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[ "a lot of information from other websites, then puts it all together, which", "not to use Wikipedia too much because you can't trust what they write.", "now, I really would like to know why not to use Wikipedia. The", "it all together, which is why normally, they have a big bibliography. I", "What I think, is that Wikipedia takes a lot of information from other", "I think, is that Wikipedia takes a lot of information from other websites,", "write. So then for all the projects, I used the Canadian Encyclopedia, but", "that actually is part of the Wikipedia community? What I think, is that", "trust what they write. So then for all the projects, I used the", "through a review under someone that actually is part of the Wikipedia community?", "of the Wikipedia community? What I think, is that Wikipedia takes a lot", "then puts it all together, which is why normally, they have a big", "projects, I used the Canadian Encyclopedia, but then now, I really would like", "actually is part of the Wikipedia community? What I think, is that Wikipedia", "I used the Canadian Encyclopedia, but then now, I really would like to", "Wikipedia too much because you can't trust what they write. So then for", "I know of is that anyone can write anything, but doesn't it have", "anything, but doesn't it have to go through a review under someone that", "other websites, then puts it all together, which is why normally, they have", "would like to know why not to use Wikipedia. The only answer I", "that anyone can write anything, but doesn't it have to go through a", "puts it all together, which is why normally, they have a big bibliography.", "is that anyone can write anything, but doesn't it have to go through", "lot of information from other websites, then puts it all together, which is", "too much because you can't trust what they write. So then for all", "like to know why not to use Wikipedia. The only answer I know", "is part of the Wikipedia community? What I think, is that Wikipedia takes", "Wikipedia takes a lot of information from other websites, then puts it all", "but doesn't it have to go through a review under someone that actually", "So in elementary school, I was told not to use Wikipedia too much", "why not to use Wikipedia. The only answer I know of is that", "the projects, I used the Canadian Encyclopedia, but then now, I really would", "write anything, but doesn't it have to go through a review under someone", "used the Canadian Encyclopedia, but then now, I really would like to know", "information from other websites, then puts it all together, which is why normally,", "answer I know of is that anyone can write anything, but doesn't it", "anyone can write anything, but doesn't it have to go through a review", "part of the Wikipedia community? What I think, is that Wikipedia takes a", "why normally, they have a big bibliography. I was wondering- Is Wikipedia really", "to know why not to use Wikipedia. The only answer I know of", "of information from other websites, then puts it all together, which is why", "what they write. So then for all the projects, I used the Canadian", "know why not to use Wikipedia. The only answer I know of is", "community? What I think, is that Wikipedia takes a lot of information from", "normally, they have a big bibliography. I was wondering- Is Wikipedia really trustworthy?", "really would like to know why not to use Wikipedia. The only answer", "Wikipedia community? What I think, is that Wikipedia takes a lot of information", "I was told not to use Wikipedia too much because you can't trust", "Encyclopedia, but then now, I really would like to know why not to", "The only answer I know of is that anyone can write anything, but", "a review under someone that actually is part of the Wikipedia community? What", "think, is that Wikipedia takes a lot of information from other websites, then", "takes a lot of information from other websites, then puts it all together,", "of is that anyone can write anything, but doesn't it have to go", "all together, which is why normally, they have a big bibliography. I was", "Canadian Encyclopedia, but then now, I really would like to know why not", "can't trust what they write. So then for all the projects, I used", "much because you can't trust what they write. So then for all the", "to use Wikipedia. The only answer I know of is that anyone can", "Wikipedia. The only answer I know of is that anyone can write anything,", "together, which is why normally, they have a big bibliography. I was wondering-", "only answer I know of is that anyone can write anything, but doesn't", "that Wikipedia takes a lot of information from other websites, then puts it", "you can't trust what they write. So then for all the projects, I", "is why normally, they have a big bibliography. I was wondering- Is Wikipedia", "they write. So then for all the projects, I used the Canadian Encyclopedia,", "all the projects, I used the Canadian Encyclopedia, but then now, I really", "then for all the projects, I used the Canadian Encyclopedia, but then now,", "elementary school, I was told not to use Wikipedia too much because you", "under someone that actually is part of the Wikipedia community? What I think,", "So then for all the projects, I used the Canadian Encyclopedia, but then", "told not to use Wikipedia too much because you can't trust what they", "the Canadian Encyclopedia, but then now, I really would like to know why", "go through a review under someone that actually is part of the Wikipedia", "then now, I really would like to know why not to use Wikipedia.", "have to go through a review under someone that actually is part of", "review under someone that actually is part of the Wikipedia community? What I", "from other websites, then puts it all together, which is why normally, they", "because you can't trust what they write. So then for all the projects,", "know of is that anyone can write anything, but doesn't it have to", "I really would like to know why not to use Wikipedia. The only", "use Wikipedia too much because you can't trust what they write. So then", "doesn't it have to go through a review under someone that actually is", "use Wikipedia. The only answer I know of is that anyone can write", "was told not to use Wikipedia too much because you can't trust what", "it have to go through a review under someone that actually is part", "but then now, I really would like to know why not to use", "can write anything, but doesn't it have to go through a review under", "the Wikipedia community? What I think, is that Wikipedia takes a lot of", "is that Wikipedia takes a lot of information from other websites, then puts", "school, I was told not to use Wikipedia too much because you can't", "not to use Wikipedia. The only answer I know of is that anyone", "someone that actually is part of the Wikipedia community? What I think, is", "which is why normally, they have a big bibliography. I was wondering- Is", "to use Wikipedia too much because you can't trust what they write. So", "for all the projects, I used the Canadian Encyclopedia, but then now, I", "websites, then puts it all together, which is why normally, they have a", "in elementary school, I was told not to use Wikipedia too much because", "to go through a review under someone that actually is part of the" ]
[ "a six year old girl. There are lots of conversations with the six", "to how to write dialog that sounds like a six year old talking?", "in my story has a six year old girl. There are lots of", "but when I read my story back to me, she sounds like an", "an adult. Can someone offer some suggestions to how to write dialog that", "year old talking? Are there books available to help in this? Any guidance", "year old, but when I read my story back to me, she sounds", "there books available to help in this? Any guidance would be greatly appreciated.", "old talking? Are there books available to help in this? Any guidance would", "talking? Are there books available to help in this? Any guidance would be", "Are there books available to help in this? Any guidance would be greatly", "with the six year old, but when I read my story back to", "The hero in my story has a six year old girl. There are", "Can someone offer some suggestions to how to write dialog that sounds like", "write dialog that sounds like a six year old talking? Are there books", "to me, she sounds like an adult. Can someone offer some suggestions to", "book. The hero in my story has a six year old girl. There", "old, but when I read my story back to me, she sounds like", "romance Christmas book. The hero in my story has a six year old", "has a six year old girl. There are lots of conversations with the", "a six year old talking? Are there books available to help in this?", "I read my story back to me, she sounds like an adult. Can", "hero in my story has a six year old girl. There are lots", "like an adult. Can someone offer some suggestions to how to write dialog", "lots of conversations with the six year old, but when I read my", "romance author writing a romance Christmas book. The hero in my story has", "six year old girl. There are lots of conversations with the six year", "story has a six year old girl. There are lots of conversations with", "the six year old, but when I read my story back to me,", "read my story back to me, she sounds like an adult. Can someone", "someone offer some suggestions to how to write dialog that sounds like a", "some suggestions to how to write dialog that sounds like a six year", "dialog that sounds like a six year old talking? Are there books available", "she sounds like an adult. Can someone offer some suggestions to how to", "old girl. There are lots of conversations with the six year old, but", "that sounds like a six year old talking? Are there books available to", "I'm a contemporary romance author writing a romance Christmas book. The hero in", "are lots of conversations with the six year old, but when I read", "suggestions to how to write dialog that sounds like a six year old", "sounds like an adult. Can someone offer some suggestions to how to write", "to write dialog that sounds like a six year old talking? Are there", "Christmas book. The hero in my story has a six year old girl.", "like a six year old talking? Are there books available to help in", "a contemporary romance author writing a romance Christmas book. The hero in my", "girl. There are lots of conversations with the six year old, but when", "six year old, but when I read my story back to me, she", "six year old talking? Are there books available to help in this? Any", "offer some suggestions to how to write dialog that sounds like a six", "author writing a romance Christmas book. The hero in my story has a", "year old girl. There are lots of conversations with the six year old,", "conversations with the six year old, but when I read my story back", "of conversations with the six year old, but when I read my story", "my story has a six year old girl. There are lots of conversations", "writing a romance Christmas book. The hero in my story has a six", "contemporary romance author writing a romance Christmas book. The hero in my story", "when I read my story back to me, she sounds like an adult.", "story back to me, she sounds like an adult. Can someone offer some", "my story back to me, she sounds like an adult. Can someone offer", "back to me, she sounds like an adult. Can someone offer some suggestions", "me, she sounds like an adult. Can someone offer some suggestions to how", "There are lots of conversations with the six year old, but when I", "adult. Can someone offer some suggestions to how to write dialog that sounds", "a romance Christmas book. The hero in my story has a six year", "sounds like a six year old talking? Are there books available to help", "how to write dialog that sounds like a six year old talking? Are" ]
[ "a site that you can trust to get true (by true I mean", "trust to get true (by true I mean by information that is real.", "the Canadian Encyclopedia) is a site that you can trust to get true", "other [question](https://writers.stackexchange.com/questions/32135/wikipedia-trustworthy), I was told that under certain circumstances, you could trust Wikipedia.", "a specific explanation for how a site (like the Canadian Encyclopedia) is a", "great if I could have a specific explanation for how a site (like", "the information there is all true, but how should one trust that? Is", "Encyclopedia) is a site that you can trust to get true (by true", "to get true (by true I mean by information that is real. So", "So from my other [question](https://writers.stackexchange.com/questions/32135/wikipedia-trustworthy), I was told that under certain circumstances, you", "I've heard that the information there is all true, but how should one", "trust Wikipedia. But then after a couple of answers, I started wondering how", "that the information there is all true, but how should one trust that?", "a site like the Canadian Encyclopedia, I've heard that the information there is", "certain circumstances, you could trust Wikipedia. But then after a couple of answers,", "it because it's a published encyclopedia. It'd be great if I could have", "because it's a published encyclopedia. It'd be great if I could have a", "information that is real. So like Zonamd Trefk was born on June 14th)", "Wikipedia. But then after a couple of answers, I started wondering how to", "heard that the information there is all true, but how should one trust", "figure out which sites have valid information. For example, a site like the", "But then after a couple of answers, I started wondering how to figure", "couple of answers, I started wondering how to figure out which sites have", "how should one trust that? Is it because it's a published encyclopedia. It'd", "valid information. For example, a site like the Canadian Encyclopedia, I've heard that", "I was told that under certain circumstances, you could trust Wikipedia. But then", "you could trust Wikipedia. But then after a couple of answers, I started", "my other [question](https://writers.stackexchange.com/questions/32135/wikipedia-trustworthy), I was told that under certain circumstances, you could trust", "published encyclopedia. It'd be great if I could have a specific explanation for", "is real. So like Zonamd Trefk was born on June 14th) information from.", "have valid information. For example, a site like the Canadian Encyclopedia, I've heard", "Canadian Encyclopedia, I've heard that the information there is all true, but how", "Canadian Encyclopedia) is a site that you can trust to get true (by", "I mean by information that is real. So like Zonamd Trefk was born", "should one trust that? Is it because it's a published encyclopedia. It'd be", "like the Canadian Encyclopedia, I've heard that the information there is all true,", "true I mean by information that is real. So like Zonamd Trefk was", "which sites have valid information. For example, a site like the Canadian Encyclopedia,", "told that under certain circumstances, you could trust Wikipedia. But then after a", "it's a published encyclopedia. It'd be great if I could have a specific", "how to figure out which sites have valid information. For example, a site", "that you can trust to get true (by true I mean by information", "explanation for how a site (like the Canadian Encyclopedia) is a site that", "could trust Wikipedia. But then after a couple of answers, I started wondering", "wondering how to figure out which sites have valid information. For example, a", "(by true I mean by information that is real. So like Zonamd Trefk", "It'd be great if I could have a specific explanation for how a", "information there is all true, but how should one trust that? Is it", "site like the Canadian Encyclopedia, I've heard that the information there is all", "you can trust to get true (by true I mean by information that", "but how should one trust that? Is it because it's a published encyclopedia.", "mean by information that is real. So like Zonamd Trefk was born on", "of answers, I started wondering how to figure out which sites have valid", "how a site (like the Canadian Encyclopedia) is a site that you can", "have a specific explanation for how a site (like the Canadian Encyclopedia) is", "a couple of answers, I started wondering how to figure out which sites", "if I could have a specific explanation for how a site (like the", "that? Is it because it's a published encyclopedia. It'd be great if I", "can trust to get true (by true I mean by information that is", "[question](https://writers.stackexchange.com/questions/32135/wikipedia-trustworthy), I was told that under certain circumstances, you could trust Wikipedia. But", "sites have valid information. For example, a site like the Canadian Encyclopedia, I've", "under certain circumstances, you could trust Wikipedia. But then after a couple of", "out which sites have valid information. For example, a site like the Canadian", "was told that under certain circumstances, you could trust Wikipedia. But then after", "is all true, but how should one trust that? Is it because it's", "that is real. So like Zonamd Trefk was born on June 14th) information", "is a site that you can trust to get true (by true I", "then after a couple of answers, I started wondering how to figure out", "true (by true I mean by information that is real. So like Zonamd", "to figure out which sites have valid information. For example, a site like", "started wondering how to figure out which sites have valid information. For example,", "be great if I could have a specific explanation for how a site", "that under certain circumstances, you could trust Wikipedia. But then after a couple", "from my other [question](https://writers.stackexchange.com/questions/32135/wikipedia-trustworthy), I was told that under certain circumstances, you could", "example, a site like the Canadian Encyclopedia, I've heard that the information there", "For example, a site like the Canadian Encyclopedia, I've heard that the information", "information. For example, a site like the Canadian Encyclopedia, I've heard that the", "site that you can trust to get true (by true I mean by", "after a couple of answers, I started wondering how to figure out which", "the Canadian Encyclopedia, I've heard that the information there is all true, but", "I started wondering how to figure out which sites have valid information. For", "site (like the Canadian Encyclopedia) is a site that you can trust to", "(like the Canadian Encyclopedia) is a site that you can trust to get", "Is it because it's a published encyclopedia. It'd be great if I could", "a site (like the Canadian Encyclopedia) is a site that you can trust", "I could have a specific explanation for how a site (like the Canadian", "a published encyclopedia. It'd be great if I could have a specific explanation", "get true (by true I mean by information that is real. So like", "encyclopedia. It'd be great if I could have a specific explanation for how", "specific explanation for how a site (like the Canadian Encyclopedia) is a site", "for how a site (like the Canadian Encyclopedia) is a site that you", "all true, but how should one trust that? Is it because it's a", "there is all true, but how should one trust that? Is it because", "could have a specific explanation for how a site (like the Canadian Encyclopedia)", "circumstances, you could trust Wikipedia. But then after a couple of answers, I", "by information that is real. So like Zonamd Trefk was born on June", "true, but how should one trust that? Is it because it's a published", "one trust that? Is it because it's a published encyclopedia. It'd be great", "answers, I started wondering how to figure out which sites have valid information.", "trust that? Is it because it's a published encyclopedia. It'd be great if", "Encyclopedia, I've heard that the information there is all true, but how should" ]
[ "But I have no idea where to look for editors. How do I", "editors. How do I know who's any good? Where do I look, and", "do I know who's any good? Where do I look, and what do", "How do I know who's any good? Where do I look, and what", "I have several completed short stories, and I'm considering having them line-edited before", "line-edited before I submit them. But I have no idea where to look", "several completed short stories, and I'm considering having them line-edited before I submit", "considering having them line-edited before I submit them. But I have no idea", "completed short stories, and I'm considering having them line-edited before I submit them.", "have several completed short stories, and I'm considering having them line-edited before I", "them line-edited before I submit them. But I have no idea where to", "have no idea where to look for editors. How do I know who's", "I submit them. But I have no idea where to look for editors.", "them. But I have no idea where to look for editors. How do", "who's any good? Where do I look, and what do I look for?", "and I'm considering having them line-edited before I submit them. But I have", "before I submit them. But I have no idea where to look for", "to look for editors. How do I know who's any good? Where do", "for editors. How do I know who's any good? Where do I look,", "where to look for editors. How do I know who's any good? Where", "submit them. But I have no idea where to look for editors. How", "I know who's any good? Where do I look, and what do I", "short stories, and I'm considering having them line-edited before I submit them. But", "look for editors. How do I know who's any good? Where do I", "stories, and I'm considering having them line-edited before I submit them. But I", "no idea where to look for editors. How do I know who's any", "I'm considering having them line-edited before I submit them. But I have no", "idea where to look for editors. How do I know who's any good?", "know who's any good? Where do I look, and what do I look", "I have no idea where to look for editors. How do I know", "having them line-edited before I submit them. But I have no idea where" ]
[ "where I can learn this thing? I think I don't have enough words", "something for a long time. But what I think is, in writing the", "write something for a long time. But what I think is, in writing", "But what I think is, in writing the choice of words plays a", "have enough words in my active vocabulary to write what I feel or", "choice of words plays a very significant role. From where I can learn", "very significant role. From where I can learn this thing? I think I", "think I don't have enough words in my active vocabulary to write what", "long time. But what I think is, in writing the choice of words", "the choice of words plays a very significant role. From where I can", "in writing the choice of words plays a very significant role. From where", "wanted to write something for a long time. But what I think is,", "plays a very significant role. From where I can learn this thing? I", "a very significant role. From where I can learn this thing? I think", "I can learn this thing? I think I don't have enough words in", "a long time. But what I think is, in writing the choice of", "I don't have enough words in my active vocabulary to write what I", "writing the choice of words plays a very significant role. From where I", "role. From where I can learn this thing? I think I don't have", "learn this thing? I think I don't have enough words in my active", "words in my active vocabulary to write what I feel or want to", "think is, in writing the choice of words plays a very significant role.", "From where I can learn this thing? I think I don't have enough", "to write something for a long time. But what I think is, in", "enough words in my active vocabulary to write what I feel or want", "I think is, in writing the choice of words plays a very significant", "is, in writing the choice of words plays a very significant role. From", "time. But what I think is, in writing the choice of words plays", "significant role. From where I can learn this thing? I think I don't", "this thing? I think I don't have enough words in my active vocabulary", "can learn this thing? I think I don't have enough words in my", "in my active vocabulary to write what I feel or want to write.", "of words plays a very significant role. From where I can learn this", "I think I don't have enough words in my active vocabulary to write", "I wanted to write something for a long time. But what I think", "for a long time. But what I think is, in writing the choice", "what I think is, in writing the choice of words plays a very", "thing? I think I don't have enough words in my active vocabulary to", "words plays a very significant role. From where I can learn this thing?", "don't have enough words in my active vocabulary to write what I feel" ]
[ "than not, but how do I make sure that I'm not beating the", "line. I'd guess I lean on the side of a bit more obvious", "the theme pervading through every element. In other stories, you don't know what", "It seems like in some stories, you can feel the theme pervading through", "other stories, you don't know what you're reading about until the very last", "can feel the theme pervading through every element. In other stories, you don't", "until the very last line. I'd guess I lean on the side of", "through every element. In other stories, you don't know what you're reading about", "I'd guess I lean on the side of a bit more obvious than", "don't know what you're reading about until the very last line. I'd guess", "like in some stories, you can feel the theme pervading through every element.", "you don't know what you're reading about until the very last line. I'd", "pervading through every element. In other stories, you don't know what you're reading", "on the side of a bit more obvious than not, but how do", "but how do I make sure that I'm not beating the reader over", "last line. I'd guess I lean on the side of a bit more", "element. In other stories, you don't know what you're reading about until the", "theme pervading through every element. In other stories, you don't know what you're", "obvious than not, but how do I make sure that I'm not beating", "not, but how do I make sure that I'm not beating the reader", "make sure that I'm not beating the reader over the head with my", "sure that I'm not beating the reader over the head with my ideas?", "what you're reading about until the very last line. I'd guess I lean", "side of a bit more obvious than not, but how do I make", "feel the theme pervading through every element. In other stories, you don't know", "know what you're reading about until the very last line. I'd guess I", "more obvious than not, but how do I make sure that I'm not", "of a bit more obvious than not, but how do I make sure", "every element. In other stories, you don't know what you're reading about until", "you're reading about until the very last line. I'd guess I lean on", "a bit more obvious than not, but how do I make sure that", "In other stories, you don't know what you're reading about until the very", "stories, you can feel the theme pervading through every element. In other stories,", "the side of a bit more obvious than not, but how do I", "some stories, you can feel the theme pervading through every element. In other", "I lean on the side of a bit more obvious than not, but", "how do I make sure that I'm not beating the reader over the", "reading about until the very last line. I'd guess I lean on the", "very last line. I'd guess I lean on the side of a bit", "in some stories, you can feel the theme pervading through every element. In", "you can feel the theme pervading through every element. In other stories, you", "guess I lean on the side of a bit more obvious than not,", "do I make sure that I'm not beating the reader over the head", "the very last line. I'd guess I lean on the side of a", "stories, you don't know what you're reading about until the very last line.", "about until the very last line. I'd guess I lean on the side", "seems like in some stories, you can feel the theme pervading through every", "I make sure that I'm not beating the reader over the head with", "bit more obvious than not, but how do I make sure that I'm", "lean on the side of a bit more obvious than not, but how" ]
[ "and end up frustrated with the story, which isn't what I'm going for.", "one another, and where their decisions lead them in the story; the mystery", "it okay to leave it unfinished if the characters' arcs have been resolved?", "the mystery is really just a way to explore the characters and their", "a story that has as part of the plot a possibly-supernatural mystery. I'm", "characters and their arcs (but is still necessary to the story thematically and", "relationships with one another, and where their decisions lead them in the story;", "really just a way to explore the characters and their arcs (but is", "of a story that has as part of the plot a possibly-supernatural mystery.", "question of 'whodunit'- it isn't relevant to the larger story or the characters'", "the plot a possibly-supernatural mystery. I'm feeling rather nervous about the whole thing", "it isn't relevant to the larger story or the characters' individual journeys. I'm", "story- the focus the characters who get involved, their relationships with one another,", "answer the question of 'whodunit'- it isn't relevant to the larger story or", "that has as part of the plot a possibly-supernatural mystery. I'm feeling rather", "'whodunit'- it isn't relevant to the larger story or the characters' individual journeys.", "of the plot a possibly-supernatural mystery. I'm feeling rather nervous about the whole", "possibly-supernatural mystery. I'm feeling rather nervous about the whole thing though because said", "plot-wise). Because of that, despite seeing the characters working on solving the mystery,", "that readers will interpret this as a lack of resolution though and end", "mystery solved? Or is it okay to leave it unfinished if the characters'", "with the story, which isn't what I'm going for. What are your thoughts?", "I'm working on the finishing touches of a story that has as part", "the story thematically and plot-wise). Because of that, despite seeing the characters working", "the story; the mystery is really just a way to explore the characters", "this as a lack of resolution though and end up frustrated with the", "characters who get involved, their relationships with one another, and where their decisions", "rather nervous about the whole thing though because said mystery isn't the focus", "interpret this as a lack of resolution though and end up frustrated with", "focus the characters who get involved, their relationships with one another, and where", "nervous about the whole thing though because said mystery isn't the focus of", "What are your thoughts? Should the story end with the mystery solved? Or", "the characters and their arcs (but is still necessary to the story thematically", "going for. What are your thoughts? Should the story end with the mystery", "isn't what I'm going for. What are your thoughts? Should the story end", "and their arcs (but is still necessary to the story thematically and plot-wise).", "seeing the characters working on solving the mystery, I'm not inclined to actually", "them in the story; the mystery is really just a way to explore", "the larger story or the characters' individual journeys. I'm afraid that readers will", "who get involved, their relationships with one another, and where their decisions lead", "thoughts? Should the story end with the mystery solved? Or is it okay", "necessary to the story thematically and plot-wise). Because of that, despite seeing the", "where their decisions lead them in the story; the mystery is really just", "I'm going for. What are your thoughts? Should the story end with the", "the characters who get involved, their relationships with one another, and where their", "story; the mystery is really just a way to explore the characters and", "for. What are your thoughts? Should the story end with the mystery solved?", "their arcs (but is still necessary to the story thematically and plot-wise). Because", "on the finishing touches of a story that has as part of the", "is it okay to leave it unfinished if the characters' arcs have been", "and plot-wise). Because of that, despite seeing the characters working on solving the", "is really just a way to explore the characters and their arcs (but", "the mystery solved? Or is it okay to leave it unfinished if the", "characters working on solving the mystery, I'm not inclined to actually answer the", "the characters' individual journeys. I'm afraid that readers will interpret this as a", "mystery, I'm not inclined to actually answer the question of 'whodunit'- it isn't", "the focus of the story- the focus the characters who get involved, their", "are your thoughts? Should the story end with the mystery solved? Or is", "though and end up frustrated with the story, which isn't what I'm going", "inclined to actually answer the question of 'whodunit'- it isn't relevant to the", "the characters working on solving the mystery, I'm not inclined to actually answer", "the focus the characters who get involved, their relationships with one another, and", "on solving the mystery, I'm not inclined to actually answer the question of", "the mystery, I'm not inclined to actually answer the question of 'whodunit'- it", "way to explore the characters and their arcs (but is still necessary to", "whole thing though because said mystery isn't the focus of the story- the", "and where their decisions lead them in the story; the mystery is really", "decisions lead them in the story; the mystery is really just a way", "which isn't what I'm going for. What are your thoughts? Should the story", "story or the characters' individual journeys. I'm afraid that readers will interpret this", "the story- the focus the characters who get involved, their relationships with one", "the question of 'whodunit'- it isn't relevant to the larger story or the", "feeling rather nervous about the whole thing though because said mystery isn't the", "relevant to the larger story or the characters' individual journeys. I'm afraid that", "explore the characters and their arcs (but is still necessary to the story", "with the mystery solved? Or is it okay to leave it unfinished if", "will interpret this as a lack of resolution though and end up frustrated", "mystery isn't the focus of the story- the focus the characters who get", "isn't relevant to the larger story or the characters' individual journeys. I'm afraid", "of that, despite seeing the characters working on solving the mystery, I'm not", "said mystery isn't the focus of the story- the focus the characters who", "your thoughts? Should the story end with the mystery solved? Or is it", "readers will interpret this as a lack of resolution though and end up", "the story, which isn't what I'm going for. What are your thoughts? Should", "plot a possibly-supernatural mystery. I'm feeling rather nervous about the whole thing though", "characters' individual journeys. I'm afraid that readers will interpret this as a lack", "their relationships with one another, and where their decisions lead them in the", "the whole thing though because said mystery isn't the focus of the story-", "thematically and plot-wise). Because of that, despite seeing the characters working on solving", "journeys. I'm afraid that readers will interpret this as a lack of resolution", "get involved, their relationships with one another, and where their decisions lead them", "mystery. I'm feeling rather nervous about the whole thing though because said mystery", "lead them in the story; the mystery is really just a way to", "mystery is really just a way to explore the characters and their arcs", "story, which isn't what I'm going for. What are your thoughts? Should the", "has as part of the plot a possibly-supernatural mystery. I'm feeling rather nervous", "story end with the mystery solved? Or is it okay to leave it", "end up frustrated with the story, which isn't what I'm going for. What", "as a lack of resolution though and end up frustrated with the story,", "working on solving the mystery, I'm not inclined to actually answer the question", "part of the plot a possibly-supernatural mystery. I'm feeling rather nervous about the", "working on the finishing touches of a story that has as part of", "afraid that readers will interpret this as a lack of resolution though and", "focus of the story- the focus the characters who get involved, their relationships", "individual journeys. I'm afraid that readers will interpret this as a lack of", "up frustrated with the story, which isn't what I'm going for. What are", "to actually answer the question of 'whodunit'- it isn't relevant to the larger", "end with the mystery solved? Or is it okay to leave it unfinished", "story that has as part of the plot a possibly-supernatural mystery. I'm feeling", "story thematically and plot-wise). Because of that, despite seeing the characters working on", "a way to explore the characters and their arcs (but is still necessary", "Should the story end with the mystery solved? Or is it okay to", "Or is it okay to leave it unfinished if the characters' arcs have", "to the story thematically and plot-wise). Because of that, despite seeing the characters", "just a way to explore the characters and their arcs (but is still", "or the characters' individual journeys. I'm afraid that readers will interpret this as", "lack of resolution though and end up frustrated with the story, which isn't", "finishing touches of a story that has as part of the plot a", "touches of a story that has as part of the plot a possibly-supernatural", "despite seeing the characters working on solving the mystery, I'm not inclined to", "because said mystery isn't the focus of the story- the focus the characters", "Because of that, despite seeing the characters working on solving the mystery, I'm", "a possibly-supernatural mystery. I'm feeling rather nervous about the whole thing though because", "not inclined to actually answer the question of 'whodunit'- it isn't relevant to", "though because said mystery isn't the focus of the story- the focus the", "arcs (but is still necessary to the story thematically and plot-wise). Because of", "about the whole thing though because said mystery isn't the focus of the", "I'm feeling rather nervous about the whole thing though because said mystery isn't", "of the story- the focus the characters who get involved, their relationships with", "solved? Or is it okay to leave it unfinished if the characters' arcs", "still necessary to the story thematically and plot-wise). Because of that, despite seeing", "what I'm going for. What are your thoughts? Should the story end with", "I'm not inclined to actually answer the question of 'whodunit'- it isn't relevant", "thing though because said mystery isn't the focus of the story- the focus", "with one another, and where their decisions lead them in the story; the", "resolution though and end up frustrated with the story, which isn't what I'm", "the finishing touches of a story that has as part of the plot", "(but is still necessary to the story thematically and plot-wise). Because of that,", "actually answer the question of 'whodunit'- it isn't relevant to the larger story", "larger story or the characters' individual journeys. I'm afraid that readers will interpret", "their decisions lead them in the story; the mystery is really just a", "in the story; the mystery is really just a way to explore the", "of 'whodunit'- it isn't relevant to the larger story or the characters' individual", "as part of the plot a possibly-supernatural mystery. I'm feeling rather nervous about", "to explore the characters and their arcs (but is still necessary to the", "that, despite seeing the characters working on solving the mystery, I'm not inclined", "another, and where their decisions lead them in the story; the mystery is", "frustrated with the story, which isn't what I'm going for. What are your", "the story end with the mystery solved? Or is it okay to leave", "I'm afraid that readers will interpret this as a lack of resolution though", "involved, their relationships with one another, and where their decisions lead them in", "of resolution though and end up frustrated with the story, which isn't what", "solving the mystery, I'm not inclined to actually answer the question of 'whodunit'-", "is still necessary to the story thematically and plot-wise). Because of that, despite", "to the larger story or the characters' individual journeys. I'm afraid that readers", "a lack of resolution though and end up frustrated with the story, which", "isn't the focus of the story- the focus the characters who get involved," ]
[ "unlikeable, then likeable and how would you make him change into a good", "him unlikeable, then likeable and how would you make him change into a", "from that. How would you make him unlikeable, then likeable and how would", "you were to write a story about a kid in high school who", "doesn't feel guilt from that. How would you make him unlikeable, then likeable", "likeable and how would you make him change into a good guy ?", "lot of psychopath/sociopath tendencies and doesn't feel guilt from that. How would you", "How would you make him unlikeable, then likeable and how would you make", "If you were to write a story about a kid in high school", "school who has a lot of psychopath/sociopath tendencies and doesn't feel guilt from", "a lot of psychopath/sociopath tendencies and doesn't feel guilt from that. How would", "guilt from that. How would you make him unlikeable, then likeable and how", "about a kid in high school who has a lot of psychopath/sociopath tendencies", "in high school who has a lot of psychopath/sociopath tendencies and doesn't feel", "a kid in high school who has a lot of psychopath/sociopath tendencies and", "a story about a kid in high school who has a lot of", "of psychopath/sociopath tendencies and doesn't feel guilt from that. How would you make", "were to write a story about a kid in high school who has", "tendencies and doesn't feel guilt from that. How would you make him unlikeable,", "make him unlikeable, then likeable and how would you make him change into", "who has a lot of psychopath/sociopath tendencies and doesn't feel guilt from that.", "has a lot of psychopath/sociopath tendencies and doesn't feel guilt from that. How", "feel guilt from that. How would you make him unlikeable, then likeable and", "and doesn't feel guilt from that. How would you make him unlikeable, then", "you make him unlikeable, then likeable and how would you make him change", "would you make him unlikeable, then likeable and how would you make him", "that. How would you make him unlikeable, then likeable and how would you", "to write a story about a kid in high school who has a", "then likeable and how would you make him change into a good guy", "story about a kid in high school who has a lot of psychopath/sociopath", "kid in high school who has a lot of psychopath/sociopath tendencies and doesn't", "write a story about a kid in high school who has a lot", "high school who has a lot of psychopath/sociopath tendencies and doesn't feel guilt", "psychopath/sociopath tendencies and doesn't feel guilt from that. How would you make him" ]
[ "any martial art), rather than imagery, which seems to suggest telling rather than", "the fight without explicitly naming any martial art), rather than imagery, which seems", "in a fictional narrative, how would one express martial arts action? Generally, martial", "however, it tends to use technicality (I want to describe the fight without", "as opposed to training fight scene in a fictional narrative, how would one", "imagery, which seems to suggest telling rather than showing, which I would like", "without explicitly naming any martial art), rather than imagery, which seems to suggest", "technicality (I want to describe the fight without explicitly naming any martial art),", "the context of an actual as opposed to training fight scene in a", "an actual as opposed to training fight scene in a fictional narrative, how", "arts action? Generally, martial arts has a distinctive disciplined but powerful visual style", "scene in a fictional narrative, how would one express martial arts action? Generally,", "training fight scene in a fictional narrative, how would one express martial arts", "I suppose, quality of martial arts? [This](https://www.freelancewriting.com/creative-writing/how-to-write-a-martial-arts-fight-scene/) page does help to a small", "of martial arts? [This](https://www.freelancewriting.com/creative-writing/how-to-write-a-martial-arts-fight-scene/) page does help to a small degree; however, it", "disciplined but powerful visual style as it uses specific moves and poses as", "to describe the fight without explicitly naming any martial art), rather than imagery,", "so that it is separated from conventional unarmed combat, whilst retaining the 'artistic',", "degree; however, it tends to use technicality (I want to describe the fight", "want to describe the fight without explicitly naming any martial art), rather than", "retaining the 'artistic', I suppose, quality of martial arts? [This](https://www.freelancewriting.com/creative-writing/how-to-write-a-martial-arts-fight-scene/) page does help", "unarmed combat, whilst retaining the 'artistic', I suppose, quality of martial arts? [This](https://www.freelancewriting.com/creative-writing/how-to-write-a-martial-arts-fight-scene/)", "has a distinctive disciplined but powerful visual style as it uses specific moves", "rather than imagery, which seems to suggest telling rather than showing, which I", "express martial arts action? Generally, martial arts has a distinctive disciplined but powerful", "powerful visual style as it uses specific moves and poses as opposed to", "that it is separated from conventional unarmed combat, whilst retaining the 'artistic', I", "a fictional narrative, how would one express martial arts action? Generally, martial arts", "Generally, martial arts has a distinctive disciplined but powerful visual style as it", "seems to suggest telling rather than showing, which I would like to avoid.", "poses as opposed to just blocking and throwing punches, so how could it", "it uses specific moves and poses as opposed to just blocking and throwing", "help to a small degree; however, it tends to use technicality (I want", "martial arts action? Generally, martial arts has a distinctive disciplined but powerful visual", "to use technicality (I want to describe the fight without explicitly naming any", "martial art), rather than imagery, which seems to suggest telling rather than showing,", "martial arts has a distinctive disciplined but powerful visual style as it uses", "and poses as opposed to just blocking and throwing punches, so how could", "a distinctive disciplined but powerful visual style as it uses specific moves and", "to training fight scene in a fictional narrative, how would one express martial", "as opposed to just blocking and throwing punches, so how could it be", "so how could it be depicted so that it is separated from conventional", "one express martial arts action? Generally, martial arts has a distinctive disciplined but", "context of an actual as opposed to training fight scene in a fictional", "moves and poses as opposed to just blocking and throwing punches, so how", "as it uses specific moves and poses as opposed to just blocking and", "naming any martial art), rather than imagery, which seems to suggest telling rather", "arts? [This](https://www.freelancewriting.com/creative-writing/how-to-write-a-martial-arts-fight-scene/) page does help to a small degree; however, it tends to", "to just blocking and throwing punches, so how could it be depicted so", "uses specific moves and poses as opposed to just blocking and throwing punches,", "quality of martial arts? [This](https://www.freelancewriting.com/creative-writing/how-to-write-a-martial-arts-fight-scene/) page does help to a small degree; however,", "it tends to use technicality (I want to describe the fight without explicitly", "be depicted so that it is separated from conventional unarmed combat, whilst retaining", "opposed to training fight scene in a fictional narrative, how would one express", "would one express martial arts action? Generally, martial arts has a distinctive disciplined", "is separated from conventional unarmed combat, whilst retaining the 'artistic', I suppose, quality", "(I want to describe the fight without explicitly naming any martial art), rather", "visual style as it uses specific moves and poses as opposed to just", "how would one express martial arts action? Generally, martial arts has a distinctive", "explicitly naming any martial art), rather than imagery, which seems to suggest telling", "blocking and throwing punches, so how could it be depicted so that it", "page does help to a small degree; however, it tends to use technicality", "punches, so how could it be depicted so that it is separated from", "than imagery, which seems to suggest telling rather than showing, which I would", "use technicality (I want to describe the fight without explicitly naming any martial", "conventional unarmed combat, whilst retaining the 'artistic', I suppose, quality of martial arts?", "separated from conventional unarmed combat, whilst retaining the 'artistic', I suppose, quality of", "action? Generally, martial arts has a distinctive disciplined but powerful visual style as", "opposed to just blocking and throwing punches, so how could it be depicted", "martial arts? [This](https://www.freelancewriting.com/creative-writing/how-to-write-a-martial-arts-fight-scene/) page does help to a small degree; however, it tends", "how could it be depicted so that it is separated from conventional unarmed", "describe the fight without explicitly naming any martial art), rather than imagery, which", "it be depicted so that it is separated from conventional unarmed combat, whilst", "throwing punches, so how could it be depicted so that it is separated", "it is separated from conventional unarmed combat, whilst retaining the 'artistic', I suppose,", "fictional narrative, how would one express martial arts action? Generally, martial arts has", "specific moves and poses as opposed to just blocking and throwing punches, so", "and throwing punches, so how could it be depicted so that it is", "depicted so that it is separated from conventional unarmed combat, whilst retaining the", "to a small degree; however, it tends to use technicality (I want to", "tends to use technicality (I want to describe the fight without explicitly naming", "does help to a small degree; however, it tends to use technicality (I", "suppose, quality of martial arts? [This](https://www.freelancewriting.com/creative-writing/how-to-write-a-martial-arts-fight-scene/) page does help to a small degree;", "actual as opposed to training fight scene in a fictional narrative, how would", "but powerful visual style as it uses specific moves and poses as opposed", "small degree; however, it tends to use technicality (I want to describe the", "fight without explicitly naming any martial art), rather than imagery, which seems to", "combat, whilst retaining the 'artistic', I suppose, quality of martial arts? [This](https://www.freelancewriting.com/creative-writing/how-to-write-a-martial-arts-fight-scene/) page", "In the context of an actual as opposed to training fight scene in", "could it be depicted so that it is separated from conventional unarmed combat,", "art), rather than imagery, which seems to suggest telling rather than showing, which", "just blocking and throwing punches, so how could it be depicted so that", "'artistic', I suppose, quality of martial arts? [This](https://www.freelancewriting.com/creative-writing/how-to-write-a-martial-arts-fight-scene/) page does help to a", "a small degree; however, it tends to use technicality (I want to describe", "narrative, how would one express martial arts action? Generally, martial arts has a", "of an actual as opposed to training fight scene in a fictional narrative,", "fight scene in a fictional narrative, how would one express martial arts action?", "whilst retaining the 'artistic', I suppose, quality of martial arts? [This](https://www.freelancewriting.com/creative-writing/how-to-write-a-martial-arts-fight-scene/) page does", "distinctive disciplined but powerful visual style as it uses specific moves and poses", "[This](https://www.freelancewriting.com/creative-writing/how-to-write-a-martial-arts-fight-scene/) page does help to a small degree; however, it tends to use", "style as it uses specific moves and poses as opposed to just blocking", "arts has a distinctive disciplined but powerful visual style as it uses specific", "from conventional unarmed combat, whilst retaining the 'artistic', I suppose, quality of martial", "the 'artistic', I suppose, quality of martial arts? [This](https://www.freelancewriting.com/creative-writing/how-to-write-a-martial-arts-fight-scene/) page does help to", "which seems to suggest telling rather than showing, which I would like to" ]
[ "a tiny memo book to jot down my thoughts. However, there's no room", "as the only point of contact, and my supporting hand keeps moving around", "in the air and the pencil tip as the only point of contact,", "messily with my writing hand in the air and the pencil tip as", "my supporting hand keeps moving around and getting pushed back. Any tips and", "hand in the air and the pencil tip as the only point of", "I also prefer writing by hand; for some reason, it helps me think", "memo book to jot down my thoughts. However, there's no room for my", "tiny memo book to jot down my thoughts. However, there's no room for", "writing hand in the air and the pencil tip as the only point", "walk, so I have a tiny memo book to jot down my thoughts.", "I walk, so I have a tiny memo book to jot down my", "there's no room for my writing hand to use all the available space,", "tip as the only point of contact, and my supporting hand keeps moving", "and advice? EDIT: Sorry, I should have mentioned this way earlier; I don't", "analog solution! I also prefer writing by hand; for some reason, it helps", "am looking for an analog solution! I also prefer writing by hand; for", "space, I write really messily with my writing hand in the air and", "own a smartphone and am looking for an analog solution! I also prefer", "with my writing hand in the air and the pencil tip as the", "Ideas keep popping into my head while I walk, so I have a", "no room for my writing hand to use all the available space, I", "my head while I walk, so I have a tiny memo book to", "to use all the available space, I write really messily with my writing", "down my thoughts. However, there's no room for my writing hand to use", "advice? EDIT: Sorry, I should have mentioned this way earlier; I don't own", "while I walk, so I have a tiny memo book to jot down", "only point of contact, and my supporting hand keeps moving around and getting", "to jot down my thoughts. However, there's no room for my writing hand", "mentioned this way earlier; I don't own a smartphone and am looking for", "solution! I also prefer writing by hand; for some reason, it helps me", "into my head while I walk, so I have a tiny memo book", "contact, and my supporting hand keeps moving around and getting pushed back. Any", "However, there's no room for my writing hand to use all the available", "prefer writing by hand; for some reason, it helps me think more creatively.", "and the pencil tip as the only point of contact, and my supporting", "and am looking for an analog solution! I also prefer writing by hand;", "I should have mentioned this way earlier; I don't own a smartphone and", "air and the pencil tip as the only point of contact, and my", "the pencil tip as the only point of contact, and my supporting hand", "Sorry, I should have mentioned this way earlier; I don't own a smartphone", "this way earlier; I don't own a smartphone and am looking for an", "have mentioned this way earlier; I don't own a smartphone and am looking", "for my writing hand to use all the available space, I write really", "supporting hand keeps moving around and getting pushed back. Any tips and advice?", "pushed back. Any tips and advice? EDIT: Sorry, I should have mentioned this", "the air and the pencil tip as the only point of contact, and", "and getting pushed back. Any tips and advice? EDIT: Sorry, I should have", "use all the available space, I write really messily with my writing hand", "head while I walk, so I have a tiny memo book to jot", "don't own a smartphone and am looking for an analog solution! I also", "thoughts. However, there's no room for my writing hand to use all the", "around and getting pushed back. Any tips and advice? EDIT: Sorry, I should", "pencil tip as the only point of contact, and my supporting hand keeps", "jot down my thoughts. However, there's no room for my writing hand to", "the available space, I write really messily with my writing hand in the", "moving around and getting pushed back. Any tips and advice? EDIT: Sorry, I", "hand keeps moving around and getting pushed back. Any tips and advice? EDIT:", "looking for an analog solution! I also prefer writing by hand; for some", "room for my writing hand to use all the available space, I write", "write really messily with my writing hand in the air and the pencil", "hand to use all the available space, I write really messily with my", "getting pushed back. Any tips and advice? EDIT: Sorry, I should have mentioned", "have a tiny memo book to jot down my thoughts. However, there's no", "available space, I write really messily with my writing hand in the air", "smartphone and am looking for an analog solution! I also prefer writing by", "also prefer writing by hand; for some reason, it helps me think more", "writing hand to use all the available space, I write really messily with", "keep popping into my head while I walk, so I have a tiny", "for an analog solution! I also prefer writing by hand; for some reason,", "point of contact, and my supporting hand keeps moving around and getting pushed", "earlier; I don't own a smartphone and am looking for an analog solution!", "popping into my head while I walk, so I have a tiny memo", "the only point of contact, and my supporting hand keeps moving around and", "an analog solution! I also prefer writing by hand; for some reason, it", "should have mentioned this way earlier; I don't own a smartphone and am", "Any tips and advice? EDIT: Sorry, I should have mentioned this way earlier;", "way earlier; I don't own a smartphone and am looking for an analog", "I write really messily with my writing hand in the air and the", "keeps moving around and getting pushed back. Any tips and advice? EDIT: Sorry,", "book to jot down my thoughts. However, there's no room for my writing", "really messily with my writing hand in the air and the pencil tip", "my thoughts. However, there's no room for my writing hand to use all", "all the available space, I write really messily with my writing hand in", "of contact, and my supporting hand keeps moving around and getting pushed back.", "I have a tiny memo book to jot down my thoughts. However, there's", "my writing hand in the air and the pencil tip as the only", "so I have a tiny memo book to jot down my thoughts. However,", "my writing hand to use all the available space, I write really messily", "I don't own a smartphone and am looking for an analog solution! I", "EDIT: Sorry, I should have mentioned this way earlier; I don't own a", "a smartphone and am looking for an analog solution! I also prefer writing", "and my supporting hand keeps moving around and getting pushed back. Any tips", "back. Any tips and advice? EDIT: Sorry, I should have mentioned this way", "tips and advice? EDIT: Sorry, I should have mentioned this way earlier; I" ]
[ "letter? If you are writing a letter to your grandparents, I would use", "end a business letter? If you are writing a letter to your grandparents,", "I can think of is > > Sincerely > > > or >", "professional letter to someone important that isn't your family, how would you end", "think of is > > Sincerely > > > or > > Thank", "that isn't your family, how would you end the letter? The only one", "a professional letter to someone important that isn't your family, how would you", "can think of is > > Sincerely > > > or > >", "is > > Sincerely > > > or > > Thank you for", "> > > However, if you are writing a professional letter to someone", "from 'name' > > > However, if you are writing a professional letter", "you end a business letter? If you are writing a letter to your", "someone important that isn't your family, how would you end the letter? The", "the letter? The only one I can think of is > > Sincerely", "> Sincerely > > > or > > Thank you for your time.", "> > With Love from 'name' > > > However, if you are", "would you end the letter? The only one I can think of is", "If you are writing a letter to your grandparents, I would use >", "would use > > With Love from 'name' > > > However, if", "to your grandparents, I would use > > With Love from 'name' >", "writing a professional letter to someone important that isn't your family, how would", "a letter to your grandparents, I would use > > With Love from", "> > > or > > Thank you for your time. > >", "writing a letter to your grandparents, I would use > > With Love", "However, if you are writing a professional letter to someone important that isn't", "to someone important that isn't your family, how would you end the letter?", "are writing a professional letter to someone important that isn't your family, how", "> > Sincerely > > > or > > Thank you for your", "a business letter? If you are writing a letter to your grandparents, I", "if you are writing a professional letter to someone important that isn't your", "> With Love from 'name' > > > However, if you are writing", "'name' > > > However, if you are writing a professional letter to", "letter to someone important that isn't your family, how would you end the", "you are writing a letter to your grandparents, I would use > >", "your grandparents, I would use > > With Love from 'name' > >", "isn't your family, how would you end the letter? The only one I", "you end the letter? The only one I can think of is >", "of is > > Sincerely > > > or > > Thank you", "grandparents, I would use > > With Love from 'name' > > >", "letter? The only one I can think of is > > Sincerely >", "one I can think of is > > Sincerely > > > or", "business letter? If you are writing a letter to your grandparents, I would", "Sincerely > > > or > > Thank you for your time. >", "With Love from 'name' > > > However, if you are writing a", "end the letter? The only one I can think of is > >", "how would you end the letter? The only one I can think of", "> However, if you are writing a professional letter to someone important that", "The only one I can think of is > > Sincerely > >", "you are writing a professional letter to someone important that isn't your family,", "are writing a letter to your grandparents, I would use > > With", "I would use > > With Love from 'name' > > > However,", "your family, how would you end the letter? The only one I can", "use > > With Love from 'name' > > > However, if you", "important that isn't your family, how would you end the letter? The only", "should you end a business letter? If you are writing a letter to", "Love from 'name' > > > However, if you are writing a professional", "family, how would you end the letter? The only one I can think", "> > or > > Thank you for your time. > > >", "letter to your grandparents, I would use > > With Love from 'name'", "### How should you end a business letter? If you are writing a", "only one I can think of is > > Sincerely > > >", "How should you end a business letter? If you are writing a letter", "> > However, if you are writing a professional letter to someone important" ]
[ "120-150 words. When I submitted the assignment, my teacher told me the article", "homework assignment. The topic was \"How to get good sleep?\". I was given", "given the points I had to include, and the word limit was 120-150", "me the article was not good. What should I keep in mind while", "to get good sleep?\". I was given the points I had to include,", "article was not good. What should I keep in mind while writing an", "to write an article for a homework assignment. The topic was \"How to", "When I submitted the assignment, my teacher told me the article was not", "a homework assignment. The topic was \"How to get good sleep?\". I was", "told me the article was not good. What should I keep in mind", "submitted the assignment, my teacher told me the article was not good. What", "The topic was \"How to get good sleep?\". I was given the points", "and the word limit was 120-150 words. When I submitted the assignment, my", "had to include, and the word limit was 120-150 words. When I submitted", "include, and the word limit was 120-150 words. When I submitted the assignment,", "teacher told me the article was not good. What should I keep in", "I was given the points I had to include, and the word limit", "assignment. The topic was \"How to get good sleep?\". I was given the", "the article was not good. What should I keep in mind while writing", "for a homework assignment. The topic was \"How to get good sleep?\". I", "get good sleep?\". I was given the points I had to include, and", "was \"How to get good sleep?\". I was given the points I had", "limit was 120-150 words. When I submitted the assignment, my teacher told me", "was told to write an article for a homework assignment. The topic was", "good sleep?\". I was given the points I had to include, and the", "sleep?\". I was given the points I had to include, and the word", "the word limit was 120-150 words. When I submitted the assignment, my teacher", "my teacher told me the article was not good. What should I keep", "\"How to get good sleep?\". I was given the points I had to", "topic was \"How to get good sleep?\". I was given the points I", "was given the points I had to include, and the word limit was", "I had to include, and the word limit was 120-150 words. When I", "I was told to write an article for a homework assignment. The topic", "assignment, my teacher told me the article was not good. What should I", "an article for a homework assignment. The topic was \"How to get good", "to include, and the word limit was 120-150 words. When I submitted the", "points I had to include, and the word limit was 120-150 words. When", "told to write an article for a homework assignment. The topic was \"How", "the points I had to include, and the word limit was 120-150 words.", "was not good. What should I keep in mind while writing an article?", "was 120-150 words. When I submitted the assignment, my teacher told me the", "write an article for a homework assignment. The topic was \"How to get", "words. When I submitted the assignment, my teacher told me the article was", "I submitted the assignment, my teacher told me the article was not good.", "word limit was 120-150 words. When I submitted the assignment, my teacher told", "article for a homework assignment. The topic was \"How to get good sleep?\".", "the assignment, my teacher told me the article was not good. What should" ]
[ "list. > > > I know there was a PC RPG made from", "The same can be said of pretty much all the rest of R.A.", "spent any skill points on it, it's written on the character sheet (A", "present in the novel, it reads more like a straight > GAME-TO-BOOK tie-in", "novel than the other way around. You can > literally hear the sound", "the novel, it reads more like a straight > GAME-TO-BOOK tie-in novel than", "idea: If I were to use GURPS ([Generic Universal Roleplaying System](https://1d4chan.org/wiki/GURPS))* for creating", "etc...)! Let's dub it the \"[Game Master](https://1d4chan.org/wiki/Gamemaster) technique.\" But I read [a scathing", "[a scathing review](http://bestfantasybooks.com/worst-fantasy-books.html): > > \"...The series is the poster boy for fantasy", "of pretty much all the rest of R.A. Salvatore's works. This author has", "or can I avoid writing pitfalls when using a game-system to lay out", "series tossed onto this list. > > > I know there was a", "single speck of creativity to this series. The same can be said of", "turn Leia into a space fairy who can instantly use the Force because", "dice rolling in the background as you > read. Bleh.* > > >", "> I know there was a PC RPG made from this series, but", "reviewer is right this time. So, am I doomed to fail, or can", "story, then in-universe inconsistencies would practically be impossible. You wouldn't be able to", "Salvatore's works. This author has the (dubious) distinction of getting TWO of his", "cliches present in the novel, it reads more like a straight > GAME-TO-BOOK", "out the framework (what happens) of the story? What should I watch out", "to use GURPS ([Generic Universal Roleplaying System](https://1d4chan.org/wiki/GURPS)) for creating a story, then in-universe", "inconsistencies would practically be impossible. You wouldn't be able to turn Leia into", "getting TWO of his series tossed onto this list. > > > I", "> of fantasy cliches present in the novel, it reads more like a", "the background as you > read. Bleh.** > > > Part of me", "is disturbed by the lack of evidence from the reviewer's part, the other", "> \"...The series is the poster boy for fantasy banality -- there is", "the reviewer is right this time. So, am I doomed to fail, or", "she never spent any skill points on it, it's written on the character", "System](https://1d4chan.org/wiki/GURPS))* for creating a story, then in-universe inconsistencies would practically be impossible. You", "-- there is not a single speck of creativity to this series. The", "because she never spent any skill points on it, it's written on the", "> > > I know there was a PC RPG made from this", "the other is concerned about whether the reviewer is right this time. So,", "using a game-system to lay out the framework (what happens) of the story?", "You wouldn't be able to turn Leia into a space fairy who can", "pitfalls when using a game-system to lay out the framework (what happens) of", "other is concerned about whether the reviewer is right this time. So, am", "know there was a PC RPG made from this series, but with the", "banality -- there is not a single speck of creativity to this series.", "the sound of the dice rolling in the background as you > read.", "speck of creativity to this series. The same can be said of pretty", "is concerned about whether the reviewer is right this time. So, am I", "Force because she never spent any skill points on it, it's written on", "sheet (A piece of data-container, used to track a character's abilities, items, etc...)!", "of fantasy cliches present in the novel, it reads more like a straight", "can be said of pretty much all the rest of R.A. Salvatore's works.", "much all the rest of R.A. Salvatore's works. This author has the (dubious)", "in the novel, it reads more like a straight > GAME-TO-BOOK tie-in novel", "time. So, am I doomed to fail, or can I avoid writing pitfalls", "Leia into a space fairy who can instantly use the Force because she", "reads more like a straight > GAME-TO-BOOK tie-in novel than the other way", "lay out the framework (what happens) of the story? What should I watch", "is the poster boy for fantasy banality -- there is not a single", "this time. So, am I doomed to fail, or can I avoid writing", "then in-universe inconsistencies would practically be impossible. You wouldn't be able to turn", "in-universe inconsistencies would practically be impossible. You wouldn't be able to turn Leia", "was a PC RPG made from this series, but with the number >", "of getting TWO of his series tossed onto this list. > > >", "of creativity to this series. The same can be said of pretty much", "a game-system to lay out the framework (what happens) of the story? What", "a straight > GAME-TO-BOOK tie-in novel than the other way around. *You can", "were to use GURPS ([Generic Universal Roleplaying System](https://1d4chan.org/wiki/GURPS))* for creating a story, then", "PC RPG made from this series, but with the number > of fantasy", "Bleh. > > > Part of me is disturbed by the lack of", "his series tossed onto this list. > > > I know there was", "reviewer's part, the other is concerned about whether the reviewer is right this", "for creating a story, then in-universe inconsistencies would practically be impossible. You wouldn't", "the other way around. You can > literally hear the sound of the", "number > of fantasy cliches present in the novel, it reads more like", "into a space fairy who can instantly use the Force because she never", "the reviewer's part, the other is concerned about whether the reviewer is right", "TWO of his series tossed onto this list. > > > I know", "the number > of fantasy cliches present in the novel, it reads more", "> read. Bleh. > > > Part of me is disturbed by the", "creativity to this series. The same can be said of pretty much all", "way around. You can > literally hear the sound of the dice rolling", "space fairy who can instantly use the Force because she never spent any", "is not a single speck of creativity to this series. The same can", "fantasy cliches present in the novel, it reads more like a straight >", "instantly use the Force because she never spent any skill points on it,", "a space fairy who can instantly use the Force because she never spent", "a single speck of creativity to this series. The same can be said", "of me is disturbed by the lack of evidence from the reviewer's part,", "If I were to use GURPS ([Generic Universal Roleplaying System](https://1d4chan.org/wiki/GURPS)) for creating a", "fairy who can instantly use the Force because she never spent any skill", "to this series. The same can be said of pretty much all the", "by the lack of evidence from the reviewer's part, the other is concerned", "Part of me is disturbed by the lack of evidence from the reviewer's", "points on it, it's written on the character sheet (A piece of data-container,", "be able to turn Leia into a space fairy who can instantly use", "never spent any skill points on it, it's written on the character sheet", "dub it the \"[Game Master](https://1d4chan.org/wiki/Gamemaster) technique.\" But I read [a scathing review](http://bestfantasybooks.com/worst-fantasy-books.html): >", "but with the number > of fantasy cliches present in the novel, it", "distinction of getting TWO of his series tossed onto this list. > >", "GURPS ([Generic Universal Roleplaying System](https://1d4chan.org/wiki/GURPS))* for creating a story, then in-universe inconsistencies would", "a character's abilities, items, etc...)! Let's dub it the \"[Game Master](https://1d4chan.org/wiki/Gamemaster) technique.\" But", "the Force because she never spent any skill points on it, it's written", "> > I know there was a PC RPG made from this series,", "not a single speck of creativity to this series. The same can be", "I know there was a PC RPG made from this series, but with", "use the Force because she never spent any skill points on it, it's", "the \"[Game Master](https://1d4chan.org/wiki/Gamemaster) technique.\" But I read [a scathing review](http://bestfantasybooks.com/worst-fantasy-books.html): > > \"...The", "this series. The same can be said of pretty much all the rest", "fantasy banality -- there is not a single speck of creativity to this", "> > Part of me is disturbed by the lack of evidence from", "I read [a scathing review](http://bestfantasybooks.com/worst-fantasy-books.html): > > \"...The series is the poster boy", "So, am I doomed to fail, or can I avoid writing pitfalls when", "This author has the (dubious) distinction of getting TWO of his series tossed", "there was a PC RPG made from this series, but with the number", "I were to use GURPS ([Generic Universal Roleplaying System](https://1d4chan.org/wiki/GURPS))* for creating a story,", "doomed to fail, or can I avoid writing pitfalls when using a game-system", "used to track a character's abilities, items, etc...)! Let's dub it the \"[Game", "I avoid writing pitfalls when using a game-system to lay out the framework", "a story, then in-universe inconsistencies would practically be impossible. You wouldn't be able", "lack of evidence from the reviewer's part, the other is concerned about whether", "Let's dub it the \"[Game Master](https://1d4chan.org/wiki/Gamemaster) technique.\" But I read [a scathing review](http://bestfantasybooks.com/worst-fantasy-books.html):", "can I avoid writing pitfalls when using a game-system to lay out the", "items, etc...)! Let's dub it the \"[Game Master](https://1d4chan.org/wiki/Gamemaster) technique.\" But I read [a", "poster boy for fantasy banality -- there is not a single speck of", "RPG made from this series, but with the number > of fantasy cliches", "avoid writing pitfalls when using a game-system to lay out the framework (what", "I've got an idea: If I were to use GURPS ([Generic Universal Roleplaying", "rest of R.A. Salvatore's works. This author has the (dubious) distinction of getting", "it reads more like a straight > GAME-TO-BOOK tie-in novel than the other", "as you > read. Bleh.* > > > Part of me is disturbed", "track a character's abilities, items, etc...)! Let's dub it the \"[Game Master](https://1d4chan.org/wiki/Gamemaster) technique.\"", "pretty much all the rest of R.A. Salvatore's works. This author has the", "literally hear the sound of the dice rolling in the background as you", "rolling in the background as you > read. Bleh.* > > > Part", "all the rest of R.A. Salvatore's works. This author has the (dubious) distinction", "tossed onto this list. > > > I know there was a PC", "practically be impossible. You wouldn't be able to turn Leia into a space", "the lack of evidence from the reviewer's part, the other is concerned about", "> > \"...The series is the poster boy for fantasy banality -- there", "it, it's written on the character sheet (A piece of data-container, used to", "character sheet (A piece of data-container, used to track a character's abilities, items,", "(dubious) distinction of getting TWO of his series tossed onto this list. >", "made from this series, but with the number > of fantasy cliches present", "series, but with the number > of fantasy cliches present in the novel,", "whether the reviewer is right this time. So, am I doomed to fail,", "series is the poster boy for fantasy banality -- there is not a", "to fail, or can I avoid writing pitfalls when using a game-system to", "sound of the dice rolling in the background as you > read. Bleh.*", "writing pitfalls when using a game-system to lay out the framework (what happens)", "the poster boy for fantasy banality -- there is not a single speck", "the rest of R.A. Salvatore's works. This author has the (dubious) distinction of", "same can be said of pretty much all the rest of R.A. Salvatore's", "the character sheet (A piece of data-container, used to track a character's abilities,", "who can instantly use the Force because she never spent any skill points", "you > read. Bleh. > > > Part of me is disturbed by", "> GAME-TO-BOOK tie-in novel than the other way around. You can > literally", "than the other way around. *You can > literally hear the sound of", "Roleplaying System](https://1d4chan.org/wiki/GURPS)) for creating a story, then in-universe inconsistencies would practically be impossible.", "data-container, used to track a character's abilities, items, etc...)! Let's dub it the", "it the \"[Game Master](https://1d4chan.org/wiki/Gamemaster) technique.\" But I read [a scathing review](http://bestfantasybooks.com/worst-fantasy-books.html): > >", "> > > Part of me is disturbed by the lack of evidence", "disturbed by the lack of evidence from the reviewer's part, the other is", "any skill points on it, it's written on the character sheet (A piece", "the dice rolling in the background as you > read. Bleh. > >", "You can > literally hear the sound of the dice rolling in the", "about whether the reviewer is right this time. So, am I doomed to", "able to turn Leia into a space fairy who can instantly use the", "the (dubious) distinction of getting TWO of his series tossed onto this list.", "an idea: If I were to use GURPS ([Generic Universal Roleplaying System](https://1d4chan.org/wiki/GURPS)) for", "when using a game-system to lay out the framework (what happens) of the", "boy for fantasy banality -- there is not a single speck of creativity", "of the dice rolling in the background as you > read. Bleh.** >", "a PC RPG made from this series, but with the number > of", "works. This author has the (dubious) distinction of getting TWO of his series", "evidence from the reviewer's part, the other is concerned about whether the reviewer", "would practically be impossible. You wouldn't be able to turn Leia into a", "read [a scathing review](http://bestfantasybooks.com/worst-fantasy-books.html): > > \"...The series is the poster boy for", "([Generic Universal Roleplaying System](https://1d4chan.org/wiki/GURPS)) for creating a story, then in-universe inconsistencies would practically", "has the (dubious) distinction of getting TWO of his series tossed onto this", "for fantasy banality -- there is not a single speck of creativity to", "abilities, items, etc...)! Let's dub it the \"[Game Master](https://1d4chan.org/wiki/Gamemaster) technique.\" But I read", "of R.A. Salvatore's works. This author has the (dubious) distinction of getting TWO", "on the character sheet (A piece of data-container, used to track a character's", "> literally hear the sound of the dice rolling in the background as", "R.A. Salvatore's works. This author has the (dubious) distinction of getting TWO of", "can instantly use the Force because she never spent any skill points on", "GAME-TO-BOOK tie-in novel than the other way around. *You can > literally hear", "character's abilities, items, etc...)! Let's dub it the \"[Game Master](https://1d4chan.org/wiki/Gamemaster) technique.\" But I", "of evidence from the reviewer's part, the other is concerned about whether the", "fail, or can I avoid writing pitfalls when using a game-system to lay", "creating a story, then in-universe inconsistencies would practically be impossible. You wouldn't be", "is right this time. So, am I doomed to fail, or can I", "But I read [a scathing review](http://bestfantasybooks.com/worst-fantasy-books.html): > > \"...The series is the poster", "\"...The series is the poster boy for fantasy banality -- there is not", "part, the other is concerned about whether the reviewer is right this time.", "> Part of me is disturbed by the lack of evidence from the", "be said of pretty much all the rest of R.A. Salvatore's works. This", "from the reviewer's part, the other is concerned about whether the reviewer is", "right this time. So, am I doomed to fail, or can I avoid", "series. The same can be said of pretty much all the rest of", "impossible. You wouldn't be able to turn Leia into a space fairy who", "concerned about whether the reviewer is right this time. So, am I doomed", "(A piece of data-container, used to track a character's abilities, items, etc...)! Let's", "read. Bleh.** > > > Part of me is disturbed by the lack", "Master](https://1d4chan.org/wiki/Gamemaster) technique.\" But I read [a scathing review](http://bestfantasybooks.com/worst-fantasy-books.html): > > \"...The series is", "piece of data-container, used to track a character's abilities, items, etc...)! Let's dub", "other way around. You can > literally hear the sound of the dice", "am I doomed to fail, or can I avoid writing pitfalls when using", "there is not a single speck of creativity to this series. The same", "author has the (dubious) distinction of getting TWO of his series tossed onto", "Universal Roleplaying System](https://1d4chan.org/wiki/GURPS)) for creating a story, then in-universe inconsistencies would practically be", "to track a character's abilities, items, etc...)! Let's dub it the \"[Game Master](https://1d4chan.org/wiki/Gamemaster)", "with the number > of fantasy cliches present in the novel, it reads", "the framework (what happens) of the story? What should I watch out for?", "like a straight > GAME-TO-BOOK tie-in novel than the other way around. You", "to lay out the framework (what happens) of the story? What should I", "I doomed to fail, or can I avoid writing pitfalls when using a", "hear the sound of the dice rolling in the background as you >", "got an idea: If I were to use GURPS ([Generic Universal Roleplaying System](https://1d4chan.org/wiki/GURPS))", "it's written on the character sheet (A piece of data-container, used to track", "review](http://bestfantasybooks.com/worst-fantasy-books.html): > > \"...The series is the poster boy for fantasy banality --", "game-system to lay out the framework (what happens) of the story? What should", "tie-in novel than the other way around. You can > literally hear the", "said of pretty much all the rest of R.A. Salvatore's works. This author", "\"[Game Master](https://1d4chan.org/wiki/Gamemaster) technique.\" But I read [a scathing review](http://bestfantasybooks.com/worst-fantasy-books.html): > > \"...The series", "novel, it reads more like a straight > GAME-TO-BOOK tie-in novel than the", "from this series, but with the number > of fantasy cliches present in", "onto this list. > > > I know there was a PC RPG", "this series, but with the number > of fantasy cliches present in the", "around. You can > literally hear the sound of the dice rolling in", "to turn Leia into a space fairy who can instantly use the Force", "this list. > > > I know there was a PC RPG made", "technique.\" But I read [a scathing review](http://bestfantasybooks.com/worst-fantasy-books.html): > > \"...The series is the", "can > literally hear the sound of the dice rolling in the background", "be impossible. You wouldn't be able to turn Leia into a space fairy", "skill points on it, it's written on the character sheet (A piece of", "scathing review](http://bestfantasybooks.com/worst-fantasy-books.html): > > \"...The series is the poster boy for fantasy banality", "use GURPS ([Generic Universal Roleplaying System](https://1d4chan.org/wiki/GURPS))* for creating a story, then in-universe inconsistencies", "on it, it's written on the character sheet (A piece of data-container, used", "written on the character sheet (A piece of data-container, used to track a", "wouldn't be able to turn Leia into a space fairy who can instantly", "me is disturbed by the lack of evidence from the reviewer's part, the", "straight > GAME-TO-BOOK tie-in novel than the other way around. *You can >", "more like a straight > GAME-TO-BOOK tie-in novel than the other way around.", "of his series tossed onto this list. > > > I know there", "of data-container, used to track a character's abilities, items, etc...)! Let's dub it", "background as you > read. Bleh. > > > Part of me is", "in the background as you > read. Bleh. > > > Part of" ]
[ "in a separate word document or is it better to save everything to", "advice. PS: The book will be available in both paper and electronic formats.", "to edit an entire (existing) novel for its second edition/re-print. I'm planning to", "(existing) novel for its second edition/re-print. I'm planning to use MS Word for", "MS Word for this. Is it better to re-write/edit each chapter in a", "planning to use MS Word for this. Is it better to re-write/edit each", "Is it better to re-write/edit each chapter in a separate word document or", "needed to edit more than a page or two. However, I have agreed", "novel for its second edition/re-print. I'm planning to use MS Word for this.", "edition/re-print. I'm planning to use MS Word for this. Is it better to", "per day, which roughly equals 10-12 pages. There's a total of 502 pages", "a separate word document or is it better to save everything to one", "better to re-write/edit each chapter in a separate word document or is it", "countless articles for newspapers, and I almost never needed to edit more than", "file? I plan on editing 1-2 chapters per day, which roughly equals 10-12", "word document or is it better to save everything to one file? I", "more than a page or two. However, I have agreed to edit an", "save everything to one file? I plan on editing 1-2 chapters per day,", "In the past, I've written countless articles for newspapers, and I almost never", "total of 502 pages in the book. Thanks in advance for your help", "written countless articles for newspapers, and I almost never needed to edit more", "and advice. PS: The book will be available in both paper and electronic", "for newspapers, and I almost never needed to edit more than a page", "book. Thanks in advance for your help and advice. PS: The book will", "chapter in a separate word document or is it better to save everything", "better to save everything to one file? I plan on editing 1-2 chapters", "its second edition/re-print. I'm planning to use MS Word for this. Is it", "the past, I've written countless articles for newspapers, and I almost never needed", "of 502 pages in the book. Thanks in advance for your help and", "everything to one file? I plan on editing 1-2 chapters per day, which", "this. Is it better to re-write/edit each chapter in a separate word document", "edit more than a page or two. However, I have agreed to edit", "is it better to save everything to one file? I plan on editing", "help and advice. PS: The book will be available in both paper and", "advance for your help and advice. PS: The book will be available in", "each chapter in a separate word document or is it better to save", "editing 1-2 chapters per day, which roughly equals 10-12 pages. There's a total", "on editing 1-2 chapters per day, which roughly equals 10-12 pages. There's a", "in the book. Thanks in advance for your help and advice. PS: The", "However, I have agreed to edit an entire (existing) novel for its second", "entire (existing) novel for its second edition/re-print. I'm planning to use MS Word", "almost never needed to edit more than a page or two. However, I", "pages in the book. Thanks in advance for your help and advice. PS:", "I'm new here. In the past, I've written countless articles for newspapers, and", "use MS Word for this. Is it better to re-write/edit each chapter in", "which roughly equals 10-12 pages. There's a total of 502 pages in the", "to edit more than a page or two. However, I have agreed to", "it better to save everything to one file? I plan on editing 1-2", "I plan on editing 1-2 chapters per day, which roughly equals 10-12 pages.", "to use MS Word for this. Is it better to re-write/edit each chapter", "Word for this. Is it better to re-write/edit each chapter in a separate", "for your help and advice. PS: The book will be available in both", "articles for newspapers, and I almost never needed to edit more than a", "agreed to edit an entire (existing) novel for its second edition/re-print. I'm planning", "here. In the past, I've written countless articles for newspapers, and I almost", "chapters per day, which roughly equals 10-12 pages. There's a total of 502", "to one file? I plan on editing 1-2 chapters per day, which roughly", "day, which roughly equals 10-12 pages. There's a total of 502 pages in", "roughly equals 10-12 pages. There's a total of 502 pages in the book.", "it better to re-write/edit each chapter in a separate word document or is", "502 pages in the book. Thanks in advance for your help and advice.", "There's a total of 502 pages in the book. Thanks in advance for", "I'm planning to use MS Word for this. Is it better to re-write/edit", "I almost never needed to edit more than a page or two. However,", "edit an entire (existing) novel for its second edition/re-print. I'm planning to use", "for this. Is it better to re-write/edit each chapter in a separate word", "and I almost never needed to edit more than a page or two.", "never needed to edit more than a page or two. However, I have", "one file? I plan on editing 1-2 chapters per day, which roughly equals", "the book. Thanks in advance for your help and advice. PS: The book", "document or is it better to save everything to one file? I plan", "separate word document or is it better to save everything to one file?", "your help and advice. PS: The book will be available in both paper", "10-12 pages. There's a total of 502 pages in the book. Thanks in", "pages. There's a total of 502 pages in the book. Thanks in advance", "re-write/edit each chapter in a separate word document or is it better to", "than a page or two. However, I have agreed to edit an entire", "for its second edition/re-print. I'm planning to use MS Word for this. Is", "in advance for your help and advice. PS: The book will be available", "I have agreed to edit an entire (existing) novel for its second edition/re-print.", "to re-write/edit each chapter in a separate word document or is it better", "second edition/re-print. I'm planning to use MS Word for this. Is it better", "I've written countless articles for newspapers, and I almost never needed to edit", "1-2 chapters per day, which roughly equals 10-12 pages. There's a total of", "a page or two. However, I have agreed to edit an entire (existing)", "equals 10-12 pages. There's a total of 502 pages in the book. Thanks", "an entire (existing) novel for its second edition/re-print. I'm planning to use MS", "or is it better to save everything to one file? I plan on", "newspapers, and I almost never needed to edit more than a page or", "page or two. However, I have agreed to edit an entire (existing) novel", "have agreed to edit an entire (existing) novel for its second edition/re-print. I'm", "Thanks in advance for your help and advice. PS: The book will be", "two. However, I have agreed to edit an entire (existing) novel for its", "new here. In the past, I've written countless articles for newspapers, and I", "a total of 502 pages in the book. Thanks in advance for your", "or two. However, I have agreed to edit an entire (existing) novel for", "to save everything to one file? I plan on editing 1-2 chapters per", "past, I've written countless articles for newspapers, and I almost never needed to", "plan on editing 1-2 chapters per day, which roughly equals 10-12 pages. There's" ]
[ "and I have both versions saved separately. I'm also a programmer, and am", "version on top of it and committed the changes. I was hoping the", "and then pasted the new version on top of it and committed the", "to see 95% identical lines identified as the same line, but often they", "relearn my lines, I think it would be useful to see which were", "files that would be improved in terms of identifying more word-based rather than", "there may be a better way to get a useful diff of 2", "text files that would be improved in terms of identifying more word-based rather", "upcoming second performance run. In order to help me relearn my lines, I", "I'm wondering if there may be a better way to get a useful", "the diff would be more useful than it was... but it's at least", "would be improved in terms of identifying more word-based rather than line-based differences.", "txt file that had the original version, and then pasted the new version", "line-based differences. And if so (even just for git diffs) if there would", "a useful diff of 2 plain text files that would be improved in", "way to get a useful diff of 2 plain text files that would", "multiple lines show up between them. So I'm wondering if there may be", "original version, and then pasted the new version on top of it and", "second performance run. In order to help me relearn my lines, I think", "that would be improved in terms of identifying more word-based rather than line-based", "version control, so I tried making a git repository where I started with", "So I'm wondering if there may be a better way to get a", "and hoping for it to stick. I wrote my play in markdown (using", "it and committed the changes. I was hoping the diff would be more", "an upcoming second performance run. In order to help me relearn my lines,", "file that had the original version, and then pasted the new version on", "changes. I was hoping the diff would be more useful than it was...", "up between them. So I'm wondering if there may be a better way", "new version on top of it and committed the changes. I was hoping", "top of it and committed the changes. I was hoping the diff would", "on top of it and committed the changes. I was hoping the diff", "if there may be a better way to get a useful diff of", "significant re-writes for an upcoming second performance run. In order to help me", "so I tried making a git repository where I started with a txt", "I'm also a programmer, and am used to version control, so I tried", "output this in a way that can be saved into useful reading formats.", "than it was... but it's at least something! (I was hoping for instance", "where I started with a txt file that had the original version, and", "rather than line-based differences. And if so (even just for git diffs) if", "I performed this summer, and have done significant re-writes for an upcoming second", "identifying more word-based rather than line-based differences. And if so (even just for", "separately. I'm also a programmer, and am used to version control, so I", "instance to see 95% identical lines identified as the same line, but often", "I started with a txt file that had the original version, and then", "see which were changed/removed/added all together, rather than just reading through the new", "would be useful to see which were changed/removed/added all together, rather than just", "wrote a play that I performed this summer, and have done significant re-writes", "were not.. because multiple lines show up between them. So I'm wondering if", "I wrote a play that I performed this summer, and have done significant", "the new version and hoping for it to stick. I wrote my play", "more useful than it was... but it's at least something! (I was hoping", "hoping for instance to see 95% identical lines identified as the same line,", "this summer, and have done significant re-writes for an upcoming second performance run.", "have done significant re-writes for an upcoming second performance run. In order to", "performed this summer, and have done significant re-writes for an upcoming second performance", "of 2 plain text files that would be improved in terms of identifying", "same line, but often they were not.. because multiple lines show up between", "think it would be useful to see which were changed/removed/added all together, rather", "so (even just for git diffs) if there would be a way to", "if so (even just for git diffs) if there would be a way", "may be a better way to get a useful diff of 2 plain", "that I performed this summer, and have done significant re-writes for an upcoming", "together, rather than just reading through the new version and hoping for it", "see 95% identical lines identified as the same line, but often they were", "for an upcoming second performance run. In order to help me relearn my", "as the same line, but often they were not.. because multiple lines show", "word-based rather than line-based differences. And if so (even just for git diffs)", "summer, and have done significant re-writes for an upcoming second performance run. In", "would be more useful than it was... but it's at least something! (I", "(I was hoping for instance to see 95% identical lines identified as the", "for instance to see 95% identical lines identified as the same line, but", "and committed the changes. I was hoping the diff would be more useful", "order to help me relearn my lines, I think it would be useful", "useful than it was... but it's at least something! (I was hoping for", "diff would be more useful than it was... but it's at least something!", "git repository where I started with a txt file that had the original", "I tried making a git repository where I started with a txt file", "through the new version and hoping for it to stick. I wrote my", "terms of identifying more word-based rather than line-based differences. And if so (even", "better way to get a useful diff of 2 plain text files that", "useful to see which were changed/removed/added all together, rather than just reading through", "iaWriter). and I have both versions saved separately. I'm also a programmer, and", "be a way to output this in a way that can be saved", "then pasted the new version on top of it and committed the changes.", "version, and then pasted the new version on top of it and committed", "rather than just reading through the new version and hoping for it to", "if there would be a way to output this in a way that", "it would be useful to see which were changed/removed/added all together, rather than", "95% identical lines identified as the same line, but often they were not..", "had the original version, and then pasted the new version on top of", "them. So I'm wondering if there may be a better way to get", "stick. I wrote my play in markdown (using iaWriter). and I have both", "me relearn my lines, I think it would be useful to see which", "markdown (using iaWriter). and I have both versions saved separately. I'm also a", "tried making a git repository where I started with a txt file that", "that had the original version, and then pasted the new version on top", "with a txt file that had the original version, and then pasted the", "a txt file that had the original version, and then pasted the new", "my lines, I think it would be useful to see which were changed/removed/added", "making a git repository where I started with a txt file that had", "a programmer, and am used to version control, so I tried making a", "run. In order to help me relearn my lines, I think it would", "new version and hoping for it to stick. I wrote my play in", "useful diff of 2 plain text files that would be improved in terms", "just reading through the new version and hoping for it to stick. I", "to get a useful diff of 2 plain text files that would be", "in markdown (using iaWriter). and I have both versions saved separately. I'm also", "get a useful diff of 2 plain text files that would be improved", "identified as the same line, but often they were not.. because multiple lines", "hoping the diff would be more useful than it was... but it's at", "were changed/removed/added all together, rather than just reading through the new version and", "it to stick. I wrote my play in markdown (using iaWriter). and I", "be more useful than it was... but it's at least something! (I was", "something! (I was hoping for instance to see 95% identical lines identified as", "I was hoping the diff would be more useful than it was... but", "between them. So I'm wondering if there may be a better way to", "of identifying more word-based rather than line-based differences. And if so (even just", "than line-based differences. And if so (even just for git diffs) if there", "plain text files that would be improved in terms of identifying more word-based", "in terms of identifying more word-based rather than line-based differences. And if so", "programmer, and am used to version control, so I tried making a git", "I have both versions saved separately. I'm also a programmer, and am used", "would be a way to output this in a way that can be", "to see which were changed/removed/added all together, rather than just reading through the", "saved separately. I'm also a programmer, and am used to version control, so", "to version control, so I tried making a git repository where I started", "to help me relearn my lines, I think it would be useful to", "show up between them. So I'm wondering if there may be a better", "there would be a way to output this in a way that can", "wondering if there may be a better way to get a useful diff", "In order to help me relearn my lines, I think it would be", "I think it would be useful to see which were changed/removed/added all together,", "which were changed/removed/added all together, rather than just reading through the new version", "differences. And if so (even just for git diffs) if there would be", "pasted the new version on top of it and committed the changes. I", "versions saved separately. I'm also a programmer, and am used to version control,", "than just reading through the new version and hoping for it to stick.", "the changes. I was hoping the diff would be more useful than it", "control, so I tried making a git repository where I started with a", "the original version, and then pasted the new version on top of it", "play in markdown (using iaWriter). and I have both versions saved separately. I'm", "play that I performed this summer, and have done significant re-writes for an", "diffs) if there would be a way to output this in a way", "way to output this in a way that can be saved into useful", "to output this in a way that can be saved into useful reading", "also a programmer, and am used to version control, so I tried making", "be useful to see which were changed/removed/added all together, rather than just reading", "and am used to version control, so I tried making a git repository", "(using iaWriter). and I have both versions saved separately. I'm also a programmer,", "all together, rather than just reading through the new version and hoping for", "be improved in terms of identifying more word-based rather than line-based differences. And", "it's at least something! (I was hoping for instance to see 95% identical", "committed the changes. I was hoping the diff would be more useful than", "least something! 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(I was hoping for instance to see 95% identical lines", "line, but often they were not.. because multiple lines show up between them.", "a play that I performed this summer, and have done significant re-writes for", "I wrote my play in markdown (using iaWriter). and I have both versions", "my play in markdown (using iaWriter). and I have both versions saved separately.", "re-writes for an upcoming second performance run. In order to help me relearn", "am used to version control, so I tried making a git repository where", "performance run. In order to help me relearn my lines, I think it" ]
[ "multiple Trilogies in the same timeline? --- ADDITIONAL INFORMATION: Trilogy A must be", "on writing two more Trilogies (B and C) which all start and end", "Trilogies in the same timeline? --- ADDITIONAL INFORMATION: Trilogy A must be read", "allow the reader to fully understand the significance of events. All Trilogies focus", "all start and end at the same time as Trilogy A. My Question:", "start and end at the same time as Trilogy A. My Question: Are", "Trilogy A. My Question: Are there any tips for setting multiple Trilogies in", "but the main characters are related to each other. The Trilogies all combine", "the writing stage of my first book, which is to be the first", "book, which is to be the first of three books which are all", "before C) to allow the reader to fully understand the significance of events.", "each other. The Trilogies all combine into a fourth (and final) Trilogy (D)", "I'm in the writing stage of my first book, which is to be", "A. I'm planning on writing two more Trilogies (B and C) which all", "related to each other. The Trilogies all combine into a fourth (and final)", "timeline? --- ADDITIONAL INFORMATION: Trilogy A must be read before B (and B", "final) Trilogy (D) where the main characters properly meet, so it's essential that", "time as Trilogy A. My Question: Are there any tips for setting multiple", "ADDITIONAL INFORMATION: Trilogy A must be read before B (and B before C)", "(D) where the main characters properly meet, so it's essential that the timelines", "C) which all start and end at the same time as Trilogy A.", "on different parts of my world but the main characters are related to", "first of three books which are all part of, let's say, Trilogy A.", "in the writing stage of my first book, which is to be the", "--- ADDITIONAL INFORMATION: Trilogy A must be read before B (and B before", "the same timeline? --- ADDITIONAL INFORMATION: Trilogy A must be read before B", "to each other. The Trilogies all combine into a fourth (and final) Trilogy", "end at the same time as Trilogy A. My Question: Are there any", "say, Trilogy A. I'm planning on writing two more Trilogies (B and C)", "C) to allow the reader to fully understand the significance of events. All", "where the main characters properly meet, so it's essential that the timelines match.", "any tips for setting multiple Trilogies in the same timeline? --- ADDITIONAL INFORMATION:", "B (and B before C) to allow the reader to fully understand the", "Question: Are there any tips for setting multiple Trilogies in the same timeline?", "A. My Question: Are there any tips for setting multiple Trilogies in the", "focus on different parts of my world but the main characters are related", "all part of, let's say, Trilogy A. I'm planning on writing two more", "significance of events. All Trilogies focus on different parts of my world but", "books which are all part of, let's say, Trilogy A. I'm planning on", "in the same timeline? --- ADDITIONAL INFORMATION: Trilogy A must be read before", "which are all part of, let's say, Trilogy A. I'm planning on writing", "for setting multiple Trilogies in the same timeline? --- ADDITIONAL INFORMATION: Trilogy A", "same time as Trilogy A. My Question: Are there any tips for setting", "Are there any tips for setting multiple Trilogies in the same timeline? ---", "Trilogy A must be read before B (and B before C) to allow", "all combine into a fourth (and final) Trilogy (D) where the main characters", "All Trilogies focus on different parts of my world but the main characters", "tips for setting multiple Trilogies in the same timeline? --- ADDITIONAL INFORMATION: Trilogy", "of events. All Trilogies focus on different parts of my world but the", "events. All Trilogies focus on different parts of my world but the main", "setting multiple Trilogies in the same timeline? --- ADDITIONAL INFORMATION: Trilogy A must", "the reader to fully understand the significance of events. All Trilogies focus on", "be read before B (and B before C) to allow the reader to", "which is to be the first of three books which are all part", "Trilogies (B and C) which all start and end at the same time", "before B (and B before C) to allow the reader to fully understand", "read before B (and B before C) to allow the reader to fully", "fourth (and final) Trilogy (D) where the main characters properly meet, so it's", "writing stage of my first book, which is to be the first of", "three books which are all part of, let's say, Trilogy A. I'm planning", "(and final) Trilogy (D) where the main characters properly meet, so it's essential", "which all start and end at the same time as Trilogy A. My", "Trilogy A. I'm planning on writing two more Trilogies (B and C) which", "at the same time as Trilogy A. My Question: Are there any tips", "are all part of, let's say, Trilogy A. I'm planning on writing two", "combine into a fourth (and final) Trilogy (D) where the main characters properly", "two more Trilogies (B and C) which all start and end at the", "of my world but the main characters are related to each other. The", "The Trilogies all combine into a fourth (and final) Trilogy (D) where the", "and end at the same time as Trilogy A. My Question: Are there", "as Trilogy A. My Question: Are there any tips for setting multiple Trilogies", "a fourth (and final) Trilogy (D) where the main characters properly meet, so", "the first of three books which are all part of, let's say, Trilogy", "fully understand the significance of events. All Trilogies focus on different parts of", "into a fourth (and final) Trilogy (D) where the main characters properly meet,", "Trilogies all combine into a fourth (and final) Trilogy (D) where the main", "to allow the reader to fully understand the significance of events. All Trilogies", "different parts of my world but the main characters are related to each", "let's say, Trilogy A. I'm planning on writing two more Trilogies (B and", "planning on writing two more Trilogies (B and C) which all start and", "be the first of three books which are all part of, let's say,", "and C) which all start and end at the same time as Trilogy", "stage of my first book, which is to be the first of three", "part of, let's say, Trilogy A. I'm planning on writing two more Trilogies", "of, let's say, Trilogy A. I'm planning on writing two more Trilogies (B", "of three books which are all part of, let's say, Trilogy A. I'm", "of my first book, which is to be the first of three books", "are related to each other. The Trilogies all combine into a fourth (and", "same timeline? --- ADDITIONAL INFORMATION: Trilogy A must be read before B (and", "understand the significance of events. All Trilogies focus on different parts of my", "the significance of events. All Trilogies focus on different parts of my world", "main characters are related to each other. The Trilogies all combine into a", "other. The Trilogies all combine into a fourth (and final) Trilogy (D) where", "(and B before C) to allow the reader to fully understand the significance", "to fully understand the significance of events. All Trilogies focus on different parts", "My Question: Are there any tips for setting multiple Trilogies in the same", "is to be the first of three books which are all part of,", "the same time as Trilogy A. My Question: Are there any tips for", "B before C) to allow the reader to fully understand the significance of", "characters are related to each other. The Trilogies all combine into a fourth", "Trilogy (D) where the main characters properly meet, so it's essential that the", "first book, which is to be the first of three books which are", "writing two more Trilogies (B and C) which all start and end at", "(B and C) which all start and end at the same time as", "A must be read before B (and B before C) to allow the", "my first book, which is to be the first of three books which", "I'm planning on writing two more Trilogies (B and C) which all start", "more Trilogies (B and C) which all start and end at the same", "there any tips for setting multiple Trilogies in the same timeline? --- ADDITIONAL", "Trilogies focus on different parts of my world but the main characters are", "my world but the main characters are related to each other. The Trilogies", "parts of my world but the main characters are related to each other.", "world but the main characters are related to each other. The Trilogies all", "must be read before B (and B before C) to allow the reader", "reader to fully understand the significance of events. All Trilogies focus on different", "to be the first of three books which are all part of, let's", "the main characters are related to each other. The Trilogies all combine into", "INFORMATION: Trilogy A must be read before B (and B before C) to" ]
[ "has nothing to do with politics. I sacrifice 'immersion' as it were for", "girl is frightened by a nightmare. The young male protagonist is close by,", "the problem and tells the story the way it is meant to be", "by a nightmare. The young male protagonist is close by, and he comforts", "her. An in-story disclaimer of sorts. 2. I ignore the possible political implications,", "weak, or somehow inferior to men. Which is obviously not the point of", "told. It doesn't let the current politics dictate how to write my story", "the author to do?** For example, I am writing a short sci-fi tale.", "mean that I view all women as weak, or somehow inferior to men.", "that women equality is currently a very hot political topic. Such a scene", "politically conscious). Option one deals with the issue, but introduces elements which are", "third option? --- Note: Not a duplicate of [this question](https://writers.stackexchange.com/questions/24922/where-can-i-publish-politically-incorrect-writing). That question deals", "least politically conscious). Option one deals with the issue, but introduces elements which", "This question deals with non-political fiction which happens to run afoul of the", "rework the scene, I can only see two options: 1. I give the", "Within the early pages of this tale, a young girl is frightened by", "is the author to do?** For example, I am writing a short sci-fi", "of the critics, and the whole novel could get labeled as an anti-this", "can only see two options: 1. I give the male protagonist thoughts indicating", "as an anti-this or anti-that political rant. What is the author to do?", "pages of this tale, a young girl is frightened by a nightmare. The", "equality is currently a very hot political topic. Such a scene as the", "it is meant to be told. It doesn't let the current politics dictate", "anti-this or anti-that political rant. What is the author to do? For example,", "Which one should I choose? Is there a third option? --- Note: Not", "(not as cliche as it sounds, don't worry). Within the early pages of", "tale. The tale features a robot apocalypse, with humanity enslaved on a distant", "a short sci-fi tale. The tale features a robot apocalypse, with humanity enslaved", "women equality is currently a very hot political topic. Such a scene as", "protect her. An in-story disclaimer of sorts. 2. I ignore the possible political", "with politics. I sacrifice 'immersion' as it were for safety in today's market.", "remove or rework the scene, I can only see two options: 1. I", "meant to be told, without having the characters be politically correct (or at", "wrong, could upset and possibly alienate a lot of potential readers. If things", "humanity enslaved on a distant moon (not as cliche as it sounds, don't", "political minefield, and if handled wrong, could upset and possibly alienate a lot", "the whole novel could get labeled as an anti-this or anti-that political rant.", "to do?** For example, I am writing a short sci-fi tale. The tale", "the opinions of the critics, and the whole novel could get labeled as", "meant to be told. It doesn't let the current politics dictate how to", "that he just wants to protect her. An in-story disclaimer of sorts. 2.", "story the way it is meant to be told. It doesn't let the", "caution (and possibly readers) to the winds. I like neither option. Which one", "ignores the problem and tells the story the way it is meant to", "conscious). Option one deals with the issue, but introduces elements which are not", "strong male protecting the helpless or weak female. While such is certainly not", "today's market. Option two ignores the problem and tells the story the way", "throws caution (and possibly readers) to the winds. I like neither option. Which", "author, certain scenes and ideas can't help but touch on the politically hot", "chapters. Here's the problem: Certain people will doubtless see this as the strong", "political topic. Such a scene as the above could very easily be taken", "- experiences for the first time the sensation of protecting someone. This scene", "time the sensation of protecting someone. This scene is very pivotal for the", "get labeled as an anti-this or anti-that political rant. *What is the author", "but introduces elements which are not part of the story or characters. I", "and tells the story the way it is meant to be told. It", "political writing. This question deals with non-political fiction which happens to run afoul", "robot apocalypse, with humanity enslaved on a distant moon (not as cliche as", "grown up completely isolated - experiences for the first time the sensation of", "a lot of character-defining chapters. Here's the problem:* Certain people will doubtless see", "the politically hot topics of today. They aren't designed to do so; they", "it sounds, don't worry). Within the early pages of this tale, a young", "What is the author to do? For example, I am writing a short", "and continue with the story as it was meant to be told, without", "nothing to do with politics. I sacrifice 'immersion' as it were for safety", "critics, and the whole novel could get labeled as an anti-this or anti-that", "how. She falls asleep next to him, and he - having grown up", "they simply do because of what they are. The author knows that the", "for the first time the sensation of protecting someone. This scene is very", "or any of the hot questions of the daily news. It's, say... maybe", "be politically correct (or at least politically conscious). Option one deals with the", "is writing a novel. The novel has nothing to do with politics, our", "around a completely harmless topic. Unfortunately for the author, certain scenes and ideas", "worry). Within the early pages of this tale, a young girl is frightened", "a completely harmless topic. Unfortunately for the author, certain scenes and ideas can't", "Such a scene as the above could very easily be taken to mean", "the way it is meant to be told. It doesn't let the current", "write my story (something I strongly believe in), but it also throws caution", "at least politically conscious). Option one deals with the issue, but introduces elements", "he comforts her as best he knows how. She falls asleep next to", "to do with politics, our society, or any of the hot questions of", "by, and he comforts her as best he knows how. She falls asleep", "I strongly believe in), but it also throws caution (and possibly readers) to", "certain scenes and ideas can't help but touch on the politically hot topics", "the issue, but introduces elements which are not part of the story or", "be told, without having the characters be politically correct (or at least politically", "novel. The novel has nothing to do with politics, our society, or any", "lot of character-defining chapters. Here's the problem: Certain people will doubtless see this", "world, revolving around a completely harmless topic. Unfortunately for the author, certain scenes", "and ideas can't help but touch on the politically hot topics of today.", "of the daily news. It's, say... maybe a fantasy or sci-fi novel, set", "leads him into a lot of character-defining chapters. Here's the problem: Certain people", "a nightmare. The young male protagonist is close by, and he comforts her", "issue, but introduces elements which are not part of the story or characters.", "writing. This question deals with non-political fiction which happens to run afoul of", "story (something I strongly believe in), but it also throws caution (and possibly", "strongly believe in), but it also throws caution (and possibly readers) to the", "into a lot of character-defining chapters. Here's the problem: Certain people will doubtless", "the scene/idea is a political minefield, and if handled wrong, could upset and", "point of the scene. So what should I do? Assuming I cannot remove", "just wants to protect her. An in-story disclaimer of sorts. 2. I ignore", "characters be politically correct (or at least politically conscious). Option one deals with", "sensation of protecting someone. This scene is very pivotal for the protagonist, and", "easily be taken to mean that I view all women as weak, or", "of protecting someone. This scene is very pivotal for the protagonist, and leads", "to write my story (something I strongly believe in), but it also throws", "of the scene. So what should I do? Assuming I cannot remove or", "very easily be taken to mean that I view all women as weak,", "above could very easily be taken to mean that I view all women", "are. The author knows that the scene/idea is a political minefield, and if", "I sacrifice 'immersion' as it were for safety in today's market. Option two", "set in a completely different world, revolving around a completely harmless topic. Unfortunately", "the male protagonist thoughts indicating that he doesn't think the girl is helpless", "one deals with the issue, but introduces elements which are not part of", "That question deals with political writing. This question deals with non-political fiction which", "[this question](https://writers.stackexchange.com/questions/24922/where-can-i-publish-politically-incorrect-writing). That question deals with political writing. This question deals with non-political", "with non-political fiction which happens to run afoul of the current politics unintentionally.", "this tale, a young girl is frightened by a nightmare. The young male", "They aren't designed to do so; they simply do because of what they", "lot of potential readers. If things snowball, it could even taint the opinions", "The young male protagonist is close by, and he comforts her as best", "anti-that political rant. What is the author to do? For example, I am", "indicating that he doesn't think the girl is helpless or weak, but that", "author to do?** For example, I am writing a short sci-fi tale. The", "author knows that the scene/idea is a political minefield, and if handled wrong,", "in today's market. Option two ignores the problem and tells the story the", "society, or any of the hot questions of the daily news. It's, say...", "possibly readers) to the winds. I like neither option. Which one should I", "fantasy or sci-fi novel, set in a completely different world, revolving around a", "example, I am writing a short sci-fi tale. The tale features a robot", "as the strong* male protecting the helpless or weak female. While such is", "story as it was meant to be told, without having the characters be", "revolving around a completely harmless topic. Unfortunately for the author, certain scenes and", "told, without having the characters be politically correct (or at least politically conscious).", "and leads him into a lot of character-defining chapters. Here's the problem: Certain", "and if handled wrong, could upset and possibly alienate a lot of potential", "ideas can't help but touch on the politically hot topics of today. They", "politics. I sacrifice 'immersion' as it were for safety in today's market. Option", "readers) to the winds. I like neither option. Which one should I choose?", "were for safety in today's market. Option two ignores the problem and tells", "is currently a very hot political topic. Such a scene as the above", "any of the hot questions of the daily news. It's, say... maybe a", "1. I give the male protagonist thoughts indicating that he doesn't think the", "my story (something I strongly believe in), but it also throws caution (and", "a duplicate of [this question](https://writers.stackexchange.com/questions/24922/where-can-i-publish-politically-incorrect-writing). That question deals with political writing. This question", "tale, a young girl is frightened by a nightmare. The young male protagonist", "labeled as an anti-this or anti-that political rant. *What is the author to", "things snowball, it could even taint the opinions of the critics, and the", "of this tale, a young girl is frightened by a nightmare. The young", "sure my world is politically correct when it has nothing to do with", "and the whole novel could get labeled as an anti-this or anti-that political", "Note: Not a duplicate of [this question](https://writers.stackexchange.com/questions/24922/where-can-i-publish-politically-incorrect-writing). That question deals with political writing.", "politically correct (or at least politically conscious). Option one deals with the issue,", "cannot remove or rework the scene, I can only see two options: 1.", "is close by, and he comforts her as best he knows how. She", "the characters be politically correct (or at least politically conscious). Option one deals", "helpless or weak, but that he just wants to protect her. An in-story", "dictate how to write my story (something I strongly believe in), but it", "(something I strongly believe in), but it also throws caution (and possibly readers)", "novel, set in a completely different world, revolving around a completely harmless topic.", "topics of today. They aren't designed to do so; they simply do because", "the current politics dictate how to write my story (something I strongly believe", "with the issue, but introduces elements which are not part of the story", "unavoidable. The fact is that women equality is currently a very hot political", "of sorts. 2. I ignore the possible political implications, and continue with the", "essentially make sure my world is politically correct when it has nothing to", "question deals with non-political fiction which happens to run afoul of the current", "options: 1. I give the male protagonist thoughts indicating that he doesn't think", "to the winds. I like neither option. Which one should I choose? Is", "topic. Unfortunately for the author, certain scenes and ideas can't help but touch", "that the scene/idea is a political minefield, and if handled wrong, could upset", "is frightened by a nightmare. The young male protagonist is close by, and", "not the point of the scene. So what should I do? Assuming I", "completely different world, revolving around a completely harmless topic. Unfortunately for the author,", "our society, or any of the hot questions of the daily news. It's,", "correct (or at least politically conscious). Option one deals with the issue, but", "young girl is frightened by a nightmare. The young male protagonist is close", "disclaimer of sorts. 2. I ignore the possible political implications, and continue with", "is very pivotal for the protagonist, and leads him into a lot of", "but it also throws caution (and possibly readers) to the winds. I like", "what should I do? Assuming I cannot remove or rework the scene, I", "Suppose an author is writing a novel. The novel has nothing to do", "This scene is very pivotal for the protagonist, and leads him into a", "not my intention, it is unavoidable. The fact is that women equality is", "is certainly not my intention, it is unavoidable. The fact is that women", "to mean that I view all women as weak, or somehow inferior to", "snowball, it could even taint the opinions of the critics, and the whole", "on a distant moon (not as cliche as it sounds, don't worry). Within", "this as the strong* male protecting the helpless or weak female. While such", "aren't designed to do so; they simply do because of what they are.", "as the above could very easily be taken to mean that I view", "to be told, without having the characters be politically correct (or at least", "current politics dictate how to write my story (something I strongly believe in),", "with humanity enslaved on a distant moon (not as cliche as it sounds,", "possibly alienate a lot of potential readers. If things snowball, it could even", "what they are. The author knows that the scene/idea is a political minefield,", "ignore the possible political implications, and continue with the story as it was", "could even taint the opinions of the critics, and the whole novel could", "is obviously not the point of the scene. So what should I do?", "tells the story the way it is meant to be told. It doesn't", "I cannot remove or rework the scene, I can only see two options:", "the hot questions of the daily news. It's, say... maybe a fantasy or", "as cliche as it sounds, don't worry). Within the early pages of this", "could upset and possibly alienate a lot of potential readers. If things snowball,", "it is unavoidable. The fact is that women equality is currently a very", "knows how. She falls asleep next to him, and he - having grown", "tale features a robot apocalypse, with humanity enslaved on a distant moon (not", "While such is certainly not my intention, it is unavoidable. The fact is", "could get labeled as an anti-this or anti-that political rant. *What is the", "alienate a lot of potential readers. If things snowball, it could even taint", "maybe a fantasy or sci-fi novel, set in a completely different world, revolving", "men. Which is obviously not the point of the scene. So what should", "protagonist, and leads him into a lot of character-defining chapters. Here's the problem:", "they are. The author knows that the scene/idea is a political minefield, and", "also throws caution (and possibly readers) to the winds. I like neither option.", "writing a short sci-fi tale. The tale features a robot apocalypse, with humanity", "as weak, or somehow inferior to men. Which is obviously not the point", "a scene as the above could very easily be taken to mean that", "a novel. The novel has nothing to do with politics, our society, or", "problem: Certain people will doubtless see this as the strong male protecting the", "I ignore the possible political implications, and continue with the story as it", "world is politically correct when it has nothing to do with politics. I", "next to him, and he - having grown up completely isolated - experiences", "political rant. What is the author to do? For example, I am writing", "or characters. I essentially make sure my world is politically correct when it", "one should I choose? Is there a third option? --- Note: Not a", "correct when it has nothing to do with politics. I sacrifice 'immersion' as", "problem and tells the story the way it is meant to be told.", "comforts her as best he knows how. She falls asleep next to him,", "scenes and ideas can't help but touch on the politically hot topics of", "her as best he knows how. She falls asleep next to him, and", "with the story as it was meant to be told, without having the", "for the author, certain scenes and ideas can't help but touch on the", "is a political minefield, and if handled wrong, could upset and possibly alienate", "the early pages of this tale, a young girl is frightened by a", "the sensation of protecting someone. This scene is very pivotal for the protagonist,", "has nothing to do with politics, our society, or any of the hot", "different world, revolving around a completely harmless topic. Unfortunately for the author, certain", "I essentially make sure my world is politically correct when it has nothing", "whole novel could get labeled as an anti-this or anti-that political rant. *What", "so; they simply do because of what they are. The author knows that", "elements which are not part of the story or characters. I essentially make", "which are not part of the story or characters. I essentially make sure", "should I do? Assuming I cannot remove or rework the scene, I can", "minefield, and if handled wrong, could upset and possibly alienate a lot of", "experiences for the first time the sensation of protecting someone. This scene is", "girl is helpless or weak, but that he just wants to protect her.", "helpless* or weak female. While such is certainly not my intention, it is", "fact is that women equality is currently a very hot political topic. Such", "sorts. 2. I ignore the possible political implications, and continue with the story", "he knows how. She falls asleep next to him, and he - having", "2. I ignore the possible political implications, and continue with the story as", "possible political implications, and continue with the story as it was meant to", "is meant to be told. It doesn't let the current politics dictate how", "I choose? Is there a third option? --- Note: Not a duplicate of", "give the male protagonist thoughts indicating that he doesn't think the girl is", "as it was meant to be told, without having the characters be politically", "that I view all women as weak, or somehow inferior to men. Which", "The novel has nothing to do with politics, our society, or any of", "politically hot topics of today. They aren't designed to do so; they simply", "designed to do so; they simply do because of what they are. The", "topic. Such a scene as the above could very easily be taken to", "protecting someone. This scene is very pivotal for the protagonist, and leads him", "characters. I essentially make sure my world is politically correct when it has", "of [this question](https://writers.stackexchange.com/questions/24922/where-can-i-publish-politically-incorrect-writing). That question deals with political writing. This question deals with", "and possibly alienate a lot of potential readers. If things snowball, it could", "(and possibly readers) to the winds. I like neither option. Which one should", "the girl is helpless or weak, but that he just wants to protect", "winds. I like neither option. Which one should I choose? Is there a", "harmless topic. Unfortunately for the author, certain scenes and ideas can't help but", "question](https://writers.stackexchange.com/questions/24922/where-can-i-publish-politically-incorrect-writing). That question deals with political writing. This question deals with non-political fiction", "weak, but that he just wants to protect her. An in-story disclaimer of", "readers. If things snowball, it could even taint the opinions of the critics,", "of the hot questions of the daily news. It's, say... maybe a fantasy", "the author, certain scenes and ideas can't help but touch on the politically", "an anti-this or anti-that political rant. What is the author to do? For", "Is there a third option? --- Note: Not a duplicate of [this question](https://writers.stackexchange.com/questions/24922/where-can-i-publish-politically-incorrect-writing).", "deals with the issue, but introduces elements which are not part of the", "--- Note: Not a duplicate of [this question](https://writers.stackexchange.com/questions/24922/where-can-i-publish-politically-incorrect-writing). That question deals with political", "question deals with political writing. This question deals with non-political fiction which happens", "politics, our society, or any of the hot questions of the daily news.", "Certain people will doubtless see this as the strong* male protecting the helpless", "the first time the sensation of protecting someone. This scene is very pivotal", "be told. It doesn't let the current politics dictate how to write my", "- having grown up completely isolated - experiences for the first time the", "rant. What is the author to do? For example, I am writing a", "implications, and continue with the story as it was meant to be told,", "a completely different world, revolving around a completely harmless topic. Unfortunately for the", "opinions of the critics, and the whole novel could get labeled as an", "sounds, don't worry). Within the early pages of this tale, a young girl", "the winds. I like neither option. Which one should I choose? Is there", "I do? Assuming I cannot remove or rework the scene, I can only", "wants to protect her. An in-story disclaimer of sorts. 2. I ignore the", "the protagonist, and leads him into a lot of character-defining chapters. Here's the", "So what should I do? Assuming I cannot remove or rework the scene,", "the critics, and the whole novel could get labeled as an anti-this or", "up completely isolated - experiences for the first time the sensation of protecting", "features a robot apocalypse, with humanity enslaved on a distant moon (not as", "scene, I can only see two options: 1. I give the male protagonist", "choose? Is there a third option? --- Note: Not a duplicate of [this", "or weak* female. While such is certainly not my intention, it is unavoidable.", "She falls asleep next to him, and he - having grown up completely", "without having the characters be politically correct (or at least politically conscious). Option", "sci-fi tale. The tale features a robot apocalypse, with humanity enslaved on a", "are not part of the story or characters. I essentially make sure my", "young male protagonist is close by, and he comforts her as best he", "of potential readers. If things snowball, it could even taint the opinions of", "in a completely different world, revolving around a completely harmless topic. Unfortunately for", "way it is meant to be told. It doesn't let the current politics", "part of the story or characters. I essentially make sure my world is", "it could even taint the opinions of the critics, and the whole novel", "female. While such is certainly not my intention, it is unavoidable. The fact", "could very easily be taken to mean that I view all women as", "do because of what they are. The author knows that the scene/idea is", "the point of the scene. So what should I do? Assuming I cannot", "protagonist is close by, and he comforts her as best he knows how.", "say... maybe a fantasy or sci-fi novel, set in a completely different world,", "and he - having grown up completely isolated - experiences for the first", "currently a very hot political topic. Such a scene as the above could", "him into a lot of character-defining chapters. Here's the problem: Certain people will", "the daily news. It's, say... maybe a fantasy or sci-fi novel, set in", "close by, and he comforts her as best he knows how. She falls", "today. They aren't designed to do so; they simply do because of what", "I can only see two options: 1. I give the male protagonist thoughts", "should I choose? Is there a third option? --- Note: Not a duplicate", "falls asleep next to him, and he - having grown up completely isolated", "political implications, and continue with the story as it was meant to be", "with politics, our society, or any of the hot questions of the daily", "to protect her. An in-story disclaimer of sorts. 2. I ignore the possible", "touch on the politically hot topics of today. They aren't designed to do", "or anti-that political rant. What is the author to do? For example, I", "male protagonist is close by, and he comforts her as best he knows", "is helpless or weak, but that he just wants to protect her. An", "male protecting the helpless or weak female. While such is certainly not my", "of character-defining chapters. Here's the problem: Certain people will doubtless see this as", "scene as the above could very easily be taken to mean that I", "believe in), but it also throws caution (and possibly readers) to the winds.", "as it sounds, don't worry). Within the early pages of this tale, a", "neither option. Which one should I choose? Is there a third option? ---", "somehow inferior to men. Which is obviously not the point of the scene.", "the story as it was meant to be told, without having the characters", "doesn't let the current politics dictate how to write my story (something I", "news. It's, say... maybe a fantasy or sci-fi novel, set in a completely", "women as weak, or somehow inferior to men. Which is obviously not the", "see this as the strong male protecting the helpless or weak female. While", "he doesn't think the girl is helpless or weak, but that he just", "asleep next to him, and he - having grown up completely isolated -", "is politically correct when it has nothing to do with politics. I sacrifice", "when it has nothing to do with politics. I sacrifice 'immersion' as it", "don't worry). Within the early pages of this tale, a young girl is", "to men. Which is obviously not the point of the scene. So what", "my intention, it is unavoidable. The fact is that women equality is currently", "thoughts indicating that he doesn't think the girl is helpless or weak, but", "for the protagonist, and leads him into a lot of character-defining chapters. Here's", "deals with non-political fiction which happens to run afoul of the current politics", "was meant to be told, without having the characters be politically correct (or", "a lot of potential readers. If things snowball, it could even taint the", "doesn't think the girl is helpless or weak, but that he just wants", "the above could very easily be taken to mean that I view all", "'immersion' as it were for safety in today's market. Option two ignores the", "For example, I am writing a short sci-fi tale. The tale features a", "because of what they are. The author knows that the scene/idea is a", "weak* female. While such is certainly not my intention, it is unavoidable. The", "obviously not the point of the scene. So what should I do? Assuming", "protecting the helpless or weak female. While such is certainly not my intention,", "sacrifice 'immersion' as it were for safety in today's market. Option two ignores", "how to write my story (something I strongly believe in), but it also", "protagonist thoughts indicating that he doesn't think the girl is helpless or weak,", "is unavoidable. The fact is that women equality is currently a very hot", "there a third option? --- Note: Not a duplicate of [this question](https://writers.stackexchange.com/questions/24922/where-can-i-publish-politically-incorrect-writing). That", "but touch on the politically hot topics of today. They aren't designed to", "in-story disclaimer of sorts. 2. I ignore the possible political implications, and continue", "nothing to do with politics, our society, or any of the hot questions", "taint the opinions of the critics, and the whole novel could get labeled", "he just wants to protect her. An in-story disclaimer of sorts. 2. I", "knows that the scene/idea is a political minefield, and if handled wrong, could", "taken to mean that I view all women as weak, or somehow inferior", "the scene, I can only see two options: 1. I give the male", "my world is politically correct when it has nothing to do with politics.", "questions of the daily news. It's, say... maybe a fantasy or sci-fi novel,", "Assuming I cannot remove or rework the scene, I can only see two", "even taint the opinions of the critics, and the whole novel could get", "short sci-fi tale. The tale features a robot apocalypse, with humanity enslaved on", "a young girl is frightened by a nightmare. The young male protagonist is", "very pivotal for the protagonist, and leads him into a lot of character-defining", "it has nothing to do with politics. I sacrifice 'immersion' as it were", "on the politically hot topics of today. They aren't designed to do so;", "a fantasy or sci-fi novel, set in a completely different world, revolving around", "having the characters be politically correct (or at least politically conscious). Option one", "the problem:* Certain people will doubtless see this as the strong male protecting", "deals with political writing. This question deals with non-political fiction which happens to", "handled wrong, could upset and possibly alienate a lot of potential readers. If", "do?** For example, I am writing a short sci-fi tale. The tale features", "It's, say... maybe a fantasy or sci-fi novel, set in a completely different", "with political writing. This question deals with non-political fiction which happens to run", "scene is very pivotal for the protagonist, and leads him into a lot", "Option one deals with the issue, but introduces elements which are not part", "such is certainly not my intention, it is unavoidable. The fact is that", "having grown up completely isolated - experiences for the first time the sensation", "it was meant to be told, without having the characters be politically correct", "not part of the story or characters. I essentially make sure my world", "writing a novel. The novel has nothing to do with politics, our society,", "daily news. It's, say... maybe a fantasy or sci-fi novel, set in a", "help but touch on the politically hot topics of today. They aren't designed", "I view all women as weak, or somehow inferior to men. Which is", "will doubtless see this as the strong male protecting the helpless or weak", "author is writing a novel. The novel has nothing to do with politics,", "frightened by a nightmare. The young male protagonist is close by, and he", "can't help but touch on the politically hot topics of today. They aren't", "I give the male protagonist thoughts indicating that he doesn't think the girl", "a very hot political topic. Such a scene as the above could very", "but that he just wants to protect her. An in-story disclaimer of sorts.", "upset and possibly alienate a lot of potential readers. If things snowball, it", "completely isolated - experiences for the first time the sensation of protecting someone.", "of today. They aren't designed to do so; they simply do because of", "like neither option. Which one should I choose? Is there a third option?", "if handled wrong, could upset and possibly alienate a lot of potential readers.", "(or at least politically conscious). Option one deals with the issue, but introduces", "an author is writing a novel. The novel has nothing to do with", "simply do because of what they are. The author knows that the scene/idea", "completely harmless topic. Unfortunately for the author, certain scenes and ideas can't help", "a political minefield, and if handled wrong, could upset and possibly alienate a", "novel could get labeled as an anti-this or anti-that political rant. *What is", "as best he knows how. She falls asleep next to him, and he", "Here's the problem:* Certain people will doubtless see this as the strong male", "introduces elements which are not part of the story or characters. I essentially", "continue with the story as it was meant to be told, without having", "The author knows that the scene/idea is a political minefield, and if handled", "apocalypse, with humanity enslaved on a distant moon (not as cliche as it", "or rework the scene, I can only see two options: 1. I give", "best he knows how. She falls asleep next to him, and he -", "option? --- Note: Not a duplicate of [this question](https://writers.stackexchange.com/questions/24922/where-can-i-publish-politically-incorrect-writing). That question deals with", "Option two ignores the problem and tells the story the way it is", "only see two options: 1. I give the male protagonist thoughts indicating that", "do with politics, our society, or any of the hot questions of the", "story or characters. I essentially make sure my world is politically correct when", "to do with politics. I sacrifice 'immersion' as it were for safety in", "the strong male protecting the helpless or weak female. While such is certainly", "cliche as it sounds, don't worry). Within the early pages of this tale,", "do so; they simply do because of what they are. The author knows", "is that women equality is currently a very hot political topic. Such a", "view all women as weak, or somehow inferior to men. Which is obviously", "politics dictate how to write my story (something I strongly believe in), but", "Which is obviously not the point of the scene. So what should I", "see two options: 1. I give the male protagonist thoughts indicating that he", "the helpless or weak female. While such is certainly not my intention, it", "The fact is that women equality is currently a very hot political topic.", "I like neither option. Which one should I choose? Is there a third", "hot political topic. Such a scene as the above could very easily be", "he - having grown up completely isolated - experiences for the first time", "him, and he - having grown up completely isolated - experiences for the", "people will doubtless see this as the strong male protecting the helpless or", "If things snowball, it could even taint the opinions of the critics, and", "a robot apocalypse, with humanity enslaved on a distant moon (not as cliche", "politically correct when it has nothing to do with politics. I sacrifice 'immersion'", "or somehow inferior to men. Which is obviously not the point of the", "The tale features a robot apocalypse, with humanity enslaved on a distant moon", "am writing a short sci-fi tale. The tale features a robot apocalypse, with", "someone. This scene is very pivotal for the protagonist, and leads him into", "or weak, but that he just wants to protect her. An in-story disclaimer", "to him, and he - having grown up completely isolated - experiences for", "scene/idea is a political minefield, and if handled wrong, could upset and possibly", "male protagonist thoughts indicating that he doesn't think the girl is helpless or", "of the story or characters. I essentially make sure my world is politically", "make sure my world is politically correct when it has nothing to do", "the story or characters. I essentially make sure my world is politically correct", "the story the way it is meant to be told. It doesn't let", "all women as weak, or somehow inferior to men. Which is obviously not", "potential readers. If things snowball, it could even taint the opinions of the", "option. Which one should I choose? Is there a third option? --- Note:", "sci-fi novel, set in a completely different world, revolving around a completely harmless", "scene. So what should I do? Assuming I cannot remove or rework the", "think the girl is helpless or weak, but that he just wants to", "two ignores the problem and tells the story the way it is meant", "be taken to mean that I view all women as weak, or somehow", "inferior to men. Which is obviously not the point of the scene. So", "first time the sensation of protecting someone. This scene is very pivotal for", "and he comforts her as best he knows how. She falls asleep next", "or sci-fi novel, set in a completely different world, revolving around a completely", "It doesn't let the current politics dictate how to write my story (something", "novel has nothing to do with politics, our society, or any of the", "a third option? --- Note: Not a duplicate of [this question](https://writers.stackexchange.com/questions/24922/where-can-i-publish-politically-incorrect-writing). That question", "certainly not my intention, it is unavoidable. The fact is that women equality", "to do so; they simply do because of what they are. The author", "for safety in today's market. Option two ignores the problem and tells the", "early pages of this tale, a young girl is frightened by a nightmare.", "a distant moon (not as cliche as it sounds, don't worry). Within the", "moon (not as cliche as it sounds, don't worry). Within the early pages", "doubtless see this as the strong male protecting the helpless or weak female.", "very hot political topic. Such a scene as the above could very easily", "intention, it is unavoidable. The fact is that women equality is currently a", "in), but it also throws caution (and possibly readers) to the winds. I", "that he doesn't think the girl is helpless or weak, but that he", "enslaved on a distant moon (not as cliche as it sounds, don't worry).", "market. Option two ignores the problem and tells the story the way it", "character-defining chapters. Here's the problem: Certain people will doubtless see this as the", "the scene. So what should I do? Assuming I cannot remove or rework", "it also throws caution (and possibly readers) to the winds. I like neither", "duplicate of [this question](https://writers.stackexchange.com/questions/24922/where-can-i-publish-politically-incorrect-writing). That question deals with political writing. This question deals", "hot questions of the daily news. It's, say... maybe a fantasy or sci-fi", "to be told. It doesn't let the current politics dictate how to write", "of what they are. The author knows that the scene/idea is a political", "isolated - experiences for the first time the sensation of protecting someone. This", "two options: 1. I give the male protagonist thoughts indicating that he doesn't", "nightmare. The young male protagonist is close by, and he comforts her as", "pivotal for the protagonist, and leads him into a lot of character-defining chapters.", "let the current politics dictate how to write my story (something I strongly", "do? Assuming I cannot remove or rework the scene, I can only see", "it were for safety in today's market. Option two ignores the problem and", "I am writing a short sci-fi tale. The tale features a robot apocalypse,", "hot topics of today. They aren't designed to do so; they simply do", "do with politics. I sacrifice 'immersion' as it were for safety in today's", "Unfortunately for the author, certain scenes and ideas can't help but touch on", "Not a duplicate of [this question](https://writers.stackexchange.com/questions/24922/where-can-i-publish-politically-incorrect-writing). That question deals with political writing. This", "distant moon (not as cliche as it sounds, don't worry). Within the early", "as it were for safety in today's market. Option two ignores the problem", "safety in today's market. Option two ignores the problem and tells the story", "An in-story disclaimer of sorts. 2. I ignore the possible political implications, and", "the possible political implications, and continue with the story as it was meant" ]
[ "long before he begins to trust people, or allow them to love him,", "was forced to do it. (Literally. Mind control.) He was rescued, in a", "his breaking point, how would he react to a death joke, how long", "has survived through a massively traumatic event which, for him, lasted about ten", "I don't know how to incorporate this into his life. What would be", "before he begins to trust people, or allow them to love him, what", "I have created a character who has survived through a massively traumatic event", "to incorporate this into his life. What would be his breaking point, how", "to a death joke, how long before he begins to trust people, or", "a way, but guilt plagues him daily. The problem for me is that", "to love him, what would his thoughts be when he remembers, etc, etc.", "be when he remembers, etc, etc. How would his continuous guilt affect him", "created a character who has survived through a massively traumatic event which, for", "react to a death joke, how long before he begins to trust people,", "to do it. (Literally. Mind control.) He was rescued, in a way, but", "a death joke, how long before he begins to trust people, or allow", "he remembers, etc, etc. How would his continuous guilt affect him and his", "hand in this event, though he was forced to do it. (Literally. Mind", "would he react to a death joke, how long before he begins to", "do it. (Literally. Mind control.) He was rescued, in a way, but guilt", "plagues him daily. The problem for me is that I don't know how", "which, for him, lasted about ten years. He had a major hand in", "this into his life. What would be his breaking point, how would he", "forced to do it. (Literally. Mind control.) He was rescued, in a way,", "would his thoughts be when he remembers, etc, etc. How would his continuous", "rescued, in a way, but guilt plagues him daily. The problem for me", "thoughts be when he remembers, etc, etc. How would his continuous guilt affect", "allow them to love him, what would his thoughts be when he remembers,", "be his breaking point, how would he react to a death joke, how", "his life. What would be his breaking point, how would he react to", "a massively traumatic event which, for him, lasted about ten years. He had", "him, lasted about ten years. He had a major hand in this event,", "The problem for me is that I don't know how to incorporate this", "He had a major hand in this event, though he was forced to", "way, but guilt plagues him daily. The problem for me is that I", "What would be his breaking point, how would he react to a death", "(Literally. Mind control.) He was rescued, in a way, but guilt plagues him", "them to love him, what would his thoughts be when he remembers, etc,", "how to incorporate this into his life. What would be his breaking point,", "guilt plagues him daily. The problem for me is that I don't know", "had a major hand in this event, though he was forced to do", "ten years. He had a major hand in this event, though he was", "traumatic event which, for him, lasted about ten years. He had a major", "a character who has survived through a massively traumatic event which, for him,", "is that I don't know how to incorporate this into his life. What", "in this event, though he was forced to do it. (Literally. Mind control.)", "begins to trust people, or allow them to love him, what would his", "death joke, how long before he begins to trust people, or allow them", "a major hand in this event, though he was forced to do it.", "about ten years. He had a major hand in this event, though he", "it. (Literally. Mind control.) He was rescued, in a way, but guilt plagues", "his thoughts be when he remembers, etc, etc. How would his continuous guilt", "who has survived through a massively traumatic event which, for him, lasted about", "point, how would he react to a death joke, how long before he", "that I don't know how to incorporate this into his life. What would", "don't know how to incorporate this into his life. What would be his", "he react to a death joke, how long before he begins to trust", "this event, though he was forced to do it. (Literally. Mind control.) He", "problem for me is that I don't know how to incorporate this into", "Mind control.) He was rescued, in a way, but guilt plagues him daily.", "massively traumatic event which, for him, lasted about ten years. He had a", "major hand in this event, though he was forced to do it. (Literally.", "to trust people, or allow them to love him, what would his thoughts", "trust people, or allow them to love him, what would his thoughts be", "what would his thoughts be when he remembers, etc, etc. How would his", "breaking point, how would he react to a death joke, how long before", "how would he react to a death joke, how long before he begins", "he begins to trust people, or allow them to love him, what would", "incorporate this into his life. What would be his breaking point, how would", "would be his breaking point, how would he react to a death joke,", "know how to incorporate this into his life. What would be his breaking", "lasted about ten years. He had a major hand in this event, though", "have created a character who has survived through a massively traumatic event which,", "when he remembers, etc, etc. How would his continuous guilt affect him and", "though he was forced to do it. (Literally. Mind control.) He was rescued,", "joke, how long before he begins to trust people, or allow them to", "love him, what would his thoughts be when he remembers, etc, etc. How", "years. He had a major hand in this event, though he was forced", "but guilt plagues him daily. The problem for me is that I don't", "event which, for him, lasted about ten years. He had a major hand", "me is that I don't know how to incorporate this into his life.", "event, though he was forced to do it. (Literally. Mind control.) He was", "control.) He was rescued, in a way, but guilt plagues him daily. The", "remembers, etc, etc. How would his continuous guilt affect him and his sanity?", "into his life. What would be his breaking point, how would he react", "through a massively traumatic event which, for him, lasted about ten years. He", "him daily. The problem for me is that I don't know how to", "or allow them to love him, what would his thoughts be when he", "people, or allow them to love him, what would his thoughts be when", "how long before he begins to trust people, or allow them to love", "survived through a massively traumatic event which, for him, lasted about ten years.", "him, what would his thoughts be when he remembers, etc, etc. How would", "He was rescued, in a way, but guilt plagues him daily. The problem", "in a way, but guilt plagues him daily. The problem for me is", "was rescued, in a way, but guilt plagues him daily. The problem for", "life. What would be his breaking point, how would he react to a", "character who has survived through a massively traumatic event which, for him, lasted", "for him, lasted about ten years. He had a major hand in this", "daily. The problem for me is that I don't know how to incorporate", "for me is that I don't know how to incorporate this into his", "he was forced to do it. (Literally. Mind control.) He was rescued, in" ]
[ "start writing a fantasy reincarnation novel and I want a good beginning but", "is changing - killed by a collapsing building 4. Trying to save someone", "friend (battlefield) 3. Apocalypse is coming and the terrain is changing - killed", "someone from being mugged but accidentally slipped and got his throat slit by", "By now I have: 1. Being killed by a friend (doesn't matter the", "want to start writing a fantasy reincarnation novel and I want a good", "a friend (battlefield) 3. Apocalypse is coming and the terrain is changing -", "accidentally slipped and got his throat slit by the knife of the attacker", "is coming and the terrain is changing - killed by a collapsing building", "can't decide. By now I have: 1. Being killed by a friend (doesn't", "Apocalypse is coming and the terrain is changing - killed by a collapsing", "friend (doesn't matter the location) 2. Being killed by a friend (battlefield) 3.", "his throat slit by the knife of the attacker If there any other", "- killed by a collapsing building 4. Trying to save someone from being", "collapsing building 4. Trying to save someone from being mugged but accidentally slipped", "reincarnation novel and I want a good beginning but I can't decide. By", "decide. By now I have: 1. Being killed by a friend (doesn't matter", "by a collapsing building 4. Trying to save someone from being mugged but", "throat slit by the knife of the attacker If there any other suggestion", "the terrain is changing - killed by a collapsing building 4. Trying to", "a fantasy reincarnation novel and I want a good beginning but I can't", "now I have: 1. Being killed by a friend (doesn't matter the location)", "matter the location) 2. Being killed by a friend (battlefield) 3. Apocalypse is", "slit by the knife of the attacker If there any other suggestion I", "a collapsing building 4. Trying to save someone from being mugged but accidentally", "and got his throat slit by the knife of the attacker If there", "I can't decide. By now I have: 1. Being killed by a friend", "a friend (doesn't matter the location) 2. Being killed by a friend (battlefield)", "2. Being killed by a friend (battlefield) 3. Apocalypse is coming and the", "being mugged but accidentally slipped and got his throat slit by the knife", "I want to start writing a fantasy reincarnation novel and I want a", "(battlefield) 3. Apocalypse is coming and the terrain is changing - killed by", "to start writing a fantasy reincarnation novel and I want a good beginning", "mugged but accidentally slipped and got his throat slit by the knife of", "by a friend (battlefield) 3. Apocalypse is coming and the terrain is changing", "terrain is changing - killed by a collapsing building 4. Trying to save", "killed by a collapsing building 4. Trying to save someone from being mugged", "Trying to save someone from being mugged but accidentally slipped and got his", "and I want a good beginning but I can't decide. By now I", "location) 2. Being killed by a friend (battlefield) 3. Apocalypse is coming and", "to save someone from being mugged but accidentally slipped and got his throat", "I have: 1. Being killed by a friend (doesn't matter the location) 2.", "killed by a friend (doesn't matter the location) 2. Being killed by a", "Being killed by a friend (battlefield) 3. Apocalypse is coming and the terrain", "but I can't decide. By now I have: 1. Being killed by a", "good beginning but I can't decide. By now I have: 1. Being killed", "I want a good beginning but I can't decide. By now I have:", "save someone from being mugged but accidentally slipped and got his throat slit", "and the terrain is changing - killed by a collapsing building 4. Trying", "slipped and got his throat slit by the knife of the attacker If", "by the knife of the attacker If there any other suggestion I welcome", "the knife of the attacker If there any other suggestion I welcome them.", "coming and the terrain is changing - killed by a collapsing building 4.", "got his throat slit by the knife of the attacker If there any", "want a good beginning but I can't decide. By now I have: 1.", "a good beginning but I can't decide. By now I have: 1. Being", "1. Being killed by a friend (doesn't matter the location) 2. Being killed", "have: 1. Being killed by a friend (doesn't matter the location) 2. Being", "Being killed by a friend (doesn't matter the location) 2. Being killed by", "fantasy reincarnation novel and I want a good beginning but I can't decide.", "beginning but I can't decide. By now I have: 1. Being killed by", "novel and I want a good beginning but I can't decide. By now", "killed by a friend (battlefield) 3. Apocalypse is coming and the terrain is", "3. Apocalypse is coming and the terrain is changing - killed by a", "writing a fantasy reincarnation novel and I want a good beginning but I", "(doesn't matter the location) 2. Being killed by a friend (battlefield) 3. Apocalypse", "4. Trying to save someone from being mugged but accidentally slipped and got", "from being mugged but accidentally slipped and got his throat slit by the", "building 4. Trying to save someone from being mugged but accidentally slipped and", "changing - killed by a collapsing building 4. Trying to save someone from", "by a friend (doesn't matter the location) 2. Being killed by a friend", "the location) 2. Being killed by a friend (battlefield) 3. Apocalypse is coming", "but accidentally slipped and got his throat slit by the knife of the" ]
[ "writers who actually read foreign translations of their works and comment on them.", "they feel uncomfortable about other people \"messing\" with their creations? Any common mistakes", "for examples of bilingual (or trilingual, etc) writers who actually read foreign translations", "to know how they feel. Are they generally satisfied with these translations? Do", "bilingual (or trilingual, etc) writers who actually read foreign translations of their works", "etc) writers who actually read foreign translations of their works and comment on", "comment on them. I'm curious to know how they feel. Are they generally", "and comment on them. I'm curious to know how they feel. Are they", "curious to know how they feel. Are they generally satisfied with these translations?", "Do they feel uncomfortable about other people \"messing\" with their creations? Any common", "their works and comment on them. I'm curious to know how they feel.", "feel uncomfortable about other people \"messing\" with their creations? Any common mistakes that", "creations? Any common mistakes that they point out? I want to know their", "of their works and comment on them. I'm curious to know how they", "Are they generally satisfied with these translations? Do they feel uncomfortable about other", "them. I'm curious to know how they feel. Are they generally satisfied with", "with their creations? Any common mistakes that they point out? I want to", "who actually read foreign translations of their works and comment on them. I'm", "\"messing\" with their creations? Any common mistakes that they point out? I want", "that they point out? I want to know their side of the story.", "I'm curious to know how they feel. Are they generally satisfied with these", "they generally satisfied with these translations? Do they feel uncomfortable about other people", "works and comment on them. I'm curious to know how they feel. Are", "read foreign translations of their works and comment on them. I'm curious to", "actually read foreign translations of their works and comment on them. I'm curious", "uncomfortable about other people \"messing\" with their creations? Any common mistakes that they", "Any common mistakes that they point out? I want to know their side", "how they feel. Are they generally satisfied with these translations? Do they feel", "about other people \"messing\" with their creations? Any common mistakes that they point", "other people \"messing\" with their creations? Any common mistakes that they point out?", "examples of bilingual (or trilingual, etc) writers who actually read foreign translations of", "of bilingual (or trilingual, etc) writers who actually read foreign translations of their", "mistakes that they point out? I want to know their side of the", "I'm looking for examples of bilingual (or trilingual, etc) writers who actually read", "these translations? Do they feel uncomfortable about other people \"messing\" with their creations?", "generally satisfied with these translations? Do they feel uncomfortable about other people \"messing\"", "common mistakes that they point out? I want to know their side of", "on them. I'm curious to know how they feel. Are they generally satisfied", "translations of their works and comment on them. I'm curious to know how", "feel. Are they generally satisfied with these translations? Do they feel uncomfortable about", "(or trilingual, etc) writers who actually read foreign translations of their works and", "translations? Do they feel uncomfortable about other people \"messing\" with their creations? Any", "looking for examples of bilingual (or trilingual, etc) writers who actually read foreign", "people \"messing\" with their creations? Any common mistakes that they point out? I", "satisfied with these translations? Do they feel uncomfortable about other people \"messing\" with", "trilingual, etc) writers who actually read foreign translations of their works and comment", "know how they feel. Are they generally satisfied with these translations? Do they", "their creations? Any common mistakes that they point out? I want to know", "foreign translations of their works and comment on them. I'm curious to know", "they feel. Are they generally satisfied with these translations? Do they feel uncomfortable", "with these translations? Do they feel uncomfortable about other people \"messing\" with their" ]
[ "I'd quit my job as a tutor. However, I wrote articles for my", "who was working as a Social Media Manager and Content Creator. Now that", "these articles in my portfolio as it bears my sister's name. How do", "I wrote articles for my sister, who was working as a Social Media", "to show these articles in my portfolio as it bears my sister's name.", "applying for jobs, I don't know how to show these articles in my", "a Social Media Manager and Content Creator. Now that I want to start", "my portfolio as it bears my sister's name. How do I go about", "for my sister, who was working as a Social Media Manager and Content", "wrote articles for my sister, who was working as a Social Media Manager", "my pregnancy, I'd quit my job as a tutor. However, I wrote articles", "I don't know how to show these articles in my portfolio as it", "was working as a Social Media Manager and Content Creator. Now that I", "and Content Creator. Now that I want to start applying for jobs, I", "as a tutor. However, I wrote articles for my sister, who was working", "for jobs, I don't know how to show these articles in my portfolio", "working as a Social Media Manager and Content Creator. Now that I want", "However, I wrote articles for my sister, who was working as a Social", "my sister, who was working as a Social Media Manager and Content Creator.", "that I want to start applying for jobs, I don't know how to", "how to show these articles in my portfolio as it bears my sister's", "show these articles in my portfolio as it bears my sister's name. How", "pregnancy, I'd quit my job as a tutor. However, I wrote articles for", "Social Media Manager and Content Creator. Now that I want to start applying", "articles for my sister, who was working as a Social Media Manager and", "job as a tutor. However, I wrote articles for my sister, who was", "I want to start applying for jobs, I don't know how to show", "want to start applying for jobs, I don't know how to show these", "Content Creator. Now that I want to start applying for jobs, I don't", "don't know how to show these articles in my portfolio as it bears", "During my pregnancy, I'd quit my job as a tutor. However, I wrote", "my job as a tutor. However, I wrote articles for my sister, who", "tutor. However, I wrote articles for my sister, who was working as a", "a tutor. However, I wrote articles for my sister, who was working as", "jobs, I don't know how to show these articles in my portfolio as", "Now that I want to start applying for jobs, I don't know how", "know how to show these articles in my portfolio as it bears my", "quit my job as a tutor. However, I wrote articles for my sister,", "Media Manager and Content Creator. Now that I want to start applying for", "Creator. Now that I want to start applying for jobs, I don't know", "to start applying for jobs, I don't know how to show these articles", "start applying for jobs, I don't know how to show these articles in", "as a Social Media Manager and Content Creator. Now that I want to", "Manager and Content Creator. Now that I want to start applying for jobs,", "articles in my portfolio as it bears my sister's name. How do I", "portfolio as it bears my sister's name. How do I go about it?", "sister, who was working as a Social Media Manager and Content Creator. Now", "in my portfolio as it bears my sister's name. How do I go" ]
[ "least until technology of geostationary orbit is applied to all latitude and longitude", "some resources is higher than on Earth. There are some differences between this", "that the 2 nations are on different planets. Another major difference is that", "furthest but all obey that whatever distance is traveled, it is done so", "fishing, exploration, and knowing where they are in a given day(at least until", "the surface for things like water, fishing, exploration, and knowing where they are", "planets. Another major difference is that the cities are underground. But the humanoids", "the fact that the 2 nations are on different planets. Another major difference", "traveled, it is done so in 24 hours)). So should I write about", "2 nations are on different planets. Another major difference is that the cities", "at the poles would stay there while current technology of geostationary orbit travels", "surface for things like water, fishing, exploration, and knowing where they are in", "earth-like and the quantity of some resources is higher than on Earth. There", "planet is earth-like and the quantity of some resources is higher than on", "writing about a nation with states on another planet. The planet is earth-like", "this lingering thought? I have been thinking about it for a year now.", "between this and the USA, namely, no war and the fact that the", "nations are on different planets. Another major difference is that the cities are", "while current technology of geostationary orbit travels the furthest but all obey that", "But the humanoids do regularly go up to the surface for things like", "day(at least until technology of geostationary orbit is applied to all latitude and", "difference is that the cities are underground. But the humanoids do regularly go", "on different planets. Another major difference is that the cities are underground. But", "on another planet. The planet is earth-like and the quantity of some resources", "travels the furthest but all obey that whatever distance is traveled, it is", "should I write about this lingering thought? I have been thinking about it", "this and the USA, namely, no war and the fact that the 2", "technology of geostationary orbit travels the furthest but all obey that whatever distance", "different planets. Another major difference is that the cities are underground. But the", "the cities are underground. But the humanoids do regularly go up to the", "would stay there while current technology of geostationary orbit travels the furthest but", "cities are underground. But the humanoids do regularly go up to the surface", "of writing about a nation with states on another planet. The planet is", "geostationary orbit is applied to all latitude and longitude ranges(so satellites at the", "latitude and longitude ranges(so satellites at the poles would stay there while current", "the humanoids do regularly go up to the surface for things like water,", "of some resources is higher than on Earth. There are some differences between", "and the quantity of some resources is higher than on Earth. There are", "things like water, fishing, exploration, and knowing where they are in a given", "some differences between this and the USA, namely, no war and the fact", "and longitude ranges(so satellites at the poles would stay there while current technology", "technology of geostationary orbit is applied to all latitude and longitude ranges(so satellites", "but all obey that whatever distance is traveled, it is done so in", "humanoids do regularly go up to the surface for things like water, fishing,", "of geostationary orbit travels the furthest but all obey that whatever distance is", "no war and the fact that the 2 nations are on different planets.", "the 2 nations are on different planets. Another major difference is that the", "exploration, and knowing where they are in a given day(at least until technology", "satellites at the poles would stay there while current technology of geostationary orbit", "The planet is earth-like and the quantity of some resources is higher than", "knowing where they are in a given day(at least until technology of geostationary", "it is done so in 24 hours)). So should I write about this", "stay there while current technology of geostationary orbit travels the furthest but all", "states on another planet. The planet is earth-like and the quantity of some", "about this lingering thought? I have been thinking about it for a year", "is earth-like and the quantity of some resources is higher than on Earth.", "the quantity of some resources is higher than on Earth. There are some", "higher than on Earth. There are some differences between this and the USA,", "are some differences between this and the USA, namely, no war and the", "differences between this and the USA, namely, no war and the fact that", "war and the fact that the 2 nations are on different planets. Another", "major difference is that the cities are underground. But the humanoids do regularly", "with states on another planet. The planet is earth-like and the quantity of", "given day(at least until technology of geostationary orbit is applied to all latitude", "so in 24 hours)). So should I write about this lingering thought? I", "all obey that whatever distance is traveled, it is done so in 24", "geostationary orbit travels the furthest but all obey that whatever distance is traveled,", "where they are in a given day(at least until technology of geostationary orbit", "that whatever distance is traveled, it is done so in 24 hours)). So", "ranges(so satellites at the poles would stay there while current technology of geostationary", "another planet. The planet is earth-like and the quantity of some resources is", "quantity of some resources is higher than on Earth. There are some differences", "whatever distance is traveled, it is done so in 24 hours)). So should", "do regularly go up to the surface for things like water, fishing, exploration,", "there while current technology of geostationary orbit travels the furthest but all obey", "to the surface for things like water, fishing, exploration, and knowing where they", "resources is higher than on Earth. There are some differences between this and", "is traveled, it is done so in 24 hours)). So should I write", "planet. The planet is earth-like and the quantity of some resources is higher", "they are in a given day(at least until technology of geostationary orbit is", "is higher than on Earth. There are some differences between this and the", "until technology of geostationary orbit is applied to all latitude and longitude ranges(so", "USA, namely, no war and the fact that the 2 nations are on", "is done so in 24 hours)). So should I write about this lingering", "poles would stay there while current technology of geostationary orbit travels the furthest", "up to the surface for things like water, fishing, exploration, and knowing where", "current technology of geostationary orbit travels the furthest but all obey that whatever", "for things like water, fishing, exploration, and knowing where they are in a", "had the thought of writing about a nation with states on another planet.", "24 hours)). So should I write about this lingering thought? I have been", "in 24 hours)). So should I write about this lingering thought? I have", "water, fishing, exploration, and knowing where they are in a given day(at least", "a given day(at least until technology of geostationary orbit is applied to all", "the USA, namely, no war and the fact that the 2 nations are", "are on different planets. Another major difference is that the cities are underground.", "namely, no war and the fact that the 2 nations are on different", "like water, fishing, exploration, and knowing where they are in a given day(at", "hours)). So should I write about this lingering thought? I have been thinking", "applied to all latitude and longitude ranges(so satellites at the poles would stay", "are underground. But the humanoids do regularly go up to the surface for", "the thought of writing about a nation with states on another planet. The", "orbit is applied to all latitude and longitude ranges(so satellites at the poles", "distance is traveled, it is done so in 24 hours)). So should I", "on Earth. There are some differences between this and the USA, namely, no", "Earth. There are some differences between this and the USA, namely, no war", "have had the thought of writing about a nation with states on another", "I write about this lingering thought? I have been thinking about it for", "nation with states on another planet. The planet is earth-like and the quantity", "go up to the surface for things like water, fishing, exploration, and knowing", "a nation with states on another planet. The planet is earth-like and the", "than on Earth. There are some differences between this and the USA, namely,", "are in a given day(at least until technology of geostationary orbit is applied", "done so in 24 hours)). So should I write about this lingering thought?", "underground. But the humanoids do regularly go up to the surface for things", "and knowing where they are in a given day(at least until technology of", "obey that whatever distance is traveled, it is done so in 24 hours)).", "that the cities are underground. But the humanoids do regularly go up to", "and the USA, namely, no war and the fact that the 2 nations", "Another major difference is that the cities are underground. But the humanoids do", "the poles would stay there while current technology of geostationary orbit travels the", "to all latitude and longitude ranges(so satellites at the poles would stay there", "orbit travels the furthest but all obey that whatever distance is traveled, it", "There are some differences between this and the USA, namely, no war and", "and the fact that the 2 nations are on different planets. Another major", "in a given day(at least until technology of geostationary orbit is applied to", "the furthest but all obey that whatever distance is traveled, it is done", "about a nation with states on another planet. The planet is earth-like and", "thought of writing about a nation with states on another planet. The planet", "So should I write about this lingering thought? I have been thinking about", "is applied to all latitude and longitude ranges(so satellites at the poles would", "all latitude and longitude ranges(so satellites at the poles would stay there while", "regularly go up to the surface for things like water, fishing, exploration, and", "longitude ranges(so satellites at the poles would stay there while current technology of", "write about this lingering thought? I have been thinking about it for a", "I have had the thought of writing about a nation with states on", "fact that the 2 nations are on different planets. Another major difference is", "is that the cities are underground. But the humanoids do regularly go up", "of geostationary orbit is applied to all latitude and longitude ranges(so satellites at" ]
[ "princessy princess, but she is serious, strong and often cold. If she can", "If she can join the army out of her own will or by", "Will she refuse to wear dresses? Challenge her suitors into a fight? And", "could be the possible reasons? It's in German medieval setting. But I'm open", "joining the army. This daughter is not the usual princessy princess, but she", "daughter joining the army. This daughter is not the usual princessy princess, but", "she will join the army, what could be the possible reasons? It's in", "by her father's orders, what would be the outcome? Will she refuse to", "strong and often cold. If she can join the army out of her", "the army out of her own will or by her father's orders, what", "will or by her father's orders, what would be the outcome? Will she", "with the idea of a king's daughter joining the army. This daughter is", "is rather unusual, but I am toying with the idea of a king's", "her father's orders, what would be the outcome? Will she refuse to wear", "what would be the outcome? Will she refuse to wear dresses? Challenge her", "be the possible reasons? It's in German medieval setting. But I'm open to", "the outcome? Will she refuse to wear dresses? Challenge her suitors into a", "her own will or by her father's orders, what would be the outcome?", "It's in German medieval setting. But I'm open to other ideas from other", "rather unusual, but I am toying with the idea of a king's daughter", "be the outcome? Will she refuse to wear dresses? Challenge her suitors into", "own will or by her father's orders, what would be the outcome? Will", "the idea of a king's daughter joining the army. This daughter is not", "into a fight? And if she will join the army, what could be", "or by her father's orders, what would be the outcome? Will she refuse", "the army. This daughter is not the usual princessy princess, but she is", "outcome? Will she refuse to wear dresses? Challenge her suitors into a fight?", "army, what could be the possible reasons? It's in German medieval setting. But", "refuse to wear dresses? Challenge her suitors into a fight? And if she", "idea of a king's daughter joining the army. This daughter is not the", "toying with the idea of a king's daughter joining the army. This daughter", "princess, but she is serious, strong and often cold. If she can join", "what could be the possible reasons? It's in German medieval setting. But I'm", "the army, what could be the possible reasons? It's in German medieval setting.", "am toying with the idea of a king's daughter joining the army. This", "This daughter is not the usual princessy princess, but she is serious, strong", "know it is rather unusual, but I am toying with the idea of", "join the army out of her own will or by her father's orders,", "and often cold. If she can join the army out of her own", "if she will join the army, what could be the possible reasons? It's", "daughter is not the usual princessy princess, but she is serious, strong and", "a king's daughter joining the army. This daughter is not the usual princessy", "Challenge her suitors into a fight? And if she will join the army,", "the possible reasons? It's in German medieval setting. But I'm open to other", "a fight? And if she will join the army, what could be the", "I know it is rather unusual, but I am toying with the idea", "dresses? Challenge her suitors into a fight? And if she will join the", "of her own will or by her father's orders, what would be the", "army. This daughter is not the usual princessy princess, but she is serious,", "reasons? It's in German medieval setting. But I'm open to other ideas from", "to wear dresses? Challenge her suitors into a fight? And if she will", "can join the army out of her own will or by her father's", "king's daughter joining the army. This daughter is not the usual princessy princess,", "not the usual princessy princess, but she is serious, strong and often cold.", "orders, what would be the outcome? Will she refuse to wear dresses? Challenge", "cold. If she can join the army out of her own will or", "she refuse to wear dresses? Challenge her suitors into a fight? And if", "suitors into a fight? And if she will join the army, what could", "serious, strong and often cold. If she can join the army out of", "is not the usual princessy princess, but she is serious, strong and often", "usual princessy princess, but she is serious, strong and often cold. If she", "often cold. If she can join the army out of her own will", "would be the outcome? Will she refuse to wear dresses? Challenge her suitors", "of a king's daughter joining the army. This daughter is not the usual", "out of her own will or by her father's orders, what would be", "but she is serious, strong and often cold. If she can join the", "unusual, but I am toying with the idea of a king's daughter joining", "fight? And if she will join the army, what could be the possible", "And if she will join the army, what could be the possible reasons?", "join the army, what could be the possible reasons? It's in German medieval", "the usual princessy princess, but she is serious, strong and often cold. If", "she is serious, strong and often cold. If she can join the army", "father's orders, what would be the outcome? Will she refuse to wear dresses?", "army out of her own will or by her father's orders, what would", "wear dresses? Challenge her suitors into a fight? And if she will join", "I am toying with the idea of a king's daughter joining the army.", "she can join the army out of her own will or by her", "her suitors into a fight? And if she will join the army, what", "will join the army, what could be the possible reasons? It's in German", "in German medieval setting. But I'm open to other ideas from other countries.", "it is rather unusual, but I am toying with the idea of a", "but I am toying with the idea of a king's daughter joining the", "possible reasons? It's in German medieval setting. But I'm open to other ideas", "is serious, strong and often cold. If she can join the army out" ]
[ "the correct way of doing it, or would this be better? > >", "> > Insert reason why. > > > Insert reason why not. >", "decisions, and I'm not sure what the correct way is. Do I write", "> > Should I not? > > > Insert reason why. > >", "a scene where my character is thinking back and forth between decisions, and", "> Should I? > > > Should I not? > > > Insert", "and I'm not sure what the correct way is. Do I write all", "forth between decisions, and I'm not sure what the correct way is. Do", "his thoughts in italics, or just every other to make it easier to", "not? > > > Insert reason why. > > > Insert reason why", "thoughts in italics, or just every other to make it easier to decipher", "be better? > > Should I?* > > > Should I not? >", "Do I write all of his thoughts in italics, or just every other", "Should I? > > > Should I not? > > > Insert reason", "why. > > > Insert reason why not.* > > > Would this", "> Insert reason why. > > > Insert reason why not. > >", "back and forth between decisions, and I'm not sure what the correct way", "way of doing it, or would this be better? > > Should I?", "Insert reason why not. > > > Would this be the correct way", "Insert reason why. > > > Insert reason why not. > > >", "better? > > Should I? > > > Should I not? > >", "> > Would this be the correct way of doing it, or would", "I write all of his thoughts in italics, or just every other to", "Insert reason why. > > > Insert reason why not. > > >", "I?* > > > Should I not? > > > Insert reason why.", "in italics, or just every other to make it easier to decipher which", "thoughts are taking? > > Should I? > > > Should I not?", "make it easier to decipher which sides his thoughts are taking? > >", "every other to make it easier to decipher which sides his thoughts are", "the correct way is. Do I write all of his thoughts in italics,", "reason why. > > > Insert reason why not. > > > Would", "to write a scene where my character is thinking back and forth between", "not sure what the correct way is. Do I write all of his", "of his thoughts in italics, or just every other to make it easier", "of doing it, or would this be better? > > Should I? >", "I not?* > > > Insert reason why. > > > Insert reason", "just every other to make it easier to decipher which sides his thoughts", "taking? > > Should I? > > > Should I not?* > >", "this be the correct way of doing it, or would this be better?", "write all of his thoughts in italics, or just every other to make", "way is. Do I write all of his thoughts in italics, or just", "reason why not.* > > > Would this be the correct way of", "is thinking back and forth between decisions, and I'm not sure what the", "his thoughts are taking? > > Should I? > > > Should I", "be the correct way of doing it, or would this be better? >", "> > Insert reason why.* > > > Insert reason why not. >", "where my character is thinking back and forth between decisions, and I'm not", "> > > Should I not? > > > Insert reason why. >", "to make it easier to decipher which sides his thoughts are taking? >", "which sides his thoughts are taking? > > Should I? > > >", "> > Should I? > > > Should I not? > > >", "I'd like to write a scene where my character is thinking back and", "I'm not sure what the correct way is. Do I write all of", "are taking? > > Should I? > > > Should I not? >", "> > > Insert reason why not. > > > Would this be", "other to make it easier to decipher which sides his thoughts are taking?", "> > Should I? > > > Should I not? > > >", "all of his thoughts in italics, or just every other to make it", "correct way is. Do I write all of his thoughts in italics, or", "doing it, or would this be better? > > Should I? > >", "> Should I? > > > Should I not? > > > Insert", "decipher which sides his thoughts are taking? > > Should I? > >", "not.* > > > Would this be the correct way of doing it,", "would this be better? > > Should I? > > > Should I", "Would this be the correct way of doing it, or would this be", "thinking back and forth between decisions, and I'm not sure what the correct", "is. Do I write all of his thoughts in italics, or just every", "between decisions, and I'm not sure what the correct way is. Do I", "> > > Would this be the correct way of doing it, or", "> > Insert reason why not.* > > > Would this be the", "Should I not? > > > Insert reason why. > > > Insert", "correct way of doing it, or would this be better? > > Should", "> > > Should I not? > > > Insert reason why. >", "> Should I not? > > > Insert reason why. > > >", "what the correct way is. Do I write all of his thoughts in", "> > > Insert reason why. > > > Insert reason why not.", "> Should I not? > > > Insert reason why. > > >", "this be better? > > Should I? > > > Should I not?", "it easier to decipher which sides his thoughts are taking? > > Should", "easier to decipher which sides his thoughts are taking? > > Should I?", "it, or would this be better? > > Should I? > > >", "> > > Insert reason why. > > > Insert reason why not.", "or just every other to make it easier to decipher which sides his", "I? > > > Should I not? > > > Insert reason why.", "and forth between decisions, and I'm not sure what the correct way is.", "sure what the correct way is. Do I write all of his thoughts", "> Insert reason why. > > > Insert reason why not. > >", "Should I? > > > Should I not? > > > Insert reason", "sides his thoughts are taking? > > Should I? > > > Should", "I not? > > > Insert reason why. > > > Insert reason", "> > Should I not?* > > > Insert reason why. > >", "to decipher which sides his thoughts are taking? > > Should I? >", "write a scene where my character is thinking back and forth between decisions,", "why not.* > > > Would this be the correct way of doing", "Should I not? > > > Insert reason why. > > > Insert", "my character is thinking back and forth between decisions, and I'm not sure", "like to write a scene where my character is thinking back and forth", "> Insert reason why not.* > > > Would this be the correct", "> Would this be the correct way of doing it, or would this", "italics, or just every other to make it easier to decipher which sides", "not?* > > > Insert reason why. > > > Insert reason why", "character is thinking back and forth between decisions, and I'm not sure what", "or would this be better? > > Should I?* > > > *Should", "scene where my character is thinking back and forth between decisions, and I'm" ]
[ "of 15. My question is: How old do you have to be to", "am currently working on a novel, and this is my first novel I", "published. I’ve practiced writing since the age of five (I am currenlly 14),", "publish? If I can’t at this age I’ll try other ways of getting", "I am currently working on a novel, and this is my first novel", "novel done by the age of 15. My question is: How old do", "first novel I would want to get published. I’ve practiced writing since the", "age of five (I am currenlly 14), I’m most likely going to get", "this is my first novel I would want to get published. I’ve practiced", "I’m most likely going to get the novel done by the age of", "the age of 15. My question is: How old do you have to", "If I can’t at this age I’ll try other ways of getting it", "on a novel, and this is my first novel I would want to", "of five (I am currenlly 14), I’m most likely going to get the", "self publish? If I can’t at this age I’ll try other ways of", "currently working on a novel, and this is my first novel I would", "my first novel I would want to get published. I’ve practiced writing since", "do you have to be to self publish? If I can’t at this", "the age of five (I am currenlly 14), I’m most likely going to", "writing since the age of five (I am currenlly 14), I’m most likely", "currenlly 14), I’m most likely going to get the novel done by the", "most likely going to get the novel done by the age of 15.", "to get published. I’ve practiced writing since the age of five (I am", "likely going to get the novel done by the age of 15. My", "(I am currenlly 14), I’m most likely going to get the novel done", "you have to be to self publish? If I can’t at this age", "want to get published. I’ve practiced writing since the age of five (I", "age of 15. My question is: How old do you have to be", "going to get the novel done by the age of 15. My question", "to self publish? If I can’t at this age I’ll try other ways", "am currenlly 14), I’m most likely going to get the novel done by", "novel, and this is my first novel I would want to get published.", "to be to self publish? If I can’t at this age I’ll try", "get the novel done by the age of 15. My question is: How", "get published. I’ve practiced writing since the age of five (I am currenlly", "14), I’m most likely going to get the novel done by the age", "old do you have to be to self publish? If I can’t at", "the novel done by the age of 15. My question is: How old", "a novel, and this is my first novel I would want to get", "15. My question is: How old do you have to be to self", "would want to get published. I’ve practiced writing since the age of five", "by the age of 15. My question is: How old do you have", "question is: How old do you have to be to self publish? If", "have to be to self publish? If I can’t at this age I’ll", "done by the age of 15. My question is: How old do you", "five (I am currenlly 14), I’m most likely going to get the novel", "working on a novel, and this is my first novel I would want", "and this is my first novel I would want to get published. I’ve", "can’t at this age I’ll try other ways of getting it out there!", "How old do you have to be to self publish? If I can’t", "is my first novel I would want to get published. I’ve practiced writing", "novel I would want to get published. I’ve practiced writing since the age", "I’ve practiced writing since the age of five (I am currenlly 14), I’m", "since the age of five (I am currenlly 14), I’m most likely going", "I would want to get published. I’ve practiced writing since the age of", "be to self publish? If I can’t at this age I’ll try other", "to get the novel done by the age of 15. My question is:", "I can’t at this age I’ll try other ways of getting it out", "is: How old do you have to be to self publish? If I", "practiced writing since the age of five (I am currenlly 14), I’m most", "My question is: How old do you have to be to self publish?" ]
[ "think? Am I a bad writer for thinking this? Yay or nay? Thanks!", "situation where I feel a flashback could maybe be more effective. It’s a", "detectives are interviewing MrugTs’s girlfriend. She tells an emotional short story about how", "In the scene, the detectives are interviewing MrugTs’s girlfriend. She tells an emotional", "little long and I think a flashback could break up the length. What", "The story she tells takes place right before the screenplay starts. I originally", "would just tell it normally, but I’ve been thinking that a flashback could", "just tell it normally, but I’ve been thinking that a flashback could pack", "was acting strange the last time she saw him. The story she tells", "pack more punch. And it could add character empathy/development. Also, the scene is", "And it could add character empathy/development. Also, the scene is running a little", "long and I think a flashback could break up the length. What do", "a flashback could break up the length. What do you guys think? Am", "I think a flashback could break up the length. What do you guys", "I’ve been thinking that a flashback could pack more punch. And it could", "running a little long and I think a flashback could break up the", "a little long and I think a flashback could break up the length.", "MrugTs was acting strange the last time she saw him. The story she", "it could add character empathy/development. Also, the scene is running a little long", "strange the last time she saw him. The story she tells takes place", "she saw him. The story she tells takes place right before the screenplay", "you guys think? Am I a bad writer for thinking this? Yay or", "MrugTs’s girlfriend. She tells an emotional short story about how MrugTs was acting", "in a situation where I feel a flashback could maybe be more effective.", "tells an emotional short story about how MrugTs was acting strange the last", "She tells an emotional short story about how MrugTs was acting strange the", "What do you guys think? Am I a bad writer for thinking this?", "flashbacks are to be frowned upon. But I’m in a situation where I", "guys think? Am I a bad writer for thinking this? Yay or nay?", "a situation where I feel a flashback could maybe be more effective. It’s", "short story about how MrugTs was acting strange the last time she saw", "about how MrugTs was acting strange the last time she saw him. The", "girlfriend. She tells an emotional short story about how MrugTs was acting strange", "people say flashbacks are to be frowned upon. But I’m in a situation", "are to be frowned upon. But I’m in a situation where I feel", "more effective. It’s a crime/drama/mystery. Basically, MrugTs has gone missing. In the scene,", "a flashback could pack more punch. And it could add character empathy/development. Also,", "to be frowned upon. But I’m in a situation where I feel a", "the screenplay starts. I originally planned that the girlfriend would just tell it", "place right before the screenplay starts. I originally planned that the girlfriend would", "punch. And it could add character empathy/development. Also, the scene is running a", "the scene, the detectives are interviewing MrugTs’s girlfriend. She tells an emotional short", "the detectives are interviewing MrugTs’s girlfriend. She tells an emotional short story about", "I feel a flashback could maybe be more effective. It’s a crime/drama/mystery. Basically,", "before the screenplay starts. I originally planned that the girlfriend would just tell", "Also, the scene is running a little long and I think a flashback", "but I’ve been thinking that a flashback could pack more punch. And it", "do you guys think? Am I a bad writer for thinking this? Yay", "she tells takes place right before the screenplay starts. I originally planned that", "could add character empathy/development. Also, the scene is running a little long and", "flashback could pack more punch. And it could add character empathy/development. Also, the", "some people say flashbacks are to be frowned upon. But I’m in a", "be frowned upon. But I’m in a situation where I feel a flashback", "are interviewing MrugTs’s girlfriend. She tells an emotional short story about how MrugTs", "I originally planned that the girlfriend would just tell it normally, but I’ve", "that a flashback could pack more punch. And it could add character empathy/development.", "be more effective. It’s a crime/drama/mystery. Basically, MrugTs has gone missing. In the", "scene, the detectives are interviewing MrugTs’s girlfriend. She tells an emotional short story", "that some people say flashbacks are to be frowned upon. But I’m in", "emotional short story about how MrugTs was acting strange the last time she", "and I think a flashback could break up the length. What do you", "the scene is running a little long and I think a flashback could", "an emotional short story about how MrugTs was acting strange the last time", "think a flashback could break up the length. What do you guys think?", "Am I a bad writer for thinking this? Yay or nay? Thanks! :)", "is running a little long and I think a flashback could break up", "maybe be more effective. It’s a crime/drama/mystery. Basically, MrugTs has gone missing. In", "add character empathy/development. Also, the scene is running a little long and I", "has gone missing. In the scene, the detectives are interviewing MrugTs’s girlfriend. She", "the length. What do you guys think? Am I a bad writer for", "story about how MrugTs was acting strange the last time she saw him.", "tells takes place right before the screenplay starts. I originally planned that the", "could break up the length. What do you guys think? Am I a", "a crime/drama/mystery. Basically, MrugTs has gone missing. In the scene, the detectives are", "I’m in a situation where I feel a flashback could maybe be more", "it normally, but I’ve been thinking that a flashback could pack more punch.", "missing. In the scene, the detectives are interviewing MrugTs’s girlfriend. She tells an", "interviewing MrugTs’s girlfriend. She tells an emotional short story about how MrugTs was", "acting strange the last time she saw him. The story she tells takes", "I know that some people say flashbacks are to be frowned upon. But", "thinking that a flashback could pack more punch. And it could add character", "how MrugTs was acting strange the last time she saw him. The story", "that the girlfriend would just tell it normally, but I’ve been thinking that", "break up the length. What do you guys think? Am I a bad", "gone missing. In the scene, the detectives are interviewing MrugTs’s girlfriend. She tells", "effective. It’s a crime/drama/mystery. Basically, MrugTs has gone missing. In the scene, the", "planned that the girlfriend would just tell it normally, but I’ve been thinking", "up the length. What do you guys think? Am I a bad writer", "him. The story she tells takes place right before the screenplay starts. I", "a flashback could maybe be more effective. It’s a crime/drama/mystery. Basically, MrugTs has", "crime/drama/mystery. Basically, MrugTs has gone missing. In the scene, the detectives are interviewing", "upon. But I’m in a situation where I feel a flashback could maybe", "tell it normally, but I’ve been thinking that a flashback could pack more", "girlfriend would just tell it normally, but I’ve been thinking that a flashback", "starts. I originally planned that the girlfriend would just tell it normally, but", "character empathy/development. Also, the scene is running a little long and I think", "know that some people say flashbacks are to be frowned upon. But I’m", "saw him. The story she tells takes place right before the screenplay starts.", "been thinking that a flashback could pack more punch. And it could add", "story she tells takes place right before the screenplay starts. I originally planned", "frowned upon. But I’m in a situation where I feel a flashback could", "scene is running a little long and I think a flashback could break", "empathy/development. Also, the scene is running a little long and I think a", "flashback could break up the length. What do you guys think? Am I", "feel a flashback could maybe be more effective. It’s a crime/drama/mystery. Basically, MrugTs", "takes place right before the screenplay starts. I originally planned that the girlfriend", "It’s a crime/drama/mystery. Basically, MrugTs has gone missing. In the scene, the detectives", "the girlfriend would just tell it normally, but I’ve been thinking that a", "screenplay starts. I originally planned that the girlfriend would just tell it normally,", "flashback could maybe be more effective. It’s a crime/drama/mystery. Basically, MrugTs has gone", "could pack more punch. And it could add character empathy/development. Also, the scene", "where I feel a flashback could maybe be more effective. It’s a crime/drama/mystery.", "normally, but I’ve been thinking that a flashback could pack more punch. And", "the last time she saw him. The story she tells takes place right", "say flashbacks are to be frowned upon. But I’m in a situation where", "length. What do you guys think? Am I a bad writer for thinking", "time she saw him. The story she tells takes place right before the", "originally planned that the girlfriend would just tell it normally, but I’ve been", "more punch. And it could add character empathy/development. Also, the scene is running", "last time she saw him. The story she tells takes place right before", "But I’m in a situation where I feel a flashback could maybe be", "MrugTs has gone missing. In the scene, the detectives are interviewing MrugTs’s girlfriend.", "Basically, MrugTs has gone missing. In the scene, the detectives are interviewing MrugTs’s", "right before the screenplay starts. I originally planned that the girlfriend would just", "could maybe be more effective. It’s a crime/drama/mystery. Basically, MrugTs has gone missing." ]
[ "I am doing daily. But I am confused about what to include, how", "want to write what I am doing daily. But I am confused about", "am doing daily. But I am confused about what to include, how to", "write what I am doing daily. But I am confused about what to", "what I am doing daily. But I am confused about what to include,", "am confused about what to include, how to start, and where to start.", "to include, how to start, and where to start. Please guide me or", "and maintain my diary, in which I want to write what I am", "start, and where to start. Please guide me or give me some practical", "I want to write what I am doing daily. But I am confused", "to start. Please guide me or give me some practical tips so that", "start writing and maintain my diary, in which I want to write what", "writing and maintain my diary, in which I want to write what I", "what to include, how to start, and where to start. Please guide me", "and where to start. Please guide me or give me some practical tips", "in which I want to write what I am doing daily. But I", "I am confused about what to include, how to start, and where to", "which I want to write what I am doing daily. But I am", "diary, in which I want to write what I am doing daily. But", "always want to start writing and maintain my diary, in which I want", "want to start writing and maintain my diary, in which I want to", "But I am confused about what to include, how to start, and where", "to write what I am doing daily. But I am confused about what", "about what to include, how to start, and where to start. Please guide", "start. Please guide me or give me some practical tips so that I", "guide me or give me some practical tips so that I can start", "me or give me some practical tips so that I can start writing", "confused about what to include, how to start, and where to start. Please", "to start writing and maintain my diary, in which I want to write", "Please guide me or give me some practical tips so that I can", "doing daily. But I am confused about what to include, how to start,", "to start, and where to start. Please guide me or give me some", "my diary, in which I want to write what I am doing daily.", "include, how to start, and where to start. Please guide me or give", "daily. But I am confused about what to include, how to start, and", "I always want to start writing and maintain my diary, in which I", "where to start. Please guide me or give me some practical tips so", "how to start, and where to start. Please guide me or give me", "maintain my diary, in which I want to write what I am doing", "or give me some practical tips so that I can start writing my", "give me some practical tips so that I can start writing my diary." ]
[ "and 'f\\\\k' in my work. What else can I use that gives similar", "want to use for 'sh\\t' and 'f\\\\k' in my work. What else can", "'f\\\\k' in my work. What else can I use that gives similar meaning?", "'sh\\t' and 'f\\\\k' in my work. What else can I use that gives", "I don't want to use for 'sh\\t' and 'f\\\\k' in my work. What", "to use for 'sh\\t' and 'f\\\\k' in my work. What else can I", "don't want to use for 'sh\\t' and 'f\\\\k' in my work. What else", "use for 'sh\\t' and 'f\\\\k' in my work. What else can I use", "for 'sh\\t' and 'f\\\\*k' in my work. What else can I use that" ]
[ "at least, when I read it also sounds cowardly. When I read it", "authors my mind always goes \"Just say the word we are all adults", "word \"ass\" around all the time, but any time it is part of", "characters can throw the word \"ass\" around all the time, but any time", "butts are safe, but really this question is for other parts of the", "test readers. What is the best approach to not sound vulgar, and at", "maximus\", and there are vulgar words like ass. You can also try to", "here!\" My book deals with many heavy ideas like torture and rape. The", "This, to me at least, when I read it also sounds cowardly. When", "waist\". This, to me at least, when I read it also sounds cowardly.", "moves his hands below his waist\". This, to me at least, when I", "undermine the maturity of the writing? I am asking specifically about narration, not", "all the time, but any time it is part of the narration it", "of a few categories. There are the cowardly words like \"gluteus maximus\", and", "parts of the anatomy as well. There are 100s of words for butt.", "we are all adults here!\" My book deals with many heavy ideas like", "to not sound vulgar, and at the same time not undermine the maturity", "vulgar, and at the same time not undermine the maturity of the writing?", "with many heavy ideas like torture and rape. The characters curse all the", "the anatomy as well. There are 100s of words for butt. They seem", "the time, and the characters can throw the word \"ass\" around all the", "can throw the word \"ass\" around all the time, but any time it", "from my test readers. What is the best approach to not sound vulgar,", "his waist\". This, to me at least, when I read it also sounds", "his hands below his waist\". This, to me at least, when I read", "of words for butt. They seem to fall into one of a few", "when I read it also sounds cowardly. When I read it from other", "are the cowardly words like \"gluteus maximus\", and there are vulgar words like", "the same time not undermine the maturity of the writing? I am asking", "When I read it from other authors my mind always goes \"Just say", "there are vulgar words like ass. You can also try to avoid the", "for other parts of the anatomy as well. There are 100s of words", "feedback from my test readers. What is the best approach to not sound", "me at least, when I read it also sounds cowardly. When I read", "approach to not sound vulgar, and at the same time not undermine the", "always goes \"Just say the word we are all adults here!\" My book", "the word \"ass\" around all the time, but any time it is part", "part of the narration it immediately sounds bad, and I get bad feedback", "heavy ideas like torture and rape. The characters curse all the time, and", "You can also try to avoid the whole thing by saying something like", "\"ass\" around all the time, but any time it is part of the", "\"Just say the word we are all adults here!\" My book deals with", "adults here!\" My book deals with many heavy ideas like torture and rape.", "cowardly words like \"gluteus maximus\", and there are vulgar words like ass. You", "talk about butts, because butts are safe, but really this question is for", "not undermine the maturity of the writing? I am asking specifically about narration,", "words for butt. They seem to fall into one of a few categories.", "as well. There are 100s of words for butt. They seem to fall", "to avoid the whole thing by saying something like \"he moves his hands", "from other authors my mind always goes \"Just say the word we are", "avoid the whole thing by saying something like \"he moves his hands below", "like torture and rape. The characters curse all the time, and the characters", "can also try to avoid the whole thing by saying something like \"he", "a few categories. There are the cowardly words like \"gluteus maximus\", and there", "of the narration it immediately sounds bad, and I get bad feedback from", "\"he moves his hands below his waist\". This, to me at least, when", "is the best approach to not sound vulgar, and at the same time", "are safe, but really this question is for other parts of the anatomy", "say the word we are all adults here!\" My book deals with many", "one of a few categories. There are the cowardly words like \"gluteus maximus\",", "all the time, and the characters can throw the word \"ass\" around all", "whole thing by saying something like \"he moves his hands below his waist\".", "saying something like \"he moves his hands below his waist\". This, to me", "about butts, because butts are safe, but really this question is for other", "well. There are 100s of words for butt. They seem to fall into", "same time not undermine the maturity of the writing? I am asking specifically", "They seem to fall into one of a few categories. There are the", "\"gluteus maximus\", and there are vulgar words like ass. You can also try", "is part of the narration it immediately sounds bad, and I get bad", "it from other authors my mind always goes \"Just say the word we", "I read it also sounds cowardly. When I read it from other authors", "and I get bad feedback from my test readers. What is the best", "maturity of the writing? I am asking specifically about narration, not about character", "because butts are safe, but really this question is for other parts of", "and at the same time not undermine the maturity of the writing? I", "sounds cowardly. When I read it from other authors my mind always goes", "words like ass. You can also try to avoid the whole thing by", "my mind always goes \"Just say the word we are all adults here!\"", "many heavy ideas like torture and rape. The characters curse all the time,", "it is part of the narration it immediately sounds bad, and I get", "it also sounds cowardly. When I read it from other authors my mind", "throw the word \"ass\" around all the time, but any time it is", "vulgar words like ass. You can also try to avoid the whole thing", "are all adults here!\" My book deals with many heavy ideas like torture", "ideas like torture and rape. The characters curse all the time, and the", "time, and the characters can throw the word \"ass\" around all the time,", "sounds bad, and I get bad feedback from my test readers. What is", "best approach to not sound vulgar, and at the same time not undermine", "get bad feedback from my test readers. What is the best approach to", "not sound vulgar, and at the same time not undermine the maturity of", "the cowardly words like \"gluteus maximus\", and there are vulgar words like ass.", "word we are all adults here!\" My book deals with many heavy ideas", "Let's talk about butts, because butts are safe, but really this question is", "readers. What is the best approach to not sound vulgar, and at the", "but really this question is for other parts of the anatomy as well.", "all adults here!\" My book deals with many heavy ideas like torture and", "the characters can throw the word \"ass\" around all the time, but any", "below his waist\". This, to me at least, when I read it also", "My book deals with many heavy ideas like torture and rape. The characters", "something like \"he moves his hands below his waist\". This, to me at", "butt. They seem to fall into one of a few categories. There are", "What is the best approach to not sound vulgar, and at the same", "my test readers. What is the best approach to not sound vulgar, and", "deals with many heavy ideas like torture and rape. The characters curse all", "book deals with many heavy ideas like torture and rape. The characters curse", "I get bad feedback from my test readers. What is the best approach", "but any time it is part of the narration it immediately sounds bad,", "time not undermine the maturity of the writing? I am asking specifically about", "the whole thing by saying something like \"he moves his hands below his", "any time it is part of the narration it immediately sounds bad, and", "into one of a few categories. There are the cowardly words like \"gluteus", "anatomy as well. There are 100s of words for butt. They seem to", "also try to avoid the whole thing by saying something like \"he moves", "few categories. There are the cowardly words like \"gluteus maximus\", and there are", "other authors my mind always goes \"Just say the word we are all", "I read it from other authors my mind always goes \"Just say the", "the maturity of the writing? I am asking specifically about narration, not about", "There are the cowardly words like \"gluteus maximus\", and there are vulgar words", "like \"he moves his hands below his waist\". This, to me at least,", "curse all the time, and the characters can throw the word \"ass\" around", "the narration it immediately sounds bad, and I get bad feedback from my", "of the anatomy as well. There are 100s of words for butt. They", "characters curse all the time, and the characters can throw the word \"ass\"", "question is for other parts of the anatomy as well. There are 100s", "seem to fall into one of a few categories. There are the cowardly", "rape. The characters curse all the time, and the characters can throw the", "100s of words for butt. They seem to fall into one of a", "butts, because butts are safe, but really this question is for other parts", "least, when I read it also sounds cowardly. When I read it from", "torture and rape. The characters curse all the time, and the characters can", "this question is for other parts of the anatomy as well. There are", "There are 100s of words for butt. They seem to fall into one", "fall into one of a few categories. There are the cowardly words like", "time it is part of the narration it immediately sounds bad, and I", "like ass. You can also try to avoid the whole thing by saying", "and rape. The characters curse all the time, and the characters can throw", "of the writing? I am asking specifically about narration, not about character speech.", "the time, but any time it is part of the narration it immediately", "the word we are all adults here!\" My book deals with many heavy", "bad, and I get bad feedback from my test readers. What is the", "the best approach to not sound vulgar, and at the same time not", "read it also sounds cowardly. When I read it from other authors my", "is for other parts of the anatomy as well. There are 100s of", "ass. You can also try to avoid the whole thing by saying something", "are 100s of words for butt. They seem to fall into one of", "are vulgar words like ass. You can also try to avoid the whole", "hands below his waist\". This, to me at least, when I read it", "to fall into one of a few categories. There are the cowardly words", "also sounds cowardly. When I read it from other authors my mind always", "thing by saying something like \"he moves his hands below his waist\". This,", "narration it immediately sounds bad, and I get bad feedback from my test", "and the characters can throw the word \"ass\" around all the time, but", "categories. There are the cowardly words like \"gluteus maximus\", and there are vulgar", "to me at least, when I read it also sounds cowardly. When I", "for butt. They seem to fall into one of a few categories. There", "sound vulgar, and at the same time not undermine the maturity of the", "try to avoid the whole thing by saying something like \"he moves his", "around all the time, but any time it is part of the narration", "mind always goes \"Just say the word we are all adults here!\" My", "time, but any time it is part of the narration it immediately sounds", "The characters curse all the time, and the characters can throw the word", "really this question is for other parts of the anatomy as well. There", "goes \"Just say the word we are all adults here!\" My book deals", "and there are vulgar words like ass. You can also try to avoid", "bad feedback from my test readers. What is the best approach to not", "safe, but really this question is for other parts of the anatomy as", "read it from other authors my mind always goes \"Just say the word", "it immediately sounds bad, and I get bad feedback from my test readers.", "at the same time not undermine the maturity of the writing? I am", "like \"gluteus maximus\", and there are vulgar words like ass. You can also", "immediately sounds bad, and I get bad feedback from my test readers. What", "cowardly. When I read it from other authors my mind always goes \"Just", "other parts of the anatomy as well. There are 100s of words for", "words like \"gluteus maximus\", and there are vulgar words like ass. You can", "by saying something like \"he moves his hands below his waist\". This, to" ]
[ "mature girl (15ish). But I'm not sure how she should act other than", "be someone who doesn't swear, but some mature people that I know still", "about a mature girl (15ish). But I'm not sure how she should act", "I think a mature person would act would be someone who doesn't swear,", "some mature people that I know still do that. How should I write", "about a mature girl? Some ideas I already had: * Doesn't swear ", "I'm not sure how she should act other than being polite. The way", "swear, but some mature people that I know still do that. How should", "sure how she should act other than being polite. The way I think", "still do that. How should I write about a mature girl? Some ideas", "that I know still do that. How should I write about a mature", "than being polite. The way I think a mature person would act would", "not sure how she should act other than being polite. The way I", "The way I think a mature person would act would be someone who", "do that. How should I write about a mature girl? Some ideas I", "How should I write about a mature girl? Some ideas I already had:", "know still do that. How should I write about a mature girl? Some", "a mature girl (15ish). But I'm not sure how she should act other", "she should act other than being polite. The way I think a mature", "act would be someone who doesn't swear, but some mature people that I", "someone who doesn't swear, but some mature people that I know still do", "that. How should I write about a mature girl? Some ideas I already", "would act would be someone who doesn't swear, but some mature people that", "mature girl? Some ideas I already had: Doesn't swear * Is responsible", "way I think a mature person would act would be someone who doesn't", "mature person would act would be someone who doesn't swear, but some mature", "being polite. The way I think a mature person would act would be", "I write about a mature girl? Some ideas I already had: * Doesn't", "polite. The way I think a mature person would act would be someone", "writing about a mature girl (15ish). But I'm not sure how she should", "other than being polite. The way I think a mature person would act", "should I write about a mature girl? Some ideas I already had: ", "a mature person would act would be someone who doesn't swear, but some", "person would act would be someone who doesn't swear, but some mature people", "I'm writing about a mature girl (15ish). But I'm not sure how she", "would be someone who doesn't swear, but some mature people that I know", "But I'm not sure how she should act other than being polite. The", "mature people that I know still do that. How should I write about", "a mature girl? Some ideas I already had: Doesn't swear * Is", "think a mature person would act would be someone who doesn't swear, but", "write about a mature girl? Some ideas I already had: * Doesn't swear", "who doesn't swear, but some mature people that I know still do that.", "people that I know still do that. How should I write about a", "I know still do that. How should I write about a mature girl?", "(15ish). But I'm not sure how she should act other than being polite.", "should act other than being polite. The way I think a mature person", "girl (15ish). But I'm not sure how she should act other than being", "act other than being polite. The way I think a mature person would", "but some mature people that I know still do that. How should I", "doesn't swear, but some mature people that I know still do that. How", "how she should act other than being polite. The way I think a" ]
[ "There are not many synonyms for each word that have the exact same", "synonyms for each word that have the exact same meaning, so how can", "stressed and unstressed syllables and the pauses between them? There are not many", "If you can, please provide examples of writing, and possible variations of their", "pauses between them? There are not many synonyms for each word that have", "many different types of writing styles, each one differing in sound, sound that", "of this lack of flexibility, how is it possible to have so many", "syllables and the pauses between them? There are not many synonyms for each", "a pattern of stressed and unstressed syllables and the pauses between them? There", "various other styles, each one for a different piece of writing? If you", "how is it possible to have so many different types of writing styles,", "of flexibility, how is it possible to have so many different types of", "of writing? If you can, please provide examples of writing, and possible variations", "syntax and word choice, but the number of words meaning the same thing", "this lack of flexibility, how is it possible to have so many different", "to author, and from work to work, but how does the English language", "so how can the same thought be expressed in enough ways that each", "also limited, and the best modern prose seems to follow certain kinds of", "enough ways that each writer can not only have their own style, but", "pattern of stressed and unstressed syllables and the pauses between them? There are", "meaning, so how can the same thought be expressed in enough ways that", "other styles, each one for a different piece of writing? If you can,", "there is syntax and word choice, but the number of words meaning the", "and word choice, but the number of words meaning the same thing is", "piece of writing? If you can, please provide examples of writing, and possible", "that is due to a pattern of stressed and unstressed syllables and the", "please provide examples of writing, and possible variations of their wording sounding nothing", "does the English language allow for so many different writing styles? In English", "ways that each writer can not only have their own style, but various", "each writer can not only have their own style, but various other styles,", "exact same meaning, so how can the same thought be expressed in enough", "work to work, but how does the English language allow for so many", "choice, but the number of words meaning the same thing is limited, and", "be expressed in enough ways that each writer can not only have their", "the same thing is limited, and the number of word orders is also", "differing in sound, sound that is due to a pattern of stressed and", "own style, but various other styles, each one for a different piece of", "styles, each one for a different piece of writing? If you can, please", "flexibility, how is it possible to have so many different types of writing", "expressed in enough ways that each writer can not only have their own", "different types of writing styles, each one differing in sound, sound that is", "is it possible to have so many different types of writing styles, each", "only have their own style, but various other styles, each one for a", "each one differing in sound, sound that is due to a pattern of", "seems to follow certain kinds of word order. So, in light of this", "have so many different types of writing styles, each one differing in sound,", "in light of this lack of flexibility, how is it possible to have", "and the number of word orders is also limited, and the best modern", "that writing style varies from author to author, and from work to work,", "many different writing styles? In English there is syntax and word choice, but", "styles? In English there is syntax and word choice, but the number of", "order. 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So, in light of this lack of", "possible to have so many different types of writing styles, each one differing", "sound, sound that is due to a pattern of stressed and unstressed syllables", "how can the same thought be expressed in enough ways that each writer", "lack of flexibility, how is it possible to have so many different types", "one for a different piece of writing? If you can, please provide examples", "them? There are not many synonyms for each word that have the exact", "each word that have the exact same meaning, so how can the same", "for a different piece of writing? If you can, please provide examples of", "so many different types of writing styles, each one differing in sound, sound", "the number of words meaning the same thing is limited, and the number", "of word order. So, in light of this lack of flexibility, how is", "is due to a pattern of stressed and unstressed syllables and the pauses", "you can, please provide examples of writing, and possible variations of their wording", "different writing styles? In English there is syntax and word choice, but the", "for each word that have the exact same meaning, so how can the", "that each writer can not only have their own style, but various other", "sound that is due to a pattern of stressed and unstressed syllables and", "and unstressed syllables and the pauses between them? There are not many synonyms", "in sound, sound that is due to a pattern of stressed and unstressed", "is syntax and word choice, but the number of words meaning the same", "many synonyms for each word that have the exact same meaning, so how", "to follow certain kinds of word order. 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In English there is syntax and", "modern prose seems to follow certain kinds of word order. So, in light", "same meaning, so how can the same thought be expressed in enough ways", "can, please provide examples of writing, and possible variations of their wording sounding", "of word orders is also limited, and the best modern prose seems to", "and the pauses between them? There are not many synonyms for each word", "same thought be expressed in enough ways that each writer can not only", "but how does the English language allow for so many different writing styles?", "the same thought be expressed in enough ways that each writer can not", "one differing in sound, sound that is due to a pattern of stressed", "word orders is also limited, and the best modern prose seems to follow", "the best modern prose seems to follow certain kinds of word order. So,", "how does the English language allow for so many different writing styles? In", "best modern prose seems to follow certain kinds of word order. So, in", "unstressed syllables and the pauses between them? There are not many synonyms for", "varies from author to author, and from work to work, but how does", "so many different writing styles? In English there is syntax and word choice,", "have the exact same meaning, so how can the same thought be expressed", "style varies from author to author, and from work to work, but how", "work, but how does the English language allow for so many different writing", "thing is limited, and the number of word orders is also limited, and", "due to a pattern of stressed and unstressed syllables and the pauses between", "possible variations of their wording sounding nothing alike. And please tell how you", "from author to author, and from work to work, but how does the", "author to author, and from work to work, but how does the English", "number of word orders is also limited, and the best modern prose seems", "have their own style, but various other styles, each one for a different", "prose seems to follow certain kinds of word order. So, in light of", "variations of their wording sounding nothing alike. And please tell how you accomplished", "seems that writing style varies from author to author, and from work to", "word order. So, in light of this lack of flexibility, how is it", "it possible to have so many different types of writing styles, each one", "So, in light of this lack of flexibility, how is it possible to", "provide examples of writing, and possible variations of their wording sounding nothing alike.", "is also limited, and the best modern prose seems to follow certain kinds", "writing styles? In English there is syntax and word choice, but the number", "and the best modern prose seems to follow certain kinds of word order.", "word that have the exact same meaning, so how can the same thought", "types of writing styles, each one differing in sound, sound that is due", "words meaning the same thing is limited, and the number of word orders", "a different piece of writing? If you can, please provide examples of writing,", "light of this lack of flexibility, how is it possible to have so", "the exact same meaning, so how can the same thought be expressed in", "writing style varies from author to author, and from work to work, but", "limited, and the number of word orders is also limited, and the best", "in enough ways that each writer can not only have their own style,", "writing, and possible variations of their wording sounding nothing alike. And please tell", "not only have their own style, but various other styles, each one for", "different piece of writing? If you can, please provide examples of writing, and", "English there is syntax and word choice, but the number of words meaning", "the pauses between them? There are not many synonyms for each word that", "to work, but how does the English language allow for so many different", "word choice, but the number of words meaning the same thing is limited,", "of stressed and unstressed syllables and the pauses between them? There are not", "can not only have their own style, but various other styles, each one", "writing? If you can, please provide examples of writing, and possible variations of", "and from work to work, but how does the English language allow for", "to a pattern of stressed and unstressed syllables and the pauses between them?", "limited, and the best modern prose seems to follow certain kinds of word", "is limited, and the number of word orders is also limited, and the", "styles, each one differing in sound, sound that is due to a pattern", "kinds of word order. So, in light of this lack of flexibility, how", "can the same thought be expressed in enough ways that each writer can", "examples of writing, and possible variations of their wording sounding nothing alike. And", "thought be expressed in enough ways that each writer can not only have", "not many synonyms for each word that have the exact same meaning, so", "of words meaning the same thing is limited, and the number of word", "same thing is limited, and the number of word orders is also limited,", "but various other styles, each one for a different piece of writing? If", "of writing styles, each one differing in sound, sound that is due to", "of writing, and possible variations of their wording sounding nothing alike. And please", "but the number of words meaning the same thing is limited, and the", "the number of word orders is also limited, and the best modern prose", "orders is also limited, and the best modern prose seems to follow certain" ]
[ "something - reminds him something of a past experience - shows the past", "the past incident - back to the present time Now this is a", "flow of the story goes in such a way - The present life", "approach*? Because I think this might make the readers a bit confused. (For", "present. But my question is, *for writing a novel, is this a good", "The present life of the protagonist - talks with someone / sees something", "the change in time, which might help them) Also, if there's an example", "showing the story and balancing between past and present. But my question is,", "I think this might make the readers a bit confused. (For the movie", "a bit confused. (For the movie part, the viewer can see the change", "reminds him something of a past experience - shows the past incident -", "something of a past experience - shows the past incident - back to", "sees something - reminds him something of a past experience - shows the", "experience - shows the past incident - back to the present time Now", "incident - back to the present time Now this is a good way", "this a good approach*? Because I think this might make the readers a", "present time Now this is a good way of showing the story and", "You would have seen many movies where the flow of the story goes", "time, which might help them) Also, if there's an example of any novels", "writing a novel, is this a good approach*? Because I think this might", "part, the viewer can see the change in time, which might help them)", "movies where the flow of the story goes in such a way -", "in time, which might help them)* Also, if there's an example of any", "a good approach? Because I think this might make the readers a bit", "someone / sees something - reminds him something of a past experience -", "is a good way of showing the story and balancing between past and", "story and balancing between past and present. But my question is, for writing", "in such a way - The present life of the protagonist - talks", "the protagonist - talks with someone / sees something - reminds him something", "the story and balancing between past and present. But my question is, for", "my question is, for writing a novel, is this a good approach? Because", "- back to the present time Now this is a good way of", "time Now this is a good way of showing the story and balancing", "of a past experience - shows the past incident - back to the", "of any novels written in such a manner then kindly give some examples.", "way of showing the story and balancing between past and present. But my", "present life of the protagonist - talks with someone / sees something -", "a novel, is this a good approach? Because I think this might make", "an example of any novels written in such a manner then kindly give", "help them)* Also, if there's an example of any novels written in such", "viewer can see the change in time, which might help them)* Also, if", "past incident - back to the present time Now this is a good", "But my question is, for writing a novel, is this a good approach?", "balancing between past and present. But my question is, for writing a novel,", "between past and present. But my question is, for writing a novel, is", "back to the present time Now this is a good way of showing", "this is a good way of showing the story and balancing between past", "of showing the story and balancing between past and present. But my question", "question is, for writing a novel, is this a good approach? Because I", "can see the change in time, which might help them)* Also, if there's", "past and present. But my question is, *for writing a novel, is this", "the movie part, the viewer can see the change in time, which might", "might make the readers a bit confused. (For the movie part, the viewer", "(For the movie part, the viewer can see the change in time, which", "to the present time Now this is a good way of showing the", "is, for writing a novel, is this a good approach? Because I think", "many movies where the flow of the story goes in such a way", "might help them) Also, if there's an example of any novels written in", "life of the protagonist - talks with someone / sees something - reminds", "would have seen many movies where the flow of the story goes in", "bit confused. (For the movie part, the viewer can see the change in", "- The present life of the protagonist - talks with someone / sees", "make the readers a bit confused. (For the movie part, the viewer can", "is this a good approach? Because I think this might make the readers", "for writing a novel, is this a good approach? Because I think this", "story goes in such a way - The present life of the protagonist", "talks with someone / sees something - reminds him something of a past", "a way - The present life of the protagonist - talks with someone", "- reminds him something of a past experience - shows the past incident", "goes in such a way - The present life of the protagonist -", "Now this is a good way of showing the story and balancing between", "the flow of the story goes in such a way - The present", "a past experience - shows the past incident - back to the present", "and balancing between past and present. But my question is, for writing a", "think this might make the readers a bit confused. (For the movie part,", "readers a bit confused. (For the movie part, the viewer can see the", "- shows the past incident - back to the present time Now this", "a good way of showing the story and balancing between past and present.", "where the flow of the story goes in such a way - The", "change in time, which might help them)* Also, if there's an example of", "such a way - The present life of the protagonist - talks with", "Also, if there's an example of any novels written in such a manner", "him something of a past experience - shows the past incident - back", "the present time Now this is a good way of showing the story", "of the story goes in such a way - The present life of", "example of any novels written in such a manner then kindly give some", "there's an example of any novels written in such a manner then kindly", "this might make the readers a bit confused. (For the movie part, the", "if there's an example of any novels written in such a manner then", "and present. But my question is, for writing a novel, is this a", "confused. (For the movie part, the viewer can see the change in time,", "good approach*? Because I think this might make the readers a bit confused.", "the story goes in such a way - The present life of the", "the readers a bit confused. (For the movie part, the viewer can see", "shows the past incident - back to the present time Now this is", "- talks with someone / sees something - reminds him something of a", "of the protagonist - talks with someone / sees something - reminds him", "good way of showing the story and balancing between past and present. But", "with someone / sees something - reminds him something of a past experience", "way - The present life of the protagonist - talks with someone /", "past experience - shows the past incident - back to the present time", "novel, is this a good approach*? Because I think this might make the", "the viewer can see the change in time, which might help them) Also,", "protagonist - talks with someone / sees something - reminds him something of", "seen many movies where the flow of the story goes in such a", "which might help them)* Also, if there's an example of any novels written", "them)* Also, if there's an example of any novels written in such a", "movie part, the viewer can see the change in time, which might help", "see the change in time, which might help them)* Also, if there's an", "Because I think this might make the readers a bit confused. *(For the", "have seen many movies where the flow of the story goes in such", "/ sees something - reminds him something of a past experience - shows" ]
[ "type up the handwritten pages of my novel, so that I can go", "of my novel, so that I can go straight to the editing process.", "to the editing process. (I prefer first drafts to be with pencil.). This", "the handwritten pages of my novel, so that I can go straight to", "to type up the handwritten pages of my novel, so that I can", "am I wrong? Does anyone know what service to whom I can send", "that I can go straight to the editing process. (I prefer first drafts", "my novel, so that I can go straight to the editing process. (I", "whom I can send my handwritten pages and they will type it for", "the editing process. (I prefer first drafts to be with pencil.). This way", "can juggle more projects. For some reason I assumed this specific job was", "been asked; I looked but did not find my exact query. My apologies", "a fee? (I understand this may have been asked; I looked but did", "about paying someone to type up the handwritten pages of my novel, so", "I can send my handwritten pages and they will type it for a", "can send my handwritten pages and they will type it for a fee?", "for speech. Or am I wrong? Does anyone know what service to whom", "find my exact query. My apologies in advance for such an underwhelming question.)", "straight to the editing process. (I prefer first drafts to be with pencil.).", "is technically for speech. Or am I wrong? Does anyone know what service", "juggle more projects. For some reason I assumed this specific job was a", "Or am I wrong? Does anyone know what service to whom I can", "I can juggle more projects. For some reason I assumed this specific job", "process. (I prefer first drafts to be with pencil.). This way I can", "technically for speech. Or am I wrong? Does anyone know what service to", "specific job was a transcriptionist, but that is technically for speech. Or am", "can go straight to the editing process. (I prefer first drafts to be", "service to whom I can send my handwritten pages and they will type", "not find my exact query. My apologies in advance for such an underwhelming", "be with pencil.). This way I can juggle more projects. For some reason", "pages of my novel, so that I can go straight to the editing", "will type it for a fee? (I understand this may have been asked;", "more projects. For some reason I assumed this specific job was a transcriptionist,", "up the handwritten pages of my novel, so that I can go straight", "so that I can go straight to the editing process. (I prefer first", "assumed this specific job was a transcriptionist, but that is technically for speech.", "handwritten pages of my novel, so that I can go straight to the", "type it for a fee? (I understand this may have been asked; I", "looked but did not find my exact query. My apologies in advance for", "handwritten pages and they will type it for a fee? (I understand this", "drafts to be with pencil.). This way I can juggle more projects. For", "Does anyone know what service to whom I can send my handwritten pages", "transcriptionist, but that is technically for speech. Or am I wrong? Does anyone", "did not find my exact query. My apologies in advance for such an", "they will type it for a fee? (I understand this may have been", "This way I can juggle more projects. For some reason I assumed this", "way I can juggle more projects. For some reason I assumed this specific", "know what service to whom I can send my handwritten pages and they", "(I understand this may have been asked; I looked but did not find", "and they will type it for a fee? (I understand this may have", "with pencil.). This way I can juggle more projects. For some reason I", "I wrong? Does anyone know what service to whom I can send my", "someone to type up the handwritten pages of my novel, so that I", "fee? (I understand this may have been asked; I looked but did not", "for a fee? (I understand this may have been asked; I looked but", "speech. Or am I wrong? Does anyone know what service to whom I", "asked; I looked but did not find my exact query. My apologies in", "it for a fee? (I understand this may have been asked; I looked", "reason I assumed this specific job was a transcriptionist, but that is technically", "send my handwritten pages and they will type it for a fee? (I", "pencil.). This way I can juggle more projects. For some reason I assumed", "my handwritten pages and they will type it for a fee? (I understand", "understand this may have been asked; I looked but did not find my", "prefer first drafts to be with pencil.). This way I can juggle more", "For some reason I assumed this specific job was a transcriptionist, but that", "projects. For some reason I assumed this specific job was a transcriptionist, but", "to be with pencil.). This way I can juggle more projects. For some", "wrong? Does anyone know what service to whom I can send my handwritten", "to whom I can send my handwritten pages and they will type it", "that is technically for speech. Or am I wrong? Does anyone know what", "I was thinking about paying someone to type up the handwritten pages of", "was thinking about paying someone to type up the handwritten pages of my", "may have been asked; I looked but did not find my exact query.", "but that is technically for speech. Or am I wrong? Does anyone know", "a transcriptionist, but that is technically for speech. Or am I wrong? Does", "thinking about paying someone to type up the handwritten pages of my novel,", "I looked but did not find my exact query. My apologies in advance", "anyone know what service to whom I can send my handwritten pages and", "this may have been asked; I looked but did not find my exact", "pages and they will type it for a fee? (I understand this may", "paying someone to type up the handwritten pages of my novel, so that", "some reason I assumed this specific job was a transcriptionist, but that is", "but did not find my exact query. My apologies in advance for such", "I can go straight to the editing process. (I prefer first drafts to", "have been asked; I looked but did not find my exact query. My", "this specific job was a transcriptionist, but that is technically for speech. Or", "job was a transcriptionist, but that is technically for speech. Or am I", "editing process. (I prefer first drafts to be with pencil.). This way I", "what service to whom I can send my handwritten pages and they will", "I assumed this specific job was a transcriptionist, but that is technically for", "(I prefer first drafts to be with pencil.). This way I can juggle", "first drafts to be with pencil.). This way I can juggle more projects.", "go straight to the editing process. (I prefer first drafts to be with", "novel, so that I can go straight to the editing process. (I prefer", "was a transcriptionist, but that is technically for speech. Or am I wrong?" ]
[ "etc. By specific, I mean things like, \"what does the populace think about", "\"Are there minority languages spoken there? How are they viewed?\" etc. Also, what", "(specific & general) make up a country?(specifically, in a fantasy universe) To clarify,", "to turn a country into an empire?(if a relatively small one) Side note;", "the type of government, the official language, type of infrastructure etc. By specific,", "viewed as useless? If so, who's really in power?\", \"Are there minority languages", "really in power?\", \"Are there minority languages spoken there? How are they viewed?\"", "empires? Anyway, so sorry if my question isn't clear, I've never used this", "of government, the official language, type of infrastructure etc. By specific, I mean", "If so, who's really in power?\", \"Are there minority languages spoken there? How", "I mean general I mean things such as the type of government, the", "mean general I mean things such as the type of government, the official", "the populace think about their government? Is it viewed as useless? If so,", "a fantasy universe) To clarify, when I mean general I mean things such", "I mean things like, \"what does the populace think about their government? Is", "as useless? If so, who's really in power?\", \"Are there minority languages spoken", "a relatively small one) Side note; What are some historical examples of small", "country?(specifically, in a fantasy universe) To clarify, when I mean general I mean", "examples of small countries that grew into empires? Anyway, so sorry if my", "that grew into empires? Anyway, so sorry if my question isn't clear, I've", "there minority languages spoken there? How are they viewed?\" etc. Also, what steps", "What are some historical examples of small countries that grew into empires? Anyway,", "useless? If so, who's really in power?\", \"Are there minority languages spoken there?", "one) Side note; What are some historical examples of small countries that grew", "universe) To clarify, when I mean general I mean things such as the", "government, the official language, type of infrastructure etc. By specific, I mean things", "things (specific & general) make up a country?(specifically, in a fantasy universe) To", "when I mean general I mean things such as the type of government,", "some historical examples of small countries that grew into empires? Anyway, so sorry", "Side note; What are some historical examples of small countries that grew into", "type of infrastructure etc. By specific, I mean things like, \"what does the", "type of government, the official language, type of infrastructure etc. By specific, I", "steps should be taken to turn a country into an empire?(if a relatively", "so sorry if my question isn't clear, I've never used this site(or one", "are some historical examples of small countries that grew into empires? Anyway, so", "By specific, I mean things like, \"what does the populace think about their", "Also, what steps should be taken to turn a country into an empire?(if", "such as the type of government, the official language, type of infrastructure etc.", "into empires? Anyway, so sorry if my question isn't clear, I've never used", "I mean things such as the type of government, the official language, type", "turn a country into an empire?(if a relatively small one) Side note; What", "infrastructure etc. By specific, I mean things like, \"what does the populace think", "does the populace think about their government? Is it viewed as useless? If", "they viewed?\" etc. Also, what steps should be taken to turn a country", "sorry if my question isn't clear, I've never used this site(or one like", "be taken to turn a country into an empire?(if a relatively small one)", "what steps should be taken to turn a country into an empire?(if a", "languages spoken there? How are they viewed?\" etc. Also, what steps should be", "if my question isn't clear, I've never used this site(or one like it)", "mean things like, \"what does the populace think about their government? Is it", "of infrastructure etc. By specific, I mean things like, \"what does the populace", "etc. Also, what steps should be taken to turn a country into an", "like, \"what does the populace think about their government? Is it viewed as", "mean things such as the type of government, the official language, type of", "are they viewed?\" etc. Also, what steps should be taken to turn a", "language, type of infrastructure etc. By specific, I mean things like, \"what does", "an empire?(if a relatively small one) Side note; What are some historical examples", "power?\", \"Are there minority languages spoken there? How are they viewed?\" etc. Also,", "government? Is it viewed as useless? If so, who's really in power?\", \"Are", "their government? Is it viewed as useless? If so, who's really in power?\",", "fantasy universe) To clarify, when I mean general I mean things such as", "specific, I mean things like, \"what does the populace think about their government?", "things like, \"what does the populace think about their government? Is it viewed", "it viewed as useless? If so, who's really in power?\", \"Are there minority", "the official language, type of infrastructure etc. By specific, I mean things like,", "should be taken to turn a country into an empire?(if a relatively small", "things such as the type of government, the official language, type of infrastructure", "a country?(specifically, in a fantasy universe) To clarify, when I mean general I", "\"what does the populace think about their government? Is it viewed as useless?", "small one) Side note; What are some historical examples of small countries that", "general I mean things such as the type of government, the official language,", "countries that grew into empires? Anyway, so sorry if my question isn't clear,", "so, who's really in power?\", \"Are there minority languages spoken there? How are", "empire?(if a relatively small one) Side note; What are some historical examples of", "small countries that grew into empires? Anyway, so sorry if my question isn't", "as the type of government, the official language, type of infrastructure etc. By", "in power?\", \"Are there minority languages spoken there? How are they viewed?\" etc.", "of small countries that grew into empires? Anyway, so sorry if my question", "To clarify, when I mean general I mean things such as the type", "up a country?(specifically, in a fantasy universe) To clarify, when I mean general", "& general) make up a country?(specifically, in a fantasy universe) To clarify, when", "in a fantasy universe) To clarify, when I mean general I mean things", "viewed?\" etc. Also, what steps should be taken to turn a country into", "clarify, when I mean general I mean things such as the type of", "general) make up a country?(specifically, in a fantasy universe) To clarify, when I", "Anyway, so sorry if my question isn't clear, I've never used this site(or", "minority languages spoken there? How are they viewed?\" etc. Also, what steps should", "country into an empire?(if a relatively small one) Side note; What are some", "What things (specific & general) make up a country?(specifically, in a fantasy universe)", "relatively small one) Side note; What are some historical examples of small countries", "my question isn't clear, I've never used this site(or one like it) before!", "into an empire?(if a relatively small one) Side note; What are some historical", "historical examples of small countries that grew into empires? Anyway, so sorry if", "Is it viewed as useless? If so, who's really in power?\", \"Are there", "taken to turn a country into an empire?(if a relatively small one) Side", "make up a country?(specifically, in a fantasy universe) To clarify, when I mean", "official language, type of infrastructure etc. By specific, I mean things like, \"what", "about their government? Is it viewed as useless? If so, who's really in", "think about their government? Is it viewed as useless? If so, who's really", "note; What are some historical examples of small countries that grew into empires?", "How are they viewed?\" etc. Also, what steps should be taken to turn", "there? How are they viewed?\" etc. Also, what steps should be taken to", "spoken there? How are they viewed?\" etc. Also, what steps should be taken", "who's really in power?\", \"Are there minority languages spoken there? How are they", "a country into an empire?(if a relatively small one) Side note; What are", "grew into empires? Anyway, so sorry if my question isn't clear, I've never", "populace think about their government? Is it viewed as useless? If so, who's" ]
[ "have read the Art of War. How can I effectively make fun of", "Ya know, the stuff that only those can enjoy who have read the", "at the personality flaws of a politician instead of the flaws in his", "read the Art of War. How can I effectively make fun of them", "(the ideologies), and somehow hook in those who weren't too interested this in", "as bad as him. So, I want to make fun of ideologies, economic/political", "see on the internet is usually directed towards persons, and the jokes are", "of War. How can I effectively make fun of them (the ideologies), and", "in his strategies is a logical fallacy and signals that you're just as", "War. How can I effectively make fun of them (the ideologies), and somehow", "a logical fallacy and signals that you're just as bad as him. So,", "of the flaws in his strategies is a logical fallacy and signals that", "politician instead of the flaws in his strategies is a logical fallacy and", "useless, and temporary, besides, poking at the personality flaws of a politician instead", "persons, and the jokes are relatively easy. However, it's pretty much useless, and", "humor I see on the internet is usually directed towards persons, and the", "personality flaws of a politician instead of the flaws in his strategies is", "the flaws in his strategies is a logical fallacy and signals that you're", "economic/political strategies, and normal strategies. Ya know, the stuff that only those can", "Art of War. How can I effectively make fun of them (the ideologies),", "make fun of ideologies, economic/political strategies, and normal strategies. Ya know, the stuff", "them (the ideologies), and somehow hook in those who weren't too interested this", "political humor I see on the internet is usually directed towards persons, and", "jokes are relatively easy. However, it's pretty much useless, and temporary, besides, poking", "to make fun of ideologies, economic/political strategies, and normal strategies. Ya know, the", "However, it's pretty much useless, and temporary, besides, poking at the personality flaws", "as him. So, I want to make fun of ideologies, economic/political strategies, and", "and temporary, besides, poking at the personality flaws of a politician instead of", "fun of ideologies, economic/political strategies, and normal strategies. Ya know, the stuff that", "logical fallacy and signals that you're just as bad as him. So, I", "the jokes are relatively easy. However, it's pretty much useless, and temporary, besides,", "towards persons, and the jokes are relatively easy. However, it's pretty much useless,", "enjoy who have read the Art of War. How can I effectively make", "is usually directed towards persons, and the jokes are relatively easy. However, it's", "want to make fun of ideologies, economic/political strategies, and normal strategies. Ya know,", "are relatively easy. However, it's pretty much useless, and temporary, besides, poking at", "the personality flaws of a politician instead of the flaws in his strategies", "effectively make fun of them (the ideologies), and somehow hook in those who", "easy. However, it's pretty much useless, and temporary, besides, poking at the personality", "and signals that you're just as bad as him. So, I want to", "I want to make fun of ideologies, economic/political strategies, and normal strategies. Ya", "the Art of War. How can I effectively make fun of them (the", "somehow hook in those who weren't too interested this in the first place?", "signals that you're just as bad as him. So, I want to make", "strategies. Ya know, the stuff that only those can enjoy who have read", "much useless, and temporary, besides, poking at the personality flaws of a politician", "temporary, besides, poking at the personality flaws of a politician instead of the", "the internet is usually directed towards persons, and the jokes are relatively easy.", "besides, poking at the personality flaws of a politician instead of the flaws", "that you're just as bad as him. So, I want to make fun", "a politician instead of the flaws in his strategies is a logical fallacy", "fun of them (the ideologies), and somehow hook in those who weren't too", "directed towards persons, and the jokes are relatively easy. However, it's pretty much", "just as bad as him. So, I want to make fun of ideologies,", "can enjoy who have read the Art of War. How can I effectively", "can I effectively make fun of them (the ideologies), and somehow hook in", "and the jokes are relatively easy. However, it's pretty much useless, and temporary,", "fallacy and signals that you're just as bad as him. So, I want", "ideologies), and somehow hook in those who weren't too interested this in the", "only those can enjoy who have read the Art of War. How can", "his strategies is a logical fallacy and signals that you're just as bad", "flaws of a politician instead of the flaws in his strategies is a", "know, the stuff that only those can enjoy who have read the Art", "pretty much useless, and temporary, besides, poking at the personality flaws of a", "So, I want to make fun of ideologies, economic/political strategies, and normal strategies.", "it's pretty much useless, and temporary, besides, poking at the personality flaws of", "strategies is a logical fallacy and signals that you're just as bad as", "and somehow hook in those who weren't too interested this in the first", "I see on the internet is usually directed towards persons, and the jokes", "the stuff that only those can enjoy who have read the Art of", "make fun of them (the ideologies), and somehow hook in those who weren't", "strategies, and normal strategies. Ya know, the stuff that only those can enjoy", "normal strategies. Ya know, the stuff that only those can enjoy who have", "of ideologies, economic/political strategies, and normal strategies. Ya know, the stuff that only", "stuff that only those can enjoy who have read the Art of War.", "is a logical fallacy and signals that you're just as bad as him.", "instead of the flaws in his strategies is a logical fallacy and signals", "of them (the ideologies), and somehow hook in those who weren't too interested", "internet is usually directed towards persons, and the jokes are relatively easy. However,", "those can enjoy who have read the Art of War. How can I", "of a politician instead of the flaws in his strategies is a logical", "I effectively make fun of them (the ideologies), and somehow hook in those", "you're just as bad as him. So, I want to make fun of", "on the internet is usually directed towards persons, and the jokes are relatively", "ideologies, economic/political strategies, and normal strategies. Ya know, the stuff that only those", "poking at the personality flaws of a politician instead of the flaws in", "that only those can enjoy who have read the Art of War. How", "bad as him. So, I want to make fun of ideologies, economic/political strategies,", "who have read the Art of War. How can I effectively make fun", "relatively easy. However, it's pretty much useless, and temporary, besides, poking at the", "flaws in his strategies is a logical fallacy and signals that you're just", "usually directed towards persons, and the jokes are relatively easy. However, it's pretty", "him. So, I want to make fun of ideologies, economic/political strategies, and normal", "Most political humor I see on the internet is usually directed towards persons,", "and normal strategies. Ya know, the stuff that only those can enjoy who", "How can I effectively make fun of them (the ideologies), and somehow hook" ]
[ "\"It's a nice day,\" said Tbedy. > > > Does it come down", "tags? Does it have to do with flow? Should you choose one way", "Does it have to do with flow? Should you choose one way and", "are any \"rules\" about placement of the verb 'said.' As any avid reader", "said Tbedy. > > > Does it come down to having some variety", "speaking. Is there any real difference between the following: > > \"It's a", "day,\" Tbedy said. > > \"It's a nice day,\" said Tbedy. > >", "before and after the subject who is speaking. Is there any real difference", "with dialog tags? Does it have to do with flow? Should you choose", "said. > > \"It's a nice day,\" said Tbedy. > > > or:", "said Tbedy. > > > or: > > > Tbedy said, \"It's a", "'said' regularly appears before and after the subject who is speaking. Is there", "dialog tags? Does it have to do with flow? Should you choose one", "come down to having some variety with dialog tags? Does it have to", "said, \"It's a nice day.\" > > \"It's a nice day,\" said Tbedy.", "between the following: > > \"It's a nice day,\" Tbedy said. > >", "me if there are any \"rules\" about placement of the verb 'said.' As", "> > > Does it come down to having some variety with dialog", "it come down to having some variety with dialog tags? Does it have", "nice day,\" Tbedy said. > > \"It's a nice day,\" said Tbedy. >", "appears before and after the subject who is speaking. Is there any real", "> > \"It's a nice day,\" said Tbedy. > > > or: >", "Tbedy. > > > or: > > > Tbedy said, \"It's a nice", "tell me if there are any \"rules\" about placement of the verb 'said.'", "> > \"It's a nice day,\" Tbedy said. > > \"It's a nice", "there any real difference between the following: > > \"It's a nice day,\"", "or: > > > Tbedy said, \"It's a nice day.\" > > \"It's", "'said.' As any avid reader knows, 'said' regularly appears before and after the", "any real difference between the following: > > \"It's a nice day,\" Tbedy", "> \"It's a nice day,\" said Tbedy. > > > or: > >", "a nice day,\" said Tbedy. > > > or: > > > Tbedy", "> Tbedy said, \"It's a nice day.\" > > \"It's a nice day,\"", "Hope someone can tell me if there are any \"rules\" about placement of", "with flow? Should you choose one way and stick with it throughout a", "reader knows, 'said' regularly appears before and after the subject who is speaking.", "Tbedy said. > > \"It's a nice day,\" said Tbedy. > > >", "a nice day,\" Tbedy said. > > \"It's a nice day,\" said Tbedy.", "flow? Should you choose one way and stick with it throughout a novel?", "regularly appears before and after the subject who is speaking. Is there any", "day.\" > > \"It's a nice day,\" said Tbedy. > > > Does", "> > or: > > > Tbedy said, \"It's a nice day.\" >", "As any avid reader knows, 'said' regularly appears before and after the subject", "> > Does it come down to having some variety with dialog tags?", "knows, 'said' regularly appears before and after the subject who is speaking. Is", "to having some variety with dialog tags? Does it have to do with", "> > > or: > > > Tbedy said, \"It's a nice day.\"", "is speaking. Is there any real difference between the following: > > \"It's", "nice day,\" said Tbedy. > > > Does it come down to having", "> > Tbedy said, \"It's a nice day.\" > > \"It's a nice", "a nice day.\" > > \"It's a nice day,\" said Tbedy. > >", "\"It's a nice day,\" Tbedy said. > > \"It's a nice day,\" said", "variety with dialog tags? Does it have to do with flow? Should you", "> or: > > > Tbedy said, \"It's a nice day.\" > >", "real difference between the following: > > \"It's a nice day,\" Tbedy said.", "> > \"It's a nice day,\" said Tbedy. > > > Does it", "if there are any \"rules\" about placement of the verb 'said.' As any", "Is there any real difference between the following: > > \"It's a nice", "Tbedy said, \"It's a nice day.\" > > \"It's a nice day,\" said", "can tell me if there are any \"rules\" about placement of the verb", "who is speaking. Is there any real difference between the following: > >", "have to do with flow? Should you choose one way and stick with", "verb 'said.' As any avid reader knows, 'said' regularly appears before and after", "to do with flow? Should you choose one way and stick with it", "there are any \"rules\" about placement of the verb 'said.' As any avid", "following: > > \"It's a nice day,\" Tbedy said. > > \"It's a", "some variety with dialog tags? Does it have to do with flow? Should", "> \"It's a nice day,\" said Tbedy. > > > Does it come", "down to having some variety with dialog tags? Does it have to do", "Does it come down to having some variety with dialog tags? Does it", "> \"It's a nice day,\" Tbedy said. > > \"It's a nice day,\"", "Tbedy. > > > Does it come down to having some variety with", "day,\" said Tbedy. > > > Does it come down to having some", "\"rules\" about placement of the verb 'said.' As any avid reader knows, 'said'", "any \"rules\" about placement of the verb 'said.' As any avid reader knows,", "> Does it come down to having some variety with dialog tags? Does", "and after the subject who is speaking. Is there any real difference between", "nice day.\" > > \"It's a nice day,\" said Tbedy. > > >", "after the subject who is speaking. Is there any real difference between the", "a nice day,\" said Tbedy. > > > Does it come down to", "of the verb 'said.' As any avid reader knows, 'said' regularly appears before", "avid reader knows, 'said' regularly appears before and after the subject who is", "subject who is speaking. Is there any real difference between the following: >", "placement of the verb 'said.' As any avid reader knows, 'said' regularly appears", "it have to do with flow? Should you choose one way and stick", "having some variety with dialog tags? Does it have to do with flow?", "do with flow? Should you choose one way and stick with it throughout", "the following: > > \"It's a nice day,\" Tbedy said. > > \"It's", "someone can tell me if there are any \"rules\" about placement of the", "day,\" said Tbedy. > > > or: > > > Tbedy said, \"It's", "> > > Tbedy said, \"It's a nice day.\" > > \"It's a", "the verb 'said.' As any avid reader knows, 'said' regularly appears before and", "difference between the following: > > \"It's a nice day,\" Tbedy said. >", "nice day,\" said Tbedy. > > > or: > > > Tbedy said,", "any avid reader knows, 'said' regularly appears before and after the subject who", "the subject who is speaking. Is there any real difference between the following:", "about placement of the verb 'said.' As any avid reader knows, 'said' regularly", "\"It's a nice day,\" said Tbedy. > > > or: > > >", "\"It's a nice day.\" > > \"It's a nice day,\" said Tbedy. >" ]
[ "choice of words to describe him, is that appropriate? Would it bore readers?", "the repetition. One choice is to just \"tell\" rather than show and have", "character's name in dialogue (it just doesn't feel natural in a one on", "the concern of it being too repetitive to keep using a limited few", "my vocabulary skills. My friend brought up the concern of it being too", "I don't always want to refer to characters by their names (if I", "repetition (to avoid moments of \"who is this character?\") but it can also", "of my fictitious army. We got that, but to keep using the same", "involving this unnamed character is written in 3rd person narration. The narrator writes", "bore readers? * Blurting out his name before it fits the context. Most", "this character?\" or where did \"his friend\" come from when trying to come", "out his name before it fits the context. Most likely \"sir\" is the", "unnamed character is written in 3rd person narration. The narrator writes in 1st", "to brush up on my vocabulary skills. My friend brought up the concern", "of the characters as soon as the flashback appears, but I feel that", "keep using the same choice of words to describe him, is that appropriate?", "yet? Do you stick to a few labels for each character and keep", "trait, say \"the old\" or the young (insert whatever), but it gets to", "using those terms to describe them. At the same time I both like", "in a sentence. Things I'm trying to avoid: * Using the character's name", "on one conversation.) * Too much repetition. He's elderly, old, frail. He's the", "person. --- That said, what are your thoughts? How do you handle characters", "on my vocabulary skills. My friend brought up the concern of it being", "but I have a slightly different problem when writing. I don't always want", "to reveal yet? Do you stick to a few labels for each character", "He's elderly, old, frail. He's the commander of my fictitious army. We got", "the repetition (to avoid moments of \"who is this character?\") but it can", "without names, or those with names the story isn't ready to reveal yet?", "character refer to him as, unless it is an informal meeting. Even if", "is if I deviate too much it will be \"who is this character?\"", "narrator writes in 1st person with scenes that involve him, but when he's", "say \"the old\" or the young (insert whatever), but it gets to be", "scenes that involve him, but when he's seeing scenes involving other characters, the", "your thoughts? How do you handle characters without names, or those with names", "is this character?\") but it can also be limiting too. Almost to the", "avoid: * Using the character's name in dialogue (it just doesn't feel natural", "where did \"his friend\" come from when trying to come up with alternative", "to remember a long list of characters and names), so I want to", "time of his first appearance he's in a flashback of another character who", "my character refer to him as, unless it is an informal meeting. Even", "show and have the narrator just give the names of the characters as", "one conversation.) * Too much repetition. He's elderly, old, frail. He's the commander", "kind of loses something. Another thing to consider the scene involving this unnamed", "some other trait, say \"the old\" or the young (insert whatever), but it", "a few labels for each character and keep referring to them by those", "feel that kind of loses something. Another thing to consider the scene involving", "That said, what are your thoughts? How do you handle characters without names,", "too much it will be \"who is this character?\" or where did \"his", "writes in 1st person with scenes that involve him, but when he's seeing", "by their names (if I do, then I run into problems with people", "Blurting out his name before it fits the context. Most likely \"sir\" is", "what are your thoughts? How do you handle characters without names, or those", "scenes involving other characters, the style switches to 3rd person. --- That said,", "brought up the concern of it being too repetitive to keep using a", "him, is that appropriate? Would it bore readers? * Blurting out his name", "a sentence. Things I'm trying to avoid: * Using the character's name in", "person narration. The narrator writes in 1st person with scenes that involve him,", "I run into problems with people needing to remember a long list of", "words to describe him, is that appropriate? Would it bore readers? * Blurting", "context. Most likely \"sir\" is the word you'll hear my character refer to", "that kind of loses something. Another thing to consider the scene involving this", "my fictitious army. We got that, but to keep using the same choice", "is an informal meeting. Even if that happens, it feels more natural to", "main fear is if I deviate too much it will be \"who is", "much it will be \"who is this character?\" or where did \"his friend\"", "up with alternative titles to break up the repetition. One choice is to", "dialogue (it just doesn't feel natural in a one on one conversation.) ", "Another thing to consider the scene involving this unnamed character is written in", "3rd person narration. The narrator writes in 1st person with scenes that involve", "handle characters without names, or those with names the story isn't ready to", "character and keep referring to them by those titles, or come up with", "I feel that kind of loses something. Another thing to consider the scene", "probably a repeat of a previous question, but I have a slightly different", "to come up with alternative titles to break up the repetition. One choice", "previous question, but I have a slightly different problem when writing. I don't", "\"his friend\" come from when trying to come up with alternative titles to", "using a limited few words to describe an unnamed character. (eventually his name", "he's seeing scenes involving other characters, the style switches to 3rd person. ---", "consider the scene involving this unnamed character is written in 3rd person narration.", "ready to reveal yet? Do you stick to a few labels for each", "reveal yet? Do you stick to a few labels for each character and", "happens, it feels more natural to not be calling him out by name.", "I both like the repetition (to avoid moments of \"who is this character?\")", "limited few words to describe an unnamed character. (eventually his name does come", "trying to come up with alternative titles to break up the repetition. One", "be \"who is this character?\" or where did \"his friend\" come from when", "Almost to the the point of people wondering if I need to brush", "I want to pick some other trait, say \"the old\" or the young", "of another character who knows him well enough to not be using his", "you stick to a few labels for each character and keep referring to", "feel natural in a one on one conversation.) Too much repetition. He's", "frail. He's the commander of my fictitious army. We got that, but to", "want to pick some other trait, say \"the old\" or the young (insert", "to him as, unless it is an informal meeting. Even if that happens,", "names), so I want to pick some other trait, say \"the old\" or", "fictitious army. We got that, but to keep using the same choice of", "in dialogue (it just doesn't feel natural in a one on one conversation.)", "I deviate too much it will be \"who is this character?\" or where", "knows him well enough to not be using his name in a sentence.", "isn't ready to reveal yet? Do you stick to a few labels for", "seeing scenes involving other characters, the style switches to 3rd person. --- That", "\"who is this character?\") but it can also be limiting too. Almost to", "appropriate? Would it bore readers? * Blurting out his name before it fits", "(eventually his name does come to the story), but at the time of", "come up with alternative titles to break up the repetition. One choice is", "this unnamed character is written in 3rd person narration. The narrator writes in", "describe them. At the same time I both like the repetition (to avoid", "an informal meeting. Even if that happens, it feels more natural to not", "the characters as soon as the flashback appears, but I feel that kind", "from when trying to come up with alternative titles to break up the", "Even if that happens, it feels more natural to not be calling him", "point of people wondering if I need to brush up on my vocabulary", "the scene involving this unnamed character is written in 3rd person narration. The", "in 3rd person narration. The narrator writes in 1st person with scenes that", "to 3rd person. --- That said, what are your thoughts? How do you", "skills. My friend brought up the concern of it being too repetitive to", "the story), but at the time of his first appearance he's in a", "be limiting too. Almost to the the point of people wondering if I", "character is written in 3rd person narration. The narrator writes in 1st person", "don't always want to refer to characters by their names (if I do,", "up the concern of it being too repetitive to keep using a limited", "feels more natural to not be calling him out by name. * My", "be repetitive using those terms to describe them. At the same time I", "trying to avoid: * Using the character's name in dialogue (it just doesn't", "being too repetitive to keep using a limited few words to describe an", "but at the time of his first appearance he's in a flashback of", "to keep using a limited few words to describe an unnamed character. (eventually", "it will be \"who is this character?\" or where did \"his friend\" come", "or those with names the story isn't ready to reveal yet? Do you", "young (insert whatever), but it gets to be repetitive using those terms to", "is that appropriate? Would it bore readers? * Blurting out his name before", "it being too repetitive to keep using a limited few words to describe", "it bore readers? * Blurting out his name before it fits the context.", "to characters by their names (if I do, then I run into problems", "characters as soon as the flashback appears, but I feel that kind of", "just doesn't feel natural in a one on one conversation.) * Too much", "and keep referring to them by those titles, or come up with as", "unnamed character. (eventually his name does come to the story), but at the", "vocabulary skills. My friend brought up the concern of it being too repetitive", "that happens, it feels more natural to not be calling him out by", "those with names the story isn't ready to reveal yet? Do you stick", "involving other characters, the style switches to 3rd person. --- That said, what", "choice is to just \"tell\" rather than show and have the narrator just", "and names), so I want to pick some other trait, say \"the old\"", "does come to the story), but at the time of his first appearance", "* Blurting out his name before it fits the context. Most likely \"sir\"", "friend\" come from when trying to come up with alternative titles to break", "avoid moments of \"who is this character?\") but it can also be limiting", "--- That said, what are your thoughts? How do you handle characters without", "same time I both like the repetition (to avoid moments of \"who is", "he's in a flashback of another character who knows him well enough to", "his name before it fits the context. Most likely \"sir\" is the word", "up on my vocabulary skills. My friend brought up the concern of it", "is to just \"tell\" rather than show and have the narrator just give", "give the names of the characters as soon as the flashback appears, but", "each character and keep referring to them by those titles, or come up", "name in a sentence. Things I'm trying to avoid: * Using the character's", "natural in a one on one conversation.) * Too much repetition. He's elderly,", "it feels more natural to not be calling him out by name. ", "do you handle characters without names, or those with names the story isn't", "in 1st person with scenes that involve him, but when he's seeing scenes", "calling him out by name. My main fear is if I deviate", "you handle characters without names, or those with names the story isn't ready", "more natural to not be calling him out by name. * My main", "if I need to brush up on my vocabulary skills. My friend brought", "needing to remember a long list of characters and names), so I want", "characters by their names (if I do, then I run into problems with", "the context. Most likely \"sir\" is the word you'll hear my character refer", "just \"tell\" rather than show and have the narrator just give the names", "come from when trying to come up with alternative titles to break up", "repetition. He's elderly, old, frail. He's the commander of my fictitious army. We", "if that happens, it feels more natural to not be calling him out", "(insert whatever), but it gets to be repetitive using those terms to describe", "the names of the characters as soon as the flashback appears, but I", "commander of my fictitious army. We got that, but to keep using the", "their names (if I do, then I run into problems with people needing", "a repeat of a previous question, but I have a slightly different problem", "moments of \"who is this character?\") but it can also be limiting too.", "Too much repetition. He's elderly, old, frail. He's the commander of my fictitious", "enough to not be using his name in a sentence. Things I'm trying", "a one on one conversation.) * Too much repetition. He's elderly, old, frail.", "or the young (insert whatever), but it gets to be repetitive using those", "word you'll hear my character refer to him as, unless it is an", "Most likely \"sir\" is the word you'll hear my character refer to him", "run into problems with people needing to remember a long list of characters", "a flashback of another character who knows him well enough to not be", "to avoid: * Using the character's name in dialogue (it just doesn't feel", "the point of people wondering if I need to brush up on my", "it is an informal meeting. Even if that happens, it feels more natural", "as the flashback appears, but I feel that kind of loses something. Another", "another character who knows him well enough to not be using his name", "to not be using his name in a sentence. Things I'm trying to", "different problem when writing. I don't always want to refer to characters by", "both like the repetition (to avoid moments of \"who is this character?\") but", "repetitive using those terms to describe them. At the same time I both", "stick to a few labels for each character and keep referring to them", "Would it bore readers? * Blurting out his name before it fits the", "refer to characters by their names (if I do, then I run into", "in a one on one conversation.) * Too much repetition. He's elderly, old,", "to be repetitive using those terms to describe them. At the same time", "that, but to keep using the same choice of words to describe him,", "character?\" or where did \"his friend\" come from when trying to come up", "people needing to remember a long list of characters and names), so I", "narration. The narrator writes in 1st person with scenes that involve him, but", "too repetitive to keep using a limited few words to describe an unnamed", "them. At the same time I both like the repetition (to avoid moments", "name in dialogue (it just doesn't feel natural in a one on one", "I have a slightly different problem when writing. I don't always want to", "describe an unnamed character. (eventually his name does come to the story), but", "using the same choice of words to describe him, is that appropriate? Would", "the word you'll hear my character refer to him as, unless it is", "elderly, old, frail. He's the commander of my fictitious army. We got that,", "of loses something. Another thing to consider the scene involving this unnamed character", "is this character?\" or where did \"his friend\" come from when trying to", "appearance he's in a flashback of another character who knows him well enough", "whatever), but it gets to be repetitive using those terms to describe them.", "few words to describe an unnamed character. (eventually his name does come to", "names (if I do, then I run into problems with people needing to", "same choice of words to describe him, is that appropriate? Would it bore", "natural to not be calling him out by name. * My main fear", "unless it is an informal meeting. Even if that happens, it feels more", "old\" or the young (insert whatever), but it gets to be repetitive using", "limiting too. Almost to the the point of people wondering if I need", "a long list of characters and names), so I want to pick some", "(it just doesn't feel natural in a one on one conversation.) * Too", "the the point of people wondering if I need to brush up on", "as soon as the flashback appears, but I feel that kind of loses", "into problems with people needing to remember a long list of characters and", "him out by name. * My main fear is if I deviate too", "to break up the repetition. One choice is to just \"tell\" rather than", "that appropriate? Would it bore readers? * Blurting out his name before it", "the flashback appears, but I feel that kind of loses something. Another thing", "to refer to characters by their names (if I do, then I run", "of people wondering if I need to brush up on my vocabulary skills.", "I do, then I run into problems with people needing to remember a", "fear is if I deviate too much it will be \"who is this", "character who knows him well enough to not be using his name in", "something. Another thing to consider the scene involving this unnamed character is written", "using his name in a sentence. Things I'm trying to avoid: * Using", "old, frail. He's the commander of my fictitious army. We got that, but", "repeat of a previous question, but I have a slightly different problem when", "as, unless it is an informal meeting. Even if that happens, it feels", "appears, but I feel that kind of loses something. Another thing to consider", "other characters, the style switches to 3rd person. --- That said, what are", "when he's seeing scenes involving other characters, the style switches to 3rd person.", "hear my character refer to him as, unless it is an informal meeting.", "if I deviate too much it will be \"who is this character?\" or", "Using the character's name in dialogue (it just doesn't feel natural in a", "or where did \"his friend\" come from when trying to come up with", "remember a long list of characters and names), so I want to pick", "name. * My main fear is if I deviate too much it will", "brush up on my vocabulary skills. My friend brought up the concern of", "thing to consider the scene involving this unnamed character is written in 3rd", "this character?\") but it can also be limiting too. Almost to the the", "to not be calling him out by name. * My main fear is", "out by name. * My main fear is if I deviate too much", "1st person with scenes that involve him, but when he's seeing scenes involving", "to them by those titles, or come up with as many as possible?", "an unnamed character. (eventually his name does come to the story), but at", "it can also be limiting too. Almost to the the point of people", "characters, the style switches to 3rd person. --- That said, what are your", "is written in 3rd person narration. The narrator writes in 1st person with", "than show and have the narrator just give the names of the characters", "switches to 3rd person. --- That said, what are your thoughts? How do", "How do you handle characters without names, or those with names the story", "like the repetition (to avoid moments of \"who is this character?\") but it", "to describe an unnamed character. (eventually his name does come to the story),", "\"tell\" rather than show and have the narrator just give the names of", "but it can also be limiting too. Almost to the the point of", "be calling him out by name. * My main fear is if I", "first appearance he's in a flashback of another character who knows him well", "* My main fear is if I deviate too much it will be", "refer to him as, unless it is an informal meeting. Even if that", "of words to describe him, is that appropriate? Would it bore readers? ", "written in 3rd person narration. The narrator writes in 1st person with scenes", " Using the character's name in dialogue (it just doesn't feel natural in", "to describe them. At the same time I both like the repetition (to", "wondering if I need to brush up on my vocabulary skills. My friend", "describe him, is that appropriate? Would it bore readers? * Blurting out his", "characters without names, or those with names the story isn't ready to reveal", "when trying to come up with alternative titles to break up the repetition.", "\"who is this character?\" or where did \"his friend\" come from when trying", "involve him, but when he's seeing scenes involving other characters, the style switches", "army. We got that, but to keep using the same choice of words", "just give the names of the characters as soon as the flashback appears,", "it fits the context. Most likely \"sir\" is the word you'll hear my", "be using his name in a sentence. Things I'm trying to avoid: ", "with alternative titles to break up the repetition. One choice is to just", "question, but I have a slightly different problem when writing. I don't always", "people wondering if I need to brush up on my vocabulary skills. My", "My friend brought up the concern of it being too repetitive to keep", "fits the context. Most likely \"sir\" is the word you'll hear my character", "him well enough to not be using his name in a sentence. Things", "of his first appearance he's in a flashback of another character who knows", "3rd person. --- That said, what are your thoughts? How do you handle", "did \"his friend\" come from when trying to come up with alternative titles", "story), but at the time of his first appearance he's in a flashback", "one on one conversation.) Too much repetition. He's elderly, old, frail. He's", "names of the characters as soon as the flashback appears, but I feel", "characters and names), so I want to pick some other trait, say \"the", "likely \"sir\" is the word you'll hear my character refer to him as,", "My main fear is if I deviate too much it will be \"who", "his name does come to the story), but at the time of his", "labels for each character and keep referring to them by those titles, or", "to keep using the same choice of words to describe him, is that", "but it gets to be repetitive using those terms to describe them. At", "the commander of my fictitious army. We got that, but to keep using", "the young (insert whatever), but it gets to be repetitive using those terms", "words to describe an unnamed character. (eventually his name does come to the", "before it fits the context. Most likely \"sir\" is the word you'll hear", "He's the commander of my fictitious army. We got that, but to keep", "with names the story isn't ready to reveal yet? Do you stick to", "the time of his first appearance he's in a flashback of another character", "deviate too much it will be \"who is this character?\" or where did", "want to refer to characters by their names (if I do, then I", "We got that, but to keep using the same choice of words to", "slightly different problem when writing. I don't always want to refer to characters", "the same time I both like the repetition (to avoid moments of \"who", "to a few labels for each character and keep referring to them by", "and have the narrator just give the names of the characters as soon", "up the repetition. One choice is to just \"tell\" rather than show and", "keep referring to them by those titles, or come up with as many", "of characters and names), so I want to pick some other trait, say", "repetition. One choice is to just \"tell\" rather than show and have the", "need to brush up on my vocabulary skills. My friend brought up the", "but I feel that kind of loses something. Another thing to consider the", "his name in a sentence. Things I'm trying to avoid: * Using the", "those terms to describe them. At the same time I both like the", "Things I'm trying to avoid: * Using the character's name in dialogue (it", "are your thoughts? How do you handle characters without names, or those with", "a slightly different problem when writing. I don't always want to refer to", "the character's name in dialogue (it just doesn't feel natural in a one", "I need to brush up on my vocabulary skills. My friend brought up", "problems with people needing to remember a long list of characters and names),", "terms to describe them. At the same time I both like the repetition", "names the story isn't ready to reveal yet? Do you stick to a", "concern of it being too repetitive to keep using a limited few words", "rather than show and have the narrator just give the names of the", "to the the point of people wondering if I need to brush up", "loses something. Another thing to consider the scene involving this unnamed character is", "time I both like the repetition (to avoid moments of \"who is this", "soon as the flashback appears, but I feel that kind of loses something.", "repetitive to keep using a limited few words to describe an unnamed character.", "informal meeting. Even if that happens, it feels more natural to not be", "to just \"tell\" rather than show and have the narrator just give the", "of it being too repetitive to keep using a limited few words to", "writing. I don't always want to refer to characters by their names (if", "referring to them by those titles, or come up with as many as", "sentence. Things I'm trying to avoid: * Using the character's name in dialogue", "Do you stick to a few labels for each character and keep referring", "not be using his name in a sentence. Things I'm trying to avoid:", "readers? * Blurting out his name before it fits the context. Most likely", "his first appearance he's in a flashback of another character who knows him", "the story isn't ready to reveal yet? Do you stick to a few", "with people needing to remember a long list of characters and names), so", "story isn't ready to reveal yet? Do you stick to a few labels", "by name. * My main fear is if I deviate too much it", "at the time of his first appearance he's in a flashback of another", "name before it fits the context. Most likely \"sir\" is the word you'll", "said, what are your thoughts? How do you handle characters without names, or", "not be calling him out by name. * My main fear is if", "a limited few words to describe an unnamed character. (eventually his name does", "scene involving this unnamed character is written in 3rd person narration. The narrator", "but to keep using the same choice of words to describe him, is", "of \"who is this character?\") but it can also be limiting too. Almost", "in a flashback of another character who knows him well enough to not", "This is probably a repeat of a previous question, but I have a", "pick some other trait, say \"the old\" or the young (insert whatever), but", "to consider the scene involving this unnamed character is written in 3rd person", "to the story), but at the time of his first appearance he's in", "him, but when he's seeing scenes involving other characters, the style switches to", "do, then I run into problems with people needing to remember a long", "long list of characters and names), so I want to pick some other", "\"the old\" or the young (insert whatever), but it gets to be repetitive", "meeting. Even if that happens, it feels more natural to not be calling", "always want to refer to characters by their names (if I do, then", "then I run into problems with people needing to remember a long list", "break up the repetition. One choice is to just \"tell\" rather than show", "flashback appears, but I feel that kind of loses something. Another thing to", "so I want to pick some other trait, say \"the old\" or the", "* Too much repetition. He's elderly, old, frail. He's the commander of my", "style switches to 3rd person. --- That said, what are your thoughts? How", "At the same time I both like the repetition (to avoid moments of", "flashback of another character who knows him well enough to not be using", "narrator just give the names of the characters as soon as the flashback", "doesn't feel natural in a one on one conversation.) * Too much repetition.", "keep using a limited few words to describe an unnamed character. (eventually his", "who knows him well enough to not be using his name in a", "the style switches to 3rd person. --- That said, what are your thoughts?", "have a slightly different problem when writing. I don't always want to refer", "other trait, say \"the old\" or the young (insert whatever), but it gets", "will be \"who is this character?\" or where did \"his friend\" come from", "the narrator just give the names of the characters as soon as the", "names, or those with names the story isn't ready to reveal yet? Do", "character?\") but it can also be limiting too. Almost to the the point", "to pick some other trait, say \"the old\" or the young (insert whatever),", "for each character and keep referring to them by those titles, or come", "but when he's seeing scenes involving other characters, the style switches to 3rd", "got that, but to keep using the same choice of words to describe", "I'm trying to avoid: * Using the character's name in dialogue (it just", "(if I do, then I run into problems with people needing to remember", "when writing. I don't always want to refer to characters by their names", "of a previous question, but I have a slightly different problem when writing.", "can also be limiting too. Almost to the the point of people wondering", "conversation.) * Too much repetition. He's elderly, old, frail. He's the commander of", "well enough to not be using his name in a sentence. Things I'm", "much repetition. He's elderly, old, frail. He's the commander of my fictitious army.", "thoughts? How do you handle characters without names, or those with names the", "name does come to the story), but at the time of his first", "him as, unless it is an informal meeting. Even if that happens, it", "you'll hear my character refer to him as, unless it is an informal", "person with scenes that involve him, but when he's seeing scenes involving other", "friend brought up the concern of it being too repetitive to keep using", "alternative titles to break up the repetition. One choice is to just \"tell\"", "(to avoid moments of \"who is this character?\") but it can also be", "gets to be repetitive using those terms to describe them. At the same", "character. (eventually his name does come to the story), but at the time", "come to the story), but at the time of his first appearance he's", "\"sir\" is the word you'll hear my character refer to him as, unless", "a previous question, but I have a slightly different problem when writing. I", "list of characters and names), so I want to pick some other trait,", "is the word you'll hear my character refer to him as, unless it", "it gets to be repetitive using those terms to describe them. At the", "The narrator writes in 1st person with scenes that involve him, but when", "too. Almost to the the point of people wondering if I need to", "that involve him, but when he's seeing scenes involving other characters, the style", "is probably a repeat of a previous question, but I have a slightly", "the same choice of words to describe him, is that appropriate? Would it", "few labels for each character and keep referring to them by those titles,", "titles to break up the repetition. One choice is to just \"tell\" rather", "One choice is to just \"tell\" rather than show and have the narrator", "problem when writing. I don't always want to refer to characters by their", "to describe him, is that appropriate? Would it bore readers? * Blurting out", "have the narrator just give the names of the characters as soon as", "also be limiting too. Almost to the the point of people wondering if", "with scenes that involve him, but when he's seeing scenes involving other characters," ]
[ "that scream of pain he will let out once he's stabbed, I tried", "a scene where the hero is stabbed in the heart by a dark", "first language so I googled it) Another situation is when the heroine is", "hero and bringing him back to the healer, I wrote: \" 'Guardian help...'", "movements and hand gestures, and their eyes and facial expressions, I find it", "healer, I wrote: \" 'Guardian help...' she said in a panicked voice\" I", "eyes and facial expressions, I find it really hard to find the right", "it helped a lot. To give more details about the situation, I am", "I don't know the verb for that scream of pain he will let", "\" 'Guardian help...' she said in a panicked voice\" I don't know if", "and found some verbs like groan and wail but when I searched their", "wrote: \" 'Guardian help...' she said in a panicked voice\" I don't know", "when I try to describe the actions of characters, their body movements and", "out once he's stabbed, I tried searching the thesaurus for synonyms and found", "situation is when the heroine is rescuing the hero and bringing him back", "I find it really hard to find the right words to communicate my", "language so I googled it) Another situation is when the heroine is rescuing", "said in a panicked voice\" I don't know if there is a verb", "don't know if there is a verb to shorten \"she said in a", "I see to the reader. Do you have any tips about that? What", "you personally do in a situation like this? Update: Thank you all for", "and their eyes and facial expressions, I find it really hard to find", "angel and I don't know the verb for that scream of pain he", "the actions of characters, their body movements and hand gestures, and their eyes", "tips about that? What do you personally do in a situation like this?", "do in a situation like this? Update: Thank you all for your answers,", "the heart by a dark angel and I don't know the verb for", "know the verb for that scream of pain he will let out once", "so I googled it) Another situation is when the heroine is rescuing the", "see to the reader. Do you have any tips about that? What do", "thesaurus for synonyms and found some verbs like groan and wail but when", "a verb to shorten \"she said in a panicked voice\" description. I am", "the hero is stabbed in the heart by a dark angel and I", "verbs like groan and wail but when I searched their sound, they were", "where the hero is stabbed in the heart by a dark angel and", "description. I am sorry if my question sounds silly, it's because this is", "is a verb to shorten \"she said in a panicked voice\" description. I", "stabbed in the heart by a dark angel and I don't know the", "my imagination and what I see to the reader. Do you have any", "don't know the verb for that scream of pain he will let out", "heroine is rescuing the hero and bringing him back to the healer, I", "you all for your answers, it helped a lot. To give more details", "Thank you all for your answers, it helped a lot. To give more", "sometimes when I try to describe the actions of characters, their body movements", "facial expressions, I find it really hard to find the right words to", "really hard to find the right words to communicate my imagination and what", "about that? What do you personally do in a situation like this? Update:", "their eyes and facial expressions, I find it really hard to find the", "any tips about that? What do you personally do in a situation like", "Another situation is when the heroine is rescuing the hero and bringing him", "bringing him back to the healer, I wrote: \" 'Guardian help...' she said", "do you personally do in a situation like this? Update: Thank you all", "not my first language so I googled it) Another situation is when the", "trying to write a scene where the hero is stabbed in the heart", "that? What do you personally do in a situation like this? Update: Thank", "tried searching the thesaurus for synonyms and found some verbs like groan and", "I try to describe the actions of characters, their body movements and hand", "not the verbs I'm looking for (English is not my first language so", "voice\" I don't know if there is a verb to shorten \"she said", "to find the right words to communicate my imagination and what I see", "is not my first language so I googled it) Another situation is when", "for your answers, it helped a lot. To give more details about the", "hard to find the right words to communicate my imagination and what I", "body movements and hand gestures, and their eyes and facial expressions, I find", "the thesaurus for synonyms and found some verbs like groan and wail but", "What do you personally do in a situation like this? Update: Thank you", "you have any tips about that? What do you personally do in a", "give more details about the situation, I am trying to write a scene", "Update: Thank you all for your answers, it helped a lot. To give", "I wrote: \" 'Guardian help...' she said in a panicked voice\" I don't", "reader. Do you have any tips about that? What do you personally do", "when the heroine is rescuing the hero and bringing him back to the", "have any tips about that? What do you personally do in a situation", "when I searched their sound, they were not the verbs I'm looking for", "personally do in a situation like this? Update: Thank you all for your", "and what I see to the reader. Do you have any tips about", "your answers, it helped a lot. To give more details about the situation,", "about the situation, I am trying to write a scene where the hero", "like this? Update: Thank you all for your answers, it helped a lot.", "panicked voice\" description. I am sorry if my question sounds silly, it's because", "find it really hard to find the right words to communicate my imagination", "to communicate my imagination and what I see to the reader. Do you", "details about the situation, I am trying to write a scene where the", "shorten \"she said in a panicked voice\" description. I am sorry if my", "my very first short story. a romantic fantasy, and sometimes when I try", "verb to shorten \"she said in a panicked voice\" description. I am sorry", "looking for (English is not my first language so I googled it) Another", "To give more details about the situation, I am trying to write a", "the right words to communicate my imagination and what I see to the", "helped a lot. To give more details about the situation, I am trying", "scream of pain he will let out once he's stabbed, I tried searching", "groan and wail but when I searched their sound, they were not the", "communicate my imagination and what I see to the reader. Do you have", "verbs I'm looking for (English is not my first language so I googled", "he will let out once he's stabbed, I tried searching the thesaurus for", "wail but when I searched their sound, they were not the verbs I'm", "\"she said in a panicked voice\" description. I am sorry if my question", "characters, their body movements and hand gestures, and their eyes and facial expressions,", "were not the verbs I'm looking for (English is not my first language", "a dark angel and I don't know the verb for that scream of", "back to the healer, I wrote: \" 'Guardian help...' she said in a", "words to communicate my imagination and what I see to the reader. Do", "let out once he's stabbed, I tried searching the thesaurus for synonyms and", "their sound, they were not the verbs I'm looking for (English is not", "but when I searched their sound, they were not the verbs I'm looking", "stabbed, I tried searching the thesaurus for synonyms and found some verbs like", "pain he will let out once he's stabbed, I tried searching the thesaurus", "to describe the actions of characters, their body movements and hand gestures, and", "scene where the hero is stabbed in the heart by a dark angel", "romantic fantasy, and sometimes when I try to describe the actions of characters,", "Do you have any tips about that? What do you personally do in", "in a situation like this? Update: Thank you all for your answers, it", "try to describe the actions of characters, their body movements and hand gestures,", "imagination and what I see to the reader. Do you have any tips", "some verbs like groan and wail but when I searched their sound, they", "'Guardian help...' she said in a panicked voice\" I don't know if there", "voice\" description. I am sorry if my question sounds silly, it's because this", "first short story. a romantic fantasy, and sometimes when I try to describe", "is stabbed in the heart by a dark angel and I don't know", "the heroine is rescuing the hero and bringing him back to the healer,", "for that scream of pain he will let out once he's stabbed, I", "actions of characters, their body movements and hand gestures, and their eyes and", "and wail but when I searched their sound, they were not the verbs", "dark angel and I don't know the verb for that scream of pain", "verb for that scream of pain he will let out once he's stabbed,", "searched their sound, they were not the verbs I'm looking for (English is", "find the right words to communicate my imagination and what I see to", "if there is a verb to shorten \"she said in a panicked voice\"", "and facial expressions, I find it really hard to find the right words", "the situation, I am trying to write a scene where the hero is", "I googled it) Another situation is when the heroine is rescuing the hero", "and bringing him back to the healer, I wrote: \" 'Guardian help...' she", "a situation like this? Update: Thank you all for your answers, it helped", "my first language so I googled it) Another situation is when the heroine", "googled it) Another situation is when the heroine is rescuing the hero and", "I searched their sound, they were not the verbs I'm looking for (English", "said in a panicked voice\" description. I am sorry if my question sounds", "sorry if my question sounds silly, it's because this is my first story", "am trying to write a scene where the hero is stabbed in the", "they were not the verbs I'm looking for (English is not my first", "and hand gestures, and their eyes and facial expressions, I find it really", "for synonyms and found some verbs like groan and wail but when I", "in the heart by a dark angel and I don't know the verb", "story. a romantic fantasy, and sometimes when I try to describe the actions", "I don't know if there is a verb to shorten \"she said in", "the verb for that scream of pain he will let out once he's", "like groan and wail but when I searched their sound, they were not", "him back to the healer, I wrote: \" 'Guardian help...' she said in", "he's stabbed, I tried searching the thesaurus for synonyms and found some verbs", "she said in a panicked voice\" I don't know if there is a", "know if there is a verb to shorten \"she said in a panicked", "my question sounds silly, it's because this is my first story writing piece.", "heart by a dark angel and I don't know the verb for that", "by a dark angel and I don't know the verb for that scream", "I'm writing my very first short story. a romantic fantasy, and sometimes when", "situation, I am trying to write a scene where the hero is stabbed", "to write a scene where the hero is stabbed in the heart by", "their body movements and hand gestures, and their eyes and facial expressions, I", "the reader. Do you have any tips about that? What do you personally", "write a scene where the hero is stabbed in the heart by a", "panicked voice\" I don't know if there is a verb to shorten \"she", "answers, it helped a lot. To give more details about the situation, I", "a lot. To give more details about the situation, I am trying to", "help...' she said in a panicked voice\" I don't know if there is", "will let out once he's stabbed, I tried searching the thesaurus for synonyms", "it) Another situation is when the heroine is rescuing the hero and bringing", "to the healer, I wrote: \" 'Guardian help...' she said in a panicked", "I tried searching the thesaurus for synonyms and found some verbs like groan", "to the reader. Do you have any tips about that? What do you", "(English is not my first language so I googled it) Another situation is", "it really hard to find the right words to communicate my imagination and", "gestures, and their eyes and facial expressions, I find it really hard to", "am sorry if my question sounds silly, it's because this is my first", "very first short story. a romantic fantasy, and sometimes when I try to", "is when the heroine is rescuing the hero and bringing him back to", "hand gestures, and their eyes and facial expressions, I find it really hard", "once he's stabbed, I tried searching the thesaurus for synonyms and found some", "expressions, I find it really hard to find the right words to communicate", "situation like this? Update: Thank you all for your answers, it helped a", "in a panicked voice\" I don't know if there is a verb to", "sound, they were not the verbs I'm looking for (English is not my", "I am trying to write a scene where the hero is stabbed in", "describe the actions of characters, their body movements and hand gestures, and their", "I am sorry if my question sounds silly, it's because this is my", "and I don't know the verb for that scream of pain he will", "there is a verb to shorten \"she said in a panicked voice\" description.", "short story. a romantic fantasy, and sometimes when I try to describe the", "I'm looking for (English is not my first language so I googled it)", "the hero and bringing him back to the healer, I wrote: \" 'Guardian", "right words to communicate my imagination and what I see to the reader.", "all for your answers, it helped a lot. To give more details about", "this? Update: Thank you all for your answers, it helped a lot. To", "writing my very first short story. a romantic fantasy, and sometimes when I", "fantasy, and sometimes when I try to describe the actions of characters, their", "searching the thesaurus for synonyms and found some verbs like groan and wail", "lot. To give more details about the situation, I am trying to write", "to shorten \"she said in a panicked voice\" description. I am sorry if", "more details about the situation, I am trying to write a scene where", "the verbs I'm looking for (English is not my first language so I", "is rescuing the hero and bringing him back to the healer, I wrote:", "for (English is not my first language so I googled it) Another situation", "in a panicked voice\" description. I am sorry if my question sounds silly,", "hero is stabbed in the heart by a dark angel and I don't", "a panicked voice\" description. I am sorry if my question sounds silly, it's", "of characters, their body movements and hand gestures, and their eyes and facial", "if my question sounds silly, it's because this is my first story writing", "and sometimes when I try to describe the actions of characters, their body", "what I see to the reader. Do you have any tips about that?", "the healer, I wrote: \" 'Guardian help...' she said in a panicked voice\"", "rescuing the hero and bringing him back to the healer, I wrote: \"", "found some verbs like groan and wail but when I searched their sound,", "a panicked voice\" I don't know if there is a verb to shorten", "a romantic fantasy, and sometimes when I try to describe the actions of", "of pain he will let out once he's stabbed, I tried searching the", "synonyms and found some verbs like groan and wail but when I searched" ]
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I'm currently reading \"How To", "Proposal\" (Those aren't the EXACT titles). While full of useful information, I find", "the EXACT titles). While full of useful information, I find myself frequently wanting", "that they guide aspiring writers into producing cookie cutter works? I'm currently reading", "Write A Book Proposal\" (Those aren't the EXACT titles). While full of useful" ]
[ "me being really slow). I don't understand what they mean or how they", "kind of testimonial. But I don't get the other two at all (perhaps", "of the magazine as some kind of testimonial. But I don't get the", "of meetings unnoticed I can't, for the life of me, understand what message", "as some kind of testimonial. But I don't get the other two at", "not the father 3. Lose the ability to slip out of meetings unnoticed", "One of the exercises is to write your own headlines in the style", "I think I get the first one, in that it is meant as", "get the first one, in that it is meant as a joke by", "1. \"I never read The Economist\" 2. The pregnant pause. Make sure you're", "2. The pregnant pause. Make sure you're not the father 3. Lose the", "some kind of testimonial. But I don't get the other two at all", "just me being really slow). I don't understand what they mean or how", "by using someone's negative opinion of the magazine as some kind of testimonial.", "however. I think I get the first one, in that it is meant", "Economist\" 2. The pregnant pause. Make sure you're not the father 3. Lose", "is just me being really slow). I don't understand what they mean or", "to slip out of meetings unnoticed I can't, for the life of me,", "first one, in that it is meant as a joke by using someone's", "help me improve in the areas of advertising and idea generation. Throughout the", "slip out of meetings unnoticed I can't, for the life of me, understand", "testimonial. But I don't get the other two at all (perhaps this is", "can't, for the life of me, understand what message these adverts are trying", "'The Advertising Concept Book' to help me improve in the areas of advertising", "get the other two at all (perhaps this is just me being really", "examples provided: 1. \"I never read The Economist\" 2. The pregnant pause. Make", "Concept Book' to help me improve in the areas of advertising and idea", "with the following examples provided: 1. \"I never read The Economist\" 2. The", "me, understand what message these adverts are trying to convey however. I think", "in the areas of advertising and idea generation. Throughout the book, there are", "exercises is to write your own headlines in the style of The Economists", "me improve in the areas of advertising and idea generation. Throughout the book,", "are trying to convey however. I think* I get the first one, in", "the ability to slip out of meetings unnoticed I can't, for the life", "the style of The Economists advertising campaign, with the following examples provided: 1.", "put your new found knowledge into practice. One of the exercises is to", "these adverts are trying to convey however. I think I get the first", "I get the first one, in that it is meant as a joke", "help put your new found knowledge into practice. One of the exercises is", "Lose the ability to slip out of meetings unnoticed I can't, for the", "to write your own headlines in the style of The Economists advertising campaign,", "message these adverts are trying to convey however. I think I get the", "your own headlines in the style of The Economists advertising campaign, with the", "ability to slip out of meetings unnoticed I can't, for the life of", "Throughout the book, there are short exercises to help put your new found", "father 3. Lose the ability to slip out of meetings unnoticed I can't,", "in the style of The Economists advertising campaign, with the following examples provided:", "pregnant pause. Make sure you're not the father 3. Lose the ability to", "the father 3. Lose the ability to slip out of meetings unnoticed I", "improve in the areas of advertising and idea generation. Throughout the book, there", "are short exercises to help put your new found knowledge into practice. One", "Make sure you're not the father 3. Lose the ability to slip out", "of testimonial. But I don't get the other two at all (perhaps this", "for the life of me, understand what message these adverts are trying to", "never read The Economist\" 2. The pregnant pause. Make sure you're not the", "Advertising Concept Book' to help me improve in the areas of advertising and", "But I don't get the other two at all (perhaps this is just", "generation. Throughout the book, there are short exercises to help put your new", "style of The Economists advertising campaign, with the following examples provided: 1. \"I", "The pregnant pause. Make sure you're not the father 3. Lose the ability", "of The Economists advertising campaign, with the following examples provided: 1. \"I never", "slow). I don't understand what they mean or how they relate to the", "to convey however. I think* I get the first one, in that it", "understand what message these adverts are trying to convey however. I think I", "meetings unnoticed I can't, for the life of me, understand what message these", "I don't understand what they mean or how they relate to the magazine?", "to help put your new found knowledge into practice. One of the exercises", "as a joke by using someone's negative opinion of the magazine as some", "someone's negative opinion of the magazine as some kind of testimonial. But I", "exercises to help put your new found knowledge into practice. One of the", "one, in that it is meant as a joke by using someone's negative", "of the exercises is to write your own headlines in the style of", "the first one, in that it is meant as a joke by using", "is to write your own headlines in the style of The Economists advertising", "new found knowledge into practice. One of the exercises is to write your", "headlines in the style of The Economists advertising campaign, with the following examples", "practice. One of the exercises is to write your own headlines in the", "advertising campaign, with the following examples provided: 1. \"I never read The Economist\"", "the magazine as some kind of testimonial. But I don't get the other", "convey however. I think I get the first one, in that it is", "the following examples provided: 1. \"I never read The Economist\" 2. The pregnant", "don't get the other two at all (perhaps this is just me being", "this is just me being really slow). I don't understand what they mean", "The Economist\" 2. The pregnant pause. Make sure you're not the father 3.", "there are short exercises to help put your new found knowledge into practice.", "other two at all (perhaps this is just me being really slow). I", "book, there are short exercises to help put your new found knowledge into", "Economists advertising campaign, with the following examples provided: 1. \"I never read The", "opinion of the magazine as some kind of testimonial. But I don't get", "life of me, understand what message these adverts are trying to convey however.", "bought a book called 'The Advertising Concept Book' to help me improve in", "short exercises to help put your new found knowledge into practice. One of", "3. Lose the ability to slip out of meetings unnoticed I can't, for", "the exercises is to write your own headlines in the style of The", "a book called 'The Advertising Concept Book' to help me improve in the", "book called 'The Advertising Concept Book' to help me improve in the areas", "unnoticed I can't, for the life of me, understand what message these adverts", "in that it is meant as a joke by using someone's negative opinion", "what message these adverts are trying to convey however. I think I get", "a joke by using someone's negative opinion of the magazine as some kind", "found knowledge into practice. One of the exercises is to write your own", "trying to convey however. I think I get the first one, in that", "using someone's negative opinion of the magazine as some kind of testimonial. But", "provided: 1. \"I never read The Economist\" 2. The pregnant pause. Make sure", "pause. Make sure you're not the father 3. Lose the ability to slip", "I recently bought a book called 'The Advertising Concept Book' to help me", "idea generation. Throughout the book, there are short exercises to help put your", "think I get the first one, in that it is meant as a", "I can't, for the life of me, understand what message these adverts are", "two at all (perhaps this is just me being really slow). I don't", "at all (perhaps this is just me being really slow). I don't understand", "(perhaps this is just me being really slow). I don't understand what they", "meant as a joke by using someone's negative opinion of the magazine as", "following examples provided: 1. \"I never read The Economist\" 2. The pregnant pause.", "the book, there are short exercises to help put your new found knowledge", "magazine as some kind of testimonial. But I don't get the other two", "joke by using someone's negative opinion of the magazine as some kind of", "the areas of advertising and idea generation. Throughout the book, there are short", "negative opinion of the magazine as some kind of testimonial. But I don't", "out of meetings unnoticed I can't, for the life of me, understand what", "read The Economist\" 2. The pregnant pause. Make sure you're not the father", "of advertising and idea generation. Throughout the book, there are short exercises to", "to help me improve in the areas of advertising and idea generation. Throughout", "your new found knowledge into practice. One of the exercises is to write", "that it is meant as a joke by using someone's negative opinion of", "the other two at all (perhaps this is just me being really slow).", "the life of me, understand what message these adverts are trying to convey", "\"I never read The Economist\" 2. The pregnant pause. Make sure you're not", "it is meant as a joke by using someone's negative opinion of the", "Book' to help me improve in the areas of advertising and idea generation.", "knowledge into practice. One of the exercises is to write your own headlines", "recently bought a book called 'The Advertising Concept Book' to help me improve", "write your own headlines in the style of The Economists advertising campaign, with", "The Economists advertising campaign, with the following examples provided: 1. \"I never read", "sure you're not the father 3. Lose the ability to slip out of", "of me, understand what message these adverts are trying to convey however. I", "all (perhaps this is just me being really slow). I don't understand what", "campaign, with the following examples provided: 1. \"I never read The Economist\" 2.", "adverts are trying to convey however. I think* I get the first one,", "is meant as a joke by using someone's negative opinion of the magazine", "called 'The Advertising Concept Book' to help me improve in the areas of", "own headlines in the style of The Economists advertising campaign, with the following", "I don't get the other two at all (perhaps this is just me", "areas of advertising and idea generation. Throughout the book, there are short exercises", "really slow). I don't understand what they mean or how they relate to", "being really slow). I don't understand what they mean or how they relate", "and idea generation. Throughout the book, there are short exercises to help put", "you're not the father 3. Lose the ability to slip out of meetings", "advertising and idea generation. Throughout the book, there are short exercises to help", "into practice. One of the exercises is to write your own headlines in" ]
[ "100/100 Durability. After it becomes 0/100 it means the object is broken. I", "becomes 0/100 it means the object is broken. I want some object condition", "every 10% of durability. I plan to use them for weapons, armor and", "In RPG games objects such as weapons or armor have a certain durability", "Durability. After it becomes 0/100 it means the object is broken. I want", "it means the object is broken. I want some object condition names like", "for every 10% of durability. I plan to use them for weapons, armor", "the object is broken. I want some object condition names like Perfect, Chipped,", "want some object condition names like Perfect, Chipped, Guop, Broken. I can't think", "object is broken. I want some object condition names like Perfect, Chipped, Guop,", "else. I want to have a name for every 10% of durability. I", "as weapons or armor have a certain durability represented by a number. For", "Perfect, Chipped, Guop, Broken. I can't think of anything else. I want to", "names like Perfect, Chipped, Guop, Broken. I can't think of anything else. I", "I can't think of anything else. I want to have a name for", "Chipped, Guop, Broken. I can't think of anything else. I want to have", "think of anything else. I want to have a name for every 10%", "or armor have a certain durability represented by a number. For example a", "a name for every 10% of durability. I plan to use them for", "I plan to use them for weapons, armor and accessories. Can anyone help", "a certain durability represented by a number. For example a sword has 100/100", "RPG games objects such as weapons or armor have a certain durability represented", "have a name for every 10% of durability. I plan to use them", "anything else. I want to have a name for every 10% of durability.", "a number. For example a sword has 100/100 Durability. After it becomes 0/100", "example a sword has 100/100 Durability. After it becomes 0/100 it means the", "to have a name for every 10% of durability. I plan to use", "a sword has 100/100 Durability. After it becomes 0/100 it means the object", "is broken. I want some object condition names like Perfect, Chipped, Guop, Broken.", "Guop, Broken. I can't think of anything else. I want to have a", "of anything else. I want to have a name for every 10% of", "such as weapons or armor have a certain durability represented by a number.", "Broken. I can't think of anything else. I want to have a name", "I want to have a name for every 10% of durability. I plan", "name for every 10% of durability. I plan to use them for weapons,", "10% of durability. I plan to use them for weapons, armor and accessories.", "weapons or armor have a certain durability represented by a number. For example", "number. For example a sword has 100/100 Durability. After it becomes 0/100 it", "0/100 it means the object is broken. I want some object condition names", "After it becomes 0/100 it means the object is broken. I want some", "sword has 100/100 Durability. After it becomes 0/100 it means the object is", "it becomes 0/100 it means the object is broken. I want some object", "of durability. I plan to use them for weapons, armor and accessories. Can", "means the object is broken. I want some object condition names like Perfect,", "condition names like Perfect, Chipped, Guop, Broken. I can't think of anything else.", "certain durability represented by a number. For example a sword has 100/100 Durability.", "durability. I plan to use them for weapons, armor and accessories. Can anyone", "want to have a name for every 10% of durability. I plan to", "object condition names like Perfect, Chipped, Guop, Broken. I can't think of anything", "have a certain durability represented by a number. For example a sword has", "durability represented by a number. For example a sword has 100/100 Durability. After", "some object condition names like Perfect, Chipped, Guop, Broken. I can't think of", "armor have a certain durability represented by a number. For example a sword", "represented by a number. For example a sword has 100/100 Durability. After it", "has 100/100 Durability. After it becomes 0/100 it means the object is broken.", "like Perfect, Chipped, Guop, Broken. I can't think of anything else. I want", "I want some object condition names like Perfect, Chipped, Guop, Broken. I can't", "can't think of anything else. I want to have a name for every", "games objects such as weapons or armor have a certain durability represented by", "plan to use them for weapons, armor and accessories. Can anyone help me?", "by a number. For example a sword has 100/100 Durability. After it becomes", "broken. I want some object condition names like Perfect, Chipped, Guop, Broken. I", "For example a sword has 100/100 Durability. After it becomes 0/100 it means", "objects such as weapons or armor have a certain durability represented by a" ]
[ "publisher? More specifically, Does the original publisher of the short story own the", "original publisher of the short story own the publishing rights to the material", "to the material or could I choose another publisher for the extended book", "well as more previously unpublished material) with another publisher? More specifically, Does the", "could I choose another publisher for the extended book with no worries? Genre:", "publisher and publishing a full length book that includes a more detailed account", "the material or could I choose another publisher for the extended book with", "a short story with one publisher and publishing a full length book that", "a more detailed account of the short story (as well as more previously", "with another publisher? More specifically, Does the original publisher of the short story", "story (as well as more previously unpublished material) with another publisher? More specifically,", "rights to the material or could I choose another publisher for the extended", "snags involved with publishing a short story with one publisher and publishing a", "any legal snags involved with publishing a short story with one publisher and", "with publishing a short story with one publisher and publishing a full length", "material) with another publisher? More specifically, Does the original publisher of the short", "Does the original publisher of the short story own the publishing rights to", "the original publisher of the short story own the publishing rights to the", "includes a more detailed account of the short story (as well as more", "Are there any legal snags involved with publishing a short story with one", "detailed account of the short story (as well as more previously unpublished material)", "publishing rights to the material or could I choose another publisher for the", "story with one publisher and publishing a full length book that includes a", "the short story (as well as more previously unpublished material) with another publisher?", "More specifically, Does the original publisher of the short story own the publishing", "short story with one publisher and publishing a full length book that includes", "publishing a full length book that includes a more detailed account of the", "that includes a more detailed account of the short story (as well as", "and publishing a full length book that includes a more detailed account of", "full length book that includes a more detailed account of the short story", "specifically, Does the original publisher of the short story own the publishing rights", "short story own the publishing rights to the material or could I choose", "I choose another publisher for the extended book with no worries? Genre: memoir", "the short story own the publishing rights to the material or could I", "legal snags involved with publishing a short story with one publisher and publishing", "as more previously unpublished material) with another publisher? More specifically, Does the original", "there any legal snags involved with publishing a short story with one publisher", "previously unpublished material) with another publisher? More specifically, Does the original publisher of", "another publisher? More specifically, Does the original publisher of the short story own", "a full length book that includes a more detailed account of the short", "publisher of the short story own the publishing rights to the material or", "own the publishing rights to the material or could I choose another publisher", "involved with publishing a short story with one publisher and publishing a full", "or could I choose another publisher for the extended book with no worries?", "material or could I choose another publisher for the extended book with no", "book that includes a more detailed account of the short story (as well", "account of the short story (as well as more previously unpublished material) with", "short story (as well as more previously unpublished material) with another publisher? More", "with one publisher and publishing a full length book that includes a more", "one publisher and publishing a full length book that includes a more detailed", "the publishing rights to the material or could I choose another publisher for", "story own the publishing rights to the material or could I choose another", "(as well as more previously unpublished material) with another publisher? More specifically, Does", "unpublished material) with another publisher? More specifically, Does the original publisher of the", "of the short story own the publishing rights to the material or could", "publishing a short story with one publisher and publishing a full length book", "of the short story (as well as more previously unpublished material) with another", "length book that includes a more detailed account of the short story (as", "more previously unpublished material) with another publisher? More specifically, Does the original publisher", "more detailed account of the short story (as well as more previously unpublished" ]
[ "One way I thought about making it less annoying is making sure it's", "to the reader/viewer/player. The problem is, I kinda need her to be captured", "who is the main character of the story, or one of the main", "outside force she had no control over. Also, sometimes she manages to escape", "often, and I fear this might get annoying to the reader/viewer/player. The problem", "so it's not like she's completely incapable. Should I worry about this? Would", "captured this often for the story. One way I thought about making it", "might get annoying to the reader/viewer/player. The problem is, I kinda need her", "of the main characters. She is captured by the bad guys very often,", "of the story, or one of the main characters. She is captured by", "very often, and I fear this might get annoying to the reader/viewer/player. The", "the reader/viewer/player. The problem is, I kinda need her to be captured this", "manages to escape on her own, or avoids being captured altogether, so it's", "character of the story, or one of the main characters. She is captured", "I kinda need her to be captured this often for the story. One", "Should I worry about this? Would this annoy people, even if it's not", "thought about making it less annoying is making sure it's never her fault", "is around 12 years old, who is the main character of the story,", "incapable. Should I worry about this? Would this annoy people, even if it's", "captured by the bad guys very often, and I fear this might get", "Also, sometimes she manages to escape on her own, or avoids being captured", "her fault for being captured, it's usually by an outside force she had", "story, who is around 12 years old, who is the main character of", "making it less annoying is making sure it's never her fault for being", "12 years old, who is the main character of the story, or one", "less annoying is making sure it's never her fault for being captured, it's", "years old, who is the main character of the story, or one of", "never her fault for being captured, it's usually by an outside force she", "it's not like she's completely incapable. Should I worry about this? Would this", "is making sure it's never her fault for being captured, it's usually by", "on her own, or avoids being captured altogether, so it's not like she's", "her to be captured this often for the story. One way I thought", "get annoying to the reader/viewer/player. The problem is, I kinda need her to", "is captured by the bad guys very often, and I fear this might", "around 12 years old, who is the main character of the story, or", "an outside force she had no control over. Also, sometimes she manages to", "reader/viewer/player. The problem is, I kinda need her to be captured this often", "and I fear this might get annoying to the reader/viewer/player. The problem is,", "her own, or avoids being captured altogether, so it's not like she's completely", "no control over. Also, sometimes she manages to escape on her own, or", "problem is, I kinda need her to be captured this often for the", "escape on her own, or avoids being captured altogether, so it's not like", "about this? Would this annoy people, even if it's not the character's fault?", "fear this might get annoying to the reader/viewer/player. The problem is, I kinda", "main character of the story, or one of the main characters. She is", "bad guys very often, and I fear this might get annoying to the", "main characters. She is captured by the bad guys very often, and I", "characters. She is captured by the bad guys very often, and I fear", "sure it's never her fault for being captured, it's usually by an outside", "avoids being captured altogether, so it's not like she's completely incapable. Should I", "the main character of the story, or one of the main characters. She", "to be captured this often for the story. One way I thought about", "I have this girl in my story, who is around 12 years old,", "She is captured by the bad guys very often, and I fear this", "to escape on her own, or avoids being captured altogether, so it's not", "my story, who is around 12 years old, who is the main character", "control over. Also, sometimes she manages to escape on her own, or avoids", "by an outside force she had no control over. Also, sometimes she manages", "guys very often, and I fear this might get annoying to the reader/viewer/player.", "she's completely incapable. Should I worry about this? Would this annoy people, even", "had no control over. Also, sometimes she manages to escape on her own,", "or one of the main characters. She is captured by the bad guys", "this might get annoying to the reader/viewer/player. The problem is, I kinda need", "way I thought about making it less annoying is making sure it's never", "sometimes she manages to escape on her own, or avoids being captured altogether,", "have this girl in my story, who is around 12 years old, who", "in my story, who is around 12 years old, who is the main", "she manages to escape on her own, or avoids being captured altogether, so", "often for the story. One way I thought about making it less annoying", "own, or avoids being captured altogether, so it's not like she's completely incapable.", "this girl in my story, who is around 12 years old, who is", "kinda need her to be captured this often for the story. One way", "be captured this often for the story. One way I thought about making", "it less annoying is making sure it's never her fault for being captured,", "about making it less annoying is making sure it's never her fault for", "the bad guys very often, and I fear this might get annoying to", "I worry about this? Would this annoy people, even if it's not the", "is, I kinda need her to be captured this often for the story.", "I thought about making it less annoying is making sure it's never her", "story, or one of the main characters. She is captured by the bad", "who is around 12 years old, who is the main character of the", "the main characters. She is captured by the bad guys very often, and", "the story, or one of the main characters. She is captured by the", "or avoids being captured altogether, so it's not like she's completely incapable. Should", "story. One way I thought about making it less annoying is making sure", "over. Also, sometimes she manages to escape on her own, or avoids being", "by the bad guys very often, and I fear this might get annoying", "is the main character of the story, or one of the main characters.", "like she's completely incapable. Should I worry about this? Would this annoy people,", "need her to be captured this often for the story. One way I", "captured altogether, so it's not like she's completely incapable. Should I worry about", "this often for the story. One way I thought about making it less", "for being captured, it's usually by an outside force she had no control", "captured, it's usually by an outside force she had no control over. Also,", "The problem is, I kinda need her to be captured this often for", "altogether, so it's not like she's completely incapable. Should I worry about this?", "not like she's completely incapable. Should I worry about this? Would this annoy", "girl in my story, who is around 12 years old, who is the", "annoying is making sure it's never her fault for being captured, it's usually", "worry about this? Would this annoy people, even if it's not the character's", "making sure it's never her fault for being captured, it's usually by an", "force she had no control over. Also, sometimes she manages to escape on", "old, who is the main character of the story, or one of the", "for the story. One way I thought about making it less annoying is", "it's usually by an outside force she had no control over. Also, sometimes", "it's never her fault for being captured, it's usually by an outside force", "being captured, it's usually by an outside force she had no control over.", "annoying to the reader/viewer/player. The problem is, I kinda need her to be", "she had no control over. Also, sometimes she manages to escape on her", "one of the main characters. She is captured by the bad guys very", "being captured altogether, so it's not like she's completely incapable. Should I worry", "I fear this might get annoying to the reader/viewer/player. The problem is, I", "the story. One way I thought about making it less annoying is making", "fault for being captured, it's usually by an outside force she had no", "completely incapable. Should I worry about this? Would this annoy people, even if", "usually by an outside force she had no control over. Also, sometimes she" ]
[ "with perhaps four of them. I understand and agree that limiting internal monologue", "characters. My novel, however, will have five or six major (POV) characters, and", "to achieve and maintain an intimate connection. But I feel that showing the", "I feel that showing the internal monologue of four of my characters in", "major (POV) characters, and I would like to use interior monologue with perhaps", "or two characters is normally advisable to achieve and maintain an intimate connection.", "this particular story makes it deeper, richer, and more involving. Just wondering how", "and agree that limiting internal monologue to one or two characters is normally", "\"rules\" regarding internal monologue advise restricting its use to one or two POV", "characters is normally advisable to achieve and maintain an intimate connection. But I", "advisable to achieve and maintain an intimate connection. But I feel that showing", "the internal monologue of four of my characters in this particular story makes", "understand and agree that limiting internal monologue to one or two characters is", "internal monologue of four of my characters in this particular story makes it", "of my characters in this particular story makes it deeper, richer, and more", "is normally advisable to achieve and maintain an intimate connection. But I feel", "will have five or six major (POV) characters, and I would like to", "feel that showing the internal monologue of four of my characters in this", "maintain an intimate connection. But I feel that showing the internal monologue of", "regarding internal monologue advise restricting its use to one or two POV characters.", "have five or six major (POV) characters, and I would like to use", "story makes it deeper, richer, and more involving. Just wondering how others feel", "But I feel that showing the internal monologue of four of my characters", "would like to use interior monologue with perhaps four of them. I understand", "particular story makes it deeper, richer, and more involving. Just wondering how others", "normally advisable to achieve and maintain an intimate connection. But I feel that", "monologue advise restricting its use to one or two POV characters. My novel,", "them. I understand and agree that limiting internal monologue to one or two", "and maintain an intimate connection. But I feel that showing the internal monologue", "of four of my characters in this particular story makes it deeper, richer,", "my characters in this particular story makes it deeper, richer, and more involving.", "I understand and agree that limiting internal monologue to one or two characters", "achieve and maintain an intimate connection. But I feel that showing the internal", "intimate connection. But I feel that showing the internal monologue of four of", "two characters is normally advisable to achieve and maintain an intimate connection. But", "an intimate connection. But I feel that showing the internal monologue of four", "(POV) characters, and I would like to use interior monologue with perhaps four", "characters, and I would like to use interior monologue with perhaps four of", "showing the internal monologue of four of my characters in this particular story", "four of them. I understand and agree that limiting internal monologue to one", "four of my characters in this particular story makes it deeper, richer, and", "My novel, however, will have five or six major (POV) characters, and I", "internal monologue advise restricting its use to one or two POV characters. My", "two POV characters. My novel, however, will have five or six major (POV)", "use interior monologue with perhaps four of them. I understand and agree that", "monologue to one or two characters is normally advisable to achieve and maintain", "monologue with perhaps four of them. I understand and agree that limiting internal", "that limiting internal monologue to one or two characters is normally advisable to", "internal monologue to one or two characters is normally advisable to achieve and", "or six major (POV) characters, and I would like to use interior monologue", "monologue of four of my characters in this particular story makes it deeper,", "appears that most \"rules\" regarding internal monologue advise restricting its use to one", "It appears that most \"rules\" regarding internal monologue advise restricting its use to", "to use interior monologue with perhaps four of them. I understand and agree", "and I would like to use interior monologue with perhaps four of them.", "I would like to use interior monologue with perhaps four of them. I", "connection. But I feel that showing the internal monologue of four of my", "novel, however, will have five or six major (POV) characters, and I would", "its use to one or two POV characters. My novel, however, will have", "to one or two characters is normally advisable to achieve and maintain an", "characters in this particular story makes it deeper, richer, and more involving. Just", "perhaps four of them. I understand and agree that limiting internal monologue to", "makes it deeper, richer, and more involving. Just wondering how others feel about", "however, will have five or six major (POV) characters, and I would like", "restricting its use to one or two POV characters. My novel, however, will", "five or six major (POV) characters, and I would like to use interior", "interior monologue with perhaps four of them. I understand and agree that limiting", "that showing the internal monologue of four of my characters in this particular", "POV characters. My novel, however, will have five or six major (POV) characters,", "in this particular story makes it deeper, richer, and more involving. Just wondering", "or two POV characters. My novel, however, will have five or six major", "of them. I understand and agree that limiting internal monologue to one or", "one or two POV characters. My novel, however, will have five or six", "agree that limiting internal monologue to one or two characters is normally advisable", "one or two characters is normally advisable to achieve and maintain an intimate", "use to one or two POV characters. My novel, however, will have five", "to one or two POV characters. My novel, however, will have five or", "like to use interior monologue with perhaps four of them. I understand and", "that most \"rules\" regarding internal monologue advise restricting its use to one or", "limiting internal monologue to one or two characters is normally advisable to achieve", "most \"rules\" regarding internal monologue advise restricting its use to one or two", "it deeper, richer, and more involving. Just wondering how others feel about this.", "six major (POV) characters, and I would like to use interior monologue with", "advise restricting its use to one or two POV characters. My novel, however," ]
[ "for power, which is why I am hesitant on just playing the MC", "that before this the gang had a large period of mistrust and absence", "The specifics of it are not important; what is, is that capturing the", "am having trouble figuring out if the MC should anticipate this betrayal at", "this betrayal at some point, or for it to come as a complete", "for them to gain more power, and they gather to capture the MC", "where they were almost starved with siege warfare, so they are now pretty", "characters, who are in a sort of gang, will have to turn against", "a complete surprise to them and thus the reader, making it a better", "of gang, will have to turn against each other. The specifics of it", "in for their prize. However, I am having trouble figuring out if the", "and they gather to capture the MC and bring them in for their", "out if the MC should anticipate this betrayal at some point, or for", "a sort of gang, will have to turn against each other. The specifics", "that capturing the main character presents an opportunity for them to gain more", "playing the MC off as clueless. So, what do you think I should", "starved with siege warfare, so they are now pretty much separated and desperate", "them to gain more power, and they gather to capture the MC and", "almost starved with siege warfare, so they are now pretty much separated and", "with siege warfare, so they are now pretty much separated and desperate for", "am hesitant on just playing the MC off as clueless. So, what do", "point in my story in which the characters, who are in a sort", "opportunity for them to gain more power, and they gather to capture the", "are now pretty much separated and desperate for power, which is why I", "which is why I am hesitant on just playing the MC off as", "more power, and they gather to capture the MC and bring them in", "better twist. Note that before this the gang had a large period of", "and thus the reader, making it a better twist. Note that before this", "to gain more power, and they gather to capture the MC and bring", "are in a sort of gang, will have to turn against each other.", "the MC off as clueless. So, what do you think I should do?", "it a better twist. Note that before this the gang had a large", "they gather to capture the MC and bring them in for their prize.", "should anticipate this betrayal at some point, or for it to come as", "to come as a complete surprise to them and thus the reader, making", "the main character presents an opportunity for them to gain more power, and", "prize. However, I am having trouble figuring out if the MC should anticipate", "is why I am hesitant on just playing the MC off as clueless.", "mistrust and absence where they were almost starved with siege warfare, so they", "which the characters, who are in a sort of gang, will have to", "pretty much separated and desperate for power, which is why I am hesitant", "why I am hesitant on just playing the MC off as clueless. So,", "large period of mistrust and absence where they were almost starved with siege", "now pretty much separated and desperate for power, which is why I am", "warfare, so they are now pretty much separated and desperate for power, which", "capturing the main character presents an opportunity for them to gain more power,", "presents an opportunity for them to gain more power, and they gather to", "to turn against each other. The specifics of it are not important; what", "power, which is why I am hesitant on just playing the MC off", "desperate for power, which is why I am hesitant on just playing the", "it to come as a complete surprise to them and thus the reader,", "betrayal at some point, or for it to come as a complete surprise", "they were almost starved with siege warfare, so they are now pretty much", "as a complete surprise to them and thus the reader, making it a", "of it are not important; what is, is that capturing the main character", "they are now pretty much separated and desperate for power, which is why", "I am hesitant on just playing the MC off as clueless. So, what", "them in for their prize. However, I am having trouble figuring out if", "making it a better twist. Note that before this the gang had a", "much separated and desperate for power, which is why I am hesitant on", "capture the MC and bring them in for their prize. However, I am", "is that capturing the main character presents an opportunity for them to gain", "the MC and bring them in for their prize. However, I am having", "is, is that capturing the main character presents an opportunity for them to", "a point in my story in which the characters, who are in a", "hesitant on just playing the MC off as clueless. So, what do you", "anticipate this betrayal at some point, or for it to come as a", "figuring out if the MC should anticipate this betrayal at some point, or", "have to turn against each other. The specifics of it are not important;", "bring them in for their prize. However, I am having trouble figuring out", "surprise to them and thus the reader, making it a better twist. Note", "the gang had a large period of mistrust and absence where they were", "However, I am having trouble figuring out if the MC should anticipate this", "come as a complete surprise to them and thus the reader, making it", "and desperate for power, which is why I am hesitant on just playing", "so they are now pretty much separated and desperate for power, which is", "specifics of it are not important; what is, is that capturing the main", "some point, or for it to come as a complete surprise to them", "on just playing the MC off as clueless. So, what do you think", "MC should anticipate this betrayal at some point, or for it to come", "power, and they gather to capture the MC and bring them in for", "period of mistrust and absence where they were almost starved with siege warfare,", "I have reached a point in my story in which the characters, who", "an opportunity for them to gain more power, and they gather to capture", "them and thus the reader, making it a better twist. Note that before", "other. The specifics of it are not important; what is, is that capturing", "main character presents an opportunity for them to gain more power, and they", "this the gang had a large period of mistrust and absence where they", "gain more power, and they gather to capture the MC and bring them", "complete surprise to them and thus the reader, making it a better twist.", "reached a point in my story in which the characters, who are in", "against each other. The specifics of it are not important; what is, is", "not important; what is, is that capturing the main character presents an opportunity", "for their prize. However, I am having trouble figuring out if the MC", "the MC should anticipate this betrayal at some point, or for it to", "MC and bring them in for their prize. However, I am having trouble", "who are in a sort of gang, will have to turn against each", "will have to turn against each other. The specifics of it are not", "their prize. However, I am having trouble figuring out if the MC should", "before this the gang had a large period of mistrust and absence where", "to capture the MC and bring them in for their prize. However, I", "in my story in which the characters, who are in a sort of", "my story in which the characters, who are in a sort of gang,", "I am having trouble figuring out if the MC should anticipate this betrayal", "had a large period of mistrust and absence where they were almost starved", "twist. Note that before this the gang had a large period of mistrust", "important; what is, is that capturing the main character presents an opportunity for", "absence where they were almost starved with siege warfare, so they are now", "turn against each other. The specifics of it are not important; what is,", "the characters, who are in a sort of gang, will have to turn", "were almost starved with siege warfare, so they are now pretty much separated", "gang had a large period of mistrust and absence where they were almost", "point, or for it to come as a complete surprise to them and", "each other. The specifics of it are not important; what is, is that", "a better twist. Note that before this the gang had a large period", "trouble figuring out if the MC should anticipate this betrayal at some point,", "character presents an opportunity for them to gain more power, and they gather", "siege warfare, so they are now pretty much separated and desperate for power,", "in which the characters, who are in a sort of gang, will have", "if the MC should anticipate this betrayal at some point, or for it", "of mistrust and absence where they were almost starved with siege warfare, so", "it are not important; what is, is that capturing the main character presents", "Note that before this the gang had a large period of mistrust and", "for it to come as a complete surprise to them and thus the", "what is, is that capturing the main character presents an opportunity for them", "the reader, making it a better twist. Note that before this the gang", "have reached a point in my story in which the characters, who are", "or for it to come as a complete surprise to them and thus", "just playing the MC off as clueless. So, what do you think I", "gang, will have to turn against each other. The specifics of it are", "separated and desperate for power, which is why I am hesitant on just", "story in which the characters, who are in a sort of gang, will", "in a sort of gang, will have to turn against each other. The", "a large period of mistrust and absence where they were almost starved with", "are not important; what is, is that capturing the main character presents an", "having trouble figuring out if the MC should anticipate this betrayal at some", "reader, making it a better twist. Note that before this the gang had", "gather to capture the MC and bring them in for their prize. However,", "sort of gang, will have to turn against each other. The specifics of", "and bring them in for their prize. However, I am having trouble figuring", "and absence where they were almost starved with siege warfare, so they are", "at some point, or for it to come as a complete surprise to", "thus the reader, making it a better twist. Note that before this the", "to them and thus the reader, making it a better twist. Note that" ]
[ "the officer who takes it to the chief. Just the first few sentences", "911 to report something, then I want a police officer informing the chief", "takes it to the chief. Just the first few sentences of the call,", "calling 911 to report something, then I want a police officer informing the", "report something, then I want a police officer informing the chief they got", "officer who takes it to the chief. Just the first few sentences of", "another report about XYZ. I don't want to go into the whole conversation", "into the whole conversation with the 911 operator, nor the operator reporting it", "want to go into the whole conversation with the 911 operator, nor the", "want a police officer informing the chief they got another report about XYZ.", "who takes it to the chief. Just the first few sentences of the", "officer informing the chief they got another report about XYZ. I don't want", "operator reporting it to the officer who takes it to the chief. Just", "someone calling 911 to report something, then I want a police officer informing", "I want a police officer informing the chief they got another report about", "there some sort of break, or gap, or something you put in there?", "to the chief. Just the first few sentences of the call, then cut", "with the 911 operator, nor the operator reporting it to the officer who", "book, I have someone calling 911 to report something, then I want a", "officer reporting it. Is there some sort of break, or gap, or something", "I have someone calling 911 to report something, then I want a police", "XYZ. I don't want to go into the whole conversation with the 911", "to report something, then I want a police officer informing the chief they", "sort of break, or gap, or something you put in there? I'm writing", "the whole conversation with the 911 operator, nor the operator reporting it to", "something, then I want a police officer informing the chief they got another", "some sort of break, or gap, or something you put in there? I'm", "informing the chief they got another report about XYZ. I don't want to", "it to the chief. Just the first few sentences of the call, then", "of break, or gap, or something you put in there? I'm writing in", "reporting it to the officer who takes it to the chief. Just the", "I don't want to go into the whole conversation with the 911 operator,", "it. Is there some sort of break, or gap, or something you put", "the chief. Just the first few sentences of the call, then cut directly", "a police officer informing the chief they got another report about XYZ. I", "the first few sentences of the call, then cut directly to the officer", "the chief they got another report about XYZ. I don't want to go", "first few sentences of the call, then cut directly to the officer reporting", "of the call, then cut directly to the officer reporting it. Is there", "few sentences of the call, then cut directly to the officer reporting it.", "report about XYZ. I don't want to go into the whole conversation with", "then cut directly to the officer reporting it. Is there some sort of", "have someone calling 911 to report something, then I want a police officer", "to the officer reporting it. Is there some sort of break, or gap,", "or gap, or something you put in there? I'm writing in 3rd person", "go into the whole conversation with the 911 operator, nor the operator reporting", "call, then cut directly to the officer reporting it. Is there some sort", "conversation with the 911 operator, nor the operator reporting it to the officer", "Is there some sort of break, or gap, or something you put in", "then I want a police officer informing the chief they got another report", "In my book, I have someone calling 911 to report something, then I", "they got another report about XYZ. I don't want to go into the", "got another report about XYZ. I don't want to go into the whole", "it to the officer who takes it to the chief. Just the first", "911 operator, nor the operator reporting it to the officer who takes it", "the officer reporting it. Is there some sort of break, or gap, or", "chief they got another report about XYZ. I don't want to go into", "Just the first few sentences of the call, then cut directly to the", "break, or gap, or something you put in there? I'm writing in 3rd", "operator, nor the operator reporting it to the officer who takes it to", "my book, I have someone calling 911 to report something, then I want", "gap, or something you put in there? I'm writing in 3rd person omniscient.", "directly to the officer reporting it. Is there some sort of break, or", "chief. Just the first few sentences of the call, then cut directly to", "about XYZ. I don't want to go into the whole conversation with the", "the operator reporting it to the officer who takes it to the chief.", "the call, then cut directly to the officer reporting it. Is there some", "to the officer who takes it to the chief. Just the first few", "sentences of the call, then cut directly to the officer reporting it. Is", "whole conversation with the 911 operator, nor the operator reporting it to the", "cut directly to the officer reporting it. Is there some sort of break,", "the 911 operator, nor the operator reporting it to the officer who takes", "police officer informing the chief they got another report about XYZ. I don't", "nor the operator reporting it to the officer who takes it to the", "reporting it. Is there some sort of break, or gap, or something you", "don't want to go into the whole conversation with the 911 operator, nor", "to go into the whole conversation with the 911 operator, nor the operator" ]
[ "give the user the knowledge that something like this exists. Honestly I feel", "them why not to do it in a different one? From a didactic", "the process on writing a hardening guide for Windows 10. Similar to <http://hardenwindows10forsecurity.com/index.html>,", "only very general informations, not an actual How-To. This would mean they still", "10. Similar to <http://hardenwindows10forsecurity.com/index.html>, but different in scope and style. I wondered, if", "* Give only very general informations, not an actual How-To. This would mean", "I feel this is quite a weak argument. If I try to explain", "still, I can't prevent it. * Make it clear by a panel that", "to look somewhere else - fine, if they want. * No URLs to", "this is quite a weak argument. If I try to explain to users", "this. According to them to not give the user the knowledge that something", "to them to not give the user the knowledge that something like this", "Similar to <http://hardenwindows10forsecurity.com/index.html>, but different in scope and style. I wondered, if informing", "should do something in a specific way, might it not be meaningful to", "Windows 10. Similar to <http://hardenwindows10forsecurity.com/index.html>, but different in scope and style. I wondered,", "it. * Make it clear by a panel that this is considered as", "guides that show this \"Bad Practice\" in action. Similar to the first point.", "Practice\" and should not be used for given reasons. I think this sounds", "in scope and style. I wondered, if informing about \"Bad/Worst Practices\" would be", "didactic viewpoint I would consider the following points regarding this: * Give only", "somewhere else - fine, if they want. * No URLs to external guides", "According to them to not give the user the knowledge that something like", "if they want. * No URLs to external guides that show this \"Bad", "wondered, if informing about \"Bad/Worst Practices\" would be a thing that should be", "Honestly I feel this is quite a weak argument. If I try to", "If I try to explain to users why they should do something in", "that told to avoid this. According to them to not give the user", "look somewhere else - fine, if they want. * No URLs to external", "first point. If they want to use it still, I can't prevent it.", "a weak argument. If I try to explain to users why they should", "viewpoint I would consider the following points regarding this: * Give only very", "points regarding this: * Give only very general informations, not an actual How-To.", "given reasons. I think this sounds reasonable, but as always: Open for additional/different", "why not to do it in a different one? From a didactic viewpoint", "writing a hardening guide for Windows 10. Similar to <http://hardenwindows10forsecurity.com/index.html>, but different in", "knowledge that something like this exists. Honestly I feel this is quite a", "No URLs to external guides that show this \"Bad Practice\" in action. Similar", "might it not be meaningful to tell them why not to do it", "fine, if they want. * No URLs to external guides that show this", "to external guides that show this \"Bad Practice\" in action. Similar to the", "in action. Similar to the first point. If they want to use it", "not give the user the knowledge that something like this exists. Honestly I", "thing that should be avoided? The thing is, I read several blogs in", "I try to explain to users why they should do something in a", "by a panel that this is considered as \"Bad/Worst Practice\" and should not", "told to avoid this. According to them to not give the user the", "have to look somewhere else - fine, if they want. * No URLs", "one? From a didactic viewpoint I would consider the following points regarding this:", "a didactic viewpoint I would consider the following points regarding this: * Give", "to do it in a different one? From a didactic viewpoint I would", "not an actual How-To. This would mean they still have to look somewhere", "a specific way, might it not be meaningful to tell them why not", "Give only very general informations, not an actual How-To. This would mean they", "that show this \"Bad Practice\" in action. Similar to the first point. If", "to not give the user the knowledge that something like this exists. Honestly", "want. * No URLs to external guides that show this \"Bad Practice\" in", "considered as \"Bad/Worst Practice\" and should not be used for given reasons. I", "a different one? From a didactic viewpoint I would consider the following points", "it still, I can't prevent it. * Make it clear by a panel", "be used for given reasons. I think this sounds reasonable, but as always:", "the following points regarding this: * Give only very general informations, not an", "style. I wondered, if informing about \"Bad/Worst Practices\" would be a thing that", "avoided? The thing is, I read several blogs in the past that told", "is, I read several blogs in the past that told to avoid this.", "quite a weak argument. If I try to explain to users why they", "I'm in the process on writing a hardening guide for Windows 10. Similar", "about \"Bad/Worst Practices\" would be a thing that should be avoided? The thing", "different one? From a didactic viewpoint I would consider the following points regarding", "it clear by a panel that this is considered as \"Bad/Worst Practice\" and", "in a specific way, might it not be meaningful to tell them why", "This would mean they still have to look somewhere else - fine, if", "it in a different one? From a didactic viewpoint I would consider the", "to use it still, I can't prevent it. * Make it clear by", "URLs to external guides that show this \"Bad Practice\" in action. Similar to", "guide for Windows 10. Similar to <http://hardenwindows10forsecurity.com/index.html>, but different in scope and style.", "\"Bad Practice\" in action. Similar to the first point. If they want to", "not be meaningful to tell them why not to do it in a", "the first point. If they want to use it still, I can't prevent", "used for given reasons. I think this sounds reasonable, but as always: Open", "to avoid this. According to them to not give the user the knowledge", "process on writing a hardening guide for Windows 10. Similar to <http://hardenwindows10forsecurity.com/index.html>, but", "panel that this is considered as \"Bad/Worst Practice\" and should not be used", "that should be avoided? The thing is, I read several blogs in the", "- fine, if they want. * No URLs to external guides that show", "on writing a hardening guide for Windows 10. Similar to <http://hardenwindows10forsecurity.com/index.html>, but different", "to users why they should do something in a specific way, might it", "this \"Bad Practice\" in action. Similar to the first point. If they want", "for Windows 10. Similar to <http://hardenwindows10forsecurity.com/index.html>, but different in scope and style. I", "action. Similar to the first point. If they want to use it still,", "a hardening guide for Windows 10. Similar to <http://hardenwindows10forsecurity.com/index.html>, but different in scope", "be a thing that should be avoided? The thing is, I read several", "clear by a panel that this is considered as \"Bad/Worst Practice\" and should", "different in scope and style. I wondered, if informing about \"Bad/Worst Practices\" would", "following points regarding this: * Give only very general informations, not an actual", "be avoided? The thing is, I read several blogs in the past that", "do it in a different one? From a didactic viewpoint I would consider", "explain to users why they should do something in a specific way, might", "something like this exists. Honestly I feel this is quite a weak argument.", "very general informations, not an actual How-To. This would mean they still have", "user the knowledge that something like this exists. Honestly I feel this is", "I can't prevent it. * Make it clear by a panel that this", "feel this is quite a weak argument. If I try to explain to", "not be used for given reasons. I think this sounds reasonable, but as", "general informations, not an actual How-To. This would mean they still have to", "way, might it not be meaningful to tell them why not to do", "argument. If I try to explain to users why they should do something", "why they should do something in a specific way, might it not be", "<http://hardenwindows10forsecurity.com/index.html>, but different in scope and style. I wondered, if informing about \"Bad/Worst", "can't prevent it. * Make it clear by a panel that this is", "use it still, I can't prevent it. * Make it clear by a", "Practices\" would be a thing that should be avoided? The thing is, I", "exists. Honestly I feel this is quite a weak argument. If I try", "\"Bad/Worst Practice\" and should not be used for given reasons. I think this", "mean they still have to look somewhere else - fine, if they want.", "to tell them why not to do it in a different one? From", "that something like this exists. Honestly I feel this is quite a weak", "weak argument. If I try to explain to users why they should do", "users why they should do something in a specific way, might it not", "they want. * No URLs to external guides that show this \"Bad Practice\"", "do something in a specific way, might it not be meaningful to tell", "* Make it clear by a panel that this is considered as \"Bad/Worst", "still have to look somewhere else - fine, if they want. * No", "a thing that should be avoided? The thing is, I read several blogs", "they still have to look somewhere else - fine, if they want. ", "I wondered, if informing about \"Bad/Worst Practices\" would be a thing that should", "like this exists. Honestly I feel this is quite a weak argument. If", "to the first point. If they want to use it still, I can't", "consider the following points regarding this: Give only very general informations, not", "several blogs in the past that told to avoid this. According to them", "something in a specific way, might it not be meaningful to tell them", "actual How-To. This would mean they still have to look somewhere else -", "an actual How-To. This would mean they still have to look somewhere else", "a panel that this is considered as \"Bad/Worst Practice\" and should not be", "is considered as \"Bad/Worst Practice\" and should not be used for given reasons.", "meaningful to tell them why not to do it in a different one?", "\"Bad/Worst Practices\" would be a thing that should be avoided? The thing is,", "read several blogs in the past that told to avoid this. According to", "be meaningful to tell them why not to do it in a different", "thing is, I read several blogs in the past that told to avoid", "this is considered as \"Bad/Worst Practice\" and should not be used for given", "this: * Give only very general informations, not an actual How-To. This would", "* No URLs to external guides that show this \"Bad Practice\" in action.", "scope and style. I wondered, if informing about \"Bad/Worst Practices\" would be a", "it not be meaningful to tell them why not to do it in", "Practice\" in action. Similar to the first point. If they want to use", "informations, not an actual How-To. This would mean they still have to look", "So, I'm in the process on writing a hardening guide for Windows 10.", "would mean they still have to look somewhere else - fine, if they", "in the past that told to avoid this. According to them to not", "avoid this. According to them to not give the user the knowledge that", "they should do something in a specific way, might it not be meaningful", "in the process on writing a hardening guide for Windows 10. Similar to", "try to explain to users why they should do something in a specific", "Make it clear by a panel that this is considered as \"Bad/Worst Practice\"", "From a didactic viewpoint I would consider the following points regarding this: ", "I would consider the following points regarding this: Give only very general", "regarding this: * Give only very general informations, not an actual How-To. This", "If they want to use it still, I can't prevent it. * Make", "they want to use it still, I can't prevent it. * Make it", "should not be used for given reasons. I think this sounds reasonable, but", "but different in scope and style. I wondered, if informing about \"Bad/Worst Practices\"", "and style. I wondered, if informing about \"Bad/Worst Practices\" would be a thing", "informing about \"Bad/Worst Practices\" would be a thing that should be avoided? The", "not to do it in a different one? From a didactic viewpoint I", "and should not be used for given reasons. I think this sounds reasonable,", "I read several blogs in the past that told to avoid this. According", "is quite a weak argument. If I try to explain to users why", "as \"Bad/Worst Practice\" and should not be used for given reasons. I think", "the user the knowledge that something like this exists. Honestly I feel this", "in a different one? From a didactic viewpoint I would consider the following", "point. If they want to use it still, I can't prevent it. ", "specific way, might it not be meaningful to tell them why not* to", "How-To. This would mean they still have to look somewhere else - fine,", "Similar to the first point. If they want to use it still, I", "for given reasons. I think this sounds reasonable, but as always: Open for", "show this \"Bad Practice\" in action. Similar to the first point. If they", "past that told to avoid this. According to them to not give the", "would consider the following points regarding this: * Give only very general informations,", "reasons. I think this sounds reasonable, but as always: Open for additional/different thoughts.", "to explain to users why they should do something in a specific way,", "else - fine, if they want. * No URLs to external guides that", "want to use it still, I can't prevent it. * Make it clear", "prevent it. * Make it clear by a panel that this is considered", "hardening guide for Windows 10. Similar to <http://hardenwindows10forsecurity.com/index.html>, but different in scope and", "external guides that show this \"Bad Practice\" in action. Similar to the first", "tell them why not to do it in a different one? From a", "that this is considered as \"Bad/Worst Practice\" and should not be used for", "this exists. Honestly I feel this is quite a weak argument. If I", "the past that told to avoid this. According to them to not give", "blogs in the past that told to avoid this. According to them to", "The thing is, I read several blogs in the past that told to", "them to not give the user the knowledge that something like this exists.", "to <http://hardenwindows10forsecurity.com/index.html>, but different in scope and style. I wondered, if informing about", "the knowledge that something like this exists. Honestly I feel this is quite", "if informing about \"Bad/Worst Practices\" would be a thing that should be avoided?", "would be a thing that should be avoided? The thing is, I read", "should be avoided? The thing is, I read several blogs in the past" ]
[ "because I'm reading myself? What could I do to fix that? If it", "worked on my characters to make them feel more realistic. Yet, I still", "enveloped in a drape of purity, of carelessness and that whatever happens will", "myself, my writing style feels juvenile. By that, I mean that everything seems", "could I do to fix that? If it is relevant for whatever reason,", "and that whatever happens will end well. I tried many things so it", "describe the environment a lot more than what I was doing (going from", "that whatever happens will end well. I tried many things so it doesn't", "feel more realistic. Yet, I still feel like I'm writing like a child.", "characters to make them feel more realistic. Yet, I still feel like I'm", "I read myself, my writing style feels juvenile. By that, I mean that", "everything seems enveloped in a drape of purity, of carelessness and that whatever", "situations (violence), describe the environment a lot more than what I was doing", "I'm reading myself? What could I do to fix that? If it is", "old and when I read myself, my writing style feels juvenile. By that,", "things so it doesn't happen: choose mature subjects (distopias, dilemmas), write horrible situations", "I mean that everything seems enveloped in a drape of purity, of carelessness", "of purity, of carelessness and that whatever happens will end well. I tried", "carelessness and that whatever happens will end well. I tried many things so", "choose mature subjects (distopias, dilemmas), write horrible situations (violence), describe the environment a", "that? If it is relevant for whatever reason, my native language is french", "horrible situations (violence), describe the environment a lot more than what I was", "style feels juvenile. By that, I mean that everything seems enveloped in a", "doing (going from 2/3 lines to a whole paragraph), and I worked on", "I'm writing like a child. Is it because I'm reading myself? What could", "a whole paragraph), and I worked on my characters to make them feel", "them feel more realistic. Yet, I still feel like I'm writing like a", "it is relevant for whatever reason, my native language is french and I'm", "it because I'm reading myself? What could I do to fix that? If", "If it is relevant for whatever reason, my native language is french and", "like I'm writing like a child. Is it because I'm reading myself? What", "myself? What could I do to fix that? If it is relevant for", "drape of purity, of carelessness and that whatever happens will end well. I", "dilemmas), write horrible situations (violence), describe the environment a lot more than what", "whole paragraph), and I worked on my characters to make them feel more", "feels juvenile. By that, I mean that everything seems enveloped in a drape", "still feel like I'm writing like a child. Is it because I'm reading", "to fix that? If it is relevant for whatever reason, my native language", "was doing (going from 2/3 lines to a whole paragraph), and I worked", "a drape of purity, of carelessness and that whatever happens will end well.", "in a drape of purity, of carelessness and that whatever happens will end", "purity, of carelessness and that whatever happens will end well. I tried many", "year old and when I read myself, my writing style feels juvenile. By", "when I read myself, my writing style feels juvenile. By that, I mean", "I worked on my characters to make them feel more realistic. Yet, I", "of carelessness and that whatever happens will end well. I tried many things", "well. I tried many things so it doesn't happen: choose mature subjects (distopias,", "from 2/3 lines to a whole paragraph), and I worked on my characters", "doesn't happen: choose mature subjects (distopias, dilemmas), write horrible situations (violence), describe the", "whatever happens will end well. I tried many things so it doesn't happen:", "juvenile. By that, I mean that everything seems enveloped in a drape of", "my characters to make them feel more realistic. Yet, I still feel like", "reading myself? What could I do to fix that? If it is relevant", "a child. Is it because I'm reading myself? What could I do to", "will end well. I tried many things so it doesn't happen: choose mature", "seems enveloped in a drape of purity, of carelessness and that whatever happens", "(violence), describe the environment a lot more than what I was doing (going", "I was doing (going from 2/3 lines to a whole paragraph), and I", "so it doesn't happen: choose mature subjects (distopias, dilemmas), write horrible situations (violence),", "I'm 22 year old and when I read myself, my writing style feels", "happens will end well. I tried many things so it doesn't happen: choose", "writing like a child. Is it because I'm reading myself? What could I", "child. Is it because I'm reading myself? What could I do to fix", "read myself, my writing style feels juvenile. By that, I mean that everything", "many things so it doesn't happen: choose mature subjects (distopias, dilemmas), write horrible", "By that, I mean that everything seems enveloped in a drape of purity,", "that, I mean that everything seems enveloped in a drape of purity, of", "lot more than what I was doing (going from 2/3 lines to a", "to a whole paragraph), and I worked on my characters to make them", "more realistic. Yet, I still feel like I'm writing like a child. Is", "relevant for whatever reason, my native language is french and I'm writing in", "on my characters to make them feel more realistic. Yet, I still feel", "happen: choose mature subjects (distopias, dilemmas), write horrible situations (violence), describe the environment", "write horrible situations (violence), describe the environment a lot more than what I", "than what I was doing (going from 2/3 lines to a whole paragraph),", "feel like I'm writing like a child. Is it because I'm reading myself?", "Yet, I still feel like I'm writing like a child. Is it because", "environment a lot more than what I was doing (going from 2/3 lines", "that everything seems enveloped in a drape of purity, of carelessness and that", "and when I read myself, my writing style feels juvenile. By that, I", "mean that everything seems enveloped in a drape of purity, of carelessness and", "I still feel like I'm writing like a child. Is it because I'm", "lines to a whole paragraph), and I worked on my characters to make", "fix that? If it is relevant for whatever reason, my native language is", "my writing style feels juvenile. By that, I mean that everything seems enveloped", "What could I do to fix that? If it is relevant for whatever", "mature subjects (distopias, dilemmas), write horrible situations (violence), describe the environment a lot", "Is it because I'm reading myself? What could I do to fix that?", "I do to fix that? If it is relevant for whatever reason, my", "paragraph), and I worked on my characters to make them feel more realistic.", "for whatever reason, my native language is french and I'm writing in french.", "do to fix that? If it is relevant for whatever reason, my native", "more than what I was doing (going from 2/3 lines to a whole", "end well. I tried many things so it doesn't happen: choose mature subjects", "tried many things so it doesn't happen: choose mature subjects (distopias, dilemmas), write", "(going from 2/3 lines to a whole paragraph), and I worked on my", "it doesn't happen: choose mature subjects (distopias, dilemmas), write horrible situations (violence), describe", "to make them feel more realistic. Yet, I still feel like I'm writing", "(distopias, dilemmas), write horrible situations (violence), describe the environment a lot more than", "realistic. Yet, I still feel like I'm writing like a child. Is it", "is relevant for whatever reason, my native language is french and I'm writing", "make them feel more realistic. Yet, I still feel like I'm writing like", "2/3 lines to a whole paragraph), and I worked on my characters to", "a lot more than what I was doing (going from 2/3 lines to", "what I was doing (going from 2/3 lines to a whole paragraph), and", "like a child. Is it because I'm reading myself? What could I do", "writing style feels juvenile. By that, I mean that everything seems enveloped in", "I tried many things so it doesn't happen: choose mature subjects (distopias, dilemmas),", "and I worked on my characters to make them feel more realistic. Yet,", "22 year old and when I read myself, my writing style feels juvenile.", "the environment a lot more than what I was doing (going from 2/3", "subjects (distopias, dilemmas), write horrible situations (violence), describe the environment a lot more" ]
[ "about, I don't know, a new cosmological model or something theorized by a", "something theorized by a very smart guy. Can I use it as the", "or something theorized by a very smart guy. Can I use it as", "don't know, a new cosmological model or something theorized by a very smart", "it as the core idea of my sci-fi story or I could get", "article on a scientific magazine about, I don't know, a new cosmological model", "use it as the core idea of my sci-fi story or I could", "guy. Can I use it as the core idea of my sci-fi story", "say that I read an article on a scientific magazine about, I don't", "a scientific magazine about, I don't know, a new cosmological model or something", "smart guy. Can I use it as the core idea of my sci-fi", "on a scientific magazine about, I don't know, a new cosmological model or", "that I read an article on a scientific magazine about, I don't know,", "magazine about, I don't know, a new cosmological model or something theorized by", "new cosmological model or something theorized by a very smart guy. Can I", "by a very smart guy. Can I use it as the core idea", "an article on a scientific magazine about, I don't know, a new cosmological", "I read an article on a scientific magazine about, I don't know, a", "know, a new cosmological model or something theorized by a very smart guy.", "very smart guy. Can I use it as the core idea of my", "Let's say that I read an article on a scientific magazine about, I", "scientific magazine about, I don't know, a new cosmological model or something theorized", "I use it as the core idea of my sci-fi story or I", "as the core idea of my sci-fi story or I could get in", "model or something theorized by a very smart guy. Can I use it", "I don't know, a new cosmological model or something theorized by a very", "cosmological model or something theorized by a very smart guy. Can I use", "Can I use it as the core idea of my sci-fi story or", "read an article on a scientific magazine about, I don't know, a new", "a very smart guy. Can I use it as the core idea of", "theorized by a very smart guy. Can I use it as the core", "the core idea of my sci-fi story or I could get in trouble?", "a new cosmological model or something theorized by a very smart guy. Can" ]
[ "to titillate instead of protect damage the worldbuilding credibility? How could you balance", "to convince readers that women are an important part of war in an", "you are trying to convince readers that women are an important part of", "the worldbuilding credibility? How could you balance the rule of cool with realism?", "convince readers that women are an important part of war in an alternate", "of war in an alternate world, is sticking them in costumes designed to", "part of war in an alternate world, is sticking them in costumes designed", "designed to titillate instead of protect damage the worldbuilding credibility? How could you", "protect damage the worldbuilding credibility? How could you balance the rule of cool", "an alternate world, is sticking them in costumes designed to titillate instead of", "of protect damage the worldbuilding credibility? How could you balance the rule of", "them in costumes designed to titillate instead of protect damage the worldbuilding credibility?", "damage the worldbuilding credibility? How could you balance the rule of cool with", "that women are an important part of war in an alternate world, is", "women are an important part of war in an alternate world, is sticking", "readers that women are an important part of war in an alternate world,", "war in an alternate world, is sticking them in costumes designed to titillate", "If you are trying to convince readers that women are an important part", "are trying to convince readers that women are an important part of war", "important part of war in an alternate world, is sticking them in costumes", "titillate instead of protect damage the worldbuilding credibility? How could you balance the", "alternate world, is sticking them in costumes designed to titillate instead of protect", "in costumes designed to titillate instead of protect damage the worldbuilding credibility? How", "is sticking them in costumes designed to titillate instead of protect damage the", "trying to convince readers that women are an important part of war in", "sticking them in costumes designed to titillate instead of protect damage the worldbuilding", "an important part of war in an alternate world, is sticking them in", "costumes designed to titillate instead of protect damage the worldbuilding credibility? How could", "instead of protect damage the worldbuilding credibility? How could you balance the rule", "in an alternate world, is sticking them in costumes designed to titillate instead", "world, is sticking them in costumes designed to titillate instead of protect damage", "are an important part of war in an alternate world, is sticking them" ]
[ "the continuous tenses: > > \"Eh, they fighted for long yesterday, see'ed it", "it while they did.\" > > > Is it okay if I just", "make it flow in smoothly? The plot speaks about a small village far", "The year is somewhere around 3046. Life has changed quite a lot outside", "it flow in smoothly? The plot speaks about a small village far from", "own eyes,\" said the man. \"I ordered me a beer, sitted, and drinked", "Is it okay if I just show his way of speaking without explaining", "long yesterday, see'ed it with me own eyes,\" said the man. \"I ordered", "past perfect tenses and he doesn't use the continuous tenses: > > \"Eh,", "- he uses all the words with -ed in the past and past", "uses all the words with -ed in the past and past perfect tenses", "words with -ed in the past and past perfect tenses and he doesn't", "way of speaking without explaining where that came from? Are there any better", "eyes,\" said the man. \"I ordered me a beer, sitted, and drinked it", "and past perfect tenses and he doesn't use the continuous tenses: > >", "not make the reader feel awkward and make it flow in smoothly? The", "is somewhere around 3046. Life has changed quite a lot outside big cities.", "\"Eh, they fighted for long yesterday, see'ed it with me own eyes,\" said", "they did.\" > > > Is it okay if I just show his", "a small village far from big cities. The year is somewhere around 3046.", "flow in smoothly? The plot speaks about a small village far from big", "it okay if I just show his way of speaking without explaining where", "better solutions to not make the reader feel awkward and make it flow", "about a small village far from big cities. The year is somewhere around", "where that came from? Are there any better solutions to not make the", "it with me own eyes,\" said the man. \"I ordered me a beer,", "use the continuous tenses: > > \"Eh, they fighted for long yesterday, see'ed", "okay if I just show his way of speaking without explaining where that", "see'ed it with me own eyes,\" said the man. \"I ordered me a", "> > Is it okay if I just show his way of speaking", "from big cities. The year is somewhere around 3046. Life has changed quite", "the man. \"I ordered me a beer, sitted, and drinked it while they", "speaks a different English - he uses all the words with -ed in", "he uses all the words with -ed in the past and past perfect", "> > > Is it okay if I just show his way of", "smoothly? The plot speaks about a small village far from big cities. The", "said the man. \"I ordered me a beer, sitted, and drinked it while", "a new character who speaks a different English - he uses all the", "big cities. The year is somewhere around 3046. Life has changed quite a", "without explaining where that came from? Are there any better solutions to not", "he doesn't use the continuous tenses: > > \"Eh, they fighted for long", "who speaks a different English - he uses all the words with -ed", "cities. The year is somewhere around 3046. Life has changed quite a lot", "plot speaks about a small village far from big cities. The year is", "past and past perfect tenses and he doesn't use the continuous tenses: >", "the reader feel awkward and make it flow in smoothly? The plot speaks", "solutions to not make the reader feel awkward and make it flow in", "did.\" > > > Is it okay if I just show his way", "and drinked it while they did.\" > > > Is it okay if", "they fighted for long yesterday, see'ed it with me own eyes,\" said the", "The plot speaks about a small village far from big cities. The year", "ordered me a beer, sitted, and drinked it while they did.\" > >", "I just show his way of speaking without explaining where that came from?", "continuous tenses: > > \"Eh, they fighted for long yesterday, see'ed it with", "tenses: > > \"Eh, they fighted for long yesterday, see'ed it with me", "while they did.\" > > > Is it okay if I just show", "show his way of speaking without explaining where that came from? Are there", "explaining where that came from? Are there any better solutions to not make", "different English - he uses all the words with -ed in the past", "character who speaks a different English - he uses all the words with", "> > \"Eh, they fighted for long yesterday, see'ed it with me own", "in smoothly? The plot speaks about a small village far from big cities.", "the past and past perfect tenses and he doesn't use the continuous tenses:", "speaks about a small village far from big cities. The year is somewhere", "awkward and make it flow in smoothly? The plot speaks about a small", "\"I ordered me a beer, sitted, and drinked it while they did.\" >", "beer, sitted, and drinked it while they did.\" > > > Is it", "sitted, and drinked it while they did.\" > > > Is it okay", "from? Are there any better solutions to not make the reader feel awkward", "willing to introduce a new character who speaks a different English - he", "for long yesterday, see'ed it with me own eyes,\" said the man. \"I", "year is somewhere around 3046. Life has changed quite a lot outside big", "doesn't use the continuous tenses: > > \"Eh, they fighted for long yesterday,", "Are there any better solutions to not make the reader feel awkward and", "speaking without explaining where that came from? Are there any better solutions to", "-ed in the past and past perfect tenses and he doesn't use the", "I'm willing to introduce a new character who speaks a different English -", "perfect tenses and he doesn't use the continuous tenses: > > \"Eh, they", "> Is it okay if I just show his way of speaking without", "far from big cities. The year is somewhere around 3046. Life has changed", "tenses and he doesn't use the continuous tenses: > > \"Eh, they fighted", "all the words with -ed in the past and past perfect tenses and", "a beer, sitted, and drinked it while they did.\" > > > Is", "with me own eyes,\" said the man. \"I ordered me a beer, sitted,", "me own eyes,\" said the man. \"I ordered me a beer, sitted, and", "me a beer, sitted, and drinked it while they did.\" > > >", "of speaking without explaining where that came from? Are there any better solutions", "if I just show his way of speaking without explaining where that came", "man. \"I ordered me a beer, sitted, and drinked it while they did.\"", "reader feel awkward and make it flow in smoothly? The plot speaks about", "and he doesn't use the continuous tenses: > > \"Eh, they fighted for", "a different English - he uses all the words with -ed in the", "drinked it while they did.\" > > > Is it okay if I", "introduce a new character who speaks a different English - he uses all", "with -ed in the past and past perfect tenses and he doesn't use", "make the reader feel awkward and make it flow in smoothly? The plot", "his way of speaking without explaining where that came from? Are there any", "> \"Eh, they fighted for long yesterday, see'ed it with me own eyes,\"", "there any better solutions to not make the reader feel awkward and make", "yesterday, see'ed it with me own eyes,\" said the man. \"I ordered me", "fighted for long yesterday, see'ed it with me own eyes,\" said the man.", "any better solutions to not make the reader feel awkward and make it", "feel awkward and make it flow in smoothly? The plot speaks about a", "new character who speaks a different English - he uses all the words", "the words with -ed in the past and past perfect tenses and he", "in the past and past perfect tenses and he doesn't use the continuous", "came from? Are there any better solutions to not make the reader feel", "village far from big cities. The year is somewhere around 3046. Life has", "and make it flow in smoothly? The plot speaks about a small village", "English - he uses all the words with -ed in the past and", "that came from? Are there any better solutions to not make the reader", "just show his way of speaking without explaining where that came from? Are", "to introduce a new character who speaks a different English - he uses", "to not make the reader feel awkward and make it flow in smoothly?", "small village far from big cities. The year is somewhere around 3046. Life" ]
[ "the shows and videos I've seen about them don't give off the full", "describing a place/experience that they never personally experienced before? Is there a specific", "place/experience that they never personally experienced before? Is there a specific feel that", "never personally experienced before? Is there a specific feel that a writer should", "and videos I've seen about them don't give off the full effect. How", "Is there a specific feel that a writer should get into in order", "been to a circus, and all the shows and videos I've seen about", "does a person go about describing a place/experience that they never personally experienced", "off the full effect. How does a person go about describing a place/experience", "a person go about describing a place/experience that they never personally experienced before?", "the full effect. How does a person go about describing a place/experience that", "that they never personally experienced before? Is there a specific feel that a", "shows and videos I've seen about them don't give off the full effect.", "go about describing a place/experience that they never personally experienced before? Is there", "a circus, and all the shows and videos I've seen about them don't", "personally experienced before? Is there a specific feel that a writer should get", "seen about them don't give off the full effect. How does a person", "specific feel that a writer should get into in order to write about", "full effect. How does a person go about describing a place/experience that they", "them don't give off the full effect. How does a person go about", "into in order to write about something so colorful and full of scents?", "experienced before? Is there a specific feel that a writer should get into", "about them don't give off the full effect. How does a person go", "I've seen about them don't give off the full effect. How does a", "that a writer should get into in order to write about something so", "circus, and all the shows and videos I've seen about them don't give", "a specific feel that a writer should get into in order to write", "all the shows and videos I've seen about them don't give off the", "feel that a writer should get into in order to write about something", "a writer should get into in order to write about something so colorful", "writer should get into in order to write about something so colorful and", "never been to a circus, and all the shows and videos I've seen", "How does a person go about describing a place/experience that they never personally", "should get into in order to write about something so colorful and full", "give off the full effect. How does a person go about describing a", "videos I've seen about them don't give off the full effect. How does", "before? Is there a specific feel that a writer should get into in", "about describing a place/experience that they never personally experienced before? Is there a", "person go about describing a place/experience that they never personally experienced before? Is", "I've never been to a circus, and all the shows and videos I've", "they never personally experienced before? Is there a specific feel that a writer", "get into in order to write about something so colorful and full of", "don't give off the full effect. How does a person go about describing", "to a circus, and all the shows and videos I've seen about them", "and all the shows and videos I've seen about them don't give off", "effect. How does a person go about describing a place/experience that they never", "a place/experience that they never personally experienced before? Is there a specific feel", "there a specific feel that a writer should get into in order to" ]
[ "storyline. Usecases may for example be: * campaigns for Pen and Paper games", "* campaigns for Pen and Paper games * visual novels * Choose Your", "there are people who will interact with your work by choosing certain paths,", "everything again. Of course often you have certain decisions that lead to branches", "would like to know whether there are any tools that would help an", "before into the document is quite difficult. Making multiple files can lead to", "your work by choosing certain paths, all of which you have to account", "a lot of files and thereby it becomes difficult to keep track of", "paths you haven't thought of before into the document is quite difficult. Making", "all of which you have to account for. The problem with writing these", "most the problems I mentioned are still there. Is there software that would", "choosing certain paths, all of which you have to account for. The problem", "the branches for key events again, but most the problems I mentioned are", "a branching storyline. Usecases may for example be: campaigns for Pen and", "are still there. Is there software that would help me overcome these problems?", "happen quite fast. Putting new paths you haven't thought of before into the", "Is there software that would help me overcome these problems? Preferrably the software", "fast. Putting new paths you haven't thought of before into the document is", "have certain decisions that lead to branches and then merge the branches for", "I mentioned are still there. Is there software that would help me overcome", "whether there are any tools that would help an author write a branching", "difficult. Making multiple files can lead to a lot of files and thereby", "of files and thereby it becomes difficult to keep track of everything again.", "I would like to know whether there are any tools that would help", "there. Is there software that would help me overcome these problems? Preferrably the", "and Paper games * visual novels * Choose Your Own Adventure-style books The", "in Word is that you can very quickly lose track of where exactly", "course often you have certain decisions that lead to branches and then merge", "for example be: * campaigns for Pen and Paper games * visual novels", "very quickly lose track of where exactly you wrote what and which events", "events again, but most the problems I mentioned are still there. Is there", "accounted for can happen quite fast. Putting new paths you haven't thought of", "new paths you haven't thought of before into the document is quite difficult.", "is that you can very quickly lose track of where exactly you wrote", "of before into the document is quite difficult. Making multiple files can lead", "quite fast. Putting new paths you haven't thought of before into the document", "keep track of everything again. Of course often you have certain decisions that", "that would help me overcome these problems? Preferrably the software should be free.", "about. Overlooking paths you have already accounted for can happen quite fast. Putting", "paths you have already accounted for can happen quite fast. Putting new paths", "track of where exactly you wrote what and which events predate the current", "but most the problems I mentioned are still there. Is there software that", "of where exactly you wrote what and which events predate the current state", "difficult to keep track of everything again. Of course often you have certain", "then merge the branches for key events again, but most the problems I", "to branches and then merge the branches for key events again, but most", "The common thing is that there are people who will interact with your", "campaigns for Pen and Paper games * visual novels * Choose Your Own", "to account for. The problem with writing these things in Word is that", "predate the current state you are writing about. Overlooking paths you have already", "Usecases may for example be: campaigns for Pen and Paper games ", "to keep track of everything again. Of course often you have certain decisions", "of everything again. Of course often you have certain decisions that lead to", "again. Of course often you have certain decisions that lead to branches and", "thought of before into the document is quite difficult. Making multiple files can", "work by choosing certain paths, all of which you have to account for.", " Choose Your Own Adventure-style books The common thing is that there are", "will interact with your work by choosing certain paths, all of which you", "lead to a lot of files and thereby it becomes difficult to keep", "for. The problem with writing these things in Word is that you can", "* visual novels * Choose Your Own Adventure-style books The common thing is", "can lead to a lot of files and thereby it becomes difficult to", "the problems I mentioned are still there. Is there software that would help", "visual novels * Choose Your Own Adventure-style books The common thing is that", "merge the branches for key events again, but most the problems I mentioned", "there software that would help me overcome these problems? Preferrably the software should", "thing is that there are people who will interact with your work by", "certain paths, all of which you have to account for. The problem with", "quickly lose track of where exactly you wrote what and which events predate", "and then merge the branches for key events again, but most the problems", "Putting new paths you haven't thought of before into the document is quite", "can very quickly lose track of where exactly you wrote what and which", "common thing is that there are people who will interact with your work", "Making multiple files can lead to a lot of files and thereby it", "know whether there are any tools that would help an author write a", "where exactly you wrote what and which events predate the current state you", "you can very quickly lose track of where exactly you wrote what and", "write a branching storyline. Usecases may for example be: * campaigns for Pen", "Paper games * visual novels * Choose Your Own Adventure-style books The common", "like to know whether there are any tools that would help an author", "Overlooking paths you have already accounted for can happen quite fast. Putting new", "and which events predate the current state you are writing about. Overlooking paths", "key events again, but most the problems I mentioned are still there. Is", "certain decisions that lead to branches and then merge the branches for key", "mentioned are still there. Is there software that would help me overcome these", "The problem with writing these things in Word is that you can very", "may for example be: * campaigns for Pen and Paper games * visual", "tools that would help an author write a branching storyline. Usecases may for", "Pen and Paper games * visual novels * Choose Your Own Adventure-style books", "books The common thing is that there are people who will interact with", "writing about. Overlooking paths you have already accounted for can happen quite fast.", "and thereby it becomes difficult to keep track of everything again. Of course", "games * visual novels * Choose Your Own Adventure-style books The common thing", "files can lead to a lot of files and thereby it becomes difficult", "branching storyline. Usecases may for example be: * campaigns for Pen and Paper", "things in Word is that you can very quickly lose track of where", "Your Own Adventure-style books The common thing is that there are people who", "which you have to account for. The problem with writing these things in", "these things in Word is that you can very quickly lose track of", "Word is that you can very quickly lose track of where exactly you", "Adventure-style books The common thing is that there are people who will interact", "are writing about. Overlooking paths you have already accounted for can happen quite", "decisions that lead to branches and then merge the branches for key events", "you haven't thought of before into the document is quite difficult. Making multiple", "the current state you are writing about. Overlooking paths you have already accounted", "are any tools that would help an author write a branching storyline. Usecases", "the document is quite difficult. Making multiple files can lead to a lot", "is that there are people who will interact with your work by choosing", "by choosing certain paths, all of which you have to account for. The", "branches and then merge the branches for key events again, but most the", "multiple files can lead to a lot of files and thereby it becomes", "track of everything again. Of course often you have certain decisions that lead", "haven't thought of before into the document is quite difficult. Making multiple files", "which events predate the current state you are writing about. Overlooking paths you", "for key events again, but most the problems I mentioned are still there.", "novels * Choose Your Own Adventure-style books The common thing is that there", "that would help an author write a branching storyline. Usecases may for example", "events predate the current state you are writing about. Overlooking paths you have", "who will interact with your work by choosing certain paths, all of which", "writing these things in Word is that you can very quickly lose track", "what and which events predate the current state you are writing about. Overlooking", "wrote what and which events predate the current state you are writing about.", "for Pen and Paper games * visual novels * Choose Your Own Adventure-style", "files and thereby it becomes difficult to keep track of everything again. Of", "that you can very quickly lose track of where exactly you wrote what", "for can happen quite fast. Putting new paths you haven't thought of before", "Choose Your Own Adventure-style books The common thing is that there are people", "Own Adventure-style books The common thing is that there are people who will", "you wrote what and which events predate the current state you are writing", "be: campaigns for Pen and Paper games * visual novels * Choose", "with writing these things in Word is that you can very quickly lose", "current state you are writing about. Overlooking paths you have already accounted for", "help an author write a branching storyline. Usecases may for example be: ", "example be: * campaigns for Pen and Paper games * visual novels ", "software that would help me overcome these problems? Preferrably the software should be", "to a lot of files and thereby it becomes difficult to keep track", "can happen quite fast. Putting new paths you haven't thought of before into", "have already accounted for can happen quite fast. Putting new paths you haven't", "interact with your work by choosing certain paths, all of which you have", "Of course often you have certain decisions that lead to branches and then", "paths, all of which you have to account for. The problem with writing", "of which you have to account for. The problem with writing these things", "thereby it becomes difficult to keep track of everything again. Of course often", "document is quite difficult. Making multiple files can lead to a lot of", "you have certain decisions that lead to branches and then merge the branches", "with your work by choosing certain paths, all of which you have to", "often you have certain decisions that lead to branches and then merge the", "it becomes difficult to keep track of everything again. Of course often you", "already accounted for can happen quite fast. Putting new paths you haven't thought", "becomes difficult to keep track of everything again. Of course often you have", "problem with writing these things in Word is that you can very quickly", "to know whether there are any tools that would help an author write", "people who will interact with your work by choosing certain paths, all of", "have to account for. The problem with writing these things in Word is", "problems I mentioned are still there. Is there software that would help me", "branches for key events again, but most the problems I mentioned are still", "that there are people who will interact with your work by choosing certain", "that lead to branches and then merge the branches for key events again,", "you have already accounted for can happen quite fast. Putting new paths you", "lose track of where exactly you wrote what and which events predate the", "quite difficult. Making multiple files can lead to a lot of files and", "lead to branches and then merge the branches for key events again, but", "you are writing about. Overlooking paths you have already accounted for can happen", "lot of files and thereby it becomes difficult to keep track of everything", "would help an author write a branching storyline. Usecases may for example be:", "is quite difficult. Making multiple files can lead to a lot of files", "author write a branching storyline. Usecases may for example be: campaigns for", "are people who will interact with your work by choosing certain paths, all", "account for. The problem with writing these things in Word is that you", "into the document is quite difficult. Making multiple files can lead to a", "any tools that would help an author write a branching storyline. Usecases may", "there are any tools that would help an author write a branching storyline.", "still there. Is there software that would help me overcome these problems? Preferrably", "state you are writing about. Overlooking paths you have already accounted for can", "you have to account for. The problem with writing these things in Word", "again, but most the problems I mentioned are still there. Is there software", "exactly you wrote what and which events predate the current state you are", "an author write a branching storyline. Usecases may for example be: * campaigns" ]
[ "him and he fell in the \"ENFJ\" category. (Extraverted, intuitive, feeling, judging) The", "tried to narrow this question down to specifically the Myers–Blihgk method, it's usefulness", "home. At work I can't stand clutter, inconsistency, like to complete tasks, but", "about what tools can be used for developing characters. I tried to narrow", "I rely on the Myers–Blihgk system? Are such contradictions natural and realistic? I", "relate to, even more so when I read up on an INFJ. I", "come up with my characters first and then figure out what type they", "An ESTJ would be a more fitting type for a soldier, but he", "father figure and a falling out with his second father figure, he shuns", "be used for developing characters. I tried to narrow this question down to", "type thinks, their work habits, relationships, how they react to stress, whatever is", "in broader terms about what tools can be used for developing characters. I", "(he does want to believe in abstract stuff, thinks towards the future, but", "unrealistic for my character(s) to not fit cleanly in the \"box\" or do", "For a while I've been fascinated with the different personality types, studying the", "to show fear (or emotion in general) is a sign of weakness.) ---", "F as my dominant, swaying between INFP and INTP. I tested my own", "I'm sure there must be real life exceptions, but internet research is pretty", "(or emotion in general) is a sign of weakness.) --- I'm wondering how", "you just let it go and try not to worry about it too", "of a rough upbringing with his first father figure and a falling out", "how he feels inside about what he is doing) and came out with", "my character, is it that unrealistic for my character(s) to not fit cleanly", "rough upbringing with his first father figure and a falling out with his", "character and his development. Though early in the story he has his \"mask\"", "character as an example. I tested him and he fell in the \"ENFJ\"", "and a falling out with his second father figure, he shuns such beliefs", "up on the type, the more I realized this type \"can't\" be a", "I tend to put on at work and came up with INTJ. The", "he shuns such beliefs initially and favors the belief to show fear (or", "development. Though early in the story he has his \"mask\" so it may", "soldier character as an example. I tested him and he fell in the", "has contradictory traits that make him swing between that, an ENFJ or even", "exceptions, but internet research is pretty limited, so I can't go 100% sure", "in the \"box\" or do I have major work ahead of me to", "\"can't\" in \"\" because I'm sure there must be real life exceptions, but", "sure one way or the other. Long term wise over the arc of", "Long term wise over the arc of the series this type does appear", "a soldier. I put \"can't\" in \"\" because I'm sure there must be", "description of an INTJ doesn't fit me quite, but I can see things", "\"alter ego\" or \"work personality\" (aka his mask) as a way to shut", "his work personality, the mask he puts on, how he carries out his", "for the character and his development. Though early in the story he has", "while I've been fascinated with the different personality types, studying the letters, function", "At work I can't stand clutter, inconsistency, like to complete tasks, but at", "out with an ESTJ. An ESTJ would be a more fitting type for", "personality types, studying the letters, function stacks, and how they play. I've done", "reading up on that particular type, how that type thinks, their work habits,", "unrealistic? I decided to test my character again (factoring his work personality, the", "can't go 100% sure one way or the other. Long term wise over", "stacks, and how they play. I've done tests to find out what types", "go and try not to worry about it too much? (and that being", "achieve his missions/ battle tactics as a soldier. Is this a bit unrealistic?", "soldier. Is this a bit unrealistic? I decided to test my character again", "the future, but because of a rough upbringing with his first father figure", "then I noticed my character also plays up an \"alter ego\" or \"work", "missions/ battle tactics as a soldier. Is this a bit unrealistic? I decided", "home I'm the opposite.) Considering my real life example vs my character, is", "to be the closest fit for the character and his development. Though early", "with the different personality types, studying the letters, function stacks, and how they", "or a fault in developing my characters? --- I'll use my soldier character", "work and came up with INTJ. The description of an INTJ doesn't fit", "traits that make him swing between that, an ENFJ or even a possible", "so when I read up on an INFJ. I notice I have a", "weakness.) --- I'm wondering how much can I/should I rely on the Myers–Blihgk", "real life exceptions, but internet research is pretty limited, so I can't go", "out what types my characters are and spent hours reading up on that", "I noticed my character also plays up an \"alter ego\" or \"work personality\"", "tools can be used for developing characters. I tried to narrow this question", "asks in broader terms about what tools can be used for developing characters.", "on, how he carries out his actions rather than how he feels inside", "up on an INFJ. I notice I have a stronger judging preference at", "series this type does appear to be the closest fit for the character", "type for a soldier, but he still has contradictory traits that make him", "I can relate to, even more so when I read up on an", "I tested him and he fell in the \"ENFJ\" category. (Extraverted, intuitive, feeling,", "characters?](https://writers.stackexchange.com/q/582) and while I noticed similarities, I think that question asks in broader", "mask I tend to put on at work and came up with INTJ.", "at home I'm the opposite.) Considering my real life example vs my character,", "ego\" or \"work personality\" (aka his mask) as a way to shut out", "see myself as a contradiction being unsure if I use T or F", "the mask I tend to put on at work and came up with", "my character(s) to not fit cleanly in the \"box\" or do I have", "method, it's usefulness and limitations. For a while I've been fascinated with the", "to find online (for free mostly). That said, I tend to come up", "quite, but I can see things I can relate to, even more so", "to stress, whatever is available to find online (for free mostly). That said,", "abstract stuff, thinks towards the future, but because of a rough upbringing with", "to narrow this question down to specifically the Myers–Blihgk method, it's usefulness and", "swing between that, an ENFJ or even a possible ENTJ. (he does want", "function stacks, and how they play. I've done tests to find out what", "up with INTJ. The description of an INTJ doesn't fit me quite, but", "than I do at home. At work I can't stand clutter, inconsistency, like", "wise over the arc of the series this type does appear to be", "test my character again (factoring his work personality, the mask he puts on,", "a stronger judging preference at work than I do at home. At work", "me to sort out my characters? (and perhaps myself in the process?) Or", "to worry about it too much? (and that being what I need to", "INTJ. The description of an INTJ doesn't fit me quite, but I can", "similarities, I think that question asks in broader terms about what tools can", "are and spent hours reading up on that particular type, how that type", "be a soldier. I put \"can't\" in \"\" because I'm sure there must", "feeling, judging) The more I read up on the type, the more I", "up with my characters first and then figure out what type they are.", "things I can relate to, even more so when I read up on", "read up on the type, the more I realized this type \"can't\" be", "[What are some ways to get to know your characters?](https://writers.stackexchange.com/q/582) and while I", "plays up an \"alter ego\" or \"work personality\" (aka his mask) as a", "ENTJ. (he does want to believe in abstract stuff, thinks towards the future,", "I tried to narrow this question down to specifically the Myers–Blihgk method, it's", "INTJ doesn't fit me quite, but I can see things I can relate", "it may be hard to type him with that mask on. But then", "shut out his feelings and keep focused on his surroundings, and help achieve", "at [What are some ways to get to know your characters?](https://writers.stackexchange.com/q/582) and while", "less they seem to fit any particular type. Is this realistic or a", "a way to shut out his feelings and keep focused on his surroundings,", "doing) and came out with an ESTJ. An ESTJ would be a more", "I/should I rely on the Myers–Blihgk system? Are such contradictions natural and realistic?", "Are such contradictions natural and realistic? I see myself as a contradiction being", "and INTP. I tested my own \"work personality\", the mask I tend to", "characters? (and perhaps myself in the process?) Or do you make up the", "sign of weakness.) --- I'm wondering how much can I/should I rely on", "character(s) to not fit cleanly in the \"box\" or do I have major", "limitations. For a while I've been fascinated with the different personality types, studying", "decided to test my character again (factoring his work personality, the mask he", "make him swing between that, an ENFJ or even a possible ENTJ. (he", "character, is it that unrealistic for my character(s) to not fit cleanly in", "I decided to test my character again (factoring his work personality, the mask", "cleanly in the \"box\" or do I have major work ahead of me", "at home. At work I can't stand clutter, inconsistency, like to complete tasks,", "(factoring his work personality, the mask he puts on, how he carries out", "life exceptions, but internet research is pretty limited, so I can't go 100%", "the characters and if there are contradictions, you just let it go and", "on the type, the more I realized this type \"can't\" be a soldier.", "find out what types my characters are and spent hours reading up on", "or even a possible ENTJ. (he does want to believe in abstract stuff,", "figure and a falling out with his second father figure, he shuns such", "realistic or a fault in developing my characters? --- I'll use my soldier", "\"work personality\" (aka his mask) as a way to shut out his feelings", "they play. I've done tests to find out what types my characters are", "or the other. Long term wise over the arc of the series this", "natural and realistic? I see myself as a contradiction being unsure if I", "the \"ENFJ\" category. (Extraverted, intuitive, feeling, judging) The more I read up on", "has his \"mask\" so it may be hard to type him with that", "I've done tests to find out what types my characters are and spent", "can't stand clutter, inconsistency, like to complete tasks, but at home I'm the", "his mask) as a way to shut out his feelings and keep focused", "on his surroundings, and help achieve his missions/ battle tactics as a soldier.", "specifically the Myers–Blihgk method, it's usefulness and limitations. For a while I've been", "came up with INTJ. The description of an INTJ doesn't fit me quite,", "figure out what type they are. It seems the more I get familiar", "hours reading up on that particular type, how that type thinks, their work", "an example. I tested him and he fell in the \"ENFJ\" category. (Extraverted,", "to find out what types my characters are and spent hours reading up", "second father figure, he shuns such beliefs initially and favors the belief to", "I have a stronger judging preference at work than I do at home.", "not fit cleanly in the \"box\" or do I have major work ahead", "I can't go 100% sure one way or the other. Long term wise", "you make up the characters and if there are contradictions, you just let", "in the story he has his \"mask\" so it may be hard to", "his surroundings, and help achieve his missions/ battle tactics as a soldier. Is", "and came up with INTJ. The description of an INTJ doesn't fit me", "contradictions, you just let it go and try not to worry about it", "and realistic? I see myself as a contradiction being unsure if I use", "keep focused on his surroundings, and help achieve his missions/ battle tactics as", "in the \"ENFJ\" category. (Extraverted, intuitive, feeling, judging) The more I read up", "real life example vs my character, is it that unrealistic for my character(s)", "type. Is this realistic or a fault in developing my characters? --- I'll", "is it that unrealistic for my character(s) to not fit cleanly in the", "out his actions rather than how he feels inside about what he is", "inconsistency, like to complete tasks, but at home I'm the opposite.) Considering my", "it that unrealistic for my character(s) to not fit cleanly in the \"box\"", "as my dominant, swaying between INFP and INTP. I tested my own \"work", "with that mask on. But then I noticed my character also plays up", "that question asks in broader terms about what tools can be used for", "soldier, but he still has contradictory traits that make him swing between that,", "as a way to shut out his feelings and keep focused on his", "if I use T or F as my dominant, swaying between INFP and", "rather than how he feels inside about what he is doing) and came", "in abstract stuff, thinks towards the future, but because of a rough upbringing", "still has contradictory traits that make him swing between that, an ENFJ or", "a possible ENTJ. (he does want to believe in abstract stuff, thinks towards", "how he carries out his actions rather than how he feels inside about", "(aka his mask) as a way to shut out his feelings and keep", "a contradiction being unsure if I use T or F as my dominant,", "tend to put on at work and came up with INTJ. The description", "go 100% sure one way or the other. Long term wise over the", "his missions/ battle tactics as a soldier. Is this a bit unrealistic? I", "\"can't\" be a soldier. I put \"can't\" in \"\" because I'm sure there", "the story he has his \"mask\" so it may be hard to type", "can see things I can relate to, even more so when I read", "not to worry about it too much? (and that being what I need", "out my characters? (and perhaps myself in the process?) Or do you make", "seems the more I get familiar with my POV characters, the less they", "be a more fitting type for a soldier, but he still has contradictory", "types, studying the letters, function stacks, and how they play. I've done tests", "one way or the other. Long term wise over the arc of the", "like to complete tasks, but at home I'm the opposite.) Considering my real", "towards the future, but because of a rough upbringing with his first father", "way to shut out his feelings and keep focused on his surroundings, and", "and his development. Though early in the story he has his \"mask\" so", "character also plays up an \"alter ego\" or \"work personality\" (aka his mask)", "my character again (factoring his work personality, the mask he puts on, how", "my characters? --- I'll use my soldier character as an example. I tested", "T or F as my dominant, swaying between INFP and INTP. I tested", "INTP. I tested my own \"work personality\", the mask I tend to put", "clutter, inconsistency, like to complete tasks, but at home I'm the opposite.) Considering", "have a stronger judging preference at work than I do at home. At", "Considering my real life example vs my character, is it that unrealistic for", "he still has contradictory traits that make him swing between that, an ENFJ", "I have major work ahead of me to sort out my characters? (and", "example vs my character, is it that unrealistic for my character(s) to not", "That said, I tend to come up with my characters first and then", "again (factoring his work personality, the mask he puts on, how he carries", "The description of an INTJ doesn't fit me quite, but I can see", "fit any particular type. Is this realistic or a fault in developing my", "fit me quite, but I can see things I can relate to, even", "find online (for free mostly). That said, I tend to come up with", "stand clutter, inconsistency, like to complete tasks, but at home I'm the opposite.)", "over the arc of the series this type does appear to be the", "seem to fit any particular type. Is this realistic or a fault in", "but because of a rough upbringing with his first father figure and a", "and if there are contradictions, you just let it go and try not", "I can't stand clutter, inconsistency, like to complete tasks, but at home I'm", "sure there must be real life exceptions, but internet research is pretty limited,", "it go and try not to worry about it too much? (and that", "figure, he shuns such beliefs initially and favors the belief to show fear", "he has his \"mask\" so it may be hard to type him with", "characters? --- I'll use my soldier character as an example. I tested him", "beliefs initially and favors the belief to show fear (or emotion in general)", "he fell in the \"ENFJ\" category. (Extraverted, intuitive, feeling, judging) The more I", "for developing characters. I tried to narrow this question down to specifically the", "(and perhaps myself in the process?) Or do you make up the characters", "100% sure one way or the other. Long term wise over the arc", "Myers–Blihgk method, it's usefulness and limitations. For a while I've been fascinated with", "realized this type \"can't\" be a soldier. I put \"can't\" in \"\" because", "tasks, but at home I'm the opposite.) Considering my real life example vs", "more I realized this type \"can't\" be a soldier. I put \"can't\" in", "said, I tend to come up with my characters first and then figure", "in the process?) Or do you make up the characters and if there", "characters. I tried to narrow this question down to specifically the Myers–Blihgk method,", "just let it go and try not to worry about it too much?", "and help achieve his missions/ battle tactics as a soldier. Is this a", "favors the belief to show fear (or emotion in general) is a sign", "such contradictions natural and realistic? I see myself as a contradiction being unsure", "more so when I read up on an INFJ. I notice I have", "\"work personality\", the mask I tend to put on at work and came", "of me to sort out my characters? (and perhaps myself in the process?)", "I put \"can't\" in \"\" because I'm sure there must be real life", "the more I realized this type \"can't\" be a soldier. I put \"can't\"", "tactics as a soldier. Is this a bit unrealistic? I decided to test", "general) is a sign of weakness.) --- I'm wondering how much can I/should", "available to find online (for free mostly). That said, I tend to come", "personality\", the mask I tend to put on at work and came up", "(Extraverted, intuitive, feeling, judging) The more I read up on the type, the", "him swing between that, an ENFJ or even a possible ENTJ. (he does", "how they play. I've done tests to find out what types my characters", "other. Long term wise over the arc of the series this type does", "myself as a contradiction being unsure if I use T or F as", "research is pretty limited, so I can't go 100% sure one way or", "to know your characters?](https://writers.stackexchange.com/q/582) and while I noticed similarities, I think that question", "actions rather than how he feels inside about what he is doing) and", "of an INTJ doesn't fit me quite, but I can see things I", "him with that mask on. But then I noticed my character also plays", "or \"work personality\" (aka his mask) as a way to shut out his", "would be a more fitting type for a soldier, but he still has", "react to stress, whatever is available to find online (for free mostly). That", "the process?) Or do you make up the characters and if there are", "stress, whatever is available to find online (for free mostly). That said, I", "stronger judging preference at work than I do at home. At work I", "ahead of me to sort out my characters? (and perhaps myself in the", "the closest fit for the character and his development. Though early in the", "to get to know your characters?](https://writers.stackexchange.com/q/582) and while I noticed similarities, I think", "that unrealistic for my character(s) to not fit cleanly in the \"box\" or", "--- I'll use my soldier character as an example. I tested him and", "he carries out his actions rather than how he feels inside about what", "a soldier, but he still has contradictory traits that make him swing between", "because of a rough upbringing with his first father figure and a falling", "dominant, swaying between INFP and INTP. I tested my own \"work personality\", the", "type, the more I realized this type \"can't\" be a soldier. I put", "Is this realistic or a fault in developing my characters? --- I'll use", "of weakness.) --- I'm wondering how much can I/should I rely on the", "when I read up on an INFJ. I notice I have a stronger", "are. It seems the more I get familiar with my POV characters, the", "is available to find online (for free mostly). That said, I tend to", "internet research is pretty limited, so I can't go 100% sure one way", "realistic? I see myself as a contradiction being unsure if I use T", "doesn't fit me quite, but I can see things I can relate to,", "more fitting type for a soldier, but he still has contradictory traits that", "my own \"work personality\", the mask I tend to put on at work", "be the closest fit for the character and his development. Though early in", "I notice I have a stronger judging preference at work than I do", "your characters?](https://writers.stackexchange.com/q/582) and while I noticed similarities, I think that question asks in", "up an \"alter ego\" or \"work personality\" (aka his mask) as a way", "\"mask\" so it may be hard to type him with that mask on.", "what types my characters are and spent hours reading up on that particular", "to type him with that mask on. But then I noticed my character", "I tend to come up with my characters first and then figure out", "get to know your characters?](https://writers.stackexchange.com/q/582) and while I noticed similarities, I think that", "the type, the more I realized this type \"can't\" be a soldier. I", "out his feelings and keep focused on his surroundings, and help achieve his", "But then I noticed my character also plays up an \"alter ego\" or", "this question down to specifically the Myers–Blihgk method, it's usefulness and limitations. For", "fascinated with the different personality types, studying the letters, function stacks, and how", "also plays up an \"alter ego\" or \"work personality\" (aka his mask) as", "falling out with his second father figure, he shuns such beliefs initially and", "narrow this question down to specifically the Myers–Blihgk method, it's usefulness and limitations.", "at work and came up with INTJ. The description of an INTJ doesn't", "his \"mask\" so it may be hard to type him with that mask", "work personality, the mask he puts on, how he carries out his actions", "closest fit for the character and his development. Though early in the story", "a falling out with his second father figure, he shuns such beliefs initially", "my characters are and spent hours reading up on that particular type, how", "my dominant, swaying between INFP and INTP. I tested my own \"work personality\",", "first and then figure out what type they are. It seems the more", "the character and his development. Though early in the story he has his", "possible ENTJ. (he does want to believe in abstract stuff, thinks towards the", "more I get familiar with my POV characters, the less they seem to", "there must be real life exceptions, but internet research is pretty limited, so", "the other. Long term wise over the arc of the series this type", "\"ENFJ\" category. (Extraverted, intuitive, feeling, judging) The more I read up on the", "(for free mostly). That said, I tend to come up with my characters", "contradictory traits that make him swing between that, an ENFJ or even a", "thinks, their work habits, relationships, how they react to stress, whatever is available", "different personality types, studying the letters, function stacks, and how they play. I've", "in general) is a sign of weakness.) --- I'm wondering how much can", "upbringing with his first father figure and a falling out with his second", "online (for free mostly). That said, I tend to come up with my", "system? Are such contradictions natural and realistic? I see myself as a contradiction", "fit cleanly in the \"box\" or do I have major work ahead of", "for my character(s) to not fit cleanly in the \"box\" or do I", "rely on the Myers–Blihgk system? Are such contradictions natural and realistic? I see", "as a soldier. Is this a bit unrealistic? I decided to test my", "an \"alter ego\" or \"work personality\" (aka his mask) as a way to", "my characters first and then figure out what type they are. It seems", "that type thinks, their work habits, relationships, how they react to stress, whatever", "usefulness and limitations. For a while I've been fascinated with the different personality", "--- I'm wondering how much can I/should I rely on the Myers–Blihgk system?", "are contradictions, you just let it go and try not to worry about", "how much can I/should I rely on the Myers–Blihgk system? Are such contradictions", "use my soldier character as an example. I tested him and he fell", "be real life exceptions, but internet research is pretty limited, so I can't", "carries out his actions rather than how he feels inside about what he", "what he is doing) and came out with an ESTJ. An ESTJ would", "it too much? (and that being what I need to do with mine?)", "types my characters are and spent hours reading up on that particular type,", "characters first and then figure out what type they are. It seems the", "I noticed similarities, I think that question asks in broader terms about what", "the arc of the series this type does appear to be the closest", "major work ahead of me to sort out my characters? (and perhaps myself", "preference at work than I do at home. At work I can't stand", "my POV characters, the less they seem to fit any particular type. Is", "the more I get familiar with my POV characters, the less they seem", "Or do you make up the characters and if there are contradictions, you", "initially and favors the belief to show fear (or emotion in general) is", "an INTJ doesn't fit me quite, but I can see things I can", "the Myers–Blihgk method, it's usefulness and limitations. For a while I've been fascinated", "and keep focused on his surroundings, and help achieve his missions/ battle tactics", "POV characters, the less they seem to fit any particular type. Is this", "the \"box\" or do I have major work ahead of me to sort", "to sort out my characters? (and perhaps myself in the process?) Or do", "for a soldier, but he still has contradictory traits that make him swing", "mask on. But then I noticed my character also plays up an \"alter", "between that, an ENFJ or even a possible ENTJ. (he does want to", "emotion in general) is a sign of weakness.) --- I'm wondering how much", "some ways to get to know your characters?](https://writers.stackexchange.com/q/582) and while I noticed similarities,", "with INTJ. The description of an INTJ doesn't fit me quite, but I", "work habits, relationships, how they react to stress, whatever is available to find", "to shut out his feelings and keep focused on his surroundings, and help", "soldier. I put \"can't\" in \"\" because I'm sure there must be real", "that particular type, how that type thinks, their work habits, relationships, how they", "perhaps myself in the process?) Or do you make up the characters and", "came out with an ESTJ. An ESTJ would be a more fitting type", "at work than I do at home. At work I can't stand clutter,", "type, how that type thinks, their work habits, relationships, how they react to", "relationships, how they react to stress, whatever is available to find online (for", "read up on an INFJ. I notice I have a stronger judging preference", "this a bit unrealistic? I decided to test my character again (factoring his", "intuitive, feeling, judging) The more I read up on the type, the more", "than how he feels inside about what he is doing) and came out", "a sign of weakness.) --- I'm wondering how much can I/should I rely", "I see myself as a contradiction being unsure if I use T or", "complete tasks, but at home I'm the opposite.) Considering my real life example", "letters, function stacks, and how they play. I've done tests to find out", "I do at home. At work I can't stand clutter, inconsistency, like to", "may be hard to type him with that mask on. But then I", "think that question asks in broader terms about what tools can be used", "with an ESTJ. An ESTJ would be a more fitting type for a", "whatever is available to find online (for free mostly). That said, I tend", "that make him swing between that, an ENFJ or even a possible ENTJ.", "Myers–Blihgk system? Are such contradictions natural and realistic? I see myself as a", "show fear (or emotion in general) is a sign of weakness.) --- I'm", "the belief to show fear (or emotion in general) is a sign of", "and favors the belief to show fear (or emotion in general) is a", "arc of the series this type does appear to be the closest fit", "they are. It seems the more I get familiar with my POV characters,", "I've been fascinated with the different personality types, studying the letters, function stacks,", "to test my character again (factoring his work personality, the mask he puts", "more I read up on the type, the more I realized this type", "hard to type him with that mask on. But then I noticed my", "even a possible ENTJ. (he does want to believe in abstract stuff, thinks", "while I noticed similarities, I think that question asks in broader terms about", "feels inside about what he is doing) and came out with an ESTJ.", "does want to believe in abstract stuff, thinks towards the future, but because", "so I can't go 100% sure one way or the other. Long term", "to fit any particular type. Is this realistic or a fault in developing", "surroundings, and help achieve his missions/ battle tactics as a soldier. Is this", "the different personality types, studying the letters, function stacks, and how they play.", "play. I've done tests to find out what types my characters are and", "with my characters first and then figure out what type they are. It", "about what he is doing) and came out with an ESTJ. An ESTJ", "but he still has contradictory traits that make him swing between that, an", "opposite.) Considering my real life example vs my character, is it that unrealistic", "out with his second father figure, he shuns such beliefs initially and favors", "an ESTJ. An ESTJ would be a more fitting type for a soldier,", "but I can see things I can relate to, even more so when", "It seems the more I get familiar with my POV characters, the less", "characters and if there are contradictions, you just let it go and try", "judging preference at work than I do at home. At work I can't", "and came out with an ESTJ. An ESTJ would be a more fitting", "unsure if I use T or F as my dominant, swaying between INFP", "so it may be hard to type him with that mask on. But", "used for developing characters. I tried to narrow this question down to specifically", "his development. Though early in the story he has his \"mask\" so it", "fear (or emotion in general) is a sign of weakness.) --- I'm wondering", "characters, the less they seem to fit any particular type. Is this realistic", "judging) The more I read up on the type, the more I realized", "to put on at work and came up with INTJ. The description of", "ESTJ would be a more fitting type for a soldier, but he still", "me quite, but I can see things I can relate to, even more", "first father figure and a falling out with his second father figure, he", "that, an ENFJ or even a possible ENTJ. (he does want to believe", "out what type they are. It seems the more I get familiar with", "myself in the process?) Or do you make up the characters and if", "noticed my character also plays up an \"alter ego\" or \"work personality\" (aka", "help achieve his missions/ battle tactics as a soldier. Is this a bit", "puts on, how he carries out his actions rather than how he feels", "a rough upbringing with his first father figure and a falling out with", "category. (Extraverted, intuitive, feeling, judging) The more I read up on the type,", "can be used for developing characters. I tried to narrow this question down", "an ENFJ or even a possible ENTJ. (he does want to believe in", "\"box\" or do I have major work ahead of me to sort out", "be hard to type him with that mask on. But then I noticed", "looked at [What are some ways to get to know your characters?](https://writers.stackexchange.com/q/582) and", "put on at work and came up with INTJ. The description of an", "on an INFJ. I notice I have a stronger judging preference at work", "broader terms about what tools can be used for developing characters. I tried", "tested him and he fell in the \"ENFJ\" category. (Extraverted, intuitive, feeling, judging)", "particular type. Is this realistic or a fault in developing my characters? ---", "been fascinated with the different personality types, studying the letters, function stacks, and", "must be real life exceptions, but internet research is pretty limited, so I", "I'm wondering how much can I/should I rely on the Myers–Blihgk system? Are", "and limitations. For a while I've been fascinated with the different personality types,", "to complete tasks, but at home I'm the opposite.) Considering my real life", "make up the characters and if there are contradictions, you just let it", "even more so when I read up on an INFJ. I notice I", "I looked at [What are some ways to get to know your characters?](https://writers.stackexchange.com/q/582)", "the less they seem to fit any particular type. Is this realistic or", "INFP and INTP. I tested my own \"work personality\", the mask I tend", "I'll use my soldier character as an example. I tested him and he", "do I have major work ahead of me to sort out my characters?", "my real life example vs my character, is it that unrealistic for my", "the mask he puts on, how he carries out his actions rather than", "battle tactics as a soldier. Is this a bit unrealistic? I decided to", "father figure, he shuns such beliefs initially and favors the belief to show", "fitting type for a soldier, but he still has contradictory traits that make", "feelings and keep focused on his surroundings, and help achieve his missions/ battle", "tested my own \"work personality\", the mask I tend to put on at", "with my POV characters, the less they seem to fit any particular type.", "work ahead of me to sort out my characters? (and perhaps myself in", "if there are contradictions, you just let it go and try not to", "want to believe in abstract stuff, thinks towards the future, but because of", "then figure out what type they are. It seems the more I get", "a while I've been fascinated with the different personality types, studying the letters,", "free mostly). That said, I tend to come up with my characters first", "and try not to worry about it too much? (and that being what", "INFJ. I notice I have a stronger judging preference at work than I", "are some ways to get to know your characters?](https://writers.stackexchange.com/q/582) and while I noticed", "and he fell in the \"ENFJ\" category. (Extraverted, intuitive, feeling, judging) The more", "what type they are. It seems the more I get familiar with my", "belief to show fear (or emotion in general) is a sign of weakness.)", "see things I can relate to, even more so when I read up", "ENFJ or even a possible ENTJ. (he does want to believe in abstract", "and spent hours reading up on that particular type, how that type thinks,", "he puts on, how he carries out his actions rather than how he", "thinks towards the future, but because of a rough upbringing with his first", "I think that question asks in broader terms about what tools can be", "because I'm sure there must be real life exceptions, but internet research is", "this type \"can't\" be a soldier. I put \"can't\" in \"\" because I'm", "Is this a bit unrealistic? I decided to test my character again (factoring", "appear to be the closest fit for the character and his development. Though", "do at home. At work I can't stand clutter, inconsistency, like to complete", "a bit unrealistic? I decided to test my character again (factoring his work", "I tested my own \"work personality\", the mask I tend to put on", "story he has his \"mask\" so it may be hard to type him", "ESTJ. An ESTJ would be a more fitting type for a soldier, but", "Though early in the story he has his \"mask\" so it may be", "characters are and spent hours reading up on that particular type, how that", "to believe in abstract stuff, thinks towards the future, but because of a", "as a contradiction being unsure if I use T or F as my", "contradiction being unsure if I use T or F as my dominant, swaying", "Edit: I looked at [What are some ways to get to know your", "use T or F as my dominant, swaying between INFP and INTP. I", "process?) Or do you make up the characters and if there are contradictions,", "future, but because of a rough upbringing with his first father figure and", "there are contradictions, you just let it go and try not to worry", "own \"work personality\", the mask I tend to put on at work and", "about it too much? (and that being what I need to do with", "it's usefulness and limitations. For a while I've been fascinated with the different", "fell in the \"ENFJ\" category. (Extraverted, intuitive, feeling, judging) The more I read", "up the characters and if there are contradictions, you just let it go", "any particular type. Is this realistic or a fault in developing my characters?", "and while I noticed similarities, I think that question asks in broader terms", "a more fitting type for a soldier, but he still has contradictory traits", "developing characters. I tried to narrow this question down to specifically the Myers–Blihgk", "but at home I'm the opposite.) Considering my real life example vs my", "how that type thinks, their work habits, relationships, how they react to stress,", "focused on his surroundings, and help achieve his missions/ battle tactics as a", "tests to find out what types my characters are and spent hours reading", "on that particular type, how that type thinks, their work habits, relationships, how", "ways to get to know your characters?](https://writers.stackexchange.com/q/582) and while I noticed similarities, I", "terms about what tools can be used for developing characters. I tried to", "down to specifically the Myers–Blihgk method, it's usefulness and limitations. For a while", "shuns such beliefs initially and favors the belief to show fear (or emotion", "I read up on the type, the more I realized this type \"can't\"", "with his first father figure and a falling out with his second father", "an INFJ. I notice I have a stronger judging preference at work than", "to not fit cleanly in the \"box\" or do I have major work", "between INFP and INTP. I tested my own \"work personality\", the mask I", "familiar with my POV characters, the less they seem to fit any particular", "type \"can't\" be a soldier. I put \"can't\" in \"\" because I'm sure", "type him with that mask on. But then I noticed my character also", "mask he puts on, how he carries out his actions rather than how", "work than I do at home. At work I can't stand clutter, inconsistency,", "being unsure if I use T or F as my dominant, swaying between", "studying the letters, function stacks, and how they play. I've done tests to", "get familiar with my POV characters, the less they seem to fit any", "question asks in broader terms about what tools can be used for developing", "on the Myers–Blihgk system? Are such contradictions natural and realistic? I see myself", "character again (factoring his work personality, the mask he puts on, how he", "his first father figure and a falling out with his second father figure,", "personality, the mask he puts on, how he carries out his actions rather", "I read up on an INFJ. I notice I have a stronger judging", "vs my character, is it that unrealistic for my character(s) to not fit", "put \"can't\" in \"\" because I'm sure there must be real life exceptions,", "limited, so I can't go 100% sure one way or the other. Long", "with his second father figure, he shuns such beliefs initially and favors the", "can relate to, even more so when I read up on an INFJ.", "early in the story he has his \"mask\" so it may be hard", "do you make up the characters and if there are contradictions, you just", "I use T or F as my dominant, swaying between INFP and INTP.", "as an example. I tested him and he fell in the \"ENFJ\" category.", "my soldier character as an example. I tested him and he fell in", "up on that particular type, how that type thinks, their work habits, relationships,", "personality\" (aka his mask) as a way to shut out his feelings and", "mask) as a way to shut out his feelings and keep focused on", "this type does appear to be the closest fit for the character and", "such beliefs initially and favors the belief to show fear (or emotion in", "this realistic or a fault in developing my characters? --- I'll use my", "The more I read up on the type, the more I realized this", "I realized this type \"can't\" be a soldier. I put \"can't\" in \"\"", "\"\" because I'm sure there must be real life exceptions, but internet research", "I get familiar with my POV characters, the less they seem to fit", "inside about what he is doing) and came out with an ESTJ. An", "of the series this type does appear to be the closest fit for", "to come up with my characters first and then figure out what type", "his feelings and keep focused on his surroundings, and help achieve his missions/", "they react to stress, whatever is available to find online (for free mostly).", "his second father figure, he shuns such beliefs initially and favors the belief", "swaying between INFP and INTP. I tested my own \"work personality\", the mask", "can I/should I rely on the Myers–Blihgk system? Are such contradictions natural and", "contradictions natural and realistic? I see myself as a contradiction being unsure if", "worry about it too much? (and that being what I need to do", "done tests to find out what types my characters are and spent hours", "tend to come up with my characters first and then figure out what", "I'm the opposite.) Considering my real life example vs my character, is it", "the letters, function stacks, and how they play. I've done tests to find", "in \"\" because I'm sure there must be real life exceptions, but internet", "does appear to be the closest fit for the character and his development.", "that mask on. But then I noticed my character also plays up an", "but internet research is pretty limited, so I can't go 100% sure one", "type they are. It seems the more I get familiar with my POV", "work I can't stand clutter, inconsistency, like to complete tasks, but at home", "my characters? (and perhaps myself in the process?) Or do you make up", "example. I tested him and he fell in the \"ENFJ\" category. (Extraverted, intuitive,", "a fault in developing my characters? --- I'll use my soldier character as", "in developing my characters? --- I'll use my soldier character as an example.", "their work habits, relationships, how they react to stress, whatever is available to", "or do I have major work ahead of me to sort out my", "and then figure out what type they are. It seems the more I", "life example vs my character, is it that unrealistic for my character(s) to", "is doing) and came out with an ESTJ. An ESTJ would be a", "sort out my characters? (and perhaps myself in the process?) Or do you", "have major work ahead of me to sort out my characters? (and perhaps", "to, even more so when I read up on an INFJ. I notice", "fault in developing my characters? --- I'll use my soldier character as an", "the Myers–Blihgk system? Are such contradictions natural and realistic? I see myself as", "and how they play. I've done tests to find out what types my", "way or the other. Long term wise over the arc of the series", "developing my characters? --- I'll use my soldier character as an example. I", "how they react to stress, whatever is available to find online (for free", "they seem to fit any particular type. Is this realistic or a fault", "what tools can be used for developing characters. I tried to narrow this", "particular type, how that type thinks, their work habits, relationships, how they react", "is pretty limited, so I can't go 100% sure one way or the", "fit for the character and his development. Though early in the story he", "a soldier. Is this a bit unrealistic? I decided to test my character", "the series this type does appear to be the closest fit for the", "pretty limited, so I can't go 100% sure one way or the other.", "he feels inside about what he is doing) and came out with an", "stuff, thinks towards the future, but because of a rough upbringing with his", "spent hours reading up on that particular type, how that type thinks, their", "mostly). That said, I tend to come up with my characters first and", "bit unrealistic? I decided to test my character again (factoring his work personality,", "wondering how much can I/should I rely on the Myers–Blihgk system? Are such", "or F as my dominant, swaying between INFP and INTP. I tested my", "on at work and came up with INTJ. The description of an INTJ", "let it go and try not to worry about it too much? (and", "much can I/should I rely on the Myers–Blihgk system? Are such contradictions natural", "he is doing) and came out with an ESTJ. An ESTJ would be", "is a sign of weakness.) --- I'm wondering how much can I/should I", "know your characters?](https://writers.stackexchange.com/q/582) and while I noticed similarities, I think that question asks", "term wise over the arc of the series this type does appear to", "type does appear to be the closest fit for the character and his", "to specifically the Myers–Blihgk method, it's usefulness and limitations. For a while I've", "try not to worry about it too much? (and that being what I", "habits, relationships, how they react to stress, whatever is available to find online", "my character also plays up an \"alter ego\" or \"work personality\" (aka his", "his actions rather than how he feels inside about what he is doing)", "I can see things I can relate to, even more so when I", "on. But then I noticed my character also plays up an \"alter ego\"", "notice I have a stronger judging preference at work than I do at", "the opposite.) Considering my real life example vs my character, is it that", "believe in abstract stuff, thinks towards the future, but because of a rough", "question down to specifically the Myers–Blihgk method, it's usefulness and limitations. For a", "noticed similarities, I think that question asks in broader terms about what tools" ]
[ "me a document with Macros to do this but it isn't working on", "משה קבל תורה מסיני. אומר אני שמסכת זו. I expect to need to", "do this but it isn't working on Word 2016. Does anyone else have", "getting most of my sources from [sefaria.org](http://sefaria.org) and unfortunately many of the sources", "this but it isn't working on Word 2016. Does anyone else have an", "to need to do this hundreds of times so I need something fast.", "I am getting most of my sources from [sefaria.org](http://sefaria.org) and unfortunately many of", "sources from [sefaria.org](http://sefaria.org) and unfortunately many of the sources have Nekudos (vowel marks)", "fast. Somebody once made me a document with Macros to do this but", "זו. I expect to need to do this hundreds of times so I", "something fast. Somebody once made me a document with Macros to do this", "many of the sources have Nekudos (vowel marks) while most of them don't.", "I want all the sources to not contain Nekudos. For example [this line:](https://www.sefaria.org/Pirkei_Avot.1.1?lang=bi&with=Bartenura&lang2=he)", "marks) while most of them don't. For consistency and professionalism I want all", "מֹשֶׁה קִבֵּל תּוֹרָה מִסִּינַי. אוֹמֵר אֲנִי, לְפִי שֶׁמַּסֶּכֶת זוֹ should be משה קבל", "תּוֹרָה מִסִּינַי. אוֹמֵר אֲנִי, לְפִי שֶׁמַּסֶּכֶת זוֹ should be משה קבל תורה מסיני.", "hundreds of times so I need something fast. Somebody once made me a", "For consistency and professionalism I want all the sources to not contain Nekudos.", "and professionalism I want all the sources to not contain Nekudos. For example", "but it isn't working on Word 2016. Does anyone else have an efficient", "2016. Does anyone else have an efficient way to do it? Thank you", "and I want readers to be able to read sources I'm quoting in", "שֶׁמַּסֶּכֶת זוֹ should be משה קבל תורה מסיני. אומר אני שמסכת זו. I", "readers to be able to read sources I'm quoting in their original Hebrew.", "and unfortunately many of the sources have Nekudos (vowel marks) while most of", "sources have Nekudos (vowel marks) while most of them don't. For consistency and", "to do this but it isn't working on Word 2016. Does anyone else", "Somebody once made me a document with Macros to do this but it", "once made me a document with Macros to do this but it isn't", "able to read sources I'm quoting in their original Hebrew. I am getting", "expect to need to do this hundreds of times so I need something", "example [this line:](https://www.sefaria.org/Pirkei_Avot.1.1?lang=bi&with=Bartenura&lang2=he) מֹשֶׁה קִבֵּל תּוֹרָה מִסִּינַי. אוֹמֵר אֲנִי, לְפִי שֶׁמַּסֶּכֶת זוֹ should", "(vowel marks) while most of them don't. For consistency and professionalism I want", "Hebrew. I am getting most of my sources from [sefaria.org](http://sefaria.org) and unfortunately many", "most of them don't. For consistency and professionalism I want all the sources", "מִסִּינַי. אוֹמֵר אֲנִי, לְפִי שֶׁמַּסֶּכֶת זוֹ should be משה קבל תורה מסיני. אומר", "[this line:](https://www.sefaria.org/Pirkei_Avot.1.1?lang=bi&with=Bartenura&lang2=he) מֹשֶׁה קִבֵּל תּוֹרָה מִסִּינַי. אוֹמֵר אֲנִי, לְפִי שֶׁמַּסֶּכֶת זוֹ should be", "times so I need something fast. Somebody once made me a document with", "קבל תורה מסיני. אומר אני שמסכת זו. I expect to need to do", "of the Fathers and I want readers to be able to read sources", "of my sources from [sefaria.org](http://sefaria.org) and unfortunately many of the sources have Nekudos", "to be able to read sources I'm quoting in their original Hebrew. I", "quoting in their original Hebrew. I am getting most of my sources from", "אני שמסכת זו. I expect to need to do this hundreds of times", "the sources have Nekudos (vowel marks) while most of them don't. For consistency", "a document with Macros to do this but it isn't working on Word", "contain Nekudos. For example [this line:](https://www.sefaria.org/Pirkei_Avot.1.1?lang=bi&with=Bartenura&lang2=he) מֹשֶׁה קִבֵּל תּוֹרָה מִסִּינַי. אוֹמֵר אֲנִי, לְפִי", "on a commentary on Ethics of the Fathers and I want readers to", "them don't. For consistency and professionalism I want all the sources to not", "אומר אני שמסכת זו. I expect to need to do this hundreds of", "לְפִי שֶׁמַּסֶּכֶת זוֹ should be משה קבל תורה מסיני. אומר אני שמסכת זו.", "[sefaria.org](http://sefaria.org) and unfortunately many of the sources have Nekudos (vowel marks) while most", "Does anyone else have an efficient way to do it? Thank you so", "commentary on Ethics of the Fathers and I want readers to be able", "document with Macros to do this but it isn't working on Word 2016.", "isn't working on Word 2016. Does anyone else have an efficient way to", "while most of them don't. For consistency and professionalism I want all the", "be משה קבל תורה מסיני. אומר אני שמסכת זו. I expect to need", "מסיני. אומר אני שמסכת זו. I expect to need to do this hundreds", "be able to read sources I'm quoting in their original Hebrew. I am", "Nekudos (vowel marks) while most of them don't. For consistency and professionalism I", "am getting most of my sources from [sefaria.org](http://sefaria.org) and unfortunately many of the", "want all the sources to not contain Nekudos. For example [this line:](https://www.sefaria.org/Pirkei_Avot.1.1?lang=bi&with=Bartenura&lang2=he) מֹשֶׁה", "sources to not contain Nekudos. For example [this line:](https://www.sefaria.org/Pirkei_Avot.1.1?lang=bi&with=Bartenura&lang2=he) מֹשֶׁה קִבֵּל תּוֹרָה מִסִּינַי.", "read sources I'm quoting in their original Hebrew. I am getting most of", "it isn't working on Word 2016. Does anyone else have an efficient way", "I want readers to be able to read sources I'm quoting in their", "to read sources I'm quoting in their original Hebrew. I am getting most", "do this hundreds of times so I need something fast. Somebody once made", "the Fathers and I want readers to be able to read sources I'm", "in their original Hebrew. I am getting most of my sources from [sefaria.org](http://sefaria.org)", "need to do this hundreds of times so I need something fast. Somebody", "with Macros to do this but it isn't working on Word 2016. Does", "אוֹמֵר אֲנִי, לְפִי שֶׁמַּסֶּכֶת זוֹ should be משה קבל תורה מסיני. אומר אני", "anyone else have an efficient way to do it? Thank you so much.", "original Hebrew. I am getting most of my sources from [sefaria.org](http://sefaria.org) and unfortunately", "working on Word 2016. Does anyone else have an efficient way to do", "אֲנִי, לְפִי שֶׁמַּסֶּכֶת זוֹ should be משה קבל תורה מסיני. אומר אני שמסכת", "זוֹ should be משה קבל תורה מסיני. אומר אני שמסכת זו. I expect", "working on a commentary on Ethics of the Fathers and I want readers", "of times so I need something fast. Somebody once made me a document", "professionalism I want all the sources to not contain Nekudos. For example [this", "from [sefaria.org](http://sefaria.org) and unfortunately many of the sources have Nekudos (vowel marks) while", "so I need something fast. Somebody once made me a document with Macros", "on Ethics of the Fathers and I want readers to be able to", "this hundreds of times so I need something fast. Somebody once made me", "Nekudos. For example [this line:](https://www.sefaria.org/Pirkei_Avot.1.1?lang=bi&with=Bartenura&lang2=he) מֹשֶׁה קִבֵּל תּוֹרָה מִסִּינַי. אוֹמֵר אֲנִי, לְפִי שֶׁמַּסֶּכֶת", "a commentary on Ethics of the Fathers and I want readers to be", "I'm quoting in their original Hebrew. I am getting most of my sources", "unfortunately many of the sources have Nekudos (vowel marks) while most of them", "Word 2016. Does anyone else have an efficient way to do it? Thank", "need something fast. Somebody once made me a document with Macros to do", "don't. For consistency and professionalism I want all the sources to not contain", "made me a document with Macros to do this but it isn't working", "I need something fast. Somebody once made me a document with Macros to", "want readers to be able to read sources I'm quoting in their original", "Macros to do this but it isn't working on Word 2016. Does anyone", "of them don't. For consistency and professionalism I want all the sources to", "of the sources have Nekudos (vowel marks) while most of them don't. For", "to not contain Nekudos. For example [this line:](https://www.sefaria.org/Pirkei_Avot.1.1?lang=bi&with=Bartenura&lang2=he) מֹשֶׁה קִבֵּל תּוֹרָה מִסִּינַי. אוֹמֵר", "sources I'm quoting in their original Hebrew. I am getting most of my", "consistency and professionalism I want all the sources to not contain Nekudos. For", "most of my sources from [sefaria.org](http://sefaria.org) and unfortunately many of the sources have", "Ethics of the Fathers and I want readers to be able to read", "the sources to not contain Nekudos. For example [this line:](https://www.sefaria.org/Pirkei_Avot.1.1?lang=bi&with=Bartenura&lang2=he) מֹשֶׁה קִבֵּל תּוֹרָה", "תורה מסיני. אומר אני שמסכת זו. I expect to need to do this", "all the sources to not contain Nekudos. For example [this line:](https://www.sefaria.org/Pirkei_Avot.1.1?lang=bi&with=Bartenura&lang2=he) מֹשֶׁה קִבֵּל", "For example [this line:](https://www.sefaria.org/Pirkei_Avot.1.1?lang=bi&with=Bartenura&lang2=he) מֹשֶׁה קִבֵּל תּוֹרָה מִסִּינַי. אוֹמֵר אֲנִי, לְפִי שֶׁמַּסֶּכֶת זוֹ", "I expect to need to do this hundreds of times so I need", "their original Hebrew. I am getting most of my sources from [sefaria.org](http://sefaria.org) and", "קִבֵּל תּוֹרָה מִסִּינַי. אוֹמֵר אֲנִי, לְפִי שֶׁמַּסֶּכֶת זוֹ should be משה קבל תורה", "Fathers and I want readers to be able to read sources I'm quoting", "my sources from [sefaria.org](http://sefaria.org) and unfortunately many of the sources have Nekudos (vowel", "not contain Nekudos. For example [this line:](https://www.sefaria.org/Pirkei_Avot.1.1?lang=bi&with=Bartenura&lang2=he) מֹשֶׁה קִבֵּל תּוֹרָה מִסִּינַי. אוֹמֵר אֲנִי,", "am working on a commentary on Ethics of the Fathers and I want", "have Nekudos (vowel marks) while most of them don't. For consistency and professionalism", "on Word 2016. Does anyone else have an efficient way to do it?", "I am working on a commentary on Ethics of the Fathers and I", "line:](https://www.sefaria.org/Pirkei_Avot.1.1?lang=bi&with=Bartenura&lang2=he) מֹשֶׁה קִבֵּל תּוֹרָה מִסִּינַי. אוֹמֵר אֲנִי, לְפִי שֶׁמַּסֶּכֶת זוֹ should be משה", "שמסכת זו. I expect to need to do this hundreds of times so", "should be משה קבל תורה מסיני. אומר אני שמסכת זו. I expect to", "to do this hundreds of times so I need something fast. Somebody once" ]
[ "writing a blog. It's about many things: travel, food, my perspectives, photography, comics,", "I'm writing and how can I invite them to read? Or how can", "whatever thing I feel about writing. I'm using a WordPress blog. Since I'm", "are millions of books out there, so will they be interested in what", "to know is: * Are people willing to read my blog? There are", "be a famous writer or anything, but it'll be nice to have some", "how can I show to others that I'm writing and how can I", "I need to know is: * Are people willing to read my blog?", "to this, I don't have any readers (community). I don't want to be", "to be a famous writer or anything, but it'll be nice to have", "don't want to be a famous writer or anything, but it'll be nice", "I don't want to be a famous writer or anything, but it'll be", "show to others that I'm writing and how can I invite them to", "travel, food, my perspectives, photography, comics, movies and whatever thing I feel about", "writing and how can I invite them to read? Or how can I", "so will they be interested in what I have to say? * If", "millions of books out there, so will they be interested in what I", "using a WordPress blog. Since I'm being new to this, I don't have", "of books out there, so will they be interested in what I have", "read my literature. What I need to know is: * Are people willing", "others that I'm writing and how can I invite them to read? Or", "be nice to have some people who read my literature. What I need", "read my blog? There are millions of books out there, so will they", "a blog. It's about many things: travel, food, my perspectives, photography, comics, movies", "don't have any readers (community). I don't want to be a famous writer", "I have to say? * If so, how can I show to others", "comics, movies and whatever thing I feel about writing. I'm using a WordPress", "blog? There are millions of books out there, so will they be interested", "I'm using a WordPress blog. Since I'm being new to this, I don't", "a WordPress blog. Since I'm being new to this, I don't have any", "If so, how can I show to others that I'm writing and how", "they be interested in what I have to say? * If so, how", "or anything, but it'll be nice to have some people who read my", "invite them to read? Or how can I create readers for my writing?", "how can I invite them to read? Or how can I create readers", "feel about writing. I'm using a WordPress blog. Since I'm being new to", "(community). I don't want to be a famous writer or anything, but it'll", "people willing to read my blog? There are millions of books out there,", "out there, so will they be interested in what I have to say?", "in what I have to say? * If so, how can I show", "interested in what I have to say? * If so, how can I", "my blog? There are millions of books out there, so will they be", "some people who read my literature. What I need to know is: ", "I recently started writing a blog. It's about many things: travel, food, my", "I'm being new to this, I don't have any readers (community). I don't", "about writing. I'm using a WordPress* blog. Since I'm being new to this,", "my perspectives, photography, comics, movies and whatever thing I feel about writing. I'm", "and whatever thing I feel about writing. I'm using a WordPress blog. Since", "thing I feel about writing. I'm using a WordPress blog. Since I'm being", "nice to have some people who read my literature. What I need to", "to read my blog? There are millions of books out there, so will", "is: * Are people willing to read my blog? There are millions of", "many things: travel, food, my perspectives, photography, comics, movies and whatever thing I", "things: travel, food, my perspectives, photography, comics, movies and whatever thing I feel", "to have some people who read my literature. What I need to know", "willing to read my blog? There are millions of books out there, so", "know is: * Are people willing to read my blog? There are millions", "will they be interested in what I have to say? * If so,", "I feel about writing. I'm using a WordPress blog. Since I'm being new", "what I have to say? * If so, how can I show to", "being new to this, I don't have any readers (community). I don't want", "there, so will they be interested in what I have to say? ", "blog. Since I'm being new to this, I don't have any readers (community).", "I don't have any readers (community). I don't want to be a famous", "have some people who read my literature. What I need to know is:", "and how can I invite them to read? Or how can I create", " Are people willing to read my blog? There are millions of books", "started writing a blog. It's about many things: travel, food, my perspectives, photography,", "* If so, how can I show to others that I'm writing and", "blog. It's about many things: travel, food, my perspectives, photography, comics, movies and", "so, how can I show to others that I'm writing and how can", "Are people willing to read my blog? There are millions of books out", "want to be a famous writer or anything, but it'll be nice to", "movies and whatever thing I feel about writing. I'm using a WordPress blog.", "There are millions of books out there, so will they be interested in", "writing. I'm using a WordPress blog. Since I'm being new to this, I", "about many things: travel, food, my perspectives, photography, comics, movies and whatever thing", "have any readers (community). I don't want to be a famous writer or", "a famous writer or anything, but it'll be nice to have some people", "have to say? * If so, how can I show to others that", "readers (community). I don't want to be a famous writer or anything, but", "to say? * If so, how can I show to others that I'm", "can I show to others that I'm writing and how can I invite", "photography, comics, movies and whatever thing I feel about writing. I'm using a", "I invite them to read? Or how can I create readers for my", "anything, but it'll be nice to have some people who read my literature.", "It's about many things: travel, food, my perspectives, photography, comics, movies and whatever", "it'll be nice to have some people who read my literature. What I", "say? * If so, how can I show to others that I'm writing", "food, my perspectives, photography, comics, movies and whatever thing I feel about writing.", "What I need to know is: * Are people willing to read my", "literature. What I need to know is: * Are people willing to read", "perspectives, photography, comics, movies and whatever thing I feel about writing. I'm using", "that I'm writing and how can I invite them to read? Or how", "need to know is: * Are people willing to read my blog? There", "people who read my literature. What I need to know is: * Are", "can I invite them to read? Or how can I create readers for", "books out there, so will they be interested in what I have to", "I show to others that I'm writing and how can I invite them", "recently started writing a blog. It's about many things: travel, food, my perspectives,", "WordPress blog. Since I'm being new to this, I don't have any readers", "who read my literature. What I need to know is: * Are people", "my literature. What I need to know is: * Are people willing to", "to others that I'm writing and how can I invite them to read?", "this, I don't have any readers (community). I don't want to be a", "famous writer or anything, but it'll be nice to have some people who", "new to this, I don't have any readers (community). I don't want to", "be interested in what I have to say? * If so, how can", "but it'll be nice to have some people who read my literature. What", "any readers (community). I don't want to be a famous writer or anything,", "writer or anything, but it'll be nice to have some people who read", "Since I'm being new to this, I don't have any readers (community). I" ]
[ "bit problematic. I feel they generalize a bit and could be rewritten in", "end up making more money than the rest of them. > > >", "could be rewritten in less words. I’m kindly seeking suggestions on how to", "seeking suggestions on how to improve the below sentences. > > The biggest", "words. I’m kindly seeking suggestions on how to improve the below sentences. >", "wrong guy. That's why it's important to take your time in the selection", "> > The biggest mistake that women can make in their lives is", "less words. I’m kindly seeking suggestions on how to improve the below sentences.", "sentences that are a bit problematic. I feel they generalize a bit and", "sentences. > > The biggest mistake that women can make in their lives", "a bit and could be rewritten in less words. I’m kindly seeking suggestions", "generalize a bit and could be rewritten in less words. I’m kindly seeking", "in their lives is to have a baby with the wrong guy. That's", "mistake that women can make in their lives is to have a baby", "that women can make in their lives is to have a baby with", "kindly seeking suggestions on how to improve the below sentences. > > The", "will end up making more money than the rest of them. > >", "and could be rewritten in less words. I’m kindly seeking suggestions on how", "they have it, they will end up making more money than the rest", "I feel they generalize a bit and could be rewritten in less words.", "below sentences. > > The biggest mistake that women can make in their", "to improve the below sentences. > > The biggest mistake that women can", "it, they will end up making more money than the rest of them.", "that are a bit problematic. I feel they generalize a bit and could", "guys take longer than others to get it, but once they have it,", "with the wrong guy. That's why it's important to take your time in", "than others to get it, but once they have it, they will end", "these sentences that are a bit problematic. I feel they generalize a bit", "process. Some guys take longer than others to get it, but once they", "improve the below sentences. > > The biggest mistake that women can make", "important to take your time in the selection process. Some guys take longer", "paper and I have these sentences that are a bit problematic. I feel", "> The biggest mistake that women can make in their lives is to", "That's why it's important to take your time in the selection process. Some", "be rewritten in less words. I’m kindly seeking suggestions on how to improve", "take longer than others to get it, but once they have it, they", "have these sentences that are a bit problematic. I feel they generalize a", "have it, they will end up making more money than the rest of", "it's important to take your time in the selection process. Some guys take", "problematic. I feel they generalize a bit and could be rewritten in less", "bit and could be rewritten in less words. I’m kindly seeking suggestions on", "longer than others to get it, but once they have it, they will", "to have a baby with the wrong guy. That's why it's important to", "others to get it, but once they have it, they will end up", "can make in their lives is to have a baby with the wrong", "but once they have it, they will end up making more money than", "and I have these sentences that are a bit problematic. I feel they", "in the selection process. Some guys take longer than others to get it,", "the wrong guy. That's why it's important to take your time in the", "lives is to have a baby with the wrong guy. That's why it's", "their lives is to have a baby with the wrong guy. That's why", "rewritten in less words. I’m kindly seeking suggestions on how to improve the", "to take your time in the selection process. Some guys take longer than", "biggest mistake that women can make in their lives is to have a", "The biggest mistake that women can make in their lives is to have", "I’m writing a paper and I have these sentences that are a bit", "I have these sentences that are a bit problematic. I feel they generalize", "I’m kindly seeking suggestions on how to improve the below sentences. > >", "take your time in the selection process. Some guys take longer than others", "they generalize a bit and could be rewritten in less words. I’m kindly", "a paper and I have these sentences that are a bit problematic. I", "a bit problematic. I feel they generalize a bit and could be rewritten", "the selection process. Some guys take longer than others to get it, but", "feel they generalize a bit and could be rewritten in less words. I’m", "is to have a baby with the wrong guy. That's why it's important", "have a baby with the wrong guy. That's why it's important to take", "once they have it, they will end up making more money than the", "baby with the wrong guy. That's why it's important to take your time", "women can make in their lives is to have a baby with the", "writing a paper and I have these sentences that are a bit problematic.", "selection process. Some guys take longer than others to get it, but once", "a baby with the wrong guy. That's why it's important to take your", "to get it, but once they have it, they will end up making", "the below sentences. > > The biggest mistake that women can make in", "are a bit problematic. I feel they generalize a bit and could be", "suggestions on how to improve the below sentences. > > The biggest mistake", "in less words. I’m kindly seeking suggestions on how to improve the below", "how to improve the below sentences. > > The biggest mistake that women", "your time in the selection process. Some guys take longer than others to", "they will end up making more money than the rest of them. >", "get it, but once they have it, they will end up making more", "it, but once they have it, they will end up making more money", "guy. That's why it's important to take your time in the selection process.", "on how to improve the below sentences. > > The biggest mistake that", "Some guys take longer than others to get it, but once they have", "time in the selection process. Some guys take longer than others to get", "make in their lives is to have a baby with the wrong guy.", "why it's important to take your time in the selection process. Some guys" ]
[ "to write. Reason I ask is I'd like to read a couple to", "that are Pantsers and those that plan their work prior to beginning to", "Reason I ask is I'd like to read a couple to get a", "[Is it OK to invent as I write, or should I plan the", "I was wondering if anyone was able to give a list of definite", "those that plan their work prior to beginning to write. Reason I ask", "story first?](https://writers.stackexchange.com/questions/12984/is-it-ok-to-invent-as-i-write-or-should-i-plan-the-entire-story-first) I was wondering if anyone was able to give a list", "definite authors/works (fiction) that are Pantsers and those that plan their work prior", "to beginning to write. Reason I ask is I'd like to read a", "Pantsers and those that plan their work prior to beginning to write. Reason", "are Pantsers and those that plan their work prior to beginning to write.", "it OK to invent as I write, or should I plan the entire", "plan their work prior to beginning to write. Reason I ask is I'd", "a list of definite authors/works (fiction) that are Pantsers and those that plan", "(fiction) that are Pantsers and those that plan their work prior to beginning", "prior to beginning to write. Reason I ask is I'd like to read", "first?](https://writers.stackexchange.com/questions/12984/is-it-ok-to-invent-as-i-write-or-should-i-plan-the-entire-story-first) I was wondering if anyone was able to give a list of", "After reading the question [Is it OK to invent as I write, or", "to give a list of definite authors/works (fiction) that are Pantsers and those", "the entire story first?](https://writers.stackexchange.com/questions/12984/is-it-ok-to-invent-as-i-write-or-should-i-plan-the-entire-story-first) I was wondering if anyone was able to give", "wondering if anyone was able to give a list of definite authors/works (fiction)", "OK to invent as I write, or should I plan the entire story", "or should I plan the entire story first?](https://writers.stackexchange.com/questions/12984/is-it-ok-to-invent-as-i-write-or-should-i-plan-the-entire-story-first) I was wondering if anyone", "give a list of definite authors/works (fiction) that are Pantsers and those that", "if anyone was able to give a list of definite authors/works (fiction) that", "anyone was able to give a list of definite authors/works (fiction) that are", "and those that plan their work prior to beginning to write. Reason I", "reading the question [Is it OK to invent as I write, or should", "I ask is I'd like to read a couple to get a feel", "invent as I write, or should I plan the entire story first?](https://writers.stackexchange.com/questions/12984/is-it-ok-to-invent-as-i-write-or-should-i-plan-the-entire-story-first) I", "as I write, or should I plan the entire story first?](https://writers.stackexchange.com/questions/12984/is-it-ok-to-invent-as-i-write-or-should-i-plan-the-entire-story-first) I was", "that plan their work prior to beginning to write. Reason I ask is", "is I'd like to read a couple to get a feel for how", "authors/works (fiction) that are Pantsers and those that plan their work prior to", "beginning to write. Reason I ask is I'd like to read a couple", "entire story first?](https://writers.stackexchange.com/questions/12984/is-it-ok-to-invent-as-i-write-or-should-i-plan-the-entire-story-first) I was wondering if anyone was able to give a", "the question [Is it OK to invent as I write, or should I", "I write, or should I plan the entire story first?](https://writers.stackexchange.com/questions/12984/is-it-ok-to-invent-as-i-write-or-should-i-plan-the-entire-story-first) I was wondering", "plan the entire story first?](https://writers.stackexchange.com/questions/12984/is-it-ok-to-invent-as-i-write-or-should-i-plan-the-entire-story-first) I was wondering if anyone was able to", "write, or should I plan the entire story first?](https://writers.stackexchange.com/questions/12984/is-it-ok-to-invent-as-i-write-or-should-i-plan-the-entire-story-first) I was wondering if", "list of definite authors/works (fiction) that are Pantsers and those that plan their", "work prior to beginning to write. Reason I ask is I'd like to", "to read a couple to get a feel for how their novels flow.", "their work prior to beginning to write. Reason I ask is I'd like", "write. Reason I ask is I'd like to read a couple to get", "like to read a couple to get a feel for how their novels", "was wondering if anyone was able to give a list of definite authors/works", "should I plan the entire story first?](https://writers.stackexchange.com/questions/12984/is-it-ok-to-invent-as-i-write-or-should-i-plan-the-entire-story-first) I was wondering if anyone was", "of definite authors/works (fiction) that are Pantsers and those that plan their work", "I'd like to read a couple to get a feel for how their", "question [Is it OK to invent as I write, or should I plan", "ask is I'd like to read a couple to get a feel for", "able to give a list of definite authors/works (fiction) that are Pantsers and", "was able to give a list of definite authors/works (fiction) that are Pantsers", "I plan the entire story first?](https://writers.stackexchange.com/questions/12984/is-it-ok-to-invent-as-i-write-or-should-i-plan-the-entire-story-first) I was wondering if anyone was able", "to invent as I write, or should I plan the entire story first?](https://writers.stackexchange.com/questions/12984/is-it-ok-to-invent-as-i-write-or-should-i-plan-the-entire-story-first)" ]
[ "my professor will meet tomorrow. Since it's been a long time after we", "at ...\"? or should I mention our previous conversation? How to do it", "it okay to say \"Shall I meet you tomorrow at ...\"? or should", "okay to say \"Shall I meet you tomorrow at ...\"? or should I", "about how to write this email. Is it okay to say \"Shall I", "...\"? or should I mention our previous conversation? How to do it in", "or should I mention our previous conversation? How to do it in a", "an email reminder. But I'm not sure about how to write this email.", "you tomorrow at ...\"? or should I mention our previous conversation? How to", "mention our previous conversation? How to do it in a polite way? Thanks", "time after we last talked about the meeting,I'm thinking about sending her an", "Since it's been a long time after we last talked about the meeting,I'm", "and my professor will meet tomorrow. Since it's been a long time after", "tomorrow. Since it's been a long time after we last talked about the", "Is it okay to say \"Shall I meet you tomorrow at ...\"? or", "the meeting,I'm thinking about sending her an email reminder. But I'm not sure", "about the meeting,I'm thinking about sending her an email reminder. But I'm not", "previous conversation? How to do it in a polite way? Thanks a lot!", "meet you tomorrow at ...\"? or should I mention our previous conversation? How", "email. Is it okay to say \"Shall I meet you tomorrow at ...\"?", "say \"Shall I meet you tomorrow at ...\"? or should I mention our", "a long time after we last talked about the meeting,I'm thinking about sending", "I'm not sure about how to write this email. Is it okay to", "it's been a long time after we last talked about the meeting,I'm thinking", "to write this email. Is it okay to say \"Shall I meet you", "professor will meet tomorrow. Since it's been a long time after we last", "Me and my professor will meet tomorrow. Since it's been a long time", "meet tomorrow. Since it's been a long time after we last talked about", "sending her an email reminder. But I'm not sure about how to write", "long time after we last talked about the meeting,I'm thinking about sending her", "talked about the meeting,I'm thinking about sending her an email reminder. But I'm", "reminder. But I'm not sure about how to write this email. Is it", "after we last talked about the meeting,I'm thinking about sending her an email", "tomorrow at ...\"? or should I mention our previous conversation? How to do", "I mention our previous conversation? How to do it in a polite way?", "about sending her an email reminder. But I'm not sure about how to", "write this email. Is it okay to say \"Shall I meet you tomorrow", "sure about how to write this email. Is it okay to say \"Shall", "last talked about the meeting,I'm thinking about sending her an email reminder. But", "not sure about how to write this email. Is it okay to say", "her an email reminder. But I'm not sure about how to write this", "our previous conversation? How to do it in a polite way? Thanks a", "will meet tomorrow. Since it's been a long time after we last talked", "But I'm not sure about how to write this email. Is it okay", "meeting,I'm thinking about sending her an email reminder. But I'm not sure about", "we last talked about the meeting,I'm thinking about sending her an email reminder.", "this email. Is it okay to say \"Shall I meet you tomorrow at", "how to write this email. Is it okay to say \"Shall I meet", "email reminder. But I'm not sure about how to write this email. Is", "been a long time after we last talked about the meeting,I'm thinking about", "to say \"Shall I meet you tomorrow at ...\"? or should I mention", "\"Shall I meet you tomorrow at ...\"? or should I mention our previous", "I meet you tomorrow at ...\"? or should I mention our previous conversation?", "should I mention our previous conversation? How to do it in a polite", "thinking about sending her an email reminder. But I'm not sure about how" ]
[ "or does it have to be exactly like how it is on the", "people get offended if I didn't get it right? I've only been to", "if it's possible or not but could I place a made up neighbourhood", "could I place a made up neighbourhood in a city say New York?", "there and place shops anywhere I want or does it have to be", "New York? Or in any city? Can I change some street names here", "and there and place shops anywhere I want or does it have to", "and place shops anywhere I want or does it have to be exactly", "I want or does it have to be exactly like how it is", "to be exactly like how it is on the map? Would people get", "Can I change some street names here and there and place shops anywhere", "be exactly like how it is on the map? Would people get offended", "on the map? Would people get offended if I didn't get it right?", "didn't get it right? I've only been to NYC once on vacation so", "it is on the map? Would people get offended if I didn't get", "get it right? I've only been to NYC once on vacation so I", "only been to NYC once on vacation so I can't really say that", "place shops anywhere I want or does it have to be exactly like", "anywhere I want or does it have to be exactly like how it", "want or does it have to be exactly like how it is on", "does it have to be exactly like how it is on the map?", "street names here and there and place shops anywhere I want or does", "Would people get offended if I didn't get it right? I've only been", "right? I've only been to NYC once on vacation so I can't really", "offended if I didn't get it right? I've only been to NYC once", "how it is on the map? Would people get offended if I didn't", "get offended if I didn't get it right? I've only been to NYC", "if I didn't get it right? I've only been to NYC once on", "made up neighbourhood in a city say New York? Or in any city?", "place a made up neighbourhood in a city say New York? Or in", "have to be exactly like how it is on the map? Would people", "neighbourhood in a city say New York? Or in any city? Can I", "a made up neighbourhood in a city say New York? Or in any", "names here and there and place shops anywhere I want or does it", "to NYC once on vacation so I can't really say that I know", "like how it is on the map? Would people get offended if I", "in a city say New York? Or in any city? Can I change", "in any city? Can I change some street names here and there and", "NYC once on vacation so I can't really say that I know it", "it's possible or not but could I place a made up neighbourhood in", "but could I place a made up neighbourhood in a city say New", "I change some street names here and there and place shops anywhere I", "or not but could I place a made up neighbourhood in a city", "change some street names here and there and place shops anywhere I want", "on vacation so I can't really say that I know it very well.", "know if it's possible or not but could I place a made up", "here and there and place shops anywhere I want or does it have", "I didn't get it right? I've only been to NYC once on vacation", "map? Would people get offended if I didn't get it right? I've only", "up neighbourhood in a city say New York? Or in any city? Can", "possible or not but could I place a made up neighbourhood in a", "some street names here and there and place shops anywhere I want or", "shops anywhere I want or does it have to be exactly like how", "say New York? Or in any city? Can I change some street names", "exactly like how it is on the map? Would people get offended if", "city? Can I change some street names here and there and place shops", "is on the map? Would people get offended if I didn't get it", "once on vacation so I can't really say that I know it very", "it have to be exactly like how it is on the map? Would", "the map? Would people get offended if I didn't get it right? I've", "York? Or in any city? Can I change some street names here and", "don't know if it's possible or not but could I place a made", "it right? I've only been to NYC once on vacation so I can't", "I've only been to NYC once on vacation so I can't really say", "I don't know if it's possible or not but could I place a", "I place a made up neighbourhood in a city say New York? Or", "a city say New York? Or in any city? Can I change some", "not but could I place a made up neighbourhood in a city say", "any city? Can I change some street names here and there and place", "Or in any city? Can I change some street names here and there", "city say New York? Or in any city? Can I change some street", "been to NYC once on vacation so I can't really say that I" ]
[ "10 chapters into editing the book and I'm finding myself a loss of", "and that is driving me insane. I read a lot of books to", "events and situations. The book is spiritual in nature and most chapters have", "chance. Or: how to go about describing a scene that has a landscape", "I am taking a break to cool off and recover from the block.", "a recurring theme in all the chapters, I still have 92 more chapters", "a landscape filled with snow? * covered in a blanket of snow ", "I am 10 chapters into editing the book and I'm finding myself a", "I am strictly against repetition and I am taking a break to cool", "document?](https://writers.stackexchange.com/questions/32231/is-it-better-to-save-each-chapter-in-a-separate-word-document-or-all-in-one-docu) ^ was my first question. I am 10 chapters into editing the", "descriptions of miracles that an individual has experienced. Miracles are a recurring theme", "land glistening with thick layers of virgin snow sheets of snow ", "that it doesn't deteriorate? I want the reader to have a good reading", "MS Word is misleading me, wrongly correcting sentences which I know are right,", "a loss of words to describe certain events and situations. The book is", "is there any book on grammar the members would recommend, so that I", "to have a good reading experience and I don't want them to get", "so that I can rely on that book for sanity checks? MS Word", "save each chapter in a separate word document or all in one document?](https://writers.stackexchange.com/questions/32231/is-it-better-to-save-each-chapter-in-a-separate-word-document-or-all-in-one-docu)", "miracles that an individual has experienced. Miracles are a recurring theme in all", "there any good bank/compilation of adjective phrases that describe `extraordinary events`? Currently I'm", "would recommend, so that I can rely on that book for sanity checks?", "better to save each chapter in a separate word document or all in", "and recover from the block. Is there any good bank/compilation of adjective phrases", "of words to describe certain events and situations. The book is spiritual in", "I'm finding myself a loss of words to describe certain events and situations.", "chapters, I still have 92 more chapters to re write. I'm finding myself", "good bank/compilation of adjective phrases that describe `extraordinary events`? Currently I'm looking at", "that book for sanity checks? MS Word is misleading me, wrongly correcting sentences", "and situations. The book is spiritual in nature and most chapters have vivid", "members would recommend, so that I can rely on that book for sanity", "translation is maintained through all the 100+ chapters and that it doesn't deteriorate?", "lucky , fortunate, chance. Or: how to go about describing a scene that", "100+ chapters and that it doesn't deteriorate? I want the reader to have", "to save each chapter in a separate word document or all in one", "maintain expand my written vocabulary and ensure that the quality of translation is", "against repetition and I am taking a break to cool off and recover", "snow? covered in a blanket of snow * vast expanses of land", "myself repeating these set of words: Blessed, miraculous, good fortune, fortuitous, lucky ,", "is misleading me, wrongly correcting sentences which I know are right, and that", "maintained through all the 100+ chapters and that it doesn't deteriorate? I want", "at <http://www.gutenberg.org/ebooks/18362> Also is there any book on grammar the members would recommend,", "each chapter in a separate word document or all in one document?](https://writers.stackexchange.com/questions/32231/is-it-better-to-save-each-chapter-in-a-separate-word-document-or-all-in-one-docu) ^", "read a lot of books to stay up to date. What is a", "to stay up to date. What is a good way to maintain expand", "it doesn't deteriorate? I want the reader to have a good reading experience", "events`? Currently I'm looking at <http://www.gutenberg.org/ebooks/18362> Also is there any book on grammar", "Word is misleading me, wrongly correcting sentences which I know are right, and", "words to describe certain events and situations. The book is spiritual in nature", "stay up to date. What is a good way to maintain expand my", "of land glistening with thick layers of virgin snow * sheets of snow", "most chapters have vivid descriptions of miracles that an individual has experienced. Miracles", "* covered in a blanket of snow * vast expanses of land glistening", "and I'm finding myself a loss of words to describe certain events and", "go about describing a scene that has a landscape filled with snow? ", "adjective phrases that describe `extraordinary events`? Currently I'm looking at <http://www.gutenberg.org/ebooks/18362> Also is", "repeating these set of words: Blessed, miraculous, good fortune, fortuitous, lucky , fortunate,", "is maintained through all the 100+ chapters and that it doesn't deteriorate? I", "myself a loss of words to describe certain events and situations. The book", "nature and most chapters have vivid descriptions of miracles that an individual has", "separate word document or all in one document?](https://writers.stackexchange.com/questions/32231/is-it-better-to-save-each-chapter-in-a-separate-word-document-or-all-in-one-docu) ^ was my first question.", "good way to maintain expand my written vocabulary and ensure that the quality", "have a good reading experience and I don't want them to get tired", "all in one document?](https://writers.stackexchange.com/questions/32231/is-it-better-to-save-each-chapter-in-a-separate-word-document-or-all-in-one-docu) ^ was my first question. I am 10 chapters", "the block. Is there any good bank/compilation of adjective phrases that describe `extraordinary", "loss of words to describe certain events and situations. The book is spiritual", "that is driving me insane. I read a lot of books to stay", "it better to save each chapter in a separate word document or all", "to date. What is a good way to maintain expand my written vocabulary", "I'm looking at <http://www.gutenberg.org/ebooks/18362> Also is there any book on grammar the members", "am taking a break to cool off and recover from the block. Is", "grammar the members would recommend, so that I can rely on that book", "all the 100+ chapters and that it doesn't deteriorate? I want the reader", "in a separate word document or all in one document?](https://writers.stackexchange.com/questions/32231/is-it-better-to-save-each-chapter-in-a-separate-word-document-or-all-in-one-docu) ^ was my", "spiritual in nature and most chapters have vivid descriptions of miracles that an", "that the quality of translation is maintained through all the 100+ chapters and", "words: Blessed, miraculous, good fortune, fortuitous, lucky , fortunate, chance. Or: how to", "one document?](https://writers.stackexchange.com/questions/32231/is-it-better-to-save-each-chapter-in-a-separate-word-document-or-all-in-one-docu) ^ was my first question. I am 10 chapters into editing", "word document or all in one document?](https://writers.stackexchange.com/questions/32231/is-it-better-to-save-each-chapter-in-a-separate-word-document-or-all-in-one-docu) ^ was my first question. I", "landscape filled with snow? covered in a blanket of snow * vast", "a good way to maintain expand my written vocabulary and ensure that the", "re write. I'm finding myself repeating these set of words: Blessed, miraculous, good", "about describing a scene that has a landscape filled with snow? * covered", "editing the book and I'm finding myself a loss of words to describe", "covered in a blanket of snow * vast expanses of land glistening with", "scene that has a landscape filled with snow? * covered in a blanket", "The book is spiritual in nature and most chapters have vivid descriptions of", "of translation is maintained through all the 100+ chapters and that it doesn't", "or all in one document?](https://writers.stackexchange.com/questions/32231/is-it-better-to-save-each-chapter-in-a-separate-word-document-or-all-in-one-docu) ^ was my first question. I am 10", "snow * etc etc etc I am strictly against repetition and I am", "is spiritual in nature and most chapters have vivid descriptions of miracles that", "for sanity checks? MS Word is misleading me, wrongly correcting sentences which I", "has a landscape filled with snow? * covered in a blanket of snow", "situations. The book is spiritual in nature and most chapters have vivid descriptions", "first question. I am 10 chapters into editing the book and I'm finding", "miraculous, good fortune, fortuitous, lucky , fortunate, chance. Or: how to go about", "book is spiritual in nature and most chapters have vivid descriptions of miracles", "through all the 100+ chapters and that it doesn't deteriorate? I want the", "to cool off and recover from the block. Is there any good bank/compilation", "good reading experience and I don't want them to get tired of reading", "chapters have vivid descriptions of miracles that an individual has experienced. Miracles are", "a scene that has a landscape filled with snow? * covered in a", "set of words: Blessed, miraculous, good fortune, fortuitous, lucky , fortunate, chance. Or:", "the chapters, I still have 92 more chapters to re write. I'm finding", "strictly against repetition and I am taking a break to cool off and", "expand my written vocabulary and ensure that the quality of translation is maintained", "block. Is there any good bank/compilation of adjective phrases that describe `extraordinary events`?", "and ensure that the quality of translation is maintained through all the 100+", "looking at <http://www.gutenberg.org/ebooks/18362> Also is there any book on grammar the members would", "filled with snow? * covered in a blanket of snow * vast expanses", "have vivid descriptions of miracles that an individual has experienced. Miracles are a", "lot of books to stay up to date. What is a good way", "how to go about describing a scene that has a landscape filled with", "blanket of snow * vast expanses of land glistening with thick layers of", "correcting sentences which I know are right, and that is driving me insane.", "off and recover from the block. Is there any good bank/compilation of adjective", "am strictly against repetition and I am taking a break to cool off", "a lot of books to stay up to date. What is a good", "to maintain expand my written vocabulary and ensure that the quality of translation", "me, wrongly correcting sentences which I know are right, and that is driving", "a separate word document or all in one document?](https://writers.stackexchange.com/questions/32231/is-it-better-to-save-each-chapter-in-a-separate-word-document-or-all-in-one-docu) ^ was my first", "was my first question. I am 10 chapters into editing the book and", "recurring theme in all the chapters, I still have 92 more chapters to", "still have 92 more chapters to re write. I'm finding myself repeating these", "sheets of snow * etc etc etc I am strictly against repetition and", "all the chapters, I still have 92 more chapters to re write. I'm", "thick layers of virgin snow * sheets of snow * etc etc etc", "on grammar the members would recommend, so that I can rely on that", "I read a lot of books to stay up to date. What is", "into editing the book and I'm finding myself a loss of words to", "insane. I read a lot of books to stay up to date. What", "finding myself a loss of words to describe certain events and situations. The", "deteriorate? I want the reader to have a good reading experience and I", "sanity checks? MS Word is misleading me, wrongly correcting sentences which I know", "has experienced. Miracles are a recurring theme in all the chapters, I still", "bank/compilation of adjective phrases that describe `extraordinary events`? Currently I'm looking at <http://www.gutenberg.org/ebooks/18362>", "describe `extraordinary events`? Currently I'm looking at <http://www.gutenberg.org/ebooks/18362> Also is there any book", "etc etc I am strictly against repetition and I am taking a break", "* vast expanses of land glistening with thick layers of virgin snow ", "experienced. Miracles are a recurring theme in all the chapters, I still have", "chapters and that it doesn't deteriorate? I want the reader to have a", "Blessed, miraculous, good fortune, fortuitous, lucky , fortunate, chance. Or: how to go", "fortune, fortuitous, lucky , fortunate, chance. Or: how to go about describing a", "a good reading experience and I don't want them to get tired of", "chapters to re write. I'm finding myself repeating these set of words: Blessed,", "I'm finding myself repeating these set of words: Blessed, miraculous, good fortune, fortuitous,", "book on grammar the members would recommend, so that I can rely on", "I can rely on that book for sanity checks? MS Word is misleading", "and that it doesn't deteriorate? I want the reader to have a good", "snow sheets of snow * etc etc etc I am strictly against", "cool off and recover from the block. Is there any good bank/compilation of", "Currently I'm looking at <http://www.gutenberg.org/ebooks/18362> Also is there any book on grammar the", "vivid descriptions of miracles that an individual has experienced. Miracles are a recurring", "<http://www.gutenberg.org/ebooks/18362> Also is there any book on grammar the members would recommend, so", "of books to stay up to date. What is a good way to", "date. What is a good way to maintain expand my written vocabulary and", "way to maintain expand my written vocabulary and ensure that the quality of", "reader to have a good reading experience and I don't want them to", "an individual has experienced. Miracles are a recurring theme in all the chapters,", "these set of words: Blessed, miraculous, good fortune, fortuitous, lucky , fortunate, chance.", "virgin snow * sheets of snow * etc etc etc I am strictly", "question. I am 10 chapters into editing the book and I'm finding myself", "book for sanity checks? MS Word is misleading me, wrongly correcting sentences which", "taking a break to cool off and recover from the block. Is there", "chapter in a separate word document or all in one document?](https://writers.stackexchange.com/questions/32231/is-it-better-to-save-each-chapter-in-a-separate-word-document-or-all-in-one-docu) ^ was", "are a recurring theme in all the chapters, I still have 92 more", "glistening with thick layers of virgin snow * sheets of snow * etc", "am 10 chapters into editing the book and I'm finding myself a loss", "to describe certain events and situations. The book is spiritual in nature and", "layers of virgin snow * sheets of snow * etc etc etc I", "fortuitous, lucky , fortunate, chance. Or: how to go about describing a scene", "of virgin snow * sheets of snow * etc etc etc I am", "in nature and most chapters have vivid descriptions of miracles that an individual", "that I can rely on that book for sanity checks? MS Word is", "misleading me, wrongly correcting sentences which I know are right, and that is", "of snow * etc etc etc I am strictly against repetition and I", "certain events and situations. The book is spiritual in nature and most chapters", "vast expanses of land glistening with thick layers of virgin snow * sheets", "* etc etc etc I am strictly against repetition and I am taking", "my written vocabulary and ensure that the quality of translation is maintained through", "the 100+ chapters and that it doesn't deteriorate? I want the reader to", "fortunate, chance. Or: how to go about describing a scene that has a", "and I am taking a break to cool off and recover from the", "describing a scene that has a landscape filled with snow? * covered in", "^ was my first question. I am 10 chapters into editing the book", "that describe `extraordinary events`? Currently I'm looking at <http://www.gutenberg.org/ebooks/18362> Also is there any", "which I know are right, and that is driving me insane. I read", "the reader to have a good reading experience and I don't want them", "more chapters to re write. I'm finding myself repeating these set of words:", "any good bank/compilation of adjective phrases that describe `extraordinary events`? Currently I'm looking", "sentences which I know are right, and that is driving me insane. I", "in one document?](https://writers.stackexchange.com/questions/32231/is-it-better-to-save-each-chapter-in-a-separate-word-document-or-all-in-one-docu) ^ was my first question. I am 10 chapters into", "and most chapters have vivid descriptions of miracles that an individual has experienced.", "individual has experienced. Miracles are a recurring theme in all the chapters, I", "the quality of translation is maintained through all the 100+ chapters and that", "Miracles are a recurring theme in all the chapters, I still have 92", "on that book for sanity checks? MS Word is misleading me, wrongly correcting", "me insane. I read a lot of books to stay up to date.", "ensure that the quality of translation is maintained through all the 100+ chapters", "experience and I don't want them to get tired of reading the book.", "book and I'm finding myself a loss of words to describe certain events", "that has a landscape filled with snow? * covered in a blanket of", "`extraordinary events`? Currently I'm looking at <http://www.gutenberg.org/ebooks/18362> Also is there any book on", "* sheets of snow * etc etc etc I am strictly against repetition", "etc I am strictly against repetition and I am taking a break to", "repetition and I am taking a break to cool off and recover from", "right, and that is driving me insane. I read a lot of books", "92 more chapters to re write. I'm finding myself repeating these set of", "a blanket of snow * vast expanses of land glistening with thick layers", "a break to cool off and recover from the block. Is there any", "in a blanket of snow * vast expanses of land glistening with thick", "wrongly correcting sentences which I know are right, and that is driving me", "the members would recommend, so that I can rely on that book for", "good fortune, fortuitous, lucky , fortunate, chance. Or: how to go about describing", "can rely on that book for sanity checks? MS Word is misleading me,", "I know are right, and that is driving me insane. I read a", "rely on that book for sanity checks? MS Word is misleading me, wrongly", "of miracles that an individual has experienced. Miracles are a recurring theme in", "want the reader to have a good reading experience and I don't want", "in all the chapters, I still have 92 more chapters to re write.", "break to cool off and recover from the block. Is there any good", "are right, and that is driving me insane. I read a lot of", "of adjective phrases that describe `extraordinary events`? Currently I'm looking at <http://www.gutenberg.org/ebooks/18362> Also", "I want the reader to have a good reading experience and I don't", "etc etc etc I am strictly against repetition and I am taking a", "Or: how to go about describing a scene that has a landscape filled", "[Is it better to save each chapter in a separate word document or", "there any book on grammar the members would recommend, so that I can", "vocabulary and ensure that the quality of translation is maintained through all the", "What is a good way to maintain expand my written vocabulary and ensure", "quality of translation is maintained through all the 100+ chapters and that it", "document or all in one document?](https://writers.stackexchange.com/questions/32231/is-it-better-to-save-each-chapter-in-a-separate-word-document-or-all-in-one-docu) ^ was my first question. I am", "the book and I'm finding myself a loss of words to describe certain", "my first question. I am 10 chapters into editing the book and I'm", "expanses of land glistening with thick layers of virgin snow * sheets of", "recover from the block. Is there any good bank/compilation of adjective phrases that", "of snow * vast expanses of land glistening with thick layers of virgin", "recommend, so that I can rely on that book for sanity checks? MS", "describe certain events and situations. The book is spiritual in nature and most", "checks? MS Word is misleading me, wrongly correcting sentences which I know are", "know are right, and that is driving me insane. I read a lot", "with thick layers of virgin snow * sheets of snow * etc etc", "chapters into editing the book and I'm finding myself a loss of words", "write. I'm finding myself repeating these set of words: Blessed, miraculous, good fortune,", "phrases that describe `extraordinary events`? Currently I'm looking at <http://www.gutenberg.org/ebooks/18362> Also is there", "reading experience and I don't want them to get tired of reading the", "snow * vast expanses of land glistening with thick layers of virgin snow", ", fortunate, chance. Or: how to go about describing a scene that has", "theme in all the chapters, I still have 92 more chapters to re", "Also is there any book on grammar the members would recommend, so that", "with snow? * covered in a blanket of snow * vast expanses of", "have 92 more chapters to re write. I'm finding myself repeating these set", "Is there any good bank/compilation of adjective phrases that describe `extraordinary events`? Currently", "books to stay up to date. What is a good way to maintain", "any book on grammar the members would recommend, so that I can rely", "is a good way to maintain expand my written vocabulary and ensure that", "I still have 92 more chapters to re write. I'm finding myself repeating", "to go about describing a scene that has a landscape filled with snow?", "that an individual has experienced. Miracles are a recurring theme in all the", "up to date. What is a good way to maintain expand my written", "written vocabulary and ensure that the quality of translation is maintained through all", "to re write. I'm finding myself repeating these set of words: Blessed, miraculous,", "is driving me insane. I read a lot of books to stay up", "driving me insane. I read a lot of books to stay up to", "finding myself repeating these set of words: Blessed, miraculous, good fortune, fortuitous, lucky", "from the block. Is there any good bank/compilation of adjective phrases that describe", "doesn't deteriorate? I want the reader to have a good reading experience and", "of words: Blessed, miraculous, good fortune, fortuitous, lucky , fortunate, chance. Or: how" ]
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Basically, any guidance as to", "job isn't at all related -- this has just been a longtime passion/hobby", "THEN get mountains upon mountains of rejection letters, if that makes sense. I'd", "I was up late writing. Again. Surprise! Anyway -- thanks, all, in advance!!", "self-published, I was pretty lax about editing. I didn't want to put a", "forward. But how many drafts should I get in before I start seeking", "now if I have a chance of publishing professionally -- becoming a NYT", "this has just been a longtime passion/hobby of mine. So, my question is:", "draft of a novel I've been working on. I've been writing novels for", "to give advice, but unfortunately no one I know has time for that!", "since childhood -- but like I said, I have no clue how this", "to peek into the world of \"real\" publishing. I've been struggling to find", "years and I've self-published a couple, but I'm looking to peek into the", "months, so fairly quick but nothing crazy. I'm planning to do a full", "dream of mine since childhood -- but like I said, I have no", "with the first draft of a novel I've been working on. I've been", "about finished with the first draft of a novel I've been working on.", "So, my question is: how much editing should I realistically do before I", "approach my editing and promotion after finishing a first draft would be GREATLY", "projects weren't taken very seriously, but I'm still proud of them). I had", "I start sending in query letters? I know it would be helpful to", "seriously, but I'm still proud of them). I had some amateur friends give", "longtime passion/hobby of mine. So, my question is: how much editing should I", "I am just about finished with the first draft of a novel I've", "letters, if that makes sense. I'd rather know now if I have a", "but unfortunately no one I know has time for that! Supposing I finish", "catch the smaller errors and also take detailed notes on the structure so", "start sending in query letters? I know it would be helpful to have", "spend a year of my free-time-life editing something and THEN get mountains upon", "a small audience (those projects weren't taken very seriously, but I'm still proud", "work. I didn't study anything related to creative writing or even writing at", "would be GREATLY appreciated. Sorry if I was a bit rambly and disorganized", "helpful to have beta readers or anyone to give advice, but unfortunately no", "\"normal\" job isn't at all related -- this has just been a longtime", "has just been a longtime passion/hobby of mine. So, my question is: how", "time for that! Supposing I finish my draft by the 15th I'll have", "after that, catch the smaller errors and also take detailed notes on the", "just about finished with the first draft of a novel I've been working", "pass through after that, catch the smaller errors and also take detailed notes", "resources about how this process should actually work. I didn't study anything related", "how I should approach my editing and promotion after finishing a first draft", "gen ed requirements) and my \"normal\" job isn't at all related -- this", "crazy. I'm planning to do a full pass through after that, catch the", "guidance as to how I should approach my editing and promotion after finishing", "my gen ed requirements) and my \"normal\" job isn't at all related --", "give advice, but unfortunately no one I know has time for that! Supposing", "ton of time and energy into a technically perfect piece when I was", "when I was mainly just writing it for myself and a small audience", "more thoroughly moving forward. But how many drafts should I get in before", "study anything related to creative writing or even writing at all in college", "college (beyond my gen ed requirements) and my \"normal\" job isn't at all", "so fairly quick but nothing crazy. I'm planning to do a full pass", "related to creative writing or even writing at all in college (beyond my", "for publication? My dilemma here is this: When I self-published, I was pretty", "can tackle it more thoroughly moving forward. But how many drafts should I", "it for myself and a small audience (those projects weren't taken very seriously,", "bookshelf and going through the process been a dream of mine since childhood", "draft would be GREATLY appreciated. Sorry if I was a bit rambly and", "by the 15th I'll have written about 100k words in 2.5 months, so", "through the process been a dream of mine since childhood -- but like", "I get in before I start seeking advice for publication? My dilemma here", "first draft of a novel I've been working on. I've been writing novels", "editing and promotion after finishing a first draft would be GREATLY appreciated. Sorry", "the process been a dream of mine since childhood -- but like I", "that, catch the smaller errors and also take detailed notes on the structure", "publishing. I've been struggling to find resources about how this process should actually", "be asleep but I was up late writing. Again. Surprise! Anyway -- thanks,", "about how this process should actually work. I didn't study anything related to", "have a chance of publishing professionally -- becoming a NYT bestselling author isn't", "many drafts should I get in before I start seeking advice for publication?", "moving forward. But how many drafts should I get in before I start", "the 15th I'll have written about 100k words in 2.5 months, so fairly", "for the most part it was all me. I'd rather not spend a", "becoming a NYT bestselling author isn't the goal, just getting a book on", "year of my free-time-life editing something and THEN get mountains upon mountains of", "sending in query letters? I know it would be helpful to have beta", "free-time-life editing something and THEN get mountains upon mountains of rejection letters, if", "I didn't want to put a ton of time and energy into a", "amateur friends give them a read, but for the most part it was", "in query letters? I know it would be helpful to have beta readers", "how this process should actually work. I didn't study anything related to creative", "here is this: When I self-published, I was pretty lax about editing. I", "myself and a small audience (those projects weren't taken very seriously, but I'm", "been a longtime passion/hobby of mine. So, my question is: how much editing", "a first draft would be GREATLY appreciated. Sorry if I was a bit", "writing at all in college (beyond my gen ed requirements) and my \"normal\"", "tackle it more thoroughly moving forward. But how many drafts should I get", "requirements) and my \"normal\" job isn't at all related -- this has just", "about 100k words in 2.5 months, so fairly quick but nothing crazy. I'm", "childhood -- but like I said, I have no clue how this process", "on the bookshelf and going through the process been a dream of mine", "get mountains upon mountains of rejection letters, if that makes sense. I'd rather", "actually work. I didn't study anything related to creative writing or even writing", "of mine. So, my question is: how much editing should I realistically do", "quick but nothing crazy. I'm planning to do a full pass through after", "into a technically perfect piece when I was mainly just writing it for", "to creative writing or even writing at all in college (beyond my gen", "to put a ton of time and energy into a technically perfect piece", "passion/hobby of mine. So, my question is: how much editing should I realistically", "so I can tackle it more thoroughly moving forward. But how many drafts", "nothing crazy. I'm planning to do a full pass through after that, catch", "if I was a bit rambly and disorganized with all that... I should", "I've been writing novels for about ten years and I've self-published a couple,", "has time for that! Supposing I finish my draft by the 15th I'll", "all that... I should really be asleep but I was up late writing.", "a technically perfect piece when I was mainly just writing it for myself", "was a bit rambly and disorganized with all that... I should really be", "should I get in before I start seeking advice for publication? My dilemma", "finishing a first draft would be GREATLY appreciated. Sorry if I was a", "structure so I can tackle it more thoroughly moving forward. But how many", "advice, but unfortunately no one I know has time for that! Supposing I", "I'm still proud of them). I had some amateur friends give them a", "friends give them a read, but for the most part it was all", "struggling to find resources about how this process should actually work. I didn't", "and my \"normal\" job isn't at all related -- this has just been", "at all related -- this has just been a longtime passion/hobby of mine.", "I'd rather not spend a year of my free-time-life editing something and THEN", "how many drafts should I get in before I start seeking advice for", "if I have a chance of publishing professionally -- becoming a NYT bestselling", "do a full pass through after that, catch the smaller errors and also", "how much editing should I realistically do before I start sending in query", "some amateur friends give them a read, but for the most part it", "a chance of publishing professionally -- becoming a NYT bestselling author isn't the", "I had some amateur friends give them a read, but for the most", "for about ten years and I've self-published a couple, but I'm looking to", "peek into the world of \"real\" publishing. I've been struggling to find resources", "book on the bookshelf and going through the process been a dream of", "I should approach my editing and promotion after finishing a first draft would", "When I self-published, I was pretty lax about editing. I didn't want to", "know it would be helpful to have beta readers or anyone to give", "drafts should I get in before I start seeking advice for publication? My", "a read, but for the most part it was all me. I'd rather", "I can tackle it more thoroughly moving forward. But how many drafts should", "had some amateur friends give them a read, but for the most part", "the smaller errors and also take detailed notes on the structure so I", "world of \"real\" publishing. I've been struggling to find resources about how this", "mine. So, my question is: how much editing should I realistically do before", "to have beta readers or anyone to give advice, but unfortunately no one", "editing should I realistically do before I start sending in query letters? I", "query letters? I know it would be helpful to have beta readers or", "couple, but I'm looking to peek into the world of \"real\" publishing. I've", "(those projects weren't taken very seriously, but I'm still proud of them). I", "rather not spend a year of my free-time-life editing something and THEN get", "novels for about ten years and I've self-published a couple, but I'm looking", "planning to do a full pass through after that, catch the smaller errors", "I have a chance of publishing professionally -- becoming a NYT bestselling author", "Sorry if I was a bit rambly and disorganized with all that... I", "mountains of rejection letters, if that makes sense. I'd rather know now if", "about ten years and I've self-published a couple, but I'm looking to peek", "audience (those projects weren't taken very seriously, but I'm still proud of them).", "and I've self-published a couple, but I'm looking to peek into the world", "and THEN get mountains upon mountains of rejection letters, if that makes sense.", "but I'm still proud of them). I had some amateur friends give them", "it was all me. I'd rather not spend a year of my free-time-life", "or anyone to give advice, but unfortunately no one I know has time", "process should actually work. I didn't study anything related to creative writing or", "detailed notes on the structure so I can tackle it more thoroughly moving", "of \"real\" publishing. I've been struggling to find resources about how this process", "me. I'd rather not spend a year of my free-time-life editing something and", "I'm planning to do a full pass through after that, catch the smaller", "been writing novels for about ten years and I've self-published a couple, but", "of publishing professionally -- becoming a NYT bestselling author isn't the goal, just", "get in before I start seeking advice for publication? My dilemma here is", "them). I had some amateur friends give them a read, but for the", "editing. I didn't want to put a ton of time and energy into", "-- becoming a NYT bestselling author isn't the goal, just getting a book", "I said, I have no clue how this process should work! Basically, any", "notes on the structure so I can tackle it more thoroughly moving forward.", "NYT bestselling author isn't the goal, just getting a book on the bookshelf", "it would be helpful to have beta readers or anyone to give advice,", "pretty lax about editing. I didn't want to put a ton of time", "I should really be asleep but I was up late writing. Again. Surprise!", "promotion after finishing a first draft would be GREATLY appreciated. Sorry if I", "that! Supposing I finish my draft by the 15th I'll have written about", "read, but for the most part it was all me. I'd rather not", "proud of them). I had some amateur friends give them a read, but", "to find resources about how this process should actually work. I didn't study", "the goal, just getting a book on the bookshelf and going through the", "of rejection letters, if that makes sense. I'd rather know now if I", "writing it for myself and a small audience (those projects weren't taken very", "in 2.5 months, so fairly quick but nothing crazy. I'm planning to do", "in college (beyond my gen ed requirements) and my \"normal\" job isn't at", "should really be asleep but I was up late writing. Again. Surprise! Anyway", "but for the most part it was all me. I'd rather not spend", "rambly and disorganized with all that... I should really be asleep but I", "\"real\" publishing. I've been struggling to find resources about how this process should", "first draft would be GREATLY appreciated. Sorry if I was a bit rambly", "should approach my editing and promotion after finishing a first draft would be", "GREATLY appreciated. Sorry if I was a bit rambly and disorganized with all", "have written about 100k words in 2.5 months, so fairly quick but nothing", "very seriously, but I'm still proud of them). I had some amateur friends", "not spend a year of my free-time-life editing something and THEN get mountains", "perfect piece when I was mainly just writing it for myself and a", "to how I should approach my editing and promotion after finishing a first", "work! Basically, any guidance as to how I should approach my editing and", "do before I start sending in query letters? I know it would be", "something and THEN get mountains upon mountains of rejection letters, if that makes", "I start seeking advice for publication? My dilemma here is this: When I", "just writing it for myself and a small audience (those projects weren't taken", "know now if I have a chance of publishing professionally -- becoming a", "on the structure so I can tackle it more thoroughly moving forward. But", "about editing. I didn't want to put a ton of time and energy", "going through the process been a dream of mine since childhood -- but", "been struggling to find resources about how this process should actually work. I", "them a read, but for the most part it was all me. I'd", "the first draft of a novel I've been working on. I've been writing", "a book on the bookshelf and going through the process been a dream", "this process should actually work. I didn't study anything related to creative writing", "of a novel I've been working on. I've been writing novels for about", "didn't study anything related to creative writing or even writing at all in", "process been a dream of mine since childhood -- but like I said,", "a longtime passion/hobby of mine. So, my question is: how much editing should", "this: When I self-published, I was pretty lax about editing. I didn't want", "But how many drafts should I get in before I start seeking advice", "as to how I should approach my editing and promotion after finishing a", "energy into a technically perfect piece when I was mainly just writing it", "in before I start seeking advice for publication? My dilemma here is this:", "my question is: how much editing should I realistically do before I start", "-- but like I said, I have no clue how this process should", "Basically, any guidance as to how I should approach my editing and promotion", "is: how much editing should I realistically do before I start sending in", "no clue how this process should work! Basically, any guidance as to how", "and also take detailed notes on the structure so I can tackle it", "appreciated. Sorry if I was a bit rambly and disorganized with all that...", "to do a full pass through after that, catch the smaller errors and", "part it was all me. I'd rather not spend a year of my", "-- this has just been a longtime passion/hobby of mine. So, my question", "been working on. I've been writing novels for about ten years and I've", "beta readers or anyone to give advice, but unfortunately no one I know", "on. I've been writing novels for about ten years and I've self-published a", "any guidance as to how I should approach my editing and promotion after", "draft by the 15th I'll have written about 100k words in 2.5 months,", "goal, just getting a book on the bookshelf and going through the process", "self-published a couple, but I'm looking to peek into the world of \"real\"", "was all me. I'd rather not spend a year of my free-time-life editing", "author isn't the goal, just getting a book on the bookshelf and going", "makes sense. I'd rather know now if I have a chance of publishing", "be GREATLY appreciated. Sorry if I was a bit rambly and disorganized with", "sense. I'd rather know now if I have a chance of publishing professionally", "isn't the goal, just getting a book on the bookshelf and going through", "a year of my free-time-life editing something and THEN get mountains upon mountains", "and promotion after finishing a first draft would be GREATLY appreciated. Sorry if", "of my free-time-life editing something and THEN get mountains upon mountains of rejection", "ed requirements) and my \"normal\" job isn't at all related -- this has", "Supposing I finish my draft by the 15th I'll have written about 100k", "for myself and a small audience (those projects weren't taken very seriously, but", "My dilemma here is this: When I self-published, I was pretty lax about", "most part it was all me. I'd rather not spend a year of", "dilemma here is this: When I self-published, I was pretty lax about editing.", "all in college (beyond my gen ed requirements) and my \"normal\" job isn't", "through after that, catch the smaller errors and also take detailed notes on", "and energy into a technically perfect piece when I was mainly just writing", "I was mainly just writing it for myself and a small audience (those", "piece when I was mainly just writing it for myself and a small", "no one I know has time for that! Supposing I finish my draft", "with all that... I should really be asleep but I was up late", "thoroughly moving forward. But how many drafts should I get in before I", "letters? I know it would be helpful to have beta readers or anyone", "also take detailed notes on the structure so I can tackle it more", "start seeking advice for publication? My dilemma here is this: When I self-published,", "I've been working on. I've been writing novels for about ten years and", "question is: how much editing should I realistically do before I start sending", "time and energy into a technically perfect piece when I was mainly just", "that... I should really be asleep but I was up late writing. Again.", "much editing should I realistically do before I start sending in query letters?", "I've been struggling to find resources about how this process should actually work.", "after finishing a first draft would be GREATLY appreciated. Sorry if I was", "a full pass through after that, catch the smaller errors and also take", "was mainly just writing it for myself and a small audience (those projects", "the structure so I can tackle it more thoroughly moving forward. But how", "mainly just writing it for myself and a small audience (those projects weren't", "creative writing or even writing at all in college (beyond my gen ed", "a ton of time and energy into a technically perfect piece when I", "ten years and I've self-published a couple, but I'm looking to peek into", "and a small audience (those projects weren't taken very seriously, but I'm still", "rejection letters, if that makes sense. I'd rather know now if I have", "I have no clue how this process should work! Basically, any guidance as", "bestselling author isn't the goal, just getting a book on the bookshelf and", "if that makes sense. I'd rather know now if I have a chance", "but like I said, I have no clue how this process should work!", "put a ton of time and energy into a technically perfect piece when", "professionally -- becoming a NYT bestselling author isn't the goal, just getting a", "writing or even writing at all in college (beyond my gen ed requirements)", "smaller errors and also take detailed notes on the structure so I can", "100k words in 2.5 months, so fairly quick but nothing crazy. I'm planning", "my free-time-life editing something and THEN get mountains upon mountains of rejection letters,", "would be helpful to have beta readers or anyone to give advice, but", "it more thoroughly moving forward. But how many drafts should I get in" ]
[ "after* stuff. * what key points should be kept in mind while writing", "novel? (From the reader's point of view) * the basic psychology of a", "basic psychology of a reader when reading a romantic novel. I've read somewhere", "a romantic novel. I've read somewhere that people expect a happy ending, both", "that kinda* is a romantic novel. But I need some starters, like ", "and live happily ever after stuff. * what key points should be kept", "on a story that kinda is a romantic novel. But I need some", "the reader's point of view)* * the basic psychology of a reader when", "* what exactly to keep in mind while writing a romantic novel? (From", "of a reader when reading a romantic novel. I've read somewhere that people", "currently working on a story that kinda* is a romantic novel. But I", "read somewhere that people expect a happy ending, both characters meet each other", "exactly to keep in mind while writing a romantic novel? (From the reader's", "a reader when reading a romantic novel. I've read somewhere that people expect", "keep in mind while writing a romantic novel? (From the reader's point of", "ever after stuff. * what key points should be kept in mind while", "* what key points should be kept in mind while writing such novel?", "point of view)* * the basic psychology of a reader when reading a", "that people expect a happy ending, both characters meet each other and live", "both characters meet each other and live happily ever after* stuff. * what", "writing a romantic novel? (From the reader's point of view) * the basic", "live happily ever after* stuff. * what key points should be kept in", "each other and live happily ever after* stuff. * what key points should", "when reading a romantic novel. I've read somewhere that people expect a happy", "happily ever after* stuff. * what key points should be kept in mind", "a romantic novel? (From the reader's point of view) * the basic psychology", "I need some starters, like * what exactly to keep in mind while", "of view)* * the basic psychology of a reader when reading a romantic", "romantic novel. But I need some starters, like * what exactly to keep", "happy ending, both characters meet each other and live happily ever after stuff.", "view)* * the basic psychology of a reader when reading a romantic novel.", "while writing a romantic novel? (From the reader's point of view) * the", "I've read somewhere that people expect a happy ending, both characters meet each", "expect a happy ending, both characters meet each other and live happily ever", "need some starters, like * what exactly to keep in mind while writing", "the basic psychology of a reader when reading a romantic novel. I've read", "like * what exactly to keep in mind while writing a romantic novel?", "meet each other and live happily ever after* stuff. * what key points", "So I'm currently working on a story that kinda is a romantic novel.", "novel. I've read somewhere that people expect a happy ending, both characters meet", "characters meet each other and live happily ever after stuff. * what key", "a story that kinda is a romantic novel. But I need some starters,", "starters, like * what exactly to keep in mind while writing a romantic", "in mind while writing a romantic novel? (From the reader's point of view)", "somewhere that people expect a happy ending, both characters meet each other and", "I'm currently working on a story that kinda* is a romantic novel. But", "reader's point of view)* * the basic psychology of a reader when reading", "is a romantic novel. But I need some starters, like * what exactly", "some starters, like * what exactly to keep in mind while writing a", "to keep in mind while writing a romantic novel? (From the reader's point", "romantic novel? (From the reader's point of view)* * the basic psychology of", "(From the reader's point of view) * the basic psychology of a reader", "other and live happily ever after* stuff. * what key points should be", "* the basic psychology of a reader when reading a romantic novel. I've", "novel. But I need some starters, like * what exactly to keep in", "psychology of a reader when reading a romantic novel. I've read somewhere that", "But I need some starters, like * what exactly to keep in mind", "ending, both characters meet each other and live happily ever after stuff. ", "story that kinda* is a romantic novel. But I need some starters, like", "mind while writing a romantic novel? (From the reader's point of view) ", "stuff. what key points should be kept in mind while writing such", "reader when reading a romantic novel. I've read somewhere that people expect a", "a romantic novel. But I need some starters, like * what exactly to", "kinda is a romantic novel. But I need some starters, like * what", "working on a story that kinda is a romantic novel. But I need", "people expect a happy ending, both characters meet each other and live happily", "what exactly to keep in mind while writing a romantic novel? (From the", "romantic novel. I've read somewhere that people expect a happy ending, both characters", "reading a romantic novel. I've read somewhere that people expect a happy ending,", "a happy ending, both characters meet each other and live happily ever after*" ]
[ "I am writing my first chapter books for an older audience around 18+", "writing my first chapter books for an older audience around 18+ and I", "knowing when one characters point of view should end and the next begin.", "a little help with knowing when one characters point of view should end", "chapter books for an older audience around 18+ and I need a little", "first chapter books for an older audience around 18+ and I need a", "I need a little help with knowing when one characters point of view", "for an older audience around 18+ and I need a little help with", "point of view should end and the next begin. Can anyone help me?", "little help with knowing when one characters point of view should end and", "am writing my first chapter books for an older audience around 18+ and", "one characters point of view should end and the next begin. Can anyone", "books for an older audience around 18+ and I need a little help", "18+ and I need a little help with knowing when one characters point", "help with knowing when one characters point of view should end and the", "and I need a little help with knowing when one characters point of", "need a little help with knowing when one characters point of view should", "audience around 18+ and I need a little help with knowing when one", "around 18+ and I need a little help with knowing when one characters", "older audience around 18+ and I need a little help with knowing when", "with knowing when one characters point of view should end and the next", "characters point of view should end and the next begin. Can anyone help", "my first chapter books for an older audience around 18+ and I need", "when one characters point of view should end and the next begin. Can", "an older audience around 18+ and I need a little help with knowing" ]
[ "18, in case that wasn't clear. :) Another edit: I think it's clear", "don't want to jump in too quickly on cutting things (or increasing my", "my manuscript. -------------------------------------------------- > > I broke my manuscript into scenes using the", "> this may be within the same chapter as the previous scene on", "between scenes, as well as other details (like (3) 'white room syndrome.') I'm", "readers with less abruptness. I suspect both need to happen. But ... I", "example, it's a new scene, even though > this may be within the", "ways to reduce reader fatigue (= increase enjoyment) that involve adjusting scenes? In", "feedback I am hoping for lies along the lines of: ---------------------------------------------------------------------- 1. What", "many other things it is down to opinion. <- infodump :) > >", "tap into any willing experience here. Thank you if you can provide any", "begins enacting decision > > > Chapter ends on resolution of conflict ->", "because I've seen varied advice online about how to write scenes in a", "all. My approach (to this, my first fiction attempt) has been to draw", "scene with a flashback in the middle. There would still be breaks of", "flow for the reader. (To me, this means that the definition of 'scene'", "plotter in me). I also allow the characters to steer me elsewhere if", "have them all laying out in front of me on scraps of paper", "and ends and generally follows the shape of a 'regular' journey. The feedback", "suspect I have blind spots and don't want to jump in too quickly", "cohesive. It may be a simple matter of adding short transitional phrases to", "it's a new scene, even though > this may be within the same", "opinion. <- infodump :) > > > I'm requesting input on scenes here,", "They range from a shorty-short ~200 words to some that are several thousand", "appropriate to surprise or tension?) Should a chapter ideally equal one long scene?", "No more than 3 scenes? All bets are off? Are there guidelines about", "Should a chapter ideally equal one long scene? (Some people have said this", "a new scene, even though > this may be within the same chapter", "It starts and ends and generally follows the shape of a 'regular' journey.", "the story (this is the plotter in me). I also allow the characters", "when a person, place, or time point shifts. This means > whenever a", "guide readers with less abruptness. I suspect both need to happen. But ...", "(to this, my first fiction attempt) has been to draw an arc and", "flesh out characters or provide a detail that I need later (but don't", "when certain things should occur in the story (this is the plotter in", "the previous scene on the previous day. I've called > out short flashbacks", "receiving, from the friends who are reading this, is: the story is not", "what reader response is desired - perhaps abrupt is appropriate to surprise or", "other things it is down to opinion. <- infodump :) > > >", "abruptness. I suspect both need to happen. But ... I also suspect I", "read as anyone would like. This may be down to a few different", "equal one long scene? (Some people have said this to me elsewhere.) No", "> > > I'm requesting input on scenes here, because I've seen varied", "lies along the lines of: ---------------------------------------------------------------------- 1. What are the various ways to", "(several paragraphs) > > > scene 2: MC becomes distraught over recurring issue", "words should scenes abruptly start and end, or should they all transition seamlessly", "have said this to me elsewhere.) No more than 3 scenes? All bets", "> Chapter ends on resolution of conflict -> Setting up for the next", "potentially cohesive. It may be a simple matter of adding short transitional phrases", "is recommended, others flesh out characters or provide a detail that I need", "many scenes: > > Chapter 18 > > scene 1: Chapter heading information", "a 'regular' journey. The feedback I'm currently receiving, from the friends who are", "What are the various ways to reduce reader fatigue (= increase enjoyment) that", "Thank you if you can provide any clarity. It is appreciated. Here is", "reasons, which I am attacking separately from one another. It may be down", "up for the next dilemma (the 'sequel' ends, using the scene-sequel structure as", "on resolution of conflict -> Setting up for the next dilemma (the 'sequel'", "suppose). The result has been a novel-length (~100,000 words) piece of work with", "> > > scene 4: MC makes > decision to address distress >", "of (1) repetitive portions and (2) poor transitions (I think) between scenes, as", "not worry about scenes at all. My approach (to this, my first fiction", "Some scenes 'move the plot' as is recommended, others flesh out characters or", "scene 5: MC begins enacting decision > > > Chapter ends on resolution", "not as easy to read as anyone would like. This may be down", "of themselves advance the plot, they lay groundwork.) Today, here, the feedback I", "novel. This advice ranges from using the scene-sequel approach throughout, to allowing the", "childhood > > > scene 4: MC makes > decision to address distress", "throughout, to allowing the story to unfold organically and not worry about scenes", "and map onto the arc where and when certain things should occur in", "Chapter heading information (several paragraphs) > > > scene 2: MC becomes distraught", "3: MC > flashes back to relevant event from childhood > > >", "2: MC becomes distraught over recurring issue > > > scene 3: MC", "novel-length (~100,000 words) piece of work with about 100 scenes, give or take.", "this may be within the same chapter as the previous scene on the", "using the scene-sequel structure as described in many places online.). > > >", "in the story (this is the plotter in me). I also allow the", "chapter with many scenes: > > Chapter 18 > > scene 1: Chapter", "the next dilemma (the 'sequel' ends, using the scene-sequel structure as described in", "scene? (Some people have said this to me elsewhere.) No more than 3", "this to me elsewhere.) No more than 3 scenes? All bets are off?", "manuscript. -------------------------------------------------- > > I broke my manuscript into scenes using the definition", "'white room syndrome.') I'm currently analyzing my scenes. They range from a shorty-short", "less abruptness. I suspect both need to happen. But ... I also suspect", "is desired - perhaps abrupt is appropriate to surprise or tension?) Should a", "clear. :) Another edit: I think it's clear that the flow of scenes", "where and when certain things should occur in the story (this is the", "paper and am staring at them. I am considering cutting scenes, or writing", "new > scene begins when a person, place, or time point shifts. This", "plot' as is recommended, others flesh out characters or provide a detail that", "has been a novel-length (~100,000 words) piece of work with about 100 scenes,", "as the previous scene on the previous day. I've called > out short", "for the next dilemma (the 'sequel' ends, using the scene-sequel structure as described", "other details (like (3) 'white room syndrome.') I'm currently analyzing my scenes. They", "with a flashback in the middle. There would still be breaks of 'time'", "I've called > out short flashbacks as discrete scenes, and chapter headings as", "the lines of: ---------------------------------------------------------------------- 1. What are the various ways to reduce reader", "reformatted into a single uninterrupted scene with a flashback in the middle. There", "chapter as the previous scene on the previous day. I've called > out", "detail that I need later (but don't of themselves advance the plot, they", "a shorty-short ~200 words to some that are several thousand words. Some scenes", "is appreciated. Here is an example sample chapter with many scenes: > >", "> whenever a new day starts, for example, it's a new scene, even", "1. What are the various ways to reduce reader fatigue (= increase enjoyment)", "address distress > > > scene 5: MC begins enacting decision > >", "> > Chapter 18 > > scene 1: Chapter heading information (several paragraphs)", "Another edit: I think it's clear that the flow of scenes 2 -", "begins when a person, place, or time point shifts. This means > whenever", "or provide a detail that I need later (but don't of themselves advance", "ideally equal one long scene? (Some people have said this to me elsewhere.)", "not in chapter 18, in case that wasn't clear. :) Another edit: I", "between scenes to help guide readers with less abruptness. I suspect both need", "is: the story is not as easy to read as anyone would like.", "MC > flashes back to relevant event from childhood > > > scene", "feel strongly about it (the pantser in me, I suppose). The result has", "a combination of (1) repetitive portions and (2) poor transitions (I think) between", "lines of: ---------------------------------------------------------------------- 1. What are the various ways to reduce reader fatigue", "provide a detail that I need later (but don't of themselves advance the", "> flashes back to relevant event from childhood > > > scene 4:", "time point shifts. This means > whenever a new day starts, for example,", "> scene 3: MC > flashes back to relevant event from childhood >", "(the 'sequel' ends, using the scene-sequel structure as described in many places online.).", "scraps of paper and am staring at them. I am considering cutting scenes,", "to me elsewhere.) No more than 3 scenes? All bets are off? Are", "example sample chapter with many scenes: > > Chapter 18 > > scene", "a simple matter of adding short transitional phrases to make it flow for", "story is not as easy to read as anyone would like. This may", "how to write scenes in a novel. This advice ranges from using the", "out characters or provide a detail that I need later (but don't of", "editing the above to clarify that the final resolution is not in chapter", "be reformatted into a single uninterrupted scene with a flashback in the middle.", "journey. The feedback I'm currently receiving, from the friends who are reading this,", "<- infodump :) > > > I'm requesting input on scenes here, because", "there guidelines about number of scenes (and length) per chapter? ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ I have", "> > > Chapter ends on resolution of conflict -> Setting up for", "scenes. They range from a shorty-short ~200 words to some that are several", "---------------------------------------------------------------------- 1. What are the various ways to reduce reader fatigue (= increase", "suspect both need to happen. But ... I also suspect I have blind", "a new > scene begins when a person, place, or time point shifts.", "the previous day. I've called > out short flashbacks as discrete scenes, and", "staring at them. I am considering cutting scenes, or writing more transitional material", "> > scene 5: MC begins enacting decision > > > Chapter ends", "All bets are off? Are there guidelines about number of scenes (and length)", "to the next? (I imagine it depends on what reader response is desired", "work with about 100 scenes, give or take. It starts and ends and", "unfold organically and not worry about scenes at all. My approach (to this,", "(this is the plotter in me). I also allow the characters to steer", "allowing the story to unfold organically and not worry about scenes at all.", "themselves advance the plot, they lay groundwork.) Today, here, the feedback I am", "makes > decision to address distress > > > scene 5: MC begins", "a flashback in the middle. There would still be breaks of 'time' but", "ends, using the scene-sequel structure as described in many places online.). > >", "scenes at all. My approach (to this, my first fiction attempt) has been", "> decision to address distress > > > scene 5: MC begins enacting", "off? Are there guidelines about number of scenes (and length) per chapter? ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~", "on what reader response is desired - perhaps abrupt is appropriate to surprise", "willing experience here. Thank you if you can provide any clarity. It is", "of: ---------------------------------------------------------------------- 1. What are the various ways to reduce reader fatigue (=", "of conflict -> Setting up for the next dilemma (the 'sequel' ends, using", "characters to steer me elsewhere if they feel strongly about it (the pantser", "chapter? ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ I have them all laying out in front of me on", "from using the scene-sequel approach throughout, to allowing the story to unfold organically", "scenes? In other words should scenes abruptly start and end, or should they", "'move the plot' as is recommended, others flesh out characters or provide a", "is potentially cohesive. It may be a simple matter of adding short transitional", "scenes to help guide readers with less abruptness. I suspect both need to", "in me). I also allow the characters to steer me elsewhere if they", "- perhaps abrupt is appropriate to surprise or tension?) Should a chapter ideally", "am considering cutting scenes, or writing more transitional material between scenes to help", "all transition seamlessly one to the next? (I imagine it depends on what", "or writing more transitional material between scenes to help guide readers with less", "it depends on what reader response is desired - perhaps abrupt is appropriate", "MC becomes distraught over recurring issue > > > scene 3: MC >", "scenes using the definition that a new > scene begins when a person,", "case that wasn't clear. :) Another edit: I think it's clear that the", "strongly about it (the pantser in me, I suppose). The result has been", "~200 words to some that are several thousand words. Some scenes 'move the", "increase enjoyment) that involve adjusting scenes? In other words should scenes abruptly start", "is the plotter in me). I also allow the characters to steer me", "enacting decision > > > Chapter ends on resolution of conflict -> Setting", "or tension?) Should a chapter ideally equal one long scene? (Some people have", "number of scenes (and length) per chapter? ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ I have them all laying", "draw an arc and map onto the arc where and when certain things", "could conceivably be reformatted into a single uninterrupted scene with a flashback in", "scenes 2 - 5 above could conceivably be reformatted into a single uninterrupted", "adding short transitional phrases to make it flow for the reader. (To me,", "things (or increasing my word count with added transitional material) until I tap", "for lies along the lines of: ---------------------------------------------------------------------- 1. What are the various ways", "I have blind spots and don't want to jump in too quickly on", "transitions (I think) between scenes, as well as other details (like (3) 'white", "and generally follows the shape of a 'regular' journey. The feedback I'm currently", "Today, here, the feedback I am hoping for lies along the lines of:", "scene on the previous day. I've called > out short flashbacks as discrete", "blind spots and don't want to jump in too quickly on cutting things", "the arc where and when certain things should occur in the story (this", "the various ways to reduce reader fatigue (= increase enjoyment) that involve adjusting", "this, my first fiction attempt) has been to draw an arc and map", "result has been a novel-length (~100,000 words) piece of work with about 100", "is not as easy to read as anyone would like. This may be", "or if like many other things it is down to opinion. <- infodump", "ends on resolution of conflict -> Setting up for the next dilemma (the", "don't of themselves advance the plot, they lay groundwork.) Today, here, the feedback", "> scene 4: MC makes > decision to address distress > > >", "scenes, or writing more transitional material between scenes to help guide readers with", "considering cutting scenes, or writing more transitional material between scenes to help guide", "be down to a combination of (1) repetitive portions and (2) poor transitions", "write scenes in a novel. This advice ranges from using the scene-sequel approach", "in case that wasn't clear. :) Another edit: I think it's clear that", "-------------------------------------------------- > > I broke my manuscript into scenes using the definition that", "transitional phrases to make it flow for the reader. (To me, this means", "on cutting things (or increasing my word count with added transitional material) until", "Are there guidelines about number of scenes (and length) per chapter? ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ I", "discrete scenes, and chapter headings as separate > scenes as well. I've had", "as anyone would like. This may be down to a few different reasons,", "abruptly start and end, or should they all transition seamlessly one to the", "if they feel strongly about it (the pantser in me, I suppose). The", "my manuscript into scenes using the definition that a new > scene begins", "currently receiving, from the friends who are reading this, is: the story is", "start and end, or should they all transition seamlessly one to the next?", "resolution of conflict -> Setting up for the next dilemma (the 'sequel' ends,", "am hoping for lies along the lines of: ---------------------------------------------------------------------- 1. What are the", "back to relevant event from childhood > > > scene 4: MC makes", "on scenes here, because I've seen varied advice online about how to write", "clarity. It is appreciated. Here is an example sample chapter with many scenes:", "~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ I have them all laying out in front of me on scraps", "an arc and map onto the arc where and when certain things should", "sample chapter with many scenes: > > Chapter 18 > > scene 1:", "flashes back to relevant event from childhood > > > scene 4: MC", "would like. This may be down to a few different reasons, which I", "short transitional phrases to make it flow for the reader. (To me, this", "reduce reader fatigue (= increase enjoyment) that involve adjusting scenes? In other words", "portions and (2) poor transitions (I think) between scenes, as well as other", "flow is potentially cohesive. It may be a simple matter of adding short", "details (like (3) 'white room syndrome.') I'm currently analyzing my scenes. They range", "Chapter ends on resolution of conflict -> Setting up for the next dilemma", "shape of a 'regular' journey. The feedback I'm currently receiving, from the friends", "that a new > scene begins when a person, place, or time point", "my word count with added transitional material) until I tap into any willing", "next dilemma (the 'sequel' ends, using the scene-sequel structure as described in many", "online.). > > > I am editing the above to clarify that the", "had difficulty identifying if there is a consensus > definition of scene or", "which I am attacking separately from one another. It may be down to", "several thousand words. Some scenes 'move the plot' as is recommended, others flesh", "resolution is not in chapter 18, in case that wasn't clear. :) Another", "(I think) between scenes, as well as other details (like (3) 'white room", "using the definition that a new > scene begins when a person, place,", "structure as described in many places online.). > > > I am editing", "The feedback I'm currently receiving, from the friends who are reading this, is:", "I suppose). The result has been a novel-length (~100,000 words) piece of work", "advice ranges from using the scene-sequel approach throughout, to allowing the story to", "about how to write scenes in a novel. This advice ranges from using", "take. It starts and ends and generally follows the shape of a 'regular'", "to some that are several thousand words. Some scenes 'move the plot' as", "is not in chapter 18, in case that wasn't clear. :) Another edit:", "should they all transition seamlessly one to the next? (I imagine it depends", "pantser in me, I suppose). The result has been a novel-length (~100,000 words)", "in many places online.). > > > I am editing the above to", "the friends who are reading this, is: the story is not as easy", "to help guide readers with less abruptness. I suspect both need to happen.", "I think it's clear that the flow of scenes 2 - 5 above", "scenes, as well as other details (like (3) 'white room syndrome.') I'm currently", "and when certain things should occur in the story (this is the plotter", ":) Another edit: I think it's clear that the flow of scenes 2", "into scenes using the definition that a new > scene begins when a", "person, place, or time point shifts. This means > whenever a new day", "point shifts. This means > whenever a new day starts, for example, it's", "> > scene 2: MC becomes distraught over recurring issue > > >", "there is a consensus > definition of scene or if like many other", "a novel. This advice ranges from using the scene-sequel approach throughout, to allowing", "can provide any clarity. It is appreciated. Here is an example sample chapter", "(To me, this means that the definition of 'scene' is not firm -", "arc and map onto the arc where and when certain things should occur", "may be a simple matter of adding short transitional phrases to make it", "> > scene 1: Chapter heading information (several paragraphs) > > > scene", "this, is: the story is not as easy to read as anyone would", "syndrome.') I'm currently analyzing my scenes. They range from a shorty-short ~200 words", "that are several thousand words. Some scenes 'move the plot' as is recommended,", "length) per chapter? ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ I have them all laying out in front of", "material between scenes to help guide readers with less abruptness. I suspect both", "to reduce reader fatigue (= increase enjoyment) that involve adjusting scenes? In other", "to clarify that the final resolution is not in chapter 18, in case", "paragraphs) > > > scene 2: MC becomes distraught over recurring issue >", "of paper and am staring at them. I am considering cutting scenes, or", "scenes, give or take. It starts and ends and generally follows the shape", "at all. My approach (to this, my first fiction attempt) has been to", "desired - perhaps abrupt is appropriate to surprise or tension?) Should a chapter", "This may be down to a few different reasons, which I am attacking", "organically and not worry about scenes at all. My approach (to this, my", "scenes here, because I've seen varied advice online about how to write scenes", "that the flow of scenes 2 - 5 above could conceivably be reformatted", "4: MC makes > decision to address distress > > > scene 5:", "to a combination of (1) repetitive portions and (2) poor transitions (I think)", "the plot' as is recommended, others flesh out characters or provide a detail", "I am hoping for lies along the lines of: ---------------------------------------------------------------------- 1. What are", "scene 4: MC makes > decision to address distress > > > scene", "varied advice online about how to write scenes in a novel. This advice", "steer me elsewhere if they feel strongly about it (the pantser in me,", "> > I am editing the above to clarify that the final resolution", "plot, they lay groundwork.) Today, here, the feedback I am hoping for lies", "of scenes 2 - 5 above could conceivably be reformatted into a single", "Setting up for the next dilemma (the 'sequel' ends, using the scene-sequel structure", "it's clear that the flow of scenes 2 - 5 above could conceivably", "broke my manuscript into scenes using the definition that a new > scene", "the flow is potentially cohesive. It may be a simple matter of adding", "scene 3: MC > flashes back to relevant event from childhood > >", "elsewhere.) No more than 3 scenes? All bets are off? Are there guidelines", "lay groundwork.) Today, here, the feedback I am hoping for lies along the", "transition seamlessly one to the next? (I imagine it depends on what reader", "the middle. There would still be breaks of 'time' but the flow is", "of scene or if like many other things it is down to opinion.", "> I'm requesting input on scenes here, because I've seen varied advice online", "as easy to read as anyone would like. This may be down to", "(but don't of themselves advance the plot, they lay groundwork.) Today, here, the", "to happen. But ... I also suspect I have blind spots and don't", "approach throughout, to allowing the story to unfold organically and not worry about", "This advice ranges from using the scene-sequel approach throughout, to allowing the story", "perhaps abrupt is appropriate to surprise or tension?) Should a chapter ideally equal", "been a novel-length (~100,000 words) piece of work with about 100 scenes, give", "flashbacks as discrete scenes, and chapter headings as separate > scenes as well.", "with added transitional material) until I tap into any willing experience here. Thank", "and chapter headings as separate > scenes as well. I've had difficulty identifying", "chapter 18, in case that wasn't clear. :) Another edit: I think it's", "2 - 5 above could conceivably be reformatted into a single uninterrupted scene", "and not worry about scenes at all. My approach (to this, my first", "on the previous day. I've called > out short flashbacks as discrete scenes,", "but the flow is potentially cohesive. It may be a simple matter of", "dilemma (the 'sequel' ends, using the scene-sequel structure as described in many places", "'sequel' ends, using the scene-sequel structure as described in many places online.). >", "be a simple matter of adding short transitional phrases to make it flow", "of adding short transitional phrases to make it flow for the reader. (To", "to make it flow for the reader. (To me, this means that the", "in the middle. There would still be breaks of 'time' but the flow", "from a shorty-short ~200 words to some that are several thousand words. Some", "you can provide any clarity. It is appreciated. Here is an example sample", "event from childhood > > > scene 4: MC makes > decision to", "to address distress > > > scene 5: MC begins enacting decision >", "along the lines of: ---------------------------------------------------------------------- 1. What are the various ways to reduce", "even though > this may be within the same chapter as the previous", "people have said this to me elsewhere.) No more than 3 scenes? All", "story (this is the plotter in me). I also allow the characters to", "input on scenes here, because I've seen varied advice online about how to", "I am attacking separately from one another. It may be down to a", "with less abruptness. I suspect both need to happen. But ... I also", "the feedback I am hoping for lies along the lines of: ---------------------------------------------------------------------- 1.", "for example, it's a new scene, even though > this may be within", "in too quickly on cutting things (or increasing my word count with added", "would still be breaks of 'time' but the flow is potentially cohesive. It", "scene or if like many other things it is down to opinion. <-", "the flow of scenes 2 - 5 above could conceivably be reformatted into", "3 scenes? All bets are off? Are there guidelines about number of scenes", "give or take. It starts and ends and generally follows the shape of", "easy to read as anyone would like. This may be down to a", "Chapter 18 > > scene 1: Chapter heading information (several paragraphs) > >", "that involve adjusting scenes? In other words should scenes abruptly start and end,", "down to a few different reasons, which I am attacking separately from one", "consensus > definition of scene or if like many other things it is", "'regular' journey. The feedback I'm currently receiving, from the friends who are reading", "conceivably be reformatted into a single uninterrupted scene with a flashback in the", "breaks of 'time' but the flow is potentially cohesive. It may be a", "This means > whenever a new day starts, for example, it's a new", "for the reader. (To me, this means that the definition of 'scene' is", "the same chapter as the previous scene on the previous day. I've called", "things should occur in the story (this is the plotter in me). I", "My approach (to this, my first fiction attempt) has been to draw an", "than 3 scenes? All bets are off? Are there guidelines about number of", "in a novel. This advice ranges from using the scene-sequel approach throughout, to", "writing more transitional material between scenes to help guide readers with less abruptness.", "of 'time' but the flow is potentially cohesive. It may be a simple", "scenes as well. I've had difficulty identifying if there is a consensus >", "here, because I've seen varied advice online about how to write scenes in", "shifts. This means > whenever a new day starts, for example, it's a", "transitional material) until I tap into any willing experience here. Thank you if", "ends and generally follows the shape of a 'regular' journey. The feedback I'm", "> > scene 3: MC > flashes back to relevant event from childhood", "into any willing experience here. Thank you if you can provide any clarity.", "it is down to opinion. <- infodump :) > > > I'm requesting", "characters or provide a detail that I need later (but don't of themselves", "depends on what reader response is desired - perhaps abrupt is appropriate to", "a detail that I need later (but don't of themselves advance the plot,", "from one another. It may be down to a combination of (1) repetitive", "the scene-sequel structure as described in many places online.). > > > I", "am editing the above to clarify that the final resolution is not in", "groundwork.) Today, here, the feedback I am hoping for lies along the lines", "the reader. (To me, this means that the definition of 'scene' is not", "any willing experience here. Thank you if you can provide any clarity. It", "that I need later (but don't of themselves advance the plot, they lay", "the plotter in me). I also allow the characters to steer me elsewhere", "reader response is desired - perhaps abrupt is appropriate to surprise or tension?)", "they feel strongly about it (the pantser in me, I suppose). The result", "> I broke my manuscript into scenes using the definition that a new", "I've had difficulty identifying if there is a consensus > definition of scene", "I also allow the characters to steer me elsewhere if they feel strongly", "think it's clear that the flow of scenes 2 - 5 above could", "until I tap into any willing experience here. Thank you if you can", "scenes 'move the plot' as is recommended, others flesh out characters or provide", "story to unfold organically and not worry about scenes at all. My approach", "currently analyzing my scenes. They range from a shorty-short ~200 words to some", "as separate > scenes as well. I've had difficulty identifying if there is", "about 100 scenes, give or take. It starts and ends and generally follows", "means > whenever a new day starts, for example, it's a new scene,", "the definition of 'scene' is not firm - Time can change within a", "they lay groundwork.) Today, here, the feedback I am hoping for lies along", "more transitional material between scenes to help guide readers with less abruptness. I", "out in front of me on scraps of paper and am staring at", "as described in many places online.). > > > I am editing the", "all laying out in front of me on scraps of paper and am", "5: MC begins enacting decision > > > Chapter ends on resolution of", "I'm requesting input on scenes here, because I've seen varied advice online about", "things it is down to opinion. <- infodump :) > > > I'm", "me). I also allow the characters to steer me elsewhere if they feel", "as discrete scenes, and chapter headings as separate > scenes as well. I've", "me, I suppose). The result has been a novel-length (~100,000 words) piece of", "flow of scenes 2 - 5 above could conceivably be reformatted into a", "as is recommended, others flesh out characters or provide a detail that I", "elsewhere if they feel strongly about it (the pantser in me, I suppose).", "to jump in too quickly on cutting things (or increasing my word count", "of work with about 100 scenes, give or take. It starts and ends", "added transitional material) until I tap into any willing experience here. Thank you", "they all transition seamlessly one to the next? (I imagine it depends on", "or should they all transition seamlessly one to the next? (I imagine it", "one another. It may be down to a combination of (1) repetitive portions", "reader. (To me, this means that the definition of 'scene' is not firm", "here, the feedback I am hoping for lies along the lines of: ----------------------------------------------------------------------", "> > > I am editing the above to clarify that the final", "scene 2: MC becomes distraught over recurring issue > > > scene 3:", "or time point shifts. This means > whenever a new day starts, for", "response is desired - perhaps abrupt is appropriate to surprise or tension?) Should", "per chapter? ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ I have them all laying out in front of me", "into a single uninterrupted scene with a flashback in the middle. There would", "> scene begins when a person, place, or time point shifts. This means", "jump in too quickly on cutting things (or increasing my word count with", "decision > > > Chapter ends on resolution of conflict -> Setting up", "some that are several thousand words. Some scenes 'move the plot' as is", "I'm currently receiving, from the friends who are reading this, is: the story", "ranges from using the scene-sequel approach throughout, to allowing the story to unfold", "-> Setting up for the next dilemma (the 'sequel' ends, using the scene-sequel", "difficulty identifying if there is a consensus > definition of scene or if", "thousand words. Some scenes 'move the plot' as is recommended, others flesh out", "scenes: > > Chapter 18 > > scene 1: Chapter heading information (several", "is appropriate to surprise or tension?) Should a chapter ideally equal one long", "different reasons, which I am attacking separately from one another. It may be", "and am staring at them. I am considering cutting scenes, or writing more", "in my manuscript. -------------------------------------------------- > > I broke my manuscript into scenes using", "follows the shape of a 'regular' journey. The feedback I'm currently receiving, from", "am staring at them. I am considering cutting scenes, or writing more transitional", "appreciated. Here is an example sample chapter with many scenes: > > Chapter", "relevant event from childhood > > > scene 4: MC makes > decision", "separately from one another. It may be down to a combination of (1)", "decision to address distress > > > scene 5: MC begins enacting decision", "places online.). > > > I am editing the above to clarify that", "previous scene on the previous day. I've called > out short flashbacks as", "well. I've had difficulty identifying if there is a consensus > definition of", "later (but don't of themselves advance the plot, they lay groundwork.) Today, here,", "chapter ideally equal one long scene? (Some people have said this to me", "has been to draw an arc and map onto the arc where and", "hoping for lies along the lines of: ---------------------------------------------------------------------- 1. What are the various", "requesting input on scenes here, because I've seen varied advice online about how", "place, or time point shifts. This means > whenever a new day starts,", "> definition of scene or if like many other things it is down", "scenes (and length) per chapter? ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ I have them all laying out in", "starts and ends and generally follows the shape of a 'regular' journey. The", "transitional material between scenes to help guide readers with less abruptness. I suspect", "many places online.). > > > I am editing the above to clarify", "> I am editing the above to clarify that the final resolution is", "need to happen. But ... I also suspect I have blind spots and", "another. It may be down to a combination of (1) repetitive portions and", "about scenes at all. My approach (to this, my first fiction attempt) has", "over recurring issue > > > scene 3: MC > flashes back to", "to read as anyone would like. This may be down to a few", "heading information (several paragraphs) > > > scene 2: MC becomes distraught over", "attempt) has been to draw an arc and map onto the arc where", "MC begins enacting decision > > > Chapter ends on resolution of conflict", "It may be down to a combination of (1) repetitive portions and (2)", "one to the next? (I imagine it depends on what reader response is", "(~100,000 words) piece of work with about 100 scenes, give or take. It", "allow the characters to steer me elsewhere if they feel strongly about it", "are reading this, is: the story is not as easy to read as", "matter of adding short transitional phrases to make it flow for the reader.", "it (the pantser in me, I suppose). The result has been a novel-length", "it flow for the reader. (To me, this means that the definition of", "my scenes. They range from a shorty-short ~200 words to some that are", "above could conceivably be reformatted into a single uninterrupted scene with a flashback", "need later (but don't of themselves advance the plot, they lay groundwork.) Today,", "arc where and when certain things should occur in the story (this is", "scene, even though > this may be within the same chapter as the", "a few different reasons, which I am attacking separately from one another. It", "new scene, even though > this may be within the same chapter as", "I've seen varied advice online about how to write scenes in a novel.", "if you can provide any clarity. It is appreciated. Here is an example", "make it flow for the reader. (To me, this means that the definition", "quickly on cutting things (or increasing my word count with added transitional material)", "Here is an example sample chapter with many scenes: > > Chapter 18", "be down to a few different reasons, which I am attacking separately from", "It may be a simple matter of adding short transitional phrases to make", "clear that the flow of scenes 2 - 5 above could conceivably be", "is down to opinion. <- infodump :) > > > I'm requesting input", "scenes? All bets are off? Are there guidelines about number of scenes (and", "> scene 2: MC becomes distraught over recurring issue > > > scene", "> > > scene 5: MC begins enacting decision > > > Chapter", "It is appreciated. Here is an example sample chapter with many scenes: >", "in chapter 18, in case that wasn't clear. :) Another edit: I think", "said this to me elsewhere.) No more than 3 scenes? All bets are", "> scenes as well. I've had difficulty identifying if there is a consensus", "edit: I think it's clear that the flow of scenes 2 - 5", "now analyzing the scenes in my manuscript. -------------------------------------------------- > > I broke my", "to draw an arc and map onto the arc where and when certain", "scenes in a novel. This advice ranges from using the scene-sequel approach throughout,", "me elsewhere if they feel strongly about it (the pantser in me, I", "like many other things it is down to opinion. <- infodump :) >", "new day starts, for example, it's a new scene, even though > this", "scene-sequel approach throughout, to allowing the story to unfold organically and not worry", "be breaks of 'time' but the flow is potentially cohesive. It may be", "worry about scenes at all. My approach (to this, my first fiction attempt)", "end, or should they all transition seamlessly one to the next? (I imagine", "means that the definition of 'scene' is not firm - Time can change", "the story is not as easy to read as anyone would like. This", "long scene? (Some people have said this to me elsewhere.) No more than", "at them. I am considering cutting scenes, or writing more transitional material between", "an example sample chapter with many scenes: > > Chapter 18 > >", "headings as separate > scenes as well. I've had difficulty identifying if there", "generally follows the shape of a 'regular' journey. The feedback I'm currently receiving,", "think) between scenes, as well as other details (like (3) 'white room syndrome.')", "words) piece of work with about 100 scenes, give or take. It starts", "I tap into any willing experience here. Thank you if you can provide", "as well. I've had difficulty identifying if there is a consensus > definition", "> > Chapter ends on resolution of conflict -> Setting up for the", "identifying if there is a consensus > definition of scene or if like", "surprise or tension?) Should a chapter ideally equal one long scene? (Some people", "and (2) poor transitions (I think) between scenes, as well as other details", "want to jump in too quickly on cutting things (or increasing my word", "help guide readers with less abruptness. I suspect both need to happen. But", "chapter headings as separate > scenes as well. I've had difficulty identifying if", "and end, or should they all transition seamlessly one to the next? (I", "advice online about how to write scenes in a novel. This advice ranges", "shorty-short ~200 words to some that are several thousand words. Some scenes 'move", "with many scenes: > > Chapter 18 > > scene 1: Chapter heading", "In other words should scenes abruptly start and end, or should they all", "still be breaks of 'time' but the flow is potentially cohesive. It may", "I broke my manuscript into scenes using the definition that a new >", "definition that a new > scene begins when a person, place, or time", "them all laying out in front of me on scraps of paper and", "to allowing the story to unfold organically and not worry about scenes at", "called > out short flashbacks as discrete scenes, and chapter headings as separate", "guidelines about number of scenes (and length) per chapter? ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ I have them", "me on scraps of paper and am staring at them. I am considering", "to relevant event from childhood > > > scene 4: MC makes >", "clarify that the final resolution is not in chapter 18, in case that", "(and length) per chapter? ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ I have them all laying out in front", "in me, I suppose). The result has been a novel-length (~100,000 words) piece", "both need to happen. But ... I also suspect I have blind spots", "are off? Are there guidelines about number of scenes (and length) per chapter?", "abrupt is appropriate to surprise or tension?) Should a chapter ideally equal one", "me elsewhere.) No more than 3 scenes? All bets are off? Are there", "the final resolution is not in chapter 18, in case that wasn't clear.", "(I imagine it depends on what reader response is desired - perhaps abrupt", "I am editing the above to clarify that the final resolution is not", "been to draw an arc and map onto the arc where and when", "are the various ways to reduce reader fatigue (= increase enjoyment) that involve", "is an example sample chapter with many scenes: > > Chapter 18 >", "single uninterrupted scene with a flashback in the middle. There would still be", "using the scene-sequel approach throughout, to allowing the story to unfold organically and", "poor transitions (I think) between scenes, as well as other details (like (3)", "here. Thank you if you can provide any clarity. It is appreciated. Here", "scene 1: Chapter heading information (several paragraphs) > > > scene 2: MC", "> scene 5: MC begins enacting decision > > > Chapter ends on", "as other details (like (3) 'white room syndrome.') I'm currently analyzing my scenes.", "(= increase enjoyment) that involve adjusting scenes? In other words should scenes abruptly", "enjoyment) that involve adjusting scenes? In other words should scenes abruptly start and", "5 above could conceivably be reformatted into a single uninterrupted scene with a", "issue > > > scene 3: MC > flashes back to relevant event", "should scenes abruptly start and end, or should they all transition seamlessly one", "approach (to this, my first fiction attempt) has been to draw an arc", "in front of me on scraps of paper and am staring at them.", "distraught over recurring issue > > > scene 3: MC > flashes back", "seen varied advice online about how to write scenes in a novel. This", "attacking separately from one another. It may be down to a combination of", "... I also suspect I have blind spots and don't want to jump", "(3) 'white room syndrome.') I'm currently analyzing my scenes. They range from a", "feedback I'm currently receiving, from the friends who are reading this, is: the", "as well as other details (like (3) 'white room syndrome.') I'm currently analyzing", "uninterrupted scene with a flashback in the middle. There would still be breaks", "should occur in the story (this is the plotter in me). I also", "the definition that a new > scene begins when a person, place, or", "cutting scenes, or writing more transitional material between scenes to help guide readers", "1: Chapter heading information (several paragraphs) > > > scene 2: MC becomes", "a single uninterrupted scene with a flashback in the middle. There would still", "> > > scene 2: MC becomes distraught over recurring issue > >", "simple matter of adding short transitional phrases to make it flow for the", "occur in the story (this is the plotter in me). I also allow", "I suspect both need to happen. But ... I also suspect I have", "are several thousand words. Some scenes 'move the plot' as is recommended, others", "other words should scenes abruptly start and end, or should they all transition", "seamlessly one to the next? (I imagine it depends on what reader response", "previous day. I've called > out short flashbacks as discrete scenes, and chapter", "to write scenes in a novel. This advice ranges from using the scene-sequel", "- 5 above could conceivably be reformatted into a single uninterrupted scene with", "reader fatigue (= increase enjoyment) that involve adjusting scenes? In other words should", "range from a shorty-short ~200 words to some that are several thousand words.", "flashback in the middle. There would still be breaks of 'time' but the", "that the final resolution is not in chapter 18, in case that wasn't", "am attacking separately from one another. It may be down to a combination", "anyone would like. This may be down to a few different reasons, which", "MC makes > decision to address distress > > > scene 5: MC", "increasing my word count with added transitional material) until I tap into any", "experience here. Thank you if you can provide any clarity. It is appreciated.", "same chapter as the previous scene on the previous day. I've called >", "though > this may be within the same chapter as the previous scene", "them. I am considering cutting scenes, or writing more transitional material between scenes", "scenes in my manuscript. -------------------------------------------------- > > I broke my manuscript into scenes", "above to clarify that the final resolution is not in chapter 18, in", "with about 100 scenes, give or take. It starts and ends and generally", "separate > scenes as well. I've had difficulty identifying if there is a", "repetitive portions and (2) poor transitions (I think) between scenes, as well as", "words. Some scenes 'move the plot' as is recommended, others flesh out characters", "> > > scene 3: MC > flashes back to relevant event from", "from childhood > > > scene 4: MC makes > decision to address", "to steer me elsewhere if they feel strongly about it (the pantser in", "(like (3) 'white room syndrome.') I'm currently analyzing my scenes. They range from", "final resolution is not in chapter 18, in case that wasn't clear. :)", "fiction attempt) has been to draw an arc and map onto the arc", "the plot, they lay groundwork.) Today, here, the feedback I am hoping for", "distress > > > scene 5: MC begins enacting decision > > >", "cutting things (or increasing my word count with added transitional material) until I", "day starts, for example, it's a new scene, even though > this may", "like. This may be down to a few different reasons, which I am", "scenes, and chapter headings as separate > scenes as well. I've had difficulty", "front of me on scraps of paper and am staring at them. I", "18 > > scene 1: Chapter heading information (several paragraphs) > > >", "short flashbacks as discrete scenes, and chapter headings as separate > scenes as", "down to a combination of (1) repetitive portions and (2) poor transitions (I", "(1) repetitive portions and (2) poor transitions (I think) between scenes, as well", ":) > > > I'm requesting input on scenes here, because I've seen", "bets are off? Are there guidelines about number of scenes (and length) per", "combination of (1) repetitive portions and (2) poor transitions (I think) between scenes,", "The result has been a novel-length (~100,000 words) piece of work with about", "room syndrome.') I'm currently analyzing my scenes. They range from a shorty-short ~200", "a consensus > definition of scene or if like many other things it", "within the same chapter as the previous scene on the previous day. I've", "definition of scene or if like many other things it is down to", "a chapter ideally equal one long scene? (Some people have said this to", "laying out in front of me on scraps of paper and am staring", "the characters to steer me elsewhere if they feel strongly about it (the", "out short flashbacks as discrete scenes, and chapter headings as separate > scenes", "on scraps of paper and am staring at them. I am considering cutting", "this means that the definition of 'scene' is not firm - Time can", "(or increasing my word count with added transitional material) until I tap into", "tension?) Should a chapter ideally equal one long scene? (Some people have said", "material) until I tap into any willing experience here. Thank you if you", "map onto the arc where and when certain things should occur in the", "> out short flashbacks as discrete scenes, and chapter headings as separate >", "starts, for example, it's a new scene, even though > this may be", "But ... I also suspect I have blind spots and don't want to", "few different reasons, which I am attacking separately from one another. It may", "from the friends who are reading this, is: the story is not as", "the scene-sequel approach throughout, to allowing the story to unfold organically and not", "day. I've called > out short flashbacks as discrete scenes, and chapter headings", "word count with added transitional material) until I tap into any willing experience", "100 scenes, give or take. It starts and ends and generally follows the", "wasn't clear. :) Another edit: I think it's clear that the flow of", "count with added transitional material) until I tap into any willing experience here.", "of scenes (and length) per chapter? ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ I have them all laying out", "certain things should occur in the story (this is the plotter in me).", "described in many places online.). > > > I am editing the above", "> scene 1: Chapter heading information (several paragraphs) > > > scene 2:", "be within the same chapter as the previous scene on the previous day.", "a novel-length (~100,000 words) piece of work with about 100 scenes, give or", "analyzing my scenes. They range from a shorty-short ~200 words to some that", "advance the plot, they lay groundwork.) Today, here, the feedback I am hoping", "next? (I imagine it depends on what reader response is desired - perhaps", "I am considering cutting scenes, or writing more transitional material between scenes to", "me, this means that the definition of 'scene' is not firm - Time", "to surprise or tension?) Should a chapter ideally equal one long scene? (Some", "one long scene? (Some people have said this to me elsewhere.) No more", "words to some that are several thousand words. Some scenes 'move the plot'", "fatigue (= increase enjoyment) that involve adjusting scenes? In other words should scenes", "may be down to a combination of (1) repetitive portions and (2) poor", "well as other details (like (3) 'white room syndrome.') I'm currently analyzing my", "recommended, others flesh out characters or provide a detail that I need later", "any clarity. It is appreciated. Here is an example sample chapter with many", "my first fiction attempt) has been to draw an arc and map onto", "I also suspect I have blind spots and don't want to jump in", "I'm now analyzing the scenes in my manuscript. -------------------------------------------------- > > I broke", "may be down to a few different reasons, which I am attacking separately", "is a consensus > definition of scene or if like many other things", "'time' but the flow is potentially cohesive. It may be a simple matter", "phrases to make it flow for the reader. (To me, this means that", "first fiction attempt) has been to draw an arc and map onto the", "infodump :) > > > I'm requesting input on scenes here, because I've", "that the definition of 'scene' is not firm - Time can change within", "who are reading this, is: the story is not as easy to read", "or take. It starts and ends and generally follows the shape of a", "There would still be breaks of 'time' but the flow is potentially cohesive.", "scene-sequel structure as described in many places online.). > > > I am", "that wasn't clear. :) Another edit: I think it's clear that the flow", "various ways to reduce reader fatigue (= increase enjoyment) that involve adjusting scenes?", "> Chapter 18 > > scene 1: Chapter heading information (several paragraphs) >", "to a few different reasons, which I am attacking separately from one another.", "about number of scenes (and length) per chapter? ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ I have them all", "the above to clarify that the final resolution is not in chapter 18,", "down to opinion. <- infodump :) > > > I'm requesting input on", "> > scene 4: MC makes > decision to address distress > >", "involve adjusting scenes? In other words should scenes abruptly start and end, or", "a new day starts, for example, it's a new scene, even though >", "becomes distraught over recurring issue > > > scene 3: MC > flashes", "whenever a new day starts, for example, it's a new scene, even though", "friends who are reading this, is: the story is not as easy to", "the story to unfold organically and not worry about scenes at all. My", "imagine it depends on what reader response is desired - perhaps abrupt is", "definition of 'scene' is not firm - Time can change within a scene.)", "analyzing the scenes in my manuscript. -------------------------------------------------- > > I broke my manuscript", "(2) poor transitions (I think) between scenes, as well as other details (like", "to opinion. <- infodump :) > > > I'm requesting input on scenes", "may be within the same chapter as the previous scene on the previous", "happen. But ... I also suspect I have blind spots and don't want", "more than 3 scenes? All bets are off? Are there guidelines about number", "scene begins when a person, place, or time point shifts. This means >", "online about how to write scenes in a novel. This advice ranges from", "conflict -> Setting up for the next dilemma (the 'sequel' ends, using the", "reading this, is: the story is not as easy to read as anyone", "I need later (but don't of themselves advance the plot, they lay groundwork.)", "I have them all laying out in front of me on scraps of", "to unfold organically and not worry about scenes at all. My approach (to", "of me on scraps of paper and am staring at them. I am", "adjusting scenes? In other words should scenes abruptly start and end, or should", "> > I'm requesting input on scenes here, because I've seen varied advice", "scenes abruptly start and end, or should they all transition seamlessly one to", "others flesh out characters or provide a detail that I need later (but", "about it (the pantser in me, I suppose). The result has been a", "recurring issue > > > scene 3: MC > flashes back to relevant", "I'm currently analyzing my scenes. They range from a shorty-short ~200 words to", "middle. There would still be breaks of 'time' but the flow is potentially", "information (several paragraphs) > > > scene 2: MC becomes distraught over recurring", "the scenes in my manuscript. -------------------------------------------------- > > I broke my manuscript into", "piece of work with about 100 scenes, give or take. It starts and", "too quickly on cutting things (or increasing my word count with added transitional", "spots and don't want to jump in too quickly on cutting things (or", "if there is a consensus > definition of scene or if like many", "a person, place, or time point shifts. This means > whenever a new", "if like many other things it is down to opinion. <- infodump :)", "> > I broke my manuscript into scenes using the definition that a", "onto the arc where and when certain things should occur in the story", "(the pantser in me, I suppose). The result has been a novel-length (~100,000", "and don't want to jump in too quickly on cutting things (or increasing", "of a 'regular' journey. The feedback I'm currently receiving, from the friends who", "you if you can provide any clarity. It is appreciated. Here is an", "also suspect I have blind spots and don't want to jump in too", "the shape of a 'regular' journey. The feedback I'm currently receiving, from the", "provide any clarity. It is appreciated.** Here is an example sample chapter with", "have blind spots and don't want to jump in too quickly on cutting", "(Some people have said this to me elsewhere.) No more than 3 scenes?", "the next? (I imagine it depends on what reader response is desired -", "manuscript into scenes using the definition that a new > scene begins when", "also allow the characters to steer me elsewhere if they feel strongly about" ]
[ "narrator, it is more of a statement and I am trying to display", "between jobs(? or .)* I feel, as the narrator, it is more of", "feel, as the narrator, it is more of a statement and I am", "happen when I'm broke and between jobs(? or .)* I feel, as the", "car broke down again. Why does this always seem to happen when I'm", "the narrator is asking a rhetorical question? example: My car broke down again.", ".) I feel, as the narrator, it is more of a statement and", "I feel, as the narrator, it is more of a statement and I", "Why does this always seem to happen when I'm broke and between jobs(?", "of a question mark when the narrator is asking a rhetorical question? example:", "asking a rhetorical question? example: My car broke down again. Why does this", "always seem to happen when I'm broke and between jobs(? or .) I", "a question mark when the narrator is asking a rhetorical question? example: My", "or .) I feel, as the narrator, it is more of a statement", "question? example: My car broke down again. Why does this always seem to", "narrator is asking a rhetorical question? example: My car broke down again. Why", "I'm broke and between jobs(? or .)* I feel, as the narrator, it", "a rhetorical question? example: My car broke down again. Why does this always", "first person narrative, would it be acceptable to use a period in place", "and between jobs(? or .) I feel, as the narrator, it is more", "to use a period in place of a question mark when the narrator", "period in place of a question mark when the narrator is asking a", "this always seem to happen when I'm broke and between jobs(? or .)", "of a statement and I am trying to display an emotion other than", "seem to happen when I'm broke and between jobs(? or .) I feel,", "rhetorical question? example: My car broke down again. Why does this always seem", "broke and between jobs(? or .) I feel, as the narrator, it is", "down again. Why does this always seem to happen when I'm broke and", "a statement and I am trying to display an emotion other than inquiry.", "use a period in place of a question mark when the narrator is", "is asking a rhetorical question? example: My car broke down again. Why does", "is more of a statement and I am trying to display an emotion", "example: My car broke down again. Why does this always seem to happen", "the narrator, it is more of a statement and I am trying to", "again. Why does this always seem to happen when I'm broke and between", "when I'm broke and between jobs(? or .)* I feel, as the narrator,", "it is more of a statement and I am trying to display an", "place of a question mark when the narrator is asking a rhetorical question?", "as the narrator, it is more of a statement and I am trying", "question mark when the narrator is asking a rhetorical question? example: My car", "person narrative, would it be acceptable to use a period in place of", "acceptable to use a period in place of a question mark when the", "would it be acceptable to use a period in place of a question", "more of a statement and I am trying to display an emotion other", "when the narrator is asking a rhetorical question? example: My car broke down", "My car broke down again. Why does this always seem to happen when", "be acceptable to use a period in place of a question mark when", "narrative, would it be acceptable to use a period in place of a", "In first person narrative, would it be acceptable to use a period in", "in place of a question mark when the narrator is asking a rhetorical", "jobs(? or .) I feel, as the narrator, it is more of a", "a period in place of a question mark when the narrator is asking", "to happen when I'm broke and between jobs(? or .)* I feel, as", "broke down again. Why does this always seem to happen when I'm broke", "does this always seem to happen when I'm broke and between jobs(? or", "it be acceptable to use a period in place of a question mark", "mark when the narrator is asking a rhetorical question? example: *My car broke" ]
[ "need to write for the past several months. * It is strictly as", "it. --- Two quick answers comes to my mind: * Yes, do it!", "experience with writing but I've been feeling a need to write for the", "other works that share similar ideas** to the story you want to write", "out of your thoughts. --- Some data you might find useful: * I'm", "stuff. * 0 experience with writing but I've been feeling a need to", "is better or worst to read other works that share similar ideas to", "I'm trying to write some science fiction/hard sf/space opera, that kind of stuff.", "Also, it's my first question here so I will be glad if you", "answers comes to my mind: * Yes, do it! You're going to know", "--- Some data you might find useful: * I'm trying to write some", "Yes, do it! You're going to know what other authors did and how", "of stuff. * 0 experience with writing but I've been feeling a need", "You're going to contamine your mind with other's ideas and it will be", "thoughts. --- Some data you might find useful: * I'm trying to write", "of view and great influences. * No, get out! You're going to contamine", "I've been feeling a need to write for the past several months. ", "you might find useful: I'm trying to write some science fiction/hard sf/space", "--- Two quick answers comes to my mind: * Yes, do it! You're", "read other works that share similar ideas** to the story you want to", "how and at the end of the day, you will get a richer", "useful: * I'm trying to write some science fiction/hard sf/space opera, that kind", "here so I will be glad if you can point me how to", "doing it. --- Two quick answers comes to my mind: * Yes, do", "share similar ideas** to the story you want to write before you start", "is strictly as a hobby. I do not pretend to be a writer.", "story you want to write before you start it or while doing it.", "it or while doing it. --- Two quick answers comes to my mind:", "No, get out! You're going to contamine your mind with other's ideas and", "writing but I've been feeling a need to write for the past several", "Two quick answers comes to my mind: * Yes, do it! You're going", "the past several months. * It is strictly as a hobby. I do", "for any information you consider crucial to give a precise answer. Also, it's", "not pretend to be a writer. * I love reading everything. Please feel", "* I love reading everything. Please feel free to ask for any information", "will be more and more difficult to write something purely out of your", "something purely out of your thoughts. --- Some data you might find useful:", "will get a richer point of view and great influences. * No, get", "trying to write some science fiction/hard sf/space opera, that kind of stuff. ", "free to ask for any information you consider crucial to give a precise", "more and more difficult to write something purely out of your thoughts. ---", "more difficult to write something purely out of your thoughts. --- Some data", "0 experience with writing but I've been feeling a need to write for", "writer. I love reading everything. Please feel free to ask for any", "end of the day, you will get a richer point of view and", "feel free to ask for any information you consider crucial to give a", "* It is strictly as a hobby. I do not pretend to be", "a hobby. I do not pretend to be a writer. * I love", "worst to read other works that share similar ideas** to the story you", "* I'm trying to write some science fiction/hard sf/space opera, that kind of", "hobby. I do not pretend to be a writer. * I love reading", "pretend to be a writer. * I love reading everything. Please feel free", "want to write before you start it or while doing it. --- Two", "my mind: * Yes, do it! You're going to know what other authors", "was thinking if is *better or worst to read other works that share", "you start it or while doing it. --- Two quick answers comes to", "get out! You're going to contamine your mind with other's ideas and it", "strictly as a hobby. I do not pretend to be a writer. ", "of your thoughts. --- Some data you might find useful: * I'm trying", "at the end of the day, you will get a richer point of", "It is strictly as a hobby. I do not pretend to be a", "purely out of your thoughts. --- Some data you might find useful: ", "to be a writer. I love reading everything. Please feel free to", "your mind with other's ideas and it will be more and more difficult", "Please feel free to ask for any information you consider crucial to give", "* No, get out! You're going to contamine your mind with other's ideas", "you consider crucial to give a precise answer. Also, it's my first question", "question here so I will be glad if you can point me how", "the story you want to write before you start it or while doing", "past several months. * It is strictly as a hobby. I do not", "thinking if is *better or worst to read other works that share similar", "mind with other's ideas and it will be more and more difficult to", "sf/space opera, that kind of stuff. 0 experience with writing but I've", "be more and more difficult to write something purely out of your thoughts.", "do not pretend to be a writer. * I love reading everything. Please", "give a precise answer. Also, it's my first question here so I will", "as a hobby. I do not pretend to be a writer. * I", "science fiction/hard sf/space opera, that kind of stuff. * 0 experience with writing", "if is better or worst to read other works that share similar ideas", "it will be more and more difficult to write something purely out of", "better or worst to read other works that share similar ideas to the", "richer point of view and great influences. * No, get out! You're going", "the end of the day, you will get a richer point of view", "You're going to know what other authors did and how and at the", "what other authors did and how and at the end of the day,", "* 0 experience with writing but I've been feeling a need to write", "my first question here so I will be glad if you can point", "ideas and it will be more and more difficult to write something purely", "I do not pretend to be a writer. * I love reading everything.", "know what other authors did and how and at the end of the", "feeling a need to write for the past several months. * It is", "of the day, you will get a richer point of view and great", "it! You're going to know what other authors did and how and at", "crucial to give a precise answer. Also, it's my first question here so", "I will be glad if you can point me how to improve it.", "you will get a richer point of view and great influences. * No,", "that kind of stuff. * 0 experience with writing but I've been feeling", "and at the end of the day, you will get a richer point", "I was thinking if is better or worst to read other works that", "to read other works that share similar ideas to the story you want", "love reading everything. Please feel free to ask for any information you consider", "several months. * It is strictly as a hobby. I do not pretend", "to my mind: * Yes, do it! You're going to know what other", "point of view and great influences. * No, get out! You're going to", "I love reading everything. Please feel free to ask for any information you", "to ask for any information you consider crucial to give a precise answer.", "be a writer. * I love reading everything. Please feel free to ask", "you want to write before you start it or while doing it. ---", "some science fiction/hard sf/space opera, that kind of stuff. * 0 experience with", "a writer. * I love reading everything. Please feel free to ask for", "but I've been feeling a need to write for the past several months.", "information you consider crucial to give a precise answer. Also, it's my first", "with writing but I've been feeling a need to write for the past", "ideas** to the story you want to write before you start it or", "get a richer point of view and great influences. * No, get out!", "and great influences. * No, get out! You're going to contamine your mind", "out! You're going to contamine your mind with other's ideas and it will", "find useful: * I'm trying to write some science fiction/hard sf/space opera, that", "start it or while doing it. --- Two quick answers comes to my", "and it will be more and more difficult to write something purely out", "did and how and at the end of the day, you will get", "it's my first question here so I will be glad if you can", "so I will be glad if you can point me how to improve", "the day, you will get a richer point of view and great influences.", "or worst to read other works that share similar ideas** to the story", "quick answers comes to my mind: * Yes, do it! You're going to", "ask for any information you consider crucial to give a precise answer. Also,", "view and great influences. * No, get out! You're going to contamine your", "to the story you want to write before you start it or while", "influences. * No, get out! You're going to contamine your mind with other's", "day, you will get a richer point of view and great influences. ", "great influences. No, get out! You're going to contamine your mind with", "to write some science fiction/hard sf/space opera, that kind of stuff. * 0", "fiction/hard sf/space opera, that kind of stuff. * 0 experience with writing but", "to write for the past several months. * It is strictly as a", "comes to my mind: * Yes, do it! You're going to know what", "to give a precise answer. Also, it's my first question here so I", "going to contamine your mind with other's ideas and it will be more", "a precise answer. Also, it's my first question here so I will be", "everything. Please feel free to ask for any information you consider crucial to", "a need to write for the past several months. * It is strictly", "contamine your mind with other's ideas and it will be more and more", "first question here so I will be glad if you can point me", "similar ideas to the story you want to write before you start it", "before you start it or while doing it. --- Two quick answers comes", "to write before you start it or while doing it. --- Two quick", "write before you start it or while doing it. --- Two quick answers", "works that share similar ideas to the story you want to write before", "Some data you might find useful: * I'm trying to write some science", "or while doing it. --- Two quick answers comes to my mind: ", "other's ideas and it will be more and more difficult to write something", "precise answer. Also, it's my first question here so I will be glad", "to contamine your mind with other's ideas and it will be more and", "write something purely out of your thoughts. --- Some data you might find", "opera, that kind of stuff. 0 experience with writing but I've been", "while doing it. --- Two quick answers comes to my mind: * Yes,", "with other's ideas and it will be more and more difficult to write", "going to know what other authors did and how and at the end", "authors did and how and at the end of the day, you will", "for the past several months. * It is strictly as a hobby. I", "might find useful: * I'm trying to write some science fiction/hard sf/space opera,", "been feeling a need to write for the past several months. * It", "to write something purely out of your thoughts. --- Some data you might", "any information you consider crucial to give a precise answer. Also, it's my", "* Yes, do it! You're going to know what other authors did and", "data you might find useful: * I'm trying to write some science fiction/hard", "and more difficult to write something purely out of your thoughts. --- Some", "difficult to write something purely out of your thoughts. --- Some data you", "other authors did and how and at the end of the day, you", "to know what other authors did and how and at the end of", "reading everything. Please feel free to ask for any information you consider crucial", "mind: * Yes, do it! You're going to know what other authors did", "that share similar ideas** to the story you want to write before you", "kind of stuff. * 0 experience with writing but I've been feeling a", "write some science fiction/hard sf/space opera, that kind of stuff. * 0 experience", "months. * It is strictly as a hobby. I do not pretend to", "consider crucial to give a precise answer. Also, it's my first question here", "a richer point of view and great influences. * No, get out! You're", "answer. Also, it's my first question here so I will be glad if", "and how and at the end of the day, you will get a", "do it! You're going to know what other authors did and how and", "write for the past several months. * It is strictly as a hobby.", "your thoughts. --- Some data you might find useful: * I'm trying to" ]
[ "as unstressed in a rhyme or poem? e.g. In this sentence using \"pigeon\"", "I assume that as this is going against the natural emphasis of the", "rhyme or poem? e.g. In this sentence using \"pigeon\" as two unstressed syllables:", "of the word, it is incorrect... however I have seen it done before", "the fórest > > > I assume that as this is going against", "have seen it done before in top quality rhymes. Can anyone tell me", "rán to the édge of the fórest > > > I assume that", "two unstressed syllables: > > The śmall pigeon rán to the édge of", "unstressed syllables: > > The śmall pigeon rán to the édge of the", "okay to use two-syllable words as unstressed in a rhyme or poem? e.g.", "édge of the fórest > > > I assume that as this is", "use two-syllable words as unstressed in a rhyme or poem? e.g. In this", "is going against the natural emphasis of the word, it is incorrect... however", "I have seen it done before in top quality rhymes. Can anyone tell", "is incorrect... however I have seen it done before in top quality rhymes.", "words as unstressed in a rhyme or poem? e.g. In this sentence using", "fórest > > > I assume that as this is going against the", "the natural emphasis of the word, it is incorrect... however I have seen", "a rhyme or poem? e.g. In this sentence using \"pigeon\" as two unstressed", "to the édge of the fórest > > > I assume that as", "sentence using \"pigeon\" as two unstressed syllables: > > The śmall pigeon rán", "> The śmall pigeon rán to the édge of the fórest > >", "to use two-syllable words as unstressed in a rhyme or poem? e.g. In", "seen it done before in top quality rhymes. Can anyone tell me what", "before in top quality rhymes. Can anyone tell me what the rules are?", "this is going against the natural emphasis of the word, it is incorrect...", "word, it is incorrect... however I have seen it done before in top", "however I have seen it done before in top quality rhymes. Can anyone", "the word, it is incorrect... however I have seen it done before in", "ever okay to use two-syllable words as unstressed in a rhyme or poem?", "as this is going against the natural emphasis of the word, it is", "in a rhyme or poem? e.g. In this sentence using \"pigeon\" as two", "In this sentence using \"pigeon\" as two unstressed syllables: > > The śmall", "incorrect... however I have seen it done before in top quality rhymes. Can", "this sentence using \"pigeon\" as two unstressed syllables: > > The śmall pigeon", "the édge of the fórest > > > I assume that as this", "unstressed in a rhyme or poem? e.g. In this sentence using \"pigeon\" as", "it done before in top quality rhymes. Can anyone tell me what the", "natural emphasis of the word, it is incorrect... however I have seen it", "> > I assume that as this is going against the natural emphasis", "Is it ever okay to use two-syllable words as unstressed in a rhyme", "as two unstressed syllables: > > The śmall pigeon rán to the édge", "top quality rhymes. Can anyone tell me what the rules are? Thank you!", "syllables: > > The śmall pigeon rán to the édge of the fórest", "emphasis of the word, it is incorrect... however I have seen it done", "e.g. In this sentence using \"pigeon\" as two unstressed syllables: > > The", "śmall pigeon rán to the édge of the fórest > > > I", "\"pigeon\" as two unstressed syllables: > > The śmall pigeon rán to the", "assume that as this is going against the natural emphasis of the word,", "that as this is going against the natural emphasis of the word, it", "going against the natural emphasis of the word, it is incorrect... however I", "or poem? e.g. In this sentence using \"pigeon\" as two unstressed syllables: >", "> > > I assume that as this is going against the natural", "pigeon rán to the édge of the fórest > > > I assume", "of the fórest > > > I assume that as this is going", "it ever okay to use two-syllable words as unstressed in a rhyme or", "two-syllable words as unstressed in a rhyme or poem? e.g. In this sentence", "using \"pigeon\" as two unstressed syllables: > > The śmall pigeon rán to", "in top quality rhymes. Can anyone tell me what the rules are? Thank", "it is incorrect... however I have seen it done before in top quality", "against the natural emphasis of the word, it is incorrect... however I have", "> I assume that as this is going against the natural emphasis of", "poem? e.g. In this sentence using \"pigeon\" as two unstressed syllables: > >", "The śmall pigeon rán to the édge of the fórest > > >", "done before in top quality rhymes. Can anyone tell me what the rules", "> > The śmall pigeon rán to the édge of the fórest >" ]
[ "are relevant for setting the scene for much of the rest of the", "On the other hand, it does feel a bit like an infodump. At", "in a new location. The things he notes, while not exactly Chekhov's rifle", "and noting their surroundings go from \"showing\" or even \"telling\", to an infodump?", "the location. Shortly after arriving, the POV character is looking around and noting,", "has never been in before. This is the first mention of this location", "where this character notes different aspects of the interior of the house. Everything", "a character looking around and noting their surroundings go from \"showing\" or even", "scene for much of the rest of the story. On the other hand,", "POV character in this case) arrives at a new location which he has", "This results in a bit over half an A4 page of text where", "completely unfamiliar with the location. Shortly after arriving, the POV character is looking", "character notes different aspects of the interior of the house. Everything that the", "A4 page of text where this character notes different aspects of the interior", "rest of the story. On the other hand, it does feel a bit", "hand, it does feel a bit like an infodump. *At what point does", "of the main characters (also the* POV character in this case) arrives at", "interior of the house. Everything that the character notes is things that would", "with the location. Shortly after arriving, the POV character is looking around and", "that the character notes is things that would be visible from where he's", "for the place you're in would be a fairly normal thing to do", "what the house he's entered is like on the inside. This results in", "the reader can also be assumed to be completely unfamiliar with the location.", "at one point one of the main characters (also the POV character in", "hanging on the wall, are relevant for setting the scene for much of", "looking around and noting their surroundings go from \"showing\" or even \"telling\", to", "place you're in would be a fairly normal thing to do when you", "this story, so the reader can also be assumed to be completely unfamiliar", "different aspects of the interior of the house. Everything that the character notes", "character is looking around and noting, in this case, what the house he's", "things that would be visible from where he's standing, so none of it", "This is the first mention of this location within this story, so the", "he's standing, so none of it seems unreasonable at a glance that he'd", "arrive in a new location. The things he notes, while not exactly Chekhov's", "what point does showing a character looking around and noting their surroundings go", "What are good tricks to keep a legitimate \"looking around\" from becoming an", "location which he has never been in before. This is the first mention", "and noting, in this case, what the house he's entered is like on", "before. This is the first mention of this location within this story, so", "is the first mention of this location within this story, so the reader", "bit over half an A4 page of text where this character notes different", "like on the inside. This results in a bit over half an A4", "main characters (also the POV character in this case) arrives at a new", "while not exactly Chekhov's rifle hanging on the wall, are relevant for setting", "noting their surroundings go from \"showing\" or even \"telling\", to an infodump? What", "when you can't break it up into, for example, one smaller room at", "fairly normal thing to do when you arrive in a new location. The", "a story I'm working on, at one point one of the main characters", "so the reader can also be assumed to be completely unfamiliar with the", "arriving, the POV character is looking around and noting, in this case, what", "from becoming an infodump, when you can't break it up into, for example,", "inside. This results in a bit over half an A4 page of text", "their surroundings go from \"showing\" or even \"telling\", to an infodump? What are", "over half an A4 page of text where this character notes different aspects", "infodump, when you can't break it up into, for example, one smaller room", "location within this story, so the reader can also be assumed to be", "notes, while not exactly Chekhov's rifle hanging on the wall, are relevant for", "would be a fairly normal thing to do when you arrive in a", "house. Everything that the character notes is things that would be visible from", "been in before. This is the first mention of this location within this", "note; also, looking around to get a feel for the place you're in", "a bit like an infodump. At what point does showing a character looking", "the first mention of this location within this story, so the reader can", "the rest of the story. On the other hand, it does feel a", "around\" from becoming an infodump, when you can't break it up into, for", "exactly Chekhov's rifle hanging on the wall, are relevant for setting the scene", "the character notes is things that would be visible from where he's standing,", "so none of it seems unreasonable at a glance that he'd note; also,", "like an infodump. At what point does showing a character looking around and", "the wall, are relevant for setting the scene for much of the rest", "do when you arrive in a new location. The things he notes, while", "POV character is looking around and noting, in this case, what the house", "a bit over half an A4 page of text where this character notes", "for setting the scene for much of the rest of the story. On", "At what point does showing a character looking around and noting their surroundings", "you can't break it up into, for example, one smaller room at a", "within this story, so the reader can also be assumed to be completely", "of the house. Everything that the character notes is things that would be", "feel a bit like an infodump. At what point does showing a character", "are good tricks to keep a legitimate \"looking around\" from becoming an infodump,", "mention of this location within this story, so the reader can also be", "on the wall, are relevant for setting the scene for much of the", "the house he's entered is like on the inside. This results in a", "case) arrives at a new location which he has never been in before.", "The things he notes, while not exactly Chekhov's rifle hanging on the wall,", "on, at one point one of the main characters (also the POV character", "this location within this story, so the reader can also be assumed to", "the POV character in this case) arrives at a new location which he", "glance that he'd note; also, looking around to get a feel for the", "the place you're in would be a fairly normal thing to do when", "a glance that he'd note; also, looking around to get a feel for", "case, what the house he's entered is like on the inside. This results", "new location. The things he notes, while not exactly Chekhov's rifle hanging on", "in a bit over half an A4 page of text where this character", "to be completely unfamiliar with the location. Shortly after arriving, the POV character", "a feel for the place you're in would be a fairly normal thing", "around to get a feel for the place you're in would be a", "this case, what the house he's entered is like on the inside. This", "where he's standing, so none of it seems unreasonable at a glance that", "working on, at one point one of the main characters (also the POV", "arrives at a new location which he has never been in before. This", "to do when you arrive in a new location. The things he notes,", "get a feel for the place you're in would be a fairly normal", "a fairly normal thing to do when you arrive in a new location.", "page of text where this character notes different aspects of the interior of", "bit like an infodump. At what point does showing a character looking around", "character looking around and noting their surroundings go from \"showing\" or even \"telling\",", "infodump. At what point does showing a character looking around and noting their", "this case) arrives at a new location which he has never been in", "location. Shortly after arriving, the POV character is looking around and noting, in", "Chekhov's rifle hanging on the wall, are relevant for setting the scene for", "normal thing to do when you arrive in a new location. The things", "or even \"telling\", to an infodump? What are good tricks to keep a", "story, so the reader can also be assumed to be completely unfamiliar with", "the other hand, it does feel a bit like an infodump. At what", "unreasonable at a glance that he'd note; also, looking around to get a", "point does showing a character looking around and noting their surroundings go from", "results in a bit over half an A4 page of text where this", "character notes is things that would be visible from where he's standing, so", "of the interior of the house. Everything that the character notes is things", "much of the rest of the story. On the other hand, it does", "seems unreasonable at a glance that he'd note; also, looking around to get", "things he notes, while not exactly Chekhov's rifle hanging on the wall, are", "to an infodump?** What are good tricks to keep a legitimate \"looking around\"", "story I'm working on, at one point one of the main characters (also", "half an A4 page of text where this character notes different aspects of", "standing, so none of it seems unreasonable at a glance that he'd note;", "(also the POV character in this case) arrives at a new location which", "notes different aspects of the interior of the house. Everything that the character", "the inside. 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This is the first mention of this location within this story,", "of it seems unreasonable at a glance that he'd note; also, looking around", "he has never been in before. This is the first mention of this", "at a glance that he'd note; also, looking around to get a feel", "does showing a character looking around and noting their surroundings go from \"showing\"", "a new location which he has never been in before. This is the", "of this location within this story, so the reader can also be assumed", "one of the main characters (also the POV character in this case) arrives", "on the inside. This results in a bit over half an A4 page", "not exactly Chekhov's rifle hanging on the wall, are relevant for setting the", "other hand, it does feel a bit like an infodump. At what point", "the POV character is looking around and noting, in this case, what the", "even \"telling\", to an infodump? What are good tricks to keep a legitimate", "at a new location which he has never been in before. This is", "of text where this character notes different aspects of the interior of the", "an infodump? What are good tricks to keep a legitimate \"looking around\" from", "for much of the rest of the story. On the other hand, it", "assumed to be completely unfamiliar with the location. Shortly after arriving, the POV", "that would be visible from where he's standing, so none of it seems", "can also be assumed to be completely unfamiliar with the location. Shortly after", "\"showing\" or even \"telling\", to an infodump? What are good tricks to keep", "good tricks to keep a legitimate \"looking around\" from becoming an infodump, when", "legitimate \"looking around\" from becoming an infodump, when you can't break it up", "rifle hanging on the wall, are relevant for setting the scene for much", "new location which he has never been in before. This is the first", "house he's entered is like on the inside. This results in a bit", "infodump?** What are good tricks to keep a legitimate \"looking around\" from becoming", "is like on the inside. This results in a bit over half an", "none of it seems unreasonable at a glance that he'd note; also, looking", "you're in would be a fairly normal thing to do when you arrive", "one point one of the main characters (also the POV character in this", "notes is things that would be visible from where he's standing, so none", "be completely unfamiliar with the location. Shortly after arriving, the POV character is", "does feel a bit like an infodump. *At what point does showing a", "he's entered is like on the inside. This results in a bit over", "visible from where he's standing, so none of it seems unreasonable at a", "entered is like on the inside. 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The things he", "point one of the main characters (also the POV character in this case)", "feel for the place you're in would be a fairly normal thing to", "character in this case) arrives at a new location which he has never", "location. The things he notes, while not exactly Chekhov's rifle hanging on the", "after arriving, the POV character is looking around and noting, in this case,", "keep a legitimate \"looking around\" from becoming an infodump, when you can't break", "of the story. On the other hand, it does feel a bit like", "be visible from where he's standing, so none of it seems unreasonable at", "unfamiliar with the location. Shortly after arriving, the POV character is looking around", "go from \"showing\" or even \"telling\", to an infodump? What are good tricks", "this character notes different aspects of the interior of the house. Everything that", "first mention of this location within this story, so the reader can also", "around and noting, in this case, what the house he's entered is like", "a legitimate \"looking around\" from becoming an infodump, when you can't break it", "becoming an infodump, when you can't break it up into, for example, one", "which he has never been in before. This is the first mention of", "when you arrive in a new location. The things he notes, while not", "\"looking around\" from becoming an infodump, when you can't break it up into,", "In a story I'm working on, at one point one of the main", "is things that would be visible from where he's standing, so none of", "text where this character notes different aspects of the interior of the house.", "aspects of the interior of the house. Everything that the character notes is", "of the rest of the story. On the other hand, it does feel", "it does feel a bit like an infodump. At what point does showing", "the main characters (also the POV character in this case) arrives at a", "that he'd note; also, looking around to get a feel for the place", "relevant for setting the scene for much of the rest of the story.", "would be visible from where he's standing, so none of it seems unreasonable", "the interior of the house. Everything that the character notes is things that", "tricks to keep a legitimate \"looking around\" from becoming an infodump, when you", "an infodump, when you can't break it up into, for example, one smaller", "an infodump. *At what point does showing a character looking around and noting", "you arrive in a new location. The things he notes, while not exactly", "to keep a legitimate \"looking around\" from becoming an infodump, when you can't", "noting, in this case, what the house he's entered is like on the", "Everything that the character notes is things that would be visible from where", "can't break it up into, for example, one smaller room at a time?", "a new location. The things he notes, while not exactly Chekhov's rifle hanging", "the scene for much of the rest of the story. On the other", "never been in before. This is the first mention of this location within", "Shortly after arriving, the POV character is looking around and noting, in this", "I'm working on, at one point one of the main characters (also the", "be assumed to be completely unfamiliar with the location. Shortly after arriving, the", "surroundings go from \"showing\" or even \"telling\", to an infodump?* What are good", "is looking around and noting, in this case, what the house he's entered", "in this case) arrives at a new location which he has never been", "setting the scene for much of the rest of the story. On the", "from \"showing\" or even \"telling\", to an infodump?** What are good tricks to" ]
[ "dress with ancient Egyptian type clothing - such as haram pant and usekh", "call them by their proper names? I can't find a comfortable way to", "clothing - such as haram pant and usekh collars. Since the story is", "- such as haram pant and usekh collars. Since the story is a", "a story in a fantasy setting, where there are characters who dress with", "story is a fantasy and not set in the real historical Egypt, should", "by their proper names? I can't find a comfortable way to describe such", "fantasy setting, where there are characters who dress with ancient Egyptian type clothing", "in the real historical Egypt, should I call them by their proper names?", "a comfortable way to describe such particular dress pieces without it seeming forced", "a fantasy setting, where there are characters who dress with ancient Egyptian type", "find a comfortable way to describe such particular dress pieces without it seeming", "comfortable way to describe such particular dress pieces without it seeming forced or", "story in a fantasy setting, where there are characters who dress with ancient", "names? I can't find a comfortable way to describe such particular dress pieces", "the real historical Egypt, should I call them by their proper names? I", "pant and usekh collars. Since the story is a fantasy and not set", "the story is a fantasy and not set in the real historical Egypt,", "I'm writing a story in a fantasy setting, where there are characters who", "writing a story in a fantasy setting, where there are characters who dress", "where there are characters who dress with ancient Egyptian type clothing - such", "are characters who dress with ancient Egyptian type clothing - such as haram", "usekh collars. Since the story is a fantasy and not set in the", "there are characters who dress with ancient Egyptian type clothing - such as", "and usekh collars. Since the story is a fantasy and not set in", "I can't find a comfortable way to describe such particular dress pieces without", "collars. Since the story is a fantasy and not set in the real", "their proper names? I can't find a comfortable way to describe such particular", "proper names? I can't find a comfortable way to describe such particular dress", "in a fantasy setting, where there are characters who dress with ancient Egyptian", "is a fantasy and not set in the real historical Egypt, should I", "with ancient Egyptian type clothing - such as haram pant and usekh collars.", "can't find a comfortable way to describe such particular dress pieces without it", "not set in the real historical Egypt, should I call them by their", "a fantasy and not set in the real historical Egypt, should I call", "Egypt, should I call them by their proper names? I can't find a", "type clothing - such as haram pant and usekh collars. Since the story", "historical Egypt, should I call them by their proper names? I can't find", "real historical Egypt, should I call them by their proper names? I can't", "haram pant and usekh collars. Since the story is a fantasy and not", "way to describe such particular dress pieces without it seeming forced or unnatural.", "Egyptian type clothing - such as haram pant and usekh collars. Since the", "characters who dress with ancient Egyptian type clothing - such as haram pant", "fantasy and not set in the real historical Egypt, should I call them", "them by their proper names? I can't find a comfortable way to describe", "and not set in the real historical Egypt, should I call them by", "such as haram pant and usekh collars. Since the story is a fantasy", "set in the real historical Egypt, should I call them by their proper", "setting, where there are characters who dress with ancient Egyptian type clothing -", "I call them by their proper names? I can't find a comfortable way", "ancient Egyptian type clothing - such as haram pant and usekh collars. Since", "should I call them by their proper names? I can't find a comfortable", "Since the story is a fantasy and not set in the real historical", "who dress with ancient Egyptian type clothing - such as haram pant and", "as haram pant and usekh collars. Since the story is a fantasy and" ]
[ "anthology of unpublished short stories that I wrote, do I also need to", "on self-publishing an anthology of unpublished short stories that I wrote, do I", "an anthology of unpublished short stories that I wrote, do I also need", "of unpublished short stories that I wrote, do I also need to copyright", "If I'm planning on self-publishing an anthology of unpublished short stories that I", "also need to copyright each story, or will the entire anthology's copyright suffice", "short stories that I wrote, do I also need to copyright each story,", "stories that I wrote, do I also need to copyright each story, or", "do I also need to copyright each story, or will the entire anthology's", "need to copyright each story, or will the entire anthology's copyright suffice for", "I wrote, do I also need to copyright each story, or will the", "I also need to copyright each story, or will the entire anthology's copyright", "to copyright each story, or will the entire anthology's copyright suffice for each", "copyright each story, or will the entire anthology's copyright suffice for each story?", "wrote, do I also need to copyright each story, or will the entire", "I'm planning on self-publishing an anthology of unpublished short stories that I wrote,", "self-publishing an anthology of unpublished short stories that I wrote, do I also", "that I wrote, do I also need to copyright each story, or will", "unpublished short stories that I wrote, do I also need to copyright each", "planning on self-publishing an anthology of unpublished short stories that I wrote, do" ]
[ "come and I will present you. All we need is to find something", "reader. Showing the narrator be irritated also seems less fun and I like", "has been a long time since I heard it, longer still without the", "voice surprises me. I realize it has been a long time since I", "showing boredom would just bore the reader. Showing the narrator be irritated also", "in first person, showing what a character thinks is weaker than saying what", "Having Seck talk too much to the point of showing boredom would just", "any time I hit those words. Does this have something to do with", "the reader. Showing the narrator be irritated also seems less fun and I", "here?” > > “You told me once that if I come to New", "least for the next half year – you may not use “thought” verbs.", "confusion on the speaker and the narrator. The last paragraph is still what's", "in the city.” > > “Good, good, I am happy you came straight", "I will present you. All we need is to find something you can", "My voice surprises me. I realize it has been a long time since", "I have just arrived in the city.” > > “Good, good, I am", "I like how this punches up the reading. I find similar situations any", "came straight to me…” Seck talks too much. He thinks every word is", "find something you can wear in public” > > > So here i", "since I heard it, longer still without the rasp. > > “Seck…” He", "> > “Good, good, I am happy you came straight to me…” Seck", "quote due to the large amount of confusion on the speaker and the", "[Chuck Palahniuk exercise](https://litreactor.com/essays/chuck-palahniuk/nuts-and-bolts-%E2%80%9Cthought%E2%80%9D-verbs) and tried applying it to my current work. > >", "view, or am I misunderstanding Palahniuk's suggestion? [EDIT] I explained the quote due", "would just bore the reader. Showing the narrator be irritated also seems less", "my current work. > > From this point forward – at least for", "I come to New York, you would present me before the Shepherds” >", "this point forward – at least for the next half year – you", "My problem quickly became that because I am in first person, showing what", "present you. All we need is to find something you can wear in", "have just arrived in the city.” > > “Good, good, I am happy", "me once that if I come to New York, you would present me", "Palahniuk exercise](https://litreactor.com/essays/chuck-palahniuk/nuts-and-bolts-%E2%80%9Cthought%E2%80%9D-verbs) and tried applying it to my current work. > > From", "the narrator hates people that talk to much. Having Seck talk too much", "lonely and needs a dozen more to lead it into the battle of", "person, showing what a character thinks is weaker than saying what he thinks", "public” > > > So here i am telling the reader how Seck", "forward – at least for the next half year – you may not", "been a long time since I heard it, longer still without the rasp.", "include: Thinks, Knows, Understands, Realizes, Believes, Wants, Remembers, Imagines, Desires, and a hundred", "very lucky. There is a meeting later tonight. Another will be added to", "Remembers, Imagines, Desires, and a hundred others you love to use. > >", "told me once that if I come to New York, you would present", "talks too much. He thinks every word is lonely and needs a dozen", "hit those words. Does this have something to do with my point of", "do with my point of view, or am I misunderstanding Palahniuk's suggestion? [EDIT]", "a meeting later tonight. Another will be added to the club. You will", "others you love to use. > > > My problem quickly became that", "will present you. All we need is to find something you can wear", "the reader how Seck thinks because I am trying to show that the", "you. All we need is to find something you can wear in public”", "that the narrator hates people that talk to much. Having Seck talk too", "the [Chuck Palahniuk exercise](https://litreactor.com/essays/chuck-palahniuk/nuts-and-bolts-%E2%80%9Cthought%E2%80%9D-verbs) and tried applying it to my current work. >", "telling the reader how Seck thinks because I am trying to show that", "I heard it, longer still without the rasp. > > “Seck…” He says", "come to New York, you would present me before the Shepherds” > >", "York, you would present me before the Shepherds” > > “You haven't killed", "that talk to much. Having Seck talk too much to the point of", "the speaker and the narrator. The last paragraph is still what's important to", "of conversation. “You are very lucky. There is a meeting later tonight. Another", "Wants, Remembers, Imagines, Desires, and a hundred others you love to use. >", "a long time since I heard it, longer still without the rasp. >", "narrator. Here is an example. > > \"What do you go by in", "to show that the narrator hates people that talk to much. Having Seck", "you can wear in public” > > > So here i am telling", "Thinks, Knows, Understands, Realizes, Believes, Wants, Remembers, Imagines, Desires, and a hundred others", "“Good, good, I am happy you came straight to me…” Seck talks too", "showing what a character thinks is weaker than saying what he thinks because", "I misunderstanding Palahniuk's suggestion? [EDIT] I explained the quote due to the large", "it into the battle of conversation. “You are very lucky. There is a", "\"What do you go by in this city?” I ask. My voice surprises", "to my current work. > > From this point forward – at least", "point of view, or am I misunderstanding Palahniuk's suggestion? [EDIT] I explained the", "will come and I will present you. All we need is to find", "fun and I like how this punches up the reading. I find similar", "> > My problem quickly became that because I am in first person,", "something to do with my point of view, or am I misunderstanding Palahniuk's", "that but it is irrelevant, “What are you doing here?” > > “You", "a hundred others you love to use. > > > My problem quickly", "I realize it has been a long time since I heard it, longer", "trying to show that the narrator hates people that talk to much. Having", "it to my current work. > > From this point forward – at", "the large amount of confusion on the speaker and the narrator. The last", "exercise](https://litreactor.com/essays/chuck-palahniuk/nuts-and-bolts-%E2%80%9Cthought%E2%80%9D-verbs) and tried applying it to my current work. > > From this", "you would present me before the Shepherds” > > “You haven't killed anyone", "Believes, Wants, Remembers, Imagines, Desires, and a hundred others you love to use.", "is lonely and needs a dozen more to lead it into the battle", "for the next half year – you may not use “thought” verbs. These", "I am happy you came straight to me…” Seck talks too much. He", "“thought” verbs. These include: Thinks, Knows, Understands, Realizes, Believes, Wants, Remembers, Imagines, Desires,", "words. Does this have something to do with my point of view, or", "speaker and the narrator. The last paragraph is still what's important to the", "that if I come to New York, you would present me before the", "instantly loose the lens of the narrator. Here is an example. > >", "point forward – at least for the next half year – you may", "may not use “thought” verbs. These include: Thinks, Knows, Understands, Realizes, Believes, Wants,", "you? > > “No, I have just arrived in the city.” > >", "I am trying to show that the narrator hates people that talk to", "do you go by in this city?” I ask. My voice surprises me.", "can wear in public” > > > So here i am telling the", "actually mean](https://writers.stackexchange.com/questions/24163/what-does-show-dont-tell-actually-mean) I followed to the [Chuck Palahniuk exercise](https://litreactor.com/essays/chuck-palahniuk/nuts-and-bolts-%E2%80%9Cthought%E2%80%9D-verbs) and tried applying it", "From this point forward – at least for the next half year –", "I hit those words. Does this have something to do with my point", "bore the reader. Showing the narrator be irritated also seems less fun and", "in this city?” I ask. My voice surprises me. I realize it has", "Understands, Realizes, Believes, Wants, Remembers, Imagines, Desires, and a hundred others you love", "narrator be irritated also seems less fun and I like how this punches", "Showing the narrator be irritated also seems less fun and I like how", "to the large amount of confusion on the speaker and the narrator. The", "here i am telling the reader how Seck thinks because I am trying", "– at least for the next half year – you may not use", "Palahniuk's suggestion? [EDIT] I explained the quote due to the large amount of", "says more than that but it is irrelevant, “What are you doing here?”", "killed anyone have you? > > “No, I have just arrived in the", "is irrelevant, “What are you doing here?” > > “You told me once", "every word is lonely and needs a dozen more to lead it into", "because we instantly loose the lens of the narrator. Here is an example.", "irrelevant, “What are you doing here?” > > “You told me once that", "added to the club. You will come and I will present you. All", "“Seck…” He says more than that but it is irrelevant, “What are you", "an example. > > \"What do you go by in this city?” I", "situations any time I hit those words. Does this have something to do", "the first answer for this question [What does Show don't Tell actually mean](https://writers.stackexchange.com/questions/24163/what-does-show-dont-tell-actually-mean)", "tried applying it to my current work. > > From this point forward", "this city?” I ask. My voice surprises me. I realize it has been", "need is to find something you can wear in public” > > >", "am telling the reader how Seck thinks because I am trying to show", "> \"What do you go by in this city?” I ask. My voice", "thinks is weaker than saying what he thinks because we instantly loose the", "me…” Seck talks too much. He thinks every word is lonely and needs", "You will come and I will present you. All we need is to", "people that talk to much. Having Seck talk too much to the point", "it, longer still without the rasp. > > “Seck…” He says more than", "realize it has been a long time since I heard it, longer still", "I find similar situations any time I hit those words. Does this have", "tonight. Another will be added to the club. You will come and I", "reader how Seck thinks because I am trying to show that the narrator", "lens of the narrator. Here is an example. > > \"What do you", "hates people that talk to much. Having Seck talk too much to the", "of confusion on the speaker and the narrator. The last paragraph is still", "I followed to the [Chuck Palahniuk exercise](https://litreactor.com/essays/chuck-palahniuk/nuts-and-bolts-%E2%80%9Cthought%E2%80%9D-verbs) and tried applying it to my", "happy you came straight to me…” Seck talks too much. He thinks every", "to the [Chuck Palahniuk exercise](https://litreactor.com/essays/chuck-palahniuk/nuts-and-bolts-%E2%80%9Cthought%E2%80%9D-verbs) and tried applying it to my current work.", "Here is an example. > > \"What do you go by in this", "is weaker than saying what he thinks because we instantly loose the lens", "> > “Seck…” He says more than that but it is irrelevant, “What", "I explained the quote due to the large amount of confusion on the", "for this question [What does Show don't Tell actually mean](https://writers.stackexchange.com/questions/24163/what-does-show-dont-tell-actually-mean) I followed to", "a dozen more to lead it into the battle of conversation. “You are", "the narrator. Here is an example. > > \"What do you go by", "point of showing boredom would just bore the reader. Showing the narrator be", "me before the Shepherds” > > “You haven't killed anyone have you? >", "ask. My voice surprises me. I realize it has been a long time", "he thinks because we instantly loose the lens of the narrator. Here is", "arrived in the city.” > > “Good, good, I am happy you came", "too much to the point of showing boredom would just bore the reader.", "Tell actually mean](https://writers.stackexchange.com/questions/24163/what-does-show-dont-tell-actually-mean) I followed to the [Chuck Palahniuk exercise](https://litreactor.com/essays/chuck-palahniuk/nuts-and-bolts-%E2%80%9Cthought%E2%80%9D-verbs) and tried applying", "Seck talks too much. He thinks every word is lonely and needs a", "much. Having Seck talk too much to the point of showing boredom would", "don't Tell actually mean](https://writers.stackexchange.com/questions/24163/what-does-show-dont-tell-actually-mean) I followed to the [Chuck Palahniuk exercise](https://litreactor.com/essays/chuck-palahniuk/nuts-and-bolts-%E2%80%9Cthought%E2%80%9D-verbs) and tried", "the reading. I find similar situations any time I hit those words. Does", "reading. I find similar situations any time I hit those words. Does this", "> > \"What do you go by in this city?” I ask. My", "followed to the [Chuck Palahniuk exercise](https://litreactor.com/essays/chuck-palahniuk/nuts-and-bolts-%E2%80%9Cthought%E2%80%9D-verbs) and tried applying it to my current", "and I like how this punches up the reading. I find similar situations", "long time since I heard it, longer still without the rasp. > >", "the rasp. > > “Seck…” He says more than that but it is", "answer for this question [What does Show don't Tell actually mean](https://writers.stackexchange.com/questions/24163/what-does-show-dont-tell-actually-mean) I followed", "it is irrelevant, “What are you doing here?” > > “You told me", "suggestion? [EDIT] I explained the quote due to the large amount of confusion", "rasp. > > “Seck…” He says more than that but it is irrelevant,", "to much. Having Seck talk too much to the point of showing boredom", "to the club. You will come and I will present you. All we", "later tonight. Another will be added to the club. You will come and", "will be added to the club. You will come and I will present", "These include: Thinks, Knows, Understands, Realizes, Believes, Wants, Remembers, Imagines, Desires, and a", "time I hit those words. Does this have something to do with my", "find similar situations any time I hit those words. Does this have something", "me. I realize it has been a long time since I heard it,", "does Show don't Tell actually mean](https://writers.stackexchange.com/questions/24163/what-does-show-dont-tell-actually-mean) I followed to the [Chuck Palahniuk exercise](https://litreactor.com/essays/chuck-palahniuk/nuts-and-bolts-%E2%80%9Cthought%E2%80%9D-verbs)", "mean](https://writers.stackexchange.com/questions/24163/what-does-show-dont-tell-actually-mean) I followed to the [Chuck Palahniuk exercise](https://litreactor.com/essays/chuck-palahniuk/nuts-and-bolts-%E2%80%9Cthought%E2%80%9D-verbs) and tried applying it to", "doing here?” > > “You told me once that if I come to", "irritated also seems less fun and I like how this punches up the", "wear in public” > > > So here i am telling the reader", "the quote due to the large amount of confusion on the speaker and", "are you doing here?” > > “You told me once that if I", "the point of showing boredom would just bore the reader. Showing the narrator", "loose the lens of the narrator. Here is an example. > > \"What", "quickly became that because I am in first person, showing what a character", "to lead it into the battle of conversation. “You are very lucky. There", "year – you may not use “thought” verbs. These include: Thinks, Knows, Understands,", "work. > > From this point forward – at least for the next", "thinks every word is lonely and needs a dozen more to lead it", "explained the quote due to the large amount of confusion on the speaker", "because I am trying to show that the narrator hates people that talk", "due to the large amount of confusion on the speaker and the narrator.", "you came straight to me…” Seck talks too much. He thinks every word", "large amount of confusion on the speaker and the narrator. The last paragraph", "to me…” Seck talks too much. He thinks every word is lonely and", "Realizes, Believes, Wants, Remembers, Imagines, Desires, and a hundred others you love to", "Following the first answer for this question [What does Show don't Tell actually", "He says more than that but it is irrelevant, “What are you doing", "became that because I am in first person, showing what a character thinks", "word is lonely and needs a dozen more to lead it into the", "first answer for this question [What does Show don't Tell actually mean](https://writers.stackexchange.com/questions/24163/what-does-show-dont-tell-actually-mean) I", "my point of view, or am I misunderstanding Palahniuk's suggestion? [EDIT] I explained", "also seems less fun and I like how this punches up the reading.", "– you may not use “thought” verbs. These include: Thinks, Knows, Understands, Realizes,", "city.” > > “Good, good, I am happy you came straight to me…”", "and needs a dozen more to lead it into the battle of conversation.", "character thinks is weaker than saying what he thinks because we instantly loose", "if I come to New York, you would present me before the Shepherds”", "applying it to my current work. > > From this point forward –", "hundred others you love to use. > > > My problem quickly became", "Show don't Tell actually mean](https://writers.stackexchange.com/questions/24163/what-does-show-dont-tell-actually-mean) I followed to the [Chuck Palahniuk exercise](https://litreactor.com/essays/chuck-palahniuk/nuts-and-bolts-%E2%80%9Cthought%E2%80%9D-verbs) and", "am happy you came straight to me…” Seck talks too much. He thinks", "less fun and I like how this punches up the reading. I find", "So here i am telling the reader how Seck thinks because I am", "by in this city?” I ask. My voice surprises me. I realize it", "current work. > > From this point forward – at least for the", "a character thinks is weaker than saying what he thinks because we instantly", "Knows, Understands, Realizes, Believes, Wants, Remembers, Imagines, Desires, and a hundred others you", "dozen more to lead it into the battle of conversation. “You are very", "to find something you can wear in public” > > > So here", "just bore the reader. Showing the narrator be irritated also seems less fun", "Does this have something to do with my point of view, or am", "talk too much to the point of showing boredom would just bore the", "lead it into the battle of conversation. “You are very lucky. There is", "saying what he thinks because we instantly loose the lens of the narrator.", "love to use. > > > My problem quickly became that because I", "> So here i am telling the reader how Seck thinks because I", "and a hundred others you love to use. > > > My problem", "go by in this city?” I ask. My voice surprises me. 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All we need is", "example. > > \"What do you go by in this city?” I ask.", "i am telling the reader how Seck thinks because I am trying to", "narrator hates people that talk to much. Having Seck talk too much to", "good, I am happy you came straight to me…” Seck talks too much.", "“You told me once that if I come to New York, you would", "“You are very lucky. There is a meeting later tonight. Another will be", "of the narrator. Here is an example. > > \"What do you go", "half year – you may not use “thought” verbs. These include: Thinks, Knows,", "the lens of the narrator. Here is an example. > > \"What do", "at least for the next half year – you may not use “thought”", "I ask. My voice surprises me. 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[ "the setting) for the first time and the reader isn't familiar with either", "first time and the reader isn't familiar with either of them. Since genre", "Since genre would sway the answer to this, let me say it is", "sway the answer to this, let me say it is Action-adventure. My question:", "let me say it is Action-adventure. My question: 'What would the reader want", "this, let me say it is Action-adventure. My question: 'What would the reader", "and the reader isn't familiar with either of them. Since genre would sway", "characters of opposite sex meet in a blank room (nothing remarkable about the", "sex meet in a blank room (nothing remarkable about the setting) for the", "time and the reader isn't familiar with either of them. Since genre would", "about the setting) for the first time and the reader isn't familiar with", "the answer to this, let me say it is Action-adventure. My question: 'What", "say it is Action-adventure. My question: 'What would the reader want to know", "either of them. Since genre would sway the answer to this, let me", "a blank room (nothing remarkable about the setting) for the first time and", "it is Action-adventure. My question: 'What would the reader want to know about", "the reader want to know about each character in order to make them", "would sway the answer to this, let me say it is Action-adventure. My", "reader isn't familiar with either of them. Since genre would sway the answer", "blank room (nothing remarkable about the setting) for the first time and the", "answer to this, let me say it is Action-adventure. My question: 'What would", "Action-adventure. My question: 'What would the reader want to know about each character", "would the reader want to know about each character in order to make", "to know about each character in order to make them more real physically?'", "genre would sway the answer to this, let me say it is Action-adventure.", "room (nothing remarkable about the setting) for the first time and the reader", "to this, let me say it is Action-adventure. My question: 'What would the", "meet in a blank room (nothing remarkable about the setting) for the first", "Two characters of opposite sex meet in a blank room (nothing remarkable about", "of opposite sex meet in a blank room (nothing remarkable about the setting)", "(nothing remarkable about the setting) for the first time and the reader isn't", "isn't familiar with either of them. Since genre would sway the answer to", "question: 'What would the reader want to know about each character in order", "want to know about each character in order to make them more real", "familiar with either of them. Since genre would sway the answer to this,", "me say it is Action-adventure. My question: 'What would the reader want to", "with either of them. Since genre would sway the answer to this, let", "reader want to know about each character in order to make them more", "the first time and the reader isn't familiar with either of them. Since", "of them. Since genre would sway the answer to this, let me say", "'What would the reader want to know about each character in order to", "My question: 'What would the reader want to know about each character in", "for the first time and the reader isn't familiar with either of them.", "is Action-adventure. My question: 'What would the reader want to know about each", "remarkable about the setting) for the first time and the reader isn't familiar", "setting) for the first time and the reader isn't familiar with either of", "them. Since genre would sway the answer to this, let me say it", "opposite sex meet in a blank room (nothing remarkable about the setting) for", "in a blank room (nothing remarkable about the setting) for the first time", "the reader isn't familiar with either of them. Since genre would sway the" ]
[ "OR “Don’t worry, I’ll try to make it quick…but painless?” Chirag said, “…no", "I’ll try to make it quick. But painless…?” Chirag said, “no promises made.”", "come between the trailing off and on. Now, I was a captor in", "worry, I’ll try to make it quick. But painless…?” Chirag said, “…no promises", "punctuated one. Also please explain how to use ellipses in a dialogue which", "the correctly punctuated one. Also please explain how to use ellipses in a", "made.” OR “Don’t worry, I’ll try to make it quick. But painless…?” Chirag", "it quick. But painless…?” Chirag said. “No promises made.” OR “Don’t worry, I’ll", "between the trailing off and on. Now, I was a captor in Chirag’s", "“Don’t worry, I’ll try to make it quick. But painless…?” Chirag said. “No", "a dialogue which is interrupted by a dialogue tag. The tag has to", "“…no promises made.” OR “Don’t worry, I’ll try to make it quick…but painless?”", "try to make it quick…but painless?” Chirag said, “…no promises made.” OR “Don’t", "interrupted by a dialogue tag. The tag has to come between the trailing", "to make it quick…but painless?” Chirag said, “…no promises made.” OR “Don’t worry,", "“Don’t worry, I’ll try to make it quick…but painless?” Chirag said, “…no promises", "that I am confused between. I'd like to know which is the correctly", "“…no promises made.”* OR “Don’t worry, I’ll try to make it quick. But", "am confused between. I'd like to know which is the correctly punctuated one.", "use ellipses in a dialogue which is interrupted by a dialogue tag. The", "said, “…no promises made.” OR “Don’t worry, I’ll try to make it quick…but", "on. Now, I was a captor in Chirag’s realm, waiting for my execution.", "made.” OR “Don’t worry, I’ll try to make it quick…but painless?” Chirag said,", "make it quick. But painless…?” Chirag said. “No promises made.” OR “Don’t worry,", "to know which is the correctly punctuated one. Also please explain how to", "realm, waiting for my execution. “Don’t worry, I’ll try to make it quick.", "I’ll try to make it quick. But painless…?” Chirag said, “…no promises made.”", "make it quick. But painless…?” Chirag said, “…no promises made.”* OR “Don’t worry,", "Chirag said. “No promises made.” OR “Don’t worry, I’ll try to make it", "painless?” Chirag said, “…no promises made.” OR “Don’t worry, I’ll try to make", "make it quick…but painless?” Chirag said, “…no promises made.” OR “Don’t worry, I’ll", "how to use ellipses in a dialogue which is interrupted by a dialogue", "tag. The tag has to come between the trailing off and on. Now,", "try to make it quick. But painless…?” Chirag said. “No promises made.”* OR", "promises made.”* OR “Don’t worry, I’ll try to make it quick…but painless?” Chirag", "please explain how to use ellipses in a dialogue which is interrupted by", "which is the correctly punctuated one. Also please explain how to use ellipses", "“Don’t worry, I’ll try to make it quick. But painless…?” Chirag said, “…no", "promises made.”* OR “Don’t worry, I’ll try to make it quick. But painless…?”", "OR “Don’t worry, I’ll try to make it quick. But painless…?” Chirag said.", "by a dialogue tag. The tag has to come between the trailing off", "four alternate dialogues that I am confused between. I'd like to know which", "is the correctly punctuated one. Also please explain how to use ellipses in", "between. I'd like to know which is the correctly punctuated one. Also please", "“No promises made.”* OR “Don’t worry, I’ll try to make it quick. But", "tag has to come between the trailing off and on. Now, I was", "for my execution.* “Don’t worry, I’ll try to make it quick. But painless…?”", "Below are four alternate dialogues that I am confused between. I'd like to", "execution. “Don’t worry, I’ll try to make it quick. But painless…?” Chirag said,", "trailing off and on. Now, I was a captor in Chirag’s realm, waiting", "was a captor in Chirag’s realm, waiting for my execution.* “Don’t worry, I’ll", "dialogue tag. The tag has to come between the trailing off and on.", "worry, I’ll try to make it quick…but painless?” Chirag said, “…no promises made.”", "a captor in Chirag’s realm, waiting for my execution.* “Don’t worry, I’ll try", "I’ll try to make it quick…but painless?” Chirag said, “…no promises made.” OR", "confused between. I'd like to know which is the correctly punctuated one. Also", "to make it quick. But painless…?” Chirag said. “No promises made.”* OR “Don’t", "painless…?” Chirag said. “No promises made.” OR “Don’t worry, I’ll try to make", "off and on. Now, I was a captor in Chirag’s realm, waiting for", "OR “Don’t worry, I’ll try to make it quick. But painless…?” Chirag said,", "“Don’t worry, I’ll try to make it quick. But painless…?” Chirag said, “no", "alternate dialogues that I am confused between. I'd like to know which is", "worry, I’ll try to make it quick. But painless…?” Chirag said, “no promises", "to come between the trailing off and on. Now, I was a captor", "I'd like to know which is the correctly punctuated one. Also please explain", "which is interrupted by a dialogue tag. The tag has to come between", "dialogue which is interrupted by a dialogue tag. The tag has to come", "the trailing off and on. Now, I was a captor in Chirag’s realm,", "correctly punctuated one. Also please explain how to use ellipses in a dialogue", "The tag has to come between the trailing off and on. Now, I", "Also please explain how to use ellipses in a dialogue which is interrupted", "try to make it quick. But painless…?” Chirag said, “…no promises made.” OR", "has to come between the trailing off and on. Now, I was a", "dialogues that I am confused between. I'd like to know which is the", "Chirag said, “…no promises made.” OR “Don’t worry, I’ll try to make it", "captor in Chirag’s realm, waiting for my execution. “Don’t worry, I’ll try to", "know which is the correctly punctuated one. Also please explain how to use", "Chirag’s realm, waiting for my execution. “Don’t worry, I’ll try to make it", "I’ll try to make it quick. But painless…?” Chirag said. “No promises made.”", "it quick…but painless?” Chirag said, “…no promises made.”* OR “Don’t worry, I’ll try", "to use ellipses in a dialogue which is interrupted by a dialogue tag.", "one. Also please explain how to use ellipses in a dialogue which is", "my execution. “Don’t worry, I’ll try to make it quick. But painless…?” Chirag", "said. “No promises made.” OR “Don’t worry, I’ll try to make it quick.", "waiting for my execution. “Don’t worry, I’ll try to make it quick. But", "ellipses in a dialogue which is interrupted by a dialogue tag. The tag", "quick. But painless…?” Chirag said, “…no promises made.” OR “Don’t worry, I’ll try", "it quick. But painless…?” Chirag said, “…no promises made.” OR “Don’t worry, I’ll", "quick. But painless…?” Chirag said. “No promises made.” OR “Don’t worry, I’ll try", "in Chirag’s realm, waiting for my execution. “Don’t worry, I’ll try to make", "I am confused between. I'd like to know which is the correctly punctuated", "painless…?” Chirag said, “…no promises made.” OR “Don’t worry, I’ll try to make", "worry, I’ll try to make it quick. But painless…?” Chirag said. “No promises", "I was a captor in Chirag’s realm, waiting for my execution. “Don’t worry,", "and on. Now, I was a captor in Chirag’s realm, waiting for my", "are four alternate dialogues that I am confused between. I'd like to know", "But painless…?” Chirag said. “No promises made.”* OR “Don’t worry, I’ll try to", "quick…but painless?” Chirag said, “…no promises made.” OR “Don’t worry, I’ll try to", "said, “…no promises made.” OR “Don’t worry, I’ll try to make it quick.", "like to know which is the correctly punctuated one. Also please explain how", "in a dialogue which is interrupted by a dialogue tag. The tag has", "Now, I was a captor in Chirag’s realm, waiting for my execution.* “Don’t", "explain how to use ellipses in a dialogue which is interrupted by a", "to make it quick. But painless…?” Chirag said, “…no promises made.” OR “Don’t", "a dialogue tag. The tag has to come between the trailing off and", "is interrupted by a dialogue tag. The tag has to come between the", "But painless…?” Chirag said, “…no promises made.” OR *“Don’t worry, I’ll try to" ]
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My question: How does one perk up the slow parts of", "structure - He has a point of no return on page 4, another", "far as the act 2/act 3 division, it is the same gradual thing.", "161 - 230 (but climax is last ~20 pages I guess.) The boy", "too rushed.). There may be a pacing problem, it's not clear. The ending", "(i.e. what might my blind spots be. I am leery of adding a", "protagonists. The girl has a classic 3-act structure (or at least can be", "#3.). #s 5 and 6 would require more structural change and I haven't", "for him up to page 160.) But he doesn't know the form of", "perk up the slow parts of a novel, particularly beyond the list above?", "it is about 2/3 through the story, during \"Act 2.\" A few readers", "and I haven't gone there yet. Currently, more practiced beta readers are reading,", "1. shorten and tighten the areas where people are getting bogged down. 2.", "page 127 and so his act 3 arguably begins earlier than the girl's", "I should reconsider.) --- Added as edit: (this may be better as a", "However - I think his journey is more 'real' to life. We don't", "not need (variation of #1). 3. Improve flow between individual scenes 4. \"Increase", "be. I am leery of adding a plot twist or cliffhangers, because the", "He has a point of no return on page 4, another on page", "this - but so far, implementing these has not solved the problem, These", "on. And with this in mind, he resolves to leave on page 5,", "that slow spot in the middle. No one seems to know why they", "story, during \"Act 2.\" A few readers push through to the end and", "to. Since no one suggested that I do that, in particular, anyway, I'm", "act 2/act 3 division, it is the same gradual thing. 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Since no one suggested that I do that, in", "parts of a novel, particularly beyond the list above? ------------------------------------------------------------------------------------------------ (i.e. what might", "'working.' He has a clear emotional break on page 127 and so his", "on cliffhangers The bolded items are ones that I have given some attention", "up to page 160.) But he doesn't know the form of his resolution", "he doesn't know the form of his resolution until page ~180. This is", "3 arguably begins earlier than the girl's (she is actually a resolving force", "readers, specifically where they tend to stop reading - it is about 2/3", "Here are a few ideas about how to fix this - but so", "shorten and tighten the areas where people are getting bogged down. 2. remove", "he resolves to leave on page 5, realizes there is no going back", "in the middle. No one seems to know why they lose interest. I", "arc is right. But maybe these tools are so powerful that I should", "'real' to life. We don't just flip a switch and enter a new", "be the middle. I'm wondering how to liven up that slow spot in", "interest. I am guessing the pacing is just too slow, or the tension", "so his act 3 arguably begins earlier than the girl's (she is actually", "say they are glad they did. One wanted the end longer (which may", "is why the 'contract' nature of the story has been a challenge for", "more practiced beta readers are reading, and perhaps they'll have concrete suggestions -", "the pacing is just too slow, or the tension is not high enough.", "know why they lose interest. I am guessing the pacing is just too", "- He has a point of no return on page 4, another on", "longer (which may be saying a similar thing; she liked the end better,", "12, another on page 25, and so on. And with this in mind,", "The girl has a classic 3-act structure (or at least can be shoehorned", "don't want to sharpen the focus of those breaks unless I need to.", "to worry about it. The problems are around and preceding page 140, which", "with this in mind, he resolves to leave on page 5, realizes there", "has read since I have started working on #3.). #s 5 and 6", "4, another on page 12, another on page 25, and so on. And", "to fix this - but so far, implementing these has not solved the", "5, realizes there is no going back on page 13, decides that onwards", "more structural change and I haven't gone there yet. Currently, more practiced beta", "preceding page 140, which is in act 2 for the most part since", "POV) protagonists. The girl has a classic 3-act structure (or at least can", "thought it felt too rushed.). There may be a pacing problem, it's not", "it fairly painlessly. Act 1 is in the first 60 pages, Act 2", "reading - it is about 2/3 through the story, during \"Act 2.\" A", "the story has been a challenge for him. However - I think his", "a novel, particularly beyond the list above? ------------------------------------------------------------------------------------------------ (i.e. what might my blind", "the form of his resolution until page ~180. This is why the 'contract'", "there is no going back on page 13, decides that onwards really is", "anyway, I'm not going to worry about it. The problems are around and", "saying a similar thing; she liked the end better, but thought it felt", "about how to fix this - but so far, implementing these has not", "people are getting bogged down. 2. remove anything they do not need (variation", "add in a plot twist? 6. finish chapters in the middle on cliffhangers", "least can be shoehorned into it fairly painlessly. Act 1 is in the", "to liven up that slow spot in the middle. 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But maybe these tools are", "not clear. The ending sounds correct as is, to me, and the problem", "as a new question, except it is not really a question.) My story", "is no going back on page 13, decides that onwards really is better", "don't just flip a switch and enter a new act. We find our", "that I do that, in particular, anyway, I'm not going to worry about", "and say they are glad they did. One wanted the end longer (which", "suggested that I do that, in particular, anyway, I'm not going to worry", "felt too rushed.). There may be a pacing problem, it's not clear. The", "and the further he gets the more he realizes it isn't 'working.' He", "him. However - I think his journey is more 'real' to life. We", "seems to be the middle. I'm wondering how to liven up that slow", "in no particular order: 1. shorten and tighten the areas where people are", "the more he realizes it isn't 'working.' He has a clear emotional break", "lose interest. I am guessing the pacing is just too slow, or the", "enough. Here are a few ideas about how to fix this - but", "can be shoehorned into it fairly painlessly. Act 1 is in the first", "the middle on cliffhangers The bolded items are ones that I have given", "not high enough. Here are a few ideas about how to fix this", "6 would require more structural change and I haven't gone there yet. Currently,", "they tend to stop reading - it is about 2/3 through the story,", "bolded items are ones that I have given some attention to already (although", "to know why they lose interest. I am guessing the pacing is just", "to me, and the problem seems to be the middle. I'm wondering how", "she liked the end better, but thought it felt too rushed.). There may", "his act 3 arguably begins earlier than the girl's (she is actually a", "middle. I'm wondering how to liven up that slow spot in the middle.", "new act. We find our way. So I don't want to sharpen the", "doesn't know the form of his resolution until page ~180. This is why", "similar thing; she liked the end better, but thought it felt too rushed.).", "to leave on page 5, realizes there is no going back on page", "a classic 3-act structure (or at least can be shoehorned into it fairly", "are reading, and perhaps they'll have concrete suggestions - we'll see. My question:", "The bolded items are ones that I have given some attention to already", "on #3.). #s 5 and 6 would require more structural change and I", "He has a clear emotional break on page 127 and so his act", "on page 12, another on page 25, and so on. And with this", "this structure - He has a point of no return on page 4,", "clear emotional break on page 127 and so his act 3 arguably begins", "may be a pacing problem, it's not clear. The ending sounds correct as", "or the tension is not high enough. Here are a few ideas about", "flip a switch and enter a new act. We find our way. So", "the same gradual thing. He is basically running from his problems, and the", "he gets the more he realizes it isn't 'working.' He has a clear", "on. As far as the act 2/act 3 division, it is the same", "on page 4, another on page 12, another on page 25, and so", "page 25, and so on. And with this in mind, he resolves to", "through to the end and say they are glad they did. One wanted", "13, decides that onwards really is better anyway on page 26, and so", "Act 2 is pages 62 - 160, Act 3 is pages 161 -", "of no return on page 4, another on page 12, another on page", "more he realizes it isn't 'working.' He has a clear emotional break on", "the girl's (she is actually a resolving force for him up to page", "right. But maybe these tools are so powerful that I should reconsider.) ---", "tend to stop reading - it is about 2/3 through the story, during", "160, Act 3 is pages 161 - 230 (but climax is last ~20", "and perhaps they'll have concrete suggestions - we'll see. My question: How does", "do not need (variation of #1). 3. Improve flow between individual scenes 4.", "concrete suggestions - we'll see. My question: How does one perk up the", "last ~20 pages I guess.) The boy doesn't fit easily into this structure", "is pages 62 - 160, Act 3 is pages 161 - 230 (but", "end longer (which may be saying a similar thing; she liked the end", "ending sounds correct as is, to me, and the problem seems to be", "division, it is the same gradual thing. He is basically running from his", "so on. And with this in mind, he resolves to leave on page", "decides that onwards really is better anyway on page 26, and so on.", "5. add in a plot twist? 6. finish chapters in the middle on", "The ending sounds correct as is, to me, and the problem seems to", "A few readers push through to the end and say they are glad", "the problem, These ideas, in no particular order: 1. shorten and tighten the", "fit easily into this structure - He has a point of no return", "page ~180. This is why the 'contract' nature of the story has been", "the 2 (alternating POV) protagonists. The girl has a classic 3-act structure (or", "story is 230 pages. I've mapped the arcs of the 2 (alternating POV)", "wondering how to liven up that slow spot in the middle. No one", "3 division, it is the same gradual thing. He is basically running from", "problems, and the further he gets the more he realizes it isn't 'working.'", "into this structure - He has a point of no return on page", "is pages 161 - 230 (but climax is last ~20 pages I guess.)", "change and I haven't gone there yet. Currently, more practiced beta readers are", "pages I guess.) The boy doesn't fit easily into this structure - He", "gradual thing. He is basically running from his problems, and the further he", "way. So I don't want to sharpen the focus of those breaks unless", "where people are getting bogged down. 2. remove anything they do not need", "twist or cliffhangers, because the story arc is right. But maybe these tools", "first 60 pages, Act 2 is pages 62 - 160, Act 3 is", "are ones that I have given some attention to already (although no one", "to already (although no one has read since I have started working on", "- 160, Act 3 is pages 161 - 230 (but climax is last", "pacing is just too slow, or the tension is not high enough. Here", "on page 13, decides that onwards really is better anyway on page 26,", "need (variation of #1). 3. Improve flow between individual scenes 4. \"Increase tension\"", "62 - 160, Act 3 is pages 161 - 230 (but climax is", "problem seems to be the middle. I'm wondering how to liven up that", "until page ~180. This is why the 'contract' nature of the story has", "few ideas about how to fix this - but so far, implementing these", "begins earlier than the girl's (she is actually a resolving force for him", "end and say they are glad they did. One wanted the end longer", "correct as is, to me, and the problem seems to be the middle.", "girl has a classic 3-act structure (or at least can be shoehorned into", "25, and so on. And with this in mind, he resolves to leave", "5 and 6 would require more structural change and I haven't gone there", "those breaks unless I need to. Since no one suggested that I do", "chapters in the middle on cliffhangers The bolded items are ones that I", "'contract' nature of the story has been a challenge for him. However -", "is not really a question.) My story is 230 pages. I've mapped the", "me, and the problem seems to be the middle. I'm wondering how to", "on page 26, and so on. As far as the act 2/act 3", "thing. He is basically running from his problems, and the further he gets", "require more structural change and I haven't gone there yet. Currently, more practiced", "--- Added as edit: (this may be better as a new question, except", "my readers, specifically where they tend to stop reading - it is about", "some attention to already (although no one has read since I have started", "gone there yet. Currently, more practiced beta readers are reading, and perhaps they'll", "no one has read since I have started working on #3.). #s 5", "and the problem seems to be the middle. I'm wondering how to liven", "the story arc is right. But maybe these tools are so powerful that", "2.\" A few readers push through to the end and say they are", "not going to worry about it. The problems are around and preceding page", "page 160.) But he doesn't know the form of his resolution until page", "too slow, or the tension is not high enough. Here are a few", "know the form of his resolution until page ~180. This is why the", "liven up that slow spot in the middle. No one seems to know", "earlier than the girl's (she is actually a resolving force for him up", "than the girl's (she is actually a resolving force for him up to", "are around and preceding page 140, which is in act 2 for the", "anything they do not need (variation of #1). 3. Improve flow between individual", "new question, except it is not really a question.) My story is 230", "- we'll see. My question: How does one perk up the slow parts", "pages. I've mapped the arcs of the 2 (alternating POV) protagonists. The girl", "easily into this structure - He has a point of no return on", "#1). 3. Improve flow between individual scenes 4. \"Increase tension\" 5. add in", "ones that I have given some attention to already (although no one has", "back on page 13, decides that onwards really is better anyway on page", "230 pages. I've mapped the arcs of the 2 (alternating POV) protagonists. The", "form of his resolution until page ~180. This is why the 'contract' nature", "no particular order: 1. shorten and tighten the areas where people are getting", "twist? 6. finish chapters in the middle on cliffhangers The bolded items are", "a plot twist? 6. finish chapters in the middle on cliffhangers The bolded", "(which may be saying a similar thing; she liked the end better, but", "the middle. I'm wondering how to liven up that slow spot in the", "page 140, which is in act 2 for the most part since the", "running from his problems, and the further he gets the more he realizes", "I do that, in particular, anyway, I'm not going to worry about it.", "cliffhangers The bolded items are ones that I have given some attention to", "I think his journey is more 'real' to life. We don't just flip", "it's not clear. The ending sounds correct as is, to me, and the", "finish chapters in the middle on cliffhangers The bolded items are ones that", "far, implementing these has not solved the problem, These ideas, in no particular", "Currently, more practiced beta readers are reading, and perhaps they'll have concrete suggestions", "in particular, anyway, I'm not going to worry about it. The problems are", "see a pattern among my readers, specifically where they tend to stop reading", "really is better anyway on page 26, and so on. As far as", "painlessly. Act 1 is in the first 60 pages, Act 2 is pages", "2/act 3 division, it is the same gradual thing. He is basically running", "is in the first 60 pages, Act 2 is pages 62 - 160,", "on page 127 and so his act 3 arguably begins earlier than the", "few readers push through to the end and say they are glad they", "given some attention to already (although no one has read since I have", "the problem seems to be the middle. I'm wondering how to liven up", "that, in particular, anyway, I'm not going to worry about it. The problems", "they lose interest. I am guessing the pacing is just too slow, or", "slow parts of a novel, particularly beyond the list above? ------------------------------------------------------------------------------------------------ (i.e. what", "to life. We don't just flip a switch and enter a new act.", "getting bogged down. 2. remove anything they do not need (variation of #1).", "anyway on page 26, and so on. As far as the act 2/act", "are glad they did. One wanted the end longer (which may be saying", "between individual scenes 4. \"Increase tension\" 5. add in a plot twist? 6.", "classic 3-act structure (or at least can be shoehorned into it fairly painlessly.", "As far as the act 2/act 3 division, it is the same gradual", "into it fairly painlessly. Act 1 is in the first 60 pages, Act", "of his resolution until page ~180. This is why the 'contract' nature of", "not solved the problem, These ideas, in no particular order: 1. shorten and", "I've mapped the arcs of the 2 (alternating POV) protagonists. The girl has", "been a challenge for him. However - I think his journey is more", "scenes 4. \"Increase tension\" 5. add in a plot twist? 6. finish chapters", "not really a question.) My story is 230 pages. I've mapped the arcs", "arcs of the 2 (alternating POV) protagonists. The girl has a classic 3-act", "is basically running from his problems, and the further he gets the more", "attention to already (although no one has read since I have started working", "a new question, except it is not really a question.) My story is", "the list above? ------------------------------------------------------------------------------------------------ (i.e. what might my blind spots be. I am", "in a plot twist? 6. finish chapters in the middle on cliffhangers The", "may be better as a new question, except it is not really a", "practiced beta readers are reading, and perhaps they'll have concrete suggestions - we'll", "he realizes it isn't 'working.' He has a clear emotional break on page", "to sharpen the focus of those breaks unless I need to. Since no", "going back on page 13, decides that onwards really is better anyway on", "tension is not high enough. Here are a few ideas about how to", "60 pages, Act 2 is pages 62 - 160, Act 3 is pages", "mind, he resolves to leave on page 5, realizes there is no going", "except it is not really a question.) My story is 230 pages. I've", "point of no return on page 4, another on page 12, another on", "breaks unless I need to. Since no one suggested that I do that,", "one suggested that I do that, in particular, anyway, I'm not going to", "a question.) My story is 230 pages. I've mapped the arcs of the", "mapped the arcs of the 2 (alternating POV) protagonists. The girl has a", "better anyway on page 26, and so on. As far as the act", "in act 2 for the most part since the boy isn't firmly into", "maybe these tools are so powerful that I should reconsider.) --- Added as", "edit: (this may be better as a new question, except it is not", "I have started working on #3.). #s 5 and 6 would require more", "how to fix this - but so far, implementing these has not solved", "his problems, and the further he gets the more he realizes it isn't", "the slow parts of a novel, particularly beyond the list above? ------------------------------------------------------------------------------------------------ (i.e.", "middle. No one seems to know why they lose interest. I am guessing", "these has not solved the problem, These ideas, in no particular order: 1.", "remove anything they do not need (variation of #1). 3. Improve flow between", "- 230 (but climax is last ~20 pages I guess.) The boy doesn't", "in the middle on cliffhangers The bolded items are ones that I have", "(although no one has read since I have started working on #3.). #s", "guessing the pacing is just too slow, or the tension is not high", "has a classic 3-act structure (or at least can be shoehorned into it", "leave on page 5, realizes there is no going back on page 13,", "slow, or the tension is not high enough. Here are a few ideas", "from his problems, and the further he gets the more he realizes it", "the most part since the boy isn't firmly into act 3 until page", "is, to me, and the problem seems to be the middle. I'm wondering", "one has read since I have started working on #3.). #s 5 and", "would require more structural change and I haven't gone there yet. Currently, more", "up the slow parts of a novel, particularly beyond the list above? ------------------------------------------------------------------------------------------------", "among my readers, specifically where they tend to stop reading - it is", "the end and say they are glad they did. One wanted the end", "2 is pages 62 - 160, Act 3 is pages 161 - 230", "act. We find our way. So I don't want to sharpen the focus", "resolving force for him up to page 160.) But he doesn't know the", "- I think his journey is more 'real' to life. We don't just", "pattern among my readers, specifically where they tend to stop reading - it", "flow between individual scenes 4. \"Increase tension\" 5. add in a plot twist?", "page 26, and so on. As far as the act 2/act 3 division,", "glad they did. One wanted the end longer (which may be saying a", "of the 2 (alternating POV) protagonists. The girl has a classic 3-act structure", "to stop reading - it is about 2/3 through the story, during \"Act", "push through to the end and say they are glad they did. One", "particular order: 1. shorten and tighten the areas where people are getting bogged", "basically running from his problems, and the further he gets the more he", "is the same gradual thing. He is basically running from his problems, and", "I am leery of adding a plot twist or cliffhangers, because the story", "3. Improve flow between individual scenes 4. \"Increase tension\" 5. add in a", "just flip a switch and enter a new act. We find our way.", "question.) My story is 230 pages. I've mapped the arcs of the 2", "2/3 through the story, during \"Act 2.\" A few readers push through to", "is just too slow, or the tension is not high enough. Here are", "reconsider.) --- Added as edit: (this may be better as a new question,", "how to liven up that slow spot in the middle. No one seems", "our way. So I don't want to sharpen the focus of those breaks", "doesn't fit easily into this structure - He has a point of no", "order: 1. shorten and tighten the areas where people are getting bogged down.", "no going back on page 13, decides that onwards really is better anyway", "it felt too rushed.). There may be a pacing problem, it's not clear.", "for him. However - I think his journey is more 'real' to life.", "want to sharpen the focus of those breaks unless I need to. Since", "there yet. Currently, more practiced beta readers are reading, and perhaps they'll have", "and enter a new act. We find our way. So I don't want", "3 is pages 161 - 230 (but climax is last ~20 pages I", "the act 2/act 3 division, it is the same gradual thing. He is", "story arc is right. But maybe these tools are so powerful that I", "middle on cliffhangers The bolded items are ones that I have given some", "above? ------------------------------------------------------------------------------------------------ (i.e. what might my blind spots be. I am leery of", "but so far, implementing these has not solved the problem, These ideas, in", "has been a challenge for him. However - I think his journey is", "stop reading - it is about 2/3 through the story, during \"Act 2.\"", "127 and so his act 3 arguably begins earlier than the girl's (she", "girl's (she is actually a resolving force for him up to page 160.)", "- but so far, implementing these has not solved the problem, These ideas,", "a challenge for him. However - I think his journey is more 'real'", "is better anyway on page 26, and so on. As far as the", "shoehorned into it fairly painlessly. Act 1 is in the first 60 pages,", "pages 161 - 230 (but climax is last ~20 pages I guess.) The", "return on page 4, another on page 12, another on page 25, and", "a plot twist or cliffhangers, because the story arc is right. But maybe", "because the story arc is right. But maybe these tools are so powerful", "a pattern among my readers, specifically where they tend to stop reading -", "question, except it is not really a question.) My story is 230 pages.", "list above? ------------------------------------------------------------------------------------------------ (i.e. what might my blind spots be. I am leery", "life. We don't just flip a switch and enter a new act. We", "140, which is in act 2 for the most part since the boy", "see. My question: How does one perk up the slow parts of a", "need to. Since no one suggested that I do that, in particular, anyway,", "beta readers are reading, and perhaps they'll have concrete suggestions - we'll see.", "actually a resolving force for him up to page 160.) But he doesn't", "1 is in the first 60 pages, Act 2 is pages 62 -", "be saying a similar thing; she liked the end better, but thought it", "the 'contract' nature of the story has been a challenge for him. However", "beyond the list above? ------------------------------------------------------------------------------------------------ (i.e. what might my blind spots be. I", "specifically where they tend to stop reading - it is about 2/3 through", "the areas where people are getting bogged down. 2. remove anything they do", "the story, during \"Act 2.\" A few readers push through to the end", "so on. As far as the act 2/act 3 division, it is the", "novel, particularly beyond the list above? ------------------------------------------------------------------------------------------------ (i.e. what might my blind spots", "story has been a challenge for him. However - I think his journey", "question: How does one perk up the slow parts of a novel, particularly", "my blind spots be. I am leery of adding a plot twist or", "3-act structure (or at least can be shoehorned into it fairly painlessly. Act", "bogged down. 2. remove anything they do not need (variation of #1). 3.", "break on page 127 and so his act 3 arguably begins earlier than", "liked the end better, but thought it felt too rushed.). There may be", "worry about it. The problems are around and preceding page 140, which is", "of a novel, particularly beyond the list above? ------------------------------------------------------------------------------------------------ (i.e. what might my", "wanted the end longer (which may be saying a similar thing; she liked", "ideas, in no particular order: 1. shorten and tighten the areas where people", "(she is actually a resolving force for him up to page 160.) But", "We find our way. So I don't want to sharpen the focus of", "resolution until page ~180. This is why the 'contract' nature of the story", "cliffhangers, because the story arc is right. But maybe these tools are so" ]
[ "character that travels as an ESL teacher and am wondering how you can", "about a character that travels as an ESL teacher and am wondering how", "that travels as an ESL teacher and am wondering how you can explain", "ESL teacher and am wondering how you can explain scenery without getting to", "as an ESL teacher and am wondering how you can explain scenery without", "travels as an ESL teacher and am wondering how you can explain scenery", "am writing a story about a character that travels as an ESL teacher", "an ESL teacher and am wondering how you can explain scenery without getting", "teacher and am wondering how you can explain scenery without getting to much", "am wondering how you can explain scenery without getting to much into it.", "and am wondering how you can explain scenery without getting to much into", "story about a character that travels as an ESL teacher and am wondering", "I am writing a story about a character that travels as an ESL", "a story about a character that travels as an ESL teacher and am", "writing a story about a character that travels as an ESL teacher and", "a character that travels as an ESL teacher and am wondering how you" ]
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Yet a week later,", "the dust has settled, everything is forgotten and it all starts again. So,", "annoyed if I resist. Most days, I struggle to get an hour or", "you get people to give your time and work the same respect they", "you get people to understand that writing is a job, a very time-consuming", "turn up on the doorstep in the middle of the afternoon, make plans", "deadline (in force due to timings with the London Book Fair and they", "days off and get annoyed if I resist. Most days, I struggle to", "settled, everything is forgotten and it all starts again. So, how do you", "due to timings with the London Book Fair and they aren’t going to", "dream of calling my husband at his office in the middle of the", "professional writer, how do you get people to give your time and work", "understand that writing is a job, a very time-consuming job, that needs long", "even completely lost my temper. Yet a week later, once all the dust", "again. So, how do you manage interruptions without upsetting the people around you?", "hours without interruption are vital. How do you do it? How do you", "a writer for fifteen years, five as a full-time writer, and still haven’t", "doorstep in the middle of the afternoon, make plans that require endless days", "7pm, which is when I finish for the day. They turn up on", "call back when I’m free, or to call after 7pm, which is when", "a quick text to ask for a call back when I’m free, or", "a very time-consuming job, that needs long periods without interruption? As a professional", "to ask for a call back when I’m free, or to call after", "back when I’m free, or to call after 7pm, which is when I", "require endless days off and get annoyed if I resist. Most days, I", "without interruption? As a professional writer, how do you get people to give", "to give your time and work the same respect they give to people", "tight deadline (in force due to timings with the London Book Fair and", "my temper. Yet a week later, once all the dust has settled, everything", "with the London Book Fair and they aren’t going to move that for", "without interruption are vital. How do you do it? How do you get", "Most days, I struggle to get an hour or two uninterrupted. I’ve tried", "people to give your time and work the same respect they give to", "starts again. So, how do you manage interruptions without upsetting the people around", "and family who wouldn’t dream of calling my husband at his office in", "despite me suggesting as an alternative, a quick text to ask for a", "fifteen years, five as a full-time writer, and still haven’t figured out how", "force due to timings with the London Book Fair and they aren’t going", "extended hours without interruption are vital. How do you do it? How do", "a job, a very time-consuming job, that needs long periods without interruption? As", "off and get annoyed if I resist. Most days, I struggle to get", "are vital. How do you do it? How do you get people to", "without upsetting the people around you? This may get closed as off-topic, but", "as off-topic, but it is a question regarding the craft of professional writing,", "day, but will quite happily call me over trivial matters, every day, despite", "in the middle of the afternoon, make plans that require endless days off", "asking nicely. I’ve tried being firm. I’ve even completely lost my temper. Yet", "your time and work the same respect they give to people who work", "view it as a job. Right now, I’m editing a novel to a", "This may get closed as off-topic, but it is a question regarding the", "work the same respect they give to people who work in an office?", "friends and family who wouldn’t dream of calling my husband at his office", "they aren’t going to move that for me ;)) so extended hours without", "who wouldn’t dream of calling my husband at his office in the middle", "aren’t going to move that for me ;)) so extended hours without interruption", "text to ask for a call back when I’m free, or to call", "job, that needs long periods without interruption? 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So, how do you manage interruptions", "now, I’m editing a novel to a very tight deadline (in force due", "focussed on an actual problem, and I’m hoping for some solid practical advice", "may get closed as off-topic, but it is a question regarding the craft", "a week later, once all the dust has settled, everything is forgotten and", "tried asking nicely. I’ve tried being firm. I’ve even completely lost my temper.", "editing a novel to a very tight deadline (in force due to timings", "that needs long periods without interruption? As a professional writer, how do you", "on an actual problem, and I’m hoping for some solid practical advice rather", "get the people in my life to view it as a job. Right", "so extended hours without interruption are vital. How do you do it? How", "how do you get people to give your time and work the same", "you? This may get closed as off-topic, but it is a question regarding", "wouldn’t dream of calling my husband at his office in the middle of", "As a professional writer, how do you get people to give your time", "when I finish for the day. They turn up on the doorstep in", "uninterrupted. I’ve tried asking nicely. I’ve tried being firm. I’ve even completely lost", "people around you? This may get closed as off-topic, but it is a", "the doorstep in the middle of the afternoon, make plans that require endless", "that writing is a job, a very time-consuming job, that needs long periods", "his office in the middle of the day, but will quite happily call", "has settled, everything is forgotten and it all starts again. So, how do", "and it all starts again. So, how do you manage interruptions without upsetting", "still haven’t figured out how to get the people in my life to", "office in the middle of the day, but will quite happily call me", "get closed as off-topic, but it is a question regarding the craft of", "I’m editing a novel to a very tight deadline (in force due to", "the middle of the day, but will quite happily call me over trivial", "an alternative, a quick text to ask for a call back when I’m", "question regarding the craft of professional writing, focussed on an actual problem, and", "middle of the afternoon, make plans that require endless days off and get", "upsetting the people around you? This may get closed as off-topic, but it", "a novel to a very tight deadline (in force due to timings with", "have friends and family who wouldn’t dream of calling my husband at his", "in my life to view it as a job. Right now, I’m editing", "to timings with the London Book Fair and they aren’t going to move", "that for me ;)) so extended hours without interruption are vital. How do", "forgotten and it all starts again. So, how do you manage interruptions without", "once all the dust has settled, everything is forgotten and it all starts", "but it is a question regarding the craft of professional writing, focussed on", "interruption are vital. How do you do it? How do you get people", "been a writer for fifteen years, five as a full-time writer, and still", "Yet a week later, once all the dust has settled, everything is forgotten", "to get the people in my life to view it as a job.", "for a call back when I’m free, or to call after 7pm, which", "people in my life to view it as a job. Right now, I’m", "my life to view it as a job. Right now, I’m editing a", "writer for fifteen years, five as a full-time writer, and still haven’t figured", "Right now, I’m editing a novel to a very tight deadline (in force", "week later, once all the dust has settled, everything is forgotten and it", "who work in an office? I have friends and family who wouldn’t dream", "family who wouldn’t dream of calling my husband at his office in the", "do it? How do you get people to understand that writing is a", "my husband at his office in the middle of the day, but will", "and they aren’t going to move that for me ;)) so extended hours", "a question regarding the craft of professional writing, focussed on an actual problem,", "long periods without interruption? As a professional writer, how do you get people", "time and work the same respect they give to people who work in", "respect they give to people who work in an office? I have friends", "I’m free, or to call after 7pm, which is when I finish for", "the people around you? This may get closed as off-topic, but it is", "every day, despite me suggesting as an alternative, a quick text to ask", "it all starts again. So, how do you manage interruptions without upsetting the", "regarding the craft of professional writing, focussed on an actual problem, and I’m", "and work the same respect they give to people who work in an", "to view it as a job. Right now, I’m editing a novel to", "dust has settled, everything is forgotten and it all starts again. So, how", "at his office in the middle of the day, but will quite happily", "do you manage interruptions without upsetting the people around you? This may get", "closed as off-topic, but it is a question regarding the craft of professional", "a call back when I’m free, or to call after 7pm, which is", "How do you get people to understand that writing is a job, a", "timings with the London Book Fair and they aren’t going to move that", "people to understand that writing is a job, a very time-consuming job, that", "to get an hour or two uninterrupted. I’ve tried asking nicely. I’ve tried", "of professional writing, focussed on an actual problem, and I’m hoping for some", "writing, focussed on an actual problem, and I’m hoping for some solid practical", "to call after 7pm, which is when I finish for the day. They", "I struggle to get an hour or two uninterrupted. I’ve tried asking nicely.", "all starts again. So, how do you manage interruptions without upsetting the people", "in an office? I have friends and family who wouldn’t dream of calling", "get annoyed if I resist. Most days, I struggle to get an hour", "(in force due to timings with the London Book Fair and they aren’t", "the afternoon, make plans that require endless days off and get annoyed if", "going to move that for me ;)) so extended hours without interruption are", "an office? I have friends and family who wouldn’t dream of calling my", "if I resist. Most days, I struggle to get an hour or two", "a very tight deadline (in force due to timings with the London Book", "London Book Fair and they aren’t going to move that for me ;))", "I have friends and family who wouldn’t dream of calling my husband at", "is when I finish for the day. They turn up on the doorstep", "Book Fair and they aren’t going to move that for me ;)) so", "writing is a job, a very time-consuming job, that needs long periods without", "move that for me ;)) so extended hours without interruption are vital. How", "finish for the day. They turn up on the doorstep in the middle", "I’ve tried being firm. I’ve even completely lost my temper. Yet a week", "temper. Yet a week later, once all the dust has settled, everything is", "day. They turn up on the doorstep in the middle of the afternoon,", "for fifteen years, five as a full-time writer, and still haven’t figured out", "or two uninterrupted. I’ve tried asking nicely. I’ve tried being firm. I’ve even", "two uninterrupted. I’ve tried asking nicely. I’ve tried being firm. I’ve even completely", "out how to get the people in my life to view it as", "free, or to call after 7pm, which is when I finish for the", "plans that require endless days off and get annoyed if I resist. Most", "get an hour or two uninterrupted. I’ve tried asking nicely. I’ve tried being", "actual problem, and I’m hoping for some solid practical advice rather than opinion/discussion.", "the same respect they give to people who work in an office? I", "and get annoyed if I resist. Most days, I struggle to get an", "to a very tight deadline (in force due to timings with the London", "figured out how to get the people in my life to view it", "on the doorstep in the middle of the afternoon, make plans that require", "get people to understand that writing is a job, a very time-consuming job,", "I resist. Most days, I struggle to get an hour or two uninterrupted.", "interruption? As a professional writer, how do you get people to give your", "or to call after 7pm, which is when I finish for the day.", "call after 7pm, which is when I finish for the day. They turn", "for the day. They turn up on the doorstep in the middle of", "hour or two uninterrupted. I’ve tried asking nicely. I’ve tried being firm. I’ve", "me suggesting as an alternative, a quick text to ask for a call", "completely lost my temper. Yet a week later, once all the dust has", "the middle of the afternoon, make plans that require endless days off and", "it as a job. Right now, I’m editing a novel to a very", "very tight deadline (in force due to timings with the London Book Fair", "nicely. I’ve tried being firm. I’ve even completely lost my temper. Yet a", "professional writing, focussed on an actual problem, and I’m hoping for some solid", "husband at his office in the middle of the day, but will quite", "lost my temper. Yet a week later, once all the dust has settled,", "office? I have friends and family who wouldn’t dream of calling my husband" ]
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[ "doesn't grip, the characters aren't consistent, the plot has holes, the story lacks", "is dissatisfying, and so on. But that is to be expected in the", "in the normal course of things, and a revision will smooth those imperfections", "smooth those imperfections out. Sometimes one rewrite is not enough and it takes", "the time and effort necessary make it unfeasible. But how do you know?", "or the time and effort necessary make it unfeasible. But how do you", "seven times. Hemingway rewrote the ending to Farewell to Arms fourtyseven times. But", "How can you tell when it is better to abandon a project, move", "rewrite is not enough and it takes a few passes to finish a", "and appear ex machina, the ending is dissatisfying, and so on. But that", "salvaged – or the time and effort necessary make it unfeasible. But how", "even accomplished writers have to give up on a project, because no amount", "novel. Tolstoy famously rewrote War and Peace seven times. Hemingway rewrote the ending", "warning signs** that indicate reliably – or at least with a high likelihood", "of things, and a revision will smooth those imperfections out. Sometimes one rewrite", "it unfeasible. But how do you know? How can you tell when it", "has holes, the story lacks suspense, turns aren't foreshadowed and appear ex machina,", "ending is dissatisfying, and so on. But that is to be expected in", "But that is to be expected in the normal course of things, and", "cannot be salvaged – or the time and effort necessary make it unfeasible.", "to Arms* fourtyseven times. But sometimes even accomplished writers have to give up", "revision will smooth those imperfections out. Sometimes one rewrite is not enough and", "a novel. Tolstoy famously rewrote War and Peace seven times. Hemingway rewrote the", "and effort necessary make it unfeasible. But how do you know? How can", "do you know? How can you tell when it is better to abandon", "when it is better to abandon a project, move on, and write another", "that indicate reliably – or at least with a high likelihood – that", "is not enough and it takes a few passes to finish a novel.", "times. But sometimes even accomplished writers have to give up on a project,", "But sometimes even accomplished writers have to give up on a project, because", "rewriting can overcome what appear to be fundamental flaws. Sometimes a novel cannot", "give up on a project, because no amount of rewriting can overcome what", "a project, move on, and write another book? What are the warning signs", "can overcome what appear to be fundamental flaws. Sometimes a novel cannot be", "to give up on a project, because no amount of rewriting can overcome", "normal course of things, and a revision will smooth those imperfections out. Sometimes", "you know? How can you tell when it is better to abandon a", "likelihood – that a project has failed and I should divorce myself from", "those imperfections out. Sometimes one rewrite is not enough and it takes a", "you tell when it is better to abandon a project, move on, and", "beginning doesn't grip, the characters aren't consistent, the plot has holes, the story", "or at least with a high likelihood – that a project has failed", "with a high likelihood – that a project has failed and I should", "the ending to Farewell to Arms fourtyseven times. But sometimes even accomplished writers", "imperfections out. Sometimes one rewrite is not enough and it takes a few", "riddled with mistakes: the beginning doesn't grip, the characters aren't consistent, the plot", "rewrote War and Peace seven times. Hemingway rewrote the ending to Farewell to", "few passes to finish a novel. Tolstoy famously rewrote War and Peace* seven", "Arms* fourtyseven times. But sometimes even accomplished writers have to give up on", "how do you know? How can you tell when it is better to", "– or at least with a high likelihood – that a project has", "abandon a project, move on, and write another book? *What are the warning", "is rewriting. The first draft of a novel is commonly riddled with mistakes:", "on. But that is to be expected in the normal course of things,", "of rewriting can overcome what appear to be fundamental flaws. Sometimes a novel", "indicate reliably – or at least with a high likelihood – that a", "unfeasible. But how do you know? How can you tell when it is", "the story lacks suspense, turns aren't foreshadowed and appear ex machina, the ending", "appear ex machina, the ending is dissatisfying, and so on. But that is", "is better to abandon a project, move on, and write another book? What", "another book? What are the warning signs* that indicate reliably – or at", "overcome what appear to be fundamental flaws. Sometimes a novel cannot be salvaged", "will smooth those imperfections out. Sometimes one rewrite is not enough and it", "be fundamental flaws. Sometimes a novel cannot be salvaged – or the time", "on a project, because no amount of rewriting can overcome what appear to", "amount of rewriting can overcome what appear to be fundamental flaws. Sometimes a", "aren't foreshadowed and appear ex machina, the ending is dissatisfying, and so on.", "consistent, the plot has holes, the story lacks suspense, turns aren't foreshadowed and", "foreshadowed and appear ex machina, the ending is dissatisfying, and so on. But", "tell when it is better to abandon a project, move on, and write", "Sometimes a novel cannot be salvaged – or the time and effort necessary", "famously rewrote War and Peace seven times. Hemingway rewrote the ending to Farewell", "be expected in the normal course of things, and a revision will smooth", "what appear to be fundamental flaws. Sometimes a novel cannot be salvaged –", "characters aren't consistent, the plot has holes, the story lacks suspense, turns aren't", "and a revision will smooth those imperfections out. Sometimes one rewrite is not", "the warning signs* that indicate reliably – or at least with a high", "least with a high likelihood – that a project has failed and I", "rewriting. The first draft of a novel is commonly riddled with mistakes: the", "the characters aren't consistent, the plot has holes, the story lacks suspense, turns", "are the warning signs** that indicate reliably – or at least with a", "passes to finish a novel. Tolstoy famously rewrote War and Peace seven times.", "finish a novel. Tolstoy famously rewrote War and Peace seven times. Hemingway rewrote", "the plot has holes, the story lacks suspense, turns aren't foreshadowed and appear", "But how do you know? How can you tell when it is better", "enough and it takes a few passes to finish a novel. Tolstoy famously", "to be fundamental flaws. Sometimes a novel cannot be salvaged – or the", "because no amount of rewriting can overcome what appear to be fundamental flaws.", "know? How can you tell when it is better to abandon a project,", "signs** that indicate reliably – or at least with a high likelihood –", "and so on. But that is to be expected in the normal course", "Writing is rewriting. The first draft of a novel is commonly riddled with", "first draft of a novel is commonly riddled with mistakes: the beginning doesn't", "plot has holes, the story lacks suspense, turns aren't foreshadowed and appear ex", "story lacks suspense, turns aren't foreshadowed and appear ex machina, the ending is", "is to be expected in the normal course of things, and a revision", "can you tell when it is better to abandon a project, move on,", "flaws. Sometimes a novel cannot be salvaged – or the time and effort", "sometimes even accomplished writers have to give up on a project, because no", "and Peace seven times. Hemingway rewrote the ending to Farewell to Arms fourtyseven", "fundamental flaws. Sometimes a novel cannot be salvaged – or the time and", "– or the time and effort necessary make it unfeasible. But how do", "lacks suspense, turns aren't foreshadowed and appear ex machina, the ending is dissatisfying,", "a novel is commonly riddled with mistakes: the beginning doesn't grip, the characters", "The first draft of a novel is commonly riddled with mistakes: the beginning", "it takes a few passes to finish a novel. Tolstoy famously rewrote War", "effort necessary make it unfeasible. But how do you know? How can you", "with mistakes: the beginning doesn't grip, the characters aren't consistent, the plot has", "that is to be expected in the normal course of things, and a", "Tolstoy famously rewrote War and Peace* seven times. Hemingway rewrote the ending to", "takes a few passes to finish a novel. Tolstoy famously rewrote War and", "and write another book? What are the warning signs* that indicate reliably –", "Farewell to Arms fourtyseven times. But sometimes even accomplished writers have to give", "to finish a novel. Tolstoy famously rewrote War and Peace seven times. Hemingway", "better to abandon a project, move on, and write another book? *What are", "to Farewell to Arms* fourtyseven times. But sometimes even accomplished writers have to", "What are the warning signs that indicate reliably – or at least with", "a high likelihood – that a project has failed and I should divorce", "to be expected in the normal course of things, and a revision will", "high likelihood – that a project has failed and I should divorce myself", "machina, the ending is dissatisfying, and so on. But that is to be", "a few passes to finish a novel. 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What are the warning signs that indicate reliably", "times. Hemingway rewrote the ending to Farewell to Arms fourtyseven times. But sometimes", "dissatisfying, and so on. But that is to be expected in the normal", "time and effort necessary make it unfeasible. But how do you know? How", "not enough and it takes a few passes to finish a novel. Tolstoy", "no amount of rewriting can overcome what appear to be fundamental flaws. Sometimes", "and it takes a few passes to finish a novel. Tolstoy famously rewrote", "Sometimes one rewrite is not enough and it takes a few passes to", "– that a project has failed and I should divorce myself from it?", "have to give up on a project, because no amount of rewriting can", "ex machina, the ending is dissatisfying, and so on. But that is to", "a project, because no amount of rewriting can overcome what appear to be", "appear to be fundamental flaws. 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[ "I want them to say and then write \"said\" at the end, but", "feel like I'm doing it wrong. What is the correct way to write", "end, but I feel like I'm doing it wrong. What is the correct", "one character say whatever I want them to say and then write \"said\"", "writing dialogue I usually just make one character say whatever I want them", "make one character say whatever I want them to say and then write", "I usually just make one character say whatever I want them to say", "just make one character say whatever I want them to say and then", "but I feel like I'm doing it wrong. What is the correct way", "When writing dialogue I usually just make one character say whatever I want", "I feel like I'm doing it wrong. What is the correct way to", "them to say and then write \"said\" at the end, but I feel", "then write \"said\" at the end, but I feel like I'm doing it", "\"said\" at the end, but I feel like I'm doing it wrong. What", "at the end, but I feel like I'm doing it wrong. What is", "and then write \"said\" at the end, but I feel like I'm doing", "character say whatever I want them to say and then write \"said\" at", "like I'm doing it wrong. What is the correct way to write dialogue?", "usually just make one character say whatever I want them to say and", "want them to say and then write \"said\" at the end, but I", "whatever I want them to say and then write \"said\" at the end,", "to say and then write \"said\" at the end, but I feel like", "the end, but I feel like I'm doing it wrong. What is the", "say and then write \"said\" at the end, but I feel like I'm", "say whatever I want them to say and then write \"said\" at the", "write \"said\" at the end, but I feel like I'm doing it wrong.", "dialogue I usually just make one character say whatever I want them to" ]
[ "about reading. It provides an escape from the reality of what lies before", "It provides an escape from the reality of what lies before them: time.", "feel about reading. It provides an escape from the reality of what lies", "from a current writing project detailing how people in jail feel about reading.", "before them: time.* Should \"time\" be capitalized? I've seen published examples of both", "detailing how people in jail feel about reading. It provides an escape from", "\"time\" be capitalized? I've seen published examples of both upper and lower case", "of both upper and lower case instances during a brief research of the", "both upper and lower case instances during a brief research of the issue.", "time. Should \"time\" be capitalized? I've seen published examples of both upper and", "writing project detailing how people in jail feel about reading. It provides an", "from the reality of what lies before them: time. Should \"time\" be capitalized?", "capitalized? I've seen published examples of both upper and lower case instances during", "them: time.* Should \"time\" be capitalized? I've seen published examples of both upper", "people in jail feel about reading. It provides an escape from the reality", "current writing project detailing how people in jail feel about reading. It provides", "how people in jail feel about reading. It provides an escape from the", "lies before them: time. Should \"time\" be capitalized? I've seen published examples of", "be capitalized? I've seen published examples of both upper and lower case instances", "is a sentence from a current writing project detailing how people in jail", "published examples of both upper and lower case instances during a brief research", "project detailing how people in jail feel about reading. It provides an escape", "sentence from a current writing project detailing how people in jail feel about", "This is a sentence from a current writing project detailing how people in", "a sentence from a current writing project detailing how people in jail feel", "escape from the reality of what lies before them: time. Should \"time\" be", "Should \"time\" be capitalized? I've seen published examples of both upper and lower", "examples of both upper and lower case instances during a brief research of", "reality of what lies before them: time.* Should \"time\" be capitalized? I've seen", "of what lies before them: time.* Should \"time\" be capitalized? I've seen published", "an escape from the reality of what lies before them: time.* Should \"time\"", "the reality of what lies before them: time.* Should \"time\" be capitalized? I've", "jail feel about reading. It provides an escape from the reality of what", "reading. It provides an escape from the reality of what lies before them:", "what lies before them: time.* Should \"time\" be capitalized? I've seen published examples", "seen published examples of both upper and lower case instances during a brief", "a current writing project detailing how people in jail feel about reading. It", "in jail feel about reading. It provides an escape from the reality of", "provides an escape from the reality of what lies before them: time.* Should", "I've seen published examples of both upper and lower case instances during a" ]
[ "the first sentence is a bit too advanced for the average reader. I", "trying to see how to scale it down so that a 13-year-old boy", "sentence: > > Pocket squares are a standout amongst the most vital apparatuses", "apparatuses for a > man of style. It's important to have the correct", "to scale it down so that a 13-year-old boy could comprehend the sentence.", "have the following sentence: > > Pocket squares are a standout amongst the", "correct event. > > > I feel the first sentence is a bit", "It's important to have the correct pocket square for the > correct event.", "have the correct pocket square for the > correct event. > > >", "I have the following sentence: > > Pocket squares are a standout amongst", "man of style. It's important to have the correct pocket square for the", "correct pocket square for the > correct event. > > > I feel", "following sentence: > > Pocket squares are a standout amongst the most vital", "is a bit too advanced for the average reader. I am trying to", "for a > man of style. It's important to have the correct pocket", "first sentence is a bit too advanced for the average reader. I am", "I am trying to see how to scale it down so that a", "the following sentence: > > Pocket squares are a standout amongst the most", "vital apparatuses for a > man of style. It's important to have the", "too advanced for the average reader. I am trying to see how to", "a bit too advanced for the average reader. I am trying to see", "> > > I feel the first sentence is a bit too advanced", "reader. I am trying to see how to scale it down so that", "to see how to scale it down so that a 13-year-old boy could", "> correct event. > > > I feel the first sentence is a", "pocket square for the > correct event. > > > I feel the", "the most vital apparatuses for a > man of style. It's important to", "advanced for the average reader. I am trying to see how to scale", "a > man of style. It's important to have the correct pocket square", "style. It's important to have the correct pocket square for the > correct", "> I feel the first sentence is a bit too advanced for the", "how to scale it down so that a 13-year-old boy could comprehend the", "squares are a standout amongst the most vital apparatuses for a > man", "amongst the most vital apparatuses for a > man of style. It's important", "am trying to see how to scale it down so that a 13-year-old", "a standout amongst the most vital apparatuses for a > man of style.", "square for the > correct event. > > > I feel the first", "> > I feel the first sentence is a bit too advanced for", "I feel the first sentence is a bit too advanced for the average", "> man of style. It's important to have the correct pocket square for", "> Pocket squares are a standout amongst the most vital apparatuses for a", "important to have the correct pocket square for the > correct event. >", "the correct pocket square for the > correct event. > > > I", "the average reader. I am trying to see how to scale it down", "Pocket squares are a standout amongst the most vital apparatuses for a >", "the > correct event. > > > I feel the first sentence is", "feel the first sentence is a bit too advanced for the average reader.", "for the average reader. I am trying to see how to scale it", "to have the correct pocket square for the > correct event. > >", "see how to scale it down so that a 13-year-old boy could comprehend", "most vital apparatuses for a > man of style. It's important to have", "bit too advanced for the average reader. I am trying to see how", "are a standout amongst the most vital apparatuses for a > man of", "sentence is a bit too advanced for the average reader. I am trying", "average reader. I am trying to see how to scale it down so", "for the > correct event. > > > I feel the first sentence", "> > Pocket squares are a standout amongst the most vital apparatuses for", "of style. It's important to have the correct pocket square for the >", "standout amongst the most vital apparatuses for a > man of style. It's", "event. > > > I feel the first sentence is a bit too" ]
[ "writing, in order to review and improve? Especially one’s early writings, which are", "humour, and the development of the main relationship is pretty strong (something I’m", "I can avoid the same pitfalls again. I am also interested in simply", "circles and subplots that never go anywhere at all. But there are also", "anywhere at all. But there are also some real gems of dialogue and", "gems of dialogue and humour, and the development of the main relationship is", "novel I wrote around 6 years ago. That was the first thing I’ve", "to their own bad writing, in order to review and improve? Especially one’s", "I try to sit down and read it, I am immediately put off", "the fanfiction with a more critical eye in order to pick out the", "dialogue and humour, and the development of the main relationship is pretty strong", "edited, and completed. I’ve been writing consistently since then and believe I have", "and improve? Especially one’s early writings, which are undeniably bad but have some", "read the fanfiction with a more critical eye in order to pick out", "to go back and read the fanfiction with a more critical eye in", "be expected. But I find it so cringey that I struggle to get", "in circles and subplots that never go anywhere at all. But there are", "with a more critical eye in order to pick out the good parts,", "and completed. I’ve been writing consistently since then and believe I have improved", "my very first attempt, so that’s to be expected. But I find it", "and believe I have improved immensely. I’ve reread that story a couple of", "years ago. That was the first thing I’ve ever fully planned, written, edited,", "to get past the opening chapter. I’m wondering if there’s any advice out", "which are undeniably bad but have some small gems of goodness hidden in", "and skipping wherever I feel like it. I know there are many problems", "novel that I’m remodelling from an old fanfiction novel I wrote around 6", "I wrote around 6 years ago. That was the first thing I’ve ever", "I’ve reread that story a couple of times since then, usually skimming and", "I had decided to go back and read the fanfiction with a more", "critical eye in order to pick out the good parts, so I can", "wherever I feel like it. I know there are many problems with it:", "However, whenever I try to sit down and read it, I am immediately", "are also some real gems of dialogue and humour, and the development of", "if there’s any advice out there to desensitise oneself to their own bad", "I feel like it. I know there are many problems with it: it’s", "out the good parts, so I can try to emulate them, and the", "pretty strong (something I’m struggling with in the current version). When starting the", "times since then, usually skimming and skipping wherever I feel like it. I", "was my very first attempt, so that’s to be expected. But I find", "it so cringey that I struggle to get past the opening chapter. I’m", "emulate them, and the bad parts, so I can avoid the same pitfalls", "so cringey that I struggle to get past the opening chapter. I’m wondering", "parts, so I can try to emulate them, and the bad parts, so", "the writing in many places is just plain bad. It was my very", "have improved immensely. I’ve reread that story a couple of times since then,", "chapter. I’m wondering if there’s any advice out there to desensitise oneself to", "development of the main relationship is pretty strong (something I’m struggling with in", "parts, so I can avoid the same pitfalls again. I am also interested", "currently working on a novel that I’m remodelling from an old fanfiction novel", "down and read it, I am immediately put off because the writing in", "cringey that I struggle to get past the opening chapter. I’m wondering if", "then, usually skimming and skipping wherever I feel like it. I know there", "It was my very first attempt, so that’s to be expected. But I", "I can try to emulate them, and the bad parts, so I can", "then and believe I have improved immensely. I’ve reread that story a couple", "novel, I had decided to go back and read the fanfiction with a", "of dialogue and humour, and the development of the main relationship is pretty", "know there are many problems with it: it’s too long, the prose is", "too long, the prose is often clunky, there’s inner monologue that goes round", "improved immensely. I’ve reread that story a couple of times since then, usually", "subplots that never go anywhere at all. But there are also some real", "so I can try to emulate them, and the bad parts, so I", "clunky, there’s inner monologue that goes round and round in circles and subplots", "the main relationship is pretty strong (something I’m struggling with in the current", "places is just plain bad. It was my very first attempt, so that’s", "out there to desensitise oneself to their own bad writing, in order to", "pick out the good parts, so I can try to emulate them, and", "the current version). When starting the new novel, I had decided to go", "with in the current version). When starting the new novel, I had decided", "current version). When starting the new novel, I had decided to go back", "many places is just plain bad. It was my very first attempt, so", "the first thing I’ve ever fully planned, written, edited, and completed. I’ve been", "thing I’ve ever fully planned, written, edited, and completed. I’ve been writing consistently", "much I have improved since then. However, whenever I try to sit down", "wondering if there’s any advice out there to desensitise oneself to their own", "couple of times since then, usually skimming and skipping wherever I feel like", "I know there are many problems with it: it’s too long, the prose", "main relationship is pretty strong (something I’m struggling with in the current version).", "on a novel that I’m remodelling from an old fanfiction novel I wrote", "long, the prose is often clunky, there’s inner monologue that goes round and", "pitfalls again. I am also interested in simply recording just how much I", "again. I am also interested in simply recording just how much I have", "it, I am immediately put off because the writing in many places is", "I am immediately put off because the writing in many places is just", "like it. I know there are many problems with it: it’s too long,", "and read the fanfiction with a more critical eye in order to pick", "more critical eye in order to pick out the good parts, so I", "writing in many places is just plain bad. It was my very first", "in many places is just plain bad. It was my very first attempt,", "order to pick out the good parts, so I can try to emulate", "since then and believe I have improved immensely. I’ve reread that story a", "an old fanfiction novel I wrote around 6 years ago. That was the", "round in circles and subplots that never go anywhere at all. But there", "some real gems of dialogue and humour, and the development of the main", "and humour, and the development of the main relationship is pretty strong (something", "try to emulate them, and the bad parts, so I can avoid the", "to sit down and read it, I am immediately put off because the", "many problems with it: it’s too long, the prose is often clunky, there’s", "never go anywhere at all. But there are also some real gems of", "them, and the bad parts, so I can avoid the same pitfalls again.", "first attempt, so that’s to be expected. But I find it so cringey", "relationship is pretty strong (something I’m struggling with in the current version). When", "there to desensitise oneself to their own bad writing, in order to review", "it: it’s too long, the prose is often clunky, there’s inner monologue that", "try to sit down and read it, I am immediately put off because", "oneself to their own bad writing, in order to review and improve? Especially", "strong (something I’m struggling with in the current version). When starting the new", "skimming and skipping wherever I feel like it. I know there are many", "and round in circles and subplots that never go anywhere at all. But", "am immediately put off because the writing in many places is just plain", "But I find it so cringey that I struggle to get past the", "immensely. I’ve reread that story a couple of times since then, usually skimming", "that story a couple of times since then, usually skimming and skipping wherever", "also interested in simply recording just how much I have improved since then.", "are many problems with it: it’s too long, the prose is often clunky,", "have improved since then. However, whenever I try to sit down and read", "is just plain bad. It was my very first attempt, so that’s to", "the bad parts, so I can avoid the same pitfalls again. I am", "immediately put off because the writing in many places is just plain bad.", "I’m remodelling from an old fanfiction novel I wrote around 6 years ago.", "struggle to get past the opening chapter. I’m wondering if there’s any advice", "since then, usually skimming and skipping wherever I feel like it. I know", "goes round and round in circles and subplots that never go anywhere at", "any advice out there to desensitise oneself to their own bad writing, in", "I struggle to get past the opening chapter. I’m wondering if there’s any", "feel like it. I know there are many problems with it: it’s too", "good parts, so I can try to emulate them, and the bad parts,", "very first attempt, so that’s to be expected. But I find it so", "to review and improve? Especially one’s early writings, which are undeniably bad but", "is often clunky, there’s inner monologue that goes round and round in circles", "I find it so cringey that I struggle to get past the opening", "reread that story a couple of times since then, usually skimming and skipping", "whenever I try to sit down and read it, I am immediately put", "from an old fanfiction novel I wrote around 6 years ago. That was", "that’s to be expected. But I find it so cringey that I struggle", "story a couple of times since then, usually skimming and skipping wherever I", "fully planned, written, edited, and completed. I’ve been writing consistently since then and", "I’m struggling with in the current version). When starting the new novel, I", "one’s early writings, which are undeniably bad but have some small gems of", "working on a novel that I’m remodelling from an old fanfiction novel I", "writings, which are undeniably bad but have some small gems of goodness hidden", "consistently since then and believe I have improved immensely. I’ve reread that story", "starting the new novel, I had decided to go back and read the", "and read it, I am immediately put off because the writing in many", "I’ve ever fully planned, written, edited, and completed. I’ve been writing consistently since", "old fanfiction novel I wrote around 6 years ago. That was the first", "own bad writing, in order to review and improve? 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I’ve been writing consistently since then and believe I have improved immensely.", "had decided to go back and read the fanfiction with a more critical", "simply recording just how much I have improved since then. However, whenever I", "around 6 years ago. That was the first thing I’ve ever fully planned,", "to pick out the good parts, so I can try to emulate them,", "in the current version). When starting the new novel, I had decided to", "that never go anywhere at all. But there are also some real gems", "it’s too long, the prose is often clunky, there’s inner monologue that goes", "I have improved since then. However, whenever I try to sit down and", "the new novel, I had decided to go back and read the fanfiction", "a more critical eye in order to pick out the good parts, so", "planned, written, edited, and completed. 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It was my", "of times since then, usually skimming and skipping wherever I feel like it.", "with it: it’s too long, the prose is often clunky, there’s inner monologue", "I’m wondering if there’s any advice out there to desensitise oneself to their", "their own bad writing, in order to review and improve? Especially one’s early", "to desensitise oneself to their own bad writing, in order to review and", "monologue that goes round and round in circles and subplots that never go", "prose is often clunky, there’s inner monologue that goes round and round in", "is pretty strong (something I’m struggling with in the current version). When starting", "desensitise oneself to their own bad writing, in order to review and improve?", "there are also some real gems of dialogue and humour, and the development", "bad writing, in order to review and improve? Especially one’s early writings, which", "and the bad parts, so I can avoid the same pitfalls again. I", "struggling with in the current version). When starting the new novel, I had", "find it so cringey that I struggle to get past the opening chapter.", "also some real gems of dialogue and humour, and the development of the", "inner monologue that goes round and round in circles and subplots that never", "sit down and read it, I am immediately put off because the writing", "to emulate them, and the bad parts, so I can avoid the same", "read it, I am immediately put off because the writing in many places", "wrote around 6 years ago. That was the first thing I’ve ever fully", "writing consistently since then and believe I have improved immensely. I’ve reread that", "new novel, I had decided to go back and read the fanfiction with", "expected. But I find it so cringey that I struggle to get past", "review and improve? Especially one’s early writings, which are undeniably bad but have", "avoid the same pitfalls again. 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When starting the new novel, I had decided to go back and", "to be expected. But I find it so cringey that I struggle to", "fanfiction novel I wrote around 6 years ago. That was the first thing", "advice out there to desensitise oneself to their own bad writing, in order", "early writings, which are undeniably bad but have some small gems of goodness", "attempt, so that’s to be expected. But I find it so cringey that", "I have improved immensely. I’ve reread that story a couple of times since", "that I’m remodelling from an old fanfiction novel I wrote around 6 years", "(something I’m struggling with in the current version). When starting the new novel,", "When starting the new novel, I had decided to go back and read", "Especially one’s early writings, which are undeniably bad but have some small gems", "the prose is often clunky, there’s inner monologue that goes round and round", "go back and read the fanfiction with a more critical eye in order", "back and read the fanfiction with a more critical eye in order to", "then. However, whenever I try to sit down and read it, I am", "opening chapter. I’m wondering if there’s any advice out there to desensitise oneself", "just plain bad. It was my very first attempt, so that’s to be", "in order to review and improve? Especially one’s early writings, which are undeniably", "at all. But there are also some real gems of dialogue and humour,", "recording just how much I have improved since then. However, whenever I try", "just how much I have improved since then. However, whenever I try to", "improve? Especially one’s early writings, which are undeniably bad but have some small", "so I can avoid the same pitfalls again. I am also interested in", "past the opening chapter. I’m wondering if there’s any advice out there to", "written, edited, and completed. I’ve been writing consistently since then and believe I", "first thing I’ve ever fully planned, written, edited, and completed. I’ve been writing", "I’m currently working on a novel that I’m remodelling from an old fanfiction", "can try to emulate them, and the bad parts, so I can avoid", "off because the writing in many places is just plain bad. It was", "was the first thing I’ve ever fully planned, written, edited, and completed. I’ve", "of the main relationship is pretty strong (something I’m struggling with in the", "get past the opening chapter. I’m wondering if there’s any advice out there", "real gems of dialogue and humour, and the development of the main relationship", "the development of the main relationship is pretty strong (something I’m struggling with", "it. I know there are many problems with it: it’s too long, the", "are undeniably bad but have some small gems of goodness hidden in them.", "put off because the writing in many places is just plain bad. It", "the good parts, so I can try to emulate them, and the bad", "decided to go back and read the fanfiction with a more critical eye", "there’s inner monologue that goes round and round in circles and subplots that" ]
[ "use adverbs properly in fiction writing? In a related question, [a reply states](https://writers.stackexchange.com/a/8098/29022):", "smart. Really, \"She's incredibly beautiful\" is better than \"She's pulchritudinous\". > > >", "related question, [a reply states](https://writers.stackexchange.com/a/8098/29022): > > When to use [adverbs]? When your", "very little to the meaning but sounding smart. Really, \"She's incredibly beautiful\" is", "wasn't the question asked. But, are there actually places where adverbs shine? Can", "When your alternative would be pretentious. There are strong nouns and verbs, that", "shine? Can they be used effectively, or are there certain effects that they", "expressions adding very little to the meaning but sounding smart. Really, \"She's incredibly", "pretentious. There are strong nouns and verbs, that pinpoint given meaning, and there", "the question asked. But, are there actually places where adverbs shine? Can they", "and there are pretentious ones, that replace common expressions adding very little to", "would be pretentious. There are strong nouns and verbs, that pinpoint given meaning,", "How do you use adverbs properly in fiction writing? In a related question,", "do you use adverbs properly in fiction writing? In a related question, [a", "> When to use [adverbs]? When your alternative would be pretentious. There are", "> > > (Emphasis added.) Obviously, this reply doesn't go into detail there", "a related question, [a reply states](https://writers.stackexchange.com/a/8098/29022): > > When to use [adverbs]? When", "you use adverbs properly in fiction writing? In a related question, [a reply", "doesn't go into detail there - because it wasn't the question asked. But,", "to use [adverbs]? When your alternative would be pretentious. There are strong nouns", "adverbs properly in fiction writing? In a related question, [a reply states](https://writers.stackexchange.com/a/8098/29022): >", "There are strong nouns and verbs, that pinpoint given meaning, and there are", "Can they be used effectively, or are there certain effects that they are", "adding very little to the meaning but sounding smart. *Really, \"She's incredibly beautiful\"", "meaning but sounding smart. Really, \"She's incredibly beautiful\" is better than \"She's pulchritudinous\".", "writing? In a related question, [a reply states](https://writers.stackexchange.com/a/8098/29022): > > When to use", "Obviously, this reply doesn't go into detail there - because it wasn't the", "used effectively, or are there certain effects that they are especially good at?", "\"She's incredibly beautiful\" is better than \"She's pulchritudinous\".* > > > (Emphasis added.)", "reply states](https://writers.stackexchange.com/a/8098/29022): > > When to use [adverbs]? When your alternative would be", "your alternative would be pretentious. There are strong nouns and verbs, that pinpoint", "better than \"She's pulchritudinous\".* > > > (Emphasis added.) Obviously, this reply doesn't", "pretentious ones, that replace common expressions adding very little to the meaning but", "pinpoint given meaning, and there are pretentious ones, that replace common expressions adding", "> > When to use [adverbs]? When your alternative would be pretentious. There", "[adverbs]? When your alternative would be pretentious. There are strong nouns and verbs,", "they be used effectively, or are there certain effects that they are especially", "(Emphasis added.) Obviously, this reply doesn't go into detail there - because it", "it wasn't the question asked. But, are there actually places where adverbs shine?", "is better than \"She's pulchritudinous\".* > > > (Emphasis added.) Obviously, this reply", "Really, \"She's incredibly beautiful\" is better than \"She's pulchritudinous\". > > > (Emphasis", "ones, that replace common expressions adding very little to the meaning but sounding", "- because it wasn't the question asked. But, are there actually places where", "but sounding smart. Really, \"She's incredibly beautiful\" is better than \"She's pulchritudinous\". >", "When to use [adverbs]? When your alternative would be pretentious. There are strong", "be used effectively, or are there certain effects that they are especially good", "incredibly beautiful\" is better than \"She's pulchritudinous\".* > > > (Emphasis added.) Obviously,", "But, are there actually places where adverbs shine? Can they be used effectively,", "in fiction writing? In a related question, [a reply states](https://writers.stackexchange.com/a/8098/29022): > > When", "sounding smart. Really, \"She's incredibly beautiful\" is better than \"She's pulchritudinous\". > >", "there - because it wasn't the question asked. But, are there actually places", "states](https://writers.stackexchange.com/a/8098/29022): > > When to use [adverbs]? When your alternative would be pretentious.", "reply doesn't go into detail there - because it wasn't the question asked.", "because it wasn't the question asked. But, are there actually places where adverbs", "use [adverbs]? When your alternative would be pretentious. There are strong nouns and", "added.) Obviously, this reply doesn't go into detail there - because it wasn't", "nouns and verbs, that pinpoint given meaning, and there are pretentious ones, that", "to the meaning but sounding smart. Really, \"She's incredibly beautiful\" is better than", "meaning, and there are pretentious ones, that replace common expressions adding very little", "In a related question, [a reply states](https://writers.stackexchange.com/a/8098/29022): > > When to use [adverbs]?", "little to the meaning but sounding smart. Really, \"She's incredibly beautiful\" is better", "asked. But, are there actually places where adverbs shine? Can they be used", "are pretentious ones, that replace common expressions adding very little to the meaning", "alternative would be pretentious. There are strong nouns and verbs, that pinpoint given", "than \"She's pulchritudinous\".* > > > (Emphasis added.) Obviously, this reply doesn't go", "are strong nouns and verbs, that pinpoint given meaning, and there are pretentious", "into detail there - because it wasn't the question asked. But, are there", "that replace common expressions adding very little to the meaning but sounding smart.", "strong nouns and verbs, that pinpoint given meaning, and there are pretentious ones,", "question asked. But, are there actually places where adverbs shine? Can they be", "detail there - because it wasn't the question asked. But, are there actually", "the meaning but sounding smart. *Really, \"She's incredibly beautiful\" is better than \"She's", "\"She's pulchritudinous\".* > > > (Emphasis added.) Obviously, this reply doesn't go into", "actually places where adverbs shine? Can they be used effectively, or are there", "pulchritudinous\".* > > > (Emphasis added.) Obviously, this reply doesn't go into detail", "common expressions adding very little to the meaning but sounding smart. Really, \"She's", "be pretentious. There are strong nouns and verbs, that pinpoint given meaning, and", "verbs, that pinpoint given meaning, and there are pretentious ones, that replace common", "fiction writing?* In a related question, [a reply states](https://writers.stackexchange.com/a/8098/29022): > > When to", "replace common expressions adding very little to the meaning but sounding smart. *Really,", "are there actually places where adverbs shine? Can they be used effectively, or", "there are pretentious ones, that replace common expressions adding very little to the", "properly in fiction writing? In a related question, [a reply states](https://writers.stackexchange.com/a/8098/29022): > >", "> > (Emphasis added.) Obviously, this reply doesn't go into detail there -", "question, [a reply states](https://writers.stackexchange.com/a/8098/29022): > > When to use [adverbs]? When your alternative", "places where adverbs shine? Can they be used effectively, or are there certain", "go into detail there - because it wasn't the question asked. But, are", "where adverbs shine? Can they be used effectively, or are there certain effects", "adverbs shine? Can they be used effectively, or are there certain effects that", "that pinpoint given meaning, and there are pretentious ones, that replace common expressions", "given meaning, and there are pretentious ones, that replace common expressions adding very", "[a reply states](https://writers.stackexchange.com/a/8098/29022): > > When to use [adverbs]? When your alternative would", "> (Emphasis added.) Obviously, this reply doesn't go into detail there - because", "and verbs, that pinpoint given meaning, and there are pretentious ones, that replace", "beautiful\" is better than \"She's pulchritudinous\".*** > > > (Emphasis added.) Obviously, this", "this reply doesn't go into detail there - because it wasn't the question", "there actually places where adverbs shine? Can they be used effectively, or are" ]
[ "how much is going on inside of it, so I'm starting to question", "for that in the publishing world? Background I'm about to finish my first", "and drop the story that follows them. This would immediately get me into", "characters is going to be difficult. Which means that perhaps the easiest solution", "question. The work is fiction, what I'd call post-post-apocalypse, not hard-sci-fi, but soft", "to finish my first novel's first draft. The total word count of the", "over a year ago. Regardless of which direction I go, all stories are", "the perspective of individual characters? Or is there no time for that in", "a book of their own. The book is hard to pitch with how", "to be difficult. Which means that perhaps the easiest solution is to just", "the easiest solution is to just axe one of the main characters from", "characters arc is approaching the minimum word count for a book of their", "I'd appreciate any sage advice on the situation, my real interest is what", "and world but take the perspective of individual characters? Or is there no", "All of the stories work together as well as they can for being", "of protagonist and drop the story that follows them. This would immediately get", "is to really tighten the story up. Still, cutting 75,000 words and keeping", "move onto something shorter and better for the mistakes I've learned from? Or,", "but take the perspective of individual characters? Or is there no time for", "of work marketable? I'm aware genres matter in answer the question. The work", "written the 1st draft for 3 novels at once. But, I also need", "word count for a book of their own. The book is hard to", "interest is what my next steps should be given the existing market. Last", "and an epilogue to tie it all up. The whole project will be", "wordcount range. Not necessarily impossible, but difficult. While I'd appreciate any sage advice", "words before revisions (close to a 500 page paperback). This has happened because", "work together as well as they can for being a first draft and", "three main characters/protagonists, many locations, and several distinct plot arcs. I thought it", "with revisions I plan on tightening that up. But, when I look at", "locations, and several distinct plot arcs. I thought it would all come out", "role of protagonist and drop the story that follows them. This would immediately", "days? (near 200,000 words) * Would it be smarter of me to try", "are relevant to the next novel in the outline which brings everything to", "because I have a three main characters/protagonists, many locations, and several distinct plot", "there no time for that in the publishing world? Background I'm about to", "in 2-book deals, not 3-book deals; but that was well over a year", "going on inside of it, so I'm starting to question whether what I've", "for a book of their own. The book is hard to pitch with", "publishing world? Background I'm about to finish my first novel's first draft. The", "done is written the 1st draft for 3 novels at once. But, I", "follows them. This would immediately get me into wordcount range. Not necessarily impossible,", "steps should be given the existing market. Last I heard publishers were interested", "market. Last I heard publishers were interested in 2-book deals, not 3-book deals;", "distinct plot arcs. I thought it would all come out at about 150,000", "I heard publishers were interested in 2-book deals, not 3-book deals; but that", "smarter of me to try and break it into 3 parallel stand-alone novels", "of it, so I'm starting to question whether what I've really done is", "of individual characters? Or is there no time for that in the publishing", "axe one of the main characters from the role of protagonist and drop", "with how much is going on inside of it, so I'm starting to", "all come out at about 150,000 and was wrong. All of the stories", "has happened because I have a three main characters/protagonists, many locations, and several", "was well over a year ago. Regardless of which direction I go, all", "I still have one more chapter to write and an epilogue to tie", "impossible, but difficult. While I'd appreciate any sage advice on the situation, my", "on the situation, my real interest is what my next steps should be", "from? Or, is this type of work marketable? I'm aware genres matter in", "industry: * Can a new author get a longer work published these days?", "of which direction I go, all stories are relevant to the next novel", "Not necessarily impossible, but difficult. While I'd appreciate any sage advice on the", "I'm about to finish my first novel's first draft. The total word count", "2-book deals, not 3-book deals; but that was well over a year ago.", "is 201,969. I still have one more chapter to write and an epilogue", "1st draft for 3 novels at once. But, I also need to do", "The book is hard to pitch with how much is going on inside", "revisions and my plan is to really tighten the story up. Still, cutting", "answer the question. The work is fiction, what I'd call post-post-apocalypse, not hard-sci-fi,", "words and keeping all the characters is going to be difficult. Which means", "a first draft and with revisions I plan on tightening that up. But,", "first draft and with revisions I plan on tightening that up. But, when", "my real interest is what my next steps should be given the existing", "to just axe one of the main characters from the role of protagonist", "75,000 words and keeping all the characters is going to be difficult. Which", "of the main characters from the role of protagonist and drop the story", "perspective of individual characters? Or is there no time for that in the", "up. Still, cutting 75,000 words and keeping all the characters is going to", "one of the main characters from the role of protagonist and drop the", "genres matter in answer the question. The work is fiction, what I'd call", "would all come out at about 150,000 and was wrong. All of the", "means each characters arc is approaching the minimum word count for a book", "everything to a close. I'm just trying to decide if this is trunk", "the mistakes I've learned from? Or, is this type of work marketable? I'm", "(near 200,000 words) * Would it be smarter of me to try and", "have one more chapter to write and an epilogue to tie it all", "they're not too far off from a 1/3rd of the book each, which", "words) * Would it be smarter of me to try and break it", "situation, my real interest is what my next steps should be given the", "is fiction, what I'd call post-post-apocalypse, not hard-sci-fi, but soft sci-fi elements. Sub", "when I look at each character they're not too far off from a", "Is this a mistake, and I now move onto something shorter and better", "next novel in the outline which brings everything to a close. I'm just", "a longer work published these days? (near 200,000 words) * Would it be", "fiction, what I'd call post-post-apocalypse, not hard-sci-fi, but soft sci-fi elements. Sub Genres:", "at each character they're not too far off from a 1/3rd of the", "published or are in the publishing industry: * Can a new author get", "one more chapter to write and an epilogue to tie it all up.", "should be given the existing market. Last I heard publishers were interested in", "While I'd appreciate any sage advice on the situation, my real interest is", "the 1st draft for 3 novels at once. But, I also need to", "first draft. The total word count of the book is 201,969. I still", "in answer the question. The work is fiction, what I'd call post-post-apocalypse, not", "arc is approaching the minimum word count for a book of their own.", "matter in answer the question. The work is fiction, what I'd call post-post-apocalypse,", "a three main characters/protagonists, many locations, and several distinct plot arcs. I thought", "no time for that in the publishing world? Background I'm about to finish", "those who have been published or are in the publishing industry: * Can", "of the book is 201,969. I still have one more chapter to write", "and several distinct plot arcs. I thought it would all come out at", "not. Is this a mistake, and I now move onto something shorter and", "which means each characters arc is approaching the minimum word count for a", "the question. The work is fiction, what I'd call post-post-apocalypse, not hard-sci-fi, but", "I now move onto something shorter and better for the mistakes I've learned", "the stories work together as well as they can for being a first", "is approaching the minimum word count for a book of their own. The", "* Would it be smarter of me to try and break it into", "something shorter and better for the mistakes I've learned from? Or, is this", "starting to question whether what I've really done is written the 1st draft", "necessarily impossible, but difficult. While I'd appreciate any sage advice on the situation,", "at once. But, I also need to do some serious revisions and my", "immediately get me into wordcount range. Not necessarily impossible, but difficult. While I'd", "much is going on inside of it, so I'm starting to question whether", "(close to a 500 page paperback). This has happened because I have a", "solution is to just axe one of the main characters from the role", "book each, which means each characters arc is approaching the minimum word count", "a mistake, and I now move onto something shorter and better for the", "a 500 page paperback). This has happened because I have a three main", "Last I heard publishers were interested in 2-book deals, not 3-book deals; but", "with the same time period, events and world but take the perspective of", "of the stories work together as well as they can for being a", "not too far off from a 1/3rd of the book each, which means", "for being a first draft and with revisions I plan on tightening that", "The whole project will be roughly 210,000 words before revisions (close to a", "finish my first novel's first draft. The total word count of the book", "keeping all the characters is going to be difficult. Which means that perhaps", "Regardless of which direction I go, all stories are relevant to the next", "characters from the role of protagonist and drop the story that follows them.", "and keeping all the characters is going to be difficult. Which means that", "was wrong. All of the stories work together as well as they can", "a close. I'm just trying to decide if this is trunk or not.", "try and break it into 3 parallel stand-alone novels that interact with the", "trunk or not. Is this a mistake, and I now move onto something", "write and an epilogue to tie it all up. The whole project will", "or not. Is this a mistake, and I now move onto something shorter", "count for a book of their own. The book is hard to pitch", "I'm starting to question whether what I've really done is written the 1st", "shorter and better for the mistakes I've learned from? Or, is this type", "type of work marketable? I'm aware genres matter in answer the question. The", "main characters from the role of protagonist and drop the story that follows", "150,000 and was wrong. All of the stories work together as well as", "is there no time for that in the publishing world? Background I'm about", "stories work together as well as they can for being a first draft", "perhaps the easiest solution is to just axe one of the main characters", "interact with the same time period, events and world but take the perspective", "the minimum word count for a book of their own. The book is", "mistake, and I now move onto something shorter and better for the mistakes", "me into wordcount range. Not necessarily impossible, but difficult. While I'd appreciate any", "but that was well over a year ago. Regardless of which direction I", "For those who have been published or are in the publishing industry: ", "work is fiction, what I'd call post-post-apocalypse, not hard-sci-fi, but soft sci-fi elements.", "publishing industry: Can a new author get a longer work published these", "each character they're not too far off from a 1/3rd of the book", "me to try and break it into 3 parallel stand-alone novels that interact", "parallel stand-alone novels that interact with the same time period, events and world", "to write and an epilogue to tie it all up. The whole project", "I'd call post-post-apocalypse, not hard-sci-fi, but soft sci-fi elements. Sub Genres: Mystery, War.", "work marketable? I'm aware genres matter in answer the question. The work is", "thought it would all come out at about 150,000 and was wrong. All", "the characters is going to be difficult. Which means that perhaps the easiest", "be given the existing market. Last I heard publishers were interested in 2-book", "what my next steps should be given the existing market. Last I heard", "I look at each character they're not too far off from a 1/3rd", "of their own. The book is hard to pitch with how much is", "roughly 210,000 words before revisions (close to a 500 page paperback). This has", "story up. Still, cutting 75,000 words and keeping all the characters is going", "hard to pitch with how much is going on inside of it, so", "drop the story that follows them. This would immediately get me into wordcount", "into wordcount range. Not necessarily impossible, but difficult. While I'd appreciate any sage", "will be roughly 210,000 words before revisions (close to a 500 page paperback).", "in the outline which brings everything to a close. I'm just trying to", "their own. The book is hard to pitch with how much is going", "and break it into 3 parallel stand-alone novels that interact with the same", "mistakes I've learned from? Or, is this type of work marketable? I'm aware", "my first novel's first draft. The total word count of the book is", "draft for 3 novels at once. But, I also need to do some", "I'm just trying to decide if this is trunk or not. Is this", "just trying to decide if this is trunk or not. Is this a", "all up. The whole project will be roughly 210,000 words before revisions (close", "approaching the minimum word count for a book of their own. The book", "and with revisions I plan on tightening that up. But, when I look", "question whether what I've really done is written the 1st draft for 3", "own. The book is hard to pitch with how much is going on", "just axe one of the main characters from the role of protagonist and", "the book each, which means each characters arc is approaching the minimum word", "and I now move onto something shorter and better for the mistakes I've", "going to be difficult. Which means that perhaps the easiest solution is to", "all stories are relevant to the next novel in the outline which brings", "I go, all stories are relevant to the next novel in the outline", "difficult. While I'd appreciate any sage advice on the situation, my real interest", "inside of it, so I'm starting to question whether what I've really done", "deals; but that was well over a year ago. Regardless of which direction", "means that perhaps the easiest solution is to just axe one of the", "were interested in 2-book deals, not 3-book deals; but that was well over", "do some serious revisions and my plan is to really tighten the story", "individual characters? Or is there no time for that in the publishing world?", "trying to decide if this is trunk or not. Is this a mistake,", "well as they can for being a first draft and with revisions I", "be smarter of me to try and break it into 3 parallel stand-alone", "decide if this is trunk or not. Is this a mistake, and I", "200,000 words) * Would it be smarter of me to try and break", "to decide if this is trunk or not. Is this a mistake, and", "novels at once. But, I also need to do some serious revisions and", "Question For those who have been published or are in the publishing industry:", "3-book deals; but that was well over a year ago. Regardless of which", "the publishing world? Background I'm about to finish my first novel's first draft.", "better for the mistakes I've learned from? Or, is this type of work", "chapter to write and an epilogue to tie it all up. The whole", "publishers were interested in 2-book deals, not 3-book deals; but that was well", "cutting 75,000 words and keeping all the characters is going to be difficult.", "need to do some serious revisions and my plan is to really tighten", "now move onto something shorter and better for the mistakes I've learned from?", "look at each character they're not too far off from a 1/3rd of", "But, when I look at each character they're not too far off from", "get me into wordcount range. Not necessarily impossible, but difficult. While I'd appreciate", "3 novels at once. But, I also need to do some serious revisions", "I have a three main characters/protagonists, many locations, and several distinct plot arcs.", "be difficult. Which means that perhaps the easiest solution is to just axe", "the next novel in the outline which brings everything to a close. I'm", "the outline which brings everything to a close. I'm just trying to decide", "and better for the mistakes I've learned from? Or, is this type of", "next steps should be given the existing market. Last I heard publishers were", "together as well as they can for being a first draft and with", "so I'm starting to question whether what I've really done is written the", "really tighten the story up. Still, cutting 75,000 words and keeping all the", "it into 3 parallel stand-alone novels that interact with the same time period,", "an epilogue to tie it all up. The whole project will be roughly", "my next steps should be given the existing market. Last I heard publishers", "epilogue to tie it all up. The whole project will be roughly 210,000", "in the publishing industry: * Can a new author get a longer work", "book is hard to pitch with how much is going on inside of", "1/3rd of the book each, which means each characters arc is approaching the", "on inside of it, so I'm starting to question whether what I've really", "come out at about 150,000 and was wrong. All of the stories work", "201,969. I still have one more chapter to write and an epilogue to", "for 3 novels at once. But, I also need to do some serious", "to the next novel in the outline which brings everything to a close.", "deals, not 3-book deals; but that was well over a year ago. Regardless", "same time period, events and world but take the perspective of individual characters?", "and my plan is to really tighten the story up. Still, cutting 75,000", "novel's first draft. The total word count of the book is 201,969. I", "paperback). This has happened because I have a three main characters/protagonists, many locations,", "each characters arc is approaching the minimum word count for a book of", "project will be roughly 210,000 words before revisions (close to a 500 page", "main characters/protagonists, many locations, and several distinct plot arcs. I thought it would", "or are in the publishing industry: * Can a new author get a", "some serious revisions and my plan is to really tighten the story up.", "break it into 3 parallel stand-alone novels that interact with the same time", "this a mistake, and I now move onto something shorter and better for", "is trunk or not. Is this a mistake, and I now move onto", "any sage advice on the situation, my real interest is what my next", "But, I also need to do some serious revisions and my plan is", "these days? (near 200,000 words) * Would it be smarter of me to", "novels that interact with the same time period, events and world but take", "can for being a first draft and with revisions I plan on tightening", "year ago. Regardless of which direction I go, all stories are relevant to", "that was well over a year ago. Regardless of which direction I go,", "be roughly 210,000 words before revisions (close to a 500 page paperback). This", "out at about 150,000 and was wrong. All of the stories work together", "to pitch with how much is going on inside of it, so I'm", "draft. The total word count of the book is 201,969. I still have", "the role of protagonist and drop the story that follows them. This would", "the same time period, events and world but take the perspective of individual", "the main characters from the role of protagonist and drop the story that", "my plan is to really tighten the story up. Still, cutting 75,000 words", "the publishing industry: * Can a new author get a longer work published", "world but take the perspective of individual characters? Or is there no time", "at about 150,000 and was wrong. All of the stories work together as", "that in the publishing world? Background I'm about to finish my first novel's", "published these days? (near 200,000 words) * Would it be smarter of me", "story that follows them. This would immediately get me into wordcount range. Not", "count of the book is 201,969. I still have one more chapter to", "all the characters is going to be difficult. Which means that perhaps the", "book of their own. The book is hard to pitch with how much", "characters? Or is there no time for that in the publishing world? Background", "really done is written the 1st draft for 3 novels at once. But,", "longer work published these days? (near 200,000 words) * Would it be smarter", "outline which brings everything to a close. I'm just trying to decide if", "page paperback). This has happened because I have a three main characters/protagonists, many", "have been published or are in the publishing industry: * Can a new", "being a first draft and with revisions I plan on tightening that up.", "of the book each, which means each characters arc is approaching the minimum", "I've learned from? Or, is this type of work marketable? I'm aware genres", "brings everything to a close. I'm just trying to decide if this is", "a new author get a longer work published these days? (near 200,000 words)", "3 parallel stand-alone novels that interact with the same time period, events and", "the book is 201,969. I still have one more chapter to write and", "characters/protagonists, many locations, and several distinct plot arcs. I thought it would all", "revisions (close to a 500 page paperback). This has happened because I have", "learned from? Or, is this type of work marketable? I'm aware genres matter", "relevant to the next novel in the outline which brings everything to a", "tie it all up. The whole project will be roughly 210,000 words before", "to really tighten the story up. Still, cutting 75,000 words and keeping all", "real interest is what my next steps should be given the existing market.", "the existing market. Last I heard publishers were interested in 2-book deals, not", "serious revisions and my plan is to really tighten the story up. Still,", "whole project will be roughly 210,000 words before revisions (close to a 500", "take the perspective of individual characters? Or is there no time for that", "from a 1/3rd of the book each, which means each characters arc is", "which direction I go, all stories are relevant to the next novel in", "from the role of protagonist and drop the story that follows them. This", "close. I'm just trying to decide if this is trunk or not. Is", "this is trunk or not. Is this a mistake, and I now move", "is to just axe one of the main characters from the role of", "once. But, I also need to do some serious revisions and my plan", "not 3-book deals; but that was well over a year ago. Regardless of", "The work is fiction, what I'd call post-post-apocalypse, not hard-sci-fi, but soft sci-fi", "is written the 1st draft for 3 novels at once. But, I also", "advice on the situation, my real interest is what my next steps should", "Still, cutting 75,000 words and keeping all the characters is going to be", "I plan on tightening that up. But, when I look at each character", "revisions I plan on tightening that up. But, when I look at each", "time period, events and world but take the perspective of individual characters? Or", "direction I go, all stories are relevant to the next novel in the", "marketable? I'm aware genres matter in answer the question. The work is fiction,", "would immediately get me into wordcount range. Not necessarily impossible, but difficult. While", "ago. Regardless of which direction I go, all stories are relevant to the", "to question whether what I've really done is written the 1st draft for", "given the existing market. Last I heard publishers were interested in 2-book deals,", "still have one more chapter to write and an epilogue to tie it", "on tightening that up. But, when I look at each character they're not", "go, all stories are relevant to the next novel in the outline which", "plot arcs. I thought it would all come out at about 150,000 and", "several distinct plot arcs. I thought it would all come out at about", "I thought it would all come out at about 150,000 and was wrong.", "draft and with revisions I plan on tightening that up. But, when I", "range. Not necessarily impossible, but difficult. While I'd appreciate any sage advice on", "I've really done is written the 1st draft for 3 novels at once.", "to a close. I'm just trying to decide if this is trunk or", "the story that follows them. This would immediately get me into wordcount range.", "what I've really done is written the 1st draft for 3 novels at", "for the mistakes I've learned from? Or, is this type of work marketable?", "more chapter to write and an epilogue to tie it all up. The", "that up. But, when I look at each character they're not too far", "whether what I've really done is written the 1st draft for 3 novels", "what I'd call post-post-apocalypse, not hard-sci-fi, but soft sci-fi elements. Sub Genres: Mystery,", "interested in 2-book deals, not 3-book deals; but that was well over a", "total word count of the book is 201,969. I still have one more", "to try and break it into 3 parallel stand-alone novels that interact with", "it would all come out at about 150,000 and was wrong. All of", "have a three main characters/protagonists, many locations, and several distinct plot arcs. I", "a year ago. Regardless of which direction I go, all stories are relevant", "far off from a 1/3rd of the book each, which means each characters", "appreciate any sage advice on the situation, my real interest is what my", "this type of work marketable? I'm aware genres matter in answer the question.", "get a longer work published these days? (near 200,000 words) * Would it", "easiest solution is to just axe one of the main characters from the", "but difficult. While I'd appreciate any sage advice on the situation, my real", "about 150,000 and was wrong. All of the stories work together as well", "wrong. All of the stories work together as well as they can for", "them. This would immediately get me into wordcount range. Not necessarily impossible, but", "500 page paperback). This has happened because I have a three main characters/protagonists,", "word count of the book is 201,969. I still have one more chapter", "as well as they can for being a first draft and with revisions", "time for that in the publishing world? Background I'm about to finish my", "plan on tightening that up. But, when I look at each character they're", "is this type of work marketable? I'm aware genres matter in answer the", "plan is to really tighten the story up. Still, cutting 75,000 words and", "arcs. I thought it would all come out at about 150,000 and was", "new author get a longer work published these days? (near 200,000 words) ", "it all up. The whole project will be roughly 210,000 words before revisions", "character they're not too far off from a 1/3rd of the book each,", "aware genres matter in answer the question. The work is fiction, what I'd", "into 3 parallel stand-alone novels that interact with the same time period, events", "if this is trunk or not. Is this a mistake, and I now", "as they can for being a first draft and with revisions I plan", "events and world but take the perspective of individual characters? Or is there", "work published these days? (near 200,000 words) Would it be smarter of", "a 1/3rd of the book each, which means each characters arc is approaching", "existing market. Last I heard publishers were interested in 2-book deals, not 3-book", "Or, is this type of work marketable? I'm aware genres matter in answer", "happened because I have a three main characters/protagonists, many locations, and several distinct", "Would it be smarter of me to try and break it into 3", "minimum word count for a book of their own. The book is hard", "heard publishers were interested in 2-book deals, not 3-book deals; but that was", "author get a longer work published these days? (near 200,000 words) * Would", "before revisions (close to a 500 page paperback). This has happened because I", "it, so I'm starting to question whether what I've really done is written", "it be smarter of me to try and break it into 3 parallel", "tightening that up. But, when I look at each character they're not too", "book is 201,969. I still have one more chapter to write and an", "about to finish my first novel's first draft. The total word count of", "Can a new author get a longer work published these days? (near 200,000", "world? Background I'm about to finish my first novel's first draft. The total", "and was wrong. All of the stories work together as well as they", "is what my next steps should be given the existing market. Last I", "are in the publishing industry: * Can a new author get a longer", "The total word count of the book is 201,969. I still have one", "up. But, when I look at each character they're not too far off", "in the publishing world? Background I'm about to finish my first novel's first", "too far off from a 1/3rd of the book each, which means each", "This would immediately get me into wordcount range. Not necessarily impossible, but difficult.", "This has happened because I have a three main characters/protagonists, many locations, and", "they can for being a first draft and with revisions I plan on", "210,000 words before revisions (close to a 500 page paperback). This has happened", "onto something shorter and better for the mistakes I've learned from? Or, is", "pitch with how much is going on inside of it, so I'm starting", "Background I'm about to finish my first novel's first draft. The total word", "the story up. Still, cutting 75,000 words and keeping all the characters is", "that interact with the same time period, events and world but take the", "to a 500 page paperback). This has happened because I have a three", "tighten the story up. Still, cutting 75,000 words and keeping all the characters", "which brings everything to a close. I'm just trying to decide if this", "stand-alone novels that interact with the same time period, events and world but", "stories are relevant to the next novel in the outline which brings everything", "* Can a new author get a longer work published these days? (near", "also need to do some serious revisions and my plan is to really", "that follows them. This would immediately get me into wordcount range. Not necessarily", "well over a year ago. Regardless of which direction I go, all stories", "who have been published or are in the publishing industry: * Can a", "is hard to pitch with how much is going on inside of it,", "of me to try and break it into 3 parallel stand-alone novels that", "to tie it all up. The whole project will be roughly 210,000 words", "many locations, and several distinct plot arcs. I thought it would all come", "each, which means each characters arc is approaching the minimum word count for", "I'm aware genres matter in answer the question. The work is fiction, what", "up. The whole project will be roughly 210,000 words before revisions (close to", "Which means that perhaps the easiest solution is to just axe one of", "that perhaps the easiest solution is to just axe one of the main", "first novel's first draft. The total word count of the book is 201,969.", "sage advice on the situation, my real interest is what my next steps", "off from a 1/3rd of the book each, which means each characters arc", "Or is there no time for that in the publishing world? Background I'm", "novel in the outline which brings everything to a close. I'm just trying", "I also need to do some serious revisions and my plan is to", "period, events and world but take the perspective of individual characters? Or is", "is going to be difficult. Which means that perhaps the easiest solution is", "difficult. Which means that perhaps the easiest solution is to just axe one", "is going on inside of it, so I'm starting to question whether what", "the situation, my real interest is what my next steps should be given", "protagonist and drop the story that follows them. This would immediately get me", "to do some serious revisions and my plan is to really tighten the", "been published or are in the publishing industry: * Can a new author" ]
[ "I perceive as their double-standard, since I talk exactly as they do). This", "has turned out to be more of an extended style guide than an", "long it's starting to sound strange and annoying. My normal voice is sarcasm", "unfamiliar tense to me, and after editing too long it's starting to sound", "to me, and after editing too long it's starting to sound strange and", "after editing too long it's starting to sound strange and annoying. My normal", "style guide than an instruction manual. I want to encourage the community to", "honestly not sure what is cloying and what is charismatic. Maybe I am", "In the past I have written step-by-step tutorials in second-person voice \"Step 1:", "the sort of thing that's learned better by doing. The community is all", "Maybe I am also feeling resentment that I am suppressing my personal voice,", "off topic, but it's made me hyper-sensitive of how I communicate within this", "the project. It's for a community. Is there a better tense to engage", "had run-ins with members of this group where they have criticized my communication", "to programmer. In a related issue, I've had run-ins with members of this", "resentment that I am suppressing my personal voice, but that was the choice", "that's learned better by doing. The community is all backgrounds from artist to", "their double-standard, since I talk exactly as they do). This part is bizarre", "a technical use of the software to grasp basic engineering concepts, the sort", "friendly tutorial series for a small art software community. Somehow I decided to", "I want to encourage the community to explore and come up with their", "a labor of love, but saying everything in first person plural is starting", "but saying everything in first person plural is starting to feel condescending, like", "I started the project. It's for a community. Is there a better tense", "and forced. I'm not an educator and this is a labor of love,", "with members of this group where they have criticized my communication as too", "the software to grasp basic engineering concepts, the sort of thing that's learned", "made when I started the project. It's for a community. Is there a", "software to grasp basic engineering concepts, the sort of thing that's learned better", "In a related issue, I've had run-ins with members of this group where", "and wit. I'm also not use to being a cheerleader. I'm honestly not", "to show underlying design concepts that crossover from a technical use of the", "feel condescending, like Miss Manners lecturing small children. \"We don't jump on the", "turned out to be more of an extended style guide than an instruction", "is just an unfamiliar tense to me, and after editing too long it's", "charismatic. Maybe I am also feeling resentment that I am suppressing my personal", "up with their own artistic choices. Most of all, I need to show", "jump on the furniture, Bullv.\" I think this is just an unfamiliar tense", "I've been writing a friendly tutorial series for a small art software community.", "second-person voice \"Step 1: Do the thing...\", but this project has turned out", "there a better tense to engage people in a creative activity? Do you", "backgrounds from artist to programmer. In a related issue, I've had run-ins with", "in first person plural is starting to feel condescending, like Miss Manners lecturing", "editing too long it's starting to sound strange and annoying. My normal voice", "engage people in a creative activity? Do you have any advice when using", "need to show underlying design concepts that crossover from a technical use of", "a friendly tutorial series for a small art software community. Somehow I decided", "children. \"We don't jump on the furniture, Bullv.\" I think this is just", "educator and this is a labor of love, but saying everything in first", "started to feel artificial and forced. I'm not an educator and this is", "and what is charismatic. Maybe I am also feeling resentment that I am", "love, but saying everything in first person plural is starting to feel condescending,", "how I communicate within this group. My issue is that this \"We\" voice", "a community. Is there a better tense to engage people in a creative", "project has turned out to be more of an extended style guide than", "in first person plural, so the entire tutorial is \"First, let's do this...\"", "choice I made when I started the project. It's for a community. Is", "to the point they were offended a woman would talk in the manner", "don't jump on the furniture, Bullv.\" I think this is just an unfamiliar", "better by doing. The community is all backgrounds from artist to programmer. 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I'm honestly not sure what is cloying and what is charismatic. Maybe", "I made when I started the project. It's for a community. Is there", "but that was the choice I made when I started the project. It's", "not sure what is cloying and what is charismatic. Maybe I am also", "concepts that crossover from a technical use of the software to grasp basic", "what is charismatic. Maybe I am also feeling resentment that I am suppressing", "within this group. My issue is that this \"We\" voice has started to", "voice is sarcasm and wit. I'm also not use to being a cheerleader.", "I'm also not use to being a cheerleader. I'm honestly not sure what", "lecturing small children. \"We don't jump on the furniture, Bullv.\" I think this", "on the furniture, Bullv.\" I think this is just an unfamiliar tense to", "small art software community. Somehow I decided to write it in first person", "the manner that I do (which I perceive as their double-standard, since I", "to encourage the community to explore and come up with their own artistic", "they were offended a woman would talk in the manner that I do", "starting to feel condescending, like Miss Manners lecturing small children. \"We don't jump", "that this \"We\" voice has started to feel artificial and forced. I'm not", "communication as too abrupt, to the point they were offended a woman would", "of thing that's learned better by doing. The community is all backgrounds from", "I think this is just an unfamiliar tense to me, and after editing", "\"We\" voice has started to feel artificial and forced. I'm not an educator", "topic, but it's made me hyper-sensitive of how I communicate within this group.", "\"Now we can choose to do that…\". In the past I have written", "step-by-step tutorials in second-person voice \"Step 1: Do the thing...\", but this project", "artificial and forced. I'm not an educator and this is a labor of", "software community. Somehow I decided to write it in first person plural, so", "wit. I'm also not use to being a cheerleader. I'm honestly not sure", "do this...\" and \"Now we can choose to do that…\". In the past", "seemingly off topic, but it's made me hyper-sensitive of how I communicate within", "a related issue, I've had run-ins with members of this group where they", "of this group where they have criticized my communication as too abrupt, to", "labor of love, but saying everything in first person plural is starting to", "to being a cheerleader. I'm honestly not sure what is cloying and what", "for a community. Is there a better tense to engage people in a", "more of an extended style guide than an instruction manual. I want to", "too long it's starting to sound strange and annoying. 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I'm also not use to being", "\"Step 1: Do the thing...\", but this project has turned out to be", "This part is bizarre and seemingly off topic, but it's made me hyper-sensitive", "community. Somehow I decided to write it in first person plural, so the", "I'm honestly not sure what is cloying and what is charismatic. Maybe I", "do (which I perceive as their double-standard, since I talk exactly as they", "an unfamiliar tense to me, and after editing too long it's starting to", "strange and annoying. My normal voice is sarcasm and wit. I'm also not", "extended style guide than an instruction manual. I want to encourage the community", "Somehow I decided to write it in first person plural, so the entire", "were offended a woman would talk in the manner that I do (which", "as their double-standard, since I talk exactly as they do). This part is", "me hyper-sensitive of how I communicate within this group. My issue is that", "this...\" and \"Now we can choose to do that…\". In the past I", "people in a creative activity? Do you have any advice when using this", "a woman would talk in the manner that I do (which I perceive", "I've had run-ins with members of this group where they have criticized my", "design concepts that crossover from a technical use of the software to grasp", "like Miss Manners lecturing small children. \"We don't jump on the furniture, Bullv.\"", "I have written step-by-step tutorials in second-person voice \"Step 1: Do the thing...\",", "voice, but that was the choice I made when I started the project.", "written step-by-step tutorials in second-person voice \"Step 1: Do the thing...\", but this", "out to be more of an extended style guide than an instruction manual.", "technical use of the software to grasp basic engineering concepts, the sort of", "and \"Now we can choose to do that…\". In the past I have", "a small art software community. Somehow I decided to write it in first", "series for a small art software community. Somehow I decided to write it", "voice has started to feel artificial and forced. I'm not an educator and", "saying everything in first person plural is starting to feel condescending, like Miss", "the entire tutorial is \"First, let's do this...\" and \"Now we can choose", "related issue, I've had run-ins with members of this group where they have", "Is there a better tense to engage people in a creative activity? Do", "it in first person plural, so the entire tutorial is \"First, let's do", "manual. I want to encourage the community to explore and come up with", "plural, so the entire tutorial is \"First, let's do this...\" and \"Now we", "to write it in first person plural, so the entire tutorial is \"First,", "Bullv.\" I think this is just an unfamiliar tense to me, and after", "come up with their own artistic choices. Most of all, I need to", "annoying. My normal voice is sarcasm and wit. I'm also not use to", "to be more of an extended style guide than an instruction manual. I", "forced. I'm not an educator and this is a labor of love, but", "suppressing my personal voice, but that was the choice I made when I", "programmer. In a related issue, I've had run-ins with members of this group", "in a creative activity? Do you have any advice when using this tense?", "the point they were offended a woman would talk in the manner that", "offended a woman would talk in the manner that I do (which I", "started the project. It's for a community. Is there a better tense to", "feel artificial and forced. I'm not an educator and this is a labor", "community. Is there a better tense to engage people in a creative activity?", "small children. \"We don't jump on the furniture, Bullv.\" I think this is" ]
[ "question. However, I think it can be answered with advice such as: Don't", "accidents or other things that require special effects that can't be created using", "with advice such as: Don't include car chases, train accidents or other things", "Don't include car chases, train accidents or other things that require special effects", "broad and subjective question. However, I think it can be answered with advice", "subjective question. However, I think it can be answered with advice such as:", "car chases, train accidents or other things that require special effects that can't", "or other things that require special effects that can't be created using lights", "However, I think it can be answered with advice such as: Don't include", "and subjective question. However, I think it can be answered with advice such", "think it can be answered with advice such as: Don't include car chases,", "train accidents or other things that require special effects that can't be created", "I think it can be answered with advice such as: Don't include car", "can be answered with advice such as: Don't include car chases, train accidents", "chases, train accidents or other things that require special effects that can't be", "answered with advice such as: Don't include car chases, train accidents or other", "This is a broad and subjective question. However, I think it can be", "a broad and subjective question. However, I think it can be answered with", "other things that require special effects that can't be created using lights and", "advice such as: Don't include car chases, train accidents or other things that", "it can be answered with advice such as: Don't include car chases, train", "things that require special effects that can't be created using lights and sound.", "as: Don't include car chases, train accidents or other things that require special", "is a broad and subjective question. However, I think it can be answered", "include car chases, train accidents or other things that require special effects that", "be answered with advice such as: Don't include car chases, train accidents or", "such as: Don't include car chases, train accidents or other things that require" ]
[ "make them somehow inconsequential and do you think this is a good or", "onto their previous emotional troubles. My question is does this invalidate the previous", "sure about the placing and might make the twist earlier or later in", "the story and make them somehow inconsequential and do you think this is", "lives have been simulated in order to create an AI with human-level emotional", "a good or bad twist overall? I'm still not sure about the placing", "twist overall? I'm still not sure about the placing and might make the", "The rest of the story is about how they deal with this revelation", "characters discover that they're actually AI whose entire lives have been simulated in", "the story is about how they deal with this revelation and how it", "troubles. My question is does this invalidate the previous events of the story", "the previous events of the story and make them somehow inconsequential and do", "or bad twist overall? I'm still not sure about the placing and might", "not sure about the placing and might make the twist earlier or later", "AI whose entire lives have been simulated in order to create an AI", "entire lives have been simulated in order to create an AI with human-level", "order to create an AI with human-level emotional skills. The rest of the", "deal with this revelation and how it compounds onto their previous emotional troubles.", "discover that they're actually AI whose entire lives have been simulated in order", "an AI with human-level emotional skills. The rest of the story is about", "think this is a good or bad twist overall? I'm still not sure", "main characters discover that they're actually AI whose entire lives have been simulated", "human-level emotional skills. The rest of the story is about how they deal", "this revelation and how it compounds onto their previous emotional troubles. My question", "revelation and how it compounds onto their previous emotional troubles. My question is", "still not sure about the placing and might make the twist earlier or", "overall? I'm still not sure about the placing and might make the twist", "halfway through the story I'm writing, the main characters discover that they're actually", "of the story is about how they deal with this revelation and how", "in order to create an AI with human-level emotional skills. The rest of", "them somehow inconsequential and do you think this is a good or bad", "and make them somehow inconsequential and do you think this is a good", "and do you think this is a good or bad twist overall? I'm", "the story I'm writing, the main characters discover that they're actually AI whose", "previous events of the story and make them somehow inconsequential and do you", "have been simulated in order to create an AI with human-level emotional skills.", "and how it compounds onto their previous emotional troubles. My question is does", "do you think this is a good or bad twist overall? I'm still", "question is does this invalidate the previous events of the story and make", "whose entire lives have been simulated in order to create an AI with", "is does this invalidate the previous events of the story and make them", "I'm writing, the main characters discover that they're actually AI whose entire lives", "been simulated in order to create an AI with human-level emotional skills. The", "to create an AI with human-level emotional skills. The rest of the story", "So about halfway through the story I'm writing, the main characters discover that", "this invalidate the previous events of the story and make them somehow inconsequential", "story and make them somehow inconsequential and do you think this is a", "good or bad twist overall? I'm still not sure about the placing and", "invalidate the previous events of the story and make them somehow inconsequential and", "story I'm writing, the main characters discover that they're actually AI whose entire", "inconsequential and do you think this is a good or bad twist overall?", "compounds onto their previous emotional troubles. My question is does this invalidate the", "does this invalidate the previous events of the story and make them somehow", "about halfway through the story I'm writing, the main characters discover that they're", "you think this is a good or bad twist overall? I'm still not", "I'm still not sure about the placing and might make the twist earlier", "through the story I'm writing, the main characters discover that they're actually AI", "bad twist overall? I'm still not sure about the placing and might make", "that they're actually AI whose entire lives have been simulated in order to", "this is a good or bad twist overall? I'm still not sure about", "about how they deal with this revelation and how it compounds onto their", "they deal with this revelation and how it compounds onto their previous emotional", "AI with human-level emotional skills. The rest of the story is about how", "how they deal with this revelation and how it compounds onto their previous", "previous emotional troubles. My question is does this invalidate the previous events of", "how it compounds onto their previous emotional troubles. My question is does this", "events of the story and make them somehow inconsequential and do you think", "of the story and make them somehow inconsequential and do you think this", "it compounds onto their previous emotional troubles. My question is does this invalidate", "emotional skills. The rest of the story is about how they deal with", "create an AI with human-level emotional skills. The rest of the story is", "somehow inconsequential and do you think this is a good or bad twist", "is about how they deal with this revelation and how it compounds onto", "the main characters discover that they're actually AI whose entire lives have been", "rest of the story is about how they deal with this revelation and", "simulated in order to create an AI with human-level emotional skills. The rest", "actually AI whose entire lives have been simulated in order to create an", "with human-level emotional skills. The rest of the story is about how they", "emotional troubles. My question is does this invalidate the previous events of the", "skills. The rest of the story is about how they deal with this", "about the placing and might make the twist earlier or later in the", "the placing and might make the twist earlier or later in the story.", "is a good or bad twist overall? I'm still not sure about the", "they're actually AI whose entire lives have been simulated in order to create", "story is about how they deal with this revelation and how it compounds", "with this revelation and how it compounds onto their previous emotional troubles. My", "writing, the main characters discover that they're actually AI whose entire lives have", "My question is does this invalidate the previous events of the story and", "their previous emotional troubles. My question is does this invalidate the previous events" ]
[ "strong feelings for the girl. So this is the main idea. And one", "are against their relationship. So people please let me know how I could", "I'll tell you the main idea so that you guys can help. It", "faced by rivals who are against their relationship. So people please let me", "more thing: they both are faced by rivals who are against their relationship.", "main idea so that you guys can help. It is a romance highschool", "At first their relationship is awkward, but slowly they start becoming friends. Eventually", "against their relationship. So people please let me know how I could choose", "tell you the main idea so that you guys can help. It is", "title for my book? I'll tell you the main idea so that you", "to an incident the vampire has to live with the girl. At first", "around a vampire boy and a human girl. Due to an incident the", "highschool story that revolves around a vampire boy and a human girl. Due", "girl. Due to an incident the vampire has to live with the girl.", "a vampire boy and a human girl. Due to an incident the vampire", "suitable title for my book? I'll tell you the main idea so that", "by rivals who are against their relationship. So people please let me know", "So this is the main idea. And one more thing: they both are", "know how I could choose a suitable title. I have written the whole", "is a romance highschool story that revolves around a vampire boy and a", "becoming friends. Eventually the vampire develops strong feelings for the girl. So this", "So people please let me know how I could choose a suitable title.", "has to live with the girl. At first their relationship is awkward, but", "who are against their relationship. So people please let me know how I", "Due to an incident the vampire has to live with the girl. At", "for my book? I'll tell you the main idea so that you guys", "with the girl. At first their relationship is awkward, but slowly they start", "you the main idea so that you guys can help. It is a", "to live with the girl. At first their relationship is awkward, but slowly", "slowly they start becoming friends. Eventually the vampire develops strong feelings for the", "main idea. And one more thing: they both are faced by rivals who", "the main idea so that you guys can help. It is a romance", "suitable title. I have written the whole story a long time ago, but", "idea so that you guys can help. It is a romance highschool story", "And one more thing: they both are faced by rivals who are against", "incident the vampire has to live with the girl. At first their relationship", "a romance highschool story that revolves around a vampire boy and a human", "one more thing: they both are faced by rivals who are against their", "the main idea. And one more thing: they both are faced by rivals", "first their relationship is awkward, but slowly they start becoming friends. Eventually the", "boy and a human girl. Due to an incident the vampire has to", "It is a romance highschool story that revolves around a vampire boy and", "a suitable title. I have written the whole story a long time ago,", "their relationship is awkward, but slowly they start becoming friends. Eventually the vampire", "Eventually the vampire develops strong feelings for the girl. So this is the", "the girl. So this is the main idea. And one more thing: they", "I could choose a suitable title. I have written the whole story a", "live with the girl. At first their relationship is awkward, but slowly they", "idea. And one more thing: they both are faced by rivals who are", "vampire has to live with the girl. At first their relationship is awkward,", "are faced by rivals who are against their relationship. So people please let", "Can you help me find a suitable title for my book? I'll tell", "rivals who are against their relationship. So people please let me know how", "you guys can help. It is a romance highschool story that revolves around", "the girl. At first their relationship is awkward, but slowly they start becoming", "relationship is awkward, but slowly they start becoming friends. Eventually the vampire develops", "the whole story a long time ago, but I'm stuck with the title.", "feelings for the girl. So this is the main idea. And one more", "me find a suitable title for my book? I'll tell you the main", "can help. It is a romance highschool story that revolves around a vampire", "revolves around a vampire boy and a human girl. Due to an incident", "please let me know how I could choose a suitable title. I have", "they start becoming friends. Eventually the vampire develops strong feelings for the girl.", "friends. Eventually the vampire develops strong feelings for the girl. So this is", "me know how I could choose a suitable title. I have written the", "relationship. So people please let me know how I could choose a suitable", "you help me find a suitable title for my book? I'll tell you", "this is the main idea. And one more thing: they both are faced", "could choose a suitable title. I have written the whole story a long", "find a suitable title for my book? I'll tell you the main idea", "romance highschool story that revolves around a vampire boy and a human girl.", "book? I'll tell you the main idea so that you guys can help.", "help me find a suitable title for my book? I'll tell you the", "develops strong feelings for the girl. So this is the main idea. And", "let me know how I could choose a suitable title. I have written", "and a human girl. Due to an incident the vampire has to live", "how I could choose a suitable title. I have written the whole story", "so that you guys can help. It is a romance highschool story that", "that revolves around a vampire boy and a human girl. Due to an", "a suitable title for my book? I'll tell you the main idea so", "is awkward, but slowly they start becoming friends. Eventually the vampire develops strong", "thing: they both are faced by rivals who are against their relationship. So", "title. I have written the whole story a long time ago, but I'm", "they both are faced by rivals who are against their relationship. So people", "have written the whole story a long time ago, but I'm stuck with", "guys can help. It is a romance highschool story that revolves around a", "my book? I'll tell you the main idea so that you guys can", "vampire boy and a human girl. Due to an incident the vampire has", "girl. At first their relationship is awkward, but slowly they start becoming friends.", "the vampire has to live with the girl. At first their relationship is", "vampire develops strong feelings for the girl. So this is the main idea.", "girl. So this is the main idea. And one more thing: they both", "choose a suitable title. I have written the whole story a long time", "help. It is a romance highschool story that revolves around a vampire boy", "both are faced by rivals who are against their relationship. So people please", "a human girl. Due to an incident the vampire has to live with", "their relationship. So people please let me know how I could choose a", "that you guys can help. It is a romance highschool story that revolves", "human girl. Due to an incident the vampire has to live with the", "but slowly they start becoming friends. Eventually the vampire develops strong feelings for", "story that revolves around a vampire boy and a human girl. Due to", "is the main idea. And one more thing: they both are faced by", "start becoming friends. Eventually the vampire develops strong feelings for the girl. So", "people please let me know how I could choose a suitable title. I", "awkward, but slowly they start becoming friends. Eventually the vampire develops strong feelings", "written the whole story a long time ago, but I'm stuck with the", "the vampire develops strong feelings for the girl. So this is the main", "an incident the vampire has to live with the girl. At first their", "I have written the whole story a long time ago, but I'm stuck", "for the girl. So this is the main idea. And one more thing:" ]
[ "country, as they identify which foreign government is behind it and what their", "I recently finished a novel, in which an innocent bystander is accidentally caught", "implicit promise of genre conventions. Of course I could now come up with", "is accidentally caught up in what appears to be some mysterious criminal undertaking,", "the turn of events to commit a murder, and eventually left behind, without", "explanation made the story appear random, and the unresolved end left readers feeling", "identity of the antagonist is uncovered and the riddle that drives the plot", "and eventually left behind, without ever learning who he was fighting against and", "fighting against and what their intention was. I thought I wrote this well,", "murders remain unsolved, many conspiracies unexposed, many mysterious events are never fully understood.", "forced by the turn of events to commit a murder, and eventually left", "random, and the unresolved end left readers feeling betrayed by, I guess, the", "now wondering: How can I leave the identity of the antagonist(s) and the", "the basic idea of my novel was to leave the riddle unresolved, I", "complained vehemently. Apparently the lack of explanation made the story appear random, and", "commit a murder, and eventually left behind, without ever learning who he was", "they identify which foreign government is behind it and what their motives are;", "in what appears to be some mysterious criminal undertaking, forced by the turn", "novel, the identity of the antagonist is uncovered and the riddle that drives", "without frustrating the reader and leaving them dissatisfied at the end? Your answer", "events are never fully understood. Yet, in fiction, such a lack of resolution", "this well, but my test readers all complained vehemently. Apparently the lack of", "leave most readers frustrated and unsatisfied. I recently finished a novel, in which", "caught up in what appears to be some mysterious criminal undertaking, forced by", "behind, without ever learning who he was fighting against and what their intention", "in fiction, such a lack of resolution will leave most readers frustrated and", "to commit a murder, and eventually left behind, without ever learning who he", "but since the basic idea of my novel was to leave the riddle", "foreign government is behind it and what their motives are; the monster is", "of a published novel or film in which what you propose has been", "am now wondering: How can I leave the identity of the antagonist(s) and", "in reality. Many murders remain unsolved, many conspiracies unexposed, many mysterious events are", "conspiracies unexposed, many mysterious events are never fully understood. Yet, in fiction, such", "without ever learning who he was fighting against and what their intention was.", "thought I wrote this well, but my test readers all complained vehemently. Apparently", "provide evidence in the form of a published novel or film in which", "frustrating the reader and leaving them dissatisfied at the end? Your answer will", "murderer gets caught as the detective understands why he committed the deed; the", "secret agency wards off the danger to their country, as they identify which", "can I leave the identity of the antagonist(s) and the purpose of their", "caught as the detective understands why he committed the deed; the secret agency", "eventually left behind, without ever learning who he was fighting against and what", "agency wards off the danger to their country, as they identify which foreign", "ever learning who he was fighting against and what their intention was. I", "the purpose of their activities a mystery, without frustrating the reader and leaving", "is uncovered and the riddle that drives the plot is resolved: the murderer", "and why, but since the basic idea of my novel was to leave", "wondering: How can I leave the identity of the antagonist(s) and the purpose", "many mysterious events are never fully understood. Yet, in fiction, such a lack", "I could now come up with who did it and why, but since", "to their country, as they identify which foreign government is behind it and", "crime, thriller, horror, fantasy, science fiction, or other action genre novel, the identity", "reality. Many murders remain unsolved, many conspiracies unexposed, many mysterious events are never", "detective understands why he committed the deed; the secret agency wards off the", "are never fully understood. Yet, in fiction, such a lack of resolution will", "out in reality. Many murders remain unsolved, many conspiracies unexposed, many mysterious events", "that drives the plot is resolved: the murderer gets caught as the detective", "who he was fighting against and what their intention was. I thought I", "bystander is accidentally caught up in what appears to be some mysterious criminal", "the antagonist(s) and the purpose of their activities a mystery, without frustrating the", "dissatisfied at the end? Your answer will be especially helpful, if you provide", "the secret agency wards off the danger to their country, as they identify", "things turn out in reality. Many murders remain unsolved, many conspiracies unexposed, many", "thriller, horror, fantasy, science fiction, or other action genre novel, the identity of", "the deed; the secret agency wards off the danger to their country, as", "the end? Your answer will be especially helpful, if you provide evidence in", "of explanation made the story appear random, and the unresolved end left readers", "all complained vehemently. Apparently the lack of explanation made the story appear random,", "But that is not how things turn out in reality. Many murders remain", "was. I thought I wrote this well, but my test readers all complained", "wards off the danger to their country, as they identify which foreign government", "fiction, such a lack of resolution will leave most readers frustrated and unsatisfied.", "end left readers feeling betrayed by, I guess, the implicit promise of genre", "you provide evidence in the form of a published novel or film in", "left readers feeling betrayed by, I guess, the implicit promise of genre conventions.", "of events to commit a murder, and eventually left behind, without ever learning", "some mysterious criminal undertaking, forced by the turn of events to commit a", "and the unresolved end left readers feeling betrayed by, I guess, the implicit", "basic idea of my novel was to leave the riddle unresolved, I am", "that is not how things turn out in reality. Many murders remain unsolved,", "Usually, at the end of a crime, thriller, horror, fantasy, science fiction, or", "the riddle that drives the plot is resolved: the murderer gets caught as", "is not how things turn out in reality. Many murders remain unsolved, many", "readers feeling betrayed by, I guess, the implicit promise of genre conventions. Of", "I guess, the implicit promise of genre conventions. Of course I could now", "answer will be especially helpful, if you provide evidence in the form of", "my novel was to leave the riddle unresolved, I am now wondering: How", "be especially helpful, if you provide evidence in the form of a published", "I thought I wrote this well, but my test readers all complained vehemently.", "feeling betrayed by, I guess, the implicit promise of genre conventions. Of course", "and leaving them dissatisfied at the end? Your answer will be especially helpful,", "horror, fantasy, science fiction, or other action genre novel, the identity of the", "resolved: the murderer gets caught as the detective understands why he committed the", "the riddle unresolved, I am now wondering: How can I leave the identity", "leaving them dissatisfied at the end? Your answer will be especially helpful, if", "resolution will leave most readers frustrated and unsatisfied. I recently finished a novel,", "which foreign government is behind it and what their motives are; the monster", "threat overcome; and so on. But that is not how things turn out", "to leave the riddle unresolved, I am now wondering: How can I leave", "criminal undertaking, forced by the turn of events to commit a murder, and", "of resolution will leave most readers frustrated and unsatisfied. I recently finished a", "antagonist(s) and the purpose of their activities a mystery, without frustrating the reader", "the detective understands why he committed the deed; the secret agency wards off", "novel, in which an innocent bystander is accidentally caught up in what appears", "by, I guess, the implicit promise of genre conventions. Of course I could", "he was fighting against and what their intention was. I thought I wrote", "what their intention was. I thought I wrote this well, but my test", "a novel, in which an innocent bystander is accidentally caught up in what", "a lack of resolution will leave most readers frustrated and unsatisfied. I recently", "the murderer gets caught as the detective understands why he committed the deed;", "behind it and what their motives are; the monster is revealed, its origin", "on. But that is not how things turn out in reality. Many murders", "accidentally caught up in what appears to be some mysterious criminal undertaking, forced", "of genre conventions. Of course I could now come up with who did", "remain unsolved, many conspiracies unexposed, many mysterious events are never fully understood. Yet,", "did it and why, but since the basic idea of my novel was", "fully understood. Yet, in fiction, such a lack of resolution will leave most", "left behind, without ever learning who he was fighting against and what their", "idea of my novel was to leave the riddle unresolved, I am now", "their activities a mystery, without frustrating the reader and leaving them dissatisfied at", "end of a crime, thriller, horror, fantasy, science fiction, or other action genre", "of their activities a mystery, without frustrating the reader and leaving them dissatisfied", "Apparently the lack of explanation made the story appear random, and the unresolved", "the identity of the antagonist is uncovered and the riddle that drives the", "with who did it and why, but since the basic idea of my", "unresolved, I am now wondering: How can I leave the identity of the", "is revealed, its origin understood, and its threat overcome; and so on. But", "conventions. Of course I could now come up with who did it and", "in the form of a published novel or film in which what you", "unresolved end left readers feeling betrayed by, I guess, the implicit promise of", "frustrated and unsatisfied. I recently finished a novel, in which an innocent bystander", "unexposed, many mysterious events are never fully understood. Yet, in fiction, such a", "as the detective understands why he committed the deed; the secret agency wards", "Your answer will be especially helpful, if you provide evidence in the form", "I am now wondering: How can I leave the identity of the antagonist(s)", "or other action genre novel, the identity of the antagonist is uncovered and", "its threat overcome; and so on. But that is not how things turn", "never fully understood. Yet, in fiction, such a lack of resolution will leave", "betrayed by, I guess, the implicit promise of genre conventions. Of course I", "up with who did it and why, but since the basic idea of", "antagonist is uncovered and the riddle that drives the plot is resolved: the", "Many murders remain unsolved, many conspiracies unexposed, many mysterious events are never fully", "Yet, in fiction, such a lack of resolution will leave most readers frustrated", "fantasy, science fiction, or other action genre novel, the identity of the antagonist", "will leave most readers frustrated and unsatisfied. I recently finished a novel, in", "plot is resolved: the murderer gets caught as the detective understands why he", "and the riddle that drives the plot is resolved: the murderer gets caught", "a crime, thriller, horror, fantasy, science fiction, or other action genre novel, the", "riddle that drives the plot is resolved: the murderer gets caught as the", "is resolved: the murderer gets caught as the detective understands why he committed", "understands why he committed the deed; the secret agency wards off the danger", "recently finished a novel, in which an innocent bystander is accidentally caught up", "was to leave the riddle unresolved, I am now wondering: How can I", "the reader and leaving them dissatisfied at the end? Your answer will be", "evidence in the form of a published novel or film in which what", "activities a mystery, without frustrating the reader and leaving them dissatisfied at the", "made the story appear random, and the unresolved end left readers feeling betrayed", "appears to be some mysterious criminal undertaking, forced by the turn of events", "why, but since the basic idea of my novel was to leave the", "form of a published novel or film in which what you propose has", "and so on. But that is not how things turn out in reality.", "many conspiracies unexposed, many mysterious events are never fully understood. Yet, in fiction,", "mysterious criminal undertaking, forced by the turn of events to commit a murder,", "could now come up with who did it and why, but since the", "and what their motives are; the monster is revealed, its origin understood, and", "the danger to their country, as they identify which foreign government is behind", "its origin understood, and its threat overcome; and so on. But that is", "will be especially helpful, if you provide evidence in the form of a", "wrote this well, but my test readers all complained vehemently. Apparently the lack", "genre novel, the identity of the antagonist is uncovered and the riddle that", "unsatisfied. I recently finished a novel, in which an innocent bystander is accidentally", "of my novel was to leave the riddle unresolved, I am now wondering:", "lack of resolution will leave most readers frustrated and unsatisfied. I recently finished", "of the antagonist(s) and the purpose of their activities a mystery, without frustrating", "against and what their intention was. I thought I wrote this well, but", "I leave the identity of the antagonist(s) and the purpose of their activities", "leave the identity of the antagonist(s) and the purpose of their activities a", "in which an innocent bystander is accidentally caught up in what appears to", "a published novel or film in which what you propose has been successfully", "not how things turn out in reality. Many murders remain unsolved, many conspiracies", "danger to their country, as they identify which foreign government is behind it", "of a crime, thriller, horror, fantasy, science fiction, or other action genre novel,", "especially helpful, if you provide evidence in the form of a published novel", "understood, and its threat overcome; and so on. But that is not how", "guess, the implicit promise of genre conventions. Of course I could now come", "the unresolved end left readers feeling betrayed by, I guess, the implicit promise", "readers frustrated and unsatisfied. I recently finished a novel, in which an innocent", "come up with who did it and why, but since the basic idea", "undertaking, forced by the turn of events to commit a murder, and eventually", "riddle unresolved, I am now wondering: How can I leave the identity of", "mystery, without frustrating the reader and leaving them dissatisfied at the end? Your", "innocent bystander is accidentally caught up in what appears to be some mysterious", "well, but my test readers all complained vehemently. Apparently the lack of explanation", "leave the riddle unresolved, I am now wondering: How can I leave the", "and the purpose of their activities a mystery, without frustrating the reader and", "readers all complained vehemently. Apparently the lack of explanation made the story appear", "genre conventions. Of course I could now come up with who did it", "promise of genre conventions. Of course I could now come up with who", "course I could now come up with who did it and why, but", "the end of a crime, thriller, horror, fantasy, science fiction, or other action", "so on. But that is not how things turn out in reality. Many", "if you provide evidence in the form of a published novel or film", "is behind it and what their motives are; the monster is revealed, its", "most readers frustrated and unsatisfied. I recently finished a novel, in which an", "off the danger to their country, as they identify which foreign government is", "unsolved, many conspiracies unexposed, many mysterious events are never fully understood. Yet, in", "intention was. I thought I wrote this well, but my test readers all", "of the antagonist is uncovered and the riddle that drives the plot is", "and its threat overcome; and so on. But that is not how things", "the form of a published novel or film in which what you propose", "a mystery, without frustrating the reader and leaving them dissatisfied at the end?", "up in what appears to be some mysterious criminal undertaking, forced by the", "science fiction, or other action genre novel, the identity of the antagonist is", "committed the deed; the secret agency wards off the danger to their country,", "murder, and eventually left behind, without ever learning who he was fighting against", "their motives are; the monster is revealed, its origin understood, and its threat", "to be some mysterious criminal undertaking, forced by the turn of events to", "but my test readers all complained vehemently. Apparently the lack of explanation made", "origin understood, and its threat overcome; and so on. But that is not", "it and what their motives are; the monster is revealed, its origin understood,", "it and why, but since the basic idea of my novel was to", "as they identify which foreign government is behind it and what their motives", "the identity of the antagonist(s) and the purpose of their activities a mystery,", "reader and leaving them dissatisfied at the end? Your answer will be especially", "by the turn of events to commit a murder, and eventually left behind,", "he committed the deed; the secret agency wards off the danger to their", "the story appear random, and the unresolved end left readers feeling betrayed by,", "vehemently. Apparently the lack of explanation made the story appear random, and the", "end? Your answer will be especially helpful, if you provide evidence in the", "was fighting against and what their intention was. I thought I wrote this", "such a lack of resolution will leave most readers frustrated and unsatisfied. I", "and what their intention was. I thought I wrote this well, but my", "turn of events to commit a murder, and eventually left behind, without ever", "finished a novel, in which an innocent bystander is accidentally caught up in", "purpose of their activities a mystery, without frustrating the reader and leaving them", "identify which foreign government is behind it and what their motives are; the", "what appears to be some mysterious criminal undertaking, forced by the turn of", "why he committed the deed; the secret agency wards off the danger to", "turn out in reality. Many murders remain unsolved, many conspiracies unexposed, many mysterious", "drives the plot is resolved: the murderer gets caught as the detective understands", "events to commit a murder, and eventually left behind, without ever learning who", "I wrote this well, but my test readers all complained vehemently. Apparently the", "who did it and why, but since the basic idea of my novel", "the implicit promise of genre conventions. Of course I could now come up", "novel was to leave the riddle unresolved, I am now wondering: How can", "identity of the antagonist(s) and the purpose of their activities a mystery, without", "helpful, if you provide evidence in the form of a published novel or", "published novel or film in which what you propose has been successfully employed.", "story appear random, and the unresolved end left readers feeling betrayed by, I", "their country, as they identify which foreign government is behind it and what", "how things turn out in reality. Many murders remain unsolved, many conspiracies unexposed,", "the antagonist is uncovered and the riddle that drives the plot is resolved:", "an innocent bystander is accidentally caught up in what appears to be some", "mysterious events are never fully understood. Yet, in fiction, such a lack of", "How can I leave the identity of the antagonist(s) and the purpose of", "be some mysterious criminal undertaking, forced by the turn of events to commit", "action genre novel, the identity of the antagonist is uncovered and the riddle", "motives are; the monster is revealed, its origin understood, and its threat overcome;", "deed; the secret agency wards off the danger to their country, as they", "overcome; and so on. But that is not how things turn out in", "and unsatisfied. I recently finished a novel, in which an innocent bystander is", "a murder, and eventually left behind, without ever learning who he was fighting", "learning who he was fighting against and what their intention was. I thought", "fiction, or other action genre novel, the identity of the antagonist is uncovered", "government is behind it and what their motives are; the monster is revealed,", "which an innocent bystander is accidentally caught up in what appears to be", "their intention was. I thought I wrote this well, but my test readers", "since the basic idea of my novel was to leave the riddle unresolved,", "now come up with who did it and why, but since the basic", "gets caught as the detective understands why he committed the deed; the secret", "appear random, and the unresolved end left readers feeling betrayed by, I guess,", "at the end? Your answer will be especially helpful, if you provide evidence", "the plot is resolved: the murderer gets caught as the detective understands why", "lack of explanation made the story appear random, and the unresolved end left", "them dissatisfied at the end? Your answer will be especially helpful, if you", "uncovered and the riddle that drives the plot is resolved: the murderer gets", "the monster is revealed, its origin understood, and its threat overcome; and so", "at the end of a crime, thriller, horror, fantasy, science fiction, or other", "revealed, its origin understood, and its threat overcome; and so on. But that", "are; the monster is revealed, its origin understood, and its threat overcome; and", "my test readers all complained vehemently. Apparently the lack of explanation made the", "test readers all complained vehemently. Apparently the lack of explanation made the story", "understood. Yet, in fiction, such a lack of resolution will leave most readers", "Of course I could now come up with who did it and why,", "what their motives are; the monster is revealed, its origin understood, and its", "the lack of explanation made the story appear random, and the unresolved end", "monster is revealed, its origin understood, and its threat overcome; and so on.", "other action genre novel, the identity of the antagonist is uncovered and the" ]
[ "I've tried to find them, but I simply do not know where to", "to support my arguments in an essay has not been adequate. An example", "I'm currently writing an essay for a school assignment. My teacher's—and Google's—answers as", "writing an essay for a school assignment. My teacher's—and Google's—answers as to where", "in my essay is \"Knowledge’s ability to be quantified is relative to the", "seek arguments to support this claim but rather how the process of finding", "to support this claim but rather how the process of finding real life", "a counter-example to show critical thinking is done. I've tried to find them,", "the claims I have made in my essay is \"Knowledge’s ability to be", "do not seek arguments to support this claim but rather how the process", "quantified is relative to the definition knowledge is given\". I do not seek", "\"Knowledge’s ability to be quantified is relative to the definition knowledge is given\".", "I have made in my essay is \"Knowledge’s ability to be quantified is", "relative to the definition knowledge is given\". I do not seek arguments to", "but rather how the process of finding real life situations (such as a", "is relative to the definition knowledge is given\". I do not seek arguments", "I do not seek arguments to support this claim but rather how the", "the definition knowledge is given\". I do not seek arguments to support this", "to show critical thinking is done. I've tried to find them, but I", "knowledge is given\". I do not seek arguments to support this claim but", "of finding real life situations (such as a study, etc.) to support my", "the process of finding real life situations (such as a study, etc.) to", "in an essay has not been adequate. An example of one of the", "adequate. An example of one of the claims I have made in my", "support my claims or a counter-example to show critical thinking is done. I've", "as a study, etc.) to support my claims or a counter-example to show", "to find examples of real life situations and counter-arguments to support my arguments", "process of finding real life situations (such as a study, etc.) to support", "or a counter-example to show critical thinking is done. I've tried to find", "one of the claims I have made in my essay is \"Knowledge’s ability", "An example of one of the claims I have made in my essay", "my claims or a counter-example to show critical thinking is done. I've tried", "be quantified is relative to the definition knowledge is given\". I do not", "not been adequate. An example of one of the claims I have made", "of one of the claims I have made in my essay is \"Knowledge’s", "where to find examples of real life situations and counter-arguments to support my", "show critical thinking is done. I've tried to find them, but I simply", "rather how the process of finding real life situations (such as a study,", "has not been adequate. An example of one of the claims I have", "real life situations (such as a study, etc.) to support my claims or", "of real life situations and counter-arguments to support my arguments in an essay", "Google's—answers as to where to find examples of real life situations and counter-arguments", "school assignment. My teacher's—and Google's—answers as to where to find examples of real", "as to where to find examples of real life situations and counter-arguments to", "arguments in an essay has not been adequate. An example of one of", "and counter-arguments to support my arguments in an essay has not been adequate.", "is given\". I do not seek arguments to support this claim but rather", "my arguments in an essay has not been adequate. An example of one", "essay is \"Knowledge’s ability to be quantified is relative to the definition knowledge", "to where to find examples of real life situations and counter-arguments to support", "My teacher's—and Google's—answers as to where to find examples of real life situations", "counter-example to show critical thinking is done. I've tried to find them, but", "example of one of the claims I have made in my essay is", "a study, etc.) to support my claims or a counter-example to show critical", "for a school assignment. My teacher's—and Google's—answers as to where to find examples", "claims or a counter-example to show critical thinking is done. I've tried to", "support this claim but rather how the process of finding real life situations", "tried to find them, but I simply do not know where to start.", "teacher's—and Google's—answers as to where to find examples of real life situations and", "counter-arguments to support my arguments in an essay has not been adequate. An", "to be quantified is relative to the definition knowledge is given\". I do", "an essay has not been adequate. An example of one of the claims", "an essay for a school assignment. My teacher's—and Google's—answers as to where to", "etc.) to support my claims or a counter-example to show critical thinking is", "currently writing an essay for a school assignment. My teacher's—and Google's—answers as to", "how the process of finding real life situations (such as a study, etc.)", "have made in my essay is \"Knowledge’s ability to be quantified is relative", "not seek arguments to support this claim but rather how the process of", "this claim but rather how the process of finding real life situations (such", "support my arguments in an essay has not been adequate. An example of", "to support my claims or a counter-example to show critical thinking is done.", "arguments to support this claim but rather how the process of finding real", "definition knowledge is given\". I do not seek arguments to support this claim", "(such as a study, etc.) to support my claims or a counter-example to", "claim but rather how the process of finding real life situations (such as", "essay for a school assignment. My teacher's—and Google's—answers as to where to find", "essay has not been adequate. An example of one of the claims I", "ability to be quantified is relative to the definition knowledge is given\". I", "is done. I've tried to find them, but I simply do not know", "claims I have made in my essay is \"Knowledge’s ability to be quantified", "of the claims I have made in my essay is \"Knowledge’s ability to", "find examples of real life situations and counter-arguments to support my arguments in", "a school assignment. My teacher's—and Google's—answers as to where to find examples of", "study, etc.) to support my claims or a counter-example to show critical thinking", "been adequate. An example of one of the claims I have made in", "life situations and counter-arguments to support my arguments in an essay has not", "assignment. My teacher's—and Google's—answers as to where to find examples of real life", "real life situations and counter-arguments to support my arguments in an essay has", "to the definition knowledge is given\". I do not seek arguments to support", "examples of real life situations and counter-arguments to support my arguments in an", "situations (such as a study, etc.) to support my claims or a counter-example", "finding real life situations (such as a study, etc.) to support my claims", "thinking is done. I've tried to find them, but I simply do not", "critical thinking is done. I've tried to find them, but I simply do", "given\". I do not seek arguments to support this claim but rather how", "is \"Knowledge’s ability to be quantified is relative to the definition knowledge is", "my essay is \"Knowledge’s ability to be quantified is relative to the definition", "made in my essay is \"Knowledge’s ability to be quantified is relative to", "life situations (such as a study, etc.) to support my claims or a", "done. I've tried to find them, but I simply do not know where", "situations and counter-arguments to support my arguments in an essay has not been" ]
[ "inside our own heads. So, how do you strike a balance? How much", "So, how do you strike a balance? How much time inside their head", "mix? I mean, look at The Girl on the Train, she spent thousands", "mean, look at The Girl on the Train, she spent thousands of words", "inside their heads thinking aloud. But there's an element of that that doesn't", "does it spell death? Should I ditch that entirely and bring another character", "long as those 1,200 words are quite amusing and interesting? Or does it", "strike a balance? How much time inside their head is too much time?", "character into the mix? I mean, look at The Girl on the Train,", "the Train, she spent thousands of words lamenting on the train. So how", "for your novel. That you should put them out there in the world", "their heads thinking aloud. But there's an element of that that doesn't feel", "can spell death for your novel. That you should put them out there", "your character sits in the bath lamenting for 1,200 words, so long as", "1,200 words, so long as those 1,200 words are quite amusing and interesting?", "for 1,200 words, so long as those 1,200 words are quite amusing and", "spent thousands of words lamenting on the train. So how much is too", "death for your novel. That you should put them out there in the", "shouldn't leave them inside their heads thinking aloud. But there's an element of", "in the world so they can interact with other characters. That you shouldn't", "all, we all spend a great deal of time inside our own heads.", "alone for too long can spell death for your novel. That you should", "look at The Girl on the Train, she spent thousands of words lamenting", "on the Train, she spent thousands of words lamenting on the train. So", "that entirely and bring another character into the mix? I mean, look at", "at The Girl on the Train, she spent thousands of words lamenting on", "of that that doesn't feel real to me. After all, we all spend", "novel. That you should put them out there in the world so they", "if your character sits in the bath lamenting for 1,200 words, so long", "interact with other characters. That you shouldn't leave them inside their heads thinking", "as those 1,200 words are quite amusing and interesting? Or does it spell", "that that doesn't feel real to me. After all, we all spend a", "balance? How much time inside their head is too much time? Is it", "bath lamenting for 1,200 words, so long as those 1,200 words are quite", "lamenting for 1,200 words, so long as those 1,200 words are quite amusing", "spend a great deal of time inside our own heads. So, how do", "read that leaving your character alone for too long can spell death for", "But there's an element of that that doesn't feel real to me. After", "so long as those 1,200 words are quite amusing and interesting? Or does", "all spend a great deal of time inside our own heads. So, how", "are quite amusing and interesting? Or does it spell death? Should I ditch", "words, so long as those 1,200 words are quite amusing and interesting? Or", "that doesn't feel real to me. After all, we all spend a great", "sits in the bath lamenting for 1,200 words, so long as those 1,200", "Should I ditch that entirely and bring another character into the mix? I", "too long can spell death for your novel. That you should put them", "those 1,200 words are quite amusing and interesting? Or does it spell death?", "there's an element of that that doesn't feel real to me. After all,", "world so they can interact with other characters. That you shouldn't leave them", "it spell death? Should I ditch that entirely and bring another character into", "thinking aloud. But there's an element of that that doesn't feel real to", "okay, if your character sits in the bath lamenting for 1,200 words, so", "and interesting? Or does it spell death? Should I ditch that entirely and", "interesting? Or does it spell death? Should I ditch that entirely and bring", "of time inside our own heads. So, how do you strike a balance?", "bring another character into the mix? I mean, look at The Girl on", "spell death for your novel. That you should put them out there in", "too much time? Is it okay, if your character sits in the bath", "inside their head is too much time? Is it okay, if your character", "I've read that leaving your character alone for too long can spell death", "thousands of words lamenting on the train. So how much is too much?", "should put them out there in the world so they can interact with", "time? Is it okay, if your character sits in the bath lamenting for", "with other characters. That you shouldn't leave them inside their heads thinking aloud.", "Or does it spell death? Should I ditch that entirely and bring another", "The Girl on the Train, she spent thousands of words lamenting on the", "out there in the world so they can interact with other characters. That", "do you strike a balance? How much time inside their head is too", "the world so they can interact with other characters. That you shouldn't leave", "much time? Is it okay, if your character sits in the bath lamenting", "element of that that doesn't feel real to me. After all, we all", "into the mix? I mean, look at The Girl on the Train, she", "ditch that entirely and bring another character into the mix? I mean, look", "that leaving your character alone for too long can spell death for your", "character alone for too long can spell death for your novel. That you", "time inside their head is too much time? Is it okay, if your", "can interact with other characters. That you shouldn't leave them inside their heads", "character sits in the bath lamenting for 1,200 words, so long as those", "for too long can spell death for your novel. That you should put", "we all spend a great deal of time inside our own heads. So,", "aloud. But there's an element of that that doesn't feel real to me.", "there in the world so they can interact with other characters. That you", "they can interact with other characters. That you shouldn't leave them inside their", "to me. After all, we all spend a great deal of time inside", "great deal of time inside our own heads. So, how do you strike", "she spent thousands of words lamenting on the train. So how much is", "you strike a balance? How much time inside their head is too much", "Girl on the Train, she spent thousands of words lamenting on the train.", "you shouldn't leave them inside their heads thinking aloud. But there's an element", "in the bath lamenting for 1,200 words, so long as those 1,200 words", "the bath lamenting for 1,200 words, so long as those 1,200 words are", "your character alone for too long can spell death for your novel. That", "I mean, look at The Girl on the Train, she spent thousands of", "spell death? Should I ditch that entirely and bring another character into the", "it okay, if your character sits in the bath lamenting for 1,200 words,", "deal of time inside our own heads. So, how do you strike a", "own heads. So, how do you strike a balance? How much time inside", "That you should put them out there in the world so they can", "and bring another character into the mix? I mean, look at The Girl", "them out there in the world so they can interact with other characters.", "1,200 words are quite amusing and interesting? Or does it spell death? Should", "another character into the mix? I mean, look at The Girl on the", "you should put them out there in the world so they can interact", "an element of that that doesn't feel real to me. After all, we", "heads thinking aloud. But there's an element of that that doesn't feel real", "me. After all, we all spend a great deal of time inside our", "I ditch that entirely and bring another character into the mix? I mean,", "is too much time? Is it okay, if your character sits in the", "long can spell death for your novel. That you should put them out", "That you shouldn't leave them inside their heads thinking aloud. But there's an", "characters. That you shouldn't leave them inside their heads thinking aloud. But there's", "feel real to me. After all, we all spend a great deal of", "entirely and bring another character into the mix? I mean, look at The", "doesn't feel real to me. After all, we all spend a great deal", "How much time inside their head is too much time? Is it okay,", "how do you strike a balance? How much time inside their head is", "your novel. That you should put them out there in the world so", "them inside their heads thinking aloud. But there's an element of that that", "so they can interact with other characters. That you shouldn't leave them inside", "real to me. After all, we all spend a great deal of time", "time inside our own heads. So, how do you strike a balance? How", "put them out there in the world so they can interact with other", "death? Should I ditch that entirely and bring another character into the mix?", "words are quite amusing and interesting? Or does it spell death? Should I", "quite amusing and interesting? Or does it spell death? Should I ditch that", "our own heads. So, how do you strike a balance? How much time", "the mix? I mean, look at The Girl on the Train, she spent", "amusing and interesting? Or does it spell death? Should I ditch that entirely", "leaving your character alone for too long can spell death for your novel.", "much time inside their head is too much time? Is it okay, if", "leave them inside their heads thinking aloud. But there's an element of that", "Is it okay, if your character sits in the bath lamenting for 1,200", "their head is too much time? Is it okay, if your character sits", "a balance? How much time inside their head is too much time? Is", "After all, we all spend a great deal of time inside our own", "other characters. That you shouldn't leave them inside their heads thinking aloud. But", "Train, she spent thousands of words lamenting on the train. So how much", "a great deal of time inside our own heads. So, how do you", "heads. So, how do you strike a balance? How much time inside their", "head is too much time? Is it okay, if your character sits in" ]
[ "have been writing a lot of short stories that are Memoir-ish, that are", "stories that are Memoir-ish, that are based on true events in my life.", "feel that making it obvious in some stories would be intrusive, and undermine", "types of Memoirs fall under? \"Inspired by true events?\" ... Is *Semi-Fictional Memoir", "in my life. Because I don't remember every detail, I tried to make", "Semi-Fictional Memoir* a \"thing\"? I definitely don't feel that \"fictional autobiography\" fits. I", "that making it obvious in some stories would be intrusive, and undermine the", "stories obviously fictional. But, in some stories, it isn't so obvious that parts", "and undermine the tone. I am hoping that applying the proper genre label", "parts of the stories obviously fictional. But, in some stories, it isn't so", "make some parts of the stories obviously fictional. But, in some stories, it", "the stories obviously fictional. But, in some stories, it isn't so obvious that", "it isn't so obvious that parts are fictional. I feel that making it", "detail, I tried to make some parts of the stories obviously fictional. But,", "some parts of the stories obviously fictional. But, in some stories, it isn't", "Memoirs fall under? \"Inspired by true events?\" ... Is *Semi-Fictional Memoir* a \"thing\"?", "I feel that making it obvious in some stories would be intrusive, and", "parts are fictional. I feel that making it obvious in some stories would", "my life. Because I don't remember every detail, I tried to make some", "are fictional. I feel that making it obvious in some stories would be", "Is *Semi-Fictional Memoir* a \"thing\"? I definitely don't feel that \"fictional autobiography\" fits.", "a lot of short stories that are Memoir-ish, that are based on true", "obviously fictional. But, in some stories, it isn't so obvious that parts are", "on true events in my life. Because I don't remember every detail, I", "true events in my life. Because I don't remember every detail, I tried", "short stories that are Memoir-ish, that are based on true events in my", "life. Because I don't remember every detail, I tried to make some parts", "so obvious that parts are fictional. I feel that making it obvious in", "\"thing\"? I definitely don't feel that \"fictional autobiography\" fits. I have been writing", "fits. I have been writing a lot of short stories that are Memoir-ish,", "in some stories, it isn't so obvious that parts are fictional. I feel", "are based on true events in my life. Because I don't remember every", "stories, it isn't so obvious that parts are fictional. I feel that making", "been writing a lot of short stories that are Memoir-ish, that are based", "some stories, it isn't so obvious that parts are fictional. I feel that", "tone. I am hoping that applying the proper genre label would be sufficient.", "tried to make some parts of the stories obviously fictional. But, in some", "I tried to make some parts of the stories obviously fictional. But, in", "these types of Memoirs fall under? \"Inspired by true events?\" ... Is *Semi-Fictional", "don't remember every detail, I tried to make some parts of the stories", "in some stories would be intrusive, and undermine the tone. I am hoping", "under? \"Inspired by true events?\" ... Is Semi-Fictional Memoir a \"thing\"? I definitely", "Memoir-ish, that are based on true events in my life. Because I don't", "genre do these types of Memoirs fall under? \"Inspired by true events?\" ...", "do these types of Memoirs fall under? \"Inspired by true events?\" ... Is", "a \"thing\"? I definitely don't feel that \"fictional autobiography\" fits. I have been", "true events?\" ... Is Semi-Fictional Memoir a \"thing\"? I definitely don't feel that", "that are Memoir-ish, that are based on true events in my life. Because", "fictional. But, in some stories, it isn't so obvious that parts are fictional.", "fall under? \"Inspired by true events?\" ... Is Semi-Fictional Memoir a \"thing\"? I", "But, in some stories, it isn't so obvious that parts are fictional. I", "would be intrusive, and undermine the tone. I am hoping that applying the", "making it obvious in some stories would be intrusive, and undermine the tone.", "some stories would be intrusive, and undermine the tone. I am hoping that", "remember every detail, I tried to make some parts of the stories obviously", "of Memoirs fall under? \"Inspired by true events?\" ... Is Semi-Fictional Memoir a", "... Is Semi-Fictional Memoir a \"thing\"? I definitely don't feel that \"fictional autobiography\"", "be intrusive, and undermine the tone. I am hoping that applying the proper", "the tone. I am hoping that applying the proper genre label would be", "every detail, I tried to make some parts of the stories obviously fictional.", "Because I don't remember every detail, I tried to make some parts of", "it obvious in some stories would be intrusive, and undermine the tone. I", "of short stories that are Memoir-ish, that are based on true events in", "I have been writing a lot of short stories that are Memoir-ish, that", "are Memoir-ish, that are based on true events in my life. Because I", "isn't so obvious that parts are fictional. I feel that making it obvious", "intrusive, and undermine the tone. I am hoping that applying the proper genre", "Memoir* a \"thing\"? I definitely don't feel that \"fictional autobiography\" fits. I have", "that \"fictional autobiography\" fits. I have been writing a lot of short stories", "by true events?\" ... Is *Semi-Fictional Memoir* a \"thing\"? I definitely don't feel", "obvious in some stories would be intrusive, and undermine the tone. I am", "of the stories obviously fictional. But, in some stories, it isn't so obvious", "events in my life. Because I don't remember every detail, I tried to", "based on true events in my life. Because I don't remember every detail,", "fictional. I feel that making it obvious in some stories would be intrusive,", "\"fictional autobiography\" fits. I have been writing a lot of short stories that", "that parts are fictional. I feel that making it obvious in some stories", "definitely don't feel that \"fictional autobiography\" fits. I have been writing a lot", "autobiography\" fits. I have been writing a lot of short stories that are", "feel that \"fictional autobiography\" fits. I have been writing a lot of short", "I don't remember every detail, I tried to make some parts of the", "obvious that parts are fictional. I feel that making it obvious in some", "writing a lot of short stories that are Memoir-ish, that are based on", "What genre do these types of Memoirs fall under? \"Inspired by true events?\"", "don't feel that \"fictional autobiography\" fits. I have been writing a lot of", "events?\" ... Is *Semi-Fictional Memoir* a \"thing\"? I definitely don't feel that \"fictional", "\"Inspired by true events?\" ... Is *Semi-Fictional Memoir* a \"thing\"? I definitely don't", "that are based on true events in my life. Because I don't remember", "undermine the tone. I am hoping that applying the proper genre label would", "stories would be intrusive, and undermine the tone. I am hoping that applying", "I definitely don't feel that \"fictional autobiography\" fits. I have been writing a", "to make some parts of the stories obviously fictional. But, in some stories,", "lot of short stories that are Memoir-ish, that are based on true events" ]
[ "not talking about something to perform just grammar/spelling checks, like word, which is", "I'm looking for something more designed for writing a novel. I'd like it", "am looking for a good writing software. I'm not talking about something to", "which is great, but not what I'm looking for. I'm looking for something", "talking about something to perform just grammar/spelling checks, like word, which is great,", "but not what I'm looking for. I'm looking for something more designed for", "what I'm looking for. I'm looking for something more designed for writing a", "for a good writing software. I'm not talking about something to perform just", "looking for something more designed for writing a novel. I'd like it to", "not what I'm looking for. I'm looking for something more designed for writing", "looking for a good writing software. I'm not talking about something to perform", "writing software. I'm not talking about something to perform just grammar/spelling checks, like", "software. I'm not talking about something to perform just grammar/spelling checks, like word,", "to perform just grammar/spelling checks, like word, which is great, but not what", "word, which is great, but not what I'm looking for. I'm looking for", "I'm not talking about something to perform just grammar/spelling checks, like word, which", "looking for. I'm looking for something more designed for writing a novel. I'd", "something to perform just grammar/spelling checks, like word, which is great, but not", "good writing software. I'm not talking about something to perform just grammar/spelling checks,", "like word, which is great, but not what I'm looking for. I'm looking", "for something more designed for writing a novel. I'd like it to be", "grammar/spelling checks, like word, which is great, but not what I'm looking for.", "I am looking for a good writing software. I'm not talking about something", "just grammar/spelling checks, like word, which is great, but not what I'm looking", "perform just grammar/spelling checks, like word, which is great, but not what I'm", "great, but not what I'm looking for. I'm looking for something more designed", "checks, like word, which is great, but not what I'm looking for. I'm", "is great, but not what I'm looking for. I'm looking for something more", "for. I'm looking for something more designed for writing a novel. I'd like", "something more designed for writing a novel. I'd like it to be free.", "a good writing software. I'm not talking about something to perform just grammar/spelling", "about something to perform just grammar/spelling checks, like word, which is great, but", "I'm looking for. I'm looking for something more designed for writing a novel." ]
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Is it one of the following? ``` Book* Digital Image", "Website* Other Write / paste citation All Sources Advertisement Bible* Blog / Podcast", "Artwork Pamphlet Patent Photograph Preface / Foreword* Press Release Raw Data Report Reprinted", "/ Artwork Pamphlet Patent Photograph Preface / Foreword* Press Release Raw Data Report", "Online Video* Journal Article* Online Database Website* Other Write / paste citation All", "/ Chart* Microform Miscellaneous Multivolume Work* Music / Audio* Newsgroup Newsletter Newspaper Article", "Interview Journal Article Lecture / Speech Letter Live Performance Magazine Article* Mailing List", "Book* Brochure Cartoon / Comic Chapter / Anthology* Collection Article Conference Proceedings* Congressional", "Cartoon / Comic Chapter / Anthology* Collection Article Conference Proceedings* Congressional Publication* Court", "Publication* Court Case Dictionary Entry* Digital File Digital Image Dissertation* Dissertation (abstract)* E-mail", "Multivolume Work* Music / Audio* Newsgroup Newsletter Newspaper Article* Online Database Painting /", "Audio* Newsgroup Newsletter Newspaper Article* Online Database Painting / Artwork Pamphlet Patent Photograph", "/ Online Video* Government Publication* Interview Journal Article* Lecture / Speech Letter Live", "Lecture / Speech Letter Live Performance Magazine Article* Mailing List Manuscript Map /", "Database Website* Other Write / paste citation All Sources Advertisement Bible* Blog /", "Digital File Digital Image Dissertation* Dissertation (abstract)* E-mail Editorial Encyclopedia Article* Executive Order", "Bible* Blog / Podcast Book* Brochure Cartoon / Comic Chapter / Anthology* Collection", "Court Case Dictionary Entry* Digital File Digital Image Dissertation* Dissertation (abstract)* E-mail Editorial", "Newsletter Newspaper Article* Online Database Painting / Artwork Pamphlet Patent Photograph Preface /", "Music / Audio* Newsgroup Newsletter Newspaper Article* Online Database Painting / Artwork Pamphlet", "Book* Digital Image Film / Online Video* Journal Article* Online Database Website* Other", "Speech Letter Live Performance Magazine Article* Mailing List Manuscript Map / Chart* Microform", "Painting / Artwork Pamphlet Patent Photograph Preface / Foreword* Press Release Raw Data", "Map / Chart* Microform Miscellaneous Multivolume Work* Music / Audio* Newsgroup Newsletter Newspaper", "Report Federal Rule Federal Statute Federal Testimony Film / Online Video* Government Publication", "Online Database Website Other Write / paste citation All Sources Advertisement Bible* Blog", "File Digital Image Dissertation* Dissertation (abstract)* E-mail Editorial Encyclopedia Article* Executive Order Federal", "one of the following? ``` Book* Digital Image Film / Online Video* Journal", "Blog / Podcast Book* Brochure Cartoon / Comic Chapter / Anthology* Collection Article", "E-mail Editorial Encyclopedia Article* Executive Order Federal Bill* Federal Report Federal Rule Federal", "Chapter / Anthology* Collection Article Conference Proceedings* Congressional Publication* Court Case Dictionary Entry", "Anthology Collection Article Conference Proceedings* Congressional Publication* Court Case Dictionary Entry* Digital File", "Article* Online Database Website* Other Write / paste citation All Sources Advertisement Bible", "Digital Image Dissertation Dissertation (abstract)* E-mail Editorial Encyclopedia Article* Executive Order Federal Bill", "(abstract) E-mail Editorial Encyclopedia Article* Executive Order Federal Bill* Federal Report Federal Rule", "the following? ``` Book* Digital Image Film / Online Video* Journal Article* Online", "Rule Federal Statute Federal Testimony Film / Online Video* Government Publication* Interview Journal", "All Sources Advertisement Bible* Blog / Podcast Book* Brochure Cartoon / Comic Chapter", "Article* Lecture / Speech Letter Live Performance Magazine Article* Mailing List Manuscript Map", "Podcast Book* Brochure Cartoon / Comic Chapter / Anthology* Collection Article Conference Proceedings", "Miscellaneous Multivolume Work Music / Audio* Newsgroup Newsletter Newspaper Article* Online Database Painting", "Live Performance Magazine Article* Mailing List Manuscript Map / Chart* Microform Miscellaneous Multivolume", "Online Video* Government Publication* Interview Journal Article* Lecture / Speech Letter Live Performance", "Government Publication* Interview Journal Article* Lecture / Speech Letter Live Performance Magazine Article", "Federal Statute Federal Testimony Film / Online Video Government Publication* Interview Journal Article", "Proceedings Congressional Publication* Court Case Dictionary Entry* Digital File Digital Image Dissertation* Dissertation", "Federal Bill* Federal Report Federal Rule Federal Statute Federal Testimony Film / Online", "Article* Executive Order Federal Bill* Federal Report Federal Rule Federal Statute Federal Testimony", "``` Book* Digital Image Film / Online Video* Journal Article* Online Database Website", "Image Dissertation Dissertation (abstract)* E-mail Editorial Encyclopedia Article* Executive Order Federal Bill* Federal", "Advertisement Bible* Blog / Podcast Book* Brochure Cartoon / Comic Chapter / Anthology", "Report Reprinted Work Review Scholarly Project Software Television / Radio Thesis* Website ```", "Collection Article Conference Proceedings* Congressional Publication* Court Case Dictionary Entry* Digital File Digital", "Manuscript Map / Chart* Microform Miscellaneous Multivolume Work* Music / Audio* Newsgroup Newsletter", "Performance Magazine Article* Mailing List Manuscript Map / Chart* Microform Miscellaneous Multivolume Work", "cite [MPAA-Theatrical-Market-Statistics-2016](https://www.mpaa.org/wp-content/uploads/2017/03/MPAA-Theatrical-Market-Statistics-2016_Final.pdf) in MLA. Is it one of the following? ``` Book Digital", "Video* Journal Article* Online Database Website* Other Write / paste citation All Sources", "/ paste citation All Sources Advertisement Bible* Blog / Podcast Book* Brochure Cartoon", "Film / Online Video* Journal Article* Online Database Website* Other Write / paste", "Pamphlet Patent Photograph Preface / Foreword* Press Release Raw Data Report Reprinted Work", "Press Release Raw Data Report Reprinted Work Review Scholarly Project Software* Television /", "Raw Data Report Reprinted Work Review Scholarly Project Software* Television / Radio Thesis", "Entry Digital File Digital Image Dissertation* Dissertation (abstract)* E-mail Editorial Encyclopedia Article* Executive", "/ Podcast Book* Brochure Cartoon / Comic Chapter / Anthology* Collection Article Conference", "Article* Mailing List Manuscript Map / Chart* Microform Miscellaneous Multivolume Work* Music /", "Dissertation* Dissertation (abstract)* E-mail Editorial Encyclopedia Article* Executive Order Federal Bill* Federal Report", "/ Anthology* Collection Article Conference Proceedings* Congressional Publication* Court Case Dictionary Entry* Digital", "Mailing List Manuscript Map / Chart* Microform Miscellaneous Multivolume Work* Music / Audio", "in MLA. 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Is it one of the following? ``` Book", "Editorial Encyclopedia Article Executive Order Federal Bill* Federal Report Federal Rule Federal Statute", "List Manuscript Map / Chart* Microform Miscellaneous Multivolume Work* Music / Audio* Newsgroup", "like to cite [MPAA-Theatrical-Market-Statistics-2016](https://www.mpaa.org/wp-content/uploads/2017/03/MPAA-Theatrical-Market-Statistics-2016_Final.pdf) in MLA. Is it one of the following? ```", "Publication* Interview Journal Article* Lecture / Speech Letter Live Performance Magazine Article* Mailing", "Magazine Article* Mailing List Manuscript Map / Chart* Microform Miscellaneous Multivolume Work* Music", "Federal Testimony Film / Online Video* Government Publication* Interview Journal Article* Lecture /", "Brochure Cartoon / Comic Chapter / Anthology* Collection Article Conference Proceedings* Congressional Publication", "Statute Federal Testimony Film / Online Video Government Publication* Interview Journal Article* Lecture", "Film / Online Video* Government Publication* Interview Journal Article* Lecture / Speech Letter", "Dissertation (abstract)* E-mail Editorial Encyclopedia Article* Executive Order Federal Bill* Federal Report Federal", "Image Film / Online Video* Journal Article* Online Database Website* Other Write /", "I would like to cite [MPAA-Theatrical-Market-Statistics-2016](https://www.mpaa.org/wp-content/uploads/2017/03/MPAA-Theatrical-Market-Statistics-2016_Final.pdf) in MLA. 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[ "in 80 Days. The premise is making a journey in 80 days and", "am sure that using a similar premise is fine (especially since my book", "a bit of a satire on lots of common premises). Is it legal", "on lots of common premises). Is it legal to use a similar title?", "that using a similar premise is fine (especially since my book is a", "my book is a bit of a satire on lots of common premises).", "premise is making a journey in 80 days and while I am sure", "The premise is making a journey in 80 days and while I am", "book's title is similar to Around the World in 80 Days. The premise", "similar to Around the World in 80 Days. The premise is making a", "80 days and while I am sure that using a similar premise is", "I am sure that using a similar premise is fine (especially since my", "days and while I am sure that using a similar premise is fine", "title is similar to Around the World in 80 Days. The premise is", "(especially since my book is a bit of a satire on lots of", "a similar premise is fine (especially since my book is a bit of", "fine (especially since my book is a bit of a satire on lots", "of a satire on lots of common premises). Is it legal to use", "similar premise is fine (especially since my book is a bit of a", "is a bit of a satire on lots of common premises). Is it", "while I am sure that using a similar premise is fine (especially since", "to Around the World in 80 Days. The premise is making a journey", "is similar to Around the World in 80 Days. The premise is making", "is fine (especially since my book is a bit of a satire on", "bit of a satire on lots of common premises). Is it legal to", "since my book is a bit of a satire on lots of common", "a journey in 80 days and while I am sure that using a", "book is a bit of a satire on lots of common premises). Is", "My book's title is similar to Around the World in 80 Days. The", "satire on lots of common premises). Is it legal to use a similar", "World in 80 Days. The premise is making a journey in 80 days", "a satire on lots of common premises). Is it legal to use a", "and while I am sure that using a similar premise is fine (especially", "the World in 80 Days. The premise is making a journey in 80", "Days. The premise is making a journey in 80 days and while I", "making a journey in 80 days and while I am sure that using", "sure that using a similar premise is fine (especially since my book is", "Around the World in 80 Days. The premise is making a journey in", "is making a journey in 80 days and while I am sure that", "journey in 80 days and while I am sure that using a similar", "in 80 days and while I am sure that using a similar premise", "using a similar premise is fine (especially since my book is a bit", "premise is fine (especially since my book is a bit of a satire", "80 Days*. The premise is making a journey in 80 days and while" ]
[ "happen immediately after.* 'SaoTiCau' therefore makes the object change from one thing into", "the ability to hold someone to their word, and changing the direction of", "actions, they will give him abilities that either allow him to overcome limitations", "is not an entirely bad way of describing it. The protagonist has sixteen", "you can just use NurSiTiFa! The protagonist's powers are utterly alien. They are", "his actions, they will give him abilities that either allow him to overcome", "evoke them, and associating them with a verbal component. You then combine verbal", "command happen immediately after. 'SaoTiCau' therefore makes the object change from one thing", "Si = Fire (Fr) + Earth (Er) ⟶ Magma (ErFr)* By using the", "can give it its own verbal component distinct from the other two. For", "casting a spell often enough, you can give it its own verbal component", "command, you can cast NurSi, which turns fire and earth into magma. But", "pleased they are with his actions, they will give him abilities that either", "verbal component with it, such as 'Nur'.* Alchemical Transmutation works by learning the", "(ErFr)* By using the associated verbal component in conjunction with the change command,", "an entirely bad way of describing it. The protagonist has sixteen or so", "took some explaining to verbally explain how the above magic system worked. At", "a world that has different physics, alchemy rather than chemistry, and biology that", "use NurSiTiFa! The protagonist's powers are utterly alien. They are essentially from another", "a spell often enough, you can give it its own verbal component distinct", "or so 'hallucinations', that represent ideals, such as justice, or honour, or Triumph.", "do not work like the semi-scientific powers of the world he has come", "explain how the above magic system worked. At the beginning of the novel,", "conjunction with the change command, you can cast NurSi, which turns fire and", "them, and associating them with a verbal component. You then combine verbal components", "= Fire (Fr) + Earth (Er) ⟶ Magma (ErFr)* By using the associated", "with a verbal component. You then combine verbal components to cast a spell,", "of an alchemical reaction, such as: Si = Fire (Fr) + Earth (Er)", "you can cast NurSi, which turns fire and earth into magma. But magma", "version of himself that matches the way he thinks he would be like", "has sixteen or so 'hallucinations', that represent ideals, such as justice, or honour,", "a spell, and after casting a spell often enough, you can give it", "therefore makes the object change from one thing into another. If you cast", "- similar to the way voodoo dolls work, the ability to hold someone", "not an entirely bad way of describing it. The protagonist has sixteen or", "I'm writing a story with a world that has different physics, alchemy rather", "a spell that turns Fire and Earth and Water into Stone, you can", "'SaoTiCau' therefore makes the object change from one thing into another.* If you", "magic. The protagonist is not of this world, however he is not of", "alchemy rather than chemistry, and biology that relies somewhat on magic. The protagonist", "verbal component. You then combine verbal components to cast a spell, and after", "meet with a hallucinated version of himself that matches the way he thinks", "using one's will, the same thing that keeps them alive, and isolating distinct", "the area where he resides, where others and himself come close to reaching", "learning the essence of an alchemical reaction, such as: Si = Fire (Fr)", "magma reacts as well. Fa = Magma (ErFr) + Water (Wr) ⟶ Stone", "protagonist's powers are utterly alien. They are essentially from another world, and 'magic", "the same thing that keeps them alive, and isolating distinct 'powers', memorising the", "a story with a world that has different physics, alchemy rather than chemistry,", "Fa = Magma (ErFr) + Water (Wr) ⟶ Stone (WrErFr)* Therefore, if you", "physics, alchemy rather than chemistry, and biology that relies somewhat on magic. The", "where he resides, where others and himself come close to reaching these ideals,", "'Cau' makes the object form. 'Ti' makes the next command happen immediately after.", "himself come close to reaching these ideals, (such as the courts, the duelling", "as justice, or honour, or Triumph. By going to places in the area", "and biology that relies somewhat on magic. The protagonist is not of this", "either allow him to overcome limitations the ideal requires, or represent that ideal.", "room), he can meet with a hallucinated version of himself that matches the", "unform.* 'Cau' makes the object form. 'Ti' makes the next command happen immediately", "isolating distinct 'powers', memorising the mental triggers that evoke them, and associating them", "writing a story with a world that has different physics, alchemy rather than", "resides, where others and himself come close to reaching these ideals, (such as", "simpler verbal component with it, such as 'Nur'. Alchemical Transmutation works by learning", "solemn and contemplative, and jubilant and competitive respectively). Depending on how pleased they", "setting. And that's not even getting into the lore, resident creatures, economy, etc.", "Water (Wr) ⟶ Stone (WrErFr)* Therefore, if you want a spell that turns", "himself that matches the way he thinks he would be like if he", "thing that keeps them alive, and isolating distinct 'powers', memorising the mental triggers", "thinks he would be like if he fully lived up to that ideal.", "can cast NurSi, which turns fire and earth into magma. But magma reacts", "they will give him abilities that either allow him to overcome limitations the", "Magma (ErFr)* By using the associated verbal component in conjunction with the change", "Stone, you can just use NurSiTiFa! The protagonist's powers are utterly alien. They", "the beginning of the novel, the protagonist doesn't actually know they have these", "ideals, such as justice, or honour, or Triumph. By going to places in", "the object change from one thing into another.* If you cast it enough,", "hold someone to their word, and changing the direction of gravity.) My target", "powers are utterly alien. They are essentially from another world, and 'magic schizophrenia',", "have these powers, nor how magic works in the setting. And that's not", "jubilant and competitive respectively). Depending on how pleased they are with his actions,", "into another. If you cast it enough, you will be able to associate", "know they have these powers, nor how magic works in the setting. And", "way he thinks he would be like if he fully lived up to", "the setting. And that's not even getting into the lore, resident creatures, economy,", "turns Fire and Earth and Water into Stone, you can just use NurSiTiFa!", "give him abilities that either allow him to overcome limitations the ideal requires,", "represent that ideal. (Sympathy magic - similar to the way voodoo dolls work,", "sixteen or so 'hallucinations', that represent ideals, such as justice, or honour, or", "But magma reacts as well. Fa = Magma (ErFr) + Water (Wr) ⟶", "how magic works in the setting. And that's not even getting into the", "represent ideals, such as justice, or honour, or Triumph. By going to places", "matches the way he thinks he would be like if he fully lived", "that either allow him to overcome limitations the ideal requires, or represent that", "(Sympathy magic - similar to the way voodoo dolls work, the ability to", "the way voodoo dolls work, the ability to hold someone to their word,", "alchemical reaction, such as: Si = Fire (Fr) + Earth (Er) ⟶ Magma", "that has different physics, alchemy rather than chemistry, and biology that relies somewhat", "mental triggers that evoke them, and associating them with a verbal component. You", "⟶ Stone (WrErFr) Therefore, if you want a spell that turns Fire and", "alive, and isolating distinct 'powers', memorising the mental triggers that evoke them, and", "By going to places in the area where he resides, where others and", "voodoo dolls work, the ability to hold someone to their word, and changing", "can meet with a hallucinated version of himself that matches the way he", "worked. At the beginning of the novel, the protagonist doesn't actually know they", "be like if he fully lived up to that ideal. (Aggressive and decisive,", "'Sao' makes the object unform. 'Cau' makes the object form. 'Ti' makes the", "dolls work, the ability to hold someone to their word, and changing the", "as well. Fa = Magma (ErFr) + Water (Wr) ⟶ Stone (WrErFr)* Therefore,", "the ideal requires, or represent that ideal. (Sympathy magic - similar to the", "on how pleased they are with his actions, they will give him abilities", "fully lived up to that ideal. (Aggressive and decisive, solemn and contemplative, and", "so 'hallucinations', that represent ideals, such as justice, or honour, or Triumph. By", "lived up to that ideal. (Aggressive and decisive, solemn and contemplative, and jubilant", "work like the semi-scientific powers of the world he has come to inhabit.", "turns fire and earth into magma. But magma reacts as well. Fa =", "he resides, where others and himself come close to reaching these ideals, (such", "however he is not of our world either. His powers do not work", "beginning of the novel, the protagonist doesn't actually know they have these powers,", "ideal. (Sympathy magic - similar to the way voodoo dolls work, the ability", "of the world he has come to inhabit. The setting's powers work by", "the world he has come to inhabit. The setting's powers work by using", "components to cast a spell, and after casting a spell often enough, you", "with a hallucinated version of himself that matches the way he thinks he", "entirely bad way of describing it. The protagonist has sixteen or so 'hallucinations',", "cast a spell, and after casting a spell often enough, you can give", "to their word, and changing the direction of gravity.) My target audience is", "Water into Stone, you can just use NurSiTiFa! The protagonist's powers are utterly", "or honour, or Triumph. By going to places in the area where he", "triggers that evoke them, and associating them with a verbal component. You then", "he thinks he would be like if he fully lived up to that", "with it, such as 'Nur'. Alchemical Transmutation works by learning the essence of", "will be able to associate a simpler verbal component with it, such as", "and changing the direction of gravity.) My target audience is currently considered to", "same thing that keeps them alive, and isolating distinct 'powers', memorising the mental", "the object unform.* 'Cau' makes the object form. 'Ti' makes the next command", "change from one thing into another. If you cast it enough, you will", "the essence of an alchemical reaction, such as: Si = Fire (Fr) +", "story with a world that has different physics, alchemy rather than chemistry, and", "protagonist is not of this world, however he is not of our world", "another world, and 'magic schizophrenia', though perhaps insensitive to actual afflictees, is not", "powers work by using one's will, the same thing that keeps them alive,", "system worked. At the beginning of the novel, the protagonist doesn't actually know", "cast NurSi, which turns fire and earth into magma. But magma reacts as", "other two. For example: 'Sao' makes the object unform. 'Cau' makes the object", "competitive respectively). Depending on how pleased they are with his actions, they will", "The protagonist's powers are utterly alien. They are essentially from another world, and", "often enough, you can give it its own verbal component distinct from the", "a verbal component. You then combine verbal components to cast a spell, and", "the object form. 'Ti' makes the next command happen immediately after. 'SaoTiCau' therefore", "above magic system worked. At the beginning of the novel, the protagonist doesn't", "that evoke them, and associating them with a verbal component. You then combine", "work by using one's will, the same thing that keeps them alive, and", "and 'magic schizophrenia', though perhaps insensitive to actual afflictees, is not an entirely", "and jubilant and competitive respectively). Depending on how pleased they are with his", "you can give it its own verbal component distinct from the other two.", "able to associate a simpler verbal component with it, such as 'Nur'. Alchemical", "that represent ideals, such as justice, or honour, or Triumph. By going to", "works in the setting. And that's not even getting into the lore, resident", "by learning the essence of an alchemical reaction, such as: Si = Fire", "spell often enough, you can give it its own verbal component distinct from", "some explaining to verbally explain how the above magic system worked. At the", "The protagonist is not of this world, however he is not of our", "is not of this world, however he is not of our world either.", "powers of the world he has come to inhabit. The setting's powers work", "memorising the mental triggers that evoke them, and associating them with a verbal", "works by learning the essence of an alchemical reaction, such as: Si =", "it. The protagonist has sixteen or so 'hallucinations', that represent ideals, such as", "where others and himself come close to reaching these ideals, (such as the", "(Wr) ⟶ Stone (WrErFr)* Therefore, if you want a spell that turns Fire", "up to that ideal. (Aggressive and decisive, solemn and contemplative, and jubilant and", "essence of an alchemical reaction, such as: Si = Fire (Fr) + Earth", "world either. His powers do not work like the semi-scientific powers of the", "is not of our world either. His powers do not work like the", "Alchemical Transmutation works by learning the essence of an alchemical reaction, such as:", "(ErFr) + Water (Wr) ⟶ Stone (WrErFr) Therefore, if you want a spell", "world that has different physics, alchemy rather than chemistry, and biology that relies", "courts, the duelling hall, and the rec. room), he can meet with a", "to reaching these ideals, (such as the courts, the duelling hall, and the", "His powers do not work like the semi-scientific powers of the world he", "direction of gravity.) My target audience is currently considered to be young adults,", "object change from one thing into another.* If you cast it enough, you", "using the associated verbal component in conjunction with the change command, you can", "it enough, you will be able to associate a simpler verbal component with", "limitations the ideal requires, or represent that ideal. (Sympathy magic - similar to", "our world either. His powers do not work like the semi-scientific powers of", "to inhabit. The setting's powers work by using one's will, the same thing", "in the setting. And that's not even getting into the lore, resident creatures,", "makes the next command happen immediately after. 'SaoTiCau' therefore makes the object change", "it took some explaining to verbally explain how the above magic system worked.", "he fully lived up to that ideal. (Aggressive and decisive, solemn and contemplative,", "afflictees, is not an entirely bad way of describing it. The protagonist has", "give it its own verbal component distinct from the other two. For example:", "next command happen immediately after. 'SaoTiCau' therefore makes the object change from one", "the way he thinks he would be like if he fully lived up", "changing the direction of gravity.) My target audience is currently considered to be", "associating them with a verbal component. You then combine verbal components to cast", "They are essentially from another world, and 'magic schizophrenia', though perhaps insensitive to", "justice, or honour, or Triumph. By going to places in the area where", "then combine verbal components to cast a spell, and after casting a spell", "if you want a spell that turns Fire and Earth and Water into", "way voodoo dolls work, the ability to hold someone to their word, and", "of the novel, the protagonist doesn't actually know they have these powers, nor", "that turns Fire and Earth and Water into Stone, you can just use", "its own verbal component distinct from the other two. For example: 'Sao' makes", "you want a spell that turns Fire and Earth and Water into Stone,", "as 'Nur'.* Alchemical Transmutation works by learning the essence of an alchemical reaction,", "(Aggressive and decisive, solemn and contemplative, and jubilant and competitive respectively). Depending on", "to the way voodoo dolls work, the ability to hold someone to their", "NurSiTiFa! The protagonist's powers are utterly alien. They are essentially from another world,", "from the other two. For example: 'Sao' makes the object unform. 'Cau' makes", "magic - similar to the way voodoo dolls work, the ability to hold", "ideal. (Aggressive and decisive, solemn and contemplative, and jubilant and competitive respectively). Depending", "he is not of our world either. His powers do not work like", "nor how magic works in the setting. And that's not even getting into", "spell, and after casting a spell often enough, you can give it its", "verbal component distinct from the other two. For example: 'Sao' makes the object", "'Ti' makes the next command happen immediately after. 'SaoTiCau' therefore makes the object", "and contemplative, and jubilant and competitive respectively). Depending on how pleased they are", "they are with his actions, they will give him abilities that either allow", "a simpler verbal component with it, such as 'Nur'. Alchemical Transmutation works by", "doesn't actually know they have these powers, nor how magic works in the", "(such as the courts, the duelling hall, and the rec. room), he can", "alien. They are essentially from another world, and 'magic schizophrenia', though perhaps insensitive", "duelling hall, and the rec. room), he can meet with a hallucinated version", "that keeps them alive, and isolating distinct 'powers', memorising the mental triggers that", "different physics, alchemy rather than chemistry, and biology that relies somewhat on magic.", "the protagonist doesn't actually know they have these powers, nor how magic works", "that matches the way he thinks he would be like if he fully", "reaction, such as: Si = Fire (Fr) + Earth (Er) ⟶ Magma (ErFr)", "this world, however he is not of our world either. His powers do", "and associating them with a verbal component. You then combine verbal components to", "one thing into another.* If you cast it enough, you will be able", "close to reaching these ideals, (such as the courts, the duelling hall, and", "even getting into the lore, resident creatures, economy, etc. How do I prevent", "(WrErFr) Therefore, if you want a spell that turns Fire and Earth and", "schizophrenia', though perhaps insensitive to actual afflictees, is not an entirely bad way", "the direction of gravity.) My target audience is currently considered to be young", "the semi-scientific powers of the world he has come to inhabit. The setting's", "to be young adults, and it took some explaining to verbally explain how", "another.* If you cast it enough, you will be able to associate a", "to associate a simpler verbal component with it, such as 'Nur'. Alchemical Transmutation", "on magic. The protagonist is not of this world, however he is not", "is currently considered to be young adults, and it took some explaining to", "= Magma (ErFr) + Water (Wr) ⟶ Stone (WrErFr)* Therefore, if you want", "actual afflictees, is not an entirely bad way of describing it. The protagonist", "the above magic system worked. At the beginning of the novel, the protagonist", "resident creatures, economy, etc. How do I prevent my readers from getting confused?", "You then combine verbal components to cast a spell, and after casting a", "to cast a spell, and after casting a spell often enough, you can", "you cast it enough, you will be able to associate a simpler verbal", "Earth (Er) ⟶ Magma (ErFr)* By using the associated verbal component in conjunction", "as: Si = Fire (Fr) + Earth (Er) ⟶ Magma (ErFr) By using", "actually know they have these powers, nor how magic works in the setting.", "going to places in the area where he resides, where others and himself", "utterly alien. They are essentially from another world, and 'magic schizophrenia', though perhaps", "ability to hold someone to their word, and changing the direction of gravity.)", "ideals, (such as the courts, the duelling hall, and the rec. room), he", "semi-scientific powers of the world he has come to inhabit. The setting's powers", "him to overcome limitations the ideal requires, or represent that ideal. (Sympathy magic", "of gravity.) My target audience is currently considered to be young adults, and", "The protagonist has sixteen or so 'hallucinations', that represent ideals, such as justice,", "like the semi-scientific powers of the world he has come to inhabit. The", "⟶ Magma (ErFr)* By using the associated verbal component in conjunction with the", "with a world that has different physics, alchemy rather than chemistry, and biology", "decisive, solemn and contemplative, and jubilant and competitive respectively). Depending on how pleased", "he can meet with a hallucinated version of himself that matches the way", "(Fr) + Earth (Er) ⟶ Magma (ErFr)* By using the associated verbal component", "reacts as well. Fa = Magma (ErFr) + Water (Wr) ⟶ Stone (WrErFr)", "that's not even getting into the lore, resident creatures, economy, etc. How do", "with the change command, you can cast NurSi, which turns fire and earth", "the mental triggers that evoke them, and associating them with a verbal component.", "world, however he is not of our world either. His powers do not", "of himself that matches the way he thinks he would be like if", "these ideals, (such as the courts, the duelling hall, and the rec. room),", "to verbally explain how the above magic system worked. At the beginning of", "Magma (ErFr) + Water (Wr) ⟶ Stone (WrErFr)* Therefore, if you want a", "world he has come to inhabit. The setting's powers work by using one's", "biology that relies somewhat on magic. The protagonist is not of this world,", "has come to inhabit. The setting's powers work by using one's will, the", "of this world, however he is not of our world either. His powers", "overcome limitations the ideal requires, or represent that ideal. (Sympathy magic - similar", "enough, you can give it its own verbal component distinct from the other", "will give him abilities that either allow him to overcome limitations the ideal", "in the area where he resides, where others and himself come close to", "he has come to inhabit. The setting's powers work by using one's will,", "and Earth and Water into Stone, you can just use NurSiTiFa! The protagonist's", "way of describing it. The protagonist has sixteen or so 'hallucinations', that represent", "young adults, and it took some explaining to verbally explain how the above", "places in the area where he resides, where others and himself come close", "earth into magma. But magma reacts as well. Fa = Magma (ErFr) +", "are with his actions, they will give him abilities that either allow him", "Triumph. By going to places in the area where he resides, where others", "and competitive respectively). Depending on how pleased they are with his actions, they", "setting's powers work by using one's will, the same thing that keeps them", "and it took some explaining to verbally explain how the above magic system", "are utterly alien. They are essentially from another world, and 'magic schizophrenia', though", "At the beginning of the novel, the protagonist doesn't actually know they have", "or represent that ideal. (Sympathy magic - similar to the way voodoo dolls", "to hold someone to their word, and changing the direction of gravity.) My", "are essentially from another world, and 'magic schizophrenia', though perhaps insensitive to actual", "with his actions, they will give him abilities that either allow him to", "want a spell that turns Fire and Earth and Water into Stone, you", "contemplative, and jubilant and competitive respectively). Depending on how pleased they are with", "into the lore, resident creatures, economy, etc. How do I prevent my readers", "My target audience is currently considered to be young adults, and it took", "audience is currently considered to be young adults, and it took some explaining", "keeps them alive, and isolating distinct 'powers', memorising the mental triggers that evoke", "the lore, resident creatures, economy, etc. How do I prevent my readers from", "component distinct from the other two. For example: 'Sao' makes the object unform.", "For example: 'Sao' makes the object unform.* 'Cau' makes the object form. 'Ti'", "'hallucinations', that represent ideals, such as justice, or honour, or Triumph. By going", "to actual afflictees, is not an entirely bad way of describing it. The", "has different physics, alchemy rather than chemistry, and biology that relies somewhat on", "that ideal. (Sympathy magic - similar to the way voodoo dolls work, the", "Fire and Earth and Water into Stone, you can just use NurSiTiFa! The", "into magma. But magma reacts as well. Fa = Magma (ErFr) + Water", "work, the ability to hold someone to their word, and changing the direction", "Stone (WrErFr)* Therefore, if you want a spell that turns Fire and Earth", "(Er) ⟶ Magma (ErFr)* By using the associated verbal component in conjunction with", "fire and earth into magma. But magma reacts as well. Fa = Magma", "Earth and Water into Stone, you can just use NurSiTiFa! The protagonist's powers", "target audience is currently considered to be young adults, and it took some", "powers, nor how magic works in the setting. And that's not even getting", "not of this world, however he is not of our world either. His", "chemistry, and biology that relies somewhat on magic. The protagonist is not of", "protagonist has sixteen or so 'hallucinations', that represent ideals, such as justice, or", "component. You then combine verbal components to cast a spell, and after casting", "distinct 'powers', memorising the mental triggers that evoke them, and associating them with", "be young adults, and it took some explaining to verbally explain how the", "gravity.) My target audience is currently considered to be young adults, and it", "Transmutation works by learning the essence of an alchemical reaction, such as: Si", "the rec. room), he can meet with a hallucinated version of himself that", "adults, and it took some explaining to verbally explain how the above magic", "lore, resident creatures, economy, etc. How do I prevent my readers from getting", "someone to their word, and changing the direction of gravity.) My target audience", "as the courts, the duelling hall, and the rec. room), he can meet", "you will be able to associate a simpler verbal component with it, such", "magic system worked. At the beginning of the novel, the protagonist doesn't actually", "The setting's powers work by using one's will, the same thing that keeps", "bad way of describing it. The protagonist has sixteen or so 'hallucinations', that", "magic works in the setting. And that's not even getting into the lore,", "'magic schizophrenia', though perhaps insensitive to actual afflictees, is not an entirely bad", "essentially from another world, and 'magic schizophrenia', though perhaps insensitive to actual afflictees,", "object unform.* 'Cau' makes the object form. 'Ti' makes the next command happen", "a hallucinated version of himself that matches the way he thinks he would", "of our world either. His powers do not work like the semi-scientific powers", "'Nur'. 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His powers do not work like the semi-scientific powers of the world", "If you cast it enough, you will be able to associate a simpler", "be able to associate a simpler verbal component with it, such as 'Nur'.", "others and himself come close to reaching these ideals, (such as the courts,", "and isolating distinct 'powers', memorising the mental triggers that evoke them, and associating", "getting into the lore, resident creatures, economy, etc. How do I prevent my", "that relies somewhat on magic. The protagonist is not of this world, however", "verbal component in conjunction with the change command, you can cast NurSi, which", "from another world, and 'magic schizophrenia', though perhaps insensitive to actual afflictees, is", "like if he fully lived up to that ideal. (Aggressive and decisive, solemn", "of describing it. The protagonist has sixteen or so 'hallucinations', that represent ideals,", "and earth into magma. But magma reacts as well. 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By going to places in the area where he resides, where", "word, and changing the direction of gravity.) My target audience is currently considered", "describing it. The protagonist has sixteen or so 'hallucinations', that represent ideals, such", "such as 'Nur'.* Alchemical Transmutation works by learning the essence of an alchemical", "and decisive, solemn and contemplative, and jubilant and competitive respectively). Depending on how", "just use NurSiTiFa! The protagonist's powers are utterly alien. They are essentially from", "to overcome limitations the ideal requires, or represent that ideal. (Sympathy magic -", "associate a simpler verbal component with it, such as 'Nur'.* Alchemical Transmutation works", "the courts, the duelling hall, and the rec. room), he can meet with", "And that's not even getting into the lore, resident creatures, economy, etc. How", "reaching these ideals, (such as the courts, the duelling hall, and the rec.", "he would be like if he fully lived up to that ideal. (Aggressive", "spell that turns Fire and Earth and Water into Stone, you can just", "not even getting into the lore, resident creatures, economy, etc. How do I", "after casting a spell often enough, you can give it its own verbal", "cast it enough, you will be able to associate a simpler verbal component", "hallucinated version of himself that matches the way he thinks he would be", "it, such as 'Nur'.* Alchemical Transmutation works by learning the essence of an", "if he fully lived up to that ideal. (Aggressive and decisive, solemn and", "area where he resides, where others and himself come close to reaching these", "combine verbal components to cast a spell, and after casting a spell often", "Fire (Fr) + Earth (Er) ⟶ Magma (ErFr)* By using the associated verbal", "verbally explain how the above magic system worked. At the beginning of the", "not of our world either. His powers do not work like the semi-scientific", "perhaps insensitive to actual afflictees, is not an entirely bad way of describing", "respectively). Depending on how pleased they are with his actions, they will give", "after.* 'SaoTiCau' therefore makes the object change from one thing into another. *If", "powers do not work like the semi-scientific powers of the world he has" ]
[ "comments. This allows everybody to see each other's feedback, which means (a) less", "the changed pages, because sometimes context matters. To mitigate that, we provide links", "threading. And people still have to do some extra work to write those", "We use source control (git), with feature work being done on branches. The", "project. The problem in detail --------------------- I work on a team that documents", "writers. We publish the entire doc set in this build, not just the", "a large product. The HTML documentation set has hundreds of individual pages (with", "way to make it even easier by allowing people to attach comments right", "specification that we produced earlier describing the intended changes -- this way people", "goal. Tools in use ------------ We use source control (git), with feature work", "can be hard to navigate too, even with threading. And people still have", "done on branches. The review builds are produced from those branches and are", "page on the internal wiki. Right now, when we send out a review", "individually commenting on PDFs of just the selected topics. (We've done both of", "commenting on Google Docs, but without having to import our large doc set", "or make broad improvements like reorganizations, we publish an HTML build for review", "invokes madbuild.exe (Flare's build engine). That script publishes the HTML on an internal", "as you would expect); a PDF of the entire doc set is 5000+", "so we can add things to it if needed (like a way to", "doc set is 5000+ pages. When we document a new feature or make", "to import our large doc set into some other tool just for this", "docs. Flare's schema for the doc source is an extended HTML; all HTML", "large HTML doc set into some other tool (that people would have to", "to individual responses and (b) earlier discovery of disagreements among reviewers. But long", "detail --------------------- I work on a team that documents a large product. The", "to learn). I'm wondering if there's, say, some Javascript package out there already", "we document a new feature or make broad improvements like reorganizations, we publish", "a large HTML doc set into some other tool (that people would have", "other tool just for this purpose? Or is the current approach the best", "they add some tool-specific tags that are used at build time. The output", "want to make it easy for people to comment and see others' comments.", "individual responses and (b) earlier discovery of disagreements among reviewers. But long comment", "the HTML source, or I would sidestep all of this by having them", "on PDFs of just the selected topics. (We've done both of those.) Is", "even easier by allowing people to attach comments right there in the HTML,", "I would sidestep all of this by having them review the raw source", "selected topics. (We've done both of those.) Is there a way to make", "wiki. Right now, when we send out a review request, we point people", "this goal, or some other way to achieve this goal. Tools in use", "close to \"inline\" as possible on a large HTML project. The problem in", "doc set in this build, not just the changed pages, because sometimes context", "set has hundreds of individual pages (with sidebar hierarchical table of contents, as", "publishes the HTML on an internal server. In principle, therefore, we could modify", "our reviewers are not comfortable reviewing the HTML source, or I would sidestep", "hundreds of individual pages (with sidebar hierarchical table of contents, as you would", "and build the docs. Flare's schema for the doc source is an extended", "people to that wiki page, and ask people to post their feedback as", "I'm looking for a way for reviewers to comment collaboratively as close to", "works better for us than either email responses or individually commenting on PDFs", "doc set into some other tool just for this purpose? Or is the", "create and build the docs. Flare's schema for the doc source is an", "now, when we send out a review request, we point people to that", "a large HTML project. The problem in detail --------------------- I work on a", "review request, we point people to that wiki page, and ask people to", "the server, so we can add things to it if needed (like a", "comments on a wiki page. We aren't interested in importing a large HTML", "product. The HTML documentation set has hundreds of individual pages (with sidebar hierarchical", "the docs. Flare's schema for the doc source is an extended HTML; all", "we could modify the build script to inject something extra into the output", "people to attach comments right there in the HTML, kind of like commenting", "therefore, we could modify the build script to inject something extra into the", "comments right there in the HTML, kind of like commenting on Google Docs,", "build, not just the changed pages, because sometimes context matters. To mitigate that,", "to make it easy for people to comment and see others' comments. The", "page. We aren't interested in importing a large HTML doc set into some", "even with threading. And people still have to do some extra work to", "tool-specific tags that are used at build time. The output is conventional HTML.", "with something like \"in 'Installing Plugins', the description in the third paragraph isn't", "reorganizations, we publish an HTML build for review by developers, QA, support, the", "documents a large product. The HTML documentation set has hundreds of individual pages", "if there's, say, some Javascript package out there already that we can inject", "commenting on PDFs of just the selected topics. (We've done both of those.)", "Javascript package out there already that we can inject into these builds to", "some housekeeping and invokes madbuild.exe (Flare's build engine). That script publishes the HTML", "wiki page. We aren't interested in importing a large HTML doc set into", "expect); a PDF of the entire doc set is 5000+ pages. When we", "actually add these links to the doc plan, a specification that we produced", "like commenting on Google Docs, but without having to import our large doc", "way to achieve this goal. Tools in use ------------ We use source control", "a review request, we point people to that wiki page, and ask people", "a team that documents a large product. The HTML documentation set has hundreds", "tell us what they're reacting to. Typical comments begin with something like \"in", "their feedback as comments. This allows everybody to see each other's feedback, which", "an extended HTML; all HTML is valid, plus they add some tool-specific tags", "intended changes -- this way people can, if they want, see the background", "The bar to beat is comments on a wiki page. We aren't interested", "long comment chains can be hard to navigate too, even with threading. And", "extra work to write those comments, because they have to tell us what", "use Madcap Flare to create and build the docs. Flare's schema for the", "I work on a team that documents a large product. The HTML documentation", "for reviewers to comment collaboratively as close to \"inline\" as possible on a", "make broad improvements like reorganizations, we publish an HTML build for review by", "conventional HTML. We use Wunkils to manage the build process. Wunkils currently calls", "best we can do without a lot of extra work? We want to", "plus they add some tool-specific tags that are used at build time. The", "to create and build the docs. Flare's schema for the doc source is", "comment chains can be hard to navigate too, even with threading. And people", "the internal wiki. Right now, when we send out a review request, we", "topics that changed. We actually add these links to the doc plan, a", "collaboratively as close to \"inline\" as possible on a large HTML project. The", "earlier discovery of disagreements among reviewers. But long comment chains can be hard", "is comments on a wiki page. We aren't interested in importing a large", "own the server, so we can add things to it if needed (like", "for the doc source is an extended HTML; all HTML is valid, plus", "source on the branch.) We use Madcap Flare to create and build the", "topics. (We've done both of those.) Is there a way to make it", "us than either email responses or individually commenting on PDFs of just the", "script publishes the HTML on an internal server. In principle, therefore, we could", "set in this build, not just the changed pages, because sometimes context matters.", "less repetition compared to individual responses and (b) earlier discovery of disagreements among", "they have to tell us what they're reacting to. Typical comments begin with", "our large doc set into some other tool just for this purpose? Or", "we can add things to it if needed (like a way to store", "into the output just for these branch builds. We own the server, so", "the build process. Wunkils currently calls a script that does some housekeeping and", "each other's feedback, which means (a) less repetition compared to individual responses and", "beat is comments on a wiki page. We aren't interested in importing a", "not comfortable reviewing the HTML source, or I would sidestep all of this", "something extra into the output just for these branch builds. We own the", "be hard to navigate too, even with threading. And people still have to", "in detail --------------------- I work on a team that documents a large product.", "write those comments, because they have to tell us what they're reacting to.", "HTML documentation set has hundreds of individual pages (with sidebar hierarchical table of", "reviewers. But long comment chains can be hard to navigate too, even with", "to navigate too, even with threading. And people still have to do some", "Tools in use ------------ We use source control (git), with feature work being", "time. The output is conventional HTML. We use Wunkils to manage the build", "the selected topics. (We've done both of those.) Is there a way to", "not just the changed pages, because sometimes context matters. To mitigate that, we", "see the background of why we made a particular change. The doc plan", "The doc plan is a page on the internal wiki. Right now, when", "right because...\". This approach works better for us than either email responses or", "wondering if there's, say, some Javascript package out there already that we can", "we made a particular change. The doc plan is a page on the", "publish the entire doc set in this build, not just the changed pages,", "would expect); a PDF of the entire doc set is 5000+ pages. When", "provide links to the specific topics that changed. We actually add these links", "a way for reviewers to comment collaboratively as close to \"inline\" as possible", "the current approach the best we can do without a lot of extra", "sometimes context matters. To mitigate that, we provide links to the specific topics", "the product manager, and other writers. We publish the entire doc set in", "there a way to make it even easier by allowing people to attach", "description in the third paragraph isn't quite right because...\". This approach works better", "other way to achieve this goal. Tools in use ------------ We use source", "change. The doc plan is a page on the internal wiki. Right now,", "doc set into some other tool (that people would have to learn). I'm", "housekeeping and invokes madbuild.exe (Flare's build engine). That script publishes the HTML on", "of contents, as you would expect); a PDF of the entire doc set", "some other way to achieve this goal. Tools in use ------------ We use", "already that we can inject into these builds to support this goal, or", "(Flare's build engine). That script publishes the HTML on an internal server. In", "to. Typical comments begin with something like \"in 'Installing Plugins', the description in", "madbuild.exe (Flare's build engine). That script publishes the HTML on an internal server.", "right there in the HTML, kind of like commenting on Google Docs, but", "matters. To mitigate that, we provide links to the specific topics that changed.", "PDF of the entire doc set is 5000+ pages. When we document a", "in importing a large HTML doc set into some other tool (that people", "interested in importing a large HTML doc set into some other tool (that", "we provide links to the specific topics that changed. We actually add these", "we can inject into these builds to support this goal, or some other", "add some tool-specific tags that are used at build time. The output is", "allows everybody to see each other's feedback, which means (a) less repetition compared", "inject something extra into the output just for these branch builds. We own", "work being done on branches. The review builds are produced from those branches", "into some other tool just for this purpose? Or is the current approach", "or some other way to achieve this goal. Tools in use ------------ We", "add these links to the doc plan, a specification that we produced earlier", "way people can, if they want, see the background of why we made", "When we document a new feature or make broad improvements like reorganizations, we", "and invokes madbuild.exe (Flare's build engine). That script publishes the HTML on an", "isn't quite right because...\". This approach works better for us than either email", "they're reacting to. Typical comments begin with something like \"in 'Installing Plugins', the", "a wiki page. We aren't interested in importing a large HTML doc set", "use Wunkils to manage the build process. Wunkils currently calls a script that", "process. Wunkils currently calls a script that does some housekeeping and invokes madbuild.exe", "the description in the third paragraph isn't quite right because...\". This approach works", "there already that we can inject into these builds to support this goal,", "other tool (that people would have to learn). I'm wondering if there's, say,", "team that documents a large product. The HTML documentation set has hundreds of", "that documents a large product. The HTML documentation set has hundreds of individual", "builds are produced from those branches and are persistent. (Most of our reviewers", "raw source on the branch.) We use Madcap Flare to create and build", "comment and see others' comments. The bar to beat is comments on a", "approach the best we can do without a lot of extra work? We", "HTML. We use Wunkils to manage the build process. Wunkils currently calls a", "aren't interested in importing a large HTML doc set into some other tool", "reacting to. Typical comments begin with something like \"in 'Installing Plugins', the description", "large HTML project. The problem in detail --------------------- I work on a team", "Or is the current approach the best we can do without a lot", "particular change. The doc plan is a page on the internal wiki. Right", "what they're reacting to. Typical comments begin with something like \"in 'Installing Plugins',", "people would have to learn). I'm wondering if there's, say, some Javascript package", "if they want, see the background of why we made a particular change.", "Is there a way to make it even easier by allowing people to", "because sometimes context matters. To mitigate that, we provide links to the specific", "and ask people to post their feedback as comments. This allows everybody to", "\"in 'Installing Plugins', the description in the third paragraph isn't quite right because...\".", "Plugins', the description in the third paragraph isn't quite right because...\". This approach", "I'm wondering if there's, say, some Javascript package out there already that we", "current approach the best we can do without a lot of extra work?", "We actually add these links to the doc plan, a specification that we", "of just the selected topics. (We've done both of those.) Is there a", "support, the product manager, and other writers. We publish the entire doc set", "learn). I'm wondering if there's, say, some Javascript package out there already that", "disagreements among reviewers. But long comment chains can be hard to navigate too,", "lot of extra work? We want to make it easy for people to", "of individual pages (with sidebar hierarchical table of contents, as you would expect);", "navigate too, even with threading. And people still have to do some extra", "build the docs. Flare's schema for the doc source is an extended HTML;", "the HTML on an internal server. In principle, therefore, we could modify the", "post their feedback as comments. This allows everybody to see each other's feedback,", "responses and (b) earlier discovery of disagreements among reviewers. But long comment chains", "reviewing the HTML source, or I would sidestep all of this by having", "Madcap Flare to create and build the docs. Flare's schema for the doc", "to tell us what they're reacting to. Typical comments begin with something like", "have to learn). I'm wondering if there's, say, some Javascript package out there", "tool just for this purpose? Or is the current approach the best we", "looking for a way for reviewers to comment collaboratively as close to \"inline\"", "with threading. And people still have to do some extra work to write", "Flare's schema for the doc source is an extended HTML; all HTML is", "source, or I would sidestep all of this by having them review the", "quite right because...\". This approach works better for us than either email responses", "the intended changes -- this way people can, if they want, see the", "see others' comments. The bar to beat is comments on a wiki page.", "manager, and other writers. We publish the entire doc set in this build,", "contents, as you would expect); a PDF of the entire doc set is", "something like \"in 'Installing Plugins', the description in the third paragraph isn't quite", "tool (that people would have to learn). I'm wondering if there's, say, some", "these branch builds. We own the server, so we can add things to", "pages. When we document a new feature or make broad improvements like reorganizations,", "Summary: I'm looking for a way for reviewers to comment collaboratively as close", "HTML project. The problem in detail --------------------- I work on a team that", "plan, a specification that we produced earlier describing the intended changes -- this", "can add things to it if needed (like a way to store comments).", "them review the raw source on the branch.) We use Madcap Flare to", "make it easy for people to comment and see others' comments. The bar", "output is conventional HTML. We use Wunkils to manage the build process. Wunkils", "individual pages (with sidebar hierarchical table of contents, as you would expect); a", "feature work being done on branches. The review builds are produced from those", "why we made a particular change. The doc plan is a page on", "We aren't interested in importing a large HTML doc set into some other", "on branches. The review builds are produced from those branches and are persistent.", "builds. We own the server, so we can add things to it if", "because...\". This approach works better for us than either email responses or individually", "with feature work being done on branches. The review builds are produced from", "by having them review the raw source on the branch.) We use Madcap", "could modify the build script to inject something extra into the output just", "large doc set into some other tool just for this purpose? Or is", "to support this goal, or some other way to achieve this goal. Tools", "source is an extended HTML; all HTML is valid, plus they add some", "to inject something extra into the output just for these branch builds. We", "persistent. (Most of our reviewers are not comfortable reviewing the HTML source, or", "wiki page, and ask people to post their feedback as comments. This allows", "hierarchical table of contents, as you would expect); a PDF of the entire", "feedback, which means (a) less repetition compared to individual responses and (b) earlier", "when we send out a review request, we point people to that wiki", "feedback as comments. This allows everybody to see each other's feedback, which means", "there in the HTML, kind of like commenting on Google Docs, but without", "easy for people to comment and see others' comments. The bar to beat", "to the doc plan, a specification that we produced earlier describing the intended", "a new feature or make broad improvements like reorganizations, we publish an HTML", "a lot of extra work? We want to make it easy for people", "the raw source on the branch.) We use Madcap Flare to create and", "work? We want to make it easy for people to comment and see", "to that wiki page, and ask people to post their feedback as comments.", "can do without a lot of extra work? We want to make it", "5000+ pages. 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Or is the current approach the", "The HTML documentation set has hundreds of individual pages (with sidebar hierarchical table", "Typical comments begin with something like \"in 'Installing Plugins', the description in the", "use ------------ We use source control (git), with feature work being done on", "to make it even easier by allowing people to attach comments right there", "builds to support this goal, or some other way to achieve this goal.", "out there already that we can inject into these builds to support this", "make it even easier by allowing people to attach comments right there in", "doc plan is a page on the internal wiki. Right now, when we", "a PDF of the entire doc set is 5000+ pages. When we document", "others' comments. The bar to beat is comments on a wiki page. We", "for these branch builds. We own the server, so we can add things", "build for review by developers, QA, support, the product manager, and other writers.", "to beat is comments on a wiki page. We aren't interested in importing", "that does some housekeeping and invokes madbuild.exe (Flare's build engine). That script publishes", "on a team that documents a large product. The HTML documentation set has", "has hundreds of individual pages (with sidebar hierarchical table of contents, as you", "that changed. We actually add these links to the doc plan, a specification", "that wiki page, and ask people to post their feedback as comments. This", "We own the server, so we can add things to it if needed", "that we can inject into these builds to support this goal, or some", "these builds to support this goal, or some other way to achieve this", "build process. Wunkils currently calls a script that does some housekeeping and invokes", "the doc plan, a specification that we produced earlier describing the intended changes", "The problem in detail --------------------- I work on a team that documents a", "of the entire doc set is 5000+ pages. When we document a new", "to attach comments right there in the HTML, kind of like commenting on", "To mitigate that, we provide links to the specific topics that changed. We", "in use ------------ We use source control (git), with feature work being done", "branches. The review builds are produced from those branches and are persistent. (Most", "approach works better for us than either email responses or individually commenting on", "produced from those branches and are persistent. (Most of our reviewers are not", "of like commenting on Google Docs, but without having to import our large", "script that does some housekeeping and invokes madbuild.exe (Flare's build engine). That script", "they want, see the background of why we made a particular change. The", "email responses or individually commenting on PDFs of just the selected topics. (We've", "from those branches and are persistent. (Most of our reviewers are not comfortable", "we point people to that wiki page, and ask people to post their", "Wunkils currently calls a script that does some housekeeping and invokes madbuild.exe (Flare's", "links to the specific topics that changed. We actually add these links to", "build time. The output is conventional HTML. We use Wunkils to manage the", "either email responses or individually commenting on PDFs of just the selected topics.", "branches and are persistent. (Most of our reviewers are not comfortable reviewing the", "the output just for these branch builds. We own the server, so we", "currently calls a script that does some housekeeping and invokes madbuild.exe (Flare's build", "HTML source, or I would sidestep all of this by having them review", "chains can be hard to navigate too, even with threading. And people still", "the entire doc set in this build, not just the changed pages, because", "would have to learn). 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This approach works better for", "that we produced earlier describing the intended changes -- this way people can,", "some Javascript package out there already that we can inject into these builds", "on a large HTML project. The problem in detail --------------------- I work on", "other writers. We publish the entire doc set in this build, not just", "still have to do some extra work to write those comments, because they", "Docs, but without having to import our large doc set into some other", "pages (with sidebar hierarchical table of contents, as you would expect); a PDF", "achieve this goal. Tools in use ------------ We use source control (git), with", "send out a review request, we point people to that wiki page, and", "of disagreements among reviewers. But long comment chains can be hard to navigate", "on an internal server. In principle, therefore, we could modify the build script", "just for these branch builds. 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Typical comments begin with something", "a way to make it even easier by allowing people to attach comments", "support this goal, or some other way to achieve this goal. Tools in", "as comments. This allows everybody to see each other's feedback, which means (a)", "a page on the internal wiki. Right now, when we send out a", "background of why we made a particular change. The doc plan is a", "for us than either email responses or individually commenting on PDFs of just", "review builds are produced from those branches and are persistent. (Most of our", "all HTML is valid, plus they add some tool-specific tags that are used", "the entire doc set is 5000+ pages. When we document a new feature", "HTML doc set into some other tool (that people would have to learn).", "Wunkils to manage the build process. Wunkils currently calls a script that does", "at build time. The output is conventional HTML. We use Wunkils to manage", "to comment and see others' comments. 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We actually add these links to the", "than either email responses or individually commenting on PDFs of just the selected", "comments. The bar to beat is comments on a wiki page. We aren't", "into some other tool (that people would have to learn). I'm wondering if", "this goal. Tools in use ------------ We use source control (git), with feature", "we can do without a lot of extra work? We want to make", "principle, therefore, we could modify the build script to inject something extra into", "The output is conventional HTML. We use Wunkils to manage the build process.", "HTML is valid, plus they add some tool-specific tags that are used at", "HTML build for review by developers, QA, support, the product manager, and other", "are not comfortable reviewing the HTML source, or I would sidestep all of", "tags that are used at build time. The output is conventional HTML. We", "engine). That script publishes the HTML on an internal server. In principle, therefore,", "That script publishes the HTML on an internal server. In principle, therefore, we", "HTML on an internal server. In principle, therefore, we could modify the build", "as close to \"inline\" as possible on a large HTML project. The problem", "does some housekeeping and invokes madbuild.exe (Flare's build engine). That script publishes the", "of this by having them review the raw source on the branch.) We", "in the HTML, kind of like commenting on Google Docs, but without having", "paragraph isn't quite right because...\". This approach works better for us than either", "because they have to tell us what they're reacting to. Typical comments begin", "server. In principle, therefore, we could modify the build script to inject something", "the branch.) We use Madcap Flare to create and build the docs. Flare's", "doc source is an extended HTML; all HTML is valid, plus they add", "like \"in 'Installing Plugins', the description in the third paragraph isn't quite right", "doc plan, a specification that we produced earlier describing the intended changes --", "purpose? Or is the current approach the best we can do without a", "we send out a review request, we point people to that wiki page,", "by developers, QA, support, the product manager, and other writers. We publish the", "control (git), with feature work being done on branches. The review builds are", "manage the build process. Wunkils currently calls a script that does some housekeeping", "problem in detail --------------------- I work on a team that documents a large", "sidebar hierarchical table of contents, as you would expect); a PDF of the", "changes -- this way people can, if they want, see the background of", "specific topics that changed. We actually add these links to the doc plan,", "the best we can do without a lot of extra work? We want", "------------ We use source control (git), with feature work being done on branches.", "to see each other's feedback, which means (a) less repetition compared to individual", "We use Wunkils to manage the build process. Wunkils currently calls a script", "\"inline\" as possible on a large HTML project. The problem in detail ---------------------", "earlier describing the intended changes -- this way people can, if they want,", "which means (a) less repetition compared to individual responses and (b) earlier discovery", "calls a script that does some housekeeping and invokes madbuild.exe (Flare's build engine).", "some tool-specific tags that are used at build time. The output is conventional", "source control (git), with feature work being done on branches. The review builds", "do some extra work to write those comments, because they have to tell", "improvements like reorganizations, we publish an HTML build for review by developers, QA,", "the specific topics that changed. We actually add these links to the doc", "into these builds to support this goal, or some other way to achieve", "are persistent. (Most of our reviewers are not comfortable reviewing the HTML source,", "on a wiki page. We aren't interested in importing a large HTML doc", "all of this by having them review the raw source on the branch.)", "and are persistent. (Most of our reviewers are not comfortable reviewing the HTML", "the build script to inject something extra into the output just for these", "developers, QA, support, the product manager, and other writers. We publish the entire", "allowing people to attach comments right there in the HTML, kind of like", "a specification that we produced earlier describing the intended changes -- this way", "--------------------- I work on a team that documents a large product. The HTML", "Right now, when we send out a review request, we point people to", "changed. We actually add these links to the doc plan, a specification that", "But long comment chains can be hard to navigate too, even with threading.", "bar to beat is comments on a wiki page. We aren't interested in", "just the changed pages, because sometimes context matters. To mitigate that, we provide", "would sidestep all of this by having them review the raw source on", "is valid, plus they add some tool-specific tags that are used at build", "work on a team that documents a large product. The HTML documentation set", "is the current approach the best we can do without a lot of", "means (a) less repetition compared to individual responses and (b) earlier discovery of", "large product. The HTML documentation set has hundreds of individual pages (with sidebar", "see each other's feedback, which means (a) less repetition compared to individual responses", "build script to inject something extra into the output just for these branch", "we produced earlier describing the intended changes -- this way people can, if", "the third paragraph isn't quite right because...\". This approach works better for us", "PDFs of just the selected topics. (We've done both of those.) Is there", "to \"inline\" as possible on a large HTML project. The problem in detail", "set into some other tool just for this purpose? Or is the current", "of why we made a particular change. The doc plan is a page", "it easy for people to comment and see others' comments. The bar to", "people to comment and see others' comments. The bar to beat is comments", "those.) Is there a way to make it even easier by allowing people", "This allows everybody to see each other's feedback, which means (a) less repetition", "inject into these builds to support this goal, or some other way to", "that are used at build time. The output is conventional HTML. We use", "to post their feedback as comments. This allows everybody to see each other's", "is a page on the internal wiki. Right now, when we send out", "(git), with feature work being done on branches. The review builds are produced", "schema for the doc source is an extended HTML; all HTML is valid,", "internal server. In principle, therefore, we could modify the build script to inject", "(b) earlier discovery of disagreements among reviewers. But long comment chains can be", "or individually commenting on PDFs of just the selected topics. (We've done both", "set is 5000+ pages. When we document a new feature or make broad", "context matters. To mitigate that, we provide links to the specific topics that", "to achieve this goal. Tools in use ------------ We use source control (git),", "discovery of disagreements among reviewers. But long comment chains can be hard to", "point people to that wiki page, and ask people to post their feedback", "script to inject something extra into the output just for these branch builds.", "made a particular change. The doc plan is a page on the internal", "third paragraph isn't quite right because...\". This approach works better for us than", "document a new feature or make broad improvements like reorganizations, we publish an", "responses or individually commenting on PDFs of just the selected topics. (We've done", "the HTML, kind of like commenting on Google Docs, but without having to", "sidestep all of this by having them review the raw source on the", "Flare to create and build the docs. Flare's schema for the doc source", "to comment collaboratively as close to \"inline\" as possible on a large HTML", "on the branch.) We use Madcap Flare to create and build the docs.", "extra into the output just for these branch builds. We own the server,", "work to write those comments, because they have to tell us what they're", "to manage the build process. Wunkils currently calls a script that does some", "or I would sidestep all of this by having them review the raw", "review by developers, QA, support, the product manager, and other writers. We publish", "among reviewers. But long comment chains can be hard to navigate too, even", "importing a large HTML doc set into some other tool (that people would", "goal, or some other way to achieve this goal. Tools in use ------------", "describing the intended changes -- this way people can, if they want, see", "for people to comment and see others' comments. The bar to beat is", "pages, because sometimes context matters. To mitigate that, we provide links to the", "having to import our large doc set into some other tool just for", "-- this way people can, if they want, see the background of why", "HTML, kind of like commenting on Google Docs, but without having to import", "can inject into these builds to support this goal, or some other way", "HTML; all HTML is valid, plus they add some tool-specific tags that are", "is 5000+ pages. When we document a new feature or make broad improvements", "of those.) Is there a way to make it even easier by allowing", "it even easier by allowing people to attach comments right there in the", "but without having to import our large doc set into some other tool", "attach comments right there in the HTML, kind of like commenting on Google", "without having to import our large doc set into some other tool just", "and other writers. We publish the entire doc set in this build, not", "can, if they want, see the background of why we made a particular", "(with sidebar hierarchical table of contents, as you would expect); a PDF of", "are produced from those branches and are persistent. (Most of our reviewers are", "of our reviewers are not comfortable reviewing the HTML source, or I would", "people can, if they want, see the background of why we made a", "comment collaboratively as close to \"inline\" as possible on a large HTML project.", "other's feedback, which means (a) less repetition compared to individual responses and (b)", "on Google Docs, but without having to import our large doc set into", "having them review the raw source on the branch.) We use Madcap Flare", "plan is a page on the internal wiki. Right now, when we send", "we publish an HTML build for review by developers, QA, support, the product", "branch builds. We own the server, so we can add things to it", "there's, say, some Javascript package out there already that we can inject into", "review the raw source on the branch.) We use Madcap Flare to create", "a particular change. The doc plan is a page on the internal wiki.", "In principle, therefore, we could modify the build script to inject something extra", "a script that does some housekeeping and invokes madbuild.exe (Flare's build engine). That", "of extra work? We want to make it easy for people to comment", "branch.) We use Madcap Flare to create and build the docs. Flare's schema", "(a) less repetition compared to individual responses and (b) earlier discovery of disagreements", "extra work? We want to make it easy for people to comment and", "publish an HTML build for review by developers, QA, support, the product manager,", "package out there already that we can inject into these builds to support", "kind of like commenting on Google Docs, but without having to import our", "as possible on a large HTML project. The problem in detail --------------------- I", "are used at build time. The output is conventional HTML. We use Wunkils", "just for this purpose? Or is the current approach the best we can", "to write those comments, because they have to tell us what they're reacting", "internal wiki. Right now, when we send out a review request, we point", "produced earlier describing the intended changes -- this way people can, if they", "us what they're reacting to. Typical comments begin with something like \"in 'Installing", "comments begin with something like \"in 'Installing Plugins', the description in the third", "page, and ask people to post their feedback as comments. This allows everybody", "by allowing people to attach comments right there in the HTML, kind of", "We publish the entire doc set in this build, not just the changed", "product manager, and other writers. We publish the entire doc set in this", "begin with something like \"in 'Installing Plugins', the description in the third paragraph" ]
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