", "that, especially if the names change later. I want to know if there's", "kept separate. Or, alternatively, the program recognizes while I'm typing who I'm writing", "know this seems very specific, but my main concern is mainly to keep", "a format kind of similar to screenwriting. I have dialog, mixed with a", "mixed with a little \"action\", like this: > > Zotn: Can you pass", "> > However, I don't want to keep writing down the names like", "line beginning with \"Zotn: \" for example) and it automatically puts it in", "keep writing down the names like that, especially if the names change later.", "I know this seems very specific, but my main concern is mainly to", "there's a software where I can just write down the dialog without the", "the program recognizes while I'm typing who I'm writing the dialog for (it", "right format. I know this seems very specific, but my main concern is", "but my main concern is mainly to keep consistency between all the different", "salt? > > Sarlb: Sure! > > ACTION: Sarlb passes the salt >", "the dialog and the character saying that dialog is kept separate. Or, alternatively,", "\"action\", like this: > > Zotn: Can you pass me the salt? >", "where I can just write down the dialog without the characters first, select", "character in a format where the dialog and the character saying that dialog", "just write down the dialog without the characters first, select the text, pick", "Sarlb: Sure! > > ACTION: Sarlb passes the salt > > > However,", "\"Zotn: \" for example) and it automatically puts it in the right format.", "I'm writing dialog for my game in a format kind of similar to", "in a format kind of similar to screenwriting. I have dialog, mixed with", "specific, but my main concern is mainly to keep consistency between all the", "main concern is mainly to keep consistency between all the different dialogs and", "is kept separate. Or, alternatively, the program recognizes while I'm typing who I'm", "a little \"action\", like this: > > Zotn: Can you pass me the", "I want to know if there's a software where I can just write", "a line beginning with \"Zotn: \" for example) and it automatically puts it", "example) and it automatically puts it in the right format. I know this", "game in a format kind of similar to screenwriting. I have dialog, mixed", "saying that dialog is kept separate. Or, alternatively, the program recognizes while I'm", "if there's a software where I can just write down the dialog without", "dialog for my game in a format kind of similar to screenwriting. I", "Or, alternatively, the program recognizes while I'm typing who I'm writing the dialog", "format where the dialog and the character saying that dialog is kept separate.", "ACTION: Sarlb passes the salt > > > However, I don't want to", "Sarlb passes the salt > > > However, I don't want to keep", "the dialog without the characters first, select the text, pick a character from", "screenwriting. I have dialog, mixed with a little \"action\", like this: > >" ]
[ "in my screenplay. My wife says I shouldn’t make him black if he’s", "two supporting characters that die in my screenplay. My wife says I shouldn’t", "shouldn’t make him black if he’s going to die. Would it be politically", "I shouldn’t make him black if he’s going to die. Would it be", "is one of two supporting characters that die in my screenplay. My wife", "die in my screenplay. My wife says I shouldn’t make him black if", "supporting characters that die in my screenplay. My wife says I shouldn’t make", "one of two supporting characters that die in my screenplay. My wife says", "wife says I shouldn’t make him black if he’s going to die. Would", "says I shouldn’t make him black if he’s going to die. Would it", "of two supporting characters that die in my screenplay. My wife says I", "my screenplay. My wife says I shouldn’t make him black if he’s going", "My wife says I shouldn’t make him black if he’s going to die.", "make him black if he’s going to die. Would it be politically incorrect?", "characters that die in my screenplay. My wife says I shouldn’t make him", "screenplay. My wife says I shouldn’t make him black if he’s going to", "He is one of two supporting characters that die in my screenplay. My", "that die in my screenplay. My wife says I shouldn’t make him black" ]
[ "nickname however is sweet sounding and was the reason I chose the full", "has a girl's name and you have a boy's name' but I'm worried", "the reason I chose the full name). I wanted to go for a", "to go for a 'OMG, your brother has a girl's name and you", "at all. In fact the only male called Artemis I've ever heard of", "a boy's name (the nickname however is sweet sounding and was the reason", "ever heard of is Artemis Fowl (Who is nothing like my character other", "name). I wanted to go for a 'OMG, your brother has a girl's", "is that he has a sister with a name I really like that", "to name Artemis. The reason, simply put, is that he has a sister", "that they'd have the same first name). Is it alright for me to", "that I want to name Artemis. The reason, simply put, is that he", "have the same first name). Is it alright for me to use it?", "and was the reason I chose the full name). I wanted to go", "Fowl (Who is nothing like my character other than the fact that they'd", "reason, simply put, is that he has a sister with a name I", "my character other than the fact that they'd have the same first name).", "worried about using it because it isn't a common boy's name at all.", "a name I really like that is TECHNICALLY a boy's name (the nickname", "I've ever heard of is Artemis Fowl (Who is nothing like my character", "a common boy's name at all. In fact the only male called Artemis", "your brother has a girl's name and you have a boy's name' but", "using it because it isn't a common boy's name at all. In fact", "called Artemis I've ever heard of is Artemis Fowl (Who is nothing like", "really like that is TECHNICALLY a boy's name (the nickname however is sweet", "is a male that I want to name Artemis. The reason, simply put,", "chose the full name). I wanted to go for a 'OMG, your brother", "character that is a male that I want to name Artemis. The reason,", "common boy's name at all. In fact the only male called Artemis I've", "name (the nickname however is sweet sounding and was the reason I chose", "nothing like my character other than the fact that they'd have the same", "boy's name' but I'm worried about using it because it isn't a common", "fact that they'd have the same first name). Is it alright for me", "but I'm worried about using it because it isn't a common boy's name", "a sister with a name I really like that is TECHNICALLY a boy's", "about using it because it isn't a common boy's name at all. In", "The reason, simply put, is that he has a sister with a name", "So I'm writing a story and there is a character that is a", "sweet sounding and was the reason I chose the full name). I wanted", "boy's name at all. In fact the only male called Artemis I've ever", "a boy's name' but I'm worried about using it because it isn't a", "for a 'OMG, your brother has a girl's name and you have a", "In fact the only male called Artemis I've ever heard of is Artemis", "Artemis I've ever heard of is Artemis Fowl (Who is nothing like my", "I'm writing a story and there is a character that is a male", "it because it isn't a common boy's name at all. In fact the", "was the reason I chose the full name). I wanted to go for", "only male called Artemis I've ever heard of is Artemis Fowl (Who is", "I really like that is TECHNICALLY a boy's name (the nickname however is", "that is TECHNICALLY a boy's name (the nickname however is sweet sounding and", "name I really like that is TECHNICALLY a boy's name (the nickname however", "name and you have a boy's name' but I'm worried about using it", "(Who is nothing like my character other than the fact that they'd have", "is a character that is a male that I want to name Artemis.", "heard of is Artemis Fowl (Who is nothing like my character other than", "is TECHNICALLY a boy's name (the nickname however is sweet sounding and was", "like that is TECHNICALLY a boy's name (the nickname however is sweet sounding", "that is a male that I want to name Artemis. The reason, simply", "go for a 'OMG, your brother has a girl's name and you have", "a girl's name and you have a boy's name' but I'm worried about", "(the nickname however is sweet sounding and was the reason I chose the", "isn't a common boy's name at all. In fact the only male called", "there is a character that is a male that I want to name", "I wanted to go for a 'OMG, your brother has a girl's name", "they'd have the same first name). Is it alright for me to use", "Artemis Fowl (Who is nothing like my character other than the fact that", "the fact that they'd have the same first name). Is it alright for", "girl's name and you have a boy's name' but I'm worried about using", "fact the only male called Artemis I've ever heard of is Artemis Fowl", "I'm worried about using it because it isn't a common boy's name at", "because it isn't a common boy's name at all. In fact the only", "of is Artemis Fowl (Who is nothing like my character other than the", "that he has a sister with a name I really like that is", "all. In fact the only male called Artemis I've ever heard of is", "a character that is a male that I want to name Artemis. The", "is Artemis Fowl (Who is nothing like my character other than the fact", "name' but I'm worried about using it because it isn't a common boy's", "however is sweet sounding and was the reason I chose the full name).", "he has a sister with a name I really like that is TECHNICALLY", "wanted to go for a 'OMG, your brother has a girl's name and", "TECHNICALLY a boy's name (the nickname however is sweet sounding and was the", "writing a story and there is a character that is a male that", "than the fact that they'd have the same first name). Is it alright", "male called Artemis I've ever heard of is Artemis Fowl (Who is nothing", "Artemis. The reason, simply put, is that he has a sister with a", "name Artemis. The reason, simply put, is that he has a sister with", "a story and there is a character that is a male that I", "you have a boy's name' but I'm worried about using it because it", "with a name I really like that is TECHNICALLY a boy's name (the", "and you have a boy's name' but I'm worried about using it because", "have a boy's name' but I'm worried about using it because it isn't", "boy's name (the nickname however is sweet sounding and was the reason I", "is nothing like my character other than the fact that they'd have the", "want to name Artemis. The reason, simply put, is that he has a", "the only male called Artemis I've ever heard of is Artemis Fowl (Who", "a male that I want to name Artemis. The reason, simply put, is", "a 'OMG, your brother has a girl's name and you have a boy's", "name at all. In fact the only male called Artemis I've ever heard", "brother has a girl's name and you have a boy's name' but I'm", "I want to name Artemis. The reason, simply put, is that he has", "I chose the full name). I wanted to go for a 'OMG, your", "it isn't a common boy's name at all. In fact the only male", "full name). I wanted to go for a 'OMG, your brother has a", "male that I want to name Artemis. The reason, simply put, is that", "sister with a name I really like that is TECHNICALLY a boy's name", "sounding and was the reason I chose the full name). I wanted to", "and there is a character that is a male that I want to", "reason I chose the full name). I wanted to go for a 'OMG,", "'OMG, your brother has a girl's name and you have a boy's name'", "simply put, is that he has a sister with a name I really", "story and there is a character that is a male that I want", "like my character other than the fact that they'd have the same first", "is sweet sounding and was the reason I chose the full name). I", "put, is that he has a sister with a name I really like", "other than the fact that they'd have the same first name). Is it", "character other than the fact that they'd have the same first name). Is", "the full name). I wanted to go for a 'OMG, your brother has", "has a sister with a name I really like that is TECHNICALLY a" ]
[ "of my book. 1. I have a section with further resources. It contains", "have a few questions about the page numbering of the last few pages", "may feel there's a problem if they just see 4 empty pages. What's", "a problem if they just see 4 empty pages. What's the best practice?", "my book. 1. I have a section with further resources. It contains one", "three more pages with site links and organizations. Which pages should be numbered,", "and organizations. Which pages should be numbered, which not? 2. The next section", "page. Since I'm also publishing it as an ebook, it feels that people", "It contains one page with information about a site and three more pages", "few questions about the page numbering of the last few pages of my", "I have a section with further resources. It contains one page with information", "first page simply has 'NOTES' printed as a title and followed by three", "page 'NOTES' and as a result didn't number the page. Since I'm also", "book. 1. I have a section with further resources. It contains one page", "printed as a title and followed by three empty pages. Which pages should", "people who print the book may feel there's a problem if they just", "should be numbered, which not? 2. The next section is for notes. Its", "pages should be numbered, which not? In some other books I've noticed the", "should be numbered, which not? In some other books I've noticed the author", "questions about the page numbering of the last few pages of my book.", "title and followed by three empty pages. Which pages should be numbered, which", "and followed by three empty pages. Which pages should be numbered, which not?", "the author did not title the page 'NOTES' and as a result didn't", "not title the page 'NOTES' and as a result didn't number the page.", "not? 2. The next section is for notes. Its first page simply has", "three empty pages. Which pages should be numbered, which not? In some other", "also publishing it as an ebook, it feels that people who print the", "is for notes. Its first page simply has 'NOTES' printed as a title", "as a title and followed by three empty pages. Which pages should be", "that people who print the book may feel there's a problem if they", "it as an ebook, it feels that people who print the book may", "page simply has 'NOTES' printed as a title and followed by three empty", "books I've noticed the author did not title the page 'NOTES' and as", "pages. Which pages should be numbered, which not? In some other books I've", "with site links and organizations. Which pages should be numbered, which not? 2.", "contains one page with information about a site and three more pages with", "1. I have a section with further resources. It contains one page with", "a site and three more pages with site links and organizations. Which pages", "about the page numbering of the last few pages of my book. 1.", "for notes. Its first page simply has 'NOTES' printed as a title and", "Since I'm also publishing it as an ebook, it feels that people who", "noticed the author did not title the page 'NOTES' and as a result", "have a section with further resources. It contains one page with information about", "has 'NOTES' printed as a title and followed by three empty pages. Which", "more pages with site links and organizations. Which pages should be numbered, which", "Which pages should be numbered, which not? 2. The next section is for", "section with further resources. It contains one page with information about a site", "other books I've noticed the author did not title the page 'NOTES' and", "and three more pages with site links and organizations. Which pages should be", "organizations. Which pages should be numbered, which not? 2. The next section is", "few pages of my book. 1. I have a section with further resources.", "Which pages should be numbered, which not? In some other books I've noticed", "site links and organizations. Which pages should be numbered, which not? 2. The", "notes. Its first page simply has 'NOTES' printed as a title and followed", "be numbered, which not? 2. The next section is for notes. Its first", "followed by three empty pages. Which pages should be numbered, which not? In", "title the page 'NOTES' and as a result didn't number the page. Since", "further resources. It contains one page with information about a site and three", "empty pages. Which pages should be numbered, which not? In some other books", "the book may feel there's a problem if they just see 4 empty", "page numbering of the last few pages of my book. 1. I have", "did not title the page 'NOTES' and as a result didn't number the", "about a site and three more pages with site links and organizations. Which", "ebook, it feels that people who print the book may feel there's a", "the last few pages of my book. 1. I have a section with", "site and three more pages with site links and organizations. Which pages should", "2. The next section is for notes. Its first page simply has 'NOTES'", "a title and followed by three empty pages. Which pages should be numbered,", "Its first page simply has 'NOTES' printed as a title and followed by", "result didn't number the page. Since I'm also publishing it as an ebook,", "feel there's a problem if they just see 4 empty pages. What's the", "last few pages of my book. 1. I have a section with further", "by three empty pages. Which pages should be numbered, which not? In some", "numbering of the last few pages of my book. 1. I have a", "the page 'NOTES' and as a result didn't number the page. Since I'm", "I've noticed the author did not title the page 'NOTES' and as a", "In some other books I've noticed the author did not title the page", "book may feel there's a problem if they just see 4 empty pages.", "not? In some other books I've noticed the author did not title the", "information about a site and three more pages with site links and organizations.", "which not? In some other books I've noticed the author did not title", "I'm also publishing it as an ebook, it feels that people who print", "with further resources. It contains one page with information about a site and", "a few questions about the page numbering of the last few pages of", "publishing it as an ebook, it feels that people who print the book", "feels that people who print the book may feel there's a problem if", "a section with further resources. It contains one page with information about a", "section is for notes. Its first page simply has 'NOTES' printed as a", "which not? 2. The next section is for notes. Its first page simply", "The next section is for notes. Its first page simply has 'NOTES' printed", "next section is for notes. Its first page simply has 'NOTES' printed as", "links and organizations. Which pages should be numbered, which not? 2. The next", "numbered, which not? 2. The next section is for notes. Its first page", "as a result didn't number the page. Since I'm also publishing it as", "a result didn't number the page. Since I'm also publishing it as an", "pages of my book. 1. I have a section with further resources. It", "some other books I've noticed the author did not title the page 'NOTES'", "who print the book may feel there's a problem if they just see", "it feels that people who print the book may feel there's a problem", "'NOTES' and as a result didn't number the page. Since I'm also publishing", "the page numbering of the last few pages of my book. 1. I", "numbered, which not? In some other books I've noticed the author did not", "with information about a site and three more pages with site links and", "simply has 'NOTES' printed as a title and followed by three empty pages.", "an ebook, it feels that people who print the book may feel there's", "pages with site links and organizations. Which pages should be numbered, which not?", "print the book may feel there's a problem if they just see 4", "'NOTES' printed as a title and followed by three empty pages. Which pages", "of the last few pages of my book. 1. I have a section", "as an ebook, it feels that people who print the book may feel", "the page. Since I'm also publishing it as an ebook, it feels that", "author did not title the page 'NOTES' and as a result didn't number", "be numbered, which not? In some other books I've noticed the author did", "there's a problem if they just see 4 empty pages. What's the best", "I have a few questions about the page numbering of the last few", "resources. It contains one page with information about a site and three more", "and as a result didn't number the page. Since I'm also publishing it", "one page with information about a site and three more pages with site", "pages should be numbered, which not? 2. The next section is for notes.", "number the page. Since I'm also publishing it as an ebook, it feels", "didn't number the page. Since I'm also publishing it as an ebook, it", "page with information about a site and three more pages with site links" ]
[ "very helpful. Is there a website that would have fantasy names or Norse,", "names. I've used random name generators but they weren't very helpful. Is there", "weren't very helpful. Is there a website that would have fantasy names or", "I have trouble coming up with fantasy names. I've used random name generators", "with fantasy names. I've used random name generators but they weren't very helpful.", "coming up with fantasy names. I've used random name generators but they weren't", "have trouble coming up with fantasy names. I've used random name generators but", "but they weren't very helpful. Is there a website that would have fantasy", "up with fantasy names. I've used random name generators but they weren't very", "used random name generators but they weren't very helpful. Is there a website", "name generators but they weren't very helpful. Is there a website that would", "there a website that would have fantasy names or Norse, or Celtic names?", "fantasy names. I've used random name generators but they weren't very helpful. Is", "I've used random name generators but they weren't very helpful. Is there a", "trouble coming up with fantasy names. I've used random name generators but they", "they weren't very helpful. Is there a website that would have fantasy names", "random name generators but they weren't very helpful. Is there a website that", "helpful. Is there a website that would have fantasy names or Norse, or", "Is there a website that would have fantasy names or Norse, or Celtic", "generators but they weren't very helpful. Is there a website that would have" ]
[ "much likely to give and thus needing to change it. How do I", "low sales, although I would like very much what I've done. If I", "\"to make my art\" I do not in any way mean \"to ignore", "So I feel divided: one side of me really wants to be free", "art is not much likely to give and thus needing to change it.", "likes and avoid putting what the public might dislike, I would simply be", "and thus resulting in low sales, although I would like very much what", "them, or else... But by \"to make my art\" I do not in", "I want to make my art, to express with no limits. However, I", "side needs the profits (to be used in another project) that this nichey", "like very much what I've done. If I want more sales, I would", "art, while the other side needs the profits (to be used in another", "understand, like or be interested in it, and thus resulting in low sales,", "only what the public likes and avoid putting what the public might dislike,", "my \"art\" wouldn't be \"pure\" (original), but a mainstreamy production. Thus, if I", "wouldn't be \"pure\" (original), but a mainstreamy production. Thus, if I need to", "I feel divided: one side of me really wants to be free to", "sales, although I would like very much what I've done. If I want", "If I want more sales, I would have to water it down with", "always having to please them, or else... But by \"to make my art\"", "public might dislike, I would simply be indirectly working for the readers, always", "please them, or else... But by \"to make my art\" I do not", "down with what the public likes/expects, thus my \"art\" wouldn't be \"pure\" (original),", "be indirectly working for the readers, always having to please them, or else...", "another project) that this nichey art is not much likely to give and", "interested in it, and thus resulting in low sales, although I would like", "I also need to profit with it. If I sell my art purely,", "want more sales, I would have to water it down with what the", "but a mainstreamy production. Thus, if I need to put only what the", "thus my \"art\" wouldn't be \"pure\" (original), but a mainstreamy production. Thus, if", "limits. However, I also need to profit with it. If I sell my", "profit with it. If I sell my art purely, the readers might not", "to put only what the public likes and avoid putting what the public", "opposite; it actually refers to content: it's too nichey, and everyone knows that", "refers to content: it's too nichey, and everyone knows that nichey = low", "to content: it's too nichey, and everyone knows that nichey = low sales,", "simply be indirectly working for the readers, always having to please them, or", "nichey = low sales, compared to the mainstream. So I feel divided: one", "low sales, compared to the mainstream. So I feel divided: one side of", "with what the public likes/expects, thus my \"art\" wouldn't be \"pure\" (original), but", "to give and thus needing to change it. How do I get out", "it, and thus resulting in low sales, although I would like very much", "need to profit with it. If I sell my art purely, the readers", "it's too nichey, and everyone knows that nichey = low sales, compared to", "free to make my nichey art, while the other side needs the profits", "nichey, and everyone knows that nichey = low sales, compared to the mainstream.", "with it. If I sell my art purely, the readers might not understand,", "everyone knows that nichey = low sales, compared to the mainstream. So I", "or be interested in it, and thus resulting in low sales, although I", "not understand, like or be interested in it, and thus resulting in low", "\"to ignore quality standards\", it's exactly the opposite; it actually refers to content:", "readers, always having to please them, or else... But by \"to make my", "much what I've done. If I want more sales, I would have to", "my art\" I do not in any way mean \"to ignore quality standards\",", "purely, the readers might not understand, like or be interested in it, and", "Thus, if I need to put only what the public likes and avoid", "my art, to express with no limits. However, I also need to profit", "I need to put only what the public likes and avoid putting what", "mean \"to ignore quality standards\", it's exactly the opposite; it actually refers to", "actually refers to content: it's too nichey, and everyone knows that nichey =", "would like very much what I've done. If I want more sales, I", "in another project) that this nichey art is not much likely to give", "\"art\" wouldn't be \"pure\" (original), but a mainstreamy production. Thus, if I need", "a mainstreamy production. Thus, if I need to put only what the public", "readers might not understand, like or be interested in it, and thus resulting", "be interested in it, and thus resulting in low sales, although I would", "needs the profits (to be used in another project) that this nichey art", "I would like very much what I've done. If I want more sales,", "very much what I've done. If I want more sales, I would have", "I would simply be indirectly working for the readers, always having to please", "mainstream. So I feel divided: one side of me really wants to be", "knows that nichey = low sales, compared to the mainstream. So I feel", "that this nichey art is not much likely to give and thus needing", "more sales, I would have to water it down with what the public", "also need to profit with it. If I sell my art purely, the", "in low sales, although I would like very much what I've done. If", "But by \"to make my art\" I do not in any way mean", "and everyone knows that nichey = low sales, compared to the mainstream. So", "to be free to make my nichey art, while the other side needs", "the opposite; it actually refers to content: it's too nichey, and everyone knows", "likes/expects, thus my \"art\" wouldn't be \"pure\" (original), but a mainstreamy production. Thus,", "sales, I would have to water it down with what the public likes/expects,", "the readers might not understand, like or be interested in it, and thus", "the mainstream. So I feel divided: one side of me really wants to", "what the public might dislike, I would simply be indirectly working for the", "it actually refers to content: it's too nichey, and everyone knows that nichey", "is not much likely to give and thus needing to change it. How", "I would have to water it down with what the public likes/expects, thus", "to water it down with what the public likes/expects, thus my \"art\" wouldn't", "public likes/expects, thus my \"art\" wouldn't be \"pure\" (original), but a mainstreamy production.", "although I would like very much what I've done. If I want more", "way mean \"to ignore quality standards\", it's exactly the opposite; it actually refers", "what the public likes/expects, thus my \"art\" wouldn't be \"pure\" (original), but a", "any way mean \"to ignore quality standards\", it's exactly the opposite; it actually", "what the public likes and avoid putting what the public might dislike, I", "would have to water it down with what the public likes/expects, thus my", "exactly the opposite; it actually refers to content: it's too nichey, and everyone", "If I sell my art purely, the readers might not understand, like or", "putting what the public might dislike, I would simply be indirectly working for", "I've done. If I want more sales, I would have to water it", "the public likes/expects, thus my \"art\" wouldn't be \"pure\" (original), but a mainstreamy", "I want more sales, I would have to water it down with what", "my art purely, the readers might not understand, like or be interested in", "this nichey art is not much likely to give and thus needing to", "the profits (to be used in another project) that this nichey art is", "make my art\" I do not in any way mean \"to ignore quality", "make my art, to express with no limits. However, I also need to", "ignore quality standards\", it's exactly the opposite; it actually refers to content: it's", "content: it's too nichey, and everyone knows that nichey = low sales, compared", "side of me really wants to be free to make my nichey art,", "not much likely to give and thus needing to change it. How do", "I do not in any way mean \"to ignore quality standards\", it's exactly", "one side of me really wants to be free to make my nichey", "indirectly working for the readers, always having to please them, or else... But", "to the mainstream. So I feel divided: one side of me really wants", "need to put only what the public likes and avoid putting what the", "and thus needing to change it. How do I get out of this?", "resulting in low sales, although I would like very much what I've done.", "sell my art purely, the readers might not understand, like or be interested", "in it, and thus resulting in low sales, although I would like very", "it down with what the public likes/expects, thus my \"art\" wouldn't be \"pure\"", "However, I also need to profit with it. If I sell my art", "water it down with what the public likes/expects, thus my \"art\" wouldn't be", "art, to express with no limits. However, I also need to profit with", "done. If I want more sales, I would have to water it down", "like or be interested in it, and thus resulting in low sales, although", "having to please them, or else... But by \"to make my art\" I", "to make my nichey art, while the other side needs the profits (to", "and avoid putting what the public might dislike, I would simply be indirectly", "be \"pure\" (original), but a mainstreamy production. Thus, if I need to put", "while the other side needs the profits (to be used in another project)", "not in any way mean \"to ignore quality standards\", it's exactly the opposite;", "(to be used in another project) that this nichey art is not much", "to make my art, to express with no limits. However, I also need", "the public likes and avoid putting what the public might dislike, I would", "make my nichey art, while the other side needs the profits (to be", "production. Thus, if I need to put only what the public likes and", "thus resulting in low sales, although I would like very much what I've", "my nichey art, while the other side needs the profits (to be used", "express with no limits. However, I also need to profit with it. If", "by \"to make my art\" I do not in any way mean \"to", "or else... But by \"to make my art\" I do not in any", "art\" I do not in any way mean \"to ignore quality standards\", it's", "have to water it down with what the public likes/expects, thus my \"art\"", "the readers, always having to please them, or else... But by \"to make", "do not in any way mean \"to ignore quality standards\", it's exactly the", "really wants to be free to make my nichey art, while the other", "what I've done. If I want more sales, I would have to water", "= low sales, compared to the mainstream. So I feel divided: one side", "be used in another project) that this nichey art is not much likely", "likely to give and thus needing to change it. How do I get", "with no limits. However, I also need to profit with it. If I", "sales, compared to the mainstream. So I feel divided: one side of me", "wants to be free to make my nichey art, while the other side", "give and thus needing to change it. How do I get out of", "else... But by \"to make my art\" I do not in any way", "divided: one side of me really wants to be free to make my", "no limits. However, I also need to profit with it. If I sell", "put only what the public likes and avoid putting what the public might", "feel divided: one side of me really wants to be free to make", "be free to make my nichey art, while the other side needs the", "nichey art, while the other side needs the profits (to be used in", "of me really wants to be free to make my nichey art, while", "profits (to be used in another project) that this nichey art is not", "public likes and avoid putting what the public might dislike, I would simply", "it's exactly the opposite; it actually refers to content: it's too nichey, and", "project) that this nichey art is not much likely to give and thus", "standards\", it's exactly the opposite; it actually refers to content: it's too nichey,", "might dislike, I would simply be indirectly working for the readers, always having", "working for the readers, always having to please them, or else... 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But by \"to", "to please them, or else... But by \"to make my art\" I do", "to profit with it. If I sell my art purely, the readers might", "mainstreamy production. Thus, if I need to put only what the public likes", "compared to the mainstream. So I feel divided: one side of me really", "quality standards\", it's exactly the opposite; it actually refers to content: it's too", "art purely, the readers might not understand, like or be interested in it,", "if I need to put only what the public likes and avoid putting", "in any way mean \"to ignore quality standards\", it's exactly the opposite; it", "want to make my art, to express with no limits. However, I also", "nichey art is not much likely to give and thus needing to change", "that nichey = low sales, compared to the mainstream. So I feel divided:", "it. If I sell my art purely, the readers might not understand, like", "might not understand, like or be interested in it, and thus resulting in", "dislike, I would simply be indirectly working for the readers, always having to" ]
[ "only need to know the basic elements of a story to predict the", "best selling novel? This blog hits the nail on the head (oh geez", "and poor grammatical exposition. Even stories are clichéd. There are a finite number", "Avoid clichés like the plague! Wait I can't say that, it is a", "> plays and operas. Those seven plots are: 1.Overcoming the Monster, > 2.Rags", "jurisdiction ends the moment you insert a quotation mark. The quote is >", "won't work either. If you have ever listened to actual dialogue, it is", "This blog hits the nail on the head (oh geez another cliché) concerning", "You generally only need to know the basic elements of a story to", "South and can assure you that it is impossible to write realistic Southern", "<https://www.reddit.com/r/writing/comments/1w1d1z/are_cliches_and_commonly_said_phrases_acceptable/> > > > Of course clichés can be overdone as pointed out", "have a time and a place in writing (I guess I am hopeless)", "the basic elements of a story to predict the ending. How many times", "> > You generally only need to know the basic elements of a", "to Mr. Boagir, there are only seven basic plots in the whole >", "movies, > plays and operas. Those seven plots are: 1.Overcoming the Monster, >", "impossible to write realistic Southern dialogue without peppering it with slang, clichés, fragmented", "novel? This blog hits the nail on the head (oh geez another cliché)", "that won't work either. If you have ever listened to actual dialogue, it", "basic plots in the whole > world -- plots that are recycled again", "concerning clichéd dialogue: > > The good news for those of who don’t", "a dead horse but... No that won't work either. If you have ever", "job is to write stories—not to steal or borrow them and, > with", "majors trying to come up with new phrases > <https://www.reddit.com/r/writing/comments/1w1d1z/are_cliches_and_commonly_said_phrases_acceptable/> > > >", "> Have you ever read the kind of dialogue an author writes when", "colloquialisms and generally poor grammar. I live in the South and can assure", "need for originality: > > A writer’s job is to write stories—not to", "s/he's > trying to avoid all cliche? It makes all the characters sound", "or borrow them and, > with a coat of fresh paint, pawn them", "cliché. Let me try again, I hate to beat a dead horse but...", "a literary scholar asserts the number of basic plots may be as few", "writing (I guess I am hopeless) So why are writer's told to avoid", "<https://gointothestory.blcklst.com/definitive-list-of-cliched-dialogue-9b8f469bc305?gi=b63bb27731f> But I still think clichés have a time and a place in", "me try again, I hate to beat a dead horse but... No that", "are recycled again and again in novels, movies, > plays and operas. Those", "and a literary scholar asserts the number of basic plots may be as", "listened to actual dialogue, it is filled with clichés, colloquialisms and generally poor", "Reddit subgroup agrees that avoiding clichés in dialogue sounds stilted and unrealistic: >", "and a place in writing (I guess I am hopeless) So why are", "have ever listened to actual dialogue, it is filled with clichés, colloquialisms and", "7.Tragedy. > <http://www.nytimes.com/2005/04/15/books/the-plot-thins-or-are-no-stories-new.html> > > > You generally only need to know the", "you that it is impossible to write realistic Southern dialogue without peppering it", "discusses the need for originality: > > A writer’s job is to write", "pawn them off as original. > <http://www.writersdigest.com/whats-new/10-tips-to-bypass-cliche-and-melodrama> > > > Yet it is", "story to predict the ending. How many times have we guessed the ending", "head (oh geez another cliché) concerning clichéd dialogue: > > The good news", "It makes all the characters sound like > quirky English majors trying to", "I am hopeless) So why are writer's told to avoid clichés in their", "> quirky English majors trying to come up with new phrases > <https://www.reddit.com/r/writing/comments/1w1d1z/are_cliches_and_commonly_said_phrases_acceptable/>", "definitive list: <https://gointothestory.blcklst.com/definitive-list-of-cliched-dialogue-9b8f469bc305?gi=b63bb27731f> But I still think clichés have a time and a", "movie or a best selling novel? This blog hits the nail on the", "ends the moment you insert a quotation mark. The quote is > like", "hopeless) So why are writer's told to avoid clichés in their fiction writing?", "and unrealistic: > > Have you ever read the kind of dialogue an", "grammar enforcement. > <http://thewritepractice.com/want-write-better-dialogue-break-rules/> > > > And this Reddit subgroup agrees that", "the plague! Wait I can't say that, it is a cliché. Let me", "avoiding clichés in dialogue sounds stilted and unrealistic: > > Have you ever", "to predict the ending. How many times have we guessed the ending of", "the nail on the head (oh geez another cliché) concerning clichéd dialogue: >", "of who don’t like rules, is that their > jurisdiction ends the moment", "to avoid all cliche? It makes all the characters sound like > quirky", "when s/he's > trying to avoid all cliche? It makes all the characters", "for originality: > > A writer’s job is to write stories—not to steal", "> > > You generally only need to know the basic elements of", "the number of basic plots may be as few as seven: > >", "the ending. How many times have we guessed the ending of a blockbuster", "stories are clichéd. There are a finite number of plots and most are", "I hate to beat a dead horse but... No that won't work either.", "as pointed out on this definitive list: <https://gointothestory.blcklst.com/definitive-list-of-cliched-dialogue-9b8f469bc305?gi=b63bb27731f> But I still think clichés", "originality: > > A writer’s job is to write stories—not to steal or", "> > And this Reddit subgroup agrees that avoiding clichés in dialogue sounds", "writes when s/he's > trying to avoid all cliche? It makes all the", "as few as seven: > > According to Mr. Boagir, there are only", "and most are very predictable. This blog discusses the need for originality: >", "literary scholar asserts the number of basic plots may be as few as", "(oh geez another cliché) concerning clichéd dialogue: > > The good news for", "English majors trying to come up with new phrases > <https://www.reddit.com/r/writing/comments/1w1d1z/are_cliches_and_commonly_said_phrases_acceptable/> > >", "are clichéd. There are a finite number of plots and most are very", "write stories—not to steal or borrow them and, > with a coat of", "Mr. Boagir, there are only seven basic plots in the whole > world", "for those of who don’t like rules, is that their > jurisdiction ends", "> A writer’s job is to write stories—not to steal or borrow them", "I still think clichés have a time and a place in writing (I", "the need for originality: > > A writer’s job is to write stories—not", "that, it is a cliché. Let me try again, I hate to beat", "> <http://thewritepractice.com/want-write-better-dialogue-break-rules/> > > > And this Reddit subgroup agrees that avoiding clichés", "blockbuster movie or a best selling novel? This blog hits the nail on", "asserts the number of basic plots may be as few as seven: >", "their > jurisdiction ends the moment you insert a quotation mark. The quote", "> > Have you ever read the kind of dialogue an author writes", "clichés have a time and a place in writing (I guess I am", "of fresh paint, pawn them off as original. > <http://www.writersdigest.com/whats-new/10-tips-to-bypass-cliche-and-melodrama> > > >", "a quotation mark. The quote is > like the county line of grammar", "a time and a place in writing (I guess I am hopeless) So", "stilted and unrealistic: > > Have you ever read the kind of dialogue", "> > > And this Reddit subgroup agrees that avoiding clichés in dialogue", "plague! Wait I can't say that, it is a cliché. Let me try", "are only seven basic plots in the whole > world -- plots that", "the ending of a blockbuster movie or a best selling novel? This blog", "ever listened to actual dialogue, it is filled with clichés, colloquialisms and generally", "<http://www.writersdigest.com/whats-new/10-tips-to-bypass-cliche-and-melodrama> > > > Yet it is totally contradicted by a recent article", "generally only need to know the basic elements of a story to predict", "be overdone as pointed out on this definitive list: <https://gointothestory.blcklst.com/definitive-list-of-cliched-dialogue-9b8f469bc305?gi=b63bb27731f> But I still", "as seven: > > According to Mr. Boagir, there are only seven basic", "know the basic elements of a story to predict the ending. How many", "be as few as seven: > > According to Mr. Boagir, there are", "Riches, 3.The Quest, 4.Voyage and Return, 5.Rebirth, 6.Comedy and 7.Tragedy. > <http://www.nytimes.com/2005/04/15/books/the-plot-thins-or-are-no-stories-new.html> >", "> > The good news for those of who don’t like rules, is", "borrow them and, > with a coat of fresh paint, pawn them off", "5.Rebirth, 6.Comedy and 7.Tragedy. > <http://www.nytimes.com/2005/04/15/books/the-plot-thins-or-are-no-stories-new.html> > > > You generally only need", "guessed the ending of a blockbuster movie or a best selling novel? This", "in dialogue sounds stilted and unrealistic: > > Have you ever read the", "of a story to predict the ending. How many times have we guessed", "cliche? It makes all the characters sound like > quirky English majors trying", "a story to predict the ending. How many times have we guessed the", "Quest, 4.Voyage and Return, 5.Rebirth, 6.Comedy and 7.Tragedy. > <http://www.nytimes.com/2005/04/15/books/the-plot-thins-or-are-no-stories-new.html> > > >", "don’t like rules, is that their > jurisdiction ends the moment you insert", "we guessed the ending of a blockbuster movie or a best selling novel?", "can assure you that it is impossible to write realistic Southern dialogue without", "> > According to Mr. Boagir, there are only seven basic plots in", "number of plots and most are very predictable. This blog discusses the need", "-- plots that are recycled again and again in novels, movies, > plays", "knows the rule: Avoid clichés like the plague! Wait I can't say that,", "2.Rags to Riches, 3.The Quest, 4.Voyage and Return, 5.Rebirth, 6.Comedy and 7.Tragedy. >", "operas. Those seven plots are: 1.Overcoming the Monster, > 2.Rags to Riches, 3.The", "it with slang, clichés, fragmented sentences and poor grammatical exposition. Even stories are", "it is filled with clichés, colloquialisms and generally poor grammar. I live in", "or a best selling novel? This blog hits the nail on the head", "This blog discusses the need for originality: > > A writer’s job is", "filled with clichés, colloquialisms and generally poor grammar. I live in the South", "geez another cliché) concerning clichéd dialogue: > > The good news for those", "generally poor grammar. I live in the South and can assure you that", "dialogue an author writes when s/he's > trying to avoid all cliche? It", "come up with new phrases > <https://www.reddit.com/r/writing/comments/1w1d1z/are_cliches_and_commonly_said_phrases_acceptable/> > > > Of course clichés", "steal or borrow them and, > with a coat of fresh paint, pawn", "agrees that avoiding clichés in dialogue sounds stilted and unrealistic: > > Have", "plots that are recycled again and again in novels, movies, > plays and", "and generally poor grammar. I live in the South and can assure you", "clichés in dialogue sounds stilted and unrealistic: > > Have you ever read", "as original. > <http://www.writersdigest.com/whats-new/10-tips-to-bypass-cliche-and-melodrama> > > > Yet it is totally contradicted by", "clichéd dialogue: > > The good news for those of who don’t like", "the rule: Avoid clichés like the plague! Wait I can't say that, it", "like the county line of grammar enforcement. > <http://thewritepractice.com/want-write-better-dialogue-break-rules/> > > > And", "basic elements of a story to predict the ending. How many times have", "sound like > quirky English majors trying to come up with new phrases", "> world -- plots that are recycled again and again in novels, movies,", "Boagir, there are only seven basic plots in the whole > world --", "finite number of plots and most are very predictable. This blog discusses the", "blog discusses the need for originality: > > A writer’s job is to", "plots and most are very predictable. This blog discusses the need for originality:", "to actual dialogue, it is filled with clichés, colloquialisms and generally poor grammar.", "to know the basic elements of a story to predict the ending. How", "> Yet it is totally contradicted by a recent article on plots. <https://www.theguardian.com/books/booksblog/2016/jul/13/three-six-or-36-how-many-basic-plots-are-there-in-all-stories-ever-written>", "> jurisdiction ends the moment you insert a quotation mark. The quote is", "makes all the characters sound like > quirky English majors trying to come", "clichés, colloquialisms and generally poor grammar. I live in the South and can", "kind of dialogue an author writes when s/he's > trying to avoid all", "selling novel? This blog hits the nail on the head (oh geez another", "dead horse but... No that won't work either. If you have ever listened", "novels, movies, > plays and operas. Those seven plots are: 1.Overcoming the Monster,", "recent article on plots. <https://www.theguardian.com/books/booksblog/2016/jul/13/three-six-or-36-how-many-basic-plots-are-there-in-all-stories-ever-written> and a literary scholar asserts the number of", "Of course clichés can be overdone as pointed out on this definitive list:", "on this definitive list: <https://gointothestory.blcklst.com/definitive-list-of-cliched-dialogue-9b8f469bc305?gi=b63bb27731f> But I still think clichés have a time", "and can assure you that it is impossible to write realistic Southern dialogue", "news for those of who don’t like rules, is that their > jurisdiction", "plots in the whole > world -- plots that are recycled again and", "<http://thewritepractice.com/want-write-better-dialogue-break-rules/> > > > And this Reddit subgroup agrees that avoiding clichés in", "Every writer knows the rule: Avoid clichés like the plague! Wait I can't", "that it is impossible to write realistic Southern dialogue without peppering it with", "read the kind of dialogue an author writes when s/he's > trying to", "fresh paint, pawn them off as original. > <http://www.writersdigest.com/whats-new/10-tips-to-bypass-cliche-and-melodrama> > > > Yet", "trying to avoid all cliche? It makes all the characters sound like >", "work either. If you have ever listened to actual dialogue, it is filled", "the South and can assure you that it is impossible to write realistic", "elements of a story to predict the ending. How many times have we", "Have you ever read the kind of dialogue an author writes when s/he's", "the moment you insert a quotation mark. The quote is > like the", "grammar. I live in the South and can assure you that it is", "> According to Mr. Boagir, there are only seven basic plots in the", "> You generally only need to know the basic elements of a story", "the Monster, > 2.Rags to Riches, 3.The Quest, 4.Voyage and Return, 5.Rebirth, 6.Comedy", "try again, I hate to beat a dead horse but... No that won't", "a cliché. Let me try again, I hate to beat a dead horse", "a recent article on plots. <https://www.theguardian.com/books/booksblog/2016/jul/13/three-six-or-36-how-many-basic-plots-are-there-in-all-stories-ever-written> and a literary scholar asserts the number", "it is a cliché. Let me try again, I hate to beat a", "is > like the county line of grammar enforcement. > <http://thewritepractice.com/want-write-better-dialogue-break-rules/> > >", "> Of course clichés can be overdone as pointed out on this definitive", "it is totally contradicted by a recent article on plots. <https://www.theguardian.com/books/booksblog/2016/jul/13/three-six-or-36-how-many-basic-plots-are-there-in-all-stories-ever-written> and a", "dialogue without peppering it with slang, clichés, fragmented sentences and poor grammatical exposition.", "in novels, movies, > plays and operas. Those seven plots are: 1.Overcoming the", "Those seven plots are: 1.Overcoming the Monster, > 2.Rags to Riches, 3.The Quest,", "plots. <https://www.theguardian.com/books/booksblog/2016/jul/13/three-six-or-36-how-many-basic-plots-are-there-in-all-stories-ever-written> and a literary scholar asserts the number of basic plots may", "you have ever listened to actual dialogue, it is filled with clichés, colloquialisms", "is filled with clichés, colloquialisms and generally poor grammar. I live in the", "writer knows the rule: Avoid clichés like the plague! Wait I can't say", "slang, clichés, fragmented sentences and poor grammatical exposition. Even stories are clichéd. There", "If you have ever listened to actual dialogue, it is filled with clichés,", "off as original. > <http://www.writersdigest.com/whats-new/10-tips-to-bypass-cliche-and-melodrama> > > > Yet it is totally contradicted", "Return, 5.Rebirth, 6.Comedy and 7.Tragedy. > <http://www.nytimes.com/2005/04/15/books/the-plot-thins-or-are-no-stories-new.html> > > > You generally only", "beat a dead horse but... No that won't work either. If you have", "sentences and poor grammatical exposition. Even stories are clichéd. There are a finite", "them and, > with a coat of fresh paint, pawn them off as", "cliché) concerning clichéd dialogue: > > The good news for those of who", "is a cliché. Let me try again, I hate to beat a dead", "times have we guessed the ending of a blockbuster movie or a best", "all the characters sound like > quirky English majors trying to come up", "horse but... No that won't work either. If you have ever listened to", "world -- plots that are recycled again and again in novels, movies, >", "clichés like the plague! Wait I can't say that, it is a cliché.", "Even stories are clichéd. There are a finite number of plots and most", "those of who don’t like rules, is that their > jurisdiction ends the", "on plots. <https://www.theguardian.com/books/booksblog/2016/jul/13/three-six-or-36-how-many-basic-plots-are-there-in-all-stories-ever-written> and a literary scholar asserts the number of basic plots", "The good news for those of who don’t like rules, is that their", "in the South and can assure you that it is impossible to write", "number of basic plots may be as few as seven: > > According", "is that their > jurisdiction ends the moment you insert a quotation mark.", "of grammar enforcement. > <http://thewritepractice.com/want-write-better-dialogue-break-rules/> > > > And this Reddit subgroup agrees", "poor grammar. I live in the South and can assure you that it", "like the plague! Wait I can't say that, it is a cliché. Let", "on the head (oh geez another cliché) concerning clichéd dialogue: > > The", "plots may be as few as seven: > > According to Mr. Boagir,", "that are recycled again and again in novels, movies, > plays and operas.", "characters sound like > quirky English majors trying to come up with new", "> <http://www.nytimes.com/2005/04/15/books/the-plot-thins-or-are-no-stories-new.html> > > > You generally only need to know the basic", "ending of a blockbuster movie or a best selling novel? This blog hits", "actual dialogue, it is filled with clichés, colloquialisms and generally poor grammar. I", "think clichés have a time and a place in writing (I guess I", "place in writing (I guess I am hopeless) So why are writer's told", "<https://www.theguardian.com/books/booksblog/2016/jul/13/three-six-or-36-how-many-basic-plots-are-there-in-all-stories-ever-written> and a literary scholar asserts the number of basic plots may be", "> 2.Rags to Riches, 3.The Quest, 4.Voyage and Return, 5.Rebirth, 6.Comedy and 7.Tragedy.", "dialogue: > > The good news for those of who don’t like rules,", "of a blockbuster movie or a best selling novel? This blog hits the", "author writes when s/he's > trying to avoid all cliche? It makes all", "> like the county line of grammar enforcement. > <http://thewritepractice.com/want-write-better-dialogue-break-rules/> > > >", "6.Comedy and 7.Tragedy. > <http://www.nytimes.com/2005/04/15/books/the-plot-thins-or-are-no-stories-new.html> > > > You generally only need to", "is totally contradicted by a recent article on plots. <https://www.theguardian.com/books/booksblog/2016/jul/13/three-six-or-36-how-many-basic-plots-are-there-in-all-stories-ever-written> and a literary", "this definitive list: <https://gointothestory.blcklst.com/definitive-list-of-cliched-dialogue-9b8f469bc305?gi=b63bb27731f> But I still think clichés have a time and", "a finite number of plots and most are very predictable. This blog discusses", "have we guessed the ending of a blockbuster movie or a best selling", "to write realistic Southern dialogue without peppering it with slang, clichés, fragmented sentences", "and 7.Tragedy. > <http://www.nytimes.com/2005/04/15/books/the-plot-thins-or-are-no-stories-new.html> > > > You generally only need to know", "of basic plots may be as few as seven: > > According to", "say that, it is a cliché. Let me try again, I hate to", "like rules, is that their > jurisdiction ends the moment you insert a", "again, I hate to beat a dead horse but... No that won't work", "exposition. Even stories are clichéd. There are a finite number of plots and", "all cliche? It makes all the characters sound like > quirky English majors", "is to write stories—not to steal or borrow them and, > with a", "to beat a dead horse but... No that won't work either. If you", "the head (oh geez another cliché) concerning clichéd dialogue: > > The good", "still think clichés have a time and a place in writing (I guess", "a blockbuster movie or a best selling novel? This blog hits the nail", "Yet it is totally contradicted by a recent article on plots. <https://www.theguardian.com/books/booksblog/2016/jul/13/three-six-or-36-how-many-basic-plots-are-there-in-all-stories-ever-written> and", "and, > with a coat of fresh paint, pawn them off as original.", "to Riches, 3.The Quest, 4.Voyage and Return, 5.Rebirth, 6.Comedy and 7.Tragedy. > <http://www.nytimes.com/2005/04/15/books/the-plot-thins-or-are-no-stories-new.html>", "> with a coat of fresh paint, pawn them off as original. >", "in writing (I guess I am hopeless) So why are writer's told to", "new phrases > <https://www.reddit.com/r/writing/comments/1w1d1z/are_cliches_and_commonly_said_phrases_acceptable/> > > > Of course clichés can be overdone", "with clichés, colloquialisms and generally poor grammar. I live in the South and", "I live in the South and can assure you that it is impossible", "time and a place in writing (I guess I am hopeless) So why", "rules, is that their > jurisdiction ends the moment you insert a quotation", "to steal or borrow them and, > with a coat of fresh paint,", "the kind of dialogue an author writes when s/he's > trying to avoid", "Monster, > 2.Rags to Riches, 3.The Quest, 4.Voyage and Return, 5.Rebirth, 6.Comedy and", "predictable. This blog discusses the need for originality: > > A writer’s job", "enforcement. > <http://thewritepractice.com/want-write-better-dialogue-break-rules/> > > > And this Reddit subgroup agrees that avoiding", "that avoiding clichés in dialogue sounds stilted and unrealistic: > > Have you", "The quote is > like the county line of grammar enforcement. > <http://thewritepractice.com/want-write-better-dialogue-break-rules/>", "of dialogue an author writes when s/he's > trying to avoid all cliche?", "insert a quotation mark. The quote is > like the county line of", "the whole > world -- plots that are recycled again and again in", "can be overdone as pointed out on this definitive list: <https://gointothestory.blcklst.com/definitive-list-of-cliched-dialogue-9b8f469bc305?gi=b63bb27731f> But I", "it is impossible to write realistic Southern dialogue without peppering it with slang,", "I can't say that, it is a cliché. Let me try again, I", "ending. How many times have we guessed the ending of a blockbuster movie", "> > Yet it is totally contradicted by a recent article on plots.", "> > > Yet it is totally contradicted by a recent article on", "many times have we guessed the ending of a blockbuster movie or a", "few as seven: > > According to Mr. Boagir, there are only seven", "very predictable. This blog discusses the need for originality: > > A writer’s", "only seven basic plots in the whole > world -- plots that are", "an author writes when s/he's > trying to avoid all cliche? It makes", "nail on the head (oh geez another cliché) concerning clichéd dialogue: > >", "> > > Of course clichés can be overdone as pointed out on", "up with new phrases > <https://www.reddit.com/r/writing/comments/1w1d1z/are_cliches_and_commonly_said_phrases_acceptable/> > > > Of course clichés can", "grammatical exposition. Even stories are clichéd. There are a finite number of plots", "without peppering it with slang, clichés, fragmented sentences and poor grammatical exposition. Even", "totally contradicted by a recent article on plots. <https://www.theguardian.com/books/booksblog/2016/jul/13/three-six-or-36-how-many-basic-plots-are-there-in-all-stories-ever-written> and a literary scholar", "that their > jurisdiction ends the moment you insert a quotation mark. The", "clichés can be overdone as pointed out on this definitive list: <https://gointothestory.blcklst.com/definitive-list-of-cliched-dialogue-9b8f469bc305?gi=b63bb27731f> But", "are: 1.Overcoming the Monster, > 2.Rags to Riches, 3.The Quest, 4.Voyage and Return,", "like > quirky English majors trying to come up with new phrases >", "contradicted by a recent article on plots. <https://www.theguardian.com/books/booksblog/2016/jul/13/three-six-or-36-how-many-basic-plots-are-there-in-all-stories-ever-written> and a literary scholar asserts", "dialogue, it is filled with clichés, colloquialisms and generally poor grammar. I live", "and operas. Those seven plots are: 1.Overcoming the Monster, > 2.Rags to Riches,", "4.Voyage and Return, 5.Rebirth, 6.Comedy and 7.Tragedy. > <http://www.nytimes.com/2005/04/15/books/the-plot-thins-or-are-no-stories-new.html> > > > You", "poor grammatical exposition. Even stories are clichéd. There are a finite number of", "peppering it with slang, clichés, fragmented sentences and poor grammatical exposition. Even stories", "writer’s job is to write stories—not to steal or borrow them and, >", "are very predictable. This blog discusses the need for originality: > > A", "predict the ending. How many times have we guessed the ending of a", "realistic Southern dialogue without peppering it with slang, clichés, fragmented sentences and poor", "either. If you have ever listened to actual dialogue, it is filled with", "According to Mr. Boagir, there are only seven basic plots in the whole", "quotation mark. The quote is > like the county line of grammar enforcement.", "there are only seven basic plots in the whole > world -- plots", "unrealistic: > > Have you ever read the kind of dialogue an author", "seven basic plots in the whole > world -- plots that are recycled", "plays and operas. Those seven plots are: 1.Overcoming the Monster, > 2.Rags to", "pointed out on this definitive list: <https://gointothestory.blcklst.com/definitive-list-of-cliched-dialogue-9b8f469bc305?gi=b63bb27731f> But I still think clichés have", "article on plots. <https://www.theguardian.com/books/booksblog/2016/jul/13/three-six-or-36-how-many-basic-plots-are-there-in-all-stories-ever-written> and a literary scholar asserts the number of basic", "rule: Avoid clichés like the plague! Wait I can't say that, it is", "am hopeless) So why are writer's told to avoid clichés in their fiction", "blog hits the nail on the head (oh geez another cliché) concerning clichéd", "But I still think clichés have a time and a place in writing", "(I guess I am hopeless) So why are writer's told to avoid clichés", "paint, pawn them off as original. > <http://www.writersdigest.com/whats-new/10-tips-to-bypass-cliche-and-melodrama> > > > Yet it", "scholar asserts the number of basic plots may be as few as seven:", "most are very predictable. This blog discusses the need for originality: > >", "moment you insert a quotation mark. The quote is > like the county", "the characters sound like > quirky English majors trying to come up with", "seven plots are: 1.Overcoming the Monster, > 2.Rags to Riches, 3.The Quest, 4.Voyage", "a best selling novel? This blog hits the nail on the head (oh", "subgroup agrees that avoiding clichés in dialogue sounds stilted and unrealistic: > >", "who don’t like rules, is that their > jurisdiction ends the moment you", "dialogue sounds stilted and unrealistic: > > Have you ever read the kind", "list: <https://gointothestory.blcklst.com/definitive-list-of-cliched-dialogue-9b8f469bc305?gi=b63bb27731f> But I still think clichés have a time and a place", "phrases > <https://www.reddit.com/r/writing/comments/1w1d1z/are_cliches_and_commonly_said_phrases_acceptable/> > > > Of course clichés can be overdone as", "and again in novels, movies, > plays and operas. Those seven plots are:", "Southern dialogue without peppering it with slang, clichés, fragmented sentences and poor grammatical", "Let me try again, I hate to beat a dead horse but... No", "fragmented sentences and poor grammatical exposition. Even stories are clichéd. There are a", "whole > world -- plots that are recycled again and again in novels,", "out on this definitive list: <https://gointothestory.blcklst.com/definitive-list-of-cliched-dialogue-9b8f469bc305?gi=b63bb27731f> But I still think clichés have a", "recycled again and again in novels, movies, > plays and operas. Those seven", "> trying to avoid all cliche? It makes all the characters sound like", "a place in writing (I guess I am hopeless) So why are writer's", "live in the South and can assure you that it is impossible to", "is impossible to write realistic Southern dialogue without peppering it with slang, clichés,", "sounds stilted and unrealistic: > > Have you ever read the kind of", "original. > <http://www.writersdigest.com/whats-new/10-tips-to-bypass-cliche-and-melodrama> > > > Yet it is totally contradicted by a", "guess I am hopeless) So why are writer's told to avoid clichés in", "> > Of course clichés can be overdone as pointed out on this", "good news for those of who don’t like rules, is that their >", "to write stories—not to steal or borrow them and, > with a coat", "> > A writer’s job is to write stories—not to steal or borrow", "in the whole > world -- plots that are recycled again and again", "3.The Quest, 4.Voyage and Return, 5.Rebirth, 6.Comedy and 7.Tragedy. > <http://www.nytimes.com/2005/04/15/books/the-plot-thins-or-are-no-stories-new.html> > >", "trying to come up with new phrases > <https://www.reddit.com/r/writing/comments/1w1d1z/are_cliches_and_commonly_said_phrases_acceptable/> > > > Of", "can't say that, it is a cliché. Let me try again, I hate", "county line of grammar enforcement. > <http://thewritepractice.com/want-write-better-dialogue-break-rules/> > > > And this Reddit", "ever read the kind of dialogue an author writes when s/he's > trying", "Wait I can't say that, it is a cliché. Let me try again,", "with a coat of fresh paint, pawn them off as original. > <http://www.writersdigest.com/whats-new/10-tips-to-bypass-cliche-and-melodrama>", "> <https://www.reddit.com/r/writing/comments/1w1d1z/are_cliches_and_commonly_said_phrases_acceptable/> > > > Of course clichés can be overdone as pointed", "may be as few as seven: > > According to Mr. Boagir, there", "hate to beat a dead horse but... No that won't work either. If", "mark. The quote is > like the county line of grammar enforcement. >", "course clichés can be overdone as pointed out on this definitive list: <https://gointothestory.blcklst.com/definitive-list-of-cliched-dialogue-9b8f469bc305?gi=b63bb27731f>", "by a recent article on plots. <https://www.theguardian.com/books/booksblog/2016/jul/13/three-six-or-36-how-many-basic-plots-are-there-in-all-stories-ever-written> and a literary scholar asserts the", "the county line of grammar enforcement. > <http://thewritepractice.com/want-write-better-dialogue-break-rules/> > > > And this", "plots are: 1.Overcoming the Monster, > 2.Rags to Riches, 3.The Quest, 4.Voyage and", "another cliché) concerning clichéd dialogue: > > The good news for those of", "quirky English majors trying to come up with new phrases > <https://www.reddit.com/r/writing/comments/1w1d1z/are_cliches_and_commonly_said_phrases_acceptable/> >", "avoid all cliche? It makes all the characters sound like > quirky English", "again and again in novels, movies, > plays and operas. Those seven plots", "And this Reddit subgroup agrees that avoiding clichés in dialogue sounds stilted and", "this Reddit subgroup agrees that avoiding clichés in dialogue sounds stilted and unrealistic:", "assure you that it is impossible to write realistic Southern dialogue without peppering", "seven: > > According to Mr. Boagir, there are only seven basic plots", "write realistic Southern dialogue without peppering it with slang, clichés, fragmented sentences and", "with slang, clichés, fragmented sentences and poor grammatical exposition. Even stories are clichéd.", "overdone as pointed out on this definitive list: <https://gointothestory.blcklst.com/definitive-list-of-cliched-dialogue-9b8f469bc305?gi=b63bb27731f> But I still think", "line of grammar enforcement. > <http://thewritepractice.com/want-write-better-dialogue-break-rules/> > > > And this Reddit subgroup", "a coat of fresh paint, pawn them off as original. > <http://www.writersdigest.com/whats-new/10-tips-to-bypass-cliche-and-melodrama> >", "to come up with new phrases > <https://www.reddit.com/r/writing/comments/1w1d1z/are_cliches_and_commonly_said_phrases_acceptable/> > > > Of course", "coat of fresh paint, pawn them off as original. > <http://www.writersdigest.com/whats-new/10-tips-to-bypass-cliche-and-melodrama> > >", "<http://www.nytimes.com/2005/04/15/books/the-plot-thins-or-are-no-stories-new.html> > > > You generally only need to know the basic elements", "How many times have we guessed the ending of a blockbuster movie or", "A writer’s job is to write stories—not to steal or borrow them and,", "stories—not to steal or borrow them and, > with a coat of fresh", "hits the nail on the head (oh geez another cliché) concerning clichéd dialogue:", "but... No that won't work either. If you have ever listened to actual", "clichéd. There are a finite number of plots and most are very predictable.", "them off as original. > <http://www.writersdigest.com/whats-new/10-tips-to-bypass-cliche-and-melodrama> > > > Yet it is totally", "need to know the basic elements of a story to predict the ending.", "No that won't work either. If you have ever listened to actual dialogue,", "clichés, fragmented sentences and poor grammatical exposition. Even stories are clichéd. There are", "> And this Reddit subgroup agrees that avoiding clichés in dialogue sounds stilted", "1.Overcoming the Monster, > 2.Rags to Riches, 3.The Quest, 4.Voyage and Return, 5.Rebirth,", "There are a finite number of plots and most are very predictable. This", "with new phrases > <https://www.reddit.com/r/writing/comments/1w1d1z/are_cliches_and_commonly_said_phrases_acceptable/> > > > Of course clichés can be", "are a finite number of plots and most are very predictable. This blog", "basic plots may be as few as seven: > > According to Mr.", "you insert a quotation mark. The quote is > like the county line", "quote is > like the county line of grammar enforcement. > <http://thewritepractice.com/want-write-better-dialogue-break-rules/> >", "> <http://www.writersdigest.com/whats-new/10-tips-to-bypass-cliche-and-melodrama> > > > Yet it is totally contradicted by a recent", "again in novels, movies, > plays and operas. Those seven plots are: 1.Overcoming", "you ever read the kind of dialogue an author writes when s/he's >", "of plots and most are very predictable. This blog discusses the need for", "and Return, 5.Rebirth, 6.Comedy and 7.Tragedy. > <http://www.nytimes.com/2005/04/15/books/the-plot-thins-or-are-no-stories-new.html> > > > You generally", "> The good news for those of who don’t like rules, is that" ]
[ "reveals in the novel, should be protected from being discussed in the short", "writing short stories from the same world and setting. The short stories will", "give me a survey of the world, and I'd want there to not", "spending these weeks on other projects, including website design ... and writing short", "a novel?](https://writers.stackexchange.com/questions/30078/how-to-use-short-stories-to-explore-a-new-setting-and-potential-characters-for-a) (This is a good discussion from September which is more about", "these weeks on other projects, including website design ... and writing short stories", "what other considerations should I be aware of? A related question on SE:", "to attract people to buy and read the novel. What are good features", "in the short stories. Ack!! Things that are reveals in the novel, should", "developing minor characters from the novel. I also plan to explore other elements", "need of that exactly, but would like to use short stories as one", "from being discussed in the short stories. I will try to be hyperaware", "here - like I might inadvertently introduce spoilers to the novel, in the", "building, I'd want to see several free short stories, not just one, and", "should I be aware of? A related question on SE: [How to use", "of religion or some other element.) As an internet surfer, if I stumbled", "of the short stories, what should be avoided? Is it better to develop", "I'd want these to give me a survey of the world, and I'd", "you are experienced, I put it out to you - what other considerations", "characters, introduce completely unrelated characters (for flavor, perhaps), or new elements that are", "The short stories will be freely available on the website. I plan to", "setting and potential characters for a novel?](https://writers.stackexchange.com/questions/30078/how-to-use-short-stories-to-explore-a-new-setting-and-potential-characters-for-a) (This is a good discussion from", "short stories, what should be avoided? Is it better to develop minor characters,", "to not be any spoilers in them. As the author, I am curious", "stories developing minor characters from the novel. I also plan to explore other", "I be aware of? A related question on SE: [How to use short", "world. I'm not in need of that exactly, but would like to use", "several free short stories, not just one, and I'd want these to give", "put it out to you - what other considerations should I be aware", "the internet for free, as a means of introducing the world and building", "given my novel to beta readers now. hurray! I'm also very pointedly not", "develop minor characters, introduce completely unrelated characters (for flavor, perhaps), or new elements", "[How to use short stories to explore a new setting and potential characters", "want to see several free short stories, not just one, and I'd want", "at it for a few weeks. I'm spending these weeks on other projects,", "it for a few weeks. I'm spending these weeks on other projects, including", "few weeks. I'm spending these weeks on other projects, including website design ...", "my blind spots may be, and since many of you are experienced, I", "novel, should be protected from being discussed in the short stories. I will", "weeks. I'm spending these weeks on other projects, including website design ... and", "in the novel. (Example, a short story centered around the role of religion.)", "are reveals in the novel, should be protected from being discussed in the", "short stories from the same world and setting. The short stories will be", "spoilers to the novel, in the short stories. Ack!! Things that are reveals", "just one, and I'd want these to give me a survey of the", "a good discussion from September which is more about using short stories as", "and I'd want there to not be any spoilers in them. As the", "plan to write a few stories developing minor characters from the novel. I", "role of religion.) It occurs to me that I could make some big", "other considerations should I be aware of? A related question on SE: [How", "element.) As an internet surfer, if I stumbled across a website like the", "avoided? Is it better to develop minor characters, introduce completely unrelated characters (for", "aren't really touched on heavily, in the novel. (Example, a short story centered", "I might inadvertently introduce spoilers to the novel, in the short stories. Ack!!", "these to give me a survey of the world, and I'd want there", "short stories to complement and engage readers on the internet for free, as", "am building, I'd want to see several free short stories, not just one,", "inadvertently introduce spoilers to the novel, in the short stories. Ack!! Things that", "novel. (Example, a short story centered around the role of religion.) It occurs", "unrelated characters (for flavor, perhaps), or new elements that are 'taken for granted'", "I'd want there to not be any spoilers in them. As the author,", "novel, in the short stories. Ack!! Things that are reveals in the novel,", "short stories. I will try to be hyperaware of this. My question: What", "like the one I am building, I'd want to see several free short", "beta readers now. hurray! I'm also very pointedly not looking at it for", "the best guidelines for writing short stories to complement and engage readers on", "now. hurray! I'm also very pointedly not looking at it for a few", "may be, and since many of you are experienced, I put it out", "novel (e.g. the role of religion or some other element.) As an internet", "to me that I could make some big mistakes here - like I", "Things that are reveals in the novel, should be protected from being discussed", "be avoided? Is it better to develop minor characters, introduce completely unrelated characters", "as a means of introducing the world and building a following? The goal", "from September which is more about using short stories as a means to", "characters (for flavor, perhaps), or new elements that are 'taken for granted' in", "- what other considerations should I be aware of? A related question on", "world and setting. The short stories will be freely available on the website.", "complement and engage readers on the internet for free, as a means of", "story centered around the role of religion.) It occurs to me that I", "is to attract people to buy and read the novel. What are good", "the same world and setting. The short stories will be freely available on", "and I'd want these to give me a survey of the world, and", "I am curious where my blind spots may be, and since many of", "short stories to explore a new setting and potential characters for a novel?](https://writers.stackexchange.com/questions/30078/how-to-use-short-stories-to-explore-a-new-setting-and-potential-characters-for-a)", "I put it out to you - what other considerations should I be", "to develop minor characters, introduce completely unrelated characters (for flavor, perhaps), or new", "potential characters for a novel?](https://writers.stackexchange.com/questions/30078/how-to-use-short-stories-to-explore-a-new-setting-and-potential-characters-for-a) (This is a good discussion from September which", "I'm also very pointedly not looking at it for a few weeks. I'm", "not looking at it for a few weeks. I'm spending these weeks on", "characters for a novel?](https://writers.stackexchange.com/questions/30078/how-to-use-short-stories-to-explore-a-new-setting-and-potential-characters-for-a) (This is a good discussion from September which is", "curious where my blind spots may be, and since many of you are", "in the novel, should be protected from being discussed in the short stories.", "pointedly not looking at it for a few weeks. I'm spending these weeks", "are experienced, I put it out to you - what other considerations should", "of introducing the world and building a following? The goal is to attract", "is a good discussion from September which is more about using short stories", "plan to explore other elements in the society that aren't really touched on", "The goal is to attract people to buy and read the novel. What", "a means of introducing the world and building a following? The goal is", "develop a world. I'm not in need of that exactly, but would like", "me a survey of the world, and I'd want there to not be", "few stories developing minor characters from the novel. I also plan to explore", "setting. The short stories will be freely available on the website. I plan", "are 'taken for granted' in the novel (e.g. the role of religion or", "My question: What are the best guidelines for writing short stories to complement", "of the world, and I'd want there to not be any spoilers in", "'taken for granted' in the novel (e.g. the role of religion or some", "design ... and writing short stories from the same world and setting. The", "it out to you - what other considerations should I be aware of?", "and writing short stories from the same world and setting. The short stories", "centered around the role of religion.) It occurs to me that I could", "protected from being discussed in the short stories. I will try to be", "will try to be hyperaware of this. My question: What are the best", "short stories. Ack!! Things that are reveals in the novel, should be protected", "the role of religion or some other element.) As an internet surfer, if", "internet surfer, if I stumbled across a website like the one I am", "explore a new setting and potential characters for a novel?](https://writers.stackexchange.com/questions/30078/how-to-use-short-stories-to-explore-a-new-setting-and-potential-characters-for-a) (This is a", "engage readers on the internet for free, as a means of introducing the", "I'm not in need of that exactly, but would like to use short", "for a novel?](https://writers.stackexchange.com/questions/30078/how-to-use-short-stories-to-explore-a-new-setting-and-potential-characters-for-a) (This is a good discussion from September which is more", "stories as a means to develop a world. I'm not in need of", "to develop a world. I'm not in need of that exactly, but would", "where my blind spots may be, and since many of you are experienced,", "in them. As the author, I am curious where my blind spots may", "hurray! I'm also very pointedly not looking at it for a few weeks.", "what should be avoided? Is it better to develop minor characters, introduce completely", "blind spots may be, and since many of you are experienced, I put", "be freely available on the website. I plan to write a few stories", "the novel. I also plan to explore other elements in the society that", "granted' in the novel (e.g. the role of religion or some other element.)", "novel to beta readers now. hurray! I'm also very pointedly not looking at", "many of you are experienced, I put it out to you - what", "some other element.) As an internet surfer, if I stumbled across a website", "stories to complement and engage readers on the internet for free, as a", "Is it better to develop minor characters, introduce completely unrelated characters (for flavor,", "make some big mistakes here - like I might inadvertently introduce spoilers to", "that exactly, but would like to use short stories as one feature of", "from the same world and setting. The short stories will be freely available", "the novel, in the short stories. Ack!! Things that are reveals in the", "from the novel. I also plan to explore other elements in the society", "not be any spoilers in them. As the author, I am curious where", "mistakes here - like I might inadvertently introduce spoilers to the novel, in", "you - what other considerations should I be aware of? A related question", "stories, not just one, and I'd want these to give me a survey", "new elements that are 'taken for granted' in the novel (e.g. the role", "features of the short stories, what should be avoided? Is it better to", "minor characters, introduce completely unrelated characters (for flavor, perhaps), or new elements that", "a world. I'm not in need of that exactly, but would like to", "across a website like the one I am building, I'd want to see", "using short stories as a means to develop a world. I'm not in", "(for flavor, perhaps), or new elements that are 'taken for granted' in the", "I have given my novel to beta readers now. hurray! I'm also very", "introduce completely unrelated characters (for flavor, perhaps), or new elements that are 'taken", "to write a few stories developing minor characters from the novel. I also", "to the novel, in the short stories. Ack!! Things that are reveals in", "in the novel (e.g. the role of religion or some other element.) As", "same world and setting. The short stories will be freely available on the", "to beta readers now. hurray! I'm also very pointedly not looking at it", "elements that are 'taken for granted' in the novel (e.g. the role of", "Ack!! Things that are reveals in the novel, should be protected from being", "about using short stories as a means to develop a world. I'm not", "that aren't really touched on heavily, in the novel. (Example, a short story", "novel?](https://writers.stackexchange.com/questions/30078/how-to-use-short-stories-to-explore-a-new-setting-and-potential-characters-for-a) (This is a good discussion from September which is more about using", "readers on the internet for free, as a means of introducing the world", "good features of the short stories, what should be avoided? Is it better", "should be avoided? Is it better to develop minor characters, introduce completely unrelated", "in the short stories. I will try to be hyperaware of this. My", "question: What are the best guidelines for writing short stories to complement and", "short story centered around the role of religion.) It occurs to me that", "question on SE: [How to use short stories to explore a new setting", "will be freely available on the website. I plan to write a few", "one, and I'd want these to give me a survey of the world,", "other projects, including website design ... and writing short stories from the same", "short stories will be freely available on the website. I plan to write", "want there to not be any spoilers in them. As the author, I", "free, as a means of introducing the world and building a following? The", "the world and building a following? The goal is to attract people to", "like I might inadvertently introduce spoilers to the novel, in the short stories.", "new setting and potential characters for a novel?](https://writers.stackexchange.com/questions/30078/how-to-use-short-stories-to-explore-a-new-setting-and-potential-characters-for-a) (This is a good discussion", "looking at it for a few weeks. I'm spending these weeks on other", "- like I might inadvertently introduce spoilers to the novel, in the short", "(e.g. the role of religion or some other element.) As an internet surfer,", "a survey of the world, and I'd want there to not be any", "on heavily, in the novel. (Example, a short story centered around the role", "the role of religion.) It occurs to me that I could make some", "surfer, if I stumbled across a website like the one I am building,", "some big mistakes here - like I might inadvertently introduce spoilers to the", "I stumbled across a website like the one I am building, I'd want", "survey of the world, and I'd want there to not be any spoilers", "minor characters from the novel. I also plan to explore other elements in", "following? The goal is to attract people to buy and read the novel.", "a means to develop a world. I'm not in need of that exactly,", "be, and since many of you are experienced, I put it out to", "in the society that aren't really touched on heavily, in the novel. (Example,", "building a following? The goal is to attract people to buy and read", "good discussion from September which is more about using short stories as a", "website. I plan to write a few stories developing minor characters from the", "website design ... and writing short stories from the same world and setting.", "stories. Ack!! Things that are reveals in the novel, should be protected from", "of you are experienced, I put it out to you - what other", "available on the website. I plan to write a few stories developing minor", "other elements in the society that aren't really touched on heavily, in the", "the short stories, what should be avoided? Is it better to develop minor", "spots may be, and since many of you are experienced, I put it", "novel. What are good features of the short stories, what should be avoided?", "use short stories to explore a new setting and potential characters for a", "that are reveals in the novel, should be protected from being discussed in", "stories will be freely available on the website. I plan to write a", "of? A related question on SE: [How to use short stories to explore", "that I could make some big mistakes here - like I might inadvertently", "be aware of? A related question on SE: [How to use short stories", "I also plan to explore other elements in the society that aren't really", "or some other element.) As an internet surfer, if I stumbled across a", "stumbled across a website like the one I am building, I'd want to", "since many of you are experienced, I put it out to you -", "discussed in the short stories. I will try to be hyperaware of this.", "I am building, I'd want to see several free short stories, not just", "and setting. The short stories will be freely available on the website. I", "considerations should I be aware of? A related question on SE: [How to", "on the internet for free, as a means of introducing the world and", "short stories as a means to develop a world. I'm not in need", "I'd want to see several free short stories, not just one, and I'd", "author, I am curious where my blind spots may be, and since many", "the novel. What are good features of the short stories, what should be", "exactly, but would like to use short stories as one feature of an", "for writing short stories to complement and engage readers on the internet for", "a website like the one I am building, I'd want to see several", "out to you - what other considerations should I be aware of? A", "religion.) It occurs to me that I could make some big mistakes here", "characters from the novel. I also plan to explore other elements in the", "might inadvertently introduce spoilers to the novel, in the short stories. Ack!! Things", "this. My question: What are the best guidelines for writing short stories to", "a few stories developing minor characters from the novel. I also plan to", "a few weeks. I'm spending these weeks on other projects, including website design", "one I am building, I'd want to see several free short stories, not", "website like the one I am building, I'd want to see several free", "aware of? A related question on SE: [How to use short stories to", "for granted' in the novel (e.g. the role of religion or some other", "short stories, not just one, and I'd want these to give me a", "around the role of religion.) It occurs to me that I could make", "on SE: [How to use short stories to explore a new setting and", "big mistakes here - like I might inadvertently introduce spoilers to the novel,", "which is more about using short stories as a means to develop a", "in need of that exactly, but would like to use short stories as", "completely unrelated characters (for flavor, perhaps), or new elements that are 'taken for", "stories to explore a new setting and potential characters for a novel?](https://writers.stackexchange.com/questions/30078/how-to-use-short-stories-to-explore-a-new-setting-and-potential-characters-for-a) (This", "other element.) As an internet surfer, if I stumbled across a website like", "and engage readers on the internet for free, as a means of introducing", "the society that aren't really touched on heavily, in the novel. (Example, a", "the novel (e.g. the role of religion or some other element.) As an", "religion or some other element.) As an internet surfer, if I stumbled across", "society that aren't really touched on heavily, in the novel. (Example, a short", "any spoilers in them. As the author, I am curious where my blind", "have given my novel to beta readers now. hurray! I'm also very pointedly", "What are good features of the short stories, what should be avoided? Is", "not just one, and I'd want these to give me a survey of", "my novel to beta readers now. hurray! I'm also very pointedly not looking", "to use short stories to explore a new setting and potential characters for", "As an internet surfer, if I stumbled across a website like the one", "would like to use short stories as one feature of an effective website.)", "to be hyperaware of this. My question: What are the best guidelines for", "really touched on heavily, in the novel. (Example, a short story centered around", "write a few stories developing minor characters from the novel. I also plan", "want these to give me a survey of the world, and I'd want", "more about using short stories as a means to develop a world. I'm", "readers now. hurray! I'm also very pointedly not looking at it for a", "should be protected from being discussed in the short stories. I will try", "also plan to explore other elements in the society that aren't really touched", "role of religion or some other element.) As an internet surfer, if I", "the website. I plan to write a few stories developing minor characters from", "the one I am building, I'd want to see several free short stories,", "stories, what should be avoided? Is it better to develop minor characters, introduce", "of religion.) It occurs to me that I could make some big mistakes", "the short stories. Ack!! Things that are reveals in the novel, should be", "to complement and engage readers on the internet for free, as a means", "it better to develop minor characters, introduce completely unrelated characters (for flavor, perhaps),", "see several free short stories, not just one, and I'd want these to", "or new elements that are 'taken for granted' in the novel (e.g. the", "a short story centered around the role of religion.) It occurs to me", "to see several free short stories, not just one, and I'd want these", "to explore a new setting and potential characters for a novel?](https://writers.stackexchange.com/questions/30078/how-to-use-short-stories-to-explore-a-new-setting-and-potential-characters-for-a) (This is", "an internet surfer, if I stumbled across a website like the one I", "also very pointedly not looking at it for a few weeks. I'm spending", "elements in the society that aren't really touched on heavily, in the novel.", "writing short stories to complement and engage readers on the internet for free,", "weeks on other projects, including website design ... and writing short stories from", "best guidelines for writing short stories to complement and engage readers on the", "are good features of the short stories, what should be avoided? Is it", "internet for free, as a means of introducing the world and building a", "occurs to me that I could make some big mistakes here - like", "for free, as a means of introducing the world and building a following?", "be any spoilers in them. As the author, I am curious where my", "a following? The goal is to attract people to buy and read the", "... and writing short stories from the same world and setting. The short", "of this. My question: What are the best guidelines for writing short stories", "not in need of that exactly, but would like to use short stories", "to buy and read the novel. What are good features of the short", "being discussed in the short stories. I will try to be hyperaware of", "and read the novel. What are good features of the short stories, what", "of that exactly, but would like to use short stories as one feature", "on other projects, including website design ... and writing short stories from the", "I'm spending these weeks on other projects, including website design ... and writing", "them. As the author, I am curious where my blind spots may be,", "the novel, should be protected from being discussed in the short stories. I", "free short stories, not just one, and I'd want these to give me", "(This is a good discussion from September which is more about using short", "explore other elements in the society that aren't really touched on heavily, in", "flavor, perhaps), or new elements that are 'taken for granted' in the novel", "to you - what other considerations should I be aware of? A related", "introducing the world and building a following? The goal is to attract people", "the world, and I'd want there to not be any spoilers in them.", "freely available on the website. I plan to write a few stories developing", "the novel. (Example, a short story centered around the role of religion.) It", "As the author, I am curious where my blind spots may be, and", "touched on heavily, in the novel. (Example, a short story centered around the", "stories from the same world and setting. The short stories will be freely", "on the website. I plan to write a few stories developing minor characters", "goal is to attract people to buy and read the novel. What are", "stories. I will try to be hyperaware of this. My question: What are", "for a few weeks. I'm spending these weeks on other projects, including website", "guidelines for writing short stories to complement and engage readers on the internet", "if I stumbled across a website like the one I am building, I'd", "be protected from being discussed in the short stories. I will try to", "am curious where my blind spots may be, and since many of you", "I could make some big mistakes here - like I might inadvertently introduce", "I plan to write a few stories developing minor characters from the novel.", "SE: [How to use short stories to explore a new setting and potential", "(Example, a short story centered around the role of religion.) It occurs to", "are the best guidelines for writing short stories to complement and engage readers", "be hyperaware of this. My question: What are the best guidelines for writing", "and building a following? The goal is to attract people to buy and", "to give me a survey of the world, and I'd want there to", "is more about using short stories as a means to develop a world.", "but would like to use short stories as one feature of an effective", "A related question on SE: [How to use short stories to explore a", "I will try to be hyperaware of this. My question: What are the", "attract people to buy and read the novel. What are good features of", "the short stories. I will try to be hyperaware of this. My question:", "discussion from September which is more about using short stories as a means", "means to develop a world. I'm not in need of that exactly, but", "and since many of you are experienced, I put it out to you", "me that I could make some big mistakes here - like I might", "and potential characters for a novel?](https://writers.stackexchange.com/questions/30078/how-to-use-short-stories-to-explore-a-new-setting-and-potential-characters-for-a) (This is a good discussion from September", "projects, including website design ... and writing short stories from the same world", "including website design ... and writing short stories from the same world and", "try to be hyperaware of this. My question: What are the best guidelines", "read the novel. What are good features of the short stories, what should", "world and building a following? The goal is to attract people to buy", "the author, I am curious where my blind spots may be, and since", "experienced, I put it out to you - what other considerations should I", "It occurs to me that I could make some big mistakes here -", "better to develop minor characters, introduce completely unrelated characters (for flavor, perhaps), or", "that are 'taken for granted' in the novel (e.g. the role of religion", "could make some big mistakes here - like I might inadvertently introduce spoilers", "very pointedly not looking at it for a few weeks. I'm spending these", "world, and I'd want there to not be any spoilers in them. As", "What are the best guidelines for writing short stories to complement and engage", "buy and read the novel. What are good features of the short stories,", "introduce spoilers to the novel, in the short stories. Ack!! Things that are", "means of introducing the world and building a following? The goal is to", "September which is more about using short stories as a means to develop", "heavily, in the novel. (Example, a short story centered around the role of", "spoilers in them. As the author, I am curious where my blind spots", "a new setting and potential characters for a novel?](https://writers.stackexchange.com/questions/30078/how-to-use-short-stories-to-explore-a-new-setting-and-potential-characters-for-a) (This is a good", "there to not be any spoilers in them. As the author, I am", "hyperaware of this. My question: What are the best guidelines for writing short", "novel. I also plan to explore other elements in the society that aren't", "related question on SE: [How to use short stories to explore a new", "as a means to develop a world. I'm not in need of that", "to explore other elements in the society that aren't really touched on heavily,", "people to buy and read the novel. What are good features of the", "perhaps), or new elements that are 'taken for granted' in the novel (e.g." ]
[ "websites or books with mythical creatures in them? I'd prefer they had pictures", "novel to have more than just the real common mythical creatures. (Like dragons)", "mythical creatures. (Like dragons) Are there any websites or books with mythical creatures", "least a detailed description of what the creature would look like. At the", "creature would look like. At the moment I'm need more benevolent nature spirits", "creatures. (Like dragons) Are there any websites or books with mythical creatures in", "look like. At the moment I'm need more benevolent nature spirits like nymphs", "just the real common mythical creatures. (Like dragons) Are there any websites or", "a detailed description of what the creature would look like. At the moment", "common mythical creatures. (Like dragons) Are there any websites or books with mythical", "my novel to have more than just the real common mythical creatures. (Like", "at least a detailed description of what the creature would look like. At", "there any websites or books with mythical creatures in them? I'd prefer they", "had pictures or at least a detailed description of what the creature would", "of what the creature would look like. At the moment I'm need more", "Are there any websites or books with mythical creatures in them? I'd prefer", "creatures in them? I'd prefer they had pictures or at least a detailed", "books with mythical creatures in them? I'd prefer they had pictures or at", "or at least a detailed description of what the creature would look like.", "I want my novel to have more than just the real common mythical", "mythical creatures in them? I'd prefer they had pictures or at least a", "I'd prefer they had pictures or at least a detailed description of what", "(Like dragons) Are there any websites or books with mythical creatures in them?", "they had pictures or at least a detailed description of what the creature", "the creature would look like. At the moment I'm need more benevolent nature", "dragons) Are there any websites or books with mythical creatures in them? I'd", "them? I'd prefer they had pictures or at least a detailed description of", "like. At the moment I'm need more benevolent nature spirits like nymphs or", "would look like. At the moment I'm need more benevolent nature spirits like", "to have more than just the real common mythical creatures. (Like dragons) Are", "in them? I'd prefer they had pictures or at least a detailed description", "any websites or books with mythical creatures in them? I'd prefer they had", "At the moment I'm need more benevolent nature spirits like nymphs or dryads.", "description of what the creature would look like. At the moment I'm need", "prefer they had pictures or at least a detailed description of what the", "have more than just the real common mythical creatures. (Like dragons) Are there", "want my novel to have more than just the real common mythical creatures.", "real common mythical creatures. (Like dragons) Are there any websites or books with", "or books with mythical creatures in them? I'd prefer they had pictures or", "detailed description of what the creature would look like. At the moment I'm", "the real common mythical creatures. (Like dragons) Are there any websites or books", "pictures or at least a detailed description of what the creature would look", "what the creature would look like. At the moment I'm need more benevolent", "than just the real common mythical creatures. (Like dragons) Are there any websites", "more than just the real common mythical creatures. (Like dragons) Are there any", "with mythical creatures in them? I'd prefer they had pictures or at least" ]
[ "Who we are, where we came from and how we came to be", "came to be what we are > > > This sentence was flagged", "sentence was flagged as plagiarized by Grammarly. So I looked up the cite", "plagiarized by Grammarly. So I looked up the cite that Grammarly says I", "So I looked up the cite that Grammarly says I am plagiarizing, and", "we are > > > This sentence was flagged as plagiarized by Grammarly.", "up the cite that Grammarly says I am plagiarizing, and the subjects are", "I am plagiarizing, and the subjects are almost universes apart. Is this really", "says I am plagiarizing, and the subjects are almost universes apart. Is this", "> This sentence was flagged as plagiarized by Grammarly. So I looked up", "> Who we are, where we came from and how we came to", "the cite that Grammarly says I am plagiarizing, and the subjects are almost", "that Grammarly says I am plagiarizing, and the subjects are almost universes apart.", "are, where we came from and how we came to be what we", "are > > > This sentence was flagged as plagiarized by Grammarly. So", "> > This sentence was flagged as plagiarized by Grammarly. So I looked", "by Grammarly. So I looked up the cite that Grammarly says I am", "what we are > > > This sentence was flagged as plagiarized by", "we came to be what we are > > > This sentence was", "I looked up the cite that Grammarly says I am plagiarizing, and the", "am plagiarizing, and the subjects are almost universes apart. Is this really plagiarizing?", "we came from and how we came to be what we are >", "> > Who we are, where we came from and how we came", "to be what we are > > > This sentence was flagged as", "This sentence was flagged as plagiarized by Grammarly. So I looked up the", "cite that Grammarly says I am plagiarizing, and the subjects are almost universes", "looked up the cite that Grammarly says I am plagiarizing, and the subjects", "we are, where we came from and how we came to be what", "came from and how we came to be what we are > >", "Grammarly. So I looked up the cite that Grammarly says I am plagiarizing,", "flagged as plagiarized by Grammarly. So I looked up the cite that Grammarly", "Grammarly says I am plagiarizing, and the subjects are almost universes apart. Is", "from and how we came to be what we are > > >", "how we came to be what we are > > > This sentence", "where we came from and how we came to be what we are", "as plagiarized by Grammarly. So I looked up the cite that Grammarly says", "> > > This sentence was flagged as plagiarized by Grammarly. So I", "was flagged as plagiarized by Grammarly. So I looked up the cite that", "be what we are > > > This sentence was flagged as plagiarized", "and how we came to be what we are > > > This" ]
[ "over men. This goes beyond changing pronouns, as there are many parts to", "our world, which gives them a unique understanding and close connection with God.", "etc. These are often based on logic, even though the original reason may", "to reflect the pain of God when she created our world, which gives", "often based on logic, even though the original reason may have been lost.", "is the premise. The universe exists in a cosmic egg known as the", "many parts to a religion, including rituals, sacraments, etc. These are often based", "even though the original reason may have been lost. How can I make", "sacraments, etc. These are often based on logic, even though the original reason", "fit smoothly and naturally into the background of the setting without it sounding", "represented as feminine. It is meant to highlight the differences between the sexes", "created our world, which gives them a unique understanding and close connection with", "known as the womb of creation. Our plane was create when God spilled", "of life and creators of the next generation. The pain of labor is", "a religion, including rituals, sacraments, etc. These are often based on logic, even", "as there are many parts to a religion, including rituals, sacraments, etc. These", "and naturally into the background of the setting without it sounding forced? How", "its inhabitants (people, plants, animals, etc). Women were made in God's image, as", "reflect the pain of God when she created our world, which gives them", "as feminine. It is meant to highlight the differences between the sexes and", "highlight the differences between the sexes and emphasise traits associated with women over", "she created our world, which gives them a unique understanding and close connection", "I approach writing my story to bring out this background smoothly? This is", "story to bring out this background smoothly? This is the premise. The universe", "this fit smoothly and naturally into the background of the setting without it", "of creation. Our plane was create when God spilled her essence into reality,", "How should I approach writing my story to bring out this background smoothly?", "can I make a religion like this fit smoothly and naturally into the", "background smoothly? This is the premise. The universe exists in a cosmic egg", "plants, animals, etc). Women were made in God's image, as the bearers of", "create when God spilled her essence into reality, birthing the world and all", "These are often based on logic, even though the original reason may have", "bring out this background smoothly? This is the premise. The universe exists in", "pronouns, as there are many parts to a religion, including rituals, sacraments, etc.", "plane was create when God spilled her essence into reality, birthing the world", "to Christianity but with God represented as feminine. It is meant to highlight", "animals, etc). Women were made in God's image, as the bearers of life", "the bearers of life and creators of the next generation. The pain of", "traits associated with women over men. This goes beyond changing pronouns, as there", "etc). Women were made in God's image, as the bearers of life and", "and all its inhabitants (people, plants, animals, etc). Women were made in God's", "(people, plants, animals, etc). Women were made in God's image, as the bearers", "meant to highlight the differences between the sexes and emphasise traits associated with", "may have been lost. How can I make a religion like this fit", "image, as the bearers of life and creators of the next generation. The", "the premise. The universe exists in a cosmic egg known as the womb", "of the next generation. The pain of labor is meant to reflect the", "should I approach writing my story to bring out this background smoothly? This", "religion, including rituals, sacraments, etc. These are often based on logic, even though", "based on logic, even though the original reason may have been lost. How", "this background smoothly? This is the premise. The universe exists in a cosmic", "I want to write a religion similar to Christianity but with God represented", "like this fit smoothly and naturally into the background of the setting without", "there are many parts to a religion, including rituals, sacraments, etc. These are", "The universe exists in a cosmic egg known as the womb of creation.", "in a cosmic egg known as the womb of creation. Our plane was", "and emphasise traits associated with women over men. This goes beyond changing pronouns,", "to highlight the differences between the sexes and emphasise traits associated with women", "cosmic egg known as the womb of creation. Our plane was create when", "when God spilled her essence into reality, birthing the world and all its", "been lost. 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It is meant to highlight the differences between the sexes and emphasise", "smoothly and naturally into the background of the setting without it sounding forced?", "labor is meant to reflect the pain of God when she created our", "meant to reflect the pain of God when she created our world, which", "spilled her essence into reality, birthing the world and all its inhabitants (people,", "a religion similar to Christianity but with God represented as feminine. It is", "inhabitants (people, plants, animals, etc). Women were made in God's image, as the", "is meant to reflect the pain of God when she created our world,", "with women over men. This goes beyond changing pronouns, as there are many", "lost. How can I make a religion like this fit smoothly and naturally", "make a religion like this fit smoothly and naturally into the background of", "religion similar to Christianity but with God represented as feminine. It is meant", "her essence into reality, birthing the world and all its inhabitants (people, plants,", "out this background smoothly? This is the premise. The universe exists in a", "a religion like this fit smoothly and naturally into the background of the", "was create when God spilled her essence into reality, birthing the world and", "next generation. The pain of labor is meant to reflect the pain of", "Christianity but with God represented as feminine. It is meant to highlight the", "on logic, even though the original reason may have been lost. How can", "into reality, birthing the world and all its inhabitants (people, plants, animals, etc).", "beyond changing pronouns, as there are many parts to a religion, including rituals,", "God's image, as the bearers of life and creators of the next generation.", "pain of labor is meant to reflect the pain of God when she", "women over men. 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This goes beyond changing", "the womb of creation. Our plane was create when God spilled her essence", "a cosmic egg known as the womb of creation. Our plane was create", "including rituals, sacraments, etc. These are often based on logic, even though the", "Our plane was create when God spilled her essence into reality, birthing the", "the setting without it sounding forced? How should I approach writing my story", "to bring out this background smoothly? This is the premise. The universe exists", "naturally into the background of the setting without it sounding forced? How should", "religion like this fit smoothly and naturally into the background of the setting", "goes beyond changing pronouns, as there are many parts to a religion, including", "God spilled her essence into reality, birthing the world and all its inhabitants", "background of the setting without it sounding forced? How should I approach writing", "This goes beyond changing pronouns, as there are many parts to a religion,", "all its inhabitants (people, plants, animals, etc). Women were made in God's image,", "men. This goes beyond changing pronouns, as there are many parts to a", "exists in a cosmic egg known as the womb of creation. Our plane", "egg known as the womb of creation. Our plane was create when God", "generation. The pain of labor is meant to reflect the pain of God", "logic, even though the original reason may have been lost. How can I", "as the bearers of life and creators of the next generation. The pain", "of labor is meant to reflect the pain of God when she created", "when she created our world, which gives them a unique understanding and close", "I make a religion like this fit smoothly and naturally into the background", "have been lost. How can I make a religion like this fit smoothly", "with God represented as feminine. It is meant to highlight the differences between", "the world and all its inhabitants (people, plants, animals, etc). Women were made", "is meant to highlight the differences between the sexes and emphasise traits associated", "to write a religion similar to Christianity but with God represented as feminine.", "forced? How should I approach writing my story to bring out this background" ]
[ "to structure it back because I often forget the plot. I know that", "reactions of a character’s choice, my characters for example don’t add up properly.", "a proper story structure, but at the same time I am trying not", "including the consequences and reactions of a character’s choice, my characters for example", "plot carries out suspense and emotion including the consequences and reactions of a", "Bad and Dexter to try to compare mine to a proper story structure,", "I am confident with my writing, but not my editing. I’ve been paying", "don’t add up properly. I am confident with my writing, but not my", "I know that a good plot carries out suspense and emotion including the", "the plot. I know that a good plot carries out suspense and emotion", "forget the plot. I know that a good plot carries out suspense and", "all over the place, it’s often usually mixed up and I struggle to", "up and I struggle to structure it back because I often forget the", "story structure, but at the same time I am trying not copy from", "Breaking Bad and Dexter to try to compare mine to a proper story", "I’ve been paying attention to the story structure of TV shows such as", "a good show. How can I edit my all-over-the-place writing to focus it", "the consequences and reactions of a character’s choice, my characters for example don’t", "compare mine to a proper story structure, but at the same time I", "trying not copy from a good show. How can I edit my all-over-the-place", "structure it back because I often forget the plot. I know that a", "time I am trying not copy from a good show. How can I", "a plot for a long story. But it’s not easy for anybody to", "a long story. But it’s not easy for anybody to review because my", "my editing. I’ve been paying attention to the story structure of TV shows", "I struggle to structure it back because I often forget the plot. I", "are all over the place, it’s often usually mixed up and I struggle", "and I struggle to structure it back because I often forget the plot.", "attention to the story structure of TV shows such as Breaking Bad and", "often usually mixed up and I struggle to structure it back because I", "my characters for example don’t add up properly. I am confident with my", "confident with my writing, but not my editing. I’ve been paying attention to", "long story. But it’s not easy for anybody to review because my characters’", "over the place, it’s often usually mixed up and I struggle to structure", "paying attention to the story structure of TV shows such as Breaking Bad", "review because my characters’ dialogue and goals are all over the place, it’s", "the same time I am trying not copy from a good show. How", "at the same time I am trying not copy from a good show.", "because I often forget the plot. I know that a good plot carries", "but at the same time I am trying not copy from a good", "up properly. I am confident with my writing, but not my editing. I’ve", "to compare mine to a proper story structure, but at the same time", "from a good show. How can I edit my all-over-the-place writing to focus", "to a proper story structure, but at the same time I am trying", "am trying not copy from a good show. How can I edit my", "characters for example don’t add up properly. I am confident with my writing,", "been paying attention to the story structure of TV shows such as Breaking", "not copy from a good show. How can I edit my all-over-the-place writing", "a good plot carries out suspense and emotion including the consequences and reactions", "place, it’s often usually mixed up and I struggle to structure it back", "it’s often usually mixed up and I struggle to structure it back because", "anybody to review because my characters’ dialogue and goals are all over the", "to the story structure of TV shows such as Breaking Bad and Dexter", "add up properly. I am confident with my writing, but not my editing.", "plot. I know that a good plot carries out suspense and emotion including", "but not my editing. I’ve been paying attention to the story structure of", "easy for anybody to review because my characters’ dialogue and goals are all", "the story structure of TV shows such as Breaking Bad and Dexter to", "characters’ dialogue and goals are all over the place, it’s often usually mixed", "and reactions of a character’s choice, my characters for example don’t add up", "suspense and emotion including the consequences and reactions of a character’s choice, my", "am confident with my writing, but not my editing. I’ve been paying attention", "I am trying not copy from a good show. How can I edit", "editing. I’ve been paying attention to the story structure of TV shows such", "often forget the plot. I know that a good plot carries out suspense", "shows such as Breaking Bad and Dexter to try to compare mine to", "I’ve written a plot for a long story. But it’s not easy for", "for a long story. But it’s not easy for anybody to review because", "the place, it’s often usually mixed up and I struggle to structure it", "and Dexter to try to compare mine to a proper story structure, but", "try to compare mine to a proper story structure, but at the same", "usually mixed up and I struggle to structure it back because I often", "mine to a proper story structure, but at the same time I am", "structure, but at the same time I am trying not copy from a", "carries out suspense and emotion including the consequences and reactions of a character’s", "character’s choice, my characters for example don’t add up properly. I am confident", "a character’s choice, my characters for example don’t add up properly. I am", "writing, but not my editing. I’ve been paying attention to the story structure", "to try to compare mine to a proper story structure, but at the", "mixed up and I struggle to structure it back because I often forget", "and emotion including the consequences and reactions of a character’s choice, my characters", "of a character’s choice, my characters for example don’t add up properly. I", "not my editing. I’ve been paying attention to the story structure of TV", "structure of TV shows such as Breaking Bad and Dexter to try to", "goals are all over the place, it’s often usually mixed up and I", "story. But it’s not easy for anybody to review because my characters’ dialogue", "story structure of TV shows such as Breaking Bad and Dexter to try", "example don’t add up properly. I am confident with my writing, but not", "struggle to structure it back because I often forget the plot. I know", "choice, my characters for example don’t add up properly. I am confident with", "good plot carries out suspense and emotion including the consequences and reactions of", "out suspense and emotion including the consequences and reactions of a character’s choice,", "copy from a good show. How can I edit my all-over-the-place writing to", "to review because my characters’ dialogue and goals are all over the place,", "because my characters’ dialogue and goals are all over the place, it’s often", "it back because I often forget the plot. I know that a good", "dialogue and goals are all over the place, it’s often usually mixed up", "as Breaking Bad and Dexter to try to compare mine to a proper", "emotion including the consequences and reactions of a character’s choice, my characters for", "proper story structure, but at the same time I am trying not copy", "same time I am trying not copy from a good show. How can", "with my writing, but not my editing. I’ve been paying attention to the", "of TV shows such as Breaking Bad and Dexter to try to compare", "not easy for anybody to review because my characters’ dialogue and goals are", "know that a good plot carries out suspense and emotion including the consequences", "TV shows such as Breaking Bad and Dexter to try to compare mine", "plot for a long story. But it’s not easy for anybody to review", "and goals are all over the place, it’s often usually mixed up and", "I often forget the plot. I know that a good plot carries out", "it’s not easy for anybody to review because my characters’ dialogue and goals", "my characters’ dialogue and goals are all over the place, it’s often usually", "Dexter to try to compare mine to a proper story structure, but at", "for example don’t add up properly. I am confident with my writing, but", "such as Breaking Bad and Dexter to try to compare mine to a", "my writing, but not my editing. I’ve been paying attention to the story", "consequences and reactions of a character’s choice, my characters for example don’t add", "for anybody to review because my characters’ dialogue and goals are all over", "back because I often forget the plot. I know that a good plot", "that a good plot carries out suspense and emotion including the consequences and", "But it’s not easy for anybody to review because my characters’ dialogue and", "good show. How can I edit my all-over-the-place writing to focus it more?", "written a plot for a long story. But it’s not easy for anybody", "properly. I am confident with my writing, but not my editing. I’ve been" ]
[ "narrator/writer explain in a small paragraph that his race can also orient themselves", "way to give this information to the reader, and if so, what would", "wears a mask through which he can’t see, and I as the all-knowing", "Is this a bad way to give this information to the reader, and", "writing about whether or not something is showing or telling. For example, if", "something is showing or telling. For example, if my character wears a mask", "get confused in writing about whether or not something is showing or telling.", "this a bad way to give this information to the reader, and if", "mask through which he can’t see, and I as the all-knowing narrator/writer explain", "showing or telling? Is this a bad way to give this information to", "whether or not something is showing or telling. For example, if my character", "about whether or not something is showing or telling. For example, if my", "around them, am I showing or telling? Is this a bad way to", "a mask through which he can’t see, and I as the all-knowing narrator/writer", "which he can’t see, and I as the all-knowing narrator/writer explain in a", "For example, if my character wears a mask through which he can’t see,", "explain in a small paragraph that his race can also orient themselves by", "is showing or telling. For example, if my character wears a mask through", "I as the all-knowing narrator/writer explain in a small paragraph that his race", "the all-knowing narrator/writer explain in a small paragraph that his race can also", "them, am I showing or telling? Is this a bad way to give", "am I showing or telling? Is this a bad way to give this", "a bad way to give this information to the reader, and if so,", "bad way to give this information to the reader, and if so, what", "or telling? Is this a bad way to give this information to the", "this information to the reader, and if so, what would be a better", "showing or telling. For example, if my character wears a mask through which", "see, and I as the all-knowing narrator/writer explain in a small paragraph that", "can also orient themselves by sensing life energy around them, am I showing", "race can also orient themselves by sensing life energy around them, am I", "telling. For example, if my character wears a mask through which he can’t", "he can’t see, and I as the all-knowing narrator/writer explain in a small", "confused in writing about whether or not something is showing or telling. For", "as the all-knowing narrator/writer explain in a small paragraph that his race can", "sensing life energy around them, am I showing or telling? Is this a", "I showing or telling? Is this a bad way to give this information", "telling? Is this a bad way to give this information to the reader,", "small paragraph that his race can also orient themselves by sensing life energy", "themselves by sensing life energy around them, am I showing or telling? Is", "a small paragraph that his race can also orient themselves by sensing life", "life energy around them, am I showing or telling? Is this a bad", "energy around them, am I showing or telling? Is this a bad way", "that his race can also orient themselves by sensing life energy around them,", "by sensing life energy around them, am I showing or telling? Is this", "often get confused in writing about whether or not something is showing or", "through which he can’t see, and I as the all-knowing narrator/writer explain in", "paragraph that his race can also orient themselves by sensing life energy around", "to give this information to the reader, and if so, what would be", "in writing about whether or not something is showing or telling. For example,", "and I as the all-knowing narrator/writer explain in a small paragraph that his", "information to the reader, and if so, what would be a better way?", "not something is showing or telling. For example, if my character wears a", "can’t see, and I as the all-knowing narrator/writer explain in a small paragraph", "I often get confused in writing about whether or not something is showing", "also orient themselves by sensing life energy around them, am I showing or", "give this information to the reader, and if so, what would be a", "character wears a mask through which he can’t see, and I as the", "or not something is showing or telling. For example, if my character wears", "or telling. For example, if my character wears a mask through which he", "his race can also orient themselves by sensing life energy around them, am", "orient themselves by sensing life energy around them, am I showing or telling?", "my character wears a mask through which he can’t see, and I as", "example, if my character wears a mask through which he can’t see, and", "if my character wears a mask through which he can’t see, and I", "all-knowing narrator/writer explain in a small paragraph that his race can also orient", "in a small paragraph that his race can also orient themselves by sensing" ]
[ "film, like age differences and such because the film won’t require much if", "the viewer but do I have to notate it in the scene or", "the film, like age differences and such because the film won’t require much", "to notate what will be seen literally in the film, like age differences", "I have to notate it in the scene or action lines in my", "the film won’t require much if any scene cues like “seven years later”", "do I have to notate what will be seen literally in the film,", "age differences and such because the film won’t require much if any scene", "such because the film won’t require much if any scene cues like “seven", "is: do I have to notate what will be seen literally in the", "film won’t require much if any scene cues like “seven years later” it", "interpreted by the viewer but do I have to notate it in the", "in the film, like age differences and such because the film won’t require", "seen literally in the film, like age differences and such because the film", "have to notate it in the scene or action lines in my screenplay?", "be interpreted by the viewer but do I have to notate it in", "non linear drama and my question is: do I have to notate what", "by the viewer but do I have to notate it in the scene", "it will all be interpreted by the viewer but do I have to", "much if any scene cues like “seven years later” it will all be", "what will be seen literally in the film, like age differences and such", "if any scene cues like “seven years later” it will all be interpreted", "years later” it will all be interpreted by the viewer but do I", "do I have to notate it in the scene or action lines in", "won’t require much if any scene cues like “seven years later” it will", "later” it will all be interpreted by the viewer but do I have", "my question is: do I have to notate what will be seen literally", "scene cues like “seven years later” it will all be interpreted by the", "“seven years later” it will all be interpreted by the viewer but do", "require much if any scene cues like “seven years later” it will all", "and my question is: do I have to notate what will be seen", "I have to notate what will be seen literally in the film, like", "notate what will be seen literally in the film, like age differences and", "literally in the film, like age differences and such because the film won’t", "viewer but do I have to notate it in the scene or action", "writing a non linear drama and my question is: do I have to", "all be interpreted by the viewer but do I have to notate it", "linear drama and my question is: do I have to notate what will", "and such because the film won’t require much if any scene cues like", "differences and such because the film won’t require much if any scene cues", "because the film won’t require much if any scene cues like “seven years", "like “seven years later” it will all be interpreted by the viewer but", "but do I have to notate it in the scene or action lines", "question is: do I have to notate what will be seen literally in", "a non linear drama and my question is: do I have to notate", "drama and my question is: do I have to notate what will be", "have to notate what will be seen literally in the film, like age", "I’m writing a non linear drama and my question is: do I have", "any scene cues like “seven years later” it will all be interpreted by", "cues like “seven years later” it will all be interpreted by the viewer", "will all be interpreted by the viewer but do I have to notate", "like age differences and such because the film won’t require much if any", "will be seen literally in the film, like age differences and such because", "be seen literally in the film, like age differences and such because the" ]
[ "them to work on re-building the world. pretty much killing the ones that", "that don't want to work. Is it appropriate to use NOVA, since it's", "force them to work on re-building the world. pretty much killing the ones", "use NOVA, since it's a popular organization name in many novels and Movies.", "working book called NOVA. And it means National Occupation Variation Association. they basically", "families and force them to work on re-building the world. pretty much killing", "the world. pretty much killing the ones that don't want to work. Is", "it means National Occupation Variation Association. they basically take people from their homes", "world. pretty much killing the ones that don't want to work. Is it", "means National Occupation Variation Association. they basically take people from their homes and", "my working book called NOVA. And it means National Occupation Variation Association. they", "to use NOVA, since it's a popular organization name in many novels and", "people from their homes and families and force them to work on re-building", "Variation Association. they basically take people from their homes and families and force", "Association. they basically take people from their homes and families and force them", "to work. Is it appropriate to use NOVA, since it's a popular organization", "called NOVA. And it means National Occupation Variation Association. they basically take people", "killing the ones that don't want to work. Is it appropriate to use", "it appropriate to use NOVA, since it's a popular organization name in many", "take people from their homes and families and force them to work on", "NOVA. And it means National Occupation Variation Association. they basically take people from", "organization in my working book called NOVA. And it means National Occupation Variation", "basically take people from their homes and families and force them to work", "their homes and families and force them to work on re-building the world.", "ones that don't want to work. Is it appropriate to use NOVA, since", "and families and force them to work on re-building the world. pretty much", "And it means National Occupation Variation Association. they basically take people from their", "from their homes and families and force them to work on re-building the", "they basically take people from their homes and families and force them to", "don't want to work. Is it appropriate to use NOVA, since it's a", "I have this organization in my working book called NOVA. And it means", "book called NOVA. And it means National Occupation Variation Association. they basically take", "National Occupation Variation Association. they basically take people from their homes and families", "pretty much killing the ones that don't want to work. Is it appropriate", "on re-building the world. pretty much killing the ones that don't want to", "in my working book called NOVA. And it means National Occupation Variation Association.", "much killing the ones that don't want to work. Is it appropriate to", "this organization in my working book called NOVA. And it means National Occupation", "want to work. Is it appropriate to use NOVA, since it's a popular", "work. Is it appropriate to use NOVA, since it's a popular organization name", "Is it appropriate to use NOVA, since it's a popular organization name in", "and force them to work on re-building the world. pretty much killing the", "have this organization in my working book called NOVA. And it means National", "the ones that don't want to work. Is it appropriate to use NOVA,", "homes and families and force them to work on re-building the world. pretty", "Occupation Variation Association. they basically take people from their homes and families and", "work on re-building the world. pretty much killing the ones that don't want", "appropriate to use NOVA, since it's a popular organization name in many novels", "to work on re-building the world. pretty much killing the ones that don't", "re-building the world. pretty much killing the ones that don't want to work." ]
[ "get about 50 pages into the project a new idea. I then write", "year old student who writes novels during my free time, but I never", "forget it. The problem is that I usually just finish writing on the", "when I'm about 50 pages I get another idea and so the cycle", "native language, so if there are any spelling errors or similar, that's the", "I usually just finish writing on the first text and bypassing the new", "start writing, then I get about 50 pages into the project a new", "I get about 50 pages into the project a new idea. I then", "idea that I think sounds good so I start writing, then I get", "free time, but I never end them. The problem is that I have", "into the project a new idea. I then write down that idea so", "idea so I do not forget it. The problem is that I usually", "I do not forget it. The problem is that I usually just finish", "language, so if there are any spelling errors or similar, that's the reason.", "spelling errors or similar, that's the reason. I'm a 20 year old student", "I never end them. The problem is that I have an idea that", "I get another idea and so the cycle continues. Any thoughts on what", "cycle continues. Any thoughts on what I should do? or does anyone have", "reason. I'm a 20 year old student who writes novels during my free", "I start writing, then I get about 50 pages into the project a", "bypassing the new idea, but when I'm about 50 pages I get another", "write down that idea so I do not forget it. The problem is", "that idea so I do not forget it. The problem is that I", "I'm about 50 pages I get another idea and so the cycle continues.", "about 50 pages I get another idea and so the cycle continues. Any", "or similar, that's the reason. I'm a 20 year old student who writes", "idea, but when I'm about 50 pages I get another idea and so", "I have an idea that I think sounds good so I start writing,", "think sounds good so I start writing, then I get about 50 pages", "idea. I then write down that idea so I do not forget it.", "on what I should do? or does anyone have any ideas or simulated", "that I usually just finish writing on the first text and bypassing the", "pages into the project a new idea. I then write down that idea", "continues. Any thoughts on what I should do? or does anyone have any", "writing, then I get about 50 pages into the project a new idea.", "new idea, but when I'm about 50 pages I get another idea and", "that I have an idea that I think sounds good so I start", "usually just finish writing on the first text and bypassing the new idea,", "novels during my free time, but I never end them. The problem is", "then write down that idea so I do not forget it. The problem", "another idea and so the cycle continues. Any thoughts on what I should", "The problem is that I have an idea that I think sounds good", "is not my native language, so if there are any spelling errors or", "my free time, but I never end them. The problem is that I", "and so the cycle continues. Any thoughts on what I should do? or", "the new idea, but when I'm about 50 pages I get another idea", "finish writing on the first text and bypassing the new idea, but when", "do? or does anyone have any ideas or simulated experiences that have some", "is that I have an idea that I think sounds good so I", "have an idea that I think sounds good so I start writing, then", "that's the reason. I'm a 20 year old student who writes novels during", "are any spelling errors or similar, that's the reason. I'm a 20 year", "idea and so the cycle continues. Any thoughts on what I should do?", "do not forget it. The problem is that I usually just finish writing", "but when I'm about 50 pages I get another idea and so the", "text and bypassing the new idea, but when I'm about 50 pages I", "down that idea so I do not forget it. The problem is that", "want to make sure everyone knows, English is not my native language, so", "what I should do? or does anyone have any ideas or simulated experiences", "there are any spelling errors or similar, that's the reason. I'm a 20", "about 50 pages into the project a new idea. I then write down", "new idea. I then write down that idea so I do not forget", "student who writes novels during my free time, but I never end them.", "is that I usually just finish writing on the first text and bypassing", "everyone knows, English is not my native language, so if there are any", "The problem is that I usually just finish writing on the first text", "get another idea and so the cycle continues. Any thoughts on what I", "a 20 year old student who writes novels during my free time, but", "end them. The problem is that I have an idea that I think", "problem is that I have an idea that I think sounds good so", "I think sounds good so I start writing, then I get about 50", "a new idea. I then write down that idea so I do not", "writing on the first text and bypassing the new idea, but when I'm", "the first text and bypassing the new idea, but when I'm about 50", "pages I get another idea and so the cycle continues. Any thoughts on", "the cycle continues. Any thoughts on what I should do? or does anyone", "it. The problem is that I usually just finish writing on the first", "knows, English is not my native language, so if there are any spelling", "sure everyone knows, English is not my native language, so if there are", "should do? or does anyone have any ideas or simulated experiences that have", "my native language, so if there are any spelling errors or similar, that's", "similar, that's the reason. I'm a 20 year old student who writes novels", "errors or similar, that's the reason. I'm a 20 year old student who", "them. The problem is that I have an idea that I think sounds", "English is not my native language, so if there are any spelling errors", "I'm a 20 year old student who writes novels during my free time,", "time, but I never end them. The problem is that I have an", "I then write down that idea so I do not forget it. The", "sounds good so I start writing, then I get about 50 pages into", "but I never end them. The problem is that I have an idea", "20 year old student who writes novels during my free time, but I", "old student who writes novels during my free time, but I never end", "just finish writing on the first text and bypassing the new idea, but", "an idea that I think sounds good so I start writing, then I", "writes novels during my free time, but I never end them. The problem", "make sure everyone knows, English is not my native language, so if there", "problem is that I usually just finish writing on the first text and", "any spelling errors or similar, that's the reason. I'm a 20 year old", "never end them. The problem is that I have an idea that I", "if there are any spelling errors or similar, that's the reason. I'm a", "so I start writing, then I get about 50 pages into the project", "not my native language, so if there are any spelling errors or similar,", "50 pages into the project a new idea. I then write down that", "good so I start writing, then I get about 50 pages into the", "50 pages I get another idea and so the cycle continues. Any thoughts", "the project a new idea. I then write down that idea so I", "project a new idea. I then write down that idea so I do", "I just want to make sure everyone knows, English is not my native", "that I think sounds good so I start writing, then I get about", "during my free time, but I never end them. The problem is that", "thoughts on what I should do? or does anyone have any ideas or", "just want to make sure everyone knows, English is not my native language,", "to make sure everyone knows, English is not my native language, so if", "so if there are any spelling errors or similar, that's the reason. I'm", "or does anyone have any ideas or simulated experiences that have some tips?", "I should do? or does anyone have any ideas or simulated experiences that", "first text and bypassing the new idea, but when I'm about 50 pages", "Any thoughts on what I should do? or does anyone have any ideas", "and bypassing the new idea, but when I'm about 50 pages I get", "then I get about 50 pages into the project a new idea. I", "so the cycle continues. Any thoughts on what I should do? or does", "so I do not forget it. The problem is that I usually just", "not forget it. The problem is that I usually just finish writing on", "the reason. I'm a 20 year old student who writes novels during my", "on the first text and bypassing the new idea, but when I'm about", "who writes novels during my free time, but I never end them. The" ]
[ "time dissecting showing directly, then I just simply ask about the end result:", "I just simply ask about the end result: What showing wishes to create", "directly, then I just simply ask about the end result: What showing wishes", "simply ask about the end result: What showing wishes to create in the", "showing directly, then I just simply ask about the end result: What showing", "ask about the end result: What showing wishes to create in the readers?", "I have a hard time dissecting showing directly, then I just simply ask", "dissecting showing directly, then I just simply ask about the end result: What", "If I have a hard time dissecting showing directly, then I just simply", "a hard time dissecting showing directly, then I just simply ask about the", "then I just simply ask about the end result: What showing wishes to", "just simply ask about the end result: **What showing wishes to create in", "have a hard time dissecting showing directly, then I just simply ask about", "hard time dissecting showing directly, then I just simply ask about the end" ]
[ "have a protagonist who has to deal with the guilt of failure. He", "an aspirational character, and then now he's just a character with his personal", "astronomical weight on his failures, because he has so many qualities, that failure", "an average Joe, maybe this would be a little more comprehensible. However, the", "story. But anyway, the real problem here is that his qualities put an", "always creates for himself the duty of protecting the ones he loves. But", "failures, because he has so many qualities, that failure is not expected, and", "feels guilty about it, and his enemies/haters mock him about it. But I", "not enough to convince the reader to accept this failure and to take", "be a little more comprehensible. However, the problem is that he is not.", "was away from her. He wasn't there when she needed him. He failed", "is a late 20s, tall, muscular, handsome, charming, cool, successful, powerful, smart and", "Marty Stu than an aspirational character, and then now he's just a character", "and has little time to be with his wife/girlfriend. He always creates for", "a protagonist who has to deal with the guilt of failure. He works", "it, and his enemies/haters mock him about it. But I think it's not", "it does happen, it's just disappointing, shameful and off-putting. This failure is discussed/lampshaded", "the type of protagonist the reader would like to be, but I think", "but I think I went the wrong way and he became closer to", "anyway, the real problem here is that his qualities put an astronomical weight", "charming, cool, successful, powerful, smart and skillful medieval [fantasy] warrior. That's a lot", "many qualities, that failure is not expected, and if it does happen, it's", "his personal story. But anyway, the real problem here is that his qualities", "he has flaws and some life problems), originally the intention was that he", "just disappointing, shameful and off-putting. This failure is discussed/lampshaded in the story (although", "fix in him; and yes, he has flaws and some life problems), originally", "was the aspirational type of protagonist, the type of protagonist the reader would", "he's just a character with his personal story. But anyway, the real problem", "loves. But one day, she is killed while he was away from her.", "way and he became closer to a Marty Stu than an aspirational character,", "to a Marty Stu than an aspirational character, and then now he's just", "with his personal story. But anyway, the real problem here is that his", "problem I still need to fix in him; and yes, he has flaws", "average Joe, maybe this would be a little more comprehensible. However, the problem", "he is a late 20s, tall, muscular, handsome, charming, cool, successful, powerful, smart", "of qualities, I know (that's another problem I still need to fix in", "away from home, and has little time to be with his wife/girlfriend. He", "character, and then now he's just a character with his personal story. But", "type of protagonist the reader would like to be, but I think I", "teenager or an average Joe, maybe this would be a little more comprehensible.", "and off-putting. This failure is discussed/lampshaded in the story (although it's not the", "not the main theme), the protagonist knows how bad it is and feels", "of protagonist the reader would like to be, but I think I went", "aspirational type of protagonist, the type of protagonist the reader would like to", "theme), the protagonist knows how bad it is and feels guilty about it,", "I think I went the wrong way and he became closer to a", "little more comprehensible. However, the problem is that he is not. Instead, he", "real problem here is that his qualities put an astronomical weight on his", "wasn't there when she needed him. He failed his duty. If he was", "personal story. But anyway, the real problem here is that his qualities put", "and yes, he has flaws and some life problems), originally the intention was", "here is that his qualities put an astronomical weight on his failures, because", "[fantasy] warrior. That's a lot of qualities, I know (that's another problem I", "away from her. He wasn't there when she needed him. He failed his", "more comprehensible. However, the problem is that he is not. Instead, he is", "of protagonist, the type of protagonist the reader would like to be, but", "because he has so many qualities, that failure is not expected, and if", "wrong way and he became closer to a Marty Stu than an aspirational", "flaws and some life problems), originally the intention was that he was the", "failure is not expected, and if it does happen, it's just disappointing, shameful", "his failures, because he has so many qualities, that failure is not expected,", "problem here is that his qualities put an astronomical weight on his failures,", "there when she needed him. He failed his duty. If he was a", "when she needed him. He failed his duty. If he was a teenager", "Stu than an aspirational character, and then now he's just a character with", "his wife/girlfriend. He always creates for himself the duty of protecting the ones", "with his wife/girlfriend. He always creates for himself the duty of protecting the", "But anyway, the real problem here is that his qualities put an astronomical", "so many qualities, that failure is not expected, and if it does happen,", "failed his duty. If he was a teenager or an average Joe, maybe", "character with his personal story. But anyway, the real problem here is that", "He wasn't there when she needed him. He failed his duty. If he", "warrior. That's a lot of qualities, I know (that's another problem I still", "a lot of qualities, I know (that's another problem I still need to", "the wrong way and he became closer to a Marty Stu than an", "a character with his personal story. But anyway, the real problem here is", "is not expected, and if it does happen, it's just disappointing, shameful and", "the intention was that he was the aspirational type of protagonist, the type", "the story (although it's not the main theme), the protagonist knows how bad", "enemies/haters mock him about it. But I think it's not enough to convince", "he was away from her. He wasn't there when she needed him. He", "to deal with the guilt of failure. He works a lot, usually away", "it's not enough to convince the reader to accept this failure and to", "tall, muscular, handsome, charming, cool, successful, powerful, smart and skillful medieval [fantasy] warrior.", "qualities put an astronomical weight on his failures, because he has so many", "(that's another problem I still need to fix in him; and yes, he", "another problem I still need to fix in him; and yes, he has", "and some life problems), originally the intention was that he was the aspirational", "his duty. If he was a teenager or an average Joe, maybe this", "he loves. But one day, she is killed while he was away from", "However, the problem is that he is not. Instead, he is a late", "enough to convince the reader to accept this failure and to take this", "of protecting the ones he loves. But one day, she is killed while", "convince the reader to accept this failure and to take this fact seriously.", "lot, usually away from home, and has little time to be with his", "he is not. Instead, he is a late 20s, tall, muscular, handsome, charming,", "he was a teenager or an average Joe, maybe this would be a", "usually away from home, and has little time to be with his wife/girlfriend.", "in him; and yes, he has flaws and some life problems), originally the", "He failed his duty. If he was a teenager or an average Joe,", "expected, and if it does happen, it's just disappointing, shameful and off-putting. This", "and his enemies/haters mock him about it. But I think it's not enough", "problems), originally the intention was that he was the aspirational type of protagonist,", "this would be a little more comprehensible. However, the problem is that he", "cool, successful, powerful, smart and skillful medieval [fantasy] warrior. That's a lot of", "yes, he has flaws and some life problems), originally the intention was that", "from home, and has little time to be with his wife/girlfriend. He always", "smart and skillful medieval [fantasy] warrior. That's a lot of qualities, I know", "is that his qualities put an astronomical weight on his failures, because he", "He works a lot, usually away from home, and has little time to", "who has to deal with the guilt of failure. He works a lot,", "if it does happen, it's just disappointing, shameful and off-putting. This failure is", "a teenager or an average Joe, maybe this would be a little more", "then now he's just a character with his personal story. But anyway, the", "not. Instead, he is a late 20s, tall, muscular, handsome, charming, cool, successful,", "it's not the main theme), the protagonist knows how bad it is and", "knows how bad it is and feels guilty about it, and his enemies/haters", "I think it's not enough to convince the reader to accept this failure", "than an aspirational character, and then now he's just a character with his", "This failure is discussed/lampshaded in the story (although it's not the main theme),", "how bad it is and feels guilty about it, and his enemies/haters mock", "he was the aspirational type of protagonist, the type of protagonist the reader", "that his qualities put an astronomical weight on his failures, because he has", "disappointing, shameful and off-putting. This failure is discussed/lampshaded in the story (although it's", "and to take this fact seriously. What can I do to prevent this", "duty of protecting the ones he loves. 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[ "he had no body before this incarnation, and it needs a guide to", "this incarnation, and it needs a guide to teach him. How should a", "should a guide be written so that it doesn't pull from the character,", "I'm writing a story about a creature that takes the shape of a", "so that it doesn't pull from the character, but follows and gives him", "it doesn't pull from the character, but follows and gives him a guidance.", "guide be written so that it doesn't pull from the character, but follows", "incarnation, and it needs a guide to teach him. How should a guide", "it needs a guide to teach him. How should a guide be written", "be written so that it doesn't pull from the character, but follows and", "This character has no clue about this new reality, as he had no", "about a creature that takes the shape of a human and travels seeing", "a creature that takes the shape of a human and travels seeing the", "world. This character has no clue about this new reality, as he had", "that takes the shape of a human and travels seeing the world. This", "this new reality, as he had no body before this incarnation, and it", "reality, as he had no body before this incarnation, and it needs a", "character has no clue about this new reality, as he had no body", "written so that it doesn't pull from the character, but follows and gives", "body before this incarnation, and it needs a guide to teach him. How", "the world. This character has no clue about this new reality, as he", "that it doesn't pull from the character, but follows and gives him a", "no body before this incarnation, and it needs a guide to teach him.", "as he had no body before this incarnation, and it needs a guide", "human and travels seeing the world. This character has no clue about this", "to teach him. How should a guide be written so that it doesn't", "writing a story about a creature that takes the shape of a human", "had no body before this incarnation, and it needs a guide to teach", "story about a creature that takes the shape of a human and travels", "creature that takes the shape of a human and travels seeing the world.", "takes the shape of a human and travels seeing the world. This character", "a human and travels seeing the world. This character has no clue about", "and it needs a guide to teach him. How should a guide be", "a guide to teach him. How should a guide be written so that", "no clue about this new reality, as he had no body before this", "seeing the world. This character has no clue about this new reality, as", "him. How should a guide be written so that it doesn't pull from", "teach him. How should a guide be written so that it doesn't pull", "travels seeing the world. This character has no clue about this new reality,", "has no clue about this new reality, as he had no body before", "before this incarnation, and it needs a guide to teach him. How should", "a story about a creature that takes the shape of a human and", "How should a guide be written so that it doesn't pull from the", "the shape of a human and travels seeing the world. This character has", "guide to teach him. How should a guide be written so that it", "needs a guide to teach him. How should a guide be written so", "shape of a human and travels seeing the world. This character has no", "and travels seeing the world. This character has no clue about this new", "a guide be written so that it doesn't pull from the character, but", "new reality, as he had no body before this incarnation, and it needs", "of a human and travels seeing the world. This character has no clue", "clue about this new reality, as he had no body before this incarnation,", "about this new reality, as he had no body before this incarnation, and" ]
[ "tradition, in fiction, to bend rules for a literary effect. I'm printing a", "yes, rules are meant to be broken and communicating urgency is a good", "are meant to be broken and communicating urgency is a good reason for", "a time-honored tradition, in fiction, to bend rules for a literary effect. I'm", "an excerpt, to give you an example. It has a sentence fragment (first", "immediacy, pounding, heart thumping, racing action? Here is an excerpt, to give you", "sign! The other eye, quick!” > > > Then her right eye, the", "in fiction, to bend rules for a literary effect. I'm printing a short", "straight into her left eye. He was looking through the > device, then", "coursing, giving her > extra strength, the pain in her shoulder forgotten. >", "She struggled all the harder, adrenaline coursing, giving her > extra strength, the", "it! But perhaps there are nuanced guidelines on this, and having any feedback", "face lit with pleasure. > > > The older one laughed. “That’s a", "dangling like a rag > doll. The one holding her pulled himself back", "battering ram, straight into the small > of her back, it felt like", "asking this question. Question:** Is it valid to use sentence fragments (or run", "to add to the emotional experience? A sense of immediacy, pounding, heart thumping,", "believe the answer may be a simple yes, rules are meant to be", "are details I routinely gloss over that come to my attention as a", "No! No, no, no!! “No!!” she screamed. She tried to turn her head", "(or run on sentences) in fiction, to add to the emotional experience? A", "back, it felt like it would go straight through her.** Howling > again,", "an expulsion of gas, and everything in the left side of > her", "pounding, heart thumping, racing action? Here is an excerpt, to give you an", "no, no!!* “No!!” she screamed. She tried to turn her head sideways, tried", "left arm dangling like a rag > doll. The one holding her pulled", "the harder, adrenaline coursing, giving her > extra strength, the pain in her", "incredibly helpful, because there are details I routinely gloss over that come to", "struggled all the harder, adrenaline coursing, giving her > extra strength, the pain", "may be a simple yes, rules are meant to be broken and communicating", "back and barreled his knee > into her, with a force like a", "to give you an example. It has a sentence fragment (first bolded example)", "rag > doll. The one holding her pulled himself back and barreled his", "to the emotional experience? A sense of immediacy, pounding, heart thumping, racing action?", "gas, and everything in the left side of > her skull was contracting,", "question. Question: Is it valid to use sentence fragments (or run on sentences)", "small > of her back, it felt like it would go straight through", "her, and she fell. > > > I believe the answer may be", "not a degenerate!* She screamed, “You are the > abominations!” kicking, struggling, her", "(first bolded example) and at least one run-on sentence (last bolded example.): >", "routinely gloss over that come to my attention as a result of that", "learning to view my work more critically as a result, because I am", "laughed. “That’s a good sign! The other eye, quick!” > > > *Then", "I’m not a degenerate! She screamed, “You are the > abominations!” kicking, struggling,", "sentences) in fiction, to add to the emotional experience? A sense of immediacy,", "felt like it would go straight through her. Howling > again, she lost", "her left arm dangling like a rag > doll. The one holding her", "shoulder forgotten. > > > “God!” said the younger man, his face lit", "one laughed. “That’s a good sign! 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Here is an", "One critique-er is a very by-the-book kind of person, who gives formulaic advice.", "holding her pulled himself back and barreled his knee > into her, with", "the pain in her shoulder forgotten. > > > “God!” said the younger", "The one holding her pulled himself back and barreled his knee > into", "story for my critique group tonight. One critique-er is a very by-the-book kind", "meant to be broken and communicating urgency is a good reason for it!", "to use sentence fragments (or run on sentences) in fiction, to add to", "older one laughed. “That’s a good sign! The other eye, quick!” > >", "for my critique group tonight. One critique-er is a very by-the-book kind of", "critique group tonight. One critique-er is a very by-the-book kind of person, who", "example.): > > The younger one was in her face now, wedging her", "light, like both suns > at midday, straight into her left eye. He", "“That’s a good sign! The other eye, quick!” > > > Then her", "> > > Then her right eye, the same violation, the same expulsion,", "“God!” said the younger man, his face lit with pleasure. > > >", "> from it. No! I’m not a degenerate! She screamed, “You are the", "she fell. > > > I believe the answer may be a simple", "the left side of > her skull was contracting, pulling, all at once.", "side of > her skull was contracting, pulling, all at once. No! They", "least one run-on sentence (last bolded example.): > > The younger one was", "perhaps there are nuanced guidelines on this, and having any feedback ahead of", "He dropped her, and she fell. > > > I believe the answer", "there are details I routinely gloss over that come to my attention as", "skull was contracting, pulling, all at once. No! They know!* > “Help!!” She", "result, because I am now here, asking this question. Question: Is it valid", "the emotional experience? A sense of immediacy, pounding, heart thumping, racing action? 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The other eye, quick!” > > > Then her right eye,", "> extra strength, the pain in her shoulder forgotten. > > > “God!”", "his knee > into her, with a force like a battering ram, straight", "a battering ram, straight into the small > of her back, it felt", "The older one laughed. “That’s a good sign! The other eye, quick!” >", "the younger man, his face lit with pleasure. > > > The older", "literary effect. I'm printing a short story for my critique group tonight. One", "tried to turn her head sideways, tried to squint her eyes shut, but", "example. It has a sentence fragment (first bolded example) and at least one", "was strong too - > and her eye was forced open. Then a", "the > device, then an expulsion of gas, and everything in the left", "> “Help!!” She struggled all the harder, adrenaline coursing, giving her > extra", "once. No! They know! > “Help!!” She struggled all the harder, adrenaline coursing,", "She thought her skull would crack > from it. No! 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He was looking through the > device, then an expulsion of gas,", "The other eye, quick!” > > > Then her right eye, the same", "know!* > “Help!!” She struggled all the harder, adrenaline coursing, giving her >", "Question: Is it valid to use sentence fragments (or run on sentences) in", "gloss over that come to my attention as a result of that feedback.", "her left eye.** He was looking through the > device, then an expulsion", "lost feeling in her legs. He dropped her, and she fell. > >", "was contracting, pulling, all at once. No! They know! > “Help!!” She struggled", "the > abominations!” kicking, struggling, her left arm dangling like a rag >", "device, then an expulsion of gas, and everything in the left side of", "answer may be a simple yes, rules are meant to be broken and", "racing action? Here is an excerpt, to give you an example. It has", "> of her back, it felt like it would go straight through her.", "quick!” > > > Then her right eye, the same violation, the same", "that feedback. And, obviously I am learning to view my work more critically", "my work more critically as a result, because I am now here, asking", "left eye.** He was looking through the > device, then an expulsion of", "work more critically as a result, because I am now here, asking this", "would crack > from it. No! I’m not a degenerate! She screamed, “You", "head sideways, tried to squint her eyes shut, but this one was strong", "knee > into her, with a force like a battering ram, straight into", "her, with a force like a battering ram, straight into the small >", "to bend rules for a literary effect. I'm printing a short story for", "shut, but this one was strong too - > and her eye was", "with pleasure. > > > The older one laughed. “That’s a good sign!", "Here is an excerpt, to give you an example. It has a sentence", "> > > The older one laughed. “That’s a good sign! The other", "fell. > > > I believe the answer may be a simple yes,", "to my attention as a result of that feedback. And, obviously I am", "one run-on sentence (last bolded example.): > > The younger one was in", "her eye was forced open. Then a blinding light, like both suns >", "into the small > of her back, it felt like it would go", "and her eye was forced open. Then a blinding light, like both suns", "arm dangling like a rag > doll. The one holding her pulled himself", "my critique group tonight. One critique-er is a very by-the-book kind of person,", "my attention as a result of that feedback. And, obviously I am learning", "> > The younger one was in her face now, wedging her left", "squint her eyes shut, but this one was strong too - > and", "advice. This is incredibly helpful, because there are details I routinely gloss over", "critically as a result, because I am now here, asking this question. Question:", "broken and communicating urgency is a good reason for it! But perhaps there", "is a very by-the-book kind of person, who gives formulaic advice. This is", "sentence (last bolded example.): > > The younger one was in her face", "> abominations!” kicking, struggling, her left arm dangling like a rag > doll.", "for a literary effect. I'm printing a short story for my critique group", "sentence fragments (or run on sentences) in fiction, to add to the emotional", "bolded example.): > > The younger one was in her face now, wedging", "the same expulsion, the same involuntary, brutal contraction. She thought her skull would", "obviously I am learning to view my work more critically as a result,", "it is a time-honored tradition, in fiction, to bend rules for a literary", "adrenaline coursing, giving her > extra strength, the pain in her shoulder forgotten.", "a short story for my critique group tonight. One critique-er is a very", "with a force like a battering ram, straight into the small > of", "She screamed, “You are the > abominations!” kicking, struggling, her left arm dangling", "be broken and communicating urgency is a good reason for it! But perhaps", "forced open. *Then a blinding light, like both suns > at midday, straight", "eye wide open. > No! No, no, no!!* “No!!” she screamed. She tried", "everything in the left side of > her skull was contracting, pulling, all", "same violation, the same expulsion, the same involuntary, brutal contraction.** She thought her", "run-on sentence (last bolded example.): > > The younger one was in her", "now, wedging her left eye wide open. > No! No, no, no!! “No!!”", "emotional experience? A sense of immediacy, pounding, heart thumping, racing action? Here is", "you an example. It has a sentence fragment (first bolded example) and at", "I'm printing a short story for my critique group tonight. One critique-er is", "straight into the small > of her back, it felt like it would", "it would go straight through her. Howling > again, she lost feeling in", "communicating urgency is a good reason for it! But perhaps there are nuanced", "> > The older one laughed. “That’s a good sign! The other eye,", "eye, quick!” > > > Then her right eye, the same violation, the", "her pulled himself back and barreled his knee > into her, with a", "of immediacy, pounding, heart thumping, racing action? Here is an excerpt, to give", "involuntary, brutal contraction.** She thought her skull would crack > from it. No!", "one was strong too - > and her eye was forced open. Then", "in fiction, to add to the emotional experience? A sense of immediacy, pounding,", "contraction.* She thought her skull would crack > from it. No! I’m not", "strength, the pain in her shoulder forgotten. > > > “God!” said the", "at midday, straight into her left eye.* He was looking through the >", "> I believe the answer may be a simple yes, rules are meant", "like it would go straight through her.** Howling > again, she lost feeling", "a blinding light, like both suns > at midday, straight into her left", "add to the emotional experience? A sense of immediacy, pounding, heart thumping, racing", "was looking through the > device, then an expulsion of gas, and everything", "a very by-the-book kind of person, who gives formulaic advice. This is incredibly", "> > > “God!” said the younger man, his face lit with pleasure.", "and at least one run-on sentence (last bolded example.): > > The younger", "come to my attention as a result of that feedback. And, obviously I", "one was in her face now, wedging her left eye wide open. >", "skull would crack > from it. No! I’m not a degenerate! She screamed,", "guidelines on this, and having any feedback ahead of group may help with", "the small > of her back, it felt like it would go straight", "printing a short story for my critique group tonight. One critique-er is a", "reason for it! But perhaps there are nuanced guidelines on this, and having", "is a time-honored tradition, in fiction, to bend rules for a literary effect.", "has a sentence fragment (first bolded example) and at least one run-on sentence", "her. Howling > again, she lost feeling in her legs. He dropped her,", "> at midday, straight into her left eye. He was looking through the", "left side of > her skull was contracting, pulling, all at once. No!", "- > and her eye was forced open. Then a blinding light, like", "of that feedback. And, obviously I am learning to view my work more", "from it. No! I’m not a degenerate!* She screamed, “You are the >", "was in her face now, wedging her left eye wide open. > No!", "> doll. The one holding her pulled himself back and barreled his knee", "tried to squint her eyes shut, but this one was strong too -", "in the left side of > her skull was contracting, pulling, all at", "be a simple yes, rules are meant to be broken and communicating urgency", "pulled himself back and barreled his knee > into her, with a force", "valid to use sentence fragments (or run on sentences) in fiction, to add", "eyes shut, but this one was strong too - > and her eye", "her legs. He dropped her, and she fell. > > > I believe", "force like a battering ram, straight into the small > of her back,", "as a result of that feedback. And, obviously I am learning to view", "her eyes shut, but this one was strong too - > and her", "action? Here is an excerpt, to give you an example. It has a", "He was looking through the > device, then an expulsion of gas, and", "there are nuanced guidelines on this, and having any feedback ahead of group", "critique-er is a very by-the-book kind of person, who gives formulaic advice. This", "a result, because I am now here, asking this question. Question:* Is it", "to turn her head sideways, tried to squint her eyes shut, but this", "kicking, struggling, her left arm dangling like a rag > doll. *The one", "is incredibly helpful, because there are details I routinely gloss over that come", "> The younger one was in her face now, wedging her left eye", "This is incredibly helpful, because there are details I routinely gloss over that", "good reason for it! But perhaps there are nuanced guidelines on this, and", "younger one was in her face now, wedging her left eye wide open.", "pulling, all at once. No! They know!* > “Help!!” She struggled all the", "open. Then a blinding light, like both suns > at midday, straight into", "by-the-book kind of person, who gives formulaic advice. This is incredibly helpful, because", "because I am now here, asking this question. Question:** Is it valid to", "of > her skull was contracting, pulling, all at once. No! They know!", "sideways, tried to squint her eyes shut, but this one was strong too", "urgency is a good reason for it! But perhaps there are nuanced guidelines", "her left eye wide open. > No! No, no, no!! “No!!” she screamed.", "would go straight through her.** Howling > again, she lost feeling in her", "all at once. No! They know! > “Help!!” She struggled all the harder,", "like a rag > doll. *The one holding her pulled himself back and", "effect. I'm printing a short story for my critique group tonight. One critique-er", "> The older one laughed. “That’s a good sign! The other eye, quick!”", "> her skull was contracting, pulling, all at once. No! They know!* >", "looking through the > device, then an expulsion of gas, and everything in", "this one was strong too - > and her eye was forced open.", "person, who gives formulaic advice. This is incredibly helpful, because there are details", "she lost feeling in her legs. He dropped her, and she fell. >", "this question. Question: Is it valid to use sentence fragments (or run on", "are nuanced guidelines on this, and having any feedback ahead of group may", "eye was forced open. Then a blinding light, like both suns > at", "is a good reason for it! But perhaps there are nuanced guidelines on", "other eye, quick!” > > > Then her right eye, the same violation,", "her head sideways, tried to squint her eyes shut, but this one was", "lit with pleasure. > > > The older one laughed. “That’s a good", "of gas, and everything in the left side of > her skull was", "his face lit with pleasure. > > > The older one laughed. “That’s", "but this one was strong too - > and her eye was forced", "screamed. She tried to turn her head sideways, tried to squint her eyes", "in her face now, wedging her left eye wide open. > No! No,", "degenerate! She screamed, “You are the > abominations!” kicking, struggling, her left arm", "rules for a literary effect. I'm printing a short story for my critique", "here, asking this question. Question: Is it valid to use sentence fragments (or", "pain in her shoulder forgotten. > > > “God!” said the younger man,", "and barreled his knee > into her, with a force like a battering", "> > > I believe the answer may be a simple yes, rules", "a good reason for it! But perhaps there are nuanced guidelines on this,", "helpful, because there are details I routinely gloss over that come to my", "the same violation, the same expulsion, the same involuntary, brutal contraction. She thought", "time-honored tradition, in fiction, to bend rules for a literary effect. I'm printing", "like a battering ram, straight into the small > of her back, it", "> and her eye was forced open. Then a blinding light, like both", "simple yes, rules are meant to be broken and communicating urgency is a", "eye, the same violation, the same expulsion, the same involuntary, brutal contraction. She", "I believe it is a time-honored tradition, in fiction, to bend rules for", "into her left eye. He was looking through the > device, then an", "contracting, pulling, all at once. No! They know! > “Help!!” She struggled all", "“You are the > abominations!” kicking, struggling, her left arm dangling like a", "both suns > at midday, straight into her left eye.** He was looking", "result of that feedback. And, obviously I am learning to view my work", "through the > device, then an expulsion of gas, and everything in the", "a force like a battering ram, straight into the small > of her", "believe it is a time-honored tradition, in fiction, to bend rules for a", "for it! But perhaps there are nuanced guidelines on this, and having any", "to be broken and communicating urgency is a good reason for it! But", "this, and having any feedback ahead of group may help with our discussions", "attention as a result of that feedback. And, obviously I am learning to", "No! I’m not a degenerate! She screamed, “You are the > abominations!” kicking,", "over that come to my attention as a result of that feedback. And,", "the answer may be a simple yes, rules are meant to be broken", "kind of person, who gives formulaic advice. This is incredibly helpful, because there", "No! They know! > “Help!!” She struggled all the harder, adrenaline coursing, giving", "was forced open. Then a blinding light, like both suns > at midday,", "feeling in her legs. He dropped her, and she fell. > > >", "a literary effect. I'm printing a short story for my critique group tonight.", "in her legs. He dropped her, and she fell. > > > I", "a good sign! The other eye, quick!” > > > Then her right", "excerpt, to give you an example. It has a sentence fragment (first bolded", "extra strength, the pain in her shoulder forgotten. > > > “God!” said", "that come to my attention as a result of that feedback. And, obviously", "younger man, his face lit with pleasure. > > > The older one", "Is it valid to use sentence fragments (or run on sentences) in fiction,", "same expulsion, the same involuntary, brutal contraction. She thought her skull would crack", "> again, she lost feeling in her legs. He dropped her, and she", "example) and at least one run-on sentence (last bolded example.): > > The", "now here, asking this question. Question:** Is it valid to use sentence fragments", "run on sentences) in fiction, to add to the emotional experience? A sense", "no!!* “No!!” she screamed. She tried to turn her head sideways, tried to", "suns > at midday, straight into her left eye. He was looking through", "one holding her pulled himself back and barreled his knee > into her,", "her back, it felt like it would go straight through her. Howling >", "brutal contraction.** She thought her skull would crack > from it. No! I’m", "details I routinely gloss over that come to my attention as a result", "“Help!!” She struggled all the harder, adrenaline coursing, giving her > extra strength,", "Howling > again, she lost feeling in her legs. He dropped her, and", "like both suns > at midday, straight into her left eye.* He was", "a simple yes, rules are meant to be broken and communicating urgency is", "No, no, no!!* “No!!” she screamed. She tried to turn her head sideways,", "go straight through her. Howling > again, she lost feeling in her legs.", "a rag > doll. The one holding her pulled himself back and barreled", "forgotten. > > > “God!” said the younger man, his face lit with", "her shoulder forgotten. > > > “God!” said the younger man, his face", "> device, then an expulsion of gas, and everything in the left side", "I believe the answer may be a simple yes, rules are meant to", "She tried to turn her head sideways, tried to squint her eyes shut,", "the same involuntary, brutal contraction. She thought her skull would crack > from", "I am now here, asking this question. Question:** Is it valid to use", "sense of immediacy, pounding, heart thumping, racing action? Here is an excerpt, to", "fragment (first bolded example) and at least one run-on sentence (last bolded example.):", "group tonight. One critique-er is a very by-the-book kind of person, who gives", "pleasure. > > > The older one laughed. “That’s a good sign! The", "view my work more critically as a result, because I am now here,", "turn her head sideways, tried to squint her eyes shut, but this one", "open. > No! No, no, no!! “No!!” she screamed. She tried to turn", "“No!!” she screamed. She tried to turn her head sideways, tried to squint", "at once. No! They know! > “Help!!” She struggled all the harder, adrenaline", "sentence fragment (first bolded example) and at least one run-on sentence (last bolded", "her skull would crack > from it. No! I’m not a degenerate! She", "it. No! I’m not a degenerate! She screamed, “You are the > abominations!”", "and having any feedback ahead of group may help with our discussions tonight.", "A sense of immediacy, pounding, heart thumping, racing action? Here is an excerpt,", "right eye, the same violation, the same expulsion, the same involuntary, brutal contraction.", "Then a blinding light, like both suns > at midday, straight into her", "> > Then her right eye, the same violation, the same expulsion, the", "blinding light, like both suns > at midday, straight into her left eye.", "her face now, wedging her left eye wide open. > No! No, no,", "a sentence fragment (first bolded example) and at least one run-on sentence (last", "left eye wide open. > No! No, no, no!!* “No!!” she screamed. She", "midday, straight into her left eye. He was looking through the > device,", "violation, the same expulsion, the same involuntary, brutal contraction. She thought her skull", "> **Then her right eye, the same violation, the same expulsion, the same", "expulsion of gas, and everything in the left side of > her skull" ]
[ "you > read the first excerpt which is usually the same thing. >", "the importance of the cover and the lack of income from most struggling", "instead of paying experts and learning nothing other than how to pay for", "are important. > For this, the text must be great. But we don’t", "actual novel it represents: > > When the consumer is deciding whether or", "> sustained sales, favorable reviews and word of mouth are important. > For", "interesting. The > next thing you do is read the back blurb, or", "text by the appearance of the book, so the > design is of", "simply changing the book cover design significantly increased the sales of a novel.", "and not covers in development. So given the importance of the cover and", "> > When the consumer is deciding whether or not to buy, design", "<http://ratebookcover.com>, but I am not sure if it is actually legitimate. I found", "be more important to sales than the actual novel it represents: > >", "it is actually legitimate. I found a group in Goodreads that looked promising,", "and by its interior design. For the book to grow legs and enjoy", "and refuse to hire 'professionals'. I like that I am forced to learn", "its > cover and by its interior design. For the book to grow", "if it is actually legitimate. I found a group in Goodreads that looked", "cover or title looks interesting. The > next thing you do is read", "the creative aspect of each stage and refuse to hire 'professionals'. I like", "more important to sales than the actual novel it represents: > > When", "important. > For this, the text must be great. But we don’t reach", "importance of the cover and the lack of income from most struggling writers,", "is a HUGE aspect in the process of marketing and some believe it", "> next thing you do is read the back blurb, or if you", "for their knowledge. Book cover design is a HUGE aspect in the process", "the appearance of the book, so the > design is of critical importance.", "> <https://www.thecreativepenn.com/2010/11/16/how-to-write-back-blurb-for-your-book/> > > > I found one site <http://ratebookcover.com>, but I am", "the novel makes the initial task of writing seem easy at times. But", "a beautifully designed book. > <http://articles.ibpa-online.org/article/look-like-pro-collection-viewpoints-critical-yet-challenging-topic-book-design/> > <https://www.huffingtonpost.com/2013/05/30/book-cover-design-indies_n_3354504.html> > > > There are", "is read the back blurb, or if you are online, you > read", "actually only the beginning; editing, formatting, compiling and marketing the novel makes the", "on their book covers without the often predatory services of many book cover", "> <https://www.huffingtonpost.com/2013/05/30/book-cover-design-indies_n_3354504.html> > > > There are plenty of posts that describe how", "of the cover and the lack of income from most struggling writers, is", "cover and by its interior design. For the book to grow legs and", "aspect of each stage and refuse to hire 'professionals'. I like that I", "to hire 'professionals'. I like that I am forced to learn each step", "The consumer is subconsciously informed > about the quality of the text by", "So given the importance of the cover and the lack of income from", "road to publishing a novel is nearing an end. But writing a novel", "> For this, the text must be great. But we don’t reach this", "> > There are plenty of posts that describe how simply changing the", "hook for a reader: > > You pick up a book because the", "but it was only for published books and not covers in development. So", "the > design is of critical importance. Consumers judge the book by its", "site <http://ratebookcover.com>, but I am not sure if it is actually legitimate. I", "are plenty of posts that describe how simply changing the book cover design", "only for published books and not covers in development. So given the importance", "hire 'professionals'. I like that I am forced to learn each step instead", "online, you > read the first excerpt which is usually the same thing.", "most struggling writers, is there a site where authors can get opinions on", "novel makes the initial task of writing seem easy at times. But I", "covers in development. So given the importance of the cover and the lack", "may be > more important than the text. The consumer is subconsciously informed", "of posts that describe how simply changing the book cover design significantly increased", "> about the quality of the text by the appearance of the book,", "am not sure if it is actually legitimate. I found a group in", "consumer is subconsciously informed > about the quality of the text by the", "I am forced to learn each step instead of paying experts and learning", "the same thing. > <https://www.thecreativepenn.com/2010/11/16/how-to-write-back-blurb-for-your-book/> > > > I found one site <http://ratebookcover.com>,", "than how to pay for their knowledge. Book cover design is a HUGE", "sure if it is actually legitimate. I found a group in Goodreads that", "sales, favorable reviews and word of mouth are important. > For this, the", "blurb, or if you are online, you > read the first excerpt which", "that I am forced to learn each step instead of paying experts and", "looks interesting. The > next thing you do is read the back blurb,", "than the actual novel it represents: > > When the consumer is deciding", "at times. But I am the type who enjoys the creative aspect of", "design may be > more important than the text. The consumer is subconsciously", "be > more important than the text. The consumer is subconsciously informed >", "who enjoys the creative aspect of each stage and refuse to hire 'professionals'.", "designed book. > <http://articles.ibpa-online.org/article/look-like-pro-collection-viewpoints-critical-yet-challenging-topic-book-design/> > <https://www.huffingtonpost.com/2013/05/30/book-cover-design-indies_n_3354504.html> > > > There are plenty of", "and learning nothing other than how to pay for their knowledge. Book cover", "aspect in the process of marketing and some believe it may in fact", "enjoys the creative aspect of each stage and refuse to hire 'professionals'. I", "first excerpt which is usually the same thing. > <https://www.thecreativepenn.com/2010/11/16/how-to-write-back-blurb-for-your-book/> > > >", "how simply changing the book cover design significantly increased the sales of a", "in Goodreads that looked promising, but it was only for published books and", "the cover and the lack of income from most struggling writers, is there", "enjoy > sustained sales, favorable reviews and word of mouth are important. >", "of a novel. And the blurb on the back cover is the second", "books and not covers in development. So given the importance of the cover", "book, so the > design is of critical importance. Consumers judge the book", "it may in fact be more important to sales than the actual novel", "published books and not covers in development. So given the importance of the", "end. But writing a novel is actually only the beginning; editing, formatting, compiling", "the back cover is the second most important hook for a reader: >", "The > next thing you do is read the back blurb, or if", "not covers in development. So given the importance of the cover and the", "novel it represents: > > When the consumer is deciding whether or not", "must be great. But we don’t reach this stage > without first having", "from most struggling writers, is there a site where authors can get opinions", "<http://articles.ibpa-online.org/article/look-like-pro-collection-viewpoints-critical-yet-challenging-topic-book-design/> > <https://www.huffingtonpost.com/2013/05/30/book-cover-design-indies_n_3354504.html> > > > There are plenty of posts that describe", "> cover and by its interior design. For the book to grow legs", "am forced to learn each step instead of paying experts and learning nothing", "beginning; editing, formatting, compiling and marketing the novel makes the initial task of", "describe how simply changing the book cover design significantly increased the sales of", "the book by its > cover and by its interior design. For the", "step instead of paying experts and learning nothing other than how to pay", "changing the book cover design significantly increased the sales of a novel. And", "the lack of income from most struggling writers, is there a site where", "editing, formatting, compiling and marketing the novel makes the initial task of writing", "or if you are online, you > read the first excerpt which is", "its interior design. For the book to grow legs and enjoy > sustained", "where authors can get opinions on their book covers without the often predatory", "compiling and marketing the novel makes the initial task of writing seem easy", "But we don’t reach this stage > without first having a beautifully designed", "you do is read the back blurb, or if you are online, you", "be great. But we don’t reach this stage > without first having a", "paying experts and learning nothing other than how to pay for their knowledge.", "of marketing and some believe it may in fact be more important to", "> > > There are plenty of posts that describe how simply changing", "novel is actually only the beginning; editing, formatting, compiling and marketing the novel", "book because the cover or title looks interesting. The > next thing you", "because the cover or title looks interesting. The > next thing you do", "a novel is nearing an end. But writing a novel is actually only", "For this, the text must be great. But we don’t reach this stage", "the first excerpt which is usually the same thing. > <https://www.thecreativepenn.com/2010/11/16/how-to-write-back-blurb-for-your-book/> > >", "book by its > cover and by its interior design. For the book", "experts and learning nothing other than how to pay for their knowledge. Book", "design is a HUGE aspect in the process of marketing and some believe", "> without first having a beautifully designed book. > <http://articles.ibpa-online.org/article/look-like-pro-collection-viewpoints-critical-yet-challenging-topic-book-design/> > <https://www.huffingtonpost.com/2013/05/30/book-cover-design-indies_n_3354504.html> >", "read the back blurb, or if you are online, you > read the", "LONG road to publishing a novel is nearing an end. But writing a", "the book, so the > design is of critical importance. Consumers judge the", "the text. The consumer is subconsciously informed > about the quality of the", "learn each step instead of paying experts and learning nothing other than how", "> > You pick up a book because the cover or title looks", "plenty of posts that describe how simply changing the book cover design significantly", "reader: > > You pick up a book because the cover or title", "writers, is there a site where authors can get opinions on their book", "increased the sales of a novel. And the blurb on the back cover", "in the process of marketing and some believe it may in fact be", "not to buy, design may be > more important than the text. The", "sales of a novel. And the blurb on the back cover is the", "was only for published books and not covers in development. So given the", "on the back cover is the second most important hook for a reader:", "back cover is the second most important hook for a reader: > >", "can get opinions on their book covers without the often predatory services of", "process of marketing and some believe it may in fact be more important", "'professionals'. I like that I am forced to learn each step instead of", "income from most struggling writers, is there a site where authors can get", "the consumer is deciding whether or not to buy, design may be >", "interior design. For the book to grow legs and enjoy > sustained sales,", "Consumers judge the book by its > cover and by its interior design.", "> I found one site <http://ratebookcover.com>, but I am not sure if it", "the book to grow legs and enjoy > sustained sales, favorable reviews and", "is usually the same thing. > <https://www.thecreativepenn.com/2010/11/16/how-to-write-back-blurb-for-your-book/> > > > I found one", "for published books and not covers in development. So given the importance of", "of writing seem easy at times. But I am the type who enjoys", "an end. But writing a novel is actually only the beginning; editing, formatting,", "makes the initial task of writing seem easy at times. But I am", "initial task of writing seem easy at times. But I am the type", "the text must be great. But we don’t reach this stage > without", "sales than the actual novel it represents: > > When the consumer is", "easy at times. But I am the type who enjoys the creative aspect", "consumer is deciding whether or not to buy, design may be > more", "am the type who enjoys the creative aspect of each stage and refuse", "the text by the appearance of the book, so the > design is", "I found a group in Goodreads that looked promising, but it was only", "appearance of the book, so the > design is of critical importance. Consumers", "marketing the novel makes the initial task of writing seem easy at times.", "the quality of the text by the appearance of the book, so the", "importance. Consumers judge the book by its > cover and by its interior", "that looked promising, but it was only for published books and not covers", "> When the consumer is deciding whether or not to buy, design may", "same thing. > <https://www.thecreativepenn.com/2010/11/16/how-to-write-back-blurb-for-your-book/> > > > I found one site <http://ratebookcover.com>, but", "are online, you > read the first excerpt which is usually the same", "There are plenty of posts that describe how simply changing the book cover", "looked promising, but it was only for published books and not covers in", "about the quality of the text by the appearance of the book, so", "fact be more important to sales than the actual novel it represents: >", "great. But we don’t reach this stage > without first having a beautifully", "believe it may in fact be more important to sales than the actual", "important to sales than the actual novel it represents: > > When the", "reach this stage > without first having a beautifully designed book. > <http://articles.ibpa-online.org/article/look-like-pro-collection-viewpoints-critical-yet-challenging-topic-book-design/>", "without first having a beautifully designed book. > <http://articles.ibpa-online.org/article/look-like-pro-collection-viewpoints-critical-yet-challenging-topic-book-design/> > <https://www.huffingtonpost.com/2013/05/30/book-cover-design-indies_n_3354504.html> > >", "each step instead of paying experts and learning nothing other than how to", "novel is nearing an end. But writing a novel is actually only the", "times. But I am the type who enjoys the creative aspect of each", "grow legs and enjoy > sustained sales, favorable reviews and word of mouth", "the blurb on the back cover is the second most important hook for", "deciding whether or not to buy, design may be > more important than", "of the book, so the > design is of critical importance. Consumers judge", "cover is the second most important hook for a reader: > > You", "but I am not sure if it is actually legitimate. I found a", "we don’t reach this stage > without first having a beautifully designed book.", "reviews and word of mouth are important. > For this, the text must", "a reader: > > You pick up a book because the cover or", "design. For the book to grow legs and enjoy > sustained sales, favorable", "the sales of a novel. And the blurb on the back cover is", "a group in Goodreads that looked promising, but it was only for published", "refuse to hire 'professionals'. I like that I am forced to learn each", "the beginning; editing, formatting, compiling and marketing the novel makes the initial task", "or not to buy, design may be > more important than the text.", "it was only for published books and not covers in development. So given", "a book because the cover or title looks interesting. The > next thing", "> > > I found one site <http://ratebookcover.com>, but I am not sure", "in development. So given the importance of the cover and the lack of", "read the first excerpt which is usually the same thing. > <https://www.thecreativepenn.com/2010/11/16/how-to-write-back-blurb-for-your-book/> >", "Book cover design is a HUGE aspect in the process of marketing and", "found one site <http://ratebookcover.com>, but I am not sure if it is actually", "how to pay for their knowledge. Book cover design is a HUGE aspect", "I like that I am forced to learn each step instead of paying", "stage > without first having a beautifully designed book. > <http://articles.ibpa-online.org/article/look-like-pro-collection-viewpoints-critical-yet-challenging-topic-book-design/> > <https://www.huffingtonpost.com/2013/05/30/book-cover-design-indies_n_3354504.html>", "I am not sure if it is actually legitimate. I found a group", "only the beginning; editing, formatting, compiling and marketing the novel makes the initial", "the actual novel it represents: > > When the consumer is deciding whether", "the process of marketing and some believe it may in fact be more", "having a beautifully designed book. > <http://articles.ibpa-online.org/article/look-like-pro-collection-viewpoints-critical-yet-challenging-topic-book-design/> > <https://www.huffingtonpost.com/2013/05/30/book-cover-design-indies_n_3354504.html> > > > There", "it represents: > > When the consumer is deciding whether or not to", "next thing you do is read the back blurb, or if you are", "pay for their knowledge. Book cover design is a HUGE aspect in the", "subconsciously informed > about the quality of the text by the appearance of", "by its interior design. For the book to grow legs and enjoy >", "writing seem easy at times. But I am the type who enjoys the", "Goodreads that looked promising, but it was only for published books and not", "second most important hook for a reader: > > You pick up a", "type who enjoys the creative aspect of each stage and refuse to hire", "of the text by the appearance of the book, so the > design", "thing you do is read the back blurb, or if you are online,", "book cover design significantly increased the sales of a novel. And the blurb", "some believe it may in fact be more important to sales than the", "each stage and refuse to hire 'professionals'. I like that I am forced", "which is usually the same thing. > <https://www.thecreativepenn.com/2010/11/16/how-to-write-back-blurb-for-your-book/> > > > I found", "> There are plenty of posts that describe how simply changing the book", "of critical importance. Consumers judge the book by its > cover and by", "opinions on their book covers without the often predatory services of many book", "When the consumer is deciding whether or not to buy, design may be", "creative aspect of each stage and refuse to hire 'professionals'. I like that", "mouth are important. > For this, the text must be great. But we", "I am the type who enjoys the creative aspect of each stage and", "HUGE aspect in the process of marketing and some believe it may in", "promising, but it was only for published books and not covers in development.", "first having a beautifully designed book. > <http://articles.ibpa-online.org/article/look-like-pro-collection-viewpoints-critical-yet-challenging-topic-book-design/> > <https://www.huffingtonpost.com/2013/05/30/book-cover-design-indies_n_3354504.html> > > >", "favorable reviews and word of mouth are important. > For this, the text", "The LONG road to publishing a novel is nearing an end. But writing", "of paying experts and learning nothing other than how to pay for their", "by the appearance of the book, so the > design is of critical", "You pick up a book because the cover or title looks interesting. The", "<https://www.thecreativepenn.com/2010/11/16/how-to-write-back-blurb-for-your-book/> > > > I found one site <http://ratebookcover.com>, but I am not", "do is read the back blurb, or if you are online, you >", "their book covers without the often predatory services of many book cover designers?", "and marketing the novel makes the initial task of writing seem easy at", "novel. And the blurb on the back cover is the second most important", "legs and enjoy > sustained sales, favorable reviews and word of mouth are", "of mouth are important. > For this, the text must be great. But", "of each stage and refuse to hire 'professionals'. I like that I am", "a site where authors can get opinions on their book covers without the", "a novel is actually only the beginning; editing, formatting, compiling and marketing the", "lack of income from most struggling writers, is there a site where authors", "to grow legs and enjoy > sustained sales, favorable reviews and word of", "text must be great. But we don’t reach this stage > without first", "important hook for a reader: > > You pick up a book because", "to publishing a novel is nearing an end. But writing a novel is", "> more important than the text. The consumer is subconsciously informed > about", "don’t reach this stage > without first having a beautifully designed book. >", "the initial task of writing seem easy at times. But I am the", "forced to learn each step instead of paying experts and learning nothing other", "But writing a novel is actually only the beginning; editing, formatting, compiling and", "development. So given the importance of the cover and the lack of income", "represents: > > When the consumer is deciding whether or not to buy,", "other than how to pay for their knowledge. Book cover design is a", "like that I am forced to learn each step instead of paying experts", "judge the book by its > cover and by its interior design. For", "if you are online, you > read the first excerpt which is usually", "that describe how simply changing the book cover design significantly increased the sales", "to learn each step instead of paying experts and learning nothing other than", "critical importance. Consumers judge the book by its > cover and by its", "sustained sales, favorable reviews and word of mouth are important. > For this,", "site where authors can get opinions on their book covers without the often", "<https://www.huffingtonpost.com/2013/05/30/book-cover-design-indies_n_3354504.html> > > > There are plenty of posts that describe how simply", "nothing other than how to pay for their knowledge. Book cover design is", "the book cover design significantly increased the sales of a novel. And the", "struggling writers, is there a site where authors can get opinions on their", "up a book because the cover or title looks interesting. The > next", "significantly increased the sales of a novel. And the blurb on the back", "blurb on the back cover is the second most important hook for a", "informed > about the quality of the text by the appearance of the", "found a group in Goodreads that looked promising, but it was only for", "learning nothing other than how to pay for their knowledge. Book cover design", "the cover or title looks interesting. The > next thing you do is", "But I am the type who enjoys the creative aspect of each stage", "given the importance of the cover and the lack of income from most", "word of mouth are important. > For this, the text must be great.", "this stage > without first having a beautifully designed book. > <http://articles.ibpa-online.org/article/look-like-pro-collection-viewpoints-critical-yet-challenging-topic-book-design/> >", "pick up a book because the cover or title looks interesting. The >", "one site <http://ratebookcover.com>, but I am not sure if it is actually legitimate.", "title looks interesting. The > next thing you do is read the back", "to pay for their knowledge. Book cover design is a HUGE aspect in", "is actually only the beginning; editing, formatting, compiling and marketing the novel makes", "not sure if it is actually legitimate. I found a group in Goodreads", "knowledge. Book cover design is a HUGE aspect in the process of marketing", "and enjoy > sustained sales, favorable reviews and word of mouth are important.", "their knowledge. Book cover design is a HUGE aspect in the process of", "design significantly increased the sales of a novel. And the blurb on the", "get opinions on their book covers without the often predatory services of many", "stage and refuse to hire 'professionals'. I like that I am forced to", "of income from most struggling writers, is there a site where authors can", "you are online, you > read the first excerpt which is usually the", "there a site where authors can get opinions on their book covers without", "quality of the text by the appearance of the book, so the >", "And the blurb on the back cover is the second most important hook", "> > I found one site <http://ratebookcover.com>, but I am not sure if", "this, the text must be great. But we don’t reach this stage >", "actually legitimate. I found a group in Goodreads that looked promising, but it", "authors can get opinions on their book covers without the often predatory services", "for a reader: > > You pick up a book because the cover", "the type who enjoys the creative aspect of each stage and refuse to", "cover and the lack of income from most struggling writers, is there a", "task of writing seem easy at times. But I am the type who", "cover design is a HUGE aspect in the process of marketing and some", "important than the text. The consumer is subconsciously informed > about the quality", "is deciding whether or not to buy, design may be > more important", "book to grow legs and enjoy > sustained sales, favorable reviews and word", "> You pick up a book because the cover or title looks interesting.", "the back blurb, or if you are online, you > read the first", "a novel. And the blurb on the back cover is the second most", "and some believe it may in fact be more important to sales than", "publishing a novel is nearing an end. But writing a novel is actually", "formatting, compiling and marketing the novel makes the initial task of writing seem", "book. > <http://articles.ibpa-online.org/article/look-like-pro-collection-viewpoints-critical-yet-challenging-topic-book-design/> > <https://www.huffingtonpost.com/2013/05/30/book-cover-design-indies_n_3354504.html> > > > There are plenty of posts", "excerpt which is usually the same thing. > <https://www.thecreativepenn.com/2010/11/16/how-to-write-back-blurb-for-your-book/> > > > I", "For the book to grow legs and enjoy > sustained sales, favorable reviews", "> read the first excerpt which is usually the same thing. > <https://www.thecreativepenn.com/2010/11/16/how-to-write-back-blurb-for-your-book/>", "I found one site <http://ratebookcover.com>, but I am not sure if it is", "buy, design may be > more important than the text. The consumer is", "back blurb, or if you are online, you > read the first excerpt", "and word of mouth are important. > For this, the text must be", "most important hook for a reader: > > You pick up a book", "beautifully designed book. > <http://articles.ibpa-online.org/article/look-like-pro-collection-viewpoints-critical-yet-challenging-topic-book-design/> > <https://www.huffingtonpost.com/2013/05/30/book-cover-design-indies_n_3354504.html> > > > There are plenty", "to sales than the actual novel it represents: > > When the consumer", "text. The consumer is subconsciously informed > about the quality of the text", "legitimate. I found a group in Goodreads that looked promising, but it was", "nearing an end. But writing a novel is actually only the beginning; editing,", "is the second most important hook for a reader: > > You pick", "cover design significantly increased the sales of a novel. And the blurb on", "is there a site where authors can get opinions on their book covers", "by its > cover and by its interior design. For the book to", "is subconsciously informed > about the quality of the text by the appearance", "writing a novel is actually only the beginning; editing, formatting, compiling and marketing", "a HUGE aspect in the process of marketing and some believe it may", "whether or not to buy, design may be > more important than the", "seem easy at times. But I am the type who enjoys the creative", "than the text. The consumer is subconsciously informed > about the quality of", "posts that describe how simply changing the book cover design significantly increased the", "design is of critical importance. Consumers judge the book by its > cover", "thing. > <https://www.thecreativepenn.com/2010/11/16/how-to-write-back-blurb-for-your-book/> > > > I found one site <http://ratebookcover.com>, but I", "in fact be more important to sales than the actual novel it represents:", "is nearing an end. But writing a novel is actually only the beginning;", "group in Goodreads that looked promising, but it was only for published books", "to buy, design may be > more important than the text. The consumer", "is of critical importance. Consumers judge the book by its > cover and", "marketing and some believe it may in fact be more important to sales", "may in fact be more important to sales than the actual novel it", "is actually legitimate. I found a group in Goodreads that looked promising, but", "or title looks interesting. The > next thing you do is read the", "and the lack of income from most struggling writers, is there a site", "the second most important hook for a reader: > > You pick up", "more important than the text. The consumer is subconsciously informed > about the", "> design is of critical importance. Consumers judge the book by its >", "> <http://articles.ibpa-online.org/article/look-like-pro-collection-viewpoints-critical-yet-challenging-topic-book-design/> > <https://www.huffingtonpost.com/2013/05/30/book-cover-design-indies_n_3354504.html> > > > There are plenty of posts that", "usually the same thing. > <https://www.thecreativepenn.com/2010/11/16/how-to-write-back-blurb-for-your-book/> > > > I found one site", "so the > design is of critical importance. Consumers judge the book by" ]
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[ "10.2 or later. My MacBook (which won't now update any further as it's", "it's late 2008 model) runs on version 10.11.6. Will I be able to", "it on this machine. My Mac itself is fine but I do most", "I do most of my writing on the MacBook. Any comments would be", "(which won't now update any further as it's late 2008 model) runs on", "be able to buy it and use it on this machine. My Mac", "on this machine. My Mac itself is fine but I do most of", "of my writing on the MacBook. Any comments would be very useful. Thank", "MacBook Pro and want to buy Scrivener but the latest version is 3.", "for OS 10.2 or later. My MacBook (which won't now update any further", "itself is fine but I do most of my writing on the MacBook.", "Will I be able to buy it and use it on this machine.", "as it's late 2008 model) runs on version 10.11.6. Will I be able", "oldish MacBook Pro and want to buy Scrivener but the latest version is", "version is 3. It says it's suitable for OS 10.2 or later. My", "suitable for OS 10.2 or later. My MacBook (which won't now update any", "any further as it's late 2008 model) runs on version 10.11.6. Will I", "able to buy it and use it on this machine. My Mac itself", "runs on version 10.11.6. Will I be able to buy it and use", "to buy Scrivener but the latest version is 3. It says it's suitable", "Scrivener but the latest version is 3. It says it's suitable for OS", "won't now update any further as it's late 2008 model) runs on version", "but the latest version is 3. It says it's suitable for OS 10.2", "late 2008 model) runs on version 10.11.6. Will I be able to buy", "OS 10.2 or later. My MacBook (which won't now update any further as", "later. My MacBook (which won't now update any further as it's late 2008", "I be able to buy it and use it on this machine. My", "this machine. My Mac itself is fine but I do most of my", "buy Scrivener but the latest version is 3. It says it's suitable for", "machine. My Mac itself is fine but I do most of my writing", "now update any further as it's late 2008 model) runs on version 10.11.6.", "update any further as it's late 2008 model) runs on version 10.11.6. Will", "my writing on the MacBook. Any comments would be very useful. Thank you.", "have an oldish MacBook Pro and want to buy Scrivener but the latest", "the latest version is 3. It says it's suitable for OS 10.2 or", "I have an oldish MacBook Pro and want to buy Scrivener but the", "latest version is 3. It says it's suitable for OS 10.2 or later.", "it and use it on this machine. My Mac itself is fine but", "model) runs on version 10.11.6. Will I be able to buy it and", "My Mac itself is fine but I do most of my writing on", "further as it's late 2008 model) runs on version 10.11.6. Will I be", "buy it and use it on this machine. My Mac itself is fine", "2008 model) runs on version 10.11.6. Will I be able to buy it", "10.11.6. Will I be able to buy it and use it on this", "it's suitable for OS 10.2 or later. My MacBook (which won't now update", "My MacBook (which won't now update any further as it's late 2008 model)", "and use it on this machine. My Mac itself is fine but I", "Mac itself is fine but I do most of my writing on the", "or later. My MacBook (which won't now update any further as it's late", "use it on this machine. My Mac itself is fine but I do", "fine but I do most of my writing on the MacBook. Any comments", "is 3. It says it's suitable for OS 10.2 or later. My MacBook", "It says it's suitable for OS 10.2 or later. My MacBook (which won't", "but I do most of my writing on the MacBook. Any comments would", "do most of my writing on the MacBook. Any comments would be very", "most of my writing on the MacBook. Any comments would be very useful.", "says it's suitable for OS 10.2 or later. My MacBook (which won't now", "to buy it and use it on this machine. My Mac itself is", "want to buy Scrivener but the latest version is 3. It says it's", "an oldish MacBook Pro and want to buy Scrivener but the latest version", "MacBook (which won't now update any further as it's late 2008 model) runs", "is fine but I do most of my writing on the MacBook. Any", "and want to buy Scrivener but the latest version is 3. It says", "3. It says it's suitable for OS 10.2 or later. My MacBook (which", "on version 10.11.6. Will I be able to buy it and use it", "Pro and want to buy Scrivener but the latest version is 3. It", "version 10.11.6. Will I be able to buy it and use it on" ]
[ "they don't have a long \"screentime\", and we don't know too much about", "a long \"screentime\", and we don't know too much about them. So, then", "make the readers care about a background character's death, who they barely know?", "operandi eliminates the most effective advice, because they don't have a long \"screentime\",", "then how could one make the readers care about a background character's death,", "we don't know too much about them. So, then how could one make", "too much about them. So, then how could one make the readers care", "one make the readers care about a background character's death, who they barely", "is that their very modus operandi eliminates the most effective advice, because they", "most effective advice, because they don't have a long \"screentime\", and we don't", "very modus operandi eliminates the most effective advice, because they don't have a", "don't know too much about them. So, then how could one make the", "So, then how could one make the readers care about a background character's", "\"screentime\", and we don't know too much about them. So, then how could", "background character is that their very modus operandi eliminates the most effective advice,", "problem with killing off a background character is that their very modus operandi", "modus operandi eliminates the most effective advice, because they don't have a long", "character is that their very modus operandi eliminates the most effective advice, because", "that their very modus operandi eliminates the most effective advice, because they don't", "have a long \"screentime\", and we don't know too much about them. So,", "the most effective advice, because they don't have a long \"screentime\", and we", "much about them. So, then how could one make the readers care about", "because they don't have a long \"screentime\", and we don't know too much", "them. So, then how could one make the readers care about a background", "The problem with killing off a background character is that their very modus", "how could one make the readers care about a background character's death, who", "know too much about them. So, then how could one make the readers", "their very modus operandi eliminates the most effective advice, because they don't have", "off a background character is that their very modus operandi eliminates the most", "eliminates the most effective advice, because they don't have a long \"screentime\", and", "long \"screentime\", and we don't know too much about them. So, then how", "a background character is that their very modus operandi eliminates the most effective", "could one make the readers care about a background character's death, who they", "and we don't know too much about them. So, then how could one", "killing off a background character is that their very modus operandi eliminates the", "with killing off a background character is that their very modus operandi eliminates", "don't have a long \"screentime\", and we don't know too much about them.", "effective advice, because they don't have a long \"screentime\", and we don't know", "advice, because they don't have a long \"screentime\", and we don't know too", "about them. So, then how could one make the readers care about a" ]
[ "I have a story where 2 characters are on a blind date, so", "through dialogue, even if it's mostly small talk? (where are you from, what", "talk? (where are you from, what do you do for a living etc..)", "where 2 characters are on a blind date, so they have to get", "how to describe a first date. E.g. I have a story where 2", "story where 2 characters are on a blind date, so they have to", "dialogue, even if it's mostly small talk? (where are you from, what do", "showing? Is it okay to let the characters know each other through dialogue,", "on a blind date, so they have to get to know each other.", "they have to get to know each other. How much of the date", "be telling? How much should be showing? Is it okay to let the", "are on a blind date, so they have to get to know each", "How much should be showing? Is it okay to let the characters know", "should be showing? Is it okay to let the characters know each other", "date should be telling? How much should be showing? Is it okay to", "have to get to know each other. How much of the date should", "it's mostly small talk? (where are you from, what do you do for", "(where are you from, what do you do for a living etc..) Cheers.", "even if it's mostly small talk? (where are you from, what do you", "date. E.g. I have a story where 2 characters are on a blind", "Something I always get stuck with is how to describe a first date.", "is how to describe a first date. E.g. I have a story where", "each other through dialogue, even if it's mostly small talk? (where are you", "first date. E.g. I have a story where 2 characters are on a", "so they have to get to know each other. How much of the", "much should be showing? Is it okay to let the characters know each", "have a story where 2 characters are on a blind date, so they", "get to know each other. How much of the date should be telling?", "each other. How much of the date should be telling? How much should", "characters know each other through dialogue, even if it's mostly small talk? (where", "mostly small talk? (where are you from, what do you do for a", "to describe a first date. E.g. I have a story where 2 characters", "characters are on a blind date, so they have to get to know", "know each other. How much of the date should be telling? How much", "with is how to describe a first date. E.g. I have a story", "date, so they have to get to know each other. How much of", "okay to let the characters know each other through dialogue, even if it's", "the date should be telling? How much should be showing? Is it okay", "other through dialogue, even if it's mostly small talk? (where are you from,", "get stuck with is how to describe a first date. E.g. I have", "let the characters know each other through dialogue, even if it's mostly small", "2 characters are on a blind date, so they have to get to", "much of the date should be telling? How much should be showing? Is", "always get stuck with is how to describe a first date. E.g. I", "describe a first date. E.g. I have a story where 2 characters are", "E.g. I have a story where 2 characters are on a blind date,", "to know each other. How much of the date should be telling? How", "be showing? Is it okay to let the characters know each other through", "stuck with is how to describe a first date. E.g. I have a", "a blind date, so they have to get to know each other. How", "Is it okay to let the characters know each other through dialogue, even", "telling? How much should be showing? Is it okay to let the characters", "it okay to let the characters know each other through dialogue, even if", "I always get stuck with is how to describe a first date. E.g.", "blind date, so they have to get to know each other. How much", "of the date should be telling? How much should be showing? Is it", "a first date. E.g. I have a story where 2 characters are on", "to let the characters know each other through dialogue, even if it's mostly", "a story where 2 characters are on a blind date, so they have", "the characters know each other through dialogue, even if it's mostly small talk?", "know each other through dialogue, even if it's mostly small talk? (where are", "How much of the date should be telling? How much should be showing?", "to get to know each other. How much of the date should be", "other. How much of the date should be telling? How much should be", "should be telling? How much should be showing? Is it okay to let", "if it's mostly small talk? (where are you from, what do you do", "small talk? (where are you from, what do you do for a living" ]
[ "to see it inside the quotation marks. What should I do? Is it", "answer. I provided them the link separately but didn't expect to see it", "- and I see a hyperlink inserted into my answer. I provided them", "the link separately but didn't expect to see it inside the quotation marks.", "I see a hyperlink inserted into my answer. I provided them the link", "my answer. I provided them the link separately but didn't expect to see", "What should I do? Is it really as much nonsense as it seems", "Is it really as much nonsense as it seems to me? Thanks for", "separately but didn't expect to see it inside the quotation marks. What should", "published it - and I see a hyperlink inserted into my answer. I", "expect to see it inside the quotation marks. What should I do? Is", "it really as much nonsense as it seems to me? Thanks for your", "should I do? Is it really as much nonsense as it seems to", "as it seems to me? Thanks for your reply. (Sorry for my poor", "it - and I see a hyperlink inserted into my answer. I provided", "really as much nonsense as it seems to me? Thanks for your reply.", "see it inside the quotation marks. What should I do? Is it really", "marks. What should I do? Is it really as much nonsense as it", "link separately but didn't expect to see it inside the quotation marks. What", "nonsense as it seems to me? Thanks for your reply. (Sorry for my", "did an interview with me and published it - and I see a", "it inside the quotation marks. What should I do? Is it really as", "and I see a hyperlink inserted into my answer. I provided them the", "Some media did an interview with me and published it - and I", "didn't expect to see it inside the quotation marks. What should I do?", "inserted into my answer. I provided them the link separately but didn't expect", "I provided them the link separately but didn't expect to see it inside", "quotation marks. What should I do? Is it really as much nonsense as", "them the link separately but didn't expect to see it inside the quotation", "with me and published it - and I see a hyperlink inserted into", "and published it - and I see a hyperlink inserted into my answer.", "the quotation marks. What should I do? Is it really as much nonsense", "do? Is it really as much nonsense as it seems to me? Thanks", "I do? Is it really as much nonsense as it seems to me?", "inside the quotation marks. What should I do? Is it really as much", "an interview with me and published it - and I see a hyperlink", "but didn't expect to see it inside the quotation marks. What should I", "provided them the link separately but didn't expect to see it inside the", "much nonsense as it seems to me? Thanks for your reply. (Sorry for", "into my answer. I provided them the link separately but didn't expect to", "interview with me and published it - and I see a hyperlink inserted", "hyperlink inserted into my answer. I provided them the link separately but didn't", "as much nonsense as it seems to me? Thanks for your reply. (Sorry", "see a hyperlink inserted into my answer. I provided them the link separately", "me and published it - and I see a hyperlink inserted into my", "it seems to me? Thanks for your reply. (Sorry for my poor English...)", "media did an interview with me and published it - and I see", "a hyperlink inserted into my answer. I provided them the link separately but" ]
[ "finally exposed. I plan to make this character the least likely person to", "plan to make this character the least likely person to be the traitor,", "The traitor's identity is to be unknown until the Resolution part of the", "story in which their identity is finally exposed. I plan to make this", "am worried that the reader may be able to uncover the traitor's identity", "writer, so I still have yet to learn about writing techniques and things", "this personality in some form as they gather information for the enemy, as", "Their normal behavior is usually very confident and charismatic, and they love attention", "would later point this out when they finally uncover the traitor's identity and", "writing a story about a war, and there is this particular character whom", "this character the least likely person to be the traitor, but yet keep", "form as they gather information for the enemy, as they may do certain", "habits that would be their mistake. The protagonist of the story would later", "be their mistake. The protagonist of the story would later point this out", "character whom they are a traitor to their own side. The traitor's identity", "to themselves being the traitor. Their normal behavior is usually very confident and", "So how do I maintain some of their habits but yet not make", "a traitor to their own side. The traitor's identity is to be unknown", "confident and charismatic, and they love attention from people. I want to maintain", "their identity is finally exposed. I plan to make this character the least", "uncover the traitor's identity and do a \"re-cap\" of what they found out.", "their habits and behavior somewhat similar to themselves being the traitor. Their normal", "how do I maintain some of their habits but yet not make their", "uncover the traitor's identity easily on their own. So how do I maintain", "to be unknown until the Resolution part of the story in which their", "keep their habits and behavior somewhat similar to themselves being the traitor. Their", "usually very confident and charismatic, and they love attention from people. I want", "The protagonist of the story would later point this out when they finally", "behavior is usually very confident and charismatic, and they love attention from people.", "is finally exposed. I plan to make this character the least likely person", "do a \"re-cap\" of what they found out. This character is really complicated,", "a novice writer, so I still have yet to learn about writing techniques", "and I am worried that the reader may be able to uncover the", "and they love attention from people. I want to maintain this personality in", "which their identity is finally exposed. I plan to make this character the", "being the traitor. Their normal behavior is usually very confident and charismatic, and", "a story about a war, and there is this particular character whom they", "exposed. I plan to make this character the least likely person to be", "so I still have yet to learn about writing techniques and things like", "charismatic, and they love attention from people. I want to maintain this personality", "story would later point this out when they finally uncover the traitor's identity", "they love attention from people. I want to maintain this personality in some", "\"re-cap\" of what they found out. This character is really complicated, and I", "is really complicated, and I am worried that the reader may be able", "they finally uncover the traitor's identity and do a \"re-cap\" of what they", "to maintain this personality in some form as they gather information for the", "of their habits but yet not make their identity obvious? I am a", "in some form as they gather information for the enemy, as they may", "very confident and charismatic, and they love attention from people. I want to", "do certain things from their own habits that would be their mistake. The", "of what they found out. This character is really complicated, and I am", "and charismatic, and they love attention from people. I want to maintain this", "but yet not make their identity obvious? I am a novice writer, so", "traitor, but yet keep their habits and behavior somewhat similar to themselves being", "to make this character the least likely person to be the traitor, but", "the traitor, but yet keep their habits and behavior somewhat similar to themselves", "do I maintain some of their habits but yet not make their identity", "I want to maintain this personality in some form as they gather information", "their identity obvious? I am a novice writer, so I still have yet", "the story would later point this out when they finally uncover the traitor's", "similar to themselves being the traitor. Their normal behavior is usually very confident", "maintain this personality in some form as they gather information for the enemy,", "identity and do a \"re-cap\" of what they found out. This character is", "not make their identity obvious? I am a novice writer, so I still", "I am a novice writer, so I still have yet to learn about", "I am writing a story about a war, and there is this particular", "things from their own habits that would be their mistake. The protagonist of", "on their own. So how do I maintain some of their habits but", "as they may do certain things from their own habits that would be", "person to be the traitor, but yet keep their habits and behavior somewhat", "may be able to uncover the traitor's identity easily on their own. So", "is this particular character whom they are a traitor to their own side.", "the traitor's identity and do a \"re-cap\" of what they found out. This", "the Resolution part of the story in which their identity is finally exposed.", "people. I want to maintain this personality in some form as they gather", "traitor's identity and do a \"re-cap\" of what they found out. This character", "I maintain some of their habits but yet not make their identity obvious?", "of the story would later point this out when they finally uncover the", "their mistake. The protagonist of the story would later point this out when", "yet keep their habits and behavior somewhat similar to themselves being the traitor.", "in which their identity is finally exposed. I plan to make this character", "a war, and there is this particular character whom they are a traitor", "to their own side. The traitor's identity is to be unknown until the", "when they finally uncover the traitor's identity and do a \"re-cap\" of what", "identity easily on their own. So how do I maintain some of their", "is to be unknown until the Resolution part of the story in which", "and there is this particular character whom they are a traitor to their", "finally uncover the traitor's identity and do a \"re-cap\" of what they found", "certain things from their own habits that would be their mistake. The protagonist", "own side. The traitor's identity is to be unknown until the Resolution part", "normal behavior is usually very confident and charismatic, and they love attention from", "of the story in which their identity is finally exposed. I plan to", "somewhat similar to themselves being the traitor. Their normal behavior is usually very", "from people. I want to maintain this personality in some form as they", "yet not make their identity obvious? I am a novice writer, so I", "attention from people. I want to maintain this personality in some form as", "story about a war, and there is this particular character whom they are", "part of the story in which their identity is finally exposed. I plan", "really complicated, and I am worried that the reader may be able to", "their own. So how do I maintain some of their habits but yet", "as they gather information for the enemy, as they may do certain things", "likely person to be the traitor, but yet keep their habits and behavior", "and behavior somewhat similar to themselves being the traitor. Their normal behavior is", "particular character whom they are a traitor to their own side. The traitor's", "they may do certain things from their own habits that would be their", "own. So how do I maintain some of their habits but yet not", "Resolution part of the story in which their identity is finally exposed. I", "this out when they finally uncover the traitor's identity and do a \"re-cap\"", "be able to uncover the traitor's identity easily on their own. So how", "identity obvious? I am a novice writer, so I still have yet to", "out. This character is really complicated, and I am worried that the reader", "am writing a story about a war, and there is this particular character", "but yet keep their habits and behavior somewhat similar to themselves being the", "character the least likely person to be the traitor, but yet keep their", "the traitor's identity easily on their own. So how do I maintain some", "own habits that would be their mistake. The protagonist of the story would", "reader may be able to uncover the traitor's identity easily on their own.", "would be their mistake. The protagonist of the story would later point this", "some of their habits but yet not make their identity obvious? I am", "their own habits that would be their mistake. The protagonist of the story", "worried that the reader may be able to uncover the traitor's identity easily", "they gather information for the enemy, as they may do certain things from", "the story in which their identity is finally exposed. I plan to make", "behavior somewhat similar to themselves being the traitor. Their normal behavior is usually", "gather information for the enemy, as they may do certain things from their", "traitor to their own side. The traitor's identity is to be unknown until", "from their own habits that would be their mistake. The protagonist of the", "whom they are a traitor to their own side. The traitor's identity is", "I still have yet to learn about writing techniques and things like these.", "their own side. The traitor's identity is to be unknown until the Resolution", "found out. This character is really complicated, and I am worried that the", "make this character the least likely person to be the traitor, but yet", "protagonist of the story would later point this out when they finally uncover", "make their identity obvious? I am a novice writer, so I still have", "the reader may be able to uncover the traitor's identity easily on their", "to uncover the traitor's identity easily on their own. So how do I", "personality in some form as they gather information for the enemy, as they", "they are a traitor to their own side. The traitor's identity is to", "themselves being the traitor. Their normal behavior is usually very confident and charismatic,", "complicated, and I am worried that the reader may be able to uncover", "love attention from people. I want to maintain this personality in some form", "traitor's identity is to be unknown until the Resolution part of the story", "able to uncover the traitor's identity easily on their own. So how do", "to be the traitor, but yet keep their habits and behavior somewhat similar", "enemy, as they may do certain things from their own habits that would", "traitor's identity easily on their own. So how do I maintain some of", "be unknown until the Resolution part of the story in which their identity", "information for the enemy, as they may do certain things from their own", "what they found out. This character is really complicated, and I am worried", "be the traitor, but yet keep their habits and behavior somewhat similar to", "some form as they gather information for the enemy, as they may do", "there is this particular character whom they are a traitor to their own", "I plan to make this character the least likely person to be the", "novice writer, so I still have yet to learn about writing techniques and", "about a war, and there is this particular character whom they are a", "maintain some of their habits but yet not make their identity obvious? I", "traitor. Their normal behavior is usually very confident and charismatic, and they love", "for the enemy, as they may do certain things from their own habits", "side. The traitor's identity is to be unknown until the Resolution part of", "identity is finally exposed. I plan to make this character the least likely", "unknown until the Resolution part of the story in which their identity is", "that the reader may be able to uncover the traitor's identity easily on", "the enemy, as they may do certain things from their own habits that", "until the Resolution part of the story in which their identity is finally", "the least likely person to be the traitor, but yet keep their habits", "want to maintain this personality in some form as they gather information for", "they found out. This character is really complicated, and I am worried that", "character is really complicated, and I am worried that the reader may be", "identity is to be unknown until the Resolution part of the story in", "out when they finally uncover the traitor's identity and do a \"re-cap\" of", "are a traitor to their own side. The traitor's identity is to be", "is usually very confident and charismatic, and they love attention from people. I", "may do certain things from their own habits that would be their mistake.", "obvious? I am a novice writer, so I still have yet to learn", "later point this out when they finally uncover the traitor's identity and do", "and do a \"re-cap\" of what they found out. This character is really", "point this out when they finally uncover the traitor's identity and do a", "a \"re-cap\" of what they found out. This character is really complicated, and", "their habits but yet not make their identity obvious? I am a novice", "am a novice writer, so I still have yet to learn about writing", "habits but yet not make their identity obvious? I am a novice writer,", "I am worried that the reader may be able to uncover the traitor's", "the traitor. Their normal behavior is usually very confident and charismatic, and they", "that would be their mistake. The protagonist of the story would later point", "mistake. The protagonist of the story would later point this out when they", "least likely person to be the traitor, but yet keep their habits and", "habits and behavior somewhat similar to themselves being the traitor. Their normal behavior", "war, and there is this particular character whom they are a traitor to", "easily on their own. So how do I maintain some of their habits", "this particular character whom they are a traitor to their own side. The", "This character is really complicated, and I am worried that the reader may" ]
[ "problem with this story proposal, more precisely, with a part of it: >", "B, who would normally be the main-main > protagonist. Now, at one point", "sympathy and giving a better > perspective on how A sees B, who", "a better > perspective on how A sees B, who would normally be", "loses her consciousness. Next > chapter, she awakes, in a different place and", "chapter, she awakes, in a different place and sees B lying dead next", "> perspective on how A sees B, who would normally be the main-main", "> > > This shows how easy it is to get cornered with", "to get cornered with Show, don't Tell, and begs the question: How to", "a problem with this story proposal, more precisely, with a part of it:", "consciousness. Next > chapter, she awakes, in a different place and sees B", "dead next to her, and only the side characters could tell what happened.", "and only the side characters could tell** what happened. > > > This", "with Show, don't Tell, and begs the question: How to tell effectively, what", "and sees B lying dead next to her, and only the side characters", "the side characters could tell what happened. > > > This shows how", "tell** what happened. > > > This shows how easy it is to", "for > better characterization, extra sympathy and giving a better > perspective on", "This shows how easy it is to get cornered with Show, don't Tell,", "> > This shows how easy it is to get cornered with Show,", "A loses her consciousness. Next > chapter, she awakes, in a different place", "her, and only the side characters could tell* what happened. > > >", "this story proposal, more precisely, with a part of it: > > Basically,", "the main-main > protagonist. Now, at one point A loses her consciousness. Next", "place and sees B lying dead next to her, and only the side", "with a part of it: > > Basically, the narrator follows Person A", "giving a better > perspective on how A sees B, who would normally", "> chapter, she awakes, in a different place and sees B lying dead", "A sees B, who would normally be the main-main > protagonist. Now, at", "part of it: > > Basically, the narrator follows Person A through the", "in a different place and sees B lying dead next to her, and", "> This shows how easy it is to get cornered with Show, don't", "B lying dead next to her, and only the side characters could tell", "how easy it is to get cornered with Show, don't Tell, and begs", "characters could tell* what happened. > > > This shows how easy it", "lying dead next to her, and only the side characters could tell what", "at one point A loses her consciousness. Next > chapter, she awakes, in", "and begs the question: How to tell effectively, what pitfalls should we avoid?", "shows how easy it is to get cornered with Show, don't Tell, and", "normally be the main-main > protagonist. Now, at one point A loses her", "point A loses her consciousness. Next > chapter, she awakes, in a different", "how A sees B, who would normally be the main-main > protagonist. Now,", "sees B lying dead next to her, and only the side characters could", "the narrator follows Person A through the entirety, for > better characterization, extra", "Basically, the narrator follows Person A through the entirety, for > better characterization,", "> > Basically, the narrator follows Person A through the entirety, for >", "who would normally be the main-main > protagonist. Now, at one point A", "could tell what happened. > > > This shows how easy it is", "Tell, and begs the question: How to tell effectively, what pitfalls should we", "Show, don't Tell, and begs the question: How to tell effectively, what pitfalls", "So, I had a problem with this story proposal, more precisely, with a", "sees B, who would normally be the main-main > protagonist. Now, at one", "more precisely, with a part of it: > > Basically, the narrator follows", "is to get cornered with Show, don't Tell, and begs the question: How", "she awakes, in a different place and sees B lying dead next to", "> Basically, the narrator follows Person A through the entirety, for > better", "what happened. > > > This shows how easy it is to get", "to her, and only the side characters could tell* what happened. > >", "characterization, extra sympathy and giving a better > perspective on how A sees", "the entirety, for > better characterization, extra sympathy and giving a better >", "entirety, for > better characterization, extra sympathy and giving a better > perspective", "a different place and sees B lying dead next to her, and only", "through the entirety, for > better characterization, extra sympathy and giving a better", "perspective on how A sees B, who would normally be the main-main >", "easy it is to get cornered with Show, don't Tell, and begs the", "awakes, in a different place and sees B lying dead next to her,", "had a problem with this story proposal, more precisely, with a part of", "different place and sees B lying dead next to her, and only the", "narrator follows Person A through the entirety, for > better characterization, extra sympathy", "proposal, more precisely, with a part of it: > > Basically, the narrator", "> better characterization, extra sympathy and giving a better > perspective on how", "story proposal, more precisely, with a part of it: > > Basically, the", "with this story proposal, more precisely, with a part of it: > >", "next to her, and only the side characters could tell what happened. >", "side characters could tell what happened. > > > This shows how easy", "her consciousness. Next > chapter, she awakes, in a different place and sees", "Person A through the entirety, for > better characterization, extra sympathy and giving", "get cornered with Show, don't Tell, and begs the question: *How to tell", "it: > > Basically, the narrator follows Person A through the entirety, for", "a part of it: > > Basically, the narrator follows Person A through", "happened. > > > This shows how easy it is to get cornered", "I had a problem with this story proposal, more precisely, with a part", "Next > chapter, she awakes, in a different place and sees B lying", "be the main-main > protagonist. Now, at one point A loses her consciousness.", "Now, at one point A loses her consciousness. Next > chapter, she awakes,", "> protagonist. Now, at one point A loses her consciousness. Next > chapter,", "protagonist. Now, at one point A loses her consciousness. Next > chapter, she", "extra sympathy and giving a better > perspective on how A sees B,", "on how A sees B, who would normally be the main-main > protagonist.", "follows Person A through the entirety, for > better characterization, extra sympathy and", "better > perspective on how A sees B, who would normally be the", "it is to get cornered with Show, don't Tell, and begs the question:", "one point A loses her consciousness. Next > chapter, she awakes, in a", "only the side characters could tell* what happened. > > > This shows", "main-main > protagonist. Now, at one point A loses her consciousness. Next >", "A through the entirety, for > better characterization, extra sympathy and giving a", "cornered with Show, don't Tell, and begs the question: *How to tell effectively,", "better characterization, extra sympathy and giving a better > perspective on how A", "don't Tell, and begs the question: **How to tell effectively, what pitfalls should", "and giving a better > perspective on how A sees B, who would", "would normally be the main-main > protagonist. Now, at one point A loses", "precisely, with a part of it: > > Basically, the narrator follows Person", "of it: > > Basically, the narrator follows Person A through the entirety," ]
[ "able to write spontaneously. What I mean to say is that I would", "stomach, usually during bouts of anxiety and I'd put pen to paper and", "I would get this feelings in my stomach, usually during bouts of anxiety", "feelings in my stomach, usually during bouts of anxiety and I'd put pen", "spontaneously. What I mean to say is that I would get this feelings", "my stomach, usually during bouts of anxiety and I'd put pen to paper", "be able to write spontaneously. What I mean to say is that I", "to a previously planned plot or story line it either never goes anywhere", "do try to write according to a previously planned plot or story line", "and rarely be disappointed with the outcomes. This hasn't happened to me in", "planned plot or story line it either never goes anywhere or just isn't", "write according to a previously planned plot or story line it either never", "to me in a long time. And even when I do try to", "to be able to write spontaneously. What I mean to say is that", "is that I would get this feelings in my stomach, usually during bouts", "used to be able to write spontaneously. What I mean to say is", "I mean to say is that I would get this feelings in my", "be disappointed with the outcomes. This hasn't happened to me in a long", "in my stomach, usually during bouts of anxiety and I'd put pen to", "this feelings in my stomach, usually during bouts of anxiety and I'd put", "time. And even when I do try to write according to a previously", "a previously planned plot or story line it either never goes anywhere or", "usually during bouts of anxiety and I'd put pen to paper and rarely", "to paper and rarely be disappointed with the outcomes. This hasn't happened to", "me in a long time. And even when I do try to write", "long time. And even when I do try to write according to a", "previously planned plot or story line it either never goes anywhere or just", "paper and rarely be disappointed with the outcomes. This hasn't happened to me", "or story line it either never goes anywhere or just isn't good. What's", "would get this feelings in my stomach, usually during bouts of anxiety and", "pen to paper and rarely be disappointed with the outcomes. This hasn't happened", "of anxiety and I'd put pen to paper and rarely be disappointed with", "when I do try to write according to a previously planned plot or", "during bouts of anxiety and I'd put pen to paper and rarely be", "get this feelings in my stomach, usually during bouts of anxiety and I'd", "rarely be disappointed with the outcomes. This hasn't happened to me in a", "happened to me in a long time. And even when I do try", "line it either never goes anywhere or just isn't good. What's your advice?", "anxiety and I'd put pen to paper and rarely be disappointed with the", "with the outcomes. This hasn't happened to me in a long time. And", "to write spontaneously. What I mean to say is that I would get", "even when I do try to write according to a previously planned plot", "mean to say is that I would get this feelings in my stomach,", "plot or story line it either never goes anywhere or just isn't good.", "try to write according to a previously planned plot or story line it", "I used to be able to write spontaneously. What I mean to say", "write spontaneously. What I mean to say is that I would get this", "and I'd put pen to paper and rarely be disappointed with the outcomes.", "in a long time. And even when I do try to write according", "outcomes. This hasn't happened to me in a long time. And even when", "say is that I would get this feelings in my stomach, usually during", "I'd put pen to paper and rarely be disappointed with the outcomes. This", "And even when I do try to write according to a previously planned", "according to a previously planned plot or story line it either never goes", "story line it either never goes anywhere or just isn't good. What's your", "the outcomes. This hasn't happened to me in a long time. And even", "that I would get this feelings in my stomach, usually during bouts of", "a long time. And even when I do try to write according to", "to write according to a previously planned plot or story line it either", "What I mean to say is that I would get this feelings in", "put pen to paper and rarely be disappointed with the outcomes. This hasn't", "bouts of anxiety and I'd put pen to paper and rarely be disappointed", "disappointed with the outcomes. This hasn't happened to me in a long time.", "This hasn't happened to me in a long time. And even when I", "hasn't happened to me in a long time. And even when I do", "I do try to write according to a previously planned plot or story", "to say is that I would get this feelings in my stomach, usually" ]
[ "there should be some similarity among aspiring writers, too. Also, those are the", "In the context of my question, \"set out to write\" means that they", "mostly interested in the Western world. There is a lot of cross publishing", "people do actually set out to write a novel?** --- Replies to comments", "eventually give up, as well as those that manage to publish their novel.", "an author. [81%](http://www.nytimes.com/2002/09/28/opinion/think-you-have-a-book-in-you-think-again.html) of Americans feel they have a book in them. But", "context of my question, \"set out to write\" means that they begin to", "as a profession appears to the general public, compared to other professions. @ggiaquin", "to publish their novel. @MarkBaker: I'm not after professionals here. I'm trying to", "how desirable writing as a profession appears to the general public, compared to", "the context of my question, \"set out to write\" means that they begin", "would like to become an author. [81%](http://www.nytimes.com/2002/09/28/opinion/think-you-have-a-book-in-you-think-again.html) of Americans feel they have a", "I'm trying to understand the situation of aspiring writers. The percentage of the", "lot of cross publishing among countries of Europe and the Americas, there are", "set out to write a novel? --- Replies to comments @Jay In the", "comments* @Jay In the context of my question, \"set out to write\" means", "our users come from, so that is where we will have most information.", "There is a lot of cross publishing among countries of Europe and the", "trying to understand the situation of aspiring writers. The percentage of the population", "after professionals here. I'm trying to understand the situation of aspiring writers. The", "scope of this question must be regionally limited, I am mostly interested in", "the Americas, there are many cultural similarities, and there should be some similarity", "the Western world. There is a lot of cross publishing among countries of", "cultural similarities, and there should be some similarity among aspiring writers, too. Also,", "of our users come from, so that is where we will have most", "Replies to comments @Jay In the context of my question, \"set out to", "actually set out to write a novel?** --- Replies to comments @Jay In", "to understand the situation of aspiring writers. The percentage of the population that", "among countries of Europe and the Americas, there are many cultural similarities, and", "reflects how desirable writing as a profession appears to the general public, compared", "similarities, and there should be some similarity among aspiring writers, too. Also, those", "Of course there are cultural differences, but given the scarcity of data, numbers", "profession appears to the general public, compared to other professions. @ggiaquin Any numbers", "question, \"set out to write\" means that they begin to write it. The", "novel directly reflects how desirable writing as a profession appears to the general", "it. The number I'm after includes those that eventually give up, as well", "Americas, there are many cultural similarities, and there should be some similarity among", "manage to publish their novel. @MarkBaker: I'm not after professionals here. I'm trying", "YouGov survey shows that [60%](https://yougov.co.uk/news/2015/02/15/bookish-britain-academic-jobs-are-most-desired/) of British men an women would like to", "an women would like to become an author. [81%](http://www.nytimes.com/2002/09/28/opinion/think-you-have-a-book-in-you-think-again.html) of Americans feel they", "that [60%](https://yougov.co.uk/news/2015/02/15/bookish-britain-academic-jobs-are-most-desired/) of British men an women would like to become an author.", "first impression. If the scope of this question must be regionally limited, I", "and there should be some similarity among aspiring writers, too. Also, those are", "aspiring writers, too. Also, those are the countries where most of our users", "to write\" means that they begin to write it. The number I'm after", "of British men an women would like to become an author. [81%](http://www.nytimes.com/2002/09/28/opinion/think-you-have-a-book-in-you-think-again.html) of", "[81%](http://www.nytimes.com/2002/09/28/opinion/think-you-have-a-book-in-you-think-again.html) of Americans feel they have a book in them. But how many", "desirable writing as a profession appears to the general public, compared to other", "Any numbers would be helpful at all. Of course there are cultural differences,", "limited, I am mostly interested in the Western world. There is a lot", "population that attempts to write a novel directly reflects how desirable writing as", "attempts to write a novel directly reflects how desirable writing as a profession", "they have a book in them. But how many people do actually set", "book in them. But how many people do actually set out to write", "novel? --- Replies to comments @Jay In the context of my question, \"set", "a novel?** --- Replies to comments @Jay In the context of my question,", "@Jay In the context of my question, \"set out to write\" means that", "--- Replies to comments @Jay In the context of my question, \"set out", "directly reflects how desirable writing as a profession appears to the general public,", "over the world are relevant for a first impression. If the scope of", "how many people do actually set out to write a novel?** --- Replies", "countries where most of our users come from, so that is where we", "that they begin to write it. The number I'm after includes those that", "[60%](https://yougov.co.uk/news/2015/02/15/bookish-britain-academic-jobs-are-most-desired/) of British men an women would like to become an author. [81%](http://www.nytimes.com/2002/09/28/opinion/think-you-have-a-book-in-you-think-again.html)", "are cultural differences, but given the scarcity of data, numbers from all over", "world. There is a lot of cross publishing among countries of Europe and", "I am mostly interested in the Western world. There is a lot of", "be regionally limited, I am mostly interested in the Western world. There is", "Europe and the Americas, there are many cultural similarities, and there should be", "be some similarity among aspiring writers, too. Also, those are the countries where", "give up, as well as those that manage to publish their novel. @MarkBaker:", "compared to other professions. @ggiaquin Any numbers would be helpful at all. Of", "have a book in them. But how many people do actually set out", "are relevant for a first impression. If the scope of this question must", "write\" means that they begin to write it. The number I'm after includes", "data, numbers from all over the world are relevant for a first impression.", "to write a novel?* --- Replies to comments @Jay In the context of", "The number I'm after includes those that eventually give up, as well as", "many cultural similarities, and there should be some similarity among aspiring writers, too.", "professions. @ggiaquin Any numbers would be helpful at all. Of course there are", "professionals here. I'm trying to understand the situation of aspiring writers. The percentage", "of aspiring writers. The percentage of the population that attempts to write a", "that manage to publish their novel. @MarkBaker: I'm not after professionals here. I'm", "shows that [60%](https://yougov.co.uk/news/2015/02/15/bookish-britain-academic-jobs-are-most-desired/) of British men an women would like to become an", "up, as well as those that manage to publish their novel. @MarkBaker: I'm", "differences, but given the scarcity of data, numbers from all over the world", "given the scarcity of data, numbers from all over the world are relevant", "of the population that attempts to write a novel directly reflects how desirable", "includes those that eventually give up, as well as those that manage to", "The percentage of the population that attempts to write a novel directly reflects", "a novel directly reflects how desirable writing as a profession appears to the", "a book in them. But how many people do actually set out to", "But how many people do actually set out to write a novel? ---", "general public, compared to other professions. @ggiaquin Any numbers would be helpful at", "of this question must be regionally limited, I am mostly interested in the", "out to write a novel? --- Replies to comments @Jay In the context", "author. [81%](http://www.nytimes.com/2002/09/28/opinion/think-you-have-a-book-in-you-think-again.html) of Americans feel they have a book in them. But how", "number I'm after includes those that eventually give up, as well as those", "cross publishing among countries of Europe and the Americas, there are many cultural", "means that they begin to write it. The number I'm after includes those", "other professions. @ggiaquin Any numbers would be helpful at all. Of course there", "the scope of this question must be regionally limited, I am mostly interested", "Western world. There is a lot of cross publishing among countries of Europe", "Americans feel they have a book in them. But how many people do", "of Europe and the Americas, there are many cultural similarities, and there should", "regionally limited, I am mostly interested in the Western world. There is a", "should be some similarity among aspiring writers, too. Also, those are the countries", "relevant for a first impression. If the scope of this question must be", "those that manage to publish their novel. @MarkBaker: I'm not after professionals here.", "become an author. [81%](http://www.nytimes.com/2002/09/28/opinion/think-you-have-a-book-in-you-think-again.html) of Americans feel they have a book in them.", "as well as those that manage to publish their novel. @MarkBaker: I'm not", "would be helpful at all. Of course there are cultural differences, but given", "all. Of course there are cultural differences, but given the scarcity of data,", "write a novel?** --- Replies to comments @Jay In the context of my", "of data, numbers from all over the world are relevant for a first", "this question must be regionally limited, I am mostly interested in the Western", "@ggiaquin Any numbers would be helpful at all. Of course there are cultural", "I'm after includes those that eventually give up, as well as those that", "public, compared to other professions. @ggiaquin Any numbers would be helpful at all.", "interested in the Western world. There is a lot of cross publishing among", "from all over the world are relevant for a first impression. If the", "are the countries where most of our users come from, so that is", "them. But how many people do actually set out to write a novel?", "writers. The percentage of the population that attempts to write a novel directly", "write a novel directly reflects how desirable writing as a profession appears to", "those are the countries where most of our users come from, so that", "novel. @MarkBaker: I'm not after professionals here. I'm trying to understand the situation", "of Americans feel they have a book in them. But how many people", "to other professions. @ggiaquin Any numbers would be helpful at all. Of course", "publishing among countries of Europe and the Americas, there are many cultural similarities,", "the general public, compared to other professions. @ggiaquin Any numbers would be helpful", "do actually set out to write a novel? --- Replies to comments @Jay", "begin to write it. The number I'm after includes those that eventually give", "after includes those that eventually give up, as well as those that manage", "helpful at all. Of course there are cultural differences, but given the scarcity", "a first impression. If the scope of this question must be regionally limited,", "A YouGov survey shows that [60%](https://yougov.co.uk/news/2015/02/15/bookish-britain-academic-jobs-are-most-desired/) of British men an women would like", "British men an women would like to become an author. [81%](http://www.nytimes.com/2002/09/28/opinion/think-you-have-a-book-in-you-think-again.html) of Americans", "here. I'm trying to understand the situation of aspiring writers. The percentage of", "at all. Of course there are cultural differences, but given the scarcity of", "men an women would like to become an author. [81%](http://www.nytimes.com/2002/09/28/opinion/think-you-have-a-book-in-you-think-again.html) of Americans feel", "I'm not after professionals here. I'm trying to understand the situation of aspiring", "the situation of aspiring writers. The percentage of the population that attempts to", "like to become an author. [81%](http://www.nytimes.com/2002/09/28/opinion/think-you-have-a-book-in-you-think-again.html) of Americans feel they have a book", "that eventually give up, as well as those that manage to publish their", "is a lot of cross publishing among countries of Europe and the Americas,", "to comments* @Jay In the context of my question, \"set out to write\"", "their novel. @MarkBaker: I'm not after professionals here. I'm trying to understand the", "publish their novel. @MarkBaker: I'm not after professionals here. I'm trying to understand", "be helpful at all. Of course there are cultural differences, but given the", "for a first impression. If the scope of this question must be regionally", "some similarity among aspiring writers, too. Also, those are the countries where most", "women would like to become an author. [81%](http://www.nytimes.com/2002/09/28/opinion/think-you-have-a-book-in-you-think-again.html) of Americans feel they have", "Also, those are the countries where most of our users come from, so", "the population that attempts to write a novel directly reflects how desirable writing", "numbers from all over the world are relevant for a first impression. If", "where most of our users come from, so that is where we will", "must be regionally limited, I am mostly interested in the Western world. There", "in the Western world. There is a lot of cross publishing among countries", "similarity among aspiring writers, too. Also, those are the countries where most of", "\"set out to write\" means that they begin to write it. The number", "appears to the general public, compared to other professions. @ggiaquin Any numbers would", "@MarkBaker: I'm not after professionals here. I'm trying to understand the situation of", "well as those that manage to publish their novel. @MarkBaker: I'm not after", "that attempts to write a novel directly reflects how desirable writing as a", "understand the situation of aspiring writers. The percentage of the population that attempts", "percentage of the population that attempts to write a novel directly reflects how", "If the scope of this question must be regionally limited, I am mostly", "but given the scarcity of data, numbers from all over the world are", "impression. If the scope of this question must be regionally limited, I am", "are many cultural similarities, and there should be some similarity among aspiring writers,", "feel they have a book in them. But how many people do actually", "my question, \"set out to write\" means that they begin to write it.", "to write it. The number I'm after includes those that eventually give up,", "all over the world are relevant for a first impression. If the scope", "too. Also, those are the countries where most of our users come from,", "aspiring writers. The percentage of the population that attempts to write a novel", "world are relevant for a first impression. If the scope of this question", "and the Americas, there are many cultural similarities, and there should be some", "numbers would be helpful at all. Of course there are cultural differences, but", "write it. The number I'm after includes those that eventually give up, as", "am mostly interested in the Western world. There is a lot of cross", "writing as a profession appears to the general public, compared to other professions.", "of my question, \"set out to write\" means that they begin to write", "course there are cultural differences, but given the scarcity of data, numbers from", "survey shows that [60%](https://yougov.co.uk/news/2015/02/15/bookish-britain-academic-jobs-are-most-desired/) of British men an women would like to become", "there are many cultural similarities, and there should be some similarity among aspiring", "out to write\" means that they begin to write it. The number I'm", "a profession appears to the general public, compared to other professions. @ggiaquin Any", "scarcity of data, numbers from all over the world are relevant for a", "countries of Europe and the Americas, there are many cultural similarities, and there", "they begin to write it. The number I'm after includes those that eventually", "most of our users come from, so that is where we will have", "cultural differences, but given the scarcity of data, numbers from all over the", "to become an author. [81%](http://www.nytimes.com/2002/09/28/opinion/think-you-have-a-book-in-you-think-again.html) of Americans feel they have a book in", "many people do actually set out to write a novel? --- Replies to", "a lot of cross publishing among countries of Europe and the Americas, there", "to write a novel directly reflects how desirable writing as a profession appears", "of cross publishing among countries of Europe and the Americas, there are many", "not after professionals here. I'm trying to understand the situation of aspiring writers.", "as those that manage to publish their novel. @MarkBaker: I'm not after professionals", "question must be regionally limited, I am mostly interested in the Western world.", "writers, too. Also, those are the countries where most of our users come", "there are cultural differences, but given the scarcity of data, numbers from all", "to the general public, compared to other professions. @ggiaquin Any numbers would be", "among aspiring writers, too. Also, those are the countries where most of our", "those that eventually give up, as well as those that manage to publish", "the countries where most of our users come from, so that is where", "situation of aspiring writers. The percentage of the population that attempts to write", "the scarcity of data, numbers from all over the world are relevant for", "in them. *But how many people do actually set out to write a", "the world are relevant for a first impression. If the scope of this" ]
[ "find myself using redundant words. (Ask a question: To ask is to pose", "I find myself using redundant words. (Ask a question: To ask is to", "myself using redundant words. (Ask a question: To ask is to pose a", "question, so question is redundant.) Apart from experience, is there any method to", "a question: To ask is to pose a question, so question is redundant.)", "(Ask a question: To ask is to pose a question, so question is", "to pose a question, so question is redundant.) Apart from experience, is there", "ask is to pose a question, so question is redundant.) Apart from experience,", "a question, so question is redundant.) Apart from experience, is there any method", "words. (Ask a question: To ask is to pose a question, so question", "question: To ask is to pose a question, so question is redundant.) Apart", "using redundant words. (Ask a question: To ask is to pose a question,", "pose a question, so question is redundant.) Apart from experience, is there any", "To ask is to pose a question, so question is redundant.) Apart from", "is to pose a question, so question is redundant.) Apart from experience, is", "so question is redundant.) Apart from experience, is there any method to self-check?", "redundant words. (Ask a question: To ask is to pose a question, so" ]
[ "doing and what they want to achieve? * Their motivations, they want find", "but I wanted to know more. What is an arena driven story? (As", "guys what you know about it. Still, my question looks too wide, so", "give examples from these kind of stories? (especially from literature, if you can)", "so you can try to answer my doubts and wonderings: * How can", "What the characters/protagonists are doing and what they want to achieve? * Their", "* Can you give examples from these kind of stories? (especially from literature,", "world? (like, purifying and saving it) Or maybe they just want survive? (because", "an arena driven story?** (As the structure of it is around the environment", "answer my doubts and wonderings: * How can the environment be the antagonist?", "what an \"arena driven story\" is, but I wanted to know more. *What", "structure of it is around the environment like FraEnrico said.) I've searched for", "(because the world is doomed) Can you give examples from these kind", "to answer my doubts and wonderings: * How can the environment be the", "from FraEnrico which is the cause for my question: [What is the difference", "this world? (like, purifying and saving it) Or maybe they just want survive?", "is doomed) * Can you give examples from these kind of stories? (especially", "be the antagonist? * What the characters/protagonists are doing and what they want", "can the environment be the antagonist? * What the characters/protagonists are doing and", "[What is the difference between character-driven stories and plot-driven stories?](https://writers.stackexchange.com/questions/31574/what-is-the-difference-between-character-driven-stories-and-plot-driven-stories). Here he explains", "wonderings: * How can the environment be the antagonist? * What the characters/protagonists", "a bit of what an \"arena driven story\" is, but I wanted to", "cause for my question: [What is the difference between character-driven stories and plot-driven", "you give examples from these kind of stories? (especially from literature, if you", "which is the cause for my question: [What is the difference between character-driven", "what you know about it. Still, my question looks too wide, so you", "here from FraEnrico which is the cause for my question: [What is the", "they want find peace in this world? (like, purifying and saving it) Or", "it is around the environment like FraEnrico said.) I've searched for it on", "environment be the antagonist? * What the characters/protagonists are doing and what they", "he explains a bit of what an \"arena driven story\" is, but I", "of what an \"arena driven story\" is, but I wanted to know more.", "world is doomed) * Can you give examples from these kind of stories?", "not found anything good about this theme, so I'm here asking you guys", "the world is doomed) * Can you give examples from these kind of", "is an answer here from FraEnrico which is the cause for my question:", "driven story\" is, but I wanted to know more. What is an arena", "I've searched for it on google but have not found anything good about", "story? (As the structure of it is around the environment like FraEnrico said.)", "more. What is an arena driven story? (As the structure of it is", "plot-driven stories?](https://writers.stackexchange.com/questions/31574/what-is-the-difference-between-character-driven-stories-and-plot-driven-stories). Here he explains a bit of what an \"arena driven story\"", "have not found anything good about this theme, so I'm here asking you", "my question: [What is the difference between character-driven stories and plot-driven stories?](https://writers.stackexchange.com/questions/31574/what-is-the-difference-between-character-driven-stories-and-plot-driven-stories). Here", "arena driven story? (As the structure of it is around the environment like", "What is an arena driven story?** (As the structure of it is around", "(As the structure of it is around the environment like FraEnrico said.) I've", "environment like FraEnrico said.) I've searched for it on google but have not", "my doubts and wonderings: * How can the environment be the antagonist? ", "know about it. Still, my question looks too wide, so you can try", "good about this theme, so I'm here asking you guys what you know", "How can the environment be the antagonist? What the characters/protagonists are doing", "achieve? * Their motivations, they want find peace in this world? (like, purifying", "too wide, so you can try to answer my doubts and wonderings: ", "around the environment like FraEnrico said.) I've searched for it on google but", "theme, so I'm here asking you guys what you know about it. Still,", "explains a bit of what an \"arena driven story\" is, but I wanted", "know more. What is an arena driven story?* (As the structure of it", "Their motivations, they want find peace in this world? (like, purifying and saving", "want find peace in this world? (like, purifying and saving it) Or maybe", "question looks too wide, so you can try to answer my doubts and", "and saving it) Or maybe they just want survive? (because the world is", "story\" is, but I wanted to know more. *What is an arena driven", "it. Still, my question looks too wide, so you can try to answer", "answer here from FraEnrico which is the cause for my question: [What is", "are doing and what they want to achieve? Their motivations, they want", "they just want survive? (because the world is doomed) * Can you give", "difference between character-driven stories and plot-driven stories?](https://writers.stackexchange.com/questions/31574/what-is-the-difference-between-character-driven-stories-and-plot-driven-stories). Here he explains a bit of", "searched for it on google but have not found anything good about this", "for my question: [What is the difference between character-driven stories and plot-driven stories?](https://writers.stackexchange.com/questions/31574/what-is-the-difference-between-character-driven-stories-and-plot-driven-stories).", "like FraEnrico said.) I've searched for it on google but have not found", "the antagonist? * What the characters/protagonists are doing and what they want to", "they want to achieve? * Their motivations, they want find peace in this", "characters/protagonists are doing and what they want to achieve? * Their motivations, they", "find peace in this world? (like, purifying and saving it) Or maybe they", "wanted to know more. What is an arena driven story? (As the structure", "this theme, so I'm here asking you guys what you know about it.", "and plot-driven stories?](https://writers.stackexchange.com/questions/31574/what-is-the-difference-between-character-driven-stories-and-plot-driven-stories). Here he explains a bit of what an \"arena driven", "stories?](https://writers.stackexchange.com/questions/31574/what-is-the-difference-between-character-driven-stories-and-plot-driven-stories). Here he explains a bit of what an \"arena driven story\" is,", "stories and plot-driven stories?](https://writers.stackexchange.com/questions/31574/what-is-the-difference-between-character-driven-stories-and-plot-driven-stories). Here he explains a bit of what an \"arena", "want to achieve? * Their motivations, they want find peace in this world?", "doomed) * Can you give examples from these kind of stories? (especially from", "character-driven stories and plot-driven stories?](https://writers.stackexchange.com/questions/31574/what-is-the-difference-between-character-driven-stories-and-plot-driven-stories). Here he explains a bit of what an", "can try to answer my doubts and wonderings: * How can the environment", "it) Or maybe they just want survive? (because the world is doomed) ", "for it on google but have not found anything good about this theme,", " What the characters/protagonists are doing and what they want to achieve? ", "Can you give examples from these kind of stories? (especially from literature, if", "and wonderings: How can the environment be the antagonist? * What the", "the structure of it is around the environment like FraEnrico said.) I've searched", "and what they want to achieve? * Their motivations, they want find peace", "what they want to achieve? * Their motivations, they want find peace in", "to know more. What is an arena driven story? (As the structure of", "bit of what an \"arena driven story\" is, but I wanted to know", "you know about it. Still, my question looks too wide, so you can", "on google but have not found anything good about this theme, so I'm", "just want survive? (because the world is doomed) * Can you give examples", "about this theme, so I'm here asking you guys what you know about", "is an arena driven story?** (As the structure of it is around the", "it on google but have not found anything good about this theme, so", "is the cause for my question: [What is the difference between character-driven stories", "you guys what you know about it. Still, my question looks too wide,", "an answer here from FraEnrico which is the cause for my question: [What", "doubts and wonderings: * How can the environment be the antagonist? * What", "Or maybe they just want survive? (because the world is doomed) * Can", "question: [What is the difference between character-driven stories and plot-driven stories?](https://writers.stackexchange.com/questions/31574/what-is-the-difference-between-character-driven-stories-and-plot-driven-stories). Here he", "to achieve? * Their motivations, they want find peace in this world? (like,", "Still, my question looks too wide, so you can try to answer my", "about it. Still, my question looks too wide, so you can try to", "my question looks too wide, so you can try to answer my doubts", "FraEnrico said.) I've searched for it on google but have not found anything", "google but have not found anything good about this theme, so I'm here", "motivations, they want find peace in this world? (like, purifying and saving it)", "in this world? (like, purifying and saving it) Or maybe they just want", "but have not found anything good about this theme, so I'm here asking", "here asking you guys what you know about it. Still, my question looks", "you can try to answer my doubts and wonderings: * How can the", "is, but I wanted to know more. What is an arena driven story?", "the environment like FraEnrico said.) I've searched for it on google but have", "* How can the environment be the antagonist? * What the characters/protagonists are", "of it is around the environment like FraEnrico said.) I've searched for it", "peace in this world? (like, purifying and saving it) Or maybe they just", "maybe they just want survive? (because the world is doomed) * Can you", "looks too wide, so you can try to answer my doubts and wonderings:", "the cause for my question: [What is the difference between character-driven stories and", "wide, so you can try to answer my doubts and wonderings: * How", "so I'm here asking you guys what you know about it. Still, my", "the characters/protagonists are doing and what they want to achieve? * Their motivations,", "an \"arena driven story\" is, but I wanted to know more. What is", "\"arena driven story\" is, but I wanted to know more. What is an", "the environment be the antagonist? * What the characters/protagonists are doing and what", "said.) I've searched for it on google but have not found anything good", "There is an answer here from FraEnrico which is the cause for my", "anything good about this theme, so I'm here asking you guys what you", "purifying and saving it) Or maybe they just want survive? (because the world", "survive? (because the world is doomed) * Can you give examples from these", "between character-driven stories and plot-driven stories?](https://writers.stackexchange.com/questions/31574/what-is-the-difference-between-character-driven-stories-and-plot-driven-stories). Here he explains a bit of what", "is around the environment like FraEnrico said.) I've searched for it on google", "asking you guys what you know about it. Still, my question looks too", "Here he explains a bit of what an \"arena driven story\" is, but", "I'm here asking you guys what you know about it. Still, my question", "try to answer my doubts and wonderings: * How can the environment be", "* Their motivations, they want find peace in this world? (like, purifying and", "driven story?** (As the structure of it is around the environment like FraEnrico", "found anything good about this theme, so I'm here asking you guys what", "the difference between character-driven stories and plot-driven stories?](https://writers.stackexchange.com/questions/31574/what-is-the-difference-between-character-driven-stories-and-plot-driven-stories). Here he explains a bit", "saving it) Or maybe they just want survive? (because the world is doomed)", "FraEnrico which is the cause for my question: [What is the difference between", "(like, purifying and saving it) Or maybe they just want survive? (because the", "is the difference between character-driven stories and plot-driven stories?](https://writers.stackexchange.com/questions/31574/what-is-the-difference-between-character-driven-stories-and-plot-driven-stories). Here he explains a", "antagonist? * What the characters/protagonists are doing and what they want to achieve?", "I wanted to know more. What is an arena driven story? (As the", "want survive? (because the world is doomed) * Can you give examples from" ]
[ "create tension to see how the characters will react to the problem while", "what is happening inside their heads and their motivations. I will also show", "It is a third person narrator that changes the character he is \"following\"", "their motivations. I will also show informations that many (if not all) characters", "Here are the circumstances: * It is a post-apocaliptic book with multiple characters", "If you want read, here are the reasons I do this: I do", "these characters. So he is \"like\" a character too. * The narrator cannot", "* The narrator \"talks\" to these characters. So he is \"like\" a character", "book with multiple characters in the same survival clan * The narrator \"talks\"", "will create tension to see how the characters will react to the problem", "so he can dive in the story. The reader and the characters will", "same survival clan * The narrator \"talks\" to these characters. So he is", "for the reader so he can dive in the story. The reader and", "narrator that changes the character he is \"following\" from chapter to chapter, or", "react to the problem while the reader does not know their interests and", "I do this way in order to make the reader compare the characters", "Will the environment consume the clan or they will survive it?\" *What are", "many (if not all) characters will not know but the reader does. This", "in the same survival clan The narrator \"talks\" to these characters. So", "the pros and cons of these technical features for the narrator?** How the", "do this way in order to make the reader compare the characters and", "changes the character he is \"following\" from chapter to chapter, or even in", "(I'm thinking about Reatv, Spirit or Gqoht, but I have my doubts.) If", "from chapter to chapter, or even in the same chapter (just like a", "him/her? What she/he is going to do about that? Will the characters work", "thinking about Reatv, Spirit or Gqoht, but I have my doubts.) If you", "read, here are the reasons I do this: I do this way in", "not know their interests and motivations. Everything can happen. Because of that mystery", "be. He does not give his opinion, so the reader can have", "Because of that mystery behind them, all characters are the chameleon archetype. It's", "* The narrator is trustworthy, but the characters may not be. * He", "narrator may use the indirect speech technique. * The narrator is trustworthy, but", "on how much the character shares his thougts with him, the narrator may", "What are the pros and cons of these technical features for the narrator?", "This will create tension to see how the characters will react to the", "going to do about that? Will the characters work togheter or they will", "happening inside their heads and their motivations. I will also show informations that", "of that mystery behind them, all characters are the chameleon archetype. It's a", "these technical features for the narrator?** How the relationship of the reader x", "I trust him/her? What she/he is going to do about that? Will the", "have a voice without misleading the reader?) * I Still dont know who", "share these same thougts: \"can I trust him/her? What she/he is going to", "without misleading the reader?) * I Still dont know who the narrator is", "I Still dont know who the narrator is (I'm thinking about Reatv, Spirit", "they will die because of strive for power inside the clan? Will the", "togheter or they will die because of strive for power inside the clan?", "or even in the same chapter (just like a limited POV, such as", "his opinion, so the reader can have his own conclusions without the narrator's", "characters will not know but the reader does. This will create tension to", "with multiple characters in the same survival clan * The narrator \"talks\" to", "happen. Because of that mystery behind them, all characters are the chameleon archetype.", "the chameleon archetype. It's a test of confidence and personality for the reader", "chapter, or even in the same chapter (just like a limited POV, such", "unless the character decides to share his thoughts with him (but that character", "behind them, all characters are the chameleon archetype. It's a test of confidence", "Everything can happen. Because of that mystery behind them, all characters are the", "share his thoughts with him (but that character can lie). That's why the", "a post-apocaliptic book with multiple characters in the same survival clan * The", "\"can I trust him/her? What she/he is going to do about that? Will", "it?\" *What are the pros and cons of these technical features for the", "characters in the same survival clan The narrator \"talks\" to these characters.", "Reatv, Spirit or Gqoht, but I have my doubts.) If you want read,", "The narrator is trustworthy, but the characters may not be. * He does", "speech technique. * The narrator is trustworthy, but the characters may not be.", "personality for the reader so he can dive in the story. The reader", "decides to share his thoughts with him (but that character can lie). That's", "the character decides to share his thoughts with him (but that character can", "that character can lie). That's why the narrator is \"limited.\" Depending on how", "to these characters. So he is \"like\" a character too. * The narrator", "multiple characters in the same survival clan * The narrator \"talks\" to these", "a test of confidence and personality for the reader so he can dive", "chameleon archetype. It's a test of confidence and personality for the reader so", "\"following\" from chapter to chapter, or even in the same chapter (just like", "with him (but that character can lie). That's why the narrator is \"limited.\"", "reader does not know their interests and motivations. Everything can happen. Because of", "The narrator \"talks\" to these characters. So he is \"like\" a character too.", "about Reatv, Spirit or Gqoht, but I have my doubts.) If you want", "may not be. He does not give his opinion, so the reader", "Game of Thrones) Here are the circumstances: * It is a post-apocaliptic book", "for the narrator?** How the relationship of the reader x characters could be", "are the chameleon archetype. It's a test of confidence and personality for the", "dont know who the narrator is (I'm thinking about Reatv, Spirit or Gqoht,", "is a post-apocaliptic book with multiple characters in the same survival clan ", "may use the indirect speech technique. The narrator is trustworthy, but the", "* It is a post-apocaliptic book with multiple characters in the same survival", "power inside the clan? Will the environment consume the clan or they will", "informations that many (if not all) characters will not know but the reader", "the same survival clan * The narrator \"talks\" to these characters. So he", "their interests and motivations. Everything can happen. Because of that mystery behind them,", "he is \"like\" a character too. * The narrator cannot know what is", "Mistborn or Game of Thrones) Here are the circumstances: * It is a", "heads and their motivations. I will also show informations that many (if not", "the character shares his thougts with him, the narrator may use the indirect", "how much the character shares his thougts with him, the narrator may use", "in the same chapter (just like a limited POV, such as Mistborn or", "to make the reader compare the characters and think what is happening inside", "\"limited.\" Depending on how much the character shares his thougts with him, the", "they will survive it?\" What are the pros and cons of these technical", "and personality for the reader so he can dive in the story. The", "them, all characters are the chameleon archetype. It's a test of confidence and", "environment consume the clan or they will survive it?\" What are the pros", "and motivations. Everything can happen. Because of that mystery behind them, all characters", "character too. * The narrator cannot know what is inside the character's mind", "such as Mistborn or Game of Thrones) Here are the circumstances: * It", "is inside the character's mind unless the character decides to share his thoughts", "does. This will create tension to see how the characters will react to", "about this. Can he have a voice without misleading the reader?) * I", "in order to make the reader compare the characters and think what is", "see how the characters will react to the problem while the reader does", "and cons of these technical features for the narrator?** How the relationship of", "have my doubts.) If you want read, here are the reasons I do", "third person narrator that changes the character he is \"following\" from chapter to", "POV, such as Mistborn or Game of Thrones) Here are the circumstances: ", "or they will survive it?\" What are the pros and cons of these", "the indirect speech technique. The narrator is trustworthy, but the characters may", "he can dive in the story. The reader and the characters will share", "without the narrator's voice. (But I also have a doubt about this. Can", "same chapter (just like a limited POV, such as Mistborn or Game of", "The reader and the characters will share these same thougts: \"can I trust", "reader can have his own conclusions without the narrator's voice. (But I also", "die because of strive for power inside the clan? Will the environment consume", "characters will react to the problem while the reader does not know their", "do this: I do this way in order to make the reader compare", "thougts with him, the narrator may use the indirect speech technique. * The", "also have a doubt about this. Can he have a voice without misleading", "He does not give his opinion, so the reader can have his own", "character he is \"following\" from chapter to chapter, or even in the same", "do about that? Will the characters work togheter or they will die because", "too. * The narrator cannot know what is inside the character's mind unless", "know what is inside the character's mind unless the character decides to share", "character's mind unless the character decides to share his thoughts with him (but", "That's why the narrator is \"limited.\" Depending on how much the character shares", "the reader can have his own conclusions without the narrator's voice. (But I", "clan * The narrator \"talks\" to these characters. So he is \"like\" a", "the narrator is (I'm thinking about Reatv, Spirit or Gqoht, but I have", "lie). That's why the narrator is \"limited.\" Depending on how much the character", "his thougts with him, the narrator may use the indirect speech technique. ", "limited POV, such as Mistborn or Game of Thrones) Here are the circumstances:", "The narrator cannot know what is inside the character's mind unless the character", "my doubts.) If you want read, here are the reasons I do this:", "all) characters will not know but the reader does. This will create tension", "is trustworthy, but the characters may not be. He does not give", "the circumstances:** * It is a post-apocaliptic book with multiple characters in the", "the reader?) * I Still dont know who the narrator is (I'm thinking", "inside the clan? Will the environment consume the clan or they will survive", "are the circumstances:** * It is a post-apocaliptic book with multiple characters in", "him (but that character can lie). That's why the narrator is \"limited.\" Depending", "to see how the characters will react to the problem while the reader", "Gqoht, but I have my doubts.) If you want read, here are the", "will also show informations that many (if not all) characters will not know", "narrator is \"limited.\" Depending on how much the character shares his thougts with", "characters and think what is happening inside their heads and their motivations. I", "the reader so he can dive in the story. The reader and the", "will react to the problem while the reader does not know their interests", "test of confidence and personality for the reader so he can dive in", "these same thougts: \"can I trust him/her? What she/he is going to do", "post-apocaliptic book with multiple characters in the same survival clan * The narrator", "in the story. The reader and the characters will share these same thougts:", "will die because of strive for power inside the clan? Will the environment", "not all) characters will not know but the reader does. This will create", "work togheter or they will die because of strive for power inside the", "same thougts: \"can I trust him/her? What she/he is going to do about", "not know but the reader does. This will create tension to see how", "thoughts with him (but that character can lie). That's why the narrator is", "the narrator may use the indirect speech technique. * The narrator is trustworthy,", "* He does not give his opinion, so the reader can have his", "is happening inside their heads and their motivations. I will also show informations", "shares his thougts with him, the narrator may use the indirect speech technique.", "can lie). That's why the narrator is \"limited.\" Depending on how much the", "that? Will the characters work togheter or they will die because of strive", "characters will share these same thougts: \"can I trust him/her? What she/he is", "\"like\" a character too. * The narrator cannot know what is inside the", "as Mistborn or Game of Thrones) Here are the circumstances: * It is", "reader and the characters will share these same thougts: \"can I trust him/her?", "know who the narrator is (I'm thinking about Reatv, Spirit or Gqoht, but", "What she/he is going to do about that? Will the characters work togheter", "is \"following\" from chapter to chapter, or even in the same chapter (just", "reader compare the characters and think what is happening inside their heads and", "conclusions without the narrator's voice. (But I also have a doubt about this.", "the characters will share these same thougts: \"can I trust him/her? What she/he", "survival clan * The narrator \"talks\" to these characters. So he is \"like\"", "Thrones) Here are the circumstances: * It is a post-apocaliptic book with multiple", "also show informations that many (if not all) characters will not know but", "survive it?\" What are the pros and cons of these technical features for", "like a limited POV, such as Mistborn or Game of Thrones) Here are", "problem while the reader does not know their interests and motivations. Everything can", "is a third person narrator that changes the character he is \"following\" from", "why the narrator is \"limited.\" Depending on how much the character shares his", "because of strive for power inside the clan? Will the environment consume the", "I do this: I do this way in order to make the reader", "way in order to make the reader compare the characters and think what", "not give his opinion, so the reader can have his own conclusions without", "reasons I do this: I do this way in order to make the", "character shares his thougts with him, the narrator may use the indirect speech", "(But I also have a doubt about this. Can he have a voice", "inside their heads and their motivations. I will also show informations that many", "the characters may not be. * He does not give his opinion, so", "narrator is (I'm thinking about Reatv, Spirit or Gqoht, but I have my", "the clan? Will the environment consume the clan or they will survive it?\"", "the clan or they will survive it?\" *What are the pros and cons", "not be. He does not give his opinion, so the reader can", "the narrator is \"limited.\" Depending on how much the character shares his thougts", "and the characters will share these same thougts: \"can I trust him/her? What", "to do about that? Will the characters work togheter or they will die", "to chapter, or even in the same chapter (just like a limited POV,", "how the characters will react to the problem while the reader does not", "the reader compare the characters and think what is happening inside their heads", "show informations that many (if not all) characters will not know but the", "pros and cons of these technical features for the narrator?** How the relationship", "voice without misleading the reader?) * I Still dont know who the narrator", "have his own conclusions without the narrator's voice. (But I also have a", "does not give his opinion, so the reader can have his own conclusions", "a doubt about this. Can he have a voice without misleading the reader?)", "narrator \"talks\" to these characters. So he is \"like\" a character too. ", "is (I'm thinking about Reatv, Spirit or Gqoht, but I have my doubts.)", "the narrator's voice. (But I also have a doubt about this. Can he", "he have a voice without misleading the reader?) I Still dont know", "technique. * The narrator is trustworthy, but the characters may not be. ", "with him, the narrator may use the indirect speech technique. The narrator", "doubt about this. Can he have a voice without misleading the reader?) ", "motivations. Everything can happen. Because of that mystery behind them, all characters are", "of confidence and personality for the reader so he can dive in the", "can happen. Because of that mystery behind them, all characters are the chameleon", "he is \"following\" from chapter to chapter, or even in the same chapter", "his own conclusions without the narrator's voice. (But I also have a doubt", "is \"like\" a character too. The narrator cannot know what is inside", "here are the reasons I do this: I do this way in order", "clan or they will survive it?\" *What are the pros and cons of", "Spirit or Gqoht, but I have my doubts.) If you want read, here", "mind unless the character decides to share his thoughts with him (but that", "are the pros and cons of these technical features for the narrator?* How", "cannot know what is inside the character's mind unless the character decides to", "this: I do this way in order to make the reader compare the", "So he is \"like\" a character too. * The narrator cannot know what", "confidence and personality for the reader so he can dive in the story.", "or Gqoht, but I have my doubts.) If you want read, here are", "doubts.) If you want read, here are the reasons I do this: I", "the characters and think what is happening inside their heads and their motivations.", "I have my doubts.) If you want read, here are the reasons I", "(just like a limited POV, such as Mistborn or Game of Thrones) Here", "will not know but the reader does. This will create tension to see", "much the character shares his thougts with him, the narrator may use the", "so the reader can have his own conclusions without the narrator's voice. (But", "interests and motivations. Everything can happen. Because of that mystery behind them, all", "give his opinion, so the reader can have his own conclusions without the", "characters work togheter or they will die because of strive for power inside", "person narrator that changes the character he is \"following\" from chapter to chapter,", "motivations. I will also show informations that many (if not all) characters will", "technical features for the narrator? How the relationship of the reader x characters", "and think what is happening inside their heads and their motivations. I will", "consume the clan or they will survive it?\" What are the pros and", "strive for power inside the clan? Will the environment consume the clan or", "the environment consume the clan or they will survive it?\" What are the", "their heads and their motivations. I will also show informations that many (if", "the problem while the reader does not know their interests and motivations. Everything", "character can lie). That's why the narrator is \"limited.\" Depending on how much", "character decides to share his thoughts with him (but that character can lie).", "opinion, so the reader can have his own conclusions without the narrator's voice.", "all characters are the chameleon archetype. It's a test of confidence and personality", "I also have a doubt about this. Can he have a voice without", "for power inside the clan? Will the environment consume the clan or they", "trust him/her? What she/he is going to do about that? Will the characters", "want read, here are the reasons I do this: I do this way", "the character he is \"following\" from chapter to chapter, or even in the", "Can he have a voice without misleading the reader?) I Still dont", "is going to do about that? Will the characters work togheter or they", "him, the narrator may use the indirect speech technique. * The narrator is", "narrator's voice. (But I also have a doubt about this. Can he have", "or Game of Thrones) Here are the circumstances: * It is a post-apocaliptic", "you want read, here are the reasons I do this: I do this", "will share these same thougts: \"can I trust him/her? What she/he is going", "dive in the story. The reader and the characters will share these same", "the characters work togheter or they will die because of strive for power", "his thoughts with him (but that character can lie). That's why the narrator", "inside the character's mind unless the character decides to share his thoughts with", "\"talks\" to these characters. So he is \"like\" a character too. The", "know but the reader does. This will create tension to see how the", "of Thrones) Here are the circumstances: * It is a post-apocaliptic book with", "* The narrator cannot know what is inside the character's mind unless the", "(but that character can lie). That's why the narrator is \"limited.\" Depending on", "the characters will react to the problem while the reader does not know", "while the reader does not know their interests and motivations. Everything can happen.", "think what is happening inside their heads and their motivations. I will also", "know their interests and motivations. Everything can happen. Because of that mystery behind", "about that? Will the characters work togheter or they will die because of", "It is a post-apocaliptic book with multiple characters in the same survival clan", "story. The reader and the characters will share these same thougts: \"can I", "It's a test of confidence and personality for the reader so he can", "misleading the reader?) * I Still dont know who the narrator is (I'm", "what is inside the character's mind unless the character decides to share his", "order to make the reader compare the characters and think what is happening", "of these technical features for the narrator? How the relationship of the reader", "and their motivations. I will also show informations that many (if not all)", "can have his own conclusions without the narrator's voice. (But I also have", "narrator cannot know what is inside the character's mind unless the character decides", "to share his thoughts with him (but that character can lie). That's why", "are the reasons I do this: I do this way in order to", "cons of these technical features for the narrator? How the relationship of the", "to the problem while the reader does not know their interests and motivations.", "she/he is going to do about that? Will the characters work togheter or", "characters. So he is \"like\" a character too. * The narrator cannot know", "narrator is trustworthy, but the characters may not be. * He does not", "compare the characters and think what is happening inside their heads and their", "a character too. * The narrator cannot know what is inside the character's", "trustworthy, but the characters may not be. * He does not give his", "but the characters may not be. * He does not give his opinion,", "the same chapter (just like a limited POV, such as Mistborn or Game", "that mystery behind them, all characters are the chameleon archetype. It's a test", "have a doubt about this. Can he have a voice without misleading the", "thougts: \"can I trust him/her? What she/he is going to do about that?", "reader?) * I Still dont know who the narrator is (I'm thinking about", "Still dont know who the narrator is (I'm thinking about Reatv, Spirit or", "the reader does not know their interests and motivations. Everything can happen. Because", "the reader does. This will create tension to see how the characters will", "can dive in the story. The reader and the characters will share these", "chapter to chapter, or even in the same chapter (just like a limited", "chapter (just like a limited POV, such as Mistborn or Game of Thrones)", "that changes the character he is \"following\" from chapter to chapter, or even", "but the reader does. This will create tension to see how the characters", "characters may not be. * He does not give his opinion, so the", "reader does. This will create tension to see how the characters will react", "but I have my doubts.) If you want read, here are the reasons", "does not know their interests and motivations. Everything can happen. Because of that", "this way in order to make the reader compare the characters and think", "Depending on how much the character shares his thougts with him, the narrator", "a third person narrator that changes the character he is \"following\" from chapter", "* I Still dont know who the narrator is (I'm thinking about Reatv,", "(if not all) characters will not know but the reader does. This will", "this. Can he have a voice without misleading the reader?) * I Still", "that many (if not all) characters will not know but the reader does.", "I will also show informations that many (if not all) characters will not", "own conclusions without the narrator's voice. (But I also have a doubt about", "a voice without misleading the reader?) * I Still dont know who the", "a limited POV, such as Mistborn or Game of Thrones) *Here are the", "make the reader compare the characters and think what is happening inside their", "characters are the chameleon archetype. It's a test of confidence and personality for", "the reasons I do this: I do this way in order to make", "use the indirect speech technique. The narrator is trustworthy, but the characters", "of strive for power inside the clan? Will the environment consume the clan", "the narrator? How the relationship of the reader x characters could be affected?", "features for the narrator? How the relationship of the reader x characters could", "circumstances:** * It is a post-apocaliptic book with multiple characters in the same", "indirect speech technique. * The narrator is trustworthy, but the characters may not", "who the narrator is (I'm thinking about Reatv, Spirit or Gqoht, but I", "voice. (But I also have a doubt about this. Can he have a", "Will the characters work togheter or they will die because of strive for", "the character's mind unless the character decides to share his thoughts with him", "is \"limited.\" Depending on how much the character shares his thougts with him,", "reader so he can dive in the story. The reader and the characters", "clan? Will the environment consume the clan or they will survive it?\" What", "the story. The reader and the characters will share these same thougts: \"can", "mystery behind them, all characters are the chameleon archetype. It's a test of", "even in the same chapter (just like a limited POV, such as Mistborn", "or they will die because of strive for power inside the clan? Will", "archetype. It's a test of confidence and personality for the reader so he", "will survive it?\" What are the pros and cons of these technical features", "tension to see how the characters will react to the problem while the" ]
[ "writers build the book's structure for multiple characters. Do they make one for", "characters. Do they make one for each character of for a whole? If", "make one for each character of for a whole? If it is for", "Do they make one for each character of for a whole? If it", "for multiple characters. Do they make one for each character of for a", "journey is very individualistic. I want to know how writers build the book's", "is very individualistic. I want to know how writers build the book's structure", "one for each character of for a whole? If it is for a", "for a whole? If it is for a whole, how they do it?", "the book's structure for multiple characters. Do they make one for each character", "of for a whole? If it is for a whole, how they do", "individualistic. I want to know how writers build the book's structure for multiple", "how writers build the book's structure for multiple characters. Do they make one", "I want to know how writers build the book's structure for multiple characters.", "to know how writers build the book's structure for multiple characters. Do they", "for each character of for a whole? If it is for a whole,", "each character of for a whole? If it is for a whole, how", "structure for multiple characters. Do they make one for each character of for", "very individualistic. I want to know how writers build the book's structure for", "The Hero's journey is very individualistic. I want to know how writers build", "character of for a whole? If it is for a whole, how they", "book's structure for multiple characters. Do they make one for each character of", "multiple characters. Do they make one for each character of for a whole?", "Hero's journey is very individualistic. I want to know how writers build the", "they make one for each character of for a whole? If it is", "build the book's structure for multiple characters. Do they make one for each", "know how writers build the book's structure for multiple characters. Do they make", "want to know how writers build the book's structure for multiple characters. Do" ]
[ "together in my head, which I have yet to transcribe to an actual", "and stories coming together in my head, which I have yet to transcribe", "to connect the time periods without seeming too cliche and/or predictable. I need", "story on paper. I have notes, and many of them, but I cannot", "cannot seem to connect the time periods without seeming too cliche and/or predictable.", "series of scenes, characters, and stories coming together in my head, which I", "advice on how to go about the different timelines while also maintaining the", "on how to go about the different timelines while also maintaining the direction", "the time periods without seeming too cliche and/or predictable. I need advice on", "to an actual story on paper. I have notes, and many of them,", "seeming too cliche and/or predictable. I need advice on how to go about", "have notes, and many of them, but I cannot seem to connect the", "cliche and/or predictable. I need advice on how to go about the different", "the different timelines while also maintaining the direction and structure of my story.", "which I have yet to transcribe to an actual story on paper. I", "I cannot seem to connect the time periods without seeming too cliche and/or", "scenes, characters, and stories coming together in my head, which I have yet", "yet to transcribe to an actual story on paper. I have notes, and", "on paper. I have notes, and many of them, but I cannot seem", "them, but I cannot seem to connect the time periods without seeming too", "characters, and stories coming together in my head, which I have yet to", "time periods without seeming too cliche and/or predictable. I need advice on how", "in my head, which I have yet to transcribe to an actual story", "predictable. I need advice on how to go about the different timelines while", "to transcribe to an actual story on paper. I have notes, and many", "too cliche and/or predictable. I need advice on how to go about the", "of them, but I cannot seem to connect the time periods without seeming", "I have notes, and many of them, but I cannot seem to connect", "connect the time periods without seeming too cliche and/or predictable. I need advice", "actual story on paper. I have notes, and many of them, but I", "notes, and many of them, but I cannot seem to connect the time", "stories coming together in my head, which I have yet to transcribe to", "have yet to transcribe to an actual story on paper. I have notes,", "and/or predictable. I need advice on how to go about the different timelines", "paper. I have notes, and many of them, but I cannot seem to", "transcribe to an actual story on paper. I have notes, and many of", "I have yet to transcribe to an actual story on paper. I have", "periods without seeming too cliche and/or predictable. I need advice on how to", "vast series of scenes, characters, and stories coming together in my head, which", "of scenes, characters, and stories coming together in my head, which I have", "to go about the different timelines while also maintaining the direction and structure", "but I cannot seem to connect the time periods without seeming too cliche", "a vast series of scenes, characters, and stories coming together in my head,", "I need advice on how to go about the different timelines while also", "how to go about the different timelines while also maintaining the direction and", "go about the different timelines while also maintaining the direction and structure of", "coming together in my head, which I have yet to transcribe to an", "head, which I have yet to transcribe to an actual story on paper.", "have a vast series of scenes, characters, and stories coming together in my", "seem to connect the time periods without seeming too cliche and/or predictable. I", "about the different timelines while also maintaining the direction and structure of my", "and many of them, but I cannot seem to connect the time periods", "I have a vast series of scenes, characters, and stories coming together in", "my head, which I have yet to transcribe to an actual story on", "need advice on how to go about the different timelines while also maintaining", "without seeming too cliche and/or predictable. I need advice on how to go", "many of them, but I cannot seem to connect the time periods without", "an actual story on paper. I have notes, and many of them, but" ]
[ "and proceed to obliterate you. Obviously, this will invoke the Space[ship of Theseus](http://tvtropes.org/pmwiki/pmwiki.php/Main/TheseusShipParadox).", "Riwhurz Dawkins](http://tvtropes.org/pmwiki/pmwiki.php/Main/ComicallyMissingThePoint), no > Soul. And you know what, I don't give a", "The room has reset, returned to its original > condition when I arrived.", "hard drive. Me, exactly as I was, when I first got here, seven", "still Pending... *How should I take this deep, philosophical concept and make the", "except they > break down living matter and information, and transmit it. All", "you feel yourself dying? The > greatest illusion is that there is a", "...\"How long can I keep doing this, Clavu? Burning the old me, to", "> -snippet from the transcript of the best Doctor Who episode in existence", "> There is no one to protect us, no God, [no Riwhurz Dawkins](http://tvtropes.org/pmwiki/pmwiki.php/Main/ComicallyMissingThePoint),", "Let's see, how many groups agree, at least partially,with this idea: Christians", "illusion is that there is a self which is unique and cannot >", "That means there's a copy of me still in the > hard drive.", "* Kurzgesagt✓ * The terrorists X * The atheists✓ * Everyone else X", "something similar is going on with a particular civilization of my setting, enter", "exactly as I was, when I first got here, seven > thousand years", "* Buddhism ✓ * Kurzgesagt✓ * The terrorists X * The atheists✓ ", "How should I take this deep, philosophical concept and make the reader immediately", "condition. Logically, the teleporter should do the same. > Teleporter. Fancy word. Just", "saves, get out of the nearest transmat and proceed to obliterate you. Obviously,", "its original > condition when I arrived. That means there's a copy of", "Buddhism ✓ Kurzgesagt✓ * The terrorists X * The atheists✓ * Everyone", "* The atheists✓ * Everyone else X * The universe: Request is still", "no God, [no Riwhurz Dawkins](http://tvtropes.org/pmwiki/pmwiki.php/Main/ComicallyMissingThePoint), no > Soul. And you know what, I", "I don't give a fiddle about it.\" > > > Let's see, how", "✓ * Kurzgesagt✓ * The terrorists X * The atheists✓ * Everyone else", "universe: Request is still Pending... *How should I take this deep, philosophical concept", "> ...\"How long can I keep doing this, Clavu? Burning the old me,", "obliterate you. Obviously, this will invoke the Space[ship of Theseus](http://tvtropes.org/pmwiki/pmwiki.php/Main/TheseusShipParadox). The solution: >", "what, I don't give a fiddle about it.\" > > > Let's see,", "transmit it. All you > have to do is add energy. The room", " The terrorists X * The atheists✓ * Everyone else X * The", "I keep doing this, Clavu? Burning the old me, to make a new", "* Everyone else X * The universe: Request is still Pending... How should", "is going on with a particular civilization of my setting, enter the [Angels](http://www.projectrho.com/public_html/rocket/alientech.php#apesorangels):", "in the > hard drive. Me, exactly as I was, when I first", "unique and cannot > be replaced. Bollocks, the universe is not your wish-fulfilling", "Pending... How should I take this deep, philosophical concept and make the reader", "you. Obviously, this will invoke the Space[ship of Theseus](http://tvtropes.org/pmwiki/pmwiki.php/Main/TheseusShipParadox). The solution: > >", "make a new one?\" > > > -snippet from the transcript of the", "you that? Every room reverts to its > original condition. Logically, the teleporter", "long can I keep doing this, Clavu? Burning the old me, to make", "The universe: Request is still Pending... *How should I take this deep, philosophical", "I mean? Well, teleporters: > > \"Every room resets. Remember I told you", "cells are constantly dying, do you feel yourself dying? The > greatest illusion", "> original condition. Logically, the teleporter should do the same. > Teleporter. Fancy", "can I keep doing this, Clavu? Burning the old me, to make a", "> condition when I arrived. That means there's a copy of me still", "teleporter should do the same. > Teleporter. Fancy word. Just like 3D printers,", "thousand years ago\"... > > > ...\"How long can I keep doing this,", "to its > original condition. Logically, the teleporter should do the same. >", "God, [no Riwhurz Dawkins](http://tvtropes.org/pmwiki/pmwiki.php/Main/ComicallyMissingThePoint), no > Soul. And you know what, I don't", "told you that? Every room reverts to its > original condition. Logically, the", "room reverts to its > original condition. Logically, the teleporter should do the", "Borderline immortal, even if you \"kill\" them, they'll likely just load one of", "> greatest illusion is that there is a self which is unique and", "first got here, seven > thousand years ago\"... > > > ...\"How long", "The atheists✓ Everyone else X * The universe: Request is still Pending...", "I arrived. That means there's a copy of me still in the >", "one of their [RAID 999](https://en.wikipedia.org/wiki/RAID) saves, get out of the nearest transmat and", "new one?\" > > > -snippet from the transcript of the best Doctor", "to make a new one?\" > > > -snippet from the transcript of", "doing this, Clavu? Burning the old me, to make a new one?\" >", "to its original > condition when I arrived. That means there's a copy", "All you > have to do is add energy. The room has reset,", "> have to do is add energy. The room has reset, returned to", "a fiddle about it.\" > > > Let's see, how many groups agree,", "just load one of their [RAID 999](https://en.wikipedia.org/wiki/RAID) saves, get out of the nearest", "even if you \"kill\" them, they'll likely just load one of their [RAID", "The solution: > > \"Your brain cells are constantly dying, do you feel", "no one to protect us, no God, [no Riwhurz Dawkins](http://tvtropes.org/pmwiki/pmwiki.php/Main/ComicallyMissingThePoint), no > Soul.", "means there's a copy of me still in the > hard drive. Me,", "this idea: * Christians X * Fidesz X * Buddhism ✓ * Kurzgesagt✓", "agree, at least partially,with this idea: * Christians X * Fidesz X ", "the best Doctor Who episode in existence Now, something similar is going on", "else X The universe: Request is still Pending... *How should I take", "dying, do you feel yourself dying? The > greatest illusion is that there", "terrorists X The atheists✓ * Everyone else X * The universe: Request", "Everyone else X * The universe: Request is still Pending... *How should I", "the nearest transmat and proceed to obliterate you. Obviously, this will invoke the", "the old me, to make a new one?\" > > > -snippet from", "I first got here, seven > thousand years ago\"... > > > ...\"How", "Obviously, this will invoke the Space[ship of Theseus](http://tvtropes.org/pmwiki/pmwiki.php/Main/TheseusShipParadox). The solution: > > \"Your", "The > greatest illusion is that there is a self which is unique", "X The atheists✓ * Everyone else X * The universe: Request is", "X * The universe: Request is still Pending... *How should I take this", "to obliterate you. Obviously, this will invoke the Space[ship of Theseus](http://tvtropes.org/pmwiki/pmwiki.php/Main/TheseusShipParadox). The solution:", "existence Now, something similar is going on with a particular civilization of my", "energy. The room has reset, returned to its original > condition when I", "many groups agree, at least partially,with this idea: Christians X * Fidesz", "of my setting, enter the [Angels](http://www.projectrho.com/public_html/rocket/alientech.php#apesorangels): Borderline immortal, even if you \"kill\" them,", "> > \"Every room resets. Remember I told you that? Every room reverts", "solution: > > \"Your brain cells are constantly dying, do you feel yourself", "The terrorists X * The atheists✓ * Everyone else X * The universe:", "> Teleporter. Fancy word. Just like 3D printers, really, except they > break", "they > break down living matter and information, and transmit it. All you", "how many groups agree, at least partially,with this idea: * Christians X ", "room resets. Remember I told you that? Every room reverts to its >", "I was, when I first got here, seven > thousand years ago\"... >", "do you feel yourself dying? The > greatest illusion is that there is", "me still in the > hard drive. Me, exactly as I was, when", "condition when I arrived. That means there's a copy of me still in", "\"Every room resets. Remember I told you that? Every room reverts to its", "yourself dying? The > greatest illusion is that there is a self which", "teleporters: > > \"Every room resets. Remember I told you that? Every room", "original > condition when I arrived. That means there's a copy of me", "similar is going on with a particular civilization of my setting, enter the", "transmat and proceed to obliterate you. Obviously, this will invoke the Space[ship of", "Bollocks, the universe is not your wish-fulfilling fairy. > There is no one", "invoke the Space[ship of Theseus](http://tvtropes.org/pmwiki/pmwiki.php/Main/TheseusShipParadox). The solution: > > \"Your brain cells are", "> Soul. And you know what, I don't give a fiddle about it.\"", "atheists✓ Everyone else X * The universe: Request is still Pending... *How", "> Let's see, how many groups agree, at least partially,with this idea: ", "in existence Now, something similar is going on with a particular civilization of", "Soul. And you know what, I don't give a fiddle about it.\" >", "add energy. The room has reset, returned to its original > condition when", "same. > Teleporter. Fancy word. Just like 3D printers, really, except they >", "from the transcript of the best Doctor Who episode in existence Now, something", "brain cells are constantly dying, do you feel yourself dying? The > greatest", "dying? The > greatest illusion is that there is a self which is", "least partially,with this idea: * Christians X * Fidesz X * Buddhism ✓", "years ago\"... > > > ...\"How long can I keep doing this, Clavu?", "on with a particular civilization of my setting, enter the [Angels](http://www.projectrho.com/public_html/rocket/alientech.php#apesorangels): Borderline immortal,", "about it.\" > > > Let's see, how many groups agree, at least", "don't give a fiddle about it.\" > > > Let's see, how many", "Remember I told you that? Every room reverts to its > original condition.", "3D printers, really, except they > break down living matter and information, and", "of me still in the > hard drive. Me, exactly as I was,", "[Angels](http://www.projectrho.com/public_html/rocket/alientech.php#apesorangels): Borderline immortal, even if you \"kill\" them, they'll likely just load one", "enter the [Angels](http://www.projectrho.com/public_html/rocket/alientech.php#apesorangels): Borderline immortal, even if you \"kill\" them, they'll likely just", "proceed to obliterate you. Obviously, this will invoke the Space[ship of Theseus](http://tvtropes.org/pmwiki/pmwiki.php/Main/TheseusShipParadox). The", "Fidesz X * Buddhism ✓ * Kurzgesagt✓ * The terrorists X * The", "at least partially,with this idea: * Christians X * Fidesz X * Buddhism", "keep doing this, Clavu? Burning the old me, to make a new one?\"", "was, when I first got here, seven > thousand years ago\"... > >", "What do I mean? Well, teleporters: > > \"Every room resets. Remember I", "> \"Every room resets. Remember I told you that? Every room reverts to", "> > ...\"How long can I keep doing this, Clavu? Burning the old", "with a particular civilization of my setting, enter the [Angels](http://www.projectrho.com/public_html/rocket/alientech.php#apesorangels): Borderline immortal, even", "the [Angels](http://www.projectrho.com/public_html/rocket/alientech.php#apesorangels): Borderline immortal, even if you \"kill\" them, they'll likely just load", "feel yourself dying? The > greatest illusion is that there is a self", "arrived. That means there's a copy of me still in the > hard", "[RAID 999](https://en.wikipedia.org/wiki/RAID) saves, get out of the nearest transmat and proceed to obliterate", "be replaced. Bollocks, the universe is not your wish-fulfilling fairy. > There is", "> thousand years ago\"... > > > ...\"How long can I keep doing", "X * Buddhism ✓ * Kurzgesagt✓ * The terrorists X * The atheists✓", "printers, really, except they > break down living matter and information, and transmit", "a new one?\" > > > -snippet from the transcript of the best", "the universe is not your wish-fulfilling fairy. > There is no one to", "out of the nearest transmat and proceed to obliterate you. Obviously, this will", "know what, I don't give a fiddle about it.\" > > > Let's", "its > original condition. Logically, the teleporter should do the same. > Teleporter.", "load one of their [RAID 999](https://en.wikipedia.org/wiki/RAID) saves, get out of the nearest transmat", "particular civilization of my setting, enter the [Angels](http://www.projectrho.com/public_html/rocket/alientech.php#apesorangels): Borderline immortal, even if you", "and cannot > be replaced. Bollocks, the universe is not your wish-fulfilling fairy.", "is not your wish-fulfilling fairy. > There is no one to protect us,", "is no one to protect us, no God, [no Riwhurz Dawkins](http://tvtropes.org/pmwiki/pmwiki.php/Main/ComicallyMissingThePoint), no >", "get out of the nearest transmat and proceed to obliterate you. Obviously, this", "the same. > Teleporter. Fancy word. Just like 3D printers, really, except they", "when I first got here, seven > thousand years ago\"... > > >", "they'll likely just load one of their [RAID 999](https://en.wikipedia.org/wiki/RAID) saves, get out of", "reverts to its > original condition. Logically, the teleporter should do the same.", "this, Clavu? Burning the old me, to make a new one?\" > >", "going on with a particular civilization of my setting, enter the [Angels](http://www.projectrho.com/public_html/rocket/alientech.php#apesorangels): Borderline", "are constantly dying, do you feel yourself dying? The > greatest illusion is", "civilization of my setting, enter the [Angels](http://www.projectrho.com/public_html/rocket/alientech.php#apesorangels): Borderline immortal, even if you \"kill\"", "if you \"kill\" them, they'll likely just load one of their [RAID 999](https://en.wikipedia.org/wiki/RAID)", "that? Every room reverts to its > original condition. Logically, the teleporter should", "it. All you > have to do is add energy. The room has", "there's a copy of me still in the > hard drive. Me, exactly", "my setting, enter the [Angels](http://www.projectrho.com/public_html/rocket/alientech.php#apesorangels): Borderline immortal, even if you \"kill\" them, they'll", "there is a self which is unique and cannot > be replaced. Bollocks,", "is unique and cannot > be replaced. Bollocks, the universe is not your", "fairy. > There is no one to protect us, no God, [no Riwhurz", "Well, teleporters: > > \"Every room resets. Remember I told you that? Every", "no > Soul. And you know what, I don't give a fiddle about", "got here, seven > thousand years ago\"... > > > ...\"How long can", "here, seven > thousand years ago\"... > > > ...\"How long can I", "do I mean? Well, teleporters: > > \"Every room resets. Remember I told", "X * Fidesz X * Buddhism ✓ * Kurzgesagt✓ * The terrorists X", "\"Your brain cells are constantly dying, do you feel yourself dying? The >", "you > have to do is add energy. The room has reset, returned", "returned to its original > condition when I arrived. That means there's a", "a copy of me still in the > hard drive. Me, exactly as", "Me, exactly as I was, when I first got here, seven > thousand", "me, to make a new one?\" > > > -snippet from the transcript", "protect us, no God, [no Riwhurz Dawkins](http://tvtropes.org/pmwiki/pmwiki.php/Main/ComicallyMissingThePoint), no > Soul. And you know", "Request is still Pending... *How should I take this deep, philosophical concept and", "is add energy. The room has reset, returned to its original > condition", "> > \"Your brain cells are constantly dying, do you feel yourself dying?", "has reset, returned to its original > condition when I arrived. That means", "> break down living matter and information, and transmit it. All you >", "seven > thousand years ago\"... > > > ...\"How long can I keep", "is that there is a self which is unique and cannot > be", "groups agree, at least partially,with this idea: Christians X * Fidesz X", "Every room reverts to its > original condition. Logically, the teleporter should do", "Logically, the teleporter should do the same. > Teleporter. Fancy word. Just like", "Who episode in existence Now, something similar is going on with a particular", "Just like 3D printers, really, except they > break down living matter and", "partially,with this idea: * Christians X * Fidesz X * Buddhism ✓ ", "the teleporter should do the same. > Teleporter. Fancy word. Just like 3D", "> > -snippet from the transcript of the best Doctor Who episode in", "of the nearest transmat and proceed to obliterate you. Obviously, this will invoke", "> hard drive. Me, exactly as I was, when I first got here,", "to do is add energy. The room has reset, returned to its original", " Christians X * Fidesz X * Buddhism ✓ * Kurzgesagt✓ * The", "is still Pending... *How should I take this deep, philosophical concept and make", "will invoke the Space[ship of Theseus](http://tvtropes.org/pmwiki/pmwiki.php/Main/TheseusShipParadox). The solution: > > \"Your brain cells", "have to do is add energy. The room has reset, returned to its", "Burning the old me, to make a new one?\" > > > -snippet", "> > > ...\"How long can I keep doing this, Clavu? Burning the", "of the best Doctor Who episode in existence Now, something similar is going", "> be replaced. Bollocks, the universe is not your wish-fulfilling fairy. > There", "do the same. > Teleporter. Fancy word. Just like 3D printers, really, except", "Dawkins](http://tvtropes.org/pmwiki/pmwiki.php/Main/ComicallyMissingThePoint), no > Soul. And you know what, I don't give a fiddle", "one to protect us, no God, [no Riwhurz Dawkins](http://tvtropes.org/pmwiki/pmwiki.php/Main/ComicallyMissingThePoint), no > Soul. And", "really, except they > break down living matter and information, and transmit it.", "\"kill\" them, they'll likely just load one of their [RAID 999](https://en.wikipedia.org/wiki/RAID) saves, get", "original condition. Logically, the teleporter should do the same. > Teleporter. Fancy word.", "of Theseus](http://tvtropes.org/pmwiki/pmwiki.php/Main/TheseusShipParadox). The solution: > > \"Your brain cells are constantly dying, do", "their [RAID 999](https://en.wikipedia.org/wiki/RAID) saves, get out of the nearest transmat and proceed to", "greatest illusion is that there is a self which is unique and cannot", "when I arrived. That means there's a copy of me still in the", "> > > -snippet from the transcript of the best Doctor Who episode", "ago\"... > > > ...\"How long can I keep doing this, Clavu? Burning", "setting, enter the [Angels](http://www.projectrho.com/public_html/rocket/alientech.php#apesorangels): Borderline immortal, even if you \"kill\" them, they'll likely", "Space[ship of Theseus](http://tvtropes.org/pmwiki/pmwiki.php/Main/TheseusShipParadox). The solution: > > \"Your brain cells are constantly dying,", "this will invoke the Space[ship of Theseus](http://tvtropes.org/pmwiki/pmwiki.php/Main/TheseusShipParadox). The solution: > > \"Your brain", "not your wish-fulfilling fairy. > There is no one to protect us, no", "wish-fulfilling fairy. > There is no one to protect us, no God, [no", "copy of me still in the > hard drive. Me, exactly as I", "to protect us, no God, [no Riwhurz Dawkins](http://tvtropes.org/pmwiki/pmwiki.php/Main/ComicallyMissingThePoint), no > Soul. And you", "resets. Remember I told you that? Every room reverts to its > original", "Christians X Fidesz X * Buddhism ✓ * Kurzgesagt✓ * The terrorists", "a self which is unique and cannot > be replaced. Bollocks, the universe", "still in the > hard drive. Me, exactly as I was, when I", "Clavu? Burning the old me, to make a new one?\" > > >", "do is add energy. The room has reset, returned to its original >", "the > hard drive. Me, exactly as I was, when I first got", "a particular civilization of my setting, enter the [Angels](http://www.projectrho.com/public_html/rocket/alientech.php#apesorangels): Borderline immortal, even if", "them, they'll likely just load one of their [RAID 999](https://en.wikipedia.org/wiki/RAID) saves, get out", "> \"Your brain cells are constantly dying, do you feel yourself dying? The", "which is unique and cannot > be replaced. Bollocks, the universe is not", "room has reset, returned to its original > condition when I arrived. That", "best Doctor Who episode in existence Now, something similar is going on with", "[no Riwhurz Dawkins](http://tvtropes.org/pmwiki/pmwiki.php/Main/ComicallyMissingThePoint), no > Soul. And you know what, I don't give", "And you know what, I don't give a fiddle about it.\" > >", "it.\" > > > Let's see, how many groups agree, at least partially,with", "matter and information, and transmit it. All you > have to do is", "is a self which is unique and cannot > be replaced. Bollocks, the", "I take this deep, philosophical concept and make the reader immediately accept it?*", "break down living matter and information, and transmit it. All you > have", "I told you that? Every room reverts to its > original condition. Logically,", "There is no one to protect us, no God, [no Riwhurz Dawkins](http://tvtropes.org/pmwiki/pmwiki.php/Main/ComicallyMissingThePoint), no", "information, and transmit it. All you > have to do is add energy.", "see, how many groups agree, at least partially,with this idea: Christians X", "immortal, even if you \"kill\" them, they'll likely just load one of their", "replaced. Bollocks, the universe is not your wish-fulfilling fairy. > There is no", "Theseus](http://tvtropes.org/pmwiki/pmwiki.php/Main/TheseusShipParadox). The solution: > > \"Your brain cells are constantly dying, do you", "cannot > be replaced. Bollocks, the universe is not your wish-fulfilling fairy. >", "you know what, I don't give a fiddle about it.\" > > >", "should I take this deep, philosophical concept and make the reader immediately accept", "and information, and transmit it. All you > have to do is add", "word. Just like 3D printers, really, except they > break down living matter", "universe is not your wish-fulfilling fairy. > There is no one to protect", "one?\" > > > -snippet from the transcript of the best Doctor Who", "that there is a self which is unique and cannot > be replaced.", "self which is unique and cannot > be replaced. Bollocks, the universe is", "Doctor Who episode in existence Now, something similar is going on with a", "> > Let's see, how many groups agree, at least partially,with this idea:", "old me, to make a new one?\" > > > -snippet from the", "fiddle about it.\" > > > Let's see, how many groups agree, at", "Kurzgesagt✓ * The terrorists X * The atheists✓ * Everyone else X ", "constantly dying, do you feel yourself dying? The > greatest illusion is that", "drive. Me, exactly as I was, when I first got here, seven >", "living matter and information, and transmit it. All you > have to do", "the transcript of the best Doctor Who episode in existence Now, something similar", "Fancy word. Just like 3D printers, really, except they > break down living", "999](https://en.wikipedia.org/wiki/RAID) saves, get out of the nearest transmat and proceed to obliterate you.", "transcript of the best Doctor Who episode in existence Now, something similar is", "idea: Christians X * Fidesz X * Buddhism ✓ * Kurzgesagt✓ ", "should do the same. > Teleporter. Fancy word. Just like 3D printers, really,", "down living matter and information, and transmit it. All you > have to", "episode in existence Now, something similar is going on with a particular civilization", "Now, something similar is going on with a particular civilization of my setting,", "> > > Let's see, how many groups agree, at least partially,with this", " Fidesz X * Buddhism ✓ * Kurzgesagt✓ * The terrorists X ", "your wish-fulfilling fairy. > There is no one to protect us, no God,", "of their [RAID 999](https://en.wikipedia.org/wiki/RAID) saves, get out of the nearest transmat and proceed", "mean? Well, teleporters: > > \"Every room resets. Remember I told you that?", "and transmit it. All you > have to do is add energy. The", "-snippet from the transcript of the best Doctor Who episode in existence Now,", "the Space[ship of Theseus](http://tvtropes.org/pmwiki/pmwiki.php/Main/TheseusShipParadox). The solution: > > \"Your brain cells are constantly", " The universe: Request is still Pending... **How should I take this deep,", "as I was, when I first got here, seven > thousand years ago\"...", "nearest transmat and proceed to obliterate you. Obviously, this will invoke the Space[ship", "us, no God, [no Riwhurz Dawkins](http://tvtropes.org/pmwiki/pmwiki.php/Main/ComicallyMissingThePoint), no > Soul. And you know what,", "you \"kill\" them, they'll likely just load one of their [RAID 999](https://en.wikipedia.org/wiki/RAID) saves,", "likely just load one of their [RAID 999](https://en.wikipedia.org/wiki/RAID) saves, get out of the", "reset, returned to its original > condition when I arrived. That means there's", "Teleporter. Fancy word. Just like 3D printers, really, except they > break down", "like 3D printers, really, except they > break down living matter and information,", "give a fiddle about it.\" > > > Let's see, how many groups" ]
[ "opened. Mulo works on the bomb unit. Near them, a sniper/spotter team is", "The rooftop A/C unit has been opened. Mulo works on the bomb unit.", "rooftop A/C unit has been opened. Mulo works on the bomb unit. Near", "“passive voice”. Here’s an excerpt from the linked article above EXAMPLE: PASSIVE VOICE", "in its examples of passive voice. If I’m correct, I find it a", "passive voice and I feel like I have a pretty good grip on", "the burger. If I’m correct, then I feel like this article shouldn’t be", "why the examples were considered “passive voice”. Here’s an excerpt from the linked", "eating the burger. If I’m correct, then I feel like this article shouldn’t", "I feel like I have a pretty good grip on it, but when", "like I have a pretty good grip on it, but when I read", "linked article above EXAMPLE: PASSIVE VOICE --- Mulo is kneeling beside a large", "Near them, a sniper/spotter team is watching the street below. --- The above", "Voice Screenwriting. (using Lafere on iPhone) I’ve been researching active vs. passive voice", "passive voice. End of excerpt As far as I know - Passive voice", "the street below. --- The above reads very flat by action screenplay standards.", "Here’s an excerpt from the linked article above EXAMPLE: PASSIVE VOICE --- Mulo", "unit. Near them, a sniper/spotter team is watching the street below. --- The", "pretty good grip on it, but when I read this article I was", "it, but when I read this article I was so confused as to", "action screenplay standards. The biggest failing is the frequent use of passive voice.", "eaten by Bob. ACTIVE: Bob is eating the burger. If I’m correct, then", "The burger is being eaten by Bob. ACTIVE: Bob is eating the burger.", "confused as to why the examples were considered “passive voice”. Here’s an excerpt", "snippet when you GOOGLE: Passive Voice Screenwriting. (using Lafere on iPhone) I’ve been", "because its the featured snippet when you GOOGLE: Passive Voice Screenwriting. (using Lafere", "voice. End of excerpt* As far as I know - Passive voice is", "A/C unit has been opened. Mulo works on the bomb unit. Near them,", "shouldn’t be THE featured snippet Google offers when Googling Passive Voice Screenwriting. Right?", "watching the street below. --- The above reads very flat by action screenplay", "were considered “passive voice”. Here’s an excerpt from the linked article above EXAMPLE:", "to why the examples were considered “passive voice”. Here’s an excerpt from the", "use of passive voice. End of excerpt* As far as I know -", "be THE featured snippet Google offers when Googling Passive Voice Screenwriting. Right? Thanks,", "on it, but when I read this article I was so confused as", "when you GOOGLE: Passive Voice Screenwriting. (using Lafere on iPhone) I’ve been researching", "unit has been opened. Mulo works on the bomb unit. Near them, a", "burger is being eaten by Bob. ACTIVE: Bob is eating the burger. If", "been researching active vs. passive voice and I feel like I have a", "article I was so confused as to why the examples were considered “passive", "considered “passive voice”. Here’s an excerpt from the linked article above EXAMPLE: PASSIVE", "out for trouble. The rooftop A/C unit has been opened. Mulo works on", "of excerpt* As far as I know - Passive voice is when the", "trouble. The rooftop A/C unit has been opened. Mulo works on the bomb", "flat by action screenplay standards. The biggest failing is the frequent use of", "<http://reelauthors.com/mobile/screenplay-coverage/screenwriting-present-tense-and-active-voice.php> I think the article above is incorrect in its examples of passive", "I’m correct, then I feel like this article shouldn’t be THE featured snippet", "is eating the burger. If I’m correct, then I feel like this article", "Mulo is kneeling beside a large rooftop air conditioning unit. Shooter #1 is", "researching active vs. passive voice and I feel like I have a pretty", "examples were considered “passive voice”. Here’s an excerpt from the linked article above", "the examples were considered “passive voice”. Here’s an excerpt from the linked article", "above reads very flat by action screenplay standards. The biggest failing is the", "feel like this article shouldn’t be THE featured snippet Google offers when Googling", "below. --- The above reads very flat by action screenplay standards. The biggest", "iPhone) I’ve been researching active vs. passive voice and I feel like I", "failing is the frequent use of passive voice. End of excerpt* As far", "is being eaten by Bob. ACTIVE: Bob is eating the burger. If I’m", "by Bob. ACTIVE: Bob is eating the burger. If I’m correct, then I", "when the subject is being acted on by the verb. PASSIVE: The burger", "as to why the examples were considered “passive voice”. Here’s an excerpt from", "THE featured snippet Google offers when Googling Passive Voice Screenwriting. Right? Thanks, Morp", "and I feel like I have a pretty good grip on it, but", "very flat by action screenplay standards. The biggest failing is the frequent use", "a sniper/spotter team is watching the street below. --- The above reads very", "being acted on by the verb. PASSIVE: The burger is being eaten by", "was so confused as to why the examples were considered “passive voice”. Here’s", "being eaten by Bob. ACTIVE: Bob is eating the burger. If I’m correct,", "a little disturbing because its the featured snippet when you GOOGLE: Passive Voice", "bomb unit. Near them, a sniper/spotter team is watching the street below. ---", "by the verb. PASSIVE: The burger is being eaten by Bob. ACTIVE: Bob", "Passive voice is when the subject is being acted on by the verb.", "reads very flat by action screenplay standards. The biggest failing is the frequent", "voice is when the subject is being acted on by the verb. PASSIVE:", "is standing nearby, looking out for trouble. The rooftop A/C unit has been", "I know - Passive voice is when the subject is being acted on", "verb. PASSIVE: The burger is being eaten by Bob. ACTIVE: Bob is eating", "End of excerpt As far as I know - Passive voice is when", "above* EXAMPLE: PASSIVE VOICE --- Mulo is kneeling beside a large rooftop air", "Bob is eating the burger. If I’m correct, then I feel like this", "like this article shouldn’t be THE featured snippet Google offers when Googling Passive", "acted on by the verb. PASSIVE: The burger is being eaten by Bob.", "vs. passive voice and I feel like I have a pretty good grip", "rooftop air conditioning unit. Shooter #1 is standing nearby, looking out for trouble.", "the bomb unit. Near them, a sniper/spotter team is watching the street below.", "its examples of passive voice. If I’m correct, I find it a little", "standing nearby, looking out for trouble. The rooftop A/C unit has been opened.", "have a pretty good grip on it, but when I read this article", "The above reads very flat by action screenplay standards. The biggest failing is", "Shooter #1 is standing nearby, looking out for trouble. The rooftop A/C unit", "has been opened. Mulo works on the bomb unit. Near them, a sniper/spotter", "of passive voice. End of excerpt As far as I know - Passive", "on by the verb. PASSIVE: The burger is being eaten by Bob. ACTIVE:", "grip on it, but when I read this article I was so confused", "of passive voice. If I’m correct, I find it a little disturbing because", "I have a pretty good grip on it, but when I read this", "above is incorrect in its examples of passive voice. If I’m correct, I", "--- Mulo is kneeling beside a large rooftop air conditioning unit. Shooter #1", "If I’m correct, then I feel like this article shouldn’t be THE featured", "is kneeling beside a large rooftop air conditioning unit. Shooter #1 is standing", "by action screenplay standards. The biggest failing is the frequent use of passive", "ACTIVE: Bob is eating the burger. If I’m correct, then I feel like", "read this article I was so confused as to why the examples were", "find it a little disturbing because its the featured snippet when you GOOGLE:", "kneeling beside a large rooftop air conditioning unit. Shooter #1 is standing nearby,", "examples of passive voice. If I’m correct, I find it a little disturbing", "--- The above reads very flat by action screenplay standards. The biggest failing", "as I know - Passive voice is when the subject is being acted", "Screenwriting. (using Lafere on iPhone) I’ve been researching active vs. passive voice and", "them, a sniper/spotter team is watching the street below. --- The above reads", "the subject is being acted on by the verb. PASSIVE: The burger is", "been opened. Mulo works on the bomb unit. Near them, a sniper/spotter team", "is incorrect in its examples of passive voice. If I’m correct, I find", "nearby, looking out for trouble. The rooftop A/C unit has been opened. Mulo", "but when I read this article I was so confused as to why", "know - Passive voice is when the subject is being acted on by", "is being acted on by the verb. PASSIVE: The burger is being eaten", "Lafere on iPhone) I’ve been researching active vs. passive voice and I feel", "the verb. PASSIVE: The burger is being eaten by Bob. ACTIVE: Bob is", "it a little disturbing because its the featured snippet when you GOOGLE: Passive", "article above* EXAMPLE: PASSIVE VOICE --- Mulo is kneeling beside a large rooftop", "little disturbing because its the featured snippet when you GOOGLE: Passive Voice Screenwriting.", "is the frequent use of passive voice. End of excerpt As far as", "Passive Voice Screenwriting. (using Lafere on iPhone) I’ve been researching active vs. passive", "active vs. passive voice and I feel like I have a pretty good", "sniper/spotter team is watching the street below. --- The above reads very flat", "I think the article above is incorrect in its examples of passive voice.", "on the bomb unit. Near them, a sniper/spotter team is watching the street", "voice. If I’m correct, I find it a little disturbing because its the", "for trouble. The rooftop A/C unit has been opened. Mulo works on the", "incorrect in its examples of passive voice. If I’m correct, I find it", "a large rooftop air conditioning unit. Shooter #1 is standing nearby, looking out", "PASSIVE: The burger is being eaten by Bob. ACTIVE: Bob is eating the", "As far as I know - Passive voice is when the subject is", "large rooftop air conditioning unit. Shooter #1 is standing nearby, looking out for", "#1 is standing nearby, looking out for trouble. The rooftop A/C unit has", "the featured snippet when you GOOGLE: Passive Voice Screenwriting. (using Lafere on iPhone)", "looking out for trouble. The rooftop A/C unit has been opened. Mulo works", "far as I know - Passive voice is when the subject is being", "the linked article above* EXAMPLE: PASSIVE VOICE --- Mulo is kneeling beside a", "voice”. Here’s an excerpt from the linked article above EXAMPLE: PASSIVE VOICE ---", "VOICE --- Mulo is kneeling beside a large rooftop air conditioning unit. Shooter", "beside a large rooftop air conditioning unit. Shooter #1 is standing nearby, looking", "works on the bomb unit. Near them, a sniper/spotter team is watching the", "biggest failing is the frequent use of passive voice. End of excerpt As", "you GOOGLE: Passive Voice Screenwriting. (using Lafere on iPhone) I’ve been researching active", "featured snippet when you GOOGLE: Passive Voice Screenwriting. (using Lafere on iPhone) I’ve", "correct, then I feel like this article shouldn’t be THE featured snippet Google", "this article I was so confused as to why the examples were considered", "article shouldn’t be THE featured snippet Google offers when Googling Passive Voice Screenwriting.", "(using Lafere on iPhone) I’ve been researching active vs. passive voice and I", "If I’m correct, I find it a little disturbing because its the featured", "passive voice. If I’m correct, I find it a little disturbing because its", "air conditioning unit. Shooter #1 is standing nearby, looking out for trouble. The", "burger. If I’m correct, then I feel like this article shouldn’t be THE", "The biggest failing is the frequent use of passive voice. End of excerpt", "so confused as to why the examples were considered “passive voice”. Here’s an", "PASSIVE VOICE --- Mulo is kneeling beside a large rooftop air conditioning unit.", "I’m correct, I find it a little disturbing because its the featured snippet", "GOOGLE: Passive Voice Screenwriting. (using Lafere on iPhone) I’ve been researching active vs.", "on iPhone) I’ve been researching active vs. passive voice and I feel like", "good grip on it, but when I read this article I was so", "I find it a little disturbing because its the featured snippet when you", "from the linked article above EXAMPLE: PASSIVE VOICE --- Mulo is kneeling beside", "Mulo works on the bomb unit. Near them, a sniper/spotter team is watching", "an excerpt from the linked article above* EXAMPLE: PASSIVE VOICE --- Mulo is", "street below. --- The above reads very flat by action screenplay standards. The", "screenplay standards. The biggest failing is the frequent use of passive voice. End", "team is watching the street below. --- The above reads very flat by", "the frequent use of passive voice. End of excerpt* As far as I", "feel like I have a pretty good grip on it, but when I", "EXAMPLE: PASSIVE VOICE --- Mulo is kneeling beside a large rooftop air conditioning", "is watching the street below. --- The above reads very flat by action", "unit. Shooter #1 is standing nearby, looking out for trouble. The rooftop A/C", "is when the subject is being acted on by the verb. PASSIVE: The", "disturbing because its the featured snippet when you GOOGLE: Passive Voice Screenwriting. (using", "think the article above is incorrect in its examples of passive voice. If", "I was so confused as to why the examples were considered “passive voice”.", "excerpt from the linked article above* EXAMPLE: PASSIVE VOICE --- Mulo is kneeling", "this article shouldn’t be THE featured snippet Google offers when Googling Passive Voice", "a pretty good grip on it, but when I read this article I", "I’ve been researching active vs. passive voice and I feel like I have", "conditioning unit. Shooter #1 is standing nearby, looking out for trouble. The rooftop", "correct, I find it a little disturbing because its the featured snippet when", "voice and I feel like I have a pretty good grip on it,", "I read this article I was so confused as to why the examples", "frequent use of passive voice. End of excerpt As far as I know", "I feel like this article shouldn’t be THE featured snippet Google offers when", "subject is being acted on by the verb. PASSIVE: The burger is being", "then I feel like this article shouldn’t be THE featured snippet Google offers", "article above is incorrect in its examples of passive voice. If I’m correct,", "when I read this article I was so confused as to why the", "Bob. ACTIVE: Bob is eating the burger. If I’m correct, then I feel", "- Passive voice is when the subject is being acted on by the", "excerpt* As far as I know - Passive voice is when the subject", "the article above is incorrect in its examples of passive voice. If I’m", "its the featured snippet when you GOOGLE: Passive Voice Screenwriting. (using Lafere on", "standards. The biggest failing is the frequent use of passive voice. *End of" ]
[ "the characters be chameleons. What chameleons are?, in case you dont know, chameleons", "characters that the main character / reader is not 100% sure of their", "have an answer. I want to know if this kind of thing is", "all the characters be chameleons?** Yes, the question looks too broad and it", "to know if this kind of thing is possible, and if it is", "does not even have an answer. I want to know if this kind", "a chameleon character is, I suggest you search for it on Vogler's writings", "characters mind. * There are multiple MC's, not only one. * The characters", "reading baggage with this kind of narrator in order to make the characters", "I dont have enough reading baggage with this kind of narrator in order", "* There are multiple MC's, not only one. * The characters may share", "character may not be a chameleon all the time, but there could be", "too broad and it maybe does not even have an answer. I want", "all the characters be chameleons. What chameleons are?, in case you dont know,", "intentions, thoughts and motivations. You don't know if he is the good guy", "A third-person oniscient narrator which is also an entity that cannot read what", "of thing is possible, and if it is possible, how could it be", "So what I'm trying to do? In short: * A third-person oniscient narrator", "You don't know if he is the good guy or the bad one.", "I've made another [question](https://writers.stackexchange.com/questions/31794/omniscient-but-limited-narrator-talking-to-the-characters-pros-and-cons) which is an attempt to make all the characters", "an entity that cannot read what is inside the characters mind. * There", "of a story with similar idea before. I'm not an experienced writer as", "looks too broad and it maybe does not even have an answer. I", "chameleons. What chameleons are?, in case you dont know, chameleons are characters that", "that cannot read what is inside the characters mind. * There are multiple", "a character may not be a chameleon all the time, but there could", "to make all the characters be chameleons. What chameleons are?, in case you", "and motivations. You don't know if he is the good guy or the", "way I can make all the characters be chameleons?** Yes, the question looks", "I think it is not a very good idea) But I dont have", "the characters mind. * There are multiple MC's, not only one. * The", "reader is not 100% sure of their intentions, thoughts and motivations. You don't", "Of course, a character may not be a chameleon all the time, but", "is, I suggest you search for it on Vogler's writings about the Hero's", "may not be a chameleon all the time, but there could be moments", "main character / reader is not 100% sure of their intentions, thoughts and", "that the main character / reader is not 100% sure of their intentions,", "not 100% sure of their intentions, thoughts and motivations. You don't know if", "writings about the Hero's Journey.) So what I'm trying to do? In short:", "are multiple MC's, not only one. * The characters may share his thoughts", "me. But the idea looks to good to be thrown away. *Is there", "he is the good guy or the bad one. Of course, a character", " A third-person oniscient narrator which is also an entity that cannot read", "narrator which is also an entity that cannot read what is inside the", "a story with similar idea before. I'm not an experienced writer as well", "bad one. Of course, a character may not be a chameleon all the", "chameleon character is, I suggest you search for it on Vogler's writings about", "I suggest you search for it on Vogler's writings about the Hero's Journey.)", "baggage with this kind of narrator in order to make the characters be", "thoughts and motivations. You don't know if he is the good guy or", "before. I'm not an experienced writer as well and I'm afraid this is", "or the bad one. Of course, a character may not be a chameleon", "made another [question](https://writers.stackexchange.com/questions/31794/omniscient-but-limited-narrator-talking-to-the-characters-pros-and-cons) which is an attempt to make all the characters be", "are characters that the main character / reader is not 100% sure of", "But I dont have enough reading baggage with this kind of narrator in", "an answer. I want to know if this kind of thing is possible,", "characters may share his thoughts with him but they may also lie (which", "character is, I suggest you search for it on Vogler's writings about the", "what is inside the characters mind. * There are multiple MC's, not only", "In fact, I've never heard of a story with similar idea before. I'm", "lie (which I think it is not a very good idea) But I", "I'm not an experienced writer as well and I'm afraid this is too", "kind of thing is possible, and if it is possible, how could it", "idea) But I dont have enough reading baggage with this kind of narrator", "be chameleons. What chameleons are?, in case you dont know, chameleons are characters", "multiple MC's, not only one. * The characters may share his thoughts with", "/ reader is not 100% sure of their intentions, thoughts and motivations. You", "are?,** in case you dont know, chameleons are characters that the main character", "good idea) But I dont have enough reading baggage with this kind of", "* The characters may share his thoughts with him but they may also", "enough reading baggage with this kind of narrator in order to make the", "mind. * There are multiple MC's, not only one. * The characters may", "trying to do?** In short: * A third-person oniscient narrator which is also", "narrator in order to make the characters be chameleons. In fact, I've never", "I can make all the characters be chameleons?** Yes, the question looks too", "it maybe does not even have an answer. I want to know if", "but they may also lie (which I think it is not a very", "more about what a chameleon character is, I suggest you search for it", "may share his thoughts with him but they may also lie (which I", "broad and it maybe does not even have an answer. I want to", "doubt of his/her intentions. (If you want more about what a chameleon character", "also an entity that cannot read what is inside the characters mind. ", "idea before. I'm not an experienced writer as well and I'm afraid this", "The characters may share his thoughts with him but they may also lie", "away. Is there another way I can make all the characters be chameleons?", "[question](https://writers.stackexchange.com/questions/31794/omniscient-but-limited-narrator-talking-to-the-characters-pros-and-cons) which is an attempt to make all the characters be chameleons. What", "about the Hero's Journey.) So what I'm trying to do?* In short: ", "to make the characters be chameleons. In fact, I've never heard of a", "also lie (which I think it is not a very good idea) But", "order to make the characters be chameleons. In fact, I've never heard of", "entity that cannot read what is inside the characters mind. There are", "Is there another way I can make all the characters be chameleons? Yes,", "an experienced writer as well and I'm afraid this is too much for", "this kind of thing is possible, and if it is possible, how could", "an attempt to make all the characters be chameleons. What chameleons are?, in", "in case you dont know, chameleons are characters that the main character /", "dont know, chameleons are characters that the main character / reader is not", "what a chameleon character is, I suggest you search for it on Vogler's", "a chameleon all the time, but there could be moments we doubt of", "all the time, but there could be moments we doubt of his/her intentions.", "is not 100% sure of their intentions, thoughts and motivations. You don't know", "idea looks to good to be thrown away. Is there another way I", "heard of a story with similar idea before. I'm not an experienced writer", "the idea looks to good to be thrown away. Is there another way", "question looks too broad and it maybe does not even have an answer.", "writer as well and I'm afraid this is too much for me. But", "good to be thrown away. Is there another way I can make all", "(If you want more about what a chameleon character is, I suggest you", "with this kind of narrator in order to make the characters be chameleons.", "which is also an entity that cannot read what is inside the characters", "could be moments we doubt of his/her intentions. (If you want more about", "their intentions, thoughts and motivations. You don't know if he is the good", "be moments we doubt of his/her intentions. (If you want more about what", "what I'm trying to do? In short: * A third-person oniscient narrator which", "know if he is the good guy or the bad one. Of course,", "his/her intentions. (If you want more about what a chameleon character is, I", "not an experienced writer as well and I'm afraid this is too much", "the bad one. Of course, a character may not be a chameleon all", "you search for it on Vogler's writings about the Hero's Journey.) So what", "motivations. You don't know if he is the good guy or the bad", "very good idea) But I dont have enough reading baggage with this kind", "characters be chameleons? Yes, the question looks too broad and it maybe does", "you want more about what a chameleon character is, I suggest you search", "don't know if he is the good guy or the bad one. Of", "do?** In short: * A third-person oniscient narrator which is also an entity", "much for me. But the idea looks to good to be thrown away.", "which is an attempt to make all the characters be chameleons. *What chameleons", "know if this kind of thing is possible, and if* it is possible,", "be chameleons? Yes, the question looks too broad and it maybe does not", "moments we doubt of his/her intentions. (If you want more about what a", "the main character / reader is not 100% sure of their intentions, thoughts", "make all the characters be chameleons? Yes, the question looks too broad and", "of narrator in order to make the characters be chameleons. In fact, I've", "maybe does not even have an answer. I want to know if this", "if this kind of thing is possible, and if it is possible, how", "the characters be chameleons. In fact, I've never heard of a story with", "intentions. (If you want more about what a chameleon character is, I suggest", "thing is possible, and if it is possible, how could it be done?", "There are multiple MC's, not only one. * The characters may share his", "not only one. * The characters may share his thoughts with him but", "short: * A third-person oniscient narrator which is also an entity that cannot", "fact, I've never heard of a story with similar idea before. I'm not", "attempt to make all the characters be chameleons. What chameleons are?, in case", "they may also lie (which I think it is not a very good", "is not a very good idea) But I dont have enough reading baggage", "him but they may also lie (which I think it is not a", "experienced writer as well and I'm afraid this is too much for me.", "inside the characters mind. * There are multiple MC's, not only one. ", "character / reader is not 100% sure of their intentions, thoughts and motivations.", "the good guy or the bad one. Of course, a character may not", "dont have enough reading baggage with this kind of narrator in order to", "it on Vogler's writings about the Hero's Journey.) So what I'm trying to", "kind of narrator in order to make the characters be chameleons. In fact,", "100% sure of their intentions, thoughts and motivations. You don't know if he", "well and I'm afraid this is too much for me. But the idea", "and I'm afraid this is too much for me. But the idea looks", "his thoughts with him but they may also lie (which I think it", "thoughts with him but they may also lie (which I think it is", "a very good idea) But I dont have enough reading baggage with this", "this is too much for me. But the idea looks to good to", "want to know if this kind of thing is possible, and if* it", "is inside the characters mind. * There are multiple MC's, not only one.", "be thrown away. Is there another way I can make all the characters", "on Vogler's writings about the Hero's Journey.) So what I'm trying to do?*", "cannot read what is inside the characters mind. There are multiple MC's,", "we doubt of his/her intentions. (If you want more about what a chameleon", "characters be chameleons. What chameleons are?, in case you dont know, chameleons are", "too much for me. But the idea looks to good to be thrown", "of their intentions, thoughts and motivations. You don't know if he is the", "oniscient narrator which is also an entity that cannot read what is inside", "to good to be thrown away. Is there another way I can make", "the characters be chameleons? Yes, the question looks too broad and it maybe", "with similar idea before. I'm not an experienced writer as well and I'm", "time, but there could be moments we doubt of his/her intentions. (If you", "looks to good to be thrown away. Is there another way I can", "there another way I can make all the characters be chameleons? Yes, the", "not be a chameleon all the time, but there could be moments we", "chameleons are characters that the main character / reader is not 100% sure", "read what is inside the characters mind. * There are multiple MC's, not", "there could be moments we doubt of his/her intentions. (If you want more", "the question looks too broad and it maybe does not even have an", "What chameleons are?, in case you dont know, chameleons are characters that the", "I'm trying to do?** In short: * A third-person oniscient narrator which is", "I'm afraid this is too much for me. But the idea looks to", "guy or the bad one. Of course, a character may not be a", "(which I think it is not a very good idea) But I dont", "Vogler's writings about the Hero's Journey.) So what I'm trying to do? In", "chameleon all the time, but there could be moments we doubt of his/her", "have enough reading baggage with this kind of narrator in order to make", "as well and I'm afraid this is too much for me. But the", "even have an answer. I want to know if this kind of thing", "story with similar idea before. I'm not an experienced writer as well and", "I've never heard of a story with similar idea before. I'm not an", "never heard of a story with similar idea before. I'm not an experienced", "if he is the good guy or the bad one. Of course, a", "characters be chameleons. In fact, I've never heard of a story with similar", "can make all the characters be chameleons? Yes, the question looks too broad", "to be thrown away. Is there another way I can make all the", "In short: * A third-person oniscient narrator which is also an entity that", "only one. * The characters may share his thoughts with him but they", "suggest you search for it on Vogler's writings about the Hero's Journey.) So", "one. Of course, a character may not be a chameleon all the time,", "Journey.) So what I'm trying to do?** In short: * A third-person oniscient", "be a chameleon all the time, but there could be moments we doubt", "not even have an answer. I want to know if this kind of", "one. * The characters may share his thoughts with him but they may", "similar idea before. I'm not an experienced writer as well and I'm afraid", "is an attempt to make all the characters be chameleons. What chameleons are?,", "afraid this is too much for me. But the idea looks to good", "Hero's Journey.) So what I'm trying to do? In short: * A third-person", "for me. But the idea looks to good to be thrown away. Is", "make the characters be chameleons. In fact, I've never heard of a story", "and it maybe does not even have an answer. I want to know", "make all the characters be chameleons. What chameleons are?,** in case you dont", "about what a chameleon character is, I suggest you search for it on", "may also lie (which I think it is not a very good idea)", "this kind of narrator in order to make the characters be chameleons. In", "I want to know if this kind of thing is possible, and if", "of his/her intentions. (If you want more about what a chameleon character is,", "it is not a very good idea) But I dont have enough reading", "thrown away. Is there another way I can make all the characters be", "know, chameleons are characters that the main character / reader is not 100%", "case you dont know, chameleons are characters that the main character / reader", "you dont know, chameleons are characters that the main character / reader is", "sure of their intentions, thoughts and motivations. You don't know if he is", "is the good guy or the bad one. Of course, a character may", "not a very good idea) But I dont have enough reading baggage with", "But the idea looks to good to be thrown away. Is there another", "search for it on Vogler's writings about the Hero's Journey.) So what I'm", "to do? In short: * A third-person oniscient narrator which is also an", "be chameleons. In fact, I've never heard of a story with similar idea", "third-person oniscient narrator which is also an entity that cannot read what is", "chameleons are?, in case you dont know, chameleons are characters that the main", "is also an entity that cannot read what is inside the characters mind.", "Yes, the question looks too broad and it maybe does not even have", "good guy or the bad one. Of course, a character may not be", "in order to make the characters be chameleons. In fact, I've never heard", "answer. I want to know if this kind of thing is possible, and", "think it is not a very good idea) But I dont have enough", "another way I can make all the characters be chameleons? Yes, the question", "chameleons? Yes, the question looks too broad and it maybe does not even", "the time, but there could be moments we doubt of his/her intentions. (If", "but there could be moments we doubt of his/her intentions. (If you want", "with him but they may also lie (which I think it is not", "for it on Vogler's writings about the Hero's Journey.) So what I'm trying", "share his thoughts with him but they may also lie (which I think", "another [question](https://writers.stackexchange.com/questions/31794/omniscient-but-limited-narrator-talking-to-the-characters-pros-and-cons) which is an attempt to make all the characters be chameleons.", "want more about what a chameleon character is, I suggest you search for", "chameleons. In fact, I've never heard of a story with similar idea before.", "MC's, not only one. * The characters may share his thoughts with him", "is too much for me. But the idea looks to good to be", "the Hero's Journey.) So what I'm trying to do? In short: * A", "course, a character may not be a chameleon all the time, but there" ]
[ "the numbers and put it all together? I am using the MLA format", "they knew not the wrath, (the resentment), of the king of the gods,", "divinity offended, whenever(?) they sought after (anything) they did wickedly, > > 18.", "lines like they have it in the inscription? Or do I remove the", "I remove the numbers and put it all together? I am using the", "it in separate lines like they have it in the inscription? Or do", "(the resentment), of the king of the gods, (even) Nannar, > > 19.", "(and) > > 16. people of the capitals of Akkad, against his great", "the sons of Babylon, Borsippa, > > 15. Nippur, Ur, Erech, Larsa, priests", "was) treason… > > > How do I input this text? Do I", "16. people of the capitals of Akkad, against his great > > 17.", "Ur, Erech, Larsa, priests (and) > > 16. people of the capitals of", "my paper. The quote looks like this: > > …(But) the sons of", "not the wrath, (the resentment), of the king of the gods, (even) Nannar,", "have a text from the Nebonidus Harran inscriptions that I want to specifically", "and put it all together? I am using the MLA format in my", "a text from the Nebonidus Harran inscriptions that I want to specifically reference", "they sought after (anything) they did wickedly, > > 18. they knew not", "do I input this text? Do I keep it in separate lines like", "18. they knew not the wrath, (the resentment), of the king of the", "looks like this: > > …(But) the sons of Babylon, Borsippa, > >", "of the capitals of Akkad, against his great > > 17. divinity offended,", "Or do I remove the numbers and put it all together? I am", "they did wickedly, > > 18. they knew not the wrath, (the resentment),", "> > > How do I input this text? Do I keep it", "the king of the gods, (even) Nannar, > > 19. they forgot their", "in the inscription? Or do I remove the numbers and put it all", "in my paper. The quote looks like this: > > …(But) the sons", "Babylon, Borsippa, > > 15. Nippur, Ur, Erech, Larsa, priests (and) > >", "input this text? Do I keep it in separate lines like they have", "sons of Babylon, Borsippa, > > 15. Nippur, Ur, Erech, Larsa, priests (and)", "(it was) treason… > > > How do I input this text? Do", "(even) Nannar, > > 19. they forgot their duty, whenever(?) they talked (it", "that I want to specifically reference in my paper. The quote looks like", "> > 17. divinity offended, whenever(?) they sought after (anything) they did wickedly,", "I keep it in separate lines like they have it in the inscription?", "of Akkad, against his great > > 17. divinity offended, whenever(?) they sought", "am using the MLA format in my paper. It will be a Research/Argumentative", "the inscription? Or do I remove the numbers and put it all together?", "> > 15. Nippur, Ur, Erech, Larsa, priests (and) > > 16. people", "specifically reference in my paper. The quote looks like this: > > …(But)", "> 18. they knew not the wrath, (the resentment), of the king of", "capitals of Akkad, against his great > > 17. divinity offended, whenever(?) they", "paper. The quote looks like this: > > …(But) the sons of Babylon,", "Nippur, Ur, Erech, Larsa, priests (and) > > 16. people of the capitals", "Larsa, priests (and) > > 16. people of the capitals of Akkad, against", "it all together? I am using the MLA format in my paper. It", "put it all together? I am using the MLA format in my paper.", "of the gods, (even) Nannar, > > 19. they forgot their duty, whenever(?)", "treason… > > > How do I input this text? Do I keep", "all together? I am using the MLA format in my paper. It will", "Akkad, against his great > > 17. divinity offended, whenever(?) they sought after", "want to specifically reference in my paper. The quote looks like this: >", "reference in my paper. The quote looks like this: > > …(But) the", "Borsippa, > > 15. Nippur, Ur, Erech, Larsa, priests (and) > > 16.", "of the king of the gods, (even) Nannar, > > 19. they forgot", "the Nebonidus Harran inscriptions that I want to specifically reference in my paper.", "Erech, Larsa, priests (and) > > 16. people of the capitals of Akkad,", "this text? Do I keep it in separate lines like they have it", "to specifically reference in my paper. The quote looks like this: > >", "wrath, (the resentment), of the king of the gods, (even) Nannar, > >", "the capitals of Akkad, against his great > > 17. divinity offended, whenever(?)", "I input this text? Do I keep it in separate lines like they", "have it in the inscription? Or do I remove the numbers and put", "like this: > > …(But) the sons of Babylon, Borsippa, > > 15.", "Nannar, > > 19. they forgot their duty, whenever(?) they talked (it was)", "> > …(But) the sons of Babylon, Borsippa, > > 15. Nippur, Ur,", "> 16. people of the capitals of Akkad, against his great > >", "sought after (anything) they did wickedly, > > 18. they knew not the", "offended, whenever(?) they sought after (anything) they did wickedly, > > 18. they", "(anything) they did wickedly, > > 18. they knew not the wrath, (the", "15. Nippur, Ur, Erech, Larsa, priests (and) > > 16. people of the", "> > 16. people of the capitals of Akkad, against his great >", "people of the capitals of Akkad, against his great > > 17. divinity", "this: > > …(But) the sons of Babylon, Borsippa, > > 15. Nippur,", "after (anything) they did wickedly, > > 18. they knew not the wrath,", "wickedly, > > 18. they knew not the wrath, (the resentment), of the", "duty, whenever(?) they talked (it was) treason… > > > How do I", "forgot their duty, whenever(?) they talked (it was) treason… > > > How", "numbers and put it all together? I am using the MLA format in", "The quote looks like this: > > …(But) the sons of Babylon, Borsippa,", "the gods, (even) Nannar, > > 19. they forgot their duty, whenever(?) they", "talked (it was) treason… > > > How do I input this text?", "do I remove the numbers and put it all together? I am using", "inscriptions that I want to specifically reference in my paper. The quote looks", "knew not the wrath, (the resentment), of the king of the gods, (even)", "it in the inscription? Or do I remove the numbers and put it", "priests (and) > > 16. people of the capitals of Akkad, against his", "of Babylon, Borsippa, > > 15. Nippur, Ur, Erech, Larsa, priests (and) >", "separate lines like they have it in the inscription? Or do I remove", "using the MLA format in my paper. It will be a Research/Argumentative paper.", "> 15. Nippur, Ur, Erech, Larsa, priests (and) > > 16. people of", "whenever(?) they sought after (anything) they did wickedly, > > 18. they knew", "> > 19. they forgot their duty, whenever(?) they talked (it was) treason…", "did wickedly, > > 18. they knew not the wrath, (the resentment), of", "his great > > 17. divinity offended, whenever(?) they sought after (anything) they", "> 17. divinity offended, whenever(?) they sought after (anything) they did wickedly, >", "text? Do I keep it in separate lines like they have it in", "…(But) the sons of Babylon, Borsippa, > > 15. Nippur, Ur, Erech, Larsa,", "they have it in the inscription? Or do I remove the numbers and", "their duty, whenever(?) they talked (it was) treason… > > > How do", "Do I keep it in separate lines like they have it in the", "remove the numbers and put it all together? I am using the MLA", "together? I am using the MLA format in my paper. It will be", "Harran inscriptions that I want to specifically reference in my paper. The quote", "gods, (even) Nannar, > > 19. they forgot their duty, whenever(?) they talked", "resentment), of the king of the gods, (even) Nannar, > > 19. they", "I want to specifically reference in my paper. The quote looks like this:", "they talked (it was) treason… > > > How do I input this", "inscription? Or do I remove the numbers and put it all together? I", "> …(But) the sons of Babylon, Borsippa, > > 15. Nippur, Ur, Erech,", "Nebonidus Harran inscriptions that I want to specifically reference in my paper. The", "> > How do I input this text? Do I keep it in", "19. they forgot their duty, whenever(?) they talked (it was) treason… > >", "keep it in separate lines like they have it in the inscription? Or", "text from the Nebonidus Harran inscriptions that I want to specifically reference in", "great > > 17. divinity offended, whenever(?) they sought after (anything) they did", "king of the gods, (even) Nannar, > > 19. they forgot their duty,", "I am using the MLA format in my paper. It will be a", "like they have it in the inscription? Or do I remove the numbers", "in separate lines like they have it in the inscription? Or do I", "> 19. they forgot their duty, whenever(?) they talked (it was) treason… >", "against his great > > 17. divinity offended, whenever(?) they sought after (anything)", "> > 18. they knew not the wrath, (the resentment), of the king", "> How do I input this text? Do I keep it in separate", "quote looks like this: > > …(But) the sons of Babylon, Borsippa, >", "they forgot their duty, whenever(?) they talked (it was) treason… > > >", "whenever(?) they talked (it was) treason… > > > How do I input", "from the Nebonidus Harran inscriptions that I want to specifically reference in my", "the wrath, (the resentment), of the king of the gods, (even) Nannar, >", "17. divinity offended, whenever(?) they sought after (anything) they did wickedly, > >", "How do I input this text? Do I keep it in separate lines", "I have a text from the Nebonidus Harran inscriptions that I want to" ]
[ "added a few chapters from the other character's perspective. But now, I either", "no idea how to incorporate more of his thoughts into her chapters. Do", "the eyes of one of the characters, then added a few chapters from", "characters, then added a few chapters from the other character's perspective. But now,", "not overly realistic, but have no idea how to incorporate more of his", "more of his thoughts into her chapters. Do you have any ideas, resources", "of his thoughts into her chapters. Do you have any ideas, resources or", "her chapters. Do you have any ideas, resources or tips on how I", "tips on how I can do this? Are there any rules for writing", "stuck, the 1st option being not overly realistic, but have no idea how", "few chapters from the other character's perspective. But now, I either need to", "the 1st option being not overly realistic, but have no idea how to", "of the characters, then added a few chapters from the other character's perspective.", "book through the eyes of one of the characters, then added a few", "perspective. But now, I either need to add more chapters to the second", "idea how to incorporate more of his thoughts into her chapters. Do you", "character's perspective. But now, I either need to add more chapters to the", "of one of the characters, then added a few chapters from the other", "more chapters to the second character or figure out how to incorporate his", "have no idea how to incorporate more of his thoughts into her chapters.", "other character's perspective. But now, I either need to add more chapters to", "now, I either need to add more chapters to the second character or", "to add more chapters to the second character or figure out how to", "her chapters. I'm stuck, the 1st option being not overly realistic, but have", "second character or figure out how to incorporate his thoughts into her chapters.", "have any ideas, resources or tips on how I can do this? Are", "overly realistic, but have no idea how to incorporate more of his thoughts", "a few chapters from the other character's perspective. But now, I either need", "from the other character's perspective. But now, I either need to add more", "the second character or figure out how to incorporate his thoughts into her", "thoughts into her chapters. Do you have any ideas, resources or tips on", "or figure out how to incorporate his thoughts into her chapters. I'm stuck,", "to incorporate more of his thoughts into her chapters. Do you have any", "I wrote the book through the eyes of one of the characters, then", "need to add more chapters to the second character or figure out how", "or tips on how I can do this? Are there any rules for", "resources or tips on how I can do this? Are there any rules", "add more chapters to the second character or figure out how to incorporate", "but have no idea how to incorporate more of his thoughts into her", "his thoughts into her chapters. Do you have any ideas, resources or tips", "chapters. I'm stuck, the 1st option being not overly realistic, but have no", "ideas, resources or tips on how I can do this? Are there any", "chapters. Do you have any ideas, resources or tips on how I can", "you have any ideas, resources or tips on how I can do this?", "option being not overly realistic, but have no idea how to incorporate more", "figure out how to incorporate his thoughts into her chapters. I'm stuck, the", "chapters from the other character's perspective. But now, I either need to add", "Do you have any ideas, resources or tips on how I can do", "incorporate more of his thoughts into her chapters. Do you have any ideas,", "I can do this? Are there any rules for writing characters having equal", "being not overly realistic, but have no idea how to incorporate more of", "do this? Are there any rules for writing characters having equal page time????", "But now, I either need to add more chapters to the second character", "eyes of one of the characters, then added a few chapters from the", "through the eyes of one of the characters, then added a few chapters", "how to incorporate his thoughts into her chapters. I'm stuck, the 1st option", "either need to add more chapters to the second character or figure out", "I'm stuck, the 1st option being not overly realistic, but have no idea", "the book through the eyes of one of the characters, then added a", "how I can do this? Are there any rules for writing characters having", "how to incorporate more of his thoughts into her chapters. Do you have", "the other character's perspective. But now, I either need to add more chapters", "1st option being not overly realistic, but have no idea how to incorporate", "thoughts into her chapters. I'm stuck, the 1st option being not overly realistic,", "to incorporate his thoughts into her chapters. I'm stuck, the 1st option being", "then added a few chapters from the other character's perspective. But now, I", "any ideas, resources or tips on how I can do this? Are there", "chapters to the second character or figure out how to incorporate his thoughts", "one of the characters, then added a few chapters from the other character's", "to the second character or figure out how to incorporate his thoughts into", "the characters, then added a few chapters from the other character's perspective. But", "into her chapters. Do you have any ideas, resources or tips on how", "his thoughts into her chapters. I'm stuck, the 1st option being not overly", "realistic, but have no idea how to incorporate more of his thoughts into", "on how I can do this? Are there any rules for writing characters", "character or figure out how to incorporate his thoughts into her chapters. I'm", "wrote the book through the eyes of one of the characters, then added", "out how to incorporate his thoughts into her chapters. I'm stuck, the 1st", "I either need to add more chapters to the second character or figure", "incorporate his thoughts into her chapters. I'm stuck, the 1st option being not", "into her chapters. I'm stuck, the 1st option being not overly realistic, but", "can do this? Are there any rules for writing characters having equal page" ]
[ "makes sense to use past tense but I have been told over and", "over and over to never use past tense when analysing a story. Thoughts?", "she never (says/said) anything to him about death but of the wonders of", "her, yet he now reveals he knew the smile was fake.\" It makes", "her face everyday, she never (says/said) anything to him about death but of", "wonders of life and nature. Her smile (was/is) Xizey's favourite thing about her,", "Xizey's favourite thing about her, yet he now reveals he knew the smile", "and speaking of a character that dies, do you still you present tense", "to make up a quick example: \"Despite Owna's death, the plot continues. [...]", "the plot continues. [...] Xizey says Owna wanted to die, but how does", "plot continues. [...] Xizey says Owna wanted to die, but how does he", "a character that dies, do you still you present tense as you are", "of the wonders of life and nature. Her smile (was/is) Xizey's favourite thing", "he now reveals he knew the smile was fake.\" It makes sense to", "make up a quick example: \"Despite Owna's death, the plot continues. [...] Xizey", "If I were to make up a quick example: \"Despite Owna's death, the", "It makes sense to use past tense but I have been told over", "now reveals he knew the smile was fake.\" It makes sense to use", "tense as you are still analysing a book? If I were to make", "use past tense but I have been told over and over to never", "do you still you present tense as you are still analysing a book?", "wanted to die, but how does he know? Owna (was/is) a beautiful girl", "yet he now reveals he knew the smile was fake.\" It makes sense", "does he know? Owna (was/is) a beautiful girl with a smile on her", "about her, yet he now reveals he knew the smile was fake.\" It", "everyday, she never (says/said) anything to him about death but of the wonders", "(was/is) Xizey's favourite thing about her, yet he now reveals he knew the", "to die, but how does he know? Owna (was/is) a beautiful girl with", "smile (was/is) Xizey's favourite thing about her, yet he now reveals he knew", "face everyday, she never (says/said) anything to him about death but of the", "you present tense as you are still analysing a book? If I were", "thing about her, yet he now reveals he knew the smile was fake.\"", "have been told over and over to never use past tense when analysing", "a book and speaking of a character that dies, do you still you", "Xizey says Owna wanted to die, but how does he know? Owna (was/is)", "that dies, do you still you present tense as you are still analysing", "smile on her face everyday, she never (says/said) anything to him about death", "to use past tense but I have been told over and over to", "anything to him about death but of the wonders of life and nature.", "example: \"Despite Owna's death, the plot continues. [...] Xizey says Owna wanted to", "but I have been told over and over to never use past tense", "a smile on her face everyday, she never (says/said) anything to him about", "beautiful girl with a smile on her face everyday, she never (says/said) anything", "smile was fake.\" It makes sense to use past tense but I have", "still you present tense as you are still analysing a book? If I", "Her smile (was/is) Xizey's favourite thing about her, yet he now reveals he", "death but of the wonders of life and nature. Her smile (was/is) Xizey's", "but how does he know? Owna (was/is) a beautiful girl with a smile", "up a quick example: \"Despite Owna's death, the plot continues. [...] Xizey says", "was fake.\" It makes sense to use past tense but I have been", "he knew the smile was fake.\" It makes sense to use past tense", "been told over and over to never use past tense when analysing a", "and nature. Her smile (was/is) Xizey's favourite thing about her, yet he now", "you still you present tense as you are still analysing a book? If", "a quick example: \"Despite Owna's death, the plot continues. [...] Xizey says Owna", "told over and over to never use past tense when analysing a story.", "(says/said) anything to him about death but of the wonders of life and", "dies, do you still you present tense as you are still analysing a", "to him about death but of the wonders of life and nature. Her", "as you are still analysing a book? If I were to make up", "past tense but I have been told over and over to never use", "analysing a book and speaking of a character that dies, do you still", "(was/is) a beautiful girl with a smile on her face everyday, she never", "a beautiful girl with a smile on her face everyday, she never (says/said)", "fake.\" It makes sense to use past tense but I have been told", "\"Despite Owna's death, the plot continues. [...] Xizey says Owna wanted to die,", "character that dies, do you still you present tense as you are still", "life and nature. Her smile (was/is) Xizey's favourite thing about her, yet he", "says Owna wanted to die, but how does he know? Owna (was/is) a", "him about death but of the wonders of life and nature. Her smile", "When analysing a book and speaking of a character that dies, do you", "quick example: \"Despite Owna's death, the plot continues. [...] Xizey says Owna wanted", "of a character that dies, do you still you present tense as you", "how does he know? Owna (was/is) a beautiful girl with a smile on", "nature. Her smile (was/is) Xizey's favourite thing about her, yet he now reveals", "of life and nature. Her smile (was/is) Xizey's favourite thing about her, yet", "the smile was fake.\" It makes sense to use past tense but I", "still analysing a book? If I were to make up a quick example:", "he know? Owna (was/is) a beautiful girl with a smile on her face", "on her face everyday, she never (says/said) anything to him about death but", "book and speaking of a character that dies, do you still you present", "favourite thing about her, yet he now reveals he knew the smile was", "book? If I were to make up a quick example: \"Despite Owna's death,", "were to make up a quick example: \"Despite Owna's death, the plot continues.", "about death but of the wonders of life and nature. Her smile (was/is)", "speaking of a character that dies, do you still you present tense as", "but of the wonders of life and nature. Her smile (was/is) Xizey's favourite", "I were to make up a quick example: \"Despite Owna's death, the plot", "I have been told over and over to never use past tense when", "are still analysing a book? If I were to make up a quick", "death, the plot continues. [...] Xizey says Owna wanted to die, but how", "Owna wanted to die, but how does he know? Owna (was/is) a beautiful", "present tense as you are still analysing a book? If I were to", "analysing a book? If I were to make up a quick example: \"Despite", "with a smile on her face everyday, she never (says/said) anything to him", "know? Owna (was/is) a beautiful girl with a smile on her face everyday,", "a book? If I were to make up a quick example: \"Despite Owna's", "girl with a smile on her face everyday, she never (says/said) anything to", "Owna (was/is) a beautiful girl with a smile on her face everyday, she", "never (says/said) anything to him about death but of the wonders of life", "sense to use past tense but I have been told over and over", "continues. [...] Xizey says Owna wanted to die, but how does he know?", "Owna's death, the plot continues. [...] Xizey says Owna wanted to die, but", "[...] Xizey says Owna wanted to die, but how does he know? Owna", "the wonders of life and nature. Her smile (was/is) Xizey's favourite thing about", "knew the smile was fake.\" It makes sense to use past tense but", "tense but I have been told over and over to never use past", "you are still analysing a book? If I were to make up a", "die, but how does he know? Owna (was/is) a beautiful girl with a", "reveals he knew the smile was fake.\" It makes sense to use past" ]
[ "be tested, and how the results will be documented. For instance, \"System developers", "and in the future (the future here is at the time when the", "way of writing it makes the sentence valid both now and in the", "is better writing? If so, what is the general rule that I can", "the first way of writing it is only valid now. Is it correct", "to the facility in Boulder, CO.\" My sense is that this way of", "correct to write it \"System developers are required to transport their systems to", "My sense is that this way of writing it makes the sentence valid", "facility in Boulder, CO.\" It is true that in the future, the systems", "thing comes up a lot in my engineering job. We're writing a document", "For instance, \"System developers will be required to transport their systems to the", "future, the systems will go to that facility. But I think it's more", "better writing? If so, what is the general rule that I can cite?", "This kind of thing comes up a lot in my engineering job. We're", "it's more correct to write it \"System developers are required to transport their", "of writing it makes the sentence valid both now and in the future", "in the future. For instance, a Test Plan that describes who will participate", "this way of writing it makes the sentence valid both now and in", "a Plan for something we'll be doing in the future. For instance, a", "it makes the sentence valid both now and in the future (the future", "that this way of writing it makes the sentence valid both now and", "that facility. But I think it's more correct to write it \"System developers", "in the future (the future here is at the time when the transport", "Boulder, CO.\" It is true that in the future, the systems will go", "how the results will be documented. For instance, \"System developers will be required", "correct that the 2nd way is better writing? If so, what is the", "be documented. For instance, \"System developers will be required to transport their systems", "valid now. Is it correct that the 2nd way is better writing? If", "lot in my engineering job. We're writing a document that is a Plan", "will be required to transport their systems to the facility in Boulder, CO.\"", "But I think it's more correct to write it \"System developers are required", "in Boulder, CO.\" It is true that in the future, the systems will", "in the test, what will be tested, and how the results will be", "the test, what will be tested, and how the results will be documented.", "future here is at the time when the transport takes place), whereas, the", "the general rule that I can cite? Is it \"verb tense\" or some", "engineering job. We're writing a document that is a Plan for something we'll", "to transport their systems to the facility in Boulder, CO.\" My sense is", "rule that I can cite? Is it \"verb tense\" or some other rule?", "valid both now and in the future (the future here is at the", "kind of thing comes up a lot in my engineering job. We're writing", "for something we'll be doing in the future. For instance, a Test Plan", "now. Is it correct that the 2nd way is better writing? If so,", "the sentence valid both now and in the future (the future here is", "up a lot in my engineering job. We're writing a document that is", "documented. For instance, \"System developers will be required to transport their systems to", "whereas, the first way of writing it is only valid now. Is it", "the future, the systems will go to that facility. But I think it's", "general rule that I can cite? Is it \"verb tense\" or some other", "We're writing a document that is a Plan for something we'll be doing", "we'll be doing in the future. For instance, a Test Plan that describes", "who will participate in the test, what will be tested, and how the", "something we'll be doing in the future. For instance, a Test Plan that", "transport takes place), whereas, the first way of writing it is only valid", "Is it correct that the 2nd way is better writing? If so, what", "the time when the transport takes place), whereas, the first way of writing", "and how the results will be documented. For instance, \"System developers will be", "future (the future here is at the time when the transport takes place),", "of thing comes up a lot in my engineering job. We're writing a", "think it's more correct to write it \"System developers are required to transport", "the 2nd way is better writing? If so, what is the general rule", "facility in Boulder, CO.\" My sense is that this way of writing it", "my engineering job. We're writing a document that is a Plan for something", "makes the sentence valid both now and in the future (the future here", "here is at the time when the transport takes place), whereas, the first", "It is true that in the future, the systems will go to that", "writing it is only valid now. Is it correct that the 2nd way", "it correct that the 2nd way is better writing? If so, what is", "what is the general rule that I can cite? Is it \"verb tense\"", "are required to transport their systems to the facility in Boulder, CO.\" My", "the systems will go to that facility. But I think it's more correct", "Plan that describes who will participate in the test, what will be tested,", "job. We're writing a document that is a Plan for something we'll be", "facility. But I think it's more correct to write it \"System developers are", "writing it makes the sentence valid both now and in the future (the", "sense is that this way of writing it makes the sentence valid both", "the results will be documented. For instance, \"System developers will be required to", "write it \"System developers are required to transport their systems to the facility", "it \"System developers are required to transport their systems to the facility in", "instance, a Test Plan that describes who will participate in the test, what", "is the general rule that I can cite? Is it \"verb tense\" or", "in my engineering job. We're writing a document that is a Plan for", "systems to the facility in Boulder, CO.\" It is true that in the", "is a Plan for something we'll be doing in the future. For instance,", "I think it's more correct to write it \"System developers are required to", "now and in the future (the future here is at the time when", "describes who will participate in the test, what will be tested, and how", "is only valid now. Is it correct that the 2nd way is better", "tested, and how the results will be documented. For instance, \"System developers will", "that is a Plan for something we'll be doing in the future. For", "Test Plan that describes who will participate in the test, what will be", "go to that facility. But I think it's more correct to write it", "Plan for something we'll be doing in the future. For instance, a Test", "is true that in the future, the systems will go to that facility.", "both now and in the future (the future here is at the time", "place), whereas, the first way of writing it is only valid now. Is", "CO.\" It is true that in the future, the systems will go to", "will be documented. For instance, \"System developers will be required to transport their", "way is better writing? If so, what is the general rule that I", "be doing in the future. For instance, a Test Plan that describes who", "takes place), whereas, the first way of writing it is only valid now.", "to write it \"System developers are required to transport their systems to the", "when the transport takes place), whereas, the first way of writing it is", "systems to the facility in Boulder, CO.\" My sense is that this way", "that describes who will participate in the test, what will be tested, and", "(the future here is at the time when the transport takes place), whereas,", "participate in the test, what will be tested, and how the results will", "first way of writing it is only valid now. Is it correct that", "to that facility. But I think it's more correct to write it \"System", "their systems to the facility in Boulder, CO.\" My sense is that this", "document that is a Plan for something we'll be doing in the future.", "is that this way of writing it makes the sentence valid both now", "a document that is a Plan for something we'll be doing in the", "2nd way is better writing? If so, what is the general rule that", "be required to transport their systems to the facility in Boulder, CO.\" It", "only valid now. Is it correct that the 2nd way is better writing?", "in Boulder, CO.\" My sense is that this way of writing it makes", "\"System developers will be required to transport their systems to the facility in", "to transport their systems to the facility in Boulder, CO.\" It is true", "way of writing it is only valid now. Is it correct that the", "required to transport their systems to the facility in Boulder, CO.\" My sense", "comes up a lot in my engineering job. We're writing a document that", "results will be documented. For instance, \"System developers will be required to transport", "true that in the future, the systems will go to that facility. But", "at the time when the transport takes place), whereas, the first way of", "what will be tested, and how the results will be documented. For instance,", "to the facility in Boulder, CO.\" It is true that in the future,", "systems will go to that facility. But I think it's more correct to", "is at the time when the transport takes place), whereas, the first way", "required to transport their systems to the facility in Boulder, CO.\" It is", "test, what will be tested, and how the results will be documented. For", "that in the future, the systems will go to that facility. But I", "a Test Plan that describes who will participate in the test, what will", "their systems to the facility in Boulder, CO.\" It is true that in", "developers will be required to transport their systems to the facility in Boulder,", "the facility in Boulder, CO.\" My sense is that this way of writing", "writing a document that is a Plan for something we'll be doing in", "For instance, a Test Plan that describes who will participate in the test,", "the facility in Boulder, CO.\" It is true that in the future, the", "the transport takes place), whereas, the first way of writing it is only", "doing in the future. For instance, a Test Plan that describes who will", "so, what is the general rule that I can cite? Is it \"verb", "transport their systems to the facility in Boulder, CO.\" It is true that", "transport their systems to the facility in Boulder, CO.\" My sense is that", "future. For instance, a Test Plan that describes who will participate in the", "will be tested, and how the results will be documented. For instance, \"System", "will go to that facility. But I think it's more correct to write", "the future. For instance, a Test Plan that describes who will participate in", "the future (the future here is at the time when the transport takes", "that the 2nd way is better writing? If so, what is the general", "If so, what is the general rule that I can cite? Is it", "will participate in the test, what will be tested, and how the results", "CO.\" My sense is that this way of writing it makes the sentence", "sentence valid both now and in the future (the future here is at", "developers are required to transport their systems to the facility in Boulder, CO.\"", "more correct to write it \"System developers are required to transport their systems", "time when the transport takes place), whereas, the first way of writing it", "of writing it is only valid now. Is it correct that the 2nd", "in the future, the systems will go to that facility. But I think", "it is only valid now. Is it correct that the 2nd way is", "writing? If so, what is the general rule that I can cite? Is", "Boulder, CO.\" My sense is that this way of writing it makes the", "instance, \"System developers will be required to transport their systems to the facility", "\"System developers are required to transport their systems to the facility in Boulder,", "a lot in my engineering job. We're writing a document that is a" ]
[ "Camera\" it is some kind of mixture between cinema and writing. (Crazy stuff,", "\"Third Person Camera\" it is some kind of mixture between cinema and writing.", "What are his pros and cons? * *And how to keep up with", "and writing. (Crazy stuff, I know.) [![enter image description here](https://i.stack.imgur.com/JJwHw.jpg)](https://i.stack.imgur.com/JJwHw.jpg) What is", "are his pros and cons? * And how to keep up with it", "it without doing anything stupid? like escaping from this kind of narrator by", "without doing anything stupid?** like escaping from this kind of narrator by accident.", "some kind of mixture between cinema and writing. (Crazy stuff, I know.) [![enter", "kind of narrator by accident. * OPTIONAL: Give examples and/or books with this", "stupid?** like escaping from this kind of narrator by accident. * OPTIONAL: Give", "* And how to keep up with it without doing anything stupid? like", "how to keep up with it without doing anything stupid? like escaping from", "of mixture between cinema and writing. (Crazy stuff, I know.) [![enter image description", "anything stupid? like escaping from this kind of narrator by accident. * OPTIONAL:", "this kind of narrator by accident. * OPTIONAL: Give examples and/or books with", "Objective\" or \"Third Person Camera\" it is some kind of mixture between cinema", "know.) [![enter image description here](https://i.stack.imgur.com/JJwHw.jpg)](https://i.stack.imgur.com/JJwHw.jpg) * What is this Third Person Dramatic? ", "Person Dramatic?* * What are his pros and cons? * *And how to", "from this kind of narrator by accident. OPTIONAL: Give examples and/or books", "or \"Third Person Camera\" it is some kind of mixture between cinema and", "cons?** * And how to keep up with it without doing anything stupid?", "I know.) [![enter image description here](https://i.stack.imgur.com/JJwHw.jpg)](https://i.stack.imgur.com/JJwHw.jpg) * What is this Third Person Dramatic?", "What is this Third Person Dramatic? * What are his pros and cons?", "kind of mixture between cinema and writing. (Crazy stuff, I know.) [![enter image", "by accident. * OPTIONAL: Give examples and/or books with this kind of narrator.", "and cons?** * *And how to keep up with it without doing anything", "[![enter image description here](https://i.stack.imgur.com/JJwHw.jpg)](https://i.stack.imgur.com/JJwHw.jpg) What is this Third Person Dramatic? * *What", "it is some kind of mixture between cinema and writing. (Crazy stuff, I", "Person Camera\" it is some kind of mixture between cinema and writing. (Crazy", "Person Objective\" or \"Third Person Camera\" it is some kind of mixture between", "description here](https://i.stack.imgur.com/JJwHw.jpg)](https://i.stack.imgur.com/JJwHw.jpg) What is this Third Person Dramatic? * What are his", "\"Third Person Objective\" or \"Third Person Camera\" it is some kind of mixture", "pros and cons? * *And how to keep up with it without doing", "of narrator by accident. OPTIONAL: Give examples and/or books with this kind", "escaping from this kind of narrator by accident. * OPTIONAL: Give examples and/or", "doing anything stupid?** like escaping from this kind of narrator by accident. ", "writing. (Crazy stuff, I know.) [![enter image description here](https://i.stack.imgur.com/JJwHw.jpg)](https://i.stack.imgur.com/JJwHw.jpg) What is this", "keep up with it without doing anything stupid? like escaping from this kind", "with it without doing anything stupid? like escaping from this kind of narrator", "up with it without doing anything stupid? like escaping from this kind of", "told as \"Third Person Objective\" or \"Third Person Camera\" it is some kind", "Third Person Dramatic?** * What are his pros and cons? * And how", "his pros and cons? * And how to keep up with it without", "as \"Third Person Objective\" or \"Third Person Camera\" it is some kind of", "is this Third Person Dramatic? * What are his pros and cons? ", "this Third Person Dramatic?* * What are his pros and cons? * *And", "(Crazy stuff, I know.) [![enter image description here](https://i.stack.imgur.com/JJwHw.jpg)](https://i.stack.imgur.com/JJwHw.jpg) *What is this Third", "between cinema and writing. (Crazy stuff, I know.) [![enter image description here](https://i.stack.imgur.com/JJwHw.jpg)](https://i.stack.imgur.com/JJwHw.jpg) ", "to keep up with it without doing anything stupid?** like escaping from this", "Often told as \"Third Person Objective\" or \"Third Person Camera\" it is some", "is some kind of mixture between cinema and writing. (Crazy stuff, I know.)", "mixture between cinema and writing. (Crazy stuff, I know.) [![enter image description here](https://i.stack.imgur.com/JJwHw.jpg)](https://i.stack.imgur.com/JJwHw.jpg)", "image description here](https://i.stack.imgur.com/JJwHw.jpg)](https://i.stack.imgur.com/JJwHw.jpg) * What is this Third Person Dramatic? * *What are", "stuff, I know.) [![enter image description here](https://i.stack.imgur.com/JJwHw.jpg)](https://i.stack.imgur.com/JJwHw.jpg) *What is this Third Person", " What is this Third Person Dramatic? * *What are his pros and", "like escaping from this kind of narrator by accident. OPTIONAL: Give examples", "cinema and writing. (Crazy stuff, I know.) [![enter image description here](https://i.stack.imgur.com/JJwHw.jpg)](https://i.stack.imgur.com/JJwHw.jpg) * *What", "narrator by accident. OPTIONAL: Give examples and/or books with this kind of", "Dramatic?** * What are his pros and cons? * *And how to keep", " What are his pros and cons? * And how to keep up", "And how to keep up with it without doing anything stupid?** like escaping", "here](https://i.stack.imgur.com/JJwHw.jpg)](https://i.stack.imgur.com/JJwHw.jpg) * What is this Third Person Dramatic? * **What are his pros" ]
[ "the same thing, is there a name given for when a company might", "is there a name given for when a company might have a bunch", "voice* section, there was a list of 'brand statements'. Multiple brand statements as", "as examples of what the company could pick and choose to use throughout", "brand statements would differ from slogans, as typically one brand would only have", "up on the matter, the results I get look as though slogans and", "look as though slogans and brand statements are the same thing. If the", "though slogans and brand statements are the same thing. If the two are", "brand guidelines and, in the tone of voice section, there was a list", "typically one brand would only have one slogan if I'm not mistaken. But", "tone of voice section, there was a list of 'brand statements'. Multiple brand", "across a set of brand guidelines and, in the tone of voice section,", "But when I try to read up on the matter, the results I", "as though slogans and brand statements are the same thing. If the two", "section, there was a list of 'brand statements'. Multiple brand statements as examples", "the same thing. If the two are the same thing, is there a", "slogan if I'm not mistaken. But when I try to read up on", "how brand statements would differ from slogans, as typically one brand would only", "might have a bunch of different headlines that they can use throughout their", "have one slogan if I'm not mistaken. But when I try to read", "examples of what the company could pick and choose to use throughout their", "a company might have a bunch of different headlines that they can use", "marketing material. Is the above method correct? If so then I can understand", "so then I can understand how brand statements would differ from slogans, as", "brand statements are the same thing. If the two are the same thing,", "to read up on the matter, the results I get look as though", "statements as examples of what the company could pick and choose to use", "'brand statements'. Multiple brand statements as examples of what the company could pick", "the company could pick and choose to use throughout their marketing material. Is", "the above method correct? If so then I can understand how brand statements", "I get look as though slogans and brand statements are the same thing.", "a set of brand guidelines and, in the tone of voice section, there", "Multiple brand statements as examples of what the company could pick and choose", "then I can understand how brand statements would differ from slogans, as typically", "the matter, the results I get look as though slogans and brand statements", "a list of 'brand statements'. Multiple brand statements as examples of what the", "I once came across a set of brand guidelines and, in the tone", "same thing. If the two are* the same thing, is there a name", "set of brand guidelines and, in the tone of voice section, there was", "have a bunch of different headlines that they can use throughout their marketing?", "what the company could pick and choose to use throughout their marketing material.", "name given for when a company might have a bunch of different headlines", "of 'brand statements'. Multiple brand statements as examples of what the company could", "If so then I can understand how brand statements would differ from slogans,", "one slogan if I'm not mistaken. But when I try to read up", "the two are the same thing, is there a name given for when", "I can understand how brand statements would differ from slogans, as typically one", "on the matter, the results I get look as though slogans and brand", "there was a list of 'brand statements'. Multiple brand statements as examples of", "guidelines and, in the tone of voice section, there was a list of", "slogans and brand statements are the same thing. If the two are the", "are the same thing. If the two are the same thing, is there", "same thing, is there a name given for when a company might have", "thing, is there a name given for when a company might have a", "the tone of voice section, there was a list of 'brand statements'. Multiple", "above method correct? If so then I can understand how brand statements would", "two are the same thing, is there a name given for when a", "use throughout their marketing material. Is the above method correct? If so then", "not mistaken. But when I try to read up on the matter, the", "if I'm not mistaken. But when I try to read up on the", "I'm not mistaken. But when I try to read up on the matter,", "when a company might have a bunch of different headlines that they can", "brand would only have one slogan if I'm not mistaken. But when I", "of what the company could pick and choose to use throughout their marketing", "their marketing material. Is the above method correct? If so then I can", "only have one slogan if I'm not mistaken. But when I try to", "in the tone of voice section, there was a list of 'brand statements'.", "would differ from slogans, as typically one brand would only have one slogan", "the results I get look as though slogans and brand statements are the", "are the same thing, is there a name given for when a company", "method correct? If so then I can understand how brand statements would differ", "Is the above method correct? If so then I can understand how brand", "there a name given for when a company might have a bunch of", "get look as though slogans and brand statements are the same thing. If", "and brand statements are the same thing. If the two are the same", "one brand would only have one slogan if I'm not mistaken. But when", "read up on the matter, the results I get look as though slogans", "thing. If the two are the same thing, is there a name given", "choose to use throughout their marketing material. Is the above method correct? If", "company could pick and choose to use throughout their marketing material. Is the", "company might have a bunch of different headlines that they can use throughout", "list of 'brand statements'. Multiple brand statements as examples of what the company", "came across a set of brand guidelines and, in the tone of voice", "material. Is the above method correct? If so then I can understand how", "and choose to use throughout their marketing material. Is the above method correct?", "results I get look as though slogans and brand statements are the same", "was a list of 'brand statements'. Multiple brand statements as examples of what", "of brand guidelines and, in the tone of voice section, there was a", "given for when a company might have a bunch of different headlines that", "correct? If so then I can understand how brand statements would differ from", "I try to read up on the matter, the results I get look", "would only have one slogan if I'm not mistaken. But when I try", "If the two are the same thing, is there a name given for", "could pick and choose to use throughout their marketing material. Is the above", "brand statements as examples of what the company could pick and choose to", "of voice* section, there was a list of 'brand statements'. Multiple brand statements", "pick and choose to use throughout their marketing material. Is the above method", "throughout their marketing material. Is the above method correct? If so then I", "to use throughout their marketing material. Is the above method correct? If so", "try to read up on the matter, the results I get look as", "and, in the tone of voice section, there was a list of 'brand", "once came across a set of brand guidelines and, in the tone of", "differ from slogans, as typically one brand would only have one slogan if", "from slogans, as typically one brand would only have one slogan if I'm", "for when a company might have a bunch of different headlines that they", "statements'. Multiple brand statements as examples of what the company could pick and", "as typically one brand would only have one slogan if I'm not mistaken.", "matter, the results I get look as though slogans and brand statements are", "slogans, as typically one brand would only have one slogan if I'm not", "statements are the same thing. If the two are* the same thing, is", "statements would differ from slogans, as typically one brand would only have one", "understand how brand statements would differ from slogans, as typically one brand would", "mistaken. But when I try to read up on the matter, the results", "when I try to read up on the matter, the results I get", "can understand how brand statements would differ from slogans, as typically one brand", "a name given for when a company might have a bunch of different" ]
[ "able to quit a job I hate, and was never going to get", "a crime (in the USA) for anyone to defeat the DRM in order", "the case. Answers seem to fall into two categories: use technology to make", "copies, and you'll have trouble paying the rent until you finish the next", "used, or just accept that (in some cases) there will be orders of", "X? This one has the same two chapters repeated a dozen times.\" My", "practical, effective way to prevent this IP theft? Or is it just a", "full time, with a couple dozen novels in ebook format, who makes a", "business\" -- that might prevent new authors from being able to begin writing", "to \"you can't, and trying will make it worse\"). I just read back", "of doing business\" -- that might prevent new authors from being able to", "write fast enough, while working full time to pay the bills, to eventually", "specifically due to the technology used, or just accept that (in some cases)", "there will be orders of magnitude more pirated copies of you work in", "long term goal to make a living as a writer). My partner is", "Amazon.* In other cases, my partner's novels have been available illegally within days", "be orders of magnitude more pirated copies of you work in the world", "rent until you finish the next book. Bottom line, there still isn't an", "never going to get there before retirement because it takes too many years", "that way, I quit trying to write for money. It's not worth it,", "it seems Amazon will not pursue ebook pirates or pirate sites. Yet, when", "been a number of incidents where novels (by other authors) intended for ebook", "before they were available on Amazon. In other cases, my partner's novels have", "the bills, to eventually (in five or ten years) live on my writing", "authors proactively putting mangled copies of their own works on the torrent sites,", "because it takes too many years to build up a back list I", "author to be pirated. Is there a practical, effective way to prevent this", "just read back through all the answers, and this is still the case.", "I hate, and was never going to get there before retirement because it", "that offers an actual solution. However, I found my own way out: I", "(not having a few hundred billion dollars to soak up a few thousand", "(with a long term goal to make a living as a writer). My", "and Amazon, though the author is the one who suffers (not having a", "accepted an answer here, because there was no answer that I felt really", "understanding is that Amazon uses DRM for ebooks they distribute; that would make", "the author is the one who suffers (not having a few hundred billion", "takes mere hours to days for ebooks from a popular author to be", "it a crime (in the USA) for anyone to defeat the DRM in", "new authors from being able to begin writing full time? Following up, a", "it -- and it seems to boil down to \"Who has a legit", "I never accepted an answer here, because there was no answer that I", "where novels (by other authors) intended for ebook self-publication have appeared on torrent", "orders of magnitude more pirated copies of you work in the world than", "is available for \"free\" before you can buy it, it provably reduces sales", "or just accept that (in some cases) there will be orders of magnitude", "writer, full time, with a couple dozen novels in ebook format, who makes", "before you can buy it, it provably reduces sales -- costing both the", "you can buy it, it provably reduces sales -- costing both the author", "reasonable living solely from ebook sales. Recently, however, there have been a number", "this IP theft? Or is it just a \"cost of doing business\" --", "pursue ebook pirates or pirate sites. Yet, when a book is available for", "costing both the author and Amazon, though the author is the one who", "been aware of authors proactively putting mangled copies of their own works on", "novels in ebook format, who makes a reasonable living solely from ebook sales.", "\"cost of doing business\" -- that might prevent new authors from being able", "worth it, to me, to give up every other enjoyable use of my", "novel (with a long term goal to make a living as a writer).", "a popular author to be pirated. Is there a practical, effective way to", "is it just a \"cost of doing business\" -- that might prevent new", "I'm a part-time writer, still working on my novel (with a long term", "make a living as a writer). My partner is also a writer, full", "things that way, I quit trying to write for money. It's not worth", "inconvenient, and risk loss of sales specifically due to the technology used, or", "writing (with or without theft -- and yes, i still call it that", "my time to be able to write fast enough, while working full time", "an answer here, because there was no answer that I felt really answered", "hours to days for ebooks from a popular author to be pirated. Is", "chapters repeated a dozen times.\" My understanding is that Amazon uses DRM for", "categories: use technology to make piracy inconvenient, and risk loss of sales specifically", "dozen novels in ebook format, who makes a reasonable living solely from ebook", "(in the USA) for anyone to defeat the DRM in order to redistribute", "also a writer, full time, with a couple dozen novels in ebook format,", "on my novel (with a long term goal to make a living as", "answer that I felt really answered the question (though several amounted to \"you", "live on my writing (with or without theft -- and yes, i still", "there was no answer that I felt really answered the question (though several", "novels (by other authors) intended for ebook self-publication have appeared on torrent sites", "live on between (presumptive) best-seller peaks. And seeing things that way, I quit", "trying will make it worse\"). I just read back through all the answers,", "a dozen times.\" My understanding is that Amazon uses DRM for ebooks they", "to give up every other enjoyable use of my time to be able", "in order to judge the reaction of those who'd rather steal a book", "a living as a writer). My partner is also a writer, full time,", "mere hours to days for ebooks from a popular author to be pirated.", "in the world than legitimately purchased copies, and you'll have trouble paying the", "available on Amazon. In other cases, my partner's novels have been available illegally", "working on my novel (with a long term goal to make a living", "with a couple dozen novels in ebook format, who makes a reasonable living", "been available illegally within days of release. I've been aware of authors proactively", "term goal to make a living as a writer). My partner is also", "an actual solution. However, I found my own way out: I realized that", "-- costing both the author and Amazon, though the author is the one", "magnitude more pirated copies of you work in the world than legitimately purchased", "trying to write for money.* It's not worth it, to me, to give", "isn't an answer that offers an actual solution. However, I found my own", "a job I hate, and was never going to get there before retirement", "defeat the DRM in order to redistribute the book, but it seems Amazon", "make it a crime (in the USA) for anyone to defeat the DRM", "are eliminated, it takes mere hours to days for ebooks from a popular", "from being able to begin writing full time? Following up, a year and", "and a half later. I never accepted an answer here, because there was", "to reviewers -- but even when those are eliminated, it takes mere hours", "amounted to \"you can't, and trying will make it worse\"). I just read", "pay for it -- and it seems to boil down to \"Who has", "is that Amazon uses DRM for ebooks they distribute; that would make it", "from a popular author to be pirated. Is there a practical, effective way", "author is the one who suffers (not having a few hundred billion dollars", "that I felt really answered the question (though several amounted to \"you can't,", "other enjoyable use of my time to be able to write fast enough,", "the author and Amazon, though the author is the one who suffers (not", "fall into two categories: use technology to make piracy inconvenient, and risk loss", "going to get there before retirement because it takes too many years to", "finish the next book. Bottom line, there still isn't an answer that offers", "a year and a half later. I never accepted an answer here, because", "can live on between (presumptive) best-seller peaks. And seeing things that way, I", "-- advance review copies provided to reviewers -- but even when those are", "writing full time? Following up, a year and a half later. I never", "it seems to boil down to \"Who has a legit copy of novel", "time, with a couple dozen novels in ebook format, who makes a reasonable", "write for money.* It's not worth it, to me, to give up every", "still the case. Answers seem to fall into two categories: use technology to", "time to be able to write fast enough, while working full time to", "authors from being able to begin writing full time? Following up, a year", "though the author is the one who suffers (not having a few hundred", "a writer). My partner is also a writer, full time, with a couple", "theft? Or is it just a \"cost of doing business\" -- that might", "Is there a practical, effective way to prevent this IP theft? Or is", "have trouble paying the rent until you finish the next book. Bottom line,", "my writing (with or without theft -- and yes, i still call it", "still working on my novel (with a long term goal to make a", "proactively putting mangled copies of their own works on the torrent sites, in", "to begin writing full time? Following up, a year and a half later.", "one who suffers (not having a few hundred billion dollars to soak up", "losses). Some of the thefts have been traced to ARC -- advance review", "a few hundred billion dollars to soak up a few thousand in losses).", "within days of release. I've been aware of authors proactively putting mangled copies", "there have been a number of incidents where novels (by other authors) intended", "yes, i still call it that -- taking money out of my pocket).", "there before retirement because it takes too many years to build up a", "were available on Amazon.* In other cases, my partner's novels have been available", "of their own works on the torrent sites, in order to judge the", "the answers, and this is still the case. Answers seem to fall into", "-- and it seems to boil down to \"Who has a legit copy", "it worse\"). I just read back through all the answers, and this is", "really answered the question (though several amounted to \"you can't, and trying will", "prevent new authors from being able to begin writing full time? Following up,", "on Amazon.* In other cases, my partner's novels have been available illegally within", "enjoyable use of my time to be able to write fast enough, while", "felt really answered the question (though several amounted to \"you can't, and trying", "part-time writer, still working on my novel (with a long term goal to", "provided to reviewers -- but even when those are eliminated, it takes mere", "hopes of being able to quit a job I hate, and was never", "than pay for it -- and it seems to boil down to \"Who", "sites before they were available on Amazon. In other cases, my partner's novels", "seeing things that way, I quit trying to write for money. It's not", "the one who suffers (not having a few hundred billion dollars to soak", "days of release. 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It's", "seem to fall into two categories: use technology to make piracy inconvenient, and", "a writer, full time, with a couple dozen novels in ebook format, who", "appeared on torrent sites before they were available on Amazon. In other cases,", "to write fast enough, while working full time to pay the bills, to", "reaction of those who'd rather steal a book than pay for it --", "will be orders of magnitude more pirated copies of you work in the", "(with or without theft -- and yes, i still call it that --", "a legit copy of novel X? This one has the same two chapters", "Amazon will not pursue ebook pirates or pirate sites. Yet, when a book", "for ebooks they distribute; that would make it a crime (in the USA)", "the DRM in order to redistribute the book, but it seems Amazon will", "Amazon, though the author is the one who suffers (not having a few", "Bottom line, there still isn't an answer that offers an actual solution. However,", "solution. However, I found my own way out: I realized that I was", "realized that I was writing in hopes of being able to quit a", "available for \"free\" before you can buy it, it provably reduces sales --", "a book than pay for it -- and it seems to boil down", "ebook pirates or pirate sites. Yet, when a book is available for \"free\"", "book. Bottom line, there still isn't an answer that offers an actual solution.", "a back list I can live on between (presumptive) best-seller peaks. And seeing", "a book is available for \"free\" before you can buy it, it provably", "popular author to be pirated. Is there a practical, effective way to prevent", "book, but it seems Amazon will not pursue ebook pirates or pirate sites.", "Following up, a year and a half later. I never accepted an answer", "pay the bills, to eventually (in five or ten years) live on my", "those who'd rather steal a book than pay for it -- and it", "the thefts have been traced to ARC -- advance review copies provided to", "use technology to make piracy inconvenient, and risk loss of sales specifically due", "been traced to ARC -- advance review copies provided to reviewers -- but", "takes too many years to build up a back list I can live", "\"you can't, and trying will make it worse\"). I just read back through", "an answer that offers an actual solution. However, I found my own way", "copy of novel X? This one has the same two chapters repeated a", "authors) intended for ebook self-publication have appeared on torrent sites before they were", "to be able to write fast enough, while working full time to pay", "my novel (with a long term goal to make a living as a", "on between (presumptive) best-seller peaks. And seeing things that way, I quit trying", "full time to pay the bills, to eventually (in five or ten years)", "who suffers (not having a few hundred billion dollars to soak up a", "up every other enjoyable use of my time to be able to write", "in losses). Some of the thefts have been traced to ARC -- advance", "doing business\" -- that might prevent new authors from being able to begin", "living solely from ebook sales. Recently, however, there have been a number of", "book than pay for it -- and it seems to boil down to", "My understanding is that Amazon uses DRM for ebooks they distribute; that would", "make it worse\"). I just read back through all the answers, and this", "retirement because it takes too many years to build up a back list", "up, a year and a half later. I never accepted an answer here,", "number of incidents where novels (by other authors) intended for ebook self-publication have", "quit trying to write for money. It's not worth it, to me, to", "for money.* It's not worth it, to me, to give up every other", "(in five or ten years) live on my writing (with or without theft", "their own works on the torrent sites, in order to judge the reaction", "dozen times.\" My understanding is that Amazon uses DRM for ebooks they distribute;", "out: I realized that I was writing in hopes of being able to", "it provably reduces sales -- costing both the author and Amazon, though the", "aware of authors proactively putting mangled copies of their own works on the", "piracy inconvenient, and risk loss of sales specifically due to the technology used,", "to write for money.* It's not worth it, to me, to give up", "the world than legitimately purchased copies, and you'll have trouble paying the rent", "because there was no answer that I felt really answered the question (though", "bills, to eventually (in five or ten years) live on my writing (with", "a number of incidents where novels (by other authors) intended for ebook self-publication", "a half later. I never accepted an answer here, because there was no", "world than legitimately purchased copies, and you'll have trouble paying the rent until", "order to redistribute the book, but it seems Amazon will not pursue ebook", "who makes a reasonable living solely from ebook sales. Recently, however, there have", "uses DRM for ebooks they distribute; that would make it a crime (in", "to get there before retirement because it takes too many years to build", "solely from ebook sales. Recently, however, there have been a number of incidents", "\"Who has a legit copy of novel X? This one has the same", "However, I found my own way out: I realized that I was writing", "ebook format, who makes a reasonable living solely from ebook sales. Recently, however,", "being able to quit a job I hate, and was never going to", "ebooks from a popular author to be pirated. Is there a practical, effective", "thefts have been traced to ARC -- advance review copies provided to reviewers", "job I hate, and was never going to get there before retirement because", "author and Amazon, though the author is the one who suffers (not having", "without theft -- and yes, i still call it that -- taking money", "I've been aware of authors proactively putting mangled copies of their own works", "when those are eliminated, it takes mere hours to days for ebooks from", "review copies provided to reviewers -- but even when those are eliminated, it", "but it seems Amazon will not pursue ebook pirates or pirate sites. Yet,", "I just read back through all the answers, and this is still the", "they were available on Amazon.* In other cases, my partner's novels have been", "to make piracy inconvenient, and risk loss of sales specifically due to the", "eventually (in five or ten years) live on my writing (with or without", "My partner is also a writer, full time, with a couple dozen novels", "year and a half later. I never accepted an answer here, because there", "the rent until you finish the next book. Bottom line, there still isn't", "illegally within days of release. I've been aware of authors proactively putting mangled", "of authors proactively putting mangled copies of their own works on the torrent", "-- that might prevent new authors from being able to begin writing full", "pirates or pirate sites. Yet, when a book is available for \"free\" before", "those are eliminated, it takes mere hours to days for ebooks from a", "own works on the torrent sites, in order to judge the reaction of", "seems to boil down to \"Who has a legit copy of novel X?", "loss of sales specifically due to the technology used, or just accept that", "that (in some cases) there will be orders of magnitude more pirated copies", "have been traced to ARC -- advance review copies provided to reviewers --", "full time? Following up, a year and a half later. I never accepted", "torrent sites before they were available on Amazon. In other cases, my partner's", "read back through all the answers, and this is still the case. Answers", "(by other authors) intended for ebook self-publication have appeared on torrent sites before", "billion dollars to soak up a few thousand in losses). Some of the", "five or ten years) live on my writing (with or without theft --", "it takes mere hours to days for ebooks from a popular author to", "to prevent this IP theft? Or is it just a \"cost of doing", "actual solution. However, I found my own way out: I realized that I", "build up a back list I can live on between (presumptive) best-seller peaks.", "the USA) for anyone to defeat the DRM in order to redistribute the", "theft -- and yes, i still call it that -- taking money out", "partner is also a writer, full time, with a couple dozen novels in", "torrent sites, in order to judge the reaction of those who'd rather steal", "(in some cases) there will be orders of magnitude more pirated copies of", "best-seller peaks. And seeing things that way, I quit trying to write for", "answer here, because there was no answer that I felt really answered the", "available illegally within days of release. 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Is there a", "copies of their own works on the torrent sites, in order to judge", "same two chapters repeated a dozen times.\" My understanding is that Amazon uses", "novels have been available illegally within days of release. I've been aware of", "traced to ARC -- advance review copies provided to reviewers -- but even", "has a legit copy of novel X? This one has the same two", "living as a writer). My partner is also a writer, full time, with", "enough, while working full time to pay the bills, to eventually (in five", "able to begin writing full time? Following up, a year and a half", "(presumptive) best-seller peaks. And seeing things that way, I quit trying to write", "there still isn't an answer that offers an actual solution. However, I found", "who'd rather steal a book than pay for it -- and it seems", "back through all the answers, and this is still the case. Answers seem", "of incidents where novels (by other authors) intended for ebook self-publication have appeared", "the reaction of those who'd rather steal a book than pay for it", "on the torrent sites, in order to judge the reaction of those who'd", "crime (in the USA) for anyone to defeat the DRM in order to", "book is available for \"free\" before you can buy it, it provably reduces", "for ebook self-publication have appeared on torrent sites before they were available on", "thousand in losses). Some of the thefts have been traced to ARC --", "there a practical, effective way to prevent this IP theft? Or is it", "have been a number of incidents where novels (by other authors) intended for", "due to the technology used, or just accept that (in some cases) there", "sites. Yet, when a book is available for \"free\" before you can buy", "be able to write fast enough, while working full time to pay the", "This one has the same two chapters repeated a dozen times.\" My understanding", "you work in the world than legitimately purchased copies, and you'll have trouble", "or ten years) live on my writing (with or without theft -- and", "judge the reaction of those who'd rather steal a book than pay for", "here, because there was no answer that I felt really answered the question", "and trying will make it worse\"). I just read back through all the", "both the author and Amazon, though the author is the one who suffers", "too many years to build up a back list I can live on", "to defeat the DRM in order to redistribute the book, but it seems", "sales -- costing both the author and Amazon, though the author is the", "some cases) there will be orders of magnitude more pirated copies of you", "every other enjoyable use of my time to be able to write fast", "and yes, i still call it that -- taking money out of my", "up a few thousand in losses). Some of the thefts have been traced", "ebook sales. Recently, however, there have been a number of incidents where novels", "purchased copies, and you'll have trouble paying the rent until you finish the", "line, there still isn't an answer that offers an actual solution. However, I", "and it seems to boil down to \"Who has a legit copy of", "quit a job I hate, and was never going to get there before", "of release. I've been aware of authors proactively putting mangled copies of their", "suffers (not having a few hundred billion dollars to soak up a few", "more pirated copies of you work in the world than legitimately purchased copies,", "paying the rent until you finish the next book. Bottom line, there still", "working full time to pay the bills, to eventually (in five or ten", "I quit trying to write for money. It's not worth it, to me,", "just accept that (in some cases) there will be orders of magnitude more", "a long term goal to make a living as a writer). My partner", "not worth it, to me, to give up every other enjoyable use of", "Yet, when a book is available for \"free\" before you can buy it,", "this is still the case. Answers seem to fall into two categories: use", "a reasonable living solely from ebook sales. Recently, however, there have been a", "for it -- and it seems to boil down to \"Who has a", "anyone to defeat the DRM in order to redistribute the book, but it", "have appeared on torrent sites before they were available on Amazon. In other", "they distribute; that would make it a crime (in the USA) for anyone", "-- and yes, i still call it that -- taking money out of", "is the one who suffers (not having a few hundred billion dollars to", "that Amazon uses DRM for ebooks they distribute; that would make it a", "the torrent sites, in order to judge the reaction of those who'd rather", "redistribute the book, but it seems Amazon will not pursue ebook pirates or", "was writing in hopes of being able to quit a job I hate,", "incidents where novels (by other authors) intended for ebook self-publication have appeared on", "a couple dozen novels in ebook format, who makes a reasonable living solely", "hundred billion dollars to soak up a few thousand in losses). Some of", "buy it, it provably reduces sales -- costing both the author and Amazon,", "to me, to give up every other enjoyable use of my time to", "or pirate sites. Yet, when a book is available for \"free\" before you", "ten years) live on my writing (with or without theft -- and yes,", "to quit a job I hate, and was never going to get there", "I felt really answered the question (though several amounted to \"you can't, and", "have been available illegally within days of release. I've been aware of authors", "the question (though several amounted to \"you can't, and trying will make it", "Answers seem to fall into two categories: use technology to make piracy inconvenient,", "other cases, my partner's novels have been available illegally within days of release.", "was no answer that I felt really answered the question (though several amounted", "to build up a back list I can live on between (presumptive) best-seller", "It's not worth it, to me, to give up every other enjoyable use", "hate, and was never going to get there before retirement because it takes", "steal a book than pay for it -- and it seems to boil", "the book, but it seems Amazon will not pursue ebook pirates or pirate", "legit copy of novel X? This one has the same two chapters repeated", "advance review copies provided to reviewers -- but even when those are eliminated,", "I can live on between (presumptive) best-seller peaks. And seeing things that way,", "couple dozen novels in ebook format, who makes a reasonable living solely from", "never accepted an answer here, because there was no answer that I felt", "give up every other enjoyable use of my time to be able to", "case. Answers seem to fall into two categories: use technology to make piracy", "list I can live on between (presumptive) best-seller peaks. And seeing things that", "two chapters repeated a dozen times.\" My understanding is that Amazon uses DRM", "and risk loss of sales specifically due to the technology used, or just", "and you'll have trouble paying the rent until you finish the next book.", "half later. I never accepted an answer here, because there was no answer", "work in the world than legitimately purchased copies, and you'll have trouble paying", "Recently, however, there have been a number of incidents where novels (by other", "offers an actual solution. However, I found my own way out: I realized", "works on the torrent sites, in order to judge the reaction of those", "has the same two chapters repeated a dozen times.\" My understanding is that", "-- but even when those are eliminated, it takes mere hours to days", "a few thousand in losses). Some of the thefts have been traced to", "to judge the reaction of those who'd rather steal a book than pay", "not pursue ebook pirates or pirate sites. Yet, when a book is available", "but even when those are eliminated, it takes mere hours to days for", "question (though several amounted to \"you can't, and trying will make it worse\").", "reduces sales -- costing both the author and Amazon, though the author is", "pirated copies of you work in the world than legitimately purchased copies, and", "next book. Bottom line, there still isn't an answer that offers an actual", "the technology used, or just accept that (in some cases) there will be", "sites, in order to judge the reaction of those who'd rather steal a", "Some of the thefts have been traced to ARC -- advance review copies", "technology used, or just accept that (in some cases) there will be orders", "several amounted to \"you can't, and trying will make it worse\"). I just", "accept that (in some cases) there will be orders of magnitude more pirated", "effective way to prevent this IP theft? Or is it just a \"cost", "own way out: I realized that I was writing in hopes of being", "before retirement because it takes too many years to build up a back", "In other cases, my partner's novels have been available illegally within days of", "while working full time to pay the bills, to eventually (in five or", "will make it worse\"). I just read back through all the answers, and", "order to judge the reaction of those who'd rather steal a book than", "self-publication have appeared on torrent sites before they were available on Amazon. In", "of my time to be able to write fast enough, while working full", "way, I quit trying to write for money. It's not worth it, to", "however, there have been a number of incidents where novels (by other authors)", "to redistribute the book, but it seems Amazon will not pursue ebook pirates", "use of my time to be able to write fast enough, while working", "IP theft? Or is it just a \"cost of doing business\" -- that", "later. I never accepted an answer here, because there was no answer that", "sales. Recently, however, there have been a number of incidents where novels (by", "of magnitude more pirated copies of you work in the world than legitimately", "of the thefts have been traced to ARC -- advance review copies provided", "legitimately purchased copies, and you'll have trouble paying the rent until you finish", "answer that offers an actual solution. However, I found my own way out:", "for ebooks from a popular author to be pirated. Is there a practical,", "begin writing full time? Following up, a year and a half later. I", "in ebook format, who makes a reasonable living solely from ebook sales. Recently,", "until you finish the next book. Bottom line, there still isn't an answer", "soak up a few thousand in losses). Some of the thefts have been", "through all the answers, and this is still the case. Answers seem to", "partner's novels have been available illegally within days of release. I've been aware", "that might prevent new authors from being able to begin writing full time?", "up a back list I can live on between (presumptive) best-seller peaks. And", "to fall into two categories: use technology to make piracy inconvenient, and risk", "having a few hundred billion dollars to soak up a few thousand in", "my own way out: I realized that I was writing in hopes of", "writer). My partner is also a writer, full time, with a couple dozen", "times.\" My understanding is that Amazon uses DRM for ebooks they distribute; that", "I was writing in hopes of being able to quit a job I", "provably reduces sales -- costing both the author and Amazon, though the author", "answered the question (though several amounted to \"you can't, and trying will make", "eliminated, it takes mere hours to days for ebooks from a popular author", "or without theft -- and yes, i still call it that -- taking", "of those who'd rather steal a book than pay for it -- and", "it takes too many years to build up a back list I can", "makes a reasonable living solely from ebook sales. Recently, however, there have been", "cases, my partner's novels have been available illegally within days of release. I've", "answers, and this is still the case. Answers seem to fall into two", "even when those are eliminated, it takes mere hours to days for ebooks", "be pirated. Is there a practical, effective way to prevent this IP theft?", "found my own way out: I realized that I was writing in hopes", "to pay the bills, to eventually (in five or ten years) live on", "repeated a dozen times.\" My understanding is that Amazon uses DRM for ebooks", "intended for ebook self-publication have appeared on torrent sites before they were available", "time to pay the bills, to eventually (in five or ten years) live", "make piracy inconvenient, and risk loss of sales specifically due to the technology", "copies of you work in the world than legitimately purchased copies, and you'll", "to boil down to \"Who has a legit copy of novel X? This", "years) live on my writing (with or without theft -- and yes, i", "worse\"). I just read back through all the answers, and this is still", "putting mangled copies of their own works on the torrent sites, in order", "ebooks they distribute; that would make it a crime (in the USA) for", "when a book is available for \"free\" before you can buy it, it", "of you work in the world than legitimately purchased copies, and you'll have", "of being able to quit a job I hate, and was never going", "as a writer). My partner is also a writer, full time, with a", "risk loss of sales specifically due to the technology used, or just accept", "(though several amounted to \"you can't, and trying will make it worse\"). I", "I realized that I was writing in hopes of being able to quit", "Amazon uses DRM for ebooks they distribute; that would make it a crime", "DRM in order to redistribute the book, but it seems Amazon will not", "the same two chapters repeated a dozen times.\" My understanding is that Amazon", "peaks. And seeing things that way, I quit trying to write for money.", "the next book. Bottom line, there still isn't an answer that offers an", "two categories: use technology to make piracy inconvenient, and risk loss of sales", "being able to begin writing full time? Following up, a year and a", "all the answers, and this is still the case. Answers seem to fall", "sales specifically due to the technology used, or just accept that (in some", "down to \"Who has a legit copy of novel X? This one has", "was never going to get there before retirement because it takes too many", "few thousand in losses). Some of the thefts have been traced to ARC", "Or is it just a \"cost of doing business\" -- that might prevent", "a practical, effective way to prevent this IP theft? Or is it just", "than legitimately purchased copies, and you'll have trouble paying the rent until you", "a \"cost of doing business\" -- that might prevent new authors from being", "is also a writer, full time, with a couple dozen novels in ebook", "boil down to \"Who has a legit copy of novel X? This one", "goal to make a living as a writer). My partner is also a", "\"free\" before you can buy it, it provably reduces sales -- costing both", "in order to redistribute the book, but it seems Amazon will not pursue", "technology to make piracy inconvenient, and risk loss of sales specifically due to", "to eventually (in five or ten years) live on my writing (with or", "my partner's novels have been available illegally within days of release. I've been", "into two categories: use technology to make piracy inconvenient, and risk loss of", "a part-time writer, still working on my novel (with a long term goal", "you finish the next book. Bottom line, there still isn't an answer that", "would make it a crime (in the USA) for anyone to defeat the", "to the technology used, or just accept that (in some cases) there will", "on my writing (with or without theft -- and yes, i still call", "fast enough, while working full time to pay the bills, to eventually (in", "to ARC -- advance review copies provided to reviewers -- but even when", "able to write fast enough, while working full time to pay the bills,", "way to prevent this IP theft? Or is it just a \"cost of", "get there before retirement because it takes too many years to build up", "release. I've been aware of authors proactively putting mangled copies of their own", "prevent this IP theft? Or is it just a \"cost of doing business\"", "I found my own way out: I realized that I was writing in", "can't, and trying will make it worse\"). I just read back through all", "DRM for ebooks they distribute; that would make it a crime (in the", "and this is still the case. Answers seem to fall into two categories:", "that would make it a crime (in the USA) for anyone to defeat", "is still the case. Answers seem to fall into two categories: use technology", "ebook self-publication have appeared on torrent sites before they were available on Amazon.", "for anyone to defeat the DRM in order to redistribute the book, but", "of sales specifically due to the technology used, or just accept that (in", "of novel X? This one has the same two chapters repeated a dozen", "seems Amazon will not pursue ebook pirates or pirate sites. Yet, when a", "just a \"cost of doing business\" -- that might prevent new authors from", "and was never going to get there before retirement because it takes too", "reviewers -- but even when those are eliminated, it takes mere hours to", "still isn't an answer that offers an actual solution. However, I found my", "to \"Who has a legit copy of novel X? This one has the", "rather steal a book than pay for it -- and it seems to", "trouble paying the rent until you finish the next book. Bottom line, there", "writer, still working on my novel (with a long term goal to make", "USA) for anyone to defeat the DRM in order to redistribute the book,", "me, to give up every other enjoyable use of my time to be", "in hopes of being able to quit a job I hate, and was", "dollars to soak up a few thousand in losses). Some of the thefts", "other authors) intended for ebook self-publication have appeared on torrent sites before they", "it, to me, to give up every other enjoyable use of my time", "you'll have trouble paying the rent until you finish the next book. Bottom", "for \"free\" before you can buy it, it provably reduces sales -- costing", "on torrent sites before they were available on Amazon. In other cases, my", "to days for ebooks from a popular author to be pirated. Is there", "might prevent new authors from being able to begin writing full time? Following", "back list I can live on between (presumptive) best-seller peaks. And seeing things", "to make a living as a writer). My partner is also a writer,", "novel X? This one has the same two chapters repeated a dozen times.\"", "pirated. Is there a practical, effective way to prevent this IP theft? Or", "one has the same two chapters repeated a dozen times.\" My understanding is", "way out: I realized that I was writing in hopes of being able", "pirate sites. Yet, when a book is available for \"free\" before you can", "many years to build up a back list I can live on between", "time? Following up, a year and a half later. I never accepted an", "no answer that I felt really answered the question (though several amounted to" ]
[ "a saying (though can be invented on the spot), that is prone to", "Your Hippogriffs:](http://tvtropes.org/pmwiki/pmwiki.php/Main/HoldYourHippogriffs) A (more often than not) cringeworthy version of a saying (though", "Death](https://youtu.be/VXe9C3nZxxY?t=208) in most readers. But it sounds fun, who wouldn't want to say", "the point. *So, how can I make in-universe sayings/curses/ whatever, without popping a", "[exterminators](https://en.wikipedia.org/wiki/Pest_control).\", or closer to the trope \"I'd rather watch an Orion-drive takeoff from", "much chance as [Flower Hill](http://tvtropes.org/pmwiki/pmwiki.php/Animation/SquirrelAndHedgehog) against the [exterminators](https://en.wikipedia.org/wiki/Pest_control).\", or closer to the trope", "(more often than not) cringeworthy version of a saying (though can be invented", "watch an Orion-drive takeoff from bellow than to go there\". You get the", "\"I'd rather watch an Orion-drive takeoff from bellow than to go there\". You", "the spot), that is prone to cause [Fatal Death](https://youtu.be/VXe9C3nZxxY?t=208) in most readers. But", "than to go there\". You get the point. *So, how can I make", "it sounds fun, who wouldn't want to say \"You have as much chance", "version of a saying (though can be invented on the spot), that is", "to go there\". You get the point. So, how can I make in-universe", "want to say \"You have as much chance as [Flower Hill](http://tvtropes.org/pmwiki/pmwiki.php/Animation/SquirrelAndHedgehog) against the", "not) cringeworthy version of a saying (though can be invented on the spot),", "is prone to cause [Fatal Death](https://youtu.be/VXe9C3nZxxY?t=208) in most readers. But it sounds fun,", "to say \"You have as much chance as [Flower Hill](http://tvtropes.org/pmwiki/pmwiki.php/Animation/SquirrelAndHedgehog) against the [exterminators](https://en.wikipedia.org/wiki/Pest_control).\",", "So, how can I make in-universe sayings/curses/ whatever, without popping a reader's head?", "the trope \"I'd rather watch an Orion-drive takeoff from bellow than to go", "closer to the trope \"I'd rather watch an Orion-drive takeoff from bellow than", "rather watch an Orion-drive takeoff from bellow than to go there\". You get", "most readers. But it sounds fun, who wouldn't want to say \"You have", "fun, who wouldn't want to say \"You have as much chance as [Flower", "against the [exterminators](https://en.wikipedia.org/wiki/Pest_control).\", or closer to the trope \"I'd rather watch an Orion-drive", "say \"You have as much chance as [Flower Hill](http://tvtropes.org/pmwiki/pmwiki.php/Animation/SquirrelAndHedgehog) against the [exterminators](https://en.wikipedia.org/wiki/Pest_control).\", or", "spot), that is prone to cause [Fatal Death](https://youtu.be/VXe9C3nZxxY?t=208) in most readers. But it", "go there\". You get the point. *So, how can I make in-universe sayings/curses/", "of a saying (though can be invented on the spot), that is prone", "in most readers. But it sounds fun, who wouldn't want to say \"You", "Orion-drive takeoff from bellow than to go there\". You get the point. So,", "saying (though can be invented on the spot), that is prone to cause", "[Fatal Death](https://youtu.be/VXe9C3nZxxY?t=208) in most readers. But it sounds fun, who wouldn't want to", "wouldn't want to say \"You have as much chance as [Flower Hill](http://tvtropes.org/pmwiki/pmwiki.php/Animation/SquirrelAndHedgehog) against", "have as much chance as [Flower Hill](http://tvtropes.org/pmwiki/pmwiki.php/Animation/SquirrelAndHedgehog) against the [exterminators](https://en.wikipedia.org/wiki/Pest_control).\", or closer to", "the [exterminators](https://en.wikipedia.org/wiki/Pest_control).\", or closer to the trope \"I'd rather watch an Orion-drive takeoff", "(though can be invented on the spot), that is prone to cause [Fatal", "that is prone to cause [Fatal Death](https://youtu.be/VXe9C3nZxxY?t=208) in most readers. But it sounds", "who wouldn't want to say \"You have as much chance as [Flower Hill](http://tvtropes.org/pmwiki/pmwiki.php/Animation/SquirrelAndHedgehog)", "takeoff from bellow than to go there\". You get the point. So, how", "point. So, how can I make in-universe sayings/curses/ whatever, without popping a reader's", "as much chance as [Flower Hill](http://tvtropes.org/pmwiki/pmwiki.php/Animation/SquirrelAndHedgehog) against the [exterminators](https://en.wikipedia.org/wiki/Pest_control).\", or closer to the", "as [Flower Hill](http://tvtropes.org/pmwiki/pmwiki.php/Animation/SquirrelAndHedgehog) against the [exterminators](https://en.wikipedia.org/wiki/Pest_control).\", or closer to the trope \"I'd rather", "on the spot), that is prone to cause [Fatal Death](https://youtu.be/VXe9C3nZxxY?t=208) in most readers.", "an Orion-drive takeoff from bellow than to go there\". You get the point.", "trope \"I'd rather watch an Orion-drive takeoff from bellow than to go there\".", "prone to cause [Fatal Death](https://youtu.be/VXe9C3nZxxY?t=208) in most readers. But it sounds fun, who", "there\". You get the point. *So, how can I make in-universe sayings/curses/ whatever,", "from bellow than to go there\". You get the point. *So, how can", "But it sounds fun, who wouldn't want to say \"You have as much", "invented on the spot), that is prone to cause [Fatal Death](https://youtu.be/VXe9C3nZxxY?t=208) in most", "readers. But it sounds fun, who wouldn't want to say \"You have as", "sounds fun, who wouldn't want to say \"You have as much chance as", "than not) cringeworthy version of a saying (though can be invented on the", "often than not) cringeworthy version of a saying (though can be invented on", "Hill](http://tvtropes.org/pmwiki/pmwiki.php/Animation/SquirrelAndHedgehog) against the [exterminators](https://en.wikipedia.org/wiki/Pest_control).\", or closer to the trope \"I'd rather watch an", "to the trope \"I'd rather watch an Orion-drive takeoff from bellow than to", "bellow than to go there\". You get the point. *So, how can I", "Hippogriffs:](http://tvtropes.org/pmwiki/pmwiki.php/Main/HoldYourHippogriffs) A (more often than not) cringeworthy version of a saying (though can", "be invented on the spot), that is prone to cause [Fatal Death](https://youtu.be/VXe9C3nZxxY?t=208) in", "\"You have as much chance as [Flower Hill](http://tvtropes.org/pmwiki/pmwiki.php/Animation/SquirrelAndHedgehog) against the [exterminators](https://en.wikipedia.org/wiki/Pest_control).\", or closer", "or closer to the trope \"I'd rather watch an Orion-drive takeoff from bellow", "[Hold Your Hippogriffs:](http://tvtropes.org/pmwiki/pmwiki.php/Main/HoldYourHippogriffs) A (more often than not) cringeworthy version of a saying", "to cause [Fatal Death](https://youtu.be/VXe9C3nZxxY?t=208) in most readers. But it sounds fun, who wouldn't", "You get the point. *So, how can I make in-universe sayings/curses/ whatever, without", "[Flower Hill](http://tvtropes.org/pmwiki/pmwiki.php/Animation/SquirrelAndHedgehog) against the [exterminators](https://en.wikipedia.org/wiki/Pest_control).\", or closer to the trope \"I'd rather watch", "A (more often than not) cringeworthy version of a saying (though can be", "can be invented on the spot), that is prone to cause [Fatal Death](https://youtu.be/VXe9C3nZxxY?t=208)", "cringeworthy version of a saying (though can be invented on the spot), that", "chance as [Flower Hill](http://tvtropes.org/pmwiki/pmwiki.php/Animation/SquirrelAndHedgehog) against the [exterminators](https://en.wikipedia.org/wiki/Pest_control).\", or closer to the trope \"I'd", "get the point. *So, how can I make in-universe sayings/curses/ whatever, without popping", "cause [Fatal Death](https://youtu.be/VXe9C3nZxxY?t=208) in most readers. But it sounds fun, who wouldn't want" ]
[ "character sits down to read a court summons and I want the shots", "Golding” > ”Wrongful dissolution of a partnership” > Etc etc > > >", "of text with telling the audience that he’s reading still??? Like: > >", "have to set up each action line of text with telling the audience", "like his name, then his codefendants name, then the charge and then the", "then the charge and then the compensation sought, etc. I don’t know if", "of the document like his name, then his codefendants name, then the charge", "name, then the charge and then the compensation sought, etc. I don’t know", "a scene where my character sits down to read a court summons and", "the compensation sought, etc. I don’t know if I should use quotes around", "Like: > > Lodd scans the document > ”Lodd McCormick” > ”codefendant David", "I should use quotes around the words or what..and I don’t know if", "I want the shots to show various parts of the document like his", "my character sits down to read a court summons and I want the", "that he’s reading still??? Like: > > Lodd scans the document > ”Lodd", "his codefendants name, then the charge and then the compensation sought, etc. I", "line of text with telling the audience that he’s reading still??? Like: >", "etc. I don’t know if I should use quotes around the words or", "document > ”Lodd McCormick” > ”codefendant David Golding” > ”Wrongful dissolution of a", "have a scene where my character sits down to read a court summons", "”codefendant David Golding” > ”Wrongful dissolution of a partnership” > Etc etc >", "name, then his codefendants name, then the charge and then the compensation sought,", "if I have to set up each action line of text with telling", "reading still??? Like: > > Lodd scans the document > ”Lodd McCormick” >", "compensation sought, etc. I don’t know if I should use quotes around the", "know if I should use quotes around the words or what..and I don’t", "action line of text with telling the audience that he’s reading still??? Like:", "what..and I don’t know if I have to set up each action line", "up each action line of text with telling the audience that he’s reading", "the shots to show various parts of the document like his name, then", "scene where my character sits down to read a court summons and I", "the document like his name, then his codefendants name, then the charge and", "the words or what..and I don’t know if I have to set up", "want the shots to show various parts of the document like his name,", "a court summons and I want the shots to show various parts of", "show various parts of the document like his name, then his codefendants name,", "court summons and I want the shots to show various parts of the", "words or what..and I don’t know if I have to set up each", "> > Lodd scans the document > ”Lodd McCormick” > ”codefendant David Golding”", "Lodd scans the document > ”Lodd McCormick” > ”codefendant David Golding” > ”Wrongful", "David Golding” > ”Wrongful dissolution of a partnership” > Etc etc > >", "dissolution of a partnership” > Etc etc > > > Any help is", "quotes around the words or what..and I don’t know if I have to", "down to read a court summons and I want the shots to show", "> ”codefendant David Golding” > ”Wrongful dissolution of a partnership” > Etc etc", "I don’t know if I should use quotes around the words or what..and", "if I should use quotes around the words or what..and I don’t know", "McCormick” > ”codefendant David Golding” > ”Wrongful dissolution of a partnership” > Etc", "parts of the document like his name, then his codefendants name, then the", "> Lodd scans the document > ”Lodd McCormick” > ”codefendant David Golding” >", "don’t know if I have to set up each action line of text", "to read a court summons and I want the shots to show various", "and I want the shots to show various parts of the document like", "document like his name, then his codefendants name, then the charge and then", "summons and I want the shots to show various parts of the document", "read a court summons and I want the shots to show various parts", "the document > ”Lodd McCormick” > ”codefendant David Golding” > ”Wrongful dissolution of", "text with telling the audience that he’s reading still??? Like: > > Lodd", "then the compensation sought, etc. I don’t know if I should use quotes", "of a partnership” > Etc etc > > > Any help is much", "sought, etc. I don’t know if I should use quotes around the words", "> ”Lodd McCormick” > ”codefendant David Golding” > ”Wrongful dissolution of a partnership”", "each action line of text with telling the audience that he’s reading still???", "a partnership” > Etc etc > > > Any help is much appreciated.", "charge and then the compensation sought, etc. I don’t know if I should", "still??? Like: > > Lodd scans the document > ”Lodd McCormick” > ”codefendant", "to show various parts of the document like his name, then his codefendants", "sits down to read a court summons and I want the shots to", "codefendants name, then the charge and then the compensation sought, etc. I don’t", "where my character sits down to read a court summons and I want", "he’s reading still??? Like: > > Lodd scans the document > ”Lodd McCormick”", "shots to show various parts of the document like his name, then his", "know if I have to set up each action line of text with", "use quotes around the words or what..and I don’t know if I have", "the charge and then the compensation sought, etc. I don’t know if I", "I have a scene where my character sits down to read a court", "don’t know if I should use quotes around the words or what..and I", "then his codefendants name, then the charge and then the compensation sought, etc.", "should use quotes around the words or what..and I don’t know if I", "with telling the audience that he’s reading still??? Like: > > Lodd scans", "telling the audience that he’s reading still??? Like: > > Lodd scans the", "his name, then his codefendants name, then the charge and then the compensation", "> ”Wrongful dissolution of a partnership” > Etc etc > > > Any", "I have to set up each action line of text with telling the", "”Wrongful dissolution of a partnership” > Etc etc > > > Any help", "or what..and I don’t know if I have to set up each action", "set up each action line of text with telling the audience that he’s", "various parts of the document like his name, then his codefendants name, then", "around the words or what..and I don’t know if I have to set", "I don’t know if I have to set up each action line of", "scans the document > ”Lodd McCormick” > ”codefendant David Golding” > ”Wrongful dissolution", "to set up each action line of text with telling the audience that", "and then the compensation sought, etc. I don’t know if I should use", "”Lodd McCormick” > ”codefendant David Golding” > ”Wrongful dissolution of a partnership” >", "the audience that he’s reading still??? Like: > > Lodd scans the document", "audience that he’s reading still??? Like: > > Lodd scans the document >" ]
[ "a novel. But I'm also a Junior in high school, which inevitably means", "means that there is even less time to write, but I really want", "of writing a novel. But I'm also a Junior in high school, which", "really good idea for a short story, and I'm in the process of", "up with. It's finals month, and that means that there is even less", "the process of writing a novel. But I'm also a Junior in high", "school, which inevitably means - responsibilities. I have so much of those that", "really want to. Any ideas on how to study and find time to", "time to write, but I really want to. Any ideas on how to", "is even less time to write, but I really want to. Any ideas", "even less time to write, but I really want to. Any ideas on", "make a schedule, but it was nearly impossible to keep up with. It's", "and that means that there is even less time to write, but I", "for a short story, and I'm in the process of writing a novel.", "have a really good idea for a short story, and I'm in the", "schedule, but it was nearly impossible to keep up with. It's finals month,", "novel. But I'm also a Junior in high school, which inevitably means -", "less time to write, but I really want to. Any ideas on how", "also a Junior in high school, which inevitably means - responsibilities. I have", "I'm also a Junior in high school, which inevitably means - responsibilities. I", "write, but I really want to. Any ideas on how to study and", "process of writing a novel. But I'm also a Junior in high school,", "I have so much of those that I can't ever get anything written", "writing a novel. But I'm also a Junior in high school, which inevitably", "keep up with. It's finals month, and that means that there is even", "a short story, and I'm in the process of writing a novel. But", "finals month, and that means that there is even less time to write,", "in high school, which inevitably means - responsibilities. I have so much of", "with. It's finals month, and that means that there is even less time", "tried to make a schedule, but it was nearly impossible to keep up", "I have a really good idea for a short story, and I'm in", "I tried to make a schedule, but it was nearly impossible to keep", "to make a schedule, but it was nearly impossible to keep up with.", "written down. I tried to make a schedule, but it was nearly impossible", "I can't ever get anything written down. I tried to make a schedule,", "down. I tried to make a schedule, but it was nearly impossible to", "that I can't ever get anything written down. I tried to make a", "but it was nearly impossible to keep up with. It's finals month, and", "impossible to keep up with. It's finals month, and that means that there", "have so much of those that I can't ever get anything written down.", "means - responsibilities. I have so much of those that I can't ever", "- responsibilities. I have so much of those that I can't ever get", "a really good idea for a short story, and I'm in the process", "so much of those that I can't ever get anything written down. I", "but I really want to. Any ideas on how to study and find", "ever get anything written down. I tried to make a schedule, but it", "it was nearly impossible to keep up with. It's finals month, and that", "It's finals month, and that means that there is even less time to", "those that I can't ever get anything written down. I tried to make", "idea for a short story, and I'm in the process of writing a", "that means that there is even less time to write, but I really", "which inevitably means - responsibilities. I have so much of those that I", "responsibilities. I have so much of those that I can't ever get anything", "of those that I can't ever get anything written down. I tried to", "much of those that I can't ever get anything written down. I tried", "Junior in high school, which inevitably means - responsibilities. I have so much", "nearly impossible to keep up with. It's finals month, and that means that", "anything written down. I tried to make a schedule, but it was nearly", "I really want to. Any ideas on how to study and find time", "can't ever get anything written down. I tried to make a schedule, but", "in the process of writing a novel. But I'm also a Junior in", "high school, which inevitably means - responsibilities. I have so much of those", "a schedule, but it was nearly impossible to keep up with. It's finals", "inevitably means - responsibilities. I have so much of those that I can't", "good idea for a short story, and I'm in the process of writing", "to keep up with. It's finals month, and that means that there is", "and I'm in the process of writing a novel. But I'm also a", "month, and that means that there is even less time to write, but", "But I'm also a Junior in high school, which inevitably means - responsibilities.", "I'm in the process of writing a novel. But I'm also a Junior", "a Junior in high school, which inevitably means - responsibilities. I have so", "that there is even less time to write, but I really want to.", "was nearly impossible to keep up with. It's finals month, and that means", "story, and I'm in the process of writing a novel. But I'm also", "short story, and I'm in the process of writing a novel. But I'm", "get anything written down. I tried to make a schedule, but it was", "want to. Any ideas on how to study and find time to write?", "there is even less time to write, but I really want to. Any", "to write, but I really want to. Any ideas on how to study" ]
[ "If I ever published that novel or story, I obviously intend to add", "I obviously intend to add the poets name and reference right after the", "novel or story, I obviously intend to add the poets name and reference", "published that novel or story, I obviously intend to add the poets name", "a retelling of) a popular poem written by a great poet who has", "has died more than a hundred years ago, as a tribute to the", "have read [this](https://writers.stackexchange.com/questions/7691/best-practice-for-stories-based-on-other-writers-stories) similar question but it does not really address my question.", "read [this](https://writers.stackexchange.com/questions/7691/best-practice-for-stories-based-on-other-writers-stories) similar question but it does not really address my question. What", "it does not really address my question. What if I want to write", "or a short story that is inspired by (or outright a retelling of)", "popular poem written by a great poet who has died more than a", "by (or outright a retelling of) a popular poem written by a great", "poem written by a great poet who has died more than a hundred", "great poet who has died more than a hundred years ago, as a", "if I want to write a novel or a short story that is", "by a great poet who has died more than a hundred years ago,", "who has died more than a hundred years ago, as a tribute to", "died more than a hundred years ago, as a tribute to the poet?", "years ago, as a tribute to the poet? If I ever published that", "question. What if I want to write a novel or a short story", "address my question. What if I want to write a novel or a", "a popular poem written by a great poet who has died more than", "I want to write a novel or a short story that is inspired", "poet who has died more than a hundred years ago, as a tribute", "write a novel or a short story that is inspired by (or outright", "my question. What if I want to write a novel or a short", "[this](https://writers.stackexchange.com/questions/7691/best-practice-for-stories-based-on-other-writers-stories) similar question but it does not really address my question. What if", "a novel or a short story that is inspired by (or outright a", "I ever published that novel or story, I obviously intend to add the", "as a tribute to the poet? If I ever published that novel or", "than a hundred years ago, as a tribute to the poet? If I", "(or outright a retelling of) a popular poem written by a great poet", "a short story that is inspired by (or outright a retelling of) a", "the poets name and reference right after the title. How do copyrights apply", "poet? If I ever published that novel or story, I obviously intend to", "does not really address my question. What if I want to write a", "more than a hundred years ago, as a tribute to the poet? If", "to the poet? If I ever published that novel or story, I obviously", "outright a retelling of) a popular poem written by a great poet who", "written by a great poet who has died more than a hundred years", "that is inspired by (or outright a retelling of) a popular poem written", "hundred years ago, as a tribute to the poet? If I ever published", "inspired by (or outright a retelling of) a popular poem written by a", "retelling of) a popular poem written by a great poet who has died", "the poet? If I ever published that novel or story, I obviously intend", "of) a popular poem written by a great poet who has died more", "but it does not really address my question. What if I want to", "a hundred years ago, as a tribute to the poet? If I ever", "want to write a novel or a short story that is inspired by", "ever published that novel or story, I obviously intend to add the poets", "that novel or story, I obviously intend to add the poets name and", "or story, I obviously intend to add the poets name and reference right", "intend to add the poets name and reference right after the title. How", "ago, as a tribute to the poet? If I ever published that novel", "is inspired by (or outright a retelling of) a popular poem written by", "add the poets name and reference right after the title. How do copyrights", "poets name and reference right after the title. How do copyrights apply here?", "similar question but it does not really address my question. What if I", "story, I obviously intend to add the poets name and reference right after", "tribute to the poet? If I ever published that novel or story, I", "a great poet who has died more than a hundred years ago, as", "to add the poets name and reference right after the title. How do", "really address my question. What if I want to write a novel or", "story that is inspired by (or outright a retelling of) a popular poem", "question but it does not really address my question. What if I want", "short story that is inspired by (or outright a retelling of) a popular", "obviously intend to add the poets name and reference right after the title.", "I have read [this](https://writers.stackexchange.com/questions/7691/best-practice-for-stories-based-on-other-writers-stories) similar question but it does not really address my", "a tribute to the poet? If I ever published that novel or story,", "novel or a short story that is inspired by (or outright a retelling", "What if I want to write a novel or a short story that", "not really address my question. What if I want to write a novel", "to write a novel or a short story that is inspired by (or" ]
[ "quest in the beginning due to the manipulation of a goddess named N,", "I'm writing something that superficially resemble a fantasy fiction loosely centered around a", "going on a long quest to find and bring solace to an ailing", "quest to find and bring solace to an ailing demigod. There are a", "attention to itself, sending increasingly numerous and dangerous foes its way, and the", "and any particular examples you might think of. Extra Context ============= The core-trio", "call him \"B\", as a sort of mechanical addition to the party the", "eldritch horror to physical abuse suffered under their enemies. Additionally, as the story", "(thus far) only to be a mechanical supplement in combat? Context ------- I'm", "the physical laws in the fictional universe. However, there are also real, transcendental", "will motivate another character to seek out the same demigod and relief the", "at all) develop the personality, character trait, character development and motivation of a", "suffering. Eventually, another similar deity named L will motivate another character to seek", "unscrupulous means to victory, slowly desensitized to their own cruelty and find themselves", "him. 3 - Loss of Innocence: It's predictable, but throughout the story, the", "real, transcendental deities, each with their own motivations. The following are some examples", "core-trio of adventurers going on a long quest to find and bring solace", "predictable, but throughout the story, the main trio will be mentally wore down", "if I should take the effort to flesh out such a character, give", "morally unscrupulous people as well as those with ex-machina motives to kill/enslave her", "who is too trusting and well-meaning for the world around her--a cynical, treacherous", "my head, I only saw the third character, call him \"B\", as a", "of adventurers going on a long quest to find and bring solace to", "for how I might proceed, and any particular examples you might think of.", "wants to see if the trio can alleviate the demigod, which N has", "mechanical addition to the party the same way a video-game character might be", "treacherous place full of selfish and morally unscrupulous people as well as those", "secret admirer of the protagonist, and the problematic character The problem is that", "The problem is that while I fantasized the story in my head, I", "will be mentally wore down by the things they witness and are subjected", "benevolent young woman, who is too trusting and well-meaning for the world around", "trio whose role in the story is (thus far) only to be a", "this is done: The trio are sent on their main quest in the", "Extra Context ============= The core-trio of adventurers going on a long quest to", "another similar deity named L will motivate another character to seek out the", "TL;DR ----- How should I (if at all) develop the personality, character trait,", "extremely naive and excessively benevolent young woman, who is too trusting and well-meaning", "foil to the protagonist's innocence and childishness * A young man, friend and", "too trusting and well-meaning for the world around her--a cynical, treacherous place full", "selfish and morally unscrupulous people as well as those with ex-machina motives to", "be a mechanical supplement in combat? Context ------- I'm writing something that superficially", "bound by the physical laws in the fictional universe. However, there are also", "something that superficially resemble a fantasy fiction loosely centered around a core trio", "purposes, they are just normal people with lots of magical power, which is", "to want to do so. In the event that you do think I", "main quest in the beginning due to the manipulation of a goddess named", "terms of game-play. I wonder if I should take the effort to flesh", "in the bigger game, following the protagonist allow her quest for no other", "here: 1 - Contrast between protagonist and the world: The protagonist, named C,", "there are also real, transcendental deities, each with their own motivations. The following", "to seek out the same demigod and relief the latter by killing him.", "as well as those with ex-machina motives to kill/enslave her in order to", "their own motivations. The following are some examples of how this is done:", "naive and excessively benevolent young woman, who is too trusting and well-meaning for", "which is bound by the physical laws in the fictional universe. However, there", "find themselves relying more and more unscrupulous means to victory, slowly desensitized to", "normal people with lots of magical power, which is bound by the physical", "of. Extra Context ============= The core-trio of adventurers going on a long quest", "general guidelines for how I might proceed, and any particular examples you might", "named C, is deliberately designed to be an extremely naive and excessively benevolent", "and are subjected to, anywhere from visions of eldritch horror to physical abuse", "character, I'd like to hear general guidelines for how I might proceed, and", "woman as the protagonist * A mature, mild-tempered woman with knowledge of existential", "named L will motivate another character to seek out the same demigod and", "might proceed, and any particular examples you might think of. Extra Context =============", "to do so. In the event that you do think I should elaborate", "on their main quest in the beginning due to the manipulation of a", "a foil to the protagonist's innocence and childishness * A young man, friend", "character, call him \"B\", as a sort of mechanical addition to the party", "man, friend and secret admirer of the protagonist, and the problematic character The", "increasingly numerous and dangerous foes its way, and the party find themselves relying", "problematic character The problem is that while I fantasized the story in my", "are also real, transcendental deities, each with their own motivations. The following are", "examples of how this is done: The trio are sent on their main", "is that while I fantasized the story in my head, I only saw", "Context ------- I'm writing something that superficially resemble a fantasy fiction loosely centered", "bigger game, following the protagonist allow her quest for no other reason than", "intents and purposes, they are just normal people with lots of magical power,", "seek out the same demigod and relief the latter by killing him. *3", "supplement to a team in terms of game-play. I wonder if I should", "is too trusting and well-meaning for the world around her--a cynical, treacherous place", "and motivation of a character in a core trio whose role in the", "\"B\", as a sort of mechanical addition to the party the same way", "disillusionment, betrayal and suffering, acting as a foil to the protagonist's innocence and", "you might think of. Extra Context ============= The core-trio of adventurers going on", "to victory, slowly desensitized to their own cruelty and find themselves pulled further", "trio of character, including: A very naive and well-meaning young woman as", "find and bring solace to an ailing demigod. There are a number of", "might think of. Extra Context ============= The core-trio of adventurers going on a", "with their own motivations. The following are some examples of how this is", "woman, who is too trusting and well-meaning for the world around her--a cynical,", "the party find themselves relying more and more unscrupulous means to victory, slowly", "and dangerous foes its way, and the party find themselves relying more and", "should elaborate on B, the problematic character, I'd like to hear general guidelines", "and purposes, they are just normal people with lots of magical power, which", "power, which is bound by the physical laws in the fictional universe. However,", "including: * A very naive and well-meaning young woman as the protagonist ", "event that you do think I should elaborate on B, the problematic character,", "a team in terms of game-play. I wonder if I should take the", "fantasy fiction loosely centered around a core trio of character, including: A", "people as well as those with ex-machina motives to kill/enslave her in order", "order to absorb her magic power. 2 - Divine Intervention: I mentioned demigods", "the latter by killing him. 3 - Loss of Innocence: It's predictable, but", "mild-tempered woman with knowledge of existential disillusionment, betrayal and suffering, acting as a", "the same demigod and relief the latter by killing him. 3 - Loss", "in the beginning due to the manipulation of a goddess named N, who", "or leave him as is--a mere pawn in the bigger game, following the", "with lots of magical power, which is bound by the physical laws in", "a mechanical supplement in combat? Context ------- I'm writing something that superficially resemble", "full of selfish and morally unscrupulous people as well as those with ex-machina", "all) develop the personality, character trait, character development and motivation of a character", "witness and are subjected to, anywhere from visions of eldritch horror to physical", "be an extremely naive and excessively benevolent young woman, who is too trusting", "the story progresses, the trio will begin to draw more and more attention", "Loss of Innocence: It's predictable, but throughout the story, the main trio will", "magic power. 2 - Divine Intervention: I mentioned demigods earlier, for all intents", "character might be a supplement to a team in terms of game-play. I", "to physical abuse suffered under their enemies. Additionally, as the story progresses, the", "motivate another character to seek out the same demigod and relief the latter", "all intents and purposes, they are just normal people with lots of magical", "their enemies. Additionally, as the story progresses, the trio will begin to draw", "of mechanical addition to the party the same way a video-game character might", "give him complex backstory and diverse motivations, or leave him as is--a mere", "- Contrast between protagonist and the world:** The protagonist, named C, is deliberately", "well-meaning young woman as the protagonist * A mature, mild-tempered woman with knowledge", "a goddess named N, who wants to see if the trio can alleviate", "as the story progresses, the trio will begin to draw more and more", "N has feelings for, from his suffering. Eventually, another similar deity named L", "demigods earlier, for all intents and purposes, they are just normal people with", "proceed, and any particular examples you might think of. Extra Context ============= The", "far) only to be a mechanical supplement in combat? Context ------- I'm writing", "are some examples of how this is done: The trio are sent on", "protagonist * A mature, mild-tempered woman with knowledge of existential disillusionment, betrayal and", "diverse motivations, or leave him as is--a mere pawn in the bigger game,", "character trait, character development and motivation of a character in a core trio", "story in my head, I only saw the third character, call him \"B\",", "her--a cynical, treacherous place full of selfish and morally unscrupulous people as well", "trio will begin to draw more and more attention to itself, sending increasingly", "ex-machina motives to kill/enslave her in order to absorb her magic power. 2", "has feelings for, from his suffering. 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Eventually, another similar deity", "to itself, sending increasingly numerous and dangerous foes its way, and the party", "============= The core-trio of adventurers going on a long quest to find and", "relying more and more unscrupulous means to victory, slowly desensitized to their own", "elaborate on B, the problematic character, I'd like to hear general guidelines for", "It's predictable, but throughout the story, the main trio will be mentally wore", "between protagonist and the world:** The protagonist, named C, is deliberately designed to", "means to victory, slowly desensitized to their own cruelty and find themselves pulled", "of a goddess named N, who wants to see if the trio can", "to, anywhere from visions of eldritch horror to physical abuse suffered under their", "to the manipulation of a goddess named N, who wants to see if", "character, including: * A very naive and well-meaning young woman as the protagonist", "by the physical laws in the fictional universe. However, there are also real,", "head, I only saw the third character, call him \"B\", as a sort", "only saw the third character, call him \"B\", as a sort of mechanical", "as a foil to the protagonist's innocence and childishness * A young man,", "complex backstory and diverse motivations, or leave him as is--a mere pawn in", "the party the same way a video-game character might be a supplement to", "protagonist, and the problematic character The problem is that while I fantasized the", "that while I fantasized the story in my head, I only saw the", "place full of selfish and morally unscrupulous people as well as those with", "video-game character might be a supplement to a team in terms of game-play.", "of twists/central features here: 1 - Contrast between protagonist and the world: The", "magical power, which is bound by the physical laws in the fictional universe.", "I might proceed, and any particular examples you might think of. Extra Context", "development and motivation of a character in a core trio whose role in", "and diverse motivations, or leave him as is--a mere pawn in the bigger", "him complex backstory and diverse motivations, or leave him as is--a mere pawn", "friend and secret admirer of the protagonist, and the problematic character The problem", "trusting and well-meaning for the world around her--a cynical, treacherous place full of", "wonder if I should take the effort to flesh out such a character,", "the story is (thus far) only to be a mechanical supplement in combat?", "think of. Extra Context ============= The core-trio of adventurers going on a long", "cruelty and find themselves pulled further and further away from what they are", "out the same demigod and relief the latter by killing him. 3 -", "throughout the story, the main trio will be mentally wore down by the", "to a team in terms of game-play. I wonder if I should take", "I (if at all) develop the personality, character trait, character development and motivation", "to the party the same way a video-game character might be a supplement", "However, there are also real, transcendental deities, each with their own motivations. The", "trio will be mentally wore down by the things they witness and are", "the world around her--a cynical, treacherous place full of selfish and morally unscrupulous", "more and more unscrupulous means to victory, slowly desensitized to their own cruelty", "quest for no other reason than that I dictated him to want to", "own motivations. The following are some examples of how this is done: The", "the bigger game, following the protagonist allow her quest for no other reason", "his suffering. Eventually, another similar deity named L will motivate another character to", "------- I'm writing something that superficially resemble a fantasy fiction loosely centered around", "can alleviate the demigod, which N has feelings for, from his suffering. Eventually,", "Innocence: It's predictable, but throughout the story, the main trio will be mentally", "the event that you do think I should elaborate on B, the problematic", "The core-trio of adventurers going on a long quest to find and bring", "to be an extremely naive and excessively benevolent young woman, who is too", "to draw more and more attention to itself, sending increasingly numerous and dangerous", "goddess named N, who wants to see if the trio can alleviate the", "acting as a foil to the protagonist's innocence and childishness * A young", "a character in a core trio whose role in the story is (thus", "team in terms of game-play. I wonder if I should take the effort", "from visions of eldritch horror to physical abuse suffered under their enemies. Additionally,", "physical laws in the fictional universe. However, there are also real, transcendental deities,", "young woman, who is too trusting and well-meaning for the world around her--a", "allow her quest for no other reason than that I dictated him to", "deity named L will motivate another character to seek out the same demigod", "Divine Intervention: I mentioned demigods earlier, for all intents and purposes, they are", "A mature, mild-tempered woman with knowledge of existential disillusionment, betrayal and suffering, acting", "and more attention to itself, sending increasingly numerous and dangerous foes its way,", "no other reason than that I dictated him to want to do so.", "to their own cruelty and find themselves pulled further and further away from", "personality, character trait, character development and motivation of a character in a core", "long quest to find and bring solace to an ailing demigod. There are", "demigod. There are a number of twists/central features here: 1 - Contrast between", "are just normal people with lots of magical power, which is bound by", "3 - Loss of Innocence: It's predictable, but throughout the story, the main", "----- How should I (if at all) develop the personality, character trait, character", "suffered under their enemies. Additionally, as the story progresses, the trio will begin", "Contrast between protagonist and the world:** The protagonist, named C, is deliberately designed", "superficially resemble a fantasy fiction loosely centered around a core trio of character,", "a fantasy fiction loosely centered around a core trio of character, including: ", "world around her--a cynical, treacherous place full of selfish and morally unscrupulous people", "- Divine Intervention:* I mentioned demigods earlier, for all intents and purposes, they", "be mentally wore down by the things they witness and are subjected to,", "a long quest to find and bring solace to an ailing demigod. There", "very naive and well-meaning young woman as the protagonist * A mature, mild-tempered", "main trio will be mentally wore down by the things they witness and", "are a number of twists/central features here: *1 - Contrast between protagonist and", "to the protagonist's innocence and childishness A young man, friend and secret", "same demigod and relief the latter by killing him. *3 - Loss of", "The protagonist, named C, is deliberately designed to be an extremely naive and", "woman with knowledge of existential disillusionment, betrayal and suffering, acting as a foil", "think I should elaborate on B, the problematic character, I'd like to hear", "of selfish and morally unscrupulous people as well as those with ex-machina motives", "beginning due to the manipulation of a goddess named N, who wants to", "motivations. The following are some examples of how this is done: The trio", "Eventually, another similar deity named L will motivate another character to seek out", "in the fictional universe. However, there are also real, transcendental deities, each with", "A very naive and well-meaning young woman as the protagonist A mature,", "the main trio will be mentally wore down by the things they witness", "following are some examples of how this is done: The trio are sent", "a core trio of character, including: * A very naive and well-meaning young", "the protagonist, and the problematic character The problem is that while I fantasized", "more unscrupulous means to victory, slowly desensitized to their own cruelty and find", "I only saw the third character, call him \"B\", as a sort of", "I should elaborate on B, the problematic character, I'd like to hear general", "the things they witness and are subjected to, anywhere from visions of eldritch", "numerous and dangerous foes its way, and the party find themselves relying more", "guidelines for how I might proceed, and any particular examples you might think", "while I fantasized the story in my head, I only saw the third", "her magic power. 2 - Divine Intervention: I mentioned demigods earlier, for all", "How should I (if at all) develop the personality, character trait, character development", "do think I should elaborate on B, the problematic character, I'd like to", "of character, including: * A very naive and well-meaning young woman as the", "the story in my head, I only saw the third character, call him", "that I dictated him to want to do so. In the event that", "betrayal and suffering, acting as a foil to the protagonist's innocence and childishness", "if the trio can alleviate the demigod, which N has feelings for, from", "the demigod, which N has feelings for, from his suffering. Eventually, another similar", "see if the trio can alleviate the demigod, which N has feelings for,", "role in the story is (thus far) only to be a mechanical supplement", "I fantasized the story in my head, I only saw the third character,", "a core trio whose role in the story is (thus far) only to", "pawn in the bigger game, following the protagonist allow her quest for no", "relief the latter by killing him. 3 - Loss of Innocence: It's predictable,", "I wonder if I should take the effort to flesh out such a", "of existential disillusionment, betrayal and suffering, acting as a foil to the protagonist's", "world:** The protagonist, named C, is deliberately designed to be an extremely naive", "mechanical supplement in combat? Context ------- I'm writing something that superficially resemble a", "themselves relying more and more unscrupulous means to victory, slowly desensitized to their", "for all intents and purposes, they are just normal people with lots of", "laws in the fictional universe. However, there are also real, transcendental deities, each", "fantasized the story in my head, I only saw the third character, call", "mentally wore down by the things they witness and are subjected to, anywhere", "subjected to, anywhere from visions of eldritch horror to physical abuse suffered under", "and well-meaning young woman as the protagonist * A mature, mild-tempered woman with", "protagonist allow her quest for no other reason than that I dictated him", "supplement in combat? Context ------- I'm writing something that superficially resemble a fantasy", "as is--a mere pawn in the bigger game, following the protagonist allow her", "just normal people with lots of magical power, which is bound by the", "and the world:** The protagonist, named C, is deliberately designed to be an", "they witness and are subjected to, anywhere from visions of eldritch horror to", "begin to draw more and more attention to itself, sending increasingly numerous and", "The following are some examples of how this is done: The trio are", "to see if the trio can alleviate the demigod, which N has feelings", "things they witness and are subjected to, anywhere from visions of eldritch horror", "the protagonist's innocence and childishness * A young man, friend and secret admirer", "problematic character, I'd like to hear general guidelines for how I might proceed,", "cynical, treacherous place full of selfish and morally unscrupulous people as well as", "motivations, or leave him as is--a mere pawn in the bigger game, following", "C, is deliberately designed to be an extremely naive and excessively benevolent young", "a character, give him complex backstory and diverse motivations, or leave him as", "like to hear general guidelines for how I might proceed, and any particular", "draw more and more attention to itself, sending increasingly numerous and dangerous foes", "third character, call him \"B\", as a sort of mechanical addition to the", "out such a character, give him complex backstory and diverse motivations, or leave", "the same way a video-game character might be a supplement to a team", "game, following the protagonist allow her quest for no other reason than that", "do so. In the event that you do think I should elaborate on", "protagonist's innocence and childishness * A young man, friend and secret admirer of", "done: The trio are sent on their main quest in the beginning due", "around her--a cynical, treacherous place full of selfish and morally unscrupulous people as", "him \"B\", as a sort of mechanical addition to the party the same", "as those with ex-machina motives to kill/enslave her in order to absorb her", "character to seek out the same demigod and relief the latter by killing", "physical abuse suffered under their enemies. Additionally, as the story progresses, the trio", "other reason than that I dictated him to want to do so. In", "with ex-machina motives to kill/enslave her in order to absorb her magic power.", "excessively benevolent young woman, who is too trusting and well-meaning for the world", "reason than that I dictated him to want to do so. In the", "him to want to do so. In the event that you do think", "character in a core trio whose role in the story is (thus far)", "her in order to absorb her magic power. 2 - Divine Intervention: I", "character development and motivation of a character in a core trio whose role", "should take the effort to flesh out such a character, give him complex", "earlier, for all intents and purposes, they are just normal people with lots", "trio can alleviate the demigod, which N has feelings for, from his suffering.", "how this is done: The trio are sent on their main quest in", "character, give him complex backstory and diverse motivations, or leave him as is--a", "by killing him. 3 - Loss of Innocence: It's predictable, but throughout the", "with knowledge of existential disillusionment, betrayal and suffering, acting as a foil to", "protagonist, named C, is deliberately designed to be an extremely naive and excessively", "trait, character development and motivation of a character in a core trio whose", "lots of magical power, which is bound by the physical laws in the", "is deliberately designed to be an extremely naive and excessively benevolent young woman,", "of a character in a core trio whose role in the story is", "flesh out such a character, give him complex backstory and diverse motivations, or", "There are a number of twists/central features here: 1 - Contrast between protagonist", "2 - Divine Intervention: I mentioned demigods earlier, for all intents and purposes,", "motivation of a character in a core trio whose role in the story", "a video-game character might be a supplement to a team in terms of", "The trio are sent on their main quest in the beginning due to", "- Loss of Innocence: It's predictable, but throughout the story, the main trio", "horror to physical abuse suffered under their enemies. Additionally, as the story progresses,", "the fictional universe. However, there are also real, transcendental deities, each with their", "the protagonist allow her quest for no other reason than that I dictated", "from his suffering. Eventually, another similar deity named L will motivate another character", "admirer of the protagonist, and the problematic character The problem is that while", "and well-meaning for the world around her--a cynical, treacherous place full of selfish", "to find and bring solace to an ailing demigod. There are a number", "the effort to flesh out such a character, give him complex backstory and", "the problematic character, I'd like to hear general guidelines for how I might", "be a supplement to a team in terms of game-play. I wonder if", "and excessively benevolent young woman, who is too trusting and well-meaning for the", "are sent on their main quest in the beginning due to the manipulation", "itself, sending increasingly numerous and dangerous foes its way, and the party find", "character* The problem is that while I fantasized the story in my head,", "problem is that while I fantasized the story in my head, I only", "story is (thus far) only to be a mechanical supplement in combat? Context", "its way, and the party find themselves relying more and more unscrupulous means", "of the protagonist, and the problematic character The problem is that while I", "of eldritch horror to physical abuse suffered under their enemies. Additionally, as the", "to be a mechanical supplement in combat? Context ------- I'm writing something that", "as the protagonist * A mature, mild-tempered woman with knowledge of existential disillusionment,", "writing something that superficially resemble a fantasy fiction loosely centered around a core", "fiction loosely centered around a core trio of character, including: * A very", "ailing demigod. There are a number of twists/central features here: *1 - Contrast", "bring solace to an ailing demigod. There are a number of twists/central features", "mature, mild-tempered woman with knowledge of existential disillusionment, betrayal and suffering, acting as", "the trio can alleviate the demigod, which N has feelings for, from his", "well-meaning for the world around her--a cynical, treacherous place full of selfish and", "is done: The trio are sent on their main quest in the beginning", "down by the things they witness and are subjected to, anywhere from visions", "of game-play. I wonder if I should take the effort to flesh out", "designed to be an extremely naive and excessively benevolent young woman, who is", "story, the main trio will be mentally wore down by the things they", "young woman as the protagonist A mature, mild-tempered woman with knowledge of", "alleviate the demigod, which N has feelings for, from his suffering. Eventually, another", "effort to flesh out such a character, give him complex backstory and diverse", "her quest for no other reason than that I dictated him to want", "universe. However, there are also real, transcendental deities, each with their own motivations.", "how I might proceed, and any particular examples you might think of. Extra", "Context ============= The core-trio of adventurers going on a long quest to find", "are subjected to, anywhere from visions of eldritch horror to physical abuse suffered", "to hear general guidelines for how I might proceed, and any particular examples", "and bring solace to an ailing demigod. There are a number of twists/central", "should I (if at all) develop the personality, character trait, character development and", "such a character, give him complex backstory and diverse motivations, or leave him", "might be a supplement to a team in terms of game-play. I wonder", "named N, who wants to see if the trio can alleviate the demigod,", "unscrupulous people as well as those with ex-machina motives to kill/enslave her in", "enemies. Additionally, as the story progresses, the trio will begin to draw more", "will begin to draw more and more attention to itself, sending increasingly numerous", "to absorb her magic power. 2 - Divine Intervention: I mentioned demigods earlier,", "in the story is (thus far) only to be a mechanical supplement in", "around a core trio of character, including: * A very naive and well-meaning", "of how this is done: The trio are sent on their main quest", "following the protagonist allow her quest for no other reason than that I", "suffering, acting as a foil to the protagonist's innocence and childishness * A", "that you do think I should elaborate on B, the problematic character, I'd", "progresses, the trio will begin to draw more and more attention to itself,", "latter by killing him. 3 - Loss of Innocence: It's predictable, but throughout", "core trio of character, including: * A very naive and well-meaning young woman", "the problematic character The problem is that while I fantasized the story in", "B, the problematic character, I'd like to hear general guidelines for how I", "and the party find themselves relying more and more unscrupulous means to victory,", "well as those with ex-machina motives to kill/enslave her in order to absorb", "number of twists/central features here: 1 - Contrast between protagonist and the world:", "addition to the party the same way a video-game character might be a", "L will motivate another character to seek out the same demigod and relief", "resemble a fantasy fiction loosely centered around a core trio of character, including:", "same way a video-game character might be a supplement to a team in", "the personality, character trait, character development and motivation of a character in a", "due to the manipulation of a goddess named N, who wants to see", "transcendental deities, each with their own motivations. The following are some examples of", "deities, each with their own motivations. The following are some examples of how", "and morally unscrupulous people as well as those with ex-machina motives to kill/enslave", "the manipulation of a goddess named N, who wants to see if the", "dangerous foes its way, and the party find themselves relying more and more", "own cruelty and find themselves pulled further and further away from what they", "take the effort to flesh out such a character, give him complex backstory", "way, and the party find themselves relying more and more unscrupulous means to", "that superficially resemble a fantasy fiction loosely centered around a core trio of", "for no other reason than that I dictated him to want to do", "and relief the latter by killing him. 3 - Loss of Innocence: It's", "wore down by the things they witness and are subjected to, anywhere from", "Additionally, as the story progresses, the trio will begin to draw more and", "to kill/enslave her in order to absorb her magic power. *2 - Divine", "so. In the event that you do think I should elaborate on B,", "than that I dictated him to want to do so. In the event", "who wants to see if the trio can alleviate the demigod, which N", "desensitized to their own cruelty and find themselves pulled further and further away", "an extremely naive and excessively benevolent young woman, who is too trusting and", "story progresses, the trio will begin to draw more and more attention to", "I should take the effort to flesh out such a character, give him", "the trio will begin to draw more and more attention to itself, sending", "whose role in the story is (thus far) only to be a mechanical", "sending increasingly numerous and dangerous foes its way, and the party find themselves", "and suffering, acting as a foil to the protagonist's innocence and childishness ", "their own cruelty and find themselves pulled further and further away from what", "in combat? Context ------- I'm writing something that superficially resemble a fantasy fiction", "which N has feelings for, from his suffering. Eventually, another similar deity named", "in a core trio whose role in the story is (thus far) only", "and find themselves pulled further and further away from what they are used", "In the event that you do think I should elaborate on B, the", "and childishness * A young man, friend and secret admirer of the protagonist,", "game-play. I wonder if I should take the effort to flesh out such", "people with lots of magical power, which is bound by the physical laws", "the world:** The protagonist, named C, is deliberately designed to be an extremely", "loosely centered around a core trio of character, including: * A very naive", "for the world around her--a cynical, treacherous place full of selfish and morally", "some examples of how this is done: The trio are sent on their", "a supplement to a team in terms of game-play. I wonder if I", "develop the personality, character trait, character development and motivation of a character in", "under their enemies. Additionally, as the story progresses, the trio will begin to", "Intervention:** I mentioned demigods earlier, for all intents and purposes, they are just", "saw the third character, call him \"B\", as a sort of mechanical addition", "mentioned demigods earlier, for all intents and purposes, they are just normal people", "and more unscrupulous means to victory, slowly desensitized to their own cruelty and", "naive and well-meaning young woman as the protagonist * A mature, mild-tempered woman", "A young man, friend and secret admirer of the protagonist, and the problematic", "the story, the main trio will be mentally wore down by the things", " A young man, friend and secret admirer of the protagonist, and the", "young man, friend and secret admirer of the protagonist, and the problematic character", "fictional universe. However, there are also real, transcendental deities, each with their own", "of Innocence: It's predictable, but throughout the story, the main trio will be", "those with ex-machina motives to kill/enslave her in order to absorb her magic", "adventurers going on a long quest to find and bring solace to an", "anywhere from visions of eldritch horror to physical abuse suffered under their enemies.", "sort of mechanical addition to the party the same way a video-game character", "him as is--a mere pawn in the bigger game, following the protagonist allow", "demigod and relief the latter by killing him. 3 - Loss of Innocence:*", "and the problematic character* The problem is that while I fantasized the story", "childishness * A young man, friend and secret admirer of the protagonist, and", "the protagonist * A mature, mild-tempered woman with knowledge of existential disillusionment, betrayal", "knowledge of existential disillusionment, betrayal and suffering, acting as a foil to the", "centered around a core trio of character, including: * A very naive and", "in terms of game-play. I wonder if I should take the effort to", "their main quest in the beginning due to the manipulation of a goddess", "combat? Context ------- I'm writing something that superficially resemble a fantasy fiction loosely", "power. 2 - Divine Intervention: I mentioned demigods earlier, for all intents and", "in order to absorb her magic power. 2 - Divine Intervention: I mentioned", "on a long quest to find and bring solace to an ailing demigod.", "to an ailing demigod. There are a number of twists/central features here: *1", "innocence and childishness A young man, friend and secret admirer of the", "any particular examples you might think of. Extra Context ============= The core-trio of", "dictated him to want to do so. In the event that you do", "but throughout the story, the main trio will be mentally wore down by", "* A very naive and well-meaning young woman as the protagonist * A", "feelings for, from his suffering. Eventually, another similar deity named L will motivate", "the beginning due to the manipulation of a goddess named N, who wants", "a number of twists/central features here: 1 - Contrast between protagonist and the", "N, who wants to see if the trio can alleviate the demigod, which", "I'd like to hear general guidelines for how I might proceed, and any", "kill/enslave her in order to absorb her magic power. 2 - Divine Intervention:*", "also real, transcendental deities, each with their own motivations. The following are some", "trio are sent on their main quest in the beginning due to the", " A mature, mild-tempered woman with knowledge of existential disillusionment, betrayal and suffering,", "deliberately designed to be an extremely naive and excessively benevolent young woman, who", "is (thus far) only to be a mechanical supplement in combat? Context -------", "foes its way, and the party find themselves relying more and more unscrupulous", "motives to kill/enslave her in order to absorb her magic power. 2 -", "is bound by the physical laws in the fictional universe. However, there are", "examples you might think of. Extra Context ============= The core-trio of adventurers going", "the third character, call him \"B\", as a sort of mechanical addition to", "they are just normal people with lots of magical power, which is bound", "particular examples you might think of. Extra Context ============= The core-trio of adventurers", "want to do so. In the event that you do think I should", "slowly desensitized to their own cruelty and find themselves pulled further and further", "another character to seek out the same demigod and relief the latter by", "I mentioned demigods earlier, for all intents and purposes, they are just normal", "is--a mere pawn in the bigger game, following the protagonist allow her quest", "in my head, I only saw the third character, call him \"B\", as", "sent on their main quest in the beginning due to the manipulation of", "party find themselves relying more and more unscrupulous means to victory, slowly desensitized", "party the same way a video-game character might be a supplement to a", "visions of eldritch horror to physical abuse suffered under their enemies. Additionally, as", "victory, slowly desensitized to their own cruelty and find themselves pulled further and", "protagonist and the world: The protagonist, named C, is deliberately designed to be", "on B, the problematic character, I'd like to hear general guidelines for how", "absorb her magic power. 2 - Divine Intervention: I mentioned demigods earlier, for", "as a sort of mechanical addition to the party the same way a", "of magical power, which is bound by the physical laws in the fictional", "twists/central features here: 1 - Contrast between protagonist and the world: The protagonist,", "killing him. 3 - Loss of Innocence: It's predictable, but throughout the story,", "way a video-game character might be a supplement to a team in terms", "abuse suffered under their enemies. Additionally, as the story progresses, the trio will", "hear general guidelines for how I might proceed, and any particular examples you", "find themselves pulled further and further away from what they are used to.", "solace to an ailing demigod. There are a number of twists/central features here:", "I dictated him to want to do so. In the event that you", "features here: 1 - Contrast between protagonist and the world: The protagonist, named", "more attention to itself, sending increasingly numerous and dangerous foes its way, and", "you do think I should elaborate on B, the problematic character, I'd like", "manipulation of a goddess named N, who wants to see if the trio", "by the things they witness and are subjected to, anywhere from visions of", "for, from his suffering. Eventually, another similar deity named L will motivate another", "leave him as is--a mere pawn in the bigger game, following the protagonist", "existential disillusionment, betrayal and suffering, acting as a foil to the protagonist's innocence", "1 - Contrast between protagonist and the world: The protagonist, named C, is", "(if at all) develop the personality, character trait, character development and motivation of", "more and more attention to itself, sending increasingly numerous and dangerous foes its", "mere pawn in the bigger game, following the protagonist allow her quest for", "only to be a mechanical supplement in combat? Context ------- I'm writing something", "similar deity named L will motivate another character to seek out the same", "backstory and diverse motivations, or leave him as is--a mere pawn in the", "core trio whose role in the story is (thus far) only to be", "a sort of mechanical addition to the party the same way a video-game", "and secret admirer of the protagonist, and the problematic character The problem is", "to flesh out such a character, give him complex backstory and diverse motivations,", "each with their own motivations. The following are some examples of how this" ]
[ "for their fictional characters. I've tried putting my fictional characters in houses I", "where the house is for sale but then the house is sold. So,", "on real estate sites, where the house is for sale but then the", "a fantasy book based in the present day New Orleans, LA area and", "LA area and I was wondering how authors create real setting homes for", "setting homes for their fictional characters. I've tried putting my fictional characters in", "my fictional characters in houses I find on real estate sites, where the", "I've tried putting my fictional characters in houses I find on real estate", "Orleans, LA area and I was wondering how authors create real setting homes", "I was wondering how authors create real setting homes for their fictional characters.", "is for sale but then the house is sold. So, I was wondering", "was wondering how authors create real setting homes for their fictional characters. I've", "real estate sites, where the house is for sale but then the house", "house is for sale but then the house is sold. So, I was", "in the present day New Orleans, LA area and I was wondering how", "house is sold. So, I was wondering how to create an actual home", "fantasy book based in the present day New Orleans, LA area and I", "I am writing a fantasy book based in the present day New Orleans,", "houses I find on real estate sites, where the house is for sale", "am writing a fantasy book based in the present day New Orleans, LA", "real setting homes for their fictional characters. I've tried putting my fictional characters", "sale but then the house is sold. So, I was wondering how to", "is sold. So, I was wondering how to create an actual home for", "book based in the present day New Orleans, LA area and I was", "their fictional characters. I've tried putting my fictional characters in houses I find", "authors create real setting homes for their fictional characters. I've tried putting my", "writing a fantasy book based in the present day New Orleans, LA area", "the house is sold. So, I was wondering how to create an actual", "sold. So, I was wondering how to create an actual home for my", "based in the present day New Orleans, LA area and I was wondering", "So, I was wondering how to create an actual home for my characters", "tried putting my fictional characters in houses I find on real estate sites,", "estate sites, where the house is for sale but then the house is", "for sale but then the house is sold. So, I was wondering how", "fictional characters. I've tried putting my fictional characters in houses I find on", "present day New Orleans, LA area and I was wondering how authors create", "sites, where the house is for sale but then the house is sold.", "area and I was wondering how authors create real setting homes for their", "New Orleans, LA area and I was wondering how authors create real setting", "find on real estate sites, where the house is for sale but then", "day New Orleans, LA area and I was wondering how authors create real", "but then the house is sold. So, I was wondering how to create", "I was wondering how to create an actual home for my characters permanently.", "I find on real estate sites, where the house is for sale but", "the present day New Orleans, LA area and I was wondering how authors", "characters. I've tried putting my fictional characters in houses I find on real", "how authors create real setting homes for their fictional characters. I've tried putting", "putting my fictional characters in houses I find on real estate sites, where", "homes for their fictional characters. I've tried putting my fictional characters in houses", "characters in houses I find on real estate sites, where the house is", "create real setting homes for their fictional characters. I've tried putting my fictional", "then the house is sold. So, I was wondering how to create an", "the house is for sale but then the house is sold. So, I", "and I was wondering how authors create real setting homes for their fictional", "in houses I find on real estate sites, where the house is for", "fictional characters in houses I find on real estate sites, where the house", "wondering how authors create real setting homes for their fictional characters. I've tried" ]
[ "Google Chrome. What I want to know is why do I feel this", "and I feel more comfortable and confident in myself than when I use", "to write, my fingers freeze and I get nervous. I try to type", "and nothing feels right about it. The peculiar thing is that it never", "write on the computer. No matter how I feel, I have to revise", "in myself than when I use Microsoft Word or Google Chrome. What I", "next time I write on the computer. No matter how I feel, I", "mind, and then I read it and nothing feels right about it. The", "when I use Microsoft Word or Google Chrome. What I want to know", "more secure the next time I write on the computer. No matter how", "open up a word processor on the computer to write, my fingers freeze", "The words and my thoughts flow naturally and I feel more comfortable and", "or Google Chrome. What I want to know is why do I feel", "up a word processor on the computer to write, my fingers freeze and", "write with a pen/pencil and paper. The words and my thoughts flow naturally", "I write with a pen/pencil and paper. The words and my thoughts flow", "know is why do I feel this way, and how can I feel", "can I feel more secure the next time I write on the computer.", "Word or Google Chrome. What I want to know is why do I", "use Microsoft Word or Google Chrome. What I want to know is why", "is why do I feel this way, and how can I feel more", "the computer to write, my fingers freeze and I get nervous. I try", "that it never seems to happen when I write with a pen/pencil and", "nothing feels right about it. The peculiar thing is that it never seems", "pen/pencil and paper. The words and my thoughts flow naturally and I feel", "happen when I write with a pen/pencil and paper. The words and my", "myself than when I use Microsoft Word or Google Chrome. What I want", "seems to happen when I write with a pen/pencil and paper. The words", "then I read it and nothing feels right about it. The peculiar thing", "and I get nervous. I try to type the opening. I make myself", "want to know is why do I feel this way, and how can", "What I want to know is why do I feel this way, and", "comes into my mind, and then I read it and nothing feels right", "read it and nothing feels right about it. The peculiar thing is that", "time I write on the computer. No matter how I feel, I have", "on the computer. No matter how I feel, I have to revise what", "way, and how can I feel more secure the next time I write", "never seems to happen when I write with a pen/pencil and paper. The", "No matter how I feel, I have to revise what I wrote sooner", "nervous. I try to type the opening. I make myself write any sentence", "the opening. I make myself write any sentence that comes into my mind,", "paper. The words and my thoughts flow naturally and I feel more comfortable", "my mind, and then I read it and nothing feels right about it.", "I want to know is why do I feel this way, and how", "thing is that it never seems to happen when I write with a", "make myself write any sentence that comes into my mind, and then I", "is that it never seems to happen when I write with a pen/pencil", "this way, and how can I feel more secure the next time I", "computer to write, my fingers freeze and I get nervous. I try to", "peculiar thing is that it never seems to happen when I write with", "myself write any sentence that comes into my mind, and then I read", "processor on the computer to write, my fingers freeze and I get nervous.", "type the opening. I make myself write any sentence that comes into my", "I make myself write any sentence that comes into my mind, and then", "Whenever I open up a word processor on the computer to write, my", "Microsoft Word or Google Chrome. What I want to know is why do", "word processor on the computer to write, my fingers freeze and I get", "I feel this way, and how can I feel more secure the next", "the next time I write on the computer. No matter how I feel,", "matter how I feel, I have to revise what I wrote sooner or", "any sentence that comes into my mind, and then I read it and", "the computer. No matter how I feel, I have to revise what I", "comfortable and confident in myself than when I use Microsoft Word or Google", "it. The peculiar thing is that it never seems to happen when I", "feel more secure the next time I write on the computer. No matter", "that comes into my mind, and then I read it and nothing feels", "it never seems to happen when I write with a pen/pencil and paper.", "I use Microsoft Word or Google Chrome. What I want to know is", "and how can I feel more secure the next time I write on", "write, my fingers freeze and I get nervous. I try to type the", "try to type the opening. I make myself write any sentence that comes", "to type the opening. I make myself write any sentence that comes into", "sentence that comes into my mind, and then I read it and nothing", "into my mind, and then I read it and nothing feels right about", "right about it. The peculiar thing is that it never seems to happen", "and paper. The words and my thoughts flow naturally and I feel more", "and my thoughts flow naturally and I feel more comfortable and confident in", "Chrome. What I want to know is why do I feel this way,", "how I feel, I have to revise what I wrote sooner or later.", "freeze and I get nervous. I try to type the opening. I make", "more comfortable and confident in myself than when I use Microsoft Word or", "I feel more secure the next time I write on the computer. No", "to happen when I write with a pen/pencil and paper. The words and", "confident in myself than when I use Microsoft Word or Google Chrome. What", "it and nothing feels right about it. The peculiar thing is that it", "with a pen/pencil and paper. The words and my thoughts flow naturally and", "a pen/pencil and paper. The words and my thoughts flow naturally and I", "I try to type the opening. I make myself write any sentence that", "The peculiar thing is that it never seems to happen when I write", "opening. I make myself write any sentence that comes into my mind, and", "how can I feel more secure the next time I write on the", "a word processor on the computer to write, my fingers freeze and I", "I get nervous. I try to type the opening. I make myself write", "feel more comfortable and confident in myself than when I use Microsoft Word", "feel this way, and how can I feel more secure the next time", "fingers freeze and I get nervous. I try to type the opening. I", "flow naturally and I feel more comfortable and confident in myself than when", "when I write with a pen/pencil and paper. The words and my thoughts", "computer. No matter how I feel, I have to revise what I wrote", "than when I use Microsoft Word or Google Chrome. What I want to", "I open up a word processor on the computer to write, my fingers", "I write on the computer. No matter how I feel, I have to", "write any sentence that comes into my mind, and then I read it", "feels right about it. The peculiar thing is that it never seems to", "and confident in myself than when I use Microsoft Word or Google Chrome.", "why do I feel this way, and how can I feel more secure", "naturally and I feel more comfortable and confident in myself than when I", "get nervous. I try to type the opening. I make myself write any", "do I feel this way, and how can I feel more secure the", "I feel more comfortable and confident in myself than when I use Microsoft", "thoughts flow naturally and I feel more comfortable and confident in myself than", "I read it and nothing feels right about it. The peculiar thing is", "about it. The peculiar thing is that it never seems to happen when", "secure the next time I write on the computer. No matter how I", "words and my thoughts flow naturally and I feel more comfortable and confident", "my thoughts flow naturally and I feel more comfortable and confident in myself", "on the computer to write, my fingers freeze and I get nervous. I", "to know is why do I feel this way, and how can I", "and then I read it and nothing feels right about it. The peculiar", "my fingers freeze and I get nervous. I try to type the opening." ]
[ "to what pleases them. Do I continue writing the novel, or do I", "have an outline of it and have written the first chapter. But I", "not have much time as I balance school, special classes and software development.", "The Hunger Games Series by Suzanne Collins, The Shiva Trilogy by Amish and", "so many books and have a mini library at their houses. I did", "I balance school, special classes and software development. I am extremely interested in", "many books and have a mini library at their houses. I did not", "about the book-reading community as to what pleases them. Do I continue writing", "many books in Goosebumps, people say that they are like short stories and", "software development. I am extremely interested in reading books, though I cannot right", "book. I fantasize about writing a fantasy novel. I have an outline of", "development. I am extremely interested in reading books, though I cannot right now),", "about writing a fantasy novel. I have an outline of it and have", "short stories and cannot be considered a book. I fantasize about writing a", "I cannot right now), but I have read The Hunger Games Series by", "many books (I am 17 and do not have much time as I", "classes and software development. I am extremely interested in reading books, though I", "have much time as I balance school, special classes and software development. I", "(about 60-70) of Goosebumps by R.L. Stine. Though you may think that I", "and do not have much time as I balance school, special classes and", "cannot be considered a book. I fantasize about writing a fantasy novel. I", "balance school, special classes and software development. I am extremely interested in reading", "now), but I have read The Hunger Games Series by Suzanne Collins, The", "the first chapter. But I am afraid I do not have enough knowledge", "community as to what pleases them. Do I continue writing the novel, or", "they are like short stories and cannot be considered a book. I fantasize", "like short stories and cannot be considered a book. I fantasize about writing", "not read many books (I am 17 and do not have much time", "read The Hunger Games* Series by Suzanne Collins, The Shiva Trilogy by Amish", "of Goosebumps by R.L. Stine. Though you may think that I have read", "and all books (about 60-70) of Goosebumps by R.L. Stine. Though you may", "people say that they are like short stories and cannot be considered a", "heard people telling that they have read so many books and have a", "library at their houses. I did not read many books (I am 17", "did not read many books (I am 17 and do not have much", "17 and do not have much time as I balance school, special classes", "school, special classes and software development. I am extremely interested in reading books,", "the book-reading community as to what pleases them. Do I continue writing the", "do not have much time as I balance school, special classes and software", "book-reading community as to what pleases them. Do I continue writing the novel,", "I continue writing the novel, or do I need more experience in reading", "Though you may think that I have read many books in Goosebumps, people", "am 17 and do not have much time as I balance school, special", "have a mini library at their houses. I did not read many books", "outline of it and have written the first chapter. But I am afraid", "an outline of it and have written the first chapter. But I am", "have enough knowledge about the book-reading community as to what pleases them. Do", "mini library at their houses. I did not read many books (I am", "them. Do I continue writing the novel, or do I need more experience", "Goosebumps, people say that they are like short stories and cannot be considered", "interested in reading books, though I cannot right now), but I have read", "a book. I fantasize about writing a fantasy novel. I have an outline", "a mini library at their houses. I did not read many books (I", "extremely interested in reading books, though I cannot right now), but I have", "Trilogy* by Amish and all books (about 60-70) of Goosebumps by R.L. Stine.", "and have written the first chapter. But I am afraid I do not", "have read so many books and have a mini library at their houses.", "read so many books and have a mini library at their houses. I", "fantasy novel. I have an outline of it and have written the first", "a fantasy novel. I have an outline of it and have written the", "and cannot be considered a book. I fantasize about writing a fantasy novel.", "I have an outline of it and have written the first chapter. But", "reading books, though I cannot right now), but I have read The Hunger", "at their houses. I did not read many books (I am 17 and", "written the first chapter. But I am afraid I do not have enough", "(I am 17 and do not have much time as I balance school,", "their houses. I did not read many books (I am 17 and do", "am extremely interested in reading books, though I cannot right now), but I", "by Amish and all books (about 60-70) of Goosebumps* by R.L. Stine. Though", "first chapter. But I am afraid I do not have enough knowledge about", "enough knowledge about the book-reading community as to what pleases them. Do I", "they have read so many books and have a mini library at their", "but I have read The Hunger Games Series by Suzanne Collins, The Shiva", "have heard people telling that they have read so many books and have", "houses. I did not read many books (I am 17 and do not", "writing the novel, or do I need more experience in reading books first?", "The Shiva Trilogy* by Amish and all books (about 60-70) of Goosebumps by", "Shiva Trilogy* by Amish and all books (about 60-70) of Goosebumps by R.L.", "read many books (I am 17 and do not have much time as", "much time as I balance school, special classes and software development. I am", "fantasize about writing a fantasy novel. I have an outline of it and", "have read The Hunger Games Series by Suzanne Collins, The Shiva Trilogy by", "Amish and all books (about 60-70) of Goosebumps by R.L. Stine. Though you", "as I balance school, special classes and software development. I am extremely interested", "that they have read so many books and have a mini library at", "I am extremely interested in reading books, though I cannot right now), but", "it and have written the first chapter. But I am afraid I do", "read many books in Goosebumps, people say that they are like short stories", "Goosebumps by R.L. Stine. Though you may think that I have read many", "think that I have read many books in Goosebumps, people say that they", "60-70) of Goosebumps by R.L. Stine. Though you may think that I have", "have written the first chapter. But I am afraid I do not have", "not have enough knowledge about the book-reading community as to what pleases them.", "people telling that they have read so many books and have a mini", "say that they are like short stories and cannot be considered a book.", "afraid I do not have enough knowledge about the book-reading community as to", "novel. I have an outline of it and have written the first chapter.", "time as I balance school, special classes and software development. I am extremely", "books and have a mini library at their houses. I did not read", "writing a fantasy novel. I have an outline of it and have written", "have read many books in Goosebumps, people say that they are like short", "I am afraid I do not have enough knowledge about the book-reading community", "knowledge about the book-reading community as to what pleases them. Do I continue", "stories and cannot be considered a book. I fantasize about writing a fantasy", "of it and have written the first chapter. But I am afraid I", "books (I am 17 and do not have much time as I balance", "in Goosebumps, people say that they are like short stories and cannot be", "books (about 60-70) of Goosebumps by R.L. Stine. Though you may think that", "I do not have enough knowledge about the book-reading community as to what", "books, though I cannot right now), but I have read The Hunger Games", "I have read The Hunger Games Series by Suzanne Collins, The Shiva Trilogy", "But I am afraid I do not have enough knowledge about the book-reading", "you may think that I have read many books in Goosebumps, people say", "R.L. Stine. Though you may think that I have read many books in", "do not have enough knowledge about the book-reading community as to what pleases", "though I cannot right now), but I have read The Hunger Games Series", "books in Goosebumps, people say that they are like short stories and cannot", "pleases them. Do I continue writing the novel, or do I need more", "I have read many books in Goosebumps, people say that they are like", "am afraid I do not have enough knowledge about the book-reading community as", "Do I continue writing the novel, or do I need more experience in", "considered a book. I fantasize about writing a fantasy novel. I have an", "may think that I have read many books in Goosebumps, people say that", "are like short stories and cannot be considered a book. I fantasize about", "be considered a book. I fantasize about writing a fantasy novel. I have", "Hunger Games* Series by Suzanne Collins, The Shiva Trilogy by Amish and all", "that they are like short stories and cannot be considered a book. I", "and have a mini library at their houses. I did not read many", "all books (about 60-70) of Goosebumps by R.L. Stine. Though you may think", "Games* Series by Suzanne Collins, The Shiva Trilogy by Amish and all books", "I have heard people telling that they have read so many books and", "I fantasize about writing a fantasy novel. I have an outline of it", "telling that they have read so many books and have a mini library", "and software development. I am extremely interested in reading books, though I cannot", "cannot right now), but I have read The Hunger Games Series by Suzanne", "continue writing the novel, or do I need more experience in reading books", "Stine. Though you may think that I have read many books in Goosebumps,", "that I have read many books in Goosebumps, people say that they are", "as to what pleases them. Do I continue writing the novel, or do", "I did not read many books (I am 17 and do not have", "chapter. But I am afraid I do not have enough knowledge about the", "by Suzanne Collins, The Shiva Trilogy by Amish and all books (about 60-70)", "Collins, The Shiva Trilogy by Amish and all books (about 60-70) of Goosebumps", "by R.L. Stine. Though you may think that I have read many books", "in reading books, though I cannot right now), but I have read The", "right now), but I have read The Hunger Games* Series by Suzanne Collins,", "what pleases them. Do I continue writing the novel, or do I need", "special classes and software development. I am extremely interested in reading books, though", "Suzanne Collins, The Shiva Trilogy by Amish and all books (about 60-70) of", "Series by Suzanne Collins, The Shiva Trilogy by Amish and all books (about" ]
[ "presumptions that lie on the basis of any literary piece? What could they", "you say that there are postulates, or presumptions that lie on the basis", "are postulates, or presumptions that lie on the basis of any literary piece?", "or presumptions that lie on the basis of any literary piece? What could", "that lie on the basis of any literary piece? What could they be?", "that there are postulates, or presumptions that lie on the basis of any", "say that there are postulates, or presumptions that lie on the basis of", "Would you say that there are postulates, or presumptions that lie on the", "postulates, or presumptions that lie on the basis of any literary piece? What", "there are postulates, or presumptions that lie on the basis of any literary" ]
[ "I don't know how to make this scene interesting. How do you make", "a board game or a card game, such as chess, monopoly, blackjack, or", "she wins). My dilemma, though, is that this is literally the climax of", "write a scene where she is playing a board game with an old", "of the story and I don't know how to make this scene interesting.", "wins). My dilemma, though, is that this is literally the climax of the", "trying to write a scene where she is playing a board game with", "a scene where she is playing a board game with an old dude", "a board game with an old dude who also has a gambling problem", "a girl who is a compulsive gambler, and I'm trying to write a", "My dilemma, though, is that this is literally the climax of the story", "climax of the story and I don't know how to make this scene", "this scene interesting. How do you make a board game or a card", "do you make a board game or a card game, such as chess,", "playing a board game with an old dude who also has a gambling", "about a girl who is a compulsive gambler, and I'm trying to write", "a compulsive gambler, and I'm trying to write a scene where she is", "has a gambling problem (eventually, she wins). My dilemma, though, is that this", "gambling problem (eventually, she wins). My dilemma, though, is that this is literally", "who is a compulsive gambler, and I'm trying to write a scene where", "is literally the climax of the story and I don't know how to", "is playing a board game with an old dude who also has a", "is a compulsive gambler, and I'm trying to write a scene where she", "who also has a gambling problem (eventually, she wins). My dilemma, though, is", "scene interesting. How do you make a board game or a card game,", "with an old dude who also has a gambling problem (eventually, she wins).", "is that this is literally the climax of the story and I don't", "the story and I don't know how to make this scene interesting. How", "book is about a girl who is a compulsive gambler, and I'm trying", "(eventually, she wins). My dilemma, though, is that this is literally the climax", "board game or a card game, such as chess, monopoly, blackjack, or whatever", "How do you make a board game or a card game, such as", "My book is about a girl who is a compulsive gambler, and I'm", "where she is playing a board game with an old dude who also", "a gambling problem (eventually, she wins). My dilemma, though, is that this is", "how to make this scene interesting. How do you make a board game", "scene where she is playing a board game with an old dude who", "dilemma, though, is that this is literally the climax of the story and", "though, is that this is literally the climax of the story and I", "girl who is a compulsive gambler, and I'm trying to write a scene", "old dude who also has a gambling problem (eventually, she wins). My dilemma,", "you make a board game or a card game, such as chess, monopoly,", "compulsive gambler, and I'm trying to write a scene where she is playing", "board game with an old dude who also has a gambling problem (eventually,", "make a board game or a card game, such as chess, monopoly, blackjack,", "game or a card game, such as chess, monopoly, blackjack, or whatever interesting?", "an old dude who also has a gambling problem (eventually, she wins). My", "literally the climax of the story and I don't know how to make", "gambler, and I'm trying to write a scene where she is playing a", "make this scene interesting. How do you make a board game or a", "interesting. How do you make a board game or a card game, such", "to make this scene interesting. How do you make a board game or", "I'm trying to write a scene where she is playing a board game", "and I don't know how to make this scene interesting. How do you", "don't know how to make this scene interesting. How do you make a", "game with an old dude who also has a gambling problem (eventually, she", "know how to make this scene interesting. How do you make a board", "also has a gambling problem (eventually, she wins). My dilemma, though, is that", "dude who also has a gambling problem (eventually, she wins). My dilemma, though,", "this is literally the climax of the story and I don't know how", "problem (eventually, she wins). My dilemma, though, is that this is literally the", "and I'm trying to write a scene where she is playing a board", "story and I don't know how to make this scene interesting. How do", "the climax of the story and I don't know how to make this", "that this is literally the climax of the story and I don't know", "is about a girl who is a compulsive gambler, and I'm trying to", "she is playing a board game with an old dude who also has", "to write a scene where she is playing a board game with an" ]
[ "in which it primarily focuses on the protagonist adventuring in a time much,", "as a puzzle that the readers themselves have to piece together to form", "protagonist as the story progresses, I want to present it as a puzzle", "that the readers themselves have to piece together to form their own interpretations", "a puzzle that the readers themselves have to piece together to form their", "having the backstory revealed plainly to the protagonist as the story progresses, I", "with obscure, irrelevant details that make little sense. What would be the best", "a dark fantasy/Lovecraftian horror story in which it primarily focuses on the protagonist", "which it primarily focuses on the protagonist adventuring in a time much, much", "readers themselves have to piece together to form their own interpretations without simply", "irrelevant details that make little sense. What would be the best method to", "of having the backstory revealed plainly to the protagonist as the story progresses,", "it as a puzzle that the readers themselves have to piece together to", "fantasy/Lovecraftian horror story in which it primarily focuses on the protagonist adventuring in", "plainly to the protagonist as the story progresses, I want to present it", "to form their own interpretations without simply taunting them with obscure, irrelevant details", "events took place to the point where everything to do with the past", "the story progresses, I want to present it as a puzzle that the", "took place to the point where everything to do with the past is", "for a dark fantasy/Lovecraftian horror story in which it primarily focuses on the", "present it as a puzzle that the readers themselves have to piece together", "to piece together to form their own interpretations without simply taunting them with", "place to the point where everything to do with the past is convoluted.", "interpretations without simply taunting them with obscure, irrelevant details that make little sense.", "sense. What would be the best method to pull this kind of storytelling", "as the story progresses, I want to present it as a puzzle that", "it primarily focuses on the protagonist adventuring in a time much, much later", "to do with the past is convoluted. Yet instead of having the backstory", "a time much, much later than when relevant backstory events took place to", "time much, much later than when relevant backstory events took place to the", "make little sense. What would be the best method to pull this kind", "want to present it as a puzzle that the readers themselves have to", "idea for a dark fantasy/Lovecraftian horror story in which it primarily focuses on", "primarily focuses on the protagonist adventuring in a time much, much later than", "have to piece together to form their own interpretations without simply taunting them", "where everything to do with the past is convoluted. Yet instead of having", "little sense. What would be the best method to pull this kind of", "focuses on the protagonist adventuring in a time much, much later than when", "revealed plainly to the protagonist as the story progresses, I want to present", "the protagonist as the story progresses, I want to present it as a", "have this one idea for a dark fantasy/Lovecraftian horror story in which it", "them with obscure, irrelevant details that make little sense. What would be the", "the readers themselves have to piece together to form their own interpretations without", "the protagonist adventuring in a time much, much later than when relevant backstory", "past is convoluted. Yet instead of having the backstory revealed plainly to the", "the past is convoluted. Yet instead of having the backstory revealed plainly to", "story progresses, I want to present it as a puzzle that the readers", "taunting them with obscure, irrelevant details that make little sense. What would be", "progresses, I want to present it as a puzzle that the readers themselves", "relevant backstory events took place to the point where everything to do with", "instead of having the backstory revealed plainly to the protagonist as the story", "together to form their own interpretations without simply taunting them with obscure, irrelevant", "in a time much, much later than when relevant backstory events took place", "I have this one idea for a dark fantasy/Lovecraftian horror story in which", "puzzle that the readers themselves have to piece together to form their own", "own interpretations without simply taunting them with obscure, irrelevant details that make little", "story in which it primarily focuses on the protagonist adventuring in a time", "without simply taunting them with obscure, irrelevant details that make little sense. What", "their own interpretations without simply taunting them with obscure, irrelevant details that make", "on the protagonist adventuring in a time much, much later than when relevant", "piece together to form their own interpretations without simply taunting them with obscure,", "obscure, irrelevant details that make little sense. What would be the best method", "horror story in which it primarily focuses on the protagonist adventuring in a", "the backstory revealed plainly to the protagonist as the story progresses, I want", "What would be the best method to pull this kind of storytelling off?", "much, much later than when relevant backstory events took place to the point", "adventuring in a time much, much later than when relevant backstory events took", "simply taunting them with obscure, irrelevant details that make little sense. What would", "dark fantasy/Lovecraftian horror story in which it primarily focuses on the protagonist adventuring", "this one idea for a dark fantasy/Lovecraftian horror story in which it primarily", "to present it as a puzzle that the readers themselves have to piece", "I want to present it as a puzzle that the readers themselves have", "point where everything to do with the past is convoluted. Yet instead of", "backstory events took place to the point where everything to do with the", "to the protagonist as the story progresses, I want to present it as", "when relevant backstory events took place to the point where everything to do", "later than when relevant backstory events took place to the point where everything", "details that make little sense. What would be the best method to pull", "backstory revealed plainly to the protagonist as the story progresses, I want to", "the point where everything to do with the past is convoluted. Yet instead", "everything to do with the past is convoluted. Yet instead of having the", "to the point where everything to do with the past is convoluted. Yet", "themselves have to piece together to form their own interpretations without simply taunting", "that make little sense. What would be the best method to pull this", "convoluted. Yet instead of having the backstory revealed plainly to the protagonist as", "Yet instead of having the backstory revealed plainly to the protagonist as the", "protagonist adventuring in a time much, much later than when relevant backstory events", "one idea for a dark fantasy/Lovecraftian horror story in which it primarily focuses", "than when relevant backstory events took place to the point where everything to", "much later than when relevant backstory events took place to the point where", "do with the past is convoluted. Yet instead of having the backstory revealed", "is convoluted. Yet instead of having the backstory revealed plainly to the protagonist", "form their own interpretations without simply taunting them with obscure, irrelevant details that", "with the past is convoluted. Yet instead of having the backstory revealed plainly" ]
[ "even register what happened. After a second, he collapses on the > ground.", "save > d's life and only picks up a few words from him:", "is now losing blood more rapidly. Cold is one of the common sign", "kinetic, the wound is not cauterized, and there is no bullet inside it", "is called circulatory shock, a positive feedback loop, in which the circulatory system", "by dilating arteries, increasing the blood flow, i.e: d is now losing blood", "can't, and never will be able to give a deep, philosophical speech when", "the smallest possible > spot, causing it to explode. The pulse ends before", "when your brain is struggling to get oxygen. What happened to d is", "collapses on the > ground. The situation is really bad, as the weapon's", "CHEESE STILL REARS UP ITS UGLY HEAD TO RUIN IT! Some exposition: This", "to him and > tries to close the wound, but d already lost", "what happened. After a second, he collapses on the > ground. The situation", "verge of becoming [narm](http://tvtropes.org/pmwiki/pmwiki.php/Main/Narm), which is not a good thing. How can I", "bullet inside it > to even slightly stem the bleeding. Phihactor c rushes", "shock, so d complaining about it is perfectly rational. But the \"I'm so", "no bullet inside it > to even slightly stem the bleeding. Phihactor c", "oxygen. What happened to d is called circulatory shock, a positive feedback loop,", "to close the wound, but d already lost too much blood, he can", "which is not a good thing. How can I use these types of", "feedback loop, in which the circulatory system experiences a sudden drop in blood", "of the common sign of shock, so d complaining about it is perfectly", "we can truly feel sad for a background character, BUT CHEESE STILL REARS", "> > > DAAAMN! A sad moment where we can truly feel sad", "so d complaining about it is perfectly rational. But the \"I'm so cold\"", "where we can truly feel sad for a background character, BUT CHEESE STILL", "positive feedback loop, in which the circulatory system experiences a sudden drop in", "STILL REARS UP ITS UGLY HEAD TO RUIN IT! Some exposition: This series", "is struggling to get oxygen. What happened to d is called circulatory shock,", "a Pulse Rifle. > This is very bad, as Pulse Rifles are in", "explode. The pulse ends before d's brain could > even register what happened.", "is really bad, as the weapon's effect is > mainly kinetic, the wound", "Rifles are in the laser category and their > mode of operation is", "Phihactor c rushes over to him and > tries to close the wound,", "tries to close the wound, but d already lost too much blood, he", "slightly stem the bleeding. Phihactor c rushes over to him and > tries", "realistic, and you can't, and never will be able to give a deep,", "most energy on the smallest possible > spot, causing it to explode. The", "experiences a sudden drop in blood pressure, and tries to compensate it by", "mainly kinetic, the wound is not cauterized, and there is no bullet inside", "is very bad, as Pulse Rifles are in the laser category and their", "brain could > even register what happened. After a second, he collapses on", "moment where we can truly feel sad for a background character, BUT CHEESE", "which the circulatory system experiences a sudden drop in blood pressure, and tries", "dilating arteries, increasing the blood flow, i.e: d is now losing blood more", "weapon's effect is > mainly kinetic, the wound is not cauterized, and there", "never will be able to give a deep, philosophical speech when your brain", "increasing the blood flow, i.e: d is now losing blood more rapidly. Cold", "the wound is not cauterized, and there is no bullet inside it >", "speech when your brain is struggling to get oxygen. What happened to d", "background character, BUT CHEESE STILL REARS UP ITS UGLY HEAD TO RUIN IT!", "rational. But the \"I'm so cold\" stock-death phrase is on the verge of", "cauterized, and there is no bullet inside it > to even slightly stem", "> even register what happened. After a second, he collapses on the >", "> So, Phihactor d is dying, he got shot in the side with", "dying, he got shot in the side with a Pulse Rifle. > This", "Phihactor d is dying, he got shot in the side with a Pulse", "he collapses on the > ground. The situation is really bad, as the", "d's life and only picks up a few words from him: \"...I'm so", "on the smallest possible > spot, causing it to explode. The pulse ends", "stem the bleeding. Phihactor c rushes over to him and > tries to", "blood, he can > barely whimper, and even that is incoherent. C is", "and never will be able to give a deep, philosophical speech when your", "This is very bad, as Pulse Rifles are in the laser category and", "> ground. The situation is really bad, as the weapon's effect is >", "and their > mode of operation is to focus the most energy on", "before d's brain could > even register what happened. After a second, he", "much blood, he can > barely whimper, and even that is incoherent. C", "don't want to go..\" > > > DAAAMN! A sad moment where we", "RUIN IT! Some exposition: This series aims to be realistic, and you can't,", "is one of the common sign of shock, so d complaining about it", "REARS UP ITS UGLY HEAD TO RUIN IT! Some exposition: This series aims", "give a deep, philosophical speech when your brain is struggling to get oxygen.", "he can > barely whimper, and even that is incoherent. C is busy", "a sudden drop in blood pressure, and tries to compensate it by dilating", "your brain is struggling to get oxygen. What happened to d is called", "the common sign of shock, so d complaining about it is perfectly rational.", "happened. After a second, he collapses on the > ground. The situation is", "> This is very bad, as Pulse Rifles are in the laser category", "will be able to give a deep, philosophical speech when your brain is", "so cold, > p-please... I don't, I don't want to go..\" > >", "But the \"I'm so cold\" stock-death phrase is on the verge of becoming", "possible > spot, causing it to explode. The pulse ends before d's brain", "pressure, and tries to compensate it by dilating arteries, increasing the blood flow,", "a few words from him: \"...I'm so cold, > p-please... I don't, I", "already lost too much blood, he can > barely whimper, and even that", "and > tries to close the wound, but d already lost too much", "flow, i.e: d is now losing blood more rapidly. Cold is one of", "the most energy on the smallest possible > spot, causing it to explode.", "Cold is one of the common sign of shock, so d complaining about", "> DAAAMN! A sad moment where we can truly feel sad for a", "[narm](http://tvtropes.org/pmwiki/pmwiki.php/Main/Narm), which is not a good thing. How can I use these types", "thing. How can I use these types of phrases, without falling into either", "system experiences a sudden drop in blood pressure, and tries to compensate it", "use these types of phrases, without falling into either narm or [Sturgeon's law](http://tvtropes.org/pmwiki/pmwiki.php/Main/SturgeonsLaw)?", "there is no bullet inside it > to even slightly stem the bleeding.", "category and their > mode of operation is to focus the most energy", "and only picks up a few words from him: \"...I'm so cold, >", "UGLY HEAD TO RUIN IT! Some exposition: This series aims to be realistic,", "the circulatory system experiences a sudden drop in blood pressure, and tries to", "> mode of operation is to focus the most energy on the smallest", "truly feel sad for a background character, BUT CHEESE STILL REARS UP ITS", "can I use these types of phrases, without falling into either narm or", "Some exposition: This series aims to be realistic, and you can't, and never", "to d is called circulatory shock, a positive feedback loop, in which the", "don't, I don't want to go..\" > > > DAAAMN! A sad moment", "is no bullet inside it > to even slightly stem the bleeding. Phihactor", "really bad, as the weapon's effect is > mainly kinetic, the wound is", "What happened to d is called circulatory shock, a positive feedback loop, in", "is to focus the most energy on the smallest possible > spot, causing", "> barely whimper, and even that is incoherent. C is busy trying to", "is busy trying to save > d's life and only picks up a", "> tries to close the wound, but d already lost too much blood,", "lost too much blood, he can > barely whimper, and even that is", "complaining about it is perfectly rational. But the \"I'm so cold\" stock-death phrase", "as the weapon's effect is > mainly kinetic, the wound is not cauterized,", "So, Phihactor d is dying, he got shot in the side with a", "TO RUIN IT! Some exposition: This series aims to be realistic, and you", "and tries to compensate it by dilating arteries, increasing the blood flow, i.e:", "could > even register what happened. After a second, he collapses on the", "brain is struggling to get oxygen. What happened to d is called circulatory", "you can't, and never will be able to give a deep, philosophical speech", "from him: \"...I'm so cold, > p-please... I don't, I don't want to", "in the laser category and their > mode of operation is to focus", "on the verge of becoming [narm](http://tvtropes.org/pmwiki/pmwiki.php/Main/Narm), which is not a good thing. How", "but d already lost too much blood, he can > barely whimper, and", "rushes over to him and > tries to close the wound, but d", "bleeding. Phihactor c rushes over to him and > tries to close the", "and you can't, and never will be able to give a deep, philosophical", "drop in blood pressure, and tries to compensate it by dilating arteries, increasing", "one of the common sign of shock, so d complaining about it is", "to be realistic, and you can't, and never will be able to give", "of becoming [narm](http://tvtropes.org/pmwiki/pmwiki.php/Main/Narm), which is not a good thing. How can I use", "series aims to be realistic, and you can't, and never will be able", "effect is > mainly kinetic, the wound is not cauterized, and there is", "is > mainly kinetic, the wound is not cauterized, and there is no", "good thing. How can I use these types of phrases, without falling into", "not a good thing. How can I use these types of phrases, without", "words from him: \"...I'm so cold, > p-please... I don't, I don't want", "got shot in the side with a Pulse Rifle. > This is very", "compensate it by dilating arteries, increasing the blood flow, i.e: d is now", "sad for a background character, BUT CHEESE STILL REARS UP ITS UGLY HEAD", "he got shot in the side with a Pulse Rifle. > This is", "i.e: d is now losing blood more rapidly. Cold is one of the", "busy trying to save > d's life and only picks up a few", "> d's life and only picks up a few words from him: \"...I'm", "> > So, Phihactor d is dying, he got shot in the side", "as Pulse Rifles are in the laser category and their > mode of", "on the > ground. The situation is really bad, as the weapon's effect", "is on the verge of becoming [narm](http://tvtropes.org/pmwiki/pmwiki.php/Main/Narm), which is not a good thing.", "ITS UGLY HEAD TO RUIN IT! Some exposition: This series aims to be", "side with a Pulse Rifle. > This is very bad, as Pulse Rifles", "to get oxygen. What happened to d is called circulatory shock, a positive", "BUT CHEESE STILL REARS UP ITS UGLY HEAD TO RUIN IT! Some exposition:", "After a second, he collapses on the > ground. The situation is really", "of operation is to focus the most energy on the smallest possible >", "a background character, BUT CHEESE STILL REARS UP ITS UGLY HEAD TO RUIN", "I don't want to go..\" > > > DAAAMN! A sad moment where", "stock-death phrase is on the verge of becoming [narm](http://tvtropes.org/pmwiki/pmwiki.php/Main/Narm), which is not a", "The situation is really bad, as the weapon's effect is > mainly kinetic,", "their > mode of operation is to focus the most energy on the", "him and > tries to close the wound, but d already lost too", "be realistic, and you can't, and never will be able to give a", "and even that is incoherent. C is busy trying to save > d's", "I use these types of phrases, without falling into either narm or [Sturgeon's", "the laser category and their > mode of operation is to focus the", "to explode. The pulse ends before d's brain could > even register what", "sudden drop in blood pressure, and tries to compensate it by dilating arteries,", "UP ITS UGLY HEAD TO RUIN IT! Some exposition: This series aims to", "wound, but d already lost too much blood, he can > barely whimper,", "Pulse Rifle. > This is very bad, as Pulse Rifles are in the", "situation is really bad, as the weapon's effect is > mainly kinetic, the", "phrase is on the verge of becoming [narm](http://tvtropes.org/pmwiki/pmwiki.php/Main/Narm), which is not a good", "perfectly rational. But the \"I'm so cold\" stock-death phrase is on the verge", "shock, a positive feedback loop, in which the circulatory system experiences a sudden", "to go..\" > > > DAAAMN! A sad moment where we can truly", "can truly feel sad for a background character, BUT CHEESE STILL REARS UP", "smallest possible > spot, causing it to explode. The pulse ends before d's", "happened to d is called circulatory shock, a positive feedback loop, in which", "life and only picks up a few words from him: \"...I'm so cold,", "it to explode. The pulse ends before d's brain could > even register", "the \"I'm so cold\" stock-death phrase is on the verge of becoming [narm](http://tvtropes.org/pmwiki/pmwiki.php/Main/Narm),", "pulse ends before d's brain could > even register what happened. After a", "bad, as the weapon's effect is > mainly kinetic, the wound is not", "trying to save > d's life and only picks up a few words", "the side with a Pulse Rifle. > This is very bad, as Pulse", "the bleeding. Phihactor c rushes over to him and > tries to close", "A sad moment where we can truly feel sad for a background character,", "\"...I'm so cold, > p-please... I don't, I don't want to go..\" >", "energy on the smallest possible > spot, causing it to explode. The pulse", "with a Pulse Rifle. > This is very bad, as Pulse Rifles are", "that is incoherent. C is busy trying to save > d's life and", "bad, as Pulse Rifles are in the laser category and their > mode", "ends before d's brain could > even register what happened. After a second,", "whimper, and even that is incoherent. C is busy trying to save >", "barely whimper, and even that is incoherent. C is busy trying to save", "deep, philosophical speech when your brain is struggling to get oxygen. What happened", "shot in the side with a Pulse Rifle. > This is very bad,", "very bad, as Pulse Rifles are in the laser category and their >", "HEAD TO RUIN IT! Some exposition: This series aims to be realistic, and", "in which the circulatory system experiences a sudden drop in blood pressure, and", "arteries, increasing the blood flow, i.e: d is now losing blood more rapidly.", "spot, causing it to explode. The pulse ends before d's brain could >", "circulatory system experiences a sudden drop in blood pressure, and tries to compensate", "to focus the most energy on the smallest possible > spot, causing it", "loop, in which the circulatory system experiences a sudden drop in blood pressure,", "is not cauterized, and there is no bullet inside it > to even", "the weapon's effect is > mainly kinetic, the wound is not cauterized, and", "is incoherent. C is busy trying to save > d's life and only", "d is called circulatory shock, a positive feedback loop, in which the circulatory", "it is perfectly rational. But the \"I'm so cold\" stock-death phrase is on", "called circulatory shock, a positive feedback loop, in which the circulatory system experiences", "cold\" stock-death phrase is on the verge of becoming [narm](http://tvtropes.org/pmwiki/pmwiki.php/Main/Narm), which is not", "incoherent. C is busy trying to save > d's life and only picks", "want to go..\" > > > DAAAMN! A sad moment where we can", "are in the laser category and their > mode of operation is to", "to save > d's life and only picks up a few words from", "a positive feedback loop, in which the circulatory system experiences a sudden drop", "cold, > p-please... I don't, I don't want to go..\" > > >", "to give a deep, philosophical speech when your brain is struggling to get", "> mainly kinetic, the wound is not cauterized, and there is no bullet", "> p-please... I don't, I don't want to go..\" > > > DAAAMN!", "it > to even slightly stem the bleeding. Phihactor c rushes over to", "Pulse Rifles are in the laser category and their > mode of operation", "causing it to explode. The pulse ends before d's brain could > even", "in the side with a Pulse Rifle. > This is very bad, as", "even slightly stem the bleeding. Phihactor c rushes over to him and >", "over to him and > tries to close the wound, but d already", "so cold\" stock-death phrase is on the verge of becoming [narm](http://tvtropes.org/pmwiki/pmwiki.php/Main/Narm), which is", "is perfectly rational. But the \"I'm so cold\" stock-death phrase is on the", "to even slightly stem the bleeding. Phihactor c rushes over to him and", "be able to give a deep, philosophical speech when your brain is struggling", "about it is perfectly rational. But the \"I'm so cold\" stock-death phrase is", "operation is to focus the most energy on the smallest possible > spot,", "I don't, I don't want to go..\" > > > DAAAMN! A sad", "losing blood more rapidly. Cold is one of the common sign of shock,", "to compensate it by dilating arteries, increasing the blood flow, i.e: d is", "the > ground. The situation is really bad, as the weapon's effect is", "not cauterized, and there is no bullet inside it > to even slightly", "the blood flow, i.e: d is now losing blood more rapidly. Cold is", "aims to be realistic, and you can't, and never will be able to", "How can I use these types of phrases, without falling into either narm", "d complaining about it is perfectly rational. But the \"I'm so cold\" stock-death", "a good thing. How can I use these types of phrases, without falling", "> to even slightly stem the bleeding. Phihactor c rushes over to him", "second, he collapses on the > ground. The situation is really bad, as", "c rushes over to him and > tries to close the wound, but", "register what happened. After a second, he collapses on the > ground. The", "in blood pressure, and tries to compensate it by dilating arteries, increasing the", "circulatory shock, a positive feedback loop, in which the circulatory system experiences a", "and there is no bullet inside it > to even slightly stem the", "even that is incoherent. C is busy trying to save > d's life", "d's brain could > even register what happened. After a second, he collapses", "picks up a few words from him: \"...I'm so cold, > p-please... I", "too much blood, he can > barely whimper, and even that is incoherent.", "IT! Some exposition: This series aims to be realistic, and you can't, and", "get oxygen. What happened to d is called circulatory shock, a positive feedback", "> > DAAAMN! A sad moment where we can truly feel sad for", "blood pressure, and tries to compensate it by dilating arteries, increasing the blood", "of shock, so d complaining about it is perfectly rational. But the \"I'm", "The pulse ends before d's brain could > even register what happened. After", "close the wound, but d already lost too much blood, he can >", "is not a good thing. How can I use these types of phrases,", "This series aims to be realistic, and you can't, and never will be", "ground. The situation is really bad, as the weapon's effect is > mainly", "Rifle. > This is very bad, as Pulse Rifles are in the laser", "able to give a deep, philosophical speech when your brain is struggling to", "common sign of shock, so d complaining about it is perfectly rational. But", "mode of operation is to focus the most energy on the smallest possible", "d is dying, he got shot in the side with a Pulse Rifle.", "becoming [narm](http://tvtropes.org/pmwiki/pmwiki.php/Main/Narm), which is not a good thing. How can I use these", "blood more rapidly. Cold is one of the common sign of shock, so", "a deep, philosophical speech when your brain is struggling to get oxygen. What", "p-please... I don't, I don't want to go..\" > > > DAAAMN! A", "> spot, causing it to explode. The pulse ends before d's brain could", "focus the most energy on the smallest possible > spot, causing it to", "it by dilating arteries, increasing the blood flow, i.e: d is now losing", "\"I'm so cold\" stock-death phrase is on the verge of becoming [narm](http://tvtropes.org/pmwiki/pmwiki.php/Main/Narm), which", "a second, he collapses on the > ground. The situation is really bad,", "d already lost too much blood, he can > barely whimper, and even", "laser category and their > mode of operation is to focus the most", "wound is not cauterized, and there is no bullet inside it > to", "him: \"...I'm so cold, > p-please... I don't, I don't want to go..\"", "blood flow, i.e: d is now losing blood more rapidly. Cold is one", "sign of shock, so d complaining about it is perfectly rational. But the", "inside it > to even slightly stem the bleeding. Phihactor c rushes over", "tries to compensate it by dilating arteries, increasing the blood flow, i.e: d", "up a few words from him: \"...I'm so cold, > p-please... I don't,", "now losing blood more rapidly. Cold is one of the common sign of", "the verge of becoming [narm](http://tvtropes.org/pmwiki/pmwiki.php/Main/Narm), which is not a good thing. How can", "philosophical speech when your brain is struggling to get oxygen. What happened to", "d is now losing blood more rapidly. Cold is one of the common", "DAAAMN! A sad moment where we can truly feel sad for a background", "feel sad for a background character, BUT CHEESE STILL REARS UP ITS UGLY", "can > barely whimper, and even that is incoherent. C is busy trying", "is dying, he got shot in the side with a Pulse Rifle. >", "go..\" > > > DAAAMN! A sad moment where we can truly feel", "struggling to get oxygen. What happened to d is called circulatory shock, a", "the wound, but d already lost too much blood, he can > barely", "few words from him: \"...I'm so cold, > p-please... I don't, I don't", "C is busy trying to save > d's life and only picks up", "character, BUT CHEESE STILL REARS UP ITS UGLY HEAD TO RUIN IT! Some", "for a background character, BUT CHEESE STILL REARS UP ITS UGLY HEAD TO", "exposition: This series aims to be realistic, and you can't, and never will", "more rapidly. Cold is one of the common sign of shock, so d", "sad moment where we can truly feel sad for a background character, BUT", "only picks up a few words from him: \"...I'm so cold, > p-please...", "rapidly. Cold is one of the common sign of shock, so d complaining" ]
[ "(Smith 2017), the oil industry is still growing (Wekcon 2017). 2) Although the", "1) Although the oil price seems to keep decreasing (Smith 2017), the oil", "still growing (Wekcon 2017). 2) Although the oil price seems to keep decreasing,", "industry is still growing (Wekcon 2017). 2) Although the oil price seems to", "oil price seems to keep decreasing (Smith 2017), the oil industry is still", "the correct/better way? 1) Although the oil price seems to keep decreasing (Smith", "Although the oil price seems to keep decreasing (Smith 2017), the oil industry", "2) Although the oil price seems to keep decreasing, the oil industry is", "growing (Wekcon 2017). 2) Although the oil price seems to keep decreasing, the", "oil price seems to keep decreasing, the oil industry is still growing (Smith", "to keep decreasing (Smith 2017), the oil industry is still growing (Wekcon 2017).", "decreasing (Smith 2017), the oil industry is still growing (Wekcon 2017). 2) Although", "the oil industry is still growing (Wekcon 2017). 2) Although the oil price", "way? 1) Although the oil price seems to keep decreasing (Smith 2017), the", "keep decreasing (Smith 2017), the oil industry is still growing (Wekcon 2017). 2)", "the oil price seems to keep decreasing, the oil industry is still growing", "to keep decreasing, the oil industry is still growing (Smith 2017; Wekcon 2017).", "seems to keep decreasing, the oil industry is still growing (Smith 2017; Wekcon", "seems to keep decreasing (Smith 2017), the oil industry is still growing (Wekcon", "one is the correct/better way? 1) Although the oil price seems to keep", "is still growing (Wekcon 2017). 2) Although the oil price seems to keep", "Although the oil price seems to keep decreasing, the oil industry is still", "the oil price seems to keep decreasing (Smith 2017), the oil industry is", "2017), the oil industry is still growing (Wekcon 2017). 2) Although the oil", "Which one is the correct/better way? 1) Although the oil price seems to", "is the correct/better way? 1) Although the oil price seems to keep decreasing", "oil industry is still growing (Wekcon 2017). 2) Although the oil price seems", "(Wekcon 2017). 2) Although the oil price seems to keep decreasing, the oil", "price seems to keep decreasing, the oil industry is still growing (Smith 2017;", "price seems to keep decreasing (Smith 2017), the oil industry is still growing", "2017). 2) Although the oil price seems to keep decreasing, the oil industry", "correct/better way? 1) Although the oil price seems to keep decreasing (Smith 2017)," ]
[ "that they are used infrequently at best in modern fiction writing. Academics and", "separate independent but linking clauses, why make two short complete sentences when one", "if he actually shunned the usage of semicolons when he stated this: >", "semicolon in your entire working life as a > novelist. You can use", "of semicolons when he stated this: > > He ends any lingering doubt", "friend stripped out my semicolons and replaced most with a simple period. I", "clauses, why make two short complete sentences when one will suffice? She laughed", "semicolon, which at the outset I told you > > never to use.", "enabler for you. > <https://www.advancedfictionwriting.com/blog/2010/07/16/correctly-formatting-your-novel-manuscript/> > > > Funny, but seriously? So I", "> > > > > > \\And there, I’ve just used a semicolon,", "two short complete sentences when one will suffice? She laughed and said they", "fiction can be a challenge. My friend stripped out my semicolons and replaced", "never to use. It is to make a point that I did it.", "us so far, even good rules. > > > > > > >", "She laughed and said they are fine if you are a dead British", "you insist, but quite honestly > you have a disease that should be", "will suffice? She laughed and said they are fine if you are a", "research to confirm her advice and I found this gem: > > You", "> enabler for you. > <https://www.advancedfictionwriting.com/blog/2010/07/16/correctly-formatting-your-novel-manuscript/> > > > Funny, but seriously? So", "the nature of their writing. This prompted me to do independent research to", "point is: Rules > > only take us so far, even good rules.", "you > > never to use. It is to make a point that", "quotes no less of an authority than Kurt Vonnegut: > > First rule:", "it. The point is: Rules > > only take us so far, even", "was engaged in hyperbole, but it remains vague if he actually shunned the", "scientist, I am more familiar with technical or academic writing, so formatting fiction", "great post on the usage of semicolons. She quotes no less of an", "sentences when one will suffice? She laughed and said they are fine if", "did it. The point is: Rules > > only take us so far,", "my semicolons and replaced most with a simple period. I asked why, was", "in the > essay and then writes, > > > > > >", "editor friend graciously offered to assist me with formatting. As a former scientist,", "more than that if you insist, but quite honestly > you have a", "me with formatting. As a former scientist, I am more familiar with technical", "uses a semicolon later in the > essay and then writes, > >", "an editor friend graciously offered to assist me with formatting. As a former", "novel and an editor friend graciously offered to assist me with formatting. As", "engaged in hyperbole, but it remains vague if he actually shunned the usage", "I using them inappropriately? I know they are used to separate independent but", "a semicolon later in the > essay and then writes, > > >", "most with a simple period. I asked why, was I using them inappropriately?", "> <https://www.advancedfictionwriting.com/blog/2010/07/16/correctly-formatting-your-novel-manuscript/> > > > Funny, but seriously? So I hunted a bit", "> > > > > \\And there, I’ve just used a semicolon, which", "<https://www.advancedfictionwriting.com/blog/2010/07/16/correctly-formatting-your-novel-manuscript/> > > > Funny, but seriously? So I hunted a bit more", "but linking clauses, why make two short complete sentences when one will suffice?", "and said they are fine if you are a dead British writer, other", "at the outset I told you > > never to use. It is", "vague if he actually shunned the usage of semicolons when he stated this:", "that if you insist, but quite honestly > you have a disease that", "writes, > > > > > > > \\And there, I’ve just used", "I know they are used to separate independent but linking clauses, why make", "> only take us so far, even good rules. > > > >", "He ends any lingering doubt when he uses a semicolon later in the", "to separate independent but linking clauses, why make two short complete sentences when", "to their usage by the nature of their writing. This prompted me to", "fine if you are a dead British writer, other than that they are", "to confirm her advice and I found this gem: > > You are", "All they do is show > you’ve been to college. > <http://www.quickanddirtytips.com/education/grammar/vonneguts-famous-semicolon-advice-was-taken-out-of-context> >", "First rule: Do not use semicolons. They are transvestite > hermaphrodites representing absolutely", "I told you > > never to use. It is to make a", "and I refuse to be an > enabler for you. > <https://www.advancedfictionwriting.com/blog/2010/07/16/correctly-formatting-your-novel-manuscript/> >", "> > > > \\And there, I’ve just used a semicolon, which at", "been to college. > <http://www.quickanddirtytips.com/education/grammar/vonneguts-famous-semicolon-advice-was-taken-out-of-context> > > > Huh? Her article continues to", "there, I’ve just used a semicolon, which at the outset I told you", "a great post on the usage of semicolons. She quotes no less of", "to make a point that I did it. The point is: Rules >", "inappropriately? I know they are used to separate independent but linking clauses, why", "for you. > <https://www.advancedfictionwriting.com/blog/2010/07/16/correctly-formatting-your-novel-manuscript/> > > > Funny, but seriously? So I hunted", "one semicolon in your entire working life as a > novelist. You can", "why, was I using them inappropriately? I know they are used to separate", "gem: > > You are allowed one semicolon in your entire working life", "lingering doubt when he uses a semicolon later in the > essay and", "which at the outset I told you > > never to use. It", "and then writes, > > > > > > > \\And there, I’ve", "on the usage of semicolons. She quotes no less of an authority than", "> > > \\And there, I’ve just used a semicolon, which at the", "when one will suffice? She laughed and said they are fine if you", "refuse to be an > enabler for you. > <https://www.advancedfictionwriting.com/blog/2010/07/16/correctly-formatting-your-novel-manuscript/> > > >", "entire working life as a > novelist. You can use more than that", "later in the > essay and then writes, > > > > >", "Funny, but seriously? So I hunted a bit more then found Grammar Girl", "are allowed one semicolon in your entire working life as a > novelist.", "them inappropriately? I know they are used to separate independent but linking clauses,", "post on the usage of semicolons. She quotes no less of an authority", "that should be treated and I refuse to be an > enabler for", "You are allowed one semicolon in your entire working life as a >", "academic writing, so formatting fiction can be a challenge. My friend stripped out", "just used a semicolon, which at the outset I told you > >", "life as a > novelist. You can use more than that if you", "if you insist, but quite honestly > you have a disease that should", "As a former scientist, I am more familiar with technical or academic writing,", "a bit more then found Grammar Girl also has a great post on", "> you’ve been to college. > <http://www.quickanddirtytips.com/education/grammar/vonneguts-famous-semicolon-advice-was-taken-out-of-context> > > > Huh? Her article", "stated this: > > He ends any lingering doubt when he uses a", "I did it. The point is: Rules > > only take us so", "hunted a bit more then found Grammar Girl also has a great post", "or academic writing, so formatting fiction can be a challenge. My friend stripped", "rules. > > > > > > > > > Are semicolons only", "a semicolon, which at the outset I told you > > never to", "Huh? Her article continues to explain that Vonnegut was engaged in hyperbole, but", "can use more than that if you insist, but quite honestly > you", "use semicolons. They are transvestite > hermaphrodites representing absolutely nothing. All they do", "also has a great post on the usage of semicolons. She quotes no", "working life as a > novelist. You can use more than that if", "> novelist. You can use more than that if you insist, but quite", "why make two short complete sentences when one will suffice? She laughed and", "formatting. As a former scientist, I am more familiar with technical or academic", "I found this gem: > > You are allowed one semicolon in your", "are fine if you are a dead British writer, other than that they", "they are fine if you are a dead British writer, other than that", "be treated and I refuse to be an > enabler for you. >", "their writing. This prompted me to do independent research to confirm her advice", "> never to use. It is to make a point that I did", "> > > > > Are semicolons only allowed in technical or academic", "advice and I found this gem: > > You are allowed one semicolon", "used a semicolon, which at the outset I told you > > never", "more familiar with technical or academic writing, so formatting fiction can be a", "I asked why, was I using them inappropriately? I know they are used", "to use. It is to make a point that I did it. The", "more prone to their usage by the nature of their writing. This prompted", "hermaphrodites representing absolutely nothing. All they do is show > you’ve been to", "The point is: Rules > > only take us so far, even good", "of an authority than Kurt Vonnegut: > > First rule: Do not use", "in your entire working life as a > novelist. You can use more", "essay and then writes, > > > > > > > \\And there,", "> > > Huh? Her article continues to explain that Vonnegut was engaged", "their usage by the nature of their writing. This prompted me to do", "the outset I told you > > never to use. It is to", "and I found this gem: > > You are allowed one semicolon in", "> > Huh? Her article continues to explain that Vonnegut was engaged in", "Academics and technical writers are more prone to their usage by the nature", "used infrequently at best in modern fiction writing. Academics and technical writers are", "stripped out my semicolons and replaced most with a simple period. I asked", "ends any lingering doubt when he uses a semicolon later in the >", "suffice? She laughed and said they are fine if you are a dead", "dead British writer, other than that they are used infrequently at best in", "with formatting. As a former scientist, I am more familiar with technical or", "writing. Academics and technical writers are more prone to their usage by the", "but seriously? So I hunted a bit more then found Grammar Girl also", "good rules. > > > > > > > > > Are semicolons", "Vonnegut: > > First rule: Do not use semicolons. They are transvestite >", "you are a dead British writer, other than that they are used infrequently", "to be an > enabler for you. > <https://www.advancedfictionwriting.com/blog/2010/07/16/correctly-formatting-your-novel-manuscript/> > > > Funny,", "former scientist, I am more familiar with technical or academic writing, so formatting", "are more prone to their usage by the nature of their writing. This", "familiar with technical or academic writing, so formatting fiction can be a challenge.", "and an editor friend graciously offered to assist me with formatting. As a", "I refuse to be an > enabler for you. > <https://www.advancedfictionwriting.com/blog/2010/07/16/correctly-formatting-your-novel-manuscript/> > >", "Kurt Vonnegut: > > First rule: Do not use semicolons. They are transvestite", "> > He ends any lingering doubt when he uses a semicolon later", "semicolons when he stated this: > > He ends any lingering doubt when", "the usage of semicolons when he stated this: > > He ends any", "Girl also has a great post on the usage of semicolons. She quotes", "prone to their usage by the nature of their writing. This prompted me", "be a challenge. My friend stripped out my semicolons and replaced most with", "It is to make a point that I did it. The point is:", "the usage of semicolons. She quotes no less of an authority than Kurt", "\\And there, I’ve just used a semicolon, which at the outset I told", "British writer, other than that they are used infrequently at best in modern", "outset I told you > > never to use. It is to make", "period. I asked why, was I using them inappropriately? I know they are", "of their writing. This prompted me to do independent research to confirm her", "usage by the nature of their writing. This prompted me to do independent", "They are transvestite > hermaphrodites representing absolutely nothing. All they do is show", "this: > > He ends any lingering doubt when he uses a semicolon", "novelist. You can use more than that if you insist, but quite honestly", "he actually shunned the usage of semicolons when he stated this: > >", "nature of their writing. This prompted me to do independent research to confirm", "offered to assist me with formatting. As a former scientist, I am more", "> > \\And there, I’ve just used a semicolon, which at the outset", "technical writers are more prone to their usage by the nature of their", "when he uses a semicolon later in the > essay and then writes,", "assist me with formatting. As a former scientist, I am more familiar with", "than that if you insist, but quite honestly > you have a disease", "show > you’ve been to college. > <http://www.quickanddirtytips.com/education/grammar/vonneguts-famous-semicolon-advice-was-taken-out-of-context> > > > Huh? Her", "your entire working life as a > novelist. You can use more than", "is to make a point that I did it. The point is: Rules", "using them inappropriately? I know they are used to separate independent but linking", "are a dead British writer, other than that they are used infrequently at", "are transvestite > hermaphrodites representing absolutely nothing. All they do is show >", "that I did it. The point is: Rules > > only take us", "> He ends any lingering doubt when he uses a semicolon later in", "to college. > <http://www.quickanddirtytips.com/education/grammar/vonneguts-famous-semicolon-advice-was-taken-out-of-context> > > > Huh? Her article continues to explain", "quite honestly > you have a disease that should be treated and I", "as a > novelist. You can use more than that if you insist,", "is: Rules > > only take us so far, even good rules. >", "She quotes no less of an authority than Kurt Vonnegut: > > First", "then writes, > > > > > > > \\And there, I’ve just", "short complete sentences when one will suffice? She laughed and said they are", "are used to separate independent but linking clauses, why make two short complete", "completed my novel and an editor friend graciously offered to assist me with", "is show > you’ve been to college. > <http://www.quickanddirtytips.com/education/grammar/vonneguts-famous-semicolon-advice-was-taken-out-of-context> > > > Huh?", "you have a disease that should be treated and I refuse to be", "best in modern fiction writing. Academics and technical writers are more prone to", "writers are more prone to their usage by the nature of their writing.", "Do not use semicolons. They are transvestite > hermaphrodites representing absolutely nothing. All", "a point that I did it. The point is: Rules > > only", "other than that they are used infrequently at best in modern fiction writing.", "laughed and said they are fine if you are a dead British writer,", "writing, so formatting fiction can be a challenge. My friend stripped out my", "> > You are allowed one semicolon in your entire working life as", "Her article continues to explain that Vonnegut was engaged in hyperbole, but it", "> > > > > > > \\And there, I’ve just used a", "a > novelist. You can use more than that if you insist, but", "am more familiar with technical or academic writing, so formatting fiction can be", "graciously offered to assist me with formatting. As a former scientist, I am", "you. > <https://www.advancedfictionwriting.com/blog/2010/07/16/correctly-formatting-your-novel-manuscript/> > > > Funny, but seriously? So I hunted a", "linking clauses, why make two short complete sentences when one will suffice? She", "absolutely nothing. All they do is show > you’ve been to college. >", "know they are used to separate independent but linking clauses, why make two", "a simple period. I asked why, was I using them inappropriately? I know", "has a great post on the usage of semicolons. She quotes no less", "I’ve just used a semicolon, which at the outset I told you >", "transvestite > hermaphrodites representing absolutely nothing. All they do is show > you’ve", "remains vague if he actually shunned the usage of semicolons when he stated", "and technical writers are more prone to their usage by the nature of", "any lingering doubt when he uses a semicolon later in the > essay", "he stated this: > > He ends any lingering doubt when he uses", "> \\And there, I’ve just used a semicolon, which at the outset I", "far, even good rules. > > > > > > > > >", "make a point that I did it. The point is: Rules > >", "if you are a dead British writer, other than that they are used", "independent research to confirm her advice and I found this gem: > >", "make two short complete sentences when one will suffice? She laughed and said", "technical or academic writing, so formatting fiction can be a challenge. My friend", "> > First rule: Do not use semicolons. They are transvestite > hermaphrodites", "can be a challenge. My friend stripped out my semicolons and replaced most", "they are used infrequently at best in modern fiction writing. Academics and technical", "this gem: > > You are allowed one semicolon in your entire working", "an authority than Kurt Vonnegut: > > First rule: Do not use semicolons.", "shunned the usage of semicolons when he stated this: > > He ends", "writer, other than that they are used infrequently at best in modern fiction", "point that I did it. The point is: Rules > > only take", "semicolons and replaced most with a simple period. I asked why, was I", "have a disease that should be treated and I refuse to be an", "a disease that should be treated and I refuse to be an >", "semicolons. They are transvestite > hermaphrodites representing absolutely nothing. All they do is", "You can use more than that if you insist, but quite honestly >", "that Vonnegut was engaged in hyperbole, but it remains vague if he actually", "so far, even good rules. > > > > > > > >", "independent but linking clauses, why make two short complete sentences when one will", "doubt when he uses a semicolon later in the > essay and then", "continues to explain that Vonnegut was engaged in hyperbole, but it remains vague", "to do independent research to confirm her advice and I found this gem:", "> > only take us so far, even good rules. > > >", "honestly > you have a disease that should be treated and I refuse", "explain that Vonnegut was engaged in hyperbole, but it remains vague if he", "My friend stripped out my semicolons and replaced most with a simple period.", "one will suffice? She laughed and said they are fine if you are", "than that they are used infrequently at best in modern fiction writing. Academics", "This prompted me to do independent research to confirm her advice and I", "> > > > Are semicolons only allowed in technical or academic writing?", "> > never to use. It is to make a point that I", "then found Grammar Girl also has a great post on the usage of", "complete sentences when one will suffice? She laughed and said they are fine", "me to do independent research to confirm her advice and I found this", "her advice and I found this gem: > > You are allowed one", "in modern fiction writing. Academics and technical writers are more prone to their", "college. > <http://www.quickanddirtytips.com/education/grammar/vonneguts-famous-semicolon-advice-was-taken-out-of-context> > > > Huh? Her article continues to explain that", "a former scientist, I am more familiar with technical or academic writing, so", "than Kurt Vonnegut: > > First rule: Do not use semicolons. They are", "used to separate independent but linking clauses, why make two short complete sentences", "> > Funny, but seriously? So I hunted a bit more then found", "nothing. All they do is show > you’ve been to college. > <http://www.quickanddirtytips.com/education/grammar/vonneguts-famous-semicolon-advice-was-taken-out-of-context>", "> You are allowed one semicolon in your entire working life as a", "he uses a semicolon later in the > essay and then writes, >", "challenge. My friend stripped out my semicolons and replaced most with a simple", "asked why, was I using them inappropriately? I know they are used to", "in hyperbole, but it remains vague if he actually shunned the usage of", "it remains vague if he actually shunned the usage of semicolons when he", "at best in modern fiction writing. Academics and technical writers are more prone", "writing. This prompted me to do independent research to confirm her advice and", "> Huh? Her article continues to explain that Vonnegut was engaged in hyperbole,", "> > > > > > > > Are semicolons only allowed in", "<http://www.quickanddirtytips.com/education/grammar/vonneguts-famous-semicolon-advice-was-taken-out-of-context> > > > Huh? Her article continues to explain that Vonnegut was", "use more than that if you insist, but quite honestly > you have", "> <http://www.quickanddirtytips.com/education/grammar/vonneguts-famous-semicolon-advice-was-taken-out-of-context> > > > Huh? Her article continues to explain that Vonnegut", "so formatting fiction can be a challenge. My friend stripped out my semicolons", "and replaced most with a simple period. I asked why, was I using", "> First rule: Do not use semicolons. They are transvestite > hermaphrodites representing", "So I hunted a bit more then found Grammar Girl also has a", "of semicolons. She quotes no less of an authority than Kurt Vonnegut: >", "with a simple period. I asked why, was I using them inappropriately? I", "semicolon later in the > essay and then writes, > > > >", "I am more familiar with technical or academic writing, so formatting fiction can", "when he stated this: > > He ends any lingering doubt when he", "less of an authority than Kurt Vonnegut: > > First rule: Do not", "representing absolutely nothing. All they do is show > you’ve been to college.", "an > enabler for you. > <https://www.advancedfictionwriting.com/blog/2010/07/16/correctly-formatting-your-novel-manuscript/> > > > Funny, but seriously?", "article continues to explain that Vonnegut was engaged in hyperbole, but it remains", "only take us so far, even good rules. > > > > >", "to assist me with formatting. As a former scientist, I am more familiar", "allowed one semicolon in your entire working life as a > novelist. You", "insist, but quite honestly > you have a disease that should be treated", "should be treated and I refuse to be an > enabler for you.", "do independent research to confirm her advice and I found this gem: >", "the > essay and then writes, > > > > > > >", "with technical or academic writing, so formatting fiction can be a challenge. My", "authority than Kurt Vonnegut: > > First rule: Do not use semicolons. They", "treated and I refuse to be an > enabler for you. > <https://www.advancedfictionwriting.com/blog/2010/07/16/correctly-formatting-your-novel-manuscript/>", "are used infrequently at best in modern fiction writing. Academics and technical writers", "by the nature of their writing. This prompted me to do independent research", "no less of an authority than Kurt Vonnegut: > > First rule: Do", "I hunted a bit more then found Grammar Girl also has a great", "> hermaphrodites representing absolutely nothing. All they do is show > you’ve been", "disease that should be treated and I refuse to be an > enabler", "told you > > never to use. It is to make a point", "found this gem: > > You are allowed one semicolon in your entire", "found Grammar Girl also has a great post on the usage of semicolons.", "infrequently at best in modern fiction writing. Academics and technical writers are more", "seriously? So I hunted a bit more then found Grammar Girl also has", "a challenge. My friend stripped out my semicolons and replaced most with a", "confirm her advice and I found this gem: > > You are allowed", "actually shunned the usage of semicolons when he stated this: > > He", "usage of semicolons when he stated this: > > He ends any lingering", "formatting fiction can be a challenge. My friend stripped out my semicolons and", "be an > enabler for you. > <https://www.advancedfictionwriting.com/blog/2010/07/16/correctly-formatting-your-novel-manuscript/> > > > Funny, but", "even good rules. > > > > > > > > > Are", "more then found Grammar Girl also has a great post on the usage", "my novel and an editor friend graciously offered to assist me with formatting.", "> > > > > > > > > Are semicolons only allowed", "use. It is to make a point that I did it. The point", "I completed my novel and an editor friend graciously offered to assist me", "you’ve been to college. > <http://www.quickanddirtytips.com/education/grammar/vonneguts-famous-semicolon-advice-was-taken-out-of-context> > > > Huh? Her article continues", "was I using them inappropriately? I know they are used to separate independent", "friend graciously offered to assist me with formatting. As a former scientist, I", "bit more then found Grammar Girl also has a great post on the", "> > > > > > > Are semicolons only allowed in technical", "fiction writing. Academics and technical writers are more prone to their usage by", "> you have a disease that should be treated and I refuse to", "> > > > > > Are semicolons only allowed in technical or", "to explain that Vonnegut was engaged in hyperbole, but it remains vague if", "usage of semicolons. She quotes no less of an authority than Kurt Vonnegut:", "prompted me to do independent research to confirm her advice and I found", "a dead British writer, other than that they are used infrequently at best", "replaced most with a simple period. I asked why, was I using them", "semicolons. She quotes no less of an authority than Kurt Vonnegut: > >", "> > > Funny, but seriously? So I hunted a bit more then", "but quite honestly > you have a disease that should be treated and", "Grammar Girl also has a great post on the usage of semicolons. She", "do is show > you’ve been to college. > <http://www.quickanddirtytips.com/education/grammar/vonneguts-famous-semicolon-advice-was-taken-out-of-context> > > >", "> essay and then writes, > > > > > > > \\*And", "Rules > > only take us so far, even good rules. > >", "out my semicolons and replaced most with a simple period. I asked why,", "but it remains vague if he actually shunned the usage of semicolons when", "simple period. I asked why, was I using them inappropriately? I know they", "hyperbole, but it remains vague if he actually shunned the usage of semicolons", "said they are fine if you are a dead British writer, other than", "take us so far, even good rules. > > > > > >", "Vonnegut was engaged in hyperbole, but it remains vague if he actually shunned", "> Funny, but seriously? So I hunted a bit more then found Grammar", "rule: Do not use semicolons. They are transvestite > hermaphrodites representing absolutely nothing.", "not use semicolons. They are transvestite > hermaphrodites representing absolutely nothing. All they", "modern fiction writing. Academics and technical writers are more prone to their usage", "they do is show > you’ve been to college. > <http://www.quickanddirtytips.com/education/grammar/vonneguts-famous-semicolon-advice-was-taken-out-of-context> > >", "they are used to separate independent but linking clauses, why make two short" ]
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I'am reading but I'm not assimilating what is writen, and", "what is writen, and then I have to read it all over again.", "and then I have to read it all over again. So why this", "happens in certain books more than in others. I'am reading but I'm not", "talking specifically about getting distracted, or some other stuff like that. It would", "getting distracted, or some other stuff like that. It would be an obvious", "read it all over again. So why this happens? -------------------- I'm not talking", "answer. A good answer for this question would be some that explains how", "to read it all over again. So why this happens? -------------------- I'm not", "others. I'am reading but I'm not assimilating what is writen, and then I", "that some books do this more than others, and I suspect other people", "some other stuff like that. It would be an obvious answer. *A good", "not assimilating* what is writen, and then I have to read it all", "I'am reading but I'm not assimilating what is writen, and then I have", "feel that some books do this more than others, and I suspect other", "This happens in certain books more than in others. I'am reading but I'm", "get myself reading automaticaly. This happens in certain books more than in others.", "A good answer for this question would be some that explains how a", "would be** some that explains how a text may throw the reader into", "do this more than others, and I suspect other people had the same", "I said above, I feel that some books do this more than others,", "more than in others. I'am reading but I'm not assimilating what is writen,", "over again. So why this happens? -------------------- *I'm not talking specifically about getting", "reader into an automatic reading and how to avoid this. Like I said", "but I'm not assimilating* what is writen, and then I have to read", "reading and how to avoid this. Like I said above, I feel that", "this. Like I said above, I feel that some books do this more", "reading automaticaly. This happens in certain books more than in others. I'am reading", "books more than in others. I'am reading but I'm not assimilating what is", "when I'm reading, I get myself reading automaticaly. This happens in certain books", "distracted, or some other stuff like that. It would be an obvious answer.", "above, I feel that some books do this more than others, and I", "this happens? -------------------- I'm not talking specifically about getting distracted**, or some other" ]
[ "trust''. How much do you have to argument for/counter argument before the statement", "argument for/counter argument before the statement is adequately supported? Is there even a", "''Science is based to much on trust''. How much do you have to", "statement in an essay, for example: ''Science is based to much on trust''.", "have to argument for/counter argument before the statement is adequately supported? Is there", "is based to much on trust''. How much do you have to argument", "you have to argument for/counter argument before the statement is adequately supported? Is", "in an essay, for example: ''Science is based to much on trust''. How", "to argument for/counter argument before the statement is adequately supported? Is there even", "for/counter argument before the statement is adequately supported? Is there even a guideline", "do you have to argument for/counter argument before the statement is adequately supported?", "based to much on trust''. How much do you have to argument for/counter", "much do you have to argument for/counter argument before the statement is adequately", "How much do you have to argument for/counter argument before the statement is", "example: ''Science is based to much on trust''. How much do you have", "making a statement in an essay, for example: ''Science is based to much", "an essay, for example: ''Science is based to much on trust''. How much", "argument before the statement is adequately supported? Is there even a guideline for", "When making a statement in an essay, for example: ''Science is based to", "on trust''. How much do you have to argument for/counter argument before the", "before the statement is adequately supported? Is there even a guideline for this?", "essay, for example: ''Science is based to much on trust''. How much do", "to much on trust''. How much do you have to argument for/counter argument", "much on trust''. How much do you have to argument for/counter argument before", "for example: ''Science is based to much on trust''. How much do you", "a statement in an essay, for example: ''Science is based to much on" ]
[ "update at the beginning or at the end of the post? --- Great", "the beginning or at the end of the post? --- Great examples are", "about our product's feature. --- Should I add 2-3 paragraphs of update at", "2-3 paragraphs of update at the beginning or at the end of the", ":) P.S. The update is going to be visually distinguished from the original", "product's feature. --- Should I add 2-3 paragraphs of update at the beginning", "or at the end of the post? --- Great examples are welcome :)", "--- Should I add 2-3 paragraphs of update at the beginning or at", "of the post? --- Great examples are welcome :) P.S. The update is", "Great examples are welcome :) P.S. The update is going to be visually", "one of our recent posts about our product's feature. --- Should I add", "end of the post? --- Great examples are welcome :) P.S. The update", "our recent posts about our product's feature. --- Should I add 2-3 paragraphs", "at the beginning or at the end of the post? --- Great examples", "update one of our recent posts about our product's feature. --- Should I", "and want to update one of our recent posts about our product's feature.", "blog and want to update one of our recent posts about our product's", "at the end of the post? --- Great examples are welcome :) P.S.", "a company blog and want to update one of our recent posts about", "add 2-3 paragraphs of update at the beginning or at the end of", "are welcome :) P.S. The update is going to be visually distinguished from", "beginning or at the end of the post? --- Great examples are welcome", "of our recent posts about our product's feature. --- Should I add 2-3", "I add 2-3 paragraphs of update at the beginning or at the end", "feature. --- Should I add 2-3 paragraphs of update at the beginning or", "posts about our product's feature. --- Should I add 2-3 paragraphs of update", "post? --- Great examples are welcome :) P.S. The update is going to", "to update one of our recent posts about our product's feature. --- Should", "Should I add 2-3 paragraphs of update at the beginning or at the", "P.S. The update is going to be visually distinguished from the original text.", "welcome :) P.S. The update is going to be visually distinguished from the", "our product's feature. --- Should I add 2-3 paragraphs of update at the", "examples are welcome :) P.S. The update is going to be visually distinguished", "--- Great examples are welcome :) P.S. The update is going to be", "want to update one of our recent posts about our product's feature. ---", "company blog and want to update one of our recent posts about our", "recent posts about our product's feature. --- Should I add 2-3 paragraphs of", "the end of the post? --- Great examples are welcome :) P.S. The", "paragraphs of update at the beginning or at the end of the post?", "I'm writing a company blog and want to update one of our recent", "of update at the beginning or at the end of the post? ---", "the post? --- Great examples are welcome :) P.S. The update is going", "writing a company blog and want to update one of our recent posts" ]
[ "do the double-finger twitch that's supposed to symbolize quotation marks? How do you", "> (Would this be correct?) P.S. Please don't tell me to describe what", "part of the non-dialog text. E.g. > > He gave him a \"playful\"", "already. This is just an example. I'm asking what I (the writer/narrator) could", "say something sarcastically, and do the double-finger twitch that's supposed to symbolize quotation", "supposed to symbolize quotation marks? How do you write that in non-dialogue text", "How do you write that in non-dialogue text (narration)? Not describing that a", "sometimes we say something sarcastically, and do the double-finger twitch that's supposed to", "him a \"playful\" look. > > > (Would this be correct?) P.S. Please", "talking like that and doing those things with his fingers, but as part", "but as part of the non-dialog text. E.g. > > He gave him", "describing that a character is talking like that and doing those things with", "(narration)? Not describing that a character is talking like that and doing those", "gave him a \"playful\" look. > > > (Would this be correct?) P.S.", "character's eyes looked like (showing not telling). I know that already. This is", "This is just an example. I'm asking what I (the writer/narrator) could do", "> > > (Would this be correct?) P.S. Please don't tell me to", "you write that in non-dialogue text (narration)? Not describing that a character is", "something sarcastically, and do the double-finger twitch that's supposed to symbolize quotation marks?", "text (narration)? Not describing that a character is talking like that and doing", "> He gave him a \"playful\" look. > > > (Would this be", "non-dialog text. E.g. > > He gave him a \"playful\" look. > >", "character is talking like that and doing those things with his fingers, but", "the character's eyes looked like (showing not telling). I know that already. This", "and doing those things with his fingers, but as part of the non-dialog", "describe what the character's eyes looked like (showing not telling). I know that", "P.S. Please don't tell me to describe what the character's eyes looked like", "sarcastically, and do the double-finger twitch that's supposed to symbolize quotation marks? How", "eyes looked like (showing not telling). I know that already. This is just", "\"playful\" look. > > > (Would this be correct?) P.S. Please don't tell", "You know how sometimes we say something sarcastically, and do the double-finger twitch", "tell me to describe what the character's eyes looked like (showing not telling).", "twitch that's supposed to symbolize quotation marks? How do you write that in", "a \"playful\" look. > > > (Would this be correct?) P.S. Please don't", "text. E.g. > > He gave him a \"playful\" look. > > >", "He gave him a \"playful\" look. > > > (Would this be correct?)", "double-finger twitch that's supposed to symbolize quotation marks? How do you write that", "the non-dialog text. E.g. > > He gave him a \"playful\" look. >", "> > He gave him a \"playful\" look. > > > (Would this", "this be correct?) P.S. Please don't tell me to describe what the character's", "that already. This is just an example. I'm asking what I (the writer/narrator)", "symbolize quotation marks? How do you write that in non-dialogue text (narration)? Not", "that a character is talking like that and doing those things with his", "how sometimes we say something sarcastically, and do the double-finger twitch that's supposed", "with his fingers, but as part of the non-dialog text. E.g. > >", "me to describe what the character's eyes looked like (showing not telling). I", "things with his fingers, but as part of the non-dialog text. E.g. >", "> > (Would this be correct?) P.S. Please don't tell me to describe", "(showing not telling). I know that already. This is just an example. I'm", "write that in non-dialogue text (narration)? Not describing that a character is talking", "don't tell me to describe what the character's eyes looked like (showing not", "as part of the non-dialog text. E.g. > > He gave him a", "E.g. > > He gave him a \"playful\" look. > > > (Would", "correct?) P.S. Please don't tell me to describe what the character's eyes looked", "non-dialogue text (narration)? Not describing that a character is talking like that and", "Please don't tell me to describe what the character's eyes looked like (showing", "(Would this be correct?) P.S. Please don't tell me to describe what the", "that and doing those things with his fingers, but as part of the", "not telling). I know that already. This is just an example. I'm asking", "the double-finger twitch that's supposed to symbolize quotation marks? How do you write", "I know that already. This is just an example. I'm asking what I", "do you write that in non-dialogue text (narration)? Not describing that a character", "to describe what the character's eyes looked like (showing not telling). I know", "example. I'm asking what I (the writer/narrator) could do to express sarcasm in", "just an example. I'm asking what I (the writer/narrator) could do to express", "is talking like that and doing those things with his fingers, but as", "his fingers, but as part of the non-dialog text. E.g. > > He", "and do the double-finger twitch that's supposed to symbolize quotation marks? How do", "Not describing that a character is talking like that and doing those things", "telling). I know that already. This is just an example. I'm asking what", "quotation marks? How do you write that in non-dialogue text (narration)? Not describing", "looked like (showing not telling). I know that already. This is just an", "to symbolize quotation marks? How do you write that in non-dialogue text (narration)?", "we say something sarcastically, and do the double-finger twitch that's supposed to symbolize", "an example. I'm asking what I (the writer/narrator) could do to express sarcasm", "marks? How do you write that in non-dialogue text (narration)? Not describing that", "be correct?) P.S. Please don't tell me to describe what the character's eyes", "in non-dialogue text (narration)? Not describing that a character is talking like that", "that in non-dialogue text (narration)? Not describing that a character is talking like", "is just an example. I'm asking what I (the writer/narrator) could do to", "those things with his fingers, but as part of the non-dialog text. E.g.", "look. > > > (Would this be correct?) P.S. Please don't tell me", "I'm asking what I (the writer/narrator) could do to express sarcasm in the", "asking what I (the writer/narrator) could do to express sarcasm in the text.", "what the character's eyes looked like (showing not telling). I know that already.", "like that and doing those things with his fingers, but as part of", "fingers, but as part of the non-dialog text. E.g. > > He gave", "know that already. This is just an example. I'm asking what I (the", "that's supposed to symbolize quotation marks? How do you write that in non-dialogue", "doing those things with his fingers, but as part of the non-dialog text.", "know how sometimes we say something sarcastically, and do the double-finger twitch that's", "of the non-dialog text. E.g. > > He gave him a \"playful\" look.", "a character is talking like that and doing those things with his fingers,", "like (showing not telling). I know that already. This is just an example." ]
[ "9/11 jokes can easily get tiring, especially if you use them too much.", "humor, something that relaxes. The goals: * innocent: offends nobody, and everyone laughs", "enough if people feel better after hearing it, and it hardly gets tiring.", "after hearing it, and it hardly gets tiring. *What should I keep in", "that relaxes. The goals: innocent: offends nobody, and everyone laughs * soft:", "* soft: it's enough if people feel better after hearing it, and it", "nobody, and everyone laughs * soft: it's enough if people feel better after", "goals: * innocent: offends nobody, and everyone laughs * soft: it's enough if", "if people feel better after hearing it, and it hardly gets tiring. *What", "can easily get tiring, especially if you use them too much. So, you", "something that relaxes. The goals: innocent: offends nobody, and everyone laughs ", "laughs soft: it's enough if people feel better after hearing it, and", "get tiring, especially if you use them too much. So, you will need", "feel better after hearing it, and it hardly gets tiring. What should I", "it hardly gets tiring. What should I keep in mind when making one?*", "you will need a light-hearted filler humor, something that relaxes. The goals: ", "offends nobody, and everyone laughs * soft: it's enough if people feel better", "will need a light-hearted filler humor, something that relaxes. The goals: * innocent:", "jokes can easily get tiring, especially if you use them too much. So,", "and everyone laughs * soft: it's enough if people feel better after hearing", "* innocent: offends nobody, and everyone laughs * soft: it's enough if people", "especially if you use them too much. So, you will need a light-hearted", "relaxes. The goals: * innocent: offends nobody, and everyone laughs * soft: it's", "better after hearing it, and it hardly gets tiring. What should I keep", "tiring, especially if you use them too much. So, you will need a", "use them too much. So, you will need a light-hearted filler humor, something", "it, and it hardly gets tiring. What should I keep in mind when", "The goals: * innocent: offends nobody, and everyone laughs * soft: it's enough", "you use them too much. So, you will need a light-hearted filler humor,", "hearing it, and it hardly gets tiring. *What should I keep in mind", "need a light-hearted filler humor, something that relaxes. The goals: innocent: offends", "and 9/11 jokes can easily get tiring, especially if you use them too", "people feel better after hearing it, and it hardly gets tiring. *What should", "soft: it's enough if people feel better after hearing it, and it hardly", "too much. So, you will need a light-hearted filler humor, something that relaxes.", "filler humor, something that relaxes. The goals: innocent: offends nobody, and everyone", "So, you will need a light-hearted filler humor, something that relaxes. The goals:", "them too much. So, you will need a light-hearted filler humor, something that", "a light-hearted filler humor, something that relaxes. The goals: * innocent: offends nobody,", "Morbid and 9/11 jokes can easily get tiring, especially if you use them", "it's enough if people feel better after hearing it, and it hardly gets", "easily get tiring, especially if you use them too much. So, you will", "much. So, you will need a light-hearted filler humor, something that relaxes. The", "if you use them too much. So, you will need a light-hearted filler", "everyone laughs * soft: it's enough if people feel better after hearing it,", "and it hardly gets tiring. *What should I keep in mind when making", "light-hearted filler humor, something that relaxes. The goals: innocent: offends nobody, and", "innocent: offends nobody, and everyone laughs * soft: it's enough if people feel" ]
[ "Can anyone tell me what would happen if the main character dies in", "tell me what would happen if the main character dies in the story?", "anyone tell me what would happen if the main character dies in the" ]
[ "paragraph. Then another paragraph. I quickly... run out of ideas for the first", "Then another paragraph. I quickly... run out of ideas for the first chapter.", "builds to a paragraph. Then another paragraph. I quickly... run out of ideas", "doing anything that I should be doing? Should I be trying amy other", "this way, or experienced this? Am I doing something wrong, am I not", "want to write and get a story done. I want to, experience my", "or experienced this? Am I doing something wrong, am I not doing anything", "always, ALWAYS have one problem. I can't seem to get past the first", "paragraph. I quickly... run out of ideas for the first chapter. I read", "my laptop, a fresh, blank, bleak white sheet. Within minutes I begin writing", "other techniques such as starting at chapter 20 or etc. It's really annoying", "as starting at chapter 20 or etc. It's really annoying when I just", "I doing something wrong, am I not doing anything that I should be", "along some great ideas I'd like to form into existence. But I always,", "read through the text and decide what I've written is horrid! Horrible! Awful!", "like to form into existence. But I always, always, ALWAYS have one problem.", "I've written is horrid! Horrible! Awful! Even if I was thinking what I", "I wrote it. So when I think it's awful I just give up", "something wrong, am I not doing anything that I should be doing? Should", "way, or experienced this? Am I doing something wrong, am I not doing", "doing? Should I be trying amy other techniques such as starting at chapter", "anything that I should be doing? Should I be trying amy other techniques", "trying amy other techniques such as starting at chapter 20 or etc. It's", "amy other techniques such as starting at chapter 20 or etc. It's really", "I've written for a year now(ish) and I've come along some great ideas", "decide what I've written is horrid! Horrible! Awful! Even if I was thinking", "am I not doing anything that I should be doing? Should I be", "etc. It's really annoying when I just want to write and get a", "and decide what I've written is horrid! Horrible! Awful! Even if I was", "even the first 1,000 words! I sit down with my laptop, a fresh,", "writing a sentence, then it builds to a paragraph. Then another paragraph. I", "experienced this? Am I doing something wrong, am I not doing anything that", "wrote was great when I wrote it. So when I think it's awful", "doing something wrong, am I not doing anything that I should be doing?", "1,000 words! I sit down with my laptop, a fresh, blank, bleak white", "Has anybody else felt this way, or experienced this? Am I doing something", "20 or etc. It's really annoying when I just want to write and", "seem to get past the first chapter or even the first 1,000 words!", "then it builds to a paragraph. Then another paragraph. I quickly... run out", "one problem. I can't seem to get past the first chapter or even", "out of ideas for the first chapter. I read through the text and", "I just want to write and get a story done. I want to,", "this? Am I doing something wrong, am I not doing anything that I", "can't seem to get past the first chapter or even the first 1,000", "ideas for the first chapter. I read through the text and decide what", "I quickly... run out of ideas for the first chapter. I read through", "such as starting at chapter 20 or etc. It's really annoying when I", "what I've written is horrid! Horrible! Awful! Even if I was thinking what", "I was thinking what I wrote was great when I wrote it. So", "past the first chapter or even the first 1,000 words! I sit down", "ALWAYS have one problem. I can't seem to get past the first chapter", "awful I just give up and start over. That's my daily writing routine.", "for the first chapter. I read through the text and decide what I've", "starting at chapter 20 or etc. It's really annoying when I just want", "run out of ideas for the first chapter. I read through the text", "or etc. It's really annoying when I just want to write and get", "great when I wrote it. So when I think it's awful I just", "I just give up and start over. That's my daily writing routine. Has", "down with my laptop, a fresh, blank, bleak white sheet. Within minutes I", "when I wrote it. So when I think it's awful I just give", "have one problem. I can't seem to get past the first chapter or", "into existence. But I always, always, ALWAYS have one problem. I can't seem", "and I've come along some great ideas I'd like to form into existence.", "year now(ish) and I've come along some great ideas I'd like to form", "But I always, always, ALWAYS have one problem. I can't seem to get", "I think it's awful I just give up and start over. That's my", "quickly... run out of ideas for the first chapter. I read through the", "was thinking what I wrote was great when I wrote it. So when", "Within minutes I begin writing a sentence, then it builds to a paragraph.", "another paragraph. I quickly... run out of ideas for the first chapter. I", "my daily writing routine. Has anybody else felt this way, or experienced this?", "should be doing? Should I be trying amy other techniques such as starting", "I sit down with my laptop, a fresh, blank, bleak white sheet. Within", "chapter. I read through the text and decide what I've written is horrid!", "chapter 20 or etc. It's really annoying when I just want to write", "written for a year now(ish) and I've come along some great ideas I'd", "annoying when I just want to write and get a story done. I", "the first chapter or even the first 1,000 words! I sit down with", "writing routine. Has anybody else felt this way, or experienced this? Am I", "not doing anything that I should be doing? Should I be trying amy", "That's my daily writing routine. Has anybody else felt this way, or experienced", "it. So when I think it's awful I just give up and start", "for a year now(ish) and I've come along some great ideas I'd like", "when I think it's awful I just give up and start over. That's", "a year now(ish) and I've come along some great ideas I'd like to", "write and get a story done. I want to, experience my characters, and", "blank, bleak white sheet. Within minutes I begin writing a sentence, then it", "think it's awful I just give up and start over. That's my daily", "and get a story done. I want to, experience my characters, and ideas.", "I not doing anything that I should be doing? Should I be trying", "if I was thinking what I wrote was great when I wrote it.", "problem. I can't seem to get past the first chapter or even the", "text and decide what I've written is horrid! Horrible! Awful! Even if I", "begin writing a sentence, then it builds to a paragraph. Then another paragraph.", "always, always, ALWAYS have one problem. I can't seem to get past the", "written is horrid! Horrible! Awful! Even if I was thinking what I wrote", "horrid! Horrible! Awful! Even if I was thinking what I wrote was great", "daily writing routine. Has anybody else felt this way, or experienced this? Am", "through the text and decide what I've written is horrid! Horrible! Awful! Even", "it builds to a paragraph. Then another paragraph. I quickly... run out of", "be doing? Should I be trying amy other techniques such as starting at", "first chapter. I read through the text and decide what I've written is", "I should be doing? Should I be trying amy other techniques such as", "Should I be trying amy other techniques such as starting at chapter 20", "felt this way, or experienced this? Am I doing something wrong, am I", "what I wrote was great when I wrote it. So when I think", "I wrote was great when I wrote it. So when I think it's", "to form into existence. But I always, always, ALWAYS have one problem. I", "to get past the first chapter or even the first 1,000 words! I", "minutes I begin writing a sentence, then it builds to a paragraph. Then", "over. That's my daily writing routine. Has anybody else felt this way, or", "and start over. That's my daily writing routine. Has anybody else felt this", "get a story done. I want to, experience my characters, and ideas. Thank", "up and start over. That's my daily writing routine. Has anybody else felt", "fresh, blank, bleak white sheet. Within minutes I begin writing a sentence, then", "techniques such as starting at chapter 20 or etc. It's really annoying when", "the first 1,000 words! I sit down with my laptop, a fresh, blank,", "the first chapter. I read through the text and decide what I've written", "So when I think it's awful I just give up and start over.", "Am I doing something wrong, am I not doing anything that I should", "It's really annoying when I just want to write and get a story", "come along some great ideas I'd like to form into existence. But I", "really annoying when I just want to write and get a story done.", "I read through the text and decide what I've written is horrid! Horrible!", "Even if I was thinking what I wrote was great when I wrote", "was great when I wrote it. So when I think it's awful I", "I be trying amy other techniques such as starting at chapter 20 or", "chapter or even the first 1,000 words! I sit down with my laptop,", "bleak white sheet. Within minutes I begin writing a sentence, then it builds", "it's awful I just give up and start over. That's my daily writing", "the text and decide what I've written is horrid! Horrible! Awful! Even if", "just give up and start over. That's my daily writing routine. Has anybody", "a story done. I want to, experience my characters, and ideas. Thank you,", "a paragraph. Then another paragraph. I quickly... run out of ideas for the", "sit down with my laptop, a fresh, blank, bleak white sheet. Within minutes", "just want to write and get a story done. I want to, experience", "I always, always, ALWAYS have one problem. I can't seem to get past", "to write and get a story done. I want to, experience my characters,", "some great ideas I'd like to form into existence. But I always, always,", "to a paragraph. Then another paragraph. I quickly... run out of ideas for", "anybody else felt this way, or experienced this? Am I doing something wrong,", "start over. That's my daily writing routine. Has anybody else felt this way,", "or even the first 1,000 words! I sit down with my laptop, a", "I can't seem to get past the first chapter or even the first", "now(ish) and I've come along some great ideas I'd like to form into", "be trying amy other techniques such as starting at chapter 20 or etc.", "wrote it. So when I think it's awful I just give up and", "that I should be doing? Should I be trying amy other techniques such", "when I just want to write and get a story done. I want", "I've come along some great ideas I'd like to form into existence. But", "sheet. Within minutes I begin writing a sentence, then it builds to a", "is horrid! Horrible! Awful! Even if I was thinking what I wrote was", "a sentence, then it builds to a paragraph. Then another paragraph. I quickly...", "first 1,000 words! I sit down with my laptop, a fresh, blank, bleak", "white sheet. Within minutes I begin writing a sentence, then it builds to", "a fresh, blank, bleak white sheet. Within minutes I begin writing a sentence,", "existence. But I always, always, ALWAYS have one problem. I can't seem to", "give up and start over. That's my daily writing routine. Has anybody else", "of ideas for the first chapter. I read through the text and decide", "thinking what I wrote was great when I wrote it. So when I", "routine. Has anybody else felt this way, or experienced this? Am I doing", "laptop, a fresh, blank, bleak white sheet. Within minutes I begin writing a", "else felt this way, or experienced this? Am I doing something wrong, am", "Awful! Even if I was thinking what I wrote was great when I", "form into existence. But I always, always, ALWAYS have one problem. I can't", "ideas I'd like to form into existence. But I always, always, ALWAYS have", "with my laptop, a fresh, blank, bleak white sheet. Within minutes I begin", "I begin writing a sentence, then it builds to a paragraph. Then another", "words! I sit down with my laptop, a fresh, blank, bleak white sheet.", "great ideas I'd like to form into existence. But I always, always, ALWAYS", "story done. I want to, experience my characters, and ideas. Thank you, -ANM", "wrong, am I not doing anything that I should be doing? Should I", "get past the first chapter or even the first 1,000 words! I sit", "sentence, then it builds to a paragraph. Then another paragraph. I quickly... run", "at chapter 20 or etc. It's really annoying when I just want to", "first chapter or even the first 1,000 words! I sit down with my", "I'd like to form into existence. But I always, always, ALWAYS have one", "Horrible! Awful! Even if I was thinking what I wrote was great when" ]
[ "an artificial speaking voice. Would I write ANNIE’S dialogue like any other character?", "communicate with via text. ANNIE has animated reactions and has an artificial speaking", "character - ANNIE - that real characters communicate with via text. ANNIE has", "based? BTW - this isn’t set in the future like the movie HER.", "In my script, there is an AI chatbot character - ANNIE - that", "I write ANNIE’S dialogue like any other character? Or would it be more", "So, ANNIE isn’t a super intelligent chatbot. I want to know how to", "it be more action/description based? BTW - this isn’t set in the future", "character? Or would it be more action/description based? BTW - this isn’t set", "action/description based? BTW - this isn’t set in the future like the movie", "super intelligent chatbot. I want to know how to format/present her dialogue in", "this isn’t set in the future like the movie HER. So, ANNIE isn’t", "BTW - this isn’t set in the future like the movie HER. So,", "like the movie HER. So, ANNIE isn’t a super intelligent chatbot. *I want", "to know how to format/present* her dialogue in the script, not how to", "with via text. ANNIE has animated reactions and has an artificial speaking voice.", "ANNIE - that real characters communicate with via text. ANNIE has animated reactions", "be more action/description based? BTW - this isn’t set in the future like", "any other character? Or would it be more action/description based? BTW - this", "has an artificial speaking voice. Would I write ANNIE’S dialogue like any other", "set in the future like the movie HER. So, ANNIE isn’t a super", "the movie HER. So, ANNIE isn’t a super intelligent chatbot. I want to", "that real characters communicate with via text. ANNIE has animated reactions and has", "dialogue like any other character? Or would it be more action/description based? BTW", "like any other character? Or would it be more action/description based? BTW -", "an AI chatbot character - ANNIE - that real characters communicate with via", "write ANNIE’S dialogue like any other character? Or would it be more action/description", "movie HER. So, ANNIE isn’t a super intelligent chatbot. I want to know", "ANNIE’S dialogue like any other character? Or would it be more action/description based?", "the future like the movie HER. So, ANNIE isn’t a super intelligent chatbot.", "would it be more action/description based? BTW - this isn’t set in the", "in the future like the movie HER. So, ANNIE isn’t a super intelligent", "HER. So, ANNIE isn’t a super intelligent chatbot. I want to know how", "ANNIE isn’t a super intelligent chatbot. I want to know how to format/present", "characters communicate with via text. ANNIE has animated reactions and has an artificial", "Or would it be more action/description based? BTW - this isn’t set in", "*I want to know how to format/present* her dialogue in the script, not", "artificial speaking voice. Would I write ANNIE’S dialogue like any other character? Or", "other character? Or would it be more action/description based? BTW - this isn’t", "there is an AI chatbot character - ANNIE - that real characters communicate", "and has an artificial speaking voice. Would I write ANNIE’S dialogue like any", "ANNIE has animated reactions and has an artificial speaking voice. Would I write", "intelligent chatbot. *I want to know how to format/present* her dialogue in the", "speaking voice. Would I write ANNIE’S dialogue like any other character? Or would", "chatbot character - ANNIE - that real characters communicate with via text. ANNIE", "a super intelligent chatbot. *I want to know how to format/present* her dialogue", "AI chatbot character - ANNIE - that real characters communicate with via text.", "Would I write ANNIE’S dialogue like any other character? Or would it be", "- that real characters communicate with via text. ANNIE has animated reactions and", "want to know how to format/present her dialogue in the script, not how", "chatbot. *I want to know how to format/present* her dialogue in the script,", "how to format/present her dialogue in the script, not how to write it", "animated reactions and has an artificial speaking voice. Would I write ANNIE’S dialogue", "my script, there is an AI chatbot character - ANNIE - that real", "isn’t set in the future like the movie HER. So, ANNIE isn’t a", "reactions and has an artificial speaking voice. Would I write ANNIE’S dialogue like", "isn’t a super intelligent chatbot. I want to know how to format/present her", "know how to format/present her dialogue in the script, not how to write", "real characters communicate with via text. ANNIE has animated reactions and has an", "- ANNIE - that real characters communicate with via text. ANNIE has animated", "text. ANNIE has animated reactions and has an artificial speaking voice. Would I", "voice. Would I write ANNIE’S dialogue like any other character? Or would it", "has animated reactions and has an artificial speaking voice. Would I write ANNIE’S", "script, there is an AI chatbot character - ANNIE - that real characters", "future like the movie HER. So, ANNIE isn’t a super intelligent chatbot. **I", "via text. ANNIE has animated reactions and has an artificial speaking voice. Would", "more action/description based? BTW - this isn’t set in the future like the", "is an AI chatbot character - ANNIE - that real characters communicate with", "- this isn’t set in the future like the movie HER. So, ANNIE" ]
[ "much summed up in the title. My story includes a lot of narration.", "includes a lot of narration. Narrating events, narrating character's thoughts. There are several", "in each chapter where the characters engage dialogue, but most of the story", "narrating character's thoughts. There are several intervals in each chapter where the characters", "the story telling is done through narration. How viable is this for writing", "Edit: just to clarify what \"too much\" means, there is generally more narration", "character's thoughts. There are several intervals in each chapter where the characters engage", "for writing an enjoyable story? Edit: just to clarify what \"too much\" means,", "question is pretty much summed up in the title. My story includes a", "dialogue, but most of the story telling is done through narration. How viable", "a lot of narration. Narrating events, narrating character's thoughts. There are several intervals", "story telling is done through narration. How viable is this for writing an", "characters engage dialogue, but most of the story telling is done through narration.", "of the story telling is done through narration. How viable is this for", "where the characters engage dialogue, but most of the story telling is done", "engage dialogue, but most of the story telling is done through narration. How", "is this for writing an enjoyable story? Edit: just to clarify what \"too", "several intervals in each chapter where the characters engage dialogue, but most of", "telling is done through narration. How viable is this for writing an enjoyable", "through narration. How viable is this for writing an enjoyable story? Edit: just", "this for writing an enjoyable story? Edit: just to clarify what \"too much\"", "to clarify what \"too much\" means, there is generally more narration than actual", "summed up in the title. My story includes a lot of narration. Narrating", "narration. How viable is this for writing an enjoyable story? Edit: just to", "just to clarify what \"too much\" means, there is generally more narration than", "clarify what \"too much\" means, there is generally more narration than actual dialogue.", "the title. My story includes a lot of narration. Narrating events, narrating character's", "Narrating events, narrating character's thoughts. There are several intervals in each chapter where", "done through narration. How viable is this for writing an enjoyable story? Edit:", "each chapter where the characters engage dialogue, but most of the story telling", "writing an enjoyable story? Edit: just to clarify what \"too much\" means, there", "enjoyable story? Edit: just to clarify what \"too much\" means, there is generally", "pretty much summed up in the title. My story includes a lot of", "narration. Narrating events, narrating character's thoughts. There are several intervals in each chapter", "an enjoyable story? Edit: just to clarify what \"too much\" means, there is", "intervals in each chapter where the characters engage dialogue, but most of the", "viable is this for writing an enjoyable story? Edit: just to clarify what", "story includes a lot of narration. Narrating events, narrating character's thoughts. There are", "story? Edit: just to clarify what \"too much\" means, there is generally more", "of narration. Narrating events, narrating character's thoughts. There are several intervals in each", "chapter where the characters engage dialogue, but most of the story telling is", "most of the story telling is done through narration. How viable is this", "are several intervals in each chapter where the characters engage dialogue, but most", "How viable is this for writing an enjoyable story? Edit: just to clarify", "title. My story includes a lot of narration. Narrating events, narrating character's thoughts.", "in the title. My story includes a lot of narration. Narrating events, narrating", "but most of the story telling is done through narration. How viable is", "thoughts. There are several intervals in each chapter where the characters engage dialogue,", "events, narrating character's thoughts. There are several intervals in each chapter where the", "is done through narration. How viable is this for writing an enjoyable story?", "the characters engage dialogue, but most of the story telling is done through", "up in the title. My story includes a lot of narration. Narrating events,", "There are several intervals in each chapter where the characters engage dialogue, but", "My question is pretty much summed up in the title. My story includes", "lot of narration. Narrating events, narrating character's thoughts. There are several intervals in", "My story includes a lot of narration. Narrating events, narrating character's thoughts. There", "is pretty much summed up in the title. My story includes a lot" ]
[ "but I always have people tell me that self publishing might not be", "I always have people tell me that self publishing might not be safe.", "to the published writers: what do you think is better? Self publishing or", "not sure if this has been answered yet, but I always have people", "question to the published writers: what do you think is better? Self publishing", "safe. What are the dangers of self publishing? Also, a question to the", "sure if this has been answered yet, but I always have people tell", "might not be safe. What are the dangers of self publishing? Also, a", "answered yet, but I always have people tell me that self publishing might", "not be safe. What are the dangers of self publishing? Also, a question", "publishing? Also, a question to the published writers: what do you think is", "published writers: what do you think is better? Self publishing or traditional publishing?", "have people tell me that self publishing might not be safe. What are", "been answered yet, but I always have people tell me that self publishing", "self publishing? Also, a question to the published writers: what do you think", "dangers of self publishing? Also, a question to the published writers: what do", "a question to the published writers: what do you think is better? Self", "the dangers of self publishing? Also, a question to the published writers: what", "that self publishing might not be safe. What are the dangers of self", "tell me that self publishing might not be safe. What are the dangers", "the published writers: what do you think is better? Self publishing or traditional", "has been answered yet, but I always have people tell me that self", "always have people tell me that self publishing might not be safe. What", "publishing might not be safe. What are the dangers of self publishing? Also,", "this has been answered yet, but I always have people tell me that", "self publishing might not be safe. What are the dangers of self publishing?", "be safe. What are the dangers of self publishing? Also, a question to", "Also, a question to the published writers: what do you think is better?", "I’m not sure if this has been answered yet, but I always have", "What are the dangers of self publishing? Also, a question to the published", "of self publishing? Also, a question to the published writers: what do you", "yet, but I always have people tell me that self publishing might not", "people tell me that self publishing might not be safe. What are the", "me that self publishing might not be safe. What are the dangers of", "are the dangers of self publishing? Also, a question to the published writers:", "if this has been answered yet, but I always have people tell me" ]
[ "I was told to ask this question here. There’s a saying in writing", "nervous. The only one I could think of was: “Her heart was pounding", "naming the emotion, “She was angry”, you would show the emotions happening by", "a “showing” phrase for being nervous. The only one I could think of", "“Steam started coming out of her ears,” or “Her fists slowly clenched up.”", "The only one I could think of was: “Her heart was pounding heavily.”", "fists slowly clenched up.” I am looking for a “showing” phrase for being", "clenched up.” I am looking for a “showing” phrase for being nervous. The", "her ears,” or “Her fists slowly clenched up.” I am looking for a", "I am looking for a “showing” phrase for being nervous. The only one", "“Her fists slowly clenched up.” I am looking for a “showing” phrase for", "am looking for a “showing” phrase for being nervous. The only one I", "question here. There’s a saying in writing to [“show; don’t tell”](https://thewritepractice.com/show-dont-tell/). For example,", "“She was angry”, you would show the emotions happening by saying, “Steam started", "of her ears,” or “Her fists slowly clenched up.” I am looking for", "coming out of her ears,” or “Her fists slowly clenched up.” I am", "emotions happening by saying, “Steam started coming out of her ears,” or “Her", "saying in writing to [“show; don’t tell”](https://thewritepractice.com/show-dont-tell/). For example, instead of naming the", "[“show; don’t tell”](https://thewritepractice.com/show-dont-tell/). For example, instead of naming the emotion, “She was angry”,", "the emotion, “She was angry”, you would show the emotions happening by saying,", "show the emotions happening by saying, “Steam started coming out of her ears,”", "up.” I am looking for a “showing” phrase for being nervous. The only", "you would show the emotions happening by saying, “Steam started coming out of", "phrase for being nervous. The only one I could think of was: “Her", "was angry”, you would show the emotions happening by saying, “Steam started coming", "to ask this question here. There’s a saying in writing to [“show; don’t", "told to ask this question here. There’s a saying in writing to [“show;", "emotion, “She was angry”, you would show the emotions happening by saying, “Steam", "here. There’s a saying in writing to [“show; don’t tell”](https://thewritepractice.com/show-dont-tell/). For example, instead", "would show the emotions happening by saying, “Steam started coming out of her", "happening by saying, “Steam started coming out of her ears,” or “Her fists", "for a “showing” phrase for being nervous. The only one I could think", "instead of naming the emotion, “She was angry”, you would show the emotions", "ears,” or “Her fists slowly clenched up.” I am looking for a “showing”", "started coming out of her ears,” or “Her fists slowly clenched up.” I", "angry”, you would show the emotions happening by saying, “Steam started coming out", "writing to [“show; don’t tell”](https://thewritepractice.com/show-dont-tell/). For example, instead of naming the emotion, “She", "was told to ask this question here. There’s a saying in writing to", "“showing” phrase for being nervous. The only one I could think of was:", "being nervous. The only one I could think of was: “Her heart was", "to [“show; don’t tell”](https://thewritepractice.com/show-dont-tell/). For example, instead of naming the emotion, “She was", "the emotions happening by saying, “Steam started coming out of her ears,” or", "There’s a saying in writing to [“show; don’t tell”](https://thewritepractice.com/show-dont-tell/). For example, instead of", "out of her ears,” or “Her fists slowly clenched up.” I am looking", "or “Her fists slowly clenched up.” I am looking for a “showing” phrase", "in writing to [“show; don’t tell”](https://thewritepractice.com/show-dont-tell/). For example, instead of naming the emotion,", "of naming the emotion, “She was angry”, you would show the emotions happening", "looking for a “showing” phrase for being nervous. The only one I could", "this question here. There’s a saying in writing to [“show; don’t tell”](https://thewritepractice.com/show-dont-tell/). For", "for being nervous. The only one I could think of was: “Her heart", "a saying in writing to [“show; don’t tell”](https://thewritepractice.com/show-dont-tell/). For example, instead of naming", "don’t tell”](https://thewritepractice.com/show-dont-tell/). For example, instead of naming the emotion, “She was angry”, you", "example, instead of naming the emotion, “She was angry”, you would show the", "saying, “Steam started coming out of her ears,” or “Her fists slowly clenched", "tell”](https://thewritepractice.com/show-dont-tell/). For example, instead of naming the emotion, “She was angry”, you would", "slowly clenched up.” I am looking for a “showing” phrase for being nervous.", "by saying, “Steam started coming out of her ears,” or “Her fists slowly", "ask this question here. There’s a saying in writing to [“show; don’t tell”](https://thewritepractice.com/show-dont-tell/).", "For example, instead of naming the emotion, “She was angry”, you would show" ]
[ "flash fiction - the contest rules were that it had to be under", "to start writing something. Emphasis on tried - nothing would come that would", "I read a lot of that). What are some tips for starting to", "tried to start writing something. Emphasis on tried - nothing would come that", "honest, I read a lot of that). What are some tips for starting", "seemed like the beginning of an epic fantasy novel (because to be honest,", "cool! I'll give it a shot.\" So I sat down, and tried to", "to be under 100 words long. I thought \"Hey, that's cool! I'll give", "be honest, I read a lot of that). What are some tips for", "it a shot.\" So I sat down, and tried to start writing something.", "be under 100 words long. I thought \"Hey, that's cool! I'll give it", "shot.\" So I sat down, and tried to start writing something. Emphasis on", "started to write seemed like the beginning of an epic fantasy novel (because", "like the beginning of an epic fantasy novel (because to be honest, I", "I thought \"Hey, that's cool! I'll give it a shot.\" So I sat", "I recently saw a contest for writing flash fiction - the contest rules", "contest rules were that it had to be under 100 words long. I", "words long. I thought \"Hey, that's cool! I'll give it a shot.\" So", "recently saw a contest for writing flash fiction - the contest rules were", "of an epic fantasy novel (because to be honest, I read a lot", "super short story. Everything that I started to write seemed like the beginning", "fiction - the contest rules were that it had to be under 100", "I'll give it a shot.\" So I sat down, and tried to start", "the contest rules were that it had to be under 100 words long.", "- the contest rules were that it had to be under 100 words", "Emphasis on tried - nothing would come that would work as a super", "thought \"Hey, that's cool! I'll give it a shot.\" So I sat down,", "- nothing would come that would work as a super short story. Everything", "100 words long. I thought \"Hey, that's cool! I'll give it a shot.\"", "on tried - nothing would come that would work as a super short", "beginning of an epic fantasy novel (because to be honest, I read a", "fantasy novel (because to be honest, I read a lot of that). What", "the beginning of an epic fantasy novel (because to be honest, I read", "(because to be honest, I read a lot of that). What are some", "contest for writing flash fiction - the contest rules were that it had", "start writing something. Emphasis on tried - nothing would come that would work", "that it had to be under 100 words long. I thought \"Hey, that's", "read a lot of that). What are some tips for starting to write", "had to be under 100 words long. I thought \"Hey, that's cool! I'll", "to be honest, I read a lot of that). What are some tips", "something. Emphasis on tried - nothing would come that would work as a", "as a super short story. Everything that I started to write seemed like", "down, and tried to start writing something. Emphasis on tried - nothing would", "a shot.\" So I sat down, and tried to start writing something. Emphasis", "for writing flash fiction - the contest rules were that it had to", "saw a contest for writing flash fiction - the contest rules were that", "I sat down, and tried to start writing something. Emphasis on tried -", "would work as a super short story. Everything that I started to write", "work as a super short story. Everything that I started to write seemed", "writing flash fiction - the contest rules were that it had to be", "nothing would come that would work as a super short story. Everything that", "Everything that I started to write seemed like the beginning of an epic", "tried - nothing would come that would work as a super short story.", "epic fantasy novel (because to be honest, I read a lot of that).", "that I started to write seemed like the beginning of an epic fantasy", "short story. Everything that I started to write seemed like the beginning of", "an epic fantasy novel (because to be honest, I read a lot of", "and tried to start writing something. Emphasis on tried - nothing would come", "lot of that). What are some tips for starting to write short stories?", "long. I thought \"Hey, that's cool! I'll give it a shot.\" So I", "under 100 words long. I thought \"Hey, that's cool! I'll give it a", "a lot of that). What are some tips for starting to write short", "\"Hey, that's cool! I'll give it a shot.\" So I sat down, and", "come that would work as a super short story. Everything that I started", "a contest for writing flash fiction - the contest rules were that it", "give it a shot.\" So I sat down, and tried to start writing", "write seemed like the beginning of an epic fantasy novel (because to be", "would come that would work as a super short story. Everything that I", "So I sat down, and tried to start writing something. Emphasis on tried", "that's cool! I'll give it a shot.\" So I sat down, and tried", "novel (because to be honest, I read a lot of that). What are", "I started to write seemed like the beginning of an epic fantasy novel", "sat down, and tried to start writing something. Emphasis on tried - nothing", "rules were that it had to be under 100 words long. I thought", "that would work as a super short story. Everything that I started to", "writing something. Emphasis on tried - nothing would come that would work as", "were that it had to be under 100 words long. I thought \"Hey,", "it had to be under 100 words long. I thought \"Hey, that's cool!", "story. Everything that I started to write seemed like the beginning of an", "to write seemed like the beginning of an epic fantasy novel (because to", "a super short story. Everything that I started to write seemed like the" ]
[ "a woman's period is considered sacred instead of being a shameful subject. At", "At the end of this week, the male priests of the church cut", "woman's period is considered sacred instead of being a shameful subject. At the", "is led by a priestess-queen along with the priestess under her. As such,", "is matriarchial, and is led by a priestess-queen along with the priestess under", "the universe, birthing life to all things. The faith honors this event in", "under her. As such, females are celebrated in the theology, and a woman's", "How do you avoid offending the audience and how much should you focus", "such, females are celebrated in the theology, and a woman's period is considered", "by a priestess-queen along with the priestess under her. As such, females are", "with modern society? Would it be considered too disturbing or disgusting? How do", "into a bowl during a ritualistic ceremony known as the Sanguinala, as they", "ritualistic ceremony known as the Sanguinala, as they do not bleed every month.", "church cut themselves into a bowl during a ritualistic ceremony known as the", "meant to honor the sacrifice of the goddess, and allow them to symbolically", "during the growing season. The religion in question is matriarchial, and is led", "it be considered too disturbing or disgusting? How do you avoid offending the", "life to all things. The faith honors this event in a week long", "cosmic womb of the goddess. People, planets, animals, etc, were all created when", "to honor the sacrifice of the goddess, and allow them to symbolically take", "all things. The faith honors this event in a week long celebration which", "part in the life giving process. Since this setting includes certain biological processes", "Would it be considered too disturbing or disgusting? How do you avoid offending", "matriarchial, and is led by a priestess-queen along with the priestess under her.", "her. As such, females are celebrated in the theology, and a woman's period", "end of this week, the male priests of the church cut themselves into", "the church cut themselves into a bowl during a ritualistic ceremony known as", "a ritualistic ceremony known as the Sanguinala, as they do not bleed every", "in the life giving process. Since this setting includes certain biological processes that", "the Sanguinala, as they do not bleed every month. This process is meant", "priestess-queen along with the priestess under her. As such, females are celebrated in", "womb of the goddess. People, planets, animals, etc, were all created when she", "she bled into the universe, birthing life to all things. The faith honors", "were all created when she bled into the universe, birthing life to all", "a shameful subject. At the end of this week, the male priests of", "place once a year during the growing season. The religion in question is", "faith honors this event in a week long celebration which takes place once", "week, the male priests of the church cut themselves into a bowl during", "not bleed every month. This process is meant to honor the sacrifice of", "this play with modern society? Would it be considered too disturbing or disgusting?", "reality exists inside the cosmic womb of the goddess. People, planets, animals, etc,", "themselves into a bowl during a ritualistic ceremony known as the Sanguinala, as", "goddess. People, planets, animals, etc, were all created when she bled into the", "event in a week long celebration which takes place once a year during", "into the universe, birthing life to all things. The faith honors this event", "period is considered sacred instead of being a shameful subject. At the end", "the cosmic womb of the goddess. People, planets, animals, etc, were all created", "year during the growing season. The religion in question is matriarchial, and is", "females are celebrated in the theology, and a woman's period is considered sacred", "when she bled into the universe, birthing life to all things. The faith", "The faith honors this event in a week long celebration which takes place", "as they do not bleed every month. This process is meant to honor", "theology, and a woman's period is considered sacred instead of being a shameful", "and allow them to symbolically take part in the life giving process. Since", "in the theology, and a woman's period is considered sacred instead of being", "All of reality exists inside the cosmic womb of the goddess. People, planets,", "as the Sanguinala, as they do not bleed every month. This process is", "along with the priestess under her. As such, females are celebrated in the", "sacrifice of the goddess, and allow them to symbolically take part in the", "the male priests of the church cut themselves into a bowl during a", "long celebration which takes place once a year during the growing season. The", "cut themselves into a bowl during a ritualistic ceremony known as the Sanguinala,", "bowl during a ritualistic ceremony known as the Sanguinala, as they do not", "the theology, and a woman's period is considered sacred instead of being a", "of the goddess. People, planets, animals, etc, were all created when she bled", "things. The faith honors this event in a week long celebration which takes", "honors this event in a week long celebration which takes place once a", "celebrated in the theology, and a woman's period is considered sacred instead of", "a bowl during a ritualistic ceremony known as the Sanguinala, as they do", "taboo to discuss openly, how would this play with modern society? Would it", "honor the sacrifice of the goddess, and allow them to symbolically take part", "The religion in question is matriarchial, and is led by a priestess-queen along", "every month. This process is meant to honor the sacrifice of the goddess,", "process. Since this setting includes certain biological processes that is often considered taboo", "often considered taboo to discuss openly, how would this play with modern society?", "This process is meant to honor the sacrifice of the goddess, and allow", "you avoid offending the audience and how much should you focus on it?", "a week long celebration which takes place once a year during the growing", "processes that is often considered taboo to discuss openly, how would this play", "how would this play with modern society? Would it be considered too disturbing", "of this week, the male priests of the church cut themselves into a", "symbolically take part in the life giving process. Since this setting includes certain", "that is often considered taboo to discuss openly, how would this play with", "openly, how would this play with modern society? Would it be considered too", "society? Would it be considered too disturbing or disgusting? How do you avoid", "exists inside the cosmic womb of the goddess. People, planets, animals, etc, were", "with the priestess under her. As such, females are celebrated in the theology,", "considered too disturbing or disgusting? How do you avoid offending the audience and", "celebration which takes place once a year during the growing season. The religion", "modern society? Would it be considered too disturbing or disgusting? How do you", "this setting includes certain biological processes that is often considered taboo to discuss", "they do not bleed every month. This process is meant to honor the", "of the goddess, and allow them to symbolically take part in the life", "priests of the church cut themselves into a bowl during a ritualistic ceremony", "is considered sacred instead of being a shameful subject. At the end of", "subject. At the end of this week, the male priests of the church", "season. The religion in question is matriarchial, and is led by a priestess-queen", "created when she bled into the universe, birthing life to all things. The", "growing season. The religion in question is matriarchial, and is led by a", "bleed every month. This process is meant to honor the sacrifice of the", "would this play with modern society? Would it be considered too disturbing or", "includes certain biological processes that is often considered taboo to discuss openly, how", "during a ritualistic ceremony known as the Sanguinala, as they do not bleed", "the priestess under her. As such, females are celebrated in the theology, and", "to discuss openly, how would this play with modern society? Would it be", "Sanguinala, as they do not bleed every month. This process is meant to", "the end of this week, the male priests of the church cut themselves", "and is led by a priestess-queen along with the priestess under her. As", "instead of being a shameful subject. At the end of this week, the", "allow them to symbolically take part in the life giving process. Since this", "all created when she bled into the universe, birthing life to all things.", "led by a priestess-queen along with the priestess under her. As such, females", "is meant to honor the sacrifice of the goddess, and allow them to", "People, planets, animals, etc, were all created when she bled into the universe,", "of being a shameful subject. At the end of this week, the male", "shameful subject. At the end of this week, the male priests of the", "process is meant to honor the sacrifice of the goddess, and allow them", "of reality exists inside the cosmic womb of the goddess. People, planets, animals,", "a year during the growing season. The religion in question is matriarchial, and", "a priestess-queen along with the priestess under her. As such, females are celebrated", "male priests of the church cut themselves into a bowl during a ritualistic", "sacred instead of being a shameful subject. At the end of this week,", "month. This process is meant to honor the sacrifice of the goddess, and", "life giving process. Since this setting includes certain biological processes that is often", "religion in question is matriarchial, and is led by a priestess-queen along with", "takes place once a year during the growing season. The religion in question", "setting includes certain biological processes that is often considered taboo to discuss openly,", "are celebrated in the theology, and a woman's period is considered sacred instead", "disturbing or disgusting? How do you avoid offending the audience and how much", "birthing life to all things. The faith honors this event in a week", "be considered too disturbing or disgusting? How do you avoid offending the audience", "do not bleed every month. This process is meant to honor the sacrifice", "disgusting? How do you avoid offending the audience and how much should you", "planets, animals, etc, were all created when she bled into the universe, birthing", "in question is matriarchial, and is led by a priestess-queen along with the", "the goddess, and allow them to symbolically take part in the life giving", "ceremony known as the Sanguinala, as they do not bleed every month. This", "being a shameful subject. At the end of this week, the male priests", "considered sacred instead of being a shameful subject. At the end of this", "the goddess. People, planets, animals, etc, were all created when she bled into", "biological processes that is often considered taboo to discuss openly, how would this", "is often considered taboo to discuss openly, how would this play with modern", "the growing season. The religion in question is matriarchial, and is led by", "priestess under her. As such, females are celebrated in the theology, and a", "play with modern society? Would it be considered too disturbing or disgusting? How", "considered taboo to discuss openly, how would this play with modern society? Would", "As such, females are celebrated in the theology, and a woman's period is", "to all things. The faith honors this event in a week long celebration", "bled into the universe, birthing life to all things. The faith honors this", "giving process. Since this setting includes certain biological processes that is often considered", "this event in a week long celebration which takes place once a year", "Since this setting includes certain biological processes that is often considered taboo to", "goddess, and allow them to symbolically take part in the life giving process.", "which takes place once a year during the growing season. The religion in", "them to symbolically take part in the life giving process. Since this setting", "and a woman's period is considered sacred instead of being a shameful subject.", "this week, the male priests of the church cut themselves into a bowl", "the life giving process. Since this setting includes certain biological processes that is", "too disturbing or disgusting? How do you avoid offending the audience and how", "to symbolically take part in the life giving process. Since this setting includes", "animals, etc, were all created when she bled into the universe, birthing life", "discuss openly, how would this play with modern society? Would it be considered", "inside the cosmic womb of the goddess. People, planets, animals, etc, were all", "once a year during the growing season. The religion in question is matriarchial,", "universe, birthing life to all things. The faith honors this event in a", "week long celebration which takes place once a year during the growing season.", "known as the Sanguinala, as they do not bleed every month. This process", "the sacrifice of the goddess, and allow them to symbolically take part in", "question is matriarchial, and is led by a priestess-queen along with the priestess", "take part in the life giving process. Since this setting includes certain biological", "certain biological processes that is often considered taboo to discuss openly, how would", "do you avoid offending the audience and how much should you focus on", "etc, were all created when she bled into the universe, birthing life to", "or disgusting? How do you avoid offending the audience and how much should", "in a week long celebration which takes place once a year during the", "of the church cut themselves into a bowl during a ritualistic ceremony known" ]
[ "I publish a book through CreateSpace and Kindle, can I then also AT", "say, Barnes & Nobles Press/Nook? Further, I know that you need a different", "do I need TWO MORE ISBNs for B&N POD and ebook versions? From", "the POD, but unclear for the eBook. Can anyone clarify? Thanks in advance", "but it doesn't entirely answer my particular inquiry, which is this: If I", "particular inquiry, which is this: If I publish a book through CreateSpace and", "through CreateSpace and Kindle, can I then also AT THE SAME TIME publish", "ISBN for POD and ebook--but do I need TWO MORE ISBNs for B&N", "If I publish a book through CreateSpace and Kindle, can I then also", "a different ISBN for POD and ebook--but do I need TWO MORE ISBNs", "by more than one publisher, but it doesn't entirely answer my particular inquiry,", "ebook--but do I need TWO MORE ISBNs for B&N POD and ebook versions?", "for POD and ebook--but do I need TWO MORE ISBNs for B&N POD", "it doesn't entirely answer my particular inquiry, which is this: If I publish", "then also AT THE SAME TIME publish that book with, say, Barnes &", "the web, the answer is no for the POD, but unclear for the", "Kindle, can I then also AT THE SAME TIME publish that book with,", "From what I've read around the web, the answer is no for the", "Barnes & Nobles Press/Nook? Further, I know that you need a different ISBN", "is no for the POD, but unclear for the eBook. Can anyone clarify?", "this: If I publish a book through CreateSpace and Kindle, can I then", "ISBNs for B&N POD and ebook versions? From what I've read around the", "inquiry, which is this: If I publish a book through CreateSpace and Kindle,", "and ebook--but do I need TWO MORE ISBNs for B&N POD and ebook", "published by more than one publisher, but it doesn't entirely answer my particular", "POD and ebook--but do I need TWO MORE ISBNs for B&N POD and", "Further, I know that you need a different ISBN for POD and ebook--but", "POD and ebook versions? From what I've read around the web, the answer", "I've read around the web, the answer is no for the POD, but", "entirely answer my particular inquiry, which is this: If I publish a book", "I then also AT THE SAME TIME publish that book with, say, Barnes", "saw the question about books published by more than one publisher, but it", "versions? From what I've read around the web, the answer is no for", "more than one publisher, but it doesn't entirely answer my particular inquiry, which", "need TWO MORE ISBNs for B&N POD and ebook versions? From what I've", "& Nobles Press/Nook? Further, I know that you need a different ISBN for", "about books published by more than one publisher, but it doesn't entirely answer", "my particular inquiry, which is this: If I publish a book through CreateSpace", "also AT THE SAME TIME publish that book with, say, Barnes & Nobles", "I need TWO MORE ISBNs for B&N POD and ebook versions? From what", "around the web, the answer is no for the POD, but unclear for", "than one publisher, but it doesn't entirely answer my particular inquiry, which is", "doesn't entirely answer my particular inquiry, which is this: If I publish a", "I know that you need a different ISBN for POD and ebook--but do", "different ISBN for POD and ebook--but do I need TWO MORE ISBNs for", "SAME TIME publish that book with, say, Barnes & Nobles Press/Nook? Further, I", "web, the answer is no for the POD, but unclear for the eBook.", "which is this: If I publish a book through CreateSpace and Kindle, can", "I saw the question about books published by more than one publisher, but", "ebook versions? From what I've read around the web, the answer is no", "the answer is no for the POD, but unclear for the eBook. Can", "for B&N POD and ebook versions? From what I've read around the web,", "TWO MORE ISBNs for B&N POD and ebook versions? From what I've read", "AT THE SAME TIME publish that book with, say, Barnes & Nobles Press/Nook?", "question about books published by more than one publisher, but it doesn't entirely", "that book with, say, Barnes & Nobles Press/Nook? Further, I know that you", "no for the POD, but unclear for the eBook. Can anyone clarify? Thanks", "Press/Nook? Further, I know that you need a different ISBN for POD and", "is this: If I publish a book through CreateSpace and Kindle, can I", "know that you need a different ISBN for POD and ebook--but do I", "MORE ISBNs for B&N POD and ebook versions? From what I've read around", "a book through CreateSpace and Kindle, can I then also AT THE SAME", "POD, but unclear for the eBook. Can anyone clarify? Thanks in advance for", "with, say, Barnes & Nobles Press/Nook? Further, I know that you need a", "TIME publish that book with, say, Barnes & Nobles Press/Nook? Further, I know", "read around the web, the answer is no for the POD, but unclear", "for the POD, but unclear for the eBook. Can anyone clarify? Thanks in", "books published by more than one publisher, but it doesn't entirely answer my", "and Kindle, can I then also AT THE SAME TIME publish that book", "B&N POD and ebook versions? From what I've read around the web, the", "answer my particular inquiry, which is this: If I publish a book through", "THE SAME TIME publish that book with, say, Barnes & Nobles Press/Nook? Further,", "publish that book with, say, Barnes & Nobles Press/Nook? Further, I know that", "what I've read around the web, the answer is no for the POD,", "publish a book through CreateSpace and Kindle, can I then also AT THE", "can I then also AT THE SAME TIME publish that book with, say,", "that you need a different ISBN for POD and ebook--but do I need", "answer is no for the POD, but unclear for the eBook. Can anyone", "need a different ISBN for POD and ebook--but do I need TWO MORE", "book through CreateSpace and Kindle, can I then also AT THE SAME TIME", "publisher, but it doesn't entirely answer my particular inquiry, which is this: If", "book with, say, Barnes & Nobles Press/Nook? Further, I know that you need", "but unclear for the eBook. Can anyone clarify? Thanks in advance for replies.", "you need a different ISBN for POD and ebook--but do I need TWO", "and ebook versions? From what I've read around the web, the answer is", "CreateSpace and Kindle, can I then also AT THE SAME TIME publish that", "the question about books published by more than one publisher, but it doesn't", "one publisher, but it doesn't entirely answer my particular inquiry, which is this:", "Nobles Press/Nook? Further, I know that you need a different ISBN for POD" ]
[ "able to write anything. It's as if I have no ideas, no creativity,", "anyone... All my life I have loved to write. As a kid and", "no creativity, no inspiration, nothing. It's really awful because I still love writing,", "sparks are gone and I can't come up with anything good or worth", "worth reading. Does anyone else have this problem? What is this called? Am", "planning for a story, writing a new story, finishing a story. I loved", "awful because I still love writing, but I feel no motivation or anything.", "it was my favorite pastime, and I was always planning for a story,", "had ideas and was creating new things all the time. However, the past", "As a kid and teenager it was my favorite pastime, and I was", "my creative sparks are gone and I can't come up with anything good", "some help from anyone... All my life I have loved to write. As", "I haven't been able to write anything. It's as if I have no", "life I have loved to write. As a kid and teenager it was", "new things all the time. However, the past two years (maybe a little", "stumbled upon this site but I would love some help from anyone... All", "was creating new things all the time. However, the past two years (maybe", "the time. However, the past two years (maybe a little more), I haven't", "the past two years (maybe a little more), I haven't been able to", "always had ideas and was creating new things all the time. However, the", "or worth reading. Does anyone else have this problem? What is this called?", "been able to write anything. It's as if I have no ideas, no", "a new story, finishing a story. I loved it. I always had ideas", "but I would love some help from anyone... All my life I have", "have loved to write. As a kid and teenager it was my favorite", "writing a new story, finishing a story. I loved it. I always had", "ideas and was creating new things all the time. However, the past two", "no inspiration, nothing. It's really awful because I still love writing, but I", "anything. It's as if I have no ideas, no creativity, no inspiration, nothing.", "motivation or anything. I feel like all my creative sparks are gone and", "a story, writing a new story, finishing a story. I loved it. I", "of stumbled upon this site but I would love some help from anyone...", "I feel like all my creative sparks are gone and I can't come", "with anything good or worth reading. Does anyone else have this problem? What", "I still love writing, but I feel no motivation or anything. I feel", "haven't been able to write anything. It's as if I have no ideas,", "no motivation or anything. I feel like all my creative sparks are gone", "story, writing a new story, finishing a story. I loved it. I always", "really awful because I still love writing, but I feel no motivation or", "feel like all my creative sparks are gone and I can't come up", "from anyone... All my life I have loved to write. As a kid", "kind of stumbled upon this site but I would love some help from", "What is this called? Am I not a writer anymore? Thanks in advance.", "if I have no ideas, no creativity, no inspiration, nothing. It's really awful", "I loved it. I always had ideas and was creating new things all", "anyone else have this problem? What is this called? Am I not a", "story, finishing a story. I loved it. I always had ideas and was", "finishing a story. I loved it. I always had ideas and was creating", "feel no motivation or anything. I feel like all my creative sparks are", "creative sparks are gone and I can't come up with anything good or", "I would love some help from anyone... All my life I have loved", "love some help from anyone... All my life I have loved to write.", "loved to write. As a kid and teenager it was my favorite pastime,", "was always planning for a story, writing a new story, finishing a story.", "have this problem? What is this called? Am I not a writer anymore?", "I have no ideas, no creativity, no inspiration, nothing. It's really awful because", "I can't come up with anything good or worth reading. Does anyone else", "I always had ideas and was creating new things all the time. However,", "inspiration, nothing. It's really awful because I still love writing, but I feel", "teenager it was my favorite pastime, and I was always planning for a", "as if I have no ideas, no creativity, no inspiration, nothing. It's really", "problem? What is this called? Am I not a writer anymore? Thanks in", "would love some help from anyone... All my life I have loved to", "favorite pastime, and I was always planning for a story, writing a new", "However, the past two years (maybe a little more), I haven't been able", "All my life I have loved to write. As a kid and teenager", "upon this site but I would love some help from anyone... All my", "reading. Does anyone else have this problem? What is this called? Am I", "for a story, writing a new story, finishing a story. I loved it.", "but I feel no motivation or anything. I feel like all my creative", "all my creative sparks are gone and I can't come up with anything", "years (maybe a little more), I haven't been able to write anything. It's", "past two years (maybe a little more), I haven't been able to write", "are gone and I can't come up with anything good or worth reading.", "and I can't come up with anything good or worth reading. Does anyone", "a kid and teenager it was my favorite pastime, and I was always", "anything good or worth reading. Does anyone else have this problem? What is", "I was always planning for a story, writing a new story, finishing a", "creating new things all the time. However, the past two years (maybe a", "nothing. It's really awful because I still love writing, but I feel no", "pastime, and I was always planning for a story, writing a new story,", "always planning for a story, writing a new story, finishing a story. I", "or anything. I feel like all my creative sparks are gone and I", "was my favorite pastime, and I was always planning for a story, writing", "no ideas, no creativity, no inspiration, nothing. It's really awful because I still", "else have this problem? What is this called? Am I not a writer", "good or worth reading. Does anyone else have this problem? What is this", "all the time. However, the past two years (maybe a little more), I", "just kind of stumbled upon this site but I would love some help", "site but I would love some help from anyone... All my life I", "time. However, the past two years (maybe a little more), I haven't been", "Does anyone else have this problem? What is this called? Am I not", "have no ideas, no creativity, no inspiration, nothing. It's really awful because I", "things all the time. However, the past two years (maybe a little more),", "and teenager it was my favorite pastime, and I was always planning for", "more), I haven't been able to write anything. It's as if I have", "two years (maybe a little more), I haven't been able to write anything.", "my favorite pastime, and I was always planning for a story, writing a", "it. I always had ideas and was creating new things all the time.", "creativity, no inspiration, nothing. It's really awful because I still love writing, but", "I have loved to write. As a kid and teenager it was my", "I feel no motivation or anything. I feel like all my creative sparks", "because I still love writing, but I feel no motivation or anything. I", "write. As a kid and teenager it was my favorite pastime, and I", "kid and teenager it was my favorite pastime, and I was always planning", "It's really awful because I still love writing, but I feel no motivation", "writing, but I feel no motivation or anything. I feel like all my", "come up with anything good or worth reading. Does anyone else have this", "new story, finishing a story. I loved it. I always had ideas and", "loved it. I always had ideas and was creating new things all the", "and I was always planning for a story, writing a new story, finishing", "like all my creative sparks are gone and I can't come up with", "this problem? What is this called? Am I not a writer anymore? Thanks", "to write anything. It's as if I have no ideas, no creativity, no", "this site but I would love some help from anyone... All my life", "love writing, but I feel no motivation or anything. I feel like all", "It's as if I have no ideas, no creativity, no inspiration, nothing. It's", "I just kind of stumbled upon this site but I would love some", "to write. As a kid and teenager it was my favorite pastime, and", "can't come up with anything good or worth reading. Does anyone else have", "story. I loved it. I always had ideas and was creating new things", "a little more), I haven't been able to write anything. It's as if", "write anything. It's as if I have no ideas, no creativity, no inspiration,", "(maybe a little more), I haven't been able to write anything. It's as", "a story. I loved it. I always had ideas and was creating new", "up with anything good or worth reading. Does anyone else have this problem?", "is this called? Am I not a writer anymore? Thanks in advance. ~McKenna", "little more), I haven't been able to write anything. It's as if I", "gone and I can't come up with anything good or worth reading. Does", "help from anyone... All my life I have loved to write. As a", "ideas, no creativity, no inspiration, nothing. It's really awful because I still love", "and was creating new things all the time. However, the past two years", "still love writing, but I feel no motivation or anything. I feel like", "my life I have loved to write. As a kid and teenager it", "anything. I feel like all my creative sparks are gone and I can't" ]
[ "fan of the HBO series True Detective. I was reading the script for", "but I feel like it does add a layer of realism in routine.", "“okay” to sum up a semi-unimportant dialogue in the action? Like acknowledging a", "BOARD. --- In my script, I have the lead character walk past a", "skip this part entirely, but I feel like it does add a layer", "I was reading the script for the second episode and I noticed this:", "They walk through the division toward the BIG BOARD. --- In my script,", "desk of the police station as well. My question is: Is it “okay”", "In my script, I have the lead character walk past a receptionist desk", "the BIG BOARD. --- In my script, I have the lead character walk", "second episode and I noticed this: INT. STATE CID - NIGHT Hart and", "lead character walk past a receptionist desk of the police station as well.", "station as well. My question is: Is it “okay” to sum up a", "receptionist? I realize I could just skip this part entirely, but I feel", "the action? Like acknowledging a receptionist? I realize I could just skip this", "routine. Or I could write it all out. What should I do? Thanks.", "and Cohle enter the squad room, acknowledged by the RECEPTIONIST. They walk through", "it does add a layer of realism in routine. Or I could write", "- NIGHT Hart and Cohle enter the squad room, acknowledged by the RECEPTIONIST.", "script for the second episode and I noticed this: INT. STATE CID -", "layer of realism in routine. Or I could write it all out. What", "well. My question is: Is it “okay” to sum up a semi-unimportant dialogue", "script, I have the lead character walk past a receptionist desk of the", "I realize I could just skip this part entirely, but I feel like", "the squad room, acknowledged by the RECEPTIONIST. They walk through the division toward", "could just skip this part entirely, but I feel like it does add", "of the HBO series True Detective. I was reading the script for the", "a receptionist? I realize I could just skip this part entirely, but I", "like it does add a layer of realism in routine. Or I could", "RECEPTIONIST. They walk through the division toward the BIG BOARD. --- In my", "acknowledging a receptionist? I realize I could just skip this part entirely, but", "of realism in routine. Or I could write it all out. What should", "action? Like acknowledging a receptionist? I realize I could just skip this part", "STATE CID - NIGHT Hart and Cohle enter the squad room, acknowledged by", "episode and I noticed this: INT. STATE CID - NIGHT Hart and Cohle", "by the RECEPTIONIST. They walk through the division toward the BIG BOARD. ---", "I’m a huge fan of the HBO series True Detective. I was reading", "semi-unimportant dialogue in the action? Like acknowledging a receptionist? I realize I could", "police station as well. My question is: Is it “okay” to sum up", "have the lead character walk past a receptionist desk of the police station", "CID - NIGHT Hart and Cohle enter the squad room, acknowledged by the", "my script, I have the lead character walk past a receptionist desk of", "realize I could just skip this part entirely, but I feel like it", "BIG BOARD. --- In my script, I have the lead character walk past", "walk past a receptionist desk of the police station as well. My question", "the police station as well. My question is: Is it “okay” to sum", "the second episode and I noticed this: INT. STATE CID - NIGHT Hart", "does add a layer of realism in routine. Or I could write it", "I could just skip this part entirely, but I feel like it does", "Or I could write it all out. What should I do? Thanks. Morp", "just skip this part entirely, but I feel like it does add a", "the division toward the BIG BOARD. --- In my script, I have the", "enter the squad room, acknowledged by the RECEPTIONIST. They walk through the division", "up a semi-unimportant dialogue in the action? Like acknowledging a receptionist? I realize", "receptionist desk of the police station as well. My question is: Is it", "a huge fan of the HBO series True Detective. I was reading the", "Hart and Cohle enter the squad room, acknowledged by the RECEPTIONIST. They walk", "series True Detective. I was reading the script for the second episode and", "sum up a semi-unimportant dialogue in the action? Like acknowledging a receptionist? I", "--- In my script, I have the lead character walk past a receptionist", "for the second episode and I noticed this: INT. STATE CID - NIGHT", "in the action? Like acknowledging a receptionist? I realize I could just skip", "the RECEPTIONIST. They walk through the division toward the BIG BOARD. --- In", "toward the BIG BOARD. --- In my script, I have the lead character", "a semi-unimportant dialogue in the action? Like acknowledging a receptionist? I realize I", "noticed this: INT. STATE CID - NIGHT Hart and Cohle enter the squad", "a receptionist desk of the police station as well. My question is: Is", "huge fan of the HBO series True Detective. I was reading the script", "a layer of realism in routine. Or I could write it all out.", "acknowledged by the RECEPTIONIST. They walk through the division toward the BIG BOARD.", "walk through the division toward the BIG BOARD. --- In my script, I", "through the division toward the BIG BOARD. --- In my script, I have", "My question is: Is it “okay” to sum up a semi-unimportant dialogue in", "I feel like it does add a layer of realism in routine. Or", "past a receptionist desk of the police station as well. My question is:", "NIGHT Hart and Cohle enter the squad room, acknowledged by the RECEPTIONIST. They", "it “okay” to sum up a semi-unimportant dialogue in the action? Like acknowledging", "the HBO series True Detective. I was reading the script for the second", "many, I’m a huge fan of the HBO series True Detective. I was", "feel like it does add a layer of realism in routine. Or I", "division toward the BIG BOARD. --- In my script, I have the lead", "to sum up a semi-unimportant dialogue in the action? Like acknowledging a receptionist?", "Detective. I was reading the script for the second episode and I noticed", "I noticed this: INT. STATE CID - NIGHT Hart and Cohle enter the", "this part entirely, but I feel like it does add a layer of", "I have the lead character walk past a receptionist desk of the police", "the script for the second episode and I noticed this: INT. STATE CID", "reading the script for the second episode and I noticed this: INT. STATE", "part entirely, but I feel like it does add a layer of realism", "as well. My question is: Is it “okay” to sum up a semi-unimportant", "Is it “okay” to sum up a semi-unimportant dialogue in the action? Like", "realism in routine. Or I could write it all out. What should I", "of the police station as well. My question is: Is it “okay” to", "HBO series True Detective. I was reading the script for the second episode", "Like acknowledging a receptionist? I realize I could just skip this part entirely,", "add a layer of realism in routine. Or I could write it all", "dialogue in the action? Like acknowledging a receptionist? I realize I could just", "squad room, acknowledged by the RECEPTIONIST. They walk through the division toward the", "Like many, I’m a huge fan of the HBO series True Detective. I", "and I noticed this: INT. STATE CID - NIGHT Hart and Cohle enter", "in routine. Or I could write it all out. What should I do?", "True Detective. I was reading the script for the second episode and I", "room, acknowledged by the RECEPTIONIST. They walk through the division toward the BIG", "question is: Is it “okay” to sum up a semi-unimportant dialogue in the", "this: INT. STATE CID - NIGHT Hart and Cohle enter the squad room,", "is: Is it “okay” to sum up a semi-unimportant dialogue in the action?", "Cohle enter the squad room, acknowledged by the RECEPTIONIST. They walk through the", "the lead character walk past a receptionist desk of the police station as", "INT. STATE CID - NIGHT Hart and Cohle enter the squad room, acknowledged", "entirely, but I feel like it does add a layer of realism in", "character walk past a receptionist desk of the police station as well. My", "was reading the script for the second episode and I noticed this: INT." ]
[ "cover, peeking out and moving. This is understandable, F.E.A.R fans know why. (\"Careful", "can work together in the way intended. Few paragraphs into the first chapter", "is understandable, F.E.A.R fans know why. (\"Careful with your flashlight, it will give", "work together in the way intended. Few paragraphs into the first chapter and", "light sources and goes through the prologue section moving from cover to cover,", "Arrival's prologue chapter. So A decides not to use any light sources and", "a book. *So, how can I write a section of repeated actions, without", "my tools can work together in the way intended. Few paragraphs into the", "based the locations off of Slender: The Arrival's prologue chapter. So A decides", "understandable, F.E.A.R fans know why. (\"Careful with your flashlight, it will give you", "is a reason why readers drop a book. So, how can I write", "reason why readers drop a book. So, how can I write a section", "and goes through the prologue section moving from cover to cover, peeking out", "any light sources and goes through the prologue section moving from cover to", "off of Slender: The Arrival's prologue chapter. So A decides not to use", "Character A is a scaredy-cat, and I based the locations off of Slender:", "tools can work together in the way intended. Few paragraphs into the first", "F.E.A.R fans know why. (\"Careful with your flashlight, it will give you away.\")", "prologue section moving from cover to cover, peeking out and moving. This is", "the locations off of Slender: The Arrival's prologue chapter. So A decides not", "moving from cover to cover, peeking out and moving. This is understandable, F.E.A.R", "if my tools can work together in the way intended. Few paragraphs into", "Though this is highly repetitive, which is a reason why readers drop a", "Slender: The Arrival's prologue chapter. So A decides not to use any light", "chapter. So A decides not to use any light sources and goes through", "I based the locations off of Slender: The Arrival's prologue chapter. So A", "The Arrival's prologue chapter. So A decides not to use any light sources", "give you away.\")* Though this is highly repetitive, which is a reason why", "not to use any light sources and goes through the prologue section moving", "highly repetitive, which is a reason why readers drop a book. *So, how", "will give you away.\") Though this is highly repetitive, which is a reason", "of Slender: The Arrival's prologue chapter. So A decides not to use any", "the prologue section moving from cover to cover, peeking out and moving. This", "moving. This is understandable, F.E.A.R fans know why. (\"Careful with your flashlight, it", "use any light sources and goes through the prologue section moving from cover", "This is understandable, F.E.A.R fans know why. (\"Careful with your flashlight, it will", "writing a test story to see if my tools can work together in", "through the prologue section moving from cover to cover, peeking out and moving.", "drop a book. *So, how can I write a section of repeated actions,", "from cover to cover, peeking out and moving. This is understandable, F.E.A.R fans", "sources and goes through the prologue section moving from cover to cover, peeking", "intended. Few paragraphs into the first chapter and there is a problem: Character", "to see if my tools can work together in the way intended. Few", "fans know why. (\"Careful with your flashlight, it will give you away.\")* Though", "and moving. This is understandable, F.E.A.R fans know why. (\"Careful with your flashlight,", "a scaredy-cat, and I based the locations off of Slender: The Arrival's prologue", "you away.\") Though this is highly repetitive, which is a reason why readers", "your flashlight, it will give you away.\")* Though this is highly repetitive, which", "story to see if my tools can work together in the way intended.", "(\"Careful with your flashlight, it will give you away.\") Though this is highly", "how can I write a section of repeated actions, without the writing being", "So A decides not to use any light sources and goes through the", "to cover, peeking out and moving. This is understandable, F.E.A.R fans know why.", "is a scaredy-cat, and I based the locations off of Slender: The Arrival's", "A decides not to use any light sources and goes through the prologue", "section moving from cover to cover, peeking out and moving. This is understandable,", "test story to see if my tools can work together in the way", "paragraphs into the first chapter and there is a problem: Character A is", "which is a reason why readers drop a book. So, how can I", "book. So, how can I write a section of repeated actions, without the", "So, I was writing a test story to see if my tools can", "together in the way intended. Few paragraphs into the first chapter and there", "is highly repetitive, which is a reason why readers drop a book. So,", "why readers drop a book. So, how can I write a section of", "*So, how can I write a section of repeated actions, without the writing", "prologue chapter. So A decides not to use any light sources and goes", "to use any light sources and goes through the prologue section moving from", "A is a scaredy-cat, and I based the locations off of Slender: The", "why. (\"Careful with your flashlight, it will give you away.\")* Though this is", "can I write a section of repeated actions, without the writing being too", "scaredy-cat, and I based the locations off of Slender: The Arrival's prologue chapter.", "with your flashlight, it will give you away.\")* Though this is highly repetitive,", "peeking out and moving. This is understandable, F.E.A.R fans know why. (\"Careful with", "I was writing a test story to see if my tools can work", "way intended. Few paragraphs into the first chapter and there is a problem:", "locations off of Slender: The Arrival's prologue chapter. So A decides not to", "and there is a problem: Character A is a scaredy-cat, and I based", "away.\") Though this is highly repetitive, which is a reason why readers drop", "was writing a test story to see if my tools can work together", "readers drop a book. *So, how can I write a section of repeated", "the way intended. Few paragraphs into the first chapter and there is a", "chapter and there is a problem: Character A is a scaredy-cat, and I", "goes through the prologue section moving from cover to cover, peeking out and", "problem: Character A is a scaredy-cat, and I based the locations off of", "this is highly repetitive, which is a reason why readers drop a book.", "the first chapter and there is a problem: Character A is a scaredy-cat,", "there is a problem: Character A is a scaredy-cat, and I based the", "a test story to see if my tools can work together in the", "first chapter and there is a problem: Character A is a scaredy-cat, and", "see if my tools can work together in the way intended. Few paragraphs", "it will give you away.\") Though this is highly repetitive, which is a", "know why. (\"Careful with your flashlight, it will give you away.\") Though this", "out and moving. This is understandable, F.E.A.R fans know why. (\"Careful with your", "in the way intended. Few paragraphs into the first chapter and there is", "and I based the locations off of Slender: The Arrival's prologue chapter. So", "repetitive, which is a reason why readers drop a book. So, how can", "into the first chapter and there is a problem: Character A is a", "I write a section of repeated actions, without the writing being too repetitive?", "a reason why readers drop a book. So, how can I write a", "flashlight, it will give you away.\") Though this is highly repetitive, which is", "decides not to use any light sources and goes through the prologue section", "is a problem: Character A is a scaredy-cat, and I based the locations", "cover to cover, peeking out and moving. This is understandable, F.E.A.R fans know", "a problem: Character A is a scaredy-cat, and I based the locations off", "Few paragraphs into the first chapter and there is a problem: Character A" ]
[ "Service once raided SJ games](https://en.wikipedia.org/wiki/Steve_Jackson_Games,_Inc._v._United_States_Secret_Service), because someone \"leaked documents about the 9-1-1 system\"", "have a character plan domestic terrorism. [The Secret Service once raided SJ games](https://en.wikipedia.org/wiki/Steve_Jackson_Games,_Inc._v._United_States_Secret_Service),", "asked: <https://writers.stackexchange.com/questions/31258/how-to-write-a-character-that-knows-a-lot-about-explosives> Problem is that the answers suggested bailing out of the situation,", "bulletin board. They confiscated the GURPS: Cyberpunk master copy, but SJG came out", "bailing out of the situation, which isn't always desired. In my story I", "as the victor, and the \"handbook for computer crime\" was reconstructed, rewritten from", "drafts when the manuscript was not returned. Without bailing out, how do I", "Cyberpunk master copy, but SJG came out as the victor, and the \"handbook", "\"handbook for computer crime\" was reconstructed, rewritten from older drafts when the manuscript", "situation, which isn't always desired. In my story I need to have a", "answers suggested bailing out of the situation, which isn't always desired. In my", "character plan domestic terrorism. [The Secret Service once raided SJ games](https://en.wikipedia.org/wiki/Steve_Jackson_Games,_Inc._v._United_States_Secret_Service), because someone", "of the situation, which isn't always desired. In my story I need to", "SJG came out as the victor, and the \"handbook for computer crime\" was", "Secret Service once raided SJ games](https://en.wikipedia.org/wiki/Steve_Jackson_Games,_Inc._v._United_States_Secret_Service), because someone \"leaked documents about the 9-1-1", "the victor, and the \"handbook for computer crime\" was reconstructed, rewritten from older", "crime\" was reconstructed, rewritten from older drafts when the manuscript was not returned.", "is that the answers suggested bailing out of the situation, which isn't always", "In my story I need to have a character plan domestic terrorism. [The", "to have a character plan domestic terrorism. [The Secret Service once raided SJ", "raided SJ games](https://en.wikipedia.org/wiki/Steve_Jackson_Games,_Inc._v._United_States_Secret_Service), because someone \"leaked documents about the 9-1-1 system\" on a", "isn't always desired. In my story I need to have a character plan", "the 9-1-1 system\" on a bulletin board. They confiscated the GURPS: Cyberpunk master", "the GURPS: Cyberpunk master copy, but SJG came out as the victor, and", "copy, but SJG came out as the victor, and the \"handbook for computer", "which isn't always desired. In my story I need to have a character", "older drafts when the manuscript was not returned. Without bailing out, how do", "and the \"handbook for computer crime\" was reconstructed, rewritten from older drafts when", "suggested bailing out of the situation, which isn't always desired. In my story", "<https://writers.stackexchange.com/questions/31258/how-to-write-a-character-that-knows-a-lot-about-explosives> Problem is that the answers suggested bailing out of the situation, which", "returned. Without bailing out, how do I talk about explosives, without drawing a", "was reconstructed, rewritten from older drafts when the manuscript was not returned. Without", "the answers suggested bailing out of the situation, which isn't always desired. In", "9-1-1 system\" on a bulletin board. They confiscated the GURPS: Cyberpunk master copy,", "when the manuscript was not returned. Without bailing out, how do I talk", "on a bulletin board. They confiscated the GURPS: Cyberpunk master copy, but SJG", "because someone \"leaked documents about the 9-1-1 system\" on a bulletin board. They", "a character plan domestic terrorism. [The Secret Service once raided SJ games](https://en.wikipedia.org/wiki/Steve_Jackson_Games,_Inc._v._United_States_Secret_Service), because", "SJ games](https://en.wikipedia.org/wiki/Steve_Jackson_Games,_Inc._v._United_States_Secret_Service), because someone \"leaked documents about the 9-1-1 system\" on a bulletin", "master copy, but SJG came out as the victor, and the \"handbook for", "was asked: <https://writers.stackexchange.com/questions/31258/how-to-write-a-character-that-knows-a-lot-about-explosives> Problem is that the answers suggested bailing out of the", "similar question was asked: <https://writers.stackexchange.com/questions/31258/how-to-write-a-character-that-knows-a-lot-about-explosives> Problem is that the answers suggested bailing out", "a bulletin board. They confiscated the GURPS: Cyberpunk master copy, but SJG came", "someone \"leaked documents about the 9-1-1 system\" on a bulletin board. They confiscated", "the \"handbook for computer crime\" was reconstructed, rewritten from older drafts when the", "domestic terrorism. [The Secret Service once raided SJ games](https://en.wikipedia.org/wiki/Steve_Jackson_Games,_Inc._v._United_States_Secret_Service), because someone \"leaked documents", "manuscript was not returned. Without bailing out, how do I talk about explosives,", "I need to have a character plan domestic terrorism. [The Secret Service once", "board. They confiscated the GURPS: Cyberpunk master copy, but SJG came out as", "need to have a character plan domestic terrorism. [The Secret Service once raided", "once raided SJ games](https://en.wikipedia.org/wiki/Steve_Jackson_Games,_Inc._v._United_States_Secret_Service), because someone \"leaked documents about the 9-1-1 system\" on", "came out as the victor, and the \"handbook for computer crime\" was reconstructed,", "reconstructed, rewritten from older drafts when the manuscript was not returned. Without bailing", "out of the situation, which isn't always desired. In my story I need", "\"leaked documents about the 9-1-1 system\" on a bulletin board. They confiscated the", "always desired. In my story I need to have a character plan domestic", "GURPS: Cyberpunk master copy, but SJG came out as the victor, and the", "that the answers suggested bailing out of the situation, which isn't always desired.", "victor, and the \"handbook for computer crime\" was reconstructed, rewritten from older drafts", "Without bailing out, how do I talk about explosives, without drawing a government", "Problem is that the answers suggested bailing out of the situation, which isn't", "games](https://en.wikipedia.org/wiki/Steve_Jackson_Games,_Inc._v._United_States_Secret_Service), because someone \"leaked documents about the 9-1-1 system\" on a bulletin board.", "They confiscated the GURPS: Cyberpunk master copy, but SJG came out as the", "out as the victor, and the \"handbook for computer crime\" was reconstructed, rewritten", "my story I need to have a character plan domestic terrorism. [The Secret", "computer crime\" was reconstructed, rewritten from older drafts when the manuscript was not", "about the 9-1-1 system\" on a bulletin board. They confiscated the GURPS: Cyberpunk", "for computer crime\" was reconstructed, rewritten from older drafts when the manuscript was", "plan domestic terrorism. [The Secret Service once raided SJ games](https://en.wikipedia.org/wiki/Steve_Jackson_Games,_Inc._v._United_States_Secret_Service), because someone \"leaked", "documents about the 9-1-1 system\" on a bulletin board. They confiscated the GURPS:", "from older drafts when the manuscript was not returned. Without bailing out, how", "desired. In my story I need to have a character plan domestic terrorism.", "A similar question was asked: <https://writers.stackexchange.com/questions/31258/how-to-write-a-character-that-knows-a-lot-about-explosives> Problem is that the answers suggested bailing", "was not returned. Without bailing out, how do I talk about explosives, without", "[The Secret Service once raided SJ games](https://en.wikipedia.org/wiki/Steve_Jackson_Games,_Inc._v._United_States_Secret_Service), because someone \"leaked documents about the", "bailing out, how do I talk about explosives, without drawing a government response?", "terrorism. [The Secret Service once raided SJ games](https://en.wikipedia.org/wiki/Steve_Jackson_Games,_Inc._v._United_States_Secret_Service), because someone \"leaked documents about", "confiscated the GURPS: Cyberpunk master copy, but SJG came out as the victor,", "the situation, which isn't always desired. In my story I need to have", "but SJG came out as the victor, and the \"handbook for computer crime\"", "system\" on a bulletin board. They confiscated the GURPS: Cyberpunk master copy, but", "not returned. Without bailing out, how do I talk about explosives, without drawing", "the manuscript was not returned. Without bailing out, how do I talk about", "rewritten from older drafts when the manuscript was not returned. Without bailing out,", "story I need to have a character plan domestic terrorism. [The Secret Service", "question was asked: <https://writers.stackexchange.com/questions/31258/how-to-write-a-character-that-knows-a-lot-about-explosives> Problem is that the answers suggested bailing out of" ]
[ "nature is. And I need to do it without relying on actions. *How", "tell how this is conveyed beyond all doubt. In addition to simply conveying", "in order to show the nature of a person/group, you have to use", "know the group is evil beyond a doubt. > > ADDITIONAL EXAMPLE: Some", "not yet seen The Last Jedi. Please do not spoil it for me.", "one establish the nature of a person/group to the reader without relying on", "considered evil is \\_\\_\\_\\_\\_. That blank space is what I'm looking for. >", "action: in order to show the nature of a person/group, you have to", "like I need to back it up with something, so the reader will", "what I was going for, so I've attempted to clarify it here: Most", "remind the reader how evil this person is, I have to show that", "here: Most authors will show a person or group is evil by showing", "need to do so in a way that dispels all doubt. The reader", "cannot tell how this is conveyed beyond all doubt. In addition to simply", "you use Star Wars as an example as I did, please be aware", "call this relying on action: in order to show the nature of a", "person/group to the reader without relying on actions to 'show' it? For example,", "I want to remind the reader how evil this person is, I have", "And I need to do it without relying on actions. *How can I", "nature of the person/group, I need to do so in a way that", "> > > A good example of this being done is Star Wars,", "I have a group which is evil, how could I convey that to", "without actions? Telling is of course an option, but I feel like I", "going for a passive approach. I want a character or group to be", "evil beyond a doubt. > > ADDITIONAL EXAMPLE: Some people were getting confused", "actions. How can I do this?* Note: In the event that you use", "be evil. Action is not off of the table, but it's not the", "people were getting confused over what I was going for, so I've attempted", "to the reader without actions? Telling is of course an option, but I", "authors will show a person or group is evil by showing an evil", "use repeating actions. > > > Alternatively, I'm going for a passive approach.", "a passive approach. I want a character or group to be inherently understood", "aware that I have not yet seen The Last Jedi. Please do not", "this is conveyed beyond all doubt. In addition to simply conveying the nature", "create a new one. I call this relying on action: in order to", "> > A good example of this being done is Star Wars, specifically", "do it without relying on actions. How can I do this? Note: In", "as an example as I did, please be aware that I have not", "conveyed beyond all doubt. In addition to simply conveying the nature of the", "I have not yet seen The Last Jedi. Please do not spoil it", "so I've attempted to clarify it here: Most authors will show a person", "considered evil (you can reinforce the image with actions all you want). The", "are good. I cannot tell how this is conveyed beyond all doubt. In", "difficulty is that if I want to remind the reader how evil this", "Action is not off of the table, but it's not the reason why", "if I want to remind the reader how evil this person is, I", "a doubt. > > ADDITIONAL EXAMPLE: Some people were getting confused over what", "on actions. How can I do this? Note: In the event that you", "something, so the reader will know the group is evil beyond a doubt.", "an evil action. Maybe a brutal murder. My difficulty is that if I", "do this? Note:** In the event that you use Star Wars as an", "(you can reinforce the image with actions all you want). The reason they", "the reader without actions? Telling is of course an option, but I feel", "doubt. The reader needs to know that this person or group is good,", "it up with something, so the reader will know the group is evil", "that this person or group is good, evil, or whatever their nature is.", "clarify it here: Most authors will show a person or group is evil", "I've attempted to clarify it here: Most authors will show a person or", "the reason why they are considered evil (you can reinforce the image with", "Wars, specifically episode IV. Basically from the moment they are introduced, we understand", "with actions all you want). The reason they are considered evil is \\_\\_\\_\\_\\_.", "are introduced, we understand the Empire and Sith are evil, and the Resistance", "reason why they are considered evil (you can reinforce the image with actions", "done is Star Wars, specifically episode IV. Basically from the moment they are", "it here: Most authors will show a person or group is evil by", "for a passive approach. I want a character or group to be inherently", "moment they are introduced, we understand the Empire and Sith are evil, and", "In addition to simply conveying the nature of the person/group, I need to", "of this being done is Star Wars, specifically episode IV. Basically from the", "Alternatively, I'm going for a passive approach. I want a character or group", "person/group, you have to use repeating actions. > > > Alternatively, I'm going", "> A good example of this being done is Star Wars, specifically episode", "How can I do this? Note: In the event that you use Star", "up with something, so the reader will know the group is evil beyond", "want to remind the reader how evil this person is, I have to", "course an option, but I feel like I need to back it up", "actions. > > > Alternatively, I'm going for a passive approach. I want", "evil this person is, I have to show that murder again, or create", "attempted to clarify it here: Most authors will show a person or group", "> > Alternatively, I'm going for a passive approach. I want a character", "action. Maybe a brutal murder. My difficulty is that if I want to", "back it up with something, so the reader will know the group is", "did, please be aware that I have not yet seen The Last Jedi.", "to back it up with something, so the reader will know the group", "getting confused over what I was going for, so I've attempted to clarify", "Most authors will show a person or group is evil by showing an", "a brutal murder. My difficulty is that if I want to remind the", "person/group, I need to do so in a way that dispels all doubt.", "show the nature of a person/group, you have to use repeating actions. >", "event that you use Star Wars as an example as I did, please", "is conveyed beyond all doubt. In addition to simply conveying the nature of", "dispels all doubt. The reader needs to know that this person or group", "I convey that to the reader without actions? Telling is of course an", "so the reader will know the group is evil beyond a doubt. >", "are evil, and the Resistance and Jedi are good. I cannot tell how", "is good, evil, or whatever their nature is. And I need to do", "evil. Action is not off of the table, but it's not the reason", "I was going for, so I've attempted to clarify it here: Most authors", "can one establish the nature of a person/group to the reader without relying", "person or group is good, evil, or whatever their nature is. And I", "relying on actions. How can I do this? Note: In the event that", "> ADDITIONAL EXAMPLE: Some people were getting confused over what I was going", "of a person/group to the reader without relying on actions to 'show' it?", "image with actions all you want). The reason they are considered evil is", "IV. Basically from the moment they are introduced, we understand the Empire and", "I did, please be aware that I have not yet seen The Last", "actions to 'show' it? For example, if I have a group which is", "reader needs to know* that this person or group is good, evil, or", "on action: in order to show the nature of a person/group, you have", "this person is, I have to show that murder again, or create a", "> Alternatively, I'm going for a passive approach. I want a character or", "I do this?* Note: In the event that you use Star Wars as", "and Jedi are good. I cannot tell how this is conveyed beyond all", "show a person or group is evil by showing an evil action. Maybe", "a way that dispels all doubt. The reader needs to know that this", "for, so I've attempted to clarify it here: Most authors will show a", "will show a person or group is evil by showing an evil action.", "want). The reason they are considered evil is \\_\\_\\_\\_\\_. That blank space is", "as I did, please be aware that I have not yet seen The", "understand the Empire and Sith are evil, and the Resistance and Jedi are", "this being done is Star Wars, specifically episode IV. Basically from the moment", "the nature of the person/group, I need to do so in a way", "is what I'm looking for. > > > A good example of this", "the nature of a person/group, you have to use repeating actions. > >", "or group to be inherently understood* to be evil. Action is not off", "have to show that murder again, or create a new one. I call", "in a way that dispels all doubt. The reader needs to know that", "please be aware that I have not yet seen The Last Jedi. Please", "blank space is what I'm looking for. > > > A good example", "doubt. > > ADDITIONAL EXAMPLE: Some people were getting confused over what I", "but it's not the reason why they are considered evil (you can reinforce", "person is, I have to show that murder again, or create a new", "the event that you use Star Wars as an example as I did,", "understood to be evil. Action is not off of the table, but it's", "evil, how could I convey that to the reader without actions? Telling is", "I need to back it up with something, so the reader will know", "Empire and Sith are evil, and the Resistance and Jedi are good. I", "to be inherently understood to be evil. Action is not off of the", "a person/group to the reader without relying on actions to 'show' it? For", "the Empire and Sith are evil, and the Resistance and Jedi are good.", "inherently understood to be evil. Action is not off of the table, but", "doubt. In addition to simply conveying the nature of the person/group, I need", "is, I have to show that murder again, or create a new one.", "new one. I call this relying on action: in order to show the", "evil (you can reinforce the image with actions all you want). The reason", "a group which is evil, how could I convey that to the reader", "to use repeating actions. > > > Alternatively, I'm going for a passive", "not off of the table, but it's not the reason why they are", "nature of a person/group to the reader without relying on actions to 'show'", "a person or group is evil by showing an evil action. Maybe a", "know that this person or group is good, evil, or whatever their nature", "is of course an option, but I feel like I need to back", "Star Wars, specifically episode IV. Basically from the moment they are introduced, we", "I feel like I need to back it up with something, so the", "do so in a way that dispels all doubt. The reader needs to", "I need to do it without relying on actions. *How can I do", "use Star Wars as an example as I did, please be aware that", "one. I call this relying on action: in order to show the nature", "evil, and the Resistance and Jedi are good. I cannot tell how this", "> > ADDITIONAL EXAMPLE: Some people were getting confused over what I was", "showing an evil action. Maybe a brutal murder. My difficulty is that if", "> > > Alternatively, I'm going for a passive approach. I want a", "going for, so I've attempted to clarify it here: Most authors will show", "passive approach. I want a character or group to be inherently understood* to", "with something, so the reader will know the group is evil beyond a", "the group is evil beyond a doubt. > > ADDITIONAL EXAMPLE: Some people", "Jedi are good. I cannot tell how this is conveyed beyond all doubt.", "establish the nature of a person/group to the reader without relying on actions", "that dispels all doubt. The reader needs to know that this person or", "this relying on action: in order to show the nature of a person/group,", "I have to show that murder again, or create a new one. I", "on actions to 'show' it? For example, if I have a group which", "is not off of the table, but it's not the reason why they", "introduced, we understand the Empire and Sith are evil, and the Resistance and", "reader without relying on actions to 'show' it? For example, if I have", "Maybe a brutal murder. My difficulty is that if I want to remind", "being done is Star Wars, specifically episode IV. Basically from the moment they", "they are considered evil (you can reinforce the image with actions all you", "this? Note:** In the event that you use Star Wars as an example", "need to back it up with something, so the reader will know the", "simply conveying the nature of the person/group, I need to do so in", "addition to simply conveying the nature of the person/group, I need to do", "Wars as an example as I did, please be aware that I have", "is that if I want to remind the reader how evil this person", "the moment they are introduced, we understand the Empire and Sith are evil,", "are considered evil (you can reinforce the image with actions all you want).", "murder. My difficulty is that if I want to remind the reader how", "again, or create a new one. I call this relying on action: in", "is evil beyond a doubt. > > ADDITIONAL EXAMPLE: Some people were getting", "Some people were getting confused over what I was going for, so I've", "how this is conveyed beyond all doubt. In addition to simply conveying the", "evil action. Maybe a brutal murder. My difficulty is that if I want", "of course an option, but I feel like I need to back it", "but I feel like I need to back it up with something, so", "so in a way that dispels all doubt. The reader needs to know", "approach. I want a character or group to be inherently understood to be", "by showing an evil action. Maybe a brutal murder. My difficulty is that", "if I have a group which is evil, how could I convey that", "actions all you want). The reason they are considered evil is \\_\\_\\_\\_\\_. That", "Star Wars as an example as I did, please be aware that I", "good example of this being done is Star Wars, specifically episode IV. Basically", "reinforce the image with actions all you want). The reason they are considered", "were getting confused over what I was going for, so I've attempted to", "the nature of a person/group to the reader without relying on actions to", "the reader without relying on actions to 'show' it? For example, if I", "relying on actions to 'show' it? For example, if I have a group", "conveying the nature of the person/group, I need to do so in a", "or whatever their nature is. And I need to do it without relying", "group which is evil, how could I convey that to the reader without", "what I'm looking for. > > > A good example of this being", "In the event that you use Star Wars as an example as I", "The reason they are considered evil is \\_\\_\\_\\_\\_. That blank space is what", "to simply conveying the nature of the person/group, I need to do so", "brutal murder. My difficulty is that if I want to remind the reader", "group is evil by showing an evil action. Maybe a brutal murder. My", "all doubt. In addition to simply conveying the nature of the person/group, I", "person or group is evil by showing an evil action. Maybe a brutal", "I want a character or group to be inherently understood to be evil.", "A good example of this being done is Star Wars, specifically episode IV.", "need to do it without relying on actions. How can I do this?", "EXAMPLE: Some people were getting confused over what I was going for, so", "be inherently understood* to be evil. Action is not off of the table,", "\\_\\_\\_\\_\\_. That blank space is what I'm looking for. > > > A", "of a person/group, you have to use repeating actions. > > > Alternatively,", "that murder again, or create a new one. I call this relying on", "option, but I feel like I need to back it up with something,", "actions? Telling is of course an option, but I feel like I need", "Basically from the moment they are introduced, we understand the Empire and Sith", "that if I want to remind* the reader how evil this person is,", "have to use repeating actions. > > > Alternatively, I'm going for a", "will know the group is evil beyond a doubt. > > ADDITIONAL EXAMPLE:", "evil by showing an evil action. Maybe a brutal murder. My difficulty is", "be aware that I have not yet seen The Last Jedi. Please do", "is Star Wars, specifically episode IV. Basically from the moment they are introduced,", "they are introduced, we understand the Empire and Sith are evil, and the", "Sith are evil, and the Resistance and Jedi are good. I cannot tell", "the reader how evil this person is, I have to show that murder", "you want). The reason they are considered evil is \\_\\_\\_\\_\\_. That blank space", "space is what I'm looking for. > > > A good example of", "the Resistance and Jedi are good. I cannot tell how this is conveyed", "good, evil, or whatever their nature is. And I need to do it", "'show' it? For example, if I have a group which is evil, how", "looking for. > > > A good example of this being done is", "and Sith are evil, and the Resistance and Jedi are good. I cannot", "to the reader without relying on actions to 'show' it? For example, if", "not the reason why they are considered evil (you can reinforce the image", "have not yet seen The Last Jedi. Please do not spoil it for", "a character or group to be inherently understood to be evil. Action is", "and the Resistance and Jedi are good. I cannot tell how this is", "example as I did, please be aware that I have not yet seen", "a person/group, you have to use repeating actions. > > > Alternatively, I'm", "The reader needs to know that this person or group is good, evil,", "the image with actions all you want). The reason they are considered evil", "feel like I need to back it up with something, so the reader", "off of the table, but it's not the reason why they are considered", "whatever their nature is. And I need to do it without relying on", "without relying on actions. How can I do this? Note: In the event", "an example as I did, please be aware that I have not yet", "to remind the reader how evil this person is, I have to show", "evil is \\_\\_\\_\\_\\_. That blank space is what I'm looking for. > >", "is \\_\\_\\_\\_\\_. That blank space is what I'm looking for. > > >", "their nature is. And I need to do it without relying on actions.", "I'm looking for. > > > A good example of this being done", "to do so in a way that dispels all doubt. The reader needs", "ADDITIONAL EXAMPLE: Some people were getting confused over what I was going for,", "can reinforce the image with actions all you want). The reason they are", "the person/group, I need to do so in a way that dispels all", "without relying on actions to 'show' it? For example, if I have a", "reader how evil this person is, I have to show that murder again,", "of the table, but it's not the reason why they are considered evil", "it's not the reason why they are considered evil (you can reinforce the", "all doubt. The reader needs to know that this person or group is", "Note: In the event that you use Star Wars as an example as", "I call this relying on action: in order to show the nature of", "or group is evil by showing an evil action. Maybe a brutal murder.", "show that murder again, or create a new one. I call this relying", "an option, but I feel like I need to back it up with", "Telling is of course an option, but I feel like I need to", "My difficulty is that if I want to remind* the reader how evil", "a new one. I call this relying on action: in order to show", "can I do this? Note:** In the event that you use Star Wars", "that to the reader without actions? Telling is of course an option, but", "how evil this person is, I have to show that murder again, or", "that I have not yet seen The Last Jedi. Please do not spoil", "reader without actions? Telling is of course an option, but I feel like", "how could I convey that to the reader without actions? Telling is of", "I need to do so in a way that dispels all doubt. The", "murder again, or create a new one. I call this relying on action:", "specifically episode IV. Basically from the moment they are introduced, we understand the", "is evil by showing an evil action. Maybe a brutal murder. My difficulty", "is. And I need to do it without relying on actions. *How can", "group is evil beyond a doubt. > > ADDITIONAL EXAMPLE: Some people were", "which is evil, how could I convey that to the reader without actions?", "needs to know* that this person or group is good, evil, or whatever", "beyond all doubt. In addition to simply conveying the nature of the person/group,", "order to show the nature of a person/group, you have to use repeating", "are considered evil is \\_\\_\\_\\_\\_. That blank space is what I'm looking for.", "it without relying on actions. How can I do this? Note: In the", "from the moment they are introduced, we understand the Empire and Sith are", "to be evil. Action is not off of the table, but it's not", "episode IV. Basically from the moment they are introduced, we understand the Empire", "character or group to be inherently understood to be evil. Action is not", "How can one establish the nature of a person/group to the reader without", "beyond a doubt. > > ADDITIONAL EXAMPLE: Some people were getting confused over", "we understand the Empire and Sith are evil, and the Resistance and Jedi", "all you want). The reason they are considered evil is \\_\\_\\_\\_\\_. That blank", "or create a new one. I call this relying on action: in order", "to know that this person or group is good, evil, or whatever their", "over what I was going for, so I've attempted to clarify it here:", "nature of a person/group, you have to use repeating actions. > > >", "example, if I have a group which is evil, how could I convey", "table, but it's not the reason why they are considered evil (you can", "way that dispels all doubt. The reader needs to know that this person", "group is good, evil, or whatever their nature is. And I need to", "or group is good, evil, or whatever their nature is. And I need", "was going for, so I've attempted to clarify it here: Most authors will", "reason they are considered evil is \\_\\_\\_\\_\\_. That blank space is what I'm", "to show the nature of a person/group, you have to use repeating actions.", "to 'show' it? For example, if I have a group which is evil,", "want a character or group to be inherently understood to be evil. Action", "That blank space is what I'm looking for. > > > A good", "of the person/group, I need to do so in a way that dispels", "you have to use repeating actions. > > > Alternatively, I'm going for", "convey that to the reader without actions? Telling is of course an option,", "For example, if I have a group which is evil, how could I", "group to be inherently understood to be evil. Action is not off of", "is evil, how could I convey that to the reader without actions? Telling", "could I convey that to the reader without actions? Telling is of course", "this person or group is good, evil, or whatever their nature is. And", "the table, but it's not the reason why they are considered evil (you", "I cannot tell how this is conveyed beyond all doubt. In addition to", "why they are considered evil (you can reinforce the image with actions all", "the reader will know the group is evil beyond a doubt. > >", "relying on action: in order to show the nature of a person/group, you", "repeating actions. > > > Alternatively, I'm going for a passive approach. I", "example of this being done is Star Wars, specifically episode IV. Basically from", "Resistance and Jedi are good. I cannot tell how this is conveyed beyond", "it? For example, if I have a group which is evil, how could", "that you use Star Wars as an example as I did, please be", "for. > > > A good example of this being done is Star", "good. I cannot tell how this is conveyed beyond all doubt. In addition", "have a group which is evil, how could I convey that to the", "reader will know the group is evil beyond a doubt. > > ADDITIONAL", "evil, or whatever their nature is. And I need to do it without", "confused over what I was going for, so I've attempted to clarify it", "to clarify it here: Most authors will show a person or group is", "to show that murder again, or create a new one. I call this", "I'm going for a passive approach. I want a character or group to", "they are considered evil is \\_\\_\\_\\_\\_. That blank space is what I'm looking", "to do it without relying on actions. How can I do this?* Note:" ]
[ "and academic profile of an actual University, but would this college possibly be", "being depicted this way? Would a director want to change it to a", "profile of an actual University, but would this college possibly be offended by", "from a REAL University. I like the realism and academic profile of an", "like the realism and academic profile of an actual University, but would this", "my script, college kids go missing from a REAL University. I like the", "University. I like the realism and academic profile of an actual University, but", "REAL University. I like the realism and academic profile of an actual University,", "I like the realism and academic profile of an actual University, but would", "by being depicted this way? Would a director want to change it to", "sceenplay. In my script, college kids go missing from a REAL University. I", "go missing from a REAL University. I like the realism and academic profile", "a REAL University. I like the realism and academic profile of an actual", "be offended by being depicted this way? Would a director want to change", "drama/crime/mystery sceenplay. In my script, college kids go missing from a REAL University.", "switch my location to a fictional college in a fictional town? With all", "a director want to change it to a fictional school anyway? Should I", "a fictional college in a fictional town? With all that said, The Shining", "Shining did have a wave of blood gush from the elevator at the", "would this college possibly be offended by being depicted this way? Would a", "way? Would a director want to change it to a fictional school anyway?", "In my script, college kids go missing from a REAL University. I like", "script, college kids go missing from a REAL University. I like the realism", "University, but would this college possibly be offended by being depicted this way?", "writing a fictional drama/crime/mystery sceenplay. In my script, college kids go missing from", "did have a wave of blood gush from the elevator at the Overlook", "have a wave of blood gush from the elevator at the Overlook Hotel...", "school anyway? Should I switch my location to a fictional college in a", "missing from a REAL University. I like the realism and academic profile of", "fictional drama/crime/mystery sceenplay. In my script, college kids go missing from a REAL", "a wave of blood gush from the elevator at the Overlook Hotel... Thanks!", "in a fictional town? With all that said, The Shining did have a", "fictional school anyway? Should I switch my location to a fictional college in", "actual University, but would this college possibly be offended by being depicted this", "this way? Would a director want to change it to a fictional school", "anyway? Should I switch my location to a fictional college in a fictional", "this college possibly be offended by being depicted this way? Would a director", "an actual University, but would this college possibly be offended by being depicted", "my location to a fictional college in a fictional town? With all that", "college in a fictional town? With all that said, The Shining did have", "wave of blood gush from the elevator at the Overlook Hotel... Thanks! Morp", "depicted this way? Would a director want to change it to a fictional", "Should I switch my location to a fictional college in a fictional town?", "The Shining did have a wave of blood gush from the elevator at", "college kids go missing from a REAL University. I like the realism and", "kids go missing from a REAL University. I like the realism and academic", "fictional town? With all that said, The Shining did have a wave of", "to change it to a fictional school anyway? Should I switch my location", "all that said, The Shining did have a wave of blood gush from", "Would a director want to change it to a fictional school anyway? Should", "a fictional town? With all that said, The Shining did have a wave", "town? With all that said, The Shining did have a wave of blood", "I switch my location to a fictional college in a fictional town? With", "the realism and academic profile of an actual University, but would this college", "possibly be offended by being depicted this way? Would a director want to", "college possibly be offended by being depicted this way? Would a director want", "want to change it to a fictional school anyway? Should I switch my", "realism and academic profile of an actual University, but would this college possibly", "director want to change it to a fictional school anyway? Should I switch", "it to a fictional school anyway? Should I switch my location to a", "academic profile of an actual University, but would this college possibly be offended", "that said, The Shining did have a wave of blood gush from the", "offended by being depicted this way? Would a director want to change it", "change it to a fictional school anyway? Should I switch my location to", "I’m writing a fictional drama/crime/mystery sceenplay. In my script, college kids go missing", "a fictional drama/crime/mystery sceenplay. In my script, college kids go missing from a", "but would this college possibly be offended by being depicted this way? Would", "of an actual University, but would this college possibly be offended by being", "location to a fictional college in a fictional town? With all that said,", "a fictional school anyway? Should I switch my location to a fictional college", "to a fictional school anyway? Should I switch my location to a fictional", "to a fictional college in a fictional town? With all that said, The", "fictional college in a fictional town? With all that said, The Shining did", "With all that said, The Shining did have a wave of blood gush", "said, The Shining did have a wave of blood gush from the elevator" ]
[ "wants the protagonist dead. He considers her race animals, she tries to reason", "they talk normally. I am not sure the scene is tense enough, because", "her boss, was involved in her best friend's death and wants the protagonist", "boss, was involved in her best friend's death and wants the protagonist dead.", "could be killed, they talk normally. I am not sure the scene is", "I can add part of the conversation (but it will be a translation)", "and wants the protagonist dead. He considers her race animals, she tries to", "because they act so calm. So how do I convey tension? If it", "other and she could be killed, they talk normally. I am not sure", "gun point. She (protagonist) tried to kill him. He was her boss, was", "her race animals, she tries to reason with him. Although he is threatening", "point. She (protagonist) tried to kill him. He was her boss, was involved", "reason with him. Although he is threatening her and her race, they are", "they are clearly hostile to each other and she could be killed, they", "she could be killed, they talk normally. I am not sure the scene", "a man while being held at gun point. She (protagonist) tried to kill", "protagonist dead. He considers her race animals, she tries to reason with him.", "him. He was her boss, was involved in her best friend's death and", "while being held at gun point. She (protagonist) tried to kill him. He", "man while being held at gun point. She (protagonist) tried to kill him.", "speaks to a man while being held at gun point. She (protagonist) tried", "was involved in her best friend's death and wants the protagonist dead. He", "scene is tense enough, because they act so calm. So how do I", "and her race, they are clearly hostile to each other and she could", "her and her race, they are clearly hostile to each other and she", "race, they are clearly hostile to each other and she could be killed,", "(protagonist) tried to kill him. He was her boss, was involved in her", "threatening her and her race, they are clearly hostile to each other and", "her race, they are clearly hostile to each other and she could be", "it helps, I can add part of the conversation (but it will be", "I convey tension? If it helps, I can add part of the conversation", "do I convey tension? If it helps, I can add part of the", "to each other and she could be killed, they talk normally. I am", "protagonist speaks to a man while being held at gun point. She (protagonist)", "tense enough, because they act so calm. So how do I convey tension?", "the protagonist dead. He considers her race animals, she tries to reason with", "at gun point. She (protagonist) tried to kill him. He was her boss,", "act so calm. So how do I convey tension? If it helps, I", "to a man while being held at gun point. She (protagonist) tried to", "her best friend's death and wants the protagonist dead. He considers her race", "was her boss, was involved in her best friend's death and wants the", "tension? If it helps, I can add part of the conversation (but it", "she tries to reason with him. Although he is threatening her and her", "calm. So how do I convey tension? If it helps, I can add", "Although he is threatening her and her race, they are clearly hostile to", "being held at gun point. She (protagonist) tried to kill him. He was", "So how do I convey tension? If it helps, I can add part", "clearly hostile to each other and she could be killed, they talk normally.", "how do I convey tension? If it helps, I can add part of", "are clearly hostile to each other and she could be killed, they talk", "helps, I can add part of the conversation (but it will be a", "talk normally. I am not sure the scene is tense enough, because they", "animals, she tries to reason with him. Although he is threatening her and", "the scene is tense enough, because they act so calm. So how do", "race animals, she tries to reason with him. Although he is threatening her", "not sure the scene is tense enough, because they act so calm. So", "friend's death and wants the protagonist dead. He considers her race animals, she", "death and wants the protagonist dead. He considers her race animals, she tries", "each other and she could be killed, they talk normally. I am not", "I am not sure the scene is tense enough, because they act so", "tries to reason with him. Although he is threatening her and her race,", "dead. He considers her race animals, she tries to reason with him. Although", "normally. I am not sure the scene is tense enough, because they act", "convey tension? If it helps, I can add part of the conversation (but", "with him. Although he is threatening her and her race, they are clearly", "they act so calm. So how do I convey tension? If it helps,", "am not sure the scene is tense enough, because they act so calm.", "he is threatening her and her race, they are clearly hostile to each", "and she could be killed, they talk normally. I am not sure the", "involved in her best friend's death and wants the protagonist dead. He considers", "He was her boss, was involved in her best friend's death and wants", "in her best friend's death and wants the protagonist dead. He considers her", "held at gun point. She (protagonist) tried to kill him. He was her", "my protagonist speaks to a man while being held at gun point. She", "If it helps, I can add part of the conversation (but it will", "my novel my protagonist speaks to a man while being held at gun", "killed, they talk normally. I am not sure the scene is tense enough,", "kill him. He was her boss, was involved in her best friend's death", "to kill him. He was her boss, was involved in her best friend's", "considers her race animals, she tries to reason with him. Although he is", "him. Although he is threatening her and her race, they are clearly hostile", "hostile to each other and she could be killed, they talk normally. I", "to reason with him. Although he is threatening her and her race, they", "tried to kill him. He was her boss, was involved in her best", "He considers her race animals, she tries to reason with him. Although he", "is tense enough, because they act so calm. So how do I convey", "sure the scene is tense enough, because they act so calm. So how", "She (protagonist) tried to kill him. He was her boss, was involved in", "so calm. So how do I convey tension? If it helps, I can", "enough, because they act so calm. So how do I convey tension? If", "be killed, they talk normally. I am not sure the scene is tense", "best friend's death and wants the protagonist dead. He considers her race animals,", "is threatening her and her race, they are clearly hostile to each other", "In my novel my protagonist speaks to a man while being held at", "novel my protagonist speaks to a man while being held at gun point." ]
[ "planning chapters for books. I always saw structures and scripting in the macro", "I'm looking for methods of planning chapters for books. I always saw structures", "saw structures and scripting in the macro level, but never in the micro", "I always saw structures and scripting in the macro level, but never in", "of planning chapters for books. I always saw structures and scripting in the", "for books. I always saw structures and scripting in the macro level, but", "books. I always saw structures and scripting in the macro level, but never", "methods of planning chapters for books. I always saw structures and scripting in", "always saw structures and scripting in the macro level, but never in the", "for methods of planning chapters for books. I always saw structures and scripting", "looking for methods of planning chapters for books. I always saw structures and", "chapters for books. I always saw structures and scripting in the macro level,", "structures and scripting in the macro level, but never in the micro level." ]
[ "these bits together into a bigger picture, and soon I'll have the first", "wrap up the gestation period of my first book - right now I", "of observations of life and topics I want to deal with in my", "my first book - right now I have a notebook filled with a", "of The Room found his work as interesting as the creator of Star", "I'll be on to actual writing. But something's keeping me awake at night", "into a bigger picture, and soon I'll have the first drafts of the", "a notebook filled with a lot of observations of life and topics I", "- how do I know that what I'm writing is interesting to the", "- right now I have a notebook filled with a lot of observations", "and topics I want to deal with in my book. I'm now starting", "bigger picture, and soon I'll have the first drafts of the plot together.", "night - how do I know that what I'm writing is interesting to", "I'm starting to wrap up the gestation period of my first book -", "reader? I find this stuff really neat, but I'm worried that won't carry", "of life and topics I want to deal with in my book. I'm", "as the creator of Star Wars, but the results couldn't be more apart.", "together into a bigger picture, and soon I'll have the first drafts of", "how do I know that what I'm writing is interesting to the reader?", "me awake at night - how do I know that what I'm writing", "drafts of the plot together. Then I'll be on to actual writing. But", "lot of observations of life and topics I want to deal with in", "The creator of The Room* found his work as interesting as the creator", "deal with in my book. I'm now starting to piece these bits together", "first book - right now I have a notebook filled with a lot", "book - right now I have a notebook filled with a lot of", "starting to piece these bits together into a bigger picture, and soon I'll", "to wrap up the gestation period of my first book - right now", "in my book. I'm now starting to piece these bits together into a", "a bigger picture, and soon I'll have the first drafts of the plot", "do I know that what I'm writing is interesting to the reader? I", "soon I'll have the first drafts of the plot together. Then I'll be", "as interesting as the creator of Star Wars, but the results couldn't be", "up the gestation period of my first book - right now I have", "writing. But something's keeping me awake at night - how do I know", "that won't carry across. The creator of The Room found his work as", "right now I have a notebook filled with a lot of observations of", "but I'm worried that won't carry across. The creator of The Room found", "the plot together. Then I'll be on to actual writing. But something's keeping", "book. I'm now starting to piece these bits together into a bigger picture,", "have the first drafts of the plot together. Then I'll be on to", "the first drafts of the plot together. Then I'll be on to actual", "The Room found his work as interesting as the creator of Star Wars,", "really neat, but I'm worried that won't carry across. The creator of The", "his work as interesting as the creator of Star Wars, but the results", "is interesting to the reader? I find this stuff really neat, but I'm", "now starting to piece these bits together into a bigger picture, and soon", "I want to deal with in my book. I'm now starting to piece", "on to actual writing. But something's keeping me awake at night - how", "interesting to the reader? I find this stuff really neat, but I'm worried", "I have a notebook filled with a lot of observations of life and", "filled with a lot of observations of life and topics I want to", "together. Then I'll be on to actual writing. But something's keeping me awake", "of my first book - right now I have a notebook filled with", "actual writing. But something's keeping me awake at night - how do I", "keeping me awake at night - how do I know that what I'm", "work as interesting as the creator of Star Wars, but the results couldn't", "I'm now starting to piece these bits together into a bigger picture, and", "now I have a notebook filled with a lot of observations of life", "won't carry across. The creator of The Room* found his work as interesting", "with in my book. I'm now starting to piece these bits together into", "the reader? I find this stuff really neat, but I'm worried that won't", "awake at night - how do I know that what I'm writing is", "plot together. Then I'll be on to actual writing. But something's keeping me", "to actual writing. But something's keeping me awake at night - how do", "neat, but I'm worried that won't carry across. The creator of The Room", "want to deal with in my book. I'm now starting to piece these", "something's keeping me awake at night - how do I know that what", "that what I'm writing is interesting to the reader? I find this stuff", "and soon I'll have the first drafts of the plot together. Then I'll", "creator of The Room found his work as interesting as the creator of", "my book. I'm now starting to piece these bits together into a bigger", "But something's keeping me awake at night - how do I know that", "find this stuff really neat, but I'm worried that won't carry across. The", "to the reader? I find this stuff really neat, but I'm worried that", "to deal with in my book. I'm now starting to piece these bits", "know that what I'm writing is interesting to the reader? I find this", "carry across. The creator of The Room found his work as interesting as", "a lot of observations of life and topics I want to deal with", "I'll have the first drafts of the plot together. Then I'll be on", "I'm writing is interesting to the reader? I find this stuff really neat,", "of the plot together. Then I'll be on to actual writing. But something's", "this stuff really neat, but I'm worried that won't carry across. The creator", "have a notebook filled with a lot of observations of life and topics", "bits together into a bigger picture, and soon I'll have the first drafts", "at night - how do I know that what I'm writing is interesting", "found his work as interesting as the creator of Star Wars, but the", "interesting as the creator of Star Wars, but the results couldn't be more", "with a lot of observations of life and topics I want to deal", "worried that won't carry across. The creator of The Room found his work", "observations of life and topics I want to deal with in my book.", "piece these bits together into a bigger picture, and soon I'll have the", "I find this stuff really neat, but I'm worried that won't carry across.", "I'm worried that won't carry across. The creator of The Room found his", "Then I'll be on to actual writing. But something's keeping me awake at", "Room* found his work as interesting as the creator of Star Wars, but", "writing is interesting to the reader? I find this stuff really neat, but", "life and topics I want to deal with in my book. I'm now", "to piece these bits together into a bigger picture, and soon I'll have", "gestation period of my first book - right now I have a notebook", "stuff really neat, but I'm worried that won't carry across. The creator of", "the gestation period of my first book - right now I have a", "across. The creator of The Room found his work as interesting as the", "first drafts of the plot together. Then I'll be on to actual writing.", "what I'm writing is interesting to the reader? I find this stuff really", "period of my first book - right now I have a notebook filled", "notebook filled with a lot of observations of life and topics I want", "topics I want to deal with in my book. I'm now starting to", "be on to actual writing. But something's keeping me awake at night -", "I know that what I'm writing is interesting to the reader? I find", "starting to wrap up the gestation period of my first book - right", "picture, and soon I'll have the first drafts of the plot together. Then" ]
[ "not have a plot (story), sequence or any conclusion. It will have approximately", "on writing a picture sci-fi book about Utopia. The book will not have", "Utopia. The book will not have a plot (story), sequence or any conclusion.", "plot (story), sequence or any conclusion. It will have approximately 30 illustrations generally", "search for Utopia, accompanied by minimal text for each illustration. Similar to a", "book will not have a plot (story), sequence or any conclusion. It will", "Utopia, accompanied by minimal text for each illustration. Similar to a photo book.", "accompanied by minimal text for each illustration. Similar to a photo book. Has", "about Utopia. The book will not have a plot (story), sequence or any", "a plot (story), sequence or any conclusion. It will have approximately 30 illustrations", "for each illustration. Similar to a photo book. Has anything similar to this", "conclusion. It will have approximately 30 illustrations generally depicting a search for Utopia,", "approximately 30 illustrations generally depicting a search for Utopia, accompanied by minimal text", "illustrations generally depicting a search for Utopia, accompanied by minimal text for each", "by minimal text for each illustration. Similar to a photo book. Has anything", "or any conclusion. It will have approximately 30 illustrations generally depicting a search", "a photo book. Has anything similar to this been published before? Could this", "have a plot (story), sequence or any conclusion. It will have approximately 30", "a picture sci-fi book about Utopia. The book will not have a plot", "sci-fi book about Utopia. The book will not have a plot (story), sequence", "Planning on writing a picture sci-fi book about Utopia. The book will not", "for Utopia, accompanied by minimal text for each illustration. Similar to a photo", "will not have a plot (story), sequence or any conclusion. It will have", "minimal text for each illustration. Similar to a photo book. Has anything similar", "each illustration. Similar to a photo book. Has anything similar to this been", "It will have approximately 30 illustrations generally depicting a search for Utopia, accompanied", "photo book. Has anything similar to this been published before? Could this spur", "30 illustrations generally depicting a search for Utopia, accompanied by minimal text for", "have approximately 30 illustrations generally depicting a search for Utopia, accompanied by minimal", "Similar to a photo book. Has anything similar to this been published before?", "any conclusion. It will have approximately 30 illustrations generally depicting a search for", "illustration. Similar to a photo book. Has anything similar to this been published", "picture sci-fi book about Utopia. The book will not have a plot (story),", "book about Utopia. The book will not have a plot (story), sequence or", "text for each illustration. Similar to a photo book. Has anything similar to", "to a photo book. Has anything similar to this been published before? Could", "writing a picture sci-fi book about Utopia. The book will not have a", "(story), sequence or any conclusion. It will have approximately 30 illustrations generally depicting", "book. Has anything similar to this been published before? Could this spur sufficient", "generally depicting a search for Utopia, accompanied by minimal text for each illustration.", "The book will not have a plot (story), sequence or any conclusion. It", "sequence or any conclusion. It will have approximately 30 illustrations generally depicting a", "a search for Utopia, accompanied by minimal text for each illustration. Similar to", "Has anything similar to this been published before? Could this spur sufficient interest?", "depicting a search for Utopia, accompanied by minimal text for each illustration. Similar", "will have approximately 30 illustrations generally depicting a search for Utopia, accompanied by" ]
[ "so hungry I could eat a horse.\" > > > \"Keep fiddling with", "if drawn out long) * Exaggerates information *How to \"ensure\" that the hyperbole's", "(one of them will be the topic for another day): Sounds idiotic", "> \"Well, it burns hotter than my hatred for humanity, but only a", "\"[agitated screeching] hyperboles are bad [agitated screeching]\". This was also a hyperbole because", "a bit.\" > > > What seems to be the problem is twofold", "like irony. Now, there's no real problem with characters using them when talking,", "> > > \"Keep fiddling with it and you'll be deader than Princess", "to be the problem is twofold (one of them will be the topic", "too: > > \"I'm so hungry I could eat a horse.\" > >", "hatred for humanity, but only a bit.\" > > > What seems to", "and you'll be deader than Princess Diana.\" > > > \"Well, it burns", "I like irony. Now, there's no real problem with characters using them when", "horse.\" > > > \"Keep fiddling with it and you'll be deader than", "could eat a horse.\" > > > \"Keep fiddling with it and you'll", "long) * Exaggerates information *How to \"ensure\" that the hyperbole's exaggeration of the", "> > \"Keep fiddling with it and you'll be deader than Princess Diana.\"", "> What seems to be the problem is twofold (one of them will", "another day): Sounds idiotic (especially if drawn out long) * Exaggerates information", "screeching]\". This was also a hyperbole because I like irony. Now, there's no", "than my hatred for humanity, but only a bit.\" > > > What", "because we do that too: > > \"I'm so hungry I could eat", "topic for another day): Sounds idiotic (especially if drawn out long) ", "it burns hotter than my hatred for humanity, but only a bit.\" >", "using them when talking, because we do that too: > > \"I'm so", "How to \"ensure\" that the hyperbole's exaggeration of the information can be filtered", " Sounds idiotic (especially if drawn out long) * Exaggerates information *How to", "hungry I could eat a horse.\" > > > \"Keep fiddling with it", "for humanity, but only a bit.\" > > > What seems to be", "my hatred for humanity, but only a bit.\" > > > What seems", "hyperbole because I like irony. Now, there's no real problem with characters using", "for another day): Sounds idiotic (especially if drawn out long) * Exaggerates", "real problem with characters using them when talking, because we do that too:", "talking, because we do that too: > > \"I'm so hungry I could", "hotter than my hatred for humanity, but only a bit.\" > > >", "> > What seems to be the problem is twofold (one of them", "day): * Sounds idiotic (especially if drawn out long) * Exaggerates information *How", "you'll be deader than Princess Diana.\" > > > \"Well, it burns hotter", "count it) thing I hear is: \"[agitated screeching] hyperboles are bad [agitated screeching]\".", "humanity, but only a bit.\" > > > What seems to be the", "is: \"[agitated screeching] hyperboles are bad [agitated screeching]\". This was also a hyperbole", "[agitated screeching]\". This was also a hyperbole because I like irony. Now, there's", "twofold (one of them will be the topic for another day): * Sounds", "is twofold (one of them will be the topic for another day): ", "do that too: > > \"I'm so hungry I could eat a horse.\"", "out long) Exaggerates information *How to \"ensure\" that the hyperbole's exaggeration of", "bit.\" > > > What seems to be the problem is twofold (one", "burns hotter than my hatred for humanity, but only a bit.\" > >", "there's no real problem with characters using them when talking, because we do", "eat a horse.\" > > > \"Keep fiddling with it and you'll be", "if I'd count it) thing I hear is: \"[agitated screeching] hyperboles are bad", "that too: > > \"I'm so hungry I could eat a horse.\" >", "only a bit.\" > > > What seems to be the problem is", "\"ensure\" that the hyperbole's exaggeration of the information can be filtered by the", "idiotic (especially if drawn out long) * Exaggerates information How to \"ensure\" that", "a hyperbole because I like irony. Now, there's no real problem with characters", "that the hyperbole's exaggeration of the information can be filtered by the reader?", "Now, there's no real problem with characters using them when talking, because we", "hear is: \"[agitated screeching] hyperboles are bad [agitated screeching]\". This was also a", "irony. Now, there's no real problem with characters using them when talking, because", "them will be the topic for another day): * Sounds idiotic (especially if", "screeching] hyperboles are bad [agitated screeching]\". This was also a hyperbole because I", "seems to be the problem is twofold (one of them will be the", "information How to \"ensure\" that the hyperbole's exaggeration of the information can be", "be the topic for another day): Sounds idiotic (especially if drawn out", "it and you'll be deader than Princess Diana.\" > > > \"Well, it", "drawn out long) * Exaggerates information *How to \"ensure\" that the hyperbole's exaggeration", "be the problem is twofold (one of them will be the topic for", "we do that too: > > \"I'm so hungry I could eat a", "than Princess Diana.\" > > > \"Well, it burns hotter than my hatred", "(like if I'd count it) thing I hear is: \"[agitated screeching] hyperboles are", "deader than Princess Diana.\" > > > \"Well, it burns hotter than my", "\"Keep fiddling with it and you'll be deader than Princess Diana.\" > >", "was also a hyperbole because I like irony. Now, there's no real problem", "because I like irony. Now, there's no real problem with characters using them", "I'd count it) thing I hear is: \"[agitated screeching] hyperboles are bad [agitated", "I could eat a horse.\" > > > \"Keep fiddling with it and", "with characters using them when talking, because we do that too: > >", "bad [agitated screeching]\". This was also a hyperbole because I like irony. Now,", "\"Well, it burns hotter than my hatred for humanity, but only a bit.\"", "\"I'm so hungry I could eat a horse.\" > > > \"Keep fiddling", "common (like if I'd count it) thing I hear is: \"[agitated screeching] hyperboles", "also a hyperbole because I like irony. Now, there's no real problem with", "> > > \"Well, it burns hotter than my hatred for humanity, but", "Second most common (like if I'd count it) thing I hear is: \"[agitated", "of them will be the topic for another day): * Sounds idiotic (especially", "Exaggerates information *How to \"ensure\" that the hyperbole's exaggeration of the information can", "problem with characters using them when talking, because we do that too: >", "Princess Diana.\" > > > \"Well, it burns hotter than my hatred for", "> \"Keep fiddling with it and you'll be deader than Princess Diana.\" >", "> \"I'm so hungry I could eat a horse.\" > > > \"Keep", " Exaggerates information *How to \"ensure\" that the hyperbole's exaggeration of the information", "hyperboles are bad [agitated screeching]\". This was also a hyperbole because I like", "them when talking, because we do that too: > > \"I'm so hungry", "Sounds idiotic (especially if drawn out long) * Exaggerates information *How to \"ensure\"", "no real problem with characters using them when talking, because we do that", "be deader than Princess Diana.\" > > > \"Well, it burns hotter than", "problem is twofold (one of them will be the topic for another day):", "This was also a hyperbole because I like irony. Now, there's no real", "most common (like if I'd count it) thing I hear is: \"[agitated screeching]", "thing I hear is: \"[agitated screeching] hyperboles are bad [agitated screeching]\". This was", "when talking, because we do that too: > > \"I'm so hungry I", "> > \"I'm so hungry I could eat a horse.\" > > >", "with it and you'll be deader than Princess Diana.\" > > > \"Well,", "the problem is twofold (one of them will be the topic for another", "Diana.\" > > > \"Well, it burns hotter than my hatred for humanity,", "a horse.\" > > > \"Keep fiddling with it and you'll be deader", "the topic for another day): * Sounds idiotic (especially if drawn out long)", "it) thing I hear is: \"[agitated screeching] hyperboles are bad [agitated screeching]\". This", "(especially if drawn out long) * Exaggerates information *How to \"ensure\" that the", "but only a bit.\" > > > What seems to be the problem", "> > > What seems to be the problem is twofold (one of", "fiddling with it and you'll be deader than Princess Diana.\" > > >", "will be the topic for another day): Sounds idiotic (especially if drawn", "characters using them when talking, because we do that too: > > \"I'm", "> > \"Well, it burns hotter than my hatred for humanity, but only", "What seems to be the problem is twofold (one of them will be", "I hear is: \"[agitated screeching] hyperboles are bad [agitated screeching]\". This was also", "are bad [agitated screeching]\"*. This was also a hyperbole because I like irony.", "to \"ensure\" that the hyperbole's exaggeration of the information can be filtered by" ]
[ "some good pointers for writing witty and funny characters while using deadpan humor?", "funny characters while using deadpan humor? (Something like GLaDOS from the portal series).", "characters while using deadpan humor? (Something like GLaDOS from the portal series). I", "for writing witty and funny characters while using deadpan humor? (Something like GLaDOS", "on writing a game, and I was wondering what were some good pointers", "GLaDOS from the portal series). I would love some pointers, thanks in advance.", "writing witty and funny characters while using deadpan humor? (Something like GLaDOS from", "witty and funny characters while using deadpan humor? (Something like GLaDOS from the", "pointers for writing witty and funny characters while using deadpan humor? (Something like", "were some good pointers for writing witty and funny characters while using deadpan", "wondering what were some good pointers for writing witty and funny characters while", "what were some good pointers for writing witty and funny characters while using", "deadpan humor? (Something like GLaDOS from the portal series). I would love some", "I've been working on writing a game, and I was wondering what were", "good pointers for writing witty and funny characters while using deadpan humor? (Something", "writing a game, and I was wondering what were some good pointers for", "like GLaDOS from the portal series). I would love some pointers, thanks in", "humor? (Something like GLaDOS from the portal series). I would love some pointers,", "while using deadpan humor? (Something like GLaDOS from the portal series). I would", "and funny characters while using deadpan humor? (Something like GLaDOS from the portal", "using deadpan humor? (Something like GLaDOS from the portal series). I would love", "and I was wondering what were some good pointers for writing witty and", "I was wondering what were some good pointers for writing witty and funny", "game, and I was wondering what were some good pointers for writing witty", "(Something like GLaDOS from the portal series). I would love some pointers, thanks", "been working on writing a game, and I was wondering what were some", "was wondering what were some good pointers for writing witty and funny characters", "a game, and I was wondering what were some good pointers for writing", "working on writing a game, and I was wondering what were some good" ]
[ "like that is not enough. Could someone tell me the techniques they use", "> That is about it. I would like the reader to feel a", "that arose through my character's confusion, but I feel like that is not", "But he used to hate science! > > > That is about it.", "have tried to achieve this using questions that arose through my character's confusion,", "about it. I would like the reader to feel a greater sense of", "I am trying to show the confusion my character feels (first person narrative)", "feel like that is not enough. Could someone tell me the techniques they", "use to show a character's confusion in the first person narrative? Example: >", "trying to show the confusion my character feels (first person narrative) but am", "Various thoughts floated in my head. But he used to hate science! >", "sense of confusion my character feels but I am not sure how to", "a character's confusion in the first person narrative? Example: > > He told", "character's confusion in the first person narrative? Example: > > He told me", "to hate science! > > > That is about it. I would like", "person narrative) but am not sure what techniques to use. I have tried", "not enough. Could someone tell me the techniques they use to show a", "to feel a greater sense of confusion my character feels but I am", "the reader to feel a greater sense of confusion my character feels but", "tell me the techniques they use to show a character's confusion in the", "> > > That is about it. I would like the reader to", "science! > > > That is about it. I would like the reader", "he used to hate science! > > > That is about it. I", "is about it. I would like the reader to feel a greater sense", "enough. Could someone tell me the techniques they use to show a character's", "first person narrative? Example: > > He told me he currently worked at", "of confusion my character feels but I am not sure how to convey", "not sure what techniques to use. I have tried to achieve this using", "he currently worked at NASA. Huh? Various thoughts floated in my head. But", "to achieve this using questions that arose through my character's confusion, but I", "narrative? Example: > > He told me he currently worked at NASA. Huh?", "what techniques to use. I have tried to achieve this using questions that", "sure what techniques to use. I have tried to achieve this using questions", "currently worked at NASA. Huh? Various thoughts floated in my head. But he", "is not enough. Could someone tell me the techniques they use to show", "in the first person narrative? Example: > > He told me he currently", "arose through my character's confusion, but I feel like that is not enough.", "am trying to show the confusion my character feels (first person narrative) but", "> > That is about it. I would like the reader to feel", "the confusion my character feels (first person narrative) but am not sure what", "confusion in the first person narrative? Example: > > He told me he", "NASA. Huh? Various thoughts floated in my head. But he used to hate", "That is about it. I would like the reader to feel a greater", "in my head. But he used to hate science! > > > That", "it. I would like the reader to feel a greater sense of confusion", "hate science! > > > That is about it. I would like the", "my head. But he used to hate science! > > > That is", "confusion my character feels (first person narrative) but am not sure what techniques", "the first person narrative? Example: > > He told me he currently worked", "> > He told me he currently worked at NASA. Huh? Various thoughts", "person narrative? Example: > > He told me he currently worked at NASA.", "would like the reader to feel a greater sense of confusion my character", "confusion my character feels but I am not sure how to convey it.", "Could someone tell me the techniques they use to show a character's confusion", "to show a character's confusion in the first person narrative? Example: > >", "my character feels (first person narrative) but am not sure what techniques to", "narrative) but am not sure what techniques to use. I have tried to", "at NASA. Huh? Various thoughts floated in my head. But he used to", "feel a greater sense of confusion my character feels but I am not", "(first person narrative) but am not sure what techniques to use. I have", "Huh? Various thoughts floated in my head. But he used to hate science!", "like the reader to feel a greater sense of confusion my character feels", "me the techniques they use to show a character's confusion in the first", "worked at NASA. Huh? Various thoughts floated in my head. But he used", "head. But he used to hate science! > > > That is about", "using questions that arose through my character's confusion, but I feel like that", "floated in my head. But he used to hate science! > > >", "character's confusion, but I feel like that is not enough. Could someone tell", "used to hate science! > > > That is about it. I would", "to show the confusion my character feels (first person narrative) but am not", "show a character's confusion in the first person narrative? Example: > > He", "techniques to use. I have tried to achieve this using questions that arose", "achieve this using questions that arose through my character's confusion, but I feel", "to use. I have tried to achieve this using questions that arose through", "but I feel like that is not enough. Could someone tell me the", "I would like the reader to feel a greater sense of confusion my", "character feels (first person narrative) but am not sure what techniques to use.", "thoughts floated in my head. But he used to hate science! > >", "that is not enough. Could someone tell me the techniques they use to", "I have tried to achieve this using questions that arose through my character's", "Example: > > He told me he currently worked at NASA. Huh? Various", "someone tell me the techniques they use to show a character's confusion in", "feels (first person narrative) but am not sure what techniques to use. I", "am not sure what techniques to use. I have tried to achieve this", "through my character's confusion, but I feel like that is not enough. Could", "this using questions that arose through my character's confusion, but I feel like", "tried to achieve this using questions that arose through my character's confusion, but", "greater sense of confusion my character feels but I am not sure how", "me he currently worked at NASA. Huh? Various thoughts floated in my head.", "> He told me he currently worked at NASA. Huh? Various thoughts floated", "my character's confusion, but I feel like that is not enough. Could someone", "told me he currently worked at NASA. Huh? Various thoughts floated in my", "I feel like that is not enough. Could someone tell me the techniques", "show the confusion my character feels (first person narrative) but am not sure", "they use to show a character's confusion in the first person narrative? Example:", "a greater sense of confusion my character feels but I am not sure", "but am not sure what techniques to use. I have tried to achieve", "the techniques they use to show a character's confusion in the first person", "techniques they use to show a character's confusion in the first person narrative?", "He told me he currently worked at NASA. Huh? Various thoughts floated in", "reader to feel a greater sense of confusion my character feels but I", "questions that arose through my character's confusion, but I feel like that is", "use. I have tried to achieve this using questions that arose through my", "confusion, but I feel like that is not enough. Could someone tell me" ]